l f ; A'. ■■ .' /^ %^ !^ %/ George Washington Flowers Memorial Collection DUKE UNIVERSITY LIBRARY ESTABLISHED BY THE FAMILY OF COLONEL FLOWERS e r Digitized by tine Internet Arciiive in 2010 witii funding from Duke University Libraries littp://www.arcliive.org/details/palmettodictionaOOwalk 1 ■^ {SSf'^i^ "^YA^Lie-^Jk. LONDON. WILLIAM TE»G Jc C« THE PALMETTO DICTIOMIIY; IN WHICH THK MEANING OF EVERY WORD IS CLEARLY EXrLAlNP:D AND THE SOUND OP EVERY SYLLABLE DISTINCTLY SHOWN; EXHIBITINU THK PKINCIl'LEa UK A PURE AND CORRECT PRONUNCIATION. A NEW EDITION, CAREFULLY REVISED, CORRECTED. AND ENLARGED. EICHMOND, VA. : J. W. RANDOLPH. 1864. PEEFACE. This Dictionary is presented to the people of the Southern States as the basis of a future one, which ma}^ embody the words, pronunciation, and meanings that are adopted and used by our best speakers and writers. And whereas no one person is competent to determine these things for the whole nation, the attention of teachers, professors, and all who desire to promote elegance and accuracy in the use of language among the rising generation, is respectfully invited to this book, and they are requested to mark down its errors, omissions, and redundancies, and send their notes and emendations to the Publisher, who will not only gladly avail himself of them, but cheerfully rcmunei-ate any whose labours may be productive of considerable advantage to the work. If this request is generally heeded, materials may be collected for a National Dictionary. That such a book is needed must be evident from such words as " creek," which is pronounced " crick " in New England, and means " an inlet of the sea " in Great Britain, while, in the South, it differs from New England iu its pronunciation, and from England in its meaning. Directions to those who comply with the above request. Mark on the margin, and make a note on paper to be sent to the Publisher, all words which are — 1 . Pronounced wrong. 2. Spelt wrong. 3. Defective meanings. 4. Omitted. 5. Not in common use (that in next edition they may be printed in smaller type). 6. Very rai'e (that they may be put in smallest type). Transmit these notes to the Publisher, with your name and residence, that it may be known to whom he is indebted for them. c^qni'^ >^ ERRATA. The words " puur," " i)ouriuff," &c., sliould be pronounced like the word " pore," iic, and not like the word " power." ADVERTISEMENT. The superiority of Walkers Pronouncino Dictionary over other productions of the same kind has been so long established that it would be superfluous to descant upon it. He brought to the performance of his task a spirit of patient investigation, extensive grammatical knowledge, and sound judgment. But in all works relating to languages, however perfect they may originally be, Time, that greatest of all innovators, will at length make reform indispensable. It has consequently been found necessarj- to intro- duce a few changes and additions in the present reprint of Walker's Dictionary. New words and definitions have been added; defini- tions which, by late scientific discoveries, are proved to be enoneous, have been amended ; and, in some instances, where it had become obsolete, the pronunciation has been rendered conformable to modern usage. As in all books, but moie especially in a Dictionary, cor- rectness is an object of paramount importance, the utmost care has been taken to exclude t\T)ographical errors ; and it is believed that the care has not been fruitlessly bestowed. On the cheapness, the convenient size, and the elegant printing of this volume, it is needless to say a word ; they are so obvious that they cannot fail to be noticed even by superficial observers. August 25, 183L ADVERTISEMENT TO THE PRESENT EDITION, In the Edition of "Walker's Dictionary "whicli is now presented to the public, it is hoped that a considerable improvement has, in more than one respect, been effected. The work has been augmented by the insertion of nearly five thousand words; many additions and corrections have been made in the definitions; a holder and more legible type, cast for the pui-pose, has been employed; and the utmost care has been taken to render the volume perfectly free from typo- graphical errors. The last point the Editor considers to be of the utmost importance, especially in a Dictionary ; and he therefore avails himself of this opportunity to state, that he is not responsible for any misprint that may be found (if any there be) in the editions of Walker which have appeared since 1831, the proof sheets of those editions not having been submitted to his inspection. January, 1847. INTRODUCTION. PHINCIPLES OP ENGLISH PRONUNCIATION. Tmb First Pricciples or Elements of Pro- Dunciatiun are letters: The Lettern of the Enffluh Alphabet are Rom AS. lUlic. 1 N&me. A a A a a B b B b beg C c C c tee D d n d dee E e K e e F f l^ 'f ll 'ul jee aifch I i I 1 1, or eye U J j J consonant, or ^ory K k kay L 1 L I el M m M m em N n ^ n en O O P P P P J>« Q q a q cue R T R r ar S 8 S « est T t T t tee 11 u U u «, or yon V V V V r consonant, or vee W w W vs double u X X X X ekt Y y r V vsy Z ^ Z X zed, or izzard. To these tnay be added certain combina- tions of letters sometimes iisod in printing; Rs IV, fl, fl, fli, ffl, and &, or end per se and, or rather et per se and ; ff,fi,fi, ffi, ffl, and if. Our letters, says Dr. Johnson, are com- monly reckoned twenty-four, because an- ciently • and j, as well as m and r, were expressed by the same character ; but as these letters, which had always different powers, have now different forms, our alpha- bi t may he properly said to consist of twenty-six letters. In considering the sounds of these first principles of language, we find that some are 80 simple and unmixed, that there is nothing requir<:d but the opening of the mouth to make them understood, and to form different sounds. Whence they have the names of vowelt or vnirti »7 rocnl toundt. On the con- trary, we find that there are others, whose pronunciation depends on the particular ap- plication and use of every part of the mouth, as the teeth, the lips, the tongue, the palate, &c., which yet cannot make any one perfect •ound but by their union with those vocal sounds : and these are called cnntonants, or letters sounding with other letters. Definition qf FmoeU and Consonanti. Vowels are generally reckoned to be five In number ; namely, a, e, i, o,u: y and w are called vowels when they end a syllable or word, and consonants when they be^in one. The definition of a vowel, a3 little liable to exception as any, seems to be the foUowinfc: a vowel is a simple sound formed by a con- tinued effusion of the breath, and a certain conformation of the mouth, without any alteration in the position, or any motion of the organs of speech, from the moment the vocal sound commences till it ends. A consonant may be defined to be an inter- ruption of the effusion of vocal sound, arising from the application of the organs of speech to each other. Agreeably to this definition, vowels may be divided into two kinds, the simple and com- pound. The simple a, e, o, are those which are formed by oneconformation of the organs only; that is, the organs remain exactly in the same position at the end ns at the begin- ning of the letter ; whereas, in the compound vowels I and u, the orfjaus alter their position before the letter is completely sounded : nay, these letters, when commencing a syllable, do not only require a different position of the organ, in order to form them perfectly, but demand such an application of tlie tongue to the roof of the mouth as isincnnsistcnt with the nature of a pure vowel ; for the first of these letters, ?, when sounded alone, or end- ing a syllable with the accent upon it, is a real diphthong, composed of the sounds of a vafa-ther, and oi e in the, exactly correspoa- n ' IfC^trS" }denUllU,uidi. ruharp jt, iiri ▼fi I p, pr>mp'\ Vlabio-nasal liquid m. I)ento-ie:titttiral or nasal %fi, hang. Vowel* and consonantu beinic thus defined and arran^pd, we rhall abow the organic formation of each letter. Organic Formation nf the VovtU, It will be nec''Ctar\- tn r.hePTxe that tb«n* are rhrpf loriit *oi.- 'ttrra, which are formed by a k - expansion of tlie intemal part? ' The (Jemnan o, iir»r > ' formed by a Btronff «n.: ;..L 00, which has just been de- Wrilxd. In this Tirw of tbe organic formation of t),f V -iris we find that a, r, and o, are the le or pure vowels ; that i is a diph- I thnt M is a semi-cnnsonsnt. If nclined to contrive a scale for mca- liuniiij the breadth or narrow-ness, or, an other? term it, the openness or closeness of the vowels ^e mizht begin vith f open, aa Mr. Klphioston calls it, and which he an- nounces 10 be the closest of all the vocal pnwc*. inthr 1 rimmciaf ion of this letter wr 1 tbe mouth extended on ' almost elo«ed, and the sfii ^ _ tally. The slender a in v.akie optun tlie inoufli alittle wider. The a in fa-ther opens the mouth still more without contracting the comers. The Ger- man n, henrd in wall, not only opens the n.outb wider than theformern, out contracts tbe comers of the mouth so as to make the aperture approach nearer to a circle, while the n opens tbe mouth still more, and con- tracts tbe comers so as to make it the o» rntundiim, a picture of the letter it sounds. If tiicrefore the other vowels were, like n, to take their forms from the aperture of the mouth in pronouncing them, the German a ougbt neceB«arily to have a figure as nearly approaching the in form as it does in sound ; that is, it ought to have that elliptical lorm which approaches nearest to tbe cir(]e; as the a of ihe Italianj.nnd that of the English in /a-/Aer, ought to form oval*, in exact jiro- portion to the breadth of their sounds; the English a in waste ought to have a narrower oval ; the f in the ought to have the cur.e of a parabola, and the squersed sound 01 ee in sern a right line; or, to redvce these lines to solids, tbe o would be a perfect globe, the German an oblate spheroid like the li..cure of the earth, the Italian a like an egi:, the English blender a a Dutch skittle, the c % rolling-pin, and the double ea cylinder. Organic Formation of the Consonants. The best method of showing the organic fonnation of the consonants w ill be io class thea into Bucii pairs as they natural y tall ▼!H INTRODUCTION. Into, and then, by describing one, we shall nearly describe its fellow ; by which means the labour will be lessened, and the nature of the consonants better perceived. The con- vonants that fall into pairs arc the following : p f t 8 sh th k ch — chair. b V d z zh dh g j—jait. Holder, who wrote the most elaborately •and philosophically upon this subject, tills us, in his Elements of Speech, tliatwhen we Dnly whisper we cannot distinguish the first rank of tliese letters from the second. It is certain the difference betwern them is very nice; the upjjer letters seeming to have only a smarter, brisker, appulse of the organs than the lower; which may not improperly be distinguished by sharp and flat. The most marking distinction between them will be found to be a sort of Kuttural murmur, which precedes the latter letters when we wish to pronounce them forcibly, but not the former. Thus if we close the lips, and put the finders on them to keep them shut, and strive to pnmounce the p, no sound at all will be heard ; but in Btriving to pronounce the 6 we shall find a murmuring sound from the throat, which seems the commencement of tu^ letter; and if we do but stop the breath by the appulse of the organs, in order to pro- nounce with greater force, the same may be observed of the rest of the letters. This difference Lu the formation of these consonants may be more distinctly perceived in thesandzthan inany otherof the letters; the former is sounded by the simple issue of the breath between the teeth, without any vibration of it in tlie throat, and may be called A hissing sound; while the latter cannot be formed without generating a sound in the throat, which may be called a vocal sound. The upper rank of letters, therefore, may be called breathing consonants ; and the lower vocal ones. These observations premised, we may pro- ceed to describe the organic formation of each letter. P and B are formed by closing the lips till t he breath is collected, and then letting it issue by forming the vowel e. F and V are formed by pressing the upper teeth upon the under lip, and sounding the vowel eoefore the former and after the latter of these letters. T and D are formed by pressing the tip of the tongue to the gums of the upper teeth, and then separating them, by pronouncing the vowel e. S and Z are formed by placing the tongue in the same position as in T and D, but not so close to the gums as to stop the breath, a space is left between the tongue and the palate for the breath to issue, which forms the hissing and buzzing sound of these letters. SH heard in mission, and zh in evasion, are formed in the same seat of sound as s and z; but in the former the tongue is drawn a little inwards, and at a somewhat greater distance from the palate, which occasions a fuller egnsion of breath from the hollow of the mouth than in the latter, which are formed nearer to the teeth. TH in think, and the same letters in that, are formed by protruding the tongue between the fore teeth, pressing it against the uppef j te«th, and at the same time endeavouring tc ■ sound « orr; the former letter to sound thin think, and the latter to sound th in that. K and G hard are formed by pressing the middle of the tongue to the roof of the mouth near the throat, and separating them a little smartly to form the first, and more gently to form the last, of these letters. CH in chair, and J in jail, are formed by pressing t to sh, and d to zh. M is formed by closing the lips, as in P and B, and letting the voice issue by the nose. A" is formed by resting the tongue in the same position as in T or D, and breathing through the nose, with the mouth open. L is formed by nearly the same position of the organs as t and d, but more with the tip of the tongue, which is brought a little for- warder to the teeth, while the breath issues from the mouth. R is formed by placing the tongue nearly in the position of^ t, b\it at such a distance from the palate as suffers it to jar against it when the breath is propelled from the throat to the mouth. iVG in ring, sinp, &c. is formed in the same seat of sound as hard g, but while the middle of the tongue presses the roof of the mouth, as in G, the voice passes principally through the nose, as in N. Y consonant is formed by placing the or- gans in the position of*, ancl squeezing the tongue against the roof of the mouth, which produces ee, which is equivalent to initial y. }Y consonant is formed by j)lacing the organs in the position of oo, described under ti, and closing the lips a little more, in order to propel the breath upon the succeeding vowel which it articulates. In this sketch of the formation and distri- bution of the consonants, it is curious to observe on how few radical principles the almost infinite variety of combination in lan- guage depends. It is with some degree of wonder we perceive that the slightest aspi- ration, the almost insensible inflexion of nearly similar sounds, often generate the most different and opposite meanings. In this view of nature, as in every other, we find uniformity and variety very conspicuous. The single fiat, at first impressed on the chaos, seems to operate on languages ; wbicn, from the simplicity and paucity of their principles, and the extent and power of their combinations, prove the goodness, wisdom, and omnipotence of their origin. This analogical association of sounds is not only curious, but useful : it gives us a com- prehensive view of the powers of the letters, and, from the small number that are radically different, enables us to see the rules on which their varieties depend: it discovers to us the genius and propensities of several languages and dialects, and, when authority is silent, enables us to decide agreeably to analogy. Of the Qunntitif and Qualify of the VoieeU. The first distinction of sound that seems to obtrude itself upon us when we utter the vowels is a long and short sound, according to the greater or less duration of time taken up in pronouncing them. This distinction is so obvious as to have been adopted in all INTROnrCTlON. lanffiift^"* wc mean, » Ikh ttic ifU( r in ji....tL t»p ajijily thp«e Hounds it known, and iu power as^reed upon. ThP T.. ppprifif (rPTlcral the ililffTf II' • hlKfllPTTl. h ««<" of thf««- ' rrrtain that ' in Knzl!--!), for \i \t <■', wit'n lonz ami nhort. Dr. (rrammar an* rnl) thr n it wliifh may, indppil, >\\ find r*iui»o. n fhp it i« ll r fr »lerii|pr a in pap^r; Imt mil frmii the ' a in vnfrr, wlnrh in Hill ri" (^ nf c t. i of ilip»e lettTK lia» a "lir.rt ' ■■ iv tie called a uliiit Miiind ; )i ind^ cannot be »o properly d«ii 'in m more or lens hriad; that i^, ihr ■, Src. 88 the short broad ' a in vnnt is the true abbre- at in irnll. The sound of n in i» n. f n^v c^irr cponilent to the od in the n in I n,liiirn, Ac: ' n in tnne is • t: at of the ?nnjr IcttPT in fnn (a t), and rorre«)>onding with what is ) ll" r-^]]ri] tlie short V in Ivn, qw, fie. ; "f « in rn'lf must find its w ir}pv}l,hull, ftc. : fortius ' )■. '•' Hi- n diphthong,its ' latter part of ]c n ; as t)iP ; .'to the iound, I t ))'' w [,[U n /•riiOiJ . I 0/ the Inftuenrr nf Afrmlit on the SouiuU of ike LeiferM. It may be first obserred, that the crcrtion of the organs of speech neceor-ary to produce the accent, or stre's, has an obvious tendency to preserve the Ipfters in their pure and uni- form Sfiund, while the relaxation or fcrble- npss which succeeds the accent as naturally suffers the letters to slide into a somewhat different sound, a little easier to the organs of pronunoalifin. Thus the first a in cahhnpe is pronounced di'tir.ctly with the true sound of thst letter, while thexeeondn goes into an oh«cure sound bordering on the » short, the slenderest of all sound* ; so that enhDnge and rj/ta/jehave the ain the last syllable scarcely distinsruishahle from the e and i in the last syllable of rolUge and vestige. In the same manner, the a, e, i, o, and y, coining before r in a final unaccented syl- lable, go into an obscure sound so nearly approaching to the short u, that if the accent were carefully kept upon the first syllables of linr. Her, elixir, mayor, martyr, &c. thoe words, without any perccntible change in the sound of their last syllables, might all be ■written and pronounced liur, liur, elixur, mnyur, martvr, &c. The consonants aUo are no less altered in their sound by the position of the accent than the vowels. The « and # in the composition of X, when the accent is on them, in ererrine, execute, He. preserve theirstrong pure sound ; but when the accent is. on ihp second syl- lahie, in exact, exonerate, &c. these letters 1/ INTRODUCTION. sliae into the duller and weaker sounds of g aud 2, which are easier to the organs of pro- nunciation. Hence not only the soft c and the s go into sh, but even the t before a diph- thong slides into the same letters when the stress is on the preceding syllable. Thus in Mciety and satiety the c and t preserve their pure sound, because the syllaoles ci and ti have the accent on them; but m social and satiate these syllables come alter the stress, and, from thefeebleners of their situation, naturally fall into tiie shorter and easier sound, as if wiitten soshial and sashiate. 0/ the Nature of Accent. Accent, in its very nature, implies a com- parison with other syllables less forcible; hence we may conclude that monosyllables, proi)erly speaking, have no accent; when t hey are com bined with other monosyllables, and form a phrase, the stress which is laid upon one, in preference to others, is called emphasis. As emphasis evidently points out the most significant word in a sentence, so, where other reasons do not forbid, the accent always dwells with greatest force on that part of the word which, from its importance, the hearer has always the greatest occasion to observe; and this is necessarily the root or body of the word. But as harmony of termination frequently attracts the accent from the root to the branches of %\ords, so the first and most natural law of accentua- tion seems to operate les.; in fixing the stress than any of the other. Our own Saxon ter- minations, indeed, with perfect uniformity, leave the principal part of the word in quiet possession of what seems its lawful property ; but Latin and Greek tenninations, of which our language is full, assume a right of pre- serving their original accent, and subjecting many of the words they bestow upon us to their own classical laws. Accent, therefore, seems to be regulated, in a great measure, by etymology. In words from the Saxon the accent is generally on the root ; in words from tlie learned lan- guages it is generally on the termination; and if to these we add the different accent we lay on some words, to distinguish them from others, we seem to have the three j^reat principles of accentuation ; namely, the ra- dical, the terminational, and the distinctive. Radical AccdU. — As our language borrows so largely from the learned languages, it is not wonderful that its pronunciation should be in some measure influenced by them. The rule for placing the Greek accent was, in- deed, essentially different from that of the Latin ; but words from the Greek, coming to us through the Latin, are often so much latinized as to lose their original accent, and to fall into that of the Latin; and it is the Latin accent which we must chiefly regard as that wliich influences our own. The first general rule that may be laid down is, that when words come to us whole from the Greek or Latin, th« same accent ought to be preserved as in the original : thus horizon, sonorous, decorum, dictator, gladiator, mediator, delator, spectator, adulator, &c. pre- serve the penultimate accent of the original ; and yet the antepenultimate tendency of our language has placed the accent ou the first syllable of orator, senator, auditor, cicatrta, plethora, &c. in opposition to the Latin pro- nunciation of these words, and would have infallibly done the same by abdomen, bitumen, and acumen, if the learned had not stepped in, to rescue these classical words from the invasion of the Gothic accent, and to pre- serve the stress inviolably on the second syllable; nor has even the interposition of two consonants been always able to keep the accent from mounting up to the antepenul- timate syllable, as we may see in minister, sinister, character, &c. : and this may be said to be the favourite accent of our language. But, notwithstanding this prevalence of the antepenultimate accent, the general rule still holds good; and more particularly in words a little removed from common usage, such as terms in the arts and sciences: these are generally of Greek original ; but, coming to us through the Latin, most commonly contract the Latin accent when adopted into our language. Terminational Accent. — To form an idea of the influence of termination upon accent, it will be sufBcient to observe, that words which have ei, ia, ie. io, eou, in their termination, always have the accent on the preceding syl- lable; thus atheist, alien, regalia, ambrosia, (Jtc, the numerous terminations in ion, ian, &.C., as gradation, promotion, confusion, logi- cian, physician, &c., those in ious, as har- monious, abstemious, &c., those in eous, as outrageous, advantageoxis, &c. These may not improperly be styled semi-consonant diphthongs. The only exceptions to this rule are one word in iac, as elegiac, which has the accent on the i, and the following words in iacal, as prosodiacal, cardiacal, heliacal, genethliacal, maniacal, demoniacal, ammoniacal, thcriacal, paradisiacal, aphrodisiacal, and hypochondri- acal; all which have the acceut on the ante- penultimate J, and that long and open, as in idle, title. Sic. Nothing can be more uniform than the position of the accent in words of these ter- minations; and, with very few exceptions, the quantity of the accented vowel is as re- gular as the accent; for when these termina- tions are preceded by a single consonant, every accented vowel is long, except i, which in this situation, is as utiitormly short. Enctitical Accent. — I have ventured to give the name of enclitical to the acceut of certain words, whose terminations are formed of such words as seem to lose their own accent, and throw it back on the last syllable of the word with which they coalesce, such as the- ology, orthography, &c. The readiness with which these words take the antepenultimate accent, the agreeable flow of sound to the ear, and the unity it preserves in the sense, are sufficient proofs of the propriety of plac- ing the accent on this syllable, if custom were ambiguous. Secondary Accent. — Hitherto vre have con- sidered that accent only which necessarily distinguishes one syllable in a word from the rest ; and which, with very little diversity, ia adopted by all who speak the English lan- guage. The secondary accent is that stress we may ^ occasionally place upon another syllable, be- sides that which has the pruicipal accent, in INTRODUCTION. xi order to prononnce CTcry part of the word more distinctly, forcibly, and harmoniously. Thus thin accent may be placed on the first syllable of conversation, commendation, Quantify.— In treatine this part of pronun- ciation, it will not be necessary to enter into the nature of that quantity which constitutes poetry; the quantity here considered will be that which lelatcs to words taken sinifly ; and this is notbine more than the length or sliortness of the vowel'', either as they stand alone, or as they are diflfercntlf combined with vowels or consonants. Syllabication. — Dividing words into sylla- bles is a very different operation, according to the different ends proposed by it. The object of syllabication mav be, either to en- able children to discover the sound of words they are unacquainted with, or to show the etymolo^- of a word, or to exhibit the exact pronunciation of it. Wbenacliild has made certain advances in reading, but is ipnorant of the sound of many of the longer words, it may not be improper to lay down the common general rule to him, that a consonant between two vowels must go to the latter; and that two consonants coming together must be divided. Farther than this it would be absurd to go with a child ; for telling him that compounds must be divided into their simples, and that such consonamts as may begin a word may begin a syllable, requires a jirevious knowledge of words, which children cannot be supposed to have: and which, if they have, makes the division of words into syliables unnecessary. Children, therefore, may be very usefully taught the general rule above mentioned, as. in many cases, it will lead them to the exact sound of the word, as in fro-ri-ded ; and in others it will enable them to give a gooil guess at it, as in de-li-cnte; and this is all that can be expected; for when we are to form an unknown compound sound out of several known simple sounds (which is the case with children, when we wish them to find out the sound of a word by sjielling it ), this, I say, is the only method that can be taken. But an etymological division of words is a different operation: it is the division of a person acquainted with the whole word, and who wishes to convey, by this division, a knowledge of its constituent parts, as ortho- graphy, theo-lopy, &c. In the same manner, a person who is pre- acquainred with the whole compound sound of a word, and wants to convey the sound of each part to one unacquainted with it, must divide it into such partial sounds as, when put together again, will exactly form the whole, as or-thng-ra-phy, ihe-olo-gy, &c. This is the method adopted by those wluj would convey the whole sound, by giving distinctly every part; and, when this is the object of syllabication, Dr. I/owth's rule is certainly to be followed. "The best and easiest rule," says the learned bishop, " for dividing the syllables in spelling, is to divide them as they are naturally divided in a right pronunciation, without regard to the deriva- tion of words, or the possible combination of consonants at the beginning of a syllable." RULES TO BE OBSERVED BY NATIVES OF IRELAND, IN ORDER TO OBTAIN A JtTST PRONDNCIATION OF ENGLISH. As Mr. Sheridan was a native of Ireland, and had the best opportunities of under- standing those peculiarities ol pronunciation which obtain there, I shall extract his obser- vations on that subject as the best general direction, and add a few of my own, by way of supplement, which I hopevi'ill render this article of instruction still more complete. The reader will be pleased to take notice, that as I have made a different arrangement of the vowels, and adopted a notation dif- ferent from that of Mr. Sheridan, I am obliged to make use of different figures to mark the vowels, but still such as perfectly correspond to his. "The chief mistakes made by the Irish in pronouncing English, lie for the most part in the sounds of the two first vowels, a and e: the former being generally sounded i by the Irish, as in the word bar, in most words where it is pronounced i, as in diy, hy the English, Thus the Irish say, patron, mStron, the vowel I having the same sound as in the word father; while the English pronounce them as if written paytron, maylron. The fol- lowing rule strictly attended to, will rectify this mistake through the whole language. "When the vowel a finishes a syllable, and has the accent on it, it is invariably pro- nounced i, as in dav, by the English. To this rule there are but three exceptions in the whole language, to be found in the words fsther, papi, mammS. The Irish may think also the word rnthfr an exception, as well A9. father : and so it would appear to be in their manner of pronouncing it, rJther, laying the accent on the vowel a ; but in the English pronunciation, the consonant th is taken into the first syllable, as rath'-er, which makes the difference. "Whenever a consonant follows the vowel a in the same syllable, and the accent is on the consonant, the vowel a has always iis fourth sound, as hat, min ; as also the same sound lengthened when it precedesthe letter r, as far, bar. though the accent be on tlie vowel ; as likewise when it precedes Im, as balm, psilm. The Irish, ignorant of this latter exception, pronounce all words of that structure as if they were WTitten baivm, pf^nwm, qvawm, cawn,kQ. In the third sound of (1, marked by different combinations of vowels or consonants, such as nw, in Paul, air, in law; all,\n call; aid, iu bald, nlk io talk, &c; the Irish make no mistake, except iu that of Im, as before mentioned. "The second vowel, e, is for the most part sounded ee by the En^'lish, when the accent is ujion it ; whilst the Irish in most words Rive it the sound of slender k, as in hate. The sound of e [ee] is marlied by dif- ferent combinations of vowels, such as ea, ei, e final mute, ee, and je. In the two last combinations of ee and ie, the Irish never mistake; such as in meet, seem, field, believe, &c.; but in all the others, they almost uni- versally chanse the sound of u into a. Thus, ill the combination ea, tliey pronounce the words tea, sea, please, as if tbey were spelled tai/, say, plays; instead of tee, see, pleese. Tlie English constantly give this sound to ea Virlienever the accent is on the vowel e, except in the following words ; great, a. pear, a bear, to bear, to forbear, to swear, to tear, to wear. In all which the e has the sound of 4 in bite. For want of knowing these exceptions, the gentlemen of Ireland, after some time of residence in London, are apt to fall into the general rule, and pronounce these words as if spelt greet, beer, sweer, Ike. " Ei is also sounded ee by the English, and as i by the Irish ; thus, the words iXcceit, rcceii'e,are pronounced by them as if written desafe, resale. Ei is always sounded ee, ex- cept when a g follows it, as in the words rfign, feign, deign, &c., as also in tlie word rein (of a bridle), rein-deer, vein, drein, veil, heir, which are pronounced like rain, vain, ilrain, vail, air. " The final mute e makes the precedinsf e in the same syllable, when accented, have the sound of ee, as in the words supreme, sincere, replete. Tbis rule is almost uni- versally broken through by the Irish, who pronounce all such words as if written su- preme, sinsare, replite, &c. There are but two exceptions to this rule in the English pronunciation, which are the words there, where. " In the way of marking this sound, by a double e, as thus [ee], as the Irish never make any mistakes, the best metliod for all who want to acquire the right pronuncia- tion of these several combinations is, to suppose that ea, ei, and e, attended by a final mute e, are all spelled with a double e. " Ey is always sounded like a by the En- glish, when the accent is upon it; as in the words prey, convey, pronounced 2^foy, convay. To this there are but two exceptions, in the words key and ley, sounded kee, lee. The Irish, in attempting to pronounce like the English, often give the same sound to ey, as usually belongs to ei; thus, for prey, convey, they say, pree, convee. "A strict observation of these few rules, with a due attention to the very few excep- tions enumerated above, will enable the well educated natives of Ireland to pronounce their words exactly in the same way as the more polished part of the inhabitants of England do, so far as the vowels are con- cerned. The diphthongs they commit no fault in, except in the sound of 1, which has been already taken notice of in the Gram- mar-,* where, likewise, the only difference INTRODUCTION. * "Vide page 11, where the true manner of pronouncing ttie diphthong « is pointed in pronouncing any of the consonants has been pointed out; whicli is, the thickening tlie sound of d and t, in certain situations; and an easy method proposed of correcting this habit.t "In order to complete the whole, I shall now give a list of such detached words as do not come under any of the above rules, and are pronounced differently in Ireland from what they are in England : — Irish Pronunciation, English Pronunciation. che'arful, cher'ful. fe'arful, fir'ful. doSr, dure. floor. Aire. Rape, gape. gath'er (gather), gSth'er. beard, herd. bail, b,lll. bash, biish. pSsh, pish. pall, pilU. pSl'pit, pillpit. cillf, calf. ketch (catch), cJteh. Corse {coarse), ciarse. cSrse (course), ciarse. court, ciurt. malicious, malish'us. padding, pudding. quash {quash), quSsh. Ifzh'ur (leisure), le'zhire. cla'mour, clam'mur. out ; the Irish pronouncing it much in the same manner as the French." t " The letter d has always the same sound by those who pronoimce English well ; but the provincials, particularly the Irish, Scotch, and Welsh, in many words thicken the sound by a mixture of breath. Thus, though they sound the d right in the positive loud and broad, in the comparative degree they thicken it by an aspiration, and sound it as if it were written loudher, broadher. This vicious pronunciation is pro- duced by pushing the tongue forward so as to touch the teeth in fonning that sound: and the way to cure it is easy ; for as they can pronounce the d properly in the word loud, let them rest a little upon that syllable, keeping the tongue in the position of form- ing d, and then let them separate it from the upper gum without pushing it forward, and tlie sound der will be produced of course: for the organ being left in the position of sounding d at the end of the syllable loud, is necessarily in the position of forming the same d in uttering the last syllable, unless it makes a new movement, as in the case of protruding it so as to touch the teeth. This letter is sometimes, though not often, quies- cent, as in the words handkerchief , handsome, handsel. "In pronouncing the letter t, the Irish and other provincials thicken the sound, as was before mentioned with regard to the rt; for better, they say betther; for utter,utther; and so on in all words of that structure. This faulty manner arises from the same cause that was mentioned as affecting the sound of d; I mean the protruding of the tongue so as to touch tlie teeth, and is curable only in the same way. INTRODUCTION. /rtV* Prtmundntitm. Mi'kil (Mirhiirl), drSlh {dromiht), sirch {$enrch), Suurce {toutce), cSshion, strenth (nfrength), Jenth {length), strfiv {Ktrove), dr3v {drove), Un'wTe, Ua'ahle, writh, wrath (?cro a predomi- nant use of one ot tliefc slides. !>et any one who has sufficiently studied the speaking voice to distinKuii'h the slides obsene the j)r()nimciation of an Irishman and a Scotch- tnan, who have much of the dialect of ihe.r country, and he will find that the former ahoiinds with the falling, and the latter with the rising inflection ;t and if this be the case, a teacher, if he understands these slides, ouRht to direct hi? instnicticn so as to re- medy the imperfection. But as avoiding the wrong, and seizing the right at the same in- •tant, is perhaps too great a task for human powers, I would advise a native of Ireland, who has much of the accent, to pronounce almost all his words, and end all his sen- tences with the rising slide; and a Scotch- man, in the samt-manncr, to use the falling Inflection: this will, in some measure, coun- ter.ict the natural propensity, and bids lairer for bringing the pupil to that nearly equal mixture of both slides which distinguishes the English speaker, than endeavouring at first to catch tne agreeable variety. For this purpose the teacher ou?ht to pronounce all the single words in the lesson with the falling inflection to a Scotchman, and with the rising to an Irishman ; and snould fre- quently give the pauses in a sentence the »ame inflections to each of these pupils, where he would vary them to a native of England. But while the human voice re- mains unstudied there is little expectation that this distinction of the slides should be apnlied to these useful purposes. Besides a peculiarity of inflection, which I take to be a falling circumflex, airectly opposite to that of the Scotch, the AVelsh pronounce the sharp consonants and aspira- tions instead of the flat. J Thus, for big, they say pick ; for blood, phot ; and for good, coot. Instead of virtue and vice, they say firtue and Jice; instead of zeal and praise, they say »eal * See this more fully exemplified in Ele- j ments of Elocution, vol. ii. page 13. + Or rather the rising circumflex. For an explanation of this inflection, see Rhetorical Grammar, third edition, page 79. t See pages vl. and vii. and jtrace; instead of Ihege and those, they say thece and fhore; and instead of azure and osier, they say ayfher and oiher : and for jail, chad. Thus there are nine distinct conso- nant sounds which, to the Welsh, are en- tirely useless. To speak with proprietj', tli'-refore, the Welsh, ought for some time to pronounce the flat consonant;: and aspira- tions only; that is, they ought not only to pronounce them where the letters require the flat sound, but even where they require the sharp sound: this will be the best way to acquire a habit: and when this is once done, a distinction will be easily maile, and a just pronunciation more readily acquired. There is scarcely any part of England, remote from the capital, where a different system of pronunciation does not prevail. .\s in Wales they pronounce the sharp con- sonants for the flat, so in Somersetshire they nronounce many of the flat instead of the sharp: thus, for Somerfietghire, they say Zomerzetzhire: for father, rather; for Mink, mink; and for tvie, zhure. There are dialects peculiar to Cornwall, Lancashire, Yorkshire, and every distant county in England; hut as a consideration of these would lead to a detail too minute for the present occasion, 1 shall conclude these remarks with a few observations on the peculiarities of my countrvnien, the Cockneys; who, as they are the models of pronunciation to the distant provinces, ought to be the more scrupulously correct. FiBST Fault 07 Ijohdoskbs. — rronouncing t indittinetly after st. The letter « after »t, from t he very di fficulty of its pronunciation, is often sounded inarti- culately. The inhabitants of London, of the lowest order, cut the knot, and pronounce it in a distinct syllable, as if e were before it; but this is to be avoided as the greatest ble- mish in speaking : the three last letters in po'1ii,Jist», miftt, &.C., mutt all be distinctly heard in one syllable, and without permitting the letters to coalesce. For the acquiring of this sound, it will be proper to select nouns that end in st or fte; to form them into plurals, and pronounce them forcibly and distiuctly every- daj'. The same may be ob- served of the third person of verbs ending in ttt or ttet, as persists, wattes, hastes, li.c. Secodd Fault. — Pronovncing w for v, and inversely. The pronunciation of r for ir, and more frequently of w for v, among the inhabitants of London, and those not always of the lower order, is a blemish of the first magnitude. The difficulty of remedying this delect is the gT^ater, as the cure of one of these mistakes has a tendency to promote the other. Thus, if you be very careful to make a pupil pronounce veal and vinegar, not as if written weal and winegar, yon will find bin: very apt to pronounce ivtne and wind as if written vine and vind. The onlv method of recfifj'ing this liabit seems to be this: Let the niipil select from a Dictionary, not only all tne words that begin with v, but as many as he can of those that have this letter in any other part. Let him be told to bite his under lip while he is soundmg the v in those words, and to practise this every day till be INTRODUCTION. pronounce the v properly at first sight : then, mul not till then, let liiin pursue the same inctliod with thew; whicli he must be di- rected to pronounce by a pouting out of the lips without suffering them to touch the teeth. Thus, by siviuR all the attention to only one of these letters at atirae, and fixing liy iinbit the true soMnd of that, we shall at lasilind both of them reduced to their proper promniriation, in a shorter time than by endeavouring to rectify them both at once. Third Fault. — Not sounding h after w. The aspirate h is often sunk, particularly in the capital, where we do not fitul theleast distinction of sound between while and wile, wlu't and wet, where and were, &c. Tlie best uietliod to rectify this, is to collect all tlie words of this description from a Dictionary, and write tliemdown; and, instead of the uA, to begin them witli hoo in adistinct syllable, and so to pronounce them. Thus, let while be written and sounded hoo-ile; whet,hoo-et; where, hooare; lehip, hoo-ip, &c. This is no more, as Dr. Lowih observes, tlian placing the aspirate in its true position before the i«, as it is in the Saxon, which tlie words come I roni ; where we may observe, that t hough we have altered the orthography of our ancestors, we have still preserved their pronunciation. Fourth Fault. — Not sounding h where it ought to be sounded, and inversely. \ still worse nabit than the last prevails, chi°fly among the people of London, that of sinking the Aat the ueginningof words where it ought to be sounded, and ot sounding if, either where it is not seen, or where it ought to be s\ink. Thus we not unfrequently hear, especially among children, heart ])ronounced art, and arm, harm. This is a vice perfectly similar to that of pronouncing the r for the w, and the iv for the v, and requires a similar method to correct it. As there are so very few words in the lan- guage where the initial h is sunk, we may select these from the rest, and, without set- ting the pupil right when he mispronounces these, or when he prefixes h improperly to oti'.er words, we may make him pronounce all the words where h is soumled, till he lias almost torgot there are anj* words pro- nounced otherwise: then he may go over those words to which he improperly prefixes the h, and those where the h is seen, out not sounded, without any danger of an inter- DIRECTIONS TO FOREIGNERS, IX ORDER TO OBTilK A KNOWLEDGE OF THE MARKS IN THIS DICTIONART, AND TO ACQCIRB A RIGHT PRONUNCIATION OP EVERY WORD IN THE ENGLISH LANOUAGE. As the sounds of the vowels are different in ditTerent languages, it would be endless to bring parallel sounds from the various languages of Europe; but, as the French is so generally understood upon the Continent, if we can reduce the sound of the English letters to those of the French, we shall render the pronunciarion of our language very generally attainable: and thisj it is presumed, will be pretty accurately ac- complished by observiug the followmij directions: A bi G diji li etch 1 ax J d.ie K que L eU change. .\8 these latter words are but few, 1 shall siibjoin a catalogue of them for the use of the learner: Heir, heiress, honest, ho- nesty, konestlt/, honour, Iwnourable, honour- ably, hospital, hostler, hour, hourly, humble, humbles, humbly, humour, humorist, humorous, humorously, humorsome: where we may ob- serve that humour and its compounds not only sink the h, but sound the u like the l)ronoun you, or the noun yew, as if written yewmour, yewmourous, &c. Thus 1 have endeavoured to correct some ofthe more glaring errors of my countrymen, w bo, with all their faults, are still uprrTi'-irria»-..r, rf F ii> perfectly '•- '--* • ■' - ' letter of that n^i' >,' thuf foke, yon, .. iou.&c. J or I coDKinant, iru^t be prononnced by prefixine d to the Frrnrh .» .■ lhn» »/i>/, jny. ■• ed f roin t ) r «nil very COimiet" ; rin- lion.* Til'" r' ■ rf pronoiir' some ft' parts: Kavp, or (if " ' ma ai|ilit)ionK i^ slenderest »tii- the l«r(re»t, nri'i tr'- ih'i aperture of the monfb. more certain than tlie i'. definition. The third foutiu <•! n. -m in, .^ perfectly equivalent to the third i«oiinil of o, wlien combined with the fir>t •onnil rf r, niiidt inevitahly fomi the i' ' )op, kc, and not the dipli' tlic vowel « in idle, or the ; /; this douhle sound «il'. amination, be found to hr Italian a in the last syll. the first sound of e, pronoiuic > ., n> < n.— ly lojtethcr as possible;! and forttiecxactne«s of this definition, 1 appeal to every just Kiiglish ear in the kinsfdnm. The other diiihthontal vowel, v., is com- poRcd o( the French i, pronounced as closidy as possible to their cliphthonic "w, or the KnKlirh W and ?., perfeetly equivalent to the Sound the French would (five to the letters yoM, and which is exactly the sound the F.nKlish Rive to the plural of the (-econd personal pronopn. The diphthonz oi or oy is composed of the French d and «; thus toy and V/.v would he exactly expressed to a Frenchman by writing them tdi, bdi. The diphthonics ou and oir, when sounded like oil, are composed of the French a and the diijhthonft ou; and the Kn^ish sounds of thnu and now may be exiiressed to a Frenchman by ^pdllntclhem ^Aaouand nnou. W is no more than the Frencb diphthoni; ou; thus Wett is equivalent to Ouetf, and wall to oudll. * Nares. Elements of Orthoepy, paje 2. t Sec Section 111. of his Prosodial Gram- mar prefixed to his Dictionary. t Holder, the most philosophical and ac- curate investigator of the formation and powers of the letters, says, " Our vulgar j, as in stiU, seems to be sucb a diphthong (or ratlier syllable, or part of a syllable) com- posed of a, t, or e,i, and n'^t a simple original vowel.-— Elements of Si)ecch, page 9.5. Dr. Wallis, speaking of the long lilnglish i, says it is sounded "eodem fere modo quo Gallorum ai in vocibus main, manas; pain, panis, &c. Nempesonumhabttcompositum ex Gallorum fe tominino et t vel v."— Gram- niatica Linguae Anglicanae, page 48. i »ere prefixed; • rfwFte, rfimn, ftc. v >r,T,rl,,v,. n ,f the«. tshtre. a Ik Til «h is expresised by c* in French ; ■ hnrr kr aoiild be spelled bjr s &c. in Inna, fona. fkc.. B'lt the irrcatest difBculfy every foreigner f r I" M. pronouncing English, is "the lisping '*. Tlii«, it may be observed, ' other consonants, a sharp and than' ;■• m tln,i. 1,/iih . i,;,t as hi* t' and yr • , l.i'ftiK tijj o.' ,; . wliiii .,11 b<: visl.es to prorfiunre /A/'. 'as if to sound the Icttir » . i- , «« in him draw back hi- • and pronounce tl ' will the word fhir) i If he would nronoiJiicc thi,l,'\,'i Uim t l.-.ce the tongue between the teeth as before; and while he is hissing, as if to sound the letter?, let him withdraw hi* tongue into his mouth, and immediately pronounce the preposition at. To pronounce this coni- bination when final in bnth, let liim pro- nounce ba, and protnule the tongue beyond the teeth, pressing the tongue with tlirni, and hissing as if to sound t; if he would pronounce tcith, let hiin first form u-i (lut the tongue in the same position as before, and hiss as if to sound !. It will be proper to make the pupil dwell some time with the tongue beyond the teeth, in order to form a habit, and to pronounce dfiily some words out of a Dictionary beginning and ending with these letters. These directions, it is presumed, if pro- perly attended to, will be sufficient to give such foreigners as understand French, and have not access to a master, a competent knowledge of English pronuuciation ; but to render the sounds of the vowels marked by figures in this Dictionary still more easily to be comprehended— with those Englisli words which exemplify the sounds of the vowels, I have associated such French words as have vowels exactly corresponding to I them, and which immediately convey the true English pronunciation. These should be committed to memorj-, or written down i XVUl and held in the hand while the pupil is in- specting the Dictionary. Perhaps the greatest advantage to fo- reigners and provincials will be derived from the classification of words of a similar sound, and drawing the line between the general rule and the exception. This has been an arduous task; but it is hoped the benefit arising from it will amply repay it. When the numerous varieties of sounds annexed to vowels, diphthongs, and consonants, lie scattered without bounds, a learner is be- wildered and discouraged from attemptmg to distinguish them ; but when they are all clas.-'ed, arranged, and enumerated, the va- riety seems less, the number smaller, and the distinction easier. What an inextricable labyrinth do the diphthongs ta and ou, form as t hey 1 ie loose in the language ! but classed and arranged as we find them*, the con- INTRODUCTION. fusion vanishes, they become much less formidable, and a learner has it in his power, by repeating them daily, to become master of them all in a very little time. » £^.— The regular sound of this diph- thong is that of the first sound of e in here; tut its irregular sound of short e is so fre- quent as to make a catalogue of both neces- sary; especially for those who are unsettled in the pronunciation of the capital, and wish to practise in order to form a habit. The first sound of ca is like open e, and is heard in the following words: Afeard,afftar, anneal, appeal, appear, appease, aread, arrear, beacon, beadle, beadrnll, beads, headsman, beagle, beak, beaker, beam, bean, beard, bearded, beast, bear, beaten, beaver, beleaguer, beneath, bequeath, bereave, besmear, bespeak, bleach, bleak, blear, bleat, bohea, breach, bream, to breathe, cease, cheap, cheat, clean, cleanly (ad- verb), clear, clearance, cleave, cochineal, col- league, conceal, congeal, cream, creak, crease, creature, deacon, deal, dean, deanery, dear, decease, defeasance, defeasible, defeat, demean, demeanor, decrease, dream, drear, dreary, each, eager, eagle, ear, ea-,t, Easter, easy, to eat, eaten, eaves, entreat, endear, escheat, fear, fearful, feasible.feasibility, feast, feat, feature, Hea, fleam, freak, gear, gleam, glean, to grease, grease, greaves, )ieal, heap, hear, heat, heath, heathen, heave, impeach, increase,inseam,inter- leave, knead, lea, to lead, leaf, league, leak, lean, lease, leash, leasing, least, leave, leaves, mead, meai/re, meal, mean, meat, measles, meathe, neal, neap, near, neat, pea, peace, peak, peal, pease, peat, plea, plead, please, reach, to read, ream, reap, rear, rearward, reason, re- cheat, redstreak, release, repeal, repeat, retreat, reveal, screak, scream, seal, sea, seam, seamy, sear, searclofh, season, seat, shear, shears, sheath, sheathe, sheaf, sleazy, sneak, sneaker, sneakup, speak, spe'ar, steal, steam, streak, stream, streamer, streamy, surcease, tea, teach, tead, league, teal, team, tear, tease, teat, trea- cle, treason, treat, treatise, treatment, treaty, tiocay, tiveak, tweague, veal, underneath, un- easy, unreave, uprear, weak, weaken, weal, wealii, wean, weanling, weariness, wearisome, weary, weasaiid, weasel, weave, wheal, wheat, wheateyi, wreak, wreath, wreathe, wreathy, yea, year, yeanling, yearling, yearly, zeal. A'a is pronounced Irke the short e in the following woirds: Abreast, ahead, already, bedstead, behead, bespread, bestead, bread, breadth, breakfast, breast, breath, cleanse, cleanly (adjective), cleanlily, dead, deadly, 1 ileaf, deafen, fiea> th, death, earl, earldom, early, • tarn, earnest, earth, earthen, earthly, endea- vour, feather, head, heavy, health, heard, hearse, heaven, heavy, jealous, impearl, in- stead, lead, leaden, leant (the past time and participle of to lean), learn, learning, leather, leaven, meadow, meant, measure, pearl, jwa- sant, pheasant, jileasant, pleasantry, pleasure, read (past time and participle), readily, readiness, ready, realm, rehearsal, rehearse, research, seainstress, scarce, search, spread, stead, steadfast, steady, stealth, stealthy, sweat, sweaty, thread, threaden, threat, threat- en, treachery, tread, treadle, treasure, un- cleanly, ivealth wealthy, weapon, weather, yearn, zealot, zealous, zealously. OU. — The first or proper sound of this diphthong is composed of the a in ball, and the 00 in woo, or rather the « in bull, and is equivalent to the ow in down, frown, &c. This sound is heard in abound, about, account, acousticks, aground, aloud, amount, around, arouse, astound, avouch, bough, bounce, bound, bounty, bounteous, bout, carouse, chouse, cloud, dough, clout, clouterly, compound, couch, couchant, crouch, grouse, dejlour, devour, de- vout, doubt, doubtful, drought, do uiihty, douse, encounter, espouse, expound, flout, foul, floun- der, found, foundling, fountain, frousy, glout, gout (a disease), ground, grout, hound, hour, house, impound^ loud, lounge, louse, lout, mound, mountain, mountebank, mouse, mouth, noun, ounce, our, oust, out, outer, outermost, 2>aramount, plough, puuck, pounce, pound, pout, profound, pronoun, pronounce, propound, proud, rebound, recount, redoubt, redoubted redound, rencounter, round, roundelay, rouse, rout, scoundrel, scour, scout, shout, shroud, slouch, spouse, spout, sprout, stout, surround, couth, thou, thousand, touse, trounce, trousers, trout, wound (did wind), slough (a miry place), vouch, vouchsafe, without, scaramouch. The second sound is that of short u in bud, as is heard in the following words and their compounds: Adjourn, journey , journal, bourgeon, country, cousin, couple, uccouple, double, trouble, courteous, courtesy, courage, encourage, joust, gournet, housewife, flourish, mounch, nourish, enough, chough, rough, tough, slough (a cast skin), scourge, southerly, southern, southern-wood, southward, touch, touchy, young, younker, and youngster; but southern, southerly, and southward, are some- times pronounced regularly like south: this, however, is far from the prevailing pronun- ciation. This is the soimd this diphthong always has when the accent is not ou it, unless in very few instances, where the compound retains the sound of the simple, as ixi pronoun; but in sojourn and sojourner, with the accent on the first syllable, and in every unaccented termination in our and ous, this diphthong has exactly the sound of short u : "thus, favour, honour, odour, and famous, are pronounced as if written /airur, honur, odur, &nd famus. The third sound given to these vowels is that of 00 in coo and woo, and is found in the following words: Bouge, croup, group, aggroiip, amour, paramour, bouse, bouiy, boutefeu, capouch, cartouch, fourbe, gout (taste), and ragout (pronounced goo and INTRODUCTION. lix The English accent f« often an insur- mountable obstacle to forfij^ner^, an the rule» tor it are wivariou*, and the exceptions no numerous ; but let the inspector consult the article Accent, pp. ix. x., and he will soon perceive bow much of our language is repiilarly accented, and how much that which ii> irretfiilar in (nciliiated by an enu- meration of the greater number of excep- tions.* ragno), rendrzvovJi, rrmpr, nmtp, gnnji (pro- nounced »nn}, nurtovt, thrn«.(/h, throughly, tovpee or fov.)>et, ynu, ynvr, ynnfh, tnv.r, con- tour, tovrmy. toumny, tonrnnmertf,povr; and rovte (a road), arcnutrerl, billetdoux, (ijoHti, vvcovih, vnund (a hurt), and routine (a beaten road). The fourth sound of thisdipbthone isthat of long open o, and is heard in the following words; Thmiph, althovph, tnviler, court, ac. court, gourd, covrficr, roume, tiisrovr»e, »mirrf, rerovme, renourrr, hourn, rtovph, dnvghy,four, mmild, mouldy, moult, mourn, »hnulder, mnovl- der, Koul, poultice, poult, poulterer, poultry, troiil (to roll smoothly, marked by Mr. Sheridan a« rhyming; with dnil, but more properly by Dr. Kenrick with roU), and bn- rough, thorough, furlough, fourteen, concovm*, and intercourse, preserve the diphthonic in the sound of lonn o, though not under the accent. The fifth sound of o« is like the nnnn awe, and is heard only in ought, bought, brought, fought, benought, fought, nought, thought, me- thought, uvrought. The sixth sound is that of short oo, or the « in bull, and is heard only in the auxiliary verbs would, coulA, thouid, rhyminj? with good, hood, ttood, &c The seventh sound is that of short o, and heard only in cough, and trouah, rhyininic with off, and scoff'; and in lough and though, pronouncpd lock and thock. * There is a peculiarity of accentuation in certain words of two syllables, which are both nouns and verbs, that is not unworthy of notice ; the nouns having the accent on the first syllable, and the verbs on the last. This seems an instinctive effort in the lan- grua^c (if the expression «ill be allowed me), to compensate in some measure for the want of different terminations for thpse difi"erent parts of speech. The words which admit of this diversity of accent are the following : prouNS. Abject dhsent dbftrnct decent liffix dssign dugment himbnrd cement colleague crillfc't (dmpacf Cdmpovnd cdmpress cdnccrt cdvrri'fp cdiiduct cdiifine VERBS. to abjM to nhsent to ahutrdct to accent to nffix to osKign to augmfnt to hnmbdrd to cement to colleague to collect to compdct to compAnnd to compress to concert to concrete to conduct to confine But scarcely any method will be so nscful for gaining the Engli«h accents a« the read- ing of verse. This will naturally Ifsd the ear to tbe right accentuation ; and though a different position of theaccnt is freqiifntly to be met with in the beginning of a verse, there is a sufficient regijlanty to render ihe pronouncing of verse a powerful means of obtaining such a distinction of force anj feeblrne«s as is commonly called the accent; tor it may be observed, that a foreigner is no less distinguishable by placing an accent npon cenain words to which tbe Engli>h give no stress, than by placing the stress upon a wrong syllable. Thus, if a foreigner, «hen he call* fi>r bread at table by saying. Give me tome bread, lays an equal stress upr n every word, though every word should be pronounced with its exact sound, we imme- diately perceive he is not a native. An Englishman would pronounce these four words like two, with the accent on the first syllahlp of the first, and on the last syllable of the la»t, as if written gireme sornehrtd; or rather jr'tTue »vmbrM; or more commonly, though vulgarlv, gimme tombrM. Verse may sometimes inefnce a foreigner, as it docs sometimes injudicious natives, to lay tha WOf5«. cditfiiet nfnjterre rdnjiort cbntent c6ntroet c6n trait cimverne convert c6nmit convict clmroy desert discount descant riipest ^ssay Export eitract exile ferment frequent import incense insult dhject perfume permit pr^fijc premise presage present prdducc project protest rfbel record refuse subject gvrvcy tormtnt trdject trdntfer transjwrt drtribuie TKRBS. to conflict to conserve to coniKfrt to contest to contvdct to confrdst to converse to convert to cfinrhiit to convict to conrfvy to desert to difcbuvt to dcscdnt to digest to essay to export to ezlrdct to exile Xo ferment Xofrequfnt to imp6rt to inc^tuie to insult to object to perfiimg to permit to prefix to premise to presdp' to present to prodiire to projict to vrofi»t to reb6l to record to r.ftise to subject to survey to torment to traject to trait sfkr to transpbrt to attribute INTRODUCTION, accent on a syllable in Ions words which i well as the first, which would be certainly ou^ht to liave none: as iu a couplet of '"' """ " ' ' '' "~ " '"" Pope's Essay on Criticism; wrong; but this fault is so tritiinpr, M'hen compared with that of laying the accent on tJie second syllable, that it almost vanishes from observation ; and this misaccentuation, verse will generally guard him from. The i-eading of verse, therefore, will, if I mistalse Here a foreigner would be apt to place an i not, be found a powerful regulator, both of accent ou the last syllable of eloquence as i accent and emphasis. " False eloquence, like the prismatic glass. Its gaudy colours spreads on every place." A TABLE OF THB SIMPLE AND DIPHTHONGAL VOWELS REFERRED TO BY THE FIGURES OVER THE LETTERS IN THIS DICTIONARY. ■ENGLISH SOt'NDS. FRENCH SOUSDg. 1. i. The long slender English a, as fke, p'l-per, &c imf^e,epee. 2. &. The loug Italian a, as in ilr, fa-tber, pa-pa, mam-ma a \n fable, ruble. S. H. The broad German a, as in fill, will, wa-ter a in age, Chdluns. 4. a. The short sound of the Italian a, as in fit, mat, mSr-ry .... a in fat, matin. 1. e. The long e, as in me, hjre, mJ-tre, mJ-dium i in mitr e,epifre. 2. 6. The short e, as in met, let, git e in mette, nette. 1. I. The long diphthongal i, as in pine, tl-tle niin laiqtie, naif. 2. !. The short simple i, as iu piii, tit-tie i in inne, litre. 1. h. The long open o, as in no, nite, nj-tice o in globe, lobe. 2. I. The long close o, as in niSve, prSve ou in mouvoir, pouvoir. :<. t. The long broad o, as iu nor, for, Sr ; like the broad a o in or, for, encnr. 4. t. The short broad o, as in not, hot, gSt o in hotte, cotte. 1. u. The long diphthongal M, as in tube, Cipid iou \n Cioufat, chiourme. •2. u. The short simple u, as in tab, cap, sftp ea in neuf, veuf. 3. u. The middle or obtuse u, as in bull, f iill, p&ll ou in boule, foule, poule. St The long broad o, and the short % as in oil oi" in cycloide, heroique. iu The loug broad o, and the middle obtuse u, as iu thou, pound aou in AoHt. Th. The acute or sharp th, as in think, thin. Ta. The grave or flat th, as in mis, THat. When 6f is printed in the Roman character, it has its hard sound in get, gone, &c., as go, give, geese, &c.; when it has its soft sound, it is spelled iu the notation by llie consonant /, as yiant, ginger, jiant, jiu-jer. The same may be observed ot N; the Roman character denotes its hard sound in sin, sun, &c., as so, sit, sense, &c. ; it» soft sound is spelled by z, as rose, raise. Sic, roze, raze, &c. A CRITICAL PRONOUNCING DICTIONARY, (Pipositor of tf)f '. 1-i-it'T, ». That which is bom lx?for«> thr due time. ABoRT-rr, * >H,r't T, ft. Krmijrht forth br- for' •" ' I'irth, that which bri Abop I • . ai. Bom with- out tlif (luf l;iri( , irnmaturcly.nritimf'lT. AB"BTIVF^^.ss,i-b^r'tlT-D^8, «. Tbe state of abortion. Abobtme^t, S-V]rt'ln^Ilt, «. Thp thinif brought forth out of time ; an untimrlr birtli. Abovf, S-bflr', prrp. Hi|Brhrr in placf ; higher in rank, powrr, or exc«*llpnfe ; brrond, more than ; too proud for, too high for. Abovf,, a-buv', a, 5-bi^vVi-tfd. Cited before. ABovE-oROfND, S-buv-grfiiind. An ex- pression used to signify, that a man is alive ; not in the rrnve. ABovE-ME!«Tio.\ED,a-buv'm''n-Bhflnd. See Ahovf-rited. To ABorND, A-b^und', r. n. To hare in great plentv ; to be in groat plenty. AaorNDiNO, a-lx^flndlng, «. Increase. Abovt, S-bf^ut', p^cp. Hound, surround- ing, encircling, near to; concemine, with regard to, relatineto; engaged in, employed upon, appendant to the per- son, as clothes, &c. ; rcLiting to the person, as a servant. Aiionr, a-boflt', ad. Circularity; in cir- cuit ; nearly ; the longof,t way, in oppo- sition to the f^hort straight way ; to bring about, to bring to the p'lint or stale desired, as he has brought about his purposes; to come about, to come to some certain state or point ; to go about a thing, to prepare to do it. Abracadabra, ab-ra-ka-dab'rd, «. A su- perstitious charm against agues. To Abrade, a-brade', r. n. To nib off, to wear away from the other parts. Aurasion, <^-br;Vzhun, s. TLe act of rub- buig, a nibbing off. Abreast, a-brcst', ad. Ride by side. Abrentnciation, 3b-re-nuu-sLu-ashun, s. The act of renouncing. To Abridge, arbrldje', v. a. To make shorter. In words, keeping still tlie same substance ; to contract, to diiiii- nish, to cut short; to deprive of. Abridged or, i-bridjd' 6v. Deprived of, aebarred fi-om. ABRH'-Tr,. A-br'fl'jur.n. He th?t abridses, a - '^ writer of compendium* or ■'. .\e! ! r'd.ie'mfnt, «. The con- trafii.iB of a larzf r work into a small compass; a diminution in general. AsRotrH, A-hr6t»h', ad. In a posture to run out ; in a state of being diffused or propT rn tfl . An- ■■-'-■- - . - - ... i' 'I. lo A ■ :^ e away fioLia law iisfurtc, to ixi»<.al; to annul. Ar:Rf>&ATiox, Sb-ri-gi'shfin. «. The act of abrogating; the repeal of a law. Abro'.h, abrWd', ad. In the action of brooding. .temipt. AEBrrj, Sb-Wipt", r. a. To disturb : to in- ABRT-rT. nh rltpt'. n. Broken, cmggr s'' ■■ customary or pro- Ai^ • 'n, ». Violent and ^\}(h]i n - ABRrrri ■ od. Ka«tilr,wiih- out thf ' "^'"^-i rat ion. ABBrPT>T Au abrupt mannri tbodr. Arc- ' A ni'.ii.Ki cavity in the To A ^ nd' r. n. To rut off. An- Pnrt of thr diameter of a ' 1 between the A p.- I he act of cut- ting off, thf (.i