9. CORNELL UNIVERSITY LIBRARY FROM H. A. Sill Cornell University Library arV17027 Cata.ooueo,XiBatfa^^ 3 olin,anx 1924 031 303 237 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031303237 MUSEUM OF FINE ARTS. CATALOGUE PAINTINGS AND DRAWINGS, With a Summary of other Works of Art, EXHIBITED ON THE SECOND FLOOR. WINTER, 1891-02. BOSTON : ALFllKD MUDGE & SON, PEINTEES, No. 24 FKiNKLIH STBEBT. 1891. "^MUSEUM OF FINE ARTS. CATALOGUE PAINTINGS AND DRAWINGS, With a Summary of other Works of Art EXHIBITED ON THE SECOND FLOOR. WINTER, 1891-92. BOSTON: ALFRED MDDGE &'S0N, PRINTERS, 24 FbaneIiIH Stbget, 1891. FIRST PICTURE GALLERY. ITALIAN, FRENCH, AND SPANISH. SiENESE School. End of Fourteenth Century. 1. Altar-piece. The Entombment and The Assumption of the Virgin. Gift of Martin Brimmer. School of Giotto: b. Colle, 1266; d. Florence, 1337. 3. The Holy Family. Athenceum, Eaelt Italian School (on panel, in tempera). 4. St. Veronica displaying the likeness of Christ on the handkerchief. Gift of Nathan Appleton. NiCOLATJS DA VOLTBI. Flourished in 1401. A follower of Giotto. 5. Madonna and Child, with worshipper kneeling. Lanzi says there is no known surviving work of his. This, however, is inscribed with his name on the hangings be- hind the head of the Madonna. Eahly Italian. 7. Madonna and Child, with worshipper. Gift of Mrs. C. B. Raymond. Unknown. 8. The Flight into Egypt. T. C. Felton. Riccio Di Candia (?) 9. Holy Family. Miss Helen Griggs. Byzantine School. 10. St. Mark. Miss Helen Qriggs. 4 First Picture Gallery. Palma Vecchio. Jacopo Palma, called "II Vecchio, tbe Elder ": b. Scrinalta, 1490; d. 1560 ? (See 22.) 11. The Annunciation. Quincy A. Shaw. BAETOLOMio VivAKiNi: painted at Venice between 1459 and 1498. The precise dates of his birth and death are not known. It is recorded of him that he painted the first oil picture that was exhibited at Venice, 1473. 12. A Piet^, with Paintings of Saints on Panels. Signed, and dated 1485. Quincy A. Shaw. TiziANO Vecellio da Cadobe (?) : b. Friuli, Italy, in 1477 (?);d. 1576. 13. Study of the Madonna and Child for the altar-piece Madonna di Pesaro. James Jackson Janes, Caklo Gaeoealo: b. Naples; d. Madrid, about 1715. 14. Vision of St. Dominic. James Jackson Jarves, A study for his large altar-piece in the National Gallery, London. Italian. 16. Portrait of a Venetian. James Jackson Jarves. Gaspar Niqeo, Venice, 1515. 17. Madonna holding the dead Christ; St. Sebastian and other figures attending. C. 0. Felton. TiMOTEA delle Vite: b. Urbino, Italy, 1470; d. 1524. 18. Madonna and Saints. James Jackson Jarves. TiBALDEO DI Pelligeino: b. Valdelsa, Italy, 1527; d. Milan, 1598. 19. Venus Rising from the Sea. James Jackson Jarves. First Picture Gallery. 5 School of Eaphael: b. Urbino, 1483; d. Eome, 1520. 20. St. Sebastian. James Jackson Jarves. Ahtonello da Messina: b. Messina, about 1426. 21. Ecce Homo. James Jackson Jarves. Palma Vecchio (?) (See 11.) 22. Madonna and Child, with St. Francis. W. 8. Appleton. Venetian, School of Bordone: b. Treviso, 1500; d. Venice, 1570. 23. Holy Family. O. G. Felton. Bbenaedino Pinttteicchio, 1454-1504. 24. Holy Family. Estate of Ghas. G. Perkins, Giov. Battista Salvi, called II Sassofeeato. 25. Madonna and Child. Francis Brooks. Gio. Fbancesco Baebieei, called Giteecino: b. Cento, 1591; d. Bologna, 1666. 26. Sta Barbara. Francis Brooks. 27. Ecce Homo. Frands Brooks. TiNTOEETTO. 28. Sketch for the Assumption of the Virgin. Bequest of Thomas G. Appleton. Luca Gioedano, Naples, 1632-1705. Pupil of Pietro da Cortona. 29. The Golden Age. Bought from the Doge's Palace, Venice. Athenaeum. 30. The Eucharist. Gift of Mrs. Thies. Bassano (Giacomo da Ponte, called H Bassano): b. at Bas- sano, Italy, 1510; d. 1592. A pupil of Bonifazlo, of Venice. 81. The Scourging of Christ. Quincy A. Shaw. Bassano (?) (See preceding.) 32. Entombment. Ernest W. Longfellow. 6 First Picture Gallery. Spanish School. 33. Martyrdom of St. Lawrence. Mrs. Henry Oeorge, Concord, N. H. TiNTOEETTO (Giacomo Robusti): b. Venice, 1512; d. 1594. 34. Study for the large painting of the Last Supper in S. Giorgio Maggiore, Venice. Miss M. S. Felton CiMA DA CONEGLIANO: 1460-1517. 35. The Entombment. Gift of Mrs. S. D. "Warren. Beonzino (?) 36. Madonna Seated with Child. Dated 1561. A Gift. PiETEO DA COETONA: b. Cortona, 1596; d. Rome, 1669. 37. Hercules and Omphale. J. C. Hooker. Jean Baptists Santebee: b. Magny, 1658; d. Paris, 1717. 39. Portrait of the Duchesse de Longueville. Bequest of Mrs. M. B. Sigourney. Ri&ATjD (?): b. Perpignan, 1659; d. Paris, 1743. 40. Portrait of Oliva Sanson Galla; Uxor Alex. Maldura. Mrs. Chas. G. Perkins, Jean Baptiste Geetjze: b. at Toumus, 1725; d. 1805. A portrait and genre painter. His favorite subjects were Illustrations of the affections or domestic duties, their observance and violation. He is unique in the French school. 41. Chapeau Blanc. Athencevm. Dowse OollecUon. 42. Portrait of Franklin. Athenceum. 43. Head of a Boy. Gift of Geo. A. Goddard. First Picture Gallery. 7 L. David: b. Paris, 1748; d. Brussels, 1825. Pupil of Vlen. Obtained the Grand Prix de Some in 1774, and remained in Italy six years. He became a member of the Academy in 1783, and professor in 1792. During the Bevolution he was imprisoned and abandoned his work. When Napoleon was proclaimed emperor, he named David court painter, and ordered four large pic- tures of him. After the Bestoration, in 1816, he was obliged to leave France, and settled in Brussels. 44. Hector drawn at the Chariot of Achilles. (A study.) Gift of Mrs. E. D. Cheney. Fkan(jois Bouchee: b. Paris, 1704; d. 1770. He was self-taught. Took the first prize of the French Academy in 1723. In 1730 he went to Italy for a sojourn of eighteen months. Became a member of the Academy in 1734, and afterwards professor and director. After the death of Vanloo he became court painter, and was attached to the tapestry manufactory of Beauvais. 45 and 46. L'AUer et le Retour du March^. Presented by the heirs of the late Peter Parker. PoLiDOEO DA Caeavaggio: b. Caravaggio, 1490 (?); d. Messina, 1543. FupU of Baphael. 47. The Three Graces. From Baphael's fresco in the Farnesina. HuBEET Jacobsz, Called Geimasti: b. Delft, 1599; d. Briel, ab. 1628. Assumed in Venice the name of his patron Doge, Grimani. 48. Head of a Girl. Athenxum. Dowse Collection. J. B. S. Chaedin: b. Paris, 1699; d. 1779. 49. Still Life. Gift of Martin Brimmer. 50. Still Life. Gift of Mrs. Peter C. Brooks. HoEACE Veenet: b. Paris, 1789; d. Paris, 1863. 51. Study for Judith, painted at Eome, 1830. Gift of Mrs. Susan C. Warren. 8 First Picture Gallery. TiziANO Vecellio (Ascribed to). 62. Marriage of St. Catherine. C. G. Felton. Salvatok Rosa: b. Remella, 1615; d. Rome, 1673. (See 61.) 53 ) .' I Landscapes. John Quincy Adams. Cinque Cento Peeiod. 55. " I have trodden the wine-press alone." Miss Mary E. Williams. Ascribed to Tintoketto. 56. Head of a Man. Bequest of Stephen H. Perkins. Spanish School, attributed by the late owner, Mr. Henry Greenough, to Velasquez. 57. A Strolling Minstrel. J Estate of \ 58. Distribution of Alms. ) Henry Ghreenough. Feancis Sntdees: b. Antwerp, 1579; d. Antwerp, 1657. 59. A Boar Hunt. J. Templeman Coolidge, 3d. Andeea del Saeto: b. Florence, 1486; d. Florence, 1581. 60. The Holy Family. Quincy A. Shaw. Saxvatoe Rosa. (See 53, 54.) 61. Landscape. Francis Brooks. Antonio Canale, called Canaletto: b. Venice, 1697, d. Venice, 1768. 62. Venice, — Grand Canal. Francis Brooks. Giovanni Antonio Razzi, called II Sodoma: b. about 1479 at Vercelli; d. 1564. 63. Magdalen, with landscape background. James Jackson Jarves. Italian. 64. Portrait of a Girl. James Jackson Jarves. First Picture Gallery. 9 Lucio Massabi. Bolognese School: b. 1569; d. 1633. Pupil of Passerotti and In the School of the Caracci. 65. The Entombment. Gift of Martin Brimmer. CiMA DA Cor^fEGLiAiro: b. FriuU, ab. 1460; lived till 1517. 66. Madonna and Child. Miss Sarah M. Spooner, Philadelphia. GuiDO Reni (ascribed to): b. Bologna, 1575; d. Bologna, 1642. 67. Magdalen. Harold Whiting. Caklo Mabatti. (See 72, 73, 76.) 68. The Woman of Samaria. Dr. John Homans. GuiDO Cagnacci (Canlassi): 1601-1681. 69. The Magdalen. Edward G. Gahot. IN THE HALL. GiovANKi Paolo Pannini: b. Italy, 1691; d. Rome, 1764, Lived chiefly at Borne, where he attained great reputation by his views of ruins and other architectural subjects. 70. Roman Picture Gallery. Athenmum. 71. Interior of St. Peter's. Athenceum. Spanish School (ascribed to Muiillo), 74. Rebekah at the Well. Athenmum. Cbistofano Allori: b. at Florence, 1577; d. 1621. A pupil of his father and Pagani. An excellent portrait painter and skilfUl landscape artist. His paintings are not numerous. 76. Judith. (A copy.) Athenmum, 10 in the Hall. CABro Masatti : b. at Camurano, Italy, 1625 ; d. Rome 1713. After the death of Cortina and Sacchi, he was for half a century the most distinguished painter in Home. In 1702 and 1703 he restored, with the sanction of Pope Clement XI., the frescos of Raphael in the Vatican, which had been suffered to fall into a state of decay and imminent ruin. (See 34, 72, 73.) 76. Christ and the 'Woman of Samaria. Atltenceum. Benjamin West: b. Springfield, Pa., 1738; d. 1820. He began his career as a portalt painter in Philadelphia. In 1776 he went to Rome, and remained in Italy three years, at the end of which time he settled in England. He was almost exclusively employed by George III. for thirty years. He was one of the original members of the Royal Academy, and succeeded Sir Joshua Reynolds as its president in 1792. He exhibited two hundred and forty- nine pictures at the Royal Academy In fifty years. 77. King Lear. Athenaeum. Art Schefeeb: b. Dordrecht, 1795; d. 1868. (See 465.) Officer of the Legion of Honor. A pupil of GuSrin. At first a painter of genre, but later devoted to religious subjects. 78. Eberhart, Count of Wiirtemberg, mourning over the body of his son. Athencevm, Jean Pban^ois Htrfi: b. St. Arnauld-en-Yvelines, 1751; d. Paris, 1823. 80. The Shipwreck. Athenceum. GUSTATE DOEi. 81. Summer, Gift of Mrs. Walter Baker. ALLSTON ROOM. EARLY AMERICAN SCHOOL, ENGLISH SCHOOL. Washington Allston : b. South Carolina, 1779 ; d. at Cambridge, Mass., 1843. Soon after graduation from Harvard College, in 1800, he entered the Royal Academy of London. His first work of importance, " The Dead Man Revived," gained a prize of two hundred guineas from the British Institute, and was purchased by the Philadelphia Academy of Fine Arts. In 1818 he opened a studio in Boston. (See also Nos. 177 to 180, and 460 to 470.) 101. Elijah fed by the Ravens. Gift of Mrs. and Miss Hooper. 102. Rosalie. Nathan Appleton, Oh! pour upon my Boul again That sad unearthly strain, That seems from other worlds to plain. — W. A. 103. Portrait of himself; painted at Rome between 1801- 1805. Bequest of Miss Alice Hooper. 104. Landscape. Gift of Wm. H. Sumner to the Athenceum. Painted when at college. 105. Portrait of Benjamin West, P. R. A. Athenceum. The head painted in London, 1814; drapery and back- ground added in 1837, Cambridge. 106. Isaac of York. Athenaeum. Ivanhoe. 107. Rising of a Thunder-storm at Sea; pilot boat going oflf to a ship. Purchased. 108. The Witch of Endor. Edward G. Gardiner. 109. Moonlight. Wm,. Sturgis Bigelow. (11 12 Allston Boom. 110. Roman Lady. Mrs. J. Elliot Cabot. Nos. Ill to 118b deposited by the heirs of Washing- ton Allston. 111. Christ healing the Sick. Above, (179) is the Pirst Study. 112. Death of King John. 113. Head of a Woman in profile. 114. Marriage Feast at Cana. This Is painted over a print of Paul Veronese's picture id the Louvre. 115. Dido and Anna. 116. Landscape. 117. Copy of Rubens's Cupid p]a3dng with the helmet of Mars. 118. Belshazzar's Feast. (In the Hall.) " It ia known that Hr. Allston began the picture in London before his return to bis native country, and had very nearly finished it here fifteen or twenty years ago. Being obliged to quit the room in which he worked upon it, and unable im. mediately to find another large enough for the purpose, the picture was rolled up and laid aside. Various circumstances prevented his resuming the work until within a few years before his death. At one period it was considered by Iiimseif as requiring not many weeks' labor to complete It. In that state it was seen by some friends, to whom It appeared i finished picture. For some reason, how- ever, the artist thought that the effect of the composition would be improved by a change in the perspective, and, in connection with this, an enlargement of the figures in the foreground. With this view, the king, the queen, and the sooth- sayers were to be repainted. He undertook the labor, and the entire figure of the king, except the left foot, and the heads of the soothsayers, were erased. What progress he had made In restoring these will be readily seen, as the picture is in every respect as he left it; except that the original figure of the king, now pumiced down so as to leave little more than the first color, was found covered with a uniform coat of dead color, which completely obliterated even the outline and of the new figure he had repainted, but not finished, only the right hand." "Upon the head of the soothsayer, who faces the spectator, are the last touches ever made by the pencil of the artist, and but a few hours before his death." — 1846. 118 A and b. Studies for the above (in the Hall). (See also Nos. 177 to 180, and Nos. 460 to 470.) F. Walker. 119. Portrait of Washington Allston. Painted in Loudon, about 1807. Bequest of John E. Allston. AUston Room. 13 UiLBBET Stpabt: b. Ehode Island, 1755; d. Boston, 1828. Educated at the University of Glasgow. Pupil of Beuj. West, in London. After having practised with great success as a portrait painter in London, he returned to America in 1792, and settled for a time in Philadelphia. In 1807 he removed to Boston, where he afterwards died. 120. Washington. The " Athenseum " Head. Painted from life, in 1796. Bought after Stuart's death, of his widow, and presented to the Boston Athenceum. " A letter of Stuart's which appeared in the New York Evening Post in 1863, attested by three gentlemen of Bos- ton, with one from Washington, making the appointment for a sitting, proves the error long current in regard both to the dates and the number of this artist's original por- traits of Washington. He there distinctly states that he executed but three from life, the first of which was so unsatisfactory that he destroyed it; the second was the picture for Lord Lansdowne ; and the third, the one now belonging to the Boston Athenaeum. The finishing touches were put to the one in September, 1795 ; to the other, at Philadelphia, in the spring of 1796. This last, it appears by a letter of Mr. Custis, which we have examined, was undertaken against the desire of Washington, and at the earnest solicitation of his wife, who Wished a portrait from life of her illustrious husband, to be placed among the other family pictures at Mt. Vernon. For this express purpose, and to gratify her, the artist commenced the work, and Washington agreed to sit once more. It was left intentionally unfinished." This painting, in which the left side of the face is turned to the spectator, is the third portrait mentioned above; of it some fifty copies by Stuart's hands have been traced. The second is now in London. Of the first, painted In 1795, and subsequently rubbed out, in which the right side of the face was shown, only three or perhaps four copies are known to exist. 121. Martha Washington. Fainted at the same time as the above. 14 Allston Room. 122. Washington at Dorchester Heights. Presented to the city of Boston by Hon. Samuel Park man, 1806. Painted by Stuart in nine days. Deposited in the Museum of Fine Arts for safekeeping. From Faneuil Hall. 123. Portrait of Judge Stephen Jones. Mrs. Anne Richards. 124. Gen. Henry Knox; b. 1750, d. 1806. Deposited at the Museum of Fine Arts. From Faneuil Hall. 126. Hon. Josiah Quincy, Mayor of Boston, 1823-1829: b, 1772, d. 1864. Presented by his daughter, Miss Eliza Susan Quincy. 126. Portrait of John Bichards. ) _, . _. , ten -D .. -t t-m t i, t>- i, ^ h Mr S.Anne Eichards 127. Portrait of Mrs, John Richards. ) 128. Portrait of Mrs. Betsey Hartigan, Dublin (about 1790). Mrs. E. P. Lull. 129. Portrait of Mrs. Richard Gates. Mrs. E. P. Lull. 130. Portrait of himself. Bequest of Mrs. Harrison Gray Otis. G. Sttjakt Newton: b. 1794, at Halifax, N. S.; d. Eng- land, 1833. (See also 475, 476.) Pupil of his uncle, Gilbert Stuart, in Boston. Went to EuKland in 1818, after having visited Italy, and became a student of the Eoyal Academy. In 1832 became a member of the Eoyal Academy ; but the picture exhib- ited in the following year, " Abelard in his Study," was his last work. 131. John Adams. (After Stuart.) Athenceum. 132. " Forsaken." Bequest of Thomas G. Appleton. 133. Portrait of himself. Bequest of Mrs. Harrison Gray Otis. Geo. p. a. Heaxt: b. Boston, 1808. 134. Portrait of himself. Bequest of Mrs. Harrison Gray Otis 135. Portrait of Longfellow. Bequest of Mrs. Harrison Gray Otis. Allston Room. 15 Phakcis Albxandek. 136. Portrait of N. P. Willis. Bequest of Mrs. Harrison Gray Otis, John Singleton Copley: b. Boston, Mass., 1737; d. 1815. Historical and portrait painter, of English and Irish ex- traction. He left Boston for Italy in 177i, having already attained eminence as a portrait painter. In 1775 he established himself in London, where he became a mem- ber of the Royal Academy in 1779. At this time he executed his masterpieces, " The Death of Lord Chat- ham " and " The Death of Major Peirson," both now in the National Gallery of London. 137. Portrait of John Hancock. From Faneuil Hall. 138. Portrait of Samuel Adams. From Faneuil Hall. 139. Portrait of Martha, daughter of Dr. Nath'l Coffin, wife of R. C. Derby — as St. Cecilia — 1806. William 8. Appleton. 140. Portrait of the Artist and his Family. Charles Amory. The artist stands behind. Before him is Mr. Richard Clarke, father of Mrs. Copley, who, seated on a sofa, caresses her son, John, the future Lord Lyndhurst, three times Lord Chancellor of England. In front stands her daughter, Elizabeth, afterward Mrs. Gardiner Greene. 141. Watson and the Shark. Gift of Mrs. George von L. Meyer, Depicts the rescue, in the harbor of Havana, of Brook Watson (afterward Lord Mayor of London) from a shark, but not until he had lost a leg. Watson described the incident minutely to Copley, when a fellow-passen- ger on the voyage to England. 142 and 143. Portraits of Mr. and Mrs. Epes Sargent, 2d. Arthur Dixwell. 144. Col. Epes Sargent. Mrs. Oeo. H. Clements. 145. Portrait of Mrs. Col. Browne. Bequest of Mrs. Elton. 146. Portrait of John Scollay. Dr. Henry J. Bigelow. 16 Allston Room. 147. Portrait of Mrs. Metcalf Bowler. Mrs. J. C. lAvingston, New York. 148 and 148a. Portraits of Mr. and Mrs. John Barrett. The Misses Barrett. 149. Portrait of Mrs. Henry Hill (pastel). The Misses Barrett. 150. Portrait of Thos. Gary (in the Hall). TIws. O. Gary. 151. Portrait of Col. Sparhawk. " Samuel B. Bindge. (See also Nos. 471 to 474.) Jonathan B. Blackbukn: b. Connecticut, about 1700; d. after 1760. 152. Portrait of Col. Jonathan Warner, of Portsmouth, N. H. Purchased. John Smibeet : b. in Edinburgh, Scotland, 1680; d. Bos- ton, U. S. A., 1751. Spent three years in Italy, copying works of Titian, Babens, and Van Dyck; then returned to London, and began portrait painting. He accompanied Bishop Berke- ley to Bermuda, and settled in Boston in 1725, where he resided, practising portrait painting until his death. He painted the portraits of the most eminent magistrates of New England and New York, of his day. 153. Judge Edmund Quincy. Gift of the Children of Josiah Quincy. 154. Portrait of Mrs. Hannah Gardiner McSparren. Bequest of Mrs. Elton. 154 a. Portrait of John Gerrish. The Misses Barrett. William Page: b. Albany, 1811; d. TottenviUe, 1885. Studied under Prof. Morse and at the National Academy. Worked in New York and Boston, and afterwards was for many years the leading American portrait painter in Borne. 155. Portrait of W. Lloyd Grarrison. Gift of Mrs. Francis G. Shaw. 156. Portrait of John Quincy Adams. From Faneuil Hall. Rembrandt Peale: b. Pennsylvania, 1787; d. Philadel- phia, 1860. 157. Portrait of Bammohun Roy. Athenoeum. Allston Room. 17 Chables W. Peale: b. Maryland, 1741; d. Philadelphia, 1827. 158. Head of Washington. Sumner Bequest. John TEUMBtrLL: b. Connecticut, 1756; d. New York, 1843. A son of the flrst governor of Connecticut after the sepa- ration from Great Britain. He served for quite a period in the army of the Revolution. In 1780 he went abroad and studied for some time with Benj. West. In 1786 he produced his flrst considerable work, "The Death of General Warren." In 1794 he went to England as sec- retary to Minister Jay, and remained there ten years, and again lived there from 1808 to 1816, till his final return to the United States. He then painted the four large pictures in the Capitol at Washington. He was the flrst president of the American Academy of Fine Arts, founded in 1816. Resided in New Haven from 1837 to 1841. 159. The Sortie from Gibraltar, Nov. 27, 1781. Athenxum. Engraved by Sharp. 160 and 161. Portraits of Mr. and Mrs. Stephen Minot. Gift of Miss Minot. 162. Priam receiving the body of Hector. Athenmum. John Nbagle. 163. Portrait of Gilbert Stuart. Athencmm. Unknown. Ascribed to Zuccaeo. 165. Portrait of Shakespeare. Cut from the wall of the old Globe tavern. Bequest of Mrs. Harrison Gray Otis. Sm GoDFEET Knellee: b. Lubeck, 1646; d. Twickenham, 1723. 166. Equestrian portrait of William III. J. Templeman Coolidge, Sd. William Ettt. 167. Reclining Figure. Estate of John H. Sturgis. Sib Joshua Eetnolds: b. England, 1723; d. 1792. In 1768 he was unanimously elected president of the then newly established Royal Academy of Arts, in London, and was knighted by George III. on the occasion. 18 Allston lioom. 168. Portrait of Miss Louisa Pyne. Gift of Thos. G. Appleton. 169. The Banished Lord. Bequestof Stephen H.Perkins. Sir Thomas Lawrence: b. 1769; B. A., 1794; P. R. A., 1820; d. 1830. From the time of his election as a member of the Acad- emy, to his death, his career as a portrait painter was unrivalled; he contributed from 1787 to 1830, inclasive, three hundred and eleven pictures to the exhibitions. The portraits of the Emperor Francis, of Pius VII., and of Cardinal Gonsalvi, in the Waterloo Grallery at Wind- sor, are among the masterpieces of the art of portraiture . 171. Portrait of Benj. "West. Bequest of Stephen H. Perkins. William Blake: h. London, 1757; d. 1828. 172. Christ Blessing. (Jn tempera.) (See 627-546.) James Jackson Jarvea. EiCHAED Pabkes Bonengton: b. England, 1801; d. 1828. 173. A Scene from Gil Bias. Bequest of Thomas G. Appleton. John Constable: b. England, 1776; d. 1837. 174. Rochester Castle. Bequest of Thomas G. Appleton . Sir Peter Lelt: b. in Westphalia, 1618; settled in Eng- land, 1641; d. 1680. An imitator of Van Dyck. " The Beauties of the Court o^ Charles II.," at Hampton Court Palace, are among the best preserved of his works. 175. Portrait of Sir Charles Hobby. AthenoEum. 176. Portrait of the Duchess of Cleveland. Charles Sumner bequest.. Washington Allston. (See 101-118, 460-470.) 177. The Prophetess: an Outline. 178. Lorenzo and Jessica. 179. Pirst Study for "Christ healing the Sick." (See 111.) 180. Head of a Jew. Athencmm- Allston Room. 19 Copley. (See 137.) 182. Portrait of Benjamin Gerrish. Thi Misses Barrett. 183. Portrait of Gen. Warren. Dr. Buekminster Brown. Benjamin West. (See No. 77.) 184. Portrait of Samuel Vaughan. W. W. Vaughan. Washington Allston. (See above, 101-118.) 186. Una Sleeping in the Wood. Miss B. Charlotte Dana . 187. " A Lady Musing." Miss B. Charlotte Dana. Gilbert Stuart. (See above Nos. 120-130.) 188. Portrait of Mrs. George Williams. Mrs. Philip H. Sears. 189. Portrait of Dr. Samuel Danforth; ob. 1829. Massachusetts Medical Society. Joseph Ames. 190. Head of a Gipsy. Gift of A. M. Rowland. DUTCH ROOM. DUTCH, FLEMISH, AND GERMAN SCHOOLS. Van Hughtenbeeq: b. Haarlem, 1646; d. 1733. 201. Battle Scene. IH'athan Appleton. Datid Teniees: b. at Antwerp, 1610; d. at Bnissels, 1694. 202. The Interior of a Butcher's Shop. [1030.] In the foreground at the right, a young and pretty girl Is cleaning the lungs and liver of an enormous ox sus- pended at the centre of the picture. She is seen in profile turned to the right, and looking In the opposite direction to watch a dog who is drinking the blood which has fallen into a pan placed under the ox. The butcher is passing out by a door in the background on the right, where are seen near a fireplace the master of the house and a servant. The head of the animal is placed upon a bench. On the left the hide is" thrown in a heap upon the fioor, and the tongue is hung upon the wall. A wild duck, a cabbage leaf, and some household utensils complete this strikingly realistic picture, in which Teniers shows his skill in reprodu- cing everything with that scrupulous exactitude and faculty of execution, that delicacy, and that power of harmony which distinguish him in such a high degree. This vigorous painting — model of finished work — was etched by the master himself. Signed in ftall below at the right. Smith, Catalogue raisonnS, Vol. III., p. 397, No. 617. On wood : height, m. 67 cent. ; width, m. 90 cent. From a bequest of Sidney Bartlett. Htjtshan-, of Mechlin: b. Antwerp, 1684; d. Mechlin, 1727. 203. Landscape. Dr. Henry J. Bigelow. Simon Veeelst: entered in 1666 in the Association of Artists at the Hague. 204. Stm Life. [1043.] A dead partridge is suspended by a string tied to its claw, the left wing broken ; below, a kingfisher lying upon the (20) Dutch Room. 21 table. Verelst, whose principal compositions are liighly prized in the English collections, Is an artist of very great talent, who has been surpassed by no one In the line to which he specially devoted himself. He repro- duced the plumage of birds and their multiple harmo- nies with the most extraordinary fidelity. Signed in fall upon the table. Canvas : height, m. 74 cent. ; width, m. 61 cent. Nicholas Maas : b. at Dordrecht, 1632 ; d. at Amsterdam, 1693. 205. The Jealous Husband. [1060.] A middle-aged man, driven by jealousy, leaves his study and descends the stairs softly to surprise his wife, who is talking with a young man in a room on the ground floor. Very fine example of the master; a picture worthy of his two celebrated compositions of " The Listener," one of which is at Buckingham Palace, and the other in the gallery of the Duke of Wellington, London. On wood : m. 70 cent. ; width, m. 60 cent. Adam Ptnackbe: b. near Delft, 1621; d. Amsterdam, 1673. 206. Landscape. Bequest of Mrs. M. B. Sigourney. RoGiEE VAN DER Wetden: b. Toumay, 1399 (?); d. Brus- sels, 1464. 207. St. Luke, the Evangelist, Drawing the Portrait of the Madonna. From the collection of the Due de Durcal. Gabbiel Metstj: b. at Leyden, 1615; d. Amsterdam, 1668. 208. The Usurer. "[1137.] In a sombre room a widow hands a parchment, with seals attached, to an .old man. A little basket holding paper» hangs upon her left arm, and in her right hand she holds a handkerchief with which she dries her tears. The old man, seated before a table covered with a red-striped cloth andjieaped up with money and precious objects, wears a red cap. In his left hand he holds a piece of money, which he was preparing to weigh in the scales when interrupted by the entrauce of the woman. He 22 Dutch Room. remains nntouchecl by the despair which she exhibits. On the left a green curtain. This picture, of very fine harmony, broad touch, and great spirit of observation, is signed in fdll, and has been engraved by Leopold Flameng. Canvas : height, m. 72 cent. ; width, m. 65 cent. Prom a bequest of Sidney Eartlett. Eembeandt van Eyn: (?) b. Leyden, 1607; d. Amsterdam, 1699. 209. Danse and the Fall of Gold. Francis Brooks. Jacqtjes d'Arthois: b. Brussels, bap. 1613; d. after 1684. 210. Landscape with Figures. Gift of Mrs. rrancis Brooks. Albert Ctjtp: b. at Dordrecht, 1605; d. at that place, 1691. (See 217.) 211. Dordrecht. [1161.] In a meadow near the Heuse, a brown cow with a white head is smelling of some thistles. In the centre, a yellow cow, and a black one with white spots ; beyond are lying a red cow and two others partly concealed, with a red cow spotted with white as keynote, turned toward . the river, which is rippled by small boats. In the dis- tance, Dordrecht in silhouette, the buildings of which are seen in profile against a sky gilded by the rays of a beautiful sunset. Very fine example of the master; a painting full of spirit, luminous, and with that fl:ee yet loaded brush which places Cuyp above all praise. Wood : height, m SI cent. ; width, m. 70 cent. Athenmum. Jacob van Exttsdael (1625-1681) and Philip Wotjwer- MAN (1620-1668). 212. The Ruined Cottage. [1133.] (See 215, 220.) In the centre of the composition, near a tumble-down cot- tage which rises beside a sandy and rough road, a horse- man has jnst alighted. A farm boy, who is looking at a little dog, holds the horse, which is a dappled gray. Be- fore the hut, a valet seated on the ground keeps watch upon another dog and the baggage of the traveller. At Dutch Room, 23 the left, where the road forks, a man and a woman are resting in a meadow. On the right, a path leads to a field and to a farm-honse surrounded by trees. The sky is filled with clouds, which seem to presage bad weather, but the rays of the sun dissipate them here and there, and strike upon the traveller. The figures are by Philip Wouwerman. This picture, of high rank in the works of the artist, figured at the celebrated exhibition of " Treasures of Art" at Manchester, the label of which is upon the back. Described with the greatest praise by Burger in his " Treasures of Art Exhibited at Man- chester." Canvas stretched on wood : height, m. 12 cent. ; width, m. 61 cent. From a bequest of Sidney Bartlett. Jan van Hutsum: b. at Amsterdam, 1682; d. there, 1749. 213. Vase of Flowers. [1101.] A vase of sculptured marble, on which are represented children wrestling, stands in a niche upon a griotte marble bracket, and holds a superb bunch of roses, narcissus, hyacinths, primroses, and peonies, with poppy buds at the top, just ready to open. A rose upon which rests a butterfly, and a peony with broken stalk, hang over the edge of the vase. Very important work of the master. Signed in full, on the right, upon the plinth. Height : m. 98 cent. ; width, m. 79 cent. From a bequest of Stanton Blake. Solomon Eutsdaei. 214. The Ford. The Hdrs of Mrs. B. D. Greene. Jacob van Rutbdael: b. at Haarlem, 1625; d. there, 1681. (See 212, 220.) 215. Skirt of the Forest. [1121.] A marsh extends over all the foreground and in the distance towards the right, enclosed by banks covered with a luxu- riant vegetation. The forest begins on the left, and the foliage of the beech, tinged with yellow by the rays of the sun, detaches itself A:om the darker foliage of the oak and alders. A man is fishing with a rod, and some ducks 24 Dutch Room. swim in the water filled with snags and weeds. Land- scape full of srandeur, and executed In the most skilfUl manner. Signed with a monogram. Canvas : height, m. 57 cent. ; width, m. 72 cent. Gaspakd Netscher: b. at Heidelberg, 1636; d. 1684. 216. Soap-bubbles. [1048.] Two young children are amusing themselves blovdng soap- bubbles flrom a window, decorated on the outside with two allegorical caryatides of Freedom and Servitude, and with a bas-relief representing Cupids playing. The little boy, sitting upon the window-seat, holds a pipe In his hand and watches the ascent of one of the bubbles. The little girl, inside, holds a shell with the soapsuds. A curtain, partly lifted, discloses some pieces of furni- ture in the room. Canvas : height, m. 48 cent. ; width, m. 40 cent. Albert Cutp. (See 211.) 217. Portrait of his Daughter. Bequest of Chas. Sumner. Van Ostade. 218. Kermesae. J. Templeman Coolidge, 3d. WiLLEM Kalf: b. 1630; d. 1693. 219. Fruit and Vegetables. [1050.] Upon a table covered with an olive cloth are grouped fruits and vegetables, rendered with extraordinary vigor and truth. On the left, seven quinces, some of which are still attached to the branch; on the right, gourds and melons, and two bunches of asparagus. Behind, two willow baskets hold peaches, nectarines, plums, bunches of white and black grapes, and branches of plum-tree, flgs and mulberries, loaded with fruit. Very flue piece of painting. Engraved in L'Art by Em. Salmon, Canvas : height, m. 82 cent. ; width, m. 96 cent. EuTSDAEL, Jacob tax. (See 212, 215.) 220. Copy of a Landscape by, and figures by Berghem. i Athenomm. Datid Vinckenbooms: b. Mechlin, 1578; d. Amsterdam, 1629. 221. A Fight with Death. Sumner Bequesi, ' Dutch Room. 25 Petee Pattl Eubens: b. Westphalia, 1577; d. Antwerp, 1640. Studied In Antwerp; resided in Italy and Spain, 1600- 1608; afterwards settled in Antwerp, and died there, 1640. In 1625 he completed the celebrated series of pic- tures for the palace of the Luxembourg, now in the Louvre, commemorating the marriage of Marie de Me- dicis and Henry IV. of France. In 1628 he was sent on a diplomatic mission to Philip IV. of Spain by the In- fanta Isabella, and in the following year he was sent on a similar mission to Charles I. of England, by whom he was knighted in 1630. He died possessed of immense wealth, and was buried with extraordinary pomp in the church of St. Jacques, in Antwerp. His pictures are exceedingly numerous, amounting to several thousands, but many of them were painted from his sketches by his scholars. "Bubens," says Sir Joshua Reynolds, "was perhaps the greatest master in the mechanical part of the art, the best workman with Ms tools, that ever exercised a pen- cil. . . . His animals, particularly his lions and horses, are so admirable that it may be said they were never properly represented but by him. His portraits rank with the best works of the painters who have made that branch of the art the sole business of their lives. The same may be said of his landscapes. Bubens's masterpiece is generally considered ' The Descent from the Cross,' at Antwerp. He is still seen to great advantage at Ant- werp ; but probably the best idea of his great and ver- satile powers is conveyed by the collection at Munich, In which are ninety-flve of his works, several of them masterpieces." 222. Bacchus with Attendant Faun and Satyr. William van de Velde: b. Amsterdam, 1633; d. 1707. A pupil of Wynants. 223. Sea Piece. Bequest of Stephen H. Perkins. 223a. Sea with Shipping. William S. Appleton. Flemish School. 224. Portrait of a Man, Mrs. Vhas. C. FerMns. 26 Dutch Room. Gehman School. 225. Deposition from the Cross. Bequest of Chas. Sumner. After llANS HoLBEnsr (?) 226. Portrait of a Man. Sumner bequest. Gabriel Metsu: b. Leyden, 1630; d. Amsterdam, 1667. 227. Woman in Confinement. Gift of Francis Brooks. Bakt. tan dee Helst: b. Haarlem (?), 1613 (?); d. Am- sterdam, 1670. 228. Portrait of a Burgomaster of Saardam. W. S. Appkton, G. HoNTHOEST (Gherardo dalle Notti). 229. Italian Mountebank. Dr. Henry J. Bigelow. James Kieeincx: b. Utrecht, 1590; d. Amsterdam, 1646. He painted landscapes of considerable celebrity, in wliicli the figures were inserted by Poelenburg. He went to England in the reign of Charles I., and accompanied that monarch to Scotland. 230. The Perry. Presented by the heirs of the late J. A. Blanchard. Hans Holbein: b. Augsburg, 1498 ; d. in London, 1654. German school. A protege at Basle of the printer Aiicr- bach, whose editions he enriched with remarkable com- positions, and of Erasmus, of whom he made an excel- lent portrait, he quickly acquired a great reputation. On his going to England, Erasmus intrusted hlra with bis portrait for Sir Thomas More, his friend, and added a hearty letter of recommendation. He arrived in 'Enf^ land in 1525. The High Chancellor received him with distinction, lodged him in his palace, occupied him for three years, and preseuted him to the king, Henry VIII., who appointed him the royal painter, and covered him with honors. He died at London, 1554, of the plague. 231. A Donor and his two patron saints, Peter with the keys, Paul with a sword. German school of the first half of the sixteenth century. Attributed to Hans Holbein the younger. Dutch Room. 27 This picture was bought at Leipsic, where it had been in the possession of one family for a couple of centuries, by a young American, who took it to Berlin and submit- ted it to the judgment of an expert, by whom it was pronounced to be an original by Holbein. So many false attributions of pictures to famous painters have, however, been made, even by the best connois- seurs, that it is well to avoid positiveness in such mat- ters. The picture is certainly a most excellent repre- sentative of the school of Holbein, if it be not by the master himself. Every part, even to the most minute accessories, is highly finished ; the shadows are trans- parent ; the robe of St. Peter and the missal rich in color ; the subdued arabesques in the background charm- ing in taste ; and lastly, the hands, like those painted by Holbein, are so literally rendered that their truth to life can only be appreciated by looking at them with a mag- nifying-glass. Between the head of the donor and the heads of the saints, there is a strange disproportion in respect to size, which, more than anything else in this picture, vjould inspire doubt as to its having been painted by the great artist of Augsburg and Basle. The heads of the saints are not unworthy of him; that of St. Paul is in- tellectual and refined, and that of St. Peter, though of a somewhat common type, is ftill of sentiment. Athenmwm. Peter Bojsl: b. Antwerp, 1625; d. 1680. Pupil of Snyders and of De Waal. Worked in Borne, Ge- neva, and Antwerp. His subjects were generally fruit, animals, and flowers. Became court painter in France after the death of Nicaslus. 232. Flower Piece. Athenmwm. Simon de Vliegek: b. Eotterdam, ab. 1600; d. Amsterdam, ab. 1660. 233. Marine. Bequest of Chas. Sumner. 28 Dutch Room. Aktist Unknown. 234. John Eliot, the Apostle to the Indians. Harold WhiUng, Anthony Van Dyck: b. Antwerp, 1599; d. London, 1641. 235. Deposition from the Cross. Mr8. A. B. Blodgett, New York. Geeman (?) 236. The Trinity. Bears the monogram of Albert Diirer, but evidently of later date. Chas. Sumner bequest. Adrian Brauwer. 237. Portrait of himself. Mrs. Thos. B. Qould. For sale. Francis Mieeis, ascribed to 238. Lady working on a Lace Cushion, colored attendant. The picture has been restored. Charles Sumnei; bequest. Gerard Douw. (A copy ?) 239. The Lace-maker. Chas. Sumner bequest. Dutch School. 240. Boors Drinking, ascribed to Van Ostade. C. W. Oallmpe. 241. The Broken Fitcher, ascribed to Jan Steen. 0. W. OaUowpe. MiNDERHOUT HOBBEMA (?) 242. Landscape. Charles Sumner bf quest. J. B. Pfoee. 243. Horsemen Entering a Castle, 1791. William S. Appleton. Dutch Room. 29 Albert Cutp (?) 244. Fish Market. Dutch School. 245. Interior of a Kitchen. 246. Still Life. 247. Evening Landscape. William 8. Appleton, Charles Sumner bequest. Athenceu/m. Athenceum. Unknown. 248. Kitchen Interior with Still Life and Maid scouring Brasses. Miss M. Hovey. FOURTH PICTURE GALLERY. rEEDEKIO P. ViNTOK. 251. Portrait of Dr. D. Humphrey Storer. Med. Library. Dennis M. Bttnkeb. 252. Jessica. 253. Meadowlands. Gift by CentributioD. Gift of Miss Susan Upham. Miss Sakah G. Putnam. 254. Portrait of a Lady. J. FoxcEOFi' Cole. 255. A Hamlet in Hampshire, England. E. H. Monks. 256. Late in the Afternpon. KOBEET W. YONNOH. 257. Un jour triste. 258. Yiola. Stact Tolman. 259. The Etcher. Dr. Morton Frirm. The Artist. The Artist. The Artist The Artist. Charles Joshua Chaplin: b. Les Andelys, 1825. 260. Leadings of Love. Miss Charlotte RunneweU. G. Page. 261. The Despatch. Mrs. 0. V. Fox. C. WiLDA, Austria. ^ 262. Fallen Asleep. An Interior. Miss S. M. Spooner. 30 Fourth Picture Gallery. '61 Clifford P. Geayson, Philadelphia. 263. On the Beach. Miss Sarah M. Spooner, Philadelphia. Emilb Vernier. 264. A windy day on the North Sea. Miss Sarah M. Spooner, Philadelphia. Ignas Marcel Gaugenqigl. 265. The Revenge. Jo^n A. Lowell. Jean Louis Ernest Meissonier. 266. The Guardroom. Mrs. H. P. Kidder. Martin Eico: b. Madrid. 267. Venice. Mrs. C. E. W. Bufflngton Worcester. Josef Israels. 268. The Convalescent. Gift of Geo. A. Goddard. Alberto Pasint. 269. Houses in Constantinople. Miss Sarah M. Spooner, Philadelphia. Oiiilde Hassam. 270. Afternoon Sunlight. Top of Monlmartre, Paris. The Artist. Francis D. Millet. 271. Anthony van Corlear, the Trumpeter. The Artist. Jean Lj^on Gerome. 272. Greek Slave. Gift of Geo. A. Goddard. Frederick A. Bridgman, Paris: b. Alabama. Pupil of Gtoome. 273. In the Caf^, Cairo. S. R. Pearce. J. Chelmonski. 274. French Hussar. Miss SaroJi M. Spooner. Perboyre. 275. Battle Charge. Miss Sarah M. Spooner, Philadelphia. 32 Fourth Picture Gallery. K. AiQ. 276. Officer of Cuirassiers. Miss Charlotte Hunnewell. H. WiNTHROP Peiece. 277. Land of the Mountain and the Flood. The Artist. Hakrt Chase. 278. Fish Boats at Scheveningen. Miss Sarah M. Spooner, Philadelphia. Andreas Achenbach: h. Cassel, 181-5. 279. Marine View. Miss Charlotte Hunnewell. KOBBET BAEEETT BKOWNING. 280. Solitude. Gift of Mrs. Bloomfield H. Moore. John B. Johnston, Boston. 281. The New-born Calf. 282. Landscape, with Cattle. [■ Gift of Artists of Boston, Thomas Robinson. 283. Sheepfold. Lucius L. Hubbard. Mes. S. W. Whitman. 284. Portrait of a Lad. Bev. Daniel Merriman. William E. Norton. 285. Day Dreams. Ernest W. Longfellow. Rosa Bonheue, Mlle.: Paris. 286. Hay-making. Mrs. F. Gibbs. LoTTis Leloie: b. Paris, 1843; d. 1884. 287. Rallying the Troops after Victory. Miss Sarah M. Spooner, Philadelphia, Max Gaissee. 288. Discussing the News. Miss Sarah M. Spooner, Philadelphia. Fourth Picture Gallery. 33 J. L. A. T. G&ucault: b. Roueu, 1791; d. Paris, 1824. A pupil of C. Vernet and Gufeln. 289. Study of a Cuirassier (dated 1818). Gift of S. D. Warren. Fekdinand Rotbet: b. UzSs (Gard.) 1840. 290. Collector of Bric-k-brac. Miss Sarah M. Spooner, Philadelphia. Edmund C. Tabbell. 291. The Opal. The Artist. F. BOTJBAUD. 292. On the Road, Russia. Miss S. M. Spooner. Walter Gat, Paris. 293. Monk Reading. The Artist. Thomas Robiitsok. 294. Head of a Cow. Miss Bose Lainb. Henry Walker. 295. Chloe. Arthur Blake. Tito Conti: b. Italy. 290. A Standard-bearer. Miss Sarah M. Spooner, Philadelphia. Edouard Grijtznee: b. Silesia, 1846. Pupil of Piloty, Municli. 297. The Happy Jfonk. Miss Sarah M. Spooner, Philadelphia. JOANOWICH. 298. A Montenegran. Miss S. M. Spooner. Elihu Vedder, Rome: b. New York, 1836. 299. The Lair of the Sea Serpent. Bequest of Thomas G. Appleton. 300. Italian Landscape. Bequest of Chas. Sumner. 301. The Roc's Egg. Dr. E. A. Daniels. 34 Fourth Picture Gallery. 302. Dominican Priars. 303. Peasant Woman. Miss Jane Hunt. Dr.E.A. Daniels. J. Jimenez t Aeamda. 304. A Sermon in the Courtyard of the Cathedral of Seville. Miss Sarah M. Spooner, Philadelphia. R. H. FtTLLER. 305. Landscape. 306. Landscape. 307. Landscape. George Fuller. (See 870.) 308. Portrait of a Boy. John Laeabge, New York. 309. Portrait of a Boy. 310. The Three Wise Men. Charles Sprague Pearce. 311. The Widow. Gift of George A. Goddard. W. S. Appleton, Miss Charlotte Bunnewell. Gift of E. W. Hooper. Edward W. Hooper. Gift of Edward W. Hooper. The Artist. Charles Emile Jacqub. (See 365.) 312. Coming Storm. Bequest of Mrs. Margaret B. Sigourney. A. A. Lesrel. 313. Guard Room, Mont St. Michel. Miss Sarah M. Spooner, FIFTH PICTURE GALLERY. JjsAN Baptiste Cokot: b. Paris, 1796; d. 1875. Studied under Michallon and Victor Berlin, and tlien passed seTeral years in Italy. 320. Dante and Virgil entering the Infernal Regions. Gift of Quincy A. Shaw. 321. Forest of Fontainebleau. Exhibited at the Salon of 1846. The next year Corot was decorated with the Cross of the Legion of Honor. Gift of Mrs. S. D. Warren. 322. Nymphs Bathing, — an unfinished landscape. Gift of James Davis. 823. Portrait of the Sculptor, Bude. Gift of Mrs. S. D. Warren. 324. Landscape with Figures. Miss Sarah M. Spooner, Philadelphia. 326. Landscape with River. Mrs. Frederick Frothingham. 327. Landscape. Mrs. C. E. W. Bufflngton. Mrs. Sophia Tovtne Daeeah. 328. Glass Head. Gift of K. K. Darrah. Emile van Maecke: b. Sfevres, 1827; d. 1891. A pupil of Troyon. 329. Landscape with Cows. Miss Sarah M. Spooner, Philadelphia. ANfON Matjve: b. Zaandam; d. 1888. 330. Landscape with Sheep. Miss Sarah M. Spooner, Philadelphia. (35) 36 Fifth Picture Gallery. Wix-LIAM M. Hunt: b. Brattleboro, Vt., 1824; d. 1879. In 1846 entered the Academy of Diisseldorf, and after- wards studied under Couture and Millet. For three years exhibited at the Paris Saion. During the last years of his life his studio was at Boston. 331. Niagara. Mrs. Wm. M. Runt. 332. The Jewess. Mrs. Wm. M. Sunt. 333. Spring Chickens. Mrs. Wm. M. Hunt. 334. Portrait Wm. H. Gardner. Mrs. Wm. M. Hunt. 335. Portrait of Richard H. Dana. Miss li. Charlotte Dana. 336. Girl at a Fountain. Miss Jane Hwnt. 337. Twin Lambs on a Hillside, Newport. 338. Sunset. Nathan Appkton. 339. Court-yard, Fayal. Mrs. Ghas. W. Ddbney. 340. Doorway with Rabbits. Mrs. Ghas. W. Dalney. ■ 341. Girl Reading. Mrs. Ghas. W. Ddbney. 342. Portrait of a GirJ. Mrs. Ghas. W. Dalney. 343. Head of " Sleep " for Anahita. Miss Jane Hwnt. 344. On the St. Johns. Thomas Wigglesworth. 345. The Prodigal Son. Miss Jane Hunt. (See also 400 to 418.) Abbott H. Thatek. 346. The Virgin Enthroned, with Saints. The Artist. Chaeles PEANgois Daubigny : b. Paris, 1817; d. 1878. 347. Landscape. Miss Charlotte Hunnewell. Theodore Rousseau: Paris, 1812-1867. Pupil of Lethi&re. 348. Landscape. Bequest of Thos. G. Applelon. PKAirsois Saikt Bonvin : b. Yaugirard, 1817. 349. Three Girls. Miss Charlotte Hunneioell. Naecisse Diaz de i,a Pena: b. Bordeaux, 1808; d. Men- tone, 1876. 350. Bath of Cupids. Miss Sarah M. Spooner, Philadelphia. Fifth Picture Gallery. 37 351. A Turkish Ca£6. Bequest of Thomas G. Appleton. 352. Interior of a Wood. Gift by contribution. 353. Nymph Bathing. Miss Jane Hunt. Chakles Pkan^ois Datjbigky: b. Paris, 1817; d. 1878. Pupil of Uelaroche. 354. Returning Home. Moonrise. Miss Sarah M. Spooner, Philadelphia. 355. Landscape. Gift of Mrs. S. D. Warren. Geoeges F. Michel. 356. Chatillon. C. Thurwanger. Charles Emile Jacqtje: b. Paris, 1813. 357. Sheep returning to the Barn. Miss Sarah M. Spooner, Philadelphia. Eugene Louis Gabeiel Isabey : b. Paris, 1804 ; d. 1886. 358. Eeceiving the Cardinal. Miss Charlotte Hunnewell. P. T. Clays. 359. On the Waal. Thomas Wigglesworth. W. L. PiCKNELL, Boston. 360. " Where the broad ocean heaves against the land." Thomas Allen. 361. " Over all the hill-tops Is rest, Even thro' the trees there feelest Scarcely a breath." The Artist. Henei Regnattlt : b. Paris, 1843; died on the field of Buzenval, Jan. 19, 1871. Pupil of Lamothe and Cabanel. 362. Automedon, with the Horses of Achilles. A gift by contribution. 38 Fifth Picture Gallery. Jean FKANqois Mii-iiET: b. Gr^ville, 1814-, d. 1875. Pupil of Delaroche. 363. La Bergfere Assise. Gift of Samuel D. Warren. 364. " La Eeutr^e k la Ferme." Miss Sarah M. Spooner, Philadelphia. 365. "Woman Spinning. Miss Jane Hunt, (See also Nos. 485 to 457.) Adolf Scheetek: b. Frankfort-on-the-Main, 1828. 366. Arabs Mounted. Miss Sarah M. Spooner, Philadelphia. Theodore Eousseau. 367. Landscape. Benjamin Constant. 368. Interior of a Hareem. Miss S. M. Spooner, PiEKRE Edouaed Freee : b. Paris, 1819. 369. White Horse. Miss Charlotte Sunnewell. George Fuller : b. Deerfleld, Mass., 1822; d. Boston, 1884. 370. The Quadroon. Mrs. S. B. Warren. 371. Arethusa. His last work. Gift by contribution Jan Weenix : b. Amsterdam, 1640 ; d. 1719. 372. Fowl. Miss Charlotte Hunnewell. Alexandre Gabrlel Decamps : b. Paris, 1803 ; d. Fon- tainbleau, 1860. 373. Christ and the Centurion. Miss Charlotte Hunnewell. Jules Dupe£: b. Nantes, 1812. 374. In the Woods. Miss Sarah M. Spooner, Philadelphia. 375. Cows crossing a Stream. Miss Sarah M. Spooner, Philadelphia. Thomas Eobinson. 376. Cattle Ploughing. Gift by contribution. Fifth Picture Gallery. 39 Thomas Coutueb : b. Senlis, 1815 ; d. 1879. Chevalier of the Legion of Honor. Pupil of Gros and Delaroche. 377. Study for the " VoluDteers of 1792." Presented by the contribution of several persons. 378. Portrait of Mad. Couture. Gift of Mrs. S. D. Warren. 379. Portrait Head. J. T. CooUdge, Sd. 380. Head of a Bacchante. Gift by Contribution. 381. A Family Group. (A sketch.) Nathan Appleton. Jules Dupe^: b. Nantes, 1812. 382. Une route dans les Landes. Miss Charlotte Hv/nnewell. W. P. Babcock. 383. Girl Bathing. William 8. Appleton. Constant Tboyon: b. Sfevres, 1810; d. Paris, 1866. 384. Wood-interior. William S. Tiffany. 385. Landscape and Sheep. Bequest of Thomas G. Appleton. Geoeqb Inness. 386. The Rising Storm. Gift of George Higginson. IN THE SOUTHERN CORRIDOR. Henui Leholle. Pupil of Lamothe. Medal, first-class, 1880. 394. By the Riverside (1881). Gift of Francis C. Foster. A photogravure of this painting, by Goupil & Cie, was pub- lished in the Gallery of Contemporary Art, Gebbie & Co. William H. Howe: St. Louis and Paris. 395. Cattle. The Artist. W. L. Metcalf, Boston and New York. 396. The Kousse-Kousse Market, Tangiers. The Artist. Emu, Cablsen. 397. A Marine. Mrs. Geo. H. Clements. Charles Hebbert Woodbury. 398. Lynn Marshes. The Artist. B. DB Blois. 399. Winter Evening. The Artist. WATER COLORS, DRA^A/INGS, t te. William Morris Hunt. (See Nos. 346 to 359.) Charcoals and Crayons. Numbers 401 to 408 were purchased at the Hunt Sale and of the Estate. 401. The Quarry. 402. Washing by the River. 403. Study of Clouds. 404. Landscape, with Water. 405. Merrimack Eiver. 406. River Landscape. 407. Harbor View. 408. Sunrise on the St. John's River. 409 to 412. Lent by Miss H. M. KnowUon. 413. The Singers. Lent by Mrs. Hwnt. 414. Portrait, William Evarts. " " 415 a, 6, c, d. Four studies for the mural paintings at Al- bany. Lent by Mrs. Hunt, 416. Convent and Steps, San Remo. " " 417. Memory Sketch. " " 418. Study for Anahita. " " 419. Portrait. " " De. William Eimmer, Milton, 1816-1879. 420 to 431. Twelve Drawings. Purchased. Young Lioness. Young Lion. Lion and Mouse. Dante and the Lion. Head of an Old Lion. Evening — " Fall of Day." The Soothsayer. Achilles, Iliad, Book IV. Warriors in Camp. " Victory," A Dead Soldier. (40) Water Colors, Drawings, Pastels, Etc, 41 432. Evening — " Fall of Day " (Pastel). 4.S3. Struggle between North and South, 1860. Gift of Edward C. Cabot. 434. Dedicated to the 54th Regiment Mass. Vols. Lent by Wm. B. Ware, •Jean FiiANgora Millet. (See 260-264.) 435 to 465. Twenty-one Drawings, Water Colors, etc. Gift of Martin Brimmer, Pen and Ink. Landscape, with Farm Buildings. Landscape, " prfes Cusset." Landscape, " Vichy, 12 juln 1886.' Landscape, with Culvert. Water Color. Landscape, with Rocky Stream. Landscape, with Gate. Vichy. Landscape — Road " prfes Cusset." Landscape, with Pool. Landscape, with Church. Crayon. Landscape, — trees in foreground; in background figures bearing fagots. Shepherdess and Sheep grazing. Shepherd Girl knitting. Water-Carrier. Woman feeding a Child in her lap. Woman churning. Women bringing fagots from a wood. Twilight — Going Home. Gleaners. The Sower. Man with Wheelbarrow. Pastel. 455. Boy and Girl with Bird's Nest before a Figure of Pan. 456. Peasant Family. Mrs. Geo, H, Clements, 42 Water Colors, Drawings, Pastels, Etc. 457. Landscape. (Water color.) Mrs. Frecfk Frothingham. 4|- J Three Drawings. ^'•«- ^''^'^ FrotMngJmm. Washington Allston. (See 101-118, and 177-181.) 460. Storm at Sea, 1818. (Water color.) The ship " Galen," on which the artist returned from Europe. Drawn on shipboard after the storm. Mr. S. Franklin Dexter. 461. ) Tracings from the original picture of Jacob's 462. I Dream; at Petworth Castle. 463. Uriel in the Sun. Tracing from the picture at Strafford House. 464. Una. Tracing from the outline of the painting owned by Mrs. Hatch, Medford. Sketches, unfinished oils, etc. 465. A Sibyl. Outline in chalk. Life size. 466. Ship at Sea. Sketch in chalk. 467. Same. Small size, study in oil. 468. Titania's Court. An outline. 469. " A Troubadour "? Girl in male costume. 470. Heliodorus driven from the Temple. Sketch in chalk. The above with a large number of drawings by Allston de- posited with the Museum by his heirs. John Singleton Copley. (See No. 137-151.) 471. Study for a portrait of a man. Athemewn. 472. Original sketch for the portrait of Lord Mansfield. Athentmm. 473. Study for a painting. Death of Major Pierson. Athenaeum. 474. Study for a portrait of a lady. Athenoeum. G. Stuart Newton. (See 131-138.) Sketches made when a pupil of the Royal Academy, 1817. 475. Samuel Rogers. 476. H. Fuseli. Water Colors, Drawings, Pastels, Etc. 43 Aet Scheffbe. (See 78.) 478. The Rest in Egypt. Gift of John A. Higginson. 479. Christ bearing the Cross. Mrs. Charles G. Perkins. Michelangelo Bttonaeboti: b. Casentino, 1475; d. Eome 1564. 480. The Lost Soul. Mrs. Charles C. Perkins. Raphael Mbngs: b. Aussig, 1728; d. Rome, 1779. 481. The Entombment. A very careful drawing in black and white crayon, 4 feet by 5 feet 2 inches. Mengs was at work upon this drawing at the time of his death, as the inscription records. Mrs. Oeo. H, Ghiekering, Paul Delaeoche ^n Print Room opposite): b. Paris, 1797; d. Paris, 1856. 482. Christ the Hope and Support of the Afflicted. A Cartoon. See Isaiah, ch. 41, v. 13. "For I, the Lord thy God, will hold thy right hand, saying unto thee, Fear not ; I will help thee." The first drawing of this composition was made at Bisenach, in 1847, and giyen by the artist to the Duchess of Orleans. In 1851 Delaroche painted a sketch from a tracing of the original drawing (6x8 inches), which was purchased at the sale of hia works at Paris in 1857 for $1,550, and is now in the Belmont Gallery at New Tork. At the time of his death, Delaroche had begun to put the composition upon canvas, figures life-size. Property of the Athenaeum. PASTELS. Constant Teoton: b. Sfevres, 1810; d. 1865. 483. Oxen Ploughing. Bequest of Thomas G. Appleton. Maueice Qxtentin de la Toue. 485. Portrait of Louise d'Orleans. Nathan Appleton. Feancesco Baktolozzi. 1730-1813. 486 and 487. Amorini, from the Farnesina. Chas. C. Perkins. 44 Water Colors, Drawings, Pastels, Etc. Louis Keonbebg. 489. Portrait, Girl in a Hat. 490. Portrait Miss S . The Artist. WATER COLORS. ABMAND THfOPHlLE CASSAGNE. 491. Le dormoir du Nid de I'Aigle. 492. Le diarlemagne etle Boland. Gift of Mrs. Caroline Tappan, Hendeicks a. Hallett. 493. Sketch on the Beach at Marblehead. The ArUst. Aethtte Kotch. 494. The Bridge and Citadel of Wiirzburg. The Artist. Loins K. Haelow. 495. The Wood-chopper. The ArUst. Etjfus F. ZoGBAtTM, New York. 496. The Battery Guidon, 1886. Nathan AppUton. Aethur Ceopt, England. 497. An old AroUa Pine on the Eiffel Alp. 498. Chalets at Veyras, Sierre. The Artist. SuLPiCE GuiLLAUME Chevalliee, called Gavarni, Paris, 1801-1866. 500. A BeUe of 1840. Mrs. G. B. Porter. Maeiano Foetuny. 1838-1874. 601. Man Sleeping. Mrs. G. V. Cook. A. Mauvb. 502. Sheep. Mrs. E. D. Buffington, Worcester. Jacques Mabis, The Hague. 603. Teaching the Dog. Nathan Appleton. Sakuel Peout: b. Plymouth, Eng., 1783; d. Camberwell, 1852. 509. Strasburg. Benman W. Boss. Water Colors, Drawings, Pastels, Etc. 45 John W. Bunnet. 510. Choir and Apse of San Vitale, Eaveona, 1874. Bequest of Stephen H. Perkins. E. ROBSSLER Franz. 511. Cypresses of the Villa d'Este, Tivoli, Borne. Purchased at the Exhibition of English Water Colors, 1885. Joseph Linden Smith. 512. The Equestrian Statue of Gattamelata. By Dona- tello. Padua. Denman W. Boss. 513. Portal of St. Mark's, Venice. " " " John Rxiskin. 514. One of the Towers of Fribourg. Pen and Ink, with Color. Mrs. John H. Stwgis. 515. Study of Leaves. Drawing. Mrs. John H. Sturgis. Boss Turner. 516-519. Japanese Pottery. From the Morse Collection. The Artist. George Fripp, E. W. S., London. 620. Glen Slighan, Skye. Purchased at the Exhibition of English "Water Colors, 1885. E. Peabodt Flaqg. 521. A Gloucester Boat in the Outer Harbor. The Artist. G. W. Harvey. 522. Fog. J. Eastman Chase. David Cox: b. n. Birmingham, 1783; d. 1859. 523. Landscape with Cattle. Sepia. The Athenaeum. Edward D. Boit. 524. Place de 1' Opera. \ Gift of the 525. Place de 1' Etoile, Arc de Triomphe. ) Artist. FRAN901S Louis FRAN9AIS. 526. Douarnenez Finistfere, 1868. Gift of E. D. Boit. India Ink. (See No. 281.) William Blake. (See 172.) Nine illustrations of Milton's Paradise Lost. 527. " Father! thy word is passed; man shall find grace." Paradise Lost, Book iii., line 227. 46 Water Colors, Drawings, Pastels, Etc. 528. The Creation of Eve. Boofc viii., Zwe 470. 529. Satan watching the caresses of Adam and Eve. Book iv., lint 366. 530. Adam and Eve sleeping. Satan, in the shape of a toad, close to the woman's ear. Book iv., line 800. 631. Raphael, with Adam and Eve, Book y., line iiZ, 532. Lucifer and the Eebel-angels hurled into the abyss. Book\\., line 804. 533. Eve eating the Apple. Book is.., line 1^1. 534. Adam and Eve taken by Michael out of Eden. Book xii., line 632. 535. The Crucifixion, foretold by Michael to Adam while Eve lies sleeping. Book xii., line 415. Nine illustrations of the Bible. 1805-1810? 586. Plagues of Egypt. Famine. Exodus ix. , x. 537. " " Plague. Exodusix.^x. 538. " " Death of the Eirst-born. Exodus xii. 539. Moses erecting the Brazen Serpent. Numbers xxi. 540. Hell receiving the King of Babylon. Isaiah xiv. 9. 541. The Whirlwind in Ezekiel's Vision. Ezekiel i. 642. David encountering Goliath. 1 Samuel xvii. 643. The Woman taken in Adultery. John viii. 8, 9. 644. Abraham about to sacrifice Isaac. Genesis xxii. Eight illustrations to Comus. 'The Lady lost in the wood; the Attendant Spirit is disappearing on the right; while, on the left, Comus accosts her disguised as a simple Villager. Comus, verse 92 and verse 2(54. The Lady singing, seated on a bank; Comus and hi8 rabble-rout appearing on the hill behind. Verse 229. The Attendant Spirit appearing as Thyrsis between the two brothers. Verse 489. "Two such I saw." Comus, disguised as a shep- herd, looking on the two brothers clambering up the hill. Verse 290. 445. 546. Water Colors, Drawings, Pastels, Etc. 47 'The Banquet. Comus standing iu front with goblet and wand in hand; the Lady sitting in the en- chanted chair; the monstrous rabble seated around the table. Terse 810. The brothers rush in, with drawn swords, to save their sister; Comus and his rout disappearing. Verse 813. Sabrina rises, attended by water-nymphs. Verse 888. "Noble Lord and Lady bright, I have brought ye new delight." Return of the sister and brothers to their parents. Verse 965. THE DOWSE COLLECTION OF WATER COLORS. 648 to 599. Painted for " The British Gallery of Pictures." Copies of the Old Masters then owned in Eng- land. Bequeathed to the Athenoeum by the late Thomas Dowse. 547. Portrait of Thomas Dowse. Engraved by J. An- drews after Wight. Gift of Thos. H. Chandler. Ceaig. (?) 548. Village Festival. After Wouvermans. P. Violet and Peltko. William Tomkins. 549. Diana and Aeteeon. After Titian. Ceaig. 550. The Happy Shepherds. After Berghem. 561. Landscape. After Claude. P. Violet. 552. Rachel secreting the Household Gods of Laban. After P. da Cortona. Ckaig. 553. The Flight into Egypt. After A. Caracci. 48 Wate7- Colors, Drawings, Pastels, Etc. P. W. TOMKINS. 554. Madonna and Child. After Raphael. W. W. Hodgson. 665. Christ calling Peter and Andrew. After Domenichino. Unknown. 556. The Story of Calisto. After Poussin Satchweli.. 557. A Female Head. After Giotto. Cbaig. 658. Landscape, with Figures. Mid-day. After Claude Lorraine. 559. Landscape, Figures and Cattle. After Paul Potter. W. Westall. 560. FSte on the Water at Dort. Landing of Prince Maurice. After Cuyp P. W. ToMEiNS and Hodgson. 561. Lot and his Daughters. After Guide. Craig. 562. A Windmill. After Rembrandt. P, W. TOMKINS. 563. Madonna of the Veil; Madonna, Child, and St. John. After Raphael. W. W. Hodgson. 564. Marriage of St. Catharine. After Parmigiano. Evans. 565. Portrait of Berghem, After Rembrandt. T. W. Strutt. 666. The Smokers. After D. Teniers, Jr. W. W. Hodgson. 667. Portrait of Gaston de Foix. After Giorgione. Water Colors, Drawings, Pastels, Etc. 49 T. W. Strutt. 668. Interior of a Cottage. After A. van Ostade. T. UwiNS. 569. St. Amand receiving St. Babo into his Abbey. After Rubens, EtrsEBi. 570. The Incredulity of Thomas. After Vanderwerf . T. UwiNS. 571. The Woman taken in Adultery. After Rubens. CEAia. 572. Portrait ofHimself, with a violin. After G.Dow. P. Violet. 573. Samuel and his Mother. After Rembrandt P. W. TOMKINS. 674. Madonna and Child. After Correggio. 575. Girl with a Horn-Book. After Schidone. 576. Madonna, Infant Christ, and St. John. After A. del Sarto. 577. David with the Head of Goliah. After Guercino. P. W. ToMKiNS and Ansel. 578. Allegory of Human Life. After Titian. P. W. ToMKrws and W. W. Hodgson. 579. Danae. After Titian. P. W. ToMKiNS and Ansel. 580. Holy Family. After Paris Bordone. W. W. Hodgson. 581. The Nativity. After Ghirlandajo. 582. Holy Family, with St. John. After Raphael. 583. Holy Family. After Raphael. Satchwell. 584. Madonna, Infant Christ, and Saints. After Cimabue. 50 Water Colors, Drawings, Pastels, Etc. W. W. Hodgson. 585. Madonna and Child. After Raphael. P, W. TOMKINS. 586. Meeting of Mary and Elizabeth. After S. del Piombo. 587. Jesus led from the Garden of Gethsemane to the High Priest. After Guercino. W. W. Hodgson. 688. The Vision of St. Augustine. After Garofolo. P. Violet. 589. Infant Christ sleeping on the Cross. After Guide W. W. Hodgson. 690. Christ appearing to St. Peter. After A. Caracci, Satchwell. 591. Heads of Apostles. After Giotto. P. Violet. 592. Christ in the Sepulchre. After Guercino. P. W. ToMKors. 693. Holy Family with Elizabeth and St. John. After A. del Sarto. Craig. 694. Rachel secreting the Household Gods of Laban. After Murillo. Unknown. 595. Baptism of Christ. After Domenichiuo. Craig. 596. Death of Atilius Kegulus. After Salvator Rosa. 597. Landscape, with Rainbow. After Rubens. 598. Landscape, With Figures. After Claude. 699. Landscape. After Gaspar Poussin? Porcelain and Lawrence Rooms. 51 OIL PAINTINGS. IN THE PORCELAIN ROOM. Carlo Cignani. 600. Hagar and Ishmael. Athenceum. rEANCESCo ZirccAEELLi, Tuscany, 1702, 1788. 601. Landscape. AtherKsv/m. Michael Ameeiqa Angelo da Caeavaggio, 1569, 1609, Borne (attributed to). 602. Itinerant Musicians. Bequest of Chas. Sumner. LucA GiOEDAKO, Naples, 1632, 1705. Pupil of Pietro da Cortona. 603. The Flaying of Marsyas. Athenmum. Unknown. 604. Fruit, Flowers, and Still Life. Athenaeum. IN THE LAWRENCE ROOM. Pandolfo Eeschi: b. Dantsic, 1643. PQpU of Jacopo Borgognone. 605. Landscape with Huntsmen. Gift of Francis Brooks. 606. Landscape with Fishermen, Bequest of Mrs. Peter C. Brooks. 607. Landscape with Figures on a Boad. Bequest of Mrs. Peter C. Brooks. 52 Lower Hall. Gaspae PousstN, Rome, 1613-1675 (attributed to). Pupil of Niccolo Poussin. 608. Landscape. Athenaeum. Karel Dxr jABDEsr: b. Amsterdam, 1640; d. 1678 (attrib- uted to). Pupil of Nicholas Berghem. 609. Figures at a Tountain. Athenceum. JoHK VAN Zoon: b. Antwerp, about 1650; d. 1700. 610-11. Still Life. Bequest of Ciiarlea Sumner. Alvan Pishee, Boston. 612. Landscape, dated, Boston, 1828. Athenceum. IN THE LOWER HALL. Jules Jotant. 613. Grand Canal, Venice. Caelo Maeco. 614. Landscape. Mrs. Horatio Oreenough. Unknown. 615. Tlie Magdalen. Mrs. Louis Thdss G. SALISBUET TUCKEEllAN. 616. The Constitution escaping from the British Fleet. Upper Hall. 53 SCULPTURE. IN THE HALL. — SECOND FLOOR. Miss AmsrB Whitket. 1. Le Modfele. Bust in bronze. Gift of Mrs. Maria W. Chapman. John GiBSOif. 2. Love disguised as a shepherd. Bequest of Thos. G. Appleton. Napoleon Jacques. 3. Bronze Bust of Peter the Great, Emperor of Bussia. 40 cent. high. AuGxrSTTJS Saint-Gatjdeits, New York. Pupil of Jonffroy. 4. Bronze Medallion, Bastien-LePage, Paris, 1880. Pwrchased at the Exhibition of 1880. KiCHAED S. GEBENOUGH. 6. Bust of William W. Greenough. GiULio MoNTEVEEDE, Genoa. 6. The first inspirations of Columbus. Gift of A. P. Chamberlain. HOBATIO GEEENOUGH. 7. The Guardian Angel. Laurence Curtis. 8. Castor and Pollux, a relief. Mrs. Qreenough. A. rALGXniiEE. 9. Diane Chassereuse. Dr. Chas. Q. Weld. 54 Upper Hall. RlCHABD S. GEEENOUGH. 10. Carthaginian Girl. Athenceum. Gift of Miss Joy. Appolonio. 11. Bust of rather Grafton. Beonzb Mask of Napoleon. 12. From a cast taken by Dr. F. Antommarchi immedi- ately after death. Athenceum. Giovanni Lorenzo Beknini: b. Naples, 1598; d. 1680. 13. Figure of Christ bound to a column. Marble. 90 cent. high. L. Tassi. 14. Humberto, King of Italy. Bust in marble, 1883. Gift of his Majesty the King to the City of Boston. Baron Henei de Teiqtjeti, France, 1804-1874. Studied with Hersent. 15. Dante and Virgil, half-figures in bronze. Gift of Mrs. Edward Lee Childe. H. H. KiTSON. 16. La Musique de la Mer (bronze). The Artist. Unknown. 17. Bust of Baphael. » AthencBim. 18. Bust of Rubens. ) Gift of Thos. H. Perkins. OiiiN L. Waenee. 19. Portrait Bust, Marble. 20. Chief Joseph, of the Nez-perc^ Indians. Belief in bronze, taken in 1889. ARTISTS REPRESENTED. Aohenbach, Andreas, 279 Alexander, Francis, 136 Allen, Thomas, 361 Allori, Christofano, 75 AUstoD, Washington, 101-118, 177-180, 18(i, 187 Sketches, unfinished oils, etc., 460-470 Ames, Joseph, 190 d'Aithois, Jacques, 210 Babcook, W. P., 383 Barbieri, Gio. Francesco, 26, 27 Bartolozzi, F., 486, 487 Bassano, 31, 32 Besuard, Paul Albert, 488 Blackburn, J. B., 152 Blake, Wm., 172, 527-546 Boel, Peter, 232 Bolt, B. D., 624, 525 Bonheur, Eosa, 286 Bonington, Richard Parkes, 173 Bonvin, Franyois Saint, 349 Boucher, Franfois, 45, 46 Brauwer, A., 237 Bridgman, Frederick A., 273 Bronziuo, (?) 36 Browning, Robert Barrett, 280 Bunker, D. M., 252, 253 Bunney, J. W., 610 Byzantine School, 10 Cagnacoi, Guido (Canlasai), 69 Canale, Antonio, 62 Caravaggio, 47, 602 Carlsen, Smil, 397 Cassa^ne, A. T., 491, 492 Chaplin, Charles Joshua, 260 Chardin, J. B. S., 49, 50 Chase, H., 278 Chelmonski, J, 274 Cignani, Carlo, 600 Oima da Conegliano, 35, 66 Cioque Cento Period, 55 Clays, P. T., 359 Cole, J. F., 255 Constable, John, 174 Constant, Benj., 368 Conti Tito, 296 Copley, John Singleton, 137-151, 182, 183, 471-474 Corot, Jean Baptiste, 320-327 Oortona, Pietro di, 37 Couture, Thomas, 377-381 Cox, David, 523 Craig, 548, 550, 551, 653, 558, 559, 662, 572, 594, 696-599 Croft, A., 497, 498 Cuyp, Albert, 211, 217, 244 Darrab, Mrs. Sophia Towue, 328 Uauliieny, C. Francois, 347,354,356 DaWd, L., 44 De Blois, B., 399 Decamps, Alexandre Gabriel, 373 Delaroche, Paul, 482 De la Tour, M. Q., 485 DiazdelaPeua, N^arcisse, 350-353 nor', G. 81 Dowse Collection, 548-599 Douw, G., 239 Dupre, Jules, 374, 375, 382 Dutch S