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ON FREE VIEW 
 AT THE AMERICAN ART GALLERIES 
 
 FROM SATURDAY, FEBRUARY 20TH, UNTIL THE MORNING 
 OF THE DAY OF SALE 
 FROM 9 A.M. UNTIL 6 P.M. 
 
 THE ARTISTIC PROPERTY 
 
 BELONGING TO THE ESTATE 
 OF THE LATE 
 
 ICHABOD T. WILLIAMS, Esa. 
 
 UNRESTRICTED PUBLIC SALE 
 BY ORDER OF THE TRUSTEES 
 AT THE AMERICAN ART GALLERIES 
 MADISON SQUARE SOUTH, NEW YORK 
 
 ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS 
 FEBRUARY 25TH, 26TH AND _ 27/TH,1915 
 
 BEGINNING AT 2.30 O’CLOCK 
 AND 
 
 ON FRIDAY EVENING, FEBRUARY 26TH 
 BEGINNING PROMPTLY AT 8 O’CLOCK 
 
PART II 
 
 CATALOGUE 
 
 OF 
 
 THE ARTISTIC PROPERTY 
 
 FURNITURE BY COTTIER & CO. 
 
 AND OTHER OBJECTS OF HOUSEHOLD UTILITY 
 | AND EMBELLISHMENT 
 
 REMOVED FROM THE RESIDENCE OF THE LATE 
 
 ICHABOD T. WILLIAMS, Esa. 
 
 OF NEW YORK 
 
 TO BE DISPOSED OF 
 AT UNRESTRICTED PUBLIC SALE 
 
 BY DIRECTION OF 
 THOMAS WILLIAMS AND HENRY K. S. WILLIAMS, TRUSTEES 
 
 ON THE DATES HEREIN STATED 
 
 THE SALE WILL BE CONDUCTED BY 
 MR. THOMAS E. KIRBY 
 ASSISTED BY MR. OTTO BERNET, OF 
 THE AMERICAN ART ASSOCIATION, MANAGERS 
 
 NEW YORK 
 1915 
 
THE AMERICAN ART ASSOCIATION 
 DESIGNS ITS CATALOGUES AND DIRECTS 
 ALL DETAILS OF ILLUSTRATION 
 TEXT AND TYPOGRAPHY 
 
CONDITIONS OF SALE 
 
 1. Any bid which is merely a nominal or fractional advance may 
 be rejected by the auctioneer, if, in his judgment, such bid would be 
 likely to affect the sale injuriously. 
 
 _ 2. The highest bidder shall be the buyer, and if any dispute 
 arise between two or more bidders, the auctioneer shall either decide 
 the same or put up for re-sale the lot so in dispute. 
 
 3. Payment shall be made of all or such part of the purchase 
 mioney as may be required, and the names and addresses of the pur- 
 chasers shall be given immediately on the sale of every lot, in default 
 of which the lot so purchased shall be immediately put up again and 
 re-sold. 
 
 Payment of that part of the purchase money not made at the 
 time of sale shall be made within ten days thereafter, in default of 
 which the undersigned may either continue to hold the lots at the 
 risk of the purchaser and take such action as may be necessary for 
 the enforcement of the sale, or may at public or private sale, and 
 without other than this notice, re-sell the lots for the benefit of such 
 purchaser, and the deficiency (if any) arising from such re-sale shall 
 be a charge against such purchaser. 
 
 4. Delivery of any purchase will be made only upon payment 
 of the total amount due for all purchases at the sale. 
 
 Deliveries will be made on sales days between the hours of 9 
 A. M. and 1 P. M., and on other days—except holidays—between the 
 hours of 9 A. M. and 5 P.M. 
 
 Delivery of any purchase will be made only at the American Art 
 Galleries, or other place of sale, as the case may be, and only on pre- 
 senting the bill of purchase. 
 
 Delivery may be made, at the discretion of the Association, of 
 any purchase during the session of the sale at which it was sold. 
 
 5. Shipping, boxing or wrapping of purchases is a business in 
 which the Association is in no wise engaged, and will not be performed 
 by the Association for purchasers. The Association will, however, 
 afford to purchasers every facility for employing at current and 
 reasonable rates carriers and packers; doing so, however, without any 
 assumption of responsibility on its part for the acts and charges of 
 the parties engaged for such service. 
 
 6. Storage of any purchase shall be at the sole risk of the pur- 
 chaser. Title passes upon the fall of the auctioneer’s hammer, and 
 thereafter, while the Association will exercise due caution in caring 
 
for and delivering such purchase, it will not hold itself responsible if 
 such purchase be lost, stolen, damaged or destroyed. 
 
 Storage charges will be made upon all purchases not removed 
 within ten days from the date of the sale thereof. 
 
 7. Guarantee is not made either by the owner or the Association 
 of the correctness of the description, genuineness or authenticity of 
 any lot, and no sale will be set aside on account of any incorrectness, 
 error of cataloguing, or any imperfection not noted. Every lot is 
 on public exhibition one or more days prior to its sale, after which 
 it is sold ‘‘as is’’ and without recourse. 
 
 The Association exercises great care to atone every lot cor- 
 rectly, and will give consideration to the opinion of any trustworthy 
 expert to the effect that any lot has been incorrectly catalogued, and, 
 in its judgment, may either sell the lot as catalogued or make mention 
 of the opinion of such expert, who thereby would become responsible 
 for such damage as might result were his opinion without proper 
 foundation. 2 
 
 SPECIAL NOTICE. 
 
 Buying or bidding by the Association for responsible parties on 
 orders transmitted to it by mail, telegraph or telephone, will be faith- 
 fully attended to without charge or commission. Any purchase so 
 made will be subject to the above Conditions of Sale, which cannot 
 in any manner be modified. The Association, however, in the event of 
 making a purchase of a lot consisting of one or more books for a pur- 
 chaser who has not, through himself or his agent, been present at 
 the exhibition or sale, will permit such lot to be returned within ten 
 days from the date of sale, and the purchase money will be returned, if 
 the lot in any material manner differs from its catalogue description. 
 
 Orders for execution by the Association should be written and 
 given with such plainness as to leave no room for misunderstanding. 
 Not only should the lot number be given, but also the title, and bids 
 should be stated to be so much for the lot, and when the lot consists 
 of one or more volumes of books or objects of art, the bid per volume 
 or piece should also be stated. If the one transmitting the order is 
 unknown to the Association, a deposit should be sent or reference sub- 
 mitted. Shipping directions should also be given. 
 
 Priced copies of the catalogue of any sale, or any session thereof, 
 will be furnished by the Association at a reasonable charge. 
 
 AMERICAN ART ASSOCIATION, 
 | American Art Galleries, 
 Madison Square South, 
 New York City. 
 
FIRST AFTERNOON’S SALE 
 THURSDAY, FEBRUARY 25, 1915 
 
 AT THE AMERICAN ART GALLERIES 
 BEGINNING AT 2.30 o’cLOCK 
 
 Which Includes Catalogue Nos. 1 to 225 
 
 CHINESE BLUE AND WHITE PORCELAINS 
 
 1—Two Miniature VASES 
 
 For bird-cages. One blue and white and the other decorated in 
 colors. 
 
 2—Fovur Mintature VAsEs 
 
 Various blue and white decoration. 
 
 3—Two BLuE and WHITE SNUFF-BOTTLES 
 
 One decorated with figures and landscape and the other with panels 
 of Pau-kwa. 
 
 4—BiuE anp WHITE CovuPE 
 
 Of the soft paste type. Dragons, cloud forms and fire emblems 
 in brilliant underglaze blue over a brown crackle surface. 
 
 5—Two Smartt BuvuE anp WHuitTeE VASES 
 
 One with panels of figures and flowers, the other with tree peonies 
 in opaque blue. 
 
 6—Pair Biuur anp WuHuitrE Smart VASES 
 
 Panel decoration of figures and flowers in dark blue. (One imper- 
 fect. ) 
 
Furst Afternoon 
 
 Y—SmatL BuvuE anp WuHitE VASE 
 
 Oviform, with silver base and neck. Floral sprays in two tones 
 
 of blue. 
 
 8S—BLvuE anp WuitsE PEaAR-sHAPED VASE 
 
 Blossoming shrubs in two tones of underglaze blue. 
 
 9—Two BuuE anp Wuitre Tatu Cups 
 
 Of eggshell porcelain. Ferns and flowers penciled in underglaze 
 
 blue. (Imperfect. ) 
 
 10—K?’anc-Hst BLUE anp Wuitr CovEerED Bown 
 
 On tall foot and with two scroll.handles. Clear white hard paste, 
 with decoration of tulips and leaf scrolls painted in underglaze 
 blue of opaque quality. 
 
 11—Oup Canton BuveE anno Waite DisH 
 
 Oval shape, with pierced border. Decoration of landscape and 
 river view in opaque cobalt blue. Guilt edge. 
 
 12— K’anc-ust BuuE anp Wuite PLATE 
 
 Semi-eggshell porcelain. Decoration of ferns and blossoms. Pierced 
 lattice border. 
 
 18—K’anc-Hs1 BLUE anp WuitEtE Bown 
 
 Clear white sonorous hard paste, finely painted on the inner and the 
 outer surface with peony and leaf scrolls in fine quality of opaque 
 blue. Six-character mark of the period. 
 
 14—K’ane-Hust BLuE anp WuitE Bown 
 
 The decoration similar to the preceding. (Imperfect.) 
 
 15—K’ane-Hst BuuE anp Waite Larct Bown 
 
 Thin white sonorous hard paste. Decoration of conventional floral 
 scrolls and border design in white reserve on a ground of opaque 
 
 mazarine blue of exceedingly fine quality. 
 Diameter, 734, inches. 
 
First Afternoon 
 
 16—K’anc-ust BiuE anp Wuitre Larcrt Bown 
 Thin sonorous porcelain. Decoration of tree peonies, magnolia in 
 bloom, rockery and birds in brilliant underglaze blue. (Repaired). 
 
 2 Diameter, 734 inches. 
 
 17—K’anc-ust BuuE anp Wuitre Bowr 
 Panel decoration of Chinese domestic and garden scenes, painted 
 in two tones of underglaze blue. Seal mark of the period. 
 
 Diameter, 7%, inches. 
 
 18—K’ane-ust BuuE anp WuitE Coverep Cup 
 With side handle and tall foot. Decoration in opaque cobalt blue 
 of birds, leaf scrolls and border design. Metal mounts. (Cover 
 
 repaired. ) : 
 Height, 51% inches. 
 
 19—K’anc-Hst BLUE anp WuiItrE CovERED JAR 
 
 Cylindrical shape. Leaf scrolls, painted in opaque mazarine blue 
 
 on a brilliant white ground. 
 Height, 61, inches. 
 
 20—Yune Cutine Buivue anp Waite Ovirorm Jar 
 Of soft paste type. Tree peonies, plum in blossom and other de- 
 signs finely painted in two tones of underglaze blue. 
 Height, 64, inches. 
 
 21—CwH’IEN-LUNG BLUE AND WHITE PrarR-sHAPED VASE 
 
 Plum in blossom, Show symbol and Chinese poem, penciled in two 
 
 tones of underglaze blue. 
 Height, 7%, inches. 
 
 22K’ anc-usi BuuE anp WHuiTE VASE 
 
 Tall slender oviform. Lotus scrolls, scepter-head and palmette 
 borders, finely penciled in underglaze blue. Bears a six-character 
 
 mark of Chia-Ching (1522-1566). 
 Height, 81% inches. 
 
 23—K’ane-Hst BiurE anp WuitE TrEa-cappy 
 Decoration of landscapes and figures in panels and borders of 
 peony scrolls penciled in underglaze blue. (Cover repaired.) 
 Height, 7/, inches; width, 51, inches. 
 
First Afternoon 
 
 24—BiLuE AND Wuitr Piutcrim BorTrLe 
 
 Landscapes, river view and Chinese poems in two side panels; but- 
 terflies, fruits and flowers on edges. (Repaired.) 
 Height, 91/, inches; width, 8 inches. — 
 
 25—K’anc-Hst BLUE AND WHITE GARNITURE 
 
 Consisting of three covered jars and two beakers. Decoration of 
 palm trees and grapevine in bearing. (Repaired.) 
 
 Respective heights, 11 and 9% inches. 
 
 26—K’anc-Hst BLUE AND WuitE HawTHorn JAR 
 
 Inverted pear-shape. The ground of fine opaque blue, marked 
 with darker lines to resemble cracking ice and decorated with as- 
 cending and descending branches of the prunus in blossom in white 
 
 reserve. 
 Height, 914 inches; diameter, 8 inches. 
 
 27—CwHIEN-LUNG BLUE anp WuitTt VASE 
 
 Quadrilateral form, with spreading neck and base and two elephant- 
 head handles. Decoration of peonies and leaf scrolls, bands and 
 borders of scepter-heads, palmettes and Greek fret, painted in 
 
 two tones of underglaze blue. 
 Height, 18% inches. 
 
 28—Hsttan-TE Buurt anp WuitE VAsE 
 
 Tall cylindrical shape, with trumpet neck. Decoration of tree 
 peonies, rockeries, birds and border designs in Mohammedan blue. 
 
 Height, 18 inches. 
 
 29—K’anc-Hs1 BLUE AnD WuiItTE BEAKER-SHAPED VASE 
 
 The decoration consists of a series of slightly indented panels, in 
 which are peonies and leaf scrolls, penciled in two tones of under- 
 glaze blue. The borders, which are in slight relief, are also deco- 
 rated in blue. 
 
 Height, 1814 inches. 
 
 30—K’anc-Hst BLUE anp WuiteE VasE 
 
 Oviform, with spreading base and trumpet-shaped: neck. Within 
 four panels painted in underglaze blue are the plum in blossom, 
 tree peony and chrysanthemum. Round the shoulder and base 
 are broad bands of scepter-head scrolls, and encircling the neck are 
 lotus and leaf scrolls in white reserve on an opaque cobalt blue 
 
 ground. 
 Height, 20 inches. 
 
First Afternoon 
 
 31—Buve anp Wuire Vase 
 
 Pear-shape, with receding base and spreading mouth. Covered 
 with a white crackle glaze, over which is a decoration of birds on a 
 magnolia tree and peony flowers, modeled in slight relief and painted 
 in underglaze blue. Bands of ogre-heads and grapevine motive to 
 resemble iron. 
 
 Height, 24 inches. 
 32—K’anc-us1 BLUE ann WuHuitE PLATE 
 Peonies and leafy scrolls, painted in two tones of underglaze blue. 
 
 Diameter, 1414 inches. 
 
 33—Larcre BuveE anp Wuire DisH 
 
 Dense sonorous porcelain. Decoration of tree peonies, rockeries, 
 peacock and pea-hen, painted in underglaze blue of opaque quality. 
 
 34—K’ane-HsiI BuuE anp WHITE VASE 
 
 Oviform, with short spreading neck. Decoration of the “Hundred 
 Antiques,” in white reserve modeled in slight relief on a cobalt- « 
 blue ground of a diaper pattern. The shoulder and neck decorated 
 with symbols and archaic patterns in underglaze blue and rouge 
 
 de cutvre. 
 Height, 16 inches. 
 
 SINGLE COLOR SPECIMENS 
 
 35—SMALL GLOBULAR COUPE 
 
 K’ang-hsi. Coated with a clair-de-lune glaze. Has gilt openwork 
 cover of bamboo design. 
 
 36—CH’IEN-LUNG SMALL GALIPOT 
 
 Coated with a robin’s-egg blue sowfflé glaze. 
 
 37—Yune CHine JAR 
 Invested with a coral-red glaze of even quality. 
 Height, 414, inches. 
 38—CHIEN-LUNG PEAR-SHAPED VASE 
 
 Covered with a robin’s-egg blue soufflé glaze. 
 Height, 6 inches. 
 
First Afternoon 
 
 39—CwHieN-LUuNG Ivory-wuHiTE VASE 
 Cylindrical shape. Branches of plum blossoms modeled in relief. 
 Height, 61% inches. 
 40—Taovu-Kuane PrEar-sHAPED VASE 
 Coated with a thick red glaze of sang-de-beuf ea 
 Height, 7 inches. 
 41—CwIEN-LUNG BoTTLE-sHAPED VASE 
 Coated with a sang-de-beuf glaze over a celadon crackled ground. 
 Height, 8 inches. 
 42—Sune Tine Yao Vase 
 Bottle-shaped, with bulbous mouth. Decoration of archaic drag- 
 ons and band of palmettes carved in relief under a soft ivory-white 
 glaze. (Repaired.) ; 
 Height, 91% inches. 
 43—CwHIEN-LUNG WHITE VASE | 
 Cylindrical shape, with two elephant-head handles. Enameled with 
 a brilliant white glaze and ornamented with plum tree in blossom 
 modeled in high relief. 
 Height, 834 inches. 
 44—Yune CHtne QuADRILATERAL VASE 
 Dense porcelain, coated with a brown crackle glaze of fine quality 
 
 and ornamented in relief with the “eight trigrams.” 
 Height, 9 inches. 
 
 45—Mine Pottery Disu 
 Bowl shape. Coated with an interesting green glaze and orna- 
 
 mented with three large peonies and leafy scrolls which are worked 
 
 in high relief in the paste. 
 Height, 4 inches; diameter, 7, inches. 
 
 46—CHIEN-LUNG GLOBULAR JAR 
 Invested with a monochrome glaze of burnt-umber color of iri- 
 descent quality. Has carved wood openwork cover. 
 Height, 61, inches 
 47—K’anc-Hs1 CeLapon VASE 
 Globular body, with trumpet-shaped neck on which are two ring 
 handles. Enameled with a sea-green celadon glaze over an ornamen- 
 tation of floral and leaf scrolls which is carved in relief in the paste. 
 
 Height, 914 inches. 
 
First Afternoon 
 
 48—CwIEN-LUNG TEA-coLor VASE 
 Pear-shape, with bulbous mouth. Covered with a tea-color glaze 
 of fine even quality. Underneath the foot an engraved seal mark 
 
 of the period. 
 Height, 11 inches. 
 
 49-—CH’IEN-LUNG SANG-DE-POULET GALIPOT 
 Of clear white hard paste and graceful shape. Invested with a 
 monochrome glaze of sang-de-poulet of very fine quality. 
 Height, 91% inches. 
 50—Parr CHINESE PorcELAIN Vases 
 Quadrilateral shape, with tube handles. Coated with a red glaze 
 of sang-de-beuf type, over which is a decoration of figures, flowers 
 and birds in gilding. 
 Height, 10 inches. 
 51—Cuw'ten-Lune Borrie-sHapep VASE 
 
 Of graceful shape. Invested with a monochrome soufflé glaze of 
 
 crushed strawberry tint of fine even quality. 
 Height, 12 inches. 
 
 52—Yune Cuene TuravoisE-BLvuE VAsE 
 Pear-shape, with broad mouth. Dense hard paste, decorated with 
 sea dragons, modeled in relief and inside wave design underneath 
 
 a turquoise-blue vase. 
 Height, 10 inches. 
 
 53—Cu’1en-LUNG BoTTrLE-sHAPED VASE 
 
 Hard paste. Enameled with a monochrome glaze of “moonlight” 
 
 white. 
 Height, 121% inches. 
 
 54—Cuwien-Lune TurevuoisE-BLvuE VASE 
 Graceful bottle-shape. Invested with a turquoise-blue glaze of 
 opaque quality and profusely decorated with a five-clawed dragon, 
 phenix, bats and cloud forms finely etched in the paste. Under- 
 neath the foot, seal mark of the period. Has metal collar. 
 Height, 1214, inches. 
 
 55—Taovu-Kvane BorrLe-sHaPep VASE 
 Dense porcelain; coated with a brilliant red glaze. 
 Height, 138%, inches. 
 
First Afternoon 
 
 56—CwH’IEN-LUNG VASE 
 
 Graceful bottle-shape. Coated with a red glaze of sang-de-beuf 
 type, an exhibiting purple streak at neck and the base. 
 Height, 15 inches. 
 
 57—Mine Potrrery GaAuLipror 
 Coated with a thick mottled blue and brown glaze. 
 Height, 1114 inches. 
 
 58—CwH'IEN-LUNG Prar-sHAPED VASE 
 Coated with a gray crackled glaze and ornamented with four drag- 
 ons which are modeled in high relief and enameled respectively in 
 rose-pink, coral-red, blue and green. Underneath the foot is a seal 
 
 mark of the period. : 
 Height, 18 inches. 
 
 59—Mine Pottery TuravuolisE-BLUE VASE 
 Octagonal shape, with trumpet neck and two chimera-head handles, 
 and on a permanent step-shaped base. Ornamented with-floral mo- 
 tives and fret patterns worked in relief and incised underneath 
 
 a turquoise-blue glaze. 
 Height, 131, inches. 
 
 60—K?’anc-Hs1 VASE 
 Globular body, with spreading neck and receding base. It is in- 
 vested with an interesting glaze of turquoise-blue and mottled 
 
 brown of metallic aspect. 
 Height, 114%, inches; diameter, 8 inches. 
 
 61—K’anc-us1 VasE 
 Globular body, with short neck which is encircled with a wide 
 scalloped flange. Invested with a mottled blue and black glaze 
 
 to resemble granite. 
 Height, 1134 inches; diameter, 71, inches. 
 
 62—Mine Pottery VasE 
 Oviform, with spreading base and very short neck. Invested with 
 a monochrome glaze of citron-green over a crackled surface. On 
 the shoulders Sanscrit characters in black under the glaze. 
 Height, 1234 inches. 
 
First Afternoon 
 
 63—K’anc-ust Jar 
 With two mask handles on shoulder. Of dense hard paste, coated 
 with a very pale celadon glaze applied over a network of pink 
 crackle. 
 Height, 1014 inches; diameter, 1014 inches. 
 64—Mine Porrery Jar. 
 Globular shape with wide mouth. Of dense porcelain, and coated 
 with a thick running glaze of white, blue and brown under which, 
 worked in the paste, are peonies and scrolls. 
 
 Height, 91% inches; diameter, 101%, inches. 
 65—Earty Mine CEetapon JAR 
 
 Globular shape, with broad mouth. It is of dense hard paste and 
 is ornamented with mythical animals, wave designs, melons, foliage, 
 and a wide border of gadroons, which are worked in high relief 
 under a monochrome glaze of pure sea-green tint. 
 
 Height, 91% inches; diameter, 12 inches. 
 
 66—CHINESE PorcELAIN CricKkET Box 
 
 Landscape decoration; red glaze with scrolls in gilding. 
 
 67—CuIEN-LUNG PEncIL VASE 
 
 Quadrilateral. Panel decoration of figures and birds. Chocolate 
 -glaze on edges and diapers in gilding. Seal mark. 
 
 68—Miniarure Garnirure 
 Consisting of two covered jars and beaker. Decoration of flowers, 
 ornaments and symbols, painted in black and gold. 
 Respective heights, 5Y, and 4, inches. 
 69—CyuinpricaL VasE 
 Chinese porcelain. Legendary subject in white on a mirror-black 
 ground. Borders in brilliant enamel colors. 
 Height, 5 inches. 
 70—CwH'iEN-LuNG Decorated Bowl 
 Thin sonorous porcelain. Four five-clawed dragons, the sacred 
 pearl and floral scrolls painted in brilliant enamel colors on an en- 
 graved Imperial yellow ground. Underneath the foot a seal mark 
 of the period. 
 
 Diameter, 7 inches. 
 
First Afternoon 
 
 “1—Cwien-tune Larct Bown 
 
 Sonorous hard paste. Panel decoration of birds and flowers, and 
 intervening spaces filled in with conventional flowers and leaf scrolls 
 on a brilliant blue ground. Borders and bands of key pattern and 
 
 gadroons. 
 Height, 5 inches; diameter, 8 inches. 
 
 72—UnievuE Oxup CuinesE BotTrLe 
 
 Quadrilateral shape, with short neck. Four upright panels un- 
 glazed and ornamented with kylins, tree peonies, dragons and other 
 designs, carved in relief and partially glazed in white. The edges 
 and shoulder decorated with scrolls in white enamel. 
 
 Height, 1014 inches. 
 
 73—CwHIEN-LUNG DECORATED VASE 
 
 Pear-shape, with tall neck and broad mouth. ‘Two elephant-head 
 handles modeled in relief. Invested with an orange-yellow glaze 
 and ornamented with archaic dragons, bands of palmettes and gad- 
 roons, which are etched in the paste and enameled in blue, purple, 
 green and white. 
 Height, 11 inches. 
 74—K’ane-us!t BoTTLE-SsHAPED VASE 
 
 Clear white hard paste. Decoration of a bold dragon amidst cloud 
 forms, painted in brilliant underglaze blue and sang-de-beuf tint. 
 
 Height, 141, inches. 
 75—Oup CurnesE PorceLaIn Piate 
 Covered with a brown crackle glaze and decorated with equestrian 
 and other figures of warriors in brilliant enamels. 
 
 Diameter, 1314, inches. 
 
 JAPANESE PORCELAINS AND POTTERY 
 
 76—JAPANESE PorRCELAIN Bown. By YEIRAKU 
 
 Nineteenth century. The outer surface covered with a brown glaze 
 which is flecked with minute metallic spots. The inner surface dec- 
 orated with pheenixes and floral scrolls penciled in gold over a bril- 
 hant red glaze, and a kylin and fire symbols in underglaze blue. 
 Underneath the foot a six-character mark of Yeiraku penciled in 
 gold on a brilliant red ground. 
 
 Diameter 6 inches. 
 
First Afternoon 
 
 77—JAPANESE PorcEeLAaIn Bown 
 Richly decorated in Chinese style with flowers and leaf scrolls in 
 gilding and cobalt on a brilliant coral-red ground. Bears a six- 
 
 character Ming mark. 
 ; Diameter, 61/, inches. 
 
 78—Otp Imarr Bow. 
 Richly decorated in Chinese style, the outer surface with dragon 
 and phoenix amid cloud forms and symbols painted in enamel colors 
 and underglaze blue on a coral-red ground; the inner surface cov- 
 ered with a rich decoration of -scepter-heads, flowers and scrolls 
 in brilliant enamel colors in underglaze blue and gilding. Sans- 
 crit character in gilding. Bears a six-character Ming mark. 
 
 Diameter, 814 inches. 
 
 79—Oxp Imari Bow. | 
 Richly decorated in a similar manner to the preceding. 
 
 Diameter, 814 inches. 
 
 80—Oxp Imari Bow. 
 Richly decorated in brillant enamel colors, underglaze blue and 
 gilding, with floral designs, leaf scrolls, dragons and reserve panels. 
 
 Bears a six-character Ming mark. 
 Diameter, 9 inches. 
 
 81—O.p Imari Bow. 
 The inner and outer surface covered with an elaborate decoration 
 of scepter-head scrolls, flowers and symbols in reserve and painted 
 in brilliant enamel colors and gilding. Bears a _ six-character 
 
 Ming mark. 
 
 Diameter, 914 inches. 
 
 82—Larcre Ovirorm VasE 
 With tall neck and spreading mouth. Elaborate designs of birds 
 
 and butterflies in cloisonné enamel on a turquoise-blue ground. 
 
 Height, 241%, inches; diameter, 11 inches. 
 
 88—O.up Imari CovereD Bown 
 Decoration of flowers and fruits in brilliant enamel colors and un- 
 
 derglaze blue. 
 
First Afternoon 
 
 84—Oup Imari CovErep Box 
 Finely painted decoration of flowers, crests and 
 
 Circular shape. 
 fret borders in brilliant enamel colors, blew de Nankin and gilding. 
 Diameter, 51, inches. 
 
 85—O.p Imari BLvE ann WuitEe Bown 
 With cover. Quadrilateral shape, on square foot. Floral and 
 Figure of turtle 
 
 panel decorations in two shades of cobalt-blue. 
 surmounting cover. 
 Height, 61% inches. 
 
 86—Se1s1 Incense Burner 
 Invested with a fine sea-green celadon glaze and 
 
 Globular shape. 
 decorated with cherry blossoms outlined in white. Impressed seal. 
 ; Diameter, 414 inches. 
 
 87—JapaNESE Portrrery Bown 
 Coated with a running glaze of purple, red and brown. 
 Diameter, 434 inches. 
 
 88—Kaca Covered Bown 
 The outer surface covered with polished black lacquer over which 
 
 is a decoration of chrysanthemum flowers in crimson and gilding. 
 
 The inner surface decorated in crimson and gold on a white ground. 
 Diameter, 634 inches. 
 
 89—O.p Kutrani Coverep Bown 
 Globular shape. Decoration of blossoming tree and maple leaves 
 Incised mark. 
 
 in brilliant green, red and white enamels. 
 Diameter, 71/4, inches. 
 
 90—-JapaNESE FatENcE VASE 
 Globular shape. Coated with a mottled brown glaze which is 
 speckled throughout, and decorated with Howo in white enamel. 
 
 Height, 9 inches; diameter, 714 inches. 
 
 Signed. 
 
 91——Orp Ivan Jani 
 Decorated with reserve panels 
 
 Oviform, with corrugated surface. 
 of flowers, crests and brocade patterns in brilliant enamel colors, 
 
 enhanced by gilding. Seal mark. 
 Height, 1034 inches. 
 
First Afternoon 
 
 92—Oup Imari Beaker-sHaPED VASE 
 Richly decorated in enamel colors and underglaze blue of fine 
 quality. 
 P Height, 1414 inches. 
 -93—Oxp Imari TEMPLE Jar 
 With its original cover. Decorated with floral motifs and border 
 designs in brilliant enamel colors and opaque cobalt-blue. Cover 
 surmounted by figure of a Japanese lady. 
 Height, 1914 inches. 
 94—Oxp Imari Piate 
 
 Floral decoration in reserve panels and rich border design painted 
 in brilliant enamel colors and underglaze blue. 
 Diameter, 1434 inches. 
 95—Imari PorceLain. PLATE 
 Decoration of basket of flowers and blossoms and border design 
 in brilliant cobalt-blue and rouge de cuivre. 
 Diameter, 18°34 inches. 
 96—Larcre Otp Imari TEMPLE Jar 
 Tall octagonal shape. Tree peonies. Chrysanthemums, bamboo, 
 rockeries and other designs painted in brilliant underglaze blue and 
 enamel colors. 
 Height, 22% inches; diameter, 14 inches. 
 97—Oxtp Awagt Pottery TEA-sar 
 
 Coated with a brown lacquer and decorated with a dragon and 
 fret pattern incised and carved in the paste. 
 
 98—Oxp Trrraku INcENSE BURNER 
 
 Globular shape. Panel decoration of pine, bamboo and plum in 
 blossom, worked in relief and glazed in yellow, green and purple. 
 
 Impressed mark. 
 Diameter, 314 inches. 
 
 99—O.tp Satsuma 'TEA-BOWL 
 Glazed to resemble tortoise-shell applied over a crackled surface. 
 
 100—Oxp Raxv PotTrery TEA-BowL 
 Inner and outer surface coated with a variegated glaze of green, 
 
 gray and salmon pink. Impressed mark. 
 Diameter, 434 inches. 
 
First Afternoon 
 
 101—F ine Oup Raku Bown 
 
 Glazed in salmon red, with markings of gray and olive-green. Im- 
 pressed mark. : 
 
 Diameter, 414, inches. 
 102—Oup Raku TEa-BowL 
 
 The inner and outer surface coated with a pink glaze which is finely 
 crackled. Impressed mark. 
 
 Diameter, 444, inches. 
 1083—Oup JAPANESE Potrrery TEA-BOWL 
 
 Coated inside and outside with a thick black glaze and decorated 
 with a stork in yellow. Impressed mark of Dohachi. 
 
 Diameter, 4 inches. 
 104—Oxp CorEan Pottrery Bown 
 
 Coated with a brown splash glaze and decorated inside with ro- 
 settes and scrolls incised in the paste and enameled in white. 
 
 Diameter, 81%, inches. 
 
 105—Oup JapaneEsE Porrery Sake BoTrLe : 
 Globular shape, with indented sides. Invested with a rich brown 
 glaze. 
 Diameter, 5 inches. 
 106—Ouxp JAPANESE PoTTrEerRyY Sake BOTTLE 
 Enameled with an opaque brown glaze over which are splashes of 
 gray. 
 Height, 7 inches. 
 107—Oxp Japanese Pottery Borris 
 
 Oviform. Coated with a variegated glaze of brown, green and gray 
 glaze. 
 
 Height, 8%, inches. 
 108—Oup JAPANESE STONEWARE BoTTLE 
 Pear-shape. Coated with a brown metallic glaze. 
 Height, 91%, inches. 
 109—Oup JAPANESE STONEWARE BOTTLE 
 
 Tall oviform. Invested with a mottled brown glaze of opaque 
 quality, and with splashes of clair-de-lune around the neck and 
 
 shoulder. 
 Height, 101%, inches 
 
First Afternoon 
 
 110—Oup Taxatori Porrery Jar 
 
 Coated with an opaque brown glaze and a running glaze at shoulder 
 of purple, gray and dark brown. 
 
 Height, 8 inches; diameter, 7 inches. 
 
 111—Otup Japanese Pottery Botte 
 . Globular shape, with short neck. Coated with a thick glaze of 
 mottled brown, with splashes of clair-de-lune. 
 
 Height, 10 inches; diameter, 9 inches. 
 
 ~112—Whuirte Porcerain Stanpine Ficure oF a JAPANESE DIGNITARY 
 Artistically modeled in white porcelain, and covered with a brilliant 
 white glaze with the exception of the head and hands, which are in 
 biscuit. Bears seal and inscription. 
 
 Height, 16 inches. 
 118—Pair Satsuma SMALL VASEs 
 
 Finely decorated by Meizan with scenes depicting Imperial pro- 
 cessions and ceremonial gatherings. Microscopically executed in 
 gold and enamel colors. Signed. 
 
 Height, 41% imches. 
 
 114—Oup Satsuma TEApotT 
 
 Oviform, with side spout and handle. Richly decorated with bird 
 crests and brocade patterns in gold and red, blue and green enamels. 
 
 115—O.p Satsuma INcENSE BuRNER 
 
 Cylindrical shape, with two scroll handles and openwork cover. 
 Decorations of floral designs and scepter-head border, exquisitely 
 
 executed in delicate enamel colors and gilding. 
 Height, 5%, inches. 
 
 116—O.up Satsuma TEApror 
 
 Oviform, with side spout and scroll handle. Chrysanthemum 
 flowers finely painted in crimson, green and gilding over a crackled 
 surface. 
 
 117—Oup Kioto TEs-Bsow1x 
 
 Buff glaze. With a ceremonial gathering of priests painted in 
 
 enamel colors and gilding. 
 Diameter, 4°34 inches. 
 
First Afternoon 
 
 118—Oup Satsuma InNcENSE JAR 
 
 Globular shape. Reserve fan-shape panels of chrysanthemums, 
 peonies and other flowers painted over a crackled surface. Me- 
 tallic glaze. | 
 
 Diameter, 5 inches. 
 
 119—LarcEe Satsuma TEAPOT 
 
 Quadrilateral, with spout and handle of dragon design. Richly 
 decorated with floral and brocade design finely executed in em- 
 bossed gold and red, blue and green enamels. Lid surmounted by 
 figure of Dog Foo. 
 
 Height, 81%, inches. 
 120—Oup SatsumMA PLATE 
 
 Decoration of Japanese legendary subject painted in enamel colors, 
 and enriched by gilding. 
 
 Diameter, 15 inches. 
 121—Parr Kaca Larcrt PLaAtTEs 
 
 Richly decorated in red, black and gold with daimio figure, interior 
 views, brocade and floral designs. 
 
 Each: Diameter, 18 inches. 
 122—THREE OLD J APANESE Masks 
 
 Carved wood and enameled. 
 
 123—Oup JapanesE Carvep Woop Box 
 In design of a pomegranate, with a bird-of-paradise in bold relief 
 on cover. 
 Height, 51,4 inches; length, 7 inches. 
 124—KakEMONO 
 
 Daimio and servant in snowstorm, painted in colors on silk. 
 
 125—KaKkEMONO 
 
 Tree peonies painted in monochrome on silk. Moths and butter- 
 flies on mount. Signed Bunchio. Eighteenth century. 
 
 126—KaKkEMONO 
 
 Cardinal bird on perch, finely painted in colors on silk. Fine old 
 brocade mount. Signed Kano Tanniu. Seventeenth century. 
 
First Afternoon 
 
 127—KaxEMono 
 Mandarin ducks in stream, rocky cliff and flowers finely painted in 
 colors on silk. Signed Uhi. Eighteenth century. 
 
 128—KakEMoNno 
 Pine trees, mountainous landscape and red sun painted on silk. 
 Signed Bunrin. Nineteenth century. 
 
 129—KaKkEmMono 
 
 Quail and chrysanthemums in bloom, finely painted in colors on silk. 
 Gold brocade mount. Signed Mituoki Tosa. Eighteenth century. 
 
 130—KaxkEmono 
 Quail and flowering plants finely painted in colors on silk. Signed 
 Tosa Mituoki. Son of the more famous artist, Mituoki Tosa. 
 Eighteenth century. 
 
 JAPANESE LACQUERS 
 
 1381—Vermition LaceuER SAKE SAUCER 
 
 Japanese garden scene executed in raised gold and silver lacquers. 
 
 Signed Jiii Kaku. 
 
 132—Brown Laceuer Tray 
 Lozenge-shape. Garden scene, pine and plum blossoms, winding 
 stream and leashed cat, exquisitely executed in raised gold and 
 silver lacquers on a polished surface. 
 
 133—ReEp Socuovu Lacauer Ovat Tray 
 
 Scepter-head scrolls in bold carving. 
 Length, 74 inches. 
 
 184—Goxip Lacever PErFumE Box 
 Circular shape, with inner tray. Chrysanthemum flowers, ex- 
 quisitely penciled on the outer surface, the inner surface finished 
 with fine nashiji, and the tray decorated with a figure of Shoki, the 
 
 demon destroyer. 
 Diameter, 31 inches. 
 
First Afternoon 
 
 135—Svurrers Lacever Box 
 
 Persimmon shape, with inner tray of vermilion and pure gold lac- 
 quer. The embellishment of stem and worm-eaten leaves skilfully 
 reproduced in relief. The inner surface and tray finished in fine 
 nashiji, and the latter decorated with a wasp and wasp-nest, faith- 
 fully reproduced in gold lacquer. 7 
 
 Diameter, 434 inches. 
 
 1386—Svurers Lacever Box 
 
 Double-shell shape. Daimio carriage, cherry in blossom and bro- 
 cade patterns exquisitely executed in gold lacquers, and chrysan- 
 themum crest, ferns and brocade patterns penciled in various tones 
 of gold on a polished black ground, which is also inlaid with gold 
 
 mosaics. The inner surface finished in very fine nashiji. 
 
 Length, 61%, inches. 
 
 137—AVENTURINE LacauER DespatcH Box 
 
 Crest and cherry blossoms executed in gold and silver lacquers. 
 With original cord and tassels. 
 Length, 10 inches. 
 
 1388—Goup Nasnyigt Writine Case 
 
 The top of cover embellished with a figure of Hotei with his sack, 
 executed in high relief in gold and other lacquers. On inside of 
 cover are storks, winding stream, rockery and old pine, exe- 
 cuted in relief in various lacquers on a ground covered with gold- 
 leaf mosaics. Furnished with ink stone, water bottle and pencils. 
 
 Length, 814 inches; width, 734 inches. 
 
 1389—Picnic Box (Sage ju) 
 Of quadrilateral folding form. Fitted with four cake-boxes, three 
 of which are lacquered to resemble tortoise-shell and various woods, 
 
 and four triangular-shaped small trays. 
 
 Height, 10 inches; 6 inches square. 
 
 140—Goxip LacevEerR Inro 
 
 Four compartments. Embellished with flowers, birds, carp and 
 other designs, exquisitely executed in various lacquers, within fan 
 and heart-shaped panel. Ivory button netsuke, with bronze me- 
 dallion and carved ivory ojimi. 
 
First Afternoon 
 
 141—Iwnro 
 
 Five compartments. Aventurine lacquer. Decoration of land- 
 scapes and mountains in raised gold and silver lacquers. Carved 
 ivory netsuke in design of a peony. Dog Foo ojimi. 
 
 142—Inro 
 Five compartments. Black and gold lacquer, pheasants, bamboo, 
 
 pine, and winding stream finely executed in gold and silver lacquers. 
 Bone and metal-work netsuke and metal-work ojimi. 
 
 143—Iyro 
 Five compartments. Polished black lacquer. Exquisitely embel- 
 lished with blossoms, storks and butterflies incrusted with mother- 
 of-pearl and coral in gold lacquer panels. Signed by Kaji Kawa. 
 Carved ivory button-shaped netsuke and metal-work ojimi. 
 
 144—Goup LaceuvER Ovirorm JAR 
 
 Richly embellished in mother-of-pearl, ivory and coral incrusta- 
 tions. Figure of Shoki, the demon destroyer, parrot and plum 
 branch, tree peonies and other flowers. The cover of metal-work, 
 to represent fabric tied with cords and tassel and embellished 
 with floral scrolls on cloisonné enamel. 
 Height, 614, inches. 
 145—Parr Goutp Lacever Vases 
 Mounted in metal-work and beautifully embellished with floral de- 
 signs and ornaments in incrusted mother-of-pearl, ivory and coral. 
 Height, 81% inches. 
 
 146—Go rp LaceuErr Ostone Tray 
 Center panel embellished with garden scene showing Emperor, Em- 
 press and attendant with a mountainous background, beautifully 
 executed in various lacquers in relief and ivory and mother-of- 
 pearl incrustations. The wide border decorated with various 
 fan designs executed in gold lacquer on a clouded ground, edged 
 with silver. 
 Length, 14%, inches; width, 10%, inches. 
 147—Bracx LaceuEer PANEL 
 Sparrow, wild asters and grasses in carved and tinted ivory. 
 
 Signed by Kagawa. 
 Height, 1734 inches; width, 12 inches. 
 
First Afternoon 
 
 148—W Hire LacauER PANEL 
 
 Embellished with tree ee and grasses in cared and tinted 
 ivory. Frame of polished “cherry bark’ lacquer and decorated 
 with cherry blossoms, delicately penciled. Signed Kagawa. 
 
 Height, 231, inches; width, 17 inches. 
 
 149— JAPANESE SHORT SworD 
 
 Grooved blade. Mountings of red copper and other metals. Small 
 knife handle of iron ornamented with a boating scene in other 
 metals. Signed Hamano-Shunko. Scabbard lacquered to resemble 
 wood grains. 
 
 150—Carvep Woop Group 
 The Nikko Monkeys: “See no evil; Hear no evil, and, Speak no 
 
 evil.” 
 Height, 41, inches. 
 
 151—Oxp Bamsoo CyurmnpricaL VASE 
 Carved in relief and openwork, with figures, pine and bamboo. 
 Height, 7 inches. 
 
 152—Mopreu or JAPANESE HovusE 
 Skilfully made in various woods and basketwork. 
 Height, 11 inches; length, 914 inches; width, 7 inches. 
 
 1583—Oup Damio Tosacco PoucHu 
 
 With pipe-holder and silver pouch. Elaborate metal-work mount- 
 ings; ornament of sea dragon and large carved ivory netsuke. 
 
 154—Larce Ostricu-Ece Box 
 The outer surface embellished with scattered maple leaves executed 
 in gold and other lacquers. ‘The inner surface elaborately em- 
 bellished in raised gold lacquers, with mountainous landscape, cas- 
 
 cade and other designs. 
 Length, 61% inches; width, 51%, inches. 
 
 155—JaPpaANESE CarveEpD Ivory STATUETTE 
 
 Standing figure of Kuan-yin in a robe of graceful folds. Signed 
 Mindo. 
 Height, 91 inches. 
 
First Afternoon 
 
 156—Japanerst Ivory Carvine 
 Shoki, the demon destroyer, punishing an imp. 
 Height, 5%, inches. 
 157—Inrportant Oxtp Japanese Ivory Carvine 
 
 Equestrian and other figures of warriors illustrating a Japanese 
 historical event. Signed Shinke. 
 
 Height, 61, inches; diameter, 4 inches. 
 
 158—JaAPANESE CarveED Ivory SHRINE 
 
 Elaborately and skilfully carved in relief with Buddhistic and 
 
 mythological subjects and mounted in metal-work. Containing 
 
 artistically carved figure of Kuan-yin and her child attendant. 
 Height, 9 inches. 
 
 159—JapanEsE Carvep Ivory Box 
 In the form of a section of bamboo. Elaborately and skilfully 
 carved in relief and openwork, with numerous quail among growing 
 millet. ‘The cover mounted by an ornament to conform. 
 
 Height, 9 inches; diameter, 414 inches. 
 
 JADE CARVINGS AND ROCK-CRYSTAL BALLS . 
 
 160—Smartt ALABASTER CARVING 
 
 Monkey feasting. 
 
 161—Inpian Jape Perrume Box 
 In four compartments. The leaf designs carved in relief. Thin 
 gray texture. 
 
 162—Japre Miniature TEapor 
 Melon design, with stem forming handle and a leaf forming the 
 spout. Moss-green texture. 
 
 163—FErI-ts’ur SMALL PLATE 
 Carved in design of an aster. Thin texture. 
 Diameter, 4 inches. 
 164—ImperiaL Fer-ts’u1 PENDANT 
 Design of a gourd and vine carved in relief and undercut and 
 
 highly polished. 
 
First Afternoon 
 
 165—CuIneEsE TaBLE SCREEN 
 Panel of white jade, carved in openwork with Show character and 
 bat symbols surrounded by a framing of filigree silver and mounted 
 
 on a carved teakwood stand. 
 Height, 8%, inches; width, 5%, inches. 
 
 166—Moss-creEn Inpian Jape Bown 
 Almost eggshell thinness. The outer surface carved in relief with — 
 an elaborate leaf and scroll design. The inner surface highly 
 
 polished. 
 
 Height, 21% inches; diameter, 614 inches. 
 
 167—Gray-wHiTEe Inpian JavE Bow. | 
 With two prominent handles of openwork floral design. The outer 
 surface completely covered with a carved and polished ornamenta- — 
 tion of conventional floral and scroll patterns. The imner sur- 
 
 face highly polished. 
 
 Height, 3 inches; diameter, 7 inches. 
 
 168—CuovupEp WuitTr JapE Bown 
 Dense sonorous texture; polished inner and outer surface. Has 
 finely carved openwork cover, surmounted by a carved carnelian 
 
 ornament of dragon design. 
 Height, 314, inches; diameter, 6% inches. 
 
 169—Gray-wHITE JADE TaBLE SCREEN 
 Circular slab of grayish-white jade. On the obverse, carved in 
 high relief, is a scene depicting a river view and mountainous 
 landscape, a summer-house with figures, willow and pine trees. 
 On the reverse, a plum tree in blossom and rockeries. Mounted on 
 a stand of fine moss-green jade carved with leaf scrolls and Shou 
 symbols. 
 
 Extreme height with stand, 1034 inches; diameter of dish, 714, inches. 
 
 170—GREEN JADE BRUSH-HOLDER 
 Wide cylindrical shape. Artistically carved in bold relief from a 
 block of green nephrite of mottled translucent texture. The pano- 
 ramic landscape shows pine and palm trees, a bridge, human fig- 
 
 ures and rocky cliffs. 
 Height, 51%, inches; diameter, 514, inches. 
 
First Afternoon 
 
 171—Larce JAPANESE Rocxk-crystaL Baty 
 
 Of unusual large size and exceeding purity. Mounted on a tall 
 stand of carved teakwood and cloisonné enamel. 
 
 Diameter of ball, 43, inches. 
 
 172—JapanesE Rock-crystaL Bau 
 Mounted on a bronze stand in design of two demons modeled in red 
 
 bronze and shibuichi. 
 Diameter of ball, 314 inches. 
 
 1738—JAPANESE Rock-crystaL Baty 
 
 Mounted on a carved ivory stand. 
 Height, 21%, inches. 
 
 174—Larce Hatr-crystaLt Batu 
 | 
 
 Highly polished surface. Mounted on a sterling silver stand, rep- 
 
 resenting a figure of Atlas. 
 Diameter of ball, 4 1-16 inches. 
 
 JAPANESE AND CHINESE METAL-WORK 
 
 175—JAPANESE SILVER PERFUME BuRNER 
 Wrought in openwork scroll designs and ornamented with enamel, 
 flowers and leaf-shape handles. 
 
 176—JAPANESE SILVER PERFUME BURNER 
 
 Repoussé and enarneled floral ornamentation. | Openwork cover, 
 with ornaments in (lesign of turtle of longevity. Signed. 
 
 177—JapaNESE SILVER PERFUME BuRNER 
 Quadrilateral shape, with indented corners and two openwork 
 handles. Ornamented in relief with peony flowers and various de- 
 signs executed in wire cloisonné. 
 
 178—JaApaNESE SILVER INcENSE BuRNER 
 Globular shape on tripod, with openwork cover with lotus orna- 
 ment. Repoussé chased ornamentation of peony and chrysanthe- 
 
 mum flowers. 
 Diameter, 314 inches. 
 
First Afternoon 
 
 179—JapaNEsE SILVER INCENSE BURNER 
 Quadrilateral shape, on four feet and with two scroll handles. Re- 
 poussé chased and relief ornamentation of tree peonies, phoenix and 
 other designs and cloisonné enamel scrolls. ‘The cover surmounted 
 by a large butterfly. 
 Height, 6%, inches; width, 54%, inches. 
 180—JapanEsE SILvER Tripop Koro 
 Globular shape. Relief ornamentation in metals and cloisonné 
 enamels of flowers; Howo birds, butterflies and chrysanthemums, 
 and kiri crest. Cover surmounted by a pomegranate ornament. 
 
 Height, 5 inches; diameter, 4 inches. 
 
 181—Pair JAPANESE SILVER VASES : 
 Graceful pear-shape, with pierced body of scroll design and two 
 butterfly handles. Beautifully embellished with dragon, Howo bird 
 and floral designs in cloisonné enamel. 
 Height, 6%4, inches. 
 182—JapaneEsE Sitver Incense BurNnER 
 Quadrilateral shape, with two scroll handles on shoulder and on 
 scepter-head feet. Body pierced and ornamented with peony and 
 chrysanthemum flowers in repoussé and partially gilt and enameled. 
 
 The cover surmounted by a chrysanthemum flower. 
 Height, 6 inches; width, 4°34 inches. 
 
 1883—JaPpANESE HamMMERED SILverR TEAPOT 
 
 With swinging bale. Spout in form of the head of the turtle of 
 longevity. Etched and gilded ornamentation of dragons and cloud 
 forms. Signed. ' 
 
 184—JapANESE SILVER SMALL T'KAPOT 
 
 Tc match the preceding. Signed. 
 
 185—Six JAPANESE SILVER CUP-HOLDERS 
 Cloisonné enamel ornamentation; fitted with porcelain after-dinner 
 coffee-cups. 
 
 186—JapPANESE SILVER 'TEA-SERVICE 
 Consisting of teapot with swinging bale, sugar bowl and cream 
 pitcher. Ornamentation of chrysanthemum flowers and cloisonné 
 enamel. Signed. 3 
 
First Afternoon 
 
 187—Six JapaNEsE SILVER CUP-HOLDERS 
 Of openwork scroll design with ornamentation of peony and chrys- 
 anthemum flowers in repoussé and enamels. Fitted with decorated 
 Kaga cup. 
 ~188—GuLoBvuLAR-SHAPED JAR : 
 Covered with opaque red enamel, under which is a decoration of 
 a bold dragon and cloud forms in black. . 
 
 Diameter, 5 inches. 
 189—Smatut Ovirorm Vase 
 
 Gilded surface. The ornamentation illustrating the process of 
 cloisonné enamel. 
 
 190—Gitt anp ENamet Perrume Box 
 
 Circular shape. Medallions of dragons, storks and fabulous ani- 
 mals in low tones of enamel, on a clouded turquoise-blue ground. 
 Interior finished in gilding. 
 
 Diameter, 3 inches. 
 
 191—Oxp CuINEsE CLoIsonNE ENAMEL CaxkE-BOXx 
 Flattened circular shape. Lotus and leaf scrolls, scepter-head 
 borders and panel of chrysanthemums, rockery, and swastika fret 
 patterns in red; lapis, white and green enamels on turquoise-blue 
 
 ground. Ch’ier lung. 
 
 Diameter, 81%, inches. 
 
 192—O.p CHINESE Cro1sonné ENAMEL VASE 
 Graceful bottle-shape. The body decorated with flowers and leaf 
 
 scrolls in brilliant colors of enamel on a white ground. The neck 
 covered with a turquoise-blue enamel and embellished with lotus 
 flowers of leaf scrolls in brilliant colors. Ch’ien-lung. 
 
 Height, 18 inches. 
 
 193—JapanesE Wrirer’s Ink anp PENCIL-HOLDER 
 Of bronze, with ornamentation of archaic design. Netsuke in de- 
 sign of an inro. 
 
 194— Japanese Bronze Sworp Guarp 
 Skilfully wrought in design of a serpent. Signed Fusatoma. 
 
First Afternoon 
 
 195—JapanEsE CANDLESTICK 
 Skilfully formed of an old iron sword guard, and numerous sword 
 mounts and ornaments in gold, shakudo, shibuichi and other Jap- 
 anese metals. 
 Height, 121% inches. 
 196—Oxp Japanese BronzE SHRINE VASE 
 Relief ornamentation on a golden brown patina. 
 Height, 8 inches. 
 197—JapanEsE Bronze INcEnNsE BurNER 
 Quadrilateral shape, on tall slender legs. Ornamentation of wis- 
 taria in bloom, plum in blossom and moonlight landscape, worked 
 in relief and in gold inlays. Cover surmounted by a figure of Hotei. 
 
 Fine brown patina. 
 Height, 714 inches. 
 
 % 
 
 198—JAPANESE BronzE WaTER KETTLE 
 
 With side handle and spout. Fish wave designs and cloud forms, 
 inlaid with gold, silver and shakudo. Silver-lined. 
 
 Height, 11, inches. 
 199—JapPANEsSE Bronze PLATE 
 
 Ornamentation of morning-glory vine in bloom, and butterfly, in- 
 laid with various metals and chased. Bamboo design edge. Fine 
 brown patina. Signed. 
 
 Diameter, 91%, inches. 
 200—Oxup THIBETAN SACRIFICIAL VESSEL 
 
 Helmet shape. On tripod of dragon-heads of gilded metal, with 
 Show character and other designs etched. 
 
 201— JAPANESE Bronze IncENsSE LANTERN 
 
 Globular shape. Pierced ornamentation of floral and leaf scrolls. 
 
 202—JaPpANESE BronzE INCENSE BuRNER 
 
 Globular shape. Carved ornamentation of peonies, chrysanthe- 
 mum and leaf scrolls. Shakudo patine. Has openwork silver cover. 
 
 Height, 4 inches. 
 203—JAPANESE BronzE OximMono 
 
 Monkey in costume, resting on a tree branch. 
 Diameter, 5 inches. 
 
First Afternoon 
 
 204—Oup JAPANESE Bronze INCENSE BuRNER 
 
 Circular shape, on tripod and detachable base. Relief casting of 
 
 crayfish and carp and other design. 
 Height, 6 inches. 
 
 x 
 
 205—Oxip JapanesE Warer Kerrie 
 
 With top handle and lacquered lid. Pine and grasses in relief 
 casting. 
 
 206—OLxp CHINESE Bronze INcENSE BuRNER 
 
 Quadrilateral shape on four feet. Sanscrit character in low relief. 
 
 207—Oup JAPANESE Bronze VASE 
 
 Bottle-shape, with bulbous mouth and lion-mask handles and in- 
 
 cised diaper pattern. Fine brown patina. 
 Height, 8 inches. 
 
 208—AnTIQUE CHINESE Bronze VaAsE 
 Bottle-shape, with tall slender tubular neck, two lion-mask handles, 
 and incised bands of wave and fret patterns round shoulder and 
 base. Fine mottled green and red patina. Six-character mark of 
 Hsiian-te. 
 Height, 11 inches. 
 209—O.p JapanresE Bronze VASE 
 Oviform, with broad flaring mouth. Coated with a fine mottled 
 verdigris-green patina. 
 Height, 71% inches. 
 210—Oxtp JapaNEsE Bronze BEAKER-SHAPED VASE 
 With two handles, in design of a bunch of grapes and vine. Brown 
 patina. 
 Height, 7 inches. 
 211—AnTIQuUE JAPANESE Bronze VASE 
 Tall, slender bottle-shape. Dragon in bold relief encircling neck; 
 incised band of wave design round body. Fine brown patina. 
 Height, 121%, inches. 
 
 212—AnTIQUE JAPANESE BronzE VASE 
 Flattened oviform, with broad mouth and spreading base. Has 
 two dragon head handles and bands of archaic dragon scrolls. 
 
 Mottled brown patina. 
 Height, 8%, inches. 
 
First Afternoon 
 
 213—Oxup JAPANESE Bronze VasE 
 Globular body with tall, slender tubular neck. Mottled red and 
 
 brown patina. 
 Height, 101%, inches. 
 
 214—ANTIQUE JAPANESE BronzE VASE 
 
 Tall, slender bottle-shape. Dragon in relief casting, coated with 
 
 a very fine mottled green and brown patina. 
 Height, 1134 inches. 
 
 215—ANTIQUE CHINESE BronzE STATUETTE , 
 Standing figure of a Chinese boy wearing an embroidered jacket 
 
 and with toy bird-carriage. 
 Height, 91% inches. 
 
 216—Oup JAPANESE BronzE SHRINE CANDLESTICK 
 
 In design of a stork standing on a turtle of longevity. The pricket 
 
 candle-holder of lotus design. 
 Height, 14% inches. 
 
 217—ANTIQUE JAPANESE Bronze VASE 
 Globular-shaped body, with boldly flaring mouth. Ornamented 
 with dragon modeled in high relief and coated with a fine patina 
 
 of mottled green and brown. 
 Height, 934 iches. 
 
 218—OLp JapanEsE Bronze Hipacut 
 Globular shape, with top swinging handle. Elaborate ornamenta- 
 tion of tree peonies and chrysanthemums in relief casting. 
 
 Height, 61, inches; diameter, 71, inches. 
 
 219—O.up JapaNnEsE Bronze VAsE 
 Bamboo design. Mottled green and brown patina. 
 Height, 131%, inches. 
 
 220—Oxp JAPANESE Bronze VASE 
 Graceful oviform, with receding base and neck. Ornamented with 
 a dragon cast in high relief. Coated with a very fine patina of 
 mottled brown and green by Mitsuhire. Eighteenth century. 
 
 Height, 13 inches; diameter, 8 inches. 
 
First Afternoon - 
 
 221—JapaNnEsE Bronze Vase 
 Graceful oviform. |Ornamented with an artistically produced 
 moonlight landscape and pine trees in shadow. Rich brown patina. 
 An exhibition specimen and signed Jiyomi. 
 
 Height, 1234 inches; diameter, 814 inches. 
 
 222—Larcr Bronze Vase 
 Old Japanese. Circular-shaped body, with bold flaring neck and 
 mouth. Ornamented with a band of Greek fret and archaic scrolls. 
 Mottled brown patina. 
 
 Height, 131, inches; diameter, 151% inches. 
 
 223—Larcre ANTIQUE San-Toxu Bronze Vase 
 Beaker-shape, with two mask-head handles on neck. Brown patina, 
 the entire outer surface thickly covered with irregular-shaped in- 
 sertions of gold. Underneath the foot is a large and finely en- 
 graved seal mark of the Hsiian-te period. 
 Height, 241, inches. 
 224—EazoraTeE OLp JAPANESE Bronze VaAsE 
 _In design of a trunk of a cherry tree, with a figure of a falconer 
 seated at its base. Arranged for an electric lamp. 
 Height, 14 inches; width, 12 inches. 
 
 225—ELaporaTE JAPANESE Bronze Stanpine Lamp 
 Ornamented in relief with dragons, birds and floral designs, and 
 coated with a rich brown patina. Arranged for electricity. 
 Height, 53 inches. 
 
SECOND AFTERNOON’S SALE 
 
 FRIDAY, FEBRUARY 26, 1915 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 2.30 oO’CLOCK 
 
 Which includes Catalogue Nos. 226 to 452 
 
 MISCELLANEOUS PORCELAINS AND POTTERY 
 
 226—TweLveE PorcELAIN SPOONS 
 
 Dresden style. Floral decoration. 
 
 227—Dovutton TEApPotT 
 
 Engraved and painted ornamentation on a snake-skin ground. 
 
 Copy of a Japanese sake pot. 
 Height, 7 inches. 
 
 228—DrespEN Fruit Basket 
 
 Blue and white, pierced loop sides. 
 Height, 4°4 inches. 
 
 229—Cy.inpRicaL VaAsE 
 Pottery. Floral decoration in colors on a cream-white ground. 
 Height, 81% inches. 
 
 230—AnTIQUE Wepcwoop URN 
 
 Cream-white paste, with relief ornamentation of leaves, ribbon bow- 
 
 knots and garlands of floral bells. 
 Height, 934 inches. 
 
 231—BotrLE-sHAPED Pottery VASE 
 Pear-shaped, with four lobes. Gray and green glaze. 
 Height, 1134 inches. 
 
Second Afternoon 
 
 232—Pair oF CoveRED VASES 
 Tapering ovoid bodies on a tall foot. Chocolate glaze, with applied 
 ornamentation of Amorini and morning-glories in the Solon style. 
 . Height, 18 inches. 
 
 233—FrREeNcH PorcEeLain VASE wiTH CovER 
 Louis XV style. Clear white glaze with applied and relief ornamen- 
 tation of flowers and scrolls. ‘The cover surmounted by an angel 
 
 with a garland of flowers. 
 Height, 14 inches. 
 
 234—PorcELAIN Urn 
 English. Brown glaze, with two scroll handles, portrait plaques 
 and leaf garlands in white. Square base. Lacks cover. (Re- 
 
 paired.) 
 Height, 111% inches. 
 
 235—FrencH Fartence Futzt-mMoon Vase 
 
 Haviland’s. Blue and gray glaze, with a painted portrait of a 
 
 cavalier. Signed M. B. 
 Height, 12 inches. 
 
 236—Frencu Farencre Jar 
 Haviland’s. With lon-mask handles and painted decoration of an 
 angel’s head and flowers on a gray and blue ground. 
 Height, 13 inches. 
 
 237—Frencu Farencre Jar 
 
 With two loop handles. Iridescent splash glaze of red, blue, green 
 
 and gold; and traces of leaf decoration. 
 Height, 14 inches. 
 
 238—Two EncusH Parntep PLAQUES 
 
 Minton’s. One decorated with a swallow, moon and reeds; the other 
 
 with flowers. 
 Diameter, 151, inches. 
 
 239—Two EncusH PaIntEp PLAQvuEs 
 
 Minton’s. One decorated with birds and flowers, the other with 
 
 chrysanthemums. 
 Diameter, 15 inches. 
 
Second Afternoon 
 
 240—Masourica PLAQUE 
 
 Blue glaze. With relief ornamentation of portrait plaques, griffins, 
 and a central medallion of Noah, his family and the animals en- 
 tering the ark. 
 
 Diameter, 181/, inches. 
 241—FramMep PLaQuE 
 Figure decoration in the Solon style. 
 Diameter, 81% inches. 
 242—FrencH Faience Paintep PLaauE 
 
 With ruined arches and wooded landscape in blue and gold irides- 
 cent colorings. Signed on the back: “Clement Massier. Golfe 
 Juan. A.M.” 
 
 Diameter, 20 inches. 
 
 243—Frencu Painted PLAQuE 
 
 Rich iridescent glaze; in green and gold. Signed “Clement Massier. 
 Golfe Juan. A.M.” 
 
 Diameter, 24 inches. 
 
 244—Frenco Enamet Vase with Two Hanp.Les 
 
 With panel decoration of figures and leaf sprays on a blue ground, 
 the panels divided by horizontal lines of imitation opals. The foot 
 
 and base of green enamel. (Imperfect.) 
 Height, 13 inches. 
 
 VENETIAN GLASS 
 
 “The following pieces of Venetian glass have been faithfully reproduced from 
 well-known examples of this ancient art exhibited in the museums of Venice and 
 London. Many of them rank in quality and design with the famous pieces from which 
 they are copied.” 
 
 245—Low BEAKER AND A GOBLET witH HANDLE 
 
 The former with white enamel decoration in the Greek style, the 
 latter enameled and gilded. 
 
 246—Two VENETIAN Guass VASES 
 
 One smoked glass, double-bottle shaped on tall foot; the other a 
 high-shouldered bottle of blue glass with iridescent fleckings. 
 
 Respective heghts, 444, and 71/, inches. 
 
Second Afternoon 
 
 247—VENETIAN Guass VasE AND A BoTrLe 
 The former with basket rim and lower portion of blue and white 
 spiral lines. The latter white spirals and aventurine. 
 Respective heights, 3 and 61, inches. 
 
 248—Patr or VENETIAN GuaAss GOBLETS 
 Smoked, with white ribbings. 
 
 Height, 5 inches. 
 
 249—Two VENETIAN GLAss JUGS 
 
 Pale amber. : 
 Height, 8 inches. 
 
 250—Two VENETIAN GuaAss GOBLETS 
 
 Ribbed, with light blue enamel fleckings. 
 Height, 5 inches. 
 
 251—Two VENETIAN Guass VASES 
 One cylindrical, with enameled decoration; the other with indented 
 
 sides and fluted neck. 
 Respective heights, 734 and 81, inches. 
 
 252—Two Venetian Guass VAsEs 
 One fan-shaped, with opal coloring; the other with lip and handle, 
 
 red gold stone effect and white ribbings. 
 Respective heights, 6%, and 71% inches. 
 
 253—VENETIAN Guass Cup anp VASE 
 The former pale amber, with handles, mask ornaments and four 
 feet; the latter a dolphin, in gold stone effect and light blue. 
 
 (Damaged. ) 
 | Respective heights, 64%, and 4 inches. 
 
 254—VeENETIAN Pate AmMBER Guass BOTTLE AND JAR 
 The former with cover, marked ribs and handles; the latter with 
 
 cover and cone-shaped terminal. 
 Height, 7 inches. 
 
 255—Two VENETIAN Guass VaASEs 
 One goblet-shaped, with blue handles and ribbed stem; the other 
 with shaped bowl on a tall standard of amber. 
 Respective heights, 8 and 9 inches. 
 
Second Afternoon 
 
 256—Two VENETIAN Guass VASES 
 
 One pale amber, with two handles, bosses, masks and two blue 
 bands; the other with slender, ribbed double neck. 
 
 Respective heights, 101%, and 1114 inches. 
 
 257—Two VENETIAN Grass VasEs 
 Pale amber, with wide trumpet shaped bowls, the stems twisted, 
 
 ribbed and corrugated, and with two handles each. 
 Height, 714, inches. 
 
 258—Two Venetian Grass GoBLets 
 One pale amber, with ribbed and scalloped bowl; the other clear, 
 with flower shaped bowl. The stems with filigree handles, and 
 ribbings. : 
 Height, 81% inches. 
 259—Two VeNneETIAN Guass VasEs 
 ~ One smoked, with flaring rim, ribbed body, two blue glass handles 
 and bulbous stem; the other goblet-shape, with blue glass handles 
 
 and lemon-colored stem. 
 Respective heights, 734 and 914 inches. 
 
 260—Two VENETIAN GuaAss GOBLETS 
 
 Pale amber, with ribbed and scalloped rims. One with four-scroll 
 stem of spiral ribbed and red glass. 
 Respective heights, 924 and 10 inches. 
 
 261—Two Venetian Guiass Ewers 
 Pale amber. One with purple bands and gold stone masks. 
 Respective heights, 10 and 11 inches. 
 
 262—Two VeneTIAN Giass VASEs 
 Pale amber. One morning-glory-shaped, with cover and two blue 
 handles; the other with triple, spiral neck, shaped top and fluted 
 
 base. 
 Respectve heights, 1014 and 12 inches. 
 
 2683—Two Venetian Guass VASES 
 Pale amber. One with scroll ribbed handles, with bosses about the 
 lower part of the body; the other with gold stone handles and masks 
 
 and upright ribbings of opaque white. 
 Height, 8%, inches. 
 
Second Afternoon 
 
 264—VENETIAN Guass Ewer anp Two-HANDLED VASE 
 
 The former with bird mouth, gold stone handle and ornaments ; 
 the latter pale green, with two handles and inverted pear-shaped | 
 body. 
 Respective heights, 1014 and 11 inches. — 
 
 ~265—VENETIAN GLass GOBLET 
 Pale amber. Chalice-shaped bowl. The stem has two pink handles. 
 a Height, 1034 inches. 
 
 266—Four VENETIAN Guass CANDLESTICKS 
 
 Pale amber. With wide spreading top and base. The stems of 
 double twisted rods of a darker shade and mounted in gilt brass. 
 
 Height, 914 inches. 
 267—Two VENETIAN Guass VASES 
 
 Pale amber. One with wide spreading bowl, the other ornamented 
 with bosses. Both with three handles about the stem. 
 
 Respective heights, 11144 and 121, inches. 
 
 268—Two VENETIAN Guass VASES 
 
 Pale amber. With flower-shaped bowls, two handles, ribbed and 
 
 bulbous stems. 
 Respective heights, 11 and 11% inches. 
 
 269—VENETIAN CoMPOTIER 
 
 Clear glass, with white spiral ribbings. The ornamental standard 
 of gold stone effect, pink and pale amber. 
 
 Height, 7 inches; diameter, 71% inches. 
 
 270—VENETIAN Guass TaLtt GOBLET 
 
 Pale amethyst, the elaborate standard with loops, ribbed bulbs and 
 blue glass masks. | 
 
 Height, 131% inches. 
 271—VENETIAN Guass DECANTER 
 Gold stone effect, with blue enamel fleckings. 
 Height, 111% inches. 
 272—Parr oF VENETIAN GuAss DECANTERS 
 
 Pale olive, with gold stone ribbings and one handle each. Pyramidal 
 
 bodies. 
 Height, 8%4 inches. 
 
Second Afternoon 
 
 273—VENETIAN Guass BorrLe 
 Very light amber, with horizontal ribs of opaque white glass. 
 Height, 141, inches. 
 
 —274—VENETIAN SMOKED Guass VasE 
 Hourglass-shaped, with horizontal spiral ribbings. 
 Height, 12 inches. 
 275—VENETIAN CLEAR Guass VASE 
 
 Lily-shaped bowl, supported by leaves which rise from a spiral 
 stem. 
 
 Height, 11 inches. 
 276—VeENETIAN Grass VAsE 
 Graceful morning-glory shape. Opal glass, with horizontal rib- 
 bings of opaque white. | 
 | Height, 1534 inches. 
 277—VENETIAN SMOKED GLass: ORNAMENT 
 
 The compressed oblong bowl has a spout, handle, bosses and loop 
 
 ornaments. On tall foot. 
 Height, 141% inches. 
 
 278—VENETIAN Guass CANDELABRA 
 For six lights. Clear glass, with floral, chain and leaf ornaments 
 in clear, opaque white, pink and red glass. Ornamental central 
 
 standard and stem. 
 Height, 3114 inches. 
 
 279—Two Fiower VAsEs 
 
 One green Favrile glass, with purple iridescence; the other with 
 spiral ribbed body, the foot and rim of gilt. 
 Respective heights, 71, and 10%, inches. . 
 
 280—WInE Guass 
 
 Dutch. Engraved ornamentation of floral branches, a crown and 
 
 clasped hands, and “D. Vriend Schnap.” 
 Height, 7% inches. 
 281—Rusy Guass Ewrr 
 
 French. With gilt metal mounts and cover. 
 Height, 101% inches. 
 
Second Afternoon 
 
 MISCELLANEOUS OBJECTS 
 
 282—CrystTaL VINAIGRETTE AND STAND 
 
 Hexagonal. The openwork cover has a pearl terminal and the jar 
 is encircled by a beautifully modeled and chiseled serpent of Jap- 
 
 anese workmanship in silver gilt. 
 Height, 3 inches. 
 
 283—AcatE CouPE AND AN AMETHYST SAUCER 
 
 The former with tripod bust support of gilt bronze; the latter with 
 rich purple markings. 
 
 284—Paintep FrencH Fan 
 
 Louis XIV style. With seated and dancing figures on a rocky 
 islet. Pierced mother-of-pearl sticks, with birds, medallions and 
 floral decoration, silvered and gilded. 
 
 285—Two Tanacra FIGuRINES 
 Seated. 
 
 286—Turee Tanacra FIGurinEs 
 
 In the costume of the period. 
 
 287—PuastTER Group 
 
 Tiger and crocodile, after Barye. 
 Length, 917 inches. 
 
 288—Two Composite MarsLE SPHERES 
 With gilt bronze stands. ; 
 Diameter, 534 inches. 
 289—T wo Sranps 
 Triple X. With socket for a ball. 
 
 290—Bas-RELIEF Woop Carvine 
 Boys singing, after the antique. Carved wood frame. 
 Height, 13 inches; width, 15 inches. 
 
 291—Eicut Framep MINIATURES 
 
 Painted on ivory. Taj Mahal and other subjects. Four in each 
 frame. 
 
Second Afternoon 
 
 292—Frencu ENAMEL PLaQuE 
 Classic subject. Signed D. L. Framed. 
 Length, 1114 inches; width, 9 inches. 
 
 293—CarvED Ivory CANDLE SCREEN 
 
 An angel with a child in her arms flying over a city. Relief leaf 
 
 design border and carved standard. 
 Height, 14 inches. 
 
 294—PaInTED PLaQuE AND A FLORENTINE Mosaic 
 
 The former a child reading, and the latter a white hen. Both 
 framed. 
 
 295—SturrepD TorToIsE 
 
 - The shell polished. 
 
 296—Piece or Perririep Woop 
 
 Various colorings. 
 
 297—Mopveu or A Doorway oF THE ALHAMBRA 
 The upper portion enameled a pale yellow, pierced and carved. 
 Six alabaster pillar supports. Ebonized frame. 
 Height, 24 inches; width, 17144 inches. 
 
 298—MopEt or a Doorway or THE ALHAMBRA 
 Similar to the preceding, but more elaborate. 
 Height, 233, inches; width, 19 inches. 
 
 299—Two Carvep Trakwoop STANDS 
 
 The top with scalloped edge and a marble insert. With under- 
 braces and claw and ball feet. 
 
 800—Ostricu Ecce 
 
 Persian, of the eighteenth century. Elaborately carved in low re- 
 lief in a design of panels occupied by portraits of men and women 
 and by inscriptions in Arabic “Naschki” characters. The remain- 
 ing surface of egg is carved with Saracenic interlacement bands, 
 bands of guilloche pattern and figures of animals. 
 
 Length, 51/, inches. 
 
Second Afternoon 
 
 301—East Inpian Pottery Bowt anv Cover 
 
 Seventeenth century. Coupe-shaped, with domed cover, ending 
 in a flat disk-shaped finial. Decorated in colored enamels, with 
 shaped panels of red reserve containing Buddhistic figures of Dei-. 
 ties, the background between the figures being decorated with a 
 diaper pattern of flame forms. There are alternating bands of 
 ornamentation in red relief on a green ground and of white on a red 
 
 ground. 
 Height, 834, inches. 
 
 302—Box or SANDALWOOD AND Ivory 
 
 Hindustanee, of the nineteenth century. Octagonal-shaped. Elab- 
 orately carved, with borders of diapered pattern inlaid with ivory 
 
 and metal. 
 Length, 91% inches; width, 61 inches. 
 
 3803—Box or SANDALWOOD AND Ivory 
 
 Hindustanee, of the nineteenth century. Octagonal-shaped. Elab- 
 orately carved and inlaid with diapered patterns in ivory and metal. 
 Length, 9 inches; width, 61%, inches. 
 
 304—Carvep Woop PAaneEL 
 
 Arabic, of the eighteenth century. Carved in low relief with a pat- 
 tern of Saracenic interlacements and painted in gold and colors 
 on a cream-colored ground; surrounded by a border of shaped 
 panels filled with floral ornamentations on a red ground diapered 
 
 with gold. 
 301%, inches by 141% inches. 
 
 305—PortucuEsE Masouica VASE 
 
 Eighteenth century. Bottle-shaped, with cylindrical neck. Dec- 
 orated on a brown ground with a conventional floral and leaf pat- 
 
 tern of yellow enamel heightened with green. | 
 Height, 121%, inches. 
 
 306—Damascus Masouica TILE 
 Decorated on a white ground and in colored enamels with a design 
 of serrated leaf and flower forms. 
 Length, 12%, inches; width, 914 inches. 
 
Second Afternoon 
 
 3807—Damascus Masouica TILE 
 
 Decorated on a white ground in red, green and blue enamels with 
 a design of serrated leaves, rosetted flowers and flowers buds. 
 Framed. 
 
 9 inches square. 
 
 808—Perrsian VasE or LacauERED Woop 
 
 Eighteenth century. Pear-shaped body, with wide spreading neck. 
 Decorated, on a light yellow ground, with a diapered pattern of 
 flowers and leaves painted in gold, red and blue, and with panels 
 of a diapered design in blue on gold grounds and in gold on light 
 yellow grounds. | 
 
 Height, 9 inches. 
 
 309—PERSIAN VASE oF LacevERED Woop 
 
 Eighteenth century. Pear-shaped, with cylindrical neck and cir- 
 cular base, decorated with an elaborate Saracenic diapered pattern 
 of flowers and leaves in gold reserve on a dark blue ground, and 
 with panels of geometrical interlacements, also of a Saracenic char- 
 acter. 
 Height, 9 inches. 
 310—Persian Box witH Cover 
 
 Eighteenth century. Of wood lacquered in colors. Decorated 
 with figure subjects and floral decorations. A rectangular panel 
 on the lid contains a subject of a Persian marriage scene, while 
 rectangular panels on the sides contain scenes of Persian domestic 
 life. The remaining decorations consist of shaped panels occupied 
 with groups of flowers on a gold ground and of bands of rosetted 
 and meander pattern decorations in gold on a dark blue ground. 
 
 Height, 51, inches; length, 10 inches; width 71 inches. 
 
 811—Perrstan ScRIVENER’s WoopEN PEN CASE 
 
 Seventeenth century. Decorated with panels containing portraits 
 in seventeenth century European costume alternating with figures 
 
 of lions hunting deer and of other animals. 
 Length, 8% inches. 
 
 312—PeERSIAN ScRIVENER’s WoopEN PEN CasE 
 
 Seventeenth century. Lacquered in colors with a design of lion 
 hunts, that occupying the upper surface being led by a bearded 
 
 Shah. 
 Length, 9 inches. 
 
Second Afternoon 
 
 313—ANTIQUE PERsIAN TILE on Murat TaBLet 
 
 Seventeenth century. Decorated in colors with a design of an 
 arched panel, below which is a design of a vase of roses and other 
 flowers. The spandrils above and at the sides of the arch are filled ~ 
 with a pattern of Saracenic leaf interlacements in white reserve on 
 a dark blue ground. Above is a band containing an Arabic inscrip- 
 tion in brown on a ground of a lighter color, and above this again 
 an arched panel containing an Arabic inscription in pale blue on a 
 brown ground flanked on either side by bands of white reserve oc- 
 cupied by vases of flowers. The whole is surrounded by a border of 
 raised floral zigzag in white reserve on a ground of blue. 
 
 Height, 15%, inches; width, 1214 inches. 
 
 314—Perrsian Potrery VAsE 
 Eighteenth century. Semi-porcellanous. | Pear-shaped, with 
 straight neck and two looped handles. Decorated in turquoise 
 and dark blue and with a pattern of hawthorn flowers in white re- 
 
 hef. Borders of acanthus and pointed leaf design. 
 Height, 7 inches. 
 
 315—SEMI-PORCELLANOUS PERSIAN VASE 
 Early eighteenth century. Pear-shaped lobed body, with cylindri- 
 cal neck, spreading rim and circular base. Decorated on a white 
 ground with an underglaze pattern of Saracenic character consist- 
 ing of interlacements, scrolls, leaves and flowers in dark blue and 
 
 green. 
 Height, 7 inches. 
 
 316—Persian Pottery VaAsE 
 Seventeenth century. Pear-shaped, lacking neck and handle, dec- 
 orated in brown and green, on a white ground with an all-over 
 
 pattern of flowers and leaves. 
 Height, 8 inches. 
 
 317—Persian Porrery VasrE , 
 Eighteenth century. Amphora-shaped, with two flat looped handles 
 and bulbous neck. Decorated, on a buff ground, with slip of a 
 lighter yellow in a scrolled pattern with leafage and rosetted 
 flowers painted in a dark brown. The borders, of a quatrefoil and 
 roundel design, are treated in a similar manner. 
 Height, 12 inches. 
 
Second Afternoon 
 
 318—East Inpian Potrrery VaAsE 
 
 Seventeenth century. Flat pear-shaped body, decorated with a 
 diapered pattern of flowers and leaves in red, and green on a blue 
 
 ground. 
 . Height, 1214 inches. 
 
 319—FEast Inp1an Potrery VAsE 
 
 Seventeenth century. Hexagonal spear-shaped body, with cylindri- 
 cal spreading neck and circular base, decorated with vertical panels 
 of flower and leaf design on alternating ground of red and green. 
 
 Height, 12 inches. 
 
 -820—East Inpvian Porrery Vase 
 
 Seventeenth century. Pear-shaped, with high cylindrical neck, 
 decorated on a ground of dark blue enamel with an elaborate pat- 
 tern in gold and colored lacquers. Around the body are six oval 
 panels filled with subjects of hunters mounted on horseback, and 
 of wild animals. The spaces between these panels are decorated 
 with a floral design, while above and below are panels of conven- 
 tional acanthus leaf ornamentation. ‘The neck is decorated with 
 spiral bands of conventional flower and leaf designs in gold lac- 
 
 quer on ground of dark blue. 
 Height, 121% inches. 
 
 321—PERsIAN SEMI-PORCELLANOUS VASE 
 
 Eighteenth century. Pear-shaped body, with wide spreading neck. 
 The body is decorated with a design of interlacements, carnation 
 blossoms and leaves in white relief outlined in black on a turquoise- 
 blue ground; the neck with a pattern of acanthus leaves in white 
 relief and veined in dark blue, on a turquoise-blue ground, and there 
 are panels of pointed-leaf design in white relief on a dark blue 
 
 ground. 
 Height, 14 inches. 
 
Second Afternoon 
 
 OLD DELFT 
 
 3822—Set or THrEE Outp Detrt Vases 
 
 Eighteenth century. One vase is pear-shaped with a long tapering 
 neck, and two are club-shaped with narrow necks. Decorated, in 
 blue on white, with Oriental subjects of birds, flowers and butter- 
 flies. Mark A. C. P. in blue. 
 
 Height of two, 7% inches; of one, 7 inches. 
 
 323—Oxp Deurr TanKkarp 
 
 Baluster-shape, with looped handle. Decorated, in blue on white, 
 in the Oriental manner with a subject of Chinese figures in a land- 
 
 scape. 
 Height, 7 inches. 
 
 324—Oup Deurr Vase 
 
 Eighteenth century. Straight sides, with incurved rim. Decorated, 
 in blue on white, with a design of Chinese figure, landscape, palm 
 
 trees and house. | 
 Height, 11 inches. 
 
 325—MiniaturE Detrr Ware CaBINET 
 Cabinet, with hinged door, supported on twisted balusters which 
 rise from a rectangular base resting on four ball feet. Decorated, 
 in blue on white, with pastoral figure subjects, landscape, floriated 
 
 borders and bird, leaf and flower forms. 
 Height, 121, inches. 
 
 326—Oup Detrr Bown 
 
 Kighteenth century. Straight fluted sides. Decorated, in blue on 
 white, with a design of floral garlands enclosing panels, which are 
 occupied by designs of birds and flowers, otherwise decorated with 
 floral scrolls and knots of ribbons. Mark of W. Van der Does. (Re- 
 paired. ) 
 
 Height, 51%, inches; diameter, 11 inches. 
 
 327—Oxup Deurtr VAsE 
 
 Seventeenth century. Pear-shaped with gauffered rim. Deco- 
 rated, in blue on white, with Chinese figure subjects surrounded by 
 
 scrolled borders. Unknown mark. 
 Height, 81%, inches. 
 
Second Afternoon 
 
 328—Parr oF Outp Detrrtr Vases 
 
 Eighteenth century. Pear-shaped, with fluted sides. Decorated, 
 in blue on white, with pattern of scrolled leaf forms and flowers and 
 
 with borders of a pointed-leaf design. 
 Height, 8 inches. 
 
 329—Oxip DELFT VasE | 
 
 Octagonal baluster-shape, with domed cover terminating with a 
 finial. Decorated, in blue on white, with an allover design of pea- 
 cocks, flowers and leaves and a broad border of scroll work and leaf 
 
 forms. (Cover repaired.) 
 Height, 12 inches. 
 
 330—Oxtp Deurr VAsE 
 
 Highteenth century. Octagonal baluster-shape, with domed cover 
 terminating with a finial. Decorated, in blue on white, with an 
 allover design of peacocks, flowers and leaves, and a broad border 
 
 of scroll work and leaf forms. 
 Height, 12 inches. 
 
 331—Pair or Otp Derr Vases 
 
 Seventeenth century. Octagonal bell-shaped, with bulbous necks. 
 Decorated, in blue on white, with panels of birds and flowers and 
 with borders of scrolled and floral design. (Damaged.) 
 
 Height, 13 inches. 
 332—Oup DreutFrr GARNITURE OF FIVE VASES 
 
 Eighteenth century. Three baluster-shaped vases (two with covers 
 having scrolled finials, and one with cover having finial shaped as 
 parrot feeding on fruit), and two hexagonal spill-shaped vases. 
 Decorated, in blue on white, with scrolled panels occupied with sub- 
 jects of a man in eighteenth century costume leading a dog. Mark 
 
 of De Klaauw (Sign of the Griffin). 
 Height (three), 14 inches; (two), 1014 inches. 
 
 900—OLp DetFrr GARNITURE OF THREE VASES 
 
 Kighteenth century. Two octagonal pear-shaped and fluted vases, 
 and one octagonal spill-shaped vase, all with covers. Decorated, in 
 blue on white, with panels separated by scroll and diapered borders 
 and occupied with Oriental subjects of stag and roe-deer and land- 
 scapes. Domed covers, decorated with panels of fruit forms and 
 terminating in finials shaped as Oriental mythical monsters. Mark 
 
 re EL; 
 Height of two 141% inches; of one 1514 inches. 
 
Second Afternoon 
 
 334—Oup Detrr Vase 
 Seventeenth century. Octagonal spill-shaped, with fluted sides. 
 Decorated, in blue on white, with panels containing subjects of a 
 Chinese pagoda with figures and with borders of panels, in white 
 
 reserve, occupied by leaf forms. Dated 1656. 
 Height, 14 inches. 
 
 38385—Oup Drurr VAsE wiTtTH CovER 
 Seventeenth century. Pear-shaped. Decorated, in blue on white, 
 with Oriental allover design of flowers, leaves, birds and butter- 
 
 flies. Domed cover. (Cover faulty.) 
 Height, 121, inches. 
 
 3386—Parr oF Otp Deutrr Vases anp Covers 
 
 Baluster-shaped. Decorated in polychrome, with subject of Chi- 
 nese figures, peony blossoms, detached sprays of flowers and leaves 
 and writers’ emblems. Domed covers, with pear-shaped finials. 
 
 (Repaired. ) 
 Height, 10 inches. 
 
 337—Ox.p Derr GarniTuRE OF THREE PIECES 
 
 Eighteenth century. One octagonal spill-shaped and two octag- 
 onal baluster-shaped vases. Decorated in polychrome, with oval 
 panels surrounded by raised borders of scrolls, flowers and leaves, 
 and containing landscape subjects of Dutch windmills and water- 
 fowl. Domed covers, ending in fluted finials. Mark of Justus 
 Brower (De Byl). 
 
 ) Heights, 1534 inches. 
 
 38388—Oup Deurr PLATE 
 
 Seventeenth century. Decorated, in blue and purple, with a figure 
 subject of “Saint Peter denying Christ.” (Mat. X XVI, 74-75). 
 
 Diameter, 7 inches. 
 
 339—Detrr Derr DisH 
 Eighteenth century. Decorated, in blue on white, with an Oriental 
 design of floral sprays and pine cones, and with a border of six 
 panels occupied by flower forms and separated by diapered spaces 
 of a checkered pattern. Mark of J. T. Dickstraat. 
 
 - Diameter, 10 inches. 
 
Second Afternoon 
 
 340—Ox.p Detrr PiatEe 
 Seventeenth century. Decorated in blue on white. The center is 
 occupied with an allover pattern of peonies and other flower forms 
 and the deep border with a design of corresponding character. 
 
 (Cracked.) Mark of Roerder. 
 
 Diameter, 10 inches. 
 
 341—OLtp Deurr Derr Dis | 
 Seventeenth century. Decorated in polychrome, the center being 
 occupied with a conventional flower form in brown surrounded by 
 a border of six heart-shaped panels occupied, and alternating, 
 with flower and leaf forms in red, yellow, blue and green. There is 
 an outer border of six panels of white reserve checkered designs 
 
 in red and blue. 
 ire Diameter, 1134 inches. 
 
 342—O.p Detrr Derr Disu 
 Eighteenth century. Decorated in polychrome, the center being oc- 
 cupied with a figure of a woman holding a cornucopia surrounded 
 by floral and leaf forms and by a border of panels containing 
 
 floral and leaf forms. 
 Diameter, 1334 inches. 
 
 343—Oxp Detrr Derr Disu 
 Circular shape, with fluted border. Decorated, in blue on white, 
 with pseudo-Chinese figure subjects. 
 
 Diameter, 111% inches. 
 
 344—Oup Detrr Derr Disxu 
 Circular shaped, with fluted border; decorated in blue and yellow 
 
 on a white ground. 
 Diameter, 13 inches. 
 
 345—Oxip Detrr Derr Disu 
 Decorated in blue on a white ground. The center is occupied with an 
 all-over pattern of flowers and leaves in the Oriental style, sur- 
 rounded by a deep border of panels bordered by conventional leaf 
 forms and occupied with groups of peony blossoms and leaves. 
 
 Diameter, 1514, inches. 
 
Second Afternoon 
 
 346—Oup Detrr Watt PLaaQuE 
 Seventeenth century. Scrolled escutcheon-shaped. Decorated, in 
 blue on white, with a subject of a Dutch harbor with square-rigged 
 ships, rowboats, fishing smacks, etc., surrounded by a molded and 
 
 marbled border. (Repaired. ) 
 Height, 22 inches; width, 18 inches. 
 
 GREEK GLASS AND POTTERY AND OTHER OBJECTS 
 
 347—Two FracmMents oF Greco-Roman Guass 
 
 Invested with a fine iridescence. 
 
 348—Graco-Roman Wuitr Guass BotrrLe 
 
 Flat dome-shaped body, with tall cylindrical neck. Of a white 
 
 glass coated with a fine iridescence. (Broken.) 
 Height, 5 inches. 
 
 349—Greco-PHa@nician Guass UNGUENTARIUM 
 Twin conjoined cylinders, with looped carrying handles.° Of green 
 glass invested with a slight iridescence. 
 
 Height, 6 inches. 
 350—Greco-PHe@niciaN Guass UNGUENTARIUM 
 Twin conjoined cylinders of green glass. Invested with a slight 
 iridescence. 
 Height, 41, inches. 
 351—Greco-PHa@nician Guass BotTLeE witH HAanpdLE 
 Pear-shaped with flat and reeded looped handle. Of greenish white 
 glass, partially invested with a fine iridescence. 
 Height, 4 inches 
 352—Greco-PHenician Guass UNGUENTARIUM 
 Twin conjoined cylinders surrounded by a spiral thread of green 
 glass with two looped side handles. Invested with a beautiful 
 silvery iridescence. 
 Height, 414 inches. 
 353—Graco-PHa@nician UNGUENTARIUM 
 Cylindrical reeded body. Of greenish white glass, with spreading rim, 
 flat reeded handle. Invested with a delicate iridescence. 
 Height, 41, inches. 
 
Second A fiernoon 
 
 354—Graco-Roman Guass Botrriue 
 
 Pear-shaped body, cylindrical neck. Of white glass. Invested with 
 
 a delicate iridescence. 
 Height, 41% inches. 
 
 355—Graeco-PHE@NICIAN Guass .BEAKER 
 
 Pyramidal-shape. Of white glass, ornamented with raised splashes 
 of amethystine glass. ‘The whole is invested with a very beautiful 
 
 iridescence. 
 Height, 6 inches. 
 
 356—Greco-Roman Guass VasE witH HanpLE 
 
 Pear-shaped, with cylindrical neck and looped handle. Greenish- 
 white glass, partly invested with a fine iridescence. 
 | Height, 51%, inches. 
 
 357—Graco-Roman Guass VASE 
 
 Of the second century. Pear-shaped, with spreading rim, and of 
 amber-colored glass. Interior only showing signs of disintegra- 
 
 tion. 
 Height, 444 inches. 
 
 358—Graco-Roman Guass BorrLuEe 
 
 Spherical body, with tall cylindrical neck. Of amber-colored glass. 
 
 The interior showing signs of disintegration. 
 Height, 61% inches. 
 
 359—Greco-PHa@niIcIAN Guass BoTTLE 
 
 Pear-shaped, with short cylindrical neck. Of greenish-white glass, 
 
 invested with a very beautiful iridescence. 
 Height, 514 inches. 
 
 3860—PaneL oF EcyrptiaAn Paintep LINEN 
 
 Eighteenth Dynasty. Originally forming part of a mummy case. 
 Painted in colors. 
 
 361—Parr or Ecyrtrian Potrrery PERFUME BOTTLES 
 
 Fifteenth century A.D. Pear-shaped, with carved spouts, looped 
 and beaded handles, circular bases and pointed stoppers. Dec- 
 orated around the body with a band of incised ornamentation. One 
 
 red and the other black. 
 Height, 91% inches. 
 
Second Afternoon 
 
 362—EeyPrTian NECKLACE 
 
 Eighteenth Dynasty. Formed of beads of vari-colored pottery ar- 
 ranged in a reticulated pattern. | 
 
 363—Five Miniature GREEK Potrery VASEs 
 
 Third to the first century B.C. One of them is amphora-shaped and 
 another is decorated in red and black on a buff-colored ground. 
 
 364—Six Greco-Roman Hanp Lamps 
 First century B.C., of red, white and brown terra-cotta decorated 
 in various designs. , | 
 
 365—GreEk Cup witH HanpdLE 
 Fourth century B.C. Coupe-shaped, with a looped handle having 
 disk-shaped thumb purchase. The sides of the bowl are decorated 
 with the subjects of a seated figure, and faun and lion-like animals 
 
 in black and white on light red ground. 
 Height, 314 inches. 
 
 366—GREEK T'ERRA-cCOTTA VASE 
 
 Second century B.C. Amphora-shaped, with cylindrical neck dec- 
 
 orated with bands of ‘black and red. 
 Height, 51% inches. 
 
 367—GreEek Trerra-cotta Bow. witH Cover 
 First century B.C. Globular-shaped, with flat cover terminating 
 in a baluster-shaped finial. Decorated on a pale buff ground with 
 bands of ornamentation painted in light red. Excavated at Athens. 
 Height, 7 inches. 
 
 368—GRrReEEK TERRA-cOoTTA VASE OR UNGUENTARIUM ; 
 Third century B.C. Lecythus-shaped, with tall neck and looped 
 handles. Decorated with a seated figure of a winged Victory in 
 white on a black ground. (Excavated at Cuma.) 
 Height, 7%, inches. 
 
 369—GreEk TrErrA-cotta VASE 
 
 Fifth century B.C. Lecythus-shaped, with tall neck and flat looped 
 handles. Decorated in black on a light-colored ground with bands 
 
 of honeysuckle ornamentation. 
 Height, 71/4, inches. 
 
Second A fternoon 
 
 370—GreEK TeERRA-Cotta VASE 
 
 Second century B.C. Cantharis-shaped, with fluted body, two pro- 
 jecting twisted handles and circular base. Decorated with a band 
 of meander and honeysuckle ornamentation in red on a black 
 ground. 
 Height, 8 inches. 
 371—Greco-Roman TrErra-cotta Vase wiTtH CovER 
 
 Fourth century B.C. Tazza-shaped body, with projecting looped 
 handles and slightly domed lid terminating in a tall finial supported 
 by shaped leaves and pierced for the emission of incense fumes. 
 The lid is decorated on a black ground with a meander and honey- 
 
 suckle pattern in red. (Excavated at Cuma.) 
 Height, 9 inches. 
 
 3'772—CorInTHIAN TERRA-COTTA VASE wItTH HaNnpLEs 
 Fourth century B. C. Pear-shaped, with flat straight looped han- 
 
 dles having disk-like ornamentations at the angles and junctions 
 with the body. Decorated in brown on a pale yellow ground with 
 bands of interlacing and zigzag ornamentations. (Excavated at 
 
 Nola.) 
 Height, 9 inches. 
 
 373—Gra«co-Roman Terra-cottra VASE 
 Fifth century B.C. Qé£nochoe-shaped body, with pinched-in neck, 
 
 cylindrical looped handles and circular base. Decorated on a 
 black ground with a panel of light red reserve occupied with a 
 subject of the contest between Menelaus and Hector, painted in 
 black and red, and with bands of honeysuckle ornamentation in 
 black on a light red ground. 
 
 Height, 9 inches. 
 374—Erruscan TErra-cotta Vase 
 
 Fifth century B.C. Amphora-shaped, with cylindrical neck, flat 
 looped handles and circular base. Decorated on a red ground with 
 Bacchic figures and with bands of honeysuckle and lotus leaf orna- 
 mentation. (Excavated at Chiusi.) 
 Height, 10 inches. 
 375—Graco-Roman Terra-cotta VaAsE 
 Hydria-shaped, with fluted body, cylindrical neck and three handles. 
 Decorated on a black ground with the figure of a bird and with 
 bands of rosetted ornamentation. (Excavated at Nola.) 
 
 Height, 10 inches. 
 
 ‘ 
 
Second Afternoon 
 
 376—GreEEK TeERRA-coTTa VASE 
 Third century B.C.  Lecythus-shaped, with cylindrical-shaped 
 neck and handle. Decorated on a light buff ground with figures 
 of a man and woman sacrificing, and the bands of Greek fret and 
 honeysuckle ornamentation painted in brown and black. 
 Height, 101%, inches. 
 377—ANTIQUE TERRA-coTTA BowL 
 Pear-shaped, with curved neck. Decorated in red, black and white 
 with a bold conventional pattern of geometrical design. 
 ~ Diameter, 114% inches. 
 378— GREEK Terra-coTtta VASE | 
 
 Third century B.C. Qnochoe-shaped body, with ovine neck, 
 on a black ground with a seated figure of a winged Victory in red 
 shaped rim, high flat, looped handles and circular base. Decorated 
 reserve and with a honeysuckle and scroll ornamentation. (Dam- 
 aged. ) 
 
 Height, 114% inches. 
 379—Greco-Roman Terra-cotra VAsE | 
 
 Fourth century B.C. Crater-shaped, with straight neck and two 
 side handles formed as double cylinders with rectangular lifting 
 bars. Body decorated in red on black with panels of mythological 
 figures and with bands of lotus leaf and honeysuckle ornamentation. 
 
 (Excavated at Cuma.) 
 Height, 16 inches. 
 
 380—Graco-Roman TErra-cotta VASE 
 
 Third century B.C. Amphora-shaped, with flat looped handles 
 and circular base. Decorated, in red and buff on a black ground, 
 with subjects of male and female figures making offerings at a 
 tomb, a warrior with horse standing in front of a temple entrance, 
 with flanking male and female figures, and with a bold honeysuckle 
 ornamentation. ‘The neck is decorated with a portrait and with 
 an elaborate scrolled and floral pattern, bands of Greek fret, honey- 
 suckle and conventional wave ornamentations in black and red. 
 
 Height, 31 inches. 
 
 3881—Two Tanacra Ficures 
 
 Figures of women, one seated and one standing, modeled in terra- 
 cotta. (Damaged.) 
 Heights, 64% and 6%, inches. 
 
Second Afternoon 
 
 382—Greek Terra-coTta Ewer 
 Third century B.C. Pear-shaped, with fluted body, cylindrical 
 rim and a round looped handle terminating in a mask, Around 
 the neck is a band of Greek meander and lotus leaf design. (Ex- 
 
 -cavated at Nola.) age : 
 eight, 12 inches. 
 
 OLD HISPANO-MORESQUE AND OTHER FAIENCE 
 
 383—Oxp Hispano-Moresaue Masouica Vase 
 Seventeenth century; Valencia. Ovolo form, with projecting 
 wing handles. Decorated, in copper luster, with Sacacenic design 
 
 of leaf forms. 
 Height, 914 inches. 
 
 384—Oxp Hispano-Moreseve Masorica VasE 
 Seventeenth century; Valencia. Pear-shaped body with projecting 
 wing handles. Decorated, in copper luster, with an allover pat- 
 
 tern of birds, flower, leaves and scrolls. 
 Height, 9 inches. 
 
 3885—O.p Hispano-Moreseve Masorica VasE 
 Seventeenth century; Valencia. Pear-shaped form, with high neck 
 and projecting wing handles. Decorated in copper luster, the 
 lower portion in a diapered scroll pattern with pine leaves and 
 scrolls, the neck with a Saracenic design of ridged panels oc- 
 
 cupied by a conventional leaf form. 
 Height, 10 inches. 
 
 386—Oxp Hispano-Moresave Derr Disu 
 Seventeenth century. Decorated in dark copper luster. The en- 
 tire center is occupied with a design of a conventional carnation 
 rising from a vase and surrounded by a border of scroll design. 
 
 Diameter, 13 inches. 
 
 387—Oxp Hispano-Moresavue Derr Disu 
 Seventeenth century. Decorated in dark copper luster. The en- 
 tire center is occupied with a design of a conventional carnation 
 rising from a vase and surrounded by a border of scroll design. 
 
 Diameter, 14 inches. 
 
Second Afternoon 
 
 388—Oxp Hispano-MoresauEt DeEr Disu 
 
 Seventeenth century. Decorated in golden luster and blue. The 
 raised center is surrounded by an inner border of pseudo-Arabic — 
 characters and by a broad outer border of leaf forms and scrolls in | 
 golden luster and blue. 
 
 Diameter, 13 inches. 
 
 389—Oup Hispano-Moresaqut Deer DisH 
 
 Seventeenth century. Decorated in a greenish-yellow luster. The 
 raised center is surrounded by an inner border of bands and lines, 
 and by a broad border of leaf and flower forms in yellow luster. 
 
 Diameter, 13 inches. 
 
 390—O.up Hisepano-Moresaut Deer DisH 
 
 Seventeenth century. Decorated in greenish-yellow luster. The 
 raised center is surrounded by an inner border of bands, lines and 
 pseudo-Arabic characters and by a broad outer border of leaf 
 
 forms, all in yellow luster. 
 Diameter, 131% inches. 
 
 391—O.p Hispano-Moresavue Deer DisH 
 
 Seventeenth century. Decorated in copper luster. The raised 
 center is of pointed conical form and is surrounded by a diapered 
 pattern, by leaf forms and scrolls, and by a deep outer border of 
 rosetted forms alternating with leaf and scroll forms. 
 
 Diameter, 1414 inches. 
 
 892—Op. Hiseano-Moresaut Deer DisH 
 
 Seventeenth century. Decorated in copper luster and blue. The 
 raised center is surrounded by an inner border of flower and leaf 
 forms in blue, by scrolls in copper luster and by an outer border of 
 gadroon forms of alternate blue and copper luster. 
 
 Diameter, 1434 inches. 
 
 3893—OLp Hispano-MoresaurE Deer DisH 
 
 Seventeenth century. Decorated in copper luster and blue. The 
 raised center bordered with lines of blue is surrounded by an inner 
 border of leaf forms in copper luster and by a broad outer border 
 of gadrooned design outlined in blue and decorated with splashes 
 
 of copper luster. 
 Diameter, 1434 inches. 
 
Second Afternoon 
 
 394—Oxp Hispano-MoreEsaurt Derr Disu 
 
 Seventeenth century. Decorated in copper luster. The raised 
 center is decorated with a floriated cross in blue surrounded by 
 alternate borders of scroll and zigzag design in copper luster and 
 
 by lines of blue. 
 
 Diameter, 1514 inches. 
 
 395—Ouxp Hispano-MoresavuEt Derr DisH 
 
 Seventeenth century. Decorated in a golden copper luster. The 
 raised center is surrounded by eight radiating panels which are 
 outlined by raised borders of a rope design. Four of these are 
 occupied by diapered patterns and leaf forms, the other four with 
 a diaper and scroll pattern and by raised roundels. 
 
 Diameter, 151% inches. 
 
 396—O.utp Hiseano-Moreseut Derr Disu 
 
 Seventeenth century. Decorated in dark copper luster. The raised 
 center is surrounded by an inner border of pseudo-Arabic char- 
 acters. ‘The outer border is of a raised leaf and flower design and 
 
 of scrollings. 
 Diameter, 1614 inches. 
 
 397—Oup Hispano-Moresaque Deer Disu 
 
 Seventeenth century. Decorated in copper luster. The raised 
 center is surrounded by an inner border of flowers, leaves and scrolls 
 and by an outer border of raised gadroons decorated with flower 
 and leaf forms and with diapered patterns of a star design. (Re- 
 paired. ) 
 
 Diameter, 151%, inches. 
 
 398—Oxp Hispano-Moresaque Deer DisH 
 
 Seventeenth century. Decorated in a golden luster. The raised 
 center is decorated with a design of Saracenic interlacements and 
 is surrounded by border of Saracenic design interrupted by four 
 shields occupied by pseudo-Arabic characters and scrolled work. 
 There is a broad outer border of four panels occupied alternately 
 by a raised design of Saracenic flower-forms and by pseudo-Arabic 
 
 characters. 
 Diameter, 1514 inches. 
 
Second Afternoon 
 
 399—Oxp Hispano-MoresavuE Derr Disu 
 Seventeenth century. Decorated with copper luster and blue. 
 The raised center is painted in blue and surrounded by an inner 
 border of floral design and an outer border which has a pattern of 
 incised flower and leaf design outlined in blue. ( Repaired.) 
 
 Diameter, 151, inches. 
 
 400—Oup Hispano-MoresauEt Deer DisH 
 Seventeenth century. Decorated in dark copper luster. The raised 
 center is surrounded by a deep border of conventional fish and lily 
 forms and by an outer border of loop design. 
 Diameter, 16 inches. 
 
 401—Oup Hispano-Moreseut Derr Disu 
 Early seventeenth century; Valencia. Decorated in copper luster 
 and blue. The center is occupied by a cross with floriated arms 
 in copper luster and blue. The outer border is decorated with a~ 
 Spanish inscription in Gothic characters of blue interrupted by 
 panels of leaf forms painted in copper luster. This inscription 
 runs “Santa Catarina Guarda nos” (St. Catherine protect us). 
 
 Diameter, 14 inches. 
 
 402—Oup Hispano-MoresevE Derr DisH 
 Seventeenth century. Decorated in dark copper luster. The sur- 
 face is occupied with a design of small fish surrounded by sprays of 
 carnation blossoms, with an outer border decorated in a scroll 
 
 design. 
 
 Diameter, 1834 inches. 
 
 403—Hispano-Moreseve Derr Dis 
 Seventeenth century. Decorated in copper luster on a pale yellow 
 ground. The center is occupied with conventional design of a bird 
 
 surrounded by a scrolled border. 
 Diameter, 1514 inches. 
 
 404—Hispano-MoresauE Deep Disu 
 Seventeenth century. Decorated in dark red copper luster. 
 The center is occupied with a conventional design of a bird and 
 
 by floriated ornamentation. 
 Diameter, 16 inches. 
 
Second Afternoon 
 
 405—O.p Hispano-Moresavue Derr Disu 
 Seventeenth century. Decorated in copper luster. The center is 
 * occupied by a conventional design of a bird surrounded by groups 
 of carnations and by a scrolled border. 
 Diameter, 16 inches. 
 406—Oxp Hispano-Moresavut Derr DisH | 
 Seventeenth century. Decorated in light copper luster. The 
 raised center is surrounded by an inner border of palm leaves and 
 scrolls and by an outer border of raised gadroons decorated with 
 
 floral forms and diapers. 
 Diameter, 171, inches. 
 
 ITALIAN MAJOLICA 
 
 407—Mopern Danisu Pottery Vase witH Hanp.Lezs 
 Decorated on a black ground with an Egyptian ornamentation. 
 | Height, 10 inches. 
 
 408—Roman Mosaic 
 Nineteenth century. Figure of an Italian Contadina. Inlaid 
 
 frame of ebony and ivory. 
 Mosaic, 5 inches by 534 inches; height, 7 inches. 
 
 409—Itraztan Farence Piaavue 
 Seventeenth century. Circular shape, decorated, in blue on white, 
 with subject of Christ and the Woman of Samaria. Black wood 
 frame. 
 : Diameter, 614 inches. 
 410—Irauian Masourica PLaauE 
 Seventeenth century. The center is occupied with a pastoral figure 
 subject of women washing clothes surrounded by a border of 
 Amorini, flowers and escutcheons painted in natural colors heigh- 
 
 tened by gilding. Black wood frame. 
 
 Diameter, 61%, inches. 
 
 411—Iratian Magorica PiaaQue 
 Seventeenth century. The center is occupied by a female figure in 
 a chariot being crowned by attendant and surrounded by a border 
 
 of scrolls and masks. Dark wood frame. 
 Diameter, 634 inches. 
 
Second Afternoon 
 
 412—Iratian Magonica PLaaQue 
 
 Seventeenth century. The sunken center is surrounded by broad 
 border of scroll work and Amorini painted in green, yellow and blue — 
 
 on a pale blue ground. Framed. 
 Diameter, 7 inches. 
 
 4138—Iratian Masonrica PLAQUE 
 
 Seventeenth century. The center is occupied by a subject of 
 
 Mercury and Venus. 
 Diameter, 71/4, inches. 
 
 414—Iratian Magsourica PLAQUE 
 
 Seventeenth century. The center is occupied by a hunting subject 
 surrounded by a border of Amorini and scrolled decorations. 
 
 Diameter, 71%, inches. 
 
 415—Itratian Masouica PLAaQuE 
 
 Seventeenth century. The center is occupied with a subject of a 
 reclining female figure attended by Cupids. Painted in natural 
 colors heightened by gilding. 
 
 Diameter, T1/, inches. 
 
 416—Irauin Magsouica Derr Disu 
 
 In the style of the seventeenth century. The center is occupied 
 by a portrait of Dante Alighieri surrounded by a border of 
 arabesque design of masks and cherubs painted in a light blue 
 
 reserve on a dark blue ground. | 
 Diameter, 1334 inches. 
 
 41%7—I rattan PuastER PLAQuE 
 
 In the style of Donatello. Figure of the Virgin and Child modeled 
 in high relief and surrounded by cherubim. ‘Tinted in colors on 
 a dark green ground and in an elaborately carved mahogany and 
 
 gilt frame. 
 Height of panel, 261, inches; width, 1814 inches. 
 
 418—Patrr or Irarian Masouica VAsEs 
 
 Pear-shaped, with cylindrical necks and boldly scrolled handles or- 
 namented with masks. The bodies are decorated with escutcheon- 
 shaped panels surrounded by elaborately scrolled borders and oc- 
 cupied with figure subjects, including Venus and Adonis. These 
 panels are surrounded by an elaborate ornamentation of scrolled 
 
Second Afternoon 
 
 work of an architectural character painted in brown and yellow 
 on a dark blue ground. The stems are modeled as grotesque heads, 
 volutes and garlands of fruits, and the molded bases are of quatre- 
 foil design. 
 Height, 381%, inches. 
 419—Iratian Magotica Vase 
 
 Bottle-shaped, with high cylindrical neck. Decorated on a yellow 
 ground with a polychrome arabesque ornamentation. Mark: 
 Ginori. 
 Height, 6 inches. 
 420—PortucuEsE Magouica VasE 
 
 Eighteenth century. Bottle-shaped and decorated on a blue ground 
 with a scrolled pattern of flowers and birds in green and yellow 
 outlined in brown. 
 Height, 9 inches. 
 421—Pair or Itarian Masouica Vases 
 
 Pear-shaped, with low cylindrical necks and spreading rims. Deco- 
 rated in polychrome with scrolled escutcheons occupied by portraits 
 of men and soldiers in sixteenth century costume and with patterns 
 of flowers and leaves on dark blue grounds. 
 Height, 101, inches. 
 422—Iratian Masouica VasE 
 
 Eighteenth century. Bottle-shaped, with high cylindrical spread- 
 ing neck. The body is decorated in colors with subjects of birds, 
 foliage and bands of floral ornamentation. The neck is decorated 
 with four panels of white reserve occupied by floral sprays. 
 
 Height, 1114 inches. 
 423—Irartan Masouica VasE 
 Pear-shaped, with cylindrical neck. Decorated on a blue ground 
 with a scrolled pattern of flowers and leaves in yellow and green. 
 The neck is decorated with two bands of meander pattern in yel- 
 low and brown on a blue ground. 
 Height, 141, inches. 
 424—Irartan Magsorica Vase 
 Pear-shaped, with fluted looped handles ending in grotesque masks. 
 
 Decorated on a white ground with an all-over pattern of conven- 
 
 tional leafage in blue. 
 Height, 141, inches. 
 
Second Afternoon 
 
 OBJECTS IN VARIOUS METALS 
 
 425—ANTIQUE Brass RELIQUARY 
 
 Russian, with filigree scrolls and set with various colored stones — 
 
 and enamels. 
 
 426—Fovur SPECIMENS OF BrASS AND SILVER | 
 One an Indian silver box with repoussé ornamentation, and two 
 bowls and a box of Benares brass. 
 
 427—Five Sitver Toys 
 Dutch and French. Two chairs, table and two vases. 
 
 428—MINIATURE SILVER 'TEA-SET 
 With floral ornamentation. Comprises teapot, sugar bowl, creamer 
 and tea-caddy. 
 
 429—SILVER-PLATED CREAMER 
 French. Repoussé ornamentation of flowers, masks and Bacchanal 
 subjects. 
 
 430—InxstTanp AND WATER SPRINKLER 
 
 Pine cone and leaf designs. 
 
 431—SMALL JARDINIERE 
 
 Brass; on three feet. 
 
 432—CHINESE Prisst’s Wanp anp CEREMONIAL SYMBOL 
 The former hollow and with engraved ornamentation; the latter 
 brass. 
 
 433—CHINESE Brass BELL 
 With symbols, grotesque masks and other ornaments in low relief. 
 
 The handle is a part of a priest’s symbol. 
 Height, 71, inches. 
 
 434—AnTIQUE CHINESE Bronze BELL 
 In the form of a Buddha’s-hand fruit. Fine tone. 
 
 435—ANTIQUE BronzE BotTrLe witH Cover 
 
 With inlay of floral band and designs in silver. 
 Height, 10 inches. 
 
 ao 
 
Second A fternoon 
 
 436—Perrsian Brass Bow. 
 Engraved ornamentation of characters, and mythical and other 
 
 animals. 
 Diameter, 8 inches. 
 
 437—Haneinc Lame Bowr 
 Persian brass, with pierced designs of flowers and birds. 
 
 438—Perrsian Copper Ewrr anp ENAMELED JAR 
 The former with animal head spout and handle and relief ornamen- 
 tation; the latter with vases of flowers, fish and other decoration 
 
 in relief on an enamel ground. 
 : Respective heights, 914 and 10 inches. 
 
 439—Perrsian Brass JAR witH CovER 
 
 Repoussé ornamentation of dogs hunting birds, and leaf scrolls, 
 
 and bands of spear-heads and leaves. 
 Height, 11 inches. 
 
 440—Partr or Persian ‘Brass CANDLESTICKS 
 
 In the form of cobras; with lotus top. 
 Height, 8 inches. 
 
 441—Brass CaNnDLESTICK 
 With engraved ornamentation and very wide base. 
 Height, 181, inches. 
 
 442—Perrsian Brass Ewer 
 With engraved ornamentation of figures, animals, mythical mons- 
 
 ters, birds and leaves. 
 Height, 141, inches. 
 
 443—Brass Sconce 
 
 With pierced and repoussé bands and borders of grapes and leaves 
 
 and coat-of-arms. 'T'wo candle brackets. 
 Height, 15 inches. 
 
 444—BronzeE Bust 
 
 Head of a Greek god. After the antique. 
 Height, 111%, inches, 
 
Second Afternoon 
 
 445—PuastTeR Bust 
 Portrait of a young woman with high ruff. From a wax model. 
 Signed Salori. . 
 Height, 151, inches. © 
 446—Brass JARDINIERE 
 Chinese style. With two winged dragon handles and pierced base. 
 Height, 14 inches; diameter, 19 inches. 
 
 447—Exectric Taste Lampe 
 With brass vase standard and silk and gold lace shade. 
 Height, 221, inches. 
 
 448—Partr oF Persian Brass Borrues 
 
 With engraved ornamentation of peacocks, figures, animals, leaves 
 and flowers. 
 Height, 17 inches. 
 
 449—AntTiquE Persian Brass VAsE 
 
 Inverted pear-shape. Pierced and with applied ornamentation of 
 silver leaf. 
 Height, 204, inches. 
 450—Perrstan Brass LAnTEeRN 
 
 Pierced with scroll and leaf designs and overlaid with silver leaf. 
 Fitted for electric ight and with chain for hanging. 
 Height, 31 inches. 
 
 451—Perstan Larce Brass PuaauE 
 
 Engraved ornamentation of figures, animals, leaves and leafy 
 branches, and enameled in various colors. The prevailing color red. 
 
 Diameter, 35 inches. 
 
 452—Brass PLaquE 
 With a repoussé portrait of Henry IV, dated 1601, and masks and 
 leaf scrolls. 
 
 Diameter, 23 inches. 
 
THIRD AND LAST AFTERNOON’S SALE 
 
 SATURDAY, FEBRUARY 27, 1915 
 
 AT THE AMERICAN ART GALLERIES 
 
 BEGINNING AT 2.30 O'CLOCK 
 
 Which includes Catalogue Nos. 453 to 563 
 
 FURNITURE 
 Mostly Specially Designed Pieces by Cottier & Co. 
 
 4538—Soui Exsony Prprestay 
 With carefully executed carvings of vases of flowers, leaves and 
 
 fluted pillar corners. 
 Height, 101, inches; length, 6 inches; width, 434 inches. 
 
 454—X Book-rest 
 Walnut, with inlaid floral designs in mother-of-pearl, gilt vines 
 and pierced sides. 
 Height, 23 inches. 
 455—ExonizEp PEDESTAL 
 
 With pottery panel inserted in the top. 
 ’ Height, 81% inches; diameter, 1314 inches. 
 
 456—Watnut Boox-rEst 
 X-shaped. Moorish design, with spindle panels. 
 Height, 26 inches. 
 457—TorxisH ‘TAaBpoureET 
 With inlaid floral patterns in ivory. Pierced sides. 
 
 Height, 19 inches; diameter, 15 inches. 
 
 458—Low SrTanp 
 Walnut, with inlaid floral patterns and bands in mother-of-pearl 
 and ebony. Eight bell-shaped legs. 
 
 Height, 9 inches; diameter, 24 inches. 
 
Third and Last Afternoon aye 
 
 459—FirE SCREEN 
 Oak frame, with grooved ornamentation and an old embossed 
 
 leather panel. : 
 Height, 41 inches; width, 24 inches. 
 
 460—Persian Lacaver Prprestat TaBLE 
 Trefoil- shape, with under-shelf. Floral and leaf bards bands and 
 panels in various colors. Twisted tripod supports. 
 | Height, 26 inches; diameter, 17 inches. 
 
 461—Duvuuu Rep LacquERED TABLE 
 
 With bird and a blossoming peach tree in black and gold lacquer. 
 Has rolled end, two drawers, under-shelf and scroll supports. 
 Height, 29 inches; length, 30 inches. 
 
 462—Manocany OccasionaL TABLE 
 With shaped top, straight fluted legs and under-shelf. 
 Height, 261, inches; dameter, 241, inches. 
 
 463—SmMaLuL TABLE | 
 
 Square top, with mahogany center and black border. The turned 
 legs, braces and under-shelf to correspond. 
 H eight, 27 inches; diameter, 22 inches. 
 
 464—Exony Preprestat TaBLe 
 With inlaid top, turned legs and brass mounts. 
 Height, 31 inches; diameter, 15 inches. 
 
 465—Manocany Smatut TABLE 
 
 The shaped top inlaid with comino, satin and rosewood. Straight 
 
 legs. 
 Height, 24 inches; diameter, 2114 inches. 
 
 466—RosEwoop Carp TABLE 
 
 The lift-over top is covered with green felt. With under-shelf and 
 
 turned legs. 
 Height, 2 feet 3 inches; diameter, 3 feet. 
 
Third and Last Afternoon 
 
 467—Two RosrEwoop Sipr CuHatrrs 
 
 With spindle backs, braces and legs. Seats in embossed green 
 velvet on a salmon ground. 
 
 468—Manocany. SipE CHAIR 
 
 Of simple design with pierced splat. The seat in olive green em- 
 bossed velvet, on a salmon ground. 
 
 469—Two Manocany SipE CHarrs 
 
 With fluted slat backs and turned legs and braces. Japanese bro- 
 cade seats. 
 
 470—Manocany Low ARMCHAIR 
 
 Pierced scroll back, and oval seat. Scroll arms and legs, and 
 turned spindle underbraces. 
 
 471—Manocany Low ARMCHAIR 
 
 With pierced and turned spindle back, curved arm rests, legs and 
 cross braces. ‘I'he round seat covered with leather. 
 
 472—ERBon1zED CoRNER CHAIR 
 
 With curved slat back, square seat and turned legs and under- 
 braces. Seat in velours. 
 
 4°73 —M AHOGANY ARMCHAIR 
 
 With pierced cross splat and deep plain rail. Shaped arms and 
 
 turned legs and underbraces. The seat covered with tapestry. 
 
 474—Manocany Rocker 
 
 Square, spindled back, with an inlay of satinwood and mother-of- 
 pearl. Rush seat. 
 
 475—RosEwoop HicHBackEeD CHAIR 
 Molded frame, the back and seat upholstered in brown plush. 
 
 476—ExonizeEp Hatt CuHarr 
 With etched and gilded ornamentation. 
 
Third and Last Afternoon 
 
 477—Manocany Lisrary TaBsie 
 The top is covered with leather and has a wide border of ebonized 
 
 wood. Knee-hole sides, two cupboards, four drawers and turned 
 
 legs. 
 Height, 29 inches; length, 5814 inches; width, 3381, inches. 
 
 478—Ostone Mirror 
 With ebony and inlaid molded frame. 
 Length, 4 feet 7 inches; width, 2 feet 2 inches. 
 
 479—BrEvVELED PuatTE-cuass Mirror 
 With inner and outer moldings of ebony and brass. The top orna- 
 ment and mask corners of the same metal. 
 Height, 4 feet; width, 3 feet 9 inches. 
 
 480—Convex Mirror 
 Gilt frame, with two candle brackets. The top surmounted by a 
 reclining deer and tree trunks, and the base ornament a horn, sheaf 
 
 of wheat and leaves. 
 Height, 4 feet 4 inches; width, 2 feet 5 inches. 
 
 481—Comino Woop Cainer . 
 With painted decoration of fruit, flowers, and figures. Gilt-lined 
 and one glass shelf. Cabriole legs and under-shelf. . 
 Height, 4 feet 4 inches; length, 4 feet 7 inches. 
 
 482—MarBLeE STATUETTE 
 “Night.” Signed: O. S. Warner, 1879. On an ebony and inlay 
 
 pedestal. 
 Height of statue, 2 feet 10 inches. 
 
 Height of pedestal, 2 feet 11 inches. 
 
 483—BronzE STATUETTE 
 Classic subject. On red marble base. Signed: Mathurin Moreau, 
 
 1871. 
 Height, 2 feet 7 inches. 
 
 484—Bruack Marsire PEpEsTAL 
 
 Oblong top and square base. 
 Height, 3 feet 6 inches. 
 
Third and Last Afternoon 
 
 485—Swiss Music Box 
 In comino table case. Has drum, bell and bone attachments, six 
 cylinders and plays thirty-six tunes. 
 Height, 3 feet; length, 3 feet 6 inches. 
 
 486—EBONIZED AND RosEwoop CorNER CABINET 
 
 With a vase of flowers and floral sprays in white and a gilt band 
 on the door. Cupboard and two shelves below. 
 Height, 5 feet 11 inches; width, 2 feet 9 inches. 
 
 487—FourFoLp JAPANESE SCREEN 
 
 With red lacquered frame. The obverse sides of the panels em- 
 broidered with flowers and autumn leaves in colored silks on black 
 satin. ‘The reverse with painted decoration of water plants, birds 
 
 and wistaria. 
 Height, 54 inches; length, 81 inches. 
 
 488—TurEEFroLD MoorisH ScREEN 
 With cross spindle and ball panels and two screened miniature 
 
 window balconies. 
 Height, 60 inches; length, 60 inches. 
 
 489—ExBonizEp CABINET 
 Plain frame with three glass shelves and one glass door. 
 Height, 4 feet 6 inches; width, 1 foot 9 inches; depth, 1 foot 1 inch. 
 
 490—EpsonizEep CABINET 
 
 With inlaid top and under-shelf. The four curved sides are of 
 beveled plate glass. One door and four glass shelves. 
 Height, 5 feet 3 inches; diameter, 1 foot 8 inches. 
 
 491—EBonizEpD CABINET 
 
 Oval, with the four sides and shelves of glass. 
 Height, 5 feet 4 inches; width, 2 feet. 
 
 492—ERonizEp CABINET 
 With spindle rail, one long and one short glass shelf, and open 
 base. Lined with blue plush. 
 Height, 5 feet 5 inches; width, 3 feet; depth, 1 foot 4 inches. 
 
Third and Last Afternoon 
 
 493—ERBonizED CABINET ; 
 
 Similar to the preceding, but with one shelf, and smaller. 
 Height, 5 feet; length, 2 feet 9 inches; depth, 1 foot 5 inches. 
 
 494—EponizEpD CABINET 
 
 Plain frame. With one side and two sliding doors of glass. ‘The 
 under part open. 
 
 Height, 5 feet 9 inches; length, 2 feet 9 inches; depth, 1 foot 3 inches. 
 
 495—Oak CABINET 
 
 Carved Renaissance designs with top cupboard, and one door which 
 has a relief carving of a figure with cross, book and two trees. 
 One door below, table base, and turned and bulbous legs. 
 
 Height, 5 feet 3 inches; width, 2 feet 5 inches. 
 
 496—ManocGany CABINET 
 
 With spindle top rail, two cupboards, one with slant glass door, 
 shelves and recesses. 
 Height, 3 feet 8 inches; length, 3 feet. 
 
 497—EponizEp CorNER CABINET witH INLAID CORNICE 
 
 The upper portion with paneled glass sides and large door. ‘Two 
 
 open shelves below. | 
 Height, 4 feet 5 inches; width, 2 feet 4 inches. 
 
 498—Manocany Bureau 
 With five small and four large drawers. Brass handles. 
 Height, 4 feet; width, 3 feet 2 inches. 
 
 499—Manocany Larce Dressinc TABLE 
 
 With central mirror cupboard sides, and shaped knee-hole front, 
 Seven drawers and two pulls, and brass mounts. 
 
 Height, 5 feet 7 inches; width, 4 feet 8 inches. 
 
 500—Manocany Dressing BurEAu 
 
 With square beveled plate mirror on turned supports. Four wide 
 drawers and brass handles. 
 Height, 6 feet 5 inches; width, 4 feet 3 inches. 
 
Third and Last Afternoon 
 
 501—Esonizep AnD InLaip TaBLE CABINET 
 The upper portion has a spindle rail, two shelves and a mirror 
 back. Below are five drawers and an under-shelf. 
 Height, 4 feet 9 inches; width, 2 feet 7 inches. 
 
 502—EBonizEp CENTER TABLE 
 The shaped top, inlaid with scrolls, bands, masks and torches in 
 comino and other light colored woods. 
 Height, 2 feet 5 inches; diameter, 3 feet 9 inches. 
 
 503—Exsonizep Bookcase 
 With leaf scrolls, masks, fruit and floral garlands in comino wood. 
 The molded cornice has pillar supports and shaped sides on a 
 
 deep shaped base. 
 Height, 6 feet 9 inches; width, 3 feet. 
 
 504—Exsony Hatt Stanp 
 With cupboard and under-shelf. Curved ends, with brass rail and 
 
 trays for umbrellas. 
 Height, 3 feet 3 inches; width, 5 feet 6 inches. 
 
 505—Eponizep AND InNLAtID Bookcase 
 With cupboards and shelves. The inlays of comino and other woods 
 are in palmette, scroll, fruit and mask designs. 
 Height, 4 feet 6 inches; length, 7 feet 8 inches; depth, 1 foot 4 inches. 
 
 506—Manocany Low CaBInEtT 
 
 With two wide and two narrow glass doors and numerous shelves. 
 One long and two narrow drawers and turned half-pilasters and 
 brass handles. 
 
 Height, 3 feet 5 inches; length, 7 feet 8 inches; depth, 1 foot 10 inches. 
 
 507—Manocany and Watnut Bookcase 
 With four beveled glass doors and numerous shelves. 
 Height, 5 feet; length, 8 feet 4 inches; depth, 1 foot 6 inches. 
 
 508—Manocany ANd Watutnut BooKCcASE 
 
 Companion to the preceding. 
 
Third and Last Afternoon: 
 
 509—Oax Liprary SUITE 
 
 The backs and seats covered with leather. Turned supports and | 
 cross braces. Comprises a large sofa and twelve chairs. 
 
 510—OverRstTuFFED SoFa 
 
 With curved back and arms. Velours covering. 
 
 511—Larecr OvVERSTUFFED SOFA 
 
 Ebony inlaid frame covered with woven tapestry. The back has 
 a large hinged bookshelf. 
 
 512—OvERSTUFFED SUITE 
 
 With rolled arms and regen with écru brocade. Comprises a 
 couch and four chairs. ) 
 
 5138—CuicKxerinc Urpricut Piano 
 Mahogany case. Has ebonized bench. 
 Height, 4 feet 8 inches; length, 5 feet. 
 
 514—Oak Dintnc Room Set 
 
 Especially designed by Messrs. Cottier & Co. Comprises sideboard, 
 sidetable and square dining table, with rounded corners. 
 
 Height of sideboard, 5 feet 7 inches; length, 7 feet; depth, 2 feet 5 inches. 
 Height of side table, 3 feet 6 inches; length, 5 feet; depth, 1 foot 10 inches. 
 
 515—BeEproom SwITE 
 
 Comino wood. With painted decoration of fan panels, ribbon bow- 
 knots and festoons of flowers. Comprises double bedstead, with 
 box spring and hair mattress, bureau, large dressing bureau, ward- 
 robe with mirror door, and night stand. 
 
 516—Esony anp RoseEwoop Mirror 
 With shelves below and closed base. | 
 Height, 12 feet; width, 4 feet. 
 517—Fovurroup Fire ScrEEN 
 
 Brass. 
 
 518—Parr or Brass ANDIRONS 
 With wide bases and ball tops. 
 
Third and Last Afternoon 
 
 519—Brass Fire Irons 
 
 Comprises shovel, tongs, poker and stand. 
 
 520—Set oF Brass Fire Irons 
 With ball tops. Comprises shovel, tongs, poker and stand. 
 
 521—Sert or Fire Irons 
 The shovel, tongs and poker of steel; the stand of cast iron. 
 
 §22—-Ser or Fire Irons 
 
 The shovel, tongs and poker of steel; the stand of cast iron. The 
 tongs lack the top. 
 
 523—Pair oF Brass ANDIRONS 
 With vase tops, plain pillars and ball and claw feet. 
 
 524—Brass FENpDER 
 Round top rail, with pierced panels below, and closed base. 
 Length, 3 feet 6 inches; depth, 1 foot. 
 
 525—Piercep Brass FENDER 
 
 With three paw feet. 
 Length, 3 feet 9 inches. 
 
 526—Brass FENDER 
 
 Pierced front. 
 Length, 3 feet 10 inches; depth, 11 inches. 
 
 527—Curvep Brass FENDER 
 With crushed ball feet and wire net. 
 Height, 1 foot 5 inches; length, 4 feet 3 inches. 
 
 528—Brass FENDER 
 With round rail and pierced base. 
 Length, 4 feet 5 inches; depth, 1 foot 2 inches. 
 
 529—Brass Fire SEtT 
 Andirons, fire irons and fender. 
 
Third and Last Afternoon 
 
 PLASTER CASTS 
 
 530—Tintep Puaster Cast 
 
 BV ACLOIy 7 
 Height, 31 inches; width, 9 inches. 
 
 531—Tintep Puaster Cast 
 
 Female figures. 
 Height, 13 inches; width, 18 inches. 
 
 582—Two Tintep Puaster Casts 
 
 Female figures. 
 
 5383—TintTED PuastER Cast 
 “Virgin and Child.” From the original by Donatello. 
 Height, 33 inches; width, 22 inches. 
 
 5384—TintTED PuastTeR Cast 
 “Virgin and Child.” From the original by Michael Angelo. 
 
 Diameter, 34 inches. 
 
 5385—TintTep Puaster Cast 
 
 “The Trumpeters.”” From the original by Luca della Robbia, Flor- 
 ence, Italy. 
 Height, 41 inches; length, 3714 inches. 
 
 536—TinTED PuasterR Cast 
 “The Drummers.” From the original by Luca della Robbia. The 
 
 original in Florence, Italy. 
 Height, 41 inches; width, 8714 inches, 
 
 537—TintTEp Puaster Cast 
 
 Taken from a portion of the frieze of the Parthenon, Athens, 
 Greece. 
 
 Height, 41 inches; length, 48 inches. 
 
Third and Last Afternoon 
 
 ORIENTAL RUGS AND CARPETS 
 
 588—AnaTouiAN Mar 
 
 Square central medallion with purple ground on a red field. Cor- 
 ner ornaments and borders in blue, yellow, olive, red and white. 
 
 Length, 3 feet; width, 2 feet 2 inches. 
 
 5389—Bercoma Ruc 
 
 Light green center, with prayer niche in red, with a wide and one 
 narrow border. Geometrical patterns in colors to correspond. 
 
 Length, 4 feet 9 inches; width, 2 feet 6 inches. 
 
 540—Dacuestan Prayer Rue 
 Ivory-white ground with star-shaped patterns, with a netted field. 
 One wide and two narrow borders. : 
 Length, 4 feet; width, 2 feet 9 inches. 
 
 541—SaMARKAND Rue 
 
 Conventional floral patterns in ten squares, with fret and diamond 
 pattern borders, all in harmonious tones of yellow, brown, salmon 
 
 and white. 
 Length, 5 feet 11 inches; width, 3 feet 1 inch. 
 
 542—AnaTOLIAN Prayer Rue 
 
 Red center, with green prayer niche. One wide border and narrow 
 borders and bands in white, blue, green and pink, with geometrical 
 
 figures. 
 Length, 4 feet; width, 3 feet 2 inches. 
 
 ~§43—Karapacu Prayer Rue 
 
 Blue field, with two large medallions in white and two shades of red. 
 The prayer niche outlined in white. Four borders in black, red, 
 white, and yellow with conventional floral patterns. 
 
 Length, 5 feet 2 inches; width, 2 feet 11 inches. 
 
 544—KaraspacH Rue 
 Dark blue central field with two rows of connected diamond-shaped 
 ornaments in yellow, white and light blue. Three borders and nu- 
 merous bands with star and other patterns to correspond. 
 Length, 7 feet 6 inches; width, 2 feet 11 inches. 
 
Third and Last Afternoon 
 
 545—KarapacH Rue 
 Mauve central panel, with conventional floral medallions, with one 
 wide and six narrow borders. ‘The predominating colors are yel- 
 
 low, pink, brown and black. 
 Length, 5 feet 5 inches; width, 3 feet 4 inches. 
 
 Length, 6 feet; width, 4 feet 5 inches. 
 
 546—KovutaH Prayer Rue 
 Red center, scattered with blossom patterns and the prayer niche 
 in blue. Two wide and numerous narrow characteristic bands. 
 Conventional and blossom and floral patterns. 
 
 547—CasistTan Rue 
 Blue field, with archaic bird, blossom and floral patterns, in bril- 
 liant colorings. One wide and four narrow borders to harmonize. 
 Length, 6 feet 3 inches; width, 3 feet 5 inches. 
 
 548—Acra Rue ' 
 Sky-blue field, with pear-shaped patterns in harmonious colorings. 
 One wide border in red and six narrow ones in black, blue and white. 
 Length, 7 feet; width, 4 feet. 
 
 549—KovurtaH Prayer Rue 
 Blue center, the prayer niche in a much lighter shade, with one wide 
 and seven narrow borders in brown, yellow, blue and dull black. 
 Floral, star and other patterns. 
 Length, 6 feet 6 inches; width, 4 feet 2 inches. 
 
 550—Sarovuk Rue 
 Dark blue field, with two vases of flowers and floral sprays in pale 
 yellow, pink, brown and light blue. One wide and two narrow 
 
 borders to harmonize. 
 Length, 6 feet 8 inches; width, 4 feet 8 inches. 
 
 551—Kazax Rue 
 Ivory-white field, with three large medallions in green, and shades 
 of blue, with diamond, flower and other patterns in brilliant color- 
 ings. One wide and two narrow borders. 
 Length, 8 feet 4 inches; width, 4 feet 6 inches. 
 
Third and Last Afternoon 
 
 552—Iran Rue 
 Old red field, with netted and connected floral patterns in green, 
 pink, shades of blue and other colors. One wide border in blue and 
 five narrow ones in yellow, blue and pink, with patterns to cor- 
 
 respond. 
 Length, 10 feet 9 inches; width, 5 feet 1 inch. 
 
 5538—Kazak Lone Rue 
 Pale shaded brown center with conventional floral, diamond and 
 other patterns in yellow, blue, white and green. ‘Three narrow 
 
 borders. 
 Length, 11 feet 3 inches; width, 5 feet 4 inches. 
 
 554—Karapacu Lone Rue 
 Blue field with an all-over palmette pattern in red, green and 
 white. One wide and two narrow borders. 
 Length 16 feet 3 inches; width, 3 feet 9 inches. 
 
 555—Acra Larce Rue 
 White field with an all-over pattern of palmettes and floral scrolls 
 in brilliant colorings. One narrow and six wide borders in blue, 
 white and fawn to correspond. 
 Length, 12 feet 8 inches; width, 11 feet 5 inches, 
 
 556—Inpia Carpet 
 Red field, with two green medallions and conventional floral pat- 
 terns in pale blue, pink, light brown and yellow. One wide green 
 border and two narrow borders to correspond. 
 Length, 18 feet 5 inches; width, 11 feet. 
 
 557—Inpia Larce Rue 
 Red field, with diamond patterns in ivory-white, green and yellow, 
 with decoration in various colors. One wide and four narrow bor- 
 
 ders to harmonize. 
 Length, 18 feet; width, 11 feet 4 inches. 
 
 558—Manat Larce Rue 
 Yellow field, with conventional tree and flower decoration in blue, 
 pink, brown and red. One wide and two narrow borders to 
 
 harmonize. | 
 Length, 18 feet; width, 11 feet 10 inches. 
 
Third and Last Afternoon 
 
 559—Manat Larce Rue 
 Ivory-white field, floral and leaf patterns in brown, green, pink, 
 yellow and shades of blue. One wide and four narrow borders in 
 blue and pink, with floral decoration to correspond. | 
 Length, 19 feet 5 inches ; width, 11 feet. 
 
 560—JAPANESE BrocapE PANEL 
 
 Howo bird and dragon medallions interspersed with square and 
 diaper patterns, all woven in brilliantly colored silks and gold 
 
 threads. 
 Length, 7 feet; width, 3 feet 9 inches. 
 
 = 
 
 561—PaNEL OF JAPANESE EMBROIDERY 
 
 Richly embroidered center and border. With figures, houses, 
 flowers and birds in colored silks. Lined with silk brocade. 
 Length, 5 feet 5 inches; width, 3 feet 4 inches. 
 
 562—Lrorarp Skin Rue 
 With mounted head. 
 
 56383—Ticer Skin Ruc 
 
 With mounted head. 
 Length from nose to end of tail, 10 feet 8 inches. 
 
EVENING SALE 
 
 FRIDAY, FEBRUARY 26, 1915 
 
 AT THE AMERICAN ART GALLERIES 
 BEGINNING PROMPTLY AT 8.00 o’cLOCK 
 
 Which includes Catalogue Nos. 564 to 689 © 
 
 OIL PAINTINGS 
 
 S. M. B. 
 564—Hicu Brince 
 
 The bridge crosses the picture in the middle distance, a high light 
 accenting its tall arches just before the structure passes from 
 view behind thick trees of a point of the shore in the foreground 
 on the left. The trees are touched with brilliant red. The rip- 
 pling river is a mirror of reflections, and a sail is seen near the 
 
 bridge. Beyond is a further point of the shore, thickly wooded. 
 
 Signed at the lower right: S. M. B., ’72. 
 Height, 6 inches; width, 4 inches. 
 
 UNKNOWN 
 565—On a Cana 
 
 A spontaneous sketch done for the artist’s delight in the color and 
 the contrasts of light offered. The location doesn’t count, but it 
 seems to be a boat-yard in Venice. An open-ended gray-brown 
 shed with a reddish-brown roof houses a boat on ways, and in a 
 canal alongside are other boats, this quarter in partial shadow; 
 while beyond, the sunlight strikes brightly upon a low white bridge, 
 and on buildings that show terra cotta, red and green. 
 
 Height, 7 inches; length, 10 inches. 
 
Friday Evening Sale, February 26th 
 
 UNKNOWN 
 566—LanpscaPE 
 
 Moonlight from a white full moon struggling through white clouds 
 and just visible over a wooded hilltop is beginning to lighten a — 
 peaceful country landscape. The wooded hill in the center gives 
 place on the left to rolling land where thatch-roofed farm build- 
 ings stand, and on the right its flank is partly cleared, while at its 
 foot in the foreground is a pond with ducks. Apparently a French 
 landscape, suggesting those of Michel. 
 
 Height, 51% inches; length, 914 inches, 
 
 UNKNOWN 
 
 567—A CavALiER 
 Clad in buff, with scarlet breeches, a bright yellow sash and long- 
 legged boots, a jaunty cavalier stands facing the observer and en- 
 gaged in the act of lighting a long-stemmed clay pipe and blow- 
 ing a lusty cloud of smoke. His hair falls in long curls of ma- 
 hogany color to his shoulders, and he wears a broad, loose white 
 collar and white cuffs. The walls of the room are of stone, and 
 on a long table there is wine. His green hat trimmed with red 
 
 lies on a bench. 
 Height, 81%, inches; width, 6 inches. 
 
 ALBERT PINKHAM RYDER, N.A. 
 
 AMERICAN: 1847— 
 
 O seek my father’s courts with me.—TeEnnyson. 
 
 568—TueE Lovers 
 
 Two lovers of an olden time are found at a rendezvous in a thick 
 and ancient wood. The man, tall and erect, is facing the specta- 
 tor, his head turned toward the lady, who standing at his left ap- 
 pears with figure turned three-quarters from the observer and 
 face in profile. They are near to the trunk of a large tree with 
 far-reaching branches, and the wooer extends his right hand in 
 indication of direction—his dog at his feet ready with him to 
 start at once—while the lady hesitates, studying her upturned 
 palm meditatively, her pet dog on its haunches at hex side, looking 
 
 attentively up at her. 
 Height, 101, inches; width, 634, inches. 
 
Friday Evening Sale, February 26th 
 
 JOHANNES BOSBOOM 
 Dourcu: 1817—1892 
 569—STREET SCENE 
 
 Through a crooked Old World Street, almost deserted, a peasant 
 woman carrying a market basket on her arm and accompanied by 
 a small boy is approaching, in the foreground, and another woman’s 
 figure is observed at the roadside further away. All are clad in 
 dark colors. On the right is a tall building of ecclesiastical as- 
 pect, yellow, with a red tower and a gray slate roof, its street 
 side in shadow while sunshine touches its higher corners and slants 
 upon the red and yellow roofs of low houses on the left of the 
 shadowed street. 
 
 Signed at the lower right. 
 Height, 13 inches; width, 734 inches 
 
 PHILIP DE KONINCK 
 Fiemisu: 1636—1687 
 570—DutcH LanpscapE 
 Coming straight forward from around a bend in the middle dis- 
 tance is a dark green canal, its surface lightened near the center 
 by reflections of the sky. Back in the distance rises over it the 
 mass of a city’s buildings, dominated by the truncated tower of 
 a cathedral, spires and high gables projecting here and there and 
 the buildings continuing forward along the canal’s edge on the 
 right. Here also passes a man on horseback, towing a boat, the 
 line hauling from the masthead; the opposite bank of the canal is 
 thickly wooded. To right are low-lying cultivated fields and long- 
 
 armed windmills. 
 Height, 8%, inches; length, 15 inches. 
 
Friday Evening Sale, February 26th 
 
 ANTONIO GARCIA-MENCIA 
 
 SpanisH: Purim or Maprazo 
 571—Tue Srvpio 
 
 In the reception corner of an artist’s studio, a prospective sitter, 
 a lady in blue, is looking at colored plates from an album of beau- 
 ties, and extends a detaining finger toward one picturing a tall 
 and slender lady—she herself being short and plump. A lady in 
 a plum-colored gown looks over her shoulder, and the quietly 
 amused lady showing the pictures is in gray and brown. The fur- 
 nishings of the studio display an Oriental fearlessness of strong 
 colors. | 
 
 Signed at the lower left: A. Garcta-MENCcIA. 
 
 Height, 101, inches; length, 13% inches. 
 
 S.-M> asi: 
 572—StTiLL Lire 
 
 Two yellow roses nestling amongst gray-green leaves are held in 
 a slender glass vase, one rose opening to full maturity, the other 
 quite blown and drooping slightly below it. On the table at the base 
 of the glass lies another of the roses, on a green-leaved stem. Back- 
 ground of dark brick-red and green, the glass resting on a darker 
 ground of rich notes. 
 
 Signed at the lower right: S. M. v. H. 
 Height, 12 inches; width, 10 inches. 
 
 UNKNOWN 
 573—Broox Aanp BrincE 
 
 Trees and vines in a mass of greenery rise on the left at the end 
 of a short stone bridge, masking its approach and throwing its 
 base into shadow. To right delicate young trees sketch a leafy 
 
 ' curtain against a light gray sky, along the line of the bridge, high- 
 roofed buildings being seen beyond them in bright sunshine. Be- 
 neath the bridge runs a brook, at the foot of a steep green bank, 
 and on the nearer foreground shore are varicolored boulders. 
 
 Height, 13 inches; width, 11 inches. 
 
Friday Evening Sale, February 26th 
 
 M. E. COOK 
 
 AMERICAN: 1881— 
 
 5'74—-F LowERs 
 A small bouquet of flowers from an old-fashioned garden is pic- 
 tured in a bright light, against a reddish-brown and olive back- 
 ground. They are white and pink and red and yellow, with the red 
 predominating, and sprigs of green are interspersed with them, as 
 they rise from and overhang a low, dark-colored, ovoid jar. 
 
 Signed at the lower right: M. E. Coox. 
 =| Height, 12 inches; width, 10 inches. 
 
 JEAN-FRANCOIS FARJON 
 
 Frencu: Purpit or Trorvon anv RovussEau 
 
 575—A Sunset: FonrarinEBLEAU 
 
 Two cows watched by a small girl have come to a pool amongst 
 moss-covered rocks on the border of a green meadow for an even- 
 ing drink. A red cow facing left has her head lowered to the 
 water and a white cow stands in the pool looking at the spectator. 
 The little girl is clad in red and blue. In the green foreground 
 at the water’s edge are spots of red amongst the verdure. On the 
 far side of the pool trees with curiously twisted branches and open 
 foliage stand as a screen, boldly silhouetted against the golden 
 splendor of a brilliant sunset, the sky filled with ight and many- 
 tinted clouds. 
 
 Signed at the lower left: F. Fargon. 
 Height, 1214, inches; length, 161% inches. 
 
 From the Salon, Paris, 1877. Catalogue No. 819.. 
 
Friday Evening Sale, February 26th 
 
 FREDERICK DIELMAN, N.A. 
 
 AMERICAN: 1848— 
 576—Portrair oF A Lapy 
 
 Standing, and seen at full length against a decorative background 
 in low key, a dignified woman in mature life is portrayed in rich, 
 effective costume. She faces the observer, turned slightly toward 
 the right. Her gown, broadly décolleté, is of rich and voluminous 
 purple-gray and greenish-brown velvets, over brownish-gray, elabor- 
 ately embroidered brocade, with puffed sleeves slashed in white, and 
 shoulderless waist edged with white lace. She carries a silken bag 
 and a peacock-feather fan, and wears a broad hat with overhang- 
 ing plumes. | 
 
 Signed at the lower right: Frepertck Die_man. 
 
 Height, 161, inches; width, 101%, inches. 
 
 J. M. BIELSFIELD 
 577—Moon.LicHtT 
 
 The moon, at the full and bright, is heavily veiled by fleecy clouds. 
 The orb is barely distinguishable behind their mass, but its radi- 
 ance diffused in their vaporous substance lightens the cloud curtain 
 before the deep dark blue sky. The landscape below is dark in 
 the shadows of night, streamers of the cloud-vapor hang low over 
 wooded hilltops, like fog, and the moon’s light is reflected in a pool 
 in the valley below. 
 
 Signed at the lower left: J. M. Brersrrexp. 
 Height, 12 inches; length, 16 inches. 
 
 S. M. GILMAN 
 578—FLowErs 
 
 Lilies of the valley hang their white bells above pansies, honey- 
 suckle and roses, and stand out in relief against their own long 
 green leaves, in an informal bouquet held in a blue glass jar. The 
 flowers are red, white, pink, blue and a brilliant soft yellow, and 
 they overhang bunches of purple grapes relieved against green ivy 
 leaves, lying on the mahogany-yellow coverlet of the table. 
 
 Signed at the lower right: S. M. Gitman. 
 Height, 1714, inches; width, 14 inches. 
 
Friday Evening Sale, February 26th 
 
 UNKNOWN 
 
 579—Porrrair Heap 
 
 Against a dark neutral background of deep olive tints, chiefly in 
 shadow, the head and shoulders of a young girl appear in a soft- 
 ened, mellow light—the flesh surface tones with amber suggestion. 
 ‘Figure facing the right, and as if in motion, she has turned her 
 face to look toward the spectator, her deep eyes and left cheek 
 in shadow while the light glows upon the right side of her face, and 
 upon the neck and shoulder lightly exposed above robes of deep 
 
 emerald and crimson. 
 Height, 18 inches; width, 141% inches. 
 
 JACOP BORG 
 Dutcu: 1621—1682 
 
 580—A Dutcu INTERIOR 
 
 A painting of rich and mellow coloring in the opulent manner of 
 the ancient Dutch masters, showing one of the inclusive build- 
 ings where house and stable were one in the democracy of that age. 
 The tones are warm mahogany and olive, and the light is soft and 
 none too plentiful. Around are various metal utensils, with spots 
 of light gleaming amid surfaces of dark, rich patina. A small fire 
 burns on the stone or earth floor. At the right a buxom young 
 woman is milking a goat. An old man lays a caressing hand on 
 her shoulder and supplicates not without fervency. 
 
 Height, 14 inches; length, 22 inches. 
 
 MISS M. E. COOK 
 
 CoNTEMPORARY 
 
 581—Stitt Lire 
 A tall cylindrical vase with crescent neck, decorated in various 
 colors with blue and red predominating, stands on a table covered 
 with a gray drapery adorned in pink, red and blue. The same 
 drapery suspended on a wall forms the background, hanging in 
 folds, and a bunch of peacock feathers leans against it behind the 
 vase. 
 
 Signed at the lower right: M. EK, Coox, 1880. 
 Height, 231, inches; width, 131% inches. 
 
Friday Evening Sale, February 26th 
 
 RICHARD GROSS 
 GERMAN: 1848— 
 
 582—A NvurREMBERG PEASANT | 
 Head and shoulders portrait of a robust woman, no longer young, 
 in a provincial headdress, obesrved in an interesting light. She is 
 gowned in a brownish-black, with her throat loosely wrapped in the 
 folds of a brownish-yellow scarf, and is seen against a dark neutral 
 
 background. 
 
 Signed at the upper left. 
 Height, 21 inches; width, 17 inches. 
 
 FANNY ELIOT GIFFORD 
 AMERICAN: 1844— 
 583—Birps 
 The observer, creeping low or being slowly paddled in a boat, is 
 brought close to tall reeds which rise above the eye’s level, on the 
 left, while above a shorter batch of coarse brown grasses on the 
 right a glimpse of distant blue water is obtained, just at the hori- 
 zon, under a robin’s-egg green sky. Perched upon or fluttering 
 from the tall reeds are four brightly plumed birds. 
 
 Signed at the lower right: Fanny Exior Girrorp, 1878. 
 Height, 23 inches; width, 8 inches. 
 
 J. E. BAKER 
 584— PEONIES 
 On a dark red table or mantel a yellow vase holding peonies stands 
 out in full hight before a yellow-olive wall. It is a full-necked, 
 globular bottle-shaped vase, with lip slightly spreading, and on the 
 neck are protuberant handles with suspended rings, while its hinted 
 decoration is green and dark brown. It holds a full-blown cream- 
 white peony, and two pink buds on long green-leaved stems. 
 
 Height, 21 inches; width, 1214 inches. 
 
Friday Evening Sale, February 26th 
 
 WILLIAM ZWORT 
 
 Dutcu: Puri or Jacosp Maris 
 
 585—Heap or BuLiock 
 The head of a bullock, painted large and close at hand, the animal 
 - gazing steadfastly into the spectator’s eye. Its head is projected 
 from the right, and turned almost full front, and it has a black 
 face and brown forehead, heavily marked with white, and red ears 
 spreading below gray and black short horns. The background 
 above is dark, and there are faint suggestions of landscape glimpsed 
 below the animal’s throat. 
 
 Signed at the lower right: Wm. Zwort, ’80. 
 Height, 2034 inches; width, 1314 inches. 
 
 HERBERT L. GILCHRIST 
 
 586—Erruscan Porrery 
 
 A sculptured frieze resting on a tiled floor is the background for 
 the display of three pieces of pottery, a large tazza, a two-han- 
 dled cup and a larger basin or deep round dish which also has two 
 handles, the first piece standing on its foot and the others set on 
 side or edge. Their colors are copper-brown, olive-yellow and red, 
 and the tiling is mottled green, yellow and brown. The classical 
 frieze, in which three girls appear in ceremonial procession, is in 
 the warm yellow hue of antique marble. 
 
 Height, 18 inches; length, 20 inches. 
 
 EASTMAN JOHNSON, N.A. 
 AMERICAN: 1824—1906 
 587—-ConsvEto (Monotone) 
 A young woman of serious mien and dignity of carriage stands 
 facing front and looking steadily into the distance to her left, as 
 though she had reached an interval between stanzas in singing, 
 and she holds some sheets of music drooping from one of her hands, 
 which hang crossed at the wrists in front of her. The light falls 
 broadly upon one side of her well modeled head, the opposite side 
 of her face being in shadow. She wears a loosely built gown of 
 black and a black mantilla, and is seen at three-quarter length 
 against a dark background. 
 
 Signed at the lower right: E. Jounson, 1876. 
 Height, 26 inches; width, 18 inches. 
 
Friday Evening Sale, February 26th 
 ANTONIO GARCIA-MENCIA 
 SpanisH: Pupit oF Maprazo 
 
 588—ToILETTE DE LA MaRIEE 
 
 In an artistically arranged room with French gray and gilt walls, 
 
 decorated with landscape panels, a bride is receiving the final at-— 
 
 tentions of solicitous dressers, surveying herself in the mirror the 
 while. Her rounded features are revealed through her diaphanous 
 veil, her white satin gown is flower-decked, a brunette in blue-black 
 is adjusting a flower and a blonde in brilliant green is buttoning 
 the bride’s glove, while a hatted lady in black and gray looks on. 
 Signed at the lower left: A. Garcta-MENcrA, : 
 Height, 20 inches; length, 24 inches. 
 
 CARLO MARATTI 
 Iratian: 1625—1713 
 589—TnHeE Hory Famity 
 The Christ child is held in the Mother’s arms over a straw-lined 
 manger, a brilliant light directed upon the two figures, or rather 
 
 seeming to emanate from the Child, while St. Joseph looks down 
 over the Mother’s shoulder and a half-nude shepherd kneels in 
 
 adoration at the right, a lamb for sacrifice lying with bound feet — 
 
 upturned on the floor in front of him. Back of him a green-clad 
 shepherd screens his eyes from the glorious radiance and a young 
 woman in blue, white and red clasps her hands devoutly. The 
 Virgin is in a rose-pink garment enclosed by a blue cloak. 
 
 Height, 20 inches; length, 261, inches. 
 From the Academy of Santa Luca at Rome. 
 
 MISS M. K. BAKER 
 
 AMERICAN: CONTEMPORARY 
 590—A Strupy or FLoweErs 
 
 A red amphora holding white and yellow chrysanthemum-like 
 flowers stands on a green-covered table before a drapery back- 
 ground of brilliant yellow, lightly shaded in the folds. Back of the 
 vase, growing in an earthenware flower-pot which sets on a tile, 
 is a tall plant of the aster family, with leaves of delicate light green 
 and a towering cluster of deep red blossoms. 
 Signed at the lower left: M. K. Baxgrr, 1878. 
 Height, 36 inches; width, 15 inches. 
 
Friday Evening Sale, February 26th 
 
 JOHN G. BROWN, N.A. 
 AMERICAN: 1831—1913 
 
 591—““Now weE ARE OFF!’’ 
 
 Some children on a beach on a warm summer day have got upon 
 part of an old sleigh—the fore runners of a two-horse bob-sleigh 
 —lying at the edge of a field, and are playing at having a ride. 
 Two little girls and a smaller infant are seated and an older boy 
 is standing on it, while another boy at one side raises a whip. The 
 children are in pink and yellow, red and brown, with sunbonnet, 
 parasol and straw hat, and are observed against the sunlight. 
 The water of the bay beyond them is blue, and up the sands are 
 some men about a boat. 
 
 Signed at the lower right: J. G. Brown, N.A., N. Y., 1876. 
 Height, 20 inches; length, 30 inches. 
 
 EVA BONNIER 
 592—Muvsic 
 
 In a room lighted only by candles and a grate fire three people are 
 giving themselves over to the spell of music. A bearded man is seen 
 in profile to the left, against a dark wall, his hands extended over 
 the ivory keys, playing, his rapt face lighted by the candles il- 
 lumining the music sheets. A man in an armchair is in the shadows 
 at the right, and a seated young woman leans with elbow on knee 
 gazing into the grate on the left. 
 
 Signed at the lower right: Eva Bonnier, 1884. 
 Height, 251, inches; length, 82 inches, 
 Shown at the World’s Columbian Exhibition, 1893. 
 
 FERDINAND SCHUCHARDT, Jr. 
 AMERICAN: 1855— 
 593—CHILDHOOD 
 Three-quarter length portrait of a fair-haired young girl, stand- 
 ing figure turned slightly toward the right and face to the front. 
 Her head is inclined with modest coyness toward her right shoulder, 
 the light from above playing upon the left side of her rosy face and 
 touching the wavy hair over her brow with gold. 
 
 Signed at the lower left: F. Scuucwarpr, gr., 1876. 
 Height, 30 inches; width, 22 inches. 
 
Friday Evening Sale, February 26th 
 
 ADOLPHE PIERRE HUAS 
 
 FreNcH: CONTEMPORARY 
 
 594— PREMIERE CoQUETTERIE 
 
 In the corner of a studio of luxurious aspect, the walls in rich, 
 dark notes, a young girl budding into womanhood is posing before 
 a cheval glass, studying with smiling admiration the effect she 
 could produce if clad in the fine gowns of her elders. She holds 
 up about her in graceful drapery a full-train skirt of glowing 
 golden-yellow silk, on which and on her face and white lace waist 
 a strong light is concentrated. Her own apparel, besides the white 
 waist, is red, green, and blue, and she stands on a bright-colored 
 rug. Various studio fixtures are visible directly or in the mirror. 
 
 Signed at the lower left: A. Pierre Hvas, 1874. 
 Height, 351, inches; width, 22 inches. 
 
 WATER COLORS AND PASTELS 
 
 PROFESSOR W. BURKNER 
 
 GERMAN: CONTEMPORARY 
 
 595—Two CuHILpREN AND MoTHER 
 (Water color.) 
 In bright sunlight coming through a window at the left and flooding 
 a neat, plainly-furnished room, are a young mother and her two 
 small daughters. The mother, in an old-rose gown, is reading, 
 and one child in pale Delft blue holds up a green-dressed doll 
 toward her, while the second little girl, somewhat older, clad in 
 green darker than the doll’s dress, is at work on her slate. 
 
 Signed at the lower right: W. Birxner, 1866. i 
 Height, 6 inches; width, 4 inches. 
 
Friday Evening Sale, February 26th 
 
 GEORGE HENRY SMILLIE, N.A. 
 
 AMERICAN: 1840— 
 
 596—At Montrost, Sus@auEHANNA County, PENNSYLVANIA 
 (Water color.) 
 
 From high land, the edge of a cliff or bluff, in the foreground, 
 
 - overhung by wavering branches of slender trees, the spectator over- 
 looks a valley and the beginnings of many other valleys and hol- 
 lows among innumerable hills. The sloping fields are green, and 
 gray buildings are to be seen here and there, and the hills or moun- 
 tains are partly cleared, partly wooded. On the right in the fore- 
 ground a woman is seated on the bended trunk of one of the trees. 
 
 Signed at the lower right: Gro. H. Smituig, 774, 
 | Height, 7 inches; width, 7 inches. 
 
 J. FRANK CURRIER 
 AMERICAN: 18438—1909 
 
 597—LanDscaPE 
 ( Pastel. ) 
 In dim light and seen against a darkening gray sky a group of 
 village dwellings, with occasional trees amongst them, are massed 
 on irregular rising land beyond a dark green field. The field is 
 cut by a brook, and on the right a road crosses it, leading to the 
 houses. The whole in low, neutral tones. 
 
 Signed at the lower right: Currier. 
 Height, 71, inches; length, 1414 inches. 
 
 H. STACQUET 
 
 598— WINTER 
 (Water color.) 
 Winter speaks from the skies as well as from the earth. A long 
 narrow street coming straight through the center of the composi- 
 tion is deep with snow, a hill on one side, a large red building on 
 the other. Coming down the road, in the foreground, a woman is 
 walking slowly through the snow. 
 
 Signed at the lower left: H. Sracquer, 76. 
 Height, 81, inches; width, 514 inches. 
 
Friday Evening Sale, February 26th 
 
 UNKNOWN 4 
 599—ConTENTMENT . 
 
 (Water color.) 
 
 ‘An end of an humble European cottage room, full of color, is 
 sympathetically pictured by an understanding admirer. ‘The yel- 
 lowed, gray and smoky plaster is nicked, near a paneled door, from a 
 the red brick wall. Aloft are heavy gray beams; in a brown rack 4 
 and on the floor are decorated plates and household utensils. At 
 the left, against a background of tile with green, blue and aubergine 
 notes, a young peasant woman in blue, plum-color and brown, with 
 a red cap, is knitting with contented expression beside a brown 
 
 table. . 
 Height, 8 inches; length, 11 inches. 
 
 HENRY FARRER 
 AMERICAN: 1843—1903 
 
 600—Sanp Creek, Lone Istanp 
 
 (Water color.) 
 
 The blue waters of a broad creek: ripple in the brilliant light of a 
 full moon, which the spectator views dead ahead and not yet risen 
 far above a range of low hills. Projecting from the right near 
 the center of the stream is a broad sand-spit, and nearer the fore- 
 ground is a sloop with canvas up. | 
 
 Signed at the lower left: H. Farrer, 1873. 
 Height, 81, inches; length, 12 inches. 
 
 J. FRANK CURRIER 
 AMERICAN: 1848—1909 
 
 601—Evenine LANDSCAPE. 
 (Pastel. ) 
 
 Broad fields in dark indefiniteness spread far, their surface some- 
 what rolling and the irregularities picked out by reflections from 
 the concealed moon. ‘Toward the left are two houses—black 
 shadows—a light gleaming from each, and on the right is a line 
 of trees. Bounding the plain a distant circle of hills are blue in 
 the moonlight, which touches a spot in the fields also just beyond 
 the line of trees. 
 Signed at the lower left: Currier, ’81. 
 Height, 81% inches; length, 14 inches. 
 
Friday Evening Sale, February 26th 
 
 JULES LESSORE 
 EncuiisH: NINETEENTH CENTURY 
 602—A CaTHEDRAL 
 (Water color.) 
 
 Looming high in the center of the composition, under a blue and 
 white sky, is the fagade of a noble churchly pile, gray and cream- 
 colored, with two uncompleted towers. Closely massed at either 
 side are city buildings, red, yellow and gray-white, and in the plaza 
 in front as well as on the broad steps are many people. 
 
 Signed at the lower right: Jutxs Lexssore. 
 Height, 914 inches; width, 6°, inches. 
 
 J. C. NICOLL, N.A. 
 
 AMERICAN: 1845— 
 
 603—LanpscarE Stupy FRoM NATURE 
 
 (Water color.) 
 
 On the right in the distance a gray farmhouse is dimly seen on a 
 light green knoll. Across the middle distance runs a screen of 
 wildwood in the colorful hues of autumn. In front of it the faded 
 green of the surface grasses is thickly studded with brown, and a 
 small brooklet crosses the foreground. 
 
 Signed at the lower right: J. C. Nicoxu. 
 ‘ Height, 9 inches; length, 131 inches. 
 
 JULES LESSORE 
 
 EncuisH: NINETEENTH CENTURY 
 
 604—Low TipE in THE RIvER 
 (Water color.) 
 
 On a bright day with masses of white clouds in a blue sky, a broad 
 tidal river is pictured, almost the color of the sky with its lumin- 
 ous reflections. ‘The tide is out, and the receding stream has left 
 a black-hulled sailboat with green stern on the soft bottom in the 
 foreground at the left, her tender lying under the counter. Other 
 boats are near, and in the distance a bridge crosses the river, in 
 front of the massed buildings of a city. 
 
 Signed at the lower left: Jutes Lxessore. 
 Height, 101, inches; width, 7, inches. 
 
Friday Evening Sale, February 26th 
 
 HENRY FARRER 
 AMERICAN: 1843—1903 
 
 605—Tue Hovust on THE Hiww 
 
 (Water color.) 
 On the crown of a broad, rounding hill of easy slope, a gray farm- 
 house with long slanting roof stands solitary against the sky, at 
 the approach of evening. Smoke issues from one of its two red 
 chimneys, and bare trees around it tell the season of the year, 
 though the grass is still green. The hillside is dotted with gray 
 rocks. 
 
 Signed at the lower left: H. Farrer, 1875. 
 Height, 101, inches; length, 161, inches. 
 
 S. G. McCUTCHEON 
 ConTEMPORARY 
 606—TreEEs anp FLOWERS 
 (Water color.) 
 In the foreground in the sunlight tall-stemmed flowers in a garden 
 allowed to grow wild raise their red and violet blossoms above a 
 tangle of green and yellow leaves. Beyond them a group of or- 
 chard trees are in full foliage, its deep green mass all but shutting 
 out the sky. 
 
 Signed at the lower left: S. G. McCurcueon. 
 Height, 11144 inches; width, 714 inches. 
 
 HENRY MUHRMAN 
 
 AMERICAN: 1854— 
 
 607—LanpscarEe: View or HicHcate 
 ( Pastel. ) 
 Two trees, one at either side, with dark trunks and but slight 
 foliage, intertwine their branches overhead and form a frame or 
 arch through which the eye travels to a green and wooded land- 
 scape of low field and high hill, with suggested buildings. The 
 field is sunny and a blue sky is all but covered by gray-white clouds. 
 Signed at the lower left: H. Munrman, 1889. 
 Height, 11 inches; width, 814% inches, 
 Awarded Medal, World’s Columbian Exposition, 1893. 
 
Friday Evening Sale, February 26th 
 
 HENRY FARRER 
 AMERICAN: 1843—1903 
 
 608—Cuaneine Licuts 
 (Water color.) 
 The end of a pond is enclosed by low hills which slope from either 
 ‘side, and beyond their junction a higher hill forms the horizon. 
 At the left a gray farmhouse stands between leafless trees, its 
 shadow thrown upon the water by the afterglow of sunset which 
 tinges the sky below a white crescent moon. It is late fall and the 
 air is chill, and an evening mist in the valleys contributes to the 
 effect of the luni-solar light. 
 
 Signed at the lower left: H. Farrer, 1875. 
 Height, 11 inches; length, 17 inches. 
 
 MODERN SPANISH SCHOOL 
 
 609—Music anp tHE Dance 
 (Water color on satin—Lunette) 
 On a lunette background of red satin is a decorative painting in 
 water color picturing a Spanish scene in a garden of gaily blossom- 
 ing flowers. On the left a man in blue and gold plays the guitar, 
 in accompaniment with a woman in brilliant yellow skirt who pos- 
 tures and sounds the castanets for the benefit of a lady clad in 
 bright colors who is seated on a bench at the right. 
 
 Height, 1114 inches; length, 241, inches. 
 
 A. WYLIE 
 
 610—F Lowers 
 (Water color.) 
 In a low, brown copper pot with a side loop handle, is a flashing 
 bouquet of flowers from a garden of the old country style—as many 
 flowers as it will hold, white, pink, yellow, with intervening green 
 leaves—marigolds nodding at one side—the whole in brilliant light. 
 
 Signed at the lower right: Wrutez, 76. 
 Height, 13 inches; length, 15 inches. 
 
Friday Evening Sale, February 26th 
 
 HENRY MUHRMAN 
 AMERICAN: 1854— 
 611—LanpscaPE 
 
 (Pastel. ) 
 
 Huge trees of the English country shade the foreground, standing 
 on the near side of a transverse wooden fence. Their wide-spread- 
 ing, almost horizontal, branches interweave, forming a flat arch 
 against the sky, and beneath it the eye ranges to a sunny green field 
 where red cows graze. On its farther side are woods and houses. 
 
 Signed at the lower left: H. Munrman, 1890. 
 Height, 13 inches; length, 32 inches. 
 
 M. L. STONE 
 612—CHILDREN 
 
 (Water color.) 
 
 In a plain room with gray walls, in brilliant daylight, two little 
 girls are amusing themselves. One in black with a red‘hood is sit- 
 ing in a rush-bottomed chair, “weighing things” in a pair of bal- 
 ances, her sister in mauve and gray, with yellow tousled hair, stand- 
 ing at her knee watching with deep interest. 
 
 Signed at the lower left: M. L. Stone, Paris, 1877. 
 Height, 14 inches; width, 10 inches. 
 
 P. H. NEFFLEN 
 
 613—Mornine Drivinc AWAY THE SHADES oF NIGHT 
 
 (Water color.) 
 
 Projecting from the background at the center, a rocky, tree-cov- 
 ered promontory rises out of the picture, distant woods to left of 
 it being dark under the mantle of night, while far at the right the 
 horizon displays a rosy aurora. Sprites in the guise of lightly 
 draped young women floating airily through space just clear of 
 a water lily pond in the foreground form a continuous procession 
 passing the promontory, those in the light pressing’ back those 
 on the darker side of the point. 
 
 Signed at the lower right: P. H. NErrien, 
 : ata Height, 1414 inches; length, 21 inches. 
 
Friday Evening Sale, February 26th 
 
 HENRY FARRER 
 AMERICAN: 1843—19038 
 614—MoonrisE 
 (Water color.) 
 
 _ The waters of a broad harbor, in slight motion, fill the picture, sil- 
 vered by the light of the full moon which is rising over a bank 
 of mist straight ahead that conceals the land. In the bright path- 
 way of the light a dark-hulled side-wheeled steamer, rigged with 
 masts and yards, is lying head-on, and farther away on either side 
 various sailing boats are under way, veiled in the vaporous mist. 
 
 Signed at the lower left: H. Farrer, 1875. 
 Height, 1414 inches; length, 21%, inches. 
 
 HENRY FARRER 
 AMERICAN: 1843—1903 
 615—SuNsET 
 (Water color.) 
 
 Water wavering gently in a light breeze stretches from the fore- 
 ground to the far distance on the left, and on the right to what 
 is probably the low Long Island shore, already dimmed in the ap- 
 proach of evening. The sky is a mass of red and yellow sunset 
 lights, crossed by strata of dark blue cloud, its glow reflected in 
 the water. In the middle distance a sailboat is headed shoreward. 
 
 Signed at the lower left: H. Farrer, 1875. 
 Height, 1414 inches; length, 2214, inches. 
 
 WILLIAM MAGRATH, N.A. 
 
 AMERICAN: 1838— 
 
 616—GRANDFATHER’S PRIDE 
 (Water color.) 
 
 A corner of an Irish peasant’s cottage projects into view from the 
 right, its walls gray-white under a brown-thatched roof tinged 
 with yellow-green. In the open doorway a young woman stands 
 with her knitting in hand. Her small son has come out to meet 
 the grandfather (and receive an apple). The old man is bent, and, 
 leaning on a stick, rests an affectionate hand on the boy’s head. 
 
 Signed at the lower right: W. Macratn, 1875. 
 Height, 16 inches; width, 12 inches. 
 
Friday Evening Sale, February 26th 
 
 WILLIAM MAGRATH, N.A. 
 
 AMERICAN: 1838— 
 
 617—Gor1ne For WATER 
 (Water color.) 
 Coming down a gentle incline, in a rambling sandy path through 
 the flower-dotted fresh green grass of a wild field, a bright-eyed 
 young peasant woman of the Emerald Isle is on her way to well 
 or stream for water. She is bare-footed and bare-armed. A white 
 kerchief is tied over her dark waist, and her skirts and apron show 
 a light, tender blue, reddish-brown, gray and a deep, opulent blue. 
 
 Signed at the lower right: W. Macrarn, 1875. 
 Height, 16 inches; width, 1214, inches. 
 
 JOHN THORPE 
 CoNTEMPORARY 
 618—CaTTLE 
 (Water color.) | 
 A flat meadow, yellow-green in the sunlight, is bounded in the dis- 
 tance by low hills under a gray sky, and there are suggestions of 
 habitations. The broad land holds numerous cattle, and in the 
 foreground a group of ten of them—red, black and dun cows—are 
 seen close at hand in a group, one standing, the others lying down 
 in various attitudes, their shadows spotting the grass. 
 
 Signed at the lower right: Jno. Tuorre, 1876. 
 Height, 15 inches; length, 22 inches. 
 
 J. FRANK CURRIER 
 AMERICAN: 1843—1809 
 619—Bavarian TREES 
 (Water color.) 
 On a green ridge crossing the vision and receding toward the left 
 distance two separate groups of trees attracted the artist’s eye. 
 The nearer group on the right displays its wandering limbs in their 
 dark ramifications, while the farther trees merge their foliage. <A 
 pond in front of the groups is filled with reflections. 
 
 Signed at the lower right: J. Franx Currier, Potina, Bayern, 1878. 
 
 Height, 18 inches; width, 121% inches. 
 
Friday Evening Sale, February 26th 
 
 WILLIAM MAGRATH, N.A. 
 AMERICAN: 18388— 
 620—A Gatway GIRL 
 (Water color.) 
 
 And glad of it she seems to be. A look in her blue eyes says as 
 much, with a flash for who dares flout Galway. She is seen head 
 and shoulders, in profile to the left, her face turned to eye the ob- 
 server. Her cheeks are rosy, her eye-brows dark, her dark wavy 
 hair is bound in a blue kerchief, and she is gowned in a robe of 
 many colors and seen against a background of brilliant yellow. 
 
 Signed at the upper right: W. Macratu, 1876. 
 Height, 18 inches; width, 14 inches. 
 
 THOMAS WATERMAN WOOD, N.A. 
 AMERICAN: 1823—1903 
 
 621—“*“WHITEWASHING DONE HERE” 
 
 (Water color.) 
 
 A note of a passing if not vanished day. In a strong light, against 
 the background of a dark brown stone wall, with steps seen at the 
 right, a tall negro with a mass of whitening hair brushed out over 
 his ears is standing beside his pail of whitewash, his long-handled 
 brush resting against his shoulder. He is in white overalls over 
 a red shirt, and holds in his hands his old felt hat and a gaily 
 
 colored bandana. 
 Height, 1934 inches; width, 138°, inches. 
 
 THOMAS WATERMAN WOOD, N.A. 
 AMERICAN: 1823—1903 
 622—“Snine, Sir?’’ 
 (Water color.) 
 
 A chin-bearded immigrant in a red shirt and open blue blouse, 
 brown trousers tucked into his boots and a blanket-wrapped bun- 
 dle of his belongings burdening his back, is emerging from a ferry 
 house, carrying also a small gray trunk. Three of the small New 
 York bootblacks of the pre-Italian days compete vigorously for 
 an order to shine the boots! 
 
 Signed at the lower left: T. W. Woop, 1876. 
 Height, 1984 inches; width, 1334 inches. 
 
Friday Evening Sale, February 26th 
 
 FRANCIS HOPKINSON SMITH 
 
 AMERICAN: 1838— 
 
 623—TuHeE OvutTLeT or LonNEsoME LAKE 
 
 (Water color.) 
 
 Lonesome perhaps but handsome withal, this watery retreat in a 
 coniferous forest. The end of the lake, occupying the foreground, 
 narrows abruptly, marked by lily-pads, grasses and the reflections 
 of feathery pale-green trees, to the blue outlet in the middle dis- 
 tance, silvered with sunlight, beyond which a regiment of pines 
 looms against a rolling sky. 
 
 Signed at the lower left: F. Horxinson Situ, 775. 
 
 Height, 19 inches; length, 29 inches. 
 
 SAMUEL COLMAN, N.A. 
 AMERICAN: 1832— 
 624—On THE TIBER 
 (Water color.) 
 
 Spaciousness of vast extent is pictured under a living sky, with 
 color, color everywhere. The air is clear to the nearer vision, while 
 even in the middle distance a soft, colorful haze draws a misty 
 veil across the beyond. The storied river, filling the foreground, 
 is a flat, terrestrial rainbow of multitudinous reflections and re- 
 fractions, barges move slowly through it, people are seen in the 
 sunlight on a bank and bridge, and the monumental buildings of 
 the Eternal City mass at either hand. 
 
 Signed at the lower left: Samvuret Cotman, 1876. 
 Height, 21 inches; length, 80 inches, 
 
Friday Evening Sale, February 26th 
 
 WILLIAM TROST RICHARDS, N.A. 
 
 ‘ AMERICAN: 1833—1905 
 
 625—Rocxy Buvurr 
 (Water color.) 
 
 On the left is a deep blue sea, with a sailing vessel afar off, sil- 
 houetted against a light horizon belt under a dark sky. In the 
 middle distance the shore rises abruptly, sweeping inland to the 
 right in a huge rocky bluff, gray, white, and with a thin covering 
 of green, the land at the foot of the declivity being a fertile green 
 valley through which a stream courses, passing behind some color- 
 ful foreground rocks on its way to the sea. 
 
 Signed at the lower left: Wm. T. Ricwarps, 1876. 
 Height, 221, inches; length, 3634 inches. 
 
 | M. BAUER 
 626—Cuurcnu INTERIOR 
 
 (Water color.) 
 The spacious interior of an ecclesiastical edifice of noble propor- 
 tions is presented in color whose quality of essential iridescence 
 detracts not at all from its deep solemnity. Majestic columns with 
 carven effigies, tall windows, domes, canopied thrones, all partake in 
 the rich, subdued colors—grayish-brown, purple, crimson, green, 
 and variations on yellow—and veiling all is the atmosphere of 
 mysticism, enveloping also a throng of worshippers scarcely defined. 
 
 Signed at the lower left: M. Bauer. 
 Height, 24 inches; width, 21 inches. 
 
Friday Evening Sale, February 26th 
 
 FRANCIS HOPKINSON SMITH 
 
 AMERICAN: 1838— 
 
 627—Ovt or THE Coot Woops 
 (Water color.) 
 Out of woods resembling portions of the Adirondacks, their back- 
 ground depths a greenish-blue, the middle-ground open but filled 
 with flourishing underbrush, comes a brook which. spreads itself 
 thin over broadly shelving rocks and tumbles in light falls into 
 the foreground. The rocky shelves and ledges are gray and rusty- 
 brown, with green mossy sides, and slender leaning trees arch over 
 them. 
 
 Signed at the lower left: FHS, ’75 in monogram. : 
 Height, 27 inches; width, 20 inches. 
 
 ORIGINAL DRAWINGS 
 
 MATTHEW MARIS 
 DoutrcH: 18389— 
 
 628—-REMORSE 
 (Pen and Ink Drawing.) 
 Lying prone in utter dejection, or abasement, a woman of volup- 
 tuous figure is found in dimly lighted precints, weeping or suppli- 
 cating. She is in loose, diaphanous garments, her hair is thrown 
 loose, and she has prostrated herself on some low steps, perhaps 
 leading to an altar or shrine, her head toward the left. 
 
 Signed, and dated 1867. 
 Height, 51% inches; length, 74%, inches. 
 
Friday Evening Sale, February 26th 
 
 FRANK MURA 
 AMERICAN: 1860— 
 629—A Fisuine VILLAGE 
 (Charcoal Drawing.) 
 
 - Low on the sands at the very water’s edge is a Dutch fishing village, 
 
 _ the cottages with long slanting roofs reaching down the center of 
 vision toward the distance, and many sailing boats drawn up in 
 front of them on the left. In the foreground are figures on the 
 beach, one a woman carrying pails on a neck-yoke, and at the 
 right are suggestions of dunes. 
 
 Signed at the lower right: Mura. 
 Height, 91% inches; length, 1714 inches. 
 
 FRANK MURA 
 AMERICAN: 1860— 
 630—Fisuer Giri 
 (Charcoal Drawing.) 
 
 A young woman in sabots and Dutch cap, and wearing a cape, has 
 come down to the seashore just after a boat has come in and un- 
 loaded its catch. She stands facing the right, with a quiet dig- 
 nity of carriage, examining a fine fish which she has picked up 
 from a basket on the sands. A little distant is a boat, with figures 
 in and near it. 
 
 Signed at the lower left: Mura, 
 . Height, 1514 inches; width, 101% inches. 
 
 F. S. CHURCH, N.A. 
 AMERICAN: 1842— 
 631—A Wriypy Day 
 (Black and White. ) 
 
 On the left a broad body of water, on the right a bank of its shore, 
 and on the beach, approaching the spectator, in the foreground, 
 a young girl of attractive features, bare-armed and bare-footed. 
 Her head is bound in a kerchief, her hair beneath it flying in the 
 wind, which bends to its will also the bushes growing at the crest of 
 the bank. 
 
 Signed at the lower right: F. S. Cuurcn, 1881. 
 Height, 111% inches; length, 24 inches. 
 
Friday Evening Sale, February 26th 
 
 FRANK MURA 
 | AMERICAN: 1860— 
 632—Tue Boatman 
 (Charcoal Drawing.) 
 
 Far up an inlet, where it is narrow and shallow, a man in a boat 
 is seen against a hummocky bank where bushes grow. He is in 
 the bow, looking intently down, perhaps after crabs or boat. On 
 the left, near some trees, a woman is walking away. 
 
 Signed at the lower left: Mura. 
 Height, 1014 inches; length, 181%, inches. 
 
 J. FRANK CURRIER 
 AMERICAN: 1843—1909 
 
 633— Popiars 
 (Charcoal Drawing.) 
 
 A sketch of a short line of tall and very slender poplar trees, char- 
 acteristic of France, which grow on a bank in the middleground. 
 Behind them is a cottage, and in front the shadows are reflected 
 from a stream. ? 
 
 Signed at the lower left, J. Frank Currier, ’81. 
 Height, 23 inches; width, 151, inches. 
 
 FRANK MURA 
 AMERICAN: 1860— 
 634—InpusTRY | 
 (Charcoal Drawing.) 
 
 Two little Dutch girls early habited to industry make a pretty pic- 
 ture of placid contentment and prematurely sober interest in the 
 inevitable problems of life, beginning the work of knitting. Both 
 are capped and both wear short-sleeved frocks. One seated facing 
 the observer is laboriously making the stitch, while her but little 
 older sister, standing at her side and seen in profile, solicitously 
 touches her fingers, to guide if necessary. 
 
 Height, 21 inches; width, 18 inches. 
 
Friday Evening Sale, February 26th 
 
 J. FRANK CURRIER 
 AMERICAN: 18438—1909 
 
 635—WIi.Luiows BY THE RIveR 
 | (Black and White.) 
 Great willows line a willow bank, the thick trunks branching low, 
 ’ and the line receding from close in the foreground on the left 
 toward the right distance. The shore on which they stand is low, 
 and the land uneven, and beyond them is the broad, smooth river, 
 whose farther shore comes distantly into view. 
 
 Signed at the lower right: J. Franx Currier, 81. 
 
 Height, 281, inches; length, 311, inches. 
 
 FRAMED PHOTOGRAPHS AND CARBON PRINTS 
 
 636—Two Cotorep LirHocrarHs anv ‘T'wo CoLorep ENcRAVINGS 
 Two Study Heads of Saints. Colored lithographs by Julien. In 
 gilt frames. T'wo Country Girls.  (‘‘Réve au bonheur,” after 
 Beaume; “Le Lys dans la vallée,” after André.) Colored engrav- 
 ings by H. Garnier. In white and gold frames and mats. (4.) 
 
 637—Six Carson Prints 
 The Angelus, The Potato-gatherers, and four others. About 12 by 
 16 inches, after charcoal drawings by J. F. Millet. Framed, with 
 margins in polished oak and black. (6.) 
 
 638—Six CarsBon Prints 
 The Diggers, The Goatherd, and four others. About 12 by 16 
 inches. After charcoal drawings by J. F. Millet. Framed, with 
 margins in polished oak and black. (6.) 
 
 639—Five Carzpon Prints 
 The New-born Lamb, The Churner, and three others. About 12 
 by 16 inches. After charcoal drawings by J. F. Millet. Framed, 
 with margins in polished oak and black. (5.) 
 
Friday Evenng Sale, February 26th 
 
 640—Two Prints AND A PHOTOGRAPH 
 
 Rubens’s wife and Two Children. After P. P. Rubens. Carbon 
 print. Height, 1714 inches; width, 13 inches. Framed, with margin 
 in imitation ebony. Dance in Arcadia. After Corot. Photo- 
 graph. Height, 7 inches; width, 834 inches. Framed, without 
 margin, in 1144 in mahogany. Vestal Virgin. After A. Kauff- 
 mann. Framed, with margin, in imitation mahogany and gold. 
 
 (3.) 
 
 641—Two Carzson Prints 
 Orpheus. By Corot. Height, 20144 inches; width, 14 inches. 
 Framed, without margin, in English oak, with a tinted glass. 
 Head of a Young Lady. By J. H. Fragonard. Height, 1714 
 inches; width, 14 inches. Framed, with margin, in imitation 
 ebony. (2.) 
 
 642—Carson PRINT 
 
 Head of a Girl. After G. B. Greuze. Height, 1414 inches; width, 
 1114 inches. Framed, without margin, in bronzed chestnut. 
 
 6483—-CarBon PRINT 
 
 Prince James. After A. van Dyck. About—height, 18 inches; 
 width, 14 inches. Framed in Dutch oak and gilt, without margin. 
 
 @ 
 644—THREE Carson PRINTS 
 
 Hark! the Lark. After J. F. Millet. Height, 18 inches, width, 
 13 inches. Framed, without margin, in chestnut gilt. Dutch In- 
 terior. After Pieter de Hooghe. Height, 17 inches; width, 14 
 inches. Framed, without margin, in antique oak. Dutch Court- 
 yard. By the same. Height, 1644 inches; width, 14 inches. 
 
 Framed, with a mat in imitation ebony. (3.) 
 
 645—Two CarzBon Prints 
 Mrs. Siddons. After Joshua Reynolds. The Tailor Tagliapanni. 
 After Giambattista Moroni. About—height, 18 inches; width, 14 
 inches. Framed, without margins, in chestnut gilt. 
 
Friday Evening Sale, February 26th 
 
 646—Two Carzon Prints | 
 Portrait of Rembrandt. 1640: National Gallery, London. Por- 
 trait of a Slav Prince, 1637: Hermitage at St. Petersburg. Both 
 after Rembrandt. About—height, 18 inches; width, 14 inches. 
 Framed, without margins, in English oak and gilt. | (2.) 
 
 647—PuotrocraruH From Fresco Parntine sy Grorro 
 Portrait of Dante Alightert. From Giotto’s fresco-painting ‘‘In- 
 ferno and Paradise,” in the Bargello (now Museo Nazionale). 
 Height, 19 inches; width, 1314 inches. Framed in antique oak and 
 bronze. 
 
 648—Two Carson Prints 
 Portraits of a Gentleman and of a Lady of the van Beresteyn- 
 Vucht Family. ‘Three-quarter length, standing. Painted by Rem- 
 brandt in 1632. The originals in the possession of Mrs. H. O. 
 Havemeyer. Height, 21 inches, width, 16 inches. Framed, with- 
 out margin, in ebony gilt. 2) 
 
 649—Carzson Print 
 Prince Charles by A. van Dyck. Height, 20 inches; width, 1514 
 inches. Framed, without margin, in Dutch oak and gilt. 
 
 650—Carzon Print 
 The Wedding at Cana. By Paolo Veronese. Height, 171 inches; 
 width, 3814 inches. Framed, without margin, in antique oak and 
 bronze ornament. 
 
 651—Two Carson PRrInTs 
 
 Aesopus; Menippus. Both by Velasquez. Height, 2914 inches; 
 width, 1434 inches. Framed, without margin, in antique oak and 
 bronze. 25) 
 
 652—CarzBon Print 
 On the Canal. By Corot. Height, 29 inches; width, 24 inches. 
 Framed, without margin, in Dutch oak and gilt front. 
 
Friday Evening Sale, February 26th 
 
 653—Carson PRINT 
 
 Lago di Como. By Corot. Height, 21 inches; width, 291% inches. 
 Framed, without margin, in Dutch oak with gilt front. 
 
 654—Carson Print 
 Children of Charles I. By A. van Dyck. Height, 23; width, 2614 
 
 inches. Framed in antique oak. 
 
 655—Two PHOTOGRAPHS 
 
 Lichfield Cathedral; Ruins of Tinturn Aeven Photographs by 
 Hegger. Height, 2214 inches; width, 1614 inches. Both framed, 
 without margins, in imitation ebony and gold. hs 
 
 656—PHoTOGRAPH 
 
 Amiens Cathedral. Photographic enlargement by Hegger. Height, 
 4514 inches; width 83814 inches. Framed, without margin, in 
 Dutch oak and gilt. 
 
 657—PHoOTOGRAPH 
 
 Arches in the Alcazar, Seville, Spain. Photographic enlargement 
 by Hegger. Height, 4514 inches; width, 3314 inches. Framed, 
 without margin, in English oak. 
 
 658—PHoTOGRAPH 
 
 Belfry of the Mosque in Cordoba, Spain. Photographic enlarge- 
 ment by Hegger. Height, 4514 inches; width, 338144 inches. 
 Framed, without margin, in English oak. 
 
 659—PHoTOGRAPH 
 
 Choir of San Giovanni in Laterano, Rome. Photographic enlarge- 
 ment by Hegger. Height, 3314 inches; width, 4514 inches. Framed, 
 without margin, in black with gilt. 
 
 660—PHoTOGRAPH 
 
 Glasgow University. Photographic enlargement by Hegger. 
 Height, 3314 inches, width, 4514 inches. Framed, without mar- 
 gin, in English oak and gilt. 
 
Friday Evening Sale, February 26th 
 
 661—PHoToGRAPH 
 
 Interior of St. Peter’s, Rome. Photographic enlargement by Heg- 
 ger. Height, 4434 inches; width, 3014 inches. Framed, without 
 margin, in black and gold. 
 
 662—PHoTOGRAPH 
 
 _ Bartolommeo Colleoni. The equestrian bronze statue of heroic size 
 by Andrea del Verrocchio, erected on the church square of San 
 Giovanni in Venice. Photographic enlargement by Hegger. 
 
 Height, 3314 inches; width, 4584 inches. Framed, without mar- 
 gin in Dutch oak with gilt front. 
 
 Bee aaroenirn 
 
 Durham Cathedral. Photographic enlargement by Hegger. 
 Height, 3314 inches; width, 4514 inches. Framed, without mar- 
 gin, in English oak and gilt front. 
 
 664—TwentTy-onE LITHOGRAPHS IN CoLoRs 
 
 The Cathedral of San Marco, Venice. Twenty-one lithographs in 
 colors carefully printed, forming an imposing view of this great 
 architectural masterpiece. Without the frame it measures—height, 
 70 inches; width, 90 inches. Framed, without margin, in 5-inch 
 chestnut gilt. On account of its size, it is not covered by glass. 
 
 FRAMED ETCHINGS 
 
 665—ErTcHInG 
 
 The Eagle’s Nest. Etching by Th. Chauvel after J. Rousseau. 
 Framed in chestnut and gold, with passe-partout. 
 
 666—Two ErcHines 
 
 Souvenir d’Italie. By Corot. Original etching on Dutch paper. 
 Portrait of Corot. Etching by H. Grenaud. Both framed in 
 imitation ebony. (2.) 
 
 667—Turee Ercuines 
 The Arch of Septimo Severo, The Tomb of Cecelia Metella and The 
 Temple of Concordia in Rome. Etchings by Giambattista Pi- 
 ranesi. Framed in English oak and gold bronze front; in passe- 
 partout with three openings. 
 
Friday Evening Sale, February 26th 
 
 668—ErcHine 
 The Fisherman. By Joseph Israels. Etching by Jesse Graadt v. 
 Ragge. Signed Remarque Proof on parchment. Framed in chest- 
 nut gilt. - 
 
 669—ETcHING 
 
 A Backwater. By Sir Francis Seymour Haden. Second state, 
 with the etcher’s signature in pencil. H. 178. Framed in black 
 walnut and mat. 
 
 670—Turee ErcHines 
 
 Head of an Old Man. By Hubert Herkomer. Etching, and the 
 same mezzotinted over. Fileuse Bretonne. Etching by Bonvin. 
 Une Porte a Tanger. Etching by B. Constant, all three framed 
 in imitation ebony. (3.) 
 
 671—ETcHING 
 
 The Sower. After J. F. Millet. Etching by M. Maris. Proof on 
 Creswick paper, but not signed; probably a trial proof. This 
 plate is one of the rarest plates after Millet, only 100 proofs hav- 
 ing been published and the plate destroyed. Framed, with passe- 
 partout, in ebony and gold bronze. 
 
 672—ETcHING 
 
 Portrait of Becquet (the Fiddler). By Whistler, James A. McN. 
 W. 48, Sup. p. 35. K. 52. Very fine impression on Japanese 
 paper. Framed, with a mat, in black walnut. 
 
 673—OricInaL Ercnine. _ 
 Primer Hill. By Fred. Slocombe. Proof on Creswick paper. 
 
 Framed in imitation ebony. 
 
 674— Ercuine 
 The Altar of St. Ildefonso at Toledo. By Wm. Unger after P. P. 
 
 Rubens. Framed in imitation ebony. 
 
 675—ErTcHING 
 
 Springtime. By R. Zilken. Remarque proof on Japanese paper. 
 Signed. Framed, with a mat, in Dutch oak. 
 
 or ee 
 
 Ries ES OER Re 
 
Friday Evening Sale, February 26th 
 
 676—Two Ercuines anp ONE Carson PRINT 
 Portrait of Harpignies, the Painter. Etching by Gaucherel after 
 Dubufe. Bearers of the Burden. Etching by Gaucherel after G. 
 H. Boughton. Both framed in polished oak. The Virgin and 
 Christ-child. Carbon print in red after a sanguine drawing by 
 Raphael. Framed, without margin, in imitation ebony. (3.) 
 
 677—Two Ercuines 
 The End of the Act. Etching by J. A. Mitchell. Kingston on the 
 
 Thames. Etching by Phillips. Proof on Japanese paper. Both 
 framed in polished oak. (23) 
 
 67€—Two Ercuines 
 
 Outgoing Fishing Vessel. Etching by Boulard. Le Bas de Mon- 
 tigny. Etching by E. Yon. Both framed in polished oak. (2.) 
 
 679—Turee Ercuines 
 Portrait of Mme. ***. Etching by Fr. Flameng after Leopold 
 Flameng. St. Edmund’s Chapel, Westminster. Original etching 
 by Léon Gaucherel. Triumph of Christ. After P. P. Rubens. 
 Ktched by Chas. Waltner. All three framed in imitation ebony. 
 
 680—Turee Ercuines 
 Portrait of a Dwarf. After Velasquez. By Laguillermie. The 
 Smoker. By W. M. Chase. Mlle. P.M. By Chas. Waltner after 
 P. Dubois. All three framed, with mats, in imitation ebony. (3.) 
 
 681—Two Ercurines 
 Portrait of Mme. Vrydags van Vollenhoven. By Jan van Ravestyn. 
 Etched by Chas. Waltner. Moulins en Hollande. Original etch- 
 ing by Jongkind, on Japanese paper. Both framed, with mats in 
 1-inch imitation ebony. (25) 
 
 682—Two Ercuines 
 Intérieur de cuisine en Hollande. By Jos. Israels. Framed, with 
 a mat, in imitation ebony. Troupeaw de moutons. Original etch- 
 ing by F. Chaigneau. 1863. Framed in dark chestnut and gilt 
 front. G2") 
 
Friday Evening Sale, February 26th 
 
 683—TuHreEE ETcHInGs 
 
 Porte du Palais ducale a Venise. By J. R. P. Litoux, framed in 
 polished oak and black. The Archers. After Frans Hals. By Wm. 
 Unger on pp. paper. Framed, with a mat, in polished oak. La 
 Fontaine. After J. J. Henner. By Ch. Courtry. Framed as above, 
 without mat. (3.) 
 
 684— ENGRAVING 
 
 Cromwell’s Last Interview with his Favorite Daughter. By Charles 
 Lucy. Engraving in mixed manner by Charles Tomkins. Framed, 
 
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 with panel, in birdseye maple with gilt front. 
 
 685—Four Ercuines 7 
 The Weaver. Original etching by F. Bonvin. Proof on Japanese — 
 paper. Framed in black walnut and mat. The Guitar Player. 7 
 Original etching on Japanese paper. Framed as above. Barques 
 pres de Rouen. By Th. Chaubel after Lapostolet. Framed in 
 
 polished oak. Enterrement d'un marin a Villerville. Original 
 etching by Butin. Framed as above. (4.) 
 
 686—TuHreEe Ercuines 
 Sortie du Port de Honfleur. Original etching by Jongkind. 
 Framed in imitation ebony. Windmill on a Canal—Holland. Orig- 
 inal etching on India paper by Ch. Storm van s’Gravesande. ; 
 Framed in polished oak and black. Bateau de Transport. Orig- 
 inal etching by Emile Vernier. Framed in polished oak. (3.) 
 
 687—Turee ErcuHines 
 
 Entrance to the Farm. Original etching by J. Alden Weir. Signed 
 artist’s proof on Japanese paper. Head of a Man with a Ruff. 
 Original etching by F. Dielman. N. Y. Etching Club. La Magde- 
 leine. By Didier after J. J. Henner. All framed in polished 
 oak. (4.) 
 
Friday Evening Sale, February 26th 
 
 688—Four Ercuines 
 Le Coup de Vent. By Léon Gaucherel after P. Potter. Le Parc 
 aux Beufs. By G. Greux after N. Diaz. Vue de l’Avenue des 
 Sections Etrangéres, Exposition Universelle de 1878. Original 
 etching by Toussaint. Une Lecture chez Diderot. By Mongin 
 after E. Meissonier. All four framed in polished oak. (4.) 
 
 689—Turee Ercuines 
 Portrait of Mme. Bischoffsheim. By Chas. Waltner after J. E. 
 Millais. Portrait of Dr. Déllinger, head of the first “German 
 Old Catholic” congregation. By A. Bichard after F. Lenbach. 
 Portrait of Don Carlos. By Lecouteux after I. Bonnat. All three 
 framed in polished oak. (3.) 
 
 AMERICAN ART ASSOCIATION, 
 
 MANAGERS. 
 
 THOMAS E. KIRBY, 
 
 AUCTIONEER. 
 
FOR INHERITANCE TAX 
 
 AND OTHER PURPOSES 
 
 THE AMERICAN ART ASSOCIATION 
 
 IS EXCEPTIONALLY WELL EQUIPPED 
 TO FURNISH 
 
 INTELLIGENT APPRAISEMENTS 
 
 OF 
 
 ART AND LITERARY PROPERTY 
 JEWELS AND PERSONAL EFFECTS OF EVERY 
 DESCRIPTION 
 
 IN CASES WHERE 
 
 PUBLIC SALES ARE EFFECTED 
 
 A NOMINAL CHARGE ONLY WILL BE MADE 
 
 THE AMERICAN ART ASSOCIATION 
 
 MADISON SQUARE SOUTH 
 NEW YORK 
 
 TELEPHONE, 3346 GRAMERCY 
 
COMPOSITION, PRESSWORK 
 
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