’ tan 1 teh i ‘ 1) a aye Php god ag sh ; j y 4 / ‘ natal pes Ket) Alig if . A) t sai tf . 4 4 44 - yar Noy ? j j ; Ae rt ot porate Piteaepabeans heyy ae ie ok eee Litas FidiPungba kee deers uablir ie ayet, 5 fret Pon vis Mapa eT CAE Ay ela aie Peat te We rey AU a eRe § Huh see Yilaes Widsds noe pAb d MERGE ab ea POE FAR A pega g jd Ab se Pah a wee ate hore a HB Fibre 29 Map by is vir a7 bt bak Po tele Balen Sele ete be J $8 JY Al a> be oe sive Wet pe ha te a1) Eyre bs pe PP Meh ds GR St ke Re tat pale beg BoP pee 52 V0 pe Me be Well eee itu Tyree helo Beitnyk WV Ss'8 plato ie ie irre tek HY. See ip Hes Pees Fri seat jude lndad Wee Sh beh Len Ose ewe Ott itice ee oy CGH iy Eee wep eting be CUTE +b Loy PE MES , Bee Ca if he bile by he ry OL a, ALY foe fobs Ae EM UME Moya eee PAC PLACED it ee hehe iD} MAE te tad , the Work of Miner Artist| Unknown to Her, Charges Ms. Long, \ ‘Se Pe tine purchased by Mrs. Christine ae Brees as a genuine Corot, for ee to papers filed Be Mrs. teers |yesterday in the Supreme Court. She be- an action to recover $7,485 from the An- jderson Auction Company and the V. G. Fischer Art Company, who, ‘she alleges, |sold her the work, whicn Is known as| |“Crecy-en-Brie Clocher du Village.” She jhas discovered, according to her complaint, jthat the painting is worth only $500. ‘When she purchased the painting Mrs. |Long says she was informed that it had |}been purchased in 1875 at a sale of Corot’s works by the Messrs. Durand-Ruel. It was listed and illustrated, she said she was told, in Robaut’s “Works of Corot,” published in Paris. It is understood that ‘the | defendants will maintain that- the work is genuine and as represented at the time of sale. AS Washington, D. (ee (Incorporated) 10109 “Qa [ Ag ‘AMOAISVd LV WELLVD $89 ‘ON A w/e a Collection of ame Victor G. Fischer Art Company of Washington, D. C. (Incorporated) Oil and Water Color Paintings by Italian, Dutch, French, English, and’ American Artists, Ivory and Wood Carvings; Dresden, Delft, and French Porcelains; Fans, Muznzatures, Clocks, Bronzes, Snuff Boxes, Watches, Jewelry, Cabinet Objects, and Pottery Also a large number of Etchings, Gravures, Japanese and Sporting Prints by the best Artists To be sold at Unrestricted Public Sale fee Monday, February 19th, 1912 On Exhibition from February 13th The Anderson Galleries Madison Avenue at Fortieth Street, New York ~~ CONDITIONS OF SALE 1. All bids to be PER Lot as numbered in the Catalogue. 2. The highest bidder to be the buyer; in all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. He also reserves the right to reject any fractional or nominal bid which, in his judgment, may delay or injuriously affect the sale. 3. Buyers to give their names and addresses and to make such cash pay- ments on account as may be required, in default of which, the lots purchased to be immediately resold. 4. The lots to be taken away at the buyer’s expense and risk within twenty-four hours from the conclusion of the sale, and the remainder of the purchase money to be absolutely paid on or before delivery, in default of which, The Anderson Auction Company will not be responsible if the lot or lots be lost, stolen, damaged or destroyed, but they will be left at the sole risk of the purchaser, and subject to storage charges. 5. To prevent inaccuracy in delivery and inconvenience in the settlement of purchases, no lot will be delivered during the sale. 6. All lots will be exposed for public exhibition in our Galleries before the date of sale, for examination by intending purchasers, and The Anderson Auction Company will not be responsible for the correctness of the description, authenticity, genuineness, or for any defect or fault in or concerning any lot, and make no warranty whatever, but will sell each lot exactly as it is, WITH- OUT RECOURSE. But upon receiving before the date of sale, expert opinion in writing that any lot is not as represented, The Anderson Auction Company will use every effort to furnish proof to the contrary, and in default of such proof the lot will be sold subject to the declaration of the aforesaid expert, he being liable to the owner or owners thereof, for damage or injury occasioned by such declaration. 7. Terms CasH. Upon failure to comply with the above conditions any sum deposited as part payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the conclusion of the sale, will be resold by either private or public sale at such time as The Anderson Auction Company shall determine, without further notice, and if any deficiency arises from such resale, it shall be made good by the defaulter at this sale together with all the expenses incurred thereby. This condition shall be without preju- dice to the right of The Anderson Auction Company to enforce the contract with the buyer, without such resale. The Anderson Auction Company will afford every facility for the employ- ment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. THE ANDERSON GALLERIES Mapison AVENUE AT ForTIETH STREET, NEw YorkK TELEPHONE 7990 BRYANT ORDER OF SALES Monday Afternoon, February 19th . . . . Lots 1-116 Ivory and Wood Carvings, Dresden, Delft and French Porcelains, Mediaeval Strong Boxes, Curios and Bronzes. Monday Evening, February 19th . . . . Lots 117-191 Paintings. ; Tuesday Afternoon, February 20th . . . Lots 192-321 Fans, Miniatures, Clocks, Snuffboxes and Cabinet Objects. Tuesday Evening, February 20th . . . . Lots 322-396 Paintings. | Wednesday Afternoon, February 21st . . . Lots 397-629 Sporting Prints, Colored Caricatures, Chinese and Japanese Water Color Paintings, Porcelains and Pottery, Carvings, Bronzes, Lacquers and Screens. Wednesday Evening, February 21st . . . Lots 630-701 Paintings. Thursday Afternoon, February 22d . . . Lots 702-837 Gold and Enameled Watches, Fobs, Chains, Necklaces, Chatelaines, Brooches and Rings of finest workmanship and great brilliancy. Thursday Evening, February 22d . . . . Lots 838-905-a Paintings. Friday Afternoon, February 23d . . . . Lots 906-1039 Necklaces, Chains, Gold and Enameled Watches, Fobs, Rings, Brooches and Chatelaines. Friday Evening, February 23d . . . . . Lots 1040-1131 Water Color Paintings by Dutch, French and English Artists. Saturday Afternoon, February 24th . . . Lots 1132-1239 Bronzes, Rugs, Japanese and English Pottery, Arms and Furniture. INDEX TO ARTISTS Paintings Allori Angelo (Called I BronZin@) se ee eee 879 Artz (David Adolph Con- SLANT L) Me Setar eas Cee 148, 157 Bail (Joseph Claude)..... 373 Barbudos(Sisos pe sense 342 Bastert (Nicolaas)....... 683 Bautter(Wicton)-- eee mene 149 Berghem (Nicholas)...... 139 Boggs (PrankeMs) 7.) oc: 380 Bonington (Richard Parkes) Stinson aes bode Bonvin (Fran¢ois S.)..... . o49 Boucher (Fran¢ois)....... 394 Boudin (Eugene) .347, 667, 675, 693 Bouyband. ne ere 147 Braga (Cornelius)........ 877 Brakenburg (Richard)... . 875 Bridgeman (Frederick A.) 329 Brooke (Richard N.)..... 117, 150, 324, 361, 841, 847 Callcott (Augustus W.)... 864 oe Merge es oie 180 Gazing (sare saa 300 Chase (William M. Ans , 379 Chelminsky (Jan V.) 152 Clouet (School of Pini 872 Collins (William R. A.).. 182, 873 Constable (John)........ 650 Corot (J. B. C.)..665, 671, 688, 692 Cotes i(irancis\ 6 rae 328 Cotman (John Sell)...... 396 Coubert (Gustave)....... 368 Courtois (Gustave)....... 179 Coxc(Davic)) ear 643, 655 Crpvellin(Carlo)eee= aoe eee 701 Cropsey (J. F.).. it 3 840 Cuyp (Aelvert) [attributed| 354 Dawson(Henry)......... 377 De Bock (Theophile) .... 370, 668, ; 676, 687 Décamps (Alexander Ga- briel). . ae . 659, 666 De Herrera (F rancisco),. 901 De Hoog (Bernard).. 159, 372, 695 De Largilliere (Nicolas). , 368 De La Tour (Maurice Quentin) [attributed]... 145 Delpy (Hippolyte Camille) 158, 374 De Neuville (Alphonse). . 345, 660 De Paredes (Victor)...... 363, 891 Deshays: (Charles) aaa 344 De Ville (V2) eee eee 348 De Wint (Peter)......... 646 Dodge (William L.)...... 126 Domingo ose): eae > 890 Doré:(Gustave)i eee 838 Eaton (Charles Warren). . 133 Fielding, (Copley) =e 644 Gainsborough (Thomas) 362, 395, 880, 885 Garcia; (Diane @aeneeeee 144 Giordano (Luca)......... 898 Girtin (Thomas)......... 641 Gosselin (Albert)=- eee 686 Greenwood. . = 129 Greuze (Jean Baptiste). . _ B38; 888 Groenewegen (A. J.)..... 682 Hamilton (J. Whitelaw). 382 Hamilton (William)...... _ 865 Hardy (Heywood)....... 867 Harpignies (Henry)... ... ae 673 Heffner (Professor R.).. 156 Hendrich (C.)) eee 161 Henri (Robert) eee 635 Hitchcock (George)... ... 189 Holbein (Schoo! of)...... 170 Holland (Joseph)........ 651 Hovenden (Thomas)... .. 870 Hudson (Thomas)....... 380 Huet (Paul). eee 341 Ingham (N. me [Charles ste * ee 846 Israels (Josef). MRRP Sig 5c 369 Jackson (John)=)2 >see $45 Jacque (Charles)>.. (22225 663, 672 Jamesone (George)....... 899 Jettel (Eugene). ee 678 Johnston;(R: 2a) eee 326 Kauffmann (Angelica) ... 331, 849 Kensett (jf) 335 Kever (J. H. S:)..: . . -685,,690"694 PAINTINGS—Continued Kneller (Sir Godfrey)..... 134, 160, 167, 334, 376 Kudjih Me Hayne....... 632 Laneret (Nicolas)...:.... 897 Lawrence (Sir Thomas)... 393, 882 Meader (BS W.) 42 .. 138 Lebrun (Madame Vigee).. 895 Ledoux (Mlle. - coreite 885 Leitch (W. L.).. ee 645 Lejeune ( Eugene)... 856 Lely (Sir Peter). 184, 367, 392, 900 Le Rolle (Henri)......... 178 L’Hermitte (Leon). . . 348, 670 itynetats hh Fad 358 Loewith (W.).. blk, 657 Macy (W.S.). Sess, 633 Manet (daa) ee 638 Mann (Parker)... 353, 636 1 TR LCS) eae ee 118 Mauve (Anton).......... 674, 681 Mengs (Anton Raphael) .. 131 Mesdag (H. W.)......... 680 MMessemCHee.\s 2. i... 630, 844 Meyers (Jerome)......... 634 Mignard (Pierre) [attri- uted |S aa, 128, 356, 886, 893 Millett (Jean Frangois).. . 689 Monchablon (Jan)....... 684 Monticelli (Adolph)...... 699, 677 Morland (George)... . 133, 360, 384 MIGMOR VE.) oees..o..«. 119,323 RUSIME (PANE. s cc. a ee 871 Nattier (School of). . 181, 381, 889 _ Neuhuys (Josef)......... 371 Newman (RaL.). 0.5... 124 Niemann (E. Vis 391 Noble (R.).. Sea 699 Nourse (Elizabeth). ese 336, 902 903, 904 Oakes (John eet Nee 339 Opie (John). . neg. 141 Pacher (Ferdinand)...... 174 lene (CRT on ee 848 Parton (N. A.) [Arthur]. . 151 Peale (Rembrandt)....... 136 Peppercorn (A. D.)...... 662 icknellsCW. Li.) . 0. es... Sa Pocock \isdac)).%.05 a... 355 Prout (Samuel)...... 640, 648, 653 Pyne (R. A.) [James VCH ET or ti ates Hes 176 Reataeli (|e \ierrecite sae 661 Rembrandt tha Be 896 Reyna. he 121 Ribot (Theodule).. : 697 Roberts (David)......... 186, 656 Ronner (Henrietta)...... 188 Roos (Philipp Peter) [Called Rosa Di Tivoli]. 135, 359 Rowlandson (Thomas).... 649, 654 Russell (John) [attributed] 146, 190, 327, 365, 884 Russwurm (Gleichen). . 158 Saint Aubin (Gabriel Jaeques(de)mass ane: 385 Dchineideriets seeker. rccmes 5 351 Shackleton (William)..... 894 Stuars (Gilbert)... = =. 854 Stag itad( Ay) oan ec: 191 Stanfield (W. Clarkson). . 364 Teniers (David The WiGOune ene es ce 340, 378 STG eran tin GAC) atic suegcr cen: 175 Thaulow (Fritz)..... 164, 346, 892 Tischbein (Karl Ludwig). ial Trevisani (Francesco Cav- SUVS = Oa Be ate eg a a 142 Troubetskoi (Prince)..... 120 Trouilleber. . 375 Turner (J, 2 M. W. ) fattri- {OULEE MPs ees ie 652, 881, 698 Unknown Painter, 123, 125, 127 130, 166, 168, 169, 172, 183, 382 390, 637, 639, 839, 842, 848, 852 855, 857, 861, 863, 866, 868, 887 Masi @ouvens (3's) is-aee ne 389 Van De Velde (A.)....... 878 Van Der Weele (H. J.)... 154 Van Dyck (Anthony) uncle eto, eee hems eer nae 386, 700 Van Goyen (Jan)........ 874 Van Marcke (Emil)...... 387 Van Mierevelt (Michael) 876 Van Ravensteyn (Jan).. 187 Van Ruysdael (Jacob) Bye sien aye eSCallleee ae, cee 860 Verbeockhoven ( aes a3 Joseph. . ee 177 Veronese (Paolo). a ed 905 Vibert hen Georges) . 155 Vidal (A.). Wee. B25 Vollon (A.) Ris ees: 679 PAINTINGS—Continued Waartlg( Ne: he eee 850, 851 Wardle (Arthur)........ 185, 905-a Weiland (Johannes)...... 162 Weissi(Josei)e a soem 696 Weissenbruch (J. H.)..... 691 Wetherington (J. R.)..... 165 Wey aia xeenee ae nee 122, 143, 322, 366, 631, 853, 862 Wilkie (Sir David)....... 867 Willcock (Gs B.)y aa 352, 357 Williams (C3)... 163 Wilson (Richard).... 132, 141, 858 Windmaier (A.).. eS 333 Wouverman (Philips)... 859 Ziem: (Félix)... see 383, 658 Framed Water Colors Baler (Werle reer 1055 Bonheur Auguste........ 1106 Bonheur (Rosa). .1096, 1103, 1109 Gascalloe- nee eee 1068, 1091 De Bock (Theophile)..... 1118 Deslongi(y siesta seks Domingo (R.), 1054, 1056, 1058, 1060, 1062, 1065, 1067, 1070, 1073 1075, 1078, 1081, 1084, 1086, 1089 1099 Foster (Birket).......... 1092 Gilberte (Victor) sa. ese 1059 Groenwegen (A. J.)...... 1095 Gudin (Theodore)........ 1057 Helleu ae re ee LOE irs Henkeli(Gs a. eee 1069 Hulk (John rT ie Le 1110 Israels nei eee ialotil Jacque (Charles) see =. 1097 Keéverr (| AS arene 1120 Lutz (G.)..1061, 1074, 1083, 1088 Unframed Apuls(owis) ap ane 1041 Baer (Weenies ace 1040 Blas (V.).. he Se 1052 Bunner (A. F.). Tea eee 1042 dderson (Ee )nee Senta 1043 Kasekawae pees 1044 Mander (Ely i.) ss ee ee 1051 Mariana... 22s 1077 Nakagawa (H.).......... 1085 Nash (After Sir David Wilkie). 35 eee 1082 Nusbering (M.).......... 1093 Offermans (Tony)........ bby Pelikan: (3)... 1064, 1079 Ripp (William E.)....... 1113 Ripp (Willhiam’C))) ee 1116 Rosenboom (Henrietta)... 1122 Roys (Bake 1072 Smiths Hald Gh.) 1066 Smith (Hopkinson F.).... 1104 Steelink (W.)=. 52). ee 1108 Tadama (Ee. eee 1121 Tadema (Mrs. Alma).. 1119 Titian (after) .s4 eae 1062 Van Bosse (Bilders)...... 1100 Van Mastenbroeck (H.J.). 1112 Von Pettenkoffen (August) 1105 Wardle Arthur, 1071, 1076, 1080, 1087, 1990, 1094, 1098, 1102, 1107 Water Colors Leteurtex I)... eee 1047 Millspaugh®; =o-e eee 1049 Qudart: Gelix) <5 -= ae 1048 Rivoiresn.z. 1050 SIMOnetti. 4... 4. eee 1045 PREFATORY NOTE OR a quarter of a century Mr. Victor G. Fischer was an influential figure in the Art life of Washington where he drew to his Galleries the Art loving public, not only of Washing- ton but visitors to the Capital from the country at large. Last year the dissolution of the V. G. Fischer Art Company (Incorpo- rated) led him to give up his Washington Galleries and now the entire property of the Company is to be sold without reserve in The Anderson Galleries. In the preparation of the Catalogue the greatest care has been exercised by the cataloguers to present the works accu- rately and to secure correct attribution, in which they have been ably supported by Mr. Fischer. In some cases where works by the older painters had been bought with definite assurance of their genuineness, they have been entered as attributed to the Artists in order more fully to protect the buying public, it being Mr. Fischer’s desire that no doubts shall be raised as to the authenticity of any picture. In spirit and training Mr. Fischer is first the collector and amateur, with enthusiasm and deep love for Works of Art and only a dealer by vocation. With his wide acquaintance with . Artists and the collectors of Europe and America he has gathered a large and varied collection of Paintings covering all schools and periods; also a large collection of Curios, Bronzes, Watches, Clocks, Fans, Snuff boxes, and other articles of virtu. ee FIRST SESSION Ivory and Wood Carvings; Dresden, Delft, and French Porcelains; Curios, and Bronzes A PAIR OF BRONZE DOOR PULLS. Shaped as monkeys in costume. Height, 5 inches. FLARING CRYSTAL CUP. Etched with floral pattern. German. Height, 8 3-4 inches. A PAIR OF ITALIAN BRONZE ORNAMENTAL DOOR FIGURES. Shaped as cherubim. Height, 6 1-2 inches. TORTOISE SHELL CARD RECEIVER. Silver rim and base with four ball feet. Inside orna- mented with relief bust in silver. (Cracked). Length, 8 inches; width, 5 1-2 inches. meoPANISH ALTAR TABLET. A frame of gilt metal of rococo design encloses the words of the Roman Church service. Height, 21 inches. ~ 15 6 ITALIAN THUMB RING. Steel with seal top bordered by rope edging ending in four female heads at the corners; elaborately orna- mented with bronze figures, animals and flowers in relief. The top opens showing a small velvet-lined box. Length, 2 1-2 inches; width, I 1-2 inches. 7 A SPANISH ALTAR FRAME AND RELIQUARY. Silver gilt of rococo pattern; the upper part forms a frame for the text, the lower part a deep receptacle for relics. Height, 37 inches; width of base, 18 inches. 8 SMALL FLOWER VASE. It is decorated with a mottled glaze of yellow and pale green. (Slightly cracked.) Height, 7 inches. 9 LANTERN OF GERMAN ENAMEL. With panels of colored glass. Height, 9 1-2 tinches. 10 PITCHER-JUG OF GRAY SALT-WARE. It is decorated with figures in relief wearing crowns, scrolls and bands in blue. 11 PEWTER HOT WATER PLATE WITH HINGED HANDLES. Johnson, Maker. London Hall Mark. Diameter, 11 inches. 12 PUZZLE PITCHER OF ITALIAN MAJOLICA. Decorated with a relief medallion and bands of fret pattern in black, yellow and green. 16 13 14 16 7 18 19 OLD ENGLISH PORCELAIN GROUP. “The Topers.”’ Height, 8 3-4 inches. OIL JUG OF ITALIAN MAJOLICA. Decorated with blue having a moulded handle. PUZZLE JUG OF ITALIAN MAJOLICA. Urn-shaped with two spouts as handles; the interior of the bowl is divided into two halves and the rim perforated with triangular openings; decorated in yellow, blue and black in a fret pattern. Height, 8 inches. FLOWER VASE OF ITALIAN MAJOLICA. Of cream ground splashed with green, brown and red. Height, 10 inches. SILVER MEDALLION. “The Mater Doloroso”’ in high relief in a silver frame surmounted by a cross. Height, 6 1-4 inches; width, 4 1-4 inches. SPANISH BRONZE MINIATURE FRAME. Decorated with shell and scroll ornament; the back stamped with religious symbols. Height, 4 inches; width, 2 3-4 inches. FOUR WOOD RELIEF CARVINGS. “The Martyr’s Crown,” “The Sorrowing Woman,” “Pastoral Life,’ and “ Pursuing Conscience.”” German Renaissance. Mounted on crimson velvet framed in wood. Each panel, 2 1-2 inches high; width, 4 1-2 inches. 17 20 22 23 SMALL IVORY CARVING. Christ on the Cross with Mary at its foot. (A part of the cross missing.) Height, 4 1-2 inches. TANAGRA TERRA COTTA FIGURE. A water carrier with a jar at her side holds another on her head. Height, 8 inches. CRUCIFIX. Carved ivory Cristus on an ebony cross. Length, 12 1-2 inches. METAL STRONG BOX. Resting on four ball feet; brass handles; steel mount- ings; combination lock in working order. Length, 9 1-4 inches; height, 6 inches. BOX SHAPED AS A VIOLIN. Of silver, enameled in Watteau scenes; inside deco- rated with landscapes. In leather plush-lined case. Length, 11 1-4 inches. SILVER MEMORIAL PLAQUE. The bust portrait of Margaret of Valois, Queen of Navarre, in medallion on ornamental Renaissance panel; mounted on a panel of maroon velvet with a gold tablet bearing the inscription: ““MARGARITA- VALESIA-REG-NAV-D-BEARNI.” Printed impres- sion mounted on back of the panel. Modern German workmanship. Height, 12 inches; width, 9 1-4 inches. 18 26 27 28 29 30 PaeGt TABLE COVER OF OLD ITALIAN SILK BROCADE. The pattern is of flowers, leaves and scroll work in colors on an old rose ground. Lined with yellow silk. 76 x 80 inches. CHASUBLE OF IVORY SILK BROCADE. The pillar formed of gold braid in the form of a cross is embroidered in colors and gold with a flower, leaf and scroll pattern surrounding a cross and crown rayed with gold. Italian workmanship. (The front worn but neatly mended.) SMALL PICTURE ON SILVER. “Christ’s Entry Into Jerusalem.” Russian, XVIth century. Height, 3 inches; width, 2 inches. SMALL WOOD CRUCIFIX. Silver mounts and silver Cristus; the wood studded with pearl stars, many of them now missing. Length, 3 1-2 inches. GOTHIC WOOD CURVED DIPTYCH. The carving in relief represents Christ and Saints followed by the people; on the cover is the figure of - an angel. Formerly colored. Height, 4 3-4 inches; width, £ inches. SILVER MINIATURE FRAME ENCLOSING PRINT. “The Descent from the Cross.” Height, 5 inches; width, 3 1-2 inches. 19 34 Df 38 A FIGURE OF THE VIRGIN STANDING. Oval pedestal of pink marble on a square base. Italian. Height, 6 3-4 inches. SPANISH FOLDING ALTAR MISSAL REST. The base resting on four silver feet shaped as acorns, is covered with red velvet overlaid with silver orna- ment in the form of garlands, ribbons and cherubim. The desk covered with silver in a latticed design is bordered with a mulberry vine pattern. Length, 16 1-2 inches; width, 12 1-2 inches. A PAIR OF ANTIQUE BRONZE DOOR KNOCKERS. Neptune with trident stands surrounded by sea horses, supported by shell work; below is a lion’s head. (6 pieces.) Height, 17 inches. A PAIR OF SPANISH ALTAR TABLETS. Gilt metal frames of rococo pattern enclosing scripture texts. Height, 14 inches. SPANISH DOUBLE CROSS. Bronze chased with figures, symbols and lettering; sus- pended from a brass chain. Length, 6 1-4 inches. GOTHIC IVORY TERIPT¥Ce: A relief carving tinted: ‘Soldiers acclaiming their Sovereign.” Height, 6 inches; width, 4 inches. LIMOGES ENAMEL PAINTING ON COPPER. ““A Royal Feast.”’ In an ebony frame. Height, 3 3-4 inches; width, 5 3-4 inches. 20 a 40 4] 42 43 44 PAIR OF BRONZE PANEL PICTURES. “St. Sebastian” and ‘‘Mary Magdalen” modeled in relief. Height, 4 inches; width, 2 3-4 inches. CLEOPATRA’S NEEDLE IN BRONZE. It rises from a marble base having four brass feet and is ornamented with brass guard chains. Height, 17 1-2 inches. CIRCULAR RUSSIAN BRONZE PLAQUE. Decorated in relief with a design of running deer and leaves. Diameter, 18 inches. RUSSIAN IKON. Of gilt metal showing three figures of saints. Height, 7 3-4 inches; width, 6 3-4 inches. TWO BOOK COVERS OF TORTOISE SHELL. Clasps, hinge straps and ornamental mounts of filigree silver and gilt metal. Height, 5 1-2 inches; width, 3 1-2 inches. Sea nistt RELIQUARY, XVITH CENTURY. Wood covered in velvet, with gilt metal chased bands and octagonal panels of saints in repoussé; the hinged cover decorated with symbolical figures of the Evan- gelists in relief and surmounted by the reclining figure in brass of St. Peter. The sides and cover studded with brass knobs. Length, 8 3-4 inches; height, 7 inches. 21 45 46 47 48 49 OCTAGONAL .-BRONZE PLAQUE BY ANDERE RICCIO. Subject ‘“The Holy Family with Angel in Adoration” modeled in high relief. Height, 11 3-4 inches; width, 15 inches. Framed in mahogany. BRONZE PLAQUE OF THE XVITH CENTURY, BY AN UNKNOWN MASTER. It represents ‘“The Rest on the Flight Into Egypt” modeled in high relief. Height, 13 1-4 inches; width, 9 inches. Framed in oak. RECTANGULAR BRONZE PLAQUE BY CLODION. Subject “A Bacchanal.” Signed. Height, 8 inches; width, 20 inches. Framed in oak. UPRIGHT BRONZE PLAQUE BY SARAH BERN- HARDT. Subject “Fame Crowning Shakespeare and Moliére.” Height, 19 inches; width, 13 3-4 inches. In a carved oak frame. BRONZE FLOWER BOWL. Shaped as a shell, above which rises a bronze figure of a naiad, Height, 11 inches. 22 50 ORNAMENTAL BRONZE PITCHER, LOUIS XVITH DESIGN. The bowl exquisitely chased and ornamented in relief with classical figures. Handle shaped as Venus. Height, 12 inches. Se Niort Ae IAR CRUCIFIX, XVITH CENTURY. Rock crystal mounted in silver gilt metal ornately chased, with applied figures in relief; the ends of the cross terminating in crystal balls, and the orna- ments studded with gems; mounted on gilt metal standard with four feet shaped as cherubim. Height, 19 1-2 inches. 52 GROTESQUE PITCHER OF SILVER BRONZE. Shaped as a goose, the body ornamented with feathers in relief and grotesque masque. Height, 11 inches. pee LIAN TEA CHEST. Of white marble with paneled sides, the top orna- mented in mosaic and fitted with silver handle. Interior contains three compartments with silver covers hav- ing rose knobs. Length, 6 1-4 inches; height, 5 3-4 inches. 54 ANTIQUE LOCK. The face, ornamented with gilt metal pierced and chased, bears the date “‘1776” and the monogram “F. E.G.” The ornamental back is of pierced steel chased. (2 keys—one iron and one brass.) 23 55 56 57 58 59 ITALIAN STEEL STRONG BOX. Resting on four ball feet; the sides, ends and top chased in a floral pattern and studded with cherubim and rosettes. The cover is fitted with a trick lock. Length, 7 1-2 inches; height, 5 1-2 inches. CAPO DA MONTE PLAQUE. Representing the death in battle of a Roman General. Wood frame. Height, 8 1-2 inches; width, II inches. JEWEL BOX IN THE FORM OF A DESK OF LOUIS XVTH PATTERN. French bronze chased in rococo design, the interior lined with gold plush. The hinged cover is fitted with a lock in working order. Length, 6 1-4 inches; height, 5 1-2 inches. STRONG BOX OF THE XVITH CENTURY. The steel coffer, with paneled sides, ends and cover chased in a pattern of figures and leaves, rests on four ball feet. The hinged cover with handle is fitted with an elaborate lock in working order. Length, 7 1-2 inches; height, 4 1-2 inches. CAPO DA MONTE PORCELAIN JEWEL BOX. Chased gilt bronze mountings. The sides and ends are decorated with classical and religious subjects; the hinged cover decoration represents ‘“The Toilet of Venus.” Length, 6 1-2 inches; height, 5 inches. 24 See ll ee ee ee eee 60 61 62 63 64 ITALIAN METAL STRONG BOX, _ The sides, ends and top in an interlaced openwork pattern; four ring handles; fitted with an elaborate trick lock. Length, 9 3-4 inches; height, 4 1-4 inches. A PAIR OF ANTIQUE BRONZE DOOR KNOCKERS. A winged dragon rampant holds a serpent in his mouth; masque plates formed as grotesque heads. (4 pieces.) Height, 10 inches, TWO PHOTOGRAPH FRAMES OF SILVER BRONZE. One a Cossack soldier standing. Height, 6 inches; width, 6 inches, One of Florentine design. Height, 10 3-4 inches; width, 7 1-4 inches. A SILVER CRUCIFIX. Italian workmanship. Height, 11 1-2 inches, A PAIR OF DECORATED DRESDEN PORCELAIN FIGURES. A man and a woman in oriental dress playing a lute and a hurdi-gurdi. Height, 7 inches. UNDECORATED DRESDEN PORCELAIN GROUP. A lover playing a pipe to his mistress seated, and a small boy at play near by. Factory Marks of 1750 to 1760, Height, 10 1-2 inches. (See Illustration.) 25 66 67 68 69 70 71 UNDECORATED DRESDEN PORCELAIN GROUP. ‘Three children playing “see-saw” before a Term. Fac- tory Marks of 1750 to 1760. (Repaired.) Height, 11 1-4 inches. (See Illustration.) UNDECORATED DRESDEN PORCELAIN GROUP. Three children, two boys and a girl on stilts are seen before a Term. Factory Marks of 1750 to 1760. . Height, 10 1-2 inches. (See Illustration.) MADONNA AND INFANT CHRIST. Relief panel in silver, framed in green velvet. Height, 6 1-2 inches; width, 5 1-2 inches. OVAL -PALISSY FRUITIER. On a low base. The decoration represents the Bap- tism of Christ. Fluted border. (Repaired.) Length, 10 1-2 inches; width, 8 1-2 inches. LADY’S INKSTAND OF BATTERSEA ENAMEL. A tray on four feet with two inkwells; all decorated with pastoral scenes in sanguine on a white latticed ground studded with blue. Length of tray, 8 1-4 inches; width, 4 1-2 inches. Inkwells, 2 inches high. GILT METAL AND ROCK CRYSTAL CUP. The metal cup ornamented with a floral. band in repoussé is supported by a stem formed as a nude child standing on a crystal hexagonal base. Height, 7 1-2 inches. 27 (pe ee 74 isl 76 AGATE CUP. The stem of ormolu formed as an amorino seated on a bell-shaped base, chased and studded with semi- precious stones. Height, 5 1-2 inches. FOLDING CHECKER BOARD. Ornamented inside and out with etched ivory inlays. Twenty-three checkers carved in relief with heads of men and women of various nations. German work- manship. Dimensions closed, 12 x 12 inches. BRONZE PROCESSIONAL CRUCIFIX. Gilt bronze cross ornately fashioned with the forms of Christ, Mary and apocalyptic figures in relief on both sides. In leather case. Spanish XVIth century. Length, 12 inches. MGALTEVAND SILVER METAL CUP. Red agate bowl mounted on a lyre-shaped stem enclosing the figure of a man; the base resting on four feet is ornamented with arabesques in repoussé and studded with gems, which also encircle the rim of the cup. | Height, 6 3-4 inches. PAIR OF WOOD CARVINGS. The figures represent Christ and Mary standing on octagonal bases. Fine examples of wood sculpture. German workmanship. Height, 14 inches. (See Illustration.) 29 (el 78 he 80 81 ITALIAN LACE WORK-BOX. Of wood encrusted with ivory, inlaid with silver and enamel, it rests on four ball feet. The interior con- tains numerous compartments fitted with ivory inlaid covers, and holding the accessories used in lace making. Length, 13 1-2 inches; height, 4 1-2 inches. ANTIQUE ITALIAN JEWEL CABINET. The outside, covered with embroidery in silk, shows a pattern of figures, flowers, birds and butterflies; the cover and front, opening, reveal four drawers and six compartments. Length, 11 inches; height, 7 inches. TRAY OF SILVER AND COPPER SCG VARIOUS NATIONS. 25 of silver and 237 of copper. ITALIAN BRONZE JEWEL BOX. Decorated in relief with Renaissance pattern, having gilt bronze mounts which form the feet at four corners. The hinged cover with working lock surmounted by a basket of flowers in gilt bronze. Length, 5 inches; height, 5 inches. OVAL PLAQUE OF SILVER BRONZE, BY F. VIL- LANIS. Subject “The Water Nymphs Bathing” modeled in low relief. Height, 13 inches; width,.19 1-2 inches. 30 82 RELIEF WOOD CARVING BY AN UNKNOWN ARTIST. Subject “The Presentation in the Temple” showing a group of eight figures carved in high relief against an architectural background representing a church inte- rior. Formerly attributed to Albrecht Direr. Height, 13 1-2 inches; width, 17 1-2 inches. In an antique gilt frame. 83 DEEP CIRCULAR BRONZE PLAQUE. Decorated in relief with grotesque masks, leaf and tree pattern. Diameter, 19 inches. 84 HALF LENGTH FIGURE OF A WOMAN IN WAX (ATTRIBUTED TO ALBRECHT DURER). With one elbow leaning on a book, her hand across a money bag, she grasps in her right hand a number of coins. Over her white hair is folded a kerchief and a scarf is gathered about her neck. Height, 7 1-2 inches; width, 6 3-4 inches. Mounted on a glass background and framed in ebony. 85 INDIAN PLATEAU OF SILVER BRONZE. The center shows an Indian temple with two open shrines and figures of angels in the sky offering gar- lands. The rim is encircled with mythological and other figures in relief; beaded edge. Diameter, 19 inches. 86 TALL VASE, BY CLEMENT MASSIER, GOLFE-JUAN. Slender-bodied with winged handles decorated in relief, covered with a rich glaze of deep brown and blue splash. Height, 16 1-2 inches. Bl 87 88 89 90 elk 92 WEDGWOOD TODDY JUG WITH SILVER COVER. Decorated with scenes of the “Festival of Bacchus,” grapes and leaves in relief. Height, 9 inches. OLD DELFT CRACKER JAR WITH COVER. Round jar decorated with a conventional leaf and flower pattern; two handles. Height, 4 inches. ELEPHANT OF CARVED EBONY. The elephant with ivory tusks and eyes bears on his back an Indian potentate seated with an ivory palm of victory in his hand; behind him is seated a servant holding a sunshade over his master. Height, 23 inches. LARGE VASE, BY CLEMENT MASSIE RI Goer JUAN. Tall urn-shaped with two handles it is covered with a rich glaze of deep orange and blue splash. Height, 33 inches; diameter, 12 inches. HEXAGONAL DELFT JAR WITH COVER. The six sides are painted in alternating floral and land- scape panels on a ground of conventional flowers and scrolls; the cover is similarly decorated and sur- mounted by the Dog Foo. ~ Height, 15 inches. DELFT MENU HOLDERS. Shaped as little plates with original easels. (18 pieces.) 32 93 94 95 96 97 98 OLD DELFT PITCHER VASE. The globular bowl has a handle shaped as a winged figure with a bird perched on the rim; the sides are paint- ed with landscapes and figures, and the neck and base have conventional scroll borders. Height, 14 inches. LONG-NECKED VASE, BY CLEMENT MASSIER, GOLFE-JUAN. Broad shouldered, covered with a rich glaze of red, yellow and green splash. Height, 16 inches. OVAL WEDGWOOD PLAQUE IN BLACK BASALF. Representing the power of the medusa head. Marked Wedgwood. Date about 1770. Mounted in a black wood frame. Height, 6 inches; width, 8 3-4 inches. OLD DELFT FLOWER VASE. It has a shaped body with a wide mouth, the front painted with a vase of flowers surrounded by a leaf and flower border. Height, 17 1-2 inches. LONG-NECKED VASE, BY CLEMENT MASSIER, GOLFE-JUAN. With broad shoulder it is covered with a rich glaze of red, yellow and green splash. Height, 16 inches. URN-SHAPED AUSTRIAN VASE WITH SQUARE DETACHED BASE, BY BEER. The bowl is painted with two lovers and amorini on a cloud background; the neck and stem decorated with gold in a leaf pattern on blue ground. (The vase is slightly cracked.) Height, 17 inches. 33 99 LOW ‘JARDINIERE, BY CLEMENT MASSIER, 100 101 102 103 GOLFE-JUAN. Of oblong shape and flaring base, covered with a deep red glaze splashed with gold. Length, 15 1-2 inches; width, 9 inches. URN-SHAPED PORCELAIN HALL VASE. It is decorated with sprays of roses, birds and butter- flies on a blue and white clouded ground; the base and rim decorated in a conventional floral pattern of dark red and blue; of wide mouth, in turquoise blue glaze. Height, 32 inches. SEVRES REVOLVING URN WITH COVER. Of deep rich blue-de-roi color with ormolu rim and base; handles shaped as fauns’ heads and pinieapRie finial also of ormolu. (Stem chipped.) Height, 20 inches. WEDGWOOD WATER KETTLE SINS SBEACK BASALT. The bowl is decorated with amorini at play; the lid with leaf ornament in relief and the figure of a dog as knob. Trefoil bail. OLD ENGLISH METAL PAINTED TRAY. The field is painted with a hunting scene; the border shows flowers in black and gold on a red ground. Length, 32 1-2 inches; width, 23 1-2 inches. 34 104 A PAIR OF LARGE REVOLVING SEVRES VASES, BY DESPREZ. The bowls are exquisitely painted with scenes of Napoleon’s campaigns; the necks and stems are decorated with floral sprays and spread eagles on a blue ground, the stem showing the letter “N” and the dates “1797” -and “1805” respectively. Finely chiseled ormolu mountings and gilt metal base. Signed. Height, 33 1-2 inches; diameter, 14 inches. 105 WIDE-MOUTHED VASE, BY CLEMENT MASSIER, GOLFE-JUAN. . Urn-shaped with two small handles, covered with a rich glaze of deep red and blue splash. Height, 10 inches. 106 LARGE WEDGWOOD EWER AND TRAY IN BLUE AND WHITE. The bowl of the ewer is decorated with medallions of dancing figures surrounded by garlands, ribbons, masks and shellwork. It has a high loop handle formed as an arabesque supported by a cupid resting upon a ram’s head. In front sits a naiad holding laurel garlands. Height, 25 inches. The tray is decorated with reclining figures of a river god and naiads surrounded by scroll work and masks. Diameter, 16 inches. 107 LARGE VASE, BY CLEMENT MASSIER, GOLFE- JUAN. In shape it is broad shouldered with slender base and is covered with a deep rich glaze without ornament. Height, 40 inches; diameter, 20 inches. 30 108 A COUNTRY SQUIRE’S PORCELAIN PUNCH BOWL WITH COVER AND TRAY. The bowl is decorated with four animal heads modeled in high relief surrounded by an intricate pattern of vines and leaves and broken by cartouches showing coat of arms and emblems of sport and chase. On the cover is the figure of a calf reclining bordered by a garland of grain. Height, 15 inches. The tray is bordered by a garland of fruit and flowers. Diameter, 17 inches. 109 MAHOGANY COLONIAL TABLE. It has a pineapple carved stem and three spread carved legs with claw feet; round top with gadrooned edge. Diameter, 33 inches. 110 LARGE URN, BY CLEMENT MASSIER, GOLFE- JUAN. Of urn shape with two handles, covered with a deep green glaze without ornament. Signed. ; Height, 42 inches; diameter, 18 inches. iti A PAIR OF WOOD PEDESTALS: The shaft is of mahogany with the Corinthian capital and base of gilt wood. Height, 43 inches. 112 MOORISH LIBRARY ‘TABLE OF HEXAGONAL FORM. . The six carved legs are joined by Moorish panels carved in relief in an intricate floral and ribbon pat- tern; the top is carved in the center with an octagonal panel of leaves and berries, and edged with a carved conventional leaf border. Height, 26 inches; diameter, 30 1-2 inches. 36 113 114 115 116 BRAZIER OF BENARES BRASS. _ The cover is pierced in an intricate flower and leaf pattern enclosing medallions engraved with figures; the bowl is similarly ornamented. Diameter, 15 inches. A THREE-FOLD LEATHER SCREEN. The center panel is painted with a Watteau scene in Vernis Martin; the wings in garden scenes with pea- cocks; the back is decorated with floral designs and arabesques. Height, 55 inches; width, 40 inches. BRONZE FIGURE BY AN UNKNOWN ARTIST. Subject “Springtime.” Standing on one foot on a hemispherical revolving base strewn with flowers, a winged female figure draped, speeds through the air scattering flowers. Height, 40 inches. BRONZE GROUP BY PAUL DUBOIS. Subject “France Weeping for her Children.” F. Barbedienne, Paris, founder. Height, 38 inches. Round ebony carved pedestal with revolving top. SECOND SESSION Paintings RICHARD N. BROOKE ‘Contemporary American Painter 117 A WOODLAND SKETCH. Panel. Signed with initials. Height, 4 3-4 inches; width, § 1-2 inches. C. MARY 118 A BOUQUET OF FIELD FLOWERS. Canvas. Signed. Height, 8 1-2 inches; width, 6 1-2 inches. M. MUNOZ Contemporary Spanish Painter Poe SIUDY OF TURKEYS. Panel. Signed. Height, 4 inches; width, 6 inches. 39 GS PRINCE TROUBETSKOI Contemporary Russian Painter 120 —PARIS STREETSCENE Aaa Gre Panel. Signed in monogram. Height, 6 inches; width, 9 1-4 inches. REYNA Contemporary Spanish Painter 121 . THE LAGOON, VENICE: Panel. Signed and dated “Venice.” Height, 9 inches; width, 6 inches. MAX WEYL Contemporary American Painter 122 LANDSCAPE—A SKETCH. Panel. Signed. Height, 16 1-2 inches; width, 12 inches. UNKNOWN PAINTER 123 PORTRAIT OF EDGAR ALLAN POE. Canvas. Height, 9 1-2 inches; width, 7 1-2 inches. 40 R. L. NEWMAN Contemporary American Painter if } i Ch Rhis lt ANDTHE FIGURE BY THE WAYSIDE— ae SIS IECH.: Canvas. Signed and dated 1900. Height, 16 inches; width, 13 inches. UNKNOWN PAINTER Ap ; 4 Spanish School of the XVIIth Century | 0 Pee Onn All OF DON CARLOS. . The handsome young prince, seen at bust length wears a suit of armor, on the breast of which is a quiver with crossed arrows; above a wide double- fluted ruff he looks directly at the observer; his com- plexion is ruddy and he has brown eyes and brown hair which is brushed high from his forehead. Canvas. Height, 28 inches; width, 22 1-2 inches. WM. L. DODGE v Contemporary American Painter 126 DREAM LIFE. Through golden summer woodlands a man and maid in classic drapery, he in white and she in pink, wander in forgetfulness; with his left hand he pushes aside an intercepting branch. Canvas. Signed. Height, 35 inches; width, 24 inches. Bought from the artist. 4] UNKNOWN PAINTER 40 ‘ 127 PORTRAIT OF GENERAL HARRY LEE. In a.white wig, white stock and black coat, the florid- faced general looks across his right shoulder directly at the observer. This subject is he that is familiarly known as “Light Horse Harry Lee.” Canvas. Relined. Height, 24 inches; width, 19 inches. PIERRE MIGNARD (ATTRIBUTED) 1610-1695 y 128 PORTRAIT OF ANNE OF AUSTRIA. Wearing a blue low-cut dress with bodice embroid- ered in pearls she stands against a pillar from which falls a brocaded curtain; her hair is dressed in numer- ous puffs; with her left hand she is drawing on a crim- son mantle trimmed with ermine. In the background is seen a glimpse of a garden with statuary. Canvas. Height, 21 inches; width, 17 1-2 inches. GREENWOOD /) 0 « d 129 PORTRAIT OF ROBERT FULTON. Above a high white stock and ruffled shirt is seen the face of the inventor looking directly at the spectator; he wears a black coat. Canvas. Signed. Height, 28 inches; width, 22 inches. 42 UNKNOWN PAINTER 130 INTERIOR OF A SPANISH CIRCUS. Canvas. Signed ‘“H. R.” Height, 13 3-4 inches; width, 10 1-2 inches. ANTON RAPHAEL MENGS 1728-1779 131 PORTRAIT OF A YOUNG MAN. He wears a high buttoned brown coat with square collar edged with lace and a mantle of crimson velvet across his shoulders; his smooth face shows a ruddy complexion and brown eyes which look directly at the observer; his curling brown hair, parted low at the side, is brushed high from his forehead. Canvas. Height, 22 1-2 inches; width, 18 inches. RICHARD WILSON 1714-1782 132 ITALIAN LANDSCAPE. On the shore of a lake which stretches through the middle of the picture rises a square-towered castle outlined against the blue hills beyond; at the right a group of tall trees is seen and in the foreground a seated figure with dogs. Panel. Height, 18 1-2 inches; width, 23 1-2 inches. 43 at ey GEORGE MORLAND English 1763-1804 133 SHEEP AT THE BRIDGE (SANDED), On the bank of a stream below a bridge four sheep are gathered, two standing, two lying down; above the bridge a number of trees are seen and at the right a tree rises, its branches mingling with those beyond. Academy board. ; Height, 19 inches; width, 26 1-2 inches. SIR GODFREY KNELLER English 1646-1723 134 PORTRAIT OF A MAN. Dressed in red coat which, open, shows a white shirt- front, and wearing a long curled wig the clean-shaved unknown sitter is seen at bust length. Canvas. Oval. Height, 30 inches; width, 25 inches. PHILIPP PETER ROOS (CALLED ROSA DI TIVOLI) Flemish 1657-1705 135 A MARKET SCENE. In a market place penned in by high walls are gathered a number of marketmen with cattle and sheep. Canvas. Height, 27 inches; width, 45 inches. 44 REMBRANDT PEALE American 1778-1860 6a PORTRAIT OF COL: TIMOTHY PICKERING. In the dress of the XVII Ith century with white stock, Col. Pickering, a young man with smooth face, sits holding a book in his hand; the background shows a landscape with trees. Canvas. Relined. Height, 36 inches; width, 30 inches. RICHARD PARKES BONINGTON English 1801-1828 137 A WONDROUS STORY. Seated at the table in an inn, a cavalier in armor, wearing a wide-brimmed hat with feather, tells some marvelous story of adventure to two young women at his side. On the table is an over-turned wine jug, a tankard and a half filled glass; on the floor in the fore- ground a cat plays with a ball. Canvas. Height, 20 inches; width, 24 inches. Bought from Martin Colnaghi, London. B. W. LEADER English 1831- 138 LANDSCAPE WITH SHEEP. On a stretch of moor through which winds an unfre- quented road, a shepherd watches his grazing flock; a group of oak trees rises beyond against a blue sky flecked with white clouds. Canvas. Height, 20 inches; width, 36 1nches. 45 Dee 0) NICHOLAS BERGHEM € 1624-1683 n 4 1 139 A LANDSCAPE WITH FIGURES. On the shore of a lake hemmed in by high rocky banks some peasant figures are passing; on the rocky shore at the right rises a castle. The upper branches of the tall trees are swayed by the winds. Canvas. Signed. Height, 31 inches; width, 25 inches. JOHN OPIE English 1761-1807 f 7 J, 140 PORTRAIT OF DR. WOLCOT (PETER PINDAR). Wearing a red mantle with gold jeweled collar, the doctor sits resting his right arm on the top of a cane. Canvas. Height, 30 inches; width, 25 inches. Bought from Arthur Tooth & Sons, London. RICHARD WILSON, R. A. English 1714-1782 7 jl | J 141 AN ITALIAN LANDSCAPE. Across the broken foreground, deeply shaded by a clump of trees, stretches a landscape hemmed by high mountains; castles and monasteries are seen in the distance and the skies are filled with cumulous sum- mer clouds. Canvas. Height, 20 inches; width, 30 inches. 46 0 FRANCESCO CAVALIERE TREVISANI ‘4 Italian 1656-1746 | ; 142 THE ADORATION OF THE SHEPHERDS. In the conventional red dress, a blue scarf falling from her head, the mother sits holding the Infant Christ in her lap; above her shoulder appears the benign face of St. Joseph, and at her left two angels gaze in rap- ture at the Holy Child. Canvas. Height, 28 inches; width, 29 inches. MAX WEYL : ‘a Contemporary American Painter 143. GREAT FALLS OF THE POTOMAC. Through a rocky bed bordered by high cliffs come the tumbling waters breaking into cascades over the black rocks; above stretches a stormy sky against which the trees loom darkly. Canvas. Signed. Height, 26 inches; width, 31 1-2 inches. Bought from the artist. DIANE C. GARCIA | ©. \ Contemporary French Painter 144 PEASANT GIRL. Against a sunny landscape background a peasant girl wearing a garland of yellow flowers about her head sits with half closed eyes in the sunshine; she wears a loose white blouse, at the neck of which is a bunch of buttercups. Canvas. Signed. Height, 23 1-2 inches; width, 19 inches. 47 aN MAURICE QUENTIN DE LA TOUR (ATTRIBUTED) French 1704-1788 145 PORTRAIT OF VOLTAIRE. In a plum-colored coat trimmed with gold braid, frilled shirt and high white stock, and wearing a long curled white wig, the French philosopher looks with penetrating gaze and knowing smile at the observer. Pastel. Height, 24 inches; width, 19 inches. JOHN RUSSELL (ATTRIBUTED) English 1744-1806 146 DECORATIVE PORTRAIT OF A YOUNG WOMAN. With one shoulder bare and a red scarf falling across the other she holds a bunch of flowers in her hands; a blue fillet across her blonde hair holds wheat and flowers; a jeweled amulet encircles her arm. The background is a clouded blue. Pastel. Height, 24 inches; width, 20 inches. BAND BOUY Swiss Contemporary Painter 147, LANDSCAPE IN THE JURA. From the summit of a hill on which rises a growth on thin trees, the view embraces a wide stretch of a river which takes its course among a range of mountains; in the foreground on the edge of the river is a small Swiss village; the season is early spring and snow still rests on the distant mountains. Canvas. Signed. Height, 31 1-2 inches; width, 37 1-2 inches. Bought from the artist. 48 DAVID ADOLPH CONSTANT ARTZ “0. Dutch 1837-1890 J 148 A VISIT TO THE GRANDPARENTS. In the stern of a broad-bottomed Dutch boat three young people are seated facing the aged grandmother who sits in the prow. The boat is nearing the shore at the right on which rises a clump of trees. The © figures and landscape bear an unmistakable Dutch character as well as the sky which stretches overhead. Canvas. Height, 19 inches; width, 30 1-2 inches. Bought from Cottier & Company, New York. VICTOR BAUFFE ig Contemporary Dutch Painter 1849- | 149 MILKING TIME. In a farmyard shaded by a row of willow trees a man sits milking a Holstein cow; another cow and some chickens are seen on either side. Canvas. Signed. Height, 35 1-2 inches; width, 28 inches. Bought from the artist. (See Illustration) ¥ f / i) RICHARD N. BROOKE 4 L he Contemporary American Artist fe Lae RETURN OF THE FOLD. Down a roadway at evening a flock of sheep is passing, led by the shepherd; at the right rises a barn and trees; the sky is streaked with the orange and red of sunset. Pastel. Signed. Height, 26 inches; width, 33 inches. Bought from the artist. 49 No. 149. MILKING TIME By Victor Baufte ARTHUR PARTON, N. A. Contemporary American Painter 151 SUMMER LANDSCAPE. In a broad meadow through which winds a stream, some cattle come to the drinking place; beyond lies a low range of hills broken by trees. Canvas. Signed. ' Height, 25 inches; width, 35 inches. Bought from the artist. JAN V. CHELMINSKY Contemporary Polish Painter 152 LE PARLEMENTAIRE. At a wintry roadside is gathered a group of officers in uniform discussing a despatch which one holds in his hand; the Austrian officer brings some important news to the French army. ‘The picture represents an incident. in the campaign of 1814, in France. Canvas. Signed. Height, 24 inches; width, 33 inches. A letter describing the picture is attached to the back. Pur- chased from the artist through M. Knoedler & Company, New York. GLEICHEN RUSSWURM Contemporary German Painter 153 LANDSCAPE IN GERMANY. Against a summer sky flecked with pink clouds rises a row of trees above a green meadow; at the left is seen a red tiled-roof house, cross-timbered, from which a peasant woman with a basket on her back crosses the green. Pastel. Height, 19 1-2 inches; width, 31 inches. Bought from the International Exhibition at Dresden. 51 po a H. J. VAN DER WEELE Contemporary Dutch Painter 1852- 154 THE DEPARTURE OF THE FLOCK. isse AN Down the roadway comes a flock of sheep herded by an old shepherd; in the background stands a stable from whose open doors they have just emerged. At the right rises a group of trees in summer foliage; at the left stretches the wide heath bordered by trees. Canvas. Signed. Height, 18 inches; width, 27 inches. From the collection of Buffa fils. Amsterdam. JEAN GEORGES VIBERT French 1840-1904 EGYPTIAN WATER-CARRIER. In a doorway, against a red curtained background, a muscular brown-skinned man, semi-nude, stands hold- ing an Etruscan water-jar on his head about which is bound a white scarf which falls to his shoulders. Canvas. Signed. Height, 33 inches; width, 19 1-2 inches. A presentation from the artist. PROFESSOR R. HEFFNER Contemporary German Painter 156 LANDSCAPE. Stretching away from the foreground is a sluggish water-way, bordered on one side with a row of slim birch trees whose trunks are reflected on the surface of the water; -the left bank is broken by a footpath which runs straight away until lost in the distance. Canvas. Height, 30 inches; width, 25 inches. Bought from Wallis & Son, London. 52 DAVID ADOLPH CONSTANT ARTZ l, ‘6 ’ 1837-1890 'L 157 THE FISHER GIRL. On the grassy Holland dunes a young woman sits at her knitting; beyond we catch a brief glimpse of the sea with a fishing-boat drawn up on the strand, about which gather the fishwives for their market supplies. Canvas. Signed. Height, 24 inches; width, 35 inches. Bought from the artist. H. C. DELPY O» Contemporary French Painter L 158 LAUNDRESSES AT WORK AT SUNRISE. On the border of the river Oise, whose banks are lined with trees in autumn dress, are gathered a group of women in the early morning washing their clothes; a boat with two men is passing toward a village seen in the distance; the sun two hours high floods the sky with a golden light. Canvas. Signed and dated “’97.” Height, 29 inches; width, 39 inches. Bought from Arthur Tooth & Sons, London. BERNARD DE HOOG iw i \ Contemporary Dutch Painter 1866- 159 MOTHER AND CHILD. In a simple Holland cottage sparsely furnished a young mother sits nursing her babe; on a bare table before her are seen a few dishes and on the wall at the back a clock and a small picture. Canvas. Signed. Height, 29 inches; width, 22 inches. Bought from Wallis & Son, London. 53 SIR GODFREY KNELLER English 1646-1723 ? 6 0 160 PORTRAIT OF A MAN. Wearing a dark velvet coat trimmed with buttons down the front which, open, reveals a white stock; he wears the full curled powdered wig reaching to his shoulders. Seen in profile he turns his head to the right looking directly at the observer. Canvas. Height, 30 inches; width, 25 inches. Be C. HENDRICH fi = Contemporary German Painter 161 TWILIGHT. Above the river which winds through the picture rises a church, its windows lighted; some swans float on the stream and the last rays of the setting sun are seen in the skies. Canvas. Signed. Height, 41 1-2 inches; width, 43 inches. ¢ JOHANNES WEILAND ()\ an Contemporary Dutch Painter 1858- 162 THE VEGETABLE SEUCEEK An old market woman arranging her wares bends over her basket filled with cabbages and onions; the floor about her is strewn with vegetable debris among which appears a brass kettle; a dim light comes through a window at the back. Canvas. Signed and dated “98.” Height, 31 inches; width, 39 inches. From the collection of Buffa fils. Amsterdam. 54 C. WILLIAMS f English Painter | " 163 LANDSCAPE. In a peaceful English landscape studded with trees is seen some tiled roof farm buildings; on the right the field is strewn with stacked grain with harvesters at work. Canvas. Height, 20 inches; width, 29 1-2 inches. FRITZ THAULOW 0 ¢ 1847-1910 164 SCENE ON THE SEINE. A heavy freight barge, its hull painted red, is seen making its way along the Seine spanned at this point by a low bridge. Above, along the quai rises a row of houses in whose windows the evening lights begin to : appear. Pastel. | Height, 26 inches; width, 21 inches. % 0 J. R. WETHERINGTON i v° Contemporary English Painter Toppa NET LEY ABBEY. Beneath tall trees rises the high Gothic arch of the abbey nave, against a summer sky flecked with white clouds. In the foreground two children who have been gathering wild flowers stop to rest. The quiet of an English summer day pervades the picture. Canvas. Height, 35 1-2 inches; width, 27 inches By) UNKNOWN PAINTER 0" 166 PORTRAIT OF A MAN. In a snuff-colored coat with frilled shirt, and wearing a white wig, the clean-shaven face of the unknown sitter is turned directly forward; in his hand he holds an open book. Canvas. . Height, 25 inches; width, 21 inches. SIR GODFREY KNELLER (ATTRIBUTED) 1646-1723 V 167 PORTRAIT OF A COURT LADY. In a blue velvet robe open at the neck the lady, seen at bust length, looks directly at the observer; her hair dressed in a high roll with curls about her tem- ples is covered with a white scarf which falls across her shoulders. Canvas. Oval. Height, 30 inches; width, 25 inches. UNKNOWN PAINTER Vy 0) 168 PORTRAIT OF A MAN. Wearing a black coat, red and buff striped waistcoat and high white stock a man of forty with a mass of hair brushed back from his forehead is seen, his head turned three-quarters to the left. Canvas. Height, 30 inches; width, 25 inches. 56 a UNKNOWN PAINTER “y, : 169 DECORATIVE PORTRAIT OF A LADY. y Wearing a velvet low-cut gown trimmed with lace and an old rose mantle across her shoulders, the lady sits with her left hand at her corsage holding a flower; her blonde hair is dressed high. Canvas. Height, 32 inches; width, 26 inches. C ) SCHOOL OF HOLBEIN y, ' German 1497-1543 Y 170 PORTRAIT OF A MAN. In a black dress with a row of buttons down the front and fluted ruff at the neck, a young man wearing a flat velvet cap stands with one hand in his belt, the other at his side; his overgarment is bordered with a band of fur; he wears a brooch at his neck and rings on finger and thumb. Panel. Height, 35 inches; width, 36 inches. vga fees KARL LUDWIG TISCHBEIN German 1797-1855 171 MARIA THERESA, EMPRESS OF AUSTRIA. In a blue velvet gown trimmed with lace the empress sits, her left hand resting upon an imperial crown; across her shoulders falls a crimson mantle bordered with ermine; over the corsage are pendant loops of pearls held in place by rubies; her white hair entwined with pearls is surmounted by a coronet. The red curtain which forms the background is lifted dis- closing a glimpse of Schonbrunn. Canvas. Height, 41 inches; width, 29 inches. 57 cr yy UNKNOWN PAINTER Italian XVIIIth Century 172 PORTRAIT OF A ROMAN LADY. In a low-cut court dress of red and ivory white trim- med with lace the lady stands holding a sheet of music in her left hand and a fan in her right. Around her shoulders is a double string of pearls held in place by a brooch with another double string falling down the front of her waist; her black hair is dressed in elaborate puffs starred with jewels; about her neck she wears a second necklace and pendant of pearls and large jeweled clusters in her ears. Canvas. Height, 50 inches; width, 40 inches. CHARLES WARREN EATON Contemporary American Painter 173 VASHALYs DAY. In a broad meadow stretching away to a distant ridge of hills, a flock of sheep is seen grazing; clumps of trees rise on either hand and a veil of thin haze hangs over all. Canvas. Signed and dated 1894. Height, 25 inches; width, 36 inches. Bought from the artist. FERDINAND PACHER Contemporary German Painter 174 THE FIRST COMMUNION. Gathered before the altar rail, a number of young girls, dressed in white and wearing veils crowned with wreaths of flowers are receiving first communion at the hands of a kindly faced old priest, attended by young acolytes; through the stone arches is seen a dimly lighted glass window. Canvas. Signed and dated “Munich, 1884.” Height, 34 inches; width, 48 inches. 58 A. THAMM 3 by . Contemporary German Painter 175 A GERMAN GARDEN. Across an old-fashioned garden hemmed by birch trees rises a red roofed house half hid by foliage; in the garden is seen the figure of a woman at work. Canvas. Signed. Height, 28 inches; width, 40 1-2 inches. Bought from the International Exhibition, at Dresden. a J JAMES BAKER PYNE, R. A. | English 1800-1870 176 VENICE FROM THE SEA. Across a stretch of water, colored with the warm sun- set light and dotted with boats, is seen the church and monastery of San Giorgio, its campanile rising above the horizon. Another church with campanile rises on the main land at the right, and in the foreground a group of market boats is moored. Canvas. Height, 36 inches; width, 48 inches. Bought of Henry Graves & Co., London. 4). “A EUGENE JOSEPH VERBEOCKHOVEN Belgian 1798-1881 ioe tHe DYING LION. In a deserted landscape strewn with rocks the king of beasts lies dying stretched at full length. Canvas. Signed and dated 1885. | Height, 27 inches; width, 41 inches. 59 o. 179. AN ODALISQUE By Gustave Courtois HENRI LE ROLLE ae O* Contemporary French Painter | 178 SOLITUDE. On the slope of a hill which is crowned by a clump of trees a young peasant girl, having cast off her sabots, rests on the ground watching her grazing herd of cat- tle; clouds hang low in the sky and the trees and land- scape are touched with the light of a late afternoon sun. Canvas. Signed. Height, 29 inches; width, 33 inches. Bought from the artist. . GUSTAVE COURTOIS > Contemporary French Painter U 179 AN ODALISQUE. Against a Turkish latticed window background stands a young woman dressed in a yellow bodice crossed with a black band; her arms are clothed with trans- parent black tulle spangled with gold; her hair falls loosely about her neck. Across her breast are many strands of black beads and in her hand she holds a fan of peacock feathers. Canvas. Signed and dated 1882. Height, 46 inches; width, 28 1-2 inches. Bought from the artist. (See Illustration) : ANTONIO CANNALETTO : 1697-1768 180 VIEW OF THE PIAZZA SAN MARCO, VENICE. In the foreground numerous figures are seen in the costume of a former day passing to and fro; some stop to listen to a showman who is perched on-a platform. 61 SE | ie On the left stretches the many windowed arcade of the library ending in the tall campanile; at the right we catch a glimpse of San Marco and in the distance the ancient clock tower; above, the deep blue Italian sky is flecked with clouds. Canvas. Height, 25 1-2 inches; width, 38 1-2 inches. SCHOOL OF NATTIER, XVIIIth CENTURY PORTRAIT OF A LADY. In a low-cut brocaded gown frilled with lace and wearing a blue velvet mantle about her shoulders, the young woman looks directly at the observer; her powdered hair, which falls in curls about her neck, is dressed with a garland of flowers and ribbons. She wears a pearl necklace and jewels in her corsage. Canvas. Height, 32 inches; width, 29 1-2 inches. WILLIAM COLLINS, R. A. English 1788-1847 182 A PATRIARCH. Wearing a brown suit trimmed with braid around the neck and a loose mantle the patriarch sits, his hands folded resting on the top of his taff; a full beard falls on his breast and his long brown hair to his shoulders; he gazes intently upward as though in a vision. Canvas. Height, 44 inches; width, 34 inches. Exhibited at the Royal Academy, in London, 1844, No. 258. 62 UNKNOWN PAINTER EG ise VP PCORATIVE American Painter, 1818-1872 335 A WOODLAND CASCADE. Arched by a thick growth of trees a quiet pool empties its waters over the brown rocks, breaking into foam; through the branches come glimpses of an afternoon sky. Canvas. Signed with initials “J. F.K.” Height, 22 1-2 inches; width, 17 1-2 inches. > ELIZABETH NOURSE A} l Contemporary American Painter 336 A VOLLENDAM PEASANT. Against a window with a background of green shrub- bery, an old woman in a white cap with a red kerchief about her neck is seen; her eyes, dimmed by age, look down in contemplation. Panel. Signed and dated “92.” Height, 13 inches; width, 10 inches. Bought from the artist. 105 W. L. PICKNELL American Painter, 1852-1908 ’ i} 0 337 SCENE ON A DUTCH CANAL. From the foreground: stretches a Dutch waterway ending in a clump of trees and a tall windmill. A freight barge is moored at the right and red-roofed houses rise on either bank. Panel. Signed. Height, 12 1-2 inches; width, 16 inches. SCHOOL OF JEAN BAPTISTE GREUZE ? 1725-1805 1] 4 338 HEAD OF A YOUNG GIRL. With drapery falling away from her shoulders, a young girl with auburn hair is seen, front view, against a blue clouded background; her head is encircled with a garland of leaves and grapes. Canvas. Height, 10 1-2 inches; width, 8 1-2 inches. JOHN WRIGHT, OAKES English 1820-1887 OF 339 A SURREY CORNFIELD. . The grain has been gathered into sheaves and stacked in the foreground, beyond rises a row of tall elms and in the distance stretches a rolling English landscape; some figures are seen at the right resting. On academy board. Signed in monogram “J. W. O.” and dated 1858. Height, 11 3-4 inches; width, 18 inches. 106 V DAVID TENIERS, THE YOUNGER < 1610-1694 3 . 340 THE. DENTIST. In a dusky interior a man sits in a chair and above him the dentist is at work treating his teeth; in the background an old woman in white cap and kerchief looks on, while a boy assists the operator. On the table in the center is a group of bottles and jars; at the right a brass pan and an earthen water-jug; in the background, beneath a high window, the figure of a man is dimly seen. Canvas. Height, 15 inches; width, 17 inches. Bought from Martin Colnaghi, London. —_ es PAUL HUET 1804-1869 341 LANDSCAPE AT EVENING. In a broad field whose surface is marked by pools, stands a cottage shaded by a group of trees; at the left a single tree rises, spreading its branches against a deep blue sky with white clouds. Canvas. Height, 7 1-2 inches; width, 9 1-2 inches. w | N S. S. BARBUDO Contemporary Spanish Painter e472) LHE CARDINAL. In a richly decorated interior is seen the old cardinal in red robes and cap just rising from a gilded chair after an audience; he rests on a cane in his right 107 hand. The floor, couch and seat are strewn with flowers, and on a table at the right, covered with crimson velvet, rests a red covered book. Panel. Signed. Height, 11 inches; width, 8 inches. Bought from Bousod Valadon & Company, Paris. V. DE VILLE Contemporary French Painter 343 A WINDY DAY. Along a path which curves through the landscape a woman in peasant dress carrying two baskets is seen going toward a distant mill; the trees above her head as well as her clothing are tossed by the wind. Canvas. Signed. Height, 17 1-2 inches; width, 21 1-2 inches. CHARLES DESHAYS Contemporary French Painter 344 LANDSCAPE ON THE SEINE. Under a bright summer sky the wide river curves about the bank thickly grown with trees; on the further bank rises a house and row of trees dimly seen through the mist; in the foreground some women are enjoying an outing. Panel. Signed. Height, 9 3-4 inches; width, 18 inches. Bought from the artist. 108 ALPHONSE DE NEUVILLE 3 es French, 1835-1887 345 AN INTERIOR WITH FIGURES. In a spacious French kitchen before a wide fireplace sits a woman drying her clothing; she turns to talk with the housemaid who stands at the table behind her. The walls are hung with copper kitchen utensils and through the open door at the back is seen a river landscape. Panel. Signed. Height, 7 inches; width, 10 1-2 inches. FRITZ THAULOW Contemporary Norwegian Painter Si 346 THE CASCADE. [ L At a bend in the river which winds between heavily shaded banks the water breaks into a cascade spread- ing circles of white foam over the surface; at the left is a tangle of vines, and on the right an old tree bends over toward the water; a house embowered in shrubbery is seen at the right. Canvas. Signed. Height, 18 1-2 inches; width, 21 3-4 inches. (See Illustration.) EUGENE BOUDIN oe 1825-1898 2D 347 THE BRIDGE AT DEAUVILLE. Across a narrow stream a double-arched bridge joins the two sections of the town; in the foreground some boats are drawn up on the sand, and on the high right bank winds a roadway, above which rises a group of houses. Canvas. Signed and dated “75.” Height, 13 inches; width, 18 inches. 109 aomneyy ZT Ag AAVOSVO FHL ‘Ope ‘ON LEON L’HERMITTE Contemporary French Painter 1844- 348 IN THE HARVEST FIELD. 349. UP A woman with a sheaf of grain in her arm stops in her work to talk with two small boys; near by a second woman is binding the grain which a man cuts down; beyond the field of grain rises a low hill with trees and on the left is seen a stretch of water. Crayon drawing. Signed. Height, 16 inches; width, 22 inches. Bought from the artist. FRANCOIS S. BONVIN French, 1817-1887 FROM THE CELLAR. Through a door opening into the kitchen, a maid in red waist and long white apron comes carrying a jug; at the right below a window a range is seen with a copper vessel from which steam is rising; above the cellar door a long shelf is placed with bottles and jars; a pail of water stands on the red-tiled floor. Canvas. Signed and dated 1857. Height, 17 1-2 inches; width, 13 inches. Bought from Cottier & Company, N. Y. (See Illustration.) J. C. CAZIN French, 1840-1900 350 LANDSCAPE. Across a field thickly grown with vegetation are seen some small trees blown by the wind, and on the 111 ~ => S c> C No. 349. UP FROM THE CELLAR By F. S. Bonvin horizon the low roofs of some houses; above stretches ‘a windy sky. Canvas. Signed. Height, 8 1-2 inches; width, 10 3-4 inches. Bought from the artist’s studio. SCHNEIDER Contemporary German Painter 351 THE FRIGHTENED BIRD. A tall vase resting on a table with some fruit and a platter of grapes has been overturned by a macaw, who finds himself thrust down on the fruit; in his fright he spreads his wings showing his brilliant plumage. Panel. Height, 17 inches; width, 23 1-2 inches. G. B. WILLCOCK English, 1811-1852 352 CORNFIELD NEAR BRAMBER, SUSSEX. On the right are seen farm buildings deeply shaded by tall trees; on the left stretches a broad English landscape; some figures are seen in the foreground, also a flock of ducks floating on the stream. Panel. Height, 9 1-2 inches; width, 16 1-2 inches. Bought from Arthur Tooth & Sons, London. PARKER MANN Contemporary American Painter 353 LANDSCAPE. Across a bit of low-lying country the surface broken by pools, runs a brick garden wall above which rises 113 4) ae ¢. a house and a clump of trees; in the distance is seen the sky line of a city. Canvas. Signed. _ Height, 12 inches; width, 24 inches. 70 7 Bought from the artist. d q| AELBERT CUYP (ATTRIBUTED) 1605-1691 354 -LANDSCAPE. WITH, CATTLE. On the bank of a wide estuary, a group of cattle is gathered on a grassy mound which rises in the center; beyond is dimly seen the farther shore dotted with buildings under a cloudy sky. Panel. Height, 22 inches; width, 29 1-2 inches. Bought at Christie’s, London. ISAAC POCOCK English, 1782-1835 D\ 7 655-41 HESPE TT ‘DOVE, With white drapery falling from her- rounded shoul- ders, a girl holds a dove to her breast with her right hand; her left hand is raised above her head; her red hair is dressed high in puffs. Panel. Height, 22 inches; width, 17 inches. ; v. PIERRE MIGNARD (ATTRIBUTED) if 1610-1695 | AY, = oe 356 PORTRAIT OF ANNE OF AUSTRIA. In a low-cut court costume of yellow with slashed sleeves, the queen looks directly out of the picture. 114 On her neck is a necklace, and jewels are placed in _ her corsage and on her shoulders; her ringletted hair is entwined with pearls and long pendants hang from her ears; about her arm is twisted a crimson scarf and in her hand she holds a lorgnette. Canvas. Height, 30 inches; width, 25 inches. ) G. B. WILLCOCK ie English, 1811-1852 957) MILL NEAR*KELMER, SUSSEX. At a river in the foreground some cattle have come to drink, watched by a herder; at the left is a cot- tage beyond which is seen a mill with spreading arms. A row of trees stretches away in perspective across the meadow which is dotted with cattle and sheep. Panel. Height, 9 1-2 inches; width, 16 inches. Bought from Arthur Tooth & Sons, London. JOHN LINNELL id English, 1792-1882 oso THE FOREST. Along a road which curves through a deep forest advances a flock of sheep driven by a shepherd; the upper branches of the old trees part and allow a glimpse of blue sky with white clouds. Panel. Height, 7 inches; width, 9 inches. Bought from Wallis & Son, London. 115 ? is e PHILIPP PETER ROOS (CALLED ROSA DI TIVOLI) 1657-1705 359 LANDSCAPE WITH SHEEP AND CATTLE. In a deep shady glen hemmed in by trees some goats are seen at rest; a cow stands in the water; at the left a dog and sheep are lapping from the pool. On the rocky eminence in the distance rises a square- towered castle against a mass of white clouds. Can- vas. Height, 29 inches; width, 37 inches. GEORGE MORLAND én English, 1763-1804 360 THE SMUGGLERS’ CAVE. Through the arched rocky opening of a cave we catch a glimpse of the sea with smugglers unloading con- traband goods from a small boat; a man in a blue overcoat seated on some boxes at the left parleys with one of the smugglers. Canvas. Height, 17 1-2 inches; width, 23 1-2 inches. From the collection of Mr. Glensdale Chapman, England, from whom it passed into the possession of Wallis & Son, the well- known picture dealers of London, whose guarantee is attached to the back. $s RICHARD N. BROOKE Contemporary American Painter 361 THE HAYFIELD. In a rolling green field some stacks of hay are piled, in front of which a woman kneels gathering roots; 116 a full round sun is just sinking below the horizon touching the stacks and the hillside with a soft light. Canvas. Signed. Height, 18 inches; width, 24 inches. This picture was awarded the Parson’s Prize in 1901, at the Exhibition of the Society of Washington Artists. THOMAS GAINSBOROUGH Va 1727-1788 362 PORTRAIT OF JOHN MASON OF PORTESS. The canvas shows the bust portrait of a young man wearing a buff coat with crimson velvet collar and a fur-trimmed crimson waistcoat; he wears the white powdered wig of the period and smooth face. An inscription on the back reads “John Mason, son of John Mason of Portess, (b. 1729, d. 1807.”’) Canvas. Oval. Height, 28 inches; width, 23 inches. Pd ie VICTOR DE PAREDES Contemporary Spanish Painter 363 INTERIOR OF A STABLE WITH CATTLE. A number of cows are seen ranged along in their stalls, some standing, others lying down, while the stable boy is spreading their pyran for the night. Canvas. Signed. Height, 18 inches; width, 27 1-2 inches. 117 0! W. CLARKSON STANFIELD English 1793-1867 364 A NORWICH RIVER SCENE. On the bank in the foreground an old boat is drawn up beside which a fisherman sits mending his sail. On the opposite shore some boats are moored and beyond rises a distant hill with buildings; at the right a boat shed, open at both ends, is seen on the quay. Canvas. Signed and dated 1869. Height, 18 inches; width, 26 inches. Bought of Arthur Tooth & Sons, London. JOHN RUSSELL (ATTRIBUTED) English, 1744-1806 \ O uy 365 DECORATIVE PORTRAIT OF A WOMAN. Dressed in white with a blue mantle falling from her shoulders, she sits holding a rabbit in her arms; her - hair, confined by a dark ribbon, is powdered. Leaves and grapes appear on the blue background. Pastel. Height, 23 1-2 inches; width, 19 1-2 inches. MAX WEYL ~@ Jy Contemporary American Painter CA ‘\ ; 366 AUTUMN LANDSCAPE. Through the picture runs a small stream on the left bank of which a group of trees in brilliant autumn foliage lift their branches against a blue sky; other trees in red and yellow leafage are seen beyond. Canvas. Signed. Hetght, 16 inches; width, 21 inches. Bought from the artist. 118 367 SIR PETER LELY (ATTRIBUTED) 1618-1680 DECORATIVE PORTRAIT OF A LADY. In a low-cut blue dress with embroidered and jeweled girdle and edging, a red mantle across her shoulders, the sitter looks directly toward us; her hair is dressed high and curled about her temples. Canvas. Oval. Height, 30 inches; width, 24 inches. GUSTAVE COURBET 1819-1877 368 A RUNNING DEER. Over a field bordered by leafless trees and bushes a frightened deer is fleeing from his pursuer; through an opening in the trees is caught a glimpse of a lake bordered by low hills. Canvas. Height, 21 inches; width, 25 inches. JOSEF ISRAELS Dutch, 1824-1911 GC Q a 369 GOING TO MARKET. Along a lonely road, bordered by a wooden fence, a peasant woman with a child in her arms and carrying a basket trudges along; beyond the fence a green meadow stretches away toward a row of buildings and trees on the horizon; at the right three willow trees are seen, and the sky is filled with moving clouds. Panel. Signed. Height, 9 inches; width, 11 inches. Bought from the artist. 119 jbo THEOPHILE DE BOCK Dutch, 1851-1904 O e [eo 370 LANDSCAPE. Through the center of the picture winds a narrow rivulet spreading into a pool in the foreground, bordered by great beech trees whose gaunt branches cast shadows over the earth. At the right, beyond a tree, the roof of a farmhouse is seen, and at the left _ an old woman makes her way down to the brook. Panel. Signed. Height, 14 3-4 inches; width, 23 inches. Bought from the artist’s sale. OY JOSEF NEUHUYS A J rad Dutch, 1841-1890 ‘1 | 371 LANDSCAPE IN HOLLAND. At the right along the marshy shore a boatman is poling his flat-bottomed boat; the low-lying land stretches away in the distance and is dotted with grazing cattle. A windmill and some buildings of a distant town rise faintly over the horizon; a summer sky of mingled blue and white stretches above across which birds are seen flying. Canvas. Signed. Height, 18 inches; width, 12 inches. Bought from Arthur Tooth & Sons, London. 0 () BERNARD DE HOOG Contemporary Dutch Painter 1866- 372 THE EVENING MEAL. Seated at a bare table, a man in peasant dress stops 120 eating to watch his wife feeding a young child on her ‘lap; a second child on the floor at her side eats from a plate on its lap. The dusky interior is lighted from a window at the left. Canvas. Signed and dated 1899. Height, 43 inches; width, 49 inches. Bought of Wallis & Son, London. J | Contemporary French Painter A O \ JOSEPH CLAUDE BAIL ogo DHE LACEMAKERS. Two women in peasant dress are seated in a window alcove engaged in lace making; a third in cap and ad! apron stands looking on. ‘The interior is flooded I 4%, with light from a high window on the left. Canvas. OA Signed. Height, 36 inches; width, 28 inches. Bought of M. Knoedler & Co., N. Y. (See Illustration.) Fo HIPPOLYTE CAMILLE DELP Y | J ' Contemporary French Painter 374 SUNSET. On the shore of a stream two women are washing clothes; a group of trees and the surface of the river are tinged with a pink light from the setting sun. Panel. Signed and dated 798. Height, 20 inches; width, 31 inches. Bought from Arthur Tooth & Sons, London. 121 No. 373. THE LACEMAKERS By Joseph Bail TROUILLEBERX re / Contemporary French Painter ] 3752 BY- THE: LAKE: Between low hills a roadway leads from the fore- ground to a lake which lies just beyond; on the slope of the hill at the left is a row of silvery trees, and at the right a cluster of three tall poplars with under shrubbery. In the roadway a fisherman is advancing carrying his coat and a fishing pole over his shoulder to join a second man seen fishing at the lakeside. Canvas. Signed. Height, 26 inches; width, 32 inches. -§ \ a2 SIR GODFREY KNELLER 1646-1723 376 THE TWO SISTERS. Dressed in white, with loose overgarment of deep crimson held in place by a strap across the shoulder, the older sister stands in front; at her side a younger girl dressed in gray, looks into her face; their hair is dressed simply falling on the neck at the back. Canvas. Height, 43 inches; width, 28 inches. HENRY DAWSON English, 1811-1878 poe —\ 377 VIEW ON THE EASTERN COAST OF ENGLAND. The rounded hills and chalk cliffs rise from the water’s edge crowned by a square castle around which hover a flock of gulls. On the choppy water below a boat 123 with three men is making for shore; on the distant bank are seen the houses and church tower of a small village. Canvas. , Height, 24 inches; width, 36 inches. — Bought from Arthur Tooth & Sons, London. DAVID TENIERS, THE YOUNGER 1610-1694 ( 378. THE ALEHOUSE: y Before a tavern whose high-pitched roof rises at the left are gathered a number of men and women seated at tables; they stop their meal and turn to watch the dancing of a man and woman; back of them a man in red coat stands on a barrel head playing a violin; below a second musician plays a violincello; and at the right a servant with two wine jugs pauses in the work of filling them to enjoy the scene. Beyond the tavern yard rises a clump of trees on the bank of a river; on the other side of the stream stretches a row of houses with figures passing. Panel. Signed in monogram and dated 1643. Height, 18 inches; width, 25 tnches. WILLIAM M. CHASE Contemporary American Painter Coe | 379 -STILL-LIFE. On a brown table are grouped some tomatoes, an orange, and some grapes with a copper urn and a piece of antique pottery; at the right is a brass bowl. Canvas. Signed. Height, 20 inches; width, 14 inches. Bought from the artist. 124 FRANK M. BOGGS 1 Contemporary American Painter fv ’ 380 THE TOWER OF LONDON. The battlemented walls of the old tower are seen on the right along the quay which stretches down the Thames; shipping crowds the river front, with low- lying buildings beyond; in the distance is seen the arch of London Bridge; low-hanging murky skies stretch above. Canvas. Height, 18 inches; width, 25 1-2 inches. Bought from the artist. 44 SCHOOL OF NATTIER, XVITIITH CENTURY ] 0 381 PORTRAIT OF A LADY. Dressed in white with blue over-drapery, she sits holding up a cup in her right hand, with a pitcher in her left; her lap is filled with flowers; a garland falls across her neck and sprays are tucked in her hair. - Canvas. Height, 40 inches; width, 34 1-2 inches. 9 oO» J. WHITELAW HAMILTON (3 Contemporary Scotch Painter 5o2) LANDSCAPE WITH CATTLE. Through an opening of trees in summer dress rising at the left and right, the spectator looks across a ravine to a rising hill with low trees; a group of cattle rests in the foreground; a summer sky with luminous clouds stretches overhead. Canvas. Signed. Height, 32 inches; width, 34 inches. Bought from Arthur Tooth & Sons, London. (See Illustration.) 125 No. 382. LANDSCAPE WITH CATTLE By J. Whitelaw Hamilton FELIX ZIEM 1821-1908 yf? eee bee QUAY ALT MARSEILLES. A crowd of figures and horses are seen along the quay at which a long line of boats is drawn up, their forest of masts with flags and folded sails rising at the right. Along the quay stretches a row of white buildings gay with awnings, and a deep blue sky arches above. Canvas. Signed. Height, 22 inches; width, 27 1-2 inches. GEORGE MORLAND (ATTRIBUTED) 9 ) . English, 1763-1804 564° SHEEP. In a leafy clump of shrubbery two sheep are resting, watching a black ram feeding; stretching beyond is a summer landscape beneath a blue sky. Canvas. Relined. Height, 29 inches; width, 35 inches. GABRIEL JACQUES DE SAINT AUBIN iL is French, 1724-1780 55> 8 PASTORAL. At the foot of an old tree three women dressed in the gay costumes of the period are seen sleeping, dis- covered by a young gallant in red short clothes who approaches; a pet lamb rests beside them and at the left sheep are grazing; a summer landscape forms the background. Canvas. Height, 26 inches; width, 33 inches. This is a characteristic work by one of Boucher’s most talented pupils, 27, ayoIepy uvA pry Ag SHHITO AHL NO “288 ON ANTHONY VAN DYCK (AFTER) ly? : Flemish, 1599-1641 386 DECORATIVE PORTRAIT OF A LADY. Dressed in black with wide sleeves slashed with white, lace cuffs and lace frill about her neck a young woman stands seen at three-quarters length, holding a feather fan in her left hand; about her neck is a double string of pearls, also a necklace from which a small cross is suspended; jewels are in her ears and also in her hair; a chatelaine chain hangs from her waist and pearl bracelets encircle both wrists. Can- vas. Signed and dated 1623. Height, 50 inches; width, 40 inches. Bought from T. J. Blakelee’s sale. 4] , u~ EMIL VAN MARCKE A : ‘ French, 1827-1891 sommes Liat -CLIFES. In a grassy meadow hedged in by dykes some horses and cattle are gathered watched over by a herdsman and his dog; beyond lie a number of market boats with sails spread out to dry. On the dyke some marketmen are passing and in the distance rises a chalk headland. A summer sky filled with white clouds stretches above. Canvas. Signed. Height, 28 inches; width, 38 inches. Formerly in the Mary J. Morgan collection. (See Ilustration.) 129 uodAnod ura Ag GOVTTIA HOLA V ‘68€ ‘ON NICOLAS DE LARGILLIERE French, 1656-1746 ) 388 PORTRAIT OF A LADY. In a costume held at the shoulders with brooches, the sleeves and corsage banded with yellow ribbon, the lady sits on a green-backed sofa resting her left arm on a table. Across her forehead runs a jeweled band; around her head figured ribbons pass under her chin, and over her right shoulder falls a mantle with embroidered border; her large gray eyes look away in contemplation. Pastel. Height, 25 inches; width, 21 inches. J. VAN COUVEN . if 0 Contemporary Dutch Painter S09 7A DUTCH VILLAGE. Above the bank of a sluggish inlet rise the high red- roofed houses of a Dutch town crowned by a wind- mill; market boats are moored along the bank and a moving sky filled with wind clouds stretches above. Canvas. Signed and dated 1901. Height, 30 inches; width, 50 inches. Bought of Arthur Tooth & Sons, London. oh (See Illustration.) { U UNKNOWN PAINTER 390 MONKS AT SUPPER. In the refectory of a monastery with groined ceiling are gathered a number of cowled monks; many sit at table eating, others walk about or kneel at prayer. 131 A single window at the end illumines the room; at the left above a high wainscoting hangs a Gothic- framed picture of The Madonna and Child; on the right in a pulpit high up a monk stands reading evening prayers. Canvas. Height, 42 1-2 inches; width, 52 1-2 inches. Formerly the property of Charles O’Connor, of New York. E. J. NIEMANN English, 1813-1876 re “a | 391 VIEW NEAR WHITBY. i Above the river at the right rise the wood-crested rocky cliffs, at the base of which are seen cottages; beyond are the imposing white walls of Whitby Abbey below which is a harbor filled with shipping; on the left along the quay are railway tracks where groups of men are seen loitering. In the foreground a sloop loaded with a pleasure party is passing. Canvas. Signed and dated “Whitby, 1859.” Height, 35 inches; width, 55 1-2 inches. SCHOOL OF SIR PETER LELY (XVIITH CENTURY) \ oO: 392 PORTRAIT OF A COURT BEAUTY. In a white robe held in place by pearl-studded clasps the lady sits beside a table from which she takes a flower in her left hand; deep red silken drapery falls across her knees; with her right hand she holds her mantle up to her right shoulder. Canvas. Height, 50 inches; width, 40 inches. 132 SIR THOMAS LAWRENCE English, 1769-1830 tae 393 PORTRAIT OF JOHN JULIUS ANGERSTEIN. Seated in an upholstered chair the sitter wearing black coat, buff waistcoat and gray trousers looks directly at the spectator; his left arm rests upon a library table with writing implements, his right on the arm of the chair. Born in St. Petersburg, in 1735, Mr. Angerstein removed to England where he became an eminent merchant and patron of the fine arts; his rich collection of paintings made the foundation of the National Gallery in London. He died in 1822. Canvas. Height, 50 inches; width, 40 inches. Bought of Arthur Tooth & Sons, London. ‘(See Illustration.) te SCHOOL OF FRANCOIS BOUCHER b ; 1703-1770 394 THE JUDGMENT OF PARIS—A CARTOON. FOR TAPESTRY: Seated on a cloud attended by Cupid, Venus receives the apple from the hand of Paris. Mars with finger to his lips looks on; at the back Juno sits in her chariot drawn by peacocks. Canvas. Height, 50 1-2 inches; width, 40 inches. 135 No. 393. PORTRAIT OF MR. ANGERSTEIN By Sir Thomas Lawrence THOMAS GAINSBOROUGH (AFTER) 1727-1788 See ORTRAIT OF MRS. SIDDONS. Dressed in blue with a wide-brimmed hat tied under her chin she sits in front of a red curtain. Canvas. Height, 47 inches; width, 37 inches. This is a repetition of the well-known picture in the London National Gallery. JOHN SELL COTMAN English, 1782-1842 396, GeaLIOT IN A GALE. A broad-beamed fishing smack with sails set flying the British flag and manned by three sailors, is making its way before a stiff breeze through a tumbling sea; in the distance at the right are the Dover chalk cliffs; a lowering sky breaks away to show patches of blue. Canvas. Height, 44 inches; width, 56 inches. This is a replica with slight variations of a picture by Cotman in the National Gallery, London. Bought of Henry Graves & Co., London. ae FIFTH SESSION Sporting Prints In Colors 397 ABNOT (L. F.). Portrait in colors of William Innes “To: The Society of Golfers.” Folio, reprints. (2 copies.) 398 ALKEN (HENRY). “Meeting at Cover,” ‘‘Three Blind Un’s and a Bolter.” (From Sporting Anecdotes). Folio, prints in colors. Reprints. (2 pieces.) 399 ALKEN (HENRY). “The Race,” “The Gallop,” two plates in color from Newmarket Races. Folio, reprints. (2 pieces.) 400 ALKEN (HENRY). “The Meet,” ‘“ Breaking Cover,” “Full Cry,” “The Death,” for fox-huntings plates in colors from “The Leicestershire Covers.” Folio, reprints. (4 pieces.) 401 ALKEN (HENRY). Plates; ‘Nacton Church,” “The Last Field,’ ““ The Large Field,” “Preparing to Start.” Four plates in colors from ‘‘The First Steeple Chase on Record.” Folio, reprints. (4 pieces.) 402 ALKEN (HENRY). ‘The Return,” ‘“ Pheasant Shoot- ing,” ““The Death,” “Breaking Cover.”’ Four sporting prints in colors. Folio, reprints. (4 pieces.) 137 403 ALKEN (HENRY). “The Meet,” “Drawing Cover,’ “Tally-ho,” “Pace begins to Tell,” ‘Snob is Beat,” “Full Cry,” “The Whissendine appears in view,” and ‘The Death.” Eight plates in colors from “The Quorn Hunt.” Folio, reprints. (8 pieces.) | 404 BARRAUD (WM.). The Fathers of the Pack. OrIGINAL IMPRESSION IN CoLors engraved by W. T. Davy. Oval. Folio. 405 CALVERT: “The Meet of the Vine Hounds;” J. W. Snow “The Meet at Blagdon.” Sporting prints in colors, folio. (2 pieces.) 406 COACHING. “Encounter of the York Stage” by Edward Hull; Nos. I. and II. of Herring’s “‘Going to Lincoln Fair.” Folio, in colors. (3 pieces.) 407 FERNELEY (J.). “A Floorer,” “Shivering the Tim- bers,” “Take it Cooly,” “Your Sort.” Four plates in colors from “Hunting Recollections.” Folio, reprints. (4 pieces.) 408 GRANT (F.). “The Meet at Melton,” “Shooting Party at Ranton Abbey,” “‘Meeting of Her Majesty’s Stag- Hounds,” each in colors. Folio, reprints. (3 pieces.) 409 HERRING (J. F.). “St. Giles,” “St. Jamies? sez srae prints in colors from “‘The Cab-Horse.” Reprints. (2 pieces.) 138 410 HERRING (J. F.). ‘The Meet,” “The Start,” “‘The Run,” “The Death,” four fox-hunting plates in colors, folio, reprints. (4 pieces.) 411 HERRING VJ. F.). “The Meet,” “Breaking Cover,” “Full Cry,” ““The Death,” four fox-hunting scenes in colors. Folio, reprints. (4 pieces.) 412 HORSES. “Dandin and St. James,” and “‘Baudres,” lithographs in colors by G. David, OricinaL ImpREssIons, folio. (2 pieces.) 413 HORSES BY J. ROBERTS. “Brown Horse Antelope,” “Grey Horse Skim,” and “Chestnut Horse Shakespeare.” Sm. folio prints in colors. (3 pieces.) 414 HORSES. BY F. SORTORIOUS. “Old Traveler,” “Goldfinder” and “Pilgrim.” Folio prints in colors. (3 pieces.) 415 HUNT (G. C. AND SONS). Tue First FENcE. ORIGINAL IMPRESSION IN COLORS. Folio. 416 . Tue Last FENcE. ORIGINAL IMPRESSION IN cotors. Folio. 417 Folio. . THE Brook. ORIGINAL IMPRESSION IN COLORS. 139 418 . THe Pappock. ORIGINAL IMPRESSION IN COLORS. Folio. 419 . Tae Stone WaLit. ORIGINAL IMPRESSION IN coLors. Folio. 420 . AN Excitinc FINIsH. ORIGINAL IMPRESSION IN coLors. Folio. 421 JONES (S. I. E.). “Stagecoach on the Portsmouth Road;”” ACKERMANN, “The Victorious Bunchclod;” SEY- MOUR, “The Chase Match;” SORTORIOUS, “Match between Hambletonian and Diamond.” Folio prints in colors, reprints: (4 pieces.) 422 LAPORTE (G.H.). “The Ditch,” “The Stone Wall,” “The Finish,” engraved by Reeve. All from the Liverpool Grand National Steeplechase. Three plates in colors. Folio, reprints. (3 pieces.) 423 MARSHALL (B.). “Peace,” ‘‘War.” Two Game- cocks. ‘Two prints in colors. “A Ren-counter in a Farmyard” (cocks) by G. JONES, in colors. Folio. ‘(3 pieces.) 424 MORLAND (GEORGE). Fox Hunting; S. WIL- LIAMS, “The Meet;” and Plates I. and II. of St. Albans Steeplechase. Folio, in colors. (4 pieces. ) 140 425 NEWHOUSE (C. B.). “On Duty,” ‘Regimental Orders,” “Preventive Check,” ‘Dunner Round,” “Just Joined The Regiment,” “Baggage Guard,” six plates in colors from Military Incidents. Folio, reprints. (6 pieces.) 426 NEWMARKET SUBSCRIPTIONS ROOMS; The Royal Mail, Brewery, Messrs. Truman & Co. Reprints in colors. Large folio. (3 pieces.) 427 PAUL (JOHN DEAN). Four plates in colors from Sweerpetorbrenton- Plates [, II, III, and IV. Folio, reprints. | (4 pieces.) 428 POLLARD (JAMES). ‘The Halloo,” ‘The Funeral,” Two plates in color from “Tom Moody, the Whipper-in.”’ Folio, reprints. (2 pieces.) 429 POLLARD (J.). “Vexation,” “Joy and Desperation,” “Approbation,” “Anticipation.” Four plates in colors from Doncaster Races. Folio, reprints. (4 pieces.) 430 POLLARD (J.). “Mr. Rice and Red Deer,” ‘Approach to Christmas;” “Mr. Cooper and the Pony,” “Mr. Mason and Lottery.” Folio prints in colors, reprints. (4 pieces.) 431 POLLARD’S COACHING PRINTS IN COLORS: © “Mail Coach,” ‘‘Hyde Park Corner;” “‘N. E. View of the Postofhice;”’ “Possession,” “Anticipation.” Folio. (5 pieces.) 141 432 RUGBY FOOT BALL. ‘England Versus Scotland.” PRINTED IN COLORS with key plates, 4 copies of each. (8 pieces.) 433° SMITH (C. L.). A Series of Eight Sporting Prints in colors, “The Four Horse Team,” “A Distinguished Character,” ‘“‘Who-op was never so carried,’ “Proof of Bottom,” etc. Folio reprints. (8 pieces.) 434. STURGESS (J.). ‘Patrician and Plebeian,” “Amateur and Professional,”’ “Mail Coach by Moonlight,” “Early Rail- ways in England.” Folio prints in colors, reprints. (4 pieces.) 435 TURNER (F. C.). Refraction, Merry Monarch, Alice Hawthorn, Portraits of Horses, and Plate IV. of the Young English Fox-Hunter. Folio prints in colors. (4 pieces.) 436 WALSH (T. N. H.). “A Pleasant Ride Home” (from Hunting Incidents), ‘““The Favorite Walks in,” and “The Pet of the Stable.” Folio prints in color. (3 pieces.) 437 WEBB (W.). John Mytton, in the Hunting Field. Folio, in colors. 438 WILLIAMS (S.). “Returning to Kennel,” ‘The Death,” ‘Full Cry.” Folio prints in color. (3 pieces.) Colored Caricatures 439 COLORED CARICATURES: “The Devonshire, or Securing Votes,” “The Laws of Cricket,” “Disturbers of Domestic Happiness,” “Mad Dog in a Coffee-House,”’ “ Parade at Bath,” and other colored caricatures. (9 pieces.) 440 WOODWARD: “John Bull Exchanging News with the Continent.”” COLORED CARICATURE ORIGINAL IMPRESSION. 441 ROWLANDSON (THOMAS). “The Last Jig,’ “Mis- eries of London,” “Irish Jaunting Car,” ““The Toothache and Hot Goose” (on one sheet), “The Carter and the Gypsy.” COLORED CARICATURES. (5 pieces.) 442 HOGARTH (WILLIAM). Two plates from ‘The Rake’s Progress at the University.””» CoLORED PRINTS. (2 pieces.) 443 BUNBURY (H.). ‘The Long Story.’ CoLorep CARICATURE. 444 . “Billiards,” ‘‘Cits’ airing themselves on a Sun- day.” COLORED CARICATURES. (2 pieces.) 445 . “Anglers of 1611,” and ‘Pot Fair Cambridge,” “The College Gate” (on one sheet). COLORED CARICATURES. (2 pieces.) 143 446 447 448 449 450 451 452 Chinese and Japanese Water Color. Paintings CHINESE WATER COLOR PAINTING. Scene in a Summer Palace. Carved wood frame fin- ished in red lacquer. CHINESE WATER COLOR PAINTING. Similar to the foregoing. CHINESE WATER COLOR PAINTING. Interior scene, in carved frame similar to the fore- going. CHINESE WATER COLOR PAINTING. Interior scene, framed as above. CHINESE WATER COLOR PAINTING. A Summer Palace. Framed as above. TWO CHINESE WATER COLOR PAINTINGS. Scenes in a Summer Palace. (2 pieces.) SET OF TWELVE CHINESE WATER COLOR PAINTINGS. Representing interior views, family scenes showing the costumes, habits and customs of the people, and the architecture of the houses. 144 eee Or TWELVE CHINESE WATER’ COLOR PAINTINGS. Representing a Mandarin’s Procession. 454 JAPANESE WATER COLOR PAINTING ON SILK. Representing a Dancing Party. Bamboo frame. Folio. 455 JAPANESE WATER COLOR PAINTING ON SILK. Representing a Musical Party. Bamboo frame. Folio. 456 PAIR OF OLD JAPANESE WATER COLOR PAINT- INGS. : Old panels, representing scenes of Genroku dancing parties, mounted on old brocade and framed in lacquer. Large folio. 457 JAPANESE WATER COLOR PAINTING, SOTATSU SCHOOL. Group of Herons. Mounted on old brocade, framed in gold lacquer. Nice execution. Folio date about 1800. 458 CHINESE CARDS. Set of twenty-four cards used for gambling. Framed. 145 459 ae 461 462 463 464 465 466 467 Chinese and Japanese Porcelain and Pottery JAPANESE TEA BOWL. Decoration of birds in green enamel by Mokubei. JAPANESE TAKEMOTO VASE. Purple splash glaze. Height, 7 inches. JAPANESE RIOSAI KORO AND ORIGINAL COVER. Old peach glaze. TAKETORI VASE. a Brown running glaze. - Height, 7 inches ae RIOSAI VASE. Mottled blue and green splash. Height, 6 inches. OLD: ASAHT OLL JUG: OLD JAPANESE SOMA SQUARE BOWL. Height, 3 inches. OLD. BIZEN BOTTLE. Height, 6 inches. OLD AGANO BOTTLE GOURD SHAPE. Height, 9 inches. 146 468 469 470 471 472 473 474 475 476 477 Ory. KiSHU*BOTTLE. In the form of egg plant. Height, 7 inches. OLD SETO CELADON BRUSH HOLDER. Height, 5 inches. OLD SETO JUG WITH HANDLE. — Height, 7 inches. OLD SHIGARAKI BOTTLE. Green running glaze. Height, 8 inches. OED KIOTO SAK] BOTTLE. Height, 8 inches. OEM SE TO BOTTLE. Yellow crackle. Height, 11 inches. OLD JAPANESE CELADON CANDLE HOLDER. Height, 7 inches. OLD KUTANI VASE. Gourd shape. Height, 8 inches. OLD BIZEN BOTTLE. Height, 5 inches. OLD KUTANI BOTTLE. Panel decoration (neck broken). FiGurRE oF SEIGciIo. Old Ohi pottery. (2 pieces.) 147 478 479 480 48] 484 485 486 COCHIN CHINA VASE RING HANDLES. (Cracked.) Figure REPRESENTING SAMURAI’S ATTENDANT. Seated. ; (2 pieces.) OLD SHIGARAKI WATER JAR WITH LACQUER COVER. Height, 6 inches. OLD YEIRAKU WATER JAR WITH ORIGINAL COVER. Height, 7 inches. OLD BIZEN DARUMA FIGURE. Height, 7 1-2 inches. OLD OHI BOWL. Yellow iridescent glaze. Diameter, 8 1-2 inches. OLD TOYORAKU VASE. Height, 9 inches. TWO OLD KOSOBE VASES. Green and Indian red glaze. (Handle broken.) Height, 11 inches. JAPANESE SETO RURI BLUE VASE. Goldfish design. » Height, 7 1-2 inches. OLD SATSUMA VASE. Gourd shape. Height, 11 inches. 148 487 488 489 490 49] 492 493 494 OLD BIZEN POT WITH ORIGINAL HANDLE AND , EPACOUDER COVER. Height, 10 inches. JAPANESE SAJI CELADON VASE. With side ring and elephant head handles. Height, 12 inches. OLD AWAJI TEAPOT. _ Tiger skin glaze. SMALL INCENSE BOX. Peach-shaped. Otp KaAMmEYAMA INCENSE Box. Ovtp YeErRAKU INCENSE Box. (3 pieces.) PAIR OF CHINESE SOAPSTONE SEALS. Height, 4 inches. OLD CHINESE PEWTER TEAPOT. Height, 5 inches. OLD BIZEN WATER JUG WITH ORIGINAL COVER. Crest decoration on fine yellow crackle. Height, 7 inches. OLD OHI WATER JAR WITH LACQUER COVER. Height, 7 inches. 149 495 496 nde 498 499 500 501 502 OLD SETO JARDINIERE. Representing a woman standing by the well. ; Height, 10 inches. TWO KOZAN VASES. One decorated with wave in peach color, the other decorated with storks. (2 pieces.) Height, 8 inches. TWO RIOSAI VASES. i Ashes of roses, and mottled peach. . (2 pieces.) Height, 8 inches. TWO RIOSAI VASES. ‘Ashes of roses and faded peach glaze. (2 pieces.) Height, 7 and 12 inches. TWO CHINESE VASES. Decorated with goldfish, and mottled red glaze. Height, 9 inches. RIOSAI FIGURE AND VASE. | (2 pieces.) Height, 7 inches. TWO CUPS. One in plum blossoms and the other decorated with the moon. OLD IDZUMO VASE. Green splash glaze. Height, 10 inches. 150 503 504 505 506 507 508 509 510 511 OLD JAPANESE SETO BOTTLE. With blue iridescent glaze. (German copy.) Height, 10 inches. JAPANESE IDZUMO VASE. Iron rust glaze. Height, 9 inches. OLD UNO VASE. With gray splash. Height, 11 inches. OLD JAPANESE TORORAKU VASE. Green splash. Height, 9 inches. OLD JAPANESE OHI FIRE POT. In the shape of a pumpkin. Height, 7 inches. OLD JAPANESE SETO VASE, NAMAKO GLAZE. Height, 14 inches. OLD AGANO BOTTLE. Iridescent deep purple splash. Height, 11 inches. OED SETO LARGE TEA JAR. With mottled glaze. Height, 14 inches. OLD SETO VASE, NAMAKO GLAZE. Height, 13 inches. 151 512 ey 514 515 516 aw 518 519 520 OLD BIZEN VASE. | Four small handles at the neck. — Height, 10 anches. OLD KAIRAKU YEN VASE. Decorated in blue on purple. Height, 18 inches. OLD SETO* BOTTLE? 4 Dark glaze. Height, 15 inches. OLD SETO HIBACHI. In the shape of a mokugio. Height, 11 inches. JAPANESE FLAMBE VASE, EGG SHAPE. Height, 20 inches. CHINESE TURQUOISE BLUE VASE. Dragon and waves carved on the surface. Height, 11 inches. JAPANESE FLAMBE VASE, GLOBULAR SHAPE. Height, 16 inches. OLD SATSUMA BOTTLE. Gray glaze on the neck. Height, 16 inches. OLD IMBE JAR, GLOBULAR SHAPE. Has been buried in the ground. Height, 11 inches. 152 521 B22 526 527 530 OLD SETO VASE. JAPANESE SHIGARAKI VASE. Mottled blue glaze. JAPANESE KIOTO VASE. Decorated in panels. Height, 8 inches. Height, 11 inches. Height, 10 inches. THREE JAPANESE HAWTHORN VASES. Gourd shape, blue and white. OLD SHIGARAKI VASE. Amber glaze. OLD SHIGARAKI VASE. Amber running glaze. OLD SATSUMA VASE. In the style of Korean pottery. RIOSAI VASE FLAMBE GLAZE. RIOSAI VASE PEACH GLAZE. OLD TAKATORI VASE. Beaker shape. Height, 20 inches. Height, 13 inches. Height, 14 inches. Height, 11 inches. Height, 9 inches. Height, 13 inches. Height, 12 inches. 531 532 533 534 535 536 537 53 529 JAPANESE CHIKUSEN VASE. Peony decoration on ripe peach glaze. Height, 9 inches. CHINESE MING CELADON VASE. With five small handles as masques. Fine specimen. of the period. Height, 10 inches. OLD SHIGARAKI WATER JAR WITH ORIGINAL COVER. Height, 8 inches. OLD SETO VASE. Namako glaze. Height, 12 inches. UNO VASE. . Peony decoration on pea green glaze. Height, 15 inches. OLD ORIBE JARDINIERE WITH WOODEN COVER. Boat shape. Height, 11 inches; length, 25 inches. CHINESE FLAMBE VASE, TWO HANDLES. Red splash glaze. Height, 10 inches. OLD IMARI PLAQUE. Decoration of carp swimming up the waterfall. . Diameter, 24 inches. JAPANESE PORCELAIN BOWL BY RIOSAI. Maroon splash glaze. Diameter, 7 1-2 inches. 154 Japanese Carvings in Wood, Ivory and Bone © 542 543 544 545 546 547 548 Netsukes, Jades, Screens and Cabinet Objects WOOD CARVING. Hotei carrying his treasure bag. Height, 4 inches. JEWEL BOX. Inlaid with jade panels of pierced work. DECORATED JADE PANEL. Etched with gold showing the combat of two dragons. In an oak box with hinged cover. Length, 11 1-2 inches; width, 5 inches. SMALL LACQUER: SHRINE AND FIGURE OF | MONJIU. SOAPSTONE CARVING. Sage carrying child. Height, 6 inches. TOMB JADE PAPER WEIGHT. Carving of a goat reclining. JADE ORNAMENT. Representing fruit. 156 549 550 551 S52 553 554 556 JADE SAUCER. Nihilit green. Diameter, 4 1-2 inches. IVORY DAGGER AND SCABBARD. Carving of war scenes. SMALL IVORY CARVING. Man repairing armor. IVORY CARVING. Men playing with kittens. BONE PIPE CASE. Length, 4 1-2 inches. A sage returning from the palace. Length, 8 inches. CARVED WOOD NETSUKE. Yemma carrying: stone. IVORY NETSUKE. Dragon’s palace. IVORY NETSUKE. Blind man and child. IVORY NETSUKE. Figure of Ziurozin. 558 559 560 561 563 564 565 566 SMALL IVORY CARVING. Man reading book. IVORY NETSUKE. Man and frog. - IVORY NETSUKE. | x Skull. | - ae IVORY NETSUKE. Man with masque. IVORY NETSUKE. Man with frog. IVORY NETSUKE. Group of children. he IVORY NETSUKE. Group of masques. IVORY NETSUKE. Birds hatched from the egg. es IVORY CARVING. ¥ ‘2 aoe | Man with hammer. Height, 3 inches. = 158 > ee 567 568 569 570 571 S72 On ~I On IVORY CARVING. Man sharpening sword. Height, 3 inches. IVORY CARVING. Men carrying a big shell. Height, 3 inches. IVORY CARVING. Barrel maker. Height, I 1-2 inches. IVORY CARVING BY RIOSHI. Schoolboy playing the part of a general. Height, 4 inches. IVORY CARVING. Mother holding child. Height, 6 1-2 inches. IVORY CARVING. Group of monkeys. Height, 6 inches. IVORY CARVING. Men and yemma. Height, 3 inches. IVORY CARVING. Old men taking drinks. Height, 3 1-2 inches. IVORY CARVING. Sambaso dancer. Height, 3 inches. 159 576 ewe 578 579 580 581 582 583 SMALL IVORY TWO-FOLD SCREEN. Decoration of peacocks and flowers inlaid in mother of pearl. Height, 9 inches. WALRUS TUSK BRUSH HOLDER. E With landscape engraving. Height, 4 1-2 inches. 9 — IVORY. CARVING BY SHUGETSTU. ~ Hunter fighting with a dragon. Height, 8 inches. IVORY CARVING. Group of monkeys climbing up a stone lantern. Height, 5 inches. IVORY CARVING. Street peddler and boy. Height, 4 inches. BONE UMBRELLA HANDLE. With figure. Height, 5 inches. SMALL IVORY SCREEN TWO PANELS. BY MIT- SUYIKI. ft Pine trees and storks carved on the surface. Height, 8 inches. IVORY CARVING BY SEIZIN. Monkeys hanging kakemonos. Height, 4 inches. 160 584 EUROPEAN CARVED WALRUS TUSK. Hermit at the edge of a cave. Height, 3 inches. 585 GERMAN CARVED IVORY SPILL STAND. Carving of village scene. Height, 6 inches. 586 IVORY CARVING. Man with umbrella. Height, 1 1-2 inches. 161 587 588 589 590 ed Japanese Bronze and Lacquer Including a Suit of Armor and a Fine Old Temple Bell of The Horeki Period. SET OF BRONZE ORNAMENTS ON LACQUER STAND. Boy turning a ball. BRONZE KETTLE. With original cover, and handle. OLD SENTOKU BRONZE FIRE POT. Decoration of flowers engraved on the body, elephant head handles. Height, 10 inches; diameter, 10 inches. BRONZE BELL. Decoration of vine in line. Height, 9 inches. IRON KETTLE WITH BRONZE COVER AND HANDLE. Decoration of a fisherman carrying fish, carved out on the surface. Height, 6 inches. KETTLE WITH BRONZE STAND AND COVER. The latter in the form of a chrysanthemum. The stand representing a gourd, with side handles. Height, 7 1-2 inches. 162 593 594 595 596 S97. 599 600 601 OLD CHINESE PEWTER TEACADDY. With inside cover. BRONZE BOX. The cover in the form of a masque. Finished in red bronze. Length, 7 inches. BRONZE VASE. With a lizard coiled round the neck. Height, 11 1-2 inches. BRONZE VASE. With straight side handles. Height, 9 inches. BRONZE VASE. A coiled dragon curved round the neck. Height, 11 inches. OLD BRONZE VASE. In the form of a goose neck. Height, 11 inches. BRONZE KORO AND STAND. Representing Japanese tea house. Height, 7 inches. OLD BRONZE JARDINIERE WITH SIDE HANDLES. Height, 7 inches; diameter, 6 tnches. BRONZE KORO. In the form of a chariot shaped as a bird, the wings and tail inlaid with cloisonné enamel. 163 602 603 604 605 606 607 608 609 610 IRON KETTLE WITH BRONZE COVER. Decoration of birds and crabs carved on the surface, which is pierced to represent the home of the crab. BRONZE HIBACHI. With side handles representing elephant’s heads. 7 Height, 7 inches... ~~ OLD JAPANESE DAGGER: BRONZE ORNAMENT IN THE FORM OF A CARP. Length, 12 inches. BRONZE VASE. Beaker shape. Height, 7 inches. - BRONZE KORO WITH COVER. Shaped as an old hat used by a Shinto believer. Height, 6 inches. CHINESE SOO-CHOW LACQUER SCREEN. Decoration of five clawed dragon and clouds carved out on the surface. The stand of red lacquer giving cloud effect in the carving to match the screen. Height, 25 inches. OLD JAPANESE LACQUER WRITING STAND. On four low legs. OLD LACQUER STAND. Inlaid with mosaic work. 164 611 612 613 614 615 616 617 618 TWO LACQUER LUNCH BOXES. “One in two sections, one in three, decorated in peonies and peaches. JAPANESE LACQUER LETTER BOX. With inside tray. The decoration is of peonies in panels. Seo RON! TEMPLE BELL WITH~ RED LEATHER STAND AND MALLET. Used at Shotokuzi Temple in Horeki period, about 1600. Height with stand, 23 inches. OLD CARVED WALL PANEL. Peony and Dog Foo near the rocks. Length, 30 inches. SMALL WOOD CARVING. | Dog Foo and peony. Length, 17 inches. SMALL RAMMA. Dog Foo standing on the hill. Length, 24 inches. SMALL RAMMA. In the shape of Howo birds. Length, 26 inches. PAIR OF SMALL RAMMAS. Dog Foo and peony. Length, 27 inches and 30 inches. 165 620 621 622 623 624 625 626 OLD RAMMA. . . Tiger and bamboo. é Length, 28 inches. , OLD RAMMA. Representing an animal’s head. Length, 32 inches. OLD RAMMA. Dog Foo and peony. Length, 18 inches. OLD RAMMA. Representing divers in the waves, beautifully carved in old cedar wood. Length, 65 inches. OLD TEMPLE RAMMA. Tiger drinking water. Length, 37 inches. PAIR OF LARGE TEMPLE RAMMAS. Carved with chrysanthemums and painted in red and green. Length, 72 inches. SUIT OF JAPANESE ARMOR. The helmet made of cast iron by the great Moyochin ~ Munenada. VERY FINE EXAMPLE. TWO JAPANESE BOXES. For armor. 166 627 OLD JAPANESE LACQUER SCREEN, ONE PANEL. The center of the panel represents the Five Wise Men conversing about Eternity. The faces are inlaid with ivory and beautifully finished in gold lacquer. The stand is made of Keyaki wood with a decoration of lotus and birds carved in pierced work, and also ornamented with lacquer. Height, 61 inches; width, 40 inches. 628 JAPANESE LACQUER SCREEN IN TWO PANELS. Decoration of falcon and pheasant carved out in ivory and mother of pearl and inlaid on black lacquer. The frame of wood. | Height, 74 inches; width of each panel, 27 inches. 629 JAPANESE LACQUER SCREEN IN TWO PANELS. Decoration of birds and flowers inlaid on a panel with ivory and mother of pearl. The top and bottom of the panels are carved and pierced. Height, 72 inches; width of each panel, 35 inches. 167 ““ SIXTH SESSION Paintings E. C. MESSER Contemporary American Painter 630° SUNSET—A SKETCH. Canvas. Signed with initials. Height, 8 inches; width, 9 inches. MAX WEYL Contemporary American Painter 631 VENETIAN MARKET BOATS. Canvas. Signed and dated Venice 1890. : Height, 11 1-4 inches; width, 9 1-2 inches. HAYNE KUDJIH ME American Indian Artist OeeeeaGLE OF DELIGHT. The Indian Maid who bears this name 1s dressed in red, with a number of necklaces falling across her breast; her black hair, painted with bands of red, falls in two braids and from her ears hang loops of beads. Panel. Signed and dated on the back 1822. Height, 17 inches; width, 15 inches. 169 W. S. MACY Contemporary American Painter 633 VILLAGE IN THE TYROL. The straggling village street of a Tyrolean mountain town stretches away from the foreground to the snow-covered mountains in the distance; in the middle of the street are seen two donkeys standing with their packs while their owners loiter at the door of one of the houses talking with a woman. Panel. Signed. Height, 8 inches; width, 12 1-2 inches. JEROME MEYERS Contemporary American Painter 634 MARKET SCENE. In one of the streets of the East side of New York appropriated by the foreign population, some market women in picturesque dress are seen before the stalls which line the sidewalk; the yellow walls of a church form the background. Canvas. Signed. Height, 16 1-2 inches; width, 12 1-4 inches. Bought from the artist. ) , ROBERT HENRI Contemporary American Painter 635 FRENCH PEASANTS’ COTTAGES. On the bank of a river, spanned by a double-arched bridge, rises a group of peasant cottages with unkempt surroundings; several figures appear in the fore- ground and trees rise in the distance; overhead a blue sky with heavy rolling clouds is seen. Canvas. Height, 25 inches; width, 32 inches. Bought from Wm. Macbeth, New York. 170 Contemporary American Painter PARKER MANN ] 636 A MIDSUMMER EVENING. Across the sedgy waters of an inlet is seen the distant shore, lined with trees and bushes, above which emerges a silver full moon through a bank of clouds. The surface of the water is tinged with the waning light of evening. Pastel. Signed. Height, 16 inches; width, 24 inches. Bought from the artist. ~UNKNOWN PAINTER | ‘ O37) EHE MILL. On a high rock tufted with grass is perched a wind- mill whose outline and lean arms are silhouetted against the sky; a low white building stands beyond and at the foot of the cliff a woman and child are passing along the roadway; a gray sky with lowering - clouds reaches down to the horizon bordered by trees. Panel. Height, 8 1-2 inches; width, 12 1-2 inches. EDOUARD MANET » French, 1832-1863 638 HEAD OF A YOUNG GIRL (A SKETCH). A young girl seen at bust length wears a brown shawl over a blue dress and a brown bonnet, out of which her hair falls loosely to her neck; over her shoulder is seen the head of a child. Metal panel, on the back of which is a sketch of a man. Height, 5 1-2 inches; width, 4 3-4 inches. 171 639 LANDSCAPE WITH FIGURES. UNKNOWN FRENCH PAINTER XVITIth Century rocky cliffs rise at the right crowned with and garlanded by trailing vines. At the e to a woman seated with her children; a stands in the foreground and a goat stand: spur of the cliff. Canvas. . Height, 12 inches; width, 11 1-2 172 Early English Water Colors SAMUEL PROUT 1784-1852 : 6) 640 THE FORUM OF NERVA, ROME. 4 Height, 17 1-2 inches; width, 11 1-2 inches. From the collection of Col. L. Neumann, Esq., London. An autograph letter from Samuel Prout attached to the back. THOMAS GIRTIN 1775-180 : bb” 641 ENTRANCE TO DOVER HARBOR. Height, 9 inches; width, 12 inches. RICHARD PARKES BONINGTON 1801-1828 g > 642 THE GYPSY CAMP. Height, 9 1-2 inches; width, 14 1-2 inches. DAVID COX O } O 1783-1859 643 LANDSCAPE WITH CATTLE. Height, 9 1-2 inches; width, 25 inches. 173 e(> 644 645 646 647 648 COPLEY FIELDING 1787-1855 MARINE. = Signed. Height, 7 inches; width, 10 1-2 inches. — W. L. LEITCH 1804-1883 MOUNTAIN SCENERY. Signed. Height, 6 3-4 inches; width, 10 1-2 inches. PETER DE WINT 1784-1849 LANDSCAPE. Height, 12 inches; width, 10 1-2 inches. JOHN CONSTABLE 1776-1837 HAMPSTEAD HEATH. Signed. Height, 9 inches; width, II inches. From the collection of Sir John D. Milburn, Bt., of Acklington, Northumberland. SAMUEL PROUT 1874-1852 THE PORCH OF A FRENCH CATHEDRAL. Signed. Height, 17 inches; width, 11 1-2 inches. From the collection of A. D. Halford, Esq. 174 THOMAS ROWLANDSON 1756-1827 649 FULL LENGTH FIGURE OF A WOMAN. Height, 12 inches; width, 8 1-4 inches. JOHN CONSTABLE 1776-1837 650 A LANDSCAPE STUDY. Height, 4 inches; width, 10 inches. From the collection of Isabel Constable. An inscription framed in the back records the work having been presented by Constable to Miss Tham. JOSEPH HOLLAND 1800-1870 651 THE THAMES BRIDGE. Height, 8 1-2 inches; width, 17 inches. J. M. W. TURNER 1775-1851 652 SKETCH OF A COTTAGE. Height, 9 1-2 inches; width, 14 tnches. SAMUEL PROUT 1784-1852 653 A HARBOR VIEW. Signed. Height, 7 1-4 inches; width, 11 3-4 inches. 175 ED ein THOMAS ROWLANDSON 1756-1827 654 THE VILLAGE DANCE. Height, 13 1-2 inches; width, 18 1-2 inches. DAVID COX 1783-1859 655 BOLTON ABBEY. Height, 18 1-2 inches; width, 29 inches. DAVID ROBERTS 1796-1864 656 MOUNTAIN LANDSCAPE. Signed. Height, 8 3-4 inches; width, 12 1-2 inches. W. LOEWITH ontemporary Austrian Painter 657, DEEPLY INTERESTED: Dressed in red velvet and wearing a white wig, a man sits in a high-backed chair leaning over a table reading; on the table, covered with a green cloth, rest several books, one of which lies open, also a globe and some papers, one with a seal attached. A book- shelf filled with books, a map and the lower part of a picture are seen against the wall background. Panel. Signed. Height, 4 inches; width, 5 3-4 inches. 176 FELIX ZIEM ! Y & French, 1821-1908 [ | > 658 VIEW OF THE PIAZZA SAN MARCO, A SKETCH. In front of the church which rises at the right many figures are gathered about the red flagstaffs from which float crimson banners; beyond rises the pic- turesque ciock tower and the long arcade. Panel. Signed. Height, 6 inches; width, 9 inches. Bought from Wallis & Son, London. is ALEXANDER GABRIEL DECAMPS French, 1803-1860 659 A FARMYARD SCENE. From a low farmhouse with tiled roof which stands at the right, a young woman in cap and sabots emerges, driving a flock of turkeys before her. Some farm implements are seen against the building and the yard stretches away ending in a low line of trees. Panel. Signed with initials. Height, 9 1-4 inches; width, 9 3-4 inches. ied ALPHONSE DE NEUVILLE French, 1836-1885 660 A SOLDIER OF ALGIERS. Standing against a wall, in the Zouave uniform of the French soldiery, fully accoutred he rests with his gun on the ground beside him, his hands tucked in 177 rl wW™ his sash; light snow lies on the ground and along a projecting base of the building forming a contrasting background with the gaily dressed, overloaded black man. Canvas. Signed and dated 1875. Height, 12 inches; width, 8 inches. J. F. RAFFAELLI French, 1845- ON A FRENCH ROADWAY. Along the white chalk road which winds past a vil- lage, a man and woman approach, followed by a dog; in the distance in front of a house a horseman is seen and at the right two cows graze by the grassy roadside. Panel. Signed. Height, 9 1-2 inches; width, 12 1-2 inches. A. D. PEPPERCORN Contemporary English Painter STORM CLOUDS. Above a_ wide-reaching landscape in which are indistinctly seen low buildings, intensely black storm clouds are moving; near the horizon, light breaks through, touching the surface of the water which lies in the middle distance. Canvas. Signed. Height, 10 inches; width, 12 inches. Bought from M. Knoedler & Son, New York. 178 663 CHARLES JACQUE French, 1813-1894 THE. SHEEPFOLD. Leaning against an open stable door a shepherdess in blue waist stands looking in across the bars, with her flock of sheep gathered about her; at the right is a rooster perched in a window opening; from a high window light falls across the scene touching the head of the girl and the backs of the sheep. Panel. Signed and dated ’89. Height, 9 1-2 Barre width, 13 inches. From the artist’s sale. (See Illustration.) HENRY HARPIGNIES French, 1819- 664 SOUTHERN SUNSHINE. 665 The old trees rising on either side are touched by the sunshine warmed into a golden glow; through an opening in the center a view of a lake is seen, its farther bank bordered by blue hills; a mass of white clouds floats in the blue sky above. A roadway runs from the foreground toward the lake. Panel. Signed. Height, 4 1-2 inches; width, 8 inches. Bought from the artist’s studio. pub. C1 COROT French, 1796-1875 LANDSCAPE—A SKETCH. On the edge of a pond in the foreground rises a group of farm buildings sheltered by a clump of trees in 179 L”” anboef sojrvyg Ag G1OddaaHS AHL “€99 ON summer foliage; beyond the houses rises a low hill against an afternoon sky filled with dark clouds. Panel. Signed. Height, 4 3-4 inches; width, 9 I-2 inches. Purchased at the Corot sale. Stamped on the back ‘‘ Vente Corot.’ fi ALEXANDER GABRIEL DECAMPS [, French, 1803-1860 666 SLEEPING BOYS. - At a street corner two street boys sit fast asleep resting against a stone wall. One leans his head upon his hand and rests on the shoulder of the other; beyond the corner in the distance rises a white build- ing against the sky. Canvas. Signed with initials. Height, 9 3-4 inches; width, 7 I-2 inches. lo 0 EUGENE BOUDIN fh French, 1825-1898 667° ALONG THE SEINE. On the left a roadway runs parallel with the river along a high bank with houses seen in perspective. Some black barges are moored at a landing place and down the river others are seen in tow of a small tug; the farther shore is dimly seen lined with trees. Canvas. Signed. Height, 13 inches; width, 21 1-2 inches. 181 a. THEOPHILE DE BOCK Dutch, 1851-1904 668 WOODLAND LANDSCAPE. Under a group of noble beech trees in summer dress, winds a woodland path; through the interlacing branches shafts of sunlight break, mottling the ground; beyond stretches a green meadow. Panel. Signed. Height, 11 1-2 inches; width, 10 inches. Purchased at the artist’s sale. ADOLPH MONTICELLI French, 1824-1886 669 A GARDEN PARTY. Under the shade of the trees a woman dressed in yellow reclines on a couch while two others are seen near by holding up their glasses. A demure maid in blue at the left is engaged in knitting, and at her feet stands a dog and a white cat. Through the trees a deep blue sky is seen. Panel. Signed. Height, 15 inches; width, 20 inches. LEON L’HERMITTE French, 1844- 670 THE OLD GARDENER. Along a garden path which circles about a row of trees, the old gardener is pushing his wheelbarrow toward a red-roofed cottage which rises in the sun- shine beyond. Pastel. Signed. Height, 17 inches; width, 14 inches. Bought from the artist. 182 795. C.-COROT ns French, 1796-1875 | 671 LANDSCAPE. In a meadow bordered by a row of tall poplar trees some cattle stand knee-deep in the grass, on the edge of a stream; at the right are some willow trees, and beyond a range of low hills. The sky is filled with soft gray clouds. Canvas. Signed. Height, 8 1-2 inches; width, 13 3-4 inches. q\ CHARLES JACQUE es French, 1813-1894 672 THE COMING STORM. In a pasture lot a flock of sheep are seen grazing, watched over by a shepherd; several trees crown the low hilltop and a gray sky darkly overcast, is streaked with rain; the light lower on the horizon is reflected on a pool in the foreground. Panel. Signed. Height, 6 3-4 inches; width, 9 3-4 inches. Bought at the artist’s sale. f\, HENRY HARPIGNIES y Contemporary French, 1819- Ope trie, SETTING SUN. Across a stretch of rocky farmland runs a path to the horizon; at the left rises a clump of trees, and in the sky floats a low bank of clouds touched with the yellow light of evening. Panel. Signed. Height, 4 1-2 inches; width, 8 inches. Bought from the artist’s studio. 183 yl “(> ' ANTON MAUVE Dutch, 1838-1888 674 HOLLAND LANDSCAPE, A SKETCH. Across the green meadow runs a roadway at the end of which rise bars; a row of trimmed willows stretch away at the left bordering a stream. In the meadow a horse is seen also some cows; overhead a gray Holland sky. Panel. Signed. Height, 5 1-2 inches; width, 9 inches. Bought from the artist’s widow. EUGENE BOUDIN French, 1825-1898 675° THE PORT OF HAVRE, At the docks which line both shores are drawn up a number of sea-going vessels whose tall masts are etched against the sky. At the left a double crane lifts its black outline, and at the right a long row of tall houses stretches away in perspective; on the surface of the water several small boats are passing. Panel. Signed and dated 795. Height, 15 inches; width, 18 inches. THEOPHILE DE BOCK Dutch, 1851-1904 676 A HOLLAND FARM SCENE. In a grassy field with ripening grain a peasant woman is seen hanging her washing on a rail fence to dry; 184 beyond rises the steep roof of the farmhouse shaded by a group of trees; a blue sky with patches of white clouds above. Signed. Height, 11 inches; width, 16 inches. Bought from the De Bock sale. ADOLPH MONTICELLI French, 1824-1886 had 677 LANDSCAPE WITH FIGURES. From a house rising at the left a number of knights and ladies are coming down a path met by other figures grouped at the right. Across a meadow stretches a line of low buildings ending in a church tower, and through a murky sky is seen the setting sun. Panel. Signed. Height, 15 1-2 inches; width, 22 1-2 inches. 8) EUGENE JETTEL “1 Contemporary Austrian 1845- 678 A FARM IN NORMANDY. A long row of low-thatched buildings on the left, partly hidden by clumps of bushes, and similar buildings in the distance, break the level surface of the plain. In the foreground a long pond is seen with ducks swimming and other ducks sunning themselves on the banks. Canvas. Signed. Height, 17 inches; width, 25 1-2 inches. Bought from M. Knoedler & Company. 185 a): A. VOLLON French, 1833-1900 679s 3 LICL ALIEE: On a table against a dark red curtain background is seen a chafing dish, a porcelain beaker, an apple and a pear; also a goblet and a teacup and saucer at the back. Canvas. Height, 38 inches; width, 22 1-2 inches. Bought of Arthur Tooth & Sons, London. H. W. MESDAG Contemporary Dutch Painter 680-1 FISHING BOATS AT SCHEVENINGEN. On the wide strand of level sand numerous broad- hulled fishing boats are drawn up awaiting favorable weather. Fishermen and their wives are seen about the boats and two horses stand ready for service. Canvas. Signed. Height, 19 inches; width, 31 inches. Bought of Cottier & Company. A. J. GROENEWEGEN Contemporary Dutch Painter MILKING-TIME. Cattle are grouped here and there in the polder, and in the foreground a blue-bloused peasant is seated milking a white cow. He turns from his task to greet a maid who advances with her pail; at the right rises a clump of bushes and the trunk of a pollarded willow, against which a cow rubbing her neck is seen. Canvas. Signed. Height, 12 1-2 inches; width, 21 inches. Bought from Arthur Tooth & Sons, London. 186 NICOLAAS BASTERT 0 G> Contemporary Dutch Painter, 1854 ] Goa THE APPLE ORCHARD. Against a clear blue sky the gnarled apple trees lift their branches in full bloom; on the grass beneath, strewn with fallen blossoms, sheep and some lambs are grazing. Canvas. Height, 14 inches; width, 23 inches. Bought from the artist. es JAN MONCHABLON VY Contemporary French Painter 684 SUNSHINE AND ROSE ON THE VALLEY NEAR CHATAILLON. From an elevation we look across a fertile valley through which winds a silvery stream bordered by low trees; in the meadow, cattle are grazing and near by a farmer with pitchfork over his shoulder, stands contemplating the scene. On the opposite ridge lie furrowed fields, and a dense forest borders the horizon. Panel. Signed and numbered “191.” Height, 17 1-2 inches; width, 24 inches. Inscribed, signed and numbered on the back. y J. H.S. KEVER v Contemporary Dutch Painter 635 THE FISHERMAN’S HOME. In a barely furnished room a mother sits with a young girl at her knee drinking from a mug; at her side is a bare table with a pitcher and bowl, and at 187 4" (. fhe the back a rude bed. ‘Through an open door a glimpse of a second room is seen lighted by an open window. Canvas. Signed. ; Height, 23 inches; width, 28 inches. Bought of M. Knoedler & Co., N.Y. ALBERT GOSSELIN Contemporary French Painter 686 TWILIGHT. About a pool tall trees rise against a pink evening sky, casting their dark reflections across the waters; in the distance some red-roofed houses are seen and beyond a ridge of hills; above a thin sickle moon is rising. Canvas. Signed. Height, 18 inches; width, 24 inches. Bought, from M. Knoedler & Company. THEOPHILE DE BOCK Dutch, 1851-1904 687 CUTTING TIMBER. In an opening in the woodland, beyond which is seen a glimpse of the sea, a number of great beeches have been felled and are being cut into logs; the branches are being piled up beyond by the woodman. Some slender trees lift their thin boughs against the sky where a mass of white clouds hang low. Canvas. Signed. Height, 14 1-2 inches; width, 23 1-2 inches. From the artist’s sale. 188 Lf 4 o \, J. B. C. COROT | i ’ French, 1796-1875 | Goo CATTLE AT PASTURE. In a rough pasture lot some cattle are seen watched _over by the herdsman who sits on a rock at the right talking with a woman; beyond is a wide spreading tree, and a slender second tree which bends toward the ground. In the distance the glinting surface of a river is seen winding through low hills; buildings rise at the left and right. Canvas. Signed. Height, 17 3-4 inches; width, 24 inches. Sold in the Perkins sale, 1899, (52,500 francs) to Arnold & Tripp; later sold to Australia for 185,000 francs. Resold to Kenneth M. Clark, Esq., of Seaburn Hall, Oxford, and bought by Mr. Fischer at hissale. Llustrated in Robaut’s ‘Works of Corot,” Paris, 1905, peeee: (See Frontispiece.) JEAN FRANCOIS MILLET French, 1814-1875 689 THE HUNTER. A hunter, dressed in blue, hides behind a tree with his gun ready for the game; snow covers the ground and rests on the trees and fence posts; in the opening in the foreground a dog follows a scent; beyond, the tops of the dense black forest rise against a wintry sky. Panel. Signed. Height, 14 inches; width, 9 inches. Bought from Arthur Tooth & Sons, London. 189 IAS y spe A YMOLAALINI AOVLLIOD V (069 ON J. H. S. KEVER J, Contemporary Dutch Painter i: b Ore COT PAGE INTERIOR. At a table sits a peasant woman paring apples; she stops in her work to offer a piece to a child who sits on the floor at her right fingering the fruit in a tall basket. On the table rests an earthen pot, and above is a curtained window. Canvas. Signed. Height, 18 inches; width, 21 inches. Bought from the artist. (See Illustration.) J. H. WEISSENBRUCH Dutch, 1824-1903 69 TAS ROADSIDE COTTAGE. By a lonely road stands a red tile-roofed cottage, above which spread the gnarled branches of an old tree; in front a peasant woman is feeding a flock of chickens, and beyond the house is seen a row of distant trees rising against the gray Holland sky. Canvas. Signed. Height, 25 1-2 inches; width, 33 1-2 inches. From the artist’s sale. Jab. ©. COROT, French, 1796-1875 692 CRECY-EN-BRIE, CLOCHER DU VILLAGE. On the border of a stream which winds through the picture rises a row of willow trees above which is seen the village church with its square bell tower. In the 191 — ie . jo109 “Daf Sa AOVITIA NA AAHOOTO “AINE-NY-AOUUO “269 “ON foreground at the left a man sits in a boat, and to the extreme right a curve of the river catches the light through the feathery trees; a luminous sky stretches above filled with white clouds. Canvas. Signed and stamped “‘Vente Corot.” Height, 20 inches; width, 24 inches. Sold in the Corot sale, 1875, (No. 218), to Durand-Ruel. Listed and illustrated in Robaut’s “‘ Works of Corot,” Paris, 1905, p. 320. (See Illustration.) Wo l- Tit~No ee zi Wo. Sarah, 3 denkling « dale “pps. # (4b. Elfoo - A EUGENE BOUDIN | } 1825-1898 693 MOONLIGHT ON THE HARBOR AT TROUVILLE. A number of boats are huddled together at the left, beyond which stretches the shore, dotted with even- ing lights; on the right is seen a summer hotel and a waterman is poling his boat up the river; the water is marked by the white reflections of the moon which sails above through a clouded sky. Canvas. Signed. Height, 13 inches; width, 18 inches. J. H. S. KEVER am Contemporary Dutch Painter 694 PLAYING MARBLES. The interior of a simple Dutch home shows two children, a boy and a girl playing marbles on the floor; in the center sits the mother with a child in her lap, looking on; a bureau rises at her back and at her side a chair on which rests a white teacup. Canvas. Signed. Height, 20 1-2 inches; width, 26 inches. Bought of M. Knoedler & Co., N. Y. 193 No. 695. SUPPER-TIME By Bernard de Hoog —— Se toy = BERNARD DE HOOG Contemporary Dutch Painter us ) Os 695 SUPPER-TIME. In a simply furnished room with a window at the right, through which is caught a glimpse of a garden, a woman stands at a bare table pouring milk from a kettle into a teacup; on the opposite side a child with plate before her anxiously watches the operation. On the wall hangs an ornamental Dutch clock, and on the shelf above the fireplace stand some green plates. Canvas. Signed. Height, 39 1-2 inches; width, 31 1-2 inches. (See Illustration.) oS” yo: JOSEF WEISS Y Contemporary Dutch Painter 696. MOONRISE. In a broad pasture reaching away to a range of hills, a scattered flock of sheep are seen grazing. A road- way winds through the center of the picture and trees are seen at both right and left; above the hills a full golden moon is rising reflecting a violet light on the clouds and landscape. Canvas. Signed. Height, 36 1-2 inches; width, 60 inches. Bought from Arthur Tooth & Sons, London. 195 0 O- THEODULE RIBOT French, 1823-1891 697 UNE CONFERENCE. In the center is seated an old woman wearing a cap, her hands folded in her lap; standing on either side and seated in front are seen a number of men and women, all wearing the caps and long cloaks of the peasantry. In the foreground a bearded man holds a book in his hand and a pencil with which he records the family history. This is the portrait of the artist and those about him are portraits of various members of his and his wife’s families. Canvas. Signed. Height, 40 inches; width, 36 inches. From the collection of the Portuguese Minister at Paris. - J. M. W. TURNER 1775-1851 698 A DREAM OF VENICE. On the right rises the palaces and domes of an ethereal city before which are clustered barges and gondolas; on the left of the canal are vaguely seen buildings with numerous boats and gondolas; a luminous sky with floating clouds stretches above. Canvas. Height, 26 inches; width, 42 1-2 inches. This picture was formerly in the possession of the English Artist Beechey, who had made an exchange with Turner; later the picture came into the collection of Lady Bloomsbury, whence it was sold by Robinson and Fisher, London, from whom it was acquired by Mr. Fischer. 196 R. NOBLE : ‘e \ Contemporary American Painter y 699 A BAVARIAN FARM SCENE. On the banks of a stream curving through the picture rises a white farmhouse with red roof, shaded by tall trees; beyond stretches a level meadow bordered by a range of hills with a group of cattle grazing; some ducks float on the water in the foreground and an old man is seen on the bank. Canvas. Signed. Height, 36 inches; width, 66 inches. This picture was awarded a gold medal at the International Exhibition, at Munich. Bought from the artist. Ov ANTHONY VAN DYKE Y (, Flemish, 1599-1641 700 MADONNA AND THE INFANT CHRIST AT- weNDED BY ANGELS. Enthroned on clouds, dressed in a blue mantle with a scarf floating in the air around her head, the Mother holds the infant Christ, who stands on a sphere; back of the child an angel in flight, robed in red plays a lute, and in front a second angel wrapped in a brown mantle holds a violin. Across the sphere a serpent trails its length. The radiating glory around the heads of Mother and Child add to the splendor of the color scheme. Canvas. Height, 62 1-2 inches; width, 51 1-2 inches. From the Waggaman collection. 197 CARLO CRIVELLI Italian, 1430-1495 701 MADONNA ENTHRONED ATTENDED BY SAINTS. if 0’ Seated in a throne raised on a dais, which is carpeted with a rug, the Madonna holds the Infant Christ standing on her knees; the round top of the back of the throne forms a background for Her haloed head. On Her left stands St. John holding a cross, from which floats a ribbon, and by his side a bishop wear- ing his jeweled mitre and holding his crozier; at the right stands a female saint and another bishop in full robes with mitre and crozier. Above their heads and beyond the throne appears a luminous sky. Canvas. Height, 56 inches; width, 49 1-2 inches. This picture has been transferred from a wood panel to canvas. The attribution to Crivelli has been generally accepted by Euro- pean critics although Dr. Bode thought it might be the work of Raffaelino Del Garbo. Purchased from Wallis & Son, London. 198 SEVENTH SESSION Gold and Enameled Watches, Fobs, Chains, Necklaces, Chatelaines, Brooches and Rings of marvelous workmanship and great brilliancy 702 SILVER WATCH. Joseph Johnson, Liverpool, maker. Double case; both outer and inner cases plain. In running order. 703 A SOUTH AFRICAN WAR MEDAL AND A CRIME- AN WAR MEDAL. 704 A GOLD MINIATURE BROOCH AND A GOLD EYEGLASS. 705 A MEDAL OF OLD COIN OF SAXONY AND A CRIMEAN WAR MEDAL. 706 TWO FOLDING LORGNETTES. 707 AN AQUAMARINE RING. 199 708 709 710 711 712 713 714 SILVER WATCH. Samson, London, maker, 1706. Double case; outer repoussé with figures and scrolls, the inner plain. In running order. A RING WITH TWO LIZARDS. Set with rose diamonds. SILVER ALARM WATCH. No name. With a white enameled dial; the inner case is engraved in a flower pattern. In running order. ROSARY OF WHITE BEADS ON A SILVER GILT CHAIN. Suspended from the rosary is a Hungarian coin and small crucifix set with garnets. A PAIR OF HAMMERED SILVER BELT BUCKLES. Interlaced ribbon design. SILVER WATCH. No name. With a white enameled dial and plain case. In running order. A GOLD EYEGLASS AND AN ENAMELED RELI- QUARY. Enclosing figures of Adam and Eve and the Serene 200 S75" A FISHERMAN’S CHILDREN. Along the sands which the outgoing tide has left bare, two children wander followed by a dog. The larger child carries a fish net over her shoulder and the smaller a basket on her arm; at the left rises a gray headland jutting out to sea; a summer sky with pink clouds appears above. Panel. Signed and dated 1846. Height, 15 inches; width, 12 inches. Bought from Arthur Tooth & Sons, London. JAN VAN GOYEN i¢ Dutch, 1596-1666 874 LANDSCAPE. In the center rises a low hill up which a man is driving a flock of sheep toward a horseman who stands on the crest; at the foot runs a small stream; some trees rise on the banks against a blue sky with masses of white clouds. Panel. Height, 14 1-2 inches; width, 23 1-2 inches. (ay RICHARD BRAKENBURG | : Dutch, 1650-1702 ert AVERN SCENE. In the dusky tavern a number of men and women seated on barrels and benches are engaged in drinking and merrymaking. Canvas. Height, 8 inches; width, 21 1-2 inches. 231 MICHAEL VAN MIEREVELT Dutch, 1567-1641 876 TWO MINIATURE PORTRAITS. The two portraits are those of a man and his wife, he in wide stiff collar, she wearing the cap and wide ruff of her day; they are seen at bust length and are people of quality in their time. At the right of the man’s head is a coat of arms with an inscription; on the woman’s portrait an inscription with the date 1631. Painted on copper. Height, 2 3-4 inches; width, 2 1-8 inches, zach. Bought from Wallis & Son, London. CORNELIUS BRAGA Dutch Painter 877...A: WAYSIDE TAVERN. Ata small Dutch tavern, whose tiled roof is shaded by a tall tree, some men are gathered to discuss the local affairs with the innkeeper who stands at the door- way; in the distance a white horse, saddled, is held by a boy awaiting its master. Panel. Height, 15 inches; width, 10 inches. A VAN DE VELDE Dutch, 1656-1672 878 LANDSCAPE WITH FIGURES. At a pool in the foreground two cows and some sheep are coming to drink; in the center a herdsman stands playing a pipe and at his side a woman sits bathing 232 her feet; beyond them rise bushes and trees between which is seen the outline of low hills against an even- ing sky. Canvas. ‘Height, 14 1-2 inches; width, 18 inches. Bought from Mr. Humphrey Ward, London. \ ANGELO ALLORI, CALLED IL BRONZINO \ Italian, 1502-1572 879 PORTRAIT OF A FLORENTINE LADY. In a dark dress with puffed sleeves and high collar open at the neck, and trimmed with colored lace, the lady is seen at bust length. She looks directly at the observer and her red hair rolled high from her fore- head is studded with pearls; she wears a pearl neck- lace and pearls hang from her ears. Canvas. Oval. Height, 25 inches; width, 19 inches. a THOMAS GAINSBOROUGH (ATTRIBUTED) 3 | English, 1727-1788 880 PORTRAIT OF A LADY. In a white lace gown and wearing long gloves, a young woman sits in an arm-chair; her brown hair, simply dressed, forms in ringlets about her forehead; in the background at the right rises a birch tree. Canvas. Oval. Height, 28 inches; width, 23 inches. 233 J. M. W. TURNER (ATTRIBUTED) English, 1775-1851 ty 881 THE GRAND CANAL, VENICE. On either hand stretch long lines of palaces with a bril- liant mass of boats between; conspicuous on the right is the church of Della Salute, and on the left a tall campanile; above floats a shimmering curtain of cloud touched with sunset gold. The whole forms a color scheme of great splendor. Canvas. Height, 28 inches; width, 35 inches. SIR THOMAS LAWRENCE English, 1769-1830 if QO) 882. HEAD OF A YOUNG WOMAN (UNFINISHED.) In a low-cut dress, a locket suspended from the chain about her neck, a young woman is seen at bust length, three-quarters view; her hair is curled about her tem- ples; the unfinished background is of light blue. Canvas. Height, 21 inches; width, 17 inches. Bought from Wallis & Son, London. THOMAS GAINSBOROUGH (ATTRIBUTED) English, 1727-1788 1) ‘ORS. 883. PORTRAIT OF A MAN. J Wearing a black coat and long white wig the clean- shaved sitter is seen at bust length against a dark red curtain. Canvas. Height, 30 inches; width, 25 inches.. 234 JOHN RUSSELL (ATTRIBUTED) 1744-1806 qT) 884 PORTRAIT OF A YOUNG WOMAN. Dressed in a directoire gown of white and wearing a red sash, the young woman sits against a clouded blue background holding a bouquet of flowers in her hand; her mass of black hair is bound with a red ribbon and falls in curls down her neck. Pastel. Height, 30 inches; width, 25 inches. : Or MLLE. PHILIBERTE LEDOUX V ) Favorite Pupil of Greuze 885 PORTRAIT OF HER DAUGHTER. The young woman is seen, her elbow resting on her knee, holding a scarf about her bare shoulders. Canvas. Oval. Height, 29 1-2 inches; width, 24 inches. Admirers of Greuze will recognize the sitter as the girl frequent- ly painted by the popular French painter of the XVIIIth century. SCHOOL OF MIGNARD French, 1610-1695 886 PORTRAIT OF A LADY. In a low-cut blue gown loosely folded across the waist which falls open to show a brocade lining, the un- known subject looks directly at the observer; her hair is dressed simply away from the forehead and her gown is edged with a white rufHe. Canvas. Height, 30 inches; width, 25 inches. ) PES a oy UNKNOWN PAINTER Italian School 887 HEAD OF A YOUNG WOMAN. In a low-cut dress of dark blue, she is seen at bust length, holding a book in her hand; her head is turned to one side facing the spectator; her red hair, simply dressed, falls in ringlets about her neck. Panel. Height, 21 inches; width, 16 inches. SCHOOL OF JOHN BAPTISTE GREUZE French, 1725-1805 888 PORTRAIT OF A YOUNG GIRL. Wearing a low-cut blue dress, she turns her head to one side gazing downward; her curling blonde hair ~ falls low over her forehead and down the back of her neck, and is held in place by a blue fillet. Canvas. Height. 11 inches; width, 9 inches. SCHOOL OF NATTIER 1700-1777 © 889 A COURT LADY OF THE TIME OF LOUIS XVTH Wearing a low-cut blue dress trimmed with lace and holding a buff silken scarf about her shoulders, the lady is seen at half-length. In her powdered hair are placed clusters of flowers and a long curl falls across her shoulders; her shoulder-straps are held by pearl clasps and a pearl pendant hangs from her corsage. Canvas. Height, 23 inches; width, 26 inches. 236 ae JOSE DOMINGO Contemporary Spanish Painter ‘ 0 2: 890 A GARDEN PARTY. Along the paved terrace of a chateau garden move a number of ladies and cavaliers dressed in XVIIIth century costumes; the terrace is bordered with old trees whose branches bend down to the earth; at the left is seen the red brick French chateau rising beyond a broad staircase which leads to an upper terrace. Panel. Signed and dated 1898. Height, 8 3-4 inches; width, 13 1-2 inches. VICTOR DE PAREDES OF Contemporary Spanish Painter 891 COURTYARD OF THE LOUVRE. Across the stone-paved courtyard bordered by the buildings of the French gallery numerous figures, horses, carriages and omnibuses are passing. In the foreground a nurse with a child in her arms, followed by a dog is seen; beyond rises the Garibaldi Monu- ment backed by the trees rising from the small green. Canvas. Signed. Height, 25 inches; width, 18 inches. ra be G— FRITZ THAULOW Contemporary Norwegian Painter 892 MONTROY SUR MER. Above the market place rise the walls of a Gothic Cathedral, its red transept roof tinged with the after- noon light. In the square a number of figures are 37 bo nfo y) passing and a cart and two unhitched horses are drawn up against the walls; on the farther side rises a row of red-roofed buildings reaching past the pro- jecting Lady Chapel. The sky is filled with pink- tinted clouds. Canvas. Height, 26 inches; width, 32 inches. Bought from Arthur Tooth & Sons, London. PIERRE MIGNARD (ATTRIBUTED) 1610-1695 PORTRAIT OF A COURT LADY. Seated in a brown upholstered arm-chair against a red curtain falling from the top of a portico seen at the back, the lady wears a low-cut dress of black with wide lace-trimmed collar. A single strand of pearls encircles her neck, and a double strand falls from her shoulders across her breast and one strand finishes the waist line of her dress. In the center of her corsage a cross hangs from a bow of ribbon. In her right hand, which rests on her lap, she holds a rose. Canvas. Height, 50 inches; width, 40 inches. WILLIAM SHACKLETON Contemporary English Painter 894. THE SILVER SEA. On a rocky bank which rises high above the sea, two nude figures are seen, the woman, her red hair falling to her waist, leans her head against the man’s shoul- der; above, the sky is tinged with all the colors of the prism, far below the silvery sea is discerned. Canvas. Signed. Height, 32 inches; width, 39 inches. Purchased from The New Gallery, at London. 238 MADAME VIGEE LEBRUN 1755-1842 895 PORTRAIT OF MARIE ANTOINETTE. The queen in blue dress is seen seated, making a most imposing decorative picture. It is a replica, painted for one of the queen’s daughters, and is one of the lar- gest pastels ever painted. Height, 88 1-2 inches; width, 56 1-2 inches. From the collection of Count Lebzettern. SCHOOL OF REMBRANDT 7 1G : Dutch, XVIIth Century f : 896 HEAD OF A MAN. Wearing a white shirt with standing ruff, and a crim- son mantle about his shoulders, the unknown sitter is seen at bust length, looking directly at the specta- tor. He wears a mustache brushed upward and an imperial; his ‘long hair falls about his neck; on his head is a flat cap and upon his breast hangs a chain suspending a medallion. Canvas. Height, 17 inches; width, 14 inches. Formerly attributed to Rembrandt, this was called a Portrait of the Artist. eer L NICOLAS LANCRET 1690-1743 897 MLLE. CAMARGO. The famous danseuse 1s seen in the act of dancing in a garden to music furnished by youths near by. She 239 O ’ (. wears a white satin dress trimmed with garlands of roses and a blue cape falls from her shoulders. ‘Tall trees rise on either hand. Canvas. Height, 45 inches; width, 38 inches. LUCA GIORDANO 1632-1705 898 TWO ALLEGORICAL DECORATIONS. One represents Venus in her chariot drawn by dol- phins and attended by Neptune and naiads, entering the cave of AZolus. The second represents Italia directing the crowning of the bust of a painter. Canvas. Height, 16 1-2 inches; width, 55 1-2 inches. These two overdoor decorations came from a Venetian palace and were acquired from J. Goldschmidt of Frankfort. The at- tribution is on the authority of Bernhard Berenson. GEORGE JAMESONE Scotch, 1586-1644 899 PORTRAIT OF SIR THOMAS CRANE. Wearing a red coat bordered with brown fur, which is open revealing a white satin waistcoat, he stands with one hand on his thigh, the other at his side. Beneath a high collar he wears a gold chain across his breast, from which is suspended a red and black medallion. He wears a Van Dyke beard and his long hair escapes from beneath a black cap pushed back from his forehead. Canvas. Height, 46 1-2 inches; width, 38 inches. Sir Thomas Crane was secretary to Charles I. when Prince of Wales; member of Parliament from 1614 to 1621; envied by courtiers for the numerous favors granted him by the king as security for advances. Died in Paris in 1636. 240 SIR PETER LELY (ATTRIBUTED) 0? 1618-1680 900 PORTRAIT OF ANNA HYDE. Seated against a landscape background the lady is seen at three-quarters length playing a guitar. She wears a low-cut dress of white with a brown over- dress which turned back shows a green lining. Her hair curls about her temples and a long curl falls over her shoulder. The picture shows evidence of having been framed as an oval at one time. Canvas. Height, 44 1-2 inches; width, 39 1-2 inches. : A FRANCISCO DE HERRERA yb Spanish, 1622-1685 901 THE KITCHEN. Before a table on which are some brass vessels and a plucked goose, a young woman stands holding a live goose in her arms; the head of a man wearing a cap is dimly discerned in the background. Canvas. Height, 43 1-2 inches; width, 36 inches. | \ ELIZABETH NOURSE | Contemporary American Painter 902 CARTOON FOR TAPESTRY—THE MARRIAGE OF THE VIRGIN. Canvas. Height, 60 inches; width, 156 inches. This cartoon painted in color and gold is after Lorenzo di Viterbo, 1469. Framed in ebony. Painted to order for Mr. Fischer. 241 ee fo st ELIZABETH NOURSE Contemporary American Painter 903 CARTOON FOR TAPESTRY—ADORATION OF THE MAGI. Canvas. Height, 61 inches; width, 89 inches. This cartoon painted in color is after the well-known work by Gentillis de Fabriano. Framed in ebony. Painted to order for Mr. Fischer. ELIZABETH NOURSE Contemporary American Painter 904 TWO CARTOONS FOR TAPESTRY—LA FORTEZZA,; THE MADONNA WITH THE INFANT CHRIST. Canvas. Height, 75 inches; width, 30 inches, each. This pair of cartoons painted in color are after the well-known paintings by Botticelli. They are framed in architectural frames ' of ebony. Painted to order for Mr. Fischer. PAOLO VERONESE 1528-1588 905 “HESTER "BEPORESHE ROD: Herod wearing the ermine and crown of office sits on a throne above a dais covered with crimson cloth; with a scepter in his outstretched hand he touches the head of Hester who kneels at his feet. The young woman, dressed in a blue and ivory brocaded low- cut gown, wears a necklace of pearls with a fillet of pearls about her head; she is attended by two maids, one in crimson the other in yellow; back of them is a white-bearded man holding a book and at the right 242 : J “y two young boys richly dressed appear prominently; above them a courtier and an old man look on. An arched opening in the background shows a distant view of buildings. Canvas. Height, 70 1-2 inches; width, 90 inches. Bought from Martin Colnaghi, London. ARTHUR WARDLE Contemporary English Painter 905-a THE ENCHANTRESS. On a green bank lies a woman with _heliotrope drapery, her black hair loosened, playing with a young leopard beneath among Fleur de lis; above are two other leopards looking on. Canvas. Signed. Height, 62 inches; width, 42 inches. Exhibited at the Royal Academy in 1901. (See Illustration.) 243 No. 905-a. THE ENCHANTRESS By Arthur Wardle NINTH SESSION Necklaces, Chains, Gold and Enameled Watches, Fobs, Rings, Brooches and Chatelaines 906 A GOLD DOUBLE WATCH KEY. 907 A MINIATURE ENAMELED PAINTING IN THE WATTEAU MANNER. Enclosed in a black case. 908 TWO ROSARIES. One with a wood cross; the other with a silver cruci- fix and two medals attached. 909 SILVER WATCH. D. B. Hempstead & Company, New London, makers. Double case; both the inner and outer cases plain. In running order. 910 A SEAL RING IN BLUE ENAMEL. 245 of an Indian hunter on one side and a deer on other. the “a 912 SILVER WATCH. Denton, London, maker. Double case; both outer and inner cases plain. In running order. : 913 TWO ROSARIES. One with a crucifix and mountings of silver. 914 GILT.METAL WATCH -KEYaEOn: With agate seal; the key ona swivel. 915 GILT METAUSFOR: The crystal seal shows portrait of Washington. 916 A MINIATURE RING SET WITH GARNETS. 917 A DOUBLE SILVER GILT LOCKET. Engraved in a trefoil pattern and a square. 918 AN ENAMELED RING. Set with rose diamonds and rubies. 246 919 920 221 922 923 924 925 A GOLD WATCH FOB. With agate seal on the reverse side of which are seen the rose, shamrock and thistle in vari-colored gold in relief; suspended in a hand held by six chains; the clasp and hand set with turquoises. A CAT’S-EYE RING. AN ENAMELED RING SET WITH ROSE DIA- MONDS. MINIATURE PAINTING BROOCH ENCIRCLED WITH PEARLS. SILVER WATCH. Wm. Shearman, Philadelphia, maker. Double case; the outer chased in an intricate floral pattern, the inner case plain; it has a white enameled dial with gold hands. In running order. A GOLD MINIATURE BROOCH FRAME. The bow knot top is set with diamonds and a pearl. SILVER WATCH. Charles Roskett, Liverpool, maker. Double case; the outer chased and enameled in an Arabic design, the inner case plain; white enameled dial. In run- ning order. 926 927, 928 929 930 931 932 933 934 A CAMEO RING SET WITH ROSE DIAMONDS. NECKLACE OF ONYX BEADS WITH LARGE ONYX PENDANT. Composed of fifty graduated spherical beads, the onyx cut so as to show a white zone about each sphere; the flat oval pendant shows a similar white zone. A SILVER HAIR ORNAMENT. Set with brilliants. A BROOCH SET WITH EMERALDS. CHINESE NECKLACE OF AGATE BEADS. The beads are spherical in form and of graduated size, each bead showing a white zone. A MINIATURE RING. FIVE CORAL BUTTONS. A SMALL CORAL NECKLACE. GOLD FOB WITH MUSICAL ATTACHMENT. Oval agate seal with fluted ring. 248 935 936 937 938 PA 940 941 SILVER WATCH. James Bell, London, maker. Double case; the outer chased with a lattice and scroll design, the inner case plain. In running order. THREE SEAL RINGS. GOLD FOB. Three-sided bloodstone seal; the setting in an arabesque pattern. GOLD WATCH ENCIRCLED WITH BRILLIANTS. J. J. Jequier, Lausanne, maker.. In running order. THREE ROSARIES. One with a silver shield and cross; another with a rosette studded with garnets, a gilt metal cross and tokens. SILVER WATCH SHAPED AS A SKULL STANDING ON CROSS BONES. No name. With a skeleton dial on a gilt ground. In running order. A GOLD WATCH FOB. Large agate seal suspended from a chased serpent ring. 249 NECKLACES, GIRDLES, AND BROOCHES OF EGYPTIAN, INDIAN, AND EUROPEAN WORKMANSHIP 942 943 944 945 946 947 948 949 SILVER WATCH. Josephson, London, maker, 1760-1790. Double case; the outer chased and repoussé with scrolls and figures, the inner case plain. In running order. PAee Nw AMELED PICTURE FOR THE. BACK OF A WATCH. A landscape showing figures of a girl, a boy andalamb in a border of blue and gold. SILVER WATCH. Roguemont, Paris, maker, 1816. With white enam- eled dial, the back engraved in a series of interlacing rings painted in black enamel; overlaid with a gold star engraved with a spread eagle. In running order. A DOUBLE GOLD LOCKET. Engine-turned decoration with a scroll on one side marked “Fannie.” A SCARAB SCARF PIN. A GOLD AND ENAMELED MINIATURE BROOCH. TWO GOLD EYEGLASSES. SILVER WATCH. Robert Roskell, Liverpool, maker. Double case; the inner case is plain, the outer one missing. In running order. 251 950 951 952 953 954 955 956 A GOLD LORGNETTE AND GILT METAL LODGE STAR OF. THE? EAST- A SILVER GILT MINIATURE FRAME. METAL WATCH. Bordier, Geneva, maker. The white enameled dial encircled by sparks, and the filigree hands set with sparks; the back shows a woman in a garden on a blue ground with white border. In running order. TWO GOLD SEAL WATCH KEYS. In one is a large oval agate with plain setting; in the other the seal is engraved with the letter C. GOLD WATCH AND CHATELAINE. Bardge, Galway, maker, 1813. The watch is orna- mented with a relief garland in vari-colored gold; the chatelaine formed of three square pieces joined by chains. In running order. SILVER WATCH. James Henderson, Dublin, maker. Double case; the outer engraved with a hunting scene, the inner case plain; the dial is painted in enamel with land- scape and figures. In running order. A SILVER GILT BROOCH. Five pink topazes and four aquamarines are set in silver gilt in an arabesque pattern. 252 epee ee CHINESE NECKLACE OF CARVED PEACH STONES WITH PENDANT. Consisting of thirteen stones marvelously carved with figures, flowers, trophies and emblems strung as a necklace and pendant. 956° A GOLD NECK CHAIN. The links are studded, the filigree clasp is set with turquoises. 959 ANTIQUE OVAL METAL WATCH. No name. With gilt metal dial chased; the back pierced and chased in the design of an urn, scrolls and flowers. In running order. 960 ORIENTAL NECKLACE OF AMBER BEADS. Composed of twenty-two elongated spheres of amber strung on silk cord. 961 AN EAST INDIAN BROOCH OF GREEN AND GOLD ENAMEL. In a pattern of figures, flowers and animals. 962 SILVER WATCH. J. Richards, London, maker. With double silver case, plain. In running order. 963 A TOPAZ BROOCH IN A SILVER GILT ENAMEL SETTING. 208 964 965 966 967 968 969 CHINESE NECKLACE OF DARK JADE. There are one hundred and eight spherical beads of uniform size ornamented with two pink silk tassels. LADIES’ SMALL METAL WATCH. Vaucher, Paris, maker. With white enameled dial with gilt hands encircled by sparks; the back encircled with sparks shows the mechanism through a crystal. In running order. A LARGE PEARL BROOCH. Numerous small pearls are set in an oak and leaf pattern with three acorns in the center. A GOLD CROSS. Set with pink and yellow topazes, with a receptacle for hair at the back. A SEVEN-STRAND NECKLACE OF SILVER BEADS. The beads of uniform size are held by a clasp orna- mented with a rosette of silver gilt set with a tur- quoise. LADIES’ MINIATURE GOLD WATCH. No name. In the form of a globe encircled by bands of blue and black enamel separated by white stripes, the blue and black figured with gold in a pattern of leaves and trophies. In running order. 254 970 971 972 973 974 975 976 A GOLD BROOCH. Set with a single large carbuncle. FIVE ROMAN MOSAIC BUTTONS. Roman ruins set in turquoise blue. A THREE-STRAND GARNET NECKLACE. The cut garnet beads of uniform size are strung in three strands with a clasp containing a large cut garnet set in silver gilt. Pee LOCKETT PENDANT. Set with emeralds, rose diamonds and rubies. AN ANTIQUE SEAL. Unmounted. GOLD WATCH. Hessen, Paris, maker. With white enameled dial; the back enameled in colors showing a female painter seated before her easel in a landscape surrounded by a band of blue encircled with gold and silver stars. In running order. A SILVER GILT BROOCH. A large carbuncle surrounded by a double row of garnets. 255 FRENCH WATCHES, PAINTED IN ENAMEL AND ENCIRCLED WITH PEARLS AND SPARKS 977 978 979 980 981 982 983 984 A MINIATURE RING SET WITH PEARLS. A GARNET NECKLACE WITH FILIGREE SET- TING. POCHALELAINE OF SILVER GILT. Set with turquoises and garnets; three chains. LADIES’ GOLD WATCH. | Thomas Esquivillon, Geneva, maker. Double case; the outer case encircled with sparks; the back shows a medallion in colors, a half length figure of a girl painted in enamel surrounded by a double border of sparks on a ground chased in a flower pattern in vari-colored gold. In running order. A SILVER RING SET WITH ROSE DIAMONDS. A CARBUNCLE BROOCH. AN ENAMELED PENDANT—THE MADONNA IN GLORY. The figure of the Madonna in silver gilt, enameled, rests above a crescent surrounded by a glory set with rubies and rose diamonds. Old Spanish workmanship. GOLD WATCH. N. Desward, Louvain, maker. With white enameled dial with gold hands; the reverse side shows a calendar dial. In running order. 257 985 986 987 988 989 990 991 A MINIATURE RING. GOLD REPEATING WATCH. Charman, London, maker. With gold dial with hour and second hands; the back is plain. In running order. A NECKLACE OF SILVER GILT. Set with emeralds, rubies and pearls. ENAMELED WATCH. Baillon, Paris, maker, 1760. The porcelain case shows a landscape with a shepherdess and sheep painted in enamel colors; white enameled dial surrounded by an enameled band in color. In running order. GOLD REPEATING WATCH. No name. With a skeleton dial encircling an archi- tectural structure in metal with three figures striking on bells. In running order. A RING SET WITH EMERALDS AND GARNETS. GOLD REPEATING WATCH. No name. With an enameled dial with additional calendar dial and gold hands; the back chased in a scroll pattern on diapered ground; the inner case inscribed with ‘“‘La Roche, Rouen, Mai 1794.” In running order. 258 992 O95 994 995 996 aO7 998 999 A MINIATURE RING AND A SEAL RING. GOLD REPEATING WATCH. No name. With skeleton dial enclosing trophies and figures striking silver bells in vari-colored gold; plain back. In running order. A GOLD NECKLACE WITH BLACK ENAMEL. LADIES’ GOLD WATCH. Augustin Perrenoud, Ponts-de-Martel, Suisse, maker. Of fluted shell shape, the front enameled in a blue star, set with diamonds; the back enameled in black and blue in a star pattern. In running order. AeROsE RING SET WITH BRILLIANTS. LADIES’. MINIATURE GOLD WATCH. No name. Of shell shape chased on both sides in a floral pattern. In running order. A GOLD NECKLACE OF EAST INDIAN WORK- MANSHIP. CHINESE JADE NECKLACE. The one hundred beads of green jade, separated at intervals by eight amethyst beads and two agate beads, all spherical in form, are strung on silk cord with braided tassel. 259 1000 1001 1002 1003 1004 1005 1006 A MINIATURE RING SET WITH BRILLIANTS. A CAMEO NECKLACE: The six cameos of classical subjects, exquisitely cut, and set in filigree borders of vari-colored gold, are joined by filigree chains. Old Italian workmanship. LADIES’ GOLD WATCH. Blanc pere et fils, Geneva, makers. Double case; the outer enameled with a band of dark blue about a chased center; the front encircled with sparks and a studded band of colored gold. In running order. A NECKLACE OF GARNETS AND PEARLS. With pear-shaped pendant; flowers and trefoils in an alternating pattern. GOLD REPEATING WATCH. Breguet & fils, makers. With white enameled dial and engine-turned back. In running order. EAST INDIAN TURQUOISE NECKLACE. Eighteen uncut stones of irregular shape and size are joined by a gold link chain. NECKLACE OF JADE BALLS. The thirty-two graduated jade balls are joined by thirty-three smaller gold balls of uniform size. 260 1007 ~ 1008 1009 1010 1011 1012 GOLD REPEATING WATCH. No name. With white enameled dial, engine-turned back and fluted edge. In running order. SPANISH GIRDLE OF SILVER GILT AND CRYS- a. A series of scroll-shaped plates, studded with crystal and silver balls and ornamented with floral patterns, are linked together by silver flowers; the end plate is set with a topaz. GOLD REPEATING WATCH. George Graham, London, maker. Double case; the outer is engine-turned with a floral border, the inner pierced and chased in a scroll pattern. In running order. PEARL HAIR ORNAMENT. Fashioned in a flower and leaf design. NECKLACE OF PALE AMBER BEADS. The graduated beads are in the form of flattened spheres, the surfaces cut with numerous facets. GOLD REPEATING WATCH. No name. With a white enameled dial and engine- turned back. In running order. 261 1013 1014 1015 1016 1017 1018 1019 NECKLACE OF CHINESE JADE. One hundred and eight aquamarine jade beads, separated at intervals by twelve agate beads of yellow and red, are strung on a silk cord with a beaded silk tassel. GOLD CALENDAR WATCH. Robert Pierpont, maker. With a white enameled dial marked with the hours and days of the month; three hands; the back plain. In running order. GOLD NECKLACE SET WITH EMERALDS sAn@ ROSE DIAMONDS. Spanish workmanship. ORIENTAL AMBER NECKLACE. One hundred and eighteen amber beads, separated at intervals by green and red beads, are strung on a silk cord with tassel. A THREE-STRAND PEARL NECKTAGT With clasp set with rose diamonds. AN EAST INDIAN GOLD JOINTLESS SNAKE NECKLACKH® Of marvelous workmanship. A FIVE-STRAND PEARL NECKLACE: With a pendant set with emeralds and rose dia- monds. 262 1020 1021 1022 1023 1024 1025 1026 NECKLACE OF AMBER BEADS. The graduated beads are in the form of flattened spheres, the surfaces cut with numerous facets. GOLD REPEATING WATCH. No name. The dial of white enamel; the back plain. In running order. ENAMELED JEWELED PENDANT. The square silver frame, enclosing anenameled panel, is set with emeralds, pearls, diamonds and_ pink topazes. ORIENTAL RUBY AND GOLD DOUBLE NECK- LACE. Composed of twenty-one graduated ruby beads in the form of flattened spheres, alternating with twenty-three graduated gold thread beads, strung in two strands on gold cords. A SILVER NECKLACE SET WITH ROSE DIA- MONDS AND RUBIES. Old Italian workmanship. BISHOP’S GOLD CROSS. Set with a large emerald and rose diamonds. The arms are richly chased with church emblems. A GOLD RELIQUARY SET WITH EMERALDS. Contains a small figure of a saint, in ivory, colored. 263 1027 1028 1029 1030 1031 1032 GERMAN WEDDING RING. A ruby and an aquamarine in a quaint enameled setting. GOLD REPEATING WATCH WITH MUSICAL ATTACHMENT. A. Liquelle, maker. With spiral edge, gilt dial with enameled hour, plaques; the back chased in a design of the eye rayed. In running order. OLD SPANISH GOLD ROSARY. The beads are joined by ornaments in a filigree pattern from which is suspended a gold double- faced locket enclosing an image of the Madonna in ivory touched with gold. Very rare. NECKLACE OF JADE BALLS. The fifty-two graduated jade balls are joined by fifty gold balls with filigree applied ornament. (1 gold ball missing.) OPEN FACE THIN GOLD WATCH, J. J. Tobias, Liverpool, maker. The back is chased with an eagle and shield; the gold dial chased with a landscape. In running order. AN EAST INDIAN GOLD MUFF CHAIN. Composed of seventy-two gold balls connected by chain links. 264 1033 1034 1035 1036 1037 1038 A SILVER PENDANT LOCKET BROOCH. An oval enameled painting of the muse of music set with sapphires, pearls and garnets. ORIENTAL NECKLACE OF AMBER BEADS. Twenty-seven beads in the form of flattened spheres strung on a gilt metal chain. AN ORIENTAL BRACELET OF AMBER BEADS. Composed of fifteen beads to match the foregoing. A GOLD BROOCH. Enclosing a large cut topaz, surrounded by pearls, emeralds and diamonds in an arabesque setting. CAMEO NECKLACE. The eight exquisitely cut cameos of classical heads set in gold are joined by triple fine gold chains. It is of marvelous workmanship. NECKLACE OF SMOKED TOPAZES. Composed of eighty-eight cut beads, graduated in size, strung on a white cord. A GOLD NECKLACE. Set with garnets and pearls. 265 1039 AN EGYPTIAN GIRDLE. Formed of a series of square red enamel against a green backg together by hemispherical brass b a row of pear-shaped pendants of enamel. 266 TENTH SESSION Unframed Water Colors Water Color Paintings by Dutch, French and English Artists Also a group of Bronzes and Gothic Church Symbols W. J. BAER Contemporary American Painter 1040 HARBOR SCENE. Height, 3 1-2 inches; width, 9 inches. LOUIS APUL Contemporary Dutch Painter -1041 HOLLAND CANAL SCENE. Height, 10 1-2 inches; width, 15 1-2 inches. A. F. BUNNER Contemporary American Painter 1042 LANDSCAPE WITH MILL. Height, 10 3-4 inches; width, 8 1-2 inches. 267 1043 STREET SCENE WITH FIGURES. 1044. FAJIYAMA. 1045 FIGURE OF A WOMAN. 1046 CHATEAU SCENE. 1047 DUNKIRK HARBOR. E. HERSON J Contemporary Dutch Painter = T. KASEKAWA - Contemporary Japanese Painter SIMONETTI Contemporary Italian Painter Height, 16 3-4 ‘aches width, 10 3-4 inches. 7 ; “ TOLAND Height, 20 inches; width, 15 inches : F. LETEURTE Contemporary French Painter Height, 10 inches; width, 16 1-4 inches. 268 : 1048 1049 1050 1051 FELIX OUDART Contemporary French Painter LANDSCAPE WITH SHEPHERDESS. Height, 10 1-2 inches; width, 16 inches. J- MILLSPAUGH LANDSCAPE. Height, 8 inches; width, I1 1-2 inches. RIVOIRE Contemporary French Painter FLOWER PIECE. Height, 15 inches; width, 21 3-4 inches. H. L. LANDER TWO LANDSCAPES IN WALES. (2 pieces.) Height, 13 inches; width, 21 inches. Height, 11 inches; width, 17 inches. V. BLAS 1052-3 A NEAPOLITAN FISHING-BOAT. Height, 21 inches; width, 15 inches. 269 f) w 1054 1055 1056 1057 * sR, DOMINGO Contemporary Spanish Painter MATADORS. pa i eis fin ‘Height, 10 1-2 inches; width, 14 nee W. J. BAER _ Contemporary American Painter — LANDSCAPE. Height, 7 1-2 inches; width, 9 inches | R. DOMINGO BULL FIGHT. oe aan Height, 6 inches; width, 9 1-2 inches. LANDSCAPE. (2 pieces.) Height, 6 inches; width, 9 inches. THEODORE GUDIN E 1802-1880 oi MARINE. Signed and dated “1849.” aS 5 3-4 inches; width, 9 f -2 tached 270 1058 1059 © 1060 1061 R. DOMINGO Contemporary Spanish Painter ARTILLERY CHARGE. Height, 8 1-2 inches; width, 10 1-2 inches. FIGURE OF A MAN. (2 pieces.) Height, 14 inches; width, 7 inches. VICTOR GILBERT Contemporary French Painter FLOWER-STORE. Height, 12 inches; width, 10 inches. R. DOMINGO Contemporary Spanish Painter A STABLEMAN. Height, 8 1-2 inches; width, 5 1-4 inches. HORSE’S HEAD. (2 pieces.) Height, 7 1-2 inches; width, 5 inches. G. LUTZ STREET SCENE IN HOLLAND. Height, 13 1-4 inches; width, 7 3-4 inches. 271 1062 1063 1064 1065 1066 R. DOMINGO TWO WHARF SCENES WITH FIGURES: (2 pieces.) Height, 10 inches; width, 10 inches. (AFTER TITIAN) SUSANA AND THE ELDERS. Height, 10 inches; width, 14 1-2 inches. E. PELIKAN LANDSCAPE. Height, 16 1-2 inches; width, 22 1nches. R. DOMINGO BULL-FIGHTER. Height, 8 inches; width, 9 inches. FIGURES. (2 pieces.) Height, 9 inches; width, 7 1-2 inches. E. SMITH-HALD THE FISHERMAN’S WIFE. Height, 13 inches; width, 19 1-2 inches. 272 1067 1068 1069 1070 1071 R. DOMINGO HORSEMEN. Height, 9 inches; width, 10 inches. CASCAIRO LANDSCAPE. Pastel. Signed. Height, 10 inches; width, 15 inches. G. HENKEL MAN SMOKING. Height, 20 inches; width, 14 1-2 inches. R. DOMINGO FISHING-BOATS. Height, 8 inches; width, 8 1-2 inches. BULL RING. (2 pieces.) Height, 5 inches; width, 6 1-2 inches. ARTHUR WARDLE Contemporary English Painter JAGUAR AND MACAW. Pastel. Height, 9 1-2 inches; width, 13 1-2 inches. 273 35 Cr B. L. ROYS 10727 _ SCENEAN CONSTANTINOPLE. Height, Il 1-2 inches; width, 19 inches- R. DOMINGO 1073 STUDY OF A MAN. Height, 6 inches; width, 4 1-2 inches- WHARF SCENE WITH FIGURES. Height, 6 inches; width, 6 1-2 inches. THE BULL RING. (3 pieces.) Height, 6 1-2 inches; width, 7 1-2 inches. G. LUTZ 1074 DUTCH FISHING-BOATS. Height, 10 1-2 inches; width, 14 1-2 inches. R. DOMINGO 1075 THREE FIGURE STUDIES. (3 pieces.) Circa. Height, 4 inches; width, 2 1-2 inches. 274 1076 1077 1078 1079 ARTHUR WARDLE Contemporary English Painter PEACE. Pastel. Height, 9 1-2 inches; width, 13 1-4 inches. MARIANA HEAD OF A MOOR. Pastel. Height, 18 inches; width, 13 1-2 inches. R. DOMINGO LANDSCAPE. Height, 6 inches; width, 8 inches. FIGURE STUDY. Height, 7 1-2 inches; width, 7 1-2 inches. STUDY OF HORSES. Height, 6 inches; width, 9 inches. Peete BULL RING. (4 pieces.) Height, 5 1-2 inches; width, 10 1-2 inches. E. PELIKAN LANDSCAPE WITH CRANES. Height, 16 1-2 inches; width, 17 inches. 275 _ ARTHUR WARDLE as Contemporary ian 5 Palner 1080 HE, AFRICAN SERVAL. _ i “a Pastel. Height, 9 1-2 BAR ‘width, 5 11 inches. 7 4 = a “te eo” iia A a . ap a R. DOMINGO Contemporary Spanish Painter . ys r 1081 BULL-FIGHT. | ees Pe Height, 9 inches; width, 1 0 1 oe ‘inch af = ny ae WHARF SCENE. _ 3 oe a (2 pieces.) diate 9 1-2 inches; width, Th inches. ay NASH (AFTER SIR DAVID WILKIE) — (0 1082 THE TRAVELER IN SPAIN. ae Height, 19 inches; width, ci 6 inches. “4 G. LUTZ ¢ “ 1083 SCHEVENINGEN BEACH. ‘ Height, 10 1-2 inches; width, 14 inches 276 R. DOMINGO 1084 STUDY OF A MAN. Height, 5 1-2 inches; mLREET SCENE. Height, 5 inches; STUDY OF A MAN. Height, 6 inches; STUDY OF A MAN. (4 pieces.) Height, 4 inches; H. NAKAGAWA 1085 A GRAY DAY. Height, 12 1-2 inches; R. DOMINGO 1086 BULL RING. Height, 7 inches; A WASH DRAWING. Height, 7 1-2 inches; A LANDSCAPE. (3 pieces.) Height, 5 1-2 inches; 207 width, 3 inches. width, 3 inches. width, 5 inches. width, 6 inches. width, 19 inches. width, 9 inches. width, 9 inches. width, 9 inches. a b. 1087 ALLIGATORS — (1088. AMSTERDAM. 1089 SCENE -IN THE BUEL RING. 1090. TIGER. s es on Ld ae _ ARTHUR: WARDLE- a THE LAST OF THE SUN. Pastel. Height, 10 1-2 inches; width, 14 3-4 inches. _ & R. DOMINGO IS a %,| ae , - Height, 11 1-2 inches; widths 1a a A WASH DRAWING—OLD BUILDINGS. - Height, 15 Ca width, iz inches. > a Wes a A MOUNTED BULL FIGHTER. (3 pieces.) Height, 5 inches; Br. t inches. ARTHUR WARDLE Pastel. Height, 9 inches; width, 13 inches. : 278 ; t 1091 1092 1093 ~ 1094 1095 CASCAIRO LANDSCAPE. Pastel. Signed. Height, 10 inches; width, 15 inches. BIRKET FOSTER English, 1825-1899 LANDSCAPE IN WALES. | Signed with initials. Height, 6 1-2 inches; width, 9 inches. M. NUSBERING Contemporary Dutch Painter A CITY STREET SCENE. Height, 18 1-2 inches; width, 20 1-2 inches. ARTHUR WARDLE Contemporary English Painter AN ALLIGATOR SWAMP. Pastel. Height, 8 inches; width, 11 1-2 inches. A. J. GROENWEGEN Contemporary Dutch Painter LANDSCAPE WITH CATTLE. Height, 13 inches; width, 20 inches. 279 a ; 0; rh ; French, 1822-188 4 ys 71006) COAT H eight, 4 3-4 fir width, From the Rosa Bonheur 28 2 CHARLES JACQUE French, 1813-1894 i} O 1097 CHICKENS. ARTHUR WARDLE Contemporary English Painter 1098 LIONS AT THEIR KILL. : Pastel. — Height, 15 inches; width, 23 1-2 inche ae | . R. DOMINGO r Contemporary Spanish Painter G 1099 THE OX-TEAM. a H ye 12 1-2 inches; “width, 20 inches. we BILDERS VAN BOSSE a ly ‘ Contemporary Dutch Painter 1100 WOOD INTERIOR. : a} a, Height, 17 inches; width, 24 1-2 inches. 280 1101 1102 1103 1104 1105 PAUL HELLEU Contemporary French Painter HEAD OF A GIRL. Crayon and chalk drawing. Signed. Height, 17 inches; width, 17 inches. ARTHUR WARDLE LIONS AND BUFFALO. Pastel. Height, 12 inches; width, 17 3-4 inches. ROSA BONHEUR , French, 1822-1884 BULL’S HEAD. Height, 4 3-4 inches; width, 6 1-2 inches. From the Rosa Bonheur sale. F. HOPKINSON SMITH Contemporary American Painter LANDSCAPE. Height, 12 1-2 inches; width, 15 1-2 inches. AUGUST VON PETTENKOFFEN Austrian, 1821- MILITARY SCENE. Height, 9 inches; width, 13 inches. 281 pene re iv ) ; ; ; iy French me ees ae Ve neces FIGHTING-BULLS. a Crayon drawing: |. ¢ =. ae a 3 a 16 1 -2 inches; width 23 inches. eo pits ee 2 a hg a ARTHUR WARDLE : . , ae Se | Ot 1107 SERVAL AND LEOPARD. | La Pastel. H eight, 10 1-2 inches; width, 1 4 a. 2 inches se) W. STEELINK _ Contemporary Dutch Painter mL 1108 LANDSCAPE AND SHEEP. a Height, 16 1-2 inches; width, 24 ss ; '® ROSA BONHEUR French, 1822-1884 | 4 4 ) 1109. LANDSCAPE AND DEER. Be Signed. Height, 9 inches; width, 13 inches, eae sd ‘on rg 0 3 JOHN T. HULK n fs 1110 SWANS. . Height, 18 inches; width, 22 1-2 inches. — 282 3 1111 1112 1113 . 1114 £215 ISAAC ISRAELS Contemporary Dutch Painter THE LITTLE MOTHER. Height, 21 inches; width, 14 1-2 inches. J. H. VAN MASTENBROEK Contemporary Dutch Painter menOLEANTD STREET SCENE. Height, 12 1-2 inches; width, 19 inches. WILLIAM E. RIP Contemporary Dutch Painter LANDSCAPE IN HOLLAND. Height, 14 1-2 inches; width, 21 1-2 inches. PAUL HELLEU "\ Contemporary French Painter SEUDY OF A GIRL. Crayon and chalk drawing. Signed. Height, 25 inches; width, 20 inches. J. DE JONG Contemporary Dutch Painter A STREET MARKET SCENE. Signed. Height, 18 inches; width, 11 inches. 283 > 4 ae rQ) 1116 1117 Vv 1118 1119 1120 WILLIAM C. RIP Contemporary Dutch Painter LANDSCAPE. Height, 15 1-2 inches; width, 22 inches. TONY OFFERMANS Contemporary Dutch Painter DUTCH INTERIOR WITH FIGURES. Signed. Height, 22 1-2 inches; width, 16 inches. THEOPHILE DE BOCK Contemporary Dutch Painter LANDSCAPE. Height, 11 inches; width, 16 inches. MRS. ALMA TADEMA Contemporary English Painter TULEPS: Height, 28 1-2 inches; width, 21 inches. J. H. S. KEEVER Contemporary Dutch Painter DUTCH INTERIOR WITH CHILDREN. Height, 19 inches; width, 28 3-4 inches. 284 width, 39 inches. Antique Bronzes, Gothic Church Symbols 1124 GOTHIC CIBORIUM OF SILVER GILT: From an oval base rises a tall stem supporting the octagonal receptacle whose hinged cover, decorated in repoussé in a pattern of scrolls, is crowned by a representation of the Madonna and Child; on either side stand angels. Spanish workmanship XVth> century. Height, 14 inches. 1125 GOTHIC RELIQUARY IN SILVERSGH Te Rising from a circular base the oblong receptacle is decorated in repoussé with scenes in the life of Christ: “The Last Supper,” “The Kiss of Judas,” “Christ Washing the Feet of the Poor Man,” and “Christ’s Entry into Jerusalem.” On the four corners are tabernacles ending in foliated finials. The cover is surmounted by a low dome crowned by the figure of Christ on the Cross surrounded by four arabesque brackets. Set on a red plush oblong base. Spanish workmanship XVth century. Height, 10 inches; width, 7 inches. 1126 GOTHIC -PROCESSIONAL CROSS OFS SIGVEx SUT: The base is formed of an octagonal Gothic structure with figures of saints under canopies framed by buttresses ending in tall finials. From this base rises the cross whose arms have crocketed borders. Above and below and on either side of the silver Cristus are 286 applied figures representing the Four Evangelists; on the reverse side are applied figures representing the Virgin and Child surrounded by figures of three saints and above is a representation of the pelican on its nest feeding her young. The whole resting on a circular base of red plush. Spanish workmanship, XVth century. Height, 39 inches. 1127 BRONZE FIGURE: A ROMAN GIRL. Fully draped she stands holding a broken column in her right hand and with her left she gathers her robe about her waist. French workmanship XVth cen- tury. Height, 8 inches. 1128 BRONZE FIGURE: MINERVA. Leaning against a column she stands with upraised right hand in which she holds some missing object; with her left she holds her drapery about her; her head is covered with her warrior helmet; at her feet rests a lion. The base is of Italian marble, octagonal in form, with silver gilt mouldings. French work- manship XVIth century. Height, 17 inches. 1129 BRONZE FIGURE: A ROMAN WARRIOR. Clad in decorated armor with plumed helmet, he carries a spear in his right hand and a shield in his left. The figure stands on a circular base of red antique marble. Italian workmanship XVIth century. Height, 20 inches. 287 1130 BRONZE GROUP: ST. SEBASTIAN. With right arm bound to the trunk of a tree, the figure of the saint hangs limp against its base, his head falls heavily to his shoulder and his feet are lifted from the ground. French workmanship of the end of the XVth century. Height, 21 inches. 1131 BRONZE GROUP OF THE INFANTS aor WITH A LAMB. Seated on a pile of rocks the young St. John holds the lamb to his side with his left hand, and with his right gathers his scarf over his shoulder. French workmanship XVIIIth century. Height, 17 inches. 288 ELEVENTH SESSION Bronzes, Rugs, Japanese and English 1132 1133 1134 1135 1136 1137 Pottery, Arms and Furniture TABLECOVER OF OLD IVORY BROCADE. Bordered with gold braid. (Soiled and somewhat worn.) 50 x 75 inches. AN ANTIQUE PISTOL. THREE SHORT SWORDS. A PAIR OF FENCING FOILS. GERMAN CAVALRY SABRE. The blade damascened in gold with trophies and floral emblems. In a leather scabbard. COURT SWORD. The hilt is of gilt bronze inlaid with mother-of- pearl; the blade damascened in a pattern of leaves and trophies. In a black scabbard. 289 1138" A BOLO: In a wooden scabbard. 1139 TWO SWORDS. - 1140 GERMAN COURT SWORD. The hilt is of gilt bronze inlaid with mother-of-pearl decorated with a spread eagle; the sword blade damascened in a pattern of scrolls and trophies. In a white enameled scabbard. Eduard Sachs, Berlin, maker. 1141 GERMAN COURT SWORD. Similar to the foregoing. In a black enameled scabbard. 1142 A GUN WITH WOOD STOCK AND ORNA- MENTAL BRASS MOUNTINGS. 290 1143 1144 1145 1146 1147 1148 1149 Egyptian Pottery VASE WITH TWO HANDLES. Sphinx decoration in relief. THE BULL APIS STANDING ON A BOX BASE. The cover is shaped as a pedestal on which stands the bull; the base and pedestal with incised decora- tion and hieroglyphics; the handles in the form of seated deities. URN-SHAPED JARDINIERE WITH HANDLES. Relief figure decoration on a black ground with fret borders. COVERED URN WITH HANDLES. Relief figure decoration on a black ground. VASE WITH DOUBLE LOOP HANDLES. Relief flower and figure decoration. DOUBLE PITCHER VASE WITH THREE HAN- DLES. Incised decoration. PITCHER VASE WITH LOOP HANDLES. Relief animal decoration. 291 1150 1151 1152 1153 1154 1155 1156 1157 AMPHORA. Painted figure decoration. A WINGED SPHINX. Incised decoration. URN-SHAPED VASE WITH TWO HANDLES FORMED AS GOATS’ HEADS. Incised and relief decoration; two spouts. PITCHER VASE WITH HANDLES RES UNG ON THREE FEET. Relief floral decoration. PITCHER VASE WITH THREE HANDLES: Incised floral decoration. PITCHER VASE WITH FLARING LIP AND GRO- TESQUE HANDLE. Painted decoration. VASE WITH HANDLES. Relief decoration of mythological figures. SMALL-NECKED VASE WITH HANDLES. Shell decoration in relief. 292 1158 1159 1160 1161 1162 1163 (1164 1165 1166 URN-SHAPED JAR AND COVER WITH FINIAL ~ SHAPED AS A FAUN. Decorated with figures and acanthus leaves, and resting on three feet. PEAR-SHAPED VASE WITH HANDLES. Relief decoration of sphinxes. PITCHER VASE. With incised decoration and grotesque mask. AMPHORA. Raised decoration of horsemen and acanthus leaves. A PAIR OF FELLAHEEN BUST FIGURES. LONG-NECKED VASE WITH SQUARE EXTEN- SION HANDLES. Relief figure decoration. URN-SHAPED VASE WITH LOOP HANDLES. Incised decoration. AMPHORA. Painted figure decoration. A TALL VASE WITH LION HEAD HANDLES. Incised figure decoration. 293 1167 1168 1169 1170 Lin Li 1173 ORIENTAL FIGURE OF A BOY AND GOAT. JAR WITH COVER. Urn shaped. VASE SHAPED AS A WINGED DOG. WINE-JUG WITH HANDLE. Moorish decoration in relief. SUMA POTTERY PLAQUE. Decorated with a band of flowers and leaves in blue between conventionalized borders on an old ivory ground; the center with a floral design in red and blue. Diameter, 25 1-2 inches. POTTERY PRESERVE-JAR. The body is decorated with an arabesque design in blue on a blue-gray ground. Hezght, 6 3-4 inches. SUMA POTTERY PLAQUE. The center shows pansies and other flowers in red, yellow and blue on an old ivory ground with four borders, and a wide band with edelweis and forget- me-nots on a black ground; the outer band is in a conventionalized pattern of marguerites. Diameter, 25 inches. 294 1174 1175 1176 1177 1178 1179 1180 Silver MENU HOLDER. Shaped as a cupid supporting a shield. TWO OVAL EASEL FRAMES FOR PHOTOGRAPHS. Of rococo design. TWO PAIRS OF SUGAR-TONGS. Ont monogrammed “E. E.;” the other “I.°L. S. Jan. 1821.” SAUCER CANDLESTICK WITH HANDLE. Resting on a base the saucer is repoussé in a leaf pattern; the handle chased in a design of classical figures. Carrington & Co., London, makers, 1881. PeetCUCE CLASP AND CHATELAINE. Decorated in a pierced design. London Hall Mark. TWO EASEL FRAMES FOR PHOTOGRAPHS. Both of rococo design; one for two pictures, the other for one. SAUCER CANDLESTICK WITH HANDLE AND EXTINGUISHER. It is chased in a scroll pattern; the handle with figure decorations ending in a ram’s head. English, 1881. 295 1181 1182 1183 1184 1185 1186 BOOK COVERS WITH CLASPS. The sides are ornamented in a pierced design of scrolls with lions holding up an escutcheon. Height, 7 inches; width, 4 1-2 inches. TROPHY CUP WITH LOOPED HANDLES. The bowl decorated in repoussé in a pattern of leaves and flowers; -on the front applied is the winged Mercury foot resting on a bracket. Tiffany & Co., makers. Height, 9 3-4 inches. FRUIT BASKET WITH SWINGING HANDLE. In a filigree pattern with diamond appliqués. Lon- don Hall Mark. Length, 9 1-2 inches. A PAIR OF CANDLESTICKS. Square bases; baroque design. L. K. D., maker, date Height, 12 inches. HOT WATER KETTLE AND STAND WITH LAMP. The kettle has a fluted body with scroll handle; the top finial shaped as a leaf and two flowers. The stand is supported on three legs formed of twisted vines and leaves. Height, including stand, II inches. THREE-HANDLED LOVING-CUP. The body is decorated in a pattern of shells and scrolls in relief; gold-lined. Tiffany & Co., makers. Height, 7 1-4 inches. 296 1187. A PAIR OF TALL CANDLESTICKS. Square bases; baroque design. Mark G. A. R. Height, 16 1-2 inches. 1188 TALL SLENDER-NECKED PITCHER. Urn-shaped with a looped handle formed as a scroll with leaf ornament; about the body of the pitcher a processional frieze of classical figures in relief; fluted. base; the base and neck ornamented with egg and dart mouldings. Gold-lined. Elking- ton & Co., London, makers, 1893. Height, 17 1-2 inches. 1189 SILVER CAKE BASKET WITH SCROLL HANDLES, Oblong-shape with fluted bottom; the inside of the basket chased in a rococo pattern. Length, 11 inches; width, 8 1-4 inches. 1190 TEA SET OF FOUR PIECES. Consisting of a teapot, coffee-pot, sugar-bowl and creamer decorated with bands in repoussé of mask and scroll pattern; fluted bases. Height of teapot, 9 inches; height of coffee-pot, 11 1-2 inches; height of sugar-bowl, 5 1-2 inches; height of creamer, 6 1-4 inches. 297 1190-2. SILVER EPERGNE, A large and important decorative piece of heavy silver made for Napoleon III. by Durand and signed. Grouped on a reticulated oval base, around a centerpiece rising from acanthus leaf and lattice standard, are four modeled figures repre- senting the four seasons each from eight to ten inches high, alternating with four urns on the removable covers of which are groups of appro- priate fruits, flowers, animals and birds of Spring, Summer, Autumn and Winter. The oval top is decorated with the modeled figures of two amorini playing on pipes surrounded by wheat, ivy leaves and other symbols of the seasons. Quality 930, 1000 fine. Wetght, 1203 ounces, 2 pennywerght; extreme height, 22 inches; extreme width, 28 inches. 1190-b SPANISH SILVER WALL BASIN FOR HOLY WATER, XVITH CENTURY. | Decorated in relief. Surmounted by a small cross. Weight, 25 ounces, 10 pennyweight; Height, 16 inches; width, 9 inches. Purchased at the sale of the Portuguese Minister, Sanza de Rosa. 1190-c LOUIS XVITH SILVER WINE FOUNTAIN. With removable top, covering a vessel of the scale and proportion of a garden ornament in marble or stone, beaten up in a bold design, culminating in a dolphin spout which empties into a large silver bowl, shaped as a shell. Weight, 16 ounces, 9 pennyweight; extreme height, 24 inches, width of shell, I1 inches; length of shell, 16 inches; depth, 5 inches. Purchased at Christie’s in London. 298 1190-d SPANISH SILVER DISH, LATE XVITH. CEN- ORY: With repoussé decoration of the double eagle in the center of the bottom from which radiate petals in relief; rim decorated in repoussé. Weight, 12 ounces, 15 pennyweight; diameter, 8 1-2 inches. Bought at the sale of the Portuguese Minister, Sanza de Rosa. ote eaik OF TURKISH WALL BRACKETS. The back, of architectural form, is crowned by a crescent and inlaid with mother-of-pearl and ebony. A circular panel at the top shows an Arabic inscrip- tion. (Damaged.) Height, 31 1-2 inches; width, 11 inches. 192 ED PORCELAIN PEDESTAL. Relief decoration of Renaissance pattern. Height, 44 inches. (1193 AN ITALIAN HALL-CHAIR. With turned uprights, cross braces, and carved top in a leaf and escutcheon design; the back and seat are inlaid with mother-of-pearl. 1194 TEAKWOOD SIDE-CHAIR. The back and legs are intricately carved in a pat- tern of leaves and flowers; the seat is upholstered in red plush. 299 1195 TEAKWOOD ARMCHAIR. The back, arms, and front legs are intricately carved in a pattern of leaves and flowers; seat and arms upholstered in red plush. 1196 COCOBOLA WOOD PEDESTAL. The shaft in spiral coils rises from a square base; the top and bottom are ornamented with carving in a shell pattern. Height, 38 inches. 1197 FRENCH CURIO TABLE IN LOUIS XVITH STYLE. Fluted legs with bronze capitals and feet; the bed paneled, having ornamental bronze mouldings and applied ornament of ribbons and olive branches; hinged panel glass top with brass mouldings. The interior is lined with mirrors. Height, 30 inches; length of top, 32 1-2 inches; width, 18 inches. 1198 OCTAGONAL DRAWING ROOM TABLE. The table has eight legs with curved braces support- ing an octagonal shelf; the bed forms a pierced arcade, and the same design borders the shelf. Diameter of top, 42 inches. 1199 WOOD PEDESTAL. The tapering shaft of bird’s-eye maple is ornament- ed with gilt mouldings. Height, 43 inches. 300 12706" FRENCH STAND IN LOUIS XVTH STYLE, The front, top and sides in marquetry of a floral pattern; two drawers; bronze mountings of rococo pattern. Height, 32 inches; width, 25 inches. (See Illustration with Clock.) 1201 MODEL OF TRAJAN’S COLUMN AT ROME, IN RUSSO ANTIQUE MARBLE. The shaft of the red column, inscribed with the emperor’s conquests, rises from a square base and is surmounted by a square gallery upon which stands a bronze figure of St. Peter. Height, 53 1-2 inches. 1202> MAHOGANY SQUARE PEDESTAL CABINET. The tapering shaft has four panels of beveled glass rising from a square base resting on four feet; the terminal corner figures and ornamental scrolls are of gilt bronze; the top of gray marble. One glass shelf. Height, 54 inches; width, 22 inches. 1203 MAHOGANY CURIO TABLE IN EMPIRE STYLE. The deep bed is lined with velour; the glass paneled sides and hinged top are ornamented with bronze mouldings and inlays. Height, 32 inches; length of top, 45 inches; width, 23 inches. 301 1204 OVAL OLIVE GREEN CURIO TABLE LOUIS XVITH STYLE. The deep bed lined with red plush; shell and floral ~ applied decoration; hinged top with glass panel. Height, 29 1-2 inches; length of top, 32 1-2 inches; width, 21 1-2 inches. 1205 MAHOGANY DRAWING-ROOM TABLE IN EMPIRE STYLE. Tapering square legs terminating in winged sphinxes with feet of gilt bronze resting on bronze ball feet; two drawers with ornamental bronze pulls and mouldings; gray marble top. Height, 30 1-2 inches; length, 37 inches; width, 22 1-2 inches. 1206 MAHOGANY WALL CABINET. Double glass doors and sides; ornamental brass mouldings and inlays. Lined with olive green silk plush and fitted with three glass shelves. Height, 61 inches; width, 40 inches. 1207 MAHOGANY LOW CABINET IN THE STYLE OF LOUIS XVTH. With beveled glass panels on four sides and top; gilt bronze mouldings and applied ornament. Height, 30 inches; top, 21 x 21 inches. 1208 BLACK AND GOLD CURIO TABLE LOUIS XVITH STYLE. Glass panels with ornamental mouldings; the top panel of beveled glass is set in a frame with relief 302 decoration of garlands and ribbons; one drawer, lined with black velvet. The curved braces support a box with a beveled glass panel top. Height, 31 inches; length of top, 37 inches; width, 25 inches. 1209 TABLE A LA POMPADOUR. Satin-wood; the bed inlaid with a floral and ribbon pattern; glass top; the under-shelf fitted with a mirror. Height, 30 inches; length of top, 31 inches; width, 17 inches. 10 SOLIVE GREEN CURIO ‘TABLE LOUIS XVITH SPYLE. The bed has glass panels with ornamental mouldings; the top panel of beveled glass is set in a frame with relief decoration of garlands and ribbons; one drawer, lined with black velvet. The curved braces support a box with a beveled glass panel top. Height, 31 inches; length of top, 37 inches; width, 25 inches. 1211 MAHOGANY CURIO TABLE IN EMPIRE STYLE. Cabriole legs with winged lion heads and feet in gilt bronze resting on ornamented ball feet of bronze. The bed and top of glass with bronze mould- ings, brass edge, and ornamental mountings. Lined with crimson plush. Height, 31 inches; length of top, 35 1-2 inches; width, 22 inches. 303 1212 SIX ELIZABETHAN DINING-ROOM CHAIRS OF ANTIQUE OAK. Two arm and four side-chairs. The spiral posts support panel backs ornamented with carving of a leaf pattern surmounted by rampant lions upholding a cartouche. The seats and panel backs are uphol- stered in brown leather. 1213 MAHOGANY CURIO TABLE IN EMPIRE STY ie The square legs ornamented with winged sphinx heads and feet in gilt bronze resting on four bronze ball feet. The bed and top of glass with ornamented bronze mouldings, brass edge, and ornamental mountings. Lined with crimson plush. Height, 32 1-2 inches; length of top, 36 inches; width, 22 inches. 1214 STANDING MAHOGANY WALL CABINET. On four cabriole legs with one glass door and glass panels; brass top rail. The front is decorated with marquetry in a floral pattern and applied gilt bronze ornament. 1215 MAHOGANY STANDING CABINET OF LOUIS x VUES The base has fluted corner columns and curved glass sides with a single bevel glass door. The upper part is of the same shape but smaller. Both base and top sections are decorated with bands of ormolu in arabesque pattern; the edges are bordered with gilt bronze in a looped curtain pattern. Finished with a bronze top rail. Mirror back and glass shelves. Height, 77 inches; width, 43 inches. 304 1216 DROP LEAF MAHOGANY LIBRARY TABLE. The pedestal rests on an oblong base with four carved claw feet. ; | Top extended, 55 inches; width, 38 inches. 1217 DRAWING-ROOM WALL CABINET. With serpentine front, arched top, single glass door and curved glass sides; decorated with vignetted landscapes and figures in Vernis-Martin; gilt bronze mouldings and corner mountings; mirror back and two glass shelves. Height, 62 inches; width, 32 inches. 1218 MAHOGANY WALL CABINET. Carved columns ending in carved leaf finials; deco- rated with wood inlays; single glass door, glass sides, two shelves and mirrored back. One drawer at the bottom. Height, 67 inches; width, 38 inches. -1219 MAHOGANY DRAWING-ROOM ROUND CABINET. With glass shelves. ANOTHER OF SAME STYLE. 1220 A LARGE WALL CABINET. Veneered with tortoise shell and decorated with gilt mouldings; single glass door and glass shelves. Height, 68 inches; width, 41 inches. 305 1221 1222 1223 1224 DRAWING-ROOM CABINET OF LOUIS XVTH DS LE . Glass shelves. A LARGE WALL CABINET. Veneered with tortoise shell and decorated with gilt mouldings; single glass door and glass shelves. Height, 68 inches; width, 41 inches. LIBRARY TABLE OF ANTIQUE OAK. The legs, beveled edge and bed are carved in a leaf pattern. Length, 69 inches; width, 45 inches. EMPIRE MAHOGANY ARMOIRE. Fluted corner columns with brass inlays; the lower compartment has one shelf and two glass doors; the upper has table top and glass panel sides. Height, 35 1-2 inches; length, 48 inches; depth, 21 inches. ARMOIRE IN BOULLE MARQUETRY, LOUIS XVTH STYLE. The serpentine front has two doors with large oval panels ornamented with bronze mountings; corner columns are decorated with terminal figures in bronze, the base and top outlined with bronze mouldings; white marble top. (The marquetry slightly damaged.) Height, 43 inches; width, 54 inches. 306 1226 1927 1228 1229 1230 OAK SETTEE IN MISSION STYLE. Rush bottom. Length, 78 inches. OAK SETTEE IN MISSION STYLE. Rush bottom. Length, 78 inches. THREE EBONY CHAIR PICTURE RESTS. With straight backs and cushioned seats covered in green plush, resting on square bases with castors. THREE EBONY CHAIR PICTURE RESTS. With spindle backs and cushioned seats covered in old rose velour. FIVE EBONY EASELS. Standing on broad feet with double castors and adjustable picture rests. Four measure, height, 86 inches; width, 30 inches. One measures, height, 05 inches; width, 20 inches. 1231-2 FOUR LARGE WOOD PRINT CABINETS. Resting on standard bases with hinged double doors at the front and hinged cover tops. Height, 48 inches; width, 55 inches. ae 1234 1235 1236 1237 Oriental Rugs TURKISH RUG. - In a conventional pattern; the prevailing colors are red, blue and yellow. Size, 8 x 5 feet. TURKISHe RUG: In a pattern of eight medallions of alternating blue, red and black on a white ground with a conventional border of red and blue. Size, 6x4 feet. LARGE TURKISH RUG. The medallion center on a red ground, the medallion showing a conventional pattern of leaves on a dark blue ground; the corners and borders are of a lighter blue in conventional patterns. Size, 14 x 12 feet. PERSIAN PRAYER RUG. The blue center has three pillars, the central one supporting an urn, above which hangs a lamp; the border shows a conventional floral pattern on an ivory ground; the prevailing colors are ivory, blue and old rose. Size, 6 1-2 x 4 feet. PERSIAN PRAYER RUG. Another similar to the foregoing. 308 1238. PERSIAN PRAYER RUG. The old ivory center has three pillars, the central one supporting an urn, above which hangs a lamp; the prevailing colors are ivory, blue and old rose. Size, 6 1-2 x 4 feet. 1239 TURKISH RUG. The center shows three medallions of red on a blue ground with triple borders of conventional designs; the prevailing colors are blue, ivory, yellow and red. Size, 6 1-2 x 4 feet. 309 ANDERSON GALLERIES EW son Avenue at Fort THE N Madi , New York ieth Street terary Property i Sales of Art and L AMERICAN BANK NOTE | ‘ii As ang vf as fh a Sine Sas is v