Stcaees SBE sible satsts: perenne coh whscs sesenets sakipeer ee an Te pe a ee eS SSS Stet aes Sees ees Sasa tee aes Seats: ae set Se eS SNS ra ot ee a Pe er ~ " we ehh, Wale Wits a nh t ? Sx ies : rr hy 4e 7 Mice: aT 656-8 FIFTH AVE. NEWYORK tld sm q AMES e S10, Auctioneer, 366 FIFTH AVENUE. 44 Moray 2 a Et et URE BE oa. ¢ hep Eo Ore Er sc. Sab. dg, | . . lh esa EF AY cage? aay a Meret a OF ‘HIGH-CLASS OIL PAINTINGS ‘THE PROPERTY OF ‘Mr. JOHN GLASS, OF THIS CITY, AND SEVERAL CONTRIBUTORS. | Also a nice collection of SPORTING PRINTS, OIL PAINTINGS, WATER COLORS, BLACK & WHITE, : PEN and PENCIL DRAWINGS. | By the Best American Artists, Illustrating the World’s Fair. —AT AUCTION ON— THURSDAY, FRIDAY and SATURDAY Evenings, April 25th, 26th and 27th, 1901, AT 8.15 O’CLOCK. Also Saturday afternoon, April 27th, at two o’clock. AT THE FIFTH AVENUE ART GALLERIES, 366 FIFTH AVENUE, CONDITIONS OF SALE. 1. The highest Bidder to be the Buyer, and if any dispute arise between two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. 2. The Purchasers to give their names and addresses, and to pay down a cash deposit or the whole of the purchase- money, #/ required, in default of which the Lot or Lots so ee chased to be immediately put up again and re-sold. 3. The Lots to be taken away at the Buyer’s Expense ard risk within 24 hours after the Sale and the remainder of pur- chase-money to be absolutely paid, or otherwise settled for to the satisfaction of the Auctioneer, on or before delivery ; in de- fault of which the undersigned will not hold himself responsi- ble if the Lots be lost, stolen, damaged or destroyed, but they will be left at the sole risk of the Purchaser. 4. The sale of any Article is not to be set aside on account of any error in the description or imperfection, and no war- ranty whatever is made. All articles are exposed for Public Exhibition one or more days and are sold just as they are, without recourse. To prevent inaccuracy in delivery and inconvenience in the settlement of the Purchases, nolot can, on any account, be removed during the sale. 6. Upon failure to comply with the above conditions, the money deposited in part payment shall be forfeited; all Lots uncleared within the time aforesaid shall be re-sold by public or private Sale, without further notice, and the deficiency (if any) attending such re-sale, shall be made good by the default- er at this sale, together with all charges attending the same. This condition is without prejudice to the right of the Aue tioneer to enforce the contract made at this Sale, without such re-sale, if he thinks fit. JAMES P. SILO. Auchomeen THE ALEXANDER PRESS, 14-16 Astor Place, N. Y -_ AWLSON (J. c. ) * : : New Jersey Se . Philadelphia ae fe ‘Hl Patrician Water Color & ee 13x 24 WYSS (M.) itt fy? ; . Munich — Swiss Cottage mitt | | 4 TYLER (James G.) New York H Hew Enigtars Headland DUNN (J. E.) EN eas ea tn the Woods SAVAROL | | sa a Pah | fin Episode in the Feanco-German war INSLEY (Albert) 4 Landscape MANETT (Chas.) ere : te an oe Chess Players a ae IO LANGEROCK By we ; | \Partaiaag Bazaar in a Cairo Street 2 Water Color , ‘ ae . . . New York a Corner in the Den RIERA GIES AS - Water Color Rk ee | ee . 13 sg | a age ia WHITTREDGE (Worthington) el Sees New York a On the hudson ee : SAS Sees at pe os VAN SERVERDONCK Bite '. Brussels a | happy Family é. 16 - CROEGAERT (Georges) ; : ite see, Paris . a Friday Dinner Water Color 12x9 16 CARLANDER (Wm.) ‘ : ; New York Scene Wear Dordrecht, holland ORO. Py ’ 8) fe Ae * Va UNKNOWN a ‘ Meeting Oe Crist and apary Ig ; ¥ CARMIENCKE (H.) 0S New York Blind Pool in the Bibitondacks SMITH (A. Cary) ne aS ae New York = a3 PAGE (Wm. ), deceased Cupid and Psyche 22 - : MEGE (S.) : : : f Paris Pupil of Bonnat, Exhibits in Paris Salon om El Parisian Girl ATH I 13% x 10% is Academy, 1886. The Od a ShOD : 25 School Girl we 26 aft BATON (Chas. Warren) _ The Old Barn, Twilight 12 xX 22 ; 29 BRACKETT (Sidney) 2 — GoO0d Friends 22 x 29 28 Oo (Burr H.) Crossing the Bridge ~~ New York _ Munich New York Boston New York 2 OS eg es et epee ae en Tow 1 nto. Bort THORNEEY <0 | oe ee ee Pupil of Jongkind and Raffaelli. Salon, 1897, 1898. ae Windmills at Dordrecht _ .* as 18 x 23% | : | Fe ‘ _ MORGAN (Wm.) Che Organ Grinder KREUTZER (B.) - : : See. Hesse New Jersey ae H Winter Evening?” ee 16 x 20 | 33 Baye NEWMAN (R. L.) fins New York Studied in Paris under Couture 4 ar? The fortune Teller ‘te t 34 | | WEBBER (W. New Vork Making a Harbor, Sunect 28 x 36 oi i i Paka apap Philadelphia ee ce ; New York ’ Landscape a Bt . TYLER nes G ea : ae New York Sea Rolling Tn ‘s | 39 om SMITH (Henry P. i" Pees New York | OLD Oaks at Sunset oY 40 IHLEFELD (H.) ape _ New York “igs baking Paper Dolls 7: 18 x 26 |-RICHET Any: Pupil oF Tid Mee i 3h “Qandscape — =: 6 mearg) / BLAKELOCK (R. A.) O1d Dpheman homestead 43 COOMANS (H.) + Toilet of a ponipenee Lady DELPY (Camille Hippolyte) ts a Pupil of Corot and Caunieae Medals, Paris Salon, 1884, 1889 Delpy on is considered to-day one of the greatest landscape painters; his works ue show many of the characteristic ques of Corot and Daubigny, and are ets worthy to be compared with theirs. They are proof of a direct and inti- eae? mate study from nature, and give an impression of freshness and pure an atmosphere. Delpy is represented in many of the Art Museums of France © othe ~and England and in numerous private collections - A RMS ; River Oise at Weteunil , TROYON (C.) its ; ‘ igo Paris Cattle and Landscape i ea Soot ae _ Medal, Paris Salon, 1892. Hors Concours . Cows in Pasture . 19% x 23 et j REN [BRANDT, attributed to. 7 SC head. mere From the Mendonca Sale w ON | -RICHET (Leon) * * ee Seas : Paris te: as : ae Pupil of Diaz. Medal, Paris Salon, 1888 “1 Landscape eee 13. X17 oe. es hea | be YOUNG (Harvey) : : San Francisco > af Mndian Camp : . 51 DELPY (Camille Hippolyte) | Pupil of Corot and Daubigny. Medals, Paris Salon, 1884 and 1889 — River Oise at Huvers 11K x 20% r s _ a , 4 TAGGART (Geo. H.) . | | The Rattle — 22 x 38 me | | oe 54 GUNN (Archie) ‘ : | Long fsland Sound | 55 | | COTES (Francis) R. A. + ae | 17260-1770. = Children of Sir. Gray céopers area 56 ae VINCENT (George) © | si London | a The River aaas in Holland | : 144% x 224% 57a COTES (Francis) Porn in London in 1726; died therein 1770 One of the original members of the Royal Academy Lady Cathcart From the Henry Graves Collection, London a Ao + a 26 x 20 1) te, a Country Road 12 x 18 Ps t ie : % i fe New York On Pasture "LEBRUN (Charles) : : é Paris tn ae “Botan Paris 1619; died there 1690. Received in the French Academy Ti Ae ee eka made Court Painter to Louis XIV. in 1460, Ennobled by the King in ye ea nee 1662, who made him director of Les Gobelins, and ous Censincly. RGclor, ea Chancellor and Virector of the Academy of Painting ee. eae ie Mademoiselle de La Valliere ey iy ; 30 x 25 x. 7 J ere Semmens | | 62 . TORRES (Antonio) ae ‘ : Slag Paris Spanish Laop Exhibited in the Spanish Section, Paris Exposition - 16 x 13 ¥ TAIT (ALF) ° Se ee a Pointing Grouse Be ‘ 65 MIERIS (F. Van) , : — 2 1635-1685 La Cotlette 15 x 134% 66 DE HEEM, (Corneille) ‘Utrecht, 1680-1704 Still Life — 24 x 28 67 FERRIS GRceen, ee | H Syrian Girl 16 x 22 68 BONHEUR (Auguste) | Paris | 1824-1884 Brother of Rosa Bonheur. Medals, Paris Salon, 1852, 1857, 1859, 1861, —. 1863. Legion of Honor, 1867 : aa Landscape ea Purchased at the Rosa Bonheur sale, 1900. Given to his sister, Rosa Bonheur ee . 10% x 15% . : New Vork_ 16 x 24 be 1803-1863 ; - Received the Medal of Honor at the Paris Exposition of 1855 Greek Fishermen BUA , 8% x 10% : ; 2 92 | JACQUET (Gustave) a : ee Paris hye Medals, Paris Salon, 1868, 1875, 1878. tegion of Honor, 1879. Hors Concours _ — Che Letter pees a . ms Bk. area 13% x 10% : 5 ee | 73 oe BINET Meer were ir Paris Landscape and Cattle | ee" , 74 : ARNOLT (G. Muss) | s New York ) 4 Pointers 4 12x 16 ; ; “S . LouGLiN oe pace Eee Scene t Y (DETTI (Can Soc) Medal, Paris Salou, 1889. “Hors Concours The Flower Girl 27% X 42 + nt ey ¥ a | 77 * DE LUCE (P.). fioniouhae ee Maternity 30 X 40 78 TRAVER (Geo. A? an 7 Road fear wiltmore, fa. « | 79 MOELLER (Louis),-N. A. ; In Reverie 80 HYNEMAN (H. N.) Greek Girl “8x10 New York e : NewYork. <9 as Peon aes. 4 4 New York a ee eee eee ee - a ie —— | ic H ‘Broken Doll 3x24 | if oe ae } 84 POST (W. Merrit) ; i Twilight Glow ~ Water Color 744 x8% New York New York n> s fre at "SECOND: 85 TYLER (James G.) ra Deavy Sea {05 20 OL ; : 86 WHITTRIDGE (Worthington) In the Garden | 87 a -POST, (W. Merritt) ‘ fj A Bi ~Htter Sunset Water Coior Io x 14 88 Peeve eo) ee M ey ei te v0 BARE (E.) . Paris ; 7 ter . —< thee oe 89 . : a ‘ ROSELAND (Harry) Ae , te New York Ube Pet San Jacque | eee o ees eee ‘ . es = 4 . 7 1 fae’ “ih at + a Pe. ire ‘i SNe ee | Water Color tig: A 18x cae 4 n the Orchard Water Color By ; 92 a | . New York A cs England. Brook 10x 14 93 —% , New York Che Barnyard 94 ; é Bers as Paris Pupil of Claude Monet Marine 19 x 25% 95 _McENTHEE (Jervis) : : New York The Brook BLACK (0. P.) | nee — The Od Ai 98 es Gea (C. W. ) _ Water Color Bie « 18 x 24 99 PISA’ Rnicherbotker Times, monday Water Color Y ; Ae pe . i 2 ; 5 14 x 20 WYSS (M.) ... a Mitnich aaa The Wungfran, Switzerland a ror = “HICHED: (&.) (7 ee s : Nh Paris © Morning Breakfast Be | " & oka nes my) 4 aking a arbor, Moonlight 36 x 26 | | “104 PERBOYRE . Brits . a st “Captain of eran % ‘te - 106 oo. _HYNEMAN (H. N.) : foo ~~) SHunset.in the Hdirondacks a ee Y. 3 - 107 View at Cairo Water Color New. Work Paris | New York New York . Paris EATON (Chas. Warren) The Red ‘aks 22 x 16 DEHAVEN (Frank). oa ae Evening After a storm III MOELLER (Louis) Grace Before (Meat 8x0 112 OCHTMAN (Leonard) A. N. A. Landscape i @ARGUE (Chas.) tis sie | Scene ear AMenoon Water Color New York LON (A i. A di 22 : Ae Paris | ie zs ‘Medals, Paris Salon, 1889, 1898 ; | oe Cupid's Temptation => a 32x 25% = oe eeeeriocn(R A). . 2. New York a - —Ss Endian Camp =) . -¥E8 ye BLACK (O. P.) moka es . Lal NeW. Y OF oe té‘i‘—é~C Hi Pasture ee a i 16 x 24 119 te TYLER (James G.) a : ' New York oe ZH Schooner Making Port boo “This natatinns came from. the é loaned to Maximillian by the convents, Antiqu: ‘melitas, City of Mexico. It was ‘Gaibeeted out of | well known Mexican general and disposed of here i in Madonna and Child “THORNLEY : Ces Paris Seton: 1897, 1898. Pupil of Josef Israels and of Jongkind nh ear Emsterdam — Pe 224% x 28% ge a ae i222 BOUVET (Max) ; Re Honorable mention, Paris Salon, 1894 Rocks in Brittany 26x 39% CRANE (Bruce)

Cheekds. 12x17 FOG | CALIFANO (Prof. John) ‘ : Eipenine, Geneva 20 x 18 167 DELPY (Camille Hippolyte)) “i e Pupil of Corot and Daubigny. Honorable mention, Salon, 1881. Medal, Salon, 1884. Ex. Un., Paris, 1889 Landscape gx 16, : 168 ‘ ae KAPPES (Alfred) oa New York H Piccaninny 3). Water Color ae a ; aN Fe & LK 2 er ee a > 10 11 12 13) Pair of Coursings _ SPORTING PRINTS - Saturday, Recit Ties 1901, At 2 o'clock. { Pair Fly Fishings Pair Grouse and Pheasant Shootings Pair of Fox Huntings A Good Run Old print—To be Drove Like a Gentleman and to be Driven by a Gentleman Pair—The Start for the Meet and Breaking Cover Old English print—The Birthday Team ~Pair— Fallowfield Hunt: The Hunt Supper and Full Cry Pair—Fallowfield Hunt: The Breakfast at the ‘Three Pidgeons and The Death Pair old English prints—The Young English Fox Hunters; Breaking Cover and the Dessert Pair—Drove Like a Gentleman and Driven by a Gentleman Pair of old prints—All the World’s a Stage, and These Come Hopping 32 SM DT et he oeks yx ee ett. + Pair—The Kill and Drawing the Gorse We Coaching—The Duke of Beaufort Coach Pair—Good Company and The Meet ~ Old print—At the Cottage Door, by Moreland Old sporting print—Bachelors’ Hall Pair sportings—Cheek and Finish Pair old prints—English Fox Hunter Pair old prints— English Fox Hunter Coaching—Mail Coach : 7 Sporting, 3 on a sheet—Coaching and Fox - Hunting Pair—Fallowfield Hunt: Breaking Cover and Full Cry Coaching—Edinburgh Express — _ Pair Fox Hunting—Bachelors’ Hall Pair Fox Hunting—Bachelors’ Hall Sporting print—Returning from Cover Two Sporting prints—First Steeple Chase on Re- cord; Nacton Church and Village and Mate Two Sporting prints—The First Steeple Chase on Record; Ipswich, The Watering-Place _ Sporting—The Elopement, or a Trip to Gretna- Green Pair Coaching—Birthday Team and Knee Deep Coaching—Four-in-hand Pair Sportings— Bachelors’ Hall Very fine old print—Corn Bin Pair of Coaching—All the World’s a Stage and We Must Be Off to Meton : a7 33 40 Al A2 43 34 45 46 47 48 49 50 51 Pair Coaching—Traveling in a Hunting Country and “Tm afraid we have now got into the ditch.” Pair Fox Hunting—The Meet and Breaking Cover Pair Fox Hunting—Full Cry and The Death Pair Coaching—Royal Mails Starting From the > Post Office and Mail Coach by Moonlight Sporting—Bachelor’s Hall: The Supper Very fine old print—The Dowager Queen of Edward LV. Parting with the Duke of York, by Bartolozzi Pair Coaching—‘‘ Hold hard, you have forgot the lady,” and ‘Is the bottom pretty sound?” Pair Coaching—Going to the Moors and An _ Awkward Place in a Frost Sporting—The Meet Coaching—The Royal Mail Coach Pair—The Comforts of Being Drove Like a Gen- tleman and The) Consequences of Being Drove by a Gentleman Pair—Scenes on the Road,ora Trip to Epson and _ Back; The Cock at Sutton and The Lord Nelson Inn Cheam Pair—Scenes on the Road ora Trip to Epson and Back; Kennington Gate and Hyde Park Corner Pair Fox Hunting—The Start and On the Scent Pair Fox Hunting—Full Cry and The Death Pair Coaching—The Mail Coach in a Flood and : The Mail Coach in a Drift of Snow v4 : Sporting—Partridge Shooting Pair Coaching—Four in-hand and Quicksilver Royal Mail | Pair—Fallowfield Hunt: Breaking Cover and. Full Cry Pair—Fallowfield Hunt; The Breakfast at the Three Pidgsons and The Death | Pair—Hyde Park and Brighton Pair Coaching—The Sleepy Gate-keeper and Taking an Inside Berth Pair Coaching—The Old Gray Lost Her Trace Again, and Traveling in a Hunting Country Sporting—Where’s He Gone? _ Sporting—Drawn Blank | Pair fine sporting prints—The Derby Pets: Sale. of the Colt and The Trial Pair fine sporting prints—The Derby Pets: The Arrival and The Winner Pair Sporting —The Full Cry and Getting Away - Pair Sporting—Drawing the Cover and The Death Pair Sportings— Unkenneling and Full Cry Pair Sportings—Finding and The Death Pair Sportings—The Run and The Scramble Pair Sportings —The Leap Sporting—Brighton _ Sporting—A View Hulloo 85 86 87 88 sey . air fine Céaching Brite Beenie on the Road ora Trip to Epson and Back : Hyde gs - Corner and Kennington Gate Pair Sportings—“Hold hard! don’t ye cross the scent,” and “Go along, Bob, that pace will do the trick” Pair Sportings—The Close of a Good Day and _ Good Bye and Good Luck Pair Coaching—Brighton and Hyde Park | Pair Coaching—The Comforts of Being Drove Like a Gentleman and The Consequences of Being Drove by a Gentleman _ Pair Sportings—Bachelor’s Hall, plates 1 and 2 Pair Sportings—Bachelor’s Hall, plates 3 and 4 _ Pair Sportings—Bachelor’s Hall, plates 5 and 6 _ Fine old print by Moreland—Nurse and Chudran in the Fields Sporting—Picking Up the Scent Coaching—Mail Coach Coaching—A Hunting Phaeton Pair Coaching—A False Start and “ Quite full, sir” Pair Coaching—One Mile From Gretna, and An Arrival at Gretna Coaching—“ The drag is broke and we are on the bank” Pair Sportings-—-Drawn Blank and The Close of a Good Day Pair Fallowfield Hunt—Full Cry and The Death 89 90 91 92 93 94 95 96 aM I) 20 100 101 102 103 104 105 106 107 108 Pair Fallowfield Hunt—Breaking Cover and The Hunt Supper | A Sporting Tandem—At Cover A Sporting Tandem—Going to Cover Hunting Phaeton—Going to Cover Sporting—Something Slaps Pair Fox Hunting—The Meet and Breaking at Cover Pair Fox Hunting—Full Cry and The Death Pair Coaching—Royal Mails Starting from Post- office, and Mail Coach by Moonlight Pair Sportings Good-bye and Good Luck, and — Drawn Blank _ Pair Sportings— Drawing the Cover and Getting Away | Pair Sportings—The Full Cry and The Death Sporting—The Young English Fox Hunter Coaching—The Oxford Coach ' Westminster Cock Pit in 1830 Colored print—Bull Broke Loose Pair Coaching prints—The Consequences of Being Drove By a Gentleman and The Comforts of Being Drove Like a Gentleman Pair Lord Lonsdale’s Match vs. Time—First Course and Second Course Pair Lord Lonsdale’s Match vs. Time—Third Course and Fourth Course Pair—A Sporting Tandem Going to Cover and A Cover Coaching—A Hunting Phaeton Going to Cover 0 ) Prete SoNidehin g Slap 10 Very fine old print—The Squire's Door, by Moreland or Pair Fox Hunting —Bachelor’s Hall, plates 1 120 121 192 123 124 125 126 127 128 and 2 Pair Fox Hunting—Bachelor’s Hall, plates 3 and 4 3 «Pair Fox Hunting —Bachelor's Hall, plates 5 and 6 Coaching—The Oxford Coach, 1830 Sporting— Westminster Cock Pit in 1830 Sporting—Bull Broke Loose Coaching—The New Londen Royal Mail Coaching—The Red Rover Southampton Coach Coaching—The Stage Coach Coaching—The Liverpool Empire Old print—The New General Post Office, Lon- don, 1849 Pair Fox Hunting—The Run and Unpleasant Very fine old print-——-The Carrier’s Stable, by Moreland Pair Fox pele Bachelor g. Hall, plates 1 and 2- Pair Fox Hunting—Bachelor’s Hall, ‘PVR 3 and 4 Pair Fox Hunting—Bachelor’s Hall, plates 5 and 6 Pair First Steeplechase on Record Pair ppotipas, lhe First Steeple Chase on Record 129 130 131 132 133 134 135 137 Pair Sportings—The Fox Chase Pair Sportings—The Fox Chase 6% #3 Sporting—The Comforts of Being Drove Like a Gentleman and The as of Being Drove by a Gentleman Fox Hunt—The Death, published 1838 Fox Hunt—Bachelor’s Hall Coaching—The Oxford Coach, 1830 Sporting incident—-Through the Woods Pair Coachings—A Hunting Phaeton, Going to Cover; and A Sporting Tandem, At Cover Sporting incident—Westminster Cock Pit in 1830 Pair Fox Hunting—Getting Away and Drawing the Cover Very fine Sporting print—The Noble Tips, The ~ Marquis At Home Pair very fine old prints—The Fox Chase, plates 1 and 2, published 1857 Pair very fine old prints—The Fox Chase, plates 3 and 4 2° Sporting Print—The Road, 1825, Commercial Traveler Coaching—The Cambridge Telegraph Starting from the White Horse, Fetter Lane Old Sporting print—Unpleasant Old Sporting print—-Something Slap Coaching—The New London Royal Mail Tod 158 159° 160 Pair Coaching prints—We Must be Off to Mel- ton and These Come Hopping : Pair Coaching prints—All The World’s a Stage and We Must be Off to Melton _ Poster print—Pastime Poster print—Ready for the Hunt Pair very choice old prints —The Noble Tips. published 1853 Coaching print—The First Change Up Coaching print—All the World’s a Stage Sporting—The Comforts of Being Drove Like a Gentleman Very fine Coaching—The Birthday Team Pair very fine Fox Hunting—The Young English Fox Hunter: Breaking Cover and Full Cry, published 1841 Pair very fine Fox Hunting—The Young English Fox Hunter: The Death and The Dessert, published 1841 Very old print—The Duke of Beaufort Coach, published 1841 Splendid Coaching print, very choice—West County Mails at the Gloucester Coffee House, Picadilly, published 1828 Splendid Coaching print, very choice— Elephant and Castle Newington, published 1828 Very rare old Coaching print—Waking Up, published in 1843 263 164 165 noe 167 168 169 170 171 172 173 174 Lid 176 176a Pair choice Coaching—A Trip to Brighton, pub- ie | Paty ats old Ma Gran | Wine Fox Hunt—Breaking Cover Dade yates Fox Hunt, published 1839 : Pair fine old prints—The Grand e _ Fox Hunt, published 1839 Old Sporting print— The: Meet : | Old Sporting print — Breaking Cover Old Spores pe Oy eler Por Hunting Tieetene Tips, ‘The Marg oe at, Home ! oA ane Fine Fox Hunt—The Meet _ Se Choice Coaching print—The Duke of Bennfort Coach, published 1841 : ae Fox Hunting-—Moore’s Tally-ho: 1 To the Sports, cies The Noble Tips p Race print—The Oversight F Pair Racing prints—At Speed, and Weighing a and Rubbing Down me Very fine Coaching print—West County Mails at the Gloucester Coffee house, Picadilly | a Pair Fox Hunting—Going to Cover aoe Break- ing Cover lished 1824 177 Pair—The First Steeplechase on Record, plate : : 1 and 2 0 ine Sporting Incidents —Courage Cooled and | rts Within av Inch 2 Sporting print—The ae Cutter Re. in | Stays ae8s Pair Sportings—Morning, A Few of the Right Sort Going to do the Thing and Some of the ‘Right Sort Doing the Thing Well 184 Pair Sportings—Some of the Right Sort ionfiat the Thing, and Afternoon, A Few of the Right Sort Have Done the Thing 185 Pair Coaching— Hyde Park and Brighton ce 186 Coaching—Oxford Coach, 1830 187 Sporting—The Close of a Good Day 188 Sporting—Coursing: Going Out 189 Sporting—Coursing: The Hare’s Last Effort 190 Sporting—Coursing: The Death . 191 Coaching—The B opament: or a Trip to Gretna Green 199 Pair very fine old prints—-Race for the Gold Cup, Goodwood, and Race for the Great St. Leger Stakes at Doncaster 193 . Pair Sportings—How to Go to Cover and How to Appear at Cover 195 4° Pair Spotings tee to T PS poring. tha Road, 1825: ‘Com yn) oe SN How to Ride Down Hil | Pair Sportings--How to Go Thro’ a . an - Overfic x ri and How to Take the Lead — 4 i ate ercl file eler Sporting—All Right - tin’s Act Sporting print-—Halfway : Sporting— Huntsman and Hounds ci 201 202 203 204 205 206 207 208 209 210 211 912 9138 214 215 216 917 218 219 220 921 229 223 Cardinal Reading, by Lowith PAINTINGS ON PORCEL THE PROPERTY OF ‘ MAXIMILIAN LENER, ESO, OF DRESDEN, GERMANY. The Connoisseur, after Grutzner The Mandolin Player, after Speridon My Sweetheart’s Hat, by E. Von Muller The Love Potion, after Achille Fould Thamar, after Dubufe St. Jerome, after Lirens i dere St. Pelagia, by Wagner e3 E mS The Beehive, after Bouguereau ne Sapho, after Sichel, by Deitrich bee Nina, after Van Blaas, by Deitrich ae g At the Fireside, by W. Ring | The Toast. after Leick, by Deitrich The Fairy Tale, after Wichert The Echo, after Seifert | 4 The Water Rose, by Prof. Tenner a Summer Thoughts, after Ryland | a Spring of Life, after Corcos | ug Two Hearts that Beat as One aq Cupid at the Helm Noble Lady of the Sichel Sweet Dreams, by Greiner 4 Romeo and Juliet, after Makart | 4 ze “CATALOGUE. gtis OF : . ae PAINTINGS, BLACK AND WHITE __ DRAWINGS, PEN, INK AND re 2 So PENCIL SKETCHES, ae By the Best AMERICAN ARTISTS, and Selected by Mr. F. D. MILLET, ie! For a Publication of the World’s Fair. ~ TO BE SOLD ON "Saturday, ome yay at 8 o'clock. PENCIL SKETCHES | | = Six sketches by F. Steele 12 Six dag 7623, "do go, Bix do do- a 1x do do oiSixie |. do do 6 Sketch by Geo. W. Maynard ~ 7 Sketch—A Cheval, by CO. 8S. Reinhart 8 Two sketches by Maynard 9 Sketch by Maynard | » 10 Sketch—Seasons Group, by C. Y. Turner a PEN AND INK DRAWINGS © 11 Drawing by Taber 12 Four drawings by Wm. Schmedtgen 13 Three drawings by Wm Schmedtgen : 14 Drawing—Fortune Teller, by Wm. Schmedtgen | 15 Drawing—Bedouin Camp, by Wm. Schmedtgen 25. 263 | fate drange—Warh ne Two drawings He A. Pate 2 fees: iheee? dp by McCutcheon rae Four do by V. Perard - : - Drawing by y. Perard ‘Three drawings signed A. B. gen’ &h xa Four do by V. Perard Drawing by August Jaccasi : T'wo drawings by Orson Lowell Two drawings by Orson Lowell Drawing by Otto H. Bacher Two drawings by Otto H. Bacher Two drawings do | do : Two drawings do do Drawing by Otto H. Baker Sketch by Geo. W. Maynard Sketch by A. Zenope : Three sketches by Taber j T'wo sketches by Taber Four sketches by Taber aig Sketch by Taber i .. OF bing Three sketches by Taber ib : | as Sketch by W. H. Drake a Sketch by W. H. Drake Sketch by Harry Fenn 'T'wo sketches by Harry on T'wo sketches by Blum «64 : Drawing, Entrance to Grounds, Thulstrup | ae Rain in May, by Childe Hassam Drawing, A Pleasant Sunday in pe sOn Park, by J. T. Beggs do Me Ge | do do do do do do do do do do do do do do do do do ) Drawing by O. S. Reinhart | "Tree Planting, by J. L. France In Horticultural Court, by W. H. Drake Meeting of Congressmen, by Thulstrup | View from Mines, by W. H. Drake Shanty Town, by W. H. Drake ~ Camp, signed H. D. The Grand Court, Henry B. Snell The Official Guides, Mente Progress, Carlton T. Chapman Cool Afternoon, Childe Hassam ~ Administration Hill, by J.D. Woodward by C. KK. Linson by 8. 8. Dustin Early Locomotion, W. H. Drake by J. D. Woodward ; Grading the Midway, Thulstrup Engine House, Woodward Kentucky State Monument, Taber The Grand Court, H. Fenn 94 95 Two drawings, West Horticultural Way, ote. Ww. H. Drake _ # eg Drawing by Emerson 1 Re aa do by J. A. Fraser | Bia io do Looking 8S. E., W. H. Drake do Indiana Building. J. A. Fraser at do View from Illinois Terrace, Childe ze i Hassam oe Drawing, Norway Building, J. A. Rreaet do by Childe Hassam | Rae? do Lioness, Dan Beard | ee do Hunters Island Bridge, W. HL Drake do Ohio State Monument, Taber Gs do _ Lagoon, W. J. Whittemore © do by Francis C. Jones do Shanty Town, Chaloner do Forestry, J. D. Woodward do Indian Chief, Dan Beard . do A Time Keeper, Thulstrup do Electric Launch on Lagoon, W. J. Whittemore | at Drawing, Donegal Castle, J. A. Fraser ae, do Venezuela Building, J. A. Fraser 96 I rawing, Government Building, Wie Whitte- eae : 5 " more ee do niaanehe Baldine: C. ee do -— Palm Garden, J. A. Fraser do Laying Railroad Track, Thulstrup do Pienie on Midway, C. Hassam aie 7 5 ao Windmills, C. T. Chapman | 103 ~— do Midway from Women’s Building, ae Julian Rix 104 Drawing, A March Day, Julian Rix ie | 105 do East End Art Building, F. C. Jones Be £08 do Interior of Staff Shop, Thulstrup be 407. do Crossing the Bridge, J. T. Beggs 108 do South Canal in Winter, H. B. Snell 109. do Children’s Day, Irving R. Wiles 110 do Corner Casino Roof, J. T. Beggs 111. do Majesty of the Law, C. 8. Reinhart 1t2 do Art Terrace, C. Hassam as do Sunday in Jackson Park, F. R. Green 114 do Modeling a Spandrell, A. G. Reinhart 115 do South Horticultural Bridge, W. H. | Drake 116 Drawing, Samoan Island Camp, W. H. Drake Ma 2)):do Modeling Lioness C. 8. Reinhart 118 do Seasonable Weather, Hy. Sandham LO do Artists Enlarging Design,C.S. Reinhart 120, do A Cyclonic Windstorm, H. C. Snell 121 do by C. Hassam foe. do Monday, by C. Hassam 124 125 126 e127 128 129 130 131 132 133 134. 135 136 137 138 139 140 ‘141 142 £450 144 145 146 147 148 Drawing, TEES * srastnee do | Women’s Building, Cn ee do The Restaurant, V. Perard oe do Machinery Hall, H. B. Snell do Middle Strand Concert, CH : WATER COLORS Roof Gar den on the N. Y. Building, H Fenn Landscape, H. Fenn | oe oe California Building, We ate Whittemore an o i The Midway, G. W. Maynard | eae Hooden, Blum — The First Dredge, H. Fenn ita Main Portal German Building, H. Fenn ae First W. C. E. Structure, H. Fenn First Gate. C. 5. Reinhart . No Smoking, C. S. Reinhart The Ambulance, C. 8. Reinhart East Entrance Administration Building, W. L. Menton Artists Decorating Dome, OPS. Reinhart — The Midway, Thulstrup _ Dinner Hour in Old Vienna, Thulstrup On the Canal, C. T. Chapman | Decorative Panel, F. D. Millet — Palace of Mechanic Arts, H. Fenn Roofers Returning from Work, C. S. Reinhart Grand Court from Machinery Hall, J. Alden — rd Weir : La Rabida, G. W. Maynard Passing .. C. K. Piper. East Arcade, Agricultural Building. H. Fenn The Bridge, L. C. Earle - Decoration, J. Alden Weir . Machinery Hall, E. Elden Deane _ Hoisting a Statue. W. J. Smedley The Water Gate from the Pie , H. Fenn The Elk Bridge, LC. Earle The Promenade, Herbert Denman Sunset from the Lagoon, Moran Meeting of Architects, W. J. Smedley Domes and Towers from the Lake, Moran BLACK AND WHITE OILS Government Buildings from Wooded Island, J. D. Woodward The Marine Cafe. J. D. Woodward . The Fisheries from Wooded Island, J. D. Wood- ward Horticulture and Wooded Island, Julian Rix Starting a Lagoon, Julian Rix ‘Outside the Fence Julian Rix Transportation Decoration, F. R. Green Algerian Village and Bazaar, H. R. Butler Design for Frieze, F. k. Green Desert Encampment, J ulian Rix pane on Islands in Lagoon, J. D. Waolwad 175 “6 177 ais Eves) 180 ‘181 182 183 184 185 (186 187 188 189 190 191 192 193 194 195 196 197 198 Head of the Statue of the Republic On the Lagoon, J. H. Twachtman ii A Helping Hand, GC. Y. Turner A Decorative Panel, C. 8. Reinhart Artists at Work, C. Y. Turner Feeding the Birds, J. L. France A Fountain, W. A. Mackay BS Onthe Lagoon, H. Bolton n Jones astss: OIL PAINTINGS. Boat anne at the N.W. Pavilion, 0. D. a bs N. W. Pavilion of the Agr icultural Felis CG. GC. -Curran 5, : | oh South End Wooded Island, H. Bolton Jones _ a . Dredgers at Work, R. Swain Gifford — Aan 7 The Gardens, F. C. Jones pe 2 F a The Grand Canal, H. Rk. Butler er as: on Twilight in the Grand Court, We to Palmers i os An Autumn Day on the Lake Front, ch Hassame ee Scene on the Lagoon, R. 8. Gifford : "Oa In a Mantle of Snow, W. L. Palmer ee | “oe ; The Manufacture of Glass, L. C. Karle : The Art Building from the Costa Pere: Landing, C. Hassam The Art Building from the Brazillian Brides i C. Hassani | View up the Lagoon, R. W. Van Boskerck The Hemicycle, E. KE. Garnsey | The Artist’s Model et ee an i eae S. Ww. Portal of the Manufacturer’s Building, H. =» Ry Butler . Decorative Panel, G. W. Maynard 201 The Grand Court, C. Hassam 2 2 View of Grand Court, R. Blum © 203, The Arts of War, C. Melchers — . The Arts of Peace, C. Melchers Taba Decorative Panel, Kenyon Cox | 206 + Back of the Grand Court. J. W. Twachtman 907 In the Gardens, C. Hassam ae 208 Grand Court from the Lagoon, J. W. T'wachtman 209 Electric Fountain and Canal, C. C. Curran | po 4210 South Side Wooded Island, H. Bolton Jones 211 The Grand Fountain, ©. Y. Turner 212 Winter, Francis C. Jones - 213 Machinery Hall, Percival de Luce 214 Columns, Blashfield 215 The Lagoon, H. Bolton Jones _ 216 Goddess of Liberty, I. D. Millet 917 «In Front of the Grand Court, H. R. Butler 218 Decorative Panel 219 Machinery Hall. Francis C. Jones pee 290 Japanese Tea House, EX. A. Corwin 221 The Esplanade, Th. Robinson BLACK AND WHITE DRAWINGS— CONSTRUCTIONS 222 Modelling a Group, C. K. Linson 223 Making Section of Statue of Republic, C. K. Linson 225 226 227 228 229 230 231 232 233 234 224 Rainy Day, ete., C. Mente | Fisheries Construction, etc., C. Mente Constructions,3,C. Mente = = =§ - at ey 20 a oes N , do 6, H. B. Snell be | do 3, Thulstrup AY 20 | do 7, W. H. Drake tee do ‘5, A. Bassi and J. A. Fras OLS : others rr Pe hae BF ty ve G — 4s F do 5, Perard, Chapman and | nt i peg do 4, J. D. Woodward and othe do 5, ©. Y. Turner and others _ do 5, H. Fenn and others JAMES P. SILO, Auction ¥ ¥ ny e Ws ! cs ESEARCH INSTITUTE ill ll | | IM 125 01662 8 ane : s - > Sarr eee ; pac 3 : Sitka Ree eaeaig ee ees sce ee Se ae ree Ste Sees e" Ly eset y Se peseeeaes ines a, . Feo eng ae et ate eT Sretstesss Ase Pa areress a3 aes Se Tre tet ate te tet ES 22: i Seteeremeeneiere feeeeiess gia rate: 3, efabitiire Stettint cee ia