i!!i!!F v.'i dforncll Unioersitg Siibrarg atljata. Netu lark WORDSWORTH COLLECTION MADE BY CYNTHIA MORGAN ST. JOHN ITHACA, N. Y. THE GIFT OF VICTOR EMANUEL CLASS OF 1919 1925 i^.^y\,.^7 -^H^' :■==»: '1^1 Cornell University Library The original of tiiis book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924104104132 THE WORKS OF CHARLES AND MARY LAMB THE WORKS OF CHARLES AND MARY LAMB Edited by E. V. LUCAS I. Miscellaneous Prose 1798-1834 n. Elia and the Last Essays of Elia III. Books for Children IV. Dramatic Specimens and the Garrick Plays V. Poems and Plays VI. Letters 1796-1820 VII. Letters 1821-1834 The Life of Charles Lamb. By E. V. Lucas Two Volumes. Demy 8vo. [In Preparation ^-^\ ^ri y-} *' P THE WORKS OF CHARLES AND MARY LAMB EDITED BY E. V. LUCAS VOLUME VII. LETTERS 1821-1834 New York: G. P. PUTNAM'S SONS London: METHUEN & CO. 1905 •^^An?^'^^ h LooS^^O CONTENTS ** New Letter. * New Collation, or Addition to Text. PAGE LETTER 549- 549- 550. 551. 551. 551. 552. 553. 555. 556. 557- 558. 559. 560. 1821. 252 **Charles Lamb to Mrs. William Ayrton , . Jan. 23 From the original, lately in the possession of Mr. Edward Ayrton. 253 **Charles Lamb to Miss Humphreys . . . Jan. 27 From the original at Rowfant. 254 **Charles Lamb to Mrs. William Ayrton . . March 15 From the original, lately in the possession of Mr. Edward Ayrton. Charles Lamb to Thomas Allsop .... March 30 From Harper's Magazine. Charles Lamb to Leigh Hunt .... April 18 From Leigh Hunt's Correspondence. Charles Lamb to S. T. Coleridge . . . May i From the Life of Charles Mathews. Charles Lamb to James Gillman .... May 2 From the Life of Charles Mathews, Charles Lamb to John Payne Collier . . . May 16 Mr. Hazlitt's text (Bohn). *Charles Lamb to B. W. Procter . . . . ? Summer From facsimile in Mrs. Field's A Shelf of Old Authors. Charles Lamb to John Taylor .... June 8 Mr. Hazlitt's text (Bohn). Charles Lamb to John Taylor .... July 21 Mr. Hazlitt's text {The Lambs). Charles Lamb to Charles Cowden Clarke . . Summer From Recollections of Writers. Mary Lamb to Mrs. William Ayrton . . . No date From the original in the possession of Mr. A. M. S. Methuen. 265 **Charles Lamb to William Ayrton . . . Oct. 27 From the original, lately in the possession of Mr. Edward Ayrton. V 255 256 257 258 259 260 261 262 263 264 ■H--H-- VI CONTENTS PAGE LETTER 561. 266 562. 267 565. 268 566. 269 568. 270 * 569. 271 569. 272 571. 273 573. 274 575. 275 576. 276 578. 277 578. 278 580. 279 580. 280 581. 281 * 581. 282 583. 283 585. 284 586. 285 588. 286 Charles Lamb to S. T. Coleridge Mr. Hazlitfs text (Bohn). ♦Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. Charles Lamb to W. Harrison Ainsworth . Mr. Hazlitfs text {The Lambs). Charles Lamb to William Godwin Mr. Kegan Paul's text {William Godwin: His Friends^ etc.). 270 **Charles Lamb to Mrs. John Lamb From the original in the Bodleian. Charles Lamb to Mary Lamb (fragment) . From Crabb Robinson's Diary. 272 ^Charles Lamb to John Clare .... From the original (British Museum). ^Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Barron Field .... From the original in the possession of Mr. B. B. Mac- george. Charles Lamb to John Howard Payne From the Century Magazine. ^Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to B. R. Haydon . From Hay don's Correspondence and Table Talk. Charles Lamb to John Howard Payne From the Century Magazine. Charles Lamb to B. R. Haydon . From Haydon's Correspondence and Table Talk. Charles Lamb to Sir Walter Scott From Scott's Familiar Letters. 281 **Charles Lamb to Thomas Robinson From the original (Dr. Williams' Library). Charles Lamb to John Howard Payne From the Century Magazine. Mary Lamb to Mrs. James Kenney Mr. Hazlitfs text {The Lambs). Charles Lamb to John Taylor From Elia (Bell's edition). *Charles Lamb to Walter Wilson . From the original (Bodleian). *Charles Lamb to Bernard Barton From the origmal (British Museum). 1822. March 9 March 20 May 7 May 16 May 22 Aug. Aug. 31 Sept. II Sept. 22 Autumn Oct. 9 Oct. 9 Oct. 22 Oct. 29 Oct. 29 Nov. II Nov. 13 ? Early Dec. Dec. 7 Dec. 16 Dec. 23 CONTENTS Vll PAGE LETTER 590. 591. 592. 594- 596. 596. 598. 600. 602. 604. 607. 608. 610. 610. 612. 613. 614. 616. 618. 618. 620. 620. 621. 287 Charles Lamb to John Howard Payne From the Century Magazine. 288 **Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. 289 Charles Lamb to Mr. and Mrs. J. D. Collier From the original in the possession of Mr. R. B. Adam 290 ^Charles Lamb to Bernard Barton From the original (British Museum). 291 Charles Lamb to John Howard Payne From the Century Magazine. 292 Charles Lamb to John Howard Payne From the Century Magazine. 293 ^Charles Lamb to Bernard Barton From the original (British Museum). 294 Charles Lamb to Walter Wilson From Mr. Hazlitt's text. 295 *Charles Lamb to Bernard Barton From the original (British Museum). 296 *Charles Lamb to Bernard Barton From the original (British Museum). 297 *Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn) with alterations. 298 ^Charles Lamb to Sarah Hutchinson From Mr. Gordon Wordsworth's original. 299 Charles Lamb to Miss Hutchinson (?) {fragment) From Notes and Queries. *Charles Lamb to John Bates Dibdin 300 301 302 303 304 305 306 307 308 309 From the original in the possession of Mr. R *Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to John Bates Dibdin From the original in the possession of Mr. R Mary Lamb to Mrs. Randal Norris Mr. Hazlitt's text (The Lambs). *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Thomas Allsop . From Harper's Magazine. ^Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Thomas Allsop . From Harper's Magazine. Charles Lamb to Thomas Allsop . From Harper's Magazine. Charles Lamb to Thomas Allsop . From Harper's Magazine. W. Dibdin. W. Dibdin. 1823. Jan. Jan. Jan. 6 Jan. 9 Jan. 23 Feb. 9 Feb. 17 Feb. 24 March 11 April 5 April 13 April 25 No date No date May 3 May 6 June 18 July 10 July Sept. 2 Sept. 6 Sept. 9 Sept. 10 viii CONTENTS PAGE LETTER 1823. 621. 310 Charles Lamb to Thomas Allsop . . . .' Sept. From Harper's Magazine. 621. 311 *Charles Lamb to Bernard Barton . . . Sept. 17 From the original (British Museum). 623. 312 Charles Lamb to Charles Lloyd (fras^ment) . Autumn From Letters and Poems of Bernard Barton. 624. 313 Charles Lamb to H. F. Cary .... Oct. 14 From Memoir of H. F. Cary. 624. 314 Charles Lamb to Thomas Allsop .... ? Oct, From Harper's Magazine. 625. 315 Charles Lamb to John Bates Dibdin . . . Oct. 28 From the original in the possession of Mr. R. W. Dibdin. 626. 316 Charles Lamb to Sarah Hazlitt .... Early Nov. Mr. Hazlitt's text (Bohn). 627. 317 Charles Lamb to Robert Southey . . . Nov. 21 Mr. Hazlitt's text (Bohn). 629. 318 *Charles Lamb to Bernard Barton . . . Nov. 22 From the original (British Museum). 630. 319 *Charles Lamb to W. Harrison Ainsworth . . Dec. 9 From the original. 632. 320 ^Charles Lamb to W. Harrison Ainsworth . . Dec. 29 From the original. 1824. 633. 321 *Charles Lamb to Bernard Barton . . . Jan. 9 From the original (British Museum). 634. 322 *Charles Lamb to Bernard Barton . . . Jan. 23 From the original (British Museum). 637. 323 ^Charles Lamb to Bernard Barton . . . Feb. 25 From the original (British Museum). 638. 324 '^Charles Lamb to Bernard Barton . , . March 24 From the original (British Museum). 639- 325 ^Charles Lamb to Bernard Barton . . . Early spring From the original (British Museum). 641. 326 Charles Lamb to Mrs. Thomas Allsop . . April 13 From Harper's Magazine. 641. 327 **Charles Lamb to William Hone .... April From the original in the possession of Mr. R. A. Potts. 642. 328 *Charles Lamb to Bernard Barton . . . May 15 From the original in the possession of Mr. B. B. Mac- george. 644. 329 ^Charles Lamb to Bernard Barton . . . July 7 Mr. Hazlitt's text (Bohn). 646. 330 Charles Lamb to W. Marter .... July 19 Mr. Hazlitt's text (The Lambs). 647. 331 *Charles Lamb to John Bates Dibdin . . . July 28 From the original in the possession of Mr. R. W. Dibdin. CONTENTS IX PAGE LETTER 647. 332 650. 333 652. 334 654. 335 655. 336 656. 337 657. 338 * 658. 339 659. 340 662. 341 664. 341 665. 342 667. 343 668. 344 669. 345 671. 346 671. ' 347 * 672. 348 ^7i- 349 * 674. 350 676. 351 677. 352 *Charles Lamb to Thomas Hood (1 fragment) From the original. *Charles Lamb to C. A. Elton . . . . From the original in the possession of Sir Edmund Elton. *Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Bernard Barton From the original (British Museum). *CharIes Lamb to Mrs. John Dyer Collier . From the original (South Kensington Museum). *Charles Lamb to B. W. Procter . . . . From Barry Cornwall's Charles Lamb with alterations. 338 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). *Charles Lamb to Sarah Hutchinson From Mr. Gordon Wordsworth's original. ^Charles Lamb to Leigh Hunt . . , . From Leigh Hunt's Correspondence with alterations. *Charles Lamb to Bernard Barton From the original (British Museum). (Postscript) * Charles Lamb to Lucy Barton . *Charles Lamb to John Bates Dibdin . From the original in the possession of Mr. R. W.> Dibdin. *Charles Lamb to Sarah Hutchinson From Mr. Gordon Wordsworth's original. ^Charles Lamb to Vincent Novello From the original (British Museum). *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Thomas Manning Mr. Hazlitt's text (Bohn). 347 **Charles Lamb to Sarah Hutchinson . From Mr. Gordon Wordsworth's original. Charles Lamb to Bernard Barton From the original (British Museum). 349 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). *Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Sarah Hutchinson . From Mr. Gordon Wordsworth's original. (Last para- graph from original scrap at Welbeck Abbey.) 678. 353 *Charles Lamb to William Hone .... From the original at Rowfant. 1824. Aug. 10 Aug. 17 Aug. 17 Sept. 30 Nov. 2 Nov. II Nov. 20 Nov. 25 ? Nov. Dec. I Dec. I 1825, Jan. II Jan. 20 Jan. 25 Feb. 10 ? Feb. March i March 23 March 29 April 6 April 6 April 18 May 2 X CONTENTS PAGE 679. 680. 683. 684. 684. 688. LETTER 354 355 356 357 358 359 689. 360 691. 361 694. 362 694. 363 695. 364 696. 365 696. 366 697. 367 697. 368 698. 369 698. 370 699. 371 700. 372 702. 373 703- 374 704. 375 *CharIes Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. Charles Lamb to Charles Chambers Mr. Hazlitt's text {Jhe Lambs). Charles Lamb to S. T. Coleridge Mr. Hazlitt's text (Bohn). *Charles Lamb to Henry Colburn (?) . From the original (South Kensington). ^Charles Lamb to S. T. Coleridge From the original (Morrison Collection). ^Charles Lamb to Bernard Barton From the original (British Museum). \_Foy Letter ^59A — Charles Lamb to John Aitken — see Appendix ILy page 974.] ^Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Robert Southey Mr. Hazlitt's text (Bohn). Charles Lamb to Thomas Allsop . From Harper's Magazine. Charles Lamb to Thomas Allsop . From Harper's Magazine. *Charles Lamb to William Hone . From the original at Rowfant. Charles Lamb to Thomas Allsop From Harper's Magazine. ^Charles Lamb to Charles Oilier . From the original (South Kensington). Charles Lamb to Thomas Allsop . From Harper's Magazine. Charles Lamb to Charles Oilier . Mr. Hazlitt's text (Bohn). Charles Lamb to Charles Oilier . Mr. Hazlitt's text (Bohn). *Charles Lamb to Bernard Barton From the original (British Museum). **Charles Lamb to Charles Oilier . From the original in the possession of Mr. R. A. Potts. * Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to S. T. Coleridge Mr. Hazlitt's text (Bohn). Charles Lamb to H. F. Cary Mr. Hazlitt's text. *Charles Lamb to Vincent Novello From the original|(British Museum). 1825. May ? May ? June June 14 July 2 July 2 Aug. 10 Aug. 10 Sept. 9 Sept. 24 Oct. 24 Dec. 5 ? Dec. 1826. See note Early in year Jan. Feb. 7 March 16 March 20 March 22 April 3 May 9 CONTENTS XI 720. 723- 723. 724. 724. 725. 726. 726. 729. 729. 730. 733. PAGE LETTER 704. 376 *Charles Lamb to Bernard Barton From the original (British Museum). 706. 377 Charles Lamb to S. T. Coleridge Mr. Hazlitt's text (Bohn). 707- 378 *Charles Lamb to John Bates Dibdin From the original in the possession of Mr. R. W. Dibdin. 710. 379 Charles Lamb to Thomas Hill From the original (British Museum). 710. 380 *Charles Lamb to John Bates Dibdin From the original in the possession of Mr. R. W. Dibdin. 712. 381 **Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. 715. 382 *Charles Lamb to John Bates Dibdin . From the original in the possession of Mr. R. W. Dibdin. 716. 383 *Charles Lamb to Bernard Barton From the original (British Museum). 718. 384 **Charles Lamb to Edward Moxon From the original in the possession of Mr. Henry Poulton. 719- 385 *Charles Lamb to Bernard Barton From the original (British Museum). 386 Charles Lamb to Crabb Robinson Mr. Hazlitt's text (Bohn). 387 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). 388 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). 389 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). 390 Charles Lamb to B. R. Haydon . From Taylor's Life of Haydon. 391 *Charles Lamb to William Hone . From the original at Rowfant. 392 Charles Lamb to Thomas Hood . Mr. Hazlitt's text {The Lambs). 393 ^Charles Lamb to Bernard Barton From the original (British Museum). 394 *Charles Lamb to William Hone . From the original at Rowfant. 395 *Charles Lamb to William Hone . From the original at Rowfant. 396 *Charles Lamb to Bernard Barton From the original (British Museum). 397 **Charles Lamb to Crabb Robinson From the original (British Museum). 1826. May 16 June I June 30 No year July 14 Sept. 6 Sept. 9 Sept. 26 ? Sept. No date 1827. Jan. 20 Jan. 20 Jan. 29 Jan. March April May No date May June June II June 26 Xll CONTENTS PAGE 733. 734. 735. 738. 740. 742. 745. 746. 749. 750. 751. 751. 752. 755. 756. 756. 757- 757- 759. 760. 761. 762. 400 401 402 403 404 405 406 LETTER 398 *Charles Lamb to William Hone . From the original at Rowfant. 399 **Charles Lamb to Edward Moxon . . . • From the original at Rowfant. Charles Lamb to P. G. Patmore .... From Patmore's My Friends and Acquaintances. Charles Lamb to Mrs. Shelley .... Mr. Hazlitfs text (Bohn). Charles Lamb to Mrs. Basil Montagu . Mr. Hazlitfs text (Bohn). *Mary Lamb to Lady Stoddart ) ^Charles Lamb to Sir John Stoddart/ From the original (Messrs. Maggs). *Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to P. G. Patmore .... From My Friends and Acquaintances. 407 *Charles Lamb to John Bates Dibdin . From the original in the possession of Mr. R. W. Dibdin. ^Charles Lamb to John Bates Dibdin . From the original in the possession of Mr. R. W. Dibdin. *Charles Lamb to John Bates Dibdin . From the original in the possession of Mr. R. W. Dibdin. ^Charles Lamb to Thomas Hood .... From the facsimile in Mrs. Balmanno's Pen and Pencil. *Charles Lamb to Henry Colburn .... From the original (South Kensington). 412 **Charles Lamb to Edward Moxon .... From the original in the possession of Mr. Henry Poulton. 413 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). * Charles Lamb to John Bates Dibdin . From the orginal in the possession of Mr. R. W. Dibdin. Charles Lamb to Barron Field .... From the Memoirs of Charles Mathews. Charles Lamb to William Hone .... Mr. Hazlitfs text {.The Lambs). Charles Lamb to Thomas Hood .... From the National Review. *Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Bernard Barton From the original (British Museum). 408 409 410 411 414 415 416 417 418 419 1827. July July 17 July 19 July 26 Summer Aug. 9 Aug. 10 Aug. 28 Sept. Sept. 5 Sept. 13 Sept. 18 Sept. 18 Sept. 25 ? Sept. 26 Oct. I Oct. 2 Oct. 4 ? Oct. No date No date Dec. 4 CONTENTS Xlll PAGE LETTER 763 764 764 765 765 766 767 767 768 769 772 772 773 774 774 774 775 775 776 778 779. 781. 420 421 422 Charles Lamb to Leigh Hunt Mr. Hazlitt's text (Bohn). Charles Lamb to William Hone Charles Lamb to Thomas Allsop . From Harper's Magazine. 423 Charles Lamb to Thomas Allsop . From Harper's Magazine. 424 **Charles Lamb to Edward Moxon From the original at Rowfant. 425 * Charles Lamb to Bernard Barton From the original (British Museum). 426 *Charles Lamb to Thomas Allsop From Harper's Magazine with alterations. 427 **Charles Lamb to Edward Moxon From the original at Rowfant. 428 **Charles Lamb to Edward Moxon From the original at Rowfant. 429 Charles Lamb to Charles Cowden Clarke From Reminiscences of Writers. 430 **Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). 431 Charles Lamb to Edward Moxon Mr. Hazlitt's text (Bohn). 432 *Charles Lamb to Bernard Barton From the original (British Museum). 433 Charles Lamb to Thomas Allsop From Harper's Magazine. 434 * Charles Lamb to Edward Moxon From the original. 435 *Charles Lamb to Walter Wilson . From the original (British Museum). 436 **Charles Lamb to T. N. Talfourd . From the original (Dr. Williams' Library). 437 **Charles Lamb to William Wordsworth From the original (Dr. Williams' Library). 438 Mary Lamb to the Thomas Hoods Mr. Hazlitt's text {The Lambs). 439 Charles Lamb to B. R. Haydon . From Taylor's Life of Haydon. [For Letter /\s9^—the translation of a Latin letter from Lamb to John Rickman—see Appendix 77. , page 975.] 440 441 *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Charles Cowden Clarke From Recollections of Writers. 1827. Dec. Dec. 15 ? Dec. Dec. 20 Dec. 22 End of year 1828. Jan. 9 ?Jan. Feb. 18 Feb. 25 Feb. 26 March 19 April 21 May I May 3 May 17 May May ? Summer Aug. Oct. II Oct. XIV CONTENTS PAGE LETTI 782. 442 785. 443 786. 444 787. 445 791. 446 792. 447 793. 448 793- 449 796. 450 798. 451 798. 452 800. 453 8oi. 454 802. 455 803. 456 804. 457 805. 458 806. 459 807. 460 808. 461 809. 462 810. 463 Charles Lamb to Vincent Novello . From Recollections of Writers. Charles Lamb to Thomas Hood . From Hood's Own. Charles Lamb to Edward Moxon Text from Mr. Samuel Davey. ^Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Charles Cowden Clarke From Recollections of Writers. Charles Lamb to T. N. Talfourd . Mr. Hazlitt's text (Bohn). *Charles Lamb to George Dyer From the original (British Museum). Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn). ^Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn) with alterations. Charles Lamb to Thomas Allsop From Harper's Magazine. *Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn) with alterations. *Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn) with alterations. Charles Lamb to B. W. Procter . Mr. Hazlitt's text (Bohn). Charles Lamb to Charles Cowden Clarke . From Recollections of Writers. *Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). Charles Lamb to Samuel Rogers . From Rogers and His Contemporaries, *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Miss Sarah James Text from Mr. Samuel Davey. *Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). *Charles Lamb to Crabb Robinson From the original (Dr. Williams' Library). ^For Letter 461A — Charles Lamb to George Dyet — see Appendix IL, page 978.] Charles Lamb to Thomas Hood . Mr. Hazlitt's text {The Lambs). Charles Lamb to Edward Moxon From The A utographic Mirror, 1828. Nov. 6 Late autumn Dec. Dec. 5 Dec. End of year 1829. ? Jan. Jan. 19 Jan. 22 Jan. 28 Jan. 29 Early in year Feb. 2 Feb. 2 Feb. 27 March 22 March 25 ? April ? April April 17 ? May No date CONTENTS XV PAGE LETTER 8io. 464 8ii. 465 812. 466 813. 467 815. 468 815. 469 - 816. 470 818. 471 818. 472 821. 473 821. 474 824. 475 Charles Lamb to Walter Wilson , Mr. Hazlitt's text (Bohn). *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Thomas AUsop . From Harper's Magazine. *Charles Lamb to Bernard Barton From the original (Britishj Museum). Charles Lamb to Thomas Allsop . From Harper's Magazine. 469 **Charles Lamb to Edward Moxon From the original at Rowfant. Charles Lamb to James Gillman Mr. Hazlitt's text (Bohn). ^Charles Lamb to Vincent Novello From the original (British Museum). Charles Lamb to Walter Wilson . Mr. Hazlitt's text (Bohn). Charles Lamb to James Gillman . Mr. Hazlitt's text (Bohn). Charles Lamb to James Gillman . Mr. Hazlitt's text (Bohn). * Charles Lamb to Bernard Barton From the original (British Museum). 826. 476 831. 477 832. 478 833. 479 834. 480 835- 481 836. 482 837- 483 839. 484 840. 485 *Charles Lamb to William Wordsworth \ **Mary Lamb to Dorothy Wordsworth / From Mr. Gordon Wordsworth's original. *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Mrs. Williams . Mr. Hazlitt's text (The Lambs). Charles Lamb to Mrs. Williams . Mr. Hazlitt's text (The Lambs). Charles Lamb to Sarah Hazlitt . Mr. Hazlitt's text (Bohn). Charles Lamb to Mrs. Williams . Mr. Hazlitt's text (Bohn). Charles Lamb to James Gillman . Mr. Hazlitt's text (Bohn). Charles Lamb to William Ayrton Mr. Hazlitt's text (Bohn). Charles Lamb to Mrs. Williams . Mr. Hazlitt's text {The Lambs). *Charles Lamb to Mrs. Williams . . From the original in the possession of Mr. Thompson. 1829. . May 28 . June 3 , See note . July 25 . Late July . Sept. 22 . Oct. 26 . Nov. 10 . Nov. 15 . ? Nov. 29 . Nov. 30 . Dec. 8 1830. Jan. 22 . Feb. 25 . Feb. 26 . March i . March 4 . March 5 . March 8 . March 14 . March 22 . April 2 Yates XVI CONTENTS PAGE LETTER 842. 486 843. 487 843. 488 844. 489 846. 490 847. 491 851. 492 * 852. 493 852. 494 853. 495 853. 496 856. 497 857. 498 858. 499 860. 500 861. 501 861. 502 862. 503 ' 863. 504 864. 505 866. 506 868. 507 871. 508 Charles Lamb to Mrs. Williams . From the original. Charles Lamb to James Gillman . Mr. Hazlitt's text (Bohn). Charles Lamb to James Vale Asbury From The Athceneum. Charles Lamb to James Vale Asbury By permission of Mr. Edward Hartley. Charles Lamb to Mrs. Williams . Mr. Hazlitt's text {The Lambs). Charles Lamb to Robert Southey Mr. Hazlitt's text (Bohn). 492 ** Charles Lamb to Edward Moxon From the original at Rowfant. *Charles Lamb to Vincent Novello From the original (British Museum). *Charles Lamb to Vincent Novello From the original (British Museum). Charles Lamb to William Hone . Mr. Hazlitt's text (Bohn). Charles Lamb to Sarah Hazlitt . Mr. Hazlitt's text (Bohn). Charles Lamb to Sarah Hazlitt . Mr. Hazlitt's text (Bohn). *Charles Lamb to Bernard Barton From the original (British Museum). *Charles Lamb to Bernard Barton From the original (British Museum). Charles Lamb to Samuel Rogers From Rogers and His Contemporaries. Charles Lamb to Vincent Novello From Recollections of Writers. Charles Lamb to Edward Moxon Mr. Hazlitt's text (Bohn). 503 **Charles Lamb to Edward Moxon From the original at Rowfant. *Charles Lamb to George Dyer Mr. Hazlitt's text (Bohn) with alterations. *Charles Lamb to Edward Moxon From the original (South Kensington). *Charles Lamb to Edward Moxon From the original at Rowfant. Charles Lamb to George Dyer Mr. Hazlitt's text (Bohn). ^Charles Lamb to Bernard Barton From the original (British Museum). 1830. . April 9 ? Spring ? April No date April 21 May 10 May 12 May 14 May May 21 May 24 June 3 June 28 Aug. 30 Oct. 5 Nov. 8 Nov. 12 ?Dec. Dec. 20 ? Christmas 1831. . Feb. 3 . Feb. 22 . April 30 CONTENTS xvii PAGE LETTER 873. 509 Charles Lamb to H. F. Gary Mr. Hazlitt's text (Bohn). 1831. . May 6 874. 510 **Charles Lamb to Edward Moxon From the original at Rowfant. . July 14 877. 511 "Charles Lamb to Edward Moxon From the original at Rowfant. . Early Aug. 878. 512 "Charles Lamb to Edward Moxon From the original at Rowfant. . Aug. 5 879. 513 * Charles Lamb to Edward Moxon From the original at Rowfant. . Sept. 5 880. 514 Charles Lamb to William Hazlitt, junior . Mr. Hazlitt's text {Lamb and Hazlitt). . Sept. 13 880. 515 * Charles Lamb to Edward Moxon From the original at Rowfant. . Oct. 24 882. 516 **Charles Lamb to Edward Moxon From the original at Rowfant. . Dec. 15 883. 517 Charles Lamb to Joseph Hume's daughters Mr. Hazlitt's text {The Lambs). 1832. . No date 884. 518 "■"Charles Lamb to C. W. Dilke . From Sir Charles Dilke's original. . March 5 885. 519 Charles Lamb to S. T. Coleridge Mr. Hazlitt's text (Bohn). . April 14 886. 520 Charles Lamb to James Sheridan Knowles . From the original (South Kensington). . ? April 886. 521 Charles Lamb to John Forster From the original (South Kensington). . ? Late April 887. 522 "Charles Lamb to Edward Moxon ? From the original (South Kensington). . June I 887. 523 ""Charles Lamb to Walter Wilson . From the original in the Bodleian, . Aug. 888. 524 Charles Lamb to Crabb Robinson From the original (South Kensington). . ? Early Oct. 889. 525 "Charles Lamb to Walter Savage Landor . From the original (South Kensington). . Oct. 891. 526 *"Charles Lamb to Edward Moxon From the original at Rowfant. . Late in year 891. 527 Charles Lamb to Edward Moxon Mr. Hazlitt's text (Bohn). . Winter 893. 528 "Charles Lamb to Edward Moxon From the original (South Kensington). . Dec. 894. 529 VOL. "Charles Lamb to John Forster . From the original (South Kensington). VIL — b . Dec. 23 XVlll CONTENTS PAGE LETTER 894. 895. 895. 896. 896. 896. 897. 898. 898. 899. 900. 900. 901. 902. 902. 903. 904. 904. 905. 906. 906. 907. 530 531 532 533 534 536 537 538 *CharIes Lamb to Edward Moxon From Sir Charles Dilke's original. *Charles Lamb to Edward Moxon From the original at Rowfant. *Charles Lamb to John Forster From the original (South Kensington). Charles Lamb to John Forster From the original (South Kensington). *Charles Lamb to John Forster From the original (South Kensington). 535 * ''Charles Lamb to Edward Moxon From the original at Rowfant. *Charles Lamb to Edward Moxon From the original (South Kensington). Charles Lamb to Edward Moxon From the original (South Kensington). Charles Lamb to T. N. Talfourd . Mr. Hazlitt's text (Bohn). 539 **Charles Lamb to Edward Moxon From the original in the possession of Mr. Henry Poulton. 540 *Charles Lamb to C. W. Dilke From Sir Charles Dilke's original. 541 ' *Charles Lamb to Edward Moxon From the original at Rowfant. 542 Charles Lamb to B. W. Procter . From Procter's Autobiographical Fragment. 543 ^Charles Lamb to William Hone . From the original (National Portrait Gallery). 544 *Charles Lamb to Edward Moxon From the original (South Kensington). 545 *Charles Lamb to Edward Moxon From the original (South Kensington). 546 *Charles Lamb to Edward Moxon From the original at Rowfant. 547 ^Charles Lamb to Edward Moxon From the original at Rowfant. 548 ^Charles Lamb to John Forster From the original (South Kensington). 549 *Charles Lamb to Edward Moxon From the original at Rowfant. 550 "^Charles Lamb to C. W. Dilke . From Sir Charles Dilke's original. 551 **Charles Lamb to Mrs. William Ayrton From the original, lately in the possession of Mr. Edward Ayrton. 1833. Jan. Jan. 3 No date No date No date Jan. 24 Feb. II Feb. Feb. No date Feb. Early in year No date March 6 March 19 ? Spring March 30 Spring ? March ? April 10 April April 16 CONTENTS XIX PAGE 908. 908, 909. 910. gii 911. 9^3- 913- 914, 915. 916. 917. 918. 919. 920. 923- 923- 926. 926. 926. 927. LETTER 552 *Charles Lamb to Edward Moxon From the original at Rowfant. 553 *Charles Lamb to Edward Moxon From the original at Rowfant. 554 Charles Lamb to the Rev. James Gilltnan 555 ^Charles Lamb to John Forster From the original (South Kensington). 556 ^Charles Lamb to John Forster From the original (South Kensington). 557 * Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. 558 *Charles Lamb to Sarah Hazlitt . Mr. Hazlitt's text (Bohn) with alterations. 559 Charles Lamb to Matilda Betham From Fr user's Magazine. 560 **Charles Lamb to Edward Moxon . From the original at Rowfant. 561 **Charles Lamb to Edward Moxon From the original at Rowfant. 562 *Charles and Mary Lamb to Edward and Emma Moxon ........ From the original at Rowfant. 563 Charles Lamb to H. F. Cary .... Mr. Hazlitt's text (Bohn). 564 *Charles and Mary Lamb to Edward Moxon From the original at Rowfant. 565 **Charles Lamb to Edward Moxon From the original at Rowfant. 566 Charles Lamb to Edward and Emma Moxon Mr. Hazlitt's text (Bohn). 567 **Charles Lamb to C. W. Dilke .... From Sir Charles Dilke's original. 568 *Charles Lamb to Samuel Rogers .... From Rogers and His Contemporaries, 569 570 572 927- 573 Charles Lamb to C. W. Dilke .... From Sir Charles Dilke's original. Charles Lamb to C. W. Dilke .... From Sir Charles Dilke's original. Charles Lamb to C. W. Dilke .... From Sir Charles Dilke's original. *Charles Lamb to Mary Betham .... From the original in the possession of Mr. B. B. Mac- george. ^Charles Lamb to Edward Moxon From the original (South Kensington). 1833. April 25 April 27 May 7 May May 12 End of May May 31 June July 14 July 24 ? July 31 Sept. 9 Sept. 26 Oct. 17 Nov. 29 Mid. Dec. Dec. 21 1834. No date No date Spring Jan. 24 Jan. 28 XX CONTENTS PAGE LETTER 928. 574 929. 575 930. 576 932. 577 932. 578 932. 579 934- 580 936. 581 937. 582 938. 583 938. 584 940. 585 941. 586 942. 587 943« 944- Charles Lamb to Miss Fryer . . . • Mr. Hazlitt's text (Bohn). ^'Charles Lamb to Miss Fryer .... From the original in the possession of Mr. A. M. S. Methuen. Charles Lamb to William Wordsworth From Mr. Gordon Wordsworth's original. Charles Lamb to Charles Cowden Clarke {fragment) ....... From the Life and Labours of Vincent Novella. *Charles Lamb to John Forster From the original (South Kensington). Charles Lamb to J. Fuller Russell From Notes and Queries. Charles Lamb to J. Fuller Russell From Notes and Queries. Charles Lamb to C. W. Dilke From Sir Charles Dilke's original. Charles Lamb to the Rev. James Gillman Mr. Hazlitt's text (Bohn). Charles and Mary Lamb to H. F. Cary Mr. Hazlitt's text (Bohn). Charles Lamb to H. F. Cary Mr. Hazlitt's text (Bohn). Charles Lamb to H. F. Cary Mr. Hazlitt's text (Bohn). Charles Lamb to Mr. Childs Mr. Hazlitt's text (Bohn). Charles Lamb to Mrs. George Dyer Mr. Hazlitt's text (Bohn). 588 Mary Lamb to Jane Norris . Mr. Hazlitt's itxi {The Lambs). 589 Mary Lamb to Jane Norris . Mr. Hazlitt's text {The Lambs). 944. 590 Miss James to Jane Norris . 1834. Feb. 14 No date Feb. 22 End of June June 25 Summer Summer End of July Aug. 5 Sept. 12 Oct. Oct. 18 ? Dec. Dec. 22 1841. Dec. 25 1842. Oct. 3 1843. July 25 ADDITIONAL LETTERS IN APPENDIX II 970. 170A Charles Lamb to George Dyer From The Mirror, 973* 237A **Charles and Mary Lamb to S. J. Arnold . 973. 246A Charles Lamb to Thomas Allsop . 1808. . Dec. 5 . ? 1819. 1820. • July 13 CONTENTS XXI PAGE LETTER 974* 359A Charles Lamb to John Aitken 975- 439 A *Charles Lamb to John Rickman (translation) 978. 461 A Charles Lamb to George Dyer . From The Mirror. 1825. Julys 1828. Oct. 3 1829. April 29 CONTENTS OF APPENDIX I Coleridge's ** Ode on the Departing Year " Wither's " Supersedeas " Dyer's *' Poetic Sympathies " (fragment) . Haydon's Party (from Taylor's Life of Hay don) Southey's *' To the Chapel Bell" .... Barton's *' Spiritual Law" Barton's *' Translation of Enoch " .... Talfourd's *• Verses in Memory of a Child Named Charles Lamb FitzGerald's " Meadows in Spring" .... Montgomery's " The Common Lot "... Barry Cornwall's " Epistle to Charles Lamb " . PAGE 947 950 951 954 956 957 957 958 960 961 962 CONTENTS OF APPENDIX III Notes on Vol. L Early Journalism, L . Grand State Bed Early Journalism, IL . A Fable for Twelfth Day Miss Kelly *' Letter to an Old Gentleman " (note) " Letter to Southey " (note) Hood's Progress of Cant . Mr. Ephraim Wagstaff Waltham, Essex " Mrs. Battle" (note) ** Praise of Chimney-Sweepers " (note) '' The Tombs in the Abbey " (note) . Lamb's Earliest Poem Dick Strype *' Farewell to Tobacco " (note) *' Harmony in Unlikeness " (note) . " To Emma" (note) .... 979 980 980 980 980 981 982 982 983 984 986 986 987 987 988 989 990 992 992 xxii CONTENTS PAGE A New Epigram 992 ** On the Literary Gazette " (note) 992 *' Prologue to * Remorse ' " (note) 993 " Mr. H." (note) 994 A New Poem . 995 Sapphics ............. 995 A Poem Possibly by Lamb ......... 996 ALPHABETICAL LIST OF LETTERS 997 INDEX . 1008 LIST OF ILLUSTRATIONS Charles Lamb. From the drawing by Thomas Wageman about 1825 5 reproduced by permission of Mr. F. W. Halsey Frontispiece Facsimile of a Note from Lamb to Mrs. William Ayrton. From the original lent by the late W. S. Ayr ton To face page 550 The Bellows Portrait of Shakespeare. From the original in the possession of Mr. B. B. Macgeorge . „ ,, 574 Mr. Alexander Pope, ^Etat. 38. From the painting by M. Dahll n „ 606 Reduced Facsimile of Letter from Lamb to Sarah Hutchinson. From the original in the possession of Mr. Gordon Wordsworth n i> ^^^ Reduced Facsimile of Letter from Lamb to Sarah Hutchinson (Page 2). From the original in the possession of Mr. Gordon Wordsworth ... >» »» ^^° Lamb's House in Colebrooke Row, Islington, as it is TO-DAY (1904) » »» "20 Death of the Wicked Man. Plate from Blair's Grave, designed by William Blake »» ?» ^44 Charles Lamb, Aged 50. From the etching by Brook Pulham (First State) „ m 7o6 **Very Deaf Indeed," by Thomas Hood »» 7o6 HOLLINGDON RURAL ChURCH '» 7^9 The Young Catechist. Painted and engraved by Henry Meyer To face page 728 The Picture sent by Lamb to Bernard Barton. From the original in the possession of Mrs. Edmund Lyons . „ „ 73o Mary Lamb, by Thomas Hood »» 734 Lamb's First House at Enfield »» 754 The Lamb Country. From a map drawn by Miss M. C. G. Jackson ^^ /^^^ ^^^^ 792 Westwood Cottage (front) »» ^7 Westwood Cottage (back) »' ^ Thomas Westwood, by Charles Lamb »» ^9 Lamb's House at Edmonton » 9io xxiii THE LETTERS OF CHARLES AND MARY LAMB 1821—1834 LETTER 252 CHARLES LAMB TO MRS. WILLIAM AYRTON [Dated at end : Jan. 23, 1821.] DEAR Mrs. Ayrton, my sister desires me, as being a more ex- pert penman than herself, to say that she saw Mrs. Paris yesterday, and that she is very much out of spirits, and has expressed a great wish to see your son Wilham, and Fanny I Hke to write that word Fanny, I do not know but it was one reason of taking upon me this pleasing task Moreover that if the said William and Frances will go and sit an hour with her at any time, she will engage that no one else shall see them but herself, and the servant who opens the door, she being confined to her private room. I trust you and the Juveniles will comply with this reasonable request. & am Dear Mrs. Ayrton your's and yours' Truly C. Lamb. Cov. Gar. 23 Jan. 1821. Note [Mrs. Ayrton {n4e Arnold) was the wife of William Ayrton, the musical critic (see Letter 223).] LETTER 253 CHARLES LAMB TO MISS HUMPHREYS London 27 Jany. 182 1. DEAR Madam, Carriages to Cambridge are in such request, owing to the Installation, that we have found it impossible to procure a conveyance for Emma before Wednesday, on which VOL. VII. — 36 550 LETTERS OF C. AND M. LAMB March day between the hours of 3 and 4 in the afternoon you will see your little friend, with her bloom somewhat impaired by late hours and dissipation, but her gait, gesture, and general manners (I flatter myself) considerably improved by somebody that shall he nameless. My sister joins me in love to all true Trumpingtonians, not specifying any, to avoid envy ; and begs me to assure you that Emma has been a very good girl, which, with certain limitations, I must myself subscribe to. I wish I could cure her of making dog's ears in books, and pinching them on poor Pompey, who, for one, I dare say, will heartily rejoyce at her departure. Dear Madam, Yours truly foolish C. L. Note [The letter is addressed to " Miss Humphreys, with Mrs. Paris, Trumpington Street, Cambridge." Franked by J. Rickman. This letter contains the first reference in the correspondence to Emma Isola, daughter of Charles Isola, Esquire Bedell of Cam- bridge University, and granddaughter of Agostino Isola, the Italian critic and teacher, of Cambridge, among whose pupils had been Wordsworth. Miss Humphreys was Emma Isola's aunt. Emma seems to have been brought to London by Mrs. Paris and left with the Lambs. Pompey seems to have been the Lambs' first dog. Later, as we shall see, they adopted Dash.] LETTER 254 CHARLES LAMB TO MRS. WILLIAM AYRTON [^See facsimile on opposite page] [Dated at end : March 15, 1821.] DEAR Madam, We are out of town of necessity till Wednesday next, when we hope to see one of you at least to a rubber. On some future Saturday we shall most gladly accept your kind offer. When I read your delicate little note, Tam ashamed of my great staring letters. Yours most truly Charles Lamb. Dalston near Hackney 15 Mar. 1831, ft/Zri^ :>aJu^*^^ ut. iiuJl yf^^r fZmJJi^ ii.c^Mj' y^u4 k*^d ^{■{v^.. (Jt^ FACSIMILE OF A NOTE FROM LAMB TO MRS. WILLIAM AYRTON FROM THE OKIGINAL LENT BY THE LATE W. S. AYRTON 1821 THREE NOTES 551 LETTER 255 CHARLES LAMB TO THOMAS ALLSOP 30 March, 1821. MY dear Sir — If you can come next Sunday we shall be equally glad to see you, but do not trust to any of Martin's appoint- ments, except on business, in future. He is notoriously faithless in that point, and we did wrong not to have warned you. Leg of Lamb, as before ; hot at 4. And the heart of Lamb ever. Yours truly, C. L. LETTER 256 CHARLES LAMB TO LEIGH HUNT Indifferent Wednesday [April 18], 1821. DEAR Hunt, — There was a sort of side talk at Mr. Novello's about our spending Good Friday at Hampstead, but my sister has got so bad a cold, and we both want rest so much, that you shall excuse our putting off the visit some little time longer. Perhaps, after all, you know nothing of it. — Believe me, yours truly, C. Lamb. LETTER 257 CHARLES LAMB TO S. T. COLERIDGE May ist [1821], Mr. Gilman*s, Highgate. MR C. — I will not fail you on Friday by six, and Mary, perhaps, earlier. I very much wish to meet " Master Mathew," and am much obliged to the G s for the opportunity. Our kind respects to them always. — Elia. Extract from a MS. note of S. T. C. in my Beaumont and Fletcher, dated April 17th 1807. Midnight, " God bless you, dear Charles Lamb, I am dying ; I feel I have not many weeks left." 552 LETTERS OF C. AND M. LAMB May Note [Master Mathew is in Ben Jonson's " Every Man in His Humour." Lamb's "Beaumont and Fletcher," is in the British Museum. The note quoted by Lamb is not there, or perhaps it is one that has been crossed out. This still remains: " N.B. I shall not be long here, Charles! I gone, you will not mind my having spoiled a book in order to leave a Relic. S. T. C, Oct. 1811." LETTER 258 CHARLES LAMB TO JAMES GILLMAN [Dated at end: 2 May, 1821.] DEAR Sir — You dine so late on Friday, it will be impossible for us to go home by the eight o'clock stage. Will you oblige us by securing us beds at some house from which a stage goes to the Bank in the morning ? I would write to Coleridge, but cannot think of troubling a dying man with such a request. Yours truly, C. Lamb. If the beds in the town are all engaged, in consequence of Mr. Mathews's appearance, a hackney-coach will serve. Wednesy. 2 May '21. We shall neither of us come much before the time. Note [Mrs. Mathews (who was half-sister of Fanny Kelly) described this evening in her Memoirs of her husband, 1839. Her account of Lamb is interesting : — Mr. Lamb's first approach was not prepossessing. His figure was small and mean ; and no man certainly was ever less beholden to his tailor. His " bran " new suit of black cloth (in which he afifected several times during the day to take great pride, and to cherish as a novelty that he had long looked for and wanted) was droUy contrasted with his very rusty silk stockings, shown from his knees, and his much too large thick shoes, without polish. His shirt rejoiced in a wide ill-plaited frill, and his very small, tight, white neckcloth was hemmed to a fine point at the ends that formed part of the little bow. His hair was black and sleek, but not formal, and his face the gravest I ever saw, but indicating great intellect', and re- sembling very much the portraits of King Charles I. Mr. Coleridge was very anxious about his pet Larnb's first impression upon my husband, which I believe his friend saw ; and guessing that he had been extolled, he mischievously resolved to thwart his panegyrist, disappoint the strangers, and altogether to upset the sus- pected plan of showing him off. 1821 COLLIER'S ''POETICAL DECAMERON" 553 The Mathews' were then living at Ivy Cottage, only a short dis- tance from the Grove, Highgate, where the famous Mathews collec- tion of pictures was to be seen of which Lamb subsequently wrote in the London Magazine,"] LETTER 259 CHARLES LAMB TO JOHN PAYNE COLLIER May i6, 1821. DEAR J. P. C.,— Many thanks for the " Decameron : " I have not such a gentleman's book in my collection : it was a great treat to me, and I got it just as I was wanting something of the sort. I take less pleasure in books than heretofore, but I like books about books. In the second volume, in particular, are treasures — your discoveries about " Twelfth Night," etc. What a Shakespearian essence that speech of Osrades for food ! — Shakespeare is coarse to it — beginning " Forbear and eat no more." Osrades warms up to that, but does not set out ruffian-swaggerer. The character of the Ass with those three lines, worthy to be set in gilt vellum, and worn in frontlets by the noble beasts for ever — " Thou would, perhaps, he should become thy foe, And to that end dost beat him many times : He cares not for himself, much less thy blow." Cervantes, Sterne, and Coleridge, have said positively nothing for asses compared with this. I write in haste; but p. 24, vol. i., the line you cannot appropri- ate is Gray's sonnet, specimenifyed by Wordsworth in first preface to L. B., as mixed of bad and good style : p. 143, 2nd vol., you will find last poem but one of the collection on Sidney's death in Spenser, the line, " Scipio, Caesar, Petrarch of our time." This fixes it to be Raleigh's : I had guess'd it to be Daniel's. The last after it, " Silence augmenteth rage," I will be crucified if it be not Lord Brooke's. Hang you, and all meddling researchers, hereafter, that by raking into learned dust may find me out wrong in my conjecture ! Dear J. P. C, I shall take the first opportunity of personally thanking you for my entertainment. We are at Dalston for the VOL. VII. — 37 554 LETTERS OF C. AND M. LAMB May most part, but I fully hope for an evening soon with you in Russell or Bouverie Street, to talk over old times and books. Remember us kindly to Mrs. J. P. C. Yours very kindly, Charles Lamb. I write in misery. N.B. — The best pen I could borrow at our butcher's : the ink, I verily believe, came out of the kennel. Note [Collier's Poetical Decameron^ in two volumes, was published in 1820 : a series of imaginary conversations on curious and little- known books. His " Twelfth Night " discoveries will be found in the Eighth Conversation ; Collier deduces the play from Bamaby Rich's Farewell to Military Profession^ 1606. He also describes Thomas Lodge's " Rosalynde," the forerunner of " As You Like It," in which is the character Rosader, whom Lamb calls Osrades. His speech for food runs thus : — It hapned that day that Gerismond^ the lawfull king of France banished by Torismondy who with a lustie crew of outlawes Hued in that Forrest, that day in honour of his birth, made a feast to all his bolde yeomen, and frolickt it with store of wine and venison, sitting all at a long table vnder the shadow of Limon trees : to that place by chance fortune conducted Rosader^ who seeing such a crew of braue men, hauing store of that for want of which hee and Adam perished, hee stept boldly to the boords end, and saluted the Company thus. — Whatsoeuer thou be that art maister of these lustie squires, I salute thee as graciously as a man in extreame distresse may : knowe that I and a fellow friend of mine, are here famished in the forrest for want of foode : perish we must, vnlesse relieued by thy fauours. Therefore if thou be a Gentleman, giue meate to men, and such as are euery way worthie of life : let the proudest Squire that sits at thy table rise and encounter with me in any honourable point of activitie whatsoeuer, and if he and thou proue me not a man, send mee away comfortlesse : if thou refuse this, as a niggard of thy cates, I will haue amongst you with my sword, for rather wil I die valiantly, then perish with so cowardly an extreame (Collier's Poetical Decafneron, 174, Eighth Conversation). Lamb compares with that the passage in " As You Like It," H., 7, 88, beginning with Orlando's " Forbear, and eat no more." The character of the ass is quoted by Collier from an old book. The Noblenesse of the Asse^ 1595, in the Third Conversation : — Thou wouldst (perhaps) he should become thy foe, And to that end doost beat him many times ; He cares not for himselfe, much lesse thy blowe. Lamb wrote more fully of this passage in an article on the ass contributed to Hone's Every-Day Book in 1825 (see Vol. L of the present edition, page 303). The line from Gray's sonnet on the death of Mr. Richard W^st was this : — And weep the more because I weep in vain. 1821 JOHN SCOTT'S DEATH 555 " Scipio, Caesar," etc. This line runs, in the epitaph on Sidney, beginning " To praise thy Hfe "— Scipio, Cicero, and Petrarch of our time 1 It is generally supposed to be by Raleigh. The next poem, ''Silence Augmenteth Grief," is attributed by Malone to Sir Edward Dyer, and by Hannah to Raleigh,] LETTER 260 CHARLES LAMB TO B. W. PROCTER [No date. ? Summer, 1821.] DEAR Sir, The Wits (as Clare calls us) assemble at my Cell (20 Russell St. Cov.-Gar.) this evening at I before 7. Cold meat at 9. Puns at — a little after. Mr. Cary wants to see you, to scold you. I hope you will not fail. Yours &c. &c. &c. C. Lamb. Thursday. I am sorry the London Magazine is going to be given up. Note [I assume the date of this note to be summer, 1821, because it was then that Baldwin, Cradock & Joy, the London Magazine's first publishers, gave it up. The reason was the death of John Scott, the editor, and probably to a large extent the originator, of the magazine. It was sold to Taylor & Hessey, their first number being dated July, 1821. Scott had become involved in a quarrel with Blackwood^ which reached such a pitch that a duel was fought, between Scott and Christie, a friend of Lockhart's. The whole story, which is in- volved, and indeed not wholly clear, need not be told here : it will be found in Mr. Lang's memoir of Lockhart. The meeting was held at Chalk Farm on February 16, 1821. Peter George Patmore, sub-editor of the London^ was Scott's second. Scott fell, wounded by a shot which Christie fired purely in self-defence. He died on February 27. 556 LETTERS OF C. AND M. LAMB June Mr. Gary. Henry Francis Gary the translator of Dante and a contributor to the London Magazine, The London Magazine had four periods. From 1820 to the middle of 1821, when it was Baldwin, Gradock & Joy's. From 1821 to the end of 1824, when it was Taylor & Hesse/s at a shilling. From January, 1825, to August of that year, when it was Taylor & Hessey's at half-a-crown ; and from September, 1825, to the end, when it was Henry Southern's, and was published by Hunt & Glarke.] LETTER 261 CHARLES LAMB TO JOHN TAYLOR Margate, June 8, 1821. DEAR Sir, — I am extremely soiTy to be obliged to decline the article proposed, as I should have been flattered with a Plate accompanying it. In the first place, Midsummer day is not a topic I could make anything of — I am so pure a Gockney, and little read, besides, in May games and antiquities ; and, in the second, I am here at Margate, spoiling my holydays with a Review I have undertaken for a friend, which I shall barely get through before my return ; for that sort of work is a hard task to me. If you will excuse the shortness of my first contribution — and I know I can promise nothing more for July — I will endeavour a longer article for our next. Will you permit me to say that I think Leigh Hunt would do the article you propose in a masterly manner, if he has not out writ himself already upon the subject. I do not return the proof — to save postage — because it is correct, with ONE EXCEPTION. In the stanza from Wordsworth, you have changed day into air for rhyme-sake : day is the rifi^ht readino-, and I IMPLORE you to restore it. The other passage, which you have queried, is to my ear correct. Pray let it stand. Dr Sr, yours truly, G. Lamb. On second consideration, I do enclose the proof. Note [John Taylor (1781-1864), the publisher, with Hessey, of the London Magazine was, in 1813, the first publicly to identify Sir Philip Francis with Junius. Taylor acted as editor of the London 1821 IMPERFECT SYMPATHIES 657 Magazine from 1821 to 1824, assisted by Thomas Hood. Later his interests were centred in currency questions. "' I am here at Margate." I do not know what review Lamb was writing. If written and published it has not been reprinted. It was on this visit to Margate that Lamb met Charles Cowden Clarke. " My first contribution." The first number to bear Taylor & Hessey's name was dated July, but they had presumably acquired the rights in the magazine before then. Lamb's first contribution to the London Magazine had been in August, 1820, "The South-Sea House." The proof which Lamb returned was that of the Elia essay on " Mackery End in Hertfordshire," printed in the July number of the London Magazine^ in which he quoted a stanza from Words- worth's " Yarrow Visited " : — But thou, that didst appear so fair To fond imagination, Dost rival in the light of day Her delicate creation. Here should come a scrap from Lamb to Ayrton, dated July 17, 1821, referring to the Coronation. Lamb says that in con- sequence of this event he is postponing his Wednesday evening to Friday.] LETTER 262 CHARLES LAMB TO JOHN TAYLOR July 21, 1821. D^ Sir, — The Lond, Mag. is, chiefly pleasant to me, because some of my friends write in it. I hope Hazlitt intends to go on with it, we cannot spare Table Talk. For myself I feel almost exhausted, but I will try my hand a little longer, and shall not at all events be written out of it by newspaper paragraphs. Your proofs do not seem to want my helping hand, they are quite correct always. For God's sake change Sisera to JaeL This last paper will be a choke-pear I fear to some people, but as you do not object to it, I can be under little apprehension of your exerting your Censorship too rigidly. Thanking you for your extract from M^. E.'s letter, I remain, D^ Sir, Your obliged, C. Lamb. 558 LETTERS OF C. AND M. LAMB 1821 Note [Hazlitt continued his Table Talk in the London Magazine until December, 1821. Lamb seems to have been treated fooHshly by some newspaper critic ; but I have not traced the paragraphs in question. The proof was that of the Elia essay " Imperfect Sympathies/' which was printed (with a fuller title) in the number for August, 1821. The reference to Jael is in the passage on Braham and the Jewish character. I do not identify Mr. E. Possibly Elton. Here should come a further letter to Taylor, dated July 30, 1821, not available for this edition, in which Lamb refers to some verses addressed to him by " Olen " (Charles Abraham Elton : see note to Letter 333) in the London Magazine for August, re- monstrating with him for the pessimism of the Elia essay " New Year's Eve" (see Vol. II. of this edition, page 328). / Lamb also remarks that he borrowed the name Elia (pronounced ^ Ellia) from an old South-Sea House clerk who is now dead.] LETTER 263 CHARLES LAMB TO CHARLES COWDEN CLARKE [Summer, 1821.] MY dear Sir — Your letter has lain in a drawer of my desk, up- braiding me every time I open the said drawer, but it is almost impossible to answer such a letter in such a place, and I am out of the habit of replying to epistles otherwhere than at office. You express yourself concerning H. like a true friend, and have made me feel that I have somehow neglected him, but without knowing very well how to rectify it. I live so remote from him — by Hackney — that he is almost out of the pale of visitation at Hampstead. And I come but seldom to Govt Gard^^ this summer time — and when I do, am sure to pay for the late hours and pleasant Novello suppers which I incur. I also am an invalid. But I will hit upon some way, that you shall not have cause for your reproof in future. But do not think I take the hint unkindly. When I shall be brought low by any sickness or untoward circum- stance, write just such a letter to some tardy friend of mine or come up yourself with your friendly Henshaw face — and that will be better. I shall not forget in haste our casual day at Margate. May we have many such there or elsewhere ! God bless you for 1821 CHARLES COWDEN CLARKE 559 your kindness to H., which I will remember. But do not show N. this, for the flouting infidel doth mock when Christians cry God bless us. Yours and his, too, and all our little circle's most affect^. C. Lamb. Mary's love included. Note [Charles Cowden Clarke (1787-1877) was the son of a school- master who had served as usher with George Dyer at Northampton. Afterwards he established a school at Enfield, where Keats was one of the scholars. Charles Cowden Clarke, at this time a bookseller, remained one of Keats' friends and was a friend also of Leigh Hunt's, on whose behalf he seems to have written to Lamb. Later he became a partner of Alfred Novello, the musical publisher, son of Vincent Novello. In 1828 he married Mary Victoria Novello. " Friendly Henshaw face." I cannot explain this. Leigh Hunt left England for Italy in November, 1821, to join Shelley and Byron.] LETTER 264 MARY LAMB TO MRS. WILLIAM AYRTON ]\ /r Y dear friend. [No date. ? 1821.] Thursday Morning. _ __ The kind interest you took in my perplexities of yester- day makes me feel that you will be well pleased to hear I got through my complicated business far better than I had ventured to hope I should do. In the first place let me thank you, my good friend, for your good advice ; for, had I not gone to Martin first he would have sent a senseless letter to Mr. Rickman, and now he is coming here to-day in order to frame one in conjunction with my brother. What will be Mr. Rickman's final determination I know not, but he and Mrs. Rickman both gave me a most kind reception, and a most patient hearing, and then Mr. R. walked with me as far as Bishopsgate Street, conversing the whole way on the same unhappy subject. I will see you again the very first opportunity till when farewel with grateful thanks. How senseless I was not to make you go back in that empty coach. I never have but one idea in my poor head at a time. Yours affectionately M. Lamb. at Mr. Coston's No, 14 Kingsland Row Dalston. 560 LETTERS OF C. AND M. LAMB 1821 Note [The explanation of this letter is found in an entry in Crabb Robinson's Diary ^ the unpublished portion, which tells us that owing to certain irregularities Rickman, who was Clerk Assistant at the table of the House of Commons, had been obliged to dis- charge Martin Burney, who was one of his clerks. Here should come another scrap from Lamb to Ayrton, dated August 14, stating that at to-morrow's rubber the windows will be closed on account of Her Majesty's death. Her Majesty was Queen Caroline, whom Lamb had championed. She died on August 7. Here should come an unavailable letter from Lamb to AUsop, dated October 19, 1821. In it Lamb thanks AUsop for a hare, which had come as from Mr. Alfourd. Lamb decides to divide his gratitude between Allsop and Talfourd. Mary Lamb, he says, has been and is ill. They are at Dalston. The subscription is Piscatorum Amicus, C. L.] LETTER 265 CHARLES LAMB TO WILLIAM AYRTON [Oct. 27, 1821.] I COME, Grimalkin ! Dalston, near Hackney, 27th Oct^. One thousand 8 hundred and twenty one years and a wee-bit since you and I were redeemed. I doubt if you are done properly yet. Note [A further letter to Ayrton, dated from Dalston, October 30, is printed by Mr. Macdonald, in which Lamb speaks of his sister's illness and the death of his brother John, who died on October 26, aged fifty-eight. It is reasonable to suppose that Lamb, when the above note was wi-itten, was unaware of his brother's death (see note to Letter 267 on page 564). On October 26, however, he had written to the editor of the London Magazine saying that he was most uncomfortably situated at home and expecting some trouble which might prevent further writing for some time — which may have been an allusion to his brother's illness or to signs of Mary Lamb's approaching malady. Here should come a note to William Hone, printed by Mr. Macdonald, evidently in reply to a comment on Lamb's essay on " Saying Grace." Also a letter to Rickman. See Appendix II., page 974.] 1822 ROAST PIG 561 LETTER 266 CHARLES LAMB TO S. T. COLERIDGE March gth, 1822. DEAR C, — It gives me great satisfaction to hear that the pig turned out so well — they are interesting creatures at a certain age — what a pity such buds should blow out into the maturity of rank bacon ! You had all some of the crackling — and brain sauce — did you remember to rub it with butter, and gently dredge it a little, just before the crisis ? Did the eyes come away kindly with no (Edipean avulsion ? Was the crackling the colour of the ripe pomegranate? Had you no complement of boiled neck of mutton before it, to blunt the edge of delicate desire ? Did you flesh maiden teeth in it ? Not that I sent the pig, or can form the remotest guess what part Owen could play in the business. I never knew him give anything away in my life. He would not begin with strangers. I suspect the pig, after all, was meant for me ; but at the unlucky juncture of time being absent, the present somehow went round to Highgate. To confess an honest truth, a pig is one of those things I could never think of sending away. Teals, wigeons, snipes, barn-door fowl, ducks, geese — your tame villatic things — Welsh mutton, collars of brawn, sturgeon, fresh or pickled, your potted char, Swiss cheeses, French pies, early grapes, muscadines, I impart as freely unto my friends as to myself. They are but self-extended ; but pardon me if I stop somewhere — where the fine feeling of benevolence giveth a higher smack than the sensual rarity — there my friends (or any good man) may command me ; but pigs are pigs, and I myself therein am nearest to myself. Nay, I should think it an affront, an undervaluing done to Nature who bestowed such a boon upon me, if in a churlish mood I parted with the precious gift. One of the bitterest pangs of remorse I ever felt was when a child — when my kind old aunt had strained her pocket-strings to bestow a sixpenny whole plum-cake upon me. In my way home through the Borough, I met a venerable old man, not a mendicant, but thereabouts — a look-beggar, not a verbal petitionist; and in the coxcombry of taught-charity I gave away the cake to him. I walked on a little in all the pride of an Evangelical peacock, when of a sudden my old aunt's kindness crossed me — the sum it was to her — the pleasure she had a right to expect that I — not the old impostor — should take in eating her cake — the cursed ingratitude by which, under the colour of a Christian virtue, I had frustrated VOL. VII. — 38 562 LETTERS OF C. AND M. LAMB March her cherished purpose. I sobbed, wept, and took it to heart so grievously, that I think I never suffered the Hke — and I was right. It was a piece of unfeehng hypocrisy, and proved a lesson to me ever after. The cake has long been masticated, consigned to dung- hill with the ashes of that unseasonable pauper. But when Providence, who is better to us all than our aunts, gives me a pig, remembering my temptation and my fall, I shall endeavour to act towards it more in the spirit of the donor's pur- pose. Yours (short of pig) to command in everything. C. L. Note [This letter probably led to the immediate composition of the Elia essay " A Dissertation on Roast Pig " (see Vol. II. of the present edition, page 120), which was printed in the London Magazine for September, 1822. See also " Thoughts on Presents of Game," Vol. I. of this edition, page 343. " CEdipean avulsion." CEdipus, King of Thebes, in a passion of grief put out his eyes. " Owen." Lamb's landlord in Russell Street. " Tame villatic things " — Sarason Agonistes, 1695, " tame vil- latic fowl." Villatic means belonging to a village. "My kind old aunt . . . the Borough." This is rather per- plexing. Lamb, to the best of our knowledge, never as a child lived anywhere but in the Temple. His only aunt of whom we know anything lived with the family also in the Temple. But John Lamb's will proves Lamb to have had two aunts. The reference to the Borough suggests therefore that the aunt in question was not Sarah Lamb (Aunt Hetty) but her sister.] LETTER 267 CHARLES LAMB TO WILLIAM WORDSWORTH 2oth March, 1822. MY dear Wordsworth — A letter from you is very grateful, I have not seen a Kendal postmark so long ! We are pretty well save coJds and rheumatics, and a certain deadness to every thing, which I think I may date from poor John's Loss, and another accident or two at the same time, that has made me almost bury myself at Dalston, where yet I see more faces than I could wish. Deaths over-set one and put one out long after the recent grief. 1822 DEATH AND OUR FRIENDS 563 Two or three have died within this last two twelvem^hs.^ and so many parts of me have been numbed. One sees a picture, reads an anecdote, starts a casual fancy, and thinks to tell of it to this person in preference to every other — the person is gone whom it would have peculiarly suited. It won't do for another. Every departure destroys a class of sympathies. There's Capt. Burney gone ! — what fun has whist now ? what matters it what you lead, if you can no longer fancy him looking over you ? One never hears any thing, but the image of the particular person occurs with whom alone almost you would care to share the intelligence. Thus one distributes oneself about — and now for so many parts of me I have lost the market. Common natures do not suffice me. Good people, as they are called, won't serve. I want individuals. I am made up of queer points and I want so many answering needles. The going away of friends does not make the remainder more precious. It takes so much from them as there was a common link. A. B. and C. make a party. A. dies. B. not only loses A. but all A.'s part in C. C. loses A.'s part in B., and so the alphabet sickens by subtraction of inter changeables. I express myself muddily, capite dolente. I have a dulling cold. My theory is to enjoy life, but the practice is against it. I grow ominously tired of official con- finement. Thirty years have I served the Philistines, and my neck is not subdued to the yoke. You don't know how wearisome it is to breathe the air of four pent walls without relief day after day, all the golden hours of the day between 10 and 4 without ease or interposition. Taedet me harum quotidianarum formarum, these pestilential clerk faces always in one's dish. O for a few years be- tween the grave and the desk ! they are the same, save that at the latter you are outside the machine. The foul enchanter — letters four do form his name — Busirane is his name in hell — that has curtailed you of some domestic comforts, hath laid a heavier hand on me, not in present infliction, but in taking away the hope of enfranchisement. I dare not whisper to myself a Pension on this side of absolute incapacitation and infirmity, till years have sucked me dry. Otium cum indignitate. I had thought in a green old age (O green thought !) to have retired to Ponder's End — emblematic name how beautiful ! in the Ware road, there to have made up my accounts with Heaven and the Company, toddling about between it and Cheshunt, anon stretching on some fine Izaac Walton morning to Hoddesdon or Am well, careless as a Beggar, but walking, walking ever, till I fairly walkd myself off my legs, dying walking ! The hope is gone. 1 sit like Philomel all day (but not singing) with my breast against this thorn of a Desk, with the only hope that some Pulmonary affliction may relieve me. Vide Lord Pal- merston's report of the Clerks in the war office (Debates, this 564 LETTERS OF C. AND M. LAMB March morning's Times) by which it appears in 20 years, as many Clerks have been coughd and catarrhd out of it into their freer graves. Thank you for asking about the Pictures. Milton hangs over my fire side in Govt. Gard. (when I am there), the rest have been sold for an old song, wanting the eloquent tongue that should have set them off ! You have gratifyd me with liking my meeting with Dodd. For the Malvolio story — the thing is become in verity a sad task and I eke it out with any thing. If I could slip out of it I sh^ be happy, but our chief reputed assistants have forsaken us. The opium eater crossed us once with a dazzling path, and hath as suddenly left us darkling ; and in short I shall go on from dull to worse, because I cannot resist the Bookseller's importunity — the old plea you know of authors, but I believe on my part sincere. Hartley I do not so often see, but I never see him in unwelcome hour. I thoroughly love and honor him. I send you a frozen Epistle, but it is winter and dead time of the year with me. May heaven keep something like spring and sum- mer up with you, strengthen your eyes and make mine a little lighter to encounter with them, as I hope they shall yet and again, before all are closed. Yours, with every kind rem^e. C. L. I had almost forgot to say, I think you thoroughly right about presentation copies. I should like to see you prin t a book I should grudge to purchase for its size. D -n me, but I would have it though ! Note [John Lamb's will left everything to his brother. We must sup- pose that his widow was independently provided for. I doubt if the brothers had seen each other except casually for some time. The Elia essay " My Relations " contains John Lamb's full-length portrait under the name of James Elia. Captain Burney died on November 17, 1821. " Capite dolente^^ — "With an aching head." " Tcedet me hariim quotidianarum formarum,^^ See note on page 32. " The foul enchanter — letters four do form his name." From Coleridge's war eclogue, " Fire, Famine and Slaughter," where the letters form the name of Pitt. Here they stand for Joseph Hume, not Lamb's friend, but Joseph Hume, M.P. (1777-1855), who had attacked with success abuses in the East India Company ; had revised economically the system of collecting the revenue, thus touching Wordsworth as Distributor of Stamps ; and had opposed Vansittart's scheme for the reduction of pension charges. Busirane is the enchanter in the Fairy Queen^ Book III. 1822 GOD WIN^S ^^ VULGAR EXPRESSION" 565 " Otium cum indignitate.^^ See note on page 479. " Vide Lord Palmerston's report." In the Times of March 21 is the report of a debate on the estimates. Palmerston proved a certain amount of reduction of salary in the War Office. Incident- ally he remarked that "since 1810 not fewer than twenty-six clerks had died of pulmonary complaints, and disorders arising from sedentary habits." Milton was the portrait, ah-eady described (see page 457), which had been left to Lamb. Lamb gave it as a dowry to Emma Isola when she became Mrs. Moxon. "My meeting with Dodd . . . MalvoHo story." In the essay " The Old Actors," in the London Magazine for February, 1822 (see Vol. II. of this edition, page 136). " Our chief reputed assistants." Hazlitt had left the London Magazine ; Scott, the original editor, was dead. De Quincey, whose Confessions of an Opium-Eater were ap- pearing in its pages, has left a record of a visit to the Lambs about this time. See his " London Reminiscences." " Hartley." Hartley Coleridge, then a young man of twenty-five, was living in London after the unhappy sudden termination of his Oxford career. Here should come a letter from Lamb to William Godwin, dated April 13, in which Lamb remarks that he cannot think how Godwin, who in his writings never expresses himself disrespectfully of any one but his Maker, can have given offence to Rickman. This re- minds one of Godwin's remark about Coleridge, " God bless him — to use a vulgar expression," as recorded by Coleridge in one of his letters.] LETTER 268 CHARLES LAMB TO W. HARRISON AINSWORTH [Dated at end : May 7, 1822.] DEAR Sir, — I have read your poetry with pleasure. The tales are pretty and prettily told, the language often finely poetical. It is only sometimes a little careless, I mean as to re- dundancy. I have marked certain passages (in pencil only, which will easily obliterate) for your consideration. Excuse this liberty. For the distinction you offer me of a dedication, I feel the honor of it, but I do not think it would advantage the publication. I am hardly on an eminence enough to warrant it. The Reviewers, who are no friends of mine — the two big ones especially who make a 566 LETTERS OF C. AND M. LAMB May point of taking no notice of anything I bring out — may take occasion by it to decry us both. But I leave you to your own judgment. Perhaps, if you wish to give me a kind word, it will be more appropriate before your republication of Tourneur. The " Specimens " would give a handle to it, which the poems might seem to want. But I submit it to yourself with the old recollection that " beggars should not be chusers " and remain with great respect and wishing success to both your publications Your obe^. Ser^. C. Lamb. No hurry at all for Tourneur. Tuesday 7 May '22. Note [William Harrison Ainsworth (1805-1882), afterwards known as a novelist, was then articled to a Manchester solicitor, but had begun his literary career. The book to which Lamb refers was called The Works of Cheviot Tichburn^ 1822, and was dedicated to him in the following terms : — TO MY FRIEND CHARLES LAMB, AS A SLIGHT MARK OF GRATITUDE FOR HIS KINDNESS AND ADMIRATION OF HIS CHARACTER, THESE POEMS ARE INSCRIBED. Ainsworth was meditating an edition of the works of Cyril Tourneur, author of " The Atheist's Tragedy," to whom Lamb had drawn attention in the Dramatic Specionens^ 1808. The book was never published.] LETTER 269 CHARLES LAMB TO WILLIAM GODWIN May 16, 1822. DEAR Godwin — I sincerely feel for all your trouble. Pray use the enclosed ^50, and pay me when you can. I shall make it my business to see you very shortly. Yours truly C. Lamb. 1822 GODWIN IN DIFFICULTIES 567 Note [Owing largely to a flaw in the title-deed of his house at 41 Skinner Street, which he had to forfeit, Godwin had come upon poverty greater than any he had previously suffered, although he had been always more or less necessitous. Lamb now lent him d£^50. In the following year, after being mainly instrumental in putting on foot a fund for Godwin's benefit, he transformed this loan into a gift. An appeal was issued in 1823 asking for =£^600, the following post- script to which, in Lamb's hand, is preserved at the South Kensington Museum : — " There are few circumstances belonging to the case which are not sufficiently adverted to in the above letter. "Mr. Godwin's opponent declares himself determined to act against him with the last degree of hostility : the law gives him the power the first week in November to seize upon Mr. Godwin's property, furniture, books, &c. together with all his present sources of income for the support of himself and his family. Mr. Godwin has at this time made considerable progress in a work of great research, and requiring all the powers of his mind, to the comple- tion of which he had lookd for future pecuniary advantage. His mind is at this moment so entirely occupied in this work, that he feels within himself the firmness and resolution that no prospect of evil or calamity shall draw him off from it or suspend his labours. But the calamity itself^ if permitted to arrive, will produce the physical impossibility for him to proceed. His books and the materials of his work, as well as his present sources of income, will be taken from him. Those materials have been the collection of several years, and it would require a long time to replace them, if they could ever be replaced. " The favour of an early answer is particularly requested, that the extent of the funds supplied may as soon as possible be ascertained, particularly as any aid, however kindly intended^ will, after the lapse of a very few weeks, become useless to the purpose in view." The signatories to the appeal were : Crabb Robinson (^30), William Ayrton {£\0\ John Murray (o£^10 10s.), Charles Lamb (.£^50), Lord Francis Leveson-Gower (^10), Lord Dudley (i^50), the Hon. W. Lamb {£9.0) and Sir James Mackintosh (£10). Other contributions were : Lord Byron, £9^Q 5s. ; T. M. Alsager, ^10 ; and ^' A B C, by Charles Lamb," ^£^10. A B C was Sir Walter Scott. The work on which Godwin was then labouring was his History of the Commonwealth, 1824-1828. His new home was in the Strand. In 1833 he received the post of Yeoman Usher of the Exchequer, which he held till his death in 1836, although its duties had vanished ere then.] 568 LETTERS OF C. AND M. LAMB May LETTER 270 CHARLES LAMB TO MRS. JOHN LAMB 22 May 1822. DEAR Mrs. Lamb, A letter has come to Arnold for Mrs. Phillips, and, as I have not her address, I take this method of sending it to you. That old rogue's name is Sherwood, as you guessed, but as I named the shirts to him, I think he must have them. Your character of him made me almost repent of the bounty. You must consider this letter as Mary's — for writing letters is such a trouble and puts her to such twitters (family modesty, you know ; it is the way with me, but I try to get over it) that in pity I offer to do it for her. — We hold our intention of seeing France, but expect to see you here first, as we do not go till the 20th of next month. A steam boat goes to Dieppe, I see. — Christie has not sent to me, and I suppose is in no hurry to settle the account. I think in a day or two (if I do not hear from you to the contrary) I shall refresh his memory. I am sorry I made you pay for two Letters. I Peated it, and re-peated it. Miss Wright is married, and I am a hamper in her debt, which I hope will now not be remembered. She is in great good humour, I hear, and yet out of spirits. Where shall I get such full flavor'd Geneva again ? Old Mr. Henshaw died last night precisely at ^ past 11. — He has been open'd by desire of Mrs. McKenna ; and, where his heart should have been, was found a stone. Poor Arnold is inconsolable ; and, not having shaved since, looks deplorable. With our kind rememb^es. to Caroline and your friends We remain yours affectionaly C. L. and M. Lamb. [Occupying the entire margin up the left-hand side of the letter is^ in Mary LamVs hand : — ] I thank you for your kind letter, and owe you one in return, but Charles is in such a hurry to send this to be franked. Your affecate sister M. Lamb. [On the right-hand margin^ beside the paragraph about Mr, Henshaw^ is written in the same hand^ underlined : — ] He is not I dead. 1822 THE LAMBS IN PARIS 569 Note [John Lamb's widow had been a Mrs. Dowden, with an un- married daughter, probably the Caroline referred to. The letter treats of family matters which could not now be explained even if it were worth while. The Lambs were arranging a visit to Ver- sailles, to the Kenneys. Mr. Henshaw was Lamb's godfather, a gunsmith.] LETTER 271 (Fragment) CHARLES LAMB TO MARY LAMB (In Paris). [August, 1822.] THEN you must walk all along the Borough side of the Seine facing the Tuileries. There is a mile and a half of print shops and book stalls. If the latter were but English. Then there is a place where the Paris people put all their dead people and bring em flowers and dolls and ginger bread nuts and sonnets and such trifles. And that is all I think worth seeing as sights, except that the streets and shops of Paris are themselves the best sight. Note [The Lambs had left England for France in June. While they were there Mary Lamb was taken ill again — in a diligence, according to Moore — and Lamb had to return home alone, leaving a letter, of which this is the only portion that has been preserved, for her guidance on her recovery. Mary Lamb^ who had taken her nurse with her in case of trouble, was soon well again, and in August had the company of Crabb Robinson in Paris. Mrs. Aders was also there, and Foss, the bookseller in Pall Mall, and his brother. And it was on this visit that the Lambs met John Howard Payne, whom we shall shortly see.] LETTER 272 CHARLES LAMB TO JOHN CLARE India House, 31 Aug., 1822. DEAR Clare — I thank you heartily for your present. I am an inverate old Londoner, but while I am among your choice collections, I seem to be native to them, and free of the country. 570 LETTERS OF C. AND M. LAMB August The quantity of your observation has astonished me. What have most pleased me have been Recollections after a Ramble, and those Grongar Hill kind of pieces in eight syllable lines, my favourite measure, such as Cowper Hill and Solitude. In some of your story-telling Ballads the provincial phrases sometimes startle me. I think you are too profuse with them. In poetry slang of every kind is to be avoided. There is a rustick Cockneyism, as little pleasing as ours of London. Transplant Arcadia to Helpstone. The true rustic style, the Arcadian English, I think is to be found in Shenstone. Would his Schoolmistress, the prettiest of poems, have been better, if he had used quite the Goody's own language ? Now and then a home rusticism is fresh and startling, but where nothing is gained in expression, it is out of tenor. It may make folks smile and stare, but the ungenial coalition of barbarous with refined phrases will prevent you in the end from being so generally tasted, as you deserve to be. Excuse my freedom, and take the same liberty with my puns, I send you two little volumes of my spare hours. They are of all sorts, there is a methodist hymn for Sundays, and a farce for Saturday night. Pray give them a place on your shelf. Pray accept a little volume, of which I have [a] duplicate, that I may return in equal number to your welcome presents. I think I am indebted to you for a sonnet in the London for August. Since I saw you I have been in France, and have eaten frogs. The nicest little rabbity things you ever tasted. Do look about for them. Make Mrs. Clare pick off the hind quarters, boil them plain, with parsley and butter. The fore quarters are not so good. She may let them hop off by themselves. Yours sincerely, Chas. Lamb. Note [John Clare (1793-1864) was the Northamptonshire poet whom the London Magazine had introduced to fame. Octavius Gilchrist had played to him the same part that Capell Lofft had to Bloomfield. His first volume. Poems Descriptive of Rural Life and Scenery, was published in January, 1820 ; his next. The Village Minstrel, in September of the next year. These he had probably sent to Lamb. Helpstone was Clare's birthplace. Lamb's two little return volumes were his Works, The sonnet in the August London Magazine was not signed by Clare. It runs thus : — 1822 ENTER BERNARD BARTON 571 TO ELIA ELIA, thy reveries and vision'd themes To Care's lorn heart a luscious pleasure prove ; Wild as the mystery of delightful dreams, Soft as the anguish of remember'd love : Like records of past days their memory dances Mid the cool feelings Manhood's reason brings, As the unearthly visions of romances Peopled with sweet and uncreated things ; — And yet thy themes thy gentle worth enhances ! Then wake again thy wild harp's tenderest strings, Sing on, sweet Bard, let fairy loves again Smile in thy dreams, with angel ecstacies ; Bright o*er our souls will break the heavenly strain Through the dull gloom of earth's realities. Clare addressed to Lamb a sonnet on his Dramatic Specimens which was printed in Hone's Year Book in 1831. Here should come a letter from Lamb to Mrs. James Kenney, dated Sept. 11, 1822, in which Lamb says that Mary Lamb had reached home safely from France, and that she failed to smuggle Crabb Robinson's waistcoat. He adds that the Custom House people could not comprehend how a waistcoat, marked Henry Robinson, could be a part of Miss Lamb's wearing apparel. At the end of the letter is a charming note to Mrs. Kenney's little girl, Sophy, whom Lamb calls his dear wife. He assures her that the few short days of connubial felicity which he passed with her among the pears and apricots of Versailles were some of the happiest of his life.] LETTER 273 CHARLES LAMB TO BERNARD BARTON India House, ii Sept. 1822. DEAR Sir — You have misapprehended me sadly, if you suppose that I meant to impute any inconsistency (in your writing poetry) with your religious profession. I do not remember what I said, but it was spoken sportively, I am sure. One of my levities, which you are not so used to as my older friends. I probably was thinking of the light in which your so indulging yourself would ap- pear to Quakers, and put their objection in my own foolish mouth. I would eat my words (provided they should be written on not very coarse paper) rather than I would throw cold water upon your, and my once, harmless occupation. I have read Napoleon and the rest with delio-ht. I like them for what they are, and for what they are not. I have sickened on the modern rhodomontade & Byron- 572 LETTERS OF C. AND M. LAMB Sept. ism, and your plain Quakerish Beauty has captivated me. It is all wholesome cates, aye, and toothsome too, and withal Quakerish. If I were George Fox, and George Fox Licenser of the Press, they should have my absolute Imprimatur. I hope I have removed the impression. I am, like you, a prisoner to the desk. I have been chained to that gaily thirty years, a long shot. I have almost grown to the wood. If no imaginative poet, I am sure I am a figurative one. Do "Friends" allow puns ? i;6r6aZ equivocations ? — they are unjustly accused of it, and I did my little best in the "imperfect Sym- pathies " to vindicate them. I am very tired of clerking it, but have no remedy. Did you see a sonnet to this purpose in the Examiner ? — " Who first invented Work — and tied the free And holy-day rejoycing spirit down To the ever-haunting importunity Of business, in the green fields, and the town — To plough — loom — anvil — spade — &, oh, most sad, To this dry drudgery of the desk's dead wood ? Who but the Being Unblest, alien from good, Sabbathless Satan I he who his unglad Task ever plies 'mid rotatory burnings, That round and round incalculably reel — For wrath Divine hath made him like a wheel — In that red realm from whence are no returnings ; Where toiling and turmoiling ever and aye He, and his Thoughts, keep pensive worky-day." C. L. I fancy the sentiment exprest above will be nearly your own, the expression of it probably would not so well suit with a follower of John Woolman. But I do not know whether diabolism is a part of your creed, or where indeed to find an exposition of your creed at all. In feelings and matters not dogmatical, I hope I am half a Quaker. Believe me, with great respect, yours C. Lamb. I shall always be happy to see, or heai' from you. — Note [This is the first of the letters to Bernard Barton (1784-1849), a clerk in a bank at Woodbridge, in Suffolk, who was known as the Quaker poet. Lamb had met him at a London Magazine dinner at 13 Waterloo Place, and had apparently said something about Quakers and poetry which Barton, on thinking it over, had taken too seriously. Bernard Barton was already the author of four volumes of poetry, of which Napoleon and other Poems was the latest, published in 1822. Lamb's essay on " Imperfect Sympathies " had been printed in the London Magazine for August, 1821. For John Woolman see note on page 94. The sonnet " Work " had been printed in the Examiner, August 29, 1819,] 1822 PARIS AND LONDON 573 LETTER 274 CHARLES LAMB TO BARRON FIELD Sept, 22, 1822. MY dear F., — I scribble hastily at office. Frank wants my letter presently. I & sister are just returned from Paris ! ! We have eaten frogs. It has been such a treat ! You know our monotonous general Tenor. Frogs are the nicest little delicate things — rabbity-flavoured. Imagine a Lilliputian rabbit! They fricassee them ; but in my mind, drest seethed, plain, with parsley and butter, would have been the decision of Apicius. Shelley the great Atheist has gone down by water to eternal fire ! Hunt and his young fry are left stranded at Pisa, to be adopted by the re- maining duumvir. Lord Byron — his wife and 6 children & their maid. What a cargo of Jonases, if they had foundered too ! The only use I can find of friends, is that they do to borrow money of you. Henceforth I will consort with none but rich rogues. Paris is a glorious picturesque old City. London looks mean and New to it, as the town of Washington would, seen after it. But they have no St. Paul's or Westminster Abbey. The Seine, so much despised by Cockneys, is exactly the size to run thro' a magnifi- cent street ; palaces a mile long on one side, lofty Edinbro' stone (O the glorious antiques !) : houses on the other. The Thames dis- unites London & South wark. I had Talma to supper with me. He has picked up, as I believe, an authentic portrait of Shakspere. He paid a broker about ^40 English for it. It is painted on the one half of a pair of bellows — a lovely picture, corresponding with the Folio head. The bellows has old carved wings round it, and round the visnomy is inscribed, near as I remember, not divided into rhyme — I found out the rhyme — " Whom have we here, Stuck on this bellows, But the Prince of good fellows, Willy Shakspere ? " At top — •* O base and coward luck ! To be here stuck. — Poins." At bottom — ** Nay I rather a glorious lot is to him assign'd, Who, like the Almighty, rides upon the wind. — Pistol." This is all in old carved wooden letters. The countenance smiling, sweet, and intellectual beyond measure, even as He was 574 LETTERS OF C. AND M. LAMB Sept. immeasurable. It may be a forgery. They laugh at me and tell me Ireland is in Paris, and has been putting oft' a portrait of the Black Prince. How far old wood may be imitated I cannot say. Ireland was not found out by his parchments, but by his poetry. I am confident no painter on either side the Channel could have painted any thing near like the face I saw. Again, would such a painter and forger have expected £40 for a thing, if authentic, worth i?4000? Talma is not in the secret, for he had not even found out the rhymes in the first inscription. He is coming over with it, and, my life to Southey's Thalaba, it will gain universal faith. The letter is wanted, and I am wanted. Imagine the blank filled up with all kind things. Our joint hearty remembrances to both of you. Yours as ever, C. Lamb. Note [Frank would be Francis John Field, Barron Field's brother, in the India House. Shelley was drowned on July 8, 1822. Talma was Fran9ois Joseph Talma (1763-1826), the great French tragedian. Lamb, introduced by John Howard Payne, saw him in "Regulus," but not understanding French was but mildly interested. " Ah," said Talma in the account by James Kenney printed in Henry Angelo's Pic Nic^ " I was not very happy to-night ; you must see me in ' Scylla.' " " Incidit in Scyllam," said Lamb, " qui vult vitare Charybdim." " Ah, you are a rogue ; you are a great rogue," was Talma's reply. Talma had bought a pair of bellows with Shakespeare's head on it. Lamb's belief in the authenticity of this portrait was misplaced, as the following account from Chambers^ Journal for September 27, 1856, will show : — About the latter part of the last century, one Zincke, an artist of little note, but grandson of the celebrated enameller of that name, manufactured fictitious Shake- speares by the score. . . . The most famous of Zincke's productions is the well- known Talma Shakespeare, which gentle Charles Lamb made a pilgrimage to Paris to see; and when he did see, knelt down and kissed with idolatrous veneration. Zincke painted it on a larger panel than was necessary for the size of the picture, and then cut away the superfluous wood, so as to leave the remainder in the shape of a pair of bellows. . . . Zincke probably was thinking of "a muse of fire" when he adopted this strange method of raising the wind ; but he made little by it, for the dealer into whose hands the picture passed, sold it as a curiosity, not an original portrait, for ;^5. The buyer, being a person of ingenuity, and fonder of money than curiosities, fabricated a series of letters to and from Sir Kenelm Digby, and, passing over to France, planted — the slang term used among the less honest of the curiosity- dealing fraternity — the picture and the letters in an old chateau near Paris. Of course a confederate managed to discover the plants in the presence of witnesses, and great was the excitement that ensued. Sir Kenelm Digby had been in France in the reign of Charles I., and the fictitious correspondence proved that the picture /^ 'm^tiH": THE BELLOWS PORTRAIT OF SHAKESPEARE FROM THE ORIGIXAL IN THE POSSESSION OF MR. B. B. MACGEORGE 1822 THE BELLOWS SHAKESPEARE 575 was an original, and had been painted by Queen Elizabeth's command, on the lid of her favourite pair of bellows ! It really would seem that the more absurd a deception is, the better it succeeds. All Paris was in delight at possessing an original Shakespeare, while the London amateurs were in despair at such a treasure being lost to England. The ingenious person soon found a purchaser, and a high price recompensed him for his trouble. But more remains to be told. The happy purchaser took his treasure to Ribet, the first Parisian picture-cleaner of the day, to be cleaned. Ribet set to work ; but we may fancy his surprise as the superficial impasto of Zincke washed off beneath the sponge, and Shakespeare became a female in a lofty headgear adorned with blue ribbons. In a furious passion the purchaser ran to the seller. '* Let us talk over the affair quietly," said the latter ; " I have been cheated as well as you : let us keep the matter secret ; if we let the public know it, all Paris and even London too, will be laughing at us. I will return you your money, and take back the picture, if you will employ Ribet to restore it to the same condition as it was in when you received it.'* This fair proposition was acceded to, and Ribet restored the picture ; but as he was a superior artist to Zincke, he greatly improved it, and this improvement was at- tributed to his skill as a cleaner. The secret being kept, and the picture, improved by cleaning, being again in the market, Talma, the great Tragedian, purchased it at even a higher price than that given by the first buyer. Talma valued it highly, enclosed it in a case of morocco and gold, and subsequently refused looo Napoleons for it ; and even when at last its whole history was disclosed, he still cherished it as a genuine memorial of the great bard. By kind permission of Mr. B. B. MacGeorge, who now owns both letter and bellows, I am enabled to give a reproduction of the portrait on the opposite page. See also Lamb's remarks on page 579. Ireland was the author of " Vortigern," the forged play attributed to Shakespeare (see note on page 5).] LETTER 275 CHARLES LAMB TO JOHN HOWARD PAYNE [Autumn, 1822.] DEAR Payne — A friend and fellow-clerk of mine, Mr. White (a good fellow) coming to your parts, I would fain have accompanied him, but am forced instead to send a part of me, verse and prose, most of it from 20 to 30 years old, such as I then was, and I am not much altered. Paris, which I hardly knew whether I liked when I was in it, is an object of no small magnitude with me now. I want to be going, to the Jardin des Plantes (is that right, Louisa ?) with you — to Pere de la Chaise, La Morgue, and all the sentimentalities. How is Talma, and his (my) dear Shakspeare ? ^J5. My friend White knows Paris thoroughly, and does not want a guide. We did, and had one. We both join in thanks. Do you remember a Blue-Silk Girl (English) at the Luxembourg, 576 LETTERS OF C. AND M. LAMB Oct. that did not much seem to attend to the Pictures, who fell in love with you, and whom I fell in love with— an inquisitive, prying, curious Beauty — where is she ? Voire Tres Humble Serviteur^ Charlois Agneau, alias C. Lamb. Guichy is well, and much as usual. He seems blind to all the distinctions of life, except to those of sex. Remembrance to Kenny and Poole. Note [John Howard Payne (1792-1852) was born in NeW York. He began life as an actor in 1809 as Young Norval in " Douglas," and made his English dSut in 1813 in the same part. For several years he lived either in London or Paris, where among his friends were Washington Irving and Talma. He wrote a number of plays, and in one of them, " Clari, or the Maid of Milan," is the song " Home, Sweet Home," with Bishop's music, on which his immortality rests. Payne died in Tunis, where he was American Consul, in 1852, and when in 1883 he was reinterred at Washing- ton, it was as the author of " Home, Sweet Home." He seems to have been a charming but ill-starred man, whom to know was to love. Mr. White was Edward White of the India House, by whom Lamb probably sent a copy of the 1818 edition of his Works. Louisa was Louisa Holcroft. Guichy was possibly the Frenchman, mentioned by Crabb Robinson, with whom the Lambs had travelled to France. Poole was, I imagine, John Poole, the dramatist, author of burlesque plays in the London Magazine and later of " Paul Pry," which, it is quite likely, he based on Lamb's sketch " Tom Pry."] LETTER 276 CHARLES LAMB TO BERNARD BARTON [Dated at end: g October 1822.] DEAR Sir — I am asham'd not sooner to have acknowledged your letter and poem. I think the latter very temperate, very serious and very seasonable. I do not think it will convert the club at Pisa, neither do I think it will satisfy the bigots on our side the water. Soniething like a parody on the song of Ariel would please them better. Full fathom five the Atheist lies, Of his bones are hell-dice made. — 1822 SHELLEY 577 I want time, or fancy, to fill up the rest. I sincerely sympathise with you on your doleful confinement. Of Time, Health, and Riches, the first in order is not last in excellence. Riches are chiefly good, because they give us Time. What a weight of wearisome prison hours have [I] to look back and forward to, as quite cut out [of] life — and the sting of the thing is, that for six hours every day I have no business which I could not contract into two, if they would let me work Task-work. I shall be glad to hear that your grievance is mitigate! d. Shelly I saw once. His voice was the most obnoxious squeak I ever was tormented with, ten thousand times worse than the Laureat's, whose voice is the worst part about him, except his Laureatcy. Lord Byron opens upon him on Monday in a Parody (I suppose) of the " Vision of Judgment," in which latter the Poet I think did not much show his. To award his Heaven and his Hell in the presumptuous manner he has done, was a piece of im- modesty as bad as Shelley ism. I am returning a poor letter. I was formerly a great Scribbler in that way, but my hand is out of order. If I said my head too, I should not be very much out, but I will tell no tales of myself. I will therefore end (after my best thanks, with a hope to see you again some time in London), begging you to accept this Letteret for a Letter — a Leveret makes a better present than a grown hare, and short troubles (as the old excuse goes) are best. I hear that C. Lloyd is well, and has returned to his family. I think this will give you pleasure to hear. I remain, dear Sir, yours truly C. Lamb. E. I. H. 9 Oct. 22. Note [Barton had just published his Verses on the Death of P. B. Shelley, a lament for misapphed genius. The club at Pisa refeiTed particularly to Byron, Leigh Hunt and Trelawney. Trelawney placed three lines from Ariel's song in " The Tempest " on Shelley's monument ; but whether Lamb knew this, or his choice of rival lines is a coincidence, I do not know. Trelawney chose the lines : — Nothing of him that doth fade But doth suffer a sea-change Into something rich and strange. There is no other record of Lamb's meeting with Shelley, who, by the way, admired Lamb's writings warmly, particularly Mrs. Lei- cester's School (see Letter 334). Byron's Vision of Judgment, a burlesque of Southey's poem of the same name, was printed in The Liberal for 1822.] VOL. VII. — 39 578 LETTERS OF C. AND M. LAMB Oct. LETTER 277 CHARLES LAMB TO B. R. HAYDON India House, gth October, 1822. DEAR Haydon, Poor Godwin has been turned out of his house and business in Skinner Street, and if he does not pay two years'* arrears of rent, he will have the whole stock, furni- ture, &c., of his new house (in the Strand) seized when term begins. We are trying to raise a subscription for him. My object in writ- ing this is simply to ask you, if this is a kind of case which would be likely to interest Mrs. Coutts in his behalf ; and who in your opinion is the best person to speak with her on his behalf. Without the aid of from £^Q0 to c£^400 by that time, early in November, he must be ruined. You are the only person I can think of, of her acquaintance, and can, perhaps, if not yourself, recommend the per- son most likely to influence her. Shelley had engaged to clear him of all demands, and he has gone down to the deep insolvent. Yours truly, C. Lamb. Is Sir Walter to be applied to, and by what channel ? Note [See note to Letter 269. Mrs. Coutts was probably Harriot Mellon, the actress, widow of the banker, Thomas Coutts, and afterwards Duchess of St. Albans. She had played the part of the heroine Melesinda in " Mr. H. "] LETTER 278 CHARLES LAMB TO JOHN HOWARD PAYNE "A^ Thursday [Oct. 22], 1822. LI Pacha " will do. I sent my sister the first night, not £\ having been able to go myself, and her report of its effect was most favourable. I saw it last night — the third night and it was most satisfactorily received. I have been sadly disappointed in Talfourd, who does the critiques in the " Times," and who pro- mised his strenuous services ; but by some damn'd arrangement he was sent to the wrong house, and a most iniquitous account of Ali substituted for his, which I am sure would have been a kind one. The "Morning Herald" did it ample justice, without ap- 1822 PAYNE'S '^ALI PACHA" 579 pearing to pufF it. It is an abominable misrepresentation of the "Times," that Farren played Ali like Lord Ogilby. He acted infirmity of body, but not of voice or purpose. His manner was even grand. A grand old gentleman. His falling to the earth when his son's death was announced was fine as anything I ever saw. It was as if he had been blasted. Miss Foote looked helpless and beautiful, and greatly helped the piece. It is going on steadily, I am sure, for many nights. Marry, I was a little disappointed with Hassan, who tells us he subsists by cracking court jests before Hali, but he made none. In all the rest, scenery and machinery, it was faultless. I hope it will bring you here. I should be most glad of that. I have a room for you, and you shall order your own dinner three days in the week. I must retain my own authority for the rest. As far as magazines go, I can answer for Talfourd in the "New Monthly." He cannot be put out there. But it is established as a favourite, and can do without these expletives. I long to talk over with you the Shakspeare Picture. My doubts of its being a forgery mainly rest upon the goodness of the picture. The bellows might be trumped up, but where did the painter spring from ? Is Ireland a consummate artist — or any of Ireland's accom- plices ? — but we shall confer upon it, I hope. The " New Times," I understand was favorable to "Ali," but I have not seen it. I am sensible of the want of method in this letter, but I have been deprived of the connecting organ, by a practice I have fallen into since I left Paris, of taking too much strong spirits of a night. I must retui^n to the Hotel de FEurope and Macon. How is Kenney ? Have you seen my friend White ? What is Poole about, &c. ? Do not write, but come and answer me. The weather is charming, and there is a mermaid to be seen in London. You may not have the opportunity of inspecting such a Poisarde once again in ten centuries. My sister joins me in the hope of seeing you. Yours truly, C. Lamb. Note [Lamb had met John Howard Payne, the American dramatist, at Kenney's, in France (see note on page 576). "Ali Pacha," a melodrama in two acts, was produced at Covent Garden on October 19, 1822. It ran altogether sixteen nights. William Farren played the hero. Lord Ogleby, an antiquated fop, is a character m " The Clandestine Marriage " by Colman and Garrick. Miss Foote played Helena. See also notes to the letter on page 576 for other references.] 680 LETTERS OF C. AND M. LAMB Oct. LETTERS 279 AND 280 CHARLES LAMB TO B. R. HAYDON Tuesday, 29th [October, 1822]. EAR H., I have written a very respectful letter to Sir W. S. D Godwin did not write, because he leaves all to his committee, as I will explain to you. If this rascally weather holds, you will see but one of us on that day. Yours, with many thanks, C. Lamb. CHARLES LAMB TO SIR WALTER SCOTT East India House, London, 29th October 1822. DEAR Sir, — I have to acknowledge your kind attention to my application to Mr. Haydon. I have transmitted your draft to Mr. G[odwin]'s committee as an anonymous contribution through me. Mr. Haydon desires his thanks and best respects to you, but was desirous that I should write to you on this occasion. I cannot pass over your kind expressions as to myself. It is not likely that I shall ever find myself in Scotland, but should the event ever happen, I should be proud to pay my respects to you in your own land. My disparagement of heaths and highlands — if I said any such thing in half earnest, — you must put down as a piece of the old Vulpine policy. I must make the most of the spot I am chained to, and console myself for my flat destiny as well as I am able. I know very well our mole-hills are not mountains, but I must cocker them up and make them look as big and as hand- some as I can, that we may both be satisfied. Allow me to express the pleasure I feel on an occasion given me of writing to you, and to subscribe myself, dear sir, your obliged and respectful servant, Charles Lamb. Note [See note to Letter 269, on page 567. Lamb and Scott never met. Talfourd, however, tells us that " he used to speak with gratitude and pleasure of the circumstances under which he saw him once in Fleet-street. A man, in the dress of a mechanic, stopped him just at Inner Temple-gate, and said, touching his hat, 'I beg your pardon, sir, but perhaps you would like to see Sir Walter Scott ; that is he just crossing the road;' and Lamb stammered out his hearty thanks to his truly humane informer." Mr. Lang has recently discovered that also in 1818 or there- abouts Sii' Walter invited Lamb to Abbotsford. 1822 THE " DISSERTATION " BEARS FEUIT 581 " The old Vulpine policy." A reference to the fable of the Fox and the Grapes.] LETTER 281 CHARLES LAMB TO THOMAS ROBINSON [Dated at end : Nov. ii, 1822.] DEAR Sir, We have to thank you, or Mrs. Robinson — for I think her name was on the direction — for the best pig, which myself, the warmest of pig-lovers, everiasted. The dressing and the sauce were pronounced incomparable by two friends, who had the good fortune to drop in to dinner yesterday, but I must not mix up my cook's praises with my acknowledgments ; let me but have leave to say that she and we did your pig justice. I should dilate on the crackling — done to a turn — but I am afraid Mrs. Clarkson, who, I hear, is with you, will set me down as an Epicure. Let it suffice, that you have spoil'd my appetite for boiled mutton for some time to come. Your brother Henry par- took of the cold relics — by which he might give a good guess at what it had been hot. With our thanks, pray convey our kind respects to Mrs. Robin- son, and the Lady before mentioned. Your obliged Ser^ Charles Lamb. India House II Nov. 22. Note [This letter is addressed to R. Robinson, Esq., Bury, Suffolk, but I think there is no doubt that Thomas Robinson was the recipient. Thomas Robinson of Bury St. Edmunds was Henry Crabb Robin- son's brother. Lamb's " Dissertation on Roast Pig " had been printed in the London Magazine in September, 1822, and this pig was one of the first of many such gifts that came to him.] LETTER 282 CHARLES LAMB TO JOHN HOWARD PAYNE Wednesday, 13 November, '22. DEAR P. — Owing to the inconvenience of having two lodgings, I did not get your letter quite so soon as I should. The India House is my proper address, where I am sure for the fore part 582 LETTERS OF C. AND M. LAMB Nov. of every day. The instant I got it, I addressed a letter, for Kemble to see, to my friend Henry Robertson, the Treasurer of Covent Gar- den Theatre. He had a conference with Kemble, and the result is, that Robertson, in the name of the management, recognized to me the full ratifying of your bargain : <£^250 for Ali, the Slaves, and another piece which they had not received. He assures me the whole will be paid you, or the proportion for the two former, as soon as ever the Treasury will permit it. He offered to write the same to you, if I pleased. He thinks in a month or so they will be able to liquidate it. He is positive no trick could be meant you, as Mr. Planche's alterations, which were trifling, were not at all considered as affecting your bargain. With respect to the copyright of Ali, he was of opinion no money would be given for it, as Ali is quite laid aside. This explanation being given, you would not think of printing the two copies together by way of recrimination. He told me the secret of the two Galley Slaves at Drury Lane. Ellis- ton, if he is informed right, engaged Poole to translate it, but be- fore Poole's translation arrived, finding it coming out at Gov. Gar., he procured copies of two several translations of it in London. So you see here are four translations, reckoning yours. I fear no copyright would be got for it, for anybody may print it and anybody has. Your's has run seven nights, and R. is of opinion it will not exceed in number of nights the nights of Ali, — about thirteen. But your full right to your bargain with the manage- ment is in the fullest manner recognized by him officially. He gave me every hope the money will be spared as soon as they can spare it. He said a month or two^ but seemed to me to mean about a month, A new lady is coming out in Juliet, to whom they look very confidently for replenishing their treasury. Robertson is a very good fellow and I can rely upon his statement. Should you have any more pieces, and want to get a cop}Tight for them, I am the worst person to negotiate with any bookseller, having been cheated by all I have had to do with (except Taylor and Hessey, — but they do not publish theatrical pieces), and I know not how to go about it, or who to apply to. But if you had no better negoti- ator, I should know the minimum you expect, for I should not Kke to make a bargain out of my own head, being (after the Duke of Wellington) the worst of all negotiators. I find from Robertson you have written to Bishop on the subject. Have you named any- thing of the copyright of the Slaves. R. thinks no publisher would pay for it, and you would not risque it on your own account. This is a mere business letter, so I will just send my love to my little wife at Versailles, to her dear mother, etc. Believe me, yours truly, q L 1822 GREETINGS TO FRANCE 583 Note [Payne's translation of the French play was produced at Covent Garden on November 6, 1822, under the title "The Soldier's Daughter." On the same night appeared a rival version at Drury Lane entitled " Two Galley Slaves." Payne's was played eleven times. The new lady as Juliet was the other Fanny Kelly not Lamb's : Fanny H. Kelly, from Dublin. The revival began on November 14. Planche was James Robinson Planche (1796-1880), the most prolific of librettists. Robert William EUiston, of whom Lamb later wrote so finely, was then managing Drury Lane. " Having been cheated." Lamb's particular reference was to Baldwin (see Letter 290). " The Duke of Wellington." A reference to the Duke's failure in representing England at the Congress of Powers in Vienna and Verona. Lamb's " dear little wife " was Sophy Kenney (see abstract of letter on page 571).] LETTER 283 MARY LAMB TO MRS. JAMES KENNEY [No date. ? Early December, 1822.] MY dear Friend, — How do you like Harwood ? Is he not a noble boy ? I congratulate you most heartily on this happy meeting, and only wish I were present to witness it. Come back with Harwood, I am dying to see you — we will talk, that is, you shall talk and I will listen from ten in the morning till twelve at night. My thoughts are often with you, and your children's dear faces are perpetually before me. Give them all one additional kiss every morning for me. Remember there's one for Louisa, one to Ellen, one to Betsy, one to Sophia, one to James, one to Teresa, one to Virginia, and one to Charles. Bless them all ! When shall I ever see them again ? Thank you a thousand times for all your kindness to me. I know you will make light of the trouble my illness gave you ; but the recollection of it often sits heavy on my heart. If I could ensure my health, how happy should I be to spend a month with you every summer! When I met Mr. Kenney there, I sadly repented that I had not dragged you on to Dieppe with me. What a pleasant time we should have spent there! You shall not be jealous of Mr. Payne. Remember he did Charles and I good service without grudge or grumbling. Say 584 LETTERS OF C. AND M. LAMB Dec. to him how much I regret that we owe him unretumable obliga- tions ; for I still have my old fear that we shall never see him again. I received great pleasure fi'om seeing his two successful pieces. My love to your boy Kenney, my boy James, and all my dear girls, and also to Rose; I hope she still drinks wine with you. Thank Lou-Lou for her little bit of letter. I am in a fearful hurry, or I would write to her. Tell my friend the Poetess that I expect some French verses from her shortly. I have shewn Betsy's and Sophy's letters to all who came near me, and they have been very much admired. Dear Fanny brought me the bag. Good soul you are to think of me ! Manning has promised to make Fanny a visit this morning, happy girl ! Miss James I often see, I think never with- out talking of you. Oh the dear long dreary Boulevards ! how I do wish to be just now stepping out of a Cuckoo into them ! Farewel, old tried friend, may we meet again ! Would you could bring your house with all its noisy inmates, and plant it, garden, gables and all, in the midst of Covent Garden. Yours ever most affectionately, M. Lamb. My best respects to your good neighbours. Note [Harwood would be Harwood Holcroft. " Louisa," etc. Mrs. Kenney's children by her first marriage were Louisa, Ellen, Betsy and Sophia. By her second, with Kenney, the others. Charles was named Charles Lamb Kenney. " Payne's two successful pieces " — '^ Ali Pasha " and " The Soldier's Daughter." Fanny would be Fanny Holcroft, Mrs. Kenney's stepdaughter. Miss Kelly has added to this letter a few words of affection to Mrs. Kenney from "the real old original Fanny Kelly." Charles Lamb also contributed to this letter a few lines to James Kenney, expressing his readiness to meet Moore the poet. He adds that he made a hit at him as Little in the London Magazine^ which though no reason for not meeting him was a reason for not volunteering a visit to him. The reference is to the sonnet to Barry Cornwall in the London Magazine for September, 1820, beginning — Let hate, or grosser heats, their foulness mask Neath riddling Junius, or in L e's name. The second line was altered in Lamb's Album Verses^ 1830, to Under the vizor of a borrowed name.] ^ 1822 THE PREFACE TO ^^ELIA" 585 LETTER 284 CHARLES LAMB TO JOHN TAYLOR [Dated : Dec. 7, 1822.] DEAR Sir, — I should like the enclosed Dedication to be printed, unless you dislike it. I like it. It is in the olden style. But if you object to it, put forth the book as it is. Only pray don't let the Printer mistake the word curt for curst. C. L. Dec. 7, 1822. DEDICATION TO THE FRIENDLY AND JUDICIOUS READER, Who will take these Papers, as they were meant ; not understanding every thing perversely in the absolute and literal sense, but giving fair construction as to an after-dinner conversation ; allowing for the rashness and necessary incompleteness of first thoughts ; and not remembering, for the purpose of an after taunt, words spoken peradventure after the fourth glass. The Author wishes (what he would will for himself) plenty of good friends to stand by him, good books to solace him, prosperous events to all his honest undertakings, and a candid interpretation to his most hasty words and actions. The other sort (and he hopes many of them will purchase his book too) he greets with the curt invitation of Timon, " Uncover, dogs, and lap : " or he dismisses them with the confident security of the philosopher, " you beat but on the case of ELIA." C. L. Dec. 7, 1822. Note [Elia, Essays which have appeared under that signature in the London Magazine was just about to be published. The book came out with no preface. " Uncover, dogs, and lap " (" Timon of Athens," IIL, 6, 95). " You beat but on the case." When Anaxarchus, the philoso- pher, was being pounded to death in a mortar, by command of Alexander the Great, he made use of this phrase. After these words, in Canon Ainger's transcript. Lamb remarks: — " On better consideration, pray omit that Dedication. The Essays want no Preface : they are all Preface. A Preface is nothing but a talk with the reader ; and they do nothing else. Pray omit it. " There will be a sort of Preface in the next Magazine, which may act as an advertisement, but not proper for the volume. 586 LETTERS OF C. AND M. LAMB Dec. " Let Eli A come forth bare as he was born." The sort of Preface in the next magazine (January, 1823) was the " Character of the Late Elia," used as a preface to the Last Essays in 1833.] LETTER 285 CHARLES LAMB TO WALTER WILSON E. I. H. i6 dec. 22, DEAR Wilson Lightening I was going to call you — You must have thought me negligent in not answering your letter sooner. But I have a habit of never writing letters, but at the office — 'tis so much time cribbed out of the Company — and I am but just got out of the thick of a Tea Sale, in which most of the Entry of Notes, deposits &c. usually falls to my share. Dodwell is willing, but alas ! slow. To compare a pile of my notes with his little hillock (which has been as long a building), what is it but to compare Olympus with a mole-hill. Then Wadd is a sad shuffler. — I have nothing of Defoe's but two or three Novels, and the Plague History. I can give you no information about him. As a slight general character of what I remember of them (for I have not look'd into them latterly) I would say that " in the appearance of truth in all the incidents and conversations that occur in them they exceed any works of fiction I am acquainted with. It is per- fect illusion. The Author never appears in these self-narratives (for so they ought to be called or rather Auto-biographies) but the narrator chains us down to an implicet belief in every thing he says. There is all the minute detail of a log-book in it. Dates are painfully pressed upon the memory. Facts are repeated over and over in varying phrases, till you cannot chuse but believe them. It is like reading Evidence given in a Court of Justice. So anxious the story-teller seems, that the truth should be clearly compre- hended, that when he has told us a matter of fact, or a motive, in a line or two farther down he repeats it with his favorite figure of speech, 'I say' so and so, — though he had made it abundantly plain before. This is in imitation of the common people's way of speaking, or rather of the way in which they are addressed by a master or mistress, who wishes to impress something upon their memories ; and has a wonderful effect upon matter-of-fact readers. Indeed it is to such principally that he writes. His style is else- 1822 DANIEL DEFOE 587 where beautiful, but plain & homely, Robinson Crusoe is de- lightful to all ranks and classes, but it is easy to see that it is written in phraseology peculiarly adapted to the lower conditions of readers : hence it is an especial favorite with sea-faring men, poor boys, servant maids &c. His novels are capital kitchen- reading, while they are worthy from their deep interest to find a shelf in the Libraries of the wealthiest, and the most learned. His passion for matter of fact narrative sometimes betrayed him into a long relation of common incidents which might happen to any man, and have no interest but the intense appearance of truth in them, to recommend them. The whole latter half, or two thirds, of Colonel Jack is of this description. The beginning of Colonel Jack is the most affecting natural picture of a young thief that was ever drawn. His losing the stolen money in the hollow of a tree, and finding it again when he was in despair, and then being in equal distress at not knowing how to dispose of it, and several similar touches in the early history of the Colonel, evince a deep know- ledge of human nature ; and, putting out of question the superior romantic interest of the latter, in my mind very much exceed Crusoe. Roxana (1st Edition) is the next in Interest, though he left out the best part of it subsequent Editions from a foolish hypercriticism of his friend, Southerne. But Moll Flanders, the account of the Plague &c. &c. are all of one family, and have the same stamp of character." — [At the top of the first page is added : — ] Omitted at the end . . . believe me with friendly recollections. Brother (as I used to call you) Yours C. Lamb. [Below the " Dear Wilson " is added in smaller writing : — ] The review was not mine, nor have I seen it. Note [Addressed to " Walter Wilson Esqr Lufton n^ Yeovil Somerset- shire." Lamb's friend Walter Wilson (see note on page 220) was beginning his Memoirs of the Life and Times of Daniel Defoe, 1830. The passage sent to him in this letter by Lamb he printed in Vol. HL, page 428. Some years later (see pages 464 and 819) Lamb sent Wilson a further criticism. See also Letter 294 for the reference to Roxana. For Dodwell see page 490. Of Wadd we have no informaticfn, except, according to Crabb Robinson's Diary, that he once acci- 588 LETTEKS OF C. AND M. LAMB Dec. dentally discharged a pen full of ink into Lamb's eye and that Lamb wrote this epigram upon him : — What Wadd knows, God knows, But God knows what Wadd knows.] LETTER 286 CHARLES LAMB TO BERNARD BARTON [Dated at end : 23 December 1822.] DEAR Sir — I have been so distracted with business and one thing or other, I have not had a quiet quarter of an hour for epistolary purposes. Christmas too is come, which always puts a rattle into my morning scull. It is a visiting unquiet un- Quakerish season. I get more and more in love with solitude, and proportionately hampered with company. I hope you have some holydays at this period. I have one day, Christmas day, alas ! too few to commemorate the season. All work and no play dulls me. Company is not play, but many times hard work. To play, is for a man to do what he pleases, or to do nothing — to go about soothing his particular fancies. I have lived to a time of life, to have outlived the good hours, the nine o'Clock suppers, with a bright hour or two to clear up in afterwards. Now you cannot get tea before that hour, and then sit gaping, music-bothered perhaps, till half-past 12 brings up the tray, and what you steal of convivial enjoyment after, is heavily paid for in the disquiet of to-morrow's head. I am pleased with your liking John Woodvil, and amused with your knowledge of our drama being confined to Shakspeare and Miss Bailly. What a world of fine territory between Land's End and Johnny Grots have you missed traversing. I almost envy you to have so much to read. I feel as if I had read all the Books I want to read. O to forget Fielding, Steele, &c., and read 'em new. Can you tell me a likely place where I could pick up, cheap. Fox's Journal ? There are no Quaker Circulating Libraries ? Ell- wood, too, I must have. I rather grudge that S[outhe]y has taken up the history of your People. I am afraid he will put in some Levity. I am afraid I am not quite exempt from that fault in certain magazine Articles, where I have introduced mention of them. Were they to do again, I would reform them. Why should not you write a poetical Account of your old Worthies, deducing them from Fox to Woolman ? — but I remember you did talk of something in that kind, as a counterpart to the 1822 GEORGE FOX'S JOURNAL 589 Ecclesiastical Sketches. But would not a Poem be more con- secutive than a string of Sonnets ? You have no Martyrs quite to the Fire, I think, among you. But plenty of Heroic Confessors, Spirit-Martyrs — Lamb-Lions. — Think of it. It would be better than a series of Sonnets on " Eminent Bankers." — I like a hit at our way of life, tho' it does well for me, better than anything short of all one's time to one's self, for which alone I rankle with envy at the rich. Books are good, and Pictures are good, and Money to buy them therefore good, but to buy time! in other words, life — The " compliments of the time to you " should end my letter ; to a Friend I suppose I must say the " sincerity of the season ; " I hope they both mean the same. With excuses for this hastily penn'd note, believe me with great respect — C. Lamb. 23 dec. 22. Note [Miss Bailly would be Joanna Baillie (1762-1851), author of Plays on the Passions. The copy of Fox's Journal, 1694, which was lent to Lamb has recently come into the possession of the Society of Friends. In it is written : " This copy of George Fox's Journal, being the earliest edition of that work, the property of John T. Shewell of Ipswich, is lent for six months to Charles Lamb, at the request of Sam^ Alexander of Needham, Ipswich, 1st mo. 4 1823." Lamb has added : " Returned by Charles Lamb, within the period, with many thanks to the Lender for the very great satisfaction which he has derived from the perusal of it." Southey was meditating a Life of George Fox and corresponded with Barton on the subject. He did not write the book. Barton had a plan to provide Wordsworth's Ecclesiastical Sonnets with a Quaker pendant. He did not carry it out. Here might come an undated and unpublished letter from Lamb to Basil Montagu, which is of little interest except as referring to Miss James, Mary Lamb's nurse. Lamb says that she was one of four sisters, daughters of a Welsh clergyman, who all became nurses at Mrs. Warburton's, Hoxton, whither, I imagine, Mary Lamb had often retired. Mrs. Parsons, one of the sisters, became Mary Lamb's nurse when, some time after Lamb's death, she moved to 41 Alpha Road, Mrs. Parsons' house. The late John Hollingshead, great-nephew of these ladies, says in his interesting book. My Lifetime, that their father was rector of Beguildy, in Shropshire.] 590 LETTEKS OF C. AND M. LAMB Jan. LETTER 287 CHARLES LAMB TO JOHN HOWARD PAYNE [January, 1823.] DEAR Payne — Your little books are most acceptable. 'Tis a delicate edition. They are gone to the binder's. When they come home I shall have two — the " Camp " and " Patrick's Day " — to read for the first time. I may say three, for I never read the '' School for Scandal." " Seen it I have, and in its happier days." With the books Harwood left a truncheon or mathematical instrument, of which we have not yet ascertained the use. It is like a telescope, but unglazed. Or a ruler, but not smooth enough. It opens like a fan, and discovers a frame such as they weave lace upon at Lyons and Chambery. Possibly it is from those parts. I do not value the present the less, for not being quite able to detect its purport. When I can find any one coming your way I have a volume for you, my Elias collected. Tell Poole, his Cockney in the Lon. Mag. tickled me exceedingly. Harwood is to be with us this evening with Fanny, who comes to introduce a literary lady, who wants to see me, — and whose portentous name is Plura, in English " many things." Now, of all God's creatures, I detest letters-affect- ing, authors-hunting ladies. But Fanny " will have it so." So Miss Many Things and I are to have a conference, of which you shall have the result. I dare say she does not play at whist. Treasurer Robertson, whose coffers are absolutely swelling with pantomimic receipts, called on me yesterday to say he is going to write to you, but if I were also, I might as well say that your last bill is at the Banker's, and will be honored on the instant receipt of the third Piece, which you have stipulated for. If you have any such in readiness, strike while the iron is hot, before the Clown cools. Tell Mrs. Kenney, that the Miss F. H. (or H. F.) Kelly, who has begun so splendidly in Juliet, is the identical little Fanny Kelly who used to play on their green before their great Lying-Inn Lodgings at Bayswater. Her career has stopt short by the in- judicious bringing her out in a vile new Tragedy, and for a third character in a stupid old one, — the Earl of Essex. This is Macready's doing, who taught her. Her recitation, &c. (not her voice or person), is masculine. It is so clever, it seemed a male Debut. But cleverness is the bane of Female Ti'agedy especially. Passions uttered logically, &c. It is bad enough in men-actors. Could you do nothing for little Clara Fisher ? Are there no French Pieces with a Child in them ? By Pieces I mean here dramas, to 1823 SHAKESPEARE SUPERSEDED 591 prevent male-constructions. Did not the Blue Girl remind you of some of Congreve's women ? Angelica or Millamant ? To me she was a vision of Genteel Comedy realized. Those kind of people never come to see one. N^import — havn't I Miss Many Things coming? Will you ask Horace Smith to [The remainder of this letter has been lost.] Note [Payne seems to have sent Lamb an edition of Sheridan. " The Camp " and " St. Patrick's Day " are among his less known plays. " Seen it I have, and in its happier days." After Pope's line (29) in the " Epilogue to the Satires I. " : — Seen him I have, but in his happier hour. Poole was writing articles on France in the London Magazine. Lamb refers to "A Cockney's Rural Sports" in the number for December, 1822. Fanny would be Fanny Holcroft. Plura I do not identify. " Fanny ' will have it so.' " Possibly in recollection of " pretty Fanny's way " in Parnell's " Elegy to an Old Beauty." The new tragedy in which Miss Kelly had to play was probably "The Huguenot," produced December 11, 1822. "The Earl of Essex " was revived December 30, 1822. Macready played in both. "Cleverness is the bane." See Lamb's little article on "The New Acting" in Vol. L, page 151. Clara Fisher. See Letter 292. The Blue Girl seems to refer to the lady mentioned at the end of Letter 275. Angelica is in Congreve's " Love for Love " ; Millamant in his " Way of the World."] LETTER 288 CHARLES LAMB TO WILLIAM WORDSWORTH [No date. January, 1823.] DEAR Wordsworth, I beg your acceptance of Elia, detached from any of its old companions which might have been less agreeable to you. I hope your eyes are better, but if you must spare them, there is nothing in my pages which a Lady may not read aloud without indecorum, which is more than can be said of Shakspeare, 592 LETTERS OF C. AND M. LAMB Jan. What a nut this last sentence would be for Blackwood ! You will find I availed myself of your suggestion, in curtailing the dissertation on Malvolio. I have been on the Continent since I saw you. I have eaten frogs. I saw Monkhouse tother day, and Mrs. M. being too poorly to admit of company, the annual goosepye was sent to Russell Street, and with its capacity has fed " A hundred head " (not of Aristotle's) but " of Elia's friends." Mrs. Monkhouse is sadly confined, but chearful. — This packet is going off; and I have neither time, place nor soli- tude for a longer Letter. Will you do me the favor to forward the other volume to Southey ? Mary is perfectly well, and joins me in kindest rememb^es to you all. [Signature cut away,] Note [" What a nut . . . for Blackwood." To help on Maga's great cause against Cockney arrogance. " The dissertation on Malvolio." In Elia the essays on the Old Actors were much changed and rearranged (see Appendix to Vol. II. in this edition). " A hundred head." See the Dunciad, IV., 192 : — A hundred head of Aristotle's friends.] LETTER 289 CHARLES LAMB TO MR. AND MRS. J. D. COLLIER Twelfth Day [January 6], 1823. THE pig was above my feeble praise. It was a dear pigmy. There was some contention as to who should have the ears, but in spite of his obstinacy (deaf as these little creatures are to advice) I contrived to get at one of them. It came in boots too, which I took as a favor. Generally those petty toes, pretty toes ! are missing. But I suppose he wore them, to look taller. He must have been the least of his race. His little foots would have gone into the silver slipper. I take him to have been Chinese and a female. — If Evelyn could have seen him, he would never have farrowed two 1823 LITTLE PIGS AGAIN 593 such prodigious volumes, seeing how much good can be contained in — how small a compass ! He crackled delicately. John Collier Jun^ has sent me a Poem which (without the smallest bias from the aforesaid present, believe me) I pronounce sterling, I set about Evelyn, and finished the first volume in the course of a natural day. To-day I attack the second. — Parts are very interesting. — I left a blank at top of my letter, not being determined which to address it to, so Farmer and Farmer's wife will please to divide our thanks. May your granaries be full, and your rats empty, and your chickens plump, and your envious neighbors lean, and your labourers busy, and you as idle and as happy as the day is long ! Vive l' Agriculture ! Frank Field's marriage of course you have seen in the papers, and that his brother Barron is expected home. How do you make your pigs so little ? They are vastly engaging at that age. I was so myself. Now I am a disagreeable old hog — A middle-aged-gentleman-and-a-half. My faculties, thank God, are not much impaired. I have my sight, hearing, taste, pretty perfect ; and can read the Lord's Prayer in the common type, by the help of a candle, without making many mistakes. Believe me, while my faculties last, a proper appreciator of your many kindnesses in this way ; and that the last lingering relish of past flavors upon my dying memory will be the smack of that little Ear. It was the left ear, which is lucky. Many happy returns (not of the Pig) but of the New Year to both. — Mary for her share of the Pig and the memoirs desires to send the same — Dr. Mr. C. and M^s. C— Yours truly C. Lamb. Note [This letter, now printed from the original in the possession of Mr. Adam of Buffalo, is usually supposed to have been addressed by Lamb to Mr. and Mrs. Bruton of Mackery End. The address is, however, Mrs. Collier, Smallfield Place, East Grinstead, Sussex (see also Letters 266 and 336, pages 561 and 655). VOL. VII. — 40 594 LETTERS OF C. AND M. LAMB Jan. " If Evelyn could have seen him." John Evelyn's Diary had recently been published, in 1818 and 1819, in two large quarto volumes.] LETTER 290 CHARLES LAMB TO BERNARD BARTON 9 Jan., 1823. ^' 'nr^HROW yourself on the world without any rational plan of X support, beyond what the chance employ of Booksellers would afford you " ! ! ! Throw yourself rather, my dear Sir, from the steep Tarpeian rock, slap-dash headlong upon iron spikes. If you had but five consolatory minutes between the desk and the bed, make much of them, and live a century in them, rather than turn slave to the Booksellers. They are Turks and Tartars, when they have poor Authors at their beck. Hitherto you have been at arm's length from them. Come not within their grasp. I have known many authors for bread, some repining, others envying the blessed security of a Counting House, all agreeing they had rather have been Taylors, Weavers, what not? rather than the things they were. I have known some starved, some to go mad, one dear friend literally dying in a workhouse. You know not what a rapacious, dishonest set those booksellers are. Ask even Southey, who (a single case almost) has made a fortune by book drudgery, what he has found them. O you know not, may you never know ! the miseries of subsisting by authorship. 'Tis a pretty appendage to a situation like yours or mine, but a slavery worse than all slavery to be a bookseller's dependent, to drudge your brains for pots of ale and breasts of mutton, to change your free thoughts and volun- tary numbers for ungracious Task- Work. Those fellows hate us. The reason I take to be, that, contraiy to other trades, in which the Master gets all the credit (a Jeweller or Silversmith for in- stance), and the Journeyman, who really does the fine work, is in the background, in our work the world gives all the credit to Us, whom they consider as their Journeymen, and therefore do they hate us, and cheat us, and oppress us, and would wring the blood of us out, to put another sixpence in their mechanic pouches. I contend, that a Bookseller has a relative honesty towards Authors, not like his honesty to the rest of the world. B[aldwin], who first engag'd me as Elia, has not paid me up yet (nor any of us without repeated mortifying applials), yet how the Knave fawned 1823 "WELCOME, DEAD TIMBEE" 595 while I was of service to him ! Yet I dare say the fellow is punctual in settling his milk-score, &c. Keep to your Bank, and the Bank will keep you. Trust not to the Public, you may hang, starve, drown yourself, for anything that worthy Personage cares. I bless every star that Providence, not seeing good to make me independent, has seen it next good to settle me upon the stable foundation of Leadenhall. Sit down, good B. B., in the Banking Office ; what, is there not from six to Eleven p.m. 6 days in the week, and is there not all Sunday? Fie, what a superfluity of man's time, — if you could think so ! Enough for relaxation, mirth, converse, poetry, good thoughts, quiet thoughts. O the corroding torturing tormenting thoughts, that disturb the Brain of the un- lucky wight, who must draw upon it for daily sustenance. Hence- forth I retract all my fond complaints of mercantile employment, look upon them as Lovers' quarrels. I was but half in earnest. Welcome, dead timber of a desk, that makes me live. A little grumbling is a wholesome medicine for the spleen ; but in my inner heart do I approve and embrace this our close but unharassing way of life. I am quite serious. If you can send me Fox, I will not keep it six weeks^ and will return it, with warm thanks to yourself and friend, without blot or dog's ear. You much oblige me by this kindness. Yours truly, C. Lamb. Please to direct to me at India Ho. in future. [? I am] not always at Russell St. Note [Barton had long been meditating the advisability of giving up his place in the bank at Woodbridge and depending upon his pen. Lamb's letter of dissuasion is not the only one which he received. Byron had written to him in 1812 : " You deserve success ; but we knew, before Addison wrote his Cato, that desert does not always command it. But suppose it attained — * You know what ills the author's life assail — Toil, envy, want, the patron, and the jail.' Do not renounce winting, but never trust entirely to authorship. If you have a profession, retain it ; it will be like Prior's fellowship, a last and sure resource." Barton had now broken again into dis- satisfaction with his life. He did not, however, leave the bank. Southey made no "fortune " by his pen. He almost always had to forestall his new works.] 596 LETTERS OF C. AND M. LAMB Feb. LETTERS 291 AND 292 CHARLES LAMB TO JOHN HOWARD PAYNE 23 January, '23. DEAR Payne — I have no mornings (my day begins at 5 p.m.) to transact business in, or talents for it, so I employ Mary, who has seen Robertson, who says that the Piece which is to be Operafied was sent to you six weeks since by a Mr. Hunter, whose journey has been delayed, but he supposes you have it by this time. On receiving it back properly done, the rest of your dues will be forthcoming. You have received <£30 from Harwood, I hope ? Bishop was at the theatre when Mary called, and he has put your other piece into C. Kemble's hands (the piece you talk of offering Elliston) and C. K. sent down word that he had not yet had time to read it. So stand your affairs at present. Glossop has got the Murderer. Will you address him on the subject, or shall I — that is, Mary ? She says you must write more showable letters about these matters, for, with all our trouble of crossing out this word, and giving a cleaner turn to th' other, and folding down at this part, and squeezing an obnoxious epithet into a comer, she can hardly communicate their contents without offence. What, man, put less gall in your ink, or write me a biting tragedy ! C. Lamb. CHARLES LAMB TO JOHN HOWARD PAYNE February [9], 1823. MY dear Miss Lamb — I have enclosed for you Mr. Payne's piece called Grandpapa, which I regret to say is not thought to be of the nature that will suit this theatre ; but as there appears to be much merit in it, Mr. Kemble strongly recommends that you should send it to the English Opera House, for which it seems to be excellently adapted. As you have already been kind enough to be our medium of communication with Mr. Payne, I have imposed this trouble upon you ; but if you do not like to act for Mr. Payne in the business, and have no means of disposing of the piece, I will forward it to Paris or elsewhere as you think he may prefer. Very truly yours, Henry Robertson, T. R. C. G., 8 Feb. 1823. 1823 HOWARD PAYNE'S "GRANDPAPA" 597 Dear P We have just received the above, and want your in- structions. It strikes me as a very merry little piece, that should be played by very young actors. It strikes me that Miss Clara Fisher would play the hoy exactly. She is just such a forward chit. No young man would do it without its appearing absurd, but in a girl's hands it would have just all the reality that a short dream of an act requires. Then for the sister, if Miss Stevenson that was, were Miss Stevenson and younger, they two would carry it off. I do not know who they have got in that young line, besides Miss C. F., at Drury, nor how you would like EUiston to have it — has he not had it ? I am thick with Arnold, but I have always heard that the very slender profits of the English Opera House do not admit of his giving above a trifle, or next to none, for a piece of this kind. Write me what I should do, what you would ask, &c. The music (printed) is returned with the piece, and the French original. Tell Mr. Grattan I thank him for his book, which as far as I have read it is a very companionable one. I have but just received it. It came the same hour with your packet from Cov. Gar., i.e. yester-night late, to my summer residence, where, tell Kenney, the cow is quiet. Love to all at Versailles. Write quickly. C. L. I have no acquaintance with Kemble at all, having only met him once or twice ; but any information, &c., I can get from R., who is a good fellow, you may command. I am sorry the rogues are so dilitory, but I distinctly believe they mean to fulfill their engage- ment. I am sorry you are not here to see to these things. I am a poor man of business, but command me to the short extent of my tether. My sister's kind remembrance ever. C. L. Note [The " Grandpapa " was eventually produced at Drury Lane, May 25, 1825, and played thrice. Miss Stevenson was an actress praised by Lamb in The Examiner (see Vol. I. of this edition, pages 187 and 189). Samuel James Arnold was manager of the Lyceum, then known as the English Opera House ; he was the brother of Mrs. William Ayrton, Lamb's friend. Mr. Grattan was Thomas Colley Grattan (1792-1864), who was then living in Paris. His book would be Highways and Byways, first series, 1823. There is one other note to Payne in the Century Magazine, unimportant and undated, suggesting a walk one Sunday.] 598 LETTERS OF C. AND M. LAMB Feb. LETTER 293 CHARLES LAMB TO BERNARD BARTON [p.m. February 17, 1823.] MY dear Sir — I have read quite through the ponderous folio of G. F. I think Sewell has been judicious in omitting certain parts, as for instance where G. F. has revealed to him the natures of all the creatures in their names, as Adam had. He luckily turns aside from that compendious study of natural history, which might have superseded BufFon, to his proper spiritual pursuits, only just hinting what a philosopher he might have been. The ominous passage is near the beginning of the Book. It is clear he means a physical knowledge, without trope or figure. Also, pre- tences to miraculous healing and the like are more frequent than I should have suspected from the epitome in Sewell. He is neverthe- less a great spiritual man, and I feel very much obliged by your procuring me the Loan of it. How I like the Quaker phrases — though I think they were hardly completed till Woolman. A pretty little manual of Quaker language (with an endeavour to explain them) might be gathered out of his Book. Could not you do it ? I have read through G. F. without finding any explanation of the term first volume in the title page. It takes in all, both his life and his death. Are there more Last words of him ? Pray, how may I venture to return it to Mr. Shewell at Ipswich? I fear to send such a Treasure by a Stage Coach. Not that I am afraid of the Coachman or the Guard reading it. But it might be lost. Can you put me in a way of sending it in safety ? The kind hearted owner trusted it to me for six months. I think I was about as many days in getting through it, and I do not think that I skipt a word of it. I have quoted G. F. in my Quaker's meeting, as having said he was " lifted up in spirit " (which I felt at the time to be not a Quaker phrase), " and the Judge and Jury were as dead men under his feet." I find no such words in his Journal, and I did not get them from Sewell, and the latter sentence I am sure I did not mean to invent. I must have put some other Quaker's words into his mouth. Is it a fatality in me, that every thing I touch turns into a Lye ? I once quoted two Lines from a translation of Dante, which Hazlitt very greatly admired, and quoted in a Book as proof of the stupendous power of that poet, but no such lines are to be found in the translation, which has been searched for the purpose. I must have dreamed them, for I am quite certain I did not forge them knowingly. What a misfortune to have a Lying 1823 SARA COLERIDGE 599 memory.— Yes, I have seen Miss Coleridge, and wish I had just such a— daughter. God love her — to think that she should have had to toil thro' five octavos of that cursed (I forget I write to a Quaker) Abbeypony History, and then to abridge them to 3, and all for £113. At her years, to be doing stupid Jesuits' Latin into English, when she should be reading or writing Romances. Heaven send her Uncle do not breed her up a Quarterly Reviewer ! — which reminds me, that he has spoken very respectfully of you in the last number, which is the next thing to having a Review all to one's self. Your description of Mr. Mitford's place makes me long for a pippin and some carraways and a cup of sack in his orchard, when the sweets of the night come in. Farewell. . C. Lamb. Note [In the 1694 folio of George Fox's Journal the revelation of the names of creatures occurs twice, once under Notts in 1647 and again under Mansfield in 1648. " Sewell." The History of the Rise, Increase and Progress of the Christian People called Quakers, 1722. By William Sewell (1654-1720). " In my Quaker's meeting " — the Elia essay (see Vol. II., page 45). "I once quoted two Lines." Possibly, Mr. A. R. Waller suggests to me, the lines : — Because on earth their names In Fame's eternal volume shine for aye, quoted by Hazlitt in his Round Table essay "On Posthumous Fame," and again in one of his Edinburgh Review articles. They are presumably based upon the Inferno^ Canto IV. (see Haselfoot's translation, second edition, 1899, page 21, lines 74-78). But the " manufacturer " of them must have had Spenser's line in his mind, " On Fame's eternall bead-roll worthie to be fyled" (Fcerie Queene, Bk. IV., Canto II., Stanza 32). They have not yet been found in any translation of Dante. This explanation would satisfy Lamb's words ''quoted in a book," i.e., The Round Table, published in 1817. " Miss Coleridge " — Coleridge's daughter Sara, born in 1802, who had been brought up by her uncle, Southey. She had translated Martin DobrizhofFer's Latin history of the Abipones in order to gain funds for her brother Derwent's college expenses. Her father considered the translation " unsurpassed for pure mother English by anything I have read for a long time." Sara Coleridge married her cousin, Henry Nelson Coleridge, in 1829. She edited her father's 600 LETTERS OF C. AND M. LAMB Feb. works and died in 1852. At the present time she and her mother were visiting the Gillmans. Mr. Mitford was John Mitford (1781-1859), rector of Benhall, in Suffolk, and editor of old poets. Later he became editor of the Oentlemans Magazine. He was a cousin of Mary Russell Mitford. In the Gentleman's Magazine for May, 1838, is a review of Talfourd's edition of Lamb's Letters^ probably from his pen, in which he records a visit to the Lambs in 1827.] LETTER 294 CHARLES LAMB TO WALTER WILSON [Dated at end : February 24, 1823.] DEAR W. — I write that you may not think me neglectful^ not that I have any thing to say. In answer to your questions, it was at your house I saw an edition of Roxana, the preface to which stated that the author had left out that part of it which related to Roxana's daughter persisting in imagining herself to be so, in spite of the mother's denial, from certain hints she had picked up, and throwing herself continually in her mother's way (as Savage is said to have done in his^ prying in at windows to get a glimpse of her), and that it was by advice of Southern, who objected to the circumstances as being untrue, when the rest of the story was founded on fact ; which shows S. to have been a stupid-ish fellow. The incidents so resemble Savage's story, that I taxed Godwin with taking Falconer from his life by Dr. Johnson. You should have the edition (if you have not parted with it), for I saw it never but at your place at the Mews' Gate, nor did I then read it to compare it with my own ; only I know the daughter's curiosity is the best part of my Roxana. The prologue you speak of was mine, so named, but not worth much. You ask me for 2 or 3 pages of verse. I have not written so much since you knew me. I am altogether prosaic. May be I may touch off a sonnet in time. I do not prefer Col. Jack to either Rob. Cr. or Roxana. I only spoke of the beginning of it, his childish history. The rest is poor. I do not know anywhere any good character of De Foe besides what you mention. I do not know that Swift mentions him. Pope does. I forget if D'Israeli has. Dunlop I think has nothing of him. He is quite new ground, and scarce known beyond Crusoe. I do not know who wrote Quarll. I never thought of Quarll as having an author. It is a poor imitation ; the monkey is the best in it, and his pretty dishes made of shells. Do you know the 1823 DANIEL DEFOE AGAIN 601 Paper in the Englishman by Sir Rd. Steele, giving an account of Selkirk ? It is admirable, and has all the germs of Crusoe. You must quote it entire. Captain G. Carleton wrote his own Memoirs ; they are about Lord Peterborough's campaign in Spain, & a good Book. Puzzelli puzzles me, and I am in a cloud about Donald M'Leod. I never heard of them; so you see, my dear Wilson, what poor assistances I can give in the way of information. I wish your Book out, for I shall like to see any thing about De Foe or from you. Your old friend, C. Lamb. From my and your old compound. 24 Feb. '23. Note [With this letter compare Letter 89 to Godwin, and Letter 285 to Wilson, pages 225 and 586. Defoe's Roxana^ first edition, does not, as a matter of fact, con- tain the episode of the daughter which Lamb so much admired. Later editions have it. Godwin says in his Preface to " Faulkener," 1807, the play to which Lamb wrote a prologue in praise of Defoe (see Vol. v., page 123), that the only accessible edition of Roxana in which the story of Susannah is fully told is that of 1745. Richard Savage was considered to be the natural son of the Countess of Macclesfield and Earl Rivers. His mother at first dis- owned him, but afterwards, when this became impossible, repulsed him. Johnson says in his " Life of Savage," that it was his hero's " practice to walk in the dark evenings for several hours before hei' door in hopes of seeing her as she might come by accident to the window or cross her apartment with a candle in her hand." Swift and Defoe were steady enemies, although I do not find that either mentions the other by name. But Swift in The Examiner often had Defoe in mind, and Defoe in one of his political writings refers to Swift, apropos Wood's halfpence, as " the copper farthing author." Pope referred to Defoe twice in the Dunciad : once as standing high, fearless and unabashed in the pillory, and once, libellously, as the father of Norton, of the Flying Post. Philip Quarll was the first imitation of Robinson Crusoe, It was published in 1727, purporting to be the narrative of one Dor- rington, a merchant, and Quarll's discoverer. The title begins, The Hermit ; or, The Unparalleled Sufferings and Surprising Adventures of Mr, Philip Quarll^ an Englishman . . . Lamb says in his essay on Christ's Hospital that the Blue-Coat boys used to read the book. It is unknown now, although an abridgment 602 LETTERS OF C. AND M. LAMB March appeared quite recently. The authorship of the book is still un- known. Steele's account of Selkirk is in The Englishman, No. 26, Dec. 1, 1713. Wilson quoted it. Defoe's fictitious Military Memoirs of Gapt. George Carleton was published in 1728. I cannot explain Puzzelli or Donald M'Leod. Later Lamb sent Wilson, who seems to have asked for some verse about Defoe, the " Ode to the Treadmill," but Wilson did not use it. " My old compound." Robinson's Diary (Vol. I., page 333) has this : " The large room in the accountant's office at the East India House is divided into boxes or compartments, in each of which sit six clerks, Charles Lamb himself in one. They are called Com- pounds. The meaning of the word was asked one day, and Lamb said it was ' a collection of simples.' "] LETTER 295 CHARLES LAMB TO BERNARD BARTON [Dated at end : March ii, 1823.] DEAR Sir — The approbation of my little book by your sister is very pleasing to me. The Quaker incident did not happen to me, but to Carlisle the surgeon, from whose mouth I have twice heard it, at an interval of ten or twelve years, with httle or no variation, and have given it as exactly as I could remember it. The gloss which your sister, or you, have put upon it does not strike me as correct. Carlisle drew no inference from it ao:ainst the honesty of the Quakers, but only in favour of their surprising cool- ness — that they should be capable of committing a good joke, with an utter insensibility to its being any jest at all. I have reason to believe in the truth of it, because, as I have said, I heard him re- peat it without variation at such an interval. The story loses sadly in print, for Carlisle is the best story teller I ever heard. The idea of the discovery of roasting pigs, I also borrowed, from my friend Manning, and am willing to confess both my plagiarisms. Should fate ever so order it that you shall be in town with your sister, mine bids me say that she shall have great pleasure in being introduced to her. I think I must give up the cause of the Bank — from nine to nine is galley-slavery, but I hope it is but temporary. Your endeavour at explaining Fox's insight into the natures of animals must fail, as I shall transcribe the passage. It appears to me that he stopt short in time, and was on the brink of fallint^ 1823 BARRON FIELD'S SEAL 603 with his friend Naylor, my favourite. — -The book shall be forthcom- ing whenever your friend can make convenient to call for it. They have dragged me again into the Magazine, but I feel the spirit of the thing in my own mind quite gone. " Some brains " (I think Ben Jonson says it) " will endure but one skimming." We are about to have an inundation of poetry from the Lakes, Wordsworth and Southey are coming up strong from the North. The she Coleridges have taken flight, to my regret. With Sara's own-made acquisitions, her unaffectedness and no-pretensions are beautiful. You might pass an age with her without suspecting that she knew any thing but her mother's tongue. I don't mean any reflection on Mrs. Coleridge here. I had better have said her vernacular idiom. Poor C. I wish he had a home to receive his daughter in. But he is but as a stranger or a visitor in this world. How did you like Hartley's sonnets ? The first, at least, is vastly fine. Lloyd has been in town a day or two on business, and is per- fectly well. I am ashamed of the shabby letters I send, but I am by nature anything but neat. Therein my mother bore me no Quaker. I never could seal a letter without dropping the wax on one side, besides scalding my fingers. I never had a seal too of my own. Writing to a great man lately, who is moreover very Heraldic, I borrowed a seal of a friend, who by the female side quarters the Protectorial Arms of Cromwell. How they must have puzzled my correspondent ! — My letters are generally charged as double at the Post office, from their inveterate clumsiness of foldure. So you must not take it disrespectful to your self if I send you such ungainly scraps. I think I lose <£100 a year at the India House, owing solely to my want of neatness in making up Accounts. How I puzzle 'em out at last is the wonder. I have to do with millions. I^ It is time to have done my incoherencies. Believe me Yours Truly C. Lamb. Tuesd II Ma 23. Note [Lamb had sent Elia to Woodbridge. Bernard Barton's sister was Maria Hack, author of many books for children. The Quaker incident is in the essay "Imperfect Sympathies." Carlisle was Sir Anthony Carlisle, whom we have already seen. " Your endeavour at explaining Fox's insight." See Letter 293. James Nayler (1617P-1660), an early Quaker who per- mitted his admirers to look upon him as a new Christ. He went to extremes totally foreign to the spirit of the Society. Barton made a paraphrase of Nayler's " Last Testimony." 604 LETTERS OF C. AND M. LAMB April " They have dragged me again." Lamb had been quite ready to give up Elia with the first essays. " Old China," one of his most charming papers, was in the March London Magazine, " Some brains ..." I have not been able to find this in Ben Jonson. " Hartley's sonnets." Four sonnets by Hartley Coleridge were printed in the London Magazine for February, 1823, addressed to R. S. Jameson. This was the first : — When we were idlers with the loitering rills, The need of human love we little noted : Our love was Nature ; and the peace that floated On the white mist, and slept upon the hills, To sweet accord subdued our wayward wills : One soul was ours, one mind, one heart devoted. That, wisely doating, ask'd not why it doated ; And ours the unknown joy, that knowing kills. But now I find how dear thou wert to me ; That, man is more than half of Nature's treasure, — Of that fair beauty which no eye can see, — Of that still music which no ear can measure ; But now the streams may sing for others' pleasure, The hills sleep on in their eternity. " Writing to a great man lately." This was Sir Walter Scott (see Letter 279). Barron Field would be the friend with the seal.] LETTER 296 CHARLES LAMB TO BERNARD BARTON [p.m. 5 April 1823.] DEAR Sir — ^You must think me ill mannered not to have re- plied to your first letter sooner, but I have an ugly habit of aversion from letter writing, which makes me an unworthy correspondent. I have had no spring, or cordial call to the occupation of late. I have been not well lately, which must be my lame excuse. Your poem, which I consider very affecting, found me engaged about a humorous Paper for the London, which I had called a " Letter to an Old Gentleman whose Education had been neglected " — and when it was done Taylor and Hessey would not print it, and it discouraged me from doing any thing else, so I took up Scott, where I had scribbled some petulant remarks, and for a make shift father'd them on Ritson. It is obvious I could not make your Poem a part of them, and as I did not know whether I should ever be able to do to my mind what you suggested, I thought it not fair to keep back the verses for the chance. Mr. Mitford's 1823 DINING IN PARNASSUS 605 sonnet I like very well ; but as I also have my reasons against in- terfering at all with the Editorial arrangement of the London, I transmitted it (not in my own handwriting) to them, who I doubt not will be glad to insert it. What eventual benefit it can be to you (otherwise than that a kind man's wish is a benefit) I cannot conjecture. Your Society are eminently men of Business, and will probably regard you as an idle fellow, possibly disown you, that is to say, if you had put your own name to a sonnet of that sort, but they cannot excommunicate Mr. Mitford, therefore I thoroughly approve of printing the said verses. When I see any Quaker names to the Concert of Antient Music, or as Directors of the British Institution, or bequeathing medals to Oxford for the best classical themes, etc. — then I shall begin to hope they will emancipate you. But what as a Society can they do for you ? you would not accept a Commission in the Army, nor they be likely to procure it ; Posts in Church or State have they none in their giving ; and then if they disown you — think — you must live " a man forbid." I wishd for you yesterday. I dined in Parnassus, with Words- worth, Coleridge, Rogers, and Tom Moore — half the Poetry of England constellated and clustered in Gloster Place ! It was a delightful Even ! Coleridge was in his finest vein of talk, had all the talk, and let 'em talk as evilly as they do of the envy of Poets, I am sure not one there but was content to be nothing but a listener. The Muses were dumb, while Apollo lectured on his and their fine Art. It is a lie that Poets are envious, I have known the best of them, and can speak to it, that they give each other their merits, and are the kindest critics as well as best authors. I am scribbling a muddy epistle with an aking head, for we did not quaff Hippocrene last night. Marry, it was Hippocras rather. Pray accept this as a letter in the mean time, and do me the favor to mention my respects to Mr. Mitford, who is so good as to entertain good thoughts of Elia, but don't show this almost im- pertinent scrawl. I will write more respectfully next time, for believe me, if not in words, in feelings, yours most so. Note [" Your poem." Barton's poem was entitled " A Poet's Thanks," and was printed in the London Magazine for April, 1823, the same number that contained Lamb's article on Ritson and Scott. It is one of his best poems, an expression of contentment in simplicity. The " Letter to an Old Gentleman," a parody of De Quincey's series of " Letters to a Young Gentleman " in the London Magazine, was not published until January, 1825. Scott was John Scott of Amwell (Barton's predecessor as the Quaker poet), who had written 606 LETTERS OF C. AND M. LAMB April a rather foolish book of prose, Critical Essays on the English Poets. Ritson was Joseph Ritson, the critic and antiquarian. See Vol. I. of the present edition, page 218, for the essay. Barton seems to have suggested to Lamb that he should write an essay around the poem " A Poet's Thanks." Mitford's sonnet, which was printed in the London Magazine for June, 1823, was addressed commis- eratingly to Bernard Barton. It began : — What to thy broken Spirit can atone, Unhappy victim of the Tyrant's fears ; and continued in the same strain, the point being that Barton was the victim of his Quaker employers, who made him " prisoner at once and slave." Lamb's previous letter shows us that Barton was being worked from nine till nine, and we must suppose also that an objection to his poetical exercises had been lodged or suggested. The matter righted itself in time. "A man forbid" ("Macbeth," I., 3, 21). " I dined in Parnassus." This dinner, at Thomas Monkhouse's, No. 34 Gloucester Place, is described both by Moore and by Crabb Robinson, who was present. Moore wrote in his Journal : " Dined at Mr. Monkhouse's (a gentleman I had never seen before) on Wordsworth's invitation, who lives there whenever he comes to town. A singular party. Coleridge, Rogers, Wordsworth and wife, Charles Lamb (the hero at present of the London Magazine\ and his sister (the poor woman who went mad in a diligence on the way to Paris), and a Mr. Robinson, one of the minora sidera of this constellation of the Lakes ; the host himself, a Maecenas of the school, contributing nothing but good dinners and silence. Charles Lamb, a clever fellow, certainly, but full of villainous and abortive puns, which he miscarries of every minute. Some excellent things, however, have come from him." Lamb told Moore that he had hitherto always felt an antipathy to him, but henceforward should like him. Crabb Robinson writes: "April 4