DUKE UNIVERSITY LIBRARY Treasure 'Room , . . ;J§ 4 i-%, -J .. THE PHILOSOPHICAL AND Phyfical Opinions^ Written by her Excellency, the Lady M ARCHIONESSE of N E W C AS T L E.’ L 0 5VC © 0 K, . 4 Printed for f* zZM'drtin and f. aA UeJlrj/e at the Beilin St. Tauls Church-Yard r 6 si* S\ f J- V: r. ■rm * T' '/ ** *•- v i >* II: t . *5 ’ ' r-< +. ■ f ! I ■vt" Digitized by the Internet Archive in 2016 https://archive.org/details/philosophicalphyOOnewc TO THE % LADY MAR Q^V ESSE OF NEWCASTLE On her Book intitled her Philofophicall, and Phyficall Opinions. W Erc the old Grave Philophers alive. How they would envy you, and all would drive Who firft fhould burn their Books ; fince they fo long Thus have abuP d the world, and taught us wrong, With hard words that mean nothing 5 which non-fenfe. When we have Conn’d by heart, then we comjnence Mafters and Dodors, with grave looks $ and then Proud, becaufe think, thus we are learned men. And know not that we do know nothing right. Like blinde men now, ledonelyby your fight. And for difeafes, let the Dodors look Thole worthy learned men but in your Book, They’le finde fuch news in their art, and fo true As old Hippocrates he never knew. Nor yet vaft G alien ; fo you need not feek Farther then Englilh, to know lelfe in Greeks If you read this and ftudy it, you may Out of dark ignorance fee brighter Day. r. CASTLE, A AN AN EPISTLE To juftifie the LADY NEWCASTLE, • AND Truth againft faUhood, laying thofe falfe, and malicious afpeffions of her, that (he was not Authour of her Books. Would willingly begin with the common , and Dun- fiable rode cfEpifiles, Gentle Readers, but finding you much otherwise , I will fall to our difcourfe in hand. Firfi’tis but your envious Suppofition that this Lady mufi have converfi with many S cholers of all kindes in learning,when ’ tis well known the con- trary that jhe never converfi with any profefi Shooler in learning , for to learn, neither did jhe need it , fence jhe had the converfation of her Honor able 0 and mofi learned Brother from her cradle^and fence jhe was married , with my worthy and learned Brother ; and for my felf l have lived in the great world a great while , and have thought of what has been brought to me by the jenfes, more then was put into me by learned difcourfe j for l do not love to be led by the nof by Autho- rity and old Authours, ipfe dixit will not ferve my turn, were Ariftotle made a more Philofophical Bible then he is, and allfcholers to have a lively faith in him, doth not move me to be of their Philofophical churche at all. And l ajjure you her converfation with her Brother, and Brother-in-law, were enough without a miracle or an impofsibility to get the language of the arts, and learned profefi’ions, which are their terms, without taking any degrees in Schooles. It is not fo difficult a thing though they make mountains of mole-hills, & fay they,thatthis Lady ufeth many termes of the Schoohs -, but truly fhe did never- Impe her high-flying Pkan- cies, with any old broken F ethers out of any univerfityy and if you read ml l, which is to under fland,and look on her Poems, you will finde they are all new born Phanfies , never toucht of heretofore. But for the rarity of the terms, or nefis of Divines , Philofophers, Pkyfici- ans, Geometricians, Ajlrono mers, and the ref of the (f own-Tnbe, at one te arms them, how is it poflible fhe fhould know them •, And firfi for Divinity, when jhe [peaks of Predeflination, Free-will , Tranfub- fiantiation,and confubftantiation 5 truly tbefe termes are not [0 hard to begot by heart as to be underflood, fince / beleeve it puzzels the learned to make fenfe of them. But / befeech you give this Lady [0 much ca- pacity, as to get them by heart , fince every Tub-preacher difcourfes of them, and every fanftified wife goffips them in wafers, and hipo - cris at every Chrifiening. Next are the termes of the Philof ophers. Certainly ’ tis no (fonjuration to conceive Atomes, invifible, and indi- vifible bodies, elements, earth, air , water and f re, whereof your ele- mentary fre under the moon is much doubted of, and then you have but three elements. Motion is a difficult thing >indeed,to under fi and the ^Pfirietes of it, but certainly not of a bodfmo'ved,that > s no fuch tranfcen* dent thing.Dilation a fpreading, Contraction a gathering together Ra- rificationthinning,andCondenfation thickning -,1 confejje in the La- tine it feems very learned, but in the Englifh very vulgar , therefore / befeech you give this Lady leave to have the. wit, and the judge- ment to under fi and tbefe (fre at no my fieri es. And put the cafe now that this Lady fhould name materia prima, and underfiand the Englifh of it to be firfi matter, and ask her friend again what they mean by it, and he tells her they fay they mean matter without form, and fhe fhould anfwer, there is no matter without fome form, fo materia prima are two Latine words that mean nothing. An incorporeal fubfiance is too learned to be under flood, f 0 that is waved. Now for the termes of Phyficians , when fhe [peaks of Choler, Phlegme, Melancholy and Blood, and of Ventricles in the heart and brain, of veines, arteries and nerves, and difcourfes of fevers, apoplexies, convulfions, Drop- fies, and divers other difeafes with tbeir particular caufes,fymptoms and cures ', how fhould this Lady underfiand thefe terms fay fome > truly a good F armers wife in the country, by feeing one of her fheep opened,may well underfiand the tear ms of mofi of thefe, and a Qonfia- bles wife of a hundred in ElTex that ufeth Pbyfick and Surgery may well talk of the difeafes, without any great learned my fiery , they are fo plain andfo common, as none needsto confirue (jreek in Hippocra- tes or Galen for them. But would you know how we know the great My fiery of thefe Phyfical terms, I am almofi afhamed to tell you -, not that we have been ever fickly, but by Melancholy often fuppofed our felves to have fuch difeafes as we had not, and learned Phyfitians were too wife to put us out of that humour , andfo thefe tearms cofl us much more then they are Worth, and I hope there is no body fo malicious, as to envie our bargain,neither truly do 1 repent my bargain,fince Phy- fitians are the mofi rational men I have converfi with all, and my worthy and very good friends, and truly this Lady never converfi with h % any any Phyfitian of any difeafe, but what [he thought fhe had her felf, neither hath [he converjt with many of that profefion. Now for the great learning of knowing the terms of Geometricians, when this La- dy touches upon Triangles, Squares, (fircles. Diameters, Circumfe- rences, (f enters, lines firaight and crooked &c. / will not difjeU thefe great myfieries, hecaufe Wey are fc very common, as the meanejl under- stands all thefe termes , even to Joyners and Carpenters, therefore fure- ly this Lady is capable of them. Then of A f rammers, f^y they , when [he f peak's of the Horizon, Meridian, Equator, Zodiack,Eclyptick,Tropuks,Poles of the world &c. when thefe termes are underload thats their meaning, they are no fuch fubtilties, fince every boy may be taught them, with an apple for the Globe, and the parings for the fphears, it is fo ridiculous then to think that this Lady cannot underft and thefe te arms, as tit is rather to be l aught at, then to trouble ones [elf to anfwer. And that invinci- ble Problem, the quadrature of the circle , as they call it, which makes me doubt that they think them [elves wifer, for naming the quadrature , then fquaring the circle, wfo lives that hath not heard of it , and who lives that can mt- do it, and who is dead that bathing done it, and put the cafe it were done, what then ? why then ’ tis fqu'a- red, and that's all, and that all is nothing, much ado about nothing. But we will leave thefe impertinent, malicious, and mofi falfe ex- ceptions to the Lady, and her Books, and will now begin with her book of Poems, examining firfi her Philofophy there. Thats an old o- pinion of Atomes,fay fome, witnejje Democrates and many others 5 Tis very true they have talkt of atomes, but did they ever difpofe of them as they are there, or tell you what fever al forts there are erf them , and what figure they bear, and being joyned, what forms they produce of all kindes, in all things, if you have read any fuch things before, tie be bold to burn the Book . why then all thefe are new opinions, and grounded upon %eafon , I fay fome, but they are Paradoxes , what then} I hope a Paradox may be as true as an old opinion, and an old opinion as falfe as a Paradox, for neither the one nor the other makes a truth , either the new or the old, for what is mofl reafon (jf reafonable ; for in natural Philofophy, one opinion may be as true as another, fince no body knows the firfi caufe in nature of any thing. Then this Ladies Philofophy is excellent, and will be thought fo hereafter , and the truth is that it waswholy, and onely wrought out of her own brain, as there are many witnefjes, bythefeveral jheets that [he [ent daily to be writ fair for the prefje. As for her Poems, where are the exceptions to thefe > marry they mi fie fometimes in the numbers and in the rimes. It is well known by the copies, that thof e faults lie mofl upon the Corredor, and the Printer fbut put the cafe there might be fome flips in that kinde, is all the book damned for it, no mercy Gentlemen > when for the num- bers, every Schoole-boy can make them on his fingers, and for %imes Fenner would have put down Ben. Johnfon, and yet neither the boy or Fenner fo good Poets. No, it is neither of thof e either makes, or condemns a Poet, it is new born and err eating Phanfies that Glori- fies a Poet , and in her Book of Poems , I am f ure there is excellent,and new Phancies,as have not been writ, by any,and that it was onely writ by her 'is thegreatefi truth in the world. Now for her Book called the Worlds Oho, fay feme, how is it pofsible that fhe fhowld havefuch experience , to write offuch things Jo $ I anfwer , that I living long in the and boldly p without being condemnedfor Atbeifme fifor they f peak as natural PbilofopberSy not as Divines: and fi nee it is natural Philofophy, and not Theologie , I treat cn/pray account me not an &€tkeift, but beleeve as Ido in i . ii : /'a ;ii o' ' e : i 1 Finite cannot tell how Infinite doth flow. Nor how infinite matter moveth to and fro. For infinite of Knowledge cannot guefs Of infinite of matter , more, or leue : Nor infinite of Caufes cannot finde . The infinite SjjeFts of every Kinde. ; ; , ' C. If. 'j'V; ' •' - . \ : Chap. p. O/ Perfection. ... , \ ■ x . , . J A I N infinite can no perfection be,_ For why ? Perfection is in Vnity. . In infinite no union can combine. For that has neither Number, point nor Line $ Though infinite can have no Figure, Yet not lie all confuf’d in heaps together Chap. 10. Of Inequalities. ■ f 7 ..... :L -7. . r .Si 7 :7.y .. - < 7 1 I F infiniteskme infinite degrees, And none alike to make Equalities. As if a Haire be cut with curious Arts, Innumerable but unequal parts. And that not any part alike fhall be. How fhall we joyn, to make them well agree ? If every one is like it lelf alone, Three cannot be, unleffe three equal One. If one , and one make two j and two, and two make four yet there muft be two equal ones to make two, and two equal two’ s to to make four. And as two and one make three, yet there muft be two equal ones joyned to a fingle one, to make three, or thee equal fingle ones to joyn in three. The like is in weight, and Meafure, Motion and Strength. C2 Of Some think there was a Chan, a con' fufedHeapo ( 4 ) U Chap. ii. Of Unities. . V V . v , , TN infinite if infinite degrees , J Then thofe ‘Degrees may meet in Vmties. .And if one man IBould have the ftfength of four* Then four to equal him will be no more. As if one Line fhould be in four parts put, S hall equal the fame Line together put j So two and one^ though odd is theer $ Yet three and three {hall equal be. Like thofe that equal fpaces backwards go, To thofe that’s forward, equals them we know. Like Buckets in a Well if empty be. As one defcends, the other afcends, we fee; So Motions i though their croffe, may well agree. As oft in Mufick make a Harmony. Chap, i 2. There is no Vacuity. I N Nature if Degrees may equal be. All may be full,and no Vacuity. As Boxes fmall, and fmaller may contain. So bigger, and bigger muft there be again. Infinite may run contracting, and dilating, Still,ftill, by degrees without a leparating. ,f . .. . Chap. 1 jv . Of Thin, and Thick Matter. ' / V ,/ 3 : : nr Hus may thin Matter into Solid run. And by its motion,, make thick Matter turn In feveral wayes, and fafhions , as it will, Although dull Matter of it lelf lie (fill : Tis not, that Solid Matter moves in Thin, For that is dull> but thin which moves therein. Like Marrow in the Bones, or Blood in Veins j Or thinner matter which the blood contains. Like Heat in Fire, the effed is ftraight to burn. So Matter thin makes lolid matter run. The Readers may take ei- ther Opinion. Chap. 14. O/Vacuum. IF Infinite inequalitie doth run, -•‘Then muft there be in Infinite Vacuum. For what’s unequal , cannot joyned be So clofe, but there will be Vacuity . ? Chap. 15. The Unity of Nature. N Ature tends to Vnity^ being but of a kinde of Matter, but the degrees of this Mattter being thinner, and thicker, fofter, fofter, and harder, weightier , and lighter, makes it, as it Were, of different kinde, when tis but diff erent degrees : Like fe- ve'ral extractions , as it were out of one and the fame thing ; and when it comes to fucft an Extract , it turns to Spirits , that is, to have an Innate motion. Chap. 1 6. 0/Divifion. ^’pHe feveral degrees of Matter caufe Division by different A motion , making Ieveral Figures^ ereCting, and diflolving them, according as their matter moves. This makes motion and Figure alwayes to be in War, but not the mattery for it is the feveral effects that difagree, but not the Caufes : for the E- ternal matter is alwayes in peace, as being not lubjeCt to change; Severa]MotJ<> but motion and Figure , being fubjeCt to Change , ftrive for Supe- t i 0 ns, and fe- riority ; which can never be, becabie fubjeCt to Change. vera11 Figures Chap. 17. The Order of Nature. T He Reafon, that there is not a Confufion in Nature^ but an orderly Courfe therein, is, the Eternal matter is alwayes one y and the fame : for though there are Infinite degrees , yet the Nature of that Matter never alters. But all variety is made according to the feveral "Degrees , and the feveral degrees do palliate and in fome fenle make an Equality in infinite ; fo as it is not the feveral degrees of matter , that drive againft: each other,but feveral motions drive them againft one another. Chap. 18. O/War, and no ahfolute Power. 'J’He Reafon that all things make War upon one another,is, the feveral f*) Degrees of matter , the contradiction of motion , (*) Nocthe and the Degrees, and the advantage of the fhapes of (*) Figures Matter, but alwayes driving. f*) Softie Bignefle of Figures, but the manner of fhapes: which makes feme fhapes to have the advantage over others much bigger, as a Moufe will kill aa Elephant. Chap* ip. of Power. 'TpHere is no ahfolute Power, becaufe Power is infinite , and A the infinitenejje hinders the abfolutenefte : for if there were an abfolutejower , there would be no difpute : but becaufe m ■ ■■ j ^ — ~ 1 — t x — ►there is no ahfolute ponw, therefore there be Difputes, and (*)which is will be eternally : for the Ieveral degrees of matter^ motion^ and Figure ftrive for the Superiority,making Faction by (*)Sym- aefle. ' ^ pathy> and Fraction, by (*) Antipathy. Similizing C c One Shape hath power over another; one Mmde knowes more then another. Chap. sto. S imilizing the fpirits, orr Innate Matter. ~J~He S pints, or Effences in Nature are like Quick-filver : for lay it be fluid, it will part into littly degree. According as the ftronger motions be. Chap. 21. O/Operation. A LL things in the world have an Operative power ; which Operation is made by Sympathetical motions 8c Antipathetical motions , in feveral figures, for the afjifting Operation is cauied by one , the deftruBive Operation by another ; like Poyfon and cordials, the one kills, the other cures ; but Operations are infi- nite, as motions . Chap. 22. Natural, or Senfivtie War. A LL Natural war is caufed either by a Sympathetical mo- tion, or an Antipathetical motion. For Natural war, and Peace proceed from Self-prefervation, which belongs only to the Figure for .nothing is annihilated, in Nature, but the particular prints, or feveral fhapes that motion makes of matter ; which motion in every Figure drives to maintain what they have cre- ated : for when fome Figures deftroyothers , it is for the main- tenance or fecurity ofthemlelves : and when the deftru&ion is for , Food it is Sympathetical motion, which makes a particular Appetite, or nourishment from fome Creatures to others ; but an Antipathetical motion that- makes the DeftruBion. Chap. 23. Of Annihilation. THere can be no Annihilation in Nature: nor particular mo- 1 tions , and Figures, becaufe the matter remains that was the caufe 1 of thofe Motions and Figures. As for particular figures?, although every part is feparated that made fuch a figure? yet it is not Annihilated • becaufe thofe parts remain that made it. So as it is not impoffible but the lame particular Figures may be erected by the fame motions , that joyned thofe parts, and in the matter may repeat the fame motion eternally fo by fuccefsi- on : and the fame matter in a figure may be ereded and di(- peried eternally. Thus the difperfing ol the matter into par- Either hy ticular figures by an Alteration of motion , we call Death 5 Growth, or and the joyning ol parts to create a Figure , we call life. Death ^"^’ n or is a Separation , life is a Contraction. Chap. 24. LIFE. Ife is the Extrati? or fpirit of common matter ; (*) this ex- For when „ traCt is Agile, being alwayes in motion ; for the Thin- ^Sade- 5 neffe of this matter caufes the l'ubtilty of the Quality, or pro- gree,ifquick- perty, which quality, or preporty is to work upon all dull cns * Matter. This Effence? or life? which are Spirits of fenfe, move of- themfelves : for the dull part of Matter moves not, but as it is moved thereby. Their common motions ( are four. Atradive. Retentive. Digeftive. Expulfive. Attractive is that which we call Growth , or youth. Retentive , is that we call firengtb . Digeftive is that we call Health , that is an equal diftribution of parts to parts, and agreeing of thofe (pirits. Expulfive is that which we call Death , or decay. The Attractive fpirits gather , and draw the materials to- gether. The Digefive fpirits do cut and carve out every thing. The Retentive do fit, and lay them in their proper places. The Expulfive do pul down, and fcatter them about. Thofe fpirits moft commonly move according to the matter they work on. For in ipungoand porous light matter, their motion is quick j in (olid, and weighty, their motion is (low- er. For the folid parts are not. oneiy dull, and immoveable of themfelves, but they hinder and * obftrud thofe Spirits of fence, and though they cut and pierce through all, yet it is with more labour, and (lower motion 3 for their motions change according to the quantity and quality of that matter they meet with ; for that which is porous and fpungy, the Figures that they form that matter in, are (boner made, and fudenlier deftroyed , then that which is more combuftiole. This is the reafon , Minerals laft longer then Vegetables , and That it begins to move, and Motion is Life. 0 ^ * I mean when J fay Oh r ruft, that it either turns their motion another way or makes then, move flower. t*~ ( * I do not fay that bones arethefolid’ft matter in Na- tare. *As the figure of mao< ( 8 ) and Animats, becaufe that matter is both tougher and harder to work on, then Vegetables and Animals are. Thefe Senfitive fpirits we may fimilize to feveral workmen, being alwayes bulily imployed, removing, lifting, carrying, driving, drawing, digging, and the like. And although thele fpirits are of lubftance; : thinner then dull matter, yet they are ltrongerby reafon of their fubtility, and motion, which moti- on gives them power : for they are of an acute quality, be- ing the Vitriol , as it were, of Nature, cut and divide all that op- pofeth their way. Now thefe fpirts, though they be infinite, yet we cannot think them lo grolfe an infinite, as combuftible matter, yet thofe thinner infinites may cut, and carve the thicker infinites all into feveral figures : like as Aqua-fortis will eat into the hardeft iron, and divide it into fmall parts. As I have laid before, the fpirits of life world according as the matter is, for every thing is fhap’d according to the foli- dity of the matter •• like as a man which builds a houfe of fuch wood, which is tough, and ftrong, becaufe he knows otherwife it will break, by reafon of the great weight they are to bear , but to make laths, he takes his wood and cuts it thin, that the nails may the eafier palfe through, fo joyning and fit- ting feveral lorts to proper ufes to build his houfe. Or like a Cook, when he’s to raife a pie, muft take ftiff Dough 5 for otherwife it will not onely fall before it be finifhed , but it cannot be raifed, and to make the lids to cover his pye, he muft ufeafofter Pafte, otherwife it will not rowl thin; thus a ftiff pafte is not fit for a lid, nor a thinner pafte for to raife a Pye^it may make a Cake, or fo. So the fpirts of life muft make figures , as the matter is fit; and proper therto , for the figure ot man or the like 5 the fpirits of life take the folid and hard matter for the * Bones : the Glutinous matter for the Sinews, Nerves, Mufcles, and the like 5 and the Oyly matter , for Flefh, Fat, Marrow. So the fluid for Blood, and fuch like matter. and the fpirits themfelves do give this dull matter, motion, not onely in the building of the figure , but to make the figure move when it is built. Now the fpirits of life, or lively fpirits do not onely move dull and immoving matter , but makes that matter to move and work upon others 5 for lome kinde of figures fhall make * an- other to refemble it felf, though not juft be as it felf is made, but as the fhadow like the fubftance 5 for it works as a hand that is guided by another, and not of its own ftrength ; that is the reafon. Arts have not fo much perfection as nature. The Copy is not fo lively as the Original 5 for the fpirits of life move, and work of their own ftrength, and the dul matter by the Chap, ftr|ngth of the fpirits Chap. 25. Of CHANGE. Hj“ He Change of motion in feveral Figures makes ail change and **• difference in the World, and their feveral properties and effects thereto. And that which we call 'Death, or corruption , is not * an abfence of life, but an expulfive motion which doth *AilMtmU annihilate thofe figures , that ere&ing motion hath made. So Li fa death is an annihilation of the Print , not of the Mould of figures 5 for the Moulds of thofe figures of Mankinde, Beaft, or Plant, of all kindes whatfoever, fhall never be annihilated fo long as motion and matter lafl, which may alwayes be 5 for-the mould of all figures is in the power of motion , and the fubftance of matter. Chap. z6. Of Youth, or Growth. T Hus Spirits of fenfe work according to the fub fiance of the matter : for if the matter be porous and light, they form thofe figures quicker, and diffolve them luddenly : But if their matter be folid and hard, they work flower, which makes fome figures longer ere they come to perfection , and not fo eafily un- done. And if their flrength be too weak for the matter they work upon, as wanting help, then the figure is imperfect, ana mifhapen, as we fay. This is the realon Animals and Vegeta- bles , which are yong, have not fo great flrength as when they are full grown ; becaufe there are fewer (pints, and the mate- rials are loofe and unfetled, not knockt clofe : But by degrees more fir its gather together, which help to forward their work, bring in materials by food, fetling them by nourijhment, carrying out by Evacuations that matter that is unufeful, and that Rub- bifh and Chips, as I may fay, which would hinder their mo- tion. If they bring in unufeful matter , their figure increafes not, as we fay, thrives not. And if they carry out the princi- pal materials, the figure decayes, and falls down. But thofe parts of matter which are not spirits, do not carry that part of matter which is Spirit, but thele fir its carry the dull matter 6 Thusqhe Jpirits, the innated matter,) move in dull matter, and dull matter moveth by the jpirits 5 and it the matter be fine, and not grots, which they build withal, and their motion be regular, then the figure is beautiful and well proportioned* c e Chap. 27. Of Increafing. T He reafon that the corruption of one figure is the caufe of making of another of the fame kinde, is, notonely, that it is of fuch a tempered matter that can onely make fuch a kinde of figure 5 but that the jpirits make figures according to their flrength : So that the jpirits that are in the Seed, when they have 1 mean the Fi- undone the figure they are in, by a general expulfion, which we 8* re °fd*li call corruption , they begin to create again another figure of the m r ' D fame (io) fame kinde, if no greater power hinder it. For the matter that is proper, to make fuch like figures, is fitted, or temper’d to their llrengths. So as the Temper of the matter , and t he fir ength of the [pints , are the EreBors of thole figures eternally. And the realon, that from one Seed, , lefs, or more Numbers are increafed and rais’d, is, that though few begin the work, more will come to their help ; and as their numbers are increafed, their figures are more, or lefs, weaker, or flronger. Chap. 28. Of Decay. As a plentiful IT THen Spirit of Life have created a Figure , and brought it Emd. agrm to perfedion ; if they did not pull it down again, they would be idle, having no work to do ; and Idlenefs is againft •* the nature of life, being a perpetual motion. For as foon as a figure is perfected, the fpirits generally move to an expul five mo- tion. This is the reafon, that Age hath not that flrength as full- growth : But like an old houfe falling down by degrees, fhed ^ their Haires, or Leaves, inflead of Tiles, the Windows broke down, and flopped with Rubbifh. So Eyes in Animals grow hollow and dim. And when the Foundation of a houfe is loofe, every little winde {hakes it. So when the Nerves being flack, and the Mufcles untied, and the Joynts unhing’d, the whole Body is weak,and tottering, which we call Talfies : which Palfies , as the winde, fhakes. The Bloud , as the Springe dries up, %humes , as Rain falls down, and Vapours^ as Dufi, flieup. Chap. 29. O/Dead, and Death. D Sad is, where there is a (general Alteration of fuch Motion, as is proper to fuch Figures. But Death is an Annihilation of that Print , or Figure , by an Sxpulfive Motion : And as that Figure diffolves, the Spirits diiperfe about, carrying their feve- ral burdens to the making of other Figures. Like as a houfe that is ruin’d by Time , or lpoyled by accident 5 the feveral Ma- terials are imployed to other ufes fometimes to the building of an houfe again. But a houfe is longer a building then a pul- ling down, by reafon of the cutting, carving, laying, carrying, placing, and fitting every part to make them joyn together ; fo all the works of T^ature are fooner diffolv’d then created. Chap. 30. Of Local Shapes. S Ome Shapes have power over others, but ’tis not alwayes in the fize, or bulk of the Figure , but in the manner of their Formes that give advantage, or difadvantage. A little Moufe i' % will run through the Snowt of a great Elephant : A little Flye will fling a great Figure to death; A Worm will wind through a thick a thick Body ; The Lions force lies in his Claws ; The Horfes in his Hoof 5 The Dogs in his Teeth; The Bulls in his Horns ; and Mans in his Armcs, and Hands ; Birds in their Bills, and Talons : And the manner of their Shapes gives them feveral properties, or faculties. As the Shape of a Bird caufes them to jiye, a Worm to creeps the Shape of a Beaft to rum, the Shape of Fiili to fwim ; yet fomehie fwiftcr, and higher then others, as ■ their Wings are made : Sofome run nimbler then others, ac- cording as their Limbs are made ; and fome fwim glider then a others, according as their Fins are made. tBut CM an- lurpalfes the jhape of all other Creatures ; becaufe he hath apart, as it were, of every jhape. ) But the lame motion, and the lame mat- ter without the jhape, could not give fiich External Properties ; fince all Internal Properties are wrought out of dull matter. So as it is their jbapes, joyned withfucb motions proper thereunto, that giveth ftrength, and Agilenefs. But the Internal Qualities may be alike in every figure ; bccaufe Rational Spirits work not upon dull matter , but figures themfelves. Chap. 31. The Vifible Motion in Ammals, Vegetables, and Minerals. T He external motions of Animals are, running, turning, wind- ing, tumbling, leaping, jumping, fhoving, throwing, dart- ing, climbing, creeping, drawing, heaving, lifting, carrying, holding, or haying, piercing, digging, flying, fwimming, di- ving. The Internal motion , is, contriving, directing, examin- ing, comparing, or judging, contemplating, or realoning, ap- proving or difapproving, refolving. From whence arile all the Pajuons, and feveral ‘Di'jpbjitrons. Thefe, and the like, are the vifible Internal motions in Animals. The Internal motions of Vegetables , and Minerals , are in ope- ration,; As, contracting, dilating ; which is Attractive, Reten- tive, Digefiive, Expul five. The Vegetables External motion , is, increafing, decreaiing, that is, enlarging, or lafting ; (although there may be matter not moving, yet there is no matter , which is x not moved. ) Chap. 32. Of the Working of feveral Motions of Nature* lu . §1 ; nd • .< . , M otions do work according as they finde Matter, that’s fib, and proper for each kinds, . , Senfitive Spirits work not all one way. But as the matter is, they cut, carve, lay. Joyning together Matter, f olid Light, . And build and form (ome figures ftreight upright ; Or make them bending, and fa juttiftg out ; And /owe are large, and ftrong, and hig about. D 2 And (l2) And f me are thick, and hard, and clofe unite 5 Others are fiat, and low, and loofe, and light. But when they meet with matter , fine, and thin. Then they do weave, as Spiders when they fpin : All that is woven is foft, i'mooth, thin things, As dowry Vegetables , and Animal skins. Obferve the Cjrain of every thing, you’l fee, Like inter-woven Threads lye evenly. And like to Diaper , and Damask wrought, In feveral works, that for our Table’s bought. Or like to Carpets which the Perfian made. Or Sattin lmooth, which is the Florence Trade. Some matter they ingrave, like Ring, and Seal, Which is the ftamp of Natures Common- weal. ’Tis Natures Armes, where fhe doth print On all her Works, as Coin that’s in the Mint. Some feveral forts they joyn together glu’d. As matter folid , with fome that’s fluid. Like to the Earthly ball, where iome are mixt Of feveral forts, although not fixt. For though the Figure of the Earth may laft Longer then others 5 yet at laft may wafte. And fo the Sun, and Moon, and Tlanets all. Like other Figures , at the laft may fall. The Matter s ftill the lame, but motion may Alter it into Figures every way : Yet keep the property, to make fuch kinde Of Figures fit, which Motion out can finde. Thus may the Fgures change, if Motion hurls That Matter of her wayes, for other Worlds. Of the Minde. \ T heft degrees artyifible to HI. \ l 7 ft T Dancing it a meaptrd Mo- tion. i T“’Here is a degree of ftrongcr Spirits then the fenfitive Spirits : V "*■ as it were the Effence of Spirits ; at the Spirit of Spirits , This is the Minde , or Soul of Animals. For as the fenfitive Spi- rits are a weak knowledge fo this is a ftronger knowledge. As to fimilize them, I may fay, there is as much difference betwixt them, as Aqua Fortis , to ordinary Vitriol. Thefe Rational Spi- rits , as I may call them, work not upon dull matter , as the Sen- fitive Spirits do , but onely move in meafure, and number, which make Figures • which Figures are Thoughts, as Memory, Under fanding. Imaginations , or Fancy, and Remembrance and mil. Thus thefe Spirits moving in meafure, cafting, and placing themfelves into Figures make a Confort, and Harmony by Num- bers. ; : Where the greater Quantity, or Number, are together of thole rational ffirits, the more variety of Figure is made by their -iK v , feveral c*j) feveral Motions, they dance feveral dances according to their Company. Chap. 34. Of their feveral Dances, or Figures. Hat Ob] eft foever is prefented unto them by the fen- fes, they ftrait dance themfelves into that figure j this is Mentory, And when they dance the fame figure with- out the help of the outward objeft, this is Remembrance^ when they dance the figures of their own invention,(as I may fay) then that is imagination or Fancie. V nderfianding is, when they dance perfectly (as I may fay) not to miffe the leaft part of thofe figures that are brought through the fenfes. mil is to -dioofe a dance, that is to move as they pleafe, and not as they are perfwaded by the fenfitive [pints. But when their motion and meafures be not regular, or their quantity or numbers fufficientto make the figures perfed, then is the minde weak and infirme, (as X may fay) they dance out of time and meafure. But where the greateft number of thefe, or quanti- ty of thefe EJJence s are met, and joyn’d in the moft regular motion , there is the cleareft undemanding , the deepeft Judge- ment ^ the perfect eft knowledge , the fineft Fancies , the more /- magination , the ftronger memory , the obftinateft mil. But lomtimes their motions may be regular ^ butfocietyis lo fmall, fo as they cannot change into fo many feveral figures: then we fay he hath a weak minde, ora poor foul . But be their quantity or numbers few or great, yet if they move confufedly, and out of order, we fay the minde is diftra&ed. And the reafon the minde , or foul is improveable, or decayable, is, that the quantity or numbers are increafeable , or decreafe- able, and their motions regular, and irregular, A Feaver in the Body is the fame motion among the fenfi- tive [pints > as madneffe is in the minde amongft the rational Spirits. So likewife pain in the Body is like thofe motions that make grief in the minde. So pleafure in the body is the like motions , as make delight, and joy in the minde , all Convulsive motions in the Body, are like the motions that caufe Fear in the minde. All Expulfive motions amongft the rational [pints , are a difperfing their fociety ; As Expulfity in the Body, is the dilperfing of dull matter by the fenfitive fpirit?. All Drugs have an Oppofite motion? to the matter they wofk on, working by an expulfive motion 3 and if theyinove ftrong- iy, having great quantity of fpirits together in a little dull matter, they do not onely caft out fuperfluous matter , but pull down the very materials of a figure. But all Cordials have a Sympathetical motion to the matter they meet, giving ftrength by their help to thofe fpirits they finde tired (as one may fay) that it is to be over-gower’d by oppofite motions in dull Matter, * Scorching is, when the Motioh is too quick. * That is, when there come fo many fpi- rits,as they difagree.pref- fing upon one another. Chap. 35. The Sympathy, and Antipathy 0/ Spirits, P Leafure, and delight, dif content, and farrow, which is Love, and hate, is like lights and darkneffe 3 the one is a quick, equal, and free motion 5 the other is a flow, irregular, and ob- ftruCted motion. When there is the like motion of Rational Spirits in oppofite figures , then there is a like under ft andmg, and difpofition. juft as when there is the like Motion in t tie fen- fitive fpirits 3 then there is the like conftitution of body. So when there is the like quantity laid in the fame Symmetry, then the figures agree in the lame proportions, and Lineaments of Figures. The reafon, that the rational fpirits in one Figure, are de- lighted with the outward form of another Figure , is, that the motions of thofe fenfitive Spirits, which move in that figure, a- gree with the motion of the rational fpirits in the other. This is love of beauty 3 And when the fenfitive motions alter in the figure of the body, and the beauty decayes, then the motion of rational fpirits alter,and the love of god'tjnefie ceales. If the motion of the rational fpirits are crofle to the motion of the fenfitive fpi- rits , in oppoflte figures , then it is diflike. So if the motion be juft crofle and contrary, of the rational fpirits in oppofite figures , it is hate-, but if they agree, it is love. But thefe Sympathies , which are made only by a likenefle of motions without an intermixture, laft not long 3 becaufe thofe fpirits are at a diftance, changing their motion without the knowledge, or confcnt of either fide. But the way that the rational fpirits intermix, is, through the Organs of the body, efpecially the eyes, and Eares, which are the common doors, which let the fpirits out, and in. For the vocal, and verbal motion from the mouth, carry the fpirits through the eares down to Heart, where love and hate is lodged. And the fpirits from the eyes iflue out in Beams, and Raies 3 as from the Sun-) which heat, or fcqrch * the hearty which either raife a fruitful crop of love, making the ground fertile, or dries it fo much, as makes it infipid, that nothing of good will grow there, unlefle flunking weeds of Hate : But it the ground be fertile, although every Crop is not lo rich, as fome, yet it never grows barren, unlefle they take out the ftrength with too much kindnefle 3 As the old proverb, they kill with too much kind- nefle 3 which murther is feldom committed. But the rational fpirits* are apt to take Surfet, as well as fenfitive fpirits, which makes love, and Good-mil, fo often to be ill rewarded, neg- lected, and difdain’d. Chap. 3 6. The Sympathy of Senfitive, and Rational fpirits in one Figure. T Here is a ftrong Sympathy, and agreement, or Affc&ion (as I may fay) betwixt the rational fpirits, and the fenfitive fpi- rits joyned in one figure : like Fellow-labourers that afliftone > another another, to help to fmifh their work. For when they dis- agree, as the rational Spirits will move one way Sometimes, and the fenjitive fpirits another ; that is, when reafon drives to abate the appetite of the Senses ; yet it is by a loving direction, rather to admonifh them by a gentle contrary motion for them to imitate, and follow in the like motions ; yet it is, as they aiwayes agree at laft; Like the Father and the Son. For though the father rules by command, and the Son obeies through o- bedience, yet the father out of love to his Son, as willing topleafehim, Submits to his delight, although it is againft his liking;* So the rational spirits oftimes agree with the motions of the fenfttive fpirits, although they would move another way. Chap. 3 7. The Sympathy of the Rational and Sensitive Spi- rits , to the Fgure they make , and inhabit . A LL the External motion in a Figure , is, by the fenjitive fpirits ; and all the internal, by the rational [pints : and and when the rational and fenjitive fpirits, difagree in oppofite figures , by contrary motion , they oft war upon one another ; which to defend, the fenjitive Spirits and rational fpirits, ule all their force, and power in either Figure ; to defend, or to affault, to Succour, or to deftroy, through an averfion made by contrary motions in each other. Now the rational fpirits do not onely choole the materials for their defence, or affault, but do diredf the fenjitive fpirits in the management thereof ; and according to the Strength of the f pi- nts ol either fide, the victory is gain’d, or loft. If the Body be weak, there is like fenfttive Spirit , if the direction be not advantagious, there is leffe rational fpirit. But many times the Alacrity of the rational and fenjitive fpirits, made by mo- ving in a regular motion , overcoms the greater numbers, being in a disordered motion. Thus what is loft by Scarcity, is regain’d by Conformity and 'Unity. Chap. 38. Pleafure, and Fain. A LL Evacuations have an expulfiv e motion ; If the Expul- five motion is regular , ’tis Pleafure , if irregular , ’tis pain. In- deed, all Irregular and croffe motion , is Pain ; all regular motion is pleafure, and delight , being Harmony of vMotion , or a difeordof Motion , Chap. 39. Of the Minde. I Magine the rational Ejj'ence , or fpirits , like little fph- erical obdies of Quick-filver Several ways * placing themfelves in Several figures , fometimes moving in mea- fure, and in order: and fometimes out of order this Quick-Silver to be the minde, and their Several poftures made by motion , the paflions and ajfetfions ; or all that is moving in a * Thofe de- grees that are neer eft, have thegreareft Sympathy * Like Cheft- men, Table-men, Nine-pins, or the like. (t6) minde , to exprelfe thofe feveral motions, is onely to be done by guelfe, not by knowledge, as Tome few will I guelfe at Lerve is, when they move in equal number, and even meaiure. / Hate is an oppofite motion ; Fear is, when thole fmall bodies tumble on a heap together without order. Anger is, when they move without meafure, and in no uniform Figure. Tn- constancy is, when they move Iwiftly feveral wayes. Conflancy is a circular motion, doubt , and fufpicion , and jealoufie , are when thole fmall bodies move with the odd numbers. Hope is when thole fmall bodies move like wilde-Geefe, one after another. Admiration is, when thole Spherical bodies gather dole toge- ther, knitting fo, as to make luch a circular figure ; and one is to Hand for a Center or point in the midft. Humility is a cree- ping motion. Joy is a hopping, skipping motion. Ambition is * i f ay higher a lofty motion, as to move upwards, or * higher then other for expreffi- motions. Coveting , or Ambition is like a hying motion, mo- ons fane. ving j n feveral Figures like that which they covet for ; if they covet for Fame , they put themfelves into luch Figures, as Let- ters do, that exprelfe words, which words are fuch praifes as they would have , or fuch Figure as they would have Sta- tues cut, or Pi&ures drawn : But all their motion which they make, is according to thofe Figures with which they fym- pathize and agree : befides, their motion and figures are like the found of Mufick ; though the notes differ, the cords agree to make a harmony : fo feveral Symmetries make a perfect Fi- gure, feveral figures make a juft number, and feveral quantities or proportions make a juft weight, and feveral Lines make an even meaiure : thus equal may be made out of Diviiions eter- nally, and infinitely. And becaule the figures and motions of the infinite Spirits which they move and make are infinite, I cannot give a final delcription : befides, their motion is fo fubtle. Curious, and intricate, as they are pa ft finding out. Some "natural motions worke fo curious fine. None can perceive, unleffe an £ie divine. Chap. 40. O/Thinking, or the Minde, and Thoughts. O NE may think, and yet not of any particular thing; that is, one may have fenle, and not thoughts: For thoughts are when the minde takes a particular notice ol feme out- ward ObjeB, or inward idea ; But Thinking is onely a fenfe without any particular notice. As for example ; Thole that are in a great fear, and are amazed, the minde is in confuf’ d fenfe, without any particular thoughts : but when the minde is out of that amaze, it fixes it felf on Particulars , and then have thoughts of paft danger ; but the minde can have no particular thought of the Amaze ; for the minde cannot call to minde that which was not. Like- Likewifc when we areafieep, the Minde is not out of the Body, nor the motion that makes the fenfe of the minde ceaft, which is Thinking ; but the motion that makes die thoughts therein work upon particulars. Thus the minde may be with- out thoughts, but thoughts cannot be without the minde : yet thoughts go out of the minde very oft* that is* fuch a motion to fuch a thing is ceaft 5 and when that motion is made again, it returns.Thus thinking is the minde, and thoughts the effeS thereof; Thinking is an equal motion without a figure, or, as when we feel Heat, and fee no fire. . i ( j j • ' , ’ 1 \ , j * 1 1 . 1 j -i Chap. 41. of the Motions of the Spirits. I F it be, as probably it is, that all fenfitive fpirits live in dul matter-, fo rational fpirits live in fenfitive ^Wtt,accordmg to the fhape of thole Figures that the fehcitive fpirits form them. The rational fpirits by moving feveral ways, may make fe- vcral kindesof knowledge, and according to the motions of the fenfitive fpirits in their ieveral figures they make, though the fpirits may be the fame, yet their feveral motions may be unknown to each other. Like as a point, that writes upon a Table-book, which when the Letter that was Mrit thereon, is rub’d out, the Table is as plain , as if there were never any let- ter thereon j but though the letters are out, yet the Table- book, and in Pen remain. So although this Motion is gone, the fpirit , and matter remain 5 But if thple fpirits make other kindes of motions, like other kinds of Letters, or Language, thofe Motion underftand not the fir ft, nor the firft underftands not them, being as feveral Languages. Even fo it may be in a found* for that kinde of knowledge xht Figure had in the found , which is an alteration of the motion of the rational fpirits , cauf’d by an alteration of the motion of the fenfitive fpirits in dull matter : And by thefe dilorderly motions, other motions are rub’d out of the Table-book, which is the matter that was moved. But if the fame kinde of letters be writ in the fame place again * that is, when the fpirits move in the fame motion, then the'lame kmveledg is. in that figure, as it was before j the other kinde of know- ledge, which was made by other kinde of motion, is rub’d out*, which feveral knowledge is no more known to each other, then feveral Languages by unlearned men. And as Language is; ftill Language , though not underftood, fo knowledge is liilf knowledge, although not general •, but if they be, defeat we call dead, then thofe letters that were rubbed out, were never writ again 5 which is, the fame knowledge never returns into the fame figures. ' Thus the fpirits of knowledge , or the knowledge of fpirits, which is their feveral motion^, may be ignorant and unacquain- ted with each other: that is, that iome motion may not know how other motions move, not onely in feveral fpirits, but in one and the fame fpirit 5 no more then in eyery Effe# can know. £ ; ,Jj their (t8) their caufe : an&motion is butthe effe& of the Spirits, which [pints are a thin fubtle matter ; for there would be no motion if there were -no matter ; for nothing can move .- but there may be ntatter wkhom Self-motion^but not [elf-motion without matter. •Nothing can be made or known abfo= lute out of Infinite and Eternal Matter prime knowes not what effects fhall be, ! Or how their feveral motions will agree. ■ 1 ■ Becaufe * tis infinite, and fo doth move Eternally, in which nothing can prove. Tor infinite doth not in compaffe lye, Nor hath Eternal lines to meafure by. Knowledge is there none, to comprehend That which hath no beginning, nor no end. Perfect knowledge comprifcs all can be. But nothing can comprife Eternity. Defliny and Fates, or what the like wc call. In infinites they no power have at all; Nature hath Generohty enough to give All figures eafe,v^hilft in that Form they livej But motion which innated matter is, ' 'By running crofie, each feveral pains it gives. thap. 42. Of the Creation of the Animal Figure. * Thmjgh it may f*ave*w Motions, yet not the Ani- mal Motion. *The Figure might be without an Animal Moti- on, but an A- nimal motion cannot be un- till there is an Animal Fi- gure. *TpHe reafon, * that the fenfitive [pirits , when they begin -’■i to create an animal figure, the figure that is created feels it hot, until! the model befinifhed, that is , it cannot have an a- fiitnal motion, until it hath, an animal figure 5 for it is the fhape which gives it local motion ? and alter the Fabrick is bhilt, they begin to furnifh it with * ftrength, and enlarge it With growth, and the rational [pirit which inhabits it choofeth his room, which is the Head 3 And although fome rational [pints were from the firft creating it, yet had not fuch mo- tions, as when created : Befides, at firft they have not fo much company, as to make 1 fo'much change, as to take parts, like inftruments of Mufick, which cannot make fuch divifion up- on few firings as upon more. The next, the figure being weak, their motions cannot be ftrong 3 befides, before .the figure is inlarged by growth, they want room to move in. This is the reafon, that new-born Animals feem to have no knowledge, especially Man 5 becaufe the [pints do neither move fo ftrong, riot hkve iilch variety of change, for want of company to make a confort. Yet fome animals have more knowledge then others, by reafon of their ftrength, as all beaftsknow dieir daihs, and run to their Dugs, and know how tb fuck ‘ as foon as they are born 3 arid birds and children, and the like weak Creatures, fuch db not. / the jfiir its oi&nte give them firength, and the [pirits of reafon do dife^t therri to tneir food, * and the fpir its of fenfe ,r; give gave them Tafte, and appetite, and the fpirits of reaioa choofe their meat : far all Animal Creatures are not of one dyet, for ’that which will nourifh one, will deflroy another. Chap. 43. The gathering of Spirits. IF the rational fpirits fhould enter into a figure newly created* ^altogether, and not by degrees, a Chiide (for example) would have as much underfianding, and knowledge in the fVomb x or when it is new-born, as when it is inlarged and fully grown. But wefinde by experience there are feveral forts and degrees of knowledge and underfianding, by the recourfe of [pints: which is the reaion, tome figures have greater proportion oi undrr [end- ing and knowledge, and foonerthen others 3 yet it is increafed by degrees, according as rational fpirits incieaie. Like as chil- dren, they muft get ftrength before they can go. So Learning and experience increafe rational fpirits, as Food the fenfitive ; But experience and Learning is not alwayes-tyed to the eare , for every Organ and Pore of the body is as feveral doors to let them in and out : For the rational fpirits living with the fenfitive fpirits, come in, and go out with them, but not in equal propor- tion, bait fometimes more, fometimes fewer : this makes un~ demanding more perfedf in Health then in fickneffe , and in our middle age, more then in the latter age : For in age and Tick- nefle there is more carried out, then brought in. This is the rea- fon. Children have notfuch understanding, but their reafon increafeth with their years. But the rational fpirits may be {imilized * to a company of Good-fellows, which have pointed a meeting 3 and the company coming from feveral places, makes their time the longer ere their numbers are compleated, though many a brain is difappointed 3 but in fome figures the rooms are not commodious to move in, made in their Creation, for want of help : thofe are Changelings, Innocents*, or Natu- ral Fools. . . The rational fpirits feem moft to delight in fpungie foft and liquid matter 3 as in the Bloody Brainy NerveSy and in Vegetables 3 as not onely being neereft to their own nature, but haying more room to move in. This makes the rational fpirits tp choofe the Head in Animals , for their chief room to dance their Figures in : * for the Head is the biggeft place that hath ithe Jpun- gy c Materials ^ thus as foon as & figure is created, thofe. rational Spirits choofe^ Room. . .- J; .nu, '/nui-.-xl v • : . . ' ' ,Tl : ’< 1 j . . ;;r ■» .-i ■ ^ ml . A ^ v\ ? t • • • ; / * j!til - l - O J .0 f i Oi J I Chap, 44. The moving o/Innate matter. M ; J. ' , r ; " ’ ‘ nt . L it r ,.;: c fhsidu _.h:A HP Hough Motion makes knowledge, yet the Fpirits Qtvfymtion;i for thofe Spirits, or Effences, are theGuiders, G overflows Dire^ers 3 the Motions are but their Internments, the Spirits E % are * hlch food is when fuch Materials are not pro- per for fuch * Figure. ( C * The greater the nuqpber is, the mofe variety cf Motion is made, which makes Fi. gurcs in the brain. - * in Animal Shapes (ao) are the Caufe, motion but an Effect therefrom : For that thin matter which is fpirits, can alter the motion , but motion can- not alter the matter, or nature of thofe Ejjences, or fpirits ;fo as the fame fpirits may be in a body, but not one and the fame knowledge , becaufe not the fame motion, that made that know- ledge. As for example 5 how many levcral Touches belong to the body ? for every part of the body hath a feveral touch, which is a feveral knowledge belonging to every feveral part; for every feveral part doth not know, and feel every feveral touch. For when the head akes, the heel feels it not, but onc- ly the Rational fpirits which are free from the incumbrance of dull matter, they sac agile, and quick to take notice of every particular touch, in, or on every part of the figure. The like motions ol a pain in the Body . The like motions of the Ratio- nal fpirits, we call grief in the minde ; and to prove it is the like motion of the Rational Spirits to the fenfitiue, which makes the knowledge of it, is, when the rational Spirits are bufily moved with fome Fantafmes, if any thing touches the body , it is not knownto the rational fpirits, bccaufe the rational fpi- rits move not in fuch motion, as to make a thought in the head, of the touch in the heel, which makes the thoughts to be as fenfe- leffeofthat touch, as any other part of the body, that hath not fuch paines made by fuch motions. And fhall we fay, there is no fenfe in the heel, becaufe no knowledge of it in the head? we may as well fay, that when an Objeft ftands juft before an eye that is blinde, either by a contrary motion of the thoughts in- ward, by fome deep Contemplation, or otherwife : we may as well fay there is no outward objeft, becaufe the rational fpirits take no notice of that ObjeB ; tis not, that the ftrongcr motion ftops the lelfe, or the fwifter , the flower; for then the motions of the Planets wold ftop one anothers courfe. Some will fay, what fenfe hath man, or any other Ani- mal when they are dead ? it may be anfwered, that the Pi- gnre, which is a body, may have f enfe, but not the Animal-, for that we call Animal, is fuch a temper’d matter, joyn’d in fuch a figure, moving with fuch kinde of motions ; but when thofe mo- tions do generally alter, that are proper to an Animal, although the matter, and Figure remain, yet it is no longer an Animal, becaufe thofe motions that help it to make stnAnimal are ceas’d So as the Animal can have no more knowledge of what kind of fenfe the Figure hath ( becaufe it is no more an Animal) then an Animal, what fenfe duft hath. And that there is the reafon, that when any part is dead in an Animal , if that thofe motions that belonged to the Animal, are ceas’d in that part, which alter it from being a part of the Animal, and knowes no more what fenfe it hath,then if a living man fhould carry a dead man upon his {boulders, what fenfe the dead man feels, whether any, erne* Chap. Chap. 45. Of Matter, Motion, and Knowledge, or r, Underftandingo , 0 TTT THatfoever hath an innate motion , bath knowledge^ \ V and what matter foever hath this innate motion, is knowings : but according to the feveral motions, are feveral knowledges made * for knowledge lives in motion , as motion lives in matter: for though the kind of matter never alters, yet the manner of motions alters in that matter : and as motions alter,fo knowledge differs, which makes the feveral motions in feveral figures to give feveral knowledge. And where there is a like- nefle of motion , there is a likeneffe of knowledge : As the Appetite of sSifitive [pints, and the defire of rational [pi- nts are alike motions in feveral degrees of matter. And the touch in the heel, or any part of the body elfe, is the like mo- tion, as the thought thereof in the head 3 the one is the motion » of tht [enfitive fpirits, the other in the rational [pints, as touch from the fenfitive fpirits, for thought is onely a ftrong touch, and touch a weak thought . So lenie is a weak knowledge, and knowledge a iktong[en[e, made by the degrees of the fpirits ; for Animal [pints are ftronger (as I faid before) being of an high- er extraft ( as I may fay) in the Chymiftry of Nature, which makes the different degrees in knowledge, 1 fy the difference in ffrengths and fineneffe, or fitbtlety of matter . Chap. 4 6 . Of the Animal Figure. t IT 7* Hatfoever hath motion hath fenfitive fpirits 3 and what VV is there on earth that is not wrought, or made into figures, and then undone again by tiiefe fpirits ? fo that ail matter is moving, or moved by the movers •, if fo, all tilings have becaufe all things have of thefe fpirits in them 3 and if Senfi- tive [pirits, why not rational fpirits > For there is, as much infi- nite of every feveral degree of matter, as if there were but qiie matter 1 for there is no quantity in infinite 3 for infinite, is a con- tinued thing.If fo, who knows, but Vegetables and ^Minerals may have fome ofthof b rational fpirits, which is a minde or foul in, in them, as well as many Onely they want that Figure, (vyitfi fuchkinde of motion proper thereunto) to exprefle knowledge that way. For had. Vegetables and Minerals the fame fhape, made by fuch motions, as the fenfitive fpirits create 3 then there might be wooden men, and my* beafti 3 for though, marks do, not, cpme in the fame way, yet the fame marks may come in, ; and be made by the fame motion 3 for the fpirits are fo fubtle,as they can pais and repafs through the folideft, matter.Thus there may- be as many feveral and various motions in Vegetable j and Ming? rals , as in Animals 3 and as many internal figures made by the rational fpirits 3 onely they want the Animal , to expreffe it the Animal Animal way. And if their knowledge be not the fame know- ledge^, but different from the knowledge of Animals, by reaion of their different figure f, made by other kinde of motion on o- ther tempered matter, yet it is knowledge. For fhall we fay, A man doth not know, becaufe he doth not know what ano- ther man knows, or fome higher power? Chap. 47 . what an Animal is. A N Animal is that which we call fenfitive [pint $ that is, a figure that hath local motion ; that is, luch a kinde of figure with fuch kinde of motions proper thereunto. But when there is a general alteration of thole motions in it, then it is no more that we call Animal becaufe the local motion is altered; yet we cannot knowingly fay, it is not a fenfitive Creature , fo long as the figure lafts : befides,when the figure is dilfolved,yet every (battered part may have fenfe, as long as any kinde of mo- tion is in it ; and whatfoever hath an innate motion, hath fenfe, either increafing or decreafing motion ; but the fenfe is as diffe- rent as the motions therein, becaufe thofe properties belonging to luch a figure are altered by other motions. Chap. 48. ^ Of the difperling of the Rational Spirits. COme think, that the Rational [pirits flye out of ^Animals , or that Animal we call Man) like a (warm of Bees , when they like not their hives, finding fome inconvenience, feek about for another habitation, or leave the body, like Rats, when they find the houfe rotten, and ready to fallj Or fear’d a- way like Birds from their Neft. But where fhould this Swarm, Or Troop, or Flight, or E (fences go, unlelfethey think this thin matter is an E fence, evaporates to nothing ? As I have faiabefore, the difference of rational [pints, and fenfitive [pints, is, that the fenfitive [pints make figures out of dull matter ; The rational [pirits put themfelves into figure, pla- cing themfelves with number, and meafure 5 this is the realbn when Animals die, the External Form of that Animal may be perfed, and the Internal motion of the [pirits quite alter’d, yet not abfent, not difpers’d untill the Annihilating of the External figure : thus it is not the matter that alters, but the Motion and Form. Some Figures are ftronger built then others, which makes them laft longer : for fome, their building is lo weak, as they fall as loon as finilhed 5 like houfes that are built with (lone, or Timber, although it might be a ftone-houfe,or timber-houfe, yet it may be built, not of luch a fort of Stone, or fuch a fort of Timber. "* Chap, Chap. 49J Of the Seftfes; '■"V'He Pores of the skin receive touchy as the eye irghr, th keare 1 found, the nofe fcent, the tongue xaHtr Thns the Ipirits paffe, and repaffe by the holes, they peirce through the dull : m fitter, carrying their feveral burthens ■ ouc, : -arid in, yet it if neithe'r the Burthen, nor the Paffagethat mhkbs' the' differeift fenfe, blit the different motion (*) tor if the. motion that coins through the Pores ofthe Skin, were- as’ th e lytottons which come from th e Eye, Ear, Nofe , Mouthy then the body might receive found, light, fcent , Taft, all other- as it doth Wuch. ! Chap. 50 . ■ Of Motion that Mkes *L ight. I F the fame motion that is made ill the Head did move the Heel, there would appear a Light to .the Senfe of that part ofthe figure ; unleffe they will make .fuch Waiter as the Brain to be infinite , and ondy in the head of an' Animal, : J 1 n Chap . 51. Op ticks. *T Here may be fuch motion in the Brain, as to make Light, w 1 although the Sun never came there to give the fir ft motion . for two oppefite motions may give a light by TUfiedtion, unjeffe the Sun , and the Bye have a particular Motion frotrl all Eternity % As vVc-fay an Eternal Mon op dor of fuch a kinde of Motion as makes Light, ■ ; ' ' ' ; ' r 10 * , 1 . '■ - .■ ; Chap. 52. Of Motion, ahd Matter. ' J ■""" f . ■ ■ , . . <\. -mt ' r: .il c ft ’H Y may not Vegetables have Light, Sound ,• Tafie^ Touch, as well as Animals, if the lame kinde of mo- tion moves the feme kinde of matter ‘i\\ them ?' For 5 who knows, but the Sap in Vegetables may be of the fame febfiangegauA degree of the Brain: And why may not ali tlfe fjehfarbt \wl%rent in a figure, if the fame Motion moves the feftig Writer 'Within the fi- gure , as fuch motion without f thefigure >' K - ' " : y lU • jfI ^ : : ‘Chap. 53.' ; 0/ ’the Brathi n< Dn ^ ■ \ . \ •- . T He Brain wi’ Animals is life? Cbud$> Y6i^etimes fwell’d full with Vapour, and forffethff^Y^zji^^fm Heat, and mov’d by th efenfitiue f pints to feveral JDbjeBs, as the clouds are mov’d by th Amhd to fevCral' platbs. - " ? ,f ■ {i ‘ > The winds feem to be all . Spirits, becaufe they axe.jp agile, and quick* ■ ' H 1 •- ’ ' ,1 1 2 ,7!G .'Jldfll >lr; ViV\ : : r Chap. * To prove that it is the feveral Moti- on, is that we fhail ha^e the fame fenfe in our fieep, ei- ther to move pleafureor feel pain. * Like flaffe. (• 4 ) Chap. 54. Of Darknejje. yO prove that Darknejje hath particular motions which make . it, as well as motion makes light, is that when Tome have uled to have a light by them while they deep, will, as foon as the light goeth out, awake 5 for if Darknejje had no motion , it would not ftrike upon the opick Nerve. But as an equal motionmakes light , and a perturb'd motion makes colour , which is between Light and darknejje : So darknejje is an Oppojite Motion tothofe motions that make light 5 for though light is an equal motion , yet it is fuch a kinde, or lort of Motion. Chap. 55. Of the Sun. \Z \7 H Y may not the Sun be of an higher Extract then the ^ * rational fpirits , and be like Qlajje, which is a high Extract in Chjmijiry , and lo become a (*) jhining body > If lo fure it hath a great knowledge j for the Sun leems to be com- pofed of pure fpirits, without the mixture of dull matter ; for the Motion is quick, and fubtle, as wemayfindeby the effect of the iight , and heat . Chap. 5 6. Of the Clouds. 'T He Clouds feem to be of fuch fpungy , and porous Matter , as the Rain y and Aire, like the fenjitive fpirits that form, and move it, and the Sun the Rational Spirit to give them know- ledge 5 And as moifl Vapours from the Stomach rile, and gather- ing in the Brain , flow through the eyes : fo do the Clouds fend forth, as from the Brainy the Vapours which do rife in fhowres. Chap. 5 7. Of the Motion of the Planets. T HE E arthySutiy Moony the reft of Planets all Are mov’d by that,we Vital Spirits cal. And like to AnimalSy fome move more flow. And other fome by quicker motion go. And as fome Creatures by their fbapes do fiye, Some/»7w,fome runy lome creep fovnz rifeth high So Planets by their fhapes about do winde. All being made, like Circles, round we finde. Chap. 58. The Motion of the Sea. T Hc Seas more quick, then frefher waters are, , . r . • • The reafon is, more Vital fpirits arc there. And And as the Planets move ftill round about. So Seas do ebb and flow both in and out. As Arrows flye up, far as ftrength them lend. And then for want of ftrength do back defcend: So do the Seas in ebbes run back again. For want of ftrength, their length for to maintain But when they ebb,and flow , at certain times. Is like the Lungs that draw, and breath out Juft fo do Seas draw back and then do flow, Asconftant as the Lungs do to and fro*. Alwayes in motion, never lying ftill. The empty place they leave, turn back to fill. We may as well inquire of Nature^ why Animals breath in fuch afpace of Time, as the Seas ebb and flow infuch a fpace of Time, wind, F - AN EP IS TLE TO EMNING READERS, Any perchance will laugh in fcorn at my opinion, and ask what reafonl have to think thofe things I have described fhouldbe made with fuch a kinde of Motion, my anfweris, thatlguefsby the forms, I mean the figures, or fhapes, what the motion may be to produce them • for I fee the fi- gure of afourleg’d Creature hath other motions then two legged Creatures, or then thofe Crea- tures that have no legs • and I fee fome fiiape Crea- tures that can flee, by reafon of their figures, which is made proper to produce that kinde of motion 5 for thofe thacaienot made fo, cannot do fo. By this I think it probable that Internal motions, are after the manner of External motions 3 for we may guefsat the caufe by the effe&s,lo by the fi- gures of Snow, Frofi, Hail, Rain, Vapor, and the like, we may guefle at other Internal, or external motions, that produced their External figures, or alterations, and by the effects of light, darknefle, heat, cold, moifture, what manner ofmotionspro- duced them; wherefore I know no reafon why any fhould condemn my opinions. Butthe cuftom of their breeding in the Schools of Ariftotlc , and Socrates, SocrateSy and the reft of ancient Authors, or elfc they confsder not my opinions enough ; for if they did, they might fee as much probability for mine, as any of their opinions; For though in natural Philo- fophy there maybe many touches found out by ex- periences, and experiments, yet the Study is onely conje&urally, and built upon probabilities, and until probabilities be condemned by abfolute and known truth, let them have a place among ft the reft of probabilities, and be not fo partial to con- tradift, as to be unjuft to me, take not away the right of my place becaufe young; for though age ought to have refpe£f, yet not fo as to do youth wrong, but I hope my newborn opinions will be nourilhed in Noble and learned Schools, and bredup withinduftrious Students; but howfoever,! delight my felf, for next to the finding out oftruthes, the greatefi plea fare in Study, is, to finde out proba- bilities. I make no queftion but after Ages will efteem this work of mine, but what foever is new, is not received at the firft with that good accep- tation, by reafon it is utterly unknown unto them, and a newnefle,and an unacquaintednefte makes the ignorance, but when time hath made acquaintance, and a right underftanding, and a right underftand- ing will make a friendfhip betwixt Fame and my Book* Fz THE ( ;i!v. 3.10 G I ' V, } h ' ' VOnSV; ’?i; -► r i V a r rjf '''Ilf'’ J 1 ■ ! ■ ' P • iT t . g:V ; . . . ' r i( . i;'j; .? . . .. - . • --t i >?Oi ^ - - p- 7 \ • * O ) “ ' V O ; . m ■■ n i -• A \ G' \ <■ ;. .. *. V V. o.:> T x. . ^i?*r ? < { j ' . o •• ' t ” r-- c . j ■ •' *; V s ■ « . -f/V •| yila . /f.i ; » . ? ' ;.rrf; G'Gl‘ • I i -i i ' .IT .} r * ' 1 »V Lrf’it f J O ! 1 • . i . .. . o . ‘ ’ j • . iiw: y£r- . ... r : ■ • ,/ r h-' - C V 7 >' ■ ■ . :.i . r-y-: ■ cp ■ ' • ■; ;! ■ • j gy.* ‘ " ' ' v ; • ‘ : v □ ;h V., ■: fil J : ' • . . , .00 r« v " " ' Ji ' b . .rfii rh ‘ho : ' *5 * ; r o ... . . 7 £sc r; o -B ' ■ . ■ ' 13 IV/ i ]• r i \m { • cooilia ' 7 cr i • ** • ' ~ ^ T , » r • . ;■ ; 0 ?> for man hath no N Oqueftionbut there is a time in Nature, for time is the Variation of Nature, and nature is a producing Mo- tion power over himfelf. • • '• 1 own . Chap. 60, Of time wd Nature, ( 3 °) ) tion, a multiplying figure, an endleffe mealure , a quantileffe fubftance, an lndeiaiiable matter. Chap. 61. Of CM alter, Motion, and figure . A S I faid before in my firft part of my Book, that there is no firft Matter,nor no firft Motion, becaufe Eternal, and Infinite , yet there could be no Motion, without matter ; for Matter is the caufe , Motion but the effed of . Matter , for there could be no motion unleffe there were Matter to be mo- ved ; But there might be Matter, and Figure, without Mo- tion, as an infinite, and eternal dull lump ; For I fee no reafon, but infinite might be without running forward, or circle-wayes, if there were not feveral degrees of the onely Matter, wherein Motion is an Infinite Eternal effed of fuch a degree. Neither is it nonfenfe to fay, Figure is the effed of Matter ; for though there is no Matter without Figure, yet there could be no figure without Matter, wherefore Matter is the prime caufe of Figure, yet there could be no figure without matter, wherefore matter is the prime caufe of figure, but not figure of matter, for figure doth not make matter, but matter figure, no more then the creature can make the Creator; but a creature may make a figure. Thus although there is no firft matter, yet matter is the firft caufe of moti- on and figure; and all effeds. Although they are as infinite and Eternal, as matter it felf, and when I fay Matter prime, I fpeak for diftindion fake, which is the onely Matter ? The inpated Matter, is the foul of Nature. The dull part of Matter, the Body. And the infinite figures, are the infinite form of Nature. And the feveral motions are the feveral adions of nature. Chap. 6 2. OfCaufes, and ef efts. A S I have faid before the effeds are infinite, and eternal as the Caufes, becaufe all effeds lie in matter and mo- tion, indeed in matter onely 5 for motion is but the effed of matter. Wherefore all particular figures although dfliolvable yet is inherent in the matter, and motion, as for example, if a man can draw the pidure of a man, or any thing elfe, al- though he never draws it , yet the Artis inherent in the man, and the pidure in the Art as long as the man lives, fo as long as there is matter, and motion, which was from all Eternity, and (hall be eternally; the effed will be fo. Chap. CsO Chap. 6 3. whether motion is a things or nothings or can be Annihilated COme have opinion that Motion is nothing, but to my reafon "‘-'it is a thing; tor if matter, is a lubftance,a iubftance is a thing, and the motion, and matter being unfeparablely, united, makes it but one thing. For as there could be no motion without fuch a degree, or extract of matter to there could be no fuch degree or ex- tract of matter without motion, thus motion is a thing. But by reafon particular motions leave moving in fuch matters and figures, (hall we fay they are decealed , dead, or be- come nothing; but fay fome, motions are accidents, and acci- dents are nothing ; but I fay, all acccidents live in Iubftance, as all effects in the caules , lay lome, when a man for ex- ample fhakes his hand, and when he leaves fhaking, whether is that motion gone (fay others) no where, for that parti- cular motion ceafeth to be,fay they. I anfwer, that my reafon tells me, it is neither fled a- way, nor ceal'ed to be, for it remains in the hand, and in that matter that created the hand, that is in that, and the like in- nated matter, that is in the hand. But fome will fay, the hand never moves lo again, but X fay the motion is never the lelfe there, they may as well fay, when they have feen a Cheft full of Gold, or the like, and when their eyes are fhut, or that they never fee it more, that the Gold doth not lie in the Cheft, although the Gold may lie there eternally, or if they fhould fee it again, fay it is not the fame Gold. So like- wile particular motions are, but fhewed,not loft, or Annihila- ted : or fay one fhould handle a velfel often, that every time you handle the velfel, it is not the lame touch, velfel, or hand, and if you never touch the velfel again, that the hand, velfel, or touch is annihilated. But particular motion, as the veftels, or hand is but uled, not annihilated, for particular motions can be no more an- nihilated , then particular figures that are dilfolved and how, in reafon can we lay in reafon particular figures are Annihilated, when every part and parcel, grain, and atome, remains in infinite matter, but lome will lay, when a houfe: for example , is pull’d down, by taking afunder the materials, that very figure of that houfe is annihilated ; but my opini- on is, that it is not, for that very figure of that houfe remains in thofe materials,and fhal do eternally although thofe materi- als were dilfolved into Atoms, and every Ato me in a fevera* place,part,or figure & though infinite figuresfhould be made by thofe materials by feveral dilfolutions and Creations, yet thole infinites would remain in thofe particular materials eternally, and was there from all eternity; And if any of thofe figures r I fay extra#, becaufeitis the eJTenceof matter. (30 be rebuilt, or Created again, it is the fame figure it was. Solikewife the motion of the hand which I faid for exam- ple, if the lame hand moves after the fame manner, it is the fame motion that moved the hand before ; fo it may make infinite repetitions ; thus one and the lame motion may move eternally, and reft from moving, and yet have a being. Chap. 6 4. Of Motions. T 'Here are millions of feveral motions which, agree to the making of each figure, and millions of feveral motions are knit together ; for the general motion of that are figure, as if every figure had a Common- Weale of feveral Motions working to the lubfiftence of the figure, and feveral forts of motions, like feveral forts of Trades hold up each other ; fome as Magiftrates, and rulers; others as Train-bands, as fouldiers; lome make forts , and dig trenches ; fome as Mer- chants that traffick ; fome as Sea-men , and Ship- maftcrs ; lome that labour and and work, as fome cut and carve ; Others paint, and ingrave ; lome mix, and temper , joyn, and inlay , and glue together ; fome form, and build ; fome caft in moulds, and fome makes moulds to call ; fome work rough-cafts ; lome pollifh and refine 3 fome bear burthens , lome take off burthens , fome digg, fome fowe, fome plough , lome fet , fome graft, fome plant, fome gather , fome reap , fome lift , fome thrafh , fome grind , fome knead , fome bake , fome beat , lome fpin, icme weave , fome fewe together , fome wind and twift, lome create , and others dilfolve , and millions of millions of motions, but as we fee external, fo we may imagine are internal motions. Chap. 6 5. Many motions go to the producing of one thing , or to one end. F Or there are millions of feveral motions go to the making of one figure, or in mixing, as I may fay, of feve- ral degrees of the dull part of matter, as I will give one for example in grolfe external motions, where I will deferibe it by digeftive motions, which is to fit parts, and to diftri- bute parts to feveral places proper to the work. For digeftive motions, there are many feveral forts, or kinds of motions mixt together, as for example, a piece of meat is to be boyled,or the like, fome motions cut luel, and others take it up, others carrie, other lay down in a Chimnie, or the like place,others put fire,others kindle it, and make it burn, others take met- tle and melt it, others caft fuch a figure as a pot, others bring the pot, others fet it over the fire, others take up water, others carry that water to the pot, others put that water in- to the pot, others kill a fheep, others -divide it into parts, others ( 33 ) others put it a part into the pot. Thus a piece of meat can- not be boyled 'without all thefe motions, and many more, which would be too tedious to relate, for I could have in- larged it three times as many more, only to boyl a piece of meat, and if there be fo many feveral motions in our groffe fenfe in fuch things as thefe,. then what is there in infinite Na- ture, yet for all thefe infinite varieties of motions, as Ifaid before , I cannot perceive but fix ground-motions, or funda- C mental motions, from whence all changes come, which are thefe attradive motions, contrading motions, retentive moti- ons, dilative motions digeftive motions, and expulfive motions; c likewife, although there be infinite kindes, and different fi- gures, yet the groundwork, from whence arifeth all the ve- c riety, is but from four figures ; as Circular, Triangular, Cupe, and Paralels. And as there are infinite changes of motions, amongft the fenfitive innated matter, working on the dull parts of matter, fo there are infinite changes of motions in the rational innated matter, making infinite kinds of know- ledge, and degrees of knowledge, and underftanding, and as there are infinite changes of motion,fo there are infinite effeds, and every produced effed, is a producing effed , and effeds which effed produce effeds , and the onely matter is the caufe of all effeds, for the feveral degrees of onely matter, is the effed of onely matter, and motion is the effed of fome forts of the degrees of onely matter, and varieties are the the-effeds of matter and motion, and life is the effed of in- nate matter ; and knowledge the effed of life. Chap. 66. Of the fix principal motions.' A S I have faid, there are infinite Contradions, Atradions, Retentions, Dilations, digeftions, and expulfions, and to •explain my felf to my readers as well as I can, unleffe they fhould miftake me, I will here defcribe , although after a mg^fe way ; yet according to my capacity. A few of the in- ftmte variety of motions, firft there are five, or fix principal motions, from whence infinite changes are made, or produ- ced, as from Contradions, Attradions, Retentions ; thefe three principal motions do in fome kinde fimpathize to each other; and dilations, and expulfions do alfo fympathize to each other, but digeftions is a mixt motion taking part of all, but I divide them into fix parts, for diftindion ; Now to treat of them fe- verally, wemuft make an imaginary Circumference, and Center. Then firft for Attrading motions, which is to draw towards the Center, that is, to draw to a leffe compaffe, as to draw to- wards a point, yet Atradions draw not alwayes after one and the fame manner, for fome motions draw after them, as horfes do Coaches, Carts, fleds and the like, but after fe- This for G viral Drawing mo tions. (34) veral fa fh ions, forms, and biafies and feveral motions, in thofe motions fome flow, fome quick, fome crofie, fome even. Again, fome times Attractive motions draw, as if one fhould pull in a line , or draw in a net , fome flope-wayes, fome ltraight wayes^ fome fquare wayes, fome round wayes ; and millions bf the like varieties, in this fort of motion, yet all Attracting motion. Secondly, Contracting motions which move after another manner; for though both thefe forts of motions, are to bring to- ' wards a point, yet Contraction me thinks, firives more a- gainft Vacuum , then Attraction, gathering all into a firm body, Sopping up all porous paffages, fhutting out lpace, and ga- thering in matter, as dole as it can ; indeed Attractions are but in the way to Contractions, as Dilations to expuifions; but this fort of motions is, furfling, pleating, folding, binding, knitting, twitting, griping, prefiing, tying, and many the like, and after feveral manners,' or fafhions. Thirdly, Retention is to hold, or to flay from wandring, to fik, as I may fay, the matter to one place, as if one fhould ftick, or glue parts together. Fourthly; Dilations are to inlarge, as to fpend, or extend, driving for fpace, or compafTe ; it is an incroaching motion, which will extend its bounds as far as it can, this fort of mo- tion is melting, flowing, ftreaming, fpreading, fmoothing, ftretching,and millions of the like. ~ F'iftly, Expulfive, is a motion that fhuns all unity, it firives againft folidity, and uniformity, it difperfes every thing it hath power on; this fort of motion, is, breaking, diffolving, throwing about. Sixthly, Digeftive motions, are the creating motions, carry- ing about parts to parts, and fitting, and matching, and joyning parts together, mixing and tempering the matter for pro- per ufes. Chap. 67. Of Exterior Motions produced from the fix principle Motions. I Will here repeat fome of the varieties of groffe exterior motions , fiich as arevifible toourgrofler fenfes, tocleer dry readers imaginary motion ; Some motions draw, as horfes draw Coaches, Carts, Sleds, Harrows, or the like ; 0- thers, as horfes, and dogs, are led in a bridle, or firing. 'Some, 'as beafts draw their prey to the Den moving back- wards. Some dfaW tip lines fhorter, and thicker, and fome draw in circular lilies, flopinglines, and fquare lines. Other foits of drawing, fomeftraight lines; fome fquare lines, rointd lines, flope lines, lome motions draw up;lome draw down, fome draw fide-wayes; fome crofie, fome regular; • : jv other (30 Other motions do, as if one fhould drive, or fhove afi> Driving mo- lid fubftance before them, the varieties of thefe moti- ttons * ons. Some are, as if a man fhould drive a wheel-barrow, or rolling of barrels, or driving a plough, or a rowler, and mil- lions the like. Others are, as if beafls and men were to carry burthens, mo " lome bearing burthens on their beck ; fome on their head; fome in in their mouth , lome in their arms 3 fome in their hands; fome under their armes 3 fome on their thighs; fome on their flings, as Bees do , and millions the like, and eve- ry one of thole burthens, have feveral motions thereto, and yet all but bearing motions. Other forts of motions, as throwing the bar, pitching the Throwi bar, throwing a ball, firiking a ball, throwing a bowl, fling- ftriking, dar- ing a dart, darting a dart, throwing upward, downward, ting motions, ftraight-out, fide-wayes, and all thefe feveral manners, is but a throwing motion. Leaping, running, hopping, trotting, gallopping, cl iming,cla~ Lofty mo- mering, flying, and infinite others, yet all is but a lofty mo- t,ons * tion. Diving, dipping, mowing, reaping,or {hearing, rowling,cree- Low motions ping, crawling, tumbling, traveling, running, and infinite the like examples may be given of the varieties of one and the fame kinde of motion. Chap. 6$. Of double motions at one and the [me time , on the fame matter. A S for example; fpinning flax, or the like is drawn long; and fmall, twilled hard, and round, and at one time. Again, a bowl runs round : way, and yet ftraight-out at one time. A fhuttle-cock fpins about in a ftraight line. . The winde fpreads, and yet blows ftraight-out at one and the fame time. Flame afeends Circular, and many the like examples may be given. . Chap. 69. Of the feveral ftrengths. - A Lthoiigh there be infinite ftrengths of Motion, yet not toalllorts of figures, nor to all degrees of matter; for fome figures move flow, others move fwift, according to the Nature ofthefhape,or the interior ftrengths, or the degree, or quantity of innated matter , that created them ; for though every degree of innated matter, is of one and the fame ftrength, yet there are different degrees; but 9 nely two degrees are G 2 Subject : \ ij r :> 3 Conjun&ion of thofe dif- ferent moti- ons. Firft the earth bears Vegetables, andthe plants bear feed, and the feed, and earth bear Vegetables again. ( 3 6 ) fubjedt to our weak fenfe, as the innate minde, and the inna- ted body, which we call fenfe and reafon, which fenfe and reafon, may be in every thing, though after different man- ners, but we have confined fenfe, onely to animal kinde, and reafon onely to mankinde ; but if the innated matter is in the dull parts of matter, as the life of the body, then there is no part that hath not fenfe and reafon whether creating or created , dilfolving, or diffolved, though I will not lay that every creature enjoys life alike, lb every figure is not innated alike, for fome is weaker innated, and lome ftronger, either by quantity or degree, yet every figure is innated; for it is innated matter that creates, and dilfolves figures, yet the innated matter works according to the feveral degrees, and tempers, of the dull part of matter, and to luch properties, and figures, and figures properties, and proper figures, that is, motion doth form the onely matter, into figures, yet mofion can- not alter the Entity of only matter, but motion can, and doth alter the interior, and exterior figures, and though the fove- ral degrees of matter may be placed, and replaced in figures, yet the nature of the matter cannot be altered. Chap. 70. The creations of figures^ and difference ” of Motions. ZZT Hofe motions that are proper to create figures 3 are dif- ferent from thofe motions that dilfolve them, io that fympathetical internal motions , do not onely alfift one another , but Sympathetica! external Motions , and Sympathetical figures; this is the reafon that from two fi- gures, a third, , or more is created, by the way of procrea- tion; yet all figures are created, after one and the fame kinde of way ; yet not after one and the fame man- ner of way, -• ; n i . ijj'j ■... in 1 Chap. 71. 'The Agilenejje pjtm^ted Matter: XJ , _ . .. . fth.' C - 1 ! i ■ ' - I Nnated matter feems much nimbler- Lfome works, then in other , as making Elements, and their feveral changes, be- ing more porous then Animals, Vegetables, and Minerals, which are more contracted, and not fo eafily metamorphofed, and on the thin part of dull matter, they feem much nimbler, and agil, then when they work on .the. groffe part of dull matter; for though the innated matter caTwofk, but according to the ftrcngth , yet not aiwayes according to that ftrcngth 5 foT their burthens are not aiwayes equal to their ftrcngth ; foar we fee in light thin dull matter, thefi; motions to be mo#? fwift', having leffe incumbrances, and lighter burthens, unleffe it be opolcd, and flopped by the innated matter, that works;® the more foiid, or thicker part of dull matter , or, move folid and united figures, yet many times the innated. matter* that works Ort tlie thin part of dull matter, or in ( porous fi- gure, will make way through . folid: $nd ' thkt^pdies, and bate the power on thofe that worfipnf , more gmifjb^mMteri foFthetnriate matter tfiat worfe.ongrpue matter^ cannot re> fiftfo well, having greater burthens, nor a and not the knowledge that corrupts man-kinde; ■ : Chap. 73. Of repeating one and the fame work) and of varieties, N Ature may repeat one and the fame creature if fhc plea- feth, that is,the fame motions, on the fame matter,may create the fame creature, by reafon the fame motions, and the feme matter, is eternally in the body infinite; thus the Origi- nal caufe of producing . one and the fame is eternal, by reafon nothing in nature can be annihilated, and though the infinite matter is but one and the fame, yet the infinite part of innated matter, moves infinite feveral wayes, and by reafon of the diverfity of motion, there is fuch varietie , as feldom any two creatures are alike, for motion delights in variety, not fo much in the different kindes, as in the particular creatures, which makes me think that motion is bound by the nature of the matter , to make fuch kindes ; Although it be at liberty for particulars, and yet the feveral kindes may be as infinite as the particulars ; as for example, although motion is bound to Animal kinde, Vegetable kinde, Mineral kinde, and alfo to ’ r;-i. - * make ( 39 ) make fuch kinde of worlds as this is ; yet motion may make infinite particular worlds, as infinite particular Animals, Ve- getables, Minerals, and thofe infinite worlds may differ, as thole kindes of Creaturs ; for worlds may differ from other worlds, not onely as man from man, but as man from bead, beafts from birds, birds from fifh, and fo as Vegetables do 5 for an oak is not like' 1 a tulip, or rofes $ for trees are not like flowers, nor flowers like roots, nor roots like fruit, nor all flowers alike, nor all roots alike, nor all fruits alike, nor all trees, and the reft, andfo for Minerals; gold is not like lead, nor a diamond like a pibble ftone; fo there may be infinite worlds, and infinite variety of worlds, and be all of that kinde we call worlds, yet be nothing alike, but as different , as if it were of another kinde, and may be infinite feveral kinds of creatures, as feveral forts, that we can never imagine, nor gueffe at ; for we can gueffe, nor imagine at no other wayes, but what our fenfes brought in, or our imaginations raifed up, and though imaginations in nature may be infinite, and move in every particular brain after an infinite manner ; yet it is but finite in every particular figure, becaufe every particular fi- guse is finite, that is every particular figure comes by de- grees from creation to a full growth, from a full growth tfo a decay, from a decay to a difiolution; but not a Annihilation, for every particular figure lies in .the foody infinite, as well as every particular kinde ; for unleftg eternalmatter, and infinite matter, and eternal and infinite motions could be Annihilated, infinite figures wil eternally remain,althoughnot in their whole bulk, yet in their parted pieces; for though one and the fame matter may be made into other figures : yet the former fi- gures have as much a being as the prefent figures, by reafon the matter that was the caufe of thofe figures hath an eternal being, and as long as the caufe lafts, the effects cannot be Annihi- lated. , 1 Chap. 74. Of creation , and dijjolving of Nature. T He divifions, and fubftra&ions, joynings, and creations, are not alike, nor do they continue, and diffolve with the like meafures of time .; for feme Vegetables are old, and de- crepit at a day old, others are but in their prime after a hundred yeers, and fo home Animals, as flies and the like, are old and decrepit at ayeer old; others,, as man As but at his prime at twenty yeers , and will live a hundred yeers, if he be healthy and found; loin the Minerals, perchance lead, or tin, or the like, is but a flie, for continuance to gold, or like a flower to an oak, then it is probable, that the Sun and the reft of the Planets, Stars, and Millions more that we know not, may be at their full ftrength at ten hundred thoufand yeers, nay million of millions of yeers, which is nothing to eternity, \.f; V f. or tlnleffe a greater pow- er deftroy it before the natural time. ( 4 °) , * or perchance, as it is likely, other figures were at full ftrength when matter and motion created them, and fhall la ft until matter diffolves them. Again, it is to be obferved that all Spherical figures laft longeft,I think it is becaufe that figure hath no ends to ravel out at. Chap. 75. Of gold. COme fay that Gold is not to be altered from the figure that ^makes it gold, becaufe Chymifis have tried and cannot do it, but certainly that innated motion that joyns thofe pans, and fo made it in the figure of Minerals can difTolve thofe parts, and make it into fome figure elfe, to exprefTe an other thing ; but being a more folid part of dull matter then that which makes other minerals, it is longer a creating, and diffol- ving,then the other figures are, that are of a light or lofter fub- ftance, and may be the motions that make gold, are of flow- er nature , fo as it is caufedfrom thehardneffe of the mat- ter, or the flowneffe of the fpirit, caufed by the curiolity of the work, wherein they muft ufe more different motions then in other figures; fo as it may be a thoufand yeers uniting, or a thoufand yeers a difperfing, a thoufand, nay ten thoufand 5 for there is no account, nor time in nature infinite, and be- caufe we laft not fo long as to perceive it, fhall we fay that Gold was eternal, and fhall laft eternally; fo we may as well fay an Oak,that is a hundred yeers,ere it comes to full maturity, and a hundred yeers, ere it comes to be diffoved, that it was an Oak eternally, and fhall be fo eternally,becaufe a flower, is crea- ted, and diffolved in two or three dayes, but the folidity of the matter, and the curiofity in the feveral changes, and enter- changes of motions prolong the work, yet it is haftened, or re- tarded by the quantity of lpirits that work therein ; for when there is more, it is fooner formed, when lefs, longer ere it come to its figurative perfection. Chap. 7 6. Of Sympathies , and Antipathies, which is to agree , or dif agree, to joyn , or to crojj'e. T Here are infinite forts of figures, or Creatures, that have Sympathy, and infinite forts of figures, that have Antipa- thies, both by their exterior, and interior motions, and fome exterior Sympathie with fome interior, and fome interior with fome exteriors, and fome exterior with exteriors, and interi- ors with interiors, both in one and the fame figure, tfnd with one and the fame kinde, and with different kinds, and with feveral forts , which works various effeCfs ; and here I will treat a little of Vegetables, and Minerals with Antipathy, or Sympathies, with Animals of all Animals. Firft, man thinks himielfto have the Supreme knowledge, but he can but think fo. . ( 4 ! ) fo, for be doth not abfolutely know it, for thought is not an abfolute knowledge but a luppoficive knowledge, for there are as many feveral degrees of knowledge, as of innate matter which is infinite, and therefore not abfolute, and as much va- riety of knowledge, as there is of motions, and though all in- nated matter is knowing , yet all innated matter is not known; this makes figures to have of each others a fuppofitive, but not an abfolute knowledge ; thus infinite makes innated matter in fome kinde, aftranger to it felf, yet being know- ing , although not known, it makes an acquaintance with parts of it felf, and being various by interchanging motions* it alfo lofeth acquaintance; the acquaintance we call learning, invention, experience, or memory, the unknown, or not ac- quainted we call dupidity, ignorance, forgetfulneffe, illiterate, but by the acquaintance of experience, we come to findethe ufe of many things, and by the ufe we come to learn, and from our learning we come to pra&ife, and by our pradtife we come to produce many effects, from the hidden and mydical caufes, which are the effects, from theonely caufe which is the onely matter, thus we come to finde the ufe of Earth, Water, Air, and Fire, Vegetables, Minerals, and fo A- nimal with Animal,and we do not onely get new acquaintance; which is new experience, but we make ule of our acquaintance to our own benefit, or at leaft we ltrive to do fo ; for it is the nature of life, which life is innated matter, to drive for pre- heminency, and abfolute power, that is, onely matter would rule it felf, but beinginfinite it neither abfolutely knows it felf, nor can abfolutely rule or govern it felf, and though it be an endleffe work, yet motion which is the moving part of na- ture, cannot defid, becaufe it is infinite, and eternal, thus mo- ving matter running perpetually towards abfolute power, makes a perpetual war , tor infinite, and onely matter is al- wayes at drife for abfolute power, for matter would have power over infinite, and infinite would have over matter, and eternity would have power over both. Thus infinit and eternal matter joyned all, as to one is alwayes at drife in it felf, yet the war is regular, not confufed ; For there this is a natural order, and difeipline is in nature as much as cruel Tyrannie ; for there is a na- tural! order, and difeipline often-times in cruel Ty- ranny, // : vj2l ‘1. Life is in eve- ry thing. It is bnt one thing,but three words. H Chap. 77. Of different knowledge in different figures. C Ertainly there are infinite feveral kindes, as well as in- finite feveral f^rts, and particular creatures in nature, and certainly every feveral kinde, nay, every feveral fort in every kinde. Knowledge works after a different manner; in every different figure, which different manners we call particular knowledges which works according to the figure, fo infinite knowledge lies in infinite figure, and infinite figure in infinite matter, and as there are infinite degrees of matter, fo there are infinite degrees of knowledge, and as there are infinite de- grees of knowledge, fo there are infinite degrees of motions, to there are infinite degrees of figures, and as there are infi- nite degrees, fo there are infinite kinds, and as there are infinite kindes, fo there are infinite forts, and fo infinite particulars in every fort, yet no kinde can be faid to have moft, or leaft, though leffe or more ; for there is no fuch thing, as moft or leaft in nature. For as I faid before, there isone- ly different knowledge belonging to every kinde, as to Ani- mal kinde, Vegetable kinde. Mineral kinde ; and infinite more which we are not capable to know, but two particular forts in every kinde ; as for example, Man may have a different knowledge from beafts, birds, fifh, worms, and the like, and yet be no wifer, or knowing then they ; For different wayes in knowledge makes not knowledge more or leffe, no more then different paths inlarge one compaffe of ground; nor no more then feveral words for one and the fame thing, for the thing is the fame,onely the words differ ; fo if a man hath different knowledge from a fifh, yet the fifh may be as knowing as man, but man hath not a fifties knowledge, nor a fifh a mans knowledge. Likewifefome creatures may have more, and fome lelfe knowledge then others; yet none can be faid to have moft, or leaft; for there is no fiich thing as moft or leaft in na- ture, nor doth the weakneffe, or imperfe&ion in particular That is to creatures impaire the knowledge of the kinde, or impair the weaken the < knowledge as I may fay, belonging to any particular fort. nor can any one have fuch a fupremacy of knowledge as to add to the knowledge of the kinde, or fort of kinde, as to have fuch a knowledge as is above the capacity of that kinde, or fort to underftand. As for example, a man to know more then the nature of man is to know; for what knowledge man hath had, or can have, is in the capacity of the kinde, though not to every particular man, for though nature may work with- in her felf ; yet fhe cannot work beyond her felf, and if there be mixe forts of creatures, as partly man, and partly beaft, partly man, and partly fifh, or partly beaft, and partly fiih. C43) and partly fifh, and partly foul 3 yet although they are mixt creatures, and may have mixt knowledges, yet they are par- ticular forts, and different knowledges, belonging to tnofe forts, and though different forts have different knowledges, yet the kinde may be of one and the fame degree 3 that is* every feveral fort of creatures, in one and the fame kinde, is as knowing and as wife, as another, and that which makes fome creatures feem leffe perfect then others, or more know- ing then others, is the advantage, or difadvantage of their fhape, which gives one creature power over another 3 but different Knowledg in different creatures takes advantages by turns according as it turns to it. And as there is diffe- rent Knowledge, and different Kinds, and feveral forts, fo there is different Knowledge in different fenfes, in one and the fame creature 3 for what man hath feen the interior biting mo- tion of Gold, and burning motions of heat ? yet feels them we may imagine by the touch, the interior nature of fire to be compofed of {harp points, yet our fight hath no Knowledge thereof, fo our fight hath the Knowledge of light 3 but the reft of our fenfes are utterly ignorant thereof 3 our ears have the Knowledge of found, but our eyes are ignorant of the Knowledge thereof 3 thus, though our ears may be as Know- ing as our eyes, and our eyes as Knowing as our ears, yet they may be ignorant of each other, I fay Knowledge, for fenfe is Knowledg, as well as reafon, onely reafon is a degree above fenfe, or fenfe, a degree beneath reafon. Chap, 78. The advantages of fome figures , fome de- grees of matter , and motions , over others. I F we do but ftricktly prie into the works of nature, we fhall obferve, that all internal motions, are much after the manner of external motions, 1 mean thofe motions that we can perceive, by thofe effe&s, as are fubjedt to our fenfes,and although forthemoft part the ftrongeft motions govern the weakeft, yet it is not alwayes found that they conquer the weaker 3 for there are infinite flights, or infinite advantages to be taken, or mift in infinite nature, fome by the lhapes of their figures, and fome in the degrees of matter, and fome in the manner of moving 3 for flights are juft like the actions of Juglers, Vauters, or Tumblers, Wraftlers, or the like; for fhapes I will give one or two for example, as a little Moufe which is but a weak creature, in comparifon to an Ele- phant, yet the fmall Moufe fhall overcome an Elephant, by running up through the fnout, and fo get into the head, and fo gnaw on his*brain 3 And a Worm is a weak creature in com- parifon of a man, yet if he get into the guts, it will gnaw out his bowels, and deftroy that figure. So for degrees of matter, what advantage hath the innated matter, or the dull H 2 part C44} part of matter, and for motions, moft often the nimbler, and agile motions, get an advantage on the ftronger, if more {lower, and oftener by the manner of motions; for many times a diving motion will have the better ofaiwim- ming motion, a jumping motion of a running motion, a cree- ping or crawling motion , of either, a darting motion of a flying motion, acroffe motion of a ftraight motion, a tur- ning motion of a lifting motion, fo an Attra&ive motion of an expulfive motion, and infinite the like, and every motion may have their advantages by turns, and then the advantages of place, and of times, as I may call it, for diftindtion lake,fome Creatures will fupprelfe other creatures in the night, when the fuppreffers dare not appear to the lupprffed in the light, a great Army {hall be deftroyed by a little Army, by handing in a lower patch of ground, oft by fighting at fuch a time of the day , when the fun fhines on their faces, but it would be too long for CMethuf diems life, to let down ex- amples, being infinite, but this {hall ferve to expreffe my opinions. Chap. 79. Of the figurative fgures. M Oft figures are lined, and enterlined, ^s I may fay, for expreffion fake, fome figures are like a fet, or neft Of boxes, as for example, half a dozen boxes one within a- nother, fo every of thole figures hath the fame figure, within one another, the outermoft figure being the largeft, the in- moft figure the leaft; as for example, a man builds a houfe, firft he builds the figure of that houfe with wood, as beams, and rafters and lathes ; next he laies morter, then is the fi- gure of that houfe in morter, then he laies bricks or ftones, then there is the figure of the houfe in done, and brick, then it is plaiftered within the infide, then there is the figure of the houfe in plaifter, if it be painted, then there is figure of the houfe ill painting; fo likewifean Animal, as a man, firft there is the figure of a man in bones, as we may fee in a Anatomie, then there is the figure of a man in flefh;thirdly there is the figure of a man in the skin, then there are many, different figures, belonging to one and the fame figure, as every feveral part of an Animal is of a different figure, and every part hath different figures belonging thereunto ; as man for example, to the hand there is the palm, the back, the fingers, the nailes, yet all makes but one hand. So the head, there is the brain,the pia mater, the dura mater, the fcul, the nofe, the eyes, the fore-head, the ears, the mouth, the lips, the tongue, the chin, yet all this is but a head; like- wile the head, the neck, the bred, the arms, the hinds, the back, the hips, the bowels, the thighes, the legs, the feet; befides, the bones, the nerves, the mufcles, the veins, the arteries, the heart, the liver, the lights, the midrif, the bladder, thekidnies, the guts 3 the ftomacke, the train , the marrow, the blood, the flefh, the skin* yet all thefe different figurative parts make but the figure of one irfan. So for ^Vegetables, the root, the fap,the peath, the bole, the bark, the branches, n^ke but . the figure of one tree } like wife every figure is intellect nature of a- ny other creature in nature. But I defire my readers not to miftake me, for want of terms, and words of Art. For the interior or intellect nature I mean is fuch properties, difpofition , conftitution. Capacity, and the like; that makes it luch a creature. , 1 . , \ • The interior form is fuch a fubftance, and fuch a fort as flefh, or fffh, or wood, or metal, and not onely fo, but fuch a fort of flefh, as mans-flefh, horfe-flefh, dogs-flefh, and the like. So the wood of oak, the wood of maple, the wood of afh; And the like, fo the gold metal, the iron metal, and the like. For horfe-flefh is not mans-flefh, nor the wood of oak, the wood of afh, nor the metal of gold, the metal of iron. And as for the exterior form, I mean the outward fhape. ■«?> \ M I Chap. And then it is called a new creature ra- ther then a metamerpho fed creature J &c» " * ( 5 °) Chap. 85. The Metamorfbofing of the exterior forms y of fome figures. A LL figures that are of a united piece, as water and- fire are, and not in parts, as not having 1 feveral parts or different natures, as Animals and Vegetables have, may be Metamorphofed out of one form into another, and rechange into the original form again, yet it is onely their exterior form, not their interior nature. As for example, water that Which circular 1S ^ r0zen 3 or turned to hail, or fnow, the exterior is onely me- lines ljbai ex- tamorphofed jFor the interior nature which is the circular line pretfe hereof- is unaltered, likewife when the circular line is extenuated into air, the" interior circle lise is not changed^ but when the inte- rior nature is diflolved, and the matter it was compoled of tranfmigrates into other figures. Likewife metals when the interior nature is changed,it can- not be rechanged again without a new creation; for if we can turn onemetal into another, yet xt is not as the way of metamor- phofing, but tranfmigrating, otherwayes we may lay, we can turn Animals and Vegetables into water, when we didil them, but the magick of Chymiftry fhall nor return them to their in- terior nature, nor exterior fhape. Again, although their defires make them beleeveit poflible to be done, but fubftra&ing > .e is not metamorphofing, but rather tranfmigrating, and fub- dra&ingis one of the chiefed faculties of tranfmigration. And as for thofe creatures that are compofed of parts of different natures (as I have faid) their exterior form cannot be metamorphofe d,becaufe thofe motions that metamorphofe one part, cannot meta^Srpiofe another. And though every part is different, yet they generally unite to the confidence of the whole figure, whereby the feveral tranf- forming motions on the feveral parts would make fuch a con- fufion, as upon neceifity mull diffolve the intellect nature, and interior form of that particular figure, thus driving to alter would deftroy. AN (50 AN EPISTLE TO THE $ Unbeleeving Readers IN NATURAL PHILOSOPHY. Any fay that in natural Philofophy, nothing is to be known, notthecaufe of any one thing, which I cannot per- fwade my felfis truth * for ii we know effe&s, we mufl: needs know {ome caufes, by reafon that effe&s are the caufes of effecta 5 and if we can knowbut one efFe&,it is an hun- dred to one, but we fhall know how to produce moreeffe&s thereby. Secondly, the natural Philofophy isanendlefs ftudy without any profitable advantage j but I ryiay anfwer, that there is no Art nor Science, but is produced thereby, if they will Without parti- ality confider from whence they are derived. Thirdly, that it is impofiible that anything fhould be known in natural Philofophy , by reafon it is obfeure and hid from the knowledge of man-kinde* : r ; I2 I * X X - (50 I anfwer, that it is impoffible that nature fhould perfe&ly underftand, and ablolutly know her felf, becaufe the is infinite, much lefle can any of her works know her. Yet it doth not follow, that nothing can be known, becaufe all is not known. As for example, there are feveral parts of the world difcovered,yet it is moft likely not all, nor may be never fhall be, yet moft think that the whole world is found, becaufe Drahg, and Cavendijb went in a circular line until they came to the place where they fet out at firft. And I am moft confident that moft of all thought alLthe world was known unto them before the Weffilndies were difcovered,and the man which difeoveredit in his brain befoie he had tra- velled on the navigable fea, and offered it to King Henry the feventh, who flighted him as a foolifh fellow, not beleeving his intelligence, and no quefti- on there were many that laughed at him, as a vain fool, others pitied him, as thinking him mad, and others fcorned him, as a cheating fellow, which would have couzened the King of England of a fum of money; but the Queen of Portugal being wifer then^reft impjoyed him, and adventured a great fuifime of money to fet him forth on his way, which when the fuccefle was according to the mans Genius brain, and had brought the Queen by the difeovery, gold and filver mines for her Coine, then all other nations envied the King of Spain who was heir, and like a company of dogs which fight for a bone, went together by the ears, tobefharers with him. So the Bifhop,who declared his opinion, of the An- tipodes, was not onely cryeddown, and exclaimed againftby the vulgar which hates all ingenuity, but learned Scholers ftood up againft him, and the great and grave Magiftrates condemned him as an Atheift for that opinion, and for that reafon put him from his Bifhoprick, and though he had favour to fpare his ( 53 ) his life, which opinion hath fince been found out by Navigators, but the ignorant 8c unpra&ifed brains, think all impoffible that is unknown unto them. But put the cafe many went about to finde that which can never be found (as. they (aid natu- ral Philofophy is)yet they might finde in the fearch that they did not expe&, which might prove very beneficial to them; or put the cafe ten thoufand fiiould go ten thoufand wayes tofeek for a cabinet of precious Jewels, and all fhould miffeofitbut one, (hall that one befcorned and laughed at for his good fortune, or in duftry? this were agreatin- juftice. But ignorance and envy ftrives to take off the glofie of truth, if they cannot wholy overthrow it ; and thofe that write muff arm themfelves with negligence againfi: cenfure* For my part I do, for I verily beleeve, that ig- norance and prefent envie will flight my book $ yet I make no queftion, when envy is worn out by time, but undemanding will remember me in after ages, when I am changed from this life • but I had rather live in a general remembrance, then in a particular life. \ Earth / V / ^ 5 • Cl T v 77 ' •• ; i!o * ■ - mow r i \y. - ’ ' 3fn / / - *ud : cii!si.ri ■ m mm wofiB M : f ( 55 ) Earth Metamorphofed into water , water Me - tamorphofed to vapor , andfire y at leaft into heat . CHAP. 86. s Otion forms a round lump of earthy orfuch like matter, by extenuating fwels it out, and as the fwelling increafes, the circumferent en- largeth, and when its extended further then this folid format becomes pores, and the parts looler. This degree of extenuation, makes it mud, when it extends further then the degree of mud, it turns to a fofter form, as that of {lime j the fourth extenuating degree fhapes it into a perfect ring drawing all the looie parts into a compaffe line, this becomes water, and the difference of a lump, or ball of earth to the watry circle, for a round lump is when there is nofpace, or diftind lines, and a circular ring is a diftindt line with a hollow center, that is, an empty place, in the midftofa round line, fo they may be a round ball, but not a ring, or a round circle line, and a circle line and not a ball, and as I faid, when it comes tofuch a degree, of extenuating, it turns water, that is, to be wet, liquid and fluid, and according as the circles are, is the water more or leffe, and according as the. lines are extenuated, or contra&ed, is the water thicker or thinner, colder or hotter, heavier or lighter, and according as the litjfes are round, or flat-edge, pointed, or fmooth, is the water frdft, fharp, fait, or bitter, but thefe circles may not onely dilate,' and contract feveral wayes, but after feveral fafhions, as to makewapor, air, fire, fnow, hail, ice, and froft, as I {flail de- clare in my following chapters. Chap. (SO Chap. 87. Of vpetnefje. W E may perceive that whatfoever is hot and dry, and cold and dry, (brinks inward as towards the center, and whatsoever is hot and moift, and cold and moift, dilates as towards the circumference, fo that all moifture is wrought by extenuating motions, and drought, by contracting motions, and not onely extenuating motions, but fuch forts of extenu- ating motions,and drought by contracting motions,and notonely extenuating motions, but fuch f orts of extenuating motions as iri circular figures, which circular figures make water, fo foft, fmooth, and bowing, fmooth, becaufe circular; for Circles make it fmooth, the figures having no end extenuating makes it ioftby fpreading and loofing the parts, as flowing by rea- fon dilations drive all outward as toward the circumference yet the degree of extenuating may out-run the degree of wet ; for wet is in fuch a degree of extenuating circles as X may fay, the middle degree, yet there are many forts of wet, as oylie,wet, and watry; but I have defcribed that in my chapter of oyl, but I take oyl rather to be liquid and moift, then wet ; For there is difference betwixt moift, liquid, and vy.et, for though moift and liquid is in a degree of wet, yet it is not an ablolute wet, for diffolved gums are liquid, not wet, melted Sugers are liquid, not wet, oyl is more liquid then wet, and fmoakmay be faid to be liquid, as being of an oyly nature, and air rather to be moift then wet, and duft, Afhes, flame, light, winde, may be faid to be fluid, but not liquid nor wet. Chap. 88. Of Circles. A Circle is a round figure without ends, having a circum- ference, and a center , and the figure of a circle, may be many wayes contracted, but can be but in one way extenua- ted, which is by inlarging the compaffe, of the line; and the reafon is, becaufe it is a round piece, without ends ; for a ftraight line may be drawn out at either end ; but if a circle be drawn out of the compaffe, it may ftretch out of the one fide, but it will pull in the other fide after it, unleffe the line be broke, and then it is no longer a circle , thus we can extend no part out, but another part muft contra# to give way to that part that goeth out. Chap. ( 57 ) Chap. 89. Of Soft nefje. A LL that is wett is foft, I mean that which is naturally wet- but all that is loft is not wet, as hair, wool, feathers, and the like. Likewife all that is foft or wet is made by extenuating motions $ now fome may ask me, why extenuating motions fhould caufe figures to be foft, more then any other i I an- fwcr, firft, that all extentions caufeth poroufnefle, or fpungi- nefle, by ipreading orloofing parts, and all that are po- rous tend to hollo wne fie, and all that is hollow tends to flacknefie, and all that are porous hollow, and flack tend to foftnefle 3 for we may perceive whatloever figure is porous, is not fo firm, ftrong, nor hard, as thofe which are clofe compact 3 for that which hath no Vacuum, or Conveni- ent diftance, hath not fo much Liberty, as that which hath Va- cuum ; for Vacuum is fpace and difiance betwixt parts, which gives thofe parts liberty to move, and remove, and that which hath mo ft liberty is moft loofe, and that ^which ismoftloofe is leaft contracted, and that which is leaft contracted, is moft pliant, and that which is moft pliant is foft. But I defire my Readers would not miftake me, for as there is hard,foft, light, heavy, thick, thin, quick, flow, belonging to the nature of the onely infinite matter, fo there are belonging to fuch lhapes, or figures made by the working of the infinite moti- ons making infinite figures out of infinite matter j but the dif- ference is , that what is in the nature cannot be altered, but what is done by the working of motions may be undone again, for the etfeds may alter, but not the caufe $ thus motion and figure, or figure by motion may altej, but not the nature of the matter ; For motion and figure are but the effeCfs of the onely and infinite matter &c. Chap. 90. Of Liquors. A LL liquors are wrought by extenuating motions, and all that is liquid and wet, are circles extenuated to fuch a degree, and after fuch a manner , and all that are liquid and wet, is either water or of the nature of water, as alfo of oyls, vitrals, ftrong-waters, all juices from fruits, herbs, or the like, or any thing that is liquid and wet } but though all that is liquid and wet naturally agree in extenuating circles, yet thier circle lines are different, which caufeth the different effeCls, for fome have different effeCts interiorly, others exteriorly, and fome both interiorly, and exteriorly, for fome have cir- cular lines of points, others have circular lines pointed, others have circular lines of points pointed, others have circular lines of points edged, fome have fmooth circle lines onely edgedjas tfie fharpedge of a knife, or the like, others have circle lines . K edged I mean natu- ral extenua- tions. A% the pores of cheskin. Oyl, hot-wa- ters, wine. Ti- trate, aquafor- tis. ( 5 §) edged of one fide of the line, and pointed on the other fide, feme their circle lines are Hat, others their circle lines are round, fome their circle lines are twitted, others plain , fome checkred, others fmooth, fome more fharpe-edged, or poin- ted then other; fome fmoother,and fome rougher then other ; And infinite more that I know not how to describe ; But thele lines, nor circle points, nor edges, are not fubjeClto ourfen- fes, although their effects may make them fubjeCt to our $ea- fon, for nature works beyond our fenfe, but reafon is part of thefenfeof nature; but of all wet liquors oyl is moft diffe- rent from the effects of water, for all other wet liquors do ftrive to quench fire, but oyl doth attift it, yet all vitrals have an exterior burning faculty, which oyl hath not, and although all ftrong wet liquors will flame when it is let on fire, yet they will quench out fire, if enough be caft thereon. Chap. pi. The extention and contraction of circles. T He nature of extention ftrives to get ground, that is, fpace, or compaffe, and to difperfe, or level parts as it were, and the nature of contraction ftrives to thruft out fpace and compaffe, and to thruft up parts clofe together , and this is the reafon that a circle may contract fo many feveral wayes, becaufe contraction flings out the compaffe, and makes ufe of the line, laying the line into millions of feveral works. And yet the exterior form which is the circular line, be one and the fame, that is, the circular line is not divided, but when thofe works are undone, and the line extended to the full compaffe, it receives the original form, which is a round circle ; for as they were contracted without breaking the circle, fo they may be extended into a circle again. Likewife the circular forms may be wrought with mixt mo- tions, as partly by contraction, and partly by extenuation, as when a round circle is wound about a ftaff,or pole, or the like ; for though the winding about the ftaff be a contracting motion, or at leaft one way, which is when it draws inward, as towards the center, yet by winding it length- way es, or upward, is a kincle of an extenuation. Likewife,a circle or fmoak when it curls in rings, before the circle break, as we fhall oft times fee it doth contract, as folding and half curling, fo it extenuates as it fpreadsand weares out. Likewife take a round firing, that is, joyn the two ends, and put this circular firing double, and then winde it ferpentine wayes, and the like, and though the winding, or twitting about is contracting, yet winding or twitting one ring betore another is extenuating. Here have I fet down after what manner of wayes are con- tracted, or continuated circles, and thus millions of feveral works ( 59 ) works may by circles be wrought, and feveral figures made thereof; Like wife for circular lines, fome may be broad, fome narrow, fome rouud, fome flat, fome edged, fome twifted, but thofe that are flat are moft apt to be edged. Likewile there may be circle lines with fmooth lines, fome pointed, fome checkred, fome twifted, fome braided, and the like. But although the circle compaffe is perfect, yet the line is not a perfect Circular compaffe, becaufe the roughneffe makes it uneven. Thus as 1 have faid before , milions of changes may be in circles, but perchance fome will fay, it is no longer a cir- cle, when it is turned fquare, or triangular-wayes , or the like. I anfwer, it is a circle fquared, but not a circle broke, for as long as the circle is whole, the interior nature is not diffolved, let the exterior figure be after what manner it will or can; for ft ill it is a natural circle, although it be put into a Mathematical - fquare, or the like; fo thofe exterior figures, are but chan- ged fhapes, not the natural form, but a natural fquare is to have four diftinCt lines, and a triangle three diftinCt lines, and a cupe fix, as I take it, or fixteen ; but it is to be obferved, that all thofe figures that naturally are made of one piece, without diftinCt parts, or feveral tempered matter,may change,and re- change their fhapes, and yet keep their own interiour nature intire, that is the nature proper to fuch a figure ; but thofe figures that are made ol many diftinCt parts, or feveral tem- pered matter, would make fuch a confufion in their transfor- mations, as would ruin the intire foundations. Chap. 92. Of congealed water. W Ater is not alwayes exteriorly wet, or fluid, as we may fee alwayes when it is congealed to fnow, ice,and hail, yet ft ill it is water, keeping the interior nature of being wet and fluid, onely the cold contractions have, as may fay, altered the face or countenance thereof ; for it is to be obfer- ved, as there are extenuating motions, thrufting and ftretching, inlarging further and wider out in compaffe, bredth, length, and depth, as from the center to the circumference, fo there are contracting motions together, draw winde, twift and pull in, as from the circumference to the center, and not onely by interior motions, but exterior motions; as for example, cold contraction upon water circles, or any thing that is poroUs and fpungie, draws, and gathers them into feveral works, or draws them into a leffe compaffe, as firings do a purfe, or likefifhers or faulkners nets. . ■ But fnow, hail, and froft, and ice is made .by a level con- tract ion, as if a Circular line fhould belaid upon a flat .ground, and be drawn a particular work, as for example,, according Ka to to the number of watry circles, there is fueh a quantity of water, and if the quantity of water be more then the ftrength of the cold contraction, it is frozen more or Idle, now the feveral- figures which cold contraction draws to make fnow, hail, ice, and froft, are after this manner, as firft the interior nature of the water is a round circle like a ring. When it contracts into hail, the exterior figure contracts into a ball, or lump, as if one fhould winde up a double line, or thread into a bundle, or bottom. Snow is made by contraction, as if one fhould draw a round line into a three fquare figure, as triangular way. Ice, as if we fhould draw a round line into a four lquare fi- gure, as after a cupe way. Froft is made by fuch contracting motions, as if a round line fhould be drawn into a furfling, as a crackling figure. When this congealed cold thaws, it is either by the inte- rior ftrength of dilating motions, or by an exterior heat that draws thefe contractions out into fmooth extenuating circles' again. Thus circular lines may be drawn from the round compaffe, to be four fquare, three lquare, or length-way es , as one would clap the brim of ones hat together $ and millions of feveral works, and never divide the circular lines, but I will not fay by a M^thematicall rule, though nature is beyond our learning. And that which makes ice and hail more fhining then froft, and fnow, is, that the lines are evener • for all figures that are compofed by the way of lines, are apt tofhine, and thofe figures that have feweft points, or ends are imoo- theft. Now fome may fay, or ask,why I fhould think (how is made triangular waycs ? My reaion is, becaufe it feems rougher, and not fb united as ice, or hail, which fhews the interior figure hath more points, or unevener numbers, or unequal lines, and a triangular figure is not fo fmooth, or at leaft feems not fo,as a circular, a paralel, or cupe $ for in the angulars the points an,d lines are odd, and the lines run flope-wayes, whereas c the figure of a cupe, although it hath more points, yet the figure is more proportionable, by the even number of the points and lines 5 lor as there are four points, fo there are four equal Tines, which make an equal number, when in the figure Of a triangular The points and lines are odd j for though there are a plural' number, yet it is an uneven number, as being odd. And as I have f aid, the lines are Hope when the figure Of a cupe is juft fquare, befides triangular points be- ing odd, multiplie and fubftract by reflections, aswefhall fee by triangular glades, that from one face millions are made % thbdiyi^ings. Thus what is made uneven by odd numbers, arfimade even by equal numbers, and the odd points, * ‘ c and (60 and (lope lines, make the figure of fnow rough, and Une- qual points, and ftraight lines make the figure of ice Smooth, but I treat here of exterior figures, of rather countenances^ not of the interior form, for their contractions change the exteriors, not the interiors. : ^ But if 1 be out, and miftake, either in termes of art, or o- therwife, I muft intreat my readers to pardon it, for I am no Mathematician, onely I have gathered here and there fome little parcels or crums from the difcourfe of my friends, for I have not much kept the company of ftrangers, nor converfed with dead Authors by books, but thefe parcels I have got, ! place according to my own fancy, if they found probably, 1 have my ends, and the lines of my defires are pointed with 5 % fatisfaCtion. Chap. 93. Motion changing the figure frotn wa- ter to fire. \/V Hen thefe watry circle lines begin to in large, they ▼ V grow fmaller, and thereby become leife wet, and more thinne , as vapor which is lefle wet then water, and not fo grofle , for as I laid before, when the circle comes in fuch a degree of extenuating, it becomes wet, and beyond fuch a degree, it becomes lefle wet 5 and fo lefle and lefle, as be- fore it came to fuch a degree, it became more and more wet, as from being pores to foft, from foft to liquid, from liquid From earth to wet, likewile from wet to moift, from moift to thin, which to water, thin is air. But when the extenuating lines come to fuch a degree of ( fmalnefle, as to cut, as a very final line will do, which is to fuch a degree, as to be (harp as an edge, it makes it in a degree towards burning fire, fo far as to become lulphury hot, as we know by the fenfe of feeling, we finde the' air to be hot. This fort of air which is made of watry circles, is like feething hot. t water, for it is a moift heat, and not like the natural air, for. this is but a Metamorpholed air, for the interior nature q£ ^ water is undiffolved, onely the exterior is altered, the lines;, being become fmall and edged, by the fair extenuations, but i when thofe circles extenuate fmaller then the quantity of matter < will afford to give a compaffe, it breaks, and turns to hot burn-, ing fire , for the extenuating motions therein ceafing not, <&f ( ftretch thofe lines fo final, as they fall into pointed parts, this alters the interior nature from being water, to burning fire,fof the interior nature of water is the circle line, but if ISfe lines be drawn by contracting motions into bigger lines, and leife circles, it becomes from thin hot air to vapor, or miffs, and from vapor to water, and fo from water to ffirfie, from flime to mud, from mud to earth, as it did eXteguate, fo ft contraCts,if nothing hinders the fame 5 for contraction draws in *Asthns (62) in the lines to fuch a bignefle, like as a fmaller thred to a big- ger three!, fo from the thinneft air to the thickeft air, from groffe air to the thin vapor, 'from thin vapor to thick vapor, fromthick vapor to water to ftlme,fromflime to mud 3 from mud to earthjbut according as the contracting and dilating motions are quick, or flow,it is fooner or longer turning out of one fhape into another, and if any of the circular lines break by other motions or figures before it corns to the furtheft extention, the quantity becomes leffe wafting that matter into figures of other natures, being diffolved from that natural figure; thus that ball, or lump may be diffolved, like as Animals, or the like; For no queftion thefe balls are created and diffolved as Animal kinde, and are as numerous as other creatures, and fome lafting longer then others, and fome diffolving fooner; though their creations are different, one being produced by procreation, the other by extenuation; thus thefe elements are increafeable, and decreafeable , and other creature are ; and when the interior nature is altered, it diffolves as other creatures do, onely the exterior with the interior diffolves, which moft of other creatures do not, for when the interi- or is altered in Animals, the exterior is perfect , and diffolves more by degrees. Chap. 94 . Of 0)1, O Y L is partly of the nature of fire, and par tly of the na- ture of water; for as it is fofr, fluid, liquid, andmoift, it is of the nature of water; as it is hot burning and fiamable, it is of the nature of fire, for that which makes it Audi and j liquid, is by extenuations, and that which makes it moift and liquid is by extenuating circles, and that which makes it burning, is, thatthofe circular lines are compofed of pointed parts, which when fire and oyl meets, the Are breaking thofe lines a funder, fets thofe pointed parts at liberty, which caufeth it fo rife in a flame, and the realon why it flames, is, that it doth not fuddenly lofe the circular extenuating nature; for flame is fomewhat of the nature of water, as being fluid, though not wet, and the reafon why flame is fluid, is, becaufe it afeerids in a circular motion, for though the afeent be in a ftridt parrelled line, yet the matter is after a circular figure, as a hollow fpungy body, as after this manner or the like, which fhuts up- ward, like an arrow out of a bow, onely imagining the arrow to be in ferpentine * fhape, and to turn and (pin about as it af- cends, likewife the body to extend for fpread outward, accor- ding to the bulk or quantity, which feveral figures, or feveral motions, may be all at one time, and in one and the fame thing, and work to one and the fame effect, and to feveral ef- fects at the fame time , which caufeth it to be fluid, liquid, and light, for light as well as oyl, water, or flame, is fluid, caufed ( «*' c ( 6 5 ) by extenuating motions, for as water will run forward when it hath liberty, or run backward in a torrent when it is ftopt, fo light will enter when it hath paflage, or run back by re- flection it it be ftopt, but all thofe fluidities are different by reaton their extenuations are different ; For light is cauled by fwift extenuating paralel lines ; water, oyl, and the like by extenuating circular lines, which make it moift, and liquid, as well as fluid, but flame takes part from all, for it is light and fluid -by the fwift extenuating parallel lines, it afcendsin, f and liquid, although not wet, by the circular motions it af- cends up in, and burning by the fharp parts it is compofed of; vitjal is after the fame nature of oyl, onely the lines are or rather like ‘ edged , as a knife, or the like, or fharp edged tools, which flarne * make it have an exterior prefling quality, as burning fire hath 5 but the exterior ofoylie lines are fmooth, which makes it foft, and glib, and not fo fharp and penetrating as vitrals, or the like are. Thus flame, light, oyl, fire vitrals,waters, have mixt motions, to make one figure, and many figures, to make thofe figures which make them to be of mixt qualities producing mixt ef- fects, as indeed all effects are of a mixt nature. Chap. 9 5. Of Metals* A LL Metals are created after the manner of circle lines, as water,onely the lines in metal are cpntraCted, as draw- ing inwards, and water circle lines are Extended outward, but in aii metals the circle lines are flat, and edged, having a cutting and afubdividing nature, and by reafon theexteri- our nature is of a circle figure , it is apt to be fluid , and to flow as water doth, when the exterior is melted by forcible motions, then it is one, as that of fire, which draws out the contracted circles of metals, caufing it to be fluid by exten- tion, yet the extention is not natural, as it is in water, but for- ced by an over-powerful motion ; for the nature of metal is not to be fluid, which is the reafon that affoon as it can get libertie, that is, when the moer ftrong motions let- go their hold, it contracts into a firm and hard body : again, it breaks ®ai creature not the interior circle, for then the nature alters, for as much ^“Jdand as metals lofeth in the weight , fo much is changed of that dragged^: quantity, from the natural quality, and though fome metals of ns natural do not, waft in quantity, which is to change in quality, fo loon gar ’ as others, yet they are all diflolvable, although fome fay gold is not diflolvable; but fure that opinion proceeds from impa- tience in man-kinde, not to ftay the time, or rather for want of longer time of life, having not fo lafting a life, as to ob- ferve the alteration, as the diflolution of gold, or perhaps they have not the right wayes todiflolve it; for certainly it is as all other figures are, diflolvable, and not fixt everlaft- As ifan Ani I mean here the exterior nature not the interior nature. ( 66 ) ingly in one body, Chymifts make gold as agpd, unaltera- ble. Chap. 96. Of the Load-jlove. M E thinks ’tis ftrange, that men fhould wonder more at the nature of the Load-ftone in attracting iron, and in the norths attracting o f the needle touched with the Load- ftone, then at the funs attracting of vapor. But fome will fay, that it is the nature of fluiditie, of which nature vapor is one, to move with facility, and not the na- ture of folidity, of which nature iron is one, which is heavy and flow j but I fay, if the attracting motion in one body be ftronger then the contracting, and retentive motions in the o- ther body, and thofe figures motions work with, be advantagi- ous; I lee no reafon but a fluid body may attract a folid body; For it is not the fubftance of the body that works, or produ- ceth effeCts, but the agility, fubtility, or ftrength of motion, and advantage of the fhape, fo that the working power is more in motion and figure, then meerly the matter 5 as for example, doth not experience prove that fluid, vitral, will work through folid metal, the reafon is, becaufe the expul- five motions in the vitral and fharp points, are ftronger then the contracting motions, in the metal and blunt edges : but lome wiil ask me, why the Load-ftone attracts oncly iron? fuch a queftion I ask,why beauty fhould forcibly attract the eye? they will anfwer byfympathy; and I have heard, that it was the opinion of learned men, that iympathy had the fame effeCt, betwixt the Load-ftone and iron, but X think it not fo much in fympathy, aslupremacy. Befides, it is the nature of contracting motions, of which the Load-ftone is ftrongly inhabited withal, to work on that which is without it, as from it, not within it, or as it were upon it, which no other vifible kinde of motion doth. And certainly the Load-ftone is compofed of fharp figures, yet not of fuch lorts as heats or burns, and thofe figures do iffue out as beams do from the fun: and as they draw the iron, they back return, and as the bright beams iffue from the fun, do neither weaken nor leften it, fo the vifible beams that iffue out of the Load-ftone, neither make it Idler or weaker ; yet the beams of the Load-ftone, do as the fun beams, the farther they fpread out, the Idle ftrength they have to draw 5 Befides, if other motions which oppofe , and are ftronger then the natural motions, may weaken the ftrength,as accidental maladies may weaken Animals, or {hrewd and froward weather vegetables, or the natural confifting mo- tions proper to that figure, may turn to expulfive motions, and over-power the natural attracting motions, that ifiiied there-from. But w) But as I have laid, it Teems the attractive power of the Load- ftone, is ftronger then fthe irons retentive power, and lharp fi- guresthat ilfue there-from,are more advantagious then the blunt edges in the iron; and as the iharp figures in fire unknit and loolen the contraCtive body of metals, making them fluid, lo the fharp points that ilfue in lines from the Load-ftone faften to iron, drawing it to it ; and as fire worksmpon feve- ral bodies after a different manner of way, according to the nature of the body it works on, producing divers effects ; fo for all I can perceive may the Load-ftone; fox certainly we do not know, nor never can come to that knowledge, as to per- ceive the feveral effects, that are produced from the leaft, or as we account the moft inconfiderable creature made in na- ture; fo that the Load-ftone may work as varioufly upon fe- veral bodies, as fire, and produce as various effects, although nor to our fenfe, nor after the fame manner of waves, that fire doth , and as fire works varioufly upon various bodies, fo there are fires, as feveral forts , and thofe feveral ral forts have feveral effects, yet one and the fame kinde, but asthecaules in nature are hid from us, fo are moft of the effects; but to conclude my difcourfe, we have onely found that effeCt of the Load-ftone, as to draw iron to it ; but the at- tracting motion is in obfcurity, being inviftble to the fenfe of man,fo that his reafon can onely difcourfe,&bring probabilities, to ftrengthen his arguments, having no perfect knowledge in that) nor in any thing elfe, befides that knowledge we have of feveral things, comes as it were by chance, or by experi- ence, for certainly all the reafon man hath, would never have found out that one effeCt of the Load-ftone, as to draw iron, had not experience or chance prefented it to Us, nor the effeCf of the needle, and all the ages before, 1 mean thofe we have Records of, were ignorant of that one effeCt, and perchance other ages may findeoutfome other effects produced there- from, which thefe ages are ignorant of; And as our knowledge comes flow, and in parts, and pieces, fo we know but parts and pieces of every particular thing, neither is the generality: of our fenles capable of one and the fame knowledge ; for what one fenfe knowes, another fenfe is ignorant of, and que- ftionleffe there are fome things in nature that it is impoiuble for our fenfes to be made acquainted therewith; as being too cu- rious for our fenfes, but not toTome other fenfes 5 for certainly nature hath as many different fenfes, as other" works-; indeed all things are wrought by fenfitive motions; which muff needs create a fenfitive knowledge in every thing; and where know- ledge is, reafon is ; for knowledge is reafonyand fenfe is know- ledge ; but fenfe and reafon work in feveral figures; different wayes, and not onely in different figures; but in one &nd the fame figure. i ‘jin ( 68 ) Chap. $6. Of the needle. J Perceive the norths attraction of the Load-ftone is not af- ter the fame manner of attraction, as the Load-ftone at- tracts iron , for the attractions of the Load-ftone draws iron to it, but the attraction of the north draws the Load-ftone towards it, by the turning it that way, as the Sun will do the the heads of fome forts of flowers ; For if the north attract- ed the Load-ftone, as the Load-ftone iron, the Load-ftone ‘would be in a perpetual motion, travelling to the north pole, unlefle it were hxt, but I do not hear that a Load-ftone doth remove out of the place wherein it is, but it turns, as I may fay, the face towards it ; now the queftion will be whether the Loadftone turns it felf towards the north, or the north turns by compuhion, or by fympathy, the experiment will be by iron, that if a great quantity of iron fhould be laid at one fide of the needle, whether the needle would not vary from the north towards the iron, if it do, it fhews the Load-ftone turns it felf towards the north, or elfe it could not turn from the north, for certainly the north hath a greater operative power to turn the Load-ftone to it , then the Load-ftone could have to turn it felf from it, fo if a quantity of iron can caufe the needle to vary, it fhews that the Load-ftone turns to the north by a felf motion, and not the motions of the north that make it turn to it, but if it varies not towards the iron, then the north forces it, unlelfe the Load-ftone takes more delight to view the norths frowning face, then to imbrace hard iron, or that the feeding appetite is ftronger then the viewing de- light; for it onely turns it felf to the face of the north, but if it turns not it felf, the north forces it to turn, which as I have faid before, is to be found by the experiments of iron ; but if it turns it felf, I beleeve it may receive fome refrefh- mentsfrom thofe raies which ftream from the north, for all things turn with felf-ends 5 for certainly every thing hath felf- love, even hard ftones, although they feem infenfible, fo the Load-ftone may work as various effects uponfeveral fubjeds, as fire, but by reafonwe have not fo much experience of one as the other , the ftrangeneffe creates a wonder, for the old laying is , that ignorance is the mother of admiration , but fire which produceth greater effects by invifible motions, yet we ftand not at fuch amaze as at the Load-ftone, becaufe thefe effects ar e familiar unto us. Butperchance the Load-ftone is noiirifhed by iron as many crea- tures are by heat, for though the creatures are nourifhed there with, yet the heat alters not its vertue, nor the body inwhich- the heat inheres^ofes not the property of heating, the fun is not weakned by warming the earth, though the earth is ftronger by the warm ’th of the fun, but warm’th feeds after a fpiri- rual ( 6 9 ) tual manner, not a corporal, and as fomethings are nourifhed by warm’th, fo others by cold, as ice, fnow, and many other things that are above number. So the Load-ftone may be refrefhed, although not fed by the cold north, and as fire is fed by fuel, fo is the vertual part of the Load-ftone by iron, or as exercife gets health and ftrength to Animal bodies, fo doth the Load-ftone on iron, and as idleneffe breeds faintneffe, or weakneffe, fo doth the Load-ftone from iron. Chap. 98. Of fio/te» ■ : F ire hath more power oyer Metals in fome fenfe, then on ftone, and in fome fenfe hath more power over ftone then metals. For fire will fooner melt metal, then diftblve ftone, but when the exterior form of ftone is diffolved, it is changed from the nature of being ftone, and be comes dull: and afhes. And though metal would likewife change the interior na- ture, if the exterior form were diffolved, yet metal,akHough it be melted, keeps the interior nature, and exterior form, but not the exterior motions ; for metal is metal ftill, although it be melted, onely it becoms fluid, this fheweththat fire doth not onely alter the exterior motion of ftone, but diflolves the ex- terior form, and fo the interior nature, which in metal it doth not, unleffe a more forcible fire be applied thereto then will ferve to melt ; which fhewes, that although the interior mo- tions of ftone be contradioifs, as all folid bodies are, yet the interior, nor exterior natural figure is not circular as metals are, for ftone cannot be made fluid, and as it were liquid as metal will be, but crumbles into duft, and wafts, as wood or the like, and not evaporates away as water , which metal doth; This fheweth that the exterior and interior natural form of ftone is compofed of parts, and not in one piece, as a circle; I do not mean in one piece, as the exterior bulk, but in one piece, in the exterior, and interior nature ; For though you may pound, or file metal to duft, that duft as fmall as Atoms., the like may be done to ftone, wood, and flefh, or any thing that is dividable, yet it will keep the nature of being metal, ftone, wood, flefh, or the like, although the parts be no bigger then an Atom; but if you do diffolve the exterior nature, the interior nature doth diffove alfo, thus the extef tdr i : form may lie altered, but not diffolved, wkhoftr 'a totaf difiblu- • . vy C J ■■ . ■ d ILmlmJ X.‘ :2m . bno r 0: dtch j[ JjQi ■ ;/ O'j :-?i ■:!. : v vrr. :>zb iis-h slodi - ■ j vJi S’Tjilj JtfCfgVift La :, v - r rr Chap, non. I mean the heavieft me- tal to the har- deft ftone, as gold to di- amond s,or tin, or lead to a foft ftone ( 7 °) Chap. 99, Of burning. rr A LL that is hot is not of a burning faculty , nor all that is burning is not a&ually hot, and though Burning Moti- ons work ieveral wayes according to the temperament of the matter, and compofure of the figures it meets with, yet the nature of all kinds of burnings is to expulfe by a piercing and Subdividing faculty, provided that the burning Motions, and burning figures are ftrong enough to incounter what oppofeth them 5 but when the oppofed bodies and motions have an ad- vantage, either by ftrength, or otherwayes, it alters the nature and faculty of burning, and many times there is great difpute and long combats amongft the ieveral motions, and different figures,for the preheminency. Chap. loo. Of different burning. T Hough all that is of a burning nature, or faculty may be called fire, yet all that hath a burning nature, or faculty is not of that fort of fire, which is a bright, fhining, hot, glow- ing fire, as for example, vitrals, brimftone, oyl, or fpirits, or that we call cordials, or hot-waters, or any of the like na- ture. Befides all burning figures, or motions, work not after one and the fame manner, though after one and the fame na- ture, being all of a burning quality , or faculty, for fome burn interiorly, others exteriorly, but as X havefaid all bur- ning, is of a fubdividing faculty. Chap. 1 01. Fires transformation. T He interior, and exterior figures of hot, glowing, burn- ing, bright,fhining fire are ail one, and the motions work- ing apart according to the nature of the figure it works on can change every thing it hath power over, into its own likeneffe, yet the power, and ftrength doth alter fomewhat according to the work, and becoms grofter, and finer, accor- ingto the temperaments, or degrees of that which they work on: as for example, wood that isfeton fire, or afiry coal, is a groffer body of fire, then flaming oyl, or the like, that is fuch a fort of moift fluid matter fet on fire, for fire takes hold, of the thinneft parts, as well as the thickeft; if they be fuch thin bodies which are fubjed to take fire, for when fire is fet to wood, it doth not onely take hold of the folid’fi?' parts, but thofe that are more porous, or fluid, as thofe that rile in fmoak, which become a flaming body, which is a fluid fire,but there is a cold, dul,burning fire, as well as a hot, bright, burning, as aU ftrong vitrals, and this we call hot water , or fpirits fpirits, whichhave an exterior nature toburn, or diffolve o= ther bodies, and an interior nature to dame, but it hath not an exterior nature to be hot, nor fhining. Alfo there is another fort of fire, which onely hath an inte- rior nature to flame, but the exterior is neither actual- ly burning, nor hot, as lulphur, or oyl, though oyl is no- thing, but a liquid fulphur, and fulphur a hardened oyl. But this cold dul fire hath not the power of transforming to its own likeneffe, by reafon there is fome difference in the interiors to their exteriors, where the quick, hot , burning, bright, fhining fire, the exterior and interior is all one, with- out any difference. Chap. 102. Of fucb forts of beating Motions , as caufe burning . , meltings boiling , Evaporating and ratifying . B Urning, melting, boy ling, and evaporating are caufedby feveral motions, or Several degrees or temperaments of matter. / “ And though burning, melting, boyling, and evaporating, are caufed by expullive and dilating motions, yet al dilative and expulfive motions, work not after one and the fame manner, but according as the matter is ; As for example, leather doth not burn as wood doth, yet both are diffolved by an expulfive motion. Befides, fome figures do diffolve into flame, others moul- der away into duft, and never flame, asftone, and many more examples may be given, but moft commonly all burning motions do pierce, or fnut,or wedge, in jfharp tootht,or poin- ted figures; into thole figures they work upon, and then it dif- folves it by expulfions ; for thole fharp pointed figures, help motion to loofing, and unbinde thofe parts that they finde joy- ned and contracted, that they may more freely feparate thofe parts and diffolve thole figures, which as they diffolve the thinner parts, dilate into vapor, the lighter parts fiie out into fiery points, which are thole we call fparks of fire, but the groffer,and more folid part moulders away into duft and afhes, as being too heavy and folid for the points to fpread forth, they can onely as it were chew it between their fharp teeth 3 for afhes are nothing but chewed wood, yet this manner of chew- ing doth alter the nature from being wood, or any thing that burns after an expulfive manner , but thofe fiery motions that onely melt , or rather thofe figures that are not fubjeCt to burn, but onely to melt, is done by a ftretching motion, for thofe motions do as it were thruft out the contracted parts, and caufe them to extenuate; but when the fiery moti- ons caufe any thing to boy 1, they fir ft ftretch out the parts fb (70 far, as caufeththofe parts to be fluid, and as it were liquid, if thole things ' were contra&ed , but if they be liquid and fluid of themfelves, they fave thofe fiery motions that labour, and when this motion drives to afcend with thofe loofe parts, the liquor rileth up in bubbles, or waves, but when thofe fiery motions are over-poured by the weight, they fall back again, thus the weight of the liquor, and the fharp points of the fire drive together, one party drivingto alcend,the other to defcend, io that thole fiery motions, are to pull out, or to bear up, and the watry motion to pull, or pretfe down, but evaporating, is when the extenuating lines are dretcht fo far out, as to break, or the lighter parts are carried away , and difperfed amongft other figures ; but all rarifying heats , are cauled by flow dila- ting motions , and not expulfions, for if fuch forts of dilations as make rarifying heat, were extended beyond the line of the matter they work on, it alters the nature of the figure, and the motions of that nature; but rarifying heat is an extenuating mo- tion, fpreading parts equally, and evenly, but the farther they are fpred, the more hot grows the heat , as neerer to expul- fion, and though all rarifying heat is in the way of burning , yet not in the manner. But I mud intreat my reader to take notice, that burning Smotions, make ufe of burning figures, for all Ions of motions work according to the matter and figure they work on, or in, of to. Chap. 103. Of. quenching of fire. T Here is fuch Antipathy betwixt fire , and fome forts of wets, as fuch wets as are made by fmooth extenuating cir- cles, as they never can agree when they do perfonally meet; and indeed luch forts of wets, have fuch power over hot, bur- ning, bright fhining fire,as they never incounter, but fire is in danger to be quenched out, if there be not a fufficient quantity to break the watry circles , for it is not the coldneffe that quenches fire, but luch forts of wetneffe , for fealding water will quench out fire, and many forts of liquors as wine, or the like, although they be fiameable, yet if they be cad on this bright, hot, burning fire, it will quench it out, by reafonthey are more of the wet nature ; then the oyly, and lulphurous, or the burning or flaming faculty. Tis true, that there are many liquors that are fubjed to bum, but there are few wets that have not power to quench, for the fpherical drops do either blunt the fiery points, Or difperfe die the united body, or intangle them in the porous circles. Thus water hath the better unleffe the lines break in the combate, but when fire and water treat apart, or by an At- torny, or hath a body betwixt them to Moderate their fpleens ( 73 ) * fpleens they agree better, but in this treaty moft commonly the water becoms weak by ratification, and evaporates into air by too ftrong, or too much extenuating, extending further then the wet compafle. Chap. 1 04. Of the quenching of fire, and evaporated Water. T Hereafonwhy water quenches fire, is, that the figure being fpherical, and porous, gives diftance and fpace of parts, where the fharp figures of fire, flying about to bite the circular lines afunder, that they may ravel out that figure of water , lofe their ftrength both in their flight and compafle, breaking their forces, by difperfing their parts, and intan- gling their difperfed parts in the hollow places, in the watry figure, like arrows that are lhot into a net, feldom break the net, but intangle themfelves, by reafon there is no firm fubftance to ftrick on, or inj for being foft and fpungy, there is no ftop,nor holdj befides water being wet and wet in the nature is flicking, that when thofe fharp points do at any time break the lines,they joyn again, for being fluid each part moves to each other, and being wet they joyn, and being circular they unite, into the natural figure. Thus in a plain combat water moft commonly hath the better of fire,if there be not too much odds on the fires fide forquanti- ty,but when fire doth come by an undermining motion as when fome other figures are betwixt them, then fire gets the better, by the help of thofe undermining motions. Chap. 105. Of a brigbt-fhining hot,glomng,fre. I T is the nature of bright-fhining, hot-glowing fires, to have both an interior, and an exterior burning, and is of fuch a kinde of fubdividing nature, asitftrives todiffolve all united parts,or bodies, and if it doth not diflolve all bodies it works on, as we ihall fee many things which grow harder with fire, yet is not that the nature would not diflolve fuch a thing, but the power cannot , for thofe bodies that grow harder with fire,oppoies the power of fire, and ftrives by contraction to unite the loofer parts, in a more folid body, to refift with more ftrength. Alto fome bodies grow hard by. fhrinkiftg inward, for af- foon as they feel the fire, they draw back, as from an ene- my, having an Antipathy thereunto. Thus, it is not the fire that dries or hardens, or maks more folidity, but the oppofite body that will not burn, having a ftrength to oppofe, or a nature not to fubjed to this fire, or the fire hath not a fufficient power to overcome, but this fort of fire hath a general power, though fome bodies will ftrong- ly refift it j but it is the nature of this fort of fire , that moft bodies *As Vefiels wherein wa- ter is put, and fire on-] derneath. This fort of contraftion is drawing in. ward. Thofe forts are falling backward. The eon trac- ing motions too ftrong for the expnlfive morions. Y et' there are but few bo- dies that are not overcome at laft. (74) bodies they overcome, they firft convert them into their own likeneffe, but their natures being different, their prifoners die in the fiery arms of their enemies. Chap. 10 6. Of the dnnefj'e of hot , burnings bright , fi- ning fire. D RineflTe hath fuch a relation to hot, burning, bright, (Tu- ning fire, as moiftnefle to water, for though interior motions are expulfive, yet the exterior is attradive, drawing all unto it, like a greedy appetite, and as the teeth doth mince the the food that is chewed, fo doth the pointed figure, of fire, all it laies hold on, or enters into. Chap. 107. Ofmoifi colds 0 and moift beats, of dry colds ^ and dry heats &c. H Eat doth not make drought, for there is a temper of heat, and moift 5 nor cold doth not make drought 5 for there is a temper of cold, and moift ; nor heat doth not make moi- fture, for there is a temper of hot, and dry, nor cold doth not make moifture 5 for there is a temper of cold, and dry, but when the motions of heat, and the motions of drought joyn, they caufe hot and dry effeds, and when the motions of cold, and the motions of drought joyn , they caufe cold and dry effects, and when the motions of heat, and the motions of moifture joyns, they caufe hot and moift effeds ; and when the motions of cold, and the motions of moifture joyn , they caufe cold and moift effects, yet there are infinite varieties in their feveral effeds 5 but thofe motions which make cold and heat, I may fimilife to wandring armies, of the Gothes, and I mean the Vandals , which over-run all figures, as they all the world, made ic. haC fometimes they work attractive, contradive , retentive, dif- guftive, expulfive, according to the temper and degree of matter, and proportion and fhape of the figures they meet, or according to their own power and ftrength, and although both cold and heat, are motions that work more orleffeupon all the figures in this world, yet cold heat works not up- on figure alike, but differ as their figures differ, nor are cold and heat diredly the fame motions, although they be of the fame kinde of motions, no more then feveral forts of beafts kiride, yet all beafts are of Animal kinde, and moft common- ly like feveral forts of beafts that fallcth out, or rather like two equal powerful Monarchies, that oppofe one anothers power, and fight for preheminency, where fometimes one ■ gets the better, and then the other, fometimes by ftrength, and fometimes by advantage, but when there is a truce, or a league, they have a common commerce, joyning their mo- . * :.u r tions raF »v W ' ( 75 ) tions, working fympathetically together, which produceth an equall temper. Cliap. 1 08 . Of the motions of cold^and heat y drouth ^nd Moifure . C Oid and heat, are not wrought by different kinds of motions, but after a different manner of workings or movings, for a moift cold, and a moift heat, are but one kinde oi motions, as being motions that extenuate, and en- larges from the center to the circumference 5 for a moift heat, doth thruft, or drive outward, as toward the circum- ference. A moift cold doth pull, or draw from the center towards the circumference. As for example, we {ball often fee a gardiner that rolles a green turft walk, to thruft the roll before him, and when he is weary with preding forward, he will turn his arms behinde him, and puli the roll after him. Alfoa dry, or congealed cold, and a dry heat, are not feveral kindes of motions, but moves after feveral manners 5 for as moift cold, and heat extends, and enlarges from the center, to the circumference, fo a dry heat, or a dry, or con- gealed cold, contracts from the circumference towards the center, the congealed cold in feveral works 5 a dry cold, or a dry heat onely draws into a leffe fpace, or compaffe, yet the fame difference in the manner of the motions, is between a dry heat, and a dry cold, as was between a moift heat, and a moft cold ; for a dry heat drives from the circumference to the cen- ter^ a dry cold draws from the circumference to the center for although ai drought is from the circumference to the center, and all moifture from the center to the circumference, yet the feveral manner of movings are infinite, alfo cold, and heat are not feveral kindes of motions, but different motions, as every man is of man-kinde, but they are different men. And if we obferve the effe&s of heat, and cold, we fhall frnde them to work after one and the fame manner^ for ve- ry (harp colds,and great heats, paines equally 5 and fharp colds deftroy with as great & ftrong fury, as burning heats ; neither can I perceive that burning heats have fwifter motions, then fharp colds 5 for water to the quantity fhall freez, affoon as any light matter fhall burn j for water fhall be affoon fro- zen, as ftraw burnt, take quantity for quantity, and Animals fhall be affoon frozen to death if they be touched, or ftruck with very fharp colds, fuch as are neer the poles, as be burnt under die torrid Zone ; as for plants, we oftener fee them kil- led with cold, then heat, and I perceive there is no thaw fo hidden, as a froft ; for when any thing is frozen, it is not fuddenly thawed, which half perfwades me, that cold is the quicker motion ^ but howfoever we perceive they do often difpute for the maftry, when fome time the cold predomi- M nates As feveral men will. a s peace a- mong neigh* hours and friends. I fay apteft, not as they do. (76) nates, and fometimes the heat. But when there is an ami- ty, and friendfhip between both, then it is temperate wea- ther. Chap. 1 op. Of dry heats , and cold , and of moifi beats and colds. A LL dry heats, and colds, are created, or produced by fuch manner of motions, as pleating, folding, furfling, crum- pling, knitting, linking, brading, tieing, binding into a lefTe compaffe,or fpace. All moift heats, and moift colds, are created, or produ- ced by fuch manner of motions, as fmoothing, planing, Bricking, or ftretching * but burning heats, are like thole motions that prick a iheet of paper full of holes, or dart it, or cut it, but there are infinite of thefe feveral kinds of mo- tions, which make thefe feveral heats, and colds, working according to the feveral degrees, or temperaments of mat- ter, and the compofers of figures , but 1 onely fet thele few notes to make my difcourfe, as eafy to my readers under- ltanding as I can 5 for it is a difficulty to cxpreffe feveral motions, although they be fo groffe as to be vifible to the op tick lenfe. Chap. no. Of jhining figures. A LL figures that are compofed of lines , are the apteft to fhine, becaufe lines are the eveneft mealure, and the fmootheft rule, for mathematical motions to work with, but according as the lines, either exterior, or interior is fmooth or rough, contracted or extenuated, l'hines more or lefTe 3 for fome lines are interiorly even, and fmooth, and exteri- orly rough and unequal, as pointed lines, or chekred, or mi- lions the like. Others are exteriorly even, and interiorly rough, as lines of points, fome are interiorly rough, and exteriorly rough as lines of points pointed and fome are interiorly fmooth, and exteriorly fmooth,which are drawn out even, as one piece, and not compofed of parts. Chap. in. The 1 notions that wake natural air , and day light. N Atural air, which is not metamorphofed air, is made by fuch kinde of motions, as makes cloth that is lpun threads weaved, as with fhuttles in a loom *, fo fome moti- ons fpin threads of thin dull matter, and other motionsin- terweave thofe threads, where the grofTeft fort makes the thick- er air, as great threads make courfe cloth, and the thinner makes ( '. 77 , ) matter makes the fereneft air, as fmall threads make the fine ft cloth} where home is like cobweb-lawn, fa fheer, or clear, as the fmalleft obje&s may be feen through, which isfpread about the globe of the earth, as a thin vail Over a face, or body, and from the fun riling, the motions that make light run in lines upon it, and lo is like a gar- ment laid all over with filver-twift, or rather like filver- wier, from the fun riling to high noon, it is as it were, letting, fewing, or imbroidering on ; this ferene air at mid-day it is quite finifhed, and by fun fet it is quite reapt off again. And to fhew that the lines oflightareasit were laid upon this ferene air, and not mixt into it, is by the vapor which gathers into dark clouds, which will obfcure the light* as far as they fpread, befides if the light were intermixt the moti- ons and matter could not fo ealily, nor fo quickly withdraw, or intermingle,as we fee they do *, for what is intermixt, is hard to feparate $ but dark clouds are onely as fpots, which by rarification are rubbed out, if they be wet fpots, or drops, they fall out in fhours of rain, but by fuch forts of motions as by ringing, or fqueefing, or griping with a hand, or>the like. Which breaks the fea, or waves of water, which are clouds, into feveral ftreams of drops, fometimds with a greater force, and fometimes with a leffe, according as the motions are ftronger, or weaker. The difference betwixt this ferene, and natural air, and the metamorphofed air, is as a natural face, and a mask which is put on, or put off according as the watry circles contra#, or dilate ; the other in probability may be as lafting as the funit feif, not being fubje# to change, but by a natural crea- tion or dilfoiution. Chap. 1 12 Of light, L ight is made by liicha kinde of motion as heat, being an equal extenuating motion,but the difference is, that the motions that make heat, is a fpreading motion, but light is made by a-fpining motion, equally drawing out long paralel lines , with an extraordinary fwiftneffe, evenneffe, tmalneffe, and ftraightneife. . ^ yi Mi CHAP. v.-;I rb .i vc • r r r r o o.; y '.' J-i oai Usvi rsi 7 ;. fit (7 s ) Chap. 1 1 3. The reflexions of light. T He reflections of light when are the innated matter draws even lines with equal motions backwards (as I may fay) for when their motions are ftopt, with a more folid matter, then that which they work on to make lights where touch- ing, or beating thereon, they do not break their lines, but the leading innated matter, which makes light, returns back in equal lines, with equal motions, fo as there becomes equal lines of light, onely asfome lines run forward, others run backward , but in ftraight paralel lines, not croffed, nor per- turbed 3 for when thefe motions are croft, or perturbed, it doth as troubled waters do, the one rifing in feveral colours, as the other in waves, fo the colours are the waves, or bil- lows of light. Chap. 1 14. Of light, and reflexions. N O queftion but there are as many various lights, as fa- ces, and as different kinds of lights, as there are different Animals, or vegetables, or minerals, as fome I will here let down for diftinCtion, the fun light, the lighs of the fixt ftars, the fire light, meteor light, glow-worm light, rotten wood light, the light of fifties bones, and there are many forts of ftones which will fparkle in the dark, as diamonds, and ma- ny I cannot recount. Then there are produced lights, as day from the fun, flame from fire, then there are reflected lights, as the planets, and reflected lights from reflected lights, as the light from the planets on the earth, and infinite reflecti- ons made by feveral motions on figures, for on every figure are feveral reflections. Chap. 1 1 5. Of fome opinions of light, darkneffe) and Death. 1 :■ '■ - Vil . QOme (fay light is nothing but a motion, but there can be no • 3 motiop without fome matter , for where there is no mat- ter, there is nothing to move 3 but light, as other effects are, is made by fuch kind of motions on fuch degrees, or tempered matter, and fo is heat, and cold, and darknefle made by fe- veral motions, on fuch matter, although fome opinions are, that darkneffe is nothing but an abfence of light, as fome think dearth isa Reflation of motion 3 Tis true, death is an alteration of fuch ■Glide of motions, as we call life 3 fo darkneffe is not made by fuch motions as make light, for there are motions be- long to darknefle, as well as thole to make light 3 fo there be many feveral motions, in diflolving of figures, which dif- lolution ( 79 ) folution we call death, as the creating of a figure, which we call life. .?> <*i - [ i jin Chap, n 6. Of dark nefe. T Hofe motions which make darknelfe, feem to be as fwift motions, as thofe that make light, for the air is as loon made dark as light ; but fome do lay, there is no motion in darknelfe, and that darknelfe is a cefifation of motion $ Tis true, offuch kinde. of motions as make light; but not of all mo- tions, no more then the motion of the fun makes all light, or the ablence of the fun makes all darknelfe ; for firft the fun is not the onely light, for we can fet up lights, when that is gone, by fire, whole frames do illuminate that part of air, that is neereft, and could we make a fire as bigg as the fun, and feed it perpetually,we might have a perpetual day, and the air i f pea k this as will be as much illuminated, if there were a' Sufficient fire, to f 0 ^ P o ifon * inlightenlo much air at one time, as the fun doth; wherefore theft" the fun is not the monopler offuch kinde of motions, as make much bigger light. And can we rationally think there is no motion in ^ n h tbe darknelfe, becaufe the motions of the funs light are gone from our Hemilphear, we may as well fay a fifh cannot fwim, be- caufe fuch a horle doth not gallop , but to my fancy darknelfe works upon the air, as well as light ; for a dark cloud lhall oblcure the light, as well as the light Shall pierce through a dark cloud; thus darknelfe covers many times the face of the light, which fhewes it is not alwayes the with-drawing of light which makes darknefs; fince darknelfe hath as much power over the light, as the light over darknelfe, but obftrubted motions make darknelfe, and hinder thofe equal motions which make light, and thole motions that make miffs, and fogs, are in fome degree like the motions which make darknelfe,and fo are fuch motions as make colours; but the motions of dark- nelfe feem to be intermixing motions , as I may fay fnarled motions, which intangle themfelves, and the different motions of darknelfe, and light, are like skeines of filk,whcre the light is like thread which is pulled out even and ftraight. And darknelfe is like a skein of filk, which is lo infnarled, or/ broken, as not any can finde a leading thread, beirig full of ends,knots and entcrcourles, f Chap. 1 17. The motions that makt DarknejJej 7* '*ixc ' ! j c •niiOl J - { >■ .. fT“He motions of darknelfe upon the air, are after another 4 ; manner, then thofe of light, for as light is laid in fuch ; teal, ftraight, even, out-drawn lines, fo darknelfe is like moti- 1 ons of filk imbroidery, the work to be bolfy, full of intermix- 4 ingftiches, and crolfe threds, knotted and purled alter this! manner. dtol And (8o) And the reafon I fay filk, is, becaufe darknelfe is fofter theft light, which light I fimilile to filver, for the brightneffe of light m^ny times hurts the opticks, which darknelfe doth not. Chap, li 8. Of Shadows, S Kadowsare copies, and pi&ures, drawn, or printed, or ingraven by dark motions, for dark lines made by the eclipfed light, are as the pencel, or the like, the light is the paint, the lolid body on which fhadows are caft, is the ground or fubftance to work on, motion is the artificer* for leveral lights are like fo many leveral forts of paintings* for colours are but a perturbed light as fome fay, but to fhew it is darknelfe that doth pencel out, is that there would be no fuch reprefentments, if darknelfe were not* and too much light drowns the figure, or is as it were plafh’d, or dabbed out, or if fo much paint were Ipilt, or caft on :he ground without order* Yet all fhadows are not as if they were painted, but printed in black and white, as againft a wall, or on wa- ter, or the like, but on a looking-glafle, or on a piece of pa- per through a little hole, in a dark room, it is as painted, the colours being reprefented as well as the figures. Chap, n 9 . Of Shadows and airie figures. S Hadows are printed, or ingraven, or painted by thofe mo- tions, which make darknefle upon inlightned aire, but the print is not feen, but upon a folid ground, or fiat, as I may fay, which ground mult be oppofite to the figure it repre- lents, which is after this manner, as one figure makes more, for the figure makes a figure, that is, the external motion Of the external figure cuts out a figure of aire* for queftionlefr wherefoever our bodies, are, there is the figure in air * for we arealwayes encompaft about with air, wherein we make* prints of our figures* for the folid bodies print their fi^ gures in that which is more porous, and fofter fubftance, as a leal on wax, or a print on butter, or the like* thus the folid bodies as they remove, ftill make new prints perpetual- ly, and infinitely, but as they remove, the prints melt out like verbal and vocal founds, which print words, and fet notes in the air, and the realon we uannot fee the fetter in the air, as well as hear the found, is, that the air being fo porous, is proper onely to convey a found to the ear, or tofpread ita- brpad * but not folid enough to fix the eye thereon, having not fubftance to hold an objed fo long a time asro take notk£‘ thereof, unlelfe it be drawn into a fhadow upon a lubftantial ground, on which the eye may fix * but until the- figurative be caft upon a folid ground, the figures are like fculpture, but . A when when they are drawn in fhadows upon a ground, it is as pain- ting, or printing. Chap. i2o. Of amor e probable opinion to me of light making fever al colours. r T He lines of light are whole and come fo from the fun * until the light of fuch a figure, and according to the figure, there the lines are broken, and the breaking of light a ccord- ing to the feveral figures, makes feveral colours, fo it is not inherent in the thing, but in the form of the thing, which is the figure that makes leveral colours breaking the feveral lines of light feveral wayes, fo the Diers of feveral colours by their obfervations findes it out by their pra&ife, though they know not the reafon of it, but the true reafon is, that all thofe feveral dies make feveral figures, which feveral figures breake the lines of light feveral wayes, which being bro- ken feveral wayes produce all thole feveral co- lours. To fhew you that it is feveral figure that breaks the lines of light that make feveral colours, you may lee it inapigi- ons neck and breft, how many various colours it will change into, with and in the fame place, the lines of light being bro- ken feveral wayes by the pigions feathers, that make feveral fi- gures, as alio you may perceive in Rain-bows, the fun fhining upon a watry cloud, the cloud being between you, and the fun what various colours there are, fo to fpout water out of your mouth, if it be between me and the fun, it makes the fame colours, and all this is nothing elfe, but that the lines of light are broken fo many wayes, by the feveral forms and figures it fhines of, which produceth the multiplicity of all thofe va- rious colours. Again, more plainly to make it appear, that there can be no more truth but this in colour, take a rriangular glafie it is all of one colour, and was never lent to the diers , and look in it , and you fhall fee the moft various colours in the world, the colours are not in the glafie, therefore with ra-r tionalman it feffers no difpute at all, that colour is nothing elfe, but the lines of light broken by feveral forms, and fi- gures, that produceth all the various colours that are in the . world. And for excellent difputants, that make riflotle their church of reafon, that cannot erre, and will maintain his* nonfenfe againft reafon, I leave them to their ignorance, and wifh they would rather follow his Logick, and his Rhetorickj then his natural Philofophy, for their own fakes. Chap; ( 8 2 ) Chap. 1 2 1 . Of Colours. S Ome lay colours are made by perturbed or obftructed light, but in my opinion, colours are broken lines of light; for when light is obftruCted as being Hopped it reflects with double light , thofe lines returning back like double firings, and if it were perturbed light, like over-agi- tated air, or troubled and rough waters, the light would be onely thicker, and mudier , having not liberty to move in fo level, even, and ftraight, paralel lines; it is true, thofe per- turbed motions may be the caufe many times of breaking the light, which broken parts contracting into feveral figures, or works, caufeth leveral colours, every particular work, being a feveral colour, and when tjhele feveral figurative works are mixt, being part of one work, and part of another, the co- lors are alfo mixt. For the leveral works made of the pieces of light, are that which makes feveral colours, and not the pieces of light with- out thofe works, for if thofe pieces of light lay lcattered and not contracted into feveral figurative workes, they could, or would not make colours, but if colours are not made by pieces of light, they are made by contracting the ftraight unbroken lines of light, which contraction turns light into colours, as contractions do water into fnow, ice, haft, froft ; Now it is to be obferved, that it is not onely the contracted motions on the water that make the difference, but being contracted into fuch or fuch a figure ; for whenfoever water is contracted into fuch a manner of figure, it is fnow, if into fuch a figure it is hail, ft in fuch a figure it is ice, into fuch a figure froft, and may do fo conftantly, and eternally, and fo when light is contracted into fuch a figure v it is red, when into fuch a figure, blue, into fuch a figure, yellow,- into fuch a figure green, and when it is contracted partly into the figure of red, and partly into the figure of blue, it makes a figure of purple, and if it be contracted partly into the figure of red, and partly into the figure of blue, and p i rely into die figure of purple, it makes a fourth figure, which is a fourth colour, and fo a fift, and fo infinites, likewile one and »e lame figure which is one perfect colour, may vary with each particular figure, which is each particular colour, and upon what body foever thefe figures are printed, they take colours, and accor- ding as the figures differ, the colours are changed, or alter ; for it is not the body that they arc printed on, ox the reflecti- ons of light, caft upon fuch bodies that make colours, bur fuch figures made by contracted lines of light, which figura- tive works give fuch colours to any thing they can print, or place on, but the reafon why 1 think they are rather broken pieces of light contracted, then contracted ftreight lines, is, be- caufe they are f® lafting, for though lome colours will fade (« 3 ) fooner, yet fome will laft a long time* for whatfoever work is wrought with parts, as I may fay, feveral pieces of thread, is cot io apt to undo or ravel out, a& that which is but of one piece, unleffe the thread were circular, without-ends, but lines of lightrare paralels, and not circles, as for fhadows of colours, in my opinion they are produced after this, ' manner, as I laid, the figure of blue ©r |hc like, which is oner perfeit colour, and the figure of red which is another perfect co- lour makes a third figure, which is a mixt colour,, likewife blue and yellow makes a different figure, which is a different colour from blue and red, and blue and yellow, makes a dif- ferent figure, which is a different colour from blue and green, & fo we may match figures until we be weary ,but whatfoever hath conftantly part of one and the fame figure, in the feveral or fingle compartments of other figures, which are other co- lours, as blue and. green, blue and red, blue and yellow; and the like appears in fhadows, by realon one particular figure, or figurative part is the ground-work, which is, the ground colour , which makes all the colours iq mixes with, partly of its own completion, and according as there are more or lefle, of that figure, the lhadow is fainter or ftronger, . and according as the contractions are more or lefle, the colours are deeper; or paler; for thofe figures that are clofer contracted, and rougher wrought, are the darkeft colours, as neereft to black, and thofe figures that are loofeft,contra£ted,and finer wrought, ars the the lighteft, or paleft colours, as being moft light, when 'the parrs are iooleft, and moft at liberty, and the brighteft, as the moft glorious colours that are made of the pureft, and cleared: light, which is of the fmalleft lines of light, as I may fay, the fineft threaded light, for fome lights are . thicker then others; by realon their lines are grofler. Alfo colours which are broken contracted lines of light, may appear darker, or brighter according to the reflection, of other lights, or rather according to the ltraight and unbroken lines of light are that caft upon them, likewife fome light doth alter the colours that are made by other lights, as fome colours appear not by candle-light as by day-light , and thereafon is, that feveral lines of leveral lights, being grofler, ox finer, caufeth the colour to appear duller or brighter, and fome par- ticular lights make fome colours appear more then others, and fome particular lights obfcure fome particular colours more then others, according as they are further, or neerer off the nature of each other; for though the feveral figurative works make the feveral colours, yet it is the lines and pieces of light, that make thofe figures and works. N CHAP, As we fay dead. (84) Chap. 122. Of airy figures, A S I (aid before, the folid bodies moving in the foft,& more porous bodies, make many figures therein , fome as prin- ted, dome as painted, others as fculpture, as cut, or carved in wood, or ftone, or caft in metal, or moulded in earth, fome are as if a man, or the like creature fhould print them- felves in fnow, others as if they fhould make themfelves in fnow, as for example ; as if a man fhould ftand , and let the fnow fall thick upon him until he were all covered over, there would be his figure in fnow, or if he fhould lie down in fnow, there would be his print ; fo it is in air, as we move from place to place, new figures are made, and the former figures moulder, or melt out, but according as the air is, fo they laft,or decay, for if the air be congealed with cold, thickned with groffe fogs or miff, the figures laft the longer therein, although in a misfhapen pofture, like ruina-^ ted buildings, or broken ftaraes, or like defeated armies, here an arm, or a piece of an arm , or a hand, and there leggs, here a head, there a mangled body ; but when the air is thin, and ferene, the print diffolves affoon as the figure removes ; and if the air were as folid as fnow, we fhould fee the figures as perfect in the one, as in the other; but the air being very thin, and porous, the fight of the eye runs thorow without ftay, or flop, taking no notice, like water in a fieve, wherein nought can be contained, becaufe there is no hold to keep the water in from running out. Chap. 123. Of External figures^ and internal forms, I NT fome things there is fuch fympathy betwixt the internal form, and the external figure, as the alterations of the one, change the nature of the other ; as for fire, when the external figure is altered,the internal faculty is gone,here the internal na- ture depends upon the exterior figure; but as for water, the external figure may be changed, as we fee when it is frozen, but the internal nature not changed, for it is as water ftill, though it be not fluid, here the internal depends not upon the external; but thus much the exterior figures of all things depend fo fo much upon the exterior form, or nature, that when the internal is changed, the exterior cannot be altered, from and to, as to change the countenance or face, as I may fay by contra&ion, and dilation, as water, and metals, and many others, but an animal figure may remain, as it was for a time, when the internal is changed, but not Ions, as for ex- ample, Animals, although the internal nature, and faculty be changed, which is to move after fuch a manner, as is proper for Animal, the external figure is not altered : for when A- niffials are dead, the external, which is the outward fhape remains (§ 5 ) remains perfect, for a time, yet the internal motions may be in difcrder, as they are in animals that found, or are Tick or faint, or in vegetables that are fading, or drooping ; but wfien the internal motions move orderly again, either of themielves, or by the help of ailiftant. motions, and figures, the Animal is as it was before, and the V cgetablc fiourifheth green again, thus there may be an alteration^ but when there is an abfolute change in the internal, there can be no return, but by anew creation, for all alterations of motions do not do it, but a total change. Chap. 124. Earth, water, air, fire, cold, heat, light, . darknejje, E Arth , water, air, fire, cold, heat, light, darkndfe, is made as Animals, Vegetables, and Minerals, that is, that finch degrees of intiated matter works upon the dull part of mat- ter with various motions, and feveral degrees, of dull mat- ter produceth luch effeds joyning parts together, and fepara- ting parts afunder, but joyning, and mixing each degree to- gether, lofeth not the entity of each degree , for that can ne- ver be altered , for as it was from all eternity, fo it will laft to all eternity. Chap, 1 25. The motions, of 1 the Sun, and Planets, T He Sun, and the reft of the Planets, are queftionleffe created as other Animal creatures, and their local mo- tions are according to the fhape, as we fee all Animals are, for a worm cannot run , but onely moves by gathering up the body from one place, . and then ftretching it felf out far- ther, or elfe by rolling, and vvinding his body from place to place, nor beafts cannot flee as birds, nor birds cannot trot, amble, nor gallop, as beafts, becaufe they have no fhape fitted thereto j for birds want four leggs .to pace and gallop, and beafts want wings to flee, fo the Planets move acccordingto their fhape, turning about as a fpher cal circle about a center, and if the fun runs about the world with Inch fpeed (as fome old opinions are, it muft turn as a wheel about the fpoake, or rundle as a bowl in the ecliptick line. But if the fun, as fome Modern opinions hold, doth hot move out of his place, but is as it were fixed, and that the Planets move about it, in circular wayes according, ,to their fhapfs then the motion^ of the fun, are onely by dilation, and attra- ctions : from which light, and neat proceeds, and vapor is drawn or fuckt up. : ; : K a y f ivr\ i j Chap,' ; .. ■ ■. .■ <•[':,> rf • «i /imt: ■ ' v : d the fea thus. I Will not difpute, according to Copermcusjhat the earth goes about, & the Sun ftands ftil,upon which ground Galleleo faith, the reafon of the ebbing and flowing of the lea, is the jogging of the earth, the old opinion is, that the moon is the caufe of it, which I can hardly beleeve, for mark the tide from Scotland to, Mar gel when the moon hath the fame influence,- and the tide is fo many hours in coming from Scotland to CM ar gel l as if oncrid poft,ifit were the moon, why fhould it not be high water, oir full tide Margell , that it is in Scotland at the time, the power of the moon being all one, fo that comes very improbable to me, for many things fall oat at the fame time, and yet the one not caufe of the other, and in Phi- lofophy there is nothing fo ordinary, as to miftake the caufe of things, fince indeed the things for the moft part ate hid from us; fome again will have the Sun the caufe of the ebbing and flowing of the fea , others rationally fay , heat makes motion, and the feas being fait make motion, becaufe it is hor, but how comes it that the frefh waters ebbe and flow ? even (prings well, Whatfoever the caufe be of the feas motion where it moves, ; for in fome places they fay it doth not, but where it moves it is never high water in one place, but it is low water in another place, and the fea moves alwayes circularly, for as it is the nature of water to be made in fi- gures of circular lines, fo it is the nature to flow circularly, which in my opinion is the reafon of the ebbing and flowing tides, that moves circularly , that is, part of a circular, where the convex flows ftill forward, the flowing motion extends more and more, cauling it to fwell out, and the concave ends to extend longer and dofer, in fo much as at laft the con- cave ends are joyned into a convex, for it doth not extend in aperfeCt round circle, as I lhall deicribe in my following dif- courfe, but after an oval, or rather a pear figure, but when the flowing convex is extended beyond the ftrength, it ftraight breaks, being moft weak, by reafon it is moft extended out, fo that when the tides have no more ftrength to flow for want of water to extend, and the convex over-powred by extenuation, it breaks afunder, and fo falls back, whereby the convex parts are now become the concave, and where it was concave, is now become convex, which caufeth it to flow the other way, and ebb where it did flow, for where it lies concave it ebbs, and where it is eonex is flows, and thus ; it ebbs and flows perpetually, whbre it hath free paftage, but the farther it flows, die weaker it becoms, by reafon the ftrength is abated, like a horfe that hath run faft and far, at laft is fo weak and breathlefle as he falls down, fo when the convex can extend no farther, it bheaks in two, but as the convex extends, the concave ends draw clofer together, whereby fuch time as they cbme to joyn, the convex is fo bowingly fttetched, as' it be- comes brittle, a$ I may fay or weak, which caufeth it to break; but it is to beobfervedthat the tides have a double mo- tion, for as the convex flows forward, the concave ends draw backward at one an'd the fame time, for the extenuation of convex one way , caufeth the extenuation of the concave ends the'other way ; but" by reafon the two ends draws clofe towards a point, the ebbing waters feem narrow and little, but the ebbing tides are but an effect of the If one pow- ers water on the ground it flows with a. Convex. In a pear figure. ( 88 ) flowingtides, not a caufe in it felf, for the interior nature of water is to how where it can get liberty, and freedom of paffage,and where it doth not how it is obftru&ed by fome obfcure caufe, but I defire my reader not to miftake me, as to conceive the motions of the tides, and the interior nature of water ail one, being fomething alike j but the motions of the tides, and the motions of the interior nature of water are as different as the local motions of Animals, and their interior nature, and I beleeve if the frefh waters had the fame liberty as the fea waters, to how which way they would without op- pofition,or obftru&ions of hils, dales, banks and walls, and had the like quantity to move withal, I beleeve they would as naturally how as the fea, and ebbe when their ftrength fails, and I beleeve if there were a fufficient quantity of water in the fea, and no obftru&ions, as Iflands, creeks, and the like to hin- der the pafTage, and that the earth were like a billiard ball, it would how perpetually round, as the Globe turns upon the Pole, if the Pole turns not round with the Globe. Chap. 128 . ‘Describing the tides. T He bowing water gathers up together like fuperhous hu- mors, and lwells out the convex, as corrupted matter doth the skin, and never leaves extending till it breaks, but it begins by degrees in a demy-circle, and as it hows it grows larger, and longer extending its compaffe. And as the convex extends, the concave ends mull of necefli- ty draw clofer together. Which makes the ebbing waters like a tail to the convex, which as the body, which makes the ebbing waters to be nar- row, and by the reafon the bulkol the water hows in the convex,it caufeth the concave ends to be fmall, which makes it fhallovv, and the more the concave ends extend , the fmaller they are, like thread drawn from a full diftaff of haxj forfo the concave ends draws, or rather extends from the convex body 5 But as I faid before the more the convex extends, the cloler the concave ends draw together, and when the convex is extended to the uttermoft they joyn. And affoon as ever they are joyned and mixt together into one point , as it were, it fwels into a body. For the former convex being broke,the waters fal back to that, part which was the concave, but now is become the convex, and that part which was the convex, is now become the con- cave 5 , , . Yet the convex muft be full before the concave ends extend, like as a glaffe that muft be filled above the brims before itcan run over. v c *‘ ' . ;/ . \ r ■ Chap, ( 8 ?) Chap. 229. Of double tides. A N after, or double tide is caufed by winde, like as a man fhould walk againft a very great winde, that although he prefleth forward, yet it drives him back, but when he hath broken the guft as it were, he pafteth more forcible through* and though winde have power over the exterior motions of the waters, yet not on the interior motions, but winde can difcompofe the face of the waters, as anger doth the counte- nance of men. v Ghap. 130; Offering Tides. CPring tides I conceive to be caufed by waters that ifliie *3 forth from the veins of the earthy which are apt to fwell, and then to vent themfelves forth at certain times, as natural iffues, which flowing caufeth the tides to be greater, becaufe it hath more ftrength to extend farther, and the tides to be higher becaufe the convex is thicker, and fuller, for the greater body of water, the farther it howes 5 for it is for want of ftrength which makes an ebb, or want of paftage which makes a flop, and when the tides are lower, there are fome invifible obftrudions, or the eatrh hath drawn or fuckt from that part of the fea. Chap. 1 3 1. The tide and ft ream flowing againf each other. ' . * • . . ■ T He reafon the tide flows againft the ftream a of River, Is, that the quantity of fea water fofteth through the ftream, and the defcent of the river forceththe ftream to paffe through the motion, or rather by the motion of the tide, for the natural motions of all waters being to flow, and the force of the def- cent added therto, gives it a double, if not a treble ftrength, fo that when the force of the tide, and the force of the ftream meets, and incounters, they make paftes, as Duellers that fight .hand to hand; but if one Water runs quite through another, it is moft probable that the tide runs through the ftream, by reafon it is armed ftrongly with fait. Which may caufe it to be ftream- proof, when the river water is porous, and weak by reafon it is frefh, and thin as I may fay. CHAP. ( 9 °) Chap. 1 3 V The difference of fait, water and frefh water . T He difference of (air water and freftvds, that (ait waters circle lines : are flat, and edged, as a knife, or the like, and in frefh water, round, whichedge makes it not lefle Imooth, although more iharp,nor hinders the extenuating cphipalfe, but the lines, being flat, make it more {olid, and fo give it more ftrength, then the frefh water circle -that is round, which ^rnakes it more porous, then fait water is, by the experience of an egge, and the like , which in frefh wai- ter the egge will fink to the bottom, but very fait water will bear it up, from finking, and according to the ftrength, it will bear more or leffe, but thofe lines may exteriorly alter, from flat to round, and round to flat, and never alter the interiour nature, as tp break the compafle, which is to diflolve the circle er ring (as jftmay fay) which circle ring is the interior figure. <1 Chap. 133. Of winde . ‘ Inde is wrought by expulfive motions, and the ftrength doth not proceed from the thicknelfe, or folidity of the body, as many think it doth, conceiving it to be con- traded, or preft up air, which if it were, it could not enter into fuch fmall porous, and narrow pafiages as it doth} where- fore me thinks the ftrength fhould not proceed fo much from the folidity, as the agilndfe therein 5 for the quick repetiti- on doth lo forcibly prefie on each other, as upon neceflity it muft drive all loofe, and porous bodies befor e it , but the far- ther it bloweth, the fainter is the breadth, for as the repetitions grow fhort, fo weaker. Chap, 134 Of the noife of Tempeft and forms. A S I have (aid, that fort of air which is made by watry circles is apt to found with every motion that ftrikes thereon, by reafon of the hollow figure being fpheri- cafl. Likewife this is the reafon running brooks make a murmur- ing noife 5 alfo this is the reafon, that the tides do make fuch a noife in the ebbs, and fiowes, circles prelfmg, or rather ftrike- ing each other. Again, this is the reafon the windes, when they blow up- on airy, or watry circles, by ftriking thofe Ipherical circles, caufe it to found, and make a roaring noife, by the confu- fionit makes therein 5 for winde which is an expulfive vapor doth not onely ftrike thofe watry circles, but thofe that are extended into air, and when thole motions drive circle againft circle. circle, or circle upon circle, makes filch quick rebound, which rebounds in contracting and crofling each other, make a confuted found , which we call tempeftuous and itormy, and it is to be obferved, that a temped in 'the air, and a ltorm in the water, and thunder, is much after one and the fame kinde of noifej But as thunder is caufed by the expulfion of the mod extended circular lines, fo winde b the expulfion of the more grofTer circles, as when lines break, which are extended no tarther then to vapor, alfo theie expulfions, if they be not very violent, caufe rain ; for the expulfed motion being no dronger then to preffeupon the unbroken and ex- tended circles, either of vapor, or air , drives it into the wa- try compaffe, but when the weather is cloudy, it is not alto- gether lb hard pred upon, as to drive it into perfect water circles, but to the next degree, as a thick vapor. And when the weather is uncondant, as we fay, that is fometimes groffe and thick, and then it will be drait clear, and bright, is as the preffer doth abate, or increafe 5 but unforced raines (as I may call them) which is without a vio- lent condraint, is when thofe circles are drawn into a wetry compafTe in a natural order, and by the natural waight, be- ing thicker then natural air, that is original air, and not tranf- migrated water, it falls down on the earth. Likewife the pouring {bowers make a found, by the force of the falling drops, driking as they fall, found 5 but by rea- fon the water is divided, by the falling motions into leffe bo- dies, as it were, which makes not (o drong a found, having leffe compaffe as the tides, or air having fewer circles in a body, as in drops, which makes it of a leffe bulk, and the leffe the f>ody is, the weaker, and the fmaller is the found. But when the watry lines are drawn into a triangular fi- gure of fnow, it falls filently without found, by reafon the watry line is drawn out of the extended circle. Belides, that figure is the lighted figure, by reafon of the inequality, for a fquarehath four equal parts, which makes a jud number, fo an equal ballance which gives it a deddy weight, and a circle is equally round, without parts, which gives a deddy weight. But a triangular figure is in three parts , which is no jud number, nor equal ballance, nor jfeddy weight, which make it of leffe force, for being a wavering figure, it cannot preffe hard, nor drike drongly, nor fall heavy, but flies lightly a^ bout. O Chap e See my chap tcrof Fame Sound enters into all hol- low places, as well as in- to the Ani- mal ear. (90 Chap. 135. Of thunder and lightning. '’T' Hunder and lightning are caufed from watry circles, for when they are extended from water to vapor, from vapor to air, from temperate air, to hot air, from hot air to fire ; for if thole circles extended beyond the compalfe, and ftrength of the line, they break, which is the caufe of thunder, and lightning , for alfoon as the lartheft extention of the circle is broken , thole extended parts do with an extraordinary fwift motion run, or rather fhut forth into bright flaming fiafhes, as fpinning lines of light, but when thofe lines extend with a ftrong ftrength, they break into lmal parts, which caufeth thunder to follow lightnings 5 for thole btc-aking parts fome- times expulfe dilorderly, beating and ftriking upon thofe circle lines that are unbrokc, which circles being of a hollow figure, caufe a found in the higher region, whereto they are alcended, for their extention caufeth them to be light, their lightnefle to afeend ; But all hollow figures being concave within, and convex without, do prefent to the ear, if they be ftrong, as concave, and convex glalfes doth obje&s, when pre- i'ented to the eye * thus hollow figures caufe a hollow found if they be ftruck, for the concave draws thole motions in which rebounds from fide to fide, and the rebounds continue t e found by the Echos repeated, for found lafts longer in hollow figures, then in any other, and though I will not fay that oriely hollow figures make founds, yet I fay that no found can enter but through hollow figures, as the ear is a hollow fi- gure, and ail hollow figures/ and the ear is not onely hol- low, but circular, but founds are made in the ear, or rather enters, as light and colours in the eyes, for dilcord is pertur- bed motion, or rather clofe Antipathetical motions, and har- mony are fympathetical, and regular motions, but the more of thefe extenuating circles break, the more lightning there is,and the ftronger they brea, the more thunder rhere is, and the har- der they ftrike upon the unbroken circles the lowder is the found. But if the circle lines break onely afunder, and extend , or fhur forth into ftraight lines without more parts, there is one- ly lightning without thunder, but if thole lines break into more parts, there is thunder alfo, and when there falls rain at thofe times of thunder, it is when the gentler motions of fome of thofe expulfed parts , do not ftrike hard upon lome of thofe unbroken circles, but preftfe upon them, which caul- eth them to draw, and gather into a lefle circle, and a grofifer line, untill they return into the watry compalfe, where grow- ing too heavy for the hight, falls down toward the center oi the earth, as all heavie bodies, if not thick bodies under to bear them up, or ftronger motions then their weight to hold them up. ( 93 ) up, thus in my opinionis thunder and lightning caufed, and whcn< it rains, thofe unbroken circles return into ks nature again. < >>• Chap. 13 & Of the alterations of motions, O Ke and the fame degree of innate matter may change, and rechange the natural pofture motion in one and the lame figure, but a general alteration of thofe motions proper to that figure, dilfolves the natural form of any one particular figure, for g figure moving by feveral motions* proper to its kinde, muft joyntly confent either by a fympa- thy, or inforcement to make a diffolution, as well as a crea- tion, but all motions works or alter according as the matter is, or figure they work to, or forced by ftronger motions to alter their natural courfe * likewife feveral and contrary mo- tions may work by turns in one and the fame figure, by one and the lame degree of innated matter. Chap* 137. Of different motions, A LL extenuating motions make not fludityor wet, but fuch kind of extenuating on fuch tempered, or on fuch degrees of dull part of matter, for tome extenuating motions make light, others make heat, and infinite the like, fo allex- pulfive motions do not burn, nor all couira&ed motions ; do not work alike, nor all attractive, nor- all retentive, nor expul- five 5 for there are infinite wayes or kindes of them, which works infinite varieties, for there are infinite feveral forts of heats, coldes, droughts, moiftures (and infinite kindes of lights and darknelfe as well as of colours, fo infinite wayes of con- tractions, and attractions, and infinite wayes of expullions, and fo there are fuch varieties in one and the fame kinde, as it is impollible for me to defcribe, as for one man to draw the feveral pictures of mankinde from all eternity* but if I could draw but one picture , it will be enough to {hew my art and skill, although but a plain draught, but I finde the work too hard for my wir yet I have ventured, and mean to hang it on the wall of cenfure, although I know fpite will ftrive to pull it down. ' ; . -■0* * ■' •/ - ;j I; . . ; : rj ' Chap. 138. Of the local motions of water , air, and fret O ' T perceive there be other figures that have loca l motions Abefides Animals, yet it is partly their figures that are pro- per thereto * for though there is no matter, but is figured, yet all figures move not but of themlelves, and though all figures ^removed, or moving, or both moved and moving,yet all local Qi motions I call thcfr na- tural that art pr offer to the figure. Fethers.woo! hair, and the like, which are neither liquid, fluid, nor wet, one- ly foft and fympathy All animals are not of one lhape. And as a man may pi ck a hole through the wall, fo water will pick a paflfage through the earth. ! mean all exterior mo- tidns. ( 94 ) motions move hot after one and the fame manner ; but I hear mean by local motion, that which naturally can move from place to place, by their interior nature, and exterior fhape, but if the word is not right to the lenfe, pray par- don it, and take the fenfe and leave the word, and Chriften it a newjbutthefe kindes of local figures are water,arie, and fire, which move after an Animal manner,although they have not the fhape of thofe we cal Animals, yet they feem Animals by their felf motion,as moving from place to place, unlefle they be ftopt by ftronger motions, or other figures that are more powerful: the like of other Animals, as for example, if one man, or more being ftronger bindes another man which hath not ftrcngth, nor power to oppofe, or hinder them, he cannot move accor- ding to the property of his nature and fhape. So likewife, if cold contra&ions be more powerful then the extenuating circles, it bindes up the the water with icie fetters, wherby it cannot move according to the nature, nor circular fhape-, fo if any man fhould go to a place, and a high wall fhould ftand betwixt him and that place, he cannot pafte un- leffe there were a paftage, or that he can clamber, which muft be by art, becaule there is no footing, and to jump o- ver it he cannot, for it is fo high that the weight of his body will pull him down, before the ftrength or agilneffe of his limbs {hall raife him over, and he cannot flee over by reafon his fhape is not fitted thereto, having no wings, fo water being ftopt, and the paftage hindered, by a thick bank of earth, can- not move according to its property j for it is proper for wa- ter to move defcendingly, at leaft ftraight forth 5 but when itakends, it is forced by other more powerful motions, fo likewife it is proper for air to move atter a level, ftreaming, orfpreading manner. For fire to afeend, after a piercing, fhooting, and perpendi- cular manner, for thefe elements do as other Animals do, for man,beafts, birds,fiihes, their local motions are different ac- cording to their fhapes, for it is the property of a four legged creature to gallop, trot, pace, run, leap, but they cannot nee, becaufe their fhape is not fitted thereto, having not wings, nor a bird cannot gallop, trot, nor pace, having not fourleggs to make changes therewith, it is true, a two legged creature may leap, jump, hop, and run. Likewife thole fifhes can neither run nor flee, that have not wings nor legs ; but thofe that have mixt fhapes, have mixt lo- cal motions, as there be fleeing fifhes, and fwimming birds, and running fifhes, and fwimming beafts, indeed moft creatures can fwim,for moft fhapes are fitted thereto in one kinde or another, but mans fhape is fuch as it can imitate moft various motions, thoughit is the fhape that makes al creatures to move different ly, yet it is not altogether the fhape that makes them move lo- cally, but there muft be fuch an interior nature proper to fuch <9S) {hapesj as Vegetables and Minerals, their property is not td move locally, that is, to have a felf exterior motion. Itfeems their interior nature, and exterior jfhape is not pro- per thereto, or perchance it is only»their exterior fhape,and not their interior nature that makes them unfit to move lo, for we finde their interior nature to be more aCtive then many of the exterior fhapes of Animals* But to return to thole elements I treat of, as fir ft water, the interior nature caufes it to be liquid and wet, the exterior fhape to be fluid, both agreeing by a fympathetical conjunction give a local motion to delcend, and bear all before.it, or with it, that is loofe, and unfixt, fo fire, the interior nature cauleth it tq be hot and dry, the exte- rior figure to be lhafp to burn, both agreeing by a fympathe- tical con junCting, giving it a local motion to pierce and divide it, all it can enter into, if not over-powred; fo air, the inte- rior nature cpifeth it to be foft, and pliant, and the exterior figure to be thin and learching, both agreeing by a fympathe- tical conjunction, gives it a local motion to enter through all porous bodies in a level line, and to fill up all vacant places in other figures, unlefte it be thruft out, and kept out by lome- thingmore powerful It is the natural property for fire to be hot and dry, to be fharp and burning, to move alcending. And for water to be liquid, fluid, and wet, and to defcend in a defcending line. And air to be foft, and yeelding, to be thin and fearching, to move in a level line, unlefle they be forc’d otherwaies, for fire may be iuppreft downward, and water forc’d upwards and air difperft, and fire is not onely lubjeCt to be fuppreft^but quench- ed out for water, if there be a fufficient quantity to the fire on which it is caft, will over power it : for the innated motions which caufe water to be wet, deftroy the motions that caufe fire to be fharp and burning, and the figure deing de- ftroyed, that is difuniting thofe parts, and thofe motions,' that keep and maintain thofe parts in that figure, the proper- ty. is extinguifhed too, as we fee many Animal figures , do to one another, and birds, and fifh, and men, deftroy beaft, birds, and fifh, according as they have ftrength, power and advantage, for indeed the diffolution of one figure is the caufe of the creation of another, fometimes the materials of one figure, make many figures, and fometimes the materials of many figures make but one figure 5 and an Animal figure hath many feveral manners of moving locally, and, the ele- ments as other Animals do move fomtimes flower, and fome- times fallen , . . ■..hi.:, 3f ■ (9<0 Chap. I}?, Explanations cf orttly Matter, \ ■ ■■■* • - I T is to be obferved by thofe figures that are wrought by the way of lines, are (oft, fmooth, and finning , whether they be paralel lines, cupe lines, triangular lines, or circular lines, but the fmaller, and ftraighter the lines are, the Imoother, and brighter is their work, but there are feveral forts offoftnefle, and ieveral forts of fmoothneffe which are made by feveral kindes of motions. Then it is to be obferved, that all works of contractions, and retentions are ftronger , and more lafting, then thofe figures that are more light, and porous, or extenu- ating. Thirdly,it is to be obferved, that the innated matter, which works upon the light, and thin part of dull matter, is more agil, and nimbler then that which works upon the thick and iolid matter, unleffe the ftrength of the motions be not above, or at leaft equal to the folidity of the matter. Alfo it is to be obferved, they can make lolid figures of light thine matter, by their clofe, and curious joynings injeCtures, and mixtures, and porous, and light figures of folid matter, by their dividings, and fpreadings, but though the innated matter can contra# and dilate, the thick, or thin, light, or heavie fluid or foft, yet it cannot alter the nature,or degrees of the dull part of matter, neither can the innated matter make it felf wea- ker, or ftronger then by nature it is, lcr the entity of onely matter cannot be changed, but though the nature cannot be altered of dull part of matter, yet it may be cut, and carved, and joyned and difperfed into feveral figures, fo the inndted matter,although the nature cannot be altered as to make each degree weaker, or ftronger, yet they may move fwifter , or flower, according as the dull part of matter is they work on Or according as the curiofity of the figure requires; and as I have faid before, there be infinite degrees of the dull part of matter; as folid, and fluid, thinner, and thicker, lighter and heavier , harder, and fofter, and infinite degrees of innated matter* as ftronger, and weaker, fwifter and flower,and though I have faid that the innated matter is the thinneft part of onely matter, yet I do not mean the thin incipit matter, as I may call it for diftinaion fake; for there is no incipit in infinite, and eternal matter, though there be dull in moving matter, but die innated matter is the infinite extra# of the entity of infinite matter, it is the quinteffence of nature. Chap. 140. The differences and alterations of figures; I N theprogreffe of figures, figures are created in figures. The reafonis, that infinite motions which are the gods to ( 97 ) to create, difTolve, and difpofe of figures, as they pleafe to move, fihare as it were the infinite matter, in their work- ing and dividing , and feveral motions, which is proper to the creation, of fuch kinde of figures, aftiftirig each other in their works of creation ; but not in the figures diffolu- tion ; for thofe motions which are proper to create one kinde of figure, are not proper to create another, for every fi- gure hath different motions, in the creation either more or idle, which is the reafon few, or none are juft alike, but either in fhape, or minde will differ, but when two figures are made with the fame motions, among the fenfitive innated matter, then their figures are juft alike, as we fhall fee twin?, and if the rational matters motion be juft alike in feveral figures; their dilpofitions and underftandings are juft alike, and if they differ in the ir motions but a little, they refemble much either the minde, or the body; fometimes both, but the more they differ, the leffe they refemble, but almoft all creatures are di- ftinguiihable, which fhewes fuch variety of motions, as there needs no more repetition to move after one, and the fame mam ner ; for there are not onely different motions in different, and feveral figures, but in one and the fame figure, for the fame figure doth not look when it is old, as when it was young, nor when itisfick, as when it is in health; nor when it is cold, as when it is hot, nay the figure will alter and change, every minuit either by the altered motion of the f enfitive,or ra- tional ; but moft commonly they alter their motions together, as in a joynt concent, for a troubled minde will make the body appear heavy and fad, for joy and grief will make different countenances in the figure, and fo every paftion in the minde, is moft commonly matched with a countenance agreeable thereto, and moft commonly other exterinal a&ions, yet al- though the motions may differ, the innated matter may be of one and the fame degree, for I do not fay every degree of in- nated matter moves alwayes in one kinde of motion; for though every degree of innated matter, is of a particular ftrength, yet not of a particular motion. Chap. 14 1. Of federal Worlds. A S th e Sun differs from the earth and the reft of , tbe pla» nets , and earth differs from the feas, and feas from the airy skie, fo other worlds differ from this world, and the creatures therein, by different degrees of innate matter, on different degrees of dull part of matter, which makes dif- ferent figures by different motions, and as this world is of a fpherical figure, fo other worlds may be of other figures ; as for Animals, although all Animals are not of one fhape ; for a man differs from the fhape of a horfe, or any other four leg- ged creature, and every fort of beaft differs from one ano- ther / ( 9 §) ther in their fhape, So likewife there is difference in their kinds, as well as in their leveral forts , for beafts kind dif- fer from birds kinde, fo may worlds differ for all we know, and if we fhould gueffe by the feveral changse, and variety in nature, it is very probable it is fo^&who knows,or indeed might not very eafily beleeve it fo to be, that worlds may be match’d by a fympathetical conjunction to produce other worlds, as o- ther creatures do, for we finde the planets by a fympathetical conjunction to produce other creatures, as the fun and the earth. And it is to be obferved, that as feveral motions create fi- gures, fo feveral motions work by their created figures, and thofc motions that creates figure by a fympathetical conjun- ction, create after their own likeneffe, either in the nature or fhape, or both, but thofe figures that create figures with- out conjunction of figures, after their invention, or imitation as I may fay, cannot make fuch figures as conjunct ially of figures man calls artificial figures, as birds make nefts, or beafts make dens, and men houfes,but to reckon all artificial figures, is paft my skill, and beyond my life , who knows fmee we finde new and unheard ftars, but that they are the birth of other worlds. AN EPISTLE TO ALL Learned Ph ysitians* Oft reverend, and gr&ve Fathers of health, I prefent this work unto your fage Judgements, your prudent pra- &ifes, your great experiences, your ftudious obfervations 5 yourmiracu' lous cures, and humbly lay it on the tables of your ftudies, in hope fome fpare time may invite you to read therin. I dare not commend it, left you (hould dilprove it 5 for as your wifdomes value it, fo it is good, or bad. i" ■ »t • ■" : i d mr: ' AN P (ioo) AN EPISTLE TO MY READERS. Am tobe pardoned, if I have not the names and tearms that the Anato- mi/lshave or ufe 5 or if I havemifta- ken fome parts in the body, or mis- placed any: for truly I never read ofAnatomie, nor never faw any man opened, much lelfe differed, which for my better under- ftanding I would have done ; but I found that neither the courage of nature, nor the modefty of my fex would permit me. Wherefore it would be a great change, even to a wonder Ifhould not errein fome 5 but I have feen the intrals of beafts but never as they are placed in their bodies, but as they are cut out to be dreft, and in the Iham- bles, and perchance I haue feen palling by the lhambles,a cruel Butcher cut the throat of a beaft,or rip up the body, where the guts and garbidge would burft out, but that gave me not much more know- ledge, not feeing how they lay in their bodie&rand though it is a ufual cuftome, for Ladies and wo- men of quality, after the hunting a Deer, to ftand by until they arc ript up, that they might walh their hands in the blood, fuppofing it will make them , white (ioi) white, yeti never did 5 but as I have faid before, I have ieen the intrals of beafts out of their bo- dies, which intrals I have heard are much like a mans, efpecially a hogs, fo that I know man hath a brain, a heart, a ftomack, liver, lights, fpleen, and the like 5 yet thefe /never viewed with a curi- ous and fearching eye, but as they have laien in fome veflels ; and as for bones, nerves, muf- cels, vcines and the like, I know not how they are placed in the body, but as I have gathered fe- veral times from feveral relations, or difcour- fes : here a bit, and there a crum of know- ledge, which my natural reafon hath put to- gether, of which meat my wit like an unexperi- enced Cook hathventered to drefle, if it pleafeth the palats of my readers, I {hall account my time not loft ; if not it isnot thefirft difli of good meat that hath been difguft. Of W- — - kU bid, h\ Z'-rnd I «r, : • • . j lit-;!*; i : • " u u <. • ' -*c f i J*» € t <-■•** • ** P ■ ! / * iiJ(J£U '■ >* Is*-- ' ■ r ; ; ’ ri- - • • ■ - ~ J \ 'if'/: . '' • . *0 . - - i n -o1 IIJC] flit : nolny; . /it.: n -nacrxsnn fit ' b! ir i illi^cslq It ii .. : n . * l T \ A oifii j -/ra liTjc-or. *■. ; •< * - , - 3£?fr*i bo op in rbn -b nil ion f i ’ •\ Iff; 1 ■' I . fbio 7 •:! ilcbf ;n 1 i $1. tin - ii . . rr u* j : •*, CHAP. Chap. 1 61 Of Light and Colours. L ight and colour ismadeupon the optick nerve, as found on the drum of the car, for light the fenfitive innated mat- ter draws long, ftraightj j^na^even lines, upon the optick nerve, and when colours are made, notes are let upon thofe lines, drawn upon the optick nerve as thus. Of colours, are when thofe lines are fet with quaver, ferny quavor. But light is onely when thofe lines are drawn without thofe quavors, femy-quavors, but as we fhall lee plain fong books, after this manner. I And the knowledg the rational innated matter takes there- of, is when they move in plain lines, when they move in fi- gures and lines, they move for colours. Chap. 162. Of Blindnefle. B lindnelfe proceeds from many caufes , as when the . criftalline part of the eye is not clear; for if it be dimming, or failing, orfpotted and foul, the objeds leem muddy, and mifty, and as the water of the crift aline is coloured, fo the objects appear ; for as Diamonds, fome are of a black wa- ter, others of a yellow water, fome of a green water, or blue, others of a white water , fo is the criftalline part of feve- ral eyes, and according as it is clear, or coloured, fo all ob- jects appear. A lecond defed may be in the ball of the eye ; for accord- ing to the compalfe of the concave, or convex thereof, the ob- jeds are prefented neerer , or at a further diftance, or longer or fhorter, or broader , or narrower. A third defed may be in the eye hole ; for according to the largeneffe, or littlenelfe thereof, objeds are prefented, either in whole, or in part, bigger, or lelfer, more, or fewer objeds enter at once ; for if the eye-lid hole fhould be too large, the fpecies would difpe’rfe too much, difuniting parts and figures, and iftoofmall, the fpecies cannot paffe in ranck and file, as I may fay; for though the fmallerthe circle is, the cloferit contrads the fpecies, and draws the objeds into a ftraighter line; yet if they fhould paffe in a crowd, they will flop the mouth of the paffage, like water in a glaffe when turned faddenly iuddenly downward, every drop ftriving to get out firft hin- ders each others fo in the ftrife, as none can paffe. A fourth defed may be in the optick nerve, if it be full of {lime, and the like, it darknens the light, ftopping the palfage of the light, or if it be fhrunk, or dried up, likewile if the head be full of grofle vapours, it obfcures the fight, as a thick mift doth the lun * for this foul foggy, and groffe vapors hinder the fpecies from entring, and the fenlitive innated matter that fhduld print thefe objeds, on the optick nerve, and if they are not quite ftopt, yet it hinders the regularity, making that innated matter to work by piece-meales," or elle ftaies not fo long, as to take a perfed furvay. The lift and fixth defed may be, if the eyes move too quick, or too flow, which makes the fight impeded, or dull * for too quick motions of the eye dazles the fight, and clips and cuts the exterior objeds into fo many parts, as no one part can be perfectly known, or feen * and too flow motion blunts the fight like a fharp point that is ft ruck upon a ftone, or the like * be- fides,when it is fixt too long upon one objed, other objeds palfe by before it removes , or wearies it fo much as one cannot take notice of it * But when the eyes are too quick, it is byreafonthe nerve firings that tie and f'aften the ball of the eye to the head, are too flack, which makes the eye ball fo loofe as the leaft motion moves it, or elfe thefe nervous firings are too {mall which makes them fo weak, as every little motion moves, fo as they are alwayes in motion as it were * for if the "nerves, and fincw-ftrings be too fmall for the weight of the eye ball, it mky alwayes have a trembling motion, like a sthe afpen, or like weights that cannot poile fteddy,as long as there is a dif- proportion* and when the eyes are too flow the realon is when the linews, or nerve-firings, are fo fhort tied, or fhrunk up, fo that it holds the eye ball too hard, or too ftraight, giving it not liberty to ftir, and turn from fide to fide, or to role a- bout. A feventh defed may be when the eyes look afquint, as it may do two leveral wayes * the one is when the ball of the eye is tied too fhort, by the nervous firing towards the note, by which the balls of either eye, are drawn fo much inward to each other, as to look at each other * but that they are fome wayes hindered by the nofe, this makes the lines or points* that fhoot from either eye, to meet acrofle, which makes all exterior objects to look double* but if the eye firing ties the balls of the eyes too fhort towards the temples it draws the points from the center, and the eyes out of the natural bias which caufeth a fide look, as feeing two feveral wayes at once, but neither way perfedly, by reafon that the lines that iffue from the eyes, lie not level, neither can thofe lines meet upon an objed, in a triangular, which joyns the the light of each eye into a point, which makes light fo much the Wronger. Tnus if the firings betooloofe, or too hard, or too finally or that the optick is Ihrunk up, or the eye-lid-hole covered with fome fcale, or filme, or the eye-lid-hole too little or too big, or the chriftalline full, or the brain full, or too many va- pours continually afcending from the bowels, or ftomach, or if the eye be too quick, or too flow, it is a great defed in light ; But if the paffage be quite flopped up, or the firings or chriftal- line part be broke, thole are irrecoverably blinde. Chap. 163 . Of Hearing. A Fter the fame manner is the lenfe received at the ear, onely the difference is, that inftead of drawing, printing the outward objects, received through the eye, printed on the optick nerve,fo the lenfitive innated matter, fets, or pricks down notes, and draws lines on the drum of the ear, as muficians do upon paper, or the like ; and the fenfitive innated matter in making tnem run, and make flops according as the vocal found is let, and it is louder, or lower, according as they work weaker or ftronger, but for the verbal, it is writ, or printed on the drum ofltheear in letters, for words, and the knowledg the animal figure takes, is when the rational innated matter moves according to thole letters or notes, or wayes of divifion : but in a confufed found there is no order, time, nor flop kept, nor no perfed note, nor letter, nor line prick’d, or printed, or drawn, but, as we vulgarly lay, it is all fcrible-fcrable, or elfe ciphers let for notes ; and like as it is to the opticks, fo it is to the ear, for the notes and letters, as the pidures which fade 5 for as the outward motions flacken , fo the vocal and ver- bal found diffolves j and the memory and remembrance of founds, vocal and verbal, is as the lenle of the objeds on the opticks. Chap. 1(54. Of Articular founds , or founds without dijiinction. I T is ftrange if we confider that one word fhould ftrike fo many fevcral ears, and fo to be heard perfedly, by every particular ear j but furely to my reafon one word or note can- not fill lo many ears, as can ftand to hear it : again, it is ftrange that a word fhould diredly hit into every ear that ftands to hear it, I will not lay alwayes, for fometimes a word isfpoke two or three times over, although the ear be clear before it can hit the entrance, but that is but feldomej - but in my opinion it is not a Angle word that runs about from ear to ear, for then all would not hear at once, for if there were a multitude, the laft ear might not hear a week after, S rrn r. or or at lead a day after it had been fpoken. Wherefore in my opinion it muft be after this manner, the mouth, tongue, and breath formes not onely a fmgle word, but millions in one lump, with the lame labour oi pains, as for one word ^ as for example, take a fheet of paper, or the like, and fold it into many folds, in a fmall compafs, and ftamp a print thereon, and every fold ihall have the like print with one ftamp, and until they are parted they ftick fo dole as if they were but one printed body, when every fold is divided by the ftamp with the print thereon ; lo likewife the mouth folds up thin air, and the tongue gives the printed ftamp, which be- ing caft forth like a bali of wilde-fire, difperfeth in a crack or found, and then fuddenly fpreads about in feveral ftreams; thus millions of words run about in lines of air, pafting in all pores and hollow bodies, as the ear or the like, concaves as hollow wood and vaults, where finding refiftance, rebounds back in repetitions, and according to their ftrength, or the ftrength of their bearing motions, they pierce farther and fall fhorter, and according to the freenefs of the paftage, they found louder, clearer, lower, or duller, and according to their ftamp they are perfed or imperfect. After the lame manner is all diftind founds,* notes being printed as words, but founds without diftindion, are like ftamps without prints, that is plain pieces of air, but if the ear be flopped, the found is loft to the brain, I will not fay to na- tural fenfe, for furely the brain is not the whole ingrolfer of that and the like lenfitive knowledg, neither will fay the animal head ingroftes all that fort of tempered matter, or that no paf- fage can conveigh a found but the animal ear. But moft pro- bably all founds fpread as lights ; as for example, a Imall candle will enlighten a large compafs, by reafon rayes of light ftreame equally from the center candle to the circumference ; fo is found : for when a piftol, or any the like fhots of a bullet, the piftol, or that which makes the found, is the center which fpreads found as fire doth light, and when fuch a compafs of air is filled with found, either vocal or verbal, every ear that ftands in the compafs muft needs receive the found if they be not deaf 5 likewife every eye may fee day-light, that is not blinde, and the rebounds of found are as the refredions of light, and verbals are received into the ear, as figures into the eyes 5 and as crofs lines of light make various colours, fo different notes make various tunes : But fome may fay, that if the air were full of one and the fame words, or notes, that more would enter the ears then was fent. I fay that is impoftible, unlefs the ear could draw the fprea- ding, or ftreaming lines from the circumference to a point, which the ear cannot. But I believe art may do the fame for found as it can with light $ for art can draw with glaftes made for that purpofe, many many beams to appoint, but if the eyes did fo, it would burn them out. Alfo they can draw feveral fpecies, through a fmall hole. I believe artificial echoes, are or may be made after fuch a manner. Chap. 165. Of tafle> touch , and [well. H^Kefe fenfes are made by fuch motions as found is, and as they are fet on the drum of the ear, lo thefe are fet on the nerves of the tongue, or on the skin, for. when the skin is off our tongue, we cannot taftej likewife for * touch, they are fet on the nerves, and finnews j and when thefe notes are let harmonioufly, it pleafeth the fenfes, otherwife ft difplealeth them, which difpleafure is pain amongfl the fenfitive innated matter, and hate amongft the rational innate matter. Asforfcent, they are motions that draw like: lines, like a plat-form upon the pia mater of the brain j indeed the lecond draught of the fenfitive innated matter, is to draw gll their gures upon the pia mater of the brain. : . - - c -■■■• -- S C V .;0-j;jn r 3 io Chap. 1 66 . Of Touch. .odil ■ . - . . 100 or- 3 j/jcf T Ouch is the general fenfe of the whole body, .which the other ienfes are not j for though every part of the body is of a feveral touch, yet it is all touch j When fight onely be- longs to the eyes ; found onely to the ears * fcent onely to the noftrils ; and tafle onely to the tongue ^ befides the lofs of any of thefe fenfes, nay all of them, may be wanting, as if they were not belonging to life, as indeed they are not, but onely as con- veniencies to the life, but not of neceility $ whereas touch is as it were the life of the figure, for when this fenfe is generally wanting in the animal figure, it is as we fay dead 5 that is, the natural motion belonging thereto, is generally altered, or quite changed, as we fay. This fenfe is received through the pores of the flefh, and the nerves are the inftrumental firings whereon motion playes,' either a harmony of pleafure, or a difcord of pain, for as their firings are flruck, fo is pain or pleafure felt, but I have treated fuificiently of this fenfe in my chapter of numb’d palfies. * As for touch the pores of the flefh are like harpfical keys, and the nerves like the wyer firings, whi.h move when thofe keyes arc touch’d, which caufe pleafure or pain, like dif- cord, or har- mony, accord- ing as they are flruck or plaid upon. ^=7 Chap. 1 6k. Of the pores of the body. nr He pores are paffages which let out the fmoke or vapor, * unnatural heat, and the fuperfiuous humors in the body 5 alfo they are paffages to let in comfortable warmth, refreffi- ing colds, nouriibing air 5 thefe paffages have their inconveni- encies, for they are a means to conveigh out the good with the S 2 bad $ bad v and many times takes dn infections, as malignant difeafes that paffe through the pores, for infection comes in as muck through the pores, as any other part of the body. Belides, many times the radical moifture is carried out by unnatural heats, and lometimes the vital fpirits by too many tranlparations ; but thele pores paffages are drawn or lhut clo- ler together by contracting motions, or fet wider open by ex- tenuating motions ^ but if thc-fe common and necetlary paffa- ges to the interiour parts be tc o dole fhut, either by cold con- tractions, or hot contractions, it fmoothers and choakes the vi- tal parts by keeping the vapor, or fmoke that fhould go forth, for the pores in this calc are as the tunnels of chimneys, where- in the fmoke afeends up, and goeth out, and if they are fet too wide open by the extenuating motions, they caui'e the body to ftarve, by giving palfageto luch matter as thould be kept in to feed the body, or by giving too tree patfage, to the natural moi- fture, that fhould quench or temper the heat in the body, or by giving too free a patfage to the gadding fpirits that fhould ftay in the body, to be imployed to the fubftance and ftrength thereof ; befides, when they are too open they are as apt to take in, by giving patfage to that which is a prejudice to the life of the body, as infections, malignity, or unnatural colds, or the like. But the pores of the body are always imployed, where the other paffages ot the body are imployed but tome times. THE I NATVRAL W ARS I N ANIMAL FIGVRES. TzX%T V. CHAP, \6-ji >L L animals after they are created, and have | an animal life, the figure is inlarged by nou- rifhing motions, and fympathetical matter, thefe nouri Idling motions are difgefting mo- tions, carrying thofe parts which are received by the fenfes, unto thofe parts that are created therein, building thereon, and fitting there- with, ftrengthning by adding thickneffe, as well as inlarging by extention, yet all that is received into the ftomack,'is not nou- rifhing, the reafon is that the temperament of the matter, is not fympathetical, that is agreeing not with the motions therein; For though it is not fo antipathetical to make an open war, which war is fickneffe, yet they do hinder, and obftrud, like feveral fadions, thofe natural motions which make health; but when the natural motions and tempers of humours are quite oppofite to the food that is received, or the unnatural humours bred in the body by evil digeftion, they become mutanous by the quantity that is received, or that arifeth from obftrudions, whereupon there becomes a fierce and cruel fight of contrary motions, and temperaments of matter, and whiled they are in the battle, we fay the body is fick, i and (128) and if the natural motions be not ftrong enough, to beat that evil, and dangerous matter out, or at lead able to relift them lo far, as to guard themlelves until the evil parts do fpend them- 1'elves with their own fury, or till the natural motions, and temperaments can haveiome alliftance, as cordials, or phylick, it deftroyes the figure;it lights with; but if the namral motions be more poweriuil, either by their own ftrength, or by their alliftance, then the mutinous and rebellious humours, or the foreign enemy, as lurfets, and the like •, but when they are beaten out, killed,or or taken prifoners , which is to be purged, __ correCtecfor purified, which makes the humours obe- dient, and peaceable. Chap. 1 6 8. Of the four natural Humours of the Body , and tbofe that are inbred . A S there is natural Fire, Aire, Water, and Earth, that is made by an intire creation derived from their own pro- per principles. As likewife a metamorphofed Fire, Aire, Water, and Earth. So there are humours in Animal bodies, and in other bo- dies ; for all I can perceive, and though the bodies cannot be metamorphofed, yet the humours may. But in every Animal body there is natural Melancholy, C holer, Flegme,and blood; the natural blood is the vital vapor ; the natural Flegme is the radical moifture ; the natural C holer is the radical hear, the natural Melancholly is the a- nimal fpirits, being the higheft extract. And if we do but obferve thofe that be naturally melan- cholly, have the founded judgements, the cleared underftand- ing, the fubtileft oblervation, and curioufeft inventions, the mod conceptions, the fined fancies, and the readied wits; like- wife the ftrongeft pafiions, and mod conftant refolutior. but humours which are inbred as tiegme, choler, and Melan- choly are made as Metamorphofed fire, aire,water, dime mud, and earth, as for example, the chylus is the matter that is me- tamorphofed. The dilating motions transform it from chylus to dime, from dime to water, from water to blood, from blood to vapor, from vapor to comfortable and lively heat, from comfortable and lively heat, to burning fevers and heCtick fevers, and the like. Likewife the chylus by contracting motions, turns from chylus to dime. If they be cold contractions, it turns from dime to flegme, from flegme to heavy melancholly. If hot contractions, it turns from chylus to temperat choler ; from from temperat eholerto choler aduft, fromcholer aduft, to melancholly; which from a flimy humour to a muddy humor, from a muddy humour, to an earthy dry humour. Some fort of hot contractions make it fharp, fome fait, fome bitter. Likewife,feveral forts of falts, fharpneffe, and bitternefle, are wrought withmixt motions, cold contractions make the humour, glafly, and ftony. Hot contractions make the humours tough, clammy glutenous and ftony. Hot dilatings make the humour oylie, cold dilations watry. Likewife, mixt motions makes mixt humours, and mixt tempers inclining to each ftde, as the motions predomi- nate. Chap. 1 69 The five natural Maladies ofi the body. E Very difeafed figure is either pained, lick, diffy, numb, weak, or mad, lometimes they meet all in one figure, thefe are diftind fenfes one from another; as for pain, al- though every feveral part of the body hath different lenfe, yet they agree in the general, as to be all pain. But fickneffe is quite different from pain, for it is another, fenfe ; for to have a pain in the ftomach, is not to be ficke in the ftomach ; neither is any part of the body, but the fto- mach is liable to this fenfe; the head may ake, and the heart may ake, heel, or any part of the body ; but none but the fto- mach can be lick ; Indeed it is a different lenfe from pain. Thirdly, a Iwimming, or difeales in the head, are different from both the other, it is a third fort of lenfe, neither is any other part of the body fubjeCt to this difeafe, but the head not properly, yet faintneffe, or wcakneffe is a difeafe, as it were tempered with the three former dileafes, as to have pain, lick, and difty, or fwimming, to be mixt or compounded into one difeafe, but it is fo mixt and compounded into all three, as neither is perfectly or diftinCtly felt ; fo as it is no diftinCt fenfe this dileale is general! to the whole body. The lift is mad- neffe, this fenfe is neither painful, nor fick, nor difty, but light in the head, which is different from difty or fwimming ; but this difeafe infeCteth with a diftemper, the five outward fenfes. The laft is a numbnefte, and deadnefle of particular parts ; and fometimes of the whole body ; but this dileafe is not onely a different fenfe, but an Other nature, which is naturally Un- known to the figure ; for the figure is not any wayes fenfible thereof ; indeed it is of the nature of fowning ; for thofe that fown, the motions of the animal fenfe, and minde are quite altered for a time, but then the animal motions return, that is, rechanged to the proper motions again, fo that thole dead parts The head ake is different from the tooth ake* or ftomack ake, and fo every parr, be it never fo fmallj differs. As fauces maf be equally mixt with fe»' veral forts of things, as none can taft any one thing in it. that cannot be reftored to the fenfe of touch, are as it were in a continual fown, for though in a fown the exterior motion are proper to the fenfe of touch is changed, yet the interior moti- ons proper to the confiftence, of that figure are not changed • for if the interior confident motions were changed, it would turn to alienaibn, fo in dead palfies, if the interior confiftent motions were changed,thole parts would corrupt as do dead carcafes. Numb palfies, ie different from dead palfies as fainting from fowning j for fainting is in the next degree to a fown , fo a numb palfie, is the next degree to dead palfies. Like the over flowing of banks. Ebbing from the mouth of the ftomack as from the river. Like low mar- fhy grounds. Chap. 170. I will treat fir ft of the motions that wake jiamejj'e. T He motions that caufe ficknes are different according as the ficknes is, or rather the fickneffe is according to the different motions^ for fome motions are like the ebbing and Mowing tides of the fca j For the humor furdles, or folds upwards, as the Mowing tide, which moft commonly provokes to caft,as overMowing the mouth of the ftomack, but when the humour folds backward,as the ebbing waters do, that pro- vokes to the ftool j tor as falling tides run from one place, they Mows to another, fo when the humour fals back from the mouth of the ftomack, it overMows the belly , but if the hu- mour neither overMows the belly, nor the mouth of the fto- mack, it runs into the nerves, like as the water runs through the earth, and as the water breaks forth by fprings, fo doth the Humor by feveral rl eumes. Again,fome lorts of fickneffe in the ftomack, are made by fuch kinde of motions as water boyling in a pot, over the fire, for as ebbing and Mowing motions are running backward, and fo forward, fo boyling motions, are rifing upward, and fal- ling downward, there is as much difference in thefe motions, as betwixt vaughting and running^but thefe rifing motions caufe vapours to the head, for the thin parts which rife higheft, when their rifing ftrength fades, fall not haftily down again , but gather to a more folid body, as vapor from the earth doht into clouds, thefe clouds caufe the dimneffe and darknefte of the fight, obftru&ing the light that is brought by theoptick nerves. Again, there are "other forts of fickneffe in the ftomack, caufed by fuch motions, as are like the rolling of a barrel, the humour turning about in the figure of a barrel, which figure, or the like, is fomewhat bigger in the middle, then the two ends, this humour in the ftomack is moft com- monly tough and thick, being more united, and fomtimes one end of this humour is as fet upward , and the other down- ward, and fo turned as a barrel with the head upward, and fometimes moved as a barrel the longeft way on the ground, thefe motions caufe neither purging by vomits, nor ftool, but thruft out into cold fweats, for though thefe arc not fo ftrong dilating ( * 3 * ) dilating, or expulfing motions as ouer fiow 4 J , which forceth to vomit, or to purge, yet it extenuates by thrufting weakly out into a faint fweat, then there are other forts of ficknefs, which are carried by fuch motions,as if meat were turning about on a fpit, for the center of the humor removes not out of the place, although the circumference turns about; this isacon- ltailt iicknef , and the ftomach hath no eaie, untill the humor is taken out oi the ftomach by iome ftronger motions ; as you would take a ipit irom the tire, or by retentive motions, to hold the humor from turning ; fo there are millions of feveral motions, which makes feveral lickneifes in the ftomach , for though the ftomach can be but lick, yet the licknels is not always after one and the fame manner. Chap. 1 7 1 . Of the motions which cauf e pains. P A in is caufed not onely by irregular motions, but crofs motions, or rather, as I may fay, jumbling motions ; that is, motion beats upon motion, or, as 1 may fay, runs upon each other, thronging and juftlingeach other; and feveral forts of pain in feveral parts ol the body,are caufed by different, crols, or beating motions, but if they be dilating motions, they beat upon one another, by fhuHing outward, like as foolifh women do for place, tumbling upon each other to get foremoft; thofe painful motions turn to fores, and putrifie , becaufe di- lating motions make moifture, and being perturbed, make corruption, but if they be luch contracting motions which caufe pains , they turn thofe parts that are pained to be harder, then naturally thofe parts are, as the ftone dry liver, or brain, or the like ; but if thofe pains be made of mixt motions, as fome beat inward, and fome outward, and fo run crofs, they are hard fwelling that extends to the exterior parts, but will not break, as the King’s Evil, or Gouts that lie in the tlefh, or Sciatica, and many the like; for though the extenuating motions would burft out, yet the contracting motions keep in, and being both equally ftrong, neither get the better, for the time the pain is ; and if the pain be amongft the finews, it is caufed either by contracting motions or dilating motions, but not mixt, but as it were divided ; for if it be extenuating mo- tions, the finews are irregularly ftretch’d too far ; if contract- ing or atraCting motions, they irregularly draw, or pull, or ga- ther the finews firings too fhort ; if the paines be in the bones, they are onely crofs motions, as if one fhould run one againft the other, yet neither fhuff backward nor pufh forwards, be- ing equally ftrong ; if in the tlefh they are intangled motions, which make it incline towards black, as to feem purple, or read, or black. And if the pain be in the skin, they are pricking motions, as if a needle fhould draw a thread in and out upon a cloath,or T the C'3 2 ) the like, but in every pained part there is-fome difference in the manner of motions, although not in the nature of the © motions. Chap. 172 . Off aiming or diflinef ? in the head. D lffmefs and fwimming in the head is made byfeveral iorts of motions, oi iuch vapor as is condenfed into winde, if winde be condenfed, if not, it is rarihed vapor turn- ed into winde 5 and the agilnefs of the motions therein, cauleth the force thereof, by an often repetition, giving no time for a repulfe ; but howfoever winde is made, either by rarification, or condenfation, it is winde moft commonly, which caufeth * 1 think it is t j iat we ca p a fwimming and diflinefs in the head ; * for this becaufe it is condenfed or rarihed vapor, ( which you will ) when it is ex- foeafiiy dif- pulfed, flies violently about, carrying or driving whatfoever pcrc ‘ is bearable, loole or moveable along, or about with it, accor- ding to the ftrength thereof ; and if this winde be in thofe veins which incompals and run through the brain , it carries the bloud therein, with fuch an extraordinary and fwift motion about the head, or brain, as it carries the fenfes, as it were, along with it, which makes the difeafed thir.k the brain turned round in the head, when it is onely the vapor, that wheels round therein, or about ^ but the lafting ftrength wafting by the violent fwittnefs, brings but a fhort trouble to the difeafed, and feldom or never caufeth a ruine, unlefs there be fome vein broken by the violence thereof ; but if it be a windy vapor, in the follower and larger parts of the head, it fometimes will gather like a ball, or like that we ca 1 a fp inning top, which lpins about in the brain, whileft it hath ftrength, and when the ftrength fails, the fpinning motion is done, and the vapor di- fperfeth, fo the diflinefs ceafeth $ at other times thofe vapors will move like awhiriwinde, moving afcendingly, in leffer and leffer circles, until it brings a circle to a point in the fhape of a pyramid 5 and when the ftrength abates, or that it breaks it felf againft more folid matter, the vapor difperfes and fo ex- pulfes, but this fort of motions is fo violent, as it caufes the di- leas’d to fall, but foon to recover, for what is iupernaturally violent cannot laft long. Chap. 173. where the brain turns round , or not in the head. A Lthough thin vapor may get betwixt the skull and the brain, and likewife flimv humor ; yet I imagine not that the brain is loofe from the skull, fo as to flap, fiafh, or to ftrike againft the fides of the skull, when the head is moved, or to turn round, although it is a common phrale, to fay, my brain turns round in my head, when they are diftie j but imagine it is C* 33) is not fiwhe brain that turnes round, but the vapor or the humor therein 3 it is true, the brain turns round, when the whole body turns round, but fo as it turns round with the head, as one part, not in the head as a part by it felf ; and the reafon that the dif- fineis is cured by turning the contrary way, is, that the fenfitive motions therein are turned toward their moderate, naturall, and accuftomed manner of moving ; for the violence of turn- ing round, forces the fenfitive motions, as the winde doth the air, or water, driving all one way, as before it, or rather like The flr 0ngc * a fcrue, or a wheel that windes up thofe motions, as thread up- motions for- 011 a fpindlc, and fo unwinds the contrary way. weaker^to their wdyes. Chap. 174. Of the f bund or noif ? in the head, WT ^ en t ^ icre ls a r ^ n vapor got into the head, as betwixt Vy the skull and the brain, and runs about in Circular lines as a ft ring about a wheele, it makes a humming noife, as a turning wheel doth, and the more by reafon the head as well as the vaporous lines is fpherical, and though the brain may flick clofe to the fcull, yet not fo clofe but a thin vapor may get betwixt 5 but if the vapor be gathered into little hollow balls like cymbals, and runs about the head, it caufeth a noife like thofe cymbals, as a tickling or gingling noife,; But if the vapour in the head hath intermitting motions, the found is like mufical inftruments, for theftops like notes, make the divifions according to the feveral motions in the head, is the found made therein, although the ear is flopp’d without. Chap. 175. Of tVeaknefs. S Owning is caufed by the obftrudion of the fpirits, or too great evacuations, or when any thing fupprejffes, orlaies fiege to the heart, or head, they bting the magazine of the life of the body, wherein the leaft diforder is like fire to gun- powder : VVeaknels is caufed by a too much relaxing of the lmews, and fmall fibres of the body, which are like laths to an houie, and flefh like the morter laid thereon. The bones like the ftrong timber rafters and beams therein, which when the morter is worn off, the laths are apt to loofen j fo when the body is lean, the flefh is wafted, the finews are apt to flacken. ’ Again, fome are weak, by reafon the finews are boyl’d too tender, as too much towards a jelly, which the body will be after nKpift extenuating difeafes , as after extraordinary lweatings, fmall pox, meafels, or the like, or in fiydropical dil'eafes. Weaknefs is in a degree to death, asJbeing towards a final or general expulfton of the figure. T 2 Chap„ Chap. 17 6. Of numb and dead palfies. A Dead palfie is not onely made by mif-tempered matter, and diiordered motions, but by unnatural motions, as improper to the nature of that kinde of figure, working, or mil-working moft commonly upon the exterior parts, drawing up or {hutting dole thofe paffages that fhould be open, work- ing by contrary motions, from the nature of the figure, which caufes infenfibility, but as long as the vital parts be untouch’d, which are the ftewards, and truftees, to the life of the body, which are to difpofe, difcharge, and direCt, to take in and lay out, for the fubfiftance of the body ( as I may fay ) as long as thele are untouch’d, the life of the body may lubfifl, although the other particular parts be as we fay dead, or loft to the na- tural ufe of the body. A numb palfie is of the fame nature, but not of the fame degree ; as for comparifon, a dead palfie is, as if a door, for common and neceffary paftage, fhould be clofe fhut and lock’d, or nail’d up ; and a numb palfie is as if the door or doors fhould be half operr, and according as it is open, or {hut, the numb palfie is more or Ids, but botli dead ; and numb palfies are occafioned by fome unnatural contracti- ons, for if it were by fome unnaturall expulfions, the parts in- feCted would rot, and fall from the other parts, as gangrenes, which certainly are caufed by fuch kind of unnatural expulfiom, as dead palfies are of unnatural contractions } thus we finde by experience, that they are unnatural contractions, that caufe dead palfies, becaufe they do not rot. Wherefore in thefe difeafes there muft be applied opening medicines that work dilatively, and if they be caufed from a cold contraction, then hot dilating medicines muft be applied, but if they proceed from hot contractions, the cold dilating medicines muft be applied ; but the difficulty and skill will be to finde whether they proceed from cold, or heat, although moft commonly , all bhyficians do apply in thefe difeafes , very hot and dry medicines, which are contracting, which me- dicines are quite contrary to the nature of the dif eafes, which makes them cure fo few, but the fureft way is to apply dilating medicines, whether hot or cold. Chap. 177. Of that we call a Jleepy numbnef. A Sleepy numbnefs is alfo caufed by obftruCtion or ftop- pages ; as for example, if any over-burthenfome weight {ies up6n the arm, or hand, or the like, it will become numb, which is vulgarly called fleepy ; the reafon is, that preffing too hard upon thofe parts, we {top the pores, which by touch is re- ceived 5 for if the pores be clofe {hut, touch cannot enter, no more then if the eye be {hut an outward object can enter, or * {topping (' 35 ) flopping the ears, or nofe, a found, or fcent can enter $ as we may finde by experience ; for if any part is bound too hard, it ftrait becomes numb, likewife a violent blow 5 or when any part is tied too hard, that part becomes numb, the reafon is, by firiking or thralling back the bloud $ for the bloud. is like a running company, which when they are forcibly beaten back, on thofe companies that are thralling forward, unite by con- traction into lo firm a body, that no particular part can ftir 5 which folid and thick body flops the pores of the fleih, and the running motions in the veinesjbut alfo as we give liberty by uni- ting, or unbinding, or by taking off waight, or by gently rub- bing, to open the pores, and dilperfe the bloud, it is cured. L ikewife the fleepy numbnels may proceed from a fuper- fiuity of vapor, which hying to the pores for vent may flop the palfage, by too great a concourfe, being more vapor then hid- den vent j but any alteration of motion cures it, by difperling the vapor, more thin and evenly. Chap. 178. Of the he Ad feeling numb. W Hen the skins which wrap up the brain, as the pia mater 3 and dia mater , are contracted by an inward cold, or an outward cold taken in at the nofe, ears, mouth, or pores of the skin, they fhrivel, or are drawn in as a handkerchief, or the like 5 when we carry fome bulk within it, and when thofe skins are drawn into a liraiter compafs, then the nature is, it prelfes upon the brain, as being too ftrait, wherein the brain cannot freely move. Befides, the veins and little fmall firings that run about the brain, being contracted with cold, the bloud in thofe veins cannot fo freely run, and thofe firings being fhrunk, make the brain feel as if it were fo hard bound, as to be numb 5 but this doth rather alright the life of the difeafed, then deftroy it * for a little warmth by rubbing the head, or a hot cloth laid on the head, or fome warm fpoon-meat cures it. Alfo numbnefs may proceed from too much bloud in the veins, or too much matter in the nerves,for being too full caufeth a flopping, for wantoffpace or room to move naturally in 5 but this numbnefs is not fo eafily cured, efpecially when the op- preiTions lie in the nerves, for opening a vein gives liberty to the bloud 5 but I know not how one fhould fo eafily open a nerve, neither is the matter within fo liquid, as fuddenlyto run out $ but this numbnefs is rather of the nature of a dead numbnefs, then a fleepy numbnefs. l%... r l . f . , . . '/ f . • ; . t .) T. ‘ . f 'j . . ; ^ • YBIIi Chap. 179. 7 he manner of motion^ or dif order in madnefs. A 5 on the op- ticks, or as on the drum of the ear, the fit mater, or the fkin for touch and tafte. As to fee, hear, tafte, touch, fmell, that which is not prefent,or perha ps not in nature. fpHe motions that make that extravagancy we call madnefs, i is as a carver, or painter, ingraver, printer, or the like, fhould place the figures they work, the wrong end upwards 3 or as idMathematicians fhould draw a plat-form, and fhould make a fquare where a circle fhould be, or fhould put equall weights in uneven feales, or fetfalfe numbers, or make talfe meaiure 3 or as a painter, printer, carver, or graver, fhould paint, print, carve, or grave, a Coaches head to a Lions body, or if a painter fhould draw feathers, on beads, and hair on birds, or the like 3 indeed a fenfitive madnefs, is like dreams in lleep, onely the fenfitive motions work in deep as I have deferibed before, on the inlide of the fenfitive doors 5 and when awake on the outfide 3 and in deep be wrought, without a pattern 3 and awake by a pattern from the read figure, which they prefent^ and the ditferences in madnefs are, that they work be wrought, without the real fubjeds, on the outlide of the fenfitive door, as if awake, although there are no obje&s to take pattern from, as we may perceive by them that are di- ftempered, that they fee fuch objects that are not prefent, or fuch as never was, or can be 3 and fo the like for founds, tads, touch, and fmelling , that is , the fenfitive motions , paints, prints , carves, graves , or the like 3 as on the outfide of the optick nerve, without a read pattern 5 and when the fenle works regular, they never draw on the outfide without a pat- tern, but on the infide, as in deep, and the like for ad the other fenfes : But the motions of the rational madnefs are, when they move violently, and irregularly, if the motions be onely vio- lent, then they fall into violent paifions 3 as anger, fear, malice, or loving, hating, grieving, difpraifes, and refolute intentions 3 if their motions be irregular, then they have drange concepti- ons, wild fancies, mixt memories, incondant and various opi- nions 3 if their motions be violent and irregular, they have drong and drange imaginations, high defpaires, obdinate and dangerous refolutions 3 if the fenfitive and rational innate mat- ter, fympathie in violent irregularity, then they will violently talkc, laugh, fing, weep, and figh, without reafon why, or wherefore 3 but midake me not, for when I fay, too violent, drong, fwift, weak, flow, it is irregular, as to the temper or nature of the figure, but not as to its own nature 3 as for ex- ample, a clock may go too fwift as to the didance of the hour, and yet drike even every nick 3 and the pulfe may be too fwift for the natural temper," and yet keep even time : a mufician may play too fad for a folemn tune, and too dow for a light air, and yet play right to the notes 3 as for the irregularity ,fome motions may be too fwift, others too dow, for other alfidant motions, motions, as for example an army is to march in a body, and lome fhould go, or ride half a day, or a dayes journey before the reft, and fome fhould lag, and come (lowly behinde, or that fome fhould go one way , and fome another, or as two fhould carry a burthen, and the hindemoft fhould go too faft for the former, and fo tumble or throw down, or as horfes in a Coach, the one runs away, and forceth the other to fol- low, as for diforder, it is fomewhat otherwife, as tumults and uproars, as fome doing that which they ought not to do, or be- long not to them , or inftead of garding a houfe pull it down, or like thole that will make a fire in the midft of the houfe on a woodden floor, and not in the Chimnie ; then there is a dilorder in placing, and matching of parts, and alterati- ons of motions, quite different, from the nature of the figure, for fome fort of madnes is made by fuch different motions, as death from that which we vulgarly call life, that is, the motions, are as different, as feveral kindes of figures ; for in this kinde of madncffe, they no more know in their fits, or remember out of their fits, what they did , or laid, or was done to them in their fits, then if they had been dead } juft as in a found, they know not what was done to reftore them, yet there is not a ceffation of motions $ neither in the fenfitive, nor in the rational, but an alteration of motion, ’tis true, there is for a time a cellation of fuch forts of motion, as belong to the naturaf health of the figure, but not to the life* Chap. 180. Of tnadnejje in the body and minde. T Here are two iorts different in madneffe, the one is irregu- lar motion, amongft the rational innated matter, the o- ther amongft the fenfitive innated matter , as mifplacing, ill mixing, or mifmixing, or miftempering, or diftempering, falfe carving, wrong printing off, and on the dull part of matter, as in fevers, or the like difeales, where the diltempered mat- ter is mifplaced, by which improper motions, alters the na- tural motions, which makes the natural temper, and cauieS, and unnatural temper by improper motions ; working upon every particular fenfe, irregularly, or rather improperly, and mixtly, which makes extra \ agancies both in each particular fenfes, and in the generality, this madneffe proceeds from the fenfitive, and not from the rational innated matter ; for the rational part will be in order, and deferibe diftindtly what extravagant the fenfe prefents to them 5 but this madneffe of the body is oft times miftaken, and thought to be the diftem- per of the minde, becaufe the fick perfons deferibe thofe ex- travagancies by relation, yet oftimes the one caufeth the other, but not alwayes for many times the' minde will be diforde- red when the body is found, and healthful, and many times the body will be diftempered, when the minde is regular and frees (« 3 8 ) but the madneffe of the body , onely continues to the height of the difeafe, and as the diieafe abates, the extravagancies vades, and by health vanifhes away, or rather is rubbed, or worn out, by the Regular, and proper natural motions be- longing to mat figure, or body, but the madneffe in the minde proceeds from irregular motions, amongft the rational innated matter, as when they neither keep time, nor meafure, not one- * Figures of ly in making * figures, but in moving thofe figures, they make innated mat-