~ ORIGINAL PAINTINGS © - BY OLD MASTERS a FROM THE COLLECTION OF NEW YORK Bis AVENUE. AND FIFTY-NINTH STREET. NEW YORK ees! a % SALE NUMBER 1874 ON FREE PUBLIC EXHIBITION FROM TUESDAY, NOVEMBER FOURTH ORIGINAL PAINTINGS BY OLD MASTERS FROM THE COLLECTION OF mae EARICH GALLERIES NEW YORK TO BE SOLD BY AUCTION WEDNESDAY EVENING, NOVEMBER TWELFTH AT EIGHT-FIFTEEN O CLOCK THE ANDERSON GALLERIES | MITCHELL KENNERLEY, Present] PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK 1924 CONDITIONS OF SALE ALL BIDS TO BE PER LOT AS NUMBERED IN THE CATALOGUE. The highest bidder to be the buyer. In all cases of disputed bids the decision of the Auctioneer shall be final. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased shall be resold immediately. Purchases to be removed at the buyer’s expense and risk within twenty-four hours from the conclusion of the sale, and the remainder of the purchase money to be paid on or before delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible for any loss or damage whatever, but the lot or lots will be left at the sole risk of the purchaser, and subject to storage charges. All lots will be placed on public exhibition before the date of sale, for examination by intending purchasers, and The Anderson Gal- leries, Incorporated, will not be responsible for the correctness of the description, authenticity, genuineness, or for any defect or fault in or concerning any lot, and make no warranty whatever, but will sell each lot exactly as it 1s); WITHOUT RECOURSE. If accounts are not paid and purchases removed within twenty-four hours of the conclusion of the sale, or, in the case of absent buyers, when bills are rendered, any sum deposited as part payment shall be forfeited, and The Anderson Galleries, Incorporated, reserve the right to resell the lot or lots by either private or public sale, without further notice, and if any deficiency arises from such resale it shall be made good by the defaulter, together with all expenses incurred. This condition shall be without prejudice to the right of this Com- pany to enforce the sale contract and collect the amount due without such resale, at its own option. The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. The Anderson Galleries make no charge for executing orders for their customers and use all bids competitively, buying at the lowest price permitted by other bids. A Priced Copy of this Catalogue may be obtained for One Dollar THE ANDERSON GALLERIES, INC. PARK AVENUE AND FIFTY-NINTH STREET, NEW YORK TELEPHONE PLAZA 9356 CATALOGUES. ON REQUEST SALES CONDUCTED BY MR. F. A. CHAPMAN AND MR. A. N. BADE eorex Rhls iS PAINTING NUMBER ALKEN, H. 20 BARRAUD, W. 19 BEECHEY, SIR W. Tha Sea RELA, W: 71 BREKELENKAM, Q. G. 47 BRONZINO, A. 60 CAMPI, G. 59 CHALON, H. B. 18 CHARDIN, J. B: S. 56 SO rrS. i. POwe20 toe 5 3,100 CRANACH, L. (THE YOUNGER) 62 Ciyih J2°G. 67 DA CANALE, G. A. (CANALETTO) 28 DADDI, B. 35 DANCE, N. 14 WAS DAN TA CROCE, G. 27 DE BAR, B. 36 DE CRAYER, G. 74 DE HOOGH, P. 33 DE VOS, C. 72 ieee ERO: 40, 41 DOSsoL.D: 39 CK. I: 26 DU JARDIN, K. 4 ENGLISH SCHOOL 65 FRAGONARD, J. H. 50 GARDNER, D. 16 HARLOW, G. H. 45 HOARE, W. 22 HOPBPNER, J. 24 EIT DSON, T- [24d Pre BRUN, ELV. 52 PE ye eslR Pp: 8, 42 WOO el. a2 MAES, N. 21 MARIESCHI, M. 5.05230 MAZZOLA, F. (PARMIGIANINO) 37 MORO, A. 61 WAG DLER | sev. 57 NETCHER® G. I NORVHCOTE. T. 46 PALMEZZANO, M. 49 PENNY, E. 3 PAINTING NUMBER PULZONE, S$. 48 RENIERI, N. 70 REYNOLDS, SIR J. ei ROMNEY, G. 55, 64 RUSSELL wl: 73 SMITH) J. RR: 63 SUSTERMAN, J. 2 TURNER, J. M. W. 58 VAN DER LAECK, R. 54 VAN DE VELDE, E. 43 VAN HONTHORST, G. 15 VAN HUYSUM, J. 25 VAN NOORDT, J. on VESTIER, A. 34 WARD, J. 9 VAC SS anv Lives ZUCCARELILI, F. 68 INOsieE THE PAINTINGS INCLUDED IN THIS SALE, SELECTED FROM OUR LARGE COLLECTION, ARE SOLD UNDER THE SAME CONDITIONS AS THE PAINTINGS SOLD PRIVATELY IN OUR GALLERIES. OUR POLICY FOR THE LAST QUARTER OF A CENTURY HAS BEEN, THAT ALL PICTURES SOLD ARE EXCHANGEABLE IN OUR GALLERIES AT ANY TIME, AT THE FULL PURCHASE PRICE. 3 MOST OF THESE INCLUDED IN THE SALE HAVE BEEN ENDORSED BY THE GREATEST LIVING EXPERTS, AND HAVE BEEN EXHIBITED AT VARIOUS TIMES@Giniae IN OUR GALLERIES, OR AS LOANS” TO) VaRiGw: PUBLIC INSTITUTIONS. THE EHRICH GALLERIES 7O7 FIFTH AVENUESVAT 55 ties Ea NEW YORK SALE WEDNESDAY EVENING, NOVEMBER TWELFTH I AT EIGHT-FIFTEEN O'CLOCK NUMBERS 1-74 GASEAR UNE ECHER DUTCH, 1639-1684 PORTRAIT OF A YOUNG PRINCESS Walking in a park with a pet dog at her side, carrying a bird’s nest; in red costume with a colored plumed hat, figures at the right distance, warm grey and creamy sky. Canvas. Height, 24 inches, width, 20 inches. JUSTUS SUSTERMAN FLEMISH, 1597-1681 PORTRAIT OF A LADY Bust, shoulders to the front, head slightly to the left, wide lace collar, with a pink rosette, dark robe, slashed sleeves, gold chain, neutral background. Canvas. Height, 2034 inches; width, 17 inches. EDWARD PENNY, R.A. ENGLISH, 1714-1791 DAVID (GARRICK: cAIy Se EniS mG GINGER ieee eel Pew Ps TEA» Full figure, seated on a bank, holding an open book, attired in blue-grey coat, black knee breeches and stockings and silver buckled shoes; park background with fine tree groups, a temple and a lake. Canvas. Signed and dated 1756. Height, 36 inches, width, 28 inches. KAREL DU JARDIN DUTCH, 1625-1678 4 LANDSCAPE WITH CAITLE ‘Three oxen, two standing and one lying in the foreground on a mound as the woman herder bathes her feet in a brook at the right; church spire in the right distance; luminous emerald- green and creamy sky. Panel. Height, 20 inches; width, 17 inches. MICHELE MARIESCHI VENETIAN, (?’)-1743 5 VENETIAN SCENE The grand canal, with palaces at the right and left; the fine domes of the Maria della Salute rising in the distance, figures and gondolas about; blue sky with slight cloud effect. Canvas. Height, 11% inches; width, 17 inches. MICHELE MARIESCHI VENETIAN, (?)-1743 6 ST. MARK’S SQUARE A multitude, cavaliers and the populace in becoming raiment, massed near the cathedral, with the Doge’s palace at the right; blue sky with slight cloud effect. Canvas. Height, 11% inches, width, 17 inches. SIR WILLIAM BEECHEY, R.A. ENGLISH, 1753-1839 7, PORTRAIT OF THE DUKE OF CUMBERLAND, SON OF GEORGE III Half length, head and shoulders to the left, in bright vermilion uniform with gilt accoutrements and wearing a decoration on his breast; sky effect background. Canvas. Height, 30 inches, width, 25 inches. From the Collection of Captain Hunt, London. Formerly in the Collection of the Duke of Cambridge. SUR bP iebH Ree bla ENGLISH, 1618-1680 See ORERATT OF A LADY Half length, head and shoulders to the left, eyes directed toward the spectator, her dark brown hair dropping in ringlets to the shoulders, with pearl ornaments and necklace, attired in low-cut, cream-colored satin bodice with a pale blue drapery over her left arm; landscape background. Canvas. Height, 30 inches; width, 25 inches. JAMES WARD, R.A. ENGLISH, 1769-1859 9 WADING HORSES A stream with a man mounted on a spotted horse and leading a mare accompanied by her foal toward the water, while one animal is seen in the water at the left; a dog on the bank, with fine pollard willow and glimpse of a thatched cottage beyond; blue sky with grey and silvery cloud effects. Canvas. Signed at the lower left. Height, 18 inches, width, 15 inches. FRANCIS CORHSSK A: ENGLISH, 1726-1770 10 PORT RAV O haere I] T Half length, shoulders to the front, head slightly to the left, attired in low-cut white satin bodice, pearl ornaments, with a deep blue, ermine-lined mantle dropping from her left shoulder and clasped with her left hand; dark background, feigned oval. Canvas. Height, 29 inches; width, 24 inches. [ SEE ILLUSTRATION | FREDERICK WATERS WATTS ENGLISH, 1800-1870 LANDSCAPE A pond in the foreground enlivened by ducks, with a couple of donkeys at the farther bank; a road with two figures at the right, wooded distance with glimpse of a cottage; blue sky with creamy and grey cloud effects. Canvas. Height, 20 inches, width, 28 inches. THOMAS HUDSON ENGLISH, 1701-1779 PORT RATT OF sate Half length, head and shoulders slightly to the left, in lace cap with deep blue ribbon tied under the chin, attired in pale tea- colored gown with fichu; grey complementary background. Canvas. Height, 30 inches, width, 25 inches. PORTRAIT OF A LADY BY FRANCIS COTES, R.A. [NUMBER Io] 4 15 16 NATHANIEL DANCE, R.A. ENGLISH, 1734-1811 PORTRAIT OF HENRY Glo DL MARSTON a COOMBE HOUSE, WARBINGHAM, SURREY Half length, head and shoulders slightly to the left, eyes directed toward the spectator, wearing brown wig arranged in a roll over ears, attired in* scarlet coat with silveneanem ae trimmings; warm neutral background, feigned oval. Canvas. Height, 30 inches, width, 25 inches. GERARD VAN HONTHORST DUTCH, 1590-1656 POR ERAT © Bb Chi ARE ae! Bust, shoulders slightly to the left, head toward the spectator, long wavy brown hair, moustache and goatee, wearing wide, soft lace collar, floriated red costume with slashed sleeves; dark neutral background. Canvas. Height, 26 inches; width, 23 inches. DANIEL GARDNER ENGLISH, 1750-1805 PORTRAIT OF LORD SAYE AND SELE AS A BOY Half length of a blond boy in red jacket and lace collar, his hand on the pet dog that greets him; landscape background. Canvas. Oval. Height, 24 inches; width, 20 inches. From the Collection of direct descendants. FREDERICK WATERS WATTS ENGLISH, 1800-1870 17) NEAR ARUNDEL, SUSSEX Smiling countryside with a broad meadow animated by figures and cattle in the foreground, a stream at the left, bridge at middle distance with a punt near by, picturesque group of cottages at foot of grove which rises over an effective sky of creamy and purplish clouds with masses of blue. Canvas. Height, 25 inches, width, 34 inches. HENRY BERNARD CHALON ENGLISH, 1770-1849 roe ie CHASE A party of sportsmen, some in red jackets, are galloping across undulating countryside following the signal from the runners- up at the left middle distance, where the hounds are hot on a trail; a cottage near the middle foreground, a mill casts its arms over the sky at the left distance, and a village nestles at the foot of the bare hills near the horizon. Pink and grey cloud effects with touches of blue. Canvas. Height, 24 inches, width, 33 inches. From the Collection of H. Bare. THE HUNT BY WILLIAM BARRAUD [NUMBER 19 | WILLIAM BARRAUD> ENGLISH, 1810-1850 LOee itt Eh Nels In the foreground are three sportsmen mounted on fine steeds, with a pack of eager hounds, gentlemen and horses at the left distance; a lodge in the middle ground, with fine tree groups. Canvas. Height, 22 inches, width, 26 inches. [ SEE ILLUSTRATION | 20 Pa | a HENRY ALKEN ENGLISH, 1784-1851 SET OF FOUR SPORTING SCENES Representing a fox hunt: “The Find”, “Gone Away”, “Full Cry”, and “The Death”; showing the sportsmen on spirited horses, accompanied by the hounds, dashing across field and meadow. Panel. All signed at the lower left. Height of each, 7 inches; width, 10 inches. NICOLAS MAES DUTCH, 1632-1693 PORTRAIT OF A LADY ‘Three-quarter length, standing, facing the spectator; distin- guished mien, curly silvery hair, pearl necklace, eardrops and brooch; attired in low-cut white satin gown with old-gold trimming, holding a blue drapery with her right hand and skirt with her left; column with urn and foliage in background. Canvas. Signed and dated 1672 at the lower left. Height, 52 inches; width, 40 inches. WILLIAM HOARE, R.A. ENGLISH, 1706-1792 PORTRAIT OF A GENTLEMAN Three-quarter length, seated, his left arm akimbo, his right resting on a table whereon documents are seen, head and shoulders slightly to the left, eyes directed toward the spectator, attired in steel-grey costume with heavy gilt trimmings, wearing a full wig; high-backed blue chair, simple background. Canvas. Height, 53 inches; width, 42 inches. 23 JAN VAN NOORDT DUTCH, ABOUT 1620-1660 TEE POLY Sr ay iang In a park on rising ground, Mary the Mother is seated, the nude Infant on her knee, as two children offer fruit at the right and the young St. John is in attendance at the left. In a land- scape setting with fine tree groups and a pale blue-green sky. Canvas. Signed and dated 1645. Height, 49 inches; width, 42 inches. JOHN HOPPN RRS ENGLISH, 1758-1810 24 PORTRAIT OF MISSsRODEN Half length, head and shoulders slightly to the right, eyes directed toward the spectator, powdered hair descending in curls, pearl necklace, white lawn gown with turquoise band at waist and in hair; complementary background. Canvas. Oval. Height, 30 inches; width, 25 inches. JAN VAN HUYSUM DUTCH, 1682-1749 o¢ FLOWERS a A galaxy of beautiful flowers arranged in a bronze urn in nice relief from a chocolate-tinted background. Canvas. Height, 62 inches, width, 45 inches. 26 27 JACOB DUCK DUTCH, 1600(?)-1660 THE MOUNTEBANK A group of peasants and a fishwoman are making merry at an individual in the centre, while a cavalier and a lady as well as a scissors grinder and others have also paused at the right; tavern at the back, quaint Dutch street at the right distance; blue and cloudy sky. Panel. Signed at the lower right. Height, 18 inches; width, 27 inches. From the Boucher-Cleeve and Thomas Cooke Collections. GIROLAMO DA SANTA CROCE VENETIAN, 1480-1556 ST. NICHOLAS DU BARRY Nearly full-length standing figure, facing slightly to the left, of the Christmas Patron, in beautifully ornamented vestment, holding a magnificent crosier with his left hand and the gospel with the right; landscape background. Panel. Height, 45% inches, width, 21% inches. GIOVANNI ANTONIO DA CANALE (CANALETTO) 28 VENETIAN, 1697-1768 ST. MARK’S SQUARE View taken from in front of the Basilica, showing the base of the old Campanile at the left, numerous booths wherein goods are displayed, with prelates, orientals and the usual populace about; blue sky with cloud effects. Canvas. Height, 29 inches, width, 45 inches. 29 30 31 FRANCIS COTES, R.A. ENGLISH, 1726-1770 PORTRAIT OF A LADY Bust, with head and shoulders to the left, wearing white gold embroidered fichu draped over the head, white lawn neckcloth and blue gown with gilt trimmings; complementary back- ground with feigned oval. Canvas. Height, 30 inches; width, 25 inches. M. MARIESCHI VENETIAN, 1690-1743 VENETIAN SCENE | View from the Piazetta showing the embankment, the column of St. Theodore and palaces with numerous figures and gon- dolas in the foreground, with the custom house and the church of Maria della Salute at the left distance. Blue sky with cloud effects. Canvas. Height, 28 inches; width, 44 inches. SIR JOSHUA REYNOLDS ENGLISH, 1723-1792 PORTRATT OF ARCHIBALD BOW EK Half length, shoulders to the front, head slightly to the left, in grey curly wig, white neckerchief, drab velvet jacket, hold- ing a large red bound volume with his right hand, lace at the wrists. Dark background. Canvas. Height, 30 inches; width, 25 inches. Bower sat to Reynolds in February, 1757, and in June, 1758; this picture was paid for before 1760 by Lord Carysfort. Mentioned in the following: Leslie & Taylor, “Reynolds”, 1365. Volo 1) paceman Graves & Cronin, “Works of Reynolds”, 1889. Vol. I, page 106. Walter Armstrong, “Sir Joshua Reynolds”, 1900. Page 195. O’ Eyeing) s “Engraved British Portraits in British Mu- Seums')) Voludipagcezzo: Bapeed by Bane and Josey. Exhibited at the National Portrait Exhibition, 1867, No. 382. [ SEE ILLUSTRATION | ARCHIBALD BOWER BY SIR JOSHUA REYNOLDS, P.R.A. [ NUMBER 31 ] | 32 LORENZO LOTTO VENETIAN, 1480-1556 PORTRAIT OF A COUNCILOR Half length, at full front, bearded, wearing a cap, in brownish- black garment edged with white fur, holding a glove in his right hand, while the gloved left hand is placed across the chest; light grey background. Canvas. Height, 29 inches, width, 27 inches, About 1854 in the Collection of the Duke of Devonshire and seen by Waagen (Art Treasures, Vol. III), who first made this attribution, Collection of Count Goloubew, Paris. Mentioned in Graves’ Summary of Waagen, page 112. Exhibited in the Loan Exhibition of Italian Primitives at the Kleinberger Galleries in November, 1917, [SEE ILLUSTRATION | PORTRAIT OF A COUNCILOR BY LORENZO LOTTO [ NUMBER 32] PIETER DE HOOGH DUTCH, 1630-1677 323. INTERIOR WITH A LADY ATA SPINED Seated, looking over the right shoulder as she plays, in cream- colored gown with pink drapery; red-backed chair, a pet mon- key in the foreground, light from a large double window at the lett: Canvas. Height, 14 inches, width, 11 inches. Opinion of Dr. Hofstede de Groot: “believes this picture to be a genuine work of Pieter de Hoogh and will catalogue it in his Supplement to his book on the works of this master.” A certificate accompanies this painting. [ SEE ILLUSTRATION | A LADY AT A SPINET BY PIETER DE HOOGH [ NUMBER 33) ANTOINE VESTIER FRENCH, 1740-1824 24 \POR-PRATT OR THR ARTI Sis DAWG EEE. Half length, head and shoulders to the front, of a pretty young woman with luxuriant brown hair down to her shoulders, at- tired in lemon-colored gown with a green drapery thrown over her left shoulder, holding a palette and brush; dark back- ground. Canvas. Height, 22 inches, width, 18 inches. From the Magnan Collection of Nancy. [SEE ILLUSTRATION | PORTRAIT OF THE ARTIST’S DAUGHTER BY ANTOINE VESTIER [ NUMBER 34 | 35 36 oy BERNARDO DADDI FLORENTINE, ACTIVE 1310-1350 MADONNA, CHILD AND SAINTS The Virgin enthroned holds the Infant Saviour, while the Saints are arranged at the sides, St. James with a scroll and St. Paul with a sword at the left, St. Peter with a key and St. John holding a book and a staff at the right. Gold back- ground with tooled halos. Panel. Height, 12 inches; width, 8 inches. In plush-lined frame. height, 22 inches; width, 18 inches. “T regard this charming panel especially associated with the artist's large polyptych in the Accademia at Florence’—— Tancred Borenius. A certificate accompanies this panel. [SEE ILLUSTRATION | BONAVENTURE DE BAR FRENCH, 1700-1729 FETE CHANMEPE TRE Various groups of ladies and cavaliers about on the green sward in the foreground, a fountain at the left with fine masses of trees, a lake in the distance with a glimpse of a town; blue sky with creamy cloud effect. Canvas. Height, 34. inches; width, 44 inches. FRANCESCO MAZZOLA (PARMIGIANINO) ITALIAN, 1503-1540 PORTRAIT OF A MAN Half length, shoulders to the left, head turned toward the spectator, in black hat and light grey costume, his right hand placed across the chest; dark background. Panel. Height, 25 inches, width, 20 inches. » CHILD AND SAINTS BY BERNARDO DADDI MADONNA [ NUMBER 35 | 38 FRANCIS COTES, R.A, ENGLISH, 1726-1770 PORTRAIT OF MASTER WILLIAM MARSHALL Half length, standing at three-quarters to the left, in green costume with lace collar and cuffs, leaning against a rustic fence, holding a stick in his left hand; tree group at the left background, grey, purple and ivory-tinted sky. Canvas, Hetght, 31 inches; width, 26 inches. [ SEE ILLUSTRATION | DOSSO DOSSI ITALIAN, 1479-1541 39 PORTRAIT OF A WARRIOR Half length, of a rugged personage, clad in armor at full front, facing the spectator as he holds a spear; complementary back- ground. Canvas. Height, 31 inches, width, 25 inches. Reproduced in Rassegna d’Arte, June, 1915, pacemienesame described by F. Mason Perkins. From the Collection of Marchesa Malaspina di Riggio Emilia. PORTRAIT OF MASTER WILLIAM MARSHALL BY FRANCIS COTES, R.A. [ NUMBER 38 ] 40 AI 42 SANO DI PIETRO SIENESE, 1406-1481 SAINT BENEDICT Standing figure in black vestments, holding a palm leaf and a red book with inset of the Madonna at the top; gold back- ground with tooled halo. Panel. Height, 47 inches, width, 16 inches. “Characteristically and unmistakably by Sano di Pietro.”— ‘Tancred Borenius. A certificate accompanies this painting. [ SEE ILLUSTRATION | SANO DI PIETRO SIENESE, 1406-1481 SAINT AUGUSTINE Standing, attired in red and white vestments trimmed with gold, wearing the mitre, holding the pastoral staff and book of the gospel; gold background with tooled halo. Panel. Height, 47 inches; width, 16 inches. “Characteristically and unmistakably by Sano di Pietro.’— Tancred Borenius. [SEE ILLUSTRATION | SIR PETER GEEY ENGLISH, 1618-1680 PORTRAIT OF SIR WILLIAM LEMAN Bust, shoulders toward the left, head turned to the spectator, in long curly blond wig descending to the shoulders, pale blue- green lace collar and old-gold drapery; feigned oval with painted laurel leaves. Canvas. Height, 30 inches, width, 25 inches. Member of Parliament for Hertford. He married Mary, daughter of Sir Lewis Mansell, Bart. Died in 1701. ‘SAINT AUGUSTINE SAINT BENEDICT BY SANO DI PIETRO BY SANO DIP FIETRO [NUMBER 4I [NUMBER 40] 43 44 45 ESTAS VAN DE VELDE DUTCH, 1590-1652 LANDSCAPE-WLEH PIGURES Rocky countryside with a road in the foreground where a way- farer is being held up by brigands, a bridge over a stream at the right with ruins in the middle distance; pale blue and lemon-tinted sky animated with birds. Cradled panel. Signed at the lower left centre. Height, 24 inches, width, 35 inches. THOMAS HUDSON ENGLISH, 1701-1779 PORTRAIT OF A GENTLEMAN Three-quarter length, standing, at full front, his left arm akim- bo, the right resting on a parapet, attired in rich cherry-red velvet costume, grey wig arranged in rolls over the ears; a large Renaissance marble vase at the right, a column at the left with touches of foliage against a deep blue sky with fleeting cloud effects. Canvas. Height, 55 inches; width, 37 inches. GEORGE HENRY HARLOW ENGLISH, 1787-1819 PORT RATT. © Pease coe Half length, seated, shoulders to the front, head slightly to the left, black hair dressed in ringlets, low-cut, deep green garment with fur-lined cloak thrown over her right shoulder; landscape background. | Canvas. Height, 46 inches; width, 28 inches. [ SEE ILLUSTRATION | PORTRAIT OF A LADY BY GEORGE HENRY HARLOW [ NUMBER 45 | 46 48 a9 JAMES NORTHCOTE, R.A. ENGLISH, 1746-1831 PORTRAIT. OF MASTER WILLIAM HENRY Was BET Y EAB TANG ANT) ass) Half length, standing, of a curly blond boy, in white collar, his right hand tucked into coat pocket; landscape background, drapery unfinished. Canvas. Height, 24 inches, width, 20 inches. QUIRINGH GERRITZ BREKELENKAM DUTCH, 1620-1668 KIT OE ENAW iE Gir iG hale The good housewife in plum-colored coat, white apron and red skirt, is seated preparing vegetables as a maid in brown, blue and white garments at the right submits a fish steak from a metal bucket; fine interior with objects of still life. Canvas. Height, 24 inches, width, 20 inches. SCIPIO PULEZONE ITALIAN, 1550-1600 PORTRAIT OF CARD TNGiles helG ae Bust, shoulders to the front, head slightly to the left, eyes directed toward the spectator, with long white beard, attired in rose gown, cape and beretta and white collar; neutral back- ground. Canvas. Signed and dated 1569 at the right and inscribed at the bottom, “Io: Ricclus CARD POLITIANUS”’. Height, 26 inches, width, 20 inches. MARCO PALMEZZANO UMBRO-ROMAGNOL, 1456-AFTER 1543 pb CEC Tain Seated on a parapet, the saint, attired in old-gold and deep green garments, is playing a viol as she faces the spectator; a column is at the back with blue curtains surrounding the com- position. | Cradled panel. Height, 36 inches; width, 26 inches. [ SEE ILLUSTRATION | Se Cooley | BY MARCO PALMEZZANO [ NUMBER 4g | JEAN HONORE FRAGONARD FRENCH, 1732-1806 cto HEAD ORBAN A POSTER SI §2 Looking upward toward the left, with silvery locks and beard, a tan-colored drapery thrown over his right shoulder; warm neutral background. Canvas. Height, 17 inches, width, 14 inches. Ga Hf J y) From the Collection of Mme. Loisif of Tours. SIR: WILLIAM BEECH EY shes: ENGLISH, 1753-1839 PORTRAIT OF CAPTAIN WILLIAM WHits Half length, shoulders to the front, facing the left; striking mien, in black military coat with gilt trimmings, black braided mantle, fur-lined, thrown over his left shoulder, a red sash at the waist, hilt of sword appearing over right arm;¢sky back- ground. : Canvas. Height, 30 inches, width, 25 inches. ELIZABETH LOUISE VIGEE LE BRUN FRENCH, 1755-1842 PORTRAIT OF THE COUN LESSih iN Bust, head and shoulders slightly to the left, eyes toward the spectator; rich wavy chestnut hair, lace headdress, low-cut white garment with pale blue sash, green background. Canvas. Oval. Height, 30 inches, width, 24. inches. Wife of the Austrian Ambassador at the court of Louis XVI. Described in W. H. Helm’s book on Mme. Le Brun, one of the most prominent women of her day. (See Appendix, page 202) [SEE ILLUSTRATION ] PORTRAIT OF THE COUNTESS KINSKI BY ELIZABETH LOUISE VIGEE LE BRUN [NUMBER 52] 53 54 55 FRANCIS:C@ (ES ReA- ENGLISH, 1725-1770 PORTRAIT” OF ROBERT ROWE ESO. OF =Fiaiie LAWN, HAMPTON COURT Half length, standing, shoulders to the front, head toward the right, in powdered wig, white neckerchief and deep blue coat and waistcoat, lace at the wrists, hand tucked into waistcoat, holding a soft hat under his left arm; indications of a wall in the background. Canvas. Height, 36 inches, width, 28 inches. REYNIER VAN DER LAECK DUTCH, FLOURISHED 1637-1658 TRIPTYCH—MADONNA, CHILD AND SAINTS The Virgin and Child seated under a tree, a great variety of birds, flowers and insects all charmingly executed animating the composition in the centre panel. A female saint on the left wing and John the Baptist on the right wing. ‘Iwo female saints decorate the reverse of the wings. Signed and dated 1640 on the lower left of the right wing. Height, open, 12 inches, width, 18 inches. Closed: width, 9 inches. GEORGE ROMNEY ENGLISH, 1734-1802 PORTRAIT OF MR. CROSS OF CLIFTON, BRISTOL Half length, head and shoulders to the left, eyes directed toward the spectator, in powdered wig arranged in rolls over the ear, white neckerchief, green waistcoat and deep plum-colored coat; a column and tree trunk in the background, with sky effect at thegietr Canvas. Height, 30 inches; width, 25 inches. ©pinion ofeW eRGberts sere the portrait of which this is a photograph is a very fine and dignified portrait by Romney, dating from about i7oaneae A certificate accompanies this painting. [SEE ILLUSTRATION | PORTRAIT OF MR. CROSS OF CLIFTON, BRISTOL BY GEORGE ROMNEY NUMBER 55 | STILL LIFE BY JEAN BAPTISTE SIMON CHARDIN [ NUMBER 56] JEAN BAPTISTE SIMON CHARDIN FRENCH, 1699-1779 STILL LIFE A leg of mutton, an earthen bowl containing poached eggs, some leeks, carrots and other vegetables, a steaming copper cauldron, all in nice arrangement on a table partly covered with drapery. Canvas. Signed at the lower left centre. Height, 32 inches; width, 36 inches. Exhibited at the Chardin-Fragonard Exposition, Paris, June, LOO7 ING OG, SEE ILLUSTRATION | PORTRAIT GROUP, DUCHESSE DE CHATEAUROUX AND COMTESSE DE FLOVACOURT BY JEAN MARC NATTIER [NUMBER 57 | JEAN MARC NATTIER FRENCH, 1685-1766 EORTRAIT GROUPS DUG ESS tae D EG Lik tae ROUX AND COMTESSE DE FLOVACOURT Represented as mythological goddesses reclining on a bank of clouds, while an angel is asleep at the right distance; the former in white and blue draperies, a bright star appearing over her head, as she holds a wreath; the latter is garbed in red and white. Canvas. Height, 29 inches; width, 36 inches. Prom,the Collection of Miede Gohizic Ghateaucde @uhuzac near Toulouse. NJ] [SEE ILLUSTRATION | Cn JOSEPH MALLORD WILLIAM TURNER, R.A. ENGLISH, 1775-1851 THE PORT OF LONDON A group of vessels, mostly with brown weatherbeaten sails unfurled, among which small boats animated by figures glide back and forth, dominates the right foreground, while a quaint steam craft and a dark-sailed vessel are in relief from a mass of bright sails fluttering in the sunlight at the left distance. Silhouette of the city at the horizon, with an effective sky of grey masses of clouds against pale blue with touches of pink and lemon-yellow. Canvas. Height, 26 inches; width, 30 inches. From the Collection of S. Deighton of Kingsland, who bought it from the London dealer Roberts, who had it from G. Fenton of Savile Row, to whom Turner gave it. Sir Walter Armstrong wrote: “It is a very strong and successful sketch in extremely good condition.” ‘A most interesting and brilliant sketch in oils.”—-W. Roberts. A certificate accompanies this painting. [SEE ILLUSTRATION | THE PORT OF LONDON [NUMBER 58 | GIULIO CAMPI ITALIAN, 1500-1572 59 PORFRATI OFA GEN TOE MAN Half length, head and shoulders slightly to the left, eyes directed toward the spectator, bearded, middle-aged, wearing red cap, black jacket with red, purple and yellow slashed sleeves, and floriated lace collar and cuffs; his right hand placed across the chest and the gloved left holding the right glove. Green background with a vista through the window at the left of a characteristic landscape, showing a castle, blue mountain range, dog and figures. Panel. Height, 28 inches; width, 24 inches. Collection of Sir Wm. Farrar and Mr. T. Humphry Ward. [ SEE ILLUSTRATION | PORTRAIT OF A GENTLEMAN bY GLUEIOCCAN EE! [NUMBER 59 | 60 ANGIOLO BRONZINO ITALIAN, 1502-1572 PORTRAIT. OF. CAMILLA MARIA DE Nii SECOND WIFE OF-COsIMOd Half length, head and shoulders to the left, eyes directed toward the spectator, of a pretty dark-complexioned lady with a pearl and jeweled band in her curly brown hair, pearl eardrops and necklace, deep crimson bodice with open lace collar, high in the back, and white sleeves with gilt embroidery, wearing heavy gold chain; grey-green background. Cradled panel. Height, 30 inches, width, 22 inches. [SEE ILLUSTRATION | . eae é £%.2%* Ph aee a8 eee x PORTRAIT OF CAMILLA MARIA DE’ MEDICI BY ANGIOLO BRONZINO MBER 60] 7 U [NU 61 ANTONIO MORO DUTCH Sereno PORTRAIT OF A NOBLEMAN Three-quarter length to the front, his right hand on the edge of a table, the left arm akimbo, in high-collared, black velvet brocade costume, with white lace showing at the neck and cuffs, an ornate hilt of a weapon at the belt; neutral background. Canvas. Dated 1564. Height, 41 inches, width, 21 inches. “An authentic and characteristic work by Moro.”’—Dr. Hof- stede de Groot. From the Collection of Spinola of Novi, near Genoa. A certificate accompanies this painting. [ SEE ILLUSTRATION | PORTRAIT OF A NOBLEMAN BY ANTONIO MORO MBER 61 | NU 62 LUCAS: CRANACH THE YOUNGER GERMAN, 1515-1586 PORTRAITS © Ee Asipe Dey: Half length, standing, head and shoulders to the left, in fur- lined head covering, black gown with wide brown fur collar, slashed black and silver sleeves, an undergarment of fine pleated linen with old-gold neckband, double gold chain, hands folded ; blue background. Cradled panel. Height, 24% inches, width, 16% inches. Opinion of Dr. Max Friedlander: ‘This woman’s portrait I consider to be a characteristic work of Lucas Cranach the Younger.’’ | A certificate accompanies this painting. [ SEE ILLUSTRATION ] PORTRAIT OF A LADY BY LUCAS CRANACH THE YOUNGER NUMBER 62] 63 64 65 JOHNS RAPHAEIG SMILE ENGLISH, 1752-1812 PORTRAIT OF SIR ROBERT WIGRKAM Three-quarter length, seated, head and shoulders slightly to the left, eyes directed toward the spectator, in dark chocolate- colored coat with white neckwear and waistcoat; a table at the right with writing material and books; red curtain background, with window at the left showing a full-rigged ship in the distance. Canvas. Height, 50 inches, width, ao inches. GEORGE ROMNEY ENGLISH, 1734-1802 LADY HAMILTON, STUDY Half length, nude, sitting with her right arm over her head as she looks at the spectator; dark background. | Canvas. Height, 24 inches; width, 21 inches. Opinion of W. Roberts: ‘This is undoubtedly a very interest- ing study of the nude by George Romney,—one of the very few which, with him, got beyond the crayon stage.” A certificate accompanies this painting. [ SEE ILLUSTRATION | ENGLISH SCHOOL ISTH CENTURY PORURATE OF Aeiz wx Three-quarter length, seated, slightly to the left, of a young lady with chestnut hair, in white lawn dress, her gloved right hand holding the other glove, her left hand grasping the strea- mers of an orange-colored sash; background composed of dense foliage, with a glimpse of warm sky at the left horizon. Canvas. Height, 50 inches, width, 40 inches. From the Collection of B. Newgass, late of Shernfold Park, near lunbridge Wells. STUDY OF LADY HAMILTON BY GEORGE ROMNEY [NUMBER 64 | 66 FRANCIS COTES, R.A. ENGLISH, 1725-1770 PORTRAIT GROUP, MR. AND MRS. JOAH BATES The lady is shown at the left, attired in white satin with gilt trimming and blue bows, her left hand supporting her chin, as she looks toward the spectator, while the gentleman, seated, in plum-colored costume, examines a winged cupid in marble; gereen-grey interior with pale wine-colored curtains at the left, a table with books and a sculptured figure at the right. Canvas. Signed and dated 1760 in the background at the right. Height, 52 inches, width, 62 inches. Mr. Bates was a distinguished amateur and notable singer, of whom an interesting biographical sketch appeared in ‘“The Musical Times,” January and February Ist, 1905. He always championed the works of Handel and conducted the “King’s Concerts” during the reign of George III. Mentioned on page 338 in Bryan’s Dictionary of Painters and Engravers, Vol. I. A biographical sketch accompanies this painting. [ SEE ILLUSTRATION | PORTRAIT GROUP OF MR. AND MRS. JOAH BATES BY FRANGIS: COTES RA: [ NUMBER 66] JACOB GERRIVA CUxy DUTCH, 1594-1651 67 ~ POR VRAD OR Agony) Half length, standing, facing slightly to the left, in quaint head- dress, white ruff, black gown, lace cuffs, hands crossed, holding a pair of cream-colored gloves; green background. Cradled panel. Height, 36 inches, width, 28 inches. Endorsed by Dr. Max Friedlander. A certificate accompanies this painting. [ SEE ILLUSTRATION | FRANCESCO ZUCCARELLI, R.A. ENGLISH, 1702-1788 68 ITALIAN LANDSCAPE WITH RUINS Remains of an ancient peristyle and obelisk on the banks of a river, fine tree group at the left, guards in colorful costume in the foreground; blue sky with fleeting cloud effects. Canvas. Height, 32 inches, width, 58 inches. PORTRAIT: OFA LADY BY JACOB GERRITZ CUYP [ NUMBER 67] 69 FREDERICK WATERS WATTS ENGLISH, 1800-1870 VIEW OF DENHAM Smiling countryside with a stream and ducks at the right, a boat drawn up on the shore at the left, a lock at middle distance where a teamster and his horses are seen, a barge at the right, and thatched cottage nestling under a fine group of trees farther back, a village with a church spire looming up near the left horizon. Fleeting sky of grey and creamy clouds with masses of blue. Canvas. Signed at the lower left. Height, 32 inches; width, SOM CHES [ SEE ILLUSTRATION | NICCOLO RENIERI FRENCH, ACTIVE, 17TH CENTURY PORTRATT OF A VENETIAN OFBIGER Full length, standing to the front, in long black wig, with red fan-shaped head gear, in rich crimson costume with long robe thrown over shoulders, lace neckwear and at the wrists, his left arm akimbo, holding a marshal’s baton in the right; old-gold cover on table at the left against a wine-colored brocade cur- tain background; glimpse of landscape with fortress and gun carriage. Canvas. Height, 84 inches; width, 62 inches. Renieri (Regnier of Maubeuge) is represented in the old Pin- akothek, Munich, and his works generally pass for those of Van Dyck’s Genoese period. From the Collection of Count Gradenigo, Venice. VIEW OF DENHAM BY FREDERICK WATERS WATTS [ NUMBER 69 ] Jie WILLIAM BELL ENGLISH, 1740-1804 (?) POR TRATIZOGROURE A young lady is seated at the left attired in green and white, holding by a pink ribbon a lamb, to which she offers some pink buds; a younger sister in white and pink sash is at the right; park background with a stream and waterfall, and a swan near the shore; blue sky with creamy cloud effects. Canvas. Signed and dated 1785 at lower left. Height, 51 inches, width, 59 inches. CORNEDI GS DEaY OS FLEMISH, 1585-1651 THE HOLY FAMILY AND Ss FahOriN The Virgin in blue and red garments is seated holding the nude Infant as the latter caresses the lamb held by St. John, while Joseph leans forward at the back as he rests his left hand on a red-covered table whereon some fruit is placed; columns with a canopy at the back, with a glimpse of landscape in the distance. , Canvas. Signed at the lower right. Height, 52 inches; width, O61 inches. es 74 JOHN RUSSELL, R.A. ENGLISH, 1744-1806 MoO Rei Lie GROUR SE MRS. Ris CaP LO VV ID BIN- AND CHILDREN The mother, a stately lady, stands at the left holding the hand of a little daughter at her side, while an elder and a younger daughter are grouped at the right, one of whom holds a fan; all are wearing fine beaded and gold East Indian necklaces and light garments, while a native in white headdress and flowing garment holds a spear at the right in the back. Pale emerald sky. Canvas. Signed and dated 1797 at the lower left. Hetght, 94 inches, width, 56 inches. Exhibited in the Royal Academy, in 1797. See Graves’ “Royal peademy Exhibitors’, Vol. VI, page 2903; No, 46. (GAS AR IDs DG Ra are: FLEMISH, 1582-1669 PORTRATYT OF THE -CARDINAESIN FAN Terr Die INSAND OF SPATNSSON: Gee erie tice ities Full length, standing, in red cape and robe with white lace vestment, holding a letter in his left hand, the right placed on the edge of a gold brocade-covered table, whereon his red beretta is seen; saffron brocade curtain at the right back- ground, with landscape view at the left. Canvas. Height, 78 inches, width, 47 inches.