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COPYRIGHT BY _ 
 
 ETROPOLITAN MU 
 
 THEM 
 
 JANUARY, 192 
 
ROYAL COMMITTEE 
 SWEDISH CONTEMPORARY DECORATIVE ARTS 
 
 HONORARY CHAIRMAN 
 H.R.H. Prince EvGENrE 
 
 CHAIRMAN 
 
 H. Lagercrantz, formerly Swedish Minister at Wash- 
 ington 
 
 MEMBERS 
 
 JoseFr Sacus, Consul-General, Managing Director of the 
 Nordiska Kompaniet, Stockholm, Vice-Chairman 
 
 Cart G. Breresten, Architect, Chief of Department on 
 the Royal Board of Works, Vice-Chairman of the 
 Swedish Association of Arts and Crafts, Stockholm 
 
 Knot Ericson, Secretary of the Royal Board of Trade 
 
 Axe GaurFin, Ph. D., Director of the Royal National 
 Museum, Stockholm 
 
 Epwarp Hatp, Artist at the Orrefors Glass Works, 
 Orrefors 
 
 Outre Hsortzzere, Artist, Director of the art school of 
 the Royal Academy of Fine Arts, Chairman of the 
 Swedish Association of Arts and Crafts, Stockholm 
 
 Hvueo Lacerstrém, Director of the Lagerstrém Broth- 
 ers’ Printing Works, Stockholm 
 
 Torsten Laurin, Director of the P. A. Norstedt and 
 Sons Printing Works, Stockholm 
 
 Axret Ope.serc, Engineer, Head of the Gustafsberg 
 China Works, Gustafsberg 
 
 Vv 
 
ROYAL COMMITTEE 
 
 GreGor Pautsson, Ph.D., President of the Swedish Asso- 
 ciation of Arts and Crafts, Stockholm 
 
 O. RypBeck, President of the Skandinaviska Kredit-A.B., 
 Stockholm 
 
 RaGnar SoHLMAN, Commercial Councilor, Chief of De- 
 partment on the Royal Board of Trade, Stockholm 
 
 Ivar Tenezom, Architect, Director-General of the Royal 
 Board of Works, Stockholm 
 
 Erik WETTERGREN, Curator of the Department of Arts 
 and Crafts at the Royal National Museum, Stock- 
 holm 
 
 Carin WAstsere, Director of the Friends of Handicraft 
 Association, Stockholm 
 
 Commissioner-General 
 
 Grecor Pautsson, PA.D. 
 
 Vice-Commissioner 
 Ernst GustTAFsson 
 
 Secretary to the Council 
 Cart Gunne, Associate Curator at the Royal National 
 Museum, Stockholm 
 
 vil 
 
TABLE OF CONTENTS 
 
 ROYAL COMMITTEE . : ’ . 5 ; 4 PAGE Vv 
 TABLE OF CONTENTS : : : : < ‘ vil 
 PREFACE : . ‘ : : é ; : ix 
 CATALOGUE : ; : : 7 : ; ; 1 
 LIST OF EXHIBITORS . : : , ; : ‘ ety 
 INDEX OF ARTISTS : : ; ; : , . 21 
 
 PLATES 2 : . ’ : 5 ; ; : 23 
 
 vii 
 
PREFACE 
 
 wou my pleasantest recollections of the International 
 Exposition of Decorative Arts, held at Paris in 1925, is a 
 memory of the Swedish Pavilion. In an exposition where 
 much of the architecture was uninspired and tawdry, this 
 little building, with its air of quiet distinction, was an 
 oasis of delight. Here was beauty of proportions, of sim- 
 ple masses, of clean lines. The deep-set porch, reflecting 
 in a garden pool its slender twin columns between flank- 
 ing pilasters, recalled classical precedent; but the ele- 
 ments derived from the antique were so transformed that 
 the design as a whole represented an original creation. 
 The same freshness of expression—without violent de- 
 parture from tradition—characterized Sweden’s exhibits 
 of applied arts shown within the pavilion and elsewhere 
 in the exposition. It was evident to any beholder not 
 blinded by prejudice that Sweden had reason to be proud 
 of her contribution to the movement for the renovation of 
 art in industry. 
 
 From many centuries of sturdy folk-art the modern 
 Swedish craftsman has inherited an instinctive sense of 
 vigorous, unsophisticated decoration. Of first importance 
 in the dissemination of this influence are the remarkable 
 collections of peasant art in the Nordiska Museet at 
 Stockholm with its open-air branch at Skansen, and the 
 craft work along traditional lines, especially in the field 
 of textiles, of the Svenska Hemsl6jdsforeningarnas Riks- 
 férbund, a federation of twenty-seven regional guilds. 
 Another association of conservative character, but ani- 
 
 1. National Federation of the Swedish Societies for Home 
 Industries. 
 
 ix 
 
PREFACE 
 
 mated by more modern tendencies, is the Foreningen for 
 Svensk Hemsléjd.” A third, the Foreningen Handarbetets 
 Vanner, although drawing inspiration from the old peas- 
 ant arts, stresses originality in design. 
 
 If Swedish contemporary art shows the influence of an- 
 cient folk-art, it also shows, although perhaps less obvi- 
 ously, the influence of the happy assimilation of French 
 art and culture that marked the eighteenth and the early 
 nineteenth centuries in Sweden. French example imposed 
 upon Swedish art a discipline of self-restraint, and re- 
 vealed the charm of classic simplicity and refinement. The 
 lesson was well learned. It is responsible, in part at least, 
 for the sobriety that characterizes Sweden’s applied arts 
 of today. 
 
 A third factor has still to be mentioned, the influence of 
 the international movement for the regeneration of the 
 decorative arts, which has made such notable progress in 
 Europe during the last quarter of a century. This move- 
 ment is a reaction from the slavish dependence on past 
 styles to which the eclecticism of the nineteenth century, 
 with its vogue for antiques and reproductions, subjected 
 the applied arts. Our age is too rich in new meanings and 
 new endeavors to be imprisoned in the formulae of other 
 days. The achievement of pure beauty—the constant fac- 
 tor in the aesthetic experience—imust be enriched with in- 
 tellectual associations significant of our own time, if mod- 
 ern art is to yield a full measure of enjoyment. We may 
 surround ourselves with the flotsam and jetsam of the 
 ages, but no erudition however profound, no romantic 
 craving however desirous, can ever make us see these rel- 
 ics of the past with the eyes of those for whom they were 
 made. Would it not be idle to pretend that the use of clas- 
 
 2. Association for Swedish Home Industry. 
 
 3. Association of the Friends of Handicraft. 
 
 x 
 
PREFACE 
 
 sical ornament in Renaissance furniture design gives us 
 anything like the same fine thrill that it did the fifteenth- 
 century Italian, for whom these motives were the sym- 
 bols of an astonishing new world that had just come with- 
 in his ken? If art is to be a vital part of our lives, it must 
 reflect our deepest interests. And surely, a sentimental 
 antiquarianism, flitting from one historic style to another, 
 is not the sole, or the most profound, interest of our gen- 
 eration. : 
 
 No agency has been more active in Sweden during the 
 past ten years or so in spreading the influence of this re- 
 form movement than the venerable Svenska Sl6jdf6renin- 
 gen. The activities of this society, which include publica- 
 tions, exhibitions, competitions, lectures, and liaison work 
 between manufacturer and artist, have been a great stim- 
 ulus to the recent development of the applied arts in Swe- 
 den, especially in the more intelligent utilization of the 
 means of mechanical production. 
 
 Sweden is not a rich country. There is, accordingly, 
 little demand for articles of luxury. With a few excep- 
 tions, such, for instance, as some of the glass work of 
 Orrefors, contemporary Swedish decorative art is far 
 from expensive or luxurious in character. It reflects, on 
 the contrary, the tastes and needs of the comfortable mid- 
 dle class for which it is made. Naturally, this condition 
 imposes limitations, but they are offset by the great ad- 
 vantage to those who are creating a modern style of hav- 
 ing a basis of firm, popular support upon which to build. 
 These Swedish productions give an impression of perma- 
 nency—of “‘belonging’’—which is often missing in the ap- 
 plied arts of other countries where they are more depend- 
 ent upon the varying tastes of individuals. 
 
 4, Swedish Association of Arts and Crafts. An affiliated soci- 
 ety, Sydsvenska Foreningen fdr Konsthandverk (Arts and 
 Crafts Society of Southern Sweden) has recently been founded. 
 
 Xl 
 
PREFACE 
 
 The extent to which the new movement in the applied 
 arts has met with popular approval in Sweden is indi- 
 cated by the enthusiasm with which the organization of 
 this exhibition, now on view in the Museum, has been un- 
 dertaken. During his recent visit to New York, H. R. H. 
 the Crown Prince of Sweden graciously consented to per- 
 mit the exhibition to be held under his auspices. The dis- 
 tinguished Swedish committee that has had the exhibition 
 in charge is headed by H.R.H. Prince Eugene of Sweden 
 as Honorary Chairman, with His Excellency, H. Lager- 
 crantz, formerly Minister of Sweden to the United States, 
 and Josef Sachs, Managing Director of A.B. Nordiska 
 Kompaniet, respectively Chairman and Vice-Chairman. 
 Dr. Gregor Paulsson, President of the Swedish Association 
 of Arts and Crafts, has acted as Commissioner-General for 
 _ the exhibition, assisted by Ernst Gustafsson as Vice-Com- 
 missioner. It will be recalled that Dr. Paulsson served in 
 the same capacity in connection with Sweden's participa- 
 tion in the Paris Exposition of 1925. The architect of the 
 Swedish pavilion at that exposition, Carl G. Bergsten, has 
 prepared the plans for the installation of the collection in 
 our Gallery of Special Exhibitions. The Swedish Govern- 
 ment has made a most liberal grant toward the expenses 
 of the exhibition. To all who have made this exhibition 
 possible the Museum is keenly grateful. 
 
 JosEPH BRECK 
 Assistant Director and Curator of Decorative Arts 
 
 Xli 
 
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 ATALOGUE 
 
EXHIBITION OF SWEDISH CONTEMPORARY 
 DECORATIVE ARTS 
 
 CATALOGUE 
 
 BOOKS AND BOOKBINDINGS 
 
 N. BERNH. ANDERSSONS BOKBINDERI A.B., 
 STOCKHOLM 
 
 Manager: Karl Andersson. 
 1 Hand-bound books, hand-tooled in gold. 
 
 ALBERT BONNIERS BOKFORLAG, STOCKHOLM 
 Manager: K. O. Bonnier. 
 
 2 Books illustrated by Yngve Berg, Bertil Lybeck, Kurt 
 Jungstedt, Eigil Schwab, and Jurgen Wrangel. 
 
 GUSTAF HEDBERG, STOCKHOLM 
 
 Manager: Arvid Hedberg, Bookbinder to the Royal 
 Swedish Court. 
 
 3 Editions de luxe. Hand-bound volumes in full mo 
 rocco, hand-tooled in gold. 
 
 OSCAR L. ISACSON, GOTEBORG 
 Manager: Oscar L. Isacson. 
 
 4 Books with wood-engravings by Albert Eldh, Ruben 
 Eldh, Simon Gate, and A. Wedel. 
 
 OLLE HJORTZBERG, STOCKHOLM 
 
 5 Illuminated Jubilee Address, belonging to the Concert 
 Hall of Stockholm. 
 
 BRODERNA LAGERSTROM, STOCKHOLM 
 Manager: Hugo Lagerstrém. 
 
 6 Editions de luxe. Artists: Arthur Sjogren, Bertha 
 Svensson, Leon Welamson. 
 
 1. “A.B.” occurring before or after the name of a firm means in 
 English “Limited Liability Company” or “Incorporated.” 
 
 3 
 
CATALOGUE 
 
 NORDISKA MUSEET, STOCKHOLM 
 7 Illustrated books. 
 
 MALMO GRAFISKA ANSTALT AND LUND- 
 GRENS SONER, MALMO 
 
 Managers: John Kroon, E. Lundgren. 
 8 Editions de luxe. 
 
 NORDISK ROTOGRAVYR, STOCKHOLM 
 
 Managers: Simon Sdderstam and Harald Olsen. 
 Artistic Adviser: Anders Billow. 
 
 9 Illustrated books. 
 P. A. NORSTEDT & SONER A.B., STOCKHOLM 
 
 Manager: Conrad Carleson. 
 
 10 Editions de luxe. Bindings in boards, half-cloth, and 
 half-parchment for publishers. Designers: Akke 
 Kumlien and Viktor Astrém. 
 
 FORENINGEN ORIGINALTRASNITT (Society of 
 Original Wood-Engravers), STOCKHOLM 
 
 Secretary: Harriet Sundstrom. 
 
 11 Books with wood-engravings, ex libris by different 
 artists. 
 
 A.B. HANDPRESSTRYCKERIET, STOCKHOLM 
 Manager and artist: Artur Sahlén. 
 
 12 Hand-printed books. 
 
 CERAMICS 
 
 LOUISE ADELBORG, STOCKHOLM 
 
 13 Table lamps and objects of art, hand-painted earthen- 
 ware. 
 
 BOBERGS FAJANSFABRIK A.B., GAVLE 
 Managers: J. E. Boberg and August Boberg. 
 
 14 Hand-decorated objects of art in earthenware. De- 
 signers: Eva Jancke-Bjork and Allan Ebeling. 
 
 4 
 
CATALOGUE 
 
 GEFLE PORSLINSFABRIKS A.B., GAVLE 
 Manager: Waldemar Meyer. 
 
 15 Artistically executed domestic articles and objects of 
 art in earthenware. Designer: Arthur Carlson 
 Percy. 
 
 A. B. GUSTAFSBERGS FABRIKS INTRESSEN- 
 TER, GUSTAFSBERG 
 
 Managers: A. S. W. Odelberg and Victor Odelberg. 
 
 16 Services and objects of art in chinaware and earthen- 
 ware. Designer: Wilhelm Kage. 
 
 A.B. KARLSKRONA PORSLINSFABRIK, KARLS- 
 KRONA 
 
 17 Services and objects of art in chinaware. Designer: 
 
 Edward Hald. 
 
 HARRIET SUNDSTROM, STOCKHOLM 
 
 18 Tobacco jar and horses in earthenware. 
 
 FURNITURE 
 
 A.B. MOBILIA I MALMO, MALMO 
 _ Manager: C. G. Nordberg. 
 19 Cabinet in inlaid work. Designer: Uno Ahrén. 
 
 A.B. NORDISKA KOMPANIET, STOCKHOLM 
 Manager: J. E. Sachs. 
 
 20 Sofa, four seats, two cabinets, grandfather’s clock, 
 executed in oak and walnut and inlaid in various 
 woods. Designer: Carl Horvik. 
 
 Chest, study table, cabinet, two easy-chairs in dif- 
 ferent woods with inlaid work (the chairs uphol- 
 stered in high-warp tapestry, made by Thyra Graf- 
 stroms Textilaffar A.B.), cabinet in polished rose- 
 wood with inlaid work, tea table in polished birch 
 with inlaid work, birch chairs, lacquered in white 
 
 5 
 
CATALOGUE 
 
 and gilded. Designer: Carl Malmsten. Embroi- 
 deries by Thyra Grafstroéms Textilafféar A.B. De- 
 signer: Alf Munthe. Table in polished rosewood 
 with inlaid work. Designer: Carl Norberg. 
 
 Table in dark polished mahogany with engraved, 
 silvered, and oxidized fittings. Designer: Ture Ry- 
 berg. 
 
 Secretary in polished elm and in polished and veined 
 birch with inlays. 
 
 Two foot-lamps in polished elm with engraved glass 
 from Orrefors. 
 
 Armchair in polished elm and leather executed by 
 Miss Englund. Designer: Ernst Spolén. 
 
 SIDNEY GIBSON, STOCKHOLM 
 
 21 Two seats in rosewood. 
 
 STOCKHOLMS STADS HANTVERKSFORENING, 
 STOCKHOLM 
 
 ALBIN JOHANSSON, manufacturer. 
 22 Cabinet in birch and cherry. Designer: A. E. Hjorth. 
 
 Hsautmar WIkKstTROM, manufacturer. 
 
 23 Chest of drawers in rosewood with inlays. Designer: 
 A. E. Hjorth. 
 HsaLMar JACKSON, manufacturer. 
 
 24 Cabinet in rosewood with inlays. Designer: Carl 
 Malmsten. 
 Jacos WICKMAN, manufacturer. 
 
 25 Cabinet in rosewood with inlays. Designer: Oscar 
 Nilsson. 
 GrorG Ryman, manufacturer. 
 
 26 Cabinet in rosewood with inlays. Designer: Carl 
 Horvik. 
 
 A.B. SVENSKA MOBELFABRIKERNA, BODA- 
 FORS 
 Manager: E. F. Hj. Miltopaeus. 
 27 Birch cupboard, table, and small cabinet inlaid with 
 various woods. Designer: Carl Malmsten. 
 
 6 
 
CATALOGUE 
 
 Desk, chair, and easy-chair in polished elm and 
 black leather. Designer: Uno Ahrén. The chairs 
 upholstered in linen damask, made by Thyra Graf- 
 stroms Textilaffar A.B. 
 
 KIRURGISKA INSTRUMENTFABRIKS A.B. 
 “KIFA,’ STOCKHOLM 
 
 Manager: Erich Dingel. 
 27a Combined reading and sick-table. 
 
 GLASSWARE 
 
 A.B. KOSTA GLASBRUK, KOSTA 
 Manager: Sven Fogelberg. 
 
 28 White or colored cut crystal (art glass) bowls, vases, 
 wine, and dessert services, bonbonniéres, boxes, per- 
 
 fumery bottles, toilet sets, etc. Designer: Ewald 
 Dahlskog. 
 
 ORREFORS BRUKS A.B., ORREFORS 
 
 Manager: Edvard Strémberg. 
 Designers: Simon Gate and Edward Hald. 
 
 29 Art glass: “Graal glass” (Orrefors specialty in tinted 
 glass). Engraved crystal goblets, urns, flower- 
 vases, bowls, dishes, basin, ete. 
 
 Household glassware: Engraved crystal bonbon- 
 
 _ niéres, boxes, perfumery bottles, dressing-table sets, 
 wine and dessert services, and liqueur and whiskey 
 sets. 
 
 White or colored cut crystal bowls, vases, wine and 
 dessert services, bonbonniéres, etc. 
 
 White or colored glass flower-vases, bowls, wine and 
 dessert services, etc. 
 
 Lighting appliances: Cut and engraved crystal. Hang- 
 ing lamps, etc. 
 
 7 
 
CATALOGUE 
 
 METALWORK 
 
 JACOB ANGMAN, STOCKHOLM 
 
 Chaser and silversmith, chief of the drawing- 
 office and model-workshop at the Guldsmeds A.B. 
 of Stockholm. 
 
 30 Caskets, cups, coffee service, and other articles in 
 silver. 
 
 ASTRID M. AAGESEN, HALSINGBORG 
 
 31 Objects in pewter. Designers: Astrid Aagesen and 
 Ivar Johnsson. 
 
 PETTER ANDERSON, ARVIKA 
 
 32 Fire-dogs in wrought iron, owned by Thorsten Laurin, 
 Stockholm. Designer: Ragnar Ostberg. 
 
 HERMAN BERGMAN, STOCKHOLM 
 
 33 Objects in pewter and bronze. Designers: Knut Hall- 
 gren, Anna Petrus, and Astri Taube. 
 
 ATELIER BORGILA, STOCKHOLM 
 Manager: Erik Fleming. 
 
 34 Articles in silver. Designers: Erik Fleming and Sven 
 Markelius. 
 
 OSSIAN ELGSTROM, STOCKHOLM 
 
 85 Door of wrought iron, belonging to the National Mu- 
 seum in Stockholm. 
 
 CARL G. ERICSON, ARVIKA 
 86 Church candlesticks. 
 
 SVENSKT TENN, STOCKHOLM 
 Manager: Estrid Erikson. 
 
 87 Objects in pewter. Designers: Estrid Erikson and 
 Nils Fougstedt. 
 
 8 
 
CATALOGUE 
 
 SIDNEY GIBSON, STOCKHOLM 
 
 38 Articles in silver. Executed by Guldsmeds A.B. of 
 Stockholm. 
 
 GULDSMEDS A.B. I STOCKHOLM, STOCKHOLM 
 Manager: Josef Anér. 
 
 39 Objects in gold, silver, and enamel. Designers: Maja 
 Lisa Olsson, Georg Thylstrup, and Jacob Angman. 
 
 C. G. HALLBERGS GULDSMEDS A.B., STOCK- 
 HOLM 
 Manager: Jean Jahnsson. 
 
 40 Objects in gold, silver, and enamel. Designers: 
 Hakon Ahlberg, Elis Bergh, Jean Jahnsson, Jr., 
 Edvin Ollers, and Uno Ahrén. 
 
 OLGA LANNER, STOCKHOLM 
 41 Objects in silver, designed by the exhibitor. 
 
 A.B. LIBRARIA, STOCKHOLM 
 Manager: Agda Osterberg. 
 42 Candlesticks. Designed by Harald Bergsten. 
 Candlesticks. Designed and executed by Arnold Karl- 
 
 strom. 
 
 METALLFABRIKSAKTIEBOLAGET C. C. SPOR- 
 RONG & CO., STOCKHOLM 
 Manager: A. Hede. 
 
 43 Medals. Designed by Carl Milles, Ivar Johnsson, 
 Gésta Carell, Nils Olsson, Svante Nilson, Nils 
 Sjogren, Tore Strindberg, Herman Neujd, and 
 Hjoérdis Tengbom. 
 
 A. NILSSON, SUCCESSOR TO J. P. HASSELGREN, 
 LUND 
 
 Manager: Anders Nilsson. 
 44 Articles in silver. Designer: Wiven Nilsson. 
 
 9 
 
CATALOGUE 
 
 NAFVEQVARNS BRUK, NAFVEQVARN 
 Manager: A. Dybso. 
 
 45 Urns from the Stockholm Town Hall. Designer: 
 Henrik Krogh. 
 
 Urns. Designer: Olof Hult. 
 
 Sun-dial on cast-iron base. Designer: Johannes Dahl. 
 Fence. Designer: Ture Ryberg. 
 
 Urns of different models. Designer: Ivar Johnsson. 
 “Bergslags” urn. Designer: Eric Grate. 
 
 Drinking fountain. Designer: E. G. Asplund. 
 
 Fountain—‘‘Water Games.” Designers: Olof Hult 
 and Rolf Bolin. 
 
 Benches and seats. Designer: Folke Bensow. 
 Garden bed surrounds. Designers: Johannes Dahl 
 
 and Erik Lund. 
 Cast-iron tobacco jar. Designer: Carl Elmberg. 
 
 Cast-iron show-tables for the display of glassware 
 and ironwares. Designers: Carl G. Bergsten and 
 Anna Petrus. 
 
 HARRIET SUNDSTROM, STOCKHOLM 
 
 46 Horses in bronze. 
 
 KARL WOJTECH, STOCKHOLM 
 
 47 Articles in gold and silver. Designers: Wolter Gahn, 
 Ivar Johnsson, Karl Wojtech, and Uno Ahrén. 
 
 STONEWORK 
 
 NYA MARMORBRUKS AKTIEBOLAGET, KOL- 
 MARDEN 
 Manager: Carl Lénnqvist. 
 48 Table-tops in “Swedish green” marble, and cast-iron 
 tables from Nafveqvarn. 
 Four columns of the same marble. Designers: Carl G. 
 Bergsten and Anna Petrus. 
 
 10 
 
CATALOGUE 
 
 GROPPTORPS MARMOR A.B., KATRINEHOLM 
 Manager: John Kihlgren. 
 49 Objects in green marble. 
 
 TEXTILES 
 
 MARTA ALEXANDERSON, STOCKHOLM 
 50 Embroideries, executed on silk. 
 
 OSKAR BERGMAN, NEGLINGE, SALTSJO- 
 BADEN 
 
 51 Two high-warp tapestries. 
 
 JOHANNA BRUNSSONS VAVSKOLA, STOCK- 
 HOLM 
 
 Manager: Alma Jacobson. 
 
 52 Carpets in “rya”’ and “rédlakan.”’ Weaving in “réd- 
 lakan.” Table-cloth in “rédlakan.” 
 
 OSSIAN ELGSTROM, STOCKHOLM 
 
 53 Two high-warp tapestries, executed by E. Persson. 
 The subjects are taken from Lappish tales of the 
 Creation of Man and of the Deluge. 
 
 ELSA FLENSBURG, STOCKHOLM 
 
 54 Hand-printed cloths, intended for interior decoration. 
 
 GUSTAF AND AMELIE FJAESTAD, ARVIKA 
 55 Rugs and high-warp tapestries. [Not received for ex- 
 
 hibition. | 
 
 ANNIE FRYKHOLM, STOCKHOLM 
 
 56 Rug in “rédlakan,” belonging to Gésta Ehrnberg, 
 Simrishamn. Carpet in “flossa,” “Tempera.” 
 
 11 
 
CATALOGUE 
 
 HANDARBETETS VANNER (Association of the 
 Friends of Handicraft, founded in 1874), 
 STOCKHOLM 
 
 Manager and chief artist: Carin Wastberg. 
 57 Weavings: Wall-hangings in high-warp texture or in 
 Handarbetets Vanners style. 
 
 Carpets and rugs in “‘flossa,” “rya,” or “rodlakan.” 
 Door draperies, curtains, furniture-stuff, table cov- 
 ering. 
 
 Embroideries: Curtains, bedspreads, tea-sets, etc. 
 
 Artists: Maja Andersson, Marta Alexanderson, Annie 
 
 Frykholm, Carl Larsson, Maja Sjéstrém, Carin 
 Wastberg, and Agda Osterberg. 
 
 FORENINGEN FOR SVENSK HEMSLOJD, 
 STOCKHOLM 
 
 (Founded in 1899. Patron, H.M. The King. 
 Chairman, H.R.H. Prince Eugene.) 
 Manager: Anders Lundberg, Architect. 
 
 58 Carpets, draperies, and table-cloths in “rya,” “‘flossa,”’ 
 “yddlakan,’ and other Swedish techniques. De- 
 signer: Marta Maas-F jetterstrom. 
 
 Carpets, drapery, upholstery in “rya,” “‘flossa,”’ réd- 
 lakan,”’ and other Swedish techniques. Designers: 
 Marta Gahn and Marta Maas-Fjetterstrom. 
 
 THYRA GRAFSTROMS TEXTILAFFAR A.B., 
 STOCKHOLM 
 Manager: Elsa Gullberg. 
 
 59 Carpets. Designers: Elsa Gullberg and Ellen Stahl- 
 brand. 
 
 Stools with hand-knotted “flossa” weaving. Designer: 
 Ellen Stahlbrand. 
 
 GRETA JENNER, STOCKHOLM 
 60 Hand-printed silks and velvets. 
 
 12 
 
CATALOGUE 
 
 KONSTFLITEN, VAXJO 
 Manager: Ida Rudelius. 
 61 Weaving. 
 
 LICIUM, STOCKHOLM 
 Manager: Agnes Branting. 
 62 Church textiles. | Not received for exhibition. | 
 
 ALF MUNTHE, GRONDAL, LILJEHOLMEN. 
 
 63 Carpet in high-warp, belonging to Tekla Edstrand, 
 Malmo. 
 
 AGDA OSTERBERG, STOCKHOLM 
 
 64 Embroidery on silk in gold, silk, and pearls, ‘““The 
 Eternal City.”’ Carpet in “flossa,’ belonging to 
 Rohsska Konstsl6jdmuseet (Museum of Decorative 
 Art) in Goteborg. 
 
 SVENSKA HEMSLOJDSFORENINGARNAS RIKS- 
 FORBUND (National Federation of the Swed- 
 ish Societies for Home Industry, including the 
 associations represented by the Catalogue Items 
 Nos. 65-82) 
 
 GESTRIKLANDS HEMSLOJDSFORENING, 
 GAVLE 
 
 Manager: Ebba Fick. 
 
 65 Art fabrics in “krabbasnar,” laces, carpets “Slarvt- 
 jall.” 
 
 GOTLANDS HEMSLOJDSFORENING, VISBY 
 Manager and designer: Augusta Skarman. 
 
 66 Carpets. 
 
 HALLANDSKA HEMSLOJDSFORENINGEN 
 BINDSLOJDEN, HALMSTAD 
 
 Managers: Ellen Dominicus and Tora Simson. 
 
 67 Embroidery for cushion, embroidered table-cloth, 
 knitted articles. 
 
 13 
 
CATALOGUE 
 
 JAMTSLOJD, OSTERSUND 
 
 Manager: Agnes Ericsson. Designer: Karin Nils- 
 son. 
 
 68 Embroidered table-cloth, laces. 
 
 JONKOPINGS LANS HEMSLOJDSFORENING. 
 JONKOPING 
 
 Manager: Clary Wahlsten. 
 69 Carpets in “flossa.”’ 
 
 KONSTFLITEN, GOTEBORG | 
 Manager and designer: E. Hedberg. 
 70 Carpet in “flossa.”’ 
 
 MALMOHUS LANS HEMSLOJDSFORENING, 
 MALMO 
 
 Manager: Olga Schmidt. 
 71 Flemish art fabrics, embroideries, Scanian laces. 
 
 MORA HEMSLOJDENS VANNER, MORA 
 Manager: Gerda Boethius. 
 72 Weavings. 
 
 SKARABORGS LANS HEMSLOJDSFORENING, 
 SKOVDE 
 
 Managers: Marianne Ekman and Hulda Peters. 
 73 Curtains. 
 
 SODRA KALMAR LANS HEMSLOJDSFORENING, 
 KALMAR 
 
 Manager: Gerda Briitte. 
 74 Art fabrics in “krabbasnar.” 
 
 UPSALA LANS HEMSLOJDSFORENING, 
 UPSALA 
 Manager: Ester Carlsson. 
 75 Carpets in “‘flossa.””’ Woven cushions. Designer: Laila 
 Wallin. 
 
 14 
 
CATALOGUE 
 
 VARMLANDS HEMSLOJD, KARLSTAD 
 Manager: Gerda Melin. 
 
 76 Damask table-cloth, carpets in ‘“‘flossa,’ upholstery 
 materials. Designer: Anna Wettergren-Behm. 
 
 VASTERBOTTENS LANS HEMSLOJDSFORE- 
 NING, UMEA 
 
 Manager: Thyra Sandstrom. 
 77 Specimens of Lappish handicraft in reindeer horn. 
 
 VASTMANLANDS LANS HEMSLOJDSFORE- 
 NING, VASTERAS 
 
 Manager: Olga Anderzon. 
 78 Carpets in “flossa,” art fabrics in “krabbasnar.” 
 
 ANGERMANLANDS HEMSLOJDSFORENING, 
 SOLLEFTEA 
 
 Manager and designer: Gulli Dimming. 
 
 79 Art fabrics in “krabbasnar’ and “opphamta.” Em- 
 broidered table-cloth, laces. 
 
 OREBRO LANS HEMSLOJD, OREBRO 
 Manager: Anna Pahlson. 
 80 Carpets in “‘flossa.” 
 
 OSTERGOTLANDS LANS HEMSLOJDSFORE- 
 NING, LINKOPING 
 
 Manager: Eva Odlund. 
 81 Carpets in “‘flossa.’”’ Designer: Maja Vestin. 
 
 OVRE HALSINGLANDS HEMSLOJDSFORE- 
 NING, HUDIKSVALL 
 
 Manager: Stina Rodenstam. 
 82 Laces. 
 
 GRETA SJUNESSON-SANDBERG, ULRIKSDAL 
 
 88 Lace, belonging to the National Museum in Stock- 
 holm. 
 
 15 
 
CATALOGUE 
 
 LAURA SJUNNESSON, VADSTENA 
 
 84 Embroidered scenes from the life of her son, living in 
 America, belonging to John Sjunnesson, Chicago. 
 
 TOWN HALL OF STOCKHOLM 
 
 85 Fabrics, designed and executed especially for the 
 Town Hall of Stockholm. Artist: Maja Sjéstrom. 
 
 TABERGS YLLEFABRIK, SMALANDS TABERG 
 86 Carpets. 
 
 MARY WAHLSTEDT, HOLSAKER, DALARNE 
 Manager: Lennart Wahlstedt. 
 87 Weavings. 
 
 RUTH FISCHER, STOCKHOLM 
 88 Embroidery. 
 
bo 
 
 Oo oo - 
 
 11 
 
 12 
 
 13 
 
 14 
 15 
 16 
 
 17 
 18 
 
 LIST OF EXHIBITORS 
 
 BOOKS AND BOOKBINDINGS 
 
 N. Bernu. ANperssons Boxsinperi A.B., Smalands- 
 gatan 28, Stockholm 
 
 ALBERT Bonniers BoxroruaG, Sveavagen 56, Stock- 
 
 holm 
 Gusta¥r Hepsere, Gamla Brogatan 26, Stockholm 
 Oscar L. Isacson, Postgatan 3 B., Goteborg 
 Oute Hsortzsere, Eriksbergsgatan 28, Stockholm 
 
 Broperna Lacerstrom, Klara Sodra Kyrkog. 14, 
 Stockholm 
 
 Norpiska Museet, Stockholm 14 
 
 Maumo Grariska ANSTALT & LUNDGRENS SONER, 
 
 Malmo 
 
 Norpisk Rotocravyr, Gamla Brogatan 34, Stock- 
 holm 
 
 P. A. Norstept & Soner A.B., Stockholm 
 
 FORENINGEN ORIGINALTRASNITT, Mastersamuelsgatan 
 56, Stockholm 
 
 A.B. Hanppresstryckeriet, Malarhojden, Stock- 
 
 holm 
 
 CERAMICS 
 
 Louise ApezorG, c/o Rorstrands utstallning, Biblio- 
 teksgatan 10, Stockholm 
 
 Boseres Fasansrasrik A.B., Gavle 
 GerFLE PorsLiInsFaBRiks A.B., Gavle 
 
 A.B. Gustarspercs Fasrikxs INTRESSENTER, Gustafs- 
 berg 
 
 A.B. Karuskrona Pors.InsFABRIK, Karlskrona 
 
 Harriet Sunpstr6M, c/o David Andersen Co., Freds- 
 gatan 4, Stockholm 
 
 a 
 
19 
 20 
 21 
 
 22 
 23 
 24 
 25 
 26 
 27 
 
 LIST OF EXHIBITOR: 
 FURNITURE 
 
 A.B. Mosiria 1 Matmo, Malmo 
 A.B. Norpiska Kompaniet, Stockholm 
 Sipney Gisson, Haga Tradgard, Stockholm 
 
 STocKHOLMS STADS HANTVERKSFORENING, Brunke- 
 bergsgatan 3, Stockholm. Comprising the following 
 manufacturers and architects: 
 
 ALBIN J OHANSSON 
 
 Hsatmar WIKSTROM 
 HsaLMarR JACKSON 
 JacosB WICKMAN 
 Grore Ryman 
 
 A.B. Svenska MOBELFABRIKERNA, Bodafors 
 
 27a KirurGiska INSTRUMENTFABRIKS A.B. ° “‘Kifa,” 
 
 28 
 29 
 
 30 
 31 
 32 
 33 
 34 
 35 
 36 
 37 
 38 
 39 
 
 Regeringsgatan 31, Stockholm 
 
 GLASSWARE 
 A.B. Kosta Guassruk, Kosta 
 
 Orrerors Bruks A.B., Orrefors 
 
 METALWORK 
 
 Jacos ANeGMAN, Swedenborgsgatan 50, Stockholm 
 Astrip M. Aacesen, Halsingborg 
 
 Prertrer AnpERSON, Myra, Arvika 
 
 Herman Berenman, Roslagsgatan 31, Stockholm 
 ATELIER Boraiva, Stureplan 2, Stockholm 
 
 Oss1an Exestrom, Bellmansgatan 24, Stockholm 
 Cart G. Ericson, Arvika 
 
 Svenskt Tenn, Smalandsgatan 40, Stockholm 
 Sipnry Gisson, Haga Tradgard, Stockholm 
 
 Gutpsmeps A.B. 1 StockHoLM, Swedenborgsgatan 50; 
 Stockholm 20 
 
 18 
 
40 
 
 41 
 42 
 43 
 
 44 
 45 
 46 
 
 AT 
 
 48 
 49 
 
 50 
 
 51 
 52 
 
 53 
 54 
 56 
 57 
 
 58 
 59 
 
 60 
 
 LIST OF EXHIBITORS 
 C. G. Hatisercs Guipsmeps A.B., Drottninggatan 6, 
 Stockholm 
 Ouea Lanner, Mastersamuelsgatan 56 B, Stockholm 
 A.B. Lrsraria, Regeringsgatan 23, Stockholm 
 METALLFABRIKSAKTIEBOLAGET, C. C. Sporrong & Co., 
 
 Stockholm 
 A. Nizsson, Successor to J. P. Hasselgren, Lund 
 NAFvVEQvaRNs Brox, Nafveqvarn 
 
 Harriet SunpstrOM, c/o David Andersen Co., Freds- 
 gatan 4, Stockholm 
 
 Karu Wostecu, Palsundsgatan 7, Stockholm 
 
 STONEWORK 
 
 Nya Marmorsrvuks AKTIEBOLAGET, Kolmarden 
 GropptTorPs Marmor A.B., Katrineholm 
 
 TEXTILES 
 MAarta Atexanperson, Fleminggatan 51A., Stock- 
 holm 
 Oskar Brereman, Neglinge, Saltsjobaden 
 JoHanna Brunssons VAvskoua, Kungsgatan 70, 
 
 Stockholm 
 Osstan Exastr6m, Bellmansgatan 24, Stockholm 
 Esa Fienssura, Lilla Vattugatan 14, Stockholm 
 ANNIE FryKHouiM, Johannesgatan 22, Stockholm 
 HanparBeETETs VANNER, Kungstradgardsgatan 12, 
 
 Stockholm 
 
 FORENINGEN FOR SvENSK HemsLosp, Biblioteks- 
 gatan 12, Stockholm 
 
 Tuyra Grarstroms TEexTILAFFAR A.B., Mastersam- 
 uelsgatan 6, Stockholm 
 
 Greta JENNER, c/o Svenska Slojdforeningen, Stock- 
 holm 7 
 
 19 
 
61 
 63 
 64 
 
 88 
 
 LIST OF EXHIBITORS 
 
 KonstTFLITEN VAxJ6 
 Aur Muntue, Grondal, Liljeholmen 
 Aacpa OstERBERG, Katarina Bangata 34, Stockholm 
 
 SveNsKA HEMSLOJDSFORENINGARNAS RIKSFORBUND 
 (National Federation of the Swedish Societies for 
 Home Industries, including the following associa- 
 tions, 65-82.) 
 
 GESTRIKLANDS HEMSLOJDSFORENING, Giavle 
 
 GotLanps HeMsLOJpsFORENING, Visby 
 
 HaLuLANpDskA HEMSLOJDSFORENINGEN BINDSLOJDEN, 
 Halmstad 
 
 JAmtTsLOsp, Ostersund 
 
 JonkKOriINGs LAns HeMsLOsDsFORENING, JOnk6ping 
 
 KonstTFLITEN, Goteborg 
 
 Matmouus Lans HEMSLOJDSFORENING, Malmo 
 
 Mora Hemsxiospens VANNER, Mora 
 
 SxaraBboros LANs HEMSLOJDSFORENING, Sk6vde 
 
 Sopra Katmar Lans HEMSLOJDSFORENING, Kalmar 
 
 Upsata LAns HemsiospsFrorenineG, Upsala 
 
 VARMLANDS Hems.ogp, Karlstad 
 
 VASTERBOTTENS LANS HEMSLOJDSFORENING, Umea 
 
 VASTMANLANDS LANs HEMSLOJDSFORENING, Vasteras 
 
 ANGERMANLANDS HEMSLOJDSFORENING, Solleftea 
 
 Oresro LAns Hemsziésp, Orebro 
 
 OstTERGOTLANDS Lins HemsiOspsFORENING, 
 Linkoping 
 
 Ovre HAtsincLanps HEeMSLOJDSFORENING, 
 
 Hudiksvall 
 GRETA SJUNESSON-SANDBERG, Ulriksdal 
 Laura SJUNNESSON, Vadstena 
 StrockHotms StapsuHus (The Town Hall of Stockholm) 
 Tasercs YLLEFABRIK, Smalands Taberg 
 Mary Wautstept, Holsaker, Dalarne 
 Ruru Fiscuer, Parkgatan 18 B., Stockholm 
 
 20 
 
INDEX OF ARTISTS 
 
 Aagesen, Astrid 
 Adelborg, Louise 
 Ahlberg, Hakon 
 
 Group 
 Number 
 
 Alexanderson, Marta 
 
 Anderson, Petter 
 Andersson, Maja 
 Anderzon, Olga 
 Asplund, E. G. 
 
 Bensow, Folke 
 Berg, Yngve 
 Bergh, Elis 
 
 Bergman, Herman 
 
 Bergman, Oskar 
 Bergsten, Carl G. 
 Bergsten, Harald 
 Billow, Anders 
 Bolin, Rolf 
 
 Carell, Gésta 
 
 Dahl, Johannes 
 Dahlskog, Ewald 
 Dimming, Gulli 
 
 Ebeling, Allan 
 Eldh, Albert 
 Eldh, Ruben 
 Elgstrom, Ossian 
 Elmberg, Carl 
 Englund, Miss 
 Ericson, Carl G. 
 Erikson, Estrid 
 
 Fischer, Ruth 
 Fleming, Erik 
 
 50, 
 
 45, 
 
 35, 
 
 31 
 13 
 4.0 
 
 21 
 
 Flensburg, Elsa 
 Fougstedt, Nils 
 Frykholm, Annie 
 
 Gahn, Marta 
 Gahn, Wolter 
 Gate, Simon 
 Gibson, Sidney 
 Grate, Eric 
 Gullberg, Elsa 
 
 Hald, Edward 
 Hallgren, Knut 
 Hedberg, E. 
 Hjorth, A. E. 
 Hult, Olof 
 Horvik, Carl 
 
 Jahnsson, Jean, Jr. 
 Jancke-Bjork, Eva 
 
 Jenner, Greta 
 Johnsson, Ivar 
 
 Group 
 Number 
 
 54 
 37 
 56, 57 
 
 58 
 47 
 4, 29 
 21, 38 
 45 
 59 
 
 17, 29 
 33 
 70 
 22, 28 
 45 
 20, 26 
 
 40 
 14 
 60 
 
 31, 48, 45, 47 
 
 Jungstedt, Kurt 
 
 Karlstro6m, Arnold 
 
 Krogh, Henrik 
 Kumlien, Akke 
 Kage, Wilhelm 
 
 Lanner, Olga 
 Larsson, Carl 
 
 Lund, Erik 
 
 Lundberg, Anders 
 
 Lybeck, Bertil 
 
 2 
 
 4:2 
 45 
 
INDEX OF 
 
 Group 
 Number 
 
 Malmsten, Carl 20, 24, 27 
 
 Markelius, Sven 34 
 Milles, Carl 43 
 Munthe, Alf 20, 63 
 Maas-F jetterstrom, 
 Marta 58 
 Neujd, Herman 48 
 Nilson, Svante 43 
 Nilsson, Karin 68 
 Nilsson, Oscar 25 
 Nilsson, Wiven 44 
 Norberg, Carl 20 
 Ollers, Edvin 40 
 Olsson, Maja Lisa 39 
 Olsson, Nils 43 
 
 Percy, Arthur Carlson 15 
 
 Persson, E. 58 
 Petrus, Anna 38, 45, 48 
 Ryberg, Ture 20, 45 
 Sahlén, Artur 12 
 Schwab, Eigil 2 
 Sjunesson-Sandberg, _ 
 Greta 83 
 Sjunnesson, Laura 84 
 
 Sjogren, Arthur 6 
 Sjogren, Nils 
 
 22 
 
 ARTISTS 
 
 Group 
 
 Number 
 Sjostrom, Maja = 57, 85 
 Skarman, Augusta 66 
 Spolén, Ernst 20 
 Strindberg, Tore 43 
 Stahlbrand, Ellen 59 
 Sundstrém, Harriet 
 
 18, 46 
 Svensson, Bertha 6 
 Taube, Astri 33 
 Tengbom, Hjérdis 43 
 Thylstrup, Georg 39 
 Vestin, Maja 81 
 Wallin, Laila 75 
 Wedel, A. 4 
 Welamson, Leon 6 
 Wettergren-Behm, Anna 
 
 76 
 
 Wojtech, Karl 47 
 Wrangel, Jurgen 2 
 Wiastberg, Carin 57 
 
 Ahrén, Uno 19, 27, 40, 47 
 
 Astroém, Viktor 10 
 Angman, Jacob 30, 39 
 Ostberg, Ragnar 32 
 Osterberg, Agada 57, 64 
 
LLUSTRATIONS 
 
 —— 
 
~~ 
 
POTTERY BOWL 
 
 Designed by W. Kage 
 Executed by Gustafsberg Manufactory 
 
 25 
 
POTTERY JAR. ELEPHANTS 
 
 Designed by Allan Ebeling 
 Executed by Boberg Manufactory, Gavle 
 
 26 
 
BOTTLE AND TWO BOWLS 
 
 Designed by W. Kage 
 Executed by Gustafsberg Manufactory 
 
 PITCHER AND PLATE 
 
 Designed by Allan Ebeling 
 Executed by Boberg Manufactory, Gavle 
 
 27 
 
CABINET 
 
 Designed by Carl Malmsten 
 Executed by Swedish Furniture Manufactories, Bodafors 
 
 28 
 
ujoyyxs079 “qavuvdwoy vysipso vy hg pajnoae ay 
 410.10 FT 1409 fig paubrisag 
 
 Aa.L.LaAS 
 
 29 
 
CHAIR 
 
 Designed by Carl Malmsten 
 Executed by Nordiska Kompaniet, Stockholm 
 
 30 
 
CUT GLASS BOWL 
 
 Designed by Ewald Dahlskog 
 Executed by Kosta Glass Works 
 
 31 
 
ENGRAVED GLASS PLATE. THE WINDS 
 
 Designed by Edward Hald 
 Executed by Orrefors Glass Works 
 
 32 
 
ce 
 
 ENGRAVED GLASS BOWL. FIREWORKS 
 
 Designed by Edward Hald 
 Executed by Orrefors Glass Works 
 
 33 
 
ENGRAVED GLASS VASE AND DISH 
 
 THE CONSERVATORY 
 
 Designed by Edward Hald 
 Executed by Orrefors Glass Works 
 
 34 
 
ENGRAVED GLASS VASE 
 
 a Designed by Simon Gate 
 ; Executed by Orrefors Glass Works 
 
 35 
 
YOM 880) ssofaltcC hq pajnoexy 
 aqwy uouig hq paubisag 
 
 aALVId GNV IMO SSVID GHAVUONA 
 
 36 
 
SILVER CUP. FLOWER 
 Designed and executed by Jacob Angman 
 
 37 
 
SILVER BONBONNIERE 
 
 Designed by Jacob Angman 
 Executed by Guldsmeds A.B., Stockholm 
 
 SILVER VASE 
 Designed and executed by Jacob Angman, Stockholm 
 
 38 
 
SILVER BOWL 
 Executed by Guldsmeds A.B., Stockholm 
 
 39 
 
wmjoyyxI0719 ‘oipnig vpbuog fq paynoexa” 
 bua, yg hq poubsaqg 
 
 Las UAATIS 
 
 40 
 
wjoyx009¢ ‘hupunog unubiag uvwaay fq paynoowgy 
 snijag nuup hq poubrsag 
 
 AOUAIW AGNV TTHAMUNI WALMA 
 
IRON DOOR 
 
 Designed by Ossian Elgstrém 
 Executed by Erickson 
 Lent by the National Museum, Stockholm . 
 
 4.2 
 
IRON VASE 
 
 Designed by Eric Grate 
 Executed by Ndfveqvarn Foundry 
 
 43 
 
IRON VASE 
 
 Designed by Ivar Johnsson 
 Executed by Ndfveqvarn Foundry 
 
 44 
 
uossouunly vinn'yT hg pasapro.quia pun paubisaqd 
 VOINAWV NI DNIAIT NOS YAH JO AAIT AHL WOU SANAOS 
 
 (TIV.Lac ) AUAGIONVINA 
 
TAPESTRY. SOULS WANDERING 
 
 Designed by Ossian Elgstrém 
 Executed by E. Persson, 1913 
 
 46 
 
UNICORN 
 
 WOVEN HANGING. 
 
 tterstrom 
 
 dds-F je 
 
 ta M 
 
 gned and executed by Mar 
 
 Desi 
 
 AT 
 
WEAVING 
 
 Designed by Maja Andersson 
 Executed by Handarbetets Vanner, Stockholm 
 
 ERASE BRE ON AE BS GO Sade. 
 
 Nes 
 
 CARPET (DETAIL) 
 Designed by Maja Sjéstrém 
 Executed by Handarbetets Vanner, Stockholm 
 48 
 
 | 
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Of this catalogue 
 an edition of 1,500 copies 
 was printed 
 January, 1927 
 by 
 Wixuiam Epwin Rupes, Inc. 
 MOUNT VERNON, N.Y. 
 
 A second edition of 1000 copies 
 was printed 
 January, 1927 
 
 A third edition of 1200 copies 
 was printed 
 February, 1927 
 
>" 
 
 OP a 6 
 
 a ete a