ee s Eas OMRON MMT RSE ha RCE AON LEA 2 Rae eos ——— ee also, Choice Mezzotints after Morland, A &e., mostly with uncut OATALOGUE OF A CHOICE AND VALUABLE COLLECTION ENGRAVINGS, BY BARTOLOZZI AND HIS SCHOOL, THE PROPERTY OF ANDREW W. TUER, ESQ. Author of ‘ Bartolozzi and his Works, now in the press ; COMPRISING Principally Fancy Subjects after Wheatley, Morland, Angelica Kauff- man, Westall, Stothard, Bunbury, &c., in unusually fine condition ; margins as published : WHICH oS ee 4 GAill be Sold by Auction, by 4D 5 eg Mussrs. CHRISTIE, MANSON & WOODS, | AT THEIR GREAT ROOMS, 8, KING STREET, ST. JAMES’S SQUARE, On TUESDAY, APRIL 12, 1881, AT ONE OCLOCK PRECISELY. ————c 0 $¢40-0-——- - _ = 2 age ee a See a rn ns Aka va ll i cee a i ee a rr eR I ee ee ee aren eke as SagegeR es m => May be viewed Saturday and Monday preceding, and Catalogues | had, at Messrs. Curistiz, Manson and Woops’ Offices, 8, King Street, . St. James’s Square, S.W. III. IV. VI. VII. CONDITIONS OF SALE. ——— . THE ‘highest Bidder to be the Buyer; and if any dispute arise hetween two or more Bidders, the Lot so in dispute shall be immediately put up again and re-sold. : . No person to advance less than 1s.; above Five Pounds, 5s. ; and so on in proportion. In the case of Lots upon which there is a reserve, the Auctioneer shall have the right to bid on behalf of the Seller. The Purchasers to give in their Names and Places of Abode, and to pay down 5s. in the pound, or more, in part of payment, or the whole of the Purchase-Money, if required; in default of which, the Lot or Lots so purchased to be immediately put up again and re-sold. . The Lots to be taken away and paid for, whether genuine and authentic or not, with all faults and errors of description, at the Buyer’s expense and risk, within Two days from the Sale; Messrs. Curistis, Manson and Woops not being responsible for the correct description, genuineness, or authenticity of, or any fault or defect in, any Lot; and making no warranty whatever. To prevent inaccuracy in delivery, and inconvenience in the settlement of the Purchases, no Lot can on any account be removed during the time of Sale; and the remainder of the Purchase-Money must absolutely be paid on the delivery. Upon failure of complying with the above Conditions, the Money deposited in part of payment shall be forfeited; all Lots un- cleared within the time aforesaid shall be re-sold by public or private Sale, and the deficiency (if any) attending such re-sale shall be made good by the Defaulter at this Sale. eee, . 4 ot i. ~ ‘ Se ‘ in hy 4 p : c Ps . 5a nl R pa! an i k 5 ay = ms ted ; , i 7 3 PROSPECTUS. {SizE, LARGE 4to, IN 2 VoLs., VELLUM. Price Two GuinEas, issue limited; special issue L, nN the Y TeSS cf of one hundred’ numbered copies only on extra large paper, with impressions of the F illustrations prior to ‘the margins of the copper-plates being cut down for the 4to edition, Five GuInEAs. ~— Bartolozzi And his Works: | (ILLUSTRATED *) © Biographical, Anecdotal and Descriptive, —- Andrew ‘W. Tier. Being an account of The Life and Career of Francesco Bartotozzi, R.A. ° with remarks on f His Prints :—Why sought after : Collecting prints as a Hobby, and as Increasing risein value: |. a profitable Hobby. Modern reprints from | Howto judge Prints. worn-ont plates, and “ ” 5 how to distinguish : Proofs and “states” of Prints. Faisely tinted, and how How to handle Prints. to distinguish: — Deceptions with Prints. A list of copper-plates | Stipple Engraving, with Descriptions known to be still in es Rie : existence. Bartolozzi’s Pupils: sketches of their Print Sales. Lives. Art Auction Rooms. GENERAL GOSSIP : AND INCLUDING THE MOST Eixtensive list of this great master’s Works yet compiled. 1881. * Amongst the illustrations will be a pair of beautiful and exquisitely finished fancy subjects in stipple, from copper-plates engraved by Bartolozzi in 1783, in brilliant condition, entitled “A St. James’s Beauty” and “A St. Giles’s Beauty,” printed in red on old paper: and a pair of highly finished portraits, from the original copper- lates, of Sarah, Countess of Kinnoull, and Robert Auriol, Earl of Kinnoull, engraved y Caroline Watson in 1799, also in brilliant condition, printed on old paper in brown ink ; a charming vignette of cupids printed in red; Ticket for the Mansion House Ball, 1773, &c., all printed direct from the plates. London : Field & Tuer, y* Leadenhalle Preffe, 50, Leadenhall Street. E.C. (OVER The Special issue of one hundred numbered extra large paper copies, with impressions of” — the illustrations prior to the margins of the _- copper=-plates being cut down for the 4to. edition, will be delivered to subscribers in the order in which names are received. CATALOGUE. —0-0F0} 00— On TUESDAY, APRIL 12, 1881, AT ONE O CLOCK PRECISELY. —208200-——— ENGRAVED BY F. BARTOLOZZI, R.A. MISCELLANEOUS.—Many Printed in Red. 1 Cupid Making his Bow, after Correggio—prints and proofs 2 Lady Jane Grey led to Execution ; &e.—unlettered proofs pee or ie 83 Triumph of Venus, after Bartolozzi, by Clarke—proof ; and Maria Cosway, after R. Cosway 4 The Silence—proof 5 Clytie 6 ‘He was wounded for our transgressions ” 7 Prelude to Matrimony ; the Sword—proofs ; &e. AFTER G. B. CIPRIANI. 8 Music; History; Earth 8* Earth ; Faith—proofs 9 Geography; &e. 10 Cephalus and Procris; Tancred and Ermina 11 The Heroism of Prince Edward ; &¢.—2 proofs Q 1:2 4 AFTER ANGELICA KAUFFMAN, B.A. 12 Tancred and Clorinda 1 13 Telemachus and Mentor in the Island of Calypso 7 14 Winter ; and Sincerity : 2 AFTER W. HAMILTON, R.A. 15 Edward II. and Elfrida; and Prince Edmund and Algitha 2 16 Caractacus delivered up to Ostorius—print and proof; and Con- clusion of Treaty of Troye | 3 17 Three of the Months, April, June, and December 3 AFTER RAMBERG. 18 Alphonso and Aciloe; and the Death of Cora 2 19 Doctor Primrose finds his Daughter Olivia in Distress; and Esqr. Thornhill perswades Olivia to elope with him 2 © AFTER RIGAUD. 20 Vortigen and Rowena; and Jane of Flanders assembling the Inhabitants of Rennes 2 21 Ditto; ditto—one a proof 2 22 Edward, Prince of Wales, presenting the Captive King to his Father—2 impressions pt 23 The Death of Lindamore; &c. | 2 BARTOLOZZI.— Framed. 24 The Sailor’s Departure; and the Sailor’s Return—proofs, after Benwell 9 25 Cupid and Psyche; and Love and Fortune, after Cipriani Q 26 Sorrows of Werter, after Ramberg 2 27 Harth and Water, after Cipriani 2 | »-s sa ff a ~ eo é Py in “ ae OE: » mos , + Ries pw ¢. A vat ~ aoe 28 Psyche going to Bathe; and Psyche going to Dress; &c., after ay Cipriani Se ae 29 The Reading Magdalen—proof, after Correggio : Lie 30 Fan Mount—proof 1--/.— 31 Pomona, after Kauffman de 4: Le 32 Ceres, after ditto ities 33 Flora, after ditto ] +44 34 Contentment; and Friendship, after Cipriani 7 A 35 Lovelace in Prison, after Rigaud 17 36 Hebe; and Bacchante, after Cipriani 2477 C 37 Romeo and Juliet, after Hamilton I Gerdes 38 Rinaldo et Armida; and Morte di Clorinda, after Kauffman 2 5°-/6-- 39 Cupids at Play ; and Children at Play, after Cipriani 27 é 40 Love and Innocence, after Cosway li 3-772 41 Louisa Hammond, after Kauffman 1:3 4ee 42 The Dance, after Bunbury 14:°-5:- 43° A Sacrifice to Cupid, after Cipriani 1 one 44 L’Allegra, after Kauffman 1 2-2-- 45 The Beautiful Rhodope in Love with Msop, after Kauffman; &e. : Me 46 Hurydice, after Kauffman 42 ae 47 Fortune-teller and Gipsies, after Crewe Q g--+1- 48 Perseus; and Andromeda, after Cipriani 2 4.74: i 49 Spinning Top, after Hamilton ; and Zephyrus, after Colibert 2 //5+- 50 Antiope, after Kauffman; and Minerva and the Muses, after Cipriani Oe os ae 51 Thais (Emily Pott), after Sir Joshua Reynolds 52 Venus Attired by the Graces, after Kauffman a are K ) 53 Coriolanus, after Kauffman 6 SCHOOL OF BARTOLOZZI. MISCELLANEOUS. 54 Comedy,-after Cheeseman ; &c. 5 55 The Music Grinder, by Cook, after Collett; &c. 9 56 Alope, by Richard Earlom, after Romney; &c. 2 57 The Duchess of C. coming out of the Cavern, by Schiavonetti, after Rigaud ; &c. 2 58 Musick, by Marcuard, after P. da Cortona; &e. 2: 59 Lord Dungarvon; and the Hon. Courtenay and Charles Boyle, after Cosway and Lovers 2 60 A Village Girl Gathering Nuts; and a Cottage Girl Shelling Peas, by Tomkins, after Bigg 2 61 Two Scenes out of The Merry Wives of Windsor, one a proof, by Parker and Tomkins, after Harding and Saunders 2 62 The Meeting of the Sisters at Reculver; &c., by Haward, after A. Zucchi 9 63 Miss Linwood, by P. W. Tomkins—one in colours 2 64 Orga and Elfrida, by Marcuard; and Damon and Phoebe, by Delattre 9 65 The Handmaid, by Jas. Hogg, after Walton 1 66 Innocence and the Old Beau, after J. R. Smith 1 67 Friendship and Innocence, after Correggio, by Menageot 2 68 Bacchantes, series of four, by M. Bovi, after Lavinia, Countess of Spencer 4 69 Isabella and Theodore; and Theodore and Matilda, by W. N. Gardiner, after Harding 2} 70 The Cottage Breakfast; and the Cottage Supper, by Ogborn, after y Bigg 2 71 Inkle and Jarico, by Pollard, after Singleton 2 72, The English Fireside, by Tomkins, after Ansell 3 72* Domestic Happiness; and the Lover’s Parting, by T. Ryder, after Hack 2 f ‘a mM ¥ By bare PAE OVE. a 2 a) Pais Osia’ aves ae vot pel ' : aves. Mae Wie Wace. i tang ow e 1 Mes 5 rs . ty CEA S 1 ay ; rar i ; ee 1a bs d i 2 AFTER CIPRIANI. 73 Composition, by Marcuard; and Achilles instructed by Chiron, by J. Clarke 2 74 A Nymph Asleep, by P. Bettelini 1 75 Uriania, by Ryland; &c. 6 AFTER W. HAMILTON, R.A. 76 Children at Play, by Bartolozzi and C. Knight 4 77 Winter's Amusement; and Summer’s Amusement, by T. Gaugain 2 78 Children and Rabbits, and Children and Pigeons, by J. Barney 2 79 Edwin and Angelina; and Fonrose and Adelaide, by Marcuard 2 80 Two of the Months, January ; and November, by Gardiner 2 81 Morning : Noon; Evening; and Night, by P. W. Tomkins and Delattre 4 82 Autumn; and Winter, by Michel 2 83 Fonrose and Adelaide, by Marcuard; and Hebe, by Facius 2 84 The Resignation of Lady Jane Grey; and the Magnanimity of Mary Queen of Scots, by Ogborne 2 85 The Resentment of Queen Catherine, by Ogborne; and the A. fo = ai fits oy aes wh ee MD Ob Me 2 lap poke Site Yo. Pepe ee Papel Jee fi) Bates A: tf = Fortitude of Sir Thomas More, by Meadows 2 AFTER ANGELICA KAUFFMAN, R.A. 86 Royal Children, by Marcuard; and the Muses Crowing the Bust of Pope (2) 3 87 Cymon and Iphigenia, by Ryland; and Aglaia Bound by Cupid 2 88 Electra and Chrysothemis, by Harding; and Industry attended by Patience, by the Facius Bros. 2 89 Papirius Pretextatus, by Burke; and Posthumio, Consul of Rome, by Delattre 2 90 The Handkerchief, by Delattre ; &c. 9 91 The Death of Mark Anthony, by Delattre; &c. 2 8 2.4.— 92 Ariadne Awaked from Sleep, by the Bros. Facius; and Penelope Weeping over the Bow of Ulysses, by Delattre 2 /.~:— 98 Cupid’s Pastime, by the Bros. Facius /./o0-— 94 Peleus and Thetis, by Macklin; &c. 2 2,/5-— 95 Theseus finding his Father’s Sword and Sandals; and the Death of Procris, by Fielding 2 /: 5-- 96 Laura, by Bettelini; and Ariadne, by Delattre 2 77.4 97 Sano cestum a venere postulat, by Ryland 1 AFTER T. STOTHARD, R.A. /-/-— 98 Tllustrations to Bunyan’s ‘ Pilgrim’s Progress,’ by Strutt 9 -:./4.- 99 Rasselas, Prince of Abyssinia, by J. Parker ; and the Children in the Wood, by Collyer and Julius Tidd 2 ~.5’-— 100 The Village Maids, by Ogborne 1 ~/6-- 101 Faire Emmeline, by Simon 1 AFTER R. WESTALL, B.A. 3:--— 102 The Young Fortune-teller; and the Sheltered Lamb, by T. Gaugain 2 AFTER F. WHEATLEY, B.A. /:/0°-~ 108 Love in a Mill, by Delattre; and the Discovery, by Stanier 2 eae Ue ie 104 The Rustic Lover; and the Industrious Cottager, by C. Knight 2 BARTOLOZZI SCHOOL.— Framed. /./0-~ 105 Nymphs Sacrificing to Mercury, after Kauffman, by Marcuard 1 5. &-— 106 The Power of Love, by Ogborne; and the Power of Music, by Hogg, after Kauffman 2 8. 8 1097 Cupid and Ganymede; and a Flower, painted by Verelst, by Thomas Burke, after Kauffman 2 Y 108 The Cottager, after Bunbury, by Baldrey lilo 109 The Bunch of Grapes, proof, after ditto, by Shepheard tyes 110 Dormio innocuus, by Ryland, after Kauffman i427] 111 Olim truncus eram ficulnus inutile Lignum, by Ryland, after , _ Kauffman 112 Jupiter and Calisto, by T. Burke, after Kauffman 113 Beauty governed by Reason, by Delattre, after ditto 114 Beauty directed by Prudence, by ditto, after ditto 115 Orpheus and Eurydice, by T. Burke, after Kauffman 116 Abelard Offering Hymen to Eloisa, by Ogborne, after ditto 117 Una, by T. Burke, after ditto 118 The Fair Ariadne, én colours, after a drawing by Bartolozzi ~~ | } “ we ) Po ee Comics > tes Park 119 Children, proof, by Delattre, after Regard Sine 120 Mrs. Quinton, the Brighton Beauty, by Maile Be aes 121 Mrs. Fitzherbert, proof, by Condé, after Cosway Cau 122 A Tea Garden, by Soiron, after G. Morland Fi ae 123 The Farmer’s Door, proof, by Duterrau, after ditto ¥y. 13-- 124 Louisa, a pair, by Gaugain, after G. Morland D Gane MEZZOTINTS, MISCELLANEOUS. 125 A Young Shepherd, by W. Ward, after Opie 1; 4A 126 A Winter’s Tale, by Val. Green, after Opie 1.7 127 The Village Ghost, by Robt. Laurie, after Singleton 1. A 7aee 128 The Sailor’s Farewell, by Hudson, after Ramberg 1.9. 129 Europa, by J. R. Smith, after Cosway ; and “ Like Patience on a Monument,” by Val. Green, after Cosway—damaged D> Ee 130 A Shepherdess, by Dean, after Hoppner Le 131 The Watercress-girl, by J. Young, after Zoffany; and the Z A Flower-girl, proof, ditto al A Sb: 3. 3-- ie ae a Ale Femi ky 10 182 Children Reading Inscription; and a Girl Sketching a Portrait on the Ground, by W. Ward, after Paye 2 133 Children Throwing Snowballs, by W. Ward, after Paye 134 Children Spouting Comedy; and Children Spouting Tragedy, by Hodges, after Paye 2 135 Death of Robin ; and Robin’s Interment, by Dawe, after Paye 2 136 Angelica and Medora, by Earlom, after B. West; and the Return of the Prodigal Son, by J. Young, after ditto 2 137 Cupid stung by a Bee, by Val Green, after West 1 138 The Children in the Wood, by Jas. Watson, after Sir J oshua_ Reynolds 1 1389 Il Penseroso, by Robt. Dunkarton, after Romney 1 140 Antiope sleeping surprised by Jupiter, by Val. Green, after Vandyke ; and Dane by the Bros. Facius, after Titian 2 141 Faith, by J. Walker, after Gardner 1 142 The Gamesters, by W. Ward, after Peters E 143 The Beggar, proof, by P. Dawe, after Murrellia 1 144 School Boys giving Charity to a Blind Man, by J. R. Smith, after Bigg 1 145 William and Margaret, by J. R. Smith, after Wright 1 146 The Dancing Nymphs, by Fisher, after Werft 1 147 The Beggar and his Dog, by Kingsbury, after Kitchingman 1 148 The Boy and Pidgeons, by Phillips, after Mola 1 149 An Iron Forge, by Richard Harlom, after Wright 1 150 Youth, by Val. Green, after Kettle 1 151 Maria, by Pether, after Hurleston 1 152 The Orrery, by Pether, after Wright 1 1 153 The Enraptur’d Youth, by Jas. Watson, after Paul Moreelse 154 A Good Mother Educating Her Children; and Dutiful Children, by J. Dean 29 155 Vertumnus and Pomona, by W. Dickinson, after Pyne 1 ay et ve ph + he Pra) gta aha ty, O * > stv Ce 1% aay Meo} . ’ \ 4 ’ ‘ ~ fb so . Taidiged Ba tag wey at Ses, ie Fah 156 157 158 _ 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 dh The Pretty Maid Buying a Love Song, “ Printed and sold for Carington Bowles” Looe Grisette, by J. R. Smith; and a Boy taking Physic, by Dean, after Bambocci yee ye The Positive Argument; and the Philosopher of Bacchus Qi akin Ale Children Playing, by W. Dickinson, after Amiconi 132s The Nursing of Jupiter, by Huck; and Venus and Cupid, by Phillips 2 et The Shepherdess, by Dean, after Russell Yee i Reading by a Paper-bell Shade, by Dawe; The Humorous Viyiics Fiddler; &c. 4 The Silver Age, by J. R. Smith; &c. igs A Dutch Peasant, by T. Burke; &c.—2 proofs Byer Samma the Demoniac, by T. Burke; &c. Pe i ee AFTER GEORGE MORLAND. Recruit Deserted ; and Deserter Pardoned, by G. Keating O° Br ae Credulous Innocence, &c., by J. Young D:D ieee Harley and Old Edwards, by J. Pettit > Toga The Widow, by J. Dean T27eee The Effects of Youthful Extravagance l/s AFTER F. WHEATLEY, R.A. The Full of the Honeymoon ; and the Wane of the Honey- Se moon, by R. Laurie Be The Love-sick Maid; and The Marriage, by J. Dean 2 7 F.— MEZZOTINTS.—Framed. Miss Duncan; and Henry Yorke Wer a ae Madness, by Dickinson, after Pine—proof 1--7- The Unlucky Boy, by Dawe, after Hy. Morland LAV 12 _74-//4 — 176 The Letter-woman, by Dawe, after Hy. Morland 1 Yh C 177 Miss Kitty Dressing, by T. Watson, after Wright 1 6«5.- 178 Female Lucubration, by P. Dawe, after Faldson—proof 1 Z.2-— 179 The Oyster-woman, by Dawe, after Hy. Morland 1 /.+-— 180 A Connoisseur and Tired Boy, by ditto, after ditto 1 --/2.— 181 Money and Little Wit, by Okey, after Herbert 1 5. /5:— 182 Lady’s Maid soaping Linen, by Dawe, after Hy. Morland 1 3.7.~ 183 The Royal Academy, in 1771, by Harlom, after Brandon 1 ¢.4.— 184 The Inside of the Pantheon in Oxford Road, by ditto, after ditto J /-~:— 185 Cymon and Ipigene, by J. R. Smith, after Lawrinson; and Palemon and Lavinia, proof, by ditto, after ditto Z.--~ 186 A Lady and Her Children, by Thos. Watson, after Gardner 55° 187 A School, by Val. Green, after Opie / [0 188 Card Players, by Dean, after Opie y..€ 189 The Bird’s Nest, by Val. Green, after Huck 2.--— 190 The Wood Pigeons, by T. Park, after ditto 2---— 191 Drawing for King and Queen, by ditto, after ditto 2«->+— 192 The Mouse Trap, by ditto, after ditto 4%-/5-~ 193 Hop-pickers ; and Gleaners, by Ward, after Westall 2./0 194 Spring; Summer; Autumn; and Winter 4-~*~ 195 Pheasant Shooting ; and Partridge Shooting 4,./2.¢ 196 Affluence Reduced, by Hudson, after George Morland 4.4:—~ 197 The Fortune-teller, by J. R. Smith, after Rev. W. Peters, R.A. 3./3-C 198 A Rural Feast, by J. Dean, after George Morland 3.¢. ~ 199 The Disaster, by W. Ward, after F. Wheatley, R.A. C-/-_-. 200 The Entangled Kite, by W. Ward, after George Morland oe ee oe 2 eS /./3-- 201 Valentine’s Day, by J. Dean, after ditto We, fy i 902 A Visit to Grandfather, by W. Ward, after J. R. Smith; and a Visit to Grandmother, by J. R. Smith, after Northcote 2 Rai a ae hae ‘ A Tea iow t * Te 4 } ' hare, , be t . . q a ms, . ie iy ~ iw : £5 ey s ' a ia Pe , % ‘ i , ‘ ~ = 13 203 A Visit to the Boarding-school, by ditto, after George Morland 1 $7 ¢._ 204 A Visit to the Child at Nurse, by W. Ward, after George Morland 1 ¢ ./. 6 205 Cottagers, by ditto, after ditto 206 Travellers, by ditto, after ditto 207 Fan Mount 208 The Village Choir 209 The Cottage Sty, by Bell, after George Morland 210 The Rustic Hovel, by ditto, after ditto 211 A Mad Bull, by Dodd, after ditto 212 Portrait of George Morland, published by Orme 213 An Ass Race, by Ward, after George Morland 214 The Ass, by G. Morland 215 After George Morland—ceut close 216 Ditto—ditto 217 Ditto—ditto 218 Ditto—ditto 219 Six ovals—in one frame, fancy subjects £1 3.3-- 1 3-3.- oe aoe 1/2. 1/7. 4.— Ly bee e5 bec LA tee 1] 2S 1 287 zie 1:2:75.— 1 2.9.0 220 Portraits of Rubens, Kneller, Thornhill, and Jones—in one frame 221 Seventeen oval fancy subjects—in one frame 222 Seventeen ditto—ditto 223 Three ditto—ditto 224 Three circular subjects, painted in red; and one oval 225 Three oval ditto, original drawings ; and one coloured FINIS. London: Printed by Wm. Crowzs anp Sons, Limited, Stamford Street and Charing Cross. 172°> 121066 177.- 2 42 43:3 % 8 if J: HN Am STONE SNNPRUN LONNIE? LeSneHhh RPS TI CN ENP LEE NINN BRN RA ESO DNS AQUARIUS, LONDON