Duke University Libraries The old plantat Conf Pam #663 i THE OLD PLANTATION: A POEM. liiB^JJf **TH E WAN D E R E R. TURNWOLD, GA. : COUNTRYMAN PRINT. 1862. \ s TO ALL THOSE WHO, LIVING ON THE OLD PLANTATION, LOVE IT, AND TO THOSE WHO, SAVING FORSAKEN IT, STILL CHERISH ITS PLEASANT MEMORIES, I DEDICATE THIS VOLUME. THK AIJTHOK. PREFACE A verv poor thing may be made so much like a very good on«, ibat the counterfeit will unmistakably point out the genuine. I could not, if I would, conceal the fact that this poem is, in its plan, modeled after Goldsmith^s Deserted Village. And even the phrase- ology of my production may softetimes so nearly approximate that of the sweet singer of home afifcctions, that I shall be accused of downright*theft, not«nly of plan and sentiment, but even ef words. If so— so be it. I confess everything of this sort, in advance, and Without plea, t lay no claim to originality in what is here offered to the public The feelings and sentiments indulged in by me, have so often been the theme of the poet, that it would be very difficult for even genius to invest them with a garb whose tissues had not before been used to weave a garment for impulses to be found in every heart. Not only have I read Goldsmith, but I have read Gray, and others whose productions belong to the school of these. And here I may remark, in passing, that if the Deserted Village was not actually the cre.ature of Gray's Elegy, it is plain that Goldsmith had read Gray. And it does not require the keen nose of a cap- tious critic, eager upon the scent of a plagiarism, to discover iden- tity of thought an'l expression in the Deserted Village, and the Elegy. Goldsmith doubtless wrote with his mind fully imbued with Gray : and I have written after having read and admired both. This much candor compels me to say. But, at the same time, I must be allowed to say, also, that the sentiments met with in the two poems mentioned, are not peculiar to Goldsmith and Gray. They are to be found in every human bosom. And hence it is that, these two authors are so popular. People read their productions, find their own hearts reflected, and then turn to them again, just as they do to a mirror, where they have once beheld tbo images of their own faces. The local scenery, manners, and customs here described, I claim to be true to nature : and I have only i;qingled with my description, sentimenti common to us all, and which more favored writers have used, with better effect, before me. But even a poor writer — un- less a very poor o»e indeed — cannot divest the themes of which I have attempted to sing, of all their interest. The idea uf home has peculiar attractions for all. And a home deserted, and in ruins, (vith the idea of a wanderer pining for old familiar scenes, possesses a melancholy, but pleasant interest to everyone. Hence a puem, founded upon this basis, either dropped from the glowing heart of genius, or fashioned by the polished hand •f the artist, has a better chance for success than most others. Perhaps it might have been better for me, had I named wj pro- duction The Old Home, or The Deserted Homestead, or something of the sort, and made the mere general ideas of home, as they ozist In every locality, the basis of this poem — if I may be pardoned for calling it so. In that event I might have had a wider audience of interested listeners, and possibly of admirers. The probability that this would be so, appealed to my judgment with great strength. But the peculiar type of home enshrined in my heart is that which is to be found in The Old Plantation. I love my section — and my 4 PBBPACB. country little less, 1 hope — though I must confess some less, if by possibility their interests be in collision. But I do not believe they are. The local manners, customs, and affections of the sunny louth — (HeaTen's choicest blessings upon her, for here I hold my home, and everything dearest to me!) — have never been as often made the sulijects of poesy and song, as they should be. And when some fund son of hers has turned his attention to the stamping of her impress upon the world of letters, it has been too often the case — (I say it with deep sorrow !)— that she has not seen to it that he should not pine in .neglect, and be pressed down by critics and criticism inimical to her hearth-stoaes and her homes. And yet, for all this, I love, and must love my section. And for this reason I have endeavored to sing of the southern hopie, instead of the homes of the world. Perhaps it might have been better for me to pursue a different course. Something whispered me it would. A desire for success (common to all authors^and a love for the south strove with each other; but love prevailed : and, in the language of him whose poetry I so much admire, "1 must be indulged, at present, in follovring my affections." When I had concluded to sing of southern homes, and to call my poem The Old Plantation, then, probably, it would have been to my interest to exclude the vexed question of American politics — negro slavery. I advocate the system of slavery as it exists among us. The umpires of literary effort in this country, and in Europe, are opposed te it. The south has no organs of literature, and criti- cism, whose dicta will either damn or make a poem. Hence it might have been best for me to avoid the question of slavery alto- gether, since my views upon the subject may serve to taint my production in the eyes of most of my literary censors. But how could I write a poem depicting southern manners, cus- toms, and institutions, and leave out of view this question ? The French monarch said, Vetat^ c'est moi! I say, negro slavery is the south, and the south is negro slavery. The Alps are no more a part of Switzerland than this institution is a part of the south. And vou had as well attempt to depict Swiss scenery without men- tioning the Alps, as to attempt to describe the south without refer- ring to negro slavery. But I hare not treated this question in an offensive manner. Perhaps what I say, and the spirit in which I say it, may do some good. In this hope I have vvfitten. If I can extinguish one spark of animosity between the tv^o «eciions— (unhappy word !) — of my much loved country, I shall have accomplished a great deal. A word farther, as to the name of my poem. — I am aware that a prose work, bearing the first part of my title, has been published : but I have added the words, " A Poem," in order to distinguish between the titles. I had partly written this poem, and had adop- ted the name, before the prose work was published. And as it is the only ene which will answer my entire purpose, I retain it. Tbe Author. July nth, 1859. THE OLD PLANTATIOiY A POEM. Dear &acr«d spot, secluded vale of shade, How oft hath fancy, liugering here, delayed. To trace the scenes of merry childhood o'er, By memoiy's magic roused to life onee more. Here, weary wanderer, worn and wasted turned, I greet the hour for which my heart hath yearned, Where'er my steps by fortune have been cast, Blest scenes, my first affection and my last. The lone wildbird, impelled by autumn's wind, His first-loved forest leaving, speeds to find More genial groves to spend a weary hour. But, pining, longs (o see his native bower, And flies when winter's stormy wind is past, With hope to find his early home at last. But in mid air, with panting, weary breast, Seeking in vain the dear paternal nest. With drooping plumes he sees his downy home Felled to the earth, and turrs once more to roam ; Yet sadly lingers near the fallen spray. Whence rosy morn first caught his earliest lay, Delaying yet, with fond regret, to fly. And still delaying near his native sky. So turning from my wanderings, lovely spot, I seek for childhood's home, but find it not. Save here and there some remnant trace forlorn, As parting sun-set leaves the tinge of morn. Yet all these traces, still to memory dear, Posaess their charms the lonely breast to cheer. As sad memorials of my childhood's bloom. Like pulseless marble o'er the cherished tomb. And so amid these ruins will I roam, To read the scanty epitaphs of home, And ere I turn this lovely vale to leave. Grant me, oh ! Heaven, one moment's kind reprieve From all my wo, awhile to loiter here. The 'rapturing scenes of early transports near ; To wander mid the haunts of bounding youth, b TIIK OlA) IM.AN 1 A flo.\. The bowers of ease, tlip seats of love and truth ; fiere to delay, and fondly still delay — One Inst, long, lingering look, and tlien away. To boyhood's scones, fond mcni'ry, turn thy gaxet And paint the ])leasares of my childish days; liy yonder fountnin, fold thy wrary wing, And rest awliile beside tlic good old spring, Whofic low rail-pen, half'-toltering, stood nroundi Ab limpid waters all my labor crowned. Those gnrgling waters pure as cr^'Stal were, W^iosc lising vapors Cooled the summcv's air. Where green as emerald was the mossy gl, And keep tbe bottled saowy fluid cool. Their meals despatched, to various sports they rise. And merry voices rend the ringing skies ; Their trundled hoops yon youthful party trace, In prison baae those smaller fellows rnce ; Beneath yon tree, some sprawl upon the ground, While marbles shoot, and tops are spinning round. Yon party rear their kilos upon the wifid. With boisterous pleasure bubbling from the mind ; Here round the house, (heso wantons cbase the pig. In yondec field, those tilcb the blushing fig; Some toss the ball, then rally for the chase. With eager feet, and smiling, glowing face ; Those little boys, tbe saplings bending down, Call them their horses that they ri^f^ te town. Which rear, and curvet, as their riaers spring, And up and d(iwn with fiery motion swing. The gills, confined to fewer sports than these, PL-xy with their doUa beneath the shady trees. While one, perforce, with cunning steals away, Where yonder youthful lover feigns to play, Till hid the blooming hawthorn bush beiiind, A moment's fond dehiy the couple find, Exchange a kiss, and thiiik themselves unseen, But hear the jibe, and blush with ba?hful mien, For yonder group upoc the covert fteal, And joer the pleasure they would like to feel. A beardless youth, with boyish griefs forlorn, His heart, perchance, by sad misfortune torn. Forsook the snows that bound liih frigid home, Amid the flowers of milder climes to roam. The stranger youth, received with open nrnis, Here, in this vale, enjoyed iti rustic charms ; Here taught the youth committed to his cbargo, 'Mid favors many, and a bounty large, Since generous people heeded wants demand, And blessfld tbo stratger with a libei-al hand. At all thoir boards he shared the social cheer, With all the pleasures friendship fostered hero, And boundless favor smiled his feet around, While ready welcome aye his coming crowned. But time rolled on, the youth a man becanje, And won his way to fortune and to fame, With hatred every act of kindness paid, pH8.5