Reduced Facsimile of Lot 284. 
 
Catalogue No. 935 
 
 VALUABLE 
 
 Collection of Engravings 
 
 IN LINE, STIPPLE AND MEZZOTINTO 
 
 AND 
 
 Choice Proof Etchings 
 
 Embracing many Fine Examples of the Best Work of the Greatest 
 Masters of the Art | 
 
 ALSO 
 
 The Original Oil Painting, by Thos. Birch, 
 
 * of John Paul Jones’ Great Naval Victory, 
 
 The Fight between the “Bon Homme Richard” and the “ Serapis” 
 
 ° TO BE SOLD 
 
 Friday and-Saturday, June 2 
 
 At 3 o'clock Each Day 
 
 =3, 1905 
 
 Catalogue Compiled and Sale At the Art Auction Rooms of 
 Conducted by a DAVIS & HARVEY 
 STAN. V. HENKELS 1112 Walnut St., Philadelphia, Pa. 
 
4 
 
 Bids will be executed by the Auctioneers 
 charge. _ 4 es a o . al 
 Bids are always so much per volume 0 
 otherwise stated in catalogue. ae, 
 
 Terms oF SALE—CASH. ~ 
 
 All purchases must be settled for and ir 
 immediately following the sale. 
 
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 Catalogue. 
 
 ANGELL, C. 
 THE CorraGE Door. After Owen, by S. Angell. Mezzotinto. 
 
 L’ARMESSIN, N. ps. 
 
 GUILLAUME CosTou, natif de Lion, Sculpteur ordinaire du Roy. After 
 J. de Lion. Fine impression. 
 
 ATKINSON, T. L. 
 
 LADY OF THE LAKE. After S. EK. Waller. Artists’ proof, signed by both 
 artists. Mezzotinto. 
 
 AUDENAERD, R. V. 
 
 MADONNA ENTHRONED. After C. Maratti. Fine impression. 
 
 BAILLIE, CAPT. WILLIAM. 
 MoonuicuT. After Cuyp. Mezzotinto. Fine impression. 
 DutcH INTERIOR (Candle light). After Gerard Dow. Mezzotinto. 
 CuPID AND ZEPHYR. Stipple. Proof. 
 
 BALECHOU, J. 
 L’Enrance. After J. Bardon. 
 
 BARTOLOZZI, F., R. A. 
 MARGUERITE DE NAVARRE. After Sir Joshua Reynolds. 
 
 TANCRED AND CLORINDA. After Angelica Kauffman. Good old impression, 
 in brown. 
 
 DrecEMBER. After W. Hamilton, R. A. Stipple. 
 
 CROSSING THE BROOK. Etching, by Bartolozzi, in red. 
 
 Comepy. After I. B. Cipriani. Stipple. Ovig7nal open-letter proof, in brown. 
 Natura, Rest. Drawn and engraved by Bartolozzi. Stipple, in brown. 
 Juvenis AUSCULTANS SENI DE Divinis ADMoNENTI. After Tibaldi. Line. 
 
 Mrs. HANNAH Moore. ‘Three-quarter length, seated. Stipple. Fine im- 
 pression in brown, in the style of Bartolozzt. 
 
17 
 
 20 
 
 Ait 
 
 Ze 
 
 23 
 
 24 
 
 25 
 
 26 
 
 27 
 
 28 
 
 BETTELINI, P. 
 
 HERCULES AND OMPHALE. After Anl. Caracci. Fine proof in brown, before 
 letters. Line. 
 
 BIRCH, WILLIAM. 
 
 AN UNFINISHED Housk IN CHESTNUT STREET, PHILADELPHIA. Line. 
 
 BLANCHARD, AUG. 
 
 Line Engraver, 
 
 FAUST AND MARGUERITE. After Ary Scheffer. Good impression. 
 
 BONASONE, I. 
 
 ASSUMPTION OF THE VIRGIN. Old impression, slightly torn and worm-eaten. 
 
 BOISSEAU, J. J. px. 
 
 INTERIOR OF A FARM, with cow-stable. Proof before letters, on India paper. 
 
 ITALIAN RUINS BY A RIVER. Barge loaded with barrels, figures, etc. Dated 
 1807. Proof before letters. 
 
 RUYSDAEL’S WATER MILL. Fine tmpression. 
 
 BOULANGER, A. 
 
 JOANNES JAcoBUS OLIER, Presbiter, etc. After Stresor. Line. Very fine 
 impression. 
 
 BOURNE, H. 
 
 THE CHRISTIAN MARTYRS. After Gustave Doré. Line. 
 
 BROMLEY, W. 
 
 THE WOMAN TAKEN IN ADULTERY. After Rubens. Fine engraving. Open- 
 letter proof. 
 
 BROMLEY, J.) .* 
 
 KEAN AS HAMLET. After Sir Thos. Lawrence, by J. Bromley. Mezzotinto. 
 Proof. 
 
 BURGESS, W. O. 
 AmeErRIGO Vespucci. Proof before letters, on India paper. 
 
29 
 
 30 
 
 31 
 32 
 
 33 
 
 34 
 
 35 
 
 36 
 
 37 
 
 38 
 
 39 
 
 BURNET, JOHN. 
 
 THE VICAR OF WAKEFIELD. After G. S. Newton, R. A. Line. Fe 
 zmpresston. 
 
 CAGLIANL, L. 
 
 DiocENES. After Parmegiano. Good old impression. 
 
 CANOT, P. C. 
 
 RETURNING FROM MARKET. After N. Berchem. Line. Fine impression. 
 
 PyRAMUS AND TuHIsBE. After L. Bramer. Line. f2ne tmpression. 
 
 CARDON, A. 
 Curip UNVEILING VENus. After Cosway. Stipple, in red. 
 
 CARTER, J. 
 
 Mezzotinto Engraver. 
 
 Mr. J. BRUNEL, Engineer of the London Underground Railway. After 
 S. Drummond. 
 
 CHAMBERS, THOMAS. 
 
 St. Martin Divipinc His Croax. After Rubens, by Thomas 
 Chambers. Line. 
 
 CHAMPOLLION, F. 
 Tue Tomer. After Jacquet. Etching. <Artist’s proof, signed. 
 
 CHAUVEL, TH. 
 
 Eventinc Grow. After Heffner. Etching. Fzrst state on parchment, 
 signed by both artists. 
 
 CHENEY, JOHN. 
 FEMALE, SEATED. After Cosway, by J. Cheney. Lithograph. 
 
 CLAESSENS, L. A. 
 
 La Femme Hyproprgue. After Gerard Dow. Very fine proof before 
 letters, on India paper, ; 
 
40 
 
 4I 
 
 42 
 
 43 
 
 44 
 
 45 
 
 46 
 
 47 
 
 48 
 
 49 
 
 COUSINS, SAMUEL. 
 Srr THos. LAwRENCE. After Lawrence, by Samuel Cousins. Mezzotinto. 
 Open-letter proof. ; 
 CRAIG, W. M. 
 THE SPIRITS OF Love. Six Etchings by W. M. Craig. 
 
 DANIELL, WILLIAM, R. A. 
 
 AN INDIAMAN IN A NORTHWHSTER OFF THE CAPE OF Goop Hopr. En- 
 graved and printed by W. Daniell, R. A. Fine India-paper proof, and 
 a splendid example of engraving in this almost extinct method. 
 
 Tur DEAD ELEPHANT—SCENE IN CEYLON. Painted and engraved in mez- 
 zotinto by W. Daniell, R. A. ine proof on India paper. 
 
 DAVID, FR. 
 
 GASPAR NETSCHER, SON EPOUSE ET SON Firs. After Netscher. Line. 
 Fine impresston. 
 
 DAWEH, G. 
 
 BENJAMIN West, Esor. After Robertson, by G. Dawe. Mezzotinto. 
 Open-letter proof. Bias 
 
 DAWEH, HENRY. 
 
 Mezzotinto Engraver. 
 
 REV. WILLIAM Farion, M. A. Jacksonian Professor of Philosophy in the 
 University of Cambridge. After H. P. Briggs. Fine cmpression. 
 
 DEBUCOURT, P. L. 
 
 LA SEPARATION PENDANT UNE NuIT D’Hiver. An Original Aquatint. 
 Fine impression. 
 
 DELATTRE, J. M. 
 
 Under Direction of Bartolozzi. 
 
 Calais. THE SNuFF Box. After Angelica Kauffmann. Stipple. Very 
 jine tmpression tn red. 
 
 DEQUEVAU VILLIER. 
 THOS. JEFFERSON. After Le Baron Desnoyers. Early proof on India paper. 
 
50 
 
 51 
 
 52 
 
 33 
 
 54 
 
 55 
 
 56 
 
 eT 
 
 58 
 
 oe, 
 
 60 
 
 DICKINSON, W. 
 Davip Garrick, Esor. After R. E. Pine, by W. Dickinson. Mezzotinto. 
 
 DIETRICY. 
 St. JEROME PREACHING. An original etching. 1740. 
 
 DOO, GEORGE T. 
 Ture Farr Forester. After Sir Thomas Lawrence, by Geo. T. Doo. Line. 
 
 DREVET, P. 
 
 JOANNEHS ForEST, PICTOR CHLEBERRINUS, etc. After N. de Largilliere. 
 Fine old impression. 
 
 DURER, ALBRECHT. 
 
 Tsu AGONY IN THE GARDEN OF GETHSEMANE. 1508. Old impression. 
 
 EARLOM, RICHARD. 
 A Fruit Prece. After Campidoglio. Mezzotinto. Very fine impression. 
 
 FALCONER, J. M., N. A. 
 
 ‘““TNDEPENDENCE HALL, PHILADELPHIA.’’ Etching by J. M. Falconer. 
 Artists proof, signed. 
 
 FONTANA, P. 
 
 LA Mappauena. After Leonardo Da Vinci. Fine old tmpression. 
 
 FORSTER. 
 La Marrresse pu Trrren. After Titien, by Forster. Line. 
 
 FRANCOIS, ALPHONSE. 
 La THNTATION pu Curist. After Ary Scheffer. 
 
 FREY, 1. 
 St. BERNARDUS ABBAS CLAREVALLIS. After C. Maratti. Line. 
 
61 
 
 62 
 
 63 
 
 64 
 
 65 
 
 66 
 
 67 
 
 68 
 
 69 
 
 7O 
 
 FREZZA, GIROLAMO. 
 
 THE ASSUMPTION OF THE VIRGIN. After C. Maratti. Fine cmpression. 
 
 FREZZA, J. J. 
 
 Venus CoucnEr. Line. From an old painting in the Barbarini palace 
 at Rome. 
 
 FRY, W. T. 
 
 ‘Tue Ricur Hon. Isaac Barre. After W. Evans. Fine cmpression. 
 
 The City of Wilkes-Barré is named after Isaac Barré. 
 
 GAILLARD, R. 
 
 LE BouvgurT. After C. Hisen. Line. Fine impression. 
 
 GILLER, WILLIAM. 
 
 THE Ear OF HArpwicke. After Sir Thomas Lawrence, by William 
 Giller. Mezzotinto. Proof. 
 
 GIRSCH, F. 
 
 GOLDEN THOUGHTS. After C. R. Grant. Mixed—mezzotinto and line. 
 Arists’ proof, signed by both artists. 
 
 GOUDT, COUNT H. 
 
 Died 1630. Engraved only seven plates. 
 
 CeRHS CHANGES THE SON OF METANIRA INTO A LizArp. Called ‘‘ The 
 Sorcery.”’ Very fine impression. 
 
 GOYA, D, FRANCO 
 
 Noted Spanish Painter and Etcher. 
 
 Freire II] Rey pe Espana. After Velasquez. 
 
 GREEN, VAL. 
 
 THE PLACING OF CHRIST IN THE SEPULCHRE. After L. Caracci, 
 Mezzotinto. Good impression. 
 
 GRAHAM, A. W. 
 
 GIRARD COLLEGE FOR ORPHANS, PHILADELPHIA. After Thomas W, 
 Walter, by A. W. Graham. Line. 
 
Reduced Facsimile of Lot 256. 
 
bate li i a 
 
 72 
 
 73 
 
 74 
 
 75 
 
 76 
 
 ie 
 
 78 
 
 79 
 
 80 
 8I 
 82 
 
 83 
 
 HAYDON, B. R. 
 
 Euctes ANNOUNCING THE VICTORY AT MARATHON. Original Etching 
 by B. R. Haydon. 
 
 HELLY ER, THOMAS. 
 
 THE MrIrRAcuLous CONVERSION oF SAuL. After E. Dayes, by Thomas 
 Hellyer. Stipple. 
 
 HERKOMER, HUBERT, R. A. 
 Tue Rosk. An Original Etching. <Artist’s proof, signed, 
 
 HESTER, E. GILBERT 
 
 Tur First Love Lerrer. After Marcus Stone, R. A. Mezzotinto. 
 Artists’ proof, signed by both artists. 
 
 HOLL, WILLIAM. 
 WASHINGTON RECEIVING A SALuTE. After John Faed, by William Holl, 
 Stipple. 
 HOUBRAKEN, J. 
 
 SACRIFICE OF MANoAcH. After Rembrandt. Line engraving. Good ime 
 pression. 
 
 HOUSTON, RICHARD. 
 
 Haman’s ConDEMNATION. After Rembrandt. Good old impression. 
 
 Du JARDIN, KARL. 
 A SHEEPFOLD (No. 14). Fine, only impression. 
 
 JAZET. 
 
 NAPOLEON TAKING LEAVE OF His GENERALS. After Horace Vernet. 
 Mezzotinto. Splendid origtnal impression of the rare plate. 
 
 L’INTERIEUR DE L’Ecurir. After C. Vernet. 
 
 Lz PALFRENIER SURVEILLANT. After C. Vernet. Aquatint. 
 L’ ENTREE AL’Ecurie.. After C. Vernet. Aquatint. 
 
 LA SorTIE DE L’Ecurin. After C. Vernet. Aquatint, 
 
 Very fine original impressions. 
 3 
 
84 
 
 85 
 
 86 
 
 87 
 
 88 
 
 "89 
 
 go 
 
 gi 
 
 g2 
 
 93 
 
 Io 
 
 JUNANTS, F. 
 Tue Nativity. After C. Maratti. Etching. Good impression. 
 
 KOHLSCHEIN. | 
 Sr. Ceca. After Kaulbach. Line. Proof before all letters. 
 
 KONING, C. 
 
 Dutch Line Engraver of the Seventeenth Century. 
 
 UDALRICUS ComMES AND DoMINESS FRISI4 ORIENT. After A. Andriessen. 
 Good impression. 
 
 LANDSEER, EDWIN, R. A, 
 
 DEER STALKERS. Engraved in the line manner by Finden. Good tmpres- 
 ston on India paper. 
 
 LAURENT, P. 
 
 LA BOHEMIENNE CONSULTEE. Engraved by Laurent, after Berchem. Line. 
 Good impression. 
 
 LAW, DAVID. 
 
 Kirk ALLoway. (Burns’ Monument, Ayr.) Artist's proof, signed. 
 
 LERPINIERBE. 
 
 A Storm. AfterJ. Vernet. Line. Fine zmpression. 
 
 LEVACHEZ. 
 
 NAPOLEON AU RETOUR DE L’ISLE D’ELBE. After Vernet, by Levachez. 
 Aquatint. 
 
 LEVY, GUSTAVE. 
 
 LA BELLE JARDINIERE. After Raphael. Line. Fine impression. 
 
 LEWIS, F. C. 
 
 WILLIAM THE FouRTH, OF ENGLAND. After Sir Thomas Lawrence, by 
 F.C. Lewis. Stipple. 
 
94 
 
 32 
 
 96 
 
 97 
 
 98 
 
 99 
 
 I0O 
 
 Io! 
 
 102 
 
 103 
 
 104 
 
 105 
 
 106 
 
 II 
 
 LONGACRE, JAMES B. 
 
 Major-Geni. ANDREW Jackson. After Thomas Sully. Stipple. Fzne 
 impression. 
 
 | LOYTT, L; 
 Hory Famity. After Guido. Etching. 
 
 LUCAS, JOHN. 
 
 Donna Maris, QUEEN oF PortucaL. After Sir Thomas Lawrence, by 
 John Lucas. Mezzotinto. 
 
 Mirza Apu TALEB WHAN. After Sir Thomas Lawrence, by John Lucas. 
 Mezzotinto. 
 
 LUPTON, THOMAS. 
 
 CHARLES Kempe. After G. H. Harlow, by Thomas Lupton. Mezzo- 
 tinto. Open-letter proof. 
 
 Tue MitK Grry. After Gainsborough, by Thomas Lupton. Mezzotinto. 
 
 MACBETH, ROBERT W. 
 Miyxinc Time. After George Mason, R. A. Etching. 
 
 May Time or Lire. After George Mason, R. A. Etching. Artzst’s 
 proof, signed. 
 
 A Pastoral SympHony. After George Mason, R. A. Etching. Good 
 impression. 
 
 MILLER, JOHN D. 
 Tue Dane. After Greuze. Mezzotinto. Artist's proof, signed. 
 
 MAJOR, T. 
 
 Boors Recatinc. After D. Teniers. Line engraving. Good old 
 impression. 
 
 MARTIAL, A. P. 
 
 RvuE DE LA ‘TOUNELLERIE, Paris, 1866. An original etching. Good 
 impression. 
 
 MARTIN, J. 
 
 DEATH OF THE First Born. Original mezzotinto engraving by Martin. 
 
107 
 
 108 
 
 109 
 
 IIo 
 
 IIl 
 
 I1l2 
 
 113 
 
 114 
 
 115 
 
 116 
 
 8 oy 
 
 I2 
 
 MATHAM, T. 
 
 PRINCE PHILIP WILLIAM OF NASsAU. Good original impression. 
 
 MEADOWS, R. M. 
 
 ETHELINDA RESTORED TO HER FatHER. After T. Stothard, by R. M. 
 Meadows. Stipple. 
 
 MERCIER, G. 
 
 Noted French Etcher. Pupil of Rajon. 
 
 CHARLES DARWIN. After Ouless. Artist's proof on Japanese paper, signed: 
 
 MEYER, H. 
 
 GRANDFATHER’S ADVICE AND GRANDMOTHER’S PRESENT. ‘Two plates. 
 After H. P. Briggs. Stipple. Good impressions. 
 
 Davip WILkiz. After Jackson, by H. Meyer. Stipple. Open-letter 
 proof. 
 
 MILLER, J. D. 
 
 One of the very best Mezzotinto Engravers of our time. 
 
 A VEsTAL VirGIN. After Sir F. Leighton, R. A. Artists’ proof, signed by 
 both artists. 
 
 MOORH, GEORGE. 
 THE CHALLENGE. After Rossi. Artist's proof, signed. 
 
 MORGHEN, RAPHAEL. 
 
 LA PEINTURE. After G. Hamilton. Line. Fine impression. 
 
 MORLAND, GEORGE. 
 A Doc Fieut. Original Etching by G. Morland. 
 
 MOTTRAM, OC. 
 
 PoRTLAND HARBor. After Carmichael. Jndta proof before letters. 
 
 MOYREAU, J. 
 
 QUARTER GENERAL DE L’ARMEK HOLANDAISE. After P. Wouvermans. 
 Line. Good impression. . 
 
13 
 
 MULLER, FR. 
 
 118 Dr. Martin Lutuer. After Lucas Cranach. Half length, standing. 
 Zine tmpresston. 
 
 NANTEUIL, R. 
 
 119 Hippoyytus FERET. Good impression of the first state. No margins. 
 
 NEWSAM, A. 
 120 PORTRAIT OF A LADY. Engraved by A. Newsam. Lithograph. 
 121 HENRY CriAy. After Naegle, by A. Newsam. Lithograph. 
 
 NUGENT, T. 
 
 122 THe YouNG Moratists. AfterRomney. Stipple,in brown. Fine old im- 
 pression. 
 
 OGBORNHE, JOHN. 
 
 123 QUEEN CATHARINE. After Hamilton, by John Ogborne. Stipple. Proof 
 before the inscription. 
 
 124 THe SAD STory. After Westall, by John Ogborne. Stipple. 
 
 125 ELYSIUM!; oR, CupID PunisH’p. After Stothard, by J. Ogborne. Stipple. 
 Open-letter proof. 
 
 PARRISH, STEPHEN. 
 126 Low Tipx, Bay of Fundy. Artis?’s proof, signed. 
 
 127 An OLD SAW MILL. Artist's proof, signed. 
 
 127% RETURN OF THE HERD. Artist's proof on vellum. 
 
 PEDRO, FRANCISCO. 
 
 128 WomeEN Ficurinc. After F. Maggiotto. Line. Good impression. 
 
 PELTON, O. ann KIMBERLY, D, 
 
 129 Wm. HENRY Harrison. After Hoit, by O. Pelton and D. Kimberly. 
 Line. 
 
 PETHER, WILLIAM, 
 
 130 DEMOCRITUS AND Protacoras, After Salvator Rosa. fine impression. 
 
131 
 
 132 
 
 133 
 
 134 
 
 135 
 
 136 
 
 137 
 
 138 
 
 139 
 
 140 
 
 I4I 
 
 142 
 
 14 
 
 PHILLIPS, J. H, 
 
 His Gracr, Tue ARCHBISHOP OF YorE. After Sir Thos. Lawrence, by J. 
 H. Phillips. Mezzotinto. Proof. 
 
 PLOCHER, JACOB J. 
 
 THe UPPER FERRY BRIDGE OVER THE RIVER SCHUYLKILL, Philadelphia. 
 After Birch, by J. J. Plocher. Line. 
 
 PROUT, SAMUEL. 
 
 NEAR ASHBOURNE, ENGLAND. Original soft-ground etching. 
 
 RAIMBACH, A. 
 Venus. After Sir Joshua Reynolds, by A. Raimbach. 
 
 RAIMONDI, MARC ANTONIO. 
 
 Tur JUDGMENT oF Parts. After Raphael. Good old impression. Rare 
 line engraving. 
 
 RAVENNA, MARC pt. 
 Tur RAPE OF HELEN. 1649. 
 
 REMBRANDT. 
 
 Tue GoLp WEIGHER. Good old impression of the original etching, with 
 margins. 
 
 St. JEROME. Small plate. B. 100. 
 
 CARACCI, A. 
 
 Tu MAGDALEN. From the Carey collection. Fine old tmpresszon, 
 slightly mended and stained. 
 
 RENI, GUIDO. 
 
 INFANT CHRIST AND ST. JOHN. Original etching by Guido Reni. 
 INFANT CHRIST AND ST. JoHN. After Ag. Caracci. Good tmpression. 
 
 Uns Groriz D’AncEs. After L. Cambiasi. Etched by Guido Reni, 
 
143 
 
 144 
 145 
 146 
 147 
 148 
 149 
 150 
 
 151 
 
 152 
 
 153 
 154 
 155 
 
 156 
 
 15 
 
 RETHEL, A. 
 
 DER ZuG HANNIBAL’S UBER DIE ALPEN. Engraved on wood by H. 
 Burkner. 6 folio plates in portfolio. 
 
 REYNOLDS, 8. W. 
 
 GrorGE, PRINCE oF WALES. After Sir Joshua Reynolds, by S. W. 
 Reynolds. Mezzotinto. Open-letter proof. 
 
 JEFFREY, Lorp AmueErRst. After Sir Joshua Reynolds, by S. W. 
 Reynolds. Mezzotinto. Open-letter proof. 
 
 THE ANTIQUARY, THE BIRD, AND MEDITATION. By S. W. Reynolds. 
 Mezzotinto. 3 pieces 
 
 THe RiGHT HoONBLE THE EARL OF CLARE. 
 
 RITCHIE, A. H. 
 Mzsrcy’s Dream. After D. Huntington. Good impression. 
 
 ROMANUS, A. R. 
 
 Hector AND ANDROMACHE. After Aretinus. Line, Fine impression. 
 
 ROSA, DA TIVOLI. 
 Group oF MOUNTAIN SHEEP. Large Aquatinto. No margins. Fine 
 tmpresston. 
 ROSA, SALVATOR. 
 
 Sr. GEORGE AND THE DRAGON. Original Etching by Salvator Rosa. 
 
 RUOTTE. 
 QuEEN Mary Louise. After Bosio. Stipple, Proof before letiers. 
 
 RYLAND, WILLIAM W. 
 
 ANTIOCHUS AND StTrRaTonice. After Cortona, by Wm. W. Ryland. 
 Line. 
 
 A TurxisH Lapy. After Angelica Kauffmann. Stipple. Beautiful 
 proof in red, before all letters. 
 
 BRITANNIA DIRECTING PAINTING, SCULPTURE AND ARCHITECTURE. 
 After G. B. Cipriani. Fine impression. 
 
 ELEANORA SUCKING THE VENOM FROM THE WOUND OF Epwarp I. 
 After A. Kauffmann. Stipple. 
 
157 
 
 158 
 159 
 160 
 
 161 
 
 162 
 
 163 
 
 164 
 
 165 
 
 166 
 
 167 
 
 168 
 
 169 
 
 16 
 
 SADD, H. S. 
 THE Spiritor’76. After H. Matteson. Mezzotinto. 
 
 SADDLER, JOHN. 
 THE VALE OF TEARS. After Gustave Doré. Artist’s proof. 
 
 SARTAIN, JOHN. 
 
 Mrs. RoBERT:GinmMorE. After Sir Thomas Lawrence, by John Sartain. 
 Mezzotinto. 
 
 PorTRAIT OF A Femaye. After Page, by John Sartain. Mezzotinto. 
 Proof before the inscription. 
 
 REV. SAMUEL MILLER, OF PRINCETON COLLEGE. After Naegle, by John 
 Sartain. Mezzotinto. Proof before letters. 
 
 Rev. ALBERT BARNES. After Naegle, by John Sartain. Mezzotinto. 
 
 INTERVIEW OF JOHN KNOX WITH MARY, QUEEN OF Scots. After Leutze. 
 
 SCHILLINGER, JACOB. 
 
 THe PLAGUE OF BELGRATTAN, SERVIA. Original Sepia Drawing. For- 
 merly the property of John Naegle, the artist. 
 
 SOPHANISBA TAKING POISON ON THE NEWS OF THE DEATH OF HER 
 HusBaND. Original Sepia Drawing. Formerly the property of John 
 Naegle, the artist. 
 
 4 
 
 SCHMIDT, G. F. 
 
 C. G. pE TUBIERES DE CAyLuUS, EVEQUE D’AUXERRE. After Fontaine. 
 Line. Fine tmpression. 
 
 SCHULTHEISS, A. 
 
 THe Tripute Money. After Ary Schefer. Etching. Artist's proof, 
 signed. 
 
 SCHUPPEN, P. VAN. 
 
 Louris DELPHINUS, Lupovicr MAGNI FILIUs. After F. de Troy. Line. 
 Fine impression. : 
 
 SCOTT, JAMES. 
 THe BRITISH ARCTIC ExPLORERS. After Stephen Pearce. India proof. 
 
Reduced Facsimile of Lot 258. 
 
170 
 
 171 
 
 ‘72 
 
 173 
 
 174 
 
 175 
 
 176 
 
 177 
 
 178 
 
 179 
 
 17 
 
 SIMMONS, W. H. 
 
 THE DREAM OF ST. CATHERINE. After H. Le Jeune. Mezzotinto. 
 Proof before letters. 
 
 SMITH, B. 
 HENRY MACKENZIE, Eso. Head and bust. After Raeburn. 
 
 SMITH, I. 
 
 English Mezzotinto Engraver of Seventeenth Century. 
 
 THE LorD Euston. After Sir Godfrey Kneller. Good, old impression, 
 skilfully cleaned. 
 
 STRICKLAND, N. 
 
 Vizw oF BETHLEHEM, Penna. After Birch, by Strickland. Adquatint. 
 Proof. 
 
 SUYDERHOEF, I. 
 
 INTERIOR. Boor’s Quarrelling. After Van Ostade. Line. 
 
 TANJE, P. 
 
 VENUS AND Mars. After Rubens. Line engraving. /7ne impression. 
 
 TANNER, B. 
 
 Old American Stipple Engraver. 
 
 Tue Rev. Francis Asspury. After J. Paradise. 
 
 TAYLOR, M. M. 
 THE SowER. Original Etching. Artist's proof, signed, 
 
 TEMPESTA, A. 
 
 Tur Fatt or ADAM. Good original impression. 
 
 THIELKH, H. 
 
 7 SuBJECTS beautifully engraved in the Stipple manner from designs by 
 H.R.H. The Princess Elizabeth, The Mother of the Gracchi, Pylades 
 and Orestes, The Curiosity of Aglauras, etc. Fine proof impressions, in 
 brown. 
 
 5 
 
180 
 
 181 
 
 182 
 
 183 
 
 184 
 
 185 
 
 186 
 187 
 
 188 
 
 189 
 
 190 
 
 IQI 
 
 192 
 
 193 
 
 18 
 
 THOMSON, J. 
 
 Lapy BAGoT, ViscouNTESS BURGHERST AND LADY SomERSET. After Sir 
 Thomas Lawrence, by J. Thomson. Stipple. 
 
 THOUVENIN. 
 
 Turn WEDDING FEAst AT CANA OF GALILEE. After Paul Veronese. Line. 
 Slightly torn and neatly mended. 
 
 TOMPKINS, CHARLES W. 
 
 Tue STOLEN Bun. After Wm. Weekes. Mezzotinto. Artists’ proof 
 signed by both artists. 
 
 VAN BLEECK. 
 
 Old Dutch Mezzotinto Engraver. 
 THe REVEREND Mr. JAMEs Foster. After I. Wills. 
 
 VAN VLUIET, J. G. 
 
 MAN WITH Fur Cap. Bartsch 81. ine impression. 
 
 VISSCHER, C. 
 
 Henricxus Du Booys. After Van Dyck. 
 
 WAGSTAFF, C. F. 
 ALBERT, PRINCE OF WaLES. After Patten, by C. F. Wagstaff. Mezzo- 
 tinto. . Proof. 
 Wn. Wuirs, BisHop oF PENNSYLVANIA. After Inman, by C. F. 
 Wagstaff. Mezzotinto. 
 QUEEN Victoria. After Thomas Sully, by C. F. Wagstaff. Stipple. 
 
 True proof. 
 WALTER, C. 
 Miss Macponaxp. After Sir Thomas Lawrence, by C. Walter. Lithograph. 
 
 WARD, JAMES. 
 English Mezzotinto Engraver, Seventeenth Century, 
 
 ADMIRAL DE WINTER DELIVERING His SworD TO LORD DuNCAN. After 
 Copley, by James Ward. Mezzotinto. Choice proof before all letters. 
 Presentation copy from Charles R. Leslie to Thomas Sully. - 
 
 WittiamM HENRY Wsst Bzrry. Atatis Suae 13. After H. Burch. 
 Open-letter proof. 
 
 WARD, WILLIAM. 
 
 Noted English Mezzotinto Engraver, 18th Century. 
 
 THe RicHt HONORABLE ROBERT LorD Dunpas, Lord Mayor of the 
 City of York in the years 1811 and 1821. After John Jackson, Ksq., 
 R. A. Full length, standing. fine original impression. 
 
 J. Horne Tooxe, Author of Diversions of Purley, etc. Full length, 
 lying on couch. After J. R. Smith. Mezzotinto. Fine tmpression. 
 No margins. 
 
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 19 
 
 WATERLOO, A. 
 Tue WATER Miu. Fine original etching. 
 
 WATSON, CAROLINE. 
 Roper? AURIOL, Earl of Kinnoull, After Shelley. Brown Stipple. 
 
 WATSON, THOMAS. 
 
 Tur HONOURABLE Lapy STANHOPE. After Sir Joshua Reynolds, by 
 Thomas Watson. Mezzotinto. 
 
 WELCH, T. B. 
 
 Poirier Trpyman, M.D. After Sully, by T. B. Welch. Mezzotinto. 
 Open-letter proof. 
 
 Grorce W. Cuinps. Mezzotinto. 
 
 GrorGE WasHinGTon. After Gilbert Stuart. Folio. 
 
 WHEFSELL, J. 
 Tun ITINERANT Porrers. After F. Wheatley, by J. Whefsell. Stipple. 
 
 WILCOX, J. A. J. 
 Contemporary Etcher and Engraver. 
 Rurus Cuoatr. Artists’ proof, No. 92, signed, on Japanese paper. 
 
 J. Russer1, Lowern. After an original crayon, by S. W. Rowse. 
 Artists’ proof on India paper, signed. 
 
 WILLE, J. G. 
 
 ENGRAVINGS AND TITLE. Recueil de Paysages et autres Figures 
 Dessinées et Artistement Gravées par Jean Georges Wille, de plusieurs 
 Académies de Peinture de Paris, actuellement Doyen des Graveurs de 
 VEurope. Fine impression. Paris 1801. 
 
 L’ORsEVASEUR Distrait After F. Mieris. Oviginal tmpression. 
 
 WOOLLETT, WILLIAM. 
 
 LANDSCAPE AND VIEW OF Trvotr. After Annibale Caracci. Good 
 original impression. 
 
 WOOLLETT, W. anp BROWNE, J. 
 Lanpscarg. After Gaspar Poussin. Good old impression. 
 Tum Fisoery. After Richard Wright, by Wm. Woollett. Line. 
 
 ZUCCHI, ANDREA. 
 Ecce Homo. After Tinsoretto. Line Engraving. 
 
208 
 
 209 
 210 
 211 
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 213 
 
 20 
 
 UNKNOWN. 
 
 THE DUKE OF WELLINGTON ON HorsEBACK. After Sir Thos. Lawrence. 
 Line. Artist's proof. 
 
 PORTRAIT OF A GENTLEMAN. Mezzotinto. 
 
 THE Wipow. Line. Proof before letters. 
 
 FANNY KEMBLE. Lithograph. Proof before letters. 
 
 JoHN McLzan, or Onto. Lithograph. 
 
 GEORGIE ABRAMO Nace Pirr. Line. Colored. 
 
 Original Painting by Thomas Birch of 
 COM. JOHN PAUL JONES’ GREAT NAVAL VICTORY. 
 
 The Battle between the ‘“Bonhomme Richard” and the “ Serapis.” 
 
 214 
 
 THE ORIGINAL OIL PAINTING, by Thos. Birch, of the greatest naval 
 battle of the Revolution, between the ‘‘ Bonhomme Richard,’’ Com. 
 John Paul Jones, and the ‘‘Serapis,”’ Capt. Pearson, Sept. 23, 1779. 
 The painting is in Birch’s best style, giving a vivid effect of a sea fight 
 by moonlight, with a ship on fire, the bursting of bombs, drowning men 
 clinging to wreckage, etc. 
 
 Height, 36 inches; width, 62 inches. 
 
 See reduced facsimile on cover. 
 
 This painting illustrates the most brilliant naval engagement of the War for Independence ; 
 
 and is the accepted rendition of that notable occurrence. On the 4th August, 1779, after many 
 trials and tribulations, Com. Jno. Paul Jones set sail from France with a mixed Squadron of 
 four vessels. His own ship, which he named the “ Bonhomme Richard,” was an old Indiaman, 
 To her battery of a few twelve pounders he added six eighteen pounders, in ports, cut in the 
 gun-room His crew was a motley gathering. The officers being Americans without experience 
 in naval duties, and the men of various nationalities. The other vessels were commanded by 
 Frenchmen, sailing under the American flag. On the 23rd September, 1779, he sighted a British 
 fieet of forty merchantmen, under convoy of the * Serapis,” which carried forty-four guns, and 
 the ‘‘Countess of Scarborough” with twenty-eight guns. Jones gave orders for a general 
 chase, but most of the merchantmen ran in shore and anchored under the guns of Scar- 
 borough Castle. About seven o’clock in the evening the “ Bonhomme Richard ” closed with 
 the ‘“‘Serapis” and began one of the most desperate as well as heroie conflicts of the 
 war. After a few broadsides, the ships fouled and lay side by side till the fight was ter- 
 minated. The ‘‘Serapis” tried to swing clear by letting go an anchor, but Jones lashed the 
 two ships together to deprive the enemy of the advantage of her superior battery and sail 
 power, and to prevent her retreat. Two of the‘ Bonhomme Richard’s” eighteen pounders had 
 burst at the first fire, blowing up the deck and killing many of the crew; and the fire of the 
 “Serapis” silenced her main deck battery, and crushed through her sides, Com. Jones kept on 
 fighting, however, and itis said when ordered to surrender that he replied, ‘Surrender hell! I 
 haven't commenced to fight yet!” At this stage of the conflict, all that Jones had to fight with 
 was a few light guns on the spar-deck, and musketry in the tops. A hand-grenade was dropped 
 from the main-yard of the ‘‘Bonhomme Richard” down a hatchway in the * Serapis,”’ causing a 
 terrible explosion on the lower deck; Com. Jones drove back a boarding party; and after a 
 desperate hand-to-hand conflict, the Serapis “struck her flag” at half-past ten at night. The 
 “Bonhomme Richard” had her counters and quarters driven in, all her lower deck guns dis- 
 mounted, on fire in two places, and six or seven feet of water in her hold. She had to be aban- 
 doned, and sank the next morning. Thus terminated the greatest sea battle of the Revolution. 
 King Louis XVI presented Com. Jones with a gold sword, and the Order of Merit for his great 
 bravery, and he also received the unanimous vote of thanks of the Continental Congress. 
 - We give this brief sketch to illustrate how faithfully the artist has performed his task. The 
 picture shows the “ Bonhomme Richard” and “Serapis”’ lashed together, at about the time the 
 hand grenade was dropped from the main yard of the former vessel into the hatchway of the 
 latter, and caused the terrible explosion. In the distance can be seen the shipping under the 
 protection of Scarborough Castle, as also the conflict between the “Pallas,” the only other ship 
 of Jones’ squadron engaged, and the ‘‘Countess of Scarborough,” which also terminated in the 
 defeat of the latter. 
 
215 
 
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 21 
 
 FRAMED ENGRAVINGS. 
 
 VARIN, AMEDEE ann EUGENE. 
 
 A TERRIBLE Story. After Brockart, by A. and EK. Varin. Stipple. 
 Script title proof. 
 
 Height, 21 6-8 inches; width, 32 2-8 inches. 
 
 BALLIN, J. 
 
 A GRAND DINNER Party. After Brockart, by J. Ballin. Stipple. Script 
 title proof. 
 
 Height, 21 6-8 inches; width, 32 2-8 inches. 
 
 DUTHIE, JAMES. 
 
 Tue CHURCH, at Stratford-upon-Avon. After James Fairman, by James 
 Duthie. Line. Artist's remarque proof, signed by both painter and 
 engraver. 
 
 Height, 17 7-8 inches ; width, 26 6-8 inches. 
 
 THADDEUS, H., Jr. 
 Pork LHO XIII. Photogravure. Signed by the artist. 
 Height, 25 inches; width, 19 7-8 inches. 
 
 COUTEUX, J. Lz. 
 
 THE Spinner. After J. F. Millet, by J. Le Couteux. Etching. Jndia 
 
 proof. 
 Height, 21 2-8 inches; width, 17 2-8 inches. 
 
 COXH, REG. CLEVELAND. 
 
 Vacu?r Race. Original Etching by R. C. Coxe. <Artist’s remarque proof, 
 signed. 
 Height, 13 inches; width, 21 6-8 inch. 
 
 PEAKE, JAMES. 
 
 Morninc. After Lorraine, by James Peake. Line. 
 Height, 17 inches; width, 23 inches. 
 
222 
 
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 226 
 
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 228 
 
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 230 
 
 22 
 
 FARRER, H. 
 
 THE OLD Farm House. Original Etching by H. Farrer. Artist's proof, 
 signed. 
 Height, 12 inches; width, rg inches. 
 
 BEGAS, A. 
 
 InNocENcE. After Schrader, by A. Begas. Stipple. Artists’ proof, 
 signed by both painter and engraver. 
 
 Height, 14 inches; width, 17 inches. 
 
 BONATO, PIETRO. 
 
 PLANGE L’INCONSOLABILE VENERE IT SUO DILETTO ADONE UCCISO DAL 
 CINGHALE. After Barbieri, by P. Bonato. Line. 
 
 Height, 16 3-8 inches ; width, 20 3-8 inches. 
 
 RAPHAEL, 
 
 CARBON PHOTOGRAPH OF FEMALE HAD. After Raphael. 
 
 THIBAULT. 
 LA ReveRIE. After Aubert, by Thibault. Line. Jndia proof. 
 Height, 11 6-8 inches ; width 8 4-8 inches. 
 
 PHOTOGRAV URE. 
 
 PIFFERARI. After Gérome. Photogravure. 
 
 FABER, J. 
 
 Sir JoHN VANBRUGH. After Kneller, by J. Faber. Mezzotinto. Fine 
 tmpresston. 
 
 Height, 12 4-8 inches; width, ro inches. 
 JoHN SommMERS, BARON OF EvesHAM. After Kneller, by J. Faber. 
 Mezzotinto. 
 Height, 12 4-8 inches; width, 9 6-8 inches. 
 
 HOLLER. 
 
 PORTRAIT OF A FEMALE. Original Etching, by Holler. Artis?’s proof, 
 signed. 
 
231 
 
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 233 
 
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 238 
 
 23 
 
 UNKNOWN. 
 
 Srr WALTER Scorr. Mezzotinto. 
 
 Tue Happy Faminy. Rare old etching. 
 
 HOLLOWAY, T. 
 
 Gro. WASHINGTON. After Stuart, by T. Holloway. 
 pression. 
 Height, g inches; width, 7 6-8 inches. 
 
 HERKOMER, HUBERT. 
 Lirtie Girt. Photo-Etching, by Hubert Herkomer. 
 
 FERNANDEZ, F. 
 
 Line. 
 
 Fine tm- 
 
 Portico oF THE ALHAMBRA. Original Water Color, by F. Fernandez. 
 
 LOMMELIN, ADRIAN. 
 
 JOANNES DE WAEL. After Vandyke, by A. Lommelin. 
 
 VANDYKE, A. 
 Portrait. Original Etching by Vandyke. 
 
 VISSCHER, C. vz. 
 
 Portrait. After Danckers, by C. de Visscher. Line. 
 
 Line. 
 
239 
 
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 24 
 
 MEZZOTINTOS. 
 
 (NOT FRAMED.) 
 
 BOYDELL, JOSIAH. 
 Kinc CHARLES THE First. After Vandyke, by Josiah Boydell. 
 Mezzotinto. | 
 Height, 19 6-8 inches ; width, 13 7-8 inches. 
 
 DUNKARTON, ROBERT. 
 JOHN PENN, Esg. After Sir W. Beechy, by R. Dunkarton. Mezzotinto. 
 Open-letter proof. 
 Height, 25 6-8 inches ; width, 17 inches. 
 LADY PHILADELPHIA WHARTON. After Vandyke, by Robert Dunkarton. 
 Mezzotinto. Fine impression. 
 Height, 15 2-8 inches; width, 12 inches. 
 
 DICKINSON, WILLIAM. 
 
 LITTLE SAMUEL. After Dean, by Dickinson. Mezzotinto. 
 . Height, 16 inches; width, 12 6-8 inches. 
 Isaac RxExED, the Shakespeare Commentator. After G. Romney, by 
 Wm. Dickinson. Mezzotinto. Fine early impression. 
 Height, 12 1-8 inches; width, ro inches. 
 
 EARLOM, RICHARD. 
 FRUIT PIECE AND A FLOWER Piece. After Huysom, by Richard Earlom. 
 Mezzotinto. 2 pieces 
 Height, 20 inches ; width, 15 6-8 inches. 
 THE VIRGIN AND CHILD. After Correggio, by R. Earlom. Mezzotinto. 
 Proof before the inscription, with artists’ names scratched in. 
 Height, 20 5-8 inches ; width, 15 inches. 
 MARY MAGDALEN WASHING CurRIs’’s FEET. After Rubens, by Richard 
 Earlom. Mezzotinto. 
 Height, 17 4-8 inches; width, 22 6-8 inches. — 
 THE LARDER. After Vos, by Richard Earlom. Mezzotinto. 
 Height, 16 5-8 inches ; width, 22 4-8 inches. 
 
 A Fruit Market. After Snyders and John Long, by Richard Earlom. 
 Mezzotinto. Fine impression. 
 
 Height, 14 inches ; width, 22 4-8 inches. 
 
Reduced Facsimile of Lot 266. 
 
249 
 
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 252 
 
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 255 
 
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 25 
 
 A GamE Market. After Snyders and John Long, by Richard Earlom. 
 Fine tmpresston. 
 Height, 14 6-8 inches ; width, 22 7-8 inches. 
 
 A Hers Marker. After Snyders and John Long, by Richard Earlom. 
 Good impression. 
 Height, 14 inches ; width, 22 4-8 inches. 
 
 A Fish MARKE?T. After Snyders and John Long, by Richard Earlom. 
 Mezzotinto. Fine impression. 
 
 Height, 14 1-8 inches ; width, 22 6-8 inches. 
 
 HEADS AND FEET oF Birps AND ANIMALS. Engraved by Richard Earlom. 
 Mezzotinto. Proof before all letters. 
 
 Height, 13 6-8 inches; width, 20 inches. 
 
 UNA AND THE Lion. After B. West, by Richard Earlom. Mezzotinto. 
 Proof. 
 Height, 17 5-8 inches ; width, 22 6-8 inches. 
 
 JoHN HEAvxsipE, Surgeon to the King. After Zoffany, by Richard 
 Earlom. Mezzotinto. Open-letter proof. 
 Height, 17 7-8 inches; width, 13 7-8 inches. 
 
 FABER, J. 
 
 Tsar HONOURABLE LADY MippiEron. After Kneller, by J. Faber. 
 Mezzotinto. 
 Height, 17 5-8 inches ; width, 12 inches. 
 
 Tue Rt. Hons. THE COUNTESS OF PETERBOROUGH. After Kneller, 
 by J. Faber. Mezzotinto. 
 Height, 17 6-8 inches ; width, 12 1-8 inches. 
 
 See reduced facsimile. 
 
 Tur HONORABLE THE CouNnTESS OF Essex. After Kneller, by J. Faber. 
 Mezzotinto. 
 Height, 17 4-8 inches ; width, 12 inches. 
 
 Her Grack THE DucuEss oF MARLBOROUGH. (Sarah Jennys, First 
 Duchess of Marlborough, who bullied Queen Anne for many years.) 
 Engraved by J. Faber. Mezzotinto. Scrzp title proof. 
 
 Height, 17 4-8 inches ; width, 12 3-8 inches. 
 
 See reduced facsimile. 
 
 GROZER, J. 
 
 ABRAHAM NEWLAND, Chief Cashier of the Bank of England. After 
 Romney, by J. Grozer. Mezzotinto. 
 Height, 16 5-8 inches ; width, 14 inches. 
 4 
 
260 
 
 261 
 
 262 
 
 263 
 
 264 
 
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 266 
 
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 268 
 
 26 
 
 GREEN, VALENTINE. 
 
 JOHN HAMILTON Mortimer, the Artist. After J. H. Mortimer, by 
 Valentine Green. Mezzotinto. 
 
 Height, 16 inches ; width, 13 inches. 
 Sir THomAs WHARTON. After Vandyke, by Valentine Green. Mezzo- 
 tinto. Brilliant impression. 
 Height, 20 2-8 inches ; width, 13 7-8 inches. 
 HENRY DANVERS, EARL OF Dansy. After Vandyke, by Valentine 
 Green. Mezzotinto. Svrilliant impression. 
 Height, 20 2-8 inches ; width, 13 7-8 inches. 
 
 HAID. 
 
 ABRAHAM’S SACRIFICE. After Rembrandt, by Haid. Mezzotinto. 
 Proof before the inscription. 
 
 Height, 19 5-8 inches ; width, 14 inches. 
 
 LAUW, P. 
 
 THE STANDARD BEARER. After Rembrandt, by P. Lauw. Mezzotinto. 
 Proof before the title. 
 
 Height, 14 5-8 inches; width, 11 5-8 inches. 
 
 LUPTON, T. 
 THE MiLK Giri. Mezzotinto, by T. Lupton, and The Cottage Girl, by 
 Charles Turner. Mezzotinte. 2 pieces 
 
 MURPHY, JOHN. 
 
 THE Cyclops AT THEIR Force. After Giordano, by John Murphy. 
 Mezzotinto. Srilliant impression. 
 
 Height,j18 5-8 inches ; width, 13 6-8 inches. 
 
 See facsimile, 
 PETHER, WILLIAM. 
 THE Man at Arms. After Rembrandt, by William Pether. Mezzotinto. 
 Height, 17 3-8 inches ; width, 13 7-8 inches. 
 
 PORTRAIT OF A GENTLEMAN. After Rembrandt, by William Pether, 
 Mezzotinto. 
 
 Height, 17 6-8 inches ; width, 13 7-8 inches. 
 
269 
 
 270 
 
 271 
 
 272 
 
 273 
 
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 276 
 
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 27 
 
 REYNOLDS, 8S. W. 
 
 PoRTRAIT OF A JEw. After Rembrandt, by S. W. Reynolds. Mezzotinto. 
 Proof before all letters, before the plate was cleaned. 
 
 Height, 18 2-8 inches ; width, 14 inches. 
 
 SMITH, J. 
 
 Her Grace THe Ducuess oF Bo,ton. After Kneller, by J. Smith. 
 Mezzotinto. 
 
 Height, 16 inches ; width, 10 3-8 inches. 
 
 Queen ANNE OF ENGLAND. By J.Smith. Mezzotinto. Cut oval at top. 
 Height, 13 1-8 inches ; width, 9 inches. 
 
 Lassa CrupEniras. After Kneller, by J. Smith. Mezzotinto. 
 Height, 9 1-8 inches ; width, 7 2-8 inches. 
 
 SARTAIN, JOHN. 
 Henry Cray. After Naegle, by John Sartain. Mezzotinto. 
 Height, 20 2-8 inches; width, 15 inches. 
 
 SPICHRS. 
 
 BARBARA, CouNTESS oF CovenTRY. After Sir Joshua Reynolds, by 
 Spicers. Mezzotinto. 
 
 Height, 12 3-8 inches ; width, 10 inches. 
 
 TURNER, CHARLES. 
 
 Saint CatuERine. After Corregio, by C. Turner. Mezzotinto. Proof 
 before the title. 
 
 Height, 19 2-8 inches ; width, 16 inches. 
 
 Heer. Engraved by C. Turner. Mezzotinto. Proof. 
 Height, 16 2-8 inches ; width, 12 inches. 
 
 TOWNLEY, CHARLES. 
 
 Mrs. Jenny Drerinc. After Sir Peter Lilly, by Charles Townley. 
 Mezzotinto. 
 
 Height, 14 6-8 inches; width, 11 3-8 inches, 
 
278 
 
 279 
 
 280 
 
 281 
 
 282 
 
 283 
 
 284 
 
 285 
 
 286 
 
 287 
 
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 28 
 
 VOGEL, BERNARD. 
 
 PORTRAIT OF A Lavy. After Kupezky, by B. Vogel. Mezzotinto. Fine 
 impression. 
 Height, 12 6-8 inches ; width, 10 inches. 
 
 WARD, WILLIAM. 
 THE RETURN OF THE Younc Husspanp. After Stothard, by William 
 Ward. Mezzotinto (damaged). 
 Height, 21 2-8 inches; width, 18 inches. 
 
 WATSON, JAMES. 
 RUBENS AND Famity. After Jordans, by James Watson. Mezzotinto. 
 Brilliant impression. 
 Height, 19 6-8 inches ; width, 15 7-8 inches. 
 
 ANOTHER Copy. Cut close at sides. 
 
 LaDy SITTING INA CHAIR. After Rubens, by James Watson. Mezzotinto. 
 Height; 16 inches ; width, 12 inches. 
 JoHN MANNERS, Marquis of Granby. After Sir Joshua Reynolds, by 
 James Watson. Mezzotinto. 
 Height, 21 6-8 inches ; width, 17 7-8 inches. 
 
 UNKNOWN. 
 
 BurninG BrusHwoop. After Morland. Mezzotinto. Proof before all 
 letters. 
 See reduced facsimile. 
 BuLL’s FicguHtTinc. After Stubbs. Mezzotinto. 
 Height, 17 2-8; width, 21 3-8 inches. 
 
 Boy WITH A Doc. Mezzotinto. Proof before all letters. 
 Height, 18 3-8 inches; width, 14 inches. 
 
 YOUNG, J. 
 A STANDARD BEARER. After Hoppner, by J. Young. Mezzotinto. 
 Open-letter proof. | 
 Height, 13 inches; width, 10 7-8 inches. 
 JoLLy SAILoR Boys. After Stothard, by J. Young. Mezzotinto. Zn- 
 gravers proof. 
 Height, 21 1-8 inches ; width, 17 7-8 inches. 
 THE SuLKy Boy. After Payne, by J. Young. Mezzotinto. 
 Height, 21 7-8 inches; width, 17 2-8 inches. 
 
 —_* 
 
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 29 
 
 LINE AND STIPPLE ENGRAVINGS, AND 
 ETCHINGS. 
 
 BARTOLOZZI, FRANCISCO. 
 LaDy JANE Grey REFUSING THE CROWN OF ENGLAND. After Cipriani, 
 by F. Bartolozzi. Stipple. Proof before all letters. 
 Height, 10 6-8 inches ; width, 14 4-8 inches. 
 THE SamE. Trial proof. 
 Tue RiGHT HONORABLE CHARLES EARL CAMDEN. After Gainsborough, 
 
 by F. Bartolozzi. 
 Height, 16 7-8 inches ; width, 13 3-8 inches. 
 
 Crytire. After Caracci, by F. Bartolozzi. Line. Circular. 
 Diameter, 16 6-8 inches. 
 
 VENUS AND THE SAtyr. After Giordano, by F. Bartolozzi. Line. 
 Proof before the inscription, with coat-of-arms. Artists’ names scratched tn. 
 
 Height, 13 2-8 inches; width, 18 5-8. 
 EpwArp Lorp THURLOW, Lord High Chancellor of Great Britain. After 
 Sir Joshua Reynolds, by F. Bartolozzi. Stipple. 
 Height, 16 7-8 inches ; width, 13 4-8 inches. 
 TurkisH Lapy. After Cipriani, by F. Bartolozzi. Stipple, in red. 
 Oval. Cut close to print. 
 Height, 11 inches; width, 9 inches. 
 Acts AND GALATEA AND THE GIANT PoLypHEMUS. After Cipriani, by 
 F. Bartolozzi. Stipple. Proof. 
 Height, 5 1-8 inches ; width, 3 3-8 inches. 
 PLAYING AT THREAD THE NEEDLE. After Hamilton, by F. Bartolozzi. 
 Stipple. 
 Height, 5 1-8 inches; width, 6 2-8 inches. 
 Hop# AND Fortunes. After Cipriani, by J. Minasi, pupil of Bartolozzi. 
 Stipple. Proof before the title. 
 Height, 12 7-8 inches; width, 11 1-8 inches. 
 
 BOND, W. 
 Tur LAuGHING Girt. After Sir Joshua Reynolds, by W. Bond. Stipple. 
 India proof. 
 Height, 6 6-8 inches ; width, 5 6-8 inches. 
 
 BAILLIBN, CAPT. WILLIAM. 
 Cupip Huntinc. After Poussin, by William Baillie. Stipple. Oval. 
 full margin. 
 Height, 8 6-8 inches ; width, 7 7-8 inches. 
 
302 
 
 393 
 
 304 
 
 395 
 
 306 
 
 307 
 
 308 
 
 309 
 
 310 
 
 30 
 
 BETTELINI, P. 
 
 A Nympu AsieEp. After Cipriani, by P. Bettelini. Stipple, in brown. 
 Height, 8 5-8 inches; width, 9 6-8 inches. 
 
 BONATO, PIETRO. 
 RELIGIONE. After Angelica Kauffman, by P. Bonato. Line. 
 Height, 11 4-8 inches; width, 9 1-8 inches. 
 
 BOILLET, J. 
 
 VENus ATTIRED BY THE GrAcES. After Angelica Kauffman, by Boillet. 
 Stipple. Oval. 
 
 Height, 13 3-8 inches ; width, 17 1-8 inches. 
 
 BENOIST, L. 
 
 THE SLEEPING BABE. Engraved by L. Benoist. Stipple. Proof before 
 the ttle. 
 Height, 15 2-8 inches ; width, 11 1-8 inches. 
 
 BARON, B. 
 Eveninc. After Hogarth, by B. Baron. Line. 
 Height, 18 inches ; width, 14 6-8 inches. 
 
 COSWAY, R. 
 
 STUDY, IMPROVEMENT, INSTRUCTION AND EDUCATION. Drawn by R. 
 Cosway. Stipple. . 4 pieces 
 
 CONDE, JOHN. 
 
 DocretT Amor. After Cosway, by John Conde. Stipple, in red. 
 Height, 8 1-8 inches; width, 6 6-8 inches. 
 
 THE BALLAD SINGER. After Chaloner, by J. Conde. Stipple. 
 Height, 9 3-8 inches; width, 6 6-8 inches. 
 
 COLIBERT, N. 
 
 EVELINA WITH HER FATHER. Drawn and engraved by N. Colibert. 
 Stipple, colored. 
 
 Height, 8 inches ; width, 6 inches. 
 
art 
 
 312 
 
 313 
 
 314 
 
 315 
 
 316 
 
 357 
 
 318 
 
 319 
 
 320 
 
 321 
 
 31 
 
 COCHIN, CHARLES NICOLAS. 
 EUSTACHE Le SEuR, ARTIST. Engraved byC. N. Cochin. His Academy 
 print, Line, 
 Height, 13 7-8 inches ; width, 9 2-8 inches. 
 
 DEMARTEAU. 
 RECLINING FEMALE. After Boucher, by Demarteau. Stipple, in red. 
 Proof before letters. oa 
 Height, 13 3-8 inches ; width, rg 6-8 inches. 
 
 DURMER, F. V. 
 
 LES QUATRE Sarsons. After Guido, by F. V. Durmer. Stipple. Fine 
 impression. 
 Height, 12 2-8 inches ; width, 16 5-8 inches. 
 
 DEQUEVAUVILLIER. 
 JEFFERSON (Tuomas). After Desnoyers, by Dequevauvillier. Line. 
 India proof. 
 Height, 8 5-8 inches ; width, 6 3-8 inches. 
 
 EDELINCK, GHRARD. 
 
 JuLius HarRpOUIN Mansary. After Rigaud, by Edelinck. Line. Sril- 
 liant impresston. 
 Height, 18 2-8 inches; width, 14 5-8 inches. 
 
 PETER DE CarcAvy. After Tetelin, by G. Edelinck. Line. 
 Height, 13 4-8 inches; width, 9 6-8 inches. 
 
 CARDINAL Bossuz?T. After Rigault, by Edelinck. Line. 
 Height, 9 6-8 inches; width, 7 4-8 inches. 
 
 St. Louris Prostrating Himself Before a Crucifix. After Lebrun, by Ede- 
 linck. Line. Only state. 
 Height, 20 2-8 inches ; width, 15 6-8 inches. 
 
 FAITHORNE, G. 
 
 CHARLES THE First. Engraved by G. Faithorne. Line. Sriliiant 
 tmpresston. 
 Height, 9 6-8 inches ; width, 6 3-8 inches. 
 
 FACIUS, G. 8. anp J. G. 
 
 SAPHO, INSPIRED By Love, Composes an Ode to Venus. After Angelica 
 Kauffman, by G. S. and J. G. Facius. Stipple. Oval. 
 Height, 12 3-8 inches; width, 10 inches. 
 
 ARIADNE, Awakened From Sleep, Finds Herself Abandoned by Theseus. 
 After Angelica Kauffman, by G. S. and J. G. Facius. Stipple, in red. 
 Cut into print. 
 
 Height, 10 6-8 inches ; width, 8 3-8 inches. 
 
322 
 
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 324 
 
 325 
 
 329 
 
 327 
 
 328 
 
 329 
 
 330 
 
 331 
 
 32 
 
 GODBY, J. 
 INNOCENT RECREATION.: After W. Miller, by J. Godby. Stipple. 
 Height, 11 5-8 inches ; width 14 6-8 inches. 
 
 GIRARDET, EDOUARD. 
 
 BEATRICE CxENcI. After De La Roche, by E. Girardet. Mezzotinto. 
 Open-letter proof. 
 Height, 11 7-8 inches; width, 14 3-8 inches. 
 
 GHILLE. 
 LAFAYETTE. Designed and engraved by Geille. Line. Open-letter 
 
 proof. 
 Height, 11 6-8 inches; width, 9 6-8 inches. 
 
 GROZHR, J. 
 
 THE AGE OF INNOCENCE. By Sir Joshua Reynolds. Stipple, in brown, 
 3 copies 
 Height, 17 3-8 inches; width, 7 1-8 inches. 
 
 GRANGER, B. 
 THE FoRTUNE TELLER. After Sothard, by B. Granger. Stipple. 
 Height, 11 3-8 inches ; width, 14 5-8 inches. 
 
 HATCH anv RITCHIE. 
 WASHINGTON IRVING. After Leslie, by Hatch and Ritchie. Line. 
 Height, 7 4-8 inches; width, 5 5-8 inches. 
 
 KNIGHT, C. 
 TOM AND HIS Pickons. After Russell, by C. Knight. Stipple. 
 Height, 10 5-8 inches; width, 14 inches. 
 
 MIXELLE. 
 
 TABLEAU DES PRINCEPAUX PEUPLES DE L/AMERIQUE. After Sauveur, 
 by Mixelle. Aquatint, colored. 
 
 Height, 12 4-8 inches; width, 19 6-8 inches. 
 
 BUTTREH, J. C. 
 MARTHA WASHINGTON. After Stuart, by J. C. Buttre. Mezzotinto. 
 Height, 13 5-8 inches; width, ro 1-8 inches. 
 
 MIGER, SIMON CHARLES. 
 Louis MICHEL VANLOo. After J. B. Vanloo, by S. C. Miger. Line. 
 Height, 13 4-8 inches; width, 10 2-8 inches. 
 
332 
 
 333 
 
 334 
 
 335 
 
 336 
 
 337 
 
 338 
 
 339 
 
 340 
 
 341 
 
 33 
 
 MASSON, ANTHONY. 
 AntHony Turcot. Engraved by A. Masson. Line. Fine impression. 
 Height, 13 5-8 inches ; width, 10 6-8 inches. 
 
 INTERIOR. Boors Dancing. Etching by A. Masson. 
 Height, 6 6-8 inches ; width, 9 inches. . 
 
 NANTHUIL. 
 
 JACQUES MARQUIS DE CASTELMAN. Engraved by Nanteuil. Line. 
 Height, 10 7-8 inches ; width, 7 3-8 inches. 
 
 ANOTHER Copy. 
 
 OSTADE, ADRIAN VAN. — 
 
 INTERIOR OF A DutTcH CoTracEr. Figures Dancing. Original Htching 
 by A. Van Ostade. 
 
 Height, 9 5-8 inches ; width, 12 5-8 inches. 
 
 INTERIOR OF A CorTracGr. Man Feeding a Baby. Original Etching by 
 A. Van Ostade. 
 
 Height, 4 7-8 inches ; width, 3 4-8 inches. 
 
 PARKER, JAMES. 
 
 THE REVOLUTION, 1688. After Northcote, by James Parker. Line. Open- 
 letter proof. 
 
 . Height, 17 inehes ; width, 23 7-8 inches. 
 
 PORPORATI. 
 
 LITTLE GIRL AND Doc. After Greuze, by Porporati. Line, 
 Height, 16 2-8 inches ; width, 11 4-8 inches. 
 
 PASSE, CRISPIN Dz. 
 
 CHRISTOPHER CoLumBUS. Engraved by Crispin de Passe. Line. Rave. 
 Height, 4 1-8 inches; width, 3 3-8 inches. 
 
 PAUSET. 
 THE PAINTING OF ABELARD AND Enorsa. After Angelica Kauffman, 
 Stipple, in red. Circular. 
 Diameter, 10 7-8. 
 5 
 
342 
 
 343 
 
 344 
 
 345 
 
 346 
 
 347 
 
 348 
 
 349 
 
 350 
 
 351 
 352 
 353 
 
 354 
 
 355 
 
 356 
 
 34 
 
 POLLARD, R. 
 
 FRIENDSHIP. After Cosway, by R. Pollard. Stipple. Oval. Open-letter 
 
 proof. 
 Height, 7 4-8 inches; width, 8 5-8 inches, 
 
 REMBRANDT, VAN RYN. 
 
 THE ANGEL APPEARING TO THE SHEPHERDS. Original Etching by 
 Rembrandt. Fourth state. W.49; D. 43; B. 44. 
 
 ABRAHAM FRANSz, Original Etching by Rembrandt. Aizghth state. 
 W253 \1). (252 yates ae 
 
 St. JEROME. Original Etching in Rembrandt’s dark manner. B. 105; 
 W. 110% D.. 106, 
 
 THE PRODIGAL SON. Original Etching by Rembrandt. B. 91; W. 96; 
 D709. 
 
 THE MARTYRDOM OF ST. STEPHEN. Original Etching by Rembrandt, 1635. 
 B. 97; W. 102; D. 98. 
 
 FLIGHT INro Ecyprt. Night Effect. Original Etching by Rembrandt, 
 1651) B. 533 We 585.0 $3; 
 
 THE RESURRECTION OF LAZARUS. Small print. Original Etching by 
 Rembrandt: |) B.c72 5) Wy 7634 s: 
 
 Jesus DISPUTING WITH THE Docrors. The larger plate. Original 
 Etching by Rembrandt, 1652. B.65; W. 69; D. 64. 
 
 ANOTHER COPy. 
 ANOTHER Copy. 
 
 PORTRAIT OF A MAN. Original Etching by Rembrandt. B. 304; 
 D.8209.. We esto: 
 
 CuRist DISPUTING WITH THE Docrors. ‘The smaller print. Original 
 Etching by Rembrandt. 
 
 ANOTHER Copy. 
 
 RYDER, T. 
 
 A VIsIT TO THE WOMAN OF THE Lime TREES. After Ryley, by T. 
 Ryder. Stipple. 
 
 Height, 8 1-8 inches; width, 6 2-8 inches. 
 
357 
 
 358 
 
 359 
 
 360 
 
 361 
 
 363 
 
 364 
 
 35 
 
 RYLAND, WILLIAM W. 
 
 LOVELACE IN Prison. After Rigaud, by W. W. Ryland. Stipple, in 
 brown. 
 
 Height, 10 2-8 inches; width, 12 2-8 inches. 
 
 SCHULTZE, C. G. 
 
 LA JEUNE OUVRIERE AcCCABLEEDE SOMMEIL. After Taravae, by C. G. 
 Schultze. Line. 
 
 Height, 14 6-8 inches; width, 10 3-8 inches. 
 
 SCOTT, E. 
 
 SABRINA RELEASING THE LADY FROM THE ENCHANTED CHAIR. After 
 Stothard, by E. Scott. Stipple. 
 
 Height, 14 6-8 inches; width, 18 5-8 inches, 
 
 STODDART. 
 
 Miss FARREN. Engraved by Stoddart. Stipple. Printed in colors. 
 Proof. 
 Height, 11 2-8 inches ; width, 9 2-8 inches. 
 
 SIN TZENICH. 
 
 Mary MacGpALENE. After Guido, by Sintzenich. Stipple. 
 Height, 9 2-8 inches; width, 6 5-8 inches. 
 
 SHARP, WILLIAM. 
 
 Tur THREE PORTRAITS OF CHARLES First. After Vandyck, by William 
 Sharp. Line. Script letier proof. 
 
 Height, 8 4-8 inches; width, 9 7-8 inches. 
 F. Honrywoop. Engraved by William Sharp. Line. Proof before all 
 
 letters. ; 
 Height, 10 4-8 inches; width, 8 7-8 inches. 
 
 SMILLIE ann HINSHELWOOD. 
 
 Tue CAPTURE OF Major ANDRE. After A. B. Durand, by Smillie and 
 Hinshelwood. Line. 
 
 ‘Height, 13 3-8 inches; width, 18 inch. 
 
365 
 
 366 
 
 367 
 
 368 
 
 369 
 
 379 
 
 371 
 
 373 
 
 36 
 
 TOULOUZE, LAINDER pr. 
 
 PETITTE BLANCHISSEUSE. After Westall, by Lainder de Toulouze. Stipple. 
 Colored. 
 Height, 14 inches ; width, 9 7-8 inches. 
 
 TOMKINS, P. W. 
 
 THe VEsTaL. After Sir Joshua Reynolds, by P. W. Tomkins. Stipple. 
 Fine tmpression. 
 
 Height, 18 inches ; width, 14 inches. 
 
 VANOTRON, F. 
 
 PORTRAIT OF REMBRANDT. After Himself, by F. Vanotron. Etching. 
 Artist's proof, signed. 
 Height, 17 inches; width, 13 6-8 inches. 
 
 VERMEULEN. 
 
 CATHERINE Parr. After Vander Worff, by Vermeulen. Line. 
 Height, 11 4-8 inches; width, 6 7-8 inches. 
 
 WRIGHT, J. 
 
 Boys AND Pics. After G. Morland, by J. Wright. Stipple. Printed in 
 colors. 
 Height, 19 inches; width, 14 1-8 inches. 
 
 WORLIDGE, THOMAS. 
 
 Marcus TuLLIus CicERO. Engraved by Thomas Worlidge. Etching. 
 Height, 16 1-8 inches; width, 7 1-8 inches. 
 
 WOODMAN, R. 
 
 CHILDREN AT PLay. After Poussin, by R. Woodman. Stipple. Open- 
 letter proof on India paper. 
 
 Height, 10 4-8 inches ; width, 7 7-8 inches. 
 
 WATSON, CAROLINE. 
 MIRANDA. Engraved by Caroline Watson. Stipple, in red. 
 Height, 8 2-8 inches ; width, 6 7-8 inches. 
 THE GODDEss OF Wispom. After Shelley, by Caroline Watson. Stipple, 
 in brown. Ofen-letter proof. 
 Height, 6 4-8 inches; width, 5 4-8 inches, 
 
374 
 
 a7S 
 
 376 
 
 377 
 378 
 
 379 
 
 380 
 
 381 
 
 382 
 
 383 
 
 384 
 385 
 
 386 
 387 
 
 388 
 
 389 
 
 37 
 
 WILLIAMS, T. 
 
 IANTHE. After Villers, by T. Williams. Stipple, in brown. 
 Height, 8 2-8 inches ; width, 6 2-8 inches. 
 
 UNKNOWN. 
 LaDy HAmILTon. Full length, seated. tipple. Printed in colors. 
 Very rare. Proof before letters. A 
 Height, 15 3-8 inches ; width, 12 4-8 inches. 
 DIANA AND ENDYMION. In the style of Bartolozzi. Stipple, in red. 
 Height, 3 4-8 inches ; width, 4 6-8 inches. 
 LovE AT THE Door. In the style of Bartolozzi. Stipple. 
 Height, 7 4-8 inches ; width, 8 4-8 inches. 
 CECELIA EVERARD. In the style of Bartolozzi. Stipple, in colors. 
 Height, 6 6-8 inches ; width, 5 3-8 inches. 
 Lopovica Hammonp. After Angelica Kauffman, by J. Louis L. . 
 
 Stipple. 
 Height, 12 4-8 inches ; width, 10 inches. 
 
 THE Hoty Famiry. After Angelica Kauffman. Stipple. Choice proof 
 before the title. 
 Height, 11 6-8 inches ; width, 10 1-8 inches. 
 PSYCHE WITH THE URN. (Major Stanwix’s daughter.) In the style of 
 Bartolozzi. Stipple, in red. Cut close to oval. 
 Height, 11 6-8 inches; width, 9 4-8 inches. 
 ELOISA MEDITATING ON ST. PREUX’s LurreR. After Wheatly, in the 
 style of Ryland. Stipple. Fine impression. 
 Height, 11 1-8 inches; width, 9 6-8 inches. 
 L’Amour 2T L’Amitrg. Stipple. Proof before all letters. 
 Height, 13 3-8 inches; width, 10 7-8 inches. 
 ANOTHER copy. Lettered impression. 
 
 THOUGHTS ON Matrimony. In the style of Bartolozzi. Stipple. 
 Height, 8 inches; width, 6 6-8 inches. 
 
 Tum VEsTAt VIRGIN. Stipple in red. (Damaged.) 
 
 MARY, QUEEN OF Scots. Rare Old Line Engraving, in the style of Crispin 
 de Passe. 
 Height, 7 6-8 inches ; width, 6 inches. 
 
 ANDREW JACKSON. On stone, by Altafulla. 
 Height, 5 7-8inches; width, 5 6-8 inches. 
 
 MONROE, JAS. Document, signed by, as President. (Damaged.) 
 
390 
 
 39! 
 
 392 
 393 
 394 
 395 
 396 
 397 
 398 
 399 
 400 
 401 
 402 
 403 
 404 
 405 
 406 
 407 
 
 408 
 
 409 
 
 410 
 
 38 
 
 BOURNE, H. 
 
 THE CHRISTIAN Martyrs. After Gustave Doré, by H. Bourne. Line. 
 Artists’ proof, signed by both artists. Rare. 
 
 Height, 22 1-8 inches ; width, 32 inches. 
 
 THE BEGINNING, Progress and Completion of an extraordinary undertak- 
 ing to prove the possibility of wool being manufactured into cloth and 
 made into a coat between sunrise and sunset, which was successfully 
 accomplished January 25, 1811, at London. Drawn on stone by J. W. 
 Giles. Colored. Very rare. Slightly damaged. 
 
 Etchings by Adolph Menyd. 5 pieces 
 Stipple Engravings. Good lot. 5 pieces 
 Fine Old Stipple Engravings, in style of Bartolozzi. 5 pieces 
 suena “ sta 3 pieces 
 PENNE Manele z Colored 3 pieces 
 Te “« a 3 pieces 
 yeu, « “6 by Riott. 2 pieces 
 Penn. < « a some colored. 6 pieces 
 ene MC ce i by Bartolozzi. 6 pieces 
 rT “e ce a by Bartolozzi. 6 pieces 
 be Gere “ ce by Bartoloti, etc. | 2 pieces 
 68h) sibs “ « 4 pieces 
 «< 7 “4 ee by Michel. 2 pieces | 
 Sti Ke af by Bartolozzi and others. 8 pieces 
 Fine Old Etchings, by Ostade. 4 pieces 
 
 16 Engravings, after Beys and Agricola, by Bonato, Petrini, Lazzarini 
 and others, illustrating important events in the life of Pope Puis VI. 
 Line. Folio. Very fine impressions. 
 
 Etchings, Small Views, etc., by S. Le Clere. Paris (1690). Mounted 
 on 5cards. 12mo. Original impressions. 
 
 18 Views, in Lithography, of the royal palaces, principal streets of St. 
 Petersburg, etc. About 75 years old. Published in Russia about 
 75 ago. Folio size. 
 
 22 Old Engravings, Etchings by Pinelli, etc. Many classical subjects, 
 Folio, 
 
411 
 
 412 
 
 413 
 
 414 
 
 415 
 
 416 
 
 417 
 
 418 
 
 419 
 
 420 
 
 421 
 
 422 
 423 
 424 
 425 
 426 
 427 
 428 
 429 
 430 
 431 
 432 
 
 39 
 
 57 Etchings by Chauvel, Rajon, Greux and other French and English 
 etchers. Folio and 4to size. Mostly genuine original proofs on Japanese 
 and India paper. 
 
 10 Engravings of Subjects after Wilkie and other British artists. Folio. 
 Line. Genuine early India proofs. 
 
 19 Old Engravings by Caroline Watson, Le Bas, Strickland and others, 
 including subjects after Reynolds, Gainsborough, Teniers, T. Birch 
 and others. Folio. Line and stipple. Fzne lot. 
 
 60 Engravings, Etchings, Lithographs, etc., mostly old. Some by Barto- 
 lozzi, Byrne, Volck, C. Smith, and others. Principally folio size. 
 
 9 Etchings by De Los Rios, Unger, Law, and others. Folio. Some 
 signed artist’s proofs. 
 
 9 French Lithographs, illustrating the French Revolution of 1848, by 
 V. Adam, Bayot and others. Folio. Original impresstons. 
 
 135 Etchings, by Debaines, Martial, Lepic, Gautier, Feyin-Perrin, and 
 others of the best French, English and American etchers. Many 
 proofs. Principally 4to size. 
 
 23 Photogravures of famous subjects, by J. L. EK. Meissonnier. In cloth 
 folio. Oviginal impressions on India paper. Done by Lecadre of Paris. 
 
 24 Old Engravings, by Du Jardin, Van Ostade, Collin, Chereau and others. 
 Fine lot. Folio. 
 
 12 Photographs of Roman Architecture, Statuary, etc. Mounted. Folio. 
 
 25 Jackson Photographs of Views in the Yellowstone and Mesa Verde 
 Region. 4to size. 
 
 9 Large Photographs, by Jackson, of the Colorado Region. Mounted. 
 10 Miscellaneous Engravings. 
 
 10 Engravings illustrating the wars of Napoleon. 
 
 7 Fine Old Mezzotintos. 
 
 10 Fine French Lithographs. 
 
 10 Fine Old Engravings. 
 
 10 Miscellaneous Engravings. 
 
 120 Miscellaneous Engravings. 
 
 65 Foreign Portraits. 
 
 18 American Portraits. Good lot. 
 
 22 American Portraits 
 
S ‘ 
 40 
 433 4 Portraits, English Admirals. 
 434 5 Portraits, English Court Beauties. 
 435 6 Engravings by Jno. Cheney. 
 436 6 Views in Philadelphia. 1y 
 437 Original Chalk Drawing of Queen Victoria, by Burnet, si r1 
 Sully ; Original Charcoal Sketch, by Thos. Sully, nog e 
 of Dogs, by F. O. C. Darley. 
 438 76 Small Prints. 
 439 Lot Prints. 
 q ee 
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