\ 2 4 4 u if 3 fea Pree: : G # saree ‘ f te % asst ie piped Weta faninl AH vai) i fib ae’ i i , A me ae (47 Hy otha , \ og : i VASE Y SALE NUMBER 2101 | PAINTINGS CHIEFLY OF THE | XVIITH CENTURY DUTCH & -XVIlITH & XIXtH CENTURY - ENGLISH SCHOOLS TOGETHER WITH SOME INTERESTING EARLY AMERICAN ITEMS & ENGLISH SPORTING & MARINE SUBJECTS TO BE SOLD BY ORDER OF MR. SHELLEY B. NELTNOR, trustee ATTORNEY-AT-LAW, CHICAGO, ILL. fs TO BE SOLD BY AUCTION . THURSDAY EVENING ba NOVEMBER EIGHTEENTH ‘a AT EIGHT-FIFTEEN cs eS |) ‘THE ANDERSON GALLERIES | a [MITCHELL KENNERLEY, Presiwwenr ] — | 489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 1926 - - PUBLIC EXHIBITION FROM SUNDAY, NOVEMBER FOURTEENTH A SCENE IN EPPING FOREST BY FRANCIS WHEATLEY, R.A. [ NUMBER 64 ] ; -_ SALE NUMBER 2101 PUBLIC EXHIBITION FROM SUNDAY, NOVEMBER FOURTEENTH PAINTINGS. aoe CHIEFLY OF THE : -xvitra CENTURY DUTCH & XVIITH & XIXTH CENTURY : ENGLISH SCHOOLS TOGETHER WITH SOME INTERESTING EARLY AMERICAN ITEMS & ENGLISH SPORTING | oS MARINE SUBJECTS - TO BE SOLD BY ORDER OF MR. SHELLEY B. NELTNOR, trustee ATTORNEY-AT-LAW, CHICAGO, ILL. TO BE SOLD BY AUCTION THURSDAY EVENING NOVEMBER EIGHTEENTH AT EIGHT-FIFTEEN THE ANDERSON GALLERIES [EMITCHELL KENNERLEY, PresipentT ] 489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK 1926 CONDITIONS OF SALE ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. The highest bidder to be the buyer. In all cases of disputed bids the decision of the Auctioneer shall be final. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased shall be resold immediately. Purchases to be removed at the buyer’s expense and risk within twenty-four ~ hours from the conclusion of the sale, and the remainder of the purchase money to be paid on or before delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible for any loss or damage whatever, but the lot or lots will be left at the sole risk of the purchaser, and subject to storage charges. All lots will be placed on public exhibition before the date of sale, for examina- tion by intending purchasers, and The Anderson Galleries, Incorporated, will not be responsible for the correctness of the description, authenticity, genuine- ness, or for any defect or fault in or concerning any lot, and make no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. If accounts are not paid and purchases removed within twenty-four hours of the — conclusion of the sale, or, in the case of absent buyers, when bills are rendered, any sum deposited as part payment shall be forfeited, and The Anderson Gal- leries, Incorporated, reserve the right to resell the lot or lots by either private or public sale, without further notice, and if any deficiency arises from such _ resale it shall be made good by the defaulter, together with all expenses in- curred. ‘This condition shall be without prejudice to the right of this Com- pany to enforce the sale contract and collect the amount due without such resale, at its own option. The Anderson Galleries, Incorporated, will afford every facility for the employ- ment of carriers and packers by the purchasers, but will not be responsible | for any damage arising from the acts of such carriers and packers. The Anderson Galleries make no charge for executing orders for their cus- tomers and use all bids competitively, buying at the lowest price permitted by other bids. A Priced Copy of this Catalogue may be obtained for One Dollar THE ANDERSON GALLERIKS, INC. 489 PARK AVENUE AT FIFTY-NINTH STREET, NEW YORK TELEPHONE REGENT 0250 CATALOGUES ON REQUEST | SALES CONDUCTED BY MR. F. A. CHAPMAN, MR. A. N. BADE AND MR. E. H. L. THOMPSON AUSTRIAN SCHOOL = ARKER, B. ECHEY, SIR W. IJN, A. C. (BEGA) IFAZIO, I. (INGTON, R. P. SINGTON, R. P. (ATT. TO) _ BRETTON, E. _ BUTTERWORTH, T. — J creamy cloud effect at the upper right. Canvas. Signed and dated 1781. at the lower left. Height, - 29 inches; width, 24 inches. | From the Collection of the late Mrs. Pickering. [SEE FRONTISPIECE | THOMAS LUNY ENGLISH, 1758-1859 ROBIN HOOD BAY A number of frigates are in the foreground of a choppy sea; cliffs at the right distance with many sails in the offing; blue sky with a bank of creamy cumulus clouds. _ Canvas. Height, 12 inches; width, 24 wmches. T. BUTTERWORTH ENGLISH, EARLY 19TH CENTURY (a) THE SURPRISE A pirate ship flying the “Jolly Roger” is near the shore as a man-of-war looms up in the offing; cliff and lighthouse at right distance, other craft and figures about; grey sky with a touch of silver near the horizon. | (b) THE ATTACK The pirate ship is fleeing before the man-of-war, which is riddling her sails with shot; cliffs in the distance; grey sky with a burst of light halfway up. Canvas. Height, 12 inches; width, 16 inches. (2) | SEE ILLUSTRATION | 20 i: oF att — ee v he a ay ee ee ee ee | a a a ee PHESSURPRISES THE ATEACK BY T. BUTTERWORTH { NUMBER 66 } oh / 60 68 69 ~ ANGELICA KAUFFMANN, RAC 77 ENGLISH, 1740-1807 LESBIA AND HER DEAD BIRD Her master Catulle is writing at her side as she mourns the loss of her pet lying lifeless on her knee; a maidservant is busying herself with the empty cage at the back. : Canvas. Circular, 1814 inches in diameter. Purchased from Messrs. Leggatt Brothers, London. Companion piece to the following. [SEE ILLUSTRATION | ANGELICA KAUFFMANN, R.A. ENGLISH, 1740-1807 THE MUSES, CALLIOPE AND ERATO Standing, garbed in colorful drapery while a poet is seated with pencil and a slab; landscape background. Canvas. Circular, 184% inches in diameter. Purchased from Messrs. Leggatt Brothers, London. Companion piece to the preceding. [SEE ILLUSTRATION | AMERICAN SCHOOL EARLY ISTH CENTURY PORTRAIT OF A GENTLEMAN Half-length, standing, head and shoulders slightly to the right, his left hand tucked in under his white satin waistcoat, wearing curly wig, white neckcloth and blue coat and ruffles at the wrists. Warm complementary background, with painted oval. Canvas. Height, 80 inches; width, 25 inches. Original carved frame. This portrait bears a strong similarity to the likenesses of Sir William Johnson, Bart., Indian Commissioner under Governor Clinton. | 22 LESBIA AND HER DEAD BIRD THE MUSES, CALLIOPE AND ERATO BY ANGELICA KAUFFMANN, R. A. {| NUMBERS 67 AND 68 | Oy) a : ~ ( 0 { NUMBER 7o } JOHN WOOLASTON | AMERICAN, ACTIVE, 1750-1769 PORTRAIT OF A LADY Half-length, standing facing the spectator, her left elbow resting on a table, dark wavy hair, low-cut satin bodice, pale pink sleeves with lace insertion, pearl necklace and ornaments ; complementary background. The hand and arm have been repainted. Canvas. Height, 70 inches; width, 25 inches. | SEE ILLUSTRATION | 24 PORTRAIT OF GOVERNOR HUNTER OF NEW YORK BY SIR GODFREY KNELLER { NUMBER 71 | SIR GODFREY KNELLER ENGLISH, 1646-1723 71 PORTRAIT OF GOVERNOR HUNTER OF NEW YORK Bust, head to the front, shoulders slightly to the right, in full chestnut curly wig, red fur-lined coat, white neckerchief and steel breast plate; complementary background. Canvas. Height, 29 inches; width, 24 inches. In carved wood Rf 0 a, frame. From Haddon Lodge, Stalbridge. Robert Hunter was Governor of Virgina in 1707, and of New York in 1710. | SEE ILLUSTRATION | WAD) ~~ _— ory re ~t bo J6 3 SIR GODFREY KNELLER ENGLISH, 1646-1723 PORTRAIT OF THE DUKE OF BUCKINGHAM Three-quarter length, standing, his right arm akimbo, the left resting on a table; attired in full court dress, red and blue gown with gilt cord and trimmings, wearing the insignia of the Garter ; his plumed headgear is seen on the table at the right. He wears a full curled chestnut wig and lace at the neck and sleeves. Red curtain on the left of dark background. Canvas. Height, 48 inches; width, 37 inches. In original carved frame. : From the Sir William Cresswell Grey Collection. | SEE ILLUSTRATION | MICHAEL DAHL ENGLISH, 1656-1742 PORTRAIT OF WILLIAM PENN, FOUNDER OF PENN- SYLVANIA Bust, head and shoulders slightly to the left, long wavy brown hair, in white neckerchief, light brown high-buttoned coat and waistcoat; dark background, feigned oval. Canvas. Height, 25 inches; width, 30 inches. In original frame. From the Collection of Robert English, Esq., Portman Square, London. 26 PORTRAIT OF THE DUKE OF BUCKINGHAM BY SIR GODFREY KNELLER {| NUMBER 72 |} Does }7 0 SIR PETER LELY ENGLISH, 1617-1680 74 PORTRAIT OF PRINCE RUPERT Three-quarter length, standing facing the s soetatee his right elbow resting on a table, holding a Marshal’s baton, his left arm akimbo. Wearing long brown curled wig, lace neckwear and at wrists, in complete suit of armor, helmet and red drapery on table at the left; complementary dark background. Canvas. Height, 50 inches; width, 38 inches. In antique carved — frame. | From the John Capel Hanbury Collection, London. [SEE ILLUSTRATION | SCHOOL OF SIR JOSHUA REYNOLDS ENGLISH, MIDDLE OF 18TH CENTURY 75 PORTRAIT OF A DIPLOMAT Half-length, standing to the front, of a young gentleman of agreeable presence, wearing a rich coat of crimson and black waistcoat with ornate silver trimming; complementary dark background. Canvas. Height, 30 inches; width, 25 inches. In old carved frame. 28 2 E | : . q q y se 5 Aap fe _ INET I TR I tr es i ac Nt = aN yamine PORTRAIT OF PRINCE RUPERT ER LELY BY SIR PET [| NUMBER 74 | PORTRAIT OF EDWARD ADOLPHUS: LITH DUKE OF SOMERSET BY SIR WILLIAM BEECHEY, R.A. {| NUMBER 76 }. SIR WILLIAM BEECHEY, R.A. ENGLISH, 1753-1889 76 PORTRAIT OF EDWARD ADOLPHUS, ITH DUKE OF SOMERSET Bust, shoulders to the left, head turned toward the spectator, See: in wig and Peer’s costume of ermine collar, red and deep plum- 37d colored cloak; dark background. Canvas. Height, 30 inches; width, 25 inches. In fine carved frame. [SEE ILLUSTRATION | 30 he a | NUMBER 77 } WILLIAM HOGARTH ENGLISH, 1697-1764 77 PORTRAIT OF JOHN GAY, AUTHOR OF “THE BEGGAR’S OPERA” Bust, shoulders to the front, head turned toward the left, attired in grey velvet beret and jacket, white scalloped shirt, open at the neck; red drapery and complementary brown background, feigned oval. l / by Canvas. Height, 29 inches; width, 28 inches. re 4) Gay the fabulist is best known by this comic opera, in which : another of Hogarth’s sitters, Lavinia Fenton, famous in her day ¥ as a singer and romp, triumphed as “Polly Peachum”. ‘The Beggar’s Opera” recently had a long run in London. From the Collection of Lady Heytesbury. [SEE ILLUSTRATION | 31 tae Oe [Goe jbo 80 CHARLES DE CHATELAIN FRENCH, 19TH CENTURY PORTRAIT OF SIR ALEXANDER DUFF Half-length, standing facing the spectator, in full General’s uni- form, red coat with gilt epaulettes and ornaments, holding his plumed helmet and sword, and wearing several decorations; dark background. | Canvas. Height, 39 inches; width, 291% inches. Head of the Fife family, painted in Rome in 1833. From the Princess Royal Collection, Christie’s, July, 1924. SIMON DU BOIS FLEMISH, 1682-1708 PORTRAIT OF THE DUCHESS OF PORTSMOUTH Bust, facing the spectator, dark brown hair dropping in a curl over her left shoulder, low-cut red bodice with lace-edged under- garment, black cloak with jewelled clasps and pearl ornaments ; complementary background with painted oval. Canvas. Signed and dated 1683 at the lower right. Height, 30 inches; width, 25 inches. In antique carved frame. Du Bois married W. van der Velde’s daughter and lived in London, where he painted the Lord Chancellor Somers, Bishop Tenison and others. ATTRIBUTED TO GOVAERT FLINK DUTCH, 1616-1660 PORTRAIT OF A MAN WITH A PLUMED HAT Half-length, standing, turned slightly toward the right, black doublet, armor neckpiece, and gold chain, holding an ornate sword with his left hand. This portrait bears a striking resemblance to Rembrandt and is possibly meant to represent the great master. Canvas. Height, 36 inches; width, 27 inches. From the Collection of Mrs. Frances Grant. 32 any ule ATTRIBUTED TO JAN VAN MIEREVELT - DUTCH, 1567-1751 PRINCE MAURICE OF ORANGE | _ Bust, head and shoulders slightly toward the right, in lace ruff and red scarf over decorated armor; dark background. Canvas. Height, 22 inches; width, 19 inches. | _____ JOHN ZOFFANY, R.A. : ENGLISH, 1738-1810 o2 PORTRAIT OF A FREEMASON Half-length, standing facing the spectator, his left elbow resting on a book placed on a table at the right; hand clasping a oie Masonic emblem attached to a ribbon about the neck. Attired in wine-colored coat, blue waistcoat and white neckerchief; com- | a plementary background. | i Canvas. Height, 32 inches; width, 26 inches. Bay ts | 1 q if _ AUSTRIAN SCHOOL EARLY 18TH CENTURY i@ 83 PORTRAIT OF A PRINCE | a Half-length, standing, shoulders to the left, head turned toward 14 ee the spectator, his left hand placed on the plumed helmet at the | = left, wearing a bobbed white wig, gilt ornamented armor and red ermine-lined cloak with a blue band across the chest ; blue curtain at the left of dark background. , Canvas. Height, 30 inches; width, 25 inches. In original carved gilt frame. Said to be Prince Charles Stuart of England, known as the “Young Pretender”. pilesbsibe neacieeeiaiiida Poa a . PS ew he ee i = = ad 33 - a wa) 84 Yo 85 jor 86 S SCHOOL OF VAN DYCK FLEMISH, 17TH CENTURY PORTRAIT OF CHARLES I | ? Bust to the front, in full armor, wearing the order of St. George and a scalloped white collar; dark background. Canvas. Height, 80 inches; width, 25 inches. In fine old frame. SCHOOL OF SIR PETER LELY ENGLISH, 1617-1680 PORTRAIT OF CROMWELL The Lord Protector is seen clad in armor, shoulders to the front, head slightly to the right, bust, wearing a simple white collar; complementary background with feigned oval. Canvas. Height, 30 inches; width, 24 inches. WILLIAM GANDY ENGLISH, 1660-1729 PORTRAIT OF THE EARL OF MAR Bust, head and shoulders slightly to the right, eyes directed toward the spectator, in full curly wig, lace neckerchief, in steel armor; light grey background, painted oval. Canvas. Height, 30 inches; width, 25 inches. From the Collection of Lady Heytesbury. | 34 ~ eg ae fas ; A Re ee ¥ ‘ i iv a : Ha ead oer (ee ee Ee we i oe en ie iy be i eee: RGM, a) \ ? sy Piet a Oty: “¢t ee ene vf FOX-HUNTING BY J. F. HERRING, SR. ca ow | NUMBER 87 | Sen peta nce Spar ve b J. F. HERRING, SR. ENGLISH, 1796-1865 87 FOX-HUNTING landscape with a blue and creamy sky. 18 inches. | SEE ILLUSTRATION | 35 Beside a felled tree a pack of hounds are closing in on their prey, while sportsmen are appearing from all directions. Charming [00 Canvas. Signed at the lower right. Height, 12 inches; width, 88 4s 89 aa Sh BY 90 3s JOHN LEECH ENGLISH, 1817-1864 HUMORS OF THE HUNTING FIELD A number of gentlemen more or less adept sportsmen are shown m action over an uneven field, while the fallen horse of one of their number in the foreground refuses to rise. Blue sky with slight cloud effects. Panel. Signed with monogram at the lower left. Height, 10 inches; width, 16 inches. JAMES POLLARD ENGLISH, EARLY 19TH CENTURY ON THE BRIGHTON ROAD The up and the down Royal Mail coaches between London and Brighton meet half way, both heavily laden and drawn by fine black, brown and white horses; blue and cloudy sky. Canvas. Height, 17 inches; width, 27 inches. J. WHEELER ENGLISH, 19TH CENTURY BREAKING COVER The sportsman in red coat mounted on a fine brown horse is giving a signal to which three hounds in sight respond; partly wooded country, with grey and creamy sky and touches of blue. Canvas. Signed with monogram at the lower left. Height, 9 inches; width, 12 inches. Companion piece to the following. 36 - , ( g a f a : ; J. WHEELER ENGLISH, 19TH CENTURY 91 THE FOX IN SIGHT The jaded animal turns and snarls at his pursuers, two fine ea ee ET es ‘ hounds which are closing in upon him, while a sportsman in red PN EH eee Se as —————— . Chaat - . ‘ee - = Y a ———- Poe 2 tg Pa f { coat and on a chestnut horse is taking a row of bushes in a jump. Partly wooded country; grey and creamy clouds in a blue sky. a Canvas. Signed with monogram at the lower left. Height, > _ 9 inches; width, 12 inches. a ~ Companion piece to the preceding. A a em é =| j | ' ROBERT SMITH ENGLISH, EARLY 19TH CENTURY 92 TAKING THE FENCE Across brown fields broken by fences several huntsmen in crimson coats are seen on fine steeds. Pale emerald and cloudy sky. Academy board. Signed with initials at the lower right. Height, ? 0 1014 inches; width, 14 inches. JAMES POLLARD ENGLISH, EARLY 19TH CENTURY 93 THE CHESTER ROYAL MAIL Three brown horses and a white horse are drawing the big coach at a gallop, the two passengers on top having their greatcoats Aon buttoned under their chins, as it is a bleak day and they are passing bare countryside. Late afternoon sky, slaty-grey and buff clouds, with a burst of warm light at the horizon. i Canvas. Height, 18 inches; width, 27 inches. 37 ak Pie Sey aeneryicnes spe 3 ns fs " ae saecintenl wey 94 95 Smee bJ 96 fo we C. C. GRISWOLD ENGLISH, 19TH CENTURY THE CAMBRIDGESHIRE STAKES The entire field passes the spectator in serried ranks, the colors of the jockeys making a fine display, and the horses being well characterized. Hilly distance, creamy and grey sky. Canvas. Signed with monogram and dated 1886 at the lower - right. Height, 22 inches; width, 39 imches. R. D. WIDDAS ENGLISH, 19TH CENTURY CROSS COUNTRY RIDE A lady and a gentleman on fine horses are taking a brushwood fence and a small stream at one leap in the foreground, while several mounted grooms are seen farther back; late autumn land- scape effect. Blue sky with grey and creamy cloud masses. Canvas. Signed and dated 1875 at the lower left. Height, 30 inches; width, 45 inches. A. FRAZER SCOTCH, 19TH CENTURY HIGHLAND CATTLE Scene on a rugged hillside with a herder and his little girl in the foreground, while a number of characteristic steers are lying about ; misty distance with a buff and grey sky. Canvas. Signed with monogram and dated 1865 at the lower right. Height, 22 inches; width, 36 inches. DUTCH SCHOOL LATE 17TH CENTURY STILL LIFE Arrangement of fruit, flowers and bread in a bowl and vase, and spread about a table with a long-stemmed and a wide glass of wine against an interior background. Canvas. Height, 29 inches; width, 24 inches. 38 THE DOVER ROYAL MAIL BY JAMES POLLARD | NUMBER 08 | JAMES POLLARD ENGLISH, EARLY 19TH CENTURY THE DOVER ROYAL MAIL The coach drawn by three brown horses and one white is speed- ing down the broad Post road; flat fore and middle ground, with blue hills at the horizon. A mile post on the right is inscribed “27 miles to London”; emerald-green sky with pink and grey cloud effect. Canvas. Height, 21 inches; width, 32 inches. [SEE ILLUSTRATION | 39 BED [oo ~ 100 Bim 101 Ak FJ 4 WILLIAM SHAYER ENGLISH, 1788-1879 THE WOODCUTTERS Interior of a forest where a fine tree has been cut down and sawed into pieces, as a man stands talking to a woman who is seated on a log, while a woodman is at work on a part of the trunk farther back; the wood wain is seen down the road at the right. Blue sky with slight cloud effects. Canvas. Signed at the lower left. Height, 28 inches; width, 36 inches. NORWICH SCHOOL - ENGLISH, 19TH CENTURY A SUFFOLK VILLAGE VIEW —— A road, where a woman and a child are seen, passes between a wooded mass on the right and a group of typical old houses with dependencies at the left. Blue sky with creamy cloud masses. Canvas. Height, 25 inches; width, 30 mches. — ATTRIBUTED TO JOHN BERNAY CROME ENGLISH, 1794-1842 MOONLIGHT ON THE YARE £ An old mill is at the right, while the silvery moon just above a bank of clouds near the horizon.is reflected in the river at the left, where a number of craft are plying; mills and a castle in the distance. Canvas. Height, 36 inches; width, 28 inches. In fine old frame. Bought from Messrs. Leggatt Brothers, London. 40 i panes a ' Bg ©. 102 _ On a spacious veranda. overlooking an arm of the sea with various BONIFAZIO I (DI PITATI) / VENETIAN, ACTIVE 1510-1540 AN ASSEMBLAGE OF PATRICIAN VENETIANS craft plying up and down, and a town and hill in the distance. Charming costumes of the period. Canvas. Height, 37 inches; width, 73 inches. Bonifazio I, so-called to distinguish him from his immediate _ followers, Bonifazio II and III, who are of slight importance. R. ETHERIDGE ENGLISH, 19TH CENTURY HENRY V CROWNED AT AGINCOURT On a mound a group of armor-clad officers surround the English Monarch as one of their number mounted on a white steed is placing the French Crown on his bare head. Colorful banners are held aloft and a solid phalanx of soldiers is seen at the left and right distance; blue sky with creamy cloud effect. Canvas. Height, 25 inches; width, 36 inches. H. BAREND KOEKKOEK DUTCH, 19TH CENTURY LANDSCAPE WITH FIGURES Wood of fine trees on the right where two cows and a man and woman are seen near a rushing stream, road at the left with a hay wain coming toward the spectator; thicket and tall tree in foreground with a cottage in the distance, slight hills at the horizon. Blue sky with buff and grey cloud effect. Canvas. Signed and dated 1869 at the lower left. Height, 2614 inches; width, 40 inches. } ; 41 105 Tale 106 107 JAMES K. MEADOWS — ENGLISH, 1790-1874 RETURNING FROM THE DOGGER BANKS— and land at the right; blue x with creamy cloud effect. . ss Canvas. Signed at the lower left. ie _ in width, 42 inches. | a H. PEART ENGLISH, 17TH CENTURY PORTRAIT OF EDWARD, SECOND MARQUIS OF © ey WORCESTER eet Three-quarter length, standing, head and shoulders to the fron : wearing full brown wig, complete armor and red drapery, holding . the baton of a Field-Marshal. Cliff background, with a fortress and mountainous country showing at the left. E zi: Canvas. Height, 4914 inches; width, 40 inches. Carved Bes | frame. = Sa UNKNOWN ARTIST .. 19TH CENTURY MOTHER AND CHILD a A mother is shown at half-length, attired in a white blouse as” she clasps her nude blond child seated on her knee; high- ‘keyed | background. Canvas. Height, 291% inches; width, 26 inches. 4a): Rh At ma » ate 5 ih SCHOOL OF PANNINI ITALIAN, 1695-1768 CLASSICAL LANDSCAPE The interior of a fine old palace with columns and statues about, partly overgrown with vegetation, enlivened by figures; a church a is seen in the distance; blue sky with cloud effects. Canvas. Height, 3514 inches; width, 44 inches. 42 fiat Cat / 0 t60= a) ary ©) KAO poms Sn’ ae literary catalogues. for the season if you wv _ 489 PARK AVENUE AT FIFTY-NINTH ST., NEW YORK TERMS OF SUBSCRIPT ION FOR THE BOOK & ART CATALOGU THE ANDERSON GALLEE . FOR THE SEASON | @ We shall be glad to send you our art = remit six dollars. If you do not care to scribe to all of them, we can forward eithe or literary catalogues for three dollars. @_ The high cost of producing and distribu our catalogues compels us to make this no charge, but to those of our subscribers who 5 purchases amount to two hundred dollars or more during the season, the subscription pr ic will be refunded or catalogues for the foloae a season sent free of charge. @_ To subscribers to art or literary catalogues — whose purchases amount to one hundred dollars — : Sia ee z “4 oa = +t a = ag aS a > or more, the same conditions apply. et ere sr) eee << Me mane — q@[ Subscriptions are payable in October of cach we year for the ensuing season. : | THE ANDERSON GALLERIES | {MITCHELL KENNERLEY, Present] Tee a ee ee “ ae RESEARCH INSTITUT ‘Til IL I 3 3125 0169 aN i, aR te Ware SADA eran , here ore wn Ae TRAAPeRY ar RAL Oh i“ At Uk cle te Qs 9) 2 HN A HS OF rs tg BRS ON NE Sen ML Uh Peis Ect TRAE Ty eee lea tacit Muic: a haa SMe itn a crs eras ts ee Ses ao) hal hy Ete GN ‘ Oy vas Py: Roh Ne Sj Pe Sed Hy ale Sti) atau Say Ns Pian ON 3 - ne DAioters Wan, ek ee Dit t Haine y Hie PUP SH) a NC winai 4 Tey wulae Pe Sve aa MY eM} as) Fuh i ey Ths at SRT iM WN cy \ Dra Ry