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PREESEUBLIC EXHIBITION 
 
 From Saturday, November 13 To Time of Sale 
 
 Weekdays g a.m. to 6 p.m.» Sunday 2 to 5 p.m. 
 
 UNRESTRICTED PUBLIC SALE 
 
 Evening of November 19 
 At Eight-fifteen O’clock 
 
 Exhibition and Sale at the 
 
 AMERICAN ART GALLERIES 
 
 MADISON AVENUE: s6th TO 57¢h STREET 
 NEW YORK CITY 
 1926 
 
/ do We Qo: 
 Raeburn Portrait Brings 
 50 $12,300 in Art Sale 
 
 : fT a PND I 
 112 Paintings, Including Works 
 by European and American 
 Artists Raise $89,830 - 
 
 Sir Henry Raeburn’s foreeful portrait 
 of the Right Hon. Robert Blair, of 
 Avontoun, was sold for $12,300 last 
 night at the American Art Galleries 
 during a sale of 112 paintings from the 
 art gallery of Scott & Fowles, of 680 
 Fifth Avenue. The entire group, in- 
 cluding works of eminent European and 
 Awierican painters, realized a total of 
 $89,830, many prominent art dealers 
 ‘and private collectors taking part in, 
 the bidding, , 
 
 The Raeburn, a striking three-quar- | 
 ters portrait of 4 bewigged worthy in 
 black coat and breeches standing be- 
 side a table, was acquired by A. J. 
 | Kobler. The portrait was formerly in 
 the J. A. Maconochie Welwood ¢ollec- 
 tion, measured 50 by 40 inches, and 
 is a subject tamiliarized in mezzotint 
 by James Heath. The Picture easily 
 led'the sale, the second most important 
 offering being an early Dutch “Portrait 
 of a Maiden,” by Paul Van Somer, 
 ‘which the Ehrich Galleries bought for 
 $3,500. 
 | The sale included many specimens of 
 ‘the British portrait school, of which 
 “Miss Summerville,” by Francis Cotes, 
 R. A., brought $3,200, selling to Lewis 
 & Simmons. This firm also acquired 
 Van Marcke’s “Landscape With Cattle” 
 for $2,700, “Marianne, Daughter of the 
 Artist,” by Franz Von Lenbach, for 
 $2,900, and “Summer Sunshine and 
 Shadow,” by George Inness, N. A., for 
 $2,100. 
 
 Sir Peter Lely’s “H, M. Mary of 
 Modena” was sold for $3,000 to Fred- 
 erick Brennan, who also acquired “A 
 Prince of Bavaria,” by Nicolas Maes, 
 for $2,500. The Kleinberger Galleries 
 bid $2,100 for “Madonna and Child,” 
 given to Boltraffio, and Chester Dale 
 paid $2,700 for a pastel by Degas en-!} 
 titled, “Dancers at the Bat.” 
 
 1 5 d Fowles, of Fifth 
 le of the collection of Scott an 
 A un New Bae released to the art world es. ea 
 ee of the work of celebrated painters. At erie ne 
 was “ conducted by the American Art ea: See 
 most interesting oe a the Cea meee ie 
 h, ainted by their fathers. \ on le » Pi 
 
 ae at tlie nineteenth century German school, and painted many 
 
 as 
 traits of Bismarck. The Cadogan-Cowper of {ne eeone ae 
 Riche Cosway, whose miniatures are world-famous. 
 
 im, 1 i itzher uite 
 beauties of the Court sat to him, including Mrs. papal - : 
 a cosmongtigel picture made its Se Mt i of ae ane 
 fair-haired prince of Bavaria, by Nicholas Ma 
 
 ime 1 ion of 
 School. The picture was hung at one time in the collection 
 
 Lord Middleton of Wollaston Hall, Notts. 
 
 “Splat the afl? 
 
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 MADONNA, CHILD ZAND SSAEN TS: TRIPTYCH, BRUGES 
 HOOL, XVth CENTURY. IN THE SCOTT AND FOWLES 
 ALE, AMERICAN ART ASSOCIATION, NOVEMBER 19th. 
 
inerraren aeapamamveinanleaete ce aio “i 
 
 . Ropert Buiair 
 
 No. 105. THe Rr. Ho 
 
 [By Sir Henry Raeburn] 
 
EN Gil LS: EE--2-C.O Ne EN. BN IA ec AE RIC AN 
 
 Paintings 
 
 Oo EE. OV Pe =x xk OC PANS ia 
 
 Portraits by Sir William Beechey,. Sir 
 Peter Lely, Sir Godfrey Kueller, Sir 
 Foshua Reynolds, von Lenbach, Cfrancis 
 (otes, George Romney, Fohn Opie, Allan 
 ‘Ramsey, George H. Harlow, Sir Henry 
 ‘Raeburn and ‘Richard (osway and Examples 
 of Inness, Daubigny, Degas, Harpignies 
 Ziem, van Goyen, van Marcke and Boltraffio 
 
 t 3 
 
 sales Conducted By Mr. O. Bernet &§ Mr. Fl. Fl. Parke 
 AMERICAN: AR WP ASSOCIATION =~ INC, 
 MANAGERS 
 
Priced (atalogues 
 
 Priced copies of the catalogue, or any Session 
 thereof, will be furnished by the Association at 
 charges commensurate with the duties involved 
 in copying the necessary information from the 
 
 records of the Association. 
 
 The AMERICAN ART ASSOCIATION ° Inc 
 
 Designs its (Catalogues 
 and Directs All Details of Illustration 
 Text and Typography 
 
lis 
 
 (oe) 
 
 Conditions of Sale 
 
 CAEAP™, > 
 
 REJECTION oF Bips. Any bid which is not commensurate with the value 
 of the article offered, or which is merely a nominal or fractional advance, 
 may be rejected by the auctioneer if in his judgment such bid would be 
 likely to affect the sale injuriously. 
 
 Tue Buyer. The highest bidder shall be the buyer, and if any dispute 
 arises between two or more bidders, the auctioneer shall either decide the 
 same or put up for re-sale the lot so in dispute. 
 
 IDENTIFICATION AND Deposir By Buyer. The name of the buyer of each 
 lot shall be given immediately on the sale thereof, and when so required, 
 each buyer shall sign a card giving the lot number, amount for which sold, 
 and his or her name and address. QL A deposit at the actual time of the sale 
 shall be made of all or such part of the purchase prices as may be required. 
 CL, If the two foregoing conditions are not complied with, the lot or lots so 
 purchased may at the option of the auctioneer be put up again and re-sold. 
 Risk AFTER Purcuase. Title passes upon the fall of the auctioneer’s ham- 
 mer, and thereafter the property is at the purchaser’s risk, and neither the 
 consignor nor the Association is responsible for the loss of, or any damage 
 to any article by theft, fire, breakage, however occasioned, or any other 
 cause whatsoever. 
 
 DE.IveRyY oF Purcuasts. Delivery of any purchases will be made only 
 upon payment of the total amount due for all purchases at the sale. 
 RecereteD Biris. Goods will only be delivered on presentation of a re- 
 ceipted bill. A receipted bill presented by any person will be recognized and 
 honored as an order by the buyer, directing the delivery to the bearer of the 
 goods described thereon. If a receipted bill is lost before delivery of the prop- 
 erty has been taken, the buyer should immediately notify the Association of 
 such loss. 
 
 SroraGE IN DEFAULT oF Prompr PayMENT AND CaLiinc For Goons. 
 Articles not paid for in full and not called for by the purchaser or agent by 
 noon of the day following that of the sale may be turned over by the Associa- 
 tion to some carter to be carried to and stored in some warehouse until the 
 time of the delivery therefrom to the purchaser, and the cost of such cartage 
 and storage and any other charges will be charged against the purchaser and 
 the risk of loss or damage occasioned by such removal or storage will be upon 
 the purchaser. @, In any instance where the purchase bill has not been paid in 
 full by noon of the day following that of the sale, the Association and the 
 auctioneer reserve the right, any other stipulation in these conditions of sale 
 notwithstanding, in respect to any or all lots included in the purchase bill, at 
 its or his option, either to cancel the sale thereof or to re-sell the same at 
 public or private sale without further notice for the account of the buyer 
 and to hold the buyer responsible for any deficiency and all losses and 
 expenses sustained in so doing. 
 
 Suippinc. Shipping, boxing or wrapping of purchases is a business in which 
 the Association is in no wise engaged, but the Association will, however, 
 
al afford to purchasers every facility for employing at current and reasonable 
 rates carriers and packers; doing so, however, without any assumption of 
 responsibility on its part for the acts and charges of the parties engaged for 
 i such service. 
 
 i |i g. Guaranty. The Association exercises great care to catalogue every lot 
 | | correctly and endeavors therein and also at the actual time of the sale to 
 | 
 
 point out any error, defect or imperfection, but guaranty is not made either 
 
 by the owner or the Association of the correctness of the description, genuine- 
 
 ness, authenticity or condition of any lot and no sale will be set aside on 
 
 | account of any incorrectness, error of cataloguing or imperfection not noted 
 
 or pointed out. Every lot is sold “as is” and without recourse. QL Every 
 
 lot is on public exhibition one or more days prior to its sale, and the Associa- 
 
 | tion will give consideration to the opinion of any trustworthy expert to the 
 
 effect that any lot has been incorrectly catalogued and in its judgment may 
 
 | thereafter sell the lot as catalogued or make mention of the opinion of such 
 
 | | expert, who thereby will become responsible for such damage as might result 
 | were his opinion without foundation. 
 
 i 10. Recorps. The records of the auctioneer and the Association are in all cases 
 to be considered final and the highest bid shall in all cases be accepted by 
 both buyer and seller as the value against which all claims for losses or 
 damage shall lie. 
 
 11. Buyrnc on Orper. Buying or bidding by the Association for responsible 
 parties on orders transmitted to it by mail, telegraph, or telephone, if con- 
 
 ditions permit, will be faithfully attended to without charge of commission. 
 
 Any purchases so made will be subject to the foregoing conditions of sale, 
 
 except that, in the event of a purchase of a lot of one or more books by or 
 
 for a purchaser who has not through himself or his agent been present at the 
 exhibition or sale, the Association will permit such lot to be returned within 
 ten days from the date of sale, and the purchase money will be refunded, 
 if the lot differs from its catalogue description. , Orders for execution 
 by the Association should be given with such clearness as to leave no room for 
 misunderstanding. Not only should the lot number be given, but also the 
 title, and bids should be stated to be so much for the lot, and when the lot 
 consists of one or more volumes of books or objects of art, the bid per 
 volume or piece should also be stated. If the one transmitting the order is 
 unknown to the Association, a deposit must be sent or reference submitted. 
 Shipping directions should also be given. 
 
 | These conditions of sale cannot be altered except by the 
 | auctioneer or by an officer of the Association 
 
 OTTO BERNET - HIRAM H. PARKE - -4uctioneers 
 
 | 
 | AMERICAN ART ASSOCIATION - INC 
 Managers 
 
CATALOGUE 
 
FOREWORD 
 
 HE present important collection is placed on the market by 
 Messrs. Scott and Fowles, 667 Fifth Avenue, on the expiration 
 
 of their lease and the occasion of their moving to smaller tem- 
 porary quarters at 680 Fifth Avenue, New York. Scott and Fowles, 
 who have been established in New York for a quarter of a century, have 
 maintained during this period a reputation for the quality of their 
 paintings and the probity of their dealings which is familiar to every 
 amateur of art; and the present paintings have been placed in the hands 
 of the American Art Association for disposal at free and unrestricted 
 public sale. 
 
 This firm has been favorably known for its specialization in the 
 works of the English school of the XVII and XVIII centuries, of which 
 the present collection is in large part composed. Kneller is represented 
 by five sitters, including the delightful Youth in a Blue Coat (No. 55) 
 and Sir Peter Lely by no less than seven portraits, of which may bear 
 mention a graceful three-quarter length of Queen Mary of Modena 
 (No. 99). The XVIII century is also strongly represented by Reynolds, 
 with portraits of Dr. Thomas Barnard (No. 58) and Anthony Chamier 
 M.P. (No. 59), both recorded in Graves and Cronin’s work; Romney, 
 with two portraits, including one of Robert Raikes, the philanthropist, 
 from the collection of his grand-daughter; Northcote, Allan Ramsay 
 (vide the charming Ladies of the Gage Family), Opie, Cotes, Harlow 
 and Sir William Beechey, the last with the sterling portrait of the Misses 
 Bannister. An important and vigorous Raeburn, Robert Blair of Avon- 
 toun, illustrated as the frontispiece, deserves separate commendation, 
 and a rare canvas by the miniaturist Richard Cosway (No. 66), is of 
 exceptional interest in its freshness of treatment. 
 
 The more interesting pictures of the foreign schools include one 
 of the daughter of Peter Paul Rubens at the age of about five; an impor- 
 tant decorative Weenix; a Degas pastel, a Daubigny, and a Van Marcke 
 of the finest quality; and a striking portrait of his daughter by Frank 
 von Lenbach. 
 
 Two valuable primitives are the Madonna with Child of Giovanni 
 Boltraffio, from the P. A. B. Widener collection, and a beautiful Gothic 
 triptych of the Bruges school, strongly recalling Memling. 
 
EVENING SALE 
 
 Friday, November 19,1926 at 8.15 O'clock 
 (Catalogue Numbers I to 112 Inclusive 
 
 JAMES HOLLAND 
 
 BririsH: 1800—1870 / ) | 
 1. VENICE Kirk lower 
 
 At the right the baroque portal of a palace, at the water’s edge, the 19), 
 green canal choked with shipping in the middle distance; behind, at the 
 
 left, the houses on the opposite bank and the distant Campanile and 
 
 dome of St. Mark’s under a sky slashed with green and white. 
 
 Board: 12 inches square 
 
 ERSKINE NICOL, A.R.A. he ul Qf ores tf 
 : 
 
 ScoTTIsH: 1825—1904 
 
 2. “STEADY!” 35. 
 
 The side of a moorland hill, a tiny mountain stream rushing down to 
 the left. In the foreground a boy in brown coat and tam o’shanter, 
 and plaid trews, holding a fishing-rod. 
 
 Height, 11 inches; width, 8 inches 
 
 ALFRED STEVENS 
 BritisH: 1817—1875 PH og esa 
 
 3. MOONLIGHT 
 /8-6. 
 
 The seashore with a patch of gray sand diagonally across the fore- 
 ground, the dark figures of two boats and a sailing vessel on the calm 
 gray waters, which merge almost imperceptibly into a sky with a full 
 moon and a streak of cloud at the zenith. 
 
 Height, 16% inches; width, 9 inches 
 
a5. 
 
 » ARMAND GUILLAUMIN 
 Pensed FrencH: 1841— 
 4. LANDSCAPE 
 
 Looking down from a low knoll, the view is of brilliant green meadow 
 crossed by a fence at the foot of a curtain of tall elms and birches; 
 on the farther side the ground descends to the red roofs of a village 
 and an open plain. The branches of the trees, taking on buds, are 
 elaborately patterned in a network before a turquoise sky with clouds. 
 
 Height, 21 inches; width, 18 inches 
 
 Signed at lower right, A. GUILLAUMIN, and dated 1876 
 
 ( ‘ ALFRED STEVENS 
 
 Cine Gomnpet BritisH: 1817—1875 
 
 bo. 
 
 6. BEAGH SCENE 
 
 The foreground is of wet bright yellow sand at low tide, with figures 
 of bathers in the shadows; a blue-green sea on which are brown sails 
 and the steam of a tramp on the horizon contrasts in color with the 
 pinks of a sky which becomes dark gray at the zenith. 
 
 Panel: Height, 14 inches; width, 10 inches 
 
 Signed at lower right, A. STEVENS 
 
 Q AN? 4 ‘ b MakkyY B. LACEMAN 
 
 AMERICAN: 1886— 
 
 6. BOOKSTALLS ON THE QUAI, NEAR NOTRE DAME 
 
 At the left on the wall of the quai the open cases of the booksellers; 
 behind them, the road descends to the river level along a line of linden 
 trees fronting the green water and the triple arch of the bridge. In 
 the background the twin towers of Notre Dame emerge from a mass 
 of greenery in a pale blue and white sky. 
 
 Height, 20 inches; width, 24 inches 
 
 Signed at lower right, Harry B. LAcHMAN, and dated 1919 
 
HARRY B. LACHMAN 
 
 AMERICAN: 1886— 
 
 7. LE QUAI DE LA TOURNELLE 90. ore ie Prtar 
 
 The wall of the quai runs diagonally across the left foreground and is 
 patterned with gray-violet tree shadows; at its left end, a second-hand 
 bookseller with his cases of wares. A group of three linden trees in 
 spring leafage stands before the white triple arch of the bridge and 
 the mass of green foliage about the lower buttresses of Notre Dame 
 behind. 
 
 Height, 26 inches; width, 32 inches 
 
 Signed at lower right, Harry B. LACHMAN, and dated 1919 
 
 * 
 
 MARIE DIETERLE 
 FRENCH: 1860— J 
 
 8. CATTLE AND LANDSCAPE Te Werte tr 
 View of flat meadowlands with patches of sparkling water; in the fore- 
 ground a noble creature with head lifted to the breeze and to the right a UES 
 a black and white cow, shaded by massive willow-trees; before a blue 
 sky flecked with cirrus clouds, tinged with violet. 
 
 Height, 17 inches; length, 24 inches 
 
 Signed at lower right, Marte DifTERLE 
 
 ROBERT CRANNELL MINOR, N.A. 
 
 AMERICAN: 1840—1904 
 
 9. THE FISH-HAWK’S NEST Wr 5 ; Sie 
 p 
 
 A stretch of sandy shore and grass-covered slopes, scattered clum 
 
 of furze curving to form an arm of the sea in the left middle distance. Co. 
 In the foreground at the left is a shivering clump of three aspens and 
 
 a slender blasted tree; high up, on one of the short dead branches, is 
 perched the rudely constructed nest, defying the menace of storm that 
 
 lies in the clouded sky. 
 
 Millboard: Height, 16 inches; width, 20 inches 
 
 Signed at lower right, MNoR 
 Collection of Dr. George M. Minor 
 
GEORGE. INNESS, -N.A. 
 
 AMERICAN: 1825—1894 ° . 
 Prise Sonny, 
 10. SUMMER SUNSHINE AND SHADOW 
 
 A meadow pasture, brown and white cows browsing at the foot of tall 
 groves of trees at left and right; in the centre two men cutting wood, at 
 the left a wagoner with a load of hay. Through a gap in the trees 
 a wooded landscape is visible and the pink clouds of the evening 
 light. Across the foreground lies a belt of deep shadow. 
 
 Height, 1244 inches; width, 18% inches 
 
 Signed at lower left, INNESS, and dated 1867 
 Collection of Henry Ward Beecher, who obtained it direct from the artist 
 Collection of Alexander R. Peacock, Esq. 
 
 ASTON KNIGHT 
 
 AMERICAN: 1873— “e 
 tits QUINNEY ZAC IUNUDILGIN INJECIK, CGONINJECT HEUTE 
 
 The wild grasses of the foreground are divided by a path and are in 
 the shade of trees at left and right, the latter forming an open lace- 
 work for the greens and browns of the sky. A broad river and a 
 mass of foliage on the farther side receive the warm brownish tones 
 of the evening light. 
 
 Height, 33 inches; width, 45 inches 
 
 Signed at lower right, ASTON Kwnicut, Parts 
 
 . ASTON KNIGHT 
 tS AMERICAN: 1873— 
 12. LANDSCAPE WITH FLOWERING TREES 
 
 In the left foreground a fruit tree with a mass of pink and white blos- 
 som leans among the reeds over the water of a brook curving into the 
 left middle distance; at the right, a pink hawthorn in full blossom. 
 The meadow of the middle distance with trees and cottages, rises 
 gently behind in a grassy hillside. 
 
 Height, 45 inches; width, 33 inches 
 
 Signed at lower left, Aston KNicHT, Paris 
 
Bee Niger ee 
 
 — WILLIAM SARTAIN, A.N.A. 
 5&0. 
 
 AMERICAN: 1843—1924 
 13. AN ALGERIAN SCHOOL 
 
 Stone interior with pillars supporting Moresque arches. On the floor 
 is seated a group of boys in brightly-colored dress and fez, two stand- 
 ing at the left and one leaning against a pillar at the right, in the 
 presence of a school master in black burnous and white turban, behind 
 them. 
 
 Height, 26 inches; width, 36 inches 
 Signed at lower right, W. SARTAIN 
 
 [Illustrated | 
 
Pa 
 - 
 CN 
 
 ERNEST LAWSON, N.A. 
 
 { 
 Wa erik aoe : 
 
 AMERICAN: 1873— 
 
 i 41 14. RIVER LANDSCAPE 
 
 ii The near shore, with a riot of color on the ground, is fringed by a 
 swaying line of saplings shaking their few leaves and curtaining the 
 i wide river behind, in which a solitary boat is floating at the right. 
 til On the farther side the country rises in green hills interspersed with 
 | woodland, the red and white of cottages catching the sunlight. 
 
 | Panel: Height, 25 inches; width, 30 inches 
 
 | il Signed at lower left, E. Lawson 
 
 [Illustrated | 
 
 Sek blo, Salk Bet 4 uy 
 
 © \ 
 
 \© ty ea (Ca neg. 
 Get.2u (Q We 
 ¢ Lom ; 
 
GEORGE H. BOUGHTON, R.A. 
 AMERICAN: 1834—1905 Oh artou Nina 
 
 15. WINTER IN BRABANT, HOLLAND )9§, 
 
 Across the background, stretching diagonally away into the distance 
 at the right, are the walls, roofs and pointed towers of the seventeenth 
 century town; at the right a windmill. Across the broad expanse of 
 snow and ice a group of citizens on skates are moving, one pushing 
 before him a sledge. On a low ramp in the extreme foreground a kneel- 
 ing cavalier is fastening on the skates of a lady, a young girl standing 
 at his right shoulder with her hands thrust into a muff. 
 
 Fleight, 374 inches; width, 6014 inches 
 
 Signed at lower right, G. H. BoucHton 
 a 
 
 290 
 RICHARD HILDER 
 
 % a) i BritisH: 1813—1852 p, S : | 
 
 16. LANDSCAPE WITH A FISHERMAN 
 
 At the right, the hummocks of scanty grass are interspersed with the 
 masses of oak trees, enclosing an old thatched cottage in the middle 
 distance; in the foreground are three figures of children, one that of 
 a boy in a rude cap fishing in the waters of the curving brown stream at 
 the left. The sky is gray and overcast with clouds. 
 
 Height, 151% inches; width, 21 inches 
 
 G2. 
 
 Q 
 yf FREDERICK SANDYS 
 
 5 © : BritisH: 1832—1904 ‘ Oe 
 — e4¢ 
 
 17) LADY HOLDING A ROSE 
 
 Waist-length figure of a young girl with long curling auburn hair and 
 a slashed scarlet and white dress, her arms crossed before her to her 
 breast and a white rose in her right hand. Behind her head at the 
 right a flowering honeysuckle; in the left middle distance trees and 
 castellated buildings. 
 
 Height, 18 inches; width, 14 inches 
 
J. H. WEISSENBRUCH 
 
 x oO : DutcH: 1824—1903 | 
 18. ZEELAND COAST er 
 
 Sea and coast are merged in an undulating grayish-green mass, domi- 
 nated by a fishing boat in the foreground with half-furled sails shaped 
 like an arrow pointing upwards. A mass of sunlit cloud at the left 
 is opposed by a huge dark gray cloud next it. 
 
 Height, 1234 inches; width, 19 inches 
 
 [Illustrated | 
 
iLe® FREDERICK SANDYS 
 Yoo . BritisH: 1832—1904 
 
 19. ISOLDE Geis e Shure nd 
 
 Bust-length figure in a blue robe, with corals about the neck, the hands 
 holding flowers and a golden cup; the fine head, with its weight of 
 black hair, is turned to half-left and modeled before a tapestry of wild 
 flowers in blues, greens and pinks. A portrait of great strength and 
 character, the passionate realism of the head contrasting with the for- 
 mal pre-Raphaelite attributes which surround it. 
 
 Height, 18 inches; width, 1334 inches 
 Royal Academy Exhibition, 1863 
 
 %0 DOWEAS EAE Dye 
 
 EO BritisH: 1826—1900 Naud é 
 20. PORTRAIT OF A YOUNG LADY IN A WHITE ROBE 
 
 Three-quarter length seated figure facing the observer, clad in a brown 
 bodice and green skirt over which is a loose white dressing robe. The 
 head is bent, resting on the right hand, the black hair brushed away 
 from the forehead and surmounted by a white lace cap. Olive-green 
 
 background, 
 
 Panel; Height, 15 inches; width, 13 inches 
 
 ie THEOPHILE DE BOCK 
 fy eo. DutcH: 1850—1904 
 
 a1. LOW TIDE ee ie. 
 
 In the foreground the water is strewn with floating weed, the grassy 
 bank ending in reeds at the right; behind, a knoll at the left and an 
 undulating band of trees on the sky line silhouetted in browns, grays 
 and blacks by a grayish-white sky. 
 
 Height, 10 inches; width, 19 inches 
 Signed at lower right, TH. DE Bock 
 Collection of Mrs. Charles L. Atterbury 
 
iI : FELIX ZIEM 
 il Q5 D. FrencH: 1821I—IgI11 
 
 i 22, GRAND CANAL, VENICE 
 
 1| Evening on the water, a yellow sunset thrusting pale lights on to the 
 quiet surface. A gondola filled with passengers is making across 
 towards the right, where two triangular lateen-sails stand before the 
 i brown mass of houses topped by a dome and the graceful brown finger 
 | of the Campanile. 
 
 Panel: Height, 14 inches; width, 21 inches 
 
 | | Signed at lower right, ZiEM 
 
 | [Illustrated | 
 
LOUIS EUGENE BOUDIN 
 bSO : FRENCH: 1824—1898 puratid 
 23. LA COTE DE CAMARE Ga PAR BREST 
 
 The brown rocky land of the right foreground curves inwards, stretch- 
 ing across the middle distance in a low rugged promontory; behind 
 is a second bay and curve of the coast disputing the horizon. Looking 
 down on the brilliant blue of the water from a height, the scattered 
 sails of the fishing fleet are visible under a June sky. 
 
 Fleight, 2114 inches; width, 35% inches 
 
 Signed at lower right, E. Bouptn, and dated Camaret, 1872 
 
 [Illustrated | 
 
oX - 
 I 
 
 415) HENRI JOSEPH HARPIGNIES 
 F ; — 
 RENCH: I1819—19I16 tc) a . 
 24. RIVER SCENE V 
 
 In the foreground a waste of sand, pebbles and scattered jetsam. On 
 the broad blue water of the river is a solitary barge; in the distance 
 the hither shores are dotted with trees. 
 
 Height, 12 inches; width, 17 inches 
 
 Signed at lower left, H. Harpicntss, and dated 1892 
 
 [Illustrated | 
 
ee 4 HAROLD SPEED 
 
 BritIsH: 1872— | | 
 \ ti 
 25 AC PIE SHEEN Te Te ACs PO. ? UW é OL Atte den | | 
 
 A chasm formed of square masses of broken purplish granite rock inter- 
 spersed with bushy green shrubs; in a pale sky is the full moon. At 
 the foot of the cliff are white hares. 
 
 Height, 25% inches; width, 20% inches 
 
 Signed at lower right, H. SprEp 
 Present Day British Art Exhibition, London, 1925 
 
 (Qo R. WEATHERBY 
 
 BritisH : CONTEMPORARY 
 
 26. CAPRI PEASANT GIRL 00, @ Li (Cw sey | 
 
 A luminarist picture of a woman in a violet dress and white shawl, 
 painted with arms akimbo at waist-length facing the spectator, with 
 a brilliant background of trees and a grassy hillside in the powerful | 
 
 sunshine. 
 Height, 24 inches; width, 20 inches 
 
 Signed on back, R. WEATHERBY, and dated 1924 
 Present Day British Art Exhibition, London, 1925 
 
 AG 
 Ne \> CHARLES FRANCOIS DAUBIGNY 
 a Ss FRENCH: 1819—1878 
 i) 
 
 alt. DUNES To CoOL vm 
 
 Flat country from foreground to horizon with the dark olive-gr 
 of the grass broken by undulating patches of yellowish drifting sand; 
 in a hollow at the left, figures. A light windy sky is swept almost bare 
 
 of clouds. 
 Height, 21 inches; width, 25 inches 
 
 Signed at lower left, DAUBIGNY 
 Autograph authentication on back of the canvas: “Ce tableau est de mon pere,” 
 
 signed, KARL DAUBIGNY 
 
 Collection of the painter, William Mesdag Sale 1920 - 2 2 Bfoso Sertty- Prev 
 
 | 
 | 
 
i JAIL, \ EWEN] (CIDA YES 
 | soO : DutcH: 1819—1900 
 
 Zo DANG ES ON WEE SOLE aa 
 
 | On the calm gray-green water are two large white sailing barges, one 
 moored in the right foreground; in the distance at the left further scat- 
 | tered vessels beneath a blue sky lightening towards the horizon. A 
 | cool painting of delicate color modulation and great deftness. 
 
 | Panel: Height, 1734 inches; width, 22 inches 
 
 Signed at lower right, P. J. Cuays, and dated 1871 
 
 [Illustrated | 
 
0) LOUIS EUGENE BOUDIN 
 FRENCH: 1824—1808 
 
 29. HARBOR SCENE, NORMANDY 3Bf's7 i B. is tihianca 
 
 Gray sky and water, and scattered fishing vessels; at the right a wharf 
 by which is moored a tramp steamer. In the distance is a jetty. 
 
 Panel: Height, to inches; width, 1334 inches 
 
 Signed at lower right, E. Bouptn, and dated 1888 
 
 Fy \ 
 
 SS) 
 
 CHARLES CONDER 
 
 ¥) 15: Britis: 1868—1909 \ Pee 
 30. BRIGHTON UD «I ere 
 
 The gray Marine Parade in windy weather, with pedestrians—men, 
 women and children—seen as scattered figures dwarfed by the expanse 
 of the blue-green sea in the background. At the left are sailing vessels. 
 
 Height, 25 inches; width, 30 inches 
 
 Signed at lower left, CONDER, and dated Brighton, 1905 
 
7 FRITS THAULOW 
 NorwEGIAN: 1847—1906 
 
 31. WINTER 0.0. xo 
 
 A farmhouse at the right with pink walls, latticed windows and red 
 roof, is almost buried under the weight of snow; through the deep drifts 
 in front of the house two peasants are making their way, leading home- 
 wards horses drawing sledges. In the left foreground is a plow, 
 half-covered by snow. 
 
 Height, 21 inches; width, 33 inches 
 
 Signed at lower left, Frrrs THAULOW 
 
 [ [llustrated | 
 
 ~\ ©) r 
 Cae yp aWAURICE UTRILLO |x% Phat 
 FreNcH: CONTEMPORARY 
 
 32. STREET SCENE UNDER SNOW, PARIS 
 
 In a Parisian suburb, the spectator is looking along a street down to 
 which two others descend from the left, houses and bare trees set 
 quaintly together on the hill and figures of pedestrians visible on the 
 cobbled paths. At left and right in the extreme foreground, shop build- 
 ings. The roads and pavements are partly covered with snow, the 
 houses touched with points of green, blue and red in the shutters and 
 chimneys, making a gay pattern. 
 
 Height, 24 inches; width, 32 inches 
 
 Signed at lower right, Maurice Utritto V 
 
. 31. WINTER 
 [By Frits Thaulow] 
 
 No 
 
505. eb cir Date 
 
 CHARLES FRANCOIS DAUBIGNY 
 FRENCH: 1817—1878 
 
 33. THE HARBOR 
 
 The calm blue water of the Channel in summer, dotted with fishing ves- 
 sels, emerging into the low, gray line of the coast in the distance at the 
 right. In the foreground, on the yellow sand of the seashore, is a 
 dignified procession, composed of a dog followed by a lady in red and 
 black carrying a sunshade, strolling by the water’s edge. 
 
 Height, 20 inches; width, 32 inches 
 
 Signed at lower right, Dausicny, and dated 1874 
 
 [Illustrated | 
 
- 
 
 a 
 S iS 
 | P. H. PADWICK 
 (<0) 7 British: CONTEMPORARY 
 
 34. SHIPS DRYING THEIR SAILS flies = 
 Ge Ure 
 
 Brown shore, gray water of an inlet and chalk-white sky, shapéd by the 
 bare outlines of the coast at left and right. In the right foreground 
 two fishing vessels are silhouetted, with their drooping sails, in the 
 morning light. 
 
 Height, 28 inches; width, 36 inches 
 Signed at lower left, Papwick 
 Present Day British Art Exhibition, London, 1925 
 
 lA 
 dy 
 a V 
 
 o dQ S. ETIENNE DINET Q p 0 Lee 
 
 Frencuw: XIX CrEntury 
 
 35. ARAB WOMEN AND CHILDREN 
 
 At left and right in the background sandy hills descend into a gorge 
 filled with brilliant green palms. Over the sand of the foreground is 
 making its way to the right a procession, composed of two native 
 women wrapped in white robes, preceded by a boy and a girl and fol- 
 lowed by an old woman attendant. 
 
 ee 
 
 Height, 2534 inches; width, 39% inches 
 
 Signed at lower right, E. Diner 
 
I with blues at the right. 
 | 
 | 
 | 
 
 i Oe FRANZ VON LENBAC } 
 GERMAN: 1836—I1904 dS Nee 
 36: MARIANNE, DAUGHTER OF THE ARTIST 
 
 A striking portrait of a child of about six years, painted at three. 
 quarter length seated and facing the observer. She is dressed in a 
 white frock with black velvet sash and her long straw-yellow hair falls 
 from under a large hat trimmed with feathers. A pair of enormous 
 blue eyes dominates the whole portrait. Variable brownish background 
 
 Height, 3234 inches; width, 29% inches 
 
 } Signed at the left, F. LENBACH, and dated 1897 
 
 [Lllustrated | 
 
Leeann bertinealinttey 
 
 No. 36. Martanne, DAUGHTER OF THE ARTIST 
 [By Franz von Lenbach | 
 
 +L cha SN vashencnemaweneinmaremenatels: 
 
ek MARIANO FORTUNY 
 SPANISH: 1838—1874 
 
 37. ENVIRONS DE TANGERS Ww CHAU 
 
 &. A wide stretch of desolate country, marsh and winding stream inter- 
 
 ee ‘ mingled with the fallen trunks of dead trees; in the right foreground 
 a species of rude tent encampment. In the centre of the middle dis- 
 tance, a low square blockhouse fronting the open gray water at the 
 left. The sky is yellowish-gray and overcast inland. 
 
 Height, 26% inches; width, 60 inches 
 
 Stamped at lower right with the seal of the Vente Fortuny 
 
 ALEXIS VOLLON 
 
 S 
 x 
 Frencu: XIX CENTURY 
 38. THE SPINNING WHEEL ae Ww tL 4nd 
 
 % + 5 Interior, before a wooden doorway. A peasant woman in black bodice 
 and curiously-shaped cap, red skirt and brown apron is seated facing 
 half-right at a spinning wheel, her head bent down and turned towards 
 her right shoulder. 
 
 Height, 42 inches; width, 35 inches 
 
 Signed at lower right, ALExIs VOLLON 
 
C 
 
 4 =) 
 po HENRI G. MARTIN 
 ye O°. FRENCH: 1860— 
 
 39. THE BRIDGE, ST. MEDARD Nag Cicio wh gee 
 
 Pointillé design in brilliant colors. The two stone arches of the bridge 
 in purplish-gray cross the river which runs away into the left fore- 
 ground; the near bank is of grass in the sunshine, while behind the 
 bridge are tree masses and an ultramarine and white sky. 
 
 Height, 26 inches; width, 40 inches 
 
 Signed at lower right, HENrt Martin 
 
 [Illustrated | 
 
FRENCH: 1827—1890 
 
 40. LANDSCAPE WITH CATTLE bcs ¢ Soest 
 
 A greenery of trees at the left, massed firmly against the strong white 
 clouds of the sky, darkening in the right middle distance above the 
 fragile scattered saplings marking the line of the road. In the fore- 
 eround the grassy pasture and a pool almost hidden by the bodies of 
 brown, dun and white cattle grouped about it, their herdsman in blue 
 mounted on a gray horse at the left. The principal figure of the fore- 
 ground is that of a white cow, its head turned towards the spectator 
 over the shoulder of a black and white calf. 
 
 GO 
 9‘| EMILE VAN MARCKE 
 ate 
 
 Height, 351% inches; width, 471% inches 
 
 Signed at lower right, EM. VAN MarcKeE 
 
 [Illustrated | 
 
etapeidenmamuanenairmreniit « 
 
 No. 40. LANpscAPE WITH CATTLE 
 [By Emile van Marcke | 
 
 Pilate eacenaushateratemeninst dawn 0% ATLoKd CoWare bsnitreeemenetnenemeteinOnttiDD Gif, 
 
EDGAR DEGAS 
 
 FRENCH: 1834—1917 
 41. DANCERS AT THE BAR Cc Dale 
 
 Before a brilliantly-colored background of stage scenery, the contorted 
 bodies of five dancers, two at the left and four grouped together at 
 the right with spangled skirts of bluish-green, forming with their arms 
 moving harmonic patterns against the drop. 
 
 Pastel: Height, 30 inches; width, 42 inches 
 
 Signed at lower left, DEGAS gals Fy o-l $ feorty. : 
 Collection of the artist, and purchased at the artist’s sale aoc (q (Bon On 
 
 [Illustrated | 
 
No. 41. Dancers AT THE Bar 
 
 [By Edgar Degas| 
 
ts Oo. HARRY FALE 
 
 BritisH: XIX CrEntuRY 
 
 42. THE FLYING DUTCHMAN We) ENT DO OTee a1. 
 
 Brown colt, in profile to the left, a jockey up in blue plaid coat with 
 yellow sleeves and cap; prospect of open rolling grass country with 
 trees and two horsemen in the left middle distance. 
 
 Height, 28 inches; width, 36 inches 
 
 Signed at lower right, Harry Haut, and dated Newmarket, 1849 
 Collection of the Earl of Eglinton 
 
 Note: “The Flying Dutchman” was a brown colt bred by H. Vansittart, Esq., in 1848 
 and sold to The Earl of Eglinton. By Bay Middleton out of Barbelle by Sandbeck. Record: 
 1849—Won the Derby at Epsom, Marlow up, purse £6425; 1849—Won the Great St. Leger 
 at Doncaster; 1849—Won Match Race, rooo Sovereigns, Newmarket; 1849—Won Belvoir 
 Stakes, Newmarket; 18507—Won Emperor of Russia Plate, Ascot; 185:—Won Match Race, 
 ro0o Sovereigns, York; sold for £4000 in 1858 and sent to France, 
 
 [Illustrated | 
 
WILLIAM SHAW 
 
 Height, 40 inches; width, 50 inches 
 Signed at lower left, WM. SHaw, and dated 1757 
 
 Note: The above and No. 44 are two of the earliest pictures of thoroughbreds known. 
 “Dutchess” was the ancestress of a long line of distinguished blood stock represented 
 on the English and American turf at the present day. 
 
 7) ix 
 CK WILLIAM SHAW 
 ; 5€&O ; British: XVIII Century : a 
 
 44. MATCHEM [1757] 
 
 Chestnut horse in profile to the left with a jockey up in yellow and 
 black cap. At, the left, two figures of onlookers. In the middle dis- 
 
 virtgnce a practice gourse yith two thoroughbreds in full gallop. 
 
 Fleight, 40 inches; width, 50 inches 
 
 Note: The above and No. 43 are two of the earliest pictures of thoroughbreds known. 
 “Matchem” was the ancestor of a long line of distinguished blood stock represented on 
 the English and American turf at the present day. The race in the background represents 
 a match at Newmarket, April 25, 1756, between “Matchem,” owned by Mr. Fenwick, and 
 Mr. Bowles’ “Trajan” in The Whip, won by “Matchem”; following which Mr. Fenwick 
 offered to race any horse in England. Record of “Matchem”: 1753—Four Miles—York— 
 won, Three Miles—Morpeth—won; 1754—Ladies Purse—4 miles—York—won, Received 
 premium not to start in Great Subscription Purse, York, Ladies Purse—4 miles—Lincoln— 
 won; 1755—Newmarket—won a race beating “Trajan,” Mr. Bowles owner, who was thought 
 
 by some to be the better horse, so Mr. Fenwick offered to race any horse in England in 
 The Whip to be run in the spring of 1756, Mr. Bowles accepting. Received premium not’ 
 to start in Great Subscription Purse, York; 1756—April 25—The Whip, Newmarket—Match 
 race between “Matchem” and “Trajan,” won by “Matchem.”’ Mr. Fenwick again offered 
 to race any horse in England. May 13—Four miles, Newmarket, beaten by Spectator; 1757— 
 Did not run; 1758—Match Race—Lost, but won when repeated. 
 
 = BritisH: XVIII Century ob arlys banwdan | 
 43. DUTCHESS [1757] SEO: 1 
 
 Chestnut mare in profile to the left held by a groom, a second bringing 
 
 forage. Background of open sky and country, with the end of a stable 
 at the left. 
 
GIOVANNI ANTONIO BOLTRAFFIO 
 
 = ITALIAN: 1467—I516 
 
 - fy f 
 45. MADONNA AND CHILD Ke hig ya 
 The Virgin seated, painted at three-quarter length facing“half-left/and 
 
 clad in a red robe with green cloak. On her lap in her right arm the 
 nude Child nursing at her breast and holding in His left hand a bird. 
 
 Height, 17 inches; width, 13% inches 
 
 Note: “A typical work by this meticulous amateur, conveying a pleasant echo of Leo- 
 nardo’s art.’—Bernard Berenson. 
 
 Collection of P. A. B. Widener, Esq., Lynnewood Hail, Elkins Park, Pa. 
 
 [Zllustrated | 
 
oo teeraewmeyeannennnneiennnenes 9 
 
 ae i 
 Sy } 
 
 No. 45. Maponna AND CHILD 
 [By Boltraffio] 
 
 oa io neett saicrrnmaienenenememenetnttts 
 
%O° 
 
 Ne, BRUGES SCHOOL 
 \ Late XV CENTURY 
 
 46. MADONNA, CHILD AND SAINTS Wu ag 0 ELA 
 a missal 
 
 The central panel depicts St. Anne enthroned, reading from 
 resting on her lap; she is flanked on one side by St. Joseph of Arith- 
 mathea; before her the youthful Virgin with long curling hair is seated 
 holding the Child on her lap; to left and right of her in the near fore- 
 ground are two coroneted saints, the two Marys. All wear rich red 
 robes; the saints and canopy of throne of Gothic velvet. The left 
 wing depicts the donor kneeling before his patron saint, who stands 
 nearby in a bishop’s robes. “The right wing depicts the donor’s wife 
 before a patron saint who is about to place a crown on her head. The 
 exterior of the two wings beautifully painted in monochrome gray with 
 subject THE ANNUNCIATION, both figures being clad in exceptionally 
 fine; voluminous robes of many folds; above is the descending dove 
 and banderole bearing lengthy inscription. 
 Arched triptych: Height, 30 inches; width (closed), 23 inches 
 Note: Professor Hoffner referring to this painting says: “Too good to be all Flemish, 
 probably under French influence.” De Riche says of it: “Executed in Atlea from other 
 
 models. ‘The interior of leaves from Memling; the exterior after Roger Van Der Weyden. 
 A very analogous Annunciation is in the Morgan Collection at the Metropolitan Museum.” 
 
 [Lilustrated | 
 
 0) 
 
 i qe alll. 
 ARTHUR JAMES STARK 
 BritisH: 1794—1859 
 47. WILD DUCKS 
 
 A wide grassy plain to the left, reeds and sedge fringing a pool in 
 the foreground from which a bird has started up. The heavens are 
 
 filled with black clouds, lightening at the left where a V-shaped covey 
 of ducks is on the wing. 
 
 Board: Height, 11 inches; length, 14 inches 
 
 Signed at lower right, ARTHUR J. STARK 
 
No. 46. Maponna, CHILD AND SAINTS 
 [Bruges School: Late XV Century | 
 
 SF Li teraid dae tinuaieratenenarete nett 
 
; ROBERT TONGE 
 | +X ) BritisH: XVIII Century 
 
 48. SPATE ON THE RIVER LIFFEY, QUALI 
 
 AT LEIXLIP, NEAR DUBLIN 
 
 bo ‘A salmon-leap on the narrow rushing river, the fall seen as a curtain 
 of white spume across the middle distance with russet trees behind 
 and at the left. Under their lee at the left, a solitary fisherman. 
 
 Board: Height, 13 inches; length, 20 inches 
 
 Watker Art Gallery Exhibition, Liverpool, 1908 
 Collection of Ralph Brocklebank, Esq. 
 
 Sle PE EERIE TY 
 
 ap? FLemisH: 1618—1680 
 49. NELL GWYNNE Nee Sta ee 
 
 Miniature of great beauty and some rarity, being a three-quarter length 
 in a finely conceived landscape setting with a prospect of country under 
 _ 4 clouded sky and trees at left and right. The sitter, in a flowing gray 
 wee 4. and golden-yellow satin dress with a white bodice, is seated in an easy 
 posture on the ground, supported on her left hand, the right arm point- 
 ing across the body. The bosom and face are carefully and sympa- 
 thetically painted, the gray eyes looking out with child-like wonder 
 from a face of rustic beauty. 
 
 Fleight, 18 inches; width, 16 inches 
 
 JAMES A. O’CONNOR 
 IrisH: 1793—1844 
 
 | 50. LANDSCAPE ©. u). Sut 
 10: Undulating grass country with oak trees scattered in groups on the 
 
 knolls, two in the right foreground. Along a winding path descending 
 from the right middle distance are scattered figures of countryfolk. 
 The tree forms are carefully patterned against a light sky of gray 
 and yellow. 
 
 Height, 18 inches; length, 24 inches 
 Signed at lower left, J. A. O'Connor, and dated 1826 
 
we 
 
 JAN VAN GOYEN 
 DutcH: 1596—1656 
 
 /( eo. 
 $i. CASTLE BY A RIV ie / 
 
 At the right, brown buildings and trees and the twin rounded bastions, 
 with turrets, of a castle. On the river which washes the foot are fisher- 
 men in sailing boats, moored at the entrance to sell their wares. In 
 
 the distance at the left, flat marshy country. 
 Height, 15 inches; width, 21 inches 
 
 [Illustrated | 
 
O 
 Ws SIR PETER LELY 
 
 FLEMISH: 1618—1680 4 £ iL \, f 
 Mud -c, O-Cegorn 
 52) PORTRAIT OF THE ACTOR KYNASTON AS A YOUTH 
 Head and shoulders portrait, in a brown cloak with white puffed sleeves, 
 the hands together in lively gesture; the head faces the spectator, the 
 brown eyes glancing to the right. Neutral dark background. 
 Height, 21 inches; width, 16 inches 
 Note: Kynaston, Edward [1640-1706] actor; first appeared at the Cockpit, Drury Lane, 
 1659; played Epicene in the “Silent Woman,” 1661; his first important male part, Pere- 
 
 grine in the “Fox,” 1665; played Cassio in “Othello,” 1682; acted with Betterton, 1682-99, 
 one of the last male actors of female parts. [Dictionary National Biography, p. 737-] 
 
 [Lllustrated | 
 
© 
 (O HENRY SINGLETON, R.A. 
 BritisH: 1766—1839 
 
 53. SURRENDER OF THE TWO SONS OF 
 
 | O-® : TIPPOO SULTAUN AT SERINGA ATAM, eo. 
 A study for the picture in the India Office, Whitehalf~Tn the % “Serge 
 
 ore- 
 ground a group of soldiery pressing forward towards the central figures 
 of the red-coated general and his officers, face to face with the two 
 white-clad Indian princes surrendering their swords. In the background 
 water and buildings on the farther shore. 
 
 Fleight, 17 inches; length, 21 inches 
 
 Collection of Lord Wolseley 
 Collection of Humphrey Ward, Esq., 1898 
 
 [Companion to the following] 
 
 6 o 
 | HENRY SINGLETON, R.A. 
 BRITISH: 1766—1839 
 
 / op THE ASSAULT AND TAKING OF SERINGAPATAM, 1792 
 
 A study for the picture in the India Office, Whitehall. A confused mass 
 of red-coated troops, led by an officer waving a sword, making up the 
 hillside towards the battlemented wall at the right, the two minarets 
 of the mosque emerging out of the battle smoke behind. The darkness 
 of evening is broken by the glare of torches and the momentary gleam 
 
 of rifle fire. 
 
 Height, 17 inches; length, 21 inches 
 
 Collection of Lord Wolseley 
 Collection of Humphrey Ward, Esq., 1898 
 
 [Companion to the preceding | 
 
 “4 Ks ‘4 
 
SIR GODFREY KNELLER 
 
 BritisH: 1646—1723 «(rohan 
 
 Gel ORD At OF Ca OU td IN 7 BLUE VON T: 
 
 Meticulous half-length, facing the spectator, of a boy wearing a blue 
 velvet coat, a white trailing jabot and waistcoat and cuffs of flowered 
 brocade, painted in elaborate detail, with great care for the play of 
 light on the textile surfaces; the right hand is thrust loosely into the 
 waistcoat. The face is fresh complexioned, with blue eyes and petulant 
 lips, and dignified by a full curly white wig. Dark background set with 
 an oval. 
 
 Height, 30 inches; width, 25 inches 
 
 [Illustrated | 
 
Y, 
 
 HO 
 4 DANIEL TURNER 
 BritisH: XVIII Century 
 
 56. WESTMINSTER BRIDGE Q 36, Pires q Sa 
 
 On the choppy gray waters of the Thames are scattered boats with 
 fishermen; the old stone bridge stretches athwart the scene towards 
 the shore at the right, a cluster of low houses dominated by the roofs 
 and square towers of the Abbey behind. 
 
 Fleight, 18 inches; length, 24 inches 
 
 Signed at lower left, DAN. TURNER, and dated 1802 
 
 oy 
 LO 
 
 DANIEL TURNER 
 ee &. 
 
 +00 4 BritisH: XVIII Cenrury 
 
 $7. VIEW OF WESTMINSTER, FROM THE 
 ARCHBISHOP’S WALK, LAMBETH 
 
 The farther shore faces the observer, with its orderly line of trees and 
 old house topped by the transept roof and twin towers of the Abbey; 
 at the right, old Westminster Bridge. On the green waters boats are 
 plying, and a four-oared state barge. 
 
 Height, 24 inches; length, 39% inches 
 
 Royal Academy Exhibition, 1801 
 
SIR JOSHUA REYNOLDS, P.R.A. 
 
 O 
 Y 0 BRITISH: vase Ty rh Sumuory 
 waa 
 
 e 
 
 58. DR. THOMAS BARNARD, L.L.D., 
 BISHOP OF KILLALOE 
 
 Head and shoulders portrait, facing half-right, of a divine in a brown 
 coat over a black clerical waistcoat. The face is full and white, the 
 nose straight, the eyes brown and intelligent; the whole fully lighted 
 against a background of pale blue sky. 
 
 Height, 24 inches; width, 20 inches 
 
 Recorded in Graves &% Cronin’s “History of the Works of Sir Joshua Reynolds, 
 P.R.A.,;” Vol. 1, and Vol, 4—Armstrong’s “Sir Joshua Reynolds,” p. 192.— 
 Wm. Cotton’s “Reynolds,” page 5—Wm. Cotton's “Sir Joshua Reynolds 
 notes on pictures, etc.’ ed. by Wm. Cotton, p. 81.—John Sime’s “Reynolds.” 
 —Leslie & Taylor's “Life and Time of Sir Joshua Reynolds,” Vol. II, pages 
 49, 64, 05, 66, 72, 73; 207, 022, 623, 624 
 
 Collection of Lord Waterpark ho SA g @ 
 
 [Illustrated | 
 
No. 58. Dr. THomas BARNARD 
 [By Sir Joshua Reynolds | 
 
 0 ee eteamemnnne te 
 
 oe be senenateaiisnseistsnetnea tense aad Mai REA 28 
 
 Ma netedeement nie @ 
 
SIR JOSHUA REYNOLDS, P.R.A. 
 
 BrivTIsH: 1723—1792 % 
 pe USD Sams 
 
 59. ANTHONY CHAMIER, M_P., F.R.S. 
 
 Before a window at the left is a table covered with writing materials 
 and an Oriental rug. Seated at it, in full profile to the left, the head 
 turned towards the observer, is a gentleman in a maroon coat and knee 
 breeches and gray stockings, his right hand resting on a news-sheet. 
 
 Height, 24 inches; width, 18 inches 
 
 Note: Chamier, Anthony [1725-1780] friend of Dr. Samuel Johnson; born in London 
 of French extraction; government official; deputy Secretary of State. 1775; M.P. for Tam- 
 worth, 1778. [Dictionary of National Biography.] 
 
 Recorded in Graves &§ Cronin’s “History of the Works of Sir Joshua Reynolds,” 
 page 879 under “Shamee” 
 
 Collection of John Rich, Esq. 2 
 Collection of George Richmond, Pagdeegh tee 
 Wan 1/8912 ]- £ 42-0. 
 [Illustrated | > AL ae A 
 
No. 59. ANTHONY CHAMIER 
 | By Sir Joshua Reynolds] 
 
— J: AW-BACKER 
 4 = DutcH: 1608—1651 
 
 60. PORTRAIT OF A LADY VY 
 
 Before a red drapery at the right, the half-length figure ‘of a fair-haired 
 lady, with flowers in her hair, dressed in beige satin with loose sleeves 
 and black chiffon about the shoulders. The right hand supports the 
 fold of the dress, the left is carried up to the head. About the neck 
 a string of pearls. 
 
 Height, 30 inches; width, 24% inches 
 
 Signed at lower right with monogram A.B. 
 
 [Illustrated | 
 
ceemnverestianetinten mt criganintiveneneinnes Spl) Sash ote aamenetorn edt «9 7 atnemeinnres 
 
 No. 60. Portrair oF A Lapy 
 [By J. A. Backer] 
 
 La gence dampeeiaibow et (cecrenaunerenomeseneme si Song eee hecirsg eaten AMA AOA ORE 2 itp wanseanemenpintemaMiieey 265 bss Feel enemvenunedH nae 
 
<) 20 SIR GODFREY KNELLER 
 
 BritTIsH: ed LS S Ur ohalr 
 M oe 
 
 61, 4 LADY OF FHE CHITAEROYW FP, LEY. 
 
 A lady in the thirties, painted at half-length facing the spectator, within 
 a semi-oval. The dress is of greenish-blue edged with white, a red cloak 
 falling gracefully away from the left shoulder; the right hand is carried 
 up to the breast. A full youthful face is distinguished by gray eyes and 
 pursed lips. Neutral even gray background. 
 
 Height, 30 inches; width, 25 inches 
 
 Collection of the Clitherow Family at Boston House, Brentford, Middlesex 
 England WRN we Stk 
 
 J. B. WEENIX 
 
 \ XY DutcH: 1621—1660 
 
 63. CLASSIC RUINS 1651) Foes: Qe reewety 
 
 In the foreground at the left a sarcophagus at the foot of a wall, two 
 classic columns supporting a rounded entablature and silhouetted against 
 an ultramarine sky. In the distance at the right a rocky coast with an 
 arbor and fishing vessels. Among the ruins in the foreground are figures 
 of men and boys and a dog, a soldier with red breeches occupied in 
 reading the epitaph on the tomb. 
 
 Height, 31 inches; width, 26 inches 
 
 Signed at the left, Gio. Barta. WEENIX, fc., and dated 1651 
 Recorded: Bryan’s Dictionary of Painters and Engravers: “In the Duke of Suther- 
 land’s gallery there is a landscape by J. B. Weenix, in which there is a tomb 
 inscribed with the famous epitaph: 
 Translation— Here lies the father, here lies the mother, 
 Here lies the sister, here lies the brother, 
 Here lies the wife, and the husband, 
 And there are only two bodies here’ 
 
 5) 
 
 Collection of the Duke of Sutherland, K.G. 
 
 [Illustrated | 
 
ra “ seesapetn stage manne 
 
 No. 62. Crassic Ruins [1651] 
 [By J. B. Weenix| 
 
 ee ctargiarepsaairenant <2 Remnants si 
 
9), 
 
 225: 
 
 a THOMAS SULLY 
 
 G | 
 ) DAVID MARTIN 
 ScoTrisH: 1730—1785 S 
 63. MRS. JOHN CLARK ode 
 
 Before a light-colored wall, the waist-length figure of a lady with dar 
 brown ringlets, brown eyes and scarlet mouth, clad in a white muslin 
 dress with frilled yoke and brown sash; the left forearm rests on a 
 red velvet cushion. 
 
 Height, 30 inches; width, 25 inches 
 
 Signed at lower right, Martin, P.W.P. Pinxt, 1786 (?) 
 
 y 
 _ BARKER OF BATH 
 ) / BritisH: 1769—1844 
 o , 
 64. LANDSCAPE, NEWPORT Wr , Diradirdoeou. 
 
 A small grass clearing in which are two cows and a man, and a mule 
 at the left, surrounded by thick masses of russet foliage, with elms 
 towering into the black sky in the right foreground. In the distance 
 at the left, sunlit clouds overhanging open country. 
 
 Height, 25 inches; width, 29% inches 
 
 AMERICAN: 1783—1872 
 
 65. MISS VIOLET THORNTON FY. : 
 Before a warm-toned brown drapery, with a glimpse of landscape 
 at the left, is the half-length profile figure of a young girl in loose 
 white muslin dress, facing the left, the head gracefully poised on a 
 slender neck and inclined to half-left. The hands are clasped in the 
 lap, one holding a book, the waist girdled with a blue ribbon. 
 
 Height, 30 inches; width, 25 inches 
 
 [Illustrated | 
 
Lash od yaad istanetanteanemenscennnnnant ss 
 
 a isnesioe an creseineivenvecaiinney: =: 
 
 No. 65. Miss VioLter THORNTON 
 [By Thomas Sully] 
 
 La pencvedbemmbenianrna cote chee ereunasueatmntimeaid aan /5°% less adendcasnninetbimanr snaeabPn ct 3 FATS oe Sk atngninmmaaiaanMnAee! 22h {ich ei amteaeMnse MAR FS <i 
 
Se © RICHARD COSWAY, R.A. 
 
 BritisH; 1742—1821 
 
 i | 
 | 66. MRS. HUSSEY, NEE JENNINGS Le. USoed 
 
 Within an oval, the slight half-length figure of a young girl in a high- 
 
 waisted white muslin dress. The face is distinguished by large brown 
 
 eyes, the coloring of which is repeated in the curly hair flowing over 
 
 either shoulder. Background of landscape and light sky. At the upper 
 (left is the escutcheon of the sitter. 
 
 Height, 30 inches; width, 25 inches 
 
 Signed at lower right with initials, R.C. 
 
 [Illustrated | 
 
 WF 
 2 THOMAS BARDWELL 
 
 ‘\ BririsH: 1720—1780 Ce Cae 
 i) | 67, PORTRAIFYOF, THE ARTISES .DAUGHTER (1757 
 
 The subject is clad in white satin, edged with lace, a blue drapery flung 
 over the right shoulder and rows of blue and white braid hung with 
 pearls about the neck; posed at waist-length facing half-left against a 
 >] S. brownish background, lightening behind the head. The auburn hair 
 
 is decked with a lace cap and an ornament of blue ribbon. 
 
 Height, 30 inches; width, 25 inches 
 
 Signed at lower left, BARDWELL, f., and dated 1757 
 
osteepeitwnnsmineneiaie 
 
 No. 66. Mrs. Hussry, NEE JENNINGS 
 [By Richard Cosway ] 
 
 bs yemschmtanbeiatow cons -ainaiaaaionanigiananiranece vis i he 
 
PRANGIS COTES, B.A. 
 
 BritisH: ,1726—1770 
 
 68. MISS SUMMERVILLE Pues, - yeCCeee 
 
 Portrait at half-length of a lady with graying hair plaited and dressed 
 high above the forehead; clad in a sky-blue dress with a wrap of yellow 
 silk edged with gold, falling over the shoulders and clasped with two 
 ruby cabochons. The purity of the coloring is enhanced by a neutral 
 gray background, lightening behind the head. 
 
 Height, 30 inches; width, 25 inches 
 
 Recorded in Century of Loan Exhibitions—Birmingham Loan Ex. 1903, No. 42.— 
 Special Loan Collection, Birmingham Art Gallery, Exhibition, 1903 
 Collection of Lockett Agnew, Esq. 
 
 [Illustrated | 
 
GEORGE ROMNEY : oF, — 
 AL, 20 . BRITISH: 1734—1802 Prob = Roattiday 
 
 69. ROBERT RAIKES, ESQ. uJ : W. Sof Se araw o aa 
 
 Half-length, in deep greenish black velvet coat and white stock, facing 7 
 half-left, before a red background; a full florid face with retroussé 
 nose and gray eyes is set off by a white wig. 
 
 Height, 30 inches; width, 25 inches 
 Collection of Lady Gertrude Thompson, granddaughter of Robert Raikes 
 Note: Robert Raikes, Esq., was a distinguished philanthropist and founder of Sunday 
 
 Schools; born September 14, 1735; eldest son of Robert Raikes, founder and proprietor of 
 the Gloucester Journal, died suddenly at Gloucester, April 5, 18rz. 
 
 [Illustrated | 
 
O SHUR JOSIGUWA INES INQILIDS, IPR val. 
 
 Wora. te WW. Ayaan: 1723-1792 
 
 7Or POR VRAIN OF 2 nir 21k TiS HN WS PEG FACIES 
 
 A rendering of soft brilliance and powerful execution. Before a fluc- 
 tuating brown background the figure of the artist is seen at half-length, 
 in brown coat and white stock, facing half-right, as in a mirror, the 
 left arm outstretched; the face is full and ruddy and lighted from 
 upper left, the eyes looking out with keenness from behind horn-rimmed 
 spectacles. 
 
 Height, 30 inches; width, 25 inches 
 Recorded in Century of Loan Exhibitions; Royal Academy, 1906, No. § 
 Royal Academy Exhibition, 1906 
 Collection of the Rev. W. H. Wayne 
 
 [Llustrated ] 
 
)oe. 
 71. PORTRAIT OF 4A BOY IN A DARK BLUE COAT 
 
 Facing half-left, the head turned towards the spectator, the sitter at- 
 tired in a dark blue coat with brass buttons, yellow waistcoat and white 
 muslin collar. The delicate oval of the face is kept small by the cropped 
 brown hair; the nose is straight and significant, the eyes brown, the un- 
 derlip full and resolute. Dark brown background. 
 
 GEORGE WATSON, P.R.S.A. 
 SCOTTISH: 1767—1837 qd 
 
 Height, 30 inches; width, 25 inches 
 
 RICHARD COSWAY, R.A. 
 
 BritisH: 1742—1821 Prins = Semen | 
 
 72. MRS. GEORGE BIDDLE OF LYNWOOD, DEVON 
 
 Waist-length portrait, facing the observer, of a lady in a decolleté 
 white satin bodice under a silk robe of bluish-green, the right elbow rest- 
 
 fb: ing on a pedestal covered with a crimson cloth. The face is delicately 
 modeled by the use of color and extremely fine brushwork to emphasize 
 the delicacy of the complexion and lips and the brilliance of the blue 
 eyes; the forehead crowned by an elaborate gray coiffure bound with a 
 floating veil, before a background of dark sky. 
 
 Height, 30 inches; width, 25 inches 
 
 THOMAS BEACH 
 
 450. BritisH: 1738—1806 s be 
 73. SIR WILLIAM TEMPLER [1793 | 
 
 Facing the observer, the head turned to half-right, within an oval; the 
 sitter clad in a bright bottle-green coat with brass buttons, yellow gilet 
 and white muslin stock. A florid powerful face with aquiline nose, sen- 
 sitive mouth and neat white wig. 
 
 Height, 30 inches; width, 25 inches 
 
 Signed at lower left, T. Bracu, p., and dated 1793 
 Collection of Captain Templer of Manor House, Paignton, England 
 
 Vrurk prraor 
 
 Sew 
 
 11 
 
 i] 
 
 } 
 ih 
 i 
 
JOHN OPIE, R.A. 
 | s 50. BritisH: 1761—1807 
 74. MRS. JOHN CARD AND HER SON 
 
 Half-length figure of the mother in white muslin dress, in shadow below 
 the waist, the long gray curls of the head resting against the fair hair 
 of the boy, who is wearing a black suit with white collar and resting 
 his head on her left shoulder. Dark brownish background. 
 
 Height, 30 inches; width, 25 inches 
 
 [Illustrated | 
 
a 
 ) PINGS SCHOOL 
 3e0. XVIII Century Nn a \ ro Ly td B 
 75. PORTRAIT OF ‘A LADY WATE ACBLUE CLOAK 
 
 Before a brown drapery, a half-length figure slightly inclined to the 
 right, robed in white with greenish-blue drapery about the shoulders. 
 The brown hair is dressed high in an elaborate coiffure. 
 
 Height, 30 inches; width, 25 inches 
 
 0° JAMES NORTHCOTE, R.A. 
 QO ; 
 
 BRIvTIsH: 1746—1831 oe Cue ‘ : 0 
 
 76. WILLIAM HENRY CHICHELE PLOW DEN 
 
 Romantic half-length portrait of a young man with curling brown hair, 
 dressed in a flowing purplish-brown cloak with a white Van Dyke lace 
 collar and holding in his left hand a book, the left arm resting on the 
 back of a settee, draped in crimson. The carefully modeled face is 
 lighted from the left before a dark gray-green background. 
 
 Height, 30 inches; width, 25 inches 
 Signed at lower right, JAMES Norrucore, Pinxt, and dated 1814 
 Exhibited at the Royal Academy, 1815 
 
 Collection of Lady Plowden, dston Rowant House, Aston Rowant, Oxen 
 England 
 
 BriTIsH: 1701—1799 
 
 pip 
 Wr Ace THOMAS HUDSON 
 ’ bv, 
 
 77. ELIZABETH MARIA ELLIS, Wy JE + Eo. 
 AFTERWARDS MRS. BURROUGHS 
 
 Before a variable brownish-gray background, the three-quarter length 
 portrait of a lady facing the spectator, the head inclined to half-right. 
 “The sitter is dressed in white satin, with a scarlet cloak edged with 
 ermine, the left forearm resting on a pedestal; the graceful lines of the 
 head are carried out by the brown hair trailing in a long ringlet over 
 
 the left shoulder. 
 
 Height, 30 inches; width, 25 inches 
 
 From Thomas Agnew && Sons, London 
 
SCOTTISH: 1713—1784 
 
 50 ALLAN RAMSAY, RUA. 
 4 
 
 78. MRS. GEOFFREY SCOTT : SSpeveenee. 
 
 Half-length within an oval and inclined slightly to the right, of a lady 
 in the thirties, robed in white satin with a laced corsage and blue 
 drapery trailing over the left shoulder. A finely sensitive face with 
 brown eyes and straight nose is set off by brown hair combed away from 
 the forehead and falling in a ringlet on the shoulder. Gray background. 
 
 Height, 30 inches; width, 25 inches 
 
 [Illustrated | 
 
\ 00 GEORGE HENRY HARLOW 
 | OD. BritisH: 1787—1819 
 
 79. MRS. MARGARET CARPENTER, eee: d Bw nesig 
 DAUGHTER OF CAPTAIN GEDDES 
 
 A portrait of brilliant virtuosity and color, closely allied to Lawrence’s 
 work and strongly realistic in feeling. The sitter is painted in bust- 
 length within an oval; the black dress with its ermine at the shoulders 
 is repeated in the large black disk of a picture hat with trailing white 
 ostrich feathers, framing the delicate face with its trailing brown curls 
 tied with blue ribbon, straight nose and high complexion, the blue eyes 
 looking over the left shoulder. 
 
 Height, 32 inches; width, 274 inches 
 
 [Illustrated | 
 
G ) 
 Gy: © 
 eC 
 
 925. 
 
 é 
 
 THOMAS HUDSON 
 
 BriTIsH: I701—1799 Qu Quher dou 
 
 80. PORTRAIT OF A LADY IN A RED DRESS 
 
 A carefully painted portrait at half-length, facing the spectator, the 
 sitter clad in a tightly laced flowered red dress with pearls at the 
 corsage, lace edging and a grayish shot taffeta drapery about the 
 shoulders. The warm yellowish flesh tints of the face and bosom are 
 lighted in strong contrast to a gray background, emphasizing the indi- 
 viduality of a retroussé nose and intelligent brown eyes. 
 
 Height, 30 inches; width, 25 inches 
 
 Collection of Sir Thomas Aston 
 
 JOHN SELL COTMAN 
 
 BritisH: 1782—1842 
 
 81. LAMBETH PALACE 
 
 The river is at the left with houses and the Abbey on the farther bank. 
 On the cobbled square in the foreground are groups of strollers, the 
 square red brick Tudor palace with its castellated roof facing the 
 observer and flanked on the right by the gray walls of the chapel, of 
 which the lower half is in sunshine. 
 
 e 
 
 Height, 35 inches; width, 48 inches 
 Collection of W. Fuller Maitland, Esq., Stanstead Hall, Essex, England 
 
 GEORGE ROMNEY 
 
 fr 
 OY BririsH: 1734—1802 
 
 JU oo. 
 
 ' 82. MRS. ANNE DASHWOOD “ re a 
 
 The sitter is a lady. of middle age, dressed in green taffeta with a black 
 taffeta cloak and lace at the arms and neck; the head and black 
 hair are tied up in a lace scarf. On a pedestal at the right, before 
 a crimson drapery, is a white lap dog. 
 Height, 36 inches; width, 28 inches 
 Recorded in Ward & Robert's “Romney,” Vol. II, Thornton’s “History of Not- 
 tinghamshire,’ ed. John Throsby, 1797, Vol. I, page 9 
 
 Romney Exhibition, Grafton Gallery, 1900 
 Collection of Major-General R. L. Dashwood 
 
 [Illustrated | 
 
cireieaniok istanenanyunnanenaiemrnneany 66-6 orotammneget: mapeg hth ct sean salaione 
 
 No. 82. Mrs. Anne DasHwoop 
 [By George Romney | 
 LeREP Or) PP RINTT ait ‘ ssid ascaesnaoen amen ONAN Ld ET gl hcg ROE: Th ouacemnainat tte chaestatatucarousmenaumnninnaeelet DD Seg bi5i0 LAD 
 
JOSEPH HIGHMORE 
 
 BritisH: 1692—1780 
 
 ( Keno 
 83. MRS. SARAH VINCENT [1744] AWW W.4, ) 
 
 Within an oval, the half-length painting, facing the spectator, of a 
 young lady in a blue velvet dress tightly laced at the corsage, and 
 trimmed with ermine; about the throat a collar and pendant cross of 
 pearls, with further pearls in the black hair catching points of light, 
 
 the whole lighted from upper left. 
 Height, 30 inches; width, 25 inches 
 
 Dated with inscription at lower left, 1744 
 Collection of Rev. Thomas Pocock, East Langdon, Kent, England 
 
 PAUL VAN SOMER 
 Dutecs: 1576—1632 2 | mt @ { 
 84, PORTRAIT OF Ai LITTLE MAIDEN 
 
 Seen at full-length, standing and turned to the left; dressed in a red 
 frock with deep lace collar and cuffs and holding a fan in her right hand. 
 Inscribed in upper right hand corner: Aetatis suae 1631. 
 
 Height, 43% inches; width, 37 inches 
 
 From the Collection of Walter S. M. Burns 
 
 [Liustrated | 
 
preoqaerenonten seasonal wees Las) enateinenuanenenaymrsenes archaea siapercennt 
 
 No. 84. Portrarr or A Lirtte MarmpEn 
 [By Paul van Somer | 
 
 [a penvedinmanimiomyn ones cher ao aainnnaersmet nase ! taint en ina Sneibeystempemn emt HEATERS Spe yi sana aIAMMRBONIPE A: oh Mie ep amennaneH oro Hal 
 
JOSEPH. HIGHMORE 
 
 BrivisH: 169217800 6 Le CoE 
 
 8s. PORTRAIT OF A YOUNG LADY IN A PINK DRESS 
 
 Facing the observer and painted at three-quarter length, a young girl 
 in a tight waisted pink satin dress with white at the elbows and bosom, 
 holding loosely about her waist a greenish-blue drapery resting beneath 
 the left forearm on a ledge at the right. The fair hair is set off with 
 a sprig of wild flowers. Variable gray background. within an oval. 
 
 Height, 30 inches; width, 25 inches 
 
 SIR GODFREY KNELLER 
 
 86, ELIZABETH, COUNTESS OF ORKWEY [1696] 
 
 Facing the observer, and at three-quarter length, the head inclined to 
 the left and looking down. A dark blue dress over a white under-bodice 
 is draped with a*brown silk cloak caught up at the left side by the 
 right hand; the shoulders and bosom and the face with its high com- 
 plexion are lighted from the left and surmounted by straggling curly 
 hair falling gracefully onto the left shoulder. Dark background with 
 
 indicated foliage. 
 Height, 50 inches; width, 40 inches 
 
 Dated at lower left, 1696 
 
 ? accom- 
 
 Note: “Villiers, Elizabeth, Countess of Orkney [1637-1733], styled ‘Mrs. Villiers, 
 panied Princess Mary to Holland as maid of honour, 1677; became mistress of the Prince of 
 Orange; came to England with Mary, 1689; granted portion of James II's Irish estates, 
 1689 [grant annulled, 1699] poisoned William III’s mind against Marlborough; cast off 
 by William, 1694; married 1695 to Lord Hamilton [q.v.] who was 1696, created Earl 
 of Orkney.” [Dictionary of National Biography.] 
 
 ( 
 
 BritIsH: 1646-1723 F-L8 ‘ Cole S eof 
 
ro MO 
 
 | DULCE SCHOOL hy! 
 
 q PO; XVII Century Q ) ae LY, £. 
 87. THE DAUGHTER OF PETER PAUL RUBENS 
 
 Full-length portrait, facing the observer, of a little fair-haired girl 
 in a bluish-green and white dress and a white cap with a feather, a 
 scarlet drapery hung behind her at the right, her right hand beside a 
 heap of wild flowers on a table covered with a scarlet cloth. Brown 
 background; in the upper left hand corner the escutcheon of Rubens. 
 
 Height, 371% inches; width, 29 inches 
 Dated at upper left, 1631 
 
 [Illustrated | 
 
Wi 
 
 SIR. PEPER LELY 
 
 | Vd in ay FLEMISH: 1618—1680 
 
 | 88. SIR' RICHARD NEWDIGATE, BART. 
 
 iil Head and shoulders portrait within a scrolled oval cartouche, of a 
 | () ot man of middle age with long brown hair, in profile to the left, the 
 | - ‘head turned towards the spectator. The coat is brown, over a black 
 i satin waistcoat with white lace jabot. Dark background. 
 
 Height, 30 inches; width, 25 inches 
 
 | Collection of Charles W. W. Dawes, Esq. 
 | 
 
 FRANCIS COTES, R.A. 
 
 | BritisH: Wye 
 i! 89. MRS. ARNOLD OF SHENLEY, NEE MARY BICKNELL 
 
 | | Half-length, facing the observer, of a lady in white muslin dress, the 
 “iE 1 Ss. left hand carried up to the face, the elbow resting on the arm of a 
 * settee, which is covered in golden-yellow material. A heavy coiffure 
 
 of mouse-colored hair is dressed with black feathers and a veil and 
 
 painted before a gray background broken by a green curtain draped 
 
 | at the right. 
 Hl | Height, 30 inches; width, 25 inches 
 
 i | SIR WILLIAM BEECHEY, ‘R.A. 
 BritisH: 1753—1839 
 
 go. THE MISSES BANNISTER es a y er 4 o cue OY, 
 
 Interior before a brown curtain, with a glimpse of landscape at the 
 it foo _ tight. At a table are seated two sisters, one in a white dress in full 
 
 profile to the right, the other in brown, facing the observer and hold- 
 ing a book of music. Over the chair behind the first, is draped a green 
 and crimson cloak. Both have high complexions, brown eyes and curly 
 chestnut hair, modeled softly against a background of delicately vary- 
 ing luminosity. 
 
 Height, 56 inches; width, 45 inches 
 
 With letter from the late Mr. Algernon Graves, authenticating sitters and painter 
 
 [Illustrated | 
 
No. 90. THE Misses BANNISTER 
 [By Sir William Beechey | 
 
ere 
 
 WILLIAM OWEN, R.A. 
 
 BririsH: 1769—1825 
 
 OLA COUNTRY Glick ise 6 4S aN 
 
 Seated before a wooden palisade surmounted by foliage and the bole 
 of a tree is a young girl, painted at three-quarter length facing half- 
 left and clad in a drab homespun dress with an indigo-blue cloak over 
 the shoulder, the face framed in a straw bonnet. On her lap the 
 sitter is holding apples and pears taken from a basket at her knee 
 
 on the left. 
 Height, 38 inches; width, 30 inches 
 
 THOMAS HUDSON 
 
 BritIsH: 170I—1799 ° 
 
 92. MRS. WESTERN, NEE ELIZABETH HOLKES [1763] 
 
 Painted at three-quarter length, facing the spectator, before a land- 
 scape background with foliage at left and right and a warmly-tinted 
 sky. The subject is dressed in white satin with an indigo-blue velvet 
 cloak trimmed with ermine about the shoulders, the right forearm rest- 
 ing on a ledge; the face, gray eyes and light brown hair form a grada- 
 tion of pastel tones warmed by the background. 
 
 Height, 50 inches; width, 40 inches 
 Collection of Major M. C. Dormer, a descendant 
 
 SIR GODFREY KNELLER 
 
 BRITISH: ReSve i < ° 
 rs 
 
 93. LADY LISBURN, SECONDYWIF 
 OF LORD LISBURN [1676] 
 
 Before a background of wild landscape and dark clouds is seated a 
 lady dressed in a brown robe with white muslin sleeves and an indigo- 
 blue drapery over the right shoulder, painted at three-quarter length, 
 her right arm resting on a stone pedestal. An expression of maturity 
 in the dark blue eyes and set lips is belied by the youth of the carriage 
 and the light blond hair falling in waves over the right shoulder. 
 
 Height, 50 inches; width, 40 inches 
 
 Signed on pedestal at left, G. KNELLER Fecrt, and dated 1676 
 
WILLIAM MARLOW ] 
 
 Ao. BRITISH: 1740—1813 B ik 
 o4, DHE BAY OF NAPEES Keer ae r Kal, | 
 
 A broad stretch of water seen from the shore, with walls at right 
 and left linked by a bridge. In the right middle distance, a tangle of 
 masts of sailing vessels moored at the quai; at the left the line of 1 
 buildings fronting the shore curves round towards the peaks of Vesuvius, 
 pouring slow smoke into a summer sky. 
 
 | 
 
 i 
 
 Height, 26 inches; width, 52 inches 
 Collection of the Duke of Grafton, K.G. 
 
 WILLIAM WISSING | 
 BrivisH: 1656—1687 i 
 
 UD 5. 
 gs. MRS. KNOTT Ur. € 
 
 The background is the dark massive trunk of an oak tree, lighted by a 
 flowering shrub at the left and permitting sight of a village in the t | 
 right middle distance by the shore of a lake. The subject, painted if 
 almost at full length, facing the observer, is dressed in a blue gown 
 with white sleeves, a crimson drapery thrown loosely upon it and sup- 
 ported on the back of the seat by her left elbow. The bosom and face 
 are strongly lighted from the left, their outlines softened by a brown 
 veil shrouding the short brown hair. i 
 
 Height, 50 inches; width, 40 inches 
 Note: A variation of this portrait by Wissing hangs at Hampton Court Palace. 
 
 Signed at lower right, W. WIssING, fecit 
 From the collection at Doddington Hall, Northants, England 
 
 JOHN S$. COPLEY 
 LSD, BritisH: 1737—1815 
 96. LORD MANSFIELD Lw 
 
 Seated figure of the jurist in black robes edged with scarlet, painted at 
 three-quarter length facing half-left, the right hand raised in gesture. 
 A red drapery partly veils a pillar at the left, behind which can be 
 seen the dome of St. Paul’s, pointing into the blue sky. 
 
 Height, 50 inches; width, 40 inches 
 
GIOVANNI PAOLO PANNINI 
 
 ITALIAN: 1691—1764 
 97. CLASSIC RUINS AND FIGURES Charly ff Lobes 
 1 
 
 At the extreme right the remains of a Corinthian temple wifh a statue, 
 an urn and figures of peasants, one seated, nude, on the masonry at the 
 edge of the water which flows at the foot of the central steps. Behind 
 an obelisk is an equestrian statue and the remains of an Ionic colon- 
 nade with a peristyle in the background. 
 
 Fleight, 45 inches; width, 44 inches 
 Collection of the Rev. F. G. Saunders of Grassmere, Bath, England 
 
 J. VAN DER BANCK 
 DutTcuH: 1694—1739 
 
 98. LADY ARFPLECK 
 
 A portrait at three-quarter length, facing the spectator, of a lady in 
 
 a dark blue velvet costume with white sleeves and yoke trimmed with 
 lace, a scarlet drapery falling away from the left forearm behind the 
 body; on her lap are a few scattered stems of pinks. The small oval ~*~ 
 of a face is set in long brown hair, the ringlets realistically breaking 
 the line of the neck. Gray-green background of clouds and foliage. 
 
 Height, 50 inches; width, 40 inches 
 
 SIR: PETER-LELY 
 
 FLEMISH: 1618—1680 
 
 99. H. M. MARY OF MODENA We 
 
 Purplish-brown background painted en camaieu with nude putti; a 
 heavy black velvet drapery at the right. A carefully finished portrait 
 of the sitter at three-quarter length, with finely drawn face, is posed 
 in the easy lines of a brown silk robe with a deep blue drapery in 
 folds over the right shoulder, the right arm resting on a ledge, the 
 left hand fondling a spaniel. The thoughtful face has brown eyes, 
 full red lips and finely curling dark brown hair falling on to the white 
 shoulders. 
 
 Height, 50 inches; width, 40 inches 
 
 [Illustrated | 
 
ateepeitertoumnenanamrnncaits 
 
 No. 99. H. M. Mary or Mopena 
 [By Sir Peter Lely] 
 
 be geneeAbenamleninc se 
 
 SESS Neibctawaenetntacen men etMAlts? 5 
 
NICOLAS MAES 
 DutcH: 1632—1693 
 
 100. PORTRAIT OF A PRINCE OF BAVARIA 
 
 Before a dark background of woodland, the full-length figure of a fair- 
 haired child in a pink and yellow dress with a grayish-black drapery 
 and red velvet cap with flowing white feathers, a guiver slung over 
 his right shoulder; in the left hand he holds a bow, in the right an 
 arrow, while beside his right foot is leaping a brown and white King 
 Charles spaniel. 
 
 Height, 48% inches; width, 4034 inches 
 Collection of the Right Hon. Lord Middleton, Wollaton Hall, Nottingham 
 
 England 
 
 [Illustrated | 
 
SIK PETER: LELY 
 
 FLEMISH: 1618—1680 
 tol. SIR ROGER TWISDEN fr e 1 Sy a 
 
 Three-quarter length standing figure of a gentleman in a plum-colored 
 dress with a dull red-brown drapery falling over the left shoulder and 
 caught up by the right hand at the hip; the left forearm rests on a 
 pedestal at the right following the vertical lines of the wall and back- 
 ground, with its V of dull green drapery supporting the head. A stout 
 florid face with brown eyes, powerfully modeled between the softly 
 flowing brown of the long hair. 
 
 Freight, 50 inches; width, 40 inches 
 
 [Companion to the following] 
 
 UR JE IMEI ILC 
 
 FLEMISH: 1618—1680 ] B 
 
 102. LADY TWISDEN, NEE MARGARET 
 MARSHAM OF THE ROMNEY FAMILY 
 
 Seated figure in flowing brown robes, with a bluish-green wrap draped 
 over the right shoulder, the sitter facing the observer and caressing 
 with her left hand a toy spaniel. About the neck is a collar of pearls; 
 the face with its full red lips is set off by curly brown hair seen against 
 a brown background, decorated en camaieu with cherub figures and 
 hung with a black velvet drapery at the right. 
 
 Height, 50 inches; width, 40 inches 
 
 [Companion to the preceding | 
 
 @ x6 
 
 [bg 
 
Ys. 
 
 ALLAN RAMSAY, R.A. 
 
 ScoTTisH: 1713—1784 /) ; 
 ( heh need 
 103. LADIES OF THE-GAGE FAMILY 
 
 A pastoral after the French manner. In a landscape with an old oak 
 
 at the left are two young girls in bergére costumes, one standing at 
 the right and clad in a white dress, her sister in a pink satin robe decked 
 with flowers, and with rustic hat, holding a crook. At her feet is a 
 white lamb with a collar of blossoms. 
 
 Height, 50 inches; width, 46 inches 
 
 Collection of Lady Arthur Paget 
 
 [Illustrated | 
 
 SURREY 
 
 VA R Qe Bugis: 1618—1680 
 104. LOUISE, DUCHESS OF PORTSMOUTH 
 
 Portrait facing half-left, almost at full-length, before a brown back- 
 ground with a brown curtain at the left and a fluted pillar at the right 
 having a socle with sculptured figures of putti. The sitter is clad in a 
 fawn and white silk dress with a blue wrap, the left arm resting on the 
 plinth, the right hand holding a wreath. The neck is decked with pearls, 
 the long brown hair falling in ringlets over the shoulders. 
 
 Height, 50 inches; width, 40 inches 
 
2st diteniananenene mrvenas 
 
 No. 103. Lapizs oF THE GAGE FAMILY 
 [By Allan Ramsay | 
 
 La genmeduenent nin ere® 
 ‘ itl i ia 
 
|a are- 
 
 SIR HENRY RAEBURN, R.A. 
 
 SCOTTISH: 1756—1823 fe Cohte y 
 105. THE RT. HON. ROBERT BLAIR OF AVONTOUN 
 
 Vigorous three-quarter length portrait in black coat, waistcoat and 
 breeches with trailing white cravat; facing half-left. The right hand 
 rests on a table covered with parers, a mace and the end of a red 
 drapery. 
 Height, 50 inches; width, 40 inches 
 Recorded in “Raeburn” by Armstrong, page 96, and “Sir Henry Raeburn” by 
 Grieg, pages 39 and 44 
 
 Collection of J. A. Maconochie Welwood, Esq. 
 Engraved in mezzotint by James Heath 
 
 [Illustrated as Frontispiece | 
 
 MICHAEL DAHL 
 BRITISH: 1656—1743 NCI : 
 106, PORTRAIT OF A LADY IN A YELLOW QRESS 
 
 Before a quadrangular brown column and plinth and trees suggested 
 in the right background, the three-quarter length figure of a young 
 lady in a golden-yellow satin robe edged with white, passing to the 
 right, a loose drapery of bluish-green floating from behind the left 
 shoulder and held by the left hand, the right pointing across the body. 
 A full face with straight nose and parted lips is crowned by a wealth 
 of brown hair dressed high above the head. 
 
 Height, 50 inches; width, 40 inches 
 
 SIR GODFREY KNELLER 
 BRITISH: 1646—1723 
 
 107. MISS FAULKNER Wane. 3 ood 
 
 In an umbrageous landscape, with a vista of trees and sky at the left, 
 is seated a young woman robed in gray satin, her left elbow resting 
 on a grassy mound at the right, a rustic straw hat trimmed with flowers 
 on her lap. The long hair curls over the right shoulder framing the 
 neck and bosom, the brown eyes looking steadfastly towards the 
 observer. 
 
 Height, 50 inches; width, 40 inches 
 
ALLAN RAMSAY, R.A. 
 
 ON aA L SCOTTISH: 1713—1784 ; } 
 108. THE MUSIC LESSON ee Sewer ve eay) 
 
 Group painted at half-length before a brown landscape background. 
 At the right is a fair-haired lady in a pink satin décolletage trimmed 
 with lace, playing on a guitar and looking over her right shoulder at 
 the music held by her instrucctor, who is seated beside her and dressed 
 in a gold-embroidered black coat and white lace gilet. 
 
 FHleight, 40 inches; width, 50 inches 
 
 HUGH BARRON 
 35D , BriTisH: 1746—1791 
 
 109. PORTRAIT OF AN OFFICER pee eeose Se 
 
 Bust portrait to the right, of an officer in a braided red coat with 
 black collar and white wig, surmounted by a pointed helmet with black 
 plume. Background of dark clouds. 
 
 Fleight, 30 inches; width, 25 inches 
 
 | 
 ENGLISH SCHOOL ( | 
 XVIII Century " AN ¢ 
 TWO, FAO IRATE (OUR al ILD ILUN) ABUTTING, 
 HOLDING A BOOK ! 
 
 Seated figure facing the left and painted at waist-length; background 
 of trees and foliage at the left. The sitter is dressed in white with a 
 drab taffeta drapery over the right shoulder, her clasped hands resting 
 
 on a book. 
 Height, 30 inches; width, 25 inches 
 
 Collection of Leopold Solomon, Esq., Dorking, England 
 
ALLAN RAMSAY p 
 SCOTTISH: I713—I7 Ut Qomtisys 
 POR TR AII OR <7 Ay EN Aan Ee RESS (1742 ) 
 
 Seated figure, painted at knee-length and facing half-right, the head 
 turned towards the spectator; clad in a white satin dress with laced 
 corsage, a dark blue scarf trailing over her left shoulder. In her hands 
 she holds a garland of flowers. Dark reddish background with foliage. 
 
 Height, 44 inches; width, 351% inches 
 
 Signed at lower left, A. Ramsay, and dated 1743 
 
 PREN CH SCHOOL, 
 
 Circa 1900 
 112. PORTRAIT OF A YOUNG GIRL 
 
 Against a colorful greenish-brown background, the figure of a young 
 lady seated at full-length and wearing the costume of twenty years ago; 
 round hat with black veil, long décolleté dress and voluminous flounced 
 wrap, black shoes and stockings. 
 
 2% 4 &.« 
 
 Height, 18 inches; width, 14 inches 
 
 >] END OF THE SALE fe 
 
ese ce RS REN, 7 
 
 LIST OF ARTISTS REPRESENTED 
 AND THEIR WORKS 
 
7 
 
 LIST OF ARTISTS REPRESENTED 
 AND THEIR WORKS 
 
 ran 
 BACKER, J. A. 
 Portrait of ay leady 60 
 BARDWELL, Tuomas 
 Portrait of the Artist’s Daughter [1757] 67 
 BARKER OF BATH 
 Landscape, Newport 64 
 BARRON, Hucu 
 Portrait of an Officer 10g 
 BEACH, THomas 
 Sir William Templer [1793] 73 
 BEECHEY, Sir Wiritam, R.A. 
 The Misses Bannister go : 
 BOLTRAFFIO, Giovannr ANTONIO 
 Madonna and Child 45 
 BOUDIN, Lovis Euc&kne 
 La Cote de Camaret, Near Brest DR t 
 Harbor Scene, Normandy 29 
 BOUGHTON, Grorce H., R.A. 
 Winter in Brabant, Holland 15 
 BRUGES SCHOOL 
 Madonna, Child and Saints 46 ; 
 CLAYS, Paun Juan 
 Barges on the Scheldt 28 
 CONDER, CHartes 
 Brighton 3° 
 
 COPLEY, Jounes, 
 Lord Mansfield 96 
 
COSWAY, Ricuarp, R.A. 
 Mrs. Hussey, née Jennings 
 Mrs. George Biddle of Lynwood, Devon 
 
 COTES, Francis, R.A. 
 Miss Summerville 
 
 Mrs. Arnold of Shenley, née Mary Bicknell 
 
 COTMAN, Joun SELL 
 Lambeth Palace 
 
 DAHL, Micwuaer 
 Portrait of a Lady in a Yellow Dress 
 
 DAUBIGNY, Cuaries FRANCoIS 
 Sand Dunes 
 The Harbor 
 
 DE BOCK, THEoPHILE 
 Low Tide 
 
 DEGAS, EpcGar 
 Dancers at the Bar 
 
 DIETERLE, Marte 
 Cattle and Landscape 
 
 DINET, ETIENNE 
 Arab Women and Children 
 
 HUTCH, SCHOOE 
 The Daughter of Peter Pau' Rubens 
 
 ENGLISH SCHOOL 
 Portrait of a Lady with a Blue Cloak 
 Portrait of a Lady in White, Holding a Book 
 
 FAED, Tuomas, R.A. 
 Portrait of a Young Lady in a White Robe 
 
 FORTUNY, Martano 
 
 Environs de Tangers 
 
 FRENCH SCHOOL 
 Portrait of a Young Girl 
 
 GUILLAUMIN, Armanp 
 Landscape 
 
 CATALOGUE 
 NUMBER 
 
 66 
 We 
 
 68 
 89 
 
 81 
 
 TO) 
 
 20 
 
 Tae 
 
HALL, Harry 
 The Flying Dutchman 
 
 HARLOW, Getorce HENRY 
 
 Mrs. Margaret Carpenter, Daughter of Captain Geddes 
 
 HARPIGNIES, Henri Joseru 
 
 River Scene 
 
 HIGHMORE, Joseru 
 Mrs. Sarah Vincent [1744] 
 Portrait of a Young Lady in a Pink Dress 
 
 HILDER, RicHarp 
 Landscape with a Fisherman 
 
 HOLLAND, James 
 Venice 
 
 HUDSON, Tuomas 
 Elizabeth Maria Ellis, Afterwards Mrs. Burroughs 
 Portrait of a Lady in a Red Dress 
 Mrs. Western, née Elizabeth Holkes [1763] 
 
 INNESS, Georce, N.A. 
 
 Summer Sunshine and Shadow 
 
 KNELLER, Str Goprrey 
 Portrait of a Youth in a Blue Coat 
 A Lady of the Clitherow Family 
 Elizabeth, Countess of Orkney [1696] 
 Lady Lisburn, Second Wife of Lord Lisburn [1676] 
 Miss Faulkner 
 
 KNIGHT, Astron 
 Sunset at Indian Neck, Connecticut 
 Landscape with Flowering Trees 
 
 LACHMAN, Harry B. 
 Bookstalls on the Quai, Near Notre Dame 
 Le Quai de la Tournelle 
 
 LAWSON, Ernest, N.A. 
 River Landscape 
 
 CATALOGUE 
 NUMBER 
 
 42 
 
 72 
 
 10 
 
 14 
 
 ~_ 
 
CATALOGUE 
 NUMBER 
 
 ILJeJON, Sue Jesse 
 
 Nell Gwynne 49 
 Portrait of the Actor Kynaston as a Youth [53 
 Sir Richard Newdigate, Bart. 88 
 H. M. Mary of Modena 99 
 t Sir Roger Twisden 101 
 | Lady Twisden, née Margaret Marsham of the Romney 
 i Family 102 
 i Louise, Duchess of Portsmouth 104 
 
 MAES, NicoLas 
 
 Portrait of a Prince of Bavaria 100 
 
 | MARLOW, WILLIAM 
 i! The Bay of Naples 94 
 
 MARTIN, Davip 
 Mrs. John Clark 63 
 
 MARTIN, Henri G. 
 The Bridge, St. Medard 39 
 
 MINOR, RospertT CRANNELL, N.A. 
 The Fish-Hawk’s Nest 9 
 
 NICOL, Erskine, A.R.A. 
 “Steady!” 2 
 
 NORTHCOTE, James 
 William Henry Chichele Plowden 76 
 
 | O’CONNOR, James A. 
 awe Landscape 50 
 
 it OPIE, Joun, R.A. 
 Mrs. John Card and Her Son 74 
 
 OWEN, Wittiam, R.A. 
 A Country Girl gt 
 
 PADI, 12, JEL. 
 Ships Drying Their Sails 
 
PANNINI, Giovanni Pao to 
 
 Classic Ruins and Figures 
 
 RAEBURN, Str Henry, R.A. 
 The Rt. Hon. Robert Blair of Avontoun 
 
 RAMSAY, Attan, R.A. 
 Mrs. Geoffrey Scott 
 Ladies of the Gage Family 
 The Music Lesson 
 Portrait of a Lady in a White Dress (1743) 
 
 REYNOLDS, Sir Josuua, P.R.A. 
 Dr. Thomas Barnard, L.L.D., F.R.S., Bishop of Killaloe 
 Anthony Chamier, M.P., F.R.S. 
 Portrait of the Artist in Spectacles 
 
 ROMNEY, Grorcr 
 Robert Raikes, Esq. 
 Mrs. Anne Dashwood 
 
 SANDYS, FREDERICK 
 Lady Holding a Rose 
 Isolde 
 
 SARTAIN, Witiiam, A.N.A. 
 An Algerian School 
 
 SHAW, WILLIAM 
 Dutchess [1757 ] 
 Matchem [1757] 
 
 STARK, ARTHUR JAMES 
 Wild Ducks 
 
 SINGLETON, Henry, R.A. 
 The Assault and Taking of Seringapatam [1792] 
 Surrender of the Two Sons of Tippoo Sultaun at 
 Seringapatam [1792] 
 
 SPEED, Harotp 
 The Silent Place 
 
 CATALOGUE 
 NUMBER 
 
 On 
 
 105 
 
 oO 
 
 103 
 108 
 Tare 
 
STEVENS, ALFRED 
 Moonlight 
 Beach Scene 
 
 SULLY, Tuomas 
 Miss Violet Thornton 
 
 THAULOW, Frits 
 Winter 
 
 TONGE, RoBertT 
 Spate on the River Liffey, at Leixlip, near Dublin 
 
 TURNER, Daniet 
 Westminster Bridge 
 View of Westminster, from the Archbishop’s Walk, 
 Lambeth 
 
 UTRILLO, Maurice 
 Street Scene Under Snow, Paris 
 
 VAN DER BANCK, J. 
 Lady Affleck 
 
 VAN GOYEN, Jan 
 Castle by a River 
 
 VAN MARCKE, Emite 
 Landscape with Cattle 
 
 VAN SOMER, Paut 
 Portrait of a Little Maiden 
 
 VOLLON, ALexis 
 The Spinning Wheel 
 
 VON LENBACH, Franz 
 Marianne, Daughter of the Artist 
 
 WATSON, Georce, P.R.S.A. 
 Portrait of a Boy in a Dark Blue Coat 
 
 WEATHERBY, R. 
 Capri Peasant Girl 
 
 CATALOGUE 
 NUMBER 
 
 a 
 5 
 65 
 Bil 
 48 
 
 56 
 
 57 
 
 32 
 
 98 
 
 SI 
 
 40 
 
 84 
 
 38 
 
 36 
 
 AM 
 
ee 
 
 CATALOGUE 
 WEENIX, J: B. UMBER 
 Classic Ruins [1651 ] 6 
 WEISSENBRUCH, J. H. 
 Zeeland Coast a 
 WISSING, WILLIAM 
 Mrs. Knott 95 
 
 ZIEM, Fe.ix 
 Grand Canal, Venice 22 
 
 1 
 | 
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ATP Roe eae SOR 
 
 UNITED STATES © STALE SU 
 
 INSURANCE 
 
 Gc OTHER "PU RPOSsis 
 
 CATALOGUES OF Piva 
 COMERE CC flO 
 
 CAP ™_> 
 
 Tee eAmerican Art Association, Inc. will 
 furnish appraisements, made by experts under 
 its direct supervision, of art and literary property 
 and all personal effects, in the settlement of estates, 
 for inheritance tax, insurance and other purposes. 
 The Association is prepared to supplement 
 this appraisal work by making catalogues of pri- 
 vale libraries, of the contents of homes or of entire 
 estates, such catalogues to be modeled after the fine 
 and intelligently produced sales catalogues of the 
 eAssociation. Upon request the Association 
 will furnish the names of many trust and insurance 
 companies, executors, administrators, trustees, 
 attorneys and private individuals for whom the 
 eAssociation has made appraisements which not 
 only have been entirely satisfactory to them, 
 but have been accepted by the United States 
 Estate Tax ‘Bureau, the State Tax (ommission 
 and others in interest. 
 
 AVM) ERG cAUN| VAGRETS ANSi5| OG 1PA EO EN! 
 Madison Avenue at 57th Street 
 
 NEW YORK 
 
 INC 
 
COMPOSITION, PRESSWORK 
 AND BINDING BY 
 
sean 
 
iii 
 
»W Kege 
 
 @® ol 
 
 Graham 
 
 olmmons 
 
 3,200 
 
 VAP AC® a n,age. 
 
 1,100 
 
 Simmons 
 
Se eee 
 
 Piacpemprao wel lertiey