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 1910 
 April 19 
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 THE SUNLIGHT 
 
 DomENICO MorELuLI. IN 
 
 24 
 
No. 833 
 
 Representative Patnturgs 
 
 FModern Butch and french Masters 
 
 FROM THE 
 
 PRIVATE COLLECTION OF 
 
 Mr. S. Hope-Fobhustone 
 
 AND OTHER COLLECTORS 
 
 INCLUDING 
 
 DIAZ HENNER MANET 
 
 DUPRE JACQUE ISRAELS 
 
 ZIEM - BOSBOOM MESDAG 
 ROMNEY GUARDI WEISSENBRUCK 
 
 DAGNAN-BOUVERET, AND OTHERS 
 
 TO BE SOLD WITHOUT RESERVE 
 
 AT CARNEGIE LYCEUM 
 
 57TH STREET AND SEVENTH AVENUE 
 APRIL 19 AND 20, 1910 
 Ce ceeecceen aN al 
 BEGINNING PROMPTLY AT 8.30 o'CLOCK 
 
 Turspay EveENInG, . : . Lots 1-60 
 WEDNESDAY EVENING, . : ‘¢ 61-124 
 
 THe PAINTINGS ON EXHIBITION FROM WEDNESDAY, APRIL 13, 
 To TuEsDAY, APRIL 19, 10 a.m. To 5.30 P.M. 
 
 The Anderson Auction Company 
 
 12 East 46TH STREET 
 New York 
 
 TELEPHONE, Murray Hin 120 
 
ART AND MISCELLANEOUS. 
 
 Conditions of Sale. 
 
 1. All bids to be per Lot as numbered in the Catalogue. 
 
 2. The highest bidder to be the buyer; in all cases of disputed bids the 
 lot shall be resold, but the Auctioneer will use his judgment as to the 
 good faith of all claims and his decision shall be final. He also reserves 
 the right to reject any fractional or nominal bid which in his judgment 
 may delay or injuriously affect the sale. 
 
 3. Buyers to give their names and addresses and to make such cash 
 payments on account as may be required, in default of which the lots pur- 
 chased to be immediately resold. - 
 
 4. The lots to be taken away at the buyer’s expense and risk within 
 twenty-four hours from the conclusion of the sale, and the remainder of 
 the purchase money to be absolutely paid on or before delivery, in default 
 of which the Anderson Auction Company will not be responsible if the 
 lot or lots be lost, stolen, damaged, or destroyed, but they will be left at 
 the sole risk of the purchaser, and subject to storage charges. 
 
 5. To prevent inaccuracy in delivery, and inconvenience in the settle- 
 ment of purchases, no lot will be delivered during the sale. 
 
 6. All lots will be exposed for public exhibition two. or more days 
 before the date of sale, for examination by intending purchasers, and the 
 Anderson Auction Company will not be responsible for the correctness of 
 the description, authenticity, genuineness, or for any defect or fault in or 
 concerning any lot, and make no warranty whatever, but will sell each lot 
 exactly as it is, without recourse. But upon receiving before the 
 date of sale expert opinion in writing that any lot is not as represented, 
 the Anderson Auction Company will use every effort to furnish proof to 
 the contrary, and in default of such proof the lot will be sold subject to 
 the declaration of the aforesaid expert, he being liable to the owner or 
 owners thereof for damage or injury occasioned by such declaration. 
 
 7. Terms Cash. Upon failure to comply with the above conditions 
 any sum deposited as part payment shall be forfeited, and all such lots as 
 remain uncleared after twenty-four hours from the conclusion of the sale, 
 will be re-sold by either private or public sale at such time as the Ander- 
 son Auction Company shall determine, without further notice, and if any 
 deficiency arises from such ré-sale it shall be made good by the defaulter 
 at this sale together with all the expenses incurred thereby. This con- 
 dition shall be without prejudice to the right of the Anderson Auction 
 Company to enforce the contract with the buyer, without such re-sale. 
 
 8. The Anderson Auction Company will afford every facility for the 
 employment of carriers and packers by the purchasers, but will not be 
 responsible for any damage arising from the acts of such carriers and 
 packers. 
 
Backhuysen..........:..... 45, 49 
 Balostrierl. =... .:........... 22, 75 
 ONS Ge A ee eae 23 
 WOQEBASAT)..4)5004 5506.0 b se. 28, 79 
 Bauerle. 2. cee. cece cede. woe CL. 
 a) ae ee be 38 
 LOT ee He 42 
 Berne Bellecour............. 29, 89 
 Oo ee 106 
 OE De ae 73 
 1S 2 RE a 41, 48 
 bots A 1, 4, 68 
 Bretom({E),.......; Gel rae 90 
 eS Too ea 119 
 CCS ee rs 83 
 oe Ae 101 
 EN Fe tc key aes 82 
 OSS a 18 
 (0 LN a 85 
 Dagnan-Bouveret............ 100 
 Diamoverewk.t. « <. Soe ore 78 
 OL OS A a 36 
 ee 92, 95 
 ONTENTS. ssc ole aacc oes 114 
 DL Ae A i taal 
 Mee aie wc koe eae ae ss 97 
 LUISE. lee ote gee 98 
 oh ee a 91 
 UEPEUES. 6 ae ee 8, 67 
 LDC. hs a a eee 74 
 
 PU ee te ok. ss 17 
 DH ED ie Bald ae baa dail oh da Raed nO 54 
 er hc Fila) igual fk te de de dea 124. 
 Riel eee Gi ee 107 
 LLNS 5 ls erstellen PRE 2 
 ATED Se a en aa 66 
 HEROD PHOT. orga. sce chm ee ae 116 
 EERE ATA TON hc, sc aic ale 5 ee 59 
 J TSIEN fhe Uk A ea 6, 65 
 NGEAGIEE er ee ee od ok os 50 
 DSU IOV oh Perel te ie ie sk, sf 9's 87 
 EEC C  ee es 94 
 COO ait) canadian ak 20 
 OS IT Oe Pee ics one ie ko ick 40 
 LISTENS hog eh eae a 12 
 | RCA Ge SA a ote a a ee 34 
 PROOMIOGKE ee senate nine wnat 76 
 PpaIMDINOU oc iio iechetta oe 72 
 POR WEBNGOS G20 Hi -hich be ceo «ease 120 
 MERA E MMR yeh ac ees oss ocak a 21 
 CTASV Cn RS pr en ae 102 
 UC CRE AS a ee e eP 56 
 MGW a oes o IC OS OE CCE 11 
 WanG Dera xc tice ke an eters sar ie 105 
 IEE RY AR SIS manta aang ae 39, 52, 88 
 MEOUINOT He, ois ws a choles ae 84 
 WIGh el ttre s Meee heels 110 
 MGDLGST Gono. tie rene alco eran ¢ 10 
 (MOCAIEL IN) secs eh ae nite wate «4s 24 
 Morelli eave ecerasiee th core. 24 
 
li INDEX 
 
 LOT 
 Pichatas seme icetaent ore: 19, 70 
 Poggenbeek, oo. ssacsenes cs 35, 47 
 Pope..... so nictvneie sicko edb as target ieee 5 
 Poussin..... SRO IS Meratecoishees 57 
 IPriestian cate cwuimernciersce ees 43 
 tA) OF aoa A APRS OTROS Oho tec 44 
 Robinson. cee cote cr aes 99 
 ROMNCY. 375.0 scree aeeiee sone 118 
 Rudell ay a.cs susie eee 61 
 Sanchez-Perier,,............- 32 
 Searles Nortcsiael cp cieiean oie 60 
 Scheer... Ss as axe oe ehen tee 112 
 Segantini......... RAGoptOe hae 25 
 Tassaert 3 sacaat sonic enacts es 16 
 
 Thurlowekxcedchetene cee 93 
 
 LOT 
 Tiepolo. . s..- «sae see ee 58 
 Tirratelli; co.cc eee 26 
 TLOYON asics oieto a eee .96, 108 
 Unknowns... seeeee .. 8, 68, 121 
 Vanderheyden. «s.....0- «+34 53 
 VanMarcke.. 1.4 cee 15 
 Vincent... oi e.<eet sepohstaieners 115 
 Weissenbruck..............-- 51 
 Wilson: 44.2.5. .06e eee 117 
 Wisniewsk1. «2: .anieeesteeeeee 33 
 Wiohistleriy ce setae PER OAG AA 86 
 Woodward. 2s... asneeeee 7,31, 104 
 "Wyant... os «nici eeeeneneretenet 55 
 Werysmiuller..< tiie st eeesteneneaen 37 
 ZAC... 5. &.s)e-arecenete eres 27, 108 
 
RTODOR 03s _......-Head of a Young Girl............ ... 46 
 epee... A Dead Calm........... Sone eeu 
 DaAGNAN-BOUVERET - BPC OMIVA OG Ai das; grebsiea ba oi 6) sere be nes 100 
 emenemae 14), Dutch Interior. 2.6.0.0... e eee eee ee 36 
 one wtpe ka eee du Bois Egan Hird Chea ah Re eee ae . 95 
 PEI aa eie ec ses 5s atie MIR TER ne ie ecard eet « sag toiaieacs 74 
 GARDE eae ce sicvew css eRe ey «Ue els ce siese.s sic deine 56s 54 
 HEUNER pet © Eaiskeee cs BEER ag tele nied cose) awiaiele cela ed viernes 107 
 ANS ee In the Sheep Stable...........-....06- 94 
 OES a Clock Tower, ereatend ane sehr ater action 66 34 
 TONG ee ais cac ce as + ms Bremer LUCA Nets cat a sei is oe 8 Sie soa 8.0 a! a 52 
 CEE sc. eis sess In the Sunshine.:.......... Ecie’s 24 
 BGM nig n'y sins ws 0 Miss Rumbold as Artemis............ 118 
 POMON, ccc. e eee ose CRM POLAT Oy wait cjsx'ws ad nels e oe 2 ne 96 
 Oo or anal Gy San MALCO.. cies) sce anos ss ee 108 
 
Catalogue 
 833 
 
 NOTE 
 
 This Sale will be held at CARNEGIE LYCEUM, 57th Street and 
 Seventh Avenue, Tuesday and Wednesday Evenings, April 19 and 20, 
 beginning promptly at 8.30 o’clock. 
 
 The Paintings are the property of Mr. S. Hope-Johnstone, of 
 New York City, and a few other private owners, and will all be sold 
 without reserve to the highest bidders. 
 
 FIRST EVENING’S SALE, TUESDAY, APRIL 19, 1910 
 
 1 
 
 GEORGE BOYLE. 
 English Contemporary Painter. 
 
 A MEADOW PASTURE IN KENT. 
 Canvas. Signed. 
 
 a Height, 17 in.; width, 21 in. 
 Ay 
 2 
 E. HILDA. 
 
 Contemporary French Painter, 
 ON THE BANKS OF THE GANGES. 
 
 Water color. 
 
 Two sleek-looking tigers lie peacefully resting at the foot of 
 a short flight of marble garden steps, beyond which is seen a 
 mass of tropic foliage. At the right flows the river, brilliantly 
 colored by the reflections from the sunset sky. 
 
 0 Signed. 
 Wa Height, 14 in.; width, 19 in. 
 
Ty ee 
 
 3 
 UNKNOWN. 
 
 INTERIOR OF A STABLE, WITH FIGURES. 
 
 In a well-lighted stable a woman is seen feeding a cow. 
 
 Height, 6 in.; width, 8 in. 
 
 4 
 
 GEORGE BOYLE. 
 
 English Contemporary Painter. 
 
 ENGLISH LANDSCAPE, WITH CATTLE. 
 
 Canvas. Signed. 
 Height, 12 in.; width, 18 in. 
 
 5 
 ALEXANDER POPE. 
 
 THREE OF A KIND. 
 
 This work of the Boston animal painter shows three young 
 spaniels seated in a straw-lined kennel looking enquiringly at 
 the beholder. 
 
 Signed and dated ‘‘’91.” 
 Height, 174 in.; width, 234 in. 
 
GEORGE INNESS, JR., N. A. 
 | 1854— 
 
 - THE EVENING GLOW. 
 
 Canvas. Signed. 
 b Height, 10 in.; width, 8 in. 
 
 | 2 q 
 
 ' 
 
 DEWING WOODWARD. 
 
 THE MODEL’S REPOSE. 
 
 %, 
 
 ia | 
 
 |= A semi-nude female figure is seen sitting “on the ground, 
 % leaning against a wall. Beyond is a lake bordered by trees, 
 i whose flickering shadows fall across the figure. 
 ? ; 
 
 Signed. 
 Height, 154 in.; width, 23} in. 
 
 yooh 
 
 8 
 
 tL, C; EARLE, N. A. 
 1845-1909. 
 LANDSCAPE IN THE RAMAPO VALLEY. 
 
 Canvas. Signed. 
 Height, 84 in.; width, 12 in. 
 
 cg 
 
9 
 M. J. C. a* BECKET. 
 
 American Painter, deceased. 
 LANDSCAPE. 
 
 Canvas. Signed. 
 Height, 22 in.; width, 30 in. 
 
 10 
 A. MILESI. 
 
 Contemporary Italian Painter. 
 
 A VENETIAN WOMAN. 
 
 Water color. 
 
 A dark-skinned woman, with lustrous eyes, looking toward 
 the beholder, and a mass of black hair which falls low on one 
 side stands against a white wall. She wears a yellow ’kerchief 
 about her head, tied under her chin, and over her white waist 
 she draws a striped shawl. The artist is one of the clever 
 painters of Northern Italy who produces figures and genré 
 compositions with much skill. 
 
 Signed. 
 Height, 26 in.; width, 184 in. 
 
 11 
 C. LUDWIG. 
 Contemporary French Painter. 
 
 THE FERRY OF CHARON. 
 
 Canvas. Signed. 
 Height, 10 in.; width, 14 in. 
 
12 
 WILLIAM KEITH. 
 
 Contemporary San Francisco Painter. 
 
 A CALIFORNIAN LANDSCAPE. 
 
 This pleasing work from the brilliant Western painter shows 
 a lake bordered by great trees which rise in the foreground, 
 their branches seen against the sky. On the water falls a strong 
 c1e light, while the blue mountains fill the horizon. 
 
 y Canvas. Signed. 
 Height, 153 in.; width, 20 in. 
 
 138 
 MATHIAS ALTEN. 
 
 Contemporary American Painter. 
 
 THE FISHERMAN’S DAUGHTER. 
 
 Canvas. Signed. 
 Height, 25 in.; width, 20 in. 
 
 lv 
 14 
 M. J. C. a’BECKET. 
 American Painter, deceased. 
 MOONLIGHT ON THE SEA. 
 Canvas. Signed. 
 as Height, 20 in.; width, 30 in. 
 ) a 
 
15 
 
 EMILE VAN MARCKE. 
 1827-1890. 
 
 Medals, 1867, 1869, 1870. 
 Legion of Honor, 1872. 
 
 THE PASTURE—A STUDY. 
 
 Two cows are seen grazing in the meadow, beyond which 
 rises a low hill. In the foreground a pool of water across 
 which stands some bars supported by three posts. This in- 
 teresting study is restrained in color, displaying to advantage 
 
 the artist’s brushwork. 
 
 Canvas. Signed. 
 Height, 11 in.; width, 16 in. 
 
 From the Van Marceke Sale, No. 300. 
 Bought of Boussod, Valadon & Co., Paris. 
 
 16 
 
 NICOLAS FRANCOIS OCTAVE TASSAERT. 
 1800-1874. 
 
 Represented in the Luxembourg Museum by two pictures. 
 
 A MOTHER’S DREAM. 
 
 The mother seated beside her child’s empty bed, ina transient 
 dream, finds her lost one brought to her through the open 
 window, borne in the arms of anangel. Tassaert, during his 
 lifetime, was one of the most popular of French painters and a 
 great friend of Alexandre Dumas, 
 
 Canvas. Signed. 
 Height, 16 in.; width, 124 in. 
 
“YW 
 
 y 
 
 1 
 
 17 
 VICTOR GILSOUL. 
 
 Contemporary Belgian Painter. 
 
 EVENING AT ALOST. 
 
 vy 
 
 From the foreground runs the village street toward the 
 church, whose walls and lighted windows fill the vista. At 
 the right some shrubs are seen over a garden wall and down 
 the street, broken by shadows from the buildings, moves a 
 eeue be eas the church, Beautiful light fills the sky, studded 
 with stars. 
 
 Canvas pasted on board. Signed. 
 Height, 15 in.; width, 18 in. 
 
 18 
 HEVA COOMANS. 
 
 CHANT D’AMOUR. 
 
 Two young women, one seated, one reclining on a stone seat 
 amid Juxurious surroundings, listen to a song from a slave, who 
 kneels on a tiger skin at their feet and plays on a long-necked 
 mandolin. Beyond the marble parapet is seen a glimpse of a 
 blue lake and mountains rising on the horizon. 
 
 Canvas. Signed. 
 Height, 20 in.; width, 274 in. 
 
 19 
 O7 PIGHAT: 
 
 A LIEUTENANT OF GENDARMES. 
 
 In military uniform and wearing a decoration on his breast, 
 the handsome officer is seen mounted on a dark bay horse 
 standing at rest. His sword falls at his side. At the right 
 appears an inscription of the artist to his friend. Though little 
 known in this country this artist has been officially recognized 
 and decorated in France, and is the painter of the great pano- 
 rama of ‘‘Jerusalem and the Crucifixion,” which has been 
 shown in Paris for fifteen years. 
 
 Signed... 
 Height, 124 in.; width, 104 in. 
 
20 
 MAURICE JACQUET. 
 
 APRIL. 
 
 From the foreground the little river curves away and is lost 
 in the distant shrubbery. Reeds and dead grass line the margin 
 of the stream, and at a distance a little boat with two figures 
 is seen against the shore. A purple mist spreads over the land- 
 scape suggesting the early spring time. Painted in April, 1904. 
 
 Canvas. Signed. 
 Height, 15 in.; width, 18 in. 
 
 21 
 
 GASPARD LATOIX. 
 Contemporary French Painter. 
 
 Though the work of a French artist, the work shows an 
 American landscape, with our own skies, buildings, and cattle, 
 painted with knowledge and fidelity. 
 
 Canvas. Signed. 
 Height, 30 in.; width, 45 in. 
 
 22 
 L. BALESTRIERI. 
 
 NIGHT SCENE IN THE RUE DE ROME, PARIS. 
 
 Water-color. 
 
 Outside a brilliantly lighted café, a chestnut-vender has set 
 up his stand, at which a woman and child stop to buy, Others 
 are seen passing, while in the street loiterers stand gazing 
 through the gratings at the railroad trains below, moving to 
 and fro, sending up clouds of steam that mingle with rose- 
 tinted clouds of evening. This artist won wide renown by his 
 picture entitled ‘‘ Beethoven,” some years ago, known in this 
 country through reproductions. 
 
 Signed. 
 Height, 12 in.; width, 184 in. 
 
 v< 
 
23 
 
 NIECOLO BARABINO. 
 1831-1891. 
 
 MADONNA AND CHILD. 
 
 Water-color. 
 
 This is a small reduction of the artist’s large composition in 
 oil, owned by Queen Marguerita since 1887. Willard’s History 
 of Italian Art says: ‘‘ No other modern religious picture, out- 
 side of Morelli’s, has attained equal celebrity or become so uni- 
 versally familiar and so universally popular throughout Italy 
 as this Madonna by Barabino.” This artist was chosen to deco- 
 rate the three lunettes over the portal of the facade of the 
 Florence Cathedral, the work being in mosaic from his cartoons. 
 
 Signed. 
 Height, 174 in.; width, 94 in. 
 
 24 
 
 DOMENICO MORELLI. 
 1826-1900. 
 
 Medals, 1855, 1861. 
 Exposition Universel, 1867. 
 Diploma of Honor, 1880. 
 
 IN THE SUNLIGHT. 
 
 q° 
 
 mo 
 
 This picture, by one whom the official jury of the Turin Ex- 
 position of 1880 voted as the foremost artist of Italy, shows a 
 young peasant girl coming across the flower-dotted fields, and 
 carrying an earthen water-jug in one hand, while with the 
 other she holds up her dress. Beyond rise the blue hills, and 
 over all the brilliant Southern sunlight, which he sought to in- 
 terpret with the utmost fidelity. Fewof his works have found 
 their way to this country. 
 
 [See illustration. | 
 
 Canvas. Signed. 
 Height, 163 in.; width, 10} in. 
 
“4 
 
 25 
 
 GIOVANNI SEGANTINI. 
 1858-1899, 
 
 IN THE ITALIAN ALPS. 
 
 This view of a little mountain village, nestling in the shadow 
 of the Alps, is a characteristic example of one of the greatest 
 of modern Italians, who spent the largest part of his life in the 
 Italian Alps. Working among the humble shepherds and 
 tillers of the soil, he produced pictures which caught the atten- 
 tion of the world by their rare fidelity and singular beauty. 
 
 Panel. Signed. 
 Height, 10 in.; width, 16 in. 
 
 26 
 
 CESARE TIRATELCLI, 
 
 Contemporary Italian Painter. 
 
 ON AN ITALIAN HIGHWAY. 
 
 Two women, bearing baskets of fruit, are approaching along 
 
 a shaded woodland road, followed by an old man. A boy is 
 oon at the left, and in the grass at the right the family dog. 
 Both figures and landscape are painted with much skill. 
 
 Canvas. Signed. 
 Height, 123 in.; width, 30% in 
 
— ie Rees. |, ee 
 
 27 
 
 FELIX ZIEM. 
 1821-1908. 
 
 Medals, 1851, 1852, 1855. 
 Legion of Honor, 1857, 
 Officer, 1878. 
 
 LA SALUTE, FROM PIAZZA AUGARANI. 
 
 The Church of Madonna della Salute, with its beautiful 
 dome, has been made the subject of more pictures than, per- 
 haps, any other building inthe world; yet its interest is never- 
 ending. Here we have it from a small piazza, rendered with 
 this painter’s wonderful sense of color and his poetic imagina- 
 aes Across the water rises the Campanile in the evening 
 ight, 
 
 Panel. Signed. 
 Height, 84 in.; width, 64 in. 
 
 28 
 
 MARIANO BARBASAN. 
 
 Contemporary Spanish Painter, 
 
 A PROVINCIAL FAIR IN SPAIN. 
 
 The busy scene of a fair, with its white tents and the motley 
 character of the people in their native dress, under the deep 
 blue of a Southern sky, has delighted the artist: In the white 
 roadway of the foreground a young woman fruit-seller engages 
 the attention of a young gallant in sombrero. At the left a 
 family is resting wlth their donkeys and pigs. Mingled with 
 the distant tents are horses, donkeys and men, in gay trappings, 
 sparkling in the intense sunlight. Snow-capped mountains 
 rise on the far-off horizon. 
 
 Panel. Signed. 
 Height, 13 in.; width, 19 in. 
 
29 
 
 E. BERNE-BELLECOUR. 
 1838. 
 A FRENCH ZOUAVE. 
 
 A soldier wearing the uniform of a French zouave stands 
 leaning against the wall of a house drinking from a cup and 
 holding a bottle in his right hand. In the valley beyond are 
 seen the tents of the army encamped, with mountains rising on 
 
 the horizon. 
 
 Panel. Signed. 
 Height, 14 in.; width, 10 in. 
 
 30 
 RICHARD FEHDMER. 
 
 Contemporary Belgian Painter. 
 
 SUNSET ON THE LAKE, 
 W ater-color. 
 
 On the shore of the lake rises some noble beech trees in 
 autumn foliage, all drawn and painted with masterly knowl- 
 edge, through which the sunset light penetrates. A single 
 figure is seen at the right beneath the trees. The artist shows 
 his deep sentiment for nature and his long and serious training 
 in interpreting her tree forms, 
 
 Signed. 
 Height, 24 in.; width, 36 in. 
 
 31 
 DEWING WOODWARD. 
 
 THE DANCING LESSON. 
 Aquarelle on Ivory. 
 
 In a garden landscape, a nude female figure stands against a 
 tree with two pipes to her lips and looking down at a gorgeous 
 peacock which spreads its tail before her, forming an exquisite 
 picture of great idyllic charm, 
 
 Signed. 
 Height, 94 in.; width, 54 in. 
 Exhibited at the Salon, Paris. 
 
34. G. W. Knap. THE TowrR At AMSTERDAM. 
 
j 
 i) 
 { 
 { 
 ‘| 
 
 EMILIO SANCHEZ-PERRIER. 
 
 Born at Seville. Died 1907. 
 Gold Medal 1879. 
 
 be ; Order of Isabella. 
 
 SCENE NEAR PAU. 
 
 A river somewhat shrunken curves through a rock-strewn 
 course, and above are houses with lawns and gardens which 
 run down to the bank, along which a woman is spreading out 
 her linen to dry. At the right another with basket on her back 
 S heal . gathers fagots, passing the flowers that blossom in the sum- 
 mer sunshine. 
 
 Panel. Signed. 
 Height, 94 in.; width, 16 in. 
 
 | 
 
 33 
 
 BRONISLAW WISNIEWSKI. 
 
 A GOOSE HERD. 
 
 Seated on a river bank a child is seen eating with a spoon 
 from a red stone jug, his cap on the ground beside him, A 
 flock of geese have crossed the stream and are discussing the 
 desertion from their herder on the opposite bank.’ Beyond 
 6 stretches the sunny landscape under the summer sky. 
 
 ae 
 36 Signed and dated 1892. 
 Height, 30 in.; width, 33 in. 
 Shown in the Russian Art Collection at the World’s 
 Fair, Chicago. 
 
34 
 
 GERRIT WILLEM KNAP. 
 1873. 
 
 Contemporary Dutch Painter. 
 
 THE TOWER AT AMSTERDAM. 
 
 Above the mass of gables that stretch along the quay border- 
 ing the canal rises the picturesque clock tower of the old city. 
 Many market boats are clustered along the shore about which 
 the gulls flutter. This is the work of one of the younger men 
 who is gaining rapid recognition, his work having appeared in 
 the expositions of Berlin, St. Louis and Amsterdam. 
 
 [See Illustration. ] 
 
 Canvas. Signed. ~ 
 Height, 154 in. ; width, 13 in. 
 
 Purchased from the Artist. 
 
 35 
 
 GEORGE POGGENBECK. 
 1852-1903. 
 Medals 1883, 1889, 1893, 1896. 
 
 AT NIGHTFALL. 
 
 Through the meadow runs a small stream, above which swings 
 a gate. Beyond the stretch of field and meadow, the roofs and 
 towers of a town are seen. The sky is tinged with the light of 
 sunset. Though differing from Mauve in his subjects, he 
 painted the scenes of his native country with the same deep 
 
 feeling for the sentiment in nature. 
 
 Panel. Signed. 
 Height, 94 in.; width 14 in. 
 
36. J. EF. STEERE DE Jonc. A DutTcH INTERIOR. 
 
36 
 
 ioe oo.) EERE DE: JONG. 
 1866, 
 
 Contemporary Dutch Painter, 
 
 DUTCH INTERIOR. 
 
 rain 
 
 This work by one of the talented young men, shows a room 
 in a Dutch cottage with a woman seated grinding coffee, with 
 a coffee pot on the table beside her. There is unaffected sim- 
 plicity in the work which marks the artist as one whose career 
 is to be watched with interest. He enjoyed for four years a 
 subsidy from the crown after leaving the Amsterdam Academy 
 
 and is represented in the collections of the Queen, Dr. Bredius, 
 and others. 
 
 [See Illustration. ] 
 
 Signed. Canvas. 
 Height, 124 in.; width, 8? in. 
 
 Purchased from the Artist. 
 
 37 
 
 J. H. WYSMULLER. 
 1855. 
 
 Medals at Amsterdam and Antwerp. 
 
 THE MILL. 
 
 og 
 
 Water-color. 
 
 Beside a sluggish stream a Dntch windmill stands, its arms 
 stretched out against the cloud mottled sky. Some Holstein 
 cattle are seen grazing in the green meadow which sketches 
 away to the horizon broken by a distant church tower, At the 
 right of the mill a small red roofed house nestles close, Living 
 in Amsterdam, this artist followed other pursuits for some 
 
 time before taking up the profession in which he has won suc- 
 cess. 
 
 Signed. 
 Height, 14 in.; width, 104 in. 
 
38 
 
 MARIUS BAUER. 
 1867. 
 
 i Order of Orange-Nassau. 
 Grand Prize, Paris Exposition, 1900. 
 Noted as an Etcher. 
 
 ORIENTAL NIGHT SCENE. 
 
 Against a high wall of a mosque ending in a tall minaret, a 
 long row of Arabs wrapped in their white cloaks sit sleeping, 
 as a tall watchman, with lighted lantern, makes his rounds. 
 The moonlight falls over the scene silvering it all, as well as 
 the distant mosque whose domes and minarets rise in the dis- 
 
 uy a / tance. Bauer, by his splendid pictures of Eastern street scenes, 
 V has won great renown at home, being the only Orientalist of 
 the Dutch school. 
 
 Canvas. Signed. 
 Height, 21 in.; width, 134 in. 
 
 39 
 
 HENDRIK WILLEM MESDAG. 
 1831, 
 
 Legion of Honor, 1889, 
 Commander of the Order of Orange-Nassau, 
 and many other honors, 
 
 SUNSET ON THE NORTH SEA. 
 
 Water-color. 
 
 With her dark sails spread to dry, a fishing boat is drawn up 
 
 on the sands. Some fishermen gather about her sides. Other 
 
 boats are seen beyond. Above the stretch of gray water is a 
 
 6 fine sunset sky. The sea has been the delight of this most 
 f) famous of Dutch marine painters, and the changing aspect of 
 water and clouds has been an ever fruitful subject for his 
 
 ey ( 
 JV 
 os brush, 
 
 Signed. 
 Height, 9 in.; width, 11 in. 
 
40 
 
 - JOHAN BARTHOLD JONGKIND. 
 1822-1885. 
 
 Pupil of Isabey. 
 Medal, 1852. — 
 
 CANAL IN NIEUWEDIEP, HOLLAND BY MOON- 
 
 ww 
 
 LIGHT. 
 
 Through the center runs the canal fringed by trees and bor- 
 dered by houses. Two boats, with tall masts, are drawn up 
 to the left bank at a short distance. Moonlight breaks through 
 
 the heavy clouds silvering the scene. 
 
 Canvas mounted on a panel. Signed. 
 Height, 124 in.; width, 164 in. 
 
 41 
 
 JOHANNES BOSBOOM. 
 1817-1891, 
 
 Numerous decorations and medals. 
 
 STREET SCENE IN DORDRECHT. 
 
 Water-color. 
 
 A narrow Dutch street lined by tall gabled ‘houses curves 
 away in perspective, the green copper dome of the town house 
 filling the vista. In the wet street below some muffled figures 
 are seen, with the play of light and shade characteristic of 
 
 this great master. 
 
 Signed. 
 Height, 134 in.; width, 10 in. 
 
4® 
 
 42 
 
 VICTOR BAUFFE., 
 1849— 
 
 VILLAGE ALONG THE VECHT. 
 Along the river bank at the left stretch the red-roofed houses 
 of a Dutch village, ending in a windmill. Patches of green 
 grass mark the borders of the stream and a couple of boats 
 
 are moored to the bank. 
 
 Panel. Signed. 
 Height, 14 in.; width, 17 in. 
 
 43 
 
 BERTHAM PRIESTMAN. 
 Contemporary English Artist. 
 CATTLE IN PASTURE. 
 
 The cattle, vigorously painted, stand prominently in the 
 foreground, and show the close observation and conscientious 
 
 training of the painter. 
 
 Canvas. Signed. 
 Height, 20 in.; width, 264 in. 
 
 44 
 
 WILLEM CORNELIS RIP. 
 1856— 
 
 Contemporary Dutch Painter, 
 Medals, 1889, 1900, 1904. 
 
 WINDMILL NEAR HAARLEM. 
 
 W ater-color. 
 
 This example of one of the new group of Holland’s able 
 painters shows the typical Dutch windmill against a sky filled 
 with moving clouds. Painted in the vigorous manner of the 
 Dutch painters, it shows intrinsic qualities of a high order. 
 
 Signed. Height, 14 in.; width, 204 in. 
 Purchased from the Artist. 
 
45 
 
 G. J. VAN DE SANDE BAKHUYZEN. 
 
 The Hague, 1826-1895. 
 Medals, 1861, 1863. 
 
 AUTUMN SCENE, HOLLAND. 
 
 Through an opening in the woodland a path runs off to the 
 distant meadow, where a herdsman is guarding his sheep. Be- 
 yond rise the square tower and buildings of a town. The 
 trees clustering at both right and left foreground show the 
 foliage of approaching autumn and a blue sky filled with float- 
 
 NUP ing clouds arches above. 
 
 Jv Canvas. Signed. 
 Height, 184,in.; width, 20+ in. 
 
 46 
 
 R. AVIGDOR. 
 
 Contemporary French Artist. 
 
 HEAD OF A YOUNG WOMAN. 
 
 With hair falling lightly on each side of her face, a beautiful 
 young woman looks directly toward the spectator. Her neck 
 is bare, but a white cape across her shoulders falls down over 
 her dress, which is ornamented by a bow of ribbon. A similar 
 
 bow is fastened to her hair. 
 
 é @ [See illustration. ] 
 
 Panel. Signed. 
 Height, 25 in.; width, 21 in. 
 
47 
 
 GEORGE POGGENBEEK. — 
 1852-1903. 
 Medals, 1883, 1889, 1898, 1896. 
 
 A DUTCH MEADOW. 
 
 In a sunny meadow bordered by trees a group of cows are 
 seen peacefully grazing. At the left a stream runs down, its 
 flow checked by a water-gate. Pollard willows line the stream, 
 
 all in their midsummer dress of green. It is a characteristic 
 example of one of the most charming painters of Dutch land- 
 scape, whose death cut short a brilliant career. 
 
 AW : 
 LY} J Canvas. . Signed. 
 Height, 15 in.; width, 22 in. 
 
 48 
 
 JOHANNES BOSBOOM. 
 1819-1891. 
 
 Medals, 1855, 1876. 
 Order of the Lion. 
 Order of Leopold. 
 
 STREET SCENE, AMSTERDAM. 
 
 W ater-color. 
 
 Above the roofs which stretch away in perspective rises the 
 tall church tower into the upper air, and various figures move 
 through the streets below. It is a departure from from the 
 church interiors associated with Bosboom’s name, but none the 
 less interesting, since it shows the same play of light and shade, 
 the same spaciousness and grace and breadth which are char- 
 
 acteristics of his art. 
 
 & 
 
 Signed. 
 Height, 134 in.; width, 10 in. 
 
46, ReEN&E AVIGDOR HEAD OF A YOUNG WOMAN, 
 
49 
 
 G. J. VAN DE SANDE BAKHUYZEN. 
 
 The Hague, 1826-1895. 
 Medals, 1861, 1863. 
 
 SUNSET, HOLLAND. 
 
 Beyond a cluster of trees which rise at the left stretches a 
 wide Dutch meadow where cattle graze. In the foreground is 
 a pool of water, and the cloudy sky is tinged with the light of 
 
 sunset, 
 Canvas. Signed. 
 isis AD Height, 11 in.; width, 13 in. 
 + | 
 50 
 
 JOSEF ISRAELS. 
 
 ™ 18od—= 
 1867, 1878. 
 
 Legion of Honor, 1867. 
 
 FISHERWOMEN—SANDVOORT—A SKETCH. 
 
 Israels is the foremost figure, the Rembrandt of modern 
 Dutch art, and whatever comes from his hand shows 
 his marvelous technical skill as well as his interpretative 
 power. In his interiors and his outdoor subjects he shows his 
 sympathy with the toilers of the land, and always tries to ex- 
 press the inner spirit of their lives. 
 
 § 
 3 44 il Canvas. Signed. . 
 Height, 134 in.; width, 24} in. 
 
51 
 
 JOHANNES HENDRIK WEISSENBRUCK. 
 1824-1908. 
 
 Various medals. 
 Order of St. Michael of Bavaria, 
 Order of Orange-Nassau. 
 
 ON THE BROADS. 
 
 This view of a fiat country shows broad stretches of water 
 running through the land. A mass of twisted trees in the fore- 
 ground breaks the horizon line, and at the right is seen a low 
 house with tall corner poles. As usual in this artist’s work, 
 great simplicity and suggestiveness mark the expanses of field 
 and sky, but always with marked beauty of line and tone 
 values. 
 
 Canvas. Signed. 
 Height, 104 in.; width, 30 in. 
 
 52 
 
 HENDRIK WILLEM MESDAG. 
 1831— 
 Medals, 1870, 1878. 
 
 Legion of Honor, 1889, 
 Commander Orange-Nassau order. 
 
 THE OPEN SEA. 
 
 Across the choppy waves of the North Sea approaches a fish- 
 ing boat loaded with its deep-sea harvest, her brown sails filled, 
 her pennant firm, in the stiff breeze. Other boats of the fishing 
 fleet follow at a distance. A dramatic sky broken by masses 
 of moving clouds fixes the attention and holds the interest of 
 the observer. 
 
 [See illustration. ] 
 
 Canvas. Signed. 
 Height, 24 in.; width, 30 in. 
 
53 
 
 JAN VAN DER HEYDEN. 
 1637-1712. 
 
 ENVIRONS OF DELFT. 
 
 Above the walled gardens, with their clipped treesand hedges, 
 rise the castle and the square church tower of the town. At 
 the right the hillside is terraced, crowned by a house of red 
 brick. In the foreground two nuns are passing, while deer 
 graze in the green meadows. ‘‘ He succeedeth better than any 
 other painter,” says Professor R. N. James, ‘‘in combining an 
 eee eery degree of finish with great breadth of light and 
 shade.” 
 
 o- 
 fo°" ‘Panel. Height, 14 in.; width, 18 in. 
 Formerly in the Worms Collection. 
 
 Purchased from Durand-Ruel, Paris. 
 
 54 
 
 FRANCESCO GUARDI. 
 1712-1798. 
 
 SAN GIORGIO MAGGIORE, VENICE. 
 
 The sun falls across the front of the church and convent 
 of San Giorgio, seen across the water from near the Dogana, 
 which rises at the right in shadow. Fishing boats and numer- 
 ous laden gondolas move across the watery space, giving move- 
 ment and sparkle to the picture. Increasing appreciation of 
 the spirited work of Guardi has enhanced their value, but con- 
 noisseurs have long held in high esteem the qualities strongly 
 in evidence in this little masterpiece. 
 
 9? 
 } 6 7 ie [See illustration. ] 
 Canvas. Height, 114 in.; width, 143 in. 
 
 From the Collection of Lord Orford, Houghton Hall, 
 Norfolk. 
 
So a Oe ee Ne Oe ee ee ee Se ee 
 
 55 
 
 JAN WYNANTS. 
 1625-1682. 
 
 DUTCH LANDSCAPE. 
 
 This picture by the master of Philip Wouvermans and Adrian 
 van der Velde shows a broken country with patches of wood- 
 land whose perspective and masses of foliage are rendered with 
 consummate skill. ‘His works are not numerous,” says 
 Bryan’s Dictionary; ‘‘their scarcity is explained by the care 
 
 0 and finish of their technique.” 
 (ai Canvas. Height, 24 in.; width, 29 in. 
 Formerly in the Thibaudeau Collection. 
 
 (oe 
 
 56 
 
 BARON HENDRIK LEYS. 
 Antwerp, 1815-1869. 
 Medals, 1835, 1855, 1867. 
 Order of Leopold, 1840. 
 Legion of Honor, 1862. 
 
 INTERIOR OF THE HYDRAULIC HALL AT ANT- 
 WERP. 
 
 This work, in which the great Flemish painter was assisted 
 by his nephew and follower (Henri de Braekeleer, 1830-1888), 
 shows the interior of one of the old guild halls at Antwerp, 
 with its lofty ceiling and imposing mantel. At the left a man 
 
 Q is seated at a table. 
 a Attested on the back of the canvas. 
 Height, 22 in.; width, 28 in. 
 
 57 
 
 GASPARD POUSSIN. 
 1613-1675. 
 
 A CLASSIC LANDSCAPE WITH FIGURES. 
 
 Beyond a dark mass of trees which rises at the left, an open 
 landscape stretches away to a castle at the right almost sur- 
 rounded by trees. At the right are someruins, near which sits 
 a beggar who appeals to a soldier passing. Beyond, a horseman 
 is seen descending a roadway. 
 
 Canvas. Height, 16 in.; width, 194 in. 
 From the Collection of Lord Orford, Houghton Hall, 
 Norfolk. 
 
eo 52. H. W. Mmspac. THE OPEN SEA. 
 
54. FRANCESCO GUARDI. SAN GIORGIO, VENICE. 
 
58 
 
 ~GIOVANNI BATTISTA TIEPOLO. 
 1692-1770. 
 
 ss" THE DEFEAT OF THE SARACENS. 
 
 This interesting canvas dates from Tiepolo’s Spanish sojourn 
 (he having been invited to the Spanish Court in 1762 by Charles 
 Til), when he had come under the influence of the Anti-Moor- 
 ish feeling then prevalent in that country. It is probably one 
 of the series of historical paintings he was then commissioned to 
 
 w execute. 
 
 Canvas. Signed. 
 Height, 51 in.; width, 34 in. 
 
 59 
 
 CORNELIS HUYSMANS (of Mechlin). 
 1648-1727. 
 
 THE FOREST OF SOIGNIES. 
 
 This large and important example of Huysmans’ landscape 
 work shows a view of a lovely valley bordered by the forest, 
 with the spire of a distant village church showing besidea wind- 
 ing river. Interest is awakened by the figures of a huntsman 
 and his dogs emerging from the wood. 
 
 gy Canvas. Height, 52 in.; width, 71 in. 
 / 0 Formerly in the Thibaudeau Collection. 
 
 60 
 EDWARD SEARLES. 
 
 Contemporary English Painter. 
 SUNSET ON THE CORNISH COAST. 
 
 Canvas. Signed. 
 Height, 24 in.; width, 36 in. 
 
SECOND EVENING’S SALE, WEDNESDAY, APRIL 20, 1910 
 
 AT 8.30 O'CLOCK 
 
 61 
 
 P, E, RUDELL. 
 Contemporary American Painter. 
 
 SOLITUDE. 
 
 Canvas. Signed. 
 ae Height, 12 in.; width, 14 in. 
 /*) 0 Purchased from the artist. 
 
 62 
 
 EDWARD MORAN. 
 AT SEA. 
 
 “(Tg oe 
 
 Across a wide expanse of rolling sea a ship in full sail is seen 
 
 approaching. 
 
 Signed. 
 Height, 124 in.; width, 21 in. 
 
 638 
 GEORGE BOYLE. 
 Contemporary English Painter. 
 A PATH AT THE EDGE OF THE WOOD. 
 
 Canvas. Signed. 
 Height, 17 in.; width, 21 in. 
 
64 
 
 ¥ A. FENETTI. 
 ROSES. 
 
 Canvas. Signed. 
 Height, 16 in.; width, 18 in. 
 
 joe 
 
 65 
 
 GEORGE INNESS, JR., N.A. 
 » 1854—. 
 
 LANDSCAPE, EARLY MORNING. 
 
 Canvas. Signed. 
 Height, 14 in. ; width, 12 in. 
 
 Lig? 
 
 66 
 
 ROBERT HOPKIN. 
 
 TARBET, SCOTLAND. 
 Water-color. 
 
 This scene on the Scottish coast is the work of a Scotch painter 
 who came to this country and opened his studio in Detroit, 
 where he gained considerable vogue. This harbor scene is a 
 representative work, being painted some years before his death, 
 
 5 Signed. 
 / KY 2 Height, 22 in.; width, 26 in. 
 
4 rT 8's 
 
 L. C. EARLE, N.A. 
 1845-1909. 
 VIEW IN DELAWARE COUNTY. 
 
 Canvas. Signed. 
 Height, 8 in.; width, 12 in. 
 
 /¢0e 
 
 68 
 
 UNKNOWN. . | : 
 STUDY OF OXEN. 
 An admirable study of oxen in a stable. 
 
 Dated ‘‘ Sept 18% 1859 ” 
 Height, 10in.; width, 154 in. 
 Purchased in Paris by present owner forty years ago. 
 
 69 
 
 M. J. C. a BECKET. 
 American Painter, deceased. 
 NEAR MAGNOLIA, MASSACHUSETTS. 
 
 2 Canvas. Signed. 
 i Height, 24in.; width, 18 in. 
 
70 
 
 O. PICHAT. 
 GENERAL DUMAS AT THE SIEGE OF PADUA. 
 
 The father of Alexander Dumas wearing the uniform{of a 
 French general, with cocked hat and tricolor sash, is seen 
 mounted on rearing black horse. Ramparts stretch away at 
 the right and shells are bursting near by as well as in the dis- 
 
 From this finished sketch the artist received an order 
 
 0 tance. 
 / ~ ey from the French government for a life-size work. 
 
 Signed. 
 Height, 124 in.; width, 104 in. 
 Purchased from the artist. 
 
 71 
 
 KARL WILLIAM FRIEDRICH BAUERLE. 
 
 Born in Wurtemburg, 1831— 
 Settled in England in 1869. 
 SPRING. 
 Two children, a boy and a girl, clothed in white, are seen in 
 
 profile gathering flowers. Though devoting himself to paint- 
 ing portraits, this artist excelled in the delineation of child- 
 
 hood. 
 Canvas. Signed. 
 Height, 274 in.; width, 34 in. 
 [ py Exhibited at the Royal Academy 1873. 
 
 72 
 
 EMILE CHARLES LAMBNIET. 
 1815-1877, 
 
 AMONG THE WILLOWS. 
 
 Beneath the double row of willow trees curves a path 
 through the center of the picture reaching away in perspec- 
 tive. Figures are seen here and there in the shade. Above is 
 the blue summer sky. The work of this painter is to be found 
 in a number of French provincial museums. 
 
 y) f Canvas. Signed. 
 
 Height, 31 in.; width, 25 in. 
 
Faia 
 , eae 
 
 Ce 
 
 73 
 
 MAURICE BOMPARD. 
 
 Contemporary French Painter. 
 
 DEAD CALM ON THE MEDITERRANEAN. 
 
 On the blue waters of the southern sea floats a group of fish- 
 ing boats with their red and yellow sails spread to catch any 
 chance breeze. On the edge of the water stretch the white 
 houses of the town, broken up by their green gardens, and the 
 blue southern sky over all. Loving the sunlands and the sea, 
 the artist here conveys the restful quiet of Southern France, 
 his native land. 
 
 [See illustration. ] 
 
 Canvas. Signed. 
 Height, 204 in.; width, 25 in. 
 
 74 
 
 ALFRED EAST. 
 Contemporary English Artist. 
 
 MORNING MIST IN THE VALLEY OF THE OUSE. 
 
 Beneath the willows stretches a plain broken by streaks of 
 sunshine, wherea flock of sheep is being herded by two men. 
 Gray mists hang over the scene broken by shafts of light. 
 
 [See illustration. } 
 
 Canvas. Signed. : 
 
 Height, 154 in.; width, 22 in. 
 
 From the William O. Cole Collection, who purchased 
 it directly from the artist. 
 
74, ALFRED East. MorNING MIST IN THE VALLEY OF THE OUSE. 
 
So A 
 
 va at id va 
 
 a Zt Signed. 
 
 as | 75 
 
 L. BALESTRIERI, 
 
 Contemporary Italian Painter. 
 
 PARIS IN WINTER. 
 W ater-color. 
 
 ~ 
 
 Above the massed roofs of the city rise the blunt towers and 
 sharp spire of Notre Dame, all white with snow. Below the 
 river is seen with barges drawn up at the banks, their tops 
 covered with the new snow. At the left the trees lift their 
 gaunt branches, 
 
 Height, 14 in.; width, 19 in. 
 | 
 
 j 
 
 76 
 
 B. C. KOEK-KOEK. 
 Dutch Painter, 1803-1862. 
 
 LANDSCAPE IN FLANDERS. 
 
 Along a roadway which runs away from the foreground a 
 flock of sheep and a herdsman are seen approaching. Noble 
 trees rise at the right above the roadway and a pool of 
 water is seen at the left. Over all isa blue sky with summer 
 
 / hy Ly clouds. 
 
 Signed. 
 Height, 14in.; width, 19 in. 
 
V7 
 
 EDOUARD FRERE. 
 1819-1886. 
 
 Pupil of Paul Delaroche. 
 Medals of 1851, 1855. 
 Legion of Honor 1855. j 
 
 CHURCH AT VILLIER LE BEL. 
 
 This work from the renowned painter of French domestic 
 interiors shows a village street in winter with a view of the 
 church in the old town, and reveals the same able qualities 
 which have won for him so high a place in the regard of dis- 
 
 criminating collectors. 
 Canvas. Signed. 
 
 Height, 15 in.; width, 184 in. 
 
 From the James McCormick Collection. 
 
 TS 
 
 PIERRE EMMANUEL DAMOYE. 
 
 French Painter. 
 Pupil of Corot and Daubigny. 
 Medals 1879, 1884. 
 
 THE GREEN VALLEY. 
 
 Like Daubigny, his friend and master, Damoye loved the 
 green landscapes to be found in the valley of the Oise and 
 painted them again and again with fidelity and charm. While 
 showing the influence of his master, he still has qualities 
 wholly his own worthy of the highest endorsement, 
 
 Canvas. Signed. 
 Height, 14 in.; width, 244 in. 
 
 From the William O. Cole Collection. 
 
79 
 
 MARIANO BARBASAN. 
 
 Contemporary Spanish Painter. 
 
 ON A SPANISH HIGHWAY. 
 
 3 ge 
 
 Along the roadway, white under the vivid sunlight, motley 
 groups of people are seen making their way toward the city 
 dimly seen at the right. In the foregronnd against a wall, 
 above which tall cypress trees rise, a family is seen at rest 
 watching their pigs, while beyond some turkeys strut about. 
 Still further beyond are covered wagons and donkeys and 
 people, all a gay throng of life in tag, tassel and filigree under 
 a blazing sky. 
 
 Panel. Signed. 
 Height, 102 in.; width, 12 in. 
 
 80 
 
 RENE AVIGDOR. 
 
 Contemporary French Artist. 
 
 SALOME. 
 
 Lt sev 
 
 In a dress of dull red and green, which leaves the neck and 
 arms bare, a young woman with her hair falling down about 
 her shoulders stands holding a salver before her on which is 
 seen the haloed head of John the Baptist. She looks down at 
 it more in sorrow than in satisfaction now that her wish is 
 
 gratified. 
 
 Canvas. Signed. 
 Height, 42 in.; width, 30 in. 
 
Ate ae PT eee 
 ~ ake ae 
 
 81 
 
 RICHARD FEHDMER. 
 
 Contemporary Belgian Painter. 
 
 THE ROAD THROUGH THE WOODS. 
 Water color. 
 
 Down a road leading through a fine forest of beechwoods 
 approaches some cattle being driven home at evening. The 
 
 o warm light of sunset fills the scene, adding to the poetic in- 
 a <i terest, while the drawing of the trees, for which this artist is 
 y renowned, shows his profound knowledge of tree forms. 
 
 Signed. 
 Height, 24 in.; width, 36 in. 
 
 $2 
 
 PAUL JEAN CLAYS. 
 1819-1900. 
 
 Medals 1851, 1867. 
 Legion of Honor, 1875, 
 Medal, Exposition 1878. 
 
 Order of Leopold. 
 
 ON THE RIVER SCHELDT. 
 Water color. 
 
 On the broad waters of the river some market boats drift 
 lazily, their yellow and brown sails sagging lifelessly. In the 
 foreground a waterman is ferrying two passengers across to 
 the near shore in a heavy black boat. In the distance rises a 
 windmill, alongside of which is moored a small boat with 
 
 orange sail. 
 
 “S 
 
 ae Signed. 
 | Height, 154 in.; width, 214 in. 
 
aes 
 
 bye 
 
 83 
 
 COUNT A. DE BYLANDT. 
 
 Belgian Painter, deceased. 
 
 GOING TO MARKET. 
 
 Along a country road a loaded market wagon drawn by 
 sturdy horses passes, while another toilsomely follows at some 
 distance in the rear. The landscape background is one of 
 summer freshness hemmed by a range of mountains, and is 
 painted with great care and knowledge. A companion work 
 hangs in the Corcoran Gallery, Washington. 
 
 Canvas. Signed. 
 Height, 24 in.; width, 36 in. 
 
 84 
 
 CONSTANTINE MEUNIER. 
 1831-1902. 
 
 Medals 1869, 1873. 
 Order of Leopold. 
 
 A HIGHWAY IN FLANDERS. 
 
 Along a roadway bordered by broad tilled fields a peasant 
 woman bearing a market basket on her back is seen walking 
 sturdily with a staff. She wears a red kerchief about her 
 head. The broad view is unobstructed save for a short section 
 of rail fence, and some trees on the far off horizon. Beginning 
 his art career as a painter, Meunier latterly devoted himself to 
 sculpture, in which he won renown. 
 
 Canvas. Signed. 
 Height, 23 in.; width, 32 in. 
 
85 
 
 FRANZ COURTENS. 
 
 Contemporary Belgian Painter. 
 Medal 1884. 
 Work in the National Museum at Brussels. 
 
 MILKING TIME. 
 
 In a farmyard stands a white cow and beyond approaches a 
 maid with a pail. In the distance stands the farm buildings 
 shaded by trees, between which falls strong splashes of sun- 
 light touching the cow’s back and speckling the ground—all 
 rendered with this painter’s bold and vigorous technique. 
 
 97 
 nal Canvas. Signed. 
 Height, 19 in.; width, 25 in. 
 
 86 
 
 JAMES McNEILL WHISTLER. 
 1834-1903. 
 
 THE PRISONER. 
 
 This highly interesting early work of the artist was declared 
 by him to be the first definite commission undertaken by him 
 in Paris, and was painted for Captain Williams, of Stonington, 
 Mass. On page 72 of Pennell’s ‘‘ Life of Whistler” it is de- 
 scribed as follows: 
 
 «¢,. There was also, he said, a woman holding up a child 
 towards a barred window, beyond which, seen dimly, was the 
 face of aman. ... He was sure he must have made Something 
 interesting out of them, he knew they were wonderful things 
 
 A even then (the beginnings of harmonies and purple schemes). 
 QS, He supposed it must have been intuition . 
 On the back of this canvas are two unique caricatures by 
 
 Whistler. 
 
 Canvas. 
 
 Height, 39 in.; width, .... in. : 
 
 Purchased from Mr. E. Williams, nephew of the 
 original owner. 
 
% 
 
 6 , 
 tis 
 
 Js 
 
 87 
 
 EUGENE ISABEY. 
 
 1804-1886, 
 Medals 1824, 1827, 1855. 
 Legion of Honor, 1832. 
 
 FISHING BOATS OFF DIEPPE. 
 
 With brown sails spread and flag flying at her masthead 
 a fishing boat is approaching the quay, while a small boat 
 comes alongside. In the background the white buildings of 
 the town are seen. 
 
 _ Canvas. Signed. 
 
 Height, 184 in.; width, 14 in. 
 Exhibited at the Salon, 1854. 
 
 S$ 
 
  HENDRIK WILLEM MESDAG. 
 
 1831- 
 Medals 1870, 1878. 
 
 FISHING FLEET OFF SCHEVENINGEN. 
 
 Mesdag’s subjects are all simple enough and may be found 
 any day along the shore, but few have his ability to record 
 them. He presents his scenes of sea and shore in all kinds of 
 weather, noting the effects of light, which have had such fas- 
 cination for him. Nor do we find him repeating himself, for 
 the light on sea and sky is always changing, always presenting 
 new and mysterious problems for the dreamer, 
 
 Canvas. Signed. 
 Height, 192 in.; width, 254 in. 
 
89 
 
 E. BERNE-BELLECOUR. 
 1838- 
 
 CHASSEUR-A-PIED. 
 
 A French soldier in infantry uniform and with gun sus- 
 pended over his shoulder, stands examining a Prussian helmet 
 left on the battlefield. Beyond stretches a landscape of fertile 
 
 ; fields. 
 
 Panel. Signed. 
 Height, 14 in.; width, 10 in. 
 
 90 
 
 EMILE ADELARD BRETON. 
 Brother and Pupil of Jules Breton. 
 
 Medals 1866, 1868, 1878. 
 Legion of Honor, 1879. 
 
 IN THE JURA MOUNTAINS. 
 
 From an elevated plateau in Southeastern France. the be- 
 holder looks down on a small lake hemmed round by the 
 mountains. On the edge of the lake rises a castle with the 
 village roofs behind it. The whole scene is touched with 
 the russet colors of autumn contrasting with the snow-covered 
 
 range beyond. 
 
 Canvas. Signed. 
 Height, 16 in.; width, 28 in. 
 
91 
 
 ALPHONSE ETIENNE DINET. 
 
 Contemporary French Artist. 
 
 THE CATHEDRAL OF COLOGNE—AN IMPRESSION. 
 
 The great front of the Gothic minster rises before the ob- 
 server, the slight sketchy manner in which the impression is 
 rendered only adding to the effect of lightness and grace con- 
 veyed by the structure itself. Sunlight falls across the south- 
 
 0 ern wall, while the houses on the side are in shadow. Cabs 
 A | er, and moving figures in the street serve to heighten the majestic 
 3 4) effect of the great cathedral. 
 
 Signed. Canvas. 
 Height, 25 in.; width, 174 in. 
 
 92 
 
 NARCISSE VIRGILE DIAZ DE LA PENA. 
 1807-1876. 
 
 Medals 1844, 1846, 1848. 
 Legion of Honor, 1851. 
 
 WOODLAND LANDSCAPE. 
 
 Through the interlacing branches of the forest the sum- 
 mer sunlight falls touching leaf and trunk with gold and 
 making a brilliant varigated pattern. Above a bit of blue sky 
 is seen, altogether forming a picture of exquisite harmony, 
 
 a The picture was inherited by the present owner from her 
 S WwW father, who bought it many years ago. 
 
 Panel. Signed. 
 Height, 72 in.; Width, 102 in. 
 
93 | 
 FRITZ THAULOW. 
 
 STREET SCENE, VENICE. 
 
 Along a shaded quay a woman wearing a red shawl which 
 flutters in the wind makes her away. She carries one child in 
 her arms and leads another. Dark piles rise from the canal at 
 the right, and beyond a bridge is seen with a light.. The walls 
 of the building show broken patches of color. The scene is 
 painted with the firmness and knowledge characteristic of this 
 brilliant Norwegian artist. 
 
 Panel. Signed. 
 Height, 10 in.; width, 17 in. 
 
 94 
 
 CHARLES ‘EMILE JACOUER 
 1813-1894. 
 
 Medals 1861, 1863, 1864. 
 Legion of Honor 1867. 
 
 IN THE SHEEP STABLE. 
 
 In a roomy cheerful stable a number of sheep are gathered 
 about a shepherdess in yellow blouse and blue skirt who bears 
 an’ armful of straw. In the foreground some chickens are 
 scratching in the straw at the feet of a young lamb. 
 
 [See illustration. ] 
 
 Canvas. Signed. 
 Height, 22 in.; width, 18 in. 
 
IN THE SHEEP STABLE. 
 
 CHARLES EMILE JACQUE. 
 
 94. 
 
ed 
 
“G6 
 
 "ZYIC “A ‘N 
 
 ‘slog Od sauany 
 
96. C. Trovon. A Cow IN PASTURE. 
 
j . 
 4 * 
 i ee 
 is. 
 ts 
 F 
 
 Aa 
 ie 
 i 
 
 95 
 
 NARCISSE VIRGILE DIAZ DE LA PENA. 
 
 1809-1876, 
 
 Medals 1846, 1848. 
 Legion of Honor 1851. 
 
 AUPRES DU BOIS. 
 
 This splendid example of the Franco-Spanish painter shows 
 one of the sunny wooded landscapes which he produced under 
 the influence of Rousseau and which he failed to equal in his 
 later career. A peasant Woman stands by a pool in the fore- 
 ground, and the whole beautiful stretch of the Barbizon coun- 
 try is flooded with the golden sunshine which he rendered 
 with such rare ability. 
 
 [See illustration. ] 
 Panel. Signed. Height, 10 in.; width, 14 in. 
 
 From the Collection of Stephen G. Holland, Esq., 
 London. 
 Exhibited at the Guildhall Exhibition, London, 1898. 
 
 96 
 
 CONSTANT TROYON. 
 1810-1865. 
 
 Medals 1888, 1840, 1855. 
 Legion of Honor 1849. 
 
 A COW IN PASTURE. 
 
 é ey’ 
 
 In a wide-stretching green meadow a sleek-looking cow 
 stands, her back touched by the sunlight. In the distance are 
 a few trees, and some other cows grazing under a sky filled 
 with summer clouds. It is all so simple, so familiar to us, yet 
 made so interesting by the art of the great painter. 
 
 [See illustration. ] 
 
 Canvas. Signed. 
 Height, 24 in.; width, 29 in. 
 
 Purchased at the Hotel Drouot, Par is, many years ago 
 
97 
 
 JULES DUPRE. 
 1811-1889. 
 
 Medals 1833, 1867. 
 Legion of Honor 1849. 
 
 LE SOIR A L’ETANG. 
 
 It is the quiet evening hour and a tender light falls over the 
 
 0 landscape and the pond in the foreground. The beauty of the 
 a WF, scene stirred the mind of the artist in an effort to record his 
 LS b own mood, and communicate his own feelings to others. 
 
 Canvas. Signed. 
 Height, 14 in.; width, 174 in. 
 
 98 
 
 CHARLES AUGUSTE EMILE CAROLUS- 
 DURAN. 
 
 1837. 
 
 Legion of Honor, 1872. 
 Officer, 1878. 
 Commander, 1889. 
 Medal of Honor, 1879. 
 
 A PARISIAN TYPE. 
 
 A man of the Latin Quarter wearing a blue blouse is seated 
 sidewise on a carved chair, looking smilingly at the spectator. 
 The vigorously painted head is seen against a’ light wall 
 scrawled with lettering. This interesting work from one of 
 the greatest of the modern French masters of painting illus- 
 trates those artistic qualities which have won for him his tri- 
 26 umphant success. 
 
 Canvas. Signed. 
 Height, 34 in.; width, 20 in. 
 
90 
 
 Q 
 J>0°- 
 
 99 
 
 THEODORE ROBINSON. 
 1854-1896. 
 Recompenses 1890, 1892, 1893. 
 
 VALLEY OF THE SEINE IN WINTER. 
 
 Over a landscape tinged with the colors of autumn foliage 
 comes the first winter snow, filling the ruts in the ground and 
 lying on the distant hillsides that rise above the river. A 
 pinkish haze of a frosty day hangs in the air like a dream, 
 through which are seen some women gathering faggots. It is 
 an interesting and valuable example of one of the most talented 
 of American painters. 
 
 Canvas. Signed. 
 Height, 20 in.; width, 25 in. 
 
 100 
 
 P. A. J. DAGNAN-BOUVERET. 
 Born Paris, 1852. 
 
 Medals 1878, 1880. 
 Legion of Honor, 1885. 
 Medal of Honor, Exposition 1889, 
 
 A ROMANCE. 
 
 A young girl, whose blonde hair falls low over her ears, looks 
 up from a blue covered book held open in her hand, gazing 
 directly at the spectator. Her dress of light material shows a 
 touch of red on the shoulders. Throughout is felt the mystical 
 charm that distinguishes all the work of this remarkable 
 French painter. 
 
 [See illustration. ] 
 
 Canvas. Signed. 
 Height, 22 in.; width, 154 in. 
 
101 
 
 JEAN CHARLES CAZIN. 
 1840-1900. 
 
 Medal, 1880. 
 Legion of Honor, 1882. 
 
 SUNSET ON A NORMANDY MEADOW. 
 
 Along a road through the meadow moves a loaded market 
 wagon drawn by four horses. Beyond the: low’ broad roofs of 
 a farm house is seen against a line of young trees seen clearly 
 against the sunset sky. Stubble tires are lighted here and 
 there along the roadside, the rising smoke‘adding to the misti- 
 
 ness of the atmosphere. 
 
 Canvas. Signed. 
 Height, 13 in.; width, 18 in. 
 
 102 
 
 HENRI LEROLLE. 
 
 - Contemporary French Artist. 
 
 Legion of Honor, 1889. 
 
 THE CLOSE OF DAY. 
 Through the centre runs a canal bordered by houses on the 
 right which are joined to the opposite bank by footbridges. 
 Along the bank at the left runs a path where a girl with a pail 
 stands in contemplation. It is the sunset hour and a quiet, 
 rosy tight floods the whole scene. 
 
 Canvas. Signed. 
 Height, 32 in.; width, 394 in. 
 
A ROMANCE. 
 
 P, A. J. DAGNAN-BOUVERET. 
 
 100. 
 
103. FELIX ZIEM. CANAL’ DI SAN Marco. 
 
1038 
 
 FELIX ZIEM. 
 
 1821-1908. 
 
 Medals, 1851, 1852, 1855. 
 Legion of Honor, 1857. 
 Officer, 1878. 
 
 CANAL DI SAN MARCO, Venice. 
 
 The composition shows the wide sweep of the Canal di San 
 Marco as it narrows toward the. Grand Canal, with the Cam- 
 panile rising as a feature to lead the eye. A picturesque group 
 of fishing-boats with sails flapping in the midday air is seen in 
 the foreground. Painted in his most finished manner this fine 
 example of Ziem was selected as the one work of this master 
 to represent him at the Franco-British Exhibition in London 
 
 in 1908. 
 {See illustration. ] 
 
 Canvas. Signed. 
 Height, 24 in.; width, 32 in. 
 
 Illustrated in Catalogue de Luxe Franco-British Ex- 
 hibition, 1908. 
 
 104 
 
 DEWING WOODWARD. 
 
 SLEEP. 
 
 A young woman wholly nude reclines on her side, one arm 
 raised above her head, the other holds a blue cushion to her 
 side. Her red hair, unbound, flows along the figure. A bril- 
 liant example of flesh painting from a talented American 
 
 painter. 
 
 Signed. 
 Height, 21 in.; width, 43 in. 
 
 Exhibited at the Salon, Paris, in 1905. 
 
ake 
 
 aé 
 
 105 
 
 EDOUARD MANET. 
 
 1833-1883. 
 
 Pupil of Couture. 
 Medal, Salon 1881. 
 Legion of Honor, 1882. 
 
 STILL LIFE. 
 
 On a bare table are seen some glasses, a bottle, cheese, cov- 
 ered with glass, some fruit, a plate and a used napkin, form- 
 ing an unusual example of this great French painter, the 
 founder of modern impressionism in painting. It shows the 
 same visual perception and masterly handling that are to be 
 found in his ‘‘ Boy with a Sword” in the Metropolitan Museum. 
 
 Canvas. Signed. 
 Height, 214 in.; width, 26 in. 
 
 106 
 
 PAUL ALBERT BESNARD. 
 
 Contemporary French Artist. 
 
 Grand Prix de Rome, 1874. 
 Cross of the Legion of Honor. 
 
 UNDER THE FOLIAGE. 
 
 The head and bust of a young woman is seen in profile 
 against a background of a green midsummer landscape. She 
 wears a tunic with open neck and her red hair is crowned with 
 a wreath of flowers. Some branches trail across her bosom. 
 The artist has won renown by his decorative paintings in sev- 
 eral public buildings in Paris, and by his figure compositions, 
 which have marked style and poetic sentiment. 
 
 Canvas. Signed. 
 Height, 21%in.; width, 18 in. 
 
107 
 
 JEAN JACQUES HENNER. 
 1829— 
 
 Medals 18638, 1865, 1878. 
 Legion of Honor, 1878. 
 Member of Institute, 1889. 
 
 SUMMER. 
 
 In a quiet glade a young woman or wood nymph wholly 
 nude lies at full length on the grass beneath the trees. The 
 0 picture is one of exquisite quality, and carries the spirit of 
 ’ 6° —_ antique idyls which poets syng. Notwithstanding the poetic 
 ; er) ideality. there is a quality of flesh painting, for which 
 this master’s work isso remarkable. This picture belongs to 
 the artist’s best period, before he had fallen into producing 
 the long series of remarkable red-haired women, 
 
 |See illustration. ] 
 
 Canvas. Signed. 
 Height, 11 in.; width, 18 in. 
 
 108 
 
 MATHIAS ALTEN. 
 
 Contemporary American Painter. 
 
 GRADING THE ROADBED. 
 
 This vigorous work shows a team of horses driven over a hill 
 which is being cut away for some new pathway of commerce. 
 uy? 
 
 Canvas. Signed. 
 Height, 21 in.; width, 27 in. 
 
-(t~ 
 
 109 
 
 JEAN HONORE FRAGONARD. 
 1782-1806. 
 
 L’ENFANCE DE JUPITER. 
 
 The infant Jupiter is seen in the midst of a group of women 
 with the goat Amalthea by whom he was nourished. The back- 
 ground is formed by a cluster of trees against a blue sky. The 
 picture was one of a series of decorative panels executed for 
 the Chateau de Rocheouart, Limousin. 
 
 Canvas. 
 Height, 26 in.; width, 204 in. 
 From the collection of M. de Rocheouart-Pontville. 
 
 110 
 
 GEORGES MICHEL. 
 1763-1848. 
 
 PLAINS OF MONTMARTRE. 
 
 A broad road crosses from the right passing under a yellow 
 bank, and is lost to the left behind a clump of trees. At the 
 right are seen some horses and a wagon. Light and shadow 
 play across the landscape beneath a sky -heavy with rolling 
 
 clouds. 
 
 Canvas. 
 Height, 21 in.; width, 26 in. 
 
 111 
 
 FRANCOIS HUBERT DROUAIS. 
 1727-1775. 
 
 MADEMOISELLE DE BRISSAC, DAUGHTER OF THE 
 
 DUC DE BRISSAC. | 
 
 A young girl with dark hair and eyes, is seen, front view. 
 
 She wears a blue dress with white ruffles about the neck and 
 corsage. 
 
 Canvas. 
 Height, 18 in.; width, 154 in. 
 
107. J. J. HENNER. SUMMER. 
 
 IOI TI HL IR LE OIE SN EIS OR OI RR MN TT RE 8 A EE 
 
 23 ae 
 
112 
 
 ARN OCMEERRER. 
 1795-1858, 
 
 Grand Prize, Antwerp, 1816. 
 Legion of Honor. 
 
 2 
 
 ak he <eers iv. 
 
 THE MAGDALEN. 
 
 Seen in front view, a young woman is seen in half length. 
 Her blue drapery falls away leaving her bust nude which she 
 covers by crossing her arms on her bosom. Her head is turned 
 to the right, and her hair falls down on her shoulders. The 
 picture belongs to the last period of his life when he produced 
 his greatest works—the period of his ‘‘ Christus Consolator.”’ 
 
 Sar Canvas. 
 2o 0 ae Height, 352 in.; width, 273 in. 
 113 
 SIR WILLIAM ETTY. 
 1789-1849, 
 MISS ANNE JAY, OF BATH, AS POVERTY. 
 Pastel. 
 Signed. 
 Height, 204 in.; width, 154 in. 
 i) 
 /o°- 
 114 
 WILLIAM DOBSON. 
 1610-1646. 
 PHILIP HERBERT, EARL OF PEMBROKE AND 
 
 MONTGOMERY. 
 
 The bust portrait of a man with long hair, looks directly at 
 the spectator. He has a mustache and imperial and wears a 
 wide lace collar over a yellow satin coat with large slashed 
 sleeves. From a wide blue ribbon about his neck hangs a 
 decoration. His right hand, gloved, holds a cane. 
 
 ie] 
 Jo ‘- Canvas 
 Height, 30 in.; width, 25 in. 
 
 Purchased at the Blakeslee sale, 1908. 
 
xy 
 
 115 
 
 GEORGE VINCENT. 
 1796-1832. 
 
 ROAD SCENE IN THE THAMES VALLEY WITH 
 CATTLE. 
 
 From the foreground a roadway curves about a clump of 
 fine trees rising at the left, toward the river lying in the valley 
 beyond. In the centre of the road are a group of three cows 
 whose drover stops to speak with a man seated at the roadside: 
 In the distance a woman, child and dog are seen. A blue sky 
 with rolling summer clouds arches above. 
 
 Canvas. Signed. 
 Height, 24 in.; width, 32 in. 
 
 Exhibited at the British Institution, 1818. 
 From the Heritage sale, 1876. 
 
 116 
 
 JOHN HOPPNER. 
 1758-1810. 
 
 PORTRAIT OF JAMES, AFTERWARDS FIRST BARON 
 GAMBIER, OF IVER HOUSE, BUCKINGHAM- 
 
 SHIRE. 
 
 A front view of a young man is seen wearing a white wig. 
 His brown coat falls away in front showing white ruffled shirt. 
 He gazes directly at the spectator. Hoppner was the chief 
 rival of Lawrence as a portrait painter, 
 
 Canvas. 
 Height, 30 in.; width, 25 in. 
 
 Shown at the Royal Academy, 1794. 
 
. 117 
 
 RICHARD WILSON. 
 1713-1782. 
 
 ITALIAN LANDSCAPE. 
 
 we 
 
 From a plateau in the foreground, on which are seen two 
 figures, the observer looks down on a beautiful lake, beyond a 
 tree rising at the right. Still further is the sunlit country, 
 under a warm sunny sky with floating clouds. The whole 
 aspect is one of peace and serenity. 
 
 Canvas. 
 Height, 20 in.; width, 26 in. 
 
 118 
 
 GEORGE ROMNEY. 
 1734-1802. 
 
 MISS FRANCIS RUMBOLD AS ARTEMIS. 
 
 gw?” 
 
 The figure is seen front view with head turned to the left. 
 The hair bound with a fillet holding a crescent above her fore- 
 head, falls to the shoulders, where a red mantel is gathered 
 over her white waist. Below her bosom a quiver is suspended 
 by a blue ribbon, and she carries a bow in her right hand. The 
 subject was the daughter of Sir Thomas Rumbold by his first 
 wife. She later became the wife of Colonel Hale Rigby, of 
 Mistley Hall, Essex. 
 
 [See illustration. ] 
 
 Canvas. Painted in 1777. 
 Height, 24 in; width, 19 in. 
 Included in Humphrey Ward’s Catalogue Raisonné. 
 
119 
 
 JAMES BURRELL. 
 
 English Printer, deceased. 
 
 THE ENGLISH CHANNEL. 
 
 Tossed about on a heavy sea a small freighter, with sails set 
 to astiff breeze, is making her way into port. Some people on 
 the shore watch her progress with interest, their presence 
 adding interest to the picture. A fine sky adds to the beauty 
 of the picture. ‘ 
 
 Canvas. Signed and dated 1874. 
 Height, 30 in.; width, 48 in. 
 
 120. 
 
 SIR THOMAS LAWRENCE, P.R.A. 
 1769-1830, 
 
 PORTRAIT OF JOHN KEMBLE AS CATO. 
 
 Lawrence painted Kemble four times in different roles, first 
 as Rolla, then Hamlet, Coriolanus, and last in Addison’s Cato, 
 which he thought to be the best. In a letter to his brother, 
 dated Jan. 29, 1812, Lawrence says: ‘‘The work I am now 
 about is. a.generalized portrait of Kemble as Cato, or rather 
 Cato meditating on the Phedon of Plato, for which I take 
 Kemble as my model. You will be surprised to know that it 
 is his finest part. . .. It will be the last picture I shall paint 
 with Kemble for my subject and I know it will be my best.’’ 
 
 Canvas. Height, 47 in.; width, 30 in. 
 
 Exhibited at the Royal Academy 1812. 
 
 Exhibited at the British Institution 1830. 
 
 Engraved by Ward, also byS. W. Reynolds. 
 
 Described atlengih in William’s ‘‘ Life of Sir Thomas 
 Lawrence. 
 
 Reproduced in the ‘‘ Life of Sir Thomas Lawrence,’’ 
 by Lord Ronald Gower. 
 
 The copy of Reynolds’ engraving, is to be sold with 
 the painting. 
 
118. GEORGE RoMNEY. FRANCIS RUMBOLD AS ARTEMIS. 
 
121. 
 UNKNOWN. 
 STOKE POGIS CHURCH. 
 
 At the right rises the little church famous as the scene of 
 Gray’s Elegy, surrounded by the peaceful churchyard where the 
 poet himself lies buried. The work was for a long time attrib- 
 uted to Constable. 
 
 cal Canvas. Height, 26 in.; width, 39 in. 
 abe From the Gov. Carroll Collection, sold by the Amer- 
 ican Art Association. 
 
 122. 
 
 ENGLISH-NORWICH SCHOOL. 
 Early part of the 19th Century. 
 
 THE FALLEN TREE. 
 
 Through the center of the landscape lies the fallen tree. 
 
 Other noble trees left their branches beyond and some donkeys 
 
 and men are seen in the foreground. The picture shows both 
 
 the coloring and the careful minute drawing which marked the 
 
 F 2 followers of ‘‘Old Crome’’ and perhaps some little investiga- 
 dot 6 62 tion would establish its authorship definitely. 
 
 Canvas. Height, 30 in.; width, 41 in. 
 
 VLADISLAWS GUMINSKI. 
 Pupil of Ludwig Knaus, Berlin. 
 
 THE FIRST SNOW, RUSSIAN LANDSCAPE. 
 
 On the edge of the woods, wild boars are seen running through 
 the snow. Evening is coming on. Some crows are fluttering 
 among the branches of the trees, which are in autumn foliage. 
 
 3 y, wf Signed and dated 1888. 
 
 ‘ Height, 324 in.; width, 46 in. 
 Exhibited at the World’s Fair, Chicago, in the Rus- 
 sian Art Collection. 
 
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