p ^o^ PERKINS LIBRARY UuKe Uiuversity Kare tiooks <%^;w'' A< I I Digitized by the Internet Arcinive in 2011 witii funding from Duke University Libraries http://www.arcliive.org/details/worksoffrancisb01beau DUKE UNIVERSITY LIBRARY Treasure "Room THE WORKS O F Mr. Francis Beaumont^ AND Mr. John Fletcher. IN TEN VOLUMES. Collated with all the former Editions, and Corredled. With Notes Critical and Explanatory. B Y The late Mr. THEOBALD, Mr. S E WA RD of Eyam in Derfyfi/re, AND Mr. S TMP S O N of Gainsborough. JU LONDON: Printed for J. and R. Ton son and S. Draper in the Strand. M D C C L. £ THE ^BS'-'-M WORKS o F Mr. Francis Beaumont^ AND Mr. John Fletcher. VOLUME THE FIRST. CONTAINING T'he Maid'j Tragedy. Philaster; or,LovE /;Vy ^Bleeding. -^ K I N G a7td ;w K I N g. AND The Scornful Lady. Printed wider the InfpeBion of Mr. Theobald. L N B O N\ Printed^ for J. and R. Ton son and S. Draper. in the Strand. M D C C L. To the Right Honourable WILLOUGHBY Earl ^/Abingdon, Baron Norreys ip/'Rycot, The following Plays of the jullly celebrated Writers Mr. Beaumont and Mr. Fletcher, Are humbly Infcribed and Dedicated, As a grateful Teftimony of the many and great Favours conferr'd by his Lordfhip, Upon his much oblig'd and very humble Servant, John Sympson. f^»>« I ^VA P R E F A C E, By r. SEWARD. ir^-^%rz^ -\ H E Public at length receives a new Edition of the two great Poets^ who, witli a Fate in each cafe alike unjail, were extoU'd for near a Century after their Deaths, as Equals'^ Rivals^ nay, Superiorsio the immortal Shakejpear-, but in the prefent Age have been dcprefs'd beneath the fmooth-polilned enervate IfTue of the Modern Drama. And as their Fame has been fo different with refcedt to other Poets, fo has it varied alfo be- tween Themfelves. Fletcher was a while fuppofed unable to rife to any Height of Eminence, had not Beaumo?ifs ftronger Arm bore him upwards. Yet no fooner had he loft that Aid, and dcmonftrated that it was Delight and Love, not Necefhty, which made him foar abrcajl with his amiable Friend ; but the ftill injurious World began to flrip the Plumes from Beaumont^ and to drefs Fletcher in the whole Fame, leaving to the former nothing but the mere Pru?iifig o^ Fletcher's luxuriant Wit, the Lijnce Labor ^ V o L, I. a 3 the. S'J'BISS VI PR E F A C E. the Thimmet and the jR«/f, but neither the PA///, Materials^ Compofit'ion^ or Ornaments. This is di- redlly allerted in Mr. Cartwright\ Commendatory Poem on Fletcher. Who therefore ijolfcly did fubmit each Birth jTo knowing Beaumont e'er it did come forth y Working again until he f aid, 'twas fit, And made him the Sobriety of his Wit. ^ho" thus he caWd his Judge into his Fame, And for that Aid allow' d him half the Name, ^c. See Cartiuright's Poem below. Mr. Harris, in his Commendatory Poem, makes Beaumont a mere deadweight hanging on the Boughs of Fletcher's Palm. — ■ - When thou didft fit But as a joint Commijjioner in Wit -, When it had Plummets hung on fofiipprefs Its too luxuriant growifig Mightinefs. *Till as that Tree which fcorns to be kept down, Thou grew" ft to govern the whole Stage alone. I believe this cxtrem: iy injurious to Beaumont ; but as the Opinion, or fomcthing like it, has hved for Ages, and is frequent at this Day, it is time at lengch to reftore Beaumont to the full Rank of Fel- lowffiip which he pulTcfs'd wlien living, and to fix the Standard of their rcfpedive Merits, before we fliew the* Degice in which their united Fame ought to be placed on the BritiJJo Theatre. Mr. Cartwright and Mr. Harris wrote thirty Years after Beaumonf^ Death, and twenty after Fletcher's, j and P R E F A C E. vii and none of the numerous contemporary Poems, publiflied with theirs before the firft Folio Edition of our Authors, degrade Beaiw207Jt fo very low as thefe. Sir JoJo?! Berkenhead allows him a full Moiety of the Fame, but feems to think his Genius more turned to grave Sublimity than to Sprightlinefs of Imagination. Fletcher'5 keen Treble, and deep Beaumont'j Bafe. Thus has this Line of Sir yohn's been hitherto read and underflood, but its Authenticity in this Light will be difputed when we come to that Poem, and the Juftnefs of the Charadler at prefent. We have among the Commendatory Poems, One of Mr. Earle's wrote immediately after Beaiunojjfs Death, and ten Years before Fletcher s : He feems to have been an Acquaintance as well as Contemporary, and his Teftimony ought to have much more Weight than all the Traditional Opinions of thofe who wrote thirty Years after. He afcribes to Beaiwiont three firft-rate Plays ; T^he Maid's Tragedy^ Fhilafler^ and ^he King and No-King. The lirfi: of thefe has a grave Sublimity mingled with more Ho?'ror and Fury than are frequently ktn among the gay-fpirited Scenes oi Fletcher y and probably gave rife to the report of Beaumont's deep Bafe. But there is fcarce a more lively-fpirited Charadier in all their Plays than Phi- lafler^ and I believe Beaumont aimed at drawing a Hamlet racked with Othello's Love and Jealoufy. Tlje King a?id No King too is extremely fpirited in all its Characters ; Arbaccs holds up a Mirrour to all Men of virtuous Principles but violent Pajjions : Hence he is as it were at once Alagnanimity and Pndej Patience and Furyy Gentlcnc/s and Rigour, a 4 Chnjiity vlii PREFACE. Chaftity and Inceft, and is one of the finefl- Mixture of Virtues and Vices that any Poet has drawn, except the Hot-fpiir of Shake/pear, and the imptger\ ira^ cunduSy i?2exorabiUsj acer^ of Homer. (For a De- fence of this Charailer againft Mr. Rhy7ner'^ Cavils, fee Note the 2d in T^he King and No King,) Beffia and his two Swordfmcn in this Play are infinitely the livelieft Comic Charadlers of mere bragging Cowards which we have in our Language j and if they do not upon the whole equal the extenfive and inimitable Humours of FaJfiaff 2S\^ his Co77ipaniom, they leave all other Charaders of the fame Species, ev'n Shake- /pear's own Parolles far behind them. Our excellent Congnve has confolidated the two Sword/men to form his Captain Bluff. And be it his Honour to have imitated fo well, tho' he is far from reaching the Originals. Beaumont lived in the Age of Duelling upon every flight Puncftilio. Con- greve wrote his Bluff in the Flanders War : Times when a Braggart was the molt ridiculous of all Cha- racters J and fo far was Beaumont from the fuppofed grave folemn Tragic Poet only, that Comic Hu?nour^ particularly in drav/ing Cowardife, feems his peculiar Talent. For the Spirit of Bejfus paulum 7nutatuSy chang'd only fo as to give a proper Novelty of Charadler, appears again in Ihe Nice Valour., or Paf-- Jionate Madman. The Traces of the fame Hand, fo ftrongly mark'd in this Play, ftrike a new Light upon Beaumonfs Character, For in a Letter to ^on~ fony printed at the end of The Nice Valom\ Vol. X. pag. 36^;. he fpeaks of himfelf not as a mere Cor- rehor of others Works, but as a Poet of acknow- ledg'd Eminence, and of The Nice Valour ^ and fome other Comedy, (which tlie Publifher of the fccond PREFACE. ix fecond Folio * took, for the Woman-Hater) as his Plays (which muft be underflcod indeed as chiefly his, not excluding F/f/f/^^-r's Affiftance.) Nowthele two Plays totally differ in their Manner from all that Fletcher wrote alone: They confill; not of Charac^ters from real Life, as Fletcher and Shakefpcar draw theirs, but of PaJJions and Humours perJomzW., as Cowardife in Lapet^ Nice Honour in Sha??wnt, the Madnefs of different Paffions in The Madtnan^ the Love of nice Eating in hazarlllo., the Hate of Wo- tncn in Gonderlno, This i^yojifojisMaftner , to whom in the Letter quoted above, Bcaufnont indeed ac- knowledges that he owed it. Fate once a^aln Brlfig me to thee^ who canft make fmooth and plain The way of Knowledge for mCy and then I Who have no good but In thy Company ^ Proteft It will ?ny greateji Comfort be T' acknowledge all I have to flow from Thee. Ben, when the fe Scenes are perfect we'll tafle Wine: Til drink thy Mufes Healthy thou foalt quaff nilne, * The Publifhers of the fecond Folio added fevera! genuine Song?, Prologues, Epilogue?, and fome Lines in particular Plays rot contained in any former Edition, which, by the Account given, they perhaps got from either nn old Ador, or a Playhoufe-Prompter ; they fay, from a Gentleman who had been intimate with both the Authors, they probably were direi^ed by Lights received fiom him to place ne Woman-Hater direftly before 'The Nice Valcur, and to make this the other Play which Beaumont claims. The Little French Lai}:yer^ and The Knight of the Burning ?efile, are moft certainly two Plays which Beaumont hr.d a large Share in, for his Hand is very vifible in the extreme droll Charafter of The French Laivyer v/ho runs Duello — mcd ; the Prologue talks of tl.e Juthors in the Plural Number, and the Strain of high Burlcfque appears very fimilar in the two Charaders of Laxarillo in The Woman-Hater, and Balpho in The Burninq^ Pffile. Beauvtnnt^s Name too is put lirll in the Title-page of tl.e f.rll ^arto of this laft Play, publiflied a tew Yea;s Sihc- Fletcher's Death. ' ' ' Docs X PREFACE. Does Jofifcfi (who is faid conftantly to have con- fulted Beaumont^ and to have paid the greateft De- ference to his Judgment) does he, I fay, treat him in his Anfwer as a meer Critic^ and Judge of others Works only ? No, but as an eminent Poet^ whom he lov'd with a Zeal enough to kindle a Love to his Memory, as long as Poetry delights the Under- flanding, or Friendfhip warms the Heart. How I do love thee^ Beaumont, and tJjy Mufe^ T^hat unto me doftfuch Religion life ! How I do fear myfelf that am not worth ^he leaf indulgent Thought thy Ten drops forth ! See the Remainder of this Poem III. of the Com- mendatory Verfes j fee alfo the fr/i of thefe Poems by Beaumont himfclf, the Clofe of which will fuffi- ciently confirm both his Vigour of Imagination and Sprightli7iefs of Humour. Having thus, we hope, difpers'd the Cloud that for Ages has darken'd Beau- mcnf?, Fame, let it again fhine in full Luftre Bri- tannics Sidus alt crura et Dccus gemellum. And let us now examine the Order and Magnitude of this Poetic Confdlation^ and view the joint Characters of BeaU" mont and Fletcher, Thefe Authors are in a direct Mf^w bet ween Shake f- pear and "Jonfon^ they do not reach the amazing Rapi- dity and immortal Plights of the former, but they foar v/ith morcEafe and to nobler Heights than the latter; They have lefs of the O^ magna fonans^ the Vivida Vis A?iimi, xhQJiobleEnthufiafm^ihc Mufe of Fire^ the/^r- rible Graces of Shakefpear^ but they have much more of all thefe than 'Jonfon. On the other hand, in Litera- ture they much excel the former, and are excell'd by the PREFACE. XX the latter j and therefore they are more regular in their Plots and more correB in their Sentiments and DiBion than Shakefpear, but leis fo than Jonfon. Thus far Beaumont and Fletcher are O;;^, but as hinted above in this they differ ; Beaumont ftudied and foUow'd Jojifori'^ Manner, perfoniz'd the Paf- Jions and drew Nature in her Extremes ; Fletcher follow'd Shakefpcar and Nature in her z//^/^/ Dr^ (this DiftinBion only holds with regard to their C II. Sc:n: 4. I have mark'd the Line rejeacd," and which fecms to breathe th: fall Sf.ul of Shike/pear. The Reader will find aDefencc and Explaiiuon of the wliole i'afiage at Vol. X. p. 17.1. of this Ediaan. bA Is xxiv PREFACE. Is as the Maidens Organ yfirill^ and founds And all is jemblative a Woman's Fart, The other is Alas ! 'what hind of Grief can thy Tears know ? _ - ,, ^'hy Brows and Cheeks are f in cot h as Waters be When no Breath troubles them : Believe ;;;^, Boy^ Care feeks out wrinkled Brews and hollow Eyes, And builds hi mfef Caves to abide in them. The one is in Philajler, Page i 18. The other in Twelfth-Nighty Adt I. Scene 5.' — In the fame Page of Philajlery there is a Defciiption of Love^ which the Reader, if he pleafe^, may compare to two De- fcriptions of Love in As you like it — both hy Silvia, but neither preferable to our Author's. I cannot quotchalf of thofe which occur in the Play of Phi- lajier alone, which bear the fame Degree of Like- nefs as the laft quoted Paffiiges, /. e. where the Hands are fcarce to be diftinguillied ; but I will give one Parallel more from thence, becaufe the Palfages are both extremely fine, tho' the Hands from one fingle Expreliion of Shakefpears are more vifible, a Prince depriv'd of his Throne and betray 'd as he thought in Love, thus mourns his melancholy State. Oh ! that I had been nouriffd in thefe Woods With Milk of Goats and Acorns, and not known The Right of Crowns, or the diffembling Train Of Wcmens Looks j but dig d my f elf a Cave, * Where I, my Fire, my Cattle and my Bed, Might have beenftmt together in 07ie Shed-, * Jwvenal Sat. VI. And PREFACE. XXV j^jid thetj bad taken mefome Mountain Girly Beaten 'with IVindsy chaji as the hardened Rocks Whereon fie dwells \ that might havejlrew'dmy Bed With Leaves and Reeds^ and with the Skins of Beafts Our Neighbours j a7id have born at her big Breafis My large coarfe Iffue I In the other, a King thus compares the State of Royalty to that of a private Life. No not all thefe thrice gorgeous Ceremonies^ Not all thefe laid in Bed majefiical^ Can Jleep fo Joundly as the wretched Slave -, Who %vith a Body filled., and vacant Mind., Gets him to Reji^ cramm'd with dijircfsful Bread; Never fees horrid Night, the Child of Hell: * But^ like a Lackey, from the Rife to Set^ Sweats * Bui, like a Lnckcy,'\ There is either a grofs Abfurdity, or a great Difiiculty of Conftruflion here. The King is defcribing the mod laborious Country Drudge, that has no Refpite from his Toil, but through his whole Life flaves and fwcats from Morn till Night, like what ? why, like the idlefl: of all Servants a Lackey, a Pediffequus, a. Footman, one whofe chief Bufmefs is to follow his Matter's Steps for Pomp only. So Shah/pear conRantly ufes the Word, as in a Meta- phor of a Flag floating to and fro in the Water in Anthony andCkopa- tra ;-•'-' lacking the Tide, fay the old Editions, but Mr. Theobald correfted it very happily lacqueying the Tide ; and this the two late great Editors confirm by their Adoption. The Simile therefore in this general Senfe of the Word Lacquey being too abfurd to be admitted here, we fiiould moft probably read, Jnd like his Lacquey, from the Rife to Set^ Siveats in the Eye of Phcebus. xxvi PREFACE. I Siveafs in the Eye of Phoebus, ajid all Night Sleeps in Elyfium, next Day after Dawn, Doth Uis Lacquey, i. e. the Lacquey of Fhcchus, one who follows the Mo- tions ot the Sun as conftant as a Lacquey does thofe of his Matter : that this is the Meaning, the Conneclion it has with the following noble Metaphor evidently (hew?, he is no fooner become the Lacquey of the Sun, but he performs to him the Oflice of a Lacquey. _■_-.-. y^r.d next Day after Daiun Doth rife and help Hyperion to his Horfe. We fee here how from a fmall Stream the Poet's Imagination fwclls into the ncbleft Flood, the Sprir.g-hcnd of which without this Interpre- tation will be totally loft. It is therefore not a fufficient Objeftion, that the Antecedent (in Conftrudion of the Sentence) Phabus is placed ibfar behind the Relative HIS. This is a Latin Arravgement oi Scn- tences which our antient Englijh Poets frequently, and all our Poets fcmetimes ufe, I will give three Inftanccs, one from Milton, one from Sbakcfpear, and one from cur Authors. Thus Milton, M'-'hat if ail Her Stores ivere open d, and this Firmament Of Hell fhould fpout her CataraJls cf Fire?' Book n. lin. lyS* As for more Words, r.vJnfe Greatnefs anfnuers Words, Let this my Sivord report luhat Speech forbears. Henry VL Part. II. Ad 4. Sc 9. ^ivord is here the Antecedent, and n.vhcfe relates to it ; and tho' the lare Editions tranTpofe the Words to make this more evident, it feems only a modern Refinement. So in Thierry and ThecdorCt, _,_._.--- You may imagine Which coxcKs all the World but chief y Women, 7he Name of Greatnefs jufifies your Actions. Vol. X. p. 122. %e Name of Greatnefs is \^i\z Antecedent to ^jjhich; and though a Tranfpofuion of the Lines might render this more vifible to many Readers, yet I am peruiaded the genuine Text is as it was always primeJ. The inaccurate Pcfitioa of the Relatives He^ Which, They^ P RE FACE. xxvii Doth rife and helps Hyperion to his Horfe, And follows fo the ever-rumii?ig year tVith profitable Labour to his Grave. And {but for Ceremony) fuch a Wretch Winding up Days ivilh Toil^and Nights with Sleep, Hath the Forehand atid'Fantage of a King. The &c. have mifled the grcateft Men. See a remarkable Inftance at Note I. in ne Little French Lanvyer, Vol. IV. pag. 178. Another Iiillance occurs of a Lathi Arrangement of Words, which has wrapt a Vdi^z^zcii Shakrfteari in Darknel's, and given Rife to a very plaufible Conjefture of Mr. V:eobciId'i, and a moll exceeding ingenious one of Mr. IVarhurSon. After the young Prince in Richard the Third had ob- ferved that Truth fhould live through all Ages. Richard fays half a Side. So luife, fo young, thrv fay, do iie'er live long. Prince. What Jay yoti, Uncle ? Glo. ^ f^y 'without CharaHers, Fame li'ves long. Thus like the formal Vice, Iiiiqulfy, 1 r jsrj - I moralize tivo Meanings in one Word. J 17'-- Mr. Theobald thinks that in the old EngUJJ? Moralities or MoralFarces in vogue in and before Shakcfpcars Age, the Vice, which was a gene- ral Name for the Buffoon of each Play, when he alTumed a graver Afpeft, was caUcd Iniquity^ and therefore reads, Thus, like the formal Vice, Iniquity, I moralize tivo Meanings in one IVord. Mr, Warlurton difallows this, and reads. Thus like the formal-ivife Antiquity, I moralize ; t'vjo Meanings in one Word. This Keading he makes fuch good Senfe, and defends with To much Ingenuity, that even his Miftakes convey more Learning than the trueft Interpretations of many Critics. The old Reading owes all its Obfcurity to the Accufative Cafe being placed before the Verb. The formal Vice is Religious Hypocrify (whether confidered in the Abftraft, or ai perf^iz'd in the old Farces.) Like Religious Hypo- crify, fays Richard, I moralize Iniquity, i. e. I turn my iniquitous Meaning, th.it of muxiering the Prince, into a moral one. Thus xxviii PREFACE. The Inftances of thefe two ClafTcs, particularly the former, where the exquifite Beauties of Shake- fpear are not quite reach'd, are mofl numerous; and tho' the Defign of the Notes in this Edition was in general only to fettle the Text, yet in three of the Plays, ^he Faithful Shepherdefs, 'The Falfe One, and The Two Noble Ki?2fmen, that Defign is much enlarged, for Reafons there affigned. And if the Reader pleafcs to turn to thefc, he will find feverai Parallels between Fletcher ^ Shake/pear^ and MiltoUy that are mofl of them to be ran2;ed under one of thefe Clafi*es : But there is a third Clafs of thofe In- ftances where our Authors have been fo happy as to foar above Shake/pear ^ and even where Shakejpear is not greatly beneath himfelf. In The Tivo Gentlemen of Verona, the forlorn ytilia^ difguis'd as a Boy, being ask'd of Silvia how tall Jidia was, anfwers : About my Stature : For at Pentecofl, When all our Pageants of Delight were plafd. Our Tout h got jne to play the Woman's Fart, And I was trimmed in Madam Julia'j Gown, And at that Ti?ne I made her weep a-good. For I did play a lamentable Fart, Thus, like the formal Vice, hiquity I moralize J t-MO Meanings in one Word' So in Hamht, Often nvith De'voticns V if age vje do fugar o'er The Deiil himfelf. And thus in the Reverfe of this, when good Men extraQ Good from Uey make a Moral of the Devil himfelf. henry V. Madam^ f P R E F A C E. xxlx Miidam, 'twas Ariadne paJfio?iing For Thefeus* Perjury and unjiifi Flight ; Which I jo lively adled with my Tears, That my poor Mijirefs, ?noved therewithal. Wept bitterly y and woiCd I might be dead, * If I in Thought felt not her njery Sorrow. Aft IV. Scene the laft- Therc is fomething extremely tender, innocent, an.d delicate, in thefe Lines of Shakefpear, but our Authors are far beyond this Praife in their Allufion to the fame Story. In The Maid's Tragedy, Afpatia in like manner forfaken by her Lover, finds her Maid Antiphila working a Picture of Ariadne ; and after feveral fine Reflexions upon Thefeus, fays ; But where' s the Lady ^ Ant. There, Madam, * If I in thought felt not her 'very Sorronu.'] Whoever fully catches the tender Melancholy of thefe Lines, will know that Julia under fucK Diftrefs could not feign a Cafe fo exadlly the Parallel of her own, with- out fuch Emotions as would fpeak themfelves in every Feature, and flow in Tears from her Eyes. She adds the laft Line therefore to take off the Sufpicion of her being the real Julia; But would flie only fay, that ^tfelt Julia's Sorrow formerly, when (he faw her weep ? No I She mult excufe the prefent Perturbation of her Countenance, and tlie true Reading moft probably is : jind nvovld I might he dead. If I in Thought feel mt her very Sorrmv. This better agrees with the double Meaning intended, and with SihieCt Reply, who fays, Sht is beholden to Thee, gentle Youth. J weep myfelf to think upon thy Wordu Afr XXX PREFACE. Afp. Ficy you have mifid it here, Antlphila, ^heje Colours are not dull and pale enough ^ ^oJl:ew a Soul fo full of Mifery As this fad Ladys was ; do it by me ; Do it again by mc the lofl Afpatia, And you pall find all true, Fiit me^ 'on th' %ijild Ifiajid*. I * Put 7r.c on th' xvilJ TJIand.'] I have given thefe Lines as I think we ought to read them, but very different from what are printed in this Edition. Four of the old Carta's, the Folio, and the late Q3an.Tou inay ^myhord fecurelj Since Fame aloud proclaimeth her Perfe5lions^ Commanding all Mens Tongues to Jing herPraifei* I quote not this as an Inflance of the Sublime^ but of our Authors genteel Dialogue enliven'd by a few Poetic Figures, as in the laft Lines Fatne is ferfonis'd and commands the Tongues of Men. Now let us fee this Dialogue modernised: The Names of the old Gentlemen being chang'd to Antonio and Charino, they thus confer. Ant. Without Compliment^ my old Friend^ I Jhall think myfelf much honour d in your Al- liance ; our Families are both ancient, our Children young, and able to fupport 'em j and I think the fooner ivefet 'em to work the better. Cha. Sir, you offer fair and nobly, and pall Jind I dare meet you in the fame Line of Honour; and I hope, fmce I have but one Girl in the Worlds you wont think me a troublefome old Fool, if I en- deavour to bejiow her to her Worth j therefore, if you pleafe, before we fiake Hands, a Word or two by the bye, for I have fome confiderable ^eftiom to ask you. Ant. Ask 'em. Cha. Well, in the frjl Place, you fay you have two Sons. Ant. Exadily, Cha; PR E FACE. xlix Cha. And ym are iviUing that one of 'an Jhall marry my Daughter ? Ant. Willing. Cha. My Daughter Angelina ? Ant. Angelina. Cha. And you are likeivife content that the [aid Angelina fiall furvey 'em both^ and (with my Al- lowance) take to her lawful Husband^ which of 'em JJoe pleafes ? Ant. Content, Cha. And you farther promife, that the Tcrfon hy her (and me) fh chofen (be it elder or younger} Jhall be your fole Heir ; that is to fay^ /hall be in a co7tditional PoJeJJion, of at leaf three Parts of your Eflate. Tqh know the Conditions^ and this you pof- tively promife f Ant. To perform, Cha. Why then., as the laft Token of my full Con- fent and Approbation., I give you my Hand, Ant. There's mine. Cha. /// a Match ? Ant. A Match. Cha. Done, Ant. Done, Cha. And done ! 'that's etiough" Strike out an Expreffion or two of Fletcher'^, and a couple of Grafiers would have put more Senfe into an Ox-bargain. I blame not the Author., if a Man's Cuftomers refolvc to pay the Price of Champaign^ and yet infiO: upon Mild and Stale., who would refufe it them ? This is only a Specimen of the Tafte of the late wonderfully enlightned Age. But as Shakefpear and Miltofi have already in a good meafure difpers'd the Clouds of Prejudice which had long obfcur'd their Excellencies ; 'tis to be Vol. i. d hop'd 1 PREFACE. hop'd that our Eyes are now inui'd to bear the Luftre of fuch Poets, who moft rcfembic thefc Suns of Britain. To fuch Readers therefore who are de- firous of becoming acquainted with the Excellencies o( Beaumcnf and Fletcher ^ I fliall beg leave to recom- mend their Plays to be read in the following Order, beginning with which Species they like beft. c L A S s I. Tragedifs and Tragi- comedies. Paftoral. Comedies. Maid's Tragedy Yol. I Faithful Sbepherdefi vol. 3 Elder Brother vol. x Philafter vol. i Rule a Wife and have a King and no King vol. i Wife vol. J The Two Noble Kinfmen Little French Lawyer vol. 4 vol. lO Wit without Money vol. 2. The Double Marriage Spanijh Curate vol, a vol. 7 Nice Valour, or Paflionate The Bloody Brother, or Mad.Man vol. 10 Rollo vol. 5 The Falfe One vol. 4 The Knight of Malta vol. 7 Vahntinian vol. 4 c L A S s II. Laws of Candy vol. 4 Eurlef^ue Sublime. Fair Maid of the Mill. Loyal Subje<£} vol. 3 Fair Maid of the Inn. The Ifland Princefs vol. 8 Wild-goofe Chafe. Thierry and Tbeodoret Mcnfieur Thomas. vol. 10 The Chances. Wife for a Month vol. 5 Honeft Man's Fortune. Btnduca vol. 6 ' Cuftom of the Country. Beggar's Bu/h. The Captain. The Sea- Voyage. Love's Cure, or the Martial Maid. Coxcomb. The Knight of the Burning Woman- Hater. Peftle vol. 6 Wit at feveral Weapons. . Women pleas'd. Tamer tam'd. CLASS The Coronation vol. 9 TheQueenof Cori«/£i vol. 6 The Lover's Progrefs vol. 5 The Prophetefs vol. 6 Cupid't Revenge vol. 9 Mask vol. 10 Moral Reprefentations vol. 10 III. Pilgrim Love's Pilgrimage Night-Walker Noble Gentleman vol. 5 vol. 7 vol. g vol. S The PREFACE. H The Reader will find many excellent things in this laft Clafs, for the Plays of our Authors do not differ from each other near fo much as thole of Shakcfpear. The three lait Tragedies are detruded fo low on Account of their Magic and Machinery, in which our Authors fill lliorter of Shake fpcar than in any other of their Attempts to imitate him. What is the Reafon of this ? Is it that their Genius improv'd by Literature and polite Convcrfation, could well defcribe Men and Mafifiers^ but had not that poetic that creati've Power to form new Beings and new WiDrlds, ■ afid give fo airy Nothings A local Habitation and a Name.- as Shakefpear excellently defcribes his own Genius ? I believe not. The Enthufiafin of PaJJions which Beaumont and Fletcher are fo frequently rapt into, and the vafl: Variety of diftinguidi'd Chara(fters which they have fo admirably drawn, fliew as ftrong Powers of Invention as the Creation of Witches and raifing of Ghofts. Their Deficiency therefore in Magic is accountable from a Caufe far different from a Poverty of Imagination \ it was the accidental Dijadvantage of a liberal atid learned Educatiofi : Sorcery^ Witchcraft^ AJlrology^ Ghofls, and Appari- tions^ were then the univerfal Belief of both the great Vulgar and the finally nay they were even the Parliamentary^ the National Creed -^ only fome early- enlightned Minds faw and contemn'd the whole fu- perftitious Trumpery : Among thefe our Authors were probably initiated from their School-days into a deep-grounded Contempt of it, which breaks out in many parts of their Works, and particularly in d 2 Ihe lii PREFACE. The Bloody Brother and 7be Fair Maid of the Luiy where diey began that admirable Banter which the excellent Butler carry'd on exactly in the fame Strain, and which, with fuch a Second^ has at laft drove the Bugbears from the Minds of almoft all Men of common Underilanding. But here was our Authors Difad vantage j the Tafte of their Age call'd aloud for the Affiilance of Ghojis and Sorcery to heighten the Horror of T'ragedy ; this Horror they had never felt, never heard of but with Con- tempt, and confequently they had no Arcbe-fypes in their own Breafts of what they were 'call'd on to defcribe. Whereas Shakefpear from his low Educa- tion had believ'd and felt all the Horrors he painted j for tho' the Univerfities and Inns of Court were in fome degree freed from thefe Dreams of Super- ftition, the Banks of the Avon were then haunted on every Side. ^here tript with printlejs Foot the Elves of Hillsy Brooks, Lakes, and Groves-, there Sorcery bedimn'd ^he Noon-tide Sun, caWd forth the mutinous Winds, And 'twixt the green Sea and the azur*d Vault Set roaring Wap, &c. Tempefl:. So that Shakefpear can fcarcely be faid to create a new World in his Magic j he went but back to his liative Country, and only drefs'd their Goblins in poetic Weeds; hence ev*n T^hefeus is not attended by his own Deities, Minerva, Venus, the Faum, Satyrs, &c. but by Oberon and his Fairies : Whereas our Authors however aukwardly they treat of Ghojis and Sorcerers, yet when they get back to Greece (which was as it were their native Soil) they intro- duce the ClaJJic Deities with Eafe and Dignity, as Fletcher PR E FACE. liii Pletcher in particular does in his Faithful Shepherdefsy and both of them in their Mash-^ the laft of which is put in the third Clafs not from any Deficiency in the Compofition, but from the Nature of the alle- gorical Mask which,, when no real Charadlers are intcrmix'd, ought in general to rank below Tragedy and Comedy. Our Authors, who wrote them be- caufe they were in Fafliion, have themfelves iTiew'd how light they held them. They muft commend their King^ and [peak inpratfs Of the jlffembly'; blcfs the Bride and Bridegroom In Perfon of fome God ^ thefre tfd to Rules Of Flattery. Maid's Tragedy, Adl i. Scene i. This was probably wrote by Beaumont with an eye to the Mask at Gray'^ Inn, as well as Masks in general. The Reader will find a farther Account of our Authors Plays, and what Share Mr. Shirley is fuppos'd to have had in the Completion of fome that were left imperfed: in Mr. Sympfo?i'i, Lives of the Authors. But before I finilh my Account of them, it is neceffary to apologife for a Fault which muft (liock every modeft Reader : It is their fre^ quent ufe of grofs and indecent Expreflions. They have this Fault in common with Shakefpear^ who is fometimes m.ore grofs than they ever arc ; but I think Grofnefs does not occur quite fo often in him. In. the fecond Clafs of Parallel PafTages where the Hands of Shakefpear and our Authors were not dirtinguilliable, 1 omitted one Inftance for Decency fake, but I will infert it here as proper to the Sub- jedt we are now upon. Fhila[ler being violently agitated by Jealoufy, and firmly believing his Miftrefs d 3 to liv PREFACE. to have been loofe, thus fpeaks of a Letter which he has jull receiv'd from her, » . Q^ ^et all Women 'That love black 'Deeds leam to dijj'emhle here t Here^ by this Papej', fie doth write to me. As if her Heart were Mines of Adamant ^0 all the World befide ; but unto me, A Maiden Snow that melted with my Looks. Vol. I . Page 1 3 1 , of this Edit. Strength and Delicacy are here in perfed: Union. In like manner tojlhinmis in Cymbeline^ A6t 2. agi- tated by as violent a Jealoufy of his Wife, thus defcribes her leeming Modefly : Vengeance I Vengeance Me of my urdful Pleafurejhe rejlrain'dy And pray' d me oft Forbearance, did it with A Pudency fo rofy, the fweet hook ont Might well have warmed old Saturn 5 that I thought her As chajie as unfunn\i Snow. This h a mod amiable Picftiirc of conjugal Delicacy, but it may be y\i\y objecfted that it draws the Cur- tains of the Marriage-bed, and expofcs it to the View of the World; and if the Reader turns to the Speech of which it is a Part, he will find much grofl<:^r Expreilions in the Sequel. But thefe were fo far from offending the Ears of our An- ceflors, that Beaumont and Fletcher, tho' fo often guilty of them, are perpetually celebrated by the Writers of their own and of the following Age, as the great Reformers of the Drama from Bawdry and PREFACE. hi and Ribaldry. Thus when Fletchers charming Paftoral, T'he Faithful Shepherdefs, had been damn'd by its firft Night's Audience, 'jonfon fays that they damn'd it for want of the vitious and bawdy Scenes which they had been accuftom'd to, and then breaks out in a Rapture worthy of Jon/on^ worthy of Fletcher. I that am glad thy Imjocence ivas thy Guilt, And voijh that all the Mufes Blood ivasfpilt In fuch a Martyrdom, to vex their Eyes Do crown thy murder d Pcemj &c. Yet even this Pattern of Chaftity is not free from ExpreiTions which would now be juftly dcem'd too grofs for the Stage. Sir John Berkenhead^ fpeaking of Fletcher's Works in general, fays, And as thy Thoughts were clear ^ fo ijinocent^ Thy Fancy gave ne unfwept Language Fe?2t, Slander' Ji no Laws, prophan'Ji no holy Page, As if thy * Father's Crofier rurd the Stage. Our Poets frequently boaft of this Chajlity of Lan- guage themfelves. See the Prologue to The Knight oj the Burning Pejlle. Lovelace, a Poet of no Imali Eminence, fpcaks of the great Delicacy of Exprcffion ev'n in the Cujlom of the Coufitry. View here a loofe Tljought faid with fuch a Grace ^ Minerva 77jight have fpoke in Venus' Face, So well difguisd, that 'twas conceiv'd by none^ But Cupid had Diana'j Linnen on. * Fletcher Bipo^ of London. d 4 Yet Ivi PREFACE. Yet of this Play Dry den afferts that it contains more Bawdry than all his Plays together. What rnuft we fay of thefc diffeient Accounts ? Why 'tis clear as Day, that the Stile of the Age was fochang'd, that what was formerly not efteem'd in the leaft Degree indecent, Was now become very much fo ; juft as in Chaucer, the very filthieft Words are us'd with- out Difguile, and fays Beaumont in excufe for him, he gave thole ExprefHons to low Charadcrs, with whom they were then in common Ufe, and whom he could not therefore draw naturally without them. The fame Plea is now neceflary for Beaumont him- felf and all his contemporary Dramatic Poets j but there is this grand and effential Difference between the grofs Expreffions of our old Poets, and the more delicate he'wdnefi of modern Plays. In the former, grofs Expreffions are generally the Lan- guage of low Life, and are giv'n to Characflers which are {€i in defpicable Lights : In the latter, Lewdnefs is frequently the Charad:eriflic of the Hero of the Comedy, and fo intended to inflame the Paflions and corrupt the Heart. Thus much is nccefTary in Dpfence, not only of our Authors, but of Mr. Symp- fon and myfelf, for engaging in the Publication of Works which contain a great many Indecencies, which we could have wifh'd to have been omitted ; and which, when I began to prepare my Part of the Work for the Prefs, I had actually flruck off, as far as I could do it without injuring the Conncdlion of the Context ; but the Bookfcllers prefs'd, an4 indeed infifled upon their Reftoration : They very fenfibly urged the lafl-mentioned Plea, and thought that the bare Notion of a curtail'd Edition would greatly prejudice the Sale of it. We hope therefore that the Reader will not be too fevere on the Editors PREFACE. Ivii of Warks which h-Ave great Excellencies, and which in genereal tend to promote Virtue and Chaftity, the' the Cuilom of the ^ge made the Authoi-s not entirely abflain from ExprelTions not then er.eem'd grofs, but which now mud offend every modeft Ear* Hitherto we have treated of our Authors and their Merit, fomething muft be added of the At^ tempt of the prefent Editors to clear them from that Mafs of Confufion and Obfcurity flung upon them by the Inaccuracy of former Editors, or what was worfe, by the Wilfulnefs and Ignorance of out old Players, who kept moll of their Plays m^ny Years in Manufcript as mere Play-houfe Properties, to be changed and mangled by every new Ador's Humour and Fancy. As this was the Cafe of moft of our old Plays, the learned Mr. Upton feems ftrangely miftaken in afierting that no more Liberty ought to be taken in the Corredlion of the old [mangled] Text of Shakefpear^ than with the two firft [accurate] Editions of Paradife Lo/}.. Upon this groundlefs AflTcrtion are built thofe very un- deferved Reile(5lions upon the eminent Editors of Shakefpear who are compar'd to the Vice of the old Comedy beating their Author's original Text with their Daggers of Lath. Surely fomething very different from fuch Sarcafm is due from every true Lover of Shakejpear to thofe Editors whofe Emen- dations have clear 'd fo many Obfcurities, and made fo many Readers ftudy and perceive innumerable Excellencies which had otherwife been pafs'd over- unnoted and perhaps defpis'd. For verbal Criticifm^ when it means the reftoring the true Reading to the mangled Text, very iuftly holds the Palm from every other Species of Criticifm, as it cannot be perform'd with Ivlii PR E FACE. with Saccefs without comprehending all the refl: ; it muft clearly perceive the Stile, Manner, Chara(flcrs, Beauties and Defeats : And to this n:iuft be added fomc Sparks of that original Fire that animated the Poet's own Invention. No fooner therefore were Criticifms wrote on our Englijh Poets, but each deep- read Scholar whofc feverer Studies had made him frown with contempt on Poems and Plays, was taken in to read, to ftudy, to be enamour'd : He rcjoic'd to try his Strength with the Editor, and to become a Critic himfelf : Nay, even Dr. Be?itkfs ftrangc Abiurdities in his Notes on Milton., had this good Effwift, that they engag'd a Pierce to anfwer, and perhaps were the firft Motives to induce the greateft Poet^ the moft univerfal Genius, One of the greateft Orators^ and One • of the moft ifiduftrious Scholars in the Kingdom each to become Editors of Shakef- pear. A Pope, a WarburtoJi, and a Han?ner did Honour to the Science by engaging in Criticifm ; but the Worth of that Science is moft apparent from the Di(lin(ftion Mr. Theobald gain'd in the learned World, who had no other Claim to Honour but as a Critic on Shakefpear. In this Light his Fame remains frefh and unblafted tho' the Lightning of Mr. Pope and the Thunder of Mr. Warburton have been both lanch'd at his Head. Mr. Pope being far too great an Original himfelf to fubmit his own Tafte to that of Shakefpear ?, was fairly driven out of the Field of Criticifm by the plain force of Reafon and Argument} but he foon retir'd to his poetic Citadel, and from thence play'd fuch a Volley of IV it and Humour on his Ajitagonifl, as gave him a very grotefque Profile on his Left ; but he never drove him from his Hold on Shakefpear, and his Countenance on that Side is ftill clear and unfpotted, Mr. PREFACE. Kx Mr. War hurt Otis Attack was more dangerous, but tho' he was angry from the apprehenfion of perfonai Injuries, yet his Judice has flill left Mr. 'Theobald \n pofTeilion of great Numbers of excellent Emenda- tions, which will always render his Name refpedlablc. The mention of the Merit of Criticifm in cflabliOi- ing the Tafte of the Age, in raifmg Refpedt in the Contemptuous, and Attention in the carelefs Readers of our old Poets, naturally leads us to an Enquiry. Whence it comes to pafs, that whilft almoft every One buys and reads the Works of our late Critical Editors, nay almoft every Man of Learning aims at imitating them and making Emendations himfelf, yet it is ftill the Fafliion to fiurt at the Names of Critic and Commentatory and almoft to treat the very Science with Derifion. The Enquiry has been often made by Critics themfelves, and all have faid, that it was owing to the ftrange Miftakes and Blunders of former Critics, to Mens engaging in a Science which they had neither Learning nor Talents to manage and adorn. Each thinking himfelf exempt from theCen- fure, and each having it retorted upon him in his Turn. If this is the Cafe, I'm afraid all Remedy is hopelefs ; if the great Names above-mentioned did really want Abilities for the Province they under- took, who flmll dare to hope that hepofTefles them ? If frequent Miftakes in an Editor are totally to link his Merit, who can efcape the common Wreck ?— But I am far from thinking this to be the fole or even the principal Caufe j and the two, which I fliall aflign as much greater Inlets to this Difgrace on the Art of Criticifm, are fuch as admit of the calieft Remedy in the World, a Remedy in the Power of Critics themfelves, and which their own Intereft loudly calls on them all to apply. The lirft Caufe isi Ix PREFACE, \ is ; that in a Science the moft fallible of all others, depending in a great Meafure on the tottering Bot- tom of mere CoiyeBiire^ almoft every Critic affiimcs the Air of Certainty ^ Pofttivenefs and Infallibility ; he feems fure never to mifs his Way, tho' in a Wil- dernefs of Confufion, never to flunible in a Path al- ways gloomy, and fometimes as dark as Midnight. Hence he dogmatizes^ when he ihould only propofe^ and didates his Giiejfes in the Defpotic Stile. The Reader, and every Rival Editor, catches the fame Spirit, all his Faults become unpardonable, and the Demerit of a few Miftakes fhall o'erv/helm the Me- rit of all his jult Emendations : He deems himfclf perfecft, and Perfcdtion is demanded at his Hands ; and this being no where elfe found but by each Writer in his own Works, every Putterforth of two or three Emendations fvvells as big, and flings his Spittle as liberally on a Warburton^ a Hanme}\ or a T^heo- bald, as if he were the Giant and they the Dwarfs of Criticifm ; and he has, upon the Suppofition of Perfeout and o their Fear bravely. The with Laurels inftead of Hair; and for that purpofe, after he Was DiV- tatoff conllantly wore his Laurel-Crown. I read therefore. — Bald-/ro«/*v -OTOo^inT&S^r, by the Prophets; fo that St. Mat- theav, fays St. Jerom, does rot refer to any particular Prophefy, as in other Inftances, but to the Senfe of the ancient Prophefies in general, which were, that Chrifi fhould be an Alien to his Brethren, and a Foreigner to his Mother s Sons, ^at he fi:)culd fuff'cr Reproach and Shame, that he Jhould be de/pis^ d and rejeSled^ &c. Thefe Prophefies were fulfilled in his being call'd a Nazarene. For the Galileans in general were by the Jenus held infamous. Search and look, for out ^/"Galilee arifeth no Prophet, fay the whole Sanhedrim ; and Nazareth was the moft infamous of all the Towns of Galilee. The juft Nathanael was fo carry'd away by prejudice againft it, that it ftagger'd his Faith when Philip told him, that Jefus of Nazareth was the Mcffiah. Can any good thing, fays he, come out of Nazareth ? One Ben Nczer, a famous Robber of Nazareth had greatly contributed to this Infamy on the Town, and we find by the Reception the Nazarene s gave our Saviour when he firft preach'd amongft them and declar'd himfclf the MeJ/iah; that they were really the moft hardned in their Wickednefs of all the Cities of fudaa. The Jenus therefore gave the Name of Nazarene to Chrifi, and Nazarcnes to Chriftians as a high Mark of Infamy. And thus were the antient Prophefies relating to the Infamy that Chrift was to fuftbr literally fulfill'd in his being call'd a Nazarene. Add to this whatfeveral learned Men have obferv'd, that Nazarcjie fignifies a Perfon feparate, as fofeph and Sampfion, two eminent Types of Chrift were Nazarcnes, Pcrfons feparate to God, and our Saviour their Jrche-Type, is faid by the Apoftle to be feparate from Men in the nobleft Senfe of the Word, he was feparate from Sin, the Holy One cf God. The Margin cf our Bibles refer us too to Ifaiah xi. X. And there fiyall co7ne forth a Rod out of the Stem of Jeflle, and a YitVLtT JhaU gro^M out of his Roots. Here the original Word, which is tranflated Branch in the B^gUfi, fay Men well vers'd in Hebrew, is the fame with the Nazarene, the feparate One, the holy One. — Dr. Whitby does notafl'ent to this being fuIfiUd by his being call'd a Nazarene ; for, hyt he, he was as much the Separate, the Holy One, before he dwelt in PREFACE. Ixxi of his Brother Critics, and then to acknowledge its Obligations to him for many judicious Criticil'ms and Emenda- in Nazareth as after. — The Reafon feems quite inconclufive— and the very learned Dr. Jackfon had long before Dr. Whithy fliew'd it to be fo j for fays he. It well iuited the all-controlling Providence of God to make the Enemies of Chriil give him by way of Reproach a Name which he had preordain'd for him as a Name of Dignity and Honour. Thus the Title on the Crofs — Jcfui the Nazarene the King of the Jews — was Difgrace and Taunt in the Intentions of his Crucifiers, but in the Counfels of God was Dignity and Truth. — But fays Mr. Upton of fuch Solutions as thefe, 'Non tali auxilio, von Defcnforihus ijiis < Tempus egct. Had Dr. BentUy, fays he, taken the Paflage in hand, he would have known what to defend, how far, and where to f!:op. For the Words oTUi ■vrKrpa^v, &C. — that it might be fulfilled, Scc. are only the margi?ial Note of fome CabalifJcal Jnnctatar. This he aflerts witJi as much pofitivenefs as if he had been a Witnefs to fuch Infertion, and knew the Method how it afterwards crept into the Text of every Manu- fcript in every Church thro' the whole World; for no Pretence is added of any fingle Manufcript fupporting this bold Attack on a Part of the facred Text. If it may be fuppofed that fuch an Interpolation might have infedled all the Copies that have reached our Age; is there the leaft Probability that it could have infefted them all before St. 'Jercm, or that fo very learned a Man as He fnould not have had the leaft Sufpicion of it ? A fecond DifficuUy which Mr. Upton would folve in the fame manner, is in Luke ii. i. There •went out a Decree from Casfar Au- guftus that all the World JJjould be taxed^ and this Taxing nvas frji made Kvhen Cyrenius nvas Governor o/" Syria. Now it is certain, that Cyrenius was not Governor of Syria till above Ten Years after the Birth of our Saviour. So that the Times do not coincide. The Fa£l was this ; Augujlus, three Years before our Saviour's Birth, order'd that an En- rollment fliould be made of the Names, Families, and Pofleflions of all the Roman Empire, in order to lay a Tax upon them. As this took up fome Years in being executed, it reached Jud.sa the third Year at the very Time of our Saviour's Birth. Bjt Jud^a not being then reduced to a Roman Province, but govern'd by its own King?, no Tax was levied in confequence of this Enrollment till about eleven Years after- wards, when Archelaus the Son of Herod being banifh'd, Judtea was made a Province and the Tax defign'd was then levied, not with- out violent Oppofition and great Bioodfhcd. To clear the Evangel ift, (who being a Man of Learning could not err, had he had no divine Alfiftance, in fo notorious a Faft) Dr. Pridcaux tranflates the Pafiage e 4 thus : Ixxli PR E FACE. Emendations on Shakefpcar and other Authors. ^hakefpear alone is a vafi Garden of Criticifm, where thp' thus: '^AfTii M A-rcyrsz], -vau-rn ty'i-.ir- This Tax firft took efFe»5l or was firft levied when Cyrenius was Governor of Syria. It was only an Enrollment before, but then it became a Tax. Dr. Whitby offers another Interpretation, which has fince been almoft univerfally adopted by all Men of Learning before Mr. Upton. This Enrollment TD(i>T>i iyt.-rc, was prior to that which hapned when Cyrenius was Governor, &c. And that the Word -tp&!tm moft generally bears that Senfe in the Scriptures, he produces four Inftances from the Septuagint, four from the Evangelifts, and to prove it Greek gives one from Arifla- phancs. He farther adds, that the flightett change of the Letters rrpg T)K inlkad of ■- • . m will givcthis Senfe indifputably. But Dr. Whitby is unwilling to make the lealt Change without abfolute Keceflity. Not fo Mr. Uj^foa, he pronounces abfolutely, that the Words are fpurious and nothing but a marginal Note of fome Perfon ignorant in Chronology, which fome Tranfcriber inferted into the Text, and the Error was pro- pagated from Copy to Copy. This is really a Boldncfs and Extrava- gance of Criticifm as great as any which this Gentleman complains of in £iv Thomas Hanmer, and of ten millions of times worfe Confequence. Sir Thomas, in expunging or changing whole Sentences of Shake/pear, could plead the length of Time which moft of his Plays continued in Manufcript amongft the Players, and the unlimited and unaccountable Liberties which every new Aftor took, in altering things to fuit his own Whim or the Tafte of the Audience, But does Mr. Upton confider how differently the Golpels were propagated, that St. Luke's in particular was very early difpers'd thro' all the Churches, each of which were watchful Guardians of this their facred Trcafure ? I make the Number irnall, when I fay it is probable that not lefs than Ten thoufand Copies of this Gofpel were difpers'd in the Apoftles own Life-time. It muft have been near a Century at leaft after this before we can fuppofe any Man fo io-norant of Hiftory as not to know that our Saviour was born when Herod was King of Judaa, and not when Cyrenius was Governor pf that and the reft of the Province of Syria. There muft have been by that Time at leaft four times as many Copies of St. Lukeh Gofpel as there were before. Now fuppofmg fome one of thefe Forty thoufand Copies to have had fuch an Interpolation made in it: It muft be the ftrangeft thing in the World, that People from Age to Age Ihould all tranfcribe from this Copy only, and not one Church or one Man fee the notorious Abfurdity of fuch a Paffage, fjppofing the Words would admit of no other Interpretation, than that Chriji was born when Cyrenius was Governor of Syria. An Abfurdity, full as glaring as the following Paffage would have been, fuppofmg it put in an Engliflj Hiftory. Such a Perfon 'wai born in the Rclgvof King Charles the Second, jufi at th( PREFACE. Ixxiii tho' the Editors have pull'd up great Nambers of Weeds, and the View is much improv'd, yet many are dill left, and each of the Editors have miftakingly puU'd up fome Flowers which want to be replac'd." And this will be the Fate of every Critic who knows not every fingle Word., Hiftory^ Cufioniy Trade, &c. that Shake/pear himfelf knew, which at this diftance of Time is next to an Impoflibility. What room therefore for Quarrels and Infults upon each other ? Veniam petimufque damufqtie, jfliould be our general Rule and Motto. Without this we in this Edition ftand felf-condemn*d. Beaumont and Fletcher are another Field of Criticifm next in Beauty to Shake fpear, and like him over-run with Weeds, many of which are, we hope, now rooted out ; and fome rell Flowers, we fear, miftakingly pluckt up with them. Far the Time ivhcti the Bill of Exclufion ivas Brought into Parliament. No-ia this Excliefion Bill, Tpcorn kyiviro, ivas firji made nxihcn William Prince of Orange n.'jas Kingof England. The Redudlion of y«3W/z into a Roman Province under Cyrenins, was a Fadl full as remarkable to the ye^vs, as the Reaiolution is to the Englijh ; and I think \vc mull Hay five or fix Centuries before one fingle Man could be found abfurd enorgh» to write even fuch a marginal Note in an EnglifnWS&.(jxy . The Cafe is extremely fimilar, and that fuch a marginal Note fhould be made, and afterwards adopted into the Text of all fubfequent Editions is next tu a moral Impoflibility. If Mr. Upton therefore will refledl how great a Charader Dr. Bentley tarnilh'd and almoll ruin'd, by his bold Attacks on the Text of the Scriptures, by his Pofitivenefs and Affarance in things of mere Conjefturc, and by his Infults en other Editors furely he will no longer copy fuch Blemi/les, however he is tempted and enabled to emu- late the ihining Parts of the Doelcrs Charadler. Dr. Benthy was jullly prevented from publifhing his Greeli Teftament, and if Mr. Upton will candidly re-examine his own Specimen, he will find that it will be to him too, Pcriculofce plenum opus Alca. The Reader fhould know that this Gentleman has fince given up his Change in Shake fpear oi delighted to delinquent, fuppofipg the former jufiifiable by a Clajfual Authority, but which not being quite fimilar, by i.o means e^cpUins the intvinfic Beauty of the Pailage. there- Ixxiv P R E F A C E. therefore from the leaft Pretence to Perfection, from the leaft Right to impofe our Coniedtures as infallible; we have only inferted thofe in the Text which for the Rcafons affign'd in the Notes appear'd more proba- ble than the former Readings. We have endeavour'd to give fair Play to the old Text, by turning it on every Side, and allowing it all the Interpretations we could poffibly affix to ihe Words, and where it appear'd cor- rupt, we never inferted our own Reading without giving wh^t we thought a probable Account of the Me:hod " how fuch a Change had been before made. At leaft, es I can properly fpeak for myfelf only, thefe were the Rules I always wifh to have follow'd, and en- deavour'd to follow, as foon as I became a Principal in the Woik. But the Share which I had in it, gives not ilie leaft room for any thing like Comple- tion on my Part. The AfTiftance which I gave Mr. I'beobald and Mr. Sympjhn^ who publifti'd about Two-thirds of the Work, was by necefTary Avoca- tions intermitted thro' feveral Plays, and the others more or lefs attended to, as Bufinefs or Com.pany would permit, or as the Plays feem'd more or lefs to deferve Attention. To what I printed n"iyfelf, I only dedicated fome few of the many leifure Hours which I had in a Country Village, hoping for pardon for the Idlcnefs rather than Merit from the Ufeful- nefs of tiie Work. If thefe Notes ftiould ever go thro' a fecond Edition, I (hall gratefully acknowledge any Emendations either of them or the Text of our Authors, which any Reader will favour me with ; and muft fay to each, " ■ Si quid novijii rcBius iflis, ■Candidus iinpcrti j fi non^ bis utere mecum. POST- PR E FACE. Ixxv POSTSCRIPT. THE Gentleman who is mod oblig'd to Shake- /pear, and to whom Shake/pear is moft oblig'd of any Man living, hapning to fee the former Sheet of the Preface, where at Page 5 1 and 52, Shakefpear's peculiar Superiority over our Authors in his MagiCy is afcrib'd to the accidental Advantage of a low Edu- cation J he could not well brook a PafTage which feem'd to derogate from his Favourite. As Shakef- pear had as good Senfe as our Authors, he thought, he would be as free from real Superflition. This does not always follow. Education will tincflure even the brighteft Parts. There is Proof that our Authors held all Sorcery, Witchcraft, &c. as mere Jugler's Tricks, but not the leaft room to doubt of Shake/pear\ having believ'd them in his Youth, whatever he did afterwards ; and this is all that is afferted. Is this therefore a Derogation ? No, it only fhews the amazing Power of his Genius j a Genius which could turn the Bug-bears of his former Credulity into the nobleft Poetic Machines. Jufl as Homer built his Machinery on the Superftitions which he had been bred up to. Both indeed give great Diftindiion of Characters, and great poetic Dignity to the Daemons they introduce ; nay, they form fome new Ones ^ but the Syftem they build on is the Vulgar Creed. And here (after giving due Praife to the Gentleman above, for refloring Shake/- pear's Magic to its genuine Horror, out of that low Buffoonery which former A6lors and Managers of Theatres had flung it into) I fliall fhew in what Light Shake/pear's low Education always appear'd to me Ixxvi PR E FACE. me by the following Epitaph wrote many Years fince, and pubhlh'd in Mr. Dodjlefs Mifcellany. Upon Shakespeak's Monument at Stratford upon AvQ}!, Great Homer'i Birth fev'n rival Cities claim , ^00 mighty fuch Monopoly of Fame : Yet not to Birth alone did Homer owe His wondrous Worth ; ivhat iEgypt could bejlow^ With all the Schools of Greece and Afnjoin'd, Enlarged th" immenfe Expanjion of his Mind, JSloryct unrival'd the Mceonian Strain^ ^he* BritiHi Eagle and the Mantuan Swan, Tow'r equal Heights. But happier Stratford, thou With incontejied Laurels deck thy Brow ; ^hy Bard was thine unfcbool'd, and from thee brought More than all Mjgy^t, Greece, or k(i2i^ taught -, Not Homer's fef fuch matchlefs Laurels won^ ^he Greek has Rivals, but thy Shakefpear none, • Milton. Co M- Commendatory Poems o N BEAUMONT and FLETCHER, With Notes Critical and Explanatory, By Mr. Theobald, Mr. Seward, and Mr. Sy?npfo?i, Printed under the Infye^lon of Mr. Seward. To my Friend Mafter John Fletcher, upon his Faithful Shepherdefs. I. * T Kfiow too ivelly that, no fjiore than the Maii, -■' That travels through the burning Defarts^ can When he is beaten with the raging Sun, Half ff not her' d in the Duji, have power to run From a cool River, which hi mf elf doth fad. E'er he bejlak'd; no more can he, whofe Mind * The Commendatory Poems were printed without Judgment oc Order ; feveral of them (particularly the firft as rank'd in the late Editions) greatly injure our Authors by injudicious Encomiums, and have too little Merit to be republiflied. Mr, neobald left feveral Corrcftion* upon thefe cbfcure Poems, and many others would have been added, had not UnM Litura appeared the bed Remedy. All are therefore now difcarded but what appear'd worthy of the Reader's Attention, and thefe are rang'd according to the Order of Time in which they feem to have been wrote. Beaumont himfelf now leads in Defence of his Friend Fletchers charming Dramatic Pafloral the Faithful Shipherdefs, which having been damn'd at its firft Appearance on the Stage, Beaumont and Jon/on, with the Spirits of Horace and "Jn-venal, lafh the dull Herd for (heir ilupid Ingratitude, ^op In the MufeSy hold from that delight, * iVbefi Nature J and bis full Thoughts bid him write, Tet li'ijh I tbofc^ '■Jihofn I for Friends have known^ ^ofing their Thoughts to no Ears but their own. Why Jhould the Man, whofe Wit ne'er had a Jlain, Upon the fublick Stage prefeiit his Vein, Aid make a thoufand Men in Judgment ft^ To call in quejlion his undoubted Wit, Scarce t'wo of ivhich can underjland the Laivs, Which they JJjould judge by, nor the Party's Caufe f jimong the Rout, there is not one that hath In his oiim cenfure an explicite Faith -, One cojnpany, knowing ti>ey judgment lack. Ground their belief on the Jiext Man in black : Others, on him that makes fgns, a?id is mute 5 Some like, as he does in the fair eft Suit ; He, as his Mijlrefs doth ; and fie, by chance : Nor want there thofe, who, as the Boy doth Dance Between the ABs, will cenfure the whole Play 5 Some, if the Wax-Lights be not new that day ; But multitudes there are, whofe Judgment goes Headlong according to the ABor's Cloaths, For this, thefe publick things, and I agree So ill, that, but to do a right for thee, I had not been perfuaded to have hurld Thefe few, ill-fpoken Lines, into the World ; * When Nature and his full Thoughts bid him lurite-l Here fays the jadicious Writer of Beaumont*s Life in the General Didlionary, Beaumont evidently fbews that he was fired with that violent Paflion for Writing, which the Poets very juftly call Infpiration ; and he makes this One Proof of Beaumonis not being a mere Correftor of Fletcher'% Works but a joint Author. As I think I have colledled fome lironger Proofs of this, both external and internal than have been yet produc'd, and as I have already built the former Part of my Preface upon thefe Proofs, Ifliall place them before the Reader in the next Ncte jult as they occurrM CO me. Both [3 ] 3 Both to he 7'ead, and cenfur'd of by thofe, Whofe '■oery Reading makes Verfe fenjlefs Profe : Sucb 3 Both t» be read, and cenfuri of hy thofe, Whofe very Reading makes Verfe fenfelefs Prof:'] Here we fee a Confciouinefs of the Poet's own Merit, and an Indignation at the ftupi- dity of the Age he' liv'd in, which feem to have been the Chin(ftcriftics of Beauxont and Jonfon. This will appear ftronger in the Procefa of this Note, in which I Ihall endeavour to prove what Share Beaumont had in the Compofition of the following Plays. I have already mcn- tion'd that Mr. EarPs Teflimony, wrote immediately af:cr Beaumont's Death, is decifive as to Beaumont's having the largell Share in the Compofition of The Maid's Tragedy, Pkilafer, and The King and n9 King, and that Beffus in particular was drawn by hira. [See Mr. EarPi Poem below.] This was undoubtedly the Reafon why Beaumont's Name is put firft in the old Quarto's of thefe Plays, publilh'd by the Players after Beaumont^i Death but before Fletcher i. For would the Players have complimented the Dead at the Expencc of their living Friend, Patron, and Supporter ? After two fuch Proofs as thefe, gene- ral Expreffions or even traditional Opinions of the Pancgyrick-Writcr* thirty Years after are lighter than Vanity itfelf. From thefe Plays no Diftinflion of Hands between Beaumont and Fletcher was difcem'd, nor any Sufpicion of fuch a Diftinftion occur'd till I came to the Woman Hater, Vol. lo. which appear'd vifibly to have more of Jonfon% nian- ner than any Play I had bcfo|e met with, which I mcntion'd atNote 29. on that Play, w hen deceiv'd as Langhane had been by the firft Quarta (publifti'd feveral Years after the Death of both the Authors) I verily thought that it had been Fletcher % only. I had not then attended to the Poem of Beaumont's to Jonfon publllh'd at the End of The Nice Valour ^ and Woman Hater, by the fecond Folio. If the Reader will confult that Poem, Vol. 10. p. 365. he will find that it was fent from the Country to Jonfon with two of the precedent Comedies not then finilh'd, buC which Beaumont claims as his own. Ben, luhen thefe Scenes are perfeEl, •we'll tajle Wim, Til drink thy Mufe's Healthy thou fi>alt quaff mine. It IS plain that they had been his Amufement during a Summer Vaca- tion in the Country, when he had no Companion but his Mufe to en- tertain him ; for all the former Part of the Poem is a Defcription of the execrable Wine, and the more execrable Company which he wai forc'd to endure. Fletcher therefore could not be with him. So that there are certainly two Comedies which properly belong to Beaumont only, which therefore we mufl endeavour to find out. The Verfes tell us that he acknowledg'd all he had to be owing to Jorfon, there is no dtubl therefore of his imitating Jonfon % Manner in thefe Comedies. Shirley [4] Such as mufl fpend above an Hour^ to fpell A Challenge on a Pejl, to bird) it well. £uf Shirley in the firfl Folia, and tlie Publifher of the fecond Folio, both agree in making the Nice Valcur one of thefc Plays : Now this Play is ex- tremely in Jon/an s Manner as is obferv'd in the beginning of the Pre- face and at Note 8. on the Verfes to Jonfou. The Prologue of this Play has no Weight being wrote feveral Years after it, but the Epi- logue was evidently wrote in the Author's Life- time, probably either by the Author himfelf, or elfe by his Friend Jon/on: For 'tis extremely like Jortfon in his Prologues and Epilogues, who generally lets his Au- dience know, that if they did not admire him it was their Faults not his. So this Epilogue makes the Author declare - the Flay is good. He fays, * he kno'ws it, ifivell unierfiood. [ * The Author. How unlike is this to Fletcher and Shake/pear's manner, who, whert they join together in The Tnvo Noble Kinfmen, arc even Modejly it/elf? See the Prologue and Epilogue to that Play, Vol. lo. the latter has thefe Lines; ^nd yet mijiahe me not, I am not hold., We've nofuch Caufe. If the Tale ive have told (^For 'tis no other) any nvay content, (For to that honeji Purpofe it 'was meant) We hwue our End', and ye Jhall ha'vc e'er long, J dare fay many a better to prolong Your old Loves to us. I hope the Reader will now fee fufficlent Grounds to believe that th« IJice Valour was Beaumont's Play : It is not Demonftration, but it is a high Degree of Probability. But ftill the Diltinftion of Manner fronk Fletcher^ in perfonizing thePalllons and not drawing from real Life fpoke of above, will not follow if Fletcher wrote The Woman- Hater, as the firft Edition in ^arto of that Play afferts, but the fecond contradifls it and puts Beaumonis Name firft in the Title Page, and claims its Changes from the Author's Manufcript. The Publiftier of the fecond Folio fol- lows the fecond j^^^/o, and makes it one of the Plays referred to in Beaw monfi Verfes, The Prologue appears to be wrote by the Author him- felf, fpeaks of himfelf in the fmgular Number, and fliews great Con- , jfidence in the Goodnefs of the Play, and an utter Contempt of Two- penny Gallery Judges. Here Bcaumsnf% Hand therefore feem'd vifible. I therefore began to recollect which of the foregoing Plays moft refem- bled this, to fee what Light might be gain'U from ihem; the firft that occurr'd [5] But fmcc it iDas thy Hap to throw away Much Wity for which the People did not pay, Becaufy Occurr'd was The Knight of the burning Pejite, which Is all Burlefqut Sublime, as Lazmillos Charafter in the U^oman-Hatcr is throughout. Here all the Editions give the Knight to Beaumont and Thicker, this therefore is clear, and the Prologue of that Play is in Scilc and Senti- ments fo exadlly like that of The Woman- Hater, that the fame Hand undoubtedly drew both. Believing therefore that the tlice Vahur was Bcaumonfs only, and that he had at lead the greateR Share of The Woman- Hater and The Knight of the Burning Pcjlle, I proceeded to other Plays, and firfl to The LitlleFrench Lawyer, where La-'writ runs Fighting- mad juft as Lazarillo had run Eating-mad, The Knight of the Burning Tcflle, Rofr.ance-mad; Chamont in the Nice Valour, Honour-mad, See. *rhis is what our old Engl'ifh Writers often diftinguifli by the Name of Humour. The Stile too of La-writ, li':e Lazarilloh and the Knight's, is often the Burlefque Sublime. Here I found the Prologue fpeaking of the Authors in the Plurai Number, i. e. Beaumont and Fletcher. There is a good deal of the fame Humour in The Scornful Lady wtotehy Beaumont and Fletcher, as all the Sluartos declare. The Publifhers of The General DiSlionary, vyhofe Accuracy deferves the highcR Applaufe, have help'd me to another Play, The Martial Maid, in which Beaumont had a Share, end Jonforis Manner of charafterifing is very vifible ; an effeminate Youth and a mafculine ycung Lady are both reform'd by Love, like Jonfons E-very Man in his Humour, and Every Man out of his Humour. Wit without Money and The Cufom of the Country which have Beaumont's Name firfl: in all tiie Editions, have fomething of the fame Hand, par- ticularly in Falcntineh extravagant Contempt of Money, and do great Honour to Beaumont as both are excellent Plays, and the firft an incom- parable one. Shirley fuppofes The Humorous Lieutenant to be one of the Plays referr'd to by Beaumont's Veries to Joiifn, and the Publifher of Beaumont's Poems, which came out about live Years after Shirley's Folio of our Author's Plays, has wrote under that Poem The 'Mail in the Mill: This, I fuppoie, was a marginal Note of Somebody who believ*d Beaumont to have been a joint Author in that Piay : It feems highly probable that he was fo in both thele Plays, as the Lieutenant and Buf- tapha are both ftrong Caracatures and much in Beaumont''^ Manner. The Falfe One mentions the .'iuchojs in the Plural Number, and I be- lieve Beaumont chiefly drew the Chara<5ler of Septimius which gives Name to the Play ; but whatever Share he had in that Play it doe. Jn'm great Honour, Cupid's Revenge, which all the Editions afcribe to Beaumont arid Fletcher, is only fpoil'd from being a very good Tragedy by a ridiculous Mixture of Maciiinery ; thi; Play, The Noble Gentleman, and The Coxcomb, arc all that remain which have any fore of exicrnal Vo L. I. f Evidence [6] Becatife they faw it mt^ I not dijlike Thisfecond Publication, which may firike ^heir Co7ifcie?iccs, to fee the thing they fcorn'd^ To be with fo much Wit and Art adorn' d, Bejides one 'Vantage more in this I fee. Tour CtJifurers ?iow muji have the ^.ality Of Rcadij2g, which I am afraid is more Than half your fir ewdcjl Judges had before. Fr. Beaumont. To the worthy Author Mr. John Fletcher, upon his Faithful Shepherdefs. II. THE wife, and many-headed Bench, that fits Upon the Life and Death of Plays, and Wits, {Composed of Gamefler, Captain, Knight, Knight'i Man, Lady, or Pucelle, that wears Mask or Fan, Velvet, or TafFata Cap, ranked in the dark With the Shop's Foreman, or fome fiich brave Spark, That tnay judge for his Six-pence) had, before They jaw it half damnd thy whole Flay-, and, tnore^ Their Motives were, fnce it had fiot to do With Vices, which they look' d for, and came to. Evidence which I know, of Beaumont'^ being a joint Author, and thefe I build nothing upon. There are two others that partake of his manner, which for that Reafon only I fufpeft ; The Spanijh Curate, and *The Laivs of Candy; The latter of which extremely refembles the Kt?2g and No Kifig in its principal Charadlers. But we need not reft upon mere Conjeftures, fincc Beaumont' tSh^xG of 7he Maid\ Tragedy^ Philajler, and the King and No King, give him a full right to fhare equally with Fletcher the Fame of a Tragic Poet ; and JVit v.-ithout Money, the Nice Valour, and ^be Little French Lawyer, raife his Cliarafter equally high in Comedy. [7 3 /, that am glad^ thy Innoce?ice was thy Guilt, And ivifi that all the Mufes' Blood iverefpilt T/i fucb a Martyrdom, to vsx their Eyes, Do crowji thy murder' d Poem : ivhichjlmll rife A glorified work to Ti?ne, when Fire, Or Moths, fiall eat what all thefe Fools admire. Ben. Jonfon* To Mr. Francis Beaumont, (then living.) III. ** TJ 01V I do love thee, Beaumont, a?id thyMMk^ -■■ •*• ^hat unto me doji fuch Religion ufe ! How 1 do fear tnyfelf, that am ?iot worth T^he lea ft indulgefit Thought thy Pen drops forth ! At once thou mak'fl me happy, and ujimakji ; A?id, givifig largely to me, more thou tak'fi. What Fate is mifie, that fo itfelf bereaves ? What Art is thine, that fo thy Friend deceives^ When even there, where moft thou praijeji me For writi?jg better , I mufl envy thee, 5 Ben. Jonfon. ♦ This (hort Copy (which feems wrote with a Sincerity not common in complimentary Poems) treats Beaumcnt not only as an excellent Critic, but as an excellent Poet; and is an Anfwer to a Poem of Beaumont's printed at the end of the Nice Valour, Vol. lO. J Ben. Jovfon.'\ So Jonfon fpelt his Name himfelf in his firft FoliOf and fo it is fpelt in the two firft ^arios of The Faithful Shcpherdtfs, f 2 On m On Mr. Francis Beaumont, on his Imitations of Ovid^ an Ode. IV. ^he matchkfs Luji of a fair Poefy^ Which erft was buried in old Rome'i Decays, Now 'gins with Heat of rifing Majcjly, Her dujl-wrapt Head from rotten T'omb to raife. And withfreJJo Splejidor gilds her fear lefs Creji, Reari?ig her Palace in our Poet'i Breajt, 7he wanton Ovid, whofe enticing Rimes Have with attraBive Wonder fore' d Attention^ No more Jhall be admird at -, for thefe T^irnes Produce a Poet, whofe more rare Invention Will tear the love-fick Mir tie from his Brows, y adorn his Temples with deferved Boughs. Thejirongeft Marble fears the fmalleji Rain-, The r lifting Caiiker eats the pur eft Gold-, Honour's bcft Dye dreads Envy's blackeji Stain ; The crimfon Badge of Beauty muji wax old. But this fair IJfue of thy fruitful Brain, Nor dreads Age, Envy, cank'nng Raft or Rain, ' I F. < The J. F. here is undoubtedly yo/:>N Thtcher, and the Ode, tho' not immediately relating to the Plays, is inferted here, firft, for its in- trinfic Merit; and, fecondly, as it will be pleafing to find that Fletcher % Mui'- v/as animated with Friendlhip as well as Bcaumonth; a Circum- ftance, which, till I faw this Ode, feem'd wanting to complete the amiable Union which reign'd between them. In the third Stanza, the Reader will fee an Authority for Milton's ufe of the Word Rime for Verfe in general. Things unattempted yet in Profe or Rime. Which Dr Bentley fo injudicioufly alter'd to Profe and Verfe. That "Beaumont wrote fomething in the Oi^zW/aw M«»«^r feems evident from thefe Lines; but the Hertnaphrodite which is printed as his, and fup- pos'd to be the Thing refer'd to in this Ode, is claim'd by Cleaveland as a conjun^ Performance between himfclf and Randolph. On f 9] On Mr. B E ^ U M O N T. (Written prefently after his Death.) V. "D Eaumont //Vj berf ; and where nowfiall we have ■*-' A Mufe like his to jigh upon his Grave f ylh ! none to weep this with a worthy Tear^ But he, that cannot^ Beaumont that lies here. 7 Who now fiall pay thy Tomb with fucb a Verfe As thou that Ladfs didft^fair Rutland 'j Herfe? A 7 Vfloo no^Jj /hall pay thy Tomb nvith fuch a Verfe As thou that Ladys ditfj}, fair Rutland'^ Her/eF] To pay thy Tomh is a little obfcure, but it feems to mean, to repay thee for writing Jo excellent an Epitaph, by one as excellent on thyfelf. There are feveral Epitaphs and Elegies in Beaumont's Poems, but by an Expreffion in Mr. Barlt's two next Lines relating to the Marble of the Tomb, I believe the following beautiful Epitaph is what is here referr'd to : An Epitaph. Herejhe lies, ivhofe fpotlefs Fame Invites a Stone to learn her Name. Tlie rigid Spartan that denied An Epitaph to all that died, Unlefs for War, in Charity, Would here •vouchfafe an Elegy. She died a Wife, but yet her Mind, Beyond Virginity refnd. From laijulefs Fire remaitid as frei. As noiv from Heat her Afhes he. \ Her Husband yet ^without a Sin, Was not a Stranger, but her Kin; TJjat her chajl Lonje might feem no other To her Husband than a Brother. Keep ivell this Panun, thou Marble CheJ}, Till it's call' d for, let it reji ; For nuhile this Jcnvel here is fet. The Qrave is like a Cabinet. f 3 TMi [ lo ] A Monument that will then lajling be. When all her Marble is more Dujl thanjloe. In thee alVs loji : afudden Dearth and Want Hdthfeiz'don Wit, good Epitaphs are fc ant-. We dare not write thy Elegy ; whil/l each fears ^ He ne'er Jhall match that Copy of thy Tears. Scarce in an Age a Poet, and yet he Scarce lives the third part of his Age to fee -y But quickly taken off, and only known. Is in a Minute f out as foon asfiown. JVhyJlmdd weak Nature tire herfclf in vain Infuch a Piece, to dafj it flraight again? Why foouldjhe takefuch Work beyond her Skilly IVhich, when fie cannot per feSi, fi:e inufl kill? Alas, what is't to temper Slime or Mire? But Nature's puzled, when fie works in Fire : Great Brains {like bright ejl Glafs) crack flraight ^ while thofe Of Stone or Wood hold out, aiidfear not Blows : And we their a?icient hoary Heads can fee, Whofe Wit was never their Mortality : Beaumont dies young, ^fo Sidney did before 5 ^here was not Poetry he could live to more ; He could 7iot grow up higher ; I fcarce knoWy If th' Art itfelf unto that pitch could grow, Were't not in thee, that had'fi arrived the Height Of all that Wit could reach, or Nature might. This is extremely in the Spirit of Milton and Shahjpearh Epitaphs, and fhews that Beaumont exccird in every Species of Writing which he at- tempted. There are t\\xet Elegies of his which I believe genuine, and they have great Merit ; two are fign'd by his Name, and another begins. Can my poor Lines no better Off.ee have. Than, Screech-Ot>:l like, Jlill d'vcell about the Grave? This {hews that he had wrote feveral Elegies and Epitaphs. * fo Sidney did before {\ It might perhaps have been— y& Sidney died hefire. o. 1 [ " 1 O, when I read thofe excellejit Things of thine ^ Such Strength^ fiicb Sweetnefsj coucht in every Line, Such Life of Fancy, fuch high choice of Brain, Nought of the Vulgar Wit or borro-wed Strain, Such Fafjion, fuch Exprefions meet my Eye, Such Wit untainted imth Obfcenity, And thefe fo unaffeBedly exprefsd j All in a Language purely -flouring dreji ; And allfo born within thyfelf, thine own. So ?iew, fofrefh, fo nothing trod upon. I grieve not now, thai old Menandcr'i Vein Is ruin'd, to furvive in thee again j Such in his time was he, of the fame piece. The fnooth, ev'n, natural Wit, and Love of Greece. Thofe few fententious Fragments fJoew more worth. Than all the Poets Athens e'er brought forth ; And I am for ry we have loft thofe hours On them, whofe quichiefs comes far fiort of ours. And dwell not more on thee, whofe every Page May be a Pattern for their Scene a?id Stage. I will not yield thy Works fo mean a Praife ; More pure, more chafi, more fainted than are Plays, Nor with that dull jupinenefs to be read. To pafs a fire, or laugh an hour in Bed. How do the Mufes fuffer every where. Taken in fuch Mouths cenfure, in fuch Ears, That, 'twixt a whiffe, a Line or two rehearfe. And with their Rheume together fpaule a Verfe f 9 This all a Poems Pleafure, after Play, Drink or Tobacco, it may eke the Day. Whilfi 9 lljis all a Poems leafure after Play, Drink or Tobacco, it may keep the Day."] What is all a Poems Itafure ? I can affix no Idea to it but a Latinifm, which if defign'd is extremely forc'd. This is all a Poetns, i. e a Poem's Part, Pow'r or Worth, it may fcrve to fpend one's Icafure Hours after Dice, Drink, f 4 or [ ,2 ] Whlljl ev'n their very Idlencfs, they think. Is iojl in thcfe, that lofe their time iii drink, *° Pity them dull-. We, we that better know^ Will a more ferious hour on thee beftow. Why Jldould not Beaumont /;; the Morning pleafe^ As well as Pkutus, Ariftophanes ? Who, if my Fen may as my 'Thoughts be free. Were fcurril Wits and Buffoons both to thee , Yet thefe our Learned of Jeverejl Brow Will deign to lock on, and to fiote them too, That will defy our own ; 'tis EngliQi ftt{ff\ — - And tlf Author is not rotten long enough. Alas, what flegme are they, compared to thee^ In thy Philalter, and Maid's Tragedy ? ■ or Tobacco. But unlef'; the Reader fees a more natural Explication, I believe he will agree to its l)eing difcarded as a Corruption, for a trifling Change will give a dear Senfe, ^is nil a Vocnis Pleafufc, after Play, Drink or Tobacco, it may keep the Day. i. e. All the Pleafure a Poem gives to thefe Sons of Dulnefs, is to fpin oijt or pafs away the Time till Sun fet, after Cards, Bottles, and To- . bacco are removed ; thus to pafs a Fire, a. little above, fignifies to pafs away the Time till the Fire is burnt out. But to keep a Day, is an Expreffion not very applicable to this Senfe, (a Senfe which the Con- text evidently requires) and tho' it may indeed be drained to fomething like it, yet a? we can retain three of the Letters in keep, and by a fmall tranfpofition of the reft, give a much properer Verb, it Teems probable that eke was the original, we generally now fay to eke out the Day; but it was us'd by our Anceftors without the Adverb, to eke a thing, i. e, to protradl or lengthen it out. The Reader will fee a much greater Cor- ruption of thcPref'; than either of thefe at the latter End of this Poem. ' ** P/V); then dull ave, nxie that better knotv. Will a more ferious Hour on thee befovj.'\ There is too much In- confiftency in this Sentence to fuppofe it genuine. He ironicsUy calls himfelf and Triends dull, and literally aflerts their fuperior Underltand- ing in the fame ^entence. Befide, Pity then lue ij.-ill befoiu, &c. does not feem EngUf:. I change but an n to an m, and read. Pity them dull; We, 'we that^ &c. Where's [ '3] Wheye'ifuch an humour as thy Beflus, pray f Let them put all their Thrafoes in one Flay^ He fiall out-bid them ; their conceit was poor. All in a Circle of a Bawd or Whore ; ' ' A coining Davus ; take the Fool awny. And not a good Jcft extant in a Flay. Tet thefe are Wits, becaufc they re old^ and 7iow, Being Greek and Latin, they are Learning too : ' ' ^ coznlng Dance, takt the Fool aivay. And not agoodjefi extant in a ?lay.'\ Dance is certainly fpurious : The Printer of this Poem among Bcaumoni'h Poems mention 'd above, faw that it was abfurd ; but not hitting on an Emendation left it quite out, and made a Dafli in its room. Mr. Sympfon propofes to read Dunce, which makes tolerable Senfe ; but leaves the Meafure as deficient as before. Mr. Theobald undoubtedly reftor'd the true Word Davus, which the Setter of the Prefs might eafily miftake, as he could not be fuppos'd to have underftood it. I (hall give Mr. Tlnohaltf^ own Note wrote on his Margin, as it is a Specimen of the Critical Language which he had accullom'd himfelf to, but which I believe he would have laid afide had he liv'd, for I took forae Pains to lay before him the Arguments us'd againft it at Page 60, 61, isc of my Preface, and he told me that he was convinc'd it was wrong and impolitic, and would change his Stile of Infult on other Editors for tie future. But this wag prevented by his Death, and the following Note feems to have been wrote many Years before. A Coining Dance, &c.] What rare Ears have thcfc Editors to Cadence and Ve. fification ! and what an acute Regard to common Senfe ! Both the Meafure halts, and the Meaning is defective. My Emcndatioa makes a double Core. Da'vus is the Name of a fubde juggling Ser- vant in Terence's Comedy called the Fair Andrian. Mr. Theobald, Mr. Eavle's Refleftions on Terence are in part at leaft very unjuft. There is perhaps too much Samenefs in his Plots ; but his Old Men and Young, his Servants, his Parafites, ijc. are each a diftinft Character from all the relt, and preferv'd throughout each Play with infinite Spirit and Judgment. Befide which, the elegant Didlion and fine Sentiments which every where abound in him are Patterns to the heft Comic Wri- ters ; and which Beaumont and Fletcher ftrive to excel him in by adding Sublimity of Poetry to Juftnefs df Sentiment ; well knowing that Jejis and Drollery arc only the loweft Degree of Comic E.xcellencc. But [ H] But thofe their own T^imes were content f allow ** A thrifty Fame, and thine is loweft now. But thoujhalt live, mid, when thy Natne is grown Six Ages older, Jljalt be better known ; When thou'rt of Chaucer'j Standing in the Tomb, Thoujhalt not jhare, but take up all, his room. '3 Joh. Earlc On Mr. Francis Beaumont. ( Then newly Dead. ) VI. HE that hath fnch Acutenefs, andfuch Wit, As would ask ten good Heads to husband it j He, that can write fo well, that no Man dare Reftife it for the bejl, let him beware : ' ^ A thirjiy Fame,'] To make thirfy fignify poor or fcanty may be admitted ; but as the fmallefl Change gives a more natural Word, thrifty feems the Original. ' 3 Joh. Earlg.'] Mr. Earle was young when he wrote this, and there are indifputable Marks of a bright Poetic Genius, which had probably been greatly infpir'd by an Intimacy with Beaumont. He was in high Repute as a Preacher and a Scholar in King Charles the Firll's Reign ; and feems to have been a true Patriot ; for it is probable that he oppos'd the Court in the beginning of the Troubles, as he was defied One of the AJfemhly of Divines ; but he refus'd to aft with them, and adher'd to the King in his loweft State, and for it was depriv'd of the Chancellorfhip of Salisbury, zx\d all his other Preferments. After the Re- ftoration, he was made, firft Dean of Wefiminfer, then Bifliop of /For- cefter, and afterwards of Salisbury, Mr. IVood gives a Charafler of Ikim, that extremely refembles that of the excellent Dr. Hough, the late Bifliop of Worcefter ; the Sum of it is, that He joinM the PoHtencfs of a Courtier to the Sanftity, Goodnefs, and Charity of an Apoftle. Beaumont Beaumont 2i dead^ by ivhoje fole Death appears^ Wifs a Difeafe conjumes Men in few Tears. »4 Rich." Corbet, D. D. On the happy Collecftion of Mr. F l e t c h e r's Works, never before printed. VII. F Letcher, aj'ife! Ufiirpers fiare thy Bays, They canton thy vafi Wit to build fmall Plays : He comes I /)/i Volume breaks through Clouds andDujl -^ DowHy little Wits ! ye muji refund^ ye muft. Nor comes he private, here's great Beaumont too j How could onefmgle World encompafs two ? For thefe Co-heirs had equal Power to teach All that all Wits both can, a?id cannot, reach, Shakefpeare was early up, and went fo drefi As for thofe dawning hours he knew was bejl -, But, when the Sun Jhone forth. You Two thought Jit *To wear jufi Robes, and leave off" Trunk-hofe Wit. Now, 710W, 'twas P erf eB ', none mufi look for New ^ Manners and Scenes may alter, but not You j For yours are not mere Humorous, gilded. Strains j l^he Faflnon lojl, your maffy Senfe remains. Some think your Wits of two Complexions f ram' d^ That one the Sock, tlf other the Buskin, claim'' d-, »♦ Richard Corbet, firft Student, Xhtn'Dt^noi Chrijl-Church, after- wards Bilhop of Oxford, and from thence tranflated to Nor-xjcich ; in hia Youth was eminent for Wit and Poetry, of which this is a Specimen, and a good Teilimony cf BcaumonC^ having a luxuriant Wit as well at Tlctchcrt H Wit *n:at iVQuld ask ttn good Htads t» husband it. That [ .6] *Thaf JhouJd the Stage embattle all it s force y Fletcher would lead the Foot, Beaumont the Horfc. Biity you icere Both for Both ^ not Semi-wit s^ Each Piece is ivholly T'wo, yet ?icvcrfplits : Vare not two Faculties, and one SonXJlill, He /^' Underftanding, thou the quick free Will; ^^ Not as two. Voices in one Song embrace, Fletcher'^ keen Treble, and deep Beaumont'^ Bafc, Two, full. Congenial Souls ; ft ill both prevail' d-, ^^ His Mufe and thine were Quarter 'd, not Impal'd : ■ f But as t-TJUo Voices in one Song embrace Fletcher'j keen Treble, and deep Beaumont'j Bafe, Tnvo full congenial Souls.'\ Here Berkenhead is fpeaking of the doubtful Opinions relating to the Share which Beaumont and Fletcher had in thefe Plays : He tells you, that the general Opinion was, that Beaumont was a grai'e Tragic IVriter, Fletcher moft excellent in Comedy. This he contradidls j but how, why, they did not differ as a General of Horfedoes from a General of Foot, nor as the Sock does from the Buskin, nor as the W/// from the Underjtanding, but wtrt i^o full Congenial Souls, and differ'd only as the Bafe and Treble do in the fame Song. Why, if this is the true Reading, he confirms in thefe Lines what he had contradicled in all the foregoing Similes, for Bafc and Treble have much the fame difference between them as Horfe and Foot in an Army, or the Wit and Underftanding in the Soul. To make the Writer confiftent with himfclf, the true Reading feems to be Not inflead of j?a/ ; Not as tiuo Voices in one Seng embrace, FlctcherV keen Treble and deep BeaumontV Bafe ; TiJoo full congenial Souls. I ' His Mufe and thine ixere Quarter'd, not Impal'd :]] I know I sm going out of my Depth, in attempting a Criticifm on Terms in Heraldry. But my Books tell me, that Impaling is when the Arms of the Man and Wife are plac'd on the lame Efcutcheon, the one on the Right and the other on the Left ; which is a proper Emblem of the Matrimonial Union ; and might itemingly be as well ap- plied to the Marriage of Beaumont and Fleicher^s Wit, as the Word gartering can, which the fame Berkinhead i'peaks of at the latter end of this Poem : What f range ProduSIion is at la/l difplay^d. Got by tivo Fathers luithout Female aid! But I Ihali attempt no Change in a Science where I am Ignorance itfelf. Both [ 17 ] Both brought your Ingots, both toiN at the Mint^ Beat, melted, fifted, 'till no drofs /luck in"t ; T^hen in each others Scales weighed every Grain, ^hcn fmooty d and burnijlfd, then weighed all again-, Stampt both your Names upon't at one bold hit, ^hen, then 'twas Coin, as well as Bullion-Wit. ^hus Twins : But as when Fate one Eye deprives, *That other jlrives to double, which furvives : So Beaumont dy'd: yet left in Legacy His Rules and Standard Wit (Fletcher) to thee. Still the fame Planet, though not fiW d fo foon, A Two-horjid Crefcent then, now one Full-moon. Joint Love before, now Honour, doth provoke ; So tlf old Twin Giants forcing a huge Oak, One flip' d his footing, th' other fees him fall, Grafp'd the whole Tree andfingle held up alL Imperial Fletcher ! here begins thy Reign ; Sce?ies flow like Sun-beams from thy glorious Brain j Thy jwift- dif patching Soul no more dothjiay. Than he that built two Cities in one day ; Ever brim-full, and fometimes running o'er. To feed poor languid Wits that wait at Door 5 Who creep and creep, yet Jie'er above ground flood % (For Creatures have moji Feet, which have leaft Blood) But thou art fill that Bird of Paradife, Which hath no feet, and ever nobly flies : Rich, lufty Senfe, fuch as the Poet ought ; For Poems, if not Excelle?it, are Naught ; Low Wit in Scenes inflate a Peafant goes ; If mean and flat, let it foot Teoman-Profe, That fuch may fpell, as are not Readers grown -, To whom he^ that writes Wit, fljews he hath none. Brave [ .8 ] Bra've Shakefpeare fiow'd^ yet had his ^bhhigi too^ ■ Often above himfelf^ fometimes below ; i'hou always bejl , if aught feem d to decline , ^Twas the wijudging Rout's tnijiakey not thine : Thus thy fair Shepherdefs, which the bold heap (Falfc to thcmfches and thee') did prize fo cheapo fVas found (when underflood) fit to be crown' d. At worft 'twas worth two hundred thoufand Pound. Zo7nc hhft thy Work?, lefi we fiould track their Walk', Where theyfieal all thofe few good things^ they talk ; Wit-Burglary muji chide thofe it feeds on. For plunder' d folks ought to be rail'd upon ; But (asjlohi Goods goe off at half their worth) Thyjlrotig Senfe palls, when they purloin it forth. When didfi thou borrow ? where' s the Man, e'er read Aught begg'd by Thte from thofe Alive or Dead? Or from dry GoddefTes ? asfome who, when They fluff their F age with Gods, write worfethan Men\ Thou waft thine ovin. Mufe, and hadft fuch vaft odds. Thou out-writ' ft him whofe Verfe made all thofe Gods : Surpafting thofe our Dwaififi Age up-rears. As much as Greeks, or Latins, thee in Tears : Thy Ocea?i Fancy knew nor Banks nor F)amms ^ We ebb down dry to P^M/?- Anagrams ; T>ead and infipid, all defpairing fit ; Loft to behold this great Relapfe of Wit : What ftrength remains ^ is like that (wild a7id fierce) 'Till Jonfon fnade good Poets and right Veife, Such boyft'rous Trifies thy Mufe would not brook. Save when ft:)e' d fioow how fcurvily they look -, Na t 19] No favage Metaphors, {things rudely Great,) Thou dojl dilplay, not butcher a Conceit j T/'jy Nerves have B^^auty, which invades and charms -, Looks like a Princcfs harnefs'd in bright Anns, Nor art thou Loud and Cloudy ; thofe^ that do 'Thunder fo much, dot without Light?iing too ; Tearing them/elves, and almoft fplit their Brain To rcJider harfb what thou fpeak'Jl free and clean ; Such gloomy Senfe may pafsfor High and Proud, But true-horn Wit flilljlies above the Cloud ; Thou knew' ft Vic'^j Impotence, what they f^// Height; Who bluftersftrong i'tV Dark, but creeps Vtlf Light, And as thy Thoughts were clear, fo. Innocent j Thy Fancy gave no iinfwept Language vent ; Slawidcrft 7iot'Lz.\ws, prophar.ft no holy Page, (As if thy Father's Crofier aw'd the Stage-,) High Crimes were fill arraigned; tho' they made fi'ft To projper out four A(5ls, were plagiCd t'th' Fifth : Alls fa fe, and wife -, no ftiff-affeSled Scene, Nor iwoln nor flat, a true fill natural Vein j Thy Senfe (like well-dreft Ladies) ckatJfd as skinn'd^ Not all unlacd, nor City-ftarch'd and pimi'd ; Thou hadft ?io Sloth, 7to Rage, nor fulle?i Fit, But Strength ^2:;^^ Mirth j Fletcher'i j Sanguine Wit, Thus, two great Cov\(u\-Poets all things fwafd^ Till all was Engliih Born or Englifh Made : Mitre and Coife here into One Piece fpun, Beaumont a Judge'j, this a PrelateV Son. What ft range Produdlion is at laft difplafd. Got by two Fathers, without Female aid I Behold, Behold J fwo Mafculines efpous'd each other • Wit and the World were born ivithotit a Mother. '7 J. Berkinhead, ^ On the Works of Beaumont and Fletcher, now at length printed. VIII. GReat Pair of Authors, whom one equal Star Begot Jo like iti Genius, that you are In Fame, as well as Writings, both Jo Unity *Jhat no Man knows where to divide your Wit^ Much lefs your Praife : Tou, who had equal Fire^ And did each other mutiially infpire j Whether vnc did Contrive, the other Write, One jram'd the Plot, the other did Indite ; Whether one foimd the Matter, tJf other JDrefsy Or th' one dtfpofed what th' other did exprefs : Where-e'er your Parts beiwee:z your fehcs lay, we. In all things, which you did, but one Thread Jee j So evenly drawn out, fo gently fptin, That Art with Nature ne'er did fmoother run. Where jloall I fir ?ny Fraije then ? or what part Of all your numerous Labours hath dejert ^7 J. Berkinhead.^ Berkinhead was firft Amanucnfis to BKhop hand, and Fellow of All-Souls. He was Author of the Mercurious JiulicuSf a very Loyal Paper in the Time of the Rebellion. He was perlecuted much in Cromivelts Days, and lived by his Wits ; after- wards he had good Places under King Charles the Second, was Member of Parliament, and Knighted. More f 21 ] More to befam'd than other ? Shall Ifaj^ Fve j?jet a Lover fo draw?! in your Pla)\ So pajjiojiately writteti^ fo inflamd^ So jealoujly inrag'd^ then gently tam'd. That I in reading have the Perfon feen. And your Pen hath Part Stage and A6ior been ? Or Jhall Ifay^ that I can fcarce forbear 'To clap J when I a^ Captain do meet there ; [*Bc(rus So lively in his own vain Humour drejl^ So braggingly, and like himfelf exprejiy That fnodern Cowards^ ivhen they faw him plafdy Saw J bluJJfd^ departed guilty y ajid betrayed? Tbu wrote all Parts right ; whatfoe'er the Stage Had from you, wasfeen there as in the Age, And had their equal Life : Vices which were Manners abroad, did grow corrected there : They who pojjeft a Box, and haf Crown fpent To learn Obfcenenefs, return d innocent. And thank' d you for this Coz'nage, who/e cha/le Scene Taught Loves fo noble, fo reformed, fo clean. That they, who brought foul fires, and thither came To bargain, went thence with a holy flame. Be't to your Praife too, that '^^ your Stock and Vein Held both to Tragic and to Comic Strain ; Where-e'er you lifted to he high and grave. No Buskm fiew'd morefolemn 3 no ^illgave » * . y our Stock and Fein Held both to Tragic and to Comic Strain.'\ Mr. Theobald would read Sock and Fein ; but then Tragic and Comic in the next Line are mifplac'd, and the Defcriptioni of Tragedy and Comedy in the eight next Lines are equally fo ; befides, Fein by no means makes a proper Antithcfis to Sock or Comedy, and if one Word is abfolutely explicit. Sock for Comedy, the other fhould be fo too, and Buskin is the Word that anfwers it. The old Reading, which is, I doubt not, the true one, will bear this Senfc : Your Stock of Underftanding and Knowledge, and your Fein of Wit and Humour are equally excellent in Tragedy and Comedy. Vol. I. g Such [ 22 1 Such feeling ObjeBs to draw Tears from Eyes, SpeBators fate Parts in your T^ragedies, And "where you lifted to be low and free. Mirth tur?i'd the whole Houfe itito Comedy ; So piercing (where you pleas' d) hittifig a fault, That Hmnours from your Fen ijjued all Salt, Nor were you thus in Works and Poems knit. As to be two half, and to make one Wit j But asfome things, we fee, have double caiife. And yet the effeB itfelf from both whole draws j So though you were thus twifted and combined, '9 As in two Bodies f have but one fair Mind ; Tet if we praife you rightly, we muft fay. Both join d, and both did wholly make the Play. For that you could write fingly, we may guefs ^° By the divided pieces which the Prefs Hath fever ally fent forth ; nor were ^^ joindfoy Like fome our Modern Authors, made to go One *^ As tivo Bodies to hanie but one fair Mind i] Both Senfe and Mea- fure are here much confus'd, fhould I infert the Reading that pleafes belt, it Ihould be. As your invo Bodies had but one fair Mind. Greater Alterations than from this to the old Text have been often made at Prefs by mere Overfights, but fhould not be fuppos'd where a fmaller Change will reftore a Senfe and Meafure quite fuitable to the Author's general Stile. I read therefore. As in t^o Bodies /' have but one fair Mind. ^^ By the di'vided Pieces nuhich the Prefs Hath feverally fent forth {] I have before fliew'd that there were two Comedies wrote by Beaumont fmgly, and given fome Reafons why the Nice Valour ought to be deem'd one of them. Whether Mr. Maine in this Place referr'd to thefe two Comedies, knowing which they were ; or whether he only meant the Mask at Grays-Inn, which was the only Piece which we know to have been publifh'd in Beaumont''?, Name before thefe Commendatory Poems were publifh'd ; or whether he fpoke in general Terms, without a ftrift adherence to Fads, muft be left uncertain. 21 — . nor ix:ere gone fe, Liie fome our Modern Authors, made to go On merely by the help oftV other ^ The Word ^5 which ends the next Line, feems to have ran in the Printer's Head, and made him put gone here inftead [23] 0?te merely by the help of th' other ^ who To purchaje Fame do come forth one of two ; Nor wrote yoicfo, that one's part was to lick The other into Shape j fior did one Jlick The other's cold Inventions with fuch Wit^ Asfcrv'd, like Spice, to make them quick and fit-. Nor, out of mutual Want, or Emptinefs, Did you confpire to go fill Twins to tlf Prefs ; But what, thus join'd, you wrote, might have come forth As good from each, and for' d with the fame worth That thus united them 5 you did join Senfe j In you 'twas he ague, in others Impotence-, ^^ And the Prefs, which both thus amongjl us fends. Sends us one Poet in a pair of Friends. ^3 Jafper Maine. inftead of fome other Word. Mr. Theobald had prevented me in the Emen- dation : We rtzA join d fo, and as I have his Concurrence, I have the lefs doubt in preferring it to Mr. Symp/on's Conjefture — Nor nvere one fo— tho' this latter is very good Senfe and nearer the trace of the Letters, but it would make one be repeated too often, for it is already in the third and fourth Lines after, and 'tis very evident to me that it (hould have been in the Second, for On merely, I read One 7nerely. 22 And the Prefs 'which both thus amongjl us fends S\ I believe few of the ancient Englijh Poets knew any Rule of EngliJJj Verfe but its Number of Syllables, and therefore when their Ear fail'd them, even the bed of them often make the Accents fall upon wrong Syllables. Tho' 'tis poffible, that the Millakes of the Prels often fpoil'd their Meafure by tranfpoiing Monofyllables. A fmall Tranfpofition would cure this Lioe : And thus the Prefs vjhich both atnongfl us fends. See the Rule for Englijh Verfe at Note 5. }Vit -without Montyt ^^ l^fP'^ Ma/wf.] This Gentleman was Author of the City Match, a Comedy, and the Amorous War, a Tragi-Comedy, He was an eminent Preacher in the Civil War, but warmly adhering to the King was depriv'd of all his Preferments in CromiueWs Time, and taken for Charity into the Earl of DcTonJhire'% Family, where his Learning, -Piety, and Wit, rendered Kim a proper Advocate for Religion againft the famous Mr. Hohbs, then a Tutor in that Family. After the Reftoration he was made Canon oiCbriJl- Church, and Arch- Deacon of Chichejlcr. g 2 Upon [ 24 ] Upon the Report of the printing of the Dramatical Poems of Mafter John Fletcher, colle<^ed before, and now fet forth in one Volume. IX. T Hough when all Fletcher ivrity and the entire Man was indulged to that f acred fire. His Thoughts J and his Thoughts Drefs^ appear' d Both fuchj That 'twas his happy fault to do too much : Who therefore wifely didfuhmit each Birth To knowing Beaumont e'er it did come forth, fVorkiiig again until he f aid ^ 'twas fit, And made him the Sobriety of his Wit ; Though thus he caWd his Judge into his Fame, And for that aid allowed him half the Name -, 'Tis known, that fojjietimes he did ftand alone. That both the Spunge and Pencil were his own ; That himfelf judgd himfelf could fmgly do ; And was at lajl Beaumont and Fletcher too : *♦ Elfe we had lofl his Shepherdefs, a piece EsVen and [moot h, f pun from a finer fleece -, Where foftnefs reigns, where Pafions Faffions greet. Gentle and high, as floods of Balfam meet. Where drefs'd in white Expreffions fit bright Loves, Drawn, like their fair efl ^leen, by milky Doves ; *♦ Elfe luthadlofi his Shepherdefs.] Mr. Cartnuright was a very bright but a very young Man, and feems to tafte our Authors Plays extremely well, but to have known nothing of their Dates and Hiftory, He fuppofes the Shepherdefs wrote after Beaumont's Death, fo that his Teftimony ought to have no fort of Weight in excluding Beaumont from all (hare in the Compofition of the Plays. He had taken up the Sup- pofition of Beaumont''s being only a Correflor, perhaps merely becaufe JonfoH had celebrated his Judgment j not confidering that he celebrated his Fancy too. A f 25] Apiece^ which Jonfon in a Rapture bid Come up a glprffyd Work ; andfo it did. Elfe had his Mufefet with his Frie?id ; the Stage Had mifs'd thofe Poems, which yet take the Age ; ^he World had lojl thofe rich Exemplars , where Art, Language y Wit, Jit ruling in one Sphere j Where the frejh matters f oar above old 'Themes^ As Prophets' Raptures do above our Dreams j Where in a worthy [corn he dares refufe All other Gods, and makes the 'Thing his Mufe 5 Where he calls Pajfions up, and lays them fo. As Spirits, aw'd by him to come atid go ; Where the free Author did what-eer he would^ And nothing will'd but what a Poet fiould. No vajl uncivil bulk [wells any Scene, The Strength's ingenious, and the Vigour Clean ; JSIone can prevent the Fancy, and fee through At the fir fi Opening-, all fi and wondring how The thing will be, until it is ; which thence Withfrefj Delight fiill cheats, fill takes the Senfe ; The whole Defign, the Shadows, the Lights fuch^ That none can fay he f^ews, or hides too much: Bufinefs grows up, ripe?ied by juji encreafcy And by as juJl Degrees again doth ceafe ; The Heats and Minutes of Affairs are watch' d, Afid the nice Points of Time are met, and fiiatcU d : Nought later than it fldould, nought comes before j Chymifts, and Calcidators, do err 7nore : Sex, Age, Degree, AffeBions, Country, Place^ The ifiward Subflance, and the outward FacCy All kept precifely, all exaBly fit ; What he would write, he was, before he writ, 'Twixt Jonfon'i grave, and Shakefpear'j lighter Sound, His Mufe fo fleer dy that fo?jiething fiill was found, g 3 Nor [ 26 ] Nor tbisj nor thaf^ nor botl\ but fo his own, That 'twas bis Mdrk, and he was by it known ; Hence did he take true 'Judgments^ he?ice didftrike All Palates fome way, though not all alike : The God of Numbers might his Numbers crown. And J liftjiing to them^ wiJJj they were his own. Thus^ w^^kome forth^ what Eafe^ or Witie, or Wit Durjl yet produce y that is, what Fletcher writ ! ANOTHER. X. 'C'Lctcher, though fome call it thy fault, that Wit **- So overflowed thy Scenes, that e'er 'twas ft To come upon the Stage, Beaumont was fain To bid thee be more dull ; that's, write again, And bate fome of thy Fire ; which from thee came In a clear, bright, full, but too large a Flame ; And after all (fi?idi?ig thy Genius fuch) l^hat blunted, and allay' d, 'twas yet too much ; Added his fober Spunge ; and did contract *Thy Plenty to lefs Wit, to make't cxa5i : Tet we through his Corrections could fee Much Treafure in thy fuperfluity ; Which wasfo fil'd away, as, when we do Cut 'Jewels, that that's loft, is few el too : Or as Men ufe to wafj Gold, which we know By lofmg 7nakes the Stream thence wealthy grow, ^oey who do on thy Works feverely fit. And call thyftore the Over-Births of Wit, Say thy Mif carriages were rare, and when Thou wert fuperfluous, that thy fruitful Pen Had no fault but abundance, which did lay Out in one Scen^ what might wellferve a Play -, Afid f 27 ] Ajid hence do grants that, what they call Excefsy JVas to be reckoned as thy happinefs^ From whom Wit ijfued in a full Spring-tide ; Much did inrich the Stage, much fow'd be fide. For that thou couldjl thine own free Fancy bind JnJlriBer Numbers, and run fo CQnfm'd As to obferve the Rules of Art, which fway In the contrivance of a true-born Flay ; Fhofe Works proclaim, which thou didft write retired From Beaumont, by none but thyfelf infpird. Where, we fee, 'twas not Chance that made them hit. Nor were thy Plays the Lotteries of Wit ; ^5 But, like to Durer'j Pencil, which firji knew The Laws of Faces, a?id then Faces drew: Thou knew ft the Air, the Colour, and the Place, The Symmetry, which gives a Poetn Grace, Parts are fo fitted unto Parts, as do Shew thou hadft Wit, and Mathematicks too : Knew' ft where by Line to fpare, where to difpenfey And didft beget ju ft Comedies from thence : Things unto which thou didft fuch Life bequeath, -^ That they, (their ownBhck-Fneis) imaBed^ breath, Jonfon hath writ things lafiing, and Divine, Tet his Love-Sce?ies, Fletcher, compard to thine. Are cold andfrofty ; and exprefs Love fo. As Heat with Ice, or warm Fires mixd with Snow -, *5 /lie to Dnrer's Pena'/,'^ y^/iert Durer wslsz mott. excellent Gerfftan Painter, (born in 1 47 1 .) much admired even by the great Raphael himfelf; and in fo high Efteem with the Emperor Maximilian the Finl, that he prefented him with a Coat of Arms as the Badge of Nobility. Mr. TheobaU. *^ That they, [their «m;« Black-Friers] i. e. their own Theatre : meaning, that Fletchers Plays were fo fprightly, that, tho' then unaded (by reafon of the troublefome times, and Civil War which raged againft King Charles the Firft) they wanted no Advantage of a Stage to fet them off. One of the Seven Playhoufes, fubftfting in our Author's Time, was in Biack Fryers, Mr. Theobald. g 4 ^''•'^^^ [ 28 ] ^hon^ as ifjlruck ivith the fame generous Darts, Which hiu-riy and reign ^ in ?ioble Lovers* Hearts, Haft cloath'd AffcBions in fiich native tires ^ And Jo defcrib'd them in their own true Fires ; Such moving Sighs, Juch undiftemblcd Tears, Such Charms of Language, fuch Hopes mix'd with Fears -, Such Grants after Denials, fuch Purfuits After Defpair, fuch amorous Recruits, ^hat fojncj who fate SpeBators, have confejl ^hemfelves transformed to what they faw expreft : And felt fuch flmfts fleal through their captiv'dSenfe, As ?nade thein rife Parts, and go Lovers thence. Nor was thy Stile wholly composed of Groves, Or the foft Strains of Shepherds ajid their Loves ; When thou would'Jl Coinick be, each fmiling Birth, In that kind, came into the World all Mirth, All Point, all Edge, all Sharpnefs ; we did fit Sometimes five A5ls out inpure fprightfulWit -, Which flow' d in fuch true Salt, that we did doubt In which Scene we laugh' d moft two Shillings out. *7 Shakefpcar to thee was dull, whofe beft J eft lies I'th' Ladies que ft ions, and the Fools Replies ; Old *7 Shakefpear to thee 'was dull^ This falfe Cenfure arofe from the irraal fault of Panagerifts, of depreciating others to extol their Favourite. Kad he only faid, as in the former Copy, that Fletcher was in a due Medium between 'Jonfon's Corrcdlnels and Shakefpcar s Fancy, he had done Fletcher as well as himfelf more real Honour. But it mull be obferv'd, tint Beaumont and Fletcher were fo much the general Taftc of the Age, both in C/6^r/£o the Firft and Second's Reign, that Mr. Carti>jright only follows the common Judgment. The Reafon fcems to be this, Jonfon furviv'd both Shakefpcar and our Authors many Years, arvd as he warmly oppos'd the ftrange Irregularities of the Englijh Theatre, at the head of which Irregularities was lo great a Genius as Shakefpcar, he form'd a ftrong Party againft him. But Nature frequently fpoke in Shakefpear fo directly to the Heart, and his Excellences as well as Faults were fo glaring, that the Prejudices againft the latter cp.uld not wholly blind Men to [29] Old faJJj'ion' d Wit, which walk' d from Tcwn to Town ^^ In triink-hofe, which our Fathers caWd the Clown ; Whofe Wit our ?iice times would Obfcenenefs call. And which made Bawdry pafs for Comica.1. Nature was all his Art j thy Vein was free As his J but without his Scurrility ; Frofu whom Mirth came unforc d, no fejl perplexed. But without labour clean, chajl, and unvcx*d. *Thu wert not like fome, our fm all Poets, who Could not be Poets, were not we Poets too ; Whofe Wit is pi If ring, and whofe Vein and Wealth In Poetry lyes meerly in their jlealth ; Nor didjl thou feel their Drought, their Pangs, their ^lalms, Their Rack in Writing, who do write for Alms ; Whofe wretched Genius, and dependent Fires, But to their BenefaBors' Dole afpires. Nor hadfi thou the fly Trick, thyjelf to praife Under thy Friends' Names; or, to purchafeBays^ Didjl write ft ale Commendations to thy Book, Which we for Beaumont'j or Ben Jonfon'i took : to the former. As our Authors refembled him in thefe Excellences more than Jonfon, and yet often follow'd Jonfon\ Corredlnefs and Manner, the Partifans both of Shake/pear and Jon/on were willing to compromife it, and allow them the firft Honours, as partaking of both their Excellences. After the Reftoration, French Rules of the Drama were introduc'd, and our Authors being nearer them than Shake/pear, they nill held their Superiority. i' In iurnd Hofe,'^ This is Nonfenfe j and a Corruption either by the Tranfcribers, oratPrefs. We mull read, Trunkhoji ; i.e. a kind of large Slops, or Trowzers, worn by the Clowns, So in the 25th Copy of Verfes ; * "TTou T Thy Scornful hidyfeems to mock my toil : Thus has thy Mufe, at once, improved and marr'd Our Sport in Plays, by rejid'ring it too hard. So ivhen a fort of lufly Shepherds throw The Bar by turns, a?id none the refl outgo So far, but that the befl are meafuring Cafls, Their Emulation and their Pajlime lajis ; But iffome Brawny Teoma?t of the Guard Step in, and tofs the Axle-tree a Yard, Or more, beyond the farthefl Mark, the refl Defpairing fiand, their Sport is at the befl. Edw, Waller* To FLETCHER Reviv'd. XVI. HO W have I been Religious ? whatflrange Good Has fcap'd me, that I never u?iderfiood? Have I Hell-guarded Hcrefy overthrown F Heal'd wounded States ? made Kings and Kingdoms one? That Fate Jhould befo merciful to me. To let me live t*havefaid, I have read thee. iS Thy Scornful Lady — ] Many great Men, as well as Mr. Waller, have celebrated this Play. Beaumanfi Hand is vifible in fome high Caracatures, but I muft own my Diffent to its being call'd a Firft-rate Comedy ; I propos'd to have put it in the fecond Clafs in the Preface, where I have divided our Authors Plays into three ClafTcs, but by an unfortunate Overfight this Play was omitted, V o L. I. h Fair [38] Fair Star, afcend I the Joy ! the Life ! the Light Of this tempefiuous Age, this dark IVbrld's Sight ! db,from thy Crown of Glory dart one Flame May jirike a facred Reverence, whilfi thy Name [Like holy Fiamens to their God of Day) We, bowing, Jing ; and whilft we praife, 'we fray. Bright Spirit ! ivhofe Eternal Motion Of Wit, like Time, jlill in itfelf did run ; Binding all others in it, and did give Commiffion, how far this, or that, JJjall live : s*" Like Deftiny, thy Poems ; who, as Jhe Signs Death to all, herfelf can never dye. And now thy Purple-robed Tragedy, In her imbroider'd Buskins, calls mine Eye, Where brave Aedus we fee betrafd, Vaientiniaffi, *T' obey his Death, whom thoufa?id Lives obefd; Whilft that the Mighty Fool bis Scepter breaks. And through his Gen'ral*5 Wounds his own Doom peaks'. Weaving thus richly Valentinian, IThe coftlieji Monarch with the cheapeji Man, 3* Ltie J^e^hy of Poem, w^tr, asj^e Sings Death to all, herfelf can never d^e.'^ Th» is extremely ob- fcurc : He fays firft, that Fletcher is the Spirit of Poetry, that he is the God of it, and has decreed the Fate of all other Poems, whether they are to live or dye ; after this he is like the Dcftiny of Poems, and living only himfeif figns Death to all others. This is very high-ftrain'd indeed, and rather felf-contradidory, for Fletcher'^ Spirit gives Commiffion how far fome fhall live and yet figns Death to all. A flight Change will make fomewhat eafier and clearer Senfe. I underftand the four firfl: Lines thus ; Fletchers Poetry ic the ftandard of Excellence ; whatever is not form'd by that Model muft dye, therefore I read. Like Defiiny, tljy Poems i \. e. 'f'hy Poems being the ftandard of Excellence, are like DeHiny, which determines the Fate of others, but herfelf remains ftill the fame. I republifti this Poem as there are ftrong Marks of Genius ia it, partkularly in fome of the following Paragrapiu. Soldiers f 39 3 Soldiers may here to their old Glories addy The Lover love^ and be with reafon Mad : The Mad LoT«r* Not as of old Alcidts furious, Whoy wilder than his Bull, did tear the Houfe ; {Hurling his Language with the Canvas Stone) *Twas thought y the Monjler roar'd the fob* rer 'Tone, But, ah I when thou thy for row didjl infpire With PaJJions black as is her dark Attire, Virgins, as Sufferers, have wept to fee Arcar. So white a Soul, fo red a Cruelty ; BdJario. That thou hajl griev'd, and, with unthought Redrefs^ Drfd their wet Eyes who now thy Mercy blefs j Tet, loth to lofe thy watry fewel, when foy wifd it off. Laughter Jir ait Jprung't agen. Now ruddy-cheeked Mirth with rofy Wings ^^"^"1'^* Fans ev'ry Brow with gladnefs, whiljljhefmgs curate. Delight to all; and the whole Theatre roujLicutenMt, A Fefiival in Heaven d&th appear. Nothing but Pleafure, Love -y and (like the The Ttmet Lach Face a general fmiling doth adorn. French uwyer. Hear, ye foul Speakers, that pronounce the Air Of Stews and Sewers, I will inform you where ^ And how, to cloath aright '^our wanton Wit 5 Without her najiy Bawd attending it. The cuHom View here a loofe Thought faid with fuch a ^'^^^'C^'^''^- Grace, Minerva might have [poke in Venus' Face j So well difguis'd, that 'twas conceivi'd by none] But Cupid had Diana'i Linnen on -, And all his naked Parts fo vail'd, f exprefs The Shape with clouding the Uncomelinefs ; That if this Reformation, which we Received, had not been buried 'with thee^ h 2 The [ 40 ] ne Stage, as this Work, might ha'vc li'u\i and lov* d y Hc'r Lifjes the aujlere Scarlet had approved ; And th' Adtors ivifely been from that Offence As clear, as they are now from Audience. Thus ivith thy Genius did the Scene expire. Wanting thy a^ive and enlivening Fire, That now (to fprcad a Dark7iefs over all,) Nothing remains but Poefy to fall. And though from thefe thy Embers 'we receive Some Warmth, fo much as may be [aid, ive live -, That we dare praife thee, blufhlefs, in the Head Of the bejl piece Hermes to Love e'er read j That we rejoice and glory in thy Wit, Andfeafl each other with remembring it ; That we dare fpeak thy Thought, thy ABs recite : Tet all Men henceforth be afraid to write. 37 Rich. Lovelace. Upon the unparallel'd Plays written by thofc renowned Twins of Poetry, Beaumont and Fletcher. XVIL W hate's her e^ ^'^ another Library of Praife, Met in a Troop t' advance contemned Flays, And J 7 "Rich, Lovelace."] This Gentleman was eldeft Son of a good Fa- mily, extremely accomplifli'd, being very eminent for Wit, Poetry, and Mufic, but ftill more fo for Politcnefs of Manners and Beauty of Pcrfon. He had an ample Fortune and every Advantage that feem'd to pro- mife Happinefs in Life; but his fteady Attachment to the Royal Caufe, and a Liberality that perhaps approached too near Profufencfs, reduc'd him to extreme Poverty. Something of the Gaiety cf the Soldier ap- pears in the beginning of this Poem. His Poems were publiihcd in 1 749. i^ another Library of Praife,] This alludes to the numerous commendatory Copies of Verfcs on 7otn. Coryate*^ Crut^itits, which fwell'd into f4i] And brifig exploded Wit again in Fajhion f - / ca?i't but wonder at this Reformation. My skipping Soulfurfeits withfo much good^ *To fee my Hopes into Fruition bud. A happy Cliymiftry / bleji Viper ^ Joy ! T^hat through thy Mother's Bowels gnaw^fi thy way / Wits flock in Shoals y 39 a?id club to re-ereSl Infpite of Ignorance the Archite6i Of Occidental Votiy; and turn Gods, to recal Wits Afiesfroni their Urn, Like huge ColofTcs, "^^ they've together knit *Iheir Shoulders to fupport a World of Wit, T^he Talc of Atlas (though of 'Truth it mifs) We plainly read Mythologiz'd in this-, into an entire Volume. This is touch'd at in the 23d Copy of Verfes, by Richard Brome. For the ixjitty Copies took. Of his Encomiums made themfcl7 [49] On the Deceafed Aiithor, Mr. John Fletcher^ his Plays ; and efpecially, The Mad Lover, 46 XT JHilfi his well-organ' d Body doth retreat VV ^0 its fir ft Matter^ and the Formal B triumphant fits in Judgment to approve Pieces above our Cenfure, and our Love ; by our ancient Poets, they miftook this Run of the Verfes into each other after the Manner of Virgil, Homer, &:c. for a Fault, which depriv'd our Rhime of that Grandeur and Dignity of Numbers which arifea from a perpetual change of Paufcs, and tarn'd whole Poems into Dillichs^ 1 6 The firft four Lines of this Copy of Verfes, I own, are quite above my Comprehenfion. What formal Heat can mean, and Heat fitting in Judgment, is a Riddle too intricate for me to guefs at. Then, why any Piece fhould be above our Candour, I am equally at a lofs to underiland. If thefe Verfes are printed among Sir Afon Cokaine'i Poems, they may, perhaps, Hand in a more intelligible Plight. But, as I never met with that Gentleman's Writings, I'll venture to fubjoio my Sufpicion how the Text might have originally flood. Whilf his luell-orgaffd Body is retir'd To its firji Matter, and the formal Herd Triumphant fts in Judgment, to appro've Pieces above our Cenfure, and our Love; The formal Herd I would interpret to be the Croud of Fanatics, thaC fwarm'd at the Time of the firil Publication of Beaumont's and Fletcher*. Works. Then, as to the Correftion in the fourth Line, it gives an Antithefis that makes good Senfe ; whereas Candour and Love are merely Tautology. An excellent Work may, with Rcafon, be faid to be a» much above Cenfure, as it is above our Admiration and Praifes. The Word approve, I conceive, is to be taken in an equivocal Senfc ; nor, direftly, to commend; but to fee whether the Piece, under Judgment, will ftand the Teft of being approved. Mr. Thethald. This Note of Mr. Theobald\ is ingenious ; but there are great Liber- ties taken, and the Senfe is, I believe, made totally different from the true one, which at beft is very obfcure. Formal Heat, I take to be a metaphyfical and logical Term for the Soul, as the Formal Caufe i» that which conftitutes the Eflcnce of any thing. Fletchers Soul there- fore now fits in Judgment, to approve Works deferving of Praife Ai tQ Cenfure for Candtur, it is certamly a very probable Conjeflure, Sucb^ Such, as dare boldly venture to appear Unto the curious Eye, and Critic Ear : Lo, the Mad Lover in thefe various Times Is prefsd to Life, facciife us of our Crimes, While Fletcher liv'd, who equal to him ivrit Such lafling Monuments of natural Wit"^ Others might draw their Lines with Sweat, like thofe That [with much Pains) a Garrifon inclofe ; Whilfi his fweet, fluent. Vein did gently run. As imcontrol'd and fmoothly as the Sun. After his Death, our Theatres did make Him in his own unequal Language f peak : ,And now, when all the Mufes out of their Approved Modefty flent appear. This Flay of Fletcher'i braves the envious Light, As Wonder of our Ears once, now our Sight, Three- and fourfold-hlcjl Poet, who the Lives Of Poets, and of Theatres, furvives ! A Groom, or OJiler offome Wit, 7nay bring His Pegalus to the Caftalian Spring ; Boajl, he a Race o'er the Pharfalian Plain, Or happy Tempe'i Valley, dares maintain : Brag, at one Leap, upon the double Cliffe (Were it as high as mo7i/lrous TenarifFe) Of far-renown' d ParnalTus he will get. And there (f amaze the World ) confirm his Seat : When our admired Fletcher vaunts not Aught^ And flighted every thifig he writ as Naught : While all our Englifli wondring World (in's Caufe) Made this great City echo with Applaife, Read him, therefore, all that can read ; and thofe y That camiot, learn ; if fare not Learnings Foes ; And wilfully refohed to refife The gentle Raptures of this happy Muft^ From [5t ] From thy great Conflcllation [nohJe Soul) Look on this Kingdom -, Juffer not the whole Spirit of Poefy retire to Heaven ; But make us entertain what thou hajl given. Earthquakes and T'hunder "Diapajons make ; ^he Seas vafi Roar^ and irrejtjilefs Shake Of horrid Winds y a Sympathy compofe ; So in thefe things there's Miifck in the Clofe : And though they feem great Dif cords in our Ears, *They are not fo to them above the Spheres. Granting thefe Muficky how muchfweeter's That Mnemofync'j Daughters' Voices do create f Since Heavn^ and Earth, and Seas, and Air c$nfent To make an Harmony, (the Inflrument, Their own agreeiiigf elves) fjall we refufe The Mufick which the Deities do ufe ? Troy'j raviJJjf Ganymede dothfng to Jove, And Phoebus f elf plays on his Lyre Above, The Cretan Gods, or glorious Men, who will Imitate right, mufl wonder at thy Skill ; Befl Poet of thy Times! or they will prove As mad, as thy brave Memnon was with Love. *7 AftonCokaine, BarL ♦7 Jjitn Cokaint, Bart.J This Gentleman who claim'd being made a Baronet by King Charles I. at 4 Time when the King's Diftrefs pre- vented the Creation pafling the due Forms, was a Poet of fome Repute, for which Reafon this Copy is inferted more than for its intrinfic Worth. He was Lord of the Manors of Pooley in Polefworth Parilh, Warwick- /hire, and of jifishurn in Derhyjhhe ; but with a Fate not uncommon to Wits, fpent and fold both ; but liis Defccndants of this Age have bcca and are Perlon* of diftinguiih'd Merit and Fortune, On f 52 J On the Edition of Mr. Francis Beaumont's and Mr. John Fletchir's Plays never printed before. XXI. T Am amaz'd -, and this fame Extafy -■•Is both my Glory and Apology. ^oher Joys are dull Pajions -, they mufl bear* Proportion to the Subje^l : '\ifo^ where Beaumont and Fletcher fhail vouchfafe to be ne Subjea, That Joy muft be Extafy. Fury is the Complexion of great Wits -, The Fool's Dijlemper : He, that's Mad by Fits^ Is wife Jo too. It is the Foefs Mufe -, The Prophet's God-, the Fool's, and my Excufe, For (in Me) nothing lefs than Fletcher's Name Could have begot, or Ju/lijy'd, this Flame, j^z/^z n L^gfi^j.j2'd! methinks, it fhould not be: No, not in's Works -, Plays are as Dead as He, The Palate of this Age gafts nothing High ; That has not Cujiard in't, or Bawdery. Folly and Madnefs fill the aS/^^^ : The .Sr^;?^ Is Athens -, where, the Guilty, and the Mean, The F(3o/ T^"^/*^ well enough j Learned and Great y Suffer an OJiracifm ; fland exulate. Mankind \%faVCn again, firunk a Degree^ A Step below his very Apojiacy, Nature her aS^"^ is out of "^Fune ; and *S/V^ Of Tumult and Diforder, Lunatick. Yet 'ze^i'^/ World would not cheerfully endure The Torture y or Dijeafe, t* ^^'0^ the G/r^ F [53 ] ^his Book's the Balfam^ and the HelleborCy Muft preferve bleeding Nature^ and reftore Our crazy Stupor to 2ijuji quick Se?tfe Both of Ingratitude^ and Providence, That teaches us (at Once) iofeele and i«£?w, Tu'o deep Points : What we Wa?it, and what we Owe, Yet Great Goods have their Ills : Should we tranfmit. To future Times ^ the Pow'r of Love and /F/V, In this Example : would they not combine. To make Our ImperfeBions Their Dejign ? Thty' djiudy our Corruptions ; and take more Care to be 7//, than to be Good, before. For not hi fig, but fo great hijinnity. Could make Them worthy of fuch Remedy, Have you 7iotfeen the Sun's almighty Ray Refcue th' affrighted World, and redeem Day From black Defpair ? how his viBorious Beam Scatters the Storm, and drow7is the petty Flame Of Lightnitig, in the G/sry of his Eye : Hovf full of Pow'r, J[\Q\v fidl of Majejiy ? When, to us Mortals, 7iothing elfe was known ^ But xhtfad Doubt, whether to burn, or drown. Choler, and Phlegme, Heat, and ^^^// Ignorance^ Have caft //6^ People \nio fuch a Trance, That jF(?^ri and Da?iger feem Great equally. And no Difpute left now, but Z?ow to ^/>. Juft in //)/i ;^/V/^, Fletchery^^i /Z^f World clear Of all Diforder, and reforms us here. The formal Touth, that knew no other Grace, Or ^ i}"^ ^he firfi: Volume of the Folio Edition of his Works) in a Comparifon of the French and Englifi Comedy, fays, ' As for Comedy, Repartee * is one of its chiefeft Graces. The greateft Pleafure * of an Audience is a Chafe of Wit kept up on both * Sides, and fwiftly manag'd : And this our Fore- * fathers (if not we) have had in Fletcher's Plays, * to a much higher Degree of Perfedion than the * French Poets can arrive at. And in the fame EfTay, Page 19, he fays, * Beau- * mo?it and Fletcher had, with the Advantage of ' Shakefpear's> Wit, which was their Precedent, great * Natural Gifts, improv'd by Study. Beaumont * efpecially being fo accurate a Judge of Plays, that * Ben yonfon^ while he liv'd, fubmitted all his * Writings to his Cenfure, and 'tis thought us'd his * Judgment in correcting, if not contriving all his * Plots. What Value he had for him appears by ' the Verfes he wrote to him, and therefore I need * fpeak no farther of it. The firll: Play that brought ' Fletcher and hira in efteem, was Fhilajler; for V o L. I, k * befors vi PREFACE. before that, they had written two or three very unfuccefsfuUy J as the like is reported of Be?i yonfo?t, before he writ Every Man in his Humour : Their Plots were generally more regular than Shake fpear'?,^ efpecially thofe that were made before Beaumonf^ Death : And they undcrftood and imitated the Converfation of Gentlemen much better; whofe wild Debaucheries, and quicknefs of Wit in Repartees, no Poet can ever paint as they have done. Humour, which Ben 'Jonfon deriv'd from particular Perfons, they made it not their Bufinefs to defcribe ; they reprefented all the Paffions very lively, but above all Love, I am apt to believe the Engli/Jo Language in them arrived to its highefl Perfedion ; what Words have lince been taken in, are rather fuperfluous than ne- cefTary. Their Plays are now the moft pleafant and frequent Entertainments of the Stage, two of theirs being Adted through the Year, for one of Shakejpear'% or yonfon's ; the Reafon is, becaufe there is a certain Gaiety in their Comedies, and Pathos in their more ferious Plays, which fuits generally with all Mens Humour. Shakejpears Language is like wife a little obfolete, and Beti 'Jonjon'^ Wit comes fliort of theirs. This EfTay of Mr. Dryden\ was written in the Year 1666. Mr. Dry den faid he had been informed, that after Beaumonfs Death, Mr. James Shirly was confulted by Fletcher in the plotting feveral of his Plays. It does feem that Shirly did fupply many that were left imperfecSt, and that the old Players gave fome Remains, or imperfedl Plays of Flet cherts to Shirly to make up : And it is from hence, that in the firft PREFACE. vii A£t of Love's Pilgrmage, there is a Scene of an Oftler, Tranfcribed Verbatim out of Ben Jorifon's New Irniy Acl 3. Scene i. which Play was written long after Fletcher died, and tranfplanted into Love's Pilgrimage after the Printing the New I?m, which was in the Year 1630. And two of the Plays printed under the name of Fletcher^ viz. the Coro- nation^ and The Little Thief, have been claimed by Shirly to be his ; 'tis probable they were left impcr- fedt by one, and finifh'd by the other. Mr. Langbaine, in his Account of the Dra^ 7natic Poets, printed in the Year 1691, is very par- ticular upon the feveral Plays of our Authors, and therefore I (hall conclude with Tranfcribing from him, page 204. viz. * Mr. Beaumont was a Mafter * of a good Wit, and a better Judgment, that Mr. ' yonfon himfelf thought it no Difparagement to fub- ' mit his Writings to his Correction. Mr. Fletcher'^ * Wit was equal to Mr. Beau??ionfs Judgment, and * was fo luxuriant, that like fuperfluous Branches it ' was frequently prun'd by his judicious Partner. * Thefe Poets perfedly underftood Breeding, and * therefore fucccfsfuUy copy'd the Converfation of * Gentlemen. They knew how to defcribe the * Manners of the Age ; and Fletcher had a peculiar * Talent in exprefling all his Thoughts with Life and * Brisknefs. No Man ever underftood or drew the * Paffions more lively than he ; and his witty Rallery * was fo deep, that it rather pleas'd than difgufted * the modeft part of his Audience. In a word, * Fletcher's Fancy and Beaiimonfs Judgment com- * bin'd, produc'd fuch Plays, as will remain Monu- * ments of their Wit to all Pofterity. Mr. Fletcher * himftlf, after Mr. Beaiwionfs Death, compos'd k 2 * feveral viii PREFACE. * feveral Dramatic Pieces, which were worthy the ' Pen of fo great a Mafter.' And this Mr. Cart- wright alludes to, in his Verfes before the Book. The following Verfes, put under his Folio Pidture, were written by Sir John Bcrkenhead. Felicis trviy ac Prasfulis Natm j coma Beaumontio ; fic^ quippe Parnaffus, Biceps j FLE'TCHERUS unam in Pyramida furcas agens^ Stnixit chorum plus fimplicem Fates Duplex ; Plus Duplicemfolus : nee ullum tranjiulit -, Nee transferendus : Dramatum ^terfii faleSy Anglo Theatro, Orbi, Sibi, fuperjlites. FLET^CHERE, fades abfqiie vultu pingitur -, ^antus ! vel umbram circuit nemo tuam. There are Fifty-two Plays written by thefe Au- thors, each of which I fhall niention Alphabetically. -^ Beggars Bufi, a Comedy. This Play I have feen feveral times adled with Applaufc. Bonduca^ a Tragedy. The Plot of this Play is borrow'd from Tacitus' s Annals, Lib. 14. See Mil- ton's Hiftory of Efiglajid, Book 2. Vbaldino deVita delle Don?ie Illujiri del Reg7io d'lnghelterra, & Scotia, pag. 7. &c. 5 5 Bloody Brother, or Rollo Duke of Normandy, a Tragedy much in requeft ; and notwithftanding Mr. Rymer's Criticifms on it, has ftill the good for- J+ Commendatcry Verfes by Gardiner and Hi/fs, attribute this Play to fhtcher. Pulogue and Epilogue none. 5 5 Commendatory Verfes by Gardiner and H'tlh-, and Quarto of 1 640, attribute this Play t . Fletcher. Crooke, in his Catalogue of our Authors Plays fiibjoin'd to Wit iviilsuf M*n/y 1 66 1, gives it to both. Prologue aod Epilogue none. tune PRE FAC E. ix tune to plcafe : It being frequently afled by the prefent Company of A6tors, at the Queen's Play- Houfe in Dorfet-Gardeti. The Defign of this Play is Hiftory : See Herodian, lib. 4. Xiphilini Epif. T>ion. in Vit. Ant. Car ac a lice. Part of the Language is copy'd from Seneca's Thebais, 5^ Captain^ a Comedy. 57 Chances y a Comedy, revived by the late Duke of Buckifigham, and very much improved j being aded w^ith extraordinary Applaufe at the Theatre in Dorfet-Gardeny and printed with the Alterations, Loud, \tOy 1682. This Play is built on a Novel written by the famous Spaniard Miguel de Cervantes, call'd T^he Lady Cornelia ; which the Reader may read at large in a Fol. Vol. call'd Six Exemplary Novels, 5^ Coronation^ a Tragi-comedy. 53 Coxcomhy a Comedy, which was reviv'd at the Theatre- Royal, the Prologue being fpoken by ^0. Haifis. ^^ Cupid's Reve?jge, a Tragedy. ^' Cuflom of the Country ^ a Tragi-comedy. This is accounted an excellent Play; the Plot of Rutilio, DuartCy and Guyomary is founded on one of Malc^ fpini's Novels, Deca. 6. Nov. 6. f* Commendatory Verfes by Hills and Gardiner, attribute this Play ; to Fletcher. Maine to both. Prologue to one. Epilogue filent. 5 T Commendatory Verfes by Gardiner to Fletcher. Prologue to one. Epilogue filent. ^8 Quarto 1 640, attributes this Play to F^/c^fr. Croo^f/s Catalogue to both. Prologue to one. Epilogue filent. f9 Commendatory Verfes hy Gardiner 2.nA Hills, attribute this Play to Fletcher. Prologue to both. Epilogue filent. *" Quarto of 1630, 1635, ^^'^ Crooke'% Catalogue, attribute this Play to both. ^ ' Commendatory Verfes by Gardiner and Ltojelacr, attribute this Play to Fletcher. Prologue to both. k 3 Double X PREFACE. ^* Double Marriage, a Tragedy, which has been reviv'd lome Years agoj as I learn from a new Pro- logue printed in Ccocnt-Garden Drollery, p. 14. ^3 Elder Brother, a Comedy, which has been afted with good Applaufe. ^^ Faithful Shepherdefs, a Pafloral, writ by Mr. Fletcher, and commended by two Copies written by the judicious Beaumont, and the learned 'Jonforiy which are infertcd among the Commendatory Poems at tl'!. beginning of this Edition. When thisPaftoral was firH: adted before their Majefties at Sotnerfet-Houfe on T'ii'eljth-Night, 1 6 '^3, inllead of a Prologue, there was a Song in Dialogue, fung between a Prieft and a Nymph, which was writ by Sir JVilliam D'Ave- najit ; and an Epilogue was fpokcn by the Lady Mary Mordant, which the Reader may read in Covent'Garden Drollery, p. 86. ^5 Fair Maid of the Inn, a Tragi-comedy. Marl- ana^ difowning Ccejario for her Son, and the Duke's Injunction to marry him, is related by Caiifin in his Holy Court, and is tranfcrib'd by Wanley in his Hijlory oj Man, Fol. Book 3. Chap. 26. ^" Fdlje One, a Tragedy. This Flay is founded on the Adventures of Julius Ccefar in /Egypt, and his Amours with Cleopatra. See Suetofiim, Plutarch^ Dion, Appian, Floras, Eutropius, Orofius, &c. Four Plays, or Moral Rcprefcntations in One ; viz, ^he Triumph of Honour j The Triumph of Love ; ^ » Commendatory Verfes by Gardiner, attribute this Play to Fletcher. *J Commendatory Verfes by Hills, attribute this Play to Fletcher. Qviarto 1651, and Crocked Catalogue, to both. Quarto 1661, and die Diflich to the Reader, to Fletcher. Prologue and Epilogue to one. ** Univerfally afcrib'd to Fletcher. * ' Commendatory Verfes by Gardiner to Fletcher. ^^ Commendatory Verfes by Gardiner to Fletcher. Prologue and Epilogue 10 both. The PREFACE. XX ^he Triumph of Death ; The Triumph of Time, I know not whether ever thefe Reprefentations appear'd on the Stage, or no. The Triumph of Honour is founded on Boccace his Novels ^ Day lo. Nov. 5. The Triumph of Love ^ on the fame Author, Day 5'. Nov. 8. The Triumph of Death on a Novel in The Fortimate^ Deceived., and Unfortunate Lovers., P'-^rt 3. Nov. 3. See befides Palace of PleaJ'ure, Nov. 40. Belleforejly &c. The Triumph of Time^ as far as falls within my difcovery, is wholly the Author's Invention, ^7 Honeft Man's Fortune., a Tragl-Comedy. As to the Plot of Mojitaigns being prefer'd by Lamira to be her Husband, when he was in Adverfity, and leaft expected : The like Story is related by Hey wood in his Hi/lory of Women ^ Book 9. pag. 641. ^^ Humourous Lieutenant ^ a Tragi-Comedy, which I have often feen ad:ed with Applaufe. The Cha- racter of the Humorous Lieutenant refufing to fight after he was cured of his Wounds, refembles the Story of the Soldier belonging to Lucullus defcrib'd in the Epiftles of Horace., lib. 2. Ep. 2. but the very Story is related in Ford's Apothegms ^ p. 30. How near the Poet keeps to the Hirtorian I muft leave to thofe that will compare the PLy with the Writers of tlie Lives of Antigonus and Demetrius^ the Father and the Son. See Plutarch'^ Life ojf Demetrius., Diodorus, Juftin, Appian, Sec. ^9 I/land Princcfs, a Tragi-Comedy. This Play about three Years ago was reviv'd with Alterations by Mr. Tate^ being aded at the Theatre- Royal, * "^ Commendatory Verfes by Gardiner to Fletcher . *8 Commendatory Verfes by Gardiner^ Hills., and Lovelace, tO Fletcher. Prologue and Epilogue filent. ^ 9 Commendatory Verfes by Gardiner to Fletcher, k 4 printed xii PREFACE. printed in Quarto Lo?id. 1687, and Dedicated to the Right Honourable Henry Lord Walgrave. 7° KtJig and no King^ a Tragi-Comedy, which notwithflanding its Errors dilcovcr'd by Mr. Rymer in his Critici/ms, has always been adted with Ap- plaufe, and has lately been reviv'd on our prefent Theatre with lb great Succcfs, that we may juftly fay with Horace^ Hcec placuit fcmeJ^ hcec dccies rcpetifa pincebit, 7^ Kfiight of the burni??g PeftJe^ a Comedy. This Play was in vogue fome Years fince, it being reviv'd by the King's Houfc, and a new Prologue (inftead of the old one in Prole) being fpoken by Mrs. Ellen Gain. The bringing the Citizen and his Wife upon the Stage, was poffibly in imitation of Ben Jonfo?i'^ Staple of Neios^ who has introduc'd on the Stage Four GolTips, Lady-like attir'd, who remain during the whole Adion, and criticife upon each Scene. 7- Knight of Malta, a Tragi-Comedy. Laws of Candy y a Tragi-Comedy. 73 Little "French Lawyer, a Comedy. The Plot is borrow'd from Gufman, or l^he Spanip Rogue^ Part 2. Chap. 4. The Story ofDijiant, Chimont, and Lamira, being borrow'd from Do7i Dewis de CaJlrOy and Den Rodcrigo de Mont ah a. The like Story is in other Novels ; as in Scarro7i\ Novel, called T^he ■'•> Commendatory Verfes by Honi'ard and Herrick to Fletcher* Earh io Beaumont. Quartos 1619, 1631, 1639, '^^i, 1676, and Crookth Catalogue, to both. "> ' Quarto of 161 3, has no Name In the Title Page, but the Dedi- cation gives it to both ; fo does Crooke\ Catalogue. Quarto of 1635, Title Page gives it to both ; but in the Preface to the Reader 'tis at- tributed only to one. Prologue to one. 7 1 Commendatory X'erfes by Gardiner to Fletcher. 7 J Commendatory Verfes by Gardiner, Lo^jelace, and Hills, t» Fletcher. Prologue and Epilogue to be th. Friiitlefs PREFACE. xiii Fruitkfs Precautioji ; and in The Complaifant Com^ paniofi, 8vo. p. 263, which is copied from the above- mentioned Original. 74 Loves Cure, or T'he Martial Maid, a Comedy. 75 Love's Pilgrimage, a Comedy. This I take to be an admirable Comedy. The Foundation of it is built on a Novel of Miguel de Cervantes, called The Two Damfels. The Scene in the firft A(ft, between Diego the Hoft of Ojfuna, and Lazaro his Oftler, is floln from Ben yonfojis New Inn : which 1 may rather term borrow'd, for that Play mifcarrying ia the Adion, I fuppofe they made ufeof it with Be?i's Confent. 7^ Lovers Progrefs, a Tragi- Comedy. This Play is built on a French Romance written by M. Dau-*- diguier, call'd Lyfander and Calijla. 77 Loyal Subje6l, a Tragi- Comedy. 7^ Mad Lover, a Tragi-Comedy. The Defign of Cleanthe's Suborning the Prieftefs to give a falfe Oracle in favour of her Brother Syphax, is borrow'd from the Story of Mundus and Paulina, defcrib'd at large by Jofephus, Lib. 18. Cap. 4. This Play Sir Afton Cokain has chiefly commended in his Copy of Verfes on Mr. Fletcher's Plays. See the Verfes be- fore this Edition; and Cokain s Poems, pag. 10 r. 79 Maid in the Mill, a Comedy. This Play, amongfl: others, has likewife been reviv'd by the "+ Commendatory Verfes by Gardiner to Fletcher. Prologue to one. Epilogue to both. ■ f Commendatory Verfes by Gardiner to Fletcher. Prologue to both. ■ ^ Commendatory Verfes by Gardiner to Fletcher. Prologue to one. ■'■' Commendatory Verfes by Hills and Gardiner, to Fletcher. prologue to one. ■» s Commendatory Verfes by Gardiner, Hills, Lovelace, Hcrrick, to Fletcher. Maine, and Prologue to both. ■ 9 Commendatory Verfes by Gardiner and Hills, to Fletcher. Duke's xiv PREFACE. Duke's Houfe. The Plot of Antonio^ Ifmenia^ and Aminta^ is borrow'd from Gcrardo^ a Romance tranilated from ihtSpamJJj of Do?i Gonzalode Cefpides, and Moficces j fee the Story of Do?i Jayme, pag. 350. As to the Plot of Otr antes' % feizing Florimel the Mil- ler's fuppofed Daughter, and attempting her Ohaftity : 'Tis borrow'd from an Italian Novel writ by Ban- dello ; a Tranflation of which into French^ the Reader may find in Les Hijioires TragiqueSy par M. Belle^ for eft y Tom. i. Hijl. 12. The lame Story is related by M. Goulart j See Les Hiftoires admirables de notre iems, ^vo. Tom. i. p. 212. ^° Maids Tragedy, a Play which has always been afted with great Applaufe at the King's Theatre; and which had flill continu'd on the EngliJJ:) Stage, had not King Charles the Second, for fome particular Reafons, forbid its further Appearance during his Reign. It has fince been reviv'd by Mr. IValler, the laft Adt having been wholly alter'd to pleafe the Court : As the Author of the Preface to the fecond Part of his Poems informs us, and gives us further the following Account : * 'Tis not to be doubted, * who fat for the Two Brothers Charadters. 'Twas * agreeable to the Sweetnefs of Mr. IFaller'sTcmper, * to foften the Rigor of the Tragedy, as he exprelTes ' it ; but whether it be agreeable to the Nature of * Tragedy itfelf, to make every thing come off eafily, * I leave to the Critics.' This laft Ad: is publifh'd in Mr. Waller s Poems, printed in 0(ftavo, Lo?id. 1711. ^^ Mafqiie of Grays-Inn Gentlemen, and the Inner Temple. This Mafque was written by Mr. BeaU' ' ° Commendatory Verfes by Howard, Stanley^ Hern'ci, and Waller, to fletcher. Bark to Beaumont. Qaarco i6ig, 1622, Anonymous. 1630, 1650, and Crooiff's Catalogue, to both, * ' Beaumont only, mont PREFACE. XV viont alone, and prefcnted before the King and Queen in the Banqueting-Houfe of Whitehall^ at the Mar- riaee of the lUuftrious Frederick and Elizabeth^ Prince and Princefs Falatine of the Rhine. ^"^ Mon/ieur l^bomas, a Comedy, which not long fince appear'd on the prefent Stage under the Name of ^rick for Tf'ick, ^5 Nice Valour^ or Ihe Pajfionate Mad-man^ a Comedy. S4 Night Walker, or I'he Little T:hief, a Comedy, which I have fecn acfled by the King's Servants, with great Applaufe, both in the City and Country. ^5 Noble Gentleman, a Comedy which was lately rcviv'd by Mr. Durfey, under the Title of The Fooh Prefert?ie?it, or l^he Ihree Dukes of Dimjlable. *^ Philajier, or Love lies a Bleeding : a Tragi- comedy which has always been ad;ed with Succefs ; and has been the diverfion of the Stage, even in thefe Days. This was the firft Play that brought thefe excellent Authors in Efteem ; and this Play was one of thofe that were reprefented at the old Theatre in Lincobis- Lin-Fields, when the Women ad:ed alone. The Prologue and Epilogue were fpoken by Mrs. MarJJjal, and printed in Covent- Garden Drollery, pag. 1 8. About this Time there was a Prologue written on purpofe for the Women by Mr. Dryden, 8* Quarto 1639, to Fletcher. Croai/s Catalogue to both. «5 Commendatory Verfes by Gardiner to Fletcher. Prologue and Epilogue to one. 84 Quarto 1640, in the Title Page and Dedication, to Fletcher, Crooke'i Catalogue to both. * f Commendatory Verfes by Gardiner to Fletcher. Prologue to both. Epilogue filent. 8 6 Commendatory Verfes by Lovelace^ Stan/eyt Herrick, to Fletcher. Earle to Beaumont. Quarto 1628, 1634, '652, and another Edition without a Date, as well as Crooke'i Catalogue, to both. and xvi PRE FAC E. and is printed in his Mifcellany Poems in Odhvoi /. 285. ^ ^7 Ptlgrim, a Comedy which was revived fome Years fince, and a Prologue fpoke, which the Reader may find in Covent-Garden Drollery^ p. 12. * ^^ Propkefefsy a Tragical Hiftory, which has lately been reviv'd by Mr. Dryden, under the Title oi^he Prophetefs^ or l^he Hiftory of Diociefian, with Alterations and Additions after the manner of an O/d-r^jreprefented at the Queen'sTheatre, and printed Qu2iVio Lond. 1690. For the Plot co\-\(\i\t Eufebius Lib. 8. Nicepborus Lib. 6. and 7. Vopifc. Car. ^ Carin. Aiir. Vi Boris Epitome. Eufropius Lib. 9. Baronius An. 204. &c. Orofiiish. 7. C. 16. CoeJ- feteaii L. 20. ^c. ^9 ^een of Corinth, a Tragi-Comedy. 5° Rule a Wife, and have a Wife, a Tragi-Comedy which within thefe few Years has been adled with Applaufc, at the Queen's Theatre in Dorfet- Garden. 9' Scornful Lady, a Comedy ad;ed with good Applaufe, even in thefe Times, at the Theatre in Dorfet-Garden. Mr. Dryden has condemned the Conclufion of this Play, in reference to the Conver- fion of Moorcraft the Ufurer j but whether this Cataftrophe be excufable, I muft leave to the Critics. 9^ Sea Voyage, a Comedy lately reviv'd by Mr. « '' Commendatory Verfes by Gard'mer to Fletcher. 8S Commendatory Verfes by Gardiner and Hills, to Fletcher. 8 9 Commendatory Verfes by Hills, io Fletcher. f" Commendatory Verfes by Hills, and Quarto 16^0, to Fletcher. Crooh\ Catalogue to both. Prologue to one. 9« Commendatory Verfes by Waller and Stanley, to Fletcher. Quarto 1630, 1639, and Crooke's Catalogue to both. 9 ^ Commendatory Verfes by Gardiner, to Fletcher, Diirfey, PREFACE. xvii Durfey^ under the Title of The Commonwealth of Women. This Play is fuppofed by Mr. Dry den ^ (as I have obferv'd) to be copied from ^hakefpear% Tcwpejl, The Storm 'which 'vaniJlSd on the neighboring Shore^ Wai taught by Shakefpear'^ TempeflT^r/? to roar ; That Innocence and Beauty which didfmile In Fletcher, grew on this Enchanted IJle, 93 Spanijh Curate, a Comedy frequently reviv'd with general Applaufe. The Plot of Don Hen^ riquej jifcanio, Violante, and yacintha, is bor- row'd from Gerardo's Hijlory of Don John, p. 202. and that of Leandro, Bartolus, Amarantha and Lopez, from the Spaiiifi Curate of the fame Au- thor, pag, 2 1 4. Gfr. 9^ Thierry and Theodoret, z Tragedy. This Play is accounted by fome an excellent old Play ; the Plot of it is founded on Hiftory. See the French Chronicles in the Reign of Clotaire the Second. See Fredegarius Scholajlicus, Aimoinus Monachui FloriacenfiSy De Serres, Mczeray, Crifpin, &c. 95 q;'rwo Noble Ki?ifmen, a Tragi- Comedy. This Play was written by Mr. Fletcher, and Mr. Shake- [pear. The Story is taken from Chaucer'j Knight'^ Tale, which Mr. Dryden has admirably put inta modern Englilh ; it is the frfi Poem in bis Fables. '>» Commendatory Verfes by Gardinfr and Lovelact, to Flttchtr. Prologue and Epilogue filent. 94 Quarto id^8, to Fktchir. Quarto 1649, ^"^ Croohc% Cata- logue, to both. v « Quarto 1634, Xo Fletcher and Shake/pear. Crookii Catalogue (.'> D'-aumffit and r''!i<.her. Prologue and tpilogue filent, Valentinian, xviii PREFACE. 96 Valentinian^ a Tragedy reviv'd not long ago by that great Wit, the Earl of Rochejier ; adted at the Theatre-Royal, and printed in Quarto 1685, with a Preface concerning the Author and his Writings. For the Plot fee the Writers of thofe Times ; as CaJJidori Chron. Amm. MarcelL Hiji, Evagnus Lib 2. Procopius^ Sec. 97 Wife for a Months a Tragi-Comedy. This Play is in my poor Judgment well worth reviving, and with the alteration of a judicious Pen, would be an excellent Drama. The Characfler and Story of Alphonfo., and his Brother Frederick'^ Carriage to him, much refembles the Hiftory of Sancho the Eighth, King of Leon, I leave the Reader to the perufal of his Story in Mariana, and Loiiis de Mayerne Turquct. 9^ Wild-Goofe Chafcy a Comedy valued by the beft Judges of Poetry. 95 Wit at feveral Weapons^ a Comedy which by fome is thought very diverting ; and poffibly was the Model on which the Charad:ers of the Elder Talatine and Sir Morglay "Thwack were built by Sir William D'Avenant, in his Comedy call'd T^he Wits, "° Wit without Money ^ a Comedy which I have feen adted at the Old Houfe in Little Lincolm-Inn- Fields with very great Applaufe ; the Part of Fa- 9^ Commendatory Verfes by Lovelace and Stanley, to Fletcher, Prologue none. Epilogue filent. 97 Commendatory Verfes by Gard'mtr to Fletcher, Prologue to one. Epilogue filent. 93 Commendatory Verfes by Hills to Fletcher. 9 9 Commendatory Verfes by Gardiner to Fletcher. Epilogue to both. »•* Quarto 1639, ^^6'> and C/!7j'i/s Catalogue, to both. Untinc PREFACE. xix kntine being play'd by that compleat Ador Major Mohiin^ deceas'd. This was the firft Play that was adted after the Burning the King's Houfd in Driiry-Lane ; a new Prologue being writ for them by Mr. Dryden^ printed in his Mifcellany Poems ia O(5lavo, p. 285. ^°» Woman Hatery a Comedy. This Play was reviv'd by Sir William D'Ave?iajit^ and a new Prologue (inflead of the old One writ in Profe) was fpoken, which the Reader may perufe in Sir William's Works in Fol. p. 249. This Play was one of thofe writ by Fletcher alone. loi Women Pleas' d^ a Tragi-Comedy. The co- mical Parts of this Play throughout between Bar- tello^ Lopez, Ifabella, and Claudio, are founded on fevcral of Boccace\ Novels : See Day 7. Nov. 6. and 8. Day 8. Nov. 8. ,03 Woman's Prize, or The Tamer Tam'd, a Co- medy, written on the fime foundation with Shake- /pear's Taming of the Shrew ; or which we may better call a Second Part or Counter-part to that admirable Comedy. This was writ by Mr. Fletcher's, Pen likewife. ■»oi Quarto 1649, and Cro(?^/s Catalogue to both. Prologue to one. 102 Commendatory Verfes by Gardiner and Hills, to Fletcher. >03 Commendatory Verfes by Gardintr and LovtlacCf to FUtcher. Prologue to one. Epilogue filent. Names I^ames of the priiictpal A6iors 'who performed in ' B E A u M o N t'j a7id Fletcher'^ Flays, N. B. The Names marked thus * are the Names of the Players njukf dedicated the Edition o/" 1 647 to the Earl of Pembroke. William Allen Hugh Atawell Richard Birbadge Theophilns Byrd • Robert Benfield George Birch William Barkfted Thomas Baffe Henry Condel Alexander Cooke • Hugh Clearke William Egleftone Nathaniel Field. Sander Gough Giles Gary. Thomas Holcombe • Stephen Hammerton John Honymaa James Horn, * John Lowin. William OlUer: * Thomas Pollard William Penn. Emanuel Read John Rice * Richard Robinfon .William Rowly. Richard Sharpc Eylasard Swanfton John Shank. * Jofeph Taylor Nicholas Toolie William Trigg John Thomron. John Underwoocl. ^n Account of the prefent 'EcUiion, By r. S E IV A R D. IN the Year Forty Two, Mr. T'hecbald piiblifl:!'d an Advertifemcnt, that he was preparing an Edition of" Beaumont and Fletcher for the Prefs, and dcfircd the Ar- fiftance of all Gentlemen who had made any Comments upon them. My perfonal Friendfhip with the Proprie- tors of the Book engag'd me to give him fomc little Af- fiftance-, and Mr. Sy^npfon fccn alter added his. We had then only the late Editions to confulr, but Mr. lljeohald had made a very valuable Collection of the old Rand's. When v/e had fent hi.m our Notes on two or three Plays, he began to print •, but the firil Play iiad not all pafs'd the Prefs, v/hen I thought I had fonie fmall grounds of Com- plaint. He on.itted feveral Emendations which Icem Hill to me more dcferving of Notice than many v.liich are in- ferted, of which the Reader has a Specimen at Page 30 of my Preface \ and I ihall add fome others in a Pofr- fcript to the Firft Volume. After he had bctn prevaii'd on by the Proprietors to fend me a Pro mile of a full Li- berty to publiQi what Poftfcript I pleas'd at the end of each Volume, he never after gave the ler.ft- C {fence but by a Profufion of very undeferved Conipiiments. Thefe fhould be inevitably expung'd, could I take the liberty of altering any of Mr. Theobald'^ Notes : But this would be unjuft, as it would leave the Reader uncertain what were his. I have therefore only canccll'd one finglc Leaf which Mr. 'Theobald printed, and there have changM no Syllable of his, but only a Remark of my own, which was fomething I had faid to him in a Letter, without the lead thought of his publifliing it. As I was very foon fenfible how liable we all were to Miftakes, I begg'd that he would change every Syllable in my Notes that carry'd the leafi: Air of Certainty or Pofitivenefs : But as he had no Objedion to fuch a Sale himfelf, he did Vol. L 1 not [ 2] not think it necefTary to take that trouble. Mr. Theobald printed under his Care the following Plays : Volume the Firft. The Maid's Tragedy ^ Philaficr, A King and No King^ The Scornful Lady. Volume the Second. The Cujlojn of the Country^ The Elder Brother, And the three firft Ads of The S-panifh Curate^ to Page 231. Of the Third Volume, part of The Humourous Lieutenant, to Page 69. And by his Death left the Edition thus imperfeft. I then took the Care of the two laft Ads (in Volume the Second) of The S'panifh Curate, and the whole of Wit without Money, and The Beggar* s Bufh. Volume the Third, from Page 69 of The Humourous Lieutenant, and the whole of The Faithful Shepherdefs, The Mad Lover, The Lcyal Subje&, and Rule a Wife and have a Wife. Volume the Fourth. The Laws of Candy ^ The Falfe One, The Little French Lawyer, Valentinian, Monjieur Thomas^ Volume I [ 3 ] Volume the Fifth. The two firft Plays. 7'he Chances, and The Bloody Brother. Volume the Ninth. The two laft Plays. The Fair Maid of the Inn, and Cupid's Revenge. Volume the Tenth. The two Noble Kin/men, Thierry and Theodoret, The Woman-Hater, The Nice Valour, The Honejl Man's Fortune, The Mafque, Four Flays, or Moral Reprefentations, in one. Mr. Sympfon printed under his Infpeflion, of Volume the Fifth, the four lait Plays, The Wild Goofe Chafe, A Wife for a Month, The hover's Progrefs, The Pilgrim. Volume the Si^h. The Captain, The Prophetefs^ The ^een of Corinth, Bonduca, The Knight of the Burning Pefik. Volume the Seventh, Love*s Pilgrimage, The Double Marriage, The Maid in the Mill, The Knight of Malta, The Martial Maid. Volume £4 ] Volume the Eighth. JFcmen Pleased, The Night^Valker^ The Woman'' 5 Prize^ The IJland Princefs, The Noble Gentleman. Volume the Ninth. The four firft Plays. The Coronation^ The Sea Voyage^ The Coxcomb, Wit at fever al Weapons, ERRATA. Page 20, Line 30, for 'Right read Night I'l.'Jy 24, for World read Word J 31, 25, for Regarded rszi Rewarded 138, 10, for P^ read Faji 168, 20, for that read than 341, Line the laft, inftead of Note 54, read ■ dry Bones can reach at nothing now, But Gords or Nine-fins'] Cords, i. e. Inftruments of Game then in common ofe j we meet with the fame Term again in Stakefpear's Merry Wives of Windjtr, Acl I. Jf Gord and Fullam holds. THE THE M A I D J Tr a g e d y. Vol. I. B DRAMATIS PERSONS. MEN. King of Rhodes. Lyfippns, Brcther to the King. Amintor, a noble Gentleman. Melantius, 7 r. r t- i T^. , ., i Brothers to Evadne, Diphilus, J Calianax, an old humorous Lord,, and Father to Aljxuia. -, ' \ Gentlemen. Strato, 3 Diagoras, a Servant to Calianax. WOMEN. Evadne, PVife to Amintor. Afpatia, Troth-plight Wife to Amintor. ^, . f Waiting-Gentlewomen to Afpatia. Olympias, 3 «=* •^ Dula, a Lady. Night, 1 Cynthia, C ,^ ^ ^; > Mafquers. Neptune, f .^olus, 3 SCENE, RHODES. THE ^fSW^^^^ THE M AI DV TRAGEDY- ACT I. SCENE I. ^n Apartment in the Palace, Enter Cleon, Strato, Lyfippus, and Diphilus. S T R A T O. (I) Lyf. So H E reft are making ready. Sir. let them •, There's Time enough. Diph, You are the Brother to The King, my Lord; we'll take your Word, (2) Lyf. Strato, thou haft fome Skill in Poetry j (i) Strat. So let them; there'' s Time enough. Diph. Tou are the Brother to the King, my Lord ; We' LI take your WordP^ 'Tis very early to begin blundering at the fecond Line of the firll Play. Strato was not Brother to the King, but Lyfippus. This Line therefore is to be placed to Lyfippus, and not to Strata : And fo it is in the ^larto Edition publiih'd in the Year 1619 Another ^arto in 1650, and the Folio Edition in 1679, have falPn into the Error of placing it to Strato. (2) Lyf. Strato, thou hafi fome Skill in Poetry j What think' Jl thou of a Mafque F ] It fhould be, the Mafque. It was not then to be form'd ; nor does the Prince mean to ask, whe- ther it will be well to have One ; but whether This, which is pre- pared, will be a good One. This 5/r«/5's Anfwer and the $equel of the Play plainly fhew. ' Mr. Se-ward. B 2 What 4 T^^ Maid's T'ragedy, What think'ft thou of the Mafque ? Will it be well ? Strat. As well as Mafque can be. Jyf. As Mulquc can be? Strat. Why, ycs; They muft commend their King, and fpeak in Praife Of the Aflembly ; blefs the Bride and Bridegroom, In Perfon of Ibme God -, they're tycd to Rules Of Flatter)\ Ck. See, good my Lord, who is Return'd ! : " - E7iter Melantius. Lyf. Noble Melantius ! The L;ind By me welcomes thy Virtues home to Rhodes : Thou, that with Blood abroad buy'ft us our Peace ! The Breath of Kings is like the Breath of Gods ; My Brother wifli'd thee here, and thou art here ; He will be e'en too kind, and weary thee With often Welcomes ; (3) but the Time doth give thee A Welcome above his, or all the World's. [of mine Mel. My Lord, my Thanks; but thcfe fcratch'd Limbs Have Ipoke my Love and Truth unto my Friends, More than my Tongue e'er could. My Mind's the fame It ever was to You ; where I find Worth, I love the Keeper till he let it go. And then I follow it. Diph. Hail, worthy Brother ! He, that rejoices not at your Return In Safety, is mine Enemy for ever. Mel. I thank thee, Diphilus: but thou art faulty; ■ I fent for thee to exercife thine Arms With me at P atria: thou cam 'ft not, Diphilus: 'Twasill. Diph. My noble Brother, my Excufe Is my King's llraight Command ; which you, my Lord, Can witnefs with me. Lyf. 'Tis moft true, Melantius ; He might not come, till the Solemnity Of this great Match was pall. Diph. Have you heard of it ? Mel. Yes ; and have given caufe to thofe, that here Envy my Deeds abroad, to call me gamefome ; (3) but the Time doth gi've thee A Welcome aho-ve this, or all the IForld^s.^ Lyjippus is fpeaking in particular of the King, his Brother's, Welcome to Melantius; there- forfe, I think, I have adopted the genuine Reading, which is autho- riz'd by the ^arto in 1619; and ihe fecond Imprefiion in 1622. I have 7^^ Maid's Tragedy, 5 I have no other Bufinefs here at Rhodes. Lyf. We have a Malqiie to Night, and you mud tread A Soldier's Meafure. • Mel. Thefe foft and filkcn Wars are not for me ; The Mufick miifl: be Hirill, and all confus'd, That ftirs my Blood, and then I dance with Arms : But is Amintcr wed ? Diph. This Day. Mel. All Joys upon him ! for he is my Friend : (4) ( Wond'r not, I call a Man fo young my Friend ; ) His Worth is great ; Valiant he is, and Temperate; And one that never thinks his Life his own, [f his Friend need it : When he was a Boy, As oft as I return'd (as, without Boaft, I brought home Conqueft) he would gaze upon me, And view me round, to find in what one Limb The Virtue lay to do thofe things he heard : Then would he wifh to fee my Sword, and feel The quicknefs of the Edge, and in his Hand Weigh it ; he oft would make me fmile at this ; His Youth did promife much, and his ripe Years Will fee it all perform'd. Enter Alpatia, pajfing with Attendants. Hail, Maid and Wife ! Thou fair Jfpatia! may the holy Knot, That thou haft tyed to day, laft till the Hand Of Age undo it ! may'ft thou bring a Race Unto Amintor.^ that may fill the World SuccefTively with Soldiers ! Afp. My hard Fortunes Defcrve not Scorn ; for I was never proud. When they were good, Mel. How's this ? {Exit Afp. with her Attendants. Lyf. You are miftaken, For (lie's not married. Mel. You faid, Amintor was. Diph. 'Tis true •, but — Mel. Pardon me, I did receive Letters at Patria from my Amintor^ (4) {JVond""}- not, J call a Man fo young my Friend; )] This Verfe, lof\ in the modern Editions, I have retriev'd from the ^arfo^s of 1619,- and i6jO ; and the Folio of 1679. ^ h3.\e taken the Liberty to give it its true Metre and Veriiticatlon. B 2 That 6 'The Maid's 'Tragedy, That he fhould marry her. Biph. And fo it flood In all Opinion long -, but your Arrival Made me imagine, you had heard the Change. Mel. Who hath he taken then ? Ly[. A Lady, Sir, That bears the Light above her, and ilrikes dead With Flafhes of her Eye •, the fair Evndne, Your virtuous Sifler. Mel. Peace of Heart betwixt them ! But this is ftrange. Lyf. The King, my Brother, did it To honour you ; and thefe Solemnities Are at his Charge, Mel. 'Tis Royal, like himfelf i b"ut I am fad. My Speech bears fo unfortunate a Sound To beautiful Afpatia •, there is Rage Hid in her Father's Bread, Calianax, Bent long againfl me •, and he fliould not think. If I could call it back, that I would take So bafe Revenges, as to fcorn the State Of his negledted Daughter : Holds he flill His Greatnefs with the King ? Lyf. Yes ; but tliis Lady Walks difcontented, with her watry Eyes Bent on the Earth : The unfrequented Woods Are her Delight •, where, when Ihe fees a Bank Stuck Rill of Flowers, fhe with a Sigh will tell Her Servants what a pretty place it were To bury Lovers in ; and make her Maids Pluck 'em, and ftrow her over like a Corfe. She carries with her an infeftious Grief, That flrikes all her Beholders ; flie will fing The mournful'fl things that ever Ear hath heard. And figh, and fing again •, and when the reft Of our young Ladies, in their wanton Blood, Tell mirthful Tales in Courfe that fill the Room With Laughter, fhe will with fo fad a Look Bring forth a Story of the filent Death Of fome forfaken Virgin •, which her Grief Will put in fuch a Phrafe, that, e'er fhe end. She'll fend them weeping one by one away. (5) Mel. She has a Brother under my Command, Like (5) She has a Brother, under my Command, Like ker \ ] The Criticks in all Ages, upon Dramatick Poems, have 72^ Maid's Tragedy, j Like her •, a Face, as womanifh as hers ; But with a Spirit that hath much out-grown The number of his Years. Enter Amintor. Cle. My Lord, the Bridegroom ! Mel. I might run fiercely, not more haftily. Upon my Foe : I love thee well, Amintor, My Mouth is much too narrow for my Heart; I joy to look upon thofe Eyes of thine -, Thou art my Friend, but my diforder'd Speech Cuts off my Love. Amin. Thou art Melantius ; All Love is fpoke in that. A Sacrifice To thank the Gods, Melantius is return'd In Safety ! — Vidlory fits on his Sword, As ihe was wont ; may flie build there and dwell. And may thy Armour be, as it hath been, Only thy Valour and thy Innocence ! What endlefs Treafures would our Enemies give. That I might hold thee ilill thus ! Mel. I'm but poor In Words, but credit me, young Man, thy Mother have laid it down for a Rule, that an Incident {hould be prepared, but not prevented; that is, not forefeen, fo as to take off the Surprize: For then the whole Pleafure of the Incident is pall'd, and has no Efleft upon the Audience or Readers. Thefe Preparatives, therefore, muft feem by Chance to the Spedlators, tho' they are always defignedly thrown in by the Poet. *' In mult is Oeconoviia Cotnicorum Poetarum " ita fe habet, ut Cafu futet SpeSiator , in oppofition to the Hard- nefs of Stonf. Madam, lO The Maid's Tragedy, Madam, I mufl: attend upon the King; But, the Mafque done, I'll wait on you again. Biag. Stand back there, room for my Lord Melantius ; pray, bear back ; this is no place for fuch Youths and their Trulls ; let the Doors be fhut again ; no ! do your Heads itch? I'll fcratch them for you: fo, now thruft and hang : again, — who is't now ? I cannot blame my Lord Calianax for going away j 'would, he were here ! he would run raging among them, and break a dozen wifer Heads than his own in the twinkling of an Eye : what's the news now ? WitbinJ] I pray, can you help me to the Speech of the Mafler-Cook ? Biag. If I open the Door, I'll cook fome of your Cah'-^s-heads. Peace, Rogues. — again, — who is't? Mel. Melantius. [Within. Enter Calianax. Cat. Let him not in. Biag. O, my Lord, I mufl: ; make room there for my Lord. Is your Lady plac'd? [21? Mel. Mel. Yes, Sir, I thank you. My Lord Calianax^ well met ; Your caufelefs Hate to me, I hope, is buried. Cal. Yes, I do fervice for your Siller here, Tliat brings my own poor Child to timelcfs Death ; She loves your Friend Jmintor^ fuch another Falfe-hearted Lord as you. Mel. You do me wrong, A mofl: unmanly one, and I am flow In taking Vengeance ; but be well advis'd. Cal. It may be fo : Who plac'd the Lady there. So near the prefence of the King? Mel. I did. Cal. My Lord, fhe mufl: not fit there. Mel. Why ? Cal. The place is kept for Women of more Worth. Mel. More Worth than flie ? it mif-becomes your Age, And Place, to be thus womanifli ; forbear ; What you have fpoke, I am content to think The Palfey fliook your Tongue to. Cal. Why, 'tis well, If I fl:and here to place Men's Wenches for them. Mel. I fliall forget this Place, thy Age, my Safety, And Tlje Maid's Tragedy, xi And, thorough all, cut that poor ficldy Week, Thou haft to live, away from tliee. Cal. Nay, I know. You can fight for your Whore. Mel. Bate me the King, And be he Flelh and Blood, he lyes, that fays it j Thy Mother at fifteen was black and finflil To her. Biag. Good my Lord ! [Man, Mel Some God pluck threefcore Years from tliat fond That I may kill him, and not ftain mine Honour j It is the Curfe of Soldiers, that in Pcace_ (8) They (hall be brav'd by fuch ignoble Men, As (if the Land were troubled) would with Tears And Knees beg Succour from 'em. 'Would, that Blood (That Sea of Blood) that I have loft in fight. Were running in thy Veins, that it might make thee Apt to fay lefs, or able to maintain, Shouldft thou fay more ! — This Rhodes., I fee, is nought But a Place privileg'd to do Men Wrong, Cal. Ay, you may fay your Pleafure. Enter Amintor. Amin. What vile Wrong Has ftirr'd my worthy Friend, who is as flow To fight with Words, as he is quick of Hand .'' Mel. That heap of Age, which I fhould reverence If it were temperate ; but tefty Years Are moft contemptible. Amin. Good Sir, forbear. Cal. There is juft fuch another as yourfelf. Amin. He will wrong you, or me, or any Man ; And talk as if he had no Life to lofe, Since this our Match : The King is coming in ; I would not for more Wealth than I enjoy. He fliould perceive you raging •, he did hear, You were at difference now, which haftned him. Cal. Make room there. {Hohoyes play within. (8) They Jhall he brain'd by fuch ignoble Men ] Thus, all the vulgar and modern Editions: But fuch ignoble Men, zs Alelantius is de- fcribing, durfl: not knock a Soldier's Brains out; tho' they might venture to infult him. The ^arto of 1619 gives us the genuine Reading, which I have inferted in the Text. Enter 12 The Maid's Tragedy, Enter King, Evadne, Afpatia, Lords and Ladies. Kir.g. Mekntius, thou art welcome, and my Love Is with thee ftill ; but this is not a Place To brabble in -, Calianax^ join hands, Cal. He lliall not have my hand. King. Tliis is no time To force you to it ; I do love you Both : Calianax^ you look well to your Office ; And you, Mehntiiis, are welcome home. Begin the Mafqye. Mel. Sifter, I joy to fee you, and your Choice. You look'd with my Eyes when you took that Man ; Be happy in him ! [Recorders play. Evad. O my deareft Brother! Your Prefence is more joyful than this Day Can be unto me. r H E M A S <^ U E. Night ri{es in Mijis. Night. Our Reign is now \ for in the quenching Sea The Sun is drown'd, and with him fell the Day j Bright Cinthia^ hear my Voice ; I am the Night, For whom thou bear'ft about thy borrow'd Light ; Appear, no longer thy pale Vifage fhroud. But ftrike thy Silver Horns quite through a Cloud, And fend a Beam upon my fwarthy Face ; By which I may difcover ail the Place And Perfons, and how many longing Eyes Are come to wait on our Solemnities. \Enter Cinthia. How dull and black am I .'' Can I not find This Beauty without thee, am I fo blind .'' Methinks, they fhew like to thofe Eaftern Streaks That warn us hence, before the Morning breaks ; Back, my pale Servant, for thefe Eyes know how To fhoot far more and quicker Rays than thou. Cinth. Great Queen, they be a Troop for whom alone One of my cleareft Moons I have put on ; A Troop, that looks as if thyfelf and I Had pluckt our Reins in, and our Whips laid by. To Hhe Maid's 'Tragedy, 13 To gaze upon thefe Mortals, that appear Brigliccr than we. Night. Then let us keep 'em here ; And never more our Chariots drive away. But hold our Places, and out-fhine the Day. Cinth. Great Queen of Shadows, you are pleas'd to fpeak Of more than may be done ; we may not break The Gods' Decrees, but when our time is come, Muft drive away, and give the Day our room. (9) Yet, while our Reign lafts, let us ftretch our Pow'r I'o give our Servants one contented Hour, With fuch unwonted folem.n Grace and State, As may for ever after force them hate Our Brother's glorious Beams ; and wifh the Night Crown'd with a thoufand Stars, and our cold Light : For almofl all the World their fervice bend, To Phccbus^ and in vain my Light 1 lend ; Gaz'd on unto my Setting from my Rife Almoft of none, but of unquiet Eyes. Night. Then fliine at full, fair Queen, and by thy Pow'r Produce a Birth, to crown this happy hour. Of Nymphs and Shepherds ; let their Songs difcover, Eafy and fweet, who is a happy Lover ; Or, if thou woo't, thine own Endymion From the fweet flow'ry Bank he lies upon. On Latfnus^ top, thy pale Beams drawn away ; And of this long Night let him make a Day. [mine, Cinth. Thou dream'ft, dark Queen; that fair Boy was nor Nor went I down to kifs him •, Kafe and Wine Have bred thefe bold Tales ; Poet?, when they rage. Turn Gods to Men, and make an Hour an Age j But I will give a greater State and Glory, And raife to time a nobler Memory Of what thefe Lovers are : Rife, rife, I fay, (10) Thou Pow'r of Deeps, thy Surges lade away, Neptune, (9) T~et ivbilc our Reign lafts, &c.] This and the nine fubfequent "I'erfes are wanting in the old Shtarto of 1619: BaC we meet with them in that of 1630. (10) — thy Surges laid «w«^,] The printed Word hitherto has been, fai^ ; but I think it fcarce Senfe. Nepturzc in leaving the Ocean is never fuppofed either to bring hii Surges with him, or lay them afide. 1.4 "n^e Maid's Tragedy, Neptune, great King of Waters, and by me Be proud to be commanded. [Neptune rifes. Nept. Qnthia, fee, Tliy word hath fetch'd me hither •, let me know, Wliy I afcend. Cinth. Doth this Majeftick Show Give thee no knowledge yet ? Nept. Yes, now I fee Somediing intended (Cinthia) worthy thee -, Go on, I'll be a Helper. Cinth. Hie thee then. And charge the Wind fly from his rocky Den. Let looie thy Subjcds ; only Boreas.^ Too foul for our Intention, as he was. Still keep him faft cliain'd ; we muft have none here But vernal Blafts, and gende Winds appear ; Such as blow Flow'rs, and through the glad Boughs fing Many foft welcomes to the lufty Spring. Thefe are our Mufick : Next, thy watry Race Bring on in Couples \ (we are pleas'd to grace This noble Night,) each in their richeft things Your own Deeps, or the broken VefTel, brings ; Be prodigal, and I fhall be as kind. And fliine at full upon you, ( 1 1 ) Nept. Ho ! the Wind- \_Enter N.o\\i% out of a Rock. Commanding y^fyZ/^j- / yEoL Great Neptune ! Nept.FLc. yEol. What is thy Will .'' Nept. We do command thee free afide, but barely to leave them. The Word lade will fignify his part- ing the Waves with his Trident to give him a free Paffage ; which is an Image quite poetical ! Mr. Seivard. (il) Ho f the Wind! Commanding JEo\\i%\'\ All the Editions have miftaken the Inten- tion of the Authors here. 'Tis well known, Molus, in poetick Fa- ble, was the Mafter and Controuler of the Winds; which he was fuppofed to keep bound in a Cave, and to let loofe upon the Ocean as he was commanded by Neptune. He is therefore call'd here the Wind-commanding jJLolus\ a compound Adjeftive which mull be wrote with an Hyphen, as I have reform'd the Text. The Editors were led into a Millake by the Word being divided, and put into two Lines for the Prefervation of the Rhyme. I ought to take Notice, for two Reafons, that both Mr. Senvard and Mr. Sy?npfnn join'd with me in llarting this Corredlion : Becaufe it is doing Jultice to the Sa- gacity of my Friends; and, befides, it is certainly a great Confirma- tion of the Truth of an Emendation, where three Pcrfons, all diftant from one another, ftrike out the fame Obfervation. Favcnius, "The Maid^s Tragedy, 15 Favomus^ and thy milder Winds, to wait Upon our Cinthia \ but tie Boreas ftra'ight ; (12) He's too rebellious. Mol. I Ihall do it. Nep. Do. Mel Great Mafter of the Flood, and all below. Thy full Command has taken. Ho! the Main! Neptune ! — NepL Here. MoL Boreas has broke his Chain, And, ftruggling with the reft, has got away. Nepi. Let him alone, I'll take him up at Sea j I will not long be thence ; go once again. And call out of the bottoms of the Main Blue Proteus, and the reft ; charge them put on Their greateft Pearls, and the moft fparkling Stone The beaten Rock breeds ; 'till this Night is done By me a folemn honour to the Moon. Fly, like a full Sail. MoL I am gone. Cmt/j. Dark Night, Strike a full Silence, do a thorough right To this great Chorus •, that our Mufick may Touch high as Heav'n, aiid make the Eaft break Day At Mid -night. [Mu/Ick. SONG. Cinthia, to thy Power, and I'hee^ We obey. 'Jcy to this great Company ! And no Day Come to fteal this Night away. (i 2) Nept. Do, great Mafier of the Flood, and all beloWt 7h full Command has taken. Mo\. Ho', the Main''\ I have vcntur'd at a fmall, but, as I think, at a very neceffary Tranlpofi- tion here in the Charafters fpeaking. How can Neptune with any Propriety call ^^olus great Mafter of the Floods and all below, when he himfelf, according to the Poetical Syftem, bore that fupreme Com- mand? jEoIus, 'tis true, was fuppos'd to have a Controul over the Winds; a fort of limitary Charge, in which he was a Subllitute to Neptune. In {hort, I believe that the Poets intended, fo foon as Nep- tune had given out his Orders, ..■Eolus, (whofe Operations as a God were not confined to Time and vulgar Motion;) fhould immedi- ately tell Neptune his Commands were obey'd ; and then finding that Boreas had efcap'd amongll the other Winds, He calls out again to acquaint Neptune with it. Thus all is clear, and they ad in their diitinft proper Offices. 'nil 1 6 The Maid's Tragedy. ""Till the Rites of Lo-ve are ended; And the hifiy bridegroom fay, JVelcome, Light, of all befriended. Pace out, you watry Powers below. Let your Feet, Like the G allies when they row. Even beat. Let your unknown Meafures, fet To theflill JVinds, tell to all, 'That Gods are come, immortal, great. To honour this great Nuptial. The Mcafure. Second Sons. Hold back thy Hours, old Night, //// we have done ; The Day will come too foon ; Young Maids will curfe thee if thou fleaVfl away, (13} And leav'fi their Loffes open to the Day. Stay, flay, and hide ' The Blufhes of the Bride. Stay, gentle Night, and with thy Darknefs cover The Kiffes of her Lover. Stay, and confound her Tears, and her fhrill Cryings, Her weak Denials, Vows, and often Dyings ; Stay, and hide all j But help not, though floe call. (14) Nept. Great Queen of us and Heav'n, hear what I bring To make this hour a full one. Cinth. Speak, Sea's King. Nept. - Maiaens will curie thee, Jytgfjt, it tnou leav it tne hojs rginity open to the Day ; Stay therefore, and hide the Bride's Blufies. " (14) Great Slueen of us and Hea'v'n, Hear 'what I bring to make this hour a full one. If flat her meafure. Cinth. Speak, Sea's King. This PafTage, I am afraid, has been fadly mangled : The Verfe and Rhyme have been difconcertcd ; and the Senfe quite loft by an extraor- dinary Interpolation. I think, I have apply'd a Remedy to both. What can be the meaning of making this hour a full one^ if not her Meafure ? He MaidTs ^Tragedy, 17 (15) t^ept. The Tunes my Ajnphitrit e ]oys to have> "When flie will dance upon the iifing Wave, And court mc as fhe fails. My Tritons, play Mufick to lead a Storm -, Til lead the way. [Mafquers dance ; Neptune leads it. SONG. Meafure. To Bed, to Bed; come. Hymen, lead the Bride ^ And lay her by her Husband's Side: Bring in the Virgins every one, That grieve to lie alone : That they may kifs while they may [ay, a Maid ; To-morrow, 'twill be other kiji, and [aid: Hefperus be long a flnning, JVhilJi thefe Lovers are a twining. Mol. Ho! 'Neptune] Nept. yEolus! jEol. The Seas go high, Boreas hath rais'd a Storm ; go and apply Thy Trident, elfe, I prophefy, e'er Day Many a tall Ship will be caft away : Defcend with all thy Gods, and all their Power, ( 1 6) To ftrike a Calm. Cinth. We thank you for this Hour : My Favour to you all. To gratulate So great a Service done at my defire. Ye fhall have many Floods, fuller and higher Meafure ? i. e. if not a full one ? The Words are certainly to be ftruck out. Some careful Annotator had made a marginal ^^ere, at the Clofe of the fecond Song ; If not her Meafure : i. e. Whether this Meafure is not to be fung by Cinthia ; as it undoubtedly is : But the Note of Reference to this ^are being forgot, it was miftaken at Prefs for a Part of the Text, and cafually clap'd to Nepiune^% Speech. (15) Thy Tunes my Amphitrite joys to ha've When they nxjill dance upon the rifing Wave, And court me as the Sails. l5c.'\ The Reformation, in thefe four Lin«s of Neptune, from the vulgar Editions, are prefcribed by the in- genious Mr. Se-Ji-ard; they are, as he fays, extremely Pidurefque ; and, if exprefk'd as well in Colouring, would rival the Jcis and Galatea of Raphael. ( 1 6) To fir ike a Call. ] This is Nonfcnfe. The two ^artoi of j 6 1 9 and 1630 come in to our Alliftance, who both read a Calm. As the Rhymes arc interrupted in the fabfequeni Speech oi Cinthia, Something muft be loll; aDefee Maid's Tragedy, Shew me the piece of Needlework you wrought. Ant. Of Ariadne., Madam ? Aj'p. Yes, that Piece. This fhould be Thefeus ; h'as a coz'ning Face ; You meant him for a Man. Ant. He was fo. Madam. Afp. Why, then 'tis well enough j — Never look back. You have a full Wind, and a falle Heart, Thefeus j Does not the Story fay, his Keel was fplit. Or his Mafls fpent, or fome kind Rock or other Met with his VefTel ? Ant. Not as I remember. Afp. It Ihould ha' been fo; could the Gods know this. And none of all tlieir number raife a Storm ? But they are all as ill. Ay, this falfc Smile Was well expreft •, juft fuch another caught me ; (2S) You fhall not go on fo, Antiphila ; In this Place work a Quickfand, And over it a Ihallow fmiling Water, , And his Ship ploughing it ; and then a Fear : [Story. Do that Fear bravely. Wench. Ant. 'Twill wrong the Afp. 'Twill make the Story, wrong'd by wanton Poets, Live long and be believ'd. But where's the Lady .'' Ant. There, Madam. Afp. Oh fie, you have mifs'd it Antiphila, you are much miftaken. Wench; [here, Thefe Colours are not dull and pale enough. To fhew a Soul fo full of Mifery As this fad Lady's was ; do it by mc. Do it again by me, the loll Afpatia ; And you fhall find all true, (29) but the wild Ifland. (30) Suppofe, I ftand upon the Sea-beach now, Mine (28) Toujhall not go fo,'] This fhould have been printed as a diflindl Verfe, had not the Omiflion of a Particle fpoil'd both Senfeand Mea- fure, which are eafily reftored. Mr. SeivarJ. (29) i>ut the nxild IJIand.'\ Ariadne, the Daughter of Minos, King of Crete, 'tis well known, was defperately in Love with Thefeus. She by the help of a Ciue extricated him from the Laby- rinth to which he was confined ; and embark'd with him on his Re- turn for Athens: But he ungeneroufly gave her the Drop on the Shore of the Ifland Naxos. Afpatia fays, her Cafe is in every Particular fimilar, except as to the wild Ifland. (30) Suppofe, I fland'l This is one of thofe PaflTages, where the Poets, rapt into a glorious Enthufiafm, foar on the rapid Wings of Fancy. Enthufiafm I would call the very Efre;ice of Poetry, iince, without it, neither the happy Conduct of the Fable, the Juftnefs of Characters The Maid's Tragedy. ZZ Mine Arms tlius, and mine Hair blown with the Wind, Wild as that Defait ; and let all about me (3 1) Be Teachers of my Story -, do my Face (If thou hadft ever Feeling of a Sorrow) Thus, thus, Anti-phila ; ftrive to make me look Like Sorrow's Monument-, and the Trees about me, Let them be dry and leafelefs j let the Rocks Groan with continual Surges, and behind me Make all a Defolation j fee, fee. Wenches, (32) A miferablc Life of this poor Pidure. Olym. Dear Madam ! Afp. I have done, fit down, and let us Upon that Point fix all our Eyes, that Point there ; Make a dull Silence, 'till you fcel a Sadnefs Give us new Souls. Enter Calianax. Cal. The King may do this, and he may not do it ; My Child is wrong'd, difgrac'd. — Well, how now, Huf- wives ? What, at your Eafe ? Is this a time to fit ftill ? Up, you young lazy Whores, up, or I'll fwinge you. Olym. Nay, good my Lord. Cal. You'll lie down fhortly ; — get you In, and work ; (33) What, are you grown io refty ? you want Heats.'' We Chara'(Elers or Sentiments, nor the utmoft Harmony of Metre, can al- together form the Poet. It is the Frequency of fuch noble Flights as thefc, and their amazing Rapidity, that fets the immortal Shakefpeare above all other Dramatick Poets ; and fufFers none of our own Na- tion in any Degree to approach him, but Beaumont and Fletcher. Mr. Seaward. (31) 7ell, that I am forfaken •,'\ This I fufpefl to be a fophifticated Reading; and, very probably, from the Players. The oldell Edition, in 1619, has it; Be Tczxa of my Story This Reading neither Senie, nor Metre, will allow of Cut I doubt not, but the Emenda- tion, which I have given, retrieves the Authors' true Words and Mean- ing ; Be Teachers of my Story; i. e. Let every thing about me explain the Story of my Misfortunes. (32) A mij'crable Life of this poor Pidure.'] 1. e. See in Me this Pifture to the Life. (33) IVhat are ycu gro-iun fo refy? Ycu ivant Ears, IFe fmll have fame of the Court Boys do that Office] Thus Vo L I. D the 34 ^^ Maid's Tragedy, We fhall have fome of the Court-Boys heat you fhortly. j^N/. My Lord, we do no niore than we are charg'd : It is the Lady's Pleafure wc be thus In Grief-, fhe is forlliken. Cal. There's a Rogue too, A young dilTembJing Slave j well, get you in, I'll have a Bout with that Boy-, 'tis high time Now to be valiant -, I confefs, my Youth Was never prone that way. What, made an Afs ? A Court-Stale? Well, I will be valiant. And beat feme Dozen of thefe Whelps i and there's Another of 'em, a trim cheating Soldier, ril maul that Rafcal ; h'as out-brav'd me twice ; But now, I thank the Gods, I'm valiant Go, get you in ; I'll take a Courfe with all.' [Exeunt. ACT III. SCENE I. SCENE, an j^parfment in Amintor'j Hoiifc. Enter Cleon, Strato, and Diphilus. Cle. 'y O U R Sifter is not up yet. ^ Diph. Oh, Brides muft take their Morning's Reft, The Night is troublefome. Stra. But not tedious. Diph. What odds, he has not my Sifter's Maidenhead to Night } Stra. None ; it's odds againft any Bridegroom living, he ne'er gets it while he lives. Diph. You're merry with my Sifter, you'll pleafe to allow me the fame Freedom with your Mother. the FoA'o Edition of 1679 exhibits the Text. The ?>uarto of 1630 and 1638. have it, Ton ^ant heares. — But what t>fic€, in the Name of Nonlenfe, were the Court-Boys to do for thefe young Wer.ches ? Or what Confonance is there betwixt being rcfly, and ixanting Ears? The old Man, in liis Allufion, compares them to lazy, rejly Mares, that want to be rid fo many Heats : and this was the Office, that the young, wanton. Courtiers were to do tor them. I have retriev'd the true Reading from the old ii^mrto's of 16 19, and 1622. Stra. The Maid's Tragedy, 35 ^tra. She's at your Service. Biph. Then flie's merry enough of herfelf, Ihe needs no Tickling. Knock at the Door. Stra. We fhall interrupt them. Biph. No matter, they have the Year before them. Good-morrow, Sifter-, fpare yourfelf to Day, The Night will come again. Enter Amintor. Amin. Who's there, my Brother? I am no readier yet 3 Your Sifter's but now up. Biph. You look as ^ ou Had loft your Eyes to Night j I think, you ha' not flept; Amin. I'faitJi, I have not. Diph. You have done bet- ter then. Arain. We ventur'd for a Boy ; (34) when he is Twelve, He fliall command againft the Foes of Rhodes. Shall we be merry ? Stra. You cannot j you want Sleep. Amin. 'Tis true ;— ' but Ihe, As if fhe had drunk Lethe., or had made [A/ide, Even with Heav'n, did fetch fo ftill a Sleep, So fweet and found Diph. What's that ? yimin. Your Sifter frets this Morning, and does turn Her Eyes upon me, as People on their Headfman j She docs fo chafe, and kifs, and chafe again. And clap my Cheeks -, ftie's in another World. Diph. Then I had loft ; I was about to lay. You had not got her Maiden-head to Night. Amin. Ha! He does not mock me ; you had loft, ind^^ed ; I do not ufe to bungle. Cleo. You do d^fcrve her. Amin. I laid my Lips to hers, and that wild Breath, That was fo rude and rough 10 me laft Night, (34) -when he is tiuel've, • He Jhall command agaiJi ft the Foes of Rhodes. Stra. Tou cannot; you =voant SJeep.^ In this ftupid Manner, from fcmcwhat before, and ever fmce, the Year i6ro. has the Text flood. Strata makes a direft Anfwer to 'Something, without any previous Quellion ftarted, or Point propounded. The Hctniftich, which I have redored from the three el^eft ^iartu'%, makes, what he replies to, appofite and fenfible. D 2 Was 36 The Maid's Tragedy. Was fwett as Jpril\ I'll be guilty too, [JJIde. If thcfe be the Effe6ts. Enter Melantius. Mel. Good day, Jmintor, for to me the Name Of Brother is too diftant ; we are Friends, And that is nearer. Amin. Dear Melantius ! Let me behold thee ; Is it poffible . Mel. What fudden Gaze is this ? yfw/«, 'Tis wond'rous ilrange. Mel. Why does thine Eye defire fo flrici: a View Of that it knows fo well ? There's nothing here That is not thine, yfmm. I wonder much, Alelantius, To fee thofe noble Looks, that make me think How virtuous thou art ; and on the fudden ' Tis ftrange to me, thou fnouldft have Worth and Honour-, Or not be bafe, and falfe, and treacherous, And every 111. But Mel. Stay, ftay, my Friend; I fear, this Sound will not become our Loves -, {t^c^) No more embrace me. Jmint. Oh, miftake me jnot -, I know thee to be full of all thofe Deeds, That we frail Men call good ; but by the Courfe Of Nature thou fhou'dft be as quickly chang'd As are the Winds ; difTembling as the Sea, That now wears Brows as fmooth as Virgins* be. Tempting the Merchant to invade his Face ; And in an Hour calls his Billows up. And (hoots 'em at the Sun, deftroying all He carries on him. — O, how near am I [JJtde. To utter my fick Thoughts ! Mel. But why, my Friend, Should I be fo by Nature ? Amin. I have wed Thy Sifter, who hath virtuous Thoughts enough For one whole Family ; and it is flrange, (31;) No more, embrace me."] Melatitius is difgufled at Amintor'?, odd Behaviour, which, not knowing the Source of his DiTorder, he cannot account for : but he thinks, the Tencur of A}nintor''% Words does not become their wonted Friendfliip : He, therefore, feems to de- mand a Truce of their ufual Intimacies, till his Sufpicions are clear'd up. This miftaken Comma remov'd, we recover Melantius''^ intend- ed Referve ; and Amintor'i fubfequent Apc^ogy accounts for the Nc- ceiTity of it. That Tlje Maid\ Tragedy, 37 That you fhould feel no Want. Mel. Believe me, this Complement's too cunning for me. Diph. What fhould I be then by the Courfe of Nature, They having Both robb'd me of {o much Virtue ? Stra. O call the Bride, my Lord Amintci\ that we may fee her bludi, and turn her Eyes down j it is the prettieft Sport. Am'm. Eva due! Evad. My Lord! [JVithin. Amin. Come forth, my Love; Your Brothers do attend to wifh you Joy. Evad. I am not ready yet. Amin. Enough, enough. Evad. They'll mock me. Amin, Faith, thou (halt come in. Enter Evadne. Mel. Good-morrow, Sifter ; he, that underftands Whom you have wed, need not to wilh you Joy : You have enough; take heed, you be not proud. T)iph. O Sifter, what have you done ! Evad. I done ! why, what have I done .' Stra. My Lord Amintor fwears, you are no Maid now. Evad. Pufh! Stra. I'faith, he does. Evad. I knew, I fhou'd be mockt. Biph. With a Truth. Evad. If 'twere to do again, in faith, I would not marry. Amin. Nor I, by Heav'n. {^Afide, Diph. Sifter, Dula fwears, fhe heard you cry two Rooms off. Evad. Fie, how you talk ! Diph. Let*s fee you walk. Evad. By my troth, you're fpoil'd. Mel. Amintor ! Amin. Ha! Mel. Thou art fad. Amin. Who, I ? I thank you for that. Shall Diphilus., thou, and I, fing a Catch ? Mel. How! Amin. Prithee, let's. Mel. Nay, that's too much the other way. Amin. I am fo lightned with my Happinefs : How doft thou. Love ? kifs me. Evad. I cannot love you, you tell Tales of me. Amin. Nothing but what becomes us. Gentlemen, 'Would, you had all fuch Wives, and all the World, D 3 That 38 He Maid's Tragedy. That I might be no Wonder ! You're all fad ; What, do you envy me ? I walk, methinks, On Water, and ne'er fink, I am fo light. Mel. 'Tis well, you are fo. Amin. Well.? how can I he other, when flie looks thus ? Is there no Mufick there? let's dance. Mel. Why, this is Arrange, Amintcr ! Amin, I do not know myfelf ; Yet I could wifh, my Joy were lefs. Diph. I'll marry too, if it will make one thus. E'vad. Amintor., hark. j^min. What fays my Love ? I muft obey. Ezad. You do it fcurvily, 'twill be perceiv'd. Cle. My Lord, the King is here. E;iter King and Lyfippus. Jmin. Where? Stra. i\nd his Brother. King. Good morrow, all ! Amintor, Joy on Joy fall thick upon thee ! And, Madam, you are alter' d fince I faw you ; I muft falutc you ; you are now another's ; How lik'd you your Night's Reft ? Evad. Ill, Sir. Jmin. Ay! 'deed, flie took but little. Lyf. You'll let her take more, and thank her too, fhortly. Kitig. Amintor^ wert thou truly honeft *till thou Wert married? Amin. Yes, Sir. King. Tell me then, how fhews The Sport unto thee ? Amin. Why, well. King. What did you do ? Amin. No more, nor lefs, than other Couples ufe i You know, what 'tis; it has but a courfc Name. King. (36) But, prithee, I Ihould think, by her black Eye, And her red Cheek, fhe fliould be quick iind ftirring In (36) But, prithee, IJhould think, &:c.] This King is a very vicious Charafler throughout ; firft, in debauching the Siller of his brave and viftorious General ; and then in marrying her to a yonng Nobleman of great H ^pes, his General's darling Friend ; and forcing him to break a Contrail made with the Daughter o^ his Conftable, or Keeper, of his Citadel. But why is his Charafler fo monllroufly overcharged, that he fhould, to the Impeachment of common Decency, qucllw n theabafcd Husband about his Wife's Complexion and Vigour in con- 'The Maid's Tragedy, 39 In this fame bufinefs, ha ? Amin. 1 cannot tell, I ne'er try'd other, Sir ; But I perceive, ftie is as quick as you delivered. King. Well, you will trull me then, Amintor^ to chule A Wife for you again? Amin. No, never, Sir, King. Why ? like you this fo ill ? Amin. So well 1 like For this I bow my Knee in Thanks to you, [her. And unto Hcav'n will pay my grateful Tribute Hourly ; and do hope we Ihall draw out A long contented Life together here. And die both full of gray Hairs in one Day ; For which the Thanks is yours : But if the Fow'rs, That rule us, pleafc to call her firfl away. Without Pride fpoke, this \\^orId holds not a W^ifc Worthy to take her Room. King. I do not like this ; all forbear the Room, {^Exeunt Lyf Melan. Cleon, Strat. and Diphilus. But you, Amintor.^ and your Lady. I've fome Speech Thar may concern your after-living well. Amin. He will not tell me, he lies with her, if he do, Something heav'nly Hay my Heart, for I Ihall be apt To thrull this Arm of mine to Ads unlawful. King. You'll fuffer me to talk with her, Amitttor, And not have jealous Pangs ! yhnin. Sir, I dare truft my Wife With whom fhe dares to tallc, and not be jealous. King. How do you like Amintor ? Evad. As I did. Sir. King. How's that ! Evad. As one, that, to fulfill your Pleafure, I have given Leave to call me W^ife and Love. King. I fee, there is no lafting Faith in Sin ; They, that break word with Hcav'n, will break again With all the World, and fo dolt thou with me. Evad. How, Sir.'' King, This fubtile Woman's Ignorance jugal CarefTes; and then withdraw her, out of the Husband's Hear- ing, to fift whether ihe had not fiibnii:ted to let him pay the Rites of sn Husbr.nd ? This is a Piece of Conduft ic> flagrantly imi udent, that, aliandon'd as we may be in private Enormities, even oar worlt Rakes would fliew fo much Defeience to the Fair Sex, as not to let it pafs without a Rebuke. D 4 \Nill 40 T^e Maid's 'Tragedy. Will not excufe you ; thou hafl taken Oaths So great, methought, they did not wc'l become A Woman's Mouth •, that thou wouldll ne'er enjoy A Man but me. E'vad. I never did fvvear fo ; You do me Wrong. King. The Day and Night have heard it. E'vad. I fwore, indeed, that I would never love A Man of lower Place ; but if your Fortune Should throw you from this height, I bad you trull, I would forfake you ; and would bend to him. That won your Throne -, I love with my Ambition, Not with mine Eyes ; but if I ever yet Touch'd any other, Leprofie light here Upon my Face, which for your Royalty I would not ftain ! King. Why, thou difTemblell, and It is in me to punifh thee. E'vad. Why, 'tis in me Then not to love you, which will more afflid: Your Body, than your Punifhmcnt can mine. Kiftg. But thou haft let Amintor lie with thee. Evad. I ha' not. King. Impudence ! he fays himfelf lb. Evad. He lyes. Ki?ig. He does not. Evad. By this Light, he does ; Strangely, and bafely, and I'll prove it fo; I did not only fhun him for a Night, But told him, I would never dole with him. King. Speak lower ; it is falfe. Evnd. I am no Man To anlwer with a Blow •, or, if I were, You are the King; but urge not, 'tis moft true. King. Do not I know the uncontrouled Thouglits That Youth brings with Iiim, when his Blood is high With Expcdlation, and Defire of tliat He long hath waited for.'' Is not his Spirit, Though he be temperate, of a valiant Strain As this our Age hath known .'' What could he do. If fuch a fudden Speech had met his Blood, But ruin thee for ever.'* if he'd not kill'd thee, He could not bear it thus ; he is as we. Or any other wrong'd Man. Evad. It is DiflTembling. King. Take him -, farewel ; henceforth I am thy Foe i And what Difgraccs I can blot thee with, look for. Erc^d. "The Maid's Tragedy, 41' Evad. Stay, Sir-, Amintor — you Ihallhear; Amintor — > Amin. What, my Love ? Eijad. Amintor^ thou haft an ingenuous Look, And fhouldft be virtuous ; it amazeth mc. That thou canft make fuch bafe malicious Lyes. Amin. What, my dear Wife! Evad. Dear Wife ! Ida defpife thee ; Why, nothing can be bafer, than to fow Diflfention amongft Lovers. Amin. Lovers! who.'* Evad. The King and me. Amin. O Heav'n ! Evad. Wlio fliould live long, and love without Diftafte, Were it not for fuch Pick thanks as thyfelf ! Did you lie with me ? fwear now, and be punifh*d In Hell for this. Amin, The faithlefs Sin I made To fair Afpatia is not yet reveng'd \ It follows me. I will not lofe a Word To this wild Woman-, but to you, my King, The Anguifh of my Soul thmlts out this Truth, You are a Tyrant -, and not fo much to wrong An honeft Man thus, as to take a Pride In talking with him of it. Evad. Now, Sir, fee, Flow loud this Fellow ly'd. • • [Men Amin. You that can know to wrong, fliould know how Muft right themfelves : What Punifhment is due From me to him that fhall abufe my Bed ? It is not Death -, nor can That fatisfy, {^y) Unlefs I fend your Limbs through all the Land, To fhew how nobly I have freed my felf. King. Draw not thy Sword j thou know'ft, I cannot fear A Subjed's Hand ; but thou fhalt feel the Weight Of This, if thou doft rage. Amin. The Weight of that? If you have any Worth, for Heav'n's fake, think, I fear not Swords -, for as you are meer Man, I dare as eafily kill you for this Deed, (37) Unlefs I fend your Ia^^i through all the Land. '\ To fend Peo- ple's Lives thro' all tiie Land is certainly a very odd and unprefident- fd Exprcflion. The Poets, doubtlefs, muft have wrote, Limbs, i. e. Unless I hew you to pieces, and fend your Quarters, (as is done by Male'adlor.'') thro' the Kingdom, to let your Subjedls know my Inju- ries, and the Juilice of my Revenge : Yuur bare Deaths cannot fr.ti;fy jne. Mr. Symp/on. As 42 7^^ Maid's Tragedy. (38) As you dare think to do it : but there is Divinity about you, tJiat ftrikes dead My rifing PafTions ; as you are my King, I tall before you, and prcfent my Sword To cut mine own Flefh, if it be your Will. -Alas! I'm nothing but a Multitude Of walking Griefs \ yet, fhould I murther you, I might bclore the VVorld take the r.xcufe Of Madnefs : for compare my Injuries, And they willwell appear too fad a Weight For Rcafon to endure-, but fall I firft Among my Sorrows, e'er my treacherous Hand Touch holy Things ! But why, (I know not what I have to fay ; ) why did you chufe out "me To make thus wretched ? there were thoufand Fools Eafy to work on, and of State enough, Within the Ifland. Evad. I would not have a Fool, It were no Credit for me. J7mn. Worfe and worfe! Thou that dar'ft talk unto thy Husband thus, Profcfs thy felf a Whore, and, more than fo, Refotve to be fo itill, • it is my Fate To bear and bow beneath a thoufand Griefs, To keep that little Credit with the World. But there were wife ones too, you might have ta'en Another. King. No ; for I believe thee Honeft, As thou art Valiant. Amin. All the Flappinefs, Beftow'd upon me, turns into Difgrace ; Gods, take your Honefty again, for I Am loaden with it. Good my Lord the King, Be private in it. King. Thou may'fl live, Amintor, Free as thy King, if thou wilt wink at this ; And be a means that we may meet in fecret. Ami7i. A Baud! hold, hold, myBreaftj a bitter Curfe (38) hut there is Di'vtfiity about you, that Jlrika dead My rifing PaJJioHSi] So Shakefpeare faid, before our Poet?, in his Hamlet : Let him go, Gertrude; do not fear cur Per/on: There's <"uch Divinity doth hed^^c a King, 7hat Treafon can hut peep to 'vohat it ivould ; Afu little of its Will. Seize The Maid^s l)^agedy, 43 Seize me, if I forget not all Refpeds That are religious, on another Word Sounded like that ; and through a Sea of Sins "Will wade to my Revenge, though I fhould call Pains here, and, after Life, upon my Soul ! (39) King. Well; I am refolute, you lie not with her; And fo I leave you. \^Exit King. Evad. You muft needs be prating ; And, fee, what follows. yf?«/«. * Prithee, vex me not; Leave me-, I am afraid, fome iiidden Start Will pull a Murthcr on me. Evad. I am gone ; I love my Life well. \_Exit Evadne. Amin. I hate mine as much. This 'tis to break a Troth ; I fhould be glad, If all this Tide of Grief would make me mad. [Exit, Enter Melantius. Mel. ril Icnow the Caufe of all Ammtor*s Griefs, Or Friendfhip fhall be idle. Enter Calianax. Cal. O Melantius, My Daughter- — fhe will die. Mel. Truft me, I am ibrry; 'Would, thou hadll ta'en her Room ! Cal. Thou art a Slave, A cut-throat Slave, a bloody treacherous Slave, Md. Take heed, old Man, thou wilt be heard to rave. And lofe thine Office. Cal. I am valiant grown At all thefe Years, and thou art but a Slave. Mel. Some Company will come, and I refpeft Thy Years, not thee, fo much, that I could wifh To laugh at thee alone. Cal. Pll Ipoil your Mirth, (39) JVt/I, I a?n refolute you lay Tiot ixitb her,'\ The oldeft ^arto leaves out the Negative, and gives us this Reading : fVell. I am refolute you lay ^Mith her, i. p. I am rtfol'udy certain in my Opinion, that you have enjoy'd her. But, I think, this is not the Intention of the Authors : The King, 'ti' plain, defires to continue the Pofleffion of her folely to himfelf ; and therefore, to keep up the Strain of his Tyranny, would fay, I am fix'd in the Determination, that you fhall not tafte of her Embraces, and fo I leave you. I mean 44 72^ Maters Tragedy, I mean to fight with thee -, there lie my Cloak, — This was my Father's Sword, and he diirft fight ; Are you prepar'd ? Mel. Why, wilt thou doat thy felf Out of tliy Life ? Mence get thee to thy Bed, Have carefull I-ooking to, and cat warm things, Trouble not me; my Head is full of Thoughts More weighty than thy Life, or Death, can be. Cal. You have a Name in War, where you ftand fafe Amongft a Multitude j but I will try, What you dare do unto a weak old Man : In fingle Fight, you'll give ground, I fear : Come, draw. Mel. I. will nor draw, unlefs thou puH'ft thy Death Upon thee with a Stroke •, there's no one Blow, That thou canft give, hath Strength enough to kill me. Tempt me not fo far then ; the Pow'r of Earth Shall not redeem thee. Cal. I muft let him alone, He's ftout and able j and to lay the. Truth, However I may fet a Face, and talk, I am not valiant : "When 1 was a Youth, I kept my Credit with a tefty Trick I had 'mongfl Cowards, but durft never fight. Mel. I will not promifc to preferve your Life, If you do ftay, Cal. I would give half my Land That f durft fight with that proud Man a little : If I had Men to hold him, I would beat him. Till he askt me Mercy. Mel. Sir, will you be gone i* Cal. I dare not ftay, but I will beat my Servants All over for this. [^Exit Calianax. Mel. This old Fellow haunts me ; But the diftrafted Carriage of mine Ammtor Takes deeply on me, I will find the Caufe; 1 fear, his Confcience cries, he wrong'd Jfpatia. Enter Amintor. Amin. Mens Eyes are not fo fubtle to perceive My inward Mifery ; I bear my Grief Hid from the World -, how art thou wretched then r For aught I know, all Husbands are like me -, And every one, ! talk with of his Wife, Is but ^ well Diffembler of his Woes, As The Maid's Iragedy. 45 As I am : 'Would, I luiew it ; for the Rarencfs Afflids me now. Mel.Amintor, we have not enjoy'd ourFriendfhipof late, (40) For wc were wont to change our Souls in I'alk. Amin. Melantius^ I can tell thee a good Jell of Strata and a Lady the laft Day. Mel. How was't ? Jmin. Why, fuch an odd one. AM. I have long'd to fpeak with you, not of an idle J eft that's forc'd, but of matter you arc bound to utter to me. Jmin. What is that, my Friend? Mel. I have obferv'd, your Words fall from yotir Tongue Wildly ; and all your Carriage has appear'd Like one that ft rove to fliew his merry Mood, When he were ill difpos'd : You were not wont To put fuch Scorn into your Speech, or wear Upon your Face ridiculous Jollity : Some Sadnefs fits here, which your Cunning wou'd Cover o'er with Smiles, and 'twill not be. What is it ? Ardin. A Sadnefs here ! what Caufe Can Fate provide for me, to make me fo ^ Am I not lov'd through all this Ifle .'' the King Rains Greatnefs on me : Have I not receiv'd A Lady to my Bed, that in her Eye (41) Keeps mounting Fire, and on her tender Cheeks Inimitable Colour, in her Heart A Prifon (40) For ni-e ivere nvont to charge our Souls in Talk."] This is flat Nonfenfe, by the Millake of a fingle Letter. The flight Alteration I have made, gives us the true Meaning. So, in j^ King and no King, or for Honefy to enterchange my Bofom nvitb, &c. And, again, And then hoijc dare you offer to change Words nxiith her? Mr. 5^iv'arjd the Ground, And reapt th- Fruit in Peace. And your felf ha-je ll'v'd at home in Eafe. ] We have on!/ fotnething like Metre left, and in the third Verfe as little Senfe. For where is the Merit of reaping the Fruits of his own Valour ? He would fay juft the contrary. The whole, I am well affur'd, originally ran^ as I have regulated it. Mr. SeivarJ, F 2 My 68 The Maid's Tragedy. My Siller gainM-, and though he call me Foe, I pity him. Cal. Pity ? A Tox upon you ! (60) Mel. Mark, his diforder'd Words, and at the Mafquc, 'Diagoras knows, he rag'd, and rail*d at me, And call'd a Lady Whore, fo innocent She underflood him not •, but it becomes Both you and me too to forgive Diftradlion ; Pardon him, as I do. Cal. Pll not fpeak for thee, Por all thy Cunning-, if you will be fafe Chop off his Head, for there was never known So impudent a Rafcal. King. Some, that love him. Get him to Bed : Why, Pity lliould not let Age make it felf contemptible ; we muil be All Old •, have him away. Mel. Calianax., The King believes you-, come, you fhall go home, And reft ; you ha' done well ; you'll give it up When I have us'd you thus a Month, I hope. Cal. Now, now, 'tis plain. Sir, he does move me ftill; Pie fays, he knows Pll give him up the Fort, "When he has us'd me thus a Month : I am mad. Am I not, ftill .'' Omnes. Ha, ha, ha ! Cal. I ihall be mad indeed, if you do thus ; Why would you truft a fturdy Fellow there (That has no Virtue in him, all's in his Sword) Before me .^ Do but take his Weapons from him. And he's an Afs, and Pm a very Fool, Both with him, and widiout liim, as you ufe me. Omnes. Ha, ha, ha! King. 'Tis well, Calianax ; but if you ufe This once again, I fhall intreat fome Other To fee your Offices be well difcharg*d. Be merry. Gentlemen, it grows fomewhat late. Jmintor, thou would'ft be a-bed again. Anin. Yes, Sir. King. And you, Evadne-, let me take Thee in my Arms, Melantius, and believe Thou art, as thou deferveft to be, my Friend (6©) King. Mark his diforderd Words, and, at the Ma/que, Mel. Diagoras kno-uus, &c. ] I have affix'd the Lines here to the right Charadlers, from the Authority of the Eldell ^arto, Mr. Seivard likewife prefcrib'd this Alteration to me. StiU, *The Matd^s Tf-agedy, 69 Still, and for ever. Good Calia}ia\\ Sleep foundly, it will bring thee to thy felf. [Exeunt all hut Mel. and Cal. Cal. Sleep foundly ! I fleep foundly now, I hope, I cou'd not be thus elfe. How dar'fl thou (lay Alone with me, knowing how thou haft us'd me ? Mel. You cannot blaft me with your Tongue, and that's The ftrongeft Part you have about you. Cal. I Do look for fome great Punifhment for this. For I begin to forget all my Hate, And take't unkindly that mine Enemy Should ufe me fo extremely fcurvily. Mel. I fhall melt too, if you begin to take Unkindnefles : I never meant you Hurt. Cal. Thou' It anger me again ; thou wretched Rogue, Meant me no Hurt ! Difgrace me with the King ; Lofe all my Offices! This is no Hurt, Is it .'' I prithee, what doft thou call Hurt ? Mel. To poifon Men, becaufe they love me not ; To call the Credit of Mens Wives in queftion; To murder Children betwixt me and Land ; This is all Hurt. Cal. All this, tliou think'ft, is Sport ; For mine is worfe : But ufe thy Will with me ; For betwixt Grief and Anger I cou'd ciy. Mel. Be wife then, and be fafe -, thou may'ft revenge. Cal. Ay, o' the King .-* I wou'd revenge o' thee. Mel. 1 hat you muft plot your felf. Cal. I'm a line Plotter. Mel. The Short is, I will hold thee with the King In this Perplexity, till Pecvifl-inefs And thy Diigrace have laid thee in thy Grave : But if thou wilt deliver up the Fort, I'll take thy trembling Body in my Arms, And bear thee over Dangers • thou IKalt hold Thy wonted State. Cal. If I fhould tell the King, Can'ft thou dcny't again '^. Mel. Try and believe. Cal. Nay then, thou canft bring any thing about : Mclanthu., thou flialt have the Fort. Mel. Why, well j Here let our Hate be buried, and this Hand Shall right us Bi;th j give me thy aged Breafb To compafs. F 3 To 70 The Maid's Tragedy. Cal. Nay, I do not love thee yet : I cannot well endure to look on thee : And, if I thought it were a Courtefy, Thou fhould'ft not have it : But I am difgrac'd ; My Offices are to be ta*en away •, And if I did but hold this Fort a Day, I do believe, the King would take it from mc. And give it thee, things are fo flrangcly carried ; Ne'er thank me for't ; but yet the King fhall know There was fome fuch thing in't i told him of; And that I was an honeft Man. Mel. He'll buy That Knowledge very dearly. Dipbilus, Enter Diphilus. What News with thee ? Diph. This were a Night indeed To do it in ; the King hath fent for her. Mel. She fhall perform it then ; go, Diphilus, And take from this good Man, my worthy Friend, The Fort ; he'll give it thee. Diph. Ha' you got that ? Cal. Art thou of the fame Breed.'' canft thou deny This to the King too .'' Diph, With a Confidence As great as his. Cal. Faith, like enough. Mel. Away, And ufe him kindly. Cal. Touch not me, I hate The whole Strain of you : if thou follow me A great way off, I'll give thee up the Fort ; And hang your felves. Mel. Be gone. Diph. He's finely wrought. [Exeunt Cal. and Diph. Mel. This is a Night, *fpite of Aftronomers, To do the Deed in ; I will wafh the Stain, That refls upon our Houfe, off with his Blood. Enter Amintor. 'j^nin. Melantius, now affift me : if thou beeft That which thou fay'ft, affift me : I have lolt All my Diftempers, and have found a Rage Sopleafing-, help me. Mel. Who can fee him thus. And not fwear Vengeance.'' What's the matter. Friend .'' Anin. Out with thy Sword j and, hand in hand with me, Rufn The Maid's Tragedy. 71 Rufli to the Chamber of this hated King ; And fink him witli the Weight of all his Sins To Hell for ever. Mel. 'Twere a rafh Attempt, Not to be done with Safety : Let your Reafon Plot your Revenge, and not your Paflion. Amin. If thou refufeft me in thefe Extreams, Thou art no Friend : He fent for her to me ; By Heav'n, to me; my {