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ON FREE PUBLIC VIEW 
 
 AT THE AMERICAN ART GALLERIES 
 
 MADISON SQUARE SOUTH, NEW YORK 
 
 BEGINNING SATURDAY, FEBRUARY 19rn, 1921 
 
 AND CONTINUING UNTIL THE DATE OF SALE 
 (INCLUDING WASHINGTON’S BIRTHDAY) 
 
 FROM 9a. mM. UNTIL 6 Pp. Mo. 
 
 VALUABLE PAINTINGS 
 
 BY 
 OLD AND MODERN GREAT MASTERS 
 
 TO BE SOLD AT UNRESTRICTED PUBLIC SALE 
 
 BY ORDER OF A NUMBER OF PRIVATE OWNERS 
 AND SEVERAL ESTATES 
 
 ON THE EVENING OF THURSDAY, FEBRUARY 241Tx 
 BEGINNING AT 8.15 O’CLOCK 
 
 IN THE GRAND BALLROOM OF THE PLAZA 
 
 FIFTH AVENUE, 58TH TO 59TH STREET 
 
ILLUSTRATED CATALOGUE 
 
 OF 
 
 weaLUABLE PAINTINGS 
 OLD AND MODERN GREAT 
 MASTERS 
 
 TO BE SOLD AT UNRESTRICTED PUBLIC. SALE 
 
 FOR ACCOUNT OF A NUMBER OF PRIVATE 
 OWNERS AND SEVERAL ESTATES 
 
 ON THURSDAY EVENING, FEBRUARY 24Tn, 1921 
 
 IN THE GRAND BALLROOM 
 Peethe HOTEL PLAZA 
 
 THE SALE TO BE CONDUCTED BY 
 MR. THOMAS E. KIRBY 
 AND HIS ASSISTANT, MR. OTTO BERNET, OF THE 
 
 AMERICAN ART ASSOCIATION, ManacGers 
 
 NEW YORK CITY 
 
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 DESIGNS ITS CATALOGU UES 
 ALL DETAILS as ILLU 
 
CONDITIONS OF SALE 
 
 1, Any bid which is merely a nominal or fractional advance may 
 be rejected by the auctioneer, if, in his judgment, such bid would be 
 likely to affect the sale injuriously. 
 
 2. The highest bidder shall be the buyer, and if any dispute arise 
 between two or more bidders, the auctioneer shall either decide the same 
 or put up for re-sale the lot so in dispute. 
 
 3. Payment shall be made of all or such part of the purchase 
 money as may be required, and the names and addresses of the pur- 
 chasers shall be given immediately on the sale of every lot, in default 
 of which the lot so purchased shall be immediately put up again and 
 re-sold. | 
 
 Payment of that.part of the purchase money not made at the 
 time of sale shall be made within ten days thereafter, in default of 
 which the undersigned may either continue to hold the lots at the 
 risk of the purchaser and take such action as may be necessary for 
 the enforcement of the sale, or may at public or private sale, and 
 without other than this notice, re-sell the lots for the benefit of such 
 purchaser, and the deficiency (if any) arising from such re-sale shall 
 be a charge against such purchaser. 
 
 4, Delivery of any purchase will be made only upon payment 
 of the total amount due for all purchases at the sale. 
 
 Deliveries will be made on sales days between the hours of 9 
 A. M. and 1 P. M., and on other days—except holidays—between the 
 hours of 9 A. M. and 5 P. M. 
 
 Delivery of any purchase will be made only at the American Art 
 Galleries, or other place of sale, as the case may be, and only on pre- 
 senting the bill of purchase. | 
 
 Delivery may be made, at the discretion of the Association, of 
 any purchase during the session of the sale at which it was sold. 
 
 5. Shipping, boxing or wrapping of purchases is a business in 
 
 which the Association is in no wise engaged, and will not be performed 
 
by the Association for purchasers. The Association will, however, 
 afford to purchasers every facility for employing at current and 
 reasonable rates carriers and packers; doing so, however, without any 
 assumption of responsibility on its part for the acts and charges of 
 the parties engaged for such service. 
 
 6. Storage of any purchase shall be at the sole risk of the pur- 
 chaser. Title passes upon the fall of the auctioneer’s hammer, and 
 thereafter, while the Association will exercise due caution in caring 
 for and delivering such purchase, it will not hold itself responsible if 
 such purchase be lost, stolen, damaged or destroyed. 
 
 Storage charges will be made upon all purchases not removed 
 within ten days from the date of the sale thereof. 
 
 7. Guarantee is not made either by the owner or the Association 
 of the correctness of the description, genuineness or authenticity of any 
 lot, and no sale will be set aside on account of any incorrectness, 
 error of cataloguing, or any imperfection not noted. Every lot is 
 on public exhibition one or more days prior to its sale, after which 
 it is sold ‘fas is” and without recourse. 
 
 The Association exercises great care to catalogue every lot cor- 
 rectly, and will give consideration to the opinion of any trustworthy 
 expert to the effect that any lot has been incorrectly catalogued, and, 
 in its judgment, may either sell the lot as catalogued or make mention 
 of the opinion of such expert, who thereby would become responsible 
 for such damage as might result were his opinion without proper 
 
 foundation. 
 
 AMERICAN ART ASSOCIATION, 
 American Art Galleries, 
 Madison Square South, 
 New York City. 
 
EVENING SALE 
 
 THURSDAY, FEBRUARY 24, 1921 
 
 IN THE GRAND BALLROOM OF 
 THE PLAZA 
 
 FirtH Avenus, 58TH to 59TH STREET 
 
 BEGINNING AT 8.15 O’CLOCK 
 
 WILLIAM GEDNEY BUNCE, N.A. 
 AMERICAN: 1840—1916 
 1—APPLES 
 
 Height, 10 inches; length, 141% inches 
 
 _Lyine in a small, gray-white china dish are a large ripe golden-yellow 
 apple with a soft bloom on its delicate skin, and the half of a rosy 
 apple, its flesh exposed even to the seeds of the split core. Back of 
 the dish, on the yellowish-mahogany table, is a large apple, red and 
 light green; glossy green grapes are scattered on the table beside 
 it; and the background is a rich, dark green, modified by reflections 
 from the table—the whole in “juicy” color. 
 
 Purchased from Messrs. Cottier & Co. 
 
 From the I. T. Williams Collection, 1915. 
 
 Property of a Private Collector. 
 
 d - Dn 
 b 55. A. dhblrrg 
 
AUGUSTIN THEODULE RIBOT 
 FrencuH: 1823—1891 
 2—THE COOK 
 Height, 11 inches; width, 844 inches 
 
 Harmony softly melodious—a motive in rich browns, olive and gray, 
 
 and the tones of sun-warmed flesh. The background is dark brown, 
 
 varying in intensity, the whole surroundings are dark, with a subdued 
 _ light from above on the right falling upon the gray-white cap and 
 
 coat of a hardy peasant who is seated beside a dark brown basket of 
 
 green vegetables. 
 Signed at the lower right, 'T. Risor, 1853. 
 
 Purchased from the late Daniel Cottier. 
 From the I. T. Willtams Collection, 1915. 
 Property of a Private Collector. 
 4 25: ‘th = Harta 
 JAMES ABBOTT McNEILL WHISTLER 
 AmERIcAN: 18341903 
 3—GREENWICH 
 Height, 6 inches; length, 10 inches 
 Tue Greenwich docks, in the middle distance, with shipping tied up 
 and two or three smoking chimneys, lie beyond a foreground of gray 
 
 waters. The evening sky! shows tints of warm, smoky red below and, 
 above, dull yellow blue—the whole harmoniously united. 
 
 Signed at the lower right with the Whistler butterfly device. 
 
 Property of V. WrntHrop Newman of London and New York. 
 
 1/0. m TNOTL 
 
EMIL CARLSEN, N.A. 
 AMERICAN: 18— 
 4— STILL LIFE 
 Height, 17 inches; width, 14 inches 
 A puumpP chicken, dressed and laid on a table with white cloth, the 
 head with feathers left on the neck, according to poulterer’s custom, 
 
 hanging over the edge; on the table, also, a glass flagon; background 
 of green-gray. 
 
 Signed at the lower right, Emit Cartsen, and dated 94. 
 Property of a Private Owner. 
 
 qe. ae Wr dyn e. 
 
 CHARLES EMILE JACQUE 
 Frencu: 18138-1894 
 
 5—CHICKENS 
 (Panel) 
 
 Height, 4% inches; length, 6 inches 
 Unper a slant of light which gilds the straw at their feet are two hens, 
 
 a black one standing and about to peck for food, and a white one 
 sitting, before a neutral grayish background. 
 
 Signed at the lower left, Cu. JacaueE. 
 From the Alexander Blumenstiel Collection, 1906. 
 
 Property of Miss Harriet WILLIAMS. 
 
 a0. Saliriaves’ ballt 
 
THEOPHILE DE BOCK 
 DutcnH: 1850—1904 
 
 6—CATTLE AT THE POOL 
 (Panel) 
 Height, 81% inches; length, 14144 inches 
 
 At the farther edge of marshy shallows in the foreground some black, 
 black and white and red cows are standing, in front of some low, 
 broken hills, with trees at either side, on a day of passing showers. 
 
 Signed at the lower right, Tu. pE Bock. 
 
 Property of a Private Owner. 
 
 $470 K, Undetgor. 
 
JEAN JACQUES HENNER 
 Frencu: 1829—1905 
 
 7—RECLINING NYMPH 
 Height, 10 inches; length, 16 inches 
 
 FcuLi-LenetH nude female figure, reclining, in back view, on grassy 
 foreground; body supported on elbow of left arm, head, with auburn 
 hair, inclined as eyes look into blue waters of a pool which is seen at 
 extreme left; landscape setting of tree foliage at right, hillside and 
 blue sky at left. 
 
 Signed at the upper right, J. J. HENNER. 
 Purchased from Fishel, Adler & Schwartz. 
 Property of J. S. Aron. 
 
 550. UW. ul” Ter age. 
 
LOUIS METTLING 
 GERMAN: 1847—1904 
 
 8—RELICS OF THE PAST 
 Height, 13 inches; width, 9 inches 
 
 A RAW-BONED, blue-eyed youth, seated on a low cask and observed in 
 a half-light, is indulging in martial dreams. He has clad himself in 
 a soldier’s brass-buttoned great-coat and campaign hat, shoes that 
 are too big for him, puttees or leggings which sag, and he holds under 
 one arm a folded red blanket. Between spread knees his lanky hands 
 close upon the scabbard of a long sword whose hilt is high as his 
 shoulder. 
 
 Signed at the lower left, METTLING. 
 
 Purchased from the late Daniel Cottier. 
 From the I. T. Williams Collection, 1915. 
 Property of a Private Collector. 
 
 65 f.6, Willever: 
 
L. ALFRED STEVENS 
 Brexician: 1828—1906 
 
 9—LA DAME AU PIGEON 
 Height, 18 inches; width, 15 inches 
 
 On a garden path, a full-length figure of a lady, in profile to left; 
 warm blonde hair under small hat with spray of blossoms; long black 
 walking coat with pendent blue neck ribbons, over black dress; left hand 
 holding skirt and gloved, right hand bare raised in gentle gesture, and 
 in front of her on the ground a white pigeon with blue ribbon circlet. 
 In background, a border of flowers and foliage and blossoms above. 
 
 Signed at the lower left, A. STEVENS. 
 
 Property of and inherited by Cotonet Lton OstErreITH, from the 
 Estate of his family, in whose possession it has been for many years, 
 as a part of the Collection Osterreith located in the Family Palace 
 on the Place de Meir at Antwerp, Belgium. 
 
 300. lr. Aathéon. 
 
JEAN BAPTISTE CAMILLE COROT 
 
 Frencu: 1796—1875 
 
 10—THE PASTURAGE 
 (Panel) 
 
 Height, 111% inches; length, 19% inches 
 
 An irregular roadway passes from right to left in a foreground of 
 meadows, where, at left, is a peasant woman and her cow. At right 
 are two pollard willows and a few other small trees while beyond, 
 lying in a valley, are the roofs of a little town. Above the low horizon 
 is a luminous sky composed of white cloud which but partially veils 
 the blue. | 
 
 Signed at the lower right, Corot. 
 
 Recorded in Robaut’s “L’Geuore de Corot,” Volume III, No. 2297, and 
 dlustrated from a drawing by Alfred Robaut. Painted, 1870- 
 LS ii 
 
 Property of a Private Collector of Boston. 
 
 gL 5. WES Jaknbon 7 
 
ANTON MAUVE 
 Dutcu: 1838—1888 
 
 11—FEEDING TIME 
 Height, 13 inches; length, 18 inches 
 A BLACK and white cow, in side view to right, with a peasant woman 
 
 wearing gray blouse, black skirt and blue and white kerchief standing 
 at her head, in a grassy farmyard; foliage above the wall, at left. 
 
 Signed at the lower right, A. Mauve. 
 
 Property of a Private Owner. 
 
 Aro AMS. porrsor., 
 
 WILLIAM SARTAIN, A.N.A. 
 AMERICAN: 1843— 
 12—LANDSCAPE 
 Height, 14 inches; length, 17 inches 
 Brrore a robin’s-egg sky laden with strata of light fleecy clouds a 
 
 dense wood is silhouetted on the right, projecting into a field of wild 
 land, the herbage brown in autumn hue. 
 
 Signed at the lower right, W. Sartain. 
 
 Property of a Private Owner. 
 
 GO. . ibd) Se Pe, : 
 
JAMES M. HART, N.A. 
 
 AMERICAN: 1828—1901 
 
 13—LANDSCAPE AND CATTLE 
 
 Height, 20 inches; width, 16 inches 
 
 In pastures through which winds a shallow stream are five cows stand- 
 ing at rest and in the left foreground are two calves. At left some 
 widespreading trees border the field and over all is a sky of summer 
 clouds with spaces of blue. 
 
 Signed at the lower left, James M. Hart, and dated, 1889. 
 
 From the Estate of Mary A. Rogsrns. 
 
 4108 hae 
 
 SCHOOL OF SIR ANTHONY VAN DYCK 
 
 FiemisuH: 1599—1641 
 
 14—PORTRAITS OF SAINTS 
 Twelve Panels in one frame, each: H eight, 5 inches; width, 414 inches 
 
 Upper row: Saints Andrew, Thomas, Simon, Peter. 
 Middle row: Saints James, James the Less, Bartholomew, John. 
 Lower row: Saints Paul, Philip, Matthew, Mark. 
 
 HaL¥-LeneTu pictures of the twelve saints, all showing a hand or both 
 hands; robes—some red, some blue, some brown; heads in different 
 positions, full-face, three-quarters or profile; all of varying ages and 
 all bearded except one, St. John. 
 
 Property of FrrNanv Goossens, Professor of Fine Arts, University of 
 Brussels. 
 
 250. LU Scareunn ag, 
 
ADRIAEN BRAUWER 
 Fremisu: 1605 or 6—1638 
 
 15—LE BUVEUR 
 Height, 814 inches; width, 724 inches 
 
 SEATED figure of a young man in pink-brown loose jacket, at a table 
 on which are a white cloth, a loaf of bread and a pewter tankard. His 
 head is raised and turned in three-quarters to left as he regards a glass 
 of wine, held high in his right hand. With the left hand he grasps 
 the handle of the tankard. In the background of the tavern room are 
 four figures near an open door. Characteristic of the famous artist 
 in subject, interpretation and technical treatment. 
 
 On back of panel: a printed criticism from the Paris Figaro, by A. J. Wauters, 
 
 highly praising this work when it was in an exhibition of Old Masters, held in Paris 
 in 1880. 
 
 Property of and inherited by Cotonet Lton Osterreitu, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 600. Ll. Karhbon. 
 
JEAN BAPTISTE GREUZE 
 Frencu: 1725—1805 
 
 16—PORTRAIT STUDY 
 (Panel) 
 Height, 10 inches; width, 84% inches 
 
 Heap of a young man in nearly full-face, to left; brown hair, bare 
 throat with gray collar of coat at either side. 
 With this picture, Greuze’s palette, the one he last used, in case with label: 
 
 “Palette de Greuze, Paris, 1805.” On the palette: nine small brushes, bound with 
 dark blue ribbon and attached with two seals of red wax. 
 
 Property of and inherited by Cotonet Léon OsterreitH, from the 
 Estate of his family, in whose possession it has been for many gen- 
 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 f 200. 0. 1 etnel agl 
 
JEAN VAN RAVENSTYN 
 Dutcu: 1572—1657 
 
 17—PORTRAIT OF A WOMAN 
 (Panel) 
 
 Height, 181% inches; width, 1484 inches 
 
 Heap of a woman with florid complexion in three-quarters view to 
 right; white cap and ruff, black dress, careful technique and exact 
 
 drawing. 
 
 Inscription across top of panel, “Aetat 64, anno dni, 1604. 
 
 Property of FERNAND GoossEns, Professor of Fine Arts, University of 
 
 Brussels. 4 
 : 125. Ve. Glendening. 
 
JOHN OPIE, R.A. 
 EwneuisH: 1761—1807 
 18—PORTRAIT OF HIMSELF 
 (Panel) 
 Height, 18 inches; width, 1424 inches — 
 
 Hatr-LenctH portrait of the artist, seated and facing the observer, 
 with head inclined slightly toward his right shoulder and glance directed 
 toward his right. Light from his left falls full upon his features, and 
 upon his white flowing collar and loosely tied old-rose scarf. He is 
 clad in brown, and his left hand clasps the top of a stick. Neutral 
 background. 
 
 Property of a Private Collector. 
 
 JOHN OPIE, R.A. 
 EncusH: 1761—1807 
 
 19—THE FORTUNE TELLER 
 (Panel) 
 Height, 18 inches; width, 1424 inches 
 
 THREE-QUARTER-LENGTH portrait of a young girl with bewitching eyes 
 and quizical expression, standing and facing the spectator, turned 
 slightly toward the left. She has a warm gipsy complexion, her eyes 
 are a light hazel, and her rebellious brown hair is but lightly bound 
 by a golden ribbon. A dark reddish cloak hangs over her shoulders, 
 and at her waist she holds a card from the suite of hearts before her 
 brown dress. Conventional landscape background. 
 
 Property of a Private Collector. 
 
 SO. E Caton . 
 
CONSTANTINE NETSCHER 
 Dutcu :* 1670—1722 
 
 20—SOAP BUBBLES 
 (Panel) 
 
 Height, 19 inches; width, 151% inches 
 
 A soy with blond curls, wearing pink doublet, white lace collar and 
 full white undersleeves, body and head to front, leaning on balustrade; 
 left arm resting on it and blow tube in hand; right hand raised and 
 holding small glass bowl; large vase at right, background of foliage 
 and sky. 
 
 Property of FerNanp Goossens, Professor of Fine Arts, University of 
 Brussels. 
 
 /00. 4. SM Whback. 
 
RUSSIAN SCHOOL 
 
 21—LE CHRIST EN CROLX 
 
 (Panel) 
 Height, 184% inches; width, 1444 wmches 
 
 A METAL cross with the figure of Christ upon it forms the center of 
 this work and on either side of it are painted four full-length figures 
 of saints, their titles inscribed on their gold halos. Back of the cross 
 are seen the houses of a town and, above, in a clouded sky, at right 
 and left, are circular symbols of faces with inscriptions of the Greek 
 
 Church. 
 
 Property of and inherited by Cotonet Lton Osterreiru, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located im the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 f 130 MW We Seamnam agl 
 
JEAN FRANCOIS RAFFAELLI 
 | Frencu: 1850— 
 
 y22-—-ON HIS WAY 
 Height, 151% inches; length, 181 inches 
 
 Low scraggly vegetation accented by occasional knobs of shrubbery, 
 on the uneven and wild land of a rolling heath, shares the ground sur- 
 face with exposures of white soil, varied by expanses of a ferrous red. 
 In the distance are outlying houses of a town, and a church’ spire 
 is seen. In the foreground, passing to the right, is a lone man of 
 stocky build, carrying a bundle in a bag over his shoulder and accom- 
 panied by his dog. 
 
 Signed at the lower right, J. F. Rarra&.u. 
 
 From M. Knoedler & Co., New York. 
 
 Property of a Private Owner. 
 
 LALO. WW, Tharpbore. 
 
 GEORGES WASHINGTON 
 Frencu: 1827—1903 
 
 23—A REFRESHING DRINK 
 Height, 181% inches; width, 15 inches 
 
 Aw Arab chieftain, with white and yellow bernous and turban, mounted 
 on a beautiful white steed, has stopped in an oasis and is drinking a 
 cup of water which has been handed to him by a native girl, in red 
 with white headdress, who stands at the horse’s head with her left hand 
 on the breast strap of the jeweled harness. The chieftain holds by the 
 muzzle with his left hand his long rifle which he has let slip to rest on 
 the ground, and a large blue water jug stands nearby. Landscape 
 setting of palm trees and blue sky. 
 
 Signed at the lower left, G. WasHINGTON. 
 
 From the Estate of Mary A. Ropsrns. 
 
 60. V4 Lor . 
 
ADOLPHE MONTICELLI 
 
 Frencu: 1824—1886 
 
 24—THE FARMYARD 
 Height, 154% inches; length, 24 inches 
 
 In front of a low stable, of whose roof only the lower edge is visible, 
 a large gray rooster and hen are leading a quiet, unruffled life in the 
 warm glow of strong sunlight, and another, darker fowl is in shadow 
 against a side building at the left. In the corner is a rain barrel. The 
 stable is a yellowish white, with hints of rose, and its uneven roof of 
 thatch or ancient tile is brown and black and gray and green and 
 red, weathered and “barnacled,”’ and in the harmony of time softened 
 in tone withal. The rudely built heavy wooden door is open, and in 
 the shadows within a pair of expressive long ears are conspicuous. 
 Coming down some stone steps at the right, outside, is a chubby small 
 boy. 
 
 Signed at the lower left, MonTIcELt1. 
 
 Purchased from Messrs. Cottier & Co. 
 From the I. T’.. Williams Collection, 1915. 
 Property of a Private Collector. 
 
 age LW Mrauphart 
 
JULES ADOLPHE BRETON, 
 Frencu: 1827—1906 
 295—LANDSCAPE 
 (Panel) 
 Height, 14 inches; length, 2134 inches 
 
 A ztanpscaPrE of rich tonality, showing a group of buildings with low 
 white walls and brown roofs, at right, where a man on a white horse 
 and a maid, standing beside hin, are chatting; at left, a peasant woman 
 and a child, near a large cauldron; hills in distance, sky of white and 
 gray clouds. 
 
 Signed at the lower right, J. Breton. 
 
 Property of Frernanp Goossens, Professor of Fine Arts, University 
 of Brussels. 
 
 G00. @. tdudenl, agl. 
 ALBERTO PASINI 
 
 Iratian: 1826—1899 
 
 26—THE COURT ON A JOURNEY 
 Height, 251% inches; width, 194 inches 
 
 ProcrEDING up a road which leads through a mountain pass, a great 
 company of splendidly mounted Arab notables wearing rich vest- 
 ments and carrying aloft their lances, are escorting two canopied con- 
 veyances, one with light blue the other with rose-colored curtains. It 
 is evidently a déplacement of importance, perhaps a journey to a Mo- 
 hammedan shrine. The upper part of the composition is occupied by 
 rocky ranges and dull blue sky. 
 
 Signed at the lower right, A. Pastnt. 
 
 From the Estate of Mary A. Rossins. 
 
 /60. Wm. Marribon | 
 
RUDOLF ERNST 
 German: 1854— 
 
 2(1—ORIENTAL INTERIOR WITH FIGURE 
 Height, 24 inches; width, 19 inches 
 
 In a marble corridor with gold ornamentation and brilliant stained 
 glass windows, an Arab with venerable white beard and elaborate cere- 
 monial dress stands facing the left, three-quarters front, left hand 
 resting on hip. In his right hand he holds a copper ewer from which 
 he is filling glasses which are inset in a circular table surrounding the 
 standard of a tall lamp that extends much higher than his head. 
 
 Signed at the lower right, R. Ernsr. 
 Property of a Private Collector. 
 
 $/30 Mts fabnben | 
 
 JEHAN GEORGES VIBERT 
 Frencu: 1840—1902 
 
 28—ENTRANCE TO THE MONASTERY 
 Height, 251% inches; width, 2114 inches 
 
 A sTONE stairway of angular course mounts from a court, within an 
 embrasure of a gray building whose walls are all but bare of adorn- 
 ment. Sunshine and shadow play upon them, and half-way up the 
 stairs a woman in black stands looking sadly over a balcony railing, 
 while at the foot of the stairs a cloaked man, hat in hand, looks up at 
 her. 
 
 Signed at the lower right, Totep—E—J. G. Viper. 
 
 Property of a Private Collector. 
 
 Shee Mott. Hyman. 
 
WILLEM ROELOFS 
 Dutcu: 1822—1897 
 AND 
 
 EUGENE JOSEPH VERBOECKHOVEN 
 Dutcu: 1799—1881 
 
 29—_LANDSCAPE, SHEEP AND SHEPHERD 
 Height, 18%4 inches; length, 20 inches 
 
 In verdant lowlands plentifully watered by green canals a village 
 of creamy walls and red tile roofs lies in sunshine amid dense trees, and 
 in the transparency of a cloud-shadow over the foreground is a shep- 
 
 herd with his flock. 
 
 Signed at the lower left, W. Rortors. EucENE VERBOECKHOVEN. 
 
 Property of a Private Owner. 
 
 SLE. 9.9.12. Ushuputs’ 
 
JEAN BAPTISTE CAMILLE COROT 
 Frencu: 1796—1875 
 
 30—LANDSCAPE 
 (Panel) 
 
 Height, 16 inches; width, 12% inches 
 
 Just beyond a simple foreground with tufts of herbage a little stream 
 passes bordered by thickly growing clumps of willows. Here a woman 
 is tending her two grazing cows. ‘Tall, slender trees rise from either 
 side of the stream and on the farther side, half-hidden bythe willow 
 foliage, is a little group of white-walled houses. The sky is composed 
 of delicately modified white clouds with touches of blue in the upper 
 part. : | 
 
 Signed at the lower left, Corot. 
 
 Property of a Private Collector of Boston. 
 
 $950. hts. 84 Boardman. 
 
ROBERT REID, N.A. 
 
 AMERICAN: 1863— 
 31—THE BROOK 
 
 Height, 26 inches; length, 284% inches 
 
 EN PLEIN arr a fair young woman nude, with a light drapery at her hip, 
 is observed in profile to the left, seated on the sloping bank of a brook 
 which courses down the center of the composition in the seclusion of a 
 wood, the leaf-filtered sunlight playing in color on foliage and stream 
 
 and the soft flesh. 
 Signed at the lower left, Ropert Ret. 
 
 Purchased direct from the artist. 
 
 Property of Vicror Harris, Esa. 
 
 $70 LOBE 
 
GUSTAVE COURBET 
 Frencu: 1819—1877 
 
 32—THE BLACKSMITH’S SHED 
 Height, 231% inches; length, 29 inches 
 
 In the shade of trees that stand at the right, and of the projecting 
 tiled roof of a French brown farm building occupying the center of the 
 composition—which is a wing of an adjoining low brown building-group 
 on the left—two farm horses are tethered, a white and a sorrel, and 
 an aproned man is currying the white one. A slant of sunshine 
 illumines the horses’ coats and glints softly from the grassy ground, 
 and the foliage of the trees stands out against a oo turquoise 
 sky veiled with creamy-white clouds. ; 
 
 This painting has been exhibited both as “The Blacksmith’s Shed” and as 
 “The Blacksmith’s Shop.” 
 
 Exhibited at the Metropolitan Museum of Art. 
 Collection of Alexander Morten, New York, 1919. 
 
 Property of a Private Collector. 
 
 $1.00. lbp, I dancer 
 
JEAN BAPTISTE CAMILLE COROT 
 Frencu: 1796—1875 
 
 33—GLADE IN PIERRE WOODS, IN EV AUX, 
 NEAR CHATEAU-THIERRY ~ 
 
 (Panel) 
 
 Height, 18 inches; width, 13814 mches 
 
 - Tue middle portion of this graceful composition is filled with the foliage 
 of trees which stand on either bank of a little stream passing through 
 level fields. At extreme left is another tree, tall and slender at the foot 
 of which are two women, one of them gathering wild flowers. In dis- 
 tance, a church and other buildings; high sky of warm-tinted white 
 clouds with some qualified blue above. 
 
 Painted, 1855-1865. Recorded in Robaut’s “L’Qiwore de Corot,” 
 Volume III, No. 1920, and reproduced from drawing by Alfred 
 Robaut. : 
 
 Durand-Ruel Exhibition, Paris, 1878 (No. 106). 
 Signed at the lower left, Coror. — 
 Property of a Private Collector of Boston. 
 
 $ / Fo0. , | Ce 
 
HENRI JOSEPH HARPIGNIES 
 
 Frencu: 1819—1916 
 
 344 HOLIDAY IN THE WOODS 
 
 Height, 26 inches; width, 2014 inches 
 
 A company of children, ten boys and two little girls, enjoying a ring-. 
 around-a-rosy and other diversions on the grass at the edge of a wood 
 where a road, passing through, winds into the distance between groups 
 . of tall trees. Between the foliage masses appears an early evening 
 sky with warm tints below and white cloud flecks in tempered blue above. 
 
 Signed at the lower left, H. Harvrientes. 
 From the Estate of Mary A. Rossrns. 
 
 £120. Wm. caporté. 
 
 ALBERTO PASINI 
 
 Irauian: 1826—1899 
 
 35—HUNTING IN NORTH AFRICA 
 
 Height, 26 inches; width, 21% inches 
 
 A HUNTING scene in the French possessions of Northern Africa depict- 
 ing two tribal chiefs, one a swarthy, bearded Arab, the other a negro, 
 both riding superb horses side by side toward the spectator, the Arab 
 with a falcon on his wrist held high, the other with his long-barrelled 
 gun pointing upward. At left, two hunting dogs are in full chase. The 
 landscape setting shows a plain stretching away to rocky hillsides and 
 sky of clouds with blue in upper right. 
 
 Signed at the lower left, A. Pastn1, and dated, 1867. 
 
 From the Estate of Mary A. Rossins. 
 
 160. Ww. BA) 2 ag. 
 
ARMAND GUILLAUMIN 
 
 FrencH: CONTEMPORARY 
 
 36—LA LECTURE (Madame Cézanne reading) 
 Height, 24 inches; width, 20 inches 
 
 SEATED in a deck chair on a path in a garden blooming with flowers 
 and the walls of a house seen indistinctly through the foliage, is a 
 woman wearing a gown of red with black velvet trimming and a blue 
 hat with white flowers. She is depicted reading a book with yellow 
 
 paper covers. 
 Signed at the lower right, GUILLAUMIN. 
 
 e e e > 
 Purchased from Bernheim jeune et Cre, Parts. 
 
 Property of a Private Collector. 
 
 230. LU, Kroubpaas 
 
VICTOR PIERRE HUGUET 
 
 Frencu: 1835—1902 
 
 37—_DESERT ENCAMPMENT 
 Height, 2524 inches; length, 34 inches 
 
 On flat yellow sands of a desert, with indications of an oasis, and 
 barren hills in the background, men have set up their brown tents in 
 a long line. Near one of them in the foreground two horses and a 
 man stand with backs to the spectator and the strong breeze. 
 
 Signed at the lower right, V. Hucuer. 
 
 Property of a Private Owner. 
 
 feo. 4.te Usfu hbo? 
 
VICTOR PIERRE HUGUET 
 
 Frencu: 1835—1902 
 
 38—ARABIAN SCENE 
 Height, 251% inches; length, 32 inches 
 
 GREEN marshlands and yellow sands spread over the foreground, before 
 a line of low and barren hills, and in the marshes are five Arab horse- 
 men, interested in the flight of a falcon, in whose direction one man 
 speeds his horse. 
 
 Signed at the lower left, V. Hucver. 
 
 Property of a Private Owner. 
 
 Bed 8. fA. Tbe. 
 
THOMAS H. WATSON 
 EnecusuH: 1839— 
 
 39—MOUNTAIN SHEEP 
 Height, 24 inches; length, 36 inches 
 
 RuccED mountains all but treeless form a high skyline, and are cleft 
 by a narrow stream. On their slopes covered with green and brown 
 herbage a group of black-faced sheep are standing or lying at rest. 
 
 Signed at the lower right, TH. Watson, 19038. 
 Property of a Private Owner. 
 
 f 220. fA. teurell. 
 
 A ee ee ee Nien eee 
 
EDWARD GAY, N.A. 
 AMERICAN: 1837— 
 
 40—GOLDEN HARVEST 
 Height, 2014 inches; length, 3014 inches 
 
 THE ripened grain, a rich and warm golden yellow, extends across the 
 foreground, and a man stands waist high in it at the edge of a mown 
 section toward the right. Across the background, low hills and green 
 trees, and farmhouses. 
 
 Signed at the lower left, E>warp Gay. 
 
 Property of a Private Owner. 
 
 0. EH. Manning. 
 
WILLIAM M. CHASE, N.A. 
 
 AMERICAN: 1849—1916 
 
 41—FISH WITH STILL LIFE 
 
 Height, 29 inches; length, 36 inches 
 
 Tuts is an example of the craftsmanship of this artist at its highest. 
 The composition is made up of three great fish in the foreground ; 
 there is a black pot lined with brass, another vessel almost lost in the 
 shadows, and a piece of green pottery which alone would be-a master- 
 piece. The modeling of the fish, the textures, the peculiar moist slip- 
 periness of fish are all done with the brush of a magician. With pure 
 pigment has he done all this, and done it as few men had the power 
 to do. No finer example of his art has appeared in a long time. 
 
 Signed at the lower left, Wm. M. Crase. 
 
 Property of a Private Collector. 
 
 f 900. | oA. Joolh v don. 
 
JOHN J. ENNEKING 
 AMERICAN: 1841— 
 
 42—_SUDDEN RAIN: A SUMMER SHOWER 
 Height, 22 inches; length, 30 inches 
 
 In a hayfield just cleared and where the sun is still shining in the 
 foreground, farmers are hastening with the last loads, doomed to be 
 overtaken by a sudden drenching shower which already darkens the 
 broad background hillside. 
 
 Signed at the lower right, ENNEKING, 98. 
 
 Purchased direct from the artist. 
 
 Property of Victor Harris, Esa. 
 
 $ /00. BA. Vrelor. 
 
 CHARLES MELVILLE DEWEY, N.A. 
 AmeErRscAn: 1851— 
 43—SUNSET 
 Height, 29 inches; length, 36 inches 
 
 In the foreground a pond with reeds, and in the middle distance at left 
 a cottage in the shelter of a clump of tall trees, with other buildings 
 and sinuous trees at the right, the whole landscape dark in the gloaming 
 and a light glowing red within the cottage. Afar off the whole sky is 
 crimson and gold in the afterglow of the departed sun. 
 
 Signed at the lower left, CHartes MetvittE Dewey. 
 
 Property of a Private Owner. 
 
 510. 4. deabongood. 
 
FRANK DE HAVEN, A.N.A. 
 AMERICAN: 1856— 
 
 44-—LANDSCAPE AT SUNSET 
 Height, 28 inches; length, 361 inches 
 
 GREEN fields sloping lightly from either side toward a rough field road, 
 with trees on the right, lie darkly under a lowering cloud, the shadow 
 giving way in the middle distance to broad fields with more trees, all 
 still alight from the rose and golden glow of a luminous sunset sky 
 banked with horizon clouds. In the road a woman and child wend a 
 slow way homeward toward the lighted fields. 
 
 Signed at the lower left, F. D—E Haven, 1895. 
 
 Property of a Private Owner. 
 
 70 oie Spence” 
 FERDINAND DE BRAEKELEER THE ELDER 
 Fremisu: 1792—1883 
 
 45—ANTWERP AFTER THE BOMBARDMENT IN 1832 
 Height, 2334 inches; length, 2834 inches 
 
 Tue scene depicted shows a part of Antwerp, with its fort at left, which 
 was occupied by the Dutch and bombarded by the French under Gen- 
 eral Girard, whose figure is seen in the left foreground. In the center 
 of the composition, in middle distance, is a gate of the city; at right, 
 a street and buildings. Above the roofs are two towers the one to 
 
 right being the famous spire of the cathedral. Sky of clouds and blue. 
 
 Property of Fernanp Goossens, Professor of Fine Arts, University 
 of Brussels. 
 
 60 Wim. I daporle. 
 
: MEINDERT HOBBEMA _ 
 
 ~ Dutrcu: 1638—1709 
 
 46—LANDSCAPE WITH WATERMILL 
 
 H eight, 18 inches; length, 24 inches 
 
 Art the left a mill with red-tiled roof stands under the shade of trees 
 and back of it, in sunlight, is another red-roofed building. In center 
 foreground, a stream; at right, the other bank with a full-foliaged tree; 
 beyond, a prospect of flat country with groups of trees; sky of large 
 - masses of white clouds with a space of blue in upper center. 
 
 Signed at the lower left, M. Hopprema. 
 
 Property of FERNAND Goossens, Professor of Fine Arts, University 
 
 of Brussels. 
 
 J / 000. 
 
AERT VAN DER NEER 
 Dutcu: 1603 or 4—1677 
 
 47—THE FROZEN CANAL 
 (Panel) 
 Height, 1914 inches; length, 321% inches 
 
 A winTER landscape in Holland with a frozen canal stretching away 
 from the foreground between broad, snow-covered walks; bare trees and 
 houses on either side and windmills in the distance; sky of clouds with 
 a space of blue. In the foreground, on the ice, some men are playing 
 hockey, farther away are skaters and promenaders. 
 
 Property of and inherited by CotoneL Lron OstTERREITH, from the 
 Estate of his family, in whose possession tt has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 § 350 Mts. vor. fetty 
 
 . 
 
 —— ee ee ee eee 
 
JACQUES CALLOT 
 Frencu: 1592—1635 
 
 48—LA FOIRE DIMPRIMETA 
 Height, 2134 inches; length, 35% inches 
 
 A composition depicting a large square, or place publique, with a ker- 
 messe in progress and innumerable figures. In the middle of the place, 
 a stone column surmounted by a female figure; at right, a stately 
 church and other buildings; on the left and in the distance, other build- 
 ings; over all a sky of blue with white clouds below and dark ones 
 in upper right. In the left foreground strolling players are acting 
 on a platform and a crowd of spectators stand before it. In right 
 foreground, crowds moving about on foot, a horseman and a cart. In 
 left, middle distance, a sedan coach drawn by four horses is passing, 
 and farther away are still more pleasure seekers. 
 
 From the de Brakelaer Sale, April, 1910. 
 
 Property of and inherited by Coronet Lton Osterreiru, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 EO CL. tdidett, agk. 
 
JAN LOTEN 
 Dutcu: 1618—1680 
 
 49—LANDSCAPE AND FIGURES 
 Height, 34 inches; width, 27734, inches 
 
 A roap leading from a shady foreground into the center of the picture, 
 with trees lining it on either side; woods in middle distance and level 
 country beyond; sky of white clouds and qualified blue. In right fore- 
 ground, a hunter, with his dogs, returning from the forest with a large 
 game bird, has stopped to talk with a dwarf, and on the road, farther 
 away, a woman riding a donkey is accompanied by a man on foot. 
 
 oe. te a wa 
 
 Property of and wmherited by Cotonet Lron OsterreitH, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located wm the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 § 250. ewe Glyn. 
 
 Sa), 
 
ADRIEN PYNACKER 
 Dutcu: Circa 1618—1663 
 
 50—LANDSCAPE WITH FIGURES, CATTLE, SHEEP AND 
 GOATS 
 
 Height, 4414 inches; width, 3614 inches 
 
 Ar the bend of a forest path a shepherd in blue smock, seated at the 
 foot of a dead tree and a rustic musician standing beside him, playing 
 a flute; back of the shepherd, a white cow, and in front of him some 
 goats, a sheep and two dogs; at right, a brown cow lying down—all 
 seemingly under the spell of the pastoral music. On the right are tall 
 trees; on the left, trees and bushes; beyond, a hillside, and, over all, a 
 
 sky of gray clouds. 
 Signed in cipher at the lower left. 
 
 Property of and inherited by Cotone, Léon Osrerreiru, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 (35. Lance yop. 
 
SCHOOL OF COLOGNE 
 51—MARTYRDOM OF ST. THOMAS OF CANTERBURY 
 
 (Panel; painting with medium of white of egg) 
 
 Height, 2334 inches; width, 1634 inches 
 
 A composition of three principal and seven accessory figures. At 
 right, St. Thomas of Canterbury, with halo, standing in profile to 
 right; hands upraised, white garment and cloak of crimson and gold; 
 in center, the executioner in red doublet and green small clothes, with 
 a great broadsword held high in both hands, ready to strike; in left 
 foreground, a nun in gray habit and white hood, kneeling. Back of 
 the nun either kneeling or standing are another nun, priests, a ruler 
 wearing a tiara and a magician with tall cap; on the table of an 
 altar, at right, the mitre of the martyr, a lamp and book. Gold back- 
 ground. 
 
 Property of and inherited by Coronet Lton Osrerreiru, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 
 Family Palace on the Place de Meir at DAE 2B bop 
 
 $ 350 
 
CORNELIS JANSSENS 
 
 DutcnH: Circa 1593—1664 
 
 52—JANE, DAUGHTER OF HENRY SKIPWITH 
 
 Height, 26 inches; width, 201% inches 
 
 Bust in an oval of a middle-aged lady, in black low dress embroidered 
 with gold lines; broad white muslin collar at back of neck; dark hair, 
 pearl necklace and earings. 
 
 Very little is known concerning Janssens, but he was in England from about 
 1618 till 1648, where he was patronized by James I and where for many years he 
 was in great demand as a portrait painter, his sitters including members of the 
 Royal family and the nobility. In quality his work varies considerably. 
 
 S. A. Hearn Collection, 1918. 
 
 Property of a Private Collector. 
 
 EO: ©. : AS. te. Mbbped ge. 
 
 SIR PETER LELY 
 
 Bririsu: 1618—1680 
 
 58—PORTRAIT OF A LADY 
 (Oval) 
 
 Height, 281% inches; width, 2314 inches 
 
 Hatr-Lencru seated portrait of a lady about thirty, head in three- 
 quarters to right; dark hair, in ringlets on forehead and long loose 
 locks falling over left shoulder where left hand is lightly placed, right 
 hand resting at left; low white gown and loose cloak of yellow-brown, 
 around neck a string of pearls. 
 
 Property of Fernanv Goossens, Professor of Fine Arts, University 
 of Brussels. 
 
 /10. AN Beinblitn . 
 
PETER PAUL RUBENS 
 Fremisu: 1577—1640 
 
 54—PORTRAIT OF A YOUNG PAGE (One of the sons of the 
 
 artist ) 
 
 Height, 4914, inches; width, 2644 inches 
 
 FULL-LENGTH, standing figure of a boy in three-quarters to left; au- 
 burn or “Rubens red,” hair cut rounded on forehead and locks falling 
 on shoulders; fair, clear complexion, blue eyes looking to front; pear] 
 gray cloth suit with lace-trimmed broad collar, full, white undersleeves 
 with gold thread embroidery, ruffies at wrists and at knees; pink-red 
 cloak thrown back over shoulders, buff leather shoes with rosettes, gray 
 felt hat, with plume of red and white, held at side with right hand. 
 Background of neutral tint. Prepossessing in expression and graceful 
 in attitude. 
 
 At the Universal Exposition at Brussels, 1910, this portrait occupied the place 
 of honor in the pavilion reconstructing the house of Rubens in Antwerp. 
 
 Property of and wmherited by Cotonet Lton OstErR4EITH, from the 
 Estate of his family, in whose possession it has been for many gen- 
 erations, as a part of the Collection Osterreith located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 $ 5000. WAM: Seaman. ab. 
 
SIR ANTHONY VAN DYCK 
 Fremiso: 1599—1641 
 
 55—PORTRAIT OF A GENTLEMAN 
 Height, 421% inches; width, 32% inches 
 
 THRRE-QUARTERS-LENGTH standing figure of a man with dark hair— 
 bald on top of head—moustache and brown, pointed beard; broad, 
 transparent collar and cuffs; black velvet doublet and black cloak en- 
 veloping the lower part of figure. Head in three-quarters to left, left 
 hand on hip, right hand dropped at side and holding rim of black hat. 
 
 In background, two pillars, red curtain and landscape view. 
 
 Property of and inherited by Coronet Lion Ostrerreiru, from the 
 Estate of his family, in whose possession tt has been for many gen- 
 erations, as a part of the Collection Osterretth located in the 
 Family Palace on the Place de Meir at Antwerp, Belgium. 
 
 $ joo 0. etre. aah, 
 
—— 
 
 ah ant 
 
GEORGE ROMNEY 
 EncusuH: 1734—1802 
 
 56—PORTRAIT OF LORD DEVON 
 (Oval) 
 Height, 30 inches; width, 25 inches 
 
 Te head and shoulders of a middle-aged gentleman in three-quarters 
 view to the right, the head slightly inclined upon the left shoulder, and 
 the eyes looking toward the spectator. He wears a full gray wig, a 
 blue coat lined with satin and trimmed with gold galloon over a cream- 
 colored satin waistcoat, and a loose white jabot. The sitter was Sir 
 William, Viscount Courtenay, of Powderham Castle, County Devon, 
 created peer May 6, 1762. 
 
 From the collection of Louis A. Biddle, Esq., Philadelphia. Valuable 
 Modern Paintings, 1906. ) 
 
 Property of a Private Collector. 
 
 g [000 Wm. f Mann. 
 
 ANTONIO CANALE (called CANALETTO) 
 Iravtian: 1697—1768 
 
 57—_CHURCH OF ST. GEORGE THE GREATER, VENICE 
 Height, 22 inches; length, 3334 inches. 
 
 Own the right, the Church of St. George, with sculptured front and peo- 
 ple walking on the paved approach; back of the facade, the tower and 
 dome. At left, in the waters of the Grand Canal, a fishing boat and a 
 number of gondolas; in middle distance the buildings of Venice on the 
 opposite shore, sky of gray clouds with spaces of blue. 
 
 From the collection of Canon Barbier, Nancy, France. 
 
 Property of FERNAND Goossens, Professor of Fine Arts, University 
 of Brussels. 
 
 LOO Le Towne. 
 
SIR THOMAS LAWRENCEH, R.A. 
 EneuisH: 1769—1830 
 
 58—PORTRAIT OF CAPTAIN THOMAS DRAKE 
 Height, 36 inches; width, 28 inches 
 
 Tuis is the life-size portrait of a man in early middle life seen to the 
 waist. He wears a military costume with a high double-breasted blue 
 coat with two rows of buttons close together, a high collar trimmed 
 with gold galloon over red, large epaulettes, a decoration on his left 
 breast and a sword belt around his waist. The left hand is resting on 
 the belt. ‘The body is in full face and the head in three-quarters view 
 to the left, somewhat raised, and the eyes turned in the same dirction. 
 The face is framed by a mass of curly brown hair and whiskers trimmed 
 rather closely to the cheeks. The background is a graded tone of warm 
 gray. 
 
 The sitter for this portrait was Capt. Thomas Drake, originally Thomas Trayton 
 Fuller, but who assumed by sign manual, under the settlement of Sir Francis Henry 
 Drake, Bart., the additional surnames and arms of Eliot and Drake. He was 
 
 created a baronet in 1821. Was captain in the army and served throughout the 
 greater part of the Peninsular War. 
 
 From the collection of Louis A. Biddle, Esq., as Valuable 
 Paintings, 1906. 
 
 Property of a Private Collector. 
 
 I50 Mts. Uf Jats. 
 
 CHARLES FRANCOIS DAUBIGNY 
 FrencH: 1817—1878 
 59—LANDSCAPE 
 Height, 24 inches; length, 391% inches 
 Green fields slope downward from the spectator, in foreground, with 
 wild flowers in the grass and low-growing trees at left. In right middle 
 
 distance, a strip of sandy beach and, beyond, the sea with distant 
 vessels dotting its surface. Sky of gray clouds. 
 
 Signed at the lower left, Dausiany. 
 From Messrs. Durand-Ruel. 
 
 Property of a Boston Collector. 
 
 IGVO WW deaman . ag 
 
MARCIUS SIMONS 
 
 AMERICAN: CONTEMPORARY 
 
 60—“TIME IS MINE,” SAITH THE LORD, “I WILL REPAY” 
 
 Height, 42 inches; width, 26 inches 
 
 AN allegorical composition with subject based on the Spanish Inquisi- 
 tion. In the square before a cathedral which rises high with towers 
 and spire, martyrs are being burned at the stake in the presence of a 
 crowd of people who throng the square and narrow streets among 
 the adjacent houses. Above, in the sky, at right, are angels and 
 celestial personages bearing swords and censers. At upper left, another 
 celestial figure with long robes of orange points to the inscription as 
 given in the title. The ensemble shows a medley of color with tints of 
 blue predominating. 
 
 Signed at the lower center, Marcius Simons. 
 
 Purchased direct from the artist. 
 
 Property of a Private Owner. 
 
 $ 30. UW 3. Bernbletn. 
 
 ALEXANDER HARRISON, N.A. 
 AMERICAN: 18538— 
 61—UN NAUFRAGE 
 
 Height, 30 inches; length, 55 inches 
 
 In the left foreground, standing on a wide, sandy beach, a man who 
 has been shipwrecked on some lonely shore, stands waving aloft a 
 strip of his red shirt, trying to signal a sailing vessel which is seen 
 well out at sea. The sand is tracked by the footprints of his wander- 
 ings and at right the beach slopes upward to a mass of rocks. Sky 
 of gray clouds with flying gulls. 
 
 Signed at the lower right, ALEx. Harrison, and dated, 1881. 
 
 From the Estate of Mary A. Ropsrs. 
 
 EGHOY ed Cs vel 
 
 te 
 
GEORGE H. BOGERT, N.A. 
 AMERICAN: 1864— 
 
 62—EVENING GLOW OF GOLD 
 
 Height, 3714 inches; length, 48 inches 
 A DETACHED tree standing before a wood at the right, lower tree masses 
 at the left, and between them a brook descending by a small waterfall 
 to a foreground pond. - The foliage of all the trees, including others 
 in the far background, a rich dark mahogany-red in semi-transparent 
 
 shadow as they stand forth before a blazing sky illumined by the golden 
 orb in full glory just above the horizon. 
 
 Signed at the lower right, Gkorcr H. Bocrrr. 
 
 Property of a Private Owner. 
 
 60. a#. Nab ly 
 JULIAN RIX. 
 AmERIcAN: 1851—1903 
 
 63—A BLACK STORM 
 Height, 32 inches; length, 42 inches 
 
 Art the left the sun, through the last opening in clouds all but obscuring 
 the entire heavens, shines upon a small patch of land where there are 
 humble farm dwellings. Before this plot, through the center of the 
 landscape, courses a river which is now dark save where it reflects the 
 one opening of light—beyond the river at the right and in the distance 
 being dense, dark, wooded hills, over which an aggressive black thun- 
 derstorm is gradually spreading, turning the land to gloom. 
 
 Signed at the lower left, Juuian Rrx. 
 From the Julian Riaz sale, New York, 19138. 
 
 Property of Vicror Harris, Ese. 
 
 80. St @. Skurell, 
 
JEAN. BAPTISTE EDOUARD DETAILLE 
 | FRencn: 1848—1912 
 64—SENTRY ON PATROL | 
 Height, 591% inches; width, 43 inches 
 ALERT, with musket in left hand and right hand clenched, a French 
 infantryman is seen in profile to the left, moving with active step and 
 
 keen attention to something ahead of him. He is burdened with a full 
 pack, and is passing before a well-battered wall. 
 
 Signed at the lower ne Evovarp Deratt. LE, 1885. 
 
 Property of a Private Owner. 
 
 ee eo 
 
PROFESSOR KARL HEFFNER 
 GERMAN: 1849— 
 
 65—LANDSCAPE 
 
 Height, 331% wmches; length, 47 mches 
 On the shore, at the right, an ancient church is seen towering above the 
 trees and on the left are the distant banks of a river. The sky is 
 
 clouded with gray, after the passing of a shower, and a band of light at 
 the horizon indicates clearing weather. 
 
 From Catholina Lambert Collection, 1916. 
 
 Property of a Private Owner. 
 
 $I'70. Wr. F haporler 
 
 T. VAN ELVEN 
 
 BELGIAN: CONTEMPORARY 
 
 66—THE MARKET PLACE 
 Height, 591% wches; width, 414% inches 
 
 In the foreground, a square, or carrefour, with a large circular foun- 
 tain basin in the center, a covered cart with its horse standing unhitched 
 beside it, at right, and two women sitting on the flagstones ; back of the 
 basin, another cart, market stalls and groups of people. On the 
 farther side of the square stands a fine stone building of Renaissance 
 architecture and beyond it are seen the two towers of a cathedral. 
 Enclosing the square are tall, old buildings with steep weather-stained 
 roofs and over all is a summer morning sky of blue with misty white 
 clouds. 
 
 Signed at the lower left, 'T. Van Etven, and dated, MDCCCLXVI. 
 
 From the Estate of Mary A. Rogsrns. 
 
 AMERICAN ART ASSOCIATION, 
 MANAGERS. 
 THOMAS E. KIRBY, 
 
 AUCTIONEER. 
 
 150. LOT: 
 
a 
 
 IR WORKS 
 
 i 
 
 THE 
 
LIST OF ARTISTS REPRESENTED 
 AND THEIR WORKS 
 
 CATALOGUE 
 NUMBER 
 
 BOCK, THEOPHILE DE 
 
 Cattle at the Pool | 6 
 BOGERT, Grorcr H., N.A. 
 
 Evening Glow of Gold 62 
 BRAEKELEER THE ELDER, FERDINAND DE 
 
 Antwerp after the Bombardment in 1832 45 
 BRAUWER, AnpriaEn 
 
 Le Buveur 15 
 BRETTON, Juries ADOLPHE 
 
 Landscape 25 
 BUNCE, Wit11amM Gepney, N.A. 
 
 Apples 1 
 CALLOT, Jacques 
 
 La Foire d’Imprimeta 4.8 
 CANALE, Antonio (called CANALETTO) 
 
 Church of St. George the Greater, Venice oF 
 CARLSEN, Emit, N.A. 
 
 Still Life 4 
 
 CHASE, Wit11aMmM M., N.A. 
 Fish with Still Life AT. 
 
CATALOGUE : 
 NUMBER 
 COROT, JEAN Baptiste CAMILLE | 
 The Pasturage 10 
 
 Landscape 30 
 Glade in Pierre Woods, in Evaux, near 
 Chateau-Thierry | 33 
 
 COURBET, Gustave 
 The Blacksmith’s Shed 52 
 
 DAUBIGNY, Cuarrrs FRANco!sS 
 Landscape | 59 
 
 DE HAVEN, Franrt, N.A. 
 Landscape at Sunset 4A, 
 
 DETAILLE, Jean Baptiste Enovarp 
 Sentry on Patrol 64 
 
 DEWEY, CuHaries MELvItte, N.A. 
 Sunset % 43 
 
 ENNEKING, Joun J. 
 
 Sudden Rain: A Summer Shower 4? 
 
 ERNST, Rupo.r 
 
 Oriental Interior with Figure 27 
 
 GAY, Epwarp, N.A. 
 Golden Harvest | 40 
 
 GREUZE, JrEan Baptiste 
 Portrait Study 16 
 
 GUILLAUMIN, ArMaAnpb 
 La Lecture (Madame Cézanne reading) 36 
 
HARPIGNIES, Henri Josrery 
 A Holiday in the Woods 
 
 HARRISON, ALexannver, N.A. 
 Un Naufragé 
 
 HART, James M., N.A. 
 Landscape and Cattle 
 
 FIP EEN BR Paoresson Kant. 
 Landscape | 
 
 ~ HENNER, Jean Jacques 
 Reclining Nymph 
 
 HOBBEMA, MeEtnpert 
 Landscape with Watermill 
 
 HUGUET, Vicror PIERRE 
 Desert Encampment 
 Arabian Scene 
 
 JACQUE, Cartes Emire 
 Chickens 
 
 JANSSENS, Corne tis 
 Jane, Daughter of Henry Skipwith 
 
 LAWRENCH, Sir Tuomas, R.A. 
 Portrait of Captain Thomas Drake 
 
 LELY, Sir PETER 
 Portrait of a Lady 
 
 LOTEN, Jan 
 Landscape and Figures 
 
 CATALOGUE 
 NUMBER 
 
 34 
 
 6] 
 
 13 
 
 65 
 
 46 
 
 OX 
 bo 
 
 49 
 
‘oR. 
 we, 
 
 Sa ae 
 MAUVE, An TON 
 Feeding ‘Time 3 7 mei 
 METTLING, Louis 
 Relics of the Past | 8 
 
 MONTICELLI, AnoLpHE 
 
 The Farmyard : 124 
 NETSCHER, Constantine 
 
 Soap Bubbles | 20 
 OPIE, Joun, B.As~ 
 
 Portrait of Himself 18 
 
 The Fortune Teller 19 
 
 PASINI, ALBERTO : 
 The Court on a Journey 26 
 Hunting in North Africa 35 
 
 -PYNACKER, Avrien 
 
 Landscape with Figures, Cattle, Sheep 
 and Goats 50 
 
 RAFFAELLI, Jean Francois 
 
 On His Way 22 
 REID, Rosert, N.A. , 
 
 The Brook Bu 
 RIBOT, Aveustin THEODULE 
 
 The Cook ee 
 RIX, JuLIaAn 
 
 A Black Storm 63 
 
Saar 
 ROELOFS (Wit1em) and VERBOECKHOVEN 
 (EUGENE JOSEPH) 
 
 Landscape, Sheep and Shepherd 29 
 
 ROMNEY, GerorcE 
 Portrait of Lord Devon 56 
 
 RUBENS, PEter Paut 
 
 Portrait of a Young Page (One of the sons 
 of the artist) 54 
 
 RUSSIAN SCHOOL 
 Le Christ en Croix 21 
 
 SARTAIN, Wiiu14m, A.N.A. 
 Landscape 12 
 
 SCHOOL OF COLOGNE 
 Martyrdom of St. Thomas of Canterbury 51 
 
 SIMONS, Marctivus 
 “Time is mine,” saith the Lord, “I will repay” 60 
 
 STEVENS, L. ALFRED 
 
 La Dame au Pigeon | 9 
 VAN DER NEER, AErtT 
 The Frozen Canal A 
 
 VAN DYCK, Sir ANTHONY 
 
 Portrait of a Gentleman 55 
 VAN DYCK, Sir AntHony (School of) 
 Portraits of Saints 14 
 
 VAN ELVEN,-T. 
 The Market Place 66 
 
er 
 CATALOGUE 
 : NUMBER 
 VAN RAVENSTYN, JEAN | 3 | 
 Portrait of a Woman 3 17 
 VERBOECKHOVEN (EucrENrE JosEPH) and 
 ROELOFS (WILLEm) | 
 
 Landscape, Sheep and Shepherd 29 
 
 VIBERT, JEHAN GEORGES 
 Entrance to the Monastery 45428 
 
 WASHINGTON, GrorceEs 
 A Refreshing Drink | eS 4s: 
 
 WATSON, THomas H. 
 Mountain Sheep —6B9 
 
 WHISTLER, James Assott McNEILL 
 
 Greenwich , Ent! 
 
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 Ob 
 
 ART PROPERTY, BOOKS, MANUSCRIPTS, JEWELS 
 AND PERSONAL EFFECTS OF 
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 AT CHARGES COMMENSURATE 
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on he pe en OR UE VE or A EECA AN TNO A AO RR ERE CERIN 
 
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