ETCHINGS, ENGRAVINGS, MEZZOTINTS PORTRAITS, VIEWS, STUDIES, BY BARTOLOZZI, CHAUVEL, CHIQUET, DAKE, EDELINCK, FABER, FAITHORNE, HADEN, HOUSTON, JACQUET, MAXWELL, SYNGE, STRANGE, VISSCHER, WALTNER AND OTHER ENGRAVERS Ses TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON TUESDAY, MARCH 8TH, 1921 AT 8:00 O'CLOCK IN THE EVENING UNDER THE MANAGEMENT OF THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK CITY 7 ~~ THE AMERICAN ART ASSOCIATION DESIGNS ITS CATALOGUES AND DIRECTS ALL DETAILS OF ILLUSTRATION TEXT AND TYPOGRAPHY CATALOGUE OF ETCHINGS, ENGRAVINGS, MEZZOTINTS | PORTRAITS, VIEWS AND STUDIES, BY OLD AND MODERN ENGRAVERS TO BE SOLD WITHOUT RESERVE OR RESTRICTION BY ORDER OF OWNERS HEREINAFTER DESIGNATED ON TUESDAY, MARCH 8TH,1921 AT 8:00 O’CLOCK IN THE EVENING THE SALE TO BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF THE AMERICAN ART ASSOCIATION, ManacGers NEW YORK CITY pA oll Wan Daan! 7 \ é ag 4 >” > ' wis ‘AS Be? 3) ee tae 8 ue i ‘ tet '§ we- . PI a el) Wer < joe = r we ¢ st a 7 ; . POL as ' f ‘ , , : \ 4 %, ae! r ry * i \ te ‘¥ 4 x , : 4 : : i F ui ; ry ; " $ _ : \ , ee | ¥ r= rs : s \ } eta : ~~ Ba ue \ : f \ ek ”, pe! RA 4 A i, « Shy t ‘ ” . y ” 4 a ‘iy i * 2 ‘ 7 5 ' tad ry * ' e i h Crek P3 * ’ . - be : é : rei y ' » : ¥ ; ‘ on 3 * - ’ ' : , ‘ 4 . t . ‘ r ‘ ; ¢ - 1 h i a 7 | 4 t haaeta a 7 H ¢ } # Secs dS J . We Bs ; 7 | 7 ‘. + ie. ree ( “ay an | f Woe oy / i ‘ 4 . 5 . ‘ STATEMENT OF OWNERSHIP Etchings from the Portfolio of a BOSTON COLLECTOR, are herein catalogued under items, Numbers,—7, 10, 11, 13, 18, 19, 20, 21, 24, 25, 29, 3I, 32, 42, 43, 52, 53, 54, 55, 57, 58, 59, 60, 61, 64, 66, 67, 68, 71, 72, 77, 87, 89, 91, 93, 99, 108, 113, 119, 122, 125, 126, ESTP. Shuloe mld, al, daz, 145., 151, 153, 160, 163, 165, 167, 170, 184, 185, 186, 188, 189, 195, 196, 199, 209, 212, 215, 216, Bie 2100220, 222, 223, 224, 234, 235. Engravings sold by order of MR. RICHARD ELY, Artorney, are herein catalogued under items, Numbers,—3, 4, 5, 8, 9, 14, 15, 17, 26, 33, 34, 38, 48, 49, 65, 69, 70, 82, 83, 84, 85, 88, 98, 102, 103, 107, 118, 123, 124, 128, 129, 133, 136, 146, 158, 159, 161, 164, 169, 171, 175, 176, 178, 182, 197, 198, 207, 200, 214, 217, 221, 220, 238, 239. Etchings from the Portfolio of MR. R. C. SOMERVILLE of Batesville, Arkan- sas, sold by order of owner, are herein catalogued under items, Numbers,—22, 23, 27, 28, 36, 37, 40, 41, 45, 46, 47, 56, 73, 74, 86, 100, 104, 106, 115, 116, Pa eee tes 1930, 132, 139, 143, 152, 156, 172, 180; 187,;°213; 225, 226,227, 230, 231, 232. Etchings consigned by MR. HARRY L. LA FETRA of New York City, are herein catalogued under items, Numbers,—1, 2, 16, 35, 39, 63, 92, IOI, 105, 109, De, tt), 114, 120, 134, 144, 154, 168, 173, 174,°177; 183, : 1902313) w228, 24%, 236, 240. . A Part of a NEW YORK COLLECTION, sold by order of owner, is herein catalogued under items, Numbers,—6, 12, 44, 51, 62, 75, 76, 78, 79, 80, 81, 90, 112, 147, 148, 149, 150, 157, 162, 192, 193, 200, 201, 202, 203, 204, 205, 206, 237. Etchings consigned by FOUR PRIVATE PARTIES, are herein aeetauie under items, Numbers,—30, 138, 155, I7I-A, I9I, 194, 210. TOG Property of MR. F. C. WINCHESTER of England, is herein catalogued under items, Numbers,—50, 97, 179. Etchings consigned by MR. ALFRED P. PERKINS of New York City, sold by his order, are herein catalogued under items, Numbers,—94, 95, 96, 166, 181. Conditions of Sale 1. Any bid which is merely a nominal or fractional advance may be rejected by the auc- tioneer, if, in his judgment, such bid would be likely to affect the sale injuriously. 2. The highest bidder shall be the buyer, and if any dispute arise between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the purchase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. | Payment of that part of the purchase money not made at the time of sale, shall be made within ten days thereafter, in default of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforce- ment of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such purchaser, and the deficiency (if any) arising from such re-sale, shall be a charge against such purchaser. TS 8 4. Delivery of any purchase will be made only upon payment of the total amount due for all purchases at the sale. Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. MITE eek Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. iy Delivery may be made, at the discretion of the Association, of any purchase during the ession of the sale at which it was sold. f ay a 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Associa- tion will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. ree 6. Storage of any purchase shall be at the sole risk of the purchaser. Title passes upon the fall of the auctioneer’s hammer, and thereafter, while the Association will exercise due caution | in caring for and delivering such purchase, it will not hold itself responsible if such purchase — be lost, stolen, damaged or destroyed. eo Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. Pde te ae 7. Guarantee is not made either by the owner or the Association of the correctness of the description, genuineness or authenticity of any lot, and no sale will be set aside on account of any incorrectness, error of cataloguing, or any imperfection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. brig ae The Association exercises great care to catalogue every lot correctly, and will give con- sideration to the opinion of any trustworthy expert to the effect that any lot has been incor- rectly catalogued, and, in its judgment, may either sell the lot as catalogued or make mention of the opinion of such expert who thereby would become responsible for such damage as might result were his opinion without proper foundation. ee Aa eh ‘SPECIAL NOTICE Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph or telephone, will be faithfully attended to without charge or commission. Any purchase so made will be subject to the above Conditions of Sale, which cannot in any manner be modified. The Association, however, in the event of making a purchase of a lot “yt consisting of one or more books for a purchaser who has not, through himself or his agent, been | present at the exhibition or sale, will permit such lot to be returned within ten days from the date of sale, and the purchase money will be returned, if the lot in any material manner differs from its catalogue description. 7 Orders for execution by the Association should be written and given with such plainness as to leave no room for misunderstanding. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a deposit should be sent or reference submitted. Shipping directions should also be given. : Priced copies of the catalogue of any sale, or any session thereof, will be furnished by the Association at a reasonable charge. AMERICAN ART ASSOCIATION American Art Galleries Madison Square South New York City Lis 5 ae eae nn ot Fe deen it ame SPs: pee ee ee — — so? At THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK UNRESTRICTED PUBLIC SALE OF ETCHINGS, ENGRAVINGS AND MEZZOTINTS BY OLD AND MODERN ENGRAVERS BY ORDER OF OWNERS HEREINBEFORE DESIGNATED TUESDAY EVENING, MARCH 8th AT 8:00 O’CLOCK 1. BENJAMIN FRANKLIN. Aguatint. After the painting by Vanloo. Good impression, printed in colors. Tear in upper margin, and stained. | ALIX, P. M. 2. BENJAMIN FRANKLIN. Engraving. Dessiné par Le Barbier |’Ainé d’aprés : le Buste de Houdon; also, engraved portraits of Franklin, by Chevillet, : and Cochin. 7 Together, 3 pieces. (“2 P. M. | ANDERLONI, PIETRO 3. JUDGMENT OF SoLomon. Engraving. After Raphael. Framed, ANDERLONI, PIETRO | 4. ExpuLsion oF Heioporus, and AtrirA BErorE RoME. LEngravings. After the frescoes by Raphael. : Together, 2 pieces. ‘ Framed. ANDERLONI, PIETRO 5. Mosks AT THE WELL. Engraving. After Poussin. With Curist. AND THE WOMAN TAKEN IN ADULTERY. Engraving. After Titian. : Together, 2 pieces. Framed. ANDERSON, STANLEY 6. AN Otp Market PassacGe. LEiching. Signed proof. APPIAN, ADOLPHE—LALANNE, MAXIME | | 7. PorT DESAN Remo, 1878. Painter-etching, by A. Appian. Very fine proof, on soft Japan paper. Oblong folio. Matson Brot (Cusset). Painter-etching, by M. Lalanne. Fine impres- sion, on “aqua fortiste” paper. Oblong small 4to. ’ Rouen. 1884. Painter-etching, by M. Lalanne. Fine proof, on “W. King” paper. Oblong small 4to. Together, 3 pieces. Sale, Tuesday Evening, March 8th ARDAIL, ALBERT . 8. THE Toast. Etching. After Talbot-Hughes. Signed. Framed. AUBRY-LECOMTE, HYACINTHE L.V.J.B. 9. PsycHE ETL’Amour. Lithograph. After Gérard. Signed on the stone. AUDRAN, JEAN—BALECHON, JEAN JOSEPH 10. CLEMENT AUGUSTE PRINCE DE BAVIERE. Line-engraving by J. Audran, after J. Vivien. [Le Blanc, No. 352.] Closely trimmed. . FRANCAIS PIERRE GILLET. Line- -engraving by J. Audran, after J. Tortebot. [Le Blanc, No. 363.] Small margin. JEAN DE JULIENNE; art amateur. Line-engraving by J. ie Baléchon, after F. de Troy. [Le Blanc, No. 57.] Fine impression with margin. Together, 3 pieces, folio and small 4to. AVRIL, JEAN JACQUES, L’AINE 11, L’INNOCENCE POURSUIVIE PAR L’Amour. Line- -engraving. After A. Borel. Fine impression, with the additional rose leaves. Large margins. Folio. BACHER, OTTO H. 12. St. Marx’s, VENICE (Interior.) Etching. Signed. BACHER, OTTO H. 13. VENICE, 1880. Painter-etching. Signed proof on India paper. Full margins. Oblong small 4to. BALLIN, J. 14. Tue BartisM. Engraving. After Knaus. With THe MounTEBANK. Engraving, by Girardet, after Knaus. Together, 2 pieces. Framed. ; BANKEL, JOHANNES 15. CASTOR AND PoLtLux. Engraving. After Rubens. Remarque proof. Framed. | BARTOLOZZI, FRANCESCO : hate 16. THE Hours. After Cosway. With portraits of Marquis Cornwallis and Cromwell. on Together, 3 pieces. BORTOLOZZI, FRANCESCO 7 PROMETHEUS. Etching. After M. Angelo. Framed. BARYE, ANTOINE LOUIS—FANTIN-LATOUR, HENRI 18. UNE LIONNE ET SES PETITS. Painter-lithograph, by A. L. Barye. [Beraldi, » No. 3.] Published in “l’Artiste.” ETUDE DE Cuats. Painter-lithograph, by A. L. Barye. [Beraldi, No. 4,] Both oblong 4to. La DAMNAT ON DE Faust. [Salon 1888.] Painter-lithograph, by H. Fantin- _ Latour. 4to. Together, 3 pieces, all on India paper. - is men Win ae ak ee ae Pe ee a ee eee ee ae ee ea ee ae a a Sale, Tuesday Evening, March sth BECKETT, ISAAC 19. Marie Fievpinc. Mezzotint, after P. Lely. [Smith, No. 34.] Large margins. Folio. BLOOTELING, ABRAHAM 20. Princess ANN, Second Daughter of James Duke of York (Later James IT) by Ann Hyde. Mezzotint. After P. Lely. [Smith, p. 65. b.] The Only — State Known. Fine early impression. Fair margin. 4to. BLOOTELING, ABRAHAM 21. WIFE AND CHILD OF THE PAINTER G. DE LAIRESSE. Mezzotint. After G. de Lairesse. [Wessely, No. 121.] First State. Proof, with the artists’ names only. Closely trimmed. Fine. Folio. Lorp MonrTaAGUE, EARL oF SANDWICH. (Patron of Pepys.) Line-engraving. After P. Lely. [LeBlanc, No. 177.| Brilliant impression. Good margin. Folio. Together, 2 pieces. BOULARD, AUGUSTE 22. BLow, BLow, THou WINTER WINDS. Etching. After Millais. Signed. BOULARD, AUGUSTE 23. Le CHATEAU DE CLISSON. Etching. After Harpignies. Signed by both artists. BOUTELOUP, LOUIS ALEXANDRE (DEAF-MUTE) 24. Le MARECHAL DE TURENNE COUVRANT DE SON BOUCLIER LES Lys DE LA FRANCE, Line-engraving. After R. D. Dardel. [Le Blanc, No. 2.! Proof before all letters, having the vignette in the center of the inscrip- tion-space only. Small margin. In folio. VERY RARE. BRACQUEMOND, FELIX 25. MARGOT LA CRITIQUE.—LE CORBEAU. Painter-etchings. [Beraldi, No. 113.] Third State—[Beraldi, No. 115.] Fifth State. Published in “Artiste.” Both on India paper. Good margins. Small 4to. VANNEAUX ET SARCELLES. Painter-etching. [Beraldi, No. 175.] Third State. Edition Cadart. Good margins. Folio. Together, 3 pieces. BRENNAN, A. 26. PORTRAIT OF HENRI GERVEX. Pen-and-ink drawing. Signed. Framed. BRUNET-DEBAINES, ALFRED 27. FINGAL’S CAVE, STAFFA. Etching. After Johnson. Signed by both artists. BRUNET-DEBAINES, ALFRED 58. GLIMMERING Licut. Etching. After Leader. Signed by both artists. Sale, Tuesday Evening, March 8th BRY, JOHANN THEODOR DE—CALLOT, JACQUES of.) (in nis 29. THE GOLDEN AGE. Line-engraving, by J. T. de Bry, after A. Bloemaert. [Andresen, No. 6.] First State, before the address of. either Wolf or Probst. With margin. Very fine and rare. From the Robert-Dumesnal Collection. Small 4to. Tur TEMPTATION oF St. ANTHONY. Painter-etching, finished -with \ the. graver, by J. Callot. [Meaume, No. 139.] Third State (of 4), before the slip of the graver on the cloud between the right arm and the wing of the demon. Fine impression, small repairs. Oblong folio. From the Viasoff and Schetkewitch Collections. Together, 2 pieces. BUHOT, FELIX AND OTHERS. TT ies aie 30. Au Fir pe L’Eavu. Etching. After Iundt. Margin trimmed very close. With a number of engravings and one lithograph. = Together, 10 pieces. vee CARRACCI, AGOSTINO dal eee 31. CupiD CONQUERING PAN. Painter-etching, finished with the graver. [B. | 116.] Closely trimmed. Very fine, possibly a first state. Oblong small Ato. a4 OLA SUES ER eee MINERVA KEEPING Mars AWAY FROM PEACE AND ABUNDANCE. . Etching, finished with the graver, after Tintoretto. [B. 118.] Second State. Fine, closely trimmed. From the Collection of Sir Joshua Reynolds. Together, 2 pieces. i ViTA Ta eens CARS, LAURENT—CHEREAU. FRANCOIS L’AINE—DAULLE, ‘JEAN 32. SEBASTIEN BourDoN. Line-engraving, by L. Cars, after H. Rigaud, for his reception at the Academy 1783. With margin. mn Louts DE BOULLAGNE. Line-engraving, by F. Chereau l'ainé, after his own: drawing, for his reception at the Academy. With margin. ee HYACINTHE RIGAUD, painting the portrait of his wife. Lime-engraving, by J. Daullé, after H. Rigaud, for his reception at the Academy 1742. With margin; very fine. | Pon Sa AR a Together, 3 pieces, all folios. CHAUVEL, THEOPHILE N. | oy 33.. THE BROKEN Dam. Efching. After Daubigny. Print State. Framed. CHAUVEL, THEOPHILE N. | ee ve 34. BUITEN SINGEL. Efching. After Rothschild. . Print State... Framed. _/ | CHEESEMAN, THOMAS | ih Fa 35. GENERAL GEORGE WASHINGTON. Engraving. After J. Trumbull. With | a engraved portraits of Washington, by Canova, Edwin, and Heath. 43g Together, 4 pieces. CHIQUET, EUGENE ep ete y . a are 36. La Rixe. Etching. After Meissonier. Signed Remarque Proof. CHIQUET, EUGENE _ : 37. PORTRAIT OF THE SERGEANT. Efching. After Meissonier. Signed Remarque. Proof. ° . wiv Gea Sale, Tuesday Evening, March 8th CLAESSENS, LAMBERTUS ANTONIUS_ : _ 38. THE DESCENT FROM THE Cross. Engravi , . From Carter Collection. a ng. After Rubens. Framed. £ ) // coopER, ROBERT | Ny canta § pelo 1 t 39. Miss STEPHENS. Stipple. Proof in colors, published in London, by W. Cribb, January Ist, 1818. . | zit & COPPIER, CHARLES ANDRE : | 40. TENA (1806). Eiching. After Meissonier. Signed. Remarque Proof. — COUSINS, SAMUEL 41. CHERRY RIPE. Mezzotint. After Millais. Signed by both artists. COUSINS, HENRY AND SAMUEL—WALKER, WILLIAM 42. Lewis WittiaM Buck M.P. Mezzotint, by H. Cousins, after F. Grant. With margin. Mounted on canvas. In folio. . -Rosert Burns. Mezzotint, by S. Cousins and W. Walker, after A. Nas- myth. Whitman No. 30. Proof from the retouched plate on India paper. Good margin. Folio. Together, 2 pieces. CRANACH (SUNDER) LUCAS THE ELDER anp THE YOUNGER . 43. EMPEROR CHARLES V. Woodcut, by L. Cranach, the Elder. [B..128.] On paper with the watermark “Gothic p and orb.” With margin. 4to. Partie MELANCHTHON. Woodcut, by L. Cranach, the Younger. For the title-page of. “Chronicon Carionis, Wittenbergae. I 572.” [Passavant IV. No. 41.] Very fine early impression. of the full page 8vo. From the Collection K. v. L. -.. Together, 2 pieces. - CRAWFORD, T. HAMILTON | ‘we 44. SEVILLE CATHEDRAL, (Interior). Photograveur. After Roberts. In colors. Signed. . DAKE, CARL L. Mal rk 45. GIRL witH BaBy. Etching. After Israels. Remarqué Proof. Signed by both artists. DAKE, CARL L. | | Poet ee 46. THE OLD FISHERMAN. Etching. After Israels. Signed Remarque Proof. Beis, GE. | | ai 47. Art Critics. Etching. After Meissonier. Signed Remarque Proof. DE BONSONGE 48. BATTERIE pE New York. Etching. Framed. TCAs ee ho Ferre. p= jon i fi * wz. Ys DELARAM, FRANCIS | 49. SIR WILLIAM SEGAR. Engraving. —_—" ’ nee Sale, Tuesday Evening, March 8th DESNOYERS, A. B. | 50. NAPOLEON. Engraving. After Gerard. With engraving by Huffam, Napoleon at the Battle of the Pyramids, in color, lithograph portrait and an engraving by Houiste. Together, 4 pieces. DICKSEE, HERBERT T. 51. “THREE LitTLeE Kittens.” Mezzotint. Signed proof. Framed. DREVET, CLAUDE 52. CARDINAL HENRI Oswatp. Line-engraving. After H. Rigaud, 1749. [Didot, No. 12.] Only State Known. Large margins. Extremely fine. — DREVET, PIERRE ; 53. LOUIS DE FRANCE, LE GRAND DAUPHIN, Son of Louis XIV. Line-engraving. After H. Rigaud. [Didot, No. 56.] State cannot be determined as the portrait is trimmed to the oval, showing nothing but Drevet’s own work. Remargined. Extremely fine impression. Large 4to. Louis AUGUSTE DE BourBoNn, Duc pvE Matn, Son of Louis XIV and Mme. de Montespan. Line-engraving. After F.de Troy. 1703. [Didot, — No. 60.] Second State. Trimmed closely. The date is missing. Very fine. Large 4to. Louis Hieux, docteur de Sorbonne et curé des Saints Innocents, Paris.°,. Line-engraving. After J. P. Delescrinierre. [Didot, No. 72.| The Only State Known. Small margin. Large 4to. . Together, 3 pieces. . DREVET, PIERRE 54. JEAN Poinier, Abbé de Ste. Genevieéve. Line-engraving. After J. P. Delescrinierre. [Didot, No. 106.] The Only State Known. Closely trimmed. Folio. . MARIA DE SERRE, Mme. Ricaup. Mother of H. Rigaud. Line-engraving. After H. Rigaud. [Didot, No. 110.] Second State. Good margin. In © folio. . Together, 2 pieces. DREVET, PIERRE IMBERT ‘ 55. Louis D’ORLEANS, fils du Regent. Line-engraving. After Ch. A. Coypel. [Didot, No. 21.] First State; before the inscription on the base of the border. Good margin. Very fine. Small 4to. DUPONT, CARL | 56. PARTIE PERDUE. Efching. After Meissonier. Signed Remarque Proof. EARLOM, RICHARD—DICKINSON, WILLIAM 57. Portrait oF R. Eartom. Mezzotint, by T. Lupton, after G. Stewart. Large margin. Small 4to. . HARBOR SCENE. From “Liber Veribatis.” Mezzotint, by R. Earlom, after Claude Lorrain. Good margin. Oblong 4to. Tue Misers. Mezzotint, by R. Earlom, after A. Matsis. [Wessely, No. 124.] First State, Proof, with the artists’ names and the publication line only in scratched letters. Closely trimmed. Very fine. In folio. Joun Munce, M.D. Mezzotint, by W. Dickinson, after J. Reynolds. [Smith, No. 50.] The Only State Known. Small margin. Folio. Together, 4 pieces. : Sale, Tuesday Evening, March 8th EDELINCK, GERARD 58. JEANNE D’AUTRICHE, GRAND-DUCHESSE DE TOSCANE. Luine-engraving. After P. P. Rubens. [R. D., No. 143.] First State; proof before all letters. Small margins. Superb impression. Very Scarce. In folio. EDELINCK, GERARD 59. JACQUES BENIGNE BossuET, BisHorp or MEAUX. Line-engraving. After H. Rigaud. [R. D., No. 156.] First State, before.the period following 3 “H. Rigaud.” Large margins, deckel edges. Very fine. 4to. 4 ; FERDINAND, PRINCE-BISHOP OF PADERBORN AND MUNSTER. Line-engraving. ; After J. Michelin. [R. D., No. 202.] First State, before the coat-of-arms was replaced by one of poorer workmanship and the inscription changed from the 2nd line to the end. Large margins. Very fine. 4to. Together, 2 pieces. EDELINCK, GERARD 60. REN& DeEscarTES, Philosopher and Celebrity in Mathematics. Line- engraving. After F. Hals. [R. D., No. 181.] First State, before Chereau’s address. Large margins. Very fine. 4to. From the W. Drugulin Collection. BARTHELEMY D’HERBELOT, Interpreter of Oriental Languages. Line- engraving. [R. D., No. 183.] Only State Known. Large margins. Fine. 4to. ‘ SEBASTIEN DE PONTAULT, Seigneur de Beauliere. Premier Ingénieur et “a Marechal Général des Armées. Line-engraving. [R. D., No. 144.] Only ee State Known. Small margin. Fine. 4to. Louts Morert, Doctor of Théology and Author of “Dictionnaire historique,” > which bears his name. Line-engraving. After F. de Troy. [R. D. No. = . 280.] Second State. Good margins. 4to. eS Together, 4 pieces. ee ee eke oe See a ee ie Tate ; ‘ . o EDELINCK, GERARD 61. JEAN RovuiLLf&, CoMTE DE MEsLay. Line-engraving. After R. Nanteuil. [R. D. No. 273.] Only State Known. Closely trimmed. Small folio. PIERRE DE Monrarsis, Art Amateur. Line-engraving. After A. Coypel. [R. D., No. 277.] Third State. With margin. Small folio. FRANCOIS TORTEBOT, peintre et graveur francais. Line-engraving. After M. de Pille. [R. D., No. 328.] Only State Known. Closely trimmed. Small folio. PIERE ALPHONSE RopRIGUEZz, Jesuit father. Line-engraving, by G. F. Edelinck. Closely trimmed. 8vo. ‘Together, 4 pieces. a. eae ee eS oe eres ye ois EYRE, BENARD : 62. OLD CLARENDON BUILDING, OxForD. Ffching. Signed proof. Pi, adie iia Nd clade 1 4 F, ; i i oe BER, JOHN, JR. 63. Mrs. MARGARET Worrincton. Mezzotint. After Eccard. Together with portraits of Madam Davis, by Valck, Miss Fenton, by Tinney, Mrs. Cline, and Zamperini, by Finlayson. Together, 5 pieces. Sale, Tuesday Evening, March 8th » tee FABER, JOHN, JR. Chad op ae 64. CHares II, Kinc or Great Britain. Mezzotint. After P. Lely. [Smith, No. 77.] Only State Known. With margin. Very fine and brilliant impression. In folio. ni , aioe | \ FACIUS, G. S. anp GOTTLIEB, JOHANN 65. THE SLEEPING VENUS. Stipple. After Titian. i FAITHORNE, WILLIAM 66. Joun Butwer, M.D. Author of several Rodke of the language of the Hand, Physiognomy and of instructions to the Deaf and Dumb. Line-_ engraving. [F., p.25.] Third State, with full inscription. Small margins, — strong impression. . Prefixed to “Anthropomorphosi: Man Transform’d; or, the Artificiall Changling Historically presented, In the mad and cruell gallantry. . .” London, 1653. 8vo. From the H. C. Hoskier Collection. Henry Hare, Lorp CoLeratne. Author and Antiquary. Line-engraving. After his Lordship’s own design. [F., p. 28.] Second State. The plate * is retouched, the hair is darker and the interruption of the lower line of the quill pen is.closed. On paper with the watermark “foolscap with 4 bells.” Closely trimmed. Fine. Prefixed to “The Ascents of the Soul =.) London 1681. small Ato: . ‘ inn tt Together, 2 pieces. 2 FAITHORNE, WILLIAM gs A oh pes 67. CHARLES I, Kinc or GREAT BRITAIN. Line-engraving. [F., p. 75.] The Only State Known. Small margin. Fine Frontispiece to “The Reign of King Charles. . . The second edition... by. . . (Hamon L’Estrange). London 1656. 4to. From the Ives Collection. — V4 FAITHORNE, WILLIAM 68. Str JouN Fortescue. Lord Chief Justice and Lord Chancelor of England | iff { SHEE under King Henry VI. Line-engraving. [F., p. 36.] The Only State 4 4 Known. Small margin, inlaid. Fine. In “Fortescutus Illustratus. . . By Edward Waterhouse Esquire. . .” London 1663. 4to. From the Ives Collection. | ine James Stuart, 4th Duke of Lennox and 3d Duke of Richmond. Line- engraving. After A. van Dyck. [F., p. 56.] State cannot be ascertained as it is very closely trimmed and has lost the space of the lower margin where the publication-line would appear. On paper with the “Cardinal's hat.” Asmall hole in the upper border repaired, and slightly browned by - ed & age. Ato. : ~ of Together, 2 pieces. i 7 r f) \ Jif) FAITHORNE, WILLIAM, THE ELDER fj Vi, 69. EpmuNnD Exys. Engraving. df Pf i4- ld itt \\~ Fi DH f } y tf ij fe | FARRER, HENRY : UV | WY 70. Boatsto Ler. Etching. Signed. Framed. k i A ee Ee RE TS Oe ns gra ee a es ae q 5 E { FERRIS, J. S—FULLWOOD, JOHN—GAUTIER, LUCIEN at Lf 71. THE OLD CLoTHES DEALER; Carro. Etching. After J. L. Geréme. Proof Sale, Tuesday Evening, March 8th BeSA with the inscription, on thin Japanese vellum. Full margin. Small 4to. i / HEADWATERS OF THE THAMES. Painter-etching, by J. Fullwood. Signed / ; ' proof on Japan paper. Full margin. Oblong small 4to. Ve La PassE pu Virux Port A MarsgILLe. Painier-etching, by Lucien i ; Gautier. With the full inscription on etching paper. Good margin. ; if Oblong folio. ; Together, 3 pieces. i/. 4 A ee BPEILENNE ‘\// 472, PROSPER JELIOT DE CREBILLON. Line-engraving. After J. Aved. [Faucheux, Wf No. 37.] Second State (of 3), proof before the names of the artists. Large i margins. Very fine. 8vo. René Descartes, Philosopher and Celebrity in Mathematics. Line- engraving. After F. Hals. [Faucheux, No. 39.] Third State (of 5). Proof before the artists’ names and before the inscription on the back of the book to the right, “De L’Homme” was changed to “De |’homme.” Large margins. Slightly foxed. Very fine. From the Firnim-Didot Collection, . Together, 2 pieces, small 8vo. FLAMENG, LEOPOLD JOSEPH 73. THE RETURN FROM HarvestinG. After Breton. Remarque Proof. Signed by both artists. FLAMENG, LEOPOLD JOSEPH 74. DONE Work. Etching. After Davis. Signed by both artists. FLETCHER, HANSLIP 75. SHREWSBURY MONUMENT. LEiching. Signed proof. -FONCE, CAMILLE _ 76. BORDERS OF THE SEINE. Etching. Signed proof, printed in colors, ERIESELHEM, .P. 77, MAXIMILIEN DE BETHUNE, DUC DE SULLY. Ministre de Henri lV. Engrav- ing in pastel manner. After F. Porbus. Colorprint, with the full inscrip- tion. Large margins. Very fine and very rare. Large 4to. FULLWOOD, JOHN 78. ON THE Downs. Eiching. Signed proof. ~ FULLWOOD, JOHN 79. OARSMEN’s Camp. Etching. Signed proof. FULLWOOD, JOHN 80. ROAD BY THE TRENT. Etching. Signed proof. FULLWOOD, JOHN 81. TWICKENHAM Common. LEiéching. Signed proof. Sale, Tuesday Evening, March 8th GAILLARD, FERDINAND 82. JOANNES BELLINUS. Engraving. : Portrait of FERDINAND GAILLARD. Etching by DeMar. Together, 2 pieces. | GAILLARD, FERDINAND 83. La CREPUSCULE. Engraving. GAILLARD, FERDINAND 84. Pope PrusIX. Engraving. Signed. GAILLARD, FERDINAND 85. Pore Lzo XIII. Engraving. Signed. GAUTIER, LUCIEN 86. Tue LAKE. Etching. After Corot. Signed remarque proof. GELLEE, CLAUDE (CALLED LORRAIN)—GOUDT, HENDRICK, COUNT PELATINE ; | 87. LANDSCAPE, WITH THE FLIGHT INTO EGyPT. Painter-etching. {R.D., No. 1.] Second State (of 4). The border-line is still interrupted, but of the artist’s name remain only the letters “Clau.” Very small margin. Fine. Oblong 8vo. | pore LANDSCAPE, WITH THE FLIGHT INTO Ecyrt; Night Effect. Line-engraving, by H. Goudt, after A. Elzheimer [Dec., No. 3.] The Only State. Small margin. Fine. Oblong folio. . ; Together, 2 pieces. GIRLING, E. : 88. Tue DESCENT FroMTHE Cross. Etching. After Rembrandt. Two impres- sions. With an etched copy of Rembrandt’s etching of “The Death of the Virgin,” and another large landscape etching after Rembrandt. Together, 4 pieces. GOLE, JACOB 89. MADEMOISELLE DE LA VALLIERE. Line-engraving. After D. a Plaats. [Wessely, No. 22.] The Only State. The border remained unfinished. With margin. Very fine. 4to. rie GOOLDEN, FRED W. 90. REFERENCE LIBRARY, MANCHESTER. Etching. Signed remarque proof. — GREEN, VALENTINE—GREENWOOD, JOHN | 7 gt. ELIzABETH WEST AND CHILD; (Wife and Child of the American painter). Mezzotint, by V. Green. [Smith, No. 139.] First State, proof before the inscription, ground not cleared and the artists’ names in scratched letters. Large margins. A slight crease across the lower part of the plate. Folio. Simon FoKKE, Dutch Engraver. Mezzotint, by J. Greenwood, after J. Buys. [Smith II., p. 599.]. Proof with the artists’ names only. Large margins. Folio. | Joun WEsLEY. Mezzotint, by John Greenwood, after N. Hone. [Smith, ae 5.] Third State. The plate is reduced in size and is reworked. Small olio. — Together, 3 pieces. Sale, Tuesday Evening, March 8th a ae ee : ; ane GREEN, VALENTINE 92. ELEANOR Gwynn. Mezzotint. With portraits of Eleanor Gywnn, by Ogborne, Valck, and Tompson, all after Lely. Together, 5 pieces. oe: GUTTENBERG, CARL — 93. TEA TAX TEMPEST OR ANGLO AMERICAN REVOLUTION. Line-Engraving. Proof with the finished vignette, the title in scratched letters but before the artists’ names. Fine impression with large margins. Rare. Oblong folio. HADEN, SIR FRANCIS SEYMOUR 94. KIDWELLY Town. Etching. (Harrington, No. 24.] Signed proof, slightly stained. . HADEN, SIR FRANCIS SEYMOUR . 95. KIDWELLY CasTLE. Fiching. (Harrington, No. 25.] Signed proof, cut down inside plate-mark. Was a ey a ee ern ae ee — = HADEN, SIR FRANCIS SEYMOUR 96. HOUSE OF THE SmiTH. LEiching. (Harrington, No. 63.] Stained. HALL, JOHN ; | 97. WILLIAM PENN’S TREATY WITH THE INDIANS. Engraving. After B. West. With lithographs by Hartwich of The Reverand John Wesley, Preaching to the North American Indians in 1745, and Preaching on his father’s tomb in Epsworth Churchyard, and a portrait of Reverand William H. Delancey, by Ritchie. Together, 4 pieces. HAMILTON, A., JR. _- 98. A View or NEw YorK, GovERNOR’s ISLAND, THE RIVER, ETC. Engraving. HAMLIN, WILLIAM— . 99. GEORGE WASHINGTON. Mezzotint. After E. Savage. (Hart, No. 231.| Large margins. Rare. Small 4to. Witu1am CULLEN Bryant. Line-engraving, by A. Jones and S. A. Schoff, the final work by A. B. Durand after A. B. Durand. [Stauffer, No. 563.] Trial proof of the finished portrait, on India paper. Margins. Large 4to. Together, 2 pieces. HAYNES, E. LESLIE 100. THE CORNFIELD IN Lane. Mezzotint. After Constable. Signed. HEATH, JAMES : 101. GEORGE WASHINGTON. Engraving. After Gabriel Stuart. Fine impression, cut down inside plate-mark, otherwise in fine condition. _HELMAN, 3 apes 102. TcHao-Hogr In CAMP AT YERECHIM. Engraving. With nine other prints representing Battle Scenes, of Early Chinese Wars. Together, 10 pieces. Sale, Tuesday Evening, March 8th HENRIQUEL- DUPONT, LOUIS PIERRE TRAN is ee . 103. PETER THE GREAT. Engraving. Ale Delaroche. TOA ES Tae HESTER, FE: GILBERT GIR 104. THoucuts. Mezzotint. After Stone. Signed ae both artists. | A HODGES, C ry nai ‘ A | 105. Mp. EDWIN IN THE CHARACTER OF LINGO. Mezzotint. After Alefounder; Another impression of the same with the title; and portraits, of Sit Fopling, Mr. Berry, and Mr. Dibdin. Together, 5 pieces. Z Paes HOLE, WILLIAM B. | : 106. To WINTER QuarRTERS. Efching. After Farquharson. Remarque proof, signed by both artists. ates SS ae PR ng Week cea HOLLAR, W. Je heer SG 107. PETRO ARETINO. Engraving. With a miscellaneous collection of engrav- ings of various subjects. CeMmCeerc . Srp hala Together, 28 pieces. _ HOUSTON, RICHARD—JONES, JOHN _ 108. ‘THE Rat-CATCHER. Mezzotint, by R. Houston, after C. Vines Not - mentioned by Smith. With full inscription, .Fine. \Small margins. From the R. Hoe Collection. Small folio. JAMES BoswELL OF AUCHINLECK. Mezgzotint, by J. Tapes atch ‘Reynolds. [Smith, No. 8.] With full inscription. Mareay vHoliana Together, 2 pieces. Pt wa HOUSTON, RICHARD ta | FOO. “Tur Stuprous Fair (Mrs. Woffington).. : Mezzotint.. ‘After Picketing. ‘With f) \ portraits of Miss Kitty Fischer, by Fisher, Miss Bie! by Baa Miss Martha Ray, by Green, and Supe Weme cs eM yy Dogether, 5 pieces. a) aeh Nea ef Dy ite" 110; Mrs. Hartiy. Mezzotint.. After Hamilton. With mezzotint portraits of — ‘ --Mrs. Woffington, as: Phebe,: after Van - Bie ee ae C hs in. by Pelham, and Mrs Barry, by Paul. Together, 4 pieces. a { HOUSTON, RICHARD } HOUSTON, RICHARD © Ns ash : shoe ESS Se a | trr. Major GENERAL JAMES Worre: Menai Ane Schaak. Impression from the retouched plate. Together with portraits of Wolfe one by | ooo. «. Purcel after Turin, a reworked. plate. by Purcel, it ‘was. formerly . the ) ' portrait..of .Louis Dejean, by .Faber, and one described -by Smith, as probably being a reworked plate and engraver unknown. ene 3, pieces. HUGGINS, WILFRED.. “52, RHEIMS. Etching. Biphod any eben in nee Sale, Tuesday Evening, March 8th ITALIAN ENGRAVERS OF THE XVITH CENTURY 113. THE Risinc Sun. Painter-engraving, by G. Bonasone. [B., 99.] First State, before Rossi’s address. Closely trimmed. Oblong small folio. From the Broadhurst Collection. VENUS ORDERING PSYCHE TO FETCH WATER FROM A FOUNTAIN GARDED BY Dracons. A separate plate, not belonging to the set.of “Fable of Psyche.” Line-engraving, by “the Master B. with the die” (B. Verini). - After Raphael. [B., 71.] Only State mentioned. Closely trimmed and creased. Oblong small 4to. VENUS WOUNDED BY THE THORNES OF A ROSE BusH. Line-engraving, by po St. ’ G. Phisi, after L. Penni. [B., 40.] Closely trimmed. 4to. From the _ Sykes and Count C. Behague Collections. Tur Hoty FaMity AND ST. JOHN. Line-engraving, by M. A. Raimondi, ~~ after’ Raphael. {B., 57.]. Closely trimmed. Folio. -CuRIST AND THE WOMAN OF SAMARIA. Line-engraving, by an unknown ws - engraver after N. Beatrizet’s plate after M. Angelo. [B., 17.] Copy A. - . .Fine impression, closely trimmed and laid down. “Authorship verfied by the British Museum” stamped on the mount. “HERCULES Katiinc ANTHEUs. Line- -engraving, by A. Veneziano, after the plate by M. A: Raimondi after Raphael. “[B., 347.] Very small margin. From the W. Esdaile, Collection. af “Together, 6 eres "s rad A AS MICHAEL ~ -114. Mrs, AGES ENGTON. esshtind, After Lewis. With portraits of, Mrs. Pope by, Laurie, Mrs. Abbington by Bartolozzt, Mrs. ‘Foe e Bartolozzi, 6 The Country Maid-and another oe Faber. popes: Gepieces. _. . ty JACQUET, JULES” “115. LE BILLET Baie ‘Engraving. - After Fragonard. efotietl.® _ JACQUET, JULES 116. JOUEURS DE: BouLes (A Game of Bowls in the Park.) Etching. After Meissonier. Signed ate Sate Proof.’ | JACQUET, JULES 117+ THE Stirrup Cup. Hiching. After Wissen: Cong Remarque Proof. JACQUET, M. F. 118. Un Cuaume. Pencil aresene: Signed. _— JOMBERT, a ANTOINE—KILIAN, BARTHOLMAUS—KLAUBER, IGNATZ - SEBAST aes ree LE PAUTRE, etl dag A ctilece ae -engraving, by A. Jombert, evidently a copy after Nanteuil’s plate. Frontispiece to “Dessins de plusieurs Palais. . . du Roy.” Margin. Had been folded. Oblong small folio. _ GEORG WINCKLER, Wholsale’ Merchant ‘of ‘Leipzig. Line- -engraving from We TON, “by: B. Kilian: {Andresen, No. 11.] With full inscription. Small a wenn tal L margin. Very fine. From the J. Kolimann Collection. Folio. CarRLE VANLOo. Painter. Line-engraving. After P. Le Sueur, for his “reception atthe Academy. ‘[Andresen, No. 10.] First state; proof before all letters. Large margin. Extremely fine. Folio. _ Together, 3 pieces. NIST Sale, Tuesday Evening, March 8th _) KEATING, G. es », ~| 120. Mr. KemBie. Mezzotnt. After Stuart. With two portraits of Mr. / Ut | Meredith, Mr. Walker, and a stipple engraving of Mr. Kemble. Together, 4 pieces. KRATKE, CHARLES LOUIS | | ms 121. For&T DE FONTAINEBLEAU. Etching. After Diaz. Signed Remarque Proof. LANGLOIS, PIERRE GABRIEL—LARMESSIN PERE, NICOLAS DE— LE CLERC, JEAN—LEVACHEZ, CHARLES FRANCOIS GABRIEL AND LOIR, ALEXIS . 122. BERNARD LE BOUYER DE FONTENELLE. Celebrated French author. Line- engraving, by P. J. Langlois, after G. Voirot. Large margin. 4to. Ropert BELLARMINUS, cardinal and famous, unrelenting fighter against heretics. Line-engraving, by J. Le Clerc. With the inscription. Closely re trimmed. Rare. 8vo. Lupovico Artosto. Celebrated Italian poet. Line-engraving, by N. de Larmessin pére, after Thian. Closely trimmed. Fine early impression. 8vo. . . | JOANNES SAMBUCIUS. Physician and Historian. Line-engraving, by N. de Larmessin pére. Small margins. Fine, early impression. 8vo. DANIEL SEGERS. Jesuit and celebrated flower printer. Line-engraving, by N. de Larmessin pére, after J. Lievens. Small margins. Fine early impression. 8vo. : ai | Louis XVI, King of France. Aguatint, by C. F. G. Levachez. Margin. Oblong small 4to. JEAN MasiLton. Celebrated Savant. Line-engraving, by A. Loir, after Cl. G. Hallé. [Firmin-Didot, No. 1379.] First State, proof before all letters, not known to Didot. Margin. Superb impression. Small 4to. Together, 7 pieces. LARMESSIN, NICOLAS DE 123. PORTRAIT OF CHARLES HALLE. Engraving. After LeGros. LAUGIER, JEAN NICOLAS | 124. PyGMALION AMOUREUX DE SA STATUE. Engraving. After Girodet-Trioson. Framed. LAUNAY, NICOLAS DE pes 125. La LetrrE ENvoyEE—LA LETTRE RENDUE. Line-engravings, after J. B. Le Prince. 1768. [Tortalis and Beraldi, Nos. 30 and 30A.] Fine impres- ee sions, with the full inscriptions. The first with small margins, the second with very large margins. A very decorative pair. Together, 2 pieces. LAUNAY, ROBERT DE—LA BAS, JACQUES PHILIPPE : 126. RECONNOISSANCE DE Fourosk. Line-engraving, by R. de Launay, after E. Aubry. [Portalis and Beraldi, No. 2.| Fine, old impression. Margin. Oblong small folio. / | Les MISERES DE LA GUERRE. Limne-engraving, by J. P. Le Bas, after D.. Teniers. Margin. Oblong folio. ) Together, 2 pieces. Sale, Tuesday Evening, March 8th LAW, DAVID 127. Cow TENDING. Etching. After Hook. Remarque Proof. Signed by both artists. LEBAS, J. P. | 128. JEU DE BOULE. Engraving. After Teniers. With four other prints by this artist. . Together, 5 pieces. LEFEVRE, ACHILLE DESIRE 129. Le Sommeit D’ANTIoPE. Engraving. After Correggio. LE NAIN, LOUIS 130. THE LANCES AT THE SURRENDER OF BREDA. Etching. After Velasquez. Signed Remarque Proof. ie NON T JEAN Be. 131. CousEBANS, Bourgomaster of Harlem and Member of the General States of Holland. Line-engraving, after Verspronck. [Firmin-Didot, No. 1192.] Margin. Very fine. Small folio. JEAN-BAPTISTE DESCONTES. Dean of the Church of Paris. Line-engraving, most likely from life. [Firmin-Didot, No. 1193.] Small margins. Fine. Large 4to. Together, 2 pieces. PAR PON TA: 132. THE Ferry Boat. Etching. After Corot. Signed remarque proof. LETERRIER, PAUL EMILE 133. THE GLEANER. Etching. After Breton. Signed. Framed. a ee ee ee ee ee pe ge Tee ee ee —: = Sng et Pt Pn i ne eee ee ee nT ee a ee ee ee ee en . = Seeks = -_ a M Nee nt = ies - ’ Sa aes 2 - —— ee a a eS ae a» - = p= aly a > = yt Nea oe P: > ee 4 A PS 4 ta = — 7 we sa Pn — = .. > s * » . : A “a be E ) é zy | y | LEWIS, FREDERICK C. 134. Miss O'NEILL As JULIET. Siupple. After Dawe. In colors. LITTLE MASTERS 135. THE PENITENCE OF ST. CHRYSOSTOM. Painter-engraving by H.S. Beham. [B., 215. Pauli, 70.] Eighth State. With heavy clouds where the mono- gram appears. Strong impression before the scratches. Closely trimmed and unnecessarily laid down. Oblong 12mo. Hercutes Kittinc ANTEus. From the Labors of Hercules. Paznter- engraving by H. S. Beham. [B., 105. Pauli, 103.] Third State (of 4); before the vertical shading on the lower portion of the right leg of Her- cules. A delicate impression in fine condition. Very small margin. Oblong 12mo. ! THE JUDGMENT OF SOLOMON. Painter-engraving by Georg Pencz. [B., No. 23.] Very beautiful impression. Closely trimmed but showing the plate-mark. Oblong 12mo. From the Durazzo Collection. - Together, 3 pieces. LONGHI, GIUSEPPE 136. TRIUMPH OF GALATEA. Engraving. After Albani. Proof before all letters. Framed. Sd —_ Sale, Tuesday Evening, March 8th : Mac ARDELL, JAMES. CPE Ch: TA Bae 137. Puitie Lorp Harpwicke. Lord High Chancellor of Great Britain, — Mezzotint. After J. Willis. [Smith, No. 100.] Fine impression with the inscription. Margin. Small folio. 7 THoMAS SHERLOCK. Bishop of London. Mezzotint. After J. B. Vanloo. [Smith, No. 165.] Fine impression with the inscription. Margin. Small folio. OA te Together, 2 pieces. MacARDELL, JAMES—KNIGHT, C. | | : 138. GERBIER FamiLy. Mezzotint. After Rubens. With Stipple engraving. Srorm IN Hay Harvest, by C. Knight. After Westall. | Together, 2 pieces. MACBETH, ROBERT WALKER ! 139. BACCHUS AND ARIADNE. Etching after Titian. Signed by artist and printer. MAGRON, DOMINIQUE JOUVET 140. THE PorTALS oF St. GILLES. Painter-etching. Signed proof on Whatman paper. Large margins. Fine. Large 4to. aie: iy MANET, EDOUARD—MARIN, JOHN 141. LA FEMME A LA MANTILLE. Aquatinted painter-etching in Goya's manner, by E. Manet. [Beraldi, No. 12.] Proof on “Aqua fortiste” paper. Large margin. 8vo. oe ; CHuRCH OF ST. GERMAIN DES PrRésS, PARIS. Painter-etching. From the - Paris Series. Signed proof on heavy Japan paper. Untrimmed margins. — The name of the church in the artist’s own hand. Small 4to. Together, 2 pieces. MARCENAY DE GHUY, ANTOINE DE ©} | ioe 142. CHARLES VII, KING oF France. Drypoint. After Clouet (?) Le Blanc, No. 12.] First State. Proof before all letters. Large margins. Superb — impression and possibly unique. 8vo. es a 4 ane, HERMAN-MAURICE, COMTE DE SAXE. Duc de Courlande et Maréchal de France. Drypoint. After Liotard. [Firmin-Didot, No. 1440.] First State. Proof before all letters. Large margins. Superb impression and possibly unique. 8vo. : sear Together, 2 pieces. MARGELIDON, LUCIEN ANTOINE | | 143. Petits Petirs (Happy Idleness). Hiching. After Jacque. Signed by both artists. ; MARTIN, | 144. GENERAL ELLIOTT. Sipple. Signed on the plate in lower right — corner—Martin Sculpsit. After De Glim invenit & delineavit. Fine proof. Rare. i | MASSON, ANTOINE me 145. Prerre Durins. Flower painter. Line-engraving. After P. Mignard. | [Robert-Darmesvil, No. 25.] Second State, a slip of the burin in the right upper corner. Good old impression. Small margins. Small Folio. | From the “S. W.” (Fagan, No. 557) and Baron Scheffler Collections. Sale, Tuesday Evening, March 8th MASSON, ANTOINE | 146. THE DiscrpLes AT EmMAus. Engraving. After Titian. With engravings by de Baillia, Bartolozzi, Werner and Bolswert. Together, 5 pieces. 3 MAXWELL, TOM 147. STOCKWELL BRIDGE, GLASGOW. Drypoint. Signed proof. MAXWELL, TOM 148. HoLtyroop. Etching. Signed proof. MAXWELL, TOM 149. DUNMORE CASTLE. Drypoint. Signed proof. MAXWELL, TOM o 150. CLiypE Trust BuiLpincs, GLascow. Etching. Signed proof. MELLAN, CLAUDE 151. OMER TALON. Line-engraving, from life. [Montaiglon, No. 233.] Second State, before the inscription on the border. Small margins. Large 4to. “MENPES, MORTIMER : 152. BANQUET OF THE OFFICERS OF THE ARCHERS OF ST. ANDRIAN. Etching. After Hals. Signed Remarque Proof. MEYER, HENRY—VENDRAMINI, J.—COOPER, R.—GODBEY, J. 153. THE DUKE OF WELLINGTON. Stipple, by H. Meyer, after J. Jackson. Witi1aM CowPer. Stipple, by H. Meyer, after F. Abbott. WILLIAM WILBERFORCE. Stipple, by J. Vendramini, after H. Edridge. © Srr WILLIAM BEEcHEY. R.A. Stipple, by R. Cooper, after N. Evans. Henry GRATTAN. Stipple, by J. Godby, after A. Pope. Together, 5 pieces. All with the inscriptions and with good margins. ‘Small folios. Rg MEYER, HENRY 154. Miss S. Boorn. Mezzotint. After Pickersgill. With portraits of, Miss Nancy Dawson, Lady Fortescue, by Watson and Mrs. Litchfield, by Say. Together, 4 pieces. MEZZOTINT PORTRAITS 155. OLIVER CROMWELL. Designed and engraved by John Burnet. ~ Mrs. GREEN AND CHILD. Engraved by V. Green, after Falconet. Miss MELLEN. Engraved by C. Turner, after Beech. Anna, Uxor FrAncisciI KyNNESMAN. Engraved by J. Smith, after Schalken Together, 4 pieces. b. MILLER, J.D. 156. THE SuRPRISE. Mezzotint. After Seymour. Signed by both artists. MONK, W. 157. LorD TENNYSON’s Toms. Ffching. Signed proof. Sale, Tuesday Evening, March 8th MORGHEN, RAPHAEL 158. CHrist APPEARING TO MAGDALEN IN THE GARDEN. Engraving. After Baroccio. With two other subjects by this artist. | Together, 3 pieces. MUHRMAN, H. 159. TRINITY CHAPEL. Wash drawing. Signed. Framed. MULLER, JAN—MULLER, JOHANN GOTTHARD VON—PICART, BERNARD 160. JoHAN NEVER, of the order of St. Francis. Line-engraving, by J. Muller, after M. Miereveldt. [Le Blanc, No. 87.] Trimmed into the engraved surface. Small folio. Louts LERAMBERG. Celebrated painter and sculptor. Line-engraving, by J. G. von Muller, after A. S. Belli for his reception at the Academy in 1776. Margin. Small folio. JEAN DE Wit. Conseiller de Hollande. Line-engraving, by B. Picart. 1742. With margin. Small 4to. | Together, 3 pieces. MULLER, JOHANN FRIEDRICH WILHELM | 161. ST. JOHN THE EVANGELIST. Engraving. After Domenichino. MURRAY, CHARLES O. : 162. SHAKESPEARES ToMB. Efching. Signed proof. NANTEUIL, ROBERT 163. CHARLES II DE GonzaGuE, Duc DE NANTONE. Line-engraving. [R. D., 62.] The Only State. Very small margin. Large 4to. PALMER, SAMUEL 164. YOUNG BACCHANTS. Etching. Signed on plate. PENNELL, JOSEPH—PLOWMAN, GEORGE T. 165. BROADWAY ABOVE 23D STREET, NEW YORK. Painter-lithograph. Signed artist’s proof on handmade paper. Large 4to. RUE DE PRETRES ST. SEVERIN, Paris. Painter-eiching. Signed artist’s proof on thin Japanese Vellum. Printed by the artist himself. Large margin. Small folio. Together, 2 pieces. PENNELL, JOSEPH : 166. ZAANDAM. Lithograph; WinpMILLs, HoLianp. Lithograph. Both signed on the stone. Together, 2 pieces. PETIT, GILLES EDME—PICART, ETIENNE 167. JOACHIM FRANCOIS BERNARD POTIER, DUC DE GresurEs. Line-engraving, by G. E. Petit, after L. M. Van Loo, fils. Very small margin. Large folio. | ; CLAUDE DE Brion. President de la Cour des Aides de Paris. Lzne- engraving, by E. Picart, after A. Paillet. Rome 1672. Small margin. Folio. : | Together, 2 pieces. Sale, Tuesday Evening, March 8th ETN, 168. Mite. Descarsin. Engraving. With an engraving of a Russian Ballet Dancer, and four other engraved portraits. Together, 6 pieces. % PHOTOGRAPHS _--—s« 169. A STEEPLECHASER IN ACTION. With another photograph of a Race Horse ey" and his jockey. Za Together, 2 pieces. Framed. Meer tall, CHARLES A—RAJON, PAUL—REED, EARL H. a 170. HONFLEUR. Painter-etching, by Ch. A. Platt. Signed proof on thin Japan | paper. Oblong 4to. e. TOWING THE FIGHTING TEMERAIRE TO HER Last ANCHORAGE. Etching, by Paul Rajon, after J. M. W. Turner. Proof in sepia on etching paper. Margin. Oblong 4to. ’ The HorninG CALu. Painter-etching. Signed proof on Japan paper. Large margin. Oblong small folio. Together, 3 pieces. PORTRAITS -—s171. PRINCE CHARLES Epwarp Stuart. Copperplate. By Frederick Lake, after Alexander. 3 = LE PRINCE CHARLES EpOUARD STUART. Copperplate. By N. J. B. De ¢ Pilly, after Dupra. mee Witi1aM Cowper. Line-engraving. By W. Blake, after Romney. Bis: Two FEMALE Portraits. Stippies. By Eugene Gaujean. Signed proofs. Together, 5 pieces, framed. PORTRAITS OF ITALIAN ARTISTS . - 171-a A collection of portraits, mainly of Italian artists of the 16th and 17th centuries, with name on tablet below, all cut down to uniform size and framed. Together, 35 pieces. ~ Comprises, among others, the following,—Pietro Paolo Rubens, Rembrandt du-Reyn, Antonio Vandyck, Luca Krannach, Diego Velasquez de Silva, Onorio Marinari, Francesco Mola, Orazio Borgianni. ee PRATT, STANLEY C. 172. THE Ferry ON THE Locu. Engraving and etching. After Farquharson. Signed by both artists. ' REGNIER, | 173. LIFE OF GEORGE WASHINGTON. THE FARMER and THE CiTIZEN. Lutho- my graphs. After Stearns. Together, 2 pieces. | REYNOLDS, S. W. ,.| 174. Miss Cnester. Mezzotint. After Jackson. With portraits, of Miss Fenton, by Faber, Miss Baddely, by Laurie, and Nancy Dawson, by C. Spooner. Together, 4 pieces. Sale, T uesday Evening, M arch 8th RIBOT, E. TELA 175. Le Mets Brue. LHiching. Signed in plate. With 35 other etchings, among which are examples by Martial, Courtry, Waltner, Lalauze and Flameng. 791 anh | Together, 36 pieces. FE ED me RICHOMME, JOSEPH THEODORE . my Stee eee eee pee 176. NEPTUNE AND AMPHITRITE. Engraving. After Romano. Framed. ROBERTS, P. Ns | 177. Mrs. Srppons. Stipple. After Hounsom, With stipple engraving by 7 Lewis, of Miss O’Neill as “Juliet.” kak oe ES, FC ps YO Together, 2 pieces. RN IRC SB RN Ti, ROSSI, GIOVANNI. BATTISTA vce l 7/00.) Snap 178. View oF Rome. Engraving. Framed. ; ROWLANDSON, THOMAS Ee Se 6 179. Box Loppy Louncers. FEiching. After Wigstead design. With various colored caricatures, Tories and Wigs, Humes Motion Carried by a Flaming Division, Nautical Experience, Monstrosities of 1816, Fashions, Hounds Throwing-Off, Hounds Finding, Theobald Mathew. of Cork; and a colored photograph. | | Together, 10 pieces. RUET,; LOUIS VALERIE” = (L220) ae 180. La Lecture CuEez Diwerot. Etching. After Meissonier. Signed Remarque | Proof. viet es RUISDAEL, J. | ‘> WFR 181. Tue LIttLE Bripce. Etching. Signed in the plate. RYDER, THOMAS, AND COSSE, J. L. + ad eee 182. GENtus oF MopEsTy PREVENTING LovE UNVEILING Beauty. Stipple. After Cipriam.’ Framed.) 7h 2 eee She Fn SADD) His: . ; 7 183. GEORGE WASHINGTON Mezzotint. After Stuart. With lithograph portrait of Washington, by Fanoli, and the colored lithograph by J. E. Baker. © Together, 3 pieces. yf ae MOR OU ei, SAVART, PIERRE—ST. AUBIN, AUGUSTIN DE—HEINEKEN—CH. F. WATCLET, HENRI | degra tant git” 184. JEAN DE La BRUYERE. Line-engraving, after de St. Jean. [Faucheux, No. 8.] First State, proof before all letters. Margin. Superb. Small 8vo. Cu. DE BrossEs. Line-engraving, by A. de St. Aubin, after C. N. Cochin. Fine impression with the inscription. Very large margins. 8vo, Cu. F. HEINEKEN. Line-engraving, by Ch. F. Heineken, after A. de St. Aubin. Fine impression with the inscription. Large margins. 8vo. Louts DE SILVESTRE. , Line-engraving, by Henri Watclet, after Cochin. Fine impression with the inscription. Small margin. 8vo. — Together, 4 pieces. Do Sale, Tuesday Evening, March 8th SCHMIDT, GEORG FRIEDRICH | 185. JEAN BERNOUILLI. Professor of mathematics. 1743. Line-engraving. After J. R. Huber. [Wessely, No. 8.] Second State. Impression with the inscription. Small margin. 4to. om JEAN-BAPTISTE RoussEAu. Line-engraving. After J. Aved. [Wessely, s | No. 95.] Third State. Fine old impression with the inscription. Bi Margin. Small folio. ; = ANTOINE-FRANCOIS PREVosT. Line-engraving, from life. [Wessely, No. 89.] - Fourth State. Impression with the inscription. Margin. 4to. | is Together, 3 pieces. ays idan SCHMIDT, GEORG FRIEDRICH 186. GrorG DIETLOF VON ARNIM. Portmaster General of Prussia. 1753. Lzne- engraving. After A. Pesne. . [Wessely, No. 3.] One State Only. Small margins. Fine. In folio. From the B. Keller Collection. LOUISE ALBERTINE VON BRANDT, BARONESS VON GRAPENDORF. Line- a a engraving. After B. N. Lesueur. [Wessely, No. 46.] Third State. With eee the full inscription. 2h margins. Fine. In folio. From the Boerner - Collection. : | se ~ "Together, 2 pieces. SEVERIN, J. a 187. PIQUET. Etching. After Meissonier. Signed Redharaire Proof. SHERWIN, J. K—SIMONNEAU, CHARLES—SURUGUE, LOUIS. -188.. CHARLES HowarpD, DUKE OF NorFoik. ’ Line- -Engraving, by J. K. Sherwin, Bie after H. Gainsborough. Impression with the full inscription: Good Bees margin. Mounted on canvas. Imperial folio. Me ANTOINE ARNAULD. Physician at the Sorbonne. Line-engraving, by L._ * Simonneau, after-Ph. de Champaigne. [Le Blanc, N o. I] With the full inscription. Large margins. Fine. 4to. | i JuLes-Harpouin Mansart. Line-engraving, by Ch. Simonneau, tek Beas F. de Troy. [Le Blanc, No. 19.] With the full inscription. - Closely eer trimmed. . Small folio. ° ee * JosEPH CHRISTOPHE DE VERDUN. Line- -engraving, by L. Surugue, after . or H. Dronais. [Le Blanc, No. 5.] With the Depp HOU, Large margins. aa _ Unnecessarily laid down. Small folio. © At | Together, 4 pieces. Bg SHORT, FRANK | a 189. CABLENZ AND BRIDGE ACROSS THE MOSELLE. Aquatinted etching. After ah. C.M.W. Turner. Not signed. Margin. Oblong 4to. Be ' A SEAPIECE. Agquatinted etching. After C. M. W. Turner. Proof in _ brown, not signed. Margin. Ato. | be itd i Together, 2 pieces. ae aa ake aa ot len al a ail Bedale 5) ee ci an IMON, i: 190. PORTRAIT OF Mr. CiBBER. Mezzotint. After Grisoni. With meszzotint portraits of, Richard Lord Clifford and Lady Jane His Sister, by Smith, Georgius, by Weigel, William Powell, by Dixon, Mr. John Henderson, and Willem and Anna, Prince and Princess of Orange, by Faber. ies Together, 6:piecess*-2" ; PreniivH; J... Boe, ER a 191. GEORGE MortanpD. Mezzotint.. After Smith’s own painting. . Framed. - Sale, Tuesday Evening, March 8th SPARKS, NATHANIEL : 192. Bow CuuRCH, CHEAPSIDE. Liching. Signed proof. SPARKS, NATHANIEL 193. GLasGow BripGE. Eiching. Signed proof. ‘SPOONER, CHARLES | 194. Morwninc, Noon, EveninG, NIGHT. Mezzotint. After Hogarth. Together, 4 pieces. [Set.] | STOTHARD, THOMAS Rah abl 195. THE Gipsy ForTUNE TELLER. Stipple, by B. Granger, after Th. Stothard. Has lost the inscription margin. A delightful plate. Oblong small folio. STRANG, WILLIAM 196. HARVESTING POTATOES. Painter-etching. Proof on Japan paper, not signed. Margins. ? Tur PRODIGAL. Painter-etching. Proof on Whatman paper, not signed. Full margins. Together, 2 pieces, 4to. STRANGE, ROBERT . 197. BELISARIUS. Engraving. With engravings by Sharp, The Infant Christ and The Doctors of the Church. Wt Sate Together, 3 pieces. STRANGE, ROBERT 198. VENUS, AND DANAE. Engraving. After Titian. ° Together, 2 pieces. [Pair.] | SNYDERHOEF, JONAS | mw 199. CHARLEs I, King of Great Britain. Engraving. After A. van Dyck. Fine, early impression, before the numero. Margin. | FERDINAND III, German emperor. Engraving. After P. Soutman. OL Gy the same quality and also before the numero. Small margin. m4 | ApRIAN AEEREBOORD. Professor of Philosophy. Line-engraving. After P. Dubordieu. Fine impression. Small margin. From the Collections P. Mariette, Firmin-Didot and Julian Marshall. i mk Together, 3 pieces, folio and small folio. | SYNGE, E. M. 200. SALUTE FroM THE GuiwEcca. Efching. Signed proof. SYNGE, E. M. 201. Lock WisLEY. Etching. Signed proof. SYNGE, E. M. 202. VENICE FROM THE CAMPANILE. Etching. Signed proof. SYNGE, E. M. 203. At DanneEs. — Drypoint. Signed proof. Sale, Tuesday Evening, March 8th a SYNGE, E. M. fs 204. LAMBETH BRIDGE. FEiching. Signed proof. THOMSON, ADAM B. 205. THE BRIDGE, ToLEDo. Etching. Signed proof. THOMSON, ADAM B. 206. SAN PEDRO, Maprip. Liching. Signed proof. TisoUtl,; I. Hag 207. CROQUET. FEitching. Signed. fee LO5CHI, PAOLO a 208. THE DESCENT FROM THE Cross. Engraving. After Daniel di Volterra. ee First State. Framed. ee ee. ANTOINE—THOURNEYSSER (THURNEYSSEN), JOHANN oo JACOB | 209. ALEXIS DU Buc. Line-engraving, by A. Trouvain, after P. Simon. Closely trimmed and remargined. Louis Hosert. Bishop. Line-engraving, by A. Trouvain, after F. de Troy. Closely trimmed. . JEAN JOUVENET. Painter and Director of the Academie Royale, 1707. Line-engraving, by A. Trouvain, after J. Jouvenet, for his reception at the academy. Margin. CAMILLE DE NEUFVILLE DE VILLEROI. Archbishop of Lyon. Line-engrav- ing, by J. J. Thourneysser, after N. Mignard. Le Blanc, No. 24. Very fine impression with good margin. Very rare. Together, 4 pieces, folio and oblong folio. TURNER, J. M. W. 210. PorTRAIT. Engraving. Signed. With an etched Portrait by Louis Knaus, _ Signed, and an old engraving parts of which are cut out and backed with pieces of colored embroidery. : Together, 3 pieces. \ TURNER, CHARLES 211, CHARLES THE TENTH, KinG oF FRANCE. Mezzotint. After Lawrence. With engravings after Rembrandt, Portrait of Jan Six, and The Mathe- matician, by McArdell. Together, 3 pieces. TURNER, CHARLES—VAN BLEEK, PIETER 212. LAWRENCE Lorp Dunpas, Harriot LADY DUNDAS AND JOHN CHARLES . Dunpas. Mezzotint, by C. Turner, after C. W. Pegler. [Whitman, No. _ 166.] Proof before all letters, not mentioned by Whitman. Good margin. Slightly waterstained. ~ ; GRIFFIN AND JOHNSON IN “THE ALCHEMIST.” Mezzotint, by T. van Bleek, after his own painting. _[Smith, No. 5.] Second State. Fine impression — with margin. / Together, 2 pieces, folio. | } TRILL, A.J. 213. MILAN CATHEDRAL. Eiching. Signed. ~ Sale, Tuesday Evening, March 8th UNGER, WILHELM Livi 214. JOHANNES DER TAUFER. Liching. With three other subjects by this artist. | Together, 4 pieces. UNKNOWN ENGRAVER mer eee, 215. CHARLES EDWARD STEWART; the young Pretender, when a child. Line- engraving. Half length enclosed in a border with oval opening. Not mentioned by Brainley, Granger or Evans and not represented in the Sutherland Collection. Trial proof, the coat-of-arms and the design on the agraffe only traced with the needle. Closely trimmed. 8vo. Possibly unique. VAN DE PASSE, CRISPIN AND MAGDELEN; AND SADELER AEGIDIUS 216. GODEFRAY DE BouILLon. Painter-engraving, by C. van de Passe. Not - mentioned by Franken. Margin. Large 4to. ©) {01 (1h) tet LANDSCAPE WITH LATONA CHANGING THE LyCIAN PEASANTS INTO FROGS. — Line-engraving, by M. van de Passe, after A. Elsheimer. Closely trimmed. Fine. Small oblong folio. | . ; bet oes DIANA AND ACTAEON. Line-engraving, by Ae: Sadeler after J. Heintz. Margin. Oblong In. folio. po yideadd Together, 3 pieces. i Rane ares Gn yd VAN DYCK, ANTHONY ay det So aes a a 217. HENRY Danvers Eart or Dansy. Mezzotint. By Valentine Green, after Van Dyke. Published by John Boydell. Fifth State. 9 ©) oe rit tad VAN DYCK, ANTHONY Pee eee to a 218. PorTRAIT OF HimseLr. Painter-etching. [Dutuit, No. 3.] Late third state. “Anno 1645” has been ground out, but before the address was changed from “Gillis Hendricx” to “Henricus et Cornelius Verdussen.” On paper with the watermark “Bugle”. Small margin. . Large 4to. _ FRANS SNYDERS. Painter-etching. [Dutuit, No. 11.] Fourth state. The letters “G. H.” have been ground out. On paper with the watermark “K, 1.” Full margins. Large 4to; THE SaME. Charcoal drawimg. — Aupert Mrragus. . Dean at Cathedral of Antwerp, Line-engraving, by P. Pontius, after A. Van Dyck. [Dutuit, No. 61.] Third State, the letters “G, H.” have been ground out. Full margins. Large 4to. | — Together, 3 pieces. | PY yields: VAN GUNST, PIETER—VAN SCHUPPEN, PIETER—VERMEULEN, CORNELIS “as ey ime Si : 219. Lapy JANE Wuarton, daughter of Arthur Goodwin. Line-engraving, by P. van Gunst, after A. van Dyck. Margin. In folio. = | - JeromE Bicnon. Lawyer and Librarian. Line-engraving, DY: bared Schuppen. 1695. No margin. Corners slightly stained. Large 4to. THEopoR BIGNON. Senator. Line-engraving, after F.de Troy. 1679. No margin. Small folio. oe ed ne ee | ALEXANDRE-HUBERT JAILLOT. Geographer. 1695. Line-engraving, b * C. Vermeulen, after Culin. Margin. Folio. (fo eS Together, 4 pieces. | } i . res Sale, Tuesday Evening, March 8th VERTUE, GEORGE—VALET, GUILLAUME 220. GEOFFREY CHAUCER, after an old limning; JoHN DRYDEN, after G. Kneller; Joun FLETCHER, after a contemporary painting; JOHN GOWER, after an old limning; BEN JoHNsON, after G. Honthorst. Ali line-engravings by G. Vertue. With margins. The last one closely trimmed and laid down. Small folios. PaTER FRANcIscO. Line-engraving, by G. Valet, after C. Maratti. Closely trimmed. Large 4to. Together, 6 pieces. _VISSCHER, CORNELIS ; 221. THEODORICUS. Engraving. With engraved portraits of Philip, III. and Saint Gangulph. Together, 3 pieces. VISSCHER, CORNELIS 222. LIEVEN VON CoPpPrENOL. Writing master. Line-engraving, from life. [Dutuit, No. 93.] Second State (of 4), proof before all letters, but with the shading on the cuff of the right sleeve. On paper with the water- mark “Monogram of Jesus”. Trimmed closely to the engraved surface and remargined except at the bottom. Fine and very rare. From the collections Everhard Jabach and Firmin-Didot. Large 4to. Joost VAN DEN VONDEL. Poet. Line-engraving, from life. [Dutuit, No. 120.] Seventh State (of 10), with the inscription “1657 AET. 70” on the box on the lower shelve, but before any publisher’s address in the left corner of the base. On paper with the watermark “Small Folly with 5 bells.” With margins trimmed just at the plate-mark. Large 4to. Together, 2 pieces. VISSCHER, CORNELIS . 223. STROLLING Musicians. Line-engraving, after A. van Ostade. [Dutuit, No. 80.) Second State (of 4), before Clément de Jonghe’s address. On paper with “Huesler’s” watermark. With margin showing the plate-mark. Folio. FLorentiIus I, sixth count of Holland and Frisland. Line-engraving. [Dutuit, No. 152.] Third State, with “Cornelis Visscher Sculpsit.” Margins. Folio. From the Collections Fredk. August II of Saxony and Meister. — Together, 2 pieces. VISSCHER, JAN—VOSTERMAN, LUCAS THE ELDER 224. ABRAHAM VAN DER Hutst, Vice Admiral of Holland. Line-engraving, by Jan Visscher, after J. van der Helst? [Andresen, No. 4.| With the full inscription and with margin. In folio. Lr CONNETABLE DE Bourson. Line-engraving, by Lucas Vosterman, the elder after Titian. [Dutuit, No. 7.] With the full inscription and with margin. Large 4to. Together, 2 pieces. VYBOUD, JEAN | 225. ELIZABETH DE FRANCE. FEiching. After Rubens. Signed Remarque Proof, VYBAUD, JEAN | 226. THE LAUGHING CAVALIER. Etching. After Hals. Signed Remarque Proof. Sale, Tuesday Evening, March 8th WALCOT, W. 227. ANTONY IN Ecypt. Etching. Signed. } WALKER, WILLIAM 0/| 228. SIR WALTER Scotr. Engraving. After. Raeburn. With Portrait of La- ft fayette, lithograph by Maurer, Napoleon on Horseback, engraved by } Grondona, and an engraving of The Tea-Tax-Tempest by Guttenburg. Together, 4 pieces. WALTNER, CHARLES | | 229. OUR VILLAGE. Etching. After F. Walker. Print State. Framed. With. Adriene Sophie. Engraving. Framed. Together, 2 pieces. WALTNER, CHARLES ALBERT 230. THE ‘OLD Rassi. Etching. After Rembrandt. Signed Remarque Proof WALTNER, CHARLES ALBERT 231. Harmony. Etching. Signed Remarque Proof. WALTNER, CHARLES ALBERT 232. MorninG Devotion. Etching. Signed Remarque Proof. O32: MADAME CHEVALIER. Mezzotint. After Henard. With mezzotint portraits of I. Beschort, George the Third, by Spooner and an engraving, of a scene 9 beaks from “She Stoops to Conquer.” Jay Together, 4 pieces. / WARD, JAMES WATERLOO, ANTHONIE—WOOLLETT, WILLIAM 234. THE Mii. Painter-etching and drypoint, by A. Waterloo. The first of a series of six upright landscapes without numbers. [Dutuit, No. 119.] Second State. On paper with the watermark “Coat-of-arms of Amster- dam.” With margin. One of his most desirable plates. Large 4to. THE CorraGers. Line-engraving, by W. Woollett, after C. Dusart. [Andresen, No. 3.] Fourth State (of 5) before the address was changed . from “Green Str” to “Charlotte Str.” With margin. In folio. Niose. Line- -engraving, by W. Woollett, after R. Wilson. [Andresen, No. 32.] With the full inscription. Good margin. eins In folio. | Together, 3 pieces. WATSON, JAMES—WHITE, GEORGE—WHITE, ROBERT 235. Paut Pontius (Du Pont). Mezzotint, by J. Watson, after A. van Dyck. [Smith, No. 119. ] The lower margin having been cut down considerably, it cannot be ascertained if 2nd or 3rd State. Closely trimmed. Large: Ato. ! SILVESTER PETyT. Principal of Barnard’s Inn, London. Mezzotint, |e G. White, after P. van Bleeck. [Smith, No. 34.] Second State, before “Jackson’s” address. With margin. Fine. Large 4to. ORLANDO BRIDGEMAN. Keeper of the Great Seal. Limne-engraving, by R. White, after Wm. Faithorne. [Granger, V., p. 115, No. 2.] Fine early impression with the full inscription. From the ‘Ives Collection. esses 8vo. Together, 3 pieces. ) ) A SON, JAMES p 236 Mezzotint. After Reynolds. With other engraved portraits, of Shuter, by Dawe; Woodward, by Smith; Caveller, by _ Faber; Woodward, by Watson. ‘ogether, 5 pieces. STLER, JAMES ABBOTT MCNEILL UDE oo STANDING. Lithographic reproduction, of a pastel. LLE, J. G. , s 3 Musicians AMBULANTS. Engraving. With two other subjects by this TON, MRS. ep . WOFFINGTON. Mezzotint. By James McArdell, after A. Pond. IZA. Meczotint, After Ui Aas With mezzotint portraits of, Miss Croker, by Cousins, Miss A. M. Tree, by Turner. THE AMERICAN ART ASSOCIATION, MANAGERS. KIRBY, : AUCTIONEER. 7 INTELLIGENT APPRAISALS FOR : UNITED STATES AND STATE TAX INSURANCE AND OTHER PURPOSES THE AMERICAN ART ASSOCIATION 7 IS EXCEPTIONALLY WELL EQUIPPED TO FURNISH APPRAISEMENTS AND INVENTORIES OF “ARTI PROPERTY, BOOKS, MANUSCRIPTS , JEWELS vee AND PERSONAL EFFECTS OF EVERY DESCRIPTION | AT CHARGES COMMENSURATE WITH THE DUTIES INVOLVED : THE AMERICAN ART ASSOCIATION MADISON SQUARE SOUTH NEW YORK TELEPHONE, 3340 GRAMERCY ¥ ° s ¥ ' a) ae oa ‘ ‘ . J oe : : = 5 al Ne amines ee ee eee oe ed ‘ : ‘ ~ y bene q s ‘ ETCHINGS, ENGRAVINGS, MEZZOTINTS PORTRAITS, VIEWS AND STUDIES THE AMERICAN ART ASSOCIATION AMERICAN ART GALLERIES MADISON SQUARE SOUTH NEW YORK CITY 192!