DUKE PH ddre.se/iir dh\ his Colleagues fy friends on his relire me? it fromlheZ-- tee Chancellorship of Ihedfime/s/ly eflffoislol P I Digitized by the Internet Archive in 2016 https://archive.org/details/lifeofgiordanobr01frit LIFE OF GIORDANO BRUNO. f II •' ■ ■ GIORDANO BRUNO THE NOLAN. LIFE ' \ V OF ORDANO BRU THE NOLAN BY I. FRITH. REVISED BY PROFESSOR MORIZ CARRIERE. BOSTON: TICKROR & CO. 1887. ftmwzo (os w to , R1ri»a 7- e^'-r BmZF Jnscrtbeb TO THE MEMORY OF NICHOLAS TRUBNER , THE FAITHFUL FRIEND AND KIND ADVISER WHO PROPOSED THE SUBJECT OF THIS BOOK, WHOSE INTEREST IN IT CONTINUED UNFAILING TO THE LAST HOURS OF HIS LIFE, AND WITHOUT WHOSE AID THESE PAGES COULD NEVER HAVE BEEN WRITTEN. PREFACE. There is a fact in the great history of Cardinal Baronius by which certain writers take pattern. The Romans of his day are divided by him into two parties, Catholics and Schismatics: to the first he applies all the good, to the latter all the evil, that is told of the city. Now although, when judging the past in the light of the present, we are like those who at high noon find fault with the shadows of dawn, yet, even in these enlightened times, we are apt to weigh our personal likes and dislikes with matters above the jurisdiction of Church and State, forgetting the words of Bacon, “ That we are much beholden to those that write what men do, and not what they ought to do .” And, unlike that Australian colony which sent up a petition for “ convicts of good character ,” we may take exception to certain critics, more learned in expression than in research, who say that, for an atheist, Giordano Bruno had extraordinary merits. But enlightened and honest readers of his Works will discover them to be his best defence against the unjust and terrible imputation of atheism. “ No man,” says Sir Joshua Reynolds, “ can put more in his sitter’s head than he has in his own;” and, in the same way, if we would understand a philosophical writer, we must meet him in a philosophic spirit, not with PREFACE. viii a disposition to tolerate no theories except, as the Prayer- Book says, “ those hammered on our own anvils.” The influence of this courageous thinker on the golden age of English literature has hitherto almost escaped notice. As, however, the existence of invisible celestial bodies is foretold by the perturbations of visible stars, it is interesting to show how, by the shining track of thought, Bacon, Sidney, Marlowe, and perhaps even Shakespeare, are related to an obscure foreign visitor. These resem- blances can he traced by a moderately careful study of the Italian works, notably the dialogues Della Causa. During Bruno’s stay in England his best work was accomplished ; and in the Cena delle Ceneri his notes on English society and on English manners in the time of Elizabeth will be found full of interest. England, which had harboured him in his happier days, and for which he entertained a sincere affection, is last in attempting to re- instate his memory ; but it is a source of sincere gratitude to the writer of these lines that Professor Carriere, the philosopher who was among the first to recognise and to make public the merits of Bruno, should, after the lapse of nearly forty years, be found willing to revise the slender and imperfect tribute of a country tardy to render him justice. In beginning at this late date an account of the life and works of Giordano Bruno, acknowledgment is due to the labours of earlier writers. Forty years ago two young students — Moriz Carriere and Christian Bartholmess — of different nations, personally unknown to each other, and ignorant of each other’s labours, undertook the task of writing histories of the Nolan. The French Life of Bruno was published in 1 846, at Paris, in two volumes ; the German history occupies part of a work entitled Die Philosophische Weltanschauung der Reformationszeit, printed in 1847 at Stuttgart. With few materials PREFACE. IX at their command the two young scholars overcame the contention, raised by the Catholics, that Bruno never existed, or, if he existed, was never burnt ; and, carefully sifting all the scanty evidence, they pieced together with great pains historic accounts which are verified by new facts as they appear ; while their system of the Nolan philo- sophy is invaluable to later students. To Professor Moriz Carriere is due the distinction of having been the first to point out Bruno’s greatest achievement in philosophy, — his doctrine that God is at one and the same time immanent and transcendent ; that he is not only within us, nearer to ourselves than we are to ourselves, the life of life, light of light, the vivifying Spirit of all, but that he is self-conscious and self-existent, one in whom act and power, possibility and reality, are one, who is all he can be in every part, and thus plainly distinguished from the universe, which is all it can be as a whole, but not in its parts. Nor did Christian Bartholmess flinch in the cause of idealistic philosophy, upholding, with great learning and with the insight born of sympathy, the Platonic and essentially spiritual character of Bruno’s teaching. We have next the history of Bruno written by Dr. Brunnhofer of Aarau (Leipsig, 1882), reviewing the philosophy from a materialistic point of view, and embodying the latest discoveries with regard to Bruno’s life ; and that of Signor Berti ( Vita di Giordano Bruno da Nola, Florence, 1868), which contains a great quantity of valuable material ; while two scholarly pamphlets by Professor Sigwart ( Giordano Bruno vor dem Inquisitionsgericlit, 1881, and Die Lebens- geschichte Giordano Bruno’s , Tubingen, 1880) present a searching though brief analysis of Bruno’s history and philosophy ; and a succession of smaller works bear witness to the growth of public interest, first roused by Moriz Carriere and by Christian Bar- tholmess. N.B . — The full titles of Bruno’s works will be found in the Appendix. In quoting various editions, it may be necessary to notice that W. represents the edition of the Italian works published by Wagner at Leipsic in 1830, and Gfr. stands for the Latin works reprinted by Gfroerer, Stuttgart, London, and Paris, 1834. The documents of Bruno’s trial in Venice, which took place in the year 1592, are reprinted by Signor Berti X PREFACE. under the title Documenti intorno a Giordano Bruno da Nola, Rome, 1880. It is in contemplation to print a second volume, con- taining a summary of the works, with the documents of the trial and other confirmatory evidence. The thanks of the writer are due to Mr. Wm. Heinemann, who has kindly compiled a list of authorities which will he found a valuable addition to the Appendix. CONTENTS CHAPTER I. PAGK Birth at Nola, 1548 — The Spanish Yiceroys — The Poet Tansillo — Dominicans — Aquinas — The Noah’s Ark — Pope Pius Y 1 CHAPTER II. Naples — The Florentine Academy — The Trials at Naples and in Rome — Flight from Rome, 1576 — Genoa — Noli — The Sphere — Bruno’s Theory of the S tars and Sun s— Turin— Venice — Copernicus 28 CHAPTER III. Geneva, May 20, 1579 — Lyons — Toulouse, 1579-80 . . 50 CHAPTER IY. Geneva — Journey through France, 1581 — Paris — Lully — Some Latin Works on the Art of Memory . . 68 CHAPTER Y. England, 1583-85 — M. Castelnau de MauvissiJire — Doctrine of Ecstasy — Traces of German Mysti- cism— Bruno at Oxford, June 1583 — His Lectures on the Immortality of the Soul — The Printer Vautrollier — Sidney 104 CONTENTS. xii CHAPTER VI. PAGE Second Visit to Paris, 1585 — The Disputation — Por- trait of Bruno — Value op Induction and of the Imagination — Influence of his Philosophy upon his Character — Its Influence on Descartes, Spinoza, and Leibnitz 136 CHAPTER VII. Paris, June i, 1586 — Mayence, July 1586 — Marburg, July 1586 — Matriculated at Wittenberg, August 20, 1586— Quits Wittenberg, March 1588 — The Farewell Oration at Wittenberg . . . .163 CHAPTER VIII. Prague, 1588 — Helmstedt, January 13, 1 5 S9 . . .189 CHAPTER IX. Frankfort, July 2, 1590 — On the Threefold Minimum — On the Monad, the Innumerable, the Immense, and THE UNFIGURABLE — On THE COMPOSITION OF IMAGES, Signs, and Ideas 205 CHAPTER X. Zurich — Padua — The Trial at Venice .... 238 CHAPTER XI. The Trial at Rome — The Death of Bruno . . . 284 LIFE OF GIORDANO BRUNO. CHAPTER I. “ Ecrivez philosophic ou filosophie comme il vous plaira ; mais convenez que, des qu’elle parait, elle est persecutee.” — Voltaibe, Dictionnaire Philosophique, Art. “ Pkilosophie.” Birth at Nola, 1548 . The Spanish Viceroys. The Poet Tansillo. Dominicans. Aquinas. The Noah’s Ark. Pope Pius V. In the year 1548, at Nola near Naples, there was born a man destined to mark out a new era in philosophy. One of a group of noble figures, who, like the Israelites of old, passed through the fire unharmed, Giordano Bruno died for philosophy, and philosophy in return will keep his memory green, not only among the laurels and olives of his country, but in every land where the truth is honoured among the emblems of peace and victory. His life offers material of great interest. He was a figure typical of his time, of that brilliant period of transi- tion when the genius of the Middle Ages was merged in the spirit of modern inquiry. Few and chilly the souls which could come into the presence of that fiery spirit without kindling into enthusiasm, nor without becoming attached to a writer so fertile in contrasts. With a singular inventive mind, it was incumbent on him to express him- self in verse ; but he was rather a philosopher than a poet. Bruno was born eight years after the death of Coper- A GIORDANO BRUNO. nicus, into whose inheritance he was to enter, and thirteen years before the birth of Bacon, to whom in some degree he was to bequeath his philosophy. His birthplace lay at the foot of Mount Cicala, near Vesuvius, and under the benign sky of Italy, “that region,” as he says (W. i. 222), “ beloved of heaven, the head and dexter hand of this globe, the queen and tamer of all other generations of man, by us and others ever held to be the mistress, nurse, and mother of all virtues.” Ardent and impetuous, he was called in his own time the knight-errant of philosophy; for he was one of the violent who take the kingdom of heaven by storm. In his own words, “ Difficulty is ordained to deter mean spirits ; rare, heroic, and divine men pass over the road of difficulty and compel necessity to yield them the palm of immortality ” (W. i. 142). His mind, coloured by the luminous air and brilliant skies of his birthplace, received the powerful impetus of the Renais- sance, and his thought asserted itself with the greater force from having snapped the restrictions laid upon it by the Church. “ Men,” says Tasso, “ resemble the earth which bears them ; ” and the fire burning within Bruno was kindled near Vesuvius and fostered on a volcanic soil. “ In their entire historical appearance,” says Schwegler when speak- ing of Bruno, Campanella, and Vanini, “ they are like the eruptions of a volcano, rather precursors and prophets, than originators and founders of a new era of philosophy;” and the comparison is made acceptable by the place of Bruno’s birth and by the fiery metaphors which other writers have bestowed on him. “ He is,” says Hegel, “ a comet,” and, like a comet, it may be said he returns to sight after three hundred years. “ The works of Bartholmess of Strasburg,” says Baron Bunsen (Memoirs, ii. 254), “gave me occasion to become more nearly acquainted with that strange, erratic, comet-like spirit, a genius, but a Neapolitan, whose life was but a fiery fragment.” He is called by Hallam “the meteor of science,” and Victor NOLA, 1548. 3 Cousin speaks of the “ traces of mingled blood and fire ” which mark Bruno’s progress in the history of civilisation. Abandoning contemplation for observation, he was the champion of natural science; he sought knowledge in nature, and preferring the inductive method, he was the herald of the great Bacon. His theories anticipate many modern discoveries, and in the pure ideality of his con- ceptions he surpasses Descartes and Leibnitz, Berkeley, Spinoza, and even Hegel, philosophers said to derive much from his teaching. With him, nothing is real but the ideal ; and, like the orator of Cicero, he maintains there is nothing of any kind so fair that there may not he a fairer conceived by the mind ; while with Plato he affirms the idea to be an individual object, an eternal exemplar present in the Divine mind, and received by man in participation, but not in essence. Something in the history of Hola itself contributed to the energy of its sons. Italy was at the head of the Renaissance. The genius of Dante and Petrarch, the splendid discoveries of Columbus, Yespucius, and Cabot, the ambition of the Medici, descended upon no unworthy heirs, and the discoveries of Galileo in the heavens were at least on a par with those of the great travellers in the western hemisphere. But the dark thread in this glitter- ing skein of wealth and adventure was the spirit of intolerance, which had descended upon the leaders of the people. The Inquisition, under the fostering care of Paul III., sprang into renewed existence three years before the death of Luther. It was, perhaps, merely an indication of the intolerance 1 common to the whole of Europe. 1 But no foreign tyranny, nor blossom on that happy soil. If even the insufferable shadow of the higher praise could be, Bruno at Inquisition, which fretted Bruno’s least could dream of none ; and in heart, could dim the lustrous image this he resembled Dante, who speaks of his birthplace. In the Heroic { Convilo , ii. 16) of Boethius and Rapture (W. ii. 402) he assigns to Tully as having directed him “ to the nymph Diana, who is the symbol the love, that is, to the study, of of truth, the “golden fields of this most gentle lady philosophy.” Nola ” among “ beauteous nymphs” “I say and affirm,” he says again who represent all the virtues that ( Convito , v. 16), “that the lady with 4 GIORDANO BRUNO. These unfavourable conditions were increased by the despotism of Spain. The Escurial gave the tone to Italy. The little town of Nola is some miles from Naples, which was the headquarters of the Spanish Viceroy. Bruno was born under the sinister auspices of Spain, towards the end of the reign of Charles V., and under the viceroyalty of Don Pedro of Toledo, who, according to Brantome, was for twenty years the scourge of Naples. Under Philip II. the fanatic Duke of Alva presented himself as an object of terror to the people. He was, says De Thou, “ better for war than for peace ; and he was persuaded that the foundations of empire should be laid, not in love, but in terror.” He had slaughtered eight hundred heretics in one Easter week, and pillage and massacre were the ordinary accompaniment of his victories ; while such was the cruelty of his rule, that in 1574 the seamen of Zealand during a revolt wore a crescent on their hats with this inscription, “ Bather Turks than Papists,” to imply that the Turks had more humanity than Alva. The horrible “ Spanish fury,” which was a proverb in the Netherlands, did not belie itself in Italy. Spain was the aggressive power of that day. Every nation trembled before her ; whom I became enamoured after my first love was the most beautiful and modest daughter of the Emperor of the Universe, to whom Pythagoras gave the name of Philosophy. ” The goddess of Bruno’s worship is made to issue from a forest ; her sovereign beauty and goodness eclipse all others, and make them vile and vain ; she is the highest bliss ; she causes all earthly passions, all fear and hope, yea, life itself to be for- gotten ; he who is seized by this divine passion loves the flame con- suming him ; his sickness is better than health ; his chains than liberty. He is a prisoner, a slave ; but the divine love does not weigh his spirit down to earth ; it raises him above all things, and above liberty itself ; its yoke is of fire, but lighter than air ; he who is its slave is so thrice blessed that he envies neither God nor men their liberty. For this blissful concep- tion the philosopher can choose in the whole earth no happier home than Nola, “the little city,” which, according to Montaigne, “ was ruined by barbarians ” — such is the difference in men’s liking. Yet in a foreign land Bruno writes (W. i. 220), “ The true philosopher makes every country his own ; ” and this same spirit inspires his touch- ing address to Castelnau, written in exile ( Explicatio 30 Sigillorum), where he speaks of his gratitude to one who has made a home for the homeless wanderer, by changing England into Italy, and London into Nola. THE “SPANISH FURY: 5 and Alva, after those victories which he followed up with massacres so prodigious, that but for his own testimony they would seem too monstrous for belief, Alva erected a colossal statue to himself, attired in classical costume, the base adorned with choice mythological figures — none of which, it may be hoped, referred to that sacrifice by the hangman of twenty thousand human beings, for which the Duke was responsible, in the Netherlands. The king of Spain, however, was the only power at all comparable to the Grand Turk ; and the representative of the king of Spain in Naples was a figure hardly less hideous and terrific to the inhabitants of the rich and smiling Italian country than that pagan neighbour who was perpetually threatening a descent upon their coasts. Nola is one of the oldest towns in Italy. Standing midway between Vesuvius and the sea, it was encircled in ancient times by walls of great height, and its twelve gates were crowned with high towers, in order that the city might stand a long siege. From its twelve gates, twelve roads led into the outlying country, or brought princes from Rome or from Athens to the palaces, the stately temples, and amphitheatres which were set thickly together under the shadow of Vesuvius. In the time of Bruno, however, these splendid edifices had disappeared. The hewn and polished marbles, which might have defied decay, were seized by the first comer and worked into the wall of an orchard or the roof of a pig-sty; and while Petrarch sighed that Rome, the ancient capital of the world, should adorn from her own bowels the slothful luxury of Naples, Naples and the surrounding cities were given up to the same work of devastation. The palaces of senators were no longer adapted to the manners of peasants ; the baths were prohibited because they spread the plague ; the porticoes were neglected and their use forgotten ; in the sixth century the games of the theatre, amphitheatre, and circus had been interrupted ; some temples were used as Christian churches, but where money was sufficiently 6 GIORDANO BRUNO. plentiful the holy figure of the cross was preferred to the ruins, however splendid, of buildings with heathen asso- ciations. But if the people were unmindful of the use and beauty of ancient architecture, they by no means despised the bountiful materials at their disposal ; and marble which could not be used to eke out modern build- ings was burnt to lime and made into cement. Still, in witness of their ancient grandeur, the people found from time to time vases, gems, and coin embedded in the soil ; and except for these, and for some legacy of gentleness and cultivation which lingered among her sons, Nola might have wept with the wife of Phinehas over her departed glory. The historians of the beloved city count among famous Nolans the poet Tansillo, Albertino Gentile, the jurist; Algeri, who was the forerunner of Bruno in the grievous ways of martyrdom ; Ambrogio Leone, the his- torian of his native place and the friend of Erasmus, with a number of lesser lights, ranging from Merliano the sculptor, who was surnamed the Neapolitan Buonarotti, to Santarelli Stellioli, names which still live in the history of the little town. Nola, according to Berti, preserved more and deeper traces of Greek civilisation than any city of Magna Grecia. It was a bishopric, and twelve years after Bruno’s birth could boast a college founded by the Jesuits. “ The Jesuits,” says Fuller in his Church History, “had two most ancient and flourishing convents beyond the seas; Nola in Italy, as I take it, where their house it seems gives a bow for their arms ; and La Eleche in France, where they have an arrow for their device : “Arcum Nola dedit, dedit his La Fletche Sagittam ; Illis, quis nervum, quem merdere, dabit.” . . . No actual proof of the influence of Bruno’s parents on his early training remains. But “ There is a history in all men’s lives, Figuring the nature of the times deceased,” 2 Henry IV., iii. i. THE POET TANS1LL0. 7 and the fact that his training was serious and philosophic, and begun at a very early age, shows that the person directing him, whether father or mother, was fully capable of estimating and applying his powers. There seems also no reason to doubt that the poet Tansillo 1 was the friend of Bruno’s father; and in that case, the latter probably came of a stock by no means ignoble. Tansillo, himself of noble birth, belonged to the republic of letters. He was befriended in his youth by Ariosto ; he was acquainted with Tasso, and he was well received at the court of the Viceroy, Don Pedro de Toledo. Learning and adventure, poverty and noble antecedents had helped to form his character, a touch of licentiousness serving to associate him with the other minor poets of his time. He was born about the year 1510, at Venosa, of Nolan parents, and spent his early youth at Nola, where he probably made the acquaintance of Bruno’s family, which is proved by the register to have been settled for a length of time near Mount Cicala. Tansillo lived for many years at Naples ; and it is possible that under his neighbourly direction the “Nolan Muse,” of which Bruno speaks so fondly, was fostered and developed. In any case, a powerful and lasting influence was brought to bear on the young poet, and his descent, so far as it is known, does not altogether account for his poetic gift. His father was a soldier. His mother, Fraulissa Savolina, was almost certainly of German extraction, and he was born in or near the German colony outlying Nola. Among the numerous women upon the Nolan registers, the singular 1 Tirabosclii speaks of Tansillo as hideous perverter of elegance than an “ elegant writer, ” adding, “He Aretino probably never existed, has been exalted above Petrarch, After the appearance of Tansillo’s which is too great praise for him, first poem, the Yendemmiatore, his and denied by persons of any dis- works were prohibited by Pope Pius cernment.” The critic concludes IV. The poet then tuned his lyre to by remarking that three comedies another strain, and wrote a devo- ascribed to Tansillo were the work tional ode entitled The Tears of St. of the infamous Aretino ; a fact Peter, on which the Pope was ap- which completely dismisses the ques- peased, and Tansillo’s name was tion of “ elegance,” since a more taken off the Index. 8 GIORDANO BRUNO. name of Fraulissa does not occur; it is believed by Brunn- liofer to be a form of Fraulinda, or of the old high German Fraulich. The registers of Nola, which have been searched by Fiorentino, show the father of Bruno to have been twenty years of age in 1545; he was the son of one Geronimo Bruno, then aged forty-six, and was one of a family of nine children. It is possible that Geronimo Bruno was still alive in 1591 when De Minimo was written ; that is to say, if the words distantis imago parentis (book ii. chap. 3) are to be taken literally, as suggested by M. Paul de Lagarde. It is certain that both the father and mother of Bruno were dead at the time of his trial. An allusion to the foreign colony at the foot of Mount Cicala occurs in the Expulsion (W. ii. 152), when mention is made of a maestro Danese and of one Franzino, a name of German origin. The charcoal- burners of Mount Scarvacta near Mount Cicala are spoken of in the Candle-Bearer (W. i. 30), and Bruno speaks again of his native place towards the end of the play (W. i. 10 1 ) — “ To Don Paulino, priest of S. Primma, which is in a village near Nola, Scipio Savolino went one Good Friday and confessed his sins, and though many and great, they were speedily absolved, for the curate was his friend. On the next occasion, without more ado, Scipio said to Don Paulino, ‘ Father, to-day’s sins complete the year,’ and Don Paulino replied, ‘ Son, thou knowest to- day’s absolution completes the year. Go in peace, and sin no more.’ ” There is an allusion to the father of Bruno in the Heroic Rapture (W. ii. 324), which seems to prove that some of Bruno’s philosophy was inherited. On a neigh- bour saying one evening after supper, “ I was never so happy as I am now,” he was answered by Gioan Bruno, the father of the Nolan, “’Tis because thou wast never more foolish than now.” (This may be compared with a story which appeared lately in an American journal. “ The snow don’t pile so high as it did,” said one Yankee YOUTH OF BRUNO, 1548-76. 9 peasant to another. “ When we were boys we used to make caves in the drifts that you could stand upright in, and have room overhead too.” “ ’Tis because we were shorter than we are now,” said his neighbour.) Bruno preserves but one anecdote of his childhood (Gfr. 572). When he was in swaddling-clothes (an elastic period in Italy), a huge snake crept through a hole in the wall of the house. The boy screamed, and his father, who was sleeping in the next room, came running with a thick stick. He overcame the serpent, pouring out meanwhile “ vehement, irate words,” which so impressed the child, that years after, “ his memory awaking as from a dream,” he was enabled to repeat word for word all that had passed. The powerful order of the Dominicans, with the Spanish Government at its back, offered a promising career to a studious lad, and one which it was policy on the part of his parents to accept, specially equipped as he was by his own love of learning. Dominican and Franciscan alike aspired to rule the universities, and to do so, the universities must be met on their own ground. Besides, the Dominican order having been founded by a Spaniard, and sharing to a certain degree the acquisitive national humour, was openly supported by Spain, not alone in Naples, but in independent countries. St. Dominic and his institution are, in fact, the expression of the hier- archy of the West, while St. Francis represents the direct resignation of the Christian spirit, not to the traditions of a Church, but to love and to Christ. The Dominican looked to the Church for salvation; the Franciscan taught that the kingdom of God was within the Christian. Poverty and self-denial, these were his rules, and these instruments guided him on the way to heaven ; but the Dominican’s hope lay in the power of the Word. The Franciscan’s outward poverty was inward riches, the riches of Christ ; he desired to be poor in this world that he might be rich in righteousness. He preached by the IO GIORDANO BRUNO. roadside, in meadows, and in fields, speaking the common tongue of the people, exhorting to love, self-denial, and poverty. The Dominican system demanded from each preacher and confessor a rigorous examination by skilled examiners ; he must possess not only a profound know- ledge of the Scripture, but a special gift of preaching ; and if he had not these, he was not permitted to preach at all. Dor the Dranciscan, the inner light sufficed; if his calling was from God, the learning of man was of no account. Yet it may be said, in the words of Dante, “Unto one end their labours were” ( Paradiso xi.), a verse imme- diately following his celebrated comparison of St. Francis to the flame, and St. Dominic to the light, “ the one seraphic in ardour, the other, by his wisdom on the earth, a splendour of cherubic light.” But if their ends were the same, there was a vast dif- ference in the means employed by the two orders. St. Dominic, that saturnine and repelling Spaniard, the “ Chastiser ” of Dante, was aptly characterised by his funereal garb ; by the dog, his emblem ; and by the title of Persecutor of the Heretics, bestowed on him by the Inquisition of Toulouse, after his expedition to stamp out the Albigenses. Twelve years after the death of the founder, his powerful spirit was living still ; and the brethren of his Order became the bodyguard of the Inquisition — the domini canes, the dogs of the Lord, who truly stood in no need of them. The Church in troubled times offered a safe and peace- able calling to a lover of letters, and Bruno from his early youth was inclined to poetry and learning. He probably quitted ISTola when in his tenth or eleventh year. Until his fourteenth year he studied privately in Naples under an Augustinian friar, Teofilo da Yarrano, and he may have lodged with his uncle, Agostino Bruno, whom we know by the Nolan register to have been a weaver of velvet, living in Naples. He also attended the lectures of a pjrofessor named II Sarnese, who may have been one LIFE IN THE CLOISTER, 1563-76. 11 Vincenzo Colle da Sarno, 1 the author of Destructio destructionem Baldovini qtias quidem destructor ad im- plevit, Neap, apud M. Cancer, 1554. That Bruno attended private lectures is a proof either of his precocious love of learning, or of the assiduous attention of his parents and of their easy circumstances. He learnt, he says at his trial, logic, dialectic, and what was then called humanism, and later belles-lettres, beside arithmetic, geometry, music, poetry, astrology, physics, metaphysics, and ethics (W. ii. 187), which, with logic, are counted by Bruno as the nine daughters of the great mother Mnemosyne. Thus pursuing his studies, Bruno was at peace while the Neapolitan provinces were racked by earthquake, pest, and famine. The Turks descended upon the people of Chiaia, and carried them away as slaves. Calabria was infested with a band of outlaws led by a robber chief, who facetiously called himself il re Marcone. In the same province the unhappy Waldenses, w r ho had fled from Piedmont for refuge, endured unheard-of tortures, and ended their wretched lives as martyrs. Eighty-eight of them had their throats cut with the same knife, and the rest were quartered, and their remains passed from hand to hand to be a warning in the provinces ( Archivio Storico del Viesseux, vol. ix.) What wonder that, in the midst of such events, the young philosopher should turn for peace, leisure, and advancement to the convent ? It is said that had there been no Jesuits there had been no Voltaire; and perhaps had there been no Dominicans the philosophy of Bruno could not have come into exist- ence. “ Mathematics,” said the Dominican Father Caccini, when preaching at Florence on the Galileans, a punning reference to Galileo, “ are an invention of the devil;” and some such opinion may have prevailed in the Dominican 1 This Augustinian, after teach- and afterwards was called to Rome, ing the doctrines of Aristotle for where he delivered lectures on meta- some years in Naples, was named physics to the great satisfaction of Rector of the convent of Florence, his hearers. 12 GIORDANO BRUNO. convent in Naples. Either the young monk’s taste for mathematics or his passion for disputation soon brought him into collision with his spiritual masters, and it will be readily understood why he spent a great part of his life in travelling, as well whilst he was in orders as out of them, since the course of this stormy spirit, flying before the gust like a petrel, was beset with difficulties, of which, to confess the truth, he was too often the author. “ From my eighteenth year,” he says in the evidence of his trial (Doc. xi.), “ I doubted within myself . . . regard- ing the name of the persons of the Son and of the Holy Spirit, not comprehending the two Persons distinct from the Father, except as speaking philosophically, and assign- ing the intellect of the Father to the Son and his love to the Holy Spirit, without recognising that name of Person, which by St. Augustine is declared to be a name, not old, but new, and of his time.” Nor were his views of the monks such as to make him tolerant of their company. In the Expulsion he speaks of them as “ personages very ready to give away places in the kingdom of heaven, but incapable of earning an inch of ground for themselves.” “ Let friars live,” says one of the accusers at his trial, repeating the words of Bruno, “ on a scanty portion of broth ” (Doc. iv.), and ascetio contemplation or ecstasy he dismisses ( Sigillus Sigillorum, Gfr. 576) with the strongest expressions of disgust. At the age of fourteen, or between fourteen and fifteen (1562-63), Bruno assumed the dress of the Dominicans, when he changed his baptismal name of Filippo for that of Giordano, and entered the cloister of St. Dominic in Naples, once the home of Thomas Aquinas. The convent itself wears an enticing aspect for the lover of study. It stands among palaces upon a hill, its antique front turned towards the city, and flanked by spacious perfumed gardens, with cloisters running round their outer sides. Meditation seems to wait upon the age and silence of the spot, which bears the imprint of ten centuries on its strong walls and LIFE IN THE CLOISTER, 1563-76. 13 solitary cells. Three hundred years before, Aquinas had watched the incomparable aspect of Naples daily brighten and grow dim from the spot where Bruno now waited on his destiny. The presence of the Angelic Doctor still lingers in the ancient pile. In his cell, which is now a chapel, he first designed the system of religious philosophy which he taught, sitting in a hall on the right of the con- vent church. The church itself, one of the most beautiful in Naples, is full of historic tombs, embellished by hands which lend another lustre to immortality, and above the altar is the crucifix which it is said held converse with the saint, and manifested its approval of his doctrine. In this monastic seclusion the young philosopher spent thirteen years, from 1563 till 1576. The Prior, Ambrogio Pasqua, appears, according to his epitaph in the Church of Santa Maria della Sanita, to have possessed a strong character. He was vice-chancellor of the College of Theo- logy, a public lecturer, and exemplary in his life and doc- trine. Probably he resembled other Italian priests of his day. The Church was their world ; they were nimble- minded and persuasive, quick to discern merit, and to press it into the service of their order; and the dawning powers of the young monk were not likely to escape observation. After a year’s novitiate Bruno made his full profession before the Prior, and at the age of sixteen assumed servi- tude for life — a precocity in which there was nothing unusual, for Campanella was invested with the habit when he was fourteen, and Sarpi at the age of thirteen. We learn from the evidence which he gave when put upon his trial at Venice, that in due time the young monk was promoted to holy orders and to the priesthood, and that he saDg his first mass in Campagna, a city of the kingdom of Naples, in the mountains to the east of Salerno, living meanwhile in a Dominican monastery dedicated to St. Bartholomew. Afterwards, in pursuit of his priestly calling, he celebrated mass and the other divine offices, under the direction of his superiors, while travelling from GIORDANO BRUNO. cloister to cloister, and applying himself to the treasures of the libraries. During these years of monastic life he laid the founda- tion of those stores of learning on which he framed his books ; and without that period of leisure it is certain his best literary work would have lacked its richness and variety. He had a complete knowledge of the philosophy of the Greeks, was fairly acquainted with the Kabbalah, though he w r as no Hebrew scholar, and he knew the Latin translations of the great Arabic philosophers. Among the scholastics his early training made him acquainted with Thomas Aquinas, on whom he gave public lectures ; the mystic teaching of Raymund Lully was blended in his mind with the more practical natural philosophy of the Cardinal Bishop of Cusa and the great astronomical dis- coveries of Copernicus. His mind grew by that it fed on ; and there is scarcely an author on whom it is easier to point out the influences to which he was subject and the sources to which he looked for enlightenment. “ What vast reading and what varied study,” says Bartholmess, “ appear on every page ! How many authors are praised, blamed, and quoted ! how large a place the schools of the Middle Ages, and above all, those of antiquity, hold in his memory ! what an empire they exercise over his opinions ! ” Bruno himself tells us that he became a Dominican in order to pursue learning and to strengthen his imagina- tion ; and in proof of his command over the wisdom of the ancients, the German critic Jacobi writes that he (Bruno) had made their writings his own, and that, penetrated as he was by the spirit of antiquity, he nevertheless pre- served his own identity. The love of Nature, the use of induction (“ which,” says Bacon, “ is our only hope ” (Nov. Or. Aphor. 14), “the only fitting remedy by which we can ward off and expel idols ”), above all, the proper use of the imagination — these were his weapons, and this the method he chose. It was not long, however, before the coercion of monastic THE NOLAN MUSE. 15 rule forced him to seek refuge in himself, and, in his own words (W. ii. 3 1 3), “ Being drawn on the one side by the tragic Melpomene (who has more sense than humour), and on the other by the comic Thalia (who has more humour than sense), it happened that while the one Muse would steal him from the other, he remained in their midst, rather neutral and inactive than diligent with both. Moreover, those in authority withheld him from the higher and more worthy aims to which he was disposed by nature ; his mind was enslaved, and from being free under virtue, he became the prisoner of a most vile and foolish hypocrisy. Finally, through press of trouble, it happened that having no other consolation, he turned to those (the Muses), who are said to have inebriated him with frenzies, verses and rhymes, such as they vouchsafe to no other ; for they are worthy of laurels who sing of heroic things, establishing heroic souls in philosophy, or truly celebrating it, and holding it up as a mirror and example to nations;” and a little later he says (316), that with the Muses he is “ comforted, sustained, and directed, and that they are his refuge in time of weariness and peril;” concluding thus, “For to those who are favoured by Heaven the greatest ills turn to blessings yet greater, since necessity begets toil and learning, and these for the most part give birth to the glory of a splendid immortality.” But of his experience in verse-writing he says, “ Doubtless the Poet at sundry times and from many causes rejects the Muses. Firstly, he may lack the neces- sary leisure, for leisure is lacking to one forced to strive against the servants and slaves of envy, ignorance, and wickedness. Secondly, because no worthy helpers and defenders are beside him to make him steadfast.” The development of his mind may be traced in several passages of his books. When, as a boy, he looked upon Cicala from his home, he could see chestnuts, laurels, and myrtles ; and the more distant Vesuvius, that singular and solitary hill, honeycombed with fire, seemed to him a i6 GIORDANO BRUNO. rude unfruitful mass. But when at length he came to Vesuvius and could perceive the abundance of separate things, the vines and all the other growth, and looked over to Cicala, which in its turn had put on a blank and shapeless aspect, he deduced the lesson that “ in Nature there is no distance and nothing is near, but that Nature is everywhere spacious and lofty.” (“ No one actually sees distance; he sees only certain signs from which he has learned to judge intuitively of it.” — Maudsley.) “ The truest and most essential painter,” he says (Gfr. 529), “is the liveliness of the fancy; the first and most essential poet is inspiration, which is co- equal with thought, and by the divinity or divinely-sent influence of which thought becomes due and suitable representation of both. Inspiration is the innermost principle. Therefore, and in a certain measure, philo- sophers are painters ; poets are painters and philosophers ; ! painters are philosophers and poets. He who is not a | poet and a painter is no philosopher. We say rightly ) that to understand is to see imaginary forms and figures ; and understanding is fancy, at least it is not deprived of fancy. He is no painter who is not in some degree a poet and thinker, and there can be no poet without a certain measure of thought and representation.” And again, ] “ Some men discover harmony by means of the eye, others, ' though in a less degree, by the ear. The minds of true poets, musicians, painters, and philosophers are clearly related one to the other, since all true philosophy is at the same time music, poetry, and painting. True poetry 1 is at the same time music and philosophy. True poetry and music are in a manner divine wisdom and painting ” (. De Imaginum Signorum et Idearum Composition e). These words will be found peculiarly useful in dealing not only with Bruno, but with his critics and historians. Numbers of able and learned men have approached the subject, and from every point of view it is certain that some light may be gathered ; but too many of these writers bestow THE NOLAN PHILOSOPHY. 1 7 their own individuality upon facts and a philosophy which demand more sympathising treatment. As a short painter will unconsciously draw his figures too short and a Jewish painter gives a hook to the nose of his hero, in the same way a materialist writes of materialism and makes his hero a materialist; and, indeed, every man puts into his work something of his own. In works upon Bruno and his philosophy he will be found to appear as a materialist, an atheist, a pantheist, and sometimes in his true character as an idealist. Indeed, to rebut the charges of pantheism and atheism levelled at his memory must be the task of every student of the ISTolan philosophy, who cannot but feel with Sir Philip Sidney when he wrote, “ It likes me much better to find virtue in a fair lodging, than when I am bound to seek it in an ill-favoured creature, like a pearl in a dung- hill.” Had Bruno survived to write, like Descartes, a Discours sur la Mtthode, the Nolan must have escaped the accusation of pantheism which has risen from his concep- tion of a world-soul, with its attendant difficulties. The soul of the world is understood by Bruno to be, like the soul of man, from God and in God, having its being from him and doing its duty for him ; perfect in harmony, use, and beauty, because it is inspired by him, a flaming minister, a luminous and excellent star, a herald and ambassador setting forth his glory. A firm believer in the power of thought, he held it to be, like all the works of God, divine in its origin, bearing within itself the ful- ness of life, and sealed with the seal of infinity, and he was a forerunner of all who have struggled and suffered in the cause of religious freedom. “ He suffered,” says Coleridge in his Table-Talk and Omniana , “ at Rome for atheism ; that is, as is proved by all his works, for a lofty and enlightened piety, which was, of course, unintelligible to bigots and dangerous to an apostate hierarchy. If the human mind be, as it assuredly is, the sublimest object which nature affords to our contemplation, his lines, which i8 GIORDANO BRUNO. portray the human mind under the action of its most elevated affections, have a fair claim to the praise of sublimity.” Few men at any period are more closely identified with philosophy than Bruno, and yet there are few thinkers whose names are less familiar to the world. No work exists in English even with the small scope of the present volume, viz., to give a review of the least abstruse of his writings, and to lay before the public such scanty materials as are at present forthcoming with respect to his life. But fortunately, history is not entirely dependent on the material facts of existence : thought plays a large part in life; and a record of Bruno’s thought lies before us in a long series of works occupied with the discussion of scientific truths. Many of these truths are now no longer tokens of battle, but remain like tattered flags to tell of the struggle and pains of victory. Such is the theory of Copernicus. Others, such as the theory of instinct, of evolution, of the life of species, of the perfectibility of man, of the history of the earth, and the relations of the universe, still form the rallying-ground of thinkers. His claim to distinction rests upon his vigorous scheme of in- ductive thought, and upon a quality which, at that period remote from modern science, is like the insight of a seer into tli e hidden forces of Nature. “Why lean,” he says, “ upon vain fancy when experience herself is our teacher ?” (W. ii. 56). “Let us see, therefore, to what innumerable discoveries we are enabled to proceed by the way of trial, experiment, comparison, observation, and abstraction. For does it not sometimes occur that, as we pursue a certain end, another nobler still arises before us, as with alchemists who, in seeking gold, find that which is far better and more desirable?” (Gfr. 525). He looks upon the earth as a vast body, living and dependent on the bounty of God. All the moist stars or earths owe their existence to the suns, thus illustrating the doctrine that out of oppositions of heat and cold life is produced. THE NOLAN PHILOSOPHY. '9 Speaking of Bruno as “this great man,” Tiraboscki ■writes, “ It would be difficult to find bis equal, either in his greatness or in his faults.” His pages are deluged in ideas and obscured by a chaos of distinctions, and yet his soul, like a particle of celestial fire, is not quenched ; and “ such is his greatness,” writes Saisset, “ that his very errors have a character of nobility ” ( Revue des Deux Mondes, Nov. 18, 1847). No means was unfair, no con- ceit too far fetched to rouse interest in the problems under discussion. The name he chose for himself was the Awakener ; and provided he could raise a laugh or startle curiosity, he took no pains either to prune his style or to lay the demon of quotation which came from his vast stores of learning. Manzoni said of Dante that he was master not only of anger but of smiles ; and Bruno writes that his readers shall weep or laugh with him, as they may be disciples of Heraclitus or Democritus : for he believed it to be his mission to announce the truth ; not to develop and establish it. Students will look in his work in vain for close reasoning, or for that omission of detail which we are told by Schiller is characteristic of the artist ; yet of all the men who lived and suffered in that great revival, none had a keener consciousness of the spirit of the time than Giordano Bruno. He believed a great revolution was in store for the world, and he was never weary in repeating his convic- tion that the hewn branch should blossom, ancient truths revive, hidden truths be revealed, and that upon the dark- ness of night a new light should arise and shine upon men (W. ii. 82 ; De Trip. Min., p. 7). “ Some dispositions,” says Lord Bacon in the Novum Organum, “ evince an unbounded admiration of antiquity, others eagerly embrace novelty. ... "VVe have reason to expect much greater things of our own age than from antiquity, . . . and the admiration of antiquity forces man’s industry to rest satisfied with present discoveries.” No present discovery and no expert of antiquity con- 20 GIORDANO BRUNO. tented the restless spirit of Bruno or placed restraint upon his speech. “ Calling things,” he says, “ by their proper names, I say monks are monks, preachers preachers, leeches leeches, and the like with everything in Nature.” It was a maxim of the late M. Yan de Weyer that a diplo- matist may say what he pleases, provided he is careful to observe the form best suited to his purpose ; and it is cer- tain that reckless speaking brought the Nolan into many difficulties, and finally drew upon him the unmerited re- proach of atheism. A fresh source of danger to Bruno lay in the fact that he neglected the severe and difficult language of the schools, and, following the advice of Fuller, “ We must speak with the Volge and think with the wise,” wrote in Italian ; not caring with what asperity he spoke, nor on whom the lash of correction fell. The style of his Italian works is supple and amusing. They consist of dialogues in which the scheme of the universe is expounded by one speaker, and somewhat clumsily attacked by another. Bold denunciations of false systems of philosophy and religion are intermingled with spirited appeals to that love of the beautiful and the divine which springs perennially in the conscience ; and in familiar words, recalling the passionate accents of Luther, men were taught physical truths, and exhorted to prove all things and to hold fast that which was good. Thus his works appealed to a large class of the people, who, as on the Arabian carpet, were carried from sphere to sphere without fatigue ; and in pass- ing the limit of the world they were likely to elude their spiritual masters, who did not lose sight of the objection- able and dangerous fact. Bruno’s works in Latin have been called by many critics worthless and obscure, and it is true that to pene- trate their secrets is to reach the golden branch which in the Eastern story grew on a mountain top beset by troops of hobgoblins and surrounded by a thicket of thorns. But we learn from Winckelmann that “ Philosophy gives her THE NOLAN PHILOSOPHY. 21 hand to Art, and breathes into its figures more than ordinary souls ; ” and if this be so, more indulgence is due to the philosopher than to ordinary souls, who, in their exertion to overcome the difficulties besetting him, share in his triumph when the crowning achievement of their toil is to attain a lofty and independent philosophy, its own proof of merit and title of nobility. The course of Bruno’s wanderings may be traced over Europe by his books ; and it was strange that he always succeeded in finding a printer and in producing something new to be printed. In less than eleven years, this wan- dering scholar, without means, without help, and almost without disciples, was enabled to produce a vast quantity of work ; and his discourses, his writings, and his general activity forced recognition even from his enemies. The age in which he lived, and the many towns in which he was called upon to print his works, presented mechanical difficulties of which modern writers have but a small con- ception. But, triumphing over every obstacle, he was un- ceasing in his labours for the truth, although the Inquisi- tion, which understood the truth otherwise, was making ready to reduce him to the silence of the grave. Some one said of Caesar that he was “a monster of diligence ; ” and if Bruno is to be judged by the quantity of work which he produced during a life beset by difficulty and danger, his diligence is as much to be admired as the insurmountable patience with which he endured seven years of captivity, and died at last by fire, a martyr to his convictions. In vain he pleaded, as Voltaire pleaded later, that he spoke not as a theologian, but as a philosopher (“ humainement ”) ; in vain he sought for shelter in a distinction between matters of faith and matters of reason; for chance, with the “slippery foot” of which Queen Elizabeth wrote to Queen Mary, delivered him up to the Inquisition, that “ poniard aimed at the throat of literature,” the yet more deadly enemy of science. GIORDANO BRUNO. The necessity of enlarging the proportions of the world filled the Catholics with dismay. The innovators had burst asunder the narrow inflexible skies of the Middle Ages, opening a tremendous perspective of immeasurable space. It was sacrilege to teach that the skies were sub- ject to change and motion ; that space is the dwelling of law, not of privilege ; and that new worlds arise, decay, and submit to the eternal revolutions of life. The Church shrank from the cold naked vault now that it was no longer peopled with the familiar faces of friends in heaven ; she could not soar aloft among forces so far removed from the tapers which smoked on her altars. Nor could she endure the shock of discovering that the miracle of creation was not over. She would not face the fact that a miracle is not less wonderful because it is an everyday occurence, and she placed herself in oppo- sition, not to sectaries and fanatics, as hitherto, but to the tables of the law written on the face of the living universe. The result of the struggle was certain ; but it was slow, and it was not to be accomplished without terrible sacrifices. Charm is said by Lessing to be beauty in motion, and philosophy may be said to be truth in motion, though, in common with all advances, its forward course is twice fatal — to him who opposes it, and to him who, moving with it, is identified with it and destroyed by its enemies. The latter was the fate of Bruno ; and if at first sight his seems a hard lot, and the scheme of Providence inscrutable, the tenor of his writings was always such as to show that he longed for death, which was to make him immortal ; while in every law of nature alike that beneficent scheme lies veiled which out of pain and evil brings forth correc- tion, and out of correction progress. In the convent of St. Dominic at Naples Bruno pro- bably wrote many of his sonnets, putting the finishing touches to them later in England. The Candle-Bearer “ THE NOAH’S ARK,” 1366-72. 23 and the Noah's Ark seem to have been written about this period. The latter work was dedicated, or was said to be dedicated, to Pope Pius V., who filled the Papal seat from 1566 to 1572. It was therefore a very youthful produc- tion. In the dedicatory epistle of the Cabal (W. ii. 255) Bruno speaks of having “ consecrated and presented ” a book called the Noah’s Ark to Pope Pius V. It has never been printed, and it has totally disappeared. Berti believes that the book was never really presented to the Pope, and that its contents were probably repeated in The Cabal of the Pagasean Norse, the fantastic dedica- tion of which was addressed (without his permission) to the Bishop of Casamarciano. The argument of the Noah’s Ark, so far as it may be gathered from Bruno’s vague and scattered allusions, appears to lie in the symbolic representation of all the society of men by means of animals. Within the wooden walls of this ark the whole animal kingdom is collected, and it is governed by the ass, on whom the gods have conferred “ pre-eminence and a post in the poop.” The ass, according to Bruno, is a symbolic and kabbalistic animal, combining stupidity, hypocrisy, false piety, stupid patience, and ignorance. Allusions to what is called by Oliver Wendell Holmes “the ugly central fact of donkeyism,” constantly occur in all Bruno’s works. In the Supper of Ashes, while speaking in praise of the binary number, Bruuo says (W. i. 124), “Two are the numbers in kind — odd and even, whereof the one is masculine, the other feminine. Of two sorts are the Cupids — superior and divine, inferior and vulgar. . . . Of two kind are the asses — domestic and savage.” The Candle-Bearer (W. i. 17) opens with an invocation “ in the name of the blessed tail of the ass.” “ I have seen,” Bruno says (W. ii. 232), “the monks of Castello in Genoa hold up the tail of an ass, veiled, for the people to kiss, crying, ‘ Do not handle it ; kiss it. This is the sacred relic of that blessed ass which was found worthy 24 GIORDANO BRUNO. to carry our God from the Mount of Olives to Jerusalem. Worship it, kiss it, and make your offerings to it.’” (This relic is mentioned by Henri Estienne in his Apology for Herodotus and by Calvin in his Treatise on Belies. The tail of Balaam’s ass was preserved at the Church of St. John Lateran in Rome. But what are these objects compared to the coals which roasted St. Lawrence, three of which in Bruno’s time were adored in three Roman churches ; the tablecloth on which the Lord’s Supper was celebrated — this was preserved at Userche in Limousin ; a finger of the glove of St. Nicodemus, worshipped in Normandy; and the lamp-oil which healed the blind before the tomb of St. Peter at Rome ?) The Cabal of the Pagasean Horse, with its sequel, the Ass of Cyllene, is a complete work devoted by Bruno to the ass. He demands (W. ii. 295) which is most worthy, “an asinine man or a humanised ass?” and the “angelic ass of Balaam” (W. i. 216) is treated with the humour of Rabelais or of Heine. “ I have never seen an ass,” writes the latter, alluding in a preface to the story of Balaam, “ who spake as a man, though I have often met men who, whenever they opened their mouths, spake as asses.” When in the Expulsion Jove is about to reform the constellations, he is more complimentary to the symbol of foolishness, which Bruno exalts to the skies. “ I dare add nothing,” he says, “ to the spotless majesty of those two asses which shine in the space of Cancer, because chiefly of these (both by justice and reason) is the king- dom of heaven, as I shall invincibly demonstrate by most powerful reasons some other time, for I dare not now speak of such an important matter. But I am only grieved and vexed that these two divine animals have been so meanly treated, not having so much as a house of their own to dwell in, but are glad to take lodgings of a retrograde aquatic animal; besides, we have bestowed on them only two little pitiful stars to each one, and these two only of the fourth magnitude” (W. ii. 136). THE NOAH’S ARK,” 1566-72. 25 The ass is treated with the same sardonic humour in the Supper of Ashes. “ Do you not know that when the son of Kish, called Saul, went seeking the asses, he was on the point of being esteemed worthy, and of being appointed king of the Israelitish people ? Go, go and read the first book of Samuel, and you will see that that gentle personage made more account of finding his asses than of being anointed king. Hence every time that Samuel spoke to him of crowning him, he replied to him, ‘ And where are the asses ? the asses, where are they ? my father has sent me to find the asses, and do you not wish that I should find my asses ? ’ In conclusion, he would not be quiet until the prophet told him that the asses were found, wishing perhaps to hint that he might be content with having that kingdom, which was equal to his asses, and even more” (W. i. 144). The same work contains (W. i. 149) an allusion to the Noah’s Ark. “Dost thou not remember, 0 ISTolan, that which is written in thy book entitled the Noah’s Ark ? How, whilst the beasts ranged themselves in order that they might allay the strife born of precedence, in what danger was the ass of losing his pre-eminence, which consisted in his taking a seat in the poop of the ark ? ” (This curious expression recurs (W. ii. 278) in the Cabal, “ The intelligence which is the power of the soul, and president in the poop of the soul.”) “ By what creatures are the noblest of the human race represented at the dreadful day of judgment if it is not by sheep and by goats ? ” It will be easy to understand how the rest of the com- pany fared at the hands of the Nolan, since he supposes them capable of submitting to the rule of an ass. That this book could have been dedicated to the Pope is impos- sible. Pius Y. was a Dominican ; rigid and inflexible by nature, he was made doubly rigid and inflexible by grace, which had called him to his high estate. He sowed such seeds in the Church as, three months after his death, produced the massacre of St. Bartholomew. Himself an 26 GIORDANO BRUNO. Inquisitor, he extended to his own people the merciless treatment with which he corrected heretics, saying, “ He who would govern must begin by himself.” Accordingly, he had the courage to dissolve the debased and dissolute order of the Umiliati, and his very look was believed by the Eoman people to have the power of conversion. He searched not only into present but into past errors of belief, and sick men lay neglected on their beds by order of the Pope if they did not make confession once in three days. Monks and nuns, bishops and archbishops, received visitations at his hands ; society, from the highest to the lowest, was cleansed and renovated by him. Carnesecchi, who had taken part in the first Italian movement towards Protestantism, was delivered up in fetters to the Eoman Inquisition, and not all his own reputation nor his con- nection with royalty could save him from the stake. The Archbishop of Toledo, who, as he himself said, “ had converted many, . . . and had no other object than the suppression of heresy,” was burnt because he was not orthodox on the doctrine of justification. One auto-da-f6 followed another, till every germ of heresy was crushed out. It was Pius V. who gave a Catholic leader orders to massacre every heretic that fell into his hands. The Pope had offered to pour out his blood and his treasure, “ even to the sacred vessels of the Church,” to aid the Catholic cause. Southern Europe was banded together at his instigation against the Turks ; and when Lepanto was won, the pious Pope was shown the victory in a trance. Was this the man to accept the dedication of Bruno’s book ? Moreover, the monk did not leave his convent in the odour of sanctity ; and the Papal Inquisitors needed little to put them on his track. If the Noah’s Ark was in reality dedicated to the Pope, it was in no pro- pitiatory spirit, such as prompts Highlanders to speak of the “ kind gallows ,” or Eomans to allude to the Goddess Fortune without naming her; and though Bruno might not have allowed any consideration to weigh with him THE NOAH'S ARK. 27 when the truth, as he understood it, was at stake, it is certain that the Pope could never have accepted such a work, nor is it probable that its author would be per- mitted to remain peaceably in Italy, which, as a fact, he did not quit till four years after the death of Pope ( 28 ) CHAPTER II. By devout prayer that Eternal Spirit can enrich with all utterance and knowledge, and sends out his Seraphim with the hallowed fire of his altar to touch and purify the lips of whom He pleases.” — Milton. Naples. The Florentine Academy. The Trials at Naples and in Home. Flight from Rome, 1576. Genoa. Noli. The Sphere. Bruno’s Theory of the Stars and Suns. Turin. Venice. Copernicus. The wealthy sea-board, that historic shore which was soon to echo with the triumph of Lepanto, groaned under the Spanish tyranny. Alva, who did not scruple to drain Naples of blood and treasure himself, watched the en- croachment of all strangers with a jealous eye, and during the French campaign in 1556 observed that “he had no intention to stake the whole kingdom of Naples against a brocaded coat of the Duke of Guise,” adopting therefore some such pacific measures as those of another Spanish governor of the El Dorado, “ who,” says the historian, “ conciliated the natives by seizing the chiefs, chaining them up, shaving their heads, putting on wigs and doublets, and sending them forth to spread civilisation in the country.” The Viceroy Granvelle was so detested in the Nether- lands that the state papers record his unpopularity ; and it was said that the nobles would eat him alive if they caught him. In 1574 he was succeeded by the Marquis de Mondejar, who was said to have increased eightfold his patrimony at the expense of Naples, while advancing each of his seven sons in military and ecclesiastical pre- THE VICEROYALTY OF NAPLES. 29 ferment. “ This new Themistocles,” wrote Parrino, “ was hated in Italy.” The Viceroys at this time had orders to take no steps without consulting Don John of Austria, who was in garrison at Naples, remaining in charge of the southern coasts until 1576, when he left to assume the government of the Netherlands. What effect could such rulers produce on a people made by nature for luxury and slavery ? Capua was not far off ; the loveliness and sloth of Capua were in the air. “ Do not desire,” writes Parrino, “the viceroyalty of Naples; to leave it costs us dear.” Thus, under the deadly sway of Spain, craft supplanted virtue and piety was overridden by hypocrisy and fana- ticism. The vices of a conquered people throve in a soil but too open to evil influences. No career was open to the Italian subjects of Spain but the army, the magistracy, or the Church ; and the Church was too often chosen as a means of advancement on earth, rather than as an unpre- judiced and incorruptible guide to heaven. The people of Naples, credulous by nature, lent them- selves to the bigotry of the Government. The older monastic orders increased, and a swarm of new orders appeared. The wealth of the laity changed hands and became clerical, or made its way to Spain. Two-thirds of the revenue of the country was in the hands of the priests, and their influence ran immoderately high. But the powerful and ancient University of Naples, which was founded by Frederick II., stemmed the tide. Distin- guished for jurisprudence, it refused its prerogative to no learning ; and under its fostering care so many academies sprang up that they were at length forbidden to assemble by the Church. In the time of Bruno, contemporary historians declared themselves unable to count the poets of Italy. Ippolito di Medici is said to have supported a train of one hundred poets. “ Our poets are more,” says Zerbo (Lett, di Diversi, Venez, 1564, iii. 90), “ in number than the sands of the sea, and may fairly overtop Parnassus.” But it was not GIORDANO BRUNO. 3 ° to these groundlings that Bruno owed any of his remark- able qualities. The philosophic genius of Plato was more to the taste of the learned than the “ subtle metaphysics (W. i. p. 255) of the divine Aristotle,” “whose desire,” says Dante, “ is given evermore for grief.” It was to the influences of philosophy, and, above all, to the study of Nature, initiated by Porta and Telesio, that Bruno owed his individuality. Of Telesio he speaks (W. i. 250) as “ one full of judgment, having waged an honourable war upon Aristotle.” The Nolan and the philosopher of Cosenza were ardent followers of the science of Nature, but in method they were radically divided. Telesio, though the opponent of Aristotle, made use of his system ; Bruno applied himself to pure reason on inductive prin- ciples ; he was, moreover, the adherent of the high-minded and liberal teaching of Plato. At that time the two schools of philosophy in Italy were led by Plato and Aristotle. The school of Plato had its headquarters in the Academy of Florence, and spread itself southwards, its ideas advancing with its march. The doctrine of Aristotle was taught by Pomponaccio and others ; it was propagated in Northern Italy by the universities of Bol- ogna, Pavia, and Padua. It attained its highest develop- ment in the labour of Galileo. The advance of what may be called spiritualism was due in a great measure to the Platonism of the Florentine Academy. Thanks to the labours of the “ hearers ” and the “ novices,” as, with some pedantry, the members were called, and under favour of the Medici, the stimulative qualities of the imagination came into play. At first a natural reaction from the dusty squabbles of the schools, this enthusiastic and poetic erudition soon led to a love of the marvellous, and to a fanciful cry for inspiration, which brought about the downfall of the society. But although its light was at last quenched in the midst of a dis- creditable mysticism, the Academy did not expire without leaving its mark on the age. Bruno in especial owed THE FLORENTINE ACADEMY. 3i much to the Platonism of the Florentines. There was a similarity between his doctrines and those of Pletho, whose discourses had so powerful an effect upon Cosmo dei Medici, that he established an academy for the sole pur- pose of cultivating this new and more elevated species of philosophy. The conferences were held in the palace of the Medici at Florence, or in their sombre villa at Careggi, and the teaching spread widely in Italy ; while, with the fickleness that was characteristic of the age, Pletho, after his death, was declared to be “ a dangerous viper,” and his books were burnt, a strange comment on the favour of princes. The influence of his belief, that the stars have souls, that the world is eternal, and that demons are not malignant spirits, may be traced in the works of Bruno. Nor was he unbiassed by the teaching of Ficino, who, half a century earlier, was at the head of the Florentine Academy. An imitator of the Neo-Platonists, and holding that all the philosophic learning of antiquity centered in the Alexandrian schools, Ficino believed that man possesses two souls, one which is sensitive, and the other intellectual — a divine existence breathed into man by the Creator. The sensitive soul, or third essence of the body, is inseparable from it, and is subject to the eternal transformations of matter. The Supreme Being is Unity, into which the intellectual soul can be drawn by a rapt ecstasy, that blessed vision of the Deity which was granted to Plotinus and Porphyry. Perfection, according to Ficino and the Neo-Platonists, is The One, and as God is in his essence one, it follows that he is Unity. The Creator could not, however, stoop from his high estate to Nature. He has surrounded his throne with angels, ministers, and fostering spirits, by whom the third essences are created and maintained. Bruno summarily destroyed this fabric of the invention. The souls of Ficino, the third essence, composing and figuring, so to say, rivers, pebbles, and interpenetrating the whole structure of our planet in various qualities and degrees, — these varying essences 32 GIORDANO BRUNO. were seized and united by Bruno into one, which he called the World-Soul, and which he believed to be the breath and gift of God, as our souls are. The World-Soul is God pf (, and Nature at the same time, for in God Nature lives and ' a ^ 6 ' VV ' '* moves and has its being, as man does; in Nature he is manifested by infinite ways and in infinite worlds, know- ing neither time nor space ; in Nature the harmony of Sfvw*evci. oppositions is made plain. Thus Bruno, having discovered a new and higher unity, gave himself up to the living power within him, declared war against antiquity, broke through all the traditions of the schools, and called upon men to behold in Nature the image and superscription of its Maker. Into the still seclusion of St. Dominic he fell like a firebrand. To him the vows of obedience, poverty, and chastity were more irksome than the chivalrous service of courtesy, loyalty, bravery, and fidelity ; and his fantastic, restless, and indocile nature soon asserted itself. In Naples, it appears from the documents (No. vii.), he was twice threatened with a trial, first for having given away certain figures and pictures of “ St. Catherine of Siena, and perhaps of St. Anthony,” after retaining the crucifix only, which caused him to be thought a despiser of the saints ; and for having bidden a novice, who was reading the history of the Seven Joys of the Madonna in verse, to throw the book away, and to read some other book, such as the lives of the Holy Fathers. In another document (No. xiii.) this evidence is repeated, with the addition, that it was the master of the novices who twice made an accusation in writing against Bruno, but that the writing was destroyed. The matter evidently was thought of slight moijnent, or Bruno could not have been permitted to enter the priesthood. As soon as. Ke became a priest he seemed to have allowed his heretical tendencies the upper-hand of his discretion. A second and more important trial was the result. “ I could not tell,” he says (Doc. xiii.), “ upon FIRST TRIAL OF BRUNO. 33 what articles they proceeded against me, except that reasoning one day with Montalcino (who was a brother of our order, a Lombard), in the presence of some other fathers, and he saying that these heretics were ignorant of the language of the schools, I answered that although they did not proceed in their arguments by the rules of logic, yet they declared their meaning conveniently and in the same way as the ancient fathers of the Holy Church; giving the example of the form of heresy of Arius, of whom the scholastics say that he understood the genera- tion of the Son by the act of Nature, and not by will; and the same thing is said in other words by St. Augustine” (probably book vii. of St. Augustine’s work De Trinitate), “ namely, ‘ that the Son is not of the same substance with the Father, but proceeding from his will like other creatures ; ’ whereupon those fathers fell upon me, saying that I defended heretics, and that I maintained they were learned men.” It is clear, however, that Bruno leant towards the Arian heresy. “ That Christ was the Son of God, and born of the ever-blessed Virgin Mary,” he says (Doc. xiii.), “I have not doubted, . . . but I have doubted the Divine Incarnation, . . . for the Divinity being by nature infinite (Doc. xxviii.) and humanity finite, the first eternal and the latter temporal, it did not appear to me reasonable . . . that humanity should be thus joined to Divinity.” (Doc. xii.) — “ As for the Second Person, I say that I held him in truth to be one in essence with the First, and so with the Third; for being undivided in being, they cannot be unequal, because all the attributes of the Father belong to the Son also, and to the Holy Spirit. I have doubted only how this Second Person could be made flesh and suffer ; . . . hut I have declared the opinion of Arius to appear less pernicious than it was esteemed and vulgarly understood to be, . . . and I declared that Arius said the Word was neither Creator nor creature, but a medium between the Creator and the creature, as the Word is the c 34 GIORDANO BRUNO. medium between the speaker and the hearer ; and there- fore he is said to be first born before all creatures, not from whom, but by whom all things were created ; not to whom, but by whom all things are related, and return to their ultimate end, which is the Father” (Doc. xi.) “ It was on this account,” Bruno adds in the same document, “that I was suspected” (of heresy), “and per- haps this, among other things, was the reason. ... I was first tried in Naples” (Doc. xi. pp. 28-29). His doubts seem to have centred on the actual distinction of the Persons, as though in God he could admit no distinction except the rational and logical distinction of his attributes. He tells his judges plainly that he could not find the doctrine of the Trinity in either Testament. He seems to have held these opinions firmly from his eighteenth year till the date of his trial. “ I do not understand,” he says (Doc. xi.), “ the two Persons separate from the Father. . . . I hold that there is an infinite universe, which is the effect of the infinite Divine power ; for I esteem it to be a thing unworthy of the Divine goodness and power that, being able to produce another world than this, and an infinite number of others, it should produce a finite world, so that I have declared there are infinite individual worlds such as this earth, which I hold with Pythagoras to be a planet similar to which is the moon, with other planets and other stars, which are infinite (Doc. xi. p. 26), and that all these bodies, being worlds and without number, constitute the infinite universality in an infinite space, and this is called the infinite universe, in which are innumerable worlds ; so that there is a twofold infinity — of the magnitude of the universe, and the multitude of the worlds. Further, in this universe I place a universal Providence, by virtue of which all things live, grow, move, and attain perfection; and I understand it in two ways — the one in that manner by which the soul is present in the body, the whole of the soul in all the body, and the whole in each and every part ; and this I call Nature, the shadow and trace of the Divinity ; the DOCTRINE OF THE TRINITY. 35 other, in the ineffable manner in which God by his essence, presence, and power is in all and above all ; not as a part, not as a soul, but in a manner not capable of being made plain to the understanding. “ Next, in the Divinity, with the theologians and greater philosophers, I understand all the attributes to be one. I understand three attributes, power, wisdom, and goodness, or mind, intellect, and love ; so that all things have first, their being by reason of mind, then their order and distinct succession by reason of intellect, then their concord and symmetry by reason of love, . . . which I hold to be in all and above all ; as nothing is without partaking of being, and being is not without the essence of being ; as nothing is beautiful without the presence of beauty, so nothing can be without the Divine Presence, and in this manner, by the way of reason and not by the way of substantial truth, I understand distinction in the Divinity. . . . “ Then with regard to matters of faith, ... to the indi- viduality of the Divine Persons, to that Wisdom and that Son of the mind called by philosophers the Intellect, and by theologians the Word, who we are to believe took upon him our flesh, I place myself within the bounds of philo- sophy, and I have not understood this matter, but have doubted, holding it with inconstant faith, though I do not remember to have given signs (of doubt) in writing, or by word of mouth, except indirectly ; . . . and I have not been able to comprehend the Third Person and Divine Spirit as I ought, but in the manner of the Pythagoreans and of Solomon, who says in the Book of Wisdom ” (c. i. v. 7), “ ‘ The Spirit of God filled the round earth and all that is in it;’ or as Yirgil explained the doctrine of the Pytha- goreans in the text of the iEneid ” (B. vi. ver. 724), “ and from this Spirit, which is called the Life of the Universe, in my philosophy I understand all life to flow, and the souls of all things which have life and a soul ; and this I understand is immortal, there being no death, but division and congregation ; which doctrine I understand by a pas- 3* GIORDANO BRUNO. sage in Ecclesiastes, which says, ‘ There is no new tiling under the sun ; . . . the thing that hath been, it is that which shall be ; and that which is done is that which shall be done. ’ ” For these, and similar discordant opinions, the second trial was instituted by the Church. The accuser was no longer the master of the novices, but the provincial of the order, Fra Domenico Yita (Doc. x.) It was either in 1575 or early in the year 1576, when Bruno was once more in the monastery at Naples, that the doubt which had tinged the mind of the novice became negation in the monk. (Further evidence is yielded by the oration delivered by him in 1589 at Helmstedt on the death of the Duke of Brunswick, in which Bruno says that he abandoned his country lest he should be compelled “ to submit to a superstitious religion.”) The counts against him reached one hundred and thirty, according to the evidence of his accuser, Mocenigo, the Venetian patrician, given in the first document of the last and fatal trial at Venice. The old matter of the images was revived, and fearing he should be cast into prison (Doc. xiii.), Bruno fled from Naples, which he was never to see again, and sought refuge in Borne in a convent of his order, without, so far as appears from his words, any pre- sentiment of the lurking shadow of death into which he was to enter on that spot at the end of his pilgrimage. “The year following the year of the Jubilee 1 I was in Borne in the convent of Minerva (under obedience to Maestro Sisto da Luca, procurator of the order), whither I went to present myself because I was proceeded against twice at Naples, . . . and the suit was renewed when I went to Borne, with other articles which I do not know ; for which reason I left the religious life, and putting off the habit, I went to Noli in the Genoese territory” (Doc. viii.) Mocenigo, the friend who betrayed Bruno into the 1 1576. The Jubilee was celebrated in 1575. THE SECOND TRIAL OF BRUNO. 37 hands of the Inquisition, accuses the monk of having thrown his accuser into the Tiber, and says that he fled away before taking his trial ; but as no other evidence of this story is forthcoming, it is probably worthless. The evidence continues : “ I fled from Eome because I had letters from Naples, and was warned that upon my departure from Naples there had been discovered certain books of the works of St. Chrysostom and of St. Jerome, with the forbidden commentaries of Erasmus, which I had used secretly, and I had thrown them aw T ay into a private place when I left Naples, lest they should be found; . . . but I have never abjured either publicly or privately, whether for these proceedings or for any other cause ; nor have I at any time appeared before any other tribunal of the Holy Office.” The fugitive monk, casting aside his frock and aban- doning his name in religion, left Eome secretly, and sought refuge in the territory of Genoa, remaining there, accord- ing to his historian Berti, for three days only, in 1576. Sigwart, however, accepts the date with diffidence (Die Lebensgeschichte Giordano Bruno’s, Tubingen, 1880, p. 8). Under the Doge Prospero Fattinanti, in 1574, disturbances had broken out between the rival factions of the old and the new nobles, supposed to be secretly fomented by agents of France. The king of Spain felt his interests as protector of the Eepublic to be compromised, and Don John of Austria was dispatched from his neighbouring garrison at Naples to quiet and overlook the town. He placed himself on the watch at Vigevano, and was there, with some brief intervals, from April 1574 till the early spring of 1576, when a brief outburst of civil war cleared the air and was followed by peace. The lands of the Eepublic of Genoa were kept intact by the jealousy of its neighbours, who by carefully checking each other’s depredations guarded the citizens from all encroachment. Its territory stretched from Monaco to Sarzana, a distance of about a hundred and fifty miles. GIORDANO BRUNO. 33 In theory it was a republic ; but it presented the singular aspect of a republic with a crowned head and a body of nobles. The Golden Book of Genoa contained the names of a powerful and splendid aristocracy, who, en- sconced in their towers on the close Mediterranean bays, carried on the work of pirates. This they nominally directed against Turks, Venetians, and other enemies of Genoa, but they were not nice in discriminating between foreign flags and that of their .own people when a personal enemy fell in their way. Factions ran high. Interminable feuds between Bampini and Mascherati, between Guelphs and Ghibellines, led at last to con- stant fighting between the nobles and the people ; the first being tyrannous and quarrelsome, and their subjects surly and impatient of control. Foreigners were waylaid and stabbed : foreign soldiers were maltreated and besieged in their homes ; the people flew to arms and fought in the streets on the slightest provocation. In 1525 the Genoese rabble had hooted Francis I. when he rode into their city after the battle of Pavia, his fallen grandeur represented by long files of Spanish guards ; and this jealousy of foreigners ran so high that in 1574 a decree was issued forbidding them as well as the citizens of Genoa to appear armed in the streets ; upon which the contentious populace collected in the town, called on their powerful and warlike neigh- bours for help, and stood at bay, while Don John of Austria kept watch in the interests of Spain, and whiled away the time with learning dancing and assisting at tournaments. The legate of the Pope and the ambassadors of France and Spain had retired to Casale to consult on a reform of the Genoese statutes, and meanwhile the town was lacerated by internal dissension and ravaged by a pestilence. A story is told by Bacon of a Prince of Orange who, being dangerously wounded by a Spanish boy, could find no means to staunch the blood but by men’s thumbs, succeed- ing one another for the space of two days, and at last the blood retired. Much the same process was applied by the NOLI, 1576. 39 three potentates in attendance on the hills of Genoa, and by their united efforts the blood shed in the city was stopped and order at last restored. Meanwhile Bruno, whose living depended on such peace- ful and scholarly appliances as a printing-press, a book- seller, and a good school in which to teach, withdrew from the scene of dissension to Noli, a little town on the coast, seven miles from Savona and four from Finale. Noli stands at the head of the gulf which bears its name, im- prisoned between two mountain chains, which end on one side with the Capo di Yado, and on the other with the singular rocky peak of the Capo di Noli. The town is surrounded by fine old walls crowned with towers, and it still contains a church founded in the eighth century, with other monuments of that youth of the world which is called antiquity. One of those happy cities which has no history, Noli remained free and prosperous, paying five sequins a year for protection to its great neighbour Genoa, and preserved for ever from oblivion by Dante {Purgatory , canto iv.), who, in the spirit, had descended the craggy hill to the rift in which the little city is situated. Three centuries later, Bruno, coming probably by water, the cheapest way, arrived in the town, and supported himself “ by teaching grammar to the boys and reading the sphere 1 (astronomy) with certain gentlemen” (Doc. viii.-ix.), re- maining in this humble office four or five months. The sphere, as it was technically called in the sixteenth century, while dealing with a science which, so far as we know, is without limits or termination, did its best to supply both to the universe. The earth was supposed to stand still in the core or centre of a moving crystal sphere, as a fly might hang in a bottle, receiving circular motion from without. The heavens were held to be round like the earth, because the circle is a perfect figure, having 1 “ My dear brother,” Sir Philip If you do, I care little for any more Sydney writes to his brother Robert, astronomy in you.” — Zonch's Me- “ I think you understand the sph&e. moirs of Sir P. Sidney, p. 171. 40 GIORDANO BRUNO. neither beginning nor end, and also because of all bodies, the sphere, as containing the greatest volume in relation to its circumference, can support the greatest number of living creatures. To this was allotted “the best of all possible motions, the motion of uniform circular rotation.” This immense ball in the inner part of heaven was sur- rounded by nine or ten zones of transparent crystal, forming so many hollow spheres or layers ; in these the earth w r as fixed like a tulip-root in its outer surrounding envelopes. The whole of these were supposed to roll in a mass from east to west round an axis passing through the centre of the earth ; the sun, the moon, and the seven planets, each in its separate enclosure of celestial spheres, had a contrary motion to that of the earth ; but such obscurity and contradiction were caused by these inven- tions that other inventions, called “inequalities,” we®e resorted to to make things plain, on which fresh diffi- culties arose. 1 Such were the views prevailing at the time of Bruno. Bounded on the teaching of Aristotle, they were embodied by one Sacrobosco, an Englishman, in a primer on astro- nomy which was commonly received in all schools ( [Sphcera Mundi, ist edit., Eerrara, 1472; Venice, 1490; Wittemberg, 1540, preface by Melanchthon; Leyden, 1626). Even thus early in his career Bruno’s teaching must have differed widely from that in vogue. “ The eartli moves,” he says; “it turns on its own axis and it moves round the sun.” A truth which is now the common property of every school-child was then the battle-cry of progress, and Aristotle, “the familiar spirit of Nature,” as he is called by Bruno, “ the butcher ( carnefice ) of the other divine philosophers ” (W. ii. 403), was at the head of the opposition. 1 So opposed were these inven- “Had the Creator of the universe tions to Nature, that, on learning sought my advice the world would the Aristotelian scheme of the zones be maintained in better order.” King Alphonso of Castile exclaimed, THEORY OF THE EARTH. 4i A complete break with the Church was the only possible result. Extremes meet ; and the boy who began his career as a monk, burning with the fervour of mysticism and seeking in the convent that peace which the world cannot give, rebelled against the fetters in which his reason was placed by the Church. Passionate and enthusiastic in his search for truth, he smarted under the indignity of beholding his country-people adore the tail of a donkey at Gastello, or sit in congress to decide whether a mouse which had de- voured the Sacrament was to be killed or to be worshipped. Added to these minor causes of discontent, the falsity of the Aristotelian scheme of the universe filled him with contempt and incredulity, and finally sapped his allegiance to Catholicism. The movement of the earth was an essen- tial necessary truth; and with Bruno, to feel truth and to proclaim it were one. Space alone, he says, is destitute of all power, virtue, and operation. Movement is a sove- reign law of the universe. Why deny it to the earth ? Despising “ the vile imagination of the figure of the sphere and the diversity of heavens” (W. ii. 8), he taught that the earth is of the same matter and form as the other stars ; every created thing which moves and lives constitutes a living being ; a star performing its appointed course in the heavens with wisdom and exactitude holds the rank of an intelligent being. (This was the view of Plato, who, in his Timceus, says that the world is an animal ; and A r oltaire, repeating the words of Plato, adds, “ Thus the nature of this immense animal, which is called the world, is eternal.”) “ The earth,” says Bruno ( Infinity , dialogue iii.), “ is no more heavy than the other elements ; all the parts and particles are moved and change place and disposition, as do the blood, humours, spirits, and insensible particles which perpetually flow in and out of us and in the other- lesser animals. . . . These globes are sustained by infinite ether, in which this our animal freely runs and keeps to his prescribed course, as the rest of the stars do to theirs.” And in another place he speaks of “those sensible com- 42 GIORDANO BRUNO. X Jb/UK' pounded bodies, which are so many animals or worlds in this spacious field called air or sky.” The life of these vast worlds Bruno holds to be (W. i. 1 66) “not only capable of sensation, but intellectual ; not only intel- lectual, as ours is, but perhaps in a higher degree.” The stars are “those sons of God (W. i. 174) who shouted for joy at the creation ; the flaming heralds, his ministers, and the ambassadors of his glory ” (W. i. 1 30). And later he writes, “ There are innumerable worlds like ours, throned and sphered amidst the ether, and pursuing a course in heaven like ours ; and they are called . . . runners, am- bassadors, messengers of Nature, a living mirror of the infinite Deity, . . . having the principle of intrinsic motion, their own nature, their own soul, their own intelligence. . . . For it is right and convenient for them- selves, and for the effect of the most perfect cause, that the motion of the heavenly bodies should be natural and l from within.” The stars are “ a living mirror of the Infinite Deity,” not the Deity itself ; they are “ the effect of the most per- fect cause ; ” their souls are in his as our souls are ; and they are to be understood as distinct from “ the outer up- holder and providence” (W. ii. 66), by whom they are preserved from dissolution. “ By this knowledge we are loosened from the chains of a most narrow dungeon, and set at liberty to rove in a most august empire,” he writes (W. ii. 14); “we are removed from presumptuous boun- daries and poverty to the innumerable riches of an infinite space, of so worthy a field and of such beautiful worlds. . . . Thus the excellency of God is magnified and the grandeur of his empire made manifest. . . . This is that philosophy which opens the senses, which satisfies the mind, which enlarges the understanding, and which leads man to the only true beatitude, . . . for it frees him from the solici- tous pursuit of pleasure and from the. anxious apprehen- sions of pain, . . . seeing that everything is subject to a most good and efficient cause.” THEORY OF THE SUNS AND STARS. 43 If, therefore, the universe is infinite, why place the earth at its centre ? The sun, the “ father of life ” (W. xi./ 51), is the centre of our world; but the centre of the 1 infinite universe is in all things. “ The motion of this ‘ starry earth in which we dwell is caused by (W. ii. 51) its own intrinsic principle, its proper soul and nature, . . . and it makes its revolution about the sun and about its own centre ; which, if we rightly understand, will open the door of the intelligence to the true principles of natural things, and we shall march swiftly by the way of truth, hidden, since this cloudy night of sophistry followed upon the day of antique wisdom, beneath the veil ” — (here Bruno uses the words of Dante, Inf. ix. 60, “ laquale ^ ascosa sotto il velame di tante . . . immaginazione ”) — “ of sordid and bestial imaginations, and concealed by the injury of time and by vicissitude.” “ Of these stars ( Acrotismus 97, p. 25) none is in the middle (although the Church and Ptolemy have taught that our earth is the centre of all things), but the uni- verse is immeasurable in all its parts.” “For the centre of the universe is neither the sun ” (C. 4, X. Articuli, Art. 160) “ nor in the sun, neither the earth nor in the earth, nor in any place whatever.” “ Every being is its own centre, around which it moves ” ( I)c Immenso, book vii. p. 600). “ Therefore there are as many centres as there are worlds and stars, and these in number are in- finite.” “They,” the worlds, “are free in space” (G-fr. 14, 159), “attracting each other, and moving by their ^ own inward spiritual power.” (“ The great law of FTature which regulates the movement of the heavenly bodies is the law of attraction.” — Professor Ball, Meeting of the British Association, Canada, 1884.) “Lift up thy soul from this earth to the stars and worlds, and learn to understand that in all places there . . . are the same order, the same form, the same movement. Only one bereft of his reason could believe that those infinite spaces tenanted by vast and magnificent bodies, many of 44 GIORDANO BRUNO. which, are certainly intrusted with a higher destiny than ours, are designed only to give us light or to receive the clear shining of the earth.” 1 “ It is not reasonable (Gfr. 384) to believe that any part of the world is without a soul, life, sensation, and organic structure, and it is as {foolish to believe that there are no beings, nor minds, nor possibilities of thought beyond the objects of our own ^senses.” We pass now into the province of conjecture. The suns are inhabited, as well as the surrounding earths (W. ii. 54); “the fixed stars, those magnificent flaming bodies (W. i. 234), are inhabited worlds and most excel- lent powers, which seem and are innumerable worlds, not greatly unlike the world in which we live.” “ The sun ” (Gfr. 379), “ our nearest fixed star, is of a certainty a more divine organism than our earth ; but how and in what manner, it is not within our province to discover : in any case, its conditions of life are different to ours.” And [under no circumstances are we to believe that the matter of our organic substance can give rise to one and to no other kind of life. “ Reason would have us know ” (Gfr. 384) “ that the sun surpasses us, and that as it is a dwell- ing-place full of glory, so the life within it infinitely excels all forms of life on earth.” From this infinite All, full of beauty and splendour, from the vast worlds which circle above us to the sparkling dust of stars beyond, the conclusion is drawn that there are an infinity of creatures, a vast multitude which, each in its degree, mirrors forth the splendour, wisdom, and excellence of the Divine beauty (W. ii. 361-398). Beyond these, again, there may be, and no doubt there are, an infinity of wouders which the mind of man is not able to conceive ( Be Immenso, 635), “the scope and final cause of the whole being the perfection of the universe” (W. i. 237). 1 “ Who has persuaded man,” says motion of the infinite sea, were Montaigne, “ that this admirable established and have continued for towering celestial vault, the eternal so many centuries for his use and light of those proud torches which service ? ” are above our heads, the terrible THEORY OF INFINITY. 45 The solar system was cleansed from the cobwebs of scholasticism by Copernicus, for whom Bruno had a pro- found admiration ( Oratio Vciledic., W. i. 127; De Mon., 327), although he affirmed that the Copernican system was more concerned with mathematics than Nature (i. 127), and Copernicus “ a geometrician rather than a philo- sopher” (De Immenso, 343). But in espousing the new doctrines Bruno added to them, surpassing his master in boldness and vigour of thought. The centre, which Copernicus believed to be immovable and in the sun, Bruno placed in sun after sun, even in the outermost parts of the universe and in infinity. And perhaps his greatest achievement lies in his application of the dis- coveries of Copernicus and his extension of them to the whole of the universe. “ Space,” he says, “ is not in heaven; heaven is in space” (Gfr. 65). “Space is one and infinite in continuity” (Gfr. 74). “This philosophy” (W. i. 175) “not only contains the truth, but favours reli- gion more than any other kind of philosophy.” Moreover, he was the first to teach that the sun turns on its own axis (. De Immenso, 305), that the earth is flattened at the poles ; he insisted that the atmosphere is an integral part of the earth (ib. 433), and that all the fixed stars are suns (Gfr. 24), having their own system of visible and invisible planets (De Immenso, 166). The cold stars or planets require the warmth of the suns ; the suns in their turn require the coolness and dewy refreshment yielded by the earths ; and thus mutually sustained and cherished, they pursue their course and set forth the glory of their Divine Master. This is scarcely the place in which to speak of the doctrine of evolution, first foreshadowed by him ; of his theory of instinct, which is fully borne out by modern science ; and of his appreciation of the purely phenomenal value of the senses. He holds the universe to be infinite and boundless (senza margine, W. i. 268). “ If,” he says (De Immenso, 14), “ in the eyes of God there is but one scarry globe; if the sun and moon and all creation are 46 GIORDANO BRUNO. made for the good of the earth and for the welfare of man, humanity may he exalted, but is not the Godhead abased ? Is not this to straiten and confine his provi- dence ? What ! is a feeble human creature the only object worthy of the care of God ? dSTo ; the earth is but a planet ; the rank she holds among the stars is by usurpation ; it is time to dethrone her. The ruler of our earth is not man, but the sun, with the life which breathes in common through the universe. Let the earth eschew privilege ; let her fulfil her course and obey. Let not this contemplation dispirit man, as if he thought himself abandoned by God ; for in extending and enlarging the universe he is himself elevated beyond measure, and his intelligence is no longer deprived of breathing space beneath a sky, meagre, narrow, and ill-contrived in its proportions. And better still ; if God is everywhere present in the whole of the world, filling it with his infinity, and with his immeasurable greatness ; if there is in reality an innumerable host of suns and stars, what of the foolish distinction between the heaven and the earth ? Dwellers in a star, are we not comprehended within the celestial plains and established in the very precincts of heaven ? ” The infinite in extension, the infinite in the universe, this is the Ultima Thule (W. i. 128) of the philosopher of Nola. After four or five months spent in this revolutionary teaching, Bruno left Noli for Savona, where he remained a fortnight (Doc. ix.) Then making his way towards the Alps, he went to “ the metropolis of Piedmont, the deli- cious city of Turin” (W. ii. 218). At that moment Turin was free from pestilence ; under the sage administration of Emanuel Eiliberto, it was unravaged by war, industry and the arts flourished, and the schools, which had undergone a complete reform, were earning justly merited laurels. But it was an inhospit- able town. Tasso, when he presented himself at its doors, poor and in misery, his clothes dilapidated, and fever “OF THE SIGNS OF THE TIMES ,” 1577. 47 burning in bis veins, was driven away, and taken for one suffering with the plague ; and it was with the utmost difficulty that he could obtain a morsel of bread. The contrast between the poets was remarkable enough, for the one died in the odour of sanctity and the other at the hands of the Inquisition ; but in this at least their fortunes met. Bruno, not finding “ entertainment ” to his satisfac- tion, quitted Turin at once, and went by thePo to Venice. Under his baptismal name of Filippo he took a lodging in the Frezzaria with a person employed at the arsenal. A visitation of the plague had begun in Venice in August 1 575, and though ending in December of that year, it re- appeared in the spring of 1576, and raged until the win- ter, having carried off forty thousand people. It is scarcely likely that Bruno, however high his courage, would have addressed himself to a plague-stricken city in order to gain a living either by teaching or writing. The schools in time of .plague were closed, the printing-presses ceased their labours, and few booksellers cared to remain and drive a trade depending on luxury and leisure for support. Moreover he says, “ While I was in Venice I caused (Doc. ix.) a small book to be printed, entitled Of the Signs of the Times, and I had it printed in order to gather together a little money for my sustenance.” Flow, in time of plague, war, or commercial distress, the traffic in pictures is among the first to suffer; next are gems; and books come third on the list. Neither patron nor printer was likely to remain behind at such a time ; and therefore Bruno’s visit to Venice probably took place in the spring of 1577, when the pestilence was over. As soon as it was finished, the book was presented by Bruno to Father Eemigius of Florence (Doc. ix.), a Dominican distinguished for his version of the Psalter of David, with other learned works ; and being approved, it was printed, either without the author’s name or with the name of Filippo Bruno. Though this work has com- pletely disappeared, it was accepted by the pious Father 4 s GIORDANO BRUNO. llemigius, and was no doubt orthodox in its teaching. It may have been occupied with the doctrine of Lully, “ that uncultured hermit inspired by a divine genius ” (Gfr. 634) ; for Bruno was taught in his youth by a man from Bav- enna to connect things, such as the virtues, metals, mytho- logical names, and so on, in a certain alphabetic order ; and from this small beginning he worked out that art of thought and memory to which a great part of his life was dedicated. From the idol of the mystics, Lully, to the splendid and mysterious realities of Copernicus was more than a step ; it was a revolution. Bruno’s faith was unshaken in a religion which should bring the spirits of men out of the depths of ignorance and error ( De Immense , 339) into that infinite and exalted region where is the light of light and the very springs of Divinity. The Infinite, so to say, circles within his starry system, even in its darkest and most mysterious spaces. Carried on by the torrent of universal harmony, he was, as Flovalis said of Spinoza, one drunk not with new wine, but with God ; and he beheld the Infinite as in a mirror in all the abounding parts of the creation. But he confessed with- out hesitation before his judges opinions contrary to the Church — and indeed his works lay open to the judgment of his accusers together with the religious philosophy or philosophic religion which he professed. “ A time would come,” he writes (W. i. 20), “ a new and desired age, in which the gods should lie in Orcus, and the fear of ever- lasting punishment should vanish.” (See also De Trip. Min., p. 94.) In his vast and comprehensive view of the uni- verse, the earth shrinks to a mere vanishing-point rocking in space. Where amid the whirling of the spheres could any resting-place be found for the throne of God and for the rock of St. Peter ? The destroying anger of the Church fell upon this bold innovator. Kepler had recoiled ( Kepler , i. 688, vi. 136) from speculations as bold. Teach- ing not so revolutionary was abjured by the septuagenarian THE NOLAN PHILOSOPHY. 49 Galileo on his knees. “The starry Galileo and his woes” have formed a subject for poetry, and it is pathetic to remember that Galileo’s eyes became blind with gazing at the sun, as Beethoven grew deaf in the midst of music. But how little thought or sympathy has in the lapse of ages fallen to the lot of Bruno. His unceasing labours in philosophy, the ardent soul that lighted him on his way to death, the profound faith which gave to the natural philosopher the intuition of a seer, these are as worthy of monumental alabaster as the patient investigations of the inventor of the telescope. But for two centuries the name of Bruno has lain hidden under the dust of the schools or the unmerited reproach of atheism, while characters of less distinction are embalmed in history and celebrated in verse. “The True is the object,” says Hegel, “not only of conception and feeling, as in religion, and of intuition, as in art, but also of the thinking faculty ; and this gives us Philosophy. This is consequently the highest, freest, and wisest.” An “ earnest beholder of the history of Nature which is written in our minds” (W. ii. 12), Bruno aspires to be a “ true natural philosopher ” and to discover the “ true principles of natural philosophy.” His aims were thus of the “ highest, freest, and wisest,” and his struggles to accomplish them constitute his title to remembrance. “ There is no virtue,” says Dryden, “ which derives not its original from truth, as, on the contrary, there is no vice that has not its beginning from a lie ; ” and the Truth, that supreme essence which is one with being and unity (W. ii. 1 8 1), was Bruno’s divine object (W. ii. 122), “the fount of ideas, the ocean of all truth and goodness ; ” (W. ii. 343) while the “first Intelligence, which is pure and absolute light” (W. ii. 365), in its harmony and constancy rose high above the confusion of his endeavours and lends lustre to his name. D ( 5 ° ) CHAPTER III. “ An age is justified by its existence ; for its existence is by the decree and the judgment of God. The human race, like the individual, lives by faith ; but the conditions of faith are renewed.” — ■Victor Cousin. Geneva, May 20, 1 579. Lyons. Toulouse. 1579-80. After a stay of a month or six weeks, Bruno quitted Venice for Padua. There he met with some brothers of St. Dominic, who persuaded him to resume the dress of his order for the greater convenience of travelling. He then went through Brescia (Gfr. 578) to Bergamo, where he caused a new habit of cloth to be made, over which he laid the scapulary which he had retained on his flight from Rome, and thus equipped he went by Milan along the way to Lyons (Doc. ix .) ; and when he reached Chambery he lodged in the convent of the order, where, seeing he was treated with coolness, he spoke with an Italian father, who said, “ I warn you that in these parts you will receive no sort of civility, and the farther you go the less you will find on which Bruno turned off into the road to Geneva, then under the rule of Beza. “ Man,” says Jacobi, “ experiences a natural desire either to find his thoughts in other minds, or to instil them ; ” and the stronghold of Calvinism was no exception to the rule. Calvin had been dead fifteen years, but his spirit had descended to his successor. “ When I consider what aptitude this little corner has for promoting Christ’s king- GENEVA, 157Q. 5i dom, I am naturally solicitous to keep my hold of it,” says Calvin — an opinion in which all possessors of little corners will be found to agree. “ Truth,” says Montaigne, “ on one side of the Pyrenees is a lie on the other ; ” and the heresy of Calvin was in his own city a terrible and vindictive orthodoxy. Geneva was called “ Canaan ” and the “refuge of all the poor and afflicted children of God” by Beza ; but those who were children of God in Geneva were sons of Belial in Paris. “ Calvin could not endure,” says Gribaldi of Padua, “ that there should be one man in Geneva a heretic in religious matters.” “ Heretics were forced,” writes a friend of Beza, “ to depart the country.” The Genevese magistracy in- spired as much terror in heretics as the Council of the Inquisition. Beza administered “ the just judgments of God on the wicked ” (Beza, Life of Calvin) with the un- flinching spirit of his master, whose dying instructions were to “ proceed roundly ” with the heretics. Arrived in this uncompromising city of the saints, Bruno was registered on the list of Italian fugitives in 1579. He went to lodge at an inn. “ Shortly after,” he says, “ a Neapolitan, the Marchese di Yico, who lived in the city, asked me who I was (Doc. ix.), and whether I was there to remain and to profess the religion of that place ; to whom, after I had given account of myself and why I had quitted my order, I added that I did not intend to profess the religion of that city, for I did not know what religion it was, and that I was there to dwell in peace and safety, and for no other end ; and he persuaded me at all events to put off the habit which I wore.” Bruno then assumed a secular dress ; and the Marchese di Yico, with some other Italians, made him a present of a sword, a hat, a cloak, and other things, without extending their charity to trunk hose, which Bruno made for himself out of stuff that he had worn. Thus apparelled, and his tonsure, it may be supposed, having disappeared, the Nolan sought work in one of the printing-houses as a corrector of proofs— a post 52 GIORDANO BRUNO. which eminent students of that age never thought beneath their dignity, and to which, when on their travels, they looked usually for support. Di Yico was a convert on whom the Calvinists had reason to plume themselves, for his mother was the sister of Pope Paul IV. The Marchese had received his first instruction in the new religion from Juan de Yaldes, the Spanish reformer, who established himself for some time in Naples. Di Vico was looked upon by Calvin as a prop to the Church ; he accepted the dedication of Calvin’s Com- mentary on the First Epistle to the Corinthians ; and no stranger of any mark passed through Geneva without paying his respects to the Italian noble, who was never recognised by his own family after lie joined the Reformed religion. Like the Gauls, “ of whom,” says the simple his- torian, “ the best men commonly forsook their ivivcs when they were ordained ,” Di Vico, on embracing the Reformed religion, had left his wife and children ; and when he bestirred himself to find employment for Bruno, it was naturally in the expectation that he would join the army of the faithful. Pie had already, no doubt at the instance of Di Vico, heard Niccolo Balbani of Lucca preach the Gospel and read the Epistles of St. Paul ; for Balbani was pastor of the Italian congregation in Geneva, and on the death of the noble proselyte in 1586, his memoir was written by his fellow-sojourner in a strange land, and was translated into Latin by no less a person than Beza him- self. But neither the sermons of Balbani nor those of the other French and Italian preachers in the city produced any effect on Bruno, who, as he remained unconverted, was given to understand that without accepting the Cal- vinistic doctrines he was not to expect any further succour, nor could he be so much as permitted to remain in the city. The natives, moreover, were of a temper not pro- mising in future advancement to those who did not espouse the cause of Calvin. They were called some years later by Casaubon “ swindlers, rascally brigands, pretentious GENEVA, 1379. S3 Pharisees, diabolical hypocrites, and mock pietists ; ” and without wing to these lengths, the fact that Aristotle 1 was as indispensable to the town as the Bible must in itself have rendered life impossible to his outspoken Italian opponent. Like the philosopher Campanella, and like the great Savonarola, Bruno owed much to the Dominicans. The doctrine of the order was identified with the name of Aristotle. He barely escaped canonisation ; he was looked upon as the forerunner of the Messiah ; he was said to participate in the Divine infallibility and infinity ; he personified the splendour of scholastic learning. His dominion was as stable as that of the Holy See itself, and to deny his doctrine was to open the door to heresy. To the scholastics of the Middle Ages the highest ideal of the human mind was attained when the sublime philosophy of Christianity was added to the accomplished art of Aristotle. They overlooked or did not understand the dualism taught by him, together with those doctrines of God’s providence and man’s immortality which are essen- tially at variance with Christian teaching. Nor is their want of comprehension wonderful when the difficulty of studying Aristotle at that period is remembered. Averroes, who is called by Petrarch “ a mad dog barking against the Church,” declares that he read Aristotle forty times over before he succeeded in perfectly understanding him. At the one-and-fortieth time light broke upon him, though he might well have spared his labour if it produced the speculative hidden atheism ” of which he is accused by Victor Cousin. Whether Bruno became acquainted with the works of Aristotle at second, third, or fourth hand does not appear. They were translated by Averroes into Arabic from a Latin translation of a Hebrew translation of a com- 1 “ The Genevese have decreed,” in logic nor in any other branch of says Beza (Epistle 34), “ once and for learning, turn away from the teach- ever, that they will never, neither ing of Aristotle.” 54 GIORDANO BRUNO. mentarv fabricated out of an Arabic translation of the Syrian translation of a Greek text. It is probable that Bruno knew little Greek ; and Buhle has remarked that his accents are ill-placed, and that he could not spell. Indeed, neither then nor a hundred and fifty years later was Greek essential to a learned education. “ I never learned Greek,” said the Principal of the Univer- sity of Louvain to Oliver Goldsmith, “ and I don’t find that I have ever missed it. I have had a doctor’s cap and gown without Greek ; I have ten thousand florins a year without Greek; I eat heartily without Greek; and, in short,” he continued, “ as I don’t know Greek, I do not believe there is anv good in it.” Passed through lialf-a- dozen translations, exposed to the heat of religious contro- versy, and transfused with the sunless and mystical spirit of Oriental lore, the Aristotelian philosophy reached the Middle Ages. “ The ancients,” says Bayle, “ would laugh aloud did they but know all that is attributed to them ; ” and if Aristotle could have heard mediaeval scholars dispute upon his philosophy, he might have said he was Aristotle but no Aristotelian; as Wilkes thanked God he had never been a Wilkite. Plato was treated with the same license. Bruno, though nurtured upon the doctrines of Aristotle, did not hesitate to attack them at a time when to do so was to stir up persecution and to expose himself to sore trouble. Though others called in question the logic of the Stagyrite — his least vulnerable point — Bruno confined himself to natural philosophy, haughtily rebuking the presumption which caused him to usurp the title of a natural philoso- pher (W. ii. 281). “For he is one holding himself apart from Nature and building on vain imagination ” (W. i. 243-259, ii. 33). His “vile fancies and the vanity of his arguments” (W. ii. 8) on the scheme of the universe roused an inextinguishable spirit of opposition in the adherent and successor of Copernicus. The contempt with which Bruno received the Aristotelian system did GENEVA, TJ7g. 55 not stop with, the master ; it was extended to his disciples. In an allegory Aristotle himself is made to wear the shape of a “gross and lazy ass” (W. ii. 281). In his theories on the nature and substance of things, on motion and the universe, he is accused of being “ madder than madness.” His disciples are said to be those “to whom Aristotle appears to be a miracle of Nature ; whereas they who have the poorest understanding and comprehend him least are they who magnify him most” (W. ii. 11). In another place the Peripatetics of the time are compared to two blind beggars at the gate of the archbishop’s palace in Naples, one of whom called himself a Guelph and the other a Ghibelline, without knowing why, till they were found fighting by a bystander, who asked them what they meant by a Guelph and a Ghibelline, when the one could not answer at all, and the other said, “ My master, Signor Pietro Costauzo, is a Ghibelline” (W. i. 133). “In the same way men fight for and against Aristotle.” Bruno’s opposition was purely grounded on Nature. He speaks of Aristotle as “a prophet and diviner (W. i. 192), who, though mixing some of his own errors with the divine frenzy, is yet chiefly and for the most part a follower and proclaimer of the truth. But he did not comprehend local motion, which is the principle of all the dispositions and qualities of the earth.” Moreover, Bruno borrows front Aristotle his definitions of possibility and reality, wdiicli are described at length in the dialogue of the Cause ; and his definition and division of the cause itself is clearly of Peripatetic origin. “ Let us imitate Aristotle,” he pleads in his letter to the rector of the Paris University, “ who withdrew himself of his own instance from the philosophers who were his father’s forerunners and masters. By the same right we withdraw front Aristotle ; following his example, we depart front a soli- tude which is now remote from the company of philo- sophers. Let us follow the counsels of the leader, re- membering that each one of us may become subject to 5<5 GIORDANO BRUNO. ignorance and error. The title of innovator which is bestowed upon us is not ignominious. There is no doc- trine in antiquity which was not at one time new ; and if age is the mark of truth, our century is fuller of dignity than the century of Aristotle, since the world has now attained a greater age by twenty centuries.” The self-contained power and the reserve of moral force so characteristic of Calvin, added to the respect professed by the Calvinists for Aristotle, explains not only Bruno’s reception at Geneva, but also his disappearance from that complete and comfortable community. Those who were to dwell in peace among the Genevese must not only add to their knowledge, but be added to them ; he who was not with them was against them ; for in them independ- ence of spirit ran so high that they could brook it in none but themselves. Bruno met their opposition in no conciliatory humour. If he had not already declared war on Aristotle, his mind was preparing itself for the conflict ; while on the more vital subject of religion, a chasm never to be bridged divided the five points of Calvin from the Nolan’s warm natural sense of justice and from the optimism of his philosophy. Against the doctrine of original sin he held with Plato that evil is a defect of good, as, for instance, that justice being the excellence of the soul, injustice is the defect of the soul. The world he taught to be “ good, in a good state, and for a good purpose . . . a most high vestige, an infinite representation of him . . . that can neither be imagined, nor conceived, nor compre- hended” (W. ii. 14), and he was at no pains to conceal liis contempt for the doctrines of election, particular redemption, effectual calling, and perseverance of the saints. “ There is a dastardly race of pedants,” he wrote (W. ii. 146), “ who, doing no good thing, either by the divine law or by the laws of Nature, esteem themselves, and desire to be esteemed, religious and pleasing to the gods, saying that though it is well to do good and evil to THE FIVE POINTS OF CALVIN. 57 do wrong, we can only be made acceptable to tire gods, not on account of the good we may do or the evil we leave undone, but by hoping and believing according to the catechism. . . . They speak evil of works, yet they live on the works of others ; . . . and while saying that all their desire is for invisible things (which neither they nor any others truly comprehend), they profess that destiny is immutable, and that it produces these invisible things by means of certain inward affections and imaginations ; with all of which the gods are infinitely entertained. . . . Such men merit persecution, and they ought to be exterminated, for they are pests, and deserve no more mercy than wolves, bears, and serpents. To cleanse the world of them is an honourable and meritorious office.” His views on pre- destination are to be gathered from a passage in the Expul- sion (W. ii. 152), in which, while deriding the Calvin- istic theory, he yet maintains that all, “ even the poorest trifles” (155), are under the infinite providence of God, although his ways are not as our ways (156) nor is his knowledge like ours. “ Faith and opinion shall be approved (164), but they shall never be made the equal of works and deeds ; so with confession and profession, when they tend to amendment and abstaining from evil.” And that he maintained this opinion is clear from the record of his trial, in which he says, “ For I have always held, and I hold, that works added to faith are necessary to salvation ; this is proved by my book entitled the Cause , and by the first dialogue of Infinity In his valedictory discourse at Wittenberg, while publicly pronouncing an eulogium on Luther, he was ominously silent with regard to Calvin ; and on his trial he admits that he was favoured by the Lutherans at Wittenberg, and not by the Calvinists, on whose accession to power he quitted the town. The Calvinists no doubt caused Bruno to leave Geneva also, and the remembrace of Servetus, who was burnt twenty- three years before for denying the Trinity, may have hastened his departure from the shores of Lake Leman. 5 ? GIORDANO BRUNO. In the words of Madame de Stael, “ II cst devenu trop grand poisson pour notre lac ; ” and when, from the hanks of the Thames, he reviewed the whimsical career of superstition, it was to deride the “impure Puritanism” of the Pie- formers, whom he called Deformities. The documentary evidence given by Bruno at his trial in Venice must now be supplemented by the records dis- covered in the archives of Geneva , 1 and printed by the learned and courteous archivist, M. Theophile Dufour. In the Venetian documents Bruno says he was two months in Geneva, although he must have remained four or five months in that city. The wandering scholar spent sixteen years in different countries, often in peril of his life, and that his memory is not altogether without a flaw is proved by small errors in his evidence. For instance, he was in Paris three years, not five (Doc. ix.) The “ Supper of Ashes ” took place, not in the house of Cas- telnau (Doc. xiii.), but in that of Fulke Greville. It may be 1 Giordano Bruno d Geneve. Docu- ments inedits publics par Theophile Dufour, directeur dcs archives de Geneve. Geneve, imp. Schuchardt, 18S4. An entertaining pamphlet, La Legende Tragique de Jordano Bruno, par TMophile Desduits, Pro- fesseur de Philosophie au Lycee de Versailles (Paris, Thorin, 1885), ap- pears to be suggested by the work of M. Theophile Dufour. M. Thdo- phile Desduits is the author of a work on Metaphysics, and on the Phi- losophy of Kant, both of which were crowned by the Prench Institute. An interesting and learned examina- tion of this pamphlet, written by Mr. R. C. Christie, appeared in Mac- millan’s Magazine for October 1885. M. Desduits, evidently an ardent Catholic, seeks to prove that Bruno did not suffer martyrdom, on the authority of the two antiquated writers Haym and Quadrio, who declared Bruno to have been burnt in effigy. “ Perhaps,” says Clement, “ they considered fire too hot for an enthusiast, and they thought the Inquisition might be contented to burn his likeness and to send the original into a madhouse.” M. Desduits revives the foolish charge of Scioppius that, the Expulsion was “a ferocious book written by Bruno against the Pope,” although Scioppius is called “that base slan- derer,” and his letter “ an atrocious calumny.” “What!” cries the author, “was the severity of the ecclesiastical authority to be com- pared to that of the lay tribunals ? Who may lay claim to the greater number of victims — Rome, or France, Spain, or England ? Did not Va- nini, when he was accused of atheism before the terrible Parliament of Toulouse, request as a favour to be judged by the Inquisition ? ” The conclusion is drawn that ‘ 1 there is no ground for belief in the tragical fate of tjie philosopher.” The author has forgotten that all doubt on the point is removed by the three Avvisi lately discovered in the Vatican Library. NEW EVIDENCE FROM GENEVA. 59 objected that the memory of a prisoner before the Inqui- sition was likely to prove treacherous on questions of adherence to the heretic Churches. The objection has its weight, though it is doubtful whether Bruno, who was at no pains to hide his own heresies (Doc. xi.), but confessed them openly, would have cared to prevaricate had he embraced the religion of Geneva. He was a consistent hater of Calvin ; and it was scarcely likely that imme- diately after freeing himself from the irksome restraint of a religious life into which he was born, he should at once embrace another, foreign to his education and directly opposed to all his known principles. We learn, then, from these newly discovered documents that the entry of Filippo Bruno in the records of the university took place on the 20th May 1579. Until the discovery of M. Dufour set all doubt at rest, the exact date of Bruno’s stay at Geneva was uncertain, in conse- quence of the vague and uncertain data on which earlier historians were compelled to base their researches. In 1650 Vincent Burlamachi, the then deacon and treasurer of the Italian Church, made a copy of the archives, which contained a list of Italian refugees and their ministers, beginning in the year 1550. This work consists of seventy manuscript pages, preserved in the state archives; and on page 23 the entry occurs, “Filippo Bruno, of the kingdom of Naples.” Burlamachi contented himself with a single date at the top of each page. Every page con- tains beween twenty and thirty entries ; and the date given seems to refer to the names standing first on the page. At the head of the page on which Bruno is named is the date 1577; his name is fourteenth in a list of twenty-seven ; and at the head of the following page is the date 1580. Bruno, therefore, was entered in the original archives, now lost, between 1577 and 1580, which agrees in all respects with the date 1579 yielded by the records of the university, by the registers of the council, and by the registers of the consistory. 6o GIORDANO BRUNO. The proceedings in the consistory began on the 6th August 1579 and ended 27th August 1579; and almost immediately after the last entry Bruno must have quitted Geneva, perhaps with the intention of showing his com- plete indifference to the privileges which he had regained. 1 The documents collected by M. Dufour in his careful and scholarly pamphlet run as follows : — Extract from the Registers of the Council (vol. lxxiv. folio 136.) “ Thursday , 6th August 1579. — Philippe Jordan, called Brunus, an Italian, detained for having caused to be printed certain replies and invectives against M. de la Paye, 2 reckoning twenty errors in one of his lessons. “ Besolved that he should be examined after dinner before the learned council and Mr. Secretary Chevalier. “Jean Bergeon, imprisoned for having printed the said invectives, persuaded by the said Italian that those papers contained nothing except philosophy. “ Besolved he should remain in prison till to-morrow, and should be condemned to pay a fine of fifty florins. “ Friday , yth August. — Jean Bergeon, printer, petitions for pardon of the fault committed by him in printing a calumniatory paper against M. de la Paye, for the which he is imprisoned, having been led astray by the monk, who maintained there was nothing in it against God or the magistracy. “ Besolved that yesterday’s decree shall hold good, except for the fine, which shall be diminished by twenty- five florins on account of his small means. 1 M. Dufour makes the valuable visit. News equally disappointing suggestion that under the name of comes from Helmstedt and Wolfen- Philippe Brun or Brunet records of biittel. Bruno’s progress are yet to be found. a Antoine de la Faye, professor The archivists of Lyons and Tou- of philosophy in the Academy of louse unfortunately at present offer Geneva. Later he became professor nothing to assist the student be- of theology, and the quarrel pro- yond civil assurances that they bably arose therefore on a philosophic possess no further traces of Bruno’s and religious question. THE TRIAL AT GENEVA. 61 “ Monday , io th August . — Philippe Brunet, an Italian, having responded in prison respecting the calumnies which he caused to be printed against M. Antoine de la Faye, having acknowledged his fault Friday last, in pre- sence of the ministers and of Mr. Varro, 1 resolved, that he shall be set at liberty, but that he must ask pardon of God, of the law, and of the said de la Faye, and that he shall be again sent to acknowledge his fault before the consistory, and he shall, moreover, be sentenced to tear the said defamatory libel into pieces ; for the rest, he shall be granted his costs.” (Register of the Council, vol. lxxiv. folio 138.) In what humour Bruno attended to make the required apology appears from the following entry : — “ Thursday, 13th August . — Prohibition of the sacrament. Philippe Brun appeared before the consistory to acknow- ledge his fault, forasmuch as he had erred in the doctrine, and had called the ministers of the Church of Geneva 'pedagogues, alleging that in that matter he would neither excuse himself nor would he plead guilty, for the truth was not told of him, since he was of opinion that the story was had upon the report of one Mr. Antoine de la Faye. Asked whom he called pedagogues, he answered with many excuses and allegations that he was persecuted, bringing forward several random opinions with sundry other accusations ; and nevertheless he confessed that he appeared in this place to own his fault, which he com- mitted when he made sundry and divers reflections upon the ministers. Was admonished to follow the true doc- trine. Said he is prepared to submit to the censure. And seeing that he calumniated the said De la Faye, and brought forward an accusation against him, that he had said a thing which he did not say, saying, moreover, that he would not ask pardon for his conduct, but that he was obliged to do what he had done, it is recommended that 1 Michael Varro was secretary to occupied himself chiefly with natural the council and afterwards coun- science and mathematics. He died sellor. He had studied law, but in 1586. 62 GIORDANO BRUNO. lie shall be soundly reasoned with, and that he shall be caused to acknowledge his fault, and that he shall be for- bidden the sacrament in case he will not acknowledge his fault ; and, moreover, shall be sent 1 before the Seigneurs, who are entreated to show no grace whatever to such a fellow, for he may bring strife into the schools ; and he must promptly recognise his fault. Who answered that he repented of his fault and would make amends for it by better conversation, and, moreover, he confessed to his calumny with respect to the said Sr. de la Faye. The said remonstrances and prohibition of the sacrament were made to him, and returned with remonstrances. “ Thursday, 27^/1 August . — Absolution from the prohi- bition with remonstrances. Philippe Brun, a scholar liv- ing in this city, appeared before the consistory to require that the prohibition of the sacrament laid upon him should be removed ; and he was forbidden the sacrament because of his calumnies against the ministers and against a tutor of the college named M. Antoine de la Faye, acknowledg- ing that in this he had committed a grave error ; it is recommended that good counsel should be bestowed upon him, and he be given liberty to participate in the sacrament ; on which he was reasoned with, and he was made free from the prohibition, for which he returned his hearty thanks.” 2 It has been stated that Bruno could not have become a ’ student in the University of Geneva without consenting in writing to the confession of faith imposed by the statute of 1559. In 1576, however (J. E. Cellerier, Li Acad&mic de Gen&ve, 1872, p. 150), this stipulation was withdrawn, and Bruno, therefore, was not compelled to sign any profession of faith before he entered the university. M. Dufour considers 1 No other summons is recorded of Pastors, which might have thrown by the registers of the council. light on this matter, are missing 2 The registers of the Company from the year 1579 to 1584. THE TRIAL AT GENEVA. 6 3 it proved that Bruno had formally accepted the Protestant religion because his name is on the return of Italian re- fugees made by the Protestant Church in Geneva. But we have it on his own evidence that he had attended many sermons in Italian and in French, and also the teaching and sermons of Balbani, with the object of acquainting himself with the religion of the city. It is clear that he could not have embraced Calvinism without knowing its principles. Giving himself, therefore, due time for the study, he must plainly have decided against Calvin and quitted the city. It will be remembered, also, that he found Calvinism a particularly detestable religion. Moreover, for having “erred in matters of doctrine” he is called before the consistory ; and though we are told “ he was ad- monished to follow the true doctrine,” he made no profes- sion of doing so. The point was passed over, and he escaped on withdrawing the accusations which he had made against De la Faye, and on asking pardon for the epithet pedagogue, which he had applied to the ministers of the Church of Geneva. With regard to the prohibition of the sacrament, Bruno’s disposition was such, that to forbid him what he chose to consider his rights was to make him insist upon them whether he wanted them or no. Like the Irish nation, which has been said to be never at peace except when it is at war, he revelled in conten- tion, and being a stickler for privilege, it is by no means certain that he was a partaker in the sacrament merely because, with characteristic pertinacity, he insisted that he was in no way disqualified for the communion. From Geneva Bruno went to Lyons, and as a sect of Socinians 1 is known to have existed there, the hope was reasonable that he might also be treated with tolerance. Moreover, Lyons was the centre of the French book trade. It rivalled Geneva in the cheapness of its wares ; and though Lyons was famous for missals and books of hours, 1 Castlenau speaks of the “Deists and Trinitarians” of Lyons. Their chief died at Zurich in 1562, 6 4 GIORDANO BRUNO. and Geneva for its Bibles, so completely were the two towns free from any narrow sectarian spirit, that they drove a thriving; but underhand trade in each other’s commodities ; and Genevese mass-books went out into the world side by side with Calvinistic commentaries printed in Lyons. Thus competition was open and keen ; and the grudge was embittered by the fact that many French refugees were established on the banks of Lake Leman, where they led away their compatriots into exile with the promise of high wages. The Lyonnese printers retaliated by branding the publications of Geneva as heretical ; and the Genevese, who had no Index, avoided the prohibi- tion by placing on their title-pages the name of Cologne or Antwerp, or by sending a member of their printing- houses into a foreign town, and even to Lyons itself, which was thus forced to bring the contraband goods into the market. Bruno remained at Lyons a month, but being unable to find sufficient employment there, he went to Toulouse, where there was a famous school, which numbered ten thousand scholars. Supported by a sense of his own merit, he ventured into the lion’s mouth ; for Toulouse was a bulwark of the Inquisition, “ the rampart of the faith in Languedoc;” and Bruno, who had read Babelais, must have known that Pantagruel declined to visit the city of the troubadours, because, as he said, he was always athirst and always dry, and therefore he needed no warm- ing, since in Toulouse men were grilled like so many red herrings. It is sufficient evidence that Bruno was not a professed Calvinist, since for more than a year he was permitted to lecture and to teach in this intolerant city. “ The students,” says an old chronicle, “ rose at four in the morning, and after their prayers were said, they were on their way to college by five o’clock, with their folios under their arms and lanterns in their hands.” The fair city of the gay science and of the floral games was then at its zenith. Its rich and powerful schools TOULOUSE. 65 attracted a large population to the town, which had not as jet begun to suffer from the distress in France. Here Bruno met with better days. He made the acquaintance of “ persons of intelligence,” and was invited to read astronomy with the scholars of the city. In about six months, when the place of ordinary lecturer became vacant, he took his degree as Master of Arts, and quali- fied himself for the professorship, which was bestowed upon him. He remained in the town a year or more, 1 giving lessons and lectures on philosophy, and in parti- cular on Aristotle’s book on the Soul, — a subject which agitated Italy for nearly a century, and was awakening a deep interest in the whole of Europe. Whether Aristotle did or did not lapse from the doctrine of personal immor- tality was discussed with the bitterest invective in the schools, and professors lecturing on other subjects were recalled to the question of the hour by their pupils, who shouted “Anima, anima,” that the long and ardent dispute might be revived. It is supposed that Bruno may have reproduced the substance of his lectures at Toulouse in his book on the Shadows of Ideas, printed in 1582 in Paris. Nothing certain is known except that he lectured on the soul, and it is probable that he availed himself of the method of Lully for developing the memory of liis pupils. It is known that he did not consider himself altogether parted from the Church. “ Twice in seventeen years,” he says at his trial, “ I attended the confessional ; once in 1 From the somewhat ambiguous wording of the ninth document of the trial, Bruno seems to think that he remained two years or two years and a half at Toulouse. But since we know he was at Geneva in 1579, and spent, as he says, “ about live years ” in Paris, he could not have remained two years in Toulouse. If he arrived there early in the winter of 1579, he may have re- mained till the beginning or 1581, when he must have gone to Paris. How otherwise could the impression remain on his mind that he spent so long a period as five years in that city ? The books which he printed there were dated 1582. Early in 1583 he was in London; from the autumn of 1585 till 1st June 1586 he was once more in Paris. At the outside, therefore, and counting the two periods in one, he could not have spent more than three years in Paris; and it scarcely seems possible that he stayed much more than a year in Toulouse. E 66 GIORDANO BRUNO. Toulouse with a Jesuit, and another time in Paris with another Jesuit.” His masterful nature rebelled at the obedience of the cloister, as his mind refused to refine on the distinctions in the Godhead ; but he clung with an unreasonable and passionate attachment to the material part of the Catholic religion, though openly professing himself unable to accept its spiritual teaching. “ Souls learned and generous,” he says (W. i. 172), “ do right, not by law, hut by expedience,” — a commentary on the words of Paul to the Eomans, “ For ye are not under the law, but under grace : ye are become dead to the law.” It is clear that he had not realised his position with regard to the Church in his own mind, but that, believing, as he did, theology and philosophy to be roads leading but to one end, and that end divine, he held it to be altogether immaterial which way was chosen, providing the great doctrine of love to God and man is borne in the mind and manifest in every action of life. It is difficult to understand how so lax a Catholic could have been permitted to exercise his calling in Toulouse, even for one year or one year and two or three months. Toulouse was a city of fanatics, and though the seat of the Parliament of Languedoc, freedom of thought was ex- cluded, and no heretic could either live, or even print a book there. Here, a century before, Eaimond Sebond, for whom Montaigne made himself the apologist, was per- mitted to profess opinions both novel and irregular. But the times had changed, and the spirit was developing itself which forty years later decreed the martyrdom of Yanini, whose tongue, in the words of an old chronicle “ was nut out, his body was cast into the flames, and his soul was delivered up to Satan.” Moreover, for other reasons, Bruno’s stay in the town was rapidly becoming impossible. Al- ready, in April and May 1580, Henry of Navarre overran the neighbourhood with his troops. Between the years 1579 and 1580 the Huguenots made “more than forty assaults ” {Sully s Memoirs i. 87-98) on different cities TOULOUSE. 67 and villages in the neighbourhood; and for some years later the headquarters of the King of Navarre were at Montauban, a city not far from Toulouse, which was thus rendered an unsuitable spot for a traveller indisposed to assume that “thin habit of spirits” which Sir Thomas Browne declares to be “ beyond the force of sivor els.” It was probably about a year later (1581-82) when the Nolan took his departure, “leaving,” as he says, “on account of the civil wars ; ” though his allusions to “ his enemies at Toulouse, and to its “ clamours, its murmuring, and its scholastic frenzy ” (Gfr. 624), with certain words cancelled in his deposition (Doc. ix.), clearly indicate that some of his afflictions were on a smaller scale than civil war, and were due to his natural love of disputation. Thus, as has been well said by Washington Irving, “ mere pebbles make the stream of truth diverge into different channels, even at the fountain-head.” ( 68 ) CHAPTEE IV. “ The earth is the cut de sac in the great city of God — the camera ob- scura full of inverted and contracted images from a fairer world, the coast of God’s creation, a vaporous halo round a better sun.” — J. P. Richter. Journey through France, 1581. Paris. Lully. Some Latin Worlcs on the Art of Memory. It was probably early in 1581 when Bruno travelled northwards to Paris. He was thirty-three years of age, in the prime of life, and for a man who by his own act was shut out from the monastic career, and who hoped to make his living by writing and speaking, the road to the capital promised help and advancement, since France, racked as it was by war, was alive to learning and to philosophy. We learn from the Spanish biographer of Don John of Austria that the courtiers rode to court in carts drawn by oxen, while driving was prohibited by royal command on account of “ that infernal vice the coach,” which had done great injury to Castile. In France, the system of relays not being yet established, it was common for the coachmen of noble ladies to lose their way in the dark and their horses in the rivers. Journeys by water were made in tow-barges, which were often cut down and upset by heavier craft. Sometimes the crazy wherry was full three times over ; sometimes the wind was high and caused delay ; there was no awning ; infants died on their way to baptism ; the miserable PARIS, 1381. 69 passengers were beaten by the tempest, and too often assailed with clubs and stones from the banks by hasty Catholics with a gift for discovering and punishing stray lambs of another persuasion. For sixteen years Bruno wandered in Europe, at a time when to travel meant to spend eight days on the road from Paris to Calais, and seven days from Lyons to Paris, to sleep in inns pell-mell with travellers of the roughest description, and often with no bed but straw. But, in spite of every obstacle, it was a matter of necessity that a man of learning should travel. To print in Paris, a writer was forced to be in Paris ; for to correct proof-sheets at a distance, and with the post wanting, was impossible. Book marts, too, . were so few and far between, that transcripts were often made by hand and sold. Books published abroad were very costly in London, and books published in Oxford were not to be had in the Lon- don shops, so ill was the trade organised. Moreover, as the fame of a book nowadays is said to be made by word of mouth, so the fame of a professor in the Middle Ages was made by disputation. To these tournaments of letters Bruno looked even more than to his books for credit and support. A crowd of hearers spread abroad the fame of the disputants, and the fury of debate added a zest to a ready speaker with a disputatious temper. Regnault, the secretary of the Grand Prior, Henri d’Angouleme, speaks of the Nolan in a preface to one of his works ( The, Song of Circe ) printed in Paris, as “an author in the disesteem of the populace,” and that he was out of suits with fortune was as much due perhaps to his love of debate as to his heretical opinions. The echoes of war had crossed the Alps and penetrated the still seclusion of the Neapolitan cloister (W. ii. 198; De Lampad. Comb. Dedici) “ It was,” Bruno writes, “ one long and horrid tumult.” In another place he speaks of “ the frenzy and tumult of France,” and of “ the sanguinary 70 GIORDANO BRUNO. Seine” (W. i. 231). Although he lamented the intestine wars which ravaged the country at that time, he had a just appreciation of the valour, gaiety, and quickness of the people, and in the Song of Circe the cock is celebrated as “ a most beauteous, lucid, and almost divine animal.” The sight of tbe country as he journeyed through France was not calculated to cement his allegiance to the ancient religion. “ It was,” says Castelnau in his Memoirs, “ one long and bleeding wound.” Mornay writes to Queen Elizabeth in 1585 that France was transformed into a scaffold. The country was literally torn in halves between the League and the Cause, between Lorraine and Navarre. “It is not possible for them ” (the French), writes Sir William Cecil, “ to be poor and peaceable for many years.” The priests said prayers in coats of mail, the crucifix in one hand and the sword in the other. “ Kill them all; God will know his own,” cried a monk in the streets of Paris. “ Towns,” to quote from an old chronicle, “ were no longer towms, but the haunts of lions and tigers.” The king ordered his people “ on pain of death to love one another.'” The Papists razed the temples of the Huguenots; the Huguenots pillaged the Papal sacristies. Into Paris, then containing not quite four hundred thousand people, Bruno entered towards the middle of 1581. Antique philosophy had expired, or rather, like he river Lethe, which runs underground, it had vanished. Suddenly, with the revival of thought, there arose what has been called by an old writer “ an hydroptique immo- derate desire of humane learning and languages.” Not even the plague had caused a lapse in the instruction given at the schools or in the attendance of the scholars. They rose with the lark. The first morning class was held at six ; the students dined at ten, and the court at twelve, or even an hour later on hunting-days. The court exchequer was low, and the science of credit, PARIS, 15S1. 7i instead of parading in open exchanges, lurked as yet in the dark alleys of the Jewish quarters. Men of learning, even in the next reign, were not received without mis- givings and lapses in comfortable entertainment. “You cost the king 1 too much, sir,” said Sully to Casaubon ; “ your pay exceeds that of two good captains, and you are of no use to the country.” Moreover, free quarters even at court were not what we are used to call princely. Voltaire, writing of the palaces in 1562, says that the courtiers slept three and four in the same bed, and lived in rooms unfurnished, except with oaken coffers ( Essai sur les Mo&urs). The streets of Paris were not pleasant resorts, for not only were night and day made insufferable by brawling, but so late as 1607 Casaubon complains that the plague nurses came out of the plague hospitals to walk about the town; and there is no reason to suppose that in 1 58 I the nurses were less solicitous either for the health of their patients or for their own. Under the shadow of his great golden lilies Henri III. loved to assemble the countrymen of his mother and of 1 “ King Henry IV.,” says Scali- ger, “ could not do two things : he could not keep his countenance, and he could not read.” He had Casau- bon in his library “ to tell him what was in his books, for he understood them not at all ” ( Epistres Francises a M. de la Scala, p. 105). However, the king’s want of learning did not impede his career as a politician. He undertook in writing to the Pope, Clement VIII., so to manipu- late “the edict which I have pub- lished to the tranquillity of my kingdom, that its solid results shall he in favour of the Catholic religion.” This dissimulation was characteristic of the age, and men of mark did not escape its influence. Like that Lord Shaftesbury who objected to telling too much truth, Bruno writes of dis- simulation as “the handmaid of Prudence and escutcheon of Truth and in speaking of simplicity in the same work he says (W. ii. 190), “ This handmaid of Truth ought not to travel far abroad from her Queen, though sometimes the goddess Neces- sity constrains her to decline towards dissimulation, lest simplicity and truth may not be inculcated, or to shun some other inconvenience. This being done by her not without method and order, may therefore be very well done without error or vice.” But that Bruno knew the true aspect of dissimulation is shown by his allusion to “ her suspicious steps and fearful appearance, and she is esteemed unworthy of heaven, though even the gods are forced to use her at times . . . for sometimes Prudence hides the truth with her garments in order to escape envy, blame, and outrage.” 72 GIORDANO BRUNO. Maccliiavelli. “ He was good at heart, but too easily governed,” writes De Thou ; “ a good prince, had he but met with better times.” “ He loved letters, and protected science and the arts ; he thought it princely to reward men of letters, whether they were foreigners or French- >5 I men. The philosopher who had been despised and rejected by so many towns was grateful when he found in Paris a reception of better augury. He was named professor extraordinary, to escape assisting at mass, which was compulsory on ordinary professors, and according to Scioppius he would have been accepted as titulary pro- fessor if he had consented to follow Catholic observances. However, by favour perhaps of the king, and perhaps on account of the doctorate which he had obtained at Tou- louse, he was permitted to deliver thirty lectures (Doc. ix.), taking for his subject thirty divine attributes from St. Thomas Acjuinas — Dante’s “ good brother Thomas” — who exercised so powerful an influence on the Domini- cans, that the noblest defenders of Catholicism looked to the shining example of his saintly spirit for help in establishing the ancient order of things . 1 2 It was chiefly by the king’s favour that Bruno was permitted to follow his calling in Paris. “ King Henry III.,” he says, “ called me one day before him, and de- sired to know whether the memory I have had and pro- fessed is natural or by arts of magic ; whereupon I gave him satisfaction, and by that which I said and did I proved to him that my memory came by knowledge and not by magic arts.” Some light is thrown on Bruno’s 1 From liis time French with the ground. A modern instance occurs Italian accent became the rage, in the imitation of the German The round sounds aroit, fraru;ois, court r in English aristocratic cir- anglois, and so forth, were flattened cles. into the pronunciation of Italian 2 Bruno, when opposing the doc- queens and courtiers ; and although trine that the Virgin was born with- Henri Estienne condemned le non- out sin, was supported by St. Thomas vcau languaige italianise, it held its and by the authorities of his order. OF THE SHADOWS OF IDEAS: 73 character by bis dedication of tbe Shadows of Ideas to Henry III. of France. Tbe king is represented as a “ spectacle transporting tbe nations by bis virtue, bis genius, bis magnanimity, bis glory.” In good report and evil report Bruno’s gratitude ap- peared in magniloquent praises of tbe king — of “ tbe bigbness of tbis great and powerful monarch, tbe most generous heart in Europe, who makes tbe farthest poles of earth resound with bis fame ; be who when be roars in anger, like a lion in his lofty cave, inspires fear and mortal terror in tbe other mighty beasts of prey ; and when be is at peace gives out a flame of liberal and courteous love, such as lights up the neighbouring tropic, beats tbe frozen bear, and dissolves to dew tbe rigid arctic desert, which lies beneath tbe eternal watch and ward of fierce Bootes” (W. i. 122). Again, when it becomes a question whether tbe trium- phant beasts or vices shall be expelled, or tbe virtues exalted to tbe skies, “ Apollo asked bow should they dis- pose of tbe tiara ? ” (W. ii. 249). “ That, that is the crown,” said Jupiter, “ which by tbe high decree of Fate and tbe instinct of tbe Divine Spirit is deservedly awaited by tbe invincible Henry III., king of tbe magnanimous, tbe potent, and tbe warlike land of France, the crown which be looks for after those of France and of Poland ; as be testified in tbe beginning of bis reign by taking that celebrated device, where two crowns below and one more eminent make tbe body, and tbis motto serves for tbe soul, Tertia coelo manet. Tbis most Christian king, holy, religious, and pure, may securely say, Tertia ccelo manet, because be knows that it is written, Blessed are tbe peace-makers ; blessed are tbe pure in heart, for theirs is tbe kingdom of heaven. He loves peace ; be maintains bis people as much as possible in tranquillity and devotion. He is not pleased with tbe noise of martial instruments, which administer to the blind acquisition of tbe unstable tyrannies and principalities of tbe earth ; bis pleasure is 74 GIORDANO BRUNO. justice and holiness, which discover the way to the king- dom of heaven. The fiery, tempestuous, and turbulent spirits of some of his subjects may not hope that while he lives whose tranquil mind is as it were a stronghold against warlike fury, they shall receive any assistance in vainly disturbing the peace of other countries under pre- tence of adding other sceptres and crowns to his ; for Tcrtia ccelo manet. “ In vain shall the rebellious French forces set forth against his will to disquiet the borders and coasts of others ; for not the proposals of unstable counsel, the hope of changeable fortune, nor the advantage of foreign administrations and suffrages will be able, under a pretence of investing him with robes and adorning him with crowns, to take from him otherwise than by necessity the holy adornment of a tranquil spirit, he being more liberal of his own than covetous of what belongs to others. Let others endeavour to mount the empty throne of Portugal, and others be solicitous for the Belgic dominion. Why should you break your heads and beat your brains about this or the other principality ? Why suspect and fear, 0 kings and princes, that your neighbours should conquer your armies and rob you of your crowns ? Tertia ccelo manet. “Let the crown remain,” Jupiter concludes, “waiting for him who is worthy of so magnificent a possession. And here also let victory reward perfection, honour and glory have their throne ; for if they are not virtues, they are the end of virtues.” Bruno’s was no fair-weather affection. When the power of Henry III. was despised, and in a country where his very Christianity had been severely censured, Bruno gratefully remembered his protector, and in the preface to the Acrotismus he places his book under the patronage of “ the most Christian and most puissant king.” The Shadows of Ideas appeared “ with the king’s privilege,” and these panegyrics drew on the writer the anger of the Inquisition, since it was one of the counts “OF THE SHADOWS OF IDEAS: 75 against him when he was arraigned at Venice that he had praised heretic princes, among whom Henry III. was noted ; for the news of his death in 1589 was saluted by the cannon of Rome, where a panegyric was pronounced on his assassin, the Dominican Clement. In the epistle dedicatory he is careful to give his opinion of the book to the king. “ Great gifts, 0 sacred Majesty,” he says, “are due to great men — the greater to the greater, the greatest to the greatest. It is, therefore, manifest why this book (which is numbered among the greatest by reason of its noble subject, the singularity of its invention, and the gravity of demonstration wherewith it is expounded) addresses itself to you, 0 admirable light of nations, by reason of your excellent and most mirrorific mind, by the high renown of your genius, which is famous, magnani- mous, and of good right merits the obeisance of all learn- ing. Be it yours to accept this work, graciously to pro- tect it, and to examine it with mature wisdom.” This work contains the germs of Bruno’s system of philosophy. It bears a device showing it is addressed to readers “ not inept but learned,” and it initiates Bruno’s revolt against the fixed system of Aristotle. Plato and the “ Hebraic Plato,” Plotinus, look on the great globe itself as but “ a shadow, eiScoXov, of the truth, which is the sphere of ideas, those divine images . . . which are the shadows of true existence ” ( Plato’s Republic, Jowett, iii. 420). Bruno, seizing the view of Plato, works it out in this book by defining ideas as the nature of things, and the shadow of ideas as that which is in accordance with the nature of things (Gfr. 299). The Shadows of Ideas is in reality the first part of a work of which the Art of Memory is the second part. The Shadows of Ideas discloses the metaphysical principles of Bruno ; the Art of Memory applies those principles to the Lullian art. “ For that art,” says Bruno (Ars Memoriae, fol. 1, 8), is based on ideas, sometimes out- running idle Nature, and enticing her to labour, some- 76 GIORDANO BRUNO. times guiding her in the way she should go, or, when she wearies, staying and strengthening her, or correcting her when she errs, or when she is perfected, imitating and striving after her diligence.” Thus the Nolan, like Garrick between Tragedy and Comedy, stands beside the twin studies, the dark and mysterious oracle of the Catalonian monk, and the en- lightened form of Nature. This Rabelaisian dedication, so characteristic of Bruno’s delight in the magniloquent, is followed by three sets of verses, and preceded by twelve lines of Latin poetry. After alluding to the aspect of the shades, which he is about to evoke from the profound darkness, and promising that they shall be pleasant to look upon, Bruno, assuming the name of Merlin, continues : “ The depths of wisdom, if but lightly stirred, shall yield delectation ; but they will confound and cover with disgrace instead of glory him who would rashly plunge into them.” If a little learning is a dangerous thing, Merlin is wrong ; but Buhle is of opinion that the lines are ironical, and intended to deter ignorant persons from reading the book. “ To travel,” Merlin continues, “ with any surety in the labyrinth of science, it is essential we should not lose the thread held out to us by Wisdom.” This is succeeded by an “ apologetic dialogue ” between one Hermes Philothimus and Logifer, — evidently a violent attack upon Bruno’s enemies living at Paris and else- where, who are described as beasts expressing themselves after their kind. “ Ravens croak, wolves howl, pigs grunt, oxen low, sheep bleat, donkeys hee-haw ; each pleases himself and his kind. Who will reply to them ?” (Gfr. 296.) Later he speaks of these would-be philo- sophers as “ asses who slowly hurry to the chase,” resem- bling Midas “by reason of their great ears;” and again he calls them mules (Gfr. 1 95), “neither horses nor asses, mixing braying with neighing.” The Shadows of Ideas is divided into two parts. The OF THE SHADOWS OF IDEAS: 77 first ( Triginta intentiones umbrcirum) contains thirty points to be considered respecting the shadows of ideas. The second part ( Triginta idearum conceptus ) lays down thirty axioms which are composed of simple primordial ideas, and of primordial ideas coupled with shadows of ideas. By sharply defining the nature and hidden laws of active thought, Bruno desired to clear the ground for those rules of mnemonics which figure prominently in all his teach- ing. The expression, “ shadow of ideas,” he says, is just “ because man cannot know the absolute truth ; for his being is not a being absolute and real, but its shadow.” This is reasoning adopted from the Neo-Platonic and Cabbalistic philosophy. The shadow of the idea has its share of light and darkness. It is composed of both, having traces of light, but not the fulness of light. Light can be recognised by beholding the substance, and also by beholding the accident of the substance, which may be its shadow. For as the light of the substance (■ materia prima ) emanates from the primordial light ( actus primus lucis), so the light of the accident (or shadow) emanates from the light of the substance. (“ The firs t form ,” says Bacon, in his Advancement of Learning , u that was created was light, which hath a relation and corresp ondence in Nature and corporal things t o know- ledge in spirits and incorpora l things. ”) Somewhat later Bruno says ( Intentio , xxiii.), “ The shadow is opposed neither to light nor darkness. It is related to both. Man took refuge in the shadow of the Tree of Knowledge that he might know light and darkness, truth and falsity, good and evil.” But the substance and its accident cannot receive the fulness of light ; they are therefore within its shadow ; and the idea of them is again a shadow. Now these shadows of ideas, being composed of light and darkness, are of a twofold nature. They will lose themselves in the darkness if the high properties of the soul are inactive and subservient to the lower appetites ; or they will 78 GIORDANO BRUNO. ascend to the purer light if the higher faculties gain the mastery, and as the soul rises to the knowledge of the eternal and the imperishable. And all knowledge of truth proceeds from unity to plurality, and from plurality to unity. (Perhaps the same spirit moved Bacon when he wrote, “A little philosophy inclineth men’s minds to atheism, but depth of philosophy bringeth men’s minds about to religion. For while the mind of man looketh upon second causes scattered, it may sometimes rest in them and go no farther ; but when it beholdeth the chain of them confederate and linked together, it must needs fly to Providence and Deity.”) It was necessary 1 that the universe should in its various parts be unequal. Were they equal, the beauty of the world would be im- possible , 2 for its perfection is manifested only by the connection of its various parts to the whole . 3 If, there- fore, the world is a complete and organised whole, we cannot conceive more than one ruler, as it is inconceivable there can be more than one order. ( ££ We are all,” says the Apostle, “ members of one body.”) The world has many members and but one body : the chaos of Anaxagoras is number without order. There is no real difference between the shadows of ideas. Beauty and ugliness are conceived by the same operation of the mind. There are many ideas, but there is but one method of perceiving ideas : imperfection, evil, and ugliness are not separate conceptions. Their pecu- liarity consists in their being a negation in reality, a nonentity in entity, a defect in effect . 4 (Leibnitz makes use of this definition in his Theodicceci.) The shadows of ideas differ in degree according to the position of their substance with regard to the pri- mordial Unity. They may be related to the truth, its 1 Intentio, viii., ix. dantia prater inattingibile esse ne- 2 Ve Triginta Idearum Conceptus, quit.” — Cusa, Dialogus de Genesi, ii. 71a. 3 “ Differentia, sine qua concor- 4 Intentio, xxL “ OF THE SHADOWS OF IDEAS." 79 distinctness and purity, although they never reach the absolute truth, the pure light itself. Without following Bruno into the mazes of a definition between physical and ideal shadows of ideas, it is easy to understand a definition such as the following : — Physical shadows of ideas are like the real shadows thrown by a real body. A hoi’se in motion casts a shadow which changes with the motion of the horse. This shadow is divided from the substance, and is therefore no part of the substance, though it could not exist without the substance. In like manner shadows of ideas are not in time, place, nor motion; but the object is in all. Bruno conceives a great procession of things, at the head of which he places things which by themselves and in themselves are real, and at its end he places the immaterial. That spirit is truly active which comprehends pure ideas untram- melled by place or time. The forms of things are in themselves ; they are in heaven ; they are in ideas ; they are in germs ; they are in the nearest acting causes ; they are individual in their operation ; they are in the senses and in the mind. Matter is not complete when it receives a form, as the eternal changes of matter testify. That which is real is not individual ; it is not capable of being perceived by the senses, as Aristotle expressly declared when he spoke of substance (Kvplws overlay). That which is real remains the same, therefore what is produced and perishes is not real. That alone is real which is the same (Idem) — the Abiding — the Eter- nal : the terms are identical. “ The highest intelligence,” says Bruno, u is the; Highest Light , 1 and he who desires to comprehend that; which is absolute and steadfast must strive after the lio-ht, for every creature can receive it according to its capa- city. All things proceed one from another, diversity from 1 Conceptus, ix. ; De Triginta Idearum Conceptus, ii. 8o GIORDANO BRUNO. diversity in infinite multitudes, and lie alone can number them who has numbered the stars in the sky. But they must return to the First Principle, and they become lost in that absolute Unity which is the source of all units. 1 The Primeval Intelligence, from its copiousness, does not produce new ideas, nor does it operate in a new manner. Nature produces new things as regards num- ber, but not in a new manner, because it invariably works in the same manner. Those virtues which are, as it were, unwound and dispersed in matter, become united as they approach the First Cause, and are one with it. In the First Cause there is but one idea of all things. It is light, life, spirit, unity ; in it are all species, perfections, truths, numbers, and degrees of things. Contrast and diversity in Nature are in it harmony and unity. Here Bruno inserts a quantity of mnemonic rules which it would be tedious to follow. 2 After declaring that except the One and the First all must be number, he proceeds to show why the lowest degree of beings must be infinite in number, and that in the highest the Infinite Unity is alone the most absolute Reality. He then complicates his subject by four definitions of form, dividing the Idea of the subject again into four, the first technical, the second logical, the third physical, the fourth metaphysical. If, he says, the First Principle acted from chance, and not from free will, it would require no ideas, for there can be no activity which is not founded on freedom of reflection. 3 Anything is more easily understood by means of the idea in the mind than by means of the real form and substance itself, because these are material. In like manner a subject is best conceived, not through its own objective being, but through the idea of it in the Divine under- standing. True to his admiration for Lully, Bruno proceeds to 1 Conceptus, x. Compare Causa, 4th Dialogue (W. i. 261). 2 Conceptus xiii. 3 Hegel follows the same train of reasoning. OF THE SHADOWS OF IDEAS." assert that the golden chain of things, which reaches from' heaven to earth, and from earth to heaven, and binds to- gether the uttermost parts of each, is, in its connection with knowledge, an excellent help to the memory (Buhle, 726). 1 As, he says, there are six sorts of shadows, differ- ing according to the position of bodies in their relation to the sun, so do the shadows of ideas differ in their relation to the First Principle, who, by addition, subtraction, and attraction, calls forth, combines, and weighs all things. The Divine Spirit has but one idea, which comprehends totality in unity ; in a human intelligence ideas manifest themselves by irregular and detached actions, but they are declared in God by manifold, connected, and active power ; they are revealed by Nature like an imprint, but in man, per uvibree modum, they are but shadows. Of mysteries, Bruno 2 says that they divide and diminish as the intelligence expands, for they were in- stituted to use men’s eyes to see clearly, lest the sight should be offended by a too abrupt transition from dark- ness to light. With characteristic want of prudence, he expounds without scruple or hesitation matters about which he had been better silent ; while Lullian maxims, which he might have proclaimed upon the house-tops, he wraps in the mystery of the sibyl, accompanying his comments on Lully with such tags as these : “ It is not given to all men to enter Corinth ; ” “ He who desires to understand, understands;” “He who desires to elicit the truth, elicits the truth.” It was natural that this teaching should excite com- ment in Paris. “ These shadows,” says Bruno in his 1 Perhaps this golden chain of the highest link of Nature’s chain things is only visible to the poet, must needs be tied to the foot of Jupi- wliose eye “doth turn from hea- ter’s chair” [Advancement of Learn- ven to earth, from earth to heaven.” mg, 10). But the conception is antique. 2 In his book De Imaginum “When a man . . . seetli the de- Bruno gives it to be understood pendence of causes and the works that “Be Umbris Idearum” and of Providence,” says Lord Bacon, the “ Cantus Circaus” are to be “then, according to the allegory of interpreted cabalistieally. the poets, he will easily believe that F 82 GIORDANO BRUNO. dedication to liis comedy the Candle-Bearer, ££ terrify the brnte creation, and, like the devils of Dante, put the asses in a panic.” He represents his adversaries under the names of “ Master Bobus,” “ Anthoc,” “ Roccus,” ££ Phar- faeon,” ££ Berling,” ££ Maines,” “ Scoppet,” ct Clyster,” ££ Car- pophorus,” ££ Arnophagus,” ££ Psicoteus ” (Gfr. 296). He visits all dependent thinkers with his contempt. “ I have sworn to no philosophy,” he says, “ but I despise no means of knowledge. I esteem him highly who from his own mind adds his mite to the art and science of the contemplation of things. I do not think ill of the Platonists, nor do I reject the doctrine of the Peripa- tetics so long as it has a foundation in what is real ; and this I say that I may set my foot against them who measure other minds by their own. Of that kind is the unhallowed crew w r ho have not formed their own souls by occupation with the best philosophers, and who speak constantly out of the mind of others because they have no mind of their own.” Few persons perhaps suffered more from these than Bruno. ££ One man,” he writes in his preface to Infinity , ££ as if I had an eye to himself, menaces me ; another, for being only observed, assaults me ; for coming near this man, he bites me ; and for laying hold of that one, he devours me. It is not one who treats me in this manner, nor are they few ; they are many, and almost all.” It is true that Bruno makes no secret of his aversion to the * mob,, for which they repay him in kind. “ I hate,” he says in the same preface, ££ the vulgar rout ; I am dis- pleased with the bulk of mankind.” And in the dialogues on the Immense and the Innumerable, he speaks of having been sped by the Beautiful and by Truth towards the goal where the shouts of the throng and the storms of the age can never more trouble him. In brief, Bruno 'desires to convey -by this work that what we call ideas are real, and what we call real is but an image or shadow of the reality. What is real is ever- lasting and unchangeable, such as truth, order, love, “OF THE SHADOWS OF IDEAS: 33 beauty. Tlie image is of matter, which changes and passes away ; such is man, a chair, a leg of mutton. But the Idea is stable, universal, eternal ; it is an attribute of God, who is also eternal. It is infinite of itself and by itself, because it is divine ; an essence everywhere and always essential to man, and yet above him. He alone can give the body of the truth its form and pressure who has in his understanding a precise image of the real. Under such guidance let him study the outward forms of human speech with the images of truth and reality that are within him and about him. Ideas are his true light. If they ceased to be, he would be plunged in darkness and the world would escape him. Let him behold the round world and its fulness as a scroll bearing the imprint of the finger of God, each character a living symbol, and the whole creation a copy of an ideal picture, an expression of the beauty, truth, and order of the Divine mind. Bruno having thus defined the shadow and the idea, pro- ceeds to set up a machinery of expression. Men’s minds had not yet recovered from the surprise of the invention of printing ; and Bruno, taking the universe as a printed book — a simile common to that century, which was beginning to compare the book of Nature with the Scrip- tures — proceeds to compile a dictionary or syllcibicum of the objects of the understanding, of forms and modes of understanding, reducing the whole of these to order by the art of Lully. Mnemonics assume so complete a form in the eye of Bruno as to embrace not only the practice of representation, but its theory, and the very theory of thought. He looks upon thinking as an accomplishment of the mind, a representation, so to say, in the inner mind by inner writing, of that which Nature represents externally, as it were, by external writing. A familiar illustration of this process, is in the sensitive plate of the photographer, which receives a shadow on its surface, and by its inner process retains the shadow as if it were the autograph of Nature. rfv C bJL Kv