Aa | 1509 SALE NUMBER 1373 ON PUBLIC EXHIBITION FROM MONDAY, NOVEMBER EIGHTEENTH ILLUSTRATED CATALOGUE oe OF Pee UABLE PAINTINGS TO BE SOLD BY ORDER OF EDYTHE H. BLUMENSTIEL AND OTHER COLLECTORS ON TUESDAY EVENING, NOVEMBER TWENTY-SIXTH AT 8:15 O CLOCK _,* (of f 4 THE ANDERSON GALLERIES PARK AVENUE AND FIFTY-NINTH STREET NEW YORK \ x NOSe Valuable Paintings of Edythe He Blumenstiel and other Collectors Sold at the Anderson Galleries, November 26, 1918. Prices. $ 260-4 2266 2106 Buyerée R.Trowbridge G Wells A-Levy G.Wells H.Schultheis S.D.eBowman A.Levy &.C.Converse JeHartog Clapp & Graham JeHartog C.Rohifs J ,Hartog G.C.Converse R idgway Knight's Painting Fetches Top Auction Price eae fe )=1 -Paintings from the French, ‘Ameriein, Spanish and other. schools of modern: art, orming part of the collection. of the late Emanuel Blumenstiel and others, found ready ‘buyers at the sale in the Ande SON Galleries, Park enue and FHifty-ninth street, last night. J. Hartog paid $900; the top price of the night, for. Ridgway Knight’s “A Question by the Lake.” repre senting the American school, Méssi Clapp i< Graham, dealers, paid $010 for J: G. Brown’s “Making Her Jealous.” Ubi eae 58 Converse bid $325 for Fritz Thaulow’s “On the Trentino,” a painting of the ] orwegian school. KE. E. Johnson: bought for $260 :Hamel’s “Home to the Fold,” a picture. of “the Dutch school. G. Wells paid $210 for J. J. Henner’s “Joan ,of Arc,” of the French School. A. Levy paid $200 for J. I. °Gé- réme’s “‘The Caravan,” and EK. EB. John- son paid $220 for Jean ' Georges Vibert’s “A. Prince of the Church. The tetal of the sale was $7,148. FROM A LONG SERIES OF SKETCHES OF BY ROSA BONHEUR [NUMBER 14 es re ‘ine f / 4 7 - \ SALE NUMBER 13'73 ON PUBLIC EXHIBITION FROM MONDAY, NOVEMBER EIGHTEENTH feewot RATED CATALOGUE OF VALUABLE PAINTINGS TO BE SOLD BY ORDER OF Pee tHe A. BLUMENSTIEL AND OTHER COLLECTORS ON TUESDAY EVENING, NOVEMBER TWENTY-SIXTH AT 8:15 O'CLOCK THE ANDERSON GALLERIES PARK AVENUE AND FIFTY-NINTH STREET NEW YORK 1918 NOME HE first thirty-eight lots in this ‘canibeee are ihe ey Edythe H. Blumenstiel, and as can be surmised fron tions on many of the paintings were collected by the well lover, the late Emanuel Blumenstiel. Not content with being paintings, Mr. Blumenstiel spent much of his time when abr company of artists, with happy results both in gifts and Particularly interesting are the long series of sketches Rosa Bonheur which will be of great interest to art students an The remaining pictures in this catalogue are the property o private collectors who for various reasons are rede \\ A\ \ 6 PiSt Or ARTISTS PAINTING NUMBER ASSELYN, JAN 49 BACKHUYSEN, L. 50 BEAUQUESNE 69 BERAUD, JEAN 67 BLACKMAN, WALTER Go BODDINGTON, JR., E. 52, 54 BONHEUR, ROSA 13, 14, 15, 16, fete 20 21.22, 23, 3/7 BOUDIN, E. Bete fo, 9, 29 BROWN, BOLTON COIT 58, 59, | 60, 61 BROWN, J. G.-, Zl BUNNER, A. a3 CANO, ALONZO 82 CASANOVA, A. Ze CHASE, WILLIAM M. ek CLAYS, P. J. Hive CRAIG, THOMAS B. 31 DABO, LEON 85, 86 DE BOCK, THEOPHILE 1 DE NEUVILLE, A. 24 DETAILLE, EDOUARD (Wid ote DOLPH, geet 05,04, ./4, 76, 79 DORE, GUSTAVE 46 DRESSLER, E. J. 39 DURAN, CAROLUS ESCOSURA, LEON Y 5 GARRIDO, E. L. 48 GEROME, J. L. 1! PAINTING NUMBER GERSTMANN, J. 87 GREATOREX, MRS. ELIZA 38 HAMEL 1 HAQUETTE, G. 81 HART, JAMES M. Do HENNER, J. J. 10 HOLLMAN, CARL 42 JACQUES, CHARLES 30 FACOUET, (CO 7073 JOHNSON, DAVID 66, 83 KAEMMERER, T. H. 6 KAMPF, ARTHUR 4 KNIGHT, D. RIDGWAY 80 LYNCH, ALBERT 78 MARCK, L. 41 MARKO, ANDREAS 56 MAX, GABRIEL 47 MEISSONIER 36 MONET, CLAUDE az MUNTHE, LUDWIG 40 RICO, M. 26 SERIA, E. 84 TAMBURINI, A. O25,05-4nA THAULOW, FRITZ 45 VAN LEEMPUTTEN, C. 43 VEYRASSAT, J. 25 VIBERT, JEAN GEORGES 34375 WYWICZKI, M. G. SF AR BeNDPPIONS On SALE 1. All bids to be PER Lot as numbered in the Catalogue. 2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. He also reserves the right to reject any fractional or nominal bid which in his judgment may delay or injuriously affect the sale. 3. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased to be immediately resold. 4. Purchases to be taken away at the buyer’s expense and risk im- mediately after the conclusion of the sale, in default of which The Anderson Galleries, Incorporated, will not be responsible if the lot or lots be lost, stolen, damaged, or destroyed, and they will be at the sole risk of the purchaser, and subject to storage charges. 5. No lot will be delivered during the sale. 6. All lots will be on public exhibition before the date of sale, for examination by intending purchasers, and The Anderson Galleries, In- corporated, will not be responsible except as hereafter noted, for the correctness of the description, authenticity, genuineness, or for any defect or fault in or concerning any lot, and makes no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. But upon receiving before the date of sale, expert opinion in writing that any lot is not as represented, The Anderson Galleries, Incorporated, will use every effort to furnish proof to the contrary, and in default of such proof the lot will be sold subject to the declaration of the aforesaid expert, he being liable to the owner or owners thereof for damage or injury occasioned by such declaration. 7. All books are sold as catalogued, and are assumed to be in good SECOND-HAND condition. If material defects are found, not mentioned in the catalogue, the lot may be returned. Notice of such defects must be given and the goods returned within ten days from the date of the sale. Periodicals, and all miscellaneous books arranged in parcels, are sold not subject to return. 8. Autograph Letters, Documents, Manuscripts and Bindings are sold as they are, without recourse. The utmost care is taken to authenticate 9 and correctly describe items of this character, but this Company will not be responsible for errors, omissions, or defects of any kind. 9. TERMS CASH. If accounts are not paid at the conclusion of each sale, or, in the case of absent buyers, when bills are rendered, this Com- pany reserves the right to recatalogue the goods for immediate sale with- out notice to the defaulting buyer, and all costs of such resale will be charged to the defaulter. This condition is without prejudice to the rights of the Company to enforce the sale contract and collect the amount due without such resale at its own option. 10. Bips. We make no charge for executing orders and use all bids competitively, buying at the lowest price permitted by other bids. 11. The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. Priced Copy of this Catalogue may be secured for fifty cents for each session of the sale. THE: ANDERSON GALEERi. INCORPORATED PARK AVENUE AND FIFTY-NINTH Sie NEWRY ORR TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN 10 fav ees Pape) poe Mee Unmerue ew AF Heyes, ; HAMEL DUTCH SCHOOL G by , Pee tO) THE FOLD Many good painters exist among the modern Dutch landscapists who are little known in New York. Sober gray day, with crows flying to their nests and the shepherd driving the flock toward the fold. Autumn tints on underbrush. Characteristic peasant, seen from behind, his dog at his heels. Fine tones, excellent drawing. Boards, glazed. Water color. Signed to right, Hamel, 19006. Height, 21% inches; width, 30% inches. BK. BOUDIN FRENCH SCHOOL PeotupyY OF CLOUDS Ahb ce) Boudin became famous through his pictures of French seaports, # ne y and this sketch in water color and pastel is a study in cloud forms. q' Very excellent sense of movement. Boards, glazed. Water color. Signed to left, E. B. Height, 7 inches; width, 10 inches. GAkROLUS DURAN FRENCH SCHOOL eee.) OPER Duran is best known as a distinguished portrait painter and as a teacher of painting who has had famous American pupils, such as Sargent, Beckwith, and others. Here is the portrait of a “character,” given in a brilliant, snappy technic. With one arm over a chair- back, outlined against a tavern wall on which jokes have been scrawled, this man sits with the sleepy smile of a toper. Clever, quick, sketchy work, not made for the market. Suggestive of Frans Hals. Canvas. Oil. Signed to right, Carolus Duran. Height, 34 inches; width, 21 inches. Rao OU IDEN FRENCH SCHOOL 4.,; THE WHITE HORSE WASHING-PLACE | Small picture by Boudin of the spring behind the White Horse Tavern at Trouville, where the women did their washing in the primitive fashion of kneeling by the pool. Trouville now would be surprised at such a scene, for it has become an up-to-date fashionable resort. Curious as example of customs that will soon disappear from all parts of France. Canvas. Oil. Signed to left, E. Boudin. Height, 9 inches; width, 10% inches. 11 LEON .Y-ESCOSURA | SPANISH SCHOOL GROUPLOPSR OY ALI SS In preparation for his large picture, ‘Parliamentarians and Royal- ists,” Escosura, the well-known Spanish painter of military and his- torical scenes, began this as a sketch. For a sketch it is highly finished, and the quality of the steel of the helmets, leather of the boots, cloth of the jerkins, is well defined. Panel. Oil. Signed at right, Léon y Escosura. Height, 12 inches; qwidth, 9 inches. T. H. KAEMMERES FRENCH. SCHOOLS ORANGE GIRL Presentation piece to Emanuel Blumenstiel. A comely orange girl has set down her basket and seated herself to fasten her garter. She turns her head to see that no one is looking. Plump figure, well-painted flesh and hair. Dedication to Mr. Blumenstiel in right- hand upper corner. Canvas. Oil. Signed to right, above, T. H. Kaemmerer. Height, to inches; width, 5% inches. Ky. BOUDIN FRENCH SCHOOL WAITING FOR THE FISHER PEI. A group of peasant women about a boat on a shoal beach. One stands apart and strains her eyes to distinguish the sails in the offing. Gray sky, thick toward the horizon. Fine composition and nice tones in group, sky and strand. Panel, cradled. Oil. Signed to right, E. Boudin. Height, to inches; width, 12 inches. , E. BOUDIA FRENCH SCHOOL S LUD Ore hols Another example of the care taken by Boudin that his pictures of seaports should be true to nature. Here is a fine study of clouds. Boards, glazed. Pastel. Signed to right, E. B. Height, 8Y% mches; width, 414 inches. ey BODES FRENCH SCHOOL FISHING LUGGERS IN SHORE Two sketches in one frame, fishing craft waiting for the ebb. Drawings touched with water colors. Paper, glazed. Drawing. Each signed to right, E. B. Height, 6% inches; width, 8% inches. 12 10. 4/O.- J. J. HENNER FRENCH SCHOOL 4 Vs JOAN OF ARC Small bust profile of a beautiful but determined young woman, such as the Maid of Orleans was. Splendid tones of russet in hair, dark blue in gown. An excellent example of this famous modern painter. Canvas. Oil. Signed to left above, Henner. Height, to inches; width, & inches. 13 4 td.— Pr 1A; J. L. GEROME FRENCH SCHOOL THE CARAVAN Presentation piece to Mr. Blumenstiel from the veteran French painter of the Orient. Dedication in left-hand lower corner of the canvas. The caravan is strung along the desert, headed for an oasis. The sun is well above the horizon, but turned blood-red because of a sandstorm coming on from the west. Canvas. Oul. Signed to left, J. L. Gérome. Height, 8 inches; width, I2 wches. 14 i: 13. 14. ey 16. ee THEOPHILE DE BOCK DUTCH SCHOOL fen OoCAPE SKETCH Brilliant little pastel of a hill, scattered woods and racing clouds by one of the best modern landscapists of Holland, often associated with the Barbizon painters. Charcoal and colored crayons are used with a masterly hand. Boards, glazed. Pastel. Signed to right, Bock. Height, 11 inches; width, 17% imches, RO Sa DONTE UR: FRENCH SCHOOL Poet er LED BLACK Rosa Bonheur had a country place near Fontainebleau where she farmed, and kept horses and cattle. This portrait of a horse is well drawn and painted, and worthy of her brush. Canvas. Ou. Signed above to right, Rosa Bonheur. Height, 12% inches; width, 164% inches. Bought at the Rosa Bonheur sale. hos DONT UR FRENCH SCHOOL Charcoal and pencil, glazed. All signed by artist, and framed. SKETCHES OF ANIMALS Horses in two ranks (cavalry). Shoeing the Ox, etc. Lion and Lioness Asleep. Lions “couchant” and “regardant.” Horses and Horsemen. [Five pieces. | [SEE FRONTISPIECE | Bagpiper, Shepherd, Dog and Sheep. Bull Fight—Spanish Mule-pack (2 pieces). Hay Wagons and Peasants. Heads and Hindquarters of Lions. Driving the Bulls, Spain. [Five pieces. | Lion’s Profile. Rustic Scenes, Cows and Mules. Studies in Tigers. Lioness, front view. Heads of Lions (4 pieces). [Five pieces. | Breton Peasant Riding. Farm Horses and Cart. Lion Profile. Lions at Large (2 pieces). Lionesses (2 pieces). [Five pieces. | ie 18. Horses, mares, foals. Empty and Full Hay Carts, Chickens (3 pieces). Cavalcades from Horse Fair (2 pieces). Lions, Lionesses “couchant.”’ Horses in Agriculture (2 pieces). [Five pieces. | 19: Sheep and Goats (2 pieces). Lion Groups (2 pieces). Goats..(4 pieces). Horses in Quick Walk. Peasant Compositions. [Five pieces. | 20. Lion Pairs at Rest. (2 pieces). Herd of Bulls. (Presentation to M. Curin.) Four-Ox Team at Rest. Driving the Bulls. Women Figures Horse Fair Sketches. [Five pieces. | A Horsemen and Horses. CExHeari 5 Oty ae Alpine Goats—Horses and Man (2 pieces). Horse Fair—Sketch for Stag Hunt (2 pieces). Shepherd and Sheep-dog. [Five pieces. } years Driving the Bulls. Controlling the Bull Drive. Lions (2 pieces). Pigs—Starting Bulls from Hills (2 pieces). Horses and Bull-fights (2 pieces). [Five pieces. } 23. Sheep Shearers. Cattle at Rest. Sheep up a Gorge. Sheep’ and Shepherds. "~ Fen, and inks | The Lion Tamer. | Five pieces. | Av oD iss INAS Ns Ue as FRENCH SCHOOL Sketches and Compositions in Pencil and Pen and Ink; all signed. 24. Charlemagne Crowned by Pope; St. Louis; A Combat (3 pieces). Cardinal Ximenes; A Monk; Queen Elizabeth (3 pieces). Ladies of 16th: Century {2 -pieces): Cavalcade of Nobles. Noble in Armor on Horse; Bowman. Medieval Figures (2 pieces). On paper boards, glazed. 16 oo ed: J. VEYRASSAT FRENCH SCHOOL wl THe WATERING PLACE Veyrassat was noted for his cattle. Thumbnail sketch of men taking horses to drink. Landscape in the vein of Rembrandt etch- ings. Clever little bit. Boards, glazed. Pen and ink. Signed to left, J. V. Height, 214 inches; width, 3% inches. WE RICO FRENCH-SPANISH Seve NeTIAN FIGURINES Martin Rico passed most of each summer at Venice painting chiefly in the smaller canals. These little figures of women, a man and five children on a panel; al Senor Blumenstiel with his regards. Fach little wee face is characteristic. Panel. Signed to right, M. Rico. POObARD DETAILLE FRENCH SCHOOL DRAGOON OF THE GUARDS A private of the Guard Dragoons, with classic helmet, high boots, sword and long musket, stands in profile. Horses and tents to rear. Fine drawing, minute work. Remarkable little print. Boards, glazed. Etching. Signed to right, Edouard Detaille, 1586. Height, 7% inches; width, 5% inches. Puno NO VA SPANISH SCHOOL Beer Nisti PRIEST FIGURES _ A-page full of character sketches by Casanova y Estorach, dedi- _ cated affectionately to Mr. Blumenstiel. Some of the figures have _ explanatory notes attached; all are humorous, but kindly. Items for oil paintings of Spanish scenes, for which Casanova was celebrated. Paper, glazed. Signed, A. Casanova y Estorach, Paris, 1896. Height, 14 inches; width, ro inches. E. BOUDIN FRENCH SCHOOL Peer me NCH VILLAGE Open square of a village, with men and women. A village festa. Nice quality and clever handling of gouache. Paper, glazed. Water color. Signed to right, E. B. Height, 8% inches; width, rr inches. 17 0) wake aie 34. CHARLES JACQUES FRENCH SCHOOL fete eRe MMEhO AC OLNy, Jacques was a masterly painter of landscape with sheep, often in- cluded among the Barbizon artists. Very careful, yet freely drawn, view of a dilapidated hut near tall trees close to the highway. Paper, glazed. Drawings. Signed to left, Ch. Jacques. Height, 9% inches; width, 6% inches. THOMAS, -B.2 CRAIG AMERICAN SCHOOL ASOUTE TER ies a: Nice little cattle piece by a well-known American landscape painter. Three cows have come through the woods to drink from a sylvan rivulet. Good drawing of animals. Canvas. Ou1l. Signed to. left, Thos. B. Craig, AdV ee inches; width, 14 mches. CLAUDE MONE FRENCH SCHOOL SKY AL SUNDOWN Monet is the painter who undertook to change the method of painting landscape. He began the new school of pictures in light tones. This is a charming little view off shore, very simple and broadly drawn. Boards, glazed. Pastel. Signed to right, Claude Monet. Height, 5% mches; width, 9 inches. A. CASANOVA Y *ES¢ OR [Attributed to] SPANISH SCHOOL PORTRAIT: OFA CARDING This little miniature is in Casanova’s style, and like the models he used for his compositions. Full of character and a capital bit of color. Altogether a choice piece, though not signed. Oil, glazed. Height, 3% inches; width, 2% inches. JEAN GEORGES VIBE FRENCH SCHOOL UNE CAUSE