ad 4 een Se pee. Sees Se Sermons, ae aaa a osc aa ; : i Se z Lae ns CHRISTIANVS QVARTVS DEI GRATIA DANIK, NORWEGIX,, | VANDALORVM GOTHORVMQVE REX}; DVX SCHLESVICI, HOLSATIA, _ STORMARIA. ET DITHMARSIA; COMES IN OLDENBORCH ET DELMENHORST, & Are. chetv-po “Petri _fachs s Matedtatis Regia pictoris foannes Maller seulp it. Cum fe cca nalt Priuleae Ordinum Foederatorum Belge. (ae JOANNES MULLER Christianus Quartus Dei Gratia, &c. (See No. 131) ILLUSTRATED CATALOGUE OF EARLY LINE ENGRAVINGS, MEZZOTINTS |. | AND EXAMPLES OF THE WORK OF : 5S. ARLENT EDWARDS ieee ROPERTY OF MR. J.P. SABIN TO BE SOLD AT UNRESTRICTED PUBLIC SALE ON WEDNESDAY, MARCH 22np, 1916 THE SALE TO BE CONDUCTED BY MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF LASSS50 THE AMERICAN ART ASSOCIATION, MANAGERS NEW YORK CITY INTRODUCTORY NOTE BY MR. SABIN In this country when a dealer offers a part or even all of his stock of books or prints, in a manner other than by the usual method of a direct or indirect private sale, a suspicion ofttimes arises either as to the genuineness or honesty of his intentions or that he is endeavoring to rid himself—be it at a loss—of that which has long encumbered his shelves as unsalable or otherwise undesirable. Such suspicions unfortunately are sometimes well-founded and that they are well-founded must and does deter the dealer who honestly desires, and for good and sufficient reasons, to sell at public auction, from tak- ing the risks of doing so. When, however, a dealer has—as I believe I have—a reputation for honesty and fair dealing, and the manager of the public sale has a reputation of enforcing without fear or favor condi- tions of an absolute open sale without protection or reserve—as has the American Art Association—I am confident that the collectors and deal- ers will give support to a sale which places before them good material of interest and desirability. Among the items set forth in this catalogue and to be offered by the Association for me, are a number of fine early line engravings and extra quality mezzotints. These were purchased by me, when I was last in Europe, with the expectation of their being added to the private col- lection of a client who I found on my return did not then feel justified in enlarging his collection to include my purchases. In addition to these engravings and mezzotints, there are a number from the plates of S. Arlent Edwards. These are being offered by me because I believe that at the present time, there is a special interest in them, in that there are but few impressions to be found in the hands of the dealers, and Mr. Edwards, now being in Belgium, and having aban- doned his studio in Williamsbridge, New York, it will be with difficulty, that his work of any character can hereafter be had, and certainly most exceptional if there can otherwise be found any from plates of the char- acter included by me. Amongst the Edwards items are some unusual impressions of well- known subjects and proofs and engravers’ trial proofs of the scarce series of American portraits privately issued about 1900. ‘These trial proofs from private plates are the only unfinished proofs of Mr. Ed- wards’ plates in existence with the exception of those in the New York Public Library and those from plates engraved subsequent to 1918, and for the reason that Mr. Edwards, before abandoning his studio at Will- iamsbridge destroyed, by burning, every scrap of this nature except those from these private plates here offered, and the others referred to as having been by him presented to the New York Public Library. To the purchases made by me abroad for my client, and the impres- sions from Mr. Edwards’ plates, I have added a few deservedly popular modern etchings and color plates to the end that there may be a suf- ficient number of items to constitute a full evening’s sale. J. P. Sain. New York City, March Ist, 1916. Conditions of Sale 1. Any bid which is merely a nominal or fractional advance may be rejected by the auctioneer, if, in his judgment, such bid would be likely to affect the sale in- juriously. 2. The highest bidder shall be the buyer, and if any dispute arise between two or more bidders, the auctioneer shall either decide the same or put up for re-sale the lot so in dispute. 3. Payment shall be made of all or such part of the purchase money as may be required, and the names and addresses of the purchasers shall be given immediately on the sale of every lot, in default of which the lot so purchased shall be immediately put up again and re-sold. Payment of that part of the purchase money not made at the time of sale, shall be made within ten days thereafter, in default of which the undersigned may either continue to hold the lots at the risk of the purchaser and take such action as may be necessary for the enforcement of the sale, or may at public or private sale, and without other than this notice, re-sell the lots for the benefit of such pur- chaser, and the deficiency (if any) arising from such re-sale, shall be a charge against such purchaser. 4, Delivery of any purchase will be made only upon payment of the total amount due for all purchases at the sale. Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. Delivery of any purchase will be made only at the American Art Galleries, or other place of sale, as the case may be, and only on presenting the bill of purchase. Delivery may be made, at the discretion of the Association, of any purchase during the session of the sale at which it was sold. 5. Shipping, boxing or wrapping of purchases is a business in which the Association is in no wise engaged, and will not be performed by the Association for purchasers. The Association will, however, afford to purchasers every facility for employing at current and reasonable rates carriers and packers; doing so, how- ever, without any assumption of responsibility on its part for the acts and charges of the parties engaged for such service. 6. Storage of any purchase shall be at the sole risk of the purchaser. ‘Title passes upon the fall of the auctioneer’s hammer, and thereafter, while the Asso- ciation will exercise due caution in caring for and delivering such purchase, it will not hold itself responsible if such purchase be lost, stolen, damaged or destroyed. Storage charges will be made upon all purchases not removed within ten days from the date of the sale thereof. 7. Guarantee is not made either by the owner or the Association of the cor- rectness of the description, genuineness or authenticity of any lot, and no sale will be set aside on account of any incorrectness, error of cataloguing, or any imper- fection not noted. Every lot is on public exhibition one or more days prior to its sale, after which it is sold “as is” and without recourse. ; The Association exercises great care to catalogue every lot correctly, and will give consideration to the opinion of any trustworthy expert to the effect that any lot has been incorrectly catalogued, and, in its judgment, may either sell the lot as catalogued or make mention of the opinion of such expert, who thereby would become responsible for such damage as might result were his opinion with- out proper foundation. SPECIAL NOTICE Buying or bidding by the Association for responsible parties on orders trans- mitted to it by mail, telegraph or telephone, will be faithfully attended to without charge or commission. Any purchase so made will be subject to the above Condi- tions of Sale, which cannot in any manner be modified. The Association, however, in the event of making a purchase of a lot consisting of one or more books for a purchaser who has not, through himself or his agent, been present at the exhibition or sale, will permit such lot to be returned within ten days from the date of sale, and the purchase money will be returned, if the lot in any material manner differs from its catalogue description. Orders for execution by the Association should be written and given with such plainness as to leave no room for misunderstanding. Not only should the lot number be given, but also the title, and bids should be stated to be so much for the lot, and when the lot consists of one or more volumes of books or objects of art, the bid per volume or piece should also be stated. If the one transmitting the order is unknown to the Association, a deposit should be sent or reference submitted. Shipping directions should also be given. Priced copies of the catalogue of any sale, or any session thereof, will be furnished by the Association at a reasonable charge. AMERICAN ART ASSOCIATION, American Art Galleries, Madison Square South, New York City. AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER WEDNESDAY EVENING, MARCH 22nd, AT 8.30 O’CLOCK AMERICAN REVOLUTION AMERICAN REVOLUTION 1. Cotonet Benepicr Arnotp WxHo ComMMANDED THE PRovIn- cIAL Troops at QueBec. Mezzotint. -O Published March 26, 1776, by Thomas Hart, London. 3. Joh. Martin Will excudit. Aug. Vind. Wirn FuLi mar- a7 ! cins. Rare. Folio. PIERRE AVELINE French designer and engraver. Born, Paris, 1710; died, about 1760. AVELINE, PIERRE 2. D’Apres LE Tasieau ORIGINAL DANS LE CABINET DE M. LE Comre pve Trsstn. Line-engraving. : (Game hanging on wall, with dog and gun). Oudry pinxt. 4 P. Aveline sculp. 1740. Small folio. ; ON FRANCESCO BARTOLOZZI Born, Florence, 1725; died, 1818. Reached the highest rank as an en- graver in many different methods. BARTOLOZZI, FRANCESCO 3. Porrrait By L. Bourtiarp after P. Violet. Stipple engravy- ing. Oval in rectangle with allegory beneath. Proof before Va name of Bartolozzi. Folio; Porrrarr, W. Artaud pinxt- ae Pastorini and P. W. Tomkins sculp. Stipple. London, H. Mackin, 1803. Title in script. Folio. (2) QY ~N Sale Wednesday Evening, March 22nd BARTOLOZZI, FRANCESCO 4. Tur JupGMENT oF Paris. Stipple engraving. Printed in a brownish ink. Angelica Kauffmann pinxt. Pub. London, 1788, by S. Walker. Oval folio. BARTOLOZZI, FRANCESCO 5. Tue SHEPHERDESS OF THE Atps—GrisELDA. Oval stipple — engravings. After Angelica Kauffmann; Pub. W. Dickinson, 1785. Scratch letter proofs. BriLLIANT IMPRESSIONS, WITH FULL MARGINS. From the Lord Northwick Collection. (2) BARTOLOZZI, FRANCESCO 6. Saint Cecruia. Stipple engraving. After Cipriani. Pub. June 1, 1774. Britiiant EARLY impression. ‘Title in open letters. BARTOLOZZI, FRANCESCO 7. CHarLoTtTe. Stipple engraving. After Bunbury. Circular in sepia. WITH FULL MARGINS. Good original impression. BARTOLOZZI, FRANCESCO 8. THe Ricur Honovraste CuHaries, Eart Campen. Legal portrait. After Gainsborough. Impression in brownish ink. Folio. BARTOLOZZI, FRANCESCO 9. Lamia. Stipple engraving. After Cipriani. Printed 1x cotors. ‘Title cut. Small f folio. Framed. Sale Wednesday Evening, March 22nd JACQUES FIRMIN BEAUVARLET French engraver. Born, 1731; died, 1793. BEAUVARLET, JACQUES FIRMIN 10. Le Renpezvous Acréasie. Line-engraving. After Raoux. Bricuiant rmpression, cut close at top and / sides. Folio. ue R. BROOKSHAW English mezzotint engraver. Born, 1736; went to Paris in 1772, where he met with great success. BROOKSHAW, R. 11. Marie Anroretrte D’Avutricuer, &c.—Lovuis XVI., Ror pe FRANCE ET DE NAVARRE. a) Chaloner Smith does not mention this state. b, A Paris, Chez Esnants et Rapilly; R. Brookshaw fecit, 24 1775. Very HANDSOME PaiR of mezzotints of historic in- G terest and unusual decorative value. (2) THOMAS BURKE Born, Dublin, 1749. One of the best of the English stipple engravers. BURKE, THOMAS 12. Creopatra THrowine Hersetr at THE Freer or Avcustus. Stipple engraving. After Angelica Kauffmann. Circular scratch letter proof. BRILLIANT IMPRESSION WITH FULL MARGINS. ‘7 From the Lord Northwick Collection. JAMES CALDWALL Born, 1789; died, 1780. Pupil of Sherwin. CALDWALL, JAMES 13. Mrs. Sippons AND Her Son 1n THE TraGeEpy oF “ISABELLA”. Line-engraving. After W. Hamilton. Large folio. is Sale Wednesday Evening, March 22nd ANTOINE CARDON Born, Brussells, 1772; died, London, 1833. CARDON, ANTOINE 14. Miss Duncan In THE CHaractTER oF “Letitia Harpy.” Stipple engraving. From a miniature by J. T. Barber. Oval. BrautiruLity PRINTED IN COLORS WITH MARGINS beyond the plate-mark. — Rare. Framed. CARDON, ANTOINE 15. Tue Return From Courstne. Stipple engraving. After W. Hamilton. Colnaghi and Co., 1808. Deco- rative plate in perfect condition. Folio. ADOLPH CARON French engraver. 1779-1867. CARON, ADOLPH 16. S. A. R. Mapame ta Ducuerssr pE Berry anp CHILDREN. Line-engraving. | After F. Gerard. Proor BEFORE ALL LETTERS IN PERFECT CONDITION. Folio. JUSTIN CHEVILLET Engraver. 1729-1790. Went to Paris where he became a pupil of J. G. Wille. CHEVILLET, JUSTIN 17. La Sanré Porrez:—La Sanré Renpur. Line engravings. After Terberg. A patR OF PRINTS OF EXCEPTIONAL QUAL- ave (2) aire LACOBO Seotue regeet mutive Manis ex tiller ducum Lethecingie Htemmate progenita ter nughit Pemun Eancisco 2 it Gallia fecundum in Stone Conn: Lewor ex gue Lacosym maguie Britannic regent fufcepit : wolenr notens vio rater Scotos poteatiffine Born ren. ,Pofbremiut \ fe capta,victa expulfa,cum in Anghiam, wclut in portum Je im perfideunn.et wremonitatent Ez teaBeriin, regi poft 2 an, cagite truncate deupta Orthodox religion: annie deb Aarti STVART Heronarnn preflanufpna. ve Rehigopffina JEAN COUVAY Maria Stuart (See No. 19) ore Es Sale Wednesday Evening, March 22nd SAMUEL COUSINS One of the best mezzotinters of the early part of the nineteenth century. COUSINS, SAMUEL 18. Miss Croker. Mezzotint. ‘s After Sir Thomas Lawrence. London, 1828: M. Col- ae naghi. Small folio. 46 JHAN COUVAY French engraver. Born, Arles, 1622. COUVAY, JEAN 19. Maria Stuart. Line portrait. With descriptive text. Margins cut at top and sides. VERY RARE AND INTERESTING PRINT. See Reproduction \\: ( P ) DANCKERT DANCKERTS Born, Antwerp, 1600. Son of Cornelis Danckerts. Surpasssed his father as an engraver. DANCKERTS, DANCKERT 20. CuarLEs THE SEconp. Engraving. Portrait head and bust in oval surrounded with a wreath, Arms beneath and allegorical figures completing the plate. se Seventeenth century engraving. Large folio. JEAN DAULLE French engraver. Born, Abbeville, 1703; died, Paris, 1763. Ranks with the ablest artists of his time. DAULLE, JEAN 21. Monsieur LE DaupuHin DE France. Line-engraving. S. Belle pinxt. Good impression with full margins. < Sale Wednesday Evening, March 22nd DAULLE, JEAN 22. Jean Marretre, Graveur ET Lreraire. Line-engraving. Peint par Ant. Pesne in 1723. WILLEM JACOBSZ DELFF Engraver. Born, Delft, 1580; died there, 1688. Son-in-law of Michael - van Miereveldt. DELFF, WILLEM JACOBZ 23. Gasparp DE Corieny, 1630. Line-engraving. D. Franken, No. 21. After M. J. Miereveld. Second state, with the year changed from 1630 to 1681. Franken suspects that there is only one state and that the “I” is always added by pen on and ink to the date as it is on this impression. On paper watermarked “Crowned shield with fleur-de-lis and below it the letters A. H.” Fixe Impression, with small margins. (See Reproduction) DELFF, WILLEM JACOBSZ 24. Wiriiam Louis, Count or Nassau. 1633. Line-engraving. D. Franken, No. 50. After M. J. Miereveld. Only one state. On paper water- marked. “Crown shield with fleur-de-lis and below it the letters A. H.” Fixe Impression, with small margin. oA (See Reproduction) LOUIS A. B. DESNOYERS Born, Paris, 1779; died there, 1857. An eminent modern French en- graver. DESNOYERS, LOUIS A. B. 25. La Finite Surprise—La Mere Trompfer. Line-engravings. Agreeable subjects. Both in excellent condition. (2) re PAIL? as DeLih bial OE List & fe ye : oa it 497 pee fpt Poe ce eae ae WILLEM JACOBSZ DELFF Gaspard De Coligny (See No. 23) Sale Wednesday Evening, March 22nd WILLIAM DICKINSON Born, 1746; died, 1823. One of the best mezzotint engravers. DICKINSON, WILLIAM 26. Str THomas Bextx. Mezzotint. Chaloner Smith I. No. 7. BRILLIANT IMPRESSION BEFORE ALL LETTERS. Smith de- scribes the lettered state of this plate, but does not note a proof state. Folio. JOHN DIXON Born, Dublin, about 1740; died, London, 1780. DIXON, JOHN 27. Tur Oracitr. Mezzotint. Chaloner Smith I. No. 38. Drawn and engraved by J. Dixon. Pub. March 30, 1774. LO An allegorial print of American interest wherein Time 45 is showing Great Britain and America, by means of a a lantern, the vision of George III. &c. Britiianr Proor; 0. ‘| | Also the Cory in line-engraving showing the above scene changed to the Tea-Tax Tempest. The only state. Rare. (2) PIERRE DREVET French engraver. Born, Loire, 1663; died, Paris, 1738. DREVET, PIERRE 28. Nicotas Lampert. Line-engraving. Nicolas Largilliere pinxt. Folio. 4 at Sale Wednesday Evening, March 22nd NICOLAS DUFOUR French engraver. About 1760. DUFOUR, NICOLAS 29. Le Bercer Constant. Line-engraving. Pient par Etienne Jeaurat. A _ Paris, Brituiant Iweression. Folio. DUFOUR, NICOLAS 30. Le Garcon Jarpinier. Line-engraving. Chez Alimet. Peint par Etienne Jeaurat. Companion piece to the preceding. ROBERT DUNKARTON Eminent British mezzotint engraver. Born, London, 1744; died about 1817. DUNKARTON, ROBERT 31. JoHn Penn, Ese. FormMEerRLY THE PRINCIPAL PROPRIETOR WITH FEDAL RIGHT TO THE GOVERNMENT OF PENNSYLVANIA IN Norru America, &c. Chaloner Smith I. No. 32. Painted by Sir W. Beechy. Engraved by R. Dunkarton. A SPLENDID PROOF IN PERFECT CONDITION. Folio. (See Reproduction) GAINSBOROUGH DUPONT Nephew of Sir Thomas Gainsborough. Born, 1767; died, 1797. Engraved his famous uncle’s portraits. DUPONT, GAINSBOROUGH 32. Grorce III., Kine or Great Britatn. Mezzotint. Chaloner Smith I. No. 6. After Gainsborough. First state BEFORE ALL LETTERS, folio. D with uncleaned lower margin. Supers piate. Large Scaseumune SESS ee » SReE o SXNUI. WILLEM JACOBSZ DELFF William Louis, Count of Nassau . See No. 24) ] Sale Wednesday Evening, March 22nd RICHARD EARLOM Born, 1743; died, 1822. Pupil of Cipriani, and one of the best English mezzotinters. EARLOM, RICHARD 33. Rev. Mr. Hanpury, Author of works on Gardening. Mezzo- tint. Chaloner Smith I. No. 2. Before the state described by Smith. RicH rmrpRession, in perfect condition and with lower margin uncleaned. EARLOM, RICHARD 34. GrorcE III. anp His Faminy. Mezzotint. Chaloner Smith I. No. 15. . After Zoffany. A supeRB FIRST sTATE with good margins. JOHN ECKSTEIN American engraver who worked in Philadelphia, 1806-1825. Upon his arrival from abroad, Eckstein advertised himself as “formerly historical painter and statuary to the King of Prussia.” ECKSTEIN, JOHN 35. Martin Lutruer, Natus 1483. Stipple and roulette en- graving. Holbein pinxit. Rarer. Large folio. GERARD EDELINCK Famous engraver. Born, Antwerp, 1640; died, Paris, 1707. Pupil of C. Galle, the Younger, and of Francois Poilly. EDELINCK, GERARD 36. ApraHam Brormarrt—J. Cousin. Line-engraving. Robert Dumesnil, Nos. 155 and 174. After Drevet. Third state of both. Small folio. (2) Sale Wednesday Evening, March 22nd EDELINCK, CERARD 37. Pirrre p—E Masca—JEANn DE LA QuintincE. Line-engravings. Ws Robert Dumesnil, Nos. 269 and 2386. Oval portraits with borders. Good impressions. (2) EDELINCK, GERARD 38. Hyacinruus Ricaup Picror. Line-engraving. : Robert Dumesnil, No. 303. Y) Se ipse pinxit. With margins. Second state. Folio. EDELINCK, GERARD 39. Grorcius Pautus pe Mautevrier Lancreron. Line-engray- ing. F. de la Mare filius pinx. Brittianr mpression. folio. NICOLAS EDELINCK Son of Gérard Edelinck.. Died, 1730. EDELINCK, NICOLAS 40. Jean Francors Guintmaumon. Line-engraving. From life. With margins. Folio. S. ARLENT EDWARDS Contemporary mezotint engraver. Reintroduced color-printing in Amer- ica in 1900. Said to be the only artist who, himself, performs every step in the production and distribution of the colored print. Many engravers disdain to rock the mezzotint ground. Few print their plates with their own hands. Edwards does both, and it is owing to those two operations that his colored prints evidence such depth and transparency. His colors are not mixed in quantities and applied by a mechanical printer, but are blended by himself on the plate and he rocks each plate in a manner most suitable to his subject. EDWARDS, S. ARLENT v4 41. Mrs. Benwevu. Mezzotint. O Butler, No. 14. After Romney. Signed artist’s proof printed ry coLors. Framed. ee i ES a es i li ROBERT DUNKARTON incipal Proprietor, &c. the Pr Formerly ct Esq John Penn, . 31) No (See eae = 1 ‘ > a i “s ’ ; . ie 3 as z ’ ual x 7 PY s a ? i . 4 ey ” s f | J be * s * : ‘ = ‘ « . - . \ a. y } f ro ; eal - ~~, mf iN 4 / Ok BAIR on of a va vF f QOH n ast A Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 42. Lany Hamruton as “Emma”. Mezzotint. ( Butler, No. 24. ps aes After Romney. Signed artist’s proof. A VERY FINE IMPRESSION, with margins. Framed. EDWARDS, S. ARLENT 43. Mona Lisa. Mezzotint. 6. Butler, No. 36. % ; After Leonardo da Vinci. Signed artist’s proof In coL- V di hoe ors. ‘This impression was one of the best of the entire edition and belonged in Mr. Edwards’ own set. Fur marcins. Unframed. EDWARDS, S. ARLENT 44. Mrs. Davenport. Mezzotint. LZ .. Butler, No. 39. 2/ After Romney. This impression was printed from the € at eG copper-plate before the steel-facing and bears Mr. Ed- aS wards’ note to that effect, as well as his usual signature. EDWARDS, S. ARLENT 45. Duxe anp Ducuess or CumBERLAND. Mezzotint. . or Butler, No. 56. eth x Known as “The Morning Walk.” Signed artist’s proof | tw cotors. Framed. EDWARDS, S. ARLENT 46. Anne or Creves. Mezzotint. Butler, No. 58. co Vv After Holbein. Special artist’s proof, signed, printed 1N i iia cotors on Japanese paper. Four of the edition of Anne i | of Cleves were printed on this paper which takes a very rich impression but is difficult to use. FuLL MARGINS. Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT AY. Exvrra. Mezzotint. Butler, No. 59. Nh: x After Pierre della Francesca. Signed artist’s proof \\ printed 1x cotors. Framed. EDWARDS, S. ARLENT : 48. JutiaA MacDonaup. Mezzotint. J : Butler, No. 61. rey s( After Sir Thomas Lawrence. Signed artist’s proof, , printed 1x coLors. Framed. EDWARDS, S. ARLENT 49. Lapny Muuerave. Mezzotint. Butler, No. 62. ha ie A : After Thomas Gainsborough. Signed artist’s proof, oW, a printed 1x cotors. Framed. EDWARDS, S. ARLENT ay: 50. Lapy Hamiztron as Nature. Mezzotint. oe ae ng "4 Butler, No. 64. a KS 5 After Romney. Signed artist’s proof, printed ty cotors. V INES Framed. J EDWARDS, S. ARLENT 51. Wiii1am or Orance. Mezzotint. Butler, No. 65. 4 After Van Dyck. Untaure proor from Mr. Edwards’ own ee collection. The only impression of any plate in which the artist has used a different color for the border. SpriEen- A) © | DID IMPRESSION. EDWARDS, S. ARLENT 52. StmonEtra Vespucu. Mezzotint. Butler, No. 67. ae After Pollajualo. Signed proof, printed 1n coxors. S ARLENT EDWARD S jolais Beau (See No. 56) incess By Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 53. ‘THE Youne Princess. Mezzotint. Butler, No. 68. XK After Netscher. Signed proof, printed rx cotors. Brit- ‘ LIANT IMPRESSION WITH FULL MARGINS. hs oa EDWARDS, S. ARLENT 54. Francis I. Mezzotint. oS Butler, No. 69. oe After Frangois Cluet. Signed proof, printed 1x cotors. x UniauE rvpression. From the artist’s own collection. EDWARDS, S. ARLENT 55. A Lavy or Bruces. Mezzotint. Butler, No. 70. ‘s K After Jan Van Eyck. Signed proof, printed ry conors. ‘= Framed. 5 EDWARDS, S. ARLENT 56. Princess Beausouats. Mezzotint. Butler, No. 71. V After Nattier. Signed proof. This impression was the first 1x cotors from the plate and differs slightly in the of hue of the dress from all the other prints. A very beau- ey) tiful print with margins beyond the plate-mark. With ) of empire mat and framed. (See Reproduction) EDWARDS, S. ARLENT 57. Martin Van NizeuwEenHove. Mezzotint. Butler, No. 72 D After Hans Memling. Signed proof, printed ry cotors. ~h x : Framed. ad Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 58. Louise pe Bourson, DucueEsse pE Maine. Mezzotint. Butler, No. 74. After Mignard. Signed proof, printed my cotors. Se- ~ lected impression, with ruLL MARGINS. EDWARDS, S. ARLENT 59. Tue Parson’s Daucurer. Mezzotint. Butler, No. 75. After Romney. Signed proof, printed in cotors. With margins. Framed. EDWARDS, S. ARLENT 60. Sister CatTHERINE. Mezzotint. Butler, No. 76. After Van der Wegelin. Signed proof, printed ry coLors. EDWARDS, 8S. ARLENT 61. Lapy Dupcron. Mezzotint. A | Butler, No. 77. | After Thomas Gainsborough. Signed proof, ree IN p a COLORS. EDWARDS, S. ARLENT 62. Lapy pE LA SpENcER. Mezzotint. Butler, No. 78. After Thomas Gainsborough. Signed proof, printed 1n cotors. Framed. EDWARDS, S. ARLENT 63. Branca Marta Srorza. Mezzotint. Butler, No. 79. x After A. di Predis. Signed proof, printed In cotLors. With margins. oN ‘ Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 64. Mrs. Liuorp. Mezzotint. After Sir Joshua Reynolds. Signed proof, printed 1x COLORS. EDWARDS, S. ARLENT 65. SopuHiz Arnouxtp. Mezzotint. After Lariviere. Dainty plate. Only a small number is- sued. Signed proof, printed 1x cotors. With margins. Framed. EDWARDS, S. ARLENT 66. GenERAL Horatio Gates. Mezzotint. After G. Stuart. Private plate. One of the first plates printed 1x coxors by the artist and before the engraver had tinted the margins in printing. TEN ONLY WERE Is- SUED IN THIS STATE. Signed proof. Framed. EDWARDS, 8S. ARLENT 67. GeneraL Horatio Gates. Mezzotint. Signed artist’s proof on India paper. Thirty impressions only were issued. Framed. EDWARDS, S. ARLENT 68. Genera Horatio Gates. Mezzotint. First trial proof from the plate. EDWARDS, S. ARLENT 69. GeneraAL NATHANAEL GREENE. Mezzotint. After C. W. Peale. Private plate. Signed proof, printed iv cotors. Margins. Framed. EDWARDS, S. ARLENT “0. GEnERAL NATHANAEL GREENE. Mezzotint. Signed proof on India paper. Thirty impressions only were issued in this state. Framed. Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 71. Generat NATHANAEL GREENE. Mezzotint. First and Second trial proofs and impression from the finished plate. EDWARDS, S. ARLENT 72. Maraeuis DE Larayette. Mezzotint. Private plate. Only a few impressions issued. Signed artist’s proof, printed 1x contors. Rare. EDWARDS, 8S. ARLENT 73. JoHn Lawrence. Mezzotint. The subject was Attorney-General at the trial of Major André, Judge of the Supreme Court of New York, &c. Portrait from a miniature in the New York Historical Society. Twenty numbered impressions were printed in \ cotors. An unfinished trial proof, a finished proof, and a trial proof In coLtors,—all printed by Edwards. ‘Three prints in one frame. EDWARDS, S. ARLENT 74. Jonun Trumpsurtyi. Mezzotint. After engraving by A. B. Durand. Printed mm coors and signed by Edwards. With one exception, the only plate not engraved by him which he has printed. Six IMPRESSIONS ONLY were made. EDWARDS, S. ARLENT 75. Grorce WasutncTron. Mezzotint. ie diy Phx After R. E. Pine. First trial proof and a late trial proof. This plate was never finished nor published. (2) o/~ EDWARDS, S. ARLENT 76. Georce Wasuincton. Mezzotint. After engraving by Valentine Green. Head and bust. Signed artist’s proof, on India paper. Thirty impres- sions only were printed in this state. Framed. Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 77. Greorcr Wasuinctron. Mezzotint. After Valentine Green. First and Second trial proofs. EDWARDS, S. ARLENT 78. GrorcE Wasuyincron. Mezzotint. After portrait by Savage. Head and bust. Private plate. VERY RICH IMPRESSION. Thirty proofs only were issued. Signed artist’s proof on India paper. Framed. EDWARDS, S. ARLENT 79. Grorce Wasuineron. Mezzotint. From Trumbull’s painting in the New York City Hall. Whole length portrait, standing. Private plate. Thirty impressions only were issued in this state. Signed artist’s proof on India paper. Framed. EDWARDS, S. ARLENT 80. Grorce WasHinetron. Mezzotint. After Trumbull. First trial proof. Later proof, with notes by the engraver. EDWARDS, S. ARLENT 81. Grorcre WasHineton. Mezzotint. After Sharples. Trial proof, printed in coxors. EDWARDS, S. ARLENT 82. Grorce Wasuineton. Mezzotint. After Sharples. Signed artist’s proof on India paper. EDWARDS, S. ARLENT 83. Grorce Wasnineton. Mezzotint. After Sharples. Photograph from the original pastel by Sharples, the photograph touched by the artist for uge in engraving this plate. With early trial proof. Sale Wednesday Evening, March 22nd EDWARDS, S. ARLENT 84. Mrs. Weis. Mezzotint. U Signed artist’s proof, printed on thin paper and tinted on the back by the artist,—his method previous: to} THIS SUBJECT IS EXTREMELY RARE. Framed. EDWARDS, S. ARLENT 85. Mary Anperson. Mezzotint. | <2 e * . . . tide, Signed artist’s proof, printed in the same manner as item preceding. Framed. EDWARDS, S. ARLENT 86. Tur Fortune Tretier. Mezzotint. After Sir Joshua Reynolds. Signed artist’s proof. Rarer. Framed. EDWARDS, S. ARLENT | 4 J 87. Mrs. Strppons (After Lawrence)—Witi1am CowrpEr—OLivErR GotpsmirH. Mezzotints. Small ovals. India paper proofs. (3) HEDLEY FITTON FITTON, HEDLEY 88. THe Aistes or CHartres. Etching. Signed artist’s proof. FITTON, HEDLEY 89. Sarnt AnpReEw’s Castix, Scoruanp. Etching. Signed artist’s proof. FITTON, HEDLEY 90. Rostyn Cuarert. Etching. Signed artist’s proof. (76 ‘ON 908) OLIVA VT “OTL J pue “ATX stnory INIYd WHOTOO HONAYVA Py % . a el % Ret: ye MEAS Up Lee “ a ? a5 oer a Prebesy PO PALO 90g $3 DED So82 POOP foal iy YEP IELTS BEE LOPE tbs Pie ap eM inae pass b) 5 § 3 5 s é ge Bee i ¢ pnees ; 2 ares ‘ Ce a ee # oe, PRR eae ‘ a Pee se 22 PEPE IO ee Ne Mia aE ios a St ie ee BO ip cenaes 4 é é GP BIRO PES py CURSES Ova ee oie eee Pe: PRR LOO ASE PRE SSO AID A Sena 8 Opi DPE. soy 3s Pete SLE R IEE PO AIIIEP GER PS NER Ig te NS pipsch tp Iba gee PUSS RG HEI CINE, YP RIDA BE PI 9 soe £ OP Rid 2 PLE SEEMS ES IRE ITE, BAER RMEL DIY. Qntinrdiihe Bee Ue kes) Gap pul voll dhas 9 it patentee HS # REs> Lae: ane SS : » : % - ; Z ae 4 aye VRE? PRO Gas Pedy - aes igs AE WLS BEL OA E PP Magill pewewneen y Pe ge Oe pr 2 4F ov upnrrbam 72%) : Pape seeescayh pros parndbi Ar Ope eaten be stad a AIS: Sie oy on / : Rene Ss ace ee S § z gf y f PO? Baars / ee ne PSE ip ge hat LORE NORE ERLE DIN Biol h seb PEOPLES YP BPP IP RGU ALIA Ih Seto 3 sserihnee sine wait Crab titer pm Fpie ie sesng Gy kode I sant Peele cS 26 ys wen nabpants ctr riage pa wpeintenccdye ae + eigen < gy 5 wr ebindel Dy Wed setts a ee . y z “4 o 2 a ‘a gee St. ie i. os Bie e A Oa eg yp gules en aaa aE” fig Ee ee 4 Pd Sale Wednesday Evening, March 22nd FITTON, HEDLEY 91. Tour pe L’Hortocr, Tours. Etching. Signed artist’s proof. FITTON, HEDLEY 92. SHrine or Epwarp THE Conressor, Westminster. Etch- ing. Signed artist’s proof. FITTON, HEDLEY | 93. ‘T'HE Monument, Lonpon. Etching. ms Signed artist’s proof. FRENCH COLOR PRINTING FRENCH COLOR PRINTS 94. Lovis XIV. anp M’txe. La Vatirere. Line-engravings. After H. Vernet. A suite of eight plates in coors, representing episodes in the life of M/’lle. La Valliere from her introduction to Louis XIV. to her taking the veil. Engaved by Le Grand, Rouette and Champonnier, and 1x cotors by Le Vachez. (See Reproduction) FRENCH COLOR PRINT 95. Louis XVIII. Aquatint. Proof before all letters, with full margins. Superb ex- ample of color-printing from several plates as practiced by the French School. Large folio. WILLIAM GARDINER Irish engraver. Born, Dublin, 1766; died, 1814. Was a pupil of Fran- cesco Bartolozzi. GARDINER, WILLIAM 96. Tue Kentisu Grrt—TuHe STAFFORDSHIRE Girt. Stipple en- gravings. A charming pair. Framed. (2) Sale Wednesday Evening, March 22nd PIERRE GIFFART Born, Paris, 1623; admitted to the Académie, 1682. GIFFART, PIERRE 97. Francoise Dausieny, Mareuisre p— Marnrenon. Laine-en- graving. Fait par P. Giffart, Graveur du Roy. Folio. VALENTINE GREEN Born, Birmingham, 1739; died, London, 1813. GREEN, VALENTINE 98. ExizABEtTH West anp Cuitp. Mezzotint. (Wife and child of the American artist). First state, with margins. Has slight crease. Folio. ie eal H. T. GREENHEAD Modern mezzotint engraver. GREENHEAD, H. T. 99. Heap. Mezzotint. After George Morland. Signed proof, printed my conors. JACQUES GRIGNON French engraver. About 1680. GRIGNON, JACQUES 100. Cares pE Vators. Line-engraving. After portrait by Mignard, with ornamental border, the latter engraved by Chauveau. Sale Wednesday Evening, March 22nd ELIZABETH GULLAND Modern mezzotint engraver. One of the few who print their own plates in colors. GULLAND, ELIZABETH 101. Pamena. Mezzotint. After Sir Thomas Lawrence. Signed artist’s proof, printed 1n coors. GULLAND, ELIZABETH 102. Lapy WaALpEGRAVE AND Cuiup. Mezzotint. After Sir Joshua Reynolds. Signed artist’s proof, printed IN COLORS. SIR FRANCIS SEYMOUR HADEN Born, 1818; died, 1910. Pounder and President of the Royal Society of Painter- Hi chers. HADEN, SIR FRANCIS SEYMOUR 103. Porrrarr or Hapen. Etching. Etched by E. Lacretelle. HADEN, SIR FRANCIS SEYMOUR 104. Tue Virtace Forp. Etching. Second state. Signed. WILLEM HONDIUS Born at The Hague, 1600. Son of Hendrick Hondius, the Younger. HONDIUS, WILLEM 105. Wriit1am, Count or Nassav. 1680. Line-engraving. Not mentioned by Andresen. After I. Mytens. Fine, old impression, with small mar- gins. Sale Wednesday Evening, March 22nd HONDIUS, WILLEM 106. Wiiu1aMm or Nassau. Line-engraving. Not mentioned by Andresen. After Van der Maes. Fine old impression on paper water- marked with “Coat of arms of the Archduke of Austria.” Small margin. . (See Reproduction) RICHARD HOUSTON Born, Dublin, 1722; died, London, 1775. One of the great mezzotinters. A rival of MacArdell at the outset of his career. HOUSTON, RICHARD 107. Miss Murray. Mezzotint. Chaloner Smith II. No. 80. First state, with address of Bowles and Son. BriLtLiaAnt IMPREsSION of a pleasing subject. No margin on top and sides. Small folio. HOUSTON, RICHARD 108. Carouine, Ducuess or Maritsorovucn, with Lapy CAroLine SepENCER. Mezzotint. Chaloner Smith, No. 76. Second state. Sir Joshua Reynolds pinxt. Pub. Lon- don, Robt. Sayre, July, 1769. Printed on a ribbed paper and slightly rubbed. With margins. Large folio. HOUSTON, RICHARD 109. Pamezta. Mezzotint. G. Van der Myn pinxt. Printed for John Bowles and Son. Brivuant IMPRESSION WITH MARGIN. Ss ae eeS W/ILHELMUS NASSOVIUS, DOMINUS LECK# FTC. HOLLANDLE ATQ OCCIDENTALIS FRISLE RERUM MARITIMARUM PRAFECTUS VICARIUS, COHORTIY PEDITUM,IN EXERCITU CONFOQEDERAT BrEtci, DUX ETc. Coe nde Mes Rint of aft HH; dit Giit Lue aie Re re Pane RT edit Som igess ebieet . OTHE CERI ros WILLEM HONDIUS William of Nassau (See No. 106) Sale Wednesday Evening, March 22nd FRANS HUYS 5 Worked in Antwerp, 1550-1570. HUYS, FRANS 110. Mary I., QuEEN or Enerann. (“Bloody Mary”). Engrav- ing. Nagler Monongrammisten II., Nos. 2149 and 2150. Formerly attributed to F. Hogenberg. As, however, this engraver was never in London prior to 1555 and never worked for H. Cock, it is unlikely that this plate was en- graved by him. Fine Earty mpREssion on contemporary paper, watermarked ‘Small crowned shield with bugle and the letters C. F.” Small margin. Very rare. JOHN JACOBI Born, Vienna, 1733. Pupil of Dickinson. Produced good plates in Lon- don. JACOBI, JOHN 111. Lorp Grorce Germain. Engraving. Chaloner Smith II. No. 3. After Romney. Pub. Noy. 1, 1780, by John Boydell. SUPERB FIRST STATE IMPRESSION With good margins. Lord Germain was the English Secretary of State during the American Revolution. JOHN JONES Mezzotint engraver. Born, London, about 1745; died there, 1797. Worked after Reynolds, Gainsborough, Raeburn, and other leading painters. JONES, JOHN 112. Miss Cartey. Mezzotint. Chaloner Smith II. No. 12. . J. Roberts pinxt. Pub. April 2, 1777. First State. Small folio. Sale Wednesday Evening, March 22nd NICOLAS DE LARMESSIN Born, Paris, 1683; died there, 1755. LARMESSIN, NICOLAS DE 113. Craupe Hattie. Line-engraving. Peint par Le Gros. Engraved by Larmessin for his re- ception by the Académie in 1730. Delicate impression, with margins. PIERRE ADRIEN LE BEAU Born, Paris, 1748; died, 18—. LE BEAU, PIERRE ADRIEN 114. Les Fieurs pu Printemps—Les Dons pe L’Etr—Les Frouirs pE L’Auromnr—Les Riaueurs pE L’Htver. Line-en- gravings. After Lanaud. Set of 4 scenes with children. Small folios. (4) LOUIS SIMON LEMPREUR Born, Paris, 1728. Member of the Académie in 1776. LEMPREUR, LOUIS SIMON 115. Les Consens Maternets. Line-engraving. After painting by P. A. Wille. Fine tmpression witTH FULL MARGINS. PIERRE LOMBART Born, Paris, 1613; died there, 1682. Pupil of Simon Vouet. LOMBART, PIERRE 116. GasprieL CHasseBRAS DE LA Granp Matson. Line-engraving. Good impression with margins. (GZL ‘ON 228) SIIB 9p IUIVQ-271}ON op optisqy,’T NOAMAN SHIMVHO OED aa bowie tee rometeeree tin gE a Sale Wednesday Evening, March 22nd LOMBART, PIERRE 117. Penetore Domina Herperr—Marearira pe Carte Comi- TissA. Line-engravings. After Van Dyck. Unusvatity coop pressions. (2) MARIAGE French roulette and stipple engraver. MARIAGE, 118. Ganremepe. Stipple engraving. After Charpentier. Printed 1x conors. PERFECT IM- PRESSION WITH FULL MARGINS. Folio. ANTOINE MASSON Born near Orleans, 1636; died, Paris, 1700. One of the most eminent por- trait engravers. MASSON, ANTOINE 119. Emanvet Txeopostus p—E ta Tour D’Auverenr. Line- engraving. Robert Dumesnil, No. 14. N. Mignard pinxt. Ant. Masson sculpebat 1665. First state. Impression oF EXTRAORDINARY BRILLIANCY. MASSON, ANTOINE 120. Marin, Puysician. Line-engraving. — 3 Robert Dumesnil, No. 24 (“L’un des chefs d’oeuvre du maitre’’). -P. Mignard Romanus pinxt. Ant. Masson sculpebat 1665. First state. Sprenpip impression, with slight margins. MASSON, ANTOINE 121. Freperic Guittaume, Envecrevr pE Branpensoure. Line- engraving. Robert Dumesnil, No. 50. Ant. Masson delineat et sculpsit 1683. The only state. Sale Wednesday Evening, March 22nd MASSON, ANTOINE 122. Marie pE Lorraine, Ducuessrt pE Guise. Line-engraving. Robert Dumesnil, No. 52. Peter Mignard pinxit. Ant. Masson delineavit et sculp- sit Parisiis 1684. Fifth state. MASSON, ANTOINE 123. Caro Parix. Doct. Men. Par. Line-engraving. Robert Dumesnil, No. 60. With verse underneath. ARMAND MATHEY MATHEY, ARMAND 124. Kine Cuaries THE First. Etching. Signed artist’s proof on Japanese paper. Only a limited issue. From the Hampton L. Carson Collection. CHARLES MERYON Born, Paris, 1821; died there, 1868. Hamerton calls him “one of the greatest and most original artists who have ever appeared in Europe.” MERYON, CHARLES 125. L’Assip— p—E Norre-Dame pr Paris. Painter-etching. Delteil, No. 38. Fifth state. Plate has been retouched and the date follow- ing the word “Sculp” burnished out. Fine mmpREssIon on India paper, with slight stain in sky above the towers and small abrasion in sky near right corner. FuLi mar- GINS. (See Reproduction) MERYON, CHARLES 126. L’Ancien Louvre. Painter-etching. . Delteil, No. 538. After painting by Zeeman. Fifth state. Plate is finished, but without lettering, “Tirage Calcographie du Louvre,” Slight crease in sky. Fut marerns. GEORGE MORLAND Fruits of Industry and Economy (See No. 129) Sale Wednesday Evening, March 22nd MERYON, CHARLES 127. Rue pes Torres A Bourcrs. Painter-etching. Delteil, No. 55. Sixth state with the title only. Fun MarGINs. W. MONK Contemporary etcher. MONK, W. 128. Wart Srreet, New Yor. Etching. Signed artist’s proof. GEORGE MORLAND Born, London, 1764; died there, 1804. MORLAND, GEORGE 129. Tue Frurrs or Earty Inpustry anp Orconomy. Stipple engraving. G. Morland pinxt. Darcis sculp. With text beneath. Printed in coors, and an EXCEPTIONALLY FINE EXAMPLE of the artist’s work. Top and side margins cut. close. RarE AND VALUABLE. Folio. Framed. (See Reproduction) MORLAND, GEORGE 180. Eventnc, or tHE Post Boy’s Return. Stipple engraving. G. Morland pinx. D. Orme sculpt. London, Pub. Jan., 1796 by Orme. Printed_ny cotors. An old print, but much of the color is by hand:harge folio. JOANNES MULLER MULLER, JOANNES 131. Curistranus Quartus Der Gratia Daniar Norwectag, &c. Line-engraving. Supers tmpresston of this 17th Century engraving. Rare AND VALUABLE. Folio. (See Frontispiece) Sale Wednesday Evening, March 22nd JOHN MURPHY Born in Ireland about 1748; died about 1820. Practiced in London as an engraver, both in stipple and mezzotint. MURPHY, JOHN 1382. THe HonovurasiE Mr. Justicr Witson. Chaloner Smith III. No. 19. G. Romney pinxt. J. Murphy sculp. 1792. Title in open letters Second state of three. ROBERT NANTEUIL Born, Rheims, 1630; died, Paris, 1678. ‘The most eminent of French portrait engravers. NANTEUIL, ROBERT 133. CarpinaL ANTOINE Barperini. Line-engraving. 2 Robert Dumesnil, No. 30. Good impression with margins. The only state. NANTEUIL, ROBERT 134. Beaumanoir DE Lavarprin. Line-engraving. Robert Dumesnil, No. 34. First state. SprenpiIp mmpREssIon, with margin. (See Reproduction) NANTEUIL, ROBERT 135. Beaumanorir DE Lavarpin. Line-engraving. Robert Dumesnil, No. 35. With leaf-border, and first state with margin. NANTEUIL, ROBERT 136. Jean Baptiste Coxrsperr, ComprrotuER GENERAL OF Finance. Line-engraving. Robert Dumesnil, IV. No. 73. From life. The upper part of the Thesis of Louis Becha- meil. Only state. The portrait is fine and in good con- dition but the ornamental work is slightly rubbed and full of small worm-holes. Closely trimmed and a few tears repaired. ROBERT NANTEUIL Beaumanoir De Lavardin (See No. 134) Sale Wednesday Evening, March 22nd NANTEUIL, ROBERT 137. I. L. De Nesmonp. Line-engraving. Robert Dumesnil, No. 201. NANTEUIL, ROBERT 188. Le R. P. Pierre Latemont, CHancevier vE L’Université pE Paris. Line-engraving. Nanteuil faciebat 1678. Clear impression with margins. Quarto. NEW YORK CITY VIEW NEW YORK CITY VIEW 139. Lyset View or New York Ciry (on Map)—‘‘Niew Amster- dam, op t Eylant Manhattans,’”’ measuring 284 inches x 1214 inches, and inset in lower right corner. Map is entitled, ‘‘Noviu Belgii Novaeque Angliae nec non partis Virginiae Tabula multis in locis emendata per Nicolaum Visscher,” and measures 22 inches x 188% inches. Small repair on left margin. Matted. N. P.- [circa 1650]. Second state of the Rarr VisscHER Mar ~with the early- engraved View or New York Ciry. JEAN OUVRIER French engraver. Born, 1725; died, 1754. OUVRIER, JEAN 140. Les Deux ConrivenTEs. Engraving. F. Boucher pinx. Genuine impression of a very desirable print usually found as a reprint. PETIT French engraver. Pupil of Chereau. PETIT, 141. Marie, Princessr pE Potocne. Engraving. Peint par De la Tour. Small folio. Sale Wednesday Evening, March 22nd N. B. DE POILLY POILLY, N. B. DE 142. Joaaues Vincent. Engraving. Imprimeur Libraire. With margins. Folio. CRISPIN VAN DEN QUEBOORN Dutch engraver. Born about 1600. QUEBOORN, CRISPIN VAN DEN 143. D. Maria Seriisstmut Macnar BriranniazE, &c.—GutIiEt- mus D. G. Princers Aravstonensium, &c. Line- gravings. G. Honthorst pinx. Pair. Folio. (2) (See Reproductions) REMBRANDT VAN RYN Born, Leyden, 1607; died, Amsterdam, 1669, REMBRANDT VAN RYN. 144. Tue Ancet Departinc From THE Famity or Tobsias. Painter-etching. Bartsch, No. 48. Hind, No. 185. First state. The diagonal shading on the hairdress of Tobit’s wife is clearly printed and before the slight paral- lel lines of shading near the border top left corner. Frye IMPRESSION with small margin. From the Henry Danby Seymour Collection. REMBRANDT VAN RYN. 145. Curist Berorr Pruare. Painter-etching. Bartsch, No. 77. Hind, No. 148. The large plate. Fourth state. The shoulder of the man next to Pilate has been removed and the face of the bald man thrusting himself forward shaded with an additional set of diagonal lines Very coop impression with small defects at the two upper and right-hand lower corners. Laid down for no apparent reason. Very small margin. RHEE: paste Hi ah eae: HIBERNLA& REGIS LIA GALLI CELSISSIMI AVRANSIORVM PRI z = pod & a2) ig ey < a nm a ee < ~~? fuat ~ 4 : nepe tes. eS i ducers pad FILI VXOR efeit- Stonfa ts Sf Ks de sole oo a Maker Wa ye NCIPIS 8 of: are Wael % Fé. * ue fe 7 mes. ROT e Abrah oe ut 1077, 2% thatam NafSo Wica res eS Publi * Lee Non ce _ feverenier Ofert NLA ae Pclgts thee en bane oe Fila Be bee ACES Lf ULL. LUE IANA, afar adefSe suis. eb terris 0) GVILIELMO {ie ce et WARIS regis LOUIE A O Lin fy : = ise : : Co fe er een CRISPIN VAN DEN QUEBOORN &c. 1ae, tann 1 Magnae Br Maria Serinissim1 143) No. (See ee ee Sale Wednesday Evening, March 22nd SAMUEL WILLIAM REYNOLDS Mezzotint engraver. Born in England, 1773; died at Bayswater, 1835. Pupil of C. H. Hodges. REYNOLDS, SAMUEL WILLIAM 146. ‘THe Lanp Storm. Mezzotint. After Morland. P. VANDERBANCK William, Duke of Hamilton (See No. 172) Sale Wednesday Evening, March 22nd WATSON, JAMES » 182. Carouina Matitpa or Denmark. Mezzotint. ( / Chaloner Smith IV. Xx Second state. BriLLIANrT IMPRESSION. (1234 ins. x 9% oe NS. ins.). x WATSON, JAMES | 183. Miss Cunuirre. Mezzotint. Chaloner Smith IV. No. 389. F. Coates pinx. Portrait of child with dog. Second state (of 3). (114, ins. x 9 ins.) “WATSON, JAMES 184. Tue Rr. Honsie. Maria Constantinia, Countess oF SuF- FoLK. Mezzotint. Chaloner Smith IV. No. 138. \ C. Read pinx. BerautiruL mpression. Second state. | y (13% ins. x 11 ins.). [” WATSON, JAMES an Ducuess oF MANCHESTER AND son. Mezzotint. Chaloner Smith IV. No. 97. a N After Sir Joshua Reynolds. Second state. Large folio. WATSON, JAMES 186. Frances, Ducuess or Ricumonp. Mezzotint. Chaloner Smith IV. No. 5. Plate No. 3. Painted by Sir Peter Lely. TSON, JAMES 187. Exizasetu, Countess oF NorTHUMBERLAND. Mezzotint. Chaloner Smith IV. No. 5. Plate No. 4. Painted by Sir Peter Lely. Pub. Jan. 1. Proof impres- sion. Backed. _. Sale Wednesday Evening, March 22nd WATSON, JAMES 188. Ameuia, Countess oF Ossory. Mezzotint. Chaloner Smith IV. No. 5. Plate No. 5. i , Painted by Sir Peter Lely. js- / 5 : - FRANCIS WHEATLEY English landscape-painter. Born, London, 1747; died, 1801. Was a mem- ber of the Royal Academy. WHEATLEY, FRANCIS 1€9. Cries or Lonpon. (Plate 7). “Fresh-Gathered Peas.” Engraved by G. Vendramini. Pub. Colnaghi 1795. Rico, EARLY IMPRESSION. WHEATLEY, FRANCIS 190. Crirs or Lonpon. (The entire 18 plates). Comprise—Primroses; Milk Below Maids; Sweet China Oranges; Matches; New Mackerel; Knives, Scissors to Grind; Fresh-Gathered Peas; Duke Cherries; Scarlet Strawberries; Chairs to Mend; New Love-Song; Hot . Spiced Gingerbread; Turnips and Carrots. Engraved by Thomas G. Appleton. Att signed artist’s proofs. (13) AMERICAN ART ASSOCIATION, « = MANAGERS: THOMAS E. KIRBY, bey AUCTIONEER. CLAP 37-03 ; : ws rh | S 4 . i toe : JHE GETTY CENTER Pe | LIBRARY be Le ig eS Le nemo 1916 Mar. 22 NeAms c.1 t pin American /Early line engravings, = 87-P17134 ATTN TTT a SLATE B7-DIMS! a Se oe ee a ee Se a ee hee Soe el <= SSS Se = meta an