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LIBRARY
M. KNOEDLER & CO,
556-8 FIFTH AVE, —
NEW YORK
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COLLECTION
OF THE AMATEURS |
MR. WALTER MANCHESTER
: AND
a Miss. i. M. MANCHESTER
OF BERKELEY, CALIFORNIA
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
3 ~on WEDNESDAY AND THURSDAY AFTER-
eae NOONS, APRIL 16TH AND 17TH
AT 2.80 O’CLOCK
AND THURSDAY EVENING, APRIL 17TH
AT 8.15 O'CLOCK
_ AT THE AMERICAN ART GALLERIES
rh MADISON SQUARE SOUTH
NEW YORK
CATALOGUE
OF THE
- ORIENTAL ART OBJECTS
FINE JAPANESE COLOR PRINTS, ETCHINGS
AND ENGRAVINGS sy REMBRANDT, DURER
AND OTHERS, WATER COLORS BY
J. M.W. TURNER, AND PAINTINGS
AND DRAWINGS
COLLECTED BY THE AMATEURS
MR. WALTER MANCHESTER
; AND
MISS IDA M. MANCHESTER
OF BERKELEY, CALIFORNIA
TO BE SOLD AT UNRESTRICTED PUBLIC SALE
ON THE DATES HEREIN STATED
THE SALE WILL BE CONDUCTED BY
MR. THOMAS E. KIRBY
OF
THE AMERICAN ART ASSOCIATION, Manacers
MADISON SQUARE SOUTH
NEW YORK
1913
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CONDITIONS OF SALE
1. The highest Bidder to be the Buyer, and if any dispute
arise between two or more Bidders, the Lot so in dispute shall be
immediately put up again and re-sold.
2. The Auctioneer reserves the right to reject any bid which
is merely a nominal or fractional advance, and therefore, in his
judgment, likely to affect the Sale injuriously.
3. The Purchasers to give their names and addresses, and to
pay down a cash deposit, or the whole of the Purchase-money, if
required, in default of which the Lot or Lots so purchased to be
immediately put up again and re-sold.
4. The Lots to be taken away at the Buyer’s Expense and Risk
within twenty-four hours from the conclusion of the Sale, unless
otherwise specified by the Auctioneer or Managers previous to or
at the time of Sale, and the remainder of the Purchase-money to
be absolutely paid, or otherwise settled for to the satisfaction
of the Auctioneer, on or before delivery, in default of which the
undersigned will not hold themselves responsible if the Lots be
lost, stolen, damaged, or destroyed, but they will be left at the
sole risk of the purchaser.
5. While the undersigned will not hold themselves responsible
for the correctness of the description, genuineness, or authen-
ticity of, or any fault or defect in, any Lot, and make no War-
ranty whatever, they will, upon receiving previous to date of
Sale trustworthy expert opinion in writing that any Painting
or other Work of Art is not what it is represented to be, use
every effort on their part to furnish proof to the contrary; fail-
ing in which, the object or objects in question will be sold sub-
ject to the declaration of the aforesaid expert, he being liable
to the Owner or Owners thereof for damage or injury occasioned
thereby. .
6. To prevent inaccuracy in delivery, and inconvenience in the
settlement of the Purchases, no Lot can, on any account, be re-
moved during the Sale.
7. Upon failure to comply with the above conditions, the money
deposited in part payment shall be forfeited; all Lots uncleared
within one day from conclusion of Sale (unless otherwise specified
as above) shall be re-sold by public or private sale, without further
notice, and the deficiency (if any) attending such re-sale shall be
made good by the defaulter at this Sale, together with all charges
attending the same. This Condition is without prejudice to the
right of the Auctioneer to enforce the contract made at this Sale
anithout such re-sale, if he thinks fit.
8. The Undersigned are in no manner connected with the
business of the cartage or packing and shipping of purchases,
and although they will afford to purchasers every facility for em-
ploying careful carriers and packers, they will not hold themselves
responsible for the acts and charges of the parties engaged for
such services.
Tur AMERICAN ART ASSOCIATION, Mawnacers.
THOMAS E. KIRBY, AvcrTioneEeEr. .
Peed bes.
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CATALOGUE
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FIRST AFTERNOON’S SALE
WEDNESDAY, APRIL 16, 1913
AT THE AMERICAN ART GALLERIES
BEGINNING AT 2.30 o’CLOCK
(PROPERTY OF MR. WALTER MANCHESTER)
JAPANESE PORCELAINS
1—Miniature Kaca Cur —
». Octagonal. Plain red ground with gold decoration of the
ee symbols of long life.
2—Pair JAPANESE PORCELAIN SAUCERS
Penciled blue leaves, red and gold flowers, on a white ground;
/ ~~ delicate coloring.
3—Pair JAPANESE PoRCELAIN SAUCERS
Scattered emblems in delicate colorings and penciled gold.
(em)
‘7 4—Kaca Cup anp SAucER
Red and gold bands, with blue and white diapered bands.
5—Parr Unusvat Kutant SMAty Puiates
Octagonal. Tigers, with green leaves and peonies and
) 52 finely penciled fret pattern and other ornament. Red and
—~~_ gold and bright green.
6—F ive Kaca Saxet Cups —
5. Red and gold panels, with maroon-colored floral sprays on
As 4 white eereneced ground.
{—Smauy Wuirte Trerort Disx |
Tripod; old Japanese ivory-white crackle porcelain, with
3 v¢ duck in water in colors. Angles tipped with green leaves.
Has teakwood stand. |
8—Kaca 'TEapor
—2¢:. Pipkin form. Sparrows and border designs penciled in
black and gold on a red ground.
9—Smaty Ovirorm VasE
Mikawa-uchi. Eighteenth century. Scattered emblems
/ 2 and clouds, GeCateLy painted in underglaze blue, coral red
— and gold.
Height, 33/4, inches.
10—CoverEep Box
Fine old Nabeshima. Conventional decoration penciled in
é¥ gray, blue, green and gold on a white ground.
Height, 3%, inches.
11—Parr Arira DisHEs
Green clouds and red flowers in white center panels. Deep,
curved, blue scroll borders.
a a Length, 8 inches; width, 4 inches.
12—Coverep Ricr Bowx
Hizen. Seventeenth century. Dark blue grasses with red
jo and green flowers on white ground. “Premiére qualité colo-_
ROCs al
Diameter, 4 inches.
-:18—Sevare Disu.
Seiji ware. Central landscape in green, blue, violet and
ie red. Diapered border with narrow panels of fruit and
i if 00 leaves.
7%, inches square.
14—Seavare Kutanr Bow1
Red all-over designs with foliated white panels of playing
jai ae children, in blue and other colors.
Height, 314 inches.
15—Pair or Puates
Kakeyemon. Seventeenth century. White ground. Blue
a rocks, with birds, flowers and grasses in scarlet and green.
Indented edges.
Diameter, 8 inches.
16—NaBESHIMA Disx
. Floral spray in orange, green and blue, and bands of wave
5 <¢ ~~ —pattern in underglaze blue.
Diameter, 814 inches.
‘ 17—Otp Imartr Pirate
Border of alternate dark blue and red medallions, inter-
eee spersed with floral patterns. Natural sprays in the center
crossed by dark blue and gold bands.
Diameter, 10 inches.
18—Imari Puate
Scalloped edge. Pine tree, bird, and white foliated panels,
2 90 in a conventional border of many colors, and gilding.
Diameter, 91, inches.
19—O.p Imari Prats
Borders of alternate dark blue and red circles, interspersed
_,, with blue and red flowers, with gold. Natural sprays in
O == the center crossed by dark blue and gold bands on white
ground.
Diameter, 10 inches.
290—PotyconaL Derr Puate
Kakeyemon. Seventeenth century. Buff rim, green bamboo
4 <2 tree, red birds, and floral patterns in red, green and blue.
Diameter, 834, inches.
21—Pair Oxp Imari DisHeEs
Bold floral sprays in orange, green and blue.
i vu Diameter, 84 inches.
92—_Imart PLATE
Pierced edge. Central vase of peonies and floral borders in
74a various brilliant colors and gilding.
Diameter, 914 inches.
23—Parr Larce Porcetatn Puates
Kakeyemon. Seventeenth century. Hawthorn tree; flow-
ers and flying birds on one, scattered floral sprays on the
o Lo other, in various colors. Narrow conventional borders with
foliated inner edges. 4
Diameter, 12 inches.
24—Coverep Ricr Jar
Mokubé (?). Coral-red ground, with an elaborate decora-
_, tion of numerous figures, sacred elephant and ceremonial
ee and festive gatherings, in brilliant tones of green and yellow
and gilding. |
Height, 7, inches.
25—F ine Oxp Imari Gincer Jar
Covered with leaves, branches and dark blue “Ki-lin,” inter-
mingled with Howo birds and peonies, in red, blue and gold
Oe on a white ground. Has carved teakwood cover and stand. —
Height, 81% inches.
ee eee ee ee ee eee ee! eee
JAPANESE BLUE AND WHITE PORCELAINS
96—Smatyt Donacui Perrume Box
Diamond shape with pointed cover.
Gourds in outline and
dark blue.
_ :
27—Sake Por ‘
Storks and emblems in underglaze blue.
28—Turee Buve anp Waite Saucers
fs Seated figure and garden scene in center. Floral borders.
99—Buvur anp Wuitr Perrume Burner
Mikawachi. Conventional border finely penciled round the
a ie base. Ivory lid.
30—BuvE anp Wuirt Bownu
Decoration of Tokugawa crests in dark blue circles, pen-
nes ciled in brilliant blue.
Diameter, 41 inches.
$1—Buve anp Wutre Trirvop PErrume BuRNER
Fine old Kyoto.
2$v_ dark cobalt-blue.
Bamboo, pine, and blossoming plum in
Has teakwood lid with chalcedony knob.
382—Smatyu CyLInpDRICAL TRIPOD JAR
Nabeshima. Landscape and river view in underglaze blue.
oo Has carved teakwood lid with crystal knob.
Height, 3 inches.
$3—BuveE anp Wuirer Disu
On low foot. Decoration of millet, finely painted in two
y 37 shades of blue. Symbols on the outer edge.
Diameter, 6 inches.
34—Buive anp Waite Bow.
Mikawachi. Three Imperial crests in blue outline, upon a
[sv light blue diagonal trellis of bamboo boughs, with dark
blue leaves and sparrows interspersed.
Diameter, 41% inches.
35—SauaRE BuvE anp Wuirtet Box
Dome lid. Opaque blue ground, with butterflies and cloud
is ud forms in reserve.
36—Buvur anp Wuirr Box
Shaped as an obi knot. Opaque blue ground, with peonies
‘and scrolls in reserve. :
37—Imari Buve anp Wuite OctracGonat Disu
Two dragons in combat over the water, cloud forms and
emblem in center, and diapered borders with white blos-
oF OO coms) Pointed but edge. |
Width, 8 inches; length, 1114 inches.
$8—Imari Buur anp Waite Puate
Floral spray and rocks in white center. Outer border with
rain peony and scroll design. Scalloped edge.
OLD AND MODERN SATSUMA
DECORATED AND UNDECORATED SPECIMENS
39—SmaLyu Satsuma Coverep VasE
Oviform, with foliated base. Elaborately brocaded ground,
LL 4 with three panels enclosing floral sprays. Carved silver lid,
- topped with a natural peony blossom in full relief.
Height, 3% inches.
— ee ee
Diameter, 10 inches. |
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5 -
ut neat
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PE eS ee
: 40—Oxp Sarsuma Coverep Box
Shaped as a lotus bud, covered with blue eeoinel: Decora-
tion, three medallions filled with flowers and grasses, in vari-
| ous colors and gilding on a finely crackled ground. Im-
7 ~— pressed mark Ninsei.
Diameter, 21%, by 2% inches.
‘ are 41—Satsuma Samat Koro
: cr Rich green ground, scattered with black spots and red and
‘4 —___ plue archaic scrolls. Pierced silver lid.
; |
42—Sarsuma Perrume Box
/ Crackled glaze, decorated in warm tan shades with ranges
; o ¢¢ of hills intermingled with white blossoming trees. Signed:
ere Kenzan.
hate
| i
48—O.p Satsuma SMaryt TEapor
Kinkozan. Seventeenth century. Square, with flat top and
Y od round lid. Rich gray-brown crackle, with hanging sprays
. of bamboo and plum blossoms in bright blue and green.
t Braided wire handle.
44—O.p Satsuma TEa-sar
Highly glazed in cream white and finely crackled, showing
cia the biscuit toward the base, but glazed underneath. Ivory
lid.
Height, 3 inches.
45—Oup Satsuma TrEapot
Kinkozan. Seventeenth century. Square at one end, with
Ui, ¢o slightly curved sides merging into the pointed spout at the
other and flattened below. An exposed horizontal strainer
across the pointed end; flat lid with a T-shaped knob.
Decoration, blue reeds and brown dragon-flies. Twisted
handle branching to one side. Finely crackled brown glaze.
Length, 434 inches.
46—Smaryu Bow.
Gray even crackle. Panels with flowers, ornament and
2 %° upper border roughly sketched in dark brown brush strokes.
Has teakwood stand.
47—Oxup Satsuma SmAutu TEApror
Globular, with five conventional blossoms in red, green and
ye blue enamels and gilding over a light brown glaze which is_
(geae minutely crackled throughout. Dragon handle touched
with green enamel and gold.
48—Oup Satsuma Koro
ys «¢ In form of a rabbit, with silver ears for the cover.
49—Moprern Satsuma GuLoBuLAR BotTrie
Wreathed with gold and green crests and Howo birds. Also
; a brocaded collar in gold and delicate colors. Fine even
tt crackle. By Tozan. Has teakwood stand.
50—Satsuma SMALL Trieop Koro
Flattened globular shape. Floral panels, richly brocaded
in enamels and gilding, with reserve of chrysanthemums.
Sas,
O Has silver lid.
51—Oup Satsuma TEA-BOWL
Undecorated. Covered with a warm old-ivory crackle of
a 60 fine quality. Has teakwood stand.
52—MopErn Satsuma Koro
Globular shape on tripod. Thickly hanging sprays of flow-
AO = ers in many colors, enriched by gold. Brocade border un-
derneath in black and gold. Silver domed cover, in champ-
levé. By a pupil of Meizan.
RMU ee Ty me eg t ey oe ete e
~ 58—Otxp Satsuma Ovirorm Jar
Long panels, brocaded and diapered in rich colors and gold.
a Pierced and repoussé chased silver lid. Has carved teak-
60
“a = wood stand.
Height, 41%, inches.
54—Movern Satsuma Tra-Bown
| Microscopically and skilfully decorated. The inner and
se outer surface covered with blossoms and flowers and medal-
~ lions enclosing many minute figures. Jeweled and brocaded
upper border. By a pupil of Meizan.
55—Oup Satsuma TrEA4-Bow1L
Minutely crackled brown glaze. Conventional scrolls on the
pa. lower portion, filled with brocade designs in gold and colors.
Sprays of flowers above, outside and in.
From the De Goncourt Collection, Paris.
Diameter, 41 inches.
56—O.xp Satsuma TEA-BowL
Various colored stripes narrowing toward the base and
gst groups of spirals inside and out, applied over a minutely
crackled old ivory glaze. Has teakwood stand.
Diameter, 41%, inches.
2
57—O.p Satsuma Bow.
Creamy white crackle glaze. The outer surface decorated
with three groups of flowers in landscape and the inner
oe he with a handsome fringed border; three crests of the Prince
of Satsuma; all in rich colors enhanced by gilding. Un-
derneath the foot in dark blue the crest of the Prince of
Satsuma and inscription in gold.
Diameter, 6%, inches.
58—Otp Satsuma Disu
Resembling one overlying another. The under one of plain
_, 9, blue enamel; on the other, hanging sprays of cherry
—~ blossoms, and swastika fret, delicately painted in red, sales
and gilding over a soft cream-white crackle glaze.
59—Satsuma PEAR-SHAPED JAR
With its original stopper. Even gray crackle, with brown —
oe storks in flight and blue pine branches in outline. By Tai
San.
Height, 4 inches.
60—Otp Satsuma TEarot
Dome shape, thickly covered with small plum blossoms in
ELe red, blue and gold, artistically executed over a minutely
~~ crackled glaze.
61—Oup Satsuma TEApor ,
Cone-shaped. Decorated with circular fans, cords and tas-
Lh. go sels, with upper and lower rosette bands in light blue and
~~ other enamels over a minutely crackled brown glaze.
62—Oxp Satsuma Trivop Traror
Fluted to represent a chrysanthemum blossom from which,
med underneath, the handle or stalk emerges. Decorated with
small sprays of chrysanthemums painted in red and other
colors upon a crackled gray glaze. Brocade bands round
the neck and stopper in brilliant enamels.
63—O.p Satsuma TEaror
Pear shape. Covered with a rich brown glaze which is
/% minutely crackled throughout. Has small engraved silver
stopper.
Height, 5 inches.
et 7
J;
64—Mopern Trivop TEaror
ey:
pes
a
Nis
Flattened body, which is entirely covered with many panels
i _ of various subjects on a gold speckled ground. Gold fret
7.
and rosette borders round the lid, and underneath are three
sprays of colored flowers on the finest crackled glaze. High
arched silver handle. A fine specimen of Meizan’s work.
65—O.Lp Decora TEapor
d
———
Pipkin form. Enameled dancing figures in grotesque
masks. Upper and lower bands painted in red. Signed by
Bizan.
66—O.p Satsuma TEAPOT
ao?
—S
Undecorated. With straight neck and long spout. Cov-
ered with a brown crackle glaze. Has teakwood stopper.
67—Satsuma Seuare Koro
On four protruding and pointed feet and with two rudi-
mentary handles. In two indented panels are dainty flow-
ers and wicker fences delicately painted in red, blue and
gold, and on the two sides are rich brocade bands and bor-
ders. A golden gourd in relief on a square lid bordered
with fret pattern. Signed by Hododa.
68—Satsuma Trrrop Koro
pS
3
Formed as a lotus blossom with sharply pointed petals which
are decorated in blue and yellow enamels. Broad flat top,
of a light green and gold scroll design, with colored flow-
ers, and a pierced circular lid representing the seed pod.
An under-hand of petals in brilliant enamel, with green feet.
Has carved teakwood tall stand.
69—Watrt Frower VAsE
Go
In the form of a Japanese gift favor. Gray glaze with
brocade decoration all over in enamel colors and gilding,
tied round the center with knotted bow, in full relief. Old
Kutani. (Repaired.)
Length, 111% inches.
a tS A ee ee
70—Oup Kyoto Borrie
Globular with slender straight neck. Covered with a brown
¢% crackle glaze and decorated with two Tokugawa crests in —
gold.
Height, 61%, inches.
71—Oup Satsuma Sake Botrre ©
With flange lip. Decorated with blue and brown pine
(6 42%. sprays in outline. q
Height, 6% inches.
72—Oup Kyoto Saxe Botte
se Tall form with short neck. Decorated with hanging sprays
ou
5 — of pink blossoms and buds in relief enamels.
Height, 61%, inches.
73—O.p Satsuma Piate
/ Decoration, a simple spray of jonquils in brilliant enamel
s “*- colors and gilding. Soft ivory-white crackle ground Be |
dered with disks in low relief.
From the collection of Dr. Ernest Hart, London.
Diameter, 81%, inches.
74—Awata Trieop Spice BorLer
Gourd form in double tiers, with pierced ‘‘Ki-lin” handles.
Striped in panels with bamboo stalks interspaced with
Lf hawthorn sprays and Imperial crests in delicate blue and
green enamels, enriched by gilding. :
5 by 5% inches.
75—Satsuma CoveRepD JAR
In the form of a temple bell. Bosses round the shoulder.
6 ¢¢ Rich brocade design and narrow panels and bands in bril-
liant enamel colors and gilding. Pierced cover with handle
of united dragons.
Height, 7 inches.
%6—Oup Satsuma TEAporT
Vise
Cylindrical, in design of a rolled scroll tied with cord.
Richly and profusely decorated with brocade designs in
brilhant enamels enriched by gilding. Spout tipped with a
rooster’s head.
Height, 61, inches.
7i/—Lareg Ninser Jar
V7
Globular shape with bale. All-over decoration of scroll de-
sign, in bright green and gold, with blue and gold rosettes,
and encircled with foliated medallions enclosing red and
yellow rosettes upon alternate grounds of the glaze and
blue enamel. The lid surmounted by a spray of bursting
pomegranates, modeled in full relief.
From the collection of Dr. Ernest Hart, London.
Height, 11 inches; diameter, 9 inches.
78—LarcrE Oxup Satsuma VASE
TO
Tall hexagonal form, with short neck and receding base.
Decoration, six long panels, each containing a single stand-
ing figure in brilliant enamels. Neck and shoulder encir-
cled with light blue bands and striped with green and yel-
low flowers on a red ground. Even crackle.
Height, 14 inches.
JAPANESE TEA JARS AND VARIOUS OBJECTS
Y9—GtLoBuLAR TEA-JAR
yo
Old Bizen. Dull brown glaze, with tan-color spots.
80—GLoBULAR TEA-JAR
‘ated
Old Higo. Dull iron-rust glaze, with an overrunning glaze
of brown.
81—Rare TEa-sar :
Undulating in rings from top to bottom: A brilliant dark
i e brown glaze over a rich red paste of the finest quality
flecked with iridescent green and blue spots. Ivory lid, and
green knitted silk bag to fit.
82—Oxp Tampa CYLINDRICAL TEA-JAR =
Coated with a mottled brown glaze of brilliant opaque
i a quality. Has ivory lid.
83—Ovirorm TEA-JAR
Invested with an apple-green glaze of opaque quality. Has
/ ( — ivory lid.
84—OLp Japanese Porcetain Botrie
; Pentagonal shape, with short neck and circular base. In-
g <2. vested with a sapphire-blue glaze of brilliant uniform
quality. |
Height, 31%, inches.
85—Oup Bizen Trreop Koro
ee In fine dark brown clay, finely carved with dragons, clouds
and brocade designs, in slight relief. Has silver lid.
86—F ine Inzumo Smauu Vase
Enameled with a brilliant dark brown glaze splashed with
pysats tea color. :
Height, 314 inches.
87—Trirop Koro
Globular shape. Enameled with a celadon glass in imita-
/ 342 tion of old Seiji ware. Chased and openwork silver lid.
Height, 414 inches.
88—OLp JAPANESE TEA-BOWL
Gray crackle glaze. Mark impressed of a wheel and finger-
re co =© mark.
Height, 41, inches; diameter, 3 inches.
89—Oxp Taxatrori TEA-BOWL
7 Cone shaped. Dark blue-green glaze on the outer surface,
Wi ; Which is flecked and mottled with grayish yellow. On the
~~ inner surface a glaze of russet brown and a large dragon-
fly in light gray with a dark brown outline.
Diameter, 434 inches.
90—Oxp Kisuiv Tzaror
. Modeled in the form of a section of bamboo and coated
[ ¢¢ with a glaze of brilliant green, mottled and splashed with
yellow and purple.
Height, 7 inches.
91—-Se1g1 QUADRILATERAL JAR
Tree peonies, butterflies, rocks and grasses carved in relief
é a se
pat —_ in the paste under an opaque sea-green celadon glaze. Has
carved teakwood stand.
Height, 5% inches.
(PROPERTY OF MISS IDA M. MANCHESTER)
CABINET OBJECTS
92—-Parr or Minrature VASsEs
Modern Satsuma. Microscopically decorated with figures
(- go of Japanese dyers, hanging and displaying strips of their
product. Signed by Meizan.
93—O.Lp Satsuma Mintature Koro
Su Undecorated. Cream glaze, with seated dog on the lid and
Bin two scroll handles.
94—O.p Satsuma Gourp-sHAPeD BoTTLE wITH STOPPER
Decoration of chrysanthemum blossoms, in brilliant enamel
U % eolors and gilding, with neck and stopper in blue enamel.
Height, 4 inches.
95—Patr Mopern Satsuma Miniature Botrrues
se gilding. Chrysanthemum flowers round the shoulders.
Signed by Meizan.
/ Decoration of children’s procession in enamel colors and
96—Pair Oxtp Satsuma Firerrty Caces
es Pierced basket design. Rich decoration representing a
°~ —~ printed cloth or brocade, knotted round the handles, in
various colored enamels and gilding.
97—Pair Mopern Satsuma Miniature Breakers
,. Decorated with miniature figures, floral motives and bro-
ete cade patterns, delicately penciled in enamel colors and gild-
ing. Signed by Meizan.
Height, 334 inches.
98—Parr Miniature Gourp Botrries
Nankin porcelain. Decorated in underglaze blue. Have
ve Z ¢* carved teakwood stands.
99—Pair EccsHetit, Curs anp SAUCERS
Old Chinese. Long Elizas and floral sprays in dark blue.
/e-**. Cheng-hua mark.
100—Smatzt Buus anp Wuitr TEAporT
oe Dragons in dark blue. Signed by Makuza Kozan.
101—Parr SmMaAatyt SAcRIFICIAL Cups
yous
Chinese semi-eggshell porcelain. Dragon medallions in fine
underglaze blue. Six-character mark of K’ang-hsi.
102—Pair EcesHeti Wine Cours ©
Lotus plants in yellow and underglaze blue. Six-character
/O3 ‘2 mark of K’ang-hsi period.
es
Oe ee
ee
a A rie me wr ewe ee eee pete eee re i”
Perot a ee
—
103—Patr or Smaty Buve anp Waite Pirates
ae Soft-paste type. Landscape medallions and conventional
ae a6 borders in two shades of underglaze blue. Ch’ien-lung
: period.
104—Buve anv Wuire Bow.
Semi-egeshell porcelain of the K’ang-hsi period. Chinese
pee “<__—_ garden scene with figures painted in fine underglaze blue.
Character mark of the period and a Chinese inscription.
Diameter, 41, inches.
105—BuveE and Waite Borrie-sHarep VAsE
re Of the Ch’ien-lung period and soft-paste type. Flowers
~—— and foliated scrolls in dark blue, and borders of gadroons
and palmettes in two shades of underglaze blue. Has teak-
wood stand.
Height, 51% inches.
106—Ivory Netsuke
The Six Poets. Signed by Isesai Naomitsu.
iat
FINE OLD AND MODERN JAPANESE
CARVINGS
107—Ivory Netsuke
Palanquin and seated lady within, monkey and Oni carriers.
i g *“ Emblems on the roof. Subject, Kintoki. Signed by
Shinsai.
108—Ivory Netsuke
io 29 Pair of clam shells, half open, with Benten and fish seated
within. Signed by Mitsu oh.
109—Ivory NETSUKE
Daruma, stretching, and two annoying Oni. Signed by
Kigiyoku.
e
ot Je
——
110—Ivory NetsvuKxe
vy. Oni rowing a lotus-leaf boat, intricately carved. Signed
/ a ~ by Giyokugetsu. |
111—Ivory NeEtTsuKeE |
/ ge Kwanon seated on a rock, regarding a child’s offering at
~~ her feet. Signed by Itsukosai.
112—Japanese Ivory Carvine Mies
/ { ve A blind man with child and monkey. Signed by Seizan.
113—Japangese Ivory Carvine
A gardener with potting plants. Signed by Seikoku.
ree
114— Japanese Ivory Carvine
., & fisherman with basket of abalone shells. Signed by
2 St Muneshige.
Height, 234, inches.
115—JapaneEsE Ivory Carvine
o-7so i Mottled rose and white. Has teakwood stand.
/ Diameter, 2 inches.
130—JapanrsE Rock Crystat Barty
eres
fe
Showing prismatic colors. On tall carved teakwood stand.
Diameter, 4 inches.
131—Japanest YELLOw Crystaut CuBE
Clear texture. Rounded edges. Has lacquer stand.
/ 60 e
ARN g ictal 23/4, inches square.
182—MintatTure Cup anp SAUCER
In Canton enamel, of floral form, with Show in blue, and
—2 °¢_ landscape, dragons, scrolls and border designs in various
colors.
133—Patrr Miniature Cours and SAUCERS
4, Canton enamel. Show, archaic dragons, ornaments and
~ symbols penciled in various colors and gold.
134—OcraconaL SAUCER
Chinese porcelain. Radiating panels of red and green flow-
ers on a white ground, with a blue and white border.
Diameter, 5 inches.
1385—Japranrszt EnamMet Vase
Oviform bottle-shape. Sprays of pink and green thistles
7 v6 upon a plain shaded green ground. By Namikawa Sosuke
| eae of Kyato.
Height, 314 inches.
136—Patr OLp JAPANESE CLOISONNE ENAMEL Saucers
Blue and red central squares and borders upon a white
3°) ground.
. Diameter, 434, inches.
137—Mopern Satsuma Bow.
fen Decoration of fans on the outer surface and a spiral of
~_ chrysanthemums and scattered butterflies on the inner sur-
face. Signed by Meizan.
Diameter, 314 inches.
_ 138—Mopern Satsuma Bow.
The outer surface embellished with a decoration known as
pide’ the “Thousand Flowers”? and the inner surface with “A
Thousand Butterflies,” all executed with microscopic pre-
cision. Signed by Meizan.
139—Mopvern Satsuma Bown
i Similar embellishment to that of the preceding bowl, No.
Lé<— 188. Signed by Meizan.
Diameter, 3% inches.
140—Mopern Satsuma Bownu
Decoration of the exterior surface consists of numerous fan
designs, and on the inner surface spirals of chrysanthe-
74 ** mums, symbols and other designs, all exquisitely painted in
enamel colors and penciled gold. Signed by Meizan. .
Diameter, 414 inches.
141—MopeErn Cioisonné Enamet Jar |
Oviform with cover. Decorated with scattered floral medal-
ee lions and blossoms upon a deep royal blue plain ground.
Signed by Namikawa. Has teakwood stand.
- Height, 434, inches.
142—O.up CHINESE CLOISONNE VASE
Conventional all-over design of rich red peonies and leafy
y oe scrolls upon a brilliant turquoise ground. Ch’ien-lung
(1736-1795).
Height, 6 inches.
143—CuHInNEsSE SENTOKO Bronze VasE
Tall cylindrical form with monster-head handles. Yellow
/ 2° patina and thickly covered with gold inlays. Has carved
teakwood stand.
Height, 6 inches.
144—Patr CAMELLIA-LEAF GREEN SAUCERS
Brilliant uniform glaze on both sides. Seal mark of Ch’ien-
lung (1736-1795). 7
AUDEN Cee Diameter, 51, inches.
145—CoveErEpD CLoIsonn&éE Box
Chrysanthemum-flower shape. Decoration of medallions
representing all the flowers of Japan, with a surrounding
nA fs central band of conventional ornament. A black ground
covered closely with scattered emblems and small fine wire
scrolls. Finest workmanship. By Namikawa Yasuyuki of
Kyoto. Has delicate carved wood stand.
Diameter, 53/4 inches.
146—Mopern SatsumMA Piate
Decoration, a double spiral of chrysanthemum blossoms in
/ 6 ¢2_. various colors and penciled gold. Edged with a rosette
border. Very fine work by Meizan; signed.
Diameter, 814 inches.
POMS e ON an ecru tes PT ou Ne aA) to wey Payee PA
i Moai 4 i f rf die x ai ¢
- 147%7—Surers Japanese Tray
op Skilfully produced in carved mother-of-pearl. Represent-
ing a large chrysanthemum flower flattened, entirely made
so in layers of various colored pearl. Scattered sprays, bee
and butterflies in relief on the obverse, and tendrils and
leaves on the reverse, forming feet.
Length, 91, inches; width, 8 inches.
(PROPERTY OF WALTER MANCHESTER)
CABINET OBJECTS
z 148—Pair Canton Enamet Wine Cups
Hae bite _ Decoration of seated figures in landscape.
149—Pair Canron Enamer Smari Trays
- Indented corners. Decorated with central Shou, surrounded
bi be by colored flowers and symbolical bats in brilliant colors on
_a lavender ground.
4 inches square.
\
150—Two Smaru Cups
: One square and one pentagonal, with re-curved angles and
as single handles. White panels in famille-verte decoration.
151—Smatyt Cuinese Porcertain TEAPot
With top handle. Globular, with projecting white bosses
o24< round the top. Foliated panels and sprays, in red, green
and gold.
152—Oup Croisonn&é Enamet TEA-sar
Symbols and conventional ornaments in various low tones
bie on a turquoise-blue ground. Has lacquered stand.
| Height, 4 inches.
153—Canton ENAMELED Tray
With open bamboo rim. Sprays of pink flowers on a tur-
y 60 quoise-blue ground.
an Length, 81, inches.
154—Otp Kurania Tearor
Globular. Landscape in brilliant violet. Green and black
Lote enamels. Green spout and wicker handle.
155—Pair Japanesr EnNAmMeE. Vases
Graceful bottle shape. Decorated with the plum branch,
oO ’* showing night effect with the moon and mist on one, and
pink blossoms on the companion vase upon a shaded gray
ground. By Namikawa Sosuke of Tokyo. Have teakwood
stands.
Height, 71 inches.
156—Patr JAPANESE PorcELAIN VASES witH COVERS
Tall and slender. Dark blue bamboo trees and red flowers on
VS? a lavender-blue ground.
ee, Se
Height, 7%, inches.
157—O.p Cioisonn& Enamet Vase
Decoration of dragons, clouds and lotus petals in colors on
i als a rich blue ground. Has teakwood stand. |
Height, 44 inches.
158—O.p Crotsonné Enamer Vase
Decoration of Howo birds, sprays and lotus petals, in pink
//¢#_ and green, upon white ground. Has a carved teakwood
stand.
Height, 6 inches.
em
q
_ CHINESE, JAPANESE AND EUROPEAN METAL-
WORK
OLD AND MODERN SPECIMENS
159—O.p Iron Sworp Guarp
fs pees Pierced conventional ornament with scalloped edge.
-160—Otp Iron Sworp GUARD
‘ oA ce -_—~—« Sculptured waves in openwork. Signed by Mitsu Yoshi.
| 161—Otp Iron Sworp Guarp
Ma oo Floral shape. Pierced and sculptured design of stork and
blossoming plum tree with gold inlay. Signed by Shige-
masa.
162—O p Iron Sworn Guarp
J" With close all-over pierced pattern and gilded rim.
163—Otp Iron Sworp Guarp
i ge Square, with indented corners. Carved with bamboo and
plum tree; leaves and blossoms inlaid with gold and silver.
164—Suaxkupo Sworp Guarp
: Scattered blossoms in relief in gold and silver. Signed by
Ad ot Mitsuyoshi.
165—Oxp Sworp Guarp
or Copper bronze and nanakoji. Incrusted with gold peonies
— and dogs Foo in high relief.
166—O.p Iron Sworp Guarp
Pierced and carved flowers and insects. Signed by Kinai.
// — — Seventeenth century.
167—O.p Iron Sworp Guarp
Pierced and carved design of flowers and insects. Signed
by Kinai. Seventeenth century.
ga?
—
168—LarcEr Sworp Guarp
Swimming carp on obverse and turtles and shells on reverse
skilfully modeled in high relief. Exceedingly fine speci-
-E¢ ~—men by Natsuo. Mounted on brocade panel in polished
mahogany box.
169—Correr Koeat
/ %¢_ Nanakoji panel, and lifelike fireflies in relief.
170—Fovur SHaxupo Koeat
With nanakoji panels and decorations of birds, horse and
/ 0 ‘2- shells in gold, bronze and silver in high relief. Two signed.
171—Set or Ten Knire Hanptes
In black and gold lacquer box.
1. Shibuichi. Waves in high relief and fish encrusted in
various metals. Signed by Omori Eishu.
Y go 2. Bronze. Two figures in relief with copper and gold in-
/ ~ lay. Signed by Mazayoshi Namono.
3. Iron. Gold and silver dog and foliage in high relief.
Signed by Omori Eishu.
4, Silver. Engraved, with man in boat. Signed by Yoko-
tani Somin. |
5. Bronze. Two figures in a boat, of various metals in
relief. Signed by Hagiya Shoju.
6. Iron. A man looking at the moon, in gold and silver
inlay. Signed by Hamono Seizin.
{. Shakudo and nanakoji. Warrior on horseback, of gold
and silver in high relief. Signed by Hoynesai Haotsune.
8. Sentoku. A man looking over the fence; of various
metals in high relief. Signed by Zuikado Shoyu.
9. Sawari. Landscape of gold and shakudo in relief.
Signed by Fujiwara Seiju.
10. Shibuichi and nanakoji, with shakudo rim. Peonies in
high relief. Signed by Goto Mitsuaki.
172—Iron Knirt HAanpdie
sree The Sacred Treasures in Hirata enamels.
oF 173—Japanrse Pree
eS
a ay / ¢®_ Silver and gold, engraved crest and incised cloud forms.
e 3
4 F 174— JAPANESE SHortT Sworp
(Tan-to.) Length of blade, 15 in.; wavy forging. Scab-
‘- WA PEL bard of ribbed brown lacquer, mounts of bronze, nanakoji
is — and shibuichi, encrusted with decorations of fish and birds
ee in various metals.
- 175—JapanrEseE SHORT Sworp
(Tan-to.) Length of blade, 15 in.; scabbard in black
"4 06 lacquer, imitating leather. Kozuka and mounts of carved
~~ shakudo, and bronze inlaid with gold. Decorations of birds
in flight and gold moon.
From Dr. Ernest Hart’s collection.
176—Miniature Bronze Vase
7 Bottle shape, with flattened body. With champlevé panels.
177—JAPANESE STEEL Mirror
A Storks and pine tree relief on the reverse.
\ Diameter, 434, inches.
178—OLp JAPANESE Fotpinc TAasBLetT
Polished brass. Pierced and finely chased, with wave pat-
ve rid terns and foliations.
179—Two Otp JAPANESE TABLETS
Polished brass. Etched decoration of pine and bamboo
Ee ¢74 branches and floating blossoms.
180—Oup JAPANESE MIn1IATURE Koro
Polished brass. Lotus bud on tripod.
oh tes Height, 3 inches.
181—Oup JapPanesrE Brass Koro
47 ee Rectangular, with pierced handles and seated dog Foo;
—— monster-head feet on cover.
mw ae a ier Te
182—O.Lp JaPpanEsE Foutpinc LANTERN
LZ? Polished brass and oiled paper.
183—Oxp Japanese Brass Sake KETTLE
Los Polished surface. Quadrilateral shape with swinging
~~ handle and movable spout.
184—O.p Japanese Koro
»o Polished brass. Richly carved and engraved; with scal-
—~ loped edges forming lotus petals on tripod of monster-head.
Height, 3% inches.
185—OLp JAPANESE PRICKET CANDLESTICK
°° Polished brass, graceful bottle shape.
186— JAPANESE [Ron JEWEL Box :
The entire outer surface damascened in gold and silver in
V5 Neda geometrical designs. Fine silver-lined specimen by Komei.
Height, 3 inches; length, 334 inches.
187—Oup JAPANESE Tripop Koro
( - Polished brass. With brass stand and carved teakwood lid.
ree Height, 734 inches.
188—Oup Japanese Hrpacui
Polished brass. Oval shape, with swinging handle and
aves pierced cover. Has carved wood stand.
Height, 6 inches; length, 51% inches.
189—O.up JAPANESE PEWTER SAKE JuG |
: With twisted handle and dragon ornament. Signed by
On wetcosnte
190—Oxp JAPANESE Bronze Oxomoni
Lifelike turtle by Toun and signed.
Zi ry as Length, 4 inches.
—_—_—
191—JapanresE Bronze Tray
Lotus-leaf shape, standing on its own crinkled stems. Veins,
crabs and frog inlaid in silver wire.
66
7 —_— Height, 31% inches; length, 6 inches.
192—Oxp Cuixese Bronze Traror
_ Kylins carved and modeled on sides and lid, in full relief.
SS Kane Fret and other borders. Dragon handle. Has teakwood
stand.
193—Oup JAPANESE Bronze Tripop INCENSE BurRNER
pe Two dragons in relief forming handles, incised bands of
—— palmettes; rich brown patina. Has carved wood stand and
cover.
}
Height, 41%, inches.
194—Gorosa HamMERED Bronze TEAPOT
With swinging handle which is wrapped with bamboo wicker
LL oe wood. Signed. Has fine carved teakwood stand.
Height, 4 inches.
195—Oup JAPANESE Bronze Bownx
Globular shape. The outer surface covered with network
of twine and threads, cast in relief.
a oo Height, 51% inches.
196—Oxp JAPANESE Bronze SACRIFICIAL VESSEL
Fungi handle. Golden-brown patina. Signed by Gorosa
Cae 5th.
Tre Length, 7 inches.
197—ULp JAPANESE BronzE FLOWER-HOLDER
/ yo Formed as the stump of a bamboo branch. Rich mottled
— brown and red patina. Signed by Yoshi Kiyo.
Length, 11 inches.
198—Oup Japanese Iron CovERED JAR
Grape vine in bearing, skilfully modeled in relief.
oo meee.
x See Height, 54% inches.
199—OLp JAPANESE Bronze Hanoine VASE
Amphora shape. Ribbed body and relief ornament of a
J “ dragon. Has carved wood tripod stand.
Height, 3%, inches.
200—O.up CuHINEsSE Bronzez VASE |
Showing interesting effects of mixing red lacquer with
ye ~— molten bronze. Of graceful hexagonal bottle shape with
dragon-head handles and incised palmettes.
Height, 104%, inches.
901— JAPANESE BronzE Oxomono
An enraged tiger. |
ues Length, 12 inches.
202—Oup JAPANESE CoprerR HIBACHI
Globular shape with swinging handle, repoussé chased bor-
ad a der round the shoulder and cover; foliated scrolls and flow-
ers. Rich red patina.
Diameter, 82 inches. —
903—ANTIQUE CHINESE Bronze Girt VASE
Oviform with two rudimentary handles. Golden yellow pa-
tina. Sanscrit mark underneath the foot: “Cherish this.”
Has carved wood stand and cover. Hsiian-Te, 1426-1437.
Height, 91%, inches.
S Que
204—JAPANESE Bronze VASE
Bottle shape with dragon handles and relief band of foli-
if 4% ated scrolls. Beautiful patina of verdigris-green mottled
with red. By Mitsu Shiro.
Height, 9 inches.
Pi oe es. =
a ile rol aid
yo ed a, es ote Ve ee ee Ca een ee Sh aie Ue alk &
RCO MITT tL JP Pag OI ce
205—AnTIQUE CHINESE Bronze Trieop Koro
_ With stand and cover to correspond. Blossoming plum
; JQ branches forming handles, feet, openwork cover and stand.
as Fine golden-yellow patina.
Bier: Height, 13 inches,
Rk
= « 9O6— JAPANESE Bronze VASE
7 _ Graceful oviform and spreading mouth. Swimming carp
; Deed and lotus plants skilfully modeled in relief. Rich mottled
brown patina. Has carved teakwood stand.
Height, 13 inches.
207—JaPanEseE Iron PLAQuE
Beautifully decorated in gold and other lacquers in imita-
ne tion of “*Zogaii’”? and damascene work. In the center is a
v S “landscape and river view, with sacred mountain in the dis-
tance and a procession ‘of daimios and their retinues. The
inner border is composed of dragons amid cloud forms, and
the outer border of various diaper patterns intercepted by
butterflies.
Diameter, 1734 inches.
A
908—Larce OLp JAPANESE CLOISONNE PLAQUE
Decoration, two daimio warriors with landscape in rich,
brilliant coloring. Conventional ornament with spray of
/ fae: chrysanthemums and butterflies on the reverse.
Diameter, 21 inches.
209—HammerepD Copper site ds
Repoussé decoration with brass clamps at the indented
Va OU corners.
210—Parir or ANTIQUE CANDLE SNUFFERS WITH TRAY
J 322. Polished brass. Queen Anne period.
211—Hammerep Brass CAsketTr
ies ,, Made for the Arts and Crafts Society’s exhibition in Lon-
7 con.
212—WrovucutT-1ron Hanceinc LAMP
, With crimson glass flame cup. Good modern vo fore
‘ee — Liége, shee
213—Brass Haneine CHAncEL Lamp
Old Florentine. Of chased and pierced work. Fitted with
Dey spring candle socket and red glass flame cup.
Length, with chains, 30 inches.
914—-Set or Persian ARMOR
Helmet, shield and one gauntlet. Iron, with decorations of
Arabic inscriptions, bosses and floral work, damascened and
i)
eC a0 anid with ole:
TEXTILE EMBROIDERIES AND TAPESTRIES
215—BrussEts Rosr-point Lace Dotty
Fine specimen.
J) 06 81, inches square.
216—Two Pieces Otp JAPANESE TEXTILES
: (A) Strip with storks, cloud forms and diaper brocaded
(J 4% im brown and white silks and gold threads.
- (B) Half of an obi, of tan silk, with figures and boats on
water, in dark old gold and bronze color silks.
217—Smatut BrocapE SQuARE
ol oe Green-gold and black, with swastikas and diamonds alternat-
~ ing. Lined with white brocade satin.
218—PortTIon or Prirst’s Rose
Terra-cotta silk, with cloud forms in white, plum color and
(3°2. gold. Lined with bright green silk.
Length, 62 inches; width, 13 inches.
Bs 219—TureE CHINESE S1tK Tapsestry Mats
% a Conventional birds, symbols and mythological beasts in vari-
0
e —— __ ous colors and gold threads.
220—Oxp Cuinese Tapestry Hanerne
Five medallions of storks in white, and bats and cloud forms
, ona scarlet ground.
vs y e Length, 72 inches; width, 101% inches.
221—JarpanesE TemPpie Hancine
Brown silk, with archaic dragon woven in metal threads;
5 %¢. kin and other crests in white satin appliqué.
Length, 521, inches; width, 12%, inches.
222—-PorTION OF A JAPANESE Prirst’s Rose
Gold ground with red trellis design and circles of birds and
if So “flowers in various colored silks. Lined with white satin bro-
cade.
Length, 611% inches; width, 13 inches.
223—PorTION OF JAPANESE Prisst’s Rope
Purple silk with silver and gold floral designs. Lining of
shot purple silk.
06
NWeaieticenes
Length, 621, inches; width, 13 inches.
224—Two Fuxusa or Girr CLoTHs
(4) Old gold silk with an all-over pattern of conventional
G ws peonies and scrolls in the same color.
(B) Gray silk with green foliage, and a plant-box and fan
stenciled in various colors.
225—SMALL JAPANESE BRrocaDE SQuaRE
Dark blue with diaper and medallions woven in gold. Lined
24 7" with white silk.
226—Oxp Japanese Brocape Square HBr ;
Dark blue silk. Lanterns and conventional floral designs in ; ner
/ 3 ae gold, red and blue. Lined with dark green silk.
Length, 371, inches; width, 26 inches. i q
227—Pirecre or Oup Japanese BrocapDE
Dark blue, with kiri crests woven in gold and swastika fret
v ¢? . brocaded. in brown.
i Length, 39 inches; width, 2614 inches.
228—Oup JAPANESE BROCADE ©
Dark blue with diaper and floral ornament in gold thread
we ¢ and various colors. Lined with Tussore silk. |
Pe coee Length, 361% inches; width, 26 inches.
229—Oxp JAPANESE BrocapDE SQuARE
Golden center, with conventional Moorish design, interwoven —
is ¢* with various colored silks, with broad gray and blue border. a
Lining of blue silk. | a
34 inches square. a
230—OL.p JAPANESE BrocaDEs
Black satin; all-over design of oblong panels and dragons in
4 Fe. ° e BS.
ve BAS gold, in low tones of silk. 4
/ Length, 63 inches; width, 25% inches. 7
231—OLp JapanrEsE BrocaDE
/. Gold trefoil and diaper design on dark blue ground. Lined q
/ ‘"__ with purple silk. q
Length, 62 inches; width, 3814 inches. =
932—OxLp CutnesE TAPestry PAnen
Deity, birds, rocks and flowers woven in various colors and : a
/ / oo gold threads, on a red ground. Terra-cotta brocade border.
Lined with white silk. q
Length, 70 inches; width, 20 inches. iG
933— JAPANESE BrocaDE COVER
oe: Brown silk with floral pattern woven in lighter tone. Lined
x y ee with imperial yellow satin.
Length, 49 inches; width, 2514 inches.
234—Oup JapaNEsE BrocapEe Cover
ie | Green and blue flowers on a golden silk ground. Lined with
e foie . red silk. :
x
Length, 59 inches; width, 49 inches.
235—O.p CHINESE Satin BrocapDE
Turquoise-blue ground with peonies, lotus and symbolical
Li 2s bats brocaded in apricot color.
| Length, 83 inches; width, 60 inches,
236—O.Lp CuInEsE Satin BrocapE Cover
Design of boys and trees in golden yellow on a brilliant red
Ly) é~ satin ground. Blue and white embroidered satin border.
~ Lined with light blue silk.
60 inches square.
237—Sumprtvuous JAPANESE OBI
Heavy black satin with a design of closed and opened fans
LL vie in gold, silver and various colors. Golden “Mon” woven at
one end.
Length, 66 inches; width, 261 inches.
238—BEAuTIFUL SAGE-GREEN SATIN Brocade
With conventional flowers in alternate bands, woven in gold
y y threads and dark green and brown silks.
wy — Length, 52 inches; width, 28 inches.
239—Oxp Japanese Prizst’s Rose
Dark blue satin with all-over design in flowers brocaded in
red, gray and blue. Lined with Tussore silk.
2A ded
eee Length, 831% inches; width, 46%/2 inches.
240—Sumprtuovus JAPANESE Prigst’s Rope
Composed of various brocades with all-over design of gold. :
i ee __ Inscriptions, emblems and crests.
Length, 781% inches; width, 461, inches.
241—Oup JAPANESE Prigst’s ROBE
Old rose satin with repeating pattern of conventional chrys-
anthemums and flowers in, gold and soft colors. Lining of
Ady Ex) .
encores green silk.
Length, 79 inches; width, 24 inches.
2942-OLp JAPANESE Prirst’s RoBE
Dark green silk with dragons and cloud forms woven in gold
uy Q va threads and various colors of silk.
Length, 72 inches; width, 431% inches.
243—Oxp JAPANESE Priest’s Rose |
Terra-cotta satin brocade with self-colored design partially
_,, embroidered with a gold outline. Lining of blue taffeta, em-
7 ~ —— hroidered with crest and inscription in orange and black
silk cords.
Length, 82 inches; width, 45 inches.
244—_Ou_p JAPANESE Prigst’s Rope
Dark blue satin with Howo birds and dragons, flowers and
cloud forms woven in gold thread and various silks. Lined
25% with red silk.
Length, 82 inches; width, 47 inches.
245—O.Lp JAPANESE Prigst’s Rose
Soft yellow silk, with cross-bands all over of green satin
(geass brocade. Lined with russet silk.
Length, 84 inches; width, 454% inches.
246—O.up JAPANESE Prisst’s Rose
yh Br _ Terra-cotta satin ground with dragons in circles and cloud
2 cw forms in gold threads and various silks. Lined with Tus-
sore silk.
Length, 79 inches; width, 46 inches.
247—Oup Cuinese Brocape Portikre
9 Old-rose satin ground with a design of boys at play in cross
i 37 y@ bands. Wide border at top with birds, dragons and Chi-
be nese fret pattern. 7
a Length, 91 inches; width, 551%, inches.
248—Oxp Japanese Brocape Hancine
Dark blue satin ground with dragons and cloud forms in
S45 $s? golden yellow, gray and light blue.
eS ie ;
: Length, 76 inches; width, 42 inches.
249—Gorceous Otp JAPANESE Watt HANGING
. Red satin with large circular ornaments in pink, green and
ge = silver.
; \ Length, 81 inches; width, 79 inches.
250—Pair Op Cuinese Sitk TassEts
Spe Sage green with gold tops.
251—Patir Ovp CHINESE S1Lk TasseELs
Bright red with gold tops. Finely braided. Triple fancy
ve. knotting.
952—Lot AssorTED 'T'ASSELS
He) Various colors and shapes.
953—Four Yarps CHINESE SILK FRINGE
Pink network with alternating red, white, pink and green
jz tassels in fine silk.
7, aie Depth, 16 inches.
(PROPERTY OF MISS IDA M. MANCHESTER)
254—JAPANESE Domestic SHRINE Haneine
a Three-cornered. Dull dark blue felt with lotus plant ap-
is — plied in colored felts.
255—Oxup CHINESE BrocapE PANEL
Landscape, Chinese characters, river view and border de-
be G0 sign woven in gold threads and silks. Framed under glass.
Height, 19 inches; width, 8%, inches.
256—Fuxusa or Girt CLoTH
- Red satin with kiri crest within circle embroidered in gold
— and silver threads.
257—F vuxusa or Girt CLotTH
ae Old-rose satin with scattered chrysanthemums embroidered
od ——~ in various silks and gold threads.
258—Fuxusa or Girt CLoTH
Pale blue satin with the “hundred storks” ornamentation
vo s@ embroidered in natural colors in silk and gold thread.
259—Fvuxusa or Girt CLoTH
Sky-blue satin with a circular crest design in laid cerise-
Viol 4? colored silk cord.
260—Fvuxusa or Girr CLotH
Dark blue satin with the Magic Coat, pine branches and
jo? °2 cloud forms embroidered in various silks and gold thread.
261—Fvuxuvsa or Girt CLoTH
Dark blue satin with two emblems of good fortune in laid
tan color silk cord and gold thread.
OE Mad
eee SA! ee ee Pan) ne eee ee rr) ee en 8
peal als iia RS tle Coeirti e ala bs
262—Sumprvovs Fuxusa or Girt CLotH
| Dark blue satin, with two hexagonal boxes, with cords, tas-
a {/! 0 sels and shells for the Japanese games of shells, in gold bul-
a —— lion and laid work.
263—O.xp Cuinese Patace Haneine
i, Imperial yellow soft silk of the finest quality. Decoration,
ki Te) ee floral sprays of satin stitch embroidered alike on both sides
-—— in many soft colors.
ii alee Width, 58 inches; length, 4 yards.
264—O.p CuInese LAMBREQUIN
Medallions of butterflies and scattered blossoms embroidered
io y, sz mvarious colors of silk on white satin. Border in blue, green
—— and pink silks and gold thread.
| Length, 58 inches; width, 13%, inches.
265—OLpD CHINESE LAMBREQUIN
| Crimson figured silk. Phoenixes, peonies and branches of
o . ° °
43 —— plum blossoms, in Nankin blues with gold threads.
: Length, 78 inches; width, 20 inches.
266—Japanrsse Kimono
Red figured crépe, richly embellished in gold threads with
Ue MA é¢ ___ blossoms, butterflies, bamboo, trellis work and other designs.
SECOND AND LAST AFTERNOON’S SALE
THURSDAY, APRIL 17, 1913
AT THE AMERICAN ART GALLERIES
BEGINNING AT 2.30 o’cLOcK
(PROPERTY OF MR. WALTER MANCHESTER)
SNUFF BOTTLES AND OBJECTS IN JADE
CRYSTAL AND AGATE
967—CHINESE PoRCELAIN SNuFF BoTTLeE
Miniature figures of warrior painted in color, with red and
VisG Ole other enamels, on obverse and reverse. Chalcedony stopper.
~~ Chi’en-lung (1736-1795).
968—CuINnEsE Guass SNuFF BotTrLe
Intricately decorated on the inner surface with rocks, flow-
42 ers and birds. Green stopper. Ch’ien-lung (1736-1795).
969—CHINESE CLOISONNE SNuFF BotTriLeEs
Flattened shape. With conventional ornaments in red,
green and dark blue, upon a turquoise ground. Red ivory
a stopper. Ch’ien-lung (1736-1795).
270—CuHINESE CamMPHoR-GLASS SNUFF BoTTLEe
With sprays of pink flowers and green leaves in glass ap-
san od pliqué; green stopper to match.
271—Cuinese AMBER SNuFF Borris wie
: Clouded orange-yellow. Carved pink coral stopper. Ch’ien-
{22 jwng (1736-1795). |
942—-CHINESE COMPOSITION SNUFF BOTTLE
re
273—CHINESE PoRCELAIN SNUFF BoTTLE
Brown and mottled red and yellow fei-t’sui stopper.
Flattened shape. Fine quality coral-red glaze. Fei-t’sui
We /@ stopper. Yung-Chéng (1723-1735).
274—CHINESE CrystTaL Guass Twin SnuFrr BotTtries
Intricately decorated on the inner surface with landscapes,
| ( flowers and other subjects. Blue glass stoppers. Ch’ien-
/(** tung (1736-1795).
27%5—CHINESE Guass SnuFF BorTrtriLe
—, In imitation of amber. Modeled handles at the sides. Red
vie <<. and green glass stopper. Ch’ien-lung (1736-1795).
2976—CHINESE JADE SNuFF BotTrLe
hee Smoky gray, highly polished surface. Chalcedony stopper.
yy ——~ Ch’ien-lung (1736-1795).
977—CHINESE CrysTAL GuAss Snurr Borrie
Intricately decorated on the inner surface with singing bird
Be on pine branch on obverse and river view on reverse. Rose ‘a
quartz stopper. Ch’ien-lung (1736-1795). 4
27%8—CHINESE GuAss SNuFF BotrrLe ae
/ Brown with black markings to resemble agate. Green glass
’* stopper. Ch’ien-lung (1736-1795).
279—Cuinesz Wuite Jape Snurr BottTre
Rectangular, with drafted edges and carved mask handles.
f / oe a8 Fei-t’sui green jade stopper. Ch’ien-lung (1736-1795).
280—Canton Enamet Twin Snurr Borries
Painted in light blue, yellow and rose-pink, with symbolical
JS “2 pats and cloud forms. Carved silver-gilt stoppers. Ch’ien-
lung period (1736-1795).
281—CHINESE COMPOSITION SNUFF BOTTLE
Ae Mottled red on a yellow ground. Green glass stopper.
—— Ch’ien-lung period (1736-1795).
| 982—CuHInEsE AGATE SnuFF BoTTLe
Grayish-white with black and brown moss formations. Ogre-
0 ““. mask handles. Green glass stopper. Ch’ien-lung period
(1736-1795).
283—Cuinese Wuite JavE Snurr Borrie
Flattened slender form. Highly polished turquoise stopper.
/2 %2 Chrien-lung period (1736-1795).
Vee
7
284—CuHINESE CHALCEDONY SNUFF BoTTLe
Light brown color. Carved ogre-head and ring side
¢¢ handles. Fitted with an imperial green jade stopper
mounted in the original old gold setting. Ch’ien-lung period
(1736-1795).
285—CuHINESE CHALCEDONY SnurFrFr BotrTLe
Rich dark brown color, with lighter veining. Highly pol-
4" ished surface. Red ivory stopper. Ch’ien-lung period
(1736-1795).
286—SmaLu JavE BoTtrLe
Flattened globular shape. Greenish-white with highly pol-
a 5°’ ished surface. Has red coral stopper. Engraved seal
mark. Ch’ien-lung period (1736-1795).
287—YeELLow JADE GirDLE CLaAsP *
Carved with a conventional dragon 1 in full relief and highly
1° polished. ‘
_ Length, 3, incheg ae
288—Rocx CrystTau SEAL
Of exceeding purity; topped with a carved and pierced
/ 0 —~ ornament. In fitted case with vermilion box.
989—Smatu Rock Crystat VAseE For SHRINE
/ Hexagonal, tall and slender, with lip and floreated base.
ay Perfectly clear.
Height, 31, inches by 1 inch.
290—CHALCEDONY SACRIFICIAL Cup
_, With dragon handle. Light red, orange and milk-white
—— veinings. Fitted with a teakwood cover, set with green jade,
and stand.
291—Yrtitow JADE ARMLET
ve With light brown markings, unpolished.
%* _Condover Hall Collection. ;
Length, 514, inches; width, 3% inches.
302—Cuatcepony Brissom-sHaPep Bow1 t
Unusually large and engraved on each side with two sprays
ie aderl 25 plum blossoms. Light-brown color, beautifully marked
and highly polished. Has teakwood stand.
Diameter, 6 inches.
303—CHINESE BraceLet
oO ve Of opaque glass beads and mounted with original blue silk
_ cords.
304—CuHInEsSE NECKLACE
if oe Composed of green jade beads in various sizes and shapes.
—
305—Manparin NECKLACE
Composed of fifty-three beads made from the skull of the
s cae sacred crane. Soft warm yellow color and highly polished.
Finished with green jade bead pendant and silk tassel. Very
rare, and beautiful in color.
306—Manparin NECKLACE
Composed of thirty-one fei-t’sui jade and thirty pink dora
Sea ‘¢ beads. Alternating and evenly matched in color and size.
Finished with Chinese tassel.
307—Manparin NECKLACE
Composed of forty-three beads of dark green jade, and oval
Sigel. chalcedony, alternating; and with a rock crystal and one
glass pendant. Rich colors.
308—Manparin NECKLACE
Composed of sixty-five beads of green jade, coral, and cat’s-
AQ eyes; alternating, and of various sizes and colors. Unusual
and rich.
309—ManpariIn NECKLACE
Composed of forty-one large beads of several sizes and
hee Ath shapes and delicate colors.
310—Manparin NECKLACE
a Composed of thirty-four large beads and eleven fei-t’sui
e/. go Jade. Graduating in size from % inch to 1 inch in diameter.
i / — United with white-silk tassels. Very handsome.
$11—Co..ection oF THIrty-FIVE OJIMES
Of carved ivory, bone, lacquer and wood. The majority old
: Z ae specimens.
k oe
312—Couzection or Merat-worx Osimrs
Forty-seven specimens in gold, silver, shakudo, shibuichi and
ae “* other metals, and of exquisite workmanship.
~ 3138—Dartmio’s OrriciaL CHAIN
Composed of ninety beads of chalcedony, 114 inches diam-
3 po eter. Carved wood and glass, in imitation of jade and rock
___ erystal, and mounted with pendants of four handsome black
| tassels.
314—Smatu Decoratep Cup
Ch’ien-lung period. Supported by a modeled lotus spray
so forming three gold feet.
Lh 9 agi Diameter, 234 inches.
OLD CHINESE PORCELAINS
$15—MintatTure Buve anp Wuite Botrie
The Dragon Procession, in two shades of blue on white
ol) $m ground, Four-character mark of the Yung-Chéng period
Set (23-1735).
316—Buve anv Wuire Syurr Borris
Equestrian and other figures in brilliant underglaze blue.
Ved oe.
317—B.uve anp WHITE EccsHELL SAUCER |
Seated female figures in dark underglaze blue. Four-char-
acter mark.
G0
—_——
318—Buvur anp Wuire Smarty Piate pe
Pee Soft-paste type. Scepter-head and floral scrolls in two
—— shades of blue. ;
319—Rovcr Box
Brown crackle soft-paste. Dragon and cloud forms and
soe) ©? wave designs penciled in underglaze blue. Gold lacquer re-
pair. Four-character mark of Hsiian-Té (1426-1435).
320—PownpER-BLUE ROSE-wWATER SPRINKLER
Reserve panels of floral designs.
/2 se Height, 6 inches.
321—BuveE anp Wuire GouRD-sHAPED VASE
Alternate vertical panels of emblems and flowers with dia-_
/ Viele pered bands penciled in opaque underglaze blue.
Height, 6 inches.
322—Pair oF Biur anp WuitEe RosE-waTER SPRINKLERS
“ »» Alternating panels of flowers and “Hundred Antiques” in 4a
— brilliant underglaze blue. |
Height, 7 inches.
323—Pair Buve anp WuI1TE RosE-wATER SPRINKLERS
Floral and scrolls panel. (Repaired.) at =
ee eos | , Height, 8%, inches. q
eee
324—Parr BuuE anp Wuiret Bowts
Conventional all-over design of peonies and leafy scrolls
finely painted in opaque blues. Six-character mark of
Save K’ang-hsi period (1662-1722).
Diameter, 61% inches.
325—Pair BLUE anp Wuire Bowts
Shaded blue ground with white floral ornaments and four
OG *%. oblong panels containing blue floral sprays. K’ang-hsi
period (1662-1722).
326—BLveE anp WHITE GouRD-sHAPED VASE
“The Hundred Antiques” painted in underglaze blue on a
7c 6? brilliant white ground. Has tall teakwood stand.
Height, 8%, inches.
327—BuveE anp WuiTe HawrHorn GINGER JAR
Scattered plum blossoms in reserve on an opaque blue
| ) fs ground marked to resemble cracking ice. Has carved teak-
wood cover and stand.
Height, 8 inches.
$828—Buver anp Waitt HawTrHorn GINGER JAR
Decorated with hanging branches and sprays of hawthorn,
ie in white, upon a shaded blue ground marked to resemble
-— cracking ice. Has carved teakwood cover and stand.
Height, 8 inches.
329—Buvur anp Wuitrt HawtTHorn SAUCER
Cluster of blossoms in reserve on an opaque blue ground.
3 > 42 %Six-character mark.
oo
Diameter, 61% inches.
_ 330—Parr Buve anp Waite Deep Saucers
Lotus pattern. Alternate panels with female figures, flow-
/ ee ers and plants in brilliant underglaze blue. K’ang-hsi
—— period 1662-1722).
Diameter, 61, inches.
331—B.veE anv WHITE PLATE
Deep border of raised swirling panels filled alternately with
Diowee monkeys, trees and flowers. Center of conventional birds
—~ and peonies.
Diameter, 81/, inches.
332—BLuE anp WuirTeE PLATE
Dark blue flowers and grasses. Narrow fluted border with
pr alternating vertical and horizontal panels of flowers.
—————
Diameter, 10 inches.
333—Bivur AND Wuirre HawtTnHorn Pate
Clusters of blossoms in reserve on an opaque blue cea ay
Me if ¢° marked to resemble cracking ice. Six-character mark of a
Chéng-hua (1465-1487). (Apocryphal.) ©
334—BLvuE AND WHuiTE PLATE
White fan-shaped panel in center on blue ground sur-
eee rounded with reserve floral ornament. Conventional border
in light blue. K’ang-hsi (1662-1722).
Diameter, 9 inches.
335—Patr Buur AND WHITE PLaTEs
) Center panels, decorated with figure subjects. Painted in
““— prilliant underglaze blue. Diaper borders interrupted with — q ;
reserve medallions of figures. K’ang-hsi (1662-1722).
Diameter, 1034 inches.
$36—Parr BuveE anp Wuiter DiIsHEs
_ Lotus pattern. Decoration of sprays of asters in dark
pees cobalt-blue. |
———
Diameter, 11 inches.
337—Pair Buue anp WHITE PLATES
Landscapes with figures in several shades of blue. Diapered
blue borders interrupted with foliated medallions edged with
if (4 “*. dark blue bands and filled with blue peony sprays. Chia
Ching period (1522-1566). (Apocryphal.) |
Diameter, 1014 inches.
338—Larce BLUE anp WHITE PLATE
Sonorous porcelain. Dragons and lotus sprays painted in
oi eee dark opaque blue. Six-character mark. Chéng-hua (1465-
1487). (Apocryphal.)
Diameter, 141% inches.
$39—BLveE anv Wuitse Deep PLATE
Central basket of flowers in brilliant blue. Border of foli-
& 2 6? ated panels of floral sprays, interspersed with various diaper
patterns.
Diameter, 1334 inches.
340—Larce BLuE ann WhuiTtE PLATE
Female figures and floral motives painted in brilliant opaque
blue. Six-character mark of Chéng-hua (1465-1487).
15 (Apocryphal.) Repaired
pocryphal.)
Diameter, 141% inches.
CHINESE SINGLE-COLOR PORCELAINS
$41—MiIniatTurRE GouRD-SHAPED BoTTLE
_ Mottled peach-bloom and stone-blue glaze. Four-character
ff 3? mark. Ch’ien-lung (1736-1795).
Height, 3 inches.
342—MInIATURE PEAR-SHAPED VASE
. Coated with a sang-de-beuf vase of Lang-yao type.
ie 8 Od 7
Height, 3%, inches.
$43—WritER’s WATER JAR
. gv Invested with a camelia-leaf green glaze of brilliant quality
aad and minutely crackled. Ch’ien-lung period (1736-1795).
Has ivory lid and teakwood stand.
344—MiIntaTuRE VASE
An Enameled with a brilliant red glaze of sang-de-beuf type.
BO) (es Tao-Kuang (1821-1850). Has teakwood stand.
Height, 3 inches.
345—MInIaATuURE GLOBULAR JAR
oe
Covered with a monochrome glaze with ashes of roses tint.
Ch’ien-lung (1736-1795).
346—SMALL Ovirorm JAR
Invested with an iron-rust glaze of fine quality. Chrien-
/ oe lung (1786-1795). Has chalcedony stopper.
Height, 31% inches.
347—Ivory-wHiTeE Lipation Cup
Flanged oval lip, and base supported by conventional
branches of hawthorn and magnolia sprays, in high relief on
each side.
J iphss
Height, 2%, inches.
348—SMALL Ovirorm VASE
Enameled with a camellia-leaf green of brilliant quality and
minutely crackled. Ch’ien-lung (1736-1795). |
Height, 41/, inches.
es
349—GLOBULAR-SHAPED JAR
Invested with an iron-rust glaze of exceedingly fine quality.
pes natn period (1662-1722). Has repoussé and openwork
pepgned 116 He
Diameter, 314 inches.
350—SmMaLu Hexaconat Vase
Ss With two scroll handles on neck. Invested with a peacock-_
blue glaze of brilliant quality, which is marked with a fish-
roe crackle. Ch’ien-lung (1736-1795).
351—GouRD-sHAPED BotTLe :
Enameled with a monochrome glaze of coral-red of fine qual-
/5§ “ity. Yung-Chéng (1723-1735).
Height, 6 inches.
352—SMALL BorrLEe-sHAPED VASE
Coated with a mottled red glaze. Tao Kuang (1821-
Joc SSO
Height, 6 inches.
€538—Poure Wuitrt GLoBULAR-SHAPED VASE
Deer and pine trees carved in relief. Chéng-hua (1465-
fem “* 1487). (Apocryphal.)
Height, 51%, inches.
354—Pink CRACKLED SAUCER
koe The entire surface covered with a minute crackle and deli-
~“ — cate pink glaze.
Diameter, 6 inches.
$55—Coverep Bowu
Invested with a coral-red glaze of brilliant quality. Ch’ien-
44 | lung (1736-1795).
Diameter, 5 inches.
356—Tera Bown
Ae Coated with a thick running glaze of sang-de-beuf type.
oy — Has tall teakwood stand.
Diameter, 51% inches.
357—Pair Imprertat Bowts
Thin sonorous porcelain. Invested with a monochrome
glaze of brilliant green of iridescent luster. The outer sur-
a oe face covered with a decoration of children at play in a gar-
—— den and border designs delicately edged in the paste. Yung-
Chéng (1723-1735).
Diameter, 6 inches.
358—Pair Pinx Bowts
The outer and inner surfaces invested with a delicate pink
Jt4£*%* crackle glaze.
Diameter, 5 inches.
359—Pair Movern Vases 3
Pear-shaped. Brilliant coral-red glaze. (One repaired.)
gio
Height, 91% inches.
360—BoTTLE-SHAPED VASE
Dense porcelain. Enameled with a brilliant sang-de-beuf i
Ly *2. glaze. Ch’ien-lung (1786-1795).
Height, 74, inches. —
361—BotTTrLE-SHAPED VASE
Dense porcelain of the Tao-Kuang period. Covered with a ©
ay ts brilliant: apple-green glaze, applied over a pronounced
~~ erackle ground.
Height, 8 inches.
362—TRIPLE-GOURD-SHAPED BOTTLE
Invested with a flambé glaze of brilliant quality, which is
/ 2. °2— applied over a boldly crackled surface. Tao Kuang (1827-
1850). Has teakwood stand. |
Height, 91% inches.
363—Mine Pottery Vase
Pear-shaped, with cylindrical neck with flange top. In-
/2-42 vested with a green glaze of brilliant opaque quality applied
over a minutely crackled surface.
Height, 11 inches.
364—Ivory WuitTe VAsE
| Graceful tall slender form. Decoration of dragon, cloud
/ f@*2. forms and fire emblems, delicately etched in the paste under-
neath the glaze. Chéng-hua (1465-1487). (Apocryphal.)
Height, 143, inches.
365—Deep PLate
! With indented edge. Enameled with an orange-yellow glaze
/2 “of brilliant quality.
Diameter, 1144 inches.
366—BoTTLE-sHAPED VASE
Invested with a monochrome glaze of mottled peachbloom
oT QO <— tint. Ch’ien-lung (1736-1795). Has handsomely carved
orangewood stand.
Height, 101% inches.
'
aed Lat ae 5 -
oe 24 = | 3a
be
367—Prar-sHaPep VASE
With boldly flanged neck. Enameled with a monochrome
glaze of turquoise blue of fine even quality, applied over a
“ ie minutely crackled surface. Ch’ien-lung (1736-1795). Has
teakwood stand. ,
Height, 131% inches.
368—TaLL OvirorM VASE ~
With short spreading tubular neck. Invested with a pea-
cock-blue glaze of brilliant opaque quality, applied over a
ef g “ surface covered with a fish-roe crackle. Ch’ien-lung (1736-
B70.
1795).
Height, 141, inches.
369—CELADON BotTLE-sHAPED VASE
Decorated with conventional lotus and leafy scrolls, cover-
Z30% ing almost the entire surface, executed in white slip. Ch’ien-
lung period (1736-1795). Seal mark underneath the foot.
Height, 15 inches.
370—Larcet Borrie-sHaPep VASE
| Invested with a peacock-blue glaze of fine brilliant quality,
Sy / as applied over a surface marked with minute crackle. Ch’ien-
— lung (1736-1795). Has finely lacquered redwood stand.
From the Murrietta Collection.
Height, 1414 inches.
371—Larcr PEAR-sHAPED VASE
Of dense porcelain and graceful form enameled with a
monochrome glaze of sang-de-bauf of brilliant quality.
Ch’ien-lung period (1736-1795). Has carved teakwood
stand.
Height, 15 inches.
EUROPEAN CERAMICS
372—Smauu Drespen Disu
/ °° Pastoral figures and floral sprays in enamel colors.
373—Two VENETIAN Cups
Borders of medallions and floral festoons in yellow, lilac and
@ “° red on white ground.
Diameter, 23/4 inches.
374—W orcESTER CuP AND SAUCER
Alternate blue and white panels of red and green flowers on
/ ee dé a white ground.
Diameter, 5 inches.
375—SPODE SAUCER
2) ,, Close all-over design and geometric border in gold.
Diameter, 5% inches.
376—Bow Cur anp SAUCER
: Richly foliated border in lilac, red and green, with Sprays,
1 ( ‘oe on ya white ground.
377—WoRcESTER SMALL JuG
Chinese figures in colors on a white ground.
ees
378—Capo-p1-MonTE CovERED JUG
M out.
ee ask spout
379—Oxp Masotrica Square DisH
With inverted angles. Renaissance ornament of birds, vase
ai ee and leaf scrolls. Signed.
380—WorcESTER SMALL Ovat DisH
Brilliant red and gold decoration in Chinese style.
ay fea
5 inches square.
= 381—LarcE Bow.
Decoration of Chinese garden scenes. Peonies and border
ie adil designs in enamel colors of the famille rose.
Diameter, 1134 inches.
382—Detrr Pate
i Foliated panels of flowers in blue in Persian style.
hee Diameter, 1014 inches.
383—Pair OLD STAFFORDSHIRE Ova DisHEs
Y a Landscapes with negroes. Borders of palm trees and fern
——~ _ leaves in blue. Impressed mark. Stevenson.
Length, 101% inches.
384—OLDpD STAFFORDSHIRE SMALL PLATTER
ine Blue and white willow tree decoration. Impressed mark.
Length, 9 inches.
' 385—Oup STAFFORDSHIRE PLATTER
eee. - Blew de Nankin decoration in Chinese style.
cis Length, 12 inches.
386—Two Derr PLatTEs
Baskets of flowers and penciled scroll borders in cobalt-blue.
Gao Diameter, 834 inches.
387—Detrr PLATE
/ Ke Thickly covered with blue flowers and fruit in Chinese style.
Diameter, 101%, inches.
$88—Pair Detrr PLATEs
Thickly covered with flowers and foliated plants in blue.
oe Diameter, 9 inches.
3889—Larce Dreutrr PLate
Decorated in cobalt-blue. Figure of Justice in center. —
ea Ge Renaissance and diapered border, with panels of birds and
flowers.
Diameter, 131% inches.
390—Larce OLp EncuisH PLATTER |
Decorated in two shades of blue. Central decoration of
vase, flowers and sprays. Border of Renaissance and dia-
ius
pered ornament.
te s
15 inches by 19% inches.
391—Larcr OLp Eneuisn PLatrer
Blue and white willow pattern. . 3 .
es Ades Length, 221%, inches.
hs 302 NAnuIn PLATTER
Celadon glaze with floral sprays in blue.
/ Length, 12% inches.
393—NankKIN PLATTER
Flowers and rocks in colored enamels and bleu de Nankin.
Zo Length, 1134 inches.
394—NaANKIN PLATTER
Phenix, dragons and mythical animals decorated in enamel
colors and bleu de Nankin.
VERY FINE JAPANESE LACQUERS
395—VeERMILION LacauER SAKE SAUCER
Figure of street performer and monkey, and blossoming
ee 00 plum tree in gold and other lacquer. Signed.
Diameter, 414 inches.
396—VeERMILION LAcquER SAKE SAUCER
2h ae Fujiyama and dragon in clouds. Signed; in gold and other
lacquers.
Diameter, 334, inches.
397—VeERMILION LacauER SAKE SAUCER
| With similar decoration to No. 396.
7 ne go Diameter, 3% inches.
3898—Set or THREE SAKE SAUCERS
De
Vermilion lacquer, with views of Mount Fujiyama, pine grove
and water, finely executed in gold lacquer.
| 399—SakE SAUCER
Silver lacquer with landscape in India ink. The under sur-
AL oo face gold with imperial crests.
Diameter, 41% inches.
400—Two VERMILION LAcQuER SAKE SAUCERS
One decorated with Turtles of Longevity in gold, the other
i Sevity g
Wie i with storks.
—
401—T'wo Vermition LacauER SAKE SAUCERS
One with mountainous landscape and river view, the other
Ad) g¢ __—~with pine tree, rocks and stork. Penciled in gold and other
lacquers.
402—Vermition Lacquer Sake SAUCER
Mountains, garden view and palaces finely executed in gold
and silver lacquer.
Jj G6
—_—_——
Diameter, 54,4 inches.
403—TxurRrE Larce VERMILION SAKE SAUCERS
All decorated in gold lacquer, one with the sacred pearl, one
with pine cones, and the other with detached cherry blos-
od
oh . soms.
404—Inro 3
Dull gold ground with Howo birds in relief, in different
J Oe shades of gold. Signed by Jokasai.
405—Iwro
,o Polished gold ground with scattered cherry blossoms in re-
/ 0 — lief, in different shades of gold. Signed by Seisen.
406—Inro
i. ; Polished black ground, entirely covered with microscopically
— penciled gold caligraphy, stating the titles of five hundred
poems.
407—Inro
, Pattern wrapped vertically, showing fine gold ground at
—~ the sides. Very delicate work.
408—Ouxp Ivory Inro
Skilfully carved in wicker basket pattern.
go
me
409—Iwnro
Chrysanthemums and imperial crests in gold and bronze lac-
/3¢* quer on a dull brown ground.
410—Iwro
/ Polished black lacquer, with decoration of bamboo and man-
i g¢ darin ducks in gold lacquer and inlaid mother-of-pearl.
Signed by Koma-Koiorin.
411—Iwnro
Black lacquer, with swimming carp and aquatic plants deli-
is tan cately penciled in gold and silver lacquer. Signed Kanshio-
ee sal.
412—Iwro
Two circular panels incrusted with flower and insect in
/ ~d.%% _ jade and porcelain, on a nashiji ground. Signed by Koma-
Kenya.
~413—Inro
im Polished gold ground with sprays of convolvulus in red, dark
// ** green and gold in slight relief.
414—Inro
Polished black ground decorated with numerous figures in
ao 5 “landscape in silver, gold and black. Fine work by Shiomi
(signed).
~ 415—Inro
Tsui-shu lacquer. Landscape with figures carved in relief
ny g “2 upon brocaded ground, and symbols at each end. Bronze
- ojime, shaped as a temple drum with the Mitsu-tomoye on
each side, in black, and a netsuke of Tsui-shu lacquer. Fine
old work.
416—Inro
a ‘Polished black ground with a figure on each side in gold, red
ao __ and silver. Nashijiends. Shaped as a flattened barrel.
417—Inro
Polished black ground with dragon flies on both sides, in red,
qe black, gold and silver. Wings incrusted with powdered
"mother-of-pearl. Nashiji sides and ends. Signed Igarashi
Shunsai.
418—LarceE Inro
Gold lacquer landscape in relief on a rich mosaic gold
% 5 ee ground. In six compartments with sides and ends in black
Bs and gold. By Kajikawa Ist.
419—Iwnro
Polished black ground with girls gathering flowers, in green,
red and gold. Wooden netsuke and inlaid lacquered ojime
AL 72% tocorrespond. Very fine example by Shunso (signed).
420—Inro
/ 7 v‘ Polished silver ground with two birds and a sheaf of millet,
beautifully penciled in black and gold. Signed by Shiomi.
421—Inro
Carved ivory. A legend and blossoms richly and elaborately
JI2** encrusted with coral, tortoise shell and pearl. Signed by
Shibeyama. One Tsui-shu and one incrusted ivory ojime,
with an old brown ivory Manju netsuke attached.
422—-Woop Tosacco Povucu
Carved to represent plaited bamboo, incrusted with utensils
tends of the tea ceremony in various woods and ivory. Carved
~~ ojime and netsuke attached, the former representing a re-
cumbent horse, in wood, by Tomotada.
423—Tosacco Poucu
Natural wood incrusted with a faience duck, bamboo leaves, —
ye ¢. and large silver moon, in gold, pearl and colored lacquers.
~ Has a green porcelain ojime, and faience netsuke represent-
ing an octopus escaping from a broken jar. Faience seal
of Ritsuo. :
424—Woop Tosacco PoucH
/ a0 Finely carved in low relief with conventional ornament.
425—Inro
Guri lacquer with polished black surface on a conventional
oA ¢ <* _ design which shows the different layers of lacquer.
426—Prierst’s SymMBoL
Carved orangewood. Fungus design with loose wooden chain
J —— attached.
427—JAPANESE JEWELRY Box
Finely polished wood showing beautiful grains.
pe eras
428—JaPanEsE Esony Box
3 Skilfully carved in relief. “A Hundred Sparrows in
hoe. Flight.” Signed Kakuho.
429—Smatu Square Woop Tray
‘ : as re Incrusted with porcelain and lacquered emblems. Signed.
430—JapanEesE Mintature Box
Shaped as an orange, with a mouse on the lid tearing off the
| iy é¢__—c rind, in relief. Signed Shokin.
431—Toxacco Poucnu anp Pipe Case
In leather. Handsomely marked. Clasps and other mounts
/,25e mm silver, representing Fujiyama, dragons and clouds.
—— Kagami-buta, with silver dragon attached by fifty-four
silver chains. |
432—AnTIQUE Bamsoo Prirr Case
~» Ornamented with bird on a bough. Flowers and rocks in
—— old carving. Signed Masatsugu.
433—VeERMILION Lacquer Piet Case
: ,, Mounted in gold. Finely carved with peacocks, flowers,
ode _ sparrows and grasses.
434— JAPANESE FrowErR BAskKET
Very fine workmanship, finished in dark brown. Signed
eal FG Arima.
435—Set or MINIATURE TABLETS
| Natural wood, lacquered and incrusted with birds and flow-
& ae ers on one side, and having poems written in gold on the
foe other.
436—SMALL JAPANESE CoMB
? Tortoise-shell, carved and decorated in gold lacquer.
ae
4387—Set or THree Datimio Harr ORNAMENTS
66
<< Decorated in gold and other lacquers.
438—VERMILION LacauEr SAKE Cup
f ne Decorated on the inner and outer surfaces in gold lacquer
—— with fungus, peacock feathers and foliated scrolls. Has
teakwood stand.
439—Sma.ut Perrume Box
In tsui-shu (carved red) with pine and plum branches on a
Sgt diapered dark green ground.
440—PERFUME Box :
Polished black lacquer, with disks, cords and tassels pencile
e ¢° in red gold.
441—SQuaRkE SAKE Cur
Polished black lacquer with gold and silver foliage on the
outside. Brilliant red ground within. Figures in a heavy rainstorm, pine grove in the background.
—~ From “The Tokkaido Series.” 1796-1858.
503—H1rosHicE Ist
{ Ape Female figures by the lakeside heating cloth in moonlight.
One of “The Six Delights of Tamagawa.” 1796-1858.
504—Hirosuicer Ist
hi oo Two fishes. From “The Fish Set.” 1796-1858.
505—Hirosuice Ist
i. Bird on bough of blossoms. 1796-1858.
Jf e . e
“ — From Monsieur Clemenceau’s Collection, Paris.
506—Hirosnicr Ist
A fan design of chrysanthemums upon a dark-blue ground.
7 Rare. 1796-1858.
507—HirosHicrE 2npD
Mountainous landscape and river view seen through a half-
fe we opened circular window. 1840-1865.
Ne tees
508—HirosHIGE 2nD
5 Lake scene with tree and rock in the foreground and moun-
7 “2 — tainous landscape in the background. 1840-1865.
“509—Hirosuicre 2nv
A street procession. 1840-1865.
/é | J10O—HrrosHicE 2nd
oN Eagle and winter landscape. Brilliant impression. From
the “Hundred Views of Yedo.” 1840-1865.
Bei 511—Hrosnice 2np
i . Me Lake scene with distant view of Mount Fujiyama. From
i yy — the “Hundred Views of Yedo.” 1840-1865.
? 512—Hirosuice 2np
Cranes alighting in the marshes. From the “Hundred Views
of Yedo.” 1840-1865.
708
g ———
513—Hirosnicr 2np
Snow scene with figures crossing a bridge at night. From
the “Hundred Views of Yedo.” 1840-1865.
51 4——H1rosHick 2np
Snow scene with two bridges, and Fuji in the distance.
hb 1840-1865.
bBo
Bis Eine SHIGE 2ND
Winter landscape with mountains in the foreground and
Be eesh river in the distance, and falling snow. 1840-1865.
516—Harunosu
A seated Samurai, served with tea by a young lady. Land-
Pag 22. scape background. Fine impression, 1705-1772.
From Monsieur Clemenceau’s Collection, Paris.
517—Harvnozu
as Domestic group of three figures and a child. Fine im-
Pod pression. 1705-1722.
518—Hrrosnice
782
519—Hokv’xKEI
Snow-clad mountains, cascade and river. 1796-1858.
5 Pupil of Hokusai. A warrior in full armor holding in his
fe richt hand a bow.~ 1820-1856.
520—Hokv’ KEI |
fe Pupil of Hokusai. A carp leaping from a tub. 1820-1856.
521—Hoxv’xe1
2) a A warrior and dragon in combat. 1820-1856.
5§22—Hoxv KEI
) se Blossoms and emblems. 1820-1856.
§23—Hoxvu’ KEI
me Group of five male and female figures seated under the
/ ao boughs of a cherry tree. 1820-1856.
524—Hoxv’ KEI
Vie Man bathing horse’s foot in a tub of water. 1820-1856.
525—Hokv’ KEI
es Still life. Two fish on a porcelain tray, and tobacco
—>- pouch. 1820-1856.
526—Hoxv KEI
oy oo Black lacquer box with blue and white bowl, and brush.
1820-1856.
52%7—Hoxvsal
/G +2 A set of seven black and white prints, “Illustrations of
~~ Chinese Poems.” 1760-1849.
Average size, about 7% to 9Y, inches.
528—Hoxvsal
Mount Fujiyama in the snow. From ‘Hundred Views of
Fujiyama.” In monotone. 1760-1849.
GO
529—Hoxvsal
par Group of cranes standing, Fuji in the distance. In black
—~ and white. 1760-1849.
530—Hokxvsal
The Goddess Konohana Sakuyahini. Black and white.
pura 1760-1849.
—
531—Hoxvsal1
/ $e Set of three small landscapes and figures. 1760-1849.
532—Hoxvsal
Hw | Branch with persimmon and grasshopper in finely combined
—~ low tones. 1760-1849.
5383—Hokxvsal
i's
—— Fukurokuju and lady attendants pouring sake into a large
saucer which Fukurokuju holds. 1760-1849.
534— Hoxusal
“The Red Mountain.” Snow-capped. 1760-1849. Fine
A, ‘¢ impression. In perfect condition.
.5385—KunisaDAa
| A male figure seated and surrounded by toilet requisites.
J5 °4 Printed in low tones and enhanced by impressed patterns
a in silver and gold. 1785-1864.
5386—KunisaDa
A An actor en réle, printed in low tones and enhanced by
oe impressed patterns in silver. 1785-1864.
537—KunlisaDA
ae A female reclining figure, reading a letter. 1785-1864.
Reta,
538—K unisaDA
VAC A bridal procession in beautifully combined tones of pink,
~ violet, green, yellow and lavender. 1785-1864.
From Monsieur Chemenceau’s Collection, Paris.
589—Kunryvasu
2) A lady seated, admiring a dwarf plum-tree. Printed in
——~ delicate tints and impressed in white and silver. 1805-1836.
540—KuntyosH1
A lady reclining in a palanquin. Printed in fine colors and
/ 0 °“*~ impressed with gilding and silver. 1788-1861.
541—K unryosH1
3 ; Warrior on horseback in water. Printed in brilliant colors.
“1788-1861.
542—KunIiyOsHI
A girl stretching out blue printed cloth to dry. In brilliant
3% tones of red, green, purple and blue.
543—K unIyYOSHI
See Urashima and his dream, which is depicted in the distance.
~~ Printed in low tones of red, green, brown and yellow. 1788-
1861.
544— K untyvosHI
Original outline design, unfinished, of warrior and a demon in
(Ate Gane combat. (Tsuna?) 1788-1861.
545—Oxumura Masanosu
Group of four female figures, two seated and two standing.
ol ucse 1685-1764.
546—Oxumura Masanosu
An album of black and white Japanese wood-prints. Do-
ras ge mestic and legendary subjects. 1685-1764. Bound in ~
Japanese style, with an added brocade cover. Perfect con-
dition. |
547—Tacuipana Morikunt
ay A set of ten black and white prints of figure and landscape
Bearee” subjects. (Probably cut from a book.) 1670-1748.
4 From Dr. Ernest Hart’s Collection.
§48—ReEvsEn
cs do Female casting a spell over a goat.
cope:
549—Suinsat
J #2 (Pupil of Hokusai.) A group of emblems, delicately printed
_“ ~~ in harmonious colors.
550—SHUNCHO
Triptych. Ladies and children promenading. Printed in
roe tones of green, yellow and black. 1785-1810.
— From Monsieur Clemenceau’s Collection, Paris.
551—Katsuxawa SHUNCHO
ae A man seated, with a pipe, and a lady standing.
0 ——~ From Monsieur Clemenceau’s Collection, Paris.
552—Karsuxawa SHUNCHO
| Two richly robed ladies promenading. In delicate tones of
rs 7 <“ pink, green, yellow and lavender.
553—KatTsukKawA SHUNCHO
Two children playing and a lady in the background. Printed
y A 24 in fine combination of colors.
554—KatTsukKawA SHUNCHO
Group of three figures, at the sea coast. In delicate tones
JL S? of yellow and black. 1785-1810.
555—KatTsukKawa SHUNCHO
Three female figures on a eae overlooking a river. 1785-
Les 1810.
556—KatsuKAWA SHUNKO
An actor in black robe and pink obi wearing two swords
a — and holding an umbrella. 1785-1810. (Signed Yeddo,
about 1770.)
557—Katsukawa SHUNKO
jy Richly robed male figure. (Signed Yeddo, about 1770.)
/ aoe
558—KatTsukawA SHUNSHO
A lady in blue and violet robe. 1726-1792.
2 ov
ay
559—KatTsukawa SHUNSHO
A lady in a flowered blue and violet robe. Unusual. 1726-
A Soe)
560—Katsukawa SHUNSHO
see An actor, richly robed and holding a fan. 1726-1792.
561—KatTsvuxkawa SHUNSHO
A lady wearing an elaborate robe, standing in a garden.
“ 7 ‘* In delicate tones of pink and green. 1726-1792. |
562—KatTsukKAwAa SHUNSHO
a A lady seated, and another looking through a screened
3 opening in the background. 1726-1792.
563—KaTsuKAWA SHUNYEI
> ;) (Pupil of Shunsho.) A lady in a black and green robe, with
O =~ 4 delicate pink obi. A fine impression in low tones. 1761-
1819.
564—KatTsuKAWA SHUNYEI
An actor in a drab and gray robe unsheathing a sword.
Ad ‘t 461-1819.
-
565—SHUNMAN
| Portrait of a lady. 1780-1800.
66
—
566—Torvoxunt Ist
New Year’s festival. Group of four seated female figures in
an interior. In fine tones of pink, purple, green and yellow.
/0** 1769-1895.
567—Toyoxun! Ist
‘ A lady seated and holding a fan. 1769-1825.
7a)
yi y ae
z: 568—Toyoxun! Ist
Two actors in male and female costume. 1769-1825.
Dee |
569—Toyoxun! Ist
A lady, richly robed, carrying a metal lantern. Fine tones
| Fe | of brown, red, black and green. 1769-1825.
570—Unknown
| A set of six India-ink drawings on thin vellum. Figure and
ae landscape subjects.
571—Unxnown
Original India-ink drawing of a deity with two figures in
oteaee Chinese costume.
572—Unknown
oe Poems and plum blossoms in tones of pink, green and yellow.
eet
578—Unknown
er 2 Spray of flowers on a tray.
574—UnkKNOWN
End of a temple roof, with the red sun and a tiger. ‘Bril-
exis liant impression. aa
575—UTAMARO
Lady with a fan, in tones of blue, red and yellow. 1753-
Ui uh poe 1805.
576—Y EISEN
| A lady making her toilet. In brilliant tones of red, blue and
/ 0 black. 1790-1848.
577—YEIsEN
4 a«__ Lady and a bowl of red fishes. In delicate tones of pink,
yellow, green and black. 1790-1848.
578—Y EIZAN
Three ladies promenading. In fine tones oe red, blue, pink,
vy “* brown and black. 1800-1830.
5'79—Y BIZAN
A lady, richly robed and wearing a black and white obi.
damit 1800-1830.
580—YEIsuHI
Triptych. Ladies and children visiting a flower show. In
v ste yellow, delicate pink, black and green.
581—YEIsuHI
Triptych. Ladies on a balcony overlooking the Sumida
river. Printed in delicate tones of pink, yellow, green and
Jp black. Fine impression.
From Monsieur Clemenceau’s Collection, Paris.
)
FRAMED JAPANESE PRINTS
582—Set oF TWELVE Surps oF THE Daimios
With their respective crests on the sails. By Hokusai
i eee Katsushika (?). Each in a separate black frame.
583—HirosHIcE
Swimming ducks and reeds. Upright panel. Framed under
glass. 1796-1858.
ee / ‘
| a g From Monsieur Clemenceau’s Collection, Paris.
584— Kortivusal
Kakemonoye. Lady and hawk, Mount Fuji in the distance.
2 ( “ Very fine print in low tones. Framed under glass. 1760-
, 1780.
From Monsieur Clemenceau’s Collection, Paris.
3
585—Kitrao Masonvuso
Diptych. Domestic interior, figures of three ladies and
child. Very fine print in delicate coloring and impressed
pattern. Framed under glass. 1761-1816.
From Monsieur Clemenceau’s Collection, Paris.
}
586—Toyoutro
Diptych. Japanese domestic, balcony and garden scene;
ladies engaged in serving tea, in writing and at other pur-
S52 se suits. Framed under glass. 1773-1828.
——~ From Monsieur Clemenceau’s Collection, Paris.
587—Hoxusal
Two-fold screen, with the artist depicted in contemplation
I oe of a beautiful landscape in one panel, and sea-waves in the
—— other. Finely painted on silk, with brocade and _ black
lacquer mounting. 1760-1849.
588—JAPANESE PAINTING ON SILK
“oo
Re sae
Monkey on cherry bough. Framed under glass.
589—Oup CHINESE PAINTING ON RicE PAPER
me Flowers, butterflies and insects. Finely executed in natural-
5 istic colors. Framed under glass.
590—ArtistTic JAPAN
English edition of a Monthly Illustrated Journal of Arts—
5 and Industries, compiled by S. Bing. Edited by M. B.
/ °* Huish. Bound with the colored covers in six volumes.
Octavo. Publishers: Sampson Low Rivington, Limited,
London. |
(PROPERTY OF MISS IDA M. MANCHESTER)
JAPANESE STENCILS
Notice: The designs are principally of floral motifs, in
geometric, naturalistic, and conventional treatment, no two
being alike. All are in perfect condition, having been care-
fully selected, and each one mounted in hinged Japanese, or
toned-paper mats of the sizes given below. :
591—TEn JAPANESE STENCILS
ov
Various designs of ferns, grasses, birds, gourds, ioe group
is ee of masks and pipes.
592—-Trn JAPANESE STENCILS
ih a Birds and flowers, plum tree, diapers, leaf scrolls, tendrils,
—— blossoming vine, shells, floating cherry blossoms, crayfish
and fence with morning-glory vine.
593—TEN JAPANESE STENCILS
ounce Medallions of floral motives, leaf scrolls, lotus and pools,
blossoming vines, fret, and other designs.
594—Ten JAPANESE STENCILS
Wave designs, fan pattern, storks, asters, floral motifs,
me ’° scroll patterns, maple leaves and trailing vines.
595—Ten JAPANESE STENCILS
Floral and vine motifs, grasses, ferns, brocade and other
“ae — designs.
596—TeEn JAPANESE STENCILS
cma Floral motifs, sea-weeds, arabesques, trailing vines, cherry
~ blossoms, trellis, fret and pine branches.
: 597—TeEn JAPANESE STENCILS
es ae Turbulent water, wild flowers, fret and floral motifs.
; 598—TeEn JAPANESE STENCILS
. So te Fret pattern and arabesque.
599—FourTEEN JAPANESE STENCILS
4 Vie 4 ee Fret, floral motifs, grasses, sea-weeds, lattice and conven-
i. tional design.
600—Five JAPANESE STENCILS
BY Maple leaves, iris, grasses, bamboo, and storks amid pine
branches.
GO e e
ede Grasses, crests and wistaria, bamboo and cranes.
: 7 601—F ive JAPANESE STENCILS
602—F ive JAPANESE STENCILS
a Pine amid cloud forms, flowering branches and floral motifs.
—)
603—Four Larcr JAPANESE STENCILS
Carp and turbulent water, ferns, wild flowers and grasses,
| H/ “with birds and Japanese fishes.
| 604—Five Larcre JAPANESE STENCILS
ae) go Floral motifs, grasses and ferns.
605—F ive Larcre JAPANESE STENCILS
ody %e_ Bird on plumb branch, floral motifs, and trailing vines.
606—Fovur Larcrt JAPANESE STENCILS ;
Swimming carp, crayfish in net, butterflies, and storks in
Me 19 a6 tet:
(THE PROPERTY OF MR. WALTER MANCHESTER) .
ETCHINGS AND WOODCUTS
BEHAM, HANS SEBALD
1500—1550
607—OrNAMENT WiTH Fish Heaps (Bartsch, No. 235)
On copper. Superb impression. In black frame.
ne
BEHAM, HANS SEBALD
1500—1550
608—Coar or Arms witH Cock (Bartsch, No. 256)
On copper. Very fine impression. From the St. John Dent
Collection. In a tortoise-shell frame.
Spay bah
BURKE, THOMAS
1749—1815
609—“A Frower PaintTED BY VARELST”’
9 After Angelica Kauffmann. Stipple engraving in brown.
Go
Framed close, in circular gold frame.
DURER, ALBRECHT
14°71 —1528
610—Tue Lirrie Horse (Bartsch, No. 96) .
On copper. Superb impression, on paper water-marked
A 7 2 & with the “Bull’s Head.” In tortoise-shell frame.
-DURER, ALBRECHT ;
1471—1528
611—Tue Great Horse (Bartsch, No. 97)
On copper. Fine impression, slightly repaired at top. In
. tortoise-shell frame.
ee
DURER, ALBRECHT
1471—1528
: 612—Tue MarRriAGE OF THE VIRGIN AND JOSEPH
| (Bartsch, No. 82)
Woodcut. Brilliant impression before the text, on paper
Oey, ¢e_—_-water-marked with a large “Shield and Crown.” _(Haus-
mann, No. 45.) In carved Dutch frame.
DURER, ALBRECHT
1471—1528
613—Tuer AncEL APPEARING TO JOACHIM (Bartsch, No. 78)
Woodcut. Very fine and early impression, before the text.
On paper with the water-mark of the “High Crown.”
Us y oe (Hausmann, No. 21.) Very rare in this condition.
Bima
DURER, ALBRECHT
14'71—1528
614—Tue AporaTIon oF THE Maer (Bartsch, No. 87)
Woodcut. Fine impression, before the text, on paper water-
VA pe marked with a large “Shield and Crown.” (Hausmann,
/ No. 45.) Has a printer’s fold in center.
DURER, ALBRECHT
14°71—1528
615—Tue Frucut nro Ecyrrt (Bartsch, No. 89)
Woodcut. Impression before the text. From the Von
o 2 4* Nagler and Berlin Museum Collections.
DURER, ALBRECHT
14°71—1528
616—Tue Repose 1n Ecypt (Bartsch, No. 90)
Woodcut. Impression before the text, on paper water-
[ 4°*{ marked similar to Hausmann, No. 22a.
EARLOM, RICHARD
1743—1822
617—A Horsks’s Heap
After Van Dyck. Mezzotint. In ebony and gold frame.
ve
GELEE, CLAUDE (or Lorrare)
1600—1682
618—Le Port pr Mer A ta Grosse Tour
(Robert-Dumesnil, No. 18)
vote Etching. Second state, with the number 9 in left hand
~~ margin. In ebony and gold frame.
From the Dr. A. Stréater and Carl Schloesser Collections.
GOFF, COLONEL R.
619—SunseET
Signed artist’s proof, etching. In brown and gold frame.
oo
HAIG, AXEL HERMAN
620—Tarracona CATHEDRAL
Signed artist’s proof. Etching. Plate destroyed. In
oS ahaa oak and gilt frame. |
HAIG, AXEL HERMAN
621—Tue Interior or DurHam CaTHEDRAL
Signed artist’s proof etching, on Japanese paper. Limited
to 425 impressions. Plate destroyed. In oak and gilt
i oo — frame.
HAIG, AXEL HERMAN
622—CANTERBURY CATHEDRAL, [HE PILGRIM’s STEPS
9
3 Interior view. Signed artist’s proof etching, on Japanese
ie paper. Plate destroyed. In ebony and gold frame.
HALL, OLIVER
623—Kine’s Lynn
Signed artist’s proof. Lithograph. Stone destroyed.
O-
y oo LEYDEN, LUCAS VAN
14941533
624—Heap or a Warrior (Bartsch, No. 160)
/ In red tortoise-shell and ebony frame.
LEYDEN, LUCAS VAN
1494—1533
625—ComposiTIon 0F ORNAMENTS | (Bartsch, No. 161)
od <“_ In black frame.
LUCAS, DAVID
1802—1881
626—TueE CornFIELD
After Constable. Mezzotint. Impression cut close and |
y ye ald mounted on India paper for framing. Black and gold
frame.
MERYON, CHARLES
1821—1868
627—Sr. Evrenne-pu-Monr (Wedmore, No. 14)
Etching. First state. The arms of the workman on the
ih ertyg ladle lowest landing of the scaffold are raised above his head and
close together. Very fine and brilliant impression, on
Holland paper.
REMBRANDT VAN RYN
1607—1669
628—Curist PREACHING (Bartsch, No. 67)
Etching. Very fine impression, with burr. In red tortoise-
hell frame.
vA 7 7 eats :
SHORT, FRANK
629—Soutway FisHeErs
Signed artist’s proof, mezzotint. Limited to 100 impres-
3 sions. Plate destroyed. In oak frame.
/ us |
SHORT, FRANK
630—SunrisE on Wuitsy Scaur .
Signed artist’s proof, aquatint. Plate destroyed. In plain
/ Vie frame.
SHORT, FRANK
631—SnHap Feit, WESTMORELAND
After a water color by De Wint. Signed artist’s proof,
v # mezzotint. Plate destroyed. In brown frame.
a
| SHORT, FRANK
632—Wenstry Date
After a painting by De Wint. Signed artist’s proof, mezzo-
: / e ) tint. Plate destroyed. In ebony and gold frame.
SHORT, FRANK
633—ENTRANCE TO THE MERSEY
; Signed artist’s proof etching. Limited to 50 impressions.
¥ ie ,, Plate destroyed.
SHORT, FRANK
634—A Sussex Down
After J. Constable. Signed artist’s proof, mezzotint.
y, FF so Limited to 100 impressions. Plate destroyed.
WARD, W.
1766—1826
—635—Tue Laveuine Boy
After a painting by Murillo. Proof before all letters, on
India paper. Mezzotint. :
i ae
WATSON, CHARLES J.
636—A YarmoutH Row
Signed artist’s proof, etching. Plate destroyed. In ebony
ee and gold frame.
WYLLIE, W. L.
637—Bawtey Boats .
Signed artist’s proof. Drypoint. Limited to 60 impres-
fe oe SIOnS
Plate destroyed.
WYLLIE, W. L.
638—Catm
par ase Signed artist’s proof. Drypoint. Plate destroyed.
WYLLIE, W. L.
639—MovrtH or tHE Mepway
y oe Signed artist’s proof. Drypoint. Plate destroyed.
t
(PROPERTY OF MR. WALTER MANCHESTER)
WATER COLORS AND PENCIL DRAWINGS
BALL, WILFRID
640—ALBERT Direr’s House In NuREMBERG
Water-color drawing. Signed. In gold frame.
LY, NN
CONSTABLE, JOHN.
1776—1837
641—Poruarp Oaks
ay) oe Crayon drawing.
a.
GIRTIN, THOMAS
1794—1801
642—Pont Neur, Paris
f ¢¢ Pencil drawing.
"drawing. In us frame. |
J fa ee ‘ :
_ HUNT, WILLIAM
1790—1864
es . gies
anys In gold frame.
_ MUNN, P. Ss.
17781845
PROUT, SAMUEL
1783—1852
PROUT, SAMUEL
* 648—Brois
Pencil drawing.
i PROUT, SAMUEL y
649—VERONA
Pencil drawing.
Norte: The following described water colors by J. M. W.
Turner were purchased by Mr. Manchester from Mr. Wil-
lam C. Ward of Church Terrace, Richmond, Surrey, Eng-
land, an acknowledged authority on all works of Turner.
In a recent letter Mr. Ward states that the water-color
drawings were bought by his father at Christie’s on March
25, 1899, and speaking as an expert he has no doubt
whatever of their authenticity.
TURNER, J. M. W.
1775—1857
650—Tue Eneutsu Laxe District
,. (About 1798.) Water-color drawing. In oak frame.
/ art,
TURNER, J. M. W.
651—Tue Eneutsu Lake District
(About 1798.) Water-color drawing. In oak frame.
OO
TURNER, J. M. W.
652—Como (Italy)
wy From a sketch by J. R. Cozens. (About 1799.) Water-
color drawing. In oak frame.
TURNER, J. M. W.
653—Racian CAsTLe
Pencil drawing. (From the Stokes Collection, London. )
at sary le
VAN DE VELDE, WM.
1633—1707
654—Tue Dutcu FLEET In Harzgor
Wy Qs Original drawing, signed. In oak frame.
JAMES WARD, R.A.
_ Ene iso 1769—1859
[ASTINGs Brac ON A SeuatLy Day
—
ee oo ae Be eat 11 inches; length, 13 inches.
_ (Property of Miss I. ‘Mancuesten)
JAMES WARD, R.A.
-Eneuiso 1769—1859
- 659—F isuine Boats Orr Yarmoutu 7 y
- ye ies oh ise Height, 12 inches; length, 18 inches.
OO. |
a i (Property of Miss I. MancuesTER)
DAVID TENIERS tue Youncer
Friemiso 1610—1694
660—Puiayinc Bowus
Height, 1614 inches; length, 19% inches.
pee gry) seen (Property of W. M. MancuestTER)
J. DAVID DE HEEM
Dutcu 1600—1683
661—Fruir anp FLowers
Height, 36 inches; width, 2934 inches.
4L SO — (Property of W. M. MancuesTEr)
FRANS SNYDERS
FriemisH 1579—1657
662—A SpaniEL AND HERON In ComMBAT
Height, 52 inches; width, 411, inches.
o aot (Property of W. M. Mancuester)
AMERICAN ART ASSOCIATION,
MANAGERS.
THOMAS E. KIRBY,
AUCTIONEER.
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