ie k ree e STS Sita Lee a SS ae CL A (ee LIBRARY No. M.Knoedler& Co. | g a One 4 East 57th St. ‘ ; New York ES SOS Te SR lac Se RRS i rm ae ae a rene terete Aetna ae ee er eae 2 MRS GETAIIDTIN > Lan apes ae SRE SEES PP ei — i A REE eS RON IR PT ETRE OE FREE PUBLIC EXHIBITION From Sunday, April 18, Until Time of Sale Weekdays g to 6 p.m. » Sunday 2 to 5 p.m. UNRESTRICTED PUBLIC SALE Thursday Evening, April 22, at 8:15 O’clock Exhibition and Sale at the AMERICAN ART GALLERIES MADISON AVENUE ¢ 5624 to 57th STREET New York City i PRIVATE SCOUPLEEGTION TOF SI MIPOR ANd AMERICAN PAINTINGS FORMED BY (. £. BALDWIN; ESQUIRE With Additions ¥rom -Another Private Owner INCLUDING EXAMPLES BY J. FRANCIS MURPHY HORATIO WALKER, THEODORE ROBINSON EMIL CARLSEN, ARTHUR B. DAVIES, CHILDE HASSAM, ERNEST LAWSON, RALPH A. BLAKE- LOCK, J. H. TWACHTMAN AND INNESS esales (onducted By Mr. O. Bernet & Mr. Fl. HH. Parke AMERICAN ART ASSOCIATION « INC. Managers The AMERICAN ART ASSOCIATION, Inc. Designs its Catalogues and Directs -All Details of Illustration Text and Typography de Sa a RS ne a CONDITIONS OF SALE I. REJECTION OF BIDS: Any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance, may be rejected by the auctioneer if in his judgment such bid would be likely to affect the sale injuriously. I]. THE BUYER: The highest bidder shall be the buyer, and if any dispute arises between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the buyer of each lot shall be given immediately on the sale thereof, and when so required, each buyer shall sign a card giving the lot number, amount for which sold, and his or her name and address. A deposit at the actual time of the sale shall be made of all or such part of the purchase prices as may be required. If the two foregoing conditions are not complied with, the lot or lots so purchased may at the option of the auctioneer be put up again and re-sold. IV. RISK AFTER PURCHASE: Title passes upon the fall of the auctioneer’s hammer, and thereafter the property is at the purchaser’s risk, and neither the consignor nor the Association is responsible for the loss of, or any damage to any article by theft, fire, breakage, however occasioned, or any other cause whatsoever. V. DELIVERY OF PURCHASES: Delivery of any purchases will be made only upon payment of the total amount due for all purchases at the sale. VI. RECEIPTED BILLS: Goods will only be delivered on presentation of a receipted bill. A receipted bill presented by any person will be recog- nized and honored as an order by the buyer, directing the delivery to the bearer of the goods described thereon. If a receipted bill is lost before delivery of the property has been taken, the buyer should immediately notify the Association of such loss. VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND CALLING FOR GOODS: Articles not paid for in full and not called for by the purchaser or agent by noon of the day following that of the sale may be turned over by the Association to some carter to be carried to and stored in some warehouse until the time of the delivery therefrom to the pur- chaser, and the cost of such cartage and storage and any other charges will be charged against the purchaser and the risk of loss or damage occasioned by such removal or storage will be upon the purchaser. In any instance where the purchase bill has not been paid in full by noon of the day following that of the sale, the Association and the auctioneer reserve the right, any other stipulation in these conditions of sale notwith- standing, in respect to any or all lots included in the purchase bill, at its or his option, either to cancel the sale thereof or to re-sell the same at public or private sale without further notice for the account of the buyer and to hold the buyer responsible for any deficiency and all losses and expenses sus- tained in so doing. VII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- ness in which the Association is in no wise engaged, but the Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, however, without any assump- tion of responsibility on its part for the acts and charges of the parties engaged for such service. IX. GUARANTY: The Association exercises great care to catalogue every lot correctly and endeavors therein and also at the actual time of sale to point out any error, defect or imperfection, but guaranty is not made either by the owner or the Association of the correctness of the description, genu- ineness, authenticity or condition of any lot and no sale will be set aside on account of any incorrectness, error of cataloguing or imperfection not noted or pointed out. Every lot is sold “as is” and without recourse. Every lot is on public exhibition one or more days prior to its sale, and the Association will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly catalogued and in its judg- ment may thereafter sell the lot as catalogued or make mention of the opinion of such expert, who thereby will become responsible for such damage as might result were his opinion without foundation. X. RECORDS: The records of the auctioneer and the Association are in all cases to be considered final and the highest bid shall in all cases be accepted by both buyer and seller as the value against which all claims for losses or damage shall lie. XI. BUYING ON ORDER: Buying or bidding by the Association for responsible parties on orders transmitted to it by mail, telegraph, or tele- phone, if conditions permit, will be faithfully attended to without charge or commission. Any purchases so made will be subject to the foregoing condi- tions of sale, except that, in the event of a purchase of a lot of one or more books by or for a purchaser who has not through himself or his agent been present at the exhibition or sale, the Association will permit such lot to be returned within ten days from the date of sale, and the purchase money will be refunded, if the lot differs from its catalogue description. Orders for execution by the Association should be given with such clear- ness as to leave no room for misunderstanding. Not only should the lot num- ber be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one trans- mitting the order is unknown to the Association, a deposit must be sent or reference submitted. Shipping directions should also be given. PRICED CATALOGUES: Priced copies of the catalogue, or any session thereof, will be furnished by the Association at charges commensurate with the duties involved in copying the necessary information from the records of the Association. These conditions of sale cannot be altered except by the auctioneer or by an officer of the Association. AMERICAN ART ASSOCIATION, Inc. OTTO BERNET MANAGERS HIRAM H. PARKE AUCTIONEERS CAS OG Oak EVENING SALE THURSDAY, APRIL sae Al 8-76 O1ChOCK Catalogue Numbers 1 to 52 Inclusive JULIAN ALDEN WEIR, P.N.A. AMERICAN: 1852—1919 1. 4 WINDY DAY #140, We lel Ce IN the middle distance, a large tree in full leafage, before a blue-gray treacherous sky. Water-color: Height, 10 inches; length, 14 inches. Note: One of the rare water-colors painted by this master while in England. Signed at lower centre, J. ALDEN WEIR. Exhibited at the Metr Se Museum of Art, New York, Special Loan Exhibition, 1924. Purchased from the Montross Art Gallery, New York. Property of C. L. Batpwin, Eso. MARSDEN HARTLEY L b AMERICAN: CONTEMPORARY 2, THE BEECH like o Before a high mound, overgrown by russet-brown shrubbery and capped | by a fine blue sky, is a solitary beech. Millboard: Height, 12 inches; length, 12 inches. Signed at lower left, MARSDEN HARTLEY. Property of €. L. BAtpwin, Eso. ARTHUR B. DAVIES, N.A. Bo AMERICAN: 1862— 3. CHALK DRAWING - fet ; Before a terra-cotta background, an energetically drawn nude female figure, gracefully reclining, the head in profile, her left arm extended; outlined in black and shaded in white. Height, 10 inches; length, 17 inches. Signed at lower left, ARTHUR B. Davies. Purchased from the Montross Art Gallery, New York. Property of C. L. BaLpwin, Esa. ARTHUR B. DAVIES, N.A. AMERICAN: 1862— (60. . 4. CHALK DRAWING: REPOSE a ee Before a terra-cotta background, the reclining figure of a nude female, outlined in black and shaded in white. Fleight, 10 inches, length, 17 inches. Signed at lower left, ARTHUR B. Davies. Purchased from the Montross Art Gallery, New York. Property of C. L. Batpwin, Esa. GEORGE FERDINAND OF AMERICAN: 1876— 5. FLOWERS NAA Charming arrangement of massed crimson and white flowers if}a glass vase. 35, Height, 16 inches; width, 14 inches. Signed at lower left, Or. Purchased from the Montross Art Gallery, New York. Property of C. L. Batpwin, Eso. JOHN HENRY TWACHTMAN AMERICAN: 1853—1902 6. CINCINNATI LANDSCAPE Qa 6 Undulating scene, with thick undergrowth shrubbery and a central small coppice displaying fine autumnal tones, before a gray-blue sky. 135. Height, 15% inches; length, 19% inches. t Yow Signed at lower right, J. H. TwacuTMAN. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. RALPH ALBERT BLAKELOCK, N.A. AMERICAN: 1847—1909 Wed - 7. EVENING LANDSCAPE Belek ’ Richly wooded scene; in the foreground, enclosed by rough pasture, is a pool of water before four clumps of feathery foliated trees; in the deep beyond, a range of low-lying hills under a somnolent sky. Por- trayed with the characteristic charm of this master. Panel: Height, 9% inches; length, 15% inches. Signed at lower left, R. A. BLAKELOCK. Property of C. L. Bartpwin, Eso. MAURICE STERNE , 8 0. AMERICAN: 1877— 8. INDIAN MOTHER AND CHILD Witeh Kol ING Interesting composition of movement and brilliant colors; the young mother is seated in a doorway with her child upon her lap; by her side are standing figures of a maid and a child; in the left foreground a kneeling small figure. Millboard: Height, 14% inches, width, 9% inches. Signed at lower right, STERNE. Purchased from Scott & Fowles, New York. Property of C. L. Batpwin, Eso. WILLIAM MERRITT CHASE, N.A. | 4 0, AMERICAN: ar peyogel er " 9. PORTRAIT STUDY: “HAZEL” Ole Stn Full face, half-length figure of a winsome child with serious blue-gray eyes and a rosebud mouth, her fair wavy hair caught by a crimson bow; her arms are folded across the blue-white dress. Fleight, 20 inches; width, 16 inches. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. WILLIAM ROWELL DERRICK ae AMERICAN: CONTEMPORARY 0 ga. RETURNING TO THE FOLD Mo Bee Under a showery spring sky, a flock of sheep with two lambs’ at the rear are meandering along the sandy path with their aged shepherd; at the jeft and right are green grassy mounds and shrubbery. Water-color: Height, 19 inches; length, 26 inches. Signed at lower right, W. R. Derrick. Purchased from E. L. Knoedler, New York. To be sold to close an Account. \50: ‘\ ‘tr. NEW ENGLAND LADY DINES CARLSEN)( AUNLA. AMERICAN: L901— 10, THEGHOCOLATE POT Before a varied brown background streaked with blue, an earthenware pot, two small covered bowls and three luminously painted turnips. Height, 16 inches; width, 12 inches. Exhibited at the National Academy of Design, New York, Spring, 1915. Property of C. L. Batpwin, Esa. HELEN M. TURNER AMERICAN: CONTEMPORARY o Before a greenish-brown background, the bust-len female figure fac- ing slightly to the left, with hair tightly drawn from off the intelligent forehead; wearing a draped green bodice with lace fichu. Height, 24 inches; width, 16 inches. Signed at upper right, HELEN M. TuRNER, and dated 1915. Purchased from the Rehn Galleries, New York. Property of C. L. Batpwin, Esa.’ WILLIAM SARTAIN AMERICAN: 1843— (. 12, REVERIE Against a dark green background, the beautif ly modeled features of a young Southern girl facing slightly to the left, her raven-black hair set off by a blue and white drapery.. Her bodice of rich téte-de-negre silk, with full white sleeves. Height, 16 inches; width, 12% inches. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. GEORGE FULLER, NA, 13. HEAD Facing the observer; impressionistic study Le the head and shoulder of a young girl with large brown eyes, and wearing straight cut bangs. Height, 20 inches; width, 16 inches. 7 pt AMERICAN: See | Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. 5. 55 HENRY GOLDEN DEARTH, N.A. AMERICAN: 1864—1918 ° 14. THE GREEN WAVE Yad _In the foreground opalescent rocks, over which the gréén-blue curling 3 g waves are breaking into white foam; panoramic view of vast ocean, the water exhibiting a transparent limpid quality. Panel: Height, 13 inches; length, 16% inches. Signed at lower left, DEARTH. Purchased from the E. & A. Milch Art Gallery, New York. Property of C. L. Batpwin, Esa. BLENDON R. CAMPBELL AMERICAN: 1872— (\ 15. HOPE Ane (ete rat Sr. v Before a background of blue and violet tinted mountains, seven clas- sically draped figures are dancing by the river, their figures reflected by the transparent water. Height, 21 inches; length, 27 inches. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. CHILDE HASSAM, NA. AMERICAN: 1859— ! 16. THE BATHER Chane The nude female figure is seen poised by the edge of the river; on the far bank is an undulating landscape dotted with trees in full foliage. Height, 13 inches, length 16% inches. Signed at lower left, CHILDE Hassam, and dated 1911. Purchased from the late Louis Katz. Property of C. L. Batpwin, Esa. Piya ees, Cian eS GEORGE H. MACRUM AMERICAN: CONTEMPORARY 17. GOLDEN FOG 1D) A broadly painted mystic portrayal of the Metropolftan tower; in the treet below are the picturesque facades of the oldér buildings and a 1 DB ristly passing vehicle; to the right by the awning is the back view of a stationary hansom cab, and various figures. Height, 40 inches; width, 30 inches. Signed at lower left, G. H. MAcRUM, and dated 1912. Purchased from the late Louis Katz. Property of C. L. Batpwin, Esa. HENRY GOLDEN DEARTH, N.A. AMERICAN: 1864—1918 2.50. eee: 18. AFTER THE STORM 2.Q, Itt Sol At the left are huge rocks and boulders appearing as of transluc varicoloured marble, against which the greenish white-crested waves are breaking. The harmonious colour scheme is charmingly emphasized. Panel: Height, 13 inches; length, 16 inches. Signed at lower left, H. DEARTH. Inscribed at back is an authentication of the signature. Purchased from the Rehn Galleries, New York. Property of C. L. Batpwin, Esa. MAURICE STERNE g 9) oe AMERICAN: 1877— g 19. THE INDIAN : Vigorous study of a youthful Indian maid seated by her wares in profile to the left, with curious headdress. She faces another figure roughly sketched. Parchment: Height, 16 inches; length, 16 inches. Signed at lower left, STERNE, BAH. Property of C. L. BALpwin, Esa. THEODORE ROBINSON, N.A. a AMERICAN: 1852—1896 20. GIVERNY Jove’ Qa The peaceful village, cupped within the picturesque valley displaying gaily-coloured roofs, is viewed over the shoulder of a deep slope; to the right is a towering chestnut tree. Portrayed with brilliantly lighted colour. Height, 16 inches; length, 25% inches. Purchased from the Ferargil Galleries, New York. Property of C. L. Batpwin, Esa. ARTHUR B. DAVIES, N.A. 5H. AMERICAN: 1862— A / 21. SHADES OF REVERIE an : Before a fawn-brown background of vaporous trees and flowers, two nymphs are dancing; to the right by a fence is a third lithesome figure. Height, 18 inches; length, 30 inches. Signed at lower left, A. B. Davigs. Purchased from the Macbeth Art Gallery, New York. Property of C. L. Batpwin, Esa. JULIAN ALDEN WEIR, P.N.A. AMERICAN: 1852—1919 22. TREES AND BARN 9 hustord MWe WN abn AYO Mystic portrayal of a brick-red barn, viewed through a vista of towering trees, above which is a turquoise-blue sky and a glimpse of sun. Pastel: Height, 17% inches; width, 11 inches. Signed at lower left, J. ALDEN WEIR. Exhibited at the Metropolitan Museum of Art, New York, Special Loan Exhibition, 1924. Purchased from the Montross Art Gallery, New York. Property of C. L. Batpwin, Esa. ARTHUR B. DAVIES, N.A. AMERICAN: 1862— te ee ere cLoups . Broadly painted turbulent scene of vaporous blu -green cloud masses, tinged with white. Height, 17 inches; length, 22 inches. Purchased from the Macbeth Art Gallery, New York. Property of C. L. Batpwin, Eso. PAUL DOUGHERTY, NVA. AMERICAN: 1877— Weeoler 7 4 $023 TWIN BREAKERS Ae Between three huge rocks the two green-blue curling breakers capped by white foam are racing to the shore, under a multi-coloured reflecting sky. Panel: Height, 13 inches; length, 16 inches. Signed at lower left, Paut DouGuHERTY. Purchased from the Macbeth Art Gallery, New York. Property of C. L. Batpwin, Eso. JOHN E. COSTIGAN AM. AMERICAN: CONTEMPORARY i 24. EARLY SPRING e ‘ c.. Chi A luminarist work, portraying a youthful female figure standing alert with a lamb by her side, in a richly wooded sunlit grove. Millboard: Height, 20 inches; length, 20 inches. Signed at lower right, J. E. CosTican. Purchased from the Babcock Art Gallery, New York. Property of C. L. Batpwin, Esa. JOHN HUFFINGTON (0. BRITISH: CONTEMPORARY 25. SUMMER IN THE BERKSHIRES hoehorl fal. Impressionistic study; before a luminous blue background tinged with shades of violet, a valley with a view of limpid water; at the right before a mass of foliage a flowering tree. Millboard: Height, 24 inches; length, 27 inches. Signed at lower right, J. HUFFINGTON. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. ROBERT WARD VAN BOSKERCK, N.A. AMERICAN: he attir (SO, 26. OCTOBER FIELDS Charming view of hedged-in hilly country; at oath ur J ie a stone wall enclosing a wood of autumn-tinted leafage, by which sheep are grazing. Height, 20 inches; length, 30 inches. Signed at lower left, R. W. VAN BoSKERCK. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. DINES CARLSEN, A.N.A. Eg 0: AMERICAN: I1901— 27. THE BLACK BOTTLE ee cut np weer ste Before a mysterious background and centring the composition, is a luminously painted ovoid bottle, at the left a brass pan reflecting golden tones; at the right a small tankard. Height, 25 inches; width, 22 inches. Signed at lower left, DINES CARLSEN. Exhibited at the National Academy of Design, New York, 1917. Property of C. L. Batpwin, Esa. THEODORE ROBINSON, N.A. ¥ 1S AMERICAN: 1852—1896 28. IN THE GARDEN Onne Earl In pure luminous tones an impressionist scene of a walled garden, in which a young woman is tending her flowers; in the centre is a peach tree and beyond a distant vista of red-roofed houses. Height, 18 inches; length, 22 inches. From the George A. Hearn Collection, American Art Association, 1918-¥ 98: Bboo0 = Property of C. L. Batpwin, Esa. Dpachth te on ue © GEORGE INNESS, N.A. AMERICAN: 1825—1894 US ot. e 29. THE LEANING DOUBLE BIRCH ~ | | ~®#*tU+4 Me A richly wooded pastoral scene through which, to the left, are distant vistas of sky and a small farmhouse; cattle are seen grazing, and the sunlight plays through the leafy branches, flickering with poetic motion, first upon the cows and then upon the small figure dimly perceived beside the massive double birch. Height, 12 inches; length, 18 inches. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. ssmpaese HENRY GOLDEN DEARTH, N.A. & f) AMERICAN: 1864—1918 30. THE DAY’S WORK DONE “(ylah_ Before a background, in which the chief feature is a small gabled church, with the light from the brilliant setting sun reflected through the stained glass windows, and flanked by avenues of poplars, is a halted team of tired horses, the ploughman in a blue smock chatting with a comely maid. The golden tone of the broad stubbled foreground is broken by the newly turned soil. Height, 25% inches; length, 45 inches. Signed at lower right, H. DEARTH. Purchased from the E. & A. Milch Art Gallery, New York. Property of C. L. Batpwin, Esa. HORATIO WALKER AMERICAN: 1858— sd. . 31. THE THRESHER Wot The small interior of a barn depicted as a hollowSspace filled with shrouded atmosphere, into which the light penetrates with piquant in- tensity, falling variously upon the wheat strewn scene; striking first the aged figure threshing, then his blue smock lying by his right side. Height, 17% inches; width, 14%4 inches. Signed at lower right, Horatio WALKER, and dated 1902. Illustrated in “Masterpieces of American Painting.” Purchased from the John Levy Galleries, New York. Property of C. L. Batpwin, Eso. THEODORE ROBINSON, N.A. =_ AMERICAN: 1852—1896 ETS: 5 ee were. ° 32. (PICKING PLUMES ) Luminarist work, portraying an orchard scene, with a graceful maid plucking fruit from a heavily laden tree; she is seen centring the com- position, mounted upon a step ladder; to the left is a young woman wearing a blue apron. Height, 22% inches; width, 18 inches. Signed at the lower right, TH. ROBINSON, and dated 1891. Purchased from M. Knoedler & Company, New York. Property of C. L. BaLpwin, Esa. /HO98 - Ny. Altander &. Sal M97 Hi2/- B 300. Iu.X> hy SHA. WE. Denteo Ze bel: 917- INKK = JAIL a 4 Tikew Yaek AA 1917 4 Seta thay X balllory) Jb17/9- BEXK : (150: £ & ERNEST LAWSON, N.A. AMERICAN: 1873— 33. EARLY MORNING g FUL pty Vaporous sunlit scene of a broad expanse of swiftly running river; on the far bank a small red-roofed cottage stands before a green-tinted wood on the near bank are slender saplings. Height, 20 inches; length, 24 inches. Signed at lower left, E. LAwson. Purchased from the Macbeth Art Gallery, New York. Property of C. L. BaLpwin, Esa. EMIL CARLSEN, N.A. AMERICAN: 1853— 34. THE WOOD CARVING Warton fol 4 Forming a background to a fine oviform two-handled vase( two small ‘ jade-green bowls, and fallen sprays of flowers, is a primitively carved panel depicting the Pieta, portrayed in mellow pastel tones, and pos- sessing the great charm of this master. Height, 38 inches; width, 34 inches. Signed at lower left, Emtt CARLSEN, and dated 191g. Exhibited at the Corcoran Galleries, Washington, D. C., at the Seventh Annual Exhibition of Contemporary Oil Paintings, 1919. Purchased from the artist. Property of C. L. Batpwin, Esa. (Illustrated ) G THE Woop Carvin 34 No -) N.A il Carlsen, (By Em JOEIN Fo CARESON, .NeA: AMERICAN: 1857— Is: Bie (aL MORNINGG, W. Under a rose-tinted ivory sky, a meadow scene, having in the foreground slender trees and saplings; in the middle distance seen vaguely through a vapory mist the corner of a wood and a stream. Height, 20 inches; length, 26 inches. Signed at lower right, JOHN F. CARLSON. Property of C. L. BAtpwin, Eso. JOHN FRANCIS MURPHY, N.A. AMERICAN: 1853—I1921 3\ Ye SHOWERS f) He tenga Wide expanse of brownish-green rfsine pasture lands; in the thidalle dis- tance, slightly to the left, a small farmhouse surrounded by saplings of a golden hue; beyond and over the hill, a fine silvery, though humid, sky. Height, 16 inches; length, 22 inches. Signed at lower left, J. FRANcis Murpuy, and dated 1906. Purchased from the Macbeth Art Gallery, New York. Property of C. L. BaLtpwrn, Esa. (Illustrated) No. 36. SHOWERS (By John Francis Murphy, N.A.) HORATIO WALKER, N.A. 4 64. AMERICAN: 1858— | 5B! ave! 37. SPRING PLOUGHING tes Enshrouded in blue mist, a partly ploughed field bordered by a wood; in the foreground, realistically portrayed, are two oxen drawing the plough, guided by the bent figure of a man wearing a blue smock; by the edge of the wood another team is at work. Height, 24 inches; length, 36 inches. Signed at lower left, Horatio WALKER, and dated 1893. . From the George A. Hearn Collection, American Art Association, 1918.7 B24 Property of C. L. Batpwin, Esa. $ K200-Maelelh baller (Illustrated) No. 37. SPRING PLOUGHING (By Horatio Walker, N.A.) JOHN FRANCIS MURPHY, N.A. | F AMERICAN: 1853—1I921 | aa ad “ * IN _f {) A | 38. MORNING z M. Weed th hak A View of deep green meadowlands, with the sun reflecting lustrous tones | to the patch of evanescent water in the foreground; to the left a cluster of trees, and slightly to the right four saplings before a fleecy vaporous sky. Charming atmospheric perspective portrayed by a most accurate rendering of values. : Height, 14 inches; length, 19 inches. Signed at lower right, J. FRaNcts Murpuy, and dated 1909. Purchased from the E. © A. Milch Art Gallery, New York. Property of C. L. BALpwrn, Esa. (Illustrated) No. 38. Morninc (By John Francis Murphy, N.A.) JOHN FRANCIS MURPHY, N.A. ) Le ed: AMERICAN: 1853—1921 39. RAIN Charming depiction of undulating rain-swept plains; in th foreg€dund at the left a small pool of limpid water; at the right two willowy trees of rich golden tones, before a background of an ivory and slate-gray sky, checkered by innumerable lights and shades. Height, 14 inches; length, 19 inches. Signed at lower left, J. Francis Murpny, and dated 1909. Purchased from the John Levy Galleries, New York. Property of C. L. BaLpwin, Esa. , THEODORE ROBINSON, N.A. v eb. AMERICAN: 1852—1896 Will 40. BOATS AT A LANDING ap Q. ye é Luminarist work, depicting vast expanse of blue sea broken by sand banks; at the left foreground moored by the jetty are various small sailing craft and a skiff. Fine harmony of colour. Height, 18 inches; length, 22 inches. Purchased from the Macbeth Art Gallery, New York. Property of C. L. Batpwin, Eso. a LO / 41. 4PPROACH TO AN OLD FARM WAAKLOWK phi In fine green-gold tones before a silvery sky, the old farm is seen in the middle distance at the left, partly obscured by graceful willowy trees; to the right a thicket tinged with reds. Beautiful atmospheric effect. JOHIN: FRANCIS MURPHY, N.A. AMERICAN 3:18 53—1921 Height, 22 inches; width, 16 inches. Signed at lower left, J. FRANcISs Murpny, and dated 1902. From the Alexander C. Humphrey Collection, American Art Associa- tion, 1917. 8&9 4 S000 - Mica beli, saree, Exhibited at the Worcester Art Museum. Property of C. L. Batpwin, Esa. (Illustrated) Jutleweh Sth, Sale Fo » #2 7 ~ $G50 es No. 41. AppRoAH TO AN OLp Farm (By John Francis Murphy, N.A.) JOHN FRANCIS MURPHY, N.A. AMERICAN: (1853-1921 ps f 3444 AW) A ih x br~ 42, 0UPLAND PASTURES? MORNING Charming portrayal of rising rich meadowlands, flooded by a subdued morning sun; at the left a coppice richly tinged with gold and red-browns with the tops of two slender birches silhouetted against a deep-toned sky. Below the horizon and merged within a hazy atmosphere is a distant vista of blue water. Height, 24 inches; length, 36 inches. Signed at lower right, J. FRaNcis Murpny, and dated 1904. Purchased from the E. © A. Milch Art Gallery, New York. Property of C. L. BaLpwin, Eso. (Illustrated ) No. 42. Uptanp Pastures: Morninc (By John Francis Murphy, N.A.) 3 04 JOHN FRANCIS MURPHY, N.A. AMERICAN: 1853—1921 4 43. 4 HILLSIDE FARM ee Usa ( In the valley, surrounded by saplings and slender birches with silvery trunks, are isolated farm buildings before a strip of fine green pasture; at the left a thicket of tangled foliage; beyond are rising farm lands silhouetted against an ivory sky illumined by warm light. Height, 24 inches; length, 36 inches. Signed at lower left, J. FRANcis Murpuy, and dated 1901. W. T. Evans Sale, American Art Association, March, 1913. #b2-$.000 - Property of C. L. Batpwin, Esa. LLL. as (Illustrated ) No. 43. A Hirismwe Farm (By John Francis Murphy, N.A.) JAMES GALE TYLER 3 Ag g. AMERICAN: 1855— 44. IN THE TRADE WINDS Pett Under a luminous moonlit sky, a full-rigged ship of 1860 is ploughing head on through a favoring sea, the studding sails set and a sailor on the jib-boom furling a jib. The port and starboard lights throw reflec- tions to the sea. Height, 30 inches; width, 25 inches. Signed at lower left, JAMES G. TYLER. Purchased direct from the artist. To be sold to close an Account. CHARLES WEBSTER HAWTHORNE f =- : : a + pas : AMERICAN: 1872 45. LE SCHOOLIGHE Before a dark greenish background, the standing three-quarter length pensive figure faces half right. She wears a green jacket over a white blouse, and under her left arm carries two crimson-bound books, which form a brilliant contrast of fine colours; the veined expressive hands are delicately modeled. Panel: Height, 30 inches; width, 25 inches. Signed at lower left, C. W. HAWTHORNE. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. RICHARD E.. MILLER Sp. AMERICAN: 1875— 46. AFTERNOON TEA ane Oe, Sem, Brilliant luminarist work; by the tea-table under the shade of a gaily coloured parasol and flowering blooms, a thoughtful maid is seated wearing a décolleté flowered gown, her small swathed patrician head | . . . . 5 & . . bs | slightly inclining towards her companion who stands in profile to the | right, deftly pouring tea. Height, 39% inches; width, 32 inches. Signed at lower left, MILLER. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. 328 | HENRY WARD RANGER = AMERICAN: 1858— 47. HILLTOP: PASTURES ‘fe . Rough grassy landscape, mounting to a ridge with gdattered shrubs in the foreground; on the summit are cattle grazing, under a fine blue and cloudy sky. Height, 28 inches; length, 36 inches. Signed at lower left, H. W. RANGER. From the Ranger Collection, American Art Association, 1917. pbb -SSES - Gpllne: q To be sold to close an Account. tre Smrcgh WILLIAM BLISS BAKER AMERICAN: 1859—1889 130. 48. WINTER a (K) Ny | 1 I ‘ / ; 6 o Vivid rendering of a mid-winter forest scene; in the middle distance a pool ringed by stately trees, under a coating of glistening snow; to the right is a cluster of saplings with their autumn colouring partly obscured. Through the deep wood are glimpses of a blue sky. Height, 30 inches; length, 42% inches. From the Collection of W.S. Kimball, American Art Association, 1624 AIT MIE-- To be sold to clos A a o be so o close an Accoun Jbun. Pract MARRY CEASE, ANA. AMERICAN: 1853—1887 0. a A LOW TIDE Cet Phe lt Under a blue sky with masses of gray clouds, two Dutch fishing boats with slackened sails are high on the beach. The fishermen and their women folk are grouped on and about the boat, while a second group is seen to the right. Upon the horizon are other sailing craft. Height, 20 inches; length, 36 inches. Signed at lower right, H. CHASE. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. ((0 e aa FRANK KNOX MORTON REHN, N.A. AMERICAN: 1848—1914 50. CHASING BREAKERS 4. Ki L, Vast expanse of sea with greenish white-capped breakers, under a cloudy sky through which the sun is trying to peer; on the horizon, in the sun- light, is a sailing vessel, and to the right a steamship. Height, 22 inches; length, 36 inches. Signed at lower left, F. K. M. REHN, and dated 1890. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. POWER O’MALLEY BRITISH: CONTEMPORARY s1. LEENANE, CONNEMARA In varied greens and blues of a violet hue is depictéd a towering moun- tain, under a cloudy sky, showing patches of turquoise-blue; at the foot is a winding pass with a cottage to the right, and in the foreground a small jaunting-car with two figures. At the left sheep are peacefully grazing. Height, 36 inches; width, 30 inches. Signed at lower right, POWER O’Mattey. First Prize, Tailteann Exhibition, 1924. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. HENRY WARD RANGER AMERICAN: 1858— Sas. 52. ACROSS THE FIELDS Ne crhitts Rough grassy landscape under a fine cloudy sky with red reflections { a1 the middle distance are two small figures standing by the hedgerow, to the left is a lone tree and to the right are two silver birches. Height, 28 inches; length, 36 inches. Signed at lower left, H. W. RANGER, and dated 1903. Purchased from the Macbeth Art Gallery, New York. To be sold to close an Account. LIST OF ARTISTS REPRESENTED AND THEIR WORKS BAKER, W.i1rAm Btiss Winter BLAKELOCK, Ratpu ALBERT, N.A. Evening Landscape CAMPBELL, BLENDON R. Hope CARLSEN, Drines, A.N.A. The Chocolate Pot The Black Bottle CARLSEN, Emit, N.A. The Wood Carving CARLSON, Joun F., N.A. Early Morning CHASE, Harry, A.N.A. A Low Tide CHASE, Wiriiam Merritt, N.A. Portrait Study: “Hazel” COSTIGAN, Joun E. Early Spring DAVIES, ArTHuR B., N.A. Chalk Drawing: Repose Chalk Drawing Shades of Reverie Hanging Clouds DEARTH, Henry Gorpen, N.A. The Green Wave After the Storm The Day’s Work Done CATALOGUE NUMBER 48 ~sI 34 35 49 DOUGHERTY, Pau, NA: Twin Breakers FULLER, Georce, N.A. Head HARTLEY, Marspen The Beech Tree HASSAM, Cuitpe, N.A. The Bather HAWTHORNE, Cuarites WEBSTER The School Girl HUFFINGTON, Joun Summer in the Berkshires INNESS, Georce, N.A. The Leaning Double Birch LAWSON, Ernest, N.A. Early Morning MACRUM, Georce H. Golden Fog MILLER, Ricuarp E. Afternoon Tea MURPHY, Joun Francis, N.A. Showers Morning Rain Approach to an Old Farm Upland Pastures: Morning A Hillside Farm CATALOGUE NUMBER 23 16 4§ 33 a 46 CATALOGUE . x NUMBER OF, GreorGe FERDINAND Flowers 5 O’MALLEY, Power Leenane, Connemara 51 RANGER, Henry Warp Hilltop Pastures A Across the Fields 5 REHN, Frank Knox Morton, N.A. Chasing Breakers 50 ROBINSON, Turopore, N.A. Giverny 20 In the Garden 28 Picking Plums QD Boats at a Landing 40 SARTAIN, Wirriam Reverie 12 STERNE, Maurice Indian Mother and Child 8 The Indian 19 TURNER, Hezten M. New England Lady It TWACHTMAN, Joun HENRY Cincinnati Landscape 6 TYLER, James GALE In the Trade Winds 44 AN BOSKERCK, Rosert Warp, N.A. October Fields 26 CATALOGUE NUMBER WALKER, Horatio The Thresher ay B) = Spring Ploughing WEIR, Jurian ApEn, P.N.A. A Windy Day Trees and Barn BNE JE TORN USES Las. FOR UNITED STATES AND STATE TAX INSU RANCESAND Of FUE RP URE Osis CATALOGUES OF PRIVATE COLLECTIONS eA ppRAISALS. The American Art Association, Inc., will furnish appraisements, made by experts under its direct supervision, of art and literary property, jewelry and all personal effects, in the settlement of estates, for inheritance tax, insurance and other purposes. CATALOGUES. The Association is prepared to supple- ment this appraisal work by making catalogues of private libraries, of the contents of homes or of entire estates, such catalogues to be modeled after the fine and intelligently produced Sales catalogues of the Association. Upon request the Association will furnish the names of many Trust and Insurance Companies, Executors, Admin- istrators, Trustees, Attorneys and private individuals for whom the Association has made appraisements which not only have been entirely satisfactory to them, but have been accepted by the United States Estate Tax Bureau, the State Tax Commission and others in interest. The AMERICAN ART ASSOCIATION 7 INC. 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