DUKE UNIVERSITY LIBRARY Digitized by the Internet Archive in 2016 https://archive.org/details/catalogueofinter01amer % CATALOGUE OF THE INTERNATIONAL EXHIBITION OF CONTEMPORARY MEDALS CATALOGUE OF THE INTERNATIONAL EXHIBITION OF CONTEMPORARY MEDALS THE AMERICAN NUMISMATIC SOCIETY MARCH, 1910 NEW ANI) REVISED EDITION NEW YORK 1911 Copyright, 1911, by The American Numismatic Society PREFACE TO THE FIRST EDITION The present catalogue chiefly represents the work of those medalists who have responded to an invitation, sent out during the autumn of 1909, by the American Numismatic Society, to participate in a Representative Interna- tional Medallic Exhibition, consisting of medals, medallions, and examples of bas-relief models in plaster, wax (if under glass), terra-cotta, bronze, and marble; opening the ninth of March, 1910, and continuing until the first of April. The Exhibition Committee announced that the exhibitor whose work “may be deemed to have been most successful by the Committee of Award shall be named as Commemorative Medalist for the year nineteen hundred and ten, receiving a commission for a medal, the original models and dies of which will become the sole property of the American Numismatic Society, the cost of this medal not to exceed Three Thousand Dollars.” 1 1 Upon the conclusion of the exhibition, the Committee of Award named M. Gode- froid Devreese, Commemorative Medalist, and in accordance with the plan of the Committee, M. Devreese has recently executed a plaquette which is illus- trated on the following page. ADVISORY COMMITTEE 1 Ierbert Adams John W. Alexander A. Piatt Andrew George Gray Barnard Cecilia Beaux Wilhelm Bode Nicholas Murray Butler William M. Chase Herbert Adams John W. Alexander r— Daniel C. French Emil Fuchs Charles Grafly Herbert A. Grueber Ephraim Iveyser James Loeb J. Pierpont Morgan Bela L. Pratt COMMITTEE OF AWARD Arthur Putnam Serafino Bicci Edward Bobinson Auguste Bodin Elifiu Boot Joaquin Sorolla y Bastida Louis H. Sullivan Lorado Taft Edward D. Adams, Chairman A. Piatt Andrew Thomas Hastings Daniel Chester Frencfi Herman A. McNeil Commemorative Plaqnette toy M. Godefroid Devreese, 1911. PREFACE TO THE SECOND EDITION The present edition of the Catalogue of Contemporary Medalists is a re- vision of a catalogue published in connection with the International Ex- hibition of Medallic Art, held by The American Numismatic Society in March, 1910. The first edition was a provisional catalogue intended only for visitors to the exhibition, who had the medals before them. Owing to the difficulty of securing data from a considerable distance within a limited time, many of the biographical sketches in the edition of 1910 were incom- plete. In some cases biographical data were not obtainable, and the num- ber of illustrations was necessarily limited. Much valuable material was collected by the delegate of the Society, Mr. William E. B. Starkweather, who visited the artists personally. The revised edition has been a somewhat laborious undertaking, inas- much as it was imperative to return the medals immediately upon the con- clusion of the exhibition, and the material which it was subsequently planned to incorporate in the new edition had to be secured by correspon- dence. The Society desires to thank the artists cordially for their great assistance in facilitating the expansion of the descriptive lists and the re- vision of the biographical notices. Thanks are also due to Dr. W. R. Martin, Librarian of The Hispanic Society of America, for reading the proof of the first edition, and translating many newly added biographies in the second. Some of the material for the sketches given in the first edition was freely drawn from Mr. L. Forrer’s Biographical Dictionary of Medalists, and for the new edition Mr. Forrer has kindly sent us certain information which we had been unable to obtain. The artists were urged to give full details, and only in a few instances are the biographies less complete than might be wished. The form of the sketches shows considerable variation, as they were partly composed by the artists themselves and partly adapted from printed sources. An effort has been made, however, in this second edition to harmonize them without disturbing the individual note so often contrib- vii uted by Hie writers, producing a more satisfactory result than would uni- form notices in condensed, encyclopedic style. The titles of the medals have been corrected and expanded, and dates, processes, metals or materials, sizes, etc., added where possible. The new volume is equipped with an introduction, and also an index of artists and their works. x\s large a number of artists as possible have been represented in Hie illustrations. Many of the exhibitors furnished supplementary photographs of their works, which have been utilized to the extent com- patible with the size of a single volume. This new edition will, it is hoped, fill a need fell by the lovers of the medallic art. It is an attempt to supply in English a sort of text-book from which to begin the study of the modern or, more accurately, the contem- poraneous medal. This catalogue of medals, with its illustrations, and the brief outline of the history of the medallic art given in the introduction, are designed to place the reader in a position to pursue the study of medallic art in the numerous foreign works dealing with the subject. The stress laid by modern critics and collectors upon the purely artistic quality of the medal is a comparatively recent viewpoint. Furthermore, the element of technique has played no minor role in the evolution of style; hence, a clear understanding of the technical processes should conduce to an appreciation of the conceptions of the artistic nature and function of the medal held by present-day artists of different temperaments and nationalities. In a work burdened with details supplied chiefly by correspondence, it is not to be supposed that all errors have been avoided. If any appear, the readers are asked indulgently to bear in mind the difficulties engendered in gathering materials from so many scattered sources. viii INTRODUCTION The medal in the sense of a metallic souvenir, usually monetiform, com- memorating an individual or an event, but not destined for circulation as a coin and not sharing with the coin its legal character, is distinctly modern. In order to clarify this statement, it will be instructive to trace the his- tory of the word medal. The Low Latin medalia, medalea or medalla was used in two senses: first, to denote the smallest coin current, to wit, the obol, the half of the denier; secondly, old coins which were no longer in circula- tion. 1 This later meaning is employed in the “Chronicon Patavinum,” quoted in Muratori’s “Antiquitates Italiie,” — thesaurus magnus in medallis auri optimi, — a reference to a find of Roman aurei in 1274. From the Low Latin came the Italian medaglia, which was also used in the second mean- ing to apply to old coins which had become the object of collectors’ interest. When the custom of collecting old coins spread from Italy to France, the word medaille came into the French language, the earliest known writing in which it occurs dating at the end of the XVth century. This earlier meaning of medaille persisted for several centuries, and was until very recently used by French numismatic writers on Greek and Roman coins. When in Italy the idea of making commemorative pieces after the style of the old Roman coins and “medallions” was conceived, about the middle of the XVth century, and the medal in the modern sense was created, me- daglia took on this new meaning, and at a later period, when the medal became known in France, medaille, from which is derived our medal, as- sumed also this second meaning. From the derivation of the word and the absence of medals among the numismatic monuments of the Middle Ages, it would appear that the medal was invented in the modern period. But was it not known to the ancient world? Two answers have been given to this question: an unquali- fied denial, and an assertion that some at least of the numismatic products of the Roman series at any rate correspond to the medal as it is defined to- day. This definition explains the medal as a piece of metal whose function is purely commemorative, and which does not possess a legal value en- abling it to circulate as a coin in the settlement of contracts. It is agreed by all numismatic authorities that in the Greek series the so-called “medal- lions” of Syracuse, the dodecadrachms of the Ptolemies in Egypt, and the twenty-stater gold piece of Eucratides of Bactria are simply higher denomi- 1 On this transfer of meaning, cf. E. Babelon, Traile, I 1 , p. 7. IX nations, multiples of the drachm and stater unit. By reason of their un- usual denomination they are somewhat removed from the ordinary currency, and they possess a commemorative character and high artistic value. But they were struck at the regular mints as a circulating numerary, and had not t he purely personal and occasional character of the medal. Parallels for the issue of such coin-multiples exist in many modern coin- ages. The Japanese oban, which differs from the lower denominations in size only, is an example of such a magnified coin. 1 Like the multiple-tha- lers of Germany, it did not pass freely in common circulation, but was re- served for official gifts on state occasions. The Venetian osella, though not a multiple, is another example of a piece which lies on the border that sepa- rates the coin from the medal, partaking as it does of the nature of both. All such pieces — coin-medals or medallic coins — should be recognized as part coin and part medal, but as none the less belonging to the coin class. An apparent exception to the absence of the veritable medal from the Greek series is met with in two groups of struck pieces of artistic design and large dimensions which do not bear monetary legends and do not cor- respond in weight to contemporaneous coin-standards. These are the three medallions found in 1865 at Tarsus in Cilicia, now in Paris, and the twenty medallions found in 1902 in Egypt at Aboukir. They bear Greek inscrip- tions, albeit of a very late period, and the types relate to Alexander the Great and his family. But they date from the Hid century a. d., which classes them as Greco-Roman products, and hence as outside of the Greek series proper. They were probably prizes given to victors in the games held in honor of Alexander the Great, 242 a. d., and, while not personal medals in the modern sense, they are quite distinct from the medallic coins mentioned above. The case is more complex when we come to the Roman series. M. Babe- Ion 2 does not admit the existence of the medal in the modern sense among the Romans any more than among the Greeks. But Signor Gnecchi 3 con- tends that certain of the “medallions,” by their weight, size, and method of striking, appear to be medals rather than coin-multiples. He writes: “Uno studio pin serio, piu ponderato dei fatti, quali si vengono pre- sentati dai monumenti, mi porto alia ferma convinzione — e ne daro le prove — che non solo la medaglia esitte veramente presso i Romani, ma e anzi a Roma, che essa ebbe origine.” The gold and silver “medallions” are de- 1 Japan und sein Miinzwesen, Monatsblatt der Num. Gcsell. in Wien, June-July, 1911. 2 Trade des monn. gr. et rom., I 1 , p. 052 ff. 3 La medaglia presso i Romani, divista Ital. di Nnm., 1911, Pt. I. Cf. Contribu- tions a la tlieorie des medaillons. II. Mowat. Rivista Ital. di Nnm., 1911, Pt. II.; and Dr. Menadier, in Fiihrer durch das Kaiser Friedrich Museum, 1911, p. 109. X monstrably multiples of the aureus and denarius. Whether they ever cir- culated as coins, or only served as gifts, marks of distinction, etc., is the debated point. However this question may be ultimately decided, the infinitely broader scope of the modern medal, its absolute demarcation from the coin, the fact that it is no longer the prerogative of sovereigns alone, characterize it as a new production. That the old Roman “medallions” were its inspiration is apparent from the origin of the word medaglia as shown above, and from the style of the earliest medals. The first medals known to us are two pieces struck in 1390 by the Carraras, lords of Padua. The one illustrated above commemorates the surrender of Padua in 1390. The obverse shows the head of Francesco II, and is a copy of a Roman coin, perhaps the silver denarius of the emperor Vitellius. The reverse bears the type of the four- wheeled car, the canting badge of the Carraras. That this medal and the companion piece with the portrait of Fran- cesco’s father were actually made in the XIVth century, as they are dated, is proved by an entry in the inventory of the collection of Jean, Due de Berry, dated 1401: a “leaden impression having on one side the visage of Fran- cesco of Carrara, on the other the mark of Padua.” Additional proof is found in a MS. of Livy (from the second half of the XVth century), in the Bibliotheque Nationale, on which is sketched a head of Francesco Carrara, copied apparently from a medal of 1390. One of the extant specimens of these medals is a struck bronze piece, others are casts. 1 Struck pieces were also made by the Sestos of V enice ( 1393 to 1493 or later) . xi 1 For further reference on the technique compare M. Babelon in Andre Michel’s Histoire de VArt, 1910, Vol. Ill, Pt. II, pp. 897-924. The inventory 1 of the Due de Berry also furnishes ns the means of dating two medals which had long been known, but had been incorrectly dated. These are the medals of Constantine the Great and of Ileraclins, the Byzantine emperor. Several copies of these medals are extant, in one or more varieties, which, previous to the publication of the inventory in 1890, had been supposed to go back to originals belonging to the XVIth century. The date of the originals of these medals is now fixed for us by the inven- tory at about the end of Ihe XIVth century. The inventory shows that the duke possessed specimens in gold, and they are described under entries for 1402 and 1416-1417, respectively. We quote that portion of the entry for 1402 which concerns the Constantine medal: “Item, un autre joyau d’or roont, de haulte taille, ouquel est contrefait d’un des costez Constantin a cheval, et a escript a fenviron: Constantinus in Christo Deo fidelis, impe- rator el moderator romanorum, et semper Augustus, et de l’autre coste a deux femmes, et on milieu d’icelles une fontainne oil il a un arbre, et de- dens ledit arbre une croix, et a escript a l’environ: Michi ahsit gloriari nisi in cruce Domini nostri Jhesu Christi; . . . lequel joyau Monseigneur achata en sa ville de Bourges de Antoine Manchin, marchant de Florence, demourant a Paris, le deuxieme jour de novembre de fan 1402, la somme de XI cens f rails. ’’ These medals have been assigned to Italy on grounds of provenance and style, but there is also a strong claim made for Flanders and Northern France. Were it possible to prove an Italian origin, these medals might reason- ably be regarded as the precursors of the Renaissance medals. Since, how- ever, neither by external evidence can they be positively assigned to Italy, nor by affinity of style can their parenthood to the first great medal of the Renaissance be definitely established, 2 thej^ can only be regarded, in com- pany with the Carrara and Sesto medals, as sporadic, tentative experiments in medal-making. While lliey antedate the Renaissance medals, they did not rapidly find imitators, as did the latter, and, consequently, no great ftoraison of the art succeeded their appearance. The gold originals of these medals no longer exist. The specimens which have come down to us are cast and chased copies, mostly of poor workmanship. The originals may have been hollow cast medals, that is, obverse and reverse cast separately, and afterward fastened together, or they may have been produced by the 1 M. J. Guiffrey, Revue Num., 1890. 2 It has been suggested that the reverse of the Triumph medal of Alfonso I by Pisanello was influenced by the reverse type of the Heraclius medal, and it is to be borne in mind that the first medal, namely, the Palseologus medal, is of religious import, as are also the Constantine and Heraclius medals. Cf. G. F. Hill, Pisanello; also, Num. Chronicle, 1910, p. 110. xii embossing, or repousse technique. As they were of large size, 90 milli- meters in diameter, they could not have been struck from dies, with the implements then in use. We now come to those medals which stand out as the real innovation, and mark the actual birth of the art. Although we have discerned certain threads of continuity connecting the numismatic products of classical an- tiquity with those of modern times, and the medal is not so entirely without antecedents as to be described as genuinely autochthonous, neverthe- less, the modern medal, when it makes its appearance, comes to us in such an original garb that it scarcely reveals the influences which determined its genesis. The new dress which thus differentiates the modern medal from its predecessors is its new technique. In order to make our survey of the technical methods used in the production of medals complete, we may revert to the Greco-Roman “medal- lions” of Tarsus and Aboukir. These were struck from dies engraved by hand directly in a metal block. The process is analogous to gem-engraving, and is as old as the invention of Greek coinage, i.e., about 700 b. c. The exe- cution was entirely by hand. After the engraving of the die, the blank or metal disk which was to receive the impression was heated and placed be- tween the obverse and reverse dies, and the impression struck by successive blows of the hammer. When the Italians of the XVth century desired to execute pieces of large dimensions and strong relief which would allow them to give expression to their plastic impulse, the implements then in use for the striking of coins were more crude, and the die-sinkers less skilful than in Greek and Roman times. Recourse was therefore had to the casting process. The medal was modeled positive in wax, and negative moulds of the two halves of the medal were taken in clay or sand. The negative moulds were then placed together, embedded in sand, and an opening was left between the two halves through which the molten metal, usually bronze, was introduced. The medal thus produced was a solid casting. The rough surface of the bronze was worked smooth with sandpaper, and a graving-tool was used to touch up the finer lines and emphasize the outlines. When thus worked over and tooled, the medal was said to be cast and chased. The artist himself performed this latter process, and as the work was very arduous and required very high skill, the output of such medals was ex- tremely limited. In place of taking a mould in two halves, the mould was not infrequently built up around the wax model, the wax melted out, and the bronze introduced by the process known as the cire perdue, or “lost wax” method. The wax model being thus destroyed, the bronze medal xiii itself served as a model from which a second matrix was made; and since, in casting, there is a certain amount of contraction in the metal, copies made at a later date are of smaller diameter. This fact enables ns to judge of the relative distance of copies from originals. It is a well-known fact that the majority of Renaissance medals in our collections to-day are not first-hand products, that is, made in the artist’s own atelier and touched by his hand, but are products either of the artist’s contemporaries, or of later genera- tions. These older castings are often done in excellent style, and are easily distinguishable from the more modern copies of the XVIIIth and XIXth centuries. The first medal, which, though undated, is the earliest of the Renaissance series, is that of John VIII Palaeologus, the Byzantine emperor, which was made in 1438 or 1439, by Vittore 1 Pisano, or Pisanello, of Verona (1397- 1455). The medal was made when the emperor w^as in Italy attending a church council at Ferrara. The obverse represents John Palaeologus in the tall, pointed hat worn by the Greek emperors, with beard and curls, and bears the following inscription: +IUJANNHC ■ BACIA6VC ■ kai avto -kpatuup- pujmaiuun o nAAAlOAOroc (“John Palaeologus, King and Emperor of the Romans”). The reverse shows the emperor on horseback riding along a stony road and pausing in an attitude of devotion before a wayside shrine. His page is seen in a characteristic pose of this artist, much imitated by his admirers and followers, foreshortened from the rear. The horses are of a heavy breed, and the gait of the emperor’s horse, which is the amble, is correctly given. The inscriptions — in Latin, OPVS ■ PISANI • PICTORIS, and in Greek, GPrON tov- niCANOV • zuurPA^ov — designate the medal as the “work of Pisano, the painter.” The medal measures 102 mm., and is cast and lightly chased. The subject is treated in a broad style, the relief just sufficiently high to accord with the size of the medal, and the disposi- tion and lettering of the inscription are pleasing. The names of other great Italian artists, painters, sculptors, and gold- smiths who, inspired by Pisanello, produced l hat glorious series of noble works known as the Italian Renaissance medals are w^ell known to art lov- ers. Matteo de’ Pasti, Giovanni Boldu, Sperandio, Gianfrancesco Enzola, Francesco Laurana, Leoni Leone, Jacopo da Trezzo, and Benvenuto Cellini are among the most famous. In Germany also portrait medals in Renais- sance style had a great vogue. 2 1 Recently discovered documents prove that his name was Antonio, and that he was born in 1397. - In its development in other countries, the medal was subject to various special influences, such as that of seal-engraving in Belgium and the coin in France. XIV XV Medal of John VIII Palsologus. This medal belongs to the collection of Mr. J. Pierpont Morgan, through whose courtesy we are permitted to illustrate it. When, however, the taste for medals was more widely diffused, the modeling and casting process gave way to the striking process. Gradually the methods for striking coins were improved; the balancier or screw-press accelerated the transition from manual to mechanical methods, and as early as the second half of the XVIth century the striking of medals of large dimensions was common. We even hear of medals struck by ma- chinery as early as the time of Vittore Gambello (1460-1539), who was the first modern artist to engrave dies and strike medals of comparatively large size and high relief. In the XVI Ilh and following centuries, the striking process largely sup- planted the casting, though the latter continued to be sparingly employed. Medal of Charles II of England, repousse. Medal of Charles Rabenhaupt of the Nether- lands, 1672, niello engraving. The artist was enabled to multiply copies with greater rapidity in the former way, and a more clear-cut image and greater circularity were at- tained. In addition to the processes above described, other techniques or modifi- cations were introduced. In Germany and elsewhere medals were cast in separate pieces and then chased minutely. The two pieces were then fas- tened together with a rim. In the Netherlands during the XVIth and XVIIth centuries a thin plate of metal was beaten up into relief for the two sides of the medal in the embossing or repousse technique. 1 Engraving or niello work on a flat surface was an occasional technique. Some of the medals by Simon Passe (early XVIIth century), which have the appearance of being 1 Such embossed and chased medals were made by Peter van Abeele and 0. Muller of Amsterdam. XVI engraved, were struck from metal dies which were engraved with very tine lines. A reappearance of this technique in modern times is seen in the medal recently issued by the Hollandaise-Belge Soeiete. 1 In Germany, Albrecht Diirer and Johann Schwartz of Augsburg pro- duced cast medals from boxwood or Stechstein models which the}' cut by hand. In the Lanna Collection 2 were a number of these rare wooden models which served as matrices for the great portrait medals of the XVIth and XVIIth centuries. These had been carefully preserved, and some of them were painted and gilded. This technique has been revived b}^ mod- ern artists, notably by Paul Sturm, who cuts models in Solnhofer stone. A complete treatise analyzing in detail all techniques has not yet been writ- ten, but such a work would contribute largely to our scientific knowledge. The striking method became everywhere the favored process, and this fact has a large bearing on the art history of the medal. With the perfecting of mechanical aids in striking, a mathematical exactness otherwise impos- sible was secured, but this was accompanied by a certain hardness of out- line, dryness of treatment, and monotony in place of variety. Certain traditions in regard to the disposition of the inscriptions — a rigid formalism — arose, so that in the course of time, particularly in the XVIIIth century and the beginning of the XIXth, the splendid artistic quality which the medal had in its naissance and early period was completely lost. This was due to the fact that convention got the upper hand, so to say. “Classicism” — b}^ which is meant the adherence to the grenetis, or row of dots about the type, imitated from ancient coins; the high rim; the polished background and inner circle; the stereotyped form of the inscription — was prescribed. All such formalism, proper enough in its inception, chills the soul of poetic imagination. The reverse of the medals showed a woeful lack of artistic spontaneity. An inferior and obvious treatment of both sides of the medal became their disheartening characteristic. The modern reawakening or renaissance of the medal is identified with the name of Hubert Ponscarme (1827-1903). In his medal of Joseph Nau- det, in which he has been hailed as the forerunner of the modern school, Ponscarme broke away from the traditional treatment and set a new standard for the medal. After Ponscarme came Chaplain, the great por- 1 A klippe-shaped plaquette, “The Glory of the House of Orange-Nassau,” by F. E. Voet. Cf. W. Zwierzina, Een geslagen Niello-Penning, Tidschrift voor Munt- en Penningkunde, 1910, p. 209. 2 Sammlung Lanna, Pt. Ill, Prague, May, 1911. In this same collection were models or moulds in Kelheimer and Dambrett stone, and even the original wax models used by XVIth-century artists. xvii Original Sketches by O. Roty. xviii traitist ; Roty, the master of delicatesse and sentiment; and Charpentier, the first to apply the technique of the bas-relief to the medal. With these names are associated a brilliant list of medalists, many of them distin- guished sculptors and painters, who in France, Germany, Austria, and else- where have raised the modern medal once more to the plane of a fine art. Closely connected with the modern revival, though not as a sole primary cause, is the invention of the machine for engraving the die, which renders the long and difficult apprenticeship with the burin superfluous. Before the invention of Contamin, about 1840, the artist was obliged to engrave or cut the design of his medal on a soft steel block or die, working from a drawing or a model in wax. The dies were then hardened and placed in a hydraulic press, and the medal struck from these dies. By the reducing-machine process the medium of the artist is no longer the steel. After a sketch of the head, figure, or group has been designed on paper, the artist proceeds to model his design in soft wax (plastilino is the favorite kind), placing it bit by bit on a slate, and building it up as a sculptor works on a bas-relief. This wax model in rectangular or circular form is often as large as fifty centimeters in diameter. From the wax model a plaster cast is taken in negative, and from this in turn a positive casting in iron or bronze, or a galvanoplastic reproduction, is obtained. This large metal model is then placed in the reducing-machine, and the whole of the concluding process thereafter is mechanical. The reducing-machine is an application of the principle of the panto- graph. The construction of this machine is based upon the fact that the farther a point is located from the center of a wheel, the longer the path it travels as the wheel revolves. The most conspicuous part of the machine is a freely moving beam fastened only at one end, and counterbalanced by a weight at the other end. On this beam, near the free end, is located a tra- cing-point. A very sharp metal casting of the original wax model is placed under this point and kept revolving. The tracing-point continually touches the casting, gliding over all its raised surfaces and depressions in a very close spiral line, starting from the center of the cast and working outward toward the rim. Nearer the fixed end of the beam is a second steel point, the cutting-point or friiser, which is revolved very rapidly by an electric motor. This cutting-point, guided by the tracing-point, cuts or engraves on the soft steel block an exact copy of the original cast model, but in reduced size. 1 The closer the fraser or cutting-point is placed to the fixed end of the xix 1 The best results are obtained when the reduction is made in a proportion not greater than 6 to 1 — preferably 5 to 1, or 4 to 1. Reducing-Machine — “Janvier” Model. (The Medallic Art Co., New York.) beam, or the center of the wheel, the smaller is the diameter of the repro- duction on the steel block. This block shows the medal or plaquette in the reduced size desired, but, like the original, in relief or positive, and is desig- nated the patrix, or more popularly the “hub.” 1 The soft black must be sub- jected to a hardening process. It is thereupon fastened in a friction screw- press, and, by repeated blows, whose force is equal to a weight of 250,000 kilograms, the patrix is stamped upon another soft steel block which re- ceives the impression in intaglio or negative. This second block, designated the matrix or die, is likewise hardened. The die is then handed over to the artist or skilled engraver for examination, its details are carefully studied and proved, an impression in lead is taken, and the die is ready for the press — the final step of striking. The reducing-machine makes it possible for any artist who can model to produce a medal. A sculptor or painter may engage in this work as a branch of his activities. Roty himself declared that lie had never gone through the severe training of engraving the die, and could not have exe- cuted any of his medals without the reducing-machine. We still hear of ecoles de graveurs, and Gravier-schulen, and many medalists style them- 1 The die may, of course, be made first, and the hub obtained from the die; this is always done as a precaution against the breaking of the dies in striking. XX selves “graveurs en medailles,” but the fact is that the reducing-machine is to-day the engraving agent almost exclusively employed in the actual cut- ting of the dies. Its advantages are undeniable, and to its invention we owe the delicate low relief with its manifold gradations which give perspective, atmosphere, and grace. The artist, once more as in the days of the Renais- sance, lovingly and genially transmits his warm creative impulse through his finger-tips. Plastic form is created in his mind’s eye, and takes shape under his obedient hands. Painters may introduce the pictorial element into a struck medal. Impressionism in both the sculptors’ and painters’ meaning may be applied to the struck as well as to the cast medal. A protest has, however, been raised, chiefly by the Germans, against the entire abandonment of engraving by hand. Dr. Georg Habich 1 argues that the reducing-machine takes away from the strength which lies in a clearly expressed technique. This result Dr. Habich regards not as inevitable with all artists, but as a peril to which many succumb. There is, no doubt, a danger in the complete freedom which the reducing-machine affords the modeler, but the great advantage of the gradual shading off of the figures into the background is an undeniable artistic benefit not possessed by the graving-tool and steel medium. The observing critic will note many cases where reduced medals show a summary treatment of details and inadequate modeling. These faults are due to an abuse of the freedom afforded by the machine, which relieves the artist from the necessity of executing in the actual scale of the piece produced. Certain German medalists, notably Georg Reimer, Max Dasio, and Fritz Hornlein, take an extreme position. They claim that the contemporaneous art is full of artificialities. They scorn the delicatesse of the French artists as tricky minutiae, and regard the reducing-machine as a mechanical invention, typical of an age of ma- chinery, which will be as fatal to the medallic art as mechanical methods have been to wood-carving. These artists believe that the work should be executed in the actual size of the projected medal, since only in this way can the freshness of the original conception be retained. “Whoever,” it is urged, “has analyzed the great effect attained in the small diameter of an ancient Greek coin, will understand what the working in the actual size and proper proportions means for the inner balancing of the composition.” Hornlein believes firmly that onty by reverting to the die-cutter’s art is any advance possible in the future development of the medal. Whether the reducing-machine, which has during the last half-century xxi 1 Neuere Entwickelung der Medaillenkunst, Kunst u. Handwerk, Pt. VII, 1906, Munich. been the cause of such a splendid development of the struck medal, will eventually lead to its degeneration, cannot be prophesied. It may, how- ever, be confidently predicated that while in the modeling positive in large dimensions lurk certain pitfalls, the cutting negative in small dimensions requires a greater degree of talent, an exquisitely sensitive genius, to pro- duce equal artistic results. The various techniques and forms employed by the artists whose works are here presented have been noted, except where it was impossible to ob- tain information. Some artists employ both the plaquette-shaped piece and (he medal proper; others indicate a preference for one form only. Some artists produce only cast medals; others work in both techniques. A brief might be held in favor of the cast medal for portraits, on the ground that genuine plastic form, without the loss of softness of outline, may only thus be achieved. On account of its texture and color, also, cast bronze is a most excellent metal for the rendering of portraits. The majority of the medals were made by striking or casting, but a few exceptions should be noted. Nos. 3 and 6 of the firm of Tiffany & Co. were etched and engraved. The etching was done in Ihe usual way, that is, through corrosion of the metal by acid, and Ihe finer lines were accentuated by engraving them with the burin. Nos. 2, 7, 8, 13 and 15 by L. de Feo, and Nos. 1,12, and 13 by Hans Frei, were cut by hand directly in bronze as an engraver does high-relief work in metal. No. 1 by Paul Sturm and the re- verses of Nos. 15 and 18 by Max Dasio were cast from models cut in Solnhofer stone. This is a fossiliferous, fawn-colored limestone found in the quarries at Solnhofen, near Pappenheim, in Bavaria. When pure and free from fossils, it has a wonderfully fine-grained texture which admits of very delicate cutting. The stone is extensively used in lithography in our country. Max Dasio exhibited also some cast medals from models in box- wood, a revival of a technique employed by German Renaissance medalists. The finish or final surface of a struck medal is usually obtained by the French sand-blasting process. A stream of powdered sand pits the surface with infinitesimal holes, and the medal is then dipped into a bath of sulpho- hydrate of ammonia, if silver; or, if bronze, in burnt sienna or sal am- moniac (cf. Patination of Medals, Amer. Jour, of Num., 1910, p. 144). A discussion of the style and artistic merits of the medals shown in this exhibition does not fall within the scope of the present introduction. It is well known that the French school of medalists is generally regarded as the leader in the moulding of artistic taste, and also that modern French medal- xxii lie art is profoundly influenced by the art of painting. The effects of French tendencies may be seen in the art of the Belgian, Austrian, German, English, American, and even Bohemian medalists. There are, however, distinct styles revealed by artists of different nationalities, who, though they have drawn their inspiration from the French, who were the pioneers in the re- vival of the modern medal, nevertheless exhibit their own strong individu- ality, which is often suggestive of racial characteristics. There is the Munich school of German medalists, in whose work is seen the influence of the Munich painters, as well as the particular theories of the medallic art held by the Germans. Some of the Italian medalists, by the plasticity of their relief work, seem to show the influence of the modern school of sculp- ture. It is more than apparent that certain modern medalists imitate in their work the broad manner of the Renaissance medals. From the copious illustrations which accompany the text of the present volume, the reader may become acquainted with the style and manner of each artist, and form a judgment as to the relative merits of their work. No uniform terminology for the various products of the medallic art has ever been employed. The words medal, medallion, plaquette, and plaque have been so loosely and vaguely used that it seems only logical to try to restrict the application of the terms to definite classes of objects. The word medal has a generic usage bj r which it includes, broadly, all of these terms except plaque. It is also used, in a restricted sense, of a circular piece, round or oval, and is thus distinguished from the plaquette, which is a rec- tangular, oblong, square, or octagonal piece. In this catalogue medal is employed in its general meaning in the introductory pages, but in the de- scriptive list of the medals it is used in its strict sense, and, furthermore, is limited to apply to pieces not exceeding 150 millimeters in diameter. The larger circular pieces, round or oval, ranging from 150 millimeters to 50 centimeters, are called medallions. The word plaque has been inaccurately employed in the medallic art to designate a one-sided, single casting, usu- ally a large model from which the struck piece is reduced, whether of cir- cular or rectangular shape; and the use of the term has further been extended to include all one-sided pieces of any size and shape whatsoever, so that this common usage of the term would seem to make it practically synonymous with one-sidedness. This loose use of the term is extremely undesirable. Furthermore, a large model, if a galvano, 1 frequently con- sists of an obverse and reverse welded together, and it is obviously illogical 1 A galvanoplastic reproduction. xxiii to designate it a plaque. It is equally confusing to apply this same term to a small cast or galvano medal, round in shape. In this catalogue, therefore, plaque is used only of a rectangular piece; that is, as the derivative from which plaquette, its diminutive, is obtained. The words plaque and pla- quette, consequently, stand in a relation analogous to that borne by^ medal- lion and medal. The plaquette ranges from 200 millimeters to 50 centi- meters in one of its dimensions. Since the total area of a circular piece of a given diameter is greater than that of an oblong piece (the usual shape of a plaquette) of the same length in its greater dimension, it is plain that the diameter limit which separates the medal from the medallion should be less than that which separates the plaquette from (he plaque. In order better to tix these distinctions, sizes of medals and plaquetles are quoted in milli- meters, those of medallions and plaques in centimeters. Solid cast pieces are distinguished from single or one-sided castings by the use of the terms double and single, in parentheses; e.g., “Cast medal, bronze (single).” This is to be understood, unless otherwise specified, as describing the particular piece exhibited. A solid cast medal may be issued also in the form of separate single castings of obverse and reverse. Because of the facilities afforded by the reducing-machine, a given model for a medal may be reproduced in almost any size and form. The forms of a given medal, viz., cast, struck, or galvano, which are known to exist, have been indicated in the descriptive matter after each title, inclosed in paren- theses, and following the description of the actual piece shown in the ex- hibition. Struck pieces with plain reverses are designated as uniface. Those struck pieces not so designated are to be understood as having both obverse and reverse designs. A felon is a small piece, circular or octagonal, which is used as a sort of member’s ticket, a “jeton de presence.” The jeton rarely exceeds 44 milli- meters, and is commonly octagonal in shape. The badge is distinguished from the jeton as a small piece designed to be worn, and for this purpose has an attachment by which it may be suspended. The term cliche is used to denote a struck piece made from an obverse or reverse die. By a special process of striking two separate blanks are placed between the obverse and reverse dies, and the separate impressions thus obtained are known as cliches. Such pieces are made for the artist’s own cabinet, or for exhibition purposes and museum specimens. The thin proof impression from one die only, which is made as a first essay, fre- quently in lead, is also termed a cliche. The artist’s proof, which is highly prized by collectors, is a first copy, xxiv one of a small number of the entire edition of the medal. These proofs are the first from the dies, and are reserved for the same purpose as the cliche. The proofs are frequently numbered in the order of their striking, and are commonly stamped with a punch, either on the reverse or on the rim, in incuse lettering, “EPREUVE D’AUTEUR,” or “fiPREUVE D’ARTISTE.” Etude is used to denote a first sketch, a study preliminary to a more carefully executed work. Like the painter’s study or sketch, it is under- stood to be hasty and incomplete. Pochade is a term generally employed to designate a study rapidly made from nature. M. Pierre Dautel has kindly furnished the following defini- tion: “Je considere la pochade comme une annotation rapide, faite a titre de documentation, et comme tres interessante, car c’est l’essence pure du temperament de l’artiste.” An esquisse is the result of a careful and deliberate search for a subject of composition, or creation. The artist’s signature is a matter of some interest. Often only the sur- name is given; more frequently, however, the surname is prefaced by an initial. Occasionally the signature is in the form of a monogram. Char- pentier used a unique monogram, composed of his four initials, Q^\; andLamourdedieu abbreviates his name in a running script. The word fecit, fee., is often added. Collaboration of two artists on one medal is not un- usual. Sometimes the obverse and reverse are the work of two different artists. A parallel from ancient Greece is the cooperation of engravers on the signed tetradrachms of Syracuse. The collaboration is, however, frequently that of designer and die-cutter, in cases where the reducing- machine is used. For example, Cappuccio cuts the dies for several sculptor-medalists, and a typical signature is as follows: E. Boninsegna mod.(ellavit), A. Cappuccio inc.(isit). If the collaboration be between designer and engraver, the signature will be as follows: L. Pogliaghi des.(ignavit), A. Cappuccio inc.(isit). We may compare this joint work with that on the Greek vases, on which potter and painter collaborated, and which are signed by both. The name of the die-cutting establishment, or medallic art firm, or that of the bronze-founder, is often on the reverse or on the edge. Dates within parentheses after the title of a medal refer to events com- memorated; those outside, and immediately following the title of a medal, indicate the year in which the medal was made. Sizes of plaques, plaquettes, and oval pieces are given height by breadth. Agnes Baldwin. November 1, 1911. USEFUL WORKS OF REFERENCE J. von Schlosser. Die iiltesten Medaillen und die Antike, Jahrbuch der Kunsthistori- schen Sammliingen des Allerhochsten Kaiserhauses, Vienna, XVIII, 1897. W. Kubitschek. Ausgewahlte Romische Medaillons der Kaiserlichen Miinzensamm- lung in Wien, 1909. A. S. Poole. Roman Medallions in the British Museum, 1874. H. Dressel. Fiinf Goldmedaillons aus dem Funde von Abukir, 1906. F. Gnecchi. I Medaglioni Romani da Augusto a Giustiniano, 1911. A. Heiss. Les Medailleurs de la Renaissance, 1881-1892 (unfinished). A. Armand. Les Medailleurs Italiens des XV e et XVI e siecles, 1883-1887. J. Friedlander. Die Italienischen Schaumunzen des funfzehnten Jahrhunderts (1430- 1530), 1882. G. F. Hill. Pisanello, 1905. E. Muntz. Les Precurseurs de la Renaissance, 1882. Bronze Plaques and Medals of t he Renaissance Period from the Hainauer Collection, Berlin (publ. by Messrs. Duveen Bros., New York). C. von Fabriczy. Medaillen der Italienischen Renaissance, 1903 (translated by Mrs. Hamilton, Italian Medals, 1904). Jean de Foville. Les medailleurs italiens, Histoire de I’Art, edited by Andre Michel, IV 1 , p. 158-166. J. Menadier. Das Mimzkabinett, Fiihrer durch das Kaiser Friedrich Museum, 1911. Medaillemodelle der Renaissance aus farbigem Wachs, Amtliche Beriehte aus deu konigliehen Kunstsammlungen, Sept., 1910. Sammlung Arthur Lobbecke, Kunstmedaillen u. Plaketten des XV bis XVII Jahrhun- derts, 1908. Sammlung Lanna, III, Medaillen u. Miinzen, 1911. H. Bolzenthal. Skizzen zur Kunstgeschiclite der modernen Medaillen-Arbeit, 1840 (out of date). F. Mazeroi.ee. Les Medailleurs francais du XV C siecle au milieu du XVII e , 1902. Gazette numismatique frangaise (monographs on Vernier, Tasset, Boudichon, Borrel, Chaplain, Roty, etc.). XXVI N. Rondot et H. de la Tour. Les Medailleurs et les Graveurs de Monnaies, Jetons, et Medailles en France, 1904. G. A. Orliac. Hubert Ponscarme et revolution de la medaille au XIX e siecle, 1907. R. Marx. Medailles frangaises depuis 1789, 1897. La Medaille frangaise contemporaine, 1898 (plates only) . The Latest Evolution of the Medal in France, International Studio, Vol. XVI, 1902. Medailleurs frangais a l’Exposition Internationale de Bruxelles (published by D. A. Longuet), 1910. G. F. Kunz. Louis Oscar Roty, The American Journal of Numismatics, 1911, Pt. III. E. Babelon. J. C. Chaplain et l’Art de la Medaille au XIX e siecle. Revue de l' Art an- cien et moderne, Paris, 1909. F. J. Kaiser. Uber moderne franzosische Medaillen, Mittheilungen der oesterr. Resell. fiir Miinz- u. Medaillenkunde, Sept., 1907. C. Saunier. La medaille frangaise contemporaine, Art Decoratif, n. 38, 1901. A. von Loehr. Wiener Medailleure, 1899; Nachtrag, 1902; N. F., 1911. C. Domanig. Anton Scharff, 1895. J. Liesching. Die oesterr. Medailleure, Kunstgewerbeblatt, N. F. 13, 1901-2. V. von Renner. Heinrich Kautsch, ein oesterr. Medailleur in Paris, Mittheilungen der oesterr. Gesellschaft fiir Miinz- u. Medaillenkunde , June, 1908. G. Habich. Neuere Entwickelung der Medaillenkunst, insbesondere in Munchen, Kunst und Handwerk, Zeitschrift des Bay. Kunstgewerbe-Vereins, n. 7, 1906. J. Menadier. Die deutschen Medaillen auf der Weltausstellung in Brussel, 1910, Ber- lin, 1911. Album delle Medaglie e Placchette coniate dal 1884 al 1906, Stabilimento Stefano John- son, Milan, 1906. Medaglie, Placchette, Fusioni, Rassegna Annuale, Stabilimento Stefano Johnson, 1910. J. Simonis. L’Art du Medailleur en Belgique, 1900. Nouvelles Contributions a l’Art du Medailleur en Belgique, 1904. E. Babelon. Les Origines de l’Art du Medailleur, Histoire de V Art, edited by Andre Michel, III, Pt. II, pp. 897-924. A. Lichtwark. Die Wiedererweckung der Medaille, 1897. Die Miinze, Medaille, u. Plakette in ihrer kiinstlerischen Bedeutung, Miinchener Rund- schau (published by J. Kirchner), Nov., 1909. Die Moderne Medaille, Beiblatt der Mittheilungen des Klubs der Miinz- u. Medaillen- freunde, Vienna. H. J. Dompierre de Chaufepie. Les Medailles et Plaquettes modernes, 1901. xxvii R. Hossi i i . I'ber die Ivunst dor Medaille, Darmstadt, 1905. Xur Wiederbelebung der Medaillenkunst in Deutschland, Deutsche Kunst u. Deko- ration. V. XIII, 1903. P. Hermann. Die Kiinstlerische Medaille u. ilire Geschichte, Kunst fur Alle, n. 23, 1907-8. \Y. Mii ssm k. Plaketten und Medaillen, Kunstgewerbeblatt, N. F. 16, 1904. G. llrn.. Vie wird die moderne Medaille geschaffen? Mitt, der oesterr. Gesell. f. Miinz- u. Medaillenfreunde, July, 1908. L. Foam it. Biographical Dictionary of Medallists, Vols. I IV (and continued in the current numbers of Spink’s Circular). A. Piatt Andrew. International Medallic Exhibition of (he American Numismatic Society, The Jeweler's Circular, May 4, 18, 1910. (Sec also references in the biographical sketches of this catalogue, the various publica- tions of numismatic and medallic art societies, museum catalogues, and numis- matic sale-catalogues.) xxviii INDEX OF MEDALISTS PAGE ALLEN, CHARLES J. ...... 1 ANDRIEU, JULES ...... 2 RAGG, LOUISE E. . . . . . . .2 BALL, CAROLINE P. ..... 3 BARTHOLOMEW ALBERT . . . . . .306 BARTLETT, MADELEINE A. .... 4 BATES, f HARRY ....... 4 BAYES, GILBERT ...... 5 BEACH, CHESTER ...... 8 BECK, GEORGE ...... 10 BEETZ-CHARPENTIER, E. . . . . .11 BEGEER, CAREL L. J. . . . . . .362 BENLLIURE Y GIL, MARIANO . . . .12 BORGLUM, JOHN GUTZON DE LA MOTHE ... 15 BOSSELT, RUDOLF . . . . . .242 BOTTEE, LOUIS ALEXANDRE . . . .16, 306 BOYLE, JOHN J. . . . . . . .24 BRAUNER, OLAF ...... 25 BRENNER, VICTOR DAVID . . . . .26 BURNHAM, ROGER NOBLE ..... 35 BUSH-BROWN, HENRY KIRKE . . . . .37 CAPPUCCIO, ANGELO ..... 39 C ARAB IN, R. ....... 306 CARIATI, GIOVANNI ...... 41 CASTAGNE, ALBINO DAL . . . . .43 CASTELLO, EUGENE ...... 45 GASTIGLIONI, GIANNINO . . . . .45 CAZIN, J. M. MICHEL ...... 307 CHAPLAIN,f JULES CLEMENT . . . . .49 CHARPENTIER,f ALEXANDRE L. M. ... 57, 307 xxix PAGE CHRIST, FRITZ . . . . . . .242 CLARKE, JOHN MOWBRAY ..... 66 CLARKE, THOMAS SHIELDS . . . . .67 GONKLING, MABEL (MRS. PAUL) .... 67 CROS, CfiSAR ISADORE HENRI . . . .307 DAMPT, JEAN B. A. . . . . .68, 307 DASIO, MAX . . . . . . .242 DAUTEL, PIERRE ...... 69 DEJEAN, LOUIS . . . . . . .307 DE SAULLES, G. W. ...... 72 DEVREESE, GODEFROID .... 72, 313 DIETSCII, C. PERCIVAL ..... 80 DOUGHERTY, LOUIS R. . . . . . .80 DRURY, ALFRED ...... 81 I)U BO IS, PAUL . . . . . 82, 313 DUFRESNE, CHARLES ..... 307 DUPRE, t GEORGES . . . . . .86 DUPUIS, LOUIS ...... 313 DUPUIS, TOON ..... 87, 314, 363 DUROUSSEAU, PAUL LEONARD .... 87 EBERLE, LUDWIG ...... 243 FADDEGON, J. M. . . . . . 314 FEO, LUIGI DE . . . . . .89 FLANAGAN, JOHN ...... 92 FORSYTH, J. N. . . . . . .96 FOURCADE, DOMINIQUE P. J. . . . . 96 FRAMPTON, SIR GEORGE J. 100 FREI, HANS ....... 100 FREMIET,f EMMANUEL . . . . .104 FUCHS, EMIL ....... 105 FURSE, J. H. M. ...... 109 GARDET, GEORGES ...... 307 GELERT, JOHANNES SOPI4US ..... 109 GLENNY, ALICE RUSSELL (MRS. JOHN) ... 112 GOETZE, WILHELM . . . . . .243 GRANGER, GENEVIEVE . . . . . 112, 308 xxx PAGE GRATH, ANTON . . 243 GREBER, M. 308 GREGOIRE, RENE . . 115 GREINER, DANIEL .... 243 GRIMES, FRANCES . . . . . 118 HAHN, HERMANN .... . 120, 244 HAMILTON, LILIAN V. (MRS. VEREKER) . 123 HARTLEY, J. SCOTT .... 126 HARVEY, ELI .... . 127 HASEROTH, MAX .... 129 HEJDA, W. . . . . . . 223 HERING, HENRY .... 131 HERKOMER, SIR HUBERT VON . 132 HILDEBRANDT, ADOLF E. R. VON . 133 HOOPER, GRACE . . . . . . 136 HORNLEIN, FRITZ .... . 136, 244 HOVENDEN, MARTHA M. . . 140 HUJER, LUDWIG .... . 141, 223 JAEGERS, ALBERT . . . . . 146 JELTSEMA, F. E. . 147, 363 JOHN, WILLIAM GOSCOMBE . 150 JOURDAIN, JULES .... . 152, 314 JOUVE ...... . 308 KAUFMANN, HUGO .... . 154, 244 KAUTSCH, HENRI . . . . 157, 223, 244 KEYSER, ERNST WISE 162 KONTI, ISIDORE . . . . . . 162 KOUNITZIvY, FRANZ .... 164 KRAUMANN, ALEXANDER 169, 244 LAFLEUR, ABEL .... . 171, 308 LAGAE, JULES . . 175 LAMOURDEDIEU .... 308 LANGTON, BERENICE FRANCES . 176 LECHEVREL, ALPHONSE EUGENE . 177, 308 LECROART, JEAN . 181 LEFEBVRE, HIPPOLYTE . 182, 308 XXXI LEG ASTELO 1 S, JULES PROSPER LEGROS, ALPHONSE .... LENOIR, PIERRE ..... LE ROY, HIPPOLYTE LEYILLAIN,f FERDINAND LOISEAU-BAILLY, GEORGES MACKENNAL, BERTRAM MacMONNIES, FREDERIC MARSCHALL, RUDOLF F. ... MAURA Y MONTANER, B. McGILL, DAVID ..... McKenzie, r. tait .... MEARS, HELEN FARNSWORTH . MICHELET, F. M. .... MIELZINER, LEO .... MILLS, MARIETTE B. (MRS. LAWRENCE H„ JR.) MORIN, GEORGES .... MORLON, ALEXANDRE NICLAUSSE, F. P. NOCQ, HENRY .... 187, 309 189 . 190 193, 314 . 309 309 . 197 199 . 200 206 . 208 209 . 213 309 . 214 215 . 216 218 . 309 220, 310 OESTERREIGH ISCHE GESELLSCIIAFT ZUR FOERDERUNG DER MEDAILLENKUNST U. IvLEINPL A ST IK, WIEN ORMOND, M. GEORGIA .... PANDER, PIER .... PATRIARCHE, LOUIS .... PAULUS, CHRISTOPHER D. . PAWLIK,f FRANZ X. PEGRAM, HENRY . . . . PELL. ELLA F. PETER, VICTOR .... PILLET, CHARLES .... 223 . 225 363 . 225 227 . 223 228 . 229 230, 310 236, 310 PINCHES, JOHN H., Medalist, D ie-Sinker and Engraver, London. See Allen, Bates, Bayes, Forsyth, Frampton, Furse, Herkomer, John PINCHES, JOHN R. ...... 238 PLACHT, RICHARD ...... 239 XXX11 PAGE POELLATH, FIRMA CARL 242, 245 POGLIAGHI, LUDOVICO .... 251 PRACK, W. 0. .... . 245 PRESCOTT, K. T. (MRS. H. L.) ... 253 PRUD'HOMME, GEORGES HENRI . 253 RIMMER, CAROLINE HUNT .... 255 RITTER, A. G. VAN R. (MRS. ETIENNE) . 257 RIVIERE, THEODORE .... 257 ROCHE, PIERRE ..... 259, 310 ROEMER, GEORG ..... . 245, 261 ROGER-RLOCHE, PAUL .... . 310 ROINE, J. EDOUARD ..... . 263, 310 ROQUES, F. J. A. . . 310 ROTY,f LOUIS OSCAR .... . 267, 311 RURINO, EDOARDO .... . 276 RYDEN, HENNING ..... 282 SAINT-G AUDENS, f AUGUSTUS . . 335 SAINT-MARCEAUX, C. R. DE . 311 SAMUEL, CHARLES .... 282, 314 SAROLDI, ENRICO . 285 SAWYER, EDWARD W. .... . 289 SCHAEFER, HANS ..... . 245, 291 SCHARFF,f ANTON .... . 223 SCHMITT, RALTHASAR .... 245 SCHWARTZ, STEFAN .... 223, 295 SCHWATHE, H. ..... 223 SCIIWEGERLE, HANS .... . 245 SCHWERDTNER, CARL M. 300 SCUDDER, JANET .... . 301 SECCHI, LUIGI . ... 304 SNEDEN, ELEANOR A. . 306 SOCIETE DES AMIS DE LA MEDAILLE FRANQAISE, PARIS 306 SOCIETE HOLLAND AISE-RELGE DES AMIS DE LA MEDAILLE D’ART, RRUXELLES .... . 313 SPANIEL, 0. ..... 316 SPICER-SIMSON, THEODORE . 319 xxxiii PAGE STABILIMENTO STEFANO JOHNSON, Milan. See Cappuccio, Castagne, Castiglioni, Pogliaghi, Saroldi STARCK, CONSTANTIN 323 STAUDINGER, LOUISE .... . 246 STONE, FRANK F. 325 STURM, PAUL . .... . 327 SUCHARDA, STANISLAV . 223, 328 TASSET, ERNEST PAULIN . 329 THRONDSEN, IV AR .... 330 TIFFANY & CO. . 333 UNITED STATES MINT, PHILADELPHIA 334 UTRECHT, ROYAL MINT AT . 363 VAN GO OR, I). 314 VAN GOOR, J. J. . 363 VERMEYLEN, FRANTZ 339 VERNIER, EMILE S. . 344 VERNON, F. C. V. DE . 311, 346 WADERE, HEINRICH .... . 246 WAGNER, ANNA .... 223 WEINBERGER, A. . . 223 WEINERT, ALBERT .... 356 WEINMAN, ADOLPH A. . . 357 WENDT, JULIA B. (MRS. WILLIAM) 359 WIENECKE, J. C. . 314, 362 WIESE, MAX ..... 246 WISSAERT, PAUL .... 314, 365 WRBA, GEORG .... 246 YANDELL, ENID . 366 YENCESSE, OVIDE .... . 311, 368 CATALOGUE CHARLES J. ALLEN Charles J. Allen, sculptor, medalist (British), was born in Greenford in 1862. He studied at the Lambeth School of Art and the Pxoyal Academy, and gained four silver medals and other distinctions. Worked in the studio of Hamo Thornycroft, Esq., R.A., as his pupil for four years. In- structor of sculpture in Liverpool City School of Art since 1894. Exhibitor at Royal Academy, Paris Salon, Paris International Exposition, 1900 (gold medal), and St. Louis International Exposition, 1904. He was commis- sioned to make the Queen Victoria memorial and the monument to the memory of the late Rt. Hon. Samuel Smith, M.P., at Liverpool. He made two of the panels for St. George’s Hall, the panels for Parr’s Bank and for the Royal Insurance Company Building, in Liverpool. Works: busts: Sir Oliver Lodge, F.R.S.; Andrew Carnegie, LL.D.; stat- ues: Rescued; Perseus; Love and the Mermaid, etc.; medals: Felicia Hemans medal for Lyrical Poetry (cast bronze); William Rathbone medal for Engineering, Liverpool University (cast bronze) ; Mary Kingsley medal, Liverpool School of Tropical Medicine (struck medal). Address, 21 Cam- bridge Street, Abercromby Square, Liverpool. 7 Liverpool Septenary Celebration, 1907. Struck medal, modeled by C. J. Allen, engraved by John H. Pinches, bronze, 64 mm. 1 1 Loaned by John H. Pinches, Esq. l 1 JULES ANDRIEU Jules Andrieu, medalist (American), was born in New Orleans, Louisi- ana, and is the grandnephew of the celebrated French engraver of medals, Bertrand Andrieu, who was born at Bordeaux in 1761 and died at Paris in 1r • c ‘ Boulangers (1899), a large bas-relief, and the Charh g erected at Paris. The Musee Galliera possesses his Fontaine in tin and the clock, Fuiie de VHeurg. The Musee du Luxembourg has a large number of his medals and plaquettes and hi§Narcisse (1898), a bronze of natural size. The Musee des Arts Decoratifs (Louvre) has two large fi am % (sketches) and a meuble a quatuor (piece jjpi fui musical instruments constituting^ quark J b-t po may be seen in the Revue des Arts Decorati \s, April 190 . if of a large number of portraits of his contemporaries celebrated in the arts Puvis de Chavannes, Emile Zola, Theodore de Banville, Constantin Meunier, Camille Pissaro, Calidle Mendeg, le Due d'Aumale. Ysay = sors and of doctors: Potain. Besnier, Paul Segond. Monod, etc. He was one of the innovators in decorative art, and won a medal of honor (Grand Prix ) at the Exposition Universelle held in Paris in 1900. He was a member of the governing committee of the Societe Nationale des Beau> of the Legion of Honor, and chevalier of th% Order of Lc< id had distinctions in several other foreign orders. In rollakorati CC 05 Constantin Meunier he was to make a monument to the memory of Zola. Both artists died while engaged iff (his work. Each oi diem finished bis task, and the monument awaits erection. The works of Alex; od pentier are spread abroad in almost all the museums of Europe. At I - den and at Budapest rooms and galleries bear his name. He was preparing Q? io have executed in sandstone or in bronze a large high-relief (3.50 x 5.40 m.), La Famille heureuse (1904), when he died. Address, Mme Uexandrc L. M. Charpentier, 117 rue Borghese, Neu&ly-sur-Seine F oo PO ttr Hr 1 The medallic work of Charpentier does not consist soleh of cast pieces; there is a long series of his struck merits, not, however, shown in the present exhibition. The struck medals belong for the most part to private societies or individuals, and are comparatively rare. 57 ALEXANDRE LOUIS MARIE CHARPENTIER f Alexandre Louis Marie Charpentier, sculptor, medalist (French), was born in Paris in 1856, and died in 1909. A pupil of Ponscarme at the Ecole des Beaux-Arts. The State and the city of Paris possess several of his works. He was principally an engraver of medals, although his monu- ments, his statuettes, and his terra-cottas are known and also appreciated. Les Boulangers (1899), a large bas-relief, and the Charlet monument are erected at Paris. The Musee Galliera possesses his Fontaine in tin and the clock, Fuiie de l’ Fleur e. The Musee du Luxembourg has a large number of his medals and plaquettes and his Narcisse (1898), a bronze of natural size. The Musee des Arts Decoratifs (Louvre) has two large frames of plaquettes (sketches) and a meuble a quatuor (piece of furniture designed for the musical instruments constituting a quartet) . (Illustrations of his furniture may be seen in the Revue des Arts Decoratifs, April 1901.) He is the author of a large number of portraits of his contemporaries celebrated in the arts: Puvis de Chavannes, Emile Zola, Theodore deBanville, Constantin Mennier, Camille Pissaro, Catulle Mendes, le Due d’Aumale, Ysaye, etc.; of profes- sors and of doctors: Potain, Besnier, Paul Segond, Monod, etc. He was one of the innovators in decorative art, and won a medal of honor (Grand Prix) at the Exposition Universelle held in Paris in 1900. He was a member of the governing committee of the Societe Nationale des Beaux-Arts, chevalier of the Legion of Honor, and chevalier of the Order of Leopold of Belgium, and had distinctions in several other foreign orders. In collaboration with Constantin Meunier he was to make a monument to the memory of Zola. Both artists died while engaged in this work. Each of them finished his task, and the monument awaits erection. The works of Alexandre Char- pentier are spread abroad in almost all the museums of Europe. At Dres- den and at Budapest rooms and galleries bear his name. He was preparing to have executed in sandstone or in bronze a large high-relief (3.50 x 5.40 m.), La Famille heureuse (1904), when he died. Address, Mine. Alexandre L. M. Charpentier, 117 rue Borghese, Neuilly-sur-Seine, France. 1 1 The medallie work of Charpentier does not consist solely of cast pieces; there is a long series of his struck medals, not, however, shown in the present exhibition. The struck medals belong for the most part to private societies or individuals, and are comparatively rare. 57 1 2 3 4 5 6 7 8 9 10 11 12 13 U 15 16 17 18 19 20 21 22 23 24 Christ Xu. Cast plaquette (single, irregular shape), bronze, 66 x 187 mm. 1 Christ Drape. Cast plaquette (single), bronze, 53 x 164 mm. Constantin Meunier, 1903. Cast medal (single), bronze, 180 mm. Camille Pissaro, 1895. Cast plaquette (single), bronze, 75 x 60 mm. (also, 180 x 145 mm.). Danseuse 1, 1907. Cast plaquette (single), bronze, 137 x 98 mm. Danseuse II, 1907. Cast plaquette (single), bronze, 137 x 98 mm. Dos de Violon. Cast piece (single), bronze, 37 x 21 cm. Esquisse d’Enfant, Jacques. Cast plaquette (single), bronze, 130 x 90 mm. Esquisse d’Enfant, Pierre Joly, 1899. Cast plaquette (single), bronze, 140 x 125 mm. Esquisse, La Lithographic. Cast plaque (single), bronze, 23x20.3 cm. Esquisse, Portrait d’Homme, Theo. Gausson, 1891. Cast plaquette (single), bronze, 185 x 130 mm. I’ille a la Fleur. Cast plaque (single), bronze, 20.2 x 10.9 cm. Fille an Collier, 1893. Cast plaque (single), bronze, 25 x 12 cm. Francois Coppee, 1899. Cast medallion (single), bronze, 29 cm. (also, 180 mm.) . Janvier et Duval, 1908. Struck plaquette (uniface, octagonal), bronze, 53 x 60 mm. Jeux et Arts, Serie X T o. I. Cast plaquette (single), bronze, 85 x 156 mm. Jeux et Arts, Serie No. II. Cast plaquette (single), bronze, 85 x 156 mm. Jeux et Arts, Serie No. III. Cast plaquette (single), bronze, 85 x 156 mm. Jeux et Arts, Serie No. IV. Cast plaquette (single), bronze, 85 x 156 mm. La Fortune. Cast plaquette (single), bronze, 150 x 90 mm. La Lutte. Cast plaquette (single), bronze, 120 x 84 mm. La Mere Allaitant, 1883. Large bas-relief, bronze (in frame), 1.14 x 0.81 m. La Vague. Cast plaquette (single), bronze, 84 x 118 mm. Le Bain. Cast plaquette (single), bronze, 60 x 190 mm. 1 Nos. 1, 2, 5, 6, 13, 15 to 19, 21, 23, 20, 30, 31 belong to the American Numismatic Society and were exhibited apart from the remaining numbers. 58 25 L’Echo. Cast plaque (single), bronze, 23 x 15 cm. 26 Les Maitres de l’Affiche (Imprimerie Chaix). Cast plaquette (single, octagonal), bronze, 48 x 38 mm. 27 Les Proletaires. Cast medallion, bronze, 22 cm. 28 L’Euryale. Cast plaquette, bronze, 70 x 65 mm. 29 Mme. Severine. Cast medal (single), bronze, 85 mm. (also, 180 mm.) . 30 St. Sebastien, 1880. Cast plaquette (single), bronze, 99 x 67 mm. 31 Tuilerie d’lvry (Emile Muller Co.). Cast plaquette (uniface, octag- onal), bronze, 98 x 64 mm. 59 60 61 62 63 64 Nos. 3, 4, 7, 8, 9, 10, 11, 13, 14, 20, 24, 25, 27, 28, 29 X tc -d 2 1 16 Or b 18 is IS Ti is; si as ss os ai et 81 51 65 JOHN MOWBRAY CLARKE John Mowbray Clarke, sculptor, medalist (American), was born in Ja- maica, West Indies, of English parents, 1869. Taken to England at the age of five years. Began to study art at Lambeth School of Art, when twenty- one years old, under Frederick W. Pomeroy, and worked in his studio. Won sculpture prize in a competition between art schools of London. Made relief decoration lor music-room in the home of Mr. Attenborough, at Bushev, Hertfordshire. Came to America in 1896. Worked in studio of Massey Rliind. Won Avery prize, Santiago Medal. Made large relief, Me- morial lo Bowles Colgate, in Madison Avenue Methodist Church. Began portrait medals in 1906. Art instructor at the Finch School, New York City. Address, 1000 Madison Avenue, New York City. 1 Alice Lewisohn, 1908. Medal, galvano gill (cast medal, bronze, 116 mm.) . 2 Bertha Runkle, 1906. Medal, galvano (cast medal, bronze, 78 mm.). 3 Chinaman, 1907. Medal, galvano bronzed (cast medal, bronze, 83 mm.). 7 Elizabeth Sickles, 1908. Medal, galvano bronzed (cast medal, bronze, 90 mm.) . j Judge G. C. Holt, 1907. Medal, galvano silvered, 115 mm. 6 Khalil Khayat, 1908. Medal, galvano bronzed (cast medal, bronze, 124 mm.). 7 Leopold Stokovski, 1908. Cast medal, bronze, 110 mm. 8 May Morris, 1910. Medal in plaster, 118 mm. .9 Mrs. Bowles Colgate, 1901. Plaque in plaster, 41.5 x 30.9 cm. 10 Mrs. Cobden Sanderson, 1908. Medal, galvano gilt (cast medal, bronze, 106 mm.) . THOMAS SHIELDS CLARKE Thomas Shields Clarke, sculptor, medalist (American), was born in 1860. He is a graduate of Princeton, 1882; studied painting and sculpture at the Ecole des Beaux-Arts, Paris, and in Rome and Florence for eleven years. He exhibited works and won many medals at London, Madrid, Berlin, Paris, World’s Columbian Exposition, and at the expositions of San Francisco and Atlanta, Georgia. He has executed many large works in bronze and marble for New York, San Francisco, Chicago, and other cities, and his pic- tures are in museums of Boston and Philadelphia. He is a member of the National Sculpture Society, Metroplitan Museum of Art, National Acad- emy of Design, and the Architectural League. Address, 50 Riverside Drive, New York City. 1 Discovery, 1905. Cast medallion (single), bronze, 25.4 cm. MABEL CONKLING (Mrs. Paul Conkling) Mabel Conkling, sculptor (American), was born in Boothbay, Maine. Com- menced the study of drawing at the Academie Julien, Paris, under W. A. Bouguereau and G. Ferrier in 1895. Continued at Academie Vitti under Raphael Collin and Luc Oliver Merson from 1896 to 1899. Became a pupil in sculpture at the Whistler Academie, Paris, under Frederick MacMonnies in 1900. Also received criticisms from Augustus Saint-Gaudens in bas-re- 67 lief modeling during Ihe winter of 1900. Has exhibited at the Salon of the Societe National des Beaux-Arts, the Societe des Artistes Francais, the Paris Exposition, 1900, the St. Louis Exposition, 1904, the Baltimore Sculp- ture Exhibition, 1908, and at the National Academy of Design. Works: portrait bas-reliefs: Mrs. Alphaeus Cole, Mrs. Waller Appleton Clark, Mrs. William Jackson Neel, Miss Mima Fassett, Mr. and Mrs. David Alvin Reed, Mabel and Helen Cummings, Walter Appleton Clark, Esq., Frederick MacMonnies, Esq., Francis Wilson, Esq., and General John Tudor Richards. Address, Burleigh Hill, Boothbav, Maine. 1 Francis Wilson, 1907. Medal in plaster, 140 mm. (cast, bronze, 140 mm.) . 2 Mrs. Walter Appleton Clark, 1903. Medal in plaster, 133 mm. (cast, bronze, 133 mm.) . 3 Mrs. William Jackson Neel, 1903. Medallion (oval) in plaster, 171 x 140 mm. (cast, bronze, 171 x 140 mm.). NOS. 1, 2, 3 JEAN BAPTISTE AUGUSTE DAMPT Jean Baptiste Auguste Dampt, medalist (French), was born in Venarey, Cote d’Or, France, 1854. Pupil of the Ecole des Beaux-Arts of Dijon and afterward of the Ecole des Beaux-Arts of Paris, where he was a pupil of Jouffroy and Paid Du Bois. He received a second and then a first medal at the Salon of the Societe des Artistes Francais, and the gold medal during Ihe Exposition Universelle in 1889. He is an officer of the Legion of Honor and a member of the executive committee of the Societe Nationale des Beaux-Arts. Critical articles referring to his work may be found in Art et Decoration. Address, 17 rue Campagne Premiere, Paris. 1 Docteur E. Quenu. Struck plaquette, silver. 68 2 La Moisson, 1903. Obverse and reverse. Struck medal, bronze, 60 mm. 3 P. A. ,J. Dagnan-Bouveret. Plaque in plaster. 3 PIERRE DAUTEL Pierre Dautel, sculptor, medalist (French), was born 1873, in Valenci- ennes, France. Pupil in sculpture and architecture at the Ecoles Aeade- miques at Valenciennes; pupil in sculpture at the Ecole Nationale et Speciale des Beaux-Arts of Paris (Professors Barrias, Fagel and Coutan); pupil in medal-engraving (Professor Henri Dubois). Prix Departemental du Nord, 1900. First exhibition (medal-engraving), Salon des Artistes Francais, 1907. Premier Grand Prix de Rome, pensionnaire de l’Academie de France, medal-engraving, 1902; third medal, Salon des Artistes Francais, 1907; and second medal, Salon of 1910. Address, 10 rue Perceval, Paris (XIV). 1 A. Chigot, Peintre, 1909. Cast medal (etude), bronze, 120 mm. 2 Alfred Girard, Senateur, 1906. Cast medal, bronze, 100 mm. 3 Baron de Nervo, 1909. Obverse and reverse. Struck plaquette, bronze, 65 mm. (cast and galvano, 120 x 135 mm.). 69 4 Berthet, Statuaire, 1908. Cast medal (etude), bronze, 100 mm. 5 C. Barrere, Ambassadeur, 1906. Cast medal, bronze, 100 mm. 6 Edmond X., 1908. Cast plaquette (etude), bronze, 170 x 80 mm. 7 Edouard Alexandre Sain, Peintre, 1909. Cast medal, bronze, 100 mm. 8 E. Guillaume, Membre de l’lnstitut, 1904. Cast medal, bronze, 100 mm. 9 Etude ( pochade ), 1904. Cast plaquette, bronze, 165x80 mm. 10 H. Harpignies, Peintre, 1909. Medal, galvano, 120 mm. 11 L. Fagel, Statuaire, 1909. Cast medal, bronze, 100 mm. 12 Mile. X., 1906. Obverse and reverse. Struck medal, silver, 35 mm. (east and galvano, 130 mm.). 13 Mile. X., 1907. Cast plaquette, bronze, 175 x 80 mm. 1 74 Mine. F. Dreyfus, 1908. Cast plaquette, bronze, 120 x 80 mm. 15 Mme. Guetin, 1904. Cast plaquette (single, etude), bronze, 100 x 120 mm. 16 Mme. Fanoe, 1904. Cast plaquette (etude), bronze, 80 x 140 mm. 17 M. Morton, 1909. Cast plaquette, bronze, 115 x 134 mm. 18 Mme. Vve. Galle, 1907. Cast medal, bronze, 84 mm. 19 Portraits d’Enfants, 1909. Cast plaquette, bronze, 157 x 125 mm. 20 P. True, Prefet, 1908. Cast medal, bronze, 100 mm. 2 1 This was called Croquette in the first edition. 2 The cast pieces and the galvanos, if not otherwise indicated, do not exist in struck form. 70 H > liirt, xi.r J 90s. bronze, 100 mm. c i onze, 100 mm. tc l>i-onzc,.170 x 80 mm. :u i medal, bronze, 100 * medal, bronze, 100 i£ ; (SO mm. c • , f :d) mm. aO!: . r bronze, 100 mm. . ; sv . ek medal, silver, 35 mm. dvano, 130 mm.). . : rn : - , x 80 mm. * r b t tilde), bronze, 100 x b'-'O'./v. x \ 140 mm. \ >-■ ■< <{!i< !te, bronzi 115 \ i • mm. 1 plaque;! <•, hr- \ 125mm. ! medal, bronze, 100 mm." ■ i edition. lot otherwise ind.i< :l d »>>t exist in +■ OC 7 (\ 71 GEORGE WILLIAM DE SAULLES George William De Saulles, sculptor, medalist (British), was formerly in the employ of the firm of J. H. Pinches, and is now engraver at the Royal Mint, London. Exhibited at the Royal Academy Exhibition, 1899. Works: Diamond Jubilee medal of Queen Victoria, 1897; War medals for East and Central Africa; Horace Seymour, Esq., C.B., etc. 1 Iron and Steel Institute, Andrew Carnegie medal. Struck medal, modeled by G. W. De Saulles, engraved by J. H. Pinches, bronze, 51 mm. 2 Professor Gabriel Stokes, Cambridge University, 1899. Struck medal, modeled by G. W. De Saulles, engraved by J. H. Pinches, bronze, 64 mm. GODEFROID DEVREESE Godefroid Devreese, sculptor, medalist (Belgian), was born at Courtrai, Belgium, in 1861. He was the pupil of his father, Constant Devreese, a sculptor, and of the Academy of Brussels. In 1885 he obtained the second Grand Prix de Rome; in 1889, the first Grand Prix (triennial) for sculpture at the Academy of Brussels; the same year he won the gold medal at the International Exposition of Cologne. In 1893 lie won in public competi- tion the execution of the statue of the poet Hamand-Prudens Van Duyse, which was erected at Termonde, Belgium; he made the Monument Frederic Cailliaud which was set up in the Museum of Natural History at Nantes. In 1893, also, he made the bronze statue of Apollo for the Pavilion Royal of Laeken, and the two sphinxes in stone placed on the landing of the grand staircase of the Chateau Royal of Laeken. He was intrusted, in 1894, with l he execution of a Triton and of two sea-horses for the facade of the ferry-house in the Grand’Place at Brussels. He is the sculptor of the funerary monuments of the Ducarin family at Comines, France, and of the Seghers-Berlemont family at Courtrai. Furthermore, he made the fountain in the Botanical Garden at Brussels and the chimene of the Mon- 72 ument Anspach, as well as a decorative figure for the facade of the Town Hall of St.-Gilles-lez-Bruxelles. He obtained in public competition the order for the monument commemorative of the Six-hundredth Anniver- sary of the battle of the Golden Spurs (1302), erected at Courtrai in 1906. He has made several animal figures in the round, horses, dogs, bulls, etc. He designed the fountain raised to the Benefactors of Schaerbeek; two large bas-reliefs for the principal facade of the Universal Exposition of Brussels, 1910; a decorative group for a fountain in bronze gilt which is to be seen in the square de la Montagne de la Cour at Brussels, and also two chimerae for the same place; in public competition, he won the com- mission for the medal commemorative of the Seventy-fifth Anniversary of the Independence of Belgium, and the medal of the Exposition of Liege, 1905. He is the author of the award-medal of the Universal Exposition of Brussels, 1910, and of that destined for the Fine Arts, as well as the per- mit, “Laissez-passer.” The new coins with the portrait of King x\lbert of Belgium are his work. He is represented in the museums of the Luxem- bourg and the Petit Palais at Paris. He is not the pupil of any one in the medallic art. He has been chevalier of the Order of Leopold since 1898. Address, 11 rue Quinaux, Schaerbeek, Brussels. 1 A. Huart-Hamoir, Bourgmestre de Schaerbeek, 1904. Struck medal, bronze, 65 mm. 2 Alphonse de Witte, Secretaire de la Societe Rovale de Numisma- tique, 1902. Cast plaquette (single), bronze, 140x80 mm. (struck plaquette (uniface), 67 x 47 mm.). 3 A. Massaux, Secretaire de la Commission Royale des Monuments, 1908. Struck plaquette (uniface), bronze, 60x48 mm. 4 Association Beige de Photographie, 1902. Plaquette, galvano bronzed (struck, 66 x 35 mm.). 5 Association des Ingenieurs de l’Ecole des Mines de Mons, 1908. Struck piece (badge), silver, 39 x 25 mm. 6 Auguste Moj-aux, Ingenieur, 1909. Struck plaquette, bronze, 80 x 48 mm. 7 The same. Struck plaquette, bronze silvered, 80 x 48 mm. (artist’s proof). 8 Augustus Dumont, 1908. Plaquette, galvano silvered, 110 x 70 mm. 9 Baron de Favereau, Ministre des Affaires Etrangeres. Struck pla- quette, bronze, 75 x 50 mm. 73 10 Baron ti Baronne de Yos van Steenwijk, 1903. Struck medal, silver, 60 mm. 11 Bebe, 1900. Struck medal, silver, 25 mm. 12 C. de Burlet, 1909. Struck plaquette, bronze, 75x50 mm. 13 Cercle Africain a S. A. R. Mgr. le Prince Albert de Belgique, a l’Oc- casion de son Relour du Congo Beige, 1909. Struck plaquette, bronze, 88 x 42 mm. 1 '/ Edouard Van den Broeck, Numismate Beige, 1904. Struck medal, bronze, 59 mm. 13 E. .1. Soil, 1903. Struck medal, bronze, 45 mm. 16 Emile de Mot, Ancien Bourgmestre de Bruxelles, 1907. Struck plaquette, bronze (uniface), 70x50 mm. 11 Emile de Mestreit, 1906. Plaquette, galvano silvered, 80 x 60 mm. IS Exposition de St. Trond, 1907. Struck plaquette (uniface), bronze, 67 x 51 mm. 19 Exposition Universelle de Bruxelles, 1910. Struck medal, bronze, 70 mm. 20 Federation Nationale des Employes Communaux, 1906. Struck badge, silver, 35 x 25 mm. 21 Gustave Francotte, Ministre du Travail, Exposition de Liege, 1905. Struck medal, bronze, 65 mm. 22 Henri Beyaert, 1905. Plaquette, galvano silvered (struck plaquette, 137 x 85 mm.) . 23 Inauguration des Ports de Bruges, 1907. Struck medal, bronze, 75 mm. 23 Invention du Dessin, 1903, medal of the Societe Hollandaise-Belge des Amis de la Medaille d’Art. Struck plaquette, bronze silvered, 52 x 60 mm. 23 Jose Antonio Pernambuco, 1907. Plaquette, galvano silvered, 125 x 100 mm. 26 Jules Jacques Van Ysendyk, Arehitecte, 1907. Plaquette in plaster, 150 x 1 10 mm. 27 L’Aieule, 1906. Plaquette, galvano silvered, 86 x 99 mm. 28 Leon Hiarcl, Senateur, 1908. Struck plaquette, bronze, 70 x 45 mm. 29 Le Travail, plaquette maconnique, 1905. Struck plaquette, silver, 70 x 40 mm. 30 Louis Coetermans, Consul-General Perse, 1906. Struck plaquette, bronze, 80 x 50 mm. 31 Maurice Ivufferath et Guillaume Guide, 1909. Struck plaquette, bronze, 74 x 55 mm. 74 32 Medecine et Hygiene, 1905. Plaquette, galvano silvered (struck plaquette, 80 x 110 mm.). 33 Mimine, 1906. Struck plaquette (octagonal), silver, 38 x 30 mm. 34 Oscar Landrien, 1906. Plaquette, galvano bronzed, 80 x 60 mm. 35 P. Alexandre, Inspecteur de l’Enseignement Moyen, 1909. Struck plaquette, bronze, 74 x 42 mm. 36 Premiere Exposition du Kennel Club, 1908. Struck plaquette, silver, 45 x 40 mm. 37 Professeur Docteur Edouard Kufferath, 1909. Struck plaquette (uniface), bronze, 66 x 63 mm. 38 Professeur Jules Demaret-Freson, 1908. Struck medal, bronze, 60 mm. 39 Professeur Paul Heger, 1907. Struck plaquette, bronze, 70 x 50 mm. 40 Professeur Victor Mirland, 1908. Struck medal, bronze, 60 mm. 41 Raoul Warocque, Bourgmestre de Morlanwelz, 1905. Struck medal, bronze, 60 mm. 42 Renouveau, Pecheur. Plaquette, galvano silvered, 94 x 119 mm. 43 Reprise de l’Etat Independant du Congo par la Belgique, 1909. Struck medal, bronze, 70 mm. 44 Salome, 1910. Plaquette, galvano silvered, 180x87 mm. (struck, 93 x 44 mm.). 45 Societe Nationale des Chemins de Fer Vicinaux, 1909. Struck medal, bronze, 60 mm. 46 Societe Royale St. Hubert (Blodhond), 1908. Struck plaquette, silver gilt, 30 x 41 mm. 47 Soixante-quinzieme Anniversaire de l’lndependance Beige, 1905. Struck medal, bronze, 70 mm. 48 Souvenir de l’Exposition de Liege, 1905. Struck medal, bronze, 75 mm. 49 Tete de Jeune Fille Polonaise, 1902. Struck medal, silver, 35 mm. 50 The same. Struck medal, silver, 25 mm. 51 Tete de Jeune Fille, Portrait, 1907. Struck medal, silver, 35 mm. 75 49 76 77 22 yWLTj C. PERCIVAL DIETSCH C. Percival Dietsch, sculptor (American), was born in New York City, 1882, in which city his early art education was acquired. In 1905 he was awarded the Rinehart prize in sculpture, after which he spent several years at llie American Academy in Rome. He then lived for a time at Paris and subsequently returned to New York. He has since won the Prix de Rome, and is again established in his studios in New York. Some of his works, executed at the American Academy in Rome, were recently on exhibition at the Architectural League in the Fine Arts Building in New York City. He is a member of the National Sculpture Society. Address , 147 West Twenty-third Street, New York City. 1 Princess Barclay de Tolly, 1908. Plaque in plaster (also, cast plaque, bronze, 24 x 20 cm.). LOUIS R. DOUGHERTY Louis R. Dougherty, sculptor (American), was born in Philadelphia, 1874. Studied under Charles Grafly, C. E. Dallin, and J. J. Boyle at the Pennsyl- vania Academy of the Fine Arts and at the Drexel Institute. At the Drexel Institute, where his principal work was carried on under Mr. Grafly, he was debarred from all prizes, or, in other words, made hors concours, hav- ing won all individual prizes and the Francis Drexel Paul prize. Has exhib- ited sculpture at the Academy of Fine Arts for the past ten years. Address, 5515 Saybrook Avenue, Philadelphia. 1 Feather-stitching, 1907. Plaque in plaster, 38 x 26.7 cm. (also, cast, bronze). 80 ALFRED DRURY Alfred Drury, sculptor, medalist (Rritish), was born in London. Pupil at Royal College of Art, South Kensington; studied under Dalou in Paris. Silver medal at Universal Exposition of Brussels, also gold medal at Paris Universal Exposition, 1900. Elected an Associate of the Ro3 T al Academy, 1900. Executed all the figures on the new War Office, London; four figures for the decoration of the new Vauxhall Bridge; six figures and nine panels for the main entrance to the new Victoria and Albert Museum, South Kensington; busts of King Edward VII; the Prince and Princess of Wales from life; four large statues of the late Queen Victoria, erected in New Zealand, Bradford, Portsmouth, and South Kensington, Victoria and Albert Museum. Mr. Drury has just finished a large statue of the late Duke of Devonshire in bronze, to be erected at Eastbourne. A chronological list of his principal works is found in the British “Who ’s Who.” Address, 6 Gunter’s Grove, Chelsea, London, S. W., England. 1 Mrs. Pearl Craigie (“John Oliver Hobbes”), 1909. Plaquette, gal- vano silvered, 114 x 64 mm. 2 The Little Duchess, 1901. Plaquette, galvano silvered, 114 x 64 mm. 2 81 PAUL DU BOIS Pai l Or Bois, sculptor, medalist (Belgian), was born in Liege, 1895. Was pupil of the master sculptor Charles Vanderstappen at the Academie des Beaux-Arls of Brussels. He exhibited for the first lime at the Salon des Beaux-Arts of Brussels (1884) a statue, Hippomene, which gave him the Prix Godecharles (a prize of 12,000 francs), and obtained the special gold medal at the Exposition of Fine Arts at Amsterdam, 1906; also gold medals at the Exposition of Fine Arts at Paris, 1900; at the Expositions of Fine Arts at Munich, Dresden, and Cologne; the Universal Expositions of Brussels and of Liege; also a silver medal at the Exposition of SI. Louis. Many of his works have been acquired by the museums of Brussels, Antwerp, Dres- den, Prague, Budapest, the Musee Decoratif of St. Petersburg, and also by the Cabinets des Medailles of The Hague and of Brussels. He executed the monuments erected in Brussels of the Comte de Merode, Place des Martyres; of Henri Beyaert, in the building of the Railroad De- partment; and of Joseph Dupont, in the Theatre de la Monnaie; also the monument of the deputy Alfred de Fuisseaux, erected at Frameries, as well as the monument of the poet Antoine Clesse, in Mons. Fie made a large decorative fountain for the gardens of the Universal Exposition of Brus- sels, 1910; and medals for the Universal Exposition at Liege, 1905, and at Brussels, 1910, were designed by him. Address, 65 avenue de Longchamps, Brussels, Belgium. 1 Adaedre, 1906. Struck medal (badge), silver, 26 mm. 2 Baron d’Erp, 1897. Obverse and reverse. Struck medal, bronze, 65 mm. 3 Charles Lejeune, 1909. Obverse and reverse. Struck plaquette, bronze, 63 x 54 mm. 4 Diane, 1906. Cast medallion (single), bronze, 28 cm. 5 The same. Struck medal, silver, 30 mm. 6 Femme du People, 1905. Cast plaque (single), bronze, 31 x 22 cm. 7 La Foi, 1903. Cast medallion (single), bronze, 190 mm. 8 La Justice, 1897. Obverse and reverse. Plaquette, tin, 100 x 60 mm. .9 La Lecture, 1903. Plaquette, tin, 140 x 130 mm. 10 La Mere et I’Enfant, 1902. Cast medal (single), bronze, 150 mm. 82 n 12 13 u 15 16 11 18 19 20 21 22 23 25 La Pensee, 1907. Cast plaque (single), bronze, 25 x 17 cm. Le Baiser, 1903. Cast plaquette (single), bronze, 150 x 160 mm. Le Bonheur, 1908. Cast plaque (single), bronze, 29 x 28 cm. Le Livre, 1907. Cast medallion (single), bronze, 22 cm. Les Arts, Sculpture, Architecture, Peinture, 1909. Cast plaque (single), bronze, 34 x 24 cm. Le Silence, 1906. Cast plaque (single), bronze, 22 x 16 cm. Les Lys, 1902. Cast plaque (single), bronze, 20 x 34 cm. Le Tir, 1897. Struck medal, bronze, 26 mm. Modiste, 1903. Plaquette, tin, 140 x 160 mm. Nicole Slosse, 1908. Struck medal, bronze, 32 mm. St. Georges, 1905. Cast medallion (single), bronze, 180 mm. St. Michel, 1907. Cast plaque (single), bronze, 31 x 24 cm. Soixante-quinzieme Anniversaire de l’lndependance Beige, 1905. Obverse and reverse. Medal in plaster (struck, 70 mm.). Tete de Vieux, 1903. Cast plaque (single), bronze, 20 x 15 cm. 17 83 14 84 <0 00 CP 85 GEORGES DUPREf Georges Di pre, medalist (French), was born in 1869 at Saint-Etienne, and died in 1909. The year [1909] which witnesses the death of Chaplain, at the end of a career fruitful and illustrious, deprives French art also of a medalist still young, whose delicate and original talent constituted much more than a brilliant promise. A pupil of Rotv, Georges Dupre, who dies at the age of thirty-nine, in his Saint an Soleil levant, his Meditation, and in his medal with the legend, 0 crux ave, spes nnica, is, of the younger generation, the author of the works most novel and most profoundly penetrated with feeling. Born October 24, 1869, in Saint-Etienne, the city of factories and of coal, weakly and timid, in wretched health, Georges Dupre notwith- standing hid within himself a poet’s soul. If his style is a little lacking in firmness, his imagination was haunted by forms, original, living, ap- pealing to the emotions. Winning the Prix de Rome in 1906, he brought back from the Villa Medici that charming plaquette which he entitled Saint an Soleil levant, and which at the Universal Exposition of 1900 made his reputation. Illness, alas! hindered that exquisite and original talent from reaching its perfect bloom, but it was already a permanent claim to glory, to leave, in dying, productions in the difficult and exact- ing art of the medal, like those which we have cited, and which will remain the most naturally poetic of our time. .1. F. (From the Revue Nnmismatiqne, 1909, pp. 518, 519.) Addi •ess, Mme. G. Dupre, 41 rue du Cherche-Midi, Paris. 1 The Angel us. Obverse and reverse. Plaquette, galvano silvered, 89 x 1 16 mm. (struck plaquette, 52 x 71 mm.). 1 1 Loaned by Edward D. Adams, Esq. 86 TOON DUPUIS Toon Dupuis, medalist (Belgian), was born in Antwerp in 1877. He re- ceived his early instruction in art from his father, Louis Dupuis, a statuary and medalist, and possibly the dean of contemporary Belgian medalists, and studied later at the Institut Superieur, Antwerp. Since 1898 he has been established at The Hague. He is the chief instructor in the Academy of Fine Arts there. He has executed many official commissions. He is represented in various Dutch museums, as in the Rijksmuseum, Mesdag- museum, and Medal Cabinet of the State. Address, Joan Maetsnyckerstraat, The Hague, Holland. 1 Dr. H. J. de Dompierre de Chaufepie, 1908. Struck medal, bronze, 67 mm. 2 Hermann Johannes Lovinck, 1909. Struck plaquette, bronze, 90 mm. 3 Petrus Johannes Blok, 1909. Struck medal, bronze, 65 mm. i PAUL LEONARD DUROUSSEAU Paul Leonard Durousseau, medalist (French), was born in Paris, 1879. Pupil of the Ecole Munieipale Boule (Industries du Mobilier), the Ecole Nationale des Arts Decoratifs, the Ecole Nationale des Beaux-Arts (studio Ponscarme, first prize in 1899). Since 1897 has exhibited regularly at the Salon de la Societe Nationale des Beaux-Arts (member); associate and 87 member of the jury at the Salon d’Automne. His works may be seen in the Musee cl n Luxembourg. Address, 4 rue Rollin, Paris. 1 Baigneuse. Cast plaquette, bronze, 100x50 mm. 2 Campagnarde. Plaquette, galvano, 80x55 mm. (also, cast, bronze). 3 Charretier. Cast plaquette, bronze, 130x75 mm. / ChilTonnier. Plaquette, galvano, 92 x 141 mm. (also, cast (single), bronze, 92 x 141 mm.). 5 Desesperance. Cast plaquette, bronze, 80 x 55 mm. 6 Enfant an Beret. Plaquette, galvano, 100 x 55 mm. (also, cast, bronze) . 7 Faune (plaquette of the Societe des Amis de la Medaille Francaise). Struck plaquette, bronze, 62 x 30 mm. S Faunesse ( plaquette of the Societe des Amis de la Medaille Fran- caise). Struck plaquette, bronze, 62 x 30 mm. 9 La Soupe. Plaquette, galvano, 90 x 45 mm. (also, cast, bronze). 10 Parisienne. Cast plaquette, bronze, 165 x 95 mm. 11 Yieille Femme. Plaquette, galvano, 80 x 40 mm. (also, cast, bronze) . Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 88 LUIGI L)E FEO i-uiGi de Feo, painter, sculptor, medalist !t 1 2 3 * 5 * 7 8 9 10 : ‘aly. At the age of twenty he was of the m* • V . . , n ; , dragoons of Savoy, and lived in Venice. He gs . V S or -eras, and devoted himself to painting in the v. V . r- frentino. Subsequently he went to Paris, and < ; ! vdh such success that in 1907 two of his works wwv There he became enamoured of the works of IV! • m ; l ied this form of art, to which he has now v , : > , -elf. He drew his inspiration from the r .. r ,■ i . the Renaissance. In 1909 he exhibited, a! I’m , h . a bronze bust L’Adolescente, widen aV w ! V re, V ailed the “glorificateur de la beaut* F ' -b- , ect especially fitted to his talent lb * i , ■ : : racy. He spends his winters in Paris, \ ■ ,< . wri- second studio in Venice in the aui nr ; Pivoli, or (studio) rue Fontaine, P s . - at sketch was drawn from 17/ . /" V Smart Set , Revue du Monde Elegant '.wo articles -the theme is the artist’s - ''•w.) 1 Auguste HerioJ. HK . , , 2 The same. Meda. • . . .i 3 Comtesse di Mazz.ii 7 . . PHsn 7 Comtesse Ridolli. i - is r 1 5 Comtesse Serristo: r ! nr 6‘ Duchesse di Viliams 7 Fairman Rogers Fm * ; - bronze. 8 Henry Clcty Pierce, 190 f: bronze. tr 9 La Parisienne, 1909. Cas 10 Murray Carleton, Jr., 1 ;,e SaJ His works may be seen in m rg. - Add Rollin, Paris. • st plaque! K . boa . !«m> \ 50 mm. Piaquetk. p- > ' 55 ram. (also, cast, laquette, lx -k x 75 mm. : :q- i- i mm. (also, cast (single), n \ . .V - a!/- , 80 x 55 mm. v re,:; ‘ - ; 5 10 x 55 mm . ( also, cast, ■ i < lie. bronze, 165 x 95 mm. I : e q ■ , .> a 1 V a no, 80 x 40 mm. ( also, cast, LUIGI DE FEO Luigi de Feo, painter, sculptor, medalist (Italian), was born in southern Italy. At the age of twenty he was one of the most brilliant officers of the Dragoons of Savoy, and lived in Venice. He gave up the profession of arms, and devoted himself to painting in the town of Roncegno, in the Trentino. Subsequently he went to Paris, and essayed the art of sculpture with such success that in 1907 two of his works were received at the Salon. There he became enamoured of the works of Roty and Charpentier, and tried this form of art, to which he has now almost exclusively devoted him- self. He drew his inspiration from the masters of the medallic art of the Renaissance. In 1909 he exhibited, at the Ottava Internazionale at Venice, a bronze bust L Adolesce rite, which attracted much attention. He has been called the “glorificateur de la beaute feminine,” and he has chosen as a sub- ject especially fitted to his talent the beautiful women of the Italian aristoc- racy. He spends his winters in Paris, where he has a studio, and visits his second studio in Venice in the autumn. Address, Hotel Regina, Place de Rivoli, or (studio) rue Fontaine, Paris. (The material for this biograph- ical sketch was drawn from Vita d’Arte, November, 1909, Siena; and the Smart Set, Revue du Monde Elegant, November, 1909, Palermo. In these two articles the theme is the artist’s style, and the biographical details are few.) 1 Auguste Heriot, 1909. Cast medal, bronze. 2 The same. Medal engraved by hand directly on bronze. 3 Comtesse di Mazzarino, 1908. Cast medal, bronze. 4 Comtesse Ridolfi. Cast medal, bronze. 5 Comtesse Serristori. Cast plaquette, bronze. 6* Duehesse di Villarosa, 1909. Oval plaque in plaster. 7 Fairman Rogers Furness. Medal engraved by hand directly on bronze. 8 Henry Clay Pierce, 1909. Medal engraved by hand directly on bronze. 9 La Parisienne, 1909. Cast medallion, bronze. 10 Murray Carleton, Jr., 1909. Cast medal, bronze. 89 11 Piccola Comtesse Faa de Bruno. Cast medal, bronze. 12 Piecolo Comte Cini, 1908. Cast medal, bronze, 102 mm. 13 The same. Medal engraved by hand directly on bronze, 35 mm. /'/ Piccolo Comte Papafava da Carrara, 1908. Cast medal, bronze. 15 The same. Medal engraved by hand directly on bronze, 35 mm. 16 Princesse di Corigliani, 1909. Cast medallion, bronze. 90 91 JOHN FLANAGAN John Fi.axauax, sculptor, medalist (American), was born in Newark, New Jersey. Pupil of Augustus Saint-Gaudens, New York, and in Paris of Alexan- dre Falguiere at the Ecole des Beaux-Arts, and of Henri Chapn. Awarded various medals and prizes at the Ecole des Beaux-Arts and other schools. Works: Ihe monumental clock in the Library of Congress, Washington; statue of Joseph Henry and decorative groups of the Louisiana Purchase Exposition; high relief in bronze for the Public Library in Newark, New Jersey; three reliefs for interior of Scroll and Key Society, Yale University; a figure, Grief, on cemetery monument at Hartford, Connecticut; tinted marble relief, Aphrodite, in the Knickerbocker Hotel, New York; memorial relief of Professor S. P. Langley, Smithsonian Institution, Washington; portrait head of Edward G. Kennedy and other busts; commemorative medal lo Dr. Daniel G. Brinton for the Numismatic Society of Philadel- phia; Hayden medal for the Academy of Natural Sciences of Philadelphia; Hudson-Fulton medal for the Circle of Friends of the Medallion, New York; Pennsylvania Society medal for the Pennsylvania Society of New York; George Robert White medal of Massachusetts Horticultural Society, Boston, and various portrait medals and plaquettes. Awarded silver med- als at Paris Universal Exposition, 1900, Pan-American Exposition, Buffalo, 1901, Louisiana Purchase Exposition, St. Louis, 1904. Represented in the medal collections of the Luxembourg Museum, Paris, and Metropolitan Museum, New York. Member of the National Sculpture Society and of the American Numismatic Society of New York. Address, 1931 Broadway, New York City. 1 Agnes Lane. Medal, galvano, 115 mm. 2 Head of Aphrodite. Medal, galvano, 115 mm. 3 Hortense Lenore Mitchell, 1900. Medal, galvano, 121 mm. A Hudson-Fulton Celebration, New York, 1909. Struck medal, bronze, 70 m. 5 Leo Tolstoi, 1907. Plaquette, galvano, 11nze, 45 mm. ii 102 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26 103 EMMANUEL FREMIETf Emmanuel Fremiet, sculptor, medalist (French), was born in Paris, 1824. 1 le was a nephew and pupil of Rude, in whose studio he spent several years. He also did much work at the Clinique in Paris, making anatomical studies for the Ortila Museum. He early became interested in animal sculpture and devoted himself to the study of zoology. He exhibited for the first time in 1843 at the Salon, the work being a plaster cast representing a gazelle. Thenceforth he rapidly became known as a master in animal sculpture and design. Camels, bears, and elephants, as well as the domestic animals, fur- nished subjects for a score of works in bronze or in marble. He made many equestrian statues and groups, distributed over France, America, Africa, and Australia. His masterpiece in this field has been considered to lie his equestrian statue Jeanne d' Arc in the Place des Pyramides, Paris. In 1850 he modeled his famous Cliien courant blesse, now in the Luxembourg Gallery. In I860 he received the decoration of the Legion of Honor, of which, in 1878, he became an officer and later a grand officer. At the Ex- position of 1867 he received the second medal, and in that of 1887 the medal of honor. In 1875 he was appointed professor of animal design at the Museum of Natural History. He was a member of the Institute, of the Royal Academy of London, and of several other academies. He died in Paris, September 11, 1910. Works: The Horse at Mont f ancon, bought by the State in 1853; Police- man on Horseback; Kitten; Gallic Chief; Napoleon I; Man of the Stone Age; The Knight Errant; The Snake-charmer; Gorillas. Address, Mme. E. Fremiet, 43 boulevard Reausejour, Paris. 1 Jeanne d’Arc. Medal, galvano silvered, 127 mm. 1 2 St. Georges. Medal, galvano silvered, 127 mm. 1 Nos. 1 and 2 were loaned by Edward D. Adams, Esq. 104 EMIL FUCHS Emil Fuchs, sculptor, medalist (Austrian), was born in Vienna, 1866. Studied first under Victor Tilguer, and then at the Royal Academy of Berlin. Obtained a traveling scholarship which took him to Rome in 1891, where he remained until 1899. During his stay in that city he executed one of his principal works, a marble group, Mother s Love. For this work he received a gold medal, Munich, 1896. Since 1897 he has had his per- manent residence in London, but has spent the last five winters in New York. Works: memorials to the late Prince Christian Victor, St. George’s Chapel, Windsor; memorials to King Edward VII, the Duke of Saxe- Coburg-Gotha, Empress Frederick; Queen Victoria at the church in Sand- ringham, Norfolk; busts, Forbes Robertson (a copy in bronze at the New Theatre, New York); Arthur Pinero; Lady Atice Montagu ; lgnace Pade- rewsky; Cecil Rhodes. Address, 80 West Fortieth Street, New York City. 1 Anthony de Rothschild, 1899. Struck medal, silver, 21 mm. 2 Archer Milton Huntington, Fiftieth Anniversary of the American Numismatic Society (1858-1908), 1908. Obverse and reverse. Struck medal, silver, 67 mm. 3 Chanson Serieuse, 1897. Bas-relief in marble. 4 Coronation of Edward VII and Alexandra, 1902. Obverse and re- verse. Struck medal, silver, 63 mm. 5 Count Seilern, 1899. Struck medal, silver, 28 mm. 6 Edward, Prince of Wales, 1899. Struck medal, silver, 29 mm. 7 Edward VII, 1901. Design for a postage-stamp, sketch (in frame). 8 Evelyn de Rothschild, 1899. Struck medal, silver, 31 mm. 9 General Sir George White, 1899. Struck medal, silver, 32 mm. 10 George Hartmann, 1899. Struck medal, silver, 31 mm. 11 Hispanic Society of America, Award, 1907. Obverse and reverse. Struck medal, bronze, 102 mm. 12 Same subject, Membership, 1906. Obverse and reverse. Struck medal, bronze, 80 mm. 105 13 The same. Obverse and reverse. Cast medallion, iron, model for the above. 1) Hudson-Fulton Celebration, New York, 1909 (medal of the Ameri- can Numismatic Society). Obverse and reverse. Struck medal, bronze, 102 mm. (also, smaller sizes). 13 Jack Churchill, 1898. Struck medal, silver, 29 mm. 16 Lord Charles Beresford, 1898. Obverse and reverse. Struck medal, silver, 32 mm. 11 Lord Roberts, 1901. Struck medal, silver, 34 mm. IS Madame E., 1900. Struck medal, silver, 27 mm. 19 Madame K., 1898. Struck medal, silver, 33 mm. 20 Miss Cassel, 1898. Struck medal, silver, 25 mm. 21 Miss W., 1899. Struck medal, silver, 29 mm. 22 Motor Yacht Club, 1905. Obverse and reverse. Struck medal, silver, 55 mm. 23 Order for Art, Science, and Music, 1902. Obverse and reverse. Struck medal (badge), silver, 35 mm. 23 Prince and Princess of Wales, 1901. Struck medal, silver, 29 mm. 25 Princess Henry of Battenberg, 1899. Struck medal, silver, 28 mm. 26 Same subject. Cast plaquette (single), bronze, 110 x 93 mm. 27 Queen Alexandra, 1902. Obverse and reverse. Struck plaquette, silver, 70 x 70 mm. 28 Queen Victoria, 1900. Obverse and reverse. Struck medal, silver, 75 mm. 29 Same subject, 1900. Struck medal, silver, 29 mm. 30 Robert Hartmann, 1899. Struck medal, silver, 29 mm. 31 Sir Arthur Ellis. Struck medal, silver, 26 mm. 32 Sir Ernest Cassel, 1901. Struck medal, silver, 25 mm. 33 Termination of the South African War, 1901. Obverse and reverse. Struck medal, bronze, 70 mm. 33 Winston S. Churchill, 1898. Struck medal, silver, 29 mm. 106 3 108 J. H. M. FURSE J. H. M. Furse, sculptor, medalist (British), was born in 1860. Educated at Radley and Trinity Colleges, Oxford. Was an assistant on the staff of the British Museum from 1881 to 1887, when he left it and soon after began work as sculptor. His father was the late Charles Wellington Furse, of Halsdon, Devon, and Archdeacon of Westminster. Address, Netherhamp- ton House, Salisbury, England. 1 D. E. Hughes, Royal Society. Struck medal, modeled by J. H. M. Furse, engraved by J. H. Pinches, bronze, 57 mm. 1 1 Loaned by John H. Pinches, Esq. JOHANNES SOPHUS GELERT Johannes Sophus Gelert, sculptor, medalist (American), was born in Nybel, Schleswig, Denmark (now Prussia), 1852. Attended village school, 1859-65; spent one year at school in Copenhagen; studied art at Royal Academy of Copenhagen, 1870-75. Began artistic career as apprentice in wood-carving in 1866-70; after graduation at Royal Academy of Copen- hagen made tour through Germany, then worked fifteen months in Paris, and exhibited at Salon of 1878 a colossal group representing the Norse god Thor combating a bull; worked on large monumental works, Berlin, 1879-82; executed several decorative statues for the theater in Copenhagen, 1882; studied at Rome on scholarship awarded by Danish government, then returned to Copenhagen; resident of United States since 1887 and citizen since 1892; worked at his art in Chicago, 1887-98; since then in New York City. Exhibited at World’s Columbian Exposition, Chicago, 1893 (member international jury of award); Paris Exposition, 1900 (honorable mention); Nashville Centennial Exposition, 1897 (gold medal); Philadel- phia Art Club, for group The Little Architect gold medal; American Art 109 Society. Philadelphia (gold medal); honorable mention, Buffalo Exposi- tion. Member National Sculpture Society, Architectural League. Works: statue, Denmark, United States Custom House, New York City; colossal group, The Struggle for Work, at World’s Columbian Exposition; statue, Xapoleon the Great, for Missouri State Building, Louisiana Pur- chase Exposition; statue, Gothic Art, Fine Arts Building, St. Louis; Hay- market statue (Haymarket Square), and Beethoven and Andersen statues (Lincoln Park), Chicago; Grant statue, Galena, Illinois; and his latest work, the four Roman statues erected for the Brooklyn Institute of Arts and Sciences. Address, 11 East Fourteenth Street, New York City. 7 Danish- Americans, 1909. Obverse and reverse. Medallion in plas- ter, model (struck medal, 31 mm.). 2 Irish-Americans. Obverse and reverse. Medallion in plaster, model, designed by F. C. Higgins. 3 Portrait medallion (the parents of the artist). Medallion in plaster, model, 30.4 cm. 4 The Fates. Plaque in plaster (used for the design of a magazine cover), 38.1 x 45.7 cm. 5 Triumphet America. Medallion in plaster, model, 30.4 cm. 6 Welsh-Americans, Evans Family medal. Medallion in plaster, model, designed by F. C. Higgins (struck medal, 38 mm.). 110 Ill ALICE RUSSELL GLENNY (Mrs. John Glenny) Alice Russell Glenny, sculptor, medalist (American), was born in De- troit, Michigan. Studied first in Dresden, Germany, and later, from 1889 to 1891, at the Julien School, Paris, under Boulanger and Lefebvre. During the years 1900 to 1902 she was again in Paris. Her work in sculpture was exhibited in the Paris Salon, 1902, and at the New York Society of Artists. Her paintings are exhibited at the National Academy of Design, New York; New York Society of Artists; the Architectural League; the Albright Gal- lery, Buffalo; the Buffalo Historical Society (Mural Decoration). She has received awards from the Buffalo Society of Artists, the Arts and Crafts Club of Buffalo, and an international medal for posters. Address, Wild- wood, East River, Connecticut. 7 Gladys, 1901. Struck medal, silver, 101 mm. 2 Lyman Metcalfe Bass, 1905. Obverse and reverse. Struck medal, copies in silver and in bronze, 101 mm. GENEVIEVE GRANGER Genevieve Granger, medalist (French), was born in Tulle, France. Ex- hibited at the Salon of the Societe des Artistes Fran$ais for twelve con- secutive years. Gold medal of this Salon in 1901. Secretary of the Salon d’Automne, where she has exhibited since its foundation. Has exhibited at the Universal Exposition of 1900 and at the Expositions of Basel, Stutt- gart, Strassburg, St. Louis, and Brussels, 1910. She is represented in the Luxembourg Museum, in the Musee des Medailles du Petit Palais, Musee du Palais de la Monnaie, Paris, and in most of the provincial museums. Works: portrait of the tragedian de Max; Senateur Peyrot (Perigueux Museum); Mine. Jeanne Marni; Mine. Roger-Miclos; S. M. VEmpereur de V Allemande, etc.; La Poesie, plaquette of the Mint of Paris; Le Goiiter, 112 plaquette for the Societe des Amis de la Medaille Francaise. Address , 22 rue Denfert-Rochereau, Paris. 7 Adolph Klein als Staatsanwalt Alexander, 1906. Plaquette, galvano gilt (cast, bronze, 100 x 80 mm.). 2 Enfant Buvant, 1908. Cast plaquette (single), bronze, 165 x 103 mm. 3 Gardeuse de Moutons, 1908. Plaque, galvano gilt (cast, bronze, 100 x 150 mm.). 7 Jeune Mere Hollandaise et son Enfant, 1909. Cast plaquette, bronze. 5 La Paix, 1903. Cast medal, bronze. 6 La Poesie, 1901. Cast plaque, bronze. 7 Le Bol de Lait, 1907. Plaquette, galvano gilt (cast, bronze, 80 x 60 mm.). 8 Le Gouter, 1909 (medal of the Societe des Amis de la Medaille Fran- caise). Obverse and reverse. Struck plaquette, bronze, 51x71 mm. (cliches). 9 Le Vent, 1905. Cast medallion, bronze. 10 M. et Mine. Durant-Sneden, 1907. Medal, galvano gilt (cast, bronze, 70 mm.). 11 Mine. Durant-Sneden, 1907. Plaquette, galvano gilt (cast, bronze, 120 x 70 mm.). 12 Ocean, 1901. Cast plaque, bronze. 13 Profil de Jeune Femme, 1908. Cast medal, bronze. 77 Tete de Vieux Peeheur Hollandais, 1908. Cast plaquette, bronze. 113 JNos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 114 RENE GREGG! RE Rene Gregoire, medalist (French), was b.? Vfaine-et-Loire, France. Shaded at the R * here he was a pupil of Thomas and of i he exhibited at the Salon du Champ d lime he has exhibited hi the Sal r In 1899 he won the Grand Pr\ R ; the Salon, this latter being obtain* !; ; j ■ "■is awarded a gold medal. Anion: honed the medal of the Exposition of V . * hibited hors concours, and = •* \ e ••dated hors concours at Copenhagen and 1 : >- > •: iris (XIV). 1 Inauguration de lTushin C< di- verse and reverse. ■ gaWano bronzed. & n 31 x 45 cm.; struck, 2 L’Agriculture. P j a o c * plaque (single), R . 3 L’Amitie. Plaqu. : (single), bronze * 8 4 La Peinture. VI bronze, 1 x 0.80 i 5 La Pitie. Plaque He (single), bronze, 87 6* Le^Baiser. Struck pi fi 7 The same . Plaquette (single), bronze, 28 S Le Printemps. Plaqu t plaque (single), bro . 2i. : 9 Le Temps Consola ten- .pie, gal van relief in bronze, 90 • m.; cast plan cm.; struck, 90 x 7 • . 10 L’lndustrie. Plaqiu . geivano silvered, 1 (single), bronze, 4 . : u cm.), lir> 114 RENE GREGOIRE Rene Gregoire, medalist (French), was born in Saumur, department of Maine-et-Loire, France. Studied at the Ecole des Beaux-Arts at Paris, where he was a pupil of Thomas and of H. Dubois. From 1893 until 1900 he exhibited at the Salon du Champ de Mars (Societe Nationale). Since that time he has exhibited in the Salon of the Societe des Artistes Francais. In 1899 he won the Grand Prix de Rome, then a third and second medal at the Salon, this latter being obtained in 1908. At the Exposition of Milan he was awarded a gold medal. Among his best-known works may be men- tioned the medal of the Exposition of Marseilles. At the Salon of 1910 he exhibited hors concours, and was awarded the first medal. He also ex- hibited hors concours at Copenhagen and Brussels. Address, 1 rue Leclerc, Paris (XIV). 1 Inauguration de lTnstitut Oceanographique de Monaco, 1909. Ob- verse and reverse. Plaquette, copies in galvano silvered and galvano bronzed, 110x156 mm. (cast plaque (single), bronze, 31 x 45 cm.; struck, 55 x 80 mm.) . 2 L’Agriculture. Plaquette, galvano silvered, 120x55 mm. (cast plaque (single), bronze, 41.5 x 20 cm.). 3 L’Amitie. Plaquette, galvano bronzed, 110x30 mm. (cast plaque (single), bronze, 22.5 cm.). 4 La Peinture. Plaquette, galvano gilt, 80 x 60 mm. (bas-relief in bronze, 1 x 0.80 m. and cast plaque (single), bronze, 21 x 15 cm.). 5 La Pitie. Plaquette, galvano silvered, 180 x 135 mm. (cast plaque (single), bronze, 37 x 27 cm.). 6 Le Baiser. Struck plaquette, galvano bronzed, 50 x 80 mm. 7 The same. Plaquette, galvano silvered, 110 x 180 mm. (cast plaque (single), bronze, 28 x 47 cm.). 8 Le Printemps. Plaquette, galvano silvered, 110 x 110 mm. (cast plaque (single), bronze, 30 x 29 cm.). 9 Le Temps Consolateur. Plaque, galvano silvered, 20 x 12 cm. (bas- relief in bronze, 96 x 50 cm.; cast plaque (single), bronze, 44 x 26 cm.; struck, 90 x 55 mm.). 10 L’lndustrie. Plaquette, galvano silvered, 120 x 55 mm. (cast plaque (single), bronze, 41.5 x 26 cm.). 115 11 Maternite. Plaquette, galvano silvered, 110 x 110 mm. (cast plaque (single), bronze, 32 x 26 cm.). 72 Paul Desachy. Plaquette, galvano silvered, 90x110 mm. (cast plaque (single), bronze, 25 x 27 cm.). 13 Tony Gamier. Medal (irregular shape), galvano silvered, 80x60 mm. (cast medallion (single), bronze, 22 x 19 cm.). Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. 11, 12, 13 116 1 17 ypiSFWi* i red, 110 x 110 mm. (cast plaque silvered, 90 x 110 mm. (cast t ill ). vo i galvano silvered, 80x60 , 22 x 19 cm.). 117 FRANCES GRIMES Frances Grimes, sculptor, medalist (American), was born in New York. Pupil of Herbert Adams and Augustus Saint-Gaudens, working with the lat- ter for some four years. Since his death her principal work has been por- trait bas-reliefs and busts. Address, 17a MacDougal Alley, New York City. 1 Anne Parrish, 1905. Bas-relief in plaster, 70.5 x 60.5 cm. 2 Arthur Whiting, 1908. Bas-relief in bronze, 66 x 68 cm. 3 Massachusetts Civil Service Reform Association, Women’s Auxil- iary, 1906. Obverse and reverse. Cast medal (double), bronze, 125 mm. 1 The same, New York Branch. Struck medal (badge), bronze sil- vered, 40 mm. 118 •_> 119 HERMANN HAHN Hermann Hahn, sculptor, medalist (German), was born 1868, in Kloster- Veilsdorf, Sachsen-Meiningen, Germany. Studied 1887-92 with W. Yon Ruemann at the Art School and the Art Academy in Munich. Later traveled for purposes of study in France, Italy, England, the Netherlands, Greece, and the Orient. Since then established in Munich, he was in 1902 appointed professor there. His bust of the philologist Wolfflin is one of his best- known works. Among his monuments may be mentioned that in Chemnitz to Moltke (1899), that in Weimar to Liszt (1902), the Luther monument in Speyer (1904), and the Sommer monument in Rudolstadt (1904). In 1909 he completed a monument of the physicist Fraunhofer, an equestrian monument of Moltke for the city of Bremen, and a fountain. In 1910 he executed the bust of Moltke in the Walhalla near Regensburg. Aside from these he was the sculptor of the statuary of the Ludwig’s Bridge, Munich (1895); of that of the Prince Regent’s Bridge, Munich (1903); of a Risen Christ; The Mountaineer; A Dancer; a fountain group for the Munich Exposition of 1908, and of many mortuary monuments, reliefs, plaquettes, medals, and coins. September 17, 1910, an international jury named by the German societies of Chicago, at Berlin, selected from nine models sub- mitted for a Goethe monument for Chicago the one designed by Hermann Hahn. Address, 10 Karl Theodorstrasse, Munich. 1 Alfred Messel, 1905. Cast plaquette, bronze, 160 mm. 2 The same. Cast plaque (single), bronze, model for the above, 25 cm. 3 Bismarck-Moltke, 1899. Obverse and reverse. Cast medal, copies in silver and in bronze, 80 mm. 4 The same. Cast plaque (single), bronze, 33 cm. 5 Der Senat der freien Hansestadt Bremen, Fiir Rettung aus Gefahr, 1906. Obverse and reverse. Struck medal, copies in silver and in bronze, 70 mm. 6 Der Senat der freien Hansestadt Bremen, Dem Verdienste, 1904. Obverse and reverse. Struck medal, copies in silver and in bronze, 70 mm. 7 The same. Obverse. Struck medal, bronze, 35 mm. 8 Dr. G. Pauli, 1908. Cast plaque (single), bronze, 20 cm. 120 9 Dudelsackpfeifer, 19(H). Struck plaque 1 U m. 10 Emil Rathenau, 1908 Obverse and re- * - ■ k me- sal . silver, 50 mm. 11 The same. Obverse. Struck medal ' - ..'■■■/ v 12 Frau Tina Joest, 1898. Cast plaque (singn 13- Franz von Lenbaeh, 1903. Obverse and bronze, 70 mm. 74 The same. Obverse. Struck medal, hre ■ *- 30 mm. 15 Kunst will Wahrheit, 1905. Casi ]>in. 16 Ludwig Hoffmann. Cast j >lac;e . * 77 The same. Cast plaqiu ■ sin....’. 25 cm. 18 Max von Pettenkofer. IH99 copies in silver and in 7.9 Norddeutscher Lloyd, • < medal, copies in silve 20 Oscar Miinsterberg, 1895 21 Tennisspieler, 1905. Ca iS r OS. 1, 3, 8, 8, 9, S : HERMANN HAHN Hermann' !i\n\\ sculptor, medalist (German), was born 1868, in Kloster- Yciisdori. c 1 si.- Meiningt n, Germany. Studied 1887-92 with W. Von l ineman; \ t School and Uu Art Academy in Munich. Later traveled lor purp ’ study in France, Italy, England, the Netherlands, Greece, m. ‘ ( n.ce then established in Munich, he was in 1902 appointed ; 1 v bust of the philologist Wolfflin is one of his best- ; his monuments may be mentioned that in Chemnitz M It t in Weimar to Liszt (1902), the Luther monument in ;> .Sommer monument in Rudolstadt (1904). In 1909 i . MHiment of the physicist Fraunhofer, an equestrian i'oc the cil}' of Bremen, and a fountain. In 1910 he i I he in the Walhalla near Regensburg. Aside from .< motor of the statuary of the Ludwig’s Bridge, Munich 1 Prince Regent’s Bridge, Munich (1903); of a Risen i ■ lineer; A Dancer; a fountain group for the Munich ■ ■ Mid of many mortuary monuments, reliefs, plaquettes, ms. September 17, 1910, an international jury named by the f Chicago, at Berlin, selected from nine models sub- monument for Chicago the one designed by Hermann 10 Karl Theodorstrasse, Munich. ; sel, 1905. Cast plaquette, bronze, 160 mm. 11 Cast plaque (s , bronze, model for the above, 81 1J M 8 3r i d; . 1899. Obverse and reverse, (hist medal,, copies si bonze, 80 « e st me. Cast plaque (single), bronze, 33 cm. ; > ! dc: j s\ ien Hansesladt Bremen, Fiir Rettung aus Gefahr, ' < >!>>. ; rse and reverse. Struck medal, copies in silver and in ‘ a oeze, 70 mm. ■ I re ien Hansestadt Bremen, Dem Verdienste, 1904. -is.' and reverse. Struck medal, copies in silver and in bronze, 70 mm. same. Obverse. Struck medal, bronze, 35 mm. Pauli, 1908. Cast plaque (single), bronze, 20 cm. 120 9 Dudelsackpfeifer, 1909. Struck plaquette, silver, 110 mm. 10 Emil Rathenau, 1908. Obverse and reverse. Struck medal (oval), silver, 50 mm. 11 The same. Obverse. Struck medal (oval), bronze, 50 mm. 12 Frau Tina Joest, 1898. Cast plaque (single), bronze, 22 x 15.6 cm. 13 Franz von Lenbach, 1903. Obverse and reverse. Struck medal, bronze, 70 mm. 14 The same. Obverse. Struck medal, bronze, two copies, 40 and 30 mm. 15 Kunst will Wahrheit, 1905. Cast plaquette, bronze, 140 mm. 16 Ludwig Hoffmann. Cast plaquette, bronze, 160 mm. 17 The same. Cast plaque (single), bronze, model for the above, 25 cm. 18 Max von Pettenkofer, 1899. Obverse and reverse. Struck medal, copies in silver and in bronze, 60 mm. 19 Norddeutseher Lloyd, Bremen, 1903. Obverse and reverse. Struck medal, copies in silver and in bronze, 77 mm. 20 Oscar Munsterberg, 1895. Cast plaque, bronze, 27 cm. 21 Tennisspieler, 1905. Cast plaquette, bronze, 180 mm. Nos. 1, 3, 6, 8, 9, 11, 13. 14, 15, 16, 18 121 Nos. 1, 4, 5, 6, 10, 12, 16, 19, 20, 21 122 LILIAN V. HAMILTON (Mrs. Vereker Hamilton) Lilian V. Hamilton, sculptor, medalist (British), was born in Surrey, 1865. Entered the Slade School, University College, London, in 1881, and studied there for five years under Professor Alphonse Legros. Exhibited medals first about 1888, was an Associate of the Royal Society of Painter . dices, and exhibited etchings at the annual exhibitions for sol *. years. Articles on Mrs. Vereker Hamilton’s work have appeared i the Magazine of Art. July, 1901; the Ladies’ Field, November 21, 1903; Spink’s Numismatic Cir- cular, June, 1903; Spielmann, “British Sculptqgs of To-day.” Is repre- sented in the Mus£E du Luxembourg and Le Petit PalaisjsP; and Albert Museum, South Kensington, and in the Wes tee. seum and Art Gallery in Perth. Mrs. Vereker Hamilton designed and mane the gm i e > Sir Henry Norman that is now given at Sandhurst twice a year; the ' Rob- er.ts Trophy” shield given by Field-Marshal Earl Reberts "Roberts Trophy” medals; the “Solano Trophy” shield, given by Mr. E. Solano, in 1910; the medal given by Her Majesty Queen Alexandra to the Society of Miniature Rifle Clubs, and also he .f a hi e Medal for the Ladies’ * College, Cheltenham, struck in silver and bronze in 1904. Address, 6 St. »i s vlban’s Mansions, Kensington, London. 1 Betty Hamilton, 1897. Cast medal, bronze, 89 mm. 2 Breton Peasant, 1900. Cast plaquette, bronze, 57 mm. 3 Castle Midmar, 1909. Cast medal, bronze, 121 mm. 4- Fatma, a Bishareen Arab, 1897. Cast medal, bronze, 70 mm. 5 Field-Marshal Lord Roberts, IhOR Cast medal, bronze, 115 mm. 6 Field-Marshal Sir Evelyn Wood, 1901. Cast medal, bronze, 115 mm. 7 Hon. Walter John James, 1903. Cast medal, bronze, 115 mm. 8 Ian Hamilton, 1895. Cast medal, bronze, 89 mm. 9 John C. Davis, Lieut. R. N , J909. Cast medal, bronze, 121 mm. 10 Lady Hamilton, 1904. ( .. . bronze, 115 mm. 123 ' 1, 1 . r. Hi, 19, 20, 21 122 LILIAN V. HAMILTON (Mrs. Vereker Hamilton) Lilian V. Hamilton, sculptor, medalist (British), was born in Surrey, 1865. Entered the Slade School, University College, London, in 1881, and studied there for five years under Professor Alphonse Legros. Exhibited medals first about 1888, was an Associate of the Royal Society of Painter-Etchers, and exhibited etchings at the annual exhibitions for some years. Articles on Mrs. Vereker Hamilton’s work have appeared in the Magazine of Art, July, 1901; the Ladies Field, November 21, 1903; Spink’s Numismatic Cir- cular, June, 1903; Spielmann, “British Sculptors of To-day.” Is repre- sented in the Musee du Luxembourg and Le Petit Palais, Paris; the Victoria and Albert Museum, South Kensington, and in the Western Australia Mu- seum and Art Gallery in Perth. Mrs. Vereker Hamilton designed and made the gold medal in memory of Sir Henry Norman that is now given at Sandhurst twice a year; the “Rob- erts Trophy” shield given by Field-Marshal Earl Roberts in 1908, and “Roberts Trophy” medals; the “Solano Trophy” shield, given by Mr. E. Solano, in 1910; the medal given by Her Majesty Queen Alexandra to the Society of Miniature Rifle Clubs, and also the Jubilee Medal for the Ladies’ College, Cheltenham, struck in silver and bronze in 1904. Address, 6 St. Alban’s Mansions, Kensington, London. 1 Betty Hamilton, 1897. Cast medal, bronze, 89 mm. 2 Breton Peasant, 1900. Cast plaquette, bronze, 57 mm. 3 Castle Midmar, 1909. Cast medal, bronze, 121 mm. 4 Fatma, a Bishareen Arab, 1897. Cast medal, bronze, 70 mm. 5 Field-Marshal Lord Roberts, 1900. Cast medal, bronze, 115 mm. 6 Field-Marshal Sir Evelyn Wood, 1901. Cast medal, bronze, 115 mm. 7 Hon. Walter John James, 1903. Cast medal, bronze, 115 mm. 8 Ian Hamilton, 1895. Cast medal, bronze, 89 mm. 9 John C. Davis, Lieut. R. N., 1909. Cast medal, bronze, 121 mm. 70 Lady Hamilton, 1904. Cast medal, bronze, 115 mm. 123 11 Marjorie Hamilton, 1909. Cast plaquette, bronze, 89x 76 mm. 12 Miss Beale, Principal of Ladies’ College, Cheltenham, 1904. Cast medal (oval), bronze, 108 x 127 mm. 13 Mrs. lint h, 1904. Cast medal (oval), bronze, 108 x 127 mm. U Portrait of a Child. Cast medal, bronze, 76 mm. 15 Portrait of a Young Girl. Cast medal, bronze, 70 mm. 16 Society of Miniature Rifle Clubs, Design for the Queen’s Cup Gold Medal. Cast medallion, bronze, model, 140 mm. 11 The Rajah of Kapurthala, 1890. Obverse and reverse. Cast medal, bronze, 127 mm. IS Trotting Camels, 1909. Cast medal, bronze, 159 mm. 19 Viscount Gort, 1899. Obverse and reverse. Cast medal, bronze, 115 mm. 124 27os. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19 ;> or lie, bronze, 89 x 76 mm. ' s j . u ; ■ ■ i ii'i-’.e, Cheltenham, 1904. Cast • i I jnir/.e, 108x127 mm. i . < . 1 1 i 1 < i . Oisi •!>•rk Ci ! v 18/4. Studied at the Cooper i nion. New Y*.»rl-: >87-91 : with Philip Martiny, 1891-97; in the Art Students’ Leai ; - s ; a t the Ecole des Beaux -Arts, and under Colorossi, Paris, 1900- n red, in 1900, the studio ot Augustus Saint-Gauderis, where he rema - the death of his mas- ter in 1907. Address, 115 East Twenty-thir 1 New York, 1 Alice Olin Dows and Stephen Olin Dows, 1909. Medallion in plaster, 45 cm. (also cast, bronze). ~ Stephen Henry Olin, 1909. Bas-relief, bronze, 41 x 49 cm. 5 The same. Cast piaquette "('single ), bronze. ‘wKr: y.: . *» ‘••SaV?.. . 130 HENRY HERING Henry Hering, sculptor, medalist (American), was born in New York City, 1874. Studied at the Cooper Union, New York City, 1887-91; with Philip Martiny, 1891-97; in the Art Students’ League, 1894-98; at the Ecole des Reaux-Arts, and under Colorossi, Paris, 1900-01. Entered, in 1900, the studio of Augustus Saint-Gaudens, where he remained until the death of his mas- ter in 1907. Address, 115 East Twenty-third Street, New York. 1 Alice Olin Dows and Stephen Olin Dows, 1909. Medallion in plaster, 45 cm. (also cast, bronze). 2 Stephen Henry Olin, 1909. Bas-relief, bronze, 41 x 49 cm. 3 The same. Cast plaquette (single), bronze. 131 i SIR HUBERT VON HERKOMER Professor Sir Hubert vox Herkomer, sculptor, painter (British), C.V.O., Hon. D.C.L. Oxon., Hon. LL.D. Cantab., R.A. (1890), R.W.S., R.B.A., M.A., Hon. Fellow of All Souls’ College, Oxford; Associate of the Institute of France; Officer of the Legion of Honor; foreign Knight of the Prussian Order Pour le Merite; Maximilian Order pour le Merite; Knight, Cross of Order of Merit, Bavaria (1899); honorary member of Asociacion de Artistas Esparioles, Madrid (1906); honorary corresponding member of the Societe des Artistes Francais (1906) ; member of the Berlin and Munich Academies; life professor at Munich; created Knight in 1907. He was born in Waal, near Landsberg, Bavaria, in 1849. In 1851 his family emigrated to (he United States, but returned and settled in England in 1857. Poverty and ill health made his early life a struggle. He soon showed a talent for painting, and in 1865 went to Munich to study under Echtlers. In 1866 he studied under Frederick Walker at South Kensington. Establishing him- self in London in 1870, he attained his first fame as an illustrator for the London Graphic and as a painter. He excelled also in water-colors. In 1871 he was made a member of the Royal Society, and in 1890 an academi- cian. In 1873 he established himself at Bushey in Hertfordshire, where in 1881 he founded an art school not confined exclusively to painting. In 1882, 1883, and 1885 he visited the United States. On the first occasion he painted a number of portraits and lectured in New York and in Boston. In 1885 he had a studio in Boston. From 1885 to 1894 he was Ruskin’s successor as Slade professor of fine arts at Oxford. His lectures are contained in the volume “Etching and Mezzotint in Engraving” (London, 1892). Herkomer has worked in oil, in water-colors, etching, wood-carving, wrought-iron. He has been also an architect, playwright, actor, magazine writer, musical composer, singer, and the inventor and patentee of a galvanoplastic process for color-printing. Works: the Last Muster, representing the veterans of Chelsea Hospital at prayer, won the grande medaille d’honneur at the Paris Exposition of 1878. Other important paintings are: After the Toil of Dai] (1873); Even- tide (1878); Life, Light and Melody (1879); God's Shrine (1880); Der Biltgang (Bavarian peasants praying for harvest); Pressing to the West 132 (1884); the arrival of emigrants at Castle Garden; Gathering in the Char- ter House; The Magistracy of Landshut (1893), a gift to his native town. Among his portraits are: Lady in White, which received the medal of honor at the Berlin Exposition of 1886; Lady in Black (an American girl) ; in the series Makers of My House, the artist’s father, Lorenz Herkomer; Wagner (1878); Ruskin (1881) ; Browning; Tennyson; Archibald Forbes (1882); Hans Richter (1883). Among his water-colors are: Im Walde; The Wood-cutter’s Rest; The Poacher’s Fate; At the Well. He himself enumerates in a small selection from his works also the Portrait of Miss Katharine Grant; Hard Times; On Strike; The Guard’s Cheer; Stanley; Lady Eden; Portrait of Himself; Father and Grandson; Gwenddydd. Address, Lululaund, Bushev, Herts, England. 1 Boyal Automobile Club, prize medal. Struck medal, modeled by Sir H. von Herkomer, engraved by J. H. Pinches, bronze, 76 mm. 1 1 Loaned by John H. Pinches, Esq. ADOLF E. R. VON H1LDEBRANDT Adolf E. R., Ritter von Hildebrandt, sculptor, medalist (German), Royal Professor and Honorary Doctor both of Philosophy and of Medicine, was born 1847, in Marburg, Hesse. He is the son of the eminent German econ- omist and statistician Bruno Hildebrandt (1812-78), professor successively at Breslau, Marburg, Zurich, and Jena; a member in 1849 of the Frankfurt Assembly, and in 1856 at Berne the founder of the Swiss Bureau of Sta- tistics. In 1865 he began to attend the Art School in Nuremberg, studied sculpture under Zumbusch in Munich, and from 1867 to 1868 pursued further studies in Rome. After living in Berlin from 1868 to 1872 he chose Florence as his permanent home. Since 1895 he has lived most of the year in Munich. He exhibited first at the Vienna World Exhibition of 1873, where his works attracted great attention. Among his sculptures are: Boy Drinking (bronze); Sleeping Shepherd Boy (marble); Adam (1877, marble in Leipzig Museum); Water-pourer; Nude Youth (1884, marble 133 in National Gallery, Berlin); Peasant Boy with Pig (1887); Bowling ; Wit- telshach fountain, Munich; a classic mortuary chapel; a bust, modeled from life, of the German Emperor; a bust of Professor Flossmann. Von llildebrandl has created a great series of works: statues, groups, reliefs, portraits, plaquetles, medals, fountains, monuments, mortuary monu- ments. lie has been active also as an architect and painter. At the Munich Academy of Art he superintends a model studio for sculpture in its smaller forms. He is otherwise active as juror and adviser in matters concerning public art. Among the works which he has executed for the State are: the Wittels- bach Fountain in Munich; the Hubert Fountain in Munich; the Father Rhine Fountain in Strassburg; the Bismarck Fountain in Jena; the Em- press Friedrich monument in Cronberg; the Brahms monument in Mei- ningen; the Duke George Fountain in Plildburghausen; the Schiller monu- ment in Nuremberg. He has almost finished: for Munich, an equestrian statue of the Prince Regent; for Bremen, an equestrian statue of Bismarck; for Berlin, a Joachim monument. He is the author of “Das Problem der Form in der bildenden Kunst” (Strassburg, Heiss und Miindel, eighth edi- tion). This work has appeared in English with the title “The Problem of Form in Painting and in Sculpture,” translated by Max Meyer (University of Missouri) and Robert Morris Ogden (University of Tennessee) (New York, G. E. Stechert & Co.). In the earlier stages of his career he won a second medal at Berlin, and in the same city in 1877 the great gold medal. He is a member of the Academies of Berlin, Munich, Dresden, and Weimar. Address, 23 Marie-Theresiastrasse, Munich. 7 Bismarck, 80. Jubilaum, 1895. Cast plaque (single), bronze, 26 x 15.5 cm. 2 Bismarck, 80. Jubilaum, 1895. Obverse and reverse. Struck medal, silver, 29 mm. 3 Luitpold, Prinzregent von Bayern, 1904. Cast plaquette (single), bronze, 91 x 67 mm. 3 Wilhelm II, Deutscher Kaiser, Konig von Preussen. Cast plaque (single), bronze, 60 x 41 cm. 5 The same. Cast plaque (single), bronze, 20 x 14 cm. 1,34 ■m- in N’mI'dikiI Gallon. /' :sitnl Boy ivilh Big (1887) ; Bowling; Wit- telsbach ! amlaln, 'In . a classic mortuary chapel; a bust, modeled Iron • ic (term m byc 'or; a bust of Pro lessor Flossmann. Von i 17 i bmi dt . created a • I series of o - • statues, groups, reliefs, • ■ a i If.s, medals, fountains, mo'M.ments, mortuary monu- active also as an archib i ; i painter. At the Munich ? I he a 1 2 3 * 5 ids a nnyiel sti., 1 ipture in its smaller ! . 1 e as juror am ! . r in. matters concerning * !) ia lias executed V v 4atc are: l he Wittels- iie Hubert For..; in Munich; the Father the Jfismai. lv ; in Jena; the Em- in ( ron berg; the cnahms monument in Mei- ’ ala in Hildburg I uiusen; the Schiller monu- I most finished: for .Munich, an equestrian u! ui o ' ' Bremen, an equestrian statue of Bismarck; for Berlin a u n> nt. He is t He author of “Das Problem der Form in 7 vrassburg, HeFs und Miindel, eighth edi- tion). This a- e i i English with the title “The Problem of Form in Pai id .dutu <." translated i>\ Max Meyer (University of Missouri s a ; '•.■lieii Morris Ogden (University of Tennessee) (New York, G. F. Stei her! & Co.), in the earlier stages of his career he won a second me led i Berlin, and in the same city in 1877 the great gold medal, it is ; mend, : ■ >f the Academies of Berlin, Munich, Dresden, and Weimar. Address, 23 Marie-Theresiastrasse, Munich. 1 Bisi nan. • c Jubilaum, 1895. Cast plaque (single), bronze, 26 x 15.5 cm. 2 Bismarck, 80. Jubilaum, 1895. Obverse and reverse. Struck medal, silver, 29 mm. 3 Luilpold, Prinzregent von Bayern, 1904. Cast plaquette (single), bronze, 91 x 67 mm. 7 Wilhelm II, Deutscher K - - r, Konig von Preussen. Cast plaque (single), bronze, 60 x 41 cm. 5 The same. Cast plaqu< (single), bronze, 20 x 14 cm. 134 Nos. 1, 2, 3, i, 5 GRACE HOOPER Grace Hooper, sculptor (American), was born in Boston, and is at present a resident of that city. Pupil of Cyrus Dallin, Boston, and J. A. Injalbert, Paris, lias exhibited at Poland Springs art exhibitions, Boston Art Club, Pennsylvania Academy of Fine Arts, National Sculpture Society, and Na- tional Academy of Design, New York. Address, Hotel Oxford, Boston, Massachusetts. 1 Astrea. Bas-relief in wax (under glass). 3 In Days of Yore. Bas-relief (oval) in plaster. 3 L'Inconnue. Bas-relief (oval) in plaster. FRITZ IIORNLEIN Fritz Hornlein, medalist (German), was born in 1843, at Suhl in Thurin- gia, Germany. From an excellent weapon-engraver of his native town, he learned the mechanical process of engraving. Here, but above all in Ltidenscheidt, Vienna, and Dresden, was awakened his interest in the repre- sentation of figures, and particularly in the medal and in the plaque. His perceptions in art were quickened by attendance upon the Dresden School of Industrial Art, and later upon the Dresden Academy of Art. In the latter, painters such as Pohle, Bautzer, and Ivtihl, were his teachers. In spite of this, in spite of the distinctions of the academy (the traveling- scholarship, as limited to natives of Saxony, being the only prize not granted to him), he did not forget the art in miniature to which lie had become attached. His contributions to the International Medallic 136 Exposition are sufficient proof of it. At the same time it may be mentioned that he has since then exerted himself with success as a sculptor. As a medalist, Hornlein has been a stanch supporter of the view that only the hand-cut die and the cast medal render possible the further develop- ment of the medallic art; that is, he approves those technical processes which make the artist independent of the reducing machine, and force him to rigor and simplicity. The Greek coin and the Renaissance medal are Hornlein’s ideal. Address, 8 Burgsdorfstrasse, Dresden. 1 Bienenzucht, Staatsmedaille fur Verdienst, 1906. Struck medal (dies cut lry hand), bronze, 42 mm. 1 2 E. Heinze, 1907. Cast plaquette (single, matrix cut by hand in steel), bronze, 68 x 50 mm. 3 Entwiirfe fiir ein 5-Mark Stuck und ein 25-Pfennig Stuck, 1908. Obverse and reverse. Copies (9) in silver and in bronze (dies cut by hand) (38 mm. and 23 mm.). 4 Gartenbau, Staatsmedaille fiir Verdienst, 1906. Obverse and reverse. Struck medal, bronze, 42 mm. 5 Gefliigelzucht, Staatsmedaille fiir Verdienst, 1905. Struck medal (uniface), bronze, 42 mm. 6 Glafey, zur Erinnerung an das 100-jahrige Bestehen der Firma G. A. Glafey, 1907. Struck plaquette (uniface), bronze silvered, 55 x 32 mm. 7 Gotthardt Kuehl, 1905. Struck medal (dies cut by hand, now deposited in the Albertinum, Dresden), bronze, 60 mm. 8 Hans Nadler, 1908. Cast plaque (single), bronze, 22.3x17.2 cm. 9 Kind mit Apfel, 1906. Cast medal (single, matrix cut by hand in steel), bronze, 80 mm. 10 Kinderkopfchen, 1909. Cast plaquette (single), octagonal, original modeled in wax), bronze, 45 x 43 mm. 11 Kinderkopfchen, 1905. Struck medal (uniface, dies cut by hand), bronze, 50 mm. 12 Landeskulturrat fiir das Konigreich Sachsen, Staatsmedaille, 1909. Struck medal, bronze, 50 mm. 137 1 Nos. 1, 3, and 7 were cut by hand in a soft steel block, negative; Nos. 10 and 14 also by hand, but positive; Nos. 2 and 11 were cast from a steel block which was cut positive. 15 Landwirtschaft und Viehzucht, Staatspreis des Konigreichs Sach- sen, 1909. Struck plaquette, bronze, 85 x 78 mm. 7 7 Maskc, 1909. Struck medal (uniface, dies cut by hand), bronze, 42 mm. 75 Obstbau, Staalsmedaille fiir Verdienst, 1906. Struck medal, bronze, 42 mm. 16 Paul Move, 1909. Cast plaque (single), bronze, 21 x 17 cm. 77 Ski, 1905. Struck plaquette (uniface), bronze silvered, 60x42 mm. IS Susi, 1909. Struck medal, silver, 33 mm. 7.9 Wein, 1909. Cast medal (double, original modeled in wax), bronze, 70 mm. 138 13 18 14 10 16 15 4 1 12 11 19 17 19 < Staatspreis des Konigreichs Sach- hronze, 85 x 78 mm. ■' ho, dies cut by hand), bronze, s( of) Struc k medal, V i bronze, 21 x 17 cm. ■ o 'i, bronze silvered, 60 x 42 i>I 81 j\ sum »’ n i i d |, silver, 83 mm. n Cast medal (dou^e, original modeled in wax), bronze, 70 mm. 2 138 Nos. 1, 2, 3, 4, 5, 6. 8, 9, 10. 11, 12, 13, 14, 15, 16, 17, 18, 19 MARTHA M. HOVENDEN Martha M. Hovexdkx, sculptor, medalist (American), was born in 1884 in Plymouth Meeting, Pennsylvania. She studied modeling under Charles Grally in the schools of the Pennsylvania Academy of the Fine Arts, and under H. A. MacNeil at the Art Students’ League of New York. At the schools of the Pennsylvania Academy of the Fine x\rts she won in 1905 the Edmund Stewardson prize for sculpture. She exhibited first in 1905 at the Pennsylvania Academy of the Fine Arts. She is a member of the Plastic Club of Philadelphia. Address, Plymouth Meeting, Pennsylvania. 1 Friendship medal, 1909. Obverse and reverse. Medallion in plaster, 153 mm. 2 Kent Hawley and Louisa F. Stevenson, marriage medal, 1909. Cast medal, bronze, 143 mm. 3 Portrait plaque in colored wax. 'i Portraits in colored wax (5), in frames. 5 Walter H. Corson, 1910. Medal in plaster, 28 mm. 140 LUDWIG HUJER Ludwig Hujer, medalist (Austrian), was born 1872, in Wilhelmshohe, German Bohemia. Studied first at the Kunstgewerbeschule in Gablonz (Jablonec) and later in Vienna. Receiving a traveling scholarship, he spent a considerable time in Paris, London, Belgium, and Germany. Established as a medalist in Vienna since 1890, he has made many official medals and portraits of prominent men. His works have a number of times received distinctions, among them the Austrian official gold medal in 1906; the gold cross of merit with the crown in 1909; a gold medal at the Universal Exposition in Brussels, 1910. He is an ordinary member of the Vienna Kiinstlergenossenschaft, of the Deutsch-Bohmischer Kiinstler- bund, of the Numismatische Gesellschaft in Wien. Address, 14 Roten- Sterngasse, Vienna II. 1 Aerztefahrt der “Thalia” des oesterr. Lloyd, 1907. Struck plaquette, bronze, 74 x 70 mm. 2 Alpenverein, 40-jahriger Bestand, 1909. Struck plaquette, bronze, 80 x 60 mm. 3 Ausflug der Numismatischen Gesellschaft in Wien naeh Krems a. d. Donau, 1906. Struck plaquette (uniface), bronze, 60x 40 mm. 4 Das k. u. k. Schottengymnasium, 100-jahriger Bestand, 1907. Struck plaquette, bronze, 87 x 55 mm. 5 Der Landesaussehuss fur das Erzherzogthum Oesterreichs unter der Enns, Preis der Niederoesterreichischen Landes-Gewerbe- forderung, 1909. Struck medal, bronze, 75 mm. 6 Der Wiener Eislaufverein ihrem President, Karl Korper v. Marien- wert, 40-jahriges Jubilaum, 1907. Struck plaquette, bronze, 75 x 50 mm. 7 Die Technische Hochsehule, Promotionsmedaille. Struck medal, bronze, 32 mm. 8 Direktor Regierungsrat Richard Heimbold. Struck plaquette, bronze, 75 x 50 mm. 9 Dr. August Netoliszky, Sanitatsreferent von Niederoesterreich, 1906. Struck medal (uniface), bronze, 60 mm. 10 Dr. Julius Hofmann. Struck plaquette, bronze, 75x45 mm. 141 1 1 Deutseh-Bohmen, Pramie der oesterr. Gesellschaft zur Forderung der Medaillenkunst und Kleinplastik. Struck plaquette, bronze, 70 x 120 mm. 72 Deutsch-Bohmische Ausstellung in Reiehenberg, 1906. Struck plaquette, bronze, 75 x 60 mm. IS Exc. Freiherr Aug. Stummer von Tavarnok, 1907. Struck plaquette, bronze, 85 x 58 mm. 77 Exc. Josef, Graf von Tluin und Hohenstein, Landesprasident in Sehlesien, 1905. Struck plaquette, bronze, 65x42 mm. 15 Ilofrat Heinrich Ritter von Kamler. Struck plaquette, bronze, 75 x 46 mm. 16 Ilofrat Prof. Dr. Adolf Ritter von Guttenberg, 1909. Struck plaquette, 90 x 60 mm. 7/ Huldigung der Stadt Wien, anlasslich des 60-jahrigen Regierungs- jubilaums des Kaisers Franz Josef I, 1908. Obverse. Struck medal, bronze, 85 mm. IS The same. Obverse and reverse. Cast medal, bronze, model for the above, 150 mm. 19 Huldigungsplakette der Numismatischen Gesellschaft in Wien, 1908. Struck plaquette, bronze, 76 x 50 mm. 20 Johann II, Fiirst von Liechtenstein, 50-jahriges Regierungsjubi- laum, 1908. Obverse and reverse. Cast medallion (double), bronze, 20 cm. (also, struck medal, 36 mm.). 27 Kaiser jubilaumsausstellung, 1908 (Medaille der oesterr. Gesell- schaft fur Miinz- und Medaillenkunde) . Struck medal, bronze, 67 mm. 22 Kinderportrat. Cast medal, pewter, 150 mm. 23 Komponist Hans Forster. Struck plaquette, bronze, 75x50 mm. 24 Magistratsrat Eduard Gotti. Struck plaquette, bronze, 70x 50 mm. 25 Musik, Gesang und Tanz, Pramie der oesterr. Gesellschaft zur For- derung dei' Medaillenkunst und Kleinplastik, 1903. Struck plaquette (uniface), bronze, 120x 100 mm. (also, 86x84 mm.). 26 Oesterreichische Ausstellung, London, 1906. Struck medal, bronze, 60 mm. 27 Oesterreichischer Gerstebau, Staatspreis fur Verdienste. Struck plaquette, bronze, 50 x 100 mm. 28 Prof. Dr. Friedrich, Freiherr von Wieser, 1904. Struck plaquette, bronze, 50 x 85 mm. 142 29 Reichsratsabgeordneter Direktor Ernst Zeiner, 1909. Struck plaquette, bronze, 78 x 72 mm. 30 Rudolf Freiherr von Doblhoff, anlasslich des 25-jahrigen Bestehens der Wiener Molkerei, 1907. Struck plaquette, bronze, 72 x 50 mm. 31 Tonkiinstler Anton Bartholme, 1903. Struck medal (uniface), bronze, 55 mm. 143 144 4 ALBERT JAEGERS Albert Jaegers, sculptor, medalist (American), was born 1868, in Elber- 1‘elcl, Germany. While still a child he came with his parents to Cincinnati, Ohio. There his father, a wood-carver, was engaged in ecclesiastical work, to which he eventually apprenticed his boy, who at the same time took advantage of the School of Design there, where he began modeling. A practical course for a year and a half in an architect’s office completed the youth’s tuition, who entered no oilier school or studio here or abroad thereafter. Barring this rudimentary instruction, he must be considered self-taught, which, in spite of many disadvantages, produces at least a strong individual development, and, if the artist be really talented, a per- sonality in art. In 1889 the young man came to New York. A year later he married Matilda Holdt, daughter of the late Dr. George Holdt of Cincinnati. Herself a student of art, she has assisted him in his work, and throughout his struggles has been a rare companion. The National Sculpture Society, in conformity with its policy of encouraging the development of sculpture, arranged for competitions from time to time. The first, for a new silver dollar design, was won by Jaegers. The Hamilton Fish memorial tablet for Columbia University, the subject of a competition under the auspices of this society, was executed by the artist. Besides private orders he has executed commissions for the Buffalo Pan-American Exposition and the St. Louis World’s Fair. The Fine Arts Building of St. Louis and the new New York Custom House have statues by his hand. In 1905 he was invited by the United States Government, in a limited competition with a number of prominent sculptors, to submit a design for the General von Steuben monument for Washington, for which Congress appropriated $50,000. Augustus Saint-Gaudens, the sole expert adviser to the commission, ex- pressed the greatest admiration for Jaeger’s design and recommended it for execution. The unveiling of this monument took place December 7, 1910. Congress has recently appropriated funds to cast a bronze replica 146 of the Steuben statue to be presented to Emperor William II of Germany. Address, Suffern, New York. 1 Portrait medallion in colored plaster, 1904. 2 “Research,” 1904. Model for a medal, in plaster. F. E. JELTSEMA F. E. Jeltsema, sculptor, medalist (Dutch), was born in Uithuizen, in the northern part of the province of Groningen, Holland, in 1879. His father, a well-to-do farmer, had the means to give him a very good education. When scarcely seven he began to draw, and tried to model in snow and in ice and later in poor claj 7 . From the age of nine to that of fourteen he attended once a week a drawing-school. At the latter age he went to Gro- ningen to finish his general education and to draw at the Academy Minerva. He remained at Groningen only six months. Finding that he had special capacity, his instructors there advised him to continue his studies at Am- sterdam in order to become a teacher of drawing and of perspective. He arrived in Amsterdam in 1895. In 1896 he passed with good success the examination for the office of instructor in drawing in the ordinary schools. The three years following he studied in the Rijks Museum, at the normal 147 school established there for the training of teachers of drawing and of perspective. As drawing did not satisfy him, and he wished to become a sculptor, he saved his money and took lessons from a young sculptor at a florin a lesson. At the age of nineteen, in 1899, he passed creditably the examination for the instructorship in drawing in the lyceums. Not wish- ing, however, to become a teacher, tie begged his parents to allow him to continue his study of sculpture at the School of Fine Arts at Amsterdam. They consented on condition that he should show himself able to enter directly the third class, which tie did, becoming an ardent pupil of Ferdi- nand Leenhoff during the year before the latter departed for Paris. At the end of this year Jeltsema received his first commission, a relief for the grave of the Dutch geologist Staring. Finishing this, Jeltsema, January 21, 1901, went to Rome, where lie studied under P. Pander, and made one relief, La Nu.it, and one statue, L’Innocence, the former of which is now lost. After a year and a half at Rome lie returned to Amsterdam to com- pete for the Prix de Rome. September 25, 1902, he won the prize and the gold medal with a statue of a woman, La Douleur, purchased by the gov- ernment and now at the School of Fine Arts. December 18, 1902, he left for Paris, where he found his former instructor Leenhoff. In 1903, the first year of his studies as holder of the Prix de Rome, he modeled a group, Mate mile. In 1904 lie was sent to Paris to specialize in medal-engraving. With introductions from the Minister of the Netherlands and from Leen- hoff, lie made the acquaintance of J. C. Chaplain, who, after seeing Jelt- sema’s work, received him in his studio as a special pupil. Each morning at half-past eight Jeltsema went to Chaplain. In the second 3 r ear, 1904, Jeltsema produced the medal Minerue, the bas-relief Une Coiffeuse, and a portrait of his father. In the third year, 1905, he produced the medal Ferdinand Leenhoff, the plaquettes Venus el Amour, and La Danse, and the portrait bust of a lady. In November, 1905, he went to Munich to study the collection of medals Ihere, but after a week was recalled to Amsterdam and then to The Hague to make the medal commemorative of the gratitude of the people of Holland to Mr. H. W. Mesdag for the gift to the govern- ment of his museum. After this he made the Byleveld and the van Calcar de Boer medals. In April, 1906, he went again to Paris, whence he accom- panied Leenhoff to Lyons, Valence, Nimes, Marseilles, Nice, Monaco, 148 Genoa, Pisa, and Florence. At Florence he was to pass the fourth year of the period of study required of him and to model the statue of a woman. He made two, La Justice and Bacchante. La Justice, Maternite, and La Douleur have all been purchased by the government and are at the School of Fine Arts at Amsterdam. Bacchante, a marble statue, is now at the Salon des Artistes Francais at Paris. Returning from Florence in 1908, he went to Scheveningen to make several statuettes and medals. There he is permanently established, but spends much time in Paris in the interest of his art. In 1910 he executed the medal M. Dr. W. F. nan Leeuwen, ex-mayor of Amsterdam. Address, 92 Oude Schevening’sche Weg, Scheveningen, Holland. 1 Ferdinand Leenhoff, 1905. Medal, galvano silvered, 90 mm. 2 H. W. Mesdag et S. Mesdag von Houten, Noces d’Or (1856-1906), medaille donnee par le peuple hollandais comme temoignage de reconnaissance pour le musee qu’il a donne au gouvernement hollandais, 1906. Struck medal, bronze silvered, 90 mm. 3 La Danse, 1905. Struck plaquette (uniface), bronze silvered, 55 x 80 mm. 4 Minerve, 1904. Obverse and reverse. Struck medal, silver, 50 mm. 5 Mme. B. C. van Calcar de Boer, 1905. Struck medal, silver, 90 mm. 6 Rembertus Jeltsema, Szn-Landbouwer te Uithuizen, 1904. Medal, galvano silvered, 90 mm. 7 Venus et Amour, 1905. Plaquette, galvano silvered, 70 x 55 mm. 149 WILLIAM GOSCOMBE JOHN William Goscombe John, sculptor, medalist (British), was born in Cardiff, I860; R.A., 1909; A.R.A., 1899; Membre Correspondant de l’lnstitut de France; Hon. A.B.I.B.A.; sculptor. Studied under his father, who was a wood-carver and designer, and under his tuition learned the craft of wood- carving: at the same time studied privately drawing and anatomy under James Philpotts, working also in the evening classes of the Cardiff School of Art under Mr. James Bush; Lambeth School of Art under the artist W. S. Frith (1882); Academy Schools (1884); Royal Academy gold medal and traveling studentship, 1889, visiting Cairo, Constantinople, Athens, Olympia, Naples, Rome, Florence, and most of the art centers of Europe; studied in Paris, 1890-91; mention honorable, Paris Salon, 1892; deuxieme medaille, 1901; gold medal, Paris International Exposition, 1900. William Goscombe John has exhibited annually for about twenty-five years at the Royal Academy of Arts, London, and frequently at the Salon and various other exhibitions in England and abroad. Works: statues: His Majesty King Edward VII, at Cape Town; Prince Christian Victor, at Windsor; Seventh Duke of Devonshire, at Eastbourne; Viscount Tredegar (equestrian), at Cardiff; Maharaja of Balrampur and Sir John Woodburn, at Lucknow; W. E. H. Becky, M.P., at Trinity College, Dublin; Colonel Sanderson, M.P., at Portadown; T. E. Ellis, M.P., at Bala; James Ileid, at Glasgow; Sir James Fergusson, at Ayr; Judge Williams, al Cardiff; memorials: The Marquess of Salisbury, in Westminster Abbey; The Duke of Beaufort, at Badminton; The Marquess of Winchester, al Amport; Bishop Lewis and Dean Vaughan, in Llandaff Cathedral; Sir Arthur Sullivan, in St. Paul’s Cathedral (and also in the Embankment Gardens); The Coldstream Guards and War Correspondents, in St. Paul’s Cathedral; The King's Regiment, at Liverpool; Second Battalion, Royal Sussex Regiment, at Eastbourne; Cape Town Volunteers, at Cape Town; and the following: Boy at Play, Tate Gallery; The Elf, Glasgow Art Gal lery: Morpheus, St. John the Baptist, Cardiff Art Gallery; Study of a Head, Liverpool Art Gallery; Hermes, Preston Art Gallery; many busts and decorative works, including medals, seals, drinking-horns, etc. Reviews of his work may be found in L’ Art (Paris), the Studio, Art Jour- 150 nal, Magazine of Art, and other periodicals devoted to the fine arts; also in Spielmann’s “British Sculptors.” Address, 24 Greville Road, St. John’s Wood, N. W., London. 1 Borough of Merthyr Tydfil, South Wales. Seal in wax. 1 2 National Eisteddfod Association, 1898. Obverse and reverse. Struck medal, copper silvered, 71 mm. 3 The same. Obverse. Struck medal, bronze, 71 mm. 4 National Museum of Wales. Model for seal, in plaster, 31 mm. 5 The same. Seal in wax, 64 mm. 6 Prince Llywelyn Memorial, 1903. Struck medal, bronze, 71 mm. 7 The same. Obverse and reverse. Copies in plaster of the above. 8 Professor Alfred William Hughes, Anatomist, 1900. Struck medal, bronze, 52 mm. 9 The same. Obverse and reverse. Copies in plaster of the above. 10 Thomas Edward Ellis. Obverse and reverse. Medal in plaster (struck medal, 64 mm.). 1 Nos. 1-10 loaned by John N. Pinches, Esq. 6 JULES JOURDAIN Jii.ks Joi rdaix, sculptor, medalist (Belgian), was born in Namur, 1873. Al ter having studied law at the University of Louvain he began drawing in the studio of the painter A. Lefevre, in Brussels, and later worked for some lime in the studio of the decorative painter Privat-Livemont. His next step was in sculpture, which had attracted him for a long time, and lie became the pupil of Julien Dillens at the end of 1899. During three years and a half he was under the direction of this great artist, and after that worked alone. First exhibited at the Salon d’Art Chretien, opened in Brussels in 1899, Saint Michel and Tele du Christ. Exhibited in 1900 Combat de Coqs at the Libre Esthetiqne at Brussels, and then at different exhibitions and salons. Obtained the first prize at the contest organized in 1905 by the Academy of Belgium for the medallion commemorative of Her Majesty Marie Henriette, Queen of Belgium. His most important work is the statue in bronze of Justus Lipsius at Louvain, 1909. Address, 78 rue de la Con- solation, Brussels, Belgium. 1 Cinquantaire de l’lnstitut Saint-Louis a Bruxelles, 1908. Struck medal (jeton), silver gilt, 27 mm. 2 Commission Royale d’Histoire, 1909. Struck medal, bronze, 65 mm. 3 S. M. La Reine Marie Henriette, medaille de l’Academie Beige, 1905 (medal of the Societe Hollandaise-Belge des Amis de la Medaille d’Art). Struck medal, bronze, 65 mm. 4 Societe Hollandaise-Belge des Amis de la Medaille d’Art, Jeton de Presence, 1907. Struck plaquette, bronze (two copies, one in antique finish), 39 x 30 mm. 5 The same. Model for the preceding in plaster. 152 153 HUGO KAUFMANN Hugo Kaufmann, sculptor, medalist (German), was born in Oberhessen, Germany, 1868. Attended school at Frankfurt-am-Main, and thereafter the S tad el Art Institute under Professor Kaupert. At eighteen went to Munich, where he entered the composition class of Professor von Riimann. His first independent large work, a figure, Die Iiunst, on the Ludwig’s Bridge, Munich, was completed in 1895. From 1898 to 1903 worked on the Ein- heitsdenkmal in Frankfurt-am-Main. In 1906 he left Munich, and went to Berlin, where he has occupied himself chiefly with architectural modeling. The house at 7 Behrenstrasse in Berlin and the new building of the Bruder- verein, Kurftirstenstrasse, are the first large pieces of work of this kind. He has made many medals and small bronzes. He is represented in the National Gallery in Berlin by the marble bust of St. George. Address, 33 Riistern-Allee, Charlottenburg, Western!. 1 Arnold Bocklin, 1897. Struck medal, copper, 55 mm. 2 Bayerischer Fischereiverein, 1906. Obverse and reverse. Struck medal, silver, 60 mm. 3 Frau Rath Goethe (nacli Melchior), 1903. Cast medal (single), bronze, 145 mm. 4 Geheimrat Paul Zweifel, 1908. Cast medallion (single), bronze, 23 cm. 5 Geographische Gesellschaft, Miinchen, Prinz Ludwig Medaille fur Verdienste um die geographische Forschung, 1901. Obverse and reverse. Struck medal, copies in silver and in bronze, 50 mm. 6 Johann Wolfgang Goethe, Zur 150.-Geburtstagsfeier, Die Stadt Frankfurt a. M., 1899. Obverse and reverse. Struck medal, copies in silver and in bronze, 65 mm. 7 The same. Obverse. Cast medallion (single), bronze, model for the above, 165 mm. 8 Luitpold, Prinzregent von Bayern, 1904. Obverse and reverse. Struck medal, silver, 70 mm. 9 The same. Cast medallion (single), bronze, model for the above, 21.6 cm. 10 Max Liebermann, 1905. Struck plaquette (uniface, octagonal), silver, 73 x 64 mm. 154 11 The same. Cast plaque (single), bronze, model for the above, 26 x 20.5 cm. 12 Numismatik, 1904. Obverse and reverse. Struck medal, silver, 60 mm. 13 Pallas Athena, Medaille der Musterschule in Frankfurt a. M., 1901. Struck medal, silver, 25 mm. 74 25-Pfennig Stuck, II. Preis der deutschen Reichsconcurrenz, 1909. Nickel, 23 mm. 15 Unterrichtswesen, Der Samann, 1903. Obverse and reverse. Struck medal, silver, 59 mm. 16 The same. Obverse. Cast medallion (single), bronze, model for the above, 22.3 cm. 155 HENRI K Henri Kautsch, sculptor, medalist was bo. hernia, in 1859. Schools: Decoral i ue and of Paris. Masters: Injalbert, Ron i Exposih. medal, Vienna; 1889, gold medal f j concours, piember of the j: d ag <*97, Sal- mention; 1900, Paris, Universal K;.: owsinmi ( hors <->r medal for sculpture; 1904, St. Louis, gold medal ; ! honor at Diisseldorf, as commissioner for Fn 1 Exposition, gold medal: diploma of {Fxl , 0 ~ Exposition, Brussels, 191.4- « expositions in Europe. Chevah Order of Francis Joseph, and of chevalier of thirteen foreign orders* reichische Gesellschaft fur Miinz- und d f : of the Societe Nationale des Beaux-Arb A Publications: “L’Orfevrerie du X' L one hundred illustrations, 1890; “Rapp:, cago, Art et Art Decoratif, par H. Kautsch Works: objects of art from 1878 to 1890, imperial courts and for the Pope: busts: , >> , Paris Embassy, Count Hoyos, Admiral Jonqm donck, Kudlich, etc.; funeral monuments in Am- Paris, Meran, Salzburg, etc.; medallions: Tin sr Lenbach, Bonaparte, Mucha , Viardot, Wagner +r A. Bartliolome, M. Biach , one hundred and lifter d’Armaille, Paris, XVII. git 1 A. Bartholome, 1905. Obverse and revei v . silvered, 76 x 100 mm. 1 2 The $$me. Obverse and reverse. Plaque, 20.5 x 26.5 cm. 3 Alexander Friedrich, Landgraf von Hessen ' - galvano silvered, 90 mm. 01 1 All these pieces exist in cast, galvano, and strn-'V- 157 ? HENRI KAUTSCH Henri Kautsch, sculptor, medalist (Austrian), was born in Prague, Bo- hemia, in 1859. Schools: Decorative Art at Prague and Vienna; Academy of Paris. Masters: Injalbert, Roubaud, Schulz. Expositions: 1880, bronze medal, Vienna; 1889, gold medal of the Emperor of Austria; 1893, hors concours, member of the jury at Chicago; 1897, Salon, Paris, honorable mention; 1900, Paris, Universal Exposition ( hors concours) , also silver medal for sculpture; 1904, St. Louis, gold medal (large); 1904, prize of honor at Diisseldorf, as commissioner for France; 1905, Liege, Universal Exposition, gold medal; diploma of first class in fine arts at Universal Exposition, Brussels, 1910; further, more than twenty medals at small expositions in Europe. Chevalier of the Iron Crown of Austria, of the Order of Francis Joseph, and of the Legion of Honor, and commander and chevalier of thirteen foreign orders; corresponding member of the Oester- reichische Gesellsehaft ftir Miinz- und Medaillenkunde, Vienna; member of the Societe Nationale des Beaux-Arts, Paris. Publications: “L’Orfevrerie du XVI. au XIX. Siecle, par H. Kautsch,” one hundred illustrations, 1890; “Rapport general de l’Exposition a Chi- cago, Art et Art Decoratif, par H. Kautsch.” Works: objects of art from 1878 to 1890, executed for several royal and imperial courts and for the Pope; busts: Emperor Francis Joseph for the Paris Embassy, Count Hoyos, Admiral Jonquiere, P. W. Jansen, Wesen- donck, Kudlich, etc.; funeral monuments in Amsterdam, Vienna, Prague, Paris, Meran, Salzburg, etc.; medallions: The Emperor of Austria, F. von Lenbach, Bonaparte, Mucha, Viardot, Wagner, Jan Kubelik, Emil Sauer, A. Bartholome, M. Biach, one hundred and fifteen pieces. Address, 5 rue d’Armaille, Paris, XVII. 1 A. Bartholome, 1905. Obverse and reverse. Plaquette, galvano silvered, 76 x 100 mm. 1 2 The same. Obverse and reverse. Plaque, galvano bronzed, 20.5 x 26.5 cm. 3 Alexander Friedrich, Landgraf von Hessen, 1901. Plaquette, galvano silvered, 90 mm. 1 All these pieces exist in cast, galvano, and struck form. 157 '/ Alfonso XIII. Obverse and reverse. Plaquette, galvano silvered, 51 x 35 mm. 5 Alfred Koerner, Noces d’Argent, 1905. Obverse and reverse. Plaquette, galvano silvered, 76 x 100 mm. 6 Amelie Radio de Radiis (Mme. Kautsch), 1899. Medal, galvano silvered, 100 mm. (struck medal, 90 mm.). 7 A. M. Mucha, Artiste-peintre. Medal, galvano silvered (cast (single), 100 mm.; struck (uniface), 70 mm.). S Automobiles, Chambre Syndicate, 1903. Obverse and reverse. Plaquette, galvano silvered (cast (double), 100 mm.; struck plaquette, 54 x 79 mm.). .0 Baron el Baronne Rosenthal. Plaquette, galvano silvered (struck, 100x80 mm.). 10 Charles Freund Deschamps, 1899. Plaquette, galvano silvered. 11 Emanuel Kautsch (pere de l’artiste), 1902. Plaquette, galvano silvered (cast plaquette, 72 x 100 mm.; struck, 25 x 36 mm.). 12 Emil Sauer, 1906. Plaquette, galvano silvered (cast, 80 x 100 mm.; struck, 70 x 32 mm. and 36 x 50 mm.). 13 Franz von Lenbach, 1903. Obverse and reverse. Plaque, galvano silvered, model. l'i The same. Obverse and reverse. Plaquette, galvano silvered, 100x70 mm. (cast (double), 100x70 mm.; struck plaquette, 86 x 61 mm.) . 15 Graf Anton von Wolkenstein-Trostburg, 1900. Plaquette, galvano silvered (struck plaquette, 68 x 90 mm.). 16 Heinrich Heine, 1900. Obverse and reverse. Plaquette, galvano silvered, 105x63 mm. (cast (double), 105x63 mm.; struck, 70 x 36 mm. ) . 17 Henry Fournier, La Societe Hotchkiss, 1905. Obverse and reverse. Medal, galvano silvered, 90 mm. IS Henry Vignaud. Obverse and reverse. Plaquette, galvano silvered, 73 x 54 mm. 19 J. P. Reininghaus. Obverse and reverse. Plaquette, galvano silvered, 100 x 70 mm. 20 Laure, Prix-Regatte en Bretagne, 1899. Plaquette, galvano silvered, 79 x 45 mm. 21 Margo Lenbach, 1905. Medal, galvano silvered (cast (single), 100 mm.; struck medal (uniface), 60 mm.). 158 22 M. et Mme. Pawle, Noces d’Or, 1902. Medal, galvano silvered (cast (double), 100 mm.; struck, 60, 20, and 10 mm.). 23 Muse avec Couronne. Plaquette, galvano silvered, 90 x 70 mm. 2k Paris Recevant la Bosnie-Herzegovine, 1900. Plaquette, galvano silvered (struck, 78 x 88 mm.). 25 Pauline Viardot, 1901. Obverse and reverse. Plaquette, galvano silvered (east (double), 100 mm.; struck, 70 mm.). 26 Prince Roland Bonaparte, 1900. Plaquette, galvano silvered, 90 x 75 mm. 27 P. W. Janssen, 1903. Plaque, galvano silvered, 15 x 20 cm. 28 S. M. Francois Joseph, Societe de Bienfaisance Austro-Hongroise a Paris, 1908. Obverse and reverse. Plaquette, galvano silvered, 100 x 67 mm. (struck plaquette, 74 x 50 mm.). 29 Ouvrier, Noces d’Argent. Plaquette, galvano silvered, 100 x 36 mm. 2 (Obverse) 159 fT^CDY 1 ^n]y?,!Vv~]^y. f)KA0T5cf) 5 (Reverse) 160 161 Nos. ERNEST WISE KEYSER Ernest Wise Keyser, sculptor, medalist (American), was born in Balti- more, 1874. He gol his general education in public and private schools, and was a student of the Art Students’ League and Academic Julien, Paris. He made successive exhibits in Paris Salons, also had executed in compe- tition numerous portraits and mortuary and public memorials, including the Enoch Pratt memorial, Baltimore; statue of Admiral W. S. Schley, in State House, Annapolis, Maryland; Barry memorial, Frederick, Maryland; bronze figure Sir Galahad for Harper memorial, Ottawa, Canada, and many others. His studio is now in New York. Address, 249 West Seventy- fourth Street, New York City. 1 Florence S. Plaquette. 2 Joseph 0. Plaquette. 3 Mr. and Mrs. W. Plaquette. 4 Peter Fenelon Collier. Obverse and reverse. Medal. 5 The Young St. John. Plaquette. 6 William Travers Jerome. Medal. 7 The same, mounted on a souvenir card-case. ISIDORE KONTI Isidore Konti, sculptor, medalist (American), was born in Vienna, Austria, 1862. At the age of fifteen he entered the Imperial Academy of Arts in Vienna and there obtained a scholarship, enabling him to study in Rome, Florence, Naples, and Venice. In 1891 he came to the United States, and making his home in Chicago, he assisted in executing some groups for the Agricultural and Administrative buildings of the World’s Columbian Ex- position. In 1893 he settled in New York City. Works: the group West Indies, and the spandrels symbolizing the North and East rivers for the Dewey Arch; groups for the Temple of Music and l he esplanade, Pan-American Exposition; the two side cascades of the great fountain at the St. Louis Exposition, for which he was awarded a gold medal, besides a special gold medal; the McKinley monument, Phila- 162 delphia, executed after a sketch by the late Charles Lopez; figures of Jus- tinian and Alfred the Great for the Court House in Cleveland, Ohio; a frieze (festival procession) for the Gainsborough Studio Building, New York; a group representing South America and a historical relief for the Inter- national Bureau of American Republics Building, Washington, I). C.; a number of ideal figures and groups: Inspiration; The Brook, a fountain executed in marble at “Greystone,” Yonkers, New York; The Despotic Age, Metropolitan Museum, New York; Orpheus, and The Awakening of Spring, which have been shown in exhibitions throughout the United States. He has also designed commemorative and other medals. Mr. Konti is vice- president of the National Sculpture Society, and a member of the Archi- tectural League. He became an associate of the National Academy of De- sign in 1906, and was elected academician in 1909. He is a director of the Municipal Art Societjg and member of the Salmagundi Club of New York City. Address, 154 West Fifty-fifth Street, New York City. 163 7 National Academy ol' Design, Isidor Memorial. Struck medal, silver, 40 mm. 2 Two Hundred and Fiftieth Anniversary of Jewish Settlement in the United States, 1905. Obverse and reverse. Struck medal, silver, 70 mm. FRANZ KOUNITZKY Franz Kouxitzky, medalist (Austrian), vcas born in Vienna, 1880. His ancestors were rich landed proprietors in Poland, possessed of great for- ests, who came to Vienna with Sobieski at the time of the siege by the Turks in 1083. Their wealth was, however, lost in succeeding generations, and the artist came into the world under lowly circumstances. As a boy he showed a predilection for drawing, but his father washed him to become a mechanic. Meeting, however, with friends, he was enabled to enter the Akademie der bildenden Kiinste. There, after passing a rigorous examina- tion, the young man received a scholarship. Among his masters was Pro- fessor J. Tautenhayn, the medalist. After journeys to Italy, France, and Germany, he became established at the Imperial Mint in Vienna. Among the artist’s more recent works not shown in the present exhibition may be mentioned: Heine lieben Eltern, cast plaque (single), bronze, 20 x 30 cm.; Beethoven, chased plaque, copper, original after artist’s own composition, 36x31.5 cm.; Neujahrsplakette, W eihnachtsmann, 1911, struck medal (oval), bronze, 75x55 mm.; Leo Tolstoi, russischer Schriftsteller (1828- 1910), cast medal (single), bronze, 100 mm. 1 ; Turgenjew, russischer Schrift- steller (1818-1883), cast medal (single), bronze, 100 mm.; Professor Dr. Robert Koch, Mediziner (1843-1910), cast medal (single), bronze, 115 mm.; Professor Ehrlich mit seinem japanischen Assistenten Halo, cast plaqnette (single), bronze, 140x 180 mm. Address, 14 Lohrgasse, Wien XV. 7 Adolf Menzel, Maler, 1905. Cast medal (single), bronze, 125 mm. 2 Adolf Sonnenthal, Schauspieler. Cast medal (single), bronze, 130 mm. 1 Illustrated on page 166. 164 3 4 5 6 7 8 9 10 11 12 13 U 15 16 11 18 19 20 21 22 B. Bjornson, norwegischer Dichter. Cast medal (single), bronze, 105 mm. C. Darwin, englischer Naturforscher. Cast medal (single), bronze, 110 mm. Emil Sauer, Klaviervirtuose und k. k. Professor. Cast medal (single), bronze, 170 mm. Erik Schmedes, Sanger Oesterreichs. Cast plaquette (single), bronze, 125 x 65 mm. F. Nietzsche, Philosoph. Cast plaquette (single), bronze, 165x63 mm. Gartenbau. Struck medal, bronze, 60 mm. G. Charpentier, franzosischer Musiker, 1903. Cast plaquette (single), bronze, 110x80 mm. Gustav Mahler, Musiker. Cast medal (double), bronze, 65 mm. Hedwig Wrangel, Schauspielerin, 1902. Cast plaquette (single), bronze, 110 x 65 mm. H. Ibsen, norwegischer Schriftsteller. Cast plaquette (single), bronze, 90 x 50 mm. Hugo Wolf, Musiker. Struck medal (single), bronze, 60 mm. J. Brahms, Musiker. Cast medal (single), bronze, 85 mm. J. Joachim, Musiker, 1902. Cast plaquette (single), bronze, 64 x 95 mm. Jan Kubelik, Violinvirtuose. Struck plaquette (single), bronze, 70 x 47 mm. Kaiser Franz Josef I, Jubilaum, 1848-1908. Struck medal, bronze, 60 mm. Landwirtschaftsausstellung, Dem Verdienste. Struck medal (uniface), bronze, 60 mm. Mammon. Chased plaque, copper. Original after artist’s own composition, 35 x 32.5 cm. Maxim Gorki, russischer Schriftsteller. Cast plaquette (single), bronze, 160 x 75 mm. Multatuli, niederlandischer Schriftsteller. Cast medal, bronze, 90 mm. Neujahrsplakette, Allgemeine Wahlrecht, 1907. Struck plaquette (uniface), bronze, 75 x 30 mm. 23 Neujahrsplakette, Biedermeierfamilie, 1905. Struck plaquette, bronze, 60 x 45 mm. 24 Neujahrsplakette, Biedermeierfamilie, 1910. Struck plaquette (oval), bronze, 45 x 80 mm. 25 The same. Cast plaque (single), bronze, model, 28 x 20 cm. 26 Neujahrsplakette, Bosnien, 1909. Struck plaquette (uniface, octagonal ), bronze, 55 x 65 mm. 27 Neujahrsplakette, Kaiserjubilaum, 1908. Struck plaquette, bronze, 59 x 56 mm. 28 Professor Ernst Mach, Physiker. Cast medal (single), bronze, 110 mm. 29 Richard Strauss, Musiker. Cast medal (single), bronze, 105 mm. 30 Robert und Clara Schumann, Musiker. Cast medal (single), bronze, 85 mm. 37 Siegfried Wagner, Musiker, Sohn Richard Wagners, 1900. Cast plaquette (single), bronze, 180 x 110 mm. 32 Theodor Mommsen, Geschichtsforscher, 1902. Cast plaquette (single), bronze, 105 x 65 mm. Teo Tolstoi (see footnote, page 164) 166 32 168 ALEXANDER KRAUMANN Alexander Kraumann, dflulptor, medilist (Germai „ was born in Bud, st in 1870. Studied at the Art Academy in Vienna with Professor Hell- Hr aer; then worked as assistant to Professor August Vogel and Pr • t ugo Lederer of Berlin, and studied ene year in B ,e. T • ; portrait modeling in a private academy in Berlin for .se* • Hr received: in the competition for the Oherbrm Breslau, first prize and execution; design o t Berlin, 1907, second prize; Turners h ft dal ol gymnastic ciety), F rankf urt-am-Main, 1907, second prize; in the competition for a medal for the Royal Academy of Architecture, Berlin, 1908, one of five ro equal prizes; in the competition . third prize and the execution of the ler . . 1 ichendorff monument, Breslau, 1909, one •. \ non. Plaquettes and medals have been purchased l>v the Berlin Xahm- co & Gallery; the Kaiser Friedrichsmuseiuu, Berlin; the BresTau Museum; the Munich Miinzkabinett; tin ^ erbemuseum; the Magde- burg Museum. Address, burins] - -j K> ro 1 Architektur, 1907. Cfst medal il (uniface), 75 mm.). Hr 2 Entwurf flic 'em 25-Pfennig Si g Reichskonkurrenz (Adlerkopf und Acincs verse. Model for coin in white metal, 12 23 mm.). £2 rc 3 Heilquelle, 1900. Cast plaque (idoubJe d nz , 2f x 14 cm. ( 70 x 45 mnf.). 4 Huldigung, 1901. Cast plaque (single^, bronze, 20 x 14 m. 5 Liebe, 1905. Cast plaque (single), bronze, 40 x 21 plaquette (uniface), d , 37 R im .). * 6 Luftschiff, 1908. Cast medallion (single), bronze, 20 cm. 60 mm.). ALEXANDER KRAUMANN Alexander Kraumann, sculptor, medalist (German), was horn in Ruda- pest in 1870. Studied at the Art Academy in Vienna with Professor Hell- mer; then worked as assistant to Professor August Vogel and Professor Hugo Lederer of Rerlin, and studied one year in Rome. Taught act and portrait modeling in a private academy in Rerlin for several years. Prizes received: in the competition for the Oberbrunn Memorial Medal, 1900, Rreslau, first prize and execution; design of a gateway for the new Passage, Rerlin, 1907, second prize; Turnerschaftsmedaille (medal of gymnastic society), Frankfurt-am-Main, 1907, second prize; in the competition for a medal for the Royal Academy of Architecture, Rerlin, 1908, one of five equal prizes; in the competition for a 25-pfennig piece, Rerlin, 1909, the third prize and the execution of the legend; in the competition for the Eichendorff monument, Rreslau, 1909, one of three prizes and the execu- tion. Plaquettes and medals have been purchased by the Rerlin National Gallery; the Kaiser Friedrichsmuseum, Rerlin; the Rreslau Museum; the Munich Munzkabinett; the Frankfurt Kunstgewerbemuseum; the Magde- burg Museum. Address, 19 Gutzkowstrasse, Frankfurt-am-Main. 1 Architektur, 1907. Cast medallion (single), bronze, 24 cm. (struck (uniface), 75 mm.). 2 Entwurf fur ein 25-Pfennig Stuck, 1908, III. Preis der deutschen Reichskonkurrenz (Adlerkopf und Aehren). Obverse and re- verse. Model for coin in white metal, 125 mm. (struck coin, 23 mm.) . 3 Heilquelle, 1900. Cast plaque (double), bronze, 21 x 14 cm. (struck, 70 x 45 mm.). 4 Huldigung, 1901. Cast plaque (single), bronze, 20x14 cm. 5 Liebe, 1905. Cast plaque (single), bronze, 40x21 cm. (struck plaquette (uniface), 66 x 37 mm.). 6 Luftsehiff, 1908. Cast medallion (single), bronze, 20 cm. (struck, 60 mm.) . 169 7 Musik, 1899. Plaque in plaster (tinted), 35 x 15 cm. (struck plaquette, 87 x 37 mm.). 8 Venedig, Ausstellung, 1903. Cast medal (single), bronze gilt, 117 mm. 9 Widmungstafel, 1904. Cast plaque (single), bronze, 30x21 cm. Nos. 1, 2, 3, 4, 5, 6, 7 , 8, 9 170 ABEL LAFLEUR Vhel Lafleur, medalist (Free r . was born in Rodvz, ueyron, France. Studied at the Arts Decoratifs rid subsequently a, ihe I. ole des Beaux- \rts, Paris, having successively as professors Messrs. IVnscarme and Hi plain. He won several prizes at this school. During this period he e . peted for the Prix de. Rome. He worked for a loo-; .. Charpentier. In 1901 lie began to exhibit at the S; . ms, f which society he is a member. In 1903 he . o; -ble men- »n; in 1905 a medal of the third class: in : Bourse de Voyage de ; Etat, a reward obtained only very rarely b\ medal -engravers, as «>nh ■ ... -e been so rewarded since 1874, the date of its foundation; finally, in <04, a medal of the second class. Certain of his works are exhibited at s in the Luxembourg, Galliera, and Petit Palais museums, and in that s die Mint; in several provincial ■ abroad, at the dll Kensington Museum, London, a! C - ■ . ale collections. Works: Femme au $ain, executed for the Sdu< . . - t - a! decorative works, among >hv more notable being a. medal for the Brus- !s Exposition of 1897 and the monument erected in memory of the poe- Ledeganck; also La Ville Gaud, & lette. In*1888 the artist obtain* pc (fe Prix de Rome, and he is a knight of the Order of Leopold. 8 avenue Michel-Ange, Brussels. ™ Ol 1 Chevaux Brabancons. Cast medallion, brinze. 2 M. Edouard Simon, Bourgmestre de Pi' < r i ■ bronze, 68 mm. 1o Hr 3 M. Jules Van den Heuvel, a ; silver, 49 mm. 5 PC PC Medal for n. Inter i< r. » . 1 b - 189 7 Hr 175 co PC 17 JULES LAGAE Jules Lagae, medalist (Belgian), was born in Roulers, Belgium, 1862. Pupil of Charles Vanderstappen and of Lambeaux. He has produced sev- eral decorative works, among the more notable being a medal for the Brus- sels Exposition of 1897 and the monument erected in memory of the poet Ledeganck; also La Ville de Gand, plaquette. In 1888 the artist obtained the Prix de Rome, and he is a knight of the Order of Leopold. Address, 8 avenue Miehel-Ange, Brussels. 1 Chevaux Brabancons. Cast medallion, bronze. 2 M. Edouard Simon, Bourgmestre de Peruwelz, 1902. Struck medal, bronze, 68 mm. 3 M. Jules Van den Heuvel, Ministre d’Etat, 1907. Struck medal, silver, 49 mm. Medal for the Exposition Internationale de Bruxelles, 1897 175 MRS. BERENICE FRANCIS LANGTON Berenice Francis Langton, sculptor (American), was born in Erie County, Pennsylvania. Mrs. Langton’s first regular study of art began under Augustus Saint-Gaudens. Later, 1902-04, she spent two years in Paris, working under the criticism of August Rodin. Her principal work lias been portraits in relief and round, but she has also executed several fountains. She has exhibited at the St. Louis and the Baltimore Exposi- tions. Address, 142 East Thirty-third Street, New York City. 1 Charles B. Bradley. Medallion in plaster. 2 Little Miss Langton in her Tenth Year, and Polly Smith. Plaque in plaster. / / /■ / i - .'inr LlJ : - '• ; :> if X fl.- a t 176 ALPHONSE EUGENE LECHEVREL Alphonse Eugene Leceievrel, gem-engraver, medalist (French), was born in Paris in 1848. He was a pupil of Henri Francois, and is a member of the Societe des Artistes Franca is and of its jury. The artist’s productions in gem-engraving are very numerous. In 1877 and 1878 he was employed in England, at the Hodgetts, Richardson & Sons’ glass-works at Stourbridge, to revive the art of carved vases in glass, in imitation of the famous Portland vase. His works are represented in Paris, at the Musee du Luxembourg, the Musee de la Monnaie, and the Musee des Arts Decoratifs; also, at the Hamburg Museum, etc. At the Salon of the Societe des Artistes Francais he obtained honorable mention in 1884, 1885, 1886; a third-class medal in 1888; a second-class medal in 1889; a first-class medal in 1899, together with a bronze and a silver medal. At the French International and Universal Exhibitions in Paris he has ob- tained, in 1878, 1889, and 1900, respectively, a silver medal, a gold medal, and a grand prize. He has obtained some other medals of high class at the exhibitions of the Societe des Arts Decoratifs. He is an officier de l’instruetion publique, president of the Societe des Artistes Graveurs sur Pierres Fines Francais, and secretary of the Societe des Artistes Graveurs en Medailles Francais. Address, 26 Place du Marche St. Honore, Paris I. 1 Adolphe Blanche, 1893. Medal, galvano gilt (cast, bronze, 130 mm. and 90 mm.). 2 Andre Otten, Portrait d’Enfant. Plaquette, galvano gilt, 50x35 mm. (cast, bronze, 140 x100 mm.). 3 The same. Medal, galvano gilt (also, cast, bronze). 4 Andree Otten, 1896. Plaquette, galvano gilt, 50 x 35 mm. (cast, bronze, 140 x 100 mm.). 5 Armes d’Alliances du Baron de Errazu. Plaquette, galvano gilt. 1 2 3 4 5 6 7 6 Armes du Baron de Errazu. Plaquette, galvano gilt. 7 Armes et Effigie de la Republique Francaise, 1897. Obverse and reverse. Trial design for a coin, galvano silvered, 26 mm. (cast, bronze, 120mm.) (second proof). 177 ’Nos. 5, 6, 11, 14, 16, and 17 are made from the topaz dies presented to the Musee des Arts Decoratifs by Baron de Errazu in 1890. 8 Amies de la Republique Francaise, 1897. Galvano silvered model of the reverse of the above, 110 mm. (cast, bronze, 120 mm.) (third proof). 9 Athene, 1898. Medal, galvano silvered, 28 mm. (cast, bronze, 100 mm.; struck, 22 mm.). 10 The same. Medal, galvano gilt. 11 Baron de Errazu. Plaquette, galvano gilt. 12 Blanche Lechevrel, Portrait d’Enfant, 1895. Plaquette, galvano silvered, 50 x 35 nun. (cast, bronze, 140 x 100 mm.). 13 The same. Medal, galvano gilt. 15 Casque, Limier, Lambrequins, et Ruban, Devise du Baron de Er- razu. Plaquette, galvano gilt. 15 Consultatio. Medal (oval), galvano gilt (from a die in sardonyx). 16 Croix de Calatrava. Plaquette, galvano gilt. 15 Croix de Calatrava, Cantonnee aux Armes d’Alliances du Baron de Errazu. Plaquette, galvano gilt. 18 Edward VII, Roi d’Angleterre, 1909. Obverse and reverse. Medal, galvano silvered, 100 mm. (cast medallion, bronze, 22 cm.) (first proof) . 19 Felix Faure, President de la Republique Francaise, 1896. Medal, galvano silvered, 40mm. (cast, bronze, 120 mm.) (third proof). 20 Hommage aux Graveurs Francais (edited by the French mint), 1890. Plaquette, galvano silvered, 66 x 48 mm. (cast, 175x120 mm.; struck, 66 x 48 mm.). 21 Humanite, Fraternite, 1908. Medal, galvano silvered, 100 mm. (cast medallion, bronze, 22 cm.) (first proof). 22 J. A. D. Ingres, 1904. Medal, galvano silvered, 80 mm. (cast, bronze, 1 80 mm . ) ( first proof ) . 23 .1. Lechevrel, Portrait de Femme, 1890. Medal, galvano gilt. 25 Lahore et Disciplina Resurgunt, 1890. Obverse and reverse. Pla- quette, galvano silvered, 65x80 mm. (cast, bronze, 115x180 mm.; struck, 65x80 mm.). 25 L’Aurore, 1904. Plaquette, galvano gilt (from a die in sardonyx) (cast plaque, bronze, 27.5 x 21 cm.). 26 L’Histoire Enregistre les Decouvertes de f Archeologie, 1906. Ob- verse and reverse. Plaquette, galvano silvered, 69 x 80 mm. (cast plaque, bronze, 17 x 20 cm.; struck, 69 x 80 mm.) (second proof). 178 27 Madame X. Medal, galvano silvered, 118 mm. (east medallion, bronze, 20 cm. ) (first proof) . 28 Maud Mary Taylor, 1902. Medal, galvano silvered, 80 mm. (cast, bronze, 140mm.) (second proof). 29 Musique Svlvestre. Plaquette, galvano silvered, 80 x 65 mm. (cast plaque, bronze, 20 x 14 cm.) (first proof). 30 Republica Argentina, 1907. Medallion, galvano silvered, 175 mm. (cast, bronze, 175 mm.) (first proof). 31 Republique Francaise. Obverse and reverse. Plaquette, galvano silvered, 127 x 80 mm. (cast, bronze, 127 x 80 mm.) (first proof). 32 Sadi Carnot, President de la Republique Francaise. Medal, galvano silvered, 30 mm. (from a die in sardonyx). 33 The same. Medal, galvano gilt. 34 Timbre-poste Franeais, 1893. Plaquette, galvano gilt. 35 Yvonne Otten, 1898. Plaquette, galvano silvered, 50 x 35 mm. (cast, bronze, 140 x 100 mm.). 179 180 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, JEAN LECROARI Jean Lecroart, medalist (Belgian), was* born in 1 1883. He was apprenticed at a very early » . trade sculpture in Brussels, but had to abandon this country, and entered a factory at Ghent. Goii £ I several medallic congests and ai .si drew a ion . he Academie des Beaux-Arts of Ghent, and o; First exhibited in 1906 in Brussels, then in V. iorf, Berlin. Prizes: Sod el e Holland: 1 d Art, first and second prizes; fir: pr /< m 2 ; h Academy of Belgium. Of his medals,’ 4 gi lion des Travaux de Btux § s ° % -d °° were struck specially for the S« -A; « Medaille d’Art. Address , Ml 1 Bruxelles, Port de M<\ Beige des Amis d • i: 1 mm. h-r CO 2 Eleves des Ecoles Com 3 Facteurs de Bruxe’U 4 Foot-ball Club. Stn ■ . 3 Jubile Administrate ‘ .v quette, bronze, 7 1 • . G , 6 La Pensee, 1909. Si; u 1 O co Brussels, in a i . a mental ■cnis to the > >k part in fa pi] of R< yal mora- JEAN LECROART Jean Lecroart, medalist (Belgian), was born in Laeken, near Brussels, in 1883. He was apprenticed at a very early age in the trade of ornamental sculpture in Brussels, but had to abandon this to follow his parents to the country, and entered a factory at Ghent. Going to Paris, he took part in several medallic contests and at last drew attention to his works. Pupil of the Academie des Beaux-Arts of Ghent, and of H. Le Roy, medalist at Ghent. First exhibited in 1906 in Brussels, then in Antwerp, Ghent, Bonn, Dtissel- dorf, Berlin. Prizes: Societe Hollandaise-Belge des Amis de la Medaille d’Art, first and second prizes; first prize in the class of fine arts of the Royal Academy of Belgium. Of his medals, La Biere (1906), En Commemora- tion des Travanx de Bruxelles, Port de Mer (1908), and La Pensee (1910) were struck specially for the Societe Hollandaise-Belge des Amis de la Medaille d’Art. Address , 34 rue de la Poste, Schaerbeek, Belgium. 1 Bruxelles, Port de Mer, 1909 (medal of the Societe Hollandaise- Belge des Amis de la Medaille d’Art). Struck medal, bronze, 65 mm. 2 Eleves des Ecoles Communales. Struck badge, bronze. 3 Facteurs de Bruxelles. Struck badge, silver. 4 Foot-ball Club. Struck badge, bronze. 5 Jubile Administratif de Saint-Josse-ten-Noode, 1909. Struck pla- quette, bronze, 74 x 52 mm. 6 La Pensee, 1909. Struck plaquette, bronze, 64x45 mm. 6 HIPPOLYTE LEFEBVRE Hirpolyte Lefebvre, sculptor, medalist (French), was born in Lille, France, 1863. The son of a working-man, lie began as a decorator. Attending the courses of the Aeademie des Beaux-Arts at Lille, he won all the first prizes in drawing and in sculpture. He was first in the competition held in the Departement du Nord for the municipal scholarship of the city of Lille, and gained admission to the Ecole des Beaux-Arts in Paris. There he won fifty- seven medals and prizes: the prix Lemaire; prix Sanzel; grande medaille d’emulation; cinq fois en loge; second Grand Prix de Rome, 1888; second Grand Prix de Rome, 1891; Grand Prix de Rome, 1892, with Adam Cliasse du Paradis Terrestre. Finally, M. Lefebvre won from the Institute three prizes, that of Baron Tremont, the prix Leprince, and the prix Maubert. His first exhibit at the Salon, the bust of M. Levasseur, won an honorable mention. In 1896 he exhibited Le Pardon and La Douleur for the tomb of M. Barrais, the first of which won a second medal and some votes for the medal of honor. In 1898 his group Niobe won a first medal. During the Exposition of that year he was charged with the decoration of the cupola of the fountain. At the Exposition he won a gold medal as a statuary and medal-engraver. In 1902, breaking definitely with all the formulas of the schools, he produced the group Les Jeunes Aveugles, which won him the medal of honor. In 1904, commissioned by M. Henri Marcel, then Directeur des Beaux-Arts, to produce a statue of Summer, he made his L’Ete, a lad}^ in modern summer costume. In 1907, his Winter, L’Hiver, a lad} 7 in furs and muff, illustrating the same spirit of innovation, was bought for the Luxembourg to serve as a pendant for the Jeunes Aveugles, and the Aeademie des Beaux-Arts proposed Lefebvre for the prix Jean Renaud et Hollevigne. In 1909 he produced Le Printemps, a large group in marble consisting of six personages, and subsequently a statue of Car- dinal Richard. In 1899 he directed the decoration of the Elysee Palace, and somewhat later was the sculptor of all the statues of the altar of the Church of the Sacred Heart at Montmartre. Works: Superieurs de V Institution de Marcq, Jeton de Tourcoing, Jeton de Roubaix, Sociele des Sciences et Arts de Lille, Chambre de Commerce, 182 and Republique Frangaise, Scectu pour le Minister e des Affaires Etrangeres. As a medalist he won gold medals at the Paris Exposition of 1900, and at those in Vienna and in Munich. Hippolyte Lefebvre is a member of the jury of l’Ecole des Beaux-Arts, the same of the Salon, the same of the Con- cours de Rome, and a member of the Societe des Sciences of Lille. The Dictionnaire Biographique Illustre du Nord contains the portrait of the artist and reproductions of LHiver, Les Aveugles, and of L’Ete. Address, 112 rue du Cherehe-Midi, Paris. 1 Agriculture. Struck medal. 2 Architecture. Struck plaquette. 3 Bebe, 1897. Plaquette, galvano silvered. A Chambre de Commerce de Roubaix, 1897. Struck plaquette, bronze, 44 x 35 mm. 5 Deman. Struck plaquette. 6 Desire Bloche, 1901. Plaque, galvano silvered. 7 Dessin. Struck medal. 8 Exposition du Nord de la France. Struck plaquette. 9 Exposition a Tourcoing. Struck plaquette. 10 F. Kulman. Plaquette, galvano. 11 Foire a Tourcoing. Plaquette (octagonal), galvano silvered. 12 Hopital de Roubaix. Obverse and reverse. Struck medal. 13 Hygiene et Architecture. Struck plaquette. 1A Industrie, Agriculture. Struck medal. 15 Institution des Jeunes Aveugles, 1902. Plaquette of the Societe Francaise des Amis de la Medaille. Obverse and reverse. Struck plaquette. 16 Julie Lefebvre, 1891. Medal, galvano. 17 Le Creusot (Saone et Loire). Medal. 18 L’Exil, Philippe de Girard, Inventeur de la Filature Mecanique de Lin (1810), 1900. Cast plaquette, bronze. 19 Madame Ayache, 1897. Medal, galvano. 20 Marie, 1889. Medal, galvano silvered. 183 21 Marseille. Struck plaquette. 22 Mutualite. Struck medal. 23 Mutualite des Peigneurs, 1897. Struck medal. 2'/ Patrie. Struck plaquette. 25 The same. Struck medal. 26 P. Perdrizet et Jouguet, 1891. 21 Pierre de Roubaix. Plaquette, galvano silvered. 28 Repos des Moissonneurs. Cast medallion, bronze. 29 Republica Argentina, 1810-1910. Struck medal, silver. 30 Republique Francaise, Sceau pour le Ministere des Affaires Etran- geres, 1909. Plaque. 31 Retour au Foyer. Struck plaquette. 32 Sainte Famille. Obverse and reverse. Struck plaquette. 33 Societe des Sciences et Arts de Lille, 1802-1902. Obverse and reverse. Struck medal. 35 Souvenir. Struck medal. 35 The same. Model for the preceding, galvano silvered. 36 Superieurs de l’lnstitution de Marcq (1840-1891), 1892. Plaque. 37 Vi lie du Havre. Obverse and reverse. Struck medal, silver. 38 Same subject. Struck plaquette, silver. 39 Yille de Rouen. Struck plaquette. 184 '%• uk plaquette. - ruck medal. Peigneurs, 1897. Struck medal. , struck uiMijuette. 5 01 ; uu uet, 1891. • ■ uueite, galvano silvered. 78 • ast medallion, bronze. 20 Hepubi'ca .w - Struck medal, silver. SO Republique Fran^aise, k i • vistere des Affaires Etran- geres, 1909. Plaque. Retour a u Foyer e8 Struck plaquette. 8S 1902. Obverse and reverse. 9 S£ sr |pg, galvano silvered. ^Institution de Marcq ( 1840 - 1 & 1 ), 1892. Plaque. 37 Ville du Havre. Obverse and reverse. Struck medal, silver. 38 Same subject. Struck plaquette, silver. 39 Ville de Rouen. Struck plaquette. jri as *•£ 62 81 YX YX 181 Nos. 3, 4, 5, 9, 10, 11, 14, 15, 16, 17, 18, 23, 25, 28, 29, 35, 37 (Rev.), 38, 39 185 Nos. 1, 2, 6, 8, 12, 13, 19, 20, 21, 22, 24, 25, 26, 27, 30, 31, 32, 33, 34, 36, 37(Ot>V.) 186 JULES PROSPER LEGAST: Jules Prosper Legastelois, medalist (French), u - ■■■•.: : ■ . Paris in 1 855. lie is a pupil of Eugene Levasseur, Emile Garlic; 4 .aid Georges Ton oeie: Among the prizes which have been awarded to the artist are: silver and 21 bronze medals at the Universal Exposition 1889; honorable mention at Ihe Salon des Artistes Francais, 1896; m< lai of the third class, Salon of 1898; bronze medal at the Universal Exposition of 1900. He is a chevalier of the Legion of Honor. In 1888 he was made an officier d’Academie, and in 1894 officier de l’instisuction publique. 11 i> von e8 is represented in the Musee du Luxembourg. Address, 23 rue Victor-Chevreuil, Paris. 7 Due de Dino, 1904. Plaquette?%>alvano silvered, 70 x 50 mm 2 Enseignement (edited by the Mint at Paris). Struck medal, bronze, 50 mm. IS ±2 3 Ernest d’Hervilly, 1900. Plaquette, galvano gilt, 91 x 70 mm. 4 Exposition Internationale d’Hal itation, 1903. Struck mo 64 mm. 5 Independanoe de la Re nil ss Struck medal, bronze, 41 imn. 6 La -Jeunesse, 1900. Struck plaquette, bronze, 61 x 59 mm. 7 Le Livre, 1900. Plaquette, galvano silvered, ill x 75 mm. 8 Leon Duvauqhel, Poete, 1897. Plaquette, galvano gilt, 120 x 61 mm. 9 Le Travail (edited by the Mint at Paris). Struck medal, bronze, 51 mm. 10 Les Deblois, Graveurs, 1900. Cast plaquette, bronze, 61 x .44 mm 77 Mes Parents, 1900. Struck plaquette, bronzed: x 67 m. 12 Mutualite (edited by the Minisat Paris). Struck medal, bronze, 51 mm. 13 Navigation en Mer (edited by the Mint at Paris). Struck medal, bronze, 51 mpi. . ss _ s 74 Navigation en Riviere (edited by the Mint at Paris) . Struck medal, bronze, 51 mm. 15 Portrait de Dame, 1897. Plaquette, galvano gilt, 55 x 42 mm. 16 Portrait de Dame, 1897, Plaquette, galvano gilt, 81 x 55 mm. 12 19 m : 30 27 36 ,v -. ... - . - - - ;-.r ••„.■ ■ -.. . , ■ 20 24 33 33 ‘ -i' I jW'.fv*; N!- ." _--a „v --i , . . f>. ■• ' ■ --r>v.-v- •••/-.•.. 13 ■ 31 34 22 26 32 37 Q:iv 'f ■/:■'■. ,V' : * Y : - - : ■ I . . «■:,• •; . -V • : • ; .-•'i : •. : ■ ■ . "V ' S .SMS. \ JULES PROSPER LEGASTELOIS Jules Prosper Legastelois, medalist (French), was horn in Paris in 1855. He is a pupil of Eugene Levasseur, Emile Carlier, Rot3 r , and Georges Tonneier. Among Ihe prizes which have been awarded to the artist are: silver and bronze medals at the Universal Exposition of 1889; honorable mention at the Salon des Artistes Francais, 1896; medal of the third class, Salon of 1898; bronze medal at the Universal Exposition of 1900. He is a chevalier of the Legion of Honor. In 1888 he was made an officier d’Academie, and in 1894 officier de l’instruction publique. His work is represented in the Musee du Luxembourg. Address, 23 rue Victor-Chevreuil, Paris. 1 Due de Dino, 1904. Plaquette, galvano silvered, 70 x 50 mm. 2 Enseignement (edited by the Mint at Paris). Struck medal, bronze, 50 mm. 3 Ernest d’Hervilly, 1900. Plaquette, galvano gilt, 91 x 70 mm. 4 Exposition Internationale d’Habitation, 1903. Struck medal, bronze, 64 mm. 5 Independance de la Republique Argentine. Obverse and reverse. Struck medal, bronze, 41 mm. 6 La Jeunesse, 1900. Struck plaquette, bronze, 61 x 59 mm. 7 Le Livre, 1900. Plaquette, galvano silvered, 111 x 75 mm. 8 Leon Duvauchel, Poete, 1897. Plaquette, galvano gilt, 120 x 61 mm. 9 Le Travail (edited by the Mint at Paris). Struck medal, bronze, 51 mm. 10 Les Deblois, Graveurs, 1900. Cast plaquette, bronze, 61 x 54 mm. 11 Mes Parents, 1900. Struck plaquette, bronze, 62 x 67 mm. 12 Mutualite (edited by the Mint at Paris). Struck medal, bronze, 51 mm. 13 Navigation en Mer (edited by the Mint at Paris). Struck medal, bronze, 51 mm. 74 Navigation en Riviere (edited by the Mint at Paris). Struck medal, bronze, 51 mm. 13 Portrait de Dame, 1897. Plaquette, galvano gilt, 55 x 42 mm. 16 Portrait de Dame, 1897. Plaquette, galvano gilt, 81 x 55 mm. 187 7/ Soliege, 1900. Plaquette, galvano silvered, 51 x 60 mm. IS Syndicat des Journalistes Republicans, “Triomphe de la Repu- blique,” d’apres Dalou, 1906. Struck plaquette, bronze, 54x70 mm. 19 Venise, 1900. Cast plaquette, bronze, 110 x 107 mm. 188 ALPHONSE LEGROS Alphonse Legros, painter, sculptor, medalist (French), was born in Dijon, France, 1837. He is painter, etcher, medalist, draftsman. In 1848 he was apprenticed to a house-painter. Later he worked at Lyons under a deco- rator. Going to Paris, he worked under Cambon, the scene-painter, and afterward, entering the Ecole des Beaux-Arts, studied under Belloc and Lecoq de Boisbaudran. Purchasing freedom from conscription, he devoted himself to art. In 1863 he went to England, where he was well received by G. F. Watts, Dante G. Rossetti, and others. In 1876 he was appointed Slade professor of art at University College, London, in succession to Sir Edward Poynter, who had resigned, and Legros retained the chair for about seventeen years. His instruction was distinguished by its practical demonstration through drawing and painting from the model, including portraits of well-known artists. Works: Portrait deM. L. (father of the artist) (1857), Museum of Tours; L’Angelus (1859); Ex Voto (1861), Dijon Museum; Messe pour les Morts (1863) ; La Lapidation de Saint Etienne (R.A. 1866, Salon 1867, gained gold medal); Amende Honorable (1868), The Luxembourg; Pelerinage, Walker Gallery, Liverpool; Le Chaudronnier, owned by Constantine Ionides; Songe de Jacob (1880), Fitzwilliam Museum, Cambridge; Christ Mort; gold-point portraits of Sir Seymour Haden, his son, and others (Luxembourg); Femmes Suppliantes , Tate Gallery, Milbank; bronze medallions, Tennyson, Darwin, and others. He is one of the revivers of etching and a finished draftsman in chalk, silver-point, and other forms. Address, 57 Brook Green, W., London. 1 Alfred Tennyson, 1881. Cast medal (single), bronze, 118 mm. 2 Charles Darwin, 1881. Cast medal (single), bronze, 115 mm. 3 John Stuart Mill, 1882. Cast medal (single), bronze, 101 mm. 4 Thomas Carlyle, 1881. Cast medal (single), bronze, 118 mm. 1 2 3 4 1 Nos. 1-4 were loaned by Edward D. Adams, Esq. 189 PIERRE LENOIR Pikrre Lenoir, medalist (French), was born in Paris, 1879. Studied at the Ecole des Beaux-Arts of Rennes, under the direction of his father, the sculptor Charles Lenoir, and was admitted to the Ecole Nationale etSpeciale des Beaux-Arts of Paris, where he had in succession as professors the mas- ters Falguiere, Mercie, and Chaplin. Obtained at this school several awards (prize Chenavar, three medals), and became the head of the class. Ex- hibited in 1904 in the Salon de la Societe des Artistes Francais, of which he is a member, and obtained a mention. In 1905 he received a third medal, and in 1907 a second medal. Among the works in the present exhibition note: L’Infini; Bucolique, inspired by the verses of Vergil: Tityre, tu patulae recubans sub tegmine fagi Silvestrem tenui rausam meditaris avena (Bucolics I, 1-2); Fil de la Vierge, “The Thread of the Virgin” [the mother of Jesus fell asleep near her spinning-wheel, and during her sleep the angels came and unwound the thread from her distaff and spread it over the fields, which accounts for our seeing in the morning those beautiful threads on the twigs and plants, on which the dewdrops glitter like diamonds]; the plaquette Via Mariani, representing TEsculapius, the god of medicine, about to seal a contract with the joyous Bacchus; Les Potiers, a triptych, representing the history of pottery as it is still practised in a little hamlet in Brittany called La Poterie, near Lamballe. Address, 14 avenue du Maine, Paris. 1 Anesse, 1908. Cast plaquette, bronze, 104 x 150 mm. 2 Apiculture, 1906. Struck medal, bronze silvered, 57 mm. 3 Bacchus, 1904. Cast medal, bronze, 130 mm. 4 Bebe, 1905. Cast plaquette, bronze silvered, 135 x 100 mm. 5 Bucolique, 1904. Cast plaquette, bronze silvered, 95x 125 mm. 6 Charite, 1907. Struck plaquette, bronze, 55x58 mm. 7 Chevre, 1908. Cast plaquette, bronze, 110 x 150 mm. 8 Chevre Broutant, 1904. Cast plaquette, bronze, 125 x 100 mm. .9 Chien de Berger, 1904. Cast plaquette, bronze, 110 x 93 mm. 190 10 Etude, 1906. Struck medal, bronze, 40 mm. 11 Exposition Canine, 1905. Struck plaquette, bronze silvered, 43 x 60 mm. 12 Fit de la Vierge, 1908. Struck plaquette, bronze, 50 x 68 mm. 13 Homme a la Pipe, 1908. Cast plaquette, bronze, 100 x 75 mm. 15 Jean Mace (1815-1894), 1905. Cast plaquette, bronze, 150 x 110 mm. 15 Jeune Veau, 1908. Cast plaquette, bronze, 100 x 105 mm. 16 Les Potiers, 1908. Plaque, triptych in plaster (cast, bronze, 14 x 34 cm.). 17 L’Infini, 1906. Cast plaque (single), bronze, 23 x 19.5 cm. 18 Tete d’une vieille, 1904. Cast medal, bronze, 80 mm. 19 Vanneuses, 1905. Medallion, galvano silvered (cast, bronze, 92 mm.). 20 Vin Mariani, 1909. Obverse and reverse. Struck plaquette, bronze, 53 x 42 mm. 191 192 HIPPO LATE LE ROY i Iippolyte Le Roy, sculptor, pai liter, medalist (Belgian), was born in 1. • . 1857. He was a pupil of the Royal Academy of Ghent, where he gained the firs| prize for sculpture in alf : grades; of the Ecole de Saint-J< Xoode, and of the Ecole des Beaux-Arts of Paris, from which he was gradu- ated with the s£6ond rank against sixty-seven competitors . •*. k of Fajguiere. Received the Godecharles endowment ( 1 88 1 ri endowment (1886)^ Visited Germany, England, g Holl in and Italy. Returning to Belgium, he installed himsui Ghent, and there developed his aptitude, uniting the intellectual a the Walloon artists with the solid qualitic • Hippolyte Le Roy has been honored by medals diplomas, and orders of merit in France, Germany, Spain, Italy, and America, where he obtained a silver mecj^l at the Exposition gf St. Louis, 1904. He has been chevalier of the Order of Leopold since 1896. Has received many distinctions for : I - "1 T works of sculpture, his medals, and painting, in which he excels equally. Works: Le Gaulois a VAffut (Godecharles prize); Hero, marble statue in the Museum at Ghent; La Fatalite, a group which brought him the gold medal from Paris and Munich, the medal of honor from Barcelona, and the gold medal from the government of Belgium; Conscience, group in bronze; Soldat Francois Mourant, monument erected to the memory of the French who died at Ghent in 1870; ^'Industrie, les Beaux-Arts, Vlnstru lion, in the Museum of Ghent; Page, XV V Siecte, marble study; Le Pm temps, bronze statue in the Botanical Gardens of Brussels, which belongs to the State; La Sagesse, marble statue belonging to the State; Fileuse Flamande, belonging to the Societe des Filateurs Gantois, brought to I'm , : ty of Ghent and placed in the Commercial Exchange; Le Monument du Maire de Roubaix; busts: Hippolyte Lippens, senior burgomaster, at the Hotel de Vi lie of Ghent; Joseph Plateau, professor at the University of Ghent, at the Royal Academy of Brussels and belonging to the State; Jules Peru, minister of state; Mgr. Lambrechi, Bishop of Ghent; ./. Lechat, pres- id. nl of the Societe Francaise de Bienfaisance. ■ die of the principal works is the triple military diorama which figured HIPPOLYTE LE ROY Hippolyte Le Roy, sculptor, painter, medalist (Belgian), was born in Liege, 1857. He was a pupil of the Royal Academy of Ghent, where he gained the first prize for sculpture in all grades; of the Eeole de Saint-Josse-ten- Noode, and of the Ecole des Beaux-Arts of Paris, from which he was gradu- ated with the second rank against sixty-seven competitors. He was a pupil of Falguiere. Received the Godecharles endowment (1881) and the Archies endowment (1886). Visited Germany, England, Holland, Austria, France and Italy. Returning to Belgium, he installed himself at Ghent, and there developed his aptitude, uniting the intellectual and sentimental qualities of the Walloon artists with the solid qualities of the Flemish. Hippolyte Le Roy has been honored by medals, diplomas, and orders of merit in France, Germany, Spain, Italy, and America, where he obtained a silver medal at the Exposition of St. Louis, 1904. He has been chevalier of the Order of Leopold since 1896. Has received many distinctions for his works of sculpture, his medals, and painting, in which he excels equally. Works: Le Gaulois a I’Affiit (Godecharles prize); Hero, marble statue in the Museum at Ghent; La Fatalite, a group which brought him the gold medal from Paris and Munich, the medal of honor from Barcelona, and the gold medal from the government of Belgium; Conscience, group in bronze; Soldat Francois M our ant, monument erected to the memory of the French who died at Ghent in 1870; L Industrie, les Beaux-Arts, l' Instruc- tion, in the Museum of Ghent; Page, XVL Siecle, marble study; Le Prin- temps, bronze statue in the Botanical Gardens of Brussels, which belongs to the State; La Sagesse, marble statue belonging to the State; Fileuse Flamande, belonging to the Soeiete des Filateurs Gantois, brought to the city of Ghent and placed in the Commercial Exchange; Le Monument du Maire de Roubaix; busts: Hippolyte Lippens, senior burgomaster, at the Hotel de Ville of Ghent; Joseph Plateau, professor at the University of Ghent, at the Royal Academy of Brussels and belonging to the State; Jules Bara, minister of state; Mgr. Lambrecht, Bishop of Ghent; .7. Lechat, pres- ident of the Soeiete Francaise de Bienfaisance. One of the principal works is the triple military diorama which figured 193 at the Universal Exposition of Liege, 1905, and which he executed in col- laboration with Abry. Among his other productions are: Bas-reliefs: Sylu. Dupuis , chief of the orchestra in Brussels; Mine. A. Bron, a literary woman of Brussels. Monu- ments: the monument of the fountain, seventeen meters in height, in honor of Ch. de Kerchove de Denterghem, senior burgomaster of Ghent, and the monument of the Countess de Kerchove thoe Moerbeke (Flemish- land); the monument of Ch. Miry; Prosperity, a large stone group at the new palace of the King in Brussels. Decoration: the facade of the Dutry- Colson house at Ghent. Medals: S. M. la Heine de Hollande; S. A. R. la Princesse Elizabeth; S. M. Elisabeth, Reine des Beiges; Leopold 11, Roi de Beige; Lems Altesses Rogales le Prince et Princesse Albert de Beige; medal for twenty-fifth anniversary of the foundation of the Societe des Inge- nieurs. Address, 21 rue Mercelis, Brussels, or, 4 rue des Tonneliers, Ghent, Belgium. 1 XXV e Anniversaire de l’Association des Ingenieurs des Ecoles de Gaud, 1901. Obverse. Struck medal, silver, 50 mm. 2 The same. Reverse. Struck medal (uniface), silver, 50 mm. (artist’s proof). 3 The same. Obverse. Struck medal (uniface), silver, 50 mm. (artist’s proof). 4 Concours Agricole de Gand, 1908. Struck medal, bronze, 60 mm. 5 The same. Struck medal (uniface), bronze silvered, 60 mm. (art- ist’s proof). 6 Concours Agricole de Gand, Insigne de Membre du Jury, 1908. Struck plaquette (uniface), silver, 19x21 mm. 7 Concours Agricole de Namur, 1901. Struck medal, bronze, 50 mm. 8 Concours Agricole de Namur, Insigne de Membre du Jury, 1901. Struck plaquette, bronze gilt, 35 x 28 mm. .9 Conference de la Paix, La Haye, 1907 (medal of the Societe Hol- landaise-belge des Amis de la Medaille d’Art). Struck medal, bronze, 65mm. (artist’s proof). 10 XX e Congres Archeologique de Gand, 1907. Struck medal (uni- face), bronze, 60mm. (artist’s proof). 194 11 Conseillers Communaux de Gand, 1906. Struck medal (badge), silver, 30 mm. 12 Federation des Societes de Sports Athletiques de Belgique, Bru- xelles, 1903. Struck plaquette (badge), silver, 35 mm. 13 La Pucelle de Gand (Armes de la Ville ), 1907. Struck medal, silver, 30 mm. 1A Naissanee du Prince Leopold, 1901. Struck medal, bronze, 60 mm. 15 GEuvre du Grand Air, 1900. Struck medal, silver, 30 mm. 16 Paul Kruger, Protege par la Reine de Hollande, 1900. Reverse. Struck medal, bronze, 30 mm. 17 S. M. Elisabeth, Reine des Beiges, 1901. Struck medal, bronze, 30 mm. 18 The same. Cast medallion (single), model for the above, bronze, 60 cm. 19 S. M. Wilhelmina, Reine de Hollande, 1900. Struck medal, bronze, 30 mm. (artist’s proof). 20 Victoire de l’Equipe Gantoise aux Regates de Henley, Angleterre, 1907. Struck medal, bronze, 60 mm. 21 Victor Lemaire, Graveur Gantois, 1906. Struck medal, bronze, 60 mm. 22 Visite de Leurs Altesses Royales a Gand, 1902. Struck medal, bronze silvered, 60 mm. 195 196 BERTRAM MACKENNAL Bertram Mackennal, sculptor, medalist (British), was born in Melbourne, in 1863. His father was also a sculptor, and his systematic training com- menced in the Melbourne Art School. In 1882 he went to London, and in the following year became a student in the Royal Academy Schools, but shortly after went to Paris, and for the next five years he divided his time between Paris and Italy, studying closely examples of modern and ancient sculpture. In the virility of Rodin’s work he found much that roused in him a spirit of emulation, and though he did not set himself to copy the methods of the French master, he sought to make himself a sculptor of the same fearlessly individual type. In 1888 he left Paris and returned to Australia, receiving a commission to execute two large panels for the Par- liament House at Melbourne, a commission gained in competition. Three years later he returned to Paris, sending his first work to the Salon in 1892; and in the following year was awarded an honorable mention for his Circe. Works: A statue of Oceana, for the Union Club at Sydney; statues Diana and The Dancer; a group entitled The Elements; Gloria; two statues of Queen Victoria, one at Lahore, India, and the other for Ballarat; a memorial to the late Sir William Clarke at Melbourne; and a colossal bronze figure of the Hon. T. J. Byrnes, for Brisbane. Apropos of the “New British Coins” a recent issue of the Pall Mall Gazette has the following: Bertram Mackennal, A.R.A., the Australian sculptor, has been ap- pointed to design and model the coronation medal and the new coinage. The naval, military, and Civil Service medals of the new reign are also to be designed by Mr. Mackennal. . . . The exceedingly successful work that Mr. Mackennal has already done in designing and modeling medals has no doubt led to his present ap- pointment. It was he, it will be remembered, who designed the medals that were presented to the victors in the Olympic games — medals that contained those beautiful designs of the victory of St. George, of the crowning of the athlete, of the figure of Victory, and of the chariot bearing the victor into the city. It was he, too, who was chosen to de- sign the medal of the Royal Photographic Society, and the Lawrence Medal, illustrating the culture of the rose, Progress, and the fruitful tree, for the Royal Horticultural Society. 197 II is of interest, too, when we remember the King’s deep concern in the Colonies — the concern of one who has seen and known — to note that Mr. Mackennal is a Colonial, ihe lirst who was ever elected an Associate of the Royal Academy, and the first who was ever commissioned to design a coinage. Mr. Mackennal, who was born in Melbourne in 1863, has lived in England for some time. He was elected an Associate of the Royal Academy last year. Among the latest of his works is the national me- morial statue of Gainsborough, which is to be erected in Sudbury — a statue in bronze of the great portrait-painter in the picturesque dress of his period. Address, 38 Marlboro Hill, St. John’s Wood, London. 1 Olympic Games, London, 1908, prize medal. Obverse and reverse. Struck medal, bronze, 32 mm. 2 The same. Obverse and reverse. Model for the above, in plaster. 3 Olympic Games, London, 1908, commemorative medal. Obverse and reverse. Struck medal, bronze, 45 mm. 4 The same. Obverse and reverse. Model for the above, in plaster. 2 4 198 FREDERIC MacMONNIES Frederic MacMonnies, sculptor, medalist (American), was born in Brook- lyn, 1863. He was admitted to the studio of Augustus Saint-Gaudens, 1880, and worked four years, studying at night in life classes of the Academy of Design and the Art Students’ League. He completed an art education abroad at Munich and in the atelier of Alexandre Falguiere in the Ecole des Beaux-Arts, also in Falguiere’s private studio. He received the first prize at the National Academy of Design in 1884; prix d’atelier, the highest prize open to foreigners, in 1886. He established his own studio in Paris in 1887, and received honorable mention for his first figure, Diana, in the Paris Salon, 1889; second medal in the Salon, 1891, for statues of Nathan Hale and J. S. T. Stranahan; first-class gold medal, Antwerp, 1894; grand prize of honor, Paris Exposition, 1900; first-class medals at the Expositions of Atlanta, Buffalo, Philadelphia, and Boston; honorable mention for painting at the Paris Salon in 1902; third medal in 1904. He was created chevalier of the Legion of Honor by the French government in 1896; chevalier of the Order of St. Michael of Bavaria, Munich, in 1897; N.A. in 1906. He is a member of the National Sculpture Society, Architectural League, etc. Works: three life-size bronze angels (1889), St. Paul’s Church, New York; Nathan Hale (1891), City Hall Park, New York; James Samuel Stra- nahan (1891), Prospect Park, Brooklyn; Pan of Rohallion (1890); Faun with Heron (1892); Sir Henry Vane (1893), Boston Public Library; colossal fountain, World’s Columbian Exposition, Chicago (1893) (twenty-seven figures); Bacchante with Infant Faun, Metropolitan Museum of Art, New York, also in Brooklyn Institute and Carnegie Institute, Pittsburgh, and in Luxembourg Gallery, Paris, 1894; two pediments, Bowery Bank, New York, 1894; four spandrels, Washington Arch, New York, 1894; Venus and Adonis, 1895; Cupid, 1895; figure of Victory for Battle Monument, West Point, 1895; central bronze doors and statue of Shakespeare, Congressional Library, 1898; army and navy groups for Soldiers and Sailors’ Arch, Pros- pect Park, Brooklyn, 1900; two groups of horses, Prospect Park, Brooklyn, 1900; equestrian statue of General Slocum, Brooklyn, 1900; equestrian stat- 199 net to of Theodore Roosevelt, 1905; equestrian statue of General G. B. McClellan, Washington, 1906; two fountains, Knickerbocker Hotel, New York, 1906; group, Pax Yictrix, 1907; Pioneer Monument Fountain, Den- ver, Colorado, 1908-10. Address, Giverny- Vernon (Eure), France. 1 Niagara. Obverse. Struck medal, silver, 58 mm. (also, struck medal (uniface), silver, 40mm.). 2 Susie Pratt Kennedy, 1895. Obverse. Medal, galvano silvered, 100 mm. RUDOLF FERDINAND MARSCHALL Rudolf Ferdinand Marschall, sculptor, medalist (Austrian), was born in Vienna, 1873. He studied at the School of Engraving under Professor Schwartz, Schulmeister, and Zapf. In the year 1891 he was awarded a first prize (silver medal) by the Chamber of Commerce and Industry of Lower Austria; and then the bronze and silver medals of the Engravers’ Association for modeling, drawing, and engraving. After an absence of some duration, during which Marschall visited the principal artistic cen- ters of Europe, he returned to Vienna, and became a pupil of the Academy of Decorative Arts, where he devoted five years to the study of the medallic art under the special supervision of Professor Tautenhayn. During this period he received numerous prizes, among which was the gold Fiiger medal. In 1898 he left the Academy, and has since produced numerous works of medallic art and of sculpture, which have won the highest dis- tinctions. The artist has been since 1903 court-medalist of the Emperor 200 of Austria; since 1904 Professor in the High School; since 1905 he has been intrusted with the direction of the Royal Imperial School of Medal Engrav- ing. Professor Marschall received the Cross of the Papal Order of St. Syl- vester, 1903; Order of the Prussian Crown, third class, 1904; Imperial Austrian Order of the Iron Crown, third class, 1908; the papal decoration “Benemerenti” in brilliants, 1910. Works: Franz Gahler (1894), cast medallion (single), 155mm.; Marie Urban (1894), cast medallion (single), 155 mm.; Damenspende, cast bronze, 9.5 x 9.5 x 23 cm.; Antonio Tomasone (1897), cast plaque (single), 14.5 x 20 cm.; Christina Martino (1897), cast plaquette (octagonal), 150x150mm.; Anton Robert (1897), cast plaquette, 143 x 196 mm. (struck, 41 x 57 mm.), etc. Cf. “Wiener Medailleure,” by A. von Loehr (1899), and “Nachtrag” (1902). Address , 40 Starhemberg, Vienna IV. 1 Arthur von Gwinner, Bankdirektor, 1907. Cast medal (double), bronze, 140 mm. 2 Baronin Maria von Ebner Eschenbach, der Dichterin gewidmet von ihren Wiener Freunden und Verehrern, 1900. Obverse and re- verse. Struck medal, bronze, 58 mm. 3 Bischof Josip Juraj Strossmayer, auf den Tod desselben, nach der Natur model liert, 1906. Cast plaque (double), bronze, 20 x 15.6 cm. 4 The same. Obverse and reverse. Struck plaquette, bronze, 50 x 45 mm. 3 Biirgermeister Dr. Carl Lueger zum 60. Geburtstag, 1904. Struck medal, bronze, 60 mm. 6 C. Karlweis, ausgefiihrt zum 50. Geburtstage des Dichters, 1900. Cast plaquette (single), bronze, 135x193mm. 7 Dr. Heinrich, Ritter von Wittek, Eisenbahnmeister i. P., 1901. Struck plaquette, bronze, 43 x 64 mm. 8 Dr. Joseph Scholz, seinem Prasidenten u. Griinder gewidmet vom arztl. Verein der sudlichen Bezirke Wiens, 1906. Struck pla- quette (uniface), bronze, 68 x 47 mm. 9 Eisenbahnbeamter Gesangverein f. besondere Verdienste auf dem Gebiete der Musik und des Gesanges, 1905. Struck plaquette (octagonal), bronze, 75 x 32 mm. 10 Enthullung des Goethe Denkmales in Wien, 1901. Struck plaquette, bronze (uniface), 75 x 53 mm. 201 11 Erster Internationaler Rhinologen- und Laryngologen-Congress in \\ icn, 1908, 50-jahriges Jubilaum der Einflihrung des Kehlkopf- spiegels durch Turck und Czermak. Obverse and reverse. Struck plaquette, bronze, 60 x 45 mm. 12 Erzherzog Rainer, ausgefiihrt im allerh. Auftrage zum 80. Ge- burtstage, 1907. Obverse and reverse. Struck medal, bronze, 65 mm. 13 Erzherzog Rainer u. Erzherzogin Maria (Goldene Hochzeit), gewid- met von der k. k. Akademie der Wissenschaften, 1902. Obverse and reverse. Struck medal, bronze, 60 mm. l'r Erzherzogin Maria Rainer, beim Schiitzenfest, 1902. Obverse and reverse. Struck medal, silver, 37 mm. 13 Frau Dr. Suchanek, 1899. Cast plaquette (single), bronze, 128 x 187 mm. 16 Freiherr von Reck, Feldzugmeister, Chef des Generalstabes, 1906. Struck medal, bronze, 60 mm. 11 Freiherr von Schonaich, Reichskriegsminister, 1909. Struck pla- quette (uniface), bronze, 70 x 60 mm. 18 Friedrich Alfred Krupp, 1904. Cast medal (single), bronze, 112 mm. (struck, 110 mm.). 19 Fiirst Carl Auersperg, Jubilaumsmedaille der k. k. Landwirt- schaftsgesellschaft in Wien, 1907. Struck medal, bronze, 70 mm. 20 100. Gedenktag der Schlacht von Aspern, 1909. Struck medal, sil- ver, 54 mm. 21 Graf Bolfras, Feldzugmeister, zum 70. Geburtstage, 1908. Struck plaquette (uniface), bronze, 65 x 45 mm. 22 Graf Hans Wilczek, ausgefiihrt im Auftrage der Wiener Freiwil- ligen-Rettungsgesellschaft, 1908. Struck plaquette, bronze, 65 x 45 mm. 23 Graf Wickenburg, Leiter des Arbeitsministeriums, 1909. Struck plaquette (uniface), bronze, 55 x 40 mm. 24 Hofrat Dr. Friedrich von Kenner, Direktor der Miinz- und Medail- lensammlung des allerhochsten Kaiserhauses, 1899. Cast pla- quette (single), bronze, 103 x 180 mm. 25 Hofrat Professor Adolf Friedrich, Professor an der Hochschule fur Bodenkultur in Wien, 1902. Struck plaquette (uniface), bronze, 55 x 55 mm. 202 26 Hofrat Professor Dr. Gustav Tschermak, Mineraloge an der Uni- versitat zu Wien, gewidmet von seinen Schiilern zum 40-jahr- igen Dozent jubilaum, 1901. Struck medal, bronze, 50 mm. 27 Internationale Ausstellung fiir Spiritus-Verwertung und Garungs- Gewerbe, Staatspreis, Wien, 1904. Struck plaquette, bronze, 50 x 76 mm. 28 150-jahrige Bestand der Konsular-Akademie, 1906. Obverse and reverse. Struck medal, bronze, 60 mm. 29 Johann Freiherr von Chlunecky, Minister i. P., zum 70. Geburts- tage, 1905. Struck medal, bronze, 65 mm. 30 Josef Haydn, 100. Todestag des Tonkiinstlers, 1909. Obverse and reverse. Struck medal, bronze, 54 mm. 31 Josef Lewinsky, Hofschauspieler, ausgefuhrt anlasslich seines 40- jahrigen Wirkens im Wiener Burgtheater, 1898. Obverse and reverse. Cast medal (double), bronze, 152 mm. (also, struck, 56 mm.). 32 Josef Petschek, Kohlengrubenbesitzer, 1904. Struck plaquette, bronze, 55 x 55 mm. 33 Kaiser Franz Josef I., Geschenk fiir den deutschen Kaiser, naeh der Natur modelliert, 1900. Cast plaque (single), bronze, 15.3x22.3 cm. 34 Kaisergeburtstag, ausgefiihrt im allerh. Auftrage zum 70. Geburts- tage, 1900. Struck medal, silver, 29 mm. 35 Kaiserportrat (nach der Natur modelliert), zur Plakette auf das Armee-Preisschiessen, Bruck a. d. Leitha, 1908. Cast plaquette (double), bronze, model (also struck, 70 x 46 mm.). 36 Kaiserregierungsjubilaum, ausgefuhrt anlasslich des 50-jahrigen Regierungsjubilaums Kaiser Franz Josef I, 1898. Struck medal, bronze, 30 mm. 37 Kinderfestzug, ausgefuhrt anlasslich des 50-jahrigen Regierungs- jubilaums Kaiser Franz Josef I, 1898. Struck medal, silver, 30 mm. 38 20-Kronen Stuck, 60-jahr. Jubilaum (1848-1908), Oesterreich, 1908. Obverse and reverse. Gold, 21 mm. 39 100-Kronen Stuck, 60-jahr. Jubilaum (1848-1908), Oesterreich, 1908. Obverse and reverse. Gold, 38 mm. 40 Max Schaffner, Chemiker, President des Oesterr. Vereins fiir che- mische und metallurgisehe Produktion in Aussig, 1900. Struck medal, bronze, 61 mm. 41 Merry del Val, Cardinal-Staatssekretar, 1909. Cast plaque (single), bronze, 23.5 x 20 cm. 42 Niederoesterreichische Landeskulturrat, Preisplaquette, 1908. Ob- verse and reverse. Struck plaquette, bronze, 50 x 80 mm. 203 'i3 Papst Leo XIII., Geschenk tier Gemeinde Wien zum 25-jahrigen Regierungsjubilaum, nacli der Natur modelliert, 1900. Cast medallion (double), bronze, 20 cm. (struck, 60 mm.). 'i'i Papst Pius X., nach der Natur modelliert, 1908. Obverse and re- verse. Struck medal, bronze, 60 mm. 75 Paul Heyse, zum 70. Geburtstage, dem Dichtei gewidmet von seinen Wiener Verehrern, 1901. Obverse and reverse. Cast plaquette (double), bronze, 120x 175 mm. (struck, bronze and silver, 75 x 51 mm.). 76 Regierungsjubilaums-Erinnerungskranz, ausgefiihrt anlasslich des 60-jahrigen Reg. Jubilaums Kaiser Franz Josef I., fiir Offiziere und Staatsbeamte, 1908. Obverse and reverse. Struck piece, bronze (badge), 37 mm. 77 Sir Francis Drake, ausgefiihrt im Auftrage der Amerikanischen Numism. Gesellschaft, New York, 1907. Obverse and reverse. Casl plaque (double), bronze, 19.1 x 22.4 cm. (struck, 65x46 mm.) . 204 ■iik der Gemeinde Wien zum 25-jahrigjin ; k < ! er Natur modeliiert, 1900. Ca^ -> • 01 • v r 'M (struck, 60 mm.). ■ ]( ’oilier!;, 1908. Obverse and ri Hr w ■' ! mm. x m 0 it liter gewidmet von seine n k. reverse. Castplacp.it ■» , x i I* sl uck, bronze and silver, r * i ; fu in t anl asslicli des *■ hibilaunis Kaiser Franz Josef I., fur Offiziere Obverse and reverse. Struck piece. i). ' -'V," re x - J hi Sir Francis r ;sgeCs York, 1907. Obverse and reverse, i Cast plaque (double), bronze, 19.1x22.4 cm. (struck, 6§x46J itim.). 204 205 BARTOLOME MAURA Y MONTANER Bartolomk Maura y Montaner, engraver, medalist (Spanish), was born in Palma do Mallorca, in Ihe Balearic Islands, in 1844. He studied drawing in the Academy of Fine Arts of that city, winning several medals of the first class. In 1868 he went to Madrid, entering the Escuela Especial de Pintura, Escultura y Grabado, where he continued his studies in painting and in engraving, obtaining first medals in the examinations. In 1871 he won in the national competition for an engraving of Velazquez’ La Rendition de Breda: Las Lansas. In 1873 a medal of art was awarded to him at the Universal Exposition of Vienna for the etching of Velazquez’ Una Fabrica de Tapices: Las Hilanderos. In 1876 he obtained another art medal in the World’s Fair at Philadelphia for the engraving Las Lansas, and in the National Exposition of the same year at Madrid he gained a first medal in gold for Ihe same. In 1890 he gained the international competition for modeling and engraving the medal commemorative of the fourth centenary of the discovery of America by Christopher Columbus in 1492. In 1901 he was again rewarded by a gold medal of the first class at the General Ex- position of Fine Arts, Section of Engraving. The Biblioteca Nacional has a numerous collection of engraved portraits of the most distinguished Spanish dramatists and men of letters due to his burin. Since 1899 he has been a member of the Real Academia de Bellas Artes de San Fernando, lie holds several decorations. He gained by competition the office of artis- tic director of the mint and Ihe office for the printing of government stamped paper, and is Jefe Superior de Administracion Civil. Address, 4 Plaza de Colon, Madrid. 7 Alfonso XIII y Victoria Eugenia de Battenberg, Union Augusta, 1906. Obverse and reverse. Struck medal, bronze, 60 mm. 2 Jose Eehegaray, Premio Instituido por la Real Academia de Cien- cias de Madrid, 1905. Obverse and reverse. Struck medal, sil- ver, 68 mm. 3 Tcrcer Centenario de la Publicacidn del “Quijote,” 1605-1905. Ob- verse and reverse. Struck medal, bronze, 60 mm. 206 207 DAVID McGILL David McGill, sculptor, medalist (British), was born in Scotland. Studied at South Kensington and the Royal Academy; obtained the traveling stu- dentship at the Royal Academy for sculpture. Made the statue of Sir Wil- frid Lawson, Bart, (the great temperance advocate in Parliament), now in the Thames Embankment Gardens. Address, 1 Scarsdale Villas, Kensing- ton, London, W. 1 Art. Obverse and reverse. Struck medal, copper silvered, 89 mm. "2 Cambridge University, Prince de Bhaunagar, 1893. Obverse and reverse. Struck medal, copper silvered, 115 mm. 3 F. Derwent Underwood. Struck medal, copper silvered, 89 mm. 4 Nineteenth-Century Allegory. Obverse and reverse. Struck medal, copper silvered, 102 mm. 5 Robert Bryden, R.P.E. Struck medal, 134 mm. 6 St. Peter’s College, Westminster. Obverse and reverse. Struck medal, copper silvered, 83 mm. 7 The Right Hon. Thomas Henry Huxley, F.R.S. Obverse and reverse. Struck medal, copper silvered, 134 mm. 208 r. tajt McKenzie R. Tait McKenzie, sculptor, medalist (American . o Jnmuk Ontario, Canada, 1867. He was lecturer on ,-uiUh m >; . M.mo--- ,*{ Art Association, 1901; Harvard Summer Selim -I . c I - Course, St. Louis, 1904. He has been profess* >» r o! i ment of physical education, University of P< . : ,;da. since 1904. Works: The Sprinter (1902), Fitzw ill; - urn, Cambridge, Emu a : f The College Athlete (1903) (ibid.); Th<- mpetilor (1906), Metropolitan Museum, New York; The Supple Juggler (1909) (ibid.) ; The Boxe< ■ 191 A The Relay, 1910; Clark memorial (in the Pomfret School, Connecticut); Huger Medallion (University of Pennsylvania); Samuel Jackson and Nathaniel Chapman (memorial portrait bronzes in mezzo relief for the Uni- versity of Pennsylvania). Since 1902, exhibitor at Salon des Artistes Francais, Royal Academy, National Academy, and Pennsylvania V Universal Exposition at St. Louis, Ido; Exposition, Brussels, 1910. Address. : delphia. 1 Archibald Larapman, 1903. Cast medal, silver, 50 mm. 2 Charles Brockden Brown, Franklin !im Club, 1908. Cast plaqm U , bronze, 50 x 35 mm. 3 College of Physicians, Philadelphia, 1910. Struck medal, bronze, 70 mm. 4 Discobolus, No. 1, 1904. Cast plaquette, bronze, 170 x 100 mm. 5 Discobolus, No. 2, 1904. Cast plaquette, bronze, 170 x 100 mm. 6 Dorothy B., 1904. Cast medal, silver, 47 mm. £ 18 7 Dr. Dudley A. Sargent, 1907. Obverse and reverse. Struck medal, bronze gilt, 50 mm. 8 Dr. W. H. Drummond, 1907. Cast medal, bronze, 50 mm. T 6 9 Francis Kinloch Huger Memorial. Cast medal, silver, 78 mm. 10 Gertrude Elliott, as Cleopatra, 1907. Cast medal, bronze, 50 mm. 11 Jeffrey MacPhail, 1904. Cast plaquette, ^bronze, 50 x 35 mm. 12 J. Forbes-Robertson, as Csesar, 1907. Cast medal, s bronze, 13 List, 1909. Cast medal, silver, 50 mm. 74 Sir William C. Van Horne, 1908. Cast medal, bronze, 135 mm 15 Study of a Child, No. 1, 1909. Cast medal, bronze gill, 50 mm. 499 Wharton Stork. medal, silver, '50 mm. i Wilfred Campbell, 1906. Cast medal, silver, 50 mm. ' ;m Williams Ke. n ' i.. m.d for Brown University, ■•a uUnce, R. I.), st pi a pa-He, silver, 175 x 100 cm. ■h s, 1905. Cast vk < ;s 1, bronze, 105 mm. ■ *. Cast medal, silver, 25 mm. Xos. 1. J, 8, I. r. 6, 7. 8, 9, !•>, 11, 12, 13. 14. 15. 16, 17, 18. 19, 20, 21, 22, 23 210 17 211 21 HELEN FARNSWORTH MEARS Helen Farnsworth Mears, sculptor (American), was born in Oshkosh, Wisconsin. Student at the Art Institute of Chicago under Lorado Taft for a few weeks. While there received commission for a 9-foot marble statue, The Genius of Wisconsin , from the women of her native State. This statue was exhibited at the Chicago World’s Fair and received an independent prize of $500 from the Milwaukee Women’s Club. It was subsequently placed in the rotunda of the Capitol at Madison, Wisconsin. In 1894 she came to New York, where she studied at the x\rt Students’ League under Augustus Saint-Gaudens for two years, entering Mr. Saint-Gaudens’s studio as assist- ant after first year. Continued studies in Paris under Alexandre Charpen- tier, Collin, and Merson at Academie Vitti and at Julien’s under Puech. Received medals at Academie Vitti and at Julien’s. While in Paris worked as assistant in Mr. Saint-Gaudens’s private studio. In 1898 won in com- petition a commission to execute marble statue to Frances E. Willard, pre- sented by the State of Illinois to the National Capitol, Washington, D. C. Her large wall fountain, The Fountain of Life, was given a place of honor and received a silver medal at the St. Louis Exposition of 1904. Works: portrait bust, President George Albee of Oshkosh Normal School, marble; bronze bas-reliefs, Edward MacDowetl, Composer, a replica of which is installed at the Metropolitan Museum, New York City, also one at the rooms of the MacDowell Club, Metropolitan Opera House; Louise Collier Willcox, Augustus Saint-Gaudens, Margaret Adams, Richard Porter Hackelt, Elizabeth Mears; group, The New Year Borne in Triumph by the Months, designed and executed for Mrs. F. F. Thompson, New York City; bronze bust, General George Rogers Clark, for the Milwaukee Public Li- brary; bronze bust, William T. G. Morion, M.D., for Smithsonian Institu- tion, Washington, D. C.; bronze crouching figure, Echo, for Mrs. William Schofield, Cambridge, Massachusetts. Member of the National Sculpture Society, the MacDowell Club, New York City, and the Circle of the Friends of the Medallion. Address, The Clinton, 253 West Forty-second Street, New York City. 1 Augustus Saint-Gaudens, 1898. Cast plaque (single), bronze, 19 x 21.6 cm. 213 2 Edward A. MacDowell, 1906. Cast plaque (single), bronze, 20.3 x 25.4 cm. 3 Elizabeth Mears (mother of the artist), 1907. Bas-relief (rectangu- lar), bronze, 46.3 x 59. 8 cm. LEO MIELZINER Leo Mielziner, sculptor (American), was born in New York City. Both painter and sculptor. Pupil at Cincinnati Art Academy; at the Ecole des Beaux-Arts, Paris, of Gerome and Bouguereau; at the Academie Colorossi, Paris, of Collin and Courtois, painters, and of Injalbert and Gauquier, sculptors; at Copenhagen of Kroyer. He has exhibited sculpture at the Paris Salon and the Philadelphia Academy. Address, Sherwood Studios, 58 West Fifty-seventh Street, New York City. 7 Dr. M. Mielziner, 1893. Cast medal, bronze, 57 mm. (also, cast medallion (single), bronze, 25.4 cm.). 214 MARIETTE BENEDICT MILLS (Mrs. Lawrence Heyworth Mills, Jil) Mariette Benedict Mills, sculptor (American), was born in Paris; daugh- ter of Launt Thompson, the sculptor. Lived for some time in Florence, Italy, where she worked under Frederic Beer of the French school. Her work has been variously represented at the Salon in Paris, at the Academy of Design in New York, and at an exhibition in Florence. Address, 54 Madison Avenue, Morristown, New Jersey. 1 Frank Hunter Potter, 1909. Cast medallion (single), bronze, 42 cm. 215 GEORGES MORIN Georges Morin, medalist (German), was born in Berlin in 1874. He was educated at the Eranzosisches Gymnasium, and went from there in 1894 to the Kunstakademie in Berlin. Worked there finally in the studio of the masters Herter and Brener until 1898. Since then he has worked inde- pendently. After leaving the Kunstakademie he made short visits for study to Erance and to Italy. He has engaged also in medallic work since the beginning of his independent activity, and has taken part in many com- petitions, winning various prizes, among them, the first prize in the com- petition for the monument in Bern commemorative of the International Postal Union. Much of his effort has been given to larger decorative work in and on buildings. Address, 126 Kurfiirstenstrasse, Berlin W. 62. 1 Ausstellung in Diisseldorf, 1904. Struck medal, silver. 2 Balkentragender Mann. Struck medal. 3 Bogenschtitze. Cast medal, bronze. 4 Die Handelskammer in Berlin, Wilhelm Herz. Struck medal, bronze. 5 Die Familie. Cast plaque, bronze. 6* Die Lebenstufen. Cast medal, bronze. 7 Die Schwimmer. Medallion, tin. 8 Der Hygiene Congress in Berlin, 1907. Struck plaquette, bronze. 9 Deutsche Gesellschaft fur Yolksbader. Struck medal, silver. 10 Deutsche Unterrichtsausstellung in St. Louis, 1904. Struck medal, silver, 70 mm. 11 Die Ringer. Struck medal. 12 Hermann Schmidtmann. Cast medal, bronze. 13 Florence und Arno, Doppelportratbiiste. Cast plaque, bronze. 15 Internationale Urheberechtsconferenz in Berlin, gestiftet vom Kai- ser Wilhelm II, 1908. Struck medal, bronze. 15 Konigliche Akademie des Bauwesens zu Berlin, Preismedaille. Cast medallion, bronze, model (struck medal, gold). 16 Leda. Cast medal, bronze. 17 Mann mit Zirkel. Struck medal, bronze. 18 Orientalische Gesellschaft. Struck medal, bronze. 19 Portrait. In colored wax. 20 The same. In colored wax. 216 217 KORGES MORIN was born in Berlin in 1874. He was i isium, and went from there in 1894 t here finally in the studio of the . e then he has worked inde- 8 made short visits for study . • in medallic work since the ! taken part in many com- 81 ' Plie first prize in the com- ■■■•m commemorative of the International ' ; ■ k 1 a i has been given to larger decorative work o ; beddings. m 126 K uriVirstenstrasse, Berlin W. 62. 8 2 vi sin], silver. *mler Mann. Struck medal, i . Cast medal, bronze. n a 1 Struck medal, ;• • e. Cast plaque, bronze, m nsiufen. Cast ine(iai. bronze. ‘ m iisinuT. Medallion, tin. SI e a ogress in Berlin, 190/. Struck plaquette, bronze, ellschaft fur YolJ^sbader. Struck medal, silver. ;f htsausstellung in St. Louis, 1904. Struck medal, 70 mm. S [Hu ‘ medal. * ■pi Schrnidtmann. Cast medal, bronze. II 01 mid Arno, Doppelportratbuste. Cast plaque, bronze. . iionale t rheberechtsconferenz in Berlin, gestiftet vom Rai- se,' Wilhelm II, 1908. Struck medal, bronze. « bnigliche Akademie des Bauwesens zu Berlin, Preismedaille. Cast medallion, bronze, model (struck medal, gold). o' Leda. Cast medal, bronze. / Mann mil Zirkel. Struck medal, bronze. hientalische Gesellschaft. Struck medal, bronze. 10 Portrat. In colored wax. !"■ The same. In colored wax. 216 ALEXANDRE MORLON Alexandre Morlon, sculptor, medalist (French), was born in Macon, Saone-et-Loire, France. Pupil of Falguiere, Mercie, H. Dubois, and Chap- lain. Has received a third and second medal from the Societe des Artistes Francais, with which society he has exhibited since 1901. Address, 35 rue Tombe-Issoire, Paris. 7 Andre Destailleur. Struck plaquette, bronze. 2 Docteur V. Campenon. Obverse and reverse. Struck plaquette, bronze. 3 Automobile. Struck plaquette, bronze. 7 Furens Gallia. Obverse and reverse. Struck medal, bronze, 54 mm. (also struck medal (uniface), silver, 27 mm.). 5 The same. Obverse and reverse. Galvano model of the above. 6 Gallia. Plaquette, galvano silvered, 90 x 80 mm. 7 J. Caillaux. Obverse and reverse. Plaquette, galvano. 8 La Soif. Plaquette, galvano gilt, 105 x 120 mm. 9 L’Etude. Medal, galvano. 10 L’Imprimerie. Plaquette, galvano gilt, 123 x 90 mm. 11 L’Industrie. Struck medal, bronze. 12 Mariage. Plaquette, galvano. 13 Meclica. Obverse and reverse. Struck plaquette, bronze. 77 Mme. de R. Plaquette, galvano. 15 Navigation Aerienne. Obverse and reverse. Plaquette, galvano. 16 Portrait d’une Dame. Plaquette, galvano. 77 Reverie. Plaquette, galvano. 18 Scientia. Obverse and reverse. Struck plaquette (badge), bronze. 4 218 '•■''■ V". ■ ' V ■ ■■ ■ ; - ■■■■•,:,;, '^ - ■ 3 1 l',* - ' 1 t 11 -1 16 11 18 ‘ 6 5 1 6 17 * • t , * • '$[. •.>•?• f-S 1 mmmmmmm ■ >V V' .«'■ ■:•; '■■/■ 4 ’ % <• . 'Aa? 8 1U i '"W'" 7 16 13 . 2 2 4 12 **•; .-i ■ Nos. 1, .2, 3, 4, 5, C*. 7. • <. in, 11 , i^, i,.. n. j r> 6 LON Aliawdh Saont et-l Fran car • Tomb* 1 1 ) , was born in Macon, « ' 11 Dubois, and Chap- rdtm the Soci&te des Artistes > t 1901. Address , 35 rue 81 <*t a’ouze. Ti: . a Struck plaquette, i ck medal, bronze, 54 mm. t •! 27 mm.). - • u - i od el of the above, iaii 90x80 mm. ' ■ 7 i * . ! e;uette, galvano. 1 a s im. i £1 gill 1 23 x 90 mm. . ■ ! j net ? e, ga t s a no. ' if w ;e. Struck plaquette, bronze. < ’> . .<■ del. Plaquette, galvano. • )i e. Ob' :rse and reverse. Plaquette, galvano. me Dame. Plaquette, galvano. 7/ tie vc« I. Plaquette, galvano. 0 and reverse. Struck plaquette (badge), bronze. ■ % S9 i ■*:- ■ S , 219 HENRY NOCQ Henry Nocq, medalist (French), was born in Paris in 1868. He studied under Chapn, and first began lo exhibit at the Paris Salon in 1887. In 1890 be competed for the Prix de Rome in medal-engraving. At the Salon of 1889 be obtained an honorable mention. For the last fifteen years be lias been a constant exhibitor at the Salons of plaquettes, medals, chasings in various metals, enamel works, carvings in ivory, wood, etc. In 1900 be was awarded a silver medal. Specimens of M. Nocq’s medallic and other productions are on exhibitions at the Luxembourg Museum, Paris; Vic- toria and Albert Museum, South Kensington, London; and museums at Brussels, Hamburg, Dresden, Prague, Vienna, etc. In 1896 the artist pub- lished a volume of art criticism entitled “Tendances nouvelles,” which is a collection of personal views of artists noted in contemporary decorative art. M. Nocq is a member of the Societe Nationale des Beaux-Arts, A.C.N. of the Societe des Antiquaires de France, and a knight of the Legion of Honor. Works: Auguste Rodin, two plaquettes and one medal, 1902, 1903; Emile Zola; Anatole France, two plaquettes and one medal, 1902; Octave Mirbeau; G. Geflroy; G. Clemenceau; Colonel Picquarl; Paul Margueritte; Henry Bataille, 1901; Maxime Maufra, painter, 1902; Georges B .; Mine, la Com- tesse de P.; C. V. Alkan nine; Mine. Ellen Andree; Mine. L. de P.; Yvette Guilbeii, portrait plaquette, 1893; Leon Hennique; Paul el Victor Mar- gueritte; .1. K. Huysmans; Elemir Bourges; Descaves; ,/. F. Raffaelli, 1901; Panic; Paul Lallemand; C. Clermont-Ganneau; E. Molinier, 1901; Le Pere Monsabre, Dominicain, 1888; General Boulanger, 1888; Ma Grand' mere, 1888; Le Sommeil d’Endymion, silver medal, 1890; Venus el Amour, silver medal; Generate le Marquis d’Ormesson, portrait medallion, 1891; Mine. A. de Caillavet, 1903; E. Galle; Georges Lecomte, 1904; J. Renard, 1904; J. J. Weerts, 1904; 0. Sainsere, 1906; C. Roll, 1907; Princesse Marie Tenichev, 1907; Joachim, 1907; Gustave Babin; Insigne de la Societe Franco-Japo- naise; Dom Montfaucon; Diana, Societe du Fusil de Chasse, 1900; L’Ours 220 et le Samurai; La Famille, Haec sunt ornamenta mea (for the Societe des Amis de la Medaille). Address , 13 Quai St. Michel, Paris. 7 Anatole France, 1902. Cast plaqnette, bronze, 125 x 105 mm. 2 Same subject, 1902. Cast plaquette, bronze, 180 x 120 mm. 3 Auguste Rodin, 1902. Cast plaque, bronze, 20.5x14 cm. 4 Same subject, 1902. Cast plaquette, bronze, 95 x 125 mm. 5 Bernard de Montfaucon. Struck medal, bronze, 50 mm. 6 Doeteur Martin. Struck plaquette, bronze, 51 x 64 mm. 7 Emile Zola, 1902. Cast plaquette (double), bronze, 90 x 77 mm. 8 Eugene Carriere. Cast plaquette, bronze, 90 x 75 mm. 9 Georges Clemenceau, Senateur du Var, 1902. Cast plaquette, bronze, 110 x 85 mm. 10 Georges Picquart. Cast plaquette, silver, 120 x 100 mm. 11 Jacqueline Cheruit. Struck medal, bronze, 50 mm. 12 J. C., Etude d’Enfant. Cast plaque (single), bronze, 21 x 14 cm. 13 Jos. Joachim, 1907. Cast plaquette, bronze, 135 x 180 mm. 74 Les Premiers Pas. Cast plaquette, bronze, 110 x 145 mm. 15 Octave Mirbeau. Cast plaquette, bronze, 100 x 75 mm. 16 Paule, Etude d’Enfant, 1899. Cast plaquette, bronze, 95 x 125 mm. 77 Paul et Victor Margueritte. Cast plaquette, bronze, 120 x 155 mm. 18 Princesse Marie Tenichev, 1907. Medal, galvano gilt, 160 mm. 19 Societe Franco-Japonaise. Struck piece (badge), silver, 53 x 40 mm. 221 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19 Oi STERREICHISCHE GESELLSCHAFT 7 ' : MEDAILLENKUNST UNDrK LEINP President K. K. 'fIofrat An;i * :■ ; ? <*■ Vice-Preside n: > '■ Max Ihu - 1 Wienerinnen, 1003. Si : • mm. w Ll’DWIu m ! eh (C f. p. 141) 2 Deutsch-Bohmen. Struck plaquette (uniface), bronze, 70x120 mm. d Musik, Gesami und iAii/. . 00 mm. / Kaiserjubilaum, 1 : i R ' NV x. j i* An ton Scharff , 190':. - •!>.;)■ ID 00 qj CO Hr K Hr f> Waschermadel-, 1878. So-uck 1. . - 7 -is mm. STEFAN S~: MW .! 7 7 Haydn, Mozart, Beetho * zc. 09 mm. K ' ! ' Hr 7 Der Kuss. Brooch, silver STANISLAV M • (Cf. p. X1S) 9 Bohmische Spinnstube. Sin 73 x 116 mm. 10 Der Frii tiling. St fuel- 91 mm co 11 Giirtelschliesse. Bu 12 Fuhrlich, Schwind, S - t , 70 x69 mm. 1 o» q? 1 Nos. l - n *- > OESTERREICHISCHE GESELLSCHAFT ZUR FOERDERUNG DER MEDAILLENKUNST UND KLEINPLASTIK, WIEN President K. K. Hofrat August Ritter von Loehr Vice-President and Treasurer Max Riach W. HEJDA 1 Wienerinnen, 1903. Struck plaquette (uniface), bronze, 100x61 mm. LUDWIG HUJER (Cf. p. 141) 2 Deutsch-Bohmen. Struck plaquette (uniface), bronze, 70x120 mm. 3 Musik, Gesang und Tanz, 1903. Struck plaquette, bronze, 83 x 81 mm. HENRI KAUTSCH (Cf. pp. 157, 244) 4 Kaiserjubilaum, 1908. Struck plaquette, bronze, 61 x 91 mm. FRANZ X. PAWLIKt 5 Anton Scharff, 1903. Struck plaquette, bronze, 71 x 52 mm. ANTON SCHARFFf 6 Waschermadel, 1878. Struck medal, silver, 48 mm. STEFAN SCHWARTZ (Cf. p. 295) 7 Haydn, Mozart, Beethoven, 1907. Struck plaquette, bronze, 90 x 69 mm. 8 Der Kuss. H. SCHWATHE Brooch, silver gilt, 25 x 42 mm. STANISLAV SUCHARDA (Cf. p. 328) 9 Bohmische Spinnstube. Struck plaquette (uniface), bronze, 73 x 116 mm. 10 Der Friihling. Struck plaquette (uniface), silver, 66 x 94 mm. ANNA WAGNER 11 Gurtelschliesse. Buckle, silver, 102 x 69 mm. A. WEINBERGER 12 Fuhrlich, Schwind, Steinle. Struck plaquette, bronze, 70 x 69 mm. 1 223 1 Nos. 1-12 were loaned by Mrs. Edward I). Adams. 9 M. GEORGIA ORMOND M. Georgia Ormond, sculptor (American), was born in Sharon, Pennsyl- vania. She studied sculpture at the Chicago Art Institute; also at the Art Students’ League of New York, where she won a scholarship. At the schools and in private studios she has been under the instruction of the sculptors Herman A. MacNeil, Lorado Taft, Charles Mulligan, William Ordway Par- tridge, Gutzon Rorglum, and Charles Albert Lopez. Examples of her work have appeared in various exhibitions of the principal cities of this country. Address, 2106 Jefferson Avenue, Toledo, Ohio. 1 Dorothy. Bas-relief plaque in plaster. LOUIS PATRIARCHE Louis Patriarche, medalist (French), was born in Bastia, Corsica, in 1872. He was a pupil of Barrias, Vernon, and Hippolvte Lefebvre. He began his career with work in wood sculpture at Bastia. In 1893 his native city voted him a purse to enable him to go to Rome to study. Under H. Le- febvre at the Villa Medicis he was instructed in sculpture, drawing, and modeling; and at his advice he went to Paris. In 1896 he was received as a pupil at the Ecole des Beaux-Arts, in the atelier Barrias. In 1900, upon the recommendation of H. Lefebvre, he was received as a pupil by F. Ver- non, whom he now accepted as his master in the art. He exhibited for the first time at the Salon de la Societe des Artistes Francais in 1900. He ob- tained an honorable mention at this Salon in 1903; a third medal in 1906; and a second medal in 1910. He is a member of the Societe des Artistes Francais. Address, 103 rue de Vaugirard, Paris. 1 Agriculture, 1908. Struck medal, bronze. 2 Camille Piccioni, Ministre Plenipotentiare, 1907. Plaquette, gal- vano silvered (cast (single), bronze, 110 mm.). 3 Colomba, jeune fille Corse, 1908. Cast plaque (single), bronze, 23.5 cm. (galvano, 90 mm.). 225 '/ Exposition Coloniale de Marseille (d’apres le tableau de D. Delle- piane), 1908. Plaquette, galvano silvered, 150 mm. (struck, 80 mm.). 5 Exposition d’Oceanographie de Marseille (d’apres le tableau de Vimar), 1906. Obverse and reverse. Plaquette, galvano silvered (struck, 70 mm.). 6 Femme en Pied, Portrait. Plaquette, galvano silvered, 150 mm. 7 La Provence, a l’occasion du lancement du paquebot La Provence de la Gompagnie G Ie Transatlantique, 1906. Medal, galvano sil- vered, 100 mm. (also, medallion, galvano, 23 cm., and struck medal, 36 and 20 mm.). S Mine. F. Vizzavona, 1907. Plaquette, galvano silvered, 100 mm. 9 Yin Mariani, 1908. Obverse and reverse. Plaquette, galvano gilt (cast (double), bronze, 150 mm.; struck, 51 mm.). 8 226 CHRISTOPHER D. PAULUS Christopher D. Paulus, sculptor (American), was born in 1848 at Lud- wigsburg, Wiirttemberg. Was employed in work on monuments for sev- eral years before he entered the Art School at Stuttgart, where he was a pupil of Professor Theodor von Wagner. From 1872 to 1875 he studied at the Academy of Fine Arts in Dresden under Professor Dr. Ernst Hahnel. After his return from Palestine, where he worked for more than ten years, he presented a number of Oriental studies, more than fifty, at the Inter- national Exhibition of 1891 in Berlin. At that time he resided in Stuttgart, where he executed many portrait busts. He came to the United States in 1893. His work has been shown at various exhibitions in New York; at the St. Louis World’s Fair in 1904, at the Philadelphia Exhibition of 1905, and elsewhere. Address, Newton, Massachusetts. 1 Bedouin, Palestine (modeled from life). Medallion (oval) in plas- 2 Fellah, Palestine (modeled from life). Medallion (oval) in plaster. 3 Portrait of a Man (modeled from life). Medallion (oval) in plaster. ter. \ 227 3 HENRY PEGRAM Hkxry Pegram, sculptor, medalist (British), was born in 1862. At fifteen years of age attended Heatherley’s School of Art; also commenced at the British Museum and at the National Gallery. Entered the Schools of the Royal Academy as a student in 1881, and in 1883 the studio of Hamo Thor- nycrofl as assistant. In 1889 he received a bronze medal at the Paris Ex- position for the group Death Liberating a Prisoner. In the same year the bronze Ignis Fatuus was bought for the nation. In 1891 he exhibited Sibglla Fatidiea at the Royal Academy. During the next eighteen months he was engaged upon the sculpture of the gateway at the Imperial Institute. In 1893 he produced the Last Song, a bronze relief for which he received a gold medal at Dresden; in 1894, Bather and Mermaid, a large group at the Royal Academy; 1896, figure of Labour; 1896 to 1897, the great candelabra for St. Paul’s Cathedral, which the artist regards as his most important work; 1899, figure of Fortune, of heroic size, which won a silver medal at the Paris Exposition of 1900; 1901, a large monument to Mrs. Michaelis; 1902, A Sea Idyll; 1903, bust of Cecil Rhodes and monument to Sir John Stainer in St. Paul’s Cathedral; in 1904 he was elected A.R.A., in which year also the Sibglla Fatidiea in marble was bought for the nation; 1905, statue of Sir Thomas Browne for Norwich, and the large group Into the Silent Land; 1906, Campbell statue for New Zealand, and the relief By the Waters of Babylon; in 1907 and 1908, statues for Birmingham University, and colossal groups for the Canadian Gates of the Victoria Memorial; 1909, the bronze Perseus and Andromeda, a colossal statue of Cecil Rhodes for Cape Town, busts of Rudyard Kipling and of Sir Samuel Baker. Last year he exhibited at the Royal Academy the group The Vision at the Altar and other works. He is at present engaged upon a large group, Nymph and Merman. Ad- dress, Si. John’s Lodge, Harley Road, Avenue Road, N. W., London. 1 1 Millicent Margaret Fisher, 1897. Plaquette, model in plaster. 2 Mrs. Athelstan Riley, 1903. Plaquette, model in plaster. 3 Richard Cobden Wilson, 1893. Plaquette, model in plaster. ELLA F. PELL Ella F. Pell, painter, sculptor (American), was born in St. Louis, 1846. First art studies were at the Cooper Union School of Art, New York City. Studied sculpture in the same school under Professor William Rimmer of Boston, Massachusetts. Ex-vice-president Ladies’ Art Association, New York City; ex-president Liberal Art League of same city. Principal works in sculpture: Andromeda; Puck; Hercules. Studied painting in Paris under Jean Paul Laurens, Ferdinand Humbert, Gaston Saint-Pierre (l’Academie des Beaux-Arts des Champs-Elysees). Exhibited important pictures in Salons of 1889-90. Exhibited extensively in the va- rious art centers of the LTnited States. Most important pictures: Adam; Salome; Storm Gods of the Rig-Veda; Agnus Dei. Given the place of honor in the National Academy of Design, New York City, with the picture Adam. Address, 123 South Avenue, Fishkill-on-the-Hudson, New York. 1 Discovery. Obverse and reverse. Bas-relief (octagonal) in plas- ter, gilded. 229 VICTOR PETER Victor Peter, sculptor, medalist (French), was born in Paris. He was a pupil of Devaulx and Falguiere. He exhibited alternately at the Societe Nationale and the Society of French Artists. He obtained a medal of third class in 1879; a second prize in public contest for a medallion representing the republic and the city of Paris (1879), and the first prize in public con- lesl for a Medaille des Felibres in 1887, also a medal of the third class at the Universal Exposition of 1889. He was made a member of the Societe Nationale in 1891. He received the second prize medal at the Salon of 1898, and (he gold medal at the Universal Exposition in 1900. He was named chevalier of the Legion of Honor in 1900, and appointed professor at the Ecole Nationale des Beaux-Arts, 1900. He was awarded the first prize medal in 1905, and appointed officer of the Academy in 1909, chevalier of the Order of the Couronne de Chene (Holland). Works: Music, high relief, Hotel de Ville, Paris; Sculpture, large low re- lief, Escalier du Prefet, Hotel de Ville, Paris; equestrian statue of Wil- liam II of Holland, Luxembourg, in collaboration with Antonin Mercie [executed the horse]; two large groups in bronze at the Grand Palais, Ave- nue d’Antin, Paris; numerous medallions and plaquettes in the Luxem- bourg Museum and in various museums in France and abroad; Arab and his Horse, small marble group in the Luxembourg Museum; Two Bear Cubs Playing, group in gray marble in the Luxembourg Museum; The Lion and the Rat, marble group at Montelimar; Lioness and her Young, group in marble at Villeneuve-sur-Lot; marble pedestal to the memory of P. J. David d’ Angers, in the cemetery of Neuilly; marble pedestal to the memory of the painter Delaunay; The Sleep of the Muse, marble statue; medallions L. Pasteur, Dalou, Henner, Rodin, Falguiere, Lhermitte, etc. Biographical notices have been published in Revue biographique des Notabilites francaises contemporaines ; the journal L Art; the Dictionnaire Larousse, and elsewhere. Address, 192 rue de Vaugirard, Paris. 7 Alexandre Falguiere, Peintre-statuaire, 1900. Cast medal (double), bronze gilt, 80 mm. (struck, 47 mm.). 230 2 Anesse Debarrassee des Mouches par des Canards. Plaquette in plaster (cast (single), 110x145mm.). 3 Canard s’Epluchant. Cast plaquette (single), bronze, 70 x 73 mm. 4 Chevreau. Cast plaquette (single), bronze, 60x87 mm. (also, 12 x 20 cm., 15 x 23 cm., and 32 x 57 cm.). 5 Chien Epagneul Gordon. Struck plaquette, bronze, 30 x 50 mm. (cast plaque (single), 32 x 57 cm. and 75 x 130 mm.). 6 Chienne Basset d’Artois. Plaquette in plaster (cast, 120 x 170 mm.). 7 Cochon. Struck medal, bronze. 8 Coq et Poules, medaille de Prix. Struck medal, bronze, 40 mm. .9 Cvparis. Medal, galvano silvered, 104 mm. 10 Dindon, Lapin et Canard (Etudes). Cast plaquette (single), bronze, 132 x 146 mm. 11 Dresseur de Chevaux. Struck medal, bronze. 12 Fauvette, Chienne d’Arret, 1883. Cast plaquette, bronze, 75 x 130 mm. 13 The same. Struck plaquette, bronze, 30 x 50 mm. 74 Gazelle an Repos. Cast plaquette, bronze, 99 x 99 mm. 15 Gazelle Mangeant. Cast plaquette, bronze, 96 x 96 mm. 16 Hercule Terrassant l’Hydre (medaille donnee pour recompenser un acte de courage contre des bandits) . Cast medal, gold, 37 mm. (unique) . 17 Idylle, 1877. Medallion, galvano silvered, 150 mm. 18 Jument et Son Poulain. Cast medallion (single), bronze, model, 174 mm. 7.9 L’Age Heureux, 1886. Medallion, galvano silvered, 150 mm. 20 La Seine. Plaquette in plaster (cast, 110 x 80 mm.). 21 Le Conseil Tenu par les Rats (medaille d’une serie de Fables de Lafontaine). Plaquette in plaster (cast (single), 140 x 125 mm.). 22 Le Lion et le Moucheron (medaille d’une serie de Fables de Lafon- taine). Plaque in plaster (cast plaque (single), 23x29 cm.). 23 Louis Pasteur (1822-1895), 1906. Obverse and reverse. Struck medal, bronze silvered, 67 mm. 24 Soeiete des Peintres Oriental istcs. Obverse and reverse. Struck medal, bronze, 65 mm. 25 The same. Obverse. Medallion, galvano bronzed, 24.3 cm. 26 St. Hubert, 1907. Struck plaquette, bronze silvered, 46 x 56 mm. 231 21 Taureau, medaille de Prix. Struck medal, bronze, 45 mm. 28 Taureau Normand Couche. Cast plaquette, bronze, 105 x 164 mm. 29 Tigre Couche. Cast plaque (single), bronze, 10 x 20 cm. 30 Yin Mariani. Obverse and reverse. Struck plaquette, bronze sil- vered, 42 x 51 mm. 232 mm 233 10 J. J. HENNEK Cast medal, bronze (Belongs to American Numismatic Society and was exhibitc apart from the other numbers) , / . :v' — ■- . 234 J. J. II ENKEK w Cast modal, bronze ft • .. ' A f 1 1 ( v i < • > = : N uju is? uat.ic Society and was exhibit apart lYmri the other numbers) i> CO 1C -i CO (O 00 234 235 CHARLES PHILIPPE GERMAIN ARISTIDE PILLET (Charles Pillet) Charles Philippe Germain Aristide Pillet, sculptor, medalist (French), was born in Paris. He studied under the direction of Chapu and of Cha- plain. He obtained the Grand Prix de Rome, 1890; a medal of the third class in 1895 at the Salon des Artistes Francais; a medal of the second class at the Salon of 1896; a silver medal at the Universal Exposition of 1900; medal of Ihe first class at the Salon of 1905; hors concours at St. Louis; hors concours at the London Exposition, 1908; Grand Prix at the Exposition of Milan, 1906; Grand Prix at the Exposition of Saragossa, 1908. Works: medallion for inauguration of the Canal Porfirio Diaz in Mexico; the commemorative medal of the chapel of the Rue Jean Goujon, erected to Ihe victims of the Charite Bazar fire; the medallion offered to Santos- Dumont by the Brazilian colony of Paris; the plaquette offered to Professor A.-V. Cornil by his scholars and his friends; Agriculture, plaquette; pla- quette of the Grand Cercle des Echecs de Paris; the silver coins of fifty centavos and of one peso for the Mexican government; the plaquette Ex- ])Osilion Franco-Britannique, London, 1908; various subjects: Amour et Psyche; Pastorale; Daphnis et Chloe; Idylles des nymphes; Jeune mere, etc. Journals: La Revue Moderue; the New York Herald, 1904; Figaro; L Art, etc. Address, 83 rue Notre Dame des Champs, Paris. 1 Agriculture, 1904. Plaquette, galvano gilt, 180 mm. (cast bronze, 180 mm.; struck bronze and silver, 65 mm.). 2 A.-V. Cornil, 1903. Struck plaquette, bronze, 67x41 mm. (cast plaquette, bronze, 100 mm., and plaque, 23 cm.). 1 2 3 * 5 3 Conseil General du Departement de la Seine, 1900. Struck pla- quette, bronze, 47 x 62 mm. A Exposition Franco-Britannique, Londres, 1908 (d’apres Albert Maignan). Obverse and reverse. Plaquette, galvano gilt (struck, 100 nun.). 5 Grand Cercle des Echecs, 1903. Struck plaquette, bronze, 70 x 49 mm. 1 Nos. 2 , 3, 5, 6, and 9 were loaned by Edward I). Adams, Esq. 236 6 Notre Dame de Consolation, Monument Commemoratif eleve, rue Jean Goujon, a la memoire des victimes du Bazar de la Charite, 1900. Struck medal, bronze, 70 mm. 7 Pastorale, 1899. Plaquette, galvano gilt (cast bronze, 175x127 mm., and plaque, 24 cm.). 8 Primavera, 1895. Cast plaquette, bronze silvered, 100 mm. (east plaque, 25 cm.). 9 Santos-Dumont, Hommage de la Colonie Brasilienne a Paris, 1901. Struck medal, bronze, 50 mm. 10 Science, 1903. Cast plaquette, bronze gilt, 100 mm. (struck bronze and silver, 66 mm.). 11 Une Mere, 1899. Plaquette, galvano silvered (cast, 80 and 170 mm.). 237 JOHN R. PINCHES John R. Pinches, medalist (British), was horn in 1852. Received his art education in London. He first studied drawing and painting at the Slade School, University College, when he was sixteen years of age, and where at the age of nineteen years he won a scholarship which enabled him to study two years longer. He studied modeling also at the Kensington Modeling School and with Gilbert Bayes, to whom he declares himself in- debted for what he knows about relief. He belongs to the well-known family of London medalists and die-sinkers, who for three generations have followed this line of employment. His father, John H. Pinches, is I lie present head of the firm. Mr. Pinches has exhibited examples of his work at the Royal Academy and other large exhibitions. Address, 21 Albert Embankment, London, S. E. 7 Chamen Lintott, 1909. Cast plaque (single), bronze, 36.8 x 24.4 cm. 2 Horticulture, 1908. Struck medal, copper silvered, 51 mm. 3 Institute of Builders, prize medal, 1908. Struck medal, bronze, 51 mm. 4 Music, 1908. Struck medal, copper silvered, 51 mm. 5 Music, prize medal, 1908. Struck medal, copper silvered, 38 mm. 6 National Rose Society, Dean Hole Memorial, 1905. Struck medal, silver, 32 mm. 7 Royal Agricultural Society of England, prize medal, 1902. Struck medal, bronze, 54 mm. 8 Royal Society, Buchanan medal, 1894. Struck medal, bronze, 54 nun. .9 Swimming, 1909. Struck medal, copper silvered, 51 mm. 1 238 RICHARD PLACHT Richard Placht, medalist (Austrian), was born in Kratzau, North Bohe- mia, in 1888. He studied in the Royal Academy of Arts in Vienna under the Austrian medalist Professor Joseph Tautenhayn. He received in 1901 the Gundel prize and in 1904 the gold Fiiger medal. Since 1904 he has been employed in the service of the State at the Imperial and Royal Mint. In 1908 he was elected a member of the Society of Arts in Vienna. Address, k. k. Miinze, Vienna III/3. 1 Alfred Ritter von Lindheim, zum 70. Geburtstage, 1906. Struck plaquette, bronze, 65 mm. 2 Bosnisch-Herzegowinische Erinnerungsmedaille, gestiftet von Kai- ser Franz Josef I, 1909. Obverse and reverse. Struck medal, bronze, 36 mm. 3 Der Graphische Club in Wien, Preismedaille, gestiftet 1908. Struck medal, bronze, 65 mm. 4 Dr. Eugen Nik. Lucius, Begrtinder der chem. Fabrik, Hochst am Main, Pr., 1903. Struck medal, bronze, 60 mm. 5 Eduard Fiala, Numismatiker in Wien, 1905. Struck medal, bronze, 45 mm. 6 Franz Sehistek, 1854-1907, Belgrad. Medal, galvano. 7 Freiherr und Freifrau Bachofen von Echt, an Anlass ihrer goldenen Hochzeit, 1909. Obverse and reverse. Struck medal, bronze, 50 mm. 8 The same. Cast medallion (single), model for the above, bronze, 175 mm. (unique). 9 Friedrich Ludwig Jahn, fur den Akad. Turnverein, Wien. Struck plaquette, bronze, 51 mm. 10 Fiirst Carl Kinsky, President d. Jockey-Club f. Oesterreich, 1908. Obverse and reverse. Struck plaquette, bronze, 105 mm. 11 Grossindustrieller Prosper von Piette-Rivage, zum 60. Geburtstage, 1906. Obverse and reverse. Struck plaquette, bronze, 60 mm. 12 Guido Rotter, Griinder der Studentenherberge, 1908. Struck pla- quette, bronze, 75 mm. 13 Hofrat Dr. Viktor Mucha, Direktor des allgemeinen Krankenhauses in Wien, 1909. Struck plaquette, bronze, 65 mm. 239 /'/ Julius E. Thausing, Brauereitheoretiker, Wien, 1909. Struck medal, bronze, 50 mm. Jj K. k. Hauptmiinzamt, Wien, 1907. Obverse and reverse. Struck medal, bronze, 00 mm. 16 Xeu jahrsplakette, “Heil 1910.” Struck plaquette, bronze, 59 mm. 77 Oscar Ritter von Keller, Statthaltereirat, Wien, 1907. Obverse and reverse. Struck plaquette, bronze, 65 mm. IS Regierungsrat Dr. Rudolf Sonndorfer, Wien, 1905. Struck pla- quette, bronze, 60 mm. 19 Studienkopf, Christus, 1903. Cast medal, bronze, 165 mm. (cast in several copies as a “study”). 20 Studienkopf, Madehen, 1903. Struck medal, bronze, 130 mm. 240 10 CARL POELLATH (INHABER GG. GREINER), GRAVIER-ANSTALT, SCHROBENHAUSEN, UPPER BAVARIA, GERMANY (Loan Exhibition) RUDOLF BOSSELT Sculptor, medalist (German), Diisseldorf 1 Ernst Ludwig, Grossherzog von Hessen, 1901. Struck medal, bronze, 60 mm. 2 Friih iibt sich wer ein Meister werden will, 1904. Struck plaquette, bronze silvered, 62 x 32 mm. 3 Gartenbau, 1904. Struck medal, bronze, 60 mm. 7 Handel, 1904. Struck plaquette, bronze silvered, 69 x 42 mm. 5 Liebe und Treue, 1904. Struck plaquette, bronze, 39 x 59 mm. 6 Marchen, 1904. Struck plaquette, bronze, 42 x 62 mm. 7 Viel Gluck, 1906. Struck plaquette (octagonal), bronze, 65 x 65 mm. FRITZ CHRIST Sculptor, medalist (German), Munich 8 Berg Heil, or Hochtouristik, 1904. Struck medal, bronze, 60 mm. 9 Friedrich Schiller, 1904. Struck medal, bronze silvered, 60 mm. 10 Wintersport, 1904. Struck plaquette, bronze, 60 x 44 mm. MAX DASIO Painter, medalist (German), Munich 11 A. Dasio, Mutter des Kiinstlers, 1907. Cast medal (obverse cut nega- tive in plaster, reverse cut positive in boxwood), bronze, 70 mm. 12 Bavaria. Original model in plaster. 13 Cosmas Leyrer, 1908. Cast medal (double), bronze, 70 mm. l'i Das gauze Leben, 1908. Cast medal (double), bronze, 67 mm. 15 Diana. Obverse. Original model in boxwood (cast medal, bronze, obverse cut positive in boxwood, reverse in Solnhofer stone, 70 mm.) . 16 Franz Reber, 1909. Cast medal (double), bronze, 70mm. 17 Franz Josef Haydn, 1910. Cast medal (double), bronze, 70 mm. 18 Leo Samberger, 1908. Cast medal, bronze (obverse cut negative in plaster, reverse cut positive in Solnhofer stone), 70 mm. 19 Madonna. Original model in boxwood (cast medal, bronze). 20 25-Pfennig Stuck (Kronen und Adler), 1909. Obverse and reverse. Nickel. " 242 21 St. Michael. Original model in steatite (cast medal, bronze). 22 Xaver Dasio, 1908. Cast medal (double, original cut negative in plaster), bronze, 70 mm. 23 Zeus. Original model in boxwood (cast medal, bronze). LUDWIG EBERLE Sculptor, medalist (German), Munich 24 Internationale Luftschifffahrtsausstellung in Frankfurt a. M., Offi- zielle Medaille, 1909. Cast medal (double, modeled in actual size), 85 mm. 25 Same subject, 1909. Struck medal, bronze, 43 mm. WILHELM GOETZE Sculptor, medalist (German), Darmstadt 26 Eleonore, Grossherzogin von Hessen, 1907. Struck plaquette, bronze silvered, 63 x 75 mm. 27 Ernst Ludwig, Grossherzog von Hessen, 1908. Cast plaquette (sin- gle), bronze, 63 x 75 mm. ANTON GRATH Sculptor, medalist (Austrian), Vienna 28 Ernst Haeckel, 1909. Struck medal, bronze, 60 mm. 29 Franz Grillparzer, 1909. Struck medal, bronze, 60 mm. 30 Franz Liszt, 1909. Struck medal, bronze, 60 mm. 31 Friedrich Nietzsche, 1909. Struck medal, bronze silvered, 60 mm. 32 Kaiser Franz Josef 1, 1908. Cast plaque (octagonal, single, modeled from nature, and cast from the original model, i.e., not reduced), bronze, 109 x 109 mm. 33 Same subject, 1909. Struck medal, bronze, 70 mm. 34 Prinz Otto von Bismarck, 1908. Struck medal, bronze silvered, 60 mm. 35 Richard Wagner, 1908. Struck medal, bronze, 60 mm. DANIEL GREINER Sculptor, medalist (German), Jugenheim 36* J. S. Bach, 1908. Cast plaquette (single, modeled in actual size), bronze, 73 x 77 mm. 37 Kath. Merseburger, 1908. Cast medal (single, modeled in actual size), bronze, 85 mm. 38 Max Merseburger, Leipzig, 1908. Cast medal (single), bronze, 95 mm. 243 39 Otto Grandhomme, 1908. Cast medal (single), bronze, 80 mm. 40 Rembrandt, 1908. Cast medal (double), bronze, 80 mm. 41 Rhinozerus, 1908. Cast plaquette (single, reduced), bronze, 80 x 59 mm. 42 Selbstportral, 1908. Cast medal (double, modeled in actual size), bronze, 90 mm. 43 Wittwe, 1908. Cast plaquette (single, reduced), bronze, 110 x 132 mm. 44 Wolfgang Goethe, 1909. Struck medal, bronze, 50 mm. HERMANN HAHN (Cf. p. 120) 45 Franz von Lenbaeh, 1905. Struck medal, bronze, 70 mm. FRITZ HORNLEIN (Cf. p. 130) 46 Kinderkopfchen, 1909. Struck medal (dies cut by hand), bronze, 50 mm. 47 M. E. S. V., Preisplakette, officielle. Struck plaquette, bronze, 70 x 60 mm. HUGO KAUEMANN (Cf. p. 154) 48 Max Liebermann, 1905. Struck plaquette (octagonal), bronze, 73 mm. 49 Numismatik, 1905. Struck medal, bronze silvered, 60 mm. 50 25-Pfennig Stuck (Merkur, II. Preis der Deutschen Reichsconcur- renz), 1909. Nickel. 51 S. Iv. Hoheit Prinzregent Luitpold von Bayern, 1904. Struck medal, bronze gilt, 70 mm. 52 Unterrichtswesen, Der Samann, 1905. Struck medal, bronze, 59 mm. HENRI IvAUTSCH (Cf. pp. 157, 223) 53 Alpine, 1903. Struck plaquette, bronze silvered, 54 x 79 mm. 54 Automobil, 1903. Struck plaquette, bronze silvered, 54 x 79 mm. 55 Franz von Lenbaeh, 1903. Struck plaquette, bronze, 61 x 86 mm. 56 Hubertus, 1905. Struck medal (oval), bronze, 61 x 75 mm. 57 Margo Lenbaeh, 1905. Struck medal, bronze, 60 mm. ALEXANDER KRAUMANN (Cf. p. 169) 58 Liebe, 1905. Struck plaquette, bronze silvered, 36 x 65 mm. 59 25-Pfennig Stuck (Adlerkopf, III. Preis der Deutschen Reichskon- kurrenz), 1909. Reverse (Aehren). Nickel. 244 CARL POELLATH 60 Wettfliegen, Erinnerung an die I. L. A., Frankfurt a. M., 1909, offi- zielle. Struck plaquette (octagonal), bronze silvered, 45 x 45 mm. 61 Motorballonfahrt, Parseval, I. L. A., 1909. Struck medal, bronze, 45 mm. WILHELM OSKAR PRACK Sculptor, medalist (German), Frankfurt a. Main 62 Friedrich Schiller, zum 100. Todestag, 1805-1905. Cast medal (double), bronze, 88 mm. 63 I. L. A., Preismedaille, 1909. Struck medal (obverse by reducing- machine, reverse cut by hand by Firma C. Poellath after a design by W. 0. Prack), bronze, 70 mm. 64 Same subject. Struck medal, bronze, 50 mm. 65 Schwebende Welt, I. L. A., Frankfurt a. M., 1909. Struck medal, bronze, 60 mm. GEORG ROEMER (Cf. p. 261) 66 Allerseelen, 1905. Struck medal (dies cut by hand), bronze sil- vered, 44 mm. 67 Erntezeit, 1904. Struck medal (dies cut b}^ hand), bronze silvered, 44 mm. 68 Fruhling, 1904. Struck medal (dies cut by hand), bronze, 44 mm. 69 Weihnaehten, 1904. Struck medal (dies cut by hand), bronze, 42 mm. HANS SCHAEFER (Cf. p. 291) 70 Triumph des Weibes, 1908. Struck plaquette, bronze, 59 x 91 mm. BALTHASAR SCHMITT Sculptor, medalist (German), Munich 71 Edelweiss, 1909. Struck medal (dies cut by hand), bronze, 22 mm. 72 Jugend, 1908. Struck medal (dies cut by hand), bronze silvered, 24 mm. 73 Oberammergau, 1909. Struck medal (dies cut by hand), bronze, 41 mm. 74 25-Pfennig Stuck (Adler mit Brustschild), 1909. Reverse (Aehren). Nickel (dies cut by hand). HANS SCHWEGERLE Sculptor, medalist (German), Munich 75 Eduard Heintz, 1909. Cast medal (single), bronze, 120 mm. 76 Ernst Gloeckner, 1908. Cast medal (single), bronze, 108 mm. 7 7 Kva Jonas, 1908. Cast medal (single), bronze, 103 mm. 7 cV Frau Schxvegerle, 1909. Cast medal (single), bronze, 92mm. 7.9 Gauklerlag, 1909. Cast medal (double), bronze, 29 mm. SO 1 Ians Prinzhorn, 1908. Cast medal (single), bronze, 102 mm. 81 llarro, Freiherr von Zeppelin, 1909. Cast medal (single), bronze, 97 mm. 82 Hermann Sehwegerle, 1908. Cast medal (single), bronze, 93 mm. 83 .liingling mit Eule, 1908. Cast medal (double), bronze, 30 mm. S3 Kinderkopfchen, 1909. Cast medal (double), bronze, 23 mm. 85 Paula Heintz, 1909. Cast medal (single), bronze, 117 mm. 86 Pegasus, 1909. Cast medal (double), bronze, 63 mm. 81 Petrus, 1909. Cast medal (double), bronze, 30 mm. 88 Walpurgisnacht, 1909. Cast medal (double), bronze, 64 mm. 89 Zittau, Erinnerungsmedaille an das 200-jahrige Bestehen des Kgl. Sachs. 3. Inf. Regt., No. 102, Luilpold Prinzregent von Bayern, 1709-1909. Cast medal, bronze, 80 mm. 90 Same sub ject. Struck medal, bronze silvered, 38 mm. LOUISE STAUDINGER Sculptor, medalist (German), Berlin 91 Immanuel Kant, 1908. Struck plaquette, bronze, 43 x 60 mm. 92 Weibl idler Akt, 1908. Struck plaquette (semicircular), bronze, 44 x 38 mm. HEINRICH WADERE Sculptor, medalist (German), Munich 93 Ehe, 1905. Struck medal, bronze, 60 mm. 93 Firmungstaler I, 1905. Struck medal, bronze silvered, 60 mm. 95 Firmungstaler II, 1905. Struck medal, bronze silvered, 60 mm. 96 Priesterweihe, 1905. Reverse. Struck medal, bronze, 60 mm. MAX WIESE Sculptor, medalist (German), Charlottenburg 97 Theodor Fontane, 1907. Struck plaquette, bronze silvered, 42 x 62 mm. GEORG WRBA Sculptor, medalist (German), Dresden 98 Alfred Messel, 1905. Struck medal, bronze, 58 mm. 99 Georg Graef, 1905. Struck plaquette, bronze, 48x56 mm. 100 Georg Leinfelder, 1905. Struck medal, bronze, 60 mm. 246 ie », bronze, 103 mm. 1 1 < single), bronze, 92 mm-. ie ), bronze, 29 mm. (single), bronze, 102mm. ist m single), bronze. «V.V : iinJ a: ££ Par!.* Si- Pegu : Petrus, ) • . Waijtiu > Zilt »i 'K) So I se » medal (single), bronze, 93 mm. dal (double), bronze, 30 mm. e < t! (double), bronze, 23 mm. i s i n gl e ) , bro n«e, 117 mm . mm*' ), bronze, 63 mm. . > ; .e bronze, 30 mm. ■ m 'al (double), bronze, 64 mm. ! 2« M i ja hrige Bestehen des Kgl. Dg 102, Lui If Prmzregent von Bayern, a I, bronze, 80 mm. : i dal, bronze silver* d, 38 mm. 91 In 0.2 W SG STAGDING) R ts S< ulpNir, medalist (German), Berlin S8 1908. Struck plaquette, bronze, 43 x 60 mm. Struck plaquette (semicircular), bronze, 9£ HEINRICH WADERE ulptor, medalist (German), Munich vim medal, abronze, 60 mm. or Struck medal, bronze silvered, 60 mm. G 1905. Struck medal, bronze silvered, 60 mm. .). Reverse. Struck medal, bronze, 60 mm. \fe\X WIESE 59 ‘iii ■! di.st (German), Charlottenburg ’ Si i uck plaquette, bronze silvered, 42 x "9 99 8 GEORG WHUA »i . * j !••< h* ’ jsi (German ), Dresden -it ire. Sal, bronze, xf>8 mm. bfM plaquette, bronze, 48 x 56 mm. * Snatch medal, bronze, 60 mm. 246 Nos. 1, 3, 5, 6, 10, 22, 25, 27, 29, 32, 41, 4 = 3 , 46, 47, 48, 55, 64, 65, 66, 67, 70, 93, 96, 98, 99 247 Xos. 9, 11, 17, 20, 28, 30, 35, 36, 38, 39, 40, 44, 45, 50, 58, 62, 68, 71, 73, 74, 90, 91, 97 248 Vl'V- 58 08 S9 31 oe II 35 *8 88 80 72 85 12 19 01 68 05 IT 51 001 II 95 85 30 *6 e9 18 15 44 8 SI 97 T8 ei 74 T8 88 4 51 95 ^ e-t- 89 09 59 25 09 91 92 Nos. 2, 4, 7, 8, 12, 15, 16, 19, 23, 26, 31, 33, 37, 49, 51, 52, 53, 54, 56, 57, 59, 60. 63, 69, 72, 79, 87, 94, 95 LUDOV! l ( M iLIAGHI Ludovico Pogliaghi, sculptor, in .vi (Italian), lives iu Milan ar.-l is em- ployed in the well-known firm < v.< Cano Johnson. Aiming If s man; pro- ductions are the enormous br central portals for the Milan cathedral. 3T Address, Milan, Italy. 68 ±S 1 Bonta, targa presen tata a Camillo Boito, Architetto di Milano, 1909. Cast plaque (single), bronze, 43 x 22 cm 2 Cristoforo Colombo, 1892. Obverse an 1 reverse. Struck medal, modeled by L. Pogliaghi, engraved by A. Cappuccio, bronze, 100 mm 3 The. same. Cast medallion (singh ° d 30 cm. i Deita Tutelare d’un Fiume. Cast medallion (single f bronze, 40 cm. LB 2G 5 Forza, targa presentata a Camillo Boito, Architetto di Milano 1908. Cast plaque (single), O use, 43x22 cm. 6 Francia ed Italia, 1909. Cast medallion (single), bronze, 40 cm. 7 Gara d! 8 Tiro a Segno Nazionale in Roma, Prei&io, 1890. Struck medal, modeled by L. Pogliaghi, engraved by A. Cappuccio, 52 mm. 8 Giubileo (50 am#) della Fondazione de||’ Associazione per le Belle Arti in Milano, 1893. Struck medal, bronze, 60 mm. 9 Messina, 1908. Cast medaiypn (single), bronze, 34 cm. 10 Vergine, 1900. Struck plaquette, bronze, 110 x80 mm. 1 Nos. 1-10 were loaned by Stabilimento Stefano Johnson, Milan. 251 70 24 89 80 42 77 92 81 61 78 82 83 14 84 85 75 86 18 13 88 LUDOVICO POGLIAGHI Ludovico Pogliaghi, sculptor, medalist (Italian), lives in Milan, and is em- ployed in the well-known firm of Stefano Johnson. Among his many pro- ductions are the enormous bronze central portals for the Milan cathedral. Address, Milan, Italy. 7 Bonta, targa presentata a Camillo Boito, Architetto di Milano, 1909. Cast plaque (single), bronze, 43 x 22 cm. 1 2 Cristoforo Colombo, 1892. Obverse and reverse. Struck medal. modeled by L. Pogliaghi, engraved by A. Cappuccio, bronze, 100 mm. 3 The same. Cast medallion (single), bronze, model for the above, 30 cm. 4 Deita Tutelare d’un Fiume. Cast medallion (single), bronze, 40 cm. 5 Forza, targa presentata a Camillo Boito, Architetto di Milano, 4908. Cast plaque (single), bronze, 43 x 22 cm. 6 Francia ed Italia, 1909. Cast medallion (single), bronze, 40 cm. 7 Gara di Tiro a Segno Nazionale in Roma, Premio, 1890. Struck medal, modeled by L. Pogliaghi, engraved by A. Cappuccio, 52 mm. 8 Giubileo (50 anni) della Fondazione dell’ Associazione per le Belle Arti in Milano, 1893. Struck medal, bronze, 60 mm. 9 Messina, 1908. Cast medallion (single), bronze, 34 cm. 70 Vergine, 1900. Struck plaquette, bronze, 110 x80 mm. 1 Nos. 1-10 were loaned by Stabilimento Stefano Johnson, Milan. 251 6 4 9 252 KATHERINE T. PRESCOTT (Mrs. Harry L. Prescott) Katherine T. Prescott, sculptor (American), was born in Biddeford, Maine. She has studied and worked exclusively in America. She is a mem- ber of the Boston Art Students’ Association and of the Copley Society of Boston. She has exhibited at the New Gallery, London, and at the leading exhibitions in America, as the National Sculpture Society, the National Academy of Design of New York, the Academy of Fine Arts, Philadelphia, and the Copley Society of Boston, for the past fifteen years. She makes a specialty of portraits in low relief. She has had studios in Boston and in New York, and is now in Chicago. Address, 1616 East 55th Street, Chicago, 111 . 1 Harry Forbes Prescott. Plaquette in plaster, 165 x114mm. (also, cast bronze). 2 Joseph Jefferson. Plaque in plaster, 21.6x16.5 cm. (also, cast bronze). 3 Ralph Waldo Emerson. Medallion (oval) in plaster, 152 x 114 mm. (also, cast bronze). 4 Sir Henry Irving and Ellen Terry. Plaque in plaster, 20.3 x 17.8 cm. (also, cast bronze). GEORGES HENRI PRUD’HOMME Georges Henri Prud'homme, medalist (French), was born in Cap-Breton (Landes), France. Pupil of Falguiere and of Alphee Dubois. Has received a medal of the third class from the Societe des Artistes Francais in 1904. Works: La Source, plaquette; Maurice Fame; D' Paul Riche; La Fileuse; Meditation; Bonnes Femmes Allant a la Messe; Jean Monnier; Le Novice; Benedicite; Gustave de Blonaij (1900); Tercentenaire de I’Edit de Nantes (1898). Address, 109 rue de Sevres, Paris. 1 Alphee Dubois, 1906. Medal, galvano bronzed, 150 mm. (cast (sin- gle) bronze, 150 mm.). 2 Caisse d’Epargne de La Rochelle, 1904. Obverse and reverse. Pla- quette, galvano silvered, 120 x90 mm. (cast (single) 120x90 mm.; struck, 63 x 48 mm.). 253 3 Conseil Municipal de La Rochelle, 1902. Struck plaquette, bronze, 03 x 45 mm. 7 Coneours de Facades de la \ i 1 le de Paris, 1908. Struck plaquette, bronze, 73 x 59 mm. 5 Docteur Antoine Florand, 1905. Plaquette, galvano silvered, 120 x 90mm. (cast (single) bronze, 120x90mm.). (y Docteur J. 13. Duguet, 1903. Struck plaquette, bronze, 60 x 47 mm. (cast (single) bronze, 120x80mm.). 7 Docteur V. Hanot, 1906. Struck plaquette, bronze, 57 x 48 mm. 3 Georges Veyrat, 1907. Plaquette, galvano silvered, 120 x 100 mm. (cast (single) bronze, 120x100mm.). .9 Maurice Fame, Senateur, 1906. Struck medal, bronze, 63 mm. 10 Professeur A. Gilbert, Docteur en Medecine, 1906. Struck plaquette, bronze, 71 x 52 mm. 11 Professeur Paul Bar, Docteur en Medecine, 1908. Struck plaquette, bronze, 62 x 50 mm. 12 Senateur Frederic Desmons, 1909. Struck plaquette, bronze, 69 mm. (cast (single) bronze, 190x150mm.). 13 Vierge aux Lys, 1904. Plaque, galvano silvered (cast (single) bronze, 26 x 12.5 cm.). I'i Yille de Paris, 1900. Medal, galvano, 120 mm. (cast (single) bronze, 120 mm., 1901; for struck medals with this obverse, cf. F. Maze- rolle, “G.-H. Prud’homme,” Nos. 2, 12, 13). Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 254 CAROL! Ni HUNT RIMMER Caroline Hunt Rimmer,' sculptor, medalist (American), was born dolph, Massachusetts, in 1851. She is the daughter of Dr. William Rimmer ; 1816-79), who was from 1866 to 1870 director of the School of Design of die Cooper Institute, lecturer on art at the Lowell Institute, I tarvard l niver- ' dy, and the National Academy of Design, the sculptor of St. Stephen. o>r is The Falling Gladiator, and Alexander Hamilton, and the author of “Lie ments of Design” and of “Art Anatomy.” She studied under her father, i ceeiving a silver medal while at the Cooper Institute. She received honor- able mention for work sent to the World’s Fair at Chicago, 1893; also honor- able mention for bronze vases sent to Paris Exposition, 1900. She is the author of “Figure Drawing for Children” (Boston, 1893), and a - , Drawing: A Series of Thirteen Plates with Descriptive e r Address, Belmont, Massachusetts, and 4- .v : -Mi- 1 Dr. William and Mary H. C. Rimmer (parents of the artist), 1910. Obverse and reverse. Medallion in plaster, 26.7 cm. 2 Adeline Eunice Wilson, In Memory, 1901. Obverse and reverse. Medallion in plaster, 152 mm. 3 Psyche and Mors (Death driven away by the Soul) , 1910. Medallion in terra-cotta, 171 mm. h Sketch A, Flying Cloud, 1901. Medal in terra-cotta, 70 mm. 5 Sketch B, The Cherub’s Crown, 1901. Medal in terra-cotta, 102 mm. 6 Sketch C, A Benefactor, 1910. Medallion imterra-cotta, 152 mm. t 7 Tablet, in memory of Adeline Rimmer Durham, 1910. Plaquette (lozenge-shaped ) in terra-cotta, 140 x 102 mm. 21 H » it ^ il de La i ■< • 1902. Struck plaquette, bronze, i' - f .'s de hi \ i Paris, 1908. Struck plaquette, > ’ I . * q u cite, galvano silvered, 120 x ■a •- > 1 i oiize. 120 x 90 mm.). . •• ; L Si ruck plaquette bronze, 60 x 47 mm. i, , 120 x (SO mm.). Struck plaquette, bronze, 57 x 48 mm. PI juetle, galvano silvered, 120 x 100 mm. 20 x 100 mm.). • -i. Struck medal, bronze, 63 mm. n Medecine, 1906. Struck plaquette, * • i < 1 i i / i : < $ * \ . » . * < U ) ) t „ V v-. it. Paul i •••.•iciu cn Mcde -ine, 1908. Struck plaquette, bronze, 62 x 50 mm. 72 Sr. i :0c i r Fn'dc \c Desmoris, 1909. Struck plaquette, bronze, 69 mm. , «, t, k. y, io, it, i a.’ is, 11 CAROLINE HUNT RIMMER Caroline Hunt Rimmer, sculptor, medalist (American), was born in Ran- dolph, Massachusetts, in 1851. She is the daughter of Dr. William Rimmer (1816-79), who was from 1866 to 1870 director of the School of Design of the Cooper Institute, lecturer on art at the Lowell Institute, Harvard Univer- sity, and the National Academy of Design, the sculptor of St. Stephen, Osiris, The Falling Gladiator, and Alexander Hamilton, and the author of “Ele- ments of Design” and of “Art Anatomy.” She studied under her father, receiving a silver medal while at the Cooper Institute. She received honor- able mention for work sent to the World’s Fair at Chicago, 1893; also honor- able mention for bronze vases sent to Paris Exposition, 1900. She is the author of “Figure Drawing for Children” (Roston, 1893), and of “Animal Drawing: A Series of Thirteen Plates with Descriptive Text” (Roston, 1895). Address, Relmont, Massachusetts, and 4 St. Botolph Studios, Boston. 1 Dr. William and Mary Id. C. Rimmer (parents of the artist), 1910. Obverse and reverse. Medallion in plaster, 26.7 cm. 2 Adeline Eunice Wilson, In Memory, 1901. Obverse and reverse. Medallion in plaster, 152 mm. 3 Psyche and Mors (Death driven away bj^ the Soul ) , 1910. Medallion in terra-cotta, 171 mm. 4 Sketch A, Flying Cloud, 1901. Medal in terra-cotta, 70 mm. 5 Sketch B, The Cherub’s Crown, 1901. Medal in terra-cotta, 102 mm. 6 Sketch C, A Benefactor, 1910. Medallion in terra-cotta, 152 mm. 7 Tablet, in memory of Adeline Rimmer Durham, 1910. Plaquette (lozenge-shaped) in terra-cotta, 140 x 102 mm. 255 3 6 256 ANNE GREGORY VAN BRIGGLE RITTER (Mrs. Etienne Ritter) Anne Gregory Van Briggle Ritter, painter (American), was born in Plattsburg, New York. She studied painting for five years under Charles Melville Dewey, and for some years in Paris and in Berlin. In 1900 she went to Colorado Springs, where she assisted her husband in making pot- tery. She has exhibited both paintings and pottery in the Salon and also in New York, Philadelphia, Boston, Chicago, and St. Louis. She was awarded a bronze medal for pottery in the Fine Arts Exhibit at St. Louis. She is a member of the National Society of Craftsmen, master craftsman in the Boston Society of Arts and Crafts, member of the New York Keramic Society, associate member of the American Ceramic Society and of the American Federation of Arts. At present she devotes herself to designing and making pottery and tiles for interior and exterior use. Address, 1712 North Nevada Avenue, Colorado Springs, Colorado. 1 Decorative landscape panel. Terra-cotta (glazed). LOUIS AUGUSTE THEODORE RIVIERE (Theodore Riviere) Louis Auguste Theodore Riviere, sculptor (French), was born in Tou- louse in 1851. Pupil of Jouffroy, Falguiere, and Mercie. 1890-93 instruc- tor at the Lycee, Carthage (Tunis). Member of Societe des Artistes Francais since 1889. He was made officer of the Legion of Honor in 1906. Works: La Mnsiqne; Orientale; Salammbd chez Matho, bronze and ivory, Musee de Luxembourg; portrait statuettes; Pasteur, Metchnikoff, 0. Roll], A. Mariani, Claret ie. Mistral, de Heredia, etc.; Les Deux Douleurs, marble, 1903; Statue du roi d’Annam, 1903; La Vie, group, 1906; Les Parques; Triomphe des Courtisanes, ivory group, belonging to Mine. Paquin; Bac- chus, ivory statuette, both at Paris Salon, 1910. Address, 99 rue Mozart, Paris. 1 Frederic Mistral. Bronze statuette. 2 La Danse Voilee. Bronze statuette. 3 Le Silence. Bronze statuette. '/ Messe de Minuit. Gray marble statuette. 3 Porteuses d’Offrandes Cambodgiennes. Bas-relief in bronze and gilt. 6 Portrait d’un Amateur. Bronze statuette. 7 Saint a l’Aine. Bronze statuette. S Souvenir d’Alexandrie. Marble statuette. 5 PIERRE ROCHE Pierre Roche, sculptor, medalist (French), was born in Paris. He was a pupil of Roll and of Dalou. He is an associate sculptor of the Societe Na- tional des Reaux-Arts, and member of the permanent jury of the city^ of Paris at the Musee Galliera. He received a silver medal during the Paris Exposition of 1900. In decorative sculpture and design he has made some interesting essays in the art moderne style. Among his best-known works are the fountain Avril , Musee Galliera, and YEffort in the garden of the Luxembourg, Paris. His medals are exhibited at the Luxembourg and the Petit Palais. Address, 25 rue Vaneau, Paris. 1 Aigle, 1905. Cast plaquette, lead bronzed, 95 x 110 mm. 2 Centauresse, 1897. Cast plaquette, lead bronzed, 65x112 mm. 3 Femme Volante, 1908. Cast plaquette, lead bronzed, 117 x 95 mm. 4 L’Innocence Lutte eontre le Vice et la Violence, 1896. Cast pla- quette, lead bronzed, 100 x 100 mm. 5 Lion, 1905. Cast plaquette, lead bronzed, 110 x 110 mm. 6 Lo'ie Fuller (medal of the Societe des Amis de la Medaille Fran- caise), 1900. Reverse. Cast medal, lead bronzed, 71 mm. 7 Melusine, 1900. Cast medal, lead bronzed, 71 mm. 8 Portrait d’Enfant, Louis, 1887. Cast plaquette, lead bronzed, 100 x 100 mm. 9 Souhaits Nouveaux. Cast plaquette, lead bronzed, 90 x 50 mm. 10 St. Jean, 1902. Cast plaquette, lead bronzed, 120 x 120 mm. 11 Vierge et Enfant, 1890. Cast plaquette, lead bronzed, 150 x 110 mm. 6 259 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 10 260 GEORG ROEMEB >rg Roemer, sculptor, medalist (Germ a : studied in Dresden, Berlin, and*! 'a* •rence, where he lived for l.weivt yea; n icli. He is well krfown by his mm inis and portraits. His princi beck, Berlin, Munich, and Rom IS 01 G 1 Allerseelen, 1905. Obvt rsi <•. . i d (dies cut by hand), copies in bronze, bronze silvered, and silver, 44mm. 2 Deutsches Bundesschiessen, Mu mhci 1906 Struck me b,d • r e 3 The same. Oi > v 1 1 s< , . • silver gilt android - 4 Erntezeit, 1901. * #t >\ g hand), copi< s , :■# 3 Franz Schuette, 1906. Cast medal * silver, 70 mm. 0 Friihling, 1904. Obverse and reverse. Struck medal (dies cut b\ hand), bronze, i>ronze silvered, and silver, 44mm. 7 Herzog Georg von Sachscn-Mein inge n. !!'«'“ k ms • ••• . ; Cast medal (-double, modeled : in bronze, 59 mm. 8 Vita Beata, 1906. Cast medal (double, * i/e o sil- ver, 68 mm. 9 Weihnachten, 1904. Obverse and rex cr I medal (dies cut by hand), copies in silver and in bronze, ki me.. 260 GEORG ROEMER Georg Roemer, sculptor, medalist (German), was born in Bremen, 1868. He studied in Dresden, Berlin, and Paris, and went thence to Rome and Florence, where he lived for twelve years. Since 1904 he has resided in Munich. He is well known by his many works in stone and bronze, his medals and portraits. His principal works are in Bremen, Hamburg, Liibeck, Berlin, Munich, and Rome. 1 Allerseelen, 1905. Obverse and reverse. Struck medal (dies cut by hand), copies in bronze, bronze silvered, and silver, 44 mm. 2 Deutsches Bundesschiessen, Mtinchen, 1906. Obverse and reverse. Struck medal (dies cut by hand), silver, 38 mm. 3 The same. Obverse and reverse. Struck medal (dies cut by hand), silver gilt and gold, 27 mm. 4 Erntezeit, 1904. Obverse and reverse. Struck medal (dies cut by hand), copies in bronze, bronze silvered, and silver, 44 mm. 5 Franz Schuette, 1906. Cast medal (double, modeled in actual size), silver, 70 mm. 6 Friihling, 1904. Obverse and reverse. Struck medal (dies cut by hand), bronze, bronze silvered, and silver, 44mm. 7 Herzog Georg von Sachsen-Meiningen, 1907. Obverse and reverse. Cast medal (double, modeled in actual size), copies in silver and in bronze, 59 mm. 8 Vita Beata, 1906. Cast medal (double, modeled in actual size), sil- ver, 68 mm. 9 Weihnachten, 1904. Obverse and reverse. Struck medal (dies cut by hand), copies in silver and in bronze, 42 mm. 261 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9 262 J. ED(d \RD ROINE J. Edouard Roine, sculptor, medalist (American) was born in Nantes, France. Pupil of Leopold Maurice and of Char:! oil. Came to America in 1881, and returned to France in 1898, where r • hibited in the Paris Salon, receiving mention; the following year he wa- awarded the first medal at the Paris Exposition. Some of his wot ' art at the Luxembourg, Paris; others at the Metropolitan Museum in New York; he is also represented al Berlin, Venice, etc. Member of the National Sculpture Society. Address, Roine, Weil & Co., 139 East Twenty-third Street, New York City. 1 Abraham Lincoln, 1908. Struck medal, bronze, 63 mm. 2 Algernon Sydney Sullivan, 1907. Struck plaquetjie, bronze, 89 x 61 mm. 3 Amour Divin, 1908. Medallion, galvano silvered, 20 cm. 4 “Aux Armes, Citoyens,” La 3 Marseillaise, 1900. Struck medal, sil- ver, 50 mm. 5 Bapteme, 1900. Plaquette, galvano si) vend. 100 x67 mm. 6 Benedicite. 1907. Plaquette galvano silvered, 94 7 Centenary of the Establishrm , of the Catholic . York, 1909. Obverse and re *. - Struck medal, silve , 8 The same. Reverse. Medallion h I er, model, 33.4 cm. 9 Exposition Universelle de ?aris, 1 : . d’apres line compo- sition de Besnard) (medal of the Soei< Fran, des Amis de la S Med.). Obverse and reverse. Struck 8 c. bronze, 55x68 mm. (cliches). 10 The same. Obverse and reverse. Plaque, galvano slivered, 21 x 30 cm. 11 Femme sur une Globe. Medallion (oval), galvano silvered. : -odk ; for a jewel-box, 27 x 18 cm. 12 Fiancailles, 1900. Obverse and reverse. Medal, galvano silvered, 120 mm. 13 Floreal, 1900. Struck plaquette m (agonal), silver, 40 x 35 mr u 74 Grover Cleveland, 1908. Struck plaquetle, silver, 90 x 78 mm. (cast (single), bronze, model. 26.2x23.2 cm.). 15 Honneur de la Patrie, 1897. Struck plaquette, bronze," 56 x 35 mm. 16 Jour de Naissance. 1899. Struck medal, silver, 41 mm. 263 N '\ 2s J. EDOUARD ROINE J. Edouard Roine, sculptor, medalist (American), was born in Nantes, France. Pupil of Leopold Maurice and of Chantrou. Came to America in 1881, and returned to France in 1898, where he exhibited in the Paris Salon, receiving mention; the following year he was awarded the first medal at the Paris Exposition. Some of his works are at the Luxembourg, Paris; others at the Metropolitan Museum in New York; he is also represented at Berlin, Venice, etc. Member of the National Sculpture Society. Address , Roine, Weil & Co., 139 East Twenty-third Street, New York City. 7 Abraham Lincoln, 1908. Struck medal, bronze, 63 mm. 2 Algernon Sydney Sullivan, 1907. Struck plaquette, bronze, 89 x 61 mm. 3 Amour Divin, 1908. Medallion, galvano silvered, 20 cm. 4 “Aux Amies, Citoyens,” La Marseillaise, 1900. Struck medal, sil- ver, 50 mm. 5 Bapteme, 1900. Plaquette, galvano silvered, 100 x 67 mm. 6 Benedicite, 1907. Plaquette, galvano silvered, 94 x 70 mm. 7 Centenary of the Establishment of the Catholic Diocese of New York, 1909. Obverse and reverse. Struck medal, silver, 71 mm. 8 The same. Reverse. Medallion in plaster, model, 33.4 cm. 9 Exposition Universelle de Paris, 1900 (revers, d’apres une compo- sition de Besnard) (medal of the Societe Fran, des Amis de la Med.). Obverse and reverse. Struck plaquette, bronze, 55x68 mm. (cliches). 70 The same. Obverse and reverse. Plaque, galvano silvered, 24 x 30 cm. 77 Fennne sur une Globe. Medallion (oval), galvano silvered, model for a jewel-box, 27 x 18 cm. 12 Fiancailles, 1900. Obverse and reverse. Medal, galvano silvered, 120 mm. 13 Floreal, 1900. Struck plaquette (octagonal), silver, 40 x 35 mm. 74 Grover Cleveland, 1908. Struck plaquette, silver, 90 x 78 mm. (cast (single), bronze, model, 26.2x23.2 cm.). 15 Honneur de la Patrie, 1897. Struck plaquette, bronze, 56 x 35 mm. 16 Jour de Naissanee, 1899. Struck medal, silver, 41 mm. 263 y; Le Siecle Nouveau, 1900. Plaque, galvano silvered, 37.5x64.5 cm. JS Ligue des Droits de l’Homme, 1898. Struck medal, bronze, 50 mm. 19 Louis F. Rousseau, 1905. Plaque in plaster, 57 x 45.5 cm. 20 Madonna, 1897. Medal (oval), galvano silvered, 50 x 38 mm. 21 Marguerite Delpeeh, 1894. Plaque, galvano silvered, 24.5 x 15 cm. 22 Natalis Dies, 1897. Medal, galvano silvered, 80 mm. 23 Paul el Jean Delpeeh, 1902. Plaque, galvano silvered, 25 x 31.5 cm. 2i Perine Rome (mere de l’artiste), 1895. Medallion, galvano bronzed, 32 cm. 23 Sainte Genevieve, 1898. Plaquette, galvano silvered, 95 x 61 mm. 26 Souvenir du Mariage, 1900. Struck medal, silver, 41 mm. 27 V. Exposizione Internazionale d’Arte della Citta di Venezia, 1903. Obverse and reverse. Medal, galvano gilt, 120 mm. 19 264 265 LOUIS OSCAR ROTY oo Oscar Roty, sculptor, medalist (Frtm : tied in March, 1911. He entered t I . i painting. Liter he became a ■ He obtained the second gras Rome in 1875; medal of t A best class, bestowed for if; At the Universal Exposition - ■ Hie chevalier of the Legion of Honor ; 1: V officer in 1889; mem- (he Institute in 1888, taking the place of Berlin t, p pi , : From the commencement of du £ ‘■sited in the Institute A plain, his former " - cption was made : ■ ; -J ( the Salon, given • a ihe first time to an eng! v* minder of the Legion of Honor, officer of Public Instruction, and ■ and president of the Fraternite Artistique. M. Roty made himself a to collectors principally by his pl%quettes, a form neglected since to n aissance, and to the general public by the French coin La Semeuse, f < coins of Albert I, Prince of Monaco, and those of Chili and of II ,y! * RKS: two bas-reliefs, La Peinture and La M u mums of the windows of the Hotel de Ville, Paris; La Republique ■' e; L’ Amour Consolant V Humanite ; La Yiergc. etc. r. Mazerolle, “L. 0. Rot}-, Biographic el Catalogue de son (Euvre/ •ecoration, Apia I _ Q5 O Hr t Actes de Devouenient, 1 896. Struckgnedal, 27 mn^ Adolphe Brongniart : ' Obverse and reverse. Cast medal (double), bro s Agents de Chan gj !< i ’••(ruck medal, silver, 50 mm. Assemblee Gene? a : de la Compagnie Paris-Lvon- Mediterranec, i • die, silver, 45 x 59 mm. Association Praia des Sciences, 1890 Strut , medal, bronze s w LOUIS OSCAR ROTYf Louis Oscar Roty, sculptor, medalist (French), was born in Paris, 1846, and died in March, 1911. He entered the Ecole des Beaux-Arts in 1864 and studied painting. Later he became a pupil of the sculptor Augustin Du- mont. He obtained the second grand prize of Rome in 1872; the first grand prize of Rome in 1875; medal of the second class of the Salon of 1882; medal of the first class, bestowed for the first time on an engraver of medals, in 1885. At the Universal Exposition of 1889 he took the grand prize. He was made chevalier of the Legion of Honor in 1885, officer in 1889; mem- ber of the Institute in 1888, taking the place of Bertinot, copperplate-en- graver. From the commencement of the century, the medallic art had been represented in the Institute only by one artist. Through the initiative of M. Chaplain, his former instructor, who was then a member of that body, an exception was made in favor of M. Roty. He received the medal of honor of the Salon, given for the first time to an engraver, in 1907. He was Commander of the Legion of Honor, officer of Public Instruction, and founder and president of the Fraternite Artistique. M. Roty made himself known to collectors principally by his plaquettes, a form neglected since the Renaissance, and to the general public by the French coin La Semeuse, and the coins of Albert I, Prince of Monaco, and those of Chili and of Hayti. Works: two bas-reliefs, La Peinture and La Musique, executed for the tympanums of the windows of the Hotel de Ville, Paris; La Republique Casquee; L Amour Consolant VHumanite; La Vierge, etc. Cf. F. Mazerolle, “L. 0. Roty, Biographic et Catalogue de son CEuvre,” Art et Decoration, April, 1911. 1 Actes de Devouement, 1896. Struck medal, 27 mm. 2 Adolphe Brongniart, 1880. Obverse and reverse. Cast medal (double), bronze, 65 mm. 3 Agents de Change de Paris, 1898. Struck medal, silver, 50 mm. A Assemblee Generate des Actionnaires de la Compagnie Paris-Lyon- Mediterranee, 1901. Struck plaquette, silver, 45 x 59 mm. 5 Association Francaise pour l’Avancement des Sciences, 1890. Struck medal, bronze silvered, 68 mm. 267 6 Assurances Mutuelles de Rouen, 1895. Struck medal, bronze sil- vered, 68 mm. 7 Aux Combaltants de Nuits, 1894. Struck medal, bronze silvered, 50 mm. S Chambre de Commerce de Lyon, 1892. Struck plaquette (jeton, octagonal), silver, 41 x 41 mm. 9 Chambre de Commerce de Paris, 1894. Struck medal, silver, 50 mm. 10 Chambre de Commerce de St. Nazaire, 1893. Struck plaquette (jeton, octagonal), silver, 41 x 41 mm. 11 Charles Piet-Lataudrie, 1886. Obverse and reverse. Cast plaquette (double), bronze, 74 x 53 mm. 72 Chemin de Per de l’Est-Algerien, 1886. Cast medal (double), bronze, 99 mm. 13 Cinquaintaire de la Fondation de la Maison Christofle, 1893. Struck plaquette, bronze, 59 x 95 mm. 74 Club Alpin Francais, 1889. Struck plaquette, silver, 61 x 46 mm. 75 Colonel Laussedat, 1898. Struck medal, silver, 50 mm. 16 Commission d'Hygiene Publique, 1892. Struck medal, silver, 36 mm. 77 Compagnie des Bateaux Parisiens, 1899. Struck medal, silver, 32 mm. IS Y f Congees Penitent iaire International, 1895. Struck medal, bronze silvered, 50 mm. 7.9 Dr. Paul Brouardel, 1802. Struck plaquette, silver, 70x50 mm. 20 Dr. L. H. Farabeuf, 1899. Struck plaquette, bronze silvered, 61 x 43 mm. 27 Dr. Leon Gosselin, 1888. Obverse and reverse. Cast plaquette (double), bronze, 140 x 99 mm. 22 Dr. J. R. Lepine, 1901 . Struck plaquette, silver, 59 x 42 mm. 23 Dr. Charles Perier, 1897. Cast plaquette (double), bronze (struck, 60 x 43 mm.). 27 Ecole Franca ise d’Athenes, 1891. Struck medal, bronze silvered, 60 mm. 25 Emile Gaston Boutmy, 1896. Struck plaquette, bronze silvered, 60 x 43 mm. 26 The same. Obverse and reverse. Plaquette, galvano silvered. 27 Enseignement Secondaire des Jeunes Filles, 1884. Struck medal, bronze silvered, 68 mm. 268 28 Exposition Internationale de Chicago (1893), 1894. Struck pla- quette, silver, 50 x 58 mm. 29 Exposition Franchise de Moscou (1891), 1892. Struck medal, silver, 63 mm. 30 Exposition Universelle de Paris, 1900. Struck plaquette, silver, 51 x 36 mm. 31 Exposition Nationale et Coloniale de Rouen, 1896. Struck medal, silver, 27 mm. 32 Eudoxe Marcille, 1886. Cast plaquette (double), bronze, 75 x 56 mm. 33 Famille Engel, 1899. Struck plaquette, bronze silvered, 58 x 81 mm. 34 Georges Duplessis, 1886. Cast plaquette (double), bronze, 130 x 90 mm. 35 Gustave Adolphe Hirn, 1889. Cast medal (single), bronze, 98 mm. 36 The same. Obverse and reverse. Struck plaquette, bronze silvered, 61 x 46 mm. 37 Gustave Louis Dubar, 1901. Obverse and reverse. Struck plaquette, bronze silvered, 71 x 50 mm. 38 Henri Rouley, 1885. Struck medal, bronze, 66 mm. 39 Henri Loze, 1892. Obverse and reverse. Struck plaquette, silver, 59 x 43 mm. 40 Hibou, 1891. Struck medal, silver gilt, 21 mm. (also, 32 mm.). 41 Inauguration des Prisons de Fresnes-les-Rungis, 1900. Struck pla- quette, silver gilt, 59 x 80 mm. 42 Instruction Primaire, 1896. Struck medal, bronze silvered, 50 mm. 43 Jeanne, 1879. Cast plaquette (single), silver, 60 x 47 mm. 44 Jeanne d’Arc, 1896. Struck medal, bronze, 28 mm. (also, 50 mm.). 45 Jockey Club de Ruenos-Ayres, 1889. Struck plaquette (jeton, octag- onal), 27 x 27 mm. 46 Jnles Cambon, 1892. Reverse. Struck plaquette, bronze silvered, 59 x 43 mm. 41 Jules Eugene Lenepveu, 1881. Obverse and reverse. Cast medal (double), bronze, 69 mm. 48 Julien Girard, 1892. Struck plaquette, bronze, 59 x 43 mm. 49 L. A. Collin, 1892. Obverse and reverse. Struck plaquette, silver, 60 x 43 mm. 50 La Foi, 1887. Cast plaquette (single), bronze, 29.5 x 22.4 cm. 51 Same subject, 1887. Cast medal (single), bronze, 74 mm. 269 .32 L’Amour Cousolant 1'IIumanite, 1899. Struck medal (oval), silver gilt, 26 x 31 mm. ~)3 La Vierge, 1896. Struck medal (oval), silver gilt, 36x30 mm. 54 Leon Say, 1900. Obverse and reverse. Cast medal (double), bronze, 83 mm. 55 Louis Francois Marie Amedee de Boissieu, 1886. Cast plaquette (double), bronze, 73 x 52 mm. 56 Maison d’Education d’Auberive, 1885. Struck medal, bronze sil- vered, 45 mm. .3/ Marie Laurent, 1901. Struck medal, silver, 41 mm. 58 Maternite (Bapteme de J. G. Roty), 1893. Struck piece, silver gilt, 36 mm. (various reverses). 59 Mathieu Edouard et Rose Pauline Aynard, 1894. Cast plaquette (double), bronze, 111 x 133 mm. 60 Maurice Roty, 1886. Obverse and reverse. Cast plaquette (double), silver, 64 x 48 mm. 61 Medaille de Mariage (Semper, First type), 1895. Struck medal (uni- lace), silver (pied-fort), 41 mm. 62 M. et Mine. Pierre Boulanger, 1885. Cast plaquette (single), bronze, 140 x 100 mm. 63 M. et Mme. Morel, Noces d’Argent (1875-1901), 1901. Reverse. Struck plaquette, 65 x 76 mm. 64 Michel Eugene Chevreul, 1886. Obverse and reverse. Cast medal (double), bronze, 98 mm. 65 The same. Struck medal, bronze silvered, 69 mm. 66 Mile. Genevieve Louise Taine, 1894. Cast plaquette (single), bronze, 140 x 105 mm. 67 Mme. Boucicaut, 1887. Obverse and reverse. Medal, galvano sil- vered (cast (double), bronze, 60mm.). 68 Mme. Jonnart, 1896. Cast plaquette (double), bronze, 68x48 mm. 69 Mme. M. A. Roty, 1880. Cast plaquette (single), bronze, 148.x 113 mm. 70 Mon. 0. Roty a ses Amis, 1890. Cast plaquette (single), bronze, 100 x 106 mm. (struck, 50 x 58 mm.). 71 (Euvre des Liberees de St. Lazare, 1900. Struck plaquette, silver, 51 x 36 mm. 72 President Sadi Carnot (Son mod en 1894), 1898. Struck plaquette, silver, 105x75mm. (also, 81 x58mm.). 270 73 Republique Casquee, 1895. Cast medal (single), bronze, model for the obverse of No. 18. 74 Sapeurs-Pompiers, 1887. Struck medal, bronze silvered, 68 mm. 75 Sir John Pope Hennessv, 1890. Obverse and reverse. Struck medal, bronze silvered, 68 mm. (cliches). 76 Ste. Genevieve, 1896. Struck medal (oval), silver gilt, 45 x 37 mm. (also, 26 x 18 mm.). 77 Stephane Derville, 1894. Struck plaquette, silver, 59 x 43 mm. 78 Union Centrale des Arts Decoratifs, 1899. Struck plaquette, silver, 67 x 47 mm. 79 The same. Struck plaquette (jeton), silver, 41 x 41 mm. 80 Union Franco-Americaine, 1886. Struck medal, bronze silvered, 68 mm. 81 Victor Hugo, 1885. Reverse. Cast medal (double), bronze, 68 mm. 82 Yin Mariani, 1895. Reverse. Struck plaquette, silver, 52 x 38 mm. 271 ■VtMST 27 6 272 273 36 (Keverse) i avgvstin R.OTY ARISSinACONJVX WLTVAV/ERf FIXI vr n; srnpfR ante ocvlos habea/a JVVENEn 5EAPEK I mmmkM 09 274 Models for Nos. 12, 72, 73 ; also Nos. 71, 80 (Belonging to American Numisniatic Soviets' and exhibited apart front rV it it Models for Nos. 12, 72, 73 ; also Wos. 71, 80 (Belonging to American Numismatic Society and exhibited apart from the other numbers) 275 EDOARDO RUBINO Ehoardo Rubino, sculptor, medalist (Italian), was born in Turin. He is thirty-six years of age. He obtained his instruction in art at the Accademia Albertina in Turin, which he left with many prizes. He was the sculptor of some of the groups of the Monumental Fountain so much admired at the Turin Exposition of 1898 and now in the Valentino Park of that city, and the sole sculptor of the decorative groups for the last International Exposition of Modern Art at Turin, which won him the great diploma and gold medal, and of which the King of Italy asked a reproduction in small form. In addition to various sepulchral monuments, he is the author of the monu- ment at Aosta to King Humbert and of the marble memorial to Casimir Teja at Turin. In conjunction with Davide Calandra he has recently ex- ecuted a monument at Buenos Ayres to General Bartolome Mitre. In the intervals of labor upon this last work he modeled one of the flying Victories for the Victor Emmanuel monument at Rome. To the memory of Ed- mondo de Amicis, one of his friends, for the Italian Alpine Club he executed a medallion to be put upon a wall of the Albergo del Giomein, a favorite resort of the author. Himself an enthusiastic mountaineer and able etcher, he has illustrated books on mountain-climbing. Among Italian sculptors he has special distinction also for the ability shown in his plaques. Works: La Danza, a group of three figures; the statue at Trent of the sculptor Alessandro Vittoria; La Jovencita de Nazareth (these three repro- duced in the Nacion of Buenos Ayres for October 22, 1908). Address , 17 Via Asti, Turin, Italy. 1 75° Anniversario di Fondazione della Litografia Doyen in Torino, a Luigi Simondetti, 1907. Plaque in plaster (cast plaque (single), bronze, 26 x 29 cm.). 2 Carita, 1903. Plaque in plaster (cast plaque (single), silver, 22.4 x 12.3 cm.). 3 Club Alpino Italiano, Sezione di Torino, 1904. Plaque in plaster, 29 x 20 cm. (struck, 75 x 52 mm.) . 7 Coppa per Corse di Cavalli, 1902. Plaster (cast, bronze). 5 “Cuore” di Edmondo de Amicis, 300° Edizione, 1904. Plaquette in plaster (cast plaquette (single), silver, 174x113mm.). 276 6 Esposizione Internazionale di Fotografia Artistica, Societa Foto- grafica Subalpina, 1902. Plaque in plaster, 18x27 cm. (struck, 74 x 50 mm.). 7 Helene d’Orleans, Duchessa d’Aosta, 1907. Medallion in plaster (cast, silver, 150 mm.). 8 II Duea degli Abruzzi, 1907. Medallion in plaster (cast, bronze, 180 mm.). 9 In Memoriam, 1903. Plaque in plaster (cast, silver, 30.7 x 26 cm.). 10 La Stampa, 1903. Plaque in plaster (cast, silver, 13 x 23 cm.). 11 Maternita, 1908. Medallion in plaster (cast, bronze, 20.5 cm.). 12 Navigazione, 1902. Plaque in plaster (cast, silver, 24 x 12 cm.). 13 Omaggio, 1909. Plaquette in plaster (cast, bronze, 190 x 130 mm.). H Professore Alberto Gamba, 1899. Medal in plaster (cast, silver, 78 mm.). 15 Professore Carlo Cipolla, 1906. Medallion in plaster, 175 mm. (struck, 45 mm.). 16 Vittoria, 1909. Medal in plaster (cast, silver, 145 mm.). 17 Vila, 1909. Medallion in plaster (east, bronze, 25 cm.). 3 277 278 279 280 281 HENNING RYDEN IEwixg Rydex, sculptor (American), was born in Sweden in 1869. He arrived in the United States in 1891. He studied at the Art Institute of Chicago and at the Art Students’ League of Chicago. He is a member of the Salmagundi Club. Address, 83 Central Avenue, Montclair, New Jersey. 1 Portrait Group, 1900. Plaque in plaster (cast plaque (single), bronze, 34.2 x 24.7 cm.). CHARLES SAMUEL Charles Samuel, sculptor, medalist (Belgian), was born in Brussels, 1862. From his first academic studies he manifested a great aptitude for drawing, passing his holidays in the museums. On completing his literary studies in 1879 he entered the office of the goldsmith Wolfers, a friend, attending in the evenings the courses of industrial art at the Academy. It was during an equally short term with the medallic engraver Ch. Wiener that he became interested in the art of statuary. From 1881 he applied himself to t he technical study of sculpture, at first under Simonis, then for a longer period under Ch. Vanderstappen. He has been twice mentioned in t lie competitions for the prize of Rome. For his debut at the triennial Salon of Brussels he sent the statue An Soir, which represents an emaciated laborer returning from the fields, his shoulder bent under the weight of his implements. This remarkable work obtained the silver medal at the Uni- versal Exposition of 1889 at Paris. In 1889 he spent several months in Italy and conceived the project for a monument destined to perpetuate the memory of the celebrated writer Charles de Cosier. Returning to Brussels, he carried out this conception and exhibited it at the Salon of Brussels in 1890. The following year the government, in union with the commune of Ixelles, intrusted to him the final execution of the monument of Charles de Coster. The plaster model of this monument, admired at the Universal Exposition at Antwerp in 1894, gained the gold medal for its author. He received a similar award at the Universal Exposition at Brussels, 1897, for 282 his project for a decorative fountain, Nymphe, which received the gold medal at St. Louis in 1904, at Barcelona in 1907, at Turin, etc. He took part in the expositions of Antwerp, 1894, and of Brussels, 1897, exhibiting statuettes in which ivory was used with wood and with precious metals. Among these ilia}'' be mentioned La Fortune, acquired by Colonel North; Les Lis, belonging to Baron E. Van Eetvelde; Crepuscule, property of Mile. Tordeus; Nele, bust in ivory and wood, acquired by the banker Empain. In 1898 he took part in the contest for a monument to be erected to Frere-Orban, and gained the first mention. In 1900 the statue of the statesman was erected. Works: Monument Rivier, in the interior of the Free University of Brussels; Lion couche, at the Botanical Garden, and two Trophees deco- ratifs, ornamenting the rear facade of the Palais des Beaux-Arts of the capital; L’Abondance, Agriculture, Boucherie, group and statues, decorat- ing the Maison du Cygne on the Grand Place of Brussels; the Plaque tom- bale of the funeral monument of the painter Edouard Duvck, in the cem- etery of Saint-Gilles; Hommage, in marble, at the Brussels Museum. Among the most remarkable of his portrait busts should be mentioned: Mine. Samuel, his mother; Mine. Juliette Wytsman; Senator Edouard Otlet; the Franehomme children; Attorney-General Mesdach de ter Kiele; Judge of the Court of Appeals Van Maldeghem; Mine. Paul Hymans; M. Charles Hayem. This last bust is at the Luxembourg Museum. Among the num- ber of medallions bearing his signature should be cited those of Count Goblet d’Alviella and of M. Montefiore-Levi. He has executed for the new hospital at Monaco the superb upper part of a door in white marble, La Medecine, and is at present making a rough outline of a small model for a monument to the memory of Pierre Van Humbeek, senior minister of public instruction. M. Samuel is a chevalier of the Order of Leopold, and also chevalier of the Order of the Crown. Address, 36 rue Washington, Brussels. 1 Charles Graux, 1907. Struck plaquette, bronze, 68 x 50 mm. 2 Commune de St. Gilles-lez-Bruxelles, 1904. Struck plaquette, bronze silvered, 53 x 60 mm. 3 Comte Goblet d’Alviella, 1907. Struck medal, bronze, 65 mm. 283 '/ Exposition d’Art Culinaire, Union Syndicale des Hoteliers, Restau- rateurs, Cafetiers de Bruxelles, 1905. Obverse and reverse. Struck medal, bronze silvered, 50 mm. 5 F. A. Gevaert, 1908 (revers, d’apres Paul de Vigne). Obverse and reverse. Struck plaquette, silver, 63 x 48 mm. 6 Gaby. Medal in plaster, 100mm. (ivory, 30mm.). 7 Leopold II. Obverse and reverse. Struck medal, copies in silver and in bronze, 70 mm. 8 Paul. Medal in plaster, 100 cm. (ivory, 30 mm.). .9 Retour du Prince Albert du Congo. Struck medal, bronze, 65 mm. 10 Societe Medicale de Monaco. Struck plaquette, bronze, 50 x 33 mm. 11 Vingtieme Anniversaire de l’Etat Independant du Congo, 1905 (medal of the Societe Hollandaise-Belge des Amis de la Medaille d’Art). Struck plaquette, bronze silvered, 55 x 55 mm. 284 ENRICO SAROLDI Enrico Saroldi, sculptor, medalist (Italian), was born in Carmagnola, in the province of Turin, Italy, 1878. He studied sculpture at the Academy of Milan under the master Enrico Butti. In 1902 he opened a studio in Milan, where he fixed his residence. In 1903 he won the Tantardini prize for sculpture with the work II Sogno, and in 1905 the prize for the medal of the Ministry of Agriculture, Industry, and Commerce. In the interna- tional competition for the post of professor and director of the School of the Medal at Rome he was among the five declared eligible. Works: the large group La Guerra; Giovinezza spensierata. Since 1906 he has been an honorary member of the Accademia di Belle Arti in Milan. Address , Milan, Italy. 1 Banca Coop. Pop. di Padova all’ Illustrissimo Presidente, Barone Comm. Mario Treves dei Bonfili, 1884-1909. Cast plaque (sin- gle), bronze, 23 x 32 cm. 1 2 Camera di Commercio di Torino, premio, 1908. Struck medal, bronze, 22 mm. 3 Cav. Carlo Guffanti, 1909. Struck medal, bronze, 65 mm. 4 Cristo, 1908. Cast plaque (single), bronze, 36 x 36 cm. 5 Diana, 1908. Struck medal, bronze, 35 mm. 6 Esposizione di Vicenza, 1908. Struck medal, bronze, 32 mm. 7 Esposizione Internazionale d’Arte della Citta di Venezia, 1903. Ob- verse and reverse. Cast medal, bronze, model, 120 mm. (struck medal unedited). 8 Esposizione Internazionale di Milano, Inaugurazione del Sempione, 1906, medaglia commemorativa. Obverse and reverse. Struck medal, bronze, 44 mm. 9 The same. Obverse and reverse. Cast medallion (single), bronze, model, 23 cm. 10 Francesco Balli, 1907. Struck medal, bronze, 45 mm. 11 Giovanni Silvestri, 1906. Obverse by E. Saroldi; reverse by A. Cappuccio. Struck medal, bronze, 67 mm. 12 Giuseppe Benzi, 1907. Struck medal, bronze, 53 mm. 13 II Canto, 1909. Cast plaque (single), bronze, 23 x 36 cm. 74 II Primo Peccato, 1909. Cast plaque (single), bronze, 20 x 31 cm. 1 Nos. 1-24 were loaned by Stabilimento Stefano Johnson, Milan. 285 13 Madonna, 1909. Cast plaque (single, triptych), bronze, 22x11 — 22x48— 22x11 cm. 16 Medaglia Commemorativa del 1859, 1909. Struck medal, bronze, 32 mm. 17 Ministero dell’ Istruzione, 1907. Obverse and reverse. Cast medal- lion, bronze, model, 190 mm. (medal inedited). IS Ministero di Agricoltura, Industria e Commercio, 1905. Obverse and reverse. Cast medallion, bronze, model, 190 mm. 10 Omaggio dell’ Impresa, Carlo Andrucci, Ettore Allegra, e Francesco Rossi alia Casa dei Dochi Gaetani di Sermoneta per Derivazione di Acque, 1908. Cast plaque (single), bronze, 27 x 33 cm. 20 On le Marchese Ugo di Sant’ Onofrio, 1908. Struck medal, bronze, 44 mm. 21 Oscar Greco, Professore di Stenografia, 1909. Struck medal, bronze, 44 mm. 22 Testa di Bimba, 1908. Cast plaquette (single), bronze, 160x120 mm. 23 Testa di Bimba, 1908. Cast medal (single, irregular shape), bronze, 150 mm. 27 V a Gara di Tiro a Segno Nazionale in Roma celebrandosi it 1° Cen- tenario dalla Nascita di Garibaldi, premio, 1907. Obverse and reverse. Struck medal (badge), bronze, 38 mm. 286 287 288 EDWARD WARREN SAWYER Edward Warren Sawyer, sculptor, medalist (American), was born in Chicago, 1876. Studied at the Art Institute in Chicago. Went to Paris in 1899. Studied under Veret at the Academie Julien, under Injalbert and Colorossi, and under Fremiet at the Jardin des Plantes. Has exhibited at the Salon and at the Societe des Artistes Francais since 1903. He received a bronze medal at the St. Louis Exposition, 1904. He is represented in the Musee du Luxembourg, Paris. Address, 9 rue Falguiere, Paris, France. 1 Alfred H. Maurer, 1908. Medal, galvano silvered, 65 mm. 2 Apache Indian, Arizona, 1908. Medal, galvano silvered, 65 mm. 3 “Captain Coffey,” Apache Indian Scout, 1908. Medal, galvano sil- vered, 66 mm. 4 Chief Tja-yo-ni, Navajo Chief, Arizona, 1904. Medal, galvano sil- vered, 69 mm. 5 Eugene Paul Ullman, 1909. Medal, galvano silvered, 65 mm. 6 Marie Christiani Sawyer, 1908. Medal, galvano silvered, 65 mm. 7 Ne-i-so-meh, Yuma Indian, Arizona, 1904. Medal, galvano silvered, 70 mm. 8 Old Jim, Apache Indian, 1908. Medal, galvano silvered, 66 mm. 9 Theodore E. Osborne, 1910. Medal, galvano silvered, 65 mm. 289 290 HANS SCHAEFER Hans Schaefer, sculptor, medalist (Austrian), was born in Sternberg, in Moravia, 1875. He attended for live j^ears the Kunstgewerbeschule in Vienna under Professor Stefan Schwartz. For nine years he has been an independent sculptor and medalist in Vienna. He is a member of the Wiener Kimstlergenossenschaft. His most important works in sculpture are the Kaiser Franz Joseph monument at Mahrisch-Ostrau and the monu- ment at Galatz, Rumania, together with various grave monuments in Vienna. Address, 106 Gumpendorferstrasse, Vienna VI/2. 1 Dr. Alexander Ritter von Nava, 1910. Struck plaquette, bronze, 90 x 70 mm. 2 Dr. Alexander von Peez, 1909. Struck medal, bronze silvered, 70 mm. 3 Dr. Richard Weiskirchner, Handelsminister, 1907. Struck medal, bronze, 60 mm. A Edmund Guschelbauer, 1903. Struck medal, bronze, 44 mm. 5 Eroffnung des rumanischen Blindenheims durch die Konigin, in Anftrage Hirer Majestat der Konigin Elisabeth von Rumanien, vatra luminoasa, 1908. Cast plaque (single), bronze, 32.5x48.5 cm. 6 The same. Struck plaquette, bronze, 68 x 100 mm. 7 Familie Hiitterott, 1908. Struck plaquette, bronze, 67 x 110 mm. 8 Franz Tewele, 1909. Cast plaque (single), bronze, 21.2 x 13.7 cm. 9 Ferdinand Brunner, 1908. Cast plaque (single), bronze, 20.7 x 14.3 cm. 10 Gottfried Hiittemann, 1909. Struck plaquette, bronze, 100 x 65 mm. 11 50. jahr. Jubilaum des Stabilimento Tecnico Triestino, 1907. Struck medal, bronze, 60 mm. 12 Julius Ritter von Kink, 1904. Struck plaquette, bronze, 60x100 mm. 13 Kaiserin Elisabeth von Oesterreich, 1904. Struck plaquette, bronze silvered, 100 x 70 mm. 74 Kaiserhuldigung, Konkurrenzprojekt fur die von der Gemeinde Wien ausgeschriebene Jubilaumsmedaillen-Konkurrenz, 1908. Medal, galvano silvered, 80 mm. 15 L. Gottsleben, 1909. Struck medal, bronze, 50 mm. 16 Moritz Faber, 1907. Struck medal, bronze, 60 mm. 291 11 Moritz, Carl und Theodor Faber, Neujahrsplakette, 1907. Obverse and reverse. Struck plaquette, bronze silvered, 60 x 98 mm. AS’ Paul Ritter von Schoeller, 1909. Cast plaque (single), bronze, 19 x 31.5 cm. 19 The same. Struck plaquette, bronze silvered, 60 x 100 mm. 20 Schubertiade, 1909. Cast medallion (single), bronze, 28 cm. (struck, 70 mm.). 21 The same. Obverse and reverse. Medal, galvano silvered, 70 mm. 22 Triumph des Weibes, 1907. Struck plaquette, bronze silvered, 90 x 58 mm. '■i--- 1 ■ 1 Ix 'I.v VrAi il. \I “ -OC - r. " t x “ " - c. r- — ^ ~ - : — — ■ • - — - • - Vw/A. - -w = — ■ ..V Zi- " = ,\2v S' 18 292 293 22 294 STEFAN SCHWARTZ Stefan Schwartz, sculptor, medalist (Austrian), was born in Neutra, Hun- gary, 1851. He studied at the Royal Art School in Vienna under Professor Otto Konig. He has made a great number of pieces in bronze and marble, many medals and small molded pieces. Works: the monuments: Rudolph von Eitelherger; Cardinal Prince Fiirstenberg (Olinutz); Adventus Augusli (Hofburg, Vienna); Die Blilte- seile des Rittertums, stone monument (Neue Hofburg, Vienna); the marble statue of Seneca; the marble statue of Frederick, Count Schonborn (Reichs- ratsgebaude, Vienna). His awards include: Paris, 1878, three silver med- als; Chicago, 1893, a medal; Berlin, 1896, a small gold medal; Paris, 1900, a gold medal; Vienna, 1905, the Grand Duke Karl Ludwig’s gold medal. He is a knight of the Franz Josef Order, and Commander of the H. Sava Order. He is professor of sculpture and the medallic art at the Kunstgewerbeschule in Vienna. He has gained great recognition and has been the teacher of a majority of the younger men. Address, 1 Hiibenring 3, Vienna. 1 Adagio (Beethoven), 1909. Cast plaque, bronze, 25 x 28.8 cm. 2 Arthur und Margareth Krupp, 1906. Obverse and reverse. Struck medal, bronze, 60 mm. 3 Ausstellung in Bukarest, 1905. Obverse and reverse. Struck medal, bronze, 90 mm. 4 The same, Dr. C. I. Istrati, 1905. Obverse. Cast medal (single), bronze model of the obverse of the above, 195 mm. 5 Damenportrat, 1902. Cast plaquette, 91x116 mm. 6 Das Wasser, 1898. Cast plaquette, 130 x 170 mm. 7 Der Alchemist, 1899. Obverse and reverse. Cast medal, bronze, 120 mm. (struck, 50 mm.). 8 Die Bildenden Kfuiste, Oesterr. Staatsmedaille, 1905. Reverse. Cast medallion (single), bronze, 20.5 cm. 9 Die Trailer, 1898. Medal, galvano, 98 mm. 10 2-Dinar Stuck, Serbien, 1905. Silver (also, 5- and 1 -Dinar). 11 Drei Portraits, 1904. Cast plaque, bronze, 24.5 x 19.6 cm. (struck plaquette, bronze, 82 x 69 mm.). 12 Dr. Karl Freiherr von Lemaver, 1904. Struck plaquette (uniface), bronze, 70 x 50 mm. 295 13 I)r. David Ritter von Schonherr, 1897. Obverse and reverse. Struck medal, silver, 46 mm. /'/ Elegie, 1897. Cast plaquette (single), bronze, 197 x 140mm. (struck plaquette (uniface), bronze and silver, 80x68 mm.). 13 Friedrich Schiller, 1905. Cast plaque, bronze, 21.7x16 cm. 16 Tlic same. Obverse and reverse. Struck medal, bronze, 60 mm. 11 Fiirst Rudolf Liechtenstein, 1909. Struck plaquette (uniface), bronze, 80 x 62 mm. IS Graf F. Schonborn, 1905. Cast medal, bronze, 126 mm. (struck medal, bronze, 70mm.). 19 H. Ilessl, 1909. Struck plaquette (uniface), bronze, 70 x 52 mm. 20 Hofkirche in Innsbruck, 1887. Struck medal, silver, 46 mm. 21 Inspiration, 1900. Cast plaquette, bronze, 183 x 121 mm. 22 Julius Wiesner, 1893. Cast medal, bronze, 125 mm. (struck medal, bronze and silver, 62 mm.). 23 Kaiserin Elizabeth, an ihren Tod, 1898. Obverse and reverse. Struck medal, silver, 40 nun. (also, 100 and 80 mm.). 23 Kinderkopf, 1891. Medal, galvano, 88 mm. 23 100-Kronen Stuck, Montenegro, 1908. Gold (also, 20- and 10- Kronen, gold). 26 100-Kronen Stuck, Oesterreich, 1909. Gold (also, 20- and 10-Kronen, gold, and 5-Kronen, silver). 27 Madchenkopf, 1904. Struck medal (uniface), bronze, 100mm. 28 Notturno (Diana), 1908. Cast plaque, bronze, 21.6x16.3 cm. (struck plaquette (uniface), bronze and silver, 70 x 53 mm.). 29 Otto Konig, 1907. Struck plaquette (uniface), bronze, 70x51 mm. 30 Raphael Conner, 1893. Obverse and reverse. Struck medal, bronze, 70mm. (cast medallion, 20.9cm.). 31 Sigmund Exner, 1906. Struck plaquette (uniface), bronze, 70 x 53 mm. 32 Theodor Billroth, 1889. Cast medal, bronze, 120 mm. (struck medal, bronze and silver, 62 mm.). 33 Tunnelarbeiier, Mesticanesti, 1902. Cast plaquette, bronze, 157 x 117 mm. (struck, bronze, 71 x 53 mm.). 33 Sladt Hall in Tirol, Jubilaum, 1303-1903. Obverse and reverse. Cast medal, bronze, 151 mm. 33 The same. Obverse and reverse. Struck medal, copies in silver and in bronze, 50 mm. 296 36 St. Hubertus, 1895. Obverse and reverse. Struck medal, silver, 40 mm. 37 Viribus Unitis, 1901. Obverse and reverse. Struck plaquette, bronze, 76 x 53 mm. 38 The same. Cast plaque (single), bronze, model for the above, 22.4 x 15.5 cm. 297 34 298 299 CARL MARIA SCHWERDTNER Carl Maria Scuaverdtner, sculptor and medalist (Austrian), born in Vienna in 1874, was the pupil of his father, Johann Schwerdtner, and of Professors Helmer and Zumbusch. His first intention Avas to devote him- self to sculpture, to create some great work in which he could show to the Avorld a vigorous and daring treatment. A visit to A. Charpentier in Paris became a decisive turning-point in his career. This famous artist took no pupils, but he did more than teach his youthful folloAver, for, during the six months in Paris, Charpentier not only alloAvecl him to visit him in his studio, but corrected his work, and, furthermore, explained his own de- velopment by means of illustrations and models. The knowledge of tech- nique thus gained proved invaluable. Portraiture has been his chief inter- est. He has made figures in bronze, some monuments, and many medals; his largest Avork is the Priessnitz monument in Vienna. Address, 2 Lenau- gasse, Wien VIII, Austria. 3 / Deutschmeister Denkmal, Wien, 1907. Struck medal, bronze, 60 mm. 2 Fechtmeister Werdnik, 1902. Struck plaquette, bronze, 80 mm. 300 3 Kais. Rat Johann Schwerdtner (Vater des Ki'instlers), 1904. Struck medal (uniface), bronze, 50 mm. 4 Professor Siegmund Freud, 1907. Obverse and reverse. Struck medal, bronze, 60 mm. 5 Professor Wilhelm Winternitz, 1906. Obverse and reverse. Struck medal, bronze, 60 mm. 6 Professor Laurenz Milliner, 1908. Struck plaquette (uniface), bronze, 70 mm. 7 The same. Cast plaquette, bronze, 170 mm. 8 Seine Ex. Biirgermeister Lueger, 1908. Struck medal, bronze, 70 mm. 9 The same, 1907. Cast medal, bronze, 180 mm. 10 Stadtbaudirektor Berger, 1908. Obverse and reverse. Struck pla- quette, bronze, 70 mm. JANET SCUDDER Janet Scudder, sculptor, medalist (American), was born in Terre Haute, Indiana. Commenced the study of sculpture in the Cincinnati Art Acad- emy under Louis J. Rebisso, and continued under Lorado Taft at the Chi- cago Art Institute, and later at Academie Vitti and Colorossi in Paris, finally becoming the pupil of Frederic MacMonnies. While studying in Chicago was given commissions for two statues, one for the Illinois Building and the other for the Indiana Building of the Chicago World’s Fair. Awarded bronze medal at Chicago and St. Louis Expositions. In 1901 she produced five portrait medallions acquired by the government for the Luxembourg Museum in Paris. She was the first American woman to have her work bought for the Luxembourg Museum. Collection of medallions in Met- ropolitan Museum of New York, Indianapolis Museum of Art, and the Congressional Library at Washington. Bronze casting, Frog Fountain, sold to Metropolitan Museum in 1904. Works: seal for Bar Association of New York; cinerary urn for Daniel Mather Walbridge, Woodlawn Cemetery, New York; fountains for Arch- hold Cottage, Bar Harbor, Maine; Miss Sharswood, Stonington, Vermont; 301 Stan lord 'White: Henry Lane Eno, Bar Harbor, Maine; Mrs. MacCormick, Lake Forest, Chicago; Mrs. Chapin, New York; Richmond Art Association for public-school house; Mrs. E. Howard Child, Westwood, Massachusetts; statue, Japanese Art, for facade of Brooklyn Art Museum; marble sun-dial for Mrs. Warner M. Leeds, Port Washington, Long Island; bronze memo- rial tablets to Arthur Middleton Reeves, Richmond, Indiana, and to Bishop Hare, Sioux Falls, Iowa. — -~_j ■. • » «• ' 1 *i ■ - . -v f ------ - ' . 3 Articles treating of her work have appeared in the Studio , Cyclopedia of American Biography, Outlook, Scribners, and Metropolitan magazines. Address, 3 Washington Square, New York City. 1 Alice, 1906. Cast plaquette (single), bronze, 110 x80 mm. 2 Alice Jones, 1900. Cast plaquette (single), bronze, 105 x60 mm. 3 Bishop Hare, 1904. Cast plaquette (single), bronze, 110 x 90 mm. 4 Caroline Reeves Foulke, 1904. Cast plaquette (single), bronze, 130 x 95 mm. 5 Francis Meredyth Whiteliouse, Esq., 1909. Cast plaquette (single), bronze, 110 x 90 mm. 6 Helen Seely, 1906. Cast plaquette (single), bronze, 130 x 55 mm. 7 Leslie Emmet, 1900. Cast medal (single, oval), bronze, 80 x 70 mm. 8 Louise Hartshorne Moore, 1900. Cast plaquette (single), bronze, 90 x 70 mm. 9 Master Billy Fahnestock, 1904. Cast medal (single), bronze, 150 mm. 10 Mildred Barnes, 1906. Cast plaquette (single), bronze, 110 x 90 mm. 11 Percy Chubb, Esq., 1903. Cast plaquette (single), bronze, 110 x 90 mm. 12 Royal Parsons, 1906. Cast plaquette (single), bronze, 100 x 60 mm. 303 LUIGI SECCHI Lric.i Skc.cui, sculptor, medalist (Italian), resides in Milan, Italy. / Cav. Prof. Luigi Brianzi, 1907. Struck plaquette, bronze, 67 x 50 mm. 2 Comm. Camillo Boito, 1909. Struck medal, obverse modeled by L. Secchi, engraved by A. Cappuccio, bronze, 67 mm. 3 Professore Carlo Baravalle. Plaquette in plaster. '/ Ritralto della Madre di Senatore Beltrami, 1907. Struck medal, sil- ver, 23 mm. 5 Ritralto di Giovane Signora. Plaquette in plaster. 6 Ritralto d’Uomo. Medallion in plaster. 7 Ritratto d’Uomo. Plaquette in plaster. (S’ Senatore Francesco Brioschi. Medallion in plaster. 9 Senatore Giuseppe Colombo, 1906. Obverse modeled from nature; the reverse of this medal is the Scuola d’ Alena, by A. Cappuc- eio. Cf. p. 39, No. 14. Struck medal, bronze, 67 mm. 70 Senatore Luca Beltrami, 1900. Obverse and reverse. Medal, modeled by L. Secchi, engraved by A. Cappuccio, galvano sil- vered (struck, 67 mm.). 8 304 3 305 MRS. ELEANOR ANTOINETTE SNEDEN Ei. manor A. Sxeden, sculptor (American), was born in Tilly Foster, New York. Studied in Paris, the pupil of Mile. Genevieve Granger. Idas exhib- ited in the Paris Salon. Specialty, portrait medallions. Address, Avon-by- the-Sea, New Jersey. 1 Italian Woman, portrait, 1905. Cast plaquette (single), bronze, 121 x 108 mm. 2 Portrait of a Child, 1905. Cast medal (single), bronze, 76 mm. SOCIETE DES AMIS DE LA MEDAILLE FRAN^AISE, PARIS Founded by M. Roger-Marx President, M. Delagrave ALBERT BARTHOLOME Albert Bartholome, sculptor, medalist (French), was born at Thierval (Seine-et-Oise) in 1848. He exhibited at the Salon up to 1887 paintings, portraits, etc., of which one, Tete de Paijsanne, is in the Luxembourg. In 1891 he exhibited sculpture at the Societe des Beaux-Arts; won the Grand Prix de Sculpture at the Universal Exposition, 1900. Works: Monument aux Moris, Pere-Lachaise cemetery; Jeune Fide se Coiffant, Dresden Museum; Petite Fille Pleurant, bronze; P nste de Madame B., marble, Luxembourg, etc. Work now in hand, Le Tombeau de J. J. Rousseau, ordered by the government for the Pantheon. Address, 1 rue Raffet, Paris. 1 Tendres Amants, Heureux Epoux. Cast plaquette, bronze silvered, 80 x63 mm. 1 LOUIS A. BOTTEE (Cf. p. 16) 2 Aux Poetes Moris sans Gloire, 1904. Struck medal, silver, 191 mm. B. CARABIN (French medalist) 3 La Danse, 1901. Struck medal, silver, 50 mm. 1 Nos. 1—38 were loaned by Mrs. Edward D. Adams. 306 J. M. MICHEL CAZIN J. M. Michel Cazin, sculptor, medalist (French), was born in Paris in 1869. He was a pupil of his father, and exhibited at the Champs-Elysees from 1885 to 1889. He was created officier d’Academie in 1894. The following medals are his work: Orphelinat des Arts; Pierre Marie Lepretre; Antoine Delhaye; Coqnelin Cadet, etc. (all cast bronze). Address, 1 rue de l’Alboni, Paris. 4 L’Accalmie. Cast plaquette, silver, 67 x 83 mm. ALEXANDRE L. M. CHARPENTIERf (Cf. p. 57) 5 Maternite, 1899. Struck plaquette, silver, 81 x 53 mm. 6 La Glyptique. Struck plaquette, silver, 75 x 62 mm. 7 La Societe des Amis de la Medaille Francaise, 1901. Reverse. Struck plaquette (octagonal), silver, 67 x 73 mm. CESAR ISIDORE HENRI CROS (French medalist) 8 Conservation des Pavsages et des Forets. Struck medal, silver, 60 mm. JEAN R. A. DAMPT (Cf. p. (38) 9 La Moisson, 1903. Struck medal, silver, 60 mm. LOUIS DEJEAN (French medalist) 10 Le Printemps. Struck medal, silver, 60 mm. CHARLES DUFRESNE (French medalist) 11 Bretagne. Struck medal, silver, 56 mm. GEORGES GARDET Georges Gardet, sculptor, medalist (French), was born in Paris in 1863. He was educated at the Ecole Nationale des Arts Decoratifs and the Ecole des Beaux-Arts. In 1889 he won the gold medal at the Universal Exposi- 307 lion: medal of honor at the Salon, 1898; Grand Prix at Ihe Universal Ex- position, 1900. Works: Chiens Danois, 1894; Combat de Pantheres, 1896; Lions, Tigers, 1898: Lions, Palais Royal de Laeken, Brussels, 1900. Address, 38 rue Boileau, Paris. 12 Cerf et Biches, 1900. Struck plaquetle, silver, 59 x 96 mm. GENEVIEVE GRANGER (Cf. p. 112) 13 Le Gouter, 1909. Struck placjuette, bronze, 51 x 71 mm. M. GREBER (French medalist) 14 La Mine. Struck medal, bronze, 73 mm. JOUVE (French medalist) 15 Les Singes. Struck plaquetle, bronze, 53x61 mm. ABEL LAELEUR (Cf. p. 171) 16 Femme an Bain, 1903. Struck plaquette, silver, 71 x 40 mm. LAMOURDEDIEU (French medalist) 11 Le Joie de Vivre. Obverse and reverse. Struck medal, silver, 57 mm. ALPHONSE EUGENE LECHEVREL (Cf. p. 177) 18 L’Histoire Enregistre les Decouvertes de l’Archeologie. Struck pla- quette, silver, 69 x 80 mm. HIPPOLYTE LEFEBVRE (Cf. p. 182) 1 ( J Institution des Jeunes Aveugles, 1902. Reverse. Struck plaquette, silver, 69 x 81 mm. 20 Le Vent. Struck medal, bronze, 69 mm. 308 JULES PROSPER LEGASTELOIS (Cf. p. 187) 21 La Jeunesse, 1899. Struck plaquette, silver, 61 x 59 mm. FERDINAND LEVILLAINf Ferdinand Levillain, sculptor, medalist (French), was born at Passy, near Paris. He was a pupil of Lequien and Jouffroy. In 1872 he was awarded a medal of the second class; in 1884, a medal of the first class; he was made a knight of the Legion of Honor in 1892. Died in January, 1905. 22 Juno et Psyche. Struck medal, silver, 47 mm. GEORGES LOISEAU-BAILLY Georges Loiseau-Bailly, sculptor, medalist (French), was born at Sail- vigny-le-Bois (Yonne). He was a pupil of A. Dumont. He obtained a gold medal at the Universal Exposition, 1900. Has exhibited portrait me- dallions since 1879. His studies of children (in bronze), both sculpture and medallions, are well known. Address, 152 rue de Vaugirard, Paris. 23 Les Forgerons, 1906. Struck plaquette, silver, 50 x 80 mm. FIRMIN MARCELIN MICHELET Firmin Marcelin Michelet, sculptor, medalist (French), was born in Tar- bes (Hautes-Pyrenees). He was a pupil of Falguiere, Mercie, Henri Du- bois, and Theodore Riviere. The following medals are his work: Exhibi- tion of the Republic of Ecuador, 1900; V. M. Rendon, Commissioner-Gen- eral of Ecuador, 1900. 24 L’Ete. Struck plaquette, bronze, 64 x 43 mm. FRANCOIS PAUL NICLAUSSE Francois Paul Niclausse, sculptor, medalist (French), was born at Metz (Lorraine). He was a pupil of Thomas, Ponscarme, and others, and has exhibited since 1896. The following medals may be mentioned: Societe des Sauveteurs dii Puy-de-Dome; Dr. Henri Bonnet; La Femme an Chat. Ad- dress, Bisset de Saint- Augustin (Seine-et-Marne) . 25 La Musique Guerriere, 1900. Struck medal, silver, 60 mm. 309 HENRY NOCQ (Cf. p. 220) 26 Void mes Bijoux, 1901. Struck medal, silver, 53 mm. VICTOR PETER (Cf. p. 230) 27 Lion et Taureau, 1905. Struck medal, silver, 60 mm. CHARLES FILLET (Cf. p. 230) 28 Enfants. Struck plaquette, silver, 53 x 61 mm. PIERRE ROCHE (Cf. p. 259) 29 Lo'ie Fuller, 1900. Struck medal, silver, 72 mm. PAUL ROGER-BLOCHE Paul Roger-Bloche, sculptor, medalist (French), was born in Paris. He was a pupil of Cavelier and Barrias. 30 Soldats, 1906. Struck plaquette, silver, 56 x 81 mm. J. EDOUARD ROINE (Cf. p. 263) 31 Exposition Universelle de 1900 (d’apres line composition de Bes- nard). Struck plaquette, silver, 55 x 68 mm. FRANCOIS JULES ALEXANDRE ROQUES (Francois Roques) Francois Roques, sculptor, medalist (French), was a pupil of Charpentier. He exhibited at the Salon of the Societe Nationale des Beaux-Arts. In 1909 he won the fourth prize in competition for the Centenary plaquette of the Paris firm Pleyel. (Cf. Adolphe Bader, “Le Medailleur Francois Roques,” Arl Decoralif, 1906.) 32 Art des Jardins. Struck plaquette, bronze, 76x45 mm. 310 LOUIS OSCAR ROTYf (Cf. p. 267) 55 La Toilette, 1899. Struck plaquette, silver, 69 x 34 mm. CHARLES RENE DE SAINT-MARCEAUX Charles Rene de Saint-Marceaux, sculptor, medalist (French), was born at Rheims in 1845. Pupil of Jouffroy and the Ecole des Beaux-Arts. In 1872 he obtained the medal of the second class. He is the author of the follow- ing sculptures: Forgeron Florenlin, 1875; Genie Gardcint le Secret de la Famille, 1879, Luxembourg; bust of Renan, 1882; etc. Address , 100 boule- vard Malesherbes, Paris. 54 Vieillesse. Struck plaquette, bronze, 66x81 mm. FREDERIC DE VERNON (Cf. p. 346) 35 La Solidarity, 1901. Struck plaquette, silver, 76 x 54 mm. OVIDE YENCESSE (Cf. p. 369) 36 Caresses d’Enfant, 1904. Struck medal, silver, 40 mm. 57 Francois le Remouleur, 1905. Struck plaquette, bronze, 71 x 50 mm. 38 Les Deux Ages, “Manette et Minette,” 1901. Struck medal, silver, 60 mm. 311 312 SOCIETE HOI J. ' >A 1SE-BELGE DEN A MIS DE LA MCDAILLE D’ART, BRUXELLES os 9 1 Wit A X8 TV founded in Belgium and Holland, April 1,. 1001. The object of society is the encouragement an4/levelopment of the taste for medallic by: thesissue of medals destined to be distributed among its own mem- > and executed by Dukh or Belgian sculptor medalists; medallic con- s with prize every three s among artists under thirty vears of age* organization of exhibit s and of courses • ; I t i. and by publica- G ODEFH OI U IjI > R E } ] si •; 18 I Alphonse de Witte, F teurdel ick plaquette, silver, 67 x 47 mm. V Invention du DessSh, 1903.. Struck pld^uette, broffi V La Societe Holla ndaise-Belge des Amis de la 5L iaille a j t, 1 ns de Membre, 1901. Struck plaquette (badge), br< a Mimine, 1906. Struck plaquette (octagonal , silver, 39 x 31 mm 8X gg PAUL DU BO IS (CL jg, 82) d Bruxelles, Port du Mer, 1903. -Struck plaqc 52 x 55 mm. ?,s e 8 LOUIS DUPUIS 21 :v PRANCois Joseph Dupuis, sculptor, medalist (Duk h), was born a: kiege, Belgium, in 1842. Studied under J. Gee- . the Antwerp Laureate at the great Contours tie Rome. He is repress u ted (seums and collections. Has been called the dean of cor lew ; -m medalists. He has executed many official commissions 72 tit busts. 28 62 • Le Comte de Flandie, 1906 Struck medal, hr nze, 6 . 1 Nos. 1-14 were loaned by M. Alphonse d« Witt» 36 31 21 35 13 20 17 20 15 30 38 34 38 33 16 22 14 18 12 25 37 29 27 32 24 ! 4 . SOCIETE HOLLANDAISE-BELGE DES AMIS DE LA MEDAILLE D’ART, BRUXELLES President, M. Alphonse de Witte A society founded in Belgium and Holland, April 1, 1901. The object of the society is the encouragement and development of the taste for medal] ic art, by: the issue of medals destined to be distributed among its own mem- bers and executed by Dutch or Belgian sculptor medalists; medallic con- tests with prize every three years among artists under thirty years of age; the organization of exhibitions and of courses of lectures, and by publica- tion. GODEFROID DEVREESE (Cf. p. 72) 7 Alphonse de Witte, Fonda teur de la Soeiete, 1902. Struck plaquette, silver, 67 x 47 nun. 1 2 Invention du Dessin, 1903. Struck plaquette, bronze, 52 x 60 mm. 3 La Soeiete Hollandaise-Belge des Amis de la Medaille d’Art, Insigne de Membre, 1901. Struck plaquette (badge), bronze, 26 x 30 mm. 4 Mimine, 1906. Struck plaquette (octagonal), silver, 39x31 mm. PAUL DU BOIS (Cf. p. 82) 5 Bruxelles, Port du Mer, 1903. Struck plaquette, bronze, 52 x 55 mm. LOUIS DUPUIS Louis Francois Joseph Dupuis, sculptor, medalist (Dutch), was born at Lix, near Liege, Belgium, in 1842. Studied under J. Geefs at the Antwerp Acad- emy. Laureate at the great Coneours de Rome. He is represented in differ- ent museums and collections. Has been called the dean of contemporary Belgian medalists. He has executed many official commissions, especially portrait busts. 6 Le Comte de Flandre, 1906. Struck medal, bronze, 67 mm. 313 1 Nos. 1-14 were loaned by M. Alphonse de Witte. TOON DUPUIS (Cf. pp. 87, 3(33) 7 Dr. H. J. de Dompierre de Chaufepie, 1908. Struck medal, bronze, 67 mm. .T. M. PADDEGON (Belgian medalist) 8 L’Etablissement du Pouvoir NeerlandTais aux Indes Orientales, 1902. Struck medal, bronze, 64 mm. JULES JOURDAIN (Cf. p. 152) 9 S. M. La Reine Marie-Henriette, 1907. Struck medal, bronze, 65 mm. HIPPOLYTE LE ROY (Cf. p. 193) 10 Conference de la Paix a La Haye, 1907. Struck medal, bronze, 65 mm. CHARI.ES SAMUEL (Cf. p. 282) 11 20 e Anniversaire de l’Etat Independant du Congo, 1905. Struck plaquette, bronze, 55 x 57 mm. D. VAN GOOR (Dutch medalist) 12 L’Amiral Michel Adrience de Ruyter, 1907. Struck medal, bronze, 66 mm. J. C. YVIENECKE (Cf. p. 3(32) 13 La Reine Emma de Hollande, 1904. Struck plaquette, bronze, 51 x 41 mm. PAUL WISSAERT (Cf. p. 3G5) 1A L’Enseignement, 1908. Obverse and reverse. Struck plaquette, bronze, 66 x 47 mm. 314 315 0. SPANIEL 0. Spaniel, sculptor (Austrian), was born in Jaromer, Bohemia. Studied at the School for Decorative Art at Gablonz, in North Bohemia; the School of Engraving and Medals (Professor J. Tautenhayn) at the Academy of I'ine Arts in Vienna; School of Sculpture at the Academy of Fine Arts in Prague. First exhibition (after leaving the Academy) in 1902. Prizes: (iundel prize, prize for l lie best medallion engraved, prize of the official schools at the Academy of Fine Arts in Vienna; two prizes for sculpture at the Academy of Fine Arts in Prague; prize L. Schmidt from the Academy for the Sciences and Fine Arts of Bohemia (1907). W orks: M. Jules Janssen, astronomer, director of the Observatoire de Meudon, plaquette; medallion of the governor of Bohemia; M. E. Denis, professor at the Sorbonne, plaquette; M. K. Zenger, astronomer, plaquette. Address, 1 rue Leclerc, Paris XIV. 1 Exposition de Bruo-Moravie, 1908. Obverse and reverse. Struck medal, 55 mm. 2 Couturiere, 1905. Cast plaque (single), bronze, 25 x 17.5 cm. 3 Jeune Femme an Bain, 1906. Cast plaque (single), bronze, 20.5 x 16 cm. 7 Jules Janssen, Astronome, Membre de l’lnstitut, 1906. Struck pla- quette, bronze, 41 x 60 mm. 5 The same. Cast plaque (single), model for the above, bronze, 19 x 25 cm. 6 Mine. Janssen, 1906. Cast plaque (single), bronze, 20.5 x 23 cm. 7 M. Milan Stefan ik, 1906. Struck plaquette, bronze, 48 x 51 mm. 8 Prince Lobkowitz, 1904. Obverse and reverse. Struck medal, bronze, 60 mm. 316 317 (Photograph from the cast model) 6 THEODORE SPICER-SIMSON Theodore Spicer-Simson, sculptor, medalist (British), was born in Havre, France. Studied at the Ecole des Beaux-Arts, Paris. Began exhibiting in 1896, having that year examples of his work in the Salon, Paris, the Royal Academy and the New Gallery, London; exhibited nearly every year at the two former exhibitions. Elected associate member of the Societe Nationale des Beaux-Arts, 1901. First undertook the making of medals in 1903, con- currently with his larger work, and his medals are exhibited in the muse- ums of many British and Continental cities, Dresden, Frankfurt, Leipzig, Prague, Munich, The Hague, Brussels, New York, etc. Special articles on his work are to be seen in the French magazines of art, L'Art Decoratif, 1904, and L’Ari et Decoration of September, 1903. Work mentioned with reproductions in the Studio , February 16, 1903, May 15, 1904, and Sep- tember, 1905, and article in Putnam's Magazine for March, 1897. Spink’s Numismatic Circular contains article on his medallic work, with a repro- duction, in the number for February, 1905. Works: portrait busts: The Earl of Selborne, Museum of Art, Johannis- berg; Dr. Moncure D. Conway, at Dickinson College, Pennsylvania, and at the Author’s Club, New York; M. Henri Monod, former director of the Sanitary Department of France; the Maharaja of Bobbili, K.C.I.E.; Maha- raja Doorga Churn Law, in the Town Hall, Calcutta, India; etc. Other works are medals: George F. Watts, R.A.; Sir Walter Lawrence, C.I.E.; the Duchess of Saxe-Coburg and Gotha; General Horace Porter; Barrett Wendell; George P. Baker; George Meredith; etc. Address, 3 rue Campagne Premiere, Paris. 1 Admiral Sir Wilmot Fawkes, K.C.V.O., 1905. Cast medal (double), bronze, 125 mm. 2 Alexander B. Trowbridge, 1904. Cast medal (single), bronze, 105 mm. 3 Alfred Simson, 1904. Cast medal (single), bronze, 98 mm. 4 Alice Arbuthnot Simson, 1904. Cast plaquette (single), bronze, 110 x 76 mm. 5 Alice Peabody, 1906. Cast medal (single), bronze, 96 mm. 6 Anna B. Bliss, 1907. Cast medal (single), bronze, 95 mm. 319 7 Harrell Wendell, 1905. Cast medal (single), bronze, 110mm. cS’ Charles Bach, 1904. Cast medal (single), bronze, 74 mm. 9 Charles Peabody, 1906. Cast medal (single), bronze, 85 mm. 10 Child, 1901. Cast medal (single), bronze, 101mm. 11 Edward T. Newell, 1904. Cast medal (single), bronze, 101 mm. 12 E. F. Rechberg, 1907. Cast medal (single), bronze, 105 mm. 13 Elizabeth S. Hammond, 1906. Cast medal (single), bronze, 65 mm. 11 Ella Mielziner, 1906. Cast medal (single), bronze, 172 mm. 13 Ernest Bengongh Ricketts, 1904. Cast medal (single), bronze, 68 mm. 16 Eva Murdocci and Bella Edvards, 1910. Plaquette in plaster. 11 G. B. Spicer-Simson, 1903. Cast medal (single), bronze, 77 mm. 18 George F. Watts, 1904. Cast medal (single), bronze, 121 mm. 19 George Meredith, 1908. Cast medal (single), bronze, 105 mm. 20 George P. Baker, 1908. Cast medal (single), bronze, 119 mm. 21 Gilbert Colgate, 1905. Cast medal (single), bronze, 60mm. 22 Henri Fritsch Estrangin, 1904. Cast medal (single), bronze, 91 mm. 23 Herman Simson, 1904. Cast medal (single), bronze, 119 mm. 21 Hilda Louise Spicer-Simson, 1910. Cast plaquette (single), bronze, 148 x 101 mm. 25 Hippolyte Louis, 1909. Cast medal (single), bronze, 116 mm. 26 John Philip Wood, 1905. Cast medal (single), bronze, 115 mm. 27 Lawrence Halsey, 1905. Cast medal (single), bronze, 93 mm. 28 Louise S. Hammond, 1906. Cast medal (single), bronze, 114 mm. 29 Louise W. Newman, 1904. Cast medal (single), bronze, 80 mm. 30 Margaret Anglin, 1909. Plaquette in plaster. 31 Margaret Spicer-Simson, 1906. Cast medal (single), bronze, 118 mm. 32 Mary Scovill Baxter, 1907. Cast medal (single), bronze, 103 mm. 33 Max Rosenheim, 1910. Cast medal (single), bronze, 125 mm. 31 Mildred Schmidt, 1905. Cast medal (single), bronze, 76 mm. 35 Mildred C. Spicer-Simson, 1906. Cast medal (single), bronze, 78 mm. 36 N. C. S. Simson, 1903. Cast medal (single), bronze, 76 mm. 37 Noelie G. S. Simson, 1905. Cast medal (single), bronze, 106 mm. 38 Otto Hen tig, 1904. Cast medal (single), bronze, 126 mm. 320 39 Penelope King, 1904. Cast medal (single), bronze, 98 mm. 40 Philip Carroll, 1905. Cast medal (single, oval), bronze, 123 x 107 mm. 44 Princesse Alexander Meschersky, 1904. Cast medal (single), bronze, 112 mm. 42 Sir Patrick Playfair, C.I.E., 1905. Cast medal (single), bronze, 83 mm. 4 3 Sir Walter Lawrence, G.C.I.E., 1908. Cast plaquette (single), bronze, 151 x 120 mm. 44 T. Spicer-Simson, 1907. Cast medal (single), bronze, 68 mm. 45 Victoria Adelheid, Duchess of Saxe-Coborg and Gotha, 1906. Cast medal (single), bronze, 101 mm. 4 6 Waldron, 1905. Cast medal (single), bronze, 101 mm. 47 Wilhelm von Scharfenberg, 1906. Cast medal (single), bronze, 116 mm. 18 322 CONSTANTIN STARCI o Hr Hr 00 Constantin Starck, sculptin', mecfalist (German) sia, 1866. Studied at the Art Academies In Sin reived honorable mention for l^is first figure, FI «• ci K> Exposition of 1892, and medals at th< D esdei • ^ t-H)4, the Berlin Exposition, 1904, and the Louisiana 1904. He is represented in the National Gallerv, as tigure Quelle and the small bronze Trdumerei a* Bum by the wax busts : wonfen and m r a member of the Royal Academy oi 05 03 strasse, Wi.lmersdorf, Berlin; studio, f Ga 0 1 Akademie der Wissenschaften zu Obverse and Reverse. Struck n .<• co & 2 Fiseherei, 1903. Obverse and re verse :■ g ver and Britannia metal, 60 mm. 3 Gartenbau. Struck medal, silver, 39 mm. 4 Graf Waldersee. Struck medal, silver, 34 mm. 5 Grossherzog von Hessen, 1905. Struck medd!, sit 6 Hygiene, Berlin, 1907. Struck medal si Ivey do mm 7 J ahrhu nderts we n de, 1900-1901. Obverse and rev, medal, silver, 39 mm. Hr S Kaiserin Friedrich. Struck medal," silver, 46 mm 9 Krankenpflege,. Schwesteriischaft der Stadt Berlin. ■ : silver, 34 mm. co t0 Jubilaum der Stadt Riga. Obverse and revc $ ver, 56 trim. K 115 11 Pallas Athena. Struck medal, silver, 46 mm. 12 Pomona. Struck medal, Silver. IS ram. 13 Taufmedaille. w Obverse and reverse. Struck* medal, 11 Brochen a us Silber (10), Architektur, Bacchus, He werbe, Malerei, MerlF r, Mu v, Plastik, P< • . 21 mm. o, S » 15 Halskette mit vier kleinen Plaketten, Bacchus i.d • Poesie, 13 mm, » 323 cc CO Ol CO CONSTANTIN STARCK Constantin Starck, sculptor, medalist (German), was born in Riga, Rus- sia, 1866. Studied at the Art Academies in Stuttgart and Berlin. He re- ceived honorable mention for his first figure, Flotenspieler, at the Berlin Exposition of 1892, and medals at the Dresden International Exposition, 1904, the Berlin Exposition, 1904, and the Louisiana Purchase Exposition, 1904. fie is represented in the National Gallery, Berlin, by the marble figure Quelle and the small bronze Traumerei; also in the Dresden Alberti- num by the wax busts of women and by medals and plaquettes. He is a member of the Royal Academy of Arts, Berlin. Address, 35 Nassauische- strasse, Wilmersdorf, Berlin; studio, 1 Gasteinerstrasse. 1 Akademie der Wissenschaften zu Berlin, Leibnitzmedaille, 1907. Obverse and reverse. Struck medal, silver, 46 mm. 2 Fischerei, 1903. Obverse and reverse. Struck medal, copies in sil- ver and Britannia metal, 60 mm. 3 Gartenbau. Struck medal, silver, 39 mm. 4 Graf Waldersee. Struck medal, silver, 34 mm. 5 Grossherzog von Hessen, 1905. Struck medal, silver, 48 mm. 6 Hygiene, Berlin, 1907. Struck medal, silver, 60 mm. 7 Jahrhundertswende, 1900-1901. Obverse and reverse. Struck medal, silver, 39 mm. 8 Kaiserin Friedrich. Struck medal, silver, 46 mm. 9 Krankenpflege, Schwesternschaft der Stadt Berlin. Struck medal, silver, 34 mm. 10 Jubilaum der Stadt Riga. Obverse and reverse. Struck medal, sil- ver, 56 mm. 11 Pallas Athena. Struck medal, silver, 46 mm. 12 Pomona. Struck medal, silver, 43 mm. 13 Taufmedaille. Obverse and reverse. Struck medal, silver, 46 mm. 74 Brochen aus Silber (10), Architektur, Bacchus, Hebe, Kunstge- werbe, Malerei, Merkur, Musik, Plastik, Poesie, Ruhm, 21 x 21 mm. 15 Halskette mit vier kleinen Plaketten, Bacchus, Malerei, Plastik, Poesie, 13 mm. 323 Nos. 1, 2, 3, 4, 5, 6. 8, 9, 10, 11, 12, 13, 14, 15 324 FRANK F. STONE Frank F. Stone, sculptor, medalist (American , was born in London in 1863. He followed commercial pursuits until he was between twenty and thirty, when he came under the influence of Richard Belt, at one time sculptor to Queen Victoria, and in a very short time wa% doing portrait work. Some of the notable people who sat for him for portrait busts were the late William Ewart Gladstone, Cardinal Manning (Jubilee bust), ±1 AX and Dadabhai Naoroji, the latter an Indian statesman. Of the three last named he also made medallions. From Lor doc Mr. Stone weir to 0 fanada, and thence tef California. He exhibited at Montreal, Sacramenio, Chicago, Philadelphia; also at San Antonio and Seattle (Alaska-Yukon Exposition). Works: Innocence and Death, bust group; The Age of Romance, FI statuette; Whisper of^the Dawn, group; The Angel of Silence, statu- ette; The Two Ambitions, high relief; Cupid Admonished, group: The Worker, statuette; also The Agony of the Ages, relief, to which awarded a gold medal at the Alaska-Yukon Exposition. Besides p i ! mi busts, of which Mr. Stone has made a large number, he has made ' i lowing posthumous busts: Dr. Charles Kendall Adams, late pres the University of Wisconsin; Dr. Bara of the Elizabeth Bard Hospital, lands, California; Milton T. Hancock, inventor of the disk plow; th< Professor Clay pole of Throop Institute, 'Pasadena. California; and of Cai lyle Petersilea, musician i Je has man ■ a ■ ■' M Zame the inventor of the uni ei d auxiliary lame d . - >. The rer: nt FI death of Mark Twain gives a special interest to a i t r * it medallion bv Mr. AX Stone of Mark Twain at the age of sixty-id . ■ Yale Street, Los Angeles, California. 5 a e 1 Cardinal Manning (modeled fi * in plaster, model for marble, 24.1 x 1 2 Francis Murphy, 19 hn. Medallion in p.L 3 General William Booth, 1892. Medal (<>\ ai . 120 mm. sx 4 John Ruskin, 1893. Medallion (oval) in ' ; 5 Leo Tolstoi, 1910. Medallion in plaster, 29 ■ 2 8 14 10 14 14 14 ' 5 11 14 10 3 14 14 14 324 FRANK F. STONE Frank F. Stone, sculptor, medalist (American), was born in London in 1863. He followed commercial pursuits until he was between twenty and thirty, when he came under the influence of Richard Belt, at one lime sculptor to Queen Victoria, and in a very short time was doing portrait work. Some of the notable people who sat for him for portrait busts were the late William Ewart Gladstone, Cardinal Manning (Jubilee bust), and Dadabhai Naoroji, the latter an Indian statesman. Of the three last named he also made medallions. From London Mr. Stone went to Canada, and thence to California. He exhibited at Montreal, Sacramento, Chicago, Philadelphia; also at San Antonio and Seattle (Alaska-Yukon Exposition). Works: Innocence and Death, bust group; The Age of Romance, statuette; Whisper of the Dawn, group; The Angel of Silence, statu- ette; The Two Ambitions, high relief; Cupid Admonished, group; The Worker, statuette; also The Agony of the Ages, relief, to which was awarded a gold medal at the Alaska-Yukon Exposition. Besides portrait busts, of which Mr. Stone has made a large number, he has made the fol- lowing posthumous busts: Dr. Charles Kendall Adams, late president of the University of Wisconsin; Dr. Bard of the Elizabeth Bard Hospital, Red- lands, California; Milton T. Hancock, inventor of the disk plow; the late Professor Clay pole of Throop Institute, Pasadena, California; and of Car- lyle Petersilea, musician. He has made a portrait medallion of Zamenhof, the inventor of the universal auxiliary language Esperanto. The recent death of Mark Twain gives a special interest to a portrait medallion by Mr. Stone of Mark Twain at the age of sixty-five. Address, 719 Yale Street, Los Angeles, California. 1 Cardinal Manning (modeled from life), 1891. Medallion (oval) in plaster, model for marble, 24.1 x 18.4 cm. 2 Francis Murphy, 1908. Medallion in plaster, 21.6 cm. 3 General William Booth, 1892. Medal (oval) in plaster, 140 x 120 mm. 4 John Buskin, 1893. Medallion (oval) in plaster, 165 x 136 mm. 5 Leo Tolstoi, 1910. Medallion in plaster, 29.8 cm. 325 (i Sir Henry Irving, 1905. Medallion in plaster, 21cm. (also, cast bronze) . 7 Susan B. Anthony, 1906. Medallion in plaster, 22.8 cm. . : i d i ! 1 902. Hr CO ! A1 Hefoe de la Pa/., Estado de Chihuahn silver, 72 mm. (also exists in gold and 2 The same. \ ■ >< k ( : plaster. K - co > GommaiKkT C ••!••: rt Edwin Pea. , K graphic So, u-iy for the Di§ro . . verse and reverse. Etched 1 "!! 100 mm (also, exists in gold and i Edgar Allan Poe, Cent; ■ >n • »},■■.,. . verse. Struck g .1 The same. >!>• ‘ s O' Gardiner G. Hubbard, awarded by the Na d to Sir Ernest H. Shacldeton for Explot n March 30, 1910. Etched and en graved ; n . . . : . / Jamestown Tercentennial Exposition, 1907. Strut k 62 mm. ^ « 8 The same . Model in plaster. 9 Peter Stuyvesant, 1908. Struck medal, gold, 62 mm. 10 The same. Model in plaster. Q? Q5 TIFFANY & CO. Goldsmiths, Silversmiths, Gem Merchants, New York The house of Tiffany & Co. was founded in 1837 by the late Mr. Charles L. Tiffany, who was its head until 1902. 1 At Heroe de la Paz, Estado de Chihuahua, 1909. Struck medal, silver, 72 mm. (also exists in gold and bronze). 2 The same. Model in plaster. 3 Commander Robert Edwin Peary, awarded by the National Geo- graphic Society for the Discovery of the North Pole, 1910. Ob- verse and reverse. Etched and engraved medal, silver, 100 mm. (also exists in gold and bronze). •4 Edgar Allan Poe, Centenary, January 19, 1909. Obverse and re- verse. Struck medal, bronze, 38 mm. 5 The same. Model in plaster. 6 Gardiner G. Hubbard, awarded by the National Geographical Society to Sir Ernest H. Shackleton for Explorations in the Antarctic, March 30, 1910. Etched and engraved medal, gold, 75 mm. 7 Jamestown Tercentennial Exposition, 1907. Struck medal, silver, 62 mm. 8 The same. Model in plaster. 9 Peter Stuyvesant, 1908. Struck medal, gold, 62 mm. W The same. Model in plaster. 333 UNITED STATES MINT, PHILADELPHIA / Abraham Lincoln, 1909. Struck medal, bronze, 64 mm. 1? The same. Galvano model for the above. 5 American Red Cross, 1909. Struck medal, bronze, 38 mm. / The same. Phosphor-bronze model for the above. 3 Cardenas, May 11, 1898. Obverse and reverse. Struck medal, bronze, 72 mm. 6 The same. Phosphor-bronze model for the above. / Departure of the United States Atlantic Fleet on its Cruise around the World, 1907. Obverse and reverse. Struck plaquette, bronze, 62 x 80 mm. 8 The same. Phosphor-bronze model for the above. .9 George B. Cortelyou, Secretary of the Treasury, 1909. Struck pla- quette, bronze, 57 x 40 mm. 10 The same. Phosphor-bronze model for the above. 11 Inauguration of Theodore Roosevelt, Second Term, 1905. Reverse. Struck medal, bronze, 71 mm. 72 The same. Phosphor-bronze model for the above. 13 Inauguration of William H. Taft, 1909. Obverse and reverse. Struck medal, bronze, 71 mm. 74 The same. Galvano model for the above. 13 John Griffin Carlisle, Secretary of the Treasury, 1893. Obverse and reverse. Struck medal, bronze, 71 mm. 16 The same. Phosphor-bronze model for the above. 17 Leslie M. Shaw, Secretary of the Treasury, 1902-1907. Struck pla- quette, bronze, 71 x 51 mm. 18 The same. Galvano model for the above. 79 Wilbur and Orville Wright, Aeronauts, 1909. Obverse and reverse. Struck plaquette, bronze, 57 x 83 mm. 29 The same. Phosphor-bronze model for the above. 27 William McKinley, Pan-American Exposition, 1901. Reverse. Struck medal, bronze, 71 mm. 22 The same. Phosphor-bronze model for the above. 1 Nos. 1 24 are the work of Messrs. Barber and Morgan, Engravers at the Mint at Philadelphia. Nos. 25-27 were modeled and engraved by Augustus Saint-Gaudens. 334 23 World’s Columbian Exposition, Four-Hundredth Anniversary of the Landing of Columbus (1492-1892), 1893. Reverse. Struck medal, bronze, 77 mm. 24 The same. Phosphor-bronze model for the above. AUGUSTUS SAINT-GAUDENSf Augustus Saint-Gaudens, sculptor, medalist (American), was born in Dub- lin, 1848. His father, Bernard Paul Ernest, was a native of France, coming from the vicinity of the town of Saint-Gaudens, among the spurs of the Py renees. His parents brought him to this country while he was still an infant. At the age of thirteen he was apprenticed to a cameo-cutter. Sub- sequently he studied at the National Academy of Design in New York. In 1867 he went to Paris, entered the Ecole des Beaux-Arts, and was pupil of Jouffroy for three years. In 1871 he went to Rome, where he executed his first statue in marble, Hiawatha. He died in August, 1907. Works: The Puritan; The Adoration of the Cross by the Angets; bas- relief for St. Thomas’s Church, New York; the statue of Admiral Farragut for New York City, which was exhibited at the Salon of Paris in 1880, along with six medallions, and which won him an honorable mention; the statues of Robert Randall and Abraham Lincoln for the city of Chicago; the equestrian statue of General Sherman at the entrance to Central Park, New York; Diana , Madison Square Tower, New York; statue of Samuel Chapin for Springfield, Massachusetts; the busts of W. M. Evarts; of the Hellenist, Theodore Dwight Woolsey; and of General Sherman; the Shaw Memorial , Boston, Massachusetts. 25 10-Dollar Gold Piece, 1907. Obverse and reverse. Model in plaster. 26 20-Dollar Gold Piece, 1907. Obverse and reverse. Model in plaster. 1 27 World’s Columbian Exposition, Four-Hundredth Anniversary of the Landing of Columbus (1492-1892), 1893. Obverse and re- verse. 2 Galvano model for medal. 1 The first 20-dollar gold pieces are 4 nun. thick; the succeeding pieces 2 mm.; the latest pieces beginning with 1908 are only 2 mm. thick. The pieces of greatest thickness and very high relief were struck on a medal press, and each piece was struck ten times and annealed between each impression. 2 The reverse design for this medal was rejected, and the reverse by C. E. Barber, No. 23, adopted. 335 ■' , ■ : I 'jY y ; ’Jr' r . Is ; vs* - -j.Mr ■ ' 0 r!r l '£l& Nos. 7, 8 Nos. 23, 24 Nos. 13. 14 336 Nos. 21, 22 Nos. 19, 20 337 Nos. 11, 12 338 FRANTZ YERMEYLEN Frantz Vermeylen, sculptor, medalist (Belgian), was born in Louvain, 1857. After serious studies in his native city, he went to the Ecole des Reaux-Arts at Paris to perfect himself, and there attended for two years Dumont’s studio. On his return to Belgium, he worked during eight years, in collaboration with his father, on innumerable sculptures in the Rijks Museum and the central station of Amsterdam. He gained a reputation by his numerous busts and portraits of the professors of the University of Louvain and of many eminent men of Belgium: Dr. Heynen, vice-presi- dent of the Chamber of Representatives; the chemist Louis Henry, etc. At present he is completing a bust of the minister Helleputte and is working on a portrait of Professor de Walque. He had charge, as sculptor, of the restoration of the most beautiful ancient monuments of Belgium, the Hotel de Ville of Louvain, the Hotel de Ville of Audenarde, the Palais du Grand- Conseil of Malines, etc. The monument erected at Arlon to the governor Orban de Xivry is considered to be among the best monuments decorating public squares of the country. He was one of the first to take part in re- viving the artistic medal in Belgium. His numerous works have gained for him the decoration of chevalier of the Order of Leopold. F. V ermeylen is the appointed sculptor of the University of Louvain. In 1909 he was president of the committee of the Exposition Constantin Meunier, where all the works of this great artist were gathered together. Constantin Meu- nier had been for ten years professor at the Academie des Beaux-Arts at Louvain. Address, 49 rue des Recollets, Louvain, Belgium. 1 50 e Anniversaire du Manage du Comte de Limburg-Stirum, 1906. Struck medal, bronze, 65 mm. 2 75 e Anniversaire de l’Universite de Louvain, 1909. Obverse and re- verse. Struck medal, bronze, 60 mm. 3 Professeur Docteur E. Masoin, de l’Universite de Louvain, Docteur en Medecine, 1909. Struck medal, bronze, 50 mm. 4 Professeur Docteur Francois de Walque, de l’Universite de Lou- vain, 1908. Struck medal, bronze, 33 mm. 339 5 Professeur Docteur G. Yerriest, de l’Universite de Louvain, Doc- teur en Medecine, 1909. Struck medal, bronze, 50 mm. 6 Professeur Docteur Th. Debaiseux, de l’Universite de Louvain, Doc- teur en Medecine, 1909. Struck medal, bronze, 50 mm. 3 340 EMILE SERAPHIN VERNIER Emile Seraphin Vernier, engraver, sculptor, medalist (French), was born in Paris, 1852. Member of the Council of the Societe Nationale des Beaux- Arts. Member of the Superior Council for Instruction in Decorative Art. President of the Society of Artist Decorators. Chevalier of the Legion of Honor. Officer of Public Instruction. He was apprenticed to a carver in 1865, at the age of thirteen; about 1876 was one of the most prominent engravers, and took an active part in works of art industry, goldsmith’s work, and jewelry. It was in the evening courses of the schools of the city of Paris that he learned to draw. During the period from 1876 to 1890 he executed works in engraving which are in various museums. Toward the close of 1888 he began to devote himself more exclusively to the engraving of medals, and applied this art to jewelry. He has always made portraits in chased work, in sculpture, and in engraved medallions. Vernier was intrusted by the French government in 1895 with a study of Egyptian jew- elry, and was sent for that purpose to Cairo. The memoir of this mission was awarded a prize by the Academy of Inscriptions and Relles-Lettres ( prize Delalande-Guerineau ) . Works: L’Orfevrerie Francaise, panel in goldsmith’s work, gold, agate, and enamel, National Museum of the Luxembourg; Le Porte- enseigne, iron panel, carved an repousse, ail champleve, embossed in gold and silver (this panel was at first assigned to the National School of Decorative Arts, and is now in the Museum of Decorative Arts); La Comparaison, small bronze plateau, carved and gilded, Musee Municipal de Galliera, Paris; Femme an Chien, silver cup, gilded, Musee Galliera; Les Trois Ages de la Vie, silver plaquette, carved and gilded, Musee du Luxembourg; La Conference In- ternationale Ouvriere de Berlin, bronze bas-relief, National Museum of Versailles; La Peinture Ceramique, mark of the National Manufactory of Sevres; medal commemorative of the inauguration of the monument of Gambetta at Paris, 1888; medal of the laying of the first stone of the Mu- seum of Antiquities at Cairo; plaquette to the memory of Mariette Pacha; Republique Francaise; Archeologie; Manage; Pierre Curie, Georges Ber- ger, etc.; medallions of Paillet, president of the Amis des Livres; portraits of Carolus Duran, G. Maspero, Bonvalot, Commandant Berger, Pierre Laf- fitte, Mesureur, Tolain, Spuller, etc. He is represented by collections of 341 plaquettes and medals in the Musee du Luxembourg and the Petit Palais at Paris, and by a collection of coins in the Museum of Versailles. Studies and reproductions have been published by Le Portefeuille de U nion Cenirale des Arts Decoratifs; L’Art Decoratif Moderne; Gazette des Beau.r-Arls; L'Arl; Magas in Piitoresque; L Art Ancien et Moderne; Art et Peroration. Finally, the Gazette Nnmismatique Franeaise has published a complete catalogue of his works and two supplements by M. Fernand Mazerolle. Address. 5 bis, rue Bara, Paris. 1 Alexandra R., 1899. Struck medal, gold, 30 mm. 2 Anatole France, 1903. Cast plaquette (single), bronze, 140 x 103mm. '3 Archeologie, 1902. Struck plaquette, bronze, 70 x 50 mm. 7 The same, 1900. Plaque, galvano bronzed, model for the above, 20.7 x 14.8 cm. 5 Auguste Comte, 1902. Struck plaquette, bronze, 71 x 50 mm. 6 Carolus Duran, 1905. Cast plaquette (single), bronze, 125 x 90 mm. 7 Charles Augustin Sainte-Beuve (frappee pour le Journal des De- bats ), 1904. Struck plaquette, bronze, 47 x 65 mm. 8 De Wailly, 1889. Plaquette, galvano bronzed, 90 x 74 mm. .9 Eugene Spuller, 1894. Cast medal (single), bronze, 91 mm. 70 F., 1899. Struck medal, gold, 30 mm. 77 Fernand Mazerolle, 1901. Cast plaquette (single), bronze, 142 x 110 mm. (also, 83 x 70 mm.). 72 Gaston Maspero, 1905. Cast plaquette (single), bronze, 88 x 61 mm. 73 Georges Berger, President de l’Union Centrale des Arts Decoratifs, 1907. Struck plaquette, bronze, 90x65 mm. 71 Germaine, 1908. Plaquette, gal vano bronzed, 70 x 51 mm. 75 The same. Obverse and reverse. Struck medal (badge), silver, 21 mm. 76 Gustave Mesureur, Depute de la Seine, 1887. Cast medal (single), bronze, 90 mm. 77 Jean Henri Chouppe, 1904. Cast plaquette (single), bronze, 80 x 57 mm. 78 Jeanne, 1888. Cast medal (single, oval), bronze, 108x88 mm. 79 La Conference Internationale Ouvriere de Berlin, 1890. Plaquette, galvano gilt, 85 x 121 mm. (only 20 numbered copies, No. 12). 20 La Station Viticole de Villefranche, 1903. Struck plaquette, bronze, 70 x 50 mm. 342 21 Le Jeune G., 1895. Struck medal, silver, 29 mm. 22 Le Petit Henri D., 1892. Plaquette, galvano gilt, 71 x 52 mm. 23 Le “Set,” 1895. Plaquette (triptych), galvano gilt, 73 x 128 mm. 24 Les Trois Ages de la Vie, 1895. Plaquette, galvano gilt, 80 x 43 mm. 25 Marguerite, 1896. Struck medal, gold, 30 mm. 26 Mariette Pacha, 1905. Obverse and reverse. Struck plaquette, bronze, 60 x 75 mm. 27 Les Enfants L. B., 1901. Struck medal (oval), silver, 33 x 28 mm. 28 Mine. A. P., 1897. Cast plaquette (single, irregular shape), bronze, 135 mm. 29 Mine. G., 1890. Cast plaquette (single), bronze, 84 x 58 mm. 30 Mine. N., 1895. Medal, galvano gilt, 63 mm. 31 Pierre Curie, 1908. Struck plaquette, bronze, 70x50 mm. (reduc- tion of the plaque executed for the city of Paris). 32 Princesse de Chimay, 1896. Struck medal (oval), gold, 35 x 27 mm. 33 Republique Francaise, Obverse, 1903, Reverse, 1909. Struck pla- quette (with reverse, l’lnstitut Francais d’Archeologie Orientale du Caire), bronze, 53 x 33 mm. 34 L’Orfevrerie, 1897. Cast plaquette (single), bronze, 170 x 117 mm. 343 6 344 X 4 - IC 344 345 FREDERIC CHARLES VICTOR I)E VERNON (Frederic Vernon) Frederic Charles Victor de Vernon, medalist (French), was born in Paris, 1858. He studied at the Ecole des Beaux-Arts, where he was a pupil of Tassel, Cavelier, and Chaplain. He exhibited for the first time in the Salon of the Soeiete des Artistes Franeais in 1882, and obtained a medal of the third class in 1884 with a collection of medals which included, among others, a portrait of Charcot. In 1887 he obtained first prize in the Con- cours de Rome, having obtained the second prize in 1881. During his stay at Rome he exhibited work in the Exposition Universelle of 1889, where he obtained a bronze medal. Upon returning to Paris, the artist received a second medal in 1892, a first medal in 1895, and a gold medal from the Exposition Universelle in 1900. This year marked his creation as a chev- alier of the Legion of Honor. His most widely known medals have been modeled since the year 1905. In 1907 the artist gained the medal of honor from the Salon in the section of sculpture, which up to the present time has been only twice awarded to medalists. In 1909, after the death of his master M. Chaplain, M. Vernon was elected a member of the Academic des Beaux-Arts, and, several days after, professor in the medalists’ atelier in the Ecole des Beaux-Arts. Works: medals: Clemence de Vernon; Medaille des Sports, Exposition de 1900; S. M. la Heine Louise de Danemark; Mariage du Due d’ Orleans, M. Nagelmackers; M. Pierre Baudin; M. Louis Ricard; plaquettes: M. Wal- deck-Rousseau; Mine. Waldeck-Rousseau el son Fils; Les Communiantes; La Poesie; Congres de Medecine de 1900; Amis des Arls de Pau; Exposition Universelle de Glasgow; Exposition Universelle de Liege; Association In- ternationale des Academies; M. Etienne, Minister of War, of which the re- verse has for its subject, LOranie a son Depute; Jeunes Filles au Travail, etc. See F. Mazerolle, “F. de Vernon, Biographie et Catalogue de son CEuvre” (Paris, Raymond Serrure, 1899), and the same, “F. de Vernon, Catalogue de son CEuvre (Supplement)” (Chalon-sur-Saone, Emile Bertrand, 1905), both being reprints from the Gazelle Numismatique Erancaise for 1899 and 1904; also Clement- Janin, “Le Medailleur F. Vernon,” in the Revue 346 des Arts Decoratifs for March and April, 1901. Address, 35 rue cle l’Univer- site, Paris. 1 Albert Gaudry, 1902. Struck plaquette, silver, 70 x 52 mm. 2 Albert Robin, 1905. Plaquette, galvano silvered (struck, 73 x 51 mm.) . 3 Association Internationale des Academies, 1901. Plaquette, gal- vano silvered, 130 x 178 mm. (also, plaque, 15.6 x 24.6 cm.; struck plaquette, 58 x 80 mm.). 1 4 Atelier de Couture, 1899, plaquette destinee a former un de a coudre, offerte par le president Kruger a la reine Wilhelmine. Plaquette, galvano silvered, 40 x 144 mm. (cast (single), variety, 40 x 144 mm.; struck plaquette (uniface), 23 x 54 mm.). 5 Benedictine de Fecamp, Inauguration des Nouveaux Batiments, 1900. Plaquette, galvano silvered, 100x78 mm. (cast (double), 100 x 78 mm.; struck, 69 x 53 mm.). 6 Cardinal Langenieux, Archeveque de Bheims, 1896. Medals, gal- vano silvered (cast (single), 60mm.; struck, 34mm.). 7 Centenaire de la Marseillaise, 1892-1894. Obverse and reverse. Cast medal (double), bronze, 100 mm. 8 Christ, 1897. Medal, galvano silvered, 60 mm. (cast (single), 150 and 60mm.; struck in various sizes). 9 Christophe Colomb, 1892-1894. Medal, galvano silvered (cast (sin- gle), 80 mm.; struck (uniface) in various sizes). 10 Congees International de Medecine, 1900. Plaquette, galvano sil- vered, 100x58mm. (cast (double), 100x58mm.; struck medal ( badge ) , 40 x 22 mm. ) . 11 Cour d’Appel de Paris, Le Bureau d ’Assistance Publique a son Pres- ident, M. Jourdan, 1892. Obverse and reverse. Cast medal (double), bronze, 98 mm. (cf. Mazerolle, “F. de Vernon,” etc., No. 68). 12 Dr. J. M. Charcot, 1900. Struck medal, silver, 68 mm. 13 Dr. William Osier, 1903. Cast plaquette (single), bronze, 111 x 78 mm. 74 Dr. F. Terrier, 1900. Cast plaquette (single), bronze, 120 x 92 mm. (struck, 67 x 50 mm.). 347 1 Nos. 3, 4, 38, and 43 belong to the American Numismatic Society, and were exhibited apart from the other numbers. 75 E. Boutry, 1891. Casl plaquette (single), bronze, 172 x121mm. 16 Ecole Municipale des Arts du Dessin, 1892-1894. Obverse and re- verse. Medal, galvano silvered, 90 mm. (east (double), 90 mm.; struck in various sizes and with various reverses). 1 7 Exposition Internationale de Glasgow, 1902. Obverse and reverse. Plaquette, galvano, 100 x 78 mm. (cast (double), 100x 78 mm.; struck, 69 x 54 mm.). 18 Eve, 1905. Cast plaquette (single), bronze, 123 x48 mm. 7.9 Frederic de Vernon (on “Riric,” Ills de l’artiste), 1904. Plaquette, galvano silvered (cast (single), 99x 76 mm.). 20 G. Nagelmackers, 1901. Plaquette, galvano silvered (cast (single), 99 x 70 mm.). 21 H. Danger, 1891. Cast plaquette (single), bronze, 172 x 121 mm. 22 Horticulture, Soeiete de Montmorency, 1892-1894. Obverse and reverse. Medal, galvano silvered (cast (double), 91 mm.; struck in various sizes). 23 .lean de Vernon (tils de l’artiste), 1904. Plaquette, galvano silvered (cast (single), 99x76 mm.). 2'\ La Pensee, 1899. Galvano silvered model for paper-cutter, 140 mm. (struck piece (uniface), 145, 105, and 68 mm.; cf. Mazerolle, op. cit., 98). 25 La Poesie, 1903. Plaquette, galvano silvered (cast (single), 120 x 89 mm.). 26 La Solidarity, 1901. Plaquette, galvano silvered (cast (double), 101 x 71 mm.; struck, 76 x 54 mm.). 27 Le Baiser (on Amour), 1903. Cast plaquette (single), bronze, 150 x 109 mm. 28 Le Reve, 1899. Cast plaquette (single, elongated shape), bronze, 195 mm. 29 Les Communiantes, 1905. Plaquette, galvano silvered (cast (sin- gle), 150 x 111 mm. and 111 x 81 mm.). 30 Les Fileuses (on Les Devideuses), 1904. Plaquette, galvano sil- vered (cast (single), 120x92mm.). 31 Les Sports, Exposition Universelle de Paris, 1900. Obverse and reverse. Plaquette, galvano silvered (cast (double), 100x69 mm.; struck, 60 x 42 mm.). 348 32 Louis Delaunay-Belleville, 1895. Obverse and reverse. Struck medal, silver, 68 mm. 33 L. Ricard, Depute, Ministre de la Justice, 1897. Cast plaquette (single), bronze, 100x74mm. 54 Mariage du Due d’Orleans et de rArchiduchesse d’Autriche, 1896. Obverse and reverse. Cast medal (double), bronze, 100mm. (struck, 36 mm.). 35 M. Etienne, Depute, Ministre de la Guerre, plaquette offerte par TOranie (Algerie), 1906. Reverse. Plaquette, galvano silvered, 100mm. (cast (double), 100mm., existing in one copy only; cast (single), 100 mm.; struck, 70 mm.). 36 Mile. Yvonne X., 1902. Plaquette, galvano silvered (cast (single), 99x72 mm.). 37 Mme. Ernestine Danjard (tante de fartiste), 1895. Cast plaquette (single), bronze, 91 x 69 mm. 38 Mme. Clemence de Vernon (mere de l’artiste), 1895. Cast plaquette (single), bronze gilt, 89 x 69 mm. (also, 24.5 x 18.5 cm.). 39 Mme. M. Ormond, 1895. Plaquette, galvano silvered (cast (single), 120 x 92 mm.; also, 100 x 60 nun.) . 50 Mme. Waldeck-Rousseau et Jacques Liouville, son fils, 1902. Pla- quette, galvano silvered (cast (single), 120x 75 mm.). 51 P. L. Armand de Potter, 1896. Cast medal (double), bronze, 98 mm. 52 Rene Nagelmackers, 1897. Obverse and reverse. Cast plaquette (single), bronze, 98 x 66 mm. 53 Rosa, 1888. Cast plaque (single), bronze, 25.5 x 11.6 cm. 55 R. Waldeck-Rousseau, 1900. Plaquette, galvano silvered, 99 x 70 mm. (cast (double) (1900), 99x70 mm.; struck (1905), variety . 28x20 mm.). 55 S. M. la Reine Louise de Danemark, 1898. Plaquette, galvano sil- vered, 123 x89 mm. (cast plaque (single), 29.7 x 21.7 cm.; also, 123 x89 mm.). 56 Tete d’Etude, 1889. Medal, galvano silvered, 98 mm. (cast (single), 98 mm.) . 57 Vierge, 1897. Medal, galvano silvered, 60 mm. (cast (single), 150 and 60 mm.; struck in various sizes). 58 Viticulture (on Les Vendanges), 1886. Cast medal (single), sil- vered, 120 mm. (struck (uniface) in various sizes). 349 350 351 48 352 353 Nos. 3, 4, 38, 43 46 354 40 co ■ v : : 1 1 B o Cl cc CO ZD CO lO CO rtf CO CO CO CO o CO d CM CO O') l-~ CQ ZD f Art, Edgartown, Island o» V< ,{• s Vine yard, Massachusetts 1907. Sculptor of the Woman’s h .i Exposition, 1893; Carrie Lvmw n Memorial Fountain, Pr- . of Dr. w. T. Bull, Col leg e of ! ovsicians and Surgeons, N- Vo !, , 1909; Sun dial for Oliver i mm, 1900; Emma Willard rm inat. Albany, \ ew Y or k ; C h a n i ■ e If • ria id, V'anderbilt Universit , ' r H - in Fountain, Lou is v i 1 D K- ! • t. • , ] 905; Thomas monument. ■ ", i i() Member National Sen. ; i r» Society, Municipal Art Sore o . md Crafts SocieK - u Scenic and Historic Preset- van-. v . , - , , j , . \ • _ ■ • i \ , % »! tional Arts Club. And: • summer) Edgartown, Mass it he * *tts; winter- 119 East Ninet< entl « * 7 Mrs. Breck< 1.22 m. b» > s T = Son, 1902. Bas-rgjief in and marble). er, 0.91 f> x - b < cL 190i). ' a me in plaster, 17x22 cm. (struck ■nze, 50 x 65 mm.). \ 1902. Obverse and reverse. Struck medal (dies ) ronze, 45 mm. 1908. Plaque in plaster, 27 x 20 cm. (struck 90 mm.). A nniversaire de Manage de M. et Mme. Fr. Wis- ■ erse. Medallion in plaster, 30 cm. (struck medal. ; . fi, 7, 8, 9, 10,11, 12 RNID YANDELL r can), was born in Louisville, Kentuck} . ' t School. Pupil of Philip Martiny, in New a in Paris. She won the designer’s medal, at . ••• ;M95. Has exhibited in Paris Salon regularly since ;e Exposition, 1897; honorable mention, Buffalo ra '.;v i • f'V ‘ - ' * . 1 lfi» r ■ r ; V : ■ ■ ': “ o - . • -7 m ££ 47 0? 00 PO *"▼ 372 373 Nos. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10. 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26 GENERAL INDEX GENERAL INDEX Abruzzi, S. A. R. II Duca degli, p. 39, n. 13; p. 277, n. 8 Academie Beige, p. 152, n. 3 Academies, Association Internationale des, p. 347, n. 3 Academy of Design, National, p. 28, n. 45; p. 164, n. 1 Accalmie, L’, p. 307, n. 4 Actes de Devouement, p. 267, n. 1 Actors’ Fund Fair, p. 8, n. 1 Adaedre, p. 82, n. 1 Adagio (Beethoven), p. 295, n. 1 Adams, Edward D., p. 327, n. 1, 2 Aerienne, Navigation, p. 218, n. 15 Aero Club of America, p. 29, n. 65 Aeronauts, W. and O. Wright, p. 29, n. 65; p. 334, n. 19, 20 Aerztefahrt der “Thalia,” p. 141, n. 1 African War, Termination of the South, p. 106, n. 33 Age Heureux, L', p. 231, n. 19 Agents de Change de Paris, p. 267, n. 3 Agony of the Ages, The, p. 326, n. 8 Agricoltura, Industria e Commercio, Ministero di, p. 286, n. 18 Agricultural Society of England, Royal, p. 238, n. 7 Agriculture, p. 183, n. 1 ; p. 225, n. 1 ; p. 236, n. 1; Industrie, p. 183, n. 14 Agriculture, L\ p. 115, n. 2 Agriculture, Societe d’, Curagao, p. 363, n. 19 Aieule, L’, p. 74, n. 27 Aigle, p. 259, n. 1 Akademie des Bauwesens, Konigl., Ber- lin, p. 216, n. 15 377 Akademie der Wissenschaften, Berlin, p. 323, n. 1 Albert de Belgique, Cercle Africain a S. A. R. Mgr. le Prince, p. 74, n. 13 Albert, La Jeunesse Bruxelloise an Prince, p. 365, n. 5 Alchemist, Der, p. 295, n. 7 Alexander Friedrich, Landgraf von Hes- sen, p. 157, n. 3 Alexandra, Queen, p. 106, n. 27 Alexandra R., p. 342, n. 1 Alexandre, P., p. 75, n. 35 Alexandrie, Souvenir d\ p. 258, n. 8 Alfonso XIII, p. 158, n. 4; y Victoria Eu- genia de Battenberg, Union Augusta, p. 206, n. 1 ; Coronation de, p. 12, n. 4 Alice, p. 303, n. 1 AlkAperto, p. 45, n. 1 Allegory, Nineteenth-century, p. 208. n. 4 Allerseelen, p. 245, n. 66; p. 261, n. 1 Allgemeine Wahlrecht, Neujahrspla- kette, p. 165, n. 22 Alpenverein, p. 141, n. 2 Alpin Frangais, Club, p. 268, n. 14 Alpine, p. 244, n. 53 Alpino Italiano, Club, p. 276, n. 3 Alviella, Comte Goblet d’, p. 283, n. 3 Americaine, Union Franco-, p. 271, n. 80 American Gas Institute, p. 8, n. 2 American Geographical Society, p. 26, n. 10 American Numismatic Society, p. 26, n. 4, 9; p. 27, n. 32; p. 29, n. 63, 64; p. 105, n. 2; p. 106, n. 14; p. 204, n. 47 American Red Cross, p. 334, n. 3, 4 Amerigo Vespucci, p. 26, n. 4 GENERAL INDEX Ames, Winthrop, p. 15, n. 1 Amieis, “Cuore” di Edm. do, p. 276, n. 5 Amitie, L\ p. 115, n. 3 Amor avec Couronne, p. 101, n. 1 Amour Consolant l’Humanite, L’, p. 270, u. 52 Amour Divin, p. 263, u. 3 Ampere, Andre Marie, p. 51, n. 2 Andrucci, Carlo, p. 286, n. 19 An esse, p. 190, n. 1 Ancsse Debarrassee des Mouches par des Canards, p. 231, n. 2 Angelo, Bianca Maria, p. 45, n. 2 Angelas, The, p. 86, n. 1 Anglin, Margaret, p. 320, n. 30 Anniversaire de l’Association des Inge- nieurs des Ecoles de Gaud, p. 194, n. 1, 2, 3 Anniversaire de TEtat Independant du Congo, p. 284, n. 11 ; p. 314, n. 11 Antarctic, Explorations in the, p.333, n. 6 Anthony, Susan B., p. 326, n. 7 Aosta, Duehessa d\ p. 277, n. 7 Apache Indian, p. 289, n. 2, 3, 8 Aphrodite, Head of, p. 92, n. 2 Aphrodite on a Conch, p. 129, n. 7 Apiculture, p. 190, n. 2 Arab, Fatma, a Bishareen, p. 123, n. 4 Arbeit isl des Burgers Zierde, p. 129, n. 1 Archeologie, p. 342, n. 3, 4 Archeologie, L’Histoire Enregistre les Decouvertes de 1’, p. 178, n. 26; p. 308, n. 18 Archeologique de Gand, XX C Congres, p. 191, n. 10 Architectes Diplomes, Societe des, p. 18, n. 35, 36 Architects, Royal Institute of British, p. 96, n. 1 ; p. 100, n. 1 Architecture, p. 183, n.2; (Sculpture, Peinturc), p. 83, n. 15 Architecture, Hygiene et, p. 183, n. 13 Architektur, p. 169, n. 1 Argentina, Republica, p. 179, n. 30; p. 184, n. 29 Amies d’ Alliances du Baron de Errazu, p. 177, n. 5 Amies de la Republique Frangaise, p. 177, n. 7; p. 178, n. 8 Amies du Baron de Errazu, p. 177, n. 6 Arnold, Daniel et Dorothea, p. 101, n. 8 Ars Longa, Vita Brevis, p. 101, n. 2 Art, p. 208, n. 1 Art des Jardins, p. 310, n. 32 Art Institute of Chicago, p. 26, n. 6 Art, Science, and Music, Order for, p. 106, n. 23 Arte e Musica, p. 43, n. 1 Arts Club, Philadelphia, p. 24, n. 3 Arts Decoratifs, Union Centrale des, p. 271, n. 78, 79; p. 342, n. 13 Arts Federation of New York, Fine, p. 27, n. 20 Arts, Jeux et, p. 58, n. 16-19 Arts, Les, Sculpture, Architecture, Pein- ture, p. 83, n. 15 Aspern, Gedenktag der Schlacht v., p. 202, n. 20 Association Beige de Photographic, p. 73, n. 4 Association des Ingenieurs de l’Ecole des Mines de Mons, p. 73, n. 5 Association des Ingenieurs des Ecoles de Gand, p. 194, n. 1, 2, 3 Association Frangaise pour l’Avance- ment des Sciences, p. 267, n. 5 Association Internationale des Acade- mies, p. 347, n. 3 Association, National Eisteddfod, p. 151, n.2, 3 Association, New York Public Educa- tion, p. 26, n. 12 Association, St. George Athletic, p. 29, n. 59 Associazione Nazionale per la Difesa della Fanciullezza Abbandonata, p. 43, n. 2 ,378 GENERAL INDEX Associazione pel Commercio e Industria della Sete, p. 43, n. 11 Associazione per le Belle Arti in Milano, p. 251, n. 8 Assurances Mutuelles de Rouen, p. 268, n. 6 Astrea, p. 136, n. 1 Astronome, Jules Janssen, p. 316, n. 4, 5 Atelier de Couture, p. 347, n. 4 Atene, Scuola d’, p. 39, n. 14; p. 40, n. 15 Athene, p. 178, n. 9, 10. See Pallas Athena Athenes, Ecole Franyaise d’, p.268, n. 24 Athletic Association, St. George, p. 29, n. 59 Auberive, Maison d’Education d’, p. 270, n. 56 Auersperg, Fiirst Carl, p. 202, n. 19 Aujar, Leopold, p. 172, n. 24 Aumale, Henri d’Orleans, Due cl’, p. 52, n. 22 Aurore, L’, p. 178, n. 25 Ausstellung, Deutsche Unterrichts-, St. Louis, p. 216, n. 10 Ausstellung f. Spiritus-Verwertung, p. 203, n. 27 Ausstellung in Bukarest, p. 295, n. 3, 4 Ausstellung in Diisseldorf, p. 216, n. 1 Ausstellung in Reichenberg, Deutsch- Bohmische, p. 142, n. 12 Ausstellung, Venedig, p. 170, n. 8 Automobil, p. 244, n. 54 Automobile, p. 218, n. 3 Automobile Club, Royal, p. 133, n. 1 Automobiles, Chambre Syndicale, p. 158, n. 8 Autriche, Mariage du Due d’Orleans et de l’Archiduchesse d’, p. 349, n. 34 “Aux Arnies, Citoyens,” p. 263, n. 4 Ave Maria, p. 42, n. 1 Avery, Samuel P., p. 28, n. 52 Aveugles, Institution des Jeunes, p. 183, n. 15; p. 308, n. 19 Avocats an Conseil d’Etat, Jeton des, p. 17, n. 27 379 Avache, Madame, p. 183, n. 19 Aynard, Mathieu Edouard et Rose Pau- line, p. 270, n. 59 B., Dorothy, p. 209, n. 6 Babinet, Jacques, p. 17, n. 26 Bacchante, p. 368, n. 1; Head of a, p. 129, n. 9 Bacchus, p. 190, n. 3 Bach, Charles, p. 320, n. 8 Bach, J. S„ p. 243, n. 36 Bachofen von Echt, Freiherr u. Freifrau, p. 239, n. 7, 8 Bacio del Redentore all’ Umanita, p. 42, n. 2 Baigneuse, p. 88, n. 1 Baigneuses, p. 171, n. 1, 2 Bain, Le, p. 58, n. 24 Baiser, Le, p. 83, n. 12; p. 115, n. 6, 7; p. 348, n. 27 Baiser d’Enfant, p. 369, n. 3 Baiser de la Mere, p. 368, n. 2 Baker, Charles, p. 126, n. 1 Baker, George P., p. 320, n. 20 Bale, Tir de, p. 102, n. 25 Balkentragender Mann, p. 216, n. 2 Balli, Francesco, p. 285, n. 10 Bambine, p. 43, n. 3 Banca Coop. Pop. di Padova aH’Ill mo Pres., Barone Mario Treves clei Bonfili, p. 285, n. 1 Bapteme, p. 263, n. 5; de J. G. Roty, p. 270, n. 58 Bar, Prof. Paul, p. 254, n. 11 Baravalle, Prof. Carlo, p. 304, n. 3 Barnes, Mildred, p. 303, n. 10 Barrere, C., p. 70, n. 5 Bartholme, Anton, Tonkiinstler, p. 143, n. 31 Bartholome, A., p. 157, n. 1, 2 Bartlett, Mrs. George P. (Adelaide L.), p. 4, n. 1 Bass, Lyman Metcalfe, p. 112, n. 2 Bateaux Parisiens, Compagnie des, p. 268, n. 17 GENERAL INDEX Battaglia di Legnano, p. 39, n. 10 Battenbcrg, Princess Henry of, p. 106, n. 25, 26 Baur, Samuel, p. 102, n. 23 Bavaria, p. 242, n. 12 Baxter, Mary Scovill, p. 320, n. 32 Bayerischer Fischereiverein, p. 154, n. 2 Bayern, Prinzregent Luitpold von, p. 134, n. 3; p. 244, n. 51 Beal Medal, p. 8, n. 2 Beale, Miss, p. 124, n. 12 Beaux-Arts, Exposition Nationale des, p. 17, n. 14. See Fine Arts, Belle Arti. Bebc, p. 74, n. 11 ; p. 183, n. 3; p. 190, n. 4 Bcchstein, Carl, p. 129, n. 2 Beck, Carol H., Memorial, p. 24, n. 2 Beck, Freiherr v., p. 202, n. 16 Bedouin, Palestine, p. 227, n. 1 Beethoven, p. 171, n. 3; Haydn, Mozart u., p. 223, n. 7. See Adagio Begeer, Anthon, p. 362, n. 2 Beige, 75 me Anniversaire de l’lndepen- dance, p. 75, n. 47; ]). 83, n. 23 Belgique, Reprise du Congo par la, p. 75, n. 43 Belle Arti in Milano, Giubileo della Fon- dazione dell’Associazione per le, p. 251, n. 8 Belt-buckle, p. 29, n. 69 Beltrami, Senatore Luca, p. 304, n. 10; Ritratto della Madre di Senatore Luca, p. 304, n. 4 Benedicite, p. 263, n. 6 Benedictine de Fecamp, p. 347, n. 5 Benefactor, A., p. 255, n. 6 Renzi, Giuseppe, p. 285, n. 12 Beresford, Lord Charles, p. 106, n. 16 Berg, F. W., et A. A. Lenting, Noces d’Ar- gent, p. 362, n. 4 Berg Heil, p. 242, n. 8 Berger, Georges, p.342, n. 13 Berger, Paul, p. 53, n. 37 Berger, Stadtbaudirektor, p. 301, n. 10 Berlin, La Conference Internationale Ouvriere de, p. 342, n. 19 Berlin, Handelskammer, p. 216, n. 4 Berlin, Hygiene, p. 323, n. 6 Berlin, Hygiene Congress, p. 216, n. 8 Berlin, k. Akademie des Bauwesens, p. 216, n. 15 Berlin, Urheberechtsconferenz, p. 216, n. 14 Berner, Carl, Christian Michelsen et, p. 330, n. 4 Berthet, Statuaire, p. 70, n. 4 Besier, L. W. A., p. 363, n. 21 Besnard, Alfred, p. 16, n. 3 Beurre, Le, p. 369, n. 14 Beyaert, Henri, p. 74, n. 22 Bhaunagar, Prince de, p. 208, n. 2 Bibesco, Princesse, p. 53, n. 42 Biches, Cerf et, p. 308, n. 12 Biedermeierfamilie, Neujahrsplakette, 1905, p. 166, n. 23; — 1910, p. 166, n. 24, 25 Bienenzucht, Staatsmedaille fur Ver- dienst, p. 137, n. 1 Bildenden Kiinste, Die, p. 295, n. 8 Billroth, Theodor, p. 296, n. 32 Bimba, Testa di, p. 286, n. 22, 23 Binswanger, Dr. Otto, p. 27, n. 16 Bisantino, medaglia nel stile, p. 39, n. 12 Bishareen Arab, Fatma, a, p. 123, n. 4 Bismarck-Moltke, p. 120, n. 3, 4 Bismarck, Prinz Otto v., p. 134, n. 1, 2; p. 243, n. 34 Bjornson, B., p. 165, n. 3; — et la Chanson, Nationale, p. 330, n. 2 Blanche, Adolphe, p. 177, n. 1 Bliss, Anna B., p. 319, n. 6 Bloche, Desire, p. 183, n. 6 Blok, Petrus Johannes, p. 87, n. 3; p. 363, n. 12 Bocklin, Arnold, p. 154, n. 1 Boer, Mine. B. C. van Calcar de, p. 149, n. 5 Bogenschiitze, p. 216, n. 3 380 GENERAL INDEX Bohmische Spinnstube, p. 223, n. 9 Bohn, Bene, p. 102, n. 22 Boissieu, L. F. M., Amedee de, p. 270, n. 55 Boito, Camillo, p. 251, n. 1, 5; p. 304, n. 2 Bol de Lait, Le, p. 113, n. 7 Bolfras, Graf, p. 202, n. 21 Bolivia, Chile en Guerra contra el Peru i, p. 16, n. 7 Bolivia, Chile en Paz con el Peru i, p. 17, n. 8 Bonaparte, Prince Boland, p. 159, n. 26 Bonfili, Barone Mario Treves dei, p. 285, n. 1 Bonheur, Le, p. 83, n. 13 Bonta, p. 251, n. 1 Booth, General William, p. 325, n. 3 Borch, W. H. E. van der, p. 363, n. 13 Borg, Carl Oscar, p. 360, n. 1 Bosnie-Herzegovine, Paris Becevant la, p. 159, n. 24 Bosnien, Neujahrsplakette, p. 166, n. 26 Bosnisch-Herzegowinische Erinnerung, p. 239, n. 2 Bottigelli, Don Annibale, p. 39, n. 3 Bouchard, Dr. Charles, p. 52, n. 12 Boucicaut, Mme., p. 270, n. 67 Boulanger, M. et Mme. Pierre, p. 270, n. 62 Bouley, Henri, p. 269, n. 38 Bourcart, Charles, p. 101, n. 6 Bourse de Commerce de Paris, Syn dicat Gen. de la, p. 330, n. 8 Boutmy, Emile Gaston, p. 268, n. 25, 26 Boutry, E., p. 348, n. 15 Bradley, Charles B., p. 176, n. 1 Brahms, J., p. 165, n. 14 Brasserie de Ny Carlsberg, p. 52, n. 4 Breckenridge, Mrs., and Son, p. 367, n. 1 Bremen, Norddeutscher Lloyd, p. 121, n. 19 Bremen, Senat der freien Hansestadt, p. 120, n. 5, 6, 7 Brenner, V. D. (Self-portrait), p. 28, n. 49 381 Bretagne, p. 307, n. 11 Breton Peasant, p. 123, n. 2 Brianzi, Prof. Luigi, p. 304, n. 1 Brioschi, Sen. Francesco, p. 304, n. 8 Brochen aus Silber, p. 323, n. 14 Broeck, Edouard Van den, p. 74, n. 14 Brongniart, Adolphe, p. 267, n. 2 Brooch in rock-crystal, p. 129, n. 8 Brouardel, Dr. Paul, p. 268, n. 19 Brown, Charles Brockden, p. 209, n. 2 Brown, Clifton Beckwith, Memorial, p. 25, n. 1 Brown, Mrs. John, p. 35, n. 6 Bruges, Inauguration des Ports de, p. 74, n. 23 Brunner, Ferdinand, p. 291, n. 9 Bruno, Piccola Contesse Faa de, p. 90, n. 11 Bruo-Moravie, Exposition de, p. 316, n. 1 Bruxelles, Exposition d’Art Culinaire, p. 284, n. 4 Bruxelles, Exposition Universelle de, p. 74, n. 19 Bruxelles, Facteurs de, p. 181, n. 3 Bruxelles, Federation des Societes de Sports Athletiques de Belgique, p. 195, n. 12 Bruxelles, Port de Mer, p. 181, n. 1; p. 313, n. 5 Bryant, William Cullen, p. 10, n. 1 Bryden, Bobert, p. 208, n. 5 Buchanan Medal, Boyal Society, p. 238, n. 8 Bucolique, p. 190, n. 5 Buenos-Ayres, Jockey Club de, p. 269, n. 45 Builders, Institute of, p. 238, n. 3 Bukarest, Ausstellung in, p. 295, n. 3, 4 Bundesschiessen, Deutsches, p. 261, n. 2,3 Bureau d’ Assistance Publique, p. 347, n. 11 Burlet, C. de, p. 74, n. 12 Burnham, B. N. (Self-portrait), p. 35, n. 8 GENERAL INDEX Caiilaux, J., p. 218, n. 7 Caisse d'Epargne de La Rochelle, p. 253, n.2 Caisse d'Epargne et de Prevoyance de Paris, p. 52, n. 5 Calais, Nouveau Port de, p. 18, n. 29 Calatrava, Croix de, Cantonnee aux Amies d’Alliances du Baron de Er- razu, p. 178, n. 17 Calcar de Boer, Mine. B. C. van, p. 149, n. 5 Cainbodgiennes, Portcuses d’Offrandes, p. 258, n. 5 Cainbon, Jules, j). 269, n. 46 Cambridge University, p. 208, n. 2 Camels, Trotting, p. 124, n. 18 Camera di Commereio di Torino, p. 285, n.2 Campagnarde, p. 88, n. 2 Campbell, Wilfred, p. 210, n. 20 Campenon, Dr. V., p. 218, n. 2 Campos, General Martinez, p. 13, n. 7 Canal de l’Elbe et de la Trave, Inaugura- tion du, p. 102, n. 16 Canard s’Epluchant, p. 231, n. 3 Canards, Anesse Debarrassee des Mouches par des, p. 231, n. 2 Canine, Exposition, p. 191, n. 11 Canto, II, p. 285, n. 13 Cardenas, p. 334, n. 5, 6 Caresses d’Enfant, p. 311, n. 36; p.369, n. 4 Carita, p. 276, n. 2 Carleton, Murray, Jr., p. 89, n. 10 Carlisle, John Griffin, p. 334, n. 15, 16 Carlyle, Thomas, p. 189, n. 4 Carnegie, Andrew, p. 72, n. 1 Carnot, Sadi, p. 53, n. 39; p. 179, n. 32, 33; p. 270, n. 72 Caron, Lucile Rose, p. 53, n. 29 Carrara, Piccolo Conte Papafava da, p. 90, n. 14, 15 Carriere, Eugene, p. 221, n. 8; p.369, n. 5 Carroll, Philip, p. 321, n. 40 Gasimir-Perier, p. 53, n. 40 Cassel, Miss, p. 106, n. 20 Cassel, Sir Ernest, p. 106, n. 32 Castello, Ann Maria, p. 45, n. 1 Castle Midmar, p. 123, n. 3 Catena, Adalberto, p. 39, n. 5 Catholic Diocese of New York, Cen- tenary of the Establishment of the, p. 263, n.7, 8 Centauresse, p. 259, n. 2 Centenaire de l’lndependance du Canton de Vaud, p. 101, n. 7 Centenaire de l’lnternat en Medecine des Hopitaux Civils de Paris, p. 16, n. 6 Centenaire de la Marseillaise, p. 347, n. 7 Centenario de la Publicacion del “Qui- jote,” p. 206, n. 3 Centenario de Velasquez, p. 12, n. 3 Centenario del Conservatorio Musicale, p. 46, n. 6 Centenary of the Catholic Diocese of New York, p. 263, n. 7, 8 Cercle Africain au Prince Albert de Bel- gique, p. 74, n. 13 Cerere e Minerva, pel V Congresso Fisio- logico in Torino, p. 39, n. 2 Cerf et Biches, p. 308, n. 12 Chaix, Imprimerie, p. 59, n. 26 Chalmin, Mons, p. 53, n. 35 Chambre de Commerce de Lyons, p. 268, n. 8; — Paris, p.268, n. 9; — Roubaix, p. 183, n. 4; — St. Nazaire, p. 268, n. 10 Chambre Syndicale des Produits Chi- miques, p. 329, n. 1 Chanson Nationale, B. Bjornson et la, p. 330, n. 2 Chanson Serieuse, p. 105, n. 3 Chaplain, Enfants, p. 52, n. 19 Charcot, Dr. J. M„ p. 347, n. 12 Charge, The, p. 357, n. 4 Charite, p. 190, n. 6 Chari te, Le Commerce Glorifie par la, et le Culte du Beau, p. 18, n. 28 382 GENERAL INDEX Charities and Correction, New York, p. 26, n. 9 Charpentier, Alexandre, p. 11, n. 1 Charpentier, G., p. 165, n. 9 Charretier, p. 88, n. 3 Chaufepie, Dr. H. J. de Dompierre de, p. 87, n. 1 ; p. 314, n. 7 ; p. 363, n. 11 Cheltenham, Ladies’ College, p. 124, n. 12 Chemin de Fer de l'Est-Algerien, p.268, n. 12 Chemins de Fer Vicinaux, Societe Natio- nal des, p. 75, n. 45 Chemische Fahrik, Hochst a. M., p.239, n. 4 Chernb’s Crown, 44ie, p. 255, n. 5 Cheruit, Jacqueline, p. 221, n. 11 Chevaux Brabancons, p. 175, n. 1 Chevaux, Dresseur de, p. 231, n. 11 Chevre, p. 190, n. 7 Chevre Broutant, p. 190, n. 8 Chevreau, p. 231, n. 4 Chevreul, Michel Eugene, p. 270, n. 64 Chicago, Art Institute of, p. 26, n. 6 Chicago, Exposition Internationale de, p. 17, n. 17; p. 269, n. 28 Chicago Society of Artists, p. 360, n. 3 Chien de Berger, p. 190, n. 9 Chien Epagneul Gordon, p. 231, n. 5 Chienne Basset d’Artois, p. 231, n. 6 Chiffonnier, p. 88, n. 4 Chigot, A., p. 69, n. 1 Chihuahua, Estado de, p. 333, n. 1, 2 Chile en Guerra contra el Peru i Bolivia, p. 16, n. 7 Chile en Paz con el Peru i Bolivia, p. 17, n. 8 Chimay, Princesse de, p. 343, n. 32 Chimiste, Charles Duisberg, p. 101, n. 5; — Georges Lunge, p. 101, n. 14 Chinaman, p. 66, n. 3 Chlunecky, Johann v., p. 203, n. 29 Chouppe, Jean Henri, p. 342, n. 17 Christ, p. 347, n. 8. See Cristo. Christ au Tombeau, p. 171, n. 4 383 Christ Drape, p. 58, n. 2 Christ Nu, p. 58, n. 1 Christiania, Exposition Agriculturale, p. 331, n. 8 Christiania, Societe pour l’Avancement du Bien-etre de, p. 331, n. 13 Christiania, Universite de, p. 331, n. 16 Christofle, Cinquantaire de la Maison, p. 268, n. 13 Christus, Studienkopf, p. 240, n. 19 Chubb, Percy, p. 303, n. 11 Churchill, Jack, p. 106, n. 15 Churchill, Winston S., p. 106, n. 34 Cincinnati, Society of the, p. 28, n. 54 Cini, Piccolo Conte, p. 90, n. 12, 13 Cipolla, Prof. Carlo, p. 277, n. 15 Civitas Palladensis, p. 98, n. 3 Clark, Mrs. Walter Appleton, p. 68, n. 2 Clarke, Mabel, p. 92, n. 6 Claude, Mme. Jeanne Mathilde, p. 53, n. 30, 31 Clemenceau, Georges, p. 221, n. 9 Cleveland, Grover, p. 263, n. 14 Club, Aero, of America, p. 29, n. 65 Club Alpino Italiano, p. 276, n. 3 Club, Football, p. 181, n. 4 Club, Franklin Inn, p. 209, n. 2 Club in Wien, Der Graphische, p. 239, n. 3 Club, Kennel, p. 39, n. 6; p. 75, n. 36 Club, Motor Yacht, p. 106, n. 22 Club, Boyal Automobile, p. 133, n. 1 Club, Yorick, p. 5, n. 2 Clubs, Society of Miniature Bifle, p. 124, n. 16 Cochon, p. 231, n. 7 Coetermans, Louis, p. 74, n. 30 “Coffey, Captain,” p. 289, n. 3 Colgate, Mrs. Bowles, p. 66, n. 9 Colgate, Gilbert, p. 320, n. 21 College of Architecture of Cornell Uni- versity, p. 25, n. 1 College of Physicians, Philadelphia, p. 209, n. 3 GENERAL INDEX College, St. Peter’s, p. 208, n. 6 Collier, Peter Fenelon, p. 102, n. 4 Collin, L. A., p. 209, n. 49 Colombo, p. 22.1, n. 3 Golomb, Christophe, p. 347, n. 9 Colombo, Cristoforo, p. 251, n. 2, 3 Colombo, Giuseppe, p. 304, n. 9 Columbus, Four-Hundredtb Anniversary of Ibe Landing of, p. 335, n. 23, 24, 27 Combattants de Nuits, p. 208, n. 7 Comedie Francaise, p. 16, n. 1 Comite Franeais des Expositions a l’Etranger, p. 17, n. 9 Commerce Glorifie par la Gharite et le Culte du Beau, Le, p. 18, n. 28 Commercio, Camera . 100, n. 1 Institute of Builders, p. 238, n. 3 Institute of Chicago, Art, p. 26, n. 6 Institution de Marcq, Superieurs de T, p. 184, n. 36 Institution des Jeunes Aveugles, p. 183, n. 15; p. 308, n. 19 Instruction, p. 328, n. 3 Instruction Primaire, p. 269, n. 42 International Tuberculosis Congress, p. 27, n. 27 Internationale Ausstellung fur Spiritus- Verwertung, p. 203, n. 27 Internationale Urheberechtsconferenz in Berlin, p. 216, n. 14 Invention du Dessin, p. 74, n. 24; p. 313, n. 2 Irish-Americans, p. 110, n. 2 Iron and Steel Institute, p. 72, n. 1 Irving, Sir Henry, p. 326, n. 6 Irving, Sir Henry, and Ellen Terry, p. 253, n. 4 Irving, Washington, p. 37, n. 2 Isidor Memorial, National Academy of Design, p. 164, n. 1 Israels, Josef, p. 362, n. 5 Istrati, Dr. C. I., p. 295, n. 4 Istruzione, Ministero dell’, p. 46, n. 19; p. 286, n. 17 Italia, Franeia ed, p. 251, n. 6 Italian Woman, p. 306, n. 1 Italic, Souverains d’, p. 53, n. 45 Ivry, Tuilerie d’, p. 59, n. 31 Jacques, Esquisse d’Enfant, p. 58, n. 8 Jalin, Friedrich Ludwig, p. 239, n. 9 Jahrhundertswende, p. 323, n. 7 James, Walter John, p. 123, n. 7 Jamestown Tercentennial Exposition, p. 333, n. 7, 8 Janssen, Jules, p. 316, n. 4, 5 Janssen, Mme., p. 316, n. 6 Janssen, P. W., p. 159, n. 27 Janvier et Duval, p. 58, n. 15 Jardins, Art des, p. 310, n. 32 Java, Fabricants de Sucre a, p. 362, n. 9 J. C., Etude d’Enfant, p. 221, n. 12 Jeanne, p. 269, n. 43; p. 342, n. 18 Jeanne d’Arc, p. 104, n. 1; p. 269, n. 44 Jefferson, Joseph, p. 253, n. 2 394 GENERAL INDEX Jeltsema, Rembertus, Szn-Landbouwer te Uithuizen, p. 149, n. 6 Jerome, William Travers, p. 162, n. 6, 7 Jessie, p. 27, n. 29 Jeune Femme an Bain, p. 316, n. 3 Jeune Femme, Profile de, p. 113, n. 13 Jeune Fille Polonaise, Tete de, p. 75, n. 49, 50 Jeune Fille, Portrait, Tete de, p. 75, n. 51 Jeune G., Le, p. 343, n. 21 Jeune Mere Hollandaise et son Enfant, p. 113, n. 4 Jeune Veau, p. 191, n. 15 Jeunesse, La, p. 187, n. 6; p. 309, n. 21 Jeunesse Bruxelloise au Prince Albert, La, p. 365, n. 5 Jeux et Arts, p. 58, n. 16-19 Jewish Settlement in the United States, 250th Anniversary of, p. 164, n. 2 Joachim, J., p. 165, n. 15; p. 221, n. 13 Jockey Club de Buenos-Ayres, p. 269, n. 45 Jockey-Club fur Oesterreich, p. 239, n. 10 Joest, Frau Tina, p. 121, n. 12 Johann II, Fiirst von Liechtenstein, p. 142, n. 20 Johnson, Stefano, p. 40, n. 17. See also Stabilimento Joie de Vivre, Le, p. 308, n. 17 Joly, Esquisse d’Enfant, Pierre, p. 58, n. 9 Jonas, Eva, p. 246, n. 77 Jones, Alice, p. 303, n. 2 Jones, John Paul, p. 27, n. 32 Jonnart, Mme., p. 270, n. 68 Jouguet, P. Perdrizet et, p. 184, n. 26 Jour de Naissance, p. 263, n. 16 Jourdan, Mon., Pres, de la Cour d’Appel de Paris, p. 347, n. 11 Journalistes Republicans, Syndicat des, p. 188, n. 18 Joven, Caheza de, p. 12, n. 1 Jubilaum, 50-jahriges, des Stabilimento Tecnico Triestino, p. 291, n. 11 Jubilaum der Stadt Riga, p. 323, n. 10 395 Jubile Administrate de Saint-Josse-ten- Noode, p. 181, n. 5 Jugend, p. 245, n. 72 Juin, p. 365, n. 4 Juliana, Princesse d. Pays-Bas, Naissance de, p. 363, n. 22 Jument et Son Poulain, p. 231, n. 18 Jiingling mit Eule, p. 246, n. 83 “Junior,” Portrait of, p. 25, n. 2 Juno et Psyche, p. 309, n. 22 Justice, La, p. 82, n. 8 Justizia e Scienza, Monitore dei Tribu- nali, p. 46, n. 20 Iv., Mme., p. 106, n. 19 Kaiser Franz Josef I, p. 203, n. 33, 34, 35 Kaiser Wilhelm II, p. 129, n. 11 Kaisergeburtstag, Franz Josef I, p. 203, n. 34 Kaiserhuldigung, Konkurrenzprojekt, p. 291, n. 14 Kaiserin Elisabeth v. Oesterreich, p. 291, n. 13 Kaiserin Friedrich, p. 323, n. 8 Kaiser jubilaum, p. 142, n. 17, 18; p. 165, n. 17; p. 166, n. 27; p. 204, n. 46; p. 223, n. 4 Kaiser jubilaum, Neujahrsplakette, p. 166, n. 27 Kaiser jubilaumsausstellung, p. 142, n. 21 Kaiserportrat, Franz Josef I, p. 203, n. 35 Kaiserregierungs jubilaum, Franz Josef I, p. 203, n. 36, 37 Kamler, Heinrich Ritter von, p. 142, n. 15 Kant, Immanuel, p. 246, n. 91 Kapurthala, The Rajah of, p. 124, n. 17 Karlweis, C., p. 201, n. 6 Kautsch, Emanuel, p. 158, n. 11 Kautsch, Mme. (Amelie Radio de Radiis), p. 158, n. 6 Keen, William Williams, p. 210, n. 21 Keller, Oscar Ritter von, p. 240, n. 17 Kendall, Leigh, p. 35, n. 5 Kennedy, Susie Pratt, p. 200, n. 2 GENERAL INDEX Kennel Club Italiano, p. 39, n. 6 Kennel Club, Premiere Exposition du, p. 73, n. 36 Kenner, Friedrich von, p. 202, n. 21 Kliavat, Khalil, p. 66, n. 6 Kind mit Apfel, p. 137, n. 9 Ivinderfestzug, p. 203, n. 37 Kinderkopf, p. 296, n. 24 Kinderkopfchen, p. 137, n. 10, 11; p. 241, n. 46; p. 246, n. 84 Ivinderportriit, p. 142, n. 22 King, Penelope, p. 321, n. 39 Kink, Julius v., p. 291, n. 12 Kinsky, Fiirst Karl, p. 239, n. 10 Klein, Adolph, p. 113, n. 1 Koerner, Alfred, p. 158, n. 5 Kongsberg, Visite de Haakon VII a, p. 331, n. 18 Kdnig, Otto, p. 296, n. 29 Konkurrenzprojekt, Kaiserhuld., p. 291, n. 14 Konsular-Akademie, 150-jahrige Bestand d., p. 203, n. 28 Krankenhaus, Wien, p. 239, n. 13 Krankenpflege, p. 323, n. 9 Krok, p. 328, n. 5 100-Kronen Stuck, Montenegro, 1908, p. 296, n. 25 20-Kronen Stuck, Oesterreich, 1908, p. 203, n. 38 100-Kronen Stiick, Oesterreich, 1908, p. 203, n. 39 100-Kronen Stiick, Oesterreich, 1909, p. 296, n. 26 Kruger, Paul, p. 195, n. 16 Krupp, Arthur u. Margareth, p. 295, n. 2 Krupp, Friedrich Alfred, p. 202, n. 18 Kubelik, Jan, p. 165, n. 16 Kuehl, Gotthardt, p. 137, n. 7 Kufferath, Edouard, p. 75, n. 37 Kufferath, Maurice, et Guillaume Guide, p. 74, n. 31 Kulman, F., p. 183, n. 10 Kunst will Wahrheit, p. 121, n. 15 Kuss, Der, p. 223, n. 8 Kussnacht, Tir Cant. Schwyzois a, p. 102, n. 26 La Rochelle, Caisse d’Epargne de, p. 253, n. 2 La Rochelle, Conseil Municipal de, p. 254, n. 3 Lahore et Disciplina Resurgunt, p. 178, n. 24 Labourage, Le, p. 98, n. 5 Lady, Portrait of a, p. 328, n. 6 Laguionie, Gustave, p. 52, n. 21 Lake George Regatta Association, p. 28, n. 37 Lamb, F. S„ p. 27, n. 24 Lambert, Albert, fils, p. 16, n. 1 Lampman, Archibald, p. 209, n. 1 Landesausschuss fur das Erzherzogthum Oesterreichs unter der Enns, p. 141, n.5 Landes-Gewerbeforderung, nieder- oesterr., p. 141, n. 5 Landeskulturrat f. Sachsen, p. 137, n. 12 Landrien, Oscar, p. 75, n. 34 Landscape panel, Decorative, p. 257, n. 1 Landwirtschaft und Viehzucht, p. 138, n. 13 Landwirtschaftsausstellung, p. 165, n. 18 Lane, Agnes, p. 92, n. 1 Langenieux, Cardinal, p. 347, n. 6 Langton, Little Miss, p. 176, n. 2 Lannelongue, Docteur, p. 52, n. 15, 16 Lanoe, Mme., p. 70, n. 16 Larroumet, Gustave, p. 53, n. 36 Laure, p. 158, n. 20 Laurens, Jean Paul, p. 52, n. 25 Laurent, Marie, p. 270, n. 57 Lauretta, p. 102, n. 17 Laussedat, Colonel, p. 268, n. 15 Lawrence, Sir Walter, p. 321, n. 43 Lebenstufen, Die, p. 216, n. 6 Lcchevrel, Blanche, p. 178, n. 12, 13 Lechevrel, J., p. 178, n. 23 396 GENERAL INDEX Lecture, La, p. 82, n. 9 Leda, p. 216, n. 16 Leenhoff, Ferdinand, p. 149, n. 1 Lefebvre, Julie, p. 183, n. 16 Legnano, Monumento Commemorativo della Battaglia di, p. 39, n. 10 Leinfelder, Georg, p. 246, n. 100 Lejeune, Charles, p. 82, n. 3 Lemaire, Victor, p. 195, n. 21 Lemayer, Karl Ritter v., p. 295, n. 12 Lenbach, Franz v., p. 121, n. 13, 14; p. 158, n. 13, 14; p. 244, n. 45, 55 Lenbacb, Margo, p. 158, n. 21 ; p. 244, n. 57 Lenepveu, Jules Eugene, p. 269, n. 47 Lenting, A. A., E. W. Berg et, p. 362, n. 4 Leo XIII, Pope, p. 39, n. 12; p. 204, n. 43 Leopold, Naissance du Prince, p. 195, n. 14 Leopold II, p. 284, n. 7 Lepine, J. R., p. 268, n. 22 Lewinsky, Josef, p. 203, n. 31 Lewisohn, Alice, p. 66, n. 1 Leyrer, Cosmas, p. 242, n. 13 Liberees de St. Lazare, CEuvre des, p. 270, n. 71 Liebe, p. 169, n. 5; p. 244, n. 58 Liebe und Treue, p. 242, n. 5 Liebermann, Max, p. 154, n. 10; p. 155, n. 11; p. 244, n. 48 Liechtenstein, Johann II, Fiirst von, p. 142, n. 20 Liechtenstein, Rudolf, Fiirst von, p.296, n. 17 Liege, Exposition de, p. 74, n. 21; — Souve- nir de l’Exposition de, p. 75, n. 48 Life, p. 327, n. 3 Life-Saving on Railroads, United States, p. 357, n. 3 Ligue des Droits de l’Homme, p. 264, n. 18 Lilies, p. 3, n. 1 Lille, Societe des Sciences et Arts de, p. 184, n. 33 397 Limburg-Stirum, 50 e Anniversaire du Mariage du Comte de, p. 339, n. 1 Lincoln, Abraham, p. 2, n. 1 ; p. 26, n. 1-3; p. 263, n. 1; p. 334, n. 1, 2 Lindheim, Alfred, Ritter v., p. 239, n. 1 Lintott, Chamen, p. 238, n. 1 Lion, p. 259, n. 5 Lion Beige, p. 365, n. 7 Lion, Diane avec, p. 101, n. 10 Lion et le Moucberon, Le, p. 231, n. 22 Lion et Taureau, p. 310, n. 27 Lion, Fragment Study for a Pediment, p. 127, n. 1 Lioness, Fragment Study for a Pediment, p. 127, n. 2 Lioness Recumbent, p. 127, n. 3 Liouville, Jacques, Mine. Waldeck-Rous- seau et, p. 349, n| 40 Lisl, p. 209, n. 13 Liszt, Franz, p. 243, n. 30 Lithographic, Esquisse, La, p. 58, n. 10 Litografia Doyen, p. 276, n. 1 Liverpool Septenary Celebration, p. 1, n. 1 Livre, Le, p. 83, n. 14; p. 187, n. 7 Livre d’lmages, Le, p. 172, n. 23 Llywelyn Memorial, Prince, p. 151, n. 6, 7 Lobkowitz, Prince, p. 316, n. 8 Loeb, Solomon, p. 28, n. 55 Lorenzoni, Giovanni, p. 43, n. 14 Loubet, Emile, p. 53, n. 41 Louis, Hippolyte, p. 320, n. 25 Louis, Portrait d’Enfant, p. 259, n. 8 Louise de Danemark, S. M. la Reine, p. 349, n. 45 Louvain, l’Universite de, p.339, n. 2-4; p. 340, n. 5, 6 Lovinck, Hermann Johannes, p. 87, n. 2 Loze, Henri, p. 269, n. 39 Lucas, George A., p. 27, n. 25 Lucius, Eugen N., p. 239, n. 4 Lueger, Carl, p. 201, n. 5; p. 301, n. 8, 9 Luftschiff, ji. 169, n. 6 GENERAL INDEX Luflsehifffahrtsausstellung. See I. L. A. Luitpold, Prinzrcgent von Bayern, p. 134. n. 3; p. 154, n. 8, 9; p.244, n. 51 Lunge, Georges, p. 101, n. 14 Lulte. La. ]). 58, n. 21 Lyon, Chambre de Commerce de, ]). 208, n. 8 Lys, Les, p. 83, n. 17 MacDowell, Edward A., p. 214, n. 2 Mace, Jean, p. 191, n. 14 Mach, Ernst, p. 100, n. 28 MacMahon, Le Marechal de, p. 52, n. 27 MacPhail, Jeffrey, p. 209, n. 11 Madchen, Studienkopf, p. 240, n. 20 Madchenkopf, p. 296, n. 27 Madonna, p. 42, n. 3; p. 242, n. 19; p. 204, n. 20; p. 286, n. 15 Magnin, Joseph, p. 369, n. 24 Mahler, Gustav, p. 165, n. 10 Maison d'Edueation d’Auberive, p. 270, n. 56 Maitres de l’Affiche, Les, p. 59, n. 26 Mammon, p. 165, n. 19 “Manette et Minette,” p. 311, n. 38; p. 369, n. 17 Mann mit Zirkel, ]). 216, n. 17 Manning, Cardinal, p. 325, n. 1 March, Daniel, p. 4, n. 3 Marchen, p. 212, n. 6 Marchetti, Carlo, p. 43, n. 5 Marcille, Eudoxe, p.269, n. 32 Marcq, Superieurs de l’lnstitution de, p. 184, n. 36 Marguerite, p. 343, n. 25 Marguerilte, Paul et Victor, p. 221, n. 17 Mariage, p. 16, n.2; p. 18, n. 30; p. 218, n. 12; p. 264, n.26; p. 270, n. 61 Mariage, Alfonso XIII y Victoria Eugenia de Battenherg, Union Augusta, p. 206, n. 1 Mariage, Anniversaire de, p.366, n. 12 Mariage du Comte de Limburg-Stirum, 50 e Anniv., p. 339, n. 1 Mariage du Due d’Orleans et de l’Archi- duchesse d’Autriche, p. 349, n. 34 Mariani, Vin, p. 191, n. 20; p.226, n. 9; p. 232, n.30; p. 271, n. 82 Marie, p. 183, n. 20 Marie Henriette, La Reine, p. 314, n. 9 Mariette Pacha, p. 343, n. 26 Marina, Ministero della, p. 46, n. 18 Marine Royale Neerlandaise, Yacht-club de la, p. 362, n. 10 Marriage medal, Kent Hawley and Louisa F. Stevenson, p. 140, n. 2 Marseillaise, La, p. 263, n. 4; p. 347, n. 7 Marseille, p. 184, n. 21 Marseille, Exposition Coloniale de, p. 226, n. 4; — Exposition d’Oeeanographie de, p. 226, n. 5 Martin, Dr., p. 221, n. 6 Mascart, Eleuthere, p. 52, n. 18 Maske, p. 138, n. 14 Masoin, Dr. E., p. 339, n. 3 Maspero, Gaston, p. 342, n. 12 Massachusetts Civil Service Reform Association, p. 118, n. 3, 4 Massaux, A., p. 73, n. 3 Maternita, p. 42, n. 4; p. 277, n. 11 Maternite, p. 116, n. 11; p. 270, n. 58; p. 307, n. 5 Maude, Reine de la Norvege, p. 331, n. 11; — Couronnement de Haakon VII et, p. 330, n. 5, 6 Maurer, A. H., p. 289, n. 1 Mazerolle, Fernand, p. 342, n. 11 Mazzarino, Contesse di, p. 89, n. 3 McEwan, Janet Landells, p. 5, n. 3 McKinley, William, p. 334, n. 21, 22 Mears, Elizabeth, p. 214, n. 3 Mecklenbourg-Schwerin, Prince Henri, Due de, p. 362, n. 6 Medaglia Commemorativa del 1859, p. 286, n. 16 Medaglia nel stile Bisantino, p. 39, n. 12 Medecine, Congres International de, p. 347, n. 10 398 GENERAL INDEX Medecine et Hygiene, p. 75, n. 32 Medica, p. 218, n. 13 Meissonier, Ernest, p. 52, n. 20 Melusine, p. 259, n. 7 Memoriam, In, p. 277, n. 9 Menzel, Adolf, p. 164, n. 1 Mere Allaitant, La, p. 58, n. 22 Mere, Baiser de la, p. 368, n. 2 Mere et l’Enfant, La, p. 82, n. 10 Mere,. Une, p. 237, n. 11 Meredith, George, p. 320, n. 19 Merry del Yal, Cardinal-Staatssekretar, p. 203, n. 41 Merseburger, Kath., p. 243, n. 37 Merseburger, Max, p. 243, n. 38 Mersi, Barone Massimiliano de, p. 43, n. 4 Merthyr Tydfil, Borough of, p. 151, n. 1 Meschersky, Princesse Alexander, p. 321, n. 41 Mesdag, FI. W. et S. Mesdag van Honten, p. 149, n. 2; p. 363, n. 16 Messa d’Argento di Mons. Batti, p. 39, n. 7 Messa d’Oro, p. 39, n. 8 Messe de Minnit, p. 258, n. 4 Messel, Alfred, p. 120, n. 1, 2; p. 246, n. 98 Messina, p. 251, n. 9 Mesticanesti, Tunnelarbeiter, p. 296, n. 33 Mestreit, Emile, p. 74, n. 17 Mesureur, Gustave, p. 342, n. 16 M. E. S. V., Preisplakette, p. 244, n. 47 Meunier, Constantin, p. 58, n. 3 Meunier, Gaston, p. 329, n. 4 Michelsen, Christian, p. 330, n. 3 Michelsen, Christian, et Carl Berner, p. 330, n. 4 Midmar, Castle, p. 123, n. 3 Mielziner, Ella, p. 320, n. 14 Mielziner, Dr. M., p. 214, n. 1 Milan, Exposition Internationale, p. 369, n. 8 Milano, Esposizione di, p. 46, n. 11; p. 285, n. 8, 9 Mill, John Stuart, p. 189, n. 3 399 Mimine, p. 75, n. 33; p. 313, n. 4 Mine, La, p. 308, n. 14 Minerve, p. 149, n. 4 Miniature Bifle Clubs, Soc. of, p. 124, n. 16 Ministero dell’ Istruzione, p. 286, n. 17 Ministero di Agricoltura, Industria e Commercio, p. 286, n. 18 Mint, Boyal Spanish, p. 12 Mirbeau, Octave, p. 221, n. 15 Mirland, Victor, p. 75, n. 40 Mistral, Frederic, p. 257, n. 4 Mitchell, Hortense Lenore, p. 92, n. 3 Mine. A. P„ p. 343, n. 28 Mine, de B., p. 218, n. 14 Modiste, p. 83, n. 19 Moisson, La, p. 69, n. 2; p. 307, n. 9 Moltke, Bismarck-, p. 120, n. 3, 4 Mommsen, Theodor, p. 166, n. 32 Monaco, Societe Medicate de, p. 284, n. 10 Monitore dei Tribunali, Justizia e Scienza, p. 46, n. 20 Monnaie d’Utrecht, Yisite de la Heine Wilhelmina a la, p. 363, n. 18 Monnaie de Paris, Souverains Busses, Visite a la, p. 53, n. 47 Mons, Association des Ingenieurs de l’Ecole des Mines de, p. 73, n. 5 Montfaiujon, Bernard de, p. 221, n. 5 Montmorency, Societe de, p. 348, n. 22 Monumento al Gen. Martinez Campos, Inauguration del, p. 13, n. 7 Monumento a Vittorio Emanuele II, Genova, p. 39, n. 9 Monumento Commemorativo della Bat- taglia di Legnano, p. 39, n. 10 Moore, Louise Hartshorne, p. 303, n. 8 Morel, M. et Mine., p. 270, n. 63 Morlanwelz, Baoul Warocque, Bourg- mestre de, p. 75, n. 41 Morris, May, p. 66, n. 8 Morse, Concours Institue par le Prof., p. 365, n. 2 Morton, Mons., p. 70, n. 17 GENERAL INDEX Moscou, Exposition Fran^aise de, p.269, n. 29 Mot, Emile de, p. 74, n. 16 Mother. The, p. 3, n. 2 Motherhood, p. 28, n. 41, 12 Motor Yacht Club, p. 106, n. 22 Motorballonfalirt, Parseval, I. L. A., p. 245, n. 61 Mousquetaire, ]). 102, n. 19 Movaux, Auguste, p. 73, n. 6, 7 Move, Paul, p. 138, n. 16 Mozart, Beethoven, Haydn, p. 223, n. 7 Mucha, A. M., p. 158, n. 7 Mucha, Viktor, p. 239, n. 13 Miihlenberg, W. A., p. 29, n. 64 Muller Co., Emile, p. 59, n. 31 Milliner, Laurenz, p. 301, n. 6, 7 Multatuli, p. 165, n. 21 Miinchen, Geograpliische Gesellschaft, p. 154, n. 5 Miinsterberg, Oscar, p. 121, n. 20 Murdocci, Eva, and Bella Edvards, p. 320, n. 16 Murphy, Francis, p. 325, n. 2 Muse avec Couronne, p. 159, n. 23 Museum of Wales, National, p. 151, n. 4, 5 Music, p. 238, n. 4, 5 Music, Order for Art, Science, and, p. 106, n. 23 Musica, Arte e, p. 43, n. 1 Musica Divina, p. 42, n. 5 Musik, p. 170, n. 7 Musik, Gcsang und Tanz, p. 142, n. 25 Musique, Conservatoire National de, et de Declamation, p. 52, n. 11 Musique Guerriere, La, p. 309, n. 25 Musique Sylvestre, p. 179, n.29 Mutualite, p. 184, n. 22; p. 187, n. 12; — des Peigneurs, p. 184, n. 23 N., Mine., p. 343, n. 30 Nadler, Hans, p. 137, n. 8 Nagelmackers, G., p. 318, n. 20 Nagelmackers, Bene, p. 349, n. 42 Naissance de Juliana, Princesse des Pays-Bas, p. 363, n. 22 Naissance du Prince Leopold, p. 195, n. 14 Namur, Concours Agricole de, p. 194, n. 7, 8 Nansen, Fridtjof, p. 27, n. 23 Natalis Dies, p. 264, n. 22 National Academy of Design, p. 28, n. 45; —Isidore Memorial, p. 164, n. 1 National Geographical Society, p. 333, n. 3, 6 National Rose Society, p. 238, n. 6 Nature’s Poet, p. 10, n. 1 Nautiea, p. 46, n. 21 Nava, Alexander, Ritter von, p. 291, n. 1 Navajo Chief, Tja-yo-ni, p.289, n. 4 Navigation Aerienne, p. 218, n. 15 Navigation en Mer, p. 187, n. 13 Navigation en Riviere, p. 187, n. 14 Navigazione, p. 277, n. 12 Neel, Mrs. William Jackson, p. 68, n. 3 Ne-i-so-meh, p. 289, n. 7 Nervo, Baron de, p. 69, n. 3 Netoliszky, August, p. 141, n. 9 Neujahrsplakette, Allgemeine Wahl- recht, p. 165, n. 22 Neujahrsplakette, Biedermeierfamilie, p. 166, n. 23, 24, 25 Neujahrsplakette, Bosnien, p. 166, n. 26 Neujahrsplakette, Faber, p. 292, n. 17 Neujahrsplakette, Kaiserjubilaum, p. 166, n. 27 Neujahrsplaquette, “Heil 1910,” p. 240, n. 16 Newburgh, Hudson-Fulton Celebration, p. 37, n. 1 Newell, Edward T., p. 320, n. 11 Newman, Louise W., p. 320, n. 29 New Theatre, New York, p. 15, n. 1 New York, Centenary of the Establish- ment of the Catholic Diocese of, p. 263, n. 7, 8 400 GENERAL INDEX New York, Charities and Correction, p. 26, n. 9 New York, Fine Arts Federation of, p. 27, n. 20 New York Historical Society, Centennial, p. 28, n. 46 New York, Hudson-Fulton Celebration, p. 92, n. 4 New York Public Education Association, p. 26, n. 12 New York Public Library, p. 28, n. 47 Niagara, p. 200, n. 1 Niederoesterreichische Landeskulturrat, p. 203, n. 42 Nietzsche, Friedrich, p. 165, n. 7; p. 243, n. 31 Nineteenth-Century Allegory, p. 208, n. 4 Nino, Cabeza de, p. 12, n. 2 Noces d’ Argent, E. W. Berg et A. A. Lenting, p. 362, n. 4 Noces d’ Argent, M. et Mine. Morel, p. 270, n. 63 Noces d’Argent, Ouvrier, p. 159, n. 29 Noces d’Or, H. W. Mesdag and S. Mes- dag von Houten, p. 149, n. 2; p.363, n. 16 Norddeutscher Lloyd, Bremen, p. 121, n. 19 North Pole, Discovery of the, p. 333, n. 3 Norton, Dr. Bupert, p. 27, n. 17 Norvege, A la Protection Mutuelle de la, p. 331, n. 15 Notre Dame de Consolation, p. 237, n. 6 Notturno (Diana), p.296, n. 28 Nozze d’Argento, p. 46, n. 22 Nozze d’Oro, p. 39, n. 11 ; p. 46, n. 23 Nozze Onderloni, p. 43, n. 13 Numismate, Le, p. 102, n. 18 Numismatic Society, American. See Society Numismatik, p. 155, n. 12; p. 244, n. 49 Numismatische Gesellscliaft in Wien, p. 142, n. 19 Numismatische Gesellscliaft in Wien, Ausflug der, p. 141, n. 3 401 Ny Carlsberg, Brasserie de, p. 52, n. 4 Nymphs, Sea, p. 6, n. 5 0., Joseph, p. 162, n. 2 Oberammergau, p. 245, n. 73 Obozinski, Jean, p. 360, n. 4 Obsthau, p. 138, n. 15 Ocean, p. 113, n. 12 Oceanograpliie, Exposition cl’, p. 226, n. 5 Oesterreichische Ausstellung, London, p. 142, n. 26 Oesterreichische Gesellscliaft fiir Mtinz- und Medaillen-Kunde, Kaiser Jubila- umsausstellung, p. 142, n. 21 Oesterreichischer Gerstehau, p. 142, n. 27 Oettinger, Julia W., p. 28, n. 35 CEuvre des Liberees de St. Lazare, p. 270, n. 71 CEuvre clu Grand Air, p. 195, n. 15 Olav, Prince Boyale, p. 331, n. 11 Old Jim, p. 289, n. 8 Olin, Stephen Henry, p. 131, n. 2 Olympic Games, London, p. 198, n. 1-4 Omaggio, p. 277, n. 13 Omaggio dell’ Impresa Andrucci, Allegra e Bossi, p. 286, n. 19 Onofrio, On le Marchese Ugo di Sant’, p. 286, n. 20 Openhym, Wm., p. 29, n. 68 Order for Art, Science, and Music, p. 106, n. 23 Orfevrerie, L’, p. 343, n. 34 Orientalische Gesellscliaft, p. 216, n. 18 Orleans, Helene d’, Duchessa d’ Aosta, p. 277, n. 7 Orleans, Henri d’, Due d’Aumale, p. 52, n.22 Orleans, Manage clu Due d’, et de l’Ar- chiduchesse d’Autriche, p. 349, n. 34 Ormond, Mine. M., p. 349, n. 39 Osborne, Theodore E., p. 289, n. 9 GENERAL INDEX Oscar 11. Roi do la Norvege, 75 e Anniver- saire du Jour de Naissance de, p. 330, n. 1 Osier, William, p. 347, n. 13 Otten, Andre, p. 177, n. 2, 3 Otten, Andree, p. 177, n. 4 Otten, Yvonne, p. 179, n. 35 Otto, Rudolph, p. 129, n. 6 Ouvrier, Voces d’ Argent, p. 159, n. 29 Ouvriere, La Conference Internationale, de Berlin, p. 342, n. 19 P„ Mine. A„ p. 343, n. 28 P., Signorina Bertha, p. 366, n. 11 Pacha, Mariette, p. 343, n. 26 Padova, Banca Coop. Pop. di, p. 285, n. 1 Paix, La, p. 113, n. 5 Paix, Conference de la, a la Haye, p. 194, n. 9; p. 314, n. 10; p. 362, n. 3 Palestine, Bedouin and Fellah, p.227, n. 1, 2 Pallas Athena, p. 155, n. 13; p. 323, n. 11 Panama Canal, p. 28, n. 48 Pan-American Exposition, p. 334, n. 21, 22 Panas, Docteur, p. 17, n. 12 Papafava da Carrara, Piccolo Conte, p. 90, n. 14 Parents, Mes, p. 187, n. 11 Parents of Johannes Sophus Gelert, p. 110, n. 3 Paris, Bourse de Commerce, p. 330, n. 8 Paris, Caisse d’Epargne et de Prevoyance de, p. 52, n. 5 Paris, Centenaire de l’lnternat en Mede- cine dcs Hopitaux Civils de, p. 16, n. 6 Paris, Chambre de Commerce de, p. 268, n. 9 Paris, Colonie Brasilienne, p. 237, n. 9 Paris, Concours de Facades de la Ville de, p. 254, n. 4 Paris, Cour d’Appcl de, p. 347, n. 11 Paris, Enseignement du Dessin de la Ville de, p. 17, n. 13 Paris, Exposition Universelle de, p. 17, n. 15, 16; p. 29, n.61; p.263, n. 9, 10; p. 269, n. 30; n. 348, n. 31 Paris-Lyons-Mediterranee, p.267, n. 4 Paris Recevant la Bosnie-Herzegovine, p. 159, n. 24 Paris, Siege de, p. 53, n. 44 Paris, Societe des Parisiens de, p. 18, n. 37, 38 Paris, Souverains Russes, Visite a la Monnaie de, p. 53, n. 47 Paris, Ville de, p. 254, n. 14 Parisienne, p. 88, n. 10; p. 89, n. 9 Parisienne, Silhouette, p. 172, n. 26, 27 Parlby, G., p. 5, n. 2 Parrish, Anne, p. 118, n. 1 Parsons, Royal, p. 303, n. 12 Pasteur, Louis, p. 231, n. 23 Pastorale, p. 237, n. 7 Patria, p. 365, n. 8 Pati'ie, p. 184, n. 24, 25 Paul, p. 284, n. 8 Paule, £tude d’Enfant, p. 221, n. 16 Pauli, Dr. G., p. 120, n. 8 Pawle, M. et Mme., p. 159, n. 22 Pays-Bas, Emma, Reine-mere des, p. 362, n. 8 Peabody, Alice, p. 319, n. 5 Peabody, Charles, p. 320, n. 9 Peary, Robert E., p. 333, n. 3 Peasant, Breton, p. 123, n. 2 Pecheur Hollandais, Tete de Vieux, p. 113, n. 14 Pecheur, Renouveau, p. 75, n. 42 Pecheuse, p. 366, n. 9 Peez, Alexander von, p. 291, n. 2 Pegasus, p. 246, n. 86 Peigneurs, Mutuality des, p. 184, n. 23 Peintres Orientalistes, Societe des, p. 231, n. 24 Peinture, La, p. 115, n. 4 Pennsylvania Academy of Fine Arts, p. 24, n. 2 Pennsylvania Society, The, p. 93, n. 9 402 GENERAL INDEX Pensee, La, p. 83, n. 11; p. 181, n. 6; p. 348, n. 24 Percement du Tunnel du Simplon, p. 102, n. 20 Perdrizet, P., et Jouguet, p. 184, n. 26 Perier, Charles, p. 268, n. 23 Pernambuco, Jose Antonio, p. 74, n. 25 Peru i Bolivia, Chile en Guerra contra el, p. 16, n. 7 Peru i Bolivia, Chile en Paz con el, p. 17, n. 8 Peruwelz, E. Simon, Bourgmestre de, p. 175, n. 2 Petrus, p. 246, n. 87 Petschek, Josef, p. 203, n. 32 Pettenkofer, Max von, p. 121, n. 18 25-Pfennig Stuck, Germany, p. 137, n. 3; p. 155, n. 14; p.242, n. 20; p. 244, n. 50, 59; p. 245, n. 74 Philadelphia Arts Club, p. 24, n. 3 Philadelphia, College of Physicians, p. 209, n. 3 Piceioni, Camille, p. 225, n. 2 Picquart, Georges, p. 221, n. 10 Pierce, Henry Clay, p. 89, n. 8 Pierrette la Pauvre, p. 369, n. 20 Piet-Lataudrie, Charles, p. 268, n. 11 Piette-Bivage, Prosper v., p. 239, n. 11 Piot, E., p. 369, n. 23 Pissaro, Camille, p. 58, n. 4 Pitie, La, p. 115, n. 5 Pius X, p. 40, n. 18; p. 43, n. 16; p. 204, n.44 Platine d’un Fusil, p. 18, n. 31 Playfair, Sir Patrick, p. 321, n. 42 Poe, Edgar Allan, p. 333, n. 4, 5 Poesie, La, p. 113, n. 6; p. 348, n. 25 Poetes Morts sans Gloire, Aux, p. 16, n. 4; p. 306, n. 2 Polonaise, Tete de Jeune Fille, p. 75, n. 49, 50 Pomona, p. 323, n. 12 Ponscarme, F. J. Hubert, p. 369, n. 9 Pope, Marian Holden, p. 360, n. 6 403 Port de Calais, Nouveau, p. 18, n. 29 Port de Tunis, Inauguration du, p. 17, n. 22, 23 Porte-cigare, p. 18, n. 32 Porteuses d’Offrandes Cambodgiennes, p. 258, n. 5 Portrait, p. 28, n. 49; p. 93, n. 7. See Damenportrat Portrait de Dame, p. 187, n. 15, 16 Portrait de Deux Enfants, n. 369, n. 21 Portrait d’Enfant, p. 177, n. 2, 3; p. 178, n. 12, 13 Portrait d’Enfant, Louis, p. 259, n. 8 Portrait d’Homme, p. 98, n. 7 Portrait d’Homme, Esquisse, p. 58. n. 11 Portrait d’un Amateur, p. 258, n. 6 Portrait d’une Dame, p. 218, n. 16 Portrait Group, p. 282, n. 1 Portrait medallion, p. 110, n. 3; p. 147, n. 1 Portrait of a Child, p. 124, n. 14; p. 306, n. 2 Portrait of a Lady, p. 328, n. 6 Portrait of a Man, p. 93, n. 8; p. 227, n. 3; p. 327, n. 4 Portrait of a Young Girl, p. 124, n. 15 Portrait of “Junior,” p. 25, n. 2 Portrait of “our Boys,” p. 129, n. 12, 13 Portrait plaque, p. 140, n. 3 Portraits d’Eufants, p. 70, n. 19 Portraits in wax (five), p. 140, n. 4 Portrat, p. 216, n. 19, 20 Ports de Bruges, Inauguration des, p. 74, n. 23 Postage-stamp, Design for a, p. 105, n. 7 Potiers, Les, p. 191, n. 16 Potter, Frank Hunter, p. 215, n. 1 Potter, P. L. Armand de, p. 349, n. 41 Pozzi, Samuel, p. 52, n. 17 Prague and Moldau, p. 328, n. 7 Premiers Pas, Les, p. 221, n. 14 Prescott, Harry Forbes, p. 253, n. 1 Priesterweihe, p. 246, n. 96 Primavera, p. 237, n. 8 GENERAL INDEX Primo Peccato, II. p. 28,"), n. 14 Prince Llywelvn Memorial, p. 151, n. 6, 7 Printemps, Le, p. 102, n. 21; p. 115, n. 8; p. 307, n. 10 Prinzhorn, Hans, p. 216, n. 80 Prisons do Fresnes-les-Rungis, Inaugura- tion des, p. 269, n. 41 Produits Chimiques, Chambre Syndicate des, p. 329, n. 1 Profilo Muliebre, p. 46, n. 24 Proletaires, Lcs, p. 59, n. 27 Protection des Enfants du Premier Age, p. 53, n. 43 Protection Mutuelle de la Norvege, p. 331, n. 15 “Provence, La,” p. 226, n. 7 Psyche and Mors, p. 255, n. 3 Psyche, Juno et, p. 309, n. 22 Public Library, New York, p. 28, n. 47 Pucelle de Gaud, La, p. 195, n. 13 Queen’s Cup Gold Medal, Design for, p. 124, n. 16 Quelin, Rene T. de, p. 360, n. 8 Quenu, Docteur E., p. 68, n. 1 “Quijote,” Tercer Centenario de la Pu- blicacion del, p. 206, n. 3 R., Mine, de, p. 218, n. 14 Rabutot, Charles, p. 27, n. 13 Radio de Radiis, Amelie (Mme. Kautsch), p. 158, n. 6 Rafale, p. 369, n. 22 Railroads, Life-Saving on, p.357, n. 3 Rainer, Erzherzog, p. 202, n. 12; — u. Erzherzogin Maria, p. 202, n. 13, 14 Rajah of Kapurthala, The, p. 124, n. 17 Ramon y Cajal, Doctor, p. 12, n. 5, 6 Rathenau, Emil, p. 121, n. 10, 11 Rats, Le Conseil Tenu par les, p. 231, n. 21 Ratti, Messa d’Argento di Monsignor, p. 39, n. 7 Raynaud, Mme. Ernest, p. 28, n. 40 Rebel', Franz, p. 242, n. 16 Rechberg, E. F., p. 320, n. 12 Red Cross, American, p. 334, n. 3, 4 Redentore, Bacio del, p. 42, n. 2 Regierungsjubilaums-Erinnerungskranz, p. 204, n. 46 Reichenberg, Deutsch-Bohmische Aus- stellung in, p. 142, n. 12 Reininghaus, J. P., p. 158, n. 19 Rembrandt, p. 244, n. 40 Remouleur, Francois le, p. 311, n. 37; p. 369, n. 10 Rene, p. 28, n. 51 Renouveau, Pecheur, p. 75, n. 42 Repos des Moissonneurs, p. 184, n. 28 Reprise du Congo par la Belgique, p. 75, n. 43 Republica Argentina, p. 179, n. 30; p. 184, n. 29 Republique Casquee, p. 271, n. 73 Republique Frangaise, p. 18, n. 33; p. 179, n. 31 ; p. 343, n. 33 Republique Frangaise, Amies de la, p. 178, n. 8 Republique Franqaise, Amies et Effigie de la, p. 177, n. 7 Republique Francaise, Sceau pour le Ministere d. Aff. Etrang., p. 184, n. 30 Republique,” “Triomphe de la, p. 188, n. 18 “Research,” p. 147, n. 2 Rcssonico, Cav., p. 46, n. 5 Resurrection de San Francisco, p. 18, n. 34 Retour au Foyer, p. 184, n. 31 Retour du Prince Albert du Congo, p. 284, n. 9 Reuchlin, Jonkheer Otto, p. 330, n. 5 Reve, Le, p. 348, n. 28 Reverie, p. 172, n. 25; p. 218, n. 17 Rhinologen-und Laryngologen-Congress, Wien, 50-jahr. Jubilaum, Turck u. Czermak, p. 202, n. 11 404 GENERAL INDEX Rhinozerus, p. 244, n. 41 Rliijn, Harmensz van, p. 363, n. 14 Ricard, L., p. 349, n. 33 Ricketts, Ernest R., p. 320, n. 15 Ricordi, Giovanni, p. 46, n. 15 Ridolfi, Contesse, p. 89, n. 4 Rifle Clubs, Society of Miniature, p. 124, n. 16 Riga, Jubilaum d. Stadt., p. 323, n. 10 Riley, Mrs. Athelstan, p. 229, n. 2 Rimmer, William and Mary H. C., p. 255, n. 1 Ringer, Die, p. 216, n. 11 “Riric,” p. 348, n. 19 Ritratto, p. 43, n. 15 Ritratto d’Uomo, p. 304, n. 6, 7 Ritratto di Signora, p. 47, n. 26 Roberts, Lord, p. 106, n. 17; p. 123, n. 5 Robin, Albert, p. 347, n. 2 Rodin, Auguste, p. 221, n. 3, 4 Rome, Perine, p. 264, n. 24 Roma, Gara di Tiro a Segno Nazionale, p. 251, n. 7; p.286, n. 24 Roosevelt, Theodore, p. 29, n. 60; pi 334, n. 11, 12 Rop leve Norge, p. 331, n. 12 Rosa, p. 349, n. 43 Rosenheim, Max, p. 320, n. 33 Rosenthal, Raron et Raronne, p. 158, n. 9 Rothschild, Anthony de, p. 105, n. 1 Rothschild, Evelyn de, p. 105, n. 8 Rotter, Guido, p. 239, n. 12 Roty, Mine. M. A., p. 270, n. 69 Roty, Maurice, p. 270, n. 60 Roty a ses Amis, 0., p. 270, n. 70 Roubaix, Chambre de Commerce de, p. 183, n. 4 Roubaix, Hopital de, p. 183, n. 12 Roubaix, Pierre de, p. 184, n. 27 Rouen, Assurances Mutuelles de, p. 268, n. 6 Rouen, Expos. Nationale et Coloniale de, p. 269, n. 31 Rouen, Yille de, p. 184, n. 39 405 Rousseau, Louis F., p. 264, n. 19 Royal Agricultural Society of England, p. 238, n. 7 Royal Automobile Club, p. 133, n. 1 Royal Geographical Society, p. 5, n. 1; p. 6, n. 4 Royal Institute of British Architects, p. 96, n. 1 ; p. 100, n. 1 Royal Society, p. 109, n. 1 ; p. 238, n. 8 Royal Statistical Society, p. 5, n. 1 Rudolph, Charlotte Weltsler, p. 360, n. 2 Rumanischen Blindenheims, Eroffnung des, p. 291, n. 5, 6 Runkle, Bertha, p. 66, n. 2 Ruskin, John, p. 325, n. 4 Russes, Souverains, p. 53, n. 46, 47 Ruyter, Michel A. de, p. 314, n. 12; p. 363, n. 15 S., Florence, p. 162, n. 1 Sachs. 3. Inf. Regt., No. 102, p. 246, n. 89, 90 Sachsen, Landeskulturrat f. das Konig- reich, p. 137, n. 12 Saehsen-Altenberg, Ernst, Herzog v., p. 129, n.4; Ernst II, Herzog v., p. 129, n. 5 Sachsen-Meiningen, Herzog Georg v., p. 261, n. 7 Sain, Edouard Alexandre, p. 70, n. 7 Sainte-Beuve, C. A., p. 342, n. 7 Sainte Famille, p. 184, n. 32 Sainte Genevieve, p.264, n25; p. 271, n. 76 Saint-Josse-ten-Noode, Jubile Adminis- trate de, p. 181, n. 5 Salome, p. 75, n. 44 Saltus, J. Sanford, p. 27, n. 34; p. 28, n. 45 Saint a l’Aine, p. 258, n. 7 Samann, Der, Unterriclitswesen, p. 155, n. 15, 16; p. 244, n. 52 Samberger, L., p. 242, n. 18 San Francisco, Resurrection de, p. 18, n. 34 GENERAL INDEX San Martino c Solferino, Convegno in Coininomorazione di, p. 43, n. 8 Sanderson, Mrs. Cobden, p. 66, n. 10 Sant' Onofrio, On le Marchese Ugo di, p. 286, n. 20 Santos-Dumont, p. 237, n. 9 Sapeurs-Pompiers, p. 271, n. 74 Sargent, Dudley A., p. 209, n. 7 Sauer, Emil, p. 138, n. 12; p. 165, n. 5 Sauvetage, Soc. Franc, de, p. 330, n. 7 Sawyer, Marie Christiani, p. 289, n. 6 Saxe-Goburg and Gotha, Victoria Adel- heid. Duchess of, p. 321, n. 45 Say, Leon, p. 270, n. 54 Sceau pour le Ministere d. Aff. Etrang., p. 184, n. 30 Schaffner, Max, p. 203, n. 40 Scliarfenberg, Wilhelm v., p. 321, n. 47 Scharff, Anton, p. 223, n. 5 Schiller, Friedrich, p.242, n. 9; p.245, n. 62; p. 296, n. 15, 16 Schistek, Franz, p. 239, n. 6 Schlacht v. Aspern, 100. Gedenktag, p. 202, n. 20 Schmedes, Erik, p. 165, n. 6 Schmidt, Mildred, p. 320, n. 34 Schmidtmann, Hermann, p. 216, n. 12 Schoeller, Paul von, p. 292, n. 18, 19 Scholz, Joseph, p. 201, n. 8 Schonaich, Freiherr von, p. 202, n. 17 Schonborn, Graf F., p. 296, n. 18 Schonherr, David von, p. 296, n. 13 Schottengymnasium, p. 141, n. 4 Schubertiade, p. 292, n. 20, 21 Schuctte, Franz, p. 261. n. 5 Schumann, Robert und Clara, p. 166, n. 30 Scburz, Carl, p. 26, n. 7 Schwebende Welt, I. L. A., p. 245, n. 65 Scbwegerle, Frau, p. 246, n. 78 Schwegerle, Hermann, p. 246, n. 82 Schwerdtner, Johann, p. 301, n. 3 Schwesternschaft d. Stadt Berlin, p.323, n. 9 Schwimmer, Die, p. 216, n. 7 Schwind, Fuhrlich, Steinle, p.223, n. 12 Schwyzois, Tir Cantonal, a Kiissnacht, p. 102, n. 26 Science, p. 237, n. 10 Science, and Music, Order for Art, p. 106, n. 23 Sciences, Association Frangaise pour l'Avancement des, p. 267, n. 5 Scientia, p. 218, n. 18 Scott, Robert Falcon, p. 5, n. 1 Scout, Apache Indian, p. 289, n. 3 Sculpteur, Le, p. 98, n. 6 Scuola d’Atene, p. 39, n. 14; p. 40, n. 15 Scuola Sup. d’Arte Applicata all’ Indus- tria, p. 40, n. 16 Sea Nymphs, p. 6, n. 5 Seal cut in amethyst, p. 129, n. 14 Seal cut in beryl, p. 129, n. 15 See, Anna et Germaine, p. 53, n. 34 See, Camille, p. 52, n. 6 Seely, Helen, p. 303, n. 6 Seilern, Count, p. 105, n. 5 Seine, La, p. 231, n. 20 Selbstportrat (D. Greiner), p. 244, n. 42 Selskahet for Christiania Bvs Vel, p. 331, n. 13 Semeur, Le, p. 369, n. 16 Scmpione, Inaugurazione del, p. 285, n. 8, 9 Senat d. Hansestadt Bremen, p. 120, n. 5, 6, 7 Sermoneta, Duehi Gaetani di, p. 286, n. 19 Serristori, Contesse, p. 89, n. 5 Sertoli, E., p. 46, n. 10 Servois, Gustave, p. 369, n. 11, 12 “Set,” Le, p. 343, n. 23 Severine, Mme., p. 59, n. 29 Shackleton, Sir Ernest H., p. 6, n. 4; p. 333, n. 6 Sharpe, George H., p. 356, n. 1 Shaw, Leslie M„ p. 334, n. 17, 18 Shepherdess, p. 28, n. 53 406 GENERAL INDEX Sickles, Elizabeth, p. 66, n. 4 Siecle Nouveau, Le, p. 264, n. 17 Siege de Paris, p. 53, n. 44 Silence, Le, p. 83, n. 16; p. 258, n. 3 Silhouette Parisienne, p. 172, n. 26, 27 Silvestri, Giovanni, p. 285, n. 11 Simon, Ldouard, p. 175, n. 2 Simon, Jules, p. 52, n. 26 Simon, Mine. Sarah Gustave, p. 53, n. 32 Simplon, Percement du Tunnel du, p. 102, n. 20 Simson, Alfred, p. 319, n. 3 Simson, Alice Arbuthnot, p. 319, n. 4 Simson, Herman, p. 320, n. 23 Simson, N. C. S., p. 320, n. 36 Simson, Noelie G. S., p. 320, n. 37 Singes, Les, p. 308, n. 15 Sketch A, Flying Cloud, p. 255, n. 4 Sketch B, The Cherub’s Crown, p. 255, n. 5 Sketch C, A Benefactor, p. 255, n. 6 Ski, p. 138, n. 17 Slosse, Nicole, p. 83, n. 20 Societa Fotografica Subalpina, p. 277, n. 6. See also Society, Gesellschaft Societe d’Agriculture, p. 363, n. 19 Societe d’Encouragement de l’Escrime, p. 330, n. 6 Societe de Montmorency, Horticulture, p. 348, n. 22 Societe des Amateurs Independants, p. 369, n. 25 Societe des Architectes Diplomes, p. 18, n. 35, 36 Societe des Parisiens de Paris, p. 18, n. 37, 38 Societe des Peintres Orientalistes, p. 231, n. 24, 25 Societe des Sciences et Arts de Lille, p. 184, n. 33 Societe Frangaise de Sauvetage, p. 330, n. 7 Societe Franco-Japonaise, p. 221, n. 19 Societe Medicale de Monaco, p. 284, n. 10 407 Societe Nationale des Chemins de Fer Vicinaux, p. 75, n. 45 Societe pour l’Avancenient du Bien-etre de Christiania, p. 331, n. 13 Societe Boyale St. Hubert, p. 75, n. 46 Societe Suisse de Numismatique, p. 101, n. 9 Societes de Sports Athletiques de Bel- gique, Federation des, p. 195, n. 12 Society, American Geographical, p. 26, n. 10 Society, American Numismatic, p. 26, n. 4, 9; p. 27, n. 32; p. 29, n. 63, 64; p. 105, n. 2; p. 106, n. 14; p. 204, n. 47 Society, Engineering, p. 27, n. 19 Society, Hispanic, of America, p. 27, n. 30; p. 105, n. 11, 12; p. 106, n. 13 Society, National Geographical, p. 333, n. 3,6 Society, National Bose, p. 238, n. 6 Society, New York Historical, p. 28, n. 46 Society of Artists, Chicago, p. 360, n. 3 Society of Miniature Bifle Clubs, p. 124, n. 16 Society of the Cincinnati, p. 28, n. 54 Society, Pennsylvania, p. 93, n. 9 Society, Boyal Agricultural, of England, p. 238, n. 7 Society, Boyal, p. 109, n. 1 ; p. 238, n. 8 Society, Boyal Geographical, p. 5, n. 1 ; p. 6, n. 4 Society, Royal Statistical, p. 5, n. 1 Society, St. Nicholas, p. 8, n. 5; p. 37, n. 2 Soif, La, p. 218, n. 8 Soil, E. J., p. 74, n. 15 Soldats, p. 310, n. 30 Solfege, p. 188, n. 17 Solidarity, La, p. 311, n. 35; p. 348, n. 26 Sonndorfer, Rudolf, p. 240, n. 18 Sonnenthal, Adolf, p. 164, n. 2 Sorel, Albert, p. 51, n. 1 Sorolla y Bastida, Joaquin, p. 13, n. 8; p. 27, n. 30 Souliaits Nouveaux, p. 259, n. 9 GENERAL INDEX Soupe, La, p. 88, n. 9 South African War, Termination of the, p. 106, n. 33 Souvenir, p. 184, n. 34, 35 Souverains d'ltalie, p. 53, n, 45 Souverains Russes, p. 53, n. 46, 47 Spanish War, p. 28, n. 56 Spicer-Simson, G. B., p. 320, n. 17 Spicer-Simson, Hilda L., p. 320, n. 24 Spicer-Simson, Margaret, p. 320, n. 31 Spicer-Simson, Mildred C., p. 320, n. 35 Spicer-Simson, T., p. 321, n. 44 Spinnstube, Bohmische, p.223, n. 9 Spiritus-Verwertung, Inter. Aus. f., p. 203, n. 27 Sport, Idroet giver Sundhed, p. 331, n. 14 Sports Athletiques de Belgique, p. 195, n. 12 Sports, Les, Exposition Universelle de Paris, p. 348, n. 31 Sposa, La, p. 43, n. 12 Sprinter, The, p. 210, n. 17, 18 Spuller, Eugene, p. 342, n. 9 St. Gaudens, Augustus, p. 213, n. 1 St. George Athletic Association, p. 29, n. 59 St. Georges, p. 83, n. 21 ; p. 104, n. 2 St. Gilles-lez-Bruxelles, p. 283, n. 2 St. Hilaire, Barthelemy, p. 51, n. 3 St. Hubert, p. 231, n.26 St. Hubert, Societe Royale, p. 75, n. 46 St. Hubertus, p. 244, n. 56; p. 297, n. 36 St. Jean, p. 259, n. 10 St. John, The Young, p. 162, n. 5 St. Just, Consecration de l’Eglise de, p. 17, n. 10 St. Lazare, (Euvre des Liberees de, p. 270, n. 71 St. Louis, Cinquantaire de l’lnstitut, a Bruxelles, p. 152, n. 1 St. Louis, Exposition Universelle de, p. 1 7, n. 18, 19 St. Louis, Deutsche Unterrichts-Ausstel- lung in, p. 216, n. 10 St. Michael, p. 243, n. 21 St. Michel, p. 83, n. 22 St. Nazaire, Chambre de Commerce de, p. 268, n. 10 St. Nicholas Society, Anniversary Din- ner, p. 8, n. 5; p. 37, n. 2 St. Peter’s College, Westminster, p. 208, n. 6 St. Sebastien, p. 59, n. 30 St. Trond, Exposition de, p. 74, n. 18 Staatsmedaillen, p. 137, n. 1, 4, 5, 12; p. 138, n. 13, 15; p. 142, n. 27 Stabilimento Tecnico Triestino, p. 291, n. 11 Stampa, La, p. 277, n. 10 Staples, Carlton A., p. 4, n. 2 Station Viticole de Villefranclie, La, p. 342, n. 20 Statistical Society, Royal, p. 5, n. 1 Steel Institute, Iron and, p. 72, n. 1 Steenwijlc, Baron et Baronne de Vos van, p. 74, n. 10 Stefanik, Milan, p. 316, n. 7 Steinle, Fuhrlich, Schwind, p.223, n. 12 Stella, Silvano, p. 47, n. 27 Stenografia, p. 286, n. 21 Stevenson, Louisa F. and Kent Hawley, p. 140, n. 2 Stokes, Gabriel, p. 72, n. 2 Stokovski, Leopold, p. 66, n. 7 Stork, Wharton, p. 210, n. 19 Storm Ride, The, p. 6, n. 8 Strauss, Richard, p. 166, n. 29 Stringher, Bonaldo, p. 43, n. 7 Strossmayer, Josip Juraj, p. 201, n. 3 Stuart, Anita, p. 26, n. 5 Stucky, Giovanni, p. 46, n. 16 Studentenherberge, G. Rotter, Griinder der, p. 239, n. 12 Studienkopf, Christus, p. 240, n. 19 Studienkopf, Madchen, p. 240, n. 20 Studio e Lavoro, p. 43, n. 17 Study of a Child, p. 209, n. 15; p. 210, n. 16 408 GENERAL INDEX Stummer von Tavarnok, Freiherr Aug., p. 142, n. 13 Stuyvesant, Peter, p. 333, n. 9, 10 Suchanek, Frau Dr., p. 202, n. 15 Suisse, Entree de Vaud dans la Confede- ration, p. 101, n. 7 Sullivan, Algernon Sydney, p. 263, n. 2 Sulzer Freres a Winterthur, p. 102, n. 24 Susi, p. 138, n. 18 Swimming, p. 238, n. 9 Syndicat des Journalistes Republicans, p. 188, n. 18 Syndicat Forestier de France, p. 98, n. 8 Syndicat General de la Bourse de Com- merce de Paris, p. 329, n. 8 Syndicat General des Fabricants de Sucre, Java, p. 362, n. 9 Taft, Inauguration of William H., p. 334, n. 13, 14 Taine, Genevieve L., p. 270, n. 66 Tallmadge, Frederick S., p. 27, n. 22 Taufmedaille, p. 323, n. 13 Ta ure au, p. 232, n. 27 Taureau, Lion et, p. 310, n. 27 Taureau Normand Couche, p.232, n. 28 Taylor, Maud Mary, p. 179, n. 28 Technische Hochschule, Die, p. 141, n. 7 Temps Consolateur, Le, p. 115, n. 9 Tendres Amants, Heureux Lpoux, p. 306, n.l Tenichev, Princesse Marie, p. 221, n. 18 Tennisspieler, p. 121, n. 21 Tennyson, Alfred, p. 189, n. 1 Termination of the South African War, p. 106, n. 33 Terrier, Dr. F., p. 347, n. 14 Terry, Ellen, and Sir Henry Irving, p. 253, n. 4 Testa di Bimba, p. 286, n. 22, 23 Tete d’Etude, p. 349, n. 46 Tete d’une Vieille, p. 191, n. 18 Tete de Jeune Fille, p. 75, n. 51 409 Tete de Jeune Fille Polonaise, p. 75, n. 49, 50 Tete de Vieux, p. 83, n. 24 Tete de Vieux Peeheur Hollandais, p. 113, n. 14 Tewele, Franz, p. 291, n. 8 Thausing, Julius E., p. 240, n. 14 Theatre, The New, New York, p. 15, n. 1 Thun und Hohenstein, Josef, Graf von, p. 142, n. 14 Tigre Couche, p. 232, n. 29 Til enig Vagt om Norge, p. 331, n. 15 Timbre-poste Francais, p. 179, n. 34 Tir, Le, p. 83, n. 18 Tir Cantonal Sehwyzois a Kiissnacht, p. 102, n. 26 Tir de Bale, p. 102, n. 25 Tiro a Segno Nazionale in Roma, p. 251, n. 7; p.286, n. 24 Tirol, Stadt Hall in, p. 296, n. 34, 35 Tja-yo-ni, Chief, p. 289, n. 4 Toilette, La, p. 311, n. 33 Tolly, Princess Barclay de, p. 80, n. 1 Tolstoi, Count Leo, p. 92, n. 5; p. 325, n. 5 Torino, Camera di Commercio di, p. 285, n. 2; — Club Alpino Italiano, p. 276, n. 3 Torino, Congresso Fisiologico, p. 39, n. 2 Torino, Fondazione della Litografia Doyen, p. 276, n. 1 Torre Filareta, Inaugurazione del Riedi- ficamento della, p. 39, n. 4 Tourcoing, Exposition, p. 183, n. 9 Toureoing, Foire a, p. 183, n. 11 Trask, Katrina, p. 28, n. 36 Trask, Spencer, p. 28, n. 57, 58 Trailer, Die, p. 295, n. 9 Travail, Le, p. 74, n. 29; p. 187, n. 9 Trave, Inauguration du Canal de l’Elbe et de la, p. 102, n. 16 Treves dei Bonfili, Barone Mario, p. 285, n. 1 Triestino, Stabilimento Tecnico, p. 291, n. 11 Triumph des Weibes, p. 245, n. 70; p. 292, n. 22 GENERAL INDEX Triumphet America, p. 110, n. 5 Trois Ages dc la Vie, Les, p. 343, n. 24 Trondhjem, Exposition Agriculturale, p. 330, n. 7 Trotting Camels, p. 124, n. 18 Trowbridge, Alexander B., p. 319, n. 2 True, P., p. 70, n. 20 Tschermak, Gustav, p. 203, n. 26 Tuberculosis Congress, International, p. 27, n. 27 Tuilerie d’lvry, p. 59, n. 31 Tunis, Inauguration du Port de, p. 17, n. 22, 23 Tunnel du Simplon, Percement du, p. 102, n. 20 Tunnelarbeiter, Mesticanesti, p. 296, n. 33 Turck u. Czermak, p. 202, n. 11 Turnverein, Akademischer, Wien, p. 239, n. 9 Typothetae of New York, p. 27, n. 21 Uithuizen, Rembertus Jeltsema, Szn- Landbouwer te, p. 149, n. 6 Ullman, Eug. Paul, p. 289, n. 5 Umberto, Re dYtalia, p. 39, n, 4 Underwood, F. Derwent, p. 208, n. 3 Union Centrale des Arts Decoratifs, p. 271, n. 78, 79; p. 342, n. 13 Union Franco-Americaine, p. 271, n. 80 United States, Visit of Prince Henry of Prussia to the, p. 29, n. 63 Universite de Christiania, p. 331, n. 9, 16 Universite de Louvain, p.339, n.2-4; p. 340, n. 5, 6 University, Cambridge, p. 208, n. 2 University of Wisconsin, p. 29, n. 62 Untcrrichtsausstellung in St. Louis, p. 216, n. 10 Unterrichtswesen, Der Samann, p. 155, n. 15, 16; p. 244, n. 52 Urheberechtsconferenz, Internationale, Berlin, p. 216, n. 14 Utrecht, Fabrique Royale C. J. Begeer a, p. 362, n. 2 Utrecht, Visite de la Reine Wilhelmina a la Monn. d’, p. 363, n. 18 Vade, M. P., p. 28, n. 43 Vague, La, p. 58, n. 23 Valencia, Exposition de, p. 13, n. 9 Valkyrie, p. 331, n. 17 van Calcar de Boer, Mine. B. C., p. 149, n. 5 Van den Heuvel, M. Jules, p. 175, n. 3 Van Horne, Sir William C., p. 209, n. 14 Van Ysendyk, Jules Jacques, p. 74, n. 26 Vanneuses, p. 191, n. 19 Vatra Luminoasa, Eroffnung des ruman. Blindenheims, p. 291, n. 5, 6 Valid, Centenaire de l’lndependance du Canton de, p. 101, n. 7 Veau, Jeune, p. 191, n. 15 Vecchi, Massimo de, p. 43, n. 11 Velasquez, Centenario de, p. 12, n. 3 Vendanges, Les, p. 349, n. 48 Venedig, Ausstellung, p. 170, n. 8 Venezia, Esposizione Internazionale d’Arte della Citta di, p. 43, n, 9; p. 264, n.27; p. 285, n. 7 Venise, p. 188, n. 19 Vent, Le, p. 113, n. 9; p. 308, n. 20 Venus et Amour, p. 149, n. 7 Vergine, p. 251, n. 10 Vernon, Clemence de, p. 349, n. 38 Vernon, Frederic de, p. 348, n. 19 Vernon, Jean de, p. 348, n. 23 Verriest, Dr. G., p. 340, n. 5 Vespro, p. 47, n. 28 Vespucci, Amerigo, p. 26, n. 4 Veyrat, Georges, p. 254, n. 8 Viardot, Pauline, p. 159, n. 25 Vicenza, Esposizione di, p. 285, n. 6 Victoria Adelheid, Duchess of Saxe-Co- burg and Gotha, p. 321, n. 45 Victoria, Queen, p. 106, n. 28, 29 Vie, Les Trois Ages de la, p. 343, n. 24 Vieille Femme, p. 88, n. 11 Vieille Femme Drapee, p. 172, n. 28 410 GENERAL INDEX Vieille, Tete d’une, p. 191, n. 18 Yieillcsse, p. 311, n. 34 Viel Gliick, p. 242, n. 7 Vierge, La, p. 270, n. 53; p. 349, n. 47 Vierge aux Lys, p. 254, n. 13 Vierge et Enfant, p. 259, n. 11 Vierge, Fil de la, p. 191, n. 12 Vieux, Tete de, p. 83, n. 24 Vignaud, Henry, p. 158, n. 18 Villarosa, Duchesse di, p. 89, n. 6 Villefranche, La Station Viticole de, p. 342, n. 20 Vin Mariani, p. 226, n. 9; p. 232, n. 30; p. 271, n. 82 Vinne, Theodore L. De, p. 27, n. 21 Violon, Dos de, p. 58, n. 7 Virginie la Sage, p. 369, n. 26 Viribus Unitis, p. 297, n. 37, 38 Visit of Prince Henry of Prussia to the United States, p. 29, n. 63 Visite a la Monnaie de Paris, Souverains Russes, p. 53, n. 47 Visite de l’Escadre Franc, a Cronstadt, p. 18, n. 39 Visite de Leurs Altesses Royales a Gand, p. 195, n. 22 Visite de S. M. la Reine Wilhelmina a la Monnaie d'Utrecht, p. 363, n. 18 Visite du Roi Haakon VII a Kongsberg, p. 331, n. 18 Vita, p. 277, n. 16 Vita Reata, p. 261, n. 8 Viticole, La Station, de Villefranche, p. 342, n. 20 Viticulture, p. 349, n. 48 Vittoria, p. 277, n. 17 Vittorio Emanuele II, p. 39, n. 9 Vizzavona, Mme. F., p. 226, n. 8 Vogue, Comtesse de, p. 52, n. 10 Void mes Bijoux, p. 310, n. 26 Volksbader, Deutsche Gesellscliaft f., p. 216, n. 9 Volta, Alessandro, p. 39, n. 1 411 Vos van Steenwijk, Baron et Baronne de, p. 74, n. 10 Vosburgh, Loretta, p. 360, n. 5 W., Miss, p. 106, n. 21 W., Mr. and Mrs., p. 162, n. 3 Wagner, Richard, p. 243, n. 35; p. 366, n. 10 Wagner, Siegfried, p. 166, n. 31 Wailly, De, p. 342, n. 8 Waker, p. 328, n. 8 Waldeck-Rousseau, Mme., et Jacques Liouville, p. 349, n. 40 Waldeck-Rousseau, R., p. 349, n. 44 Waldersee, Graf, p. 323, n. 4 Waldron, p. 321, n. 46 Wales, Borough of Merthyr Tydfil, p. 151, n. 1 Wales, Edward, Prince of, p. 105, n. 6 Wales, National Museum of, p. 151, n. 4, 5 Wales, Prince and Princess of, p. 106, n. 24 Wallon, Sophie Marguerite, p. 53, n. 33 Walpurgisnacht, p. 246, n. 88 Walque, Francois de, p. 339, n. 4 War, Spanish, p. 28, n. 56 Warocque, Raoul, p. 75, n. 41 Waschermadel, p. 223, n. 6 Wasser, Das, p. 295, n. 6 Watts, George F., p. 320, n. 18 Weiblicher Akt, p. 246, n. 92 Weihnachten, p. 245, n. 69; p. 261, n. 9 Wein, p. 138, n. 19 Weinman, Catharina, p. 357, n. 1 Weinman, Howard K., p. 357, n. 2 Weiskirchner, Richard, p. 291, n. 3 Welsh- Americans, p. 110, n. 6 Wendell, Rarrett, p. 320, n. 7 Werner, Adolph, p. 28, n. 50 Werdnik, Fechtmeister, p. 300, n. 2 West, Albert, et Marthe Henon, p. 16, n. 2 Westminster, St. Peter’s College, p. 208, n. 6 Wettfliegen, I. L. A., Frankfurt a. M., p. 245, n. 60 GENERAL INDEX Wheeler, John, p. 35, n. 4 Whistler. James McNeill, p. 27, n. 28 White, Sir George, p. 105, n. 9 White el Fils, Londres, p. 331, n. 19 White Horses, p. 6, n. 9 Wliitehouse, Francis Meredyth, p. 303, n. 5 Whiting, Arthur, p. 118, n. 2 Wickenburg, Graf, p. 202, n. 23 Widmungstafel, p. 170, n. 9 Wien, Akad. Turnverein, p. 239, n. 9 Wien, Ausflug der Numismatischen Ge- sellschaft in, p. 141, n. 3 Wien, Deutschmeister Denkmal, p. 300, n. 1 Wien, Der Graphische Club in, p. 239, n. 3 Wien, k. k. Hauptmiinzamt, p. 240, n. 15 Wien, Medaillen-Konkurrenz, p. 291, n. 14 Wienecke, Sietske, p. 362, n. 7 Wiener Eislaufverein, 40-jahriges Jubi- laum, p. 141, n. 6 Wienerinnen, p. 223, n. 1 Wierdsma, Jan V., p. 363, n. 17 Wieser, Friedrich, Freiherr von, p. 142, n. 28 Wiesner, Julius, p. 296, n. 22 Wilczek, Graf Hans, p. 202, n. 22 Wilhelm II, Deutscher Kaiser, p. 129, n. 11; p. 134, n. 4, 5 Wilhelmina, Reine de Hollande, p. 195, n. 19 Wilhelmina, Visitc de la Reine a la Mon- naie d’Utrecht, p. 363, n. 18 Wilson, Adeline Eunice, p. 255, n. 2 Wilson, Francis, p. 68, n. 1 Wilson, Richard Cobden, p. 229, n. 3 Winternitz, Wilhelm, p. 301, n. 5 Wintersport, p. 242, n. 10 Wisconsin, University of, p. 29, n. 62 Wissaert, M. et Mine. Fr., p. 366, n. 12 Wistfulness, p. 210, n. 22, 23 Witte, Alphonse de, p. 73, n. 2; p. 313, n. 1 Wittek, Heinrich, Ritter von, p. 201, n. 7 Wittwe, p. 244, n. 43 Wolf, Hugo, p. 165, n. 13 Wolkenstein-Trostburg, Graf, p. 158, n. 15 Wood, John Philip, p. 320, n. 26 Wood, Sir Evelyn, p. 123, n. 6 World’s Columbian Exposition, p.335, n. 23, 24, 27 Wrangel, Hedwig, p. 165, n. 11 Wright, Wilbur and Orville, p. 29, n. 65; p. 334, n. 19, 20 X., Edmond, p. 70, n. 6 X., Mile., p. 70, n. 12, 13 X., Mine., p. 179, n. 27 X., Yvonne, p. 349, n. 36 Yachtclub de la Marine Royale Neerlan- daise, p. 362, n. 10 Yacht Club, Motor, p. 106, n. 22 Yencesse, Hubert, p. 369, n. 13 Yorick Club, p. 5, n. 2 Ysendyk, Jules Jacques Van, p. 74, n. 26 Yuma Indian, p. 289, n. 7 Zeiner, Ernst, p. 143, n. 29 Zeppelin, Harro v., p. 246, n. 81 Zeus, p. 243, n. 23 Zittau, 200-jahr. Restehen d. k. Sachs. 3. Inf. Regt., No. 102, p. 246, n. 89, 90 Zola, Emile, p. 221, n. 7 Zweifel, Paul, p. 154, n. 4 412