ah emma Be ae Be Joe eo \ OSX | . ._* t \ |e . ce e ss ya Peon AV *,. ie Raut & oe 3 ee a eee Ce ee tee ts " Sentra ste amen Nate aa) 3 - ee “< rad tise -., e _{ODERN ETCHINGS THE COLLECTION OF HERSCHEL V. JONES MINNEAPOLIS, MINN. \ _ THIS COLLECTION WILL BE ON EXHIBITION AT | THE ANDERSON GALLERIES FROM SATURDAY, MARCH NINETEENTH TO MONDAY, TUESDAY, MARCH 28, 29 WHEN IT WILL BE OFFERED FOR SALE BY AUCTION a $ ate } “A great etching by a great etcher is a great work of art displayed on a small piece of paper, expressed with the fewest vital, indispen- sable lines, of the most personal character: an impression, a true impression of something seen, something felt by the etcher, some- thing that means a great deal to him, which can be expressed only by etching, something he hopes someone may understand and care for, as he, the artist, does—for it is all his own work—and if not, well, it does not matter; he pulls a few proofs, knowing them to be good, he smashes the plate, feeling like a murderer, .. .” FROM “ETCHERS AND ETCHING” BY ene JOSEPH PENNELL [254] | SALE NUMBER 1568 ON PUBLIC EXHIBITION FROM MONDAY, MARCH TWENTY-FIRST MODERN ETCHINGS THE COLLECTION OF HERSCHEL V. JONES MINNEAPOLIS, MINN. TO BE SOLD BY HIS ORDER - MONDAY AND TUESDAY EVENINGS, MARCH 28, 29 | AT EIGHT-FIFTEEN | THE ANDERSON GALLERIES [MITCHELL KENNERLEY, Presipent ] PARK AVENUE AND FIFTY NINTH STREET, NEW YORK IQ21 CONDITIONS OF SALE All bids to be PER LOT as numbered in the Catalogue. The highest bidder to be the buyer. In all cases of disputed bids the lot shall be resold, but the Auctioneer will use his judgment as to the good faith of all claims and his decision shall be final. Buyers to give their names and addresses and to make such cash payments on account as may be required, in default of which the lots purchased to be immediately resold. Purchases to be taken away at the buyer’s expense and risk within twenty-four hours from the conclusion of the sale, and the remainder of the purchase money to be paid on or before delivery, in default of which The Anderson Galleries, Incorporated, will not be responsible if the lot or lots be lost, stolen, damaged, or destroyed but they will be left at the sole risk of the purchaser, and subject to storage charges. All lots will be exposed for public exhibition before the date of sale, for examination by intending purchasers, and The Anderson Galleries, Incorporated, will not be responsible for the correctness of the descrip- tion, authenticity, genuineness, or for any defect or fault in or concern- ing any lot, and makes no warranty whatever, but will sell each lot exactly as it is, WITHOUT RECOURSE. Terms CasH. Upon failure to comply with the above conditions any sum deposited as part payment shall be forfeited, and all such lots as remain uncleared after twenty-four hours from the conclusion of the sale will be resold by either private or public sale at such time as The Anderson Galleries, Incorporated, shall determine, without further notice, and if any deficiency arises from such resale it shall be made good by the de- faulter at this sale together with all the expenses incurred thereby. This condition shall be without prejudice to the right of The Anderson Galleries, Incorporated, to enforce the contract with the buyer, without such resale. Brps. We make no charge for executing orders for our customers and use all bids competitively, buying at the lowest price permitted by other bids. The Anderson Galleries, Incorporated, will afford every facility for the employment of carriers and packers by the purchasers, but will not be responsible for any damage arising from the acts of such carriers and packers. THE ANDERSON GALLERIES ~ PARK AVENUE AND FIFTY-NINTH STREET NEW YORK TELEPHONE PLAZA 9356 CATALOGUES ON REQUEST SALES CONDUCTED BY MR. FREDERICK A. CHAPMAN OSR eT RS OI IT SAA EE MONDAY EVENING, MARCH TWENTY-EIGHTH LOREN R. BARTON ae MUIRHEAD BONE 3-6 RICHARD PARKES BONINGTON . 7 A. BROUET 8, 9 CHARLES DAUBIGNY TOf¢ IT HONORE DAUMIER 12-16 EUGENE DELACROIX | 17 HENRI FANTIN 18 ETHEL GABAIN LQ,820 “GAVARNI” (GUILLUME SULPICE CHEVALLIER) 21 SEYMOUR HADEN 22 AXEL HERMAN HAIG EP LESTER G. HORNBY 24, (25 EUGENE ISABEY 26 JOSEF ISRAELS | 27 CLAUDE GELLEE (CALLED CLAUDE DE LORRAINE) 28, 29 TROY KINNEY | 30 - MAXINE LALANNE 3 | 31 _ ALPHONSE LEGROS 32-69 -. AUGUSTE LEPERE 70-134 -_R. LUMSDEN 135, 136 _EDOUARD MANET : 137, 40d2 TUESDAY EVENING, MARCH TWENTY-NINTH - JAMES MCBEY 143-228 CHARLES MERYON 229, 230 _ JEAN FRANCOIS MILLET 231 _— OROVIDA PISSARO 232-243 “AUGUSTE RAFFET 3 244, 245 AUGUSTE RODIN 240 HERMAN A. WEBSTER 247 JAMES ABBOT MCNEIL WHISTLER 248-250 ANDERS ZORN 251-282 7 oe hs SALE MONDAY EVENING MARCH TWENTY-EIGHTH AT EIGHT-FIFTEEN O’CLOCK The prints in this Collection are of such uniform high quality that it would be monotonous to describe the condition of each particular print. It can be accepted that Mr. Jones was never satisfied with an impression that was less than the best that could be found. FIRST SESSION LOTS I-I42 LOREN R. BARTON r) y leg tied I GEORGE ARLISS AS DISRAELI Oil Signed artist’s proof on Japan paper. 2 THE WAITING ROOM 3 Signed artist’s proof on Japan paper. Proof No. 9 of 30 printed. l 3 MUIRHEAD BONE 3 GREAT YARMOUTH | Signed artist’s proof. From the artist’s own collection. Cf Marked in upper left-hand corner “3rd unique.” 4 ON THE CLYDE, 1917-18 Set of six original lithographs. I BUILDING A CROSS CHANNEL CHAIN FERRY (Underneath the bows) LIFTING AN OIL TANK INTO A TRAIN FERRY THE FLOOR OF THE TRAIN FERRY | - RECONSTRUCTING A CLYDE SHIPYARD . THE TUSCANIA AT GLASGOW BUILDING A LINER AT GREENOCK Signed artist’s proofs. Set complete. Am BW N . § WALBERSWICK FERRY Signed artist’s proof. -6/ EVENING, GENOA ‘ | Signed artist’s proof. RICHARD PARKES BONINGTON 7 RUE DU GROS HORLOGE, ROUEN | oe On India paper. From the Jules Gerbeau collection. Char- - acters “J..G. H.” stamped on back. A. BROUET See ee, WELT, Vy. A : Signed artist’s proof. Proof No. 47 of 50 printed. | fit wos , .9 CAMPEMENT A L’ARRIERE | oF (4h 7 Signed artist's proof. Proof No. 38 of 75 printed. eerie CHARLES DAUBIGNY 3 a “Daubigny stands unrivaled among the painters and etchers of landscape who glorified French Art during the nineteenth century.” (to LE PETIT PARC AUX MOUTONS yO Proof on India paper. Excessively rare. [Henriet, 48.] 5 ‘11 LES BORDS DU COUSIN | Pa First State, before the cows were effaced. Rare. [Henriet, ly 63-] te int | “ LLY J. re 3 fe 12 13 14 oe) 16 18 19 hee HONORE DAUMIER LE MOULIN DU TELEGRAPHE Plate 431, “La Caricature,’ No. 206. LE MARECHAL MORTIER, LA VEILLE DE LA BATAILLE DE WATERLOO Plate 456, “La Caricature; Noor POUR UN PAUVRE AMERICAIN, S’IL VOUS PLAIT Plate 463, “La Caricature,’ No. 222. | QUELLE HEURE EST-IL, SIL VOUS PLATES UN MONSIEUR AU DESSOUS DE SES AFFAIRES | Plate 34, “Emotions Parisiennes.” EUGENE DELACROIX UN FORGERON Sixth state. [Delteil, 19.] -HENRI FANTIN L’ETOILE DU SOIR (TANNHAUSER) Second State. [Henriet, 25.] 25 proofs only. Proof inscribed: ‘‘A Monsieur O. Berggman. H. Fantin.” From the E. B. Holden collection. | ETHEL GABAIN PROFIL FIN Signed artist’s proof. LYENFANT ENDORMI Signed artist’s proof. 4 “GAVARNI”. (GUILLUME SULPICE CHEVALLIER) vat / / oe 24 25 ea 26 27 LES PARENTS TERRIBLES First state. Proof bears all letters on India paper. Rare. SEYMOUR HADEN medaka KELLY'S, PUTNEY First state. Signed artist’s proof. [Harrington, 107.] AXEL HERMAN HAIG THE MILL | Haig’s first plate. Signed artist’s proof. Etched in 1877. Very rare. [Armstrong, 1I.] LESTER G. HORNBY LA COLLINE, MARNE Signed artist’s proof. A LA GAITE MONTPARNASSE, PARIS Signed artist’s proof. EUGENE ISABEY SOUVENIR DE BRETAGNE On India paper. JOSEF ISRAELS GIRL WITH BASKET SEATED ON SHORE On Japan paper. [Hubert, 19.] 5 [ 28 | CLAUDE GELLEE (CALLED CLAUDE DE LORRAINE) / (er 28 29 ( fQ .- ok / 19 ~“ 31 LE BOUVIER Second state. [Robert Dumesnil, 8. ] An impression of extraordinary beauty. LE SOLEIL COUCHANT. (CALLEDS SG First state. [Robert Dumesnil, 15.] Impression of unusual beauty, before the artist’s name in the lower margin and before the number eleven. From the Hubert collection. “This etching is remarkable for the inexpressible tenderness of its sky.’—Hamerton. TROY KINNEY LOPOKOVA AND NIJINSKI IN LES SYLPHIDES Signed artist’s proof. No. 52 of 88 impressions printed in color. Plate cancelled. MAXINE LALANNE : vA RIVIERE BORDEE D’ARBRES [Beraldi, 93.] Very rare early proof. “No one ever etched so Leica 0: as Maxine Lalanne.” —Hamerton. A Ss oy Ay. 33 / me i2# . 36 4 i . (37 8 50.7 [32] ALPHONSE LEGROS PAYSAGE DE TOURBRIERES—DANS LE MARAIS Signed artist’s proof. LA MORT DE SAINT FRANCOIS Proof on thin Japanese paper. Fourth estate. T. G. Arthur collection. Eon the LES PESTIFERES DE ROME Unsigned. Sixty impressions only. LE MANEGE Fifth state. From the T. G. Arthur collection. LA PECHE AU TAMBOUR Unsigned proof. Six impressions only and the plate de- stroyed. From the Rey. Stopford A. Brooke and F. B. Bliss collections. LE COUP DE VENT Unsigned. From the collection of Rev. Stopford A. Brooke. LA VERITE SUR LE CAS DE M. VALDEMAR Unsigned. On thin Japanese paper mounted on Japanese paper. 150 only printed. Rare. vi 39 LES FAISEURS DE FAGOTS There were about 20 became dull and hea s proof d late states ) 1st ° Giart S is p Early state igne late an vy. oa states of th 8 Pee eo EY LE. PENDULE, NO: 2 Only state. Unsigned. From the Phillipe Burty and T. G. Arthur collections. 154 only printed. An illustration for Edgar Allan Poe. aa LA LAITIERE DE BOULOGNE. Second state. Signed artist’s proof. BORD DE LA MARNE Fourth state. Signed artist’s proof. LYENTREE DU CHAMP Second state. Signed artist’s proof. LES BOULEAUX AU BORD DE L’EAU First state. Signed artist’s proof. LES BOULEAUX: BORD DE L’7EAU (EFFET DU MATIN) Second state. Signed artist’s proof. AU COIN D’UN CHEMIN - Second state. Signed artist’s proof. LE PETIT BRULEUR D’HERBE Third state. Signed artist’s proof. UN VIEUX CHATEAU Second state. Signed artist’s proof. MASURE SUR LA COLLINE Second state. Signed artist’s proof. CHATEAU DES REVENANTS Third state. Signed artist’s proof. ABBEY FARM — | | First state. Signed artist’s proof. CHAILLI, EFFET D’ORAGE Second state. Signed artist’s proof. SOUVENIR D’ITALIE Second state. Signed artist’s proof. & oe, LE PAYSAGE AUX MEULES Second and rarer state. Fifty impressions onl lished. From the T. G. Arthur Collection. LE PETE PAVOLR Signed artist’s proof. UNE VALEE EN BOURGOYNE Fourth state. Signed artist’s proof. REPOS DE: VOYAGE Second state. Signed artist’s proof. LA MORT DU VAGABOND Signed artist’s proof. 10 . y were pub- LA FERME DU BIENHEUREUX Signed artist’s proof. WOOD, FERME DU BIENHEUREUX Third state. Signed artist’s proof. FECHEURS DE TRUITES Signed artist’s proof. PAYAGE AUX DEUX ARBRES First state. Signed artist’s proof. LES BORDS DE LA LIANE Signed artist’s proof. BORD DE LA VENELIE Signed artist’s proof. HEAD OF AN APOSTLE Third state. Signed artist’s proof. From the F. E. Bliss Collection. There were six proofs only of this state. DESERTED VILLAGE Signed artist's proof. LE PAYSAGE A LA MARE Unsigned proof on Japanese paper. LA MORT DU BUCHERON, No. 2 Signed artist’s proof on Japan paper. private collection. From the artist’s 7 LE PAYSAGE A LA MARE First state before the plate was reduced in size. Signed artist's proof. From the T. G. Arthur Collection. iT 7O 1 74 75 76 (17 78 AUGUSTESEE PERS PROMENADE DU DIMANCHE, CREVECQHUR Signed artist’s proof. Proof No. 50 of 50 printed MARCHE A LA VOLAILLE, A ST. JEAN-DE-MONT Proof intermediate between the first and second states. Signed artist’s proof on Japan paper. Marked by the artist “rT er et. No. 8 Tire 10.” At the back is written in pencil ‘Ter Veritable Ile avec la bequelle mais avant les trabaux dans le ciel—’’ This etching was made on zinc from nature. TOITS DE MON ATELIER A JOUY Signed artist’s proof on Japan paper. Proof No. 9 of 30 impressions printed. From the Jules Gerbeau Guileeios NIVELLEMENT DE LA PLACE MAUBERT Second state. Proof No. 2 of 30. impressions printed. Signed artist’s proof on Japan paper. From the Roger Marx Collection. | LE JEU DE QUILLES A MONTMARTRE Second state. One of ten impressions only printed. Signed artist’s proof. UNE RUELLE A BEAUVAIS Later state. The plate is now cropped at the left. Signed artist's proof on Japan paper. UNE RUELLE A BEAUVAIS Second state. Signed artist’s proof on Japan paper. Proof No. 1 of 12 impressions printed. CHEMIN DE LA BRIQUETERIE First state. Proof No. 3 of 8 printed. Signed artist’s proof. L,ONDEE First state, before the shading of the sky and pond to right, and also before signature. Signed artist’s proof. Proof No. 6 of 8 printed. LZ 79 LA CATHETRALE DE REIMS | Signed artist’s proof on Japan paper. Proof No. 18. Superb impression. a, r r oe * as ore as LA CHAUMIERE DU VIEUX PECHEUR Signed artist’s proof on Japan paper. Proof No. 24 of 35 printed. SOUVENIR DE ST. DENIS Signed artist’s proof. First state. Proof No. 1 of 50 printed. POMMIER MORT First state. Signed artist’s proof. Proof No. 5 of g printed. UNE RUE DU QUARTIER JUIF A AMSTERDAM Signed artist’s proof. L’ARRIVEE AU MOULIN Signed artist’s proof. Proof No. 27 of 35 printed. HAARLEM Second state before the plate was cut at the bottom. Rare. Proof No. 8 of 35 printed. Signed artist’s proof. 14 [88 J VIEILLE BOURRINE, MAISON DU MARAIS, VEN- Pie tHe OLD COTTAGE, VENDEE) Signed artist's proof. | AU BORD DU PETIT-MORIN A VERDELOT Signed artist’s proof. First state. Proof No. 7 of g printed. PROVINS Signed artist’s proof. Proof No. 14 of 20 printed. [SEE ILLUSTRATION | LA CHAUMIERE A ROUSSEAU Signed artist’s proof on Japan paper. Proof No. 35 of 35 printed. JUILLET EN PICARDIE (CREVECCEUR) Signed artist’s proof. Proof No. 14 of 35 printed. LS ~/ gi g2 /93 hes 95 96 wi 98 oD IOO IOI 102 | 103 LE MOULIN A LIDOR (CREVEC@QUR) Signed artist’s proof. Proof 34 of 50 printed. DIMANCHE AU CABARET (VENDEE) Signed artist’s proof. Proof No. 33 of 35 printed. LEAPED ESE G NE Signed artist’s proof. Proof No. 34 of So printed. L’ARC-EN-CIEL Signed artist’s proof. Proof No. 6 of 35 printed. L’ECLUSE DE LA MONNAIE Only state. Proof No. 4 of 35 printed. Signed artist’s proof. From the Jules Gerbeau Collection. DECHARGE PUBLIQUE, QUAI DE LA GARE Signed artist’s proof on Japan paper. Second state. Proof No. 16 of 20 printed. ROUTE DE LA HOUSSOYE (CREVECCEUK) Signed artist’s proof on Japan paper. Proof No. 31 of 50 printed. LA MAISON DU BUCHERON Signed artist’s proof. Proof No. 19 of 50 printed. LE REMOULEUR Signed artist’s proof. No. 24 of 30 printed. Second state. LA CROIX DU BOIS—MACON—"BEL AUTOMNE” Signed artist’s proof on Japan paper. Proof No. 25 of 50 printed. VUE DE ST. JEAN-DE-MONT, VENDEE Signed artist’s proof. AMSTERDAM, VUE DE VICTORIA HOTEL Unsigned proof. Proof No. 5 of 35 printed. LA MAISON DU ROI DE POLOGNE, ANGERS Signed artist’s proof. Proof No. 25 of 35 printed. 16 104 ¥ 105 rl PS 106 4 107 4 108 L¢ ‘| 109 aa | \ [IO f BS {Il ry) fee? | [14 a IIS VUE DE JOUY-LE-MOUTIER Signed artist’s proof. 35 impressions only were printed. L’ETANG ST. NICOLAS, ANGERS Signed artist’s proof. Proof No. 26 of 35 printed. LES ARBRES TORDUS Signed artist’s proof on Japan paper. Proof No. 8Gn0t, 50 printed. JAVELLES DE SEIGLE (CREVECCEUR) Signed artist’s proof. Proof No. 49 of so printed. LA GUINGUETTE, ROUTE DE BILLANCOURT Signed artist’s proof on Japan paper. Proof No. 8 of 50 printed. a ePULTS Signed artist’s proof. printed. First state. 8 impressions only were LA MASURE INONDEE First state. Before the shadows in the water beneath the foot-bridge and the bank beyond. Signed artist’s proof. Proof No. 1 of 8 printed. } LA MASURE Signed artist’s proof. Proof No. 34 of 35 printed. LA GRANDE MAREE, ROCHERS DE SION First state. Signed artist’s proof. Proof No. 7 of 9 printed. DEMOLITION DE LA MAISON DE SABRA signed artist’s proof. Proof No. 14 of 35 printed. UNE PETITE MARE First state. Signed artist’s proof on Japan paper. No. 8 of g impressions printed. Proof LE POULAILLER. “ATTRAPE LA PLUS GRASSE” Signed artist’s proof. Proof No. 4 of 50 printed. 17 116 117 118 119 120 [118 | QUARTIER DE PECHEURS Signed artist’s proof on Japan paper. Proof No. 24 of 50 printed. CHEMIN DANS LE MARAIS First state. Signed artist’s proof. Proof No. 1 of 8 printed. ZWANEN BURGWALL, AMSTERDAM Second state before signature in the plate. Unsigned proof. Three impressions only printed. [SEE ILLUSTRATION | LA MARE DE LA PRAIRIE First state. Signed artist’s proof. Proof No. 6 of 8 printed. LA VIEILLE PASSERELLE, BORDS DUS EE ae MORIN First state. Signed artist’s proof. Proof No. 2 of 9 printed. 18 i234] SUR LA SEINE, LA NUIT Fifth state. Proof No. 5 before the signature. proofs were printed in this state. Very few EN BATEAU-MOUCHE Sixth state. Signed artist’s proof. 30 impressions printed. L’ABREUVOIR AU PONT SULLY Second state. Signed artist’s proof. 25 impressions printed. — [SEE ILLUSTRATION | LA RUE BOUTEBRIE Signed artist’s proof. Proof No. 75 of 80 printed. PORAGE SUR LA DUNE . Signed artist’s proof on Japan paper. Proof No. 14 of 35 printed. RETOUR DU TROUPEAU (CREVECCEUR) © Signed artist’s proof. Proof No. 22 of 50 printed. 19 Ce VY Yel Fey fi 127 128 129 130 Lg 122 133 134 135 136 PECHEURS DE CREVETTES First state. Signed artist’s proof. Proof No. 1 of 6 impres- sions printed. From the Jules Gerbeau Collection. LE. PAYSAGISTE | | : Signed artist’s proof on Japan paper. Proof No. 16 of 35 printed. DIMANCHE AUX FORTIFICATIONS ' Printed in colors. Signed artist’s proof. PROCESSION DE LA FETE DIEU A NANTES Signed artist’s proof. Printed in colors. Proof No. 68 of 80 printed. From the Tricaud Collection. LES FUGITIFS : Signed artist’s proof. Proof No. 22 of 50 printed. LA SEINE AU PONT D’AUSTERLITZ Signed artist’s proof on Japan paper. LE BOCAGE 7 | Signed artist’s proof on Japan paper. Proof No. 5 of 40 printed. ae YA UN NOYE Signed remarked proof. From the Roger Marx Collection. R. LUMSDEN THE WATER OF LEITH On Japan paper ON THE PAGODA PLATFORM Fine artist’s proof on Japan paper. 20 EDOUARD MANET LES PETITS GITANOS “Cette piece (trés rare), rappelle par son sujet les Gitanos (No. 2). C’est apparemment un essai anérieur a cette piéce. Nous n’en connaissons que deux epreuves. (Collections Bracquemond et A. Beurdeley.)” [Moreau-Nelation, 61.] 21 138 139 140 I4I 142 LAT TOLER EE Only state. [Moreau-Nelation, 9.] LES PETITS CAVALIERS—AFTER VELASQUEZ Fourth state with the name of the artist and the publisher effaced. [Moreau-Nalation, 5.] From the Roger Marx Collection. LOLA DE VALENCE Fifth state. [Moreau-Nelation, 3.] LE GAMIN Original lithograph. Second state with title below. Lettered impression on India paper. [Moreau-Nelation, 86.] (“Tire a cent exemplaires.’’ ) LE GUITARISTE Fourth state of five states. With the name of Delatre as printed. [Moreau-Nelation, 4.] Le 143 SALE TUESDAY EVENING MARCH TWENTY-NINTH AT EIGHT-FIFTEEN O'CLOCK SECOND SESSION LOTS 143-282 JAMES McBEY POENA JETTY, ABERDEEN Signed artist’s proof. From the H. Naseby Harrington Collection. Very rare. PORTSOY HARBOUR (1903) Signed artist’s proof. Very early and rare. COWGATE, EDINBURGH (1905) Signed artist’s proof and marked by artist “XVIII.” Early and rare. | ENKHUISEN (1910) Signed artist’s proof and marked by artist “X XVII.” OLD CASTILE (1911) Signed artist’s proof. Printed in brown ink. OLD CASTILE (1911) Signed artist’s proof. Printed in black ink. THE LUMBER MILL (OVEROCKIE, 1913) Signed artist’s proof and marked by artist “X XVII.” SUNSET, WADI UN MUKSHEIB (1917) Signed artist’s proof and marked by artist “A 8.” SUNSET, WADI UN MUKSHEIB (1917-1919) Signed artist’s proof and marked by artist “A II.” 23 152 153 154 155 156 157 158 159 160 161 162 KITES (1914) Signed artist’s proof and marked by artist in lower left SO De [SEE ILLUSTRATION | A DESERTED OASIS (SINAI, 1917-1919) Signed artist’s proof and marked by artist “A 8.” A DESERTED OASIS (SINAI, 1917-1919) Signed artist’s proof and marked by artist ‘‘A ro.” THE MID-DAY HALT (1917-1919) Signed artist’s proof and marked by artist “A 8.” THE MID-DAY HALT (1917-1919) Signed artist’s proof and marked by artist “A ro.” Some changes from the preceding example. PENZANCE (1913) Signed artist’s proof and marked by artist “XLVI.” [Knoed- \ lermeoc| [SEE ILLUSTRATION ] STRANGE SIGNALS (SINAI, 1917-1919) Signed artist's proof and marked by artist “A 12.” DAWN, CAMEL PATROL SETTING OG Fear PEUM, 1917-1919) Signed artist’s proof and marked by artist “A 12.” DESERT OF SINAI (1917-1919) Signed artist's proof and marked by artist “A 12.” RAS-EL-AIN (1918-1919) Signed artist’s proof and marked by artist “A 7.” RAS-EL-AIN (1918-1919) Signed artist’s proof and marked by artist “A 1o0.’’ Worked over from the preceding plate. 24 7 fon 3 7 ‘ [66 167 170 Lo 172 173 174 175 EARLY MORNING, CATTERLINE (1919) Signed artist’s proof an marked by artist “XIV.” THE PEANISE = (19208 Signed artist’s proof and marked by artist “A 9.” POINT LAW, ABERDEEN (1902) Signed artist’s proof. [Knoedler, I.] NORTH BRIDGE, EDINBURGH (1904) Signed artist’s proof and marked by artist “IX.” [Knoed- lerse3s] WARRISTON CLOSE (1905) Signed artist’s proof. [Knoedler, 4.] FISH MARKET CLOSE, EDINBURGH (1905) Signed artist’s proof. [Knoedler, bee LION BREWERY (1914) Signed artist’s proof and marked by artist “D.” [Knoedler, 62.] Extremely fine impression on specially selected paper. | [SEE ILLUSTRATION] EVENING, PORT LETHAN Signed artist’s proof. [Knoedler, 6.] PLUMSTONE CLOSE, EDINBURGH (1905) Signed artist’s proof. PKusedien 7. | LOGIE BUCHAN FERRY Signed artist’s proof. [Knoedler, 8.] EDINBURGH CASTLE Signed artist’s proof and marked by artist “IX.” [Knoed- lers.9 2] VOLENDAM GIRL Signed artist’s proof and marked by artist “XXXIV.” [Knoedler, 11.] RUNSDORP CHURCH (1910) : Signed artist’s proof and marked by artist “X.” [Knoed- lero 26 [ 169 J 176 17] 178 ae 180 18I 182 ENKHUISEN HARBOUR (1910) Signed artist’s proof and marked by artist “XXII.” [Knoed- ler, 14.] Printed in brown ink. ENKHUISEN HARBOUR Signed artist’s proof and marked by artist “XXXVIIL ie [Knoedler, 14.] Printed in black ink. SAW-MILL, MONNICKENDAM Signed artist’s proof and plate marked by artist “XXXVI. ‘ [Knoedler, 16.] MONNIKENDAM (1910) Signed artist’s proof and marked a artist ‘‘No. I.” , [Knoed- leraa yal THE MILL, ZANNDIJK (1910) | Signed artist’s proof and marked by artist “No. 2.” [Knoed- ler, 18.] Printed in black ink. THE MILL, ZANNDIJK (1910) Signed artist proof and marked by artist “VIII.” [Knoed- ler, 18.] Printed.in brown ink. BENACHIE (1911) Signed artist’s proof. [Knoedler, 20.] BURGOS (1911) Signed artist’s proof and marked by artist “XX.” [Knoed- lente | AVILLA (1911) Signed artist’s proof and marked by artist “XIX.” [Knoed- lene 208] THE PICADOR INCITES THE BULL (1911) Signed artist’s proof and marked by artist “VIII.” [Knoed- letezoe PICADOR UNHORSED (i911) Signed artist’s proof and marked by artist “XII.” [Knoed- lerieeG.| Zong : WHE SKYLARK (1912) Signed artist’s proof and marked by artist “I.” [Knoedler, 41.]- VALENCIA BEACH (1911) Signed artist’s proof and marked by artist “Il.” [Knoed- ler, 35. | CARMATHAN (1911) Signed artist’s proof and marked by artist “XIV.” [Knoed- Ler 30. | VIEW IN WALES (1911) Signed artist’s proof and marked by artist “XVII.” [Knoed- ler, 37-1 . APRIL IN KENT (1912) Signed artist’s proof and marked by artist “IX.” [Knoed- et. | Zo 192 7S 194 195 197 198 199 200 201 202 EBBESFLEET (SANDWICH, 1912) Signed artist’s proof and marked by artist “II.” [Knoed- ler;.393) RICHBOROUGH (1912) Signed artist’s proof and marked by artist “XIV.” [Knoed- lere40n! BENICARLO (1911) Signed artist’s proof and marked by artist “XXII.” [Knoed- ler93° | THANET FROM RICHBOROUGH (1912) Signed artist’s proof and marked by artist “I.” . [Knoedler, 42.] THE FOVERAN BURN (1912) Signed artist’s proof and marked by artist \laniay ener [Knoedler, 44.] 1588 First state. Signed artist’s proof. [Knoedler, 45.] 1588 Second state. Signed artist’s proof. [Knoedler, 46.] Very different from the first state. THE STORY TELEER (1912) Signed artist’s proof and marked by artist “XVIII.” ae ler, 47.] BEGGARS, TETUAN (1912) Signed artist’s proof and marked by artist “XIII.” Printed on green hand-made paper. [Knoedler, 49.] THE GUNSMITHS, TETUAN (1912) Signed artist’s proof. [Knoedler, 50.] EL SOKO, FETUAN “1913, Signed artist’s proof and marked by artist “X XVI.” [Knoed- ler yao) 30 s 207 & [ 207 | wo sORANGE SELLERS, TETUAN (1912) Signed artist’s proof and marked by artist “III.” [Knoed- her, 15.1.‘ THE BREAD MARKET, TETUAN (1912) Signed artist’s proof and marked by artist “XLVI.” [Knoedler, 53.] DISPUTE IN THE JEWISH QUARTERS, TETUAN (1912) Signed artist’s proof and marked by artist “XXVIII.” [Knoedler, 54. | A MOROCCAN MARKET (1913) | Signed artist’s proof and marked by artist ““X XIX.” [Knoed- ler, 55.] ee POOL (1914) Signed artist’s proof and marked by artist ““XLIX.” [Knoed- ler, 63. ] [SEE ILLUSTRATION] PO Uy 208 209 213 214 21S 216 APPROACH TO TETUAN (1913) Signed artist’s proof and marked by artist “I.” [Knoedler, 56.] TETUAN (1913) Signed artist’s proof and marked by artist “XLYVIII.” [Knoedler, 57. | THE FORD, TANGIERS (1913) Signed artist’s ie and marked by artist “XX XI.” fighoed. Tory 55] TANGIERS (1913) Signed artist’s proof and marked by artist ‘“X.” [Knoedler, 59-] GRIMMESSESLUIS (1913) Signed artist’s proof and mare by artist “XXIV.” [Knoed- TeraG0.) THE STUDIO (1914) Signed artist’s proof and marked by artist “XXVII.” [Knoedler, 61.] NEWBURGH (1914) Signed artist’s proof and marked by artist “XLI.” [Knoed- ler, 67s] BUCHAN (1914) Signed artist’s proof and marked by artist “III.” [Knoed- lexr0.52) SEA AND RAIN (MACDUFF, 1914) Signed artist’s proof and marked by artist “XXL ’ [Knoed- lert7G 4] GAMRIE Signed artist’s proof and marked by artist “XLIV.” [Knoedler, 71.] [SEE ILLUSTRATION | Pe [217 J 218 219 220 221 222 228 207 A NORFOLK VILLAGE (1915) Signed artist’s proof and marked by artist “XLVI.” [Knoedler, 72. ] FLY ;:-NIGECE ‘(ro1s)) Signed artist’s proof and marked by artist “XIII.” [ Knoed- ler,-7 32] , THE, ISEEZ OF EEY (ron) Signed artist’s proof and marked by artist “A 4.” [ Knoed- ler, 74.] SURREY DOWNS (1915) Signed artist’s proof and marked by artist “XLI.” lene 75.4 [ Knoed- FRANCE AT THE FURNACE (1917) Signed artist’s proof and marked by artist “A017.” len scae| [ Knoed- FRANCAIS INCONNUS (1917) Signed artist’s proof and marked by artist “A 8.” [Knoed- ler;:82.] _ THE CARPENTER OF HESDIN (1917) Signed artist’s proof and marked by artist ““A 17.” [Knoed- leres3 5 ALBERT (1917) Signed artist’s proof and marked by artist “A 2.” [Knoed- ler, 84.] THE SOMME FRONT (1917) Signed artist's proof and marked by artist “XXIX.” [Knoedler, 86.] BOAT BUILDING, VINAROZ Signed artist’s proof and marked by artist ‘‘V.” 34. [Knoedler, BOAT BUILDING, VINAROZ (1911) Signed artist’s proof and marked by artist “XXXVI.” [Knoedler, 34.] 34 229 CHARLES MERYON NOUVELLE-ZELANDE: GRENIERS INDIGENES A AKAROA The real first state, undescribed by Delteil. [See Delteil, 70.] The marginal line is not yet complete at left, right and bot- tom, and some work at right above the dovecote is not yet removed. [See reproduction of Delteil’s first state.] From the Niel and Thibaudeau Collections. Proof on papier ver- datre. os /~CHARLES MERYON ORIGINAL PENCIL DRAWING FOR THE ETCH- ING OF “NOUVELLE-ZELANDE: GRENIERS INDI- | GENES A AKAROA.” In the autograph of Meryon is written ‘‘“A Monsieur Niel, faible temoignage d’affection, de reconnaissance infinie. C. Meryon. 24 Octobre 60.” From the Niel and Heywood Collections. ri JEAN FRANCOIS MILLET : PEASANTS GOING TO WORK. LE DEPART POUR ' LE TRAVAIL . ae First state of seven states and the name Millet, and before all address. Excessively rare. [Delteil, 19.] Marked lower left in autograph of artist “‘r1me. (Premier état). — Mr. Jules Niel. 26 Novembre 1863. J. F. Millet.” [SEE ILLUSTRATION ] | 36 _—_——— = [ 231 ] 232 233 234 235 237 238 239 240 241 OROVIDA PISSARRO (Daughter of Esther and Lucien Pissaro and grand-daughter . of the painter, Camille Pissaro) EIGER AND A -PYERLON Signed artist’s proof. ‘Trial proof No. 13. the autograph of the artist. LA POURSUITE Signed artist’s proof. ‘Trial proof No. 24. the autograph of the artist. TANTALUS Signed artist’s proof. Trial proof No. 11. the autograph of the artist. CURVES 3 Signed artist’s proof. Trial proof No. 8. the autograph of the artist. MARSH DEER Signed artist’s proof. Trial proof No. 20. the autograph of the artist. WHITE RABBIT Signed artist’s proof. Trial proof No. (?) the autograph of the artist. LA PROIE Signed artist’s proof. Trial proof No. 20. the autograph of the artist. ROUGH PLAY Signed artist’s proof. Trial proof No. 6. the autograph of the artist. A BROKEN BACK Signed artist’s proof. Trial proof No. 6. the autograph of the artist. FEAR Signed artist’s proof. Trial proof No. 22. the autograph of the artist. 38 Annotated in Annotated in Annotated in Annotated in Annotated in Annotated in Annotated in Annotated in Annotated in Annotated in 243 244 247 TIGERS FIGHTING Signed artist’s proof. ‘Trial proof. Annotated in the auto- graph of the artist. more DE Signed artist’s proof. Trial proof. Annotated in the auto- eraph of the artist. AUGUSTE RAFFET LA REVUE NOCTURNE Proof before letters. On India paper. Very rare. One of Raffet’s masterpieces. RETRAITE DU BATAILLON SACRE A WATERLOO On India paper. AUGUSTE RODIN PORTRAIT OF VICTOR HUGO Third state, of seven states. Before the copper was reduced in size from 175 to 159 millimeters in width and before pub- lication in Gazette des Beaux Arts. Rare. HERMAN A. WEBSTER OLD COURT, SACHSENHAUSEN Signed artist’s proof. 39 248 249 250 JAMES ABBOT McNEIL WHISTLER THE LIME BURNER | | One of the Thames Set, first published in 1871. First state — before the light vertical lines to the right of the figure. — Superb impression on Whatman paper with full margin. ' (Kennedy, 46.] Printed by Whistler himself and so signed by him in pencil with the Butterfly followed by “imp.” Also signed on the back in pencil with the Butterfly and the words “very fine proof.” “One of the most beautiful of Whistler’s plates and probably the earliest example of composition which became very char- acteristic of him—that of a vista seen through a frame.” —Frederick Keppel NOCTURNE: PALACES Sixth state of ten states. [Wedmore, 168; Mansfield, 199; Kennedy, 202. ] WEARY Dry-point, printed on thin Japanese paper. Second state of four. [Wedmore, 63; Mansfield, 92; Kennedy, 92.] Of the greatest rarity and an impression lovely beyond words. Keats would have written a poem to this print. “Nothing so beautiful, so weary, so true has been done in ancient or modern art as this dry-point, a study of Jo Heffer- man, Whistler's model for the White Girl, and Courbet’s also and probably other artists’. But this plate was most likely done when Jo, tired out, threw herself back and refused to pose any longer, and yet Whistler, never tired, always with so much more to do than he knew he ever could do, seized the chance and made another masterpiece. Every line is vital and meaning and reveals the figure in the great easy chair where Jo has sought rest. It is in things like this that Whistler proves himself among the greatest of the great.” | —Joseph Pennell [SEE ILLUSTRATION | AQ [250 ] ANDERS ZORN AXEL HERMAN HAIG Second state. [Deiteil, 17.] Signed artist’s proof. From the collection of Axel H. Haig and signed by him in pencil toward the lower right corner of the plate. There were printed in 1884 ten or twelve proofs and in 1904 before the destruction of the plate there was a second printing of ten impressions. BUSKAGE (1911) Signed artist’s proof. BERSECK (1914) Signed artist’s proof. ZORN AND HIS WIFE Second state. Signed artist’s proof on Japan paper. [Del- teil, 42.] Of unusually fine quality. There were printed of this masterly plate forty or fifty impressions only. Zorn brought this print to America with him on his first visit in 1882, and presented it to Mr. Fitz Roy Carrington, at that time of the firm of Frederick Keppel & Company, to whom it is inscribed in Zorn’s handwriting. [SEE FRONTISPIECE] BYST (1916) Signed artist’s proof. [Delteil Supplement, 270.] SAINT IVES (1891) Second state. Signed artist’s proof. [Delteil, 53.] There were printed from this plate twenty-five or thirty impressions. [SEE ILLUSTRATION | CERCLES D’EAU First state. Signed artist’s proof. Twenty proofs only were printed. Very rare. DAL RIVER (1919) Signed artist’s proof. DANS L’ATELIER Proof on Japan paper. Printed in red. [Delteil, 48.] From the F. Nyss Collection. There were printed fifteen or twenty proofs only of this plate. 42 a 260 WET (1911) Signed artist’s proof. [256 |] [Delteil Supplement, 232.] DELCARLIAN PEASANT Signed artist’s proof. Pexiioy (1914) Signed artist’s proof. EDO (1907) [Delteil Supplement, 257.] One state only described. Signed artist’s proof. oi ey 43 [ Delteil, VICKI (1918) First state. Signed artist’s proof. [Delteil Supplement, 276% EKA (1913) Signed artist’s proof. [Delteil Supplement. ] EN OMNIBUS (1891) First state, before the mustache of the man on the left was shaded with diagonal lines. [Delteil, 71.] Signed artist’s proof. In the autograph of the artist: “First state, only proof.’ And below “‘rer état.” From the Judson S. Dutcher and Wallis L. Wolf Collections. [SEE ILLUSTRATION | 44 [ 266 | GULLIINo- 2 stro) Signed artist’s proof. [Delteil Supplement, 277.] LA GUITARE OU SOUVENIR (1898) Only state. Signed artist’s proof. [Delteil, 94.] Printed in brownish ink. Very rare. [ 269 | VALLAKULLA (1912) Signed artist’s proof. [Delteil Supplement, 248.] ERNEST RENAN (1892) Second state of five states. Signed artist’s proof on Japan paper. | Delteil, 272.) ey. crvetane: LE MAELN First state. Very rare. Signed artist’s proof. [Delteil, 60.] There were printed about fifteen impressions in the two states of this plate. The first state is of extraordinary rarity. 46 LA PETITE BRASSERIE (1890) Second state. [Delteil, 41.] Very rare. Eight or ten im- pressions only were printed of this plate. From the F. Nyss Collection. LPORAGE (ZORN IN A STORM) (1891) Final state of four. [Delteil, 63.] Signed artist’s proof. There were printed thirty impressions only of this plate. MARY OLSSON Signed artist’s proof. [Delteil Supplement, 281.] MONA (1911) Signed artist’s proof. [Delteil Supplement, 238.] [ 276 | DAGMAR (1912) Signed artist’s proof. [Delteil Supplement, 245.] SHALLOW (1913) Signed artist’s proof. [Delteil Supplement, 255.] 47 mn oO 2 2% pe Con ey = =o oro au of Ou Mw | a) ae OF CO a oO a3 oO aie ments: oe nV eg 6) Aes Ns, oO VO tS COMER COI yet Tr @ Pa eV) ey KOE S NT Qo, + oe as So = ses Or aes i oats Ba ees Hm aa, a sn : ~™ © AQ © S “ 281 282 ye BN i THE PRECIPICE ( Signed artist’s proof. THE SWAN (1915) Signed artist’s proof. 1909) [Delteil Supplement, 229.] [Delteil Supplement, 268. ] THE THREE SISTERS (1913) Signed artist’s proof. SAPPHO (1917) oy Signed artist’s proof. [Delteil Supplement, 278. ] 49 — —. = 4 é ie i “ 5 = o i _ a > ss + pf ; 7 2 . _~ = rs coe “: pic Gy tye P itn?” rahe Sahin te | | 1921 Ma p2eINGANS c : etchings. SLAP 8'-D 40 TNL pear veemaion Ee rp ewan ees yo