BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF SletirQ M. Sage 1891 3777 Cornell University Library PN 2602.K4SB97 Private theatre of Kjlkenn 3 1924 027 155 070 .im,..,. '^. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027155070 THE PRIVATE THEATRE OP KILKENNY, INTRODUCTORY OBSERVATIONS Other Private Theatres in Ireland, before it was opened. INTRODUCTION. INTRODUCTION. ►-►♦-*<-< Theatrical Representations in Private Houses, an amusement so common in the Countries of the Continent, or, in Private Theatres, where Professional Actors vvould not be allowed to assist, were once very general in Ireland. Domestic gaieties of this kind used to grow out of one another, and there have been times vvithin the last half-century, in which they were remarkable, not only for their number, but for the importance of the Persons con- cerned in them. A Catalogue of all these Festive Meetings, as handed down to us by, the Papers of the day, woilld exceed the proposed limits of our introductory Remarks ; but some of them deserve to be particularly noticed ; and from them we may collect this curious and amusing fact, that many of the names, most distinguished in the Parliamentary and Political transactions of the Country, during the best and brightest periods of her past History, will be found in the list of Performers in Private. Plays. To indulge in any moral reflections upon this, is not our intention. The world, perhaps, may be wiser, and better than it used to be — We are sure that it is not happier. In our brief notice of those little Tlieatrical Communities, we shall begin with that which assembled in the County of Armagh, in the year 1759, at Lurgan, the se^t of the celebrated William Brownlow, one of the Representatives of that County — "A man," says Mr. Grattan, " with a station of mind in him, that would have become the proudest Senate in Europe." To this Meeting, the Stage is indebted for the popular Entertainment of Midas. It was written upon that occasion by one of the Company, the late Mr. Kane O'Hara, and originally consisted of but one Act, commencing with the fall of Jpollo from the B 2 INTRODUCTION. clouds. The Characters in the Piece were undertaken by the Members of the Family and their Relatives ; with the exception of the part of Fan, which was reserved by the Author for him- self. Many additions were made to it, before its introduction to the Public ; and, among others, the opening scene of " Jove in his Chair," as it is now represented. A Preface to an early copy thus accounts for its being known beyond the Family-Party for whose amusement it was written. — " The first idea of it was conceived, and the plan in some manner executed, for the private entertainment of some persons of distinction in Ireland, at a time when Italian Burlettas were blended with the exhibitions of the Theatre, and almost triumphed over the best produc- tions of our language. The pubUc spirit of those, for whom it was originally intended, prevailed upon the Author to enlarge his design, and Midas accordbgly ventured on the Stage." In 1760, Mr. Thomas Connolly, another distinguished Member of the Irish Parliament, had one of these Theatrical Jubilees at Castletown, his residence in the County of Kildare. The " First Fart of Henry IV." was one of their most attractive Performances, to which an Epilogue was spoken by Mr. Hussey Bukgh, afterwards Chief Baeon of the Exchequer. " Mild,* moderate, and patriotic, Mr. Burgh was proud without arrogance, and dignified without effort; equally attentive to public concerns, and careless of his own, he had neither avarice to acquire wealth, nor parsimony to retain it ; liberal even to profusion, friendly to a fault, and disinterested to a weakness ; he was honest without affluence, and ambitious without corruption ; his eloquence was of the highest order, figurative, splendid and convincing. At the Bar, in the Parliament, and among the People, he was equally admired, and universally respected." The Earl of Kildare, afterwards Duke of Leinster, tlie Friend and Neighbour of Mr. Connolly, opened his princely Mansion at Carton, to a series of similar Entertain- ments, in the year 176I. * " The softness of philanthropy, the placidity of temper, the openness of sincerity, the sympathy of friendship, and the ease of integrity, stamped cor- responding impressions on' the artless countenance of this respected Nobleman, and left but little to conjecture as to the composition of his character, ilis elevated rank, and exten- sive connexions, gave him a paramount lead in Irish politics, which his naked talents would not, perhaps, have otherwise justified, but from the days of his maturity, tot the moment of his dissolution, he was the undeviating friend of the Irish Nation. As a Soldier, and a Patriot, he performed his duties ; and in his plain and honorable disposition, was found collected a happy specimen of those qualities which best compose the gentleman." Among the other Performances at Carton, was the Beggar's Opera, then the most popular of all the productions of the Stage. The casts of it will be sufficient to show the Rank of the individuals who partook of these amusements. Among the Ladies we find the Coun- * Historic Anecd. of Union. INTRODUCTION. 3 TEss OF KiLDARE, the Lady of the Mansion, and Lady Louisa Connolly. Among the Gentlemen, Viscount Pow£rscourt, Lord Charlemont, and Dean Maelay, afterwards Bishop of Waterford ; but a * Bill of the night's amusement is below. — A Prologue t was spoken by the latter Gentleman, the production of his own classic pen. The rank of Earl was soon afterwards conferred upon Lord Charlemont, in speaking of whom it is impossible to avoid adverting to the beautiful eulogy pronounced upon his memory, by Mr. Grattan, his friend and admirer. — | " He was formed to unite the aris- tocracy and the people, with the manners of a Court, and the principles of a Patriot. — Unassailable to the approaches of power, of profit, or of titles, he annexed to the love of freedom, a veneration for order, and cast on the crowd that followed him, the gracious shade of his own accomplishments, so that the very rabble grew civilized, as it approached his person. For years did he preside over a great army, without pay or reward ; and he helped to accomplish a great Revolution, without a drop of blood. Let slaves utter their slander, and bark at glory which is conferred by the People ; his name will stand ; and when their clay shall be gathered to the dirt to which they belong, his monument, whether in marble, or in the hearts of his Countrymen, shall be consulted as a subject of sorrow, and a source of virtue." Some few years afterwards, that is, about the end of the year 1774, a taste for Dramatic •amusements was very prevalent in the County of Kilkenny. Plays were got up at Knocktopher, Farmley, and Kilfane, the Seats of the late Sir Hercules Langrishe, Mr. Henry Flood, * Beggae's Opera. Macheath, Peachum, Lockit, Filch, Polly, Lucy, Mrs. Peachum, Mrs. Slammdkin, Jenny Diver, Coaxer, Captain Morris. ^ Lord Charlemont. Rev. Dean Marlay. Mr. Thomas Connolly. Miss Martin. Lady Louisa Connolly. The Countess of Kildare. Viscount Powerscourt. Miss Vesey. Miss Adderley. f PROLOGUE. Our Play to-night wants novelty, 'tis true; That to atone, our Actors are all new ; And sure our Stage than any Stage is droller, liOrds act the rogue, and Ladies play the stroller : And yet, so artfully they feign, you'lLsay They are the very characters they play — But know, they're honest, though their looks bely it. Great ones ne'er cheat, when they get nothing by it. Our Ladies, too, when they this Stage depart. Will pilfer nothing from j'ou, but your heart ; The melting music of our Polly's tongue Will charm beyond the Syren's magic song. If Lu^y seems too meek, yet never fear, For all those gentle smiles she'll scold her dear ; But her keen rage so amiable is found, Macheath you'll envy, though in fetters bouod. If Peaehum's vnfe, too fair, loo graceful prove, And seem to emulate the queen of love ; If no disguise her lustre can conceal. And every look a matchless charm reveal 4 We own the fault, for, spite of art and care. The Loves and Graces will attend Kildare. Diver, and blooming Coaxer, if you knew' them. You'd think you ne'er could be too loving to them. When you behold our Peachum, Pilch, and Lockit, You'll shudder for your purse, and guard your pocket. When Slammekin you view politely drunk. You'll own the genuine Covent Garden Punk. Thus virtue's friends, their native truth disguise, And counterfeit the follies they despise ; By wholesome ridicule, proud vice to brand, And into virtue laugh a guilty land. But when this busy mimic scene is o'er. All shall resume the worth they had before ; Lockit himself his knavery shall resign. And lose the Gaoler in the dull Divine. J: Reply to Lord Clare — 1800. 4 INTRODUCTION. of Parliamentary celebrity, and Mr. Gervais Parker Bushe. The two former of these Gentlemen were then in the Irish House of Commons ; the latter had not yet taken a Seat there. Mr. Henry Grattan, connected by marriage with the family of Mr. Bhshe, was a Member of this Theatrical Society, which passed from one elegant and hospitable Mansion to another, for the purpose of enjoying their classic recreations ; a little strolling community, of no mean talents, or ordinary pretensions.— Among other Plays, they performed Macbeth ; and it is rather curious to reflect, that of the two contending Heroes in the Play, Macduff became the lot of Mr. Grattan, while that of Macbeth devolved on his, then latent, rival, Mr. Flood. " My rival,* as they call him," — says Mr. Grattan, long after their contentions on the Stage and in the Senate were equally at rest, " and I should be unworthy the character of his rival, if in his grave I did not do him justice ; he had his faults, but he had great powers,— great public effect. He persuaded the old, — he inspired the young — the Castle vanished before him. On a small subject he was miserable. Put into his hand a distaff, and like Hercules he made sad work of it ; but give him the thunderbolt, and he had the arm of a Jupiter." Such were the terms in which Mr. Grattan spoke of his opponent. He has himself since sunk into the grave, but the name he has left is immortal. — f " Great men hallow a whole people, and lift up all who live in their time. What Irishman does not feel proud that he has lived in the days of Grattan ? No Government ever dismayed him — the world could not bribe him — he thought only of Ireland— -lived for no other object— dedicated to her his beautiful fancy, his elegant wit, his manly courage, and all the splendour of his astonishing eloquence. He was so born, and so gifted, that poetry, forensic skill, elegant literature, and all the highest attainments of human genius, were within his reach ; but he thought the noblest occupation of man was to make other men free and happy ; and in that straight line he went on for fifty years, without one side- look, without one yielding thought, without one motive in his heart, which he might not have laid open to the view of God and man." In the year 1776, the Right Hon. David La Touche indulged the juvenile members of his Family with a Theatrical Fete at Marlay, his residence in the County of Dublin. The lines that Milton wrote, were not considered by that excellent Gentleman to be unfit for the study and recital of his children, and the Masque of Comus t was chosen for their amusement. * Reply to Lord Clare, 1800. •j- Ed. Rev. " Ireland," Vol. 34. J Marlay, Monday Evening, the 30th of September, 1776. Comus. Comus, Mr. Whyte. Elder Brother, Miss Emilia La ToUche. Younger Brother, Miss Harrietta La Touche. Firit Spirit, Second Spirit, Miss Mariann La Touche. Miss Anne La Touche. Bacchatudt, Masters David, George, and John La Touche. Bacchante, Miss Maria La Touche. JEuphrost/ne, Pastoral Nymph, Sabrina, And the Lady, Miss Dunn. Miss Maria Monro. Miss Gertrude La Touche. Miss La Touche. Sweet Echo, Mrs. La Touche. INTRODUCTION. 5 Shane's-Castle, in the County of Antrim, the Seat of the Right Hon. John O'Neill, Mho was afterwards raised to the Peerage, became the scene of Theatrical festivities, in the year 1785. — * " Descended from the most celebrated Chiefs of ancient Ireland, this Gentleman bore, in his portly and graceful mein, indications of a proud and illustrious pedigree : — the generous openness of his countenance — the grandeur of his person — and the affability of his address, marked the dignity of his character, and, blending with the benevolence of his disposition, formed him one of the first Commoners of the Irish nation. In public and in private life Mr. O'Neill was equally calculated to command respect, and conciliate affection; — high-minded — open — and well educated — he clothed the sentiments of a Patriot in the language of a Gentleman ; — his abilities were moderate, but his understanding was sound ; — though he did not shrink from the approbation of the Court, he preferred the applauses of his Country, and formed one of the most perfect models of an aristocratic patriot." This Gentleman, assisted by his friends, got up several Plays at Shane's-Castle. The performances of the first night were, " Cymbeline" and " The Upholsterer." The casts of the characters, taken from one of the Bills t of their little Theatre, are given below, as well as the copy of an X Epilogue written and spoken by the lovely Mistress of the Mansion, in the character of a Sylph, We see in this Bill, the name of the ill-fated Lord Edwakd Fitzgerald. The Right Hon. Luke Gardiner, afterwards Lord Mountjoy, opened a Private Theatre in the year 1778, at the Lodge he then occupied in the Phoenix Park. The Perfor- Hist. Anecd. of Union. f Shane's-Castle Theatre, Monday Evening, the 28th November, 1785. CyMBElINE. Cymbeline, Mr. Crom. Price. Guideriut, Lord Hen. Fitzgerald. Arviragus, Mr. Webster. Cloten, Mr. North. Betarius, Mr. Charles P. Leslie. Posthumns, Mr. O'Neill. First Lord, Mr. Hill Wilson. Second Lord, Lord Ed. Fitzgerald. Pisanio, Mr. Lang. lachimo. Mr.- Isaac Corry. Cains Luciiis, Mr. Edward Corry. PhUario, Mr. St. John O'Neill, Page, Mr, Chas. O'Neill. Queen, Mrs. O'Neill. Imogen, Mrs. St, Leger, Helen, Miss Boyd, Upholstereb, Quidnunc, Mr. North. Pamphlet, Mr. Charles P, Leslie, Razor, Mr, Lang. Feeble, Mr. St. John O'Neill BeUmour, Mr. Crom. Price, Rovewell, Mr. Webster. Harnet, Mrs. St. Leger. Termagant, Mrs, O'Neill. J Epilogue, From those bright starry mansions of the sky. Where Ariel keeps his playful court I fly — I wing'd my passage through the realms of light. To give my airy form to mortal sight. Of all the light inhabitants of air. We Sylphs have most of trust, and most of care : Some rule the Planets, in their distant spheres. Or change the Seasons thro' revolving years ; Far sweeter tasks our happier Fates prepare, With cautious hand we guide the wav'ring Fair ; With soft persuasion, and with nicer art. We mould that subtle thing-^a woman's heart. Whilst others calm the storms, or bid them rise. We watch the weather in the fair one's eyes. Some paint with varied colours Iris' bow. We bid the cheeks with lovelier blushes glow ; 6 INTRODUCTION. mauces commenced with * " Macbeth^" and " The Citizen" at which were present the LoRO Lieutenant and his Family, attended by all the fashionable world then in Dublin. In the Spring of the year 1786, the Countess of Ely commenced a series of Theatrical performances at her Mansion in Ely-place. The upper part of the House was allotted to these amusements, from which, as well no doubt as from other and better claims to that title, their little Play-house was not inaptly called « the Attic Theatre.". The Tragedy of t " The Distressed Mother," with the Farce of " Jll the World's a Stage" were among the first performances. The Tragedy of " Lear'' followed in a few nights afterwards, when an Epilogue was spoken by the present SiK Robert Langeishe. Whilst some direct the Senate, and the State, Anxious, we hover o'er the lover's fate ; In gentle gales we waft the tender Sigh, Inspire the soft request, and kind reply ; Bid tender thoughts in female breasts arise. And kind consent sit beaming in their eyes ; With mutual rapture make their bosoms move. And bid the lip of beauty, say — " I love." Let bolder spirits martial banners wave, And sit triumphant o'er the Warrior's grave ; No rage for glory fires our lighter hearts. To Love, not war, belong our sportive arts; Mirth is the pastime of each wanton sprite, -Pleasure our aim, and revel our delignt. Ariel to me consign'd the ruling power. And lends his wand to gild this festive hour. Here we've directed many a jocund feat, And cheer'd vrith merry scenes this ancient seat. This favor'd spot a thousand Sylphs engage To dress the banquet, and adorn the stage ; On wings of gossamer around they float. And swell soft harmony's expressive note. To melt the soul, — while others gay advance. To lead the measures of the sprightly dance. And now selected by my choicest care. To me intrusted comes each favorite Fair. How sweet the task ! was ever Sylph so vain. Blest with the charge of such a lovely Train. * Theatbe, Ph(enix Pabk, Monday Evening, January 19, 1778. Macbeth. Duncan, Mr. Staples. Malcolm, Mr. Hutchinson. Donalbain, Sir Michael Cromie. Macbeth, Mr. Jephson. Macduff, Mr. Luke Gardiner. Banquo, Sir Alexander Schomberg Fleance, Mr. Barry St. Leger. Lenox, Mr. T. Burgh. Bass, Mr. Isaac Corry. Siward, Captain Ormsby. Young Siward, Seyton, Lady Macbeth, Gentlewoman, Mr. St. Leger. Captain Burgh. Mrs. Gardiner. Mrs. Jephson. Speaking Witches, Mr. Toler, Mr. Knox, Mr. Prendergast, &c. Singing Witches, Miss Gardiner, Miss Norman, Mr.Waller, &c. Hecate, Apparitions, Doctor, Mr. Swan. Masters Montgomery. Mr. R. Gardiner. vITlZEN. Old Philpot, Young Philpot, Sir Jasper Wilding, Young Wilding, Beat^ort, Quilldrive, Mr. R. Gardiner. Mr. G. P. Bushe. Mr. Prendergast. Mr. Knox. Mr. Cobbe. Captain Ormsby. Maria, Miss Gardiner. Oechestba, Mr. Brownlow, Mr. Sac. Hamilton, Mr. Quinn, &c. ■|- Attic Theatee, Wednesday Evening, April 19, 1786. The Disteessed Mothee. Pyrrhus, Mr. Westenra. Orestes, Mr. C. Powell Leslie. Pylades, Mr. Crom. Price. JPhcenix, Mr. A. Mac Leane. Hermione, Miss Lee. Andromache, Mrs. Monroe. Cleone, Mrs. St. Leger. Cephisa, Mrs. Price. All the Woeld's a Stage. Charles Stanley, Mr. C. Price. ■Diggory, Mr. Robert Langrishe. Miss Bridget, Mrs. Lee. Miss Kitty, Mrs. St. Leger. INTRODUCTION. 7 Soon after the commencement of these Plays, the Shane's-Castle Association got up a very beautiful little Theatre in Dublin, in a place called Shaw's-court, situated in that part of Dame-street, which is now the site of the Commercial Buildings. Wliile the necessary preparations were going forward, the Irish Parliament was sitting ; but the firs(t Play t was deferred till the day on which it was prorogued, because many of the Performers were Members of the House of Commons — Mr. Isaac Corry, Mr. Charles Powell Leslie, Lord Henry Fitzgerald, Mr. Cromwell Price, Mr. Charles O'Neill, and others. At this performance, the Duke OF Rutland, || then Lord Lieutenant of Ireland, and his Lady, were present. The jittic Theatre, in Ely-place, was again opened in 1787, when the Tragedies of " Lear," and " Douglas," were performed there. The Duke of Rutland died on the 24th of October, in this year, and was succeeded in the Government, by the Marquess of Buckingham, '"' t^ At the close of the year 1787, the Earl and Countess of Grandison indulged their friends with a few Plays at Dromana, their Seat in the County of Waterford. The first of them took place on Friday, * the 14th of December, and was honored by the presence of his Royal Highness Prince William Henry, now Duke of Clarence, t The Prince was then engaged ui the duties of his profession, which had brought him to the Southern Coast of Ireland. J Shaw's-Couet Theatre, Monday Evening, May 8, 1786. The Force of Love. Veranes, Lord Henry Fitzgerald. Ltvntine, Mr. C. Powell Leslie. Atticus, Mf. Crom. Pricei Theodosius, Mr. Isaac Corry. Bella, Mrs. Price. Atkenais, Mrs. St. Leger. II " The performances at the Private Theatre in Shavp's- court were honored by thfe presence of their Graces, the Ddke and Duchess of Rutland, who, with the Duke of Leinster, and all the Nobility and Gentry present, were afterwards entertained at Supper in the most sumptuous manner by the Right Honorable the ATTORNEy-GENEBAL, at his House in Ely-place."' — {Bublin Journal.) * Dromana Theatre, Friday Evening, December 14, 1787. Venice Preserved. Duke of Venice, Priuli, Bedamar, Pierre, Jaffier, Renault, Spinpsa, Theodore, Mr. G. Ogle. Mr. Edmund H. Pery, Sir John Garden. Mr. Alcock. Mr. Trevor- Ashe. Mr. E. Uniacke. Mr. P. Garden. Mr. Hatton. Senators, Officers, Sfc. Earl of Glandore, Sir Richard Musgrave, Mr. M. Keane, &c. Belvidera, Miss Smith. Rosina. Mr. Trevor Ashe. Sir John Garden. Mr. R. Uniacke._ Mr. M. Keane. Mr. Garden, Mr. P. Garden. Miss Keily. Mrs. Keily. Mrs. Gochlan. Mr. Belville, Capt. Belville, WUliam, Rustic, Haymakers, Rosina, Dorcas, Phcebe, \ " The presence of His Royal Highness Prince William Henry, in the little Theatre of Dromana, inspired both the Audience and the Performers with feelings of gratifica- tion not to be described. Early on the day of the perfor- mance he arrived from Curraghmore, the Seat of the Earl OF Tyrone, and spent the whole of the day with the Earl QF Grandison, anxiously waiting for the commencement of the Play. The Royal Visitor was saluted on entering the Theatre by the customary tributes of respect, the House standing, and the Band playing " God save the King." At the close of the Tragedy, the other national strain of " Rule Britannia" was sung in full chorus by every one present. A splendid Ball and Supper concluded the enter- tainments of the night. Ladv Anne Hatton, the Countess of Grandison and Miss Smith, had each, in succession, the honor of dancing with the Prince — to the latter of whom he paid many compliments on her perfor- mance of Belvidera." — {Dublin Journal.) 8 INTRODUCTION. A second performance took place on Monday, the 17 th, t in which the Earl himself took a part. In 1789, the Attic Theatre was again opened. The performances began with the Comedy of « Every Man in his Humour," and the Farce of " Lethe ;" the Tragedy of " King John" followed in a few nights afterwards, and on both of these occasions the MAngUESS of Buckingham with all his Court was present. On the latter night, a Prologue was spoken by the late Lokd MouNTJOY, and an Epilogue by the present SiK Robert Langkishe. In 1793 the little Theatre in Fishamble-street was taken by a Company of Noblemen and Gentlemen, who acted Plays there, in that and the foUowiiig year, which attracted all the Rank and Fashion of the Country; and, in 1795, French Plays were performed at Roebuck-Castle, the Seat of Lord Trimleston, in the neighbourhood of Dublin ; among others, the « Metromanie," a Comedy by Piron, in which his Lordship, Mr. Barnwell, and the Compte M'Carty, supported the principal characters. This is the last of these Theatres to which we mean to advert, and we have now only to say a few introductory words upon that which is the subject of the following pages. The Private Theatre of Kilkenny was opened, for the first time, on the 2d of Feb- ruary, 1802. There was a second Season in the month of October in the same year. October became afterwards the appointed time of meeting. The Plays, with the amusements attendant on them, did not at first occupy more than a week, but they soon came to employ two, and for the latter years were never concluded in less than three ; the last Performance took place on the 28th of October, 1819, when the Theatre of Kilkenny was finally closed. The circumstances that led to the formation of this Establishment, which, with some inter- missions, extended its useful and amusing labours through so many years, and attracted in its time so large a share of attention, are thus stated in one of the public Prints of that Town : — " The hospitable Mansion of Kilfane was, not long since, enlivened by a few Theatrical -|- Dbomana Theatee, Monday Evening, December 17, 1787. Faovoeed Husband. Lord Townli/, Earl of Grandison. Sir Francis Wrongkead, Mr. Trevor Ashe. Mr. Manly, Mr. Westenra. Squire Richard, Mr. Edmund H. Pery. Count Baitet, Mr. Hatton, Poundage, Mr. G. Ogle. John Moody, Sir John Garden, Lady Townly, Lady Grace, Miss Smith. Miss Musgrave. Lady Wrongkead, Mist Jenny, Myrtilla, Trusty, Mrs. Alcock. Miss Keily. Mrs. Nagle. Mrs. Musgrave. Beggar's Opeea — (contracted.) Macheath, Peachum, Lockit, FUch, Mrs. Peachum, PoUy, Lucy, Mr. Trevor Ashe. Mr. R. Uniacke. Mr. M. Keane. Sir John Garden. Mrs. Keily. Mrs. Musgrave. Mrs. Cochlan. INTRODUCTION. 9 Representations, got up by the highly-gifted Family there, with the aid of some of the principal Gentlemen of our County. Their little labours, undertaken for the mere purpose of their own private amusement, have led to a public result of a very interesting nature, for the same Gen- tlemen have been prevailed upon to exert those talents for the Drama, which they lately evinced at Kilfane, to promote the cause of Charity in Kilkenny." To describe the advantages that accrued from this Establishment to the Charitable Institutions of Kilkenny were unnecessary, for they are recorded in the public acknowledgments f of those who have presided over them ; but this was not its only good — it collected together a great portion of the educated and the affluent, and induced them to spend their time and their money at home; which, probably, but for its attractions, would have been spent abroad. Nor is this all — it often brought into the same social circle, many who at other seasons of the year were separated by those differences of politics or religion, that too frequently, and too fatally, divide us ; and offered many favourable opportunities for the mutual exercise of courtesies and kindnesses, that might not have otherwise occurred, and which generous dispositions were not able to resist ; so that the local relief which it was the means of collecting for the poor, was hardly less useful than its influence, so far as it extended, upon the habits and the feelings of the rich. And who was the Founder of all this ? — alas ! he is in the * grave. — But he lived to see the termination of those classical amusements, to which he gave additional importance and respec- tability, by the weight and the purity of his own character. He gathered round him an associa- tion of Gentlemen, united by sympathy of taste, by regard for each other, but above all, by one common feeling of respect and affection for him. Even in this little sphere, it was a source of delight, and to ruder natures a subject of instruction, to see the gentleness and good feeling with which he softened and reconciled the rival pretensions that sometimes encountered him in distributing the business of the Drama-— No Monarch ever " bore his faculties so meekly," and none, perhaps for that reason, ever reigned so completely in the hearts of his subjects. — But it is almost criminal to speak of the late Mr. Richard Power, as the Founder only of these little pleasures, without reference to his other and higher qualities — qualities that will long endear his name to the good who survive him, and which have drawn from one of the best and warmest hearts, united with perhaps the finest talents that Ireland ever yet produced, the following tribute to his Memory. ■■^^^^^■^■^^ »^*^*i%j»^%^v^^ " When it is recollected that Richard Power did not belong to any profession, never engaged in politics, filled no office, occupied none of those stations, the duties of which bring men under the observaticJn of the public, it may seem extraordinary to those who did not know him, that his protracted sickness should have excited an interest so intense, and that his death should have pro- duced a sensation of general regret. f Vid. Contents, " Charitable Institutions." ' Mr. R. Power died December the 18th, 1824. D 10 INTRODUCTION. " Those feelings have expressed the loss sustained by society in private life, by the death of one of its worthiest members, and greatest ornaments. It would be great injustice to his higher claims upon the attachment of his many friends, to enlarge upon the accomplishments of a mmd embel- lished by the cultivation of the fine arts, directed by a correct taste, and imparting to his conversa- tion that grace without effort, and interest without display, for which he was distinguished; Talents and acquirements are of small account in the estimation of those who mourn over departed worth, with a sorrow justified by the moral excellence of him whom they deplore. His principles were pure, his sense of honor high, his affections generous and kmd.— In the domestic connexions, he was a fond relation ; in his closer intimacies, the steadiest and most devoted friend ; in his general intercourse, frank, cordial, and conciliating, — It was truly said of him, that ' he never made an enemy, or lost a friend ;' and in a Country distracted by civil and religious discord, a man could not be found, of any sect or party, who felt unkindly towards him. — Yet this popularity was not earned by the compliances of a timid or assenting character ; he had a benevolence of disposition which made it pleasure to him to make others happy, and he shrunk from giving pain almost with the same instinct that men shrink from suffer- ing it. This made him prompt to approve, and slow to censure ; indulgent to error, and encou- raging to merit ; yet there was something about him that repelled and rebuked whatever was sordid or mean ; and when firmness was required, his integrity was uncompromising, and his courage not to be shaken. " Upon those qualities his afflicted friends will long meditate, and fondly dwell ; but, in the words of his favorite author, • " To add greater honors to his age, " Than inan could p\e him ; — he died fearing God." A mortal and wasting disease had, in the midst of health, prosperity and enjoyments, fastened on his life, and for more than three years was sustained with a patience which mere Philosophy could not inspire. In that dreadful trial, his mind was fortified by faith in revealed Religion, as his heart was imbued with all the chanties which it inculcates ; and those who witnessed his sufferings, can never, while they live, forget the serene temper, and the sublime, yet humble and pious, resignation with which he endured them. " It is a trite and inaccurate expression to say, that by a memorial, such as this, justice is ren- dered to the memory of one who has gone to a better world. — The spirit, separated from earth, requires no such justice at our hands, and soars above the low considerations of praise or censure : With us, however, who survive, human passions remain, and a melancholy gratification of the best of our feelings is derived from the performance of such a duty, and by indulging in the praises of a departed friend, however vain and unavailing to the dead. " Nor yet unprofitable are such tributes. If even a fictitious standard of excellence has been considered useful for the contemplation and imitation of mankind, how much more salutary must INTRODUCTION. 11 it be to hold up to emulation the actual virtues of a real character, as an example of what is not only excellent, but attainable ? If any young man, upon whom the world is now opening, instead of aspiring to the distinctions and renown which its higher pursuits may bestow, should feel the soberer and sounder ambition of devoting himself to the duties and enjoyments of private life. If he wish to improve his understanding and refine his taste by liberal and elegant cultivation, and to expand his heart by the practice of all that is amiable in the social virtues, from youth to age to be surrounded by ' troops of friends,' and, at his death, to deserve the regrets of the esti- mable and honourable — in short, to be all that is comprehended in the character of Oj good man, and a perfect Gentleman, let him study the model which Richard Power has left behind him." CONTENTS. Observe.— JTJM reference to Plats and Farchs, ^c. that the Jirst page after the year refers to the Play-Bill, and where there is a second, it refers to whatever Observations the Newspapers of Kilkenny may have made on the Performance, Amusemekxs during the Plays. 1802. p. 6, 9. 1803. p. 13. 1804. p. 17, 18. 180S.;j. 23. 1810. p. 61, 63. 1812. p. 77. 1817. p. 84, 86, 89, 90, 92. 1818. p. 103, 106, 109, 110, 113. 1819. p. 120, 121, 124, 130. Charitable Institutions op Kilkenny. Addhess from the Charitable Institutions of the City of Kilkenny to the Gentlemen of the Private Theatre, Octo- ber 1803, acknowledging that they had received from them Six Huhdred Pouhus for the purposes of Charity, the greater part of which had been funded for the uses of the Poor, 14. Addbess from the same Institutions to Richard Power, Esq. November 1809, acknowledging to have received from him One Thousand Six Hundred and Seventy Eight Pounds Eleven Shillings and Six Pence Half- PEKNT, within a few years, for the uses of the poor, 51 , 52. Address from the same Institutions to Richard Power, Esq. October 1810, acknowledging the advantages that bad accrued to the City of Kilkenny by the Establishment, of which he was the Founder, and entreating he would not let it expire, 6S. Reply of Mr. R. Power to the foregoing Address, Novem- ber 1810, ib. Donation of One Hundred Founds presented to the Charitable Institutions of Kilkenny, from the private sub- scriptions of the Gentlemen of the Theatrical Society in the year 1811, 69. Public Notice, 1817, that Eight Plays had produced :£1,040, the Charity Balls sClSO, and a Charity Sermon aeiOO, amounting together to One Thousand Three Hundred and Thirty Pounds, 92. Farewell Address from those Institutions in 1819, to Richard Power, Esq, on the final termination of the Theatrical Amusements, 133. Reply of Mr. RichakS Power, «&» Dinners, Public. 1804. p. 18. 1810. ;). 63. 1816. j). 78. 1817. p. 82. 1818. ;>. 94. 1818. ;}. 113. 1819. j). 132. Epilogues, see Prologues, &c. Farces, and other After-Pieces. Agreeable Sut^rise. — 1807. p. 33, 36. 1819. p. 118, 131. Jnatomist — -1802. p. 8. jlpprentice.—l80S. p. 19. , 1819. p. 116, 123. Ba«e«s.— 1804. p. IS, 16. 1805. p. 20, 21, 22. 1807. p. 33. 1808. p. 38, 39. 1817. p. 81, 89. 1818. p. 97, 108. Bombastes FurioSQ. — 1819, ^j. 115, 121. Bon Ton.— .1804. p. 16. Castle of Andalusia (abridged.)— 1808. p. 40. T809. ;). 44, 46, 48. 1810. p, 56, 61,62. 1817. p. 82, 92. Catherine and Petruchio. — 1803. p. 11. 1818. p. 98, 111. 1819.;). 117, ISO. Children in the Wood.— 1810. p. 57, 62. atixen.—lSaS. p. 12. 1812. p. 67,, 71. Cciniui.:— 1812. p. 68, 76. CWttc- 1803. p. 11. 1807. p. S3. Deserter. — 1804. p. 15, 16; 1807. jp. 31. Devii to Pay,— 1803. p. II, 12. 1804. p. I5t 1805^ p. 20. JJuiorcf.- 1818. p.. 97, 106. Don Juan.— 1601. p. 3J, 32, 36- CONTENTS. Farces, &c. continued. Fortunes I>rolics.—lS10. p. 54, 56, 60, 61; High Life below Stairs. — 1806. p. 28, SO. 1807i p. 32. 1812. p. 66, 68, 69, 73. 1817. p. 79, 80, 83, 88. 1818. p. 98, 112. Kotel.— 1817. p. 81, 91, Inkle and Tarico (abridged.)— 1808. p, 40. XJar.— 1805. p. 22. 1806. p. 27. 1807. p. 32. 1818. p. 96, 102. Lock and Xey.r-1819. p. 116, 127. Lord, and No Lord. — 1805. p. 20, 22. 1806. p. 27. Love Laughs at Locksmiths.— 1S09. p. 46, 51, I8I0. p. 57. 1812. p. 68, 75. 1817. p. 81, 89. Lovers Quarrels.— 1803. p. 12. Love a la Mode. — 1808. p. 39, 43. 1812. p. 68, 74. Lying Valet. — 1805. p. 21. Matrimoni/,.^l80S. p. 20. Mai/or of Garret.— 1805. p. 20, 21, 1809. p. 45. Midnight Hour.— 1808. p. 38. Minor. — 1802. p. 8. Musical Entertainment.^1818. p. 97. No Song, No Supper. — 1807. p. 33. 1818. p. 96, 104. 1808, p. 39. Of Age To-morrow. — 1808. p. 38. 1818. p. 96, 104. Oscar and Malvina.-^l 806. ;;. 26, 27, 29. Out of Flace. — 1812, p. 67, 70. Padlock 1808. ;;. 38, 43. 1809, p. 45. Pantomime. — 1802, p. 6, 8, Peeping Tom — 1809, ;>. 45, 46, 48. 1810, p. 58, 62, Poor Soldier. — 1802. p. 6, 8. 1804. ;;. 15. 1819. p. US, 122. Prise — 1810. p. 58, 62. Raising the Wind. — 1809. p. 47, 51. 1810. p. 55, 60. 1817. p. 80, 87. 1819. J». 115, 117, 120, 128, Farces, &c, continued, Xeview,— 1818. p. 98, 110. JBorino.— 1819. p. 116, 117, 124, 130. Bugantino.— 1809. p. 46, SO. Sultan.— 1^04. p. 15. Sylvester Daggerwood.— 1803. p. 11. 1808. ;;. 39. 1817. p. 81, Three,Weeks after Marriage. — 1818. p. 98, 109. Tom Thumb.— 1802. p. 7. 1806. p. 26, 27. 1807. p. 32. 1810. p. 58, 61, 1812. p. 67. 1817, p. 80, 85, Valentine and Orson 1805. p. 19, 21. 1806. p. 26, 27, 1807. p. 34. Village Lawyer 1802. p. 7. 1804. p. 15, 1808. p. 37, 39, 42. ISIO, p. 56, 61. Wags of Windsor.— XS04. p. 16. Weatliercock.—I810. p. 54, 60, 1818. p. 96, 101. IVho's the Oi^et—ieoe. p. 25. X, r. Z,— 1819, p. 117, 131. Greek-Room, wew— Subscribers, p. 100. Pervormers, List of them in each year. 1802. p. 5, 7. 1803, p. 10. 1804. p. 14. 1805, p. 18, 1806, p. 25. 1807. p. 30. 1808. p. 36. 1809. p. 44, 1810.P.53. 1612. p. 66. 1817. p, 79. 1818. p. 95. 1819. p. 114. PiAirs. All in the Wrong.— 1812. p. 67, 70. 1817, p. 81, 88. 1819, ;;. 116, 124. Js you Like it.— 1804. p. IS. 1808, p. 38, 40, 42. Sarbarossa,— 1806. p. 25, 39. Seaux-Slratagem.:— 1807, p. 32, 35, Beggar's Opcro.— 1807. p. 32, 36. Clandestine Marriage. — 1805. ;;, 20. 1806. p. 27, 29. 1808. ;),39, 43, CONTENTS. PlaVs continued. CoriolamtSA — 1810. p. 5S, 60. 1818. ;>. 96, 101. Count o/" iVflrionne.— 1803, p. 11. Cymbeline — 1807. p. 31, 35. J^augMs.— 1808. p, 38, 42. 1819. p. 115, 122. Dramatist, — 1810.;). 56, 61. Gamester.— 1805. p. 81. 1806. p. %1, 29. 1810. p. 56, 61. 1818. p. 98, 109. 1819. p. 117, 130. Hamlet 1803. p. !I. 97, 105. 1809. p. 46, SO. 1818.;). Henry JV. Ijt Part.— 1804. p. 15, 16, 18. 1805. ;). 21. 1806. ;). 28, 30. 1819.117,131. Honey-Moon. — 1805. p. 20. 1819. p. 116, 123. Inconstant. — 1803. ;). 11. 1805. > 20. 1807. p. 31,36. 1810, ;>. 56, 61. Jane Store.— 1808. p. 38, 42. Julius C. 26. 1808. p. 39. 1810. p. 58, 62. 1812. p. 68, 74, 75. 1817, p. 81, 90, 1818. p. 98. 111. Merchant of Venice.— 1802. p. 8. 1808._p. 3?, 43. 1809. p. 46, SO. 1817. p. 80, 86. Mountaineers. — 1809. p. 45, 46, 49, SO. Oronooio.— 1807. p. 32. OrpAora.— 1802. p. 6. Othello 1803. p. 12. 1804. p. 15, 16. 1806. p. He, 29. 1808. p. 39, 43. 1810. p. 58, 62. 1812. p. 68, 75. 1817, p. 82, 91. 1819. ;), 116, 127. Plays continued. Pizarro. — 1806. p. 27, 29. Poor Gentleman. — 1812. p. 66, 69. Revenge.— 18QS. p. 7. 1809. p. 46, 51. ^ipals,—l80$, p. 8, 1803. p. 12. 1806. p. 26, 29. 1807. p. 33, 36. 1808. ;>. 36, 42. 18 17. ;). 80,84, 85, 1818. p. 98, 110. Richard ///.— 1805. ;). 20. 1810. p. 57, 62. 1812" ;). 67, 72. 1819. p. 118, 131. Romeo and JiiKet..— 1807. ;). 33, 36. 1819. ;). 116. 125. Rule a Wife — 1802. p. 7. 1805. p. 12. 1818. p, 97, 106. School for Scandal. — 1804. p. 16. 1807. p. 33, 36. 1818. p. 96, 103. She Stoops to Conqiier. — 1806. p. 27, 29. 1812. p. 68, 73. 18t7. p. 80, 87. Siege of Damascus, — 1809. p. 44, 48. Surrender of Calais.— 1810. p. 55, 60. 1819. p. 115, 120. Twelfth Night.— 1810. p, 57. Venice Preserved.^— 1802, p. 6, 1805. p. IS. 1812. p. 67, 69, 70. 1819. p. 117, l?8. Wanderer^-..1808. p. 37,42. fVay to Keep Him,.— 1818. p. 95, 100. West Indian— 1809. 45, 49. 1810. p. 56, 61. 1818. ;). 96, 104. Wild Oats.— 1810. p. 54, 60, JVonder.-.'1805. p, 19. 1819. p. 115, J 19. PoETEY AND Prose.,— Mwe//ffBeow, KiLEEMNY Castle, a Poem by John AVilsok Ckokex, Esq. 1805. p. 23. Limes written at KiLEENKr by J. Cakk, Esq. 1805. p. 24. Observations on the Establishment of the Kilkenny Thea- tre, taken from the Dublin Evening Post, November 28th, 1809, p. 52. Helologcx on National Music by Thomas Moore, Esq. spoken in Kilkenny by him in 1810, p. 60, IV CONTENTS. Poetry and Prose, &c. continued. Account of the Theatre of Kilkenny, taken from the Cor- respondent, October 1810, p. 64. Poetical Address to the Gentlemen of the Theaike, on the close of the Plays in 1 8 10,^. 64. Address supposed to have been spoken at the Theatre in 1817, p. 84. FoEiicAi. Address from a Lady to Richard Power, Esq, in 1817, p. 93. Prologues and Epilogues. 1802. Prologue at first Meeting, written by Sir Robert Langrishe, Bart, spoken by Mr. Rothe, 5. Prologue at second Meeting, written by Sir Robert Langrishe, spoken by Mr. R. Pewer, 7. Epilogue written and spoken by Sir Robert Lan- grishe, p. 9. 1803. Prologue written and spoken by Mr. William Tighe, 10. Epilogue written and spoken by Sir Robert Langrishe, 12. 1804. Prologue written by Mr. H. Mason, spoken by Mr. Rothe, 14. Epilogue written and spoken by Sir Robert Langrishe, 17. 1805. Prologue written by Mr. H. A. Bushe, and spoken by Mr. R. Power, 18. Epilogue written and spoken by Sir Robert Lan- grishe, 22. 1806. Prologue written by Mr. G. P. Bushe, and spoken by Mr. R. Power, 25. Epilogue written and spoken by Sir Robert Lan- grishe, 28. 1807. Prologue written by Mr. H. A. Bushe, spoken by Mr. R. Power, 3D. Epilogue written and spoken by Sir Robert Lan- grishe, 34. Prologues and Epilogues. 1808. Prologue written by Mr, Joseph Atkinson, and spoken by Mr. R. Power, 37. Epilogue written and spoken by Sir Robert t.angrishe, 40. 1809. Prologue written and spoken by Mr. Thomas Moore, 44. Epilogue written and spoken by Sir Robert Langrishe, 47. 1810. Prologue written by Sir R, Langrishe, and spoken by Mr. R. Power, S3. Occasional Epilogue written by Mr, Thomas Moore, and spoken by Mr, Corry, 57, Concluding Epilogue, written and spoken by Sir Robert Langrishe, 58. 1812. Prologue written by Sir Robert Langrishe, spoken by Mr. R. Power, 66. 1817. Prologue written by Sir Robert Langrishe, spoken by Mr. Rothe, 79. Epilogue written by Sir Robert Langrishe, spoken by Mr. R. Power, 82. 1818. Prologue written by Mrs, Power, spoken by Mr. R. Power, 95. Epilogue written by Mr. H. A. Bushe, spoken by the Theatrical Company, 99. 1819. Prologue written by Mr. G. P. Bushe, spoken by Mr. R. Power, 114. Epilogue written by Mr. H. A, Bushe, spoken by Mr, R. Power, 118. Visitors to the Plays. 1802. p. 6, 9, 10. 1803. p. 13, 1804, p. 17, 18. 1805. p. 23. 1806. ;). 29. 1807. p. 36. 1808. ;,. i\, 42'. 43. 1809, ;;. 50. 1810. p. 63. 1812. p. 77. I817.* ;;. 93. 1818. p. 113. 1819. ;). 132. PRIVATE THEATRE OF KILKENNY. jFitst Reason. 1802, tte 2d, and closed the 6th of 'Fehrvary, THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Tighe. Mr. Crampton. Mr. Bushe. Mr. Neville. Colonel Maxwell. Mr. A. Helsham. Master Helsham. Officers ot the Garrison, &C. Mrs. King. Miss Webb. Miss Rouviere. The Orchestra principally filled by Gentlemen of the Town and N»ghbourhood. PROLOGUE, Written by Mr. Langrishe, and spoken it/ Mr. Rothe, At the first opening of the Theatre, the Sd ©/" February, 1802. Prologues in formal state precede their Plays, With solemn rhymes to supplicate your praise- Prologue, fee'd counsel for the Author's fame. Bespeaking Patrons of his rising name. Proclaims his genius — owns his graceful fears,— So old in genius — tho' so young in years ! Then slightly touching outlines of the plot. Hints what it is, or rather what 'tis not, Hopes it may please, but bends before j'our laws. Makes an obsequious bow, and so withdraws. But we, who scorn in praetis'd paths to move^ Plead in our own, not in our bard's bdioof. Nor shall we waste, in zeal for "Otway's doom,. Your needful patience, ere our trial's come. If you be pleas'd, we shall not be forgotten : If not, 'tis Otway's fault, who's dead and rotten, Otway — whom we, with truest taste, pronounce. As we're good actors, a consummate dunce ; So let the blame be his — the merit ours. And your applause confirm our scenic pow'rs. But still, 'tis proper, we should briefly say. First, who we are, and second, why we play ; First, who we are— we are — psha ! that's all stufij You know us every one, and that's enough. Next — why we play — that too I'm sure you know. Else whence this circling group ? this crowded show ? 'Tis not the curious that come here to-day ; 'Tis not the lounger, idling life away; 'Tis not the beauty, to display her charms. Nor vain coquet, nor fop with folded arms j Not to see jm, you've seen so oft before. Nor hear old Otway, you've heard o'er and o'er ; No — 'tis benign + compassion brings you here. Swells the fond sigh— and prompts the willing tear. And Pity, guardian of the helpless poor. Leading her vofries to our grateful door. Since heaven, relenting, deigns at last to smile. And ;|: brighter prospects cheer this harass'd isle. Let us to all extend the short-liv'd good. The naked clothe, and give the hungry food. Raise up the wretch, supprest by want and care. Teach hope — and rescue misery from despair. These are oar objects — for this grace we sue. These the inducements that solicit you. Thus shall our harvests yield a rich return. Thus shall our sports bid man forget to mourn; Fictitious tears bid genuine cease to flow. And our feign' d sorrows lighten real woe; Thus shall our Motives justify our Means, And Mercy consecrate these well-meant scenes. * The only two Plays performed at the first Meeting were written by Ottoofff The Orphan and Venice Preserved, '*(- The original purpose of these Plays was to collect the means of contribut- ing to the Charitable Societies of the City of Kilkenny ; and how far this object was obtained, will best appear from their subsequent acknowledg. ments. X The pieliminaries of a Treaty of Peace bad been signed about this period. 6 PRIVATE THEATRE OF KILKENNY. 1802. Tuesday, id February, 1802. FiBST NldHT. THE ORPHAN. ACASTO Castalio PoLYDOBE Chamont Ernesto Page Chaplain Colonel Maxwell Mr. R. Power. Mr. Crampton. Mr. Rothe. Mr. Neville. Master Helsham. Mr, A. Helsham. MoNIMIA Selina Mrs. King. Miss Webb. AN OCCASIONAL PROLOGUE. A PANTOMIME. HABLEaUIN Lover Clown Columbine Mr. CramptOBv Mr. Bushe. Mr. Neville. Miss Rouviere. 1- ^rV^/V %^««« Thursday, Ath Fibruary, 1802. Second NianT. VENICE PRESERVED. Duke OF Venice ... Mr. Bushe. Peiuli Mr. Tighe. Bedamab Mr. Crampton. Jaffieb Mr. R. Power. PlEBEE Mr. Rothe. Renault Colonel Maxwell Elliott Mr. Neville. Spinosa Mr. A. Helsham. Belvidera ... Mrs. King. Captain of the Guards, Conspirators, Executioner, THE POOR SOLDIER. Dabby Bagatelle Captain Fitzboy Debmoi Pat Father Luke NOBAH Cathleen Mr. Neville. Mr. Crampton, Mr. A. Helsham. J Officers of the > Garrison, 32d 3 Regiment. Miss Webb. Miss Rouviere. Saturday, 6th February, 1802. Last Night. VENICE PRESERVED. Duke of Venice Pbiuli Bedamab Jaffieb JPIEBBE Renault Elliott Spinosa Mr. Bushe. Mr. Tighe. Mr. Crampton. Mr, R. Power. Mr. Rothe. Colonel MaxwelL Mr. Neville. Mr. A. Helsham. Belvidera ... Mrs. King. Captain of the Guards, Conspirators, Executioner, A PANTOMIME. Hableouim LOVEB Clown Columbine Mr. Crampton. Mr. Bushe. Mr. Neville. Miss Rouviere. The hospitable Mansion of Kilfane was not loi^ since enlivened by a few Theatrical Representations, that were got up by the highly-gifted Family there, with the aid of some of the principal Gentlemen of our County. Their little labours, undertaken for the mere purpose of their own private amusement, have led to a pubhc result of a very interesting nature, for the same Gentlemen have been prevailed upon to exert those talents for the Drama, which they lately evinced at Kilfane, to promote the cause of Charity in Kilkenny. This last week has been devoted to this benevolent purpose, and seldom has our Town exhi- bited a scene of greater happiness. The novelty of such an Exhibition, as well as the purposes of it, attracted an overflowing Audience every Night of Representation, among whom we numbered every Family of distinction in the Neighbourhood. There were three Plays, with an interval Night between each, on which there was a Ball. The Gentlemen, who have devoted their time and their talents to support our little Charitable Theatre, have se- cured for themselves the admiration of their Friends, the respect of the People, and the gratitude of the Poor. The Mornings have been given to the pleasures of the Chase. Mr. Poweb's Fox Hounds, admitted to be best in the Kingdom, remained in the Town for the whole of the week. — Kilkenny Paper, February, 1802.] PRIVATE THEATRE OF KILKENNY. 1802. S^econn Reason. 1802, ihmmenced the Wth, and closed the 22d of Octobei: THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe. Mr. Lyster. Mr. Tighe. Mr. Crampton. Mr. Bushe. Mr. G. P. Bushe. Mr. Barry. Mr. Brownlow. Mc R. Langrishe. Mr. H. Tighe. Lord Clonbrock. Hon. Mr. P. Butler. Mr. Neville. Mr. May. Mr. Kearney. Mr. J. Kelly. Mr. A. Helsham. Master Helsham. Colonel Maxwell. Officers of the Garrison, &c. Mrs. Galindo. Mrs. Williams. Miss Griffiths. The Orchestra principally filled by Gentlemen of the Town and Neighbourhood. But nobler stHl we hold our purpos'd end. Not to amuse alone, but to befriend: To give kind succour to the poor and weak, Induces you to hear, and us to speak. Thus shall these spends bid joy and pleasure reign. And teach e'en misery -to forget his pain. O'er our past sorrows- east a friendly veil. And bid unbounded charity prevail. PROLOGUE, Written hy Mr. Langrishe, and spoken by Mr, R. Power, At the opening of the Theatre, the 11th of October, 1802, To you,* my Friends depute me to convey More grateful thanks than my weak words can sajv At your + desire, again our arms we wield. And, with si^erior forces, take the field : Cherish'd by you, our ardor brighter grows. And with augmented fires each tosom glows. No vujgar motives stimulate our muse. But such as feeling heai;ts can ne'er refuse : To smooth the bed of care — to wipe the tear From silent, suffering misery, brings us here ; Encourag'd by your former kind applause. Once more we come to plead in Pity's cause.. Think, as you drop your tribute at the door, "'TIS but an offering to befriend the poor r Thus sTiall your mercy vindicate your taste. Nor we, our wit — nor you, your money, waste. What now can fill the vacant hours J of Peace ? No news from Egypt now, or France, or Greece-; Nelson no more diffuses proud delight. Nor Bonaparte's victories affright ; Morning or Evening Post no longer charms, . Success elates not — nor Defeat alarms : Then to seduce you to these scenes, is kind. And saves from stagnating the vacant mind : .And sure, such well-meant efforts to amuse, -No wit should ridicule — nor zeal abuse. v Second Night. . THE REVENGE. Don Alonzo .,. Mr. R. Power, Don Carlos ... Mr. Crampton. Don Alva'Rez ... Mr. H. Tighe. Don Manuel ... Mr. G. P. Bushe, Zanga .., Mr. Rothe. Leonora ,„ Mrs. Galindo, Isabella Miss Griffiths. TOM THUMB. (From the ariginxil Tragedy.) TCiNft Arthur. Tom Thumb Noodle. Doodle. Ghost Queen Dollalolla Princess Huncamunca Glumdalca ,., Mr. R. Power, Master Helsham, Mr. G. P. Bushe, Mr. Kearney^. Mr. Barry. Mr. May. Mr. Tighe. Mr. Crampton. GuardSi Rebels, Courtiers, Mercians, Musidajis: Maids of Honour,, and others. PRIVATE THEATRE OF KILKENNY. 1802. fAiAy, \5th Octdief, 1802. Third Night. MERCHANT OF VENICE, The Duke • •• Mr. Barry. Bassanio Mr. R. Power. Gratiano Mr. Crampton. Lorenzo Mr. May. Anthonio Mr. Rothe. Shylock Mr. Tighe. Tubal Mr. Kearney. Launcelot Mr. Langrishe, Salanio Mr. A. Helsharo, Salarino Mr. R. Langrishe. Portia Mrs. GalindOi Nerissa Mrs. Williams. Jessica Miss Grlfiiths. THE POOR SOLDIER. Dermot Mr. Kelly. Bagatelle Mr. Crampton. Captain Fitzroy Mr. May. Pat Col. Maxwell. Darby ( Officers of the \ Garrison. Father Luke NORAH Mrs. Williams. Cathlben Miss Griffiths. Monday, IZth October, 1802. Fourth Night. MACBETH. Duncan, KiNfi or Scotland Mr. G. P. Bushe. Malcolm Macbeth Macduff BANftUO RossE Fleance Lenox Seyton Murderers Bleeding Captain Hecate FiiisT Witch Second Witch Third Wit'ch Singing Witches Lady Macbeth Mr. May. Mr. R. Power. Mr. Rothe. Mr. Tighe. Mr. R. LangrishlSi Master Helsnam. Mr. Bushe. Mr. Kearney, r Lord Clonbroek and iHon. Mr. P. Butler. Mr. H. Tighe. Mr. Crampton. Mr. Barry. Mr. Langrishe. Mr. Brownlow. 5 Miss Griffiths, IMrs. Williams, &c. Mrs. Galindo. THE ANATOMIST. MoNS. Le Medecin ... Mr. Barry. Old Gerald Young Gerald Martin Crispin Madame LeMebecin ... Angelica .». Mr. H. Tighe. Mr. May. Mr. Crampton. Mr. G. P. Bushe. Mrs. Williams. Miss Griffiths. Wednesday, SOth October, 1802. Fifth Night. THE RIVALS. Sir Anthony Absolute Captain Absolute ... Faulkland Sir Lucius O'Triggee Acres Fag David Coachman Mr. Lyster. Mr. R. Power. Mr. Rothe. Mr. Crampton. ' Mr. G. P. Bushe. Mr. R. Langrishe Mr. Tighe. Mr. H. Tighe. Mrs. Malaphop Lydia Languish Julia Lucy Mr, Langrishe. Mrs. Williams. Mrs. Galindo. Miss Griffiths. A PANTOMIME. Harlequin Lover Clown Mr. Crampton. Mr. Bushe. Mr, Neville. Columbine Miss Griffiths. Friday, 22i October, 1802. Last Night. MACBETH. Duncan, King op Sc Malcolm Macbeth Macduff Banquo RossE Fleance Lenox Seyton Murderers Bleeding Captain Hecate First Witch Second Witch Third Witch Singing Witches Lady Macbeth otland Mr. G. P, Bushe. Mr. May. Mr. R. Power. Mr. Rothe. Mr. Tighe. Mr. R. Langrishe. Master Helsnam. Mr. Bushe. Mr. Kearney. < Lord Clonbroek and ( Hon. Mr. P. Butler. Mr. H. Tighe. Mr. Crampton. Mr. Barry. Mr. Langrishe. Mr. Brownlow. CMiss Griffiths, I Mrs. Williams, &c. Mrs, Galindo. AN OCCASIONAL EPILOGUE. THE MINOR. Sir William Wealthy Mr. Barry. Sir George Wealthy Mr. R. Power. Mr. Richard Wealthy Mr. H. Tighe. Shift, Smirk, & Mrs. Colk Mr. Langrishe. Loader .,. Mr. Bushe. Dick „. Mr. May. Transfer ... Mr, Tighe, Lucy ... Miss Griffiths. PRIVATE THEATRE OF KILKENNY. 9 1802. EPILOGUE Written and spoken iy Mr. Langriihe, At the close of the Theatre, the 22do/ October, 1802. Grave Prologue having made his formal bow. More Plaj'ful Epilogue salutes you now. Sententious Prologues dictate Rules for sense. But Lighter Epilogues with Rules dispense. And, free from dull restraint and critic laws. Aim but at Cheerfulness — and your Applause; Let Gravity pilt on what -masque it will. The taste of mankind's, to be merry still ; A serious air is like a full dress coat, J We wear it, our importance to denote, > And pass upon the world, for what we'/e not; J But, when we pomp and ceremony weather, Put our blue frock on, and our mirth together. Fashions still change — and different now the rage. Since Classic Congreve penn'd his easy page ; — Now Rural Economics are the Ton, Taste, wit and genius to the Soil belong; Critics now write on Farming and Manure;, •Farming exhausts all modern literature; This Rural rage ^en female bosoms fires. Pan, not Apollo now, their souls inspires, — A Smithfield Grazier's jargon they affect. And the soft accents of their sex neglect ; This fair one boasts, how well she works her fallow, How her hogs handle, and her oxen tallow ; While this one thinks long horns become the head. T'other, by crossing, hopes to mend the breed; The lovely Lady Tuppit proud with reason. Lets out her rams at sixty pounds a season ; — " The bull your La'ship sent — -'twas wond'rous kind, " But the red heifer is too thin beliind.; " To breed from such, I own I should be slow, -^ " Besides his tsAVs set on a foot too law, — " Pardon my freedom, but my zeal will ^peak, — " The Beast has too much leather on her neck."" Such modem taste must think our pastime mean. Where neither oxen, sheep or swine are seen. But we will still our classic course pursue. And scorn their censures, while approv'd by you j By you, whose judgment's true, whose feehng's kind. Whose taste is elegant — and wit refin'd. But could you think it possible that we, Honest confederates in Charity, Should wake the vigilance of -|- pious spleen. To spoil these sports, and mar the good we mean ? Yet Doctor Cantwell lifts his eyes to Heaven, And hopes such crimes may be at last forgiven. " Such impious means to give the poor relief, " Is adding want to want, and grief to grief, " Better all starve, than crimes like these commit ; " Audience, and Actors, all shall smart for it. -^ About this time the ^(?w Lights in Farming appeared, and engrossed, for a while, all conversation even amongst the fair Sex. f Not New Lights in Fm-miTig alone, but Nnw Lights in Religion also ap-. peared about this time, the followers of which preached and para, graph'd against the Kilkenny Theatre; but they were unable to inter- rupt tbe continuance of its innocent amusements,, or to suppress .the. JSenevoleuce of the Charitable. " When Alms are given, let me dispense the boon j " Heaven smiles upon my works, and mine alone." As if the canting Hypocrite would say, " There's but one gate to Heaven — and I've the key.'' But we with mirth put by the weak attack. Retort in rhyme, and laugh their follies back : Then spare, ye rigid righteous, spare our Plays, — Let each their best perform, their several ways ; 'Tis yours, grave Sirs, to preach — 'tis ours to play, 'Tis X yours to succom- wretchedness — and pay. And, heedless what a meddlmg Priest may say. Make Charity the Order of the Day. $ To the Audience. The Ladies and Gentlemen, who applied too late fon places to witness the approaching Performances at our Theatre, are hereby informed, that the three front seats of the Gallery are thrown into the Lettices for their accom- modation.— [Jriffie«»y Pajper, Saturday, October 9th, 1802.] The City of Kilkenny has never witnessed such ao assemblage of fashionable Society as it does at this moment. The Lodging-houses are all nearly full ; and the Carnival, to which expectation has been anxiously looking for the last two months, at length has opened with the greatest spirit. The principal Actors of our Theatre 4ire Members of some of the most distinguished Families of our County, and their Audience is not unworthy of the Rank and the Talents that appear before them. The Performances com- menced on Monday night. Last Night the Assemblies opened at the Tholsel. The second of our Theatrical Performances takes place to night. To-morrow morning the followers of the Chase will take the field, andi to- morrow night there will be a Concert at the Theatre, to be succeeded by a Ball — thus pass in merry round the varied pleasures of our happy vsae. -{Kilkenny Paper, Wednesday, October 1 3th, 1802.] Our City continues to be the centre «f attraction amon^ the gay and tbe fashionable, for the Fame of ourPlays has gone forth, and the number of Strangers to be discovered among our Visitors is daily increasing— Thanks to the benevolent hearts of those who have abandoned the com- forts of their Country Seats to live in inconvenient Lodgings, and undergo the nightly fatigues ofTheatrical Represents^ tions, in order to create the means of bestowing,.at a great expense to themselves, a benefit upon others. Their object, however, is accomplished—the Funds of our Charitable Institutions have got an abundant supply from their labors, and harmony and happiness prevail among us [Kilkenny Paper, Saturday^ 'Bctober 16th, 1802.] The Performances of this Season are now over, and never did the most brilliant Audience that ever graced a Theatre behold a more extraordinary assemblage of veiiedr talents than has been exhibited on our little Stage, iu almost every department of the Drama — talents happily 10 PRIVATE THEATRE OF KILKENNY. 180S. united, judiciously disposed, and benevolently exerted. Criticism is as unnecesary as it would be unbecoming. An appropriate Prologue and Epilogue, composed, we believe, by the Gentlemen of the Theatrical Association, preceded and concluded the Performances. The Scenic decorations were in the highest degree beautiful ; many of the Dresses were superb, and all of them appropriate. The Theatre could with difficulty contain the numbers that thronged to it every Night ; and yet such was the attention paid to the Stage, that even in those crowded Houses not a whisper was heard to interrupt the Performance, except when the general silence was broken by a burst of applause. Her Excellency Lady Haedwicke and her Suite honored yith their presepce one of the Stage Boxes. The Cohntess OF Obmonde, Lady Elizabeth Kavanagh, Lady Eleanoe Butler, with a large party of Nobility belong- ing to the ancient house of Oemonde, occupied the other. The Countess of Caseick, Lady Ann Maxwell, and the Members of their distinguished Family, filled a third; but in almost every row of the Box Circle, appeared lovely Women of the first Rank and Family, among us, in all the brilliancy of full dress, the pride and ornament of our Theatre, our County, and of our Country at large. — {Kilkenny Paper, October 21lh, 1802.] Sijiru Reason. 1803. Commenced the nth, and doted the Slst of October. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe. Mr. Lyster. Mr. Tighe. Mr. Cran;pton. Mr. Brownlow. Mr. Ponsonby Mr. Glascock. Mr. Bushe. Mr. G. P. Bushe. Mr. R. Bushe. Mr. M. Fitzgerald. Mr. R. Langrishe. Mr. H. Tighe. Mr. Mason. Master Helsham. Mrs. Galindo. Miss Walstein. Mrs. Williams. Mrs. Chalmers. Miss Davison. The Orchestra principally filled from that of the Theatre Royal, Dubhn. Leader, Mr, J. Barrett. PROLOGUE Written and spoken by Mr. Tighe, At the opening of the Theatre, the nth of October, 1803. Again we venture, on those boards, to try The kind indulgence of your friendly eye; Nor think our time, or yours, is spent in vain. While British sentiments your praise obtain — Aye, purely British, for our tastes refuse All doubtful lessons from the * German Muse ; Resolved to combat, in our Patriot course, 'Gainst Foreign Morals, or a + Foreign Force, If War shSl call us to the Battle-plain, Othello's occtipation's found again — And Denmark's Prince will wait no Spectre's word. To point aright his vengeance and his sword. Equal in arms, and arts, we can rehearse. At morn, a Skirmish, and at eve, a Farce. So gallant Frederic built, amid his wars. One altar to the Muses, one to Mars. Where'er he went, Thalia sat en croupe To lead the Comic, with the Warrior troop ; Those, whom his Arms had conquer'd in the day. He entertain'd at evening with a Pla3-. Tempering, like hiin, our Wars with Classic sport. At once Bellona, and the Muse, we court ; Like him, by enemies surrounded, rise. And Gallic arms, and German taste despise. With Swords, and Pens combin'd, the war we'll wage. Till both are beaten from the field, and stage. — Let German dramatists for France enlist. Rebels, with leaden head, and iron fist ; Nature laughs with us, when such idiot schools Stamp Horace, or the Stagyrite, for Fools : Here the flat Pathos vrithout cause appears. To drown bombastic Comedy in tears ; Unseemly vices plunging thro' the mud. There, wrapt in. mist, pursue the scent of blood; One lover here, to harmonize the lives Of two kind damsels, makes two loving wives. Incredulous we hate the crude attempt. From all but dulness and from vice exempt ; For when insidious Vice apes Sentiment, Let Nature mourn, and British hearts lament.— The Stage, and Countrj', share an equal fate : Corrupt the Taste, and you subvert the State. To say that kings, and ministers, are fools, All senates, hirelings, and all soldiers, tools. Is but to vandalise the human race. And raise up Anarchy in Wisdom's place. To us, by Heav'n, are better prospects shown ; Virtue, we know, can live upon a Throne : And here, we know — but not to praise our friends, With this short Prayer, at once our Sermon ends ; " Ne'er may the Land feel Bigotry or Fetters, That to a Swift, and Congeeve, first gave Letters ! And, where a Bebkeley first began to reason. May Wit, or Taste, be never out of season !" » Some German Plays that were thought to be of questionable morality, were now but too popular on the Stage. t Fiance had renewed her hostilitiet againit these Countries, and was threatening them with Invasion. PRIVATE THEATRE OF KILKENNY. 11 1803. Monday, nth October, 1803. FiHST Night. THE INCONSTANT. Old Mirabel ... Mr. Ponsonby. Young Mieabel ... Mr. R. Power. Captain Dubeiete ... Mr. Langrishe. DvGARD ... Mr. Mason. Petit ... Mr. R. Langrishe. Bbavoes, Messrs. Brownlow, Glascock, G. P. Bushe, and Rd. Bushe. OsiANA BiSAREE Lamoece Miss Walstein. Mrs. Williams. Miss Davison. AN OCCASIONAL PROLOGUE. CATHERINE Petruchio Baptista hobtensio Grumio Mtrsic Master BlONDELLO Tailor Catherine BlANCA Curtis AND PETRUCHIO. Mr. Crampton. Mr. Ponsonby. Mr. Mason. Mr. Tighe. Mr. R. Power. Mr. Rd. Bushe. Mr. Glascock. ... Miss Walstein. Miss Davison. Mrs. Williams. T^tiriday, 20th October, 1805. Second Night. THE COUNT OF NARBONNE. Austin ... Mr. Rothe. Theodore ... Mr. R. Power. Fabian ... Mr. H. Tighe. ^ C Messrs. Ponsonby, and officers ... ^^ Langrishe. The Count ... Mr. Tighe. Adelaide ... Miss Walstein. HoRTENsiA ... Mrs. Galindo. THE CRITIC. Sir Fretful Plagiaby Mr. Rothe. Saturday, 22d October, 1 803. Third Night. Dangle .. Sneer Puff Mrs. Dangle SiGNOR and Signoba RiTOBNELLO Mr. H. Tighe. Mr. Mason. Mr. Langrishe. Miss Davison. ( Messrs. Crampton I and Glascock. Characters in the Lord Burleigh Governor Earl of Leicester ... Sir Walter Raleigh Sib Christopher Hatton Beef Eateb Don Febolo Whiskebandos Tilburina confidanib .Niece Tragedy. Mr. Bushe. Mr. Tighe. Mr. R. Power. Mr. Glascock. Mr. Brownlow. Mr. R. Langrishe. Mr. Crampton. Mrs. Williams. Miss Davison. Mrs. Chabuers. MACBETH. Duncan, King op Scotland Malcolm ... Donalbain ... Macbeth Macduff Banquo RossE Fleance Seyton ... Physician Hecate First Witch Second Witch Third Witch Singing Witches < Lady Macbeth Mr. G. P. Bushe. Mr. Mason. Mr. Bushe. Mr. R. Power. Mr. Rothe. Mr. Tighe. Mr. R. Langrishe. Master Helsham. Mr. Rd. Bushe, Mr. H. Tighe. Mr. Crampton, Mr. Brownlow. Mr. Langrishe. Mr. Ponsonby. Miss Davison. i Mr. R. Cooke. Mrs. Williams, &c. Mrs. Galindo. THE DEVIL TO PAY. Sir John Loterule ... Butler Cook Coachuan Conjurer (WUh an occa- sional Epilogue) Joeson Lady Loverule Lucy ... Nell (With Songs) ... Mr. Mason. Mr. Ponsonby. Mr. Brownlow. Mr. Rd. Bushe. I Mr. Tighe. Mr. Glascock. Miss Davison. Mrs. Chalmers. Miss Walstein. Tuesday, 25th October, 1803. Fourth Night. HAMLET. CLAUDiuSjKiNGopDENMAhK Mr. Rothe. Hamlet polonius Laertes Horatio rosencrantz .. GulLDENSTERN Osbick Marcellus .. Player King ... Prologue FiEST Gbavedigger ... Second Gravediggeb Ghost Gertrude, Queen of Denmark Ophelia ... Actress ... Mr. R. Power. Mr. G. P. Bushe. Mr. Rd. Bushe. Mr. Ponsonby. Mr. Mason. Mr. Bushe. Mr. R. Langrishe. Mr. Tighe. Mr. iGlascock. Mr. Barret ' Mr. Langrishe. Mr. Brownlow. Mr. M. Fitzgerald. > Mrs. Galindo. Miss Walstein. Miss Davison. SYLVESTER DAGGERWOOD. Fustian ... Mr. Glascock. Daggerwooo ... Mr. Crampton. Manageb's Servant ... Mr. Mason. 12 PRIVATE THEATRE OF KILKENNY. 1803. Tkwriday, 21th October, 1803. Fifth Night. RULE A WIFE. DcTKE OP Medina Juan De Castro Michael Perez {The Copper Captain) Cacapogo Alonzo Leon Mr. R. Power. Mr. Mason. Mr. Langrishe. Mr. G. P. Bushe. Mr. R. Langrishe Mr. Rothe. Margabitta Altea estifania Old Woman Maid Mrs. Galindo. Miss Davison. Mrs. Williams. Mr. Brownlow. Mr. Bushe. LOVERS QUARRELS. Carlos Lopez Sancho Mr. R. Power. Mr. Glascock. Mr. Crampton, Leonora Jacintha Miss Walstein. Mrs. Williams. Saturday, 29th October, 1803. Sixth Night. OTHELLO. Duke op Venice Othello Brabantio Gratiano lodovico Cassio Iago roderigo Montano Desdemona Emilia Mr. Bushe. Mr. Rothe. Mr. Tighe. Mr. Rd. Bushe. Mr. Mason. Mr. R. Power, Mr. Ponsonby. Mr. Glascock. Mr. G. P. Bushe. Miss Walstein. Mrs. Galindo. THE CITIZEN. Old Phii.pot Young Philpot Sir Jasper Wilding Young Wilding Beaufort QulLLDRIVE Maria Coeinna Mr. Ponsonby. Mr. Crampton. Mr. G. P. Bushe. Mr. R. Langrishe. Mr. Mason. Mr. Glascock. Miss Walstein. Miss Davison. Monday, 5\at October,. 1803. Last Night. THE RIVALS. Sir Anthony Absolute Captain Absolute ... Faulkland Sm Lucius O'Triggee Acres Fag David CoACHMAir Mrs. Malaprop Julia Lydia Languish Lucy Mr. Lyster. Mr. R. Power. Mr. Rothe. Mr. Crampton. Mr. Glascock. Mr. R. Langrishe. Mr. Tighe. Mr. Mason. Mr. Langrishe. Miss Walstein. Mrs. Chalmers. Miss Davison. AN OCCASIONAL EPILOGUEj THE DEVIL TO PAY. Sir John Loverule ... Butler Cook Coachman Conjurer {with a suitable Address) JOBSON Lady Loverule Lucy Nell {With Songs) Mr. Mason. Mr. Ponsonby. Mr. Brownlow. Mr. Rd. Bushe. ' Mr. Tighe. Mr. Glascock. Miss Davison. Mrs. Chalmers. Miss Walstein. EPILOGUE Written and spoken by Mr. Langrishe, At the chse of the Theatre, the 31 st of October, 1803. Mr. Langrishe, as Puff, discovered writing at a Table, Enter the Prompter. — Prompter. Mr. Puif, the Play's done, and the audience won't wait ; Make haste with your Epilogue-— or you'll be late ; Or, if you've none ready — just give out a Play, For the meeting next year, in the regular way ; Say something that's civil — no matter how short. For the audience, this evening, are all the right sort. Puff — rising. Well ! I'm coming — 'tis lucky I've little to speak. For we've all been on dev'lish hard duty this week j But whatever I say's sure to answer our ends, For these Gentlemen players fill the house with their friend*. [Prompter, Exit.] PRIVATE THEATRE OF KILKENNY. 13 1803. PvTT— ^coining forward. Ladies and Gentlemen ! *Oii the Twelfth of December, I'm order'd to say, ("Tis now in Rehearsal,) will be acted a Play j An Historical Drama, reviv'd, and new naral'd, Call'd the Vanquish" d Invaders, or Frenchmen Asham'd : Three times acted before, (as state chronicles shew,) +Under Managers-^ffamiert^and Hoche— sad Thur&, With a Farce after that, neatly written by me-^ Full of sentimehts pure— jfand from ribaldry free ; Undefil'd by smart sallies of humour or wit. Or impertinent jests, that may hurt, where they hit : The whole, with an Epitonue apt to conclude. In metre that's tuneful — with moral that's good. By me — and not what you're accustoni'd to hear. But innocent, decent, and void of all sneer. Mr. Langriihe. So far says Pufl^-and well, in way of trade : But yet, by me some Comment paust be made ; His Play, th' Invaders Vanquish'd, I admire. Each hand shall aid it, and each Muse inspire : But — Sentimental farces please this town — Innocent Epilogues — ^they'll ne'er go down.— - Farces should hold up foibles to the View, For wit, by laughter folloiw'd, to pursue ; Should touch, with ridicule, tach frail beginner. That shame may strike the fool — or save the sinner : Thus shall prim preachers, tho' they cant and croak. Reluctant, learn a moral in a joke. The lighter flights and follies of the hour Must give to Epilogue his playful pow'r. Then, how can Coinic Muse fihd matter here. Where not a fault, or folly, will appear ! No female grazier f now, no rainCiUg pruilpj Nor sinning Psalm-singer } dare here intrude. I own, — that to our moral lectures past. You owe those decencies-^ySu'te learned too fast ; Yet — out of mercy to the Drama, we Will lean on venial faults, with lenity ; And suffer you, in pity, to conlmit Some pregnant follies, to produce some wit. And give the Comic Muse some little food ; For you will starve her, if you grow so good ; If you remain decorous and demure, Poor Epilogue becomes a sinecure ; But, if you wish for playful jest again. Fresh Frailties must inspire your poet's strain. Yet we will laugh — tho' you refuse a cause ; Laugh — at all efforts to subvert our laws^— Laugh — at the menace of vain-glorious France — Laugh— -at defeated Treason's |{ pointless lance — Laugh — at those friends, whom terror keeps away From the safe pleasures of our liberal Play — * At this time there was a general expectation that the French would invade Ireland. t The Leaders of the three last attempts to invade Ireland by the French. t Vide page 9.— Notes to Epilogue. S Ibid. II Alluding to the failure of the desperate eiTort made by some disaffected individuals in the year 1803,to disturb the tranquillity of the Metropolis, and shake the loyalty of the Country. Laugh — at those prurieht teachers, that abuse These well-meant projects of the playful Muse, And, (for some selfish purpose,) woiild decry This boilnteous impulse of your Charity; Thus, tho' convulsions rend the world around, No hostile breath shall blast this favor'd ground. Your presence dissipates edch gathering fear. And wipes from terror the foreboding tear ; Your eyes, like Phoebus, chaSe all mists away. Nor let to-morrpw's danger cloud to-day. When charms, hke these, a nation's fires excite. Cowards shall couibat, every dunce shall write. Nor cares nor perils shall our zeal abate, — Let but t/our Plaudits on our efforts wait. Our Theatre opeiied on Monday Night last. The Audience, though not so numerous as upon former occa- sions, was very select. As most of the Lodgings in the Town, and all the Boxes, are taken, there is reason to expect, that the remaining Entertainments of this week, and the whole of the next, will bring crowded houses.— [Kilkenny Paper, Wednesday, October I9th, 1803.] Last Monday Night, the 31st ulto. ended our annual Theatrical amusements, in aid of the Charitable Institu- tions of Kilkenny ; and we are happy to announce to the Public, that no less a sum than *Six Hundred Pounds was collected, which, after the necessary deductions, will leave a considerable proportion to be applied to those best of Charities. When we connect with the excellence of the Entertainments we have witnessed, the laudable pur- poses that gave them birth, and behold the Gentlemen of our County, those true Friends of the Poor, abandon- ing all their own domestic comforts, incurring considerable expense, and imposing on '{hemSelves no small portion of labor, in order to accomplish their objects, we own, that we can hardly repress our indignation at those enthusiastic Devotees, who, warm in the professions of their faith, but cold in the practices of Ch^ity, have ventured to condemn our innocent and useful Recreations. To such persons we will simply say this, if you have been prevented by any scru- ples of Religion from visiting our Theatre, and thus adding to the resources of Charity, while you were enjoying an elegant and classical ariiuseinent, we hope, now that those pleasures are at an end, you will have no scruples of that, or any other kind, to prevent you from sending your Contributions to the General Fund, -But we will pursue the theme no further. Our Theatre, we venture to assert, has exhibited, for. this last week, a greater assemblage of rank, beauty and accomplishment, than that of the Capital often contains at the same time; and surely it is not to be won- dered at, that the recitation of some of the sublimest productions of our best dramatic writers, by men of talent, taste and education, should bring together Crowds of those who regard the excellencies of Dramatic Literature and Dramatic Representation, with feelings of a kindred nature. To heighten the amusements of this Meeting, two superb Balls were given by the Gentlemen of the Kil- kenny C-Lvs.—iKilienny Paper, Saturday, November 5th, 1803.] '» See iiage 14. 14 PRIVATE THEATRE OF KILKENNY. 1804. ADDRESS From the Charitable Societies of KiLKEN>jy to the Gentlemen of the Kilkenny Theatre, Presented to them at the close of the Third Season, October, 1803. The Charitable Societies of Kilkenny, impressed whh the liveliest sense of gratitude, beg leave to return their unfeigned Thanks to the Gentlemen, who, with their wonted huma- nity, have exerted their Theatrical Talents in aid of the Charitable Funds of this City, when the gross sum of nearly Six Hund-reb Pounds was collected ; a consider- able proportion of which is funded for the benefit of those USEFUL Institutions. The Prayers and Blessings of the Objects, thereby relieved, pleading " trumpet tongued" with the Most Hisifin behalf of their kind Benefactors, must speak their thanks ; while the honest consciousness of their benevolent intentions can alone offer to sitch minds 4n adequate Reward. {Copy.) 1804. Commenced the 1st, and closed the 16th of October, THE COMPANY. *Mr. Mr. Rothe. Mr. Langrishe. Mr. Lyster. Mr. Tighe. Mr. Crampton. Mr. Brownlow. Mr. Ponsonby. Mr. Glascock. Mr. H. Butler. Lord Mountjoy. R. Power. Mr. Pohl. Mr. Bryan. Mr. J. Power. Mr. Doyne. Mr. R. Langrishe. Mr. £. Glascock. Mr. Mason. Mr. Croker. Mr. Cornock. Colonel Cope. Miss Walstein. Mrs. Hitchcock. Mrs. M'CuUoch. Miss Davison. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. T. Cooke. * Mr. E. Power wss unable to take any share in the PerformanceB of this Reason, from a siulden and severe uuUspositiDn. PROLOGUE Written by Mr. Mason, and Spoken by Mr. Rathe, At the opening of the Theatre, the 1st of October, 1804. Whene'er the Bard commands the tear to flow. And gen'rous hearts to bleed for fancied woe. The pulse of virtue throbs in ev'ry breast. While e'en the selfish weep for the distress'd. Or, when, with graceful art, his pen pursues The livelier image of the Comic Muse, Draws Nature, sullied by the arts of Pride, And places Ridicule by Fashion's side. Paints ev'ry folly in its native hue, And holds Hypocrisy unmasqued to view; The various Foibles that disgrace the age, Expos'd to general Scorn upon the stage. Shrink from the glance of Satire's piercing eye, Or from her keen and polish'd weapons fly. Such are the wonders of the Comic page : And thus the scenic Muse improves the age. Directs the feelings of impetuous youth. And bids e'en pleasure lead the way to truth. " To-night, she warms the youthful breast to feel " The manly impulse of a Patriot's zeal ; " But, while his soul such noble ardor fires, " He learns to guide the passions it inspires ; " Shuddering to view those scenes of deep Distress, " Which flow from Treason's boundless selfishness, " And from indulgence, criminally blind, " Of e'en the gentlest feelings of the mind. " When hapless Belvidera heaves the sigh, " Or in distraction rolls her frenzied eye, " Each heart that gives the tribute of a tear, " That beats with anxious hope, or thrills with fear, " Receives an useful Lesson from the Play, " And all who feel must go improv'd away. — But, in our scene another use we find. Still more delightful to the gen'rous mind ; Those crowded rows, where rank and beauty vie. To many a wretch a timely aid supply ; Bid Hope infuse new vigor in the breast. Which sad despair and poverty depress'd ; Pour healing comfort in the wounded heart ; To drooping Age a cordial balm impart ; Restore to sick'ning Youth its wonted bloom. And snatch th' untimely victim from the tomb. Thus Mirth, Instruction, Charity, unite Their various claims, to win your smiles this night ; Those smiles which, like the vernal sunbeam, glow. To light the gloomy cloud on Sorrow's brow ; To warm with hope the frozen breast of Care, And cheer away the winter of Despair. The Lines marked with inverted commas were intended to precede the Tragedy of Feiiice Preserved, which had been prepared for an early representation, but the indisposition of Mr. B. Power rendered it ne. cessary to lay that Play aside, and alter every proposed arrangement. They were not spoken therefore, but in their place were substituted some popular Lines, that were written upon the circumstances »f the times. PRIVATE THEATRE OF KILKENNY. 15 1804. Mondaj/,' Ut October, 1804. First Night. THE DEVIL TO PAY. Sib John Lovekule BuTlEE Cook Coachman Conjurer JoBSON Lady Loverulb Lucy Nell Mr. Mason. Mr. Ponsonby. Mr. Brownlow. Mr. H. Butler. Mr. Pohl. Mr. Glascock. Miss Davison. Mrs. Chalmers. Miss Walstein. AN OCCASIONAL PROLOGUE. A COMIC BALLET. Principal Characters. Fop ... Mr. Ponsonby. Favoured Lover ... Mr. Crampton. Female Dancer ... Mr. Glascock. Father ... Mr. T. Cooke, La Godvernante .. Mr. Brownlow. THE DESERTER. Henry Mr. Crampton. Russett Mr. Bryan. Sim KIN Mr. T. Cooke. Skirmish Mr. H. Butler. Flint Mr. Pohl. Soldiers 5 Mr. Mason, and i Mr. R. Langrishe. Louisa Miss Walstein. Jenny Miss Davison. Wednesday, 3d October, 1804. Second Night. AS YOU LIKE IT. The Duke Mr. R. Langrishe Frederick Mr. Pohl. Amiens Mr. E. Glascock. Jaques Mr. Rothe. Le Beau Mr. Glascock. Oliver Mr. Crampton. Orlando Lord Mountjoy. Adam Mr. Lyster. Charles Mr. Brownlow. Silvius Mr. Mason. CORIN Mr. Barrett. Touchstone Mr. Langrishe. Foresters and Soldiers. Rosalind Miss Walstein. CtELIA Miss Davison. Phebb Mrs. M'CuUoch. Audrey Mrs. Hitchcock. THE SULTAN. SoLYMAN ... Lord Mountjoy. OsMYN ... Mr. H Butler. Grand Carver ... Mr. Crampton. ^ EiMiBA ... Miss Davison. IsMENE ... Mrs. Williams. RoxALANA ... Miss Walstein. Friday, Stk October, 1804. Third Night. OTHELLO. Duke. OF Venice Othello Brabantio Gratiano Cassio Iago RoDERIGO Montano Desdemona Emilia Mr. Mason. Mr. Rothe. Mr. Tighe. Mr. Bryan. Mr. H. Butler. Mr. Ponsonby. Mr. Glascock. Mr. Pohl. Miss Walstein. Mrs. MtCuUoch. THE VILLAGE LAWYER. Scout Snarl Sheepface Justice Mittimus Mrs, Scout Mr. Crampton. Mr. Ponsonby. Mr, Glascock. Mr. Brownlow. Mrs. M'CuUoch. Monday, 8th October, 1804. Fourth Night. HENRY THE FOURTH, FiBST Past. Henry IV. Prince op Wales Prince John of Lancaster Worcester Hotspur Douglas Westmoreland Sir Walter Blunt .. Sir John Falstaff .. Sir R. Vernon PoiNS Peto Travellers Bardolfh Lady Percy Hostess Mr. R. Langrishe. Lord Mountjoy. Mr. Mason. Mr. Ponsonby. Mr. Rothe. Mr. Crampton. Mr. Glascock. Mr. Brownlow. Mr. Lyster. Mr. H. Butler. Mr. Bryan. Mr. E. Glascock. ( Messrs. Williams and IR. Cooke. Mr. Pohl. Miss Davison. Mrs. Hitchcock. A COMIC BALLET. Principal Characters. Fop ... Mr. Ponsonby. Favoured Lover ... Mr. Crampton. Female Dancer ... Mr. Glascock. Father ... Mr, T, Cooka La Gouvebnantb ... Mr. Brownlow. THE POOR SOLDIER. Darby ... Mr. Glascock. Dermot ... Mr. E. Glascock. Pat ... Mr. H, Butler. Father LuKe ... Mr. Brownlow. Bagatelle ... Mr. Crampton. NoRAH .. Miss Davison. Cathleen ... Miss Walstein, 16 PRIVATE THEATRE OF KILKENNY. 1804. Wednesday, loth Oetoberi 1804. Fifth Night. THE SCHOOL FOR SCANDAL. Sm Peteb Teazle ... Sir Oliver Surface ... Joseph Surface Charles Surface Rowley Crabtree Sir Ben. Backbite ... Moses Snake Trip Careless Drinking Gentlemen Lady Teazle Lady Sneerwell Mrs. Candor Maria Mr. Langrishe. Mr. Glascock. Mr. Ponsonby. Mr. Rothe. Mr. Mason. Mr. Lyster. Mr. H. Butler. Mr. Tighe. Mr. Pohl. Mr. Bryan. Mr. Crampton. r Mr. J. Power. % Lord Mountjoy. -' Colonel Cope, i Mr. Doyne. \ Mr. Cornock. Miss Walstein. Mrs. Williams. Mrs. Hitchcock. Miss Davison. BON TON. Lord Minikin Sir John Trotley Jessamy Colonel Tivy Davy Lady Minikin Miss 'Tittup Gymp Mr. H. Butler. Mr. Lyster. Mr. R. Langrishe. Mr. Crampton. Mr. Bryan. Mrs. Williams. Miss Walstein. Miss Davison. Fnd:ay, 12th October, 1S04. Sixth Night. LIONEL AND CLARISSA. Lionel Colonel Oldboy Sir John Flowebdale Jessamy Hahman Jenkins Diana Lady Mary Oldboy ... Clarissa Servants Mr. £. Glascock. Mr. Lyster. Mr. Langrishe. Mr. R. Langrishe. Mr. H. Butler. Mr. Pohl Miss Davison. Mrs. Hitchcock. Miss Walstein. Mr. Mason, &c. THE WAGS OF WINDSOR. John Lump Caleb Quotem Loony M'Tottlter Mr. Deputy Bull Lucy Lord Mountjoy Mr. GlascocL Mr. H. Butler. Mr. Ponsonby. Miss Davison. Mditday, ISth October, 1804. Seventh Night. OTHELLO. Duke of Venice Othello Mr. Mason. Mr. Rothe. Brabantio Gratiano Cassio Iago Roderigo Montano Mr. Tighe. Mr. Bryan. Mr. H. Butler. Mr. Ponsonby. Mr. Glascock. Mr. Pohl. Desdemona Emilia Miss Walstein. Mrs. M'Culloch. A COMIC BALLET. Principal Characters, Fop ... Mr. Ponsonby. Favoured Lover ... Mr. Crampton. Old Painter ... Mr. T. Cooke. Painter's Daughter Mr. Glascock. La GoiivEBNANTE Mr. Brownlow. Tuesday, 16th October, 1804. Last Ni6ht. HENRY THE FOURTH. First Past. Henby IV. Prince of Wales Prince John pf Lancaster Worcester ^ Hotspur Douglas Westmoreland Northumberland Sir Walter BlunT ... Sir John Falstafp ... Sir R. Vernon PolNS Peto Bardolph Travellers ... < Lady Percy Hostess Mr. R. Langrishe. Lord Mountjoy. Mr. Mason. Mr. Ponsonby. Mr. Rothe. Mr. Crampton. Mr. Croker. Mr. Pohl. Mr. Brownlow. Mr. Lyster. Mr. H. Butler. Mr. Bryan. Mr. E. "Glascock. Mr. Pohl. ; Messrs. Williams and [R. Cooke. Miss Davison. Mrs. Hitchcock. AN OCCASIONAL EPILOGUE. THE DESERTER, Henry RUSSETT SiMKIN Skirmish Flint Soldiers Louisa Jenny Mr. Crampton. Mr. Bryan. Mr. Glascock. Mr. H. Butler. Mr. Pohl. 5 Mr. Mason and Mr. ( R. Langrishe. Miss Walstein. Miss Davison. PRIVATE THEATRE OF KILKENNY. 17 1804. EPILOGUE, Written and spoken by Mr. Langrishe, At the close of the Theatre, the 16th of October, 1804. Four times your presence hath our efforts grac'd, Inspir'd our genius, and improv'd our taste ; Four times have we uiflock'd our mystic store, To feed our vanities, and feed the poor; And to some merit, sure, we have pretence. Who turn to siwh account our scanty sense ; Who cunningly combine our mimic tale. Throw o'er our faults a charitable veil. Turn private vanity to public good, ' And work our follies into solid food. ' Our wit's substantial, and our jest's a treat. Productive pastimes ! ■ whence the poor shall eat. If such our merit, greater still is yours, Our scheme that sanctions, and our wit endures : But were the wit still less, the plaintive call Of melting Charity impels you all. You come, propitious to the kind intent. And indigence, and grief, no more lament. You heal their woes, the pangs of pain assuage. Save helpless Youth, and succour hopeless Agej For you, the famish'd wretch his Prayers shall raise, And from the bed of sickness pour your Praise, For you, who lengthen life's contracting span. And mitigate the miseries of man. Tho' Critic^ censure, and tho' Zealots frown, Here will we build our altar to Renown ; And, in despite of feeble Fashion's laws. Here rest our claim to merit and applause ; For fashions change — no* female Graziers now Extol the beauties of a favourite soiv ; But f female Phaetons usurp their places. And borrow from their Coachmen all their graces, Cropt, modish Madam talks of blood, and points. Full quarters, pedigrees, and fetlodc joints. Her listless Husband in her chariot locks. Damns the Postillion, and ascends the Box, Or still more modish, clad in Male array, "i Rides her own :|: match, inveterate, play or pay, > And beaten, challenges a future day. j Can these he female charms ? this beauty's sphere ? To shine a Horse-racer or Charioteer ? Let them succeed ! e'en their success must shock ye, T' achieve — the Hackney coachman, or the Jockey. Nor Men of Fashion can our pastimes move. Too dull to join them, and too cold to love. In well-made dishes all their genius lies. Correct in custards, and expert in pies ; On savoury sauces they with science treat. And think true taste consists in how to eat. Thus modern Fashion, scorning Wit or books. Our Females turns to Grooms, our Males to Cooks, * An Epilogue of a former jrear, (p. 9) had alluded to the Fashion for Farming and Feeding, which existed so generally at that period. tit was the custom of the Ladies about this time, who kept Carriages, to drive 'em, t A Mrs. Thornton had rode a match at York. Be't ours, with well-meant jest, and sportive wif^ These fleeting follies of the hour to hit j Be't yours, whose judgment is refin'd and clear, T' establish genuine taste, and fix it here ; Thus shall these pleasant scenes the age befriend. Reform the morals^ and the manners mend. No sports like these our Gallic neighbours know, Forc'd into sad * fraternity of woe ; Long have they toil'd, and bled — for what? — to gainf A life of bondage, or a death of pain. That once gay nation must no longer find Its pleasures in vacuity of mind j Their upstart Tyrant, tottering on his throng Suspicious, jealous, watchful, cruel grown. Thinks human Happiness his foe on earth. And blasts the project that gives Pleasure birth ; Banquets on Misery, exults in Crimes, The scourge, disgrace, and wonder of the times. Back from such painful objects turn your eyes ; Here brighter views and cheerful scenes arise ; Herej blest with liberty, and firm in pow'r. We fill with pleasure every passing hour ; Here, court the Muses, midst the pause of arms. Defy all menace, and despise alarms. Yet some remain, who still these sports decry. Still think good humour rank impiety. Denounce the Drama — call a jest, a crime; And say perdition follows every line. Such impotent attacks we cannot dread. From hearts of rancour, and from heads of lead; In truth, these kind aspersers are our factors j They but increase our audience, and our actors. Then take our cordial thanks — a tribute duej Whate''er success we boast, we owe to you — Your kind indulgences together blend. The advocate, the critic, judge, and friend; Your Taste instructed us, your Feeling warm'd. Your Judgment chasten' d, and your Beauty charm'd. Long may your Plaudits call for future Plays, Renew our labors, and revive our lays ! And if unaided by f his polish'd art. By him, our pride, our genius, yes, our heart, If without him, tliese scenes are felt by you. What cannot your applause excite us to ? Then kindly minister that sure relief. To sooth his suflerings and assuage oar grief. Whene'er your Plaudits, floating on the gale. In well-known sounds his watchful ears assail. The grateful notes his gathering ills control, •' ■ Ease his fraught breast, and cheer his drooping soul. Then once again, your generous Praise extend. Second the healing god, and save our Friend. * The Jargon of French Democracy. f Mr. R. Fawet. A Letter from Kilkenny gives us the following account .of the Meeting there. " This City never before possessed such an assemblage of rank and consequence as at presents Our Private Theatricals, the Dramatis Personte of whiclr were filled by Gentlemen of the first distinction, have' proved such an attraction to the World of Taste, that they J8 PRIVATE THEATRE OF KIEKElfNY. 1805. ■ have drawn here some of the most celebrated and. virtuous Men of the Nation. Among our other Visitors, we delight to contemplate the immortal Geattan. We see also the classical and worthy Lord Bishop of Meath ; the EaWs of Belmore, Desaut, and Carrick; the Viscounts MouNTJoY and Matthew; the Lords Lismorb and DoKALLY, and their respective Families; the Countess of Ormonde, the Viscountess Mohntjoy, and a, long list of Commoners, and beautiful Women, many of them residents of our own happy County; nor must we forget the Oeficebs of the 74th Regiment, of the five recruiting DetachmentSj of a Corps of Artillery, and of four Troops of Dragoons, with the Staffs of the Lieutenant-General and the Major-Gen- cral. We have, in short, ia gay succession, all the various ap+ pearances and amusements of Chariots, Horses, Telegraphs, Dog-Carts, Concerts, Balls, Plays and Assemblies. The exertions, the manners, and the worth of those indi- viduals, to whom all this is owing, ought never to be for- gotten, nor can we soon cease to remember the large sums expended here by such a number of wealthy familiies. We are sanguine enough to think, that a change is- already dis- tinguishable among us, from cold and austere manners, to a love of pleasure and of society, and we are glad of it, for we shall have no unsafe subjects, when the People are amused and contented. To particularize any of the'Plays for superioi' excellence, would be unjust ; but if we were to judge, by its effects on the Audience, we shpuld say that the First Part of Henri/ IV. was the nearest to professional perfection. We shall long remember the manner in which Falstaff gave his< whimsical SoUloquies. on H'pnor,with the description of his 1 SO Recruits, his delivery of " A mad. " fellow met me on the way, and s^idj I had unloaded all , " the Gibbets and pressed, the dead Bodies," with all his scenes during and after the battle ; the death of the fierce and interesting Hotspur, and the magnanimity and tender- ness of the Prince of Wales. Upon the whole, this Play was got up with a success which we feel ourselves unable to describe. On Thursd^ last Mr. Grattan was compli- mented with a Public Dinner, at the SHEAF-lNN,by the. principal Inhabitants of our City, as an expression of their respect and regard for him. It was honored by the presence of Major-General the Hon. Robert Taylor, the Field Officers of the Garrison, the High Sherif^f, the Mayor, and all the Gentlemen of the Neighbourhood. Cooke and Attwood, the principal Musicians at the The- atre, took separate Benefits, the profits of which were equally divided between them, according to a previous arrangement. Cooke took the first ; Atw.ood's concluded the Concerts. But the source of all these pleasures is at an end; our Plays are now over; and if to the classical and elegant recreations they have afforded us, we add the gi-atification of numbering the many valuable advantages they have brought among us, the respected Actors must be very sure, that they carry home with them the regret, ad- miration, respect and affection of the City of Kilkenny. One circumstance only took from our happiness : the Gen- tleman to whose taste and exertions we are indebted for the distinguished place which we now hold in the Empire of Fashion, was prevented by severe indisposition from taking any part in those Performances, which he had himself esta- blished; our alarms, however, were removed by seeing that he was able be a spectator of the last Play, and we ardently hope to see him leading, with recruited health, the festivities ofthenext Season." --[Dublin Evening Post, OcM 8M,1804,] 1805. Commenced the 1th, and dosed the 26th of Optober., THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe* ^Mr, Lyster. Mr. Crampton. Mr. Brownlow. Mr. Ponsonby. Mr. Glascock. Lord Mountjoy. Mr. Pohl. Mr. Bryan. Mr. R. Langrishe. Mr. Norcot. Mr. Dalton. Mr. Green. Mr. Mason. Mr. Duffy. Mr. Milward. Mr. Cutliffe. Mr. Fitzpatrick. Master Gumbleton. Master Blakeqey. Miss Walstein. Mrs. Hitchcock, Mrs. Cooke. Mi-.s. Williams. Mrs. G. Johnson. Miss Davison. The Orchestra principally filled from that of the Theatre Royal, liublin. Leader, Mr. T. Cooke. PROLOGUE, Written hy Mr. Bus}ie', and spoken by Mr. R. Power, At the opening of the Theatre, the 1th of October, 180S. Since * Health, on genial wing, return'd, t' impart Strength to my limbs, and Feelings to my heart. No other scenes, no other sounds, could give Such heartfelt Transport as I now receive ; But ah ! how humble must these Plays appear ! No Tiny wonder, no f young Roscius here j No little Grildrig for his Glumdalclitch, No Thumb his Huncamunca to bewitch ; Our tragic Queens for full-groiiin Heroes sigh, VoT full-grown Queens our tragic Heroes die. We smile superior, when, in Fashion's plan^ Man plays the Child, while Infants play the Man Fashion, as well as Life, is like the Stage, And plays a different part in every age. In each,— ^at either verge extreme, — we see But childhood, and a second infancy. * Mr. R. Power's Indispontion, throughout the preceding Season, has been already noticed. t Master Betty, better known by tlie appellation of the Young Itoscita, wa» performing about this time with a measure of applause that has bcOB seldom eajoyed by any of the Veterans of the Drama. PRIVATE THEATRE OF KILKENNY: 19 1805, Th' exulting, Baby,^ ■with irapeifee^ tongue, Delights to lisp the Nurse's tale, when young : And, in his later age, again receives jin equal pleasure from the Forty Thieves 1 ! ! Oh ! Mother Goose, couldtst thou. but raise thy .head, Trom where thou slumb'rest •mongst the mighty dead ! Pleas'd would'st-thou see, in Reason's full defeat. Thy fame en^hrin'd, thy victorj? complete; View Prostrate Otway, with lyiumphant eye, And.VanquishTd Shalbpeare,, pass unheeded by; That Blue Beard, mightj in Regal pomp appear. While Orson's siuckled,by a Uxing bear. But hark ! what stonm of praise, what wondec draws From ©rury's rows this thunder of applause ?■ Have Barry, Mossop, left the realms of njglit? Tlestor'd is Gar^dick to our longing sight ? No — Garrick sleeps-r-npr, Sjcflons, do we prize. Thy expressive silence, or thy' speaJking eyes ; Dogs claim these tributes, they in water souse. And fetch and carry for a wond'ring house. A Horse was Consul, in Rome's ancient days ; ■* Carlo's the Roscius of our modern Plays. For you, from London far, more wise, more plain. Who sense refine not, till no sense remain. Here, vent'rous, do we dai-e present to view. What Nature dictated, while Shahspeare drew. Here Begpty listens toinstruptive Plays, And Reason need not^l^lush, while Taste gives prsnse; An ample Shield, here liberal Gandor spT«ads, Whence Slander's arrows drop with blunted heads ; And kind Indulgence, now so often known. Inspires a spirit, scarce confess'd our own. Mean while. Old Leinster, thro' her glad domain, Sees Ancient Splendor re-assume its reigii; Sees her own ■}■ Peers, with a Maternal smile. Mix with her Sons — nor' scorn their Native Isle. * The principal attraction in a Dramatic Entertainment, called th& Caravan, exhibited fit Drury-lane Theatre with very great success, was an exhi- bition of the course and' sagacity of a hog introduced under the name of Carlo ! ! •f The Earl of Ormonde, and many of- the principal Nobility of the Province of Leinster, were il) the House. Monday, "Jth October, 1805. First Night. THE WONDER. Don Lopez Don Pedro . Don f elix Frederick Colonel Briton LiSSARDO GiBBY Alguazil Vasquez Violante Isabella Flora Inis Mr. Lyster.. Mr. Gl^scoplc. Mr. R; Power. Lord Mountjoy. Mr. Ppnsonby. Mr. Langrishe. Mr. Brownlow^ Mr. Rothe. Mr. Green. Miss Walstein,, Mrs. Johnson. Mrs. Williams. Miss Davison. AN OCCASIONAL PROLOGUE. VALENTINE AND ORSON. Vsviri {King.of :^rance) Mr. Rothe. ^ Henry \ ,„■ t, i t- > 5 Mr. Ponsonby. HAoi^RAY \ (.SuJielatzQm) ^ M, BrownJoi. Valentine (a Foundling) Mr. R. Power. Orson (n lV^d Man) Mr. Crampton. Hu(J0 {Vqleraine's Armourer) Mr. Glascock. ^'^'SS-ir^^*'"^ jMr.Dalton. Pagjs to Valentine „. Master Blakeney* Peers 01, France ... j^T'' ^T"';^ ■ ' - iR. Langrashe, &c. Peasants ... Messrs.Green,Duify,i&e Priijwess Eglantine ... Empress Belisanta {Sister J to the King) S Florimonda Agatha (Attendant af' 7 Eglantine) S CiciLY (an old Peasant) Sorcerer Agramant {the \ Green KniglS) j Saracen Priest Mrs. Johnson. Miss Davison. Miss Walstein. Mrs. Cooke. Mrs. Hitchcock. Lord Mountjoy. Mr. Pohl. Wednesday, 9th Octqker, 1805. Second Night. VENICE PRESERVED. Duke oe Venice PttlULI Bedama^ Jafeier Pierre Renault Elliott Spinosa Theodore Belvidera Mr. R. Langrishe Mr. Brownjow, ' Mr. Cramp):ou. Mr. R. Power, Mr. Rothe. Mr. Ponsonby. Mr. Pohl. Mr- Green. Mr. Bryan. Miss Walstein. THE APPRENTICE. Old Wing ate ... Mr. Bryan, pAHGLE ... Mr. Ponsonby. Simon ... Lord Mountjoy. Bailiff ... Mr. Pohl. Scotchman) Members of J Mr. Langrishe. Irishman J Spouting Club, i Mr. Brownlow. Other Members of the Club, Messrs. Green, Dalton, DuiFy, &c. &c. Dick the Apprentice, (with i ^^ Qi^gcock, ■ the Prologue, g'c) J Charlotte ... jVJiss Davison. QQ PRIVATE THEATRE OF KILKENNY. 1805. ■^ridai/, Wtk October, 1805. Third Night. THE INCONSTANT. •OtD Mirabel ... Mr. Ponsonby. Young Mieabel r.. Mr. R. Power. Captain Dukemte ... Mr. Langrishe. DuGAED ... Mr. Green. Petit ... Mr. R. Langrishe. Bbatoes ... ■ Messrs. Brownlpw, '.Bryan, Glascock, &c Oriana Miss Walstein, BiSABEE ... Mrs. Williams. Lamoece ... Miss Davison. LORD AND NO LORD. LOED DUBEELY Mr. Ponsonby. Dick Dowlas Mr. R. Povreir. DOCTOK Panglos Mr. Brownlow. Zekiel Hemesfun Mr. Glascock. Lady Dubebly Mrs. Hitchcock, Cicely Homespun ... Mrs. Cooke. Monday, 14th October, 1805. Fourth Night. THE HONEY MOON. Duke of Aeanza ... Lord Mountjoy Count Montalban ... Mr. R. Langrishe. RoLATJDO .*• Mr. Rothe. Balthasae • .. Mr. Pohl, Lampedo ... Mr. Ponsonby. Campillo ... Mr. Dalton. Lopez ... Mr. Bryan. Jaques ... Mr. Glascodk. Juliana ... Mrs. Johnson. VOLANTE .«« Mrs. Williams. Zamora ... Miss Walstein. Hostess ... Mrs. Hitflicocfc. A COMIC BALLET. Principal Characters. Fop ... Mr. Ponsonby. Favoured Lovee ... Mr. Crampton. 'Old Painter ... Mr. T. Cooke. Painter's Daughter Mr. Glascock. La Gouveenante Mr. Brownlow. THE DEVIL TO PAY. SibJobn Loverule . Butler Cook 'Coachman Conjureb Jobson Lady Loverule Lucy JSTell -{With Songs) Mr. Dalton. Mr. Ponsonby. Mr. Brownlow. Mr. Lyster. Mr. Pohl. Mr. Glascock. Miss Davison. Mrs. Cooke. Miss Walstein. Wednesday, 16th October, 180B, Fifth Nigh*. KING RICHARD III. King Henry Pbince of Wales Duke of Gloster Duke of Yobk Buckingham Richmond Norfolk ».. Catesby Lieutenant or the Tower Stanley Lord Mayor TiBREL Teessel ... Queen Lady Anne Duchess of York Mr. Rothe. Master Blakeney. Mr. R. Power. Master Gumbleton. Mr. Ponsonby. Mr. Crampton. Lord Mountjoy. Mr. R. Langrishe. Mr. Green. Mr. Pohl. Mr. Bryan. Mr. Glascock. Mr. Brownlow. Mrs. Johnson. Miss Walstein. Mi-s. Hitchcock. MAYOR OF GARRET. Sir Jacob Jollup Major Sturgeon Bruin Jebey Sneak RoGftl Mat Mug Mes. Sneak Mbs. Bruin Mr. Ponsonby. Mr. Langrishe. Mr. Pohl. Mr, Glascock. Lord Mountjoy. Mr. Brownlow. Mrs. Williams. Miss Walstein. — ***^V**%— 1 Friday, 18th October, 1805. Sixth Night. CLANDESTINE Lord Ogleby Sir John Melville ... Lovewell Sterling Bbush Canton Serjeant Flower Traverse Teueman Mbs. Heidelbeeg Miss Sterling Fanny Betty Chambermaid MARRIAGE. Mr. Langrishe Mr. R. Langrishe, Lord Mountjoy. Mr. Lyster. Mr. H. Power. Mr. Glascock. Mr. Norcot. Mr. Duffy. Mr. Green. Mrs. Hitchcock. Mrs. Williams. Miss Walstein. Miss Davison, Mrs. Cooke. MATRIMONY. Baeon De Limbuegh ... Delaval O'Clogheety Clara LiSKTTA Mr. Ponsonby. Lord Mountjoy. Mr. Brownlow. Miss Walstein. Miss Davison. PRIVATE THEATRE OF KILKENNY. 21 1805. 'Monday, 21st October, 1805», Seventh Night. HENRY THE FOURTH, First Part. Henry IV. Prince of Wales Prince John op Lancaster Worcester Hotspur Douglas Sir R. Vernon Westmoreland Sir Walter Blunt ... Sir John FALSTArif ... PoiNS Peto Bardolfh Lady Percy Hostess Mr. R. Langrislie. Mr. R. Power. Mr. Dalton. Mr. Cutliffe. Mr. Rothe. Mr. Crampton. Mr. Ponsonby. Mr. Duffy. Mr. Brownlow. Mr. Lyster. Lord Mountjoy. Mr. Pohl. Mr. Bryan. Mrs. Johnson. Mrs. Hitchcock. Carriers, Travellers, ^c. VALENTINE AND ORSON. Pepin {King of France) TT f {his Relations) \ Valentine {a Foundling) Orson (a Wild Man) Hugo ( Valentine's Armourer) Blandiman {Page to the \ Empress) J Page to Valentine ... Peers of France Peasants . ... Princess Eglantine ... Empress Belisanta {Sister") to the King) 5 Florimonda Agatha {Attendant of ? Eglantine) i CiciLY {an old Peasant) Sorcerer Agramant {the Green Knight) Saracen Priest Mr. Rothe. Mr. Ponsonby. Mr. Brownlow. Mr. R. Power. Mr. Crampton. Mr. Glascock. Mr. Dalton. Master Blakeney. Messrs. Bryan, R. Langrishe, &c'. Messrs.Green, Duffy, &c. Mrs. Johnson. Miss Davison. Miss Walstein. Mrs. Cooke. Mrs. Hitchcock. Lord Mountjoy. Mr. Pohl, Wednesday, 2Sd October, 1805. Eighth Night. KNOW YOUR OWN MIND. MiLLAMOUR Dashwould Malvil Bv GROVE Captain Bygrove Sir Harry Lovewit Mr. R. Power. Mr. Langrishe. Mr. Ponsonby. Mr. Lyster. Mr. Green. Mr, R. Langrishe, Charles Sir John Millamour , Lady Bell Lady Jane Mrs. Bromley Miss Neville Madame La Rouge . Mr. Bryan. Mr. Rothe. Miss Walstein, Mrs. Johnson. Mrs. Williams. Miss Davison. Mr. Glascock. A COMIC BALLET. Principal Characters. Favoured Lover Quaker Old Father Infanta School Boy Friar PlEROT Female Dancer Alderman Clown-Servant Mr. Crampton, Mr. Ponsonby. Mr. Bryan. Mr. MJlward. Lord Mountjoy. Mr. Pohl. Mr. Cooke. Mr. Glascock. Mr. Fitzpatrick.' Mr. Brownlow. LYING VALET. Sharp Gayless Justice Guttle Kitty Pry Melissa Mr. Crampton. Mr. Ponsonby. Mr. Brownlow. Mrs. Williams. Mrs. Johnson. Friday, 2Sth October, 1805. Ninth Night. THE GAMESTER. Beverley Mr. Rothe. Lewson Mr. R. Power. Stukely Mr. Ponsonby. Jahvis Mr. Lyster. Bates Mr. Pohl. Dawson Mr. R. Langrishft Mrs. Beverley Miss Walstein. Charlotte Mrs. Johnson. Lucy Miss Davison. MAYOR OF GARRET. Sir Jacob Jollup Mr. Ponsonby. Major Sturgeon Mr. Langrishe. Bruin Mr. Pohl. Jerry Sneak Mr. Glascock. Roger Lord Mountjoy, Mat Mug Mr. Brownlow. Mrs. Sneak Mrs. Williams. Mrs. Bruin Miss Davison* 22 PRIVATE THEATRE OF KILKENNY. 1805. Saturday, 26th October, 1805, Last Night. THE LIAR. Sir James Elliott Old Wilding YoDNG Wilding Papillion Miss Grantham Miss Godfrey Kitty Mr. Green. Mr. Bryan. Mr. R. Power. Mr. Crampton. Mrs. Williams. Mrs. Johnson. Miss Davison. AN OCCASIONAL EPILOGUE. A COMIC BALLET. Principal Favoured Lover Quaker Old Father Infanta School Boy Friar Pierot Female Dancer ' . Alderman Clown-Servant Characters, Mr. Crampton. Mr. Ponsonby. Mr. Bryan. Mr. Milward. Lord Mountjoy. Mr. Pohl. Mr. Cooke. Mr. Glascock. Mr. Fitzpatrick. Mr. Brownlow. LORD AND NO LORD. Lord Duberly ... Mr. Ponsonby. Dick Dowlas Doctor Panglos Zekiel Homespun L^DY Duberly Cicely Homespun Mr, R. Power. Mr. Brownlow. Mr. Glascock. Mrs. Hitchcock. Mrs. Cooke. EPILOGUE, Written end spoken hy Mr. Langrishe, At the close of the Theatre, the 26th of October, 1805. Can anxious Gratitude new terms prepare To pay our Annual heartfelt tribute here ? Five limes we've thank'd you, and (or five times more, Oh ! that we still may thank you, we implore. Nor can we doubt it — each succeeding year With more resplendent lustre j'ou appear ; And your warm succour, every hour increas'd. Matures our zeal, and meliorates our taste. Then should bur words fall short, our wit's to blame, Our phraie may falter, but our sovPs the same. All have their wants, and you, with kind desire. To gratify each separate wish, aspire ; The gay, with sports and festive games, you greet; T^e: wretcKed, with a rich repast, you meet ; To every palate deal appropriate food, And recreate yourselves, in doing good. Nor false nor frivolous that taste can be, That still associates with humanity. Thus, as thro' Pleasure's happy paths you glide. You call forth Want and Sorrow to your side; With liberal hand a general largess deal. And bid the wretched share the joys you feel. Joys ! whence the jooor man draws his best supply; And pleasure gives, where prudence might deny. While meaner motives meaner minds engage, Be't ours, to cultivate a polish'd stage ; Where each bright impulse aids the scenic art. Where worth expands, and vurtue fires, the heart. Where Wit turns moralist, and Folly flies From the quick glance of Humour's piercing eyes. Then, hail, our Drama I kind and classic measure, ) Our anxious idleness— elaborate. leisure, > Our nurse of genius, and our mine of pleasure ! \ Alas I not such their taste, whose studies lie j| In crafty calculations to descry > The favouring chances of the doubtful die; ) Whose sordid crime, and selfish passions end, In the one wish, to vAn, and wound their friend. Gamesters profest to every meanness stoop. From the shrewd Sharper to the driv'ling Dupe : And should this rage in nobler bosoms dwell. Let * Beverley their fate and tortures tell ! Nor is our taste like theirs, who sought renown. By deeds of arms to terrify the town, f Ransack'd an Opera House, tore up the seats, While fainting Ladies testify their feats. Box-lobby-warriors hear it, and adore 'em ! Lords— lustres — fiddlers— fiddles, flew before 'em. Exploits so great as those we do not fear. Not yet acomplish'd for such triumphs here. Nor like your taste, vain vot'ries of the town '! Wits, without one opinion of your own : Such, as can prstise young Roscius to the skies. Whilst Kemble's science, half-neglected, lies ; Nor Fawcett's humour, Jordar^s playful ease, Nor e'en transcendent Siddons' art, can please. Conspirators 'gainst genius, and the fame Of that poor victim to an early name. J This puerile rage betrays perverted reason, Old Truth's dethron'd, and Sense is out of season. No painful topics shall our Muse debase. Enough of tumult, treason, and disgrace ; Enough of war — its horrors now are o'er ; Proud in our conquests, it alarms no more : Is there a § Promontory, Cape, or Rock, That sternly braves the tempest's rudest shock. Round which old Neptune sweeps his swelling tide. Amidst the vast expanse of Ocean wide. But, witness of our triumph, lends its name. To clothe some Hero with immortal fame ? With rninor enemies too our m ars shall cease. And prurient zeal have leave to preach in peace : The world is now too wide, and we too strong, To fear th' invader's steel, or the psalm-singer's song. * Alluding to the affecting manner in which Mr. Sothe had performed the part of Beverley in the Gamester. t A Riot had taken place at the Opera House this year, encourasjed bv persons of Hank and I'ashion of both Sexes, on account of the late Bishop of London having ordered the curtain to drop at 12 o'clock on Saturday night, by which a favorite Dance was shortened. J Master Betty, called the young Roscius. \ Campcrdown, St. Vincent, Trafalgar, 4c. PRIVATE THEATRE OF KILKENNY. 23 1805. Untutor'd Nature plays a natural part, But borrow'd characters are works of Art. Then is our merit light, who can assume What forms we please, nay — our reverse become, Can feign each various movement of the breast. E'en counterfeit the feelings we detest ? Hence our Fools here are Wits in other places, And our [I Stage Villain every Virtue gi-aces. And, while they personate each worthless part. You praise the genius, and you prize the heart. And may these scenes, with sportive sallies fraught. Suspend a while the time's too serious thought. Awake lost mirth, excessive sense control 1 For 'tis the age of politics, not souL All now is grave debate, and grand design, Ill-suited offerings to the Muses' shrine ! Now would you lead to pleasing sports a man on, • Impeach a statesman, or f invent a cannon. Where then shall joyous Pleasure rear its head ? Here — and we'll call our J Falstaff to our aid. And who so well can charm, or win the heart, Or in his borrow'd, or his natural part? If such our motives, such our liberal views, Whatgen'rous bosom would its aid refuse? But new inducements urge us now to sue, § A body corporate solicits you — No vagrant actors asking alms, you see, j) But joint Proprietors, of some Degree, > A Cbarter'd Company of Charity. ) Our merchandise is pleasure — price, applause ; Our wealth, the poor man's prayers — and taste, our laws. Then deal with us, and succour our intent ; Your gold's productive, if your time's mis-spent : Aided by you, for years to come, we'll join In this sweet commerce with the Tuneful Nine ; Your custom, richer than the world beside. Is our best praise, our profit, and our pride. [I The part of Stiikely, in the Gamester, and others of a similar description, had been filled by Mr. G. Poneonby. ♦ The conduct of a distinguished Member of the upper house of Parliament had been about this period the subject of impeachment. rf- The improvements made in the formation anddirection of^Rockets, Shells, and other engines of the pyrotechnic art, had obtained for the Inventors a well deserved popularity. i The part of Falstaff had been performed, with inimitable excellence, by Mr. John Lyster^ who in natural humor was scarcely inferior to the character he personated. \ A Committee of the Gentlemen of the Kilkenny Theatrical Society had taken a Lease of the Theatre from the original Proprietors, and had thereupon enlarged the House, enriched the Wardrobe, and rendered the whole Establishment competent in every respect to any Theatrical' Representation. Our Theatre opened on Monday Night last, with additional splendor. The large Sums expended on it have added so much to its elegance, beauty and convenience, that we scarcely recognized it. The plan and execution of the whole reflects much credit upon the Architect, Mr. William Robertson. Notwithstanding the increased size of the House, it was crowded, at an early hour, with all the Nobility and Gentry of our County, and of the Counties too that surround us. Numbers have even flocked from Dublin, to see " if Books and Swains report us right." The Performance ajened with a Prologue, spo- ken with prodigious effect ; it ridiculed, with a happy irony, the puerile rage of the times for infant Actors, wherein, to use the nervous sarcasm of the Writer, " Man plays' the Child, while Infants play the Man." It concluded with a well-deserved compliment to the Earl of Ormonde and Family. We understand it is from the classic pen of Mr. Bushe. The Entertainments of the night were The Wonder, with Valentine and Orson. — \_Kil- henny Paper, Wednesday, October 9th, 1805.] The Crowds, that are daily thronging to this Town,, evince, more than any thing we could say, the interest that has been excited by the Representations of our Theatre; and we trust that we shall not appear pre- sumptuous in saying, that the trouble, the inconvenience and the expense which have been felt by our Visitors, were amply compensated by the gratification they must have enjoyed in witnessing the Performances. Those of" Wednesday Night were Venice Preserved, with the Apprentice. — [Kilkenny Paper, Saturday, October 12th,, 1805.] With heavy heart we announce the termination of our Carnival. The Crowds that thronged our City have dispersed, and the laugh and the jest live now but in me- mory. For three weeks we have been engaged in an unin- terrupted scene of pleasure and gaiety. Pleasure guided by Taste, and Gaiety chastened by instruction. Social mirth was expanded into social virtue, and misery was relieved by the means of amusement. To cheer our present gloom, we turn our thoughts to the past, and write not so much our observations as our thanks. While theREYNOLDs's and the Mortons pourtray Nature, about as faithfully as the Roscius's and the Mudies exhibit it, and indeed very much upon the same scale, we congratulate ourselves upon, having Actors who can represent, and an Audience who can relish, the long neglected beauties of Shakspeare and- of Otway. We should have noticed our Plays as they were acted, did not the arrival of some reputed Critics. from Town at once suggest to us that our humble efforts in that way would only appear presumptuous. They have not, as yet, however, vouchsafed to favor us with their remarks. . Finding nothing to blame, and much to eat, they have been silent, except when their coiu-tly efforts were roused at the established Ode and Supper at the Castle. — [KUkenny-; Paper, Wednesday, October 30th, 1805.] KILKENNY CASTLE. Arx intacta manet, semperq ; intaCta manebit. Written on a Visit to Kilkenny, during the period of the- Theatrical Performances there, in October, 1805, ijft John Wilson Cro/cer, Esq. High on the shelving banks of Nore, There stands, the pride of days of Yore, And seat of heroes now no more, A Castle : Witness of every feudal scene — Without, of battle's thundering din. Of feast, and revelry^ within. The Castle. ^4, PRIVATE THEATRE OF KILKENNY. 1805. Here ducal Ormonde held his seat, And Courts and Senates fiU'd his gate, And dignified with regal State His Castle. His Heart, as his Domain, was wide. With Nore's its generous current vied, And rivall'd in heroic pride His Castle. His Foemen trembled at his sword. Him Monarchs woo'd, and Friends ador'd. And triumph'd in its Princely Lord, The Castle. Those days are past — the Hero lies In death — new generations rise. Who view with reverential eyes His Castle. Yet weep not o'er the raould'ring clay And older time — a brighter day Now gilds with renovated ray The Castle. Our calmer prospect shines more fair; Another Ormonde now is there. Of all his Grandsire's virtues Heir, And Castle. New ages different manners claim ; But the high Soul is still the same. Nor severs Oemonde's lineal fame And Castle. No wider heart, or stabler mind, Tho' temper' d, polish'd and refin'd, E'er in its sacred walls enshrin'd The Castle. Joy to you, Ormonde, health and peace ! Joy to the young and gentle Grace, Beneath whose favouring smile you place Your Castle. A purer taste adorns its walls, A softer voice to pleasure calls. And gently glads, thro' all its halls, The Castla. Sweet was the Clarion in the fray Of Heroes — sweet the martial lay That cheer' d, at the decline of day. Their Castle. But sweeter still the Lyre and Song That to our temper'd time belong. And sooth the social crowd, who throng The Castle. Here Youth, and Beauty, tread the maze ; Here Age oblivious loves to gaze; While gleams afar, with festive blaze, The Castle. Joy to you, Ormonde — many a Sun Has circled, many a feast been done. Since first your valiant Grandsires won Their Castle. Long, Ormonde, be its glories thine ! And never may that morning shine That's doom'd to see your sons resign Their Castle ! Written on a Visit to Kilkenny, during the period of the Theatrical Performances there, in October 1805, Ay John Carr, Esq. Author of Travels through the Nor- thern Parts of Europe, S^c. Amid the ruins of monastic gloom, Where Nore's translucent waters wind along. Genius and Wealth have rais'd the tasteful Dome, Yet not alone for Fashion's brilliant throng. In Virtue's cause they take a nobler aim : 'Tis theirs in sweetest harmony to blend Wit with compassion, tenderness with fame ; Pleasure the means. Beneficence the end. There, if the Tear on Beauty's cheek appears, (Form'd by the Mournful Muse's Mimic Sigh) Fast as it falls, a kindred drop it bears. More sadly shed for Genuine Misery. Nor, if the Laughter-loving Nymph delight. Does the reviving transport perish there ; Still, still, with Pity's radiance doubly bright. Its smiles shed sunshine on the cheek of Care. So if Pomona's golden fruit descend, Shook by some breeze, into the lake below ; Quick will the dimple, which it forms, extend, TiU, all around, the Joyous circles flow. Blest be the reas'ning mind, the social zeal. That here bids Folly from the stage retire ; And, while it teaches us to think, to feel. Bids us in tears our godlike Bard admire ! Thus aided, see his rescued genius spring ; Again he pours the frenzy of his song ; With • every feather in his eagle's wing, ' Once more in majesty he soars along. Oft, deck'd with smiles, his spirit shall explore, Erin ! thy beauteous vales, and classic ground. And every ripple of thy winding Nore To him shall sweetly, as his Avon's, sound. * " Alluding," as the Author has stated, " to the several fine passages of *' Shakspeare, which had been long omitted in representation, but trhibh " were judiciously restored at the Theatricals of Kilkenny.*' PRIVATE THEATRE OF KILKENNY. es 1806. 1806. Commenced He 6th, and closed the 25tk of October. THE COMPANY. Mr. R. Power. Mr, Rothe. Mr. Langrishe. Mr. Lyster. Mr. Tighe. Mr. Brownlow. Mr. Crampton. Mr. Glascock. Mr. Dalton. Mr. Bryan. Mr. Busbe. Mr. Waller. Mr. King. Mr. R. Langrishe. Mr. Mason. Mr. Walker. Mr. Croker. Sir E. Denny. Mr. Curran. Mr. Duffy. Mr. Clifton. Masters Power & Cooke. Miss Walstein. Mrs. H. Johnson. Mrs. G. Johnson. Mrs. Hitchcock. Mrs. Cooke; Mrs. Williams. Miss Djivison. The Orchestra principally filled from that of the Theatre Roj'al, DuUin. Leader, Mr. T. Cooke. PROLOGUE, Written by Mr. G. P. Bushe, and spoken by IHr, R, Power, At the opening of the Theatre, the 6th of Oetober, 1806. What — not yet tir'd ? again I see you. here ! Again, my friends, you venture to appear ! HavejSwif long years not duird your sated taste? 'Tis, sure, our cause, that makes your kindness last : Yes — still you love to brighten Sorrow's eye, For this, our acting bear — Heaven knows, what Charity. Let London^s wayward sons, with childish baste. Pursue the wild vicissitudes of taste; Where Fashion, and not Feeling, bears the sway, While Sense and' Nature coyly keep away. But late, young Roscius was a nation's joy.; Pass one short year — " Gods — what a tiresome boy 1" Ireland had early mocked bis idle pride; See slower England now at length deride. O'er modern Comedy, now Thalia weeps. Mourns every Muse — the weary Audience sleeps : Where labour'd puns usurp the place of -wit. And, 'stead of humour, see a lucky hit ! Fill'd with surprises, that indeed surprise. While no kind Plot its needful aid supplies ; Fill but his Purse, the Author's work is done : Alike to liim, by Pathos, or by Pun, A loftier strain your Classic Taste requires. Calls for all Shakspeare's feeling, Shakspeare's- fires : , Bids native bards, that long have slept, to 'wake. And the whole soul with genuine passion shake : This be our boast — secure in this to please, -Our Goldsmith's Nature wins the heart with ease; And, pruned of aK that might your blushes cause, Here our own Congreve claims unmix'd applause. Throbs not each heart at Sheridan's, great name, Who blends the Poet's with the Patriot's fame, Whom nations' wishes fondly strive to raise, •Supreme in Station, as supreme in Praise? When dire Invasion hover'd o'er the land,, And Treason lifted the assassin hand. Say, in that hour, did doubt, or blank dismay, Dam^ our bold zeal, your kindness to repay ? No — m that hour, we dauntless held our course,.. And, safe in native valour, mock'd their force. With better omens we this night appear. Where e'en the fearful have no room for fear ; Tho' other Empires fall and pass away, TJnchang'd remains the Empire of the Sea. The Gallic Fleet full easy Triumphs reap. They boast a Victory, if they can but 'scape ; Their haughty legions, haughty now no more,. Dread British valour on * Calabria's shore. While dazzling glory to the Western world. Riding th'' Atlantic,, has our thunders hwl'd.. Yet, 'midst the laurels that adorn her head. See, the dank Cypress its pale influence shed.. Lo I Britain bendmg o^er her +• Statesman's bier. The Friend to mourn, the Patriot to revere ; And Erin, in true kindred sorrow drown' d. Bewails his liberal love, still faithful found ; Each sobs this tribute o'er the great man's grave^.. " He labouring died, his native land to save."' Yet, as of old, sad Troy, her Hector dead. With Games funereal sooth'd his honor'd shade. E'en so let us, with pomp and useful show. Lead on our Sports, and hide our real woe. So may our pastimes lighten Sorrow's load. And give that solace you've so oft bestow'd. « The Battle of Maida, in Calabria, was fought about this time, ■fi Mr. Fox died in the autumn of the year 1806. — His death is well known to 'have been occasioned by his unremitted application to public business. Monday, 6th October, 1808. FiasT Night. BARBAROSSA. Barbarossa ... Mr. Crampton. ACHMET .<■■ Mr. R. Power. Othman Mr. Rothe. Sadi Mr. Brownlow. Aladin Mr. King. Officer Mr. Dalton. Slave Mr. Duffy. ZAPHiita. Mrs. Johnson. Irene Miss Walstein. .Slave Miss Davison. AN OCCASIONAL PROLOGUE. WHO'S THE DUPE ? DoiLEY ... Mr. Lyster.- Granger .,, Mr. Cramptem Sandford ... Mr. R. Langrishe. Gradus ... Mr. Brownlow. Miss DoiLEY ... Mrs. Johnson. Charlotte ... Mrs. Williams. G S6 RRIVATE THEATRE OF KILKENNY. 1806. Wednetday, Sth October, 1806. Second Night. THE RIVALS. Sir Anthony Asscldie Mr. Lyster. CaptAin Absolute Mr. R. Power. Faulkland Mr. Rothe. ACKES Mr. Glascock. Sir Lucius O'Tbigger Mr. Crampton. Fag Mr. R. Langrishe. David Mr. Tighe. Coachman Mr. Brownlow. Mrs. Malaprop Mrs. Hitchcock. Lydia Languish — Mrs. Johnson. Julia Miss Walstein. Lucy Mrs. Williams. OSCAR AND MALVINA. Oscar Mr. R. Power. Carrol Mr. Crampton. Fingal Mr. Duffy. Dermot Mr. King. Draco Mr. Brownlow. MORVEN Mr. R. Langrishe. Pedlar Mr. Glascock. Malvina ... Miss Walstein. Peasants, Bards, Soldiers, S[c, ^ct Fmdojf, lOth October, 1806. Third Night. OTHELLO. Duke op Venice Brasantio Gratiano lodovico Othello Cassio Iago RoDERIGO MoNIANO Desdemona Emilia ' Mr. R. Langrishe. Mr. Tighe. Mr. Waller. Mr. Brownlow. Mr. Rothe. Mr. Crampton. Mr. R. Power, Mr. Glascock. Mr. King. Miss Walstein. Mrs. Johnson. TOM THUMB. King Arthur Tom Thumb Lord Grizzle Noodle Doodle Mr. Crampton. Master Cooke. Mr. R. Power. Mr. Brownlow. Mr. Glascock. Queen Dollalolla Mrs. Cooke. Princess Huncamunca Miss Davison. •Glumdalca ... Mr. King. Guards, Rebels, Courtiers, ^c. Monday, ISth October, 18D6. Fourth Night. LOVE FOR LOVE. Sir Sampson Legend . Valitntine Scandal Tattle Ben Foresight Jeremy Trafland Angelica Mrs. Frail Mrs. Foresight Miss Pbue Nurse Mr. Lyster. Mr. R. Power, Mr. Rothe. Mr. Glascock. Mr. Brownlow. Mr.'Langrishei Mr. R. Langrishe. Mr. Bryan. Miss Walstein. Mrs. Wilhams. -Mrs. Johnson, Miss Davison. Mrs. Hitchcock. VALENTINE AND ORSON. Pepin {King of France) Mr. Rothe.' Henry 1 ,,. „ , ,. , fMr. R. Langrishe. HaUPRAyS^*'* iJ^faftOB.) ^j^j^_ .^^^ii^^f Valentine (a Foundling) Mr. R. Power. Orson {a WUd Man) ... Mr. Crampton. Hugo (Valentine's Armourer) Mr, Glascock. Blandiman (Page to the 7 j^^_ ^^ JLmpress ... 3 Page to Valentine ... Master Cooke. Princess Eglantine ... Mrs. Johnson. Empress Belisanta (Sister \m- t\ • to the King ... J Florimonda ... Miss Walstein. Agatha (Attendant of ) „ „ , Eglantine) ... ] '^'^' ^^<^^^- dciLY (an old Peasant) Mrs. Hitchcock. Sorcerer Agramant (the > -.t t. i Green Knight) ... J Mr. Brownlow. Peers of France, Peasants, Sfo. ^c — ^^iVW**^- Wednesday, 1 Sth October, 1806. Pipth Night. MACBETH. Duncan, King op Scotland Malcolm Macbeth Banquo Macdupp ROSSE Fleance Seyton Doctor Murderers Bleeding Captain First Witch Second Witch Third Witch Singing Witches Lady Macbeth Hecate Mr. Waller. . Mr. King. Mr. R. Power. Mr. Tighe. Mr. Rothe. Mr. R. Langrishe. Master Cooke. Mr. Croker. Mr. Dalton. Mr. Bushe, &c. Mr. Duffy. Mr. Brownlow. Mr. Langrishe. Sir E. Dennj'. Mrs. Cooke, Miss Davison, &c. Miss Walstein. Mr. Crampton. PRIVATE THEATRE OF KILKENNY. 1806. King Arthur Tom Thumb Load Gbizzle Noodle Doodle TOM THUMB. Mr. Crampton. Master Cooke. Mr. R. Power. Mr. Brownlow. Mr. CUfton. Queen ... Mrs. Cooke. HuNCAMCNCA ... Miss DavisoD. Glumdalca ' ... Mr. King. Guards, Reheis, Courtiers, ^c. Friday, 17th October, 1806. Sixth Night. SHE STOOPS SiE Charles Marlow Young Marlow Hastings Hakdcastle Tony Lumpkin Stingo Jeremy DiGGORY Mrs. Hahdcastle Miss Hardcastle . Miss Neville TO CONQUER. Sir £. Denny. Mr. R. Power. Mr. Crampton. Mr. Lyster. Mr. Langrishe. Mr. Bryan. Mr. Croker. Mr. Brownlow. Mrs. Hitchcock. Miss Walstein, Mrs. Johnson. OSCAR AND MALVINA. Oscar ... Mr. R. Power. Carrol ... Mr. Crampton. FiNGAL, ... Mr. Duffy. Dermot ... Mr. King. Draco ... Mr. Brownlow. MoRVEN ... Mr. R. Langrishe. Pedlar ... Mr. Clifton. Malvina ... Miss Walstein. Peasants, Bards, Soldiers, S[c. 4-c. Mom lay, 20th October, 1806. Seventh Night. PIZARRO. Ataliba ... Mr. Crampton. ROLLA • ... Mr. R. Power. Alonzo • •■ Mr. R. Langrishe. PiZARRO ... Mr. Rothe. Almagro ... Mr. Waller. Davilla ... Mr. Duffy. Valverde ... Mr. King. Las-Casas ... Mr. Tighe. Orozembo ... Mr. Lyster. Blind Man ... Mr. Walker. Boy ... Master Cooke, High Priest ■ a. Mr. Clifton. Sentinel ... Mr. Croker. Cora's Child ... Master Power. Elvira ... Miss Walstein. Cora ... Mrsi H. Johnston ■ Peruvians, Soldiers, ^c. 4'('. LORD AND NO LORD. Lord Duberly ... Mr. Lyster. Dick Dowlas ... Mr. R. Power. Doctor Panglos ... Mr. Brownlow. Zekiel Homespun ... Mr. Ti^he. Lady Duberly ... Mrs. Hitchcock. CiciLY ... Mrs. Cooke. Eighth Night. Wednesday, 22d October, 180G. THE CLANDESTINE MARRIAGE. Lord Ogleby Sir John Melville LoVEWELL Sterling Brush Canton Serjeant Flower Traverse Mrs. Heidelbergh Miss Sterling Fanny Betty Chambermaid Mr. Langrishe. Mr. R. Langrishe. Mr. King. Mr. Lyster. Mr. R.Power. Mr. Crampton. Mr. Brownlow. Mr. Waller. Mrs. Hitchcock. Mrs. Williams. Miss Walstein. Miss Davison. Mrs. Cooke. VALENTINE AND ORSON. Pepin {King of France) Mr. Rothe. Henry J „ . p , ,• v 5 Mr. R. Langrishe. HauprayJ ^"^ J^el'^tions) 1^^. Waller. Valentine (a Foundling) Mr. R. Power. Orson (a WUd Man) ... Mr. Crampton. 'H.vGO {Valentine's Armourer) Mr. Clifton. Princess Eglantine ... Mrs. Johnson. Empress Belisanta {Sister ) ,,. T^ • to the King) ... J Miss Davison. Florimonda ... Miss Walstein. ^''"■^^//aLt:^"' ''•(.. } Mrs. Cooke. CieiLY {an old Peasant) Mrs. Hitchcock. Sorcerer Agramant (the "} ,» t> i Green Knight) ... j Mr. Brownlow. Peers of France, Pages, Peasants, S^c. ^c^ Ninth Nig HT. Friday, 24th October, 1806. THE GAMESTER. Beverley Mr. Rothe. Lewson Mr. R. Power. Stukely Mr. Crampton. Jarvis Mr. Lyster. Bates Mr. R. Langrishe Dawson • ... Mr. King. Mrs. Beverley Miss Walstein. Charlotte Mrs. Johnson. Lucy Miss Davison. THE LIAR. Sir James Elliott ... Mr. King. Old Wilding Mr. Bryan. Young Wilding Mr. R. Power. Papillion Miss Grantham Mr. Crampton. Mrs. Williams. Miss Godfrey Mrs. Johnson. Kitty Miss DavisoB. 28 PRIVATE THEATRE OF KILKENNY. 1806. Saturday, 2Sth. October, 1806. Last Niaht. HENRY THE FOURTH. First Past. King Henby Mr. R. Langrishe Pbince of Wales Mr. R. Power. Prince John of Lancaster Mr. Dalton. WoRCESTEa Mr. Waller. Hotspur Mr. Rothe. Douglas Mr. Crampton. * Sir Richard Vernon Mr. King. Westmoreland Mr. Duffy. Sir Walter Blunt ... Mr. Brownlow. Sir John Falstaff ... Mr. Lyster. PolNS Mr. Bryan, Bardolph Mr. Langrishe. Lady Percy Miss Davison. Hosiiss Mrs. Hitchcock. Carriers, Travellers, Spc. AN OCCASIONAL EPILOGUE. HIGH LIFE BELOW STAIRS. LOVEL Freeman Philip Coachman Lord Duke Sib Harry Lady Bab Lady Charlotte Cook Kitty Mr. Brownlow. Mr. Dalton. Mr. King. Mr. Curran. Mr. R. Power. Mr. Crampton. Mrs. Williams. Mrs. Johnson. Mrs. Hitchcock. Mrs. H. Johnson. EPILOGUE, Written and spoken by Mr. Langrislie, At the close of the Theatre, the 25th of October, 1806. Oft on these boards I've bent my suppliant bow. But never with emotions, such as now. Invidious rumour whispers it about, That this our Consecrated Dome must shut: That you, grown wiser, will your aid refuse, Tir'd of our fruitless efforts to amuse : That charity is but the stale pretence. To veil our vanities, and scanty sense ; — We heard it undismay'd. And now we * see 'Twas envy — or malicious calumny ; To please your polished judgments, we explore The sacred monuments of ancient lore. Invoke the genius, of the classic page, And court the Muses of each clime and age ; # Upon this and ever; former Night of Performance in the Season the House was crowded. And first to Shahspeare did our incense rise. For on * his Altars haif our offering lies ; His pure examples, best, our purpose reach. That not a vice but shall a virtiie teach. Ambition, from Macbeth, we learn to shun. He gain'd a Diadem, but was undone ; No German Casuist shall degrade our scenes. To prove " the End can justify the Means ;" Macbeth, a Monarch, yet a Victim dies. To violated Hospitalities. Othello's feeling, gallantry, and love, ^wake our pity, — tho' we can't approve. His jealousy is exquisite, but then I hope such don't exist iii modern men. For if one's Spouse goes mad, on cause so light. Beware the pillow, every Wife, to-night. Then f Congreve we ipvok'd. And here 'twas fit To prune some loose luxuriancies of wit; Not that we thought you prudish, or o'er-good. For real Purity ne'er acts the Prude ; But as your bosoms, so your wit is chaste. Nor would we wound your virtues, or your taste. And next to J Sheridan our vows we pay. To Sheridan, the Congreve of the day. Whose polish'd phrase a purer vein has hit. With greater delicacy, equal wit. And last, from 5 Garriclc's most propitious page. Old Ogleby has dignified your stage— - Absurd, but amiable; polite, though vain ; A man of fashion, but a gentleman. Names, great as these, have lent their classic aid, For Minor talents would our scenes degrade; Not Lewis's, nor Schiller's monstrous page. Nor copious Cplman, could our vows engage; Nor yet that Manual mob, whose merit lies In the high achievement of Activities ; Jargon and Cant their senseless volumes fill. Their words keep moving, but their wit lies still. How grateful, in this Half Forsaken Isle, To call forth Talents, and bid Genius smile 1 Tho' half our sons desert their native shore. Such cumbrous cargoes let us ne'er deplore. For in this trade, you prove it who remain, 'Tis Bodies we export, and Souls retain. Our Sceptre here by Classic suffrage plac'd. Rules o'er the polish'd Provinces of Taste, With sov'reign power can sway the virtuous mind. However practis'd, or howe'er inchn'd. Rash Youth's impetuous passions can assuage, Or thaw the torpid Icicles of Age, Can wake the noblest feelings of the breast, 'Or laugh down folly with a pointed Jest. 'Tis thus we laugh'd at Swdddlers,—\wi^'di them down. Yes ! and reliev'd with Mirth the groaning town : But now no more shall they disgrace our Rhymes, Their Punishment shall expiate their Crimes. Abandon'd both by Dupe and Proselyte, ') They vanish'd like the gloomy clouds of night, > Dispersed by sov'reign sense and ancient light.|| ) » The greater number of Plays performed in the Season wercftom Shafe speare. + Love for Love, J The Rivals, and ^ The Clandestine Marriage, had been performed m the course of the Season. II Alluding to a most admirable charge against the new lights oUMethodism. made to his Clergy in this year, l^ the Bishop of Ossory. PRIVATE THEATRE OF KILKENNY. 1806. 29 The Capital, once elegant and gay, Now owns our revels of superior sway : Each vapid man of fashion, in her streets, Thus coldly greets the brother fop he meets : " What, still in town ! they tell me, now-a-days, " That ive must go to those Kilkenny Plays. " They've Hunting too, they say, that's not amiss, " I'm sure there's nothing can be worse than this, " The Colonel's gone ; To-morrow I leave town, " Come and I'll draw you in the Dog-cart down ! " There will be room enough for you, you'll find, " For I shall leave the Pointers all behind." Such festive numbers join our gay career. One thinks the Pohsh'd World's assembled here ; Old ocean's bounds no freckled sons retain. And Naiads pour salubrious springs in vain : The dripping Deities desert the shore. And, half attir'd, our warmer world explore. So close, considerate charmers crowd our scenes, *That scarce a cambric muslin intervenes. Superior healing powers these sports possess. To all that Baths bestow, or Springs possess : Whate'er your malady, our Doctors say, "> Whether disturb'd by night, or pain'd by day, > Acute, or Chronic, we prescribe a jo/oy. J Whatever your disorder is, we cure it. Or else — ^we teach you Patience to endure it. From us originates bon ton, — and we Give laws to laughter, wit, and revelry; Sanction'd by us, dramatic taste expands. And dignifies the games of neighbouring lands; Nay, should to play at Leap-frog be the fashion. From us proceeds the Leap that leads the nation.f And these our scenes ev'n Fate's Decrees controul. And tranquillize the tumults of the soul. Here Grief forgets her sorrows. Want her care, Disease her pangs, and Misery her despair; Here, with illumin'd mind, and moral, fraught. We hold a Magic Mirror to the thought. On whose refulgent surface you can see All that you are — ^and all you ought to be. And now 'tis done — but ere the scene shall close, While every heart with grateful feeling glows. We'll pour our thanks to you, for all that's past, 'Twas our first passion, and shall be our last; Thus our fond objects, strengthening every year. With an augmiented interest appear. Your charms increase, your charity beams brighter. Our views expand, and Misery's chain is lighter And may these liberal pleasm-es never stop. Till envious Time shall bid our Curtain drop ! * The Ladies about this period were not guilty of encumbering their persons with an unnecessary quantity of Dress. t A fashionable celebrity had been acquired by the peculiar Activity of one of the principal Performers. v Our Theatre opened on Monday, with additional splen- dor. Being found too small last year . to receive all its fashionable Candidates for admission, it has been enlarged with much judgment, and a due regard to its internal ac- commodation. Mr. Power opened the Performances of the Night, as usual, with an occasional Prologue, which he delivered in his own emphatic manner. It contained some just criticisms on the present state of the Drama, and concluded with a beautiful and mournful tribute to the Memory of Mr. Fox, which might serve for his Elegy. The Entertainments for the Evening were Barrarossa, and Who's the Dupe. — [Kilkenny Paper, Wednesday, October 8th, 1806.] Our Plays proceed with great spirit, and increased attraction. The Rivals drew a crowded House on Wednesday. We feel om'selves totally inadequate to do ' justice to the excellent manner, in which it was got up. It is allowed to be one of the best acting Plays on the Stage, aijd certainly the best adapted to call forth all the • powers of our Company. We should riot shrink from comparing our Sir Anthony Absolute, our Captain Absolute, our Faulkland, and, though last, not least, our own Sir Lucius, with any that we have ever seen upon the London Boards. On Friday we had the Tragedy of Othello. The jealous Moor was represented with very singular suc- cess. We were particularly pleased with his Speech to the Senate, from the ease and simplicity with which it was delivered. Among the numerous Spectators of Rank and Fashion, there were the Earl and Countess, and Countess-Dowager of OJimonde, the Countess of Carbick, the Ladies of the Bishops of Meath and Ossory, and the distinguished Families of Woodstoce, Knoctopher, Flood-Hall and Kilfane, &c. &c. &c. {Kilkenny Paper, Wednesday, October 15th, 1806.] She Stoops to Conquer, with Oscar and Malvina, afforded high entertainment on Friday last. Old Hard^ castle was rich, mellow, and forcible, and young Marlow particularly' amusing in the scene with Miss Hardcastle, which considerably increased the interest that was felt for him in the subsequent discovery of his mistake, through which, he exhibited the manner, and the feelings of a Gentleman. The Comedy possesses a great deal of genuine humour, with some good situations, and went off with the success it deserved. The interesting After-piece of Oscar and Malvina followed. We had the splendid Spectacle of Pizarro on Monday, which drew one of the fullest Houses we have had yet. The Child of Cora was the loveliest Babe, and, we believe, the youngest Roscius ever exhibited. The entire went off to the full approbation of a crowded and brilliant Audience. — [Kilkenny Paper, Wednesday, October 22d, 1806.] The Clandestine Marriage, on Wednesday, gave us one of the happiest representatives of Lord Ogleby that we have ever seen. The demeanor of the old Noble- man was maintained in it throughout. His antiquated gallantry, his foppish peculiarities, his flowery phrase, and polished, though affected, manner, gave us all the vanities of the old beau, which contrasted well with the honest sturdiness of Old Sterling. Canton was an agreeable va- riety to both, and we must say, that we have seldom wit- nessed a more entertaining personation of that Chai'acter. — [Kilkenny Paper, Saturday, October 2Sth, 1 806.] On Friday Night we had a masterly delineation of the distracting frenzies of the Gamester. The sighs and tears that attended the Piepresentation to its close, were the best test of the powers of Beverley upon the syra- H so PRIVATE THEATRE OF KILKENNY. I8O7. pftthies of the Audience. The fidelity and feeling of the trusty and affectionate Jarvis were Vvelt given. The Farce of the LiAF,^ followed : the Hero of which delivered hfs romances with a felicity and vivacity peculiarly his own. On Saturday we had in Henby IV. our favorite Falstaff. The appearance of the/a* Knight, and the flashes of his wit, kept the Audience in a roar. High Life below Stairs, went off with considerable spirit. We think that this is likely to be in future one of our most favorite Farces, Between the Play and Farce, Mr. Langrishe, in his happiest manner, I delivered a parting Epilogue. Never, at any period, have we witnessed a more numerous and bril- liaint Assemblage than what our City has witnessed, for the last three,j«?eeks. We understand that arrangements for the ensumg Season have been already made, and we re- joice to hear it, |br the Sums allotted to the different Charitable Institutions have been, as usual, very consider- able this j^ear, and, from the increased attractions of our Stage, will, no doubt, be greater in the next. — [Kilkenny Paper, Wednesday^ October 29th, 1806. ^et)ent|> Reason. 1807, Commenced tie 5th, and closed the 2ith of October. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe. Mr. Lyster. Mr. Becher. Mr. Tighe. Lord Mountjoy. Mr. Ashe. Mr. Crampton. Mr. Ponsonby. Mr. H. Butler. Sir J. Stronge. Mr. Clements. Mr. Mason. Mr. Dalton. Mr. Bushe. Mr. Bryan. Mr. Waller. Mr. E. Waller. Mr. J. Power. Mr. H. Tigbe. Mr. Wrixon. Mr. Walters. Mr. Walsh. Mr. Duffy. Masters Langrishe & Glover. Miss Walstein. Mrs. Hitchcock. Mrs. Cooke. Mrs. Johnson. Miss Davison. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. T. Cooke, PROLOGUE, Written' by Mr. Bushe, md spoien by Mr. R. Po wer. At the opening of the Theatre, the 5th of October, 1807, Grateful we look around, — each rank appears Increas'd in numbers with increasing years; The Prologue regular, the printed ^eet. The Journal-Critics, make our stage complete ; But merit will have foes. Amus'd we find We've whet the spleen of some malignant mind. Who swells our fame, when he would wound and probe. Which, grateful for his labours, fills *7'Ae Globe. But some I miss, who say that little worth Attend these sports,, for they're of Irish birth. Can Mrs. Coolan in these ranks be found. Once known by Coghlan's more Hibernian sound ? For twice ten years in Clonakilty known. She spent, last season, full six weeks in town j Return'd t' admiring friends, I heard her say, Reading the Peepers, while she teests her tay, " KUJcinny plays, O what a name I hear ! " How harsh, how barbare to a travelled ear : " Things low, like these, with me are ne'er in vogue, " Who can't, unfortoouate, endeuer the brogue ,•" And then, with conscious simper, wonders tells, O' th' Lord Mayor's Ball, Vauxhall, and Sadler's Wells. Her Brother too,,«o/ here ? but he is. undone, Alas ! he made his grand debut in London, Array'd in recent spoils, observe the Booby, f Allen for Coata he owes, for Half boots f Hoby. In this here country, nothing eould be done For Limbs so fine, and Shape so in the ton. Yet still with frequent eye he looks behind. Lest some rude Tipstaff bring the Debt to mind. In proud pre-eminence behold him strut, Rais'd to a Peer's buffoon, or Witling's butt. Complete his glories, should his art o'ercome The scruples of some Siren pure from Rome ; What Triumphs does St. James's lounge aferd ! He walks vritb, and ia laugh'd at by, a Lord ! But sad misfortune, should he chance to meet Some good, old friend— some kmsman in the street : " Lord, the wild Irish /—they in hosts come down, " And leave their native Bogs, to take the Toum. " Oh ! what a bore! and yet they're right, believe it, " To quit that Country, who have Means to leave it." Where'er he turns, contending cares invade, Asham'd to own them, and to cut afraid : Perplex'd, his secret hand behind bestow'd. He half averted gives th' unwilling nod. Thro' meanness, thus, at fashion, makes th' attempt, And, most contemptible, to shun contempt. The Scotchman's nobler pride, and patriot part. Displays^ wiser head, and better heart; Proud of his kilt, which marks, and brings to mind His native land, with every blast of wind. Proud of his Country-men, and prompt to prove, Ever, in every clime, his kindred love ; From mutual aid success awaits each hour. And gives in India Wealth, in England Power : * ^lii^??''''" ^S^F^?^'^' f""^* ^"^ '^o^' *«> taken some very lausluible bberties with Uie Gentlemen of the Kilkenny Theatre. ""enaD'* t Two eminent and well known Tradesmen in London. PRIVATE THEATRE OF KILKENNY. SI 1807. But by the beauty of th* Hibernian Fmr, Inspinng here, acknowledg'd every wherfi ; By Swift— Burke — Congreve, and by each, whose Name (Himself, tho' dead,) shall live to endless fame, By Kirwan's shade— by * him at whose command. Commerce enrich'd, and Freedom bless'd the land ; No Irish lips could blast their Country's name. But his, whom every country would disclaim But, here, no jibes we dread, no terrors know, For Patriots guard, when scoffers aim the blow ; Seen thro' the increasing end, our Merits pass. Our Faults dimmish, by the inverted Glass. Let Fools think Irish genius, fond to roam. Like Prophets, never can exist at home. Yet when oiir Mitse, o'erwhelin'd with passion's strife, Pourtrays the warmer scenes of various life. The smiles of feeling, and the tears that speak. The transient gleams that mantle Beauty's cheek. Like Sunbeams, flitting o'er the ripen'd corn 'Midst summer showers, that, as they pass, adorn, These here are found, from every storm to guard, A flattering passport, and heartfelt reward. • The Right Hon. Heni; Giattui. Monday, 5th October, 1807. First Night. THE INCONSTANT. Old Mihabel *•• Mr. Ponsonby. Young Mirabel ... Mr. R. Power. Captain 'Duretete ... Mr. Langrishe. DUGARO ... Sir J. Stronge. Petit ... Mr. Bryan. Oriana ... Miss Walsteiiik Bizarre ... Mrs. Johnson. Lamorce ... Miss Davison. Bratoes f Messrs. H.Butter, Bushe, C Waller, and Duffy. AN OCCASIONAL HIOLOGUE. DON JUAN. Don JiTAN Don Guzman Fernando ■ Boatswain Sailors Attendants Serenaders Fishermen Scaramouch Mr. Crampton. Mr. R. Power. Mr. H. Butler. Mr. Bryan. Messrs. Bushe & Duffy. Mr. Waller, &c. 5 Sir J. Stronge, "• \ Mr. Dalton. Mr. Ponsonby, &c, Mr. T. Cooke. Landlord, S[c, Sfc. Sfc. Donna Clara ... Miss Walstein. CoNriDANTE T^, Mrs. Johnson. (Mrs. Cooke, iMiss Davison, &c. La(&es, Attendants, Sfc, ^c. i[C, FiSHERWOMEN Wednesday, 7th October, I807. Second Night. CYMBELINE. Cymbeline «•• Mr. CramptoiK GuiDERIUS • •* Sir J. Stronge. Arviragus ... Mr. Dalton. Cloten • •• Mr. H. Butler, Belarius • •• Mr. Becher. PoSTHUMUS • •• Mr. Ponsonby. First Lord ■ •• Mr. Duffy. Second Lord • •• Mr. Rothe. PiSANIO • •• Mr. Bushe. Iachimo • •» Mr. R. Power. Caius Lucius • ■• Mr. Watters. Varus ■ •• Mr. Walsh. Philario • •• Mr, Waller. Lewis ... Queen • ■■ Mrs. Johnson. Imogen • ■• Miss Walstein. Helen ... Miss Davison. THE DESERTER. Henry ■■• Mr. Crampton, RuSSETT ■■■ Mr. Waller. SiMKIN ••■ Mr. T. Cooke. Skirmish ... Mr. H. Butler. First Soldier ••• Sir J. Stronge. Second Soldier — Mr. Duffy. Louisa ... Mrs. Cooke. Jenny ... Miss Davison. Dorcas ... Mrs. Hitchcock. Friday, 9th October, 1807. Third Night. KING JOHN. King John Prince Henry Pembroke Salisbury Hubert Faulconbridge Robert Faulconbridge Mr. R. Power. Mr. Dalton. Mr. Watters. Mr. H. Butler, Mr. Rothe. Mr. Crampton. Mr. Waller. SngH^ Knights, Heralds, Executioners, ^e. King Philip Lewis the Dauphin , Prince Arthur Austria Cardinal Panddlph , Chatillion French Herald Mr. PonsoQ%. Sir J. StDQBge. Master R. Langrishe. Mr. Duffy. Mr. Becher. Mr. Bushe. Mr. Bryan. French Knights, Citizens of AngterSfSfc^ Queen Elinor Constance Blanche Mrs. Johnson. Miss Walstein. Miss Davison. PRIVATE THEATRE OF KILKENNY. I8O7. HIGH LIFE BELOW STAIRS. LtWEI. Fkeeman Philip Coachman LoKD Duke Sib Harry La»y Bab Lady Charlotte Cook Kitty Mr. H. Butler. Mr. Dalton. Sir J. Stronge. Mr. Waller. Mr. R. Power. Mr. Crampton. Miss Davison. Mrs. Johnson. Mrs. Hitchcock. Miss Walstein. Monday, 12th October, 1807. Fourth Nisht. BEAUX STRATAGEM. AlMWELL Archer Sullen Sir Charles Freeman Foigard ... GitEET ... hounslow Bagshot Boniface Scrub Lady Bountiful Dorinda Mrs. Sullen GiPSEY Cherry Mr. Crampton. ' Mr. R. Power. Mr. Becher. Mr. Dalton. Mr. Langrishe. Mr. Ponsonby. Sir J. Stronge. Mr. Waller. Mr. Bryan. Mr. H. Butler. Mrs. Hitchcock. Mrs. Johnson. Miss Walstein. Miss Davison. Mrs. Cooke. DON JUAN. Don Juan Don Guzman Fernando Boatswain Sailors Attendants Fishermen Scaramouch Mr. Crampton. Mr. R'. Power. Sir J. Stronge. Mr. Bryan. Messrs. Bushe & Dufiy. Mr. Waller, &c. Mr. Ponsonby, &c. Mr. T. Cooke. Landlord, Serenaders, S^c. Sfc. Sfc. Donna Clara Confidante FiSHERWOMEN Miss Walstein. Mrs. Johnson. 5 Mrs. Cooke, ( Miss Davison, &c. Wednesday, 14th October, 1807 Fifth Night. ORONOOKO. Oronooko Mr. Rothe. Aboan Mr. R. Power. Governor Sir J. Stronge. Blandford Mr. Ponsonby. Stanmore Mr. Waller. Captain Driver Mr. Bushe. HoTMAN Mr. H. Butler. Planters ' ■ Mr. Dalton and ;, Mr. Duffy. 1st Slave Mr. Walters. 2d Slave Mr. E. Waller. Imoinoa Miss Walstein. TOM THUMB. * King Arthur Mr. Crampton. Tom Thumb Master Glover. Lord Grizzle Mr. R. Power. Noodle Mr. H. Butler. Doodle i ... Mr. Ponsonby. Ghost Mr. T. Cooke. Dollalolla Mrs. Cooke. Huncamunca Miss Davison. Glumdalca Sir J. Stronge. Friday, 16th October, 1807. Sixth Night. BEGGAR'S OPERA. Peachum Mr. Lyster. LOCKIT Mr. Ponsonby. Macheath Mr. Ashe. Filch Mr. H. Butler. Mat of the Mint ... Mr. Crampton. Ben Budge Sir J. Stronge. Jemmy Twitcher Mr. Watters. Robin of Bagshot ... Mr. Clements. Harry Paddington ... Mr. Wrixon. Crookfinger'd Jack Mr. Dalton. Wat Dreary Mr. E. Waller. Drawer Mr. T. Cooke. Mrs. Peachum Mrs. Hitchcock. Polly Miss Walstein. Lucy Miss Davison. ' Ladies, ^c. THE LIAR. Sir James Elliott ... Mr. Dalton. Old Wilding Mr. Bryan. Mr. R. Power. Young Wilding Papillion Mr. Crampton. Miss Grantham Mrs. Johnson. Miss Godfrey Miss Davison. Kitty Mrs. Hitchcock. PRIVATE THEATRE OF KILKENNY. S3 I8O7. Saturday, 11th October, 1807. Seventh Night. THE RIVALS. Sir Anthony Absolute Captain Absolute ... Faulkland Acres Sir Lucius O'Trigger Fag David Mrs. Malaprop Lydia Languish Julia Lucy Mr. Lyster. Mr. R. Power. Mr. Rothe. Mr. H. Butler. Mr. Crampton. Sir J. Stronge. Mr. Tighe. Mrs. Hitchcock. Mrs. Johnson. Miss Walstein. Miss Davisou. NO SONG, NO SUPPER. Freoericc ... Mr. Dalton. Crop ... Sir J. Stronge. Robin ... Mr. Crampton. Endless ... Mr. H. Butler. William ... Mr. Waller. Margaretta ... Mrs. Cooke. Dorothy ... Mrs. Johnson. Nelly ... Miss Walstein. Eighth Night. Monday, \9th October, 1807. THE SCHOOL FOR SCANDAL. Sir Peter Teazle Sir Oliver Surface ... Joseph Surface Charles Surface Rowley Crabtree Sir Ben. Backbite ... Moses Snake Trip Careless Drinking Gentlemen Lady Teazle Maria Lady Sneerweu Mrs. Candor Mr. Langrishe. Mr. Ponsonby. Mr. Ashe. Mr. Rothe. Mr. Bushe. Mr. Lyster. Mr. H. Butler. Mr. Tighe, Mr. Waller. Mr. Bryan. Mr. Crampton. 'Lord Mountjoy, I Sir J. Stronge, Mr. J. Power, ) Mr. Wrixon, . Mr. Dalton, &c. Miss Walstein. Miss Davison. Mrs. Johnson. Mrs. Hitchcock. AGREEABLE SURPRISE. Sir Felix Friendly ... COMPTON Eugene Chicane Lingo Thomas John CuDDEN Stump Laura Cowslip Mrs. Cheshire Fringe Sir J. Stronge. Mr. H. Butler. Mr. Dalton. Mr. Ponsonby. Mr. Ashe. Mr. Waller, Mr. E. Waller. Mr. Watters. Mr. Wrixon. Miss Davison. Mrs. Cooke. Mrs. Hitchcock. Mrs. Johnson. Wednesday, SUt October, 1807. Ninth Night, ROMEO The Pbincb Paris Montagus Capulet Romeo Mercutio Benvolio Tibalt Friar Lawrence Friar John Balthasar Page Apothecary Peter Lady Capulet Juliet Nurse AND JULIET. Lord Mountjoy. Sir J. Stronge. Mr. Waller. Mr. Ponsonby. Mr. R. Power. Mr. Langrishe* Mr. Tighe. Mr. Crampton. Mr. Becher. Mr. E. Waller. Mr. Rothe. Master Langrishe Mr. Dalton. Mr. H. Butler. ... Mrs. Johnson. Miss Walstein. Mrs. Hitchcock. A COMIC BALLET. Principal Characters. Fop ... Mr. Ponsonby. Favoured Lover ... Mr. Crampton. Old Painter / ... Mr. T. Cooke. Painter's vDaughter Mrs. Cooke. La Gouvernante ... Mr. H. Butler. Friday, 2Sd October, 1807. Tenth Night. THE RIVALS. Sir Anthony Absolute Captain Absolute ... Faulkland :,. Acres ... Sir Lucius O'Trigger Fag David ... Mrs. Malaprof ... Lydia Languish Julia ... Lucy ... Mr. Lyster. Mr. R. Power. Mr. Rothe. Mr. H. Butler. Mr, Crampton. Sir J. Stronge. Lord Mountjoy. Mrs. Hitchcock. Mrs. Johnson. Miss Walstein. Miss Davison. THE CRITIC. Sir Fretful Plagiary Mr. Rothe. Dangle Sneer Puff Mrs. Dangle Signor and Signora Ritornello Characters in the Lord Burleigh ... Governor .„ Earl of Leicester ... Sir Walter Raleigh Sir Christopher Hatton Beef Eater ... Don Ferolo Whiskebandos Mr. R. Power. Mr. Lyster, Mr. Langrishe. Miss Davison. 5 Mr, Crampton and I Mrs. Cooke, TlLBURINA Confidante Tragedy. Mr. Clements. Mr. Waller. Mr. Watters. Mr. Ponsonby. Mr. H. Butler. Lord Mountjoy. Mr. Crampton. Mrs. Johnson, Mrs. Hitchcock. 34 PRIVATE THEATRE OF KILKENNY. I8O7. Saturday, 24tt October, 1807. Last Night. KING LEAR. King Lear Mr. Rothe. BuBGUNOy ■ ■• Mr. Dalton. Cornwall ■ •• Mr. Crampton. Albany • *• Sir J. Stronge. Kent ..• Mr. Langrishe. Glosteb • •• Mr. Ponsonby. Edgar • •• Mr. R. Power. Edmund ... Mr. Becher. Oswald • <• Mr. H. Butler, Physician ■ ■■ Mr. Waller. Old Man • •■ Mr. E. Waller. Captain • «. Mr. Walters. Knights ... J Mr. Clements and I Mr. Duffy. Cordelia . ... Miss Walstein. Gonebil ... Mrs. Johnson. Regan ... Miss Davison. Aranie ... Mrs. Cooke. AN OCCASIONAL EPILOGUE. VALENTINE AND ORSON. Pepin {King of France) Mr. Becher. r™i(^^^^'«'--)SMr:W~.'^- Valentine (a Foundling) Mr. R. Power. Orson (a Wild Man) Mr. Crampton. Hvgo (Valentine's Armourer) Mr. H. Butler. Princess Eglantine ... Mrs. Johnson. Florimonda ... Miss Walstein. Agatha (Attendant of ? ^ p , Eglantine) J Mrs. Cooke. CiciLY (an old Peasant) Mrs. Hitchcock. ^"^Ten^'Z^r^''" jLordMountjoy. Peers of France, Pages, Peasants, ^c. ^c. —^l^^^^f*/%i^mm EPILOGUE, Written and spoken by Mr. Langrishe, At the close of the Theatre, the 2ith of October, 1807. An ancient Proverb says, and says with reason, " 'Tis wise, to play the Fool in proper season." Then sure this doleful season is most fit. For lively Folly, cheerful child of Wit, When every forehead wears a boding frown, When War and IParty-wrangling weighs us down, When Nations, trembling at a Tyrant's nod. Change, as he bids, their Laws, their King, their God, These festive efforts shall such cares controul. Suppress the sigh, and lift the languid soul. Though crimes and mis'ries hold their public course, We shift our scenes, unaw'd, by fears, or force, And fill the fleeting hours without remorse. And while the world's depress'd in sad dismay, We play the Fool, but liberal, bold, and gay. Thus do these Games our sportive Shield become. And seasonable Folly cheers the gloom. But well to play the Fool, requires some wit. Not every one the motley garb will fit. Some Fools want spirit — nay, some, Fools want sense. Yet think by gravity to make pretence. Such solemn coxcombs sneer, and would decry These playful scenes of polish'd pleasantry, Tho' their dull intellects could ne'er aspire To catch one genial ray of Classic fire. Tho' they scarce read, and never wrote a rhyme. They cry, " How can you thus abuse your time ? " Affairs are grown too serious now-a-days, " You'd better think of politics than plays. " R^d, read the News-papers, and then beware « oPfresh disasters from this horrid War. " Who knows, how soon we may invaded be, " Or what new changes in the Ministry?" We read and revel, yet with Swords as bright. As theirs, that pore o'er Pamphlets all the night. But gay Thalia shuns the clam'rous rout. Of who's to save the State, who's in, or out; Nor heedeth she, " who won the bloody day ;" Her more important question's,— w^a^'j the play ? Another set of Fools succeeds, for sneerers And wits, a precious group, Electioneerers ; The worthy Esquire sells the old estate, Possess'd with proud ambition to be great ; And what's his view of greatness? to be sent An Independent man to Parliament ; And, truly. Independent, forth he goes. Of .all the comrorts his old home bestows : See him in London, to a Chop-house sneak. To famish on a solitary Steak. Yet on each meagre meal more substance wasting. Than here would furnish hospitable feasting. Or see him round St. James's purlieus straying, ^ With wond'ring eyes that wealthy world surveying, > And half his income for a garret paying. j Or at St. Stephen's, on a top bench waiting In fretful doze, while Statesmen are debating ; Unknown, unnoticed, save by some pert Peer, Who thus accosts his neighbour with a sneer; " Who's that, my Lord? his Face I don't remember." " How should you? 'tis a Scotch, or Irish, member ; " They come, and go, in Droves, but we don't know 'em. « They should have Keepers, like wild beasts, to shew 'em. " But wait a moment, 'till he gives his Vote, " And then you'll know his Nation by his Note." Thus Folly flies, but with a heavy wing : We love at lighter Fools our shafts to fling; We pant once more for folly-fostering Peace, Parent of mirth, and gay absurdities ; Of all our ancient votaries we're bereft. And scarce a swadler's for a sarcasm left. Now every wit with *public feeling glows. And on the common-weal his verse bestows ; A Statesman's virtues, or a Nation's wrongs, Are the sole subject of his gratefid songs. And every Muse is put in requisition. To praise, or blame, some secret expedition ; • Alluding to the great numtier of Paity.Pamphltti publithed atmil Oit time. PRIVATE THEATRE OF KILKENNY. 35 I8O7. Party and Politics, alone, engage The taste, and tdl the talents of the age, And patriot Poets weave each chaplet now To grace some Statesman's, or some Hero's, brow. Then where's our Lyric Crown ? whose humbler care. The thriftless labours of the Drama share ? Why, these Rewards await us, your applause. The various good our pleasing pastime draws. And these consoling scenes, by Mercy sent, To mitigate the ills they can't prevent. The Poor, and Hungry, too, our tribute share, And every play-bill proves a biU of fare. Each Nation has its ^ras, fix'd, and stated. From whence all enterprise, and deeds, are dated. The Greeks had their Olympic Games, and we. The Plays of equal notoriety. Our hopes, our horrors — business, or pleasiu'e — Our actions, great or small, from these we measure ; " When do you go to town ?" his Lordship says, — " I never go to town, before the plays." Nirarod, to know when Sport commences, prays, — " We don't begin our Hunting — till the plays. Each anxious stranger thro' our city strays. To seize on pleasant Lodgings— /or tlie plays. Miss, to her country friend, her pride betrays, " Lord, how unhappy ! sha'n't you see the plays ?" The Prudent Fair her purpos'd Purchase stays. To find the newest fashions, (U the plays ; Each beauty, in her glass, her charm surveys. Intent on precious mischief, at the plays ; Coy Nymphs postpone their Lovers claims to raise, In hopes of something better, at the plays. Grave Politicians calculate delays, " The Question can't come on, before the plays." " Will the French venture yet to cross the seas ?" " I do not think they will, before the plays." When this shut dome the famish' d wretch surveys, He cries, " Well 1 times will better, at the plays," 'Tis my allotted office, to conclude Our gay career in strains of Gratitude, But 'tis, alas ! my irksome duty too. Always to utter that sad word, adieu. With mix'd sensations of Delight and Pmn, This party-color'd province I sustain : mth warm emotions, grateful thanks I pay, Charm'd, that we pleas'd ; but griev'd, so short our sway. Now, but one kind Farewell the Muse obtrudes. Then, like our Lives, our Epilogue concludes. Both end in Sighs, thairall our joys ^re o'er,, ' ■ Both end in Hopes, to meet again once more. On no former occasion have our Theatrical Entertain- ments commenced with a greater promise of success than the present. To the Talents hitherto displayed on our Boards we have now to boast of some valuable acquisitions. In all the minor requisites of Scenery and Wardrobe our Theatre is greatly improved. We have our Orchestra led by Mr. Thomas Cooke, whose musical abilities, either as a Composer or a Performer, have raised him to the situation of Leader in the Theatre of our Capital. In short, we know not in what particular our little Establishment is not complete. Let the saturnine sectary disclaim as he may against those elegant and useful enjoyments, and igno- rantly predict their approaching termination: we congra- tulate our City on their present prosperity, and the promise ofthSir future continuance. Monday gave us Fabquhar's Comedy of The Inconstant, with the Pantomime of Don Juan j and Wednesday the Comedy of Cymbeline, with the AAer-piece of the Desebter. We cannot help noticing the debut of a new Performer in the part of Belarius, in the latter Play. His just conception of the part, and fine-toned voice, particularly the eager enthusiasm with which he gave out " Have with with you, Bots," combine to raise in us a strong expectation of future fame in that quarter. Armragiis sung a touching strain, " With fairest Flowers while Summer lasts," in so sweet and feeUng a manner, that we own ourselves to have been delighted with it. — [Kilkenny Paper, Saturday, October loth, 1807;] When now, in their seventh Season, the Performances of the Private Theatre of Kilkenny not only still retain the admiring Friends of former years, but still attract the Stranger's notice, we cannot surely fear the imputation of being too sanguine, when we say, that the successful career which they have had, for so long a period, can only be attributed to t^e attractions they have possessed. Some for a while^-njight flock to the Theatre, to cheer a Friend, more than applaud an Actor — Charity for a while might in- duce others to become spectators, and, as she " covers a multitude of sins," might have forgiven a multitude of faults; but seven returning periods of dull exhibition would have out lasted any mortal friendship, or any christian charity. The continuance of those Plays, therefore, is a proof of their merits. Gil Bias tells us, that the Players who belonged to the Prince's Theatre at Madrid, were called, par excellence, " a company of Comedians ;" and some appellation should be given, in the same way, to the Gentlemen of the Kilkenny Theatre, to distinguish their . rank, among the Dilletante Performers of our time. The third night of performance was on Fbiday last, when we had King John, with High Life below Stairs. There is a good deal of spectacle in this Play ; and all that could be done by the splendor of Attire, or the number of Atten- dants, was done for it with us ; but, what was much better, it was well cast and well acted. There were two scenes, the one in which the King urges Hubert to the murder of the Prince, and the other in which be reproaches him, for his supposed obedience to the royal Mandate, that were most successfully given. Pnnce Arthur had a very interesting repre- sentative. So sweet a Prince was never personated by so sweet a Boy. Every gracious epithet bestowed on him by the Poet, was applicable to this Child ; nor did his graceful and pathethic appeal for mercy lose any thing of its interest with the Audience, by the affecting influence it had upon the relenting Hubert, whose voice and manner, true to nature, greatly contributed to the pathos of the scene. Who enacted Faulsonbridge — who could act it so well, as he who represented it this night ? — a Gentleman who, among all the various Characters that he fills, is never deficient in that self-possession which is so essentially necessary to theatrical success. Our Lady Constance it entitled to high praise. It was a performance that surpassed our expectation. The Play, on the whole, although considered a heavy one, went off with very great effect. — [Kilkenny Paper, Wednesday, October lith, 1807.] The Beaux Stratagem was, performed on Monday. Archer is a Gentleman in disguise. To justify Mrs. SvlleiHt passion for him, and to keep his station with the Audience, who are in the secret of his'^ank, every flight that he takes S6 PRIVATE THEATRE OF KILKENNY. 1808. should therefore " soar bej'ond the pitch of a livery." To retain the ease of a Gentleman was no difficult task to him who represented the Character on our Stage. Foigard amused us much, and was much applauded ; without de- scending to vulgar and Farcical Exhibition, it was a repre- sentation that brought forward every point of the Character with characteristic humour. Our Scrub was excellent, and sulky Sullen could not have been in better hands. Every pruriency of expression which the Author gives to the Female Characters of this Comedy was wisely curtailed, if Ladies can account as wise, any curtailment of their speech. Among other advantages peculiar to such an Establishment as ours, the ear or the eye of delicacy is certain of never being wounded by any indecorum. Don Juan succeeded to the Comedy. The Hero of this interesting After-piece never appears but to make love, orto fight. Gallantry and valor are his only qualities. The per- formance of the Spanish Reveller was graceful and manly. The Supper Scene was particularly interesting ; but when he is assailed by Demons at the conclusion of his riotous career, and thrown upon the ground, the length of his re- clining person called to our mind the Poet's description of the fallen Satan — He, like him, " Extended on the burning lake, " Lay floating many a rood." [Kilkenny Paper, Saturday, 11th October, 1807.] The Beggak's Opera, on Friday, introduced to our Audience a Gentleman long distinguished for his musical talents and comic powers, in the character of Macheath ; the Songs were all given with very good effect, particularly " I'he Judges are met," and " The Medley," and his man- ner of acting it, especially in the parting admonition to the Gang, exhibited a just sense of the effect to be pro-, duced by the Mock-Heroic. Fikh was excellent, and Peachum, a performance of the richest humor. The Rivals, always a favorite with the Kilkenny Audience, was performed on Saturday. It was cast, with the exception of Acres and Fag, in the same way it stood last ylar. The Characters of this Play are so happily adapted to the pewers of the Company, that every repetition of it only adds to its effects. The School for Scandal was performed on Monday. The performance of Sir Peter Teazle was just, pointed, and critical, and Crabtree was raised by the Performer to a very prominent situation in this witty and delightful Comedy. In The Agreeable Surprise, Lingo kept the Audience in continued laughter. — [KUkenny Paper, Wed- nesday, October 21st, 1 807.] Romeo and Juliet was performed on Wednesday for the first time on our Stage, and was sustained through- out in a manner very creditable to the Company. It is well, where the talents necessary for representing the hapless Lover, are assisted by a prepossessing appearance, to justify to the Audience the sudden passion of his Mistress. Mercutio bantered him with ease and dexterity ; and all the best parts of the Play, particularly the Garden and the Tomb-Scenes, were particularly effec- tive. — [Kilkenny Paper, Saturday October 24tk, 1807.] The Tragedy of Lear, with the After-piece of Valen- tine AND Orson, concluded the Performances of the Season on Saturday last. Lear is a character that requires a combination of many powers in the Actor. Its transition* are sudden. Grief succeeds to rage, and the strength of madness to the imbecility of years, so that a young man is in danger of being too forcible, in the representation of his feebleness, and an old man too weak, for the assumption of his violence J it is not, therefore, often undertaken on the public Stage. On ours it was represented with entire success ; and all the well-known passages of " Aye, every inch a King," — "Cordelia is a Queen," — " Old Lear shall be a King again," were given with all the force and the feeling they require. We had an excellent representative of Edgar. His scenes with the poor old King were so perfect, that the general effect of the Tragedy was con- siderably indebted to that character. At the close of the Play Mr. Langrishe delivered an occasional Epilogue ; we hear it was his own composi- tion, and we beUeve so, for it was obviously written in the spirit of national humour, and inspired in the delivery a good deal of national feeling. Besides the Countesses or Ormonde and Carrick, the Families of Woodstock, KiLFANE, Knocktopher, Farmley, and the other resident Families of Rank and Fashion in our own County, we noticed among the Strangers in our Audience, who have honored us this season with their presence, the Mabquis of Ely, the Earl of Harrington, the Earl and Coun- tess of Meath, the Earl and Countess of Charlemont, the Earl of Mayo, the Countess of Glandobe, the Lord Lismoke, the Hon. Montague Matthew, St. George Caulfield, Esq. and his Lady, the Ladies Johnson and Burgoyne, and their Families, with a gene- ral Assemblage of Fashionable People, whose names would exceed the limits of the space we could afford them.— [KUkenny Paper, Wednesday, 28th October, 1807.] eigfjtf) Reason. 1808. Commenced the 10th, and closed the 29tk of October. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe. Mr. Lyster. Mr. Becher. Mr. Ponsonby. Mr. Crampton. Mr. Moore. Mr. Corry. Mr. Gore. Sir J. Stronge. Master Mr. Bryan. Mr. Barry. Mr. Dalton. Mr. Waller. Mr. Bushe. Mr. Mason. Mr. O'Rielly. Mr. Dix. Mr. Duffy. Mr. Keough. Mr. Walters. Langrishe. Miss Smith. Mrs. Johnson. Miss Walstein. Mrs. Cooke. Mrs. Hitchcock. Miss Davison. Miss A. Dyke. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. T. Cooke. PRIVATE THEATRE OF KILKENNY. 37 1808. PROLOGUE, Written hy Mr. J. Atkinson, and spoken by Mr. R. Power, At the opening of the Tlieatre, the \Oth of October, 1808. With some ambition for dramatic ame, Once more we come, your kind support to claim, Happy, if this our recreation tends To social objects, and to moral ends. And as we thus the cai*es of life beguile, Approv'd by you, and cheer'd by Friendship's smile. With such an Audience, and in such a cause. We dread no censure, iJio' we miss applause. Permit our Fancy then to dramatize. And paint the living characters that rise; To prove Theati-ieals are all the fashion,^ We'll give Examples of our Ruling Passion. *' The times are out of joint — and fraught with cares, " And all the Men, and Women, merely Players." See one great actor, with ambitious rage. To snatch renown, makes all the world his Stage; And, like us, Monarchs of the stage, you'll own. Commands that World to bow before his Throne. With Shaespeare's fancy, blending False, and True; « Exhausting Plots, and then inventing new." Like Garrick, Master of the Thespian art, He sports the Tragic, or the Comic, part. Rul'd by no laws, he shifts his boundless scenes. Casting new walks for Princes, Kings, and Queens. Italian Operas, and Germanic plays. Conspire, his Fortunes, and his Pride, to raise. Europe has wept beneath his Tragic powers. And every State confess'd his sway — ^but ours. His Melo-Drames, which first appear'd in France, Spread North and South, thro' re^ons of Romance, A grand spectacle of embattled hosts. Of Castle-spectres, and of bleeding ghosts ! Macbeth, and Richard, he too well combines ; None his superior, in the Tyrant, shines ! And Mourning Venice all in Tears can tell. That none performs her Bravo half so well :' While Rome, once more by Gothic fury sack'd. Forebodes the bloody deeds he pants to act. In Comic characters, he's quite the dash. Now FUch — now Bobadil — now Captain Flash ! Nay more, to raise his reputation higher. There's not a better Puff, — or greater Liar. He more, in Pantomime, commands surprise. From Camps, to Courts, like Harlequin, he flies. From Egypt's desert, to the Baltic shore. You trace his wonders, and his tricks explore. O'er seas, and mountains, this Magician springs. Transforms his Minions into Queens, and Kings. He waves his sword, contrives some new design. Enthrones himself, and crowns his Columbine. And then, like Blue Beard, in fantastic state. He claims the homage due a Chief so great ! But may the Fates, which have his powers employ'd, Soon give the World the Libertine Destroy' d! His brother actor to Iberia came. To shine at Court, and take a Monarch's name : Deserting Naples, on new Plays to fix. And gain, by Honors, what he lost by Tricks. Madrid, enrag'd to see Usurpers come. To play the Robbers, and proclaim Tom Thumb, Call'd forth the Nation's Patriotic Rage, To hiss this Mummer from the public stage. Thus forc'd to end this Tragi-Comic Play, He just rehears'd his part — and ran away. But to console himself for lost renown, " *This cut-purserf the Empire stole the Crown.'' Altho' in Mimic Life we thus engage, " To fret, like him, our hour upon the stage," Tho' you behold us here in battle slain. Unlike his heroes, we shall rise again. And soon from Tragic Death restor'd to Life, Tir'd of heroic pomp, and regal strife. We'll fly to mingle with the Comic throng. Blending, with native mirth, the Dance and Song.-— But when the Curtain Drops, and Fiction's o'er And we return to Social Scenes once more. This constant object we shall still pursue. The wish to please — and be approv'd by you. ^Vhen the Spani^ Patriots compelled the pretended King, Joseph Napoleon, to fly from the Throne of their Kingdom, on which he had been placed by his brother, the Emperor of Prance, the Usurper, to console himself in his disgraceful flight, carried away with him the Crown, the Jewels, and all the Royal Treasures of their legitimate Monarch. Monday, lOth October, 1808. First Night, THE WANDERER. GusTAvus Adolphus ... SiGISMOND ... Count Vaidestein ... Count Sparre Baneb Officer James Erick Ramsay Countess Valdestein Christina Sir J. Strongc. Mr. Crampton. Mr. Corry. Mr. R. Power. Mr. Becher. Mr. Duffy. Mr. Waller. Mr. Walters. Mr. Ponsonby Miss Smith. Mrs. Johnson. AN OCCASIONAL PROLOGUE. THE VILLAGE LAWYER. Scout Snarl Sheepface Justice Mittimus Mrs. Scout Mr. Crampton. Mr. Ponsonby. Sir J. Stronge. Mr. Corry. Mrs. Johnson ss PRIVATE THEATRE OF KILKENNY. 1808. fVednesday, 12th October, 1808. Second Night. AS YOU LIKE IT. DtIKE • ■• Mr. Becher. Frederick >.■• Mr. Corry. Amiens ■ •• Mr. Bljilton. Jaques • •• Mr. Rothe. Orlando • ** Mr. R.Power, Le Beau • •• Mr. Bryai). Jaques De Bois ■ •• Sir J. Stronge. Adam • ■• Mr. Lyster. Touchstone • •• Mr. Lapgrishe. CoBIN • •■ Mr, Ponsonby. SiLVIUS • •■ Mr. Waller. WllLIAM • >• Mr. Duffy. Charles ..« Mr. Keough. Rosalind ■ ■• Miss Walstein. Celia • ■• Mrs. Johnson. Pheee • •• Miss Davison. Audrey • ■■ Mrs. Hitphcock COLLINS'S ODE ON THE PASSIONS, By Miss Smith. ' With Appropriate Mutic. A COMIC BALLET. Principal Characters. Fop Favoured Lover Old Painter La Gouvernante Painter's Daughter Attendant Mr. Ponspnby. Mr. Crampton. Mr. T. Cooke. Mr. Corry. Mrs. Cooke. Miss A, Dyke. Friday,. 1«A Vctoher, 1808. Third Night. JANE SHORE. Dctke of Glostee Lord Hastings Catesby Ratcliepe Belmour Dumont Alicia Jane Shore Mr. Lyster. Mr. R. Power. Mr. O'Rielly. Mr, Waller. Mr. Bechpr. Mr. Rothe. Miss Smith. Miss Walstein. OF AGE TO-MORROW. Frederick Baron Pipflebebg Hans Molkus Friz Lady Brumback Sophia Maria Mr. Crampton Mr. Ponsonby. Mr. Corry. Sir J, Stronge. Mrs. Hitchcock. Miss Davison. Mrs. Cooke. MondMy, nth Obtober, 1808. Fourth Night. DOUGLAS. Lord Randolph Glenalvon Douglas Donald Old Noevae Lady Randolph Anna Mr. Ponsonby. Mr. Becher. Mr. R. Power. Mr. Watters. Mr. Lyster. Miss Smith. Miss Davison THE MIDNIGHT HOUR. The Marqui9 The General Sebastian Nicholas Ambrose Mathias Julia Cecily Flora Mr. CramptJHi. Mr. Ponsonby. Mr. Corry. Sir J. Stronge. Mr. Becher. Mr. O'RieUy. Mrs. Johnson. Mrs. Hitchcock. Miss Walstein. Wednesday, 19th October, 1808. Fifth Night. THE RIVALS. Sib Anthony Absolute Captain Absolute ... Faulkland Sir Lucius O'Teigger Acres __ David Fag ^ Mrs. Malapeop Lydia Languish ... Julia Lucy Mr. Lyster, Mr. R. PowOT Mr. Rothe. Mr. Crampton. Mr. Corry. Mr. Moore. Sir J. Stronge. Mrs. Hitchcock. Misi Smith. Miss Walstein. Miss Davison. THE PADLOCK. Don Diego Leander Mungo Students Leonora Ursula Mr. Corry. Mr. Dalton. Mr. Moore. 5 Mr. Waller and' I Mr. Watters. Mrs, Cooke. Mrs. Hitchcock. PRIVATE THEATRE OF KILKENNY. m 1808, Friclat/, aut October, 1808, Sixth Night. OTHELLO, Duke of Venice Mr. Bushe. Baabantio • ■• Mr. Corryi Gkatiano • ■■ Mr. Waller. LODOVICO • ■• ' Mr. Walters. Othello .,, Mr. Rothe, Cassio •«• Mr. Crampton, Iago ■ »• Mr. Ponsonby. RoDERIGO wt^ Sir J. Stronge. MONTANO ... Mr. Dalton. Desdemona ... Miss Walstein. Emilia M" Mrs, Johnson. NO SONG, NO SUPPER. Crop • •• Sir J. Stronge. Feederictc ■ •■ M;r. Dalton. Endless • •• Mr. Ponsonby. Thomas • ■• Mr. Waller. Robin ■ .• Mr. Crampton. Dorothy • ■• Mrs. Johnson. Nelly • ■• Mss Davison. Margaretta ■ •• Mrs. Cooke. Saturday, 22d October; 1808;^ Seventh Night. THE MERCHANT OF VENICE. Duke of Venice Anthonio Bassanio Salanio 'Salabino Geatiano Lorenzo Shylock Tubal Launcelot Balthaseb, Portia Nebissa Jessica M*. Gore. Mr, Rothe. Mr. R. Power. Mr. Waller. Sir J. Stronge. Mr. Crampton, Mr. Dalton. Mr. Becher. Mr. Ponsonby.- Mr. Biishe. Mr. Watters. Miss Smith. Mrs. Johnson. Mrs. Cooke, THE VILLAGE LAWYER. Scout Snarl Shee peace Justice Mittimus llss. Scous Mr. Crampton. Mr. Ponsonby, Sir J. Stronge.' Mr. Corry. Mrs. Johnsoiw Monday, iitk October, 1808*. Eighth Night; CLANDESTINE MARRIAGE. Lord Ogleby ... Mr. Langrishe.- Sir. J-OHN Mel VILLI ... Sir J. Stronge. Sterling .'« M«. Lyster. LOVEWELL ... Mr. Becher. Brus^ ... Mr. R. Power; Cajjton ... Mr. Cram^tooa; Serjeant Feow^S ... Mr. Corry. - Tea VERS? ... Mr. Waller. Trueman ... Ut. Duffy, Mrs. Heidelberg .., Mrs. Hitchcock,- Miss Sterlhjg • •• Mfs. Johnson, Fanny ., Betty r.. Miss Walstein. «^k Miss Davison. Chambermaid • ■« Mrs. Cooke.- LOVE A-LA-MODE. Sir Theodore Goodghild Mr. Wallei-.^ Sir Archy Mac Sarcasm Mr. Bushe. Sir Cal. O'Brallagran. Mr. Crampton. MORDECAI *•. Mr. CoriT. Squire Groom ... Mr. Ponsonby, CHABJ-OrrE ... Mrs. Johnson, Wednesday, 26iA October, 1808^ Ninth Night. MACBETH. Duncan, King of Scotland Mr. Waller,^ Malcolm ... Sir Jv Stroage; Macbeth- ... Mr. R. Power.- Macdui* ■ *. Mr. Rothe. BANftUO .*w- Mr. Becher. Fleance ..• Master Langii^e. Lenox «.. Mr. Dix. RossE ... Mr. Corry. Siwabb >•• Mr. Keough, Seyton *»* Mr. WattefS;- Physician .M Mr. Dalton. Officer a.> Mr. Duffy. Hecate %%• Mr, Cranipton.- First Witch, .«• Mr. Barry, Mr. O'Rielly, Second Witch ... Third Witch ... Mr. Ponsonby,- Lady MkqBEiH ... Miss Smith. SYLVESTER DAGGERWOODl Daggbrwood- ..,- Mr. Crampton, Fustian ... Mr. Ponsonby, John ... Sir Ji, Stronge.- A COMIC BALLET. Principal Characters.- Musician ... Mr. T. Cboke.- Musician's Datjghter Mrs. Cooke; -Serenaders JMr-Cramptoni- I Mr. D^ton. Visitors, Musicians^. ^ *0 PKIVATE THEATRE OF KILKENNY. 1808. Fr \day, 2Sth Oi tober, 1808. Tenth Night. KING LEAR. King Lear ... Mr. Rothe. Burgundy ... Mr. Dalton. Cornwall ... Mr. Gore. Albany ... Sir J. Stronge. Kent — * Mr. Langrishe. Glostee •*• Mr. Ponsonby. Edgar ••* Mr. R. Power. Edmund ... Mr. Becher. Oswald ... Mr. Corry. Physician ■.• Mr. Bryan. Old Man ... Mr. Keough. ■Captain ... Mr. O'Rielly. 5 Mr. Walters and I Mr. Waller. Knights • ■• Cordelia ... Miss Walstein. GONERIL • *• Mrs. Johnson. Regan »■ Miss Davison. Arante ... Mrs. Cooke. THE CASTLE OF ANDALUSIA. Don Scipio ••■ Mr. Ponsonby. Ramirez ... Sir J. Stronge. Fernanpo ».. Mr. Dalton. Don Juan ... Mr, Bryan. Sanguino ... Mr. Waller. Calvette ... Mr. Keough. Vasquez f Mr. Walters. Pedrillo ... Mr. Corry. Spado ..^ Mr. Moore. Victoria ... Mrs. Cooke. Isabella ... Mrs. Hitchcock. Saturday, 29th October, 1808. Last Night. AS YOU LIKE IT. Duke Frederick Amiens jAeUES Orlando Le Beau Oliver jAftUES DE Bois Adam Touchstone CORIN SlLVIUS William Charles rosalinb Celia Phebe ^UD«EY Mr. Becher, Mr. Corry. Mr. Dalton, Mr. Rothe. Mr. R. Power. Mr. Bryan. Mr. Gore. Mr. Walters, Mr. Barry. Mr. Langrishe. Mr. Ponsonby. Mr. Waller. Mr. Duffy. Mr. Keoughi Miss Walstein. Mrs. Johnson. Miss Davison. Mrs. Hitchcock, AN OCCASIONAL EPILOGUE. INKLE AND YARICO. Sir Christopher Curry Inkle Medium Cample Y Planter ••• Trudge Yarico Narcissa WOWSKI Mr. Ponsonby. Sir J. Stronge. Mr. Waller. Mr. Dalton. Mr. Walters. Mr. Moore. Miss Walstein. Miss Davison Mrs. Cooke, EPILOGUE, Written and spoken by Mr, Langrishe, At the close of the Theatre, the 29th of October, 1808 Since Charity so many sins can cover. Pray Heaven, its power may shade our errors over ! For that we may nave sinn'd, v^e must admit, Sinn'd against action, utterance, and wit. But never wantonly — our crimes are still Crimes of necessity, and not of will. Howe'er, since during eight succeeding years, "i No foe traduces, nor e'en Envy sneers, > No more of fancied ills, or fabricated fears ! 3 Amidst the fatal tumult that awaits The fall of Monarchs and tlie strife of States, 'Midst the wild horrors of a Tyrant's rage, Making this spacious Globe one Tragic stage. This our auspicious dome, our hallow'd spot. By Fortune favor' d, and by Fate forgot. Sacred to polish'd Pleasure still remains. Nor Tyrant threatens here, nor Sorrow stains. Long as the world by usual rules was bound. And manners chang'd not ere the sun went round, 'Twere possible to catch at transient Taste, And fix its fleeting figures, ere they past. - The times were, then, for playful painting fit. And rich materials rose, and stay'd, for wit. But now,, so quick the changes, who can find The present picture of the hmnan mind ! Kings sunk to Vassals, Democrats to-day. To-morrow court some cruel Tyrant's sway. This hour we boast the honor, might, and worth Of our most gracious AUies of the North, But ere our subsidies are wafted o'er. They plot, perfidious, to molest our shore. Oft I've exhausted irksome hours in vain. To praise the Russian, or excuse the Dane, When by the next express, or Evening Post, My labour'd theme ot panegyric'^ lost. The Russian's false, or timid — Dane, the same ; f And the rude Swede, alone, from us can claim, > Thro' the wide North, or friendship, faith, or fame. J In these sad times, when Laughter's out of fashion. And poor Thalia, sighing, yields her station. When Tears and Tragedies are all the vogue, ' Who'd risk his fame in Comic Epilogue ? PRIVATE THEATRE OF KILKENNY. 41 1308. But faithful folly, still the poet'^ friend, fii(]s :ne her favorite Saratiche ascend ; There the gay Queen on box tuiumph^Tit sits, Dispensing (.aw on k'^ok^s, itrapt, and lUs, Tempts each aspiring Youth to mount beside her, i)rives six in hapdi ^nd scorns a pole-end driver; Empty and useless, the Barouchei behind. Follows, just Emblem of its Owner's mind ! — Blest Britain ! matchless i(i your rich resources, Whose Ancierjt Nobles drive, and dress, their horses ; 19'nite in clubs, to teach th' admiring throng To turn the corner sharp, and throw the tjiqng, Epr every function of their Coachmen fit, in Manners — Talents— ^Objects — Garb — and Wit. Of all the various passions (hat engage. Our best, our purest pleasure is the Stage. Here scenes, by forcible examples, reach Beyond what wisest Moralist can teach. By Fraud forewarn' d, by Folly render'd wise, Inspir'd by Virtue, and ilicens'd ^t Vice, All bosoms fe^l Truth's sacred form impress'dj And each deep instance penetrates the hre^st. To aid this festive juhilee, appear Rank, Beauty, Fashion, Wealth, and Talents, here ; While taste, to crown the v^hole witl> PpUsh'd joy^ Blots ffpm e^ch character its cQarse aUoy. Here you have wi.tness'd mirth with sense allied ; Truth without rQughness-T-Riches without pridp ; Courtiers with candour — Statesmen without gall ; Actors, froni whom no yaip self plaudits f^U ; Soldiers, that boast not of their feats in war; Lawyers, that prate not of the wrangling bar. Here lib'ral wits each pthgr's verses praise. And, e'en for rivals, weave the crown of bays ; Here Swains, frpm Love alpne, feel soft ^-larins; Here bppnteous.heauties ojieii sU their charms. Above concealment and ^e^eitful arts,_ They kindly shew.-rthey almost shew their * hearts. We the wide Drama of the World detail. Where all are play'r?, but on a greater scale, E^ch acts the part his Manager allots. While proud Napqleon preconcerts the Plots, M^^es, jnd unmakes, her Kings-rras we do here ; And dreads, like us— -a British hiss, or sneer : §t:pri|is with, domestic fury, y/here he wills. And every land, but piirs, with teiTor fills. And yet such quick transitions now take place, Si;ch .wpn4rp)is chjanges in i^ien's projects jp^ss. This King, like one of f ours, may leave his throne. Nay, ride a horse-race to amaze the town. And sick of state and diplomatic speeches. May change his robes for buckskin boots and breeches. Where, differs then pur Manager from him ? Each casts his actors* parts, as suits his whim. And both are J tragic managers, we see. Patrons of grief, and friends of misery. But then our woes ne'er last beyond the hour. While his, with endless ills, his dupes devour. 1^ Ampng the fasfaioiiable Females of. t^U d^y, no fair Bosom could be ac- cused of concealing any tiling from its Admirers. 4* Tl^e gentle^n ^,ho perfonned t^e part ^f King Lear, had, previous to, the Plays, rode a Race at Kilkenny. } Tiw-X^age^es, thit^^eaion, outnumtaered the<;9niedies. Athwart the gloom with which the world is bound, Dark'ning in dismal shades th' horizpn round, From southern Spain, what glorious rays proceed ! Nor can ferocious power the flame impede. Gre^t, gallant nation, dignified and brave, March with intrepid step, and Europe save. Stem the fierqe torrent of a Tyrant's course, Prove virtue paramount to fraud and force. Be bold, not sanguinary — still unite The heart of mercy, wjth the /?«»<^ pf viight. So shall ypur resplute example reach Earth's utmpst bounds, and loyal ardpiir te^ch.. Last, ^nd reliictant, to the strife you caine, 5 You spught no conquest, you requir'd no fjame ; > To save your Thrones, and Altars, all yotir aim. ) Should such a cause want aid, that aid we'll lend. For every Briton is the free-man's friend — E'en now, where Tagus rolls her yellow tide. New Triumphs crown our public zeal, and pride ; Nay, should • unseemly Treaties waste the prize. By valour won — the glory never dies ; And long this Isle shall boast, that here were bred The Troops that conquer'd, and the f Chief thatJed. At length Adieu l~may ettch succeeding yea,r, With scenes, as bright as these, our prospects cheer ! Long may the grateful themes delight the niind Of Heroes so renown'd, and Friends so kind.™ * Alluding to the Convention of Ciatra. t Lonl WeUington. [Leinster Journal, KWeenny, Wednesday, October I2th, 1808.]— Our Private Theatre opet^ed on Monday Night last, with the Play pf the Wa,nderer, and the Farce of the Fillage Lawyer. The House, though npt greatly crpwded, formed an as- semblage pf beauty and fashion, equal to any first night's representation that we remember. We observed, ampngst others present, the Earls of Ormonde, and Dksart, Ge- neral and Lady Matilda Wynard, General and Mrs. Hamilton, Lady Elizabeth Kavanagh, Mil. Mrs. and the Misses Langrishe, Sir Henry and Lady Wilkin- son, Mr. and Mrs. W. Newport, Mr. and Mrs. Newtoii, Mr. and Mrs. Joseph Greene, Colonel Gobe and Family, Mrs. G. Ponsonby, and the Families of Kilfane and Farmly. Amongst the recent arrivals we have to an- nounce General Sir John Doy^e, Bart. Mrs. Wheeler and Miss Doyle, Colonel and Mrs. Doyne, Colonel and Mrs. Falkner, Mr. and Mrs. Richard Verschoyle, Mr. Mrs. and Miss Atkinson, and many others we have nut room to mention. The appearance of that charming Actress, M'ss Smith, for the first time at our Theatre, diffused general satisfac- tion and applause. Mr. Richard Power spoke, in his happiest manner, an excellent occasional Prologue, which we understand is from the pen of Mr. Atkinson. [Leinster Journal, Kilkenny, Saturday, October IStfi, 1S08.] — The Play of the Wanderer was originally writtep in French — Edqmnd en Ecosse. — It was afterwards ^Itereji by Kotzebue, ajid has.heeu sjnce jidgpted to.th^ English Stage, under its present title, by Mr. C. Kemble, Its merit Qhjefl|y 42 PRIVATE THEATRE OF KILKENNY. 1808. consists in the interest it creates for the safety of Sigismond, the hero of the Piece, which character was very success- fully sustained by Mr. CRAMnoN. The Old Ramsay of Mr. G. Ponsonby, delighted us much ; and that Mr. R. Power gave the part of Count Sparre as much effect as it could receive, it were unneces- sary to say. We congratulate the Company on the acqui- tition of Mr. Corby, who, in the short, but interesting part of Valdestem, gave a proof of good feeling, and a natural taste for the Stage. We do not think this Play will bear frequent repetitions, but still we consider it to be an enter- taining Piece. It was followed by the Farce of the tillage Lawyer ; one of Mr. Crampton's most fortunate exhibi- tions of the lively, and tlie ludicrous. On Wednesday, was performed, Shakespeare's delight- ful Comedy of As i/ou like it, of which we venture to assert, that it was, what is technically called, the best got up Play yet exhibited on this Stage. The number of Performers in it precludes the possibility of our doing to each, the sepa- rate justice he deserves. Rosalind was delightfully per- sonated by Miss Walstein ; we always have seen this Lady with pleasure, but never, with so much, as on Wed- nesday; the gallantry and sensibility of Orlando were felt and expressed by Mr. R. Power, in a manner that pleased us exceedingly ; there is a justness of discrimination about this gentleman that is very obvious in every thing he under- takes. To the assumed misanthropy of Jaques, Mr. RoTHE gave the highest colouring ; there was a justness in his deportment, with a manner sarcastic, though kind — me- lancholy, but not malignant, that gave to this character its true effect. His recitation of the Seven Ages, exhibited the sanguine feelings of a cultivated mind, and he painted the various stages of this life, rather as in pity of their follies, than in hatred of their crimes. In the part of Adam, Mr. Lyster affected us extremely, and shewed that his powers of pathetic expression are hardly infe- rior to his well known comic talents. The Touchstone of Mr. Langrishe was in his usual neat, and happy manner, fully proving to us, " that to play the fool well," requires no small portion of talent. Most pointedly, under the stalking horse of his folly, did he shoot off his wit. The dignified air, deep tone, and correct recitation of Mr. Becher in the Duke, gave the exquisite writing of that part its utmost force, and we shall always consider this Play as of the highest credit to our Theatre, both as to its selection, and performance. . After the Play, Miss Smith recited Collins's Ode on the Passions. Amongst those who attended the Theatre we observed the Marquis and Marchioness of Waterford, Lord and Lady Castlecoote, CdLONEL Coote, Sir John Garden, Lauy D. Monck and Family, and other persons of distinction. The Theatrical Company has been favored with the presence of Anacreon Moore. The celebrated Miss OwENSON, we also find, is on a visit at the Palace. In short, Kilkenny has become the seat of the Muses ; and many not only of the highest rank, but of the best talents of our Country, are now to be found on our Stage, or among those who are the spectators of our attic entertain- ments. [Leinster Journal, Kilkenny, Saturday, 29fh October, I fiOS.J Jane Shore was performed on Friday, the 14th instant; it is unnecessary to praise this Play, and it would be absurd to condemn it. It has stood the test of time, and is one of our best and most interesting Tragedies. With regard to- its selection, it evinced, we must say, a very liberal self- denial in the Gentlemen of the Theatre, for the female Characters in the Play are conspicuously superior to those o'' the men ; but the choice was not less wise than liberal,, when we consider that they had the assistance of two such eminent performers as Miss Smith and Miss Walstein, It would be invidious, were it possible, to draw a compari- son between these two Ladies, in Jane Shore and Alicia. Each part was so admirably acted, as to create a belief _ in us, that neither could perform the other character so well ; — each of the Ladies was emulous of her own fair f^me,. but not envious of the other's. The Hastings of Mr. R, Power, exhibited the high spirited, gallant, patriotic, but loyal nobleman — a character we wish often to meet with in real life ; and the manner in which he repeated these popular lines of " Beyond myself I love my native Land," proved how sensibly he felt every sentiment he uttered. The Gloster of Mr. Lyster, was a faithful picture of the crafty tyrant, and Mr. Rothe's performance of Dumont,. particularly in the scene with Hastings, affected us most sensibly. We never saw Belmour better played than by Mr. Becher, particularly in the scene witli Shore, where he sounds him as to his affection for his wife;- On Monday, the 17th inst. was performed the Tragedy of Douglas, in which the Lady Randolph of Miss Smith was greatly admired ; the various passions of expectation, doubt,, tenderness, indignation, and grief abound in this character, and afforded her many opportunities of exhibiting the varying powers of her expressive countenance. Mr. R. Power, in Douglas, was spirited, but not arrogant ; modest,, but not lowly; he hit the happy medium between the vain glorious air assumed by some, and a tameness observed by others, that almost sinks the character into insignificance. With Mr. Power it was altogether a most successful pei'formance. Mr. Becher gave us Glenalvon, as he should be, cool, crafty and considerate. The soliloquies,, though somewhat heavy in t^he composition, were impres- sive from his recitation, and interesting from his feehng ; The Old Nprval of Mr. Lyster was, as is always the case with him, a true picture of Nature. [Leinster Journal, Saturday, October 22rf, lt08.] — On Wednesday Evening, Sheridan's excellent Comedy of the Rivals, and certainly one of his best productions, was performed at our Theatre. The character of Sir Anthony Absolute, was filled by Mr, Lyster with his usual ability. The sentimental Falkland can never be placed to more advantage than in the hands of Mr. Rothe, nor Captain Absolute find a better representative than in Mr. R. Power. Mr. Champton shewed us how well he understood the intention of the authqr, that Sir Lucius O' Trigger should be represented as a Gentleman. The part of Acres devolved on Mr. Corby. Towards the last Act his voice seemed to have failed him, and probably from fatigue, for we believe the part was undertaken at a short notice. He is not therefore, a fair subject of Criticism. Fag was in the hands PRIVATE THEATRE OF KILKENNY, ib 1808. of Sir James Stkon&e. Mr. Moore as David, kept the audience in a roar by his Yorkshire dialect and ru-stic sim- plicity; we are surprised to hear that this was the first ap- pearance of this Gentleman on any Stage. The Li/dwt Languish, and Julia, of Miss Smith, and Miss Walstein, were all that we could wish ; but the Mrs. Malaprop of our old favorite,. Mrs. Hitchcock, was preenunently ex- cellent. The Padlock followed, in which Son Diego, Meander, and Mungo, were well supported by Messrs. Cokuy, Dal- TON and Moore ; but Mungo received the greatest tribute of applause. [Leinster Journal, Wednesday October 26ih, 1808.] — On Friday last our Theatre was quite full. The Play was Othello, succeeded by the Musical After-piece of No Song, No Supper. Mr. Rothe's Othello is, in our opinion, one of the most perfect pieces of acting we have seen on any Private Stage; his graceful deportment and pathetic voice, are peculiarly adapted to the dignity, and tenderness of Tragedy. The honest candour, and manly feeling with which he delivered his speech to the Senate, his convulsive pangs when he accused lago, and the burst of passion with which he uttered " Othello's occupation's gone," exceed all bounds of praise, and must have been seen, to be duly felt. This Gentleman's stile of acting is very pecuUar ; the technical exhibition of stage imposture sinks before the depth of his feelings, and the strength of his expressions — he aims directly at the heart, and never fails to reach' jtr The Merchant op Venice was performed on Saturday, Mr. Becher's Shylock contendis with Mr. Rothe's Othello in dramatic excellence; and we might, without adula- tion or flattery, apply to him the complimentary couplet that was addressedi tO' Macklin in that Character : — " This is the Jew " That Shakespeare drew."" We are certain that Mr. Be c her, from his time df life,, could not have seen himj and yet, there were some passages in his acting that reminded us of that Veteran Performer. Shyloch is a character which is supposed to require the force of the most powerful, and the skill of the most expe- rienced, veteran of the Stage ; yet, this gentleman, though so young in the dramatic ai't, gave to every passage a just, and forcible expression that surprised- us— In the scene with Tubal, his transitions from angry passion to malignant pleasure, were admirable, and in his demea- nour before the judgment seat, he exhibited a deep and resolute revenge, firm, but not furious, inexorable, but not outrageous, which proved that he felt every variation of the character. Miss Smith's Portia was admired and applauded'. She inspired a great interest in her favor, while pleading before the Senate of Venice, the cause of Mercy, and Justice, against the- Jew. Mr. Rothe distinguished himself as Anthonio ; and Mr. R. Power did equal iionor to Bassanio.- Nor is Mr. Dalton's Lorenzo to be forgotten f he intro' duced in' the Midnight Scene, a sweet Song from iJie' Melodies,, which he gave with a thrilling effect upon ut.- The Comedy was followed by the Farce of the VtLi.Ji6t Lawyer. On Monday Night we had the Clandestine MitRRiAeev Mr. Langrishe is hardly inferior to the late Mr. King in the part of Lord Oglehy. " Take him for all in all," whe-- ther as to voice, address, or costume, he was a most p^ect representative of the vain, infirm and amorous old Peer. Mr. Crampton's Canton reminded us muck of Baddely, as indeed do all the French characters he plays, Mr. Lyster's Old Sterling, acquired the applause he aU ways obtains in every Character he undertakes. Brush,. though a trifling part in itself, acquired some importancie in the hands of Mr. R. Power; but we must say that iff playing the Fop Servant, he was unable to conceal the Gentleman. Mrs. Hitchcock was truly excellent in Mrs^ Heidelberg, and Miss Walstein's Fcenny was quite' beyond our praise. Love a la Mode succeeded the Play, in which Mr.HENRT Bushe was Sir Archy ; his imitation of the Scotch accent surprised us. Mr. G. Ponsonby was equally happy in Squire' Groom; and nothing could be better than Mr. CoRKt'W Seau Mordecai. The Sir Catlaghan of Mr. GR'AMPT0^f sustained the fame he acquired for the delineation of the Irish Gentleman, in the Character of Sir Lucius CfTriggerf and we could not give him higher praise. The Gentlemen of the Theatrical Society of Kilkenny^ have returned their thanks, in a formal manner, to Mr.- Atkinson, for his most excellent Prologue, spoken at the opening of the season, and have requested him to become' a Member of their very laudable Institution, Among the latest arrivals, we noticed G'ENERiCfi SiiS William Myers, Mr. and Mrs. Riall,, of Cloninell, a»^ Sir William and Lady Morbes. In the course of the present season, there weft some' very entertaining Dances and Ballets of action ; but as they do not so much belong to the " Feast of reason, and the flbw of soul,"' as the {Mxiductions of Roweand of Shakespeare, we hope *•' shall be pardoned in postponing our observations on- them's- H FRIVATf: THE/VTIIE OF KILKENNY. 1809. i^intij Reason. 1809, iHomme/fced the ?rf, a^d closed, the 21rf of Octpher. THE eOlVIPANY. Mr. R. Power. Mr. Bothe. Mr. Langrigji^ Mr. iBepBer. Mr. Crampton. Mr. Moore, Mr, Corry. Mr, &one. Mr. Qaltop, Mr. Waller. Mr. Archbold, Mr, P^Fiftzgerald. Mr. H. M. Mason. Mr. H. A. Bushe. Mr. Bpbert Bushe. Ijir. Palliser, Mr. p. Walker. Mr. Bryan. ' Mr. (yRielly. Mr. DonoTan. Mr. Duffy. ■' Mr..Fi(zsimoDS, iMr. tatW. Mr. Magrath, I^ingrishe.j Miss Walstein. Miss Locke. Mrs. Hitchcock, Mrs. Cooke. Miss Dyke. Miss E. Dyke, Miss A. Dyke, Ttie 0?ehestr,3 1 principally filled from that of the Theatre ^oyaj, Dublin. Leader, Mr, T, Coo]ke, gXTRACT FROM A PROLOGUE, .Wntt^jind spoken hy Mr. Moore, At the opei^mg of the Tkeake, the id of,Octok^, 1809. ff behave been favored, by Mr- Moore, with the following lines, which ^ are the conclusion of the Prologue, spolcen by him last week, at the f^ opening of our Theatre, and which allude to the loss the Institution ff has su&red by the death of that good man, and excellent Comedian, the $1 J^te ^f. Jphp 'LyUxst.^'.—Leimter Journal, llik Of^obex, 1809. ^ej; even hej-e, thc^ Fiction rules the hour, 'jhere are some genuine Smiles, beyond her pow'r j ■fure Brilliants, born within the bosom's mine, That round this *Ring of friendship love to shine. And there are Tears loo ! — tears which mem'ry sheds ^jr'n o'er the feast that mimic fancy spreads, f^hen her hej^rt misses one lamented guest, fVhos^ eye so long threw light o'er all the rest \~^ ^li \ Ihere indeed thp Muse forgets her task, Ani, bWings ve^pf befiwd Thalia's mpsi^ue, * 75«! R;de pf tfee Tfe**- Forgive this glponsi — forgive this joyless strain. Top dull. to welcome Pleasure's smi'i.'a; train ; But, fneetiug thus, our hearts will puithe lighter, A mist at dawn but makes tbpseiting brijhter. Gay Epilogue will shipe, where Prologue fails. As glow-vporms keep their splendour for their taUs. I know not why — but time, metliinks, hath past More fleet than usual, since we parted last ; It seems but like a dream of yester-night, Whose charpi still hangs, with fond, delaying light. And, erethe memory lose one glowing hue Of former joys, we come to kindle new. Thus ever may the flying moments haste. With trackless foot, along life's vulgar waste; But deeply print, and lingeringly move. Whene'er they reach the sunny spots we lave ! Oh yes ! whatever is our gay career, Ijetth^ be still the solstice of the year. Where pleasure's sun, shall at its height remain. And slowly sinktow'rds level life again ! Mondaj/, 2d October, 1809, First Night. THE SIEGE OF DAMASCUS. CHRISTIANS. EuMENSS Hesbis Phocy-as Aktamon Sergius ^UDOCIJV Caled Abudah pA.RAJf Mr. Corry, Mr. Daltqn. Mr. Becher. Mr. Fitz^imons. Mr. Tatlpw. Miss W3Jstein, SAJ^CEKS. Mr. R, Power, Mr. Rothe. Mr. O'RieHy. AN OCCASIONAL Pp,0LOGUE. THE PASTtE PF ANDALUSIA. Don §9ipio Ramirez Fernando Da?i Ju^n PedRILIpO Spapp VftETflftU JSASEW* Mr. FJtzsiiMpi^s. Mr. R.Po^er. Mr. Dalton, MT-.0'IUe%, Mr. Tatlpw. Mr, Cprry, Mr. JVfpoye. ;Mr*.(Cop.k^, Mrs,;Kitchcpek. PRIVATE THEATRE OF KILKENNY. 4S 1809t IVednesdatf, 4th October, 1809. Second Night. JULIUS CJESAR. Julius C^esak <•« Mr. Gore. OCTAVIUS ■ •• Mr. Dalton. Antony • tit Mr. R. Power. Bkutus ••-• Mr. Rothe. Cassius Mr. Becher: Casca • •■ Mr. Langrishe. Tbebonius ■ •■ Mr. Tatlow. Decius Bkutu3 • •• Mr. Fitzsimons. CiNNA • ■• Mr. Corry. Lucius • •• Miss A. t)yko> Lepidus ... Mr. Bryan. Portia ... Miss Walstein, Calphurnia ... Miss Locke, PEEPING TOM. Tom ■ .• Mr. Moore. Mayor ... Mr. Corry. Harold »•• Mr. Tatlow- Crazy ... Mr. Fitzsimons. Earl ... Mr. R. Power, Count ... Mr. Gore. Maud ... Mrs. Cooke. Emma .*. Miss Dyke. Lady Godiva • *« Miss E. Dyke. Mayoress • •■ ■ Mrs. Hitchcock, Saturday, Ith October, 1809. Third Night, THE MOUNTAINEERS. Octavian ViROLET KiLMALLOCK RoauE LoKE TOCHO Bulcazin Muley Gaynem Pacha Sadi ZoRAYDA Flobanthe Agnes Mr. Rothe. Mr. R. Power. Mr. Fitzsimons. Mr. Becher. Mr. Langrishe, Mr. Gore. Mr. Donovan. Mr. T. Cooke. Mr. Moore. Miss Locke. Miss Walstein. Mrs. Cooke. Muleteers, Messrs. Dalton, Corry, R. Cooke, Mist Dyke, Miss E. Dyke, and Miss A. Dyke. THE PADLOCK. Don Diego Leander MUNGO Students Ursula Leonora Mr. Corry. Mr. Dalton. Mr. Moore. Mr. Donovan, &c. Mrs. Hitchcock. Mrs. Cooke, Monday, 9lh October, 1809. Fourth Night. KING JOHN. King John ... Mr. R. Powfef. Fringe Henry ... Mr. Dalton. Salisbury ... Mr. Fitzsimons. Hubert ... Mr. Rothe. Faulconbridse ... Mr. Becher. Robert Faulconbridge Mr. Donovan. English Knights, Heralds, Execution&rt, S^d. King Philip Mr. Langrishe. Lewis the Dauphin ... Miss Loc^e. Prince Arthur Master Langrishe. Austria Mr. Duffy. Cardinal Pandulph ... Mr. Coiry. Chatillion Mr. Bushe. French Knights, Citizens of Angiers, S^c^ Queen Elinor Miss Dyke. Constance Miss Walstein. Blanche Miss E. Dyke. Lady Faulconeridge Mrs. Hitchcock. PEEPING TOM. Tom Mr. Moore. Mayor Mr. Corry. Harold Mr. Tatlow. Crazy Mr. Fitzsimons. Eabl Mr. R. Power. Count Mr. Gore. Maud Mrs. Cooke. Emma Miss Dyke. Lady Godiva Miss E. Dyke. Mayoress Mrs. Hitchcock, —,»■>*».»,_ Wednesday, l\th October, 1809, Fifth N IGHT. THE WEST INDIAN. Stockwell Mr. Rothe. Belcour Mr. R, Power. Major O'Flaherty ... Mr. Crampton, Captain Dudley Mr. Corry. Charles Dudley Mr. Gore. Varland Mr. O'RieHy. Stukely Mr. T. Cooke. Fulmeb Mr. Waller. Lady Rusport Mrs. Hitchcocfcv Charlotte Rusport ... Miss Walstein, Louisa Dudley Miss Locke, Mrs, Fulmeb Miss Dyke. Lucy .,. Miss A. Dyke.^ THE MAYOR OF GARRET.- SlR JaCOB' JOLLUP Mr. Becher: Major Sturgeon Mr. Langrishe. Jerry Sneak Mr. Com. Bruin Mr. Gore. Roger Mr. O'Rielly, Mrs. Sneak Miss Locke. Mbs. Bruin Miss E. Dyke, M PRIVATE THEATRE OF JCILKENNY. 1809. Fridai/, ISth October, 1809. Sixth Night. THE MOUNTAINEERS. OCTAVIAN Mr. Rothe. ViEOLET Mr. R. Power, KiLMALLOCK Mr. Crampton. ROQUE Mr. Becher. Lope Tocho Mr. Corry. BuLCAZIN MCLEY Mr. Gore. Gayneu Mr. Donovan. Sadi Mr. Moore. ZOBATDA Miss Locke, Flobanihe Miss Walstein. Agnes .., Mrs. Cooke. Muleteers an(} Goatherds, Mr. Daltonj Mr. Falliser, Miss Dyke, Miss £. Dyke, and Miss A. Dyke. THE CASTLE OF ANDALUSIA, Don Scipio *'* Mr, Fitzsimons, Ramirez Mr. R. Power. Fernando •» Mr. Dalton. Don Juan >*• Mr. O'Rieliy. Pedrill© ■■• Mr. Corry. gPADO ,,, Mr. Moore. VjCTORIA »•• Mrs. Cooke, JSABEHA ... Mrs. Hitchcock, iMonday, I6th October, 1809, Seventh Night, THE MERCHANT OF VENICE, | Duke of Venice Mr. Gore. Bassanio ••• Mr. R. Power. Gratiano •■* Mr, Crampton, Lorenzo ft Mr. Dalton. Salanio ■•• Mr. Waller. Antonio .•• Mr, Rothe, Shylock .•• Mr, Becher, Tubal ••• Mr. Cprrv. Launpelot "f» Mr. Fitzsimons, P0RTI4 »■• Miss Walstein, Nerissa *i^ Miss Locke. Jessica f<» Mrs, Cooke. EUGANTINO, 1 Asdreas (Duke of Venice] Mr. Donovan, Lo^ELINO ... Mr. Waller, Patriarch OF Venice Mr. Palliser. Pa^lozzi ... Mr. R. Pdfrer, COSTAHJNO fp Mr, Gore. Memmo ... Mr. Corry, Falieri ••• Mr, Dalton. Gpn^aga •■• Mr, Walker, PjSANI #•• Mr. Archbold. Steph«no ... Mr. Fitzsimons, RUQANTINO ... Mr, Crampton, Rosabella »•• Miss Locke^ C4MILL4 **f Mrs, Hitchcock, Panpebs ,., Misses Dykes, &c. Wednesday, \8th October, 1809. Eighth Night. HAMLET. Claudius Mr. P. Fitzgerald, Hamlet • •• Mr. R. Power. POLONIUS • •• Mr. Corry. Laertes • •■ Mr. Gore, Horatio *•• Mr. Becher. ROSENCRANTZ • •■ Mr. Waller. Guildenstern ■ ■• Mr. Arclibold. OSRIC *■• Mr. Fitzsimons. Marcellus • ■■ Mr. Dalton. Player »•• Mr. Donovan. Ghost ... Mr. Rothe. Queen ... Miss Locke. Ophelia ■ *■ Miss Walstein. Actress *■■ Miss Dyke, LOVE LAUGHS AT LOCKSMITHS. Vigil Mr. Fitzsimons, Captain Beldare Mr. Magrath. TOTTERTON Mr. T. Cooke, Risk Mr. Moor'e. Solomon Lob Mr. Corry. Grenadier Mr. Waller. Lydia Mrs, Cooke, Friday, 20th October, 1809, Ninth Night. THE REVENGE, Don Alonzo Mr. R. Power, Don Carlos Mr, Becher, Don Alvarez Mr. Waller. Don Manuel Mr. Walker. Zanga Mr. Rothe, Leonora Miss Walstein, Isabella Miss Dyke, PEEPirJG TOM. Tom Mr, Moore, Mayor ... Mr. Corry. Harold Mr. Waller. Crazy Mr. FitZhimons, Earl Mr. R. Power, Maud Mrs. Copke. Emma Miss Dyke, Lady Godjva Miss E, Dyke, Mrs, Hitchcock Mayoress PRIVATE THEATRE OF KILKENNY. 47 1809. Saturday, 2\st Odtobei; 1809. Last Night. JULIUS CJESAR. Julius C^sar octavius Antony Brutus Cassius Casca Trebonius Decius Brutus CiNNA Lucius Lepidus Portia Calfhurnia Mr. Gore. Mr. Dalton. Mr. R. Power. Mr. Rothe. Mr. Becher. Mr. Walker. Mr. Tatlow. Mr. Fitzsimons. Mr. Corry. Miss A. Dyke. Mr. Archbold. Miss Walstein. Miss Locke. AN OCCASIONAL EPILOGUE. RAISING THE WIND. Plainway FAINWOq'D DiDDLER Sam Richard Peogy tiiss Durable Mr. Archbold. Mr. Waller. Mr. Corry. Mr. Fitzsimons. Mr. Becher. Miss Dvke. Mrs. Hitchcock. EPILOGUE, Written and spoken by Mr. Langrishe, At the close of the Theatre, the 21st of October, 1809. When Autumn's boist'rous blast the grove deforms. And Winter sends her heralds forth in storms. When the light wanderers of Earth and Air, In social groups to shelter'd scenes repair. Here, in confederate gaiety, we meet. As sure, as flattery is the food of wit ; Sure, as your charms love's trembling fire can raise. As sure, as every actor pants for praise. So sure, we meet, our festive course to run, *' When Scorpio first receives the waning sun. Like other Theatres, our price is rais'd. And justly — ^but our price is, to be prais'd.* you, utilike other audiences, submit. And promptly proffer an advance on wit. And here, well pleased, my annual stand I take. Our thanks / offer — your applause bespeak. Oft have we prov'd this circle's magic skill, Each care to dissipate, each hope fulfil. Is there a Beauty sighing for a Beau ? Behold ! he sits behind her in the row. » Alluding to the riota of Covefit Garden, about raising the Price* of Admisfiion at this period. Is there a carping Critic prone to sneer ? My Friend ! we furnish rich materials here ! Does care-worn, waking — Thoughtfulness lack rest, Or anxious Terror load the labouring breast ? These scenes, the bliss of careless mirth, dispense. And lively sallies soar o'er languid sense. Does some * vain Poet for loud Plaudits itch ? You'll hear, he'll gain them, ere / close my speech ! Doth Pity pant, the wretched to relieve ? The grateful, apt occasion, here we .give. Here, undefiled by coarse or sordid cares, By vulgar objects, or plebeian jars. Here, uncontaminated pleasure reigns, Here talents elevate, and taste restrains ; Heniie no rude sot provokes the furious fray — Nor prowling plund'rer lies in wait for prey- No venal parasite his flatt'ry sells— Nor crafty gamester lays his wily spells- No prurient preacher cants for proselytes — And * but one Poet, without genius, writes. By what strange flights ambition soars to fame ! Some walk — some wake— some eat themselves a name. Vast his renown, and wide his praise shall reach, Who, for one thousand hours, could walk one mile in each, Nor sleep the while, for two short hours together; Surmounting walking, waking, wind and weather .-f How one's heart beats to read in the Gazette ! 3 " We must inform the public, with regret, > " Last Night, the Captain got a little wet. j " Howe'er he eat his raw beef-steaks to day, " And drank his pint of Port, his usual way, " And, by the latest bulletin, this even, " The bets are, that he wins, eleven to seven." Who's he, that with such self-importance struts ? {He I in three minutes, crack'd three hundred nuts ! Nuts had the odds, at starting — ^but before One minute pass'd — jaws had it, ten to four. Proceed, aspiriiig youths — ^your country save. And laurels earn, that bloom beyond the grave ! Still war's the word, and martial is each thought — Ev'n taste and fashion is with warfare fraught. From sanguin'd seas, and the embattled plain, Your modish ornaments their names obtain : Garters and hats to Trafalgar you owe ; i Vimiera's mantle — Flushing's furbelow— > And poor Braganza's trimmings well we know. ) Nay, had our gun boats with their zeal kept pace. You'd now wear Lillo lappets — Antwerp lace.J] Now, warlike ensigns decorate each hall, j> From polish'd spears, the pendent curtains fall, > And banners, never furl'd, adorn the wall ! J Are these new spoils, fresh landed from the fleet ? No — from the Trophy-warehouse, Cockspur-street : Where, cheaper than imported, may be bad. Ensigns and spoils, and trophies ready made. The war still storms — lest sudden ibes assail. Soft females shield their formsi in coats of mail, • The Author, it ia supposed. f This passage refers to Captain B. the celebrated Pedestrian-, and to the various paragraphs respecting him, with which the Newspapers of that day were filled. t Another Newspaper Anecdote of the day. II The Walcheren Expedition failed about this time. 48 PRIVATE THEATRE OF KILKENNY. 1809. Arm'd for each fray the cautious nymphs advance, And, shap'd in steely armourj"' dare the dance. We too, that boast this epidemic rage, j) Whose duty 'tis to paint it on the stage, > With you, * kind foes, dramatic warfare wage, ) Troy stood a ten years' siege — ^your patience bears As stern a contest, and for equal years ; Oft, we've assail'd with follies, all our own^ Then borrow'd each absurdity from town : Yet, your obdurate patience bears it all. Our shafts fly short — our weapons witless fall : What cause ! what corslet ! can your breasts have steelM ? Your cause is Kindness — Charity's your shield. Hence, our best generals advance, in vain, Nor can one groan, or one desertion gain ; Our -(• Manager, with matchless force and art. And every various power, subdues the heart ; You — tho' disposed to treat before you yield, Keject an armistice, and keep the field. Rothe leads his troops on, arm'd with hopes and fears. With passion, feeling, tenderness and tears. Yet, you, undaunted in your rows remain. And, with liJce weapons, his assaults sustain. Crampton's light forces, skirmishing around. Fly to the flanks, and gain the doubtful ground, Yet, with vain energy, his pow'r advancing. Assails J yoiu' well-defended front by dancing. With veteran discipline, tho' young in war, Becher's new levies for the strife prepare. And with such strength and judgment lill their part. As proves true genius paramount to art. You, resting on your arms, his rout descry. Resolved to face the charge before you fly. Nay, your inveterate patience will submit, Ev'n to quaint Epilogue's assaults on wit : Yet here, I own, more active force you shew. For with your favors — ^you o'erwhelm your foe.|| Since nought then can dislodge you — nothing tire — Nor follies — faults — or witchcraft, wake your ire — One other desp'rate enterprise we'll make. And all our trophies on the trial stake : Bring forward ev'ry pow'r of ev'ry kind — Of head, of heels, of magic, and of mind ; Next — when Septembrio's storms shall clear the sky. Here, on these boards, the doubtful chance we'll ti-y; Come then ! — and gallantly your benches man ! Come then ! — and keep your patience — if you can ! My task is done — but ere the curtain drop. Ere all mock woe and real transport stop ; Let me — no common undertaker — come To bury all our frailties in the tomb : But, with the purest gratitude, to raise. For you, a lasting monument of praise. * The Audience, t Mr. R. Power. J To the Audience. || Tlie Author. {The Leinster Journal, Wednesday, October ith, 1809.] r This -City has once more become the seat of refined amuse- ment, and useful gaiety. The Theatre opened on Monday night, with the Tragedy of The Siege or Damascus, and the musical Afterpiece «f The Castle or Anbalusia, both of which were admirably performed. The house was not crowded, but still was not inferior, in point of numbers present,, to any first night's representation, which proves, that the Kilkenny Plays have lost none of their attractions. A Prologue, written with great spirit by Mr. T. Moobe, was spoken by himself, in his own bewitching manner. Miss Walstein, in the character of Eudocia, had an opportunity of displaying much tenderness of expression ; and the Phocyas of Mr. Becker, forcible, and spirited, deserves a more detailed criticism, than we have time to enter on. Mr. Cobry in Euntenes was very successful, and so were the other gentlemen in the different parts allotted to them. In the Afterpiece, Mrs. Cook's Victoria and Mrs. Hitch- cock's Isabella, were much applauded ; but Mr, Moobe's Spado, and the Pedrillo of Mr. Cobby were incomparable, [Leinster Journal, Saturday, October "jih, 1809.] — On Wednesday night was performed Shakespeare's Tragedy of Julius Cjesar, and the Farce of Peeping. Tom. The whole strength of the Company was called up on this occasion, and there seemed to be a rivalry of talent, an ho- norable contest for pre-eminence among them, particularly among the leaders of our Corps, which produced the hap- piest effect in the representation. Mr. Rothe is the- inferior of no Actor, and the rival of the first j but though he be a PoMPEY in our little theatrical world, his ambition is not so great but he can bear an equal. His voice is capaUe of expressing the sweetest under-tonesof pity, or of giving out the loftiest terrors of offended pride ; his Bbutus was full of both. In his Address to the conspirators not to murder Antony after the death of Csesar, beginning with the lines, " Our course will seem too bloody," &c. he gave us an ex- ample of the pathetic ; but in the third scene of the fourth act, the scene between Brutus and Cassius, he displayed all the energies of a great Actor. Mr. Power was not less successful in Mark Antony. It would be difficult for the Critic to determine which of the two deserved the meed of superior applause, after beholding Mr. Power mourning over the body of the fallen Ccesar. The artful and pathetic speech which Shakespeare has put into the mouth of j^nion^, upon this occasion, was given in a manner, and with an eflTect, that drew down the loudest applause. The Afterpiece was admirably supported ; but the delight and darling of the Kilkenny audience appears to be Ana- ' creon Moore. The vivacity, and naivete of his manner, the ease, and archness of his humour, and the natural sweetness of his voice, have cjuite enamoured us. He speaks and moves, in a way that indicates genius in every turn, and we shall anxiously snatch at every opportunity of seeing on the Stage. We shall be envied by those who have not had that pleasure. [Kilkenny Journal, Wednesday, October llth, 1809]— On Saturday Night was performed the Play of the Moun- taineers, with the Musical Farce of the Padlock. The Mountaineers is remarkable for being the happiest pro- duction of Mr. Colman's muse; and the best mingled compound of fun and sentiment, perhaps, in the English language. The leading Character in it, however, is Etlle PRIVATE THEATRE OF KILKENNY. 49 1809. vinderstood. It is one which every tyro on the Stage attempts, but which is seldom or never conceived even by the most skilful veterans. Colm an went out of nature's way in tenrch of his Octavian. In real life he could not find him, but he is one of the most beautiful fictions of fancy,— the most bewitching Floranthe in the world, might wish for such a Lover ; but poor human nature could not afford him, and she must be satisfied with his merely platonic existence in the Poet's imagination. We under- stand that Mr. Rothe never saw Octavian acted by any Performer, and we rejoice at it, because he could then be no imitator, and his manner of representing it was left to his own refined taste, and original conception. But he did depart from the usual routine of Players in this Character ; and though we saw EUiston, Young, and Johnston, in Octavian, yet we are of opinion, that even those respectable Performers made him a downright mad- man — -a frothy raver of phrenetic sentiment, instead of the distracted, worn-out, melancholy-despairing lover ; whose madness was only the agency of the heart, and who always mingled a recollection of the past, with the highest flights of his extravagance. Mr. Rothe did not substitute the absence and vacancy of the lunatic, for the lethargy of despair; his starts of anguish, particularly after view- ing the picture of Floranthe, shewed that he awoke more from the reverie of feeling, than from the abstraction of intellectual weakness. Before we saw Mr. Rothe in this Character, we thought Othello and Lear his master-pieces; but if he knows his own excellence, he will value him- self more on his representation of Octavian, than on that of any other Character in the. whole range of the Drama. In this Play we had an opportunity of seeing Mr. Langrishe in Lopez Tocho, and in witnessing the comic exertions of so great a favorite of the lai^bing muse ; his classical correctness never suffers his delineation of humorous character to degenerate into vulgar grimace, nor permits him (if the expression will be permitted us) to Farcify his part. We have too often seen Munden offer up his judgment as a sacrifice to the Upper Gallery, and prefer a gaping distortion of feature, to the simple and unrestrained expression of his" own countenance. But as some of our readers may not have had an opportunity of teeing Mr. Langrishe, let them imagine a figure of the middle size, with an easy deportment, and every grace of motion ; a face with small, intelligent and (what the Irish call) scheming eyes, and a cast of features irresistibly laughable, a various stage of chin, mocking at affected dignity ; a sharp voice, well suited to the. expression of bitter sarcasm; and a small French gesticulation, admirably calculated to mark the point of colloquial humour. If fancy can paint, and animate this picture, we think its originalis Mr. Langrishe. Of Mr. Corrv, we must say that, whoever has seen the various kinds of character he is able to sustain, the Mayor in Peeping Tom, PedrUlo, Eumenes, and otlaers equally opposite, must surely acknowledge, that he is the most general, and one of the niost useful Performers iw the Kilkenny Company. [Leimter Journal, Kilkenny, Saturday, October Mth, 1809.] Mr. Power shines more in genteel Comedy than in any other walk of the Drama; particularly in the persuasive, insinuating lover ; and, therefore^ his Selcour was an excellent performance ; be looked it well, too, which is half the battle. Mr. Rothe gave that interest to Btockv/ell, with which he has the power of investing any character he under- takes. He often lends a spirit, not his own, to the repre- sentation of a minor part, and where the Poet seems to have flagged, the mvida vis animi of the Actor supplies the deficiency. Mr. Cramfton appeared in Major O' Flaherty, and kept the upper gallery in a roar the whole night. Cumberlanj) has endeavoured to rescue the character of the Irishman from the vulgarity with which all the English play-wrights had loaded it, and, generally speaking, he has been successful. The Major, though blundering sometimes through the impe- tuosity of liis ideas, is an accomplished soldier, who learned his politeness amongst the military gentlemen of the Con- tinent, obtained a ribbon at the Coart of France, and had the honor of kissing the Empress Queen's fair hand. Mr. CoRRY gave to the character of Captain Dudley, a sombre, melancholy, yet clear colouring ; he appeared in all the serious, yet manly sorrow, of distress, and the scene with Fulmer shewed how strong are the workings of an honorable mind, though under ths pressure of misfor- tune, when assaulted by insult. We think, in general, that Mr. Cor&y is the most even Actor on our boards — We are grave and we roar when he pleases, for he is the master of our passions and emotions, whose con- ception of character, is only to be surpassed by the execu- tion of it. Mr. Gore went very respectably through the part of Charles Dudley; he was modest as Charles should be. Though rather tall for our Stage, and with a manner some- what stiff; he is not devoid of grace, and ever looks, and moves, and speaks like a gentleman. Mrs. Hitchcock, " Victorious o'er the frost of years," still continues to delight us ; and Miss Walstein seems to be gathering new laurels before our judicious, and refine^ audience. Although it is not our intention to go into any critical detail of the merits of any of the female performers, yet we cannot help observing, that Miss Locke has gained a confidence on the Stage, since she came to Kilkenny, which has much improved her ; we never saw her in Crow- street to half the advantage, in which she has appeared amongst us. ' Since the establishment of the Kilkenny Theatricals, there never was such an assemblage of rank and fashion as our City can boast this season. How delightful thus to behold the genius of Pleasure walking hand in hand with Charity ! to see the Loves and Graces dancing in the train of humanity ! to view the " Crew of Mirth" laying their offerings at the Temple of Distress I wiping the tear of the Orphan, and pouring sympathy into the broken heart I As our sweet Poet expresses it, " May the moments during this, our solstice of the year, lingeringly N 50 PRIVATE THEATRE OF KILKENNY. 1809. move,, and slowly sink to level life again." — Kilkenny may exclaim, with L' Allegro, Hence loathed Melancholy, Of Cerberus and blackest midnight born, In Stygian cave forlorn, 'Mongst horrid shapes, and shrieks, and sighs unholy, Find out some uncouth cell. And in the narrow, selfish, sullen bosom dwell. We present our readers with a list of some of tJje dis- tinguished Personages with whose presence our City has been honored. Makquis or Shgo, and party ; Earl and Countess op Mayo ; Countesses op Carrick and Ald- BORouGH, Earl of Belmore, Earl of Desart, Viscount and Viscountess Lismore, Viscount Ikerrin, Lady Sarah Butler, Bishop of Meath, and Family, Hon. Mr. and Mrs. James Butler, Hon. Mr. and Mrs. Butler Cooper, Hon. Mr. O'Callaghan, Mr;, and Mrs. P. Butler, Mr. and Lady Elizabeth Kavanagh, General and Lady Matilda Wynard, Sir William and Lady Mobbes and Family, Sir Wheeler Cuppe, Sir John Blunden, The High Sheriff of the County Tipperary, and Family, Mr. and Mrs. Palliseh and Family, Mr. and Mrs. Dawson and Family, Mr. and Mrs. Trench, of Haywoodi and Family, Mrs. Stewart, of Killymoon, and Family, Mr. and Mrs. Goold and Family, Mr. and Mrs. St.George and Family, Lieutenant Colonel La Touche, Colonel and Mrs. Falkner, Mr. and Mrs. Staples, of Lissen, and Family, Mrs. Powsr, of Snowhill, and Mr. Newton and Family. Besides the Families of the County, consisting of the Power's, Doyne's, Bushe's, Rothe's, Gore's, Kearney's, Burke's, Langrishe's, Bryan's, Flood's, Elwood's, Elliott's, Meara's, Browne's, Smyth's, Trench's, MoRBiss's, Wheeler's, Jacob's, Wemys's, Ball's, Denn's, and others too numerous to mentiou. [Leinster Journal, KUkepmif, Wednesday, October 1 Sth, 1809.] — On Fiiday Night the 13th instant, the Play of the Mountaineers was repeated, with the Musical After- piece of the Castle op Andalusia ; the Characters were filled as before, with the exception of Kilinallock, which was resigned to Mr. Cbampton, and of Lopez Tocho, undertaken by Mr. Cobry, in consequence of the sudden indisposition of Mr. Langrishe. We have already expressed our opinion of Mr. Rothe's Octavian, and have only now to add that, relieved from the anxiety which a first appearance in a difficult character must naturally excite, he exerted with more confidence his extraordinary powers, and, consequently, displayed new beauties. Mr, Corrv's Lopez Tocho was very successful, and KUmallock was a true Irishman in the person of Mr. Cbampton. At'length we have seen Mr. Becheb in Shylock, and though our expectation of a high dramatic treat was san- guine, we can say, with truth, we were not disappointed. This Gentleman possesses a character of countenance, and a quality of voice which were great natural aids to him in the personation of this Character ; and he has by nature too, a seJateness of manner that becomes the cool and calculating Jew. He seemed to aim at originality in his performance, for he l^d aside the peculiar dialect which others have assumed in it. We will not decide whether Mr. Becheb deserves praise or not,, for thus de- parting from great examples ; and we cannot help admitting that the scattered, descendants of Abraham are not so tenacious of their national distinctions as to remain isolated from the rest of mankindiii' language, as well as in dress and religion. They have ceased to speak their ancient tongue, and having adopted the language and pronuncia- tion. of whatever country they live in, we see no reason why ShylocS. should not speak the English language, on- the English stage, but let this remain subjvdice. It is,- however, the daring of talent only that could embolden Mr. Becker to differ so essentially from the great masters- of the dramatic art. Even the errors of originality are- sometimes splendid ;. whilst servile imitation never dares to stir from its allotted, path, but is contented to toil' on, in safe obscurity. Abstracted from this point, Mr.- Becher's Shylock demands our- unqualified praise. The keen and deadly hatred of the Jew, was depicted on his countenance -^ and all the impassioned transitions in the scene with Tubal, were strongly and successfully given. It was, on the whole, a highly finished representation of a Character, which the most experienced Actor cannot at- tempt without trembling. Mr.-RoiHE went through the part of Antonio with his usual pathos ; and Bassanio was- sust^ned with equal feeling by Mr. Richard Power. Mr. Dalton, in Lorenzo, introduced a Song from the Melodies of Mr. Moore, which he sung in his own sweet and unaffected manner, and was rapturously encored.- From this Play we may deduce one grand moral lesson, which is, to. be merciful, and, therefore, we shall say nothing oi' Rugantiko, thaf fdliowed it. And now let us be permitted to digress from Criticism, to that Poet of the heart, wdio has done more by his poetic effusions, for the revival of our national spirit, than all the political writers whom Ireland has seen for a century. His melancholy strains have got amongst the people, and the '' Harp that hung in Tara's hall," now breathes through the Land, — Oh ! Moore ! " When time shall make the lasting brass decay. And eat the pyramid away; Turning that monument wherein men trust- i Their names, to what it keeps, poor dust. Then shall thy Epitaph remain, and be New-graven in Eternity."' [Leinster Journal, Kilkenny, Saturday, October 2Ut, 1 809.] — The Entertainments on Wednesday, were Hamlet and Love Laughs at Locksmiths. Hamlet has been so often performed, and must be so familiar to every one's knowledge that it would be idle to dwell on the various requisites necessary for its just re- presentation. Mr. Power's appearance and vmnner are well suited to it, and he possesses a knowledge of the Stage that renders his action always effective.' His Soliloquies were delivered with impresdve solemnity, or huri ied passion, according as occasion required ; but he was particularly successful in that speech at the end of the second Act, beginning with " Oh what a wretch, and peasant slave am I — " i>RIVATE THEATRE OF KILKENNY. 51 1809. a' passage of the author, which we were rejoiced to find he had the good taste to preserve. His acting in the Play- tcene was also entitled to high praise ; but he seemed to reserve his best efibrts for the Closet scene with his Mo- ther. The performance displayed in it a cultivated taste, combined with that accurate judgment, which distinguishes Mr. PowBR, in the study of his characters. Mr. Becher maintained, in Horatio, his well known reputation; and the Polonius of Mr. Cohry, and the Laertes of Mr. Gore were both very creditable performances. The Ghost did not give great scope to Mr. Roxhe's abilities; he was, however, nnpressive and pathetic, though not sufficiently audible. The After-piece went off with great eclat. Mr. Moo&e's Risk was as happy as any other of his performances. His presence always animates the Stage. The melody of his voice, the easy, yet modest self-possession of his manner, and his peculiar enjouement, mike him one of the most interesting actors on the Stage. His Songs were, as usual, all encored. — The House wasuncommonly crowded. [Leinster Journal, Kilkenny, Wednesday, October 2'5tk, 1 809.]-On Friday night, the 20th, was performed the Tragedy of the Revenge. We beg leave to call the attention of our readers to Mr. Rothe's ^anga, and Mr. Power's Alonzo. On this occasion we had the pleasure to behold our two best Tragedians pitted against eaoh other ; and we were much gratified with the excellence elicited by their fair contention for dramatic fame. Mr. Power rose superior to himself, he seemed to have caught a new fire every time that he appeared oU the stage with Mr. Rothe— he well expressed the tenderness, agony and rage, which Leonora's presence, his own love, and her supposed defection, were calculated to excite ; but in the love-scene, where Alonzo enters, with intent to murder Leonora, and finds her sleeping, nothing could be more softly tender than his expression of the words, " Oh, what a sight is here," &c. His passionate start at the idea that she is dreaming of Carlos, when she smiled on iris advancing tb take the parting kiss, shevred his knowledge of the human heart, and evinced how well, and-how justly, he could pourtrSy its emotions, Mr. Rothe had to support one of the most difficult, but, at the same time, one of the most splendid characters on the Stage. Zanga v/as indeed well calculated to display the combined powers of conception and delivery, which we have always witnessed in the tragiir exertions of thi« gentleman. After his Octavian, we like him best in Zanga; where he was obliged to be apparently what he was not really, the seeming friend, whilst thife sworn enemy, of Alonzo, and where, therefore, the' talents of the great Actor were more necessary to feign what he could notfeely than in Octavian, whose sentiments flow with the generous current of the soul. In Mr. Rothe's eye alone had we to look for the determined vengeance that fired the breast of Zangai for his tongue was obliged to speak the lan- guage oi friendship to Alonzo, even while he meditated his ruin. In the fourth act particularly, we were struck with this extraordinary contrast, when Zanga works up his friend to the murder of Leonora ; and when he had ac- complished his purpose,, by gaining ilessings upop their Benefactors' heads. " In communicating their feelings, we are happy to do equal justice to their Gratitude, and your Bounty, whereby no less a Sum than One Tt)[o.usANi), Six Hundred and .Seventy-eight Pounds, Eleven Shillings and Six Pence Halfpenny has been received within a few years, .-^That you may long live to continue a career so creditable $:o yourselves, and so beneficial to the cause of Humanity, ;sowing Bounty, and reapirg Blessings, is the ardent wish of. Gentlemen, " Your faithful ^nd obedient Servants, " for the Committee, (By Order) « I. P. MULHALLEN" KILKENNY THEATRICALS. (general View of the Establishment of the Kilkenny Thea^ trp, taken from the Dublin Evening Post. — Tuesday, Noveniler 28th, 1809. *' We have not hitherto been in the habit of noticing private theatricals j they do not generally deserve to come under the serious consideration of a public Print; but those instituted and performed at the Theatre of Kilkenny present at once a pleasing and striking exception to most pf this spepies of entertainment," *' The Theatre of Kilkenny, — whether we consider its judicipus arrangement in general, or the e3(cellence and weight of the individual performers, or whether, extend- ing our views beyond, the scenes, we contemplate the pur- pose? to which the surplus of the receipts is invariably ^plied, — while it gratifies the taste of the admirers of the Drama, teijds also in a proportionate degree to satisfy the wishes of the philanthropist, and enables those who desire to contribute to the wants of their fellow creatures, to ren- der their amusements subservient to that salutary purpose." " The Athenians were censured, that in their passions for theatrical entertainments, they converted the funds inteniled tor the public service, info a channel to administer fo their pr'wau gratification. The gentlemen pf the County flf Kilkenny, to their honor be it proclaimed, have contrived to reduce the agent of their private gratification, to be the servant of general utility ; and while the Dramatic Amateur is regaled with a display of theatrical ability, his sensations are enhanced by the grateful reflec- tion of the uses to which the proceeds are to be applied. While we are delighted with the Mimic scenes of woe so powerfully represented by Messrs. Rothe, Power, &c. it is no trivial increase of gratification, that such powers are exerted to finally relieve real scenes of distress; and during the many combinations of the sprightly laughing Thalia, we receive an augmentation of our mirthful sen- sations, in the anticipation of those heart-rejoicing acts, which may restore the wretch to cpmparative ^uence and cpmfort." " But exclusive of the local advantages to be derived from the influence of this institution, a more general and national benefit accrues to this kingdom, from the patriotic results of this useful establishment. In the present situa- tion of Ireland, whatever can tend, even in the most remote degree, to arrest the attention of the resident Proprietors, and endear their stay upon their native soil, cannot fail to produce the happiest effects, and such as deserve to be cherished by all lovers of their country. In England, where residence and commerce continually impel a vast influx of wealth, and where the poor are supported by public contributions, the operation of a mere local establishment is so overwhelmed by comparison, as not to merit much attention — but in Ireland the case is essentially different." " From various and concurrent causes, too numerous to recapitulate, and too obvious to escape detection, until some more radical system can be safely adopted, the expedient of local and temporary r«lief is all that can be administered to its sufiering inhabitants — Totally inde^ pendent of Faction or Party, we never publicly commend what we do not privately approve— and considering the Theatre of Kilkenny under all the circumstances of the times, we have never recognised an establishment, wherein innocent amusement, and general utility, are more highly combined, or more strongly associated." " The Drama, we conceive, of all other recreations, alone the most rational, the most elegant and refined, and it wanted but this felicitous application of its proceeds, to render it unexceptionable in all its departments. We presume that a young man of fashion may be as usefully and honorably employed in reciting the fine passages of Shakespeare and Otway, as in driving a dog-cart, or attending a/ete champetre. If the mind is to govern thebody, we must readily agree in the indulgence of mental above corporeal pursuits. Scipio was not less furmidable to the enemies of his country, for having communed with the Dramatic writers of Rome ; and Cicero was not less in- strumental in rescuing the state from Cataline's conspiracy, by haying delivered an eulogium on the merits of Roscius." " Without therefore pretending to decide upon the mi. nutiiE of this Establishment,— in the name of our Cpuntry, we thank the Gentlemen of the County of Kilkenny, for this appropriate application of their talents and their m'eans —and while we avoid the particularity of individual criti- cism, unbiassed by party, and unswayed by partiality, we sincerely wish success to the amusements and objects of the Theatee of Kilkenny." PRIVATE THEATRE OF KILKENNY. 1810. S3 1810, Commenced the Isf, and closed the 2Qth of Obtober. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Langrishe. Mr. Becher. Mr. Ponsonby. Mr. Crampton. Mr. M And we are celebrated for a pitf, ) But Metaphor apart, 'tis yours to say. The favorite Actor, and the favorite Play. Se kind, and candid, make your own selection. Choose which you like, but Silence is rejection. 'Tjs then to you, we fpr instruction look — Your Hand our Prompter — and your Face our Book. Monday, Sth October, 181 1. First Night. THE POOR GENTLEMAN. Lieutenant Woethinston CoEPOKAL Foss SiK Cmables Cropland Warner Sir Robert Bramble ... Humphrey Dobbin ... Farmer Harrowby ... Stephen Harrowby ... Ollapqd Frederick Emily Worthington ... Miss Lucrbtia M'Tab Dame Harrowby Mary Mr. Gore. Mr. Crampton. Mr. T. Glascock. Mr. Becher. Mr. Cummin. Mr. Waller. Mr. Archbold. Lord Monck. Mr. Corry. Mr. R. Power. Miss Walstein. Mrs. M'CuUoch. Mrs. C. Connor. Mrs. Cooke. AN OCCASIONAL PROLOGUE. HIGH LIFE BELOW STAIRS. LOVEL ... Lord Monck. Trueman ... Mr. Archbold. Philip -n ... Mr. Waller. Tom i ... Mr. Cummin. Coachman ' ^ Servaifts to Mr, T. Glascock. Kingston i Loiiel ... Mr, H. Butler, Kitty \ I Miss Walstein. Cook J ... Mrs, M'Culloeh, Lord Duke .,, Mr. Corfy. Sir Harry ... Mr. Crampton. Lady Bab ... Mrs. Cooke. Lady Charlotte Mrs. C. Connor. JVednesdqif, 7th October, 1812. Second Night. VENICE PRESERVED. DoKE OF Venice ... Lord Monpk. Priuu ... Mr. Walsh. Bedamar ... Mr. Crampton. PlEERE • •• Mr. Rothe. Jaffier ... Mr. Becher. Renault ... Mr. R. Power. Elliot ... Mr. Waller. Spinoza ... Mr. Cummin. Theodore ... Mr. Archbold. DuRAND ... Mr. Saurin. Officer • *. Mr. Dalton. Beltidera ■•■ Miss Walstein. OUT OF PLACE. Old Valtehne ... Mr. Cummin. Young Valteline ..• Mr. Dalton. Cavalier Pomposo Mr. Waller. Count Vancenza ... Mr. Archbold. Timothy •■. Mr. Corry. Lauretta Mrs. Cooke. Cecily ... Miss Lacy. PRIVATE THEATRE OF JCILKENNY. 181g. • 07 Friday, 9th October, 1812. Third Night. ALL IN THE WRONG. Sir John Restless ... Beverley ..; Sir William Belmont Belmont ... Blandforo Robert Brush Lady Restless Belinda Clarissa Tattle Tippet Marmalet Mr. Corry. Mr. R. Power. Mr. Waller. Mr. Gore. Mr. Cummin. Mr. Archbold. Lord Moock. Miss Walstein. Miss O'Neill. Mrs. C. Connor. Mrs. M'CulIoch. Mrs. Cooke. Miss Lacy. Old Philpot Young Philpot Sir Jasper Wilding Young Wilding Beaufort Quilldrive Maria Corinna THE CITIZEN. ... Mr. Cummin. Mr. Crampton, Lord Monck. Mr. Gore. Mr. Waller. ■ Mr. Archbold. Miss O'Neill. Mrs. C. Coijn,or. Saturday^ \Oth October, 1812. Fourth Night. JULIUS CJESAR. Julius C^sar OcTAVIuS CifiSAR Anthony Brutus Cassius Casca Treb'onius Decius Brutus Mrtellus Lucius Mr. Gore. Mr. Dalton. Mr. R. Power. Mr. Rothe. Mr. Becher. Mr. Walshe. Mr. WaUer. Mr. Archbold. Lprd^^onck. Miss Lacy. Plebeians, Mr. Corry, Mr. Carden, Mr. E. Glascock, Mr. Cummin, Mr. Gore, jun. Mr. H. A. Bushe, Mr. H. M. Mason, Mr'. T. GWscbck, Mr. J. Hutchinson, Mr. Walters, &c. Portia Calphurnia Miss Walstein. ]yirs..C.,C«>nnor. TOM TJIUMB. King Arthur Noodle Doodle Lord Grizzle Tqm Thumb Mr. Crampton. Mr. Cummin. .;. Mr. Corry. ... Lord Monck. ... Miss Lacy. Queen Dollalolla ... Mrs. Cooke. Princess Huncamunca Mrs. C. Connor. Giantess Queen ... Mr. Lacy. Courtiers, Mr. Saurin, Mr. Archbold, &c. Monday, 12th October, 1813. Fifth Night. KII^G RICHARD THE THIRD. King Henry Prince or Wales Duke op York Duke of Gloster Buckingham Richmond Norfolk ... Ratcliffe ... Tressel Sir William Brandon Lieutenant of the Tower Stanley Lord Mayor Mr. Rothe. Mr. T. Glascock. Miss Lacy. Mr. Becher. Mr. R. Power. Mr. Gore. Mr. E. Glascock. Mr. Cummin. Mr. J. Hutchinson. Mr. Dalton. Mr. Watters. Mr. Archbold. Lord Monck. Lords, Mr. Saurin, Mr. M. Saurin, Mr. L. Saurin, Mr. Wade, Mr. Carden &c. Jifurderers, &c. Lady Anne Queen Elizabeth DucHsss OF York Miss Walstein. Mrs. C. Connor. Mrs. M'CuUoch. 68 PRIVATE THEATRE OF KILKENNY. 1812. HIGH LIFE BELOW STAIRS. LOVEL Tkueman Philip "j Tom ! Coachman l Servantt to Kingston \ Lovel... Kitty I Cook J LOBD BuKE Sir Harry Lady Bab Lady Charlotte Lord Monck. Mr. Archbold. Mr. Waller. Mr. Cummin. Mr. T. Glascock. Mr. H. Butler. Miss Walstein. Mrs. M'CuUoch. Mr. Corry. Mr. Ci'ampton. Mrs. Cooke. Mrs. C. Connor. Wednesday, 14th October, 1812. Sixth Night. SHE STOOPS TO CONQUER. Sir Charles Marlow.. Young Mablow Hastings Old Hardcastle DiGGORY RbGER Jeremy Stingo Tony Lumpkin Mrs. Hardcastle Miss Hardcastle Miss Neville Dolly Mr. Archbold. Mr. R. Power. Mr. Crampton. Mr. Corry. Lord Monck. Mr. Waller. Mr. J. Hutchinson. Mr. E. Glascock. Mr. Cummin. Mrs. M'CuUoch. Miss Walstein. Mrs. C. Connor. Miss Lacy. LOVE A-LA-MODE. Mr. H. Bushe. Sir Archy Macsarcasm Sir Callaghan O'Bral- laghan Beau Mordecai Squire Groom Charlotte Mr. Crampton. Mr. T. Glascock. Mr. H. Butler. Mrs. C. Connor. Fi iday, 16th October, 1812. Seventh Night. MACBETH. Duncan Mr. Waller. Malcolm Mr. Archbold. Macbeth Mr. R. Power. Macduff Mr. Rothe. Banquo Mr. Gore. Fleance Miss Lacy. Lenox Mr.Loughnan RossE Seyton Physician Hecate First Witch Second Witch Third Witch Mr. Corry. Mr. J. Hutchinson. Mr. Watters. Mr. Crampton. Lord Monck. Mr. Cummin. Mr. M'Casky. Witches, Mr. Dalton, Mr. M'Casky, Mr. E. Glascock, Mr. T. Glascock, Mr. Mason, Mr. Cummin, Mr. Hook, Mrs. Cooke, &c. Lady Macbeth Gentlewoman Miss Walstein. Mrs. M'CuUoch. LOVE LAUGHS AT LOCKSMITHS. Vigil Risk Captain Beldabe totterton Solomon Lob Grenadier Lydia Mr. E. Glascock. Mr. Corry. Mr. Dalton. Mr. Cummin. Lord Monck. Mr. Waller. Mrs. Cooke. Saturday, nth October, 1812. Last Night. OTHELLO. Duke of Venice Beaeantio Gratiano lodovico Montano Othello Cassio Iagp Roderigo Desdemona Emilia Mr. Loughnan. Mr. Cummin. Mr. Waller. Mr. Archbold. Mr. Dalton. Mr. Rothe. Mr. Crampton. Mr. R. Power. Mr. Corry. Miss Walstein. Mrs. C. Connor. MASK OF COMUS. COMUS First Brother Second Brother Spirit Mr. R. Power. Mr. J. Hutchinson. Mr. T. Glascock. Mr. Gore. Bacchanals, Mr. Dalton, Mr. M'Casky, Mr. E. Glascock, Lord Monck, Mr. Corry. Mr. H. Butler, Mr. Monck, Mr. Saurin, Mr. M. Saurin, Mr. L. Saurin, Mr. Wade, Mr. Garden, Mr. Waller, Mr. Hook, &c. Lady Euphbosyne Miss Walstein. Mrs. Cooke. PRIVATE THEATRE OF KILKENNY. 69 1812. [Eeinsfer Journal, Kilkenny, Wedrieidav, October Ith, 1812.] — The Kilkenny Theatre opened, after an interval- year of suspension, on Monday night, with the Comedy of The Poor Gentleman, and the Farce of High Life BELOW Stairs. Here let us observe, before we proceed further, that in that year (1811) the Theatrical Society sent a Do- nation, out of their own private Subscriptions, of One Hundred Pounds, to the Charitable Institutions of Kilkenny. At the rising of the Curtain Mr. Richard Power came forward, and delivered, with grace and expression, an occa- sional Prologue, that we understand is from the classic pen of Sir Robert Langrishe. The House was unusually crowded, which we are able to ascertain, from the receipt of the Ticket-Money being nearly double what it was on any former Night of opening. A vast assemblage of rank, respectability and fortune, is now collected here, and every hour we witness fresh arri- Tals, hastening to join the joyous throng. [Kilkenny Chronicle, Thursday, October ISth, 1812.] — We hail, with sincere delight, the return of our Thea- trical Amusements, and our pleasure is the greater, because, it was supposed that they had ceased for ever. Their suspension for the last year was very satisfactorily accounted for in a neat Address delivered by Mr. Richard Power, and we may now entertain the gratifying hope, that the Kilkenny Theatricals will continue annually to be the ornament and boast of our City. In whatever point of view we consider this Institution, it demands our un- qualified praise ; it originated in a spirit of local benevo- lence, and literary taste, and it has so thriven from its auspicious birth, that fame has rendered its existence a matter almost of National pride, while its utility has made it an object of National importance. In the present de- graded state of this poor Province of Ireland, what can be more patriotic, than to establish a point of attraction, where the influence of wealth and rank may unite in the encouragement of humble industry, and the people can be occasionally reminded, even once a year, that all the Gentry of the Country have not taken flight along with her independence, and prosperity? We are often Tauntingly told by our refined and polished fellow-subjects, at the other side of the Channel, that the great cause of all our evils, is the barbarous state of our Peasantry. Now suppose that to be true — The barbarism of the Pea- sant can only be removed by bringing him into constant intercourse with his Landlord, and therefore something must be done to k^ep the Landlord at home. To the attrac- tions of the sister Country he will be apt to fly, unless plea- sure is found for him here, and what pleasure is so likely to retain him, as that which is annually offered at Kilkenny ? Gentlemen of the first rank, fashion, and attainments, are here associated together by one common sympathy, in the cause of elegant literature, disdaining the ordinary allure- ments with which folly satisfies the fools of fortune, and miraculously preferring books, thinking, and conversation, to dice, dogs, and jockeys. Men of this stamp are here zealously undergoing mental exertion, great personal ex- pense, and no small portion of personal fatigue; and while their taste, and their genius contribute to therefined gratifi- cation of as brilliant an assemblage of beauty and fashion as could be collected^ in the same space, from any part of the British Empire, they are largely contributing to the wants of their fellow-creatures, and making Pleasure thft handmaid of Charity. Such men may well exult in the appropriate motto they have chosen for their Stage, " Whilst we smile, we sooth affliction," and every good Irishman must sincerely pray, that they may long continue their meritorious exertions. The Play selected for the opening of the present Season, on Monday, the 5th of October, was, " The Poor Gen- tleman," one of Colman's Farces in five Acts. To any single characteristic of legitimate Comedy, it has not the slightest pretension ; its humour, for wit it has none, or rather its di-ollery, is low and broad; its delineations are mere caricature ; and its dialogue consists of inflated senti- mentality, or provincial vulgarism ; the incidents are forced, clumsy and unnatural ; and as for its plagiarisms, so admir- ably has 'Mv. CoLMAN practised the Gipsey art of stealing children, that we defy tneir fathers, kindred, or friends, to know them. Poor Siebne would have wept had he lived to see some of the interesting personages of his affecting Nar- ratives so cruelly metamorphosed, each of them possessing a heart full of " open, warm, and generous vessels," but converted by the deadly touch of this vile Parody, into « a clod of the valley." The Play, if Play it must be called, was, however, acted much better than such a Play deserved to be. Sir Robert Bramble, was a first appearance, played by a Mr. Cummin, whose voice and manner are well calculated for Old-Men's parts; we suspect he has seen Munden in Sir Robert; it was, however, a most successful debut. Mr. Power played Frederick with great spirit, and made even some of Col- man's nauseous sentiments go down. Mr. Gore, in the Poor Gentleman, could not help looking the part well, and though evidently labouring under a cold, he evinced in it occasionally considerable feeling. We have not seen Lord MoNCK, or Mr. Waller, more successful than they were on this night, in their respective parts of Stephen Harrowby and Humphry Dobbin ; and we doubt very much if Harris's, or Colman's boards, or even the comic strength of the Lyceum, could furnish a better Ollapod than Mr. CORRY. The excellent Farce of High Life below StaiSs suc- ceeded the Play. Mr. Corry's Lord Duke was very rich, but it would have been better with a little more of the Footman in it. Mr. Cramfton acted, danced, and looked Sir Harry to the life. On Wednesday, the 7th, Otway's noble Tragedy of Venice Preserved, was performed throughout in a manner worthy of that exquisite exhibition of the keenest struggle between love and honor. Our limits will not permit us to enter into any thing like an adequate critique of Mr. Becher's Jqfier, or Mr. Rothe's Pierre ; no living Actor, whom we have ever seen, has given a faultless delineation of either of these most arduous characters. Kemble's Pierre has a pompous formality that occasionally eclipses the fiery boldness of the character, while his brotlier's Jaffier too often whines upon the ear, and makes his ten- derness too tedious. Mr. Becher's general qualifications for the Stage, are well known, and of the first order, but we think his voice better calculated for the tones of bitter sarcasm, indignant rebuke, and high-toned vehemence, than 70 PRIVATE THEATRE OF KILKENNY. 1812. for the softer touches of subdued sorrow, or the thrilling intonations of pathetic remonstrance. In the Scene with Renault, (admirably set off by Mr. Power's acting,) the fitful workings of his ill-concealed resentment, burst out into sudden flashes, that might have appalled a bolder vil- lain; and, subsequently, in that most difficult speech, where turning from his weeping^e/mrfera,he conjures up the image oFhis murdered Pierre, he was equally successful. Mr.RoTHE played Pierre in a manner different from any in which we have seen it represented. His conception of the part was bold, and evidently original, and we cannot convey to our readers a clearer idea of that conception, than by saying that Pierre never before appeared to us half so amiable, or so like a hero. This may be very wrong, but it was certainly very pleasing. The manly fervour of his friendship ; his open, ingenuous confidence in his friend ; the fearless zeal, that endangers the very cause itself, to vindicate his questioned faith ; the honest scorn, and irreconcilable abhorrence of all perfidy, were blended into such bright, and cheerful colour- ing, that the light of the painting was rather relieved, than darkened, by the shading of the conspirator. There are none of Mr. Rothe's qualifications, to which he is more indebted than his voice, which, odd as it may appear, though neither strong, nor musical, has in it such a nervous tone of direct and cordial sincerity, that it comes upon the ear, as if echoing the pulses of the heart. Though we do not think Pierre the part best calculated to shew off' Mr. Rothe's peculiar powers, there ai-e two passages which those of our readers, who were present, will be glad to be reminded . of — " I have dealt nobly with you ; " I have brought my all into the public stock : " I had but one friend, and him I'll share among ye." The other was of an higher order of excellence ; the bold unsuspecting confidence, exulting in his disdain of all sus- picion of his friend's fidelity, though a prisoner, and pro- duced as his accuser : " These reverend tyrants, JafRer, "Call us traitors: art thou one, my brother?" These words were delivered in a tone that conveyed to us a more exquisite sense of the mute anguish of Jaffier at ' that moment, than even the perusal of the delightful poetry, in which he is made to warble forth his woes. Mr. Richard Power's Renault, was, as before hinted, a very master-piece. In the delineation of that crafty, yet bold and sensual villain, he assumed the shattered voice, the palsied appearance, the harsh enunciation, and malicious eye, which were necessai-y to make up the iden- tity of Renault. A Mr. Walshe ^^ayedPriuli ; it was a first appearance, and certainly a most surtessful one. Priidi is a character which is generally thrown out amongst the minor dis- posable forces of a Theatre ; and yet, though there is little to be said, or done in it, that little may, in the hands of a good actor, be pressed forward into the most interesting importance. Priuli, personated by Mr. Walshe, was more respectable on the stage than we have seen him before the actor astonished the House : he at once displayed powers of the first order, and shewed that though he came on the stage as a dwarf, he was capable of appealing in- tellectually as a giant. Miss Walstein's Belvidera is well known, and we can assure those who were so unfortunate as not to have been present on that evening, that this distinguished actress never played it better. We know not where the fault lies, but lie where it may, we must take the liberty of freely censuring the omission of the mad scene; it was absolutely cheating the Audience out of many of their tears. A Musical After-Piece called Out of Place, taken, we believe, from the Lake op Lausanne, succeeded to the Play, and aiffbrded to Mr. Corky an opportunity of giving us "some excellent comic acting in the part of Timothy, especially in the shaving-scene. Some Airs introduced by Mr. Dalton, were most sweetly sung. [The Kilkenny Chronicle, Tuesday, October 20th, 181 2.] — The third night of performance was on Friday, the 9th of October. Murphy had the honor of supplying the bill of fare for the evening. His Comedy of All in the Wrong, being the IPlay, and his second best Farce, The Citizen, being the entertainment selected to follow it. The Play is an avowed attempt to exhibit a laughable picture of the absurdities o{ jealousy in all their whimsical varieties, whether before, or after marriage. Murphy had read the Cocu Imaginaire of Moliere, and " on this hint he spoke." Our countryman, though Churchill bears no very favourable testimony of his powers as an actor, un- derstood the business of the Stage right well. He had an easy skill in putting together a ready machinery of light contrivances, that either made his Audience laugh, or kept them in a temper to be pleased. To genius, or indeed excellence of any kind. All in the Wrong makes no pretensions; yet there are few of our lighter Comedies that admit of better acting, and we believe that it has been seldom better acted, than it was on this evening. We are quite aware of the sneer to which all praise of actors, not professional, exposes us, but we confidently appeal to those who witnessed the performance, if they ever saw this Play go oft' with greater spirit. We are aware too, of a sneer of another description, one le- velled more at our partiality, than our judgment, but we are much mistaken if we do not convince our readers, before we shall finally close our strictures upon the per- formances of this season, that few errors have escaped our notice, and that we have seen none, to which we have not adverted in the spirit of a candid criticism. To commence, then, with as fine a piece of acting as any of the kind on the English stage — the Lady Restless of Miss Walstein. In this part she exhibited powers, of which, if we had not seen them, we never should have suspected her. Miss Duncan played it with an admirable, fidgety, locomo- tion that does all 'nominal justice to the character, but she wanted the earnest, inquisitive, impatient, keen and search- ing expression, that never leaves Miss Walstein's uneasy eye, unless to be succeededby flashes of malignant joy, at the confirmation of her suspicions. Besides, Miss Walstein, though perhaps not sufficiently restless, contrives to give the part a deeper interest than it generally assumes in other hands, by constantly impressing us with tlie conviction, that PRIVATE THEATRE OF KILKENNY. 71 1812. her husband is the husband of her heart ; so that she brings not only laughter, but sentiment, in aid of the moral ; and while it is impossible not to laugh at the whimsical etour- deries of her triumphant recriminations, we witness the agony of an aching heart, and wonder at the self-torment- ing folly, the hungry importunity, with which jealousy is for ever on the search for its own food. It has been said, that Miss Walstein's smile is not a comic smile ; we certainly do not think that it in general throws light upon any witty or comic passage, but never did we witness a smile given with greater effect, than the one with which she proclaims her exultation at the discovery of Belinda's entrance, when Lady Restless exclaims to Beverly, " now Sir, you see she comes to my very house after him." Upon the whole, we never saw Lady Restless so well played, nor in all the cha- racters in which we ever remember to have seen Miss Walstjeijj, did she, in all combined together, present to us as much talent, as she accumulates in this one part, Mr. Power acted Beverly, and was successful in every part of it. The letter scene, in the commencement of the fourth Act, was a happy display of captious irritability, struggling with relenting tenderness. It was excellent throughout, but there was one passing touch that actually thrilled us, wliere, after having announced, in a burst of vehement indignation, his resolution to break with Belinda for ever, he suddenly exclaims to his servant, " Oh ! — she is" — and then, as sud- denly recollecting himself subjoins-—" but let me not so proclaim her shame" — This was given with a good feeling beyond all study. The delicacy of the real gentleman shrink- ing from so gross a vindication, appeared to have wrought him into a momentary delusion that he was at that instant Beverly himself— and Beverly so wronged. He must have felt it thus strongly, to have made us feel as we did. Sir John Restless was ably sustained by Mr.CoERY. This gentleman is, of all the Company, the most familiar with Stage manner, and the most at home in his bye-acting; he comes on, and goes off, treads the Stage, moves his arms, head, eyes and limbs, soliloquizes the Pit, and looks the Audience full in the face, with all the easy confidence of a veteran Actor. His large eye, and prominent nose, make his serious countenance imposing, and add not a little to the good humoured archness of its droll expression. He did not come up to our expectations in the scene with Robert ; but in that which is after the discovery of Beverly in the closet, he gave us, what we always expect from Mr. CoanY, a piece of first-rate acting. Miss O'Neiix's Belinda was no small contribution to the general good acting of this evening. The lighter scenes were given with great vivacity, and in the morp serious ones, where love is getting the better of resentment, she gave us some fine touches of genuine feeling. She was nmch, and deservedly applauded. Her voice must be capa- ble of more softness, and sweetness, than sometimes she throws into it, for nothing short of either can we expect from a lovely, and delicate ^rl, of sweet, and captivating manners. Mr. Gore, in young Belmont, found no difficulty in seeming to be on the Stage, what he is every where else, an easy gentleman of cheerful temper and ingenuous man- ner. Mr. Archbold had not much to do in Robert, but the little he had was done well. Mr. Waller had even less to do in Sir William Belmont; but not a little of the general effect depends upon the manner in which even such minor parts are filled. He dressed ai>d looked the old Gentleman well; every Actor should keep in mind, that the dressing of the character is a most material help to the just assumption of it. Of Mr. Cummin's Blandford we shall only say, that we should sincerely regret if he had not been afforded a larger field in subsequent characters, for the display of his superior talents. Lord Monck played Brush, and played it very well — he took it up, perhaps, on a short notice, for we perceive that he omitted one of the most striking passages in his part, a passage that should not have escaped Lord Monck, and ought not to have been omitted upon so classic a Stage. The passage we allude to, is a free, but not very spirited, translation of part of Far- meno's speech to his master, Phcedria, the Beverly, in the Eunuch of Terence. Lord Monck will not be displeased to be reminded of the original : Haec verba, una, mehercle, falsa lacruraula, Quam, oculos terendo misere, vix vi expresserit, Restringuet, & te ultro accusabit. — We are the more free in adverting to this omission, be- cause Lord Monck, we are sure, is much too good-natured, not freely to forgive us.— He is always ready to assist the business of the Stage, by taking upon himself any cha- racter, they wish him to fill, and always assiduous to make himself perfect in it, be it what it may. In truth, he encourages every one before, and behind the curtain, to re- gaj-d him as a friend, by his kind, and conciliating man- ners. A most interesting young girl, a Miss Lacy, played Marmalet, with great effect. In the Farce of The Citizen, Miss O'Neill played Maria. It was, throughout, a spirited, lively and inter- esting piece of acting. Mr. Cbampton, as Young Philpot, w^' excellent in the description of the Poet's Garret, but in subsequent parts, he superinduced rather too much of his own, upon the language of Murphy. The strength of the Company, their dresses, and power of spectacle, were summoned into action for the representa- tion of Shakespeare's Julius Ccesar, on Saturday the 10th of October. Messrs. Rothe, and Becher, played Brutus, and Cassius, and played them in a manner worthy of their * respective talents. Mr. Becher, in his look, air and manner, diligently sustained the. bitter melancholy of the repining Cassius, while Mr. Rothe exhibited a masterly delinea- tion of the easy magnanimity, sublime patriotism, lofty ingenuousness, and mild stoicism of " the most illustrious of ail the Romans." In the tempting scene, Mr. Becher was eminently happy, particularly in that part where he first sees evidence that his remonstrance was working upon Brutus : — " Why man he doth bestride the narrow world;" this whole passage was given vrith great effect. His bye- acting, when Ctssar was on the stage, was most judicious j the silent and settled malignancy of his fixed eye, fixed on Ccesar only, as the whole source of his wrongs, and the only object of his resentment, proved that he had studied the part with classic intelligence. His description of Ccesar to Casca, was also given with great force. The preceding part of his Cassius made us expect great things in the celebrated quarrel scene; but we were somewhat disap- pointed : we have no doubt that he could play the quarrel scene as well as any other in the Play. Mr. Rothe's Brutus was quite thick with great and striking beauties. 72 PRIVATE THEATRE OP KILKENNY. 1812. The speech to the conspirators, disdaining the neces- sity of an oath, to bind such men, in such a cause, was given with the lofty fervour of a mind, exalted beyond the low necessity of any such ordinary obligation. In the quarrel scene he was equally successfijl ; his " away slight man," was given with a mild, and yet indignant rebuke that did honor to his conception of the part. There was another of his readings that particularly pleased us : " Go shew youi' slaves how choleric you are." Kemele gives this passage with all the mighty force of chiding sar- casm, and while be deals it forth, we feel that Cassius must have been more, or less than man, not to have resented its insulting tone ; but Mr. Rothe preserves the superiority of Brutus. The one gives us the overwhelming burst of an angry combatant, the other the dignified censure of the philosopher ; the one rebukes the oifender, the other the offence. Kemble indignantly tells Cassius, that Brutus is not his Slave, and dismisses him to the herd, he may bully with impunity ; while Rothe calmly insinuates the incon- sistency between his general conduct, and'his present infir- mity, and sends him, as Lyeurgus would have sent a Spartan surprised into momentary intemperance, to witness the depravity of drunkenness in the excesses of the intoxi- cated Hielots, as if he would say^ " Go shew your slaves how fit yoii are to rule over them." We presume not to decide between these two readings ; perhaps the passionate language subsequently assigned to Brutus by ShaKes^ PEARE, is with Kemble ; but certainly the general charac- ter of Brutus justifies Mr. Rothe. Mr. PowebJ looked as became the polished, elegant and courtly Anthony, and played it with that ease, and accuracy of Judgment, whidh always characterize his acting; bis speech over the body of Cmsar was given with spirit, truth, and feeling. We must not overlook the Cttsca of Mr. Walshe, and though we may have already wearied our readers, we must beg) their patience for one or two passing observations on it. The costume of this gentleman was classically tasteful, appropriate, and altogether Roman. He looked very well, came on with great spirit, and rebuked the mob in the speech of, " Wherefore rejoice," &c. with an admirable mixture of indignant fire, and pathetic remonstrance. In the delivery of this speech, he was twice interrupted by the plaudits of the Theatre. His account of Ccesar's refijeing the Crown, was far beyond the reach of Fawcet's powers in this part at least ; his irony, however, in some parts appeared to us to be rather too refilled; his raillery was not sufficiently blunt, and the bluntness he did assume, was rather too gentlemanly for Casca. There were, however, one or two passages that might have redeemed a host of errors : when ne was asked " who offered him the Crown ?" his short answer " why — Anthony," teemed with the pregnant intelligence of a Scho- lar; his reply respecting Cieero, " Aye bespoke Greek," was delivered with a surly sarcasm, that while it affected bluntness, betrayed the keen guile that engendered it. Mr. Walshe ought not to have omitted the speech in the con- spirators* scene. There was, to be sure, nothing in it to shew off the actor, but it was nevertheless necessary to give Brutnt time to confer in the back scene with Cassku; be was equally censurable in omitting to wear the wreath of victory ifi the last scene. This gftntleman-- has^ however, appeared to stich advantage, on another Stage,, since our last critique was written, that we tear he will care little tlor our Theatrical praise, of censure. The Extravaganza of Tom Thumb afforded a season- able relief from the serious impressions produced by the Play. {Kilkenny Chronicle, nursday, October 22d, 1812.] — The Bills tor Monday Evening, October 1 2th, announced RicHAKD THE Thied, and High Life below Stairs. Shakespeare's old Play of The life and death or Richard, has undergone the alterations of Cibbeb, and Garrick. These alterations were certainly necessary, to adapt it to theatrical representation ; and even as it at present stands, there is no Play whose leading character requires more excellence in the actor who undertakes it, not merely because it is in itself so arduous, versatile, and complicated, but because the whole success of the Play rests on the performance of that one part, there being no other that affords any opening to genius. Henry the Sixth occasionally talks with the nervous vigour of Shakespeare, but he never deeply interests. We once saw the famous Cooke play this part ; the abuse of Richard he gave with an acrimony, and virulence that took, in some degree, from the horror of the murder he provoked ; but stiil the part was heavy, even in his hands. The Queen was played by Mrs. SiDDONS last season, at Covent Garden, for Charles Kemble's benefit; but even her inimitable powei-s could only give it a temporary elevation above the level to which it has since fallen back. We proceed to observe upon the performance. Our strictures, for the reasons already stated, will be principally confined to Mr. Becher's Richard. From' the style and character of Mr. Becher's powers, we went prepared for a bold and vigorous outline, comprehending all the pro- minent features of the part. The sterner parts of his Jaffier, and the vindictive constancy of his Cassius, in- duced us to expect a spirited delineation of the crafty cruelty of Gloster ; but either our conception of the character is false, or Mr. Becher's usually sound, and shrewd judgment has for once forsaken him. Richard is not a gloomy tyrant : he is more of the gay and " bold-faced villain," than even Otway's hero. He jests at some of his murders, and his hypocrisy has a down- right vill^ny, that disdains all varnish. He is, in the fullest sense, the villain that can " smile and smile, and be a villain still." Now, our main objection to Mr. Becher's Richard was, that the light was too much sacrificed to the shade. In the tent scene, and in the battle, " Richardy/as himself;" but in the earlier part of the performance, the savage raillery, the hardened mockeiy of all ties, divine and human, which prove his heart to be as deformed as his person, and the greater monster of the two; these traits, constituting the more airy profligacy of the character, were not to be found in Mr. Becher's representation of it. In thus freely animadverting on Mr. Becher's exertions, we are bound to state two circumstances, that may consi- derably lower our reader's opinion of the justice of our general objections: one is, that Mr. Becher was very generally applauded throughout, and that too by an Audi- ence not often very noisy i» their approbation ; whether it be that a local fashion has crept in amongst them, and that no body is very anxious to do, what is not generally done, or that the Audience, being made up of such a majority ol' lovely women, who think, and justly too, that PRIVATE THEATRE OF KILKENNY. ,73 1812, the lightning of their smile, or the sympathy of their -tear, is a reward beyond the vulgar echo of the hand ; tie it what it may, certain it is, that here is not a The- atre in the united Kingdom, where genuine good actmg, to use a technical phrase, gets femer hands, than the Theatre of Kilkenny. The other confession we are about to make against ourselves is, that we are among the number of the very few who prefer Mr. Kemble's Richard ,to Mr. Cooke's. We eheerfuUy give to Mr, Becher this two-fold evidence in his favour, and against our own verdict; but we deny that he reminded us of the excellence of either; -once or twice something of the harsh energy of Cooks, grated upon the ear ; but the arch side-glance, the ruthless murderer's broad, and merry sneer, were wanting. Cooke's side-look is, to be sure, beyond the optics, we believe, of any living Actor, but his judgment is within the larger comprehension of his studious, thinking, book-read rival. Kemble brings upon the stage a sublime genius, all in- Ibrmed with the spirit of literature; he is the Milton ^mong players, the scholar and the poet. Like Milion, a miserable sonneteer ; but in the lofty soarings of his art, without a rival. What Gbattan said of Flood's genius, .applies to Kemble's acting: " Put into his hand the distaff, and, like Hercules, he made sad work of it; but give him the thunderbolt, and he had the arm of a Jupiter." The ^character of Richard is, we think, suiScieatly arduous to furnish materials proportionate to his powers. In the dignity of the King, 6ghting for his Crown, all will admit that Cooke is not to be compared with him. In the couch scene, Cooke's hoarse bellowing of his nightly terrors, excites in us no sympathy; but when Kemble, starting from his sleep, hurries to the front of the stage, and dropping, convulsed and powerless, on bis knee, .presents his livid face, and maniac eye, while a parched and gaping utterance struggles for delivwy; then, indeed, the actor and the poet are forgotten in the moral ; and we shudder at the silly insanity of the wretch, base enough, and stupid eiKH^h, to barter the invaluable peace of a pure conscience, for a dream here, and an awful eternity hereafter. We know there are those who, giWng up the claim of Cooke as to the uniformity of the character, contend- for his superiority in certain passages. Upon this part of the question we are equally decisive, though, perhaps, but con- sistently erroneous. Compare both in certain notorious taunts of Richard: " See how my sword weeps for the poor King's death ! " — " Poor girl'i what pains she takes to curse herself." — " Was I not kind to send him thither, then ?" — " Take up the sword again, or take up me." — « I have her, but I will not ktep her long." — " Sorrow's the mode, " I'll not be out of fashion." — " Amen, and make me die a good old man." — « Where shall he keep his Court ? "Aye— the Tower." — " So subtle, too, 'tis pity thou art short-lived." — These and twenty others, we might select, and' cliiaHenge the warmest admirers of Cooke' to say he rivalled KEMBtE in the inimitable irony, and' iarcasm, with which' they were •deMvered : other passages " I'M .lh»ve you tell the world, I dote on y«u."— «r — *' duDliived my liking," were also given with the same superior stKength. We know of no circumstance that, in our bumble judginent, can apologize for the preference so generally given to Cooke's Richard. The new reading of " Draw archers, draw," &c. could not, however correct, justify the preference. We . acknowledge that the exulting malice of Cooke's smUe may be finely suited to the Tyrant, but what can be finer than the triumphant scorn of Kemble's withering sneer? Mr. Gore gave more importance to the character of Richmond, than we have seen before.; and the Buckingham of Mr. Power was a valuable accession to the effect of the Play. Mr. Hutchinson received great applause in the part of Tressil; his air, voice and manner, were greatly in his favour; his enunciation is distinct, and his delivery uncom- monly graceful. The excellent, and deservedly popular Farce of High Life below Stairs was repeated this Evening with in- creased effect, and a great accession of applause. We doubt much, if an^ Stage affords a better representation of it than our own. [TVie Kilkeram Chronicle, Saturdmfi October the S4M.] Goldsmith's admirable Comedy of She Stoops to CoNftuER, was performed on the sixth night, Wednesday the 14th October. The best piece of acting unquestionably, this evening, and the richest we have ever witnessed from Mr. Power, was his Marlow ; this is one of the parts in which an actor of feeling, and spirit, is in. the greatest danger of being harried out of nature inXo car-icatvra ; the tempting oppor- tunities for high colouring are so many, and so seductive, that we kilow not a more trying test in the Drama of what is generally called a chaste Actor, than the character of Marlow ; on reflection we would perhaps except that of Doctor Cantwell in the Hypocrite, and scarcely is the incomparable Dowton himself more chaste in his inimi- table delineation of the Methodist, than Mr. Power was this evening in his exquisite portrait of Marlow. The first interview with Mist Hardcastle could not be called acting; the delusion came upon us irresistibly ; we fancied our- selves in the same room with both, and beholding an actual scene of real life ; and so completely lost did Mr. Power seem to be in the sense of his own embarrassment, that when the bursts of laughter from the Audience struck upon his ear, he used to mechanically turn towards tlhem, and look with such a countenance of agonized stupidity, that people absolutely turned aside to spare their muscles too violent a tension ! He dan never exceed, and we doubt if he can ever equal, this Night's performance of that scene. Mr. Corry's Hardcastle was in many parts excelled ; but, as a whole it was not sufficiently mellow. He did not chuckle enough at his own stories, and was not as earnest in telling them as he ought to have been. His best scene was his passionate one with Marlow, and admirably acted it undoubtedly was, but the happiest and most characteristic touch in his personation of Hardcastiei was in tlie scene PRIVATE THEATRE OF KILKENNY. 1812. where he is drilling his awkward servants ; with a counte- nance full of busy importance, he is charging them not to laugh when attending table, and even gets quite angry at his recollection of their former offences on this score; one of the servants remonstrates, and urges the impossibility of his not laughing if his master tells a certain story. Mr. Corey's countenance, the moment the story is mentioned, changes, in the instant, its angry expression for a placid look of tickled self-conceit, and gradually relaxes into full, and cordial laughter. This one touch proved the hand of a roaster. By the by, he was excellently supported in this scene by the Servants ; Lord Monck gave us his best wig and broadest provincialism, and Mr. Waller contrived to open his mouth in a way we never saw before ; his laugh was that of a clown in the presence of his betters, struggling with the honest vehemence of nature. As for Mr. Hutch- inson, the ci-devant graceful Tressil, he managed to come on with all his limbs at right angles: in short the three gentlemen looked as if they had been drilled through every evolution of awkwardness for the last six months, and the whole of this scene excited considerable laughter. Mr. Cummin's Tony Lumpkin deserves more room than we can now afford it ; his gallant remonstrance with Miss Neville, to desist from her tender persecution of him, was perfectly in the spirit of this gross boor. Mr. Cummin in playing this part, managed his voice with great dexterity ; he pitched it high, and gave it that kind of vulgar broad squeak that a Clown, frequenting Ale-houses and Gin-shops, and much in the habit of hallooing in the open air, might be supposed to acquire. He read the letter well, but his defect in the conception of the pai-t was not giving the archness of Tony, as well as his boorishness; there was not enough of low cunning, or self-applauding glee, in Mr. Cummin's representation. This Gentleman has since played the little part of Totterton in Lote Laughs AT Locksmiths, better than we ever saw it played be- fore. Miss Walstein's Miss Hardcastle was immeasurably distant from the merit of her Lady Restless, she loolieil the gentlewoman, but was not sufficiently lively ; and neither looked, nor acted the bar-maid. Mrs. M'CuLi.oGH evinced considerable merit in Mrs. Hardcastle. This lady appears to us to have much greater talents than she generally gets credit for ; we suspect she would make a better Duenna, than either Mrs. Sparks or Mrs. Davenport. We have not seen much of her, but we prefer her Lucretia Mac Tab to any on the London Boards. Mrs. C. Connor looked very handsome in Miss Neville. We shall have a fuller opportunity of adverting to this lady in observing upon her other characters. Love a la Mode amused us very i much. Sir Archy gave us many a hearty laugh, and we saw in Sir Callaghan a true son of St. Patrick. [T7ie Kilhenny Chronicle, Tuesday, October 2'ith, 1812.] On the Seventh' Night, Friday the 16th October, Shakes- peare's sublime Tragedy of Macbeth, was played to the fullest House we ever remember. There was an overflow from all parts a considerable time before the Curtain rose. If the Audience shall progressively increase as they have hither- to done, the one half of those who come to the Doors next season will be obliged to return, unless the Theatre be en- larged in the recess. However the Gentlemen concerned may determine with respect to the part of the House before the Curtain, it is but too evident that the Stage is incon- veniently small ; so much so, as materially to injure the delusion in all scenery of a grand, and imposing character : this is the more to be regi-etted in a Theatre where every thing else is so admirably got up. The Tragedy- Wardrobes, as we may judge from what we have seen on the Stage, must be most superb. In Venice Preserved, for instance, there was not one of the mute conspirators whose dress might not have made a Hero upon the Crow-street boards, dazzle the eyes of his auditory, and be, perhaps, the most dazzling thing about him. The confined effect of the stage was never more striking than in the scene upon the heath ; those who have witnessed this magnificent spectacle at the new Theatre of Covent-Garden, saw how the finest acting could be indebted to the grandest scenery j where a vast sweep of stage presents to the enchanted eye a heath in- terminable, here and there varying the distant prospect with mountains, masses of rocks, " looking tranquilly," as if intended for the monument of time itself; then hearing, through the desolation of this scene, the distant music announcing the approach of Macbeth's army ; the music gaining more and more upon the ravished ear, till, at length, the advance of the army is in view ; and after the nameless many pass, and that expectation has been wound up to its crisis, Kemble, in all his towering dignity, is seen upon the distant hills moving in the grace of victory : he descends towards the Stage, and marching with inimitable majesty to the front, presents himself amid the sweeter music of a thousand echoing hands. Macbeth has now no adequate representative; even Kemble's exquisite judgment sinks beneath it : it is not a part to be sustained throughout by a few occasional bursts. It is a whole, of so complete and perfect a texture, that one error in the conception, is mortal to even a competent deli- neation. Such was our opinion of the part, and of Mr. Power's hne, that we went to the Theatre, morally certain that this gentleman's Macbeth would have been a failure ; how agreeably disappointed we were, our readers may judge, when we conscientiously assure them, that, in our opinion, he played it, in many parts, equal to Kemble, and that his conception of the whole was more just. The first workings of the " suggestion," Mr. Power's countenance betrayed to the commonest observer, and from that till the perpetration, he was, indeed, in all the " restless ecstacy" of a tortured mind. During the knocking, his limbs got stiff, and motionless, his eyes fixed, and all his senses seemed suddenly bereft of thejr respective faculties. His " wake Duncan," was given with an abrupt frenzy, admu-ably followed by a tone of the bitterest remorse — " Oh ! would thou could'st." He was dragged off the stage amidst re- peated bursts of applauses. In the banquet-scene, he was applauded throughout; but where we thought him most happy was; in the exhibition of a tortured conscience, after he had attained the summit of his ambition. In that scene where Lady Macbeth,ia one of the finest passages of Shakespeare, remonstrates with her husband upon his dejection, Mr. Power evinced a most vigourous and mas- terly conception of his author—" Oh full of scorpions, is my mind, dear wife," was, as he spoke it, a keen, and forceful commentary upon « Thou shalt do no murder." PRIVATE THEATRE OF KILKENNY. 75 1812. There is now, we believe, no Lady Macbeth on the Stage. We would rather watch the varying wonders of Mrs. SiDDONS, while reading Macbeth's letter, than witness the combined efforts of all the remaining excellence, the deserted Drama can now boast of. Mr. Rothe was the Macduff, and when did he fail in manly tenderness ? His question to Roste, " Stands Scotland where it did ?" was given with the fond patriotism of a man, long absent from the unhappy Country of his heart. " He has no wife," was spoken with an impetuous burst of uncontrolable anguish that extorted unexpected tears. In electric touches, in taking sensibility by surprise, he has no equal on the Stage; and if Kemsle had his feeling, he must have been the first Tragedian England ever saw. Mr. Corby's Basse, was excellent ; and Mr. Gore's Banquo, was given with great discrimination. It is of vast importance to the success of the whole, that such parts should be respectably filled. Mr. Hutchinson delivered the Speech of the wounded Officer, with a spirit and intelligence seldom found in the exhibition of such parts. The Witches were very well sustained by Lord Monck, Messrs. Cummin and M'Casky. Mr. M'Casky's petticoats were not suffici- ently long; but the two former were .most appropriately dressed. The singing went off with great eclat ; to which, Mr. Dalton's sweetly plaintive tones, and Mr. M'Casky's and Mr. Cooke's fine bass voices, very largely contri- buted. The Musical Farce of Love Laughs at Locksmiths followed the Play. Mr. Dalton's Captain Seldare was full of harmony; he gave his Songs iii a most effective ttyle, and was rapturously encored. Mr. Cummin's Tot- terton was a powerful auxiliary to the arch humor of Mr. Cobey's Risk. In addition to the other Theatrical powers of Mr. Corky, his musical talents appear to be of no ordinary kind, for he bore his part in some of the sweetest Quintettes in the Piece with the strictest accu- racy, and as for his comic Solo, at the Grinding-Stone, " the unfortunate Miss Bailey," it was sung with a drollery of expression, that caused it to be loudly encored. Lord Monck's Solomon Lob was excellent, and Mr. E. Glascock gave us an accurate representation of Old Vigil. We have seldom heard Mrs. Cooke sing better, than in the character of Lydia. ' [Leinster Journal, Kilkenny, Wednesday, 28th Octo- ber, 1812.] — Another Account.— On Friday Evening, the 16th, Shakespeare's sublime Tragedy of Macbeth was played to a numerous and splendid auditory. Mr. Richard Power's Macbeth excited feelings of unmixed admiration. We will not content ourselves with observing that this gentleman sustained the arduous character of the Scottish Tyrant with sensibility and correctness, for sueh an expression of approval were indeed wholly inade- quate to convey our opinion of a piece of acting, which glowed with all the fervour of dramatic conception. To no- tice the several parts of the Play, in which his genius shone with unborrowed lustre, would be to quote its most promi- nent passages, and therefore we limit ourselves to a concise view. In that terrific scene, when Macbeth rushes forth from the Chamber of the King, with both the reeking dag- gers in his grasp, Mr. Power's countenance assumed such a wild expression of accusing horror, as seemed to reach the very soul of sensibility ; his attitude was strikingly just ; that irresolution in his sanguinary purpose, that beetle of a momentary contrition which will sometimes palsy the arm of the boldest villain, were pourtrayed with irresistible effect. In the Banquet scene too, when the distracted conscience of the ruthless Tyrant conjures up unearthly terrors, and pictures to his agitated fancy, the ghostly form of the mur- dered Banquo, Mr. Power was pre-eminently successful ; no declamatory excess debased his acting, nor did he con- sign whole passages to insignificance in order to give con- trasted emphasis to some leading effusion of the Poet. We are fully aware, that this is a favourite object with some of our greatest Tragedians ; but it is surely a spot, that dims the full splendour of Theatric genius. Mr. Power bestows a suitable attention on those parts of the dialogue, which may not improperly be termed expletive, while he deli- vers with corresponding energy, those passages of his Author, that flash from the spirit of eloquence. Miss Walstein's Lady Macbeth teemed with dramatic excellence. In the sleeping scene she displayed considerable ability. Her listless, inexpressive gaze, no longer spoke the waking energy of the mind. Her drowsy eye revealed not the secret movement of the passions. The unconscious tongue alone betrayed the sleepless agony of her soul. Her entire acting deserved and acquired universal approbation. Mr. Crampton, as Hecate, merited unqualified approval. Mr. Rothe's Macduff was fervid and impressive. The " IVeir'd Sisters" were well personated by Lord Monck, Mr. Cummin, and Mr. M'Casky. The Music of the Singing Witches produced a charming effect ; and - all the subordinate characters of the scene were judiciously disposed of, and successfully filled. [Kilkenny Chronicle, Saturday, November 14th, 1812.] — The excellence of Mr. Rothe in the part of Othello is now so well known, and has been witnessed by so many, that it will not be necessary to do more than remind them of the more prominent beauties of this first-rate piece of Acting. His delineation of this character throughout, appears to be the result of spontaneous feeling at the mo- ment. It is, if we may be allowed the phrase, extemporary playing ; his look, air, voice and every movement, seemed the instantaneous effect of his situation in every scene, and fascinated the attention with all the charms of novelty, and the unlaboured richness of nature. Our readers will not suppose, that we therefore think Mr. Rothe's Othello not studied, we rather suspect that it is the most studied part he plays, but artis est celare artem. He soon makes us forget the labours of Mr. Rothe, in our admiration of the unvarnished simplicity of Othello. If there is one part where we fancied that the study betrayed itself, it-is in Mr. Rothe's uniform effort to make his Othello scrupulously plain, and almost elaborately unaffected. All the ordinary arts of Stage declamation, he utterly disclaims ; he will not stoop to " snatch a grace," but goes on with fearless sim- plicity in the highway of nature. No one who ever saw YouNGE, or Kemble play Ot/tello, or even Elliston's at- tempt to play it, but inust remember with what pompous dignity the first, with what earnestness the second, and with what vehemence the third, endeavoui-s to give a ma- jestic force to the following rebuke : — " Were it my cue to fight, I should have known it, " Without a prompter." 76 PRIVATE THEATRE OF KILKENNY. 1812. Kemble makes this a biting sarcasm; Younge a mere menace; Elliston, a bluster ; Rothe hurries it over with a lofty indifference, and will not suffer the magnanimity of Otkello to lend the stress of manner to any observation, containing so much o( self in it. We will not say that this may not be a refinement ; but it is unquestionably the refinement of a man of genius. In the Speech to tbe Senate, we were struck with one or two novelties; he commenced with the courage of a man confident ia the ultimate success of a good cause, and continued in the -iame spirit until he came to the words " hath this extent ' — no more." Here he seemed impressed with the diffi- 'culties of addressing such an auditory; and after an inimitably-acted silent embarrassment, he proceeded, less assured : " Rude am I in speech," Ssc. &c. The excellence of this must have been witnessed, in order to have been duly felt. When charged with indirect and forced courses, the prompt proposal with which he challenged proof, " I tieseec^ you send for the lady tp the Sagittary," was made with a manly ingenuousness, e2(tikipg in the eonsciousness of innocence. One of the most striking cl^aracteristics of this gentle- man's general acting is, the spir'it qf classic thinking with which he sounds the intelligence of his author. In that part of the inimitable apol()gy where Othello says, " She loved me for the dangers I had passed," Mr. RoTHE introduces a reading ^together i>ew. With a burst of impetuous tenderness, at once fond and joyful, he, as it wece, generously boosts " she loved me," as if nothing could make him vain but that sweet consciousness, when suddenly struck with the humility of his personal pretensions to such a preference, he adds, with a modesty the most refined, and after a pause, elo- ■ quently impressive, — " for the dangers I had passed." To this reading, however full of thought, as it unquestionably is, we cannot altogether consent. Othello might have magnanimously coni'essed, " She loved me ;" but such a man would never have descended to the trick of qua- 'lifting what he distinctly said, by a sinister constmction of his meaning. Othello felt either that she loved him for himself, or for the da^igers he hi»d passed ; in either case, he would have said vi'hat he fdt; and what he once said, it was not in his nature to compromise. In the tempting scene, where lago first insinuates a doiibt of the fidelity of Desdemona, the reply of Othello to the villain's affected fears, that such intdlrgence " had a little dashed his spirits," " Not a jot ; not a jot" was given by Mr. RoTHii with such a touching simplicity, that many could give him no other applause than the sflpnt tribute of their tears. His manner of saying, " She had eyes, and chose me)" We will not attempt, for we know not how, to describe; but the passage which electrifted the House, and evinced a power of.vprce we had supposed to be beyond the compass of Mr. RoTHt's, was, ^* If thou dost slander her^ and torture rue, never pray more;" the words " slander her," were' dwelt o;i, with a frantic energy that made i)8 shudder at thie intplei^ble agony of his sufferings, and the hiii'dened, unparalleted atrocity of lago. Then, as if stunned by the shock of his owi rage, he says, with an hesitating and' distracted perplexity, " iS% stay, t^,ou should? St be 'honest j" aijd iinnitsdiately after- tervvards, giving loose to the.s^ipe wjld,pasa(jn, " U there be cords or knives, poison or Sre, — I'll not endure it." Another beauty, arising from contrast, in the same scene, was " I'll have some proof," compared with the wayvvard dejection, with which he shortly afterwards exclaims, " would I were satisfied." In the handkerchief scene, Mr. RoTHE differs from most of our Othellos. Pope, who, with all his faults, does not want feeling, ^ves the account of the handkerchief with a laboured solemnity ; while Mr. RoTHE hurries through it with an irritable impatience, progressively rising into indignant pas»on. This mode of ■giving it, certainly better accords with Desdemorm^s subse- quent question : " Why do you speak so staringly and rash ?" and yet there are plausible reasons for the other reading. That inimitable speechj beginning " Had it pleased Heavdn to try me with affliction," a passage that beggars praise, and which in the closet comes upon the heart with a truth, and force, no Theatrical effort can increase, lost not its intrinsic powers in the delivery of Mr. Rothe, and this is the highest praise we can bestow ; again, " yet could I bear that too, well, very well," was given in a tone of such hopeless self commiseration, so utterly woe- gone, that he must be made of cold materials who could have heard it without emotion. There never was a finer expression of the listlessness of despair, than Mr. Rothe's look, voice, and manner, when he said, " Man but a rush against Othello's breast, and he retires." though we have already exceeded our limits, we cannot close without alluding to the unrivalled excellence of Mr. Rothe in the concluding speech, " Soft you, a word or two before yau go." His cool desperate firmness of pur- pose, is obvious in the first line, and his manner, from the commencement excites, and to the end commands, an earnest, solemn interest, so exquisitely sustained, that in- stead of anticipating the "bloody period," the Audience, like Lodovico, are abruptly shocked at it. We have not room at present to touch upon the other Characters in the greatest of all Shakespeare's Plays; we therefore must defer our observations upon them, and particularly on Mr. Power's delineation of the most ardu- ous' part upon the Stage. It is generally said, so far as we have been able to hear, that Mc. Rothj: never played Olhelio so well as this Season. The Mask op Comos was the Entertainment. This beautiful and sublime composition, was rendered still more attractive by the accessory decorations of scenery and dress. The musical talents of the Company vrere brought into axtion, and all was harmony, and bacchanalian merri- meut The Arbour of Roses, in which the Court of Comus held then- Orgies, must have been painted by some master bf scenic effect. Mr. Dalton inm-oduced Hie sweet and playful air of " Fly not yet," with great success. The grand National Chorus of " God save the King," tei^ minated the amusementsof the evening, and qur Dramatic Season. PRIVATE THEATRE OF KILKENNY. 77 . We have endeavoured to make out a list of the distin- guished Company assembled here this Season, from occa- sional observations at the Theatre, and give it here j but we hope to be pardoned for any inaccuracies it may exhibit : The Countess Dowager of Ormonde and Ossoby, the Earl and Countess of Bessborough, Lady Caroline Lamb, and the Hon. Mr. Lamb, Lady Ponsonby, Lady Harriet PoNSONBY, and Miss Ponsonby, the Hon. Mr. and Mrs. G. Ponsonby, the Hon. Frederick Ponsonby, the Hon. Mr. and Mrs. James Butler, the Countess Dowager of Carrick, the Earl of Carbick, and the Ladies Coffe, the Knight or Kerry, the Countess of Mayo, the Vis- countess Mountjoy and Miss Gardiner, Lord and Lady Ikerrin, Lord and Lady Dunally, the Hon. Major and Mrs. Butler, the Hon. Mrs. Butler Cooper, Viscount MoNCK, the Lords Clonbrock, Killeen and Cloncurry, the Right Hon. Henry Gbattan, Mr. Henry and the Misses Grattan, Mr., Lady Anne and Miss Gregory, Lady Louisa Trench, the Hon. and Rev. the Dean of OssoRY and Mrs. Bourke, Colonel and Mrs. Falkineb, the Right Hon. the Attorney-General, Lady Mary, and the three Misses Saurin, the Right Hon. Sir John and Lady Newport, the Hon. Price Blackwood and Lady, Mr., Lady Harriet, and Miss Savage, Colonel Forde, of Seaforde, Colonel and Mrs. Bayly, of Norelands, Lady Langrishe and the Miss Langrishe's, the Hon. Major General Taylor, the Hon. Mr. and Mrs. Arthur Vesey, the Hon. Colonel St. Legeb, Sir John and Lady Blunden, Sir Wheeler Cuffe, Sir Richard and Lady St. George, Mr. Walter Kavanag^, of Borris, Mr. Thomas and Lady Elizabeth Kavanagh, Sir Hugh Crofton and Family, the Hon. Miss Monck, Miss Burgh, and the Misses Mason, Sir William Morris, Sir James Bond and Family, Archdeacon Warburton, Archdeacon and Mrs. De Lacey, the Rev. Mr. and Mrs. French, and Mr. F. French, General Drummond, Family, and Staff, General and Mrs. Cockburne and the Miss Cockburne's, General and the Miss Fyers, and Miss Rogers, Colonel Bagwell, Dean and Mrs. Scott, Mr. and Mrs. Power of Kilfane, Mr. and Mrs. Bryan of Jenkinstown and Family, Mr. and Mrs. Power O'Shee, Mrs. Rothe and Family, Mr. and Mrs. G. P. Bdshe, and Miss Bushe, Mrs. Kearney and Family, Mrs. James Corby, Mr. and Mrs. DoYNE and Misses Uniacke, Mrs. Smith, Mr. and Mrs. Candler Browne, and Miss Lowry, the Rev. Mr. Cooke, Mrs. Cooke, and Miss French, Mr. and Mrs. Flood, the Rev. Archibald Douglas and Mr. Thorpe, the Rev. Mr. Wrixon, the Rev. Mr. and Mrs. Hunt, and the Miss Greene's, Mr. and Mrs. Abmstbonge of Mount Heaton, and Mr. Synge, Mr. and Mrs. Greene of Greenville, Dean Stevenson, Mrs. and Miss Stevenson, Dr. Mrs. Pack and Miss Pack, Mrs. and Miss Dawson and Mrs. Johnston, Mr. Monck and Family, Colonel Gore of Barrowmount, and Family, Colonel Arthur and Mrs. Gore, Colonel and Miss Newton, Mra. Barton and Family, Mr. Chambre Ponsonby, Mr. and Mrs. RopeB and Mrs. Moutkay, Mr. and Miss Purcell, and Mr. Cadwallader Waddy, Mr. Gumbleton, Mr. Mansfield, Miss Mansfield, Mrs. Allen, Miss Sherlock and Miss Lyster, Mr. and Mrs. Arthur St. George, Mr. and Mrs. Robert St. George, Mr. William Newport, Colonel and Mrs. Nicholson, Mrs. and Miss Magan, Mr. and Mrs. Charles Hamilton, Mr. and Mrs. Cham. Walker, Mr. and Mrs. Talbot, Mr. and Mrs. W. Wade, and Captain Garden, Mr. Humphry Butler, Major Wemys and Mr. Prendergast, Mr. and Mrs. Roxton, Mr. Joy, of the Middle Temple, Dr. O'Meaba, Mr. and Mrs. Bolger, Major and Mrs. Izop, Mrs. and Miss Westbt and Miss Hayes, Mrs. Crosby and the Misses Kelly, Mr. and Mrs. Smith, and Mr. V. Maker, Archdeacon Langrishe, and Mr. P. O. Mitchell, Mr. H.Considine, Mr, LiDWELL, Mr. and Mrs. Butler, of Garryhunden, Sir Henry Wilkinson and Family, Mr. Walleb, Miss Waller, and Miss O'Dwyeb, Mr. Mrs. and Miss Bolton, Counsellors Goold, Bushe, O'Dbiscoll, Wallace, Walshe, O'Dwyer, Arthur, Hobson, Ryan, Finn, &c. &c. &c. Messrs. P. Doyne, jun. H. Henry, R. La Touche, J. Wbixon, Robnett, Vaughan, Bibmingham, Neville, CreagB, Habty, Sweeiman, Nowlan, O'Con- nor, &c. &c. &c. Amongst the many festivities which have distinguished our meeting, the Grand Supper at the Castle, given by the Hon. Mrs. James Butler, on Saturday night the 17th inst., cannot be passed over in silence. The long Gallery in the Castle, ISO feet in length, was bril- liantly illuminated, and ranges of tables were placed along it, with covers for .300 guests. The portraits of the noble house of Ormonde, and other Paintings of " the olden time" displayed upon its walls, the long line of brilliant Lustres suspended from its ceiling, the profusion of Luxu- ries spread upon the Tables, the Rank and the Talent that were seated at them, the gay groups of young, and lovely Women who preferred to promenade about; their nodding feathers, as they moved along, in all the elegance of dress, increasing the effect of their charms, and appear- ing, as it were, " to fan the flame" of their attendant admirers. — All these things sent us back to the ancient days of the Castle op Kilkenny, the days of its Baronial magnificence, when " ducal Ormonde," the Lordly Ances- tor of this illustrious Family, lived here in a style of almost Kingly splendour. Here ducal Obmonde held his seat. And Courts, and Senates filled his gate. And dignified with regal state His Castle. His Heart, as his Domain, was wide. With Nore's its generous current vied. And rivall'd in heroic pride His Cattle. Plaudite et valete. U 78 PRIVATE THEATRE OF KILKENNY. 1816. Complimentary ©inner Upon the recovery qf RipijA W P°^?'',t Esq. fyppi 9 sever? Ijldisposjtion at Rome, in the Spring of 1816. {From th« Cprrespofidentt ThV;rsday, June ST th, 1816.) We trust we shall not be considered to offend against the privileges which jpnuate friendship enjoys, to select this ob- jects that are dear to it, and in the privacy of life, to pay that tribute to worth and excellence, which spring from the warmest affections of the heart, by adverting to a late festive meeting which took place in this City, of the friends of Mr. Richard Power, to give expression of their feelings and their happiness on the occasion brthat Gentleman's recovery from a severe indisposition, by which h^es ^y3S lately at^,9ked at Rome. Mr. Power's friends are of that class, who know how to appreciate virtues and accomplishments which have long rendered him one of the greatestornamentsoflrish Society. They number among them whatever is most distinguished for manly spirit and literary acquirements in this country ; and when" they met to commemorate an event which pre- served an object of their love and attachment, it may be conceived with wha): genuine jov and refinement it was ce- lebrated. Friendship can scarcely have a greater indulgence, or entpr upon its gratification with more real sensibility, than in perfprming a duty of tljis, we may say, exalted nature. Among the many opportunities whi^b Mr. Potvsb )ias jiad of enlarging the scale of friendly con^iexion, pgrh^pgnqne have contributed more to that purpose, thap the circum- stances which created and organized the Kilkenny Thea- trical SociETV, oyer the classic pleasures, and Dramatic arrangements of which, he has presided many years. The at- tractions of this Association, it is generally knoyvn, collected, periodically, the greater portion of the rank, talent, and fashion of the country ; and such very fluttering attention to their exertions, gave a sort of durable constitution to the Kilkenny Theatrical Society, which still exists in a social form, though it has ceased to meet for any purposes of the Drama. , The Members of this Association, whose affection for their Manager will be as lasting as their memories, principally composed the Meeting to which we have alluded, and which was held at Morrison's Tavern, on Wednesday, the I9th inst. ; but it also included several distinguished friends of Mr. Power, who anxiously seized upon an opportunity of tes- tifying their esteem and regard for one they so highly valued. Among thpsp w^ere the Earl of Charlemont, Viscount Ennismore, Baron Smith, the Solicitor Gene- ral, the Hon. and Rev. E. Taylor, Colonel Curr, the Surgeon-General, Sir Stephen May, G. P. Bushe, Esq. &c. &c. The whole party, about Sixty in number, sat down, at seven o'clock, to a most sumptuous dinner, served and conducted in the best style of Morrison's excellent system. The Chair was filled by Sir Robert Langrishe ; Mr. RoTHE took that of the Viae- President, those gentle- men being the Senior Members of the Kilkenny Society : and thus the official departments of the table were very ably filled. In the succession of courses, which presented luxury after luxury, various ornaments of confectionary were introduced, all of vfhich presented some appropriate device, or bore some classic allusion to the object of the Meet^ ing. Some neatly-executed Paintings of the Head of Mr. Power were distributed along the tables, each of them connected, in some tasteful manner, with the orna- ments of this Attic Feast. Under one we read " Where'er I go, whatever realms I see, " My heart untravelled fondly turns to thee." Another was encircled with a scroll, containing, in large gold letters, the vvortls " Kilkenny Theatrical So- ciety," the ends of which were drawn in, between two grasped hands, the motto, or arms we may call them, of their Association, intimating, that its Members are not less united by. the sympathies of a classical taste, than linked to eaeh other by the ties of personal affection, Underneath appeared the following couplet : " A row of pearls ye are, and I, " The silken cord on which ye lie." The Fa«[ii)y Arms of Mr. Power were emblazoned upon shape* of Jelly, Blanc Mange, and every where else, indeed, they could be well introduced j and wherever the motto " pro Patria semper" was read, it called forth a general expressjpn, of how well it might be worn by the independent, and patriot Qentlemap, iii whose name they were assembled. To what we may fairly term the satiety of ipdulgence, succeeded the cheerful, and exhilarating enjoyment of the bottle ; the circulation of which was promoted by whatever enthusiastic friendship could dictate, or genius, wit, and taste suggest. On the health of Mr. Power being given fron» the Chair, a burst of ardent feeling resounded through the room. It was announced in a manner to heighten the sen- sibility which was ready to honour it, and made impressions on the auditory, which it would be difficult indeed to des- cribe in the formality of language. The eloquent and affecting Speech of Sir Robert Langrishe, upon this occasion, called up the Earl of Charlemont, who pro- nounced it to be, as well he might, « one of the most distinguished and elegant displays of hereditary tact, and talent he had ever witnessed," his Lordship concluded with giving the health of their beloved Ch?iii-|nan., which was long and loudly cheered. To this followed, in a short ume, the health of Mn. Power's brother Mr John Power, which was received with equal enthu- siasm. The round of toasts which succeeded, included all who had beep connected with the Dramatic literature of our country, and none passed without those compli- mentary obsei-vations, which might be expected from men of cultivated taste, and Theatrical talents. It was not till a late hour that their respected President retired fvoiii this attractive scene. Mr. Corey was immedi- ately called to the vacant Chair, and it would have been dif- ficult to sfilecta morecompetent successorin alltherequisites for presiding in convivial life, nor one more warmly attached to the object ot the Meeting. By the exercise of those talents which he possesses in a peculiar degree, the depar- ture of his assoaates was protracted to a very late, we had almost said, a very early hour. The pleasures of the evenine were m no small degree augmented by the vocal abili- ties of several pro/mioKo; gentlemen, in addition to the amateurs of the Kilkenny Theatrical Society PRIVATE THEATRE OF KILKENNY. 7^ I817. 18 17, Commenced the I3th, and closed the iSlh of Oetober. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. BccheK Mr. Crampton. Mr.' Corry. Lord Monck. Mr. R. Langrishe. Mr. R. Rothe. Mr. J. Power, jun. Mr. R. Power, JTin. Mr. Roper. Mr. C. Fox. Mr. Theoph. Butler. Mr. Cummin. Mr. J. Bushe. Mr. C. Bushe. Mr. T. Bushe. Mr. A. Bushe. Mr. P. Dalton. Mr. Keatinge. Mr. G. Helsham. Mr. R. Helsham. Mr. H. Helsham. Mr. Shee. Mr. M'Casky. Mr. Skinner. Mr. Straker. Mr. Broomfield. Miss Walstein. Miss Curtis. Miss Kelly. Mrs. M'CuUoch. Mrs. Clarke. Mrs. N. Jones. l^iss Stewart. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. Barton, PROLOGUE, Written by Sir R. Langrishe, and spoken by Mr. Rothe, At the opening of the Theatre, the 13th of October, 1817. Welcome ! thrice welcome, soul inspiring sight ! We hail with rapture this long wish'd-for night. For long the dreary Interval hath been, Since last out friends enjoyed this grateful scene. Scenes that our faithful memory still endears — Scenes of fond hopes fulfill'd, and half fictitious fears. Since last we met, years have their courses run. Whilst war's dark blood hath stained each setting sun. High thrones o'erturned — the earth o'erwhelm'd with gore, Carnage and crimes, unfelt, unknown before; 'Till one great man bade human misery cease. And this distracted orb subdued to peace. The world regain'd, the warrior sheath'd his sword. And nations bless him for their rights restor'd. But we, aloof from war's heroic throes. Aspiring not beyond our mimic woes. Have mourned, 4ike Laplanders, our silent gloom, Liv'd for your light to cheer us, and 'tis come. Then let us hail this intellectual ray. That wakes our torpid twilight into day. Summon'd b^ you, your ready vot'ries throng. With all theu" powers of pathos, jest and song: Our Manager in foreign climes remote. With transport heard the kind recalling note ; — Nor time, nor distance, could his zeal repel. From friends so dear, and sports he loved so well. Fir'd by the sound, his ardent spirits deem The Alps a plain— the Ocean but a stream ; He comes to feel, from your more brilliant eyes, A brighter beam than from Italian skies ; He comes our guide, our genius, and our shield. To grace that sceptre he alone could wield. With easier efforts we obey your call. Speak but the word, and you command us all — From foreign frolic, from domestic cheer, ) From morbid indolence, or toil severe, > Cares or carousals, you shall find us here ; ) And we will treat j!ou Idndly, cull with care. In just requital — rich yet wholesome fare; Not the flat mummery of modern plays. Cant words, old jokes, free thoughts, and vulgar phrase ; But our immortal Shakespeare shall impart. All that can charm the mind, and warm the heart. Our Dome, we own, hath felt time's mouldering sway, Though we've done much his inroads to delay. Not so our Corps — with ardent hopes imprest, We feel new force from renovating rest ; And long may both fulfil their purpos'd ends— To feast with classic fare our lib'ral friends. Monday, 13th October, 1817. FmsT Night. JULIUS CJESAR. Julius C^sab octavius c^sak Anthony Beutus Cassius Casca Teebonius DeCIUS BllUTUS Lucicrs CiNNA Metellds Servius PiNDARUS Flavius TiTINIUS Mr. Shee. Mr. Skinner. Mr. R. Power Mr. Rothe. Mr. Becher. Mr. Corry. Mr. R. Rothe. Mr. Fox. Miss Stewart. Mr. J. Bushe. Mr. R. Langrishe. Mr. T. Bushe. Mr. R. Power, jun. Mr. R. Helsham. Mr. G. Helsham. Plebeians, Lord Monck, Mr. Eyre, Mr. Cummin, Mr. J. Power, jun. Mr. C. Bushe, Mr. Straker, Mr. T. Butler, Mr. Broomfield, Mr. H. Helsham, &c. PoRciA ... Miss Walstein. Calfhurnia ... Miss Kelly. AN OCCASIONAL PROLOGUE. HIGH LIFE BELOW STAIRS. LOVEL True MAN Philip Tom Coachman I Servants tO' Kingston f Level Cook Kitty Lord Monck. Mr. R. Power, jun. Mr. Eyre. Mr. Cummin. Mr. R. Helsham. Master A. Bosfae. Mrs. M'Cullocb. Miss Walstein. Lord Duke ... Mr. Corry. Sir Harry ... Mr. Crampton. Lady Bab, Miss Kelly. Lady Charlotte, Mrs Clarke, Chloe, Miss Stewart. 80 PRIVATE THEATRE OP KILKENNY. 1817. Wednesday, ISth October, 1817. Second Night. THE RIVALS. Sib Anthony Absolute Captain Absolute Sib Lucius O'Tbigger Faulklano Acres David Fag Coachman Skip Mbs. Malafrof Julia Lydia Languish Lucy Mr. Corry. Mr. R. Power. Mr. Crampton. Mr. Rothe. Mr. G. Helsham. Lord Monck. Mr. Skinner. Mr. Straker. Master A. Bushe. Mrs. M'CuUoch. Miss Walstein. Miss Kelly. Miss Curtis. TOM THUMB. King Arthur Lord Grizzle Tom Thumb Noodle Doodle Ghost Merlin Mr. Crampton. Mr. Eyre. Miss Stewart. Lord Monck. Mr. J. Bushe. Mr. Cummin. Mr. R, Helsham. Courtiers, Mr. R. Lan^rishe, Mr. R. Rothe, Mr. J. Power, jun. Mr. Roper, Mr. Skinner, Mr. C. Bushe, Mr. A. Bushe, &c. Queen Dollalolla ... Princess Huncamunca Giantess Queen Fbizaletta Plumante Miss Kelly. Mrs. Clarke. Mr. Fox. Mrs. M'CuUoch. Miss Curtis. Friday, 17th October, 1817. Third Night. MERCHANT OF VENICE. Duke Bassanio Anthonio Gratiano Lorenzo Shylock Salanio Salarino Tubal Launcelot Old Gobbo Balthazar Leonardo /Senators, Mr. P. Dalton, Mr. POBCIA Jessica Nekissa Mr. Shee. Mr. R. Power. Mr. Rothe. Mr. Crampton. Mr. M'Casky. Mr. Becher. Mr. R. Rothe. Mr. R. Power, jun. Lord Monck. Mr. Corry. Mr. Cummin. Mr. R. Helsharn. Mr. J. Bushe. Mr. T.Butler, Mr. J. Power, jun. Roper, &c. Miss Walstein. Miss Kelly. Mrs, Clarke. RAISING THE WIND. Jeremy Didler Plainway Fainwou'd Sam Richard Waiter John Peggy Miss Durable Mr. Corry. Mr. Straker. Mr. Fox. Lord Monck. Master A. Bushe.. Mr. R. Helsham. Mr. Roper. Mrs. Clarke. Mrs. M'Culloch. Saturday, 18th October, 1811 Fourth Night. SHE STOOPS TO CONQUER. Sir Charles Maelow . Hardcastle Young Mablow Hastings Tony Lumpkin Stingo Diggoby RoGEB Ralph Gregory Tom Twist Jack Slang Tom Tickle Jeremy Mat Muggins Mrs. Hardcastle Miss Hardcastle Miss Neville Dolly Mr. Straker. Mr. Corry. Mr. R. Power. Mr. Crampton. Mr. Cummin. Mr. Fox. Lord Monck. Mr. Roper. Master A. Bushe. Mr. G. Helsham. Mr. R. Rothe. Mr. R. Power, jun. Mr. C. Bushe. Mr. Eyre. Mr. R. Helsham. Mrs. M'Culloch. Miss Walstein. Miss Kelly. Miss Curtis. HIGH LIFE BELOW STAIRS. LoVEL Trueman Philip Tow Coachman V Servants to Kingston ( Lovel Cook Kitty Lord Duke Sir Harby Lady Bab Lady CitAULOTTE Chloe Lord Monck. Mr. R. Power, jun. Mr. Eyre. Mr. Cummin. Mr. R. Helsham. Master A. Bushe. Mrs. M'Culloch. Miss Walstein. Mr. Corry. Mr. Crampton. Miss Kelly. Mrs. Clarke, Miss Stewart. PR1\^ATE THEATRE OF KILKENNY. 81 I8I7. Monday, 20th October, 1817. Fifth Night. ALL IN THE WRONG. Sir John Restless Beverley Sir William Belmont Belmont Blandfokd Robert Brush William Thomas Lady Restless Belinda Clarissa ... Tattle Tippet Marmalet ... Mr. Covey. Mr. R. Power. Lord Monck. Mr. Skinner. Mr. Cummin. Mr. Fox. Mr. R. Power, jun. Mr. Roper. Mr. R. Helsham. Miss Walstejn. Mrs. Clarke. Miss Kelly, ]\irs, M'Culloch. Miss Curtis. Mrs. Jones. LOVE LAUGHS AT LOCKSMITHS. Captain Beldare Vigil totterton Solomon Lob Grenadier Risk Lydia Mr. M'Casky. Lord Monck. Mr. Cummin. Mr. G. Helsham. Mr. Skinner. Mr. Corry. Miss Kelly. — ^^^^^^^ Wednesday, 22d October, 1817. Sixth Night. JULIUS C^SAR. JtTLIUS C^SAR Octavids C^sar Antony Brutus Cassius Casca Tbebonius Decius Brutus Lucius CiNNA Metellus Servius PiNDARUS Flavius Titinius Soothsayer Mr. Shee. Mr. Skinner. Mr. R. Power. Mr. Rothe. Mr. Becher. Mr. Corry. Mr. Roper. Mr, Fox^ Miss Stewart. Mr. J. Bushe. Mr. R. Langrishe. Mr. T. Bushe. Mr. R. Power, jun. Mr. R. Helsham.' Mr. Theoph. Butler. Mr. Straker. Plebeiani, Lord Monck, Mr. Eyre, Mr. J. Power, jun. Mr. C. Bushe, Mr. Keating, Mr. Broomfield, Mr, H. Helsham, &c. Porcia Calfhubnia Miss Walstein. Miss KeUy. SYLVESTER DAGGEB,WOOD. Sylvester Daggerwood Mr. Crampton. Fustian ... Mr. J. Bushe. Servant •*• Mr. Fox. A DIVERTISSEMENT. Favoured, Lover ... Mr. Crampton. Clown Lover, ■*. Mr. J. Bushe. Old Painter' ... . Mr. Straker. Painter's Wife ... Lord Monck. Their Daughters ... ; Mr. Theoph. Butler. . ' ' Mr. J. Power, jun^ Attendant ... , Master A. Bushe. Friday, Sith October, 1817. Seventh Night. MACBETH. Duncan ... Mr. Straker. Malcolm • .a Mr. Skinner. DONALBAIN ... - Mr. C. Bushe. Macbeth- ... • Mr. R. Power. Macdufp ... Mr. Rothe. Banquo ... Mr. Becher. Fleance • .. Master Stewart. Lenox ..a Mr. Roper. ROSSE ... Mr. Corry. Siward ... Mr. Shee. Seyton a.. Mr. T. Bushe. Physician ... Mr. R. Langrishe. First Officer ... Mr. R. Power, jun. Second Officer , aaa Mr. R. Helsham. First Apparition ... Miss Stewart. Second Apparition aaa Master A. Bushe. Hecate ... Mr. Crampton. First Witch aaa Lord Monck. Second Witch aaa Mr. Theoph. Butler. Third Witch aaa Mr. Fox. Bleeding Captain aaa Mr. R. Power, jun. First Singing Witch Mr. M'Casky. Second Singing Witch Miss Kelly. Third Singing Witch Miss Stewart. Other Witches, Mrs. Clarke, Miss Curtis, Mre. Jones, &c. Lady Macbeth ... Miss Walstein. Gentlewoman ... Mrs. M'Culloch. A DIVERTISSEMENT, (As before.) THE HOTEL. Don Pedro Don Sancho Octavio Ferdinand Borachio Lazarillo Donna Clara Leonora Flora Mr. Fox, Mr. Straker. Mr. Skinner. Mr. R. Power, jun. Lord Monck. Mr. Corry. Mrs. Clarke. Miss Curtis. Mrs. Jones, 82 PRIVATE THEATRE OF KILKENNY. 1817. Saturday ZSth October, 1817. i Last Night. OTHELLO. Duke op Venice • ■■ Mr, Shee. Bbabantio • •■ Mr. Corry. GaATIANO • •• Mr. J. Bushe. LODOVICO • •• Mr. Roper. Montano • •• Mr, R. Langrishe. Othello • •• Mr. Rothe. Cassio • •• Mr. Crampton. Iago • ■■ Mr. Becher. RODESIGO • ■• Mr. Skinner. Antonio • •• Mr. R. Helsham. Julio ■ •• Mr. C. Bushe. Desdemona ■ •• Miss Walstein. Emilia • •• Miss Kelly. AN OCCASIONAL EPILOGUE. CASTLE OF ANDALUSIA. Don Scifio • •• Lord Monck. Ramirez ■ •• Mr. M'Casky. Don Eebnando • •• Mr. Skinner. Don Juan • •• Mr. Fox. Sfado • •• Mr. G. Helsham. Peseillo • •• Mr. Corry. Sanguino • •• Mr, J. Bushe. Calvette • •• Mr. Roper, Vasquez .•• Mr. T. Bushe. Victoria • •• Miss Kelly. Isabella • •• Mrs. M'Culloch. EPILOGUE, Written by Sir Robert Langrishe, and Spoken by Mr. Power. Our Prologue did, in truth, my feelings tell, ") " Nor time, nor distance could my zeal repel > From friends so dear, and sports I lov'd so well :" ) And rich is my reward. Your wish'd-for praise Lightens my labours, and my toil repays. Where'er I've wander'd, this seducing scene Still the fond object of my hopes hath been. I've felt the influence of Italian rays. And own each charm her cloudless sky displays; But here are beams no sunshine can impart. The social sympathy, the feeling heart — The grateful welcome — friendship's fires that bum To greet the way-worn wanderer's return. Our Epilogues of old portray'd the times, And cried down follies, ere they grew to crimes ; But since our last, the World, entranc'd by fame, f Disdains the " sweet absurd," our wonted game, > And yields scant food for ridicule, or shame. ) Yet shall the rich caprice of human kind. The precious inconsistencies of mind. Yet shall they furnish, 'midst our pride and praise, Some laughing stocks — ev'n in these glorious days. Say ! have not thousands, homespun heads aad hearts, But fir'd by frenzy to tee foreign parts. Wander'd abroad, unconscious where they've been, And gaz'd at sights— unconscious what they've seen — Then, wanting sense to judge, or taste to feel. And witless e'en their follies to conceal — Each wonder pass'd by, and each usage blam'd. Have back return' d, robb'd, laugh'd at, and asham'd. The full-fed Alderman, the world now free, Ptats to partake of foreign luxury ; But 'stead of solid joints, with horror sees Thrice heated fricandos andfricaseet, " Their soup too meagre — and their wine too weak," He longs for home, old port, and rich beek-steak. Another set there are, we can't o'erlook. Trite trading travellers to make a book, With step minute, they pace each field of glory. And lay its soil and produce all before ye. They tell you, from a limestone gravel-hole. That Buonaparte to leave his army stole ; That from a hazel, not a hawthorn shade. Our Wellington his nobiest eiTort made. They tell you where their children drank their tea ; And tell you things, they grieve they did not see. I fire — when thus the triumphs of our nation Sink unemblazon'd, in such mean narration — Themes of our grandest pride, or deepest woes, Debas'd in ditties, or more flimsy prose. So much for wandering — but why, you'll say. Should I 'gainst travellers such spleen display ? Why, 'tis became I've travell'd, and have scann'd The worth and value of our native land. The land of liberty, of power, of wealth. The land of beauty, happiness, and health. Too long I've trespass' d, and the hour is come, I fear you'll deem, that kindly calls you home. How we've succeeded, you alone can tell. Self-love, and your applause, persuade us — well ; Then, if vidth wreaths of Bays our brows are grac'd. We'll bless those hands by which the chaplet's plac'd. On Wednesday, the 8th instant, a magnificent Dinner was given to Richard Power, Esq. at the Hibernian Hotel, by the principal Gentlemen of the County of Kil- kenny, to celebrate his return, in perfect health, amongst them ; and to testify their joy at his resuming, once more, the direction of those classical pleasures, which have been so honorable to him and his associates, and a source of so much advantage, both public and private, to the City of Kilkenny. The High Sheriff took the Chair, about seven o'clock, supported, on his right, by Mr. R. Power, and by Sir Wm. Morris on his left. Mr. Rothe, Major Bryan, Mr. Cobry, and Mr. J. Power, presided in other parts of the room ; and the evening was spent with all that happiness and cordiality, which might have been ex- pected from a meeting of Gentlemen, so much attached to each other ; and all of them so devoted to that respected character, in honor of whom they had assembled. Among other pleasant circumstances which attended this Dinner, we see it has been the means of collecting, at an earlier day than usual, the whole of the Corps Dramatique, which will secure to them the advantages of a due preparation for their approaching labours. PRIVATE THEATRE OF KILKENNY. 8S I8I7. [The Leimter Journal, and the Moderator, Kilkenny. — First Night. — Monday, October 13th, 1817.] After a lapse of five years, we witnessed this evening the exhilarating sight of the opening of our Private Theatre. The internal part of it has just undergone an entire repair. Mr. Boylan of Dublin furnished most of the ornaments, and liberally made them a present to the Charity. Never, on any first Night heretofore, was there so numerous an assemblage. The neatness of the house, and the brilliancy of the Audience, struck the beholder with the most cheerful sensations ; and the number, the rank, the beauty, and the talent, from all parts of Ireland, here collected, give a com- ment upon the merits of former exertions, to which the praises of the critic cannot add. It was, altogether, a scene of joyous elegance and classic festivity, as creditable as it was gratifying. An appropriate Address, from the pen, we believe, of Sir Robert Langrishe, adapted to the feelings of the Audience, and the circumstances of the place, was admi- rably delivered by Mr. Rothe, who, as well as all the known performers, was received with a warmth of applause that testified the public approbation of them, not only in their public, but their private characters. The Play was Julius C^sar. The part of Cassius was performed by Mr. Becher. His port, his countenance, his powerful voice, gave full effect to his thorough conception of the author. He also exhibited a great knowledge of Stage effect, particularly in the scene vrith Snttut, by the dexterity and variety of his by-play. Mr. RoTHE was Brutus. He manifestly laboured under the effects of a cold ; but, bis genius and knowledge rose triumphant, particularly in the celebrated Tent Scene, where he had an opportunity of exhibiting that pathos and feeling, in which, we venture to say, he is not exceeded by any Actor. Mr. Power acted Antony. We rq'oiced to find that the powers of our beloved Manager were not the least impaired by his illness abroad. He was long and loudly cheered on his entrance, and never was applause more cordial, or sincere. The very difficult speech from the tribune was delivered with a just and excellent taste, and the natural manner in which he occasionally checked himseJf widi " Brutus is an honorable man," shewed his knowledge of the author, and proved how well he under- stands " the cunning of the Scene." His delivery of the speech over the body of the fallen Ctssar was another exhibition of great talent. Mr. CoRRY astonished us by his personation of Casca ; his excellence in Comedy has been long known to us, but such is the variety of his talents, that we think he would be an acquisition to any Stage, in any department of the Drama. We wish that whoever regulated the dress of Mr. Shee had added a little more drapery to his Toga. Mr. Skinner played Octavius, and a Mr. Eyre the Cobler of the mob; they promise to be desirable acquisitions to the Corps Dramatique. Mr. Thomas Bushe, as &ma*, delivered the Message from Antony in a manner which gives a fair promise of future excellence. Mr. Fbazer, of the 16th Regiment, is a Recruit, we believe, from North Britain. Those who investigate mi- nutely the affairs of the Theatre, should prevent the Gentlemen of that Country from coming on the Stage in purely Highland costume. There was a good humour and a desire to be happy before the Scenes, which, like an electric spark, communi- cated itself to those behind them, and gave a spirit and gaiety which " marked security to please." The Curtain rose upon us, with those impressions on our minds, to ex- hibit our favourite Farce of High Life selow Stairs. With all the partialities that we acknowledge to feel for our own little Theatre, we really believe we might chal- lenge any Stage in England or Ireland, to produce this Farce in such an excellent style as our own. The Lord Duke of Mr. Corry, the Sir Harry of Mr. Crampton, and the Mrs. Kitty of Miss Waistf.in, are not to be equalled by any thmg we ever saw in the profession. — These Gentlemen dress and look their respective parts in- imitably. The vulgar finery of their manners, each the very opposite of the other, the one with his slow, conceited, jaunty air, and the light and lively swagger of the other, gave us all the various follies of the Servants'Hall, in the establish- ments of high-life. Was ever Supper-table so gay as theirs ? their happiness communicated itself to the House, and every laugh was chorused by the Audience. Mrs. Kitty did the honors of the merry crew with a low-bred af- fability, that was truly comical. In the Song and the Dance that followed, their lively spirit made the Stage so merry, that we wished to be among them. The Yorkshire Boy of Lord MoNCK was truly given, and made him quite unfit for such genteel company. The quarrel of those two important Personages, My Lord Duke and Sir Harry, excited a most unfeeling share of merriment in the Audience, particularly where Mrs. Kitty exclaims, " there will be some noble blood spilt here," and swoons, amidst the cries of the company for " SaUy Volatile;" but when the Master's knock is heard at tne door, and our poor Lord Duke is desired to hide in the coal-hole, we beheld in the laughable humilia- tions that followed, a picture of the usual fate of vanity, in - the higher concerns of the world. We protest, upon the whole, that we never saw a Farce so well got up, nor one which drew forth such tumultuous applause. Colonel Tolly, C. B. and the other Officers of the 16th Regiment, with a view to contribute to the pleasure of the many noble and fashionable Families now on a visit here, have, with true military gallantry, ordered the fine Band of that Corps, to play for several hours every day on the Parade during the Plays, which gives an air of gaiety to the Promenade, and, of course, increases the crowd there. Having left a space for the Address, spoken by Mr. RoTHE, on the opening of the Theatre, but having failed in our efforts to obtain it, we now sit down to fill up that space with one of our own. 84* PRIVATp THEATRE OF KILPENNV. 1,817- AN ADDRESS, Imagined to have been spoken at the opening of the Kilkenny Theatre. The Curtain fell ! — clos'd was the classic scene. And long and lonely was the pause between ; With out-stretch'd wing the bird of silence sate O'er regions once with Tragic pride elate. 'Twas dark and dreary all !-^or beauty smil'd. To cheer the labours of the Drama's child; Nor he, inspired by that electric spark. Sent forth one sun-beam thro' the silent dark. The ghost of Shakespeare, who for years had hung, To list the lonely lays himself had sung, RoU'd in his cloud, forsook the silent spot, And sigh'd to think himself remember'd not. The Curtain fell ! — and at the very source. One stream of Charity withheld its course ; The Curtain fell ! — and friendless and forlorn, The widow'd mother turn'd aside to mourn ; The sick man, tossing on his burning bed, L'ook'd up to Heav'n, for earthly hope had fled ; Glanc'd thro' the fitful fever of his brain. One sense awoke to retrospective pain ; One cold — cold thought — the hope of health was o'er ! And rest and comfort iled for evermore ! ' Five times the spring-bud came, the summer went. The pause was breathless, and the veil uurent. The Curtain fell ! but did it fall for ever? And did it fade for aye that bless'd endeavour ? No — it hath risen !— it faded not, nor slept. Nor hath one damp upon its brightness crept : — Like Vesta's Lamp, although unseen, it burh'd. And now with richer ray it halhreturn'd ! Once more the pure proud feelings of the soul. In mimic precedent, their high control Shall re-assert j-r-once more the well-felt tear. Or sparkling smile, shall speak their language here; Once more the tear and smile of beauty's .eye Shall glisten bright in blissful sympathy. And other tears shall fade while ov,rs do flow — And ours shall woo to rest another's wo ; The white rose shall be tinted, rich and red. On cheeks, from whence such blushing bloom had fled ;- Young blood shall bound with renovated glow. And age shall smile, and all forget their wo. Hail to the high of heart, and bright of eye. We ineet to-night in fair variety ! Hail to this sparkling scene ! as bright, and bland. As ever shone in fancy's fairy land I Fed by the fondness of your partial praise, Our toils were lighten'd in more buoyant days : Lend but that love again, and we are paid' For every pang our doubts and fears have made ; Lend but that love, and to our hearts we turn, To bid it there with fullest feeling burn : — Yes— to those hearts we turn, which never yet One look of love or kindness could forget ; Which, like the centre of creation's li^t, Absorb your love, to bring it back more bright. [Tuesday, October lith, 1817.]— There was a Grand Promenade Ball, and Supper, at the Hibernian- Hotei, this evening, which brought' together all the Fashionables now iii Town. Dancing began about ten, and the Party, did not separate till a late hour. [Second Night. — Wednesday, October \Sth, 1817.] — Sheridan's Comedy of The- Rivals came before a House this Evening, full and brilliant, as usual. Often have we witnessed the representation of this chaste and elegant Drama, but never did we see before a combination of talent so rare and so unique, as that by which it was supported on this present occasion : no link was wanted to the chain — scene after scene, character after character, followed each other in easy and natural con- nexion. When we first understood that the Rivals was to be got up Ihis Season, every miiid was oh the stretch to ascertain the Sir Anthony of the Company. The finished and superior personation ' of that character, by Mr. Lyster, could not be forgotten : i( rose before us like the rich memory of rapture once enjoyed ; and when even the naiAe of Mr.' CoRRY himself became identified with the representation' of that fine and difficult part, something like a doubt of his success irresistibly occurred to our imagination. When we say success, we mean to be understood as keeping our minds' eye attentively fixed upon the Sir Anthony Absolute of the lamented Gentleman already hinted at ; and then, fully possessed with the excellence of its conception, and the truth, the force, and life of its delineation, no man will' wonderj if, previous to this evening, we questioned even the possibility oi )x\a>\A\ng its counterpart ; but we rejoice to say, that we have been most suiprisingly disappointed, and. sincerely delighted. It were a delicate and probably a hazardous thing to say, that Mr. Lyster has in this, his most finished piece df acting, been rivalled by Mr. Corry. Enough to declare, that we could not wish to see Sir Anthony Absolute belter support-, ed ; and if " departed Ghosts are e'er permitted to par-' ticipafe in the things or circumstances of this world," the spirit of LysTebi himself must have looked down with dplight' upon this represetitation. In the " cool" scene, (according to his own account) the Sir Anthony of Mr. Corry was nature itself. The strong, though, at the same time, impotent passion of that eccentric old character, was given with the most irresistible effect ; but M^hen, in the climax of his ex- travagance, the choleric Father tells his Son, that he " will unget him," we protest most solemnly, that the menace was accompanied by such a look, tone, and action, that, for an instant, we forgot its absurdity, in the serious violence with which he uttered it. But O, for language adequate to convey the overpowering risibility produced by the acting between Sir Anthony, Jack Absolute, and Mrs^- Malaprop, while the former enjoyed his own suspicion of the cause of quarrel between the lovers ! bursting with the bigness of his delight to be undeceived in his unfavourable opinion of Jack's prowess and gallantry. The delivery of the following sentence occupied eight minutes at least : — " Tell her 'tis his way Madam — tell her 'tis my way — tell her 'tis the way Of the JamUy, you dog ! !" l^rough tiii«' PRIVATE THEATRE OF KILKENNY. 85 I8I7. little sentence the old fellow almost got into hysterics with delight, and fell very little short of producing the same effect upon his Audience. Always chaste, easy,and impressive — Mr.RoTHE's Faulk- land was a luxurious piece of acting. On this occasion, we thought him far beyond all his previous conceptions of that amiable but eccentric enthusiast. It must be difficult for a man of first-rate practice in Tragedy parts, and who never unbends to any thing light, to separate himself so much from the solemnity of manner, naturally acquired in that line, as to retain, in such a character as Faid&land, sufficient ease to move within its limits. That ease was observable in Mr. Rothe, and there was a dignity combined with it, that we never saw before in any other Faulkland. We doubt very much if a better Jaclc Absolute ever ap- peared upon the pvblic Stage, than Mr. Riohakd Power. Jack is an Only Son, the darling of a fond and passionate Father, effecting every object near to his own heart, in the midst of an affected submission to the whims of the old Gentleman, whom he dearly loves, but,' with the absurdity of whose character, he is always amusing himself. In our experience of the Drama, we never saw one before who gave us this idea of Jack Absolute, not one that banters so well the fond and choleric Father ; not one, in short, that we ever saw, can exhibit, like him, the meaning of Sheei- DAN, in this Character. There is a natural sedateness of manner about Mr. Poweb that contrasts finely with the boisterous violence of Sir Anthony, and a roguish shifting of the eye, which eloquently tells the Audience how intent he is upon playing a game of humbug with the Father. His acting exhibited, through the whole of the Play, the conceptions of an educated and discriminating mind, for every part of it was perfect, Mr. Crampton gave us a Sir Lucius that we have long been anxious to behold- Sickened with the gross concep- tions of professional Actors, who swagger, with great con- fidence, through this line of character, we hailed with delight the blunt matter-of-fact Irish Gentleman of the Old School. There was no caricaturing here, no ovei^-done brogue, or bullying of manner; he gave us just enough of the native dialect to denote the Country from whence he came, and that firm, but simple ease of manner, that be- longs to a Gentleman. Mr. G. Helsham astonished us in Acres— a. very youth, quite inexperienced in theatrical business, and yet he seemed perfectly at home in the scatter-brained Squire. His first scene was the best. We thought he bestowed too much attention on the replacing of his shoe-buckle, and this may have diverted his attention from his business : still, we repeat, he astonished us. We have but one more word for him— he should have had more respect for the veteran excellence of Messrs. Rothe and Poweb, than to break m upon their dialogue, as Faulkland, and J«cA Absolute, by the continued cracking of his whip behind them. We own that Acres should be ridiculous; but this, indeed, was " overstepping the modesty of nature." Lord MoNCK, as David, was very good, and did not fdl to draw down several rounds of applause. Messrs. Skinnee and SiRAKEB were veiy respectable. Miss Waistein never excelled the beautiful piece of acting she went through this night. lier parting from Faiflkiand was quite affecting. Miss Kelly was a good Lydta Languish ; but there is a- Lady in the Company whom, on a former occasion, we have admired more in the same character. The Burletta of Tom Thumb went off well ; but we re- member it to have been better supported here. Gristle was wholly misconceived. Even in extravagance there is character to be sustainbd, and it requires some sense to sustain it with eifect. We must not forget Mr. J. Bushe, who was most excellent in Doodle. He knew what he had to do, and he did it well. Another AccoDNT or the Rivals. — Having often ^ven our views of the Tragic performances at this Theatre, it is our present task to make some observations on ourCompany of Comedians. The Rivals, the productioa of our Countryman, has met here with a congenial soil and climate. , There is not, in our opinion, a character in the whole Drama, that seems to be so much mistaken as that of Sir Lucius O' Trigger. As played in general, it might be taken for Silly O'Rourke, or The Irishman in London; yet nothing can be more manifest than the intention of the author, that he should be " if not as keen, yet certainly as polished as his sword." In the exhibition of it this night, there was a perfec- tion of gentleman-like ease, a ibilitary deportment, a sig- nificant gravity of countenance, and a characteristic com- posure, that were quite delightful. Nor did the Performer differ from his predecessors in these points more than in several of his readings; for instance, he said, " Mr. Acres, I believe you are little better than a coward" not v^ith the usual kind of vulga^ bravado, but rather with a surprise, at having found out in another, very slowly, afjter repeated proofs, a quality for which he had no corresponding feeling, either from nature, or habit. When we add to this, the advantage of a form, which Mrs. Malaprop would call Atlantic, and which, if dressed in Mr. Nowlan's cloth, Ireland would not be ashamed to export, as a sample of her manufactures; we assert, that Mr. Crampton is, we will not say the best, but the only Sir Lucius we haVe ever seen. Considering the filial affection which the House enter- tained for .the Gentleman, who formerly filled the pai't of Sir Anthony Absolute, and that his performance of it was con- sidered ^^ model of acting, a standard to which others were referred, and by which they were judged ; and aware that the y'viacity oi first impression, becomes a test in future judg- ment, high as we rate the talents of Mr. Corry, we cannot but confess, that we considered the present as an awful opportunity for their exertion. But there is a courage in conscious ability that rises with the difiiculties of the oc- casion, and is victorious over the sneers of the enemy, and the apprehension of the friend. How Mr. Corby did per- form it, is not for our words to convey ; it, was manifested by one common feeling among the Audience, expressed sometimes in the loudness of their applause, and sometimes by the more flattering approbation of their silence ; we can well understand their feelings, for they never saw, upon 86 PRIVATE THEATRE OF KILKENNY. I8I7. the PMic Stage, a better Sir Anthony Absolute than we gave them this night, upon our own. Captain Absolute had the good fortune, which does not always happen to him, to have been represented by a per- fect gentleman. In his scene with Mrs. Malaprop, there , was a tone of voice so exactly in tune with the occasion, there was an archness and finesse in his waggery, an insi- nuation beaming in his eye, which, together with his ap- pearance, suited so well to the character, that we consider this most perfect piece of acting to have raised Mr. Richard PowEB to the difficult pre-eminence of a finished Actor, in the highest order of genteel Comedy. The charity of the Audience is so entirely ^ven to the poor, that they have none for a young Performer ; and yet, Mr. Geokge Helshau, as we prophesied, received great and deserved applause. We think him a very promising Comedian, if he can overcome his bashfulness ; and as we hope the Play will be repeated, we will venture upon a few hints. Though the promise of his papUlotes augured great things, yet his hair, when dressed, had nothing outre; his coat was not in the fashion, and, notwithstanding his oath " referential^ we do not think it was made bv Skeefe and Willis. We wish he would give half his skirts to Julius Casar. When he talked of his anti-gaUican toes, we expected he would have turned them in, and that he would have made some awkward attempt at a movement, but instead of that, we had an entre chat, worthy of the best pupils of Monsieur St. Pierre. With a little experience, however, and a greater distinctness of delivery, we think he will be worthy to compete with the great talents that surround him. [Thursday, October 16th, 1817.]— The Grand Ball at the Assembly Room on Thul-sday Evening, was fully equal to the anticipation which we indulged in our last. The great Room was literally crowded, but it was a crowd of elegance, loveliness, and fashion, such as is seldom wit- nessed any where, and which never was exceeded in Kil- kenny. '■ [Third Nioht— JFVedoy, October 1 1th, 1817.]— The Play of this Evening, which Shakespeare has most admirably managed from circumstances rather improbable in them- selves, was The Merchant of Venice. The story is said to be built on an occurrence which hap- pened in some part of Italy, with this difference, indeed, that the cruelty was on the side of the Christian, the Jew being the unhappy sufferer, who actually fell beneath his rigid and barbarous resentment. Popular prejudice, how- ever, vindicates our Author in the alteration he has made; and the delightful manner in which he has availed himself of the general character of the Jews, makes more than amends for his deviating from a matter of fact, to which he was by no means obliged to adhere. If boldness of de- sign, strength of character, excellence of dialogue, and a prepossession in favour of the renowned author of this Play, can shield it from unfavourable observation, we are the more disposed to yield a respectful submission to all these considerations, from witnessing the perfect representa- tion of it on this Evening. We have always considered the Shylock of Mr. Beckeh as one of his happiest efforts ; and never did he represent the character of the artful, and inexorable Jew, with more success than on this evening. The fixed revenge and hatred which he harbours against Antonio, were marked in a mas- terly manner, to which the expressive countenance of the Actor gave additional effect. The cringing bow and fawning address which he assumes on the first approach of Antonio, were master-pieces of the art ; and the insinuating manner in which he addressed the Merchant, in the lan- guage of the poet — " Rest you fair, good Signior ; Your worship was the last man in our mouths — " called forth a burst of approbation from the whole Audi- ence. To follow Mr. Becker through the variety of excellencies he evinced in this character, would require more space than the limits of our Paper will allow ; yet some of the passages, delivered by this gentleman, struck us so forcibly, that we cannot help dwelling on them. In proposing the conditions of the bond, for the money he was about to lend — " Let the forfeit Be nominated for an equal pound Of your fair flesh, to be cut off and taken In what part of your body pleaseth me." Mr. Becrer evinced that thorough knowledge of the mean- ing of his Author that can only be acquired by close study and superior intellect. There was a cunning in his whole behaviour that would have disarmed a less credulous mind than Antonio's of any suspicion. In the scene with Tubal, where he is tortured by the news of his daughter's flight, but exults at the distresses of Antonio ; and, subsequently, ip the trial scene, when he is foiled in his hatred to- wards the Merchant, and when he solicits that mercy which he himself had refused to grant, his whole manner so completely corresponded with his situation, as to fasci- nate the Audience. Of Mr. Rothe's Antonio, we scarcely know how to express ourselves. He possesses the magic art of fixing attention, in every character he undertakes, beyond any performer we ever saw. His manner of addressing £asyas .ejiri ceeded in achieving what is the ambition of the greatest professional talent to arrive at : and we heartily congratu- late him on having completely justified, on this night, the expectation of the fullest House ever known at our Theatre. Sib Francis Burdett. This distinguished character, as announced in our last, arrived at the Hibernian Hotel this evening, and proceeded to the Theatre, which he reached shortly after the begin- ning of the Play. Efforts were made by the populace to Chair him to the House, which he succeeded in defeating ; but he was not able to prevent an immense concourse of peo- ple from following him there, who cheered him all the way. Upon entering the Theatre, he was saluted from the Galle- ries with a general plaudit, which he respectfully acknow- ledged ; but the progress of the performance sufiered no further interruption for the remainder of the night. He remains here the whole of to-morrow, and vfill attend the Theatre again to-morrow night. [Eighth and last Night. — Saturday, October 2Sth, 181 7.] — This Evening, the KilkennyThe atric al Society closed the Season, with the Tragedy of Othello, and the Musical afterpiece of the Castle of Andalusia. The Othello of Mr. Rothe has been long known, and his success in that character is so fully adcnowledged by the Nobility and Gentry who visit our City to witness the Kilkenny Theatricals, that we feel diffident in attempting a review erf his performance this evening, which he cer- tEunly never surpassed. From the moment of his appear- ing on the Stage to the fall of the Curtain, his power over the Audience was as indescribable as their emotion. His Address to the Senate was given in a chaste and happy manner. There was none of that ranting or vio- lence of expression, that so often disfigure the character. It was the simple utterance of the heart — a plain, unvar- nished tale ; but delivered with such feeling as to electrify the Audience for some minutes, who evinced their admi- ration by rapturous plaudits. The subsequent scenes, in which lago plays upon the affections and credulity of Othello, until he draws him into a suspicion of his wife's .fidelity, were admirably performed; and the final trans- port and passion of the Moor, at the imagined incontinence of his wife, were portraj'ed with the most happy effect, ttis delivery of the following passage excited the most lively and poignant sensations throughout the House — O now, for ever, Farewel the tranquil mind ! farewel content ! Farewel the plumed troop, and the big wars. That make ambition virtue ! O, farewel ! Farewel the neighing steed, and the shrill trump^ The spirit-stirring drum, the ear-piercing fife. The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war } And O you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit* Farewel ! Othello' t occupatioa's gone 1 m PRIVATE THEATRE OF KILKENNY. I8I7. Look here, lago; AM toy fond love thus do I blow to Heaven : 'Tis gone. — Arise black vengeartce, from thy hollow cell i Yield up, O love, thy crown, and hearted throne, To tyrannous hate 1 swell, bosom, with thy fraught. For 'tis for aspicks' tongues ! During the whole of the performance, Mr. Rothe was entirely the Othello of the immortal Bard; of the truth of which opinion the Audience gave continued testimony, by the most rapturous applauses. If he appeared exhausted for a moment, it was precisely what might be expected from the whirlwind of his passion. Mr. Becheh performed the part of lago. It was his first appearance in this arduous and difficult character, and it was a most successful one. We have seen another lago upon our Boards, and seen him with that admiration that would have made us fearful of Mr. Becheb's success, had we not seen his Shylock; but the consummate art and malignant disposition of the hypocritical lago were por- trayed by him in a most masterly manner. All the difficult points in this character were illustrated with a justness and discrimination which evinced a complete possession of the author, and the peculiar genius "of the performer. He has a command of face and frame, in such characters, beyond that of most Actors. We do not except Kean, whose best touches are too often beyond nature. Mr. Becheb always conceives strongly, but strictly according to truth. _ Mr. Ceampton was an admirable representative of Cas- tio, though, in the scene when he becomes inebriated, he did not support the assertion, that he had "but poor and unhappy brains for drinking," as he certainly quaffed, (we believe good claret,) with as much spirit as he played; and . .perhaps the pericranium of atjy one but that of a bon ■vivant would have been affected by his copious libations, 1 Mr. Skinner supported the character of Roderigo very '■ respectably ; and Mr. CoRKY^gave unusual importance to that of Brahantio. Miss Walstein perfornjed the part of Desdemona in i her usual superior style. Inthe trying and painful scenes ! towards the close of the Piece, the language of her looks was strikingly impressive. Miss Kelly's Emilia was -above mediocrity, but would have been still better if she ' had been a little more grave in her anger. . After the Play, Mr. Richard Power, the highly esteemed founder and manager of the Theatrical Society, came forward, and delivered, with exquisite taste, feeling, and : effect, an appropriate Address, from the same classic pen, we believe, that supplied the opening one. The Afterpiece was the Oastle op Andalitsia, in which, ; Mr. M'Casky performed the character of 2)on Cesrnr, and i was much -and deservedly applauded in the songs of " Flow . thou regal purple, stream," and, " The Wolf." Mr, ' Corby was the representative of the whimsical Pedrillo, I which he performed with his usual vivacity. Mr. George ! Helsham appeared in the ■ amusing and difficult part of ' Spado. For so young a Performer, he was very success- ful in- it, but we missed the Spado of former- times, and we suspect that PedrUlamv&l have missed him' too. ; At the close of the Farce, all the Members of the Theatrical Society, then in town, and the different female Performers, came forward, and sang; " God save the King /" in the chorus of which, the Audience heai-tily joine^, When the Curtain fell, there was a very general call for " another week's performance," on which, Mr. R. Power came forward, and, in a brief Address, which was loudlir cheered, he assured the Audience, that a compliance with the general wish then expressed, would have afforded the highest gratification to the Members of the Society, but that, from their private arrangements previously made, he found it would be impracticable ; that, as they parted bow> ever with reluctance, he hoped they should meet with plea- sure next year ; but that, for the present, he must respect- fully bid them farewel. Thus has terminated a Season of unexampled success, after a lapse of years which made us fear these elegant entertain- ments were abandoned for ever. The advantage to the Town and to the Charities has been great, and much gra- titude is due by the Citizens, to the high and distinguished characters who compose the Theatrical Society. [Mondat/, October 27th, 1817.] — The streets of Kil- kenny present a very different aspect now from what they did the last fortnight. Then they were crowded with fashionable visiters : now, in the language of Bond-street, " all the world is out of town." The bustle of last week makes the stillness of the present peculiarly striking. The point of attraction, this day, was Bobris, the hospitable Mansion of Walter Kavanagh, Esq., where a very large party were sumptuously and elegantly en- tertained; and from which the strangers struck off to their respective homes. During the continuance of the Plays, the weather was fine, dry, and temperate, which greatly enhanced the pleasures of our visiters. — Late on Saturday evening the weather broke, and rain fell during the whole of the night. Sunday, however, was again fine, but the rain this morning was very heavy. The atmosphere cleared again about Eleven o'Clock in the forenoon, and the day continued favourable for the fete at Borris. Wehave not sjiace to enlarge on the advantages which the City has derived from the immense expenditure of money by the fashionable strangers who came to witness our Theatricals this season. The eight Plavs produced ,£1040, the two Balls .£180, and the Charity Sermon ,£110, amounting together to One Thousand Three Hi'NDBED and Thirty Pounds. The very heavy expenses attending the refitting and getting up of the interior of the Theatre, &c. &c. will consume a great part of this sum. The Charitable Insti- tutions will, however, receive a' liberal proportion of it. Next year, which promises a fuller attendance than ever, the expenses will be comparatively trifling, and the pro- ceeds for the Charities proportionably greater. Our Visiters were composed of individuals of th^ highest rank, and of different political parties, yet all was harmony and happiness; for what have Politics to do with such a Meeting as ours ? Sib Francis Bubdett was surprised and gratified beyond measure, at llie excellency of the PRIVATE THEATRE OF KILKENNY. 93 I8I7. performances, the splendour of the House, and the beauty and fashion of the crowd he saw, and has expressed his de- termination to visit the elegant entertainments of our Theatre at some future Season. ADDKESSED TO RICHARD POWER, Esa. On the closing of the SMkenny Theatre in 1817. BY A LADY. The scene has clos'd, the mimic toil is o'er. The Curtain falls, — to rise, alas ! no more ; Falls, — while warm plaudits, free and unrepress'd. Spontaneous burst from each delighted breast ; Falls,— and in vain the still unsated crowd, " With eager prayer, and supplication loud. Hail the lov'd Ruler of this festive band. Whose word is law, whose wish a soft command ; Whose subjects, glorying in the yoke they own. Feel its soft pressure in their hearts alone. And ask his mandate still for kind delays — More classic nights — more social, joyous days. Ah, no ! such fairy moments soon are past. Such halcyon days, too brilliant long to last: With lingering steps, reluctant, all depart. From scenes that glad the eye, and mend the heart ; And that last summons from the prompter's bell. Seems, of departing gaiety, the knell ! — But see, while yet the brilliant pageant flies. Pleasures in other semblance, quick arise. Far other scenes each Actor's heart engage, And win our classic heroes from the Stage : Sports, half-forgot beneath the Drama's reign. Now claim their eager votaries once again ; And those great powers that charm'd a listening throng. And led our hearts, in magic chains, along, Notr leave such conquests for a nobler game. And rest their glories on another fame — A chase well follow' d, or a fence well cross' d. And all the Actor 's in the Sportsman lost. And now, when sated with a world's applause. To tranquil shades our Manager withdraws ; In scenes domestic, shuns th' admiring gaze. And o'er a narrow circle sheds his rays. Oh say ! may one, who feels the kindling glow His public talents on the heart bestow. And, prouder far the privilege, reveres The private virttte that his home endears ;' Who boasts no critic lore, no kindred fire. Her only wish to see and to admire — May she approach, with salutation rude. The calm retreat of Genius, nor intrude. To add one leaflet to his wreath of bays. And one small voice to choruses of praise? And oh ! will he, whose excellence demands The incense of a thousand hearts and hands. To humbler tributes kind indulgence lend, And shine alike, the Actor, and the Friend? The following is a list of our Visiters this Season, una- voidably incomplete from the hurry in which it has been made: Dowager Countess of Ormonde and Ossory, Earl and Countess of Desart, Earl and Countess of Carrick, Viscount MoNCK, Viscount Valentia, Countess of Kilkenny, Viscountess Moontjoy and the Hon, Miss Gardiner, the Bishop of Watereord and the Hon. Mrs. and Miss Bourke's, the Hon. Mrs. Fowler, Mr. and Lady Elizabeth Kavanagh, the Solicitor-General, the Hon. Mrs. John Bushe, Mrs. and MIssBushe's, Lady Elizabeth Nugent and Miss Crampton, Mr. C. Barker Ponsonby, Lady Harriet, Miss Ponsonby and Mr. JohnPonsonby, Lady Cecilia and Misses La Todche, Colonel Robert La TonCHE, the Hon. Pierce Butleb, Sir Francis Burdett, Sir Wheeler and Lady Cuffe, Sir Robert and Lady Langrishe, Sir Richard and Lady Butler, Sir Judkin and Lady Fitzgerald, Sir William and Lady Charlotte HoMAN, Sir WiLLLiAM BoRRowEs, Sir JoHN Blunden, Sir Henry and Lady Wilkinson, Sir William Stamer, Hon. and Rev. the Dean of Ossosy and Mrs. Bourke, Dean of LisMORE and Mrs. Scott, Archdeacon of Ossory and Mrs. Helsham, Hon. and Rev. James Butler, Mr. Kavanagh, of Borris, Mr. and Mrs. Hugh Henry, Mr. and Mrs. Henry Monck Mason, Rev. Mr. and Mrs. St. George, Mr. and Mrs. George Hill, Rev. Mr. and Mrs, Wall, Rev. James Marshall, Rev. Edward Hunt, Rev. Mr. and Mrs. Kearney and Family, Rev. Mr. and Mrs. LiDiARD, Mr. 'Gregory, and Mr. and Mrs. William Gregory, Colonel and Mrs. Kane, Colonel and Mrs. Wray Pallisee, Mr. and the Misses Browne, General BaowNRiGG, General and Miss Fyebs, Mrs. and the Misses Bruen, Mr. and Mrs. J. Bruen, Colonel and the Misses Gore, Mr. Flood, of Farmley, Colonel and Mr. F. Loftus, Mrs. Jephson, Miss Franks, Miss Kennington, Mr, French, Mr. Lombard, Mr. John Wrixon, Mrs. Meara, of Willbrook, and Family, Mr. and Mrs. Joseph Greene, of Greenville, Mr. and Mrs. Power O'Shee, Mr. and Mrs. Power, of Belview, Mr. and Mrs. John Power, of Kilfane, Mr. and Mrs. H. A. Bushe, Mr. and Mrs. G. P. Bushe, Mr. and Mrs. Bryan, of Johnstown, Mrs. Rothe and the Misses Rothe, Mrs,, James Cobby, Mr. and Mrs. Bailey, the High Shebief and Mrs. Neville, Captain and Mrs. Fleming, and the Misses Conobeve, Mr. and Mrs. Barton, of the Grove, and Family, Mr. Henry Alcock, Major and Mrs. Izod, Mr. and the Misses CoLCLouGH, Mr. and Mrs. Creagh, Mrs. R. Butler and Family, Mr. and Mrs. Aylward and Family, Major Keatinge, C. B. and Miss Denn, Mr. Drought and Family, Mr. and the Misses Shee, Mr. and Miss Fitz- gerald, Mr. Flood, of View-mount, and Family, Mr. and Mrs. Sutton and Family, Mr. and Mrs. Wallace, Mr. and Mrs. Bbenan and Family, Mrs. Hemswobth, Mr. and Mrs. Burgh, Mr. and the Misses Durdeon, Mr. J. Hel- sham and Family, Colonels Bedage, Brooke, Debhigg, Airy, Tolly, Wemys, &c. Captains Gore, Gbifpiths, &c. Messrs. Waring, Doyne, T. C. Duffy, Uniacke, Perry, Poe, &c. &c. &c. 2A 94 PRIVATE THEATRE OF KILKENNY. 1818. Complimentary Dinner TO THOMAS MOORE, Esq. (Freemaris Journal, Wednesday, June 10th, 1818._^ A convivial Meeting v\ras never yet assembled, more ani- mated by enthusiasm, harmony, and good humour, nor one of a graver character ever more dignified, by a chaste and manly tone of patriotic feeling, than that which met at Dinner on Monday last, in compUment to Mr. Thomas Moors. To claim him, as our own, in whom Genius of the very highest order is blended with all that is noble in public, and all that is amiable in private life, is the honorable dis- tinction of our Country ; but, that that Country is able to number among her sons so many, who have heads to com- prehend, and hearts to feel, and courage to avow their affection for him, is still a prouder boast. The, Earl of Chablemont was io the Chair. " The Bard of Erin" sat on the right hand of his Lordship ; the venerable father of the Poet was on his left. The Chair of the Vice-President was filled by the Viscount Allen. Morrison's Great Room was full on the occasion, for the number of persons present was little short of Three Hundred. [ We are aware that the proceedings of a Pbhlic Meeting, intended as a complimentary tribute to the poetical talents, and personal worth of Mr. Moore, do not immediately connect themselves with the present collection, but still we venture to believe, i/«a< am extract of what passed, upon the following Toast being announced from the Chair, will not be deemed wholly irrelevant.] The Noble Chairman then gave, " Richard Power, Esq. and the Kilkenny Thea- trical Society, of which Mr. Moore is a distin- guished Member." After the general applause with which the toast was re- ceived had in some degree subsided, Mr. Cobby, one of the Members of this Society, rose and said : — My Lord Chablemont and Gentlemen, in the name of Mr. RicHABD Power, and of the Association at Kilkenny, over which he presides, I beg leave to thank you for the honor which you have conferred upon him, and them. It is the pride and boast of the little Stage of Kilkenny, that Mr. Moore has often enlivened it by his comic talents, and for ever distinguished it, by having recited on its boards, some of the sweetest effusions of his own Poetry, That his talents should have been conspicuous among us as a Dramatic Poet, you can easily understand, but it is curious, and amusing to observe, that he was no less distinguished, for being one of the best Actors of us all. — {Laughter and Applause.) It may be thought presumptuous to speak of an Establish- ment, the occupations of which appear, perhaps, to those at a distance, to bear too much the character of levity to be a fit subject for any serious notice; but let it be remembered that it is one, which is at least productive of much friendly association, a desirable object to effect in any country, but particularly in one, where hostile feelings too often separate those, whose common interest it is to live in harmony, and happiness with each other ; nor let it be forgotten of the Kilkenny Theatre, that while it con- tributes to the pleasures of the affluent, it has been able to effect the much nobler purpose of alleviating the mis- fortunes of the indigent. — (Long and loud cheering.) But if, my Lord, apology were necessary, foe dwelling for a mon;ent, upon such an institution, none I am sure is requisite for speaking, with less reserve, of the estimable, and amiable character, who presides over it, (tumultuous ap- plause) one whose absence from the kingdom at present, we have so much reason to regret ; a man — how shall I ven- ture to describe him — who by the possession of every ac- complishment, and the practice of every virtue that can adorn, or dignify our nature, is respected, and beloved among every association of Irishmen, of every rank, and condition whatever. I cannot raise him more, my Lord, in the estimation of those, whom I have the honor to address, than by saying, that he is distinguished, in the highest de- gree, by your Lordship's friendship; but. Gentlemen, he must be dear to us all, as the devoted, and enthusiastic ad- mirer, the fast and firm friend, of our highly gifted country-* man, whose worth and talents we are met to celebrate. PRIVATE THEATRE OF KILKENNY. 1818. 95 1818, Commenced the ZUt September, and closed the loth October. THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Becher. Mr. Crampton. Mr. Corry. Lord Monck. Mr. Annesley. Mr. H. B. Gyles. Mr. R. Langrishe. Mr. R. Rothe. Mr. Roper. Mr. H. A. Bushe. Mr. C. Bushe. Mr. T. Bushe. Mr. A. Bushe. Mr. J. Power, jun. Mr. R. Power, juti, Mr. Smyly, Mr. E. Glascock. Mr. Dixon. Mr. M'Casky. Mr. Belli. Mr. A. Mac Lean, jun. Mr. Robert Burke. Mr. Anderson. Mr. Luard. Mr. Bryan. Mr. Bourke. Mr. G. Rothe. Mr. T. Hill. Mr. R. Helsham. Mr. Shee. Mr. Keatinge. Mr. Greene. Mi*. Fleming. Mr. Marshall. Masters L. Rothe, and G. Dalton. Miss Walstein. Miss A. Walstein. Miss Kelly. Mrs. Clarke. Miss Stephens. Miss Rock. Miss Curtis. Mrs. M'Culloch. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. Barton. — ^^^^^^^r PROLOGUE Written by Mrs, Power, and Spoken by Mr. B, Power. To CoNGBEss now debating monarchs hie, Resolv'd to settle Europe's destiny ; Whilst equal cares within our bosoms beat — We, mimic monarchs of the buskin, meet. Anxious to keep, amidst revolving years. Our ancient empire o'er your smiles, and tears. Tho' threat'ning clQuds hung o'er our classic Dome, Hope's cheering influence dissipates the gloom. Bids us come forth, and lightens half our pain. With happier omens here we meet again ; Here, on this spot, endear'd by every tie Of friendship, beauty, kindness, charit/: And proud our boast, if, in our native Isle, j> Our humble efforts teach those lips to smile, _ > Or, from such beauteous eyes, their tears beguile. ) Oh, much lov'd Erin ! would thy sons, who roam. Exert their talents, not despise their home ; Then might this Isle, depress'd and sunk in fame. With other nations proudly rank her name. Has not their genius shone through foreign climes In Wellington, the wonder of our times? Whose glorious deeds the vanquish'd e'en revere ; Transcendent talents mark his bright career ! To him united Europe trusts the sword. To draw, or sheathe it, as he gives the word. With pride old Leinster sent her warriors forth, Renown'd in arms, belov'd for private worth. What name more high than Pack among the brave ? Or PoNsoNBY, just rescu'd from the grave ? Boast we not Gbattan's high unsullied name. The truest Patriot in the list of Fame ? Who, scorning party praise, and blame withstood. One glorious object his — his Country's good. Does Erin want a Bard her name to raise, While Moore, fresh-crown'd with never-fading bays, Unrivall'd, sings his own harmonious lays ? What varied talents to our Bab belong. Applauding senates hang on Plunket's tongue ; And in our Bushe's gifted mind conspire The Statesman's wisdom, with the Poet's (ire. Then fair O'Neil ranks first on Britdn's Stage, While Edgewobth gives to youth the sense of age. And all admire O'Donnell's Patriot page. With such rare talents is our Isle still blest. How many more, alas ! have sunk to rest. For thee, sublimest Bubke, shall memory glow. For Sheridan our tears still fondly flow : But he shall live while genius holds her seat. His classic Plays present our proudest treat : Nor would immortal Shakespeare's self refuse To share your plaudits vrith our much lov'd muse. Thus while I try to paint my Country's merits. And shew what native gifts this Isle inherits. Still every dearer blessing she derives From her fair maidens, and her peerless wives ; And we, from High authority can boast, That Erin's Daughters was our Viceroy's toast. Then let us prize those g^fls that we possess. Nor by contemning, make our little less ; Let each his efforts try — on us depends That happy task — to please indulgent friends ; Be it our pride to find, where'er we roam, " Our first, best Country ever is at home." Monday, 2lst September, 1818. First Night. THE WAY TO KEEP HIM. Sib Bashful Constant Sir Brilliant Fashion Lovemobe ... William Sideboard John POMFEY Lady Constant Widow Belmour Mbs. Lovemobe Muslin Mignionet Fubnish ... Mr. Corry. Mr. Crampton. Mr. R. Power. Mr. T. Bushe. Lord Monck. Mr. Smyly. ■ Mr. A. Bushe. Miss Curtis. Miss Walstein. Miss Kelly. Mrs. Clarke. Miss Rock. Mrs. M'Culloch. 96 PRIVATE THEATRE OF KILKENNY. 1818. AN OCCASIONAL PROLOGUE. THE WEATHERCOCK. Tristram Fickle ... Mr. Crampton. Old Fickle ... Mr. Roper. Bkiefwii ... Lord Mphck. Sneer ... Mr. R. Power, jun. Gardener ... Mr. Smyly. Barber ... Mr. T. Bushe. Variella ... Miss Rock. Beady • •■ Miss Curtis. Wednesday, 23d September, 1818. Second Night. CORIOLANUS. ROMANS CORIOLANUS ... Mr. Becher. Young Marcius • •• Master Gustav. Dalton COMINIUS • •• Mr. Annesley. Menenius ■ ■• Mr. Roper. SiCINIITS • •• Mr. R. Power, jun. Brutus • ■• Mr. B. Rothe. FULVIUS • •• Mr. R. Helsham. Appius ■ ■• Mr. Shee. : Mr. Crampton. Citizens • •• < Mr. Smyly. ( Mr, T. Bushe. VOLUMNIA ■ •» Miss Walstein. ViRGILIA ■ •• Miss Kelly. Valeria • •■ Mrs. Clarke. Servilia ... Miss Curtis. VOLSCLANS. TuLLus AuriDius ... Mr. R. Power. VOLUSIOS ... Mr. R, Langrishe. Sextus ... Mr. Marshall. Lucius • t* Mr. Dixon. Officer ... Mr. J. Power, jun. THE LIAR. Old Wilding Mr. Corry. Young Wilding Mr. R. Power. Papillion Mr. Crampton. Sir James Elliot Mr. R. Rothe. James Mr. T. Bushe. John Mr. A. Bushe. Miss Grantham Miss Kelly. Miss Godfrey Miss Curtis. Kitty Mrs. Clarke. Friday, 25th' September, 1818. Third Night. THE SCHOOL FOB SCANDAL. Sir Peter Teazle Sir Oliver Surface ... Joseph Surface ... Charles Surface Careless Craetree Sir Benjamin Backbite Rowley Moses Trip Snake James Visiters, Mr. Keating, Mr. Green, Mr. J. Power, jun. Mr. Dixon, and Mr. Anderson. Mr. Corry. M. Becher. Mr. Bothe. Mr. R. Power. Mr. Smyly. Mr. Crampton. Mr. Annesley. Mr. Roper. Lord Monck. Mr. R. Rothe. Mr. R. Power, jun. Mr, Gyles. Lady Teazle Lady Sneerwell Mrs. Candour Maria Miss Walstein. Mrs. Clarke. Miss Kelly. Miss Curtis. OF AGE TO-MORROW. Frederick Baron Piffleberg MoLKUS Friz Lady Brumback Maria Sophia Mr. Crainpton. Lord Monck. Mr. Annesley. Mr. Smyly. Mrs. M'CulIoch. Miss Rock. Miss Curtis. Monday, 28th September, 1818. Fourth Night. THE WEST INDIAN. Belcour Stockwell Major O'Flaherty , Captain Dudley Ensign Dudley , Varland Fulmkr Sailor Stukelt , Lady Rusport Charlotte Rusport , Louisa DudEby Mrs. Fulmer Lucy Mr. R. Power. Mr. Shee. Mr. Crampton. Mr. Corry. Mr. R. Langrishe. Lord Monck. Mr. B, Power, jun, Mr. Gyles, Mr. Boper. Mrs. M'CuUoch. Miss Walstein. Miss Curtis. Mrs. Clarke. Miss Bock. NO SONG, NO SUPPEB. Robin ... Mr. Crampton. Frederick ... Mr. Glascock. Crop ... Mr. M'Casky. William ... Mr. Dixon. Endless ... Lord Monck. SaUors, Mr. A. Mac Lean, jun. Mr. Robert Burke. Margaretta ... Miss Stephens. Dorothy ... Miss Kelly. Nelly ... Miss Rock. PRIVATE THEATRE OF KILKENNY. 97 1818. "Puesday, iith September, I8I8> Fifth Night. HAMLET. King OF Denhakk ... Hamlet ... HOKATIO ... PoLONIUS ... Laebtes ... Marcellus Bernardo ... Francisco ... OSRICK ... Rosencrantz ... GulLDENSTERN ... First Actor ... Second Actor ... Friar ... First Grave Digger ... Second Grave Digger Ghost ... Queen of Denmark ... Ophelia' Actress Mr. Anneslejr'. Mr. R, Power. Mr. Rothe. Mr. Corry. Mr. R. Power, jun. Mr. Dixon. Mr. C. Bushe. Mr. Roper. Mr. T. Bushe. Mr. Sniyly. Mr. R. Langrishe> Mr. R. Rothe. Mr. Marshall. Mr. Shee. Lord Monck. Mr. Gyles. Mr. Becher. Miss Kelly. Miss Stephens. Miss Curtis. A SELECTION OF MUSIC : WITH k DANCE. Thurtday, Ut October, 1818. Sixth Night. RULE A WIFE, AND HAVE A WIFE. DoKE to Medina Juan be Castro Michael Perez AlONZp Sancho Li:oM • Cacafogo Lorenzo Vasco MargarettA Estifania Altea Old Woman Maid Servant Mr. Shee. Mr. R. Rothe. Mr. Corry. Mr. R. Langrishe. Mr. Roper. Mr. Rothe. Lord Monck. Mr. R. Power, jun. Mr. T. Bushe. Miss Kelly. Mrs. Clarke. Mrs. M'CuUoch. Mr. H. A. Bushe. Mr. Aiinesley. THE DIVORCE. Sir Harbtt Trifle ... Qoi Tam ••< Dennis Doherty Tom Lady Harriet Trifle Mrs. AiJNiSEEb Biddy ••• Mr. R. Power. Mr. Gyles. Mr. Cramptpn. Lord Monck. Mrs. Clarke. Mrs. M'CuUoch. Miss Curtis. Siikrday, 3d October, \iii. Seventh Night. KING LEAR. King Lear Duke of Burgundy ... Duke of Cornwall ... Duke of Albany ... Earl of Kent Earl of Gloster ... Edgar ... Edmund ... First Knight Second Knight ... Third Knight ... Physician ... Captain op the Guard Officer ... Oswald ... Page to OoneriL ... Page to Regan ... Old Man Edward ' ■ Ruffiam, Mr. GyU Cordelia ... GONERIL Regan Aranthe ... RURAL DIVERtlSSEMENT By Messrs. Cr^mpton, Gyles^ T. Bushe, Simon, Miss Roek, &c. MoMay, 5th October^ 1818. Eighth Kigrt. Mr. Rothe. Mr. R. Langrishe. Mr. R. Power, jun. Mr. Roper. Mr. Becher. Mr. Annesley. Mr. R. Power. Mr. R. Rothe. Mr. C. Bushe. Mr. Luard. Mr. Dixon. Mr. Bryan. Mr. Belli. Mr. J. Power, juw. Mr. T. Bushe. Mr. A. Bushe. Mr. Fleming. Mr. Smyly. Mr. Marshall. I, Mr. Shee. Miss Ai Walsteim Miss Curtis. Mrs. Clarke. Miss Kelly. KING JOHN. John, Kiirc of England Prince Henry Earl of Pembroke ... Eabl of Essex Earl of Salisbury ... Hubert Faulconbridge Robert Faulconbridg£ English Herald First Executioner ... Second Executioner Philip, King of France Lewis, the Dauphin ... Prince Arthur Archduke of Austria Cardinal Pandulph ... Chatillon French Herald ... Citizens of Angiers ... Queen Elinor ... Lady Constance Blanch of Castile ... Lady Faulconbridge Mr. R. Power. Mr. T. Bushe. Mr. R. Power, jun. Lord Monck. Mr. Roper. Mr. Rothe. Mr. Becher. Mr. Shee. Mr, C. Bushe. Mr. Gyles. Mr. J. Power, jun. Mr. Ahnfeslfey. Mr. R. Rothe. - Miss Rock. Mr. Dixon. Mr. R. Langrishb. Mr. Smyly. Mr. Luard. f Mr. Marshall. \ Mr. Fleming. CMr.Bourke. Miss keily. Miss Walstein. Miss Curtis. Mrs. M'Cullodi. SB 98 PRIVATE THEATRE OF KILKENNY. 1818. THREE WEEKS AFTER MARRIAGE. Sir Crahles Racket D&UGGEI Lauy Racket DuiITT Mr. Cony. Lord Monck. Miss Walstein. Mrs. Clarke. Wednesdai/, 1th October, 1818. Ninth Night, THE GAMESTER. Betebley Lewson Stukely Jakvis Bates Dawsojj Waitek Mrs. Beveriey Charlotte Lucy Mr. Rothe. Mr. R. Rothe. Mr. R. Power, Mr. .Cony. Mr. Smyly. Mr. Roper, , Mr. Fleming, Miss Walstein. Miss Kelly. Miss Curds. THE REVIEW. Captain Beaugabd ... Deputy Bull Caleb Quotem Sergeant Higginbottou LooNEY Mac Toblter John Lump ... DuBBS Grace Gaylove Lucy Mr. Roper. Mr. R. Power, jun. Mr. Gyles. Mr Smyly. Mr. Aniiesley. Lord Monck. Mr, A. Bushe, Miss Curtis. Miss Kelly. Friday, 9th October, 1818. Tenth Night. THE RIVALS. Sib Anthony Absolute Captain Absolute ... Sir Lucius O'Trigger Faulkland Acres David Fag , Skip ..; John ... Mrs. Malafrop Julia Lydia Languish Lucy ... Mr. Corry. Mr. R. Power, Mr. Crampton. Mr. Rothe. Mr. Annesley. Lord Monck. Mr. R. Power, jun. Mr, A, Bushe. Mr. Fleming. Mrs. M'CuUoch. Miss Walstein. Miss Kelly. Miss Curtis. KATHARINE AND PETRUCHIO. Petruchio Mr. Becher. Baptista Mr. Gyles. HOBTENSIO Mr. R. Rothe. Music Master Mr. R. Power, jun BlONDELLO Mr, T, Bushe, Pedro Mr, Smyly, Gbumio Mr, Annesley. Cook Mr. Fleming. Mr. G. Rothe. Nathaniel Gabriel Master L. Rothe, Gregory Mr, T. Hill. Adam Mr. C. Bushe. Walter Mr. A. Bushe. Katharine Miss Walstein. BlANCA Miss Curtis. Curtis Mrs. M'Culloch. Saturday, 10th October, 1818. Eleventh and Last Night. MACBETH. Duncan Mr. Smyly. Malcolm ... Mr. R. Langrish*. Donalbain ... Mr. Fleming, Macbeth ... Mr. R, Power. Banquo ... Mr. Becher. Macduff ... Mr. Rotha Lenox ... Mr. C. Bushe. RoSSE ... Mr. Corry. Fleancb ... Master L. Rothe. SlWARD ... Mr. Shee. Seyton ... Mr. T. Bushe. Physician ... , Mr. R. Rothe. Officers, Mr. R. Power, jun. Mr. Gyles, &c. Apparitions, Mr. A. Bushe, Mr. G. Rothe, &c. MGss Walstein. Mrs. M'Culloch. Mr. Crampton. Speaking Witches, Lord Monck, Mr. Annesley, Mr. Roper. Singing Witches, Mr. M'Casky, Miss Kelly, Miss Rock. HIGH LIFE BELOW STAIRS. Lady Macbeth Gentlewoman Hecate ' ( i LOVEL Freeman Philip Tom Coachman f Servants to Kingston f Lovel Cook i Mhs.KittyJ LoBD Duke Sir Harry Lady Bab Lady Charlotte Lord Monck. Mr. R. Power, jun. Mr. Smyly. Mr. T. Bushe. Mr. ^^nnesley. Mr. A. Bushe. Mrs. M'Culloch. Miss Kelly. Mr. Corry. Mr. Crampton. Miss Curtis. Mrs. Clarke. PRIVATE THEATRE OF KILKENNY. 99 1818. The Stage was filled by all the Gentlemen who form the Theatrical Society of Kilkenny, and each, as he advanced to speak, was long and loudly cheered ; Messrs. R. Power and W. W. Bechee came forward first, in front of the whole. EPILOGUE. Mr. Becher. Thus far, thus well, — but are things quite in vogue, Without a Motto, or an Epilogue ? Mr. Power. To speak it we could manage, but to write it. That is the question — Mr. Becher. Langrishe will indite it. Mr. Power. Full oft did he, with master-hand, portray The fleeting follies of the various day. And earn entranc'd applause ; yet, would his verse Want half its point, did not ^'»Me{^ rehearse. Mr. Becher. Where then is Harry Bushe ? — for him go search ye, Mr. Power. He's learning to speak Scotch, to play Sir Archy. \ Mr. Becher. Where's Gervy Bushe ? — he too has been a Poet ; Mr. Power, " He's done the State some service," and we know it. He's too much business ; what, for nothing count ye. That he is Lord Chief Justice of the County ? Mr. Becher. Well, 'mongst the youngsters yon may find one handy; Mr. Power. How ! ask that long tail'd insect call'd a Dandy ? Shall such a thing presume t' assert the Bays, With iron neckcloth, stiff, and tighten'd stays ? Oh, no ; the well curl'd head of such an elf Is full of little, but its little self. Mr. Becher. Well, try the Ladies; — Mr. Power. They will ne'er be able, 'Midst all the chaos and the din of • Babel; Besides, already in each part has beauty. Audience and Actor, well perform'd its duty. Mr. Becher. Well then, let's each, as he can best proceed, Take his unwilling leave; — Agreed. Mr. Power.- Agreed. Omnes. Agreed. « A familUr appellafion Mven to the usual Supper »»« «ie Play, where CTcryonehldBOiiiethuig to say but not always plenty to eat^Vof et preterm ai/iU. Mr. Power. Ladies and Gentlemen, most vain 't would be. In th' hour of pride, to affect humility ; Yes, I am proud, most proud, while I survey My enlarg'd dominions, and extended sway ; ( Pointing to the splendid Green-Room newly built.) And prouder still to think what stars benign. So thick, so brilliant, on those regions shine; Where one-night monarchs hold their short-liv'd reign. The next fair Venus, and her dancing train. Mr. Becher. Here Caius Coriolanus bends, t' entreat (A suppliant Candidate,) your " voices sweet ;" Should you elect him, ever 't will appear, He held his country, than himself, more dear. Mr. Crampton. Secure to meet, (whate'er the humble cause,) Indulgence kind, or more than just applause ; Howe'er each character his parts may suit, Crampton is always yours, from head to *fool. Miss Vr'ALSTEIN. Macbeth's Queen curtsies ; nor could Neptune find Enough to wash your kindness from her mind ; Her vaunting, high ambition here you load, Ev'n to the top, " with honours deep, and broad." Mr. CoRRY. " f The man who does not in his inmost heart , Feel the warm glow that ever should impart" — Where do I run — that was for Joseph meant. Nothing Sir Peter hates like sentiment; But Oh, what full rewards their efibrts bless. Who act up to whatever they profess ! Mr. Rothe. With heavy heart I bend. — To me it fell. To bid around the lingering last farewel ; Farewel — " ye J plumed troops," ah, farewel all. At noon the visit, and at night the ball ; Farewel ye papers, that, each following day. Bade ye live o'er again the last night's Play. Farewel ye plaudits of Box, Gallery, Pit, " That Jove's immortal thunders counterfrat ; " Pride, pomp, and circumstance," so late the ton, " Farewel — Othello's occupation's gone." * In allusion to Mr. Crampton's excellence in the Dance, f Mr. Corry had shortly before played Sir Peter Teazle. i The fair auifeatliered Ladies in the Dress-Circle. [The Moderator, and the Leinster Journal, Kilkenny. — First Night. — Monday, Septemher 2Ut, 1818.] — Our Attic Theatre opened this Evening. The Entertainments attracted a brilliant and fashionable attendance; and we have no reason to doubt, that the season just com- menced will afford to the lovers of Dramatic exhibition as ample a variety of exalted pleasures, as they have hereto- fore derived from the splendid and benevolent labours of our Theatrical Society. We have formerly noticed the very great alterations and improvements made in the interior of the House since last ioo PRIVATE THfiATRE OF KILKENNY. 1818. season. The s^rate ^iss^es i6 the Fit, along the Box- lobbies, must amrS, on Crowded nights, considerable' ad- vantages in the management of places; not io say how much the al^ra^ion has added to the comfort And uni- formity of the House in other respects. The ad(fiiion of a spacious Green-Room,ia refe of the Stage,' has also con- tributed essentially to the geneiral embellishment ; and con- sidering the greai inconvenience to which the want of such a thing had {>revio'usly subjected the Performers, it must be with them a luxury indeed. The scenery is almost all entirely new — the Proscenium completely so ; and both together reflect great cre^t, as well on the judgment of the artist, Mr, Chalmebs, as on the taste of the gentlemen who employed him. We have obtained the following list of the Noblemen and Gentlemen who have contributed to the erection of the New Green Room, with the sums respectively suli- scribed by theift, which we believe to be accurate : Mabquis of Obmonse, - Eabl of Besbobougk, . £abl of D;gsABT, Viscount Monck, A}Hlward, Nicholas, Esq. - Bailey, William, Esq. Barwis, John, Esq. Becher W. W. Esq. - Bookey, Thomas, Esq. • Bookey, William, Esq. Brenan, Michael, Esq. Brownlow, Rev. James Bryan, George, Esq. - Bryan, Georgfe, juh. Esq. Bushe, G. P. Esq. Butler, Hon. J^mes, - Comerford, John, Esq. Corry, James, Esq. Cuffe, Sir Wheeler D. Bart. Cronyn, Mr. Thomas, Cummin, Geoige, £s^. Downey, Mr. . . , Dufty, T. C, Esq. Flood, John, Esq. Flood, Robert, Esq, - Flood, John, Esq. C. P. Fowler, Robert, Esq. - Glascock, E. Esq. Greene, Joseph, Esq. - Helsham, Mrs. John, - Henderson, Mr. J. • - Keatinge, Major, C. B. Langrishe, Sir Robert, Bart. Latham, Oliver, Esq. - Loftus, Sir Nicholas, Bart. - M'Cormick, Mr. M'Donnell, John, Esq. Meighan, Mr. John, - Meighan, Mr. F. - - O'Shee, Power R. Esq. Poe, T. ft. Esq. - - - Sittteonby; Hon. t. - - i25 25 10 o 10 S 13 9 S 13 9 S 35 S S S 13 9 20 25 25 3 8 3 5 S S 25 5 3 8 3 1 2 9 S 5 13 9 s 5 5 13 9 5 5 5 I b S 8 3 5 6 S 9 9 3 8 Ji 3 d 5 <) S 6 1 2 9 5 5 9 3 5 6 6 Pbrisonby, Lady Harriett, - « tes IS 9 Power, John, Esq. . 20 Power, Richard, Esq. - . 50 O Robertson, W. Esq. - . 5 Roper, Charles, Esq. - . 2 Rothe, George, Esq. - . S 15 9 Scott, Rev. Dean, . S Shee, John, Esq. . 3 Smithwick, Mr. John, . S St. George, Richard, Esq. - Verschoj-Ie, R. Esq. - . 2 S 6 . S Waring, W.Esqi, wi 2 6 We should riot neglect to notice the ornamental paint^ ing on the Boxes, which is also new ; those little devices evidently exhibit the conceptions of a classical mind, fully capable of entering into its subject wiih that fitness and propriety which characterize talent even in details. The top of the Curtain is peculiarly handsome; a rich' scarlet drapery half conceals the pillars on either side, and two chiibby boys, emerging from it, support a shield immediately over the middle of the stage, containing the City Abms ! ! ! Conjecture is afloat to account for this eccentric choice of a central ornament. In the first place, says one, it waj put up in compliment to the Mayor; the Citi/ Arms belong.: ing officially to him for the time being. The Mayor it charitable, and the Plays are charitable; therefore, the Mayor's seal is charitable; and, therefore, than the Mayor's seal, what could associate better. with so charitable an oc- casion ? We will not believe that our ToLt-andiCcstoM- Coepoeation is in favour with any of those distinguished characters who compose the Theateical Society ; but aiiV further inquiry into the subject, whatever local interest Jt may have with us, would only detain us too long from ad- verting to the performances of this eveiiitfg. They opened with a Prologue, written for the occasion, and delivered by Mr. Po\fEE, of which, we hope to be able to procure a copy. All its patriotic allusions.to home, and country, were instantly caUght» and applauded, and we have seldom, if ever, heard any Prologue delivered from our Stage, that was received with more general enthusiasm. The Play was The Way to Keep Himj the Farce was The Weathebcock. The Way to Keep Him is a Comedy of the old school; it was written by our countryman Aethdb. Mcephy, and possesses all those distingi^ishing traits of excellence requi- site to place it amongst the best of our Dramatic produc- tions. The characters require abilities of the first order to sustain them with any degree of success. That of Sir Bashful Constant is so peculiarly drawn, that very few Actors of the present day have been found adequate to its performance; i»nd we believe this character, since the retirement of Mr. Bannisteb, with the exception of Mr. W. Faeren, has not found an efi\cient representative on the London boards. It is, therefore; a circumstance that gives peculiar credit to the efforts of Mr. Cobby, in this PRIVATE THEATRE OF KILKEKNY. 101 1818. difficult undertaking, that his success was as complete, and as decided, as the opinions of tlie most rigid critics could pronounce it> In observing on a performance which embraced such varied and brilliant points of comic interest, there is, of course, much difficulty in selecting passages of pecntliar merit. We cannot, however, avoid noticing two scenes of the Play, in which the stupid, and incongruous vanity of Sir Bashful is very ludicrously drawn out, and in which Mr. CoRRY appeared in decided excellence. The ^nt scene was that, where, in the presence of his servants, he reproaches his Lady for her extravagant propensi- ties, with a boisterous violence which he mistakes for the effusion of independent spirit, but which, on the de- parture of Muslin and Furnish, rapidly subsides into unex- pected tenderness, and, as quickly, in his silly dread of exposure, re-assumes its control over his affections. The second scene which derived a striking interest from the acting of Mr. Corby, was, as we conceive, when the arti- fice of Lovemore substitutes a Letter of his own for that in which Sir Bashfulhad addressed a humiliating declaration of his love to Lady Constant. The ludicrous distress to which the supposed rejection of his proffered love reduces Sir Bashful, was conveyed in a manner irresistibly comic. We do not hesitate to pronounce the exertion of comic powers, presented by Mr. Cobby's performance, throughout the difficult . alternations of feeling which it involves, a finished piece of acting ; and this we venture to declare, with the excellency of Mr. Bannisteb's performance in the same character, full in our recollection. The Lovemore of Mr. Poweb was most excellent. His whole scene with his Lady in the fifth Act was a masterly piece of Acting. We believe his idea of loosening different parts of his dress, previous to retiring to bed, was new ; whether or not, it had a most natural effect, and was quite of a piece with the cold indifference, almost approaching to rudeness, with which the negligent husband, absorbed in another amour, might have been supposed to treat a domes- tic wife in an evening's tete-a-tete. In Genteel Comedy, Mr. Power has no equal on the Kilkenny stage ; his mind is richly cultivated ; he studies his author till he embodies every thought of him into what he conceives a fit expression of it on the stage ; and his manner, air, appearance, and deportment, carry so much oi fashionable life about them, that the whole representation is perfect. The character of Sir Brilliant is not so well calculated for the display of the excellent talents of Mr. Cbampton, as many in which we have had the gratification of seeing him ; Sir Brilliant is a man of fashion : but the author meant to infuse into the part a mixture of the petit maitre, the dandy of the old school. Mr. Cbampton's manly figure and general deportment, are better adapted to the forcible delineation of Sir Lucius O' Trigger, than to the foppery and effeminacy of Sir Brilliant Fashion. Mr. T. Bushe both astonished and delighted^the Audience in the character of William; his improvement in air, and the manly appearance which his figure has assumed since the last meeting, were subjects of general admiration. We congratulate Miss Curtis upon the rapid improve- ment she has made in her professional walk. She was an excellent representative of Lady Constant ; her manner was perfectly agreeable and unaffected, and her gener^ performance was marked with good sense and judgment. The Widow Belmour was performed by Miss WAtsxEiw, with all that point, vivacity, and elegance, with which she so ably personates the gay, and accomplished woman of fashion. Miss Kelly's figure is admirably adapted for the cha< racter of Mrs. Lovemore ; but she did not seem so per- fectly acquainted with the words of the author as on other occasions ; this was, perhaps, a defect arising from a first performance, and the hurry of preparation. She often makes a natural point, and this is the more surprising when we consider the systematic affectation of her stage manner. Her truly lovely figure often becomes disagreeable from contortion, and she appears more anxious to preserve, by the constant application of her tongue, " the natural ruby of her lips," than to follow up a just conception of cha- racter, with easy and natural action. Had we never seen Mrs. Clarke before this evening, her excellent performance of Mmlin would have entitled her to our warmest admiration. Mrs. Clabke has an archness of feature, a richness of humour, and a peculiar naivete that admirably adapt her for characters of this description. The Farce of the Weathercock followed, in which Mr. Cbampton gave to the part of Tristram Fickle all the whim, bustle, and spirit of this ever restless and changing character. His performance throughout occasioned uni- versal laughter and good humour in the Audience. Lord MoNCK represented the character of the taciturn Lawyer, ^ Brief wit, with considerable effect. The part of Old Fie-' kle was performed by Mr. Rofeb, who appeared with more success in it than his youth and figure would have allowed us to expect. [Second Night. — Wednesday, September 23d, 1818.]-— The Performances of this Evening were Cobiolanus and The Liab. The excellent manner in which the interesting Tragedy of CoBioLANUs was got up, and performed, justifies our warmest commendation. Mr. Becheb, the Hero of the Piece, was greeted, on his appearance, with an ardour of welcome, as creditable to the Audience, as it must have been gratifying to the Per- former. Mr. Becker's merits have long been known, and highly appreciated by the distinguished visiters at our Theatrical carnival, and never, we believe, was he seen to greater ad- vantage than on this night. In figure, and in manner, we do not think that the Stage of the present day can offer a better model for the representation of the high-minded Roman, than was given in the person of Mr, Becheb. His delivery was bold, and animated, and the Audience were loud in their applause. In the last Act, and in what we conceive the grand scene of the Play, Mr. Becher rose to a pitch of excellence which could not be surpassed. The manner in which the 2C 108 PRIVATE THEATRE OF KILKENNY. 1818. following lines were delivered, on the approach of his mother with his wife and child, on whose intercession hung the fate of Rome, was quite masterly : " My wife comes foremost ; then the honour'd mould Wherein this trunk was fram'd, and in her hand The grandchild to her blood. But, out, affection ! All bond and privilege of nature, break ! Let it be virtuous to be obstinate.— (Virgilia bows.) . What is that curt'sy worth ? or those doVe's eyes, Which can make gods forsworn ? — (Volumnia bows.) My mother bows ; As if Olympus to a mole-hill should In supplication nod : and my young boy Hath an aspect of intercession, which Great Nature cries, " Deny not" — Let the Volscians Plough Rome, and harrow Italy; rU stand. As if a man were author of himself. And knew no other kin," The effect produced by the group was greatly heightened by the happy manner of the lovely child who personated the character of V-oung JUarcius, Master Gustavus Dalton. The attention paid by' this fine boy to the business of the scene, was scarcely to be expected in one of his tender years, and excited an uncommon degree of ihteresti The climax of excellence in Mr. Becher's delineation of this difficult character was the burst of passion at the taunting of Aufidius. The sensation which the acting of this scene created throughout the house is indescribable. It is impossible to conceive aiiy thing more animated than the manner in which Mr. Becber delivered the following speech, after the reproach of Aufidius on proclaiming him " a boy of tears." His whole soul starting into his eye, and indig'nation flashing in his face, he exclaimsr- " Measureless Liar ! thou hast made my heart Too great for what contains it. — Boy ! Cut me to pieces, Volscians, men and lads, Stain all your edges in me. — -Boy! If you have writ yqur annals true, 'tis there. That, like an eagle in a dove-cote, I Flutter'd your Volscians in Corioli : Alone I did it."~ Tbe burst of applause that followed this speech equalled ■any manifestation of feeling we ever saw evinced at our Tlieatre. In short, Mr. Becker's Coriolanus may be con- sidered a chef leasing. ■■> .;'-.< In the Afterpiece of The Liar, Mr. Power personated the character of Young Wilding with a spirit and vivacity which deliglitted , Uie Audience. He seemed in high spirits, .and this was. sufficient . to impart pleasure, and diffuse good humour, through the fashionable assemblage which filled the House, to whom that circumstance alone would be a source of unmixed gratification. The Papillion of Mr. Crampton , was excellent throughout j and Mr. CoitBY gave to the indifferent character of Old Wilding, an importance which we thought it was incapable of re- ceiving. The scene between Young Wilding, Papillion, and Old Wilding, in which the former tells the story of his trumped-up marriage, was as well acted as it could be on any Stage, and had a powerful effect on the risible faculties of the Audience. We thought we should have died with laughing at the marvellous narrative about the Cat, and the stupid credulity with which it is received by the old Gentleman. Mr. R. Rothe performed the part of Sir James Elliot with an ease and animation which would have been creditable to the veterans of the Stage. His handsome appearance, and gentlemanly deportment, had their due share of interest with the Audience, parti- cularly with the lovelier part of them. PRIVATE THEATRE OF KILKENNY. 103 1818. [TAurtday,September24tfi,lSl't. — TheatricalSociety Ball.] — ^There was a Grand Ball at the Theatre this even- ing, and the spectacle was one of the most enchanting ever witnessed in Kilkenny. Scarcely any person who visited the Theatre on last night would have intoned it poiaible that the interior could have undergone such'a transfer- madon by to-night, and without interraptiilg the rehear- sals. The Pit was completely covered over on a leyel with the Stage, as neatly, and firmly, as if intended for a perma- nent Ball-room. The Stage wings were removed,, leaving not a trace behind ; and the Grand Saloon, in the rere of the Stage, erected in the course of the present year, was completely thrown open, the whole formmg one long, and splendid room. Th^ House was brilliantly illuminated ; the magnificent and costly lustre, suspended in the centre of the Saloon, was lighted v)p, and the coup d'oeil, after the promenading had commenced, was quite charming. The Ball was opened by Richard Power, Esjj. and Miss KavanagS, of BoRRig. If possible, the fascination of the scene was enhanced when the Country Dances were relieved by QuadrUles, as the greater number of ^those who did not " trip it on the light fantastic toe" retired to the Boxes, giving to the whole an expansion of scene, and a diffusion of beauty, elegance,'and taste, sparkling with mag- nificence. The plan by which the Theatre may be converted into a Ball-room is certainly one of the most useful and in- genious improvements that have been made since the last season ; and we understand that Mr. Bobeetson has so simplified and perfected the plan, that his men may, at any future time, transform it either into a Ball-room, or a Theatre, in one hour.' It is needless to dwell on the pleasures of the Evening. The Quadrilles were regulated by the Messrs. Simon, from Dublin, who attended to rive out the changes, and direct the Music. The entire Band of the 44lh Repment, in full dress, was placed in front of the Lettice-Circle, and played during the intervals of the Dance with delightful effect. The company did not sepa- rate till three o'clock in the Morning. Miss Stephens. The Visiters of Kilkenny will learn with considerable pleasure that Miss Stephens will arrive in Town on Sun- day, and intends to add the charm of her vocal powers to our Dramatic Entertainments.— This justly celebrated Singer is to grace our boards on Monday Evening. She will appear in the interesting character of Margaretta, m No Song No Supper; and will also perform on Tuesday Evening the part of Ophelia in Hamlet. We congratulate Kilkenny on this accession to the amusements of our TheatticaJ meeting. IThird Night.— FrJ&y, Septemher 25th, 1818.]— We derive considerable pleasure from observing with what de- cided success the performances of our Theatre, smce the commencement of the present Season, haye been distin- guished. Indeed, when the various and discouraging cu-- cumstances which must necessarily incumber the exertions of our Theatrical Society are considered, the precision and completeness with which every thing is executed, cannot but occasion surprise. The Gentlemen of the Theatre are exposed to perpetual interruptions, and the consequent difficulty of completing a united preparation, must foitni- dably embarrass their exertions. The very brilliant success which has attended our Performances is, therefore, the more creditable to their talents and assiduity. The Comedy of The School fob Scandal, and the Farce Of Age To-morrow, were the Performances of this Evening. The Sir Peter Teazle of Mr. Corky presented a most effective display of those ludicrous peculiaritiesj which are united in that eccentric character. The ridiculous Uneasi- ness, the whimsical weakness, the- foolish love, and the imbecile anger of Sir Peter, were happily conceived, dnd represented with the full force of skilful contrast. It was not by the agency of those gesticular extravagancies, with which inferior Actors perpetually distinguish the varieties of op- posite feelings, that Mr. Cobry drew out this admirable picture of ridiculous infirmities., His, countenance can at all times convey the exact expression of. distinct affections;. and the laughable transitions of passion, .which so ludi- crously mark the character o{ Sir Peter, in .his interviews with' Lady Teazle, were managed with consummate . dis-. crimination. In his scene with her Ladyship, when their . matrimonial strife is subdued to the endearments of a mo- mentary reconciliation, the acting of Mr.. Cobry teemed with a luxuriant humour. The feeble, but significant eagerness of his caresses, his chuckling smile, and amorous gaze, were depicted with com- plete propriety, and excited loud and continued bursts of merriment. In the closing part of the same scene, when habitual discord resumes its influence over the lately happy pair, the returning anger of Sir Peter was humorously de- veloped in the gradual elevation of his .voice, and the ridicu- lous agitation of his person ; and when at length this breach of domestic quiet seems irreparable, the tone and look with which he vows to make ".an.example.of himself for the be- nefit of all old bachelors," were admirably expressive of in- considerate resentment. On the discovery of her Lady- ship's concealment behind the screen, his surprise was marked with peculiar force, and nothing could more: exactly reveal the agitated condition of his feelings, than the look with which he accompanied the exclamation, ". fiady Teazle, by all that's damnable !" In the preceding part of the scene, when in. conversation vritn Joseph Surface,, his performance developed with considerable effect, the unbounded and honorable liberality of spirit, which, with all his whunsicalities, enters into the charac- ter of Sir Peter. We cannot treat, as perhaps we ought, this excellent performance as it deserves, by marking out passages for partieidar admiration, for we own that we were delighted with the entire acting of Mr. Corry. Mr. Becheb played Sir Oliver Surface. The tragic line of acting in which this gentleman io eminently excels, calls for peculiar attributes which are with difficulty made to accord vrith characters of comic expression ; and we were, therefore, not a little surprised to see that the suc- cessful representative of Coriolanus was so well, in so very different an effort of Dramatic taste. Mr. Rothe, as Joseph Surface, made his first appear- ance at our Theatre since the commencement of the pre- 104 PRIVATE THEATRE OF KILKENNY. 1818. sent Season. His entrance was greeted with an enthusiasm of applause. This incomparable Performer acquitted him- self with undiminished credit in this character. We_ have frequently wished to see the sentimental hypocrisy of Joseph Surface blended with that apparent force of feeling which relieves the cold uniformity of declamatory expres- sion J Mr. RoTHE, with a very just discrimination, threw into this character more of energetic feeling than we have usually discovered in the personation of it, and we thought his performance entitled to distinguished approbation. Mr. PowEB, in the character of Charles Surface,- fully maintained his reputation with an approving Audience. Mr. Power possesses those attributes of unaffected elegance and animated expression, which fit him for the successful personation of Charles Surface; and it is, therefore, only necessary to add, that his performance this night united a very interesting display of these attractive qualities. Lord MoNCK supported the character of Moses with considerable humour. He has acquired a very correct knowledge of the Jewish dialect, and varies his tone with appropriate facility. Mr. Annesley, as Sir Benjamin Backbite, deserves our approbation. His voice and carriage very happily denoted the ridiculous vanity of the sarcastic fop. Mr. Cbajifion, in the character of Crahiree, acquit- ted himself with much credit ; and Miss Walstein was admirable in £orf^ Teazle. Mrs. Clakke deserves to be favourably mentioned as the representative of Lady Sneer- well ; and we are glad to be able to bestow on Miss Kelly's Mrs, Candour our entire approval. The Musical Entertainment, Of AgeTo-Mobrow, passed off very successfully. Mr. Champion, in the character of Frederick, presented us with a performance which was distinguished for amusing varieties. To the original enter- tainment, this gentleman added a scene of exquisite hu- mour, in which he appears disguised as a French Hair- dresser. Incidental to this novel introduction, he sings a French Song with irresistible drollery ; and his uninterrupted fluency in the language of this character, as well as the accuracy of his pronunciation, rendered him a very correct representative of the French Frizeur. His performance excited continued laughter. Baron Pijleberg was a capital character in the hands of Lord Monck ; his dress was peitect, his songs excellent. Mr. Annesley performed Molkus with great applause. We have already observed, that this gentle- man was likely to prove a useful acquisition to our Theatre, and we are happy to notice how rapidly he gains on the public approbation. Lady Brumback was personated by Mrs. M'CuLtocH with much humour. Miss Rock was, as usual, animated and interesting in her performance. She played the character of Maria ; and we should do injustice to the Dramatic labours of this accomplished Actress, since her accession to our distinguished Company, if we omitted to direct their attention to her merits. [Fourth Night. — Monday, September 28tk, 1818.] The Comedy of the West Indian, with the Musical Farce of No Song No Supper, formed the Entertainments of this Evening. Mr. Powek's Belcour combined many brilliant poipts in it. The character of the ardent and enterprising West Indian, in which the irresistible propensities of passion are blended with feelings which extenuate, where they cannot redeem, the in- discretions to which they too often conduct, was very effec- tively brought out in the performance of this distinguished Actor. It is honourable to the diligence and discrimina- tion with which this gentleman seems to have studied the principles of dramatic effect, that he so equally, yet so spiritedly, conducts the business of his scenes, and so uniformly avoids those perilous irregularities which weaken the exercise of dramatic powers. His performance on this night, was chastely natural, yet abundantly rich in varieties of animated expression. Mr. Crampton, in the character of Major O' Flaherty, produced infinite merriment. He possesses strong physical requisites for it in voice and figure. While we very warmly deprecate the liberty usually taken, in the representa- tion of dramatic Irishmen, we are yet by no means displeased at beholding the peculiar qualities of our country- men brought forward with the force of characteristic whim- sicality. Mr. Crampton, while he favoured us with a picture of chaste and delicate humoiu', very properly re- jected those offensive drolleries which too often accompany the personation of an Irish gentleman; and contenting himself with the spirited and appropriate language in which his author has so admirably developed the character of the gallant Major, he preserved throughout his performance, a dignity of air and manner which truly accorded with it. Mr. Shee performed Stockwell. The character oi Captain Dudley was supported by Mr. Cokry with feeling and energy j it was a chaste representation of a gentleman and a soldier struggling against adversity, and retaining, amidst all its distressing effects, the pride and port of an honoura- ble mind. Mr. R. Langrishe sustained Ensign Dudley most respectably. Lord Monck played very well in the character of Varland. The part of Fulmer was assigned to Mr. Power, jun. This gentleman possesses valuable re- quisites for dramatic distinction, and we are happy to observe that his performances hitherto, have been received most favourably. Miss Walstein played Charlotte Busport, and was correct and animated in her performance. Miss Curtis as Louisa Dudley, Mrs. Clarke as Mrs. Fulmer, and Miss Rock as Lucy, were warmly applauded. The Farce of No Song No Supper was rendered pecu- liarly attractive by the appearance of Miss Stephens in the character of Margarelta.. In the Song of Cease your Funning, which was rapturously encored, this incomparable Singer displayed the exquisite and unbounded variety of her powers ; and in the Song of Auld Robin Gray, the delicate sweetness of simple melody was gracefully combined withthe charms of occasional variations. A very brilliant Audience filled the Theatre this evening, and ardent bursts of applause rewarded the successful efforts of her ability Mr. M'Casky, Mr. Glascock, and Mr. Dixon, contributed most effectively to the musical pleasures of the evening, and received an ample share of public admiration. Lord Monck as Endless, presented us with a most amusing display of comic talent. Miss Kelly, and Miss Rock, in the respec- tive characters of Dorothy, and Relly, were useful acces- sions to this vocal entertainment. PRIVATE THEATRE OF KILKENNY. 105 1818. [Fifth Nisht. — Taetday, September Z9lh,,. 181S.] — The Tragedy of Hamlet was performed this Evening to one of the most brilliant and crowded Houses of the Season. This Play was considered as the most perfect exhibition that has been brought forward during the season. Among the many characters that composed the dramatis personce, there was not one whose performance this evening would not have satisfied the most fastidious critic. The character of Hamlet is, we believe, the most diffi- cult in the range of the Drama. Mr. Foweb, the hero of the lu'ght, gave us a thorough and general conviction, that he is fully competent to the arduous undertaking, and emi- nently gifted for the performance of the Danish Prince, a character in which are combined all the qualities of the soldier and the gentleman — " The glass of fashion and the mould of form. The observ'd of all observers."^— We do not remember to have ever seen him to greater advantage than on this evening. He entered fully into the meaning of the author, and sustained himself throughout with masterly skill, and eSbct, We would particularly allude, as instances of the superior talent and skill of the performer, to the scene in which the Ghost appears to the Prince, the soliloquy on death, the subsequent scene with Ophelia, in which he affects madness, the scene in which he gives the advice to the Players, and the closet scene with the Queen. Mr. Power's astonishment and terror, at the first ap- pearance of the Ghost, were expressed with all that chaste- ness of feeling, and nicety of discrimination, which are his peculiar characteristics. Entirely divested of all unnatural rant and contortion of the body or features, he im- parted, with singular energy, all possible interest to the character, without once " o'erstepping the modesty of na- ture." The soliloquy on death afforded a fine specimen of chaste and sound declamation to the younger members of our Theatrical Society. In bis advice to the Actor, Mr. Power adopted a manner so light and familiar, as greatly to relieve the serious tenor of the character; and we are inclineii to think that this part of the performance is not the least difficult to sustam with propriety. In the scene with Ophelia, where he affects madness, Mr. Power's performance was perfect throughout; and in the closet scene with his mother, his efforts were equal to any thing the Stage can afford. Indeed, nothing could be more strik- ingly natural than the manner he assumed at the appear- ance of the Ghost: — " Forth from his eyes his spirit wildly peeped ;" and the applause bestowed on this scene, loud and general, was reiterated from all parts of the House. In short, taking Mr. Power's Hamlet altogether, it was a performance that would have done credit even to the Pro- jeuion. Of Mr. Cobry's performance of Polonius, there can be but one opinion. It was one of the most judicious re- presentations of the old Courtier the Stage could exhibit. The advice that Polomus gives to his son was, to the credit of Mr. Corby's judgment, spoken on this occasion. It has been customary, at the Theatres, of late years, to «mit this passage, and we think improperiy. The advice may be useful to youth at all times ; and it fell to the lot of Mr. CoRRY, in this character, to address the moral lessons of our illustrious Bard, to an ardent, honorable, and ingenuous young Gentleman, one destined for foreign climes, and one too, whom he regards with a strong personal affection. The scene lost nothing of its interest from that circumstance. The character of Polonius is not always understood. Although years had so enfeebled his mind, as to make him a very wittol with regard to what was passing before him, yet he had gathered wisdom from experience, and could well advise with respect to the future. Some of his senti- ments, addressed to his Son, are most admirable, and wei's delivered by Mr. Corby with great judgment : — " Be thou familiar, but by no means vulgar. The friends thou hast, and their adoption tried. Grapple them to thy soul with hooks of steel ; But do not dull thy palm with entertainment Of each new-hatch'd, unfledg'd comrade. Beware Of entrance to a quarrel ; but, being in. Bear it, that the opposer may beware of thee. Give every man thme ear, but few thy voice : Take each man's censure, but reserve thy judgment ; Costly thy habit as thy purse can buy. But not express'd in fancy ; rich, not gaudy ; For the apparel oft proclaims the man. And they in France, of the best rank and station. Are most select and generous, chief in that." Mr. Corby's performance was highly creditable to him as an Actor of taste and discernment. It was free from that unnatural buffoonery with which we have too often seen it tainted, even in the hands of some of the most eminent Comedians; and this effort of genius we consider as adding much to the well acquired reputation of this excellent Performer. Mr. Becher, in the character of the Ghost, unfolded the tale of murder with a suitable solemnity of expression. The " Secrets of the Prison House," came to our ears in almost " unearthly" tones. Mr. RoTBE took the part of Horatio, and sustained it admirably. The feelings of the Audience cannot be sup- posed to be much interested for a character whi(;h has so little opportunity of engaging their sympathies as Horatio; but the performance of Mr. Roihe gave it more impor- tance than it usually claims. The King was performed by Mr. Annesley, who acquit- ted himself creditably. He looked the character very well, and his action occasionally evinced feeling and energy. Mr. R. Power, jun. sustained the character of Laertes very ably. The Otriek of Mr. T. Bushe could not be ex- celled; and Lord Movck, and Mr. Gyles, performed the parts of the Grave-Diggers in excellent style. His Lord- ship, in the undressing scene, threw off thirteen jackets. We are unable to do justice to the Ophelia of Miss Stephens. Her action, unaffected and interesting in every scene, and her lovely eyes suffused in tears, or gleaming with the melancholy of madness, independent of her smg. 20 106 PRIVATE THEATRE OF KILKENNY. 1818, ing, charmed the Audience. But the amazing po'vrer of hesr fine voice, sweet at its lowest pitch, or warbling in grief, appeared to enchant the whole assemblr. In consequence of the great length of Hamlet, the Play was followed by an Entertainment consisting of singing and dancing. In the former, the whole vocal powers of our Amateurs were called into action. Mr. M'Casky and Miss Stephens gave a beautiful Duet in fine style ; and, among her other performance. Miss Stephens sung the Echo Song with her usual effect. This Song was generally eneqred, and she readily compUed with the wishes of the Audience. All were delighted, but the best judges were the most enthu- siastic in their applause. In the Dancing that followed, Mr. Cbampton and Miss Rock executed some fine and difficult figures, with great grace, and expression. [Ball at the ThEatke. — Wednesday, September 50th, 1818.] Our Theatre was, for the ,«econrf time, this Evening appropriated to the purposes of a Bali-Room. On this oc- casion, the pleasures of the night derived a more than wonted attraction, from the increased number:of fashion- able visitants who have lately thronged to our city. The assembly was more numerous, and presented a more splen- did spectacle, in elegance and variety of dress, than at the former meeting. The Quadrille parties^ere fornHed under the arrangement of Monsieur Simon, and were danced with grac^ul precision. A Band of Music was placed, as at the preceding Ball, in the front of theLettice-Circle, and on the pannel, immediately over the centre Box, a star, composed of variegated lamps, glittered' with a brilliant lustre. The appearance of the House was truly picturesque, and the pleasures of the dance were enjoyed with a lively spirit, which was the means of ^detaining, till a very late hour, the younger part of the company in this delightful scene. [Sixth Nig&t. — Thursday, October ' Ut, 1818.] — ^The Comedy of Rule a Wife and Have a Wife, was per- formed this Evening. In the character of Leon, Mr. Rothe established new claims on public admiration. The assumed simplicity of his manner, when he stood before us with the vacant stare of gaping idiotism, and the unexpected boldness of his address, when he attains the object ot his stratagem, in the posses- sion of his wife, presented, in the contrast, a picture of Dra- matic interest which glowed in richness of truth and nature, The style of impassioned feeling in which he reproaches the stubborn and haughty insolence of Margarettoi formed also another point of striking excellence in the performance of Mr. -Rothe. In the scene where Margaretla's guests assemble, and Leon assumes his right to control the arraugements of his housey the acting of Mr. Rothe unfolded great beauties ; and the commanding dignity of his resentment, when he repels the interference of the Duke, pride and manly spirit re- vealing itself in every look and gesture, admirably por- trayed the feelings of an exalted mind. The triumphant energy of conscious justice which ani- inates his features and expression, when he, in the same scene, says, " I have a cause would kill a thousand of you," intelligibly marked the workings of insulted feeling. In the ensuing scenes, to the successful issue of his endea- vours to rebuke the vain and arrogant propensities of iliforgarette, Mr.- Rothe acted under the influence of strong and natural passioii, and infused into his character an in- terest which the spirit of genius can alone inspire. His whole.performance was honored with enthusiastic applause. The Copper Captain of Mr. Corby was full of original humour. .His performance was strongly marked by those happy peculiarities, to which we have frequently adverted, as rendering his comic delineations so faithfully expressive. The soliloquy'in the miserable den, to which Eitifania had led her too credulous admirer, was given so pleasantly, that we could not help laughing at the woful plight to which she had reduced him ; and the subsequent scene, in the same hovel, b^tw^en i^mand.the two. women, was sustained with great spirit. Each of the performers was excellent here. The Old Woman was personated by Mr. H. A. Bcshe, who gave us the: bodily deformities of a decrepid hag with a revolting accuracy. iW« certdnly never witnessed a more exact de- lineation of 'physical infirmities, than that conveyed in the broken voice, and distorted gestures of this antiquated dame. The younger female, her associate in the hovel, was played by Mr. Annesley, who contributed largely to the keeping up the humour of the scene. It was loudly applauded throughout. Alonzo ^yas played by Mr. R. Langrishe, and Sancho by Mr. -R'oPEB, and both were judiciously supported. Cacafogo was represented with humorous effect by Lord MoNCK. In the part of Lorenzo, Mr. Power, jun. acquit- ted himsdf vf ell ; and Tasco was respectably filled by Mr. T. BUSHE. In the character of Afargnrrfte, Miss Kelly evinced much discrimination ; and Mrs. Clarke supported the cha- racter of Estifdnia with humour and animation. In the Farce of The, Divorce, the part of Sir Harry Trifle was played by Mr. R. Power. He gave to it an expression of gentlemanly ease and spirit. In the character of Qjai Tam,'M.T. Gylks was infinitely diverting. The drollery of this performance very favourably indicates the comic qualities, of this gentleman. Mr. CRAMPTbN, in flie character of Devh O'Ddherty, played with exquisite humour. He was, on this occasion, released from the observance of those nice distinctions which render his Major O' Flaherty io chaste and spirited a performance; but even in the personation of Mr. O'Doherty he avoided all coarseness. Incidental to the character, he sang a diverting Medley, in which he was loudly encored. Lord Monck, as Tom, deserves to be mentioned with approba- tion. Mrs. Clarke sustained the part of Lady Harriet Trifle with much spirit. Mrs. Anniseed was most admira- bly supported by Mrs. M'Culloch. The love scenes between this lady and the gallant Mr. O'Doherty, were productive of continued merriment. PRIVATE THEATRE OF KILKENNY. 107 1818. [Seventh Night. — Saturday, October 3d, I8I8.] — The Tragedy of King Lear was performed this evening. How far the alteration of this celebrated Play, from the original Drama of Shakesfeake, has improved its interest by giving a final victory to Lear, and rewarding the virtues of Cordelia, is. a question which has been controverted. The change has certainly relieved the Tragedy of incidents fi;om which the feelings of humanity revolt; and Doctor Johnson, whose opinion sanctions the alteration, declares, that the death of Cordelia, in the original Play, so shocked him, that he could not endure to read again the closing scenes of the Tragedy, until he undertook the editorial revision of them. Of Mr. Rothe's performance in the character of Lear, we are happy to speak in language of the warmest admira- tion. So closely do the ungovernable passions of the degraded monarch border on extravagancy, in the most powerful scenes of the Play, that the genius of the Actor must be held in constant obedience to a very rigid judgment. That Mr. Rothe should have played the character vnth an impassioned force, will be easily conceived by those who have witnessed the exertions of this gentleman, even in parts which do not strongly impel the current of his sensi- bility; but here we witnessed a performance, which, while it was fraught with feeling, was yet subservient to that redeeming power which eifectually preserves " the modesty of nature." The appearance of Mr. Rothe struck us as venera- bly grand. In the earlier part of his performance, his voice and deportment were justly descriptive of the in- firmities of great, age; and the impotency of his years was the more fully indicated in the rash and sudden bursts of passion, which the supposed ingratitude of Cordelia drew from him. The swelling fierceness of his indignation, when the insolent reproofs of Goneril -first reveal the dependency of his state, and bring a speedy punishment on his dotage, was awfully marked in the labouring agitation of his voice; but when the dreadful certainty of unrequited affection strikes at length on his feelings, and he throws himself on his knees, in an agony of passion, to call down Nature's vengeance on the cruel Goneril, we never wit- nessed an exertion of mind on which the power of genius impressed a more distinct character. Excess of r^e seemed almost to have stopt his utterance, and in a voice broken by age and grief he pronounces the curse : — " Hear, Nature, hear ; Dear goddess, hear ! Suspend thy purpose, if Thou didst intend to make this creature fruitful ! Into her womb convey sterility 1 Dry up in her the organs of increase; _ That from her derogate body never spring A babe to honour her ! — If she must teem. Create her child of spleen; that it may live. And be a thwart disnatur'd torment to her ! Let it stamp wrinkles in her brow of youth ; With cadent tears fret channels in her cheeks ; Turn all her mother's pains, and benefits. To lalighter and contempt, that she may feel How sharper than a serpent's tooth it is are precisely those which are required for a perfect repre- sentation of Beverley. His wild upbnndini of the infamous Stuhely in the gaming-house, for having encouraged him to those excesses which had undone him, were strikingly contrasted with the heartless composure of his associate. When Beverley, urged nearly to desperation by his final losses at the Hazard-table, is accosted by Letuson in th« street, the performance of Mr. Rothe shewed great judg< ment; and when he throws himself down, in a tumult of passion, and resists the entreaties of the faithful JarwM to struggle with his griefs, we do not remember to have beheld upon the Stage a more pathedc delineation of deep, and despairing wo. 3£ 110 PRIVATE THEATRE OF KILKENNY. 1818. In the closing scene of the Play, where he endeavours to disburden his soul df those horrors which pressed it with a load of the heaviest affliction, and makes an unsuccessful eilbrt at prayer, the manner in which he stoops to kneel, and almost instantly starts froni his posture and abandons himself to despair and death, struck most forcibly on the feelings of the Audience, and awakened sensations of the severest kind. His dying presented a spectacle of wo almost too dreadful for representation, and wrought the sensibilities of all who had hearts to feel, to a state of the most painful endurance. His whole performance evinced a combination of genius, and sensibility. The character of Stvkely was ably personated by Mr. R. Power. In his sevei-al scenes with the unhappy dupe of his artifices, he exhibited the duplicity of Stukel^i character with a refined discrimination; and when, in his solilo^ies, he concerts his guilty schemes gainst tlie life of Sev^ky, and the honour of his wife, the anxious and piercing earnestness of his looks, while the glow of anticipated success occasionally lighted up his countenance, was point- edly expressive of triumphant villany^ In his scenes with Mrs. Beverley, his acting was guided by the soundest judgment. While he endeavoured to iur fuse the poison of jeialously into the 'tiiistispecdng mind of his intended victim, he was careful not to betray, by a sin^e look, the foul purpose which he meditated; ahd^bp td &e moment which reveals the infamy of his designs, he pre- served, with admirable nicet5r, the characteristic qualities of the shrewd and calculating villain. We have never seen the cbaractei- played with more masterly effect. The pairt of Lewson was supported by Mr. R. Rothe with much ability. His scene with Sttdcely, When he re- proaches the latter with his dishonorable pradtioes, p^ented . a very superior piece of acting. His voice is. admirably adapt- ed to the expression 'of that nianly 'feeling, Kirhi'ch pervades the mind of the generous Lewson ; and we do not think that the language of this interesting character could have been spoken with more spirit and energy, than by this young and accomplished performer. In the simple but affecting character of Jarvit, Mr. CoBRY was able to interest the sensibilities of the Au- dience, by the fidelity and feeling of his performance. Be unites many rare and opposite qualities in him as an Actor. We forgot, in his humble manner, his silvery locks, his feeble and affecting voice, the many joyous hours through which we have laughed with him in former characters. In the scene where he describes to Mrs. Beverles ^^^ condition of her wretched husband, on his committal to .prison, his acting touched us even unto tears. Mr. Smyly performed the part of Bates, and Mr. Ro^jea that 6t Dawson, very respectably. The Mrs. Beverley of Miss Walstein was a perfor- mance of distinguished excellence. It were a useless labour to particularize the exertions of this lady, as we regard her entire acting in this most interesting character, Vrith sentiments of general and unreserved approval. Miss Kelly supported Ciar/oMe in a very creditable 'Style. The Farce of the Review was played with considera- ble humour. Mr. Gyles acted Caleb Quotem. This Gentleman possesses a fund of comic requisites, which he very successfully applied in the character of Caleb: and we were happy to observe, that his performance of Monday evening obtained a deserved reward in the merriment which it incessantly exdted. Mr. Annesley acquitted himself with credit in the character of Looney Mac- toulter, though we would rather have seen Mr. Cbampton in it. We must say, however, that the variious characters of discrepant qualities, which this gentleman has so ably filled since the opening of our Theatre, have raised his dramatic reputation very highly. In the part of Looney Mactoulter he certainly made some points of considerable humour. Mr. Power, jun. personated Deputy Bull very creditably ; and Lord Monck was eminently successful in the part of Lump. His Lordship can very happily bring out the peculiarities of the Yorkshire dialect. He intro- duced a comic song into the character, which was very loudly encored. The entertainment went off with com- plete success. [Ball at the Theatbe.— T^ur^t/o^, October ith, 1818.] Our Theatre was thrown open this evening for the fourth time, as a Ball Room, and combined much additional splendour of decoration in its arrangements. The stage was fitted up in a very ornamental Syle, by affixing some of the richest scenery of the Theatre to the wings on ei- ther side, which rendered that part of the House more compact in its construction for the pniposes of the dance, and impait ludicrous effect to this incongruous character. Thf per- formance of Mrs. M'Cblloch in those parts w^db she has filled, since her arrival in Kilk.enny, has been highly creditable to her talents. In t;he Farce of Katharine anb PEyRucHio, Mr. Bechee, for the first time, made his appearance in the hero of the Piece, and displayed very excellent qualities for the " Taming of a Shrew." TJie bustle and spirit of the part were most admirably sustained throughout, and the whole of the perlbrin^nce. was very creditable to his excellent talents. Mr. Annesley gave another proof ^pf. his industry and perseverance by his perforriance of Grumio; but we hardly heard the stammering TMoj- of Loj-d Monck. Mr. T. Boshe delivered the diffiliilt^ speeches of Biondello with point and precision. [Eleventh and Last IQ'ight. — Saturday, October 10th, , 1818.] — ^With this Evening's Performance the Theatre closed for the Season. The Play was Macbeth, the Farce was High Life below Stqir.s. It is a circumstance highly creditable to the Gentlemen who compose our Theatrical Society, and which we cannot avoid noticing, that, after having been sedu- lously and anxioOsly ' employed in the business of the Theatre for upwards of three weeks, their exertions did not slacken, nor were their efforts weakened by the fatigue which they fnnst have encountered. They might indeed say, in the language of the Play of to-night, "the labour we delight in physics pain ;" for on no former occasion have we seen a play in which talent was more happily exertedj or care or attention more evidently and effec- tually displayed, than in the performance of Macbeth this evening. The magnificence of the dresses, the beauty of the scenery, which was peculiarly appropriate, and the Stage arrangements which were admirable, produced a tout ensemble, of which we find ourselves unable to convey any adequate description. With us it excites an uncommon degree of surprise, that, amongst the younger branches of our distinguished Society, who filled the minor cha- racters of this master-piece of our immortal Poet, not 112 PRIVATE THEATRE OF KILKENNY. 1818. tlie slightest mistake or defect should have been discovera- ble. Throughout the entire of this piece, abounding in bustle, machinery, and procession, the most perfect order was preserved. On the merits of Mr. Power in Macbeth, it is almost unnecessary for us to enlarge; it partook of all its usual Excellence, and in many passages he rose superior to himself at former periods. Mr. Power's accurate conception of every character he undertakes has been the subject of repeated and deserved panegyric ; it is that of a superior and refined mind ; this observation applies peculiarly to his jperformance of Macbeth ; the agonies of a soul loaded with guilt, were most expressively portrayed in every turn and feature; " his face was a book wherein men might read strange matters." Mr. Power seems to have made this arduous character a subject of his particular solicitude ; and only that we do not wish to swell this article with quotations, we could ■elect passages of this Play, which he delivered in a manner deserving the highest commendation. The genius of the Author was identified with the execution of the Performer, and the Macbeth of this accompUshed Actor will be long remembered by those enlightened auditors with whom taste and talent are sure of being duly appreciated and ad- mired. Mr. RoTHE imparted an uncommon share of interest to the character of Macduff; the soul-struck anguish of the affectionate father and tender husband, when the news is brought of the slaughter of his wife and children, could not have been more effectively expressed. This Gentle- nan admirably illustrated the power he holds over the hearts and feelings of the Kilkenny Theatre. The character of Banquo, as performed by Mr. Becher, obtained an importance, of which in the bands of a less eminent performer, it must have been divested ; and the same remark is applicable to the character of Roue, to which Mr. Curry gave an unusual portion of pathos and interest. Mr. Smyly deserves great credit for the atten- tion he paid to adapt himself in appearance to the cha- racter of Duncan, which he got through with feelins and dignity. Mr. Robert Langbishe was very interesting in the character of Malcolm; and we should be guilty of an injustice if we passed over Mr. R. Power, jun. whose per- formance of the Bleeding Captain was marked with force and feeling. The character of Hecate was performed by Mr. Crampton with his accustomed excellence, and the First Singing Witch was most admirably sustained by Mr. M'Casky, who gave to the beautiful Music of Handel, in this piece, all the effect which is to be expected from a voice of great capability, and musical talents of the first order. The Second and Third Singing Witches had able representatives in Miss Rock and Miss Kelly. The three Speaking Witches were performed by Lord Monck, Mr. Annesley, and Mr. Roper, in a manner highly cre- (Utable to their good taste and understanding. Miss Walsteik justified the high opinion entertained of her performance of Lady Macbeth, by her judicious efforts in this arduous character, and her exertions were reward* ed by repeated plaudits. The Farce of High Life below Stairs concluded the entertainments of tlie evenmg, and of the Season, in which Mr. CoRRY and Mr. Crampton appeared to the greatest advantage as my Lord Duke and iSSir Harry. ^ Lord MoMCK in the character of Lovel, where he is disguised as the country clown, was highly entertaining. _Mr. Crampton introduced a Pea Seal, or Parasol, as it is ludicrously miscalled by the conceited Lord Duke, which was universally encored, and he complied with the wishes of the Audience with a cheerfulness so evident, as con- vinced them, in the words of the Epilogue, that " Cramp- ton was their's from head to foot.' On the conclusion of the Afterpiece, the members of our Theatrical Society assembled on the Stage, and a very amusing dialogue, which appropriately introduced the fare- well addresses of the leading; performers, was spoken, in manner of an Epilogue, by Mr. R. Power and Mr. Becher. The former gentleman then advanced, and with much feeling took his leave of the Audience, amidst the loudest thunders of applause. He was followed, successively, by Mr. Becher, Mr. Crampton, Mr. Corby, and Mr. Roibe, each of whom addressed the Audience, and spoke his feelings in language appropriate to the particular character in which he had earned the largest share of dramatic re- putation. Miss Walstein also spoke a " parting word," and was rapturously applauded. At the conclusion of the Epilogue, the whole of the Theatrical Society then in town, with the female per- formers, came forward, and sang God save the King, their usaai^finale. Before twelve o'clock, the party broke up with much reluctance, though meliorated with the fond hope of another happy meeting next year. It is impossible for us to think of our Theatricals, without feeling the deepest gratitude to that estimable gentleman, Mr. Rickaro Power, who is the life and soul of them, and who has, by their means, conferred advantages on our city, that can never be forgotten. We should not here forget to notice, that for the late visit of Miss Stephens to Kilkenny, we have been indebted to the exertions of Mr. Power : nor can we, in justice to the liberal and disinterested feelings of the lady we have named, omit to state her generous refusal of an equivalent for those valuable services, which her performances here have rendered to our Theatrical interests. Her engagement in Kilkenny, for some days, did, of course, involve a neces- sary expenditure, but beyond such incidental disbursement, she most handsomely declined to receive any pecuniary recompense ; we can state on authority however, that the funds of the Theatrical Society applicable to charitable uses, have suffered no reduction whatever on her ac- count. For ourselves we have only to observe, that as we hare fulfilled the most grateful of our literary labours, in directing public attention to the merits of these perform- ances from which so much pleasure has been derived, throughout the past season, we cannot notice the separa- tion of our Dramatic Corps without feelings of very con- siderable regret. PRIVATE THEATRE OF KILKENNY, 11^ 1818. We have endeavoured to procure a list of the Ladies and Gentlemen who honoured our City by their presence, during this last meeting of our Theatrical Society, Dowager Countess of Ormonde and Ossony, Earl and Countess of C&nsicK, Earl and Countess of Desakt and Lady Elizabeth Cuf fe, Earl and Countess of Mayo, and Miss FiTZCLARENCE, Lord De CtirroRD, Viscount MoNCk, Field Mardial Lord Beresford, Lord and Lady Dunally, Lady Harriet Ponsonby, Miss Ponsonsy, and the two Mr. Ponsonby's, Lady Cecilia La IIouche, and the Misses La Touche, the Hon. Mr. and Mrs. James Butler, Mr. Thomas and Lady Elizabeth Kavanagh, and the two Miss KAVANAaHS,the Hon. and Rev. Edward Taylor, Mrs. Taylor, and Miss St. Leger, Hon. Mr. Ryder, the Hon. Mrs. Bourke, the Hon. and Rev. the Dean of OssoRY and Mrs. J. Boui^ke, the Hon. Mrs. Fowler and Mr. Robert Fowler, Hon. Mr- Massey, the Hon. Hr. F. Charles Annesley and Mrs. A^nesley, the Hon. Messrs. Sutler's, of : Ballycondra, the Solicitor General, Mrs. fiusHE, the two Miss Bushe's, and Miss Smith, Sir JosiAs and Lady Coshill, Sir William Battersby, Sir J. J. Fitzgerald, Sir Robert and Lady Lanobishe and the Miss Langrishe's, Sir Wheeler and Lady Cufj'e, Mr. Browne and the two Miss Browne's, Sir Nicholas LoFTus, Sir John M. and Lady Doyle, Sir Edward and Lady Sheridan, Judge Johnson and Miss Johnson, Sir Ulysses Bursh, Sir William Homan, the Dean of X.ISM0RB and Mrs. Scott, Rev. Henry Dawson, Rev. Richard Birmingham, Rev. Richard Cooke, Mrs. Cooke, and the two Miss French's, the Dean of Kildare, the Archdeacon of Kildare, Rev. Mr. Austin and Mrs. Austin, Rev. Ml'. Kemmis, Rev. Mr. Sandys, Rev. Mr. M'Causland, Rev. Mr. Mauleverer and Family, General and Miss Dilkes, General and Miss Brownri^g, General and Miss Fyebs, Captain and Mrs. Flemino, of Mount Congreve, Mr. Congreve and the turn Miss Congreves, Captain W- Butler and Mrs. Butler, Major Keat- iNGE, C. B. and Miss Denn, Hon. Colonel Bbi;leh, Colonel RocHFORT, of Cloghgrennan, Mrs. Rochfort and Mrs. Hamilton, Captain Pope, Major Wemti, Colond Blunden, Majors Belli, and Powe'l, Captains Shearman, Penrike, Luard, and Scully, Captain Clancey, Major Power, Captain Power and Family, Major and Mrs. O'Shbe, Captain Stewart and Family, Captain O'Flaherty, Captain Steele and Family, Mr. Mrs. and Miss Joux, of Guernsey, Mr. and Mrs. RucKer and Family, of Hamburgh, Mr. and Mrs. Tongue, of Staffordshire, Mr. and Mrs. George Bryan, of Jen- kinstown, and Mr. Bryan, jun. Mr. and Mrs. John FloOD, of Flood-hallj Mr. Robert Flood, Mr, John Flood, of Viewmount, ^r. i^nd Mrs. Richard Cane, Mr. and Mrs. Power O'Shee, M^s. Meaba, Miss Meara and the Messrs. Meara, Mr. and Mrs. Charles Fox, Mrs. Philip Cramp- TON and Miss Crampton, Mrs. John Cbampton, and Miss Plunkett, Mr. and Mrs.DALT0N, Mr. & Mrs. John Power, of Kilfane, Mrs. Rothe and the two Misses Rothe, Mrs. James Corry, Mr. Pery Cobry, Mr. and Mrs. Richard Versghoyle, Mr. and Mrs. Piers Geale, Mr. and Mrs. George Hill, Mrs Dowdall and Miss Lyster, Admiral Fishe, Mrs. Rqpeb, and the two Misses Roper's, Mrs, PuRCELL, Miss Archbold, and Mr. Purcell, Mrs. Dean Trench and the two Miss Trench's, Mr, Joseph Greene, of Greenville, and Mrs. William Greene, Mrs. and Miss Ryan, of Waterford, Mr. and Mrs. Ayl- WARD and Misa AytwARD, Mr. H. A- Bushe and Mr. and Mrs. G. P. Bushe, Mr. and Mrs. Nowlaj* and Family, Mr. and Mrs. Poe, of Harley Park, Mrs. and Miss Burgh, Mr. and Mrs. Newton, Mrs. Bruen, Mr. Bruen and the two Miss Bruen's, Mr. and Mrs. John Helsham and the two Miss Helsham's, Mr. and Mrs. Newcojie, Mr. Morris and Family, Mr. and Mrs. Conron, Mr. Lalor and Fa- mily, of Graig, Mr. and Mrs. Cij'LiEN, Mr. Forrestal and Family, Mr. Keane and Family, Mr. and Mrs. Cotton, Messrs. R. Shaw, J. M'Donnell, T. Beatty, two Bookey's, White, Doyne, £. Moore,. Perry, Lombard, A. Ball, T. Neville, Jacob, Nicholson, Wallace, Sterne, H. Tdwnsend, Keating, Plunket, J. Belling- ham, Croftqn, Harvey, Armstrong, W. Baker, G. Pack, Edgeworth, Ryland, Colville, P. La Touche, Burton, of Burton Hall, W. Ducket, J. Ducket, B. L. Trench, two Hamiltons, two Uniackes, Mub-phy, of Castle Annis, Cooks, of Kiltiman, Bushe, Dillon, James, HoBBEs, Rynd, Rice, Stanton, Casey, Morris, T.C. Duffy, KENt«EOY, P^iilips, &c. &c. &c. [Sunday, October lllA, 1818,] — The Theatrical So- ciety dined together this day at the Hibernian Hotel. They never mustered in greater strength, nor passed an evening together more happily. [Mondai/, October 12tk, 1818.] — Several Families re- mained in Town to-day to witness the celebrated imitations of Mr. Matthew-s, who performed at the Theatre. In the evening the whole of the Nobility and Gentry who composed our late Meeting, proceeded to Jenkinstown, the seat of George Bryan, Esq. at whose magnificent mansion there was a Grand Fancy Ball and Supper. About ten o'elock the company began to arrive, and soon after, the splendid suit of apaitments was filled with a numerous, and elegant assemblage, attired in a grotesque and tasteful variety of Costume. All that wealth could purchase, or hospitality suggest, was done by the liberal hostess of this splendid fete, to add to the pleasures of the night. The Pafty began to separate about four o'clock in the morning, but several of the Theatrical Society, their Families, and others, remained at Jenkinstown, whioji continued^tluring the whole of the week a scene of gaiety, festivity, and merriment. Thus has concluded a season, distinguished for as much theatrical and social pleasures as ever were, on any similar occasion, combined for the general gratification. Oh I that such happy meetings were more frequent among us ! ! ! SF 114 PRIVATE THEATRE OF KILKENNY. 1819. Ila0t Reason. 1819, Commenced the llth, and closed the 2ith of October, THE COMPANY. Mr. R. Power. Mr. Rothe. Mr. Beclier. Mr. Corry. Lord Monck. Mr. R. Langrishe. Mr. R. Rothe. Mr. J. Power, jun. Mr. R. Power, jun. Mr. Gervase Power. Mr. H. A. Bushe. Mr. C. Bushe. Mr. T. Bushe. Mr. A. Bushe. Mr. Annesley. Mr. Holmes. Mr. Gyles. Mr. M'Caskey. Lord Hawarden. Lord James Stuart. Sir J. C. Coghill. Mr. John Power. Mr. G. Hill. Mr. Hare. Mr. Dixon. Mr. Smyly. Mr. Anderson. Mr. E. Helsham. Mr. R. Helsham. Mr. H. Helsham. Mr. T. Hill. Mr. Shee. Mr. M. Shee. Mr. Bookey. Mx. Fleming. Mr. Marshall. Masters Oalton and Brenan. Miss O'Neill. Miss Rock. Miss Walstein, Miss Curtis. Miss Kelly. Mrs. Eyreby. Miss Johnston. The Orchestra principally filled from that of the Theatre Royal, Dublin. Leader, Mr. Barton. PROLOGUE Written by Mr.G. P. Bushe, and Spoken by Mr, R. Power. As some fond youth the fatal bark surveys. Which from his sight his once-lov'd fair conveys. With strain'd eye sees it less'ning to his view. And waves, with frequent hand, a last adieu ; Still sad and slow he lingers on the shore. Nor heeds the rising surge, or tempest's roar. Thus, tho' well pleas'd to meet, yet heaves my heart, And dwells on that sad hour when we must part ; When I, while no feign'd griefs my bosom swell. Take, for the twentieth time, my Last farewel : Nay, 'pon my word my last — my last you'll find, Tho' much your smiles denote a doubting mind. Have you not lately seen, thro' ether's range, A Comet flaring, and, with fear of change Perplexing monarchs? — Ah ! that omen dire Foretold our buskin'd reign must soon expire. Should any ask — Why, in its noon-tide hour. Like Spanish Charles, I quit the sovereign power ? " I will a tale unfold ;" and, in my rage. Our Green-Room secrets publish on the stage. Know then, my Actors are grown restive all, t^or longer hearken to my sovereign call : Some to strange lands a wandering spirit drives — Some take to business — some have taken wives I ! ! " My Thanes fly from me," and too soon Macbeth* Must stand alone upon the blasted heath. But late, my plaguy rogues, as if combin'd They had together a round robin sign'd. Wrote word, " This season their engagement ends." Shall I expose them P — Tho' they are my friends. By Sove I will {Takes a packetof letters from his pocket.') Let's see— aye, here, in truth. Comes a sweet sentimental line from Rothe, " Dear Power, You know my heart" — aye, still the pathos, " But this Excise Board" — Heavens ! what a bathos ! And thus he quits. Oh ! unambitious fool. The Tragic sceptre, for the dipping ride. Yet shall' his memory live ever here. And still shall Beverley, Othello, Lear, Reign in your hearts, while Feeling owes a tear. Next comes a grave Epistle, post-mark Mallow.f " The Senate calls" — Excuse most vague and shallow i " The times are out of joint, and public men " Must do their best to set them right again, " So farewel gew-gaw plays ! — Your's, Wricon Becher" Now all this comes because he's grown a speecher. What 1 would the proud Coriotanvs || shun That spot where first your " voices sweet" he won ! Tho' list'ning Senates hang on all he says. He owes it all to our Kilkenny Plays ! What next ? — a note in folio, signed J. Carry, Who says, " Indeed he is extremely sorry, " But that the Linen Trade t now comes so full in." Pshaw ! hang his Linen, hav n't we got the Woollen^ If to my orders thus he prove refractory, ; Let him improve his system at the Factoky ; § There sports and toil th' alternate hours beguile. And man, poor labouring man, is taught to smile. And who, like Corry, e'er from sorrow's eye, With sun-shine laughter every tear could dry ? When this sad City mourn'd her favourite dead. And deem'd all Comedy with Lyster fled. When all around was gloom and sad dismay, Corry burst forth and reillum'd the day. Nay too, my youths, who dash'd thro' thin and thick, Annesley — Shee — Helsham — and my namesake Dick, Tho' now they shave, think Grey-beard parts unfit. And e'en Lord Monck swears he'll the harness quit. But ah ! sad tidings from the North — for there Cramfton writes word the State demands his care— " I'm chain'd here by the leg — and made, in vain, " Herculean efforts my release to gain." He by the leg? — Good Heavens, what chain could bim^ That limb so supple — or that heart so kind ? But let Fate cast his part howe'er it can. He'll always act the Irish Gentleman, * Macbeth, a character im which Mr, Power vac eminently succeufuK f Mr. Becher residei near, and represents Mallow, in the House of Cornxnocs. II One of Mr. Becher's most distinguished parts. t Mr. Corry is Secretary to the Board for improTing the Linen Trade cC Ireland. \ Mr. Nowlan't celebrated Woollen Kanufactoiy in the Co. of Kilkenny, j PRIVATE THEATRE OF KILKENNY. 115 1819. And can we venture thus to take the field. Without Sir Locius,^ thy protecting shield ?— Did we not erst the Stage persist to tread, When wit and genius with our Langaishe fled ? Then, the' with thinning ranks, we forward come, And on your kind exhaustless smiles presume. But lo ! what bright star, wandering from her sphere. Shines on our orb, this parting hour to cheer ? The fair O'Neil dispels night's vapour dun, " It is the East ! — and Juliet is the Sun :" Arise fair Sun — and with auspicious ray. Shed thy kind lustre on our closing day. So may thy beams, by no dark clouds o'ercast. Increase each year in splendour ne'er surpast. « Sir Lucius O'Triggcr, a part which Mr. Crunpton repreiented with great «ucce«8. Monday, Utk October, I8I9. First Night. THE WONDER. Don Felix • •■ Mr. R. Power. Don liOPEZ • •■ Mr. R. Power, jun Don Pedeo • •■ Mr. Gyles. Colonel Briton • >• Mr. Holmes. Frederick • •• Mr. R. Rothe. LiSSARDO • •• Mr. Corrv. GlBBY >•• Mr. M'Caskqr. Algvazil • t* Mr. Shee. Vasquez ■ •• Mr. T. Bushe. Servant ... Mr. M. Shee. VlOLANTE • •• Miss Walstein. Isabella • •• Miss Rock. Flora «•• Miss Kelly. Inis ... Mrs. Eyreby. AN OCCASIONAL PROLOGUE. RAISING THE WIND. Jeremy Didbler Mr. Holmes. Plainway Mr. R.Power, jun. Fainwou'd Mr. Gyles. Sam Lord Monck. Richard Mr. A. Bushe. Waiter Mr. R. Helsham. John Mr. H. Helsham. Miss Durable Mrs. Eyreby. Peggy Miss Rock. Wednetday, 13th October, 1819. Second Night. THE SURRENDER OF CALAIS. ENGLISH, King Edward III. Earl Habcourt Sib Walter Manny ... Queen Mr. R. Rothe. Mr. G. Power. Mr. Shee. Miss Kelly. ntENCR. John De Vienni ... Mr. R. Power, jun RiBAUMONT ... Mr. R. Power. EUSTACHE DE St. Pierre Mr. Becher. John D'Aire ... Mr. E. Helsham. Jacque Wissant ... Mr. R. Helsham. Pierre Wissant ... Mr. M. Shee. Officer ... Mr. J. Power. Sergeant ... Lord Monck. La Gloire ... Mr. Corrv. O'Carrol ... Mr. M'Caskey. First Citizen ... Mr. Annesley. Second Citizen ... Mr. T.-Bushe. Third Citizen ... Mr. Dixon. Other Citizens, Messrs. Bookey and Fleming. Crier ... Mr. C. Bushe. First Workman • •• Mr. Gyles. Second Workman • •■ Mr. A. Bushe. CitizeTit, ^c. Julia • •• Miss Walstdn. Madelon • ■• Miss Rock. BOMBASTES FURIOSO. Artaxomines ... Mr. Gyles. FusBos ... Lord Monckf First CouRTiEa ... Mr. R. Helsham. Second Courtier ... Mr. E. Helsham. BoMBASTES ... Mr. Annesley. Courtien, ^c. DiSTAFFiNA ... Miss Rock> Friday, ISth October, 1819. Third Night. DOUGLAS. D0U6LAS Lord Randolph Glenalvon Old Norval Officer Mr. Becher. Mr. Annesley. Mr. R. Power. Mr. R. Rothe. Mr. G. Power. Servants, ^c. Lady Randolfb ... Miss Walstein. Anna ... Miss Curtis. POOR SOLDIER. Captain Fitzroy • ■• Mr. G. Power. Father Luke • ■• Mr. Corry. Patrick • •• Mr. M'Caskey. Dermot • ■• Mr. Dixon. Bagatelle • •• Mr. Gyles. Darby • •« Lord Monck. Prelim • fl* Mr. A. Bushe. Nobah ... Miss Kelly. Miss Rock. Kathuen «■• 116 PRIVATE THEiVTRE OF KILKENNTil 1819. Monday, 1B<* Oatober, 1819. FouETH Night. THE HONEY MOON, DoKE Aaanza COUN'T MoMTAtBAN Rolando Balthazah Lamfeoo CaMFILI/O LOFEZ Jacques Page JuplAKTA VOLANTE Zamoka Hostess Mr. R. Power. ■ Mr. G. Power. Mr. Becher. Mr. R. Power, jnrl. Lord Monck. Mr. Roper. Sir J. C Coghill. Mr. Gyles. Mn A. Bu^e. Miss Walstein. Miss Kelly. Miss Rock. Mrs. Clarke. THE OiD Wingate Gakgle Dick Simon President Scotchman IbishMan Watchman BAtLIFP Chablotts APPRENTICE. Mr. R. Power, junv Mr. T. Bushe. Mr. Holmes. Mr. Annesley. Mr. Gyles. Mr. A. Bushe. Lord Monck. Mr. R. Hehham. Mr. H. Helsham. Miss Rock. Tuesday f IBtk ■October, 1819. Fifth Night. ALL IN THE WRONG. Sir John Restless ... Beverley Sir William Be?,lmont Young Bellmont Blandfobd Robert ••• Brush William Thomas Lady Restless Belinda ... Clarissa Tattle TiFPET — Marmalet Mr. Corry. Mr. R. Power. Lord Monck. Mr. T. Bushe. Mr. R. Power, jun. Mr. Annesley. Mr. G. Power. Mr. Ji Power. Mr. A. Bushe; Miss Walstein. Miss Kelly. , , Miss Curtis. . Miss Rock. Mrs. Eyreby. Miss Johnston. BOSINA. BelVillb Captain BEtviLLB ... Rustic William First Irishman Second, Irishman geaper Mr. M'Caskey. Mr. Dixon. Mr. C. Bushe. Mr. Gyles. Lord Monck. Mr. Annesley. Src. ./ - . , . ROSINA Ph(IB£ DoBCAi Villagers, SfC. Miss Kelly. Miss Rock. Mrs. Eyrel^. Thursday, 21st October, 1819. Sixth Night. ROMEO AND JULIET. Romeo ... Mr. R. Power. Capulet ... Mr. Annesley. Meecutio ... Mr. Corry. Paris ... Mr.R.Rothe. Eenvolu) ... Mr. R. Langrishe. Tib alt ... Mr. R. Power^ jun. Friar Laurence ... Mr. Becher. Friar John ... Mr. E. Helsham. Peter —., Lord Mpnck. Balthazar ... Mr. G. Power. Apothecary ... Mr. Gyles. Boy ■.. Master Brenan. Masqueraders, 4rc. Juliet ... Miss O'Neil. Lady Capulet ... Miss Curtis. NuBSE ... Mrs. Eyreby. THE LOCK AND KEY; Captain Cheerly Captain Vain Brummagem Ralph , Brixemarti Mazigangi Laura Fanny Selina Dolly Mr. M'Caskejr. Mr. Annesley. Lord Monck. Mr. Gyles. Mr. A. Bushe. Master Btenan. Miss Kelly. Miss Rock. Mrs. Eyreby. Miss Johnstpn. Friday, 22d October, 1819. Seventh Night. ^Prologue repeated. J OTHELLO. Duke op Venice Bbabantio Gratiano LoDoyico Montano Othello Cassio Iago roderigo Antonio Paulo LOBENZO Messenger Mr. Shee. Mr. Corry; Mr. Smyly. ' Mr. G. Power. Mr. R. Langdsfae> Mr. Rothe. Mr. R. Rothe. Mr. Becher. Mr. Annesley. Mr. Fleming. Mr. Shee. Mr. T. Hill. Mr. A. Bushe. Senators, Lord Hfiwarden, Lord James Stuart, SirJ. C, Coghill, Mr. John Power, Mr. G. Hill, Mr. G. Power, &c. Desdemona ... Miss O'Neil. JEmiua ... Miss Kelly. PRIVATE THEATRE Ot KILKENNY. 1819. II7 RAISING THE WIND. Jeremy Diddler Plainway Fainwou'd Sam: Richard Waiter John Miss Durable Peggy Mr. Holmes. Mr. R. Power, jun. Mr. Gyles. Lord Motidk. Mr. A. Bushe. Mr. R. HelShath. Mr. H. Helsham. Mrs. Eyreby. Miss Rook. KATHARINE AND PETRUCHIO. Saturday, 23d October, 1819. Eighth Night. VENICE PRESERVED. Duke of Venice PRiuti Bedamar Pierre Japfier Renault Elliot Spinoza Treodorb ..i Mezzana ... Ddrand Captain op tHe Guard Officer ... ■Lord Monck. Mr. Bechet. Mr. R. L^ngrishe. Mr. Rothe. Mr. R. Power. Mr. R. Power, jun. Mr.'R. HothE. Mr. Dixon. Mr.'R.'Hrihhara. Mr. Fleiiiing. Mr. T. Hill. Mr.C.anshe. Mr. G. Poiveh Senators, Lord Hawarden, Sir J,]C/Coghill,.Mr. ,H. Budie, Mr. Townsetid, Mr. T. Smyly, Mr. She?, Mr. M.,Shee, &c. &c. Belvidera ... MissD'Nea. ROSINA. Belville ■ •• Mr. M'Caskey Captain Belville ... Mr. Dixon. Rustic • •• Mr. C. Bushe. William • •• Mr. Gyles. First Irishman • •■ Lord. Monck. Second Irishman Mr. Annesley. Beyers, .^c. Rosina ,., Miss Kelly. Ph(ebe ■•■ Miss Rock. Dorcas ••• Mrs .Ej'teby. ratagen Src. Monday, iSth Ottober, 1819. Ninth . Night. THE Beverley Stukely Lewson Jarvis Bates Dawson Waiter Mrs. Beverley Charlotte Lucy £[AMESTER. Mr. Rothe. Mr. R. Power. Mr. R. Rothe. Mr. Corry. Mr. R. Power, jun. Mr. G. Power. Mr.' Fleming. Miss O'NeiL Miss Curtis. Miss Johnston. PETRUCmo Baptista hortensio Music Master Tailor BlONDJILLO Pedro Grumio Cook Nathaniel Gabriel Gregory Katharine BlANCA Curtis Mr. Becher. Mr. Gyles. Mr. R.. Rothe. Mr. R. Power, jun. Lord MoDck. Mr. A. Bushe. Mr. R. Langrishe; Mr. Annesley. Mr. R. Helsham. Mr. M. Shee. Mr. T. Hill. Mr. Fleming. Miss Walstein. Miss Curtis; Mrs. Eyrety. Wednesday, 27th October, 1819. Tenth Night. KING HENRY IV. King UenRy Prince of Wales Prince John Westmoreland Douglas Worcester . Northumberland . Hotspur Sir WaltebiBlunt . Sir Richard" Ve«non . Sir John Falstaff . PoiNS Gaoshill Baboolph Peto Francis Raby First Carrier Second- Carrier . Lady Percy Hostess Mr. R. Lan^ish?. Mr. R. Power. Mi\ Fleming.' Mr. Hare. v. C. Bushe. Dixon. Mr. Anderson. Mr. Rothe. Mr. Shee. Mr. R. Rothe. Mr. Corry. Mr. G.Power. Mr. A. Bushe. Mr. R. Helsham. Mr. M. Shee. Mr. Gyles. Mr. Marshall. Lord Monck. 'Mr. Annesley. Miss Curtis, Mrs. Eyreby. X. Y. Z. Grubbleton Captain Gaillard Neddy "Bray Roscius Alldross Ralph Hempseed Doddle First Gentleman Second Gentleman Third Gentleman First Waiter Second Waiter Third Waiter Mrs. Movser Dora Mumwell Maria Mr. R. Power,, Jan. Mr. G. Power. Mr. Annesley. Mr. Gyles. Lord Monbk. Mr. Marshall. Mr. Dixon. Mr. Fleming. ' Mr. Anderson. Mr.R. Helsham. Mr. Hare. Mr. A BUshe. Miss Johnston. Mrs,vEjTeby. Mist Curds. sG 118 PRIVATE THEATRE OF KILKENNY. 1819. Thursday, 28; Get home, and' do not talk — I cannot. Words could not ha*e been uttered vvithrtote true and touching power than these; and none Colild have been spoken with a force of feeling more congenial to the character. The Council-scene, in Calais, gave- favourable scope to Mr. Becker's admirable acting ; but nothing could surpass the excellence of his pei-formance, when Ezistache is brOtigFit with his destined fellow-sufferers before the Eli^ish Mcmarch. The keen and cutting tone of sarcasm, the as- snhied' humility of supplication, in which he invokes the clemency of the vindicative Monarch, had the full force of poignant expresdon, and gave a striking power of con- trast to the burst of manly feeling which follows the tejec- tion of his mock appeal^ Mighty sir ! We march'd not forth to supplicate, but die. , Trust me, king, We could not covet aught, in your disposal. Would swell our future name with half the glory As this same sentence, which, we thank' you for't. You have bestow'd, unask'd. PRIVATE THEATRE OF KILKENNY. 121 1819. We cannot swell our criticism by additional quotation. Mr. Becher brought all the beauties of his character into varied and conspicuous light, and some of the happiest peculiarities of his dramatic genius were discernilile in many other passages of the Play than those to which we can now call the attention ot our readers. On the ap- pearance of this Gentleman, the House rung with acclama- tions, and he seemed deeply impressed with the hearty warmth of his reception. His performance excited loud and frequent plaudits during the night. The La Gloire of Mr. Cobby blended the truest hu- mour with a spirit of the most touching pathos. This mixed expression of feeling is difEcult of effective combina- tion. One of the best Comedians that we remember, and certainly the best La Gloire we ever saw. Jack Bannisteb, possessed this rare faculty in a very eminent degree, and since his retirement from the Stage we have not witnessed so bland an association of frolic-mirth, and affecting sensi- bility, as in this performance of our favourite Comedian Mr. CoRRY. Mr. Richard Power gave an admirable personation of Ttibaumont. Hjs scene with Julia was full of impassioned tenderness; and the pathetic earnestness of tone, with which he combats the principle of filial duty as it bids his love despair, was true to nature. The subsequent scene with La Gloire, where he announces his intention to join the patriotic band " who die to save their fellows," was in the highest degree effective; but his acting in the concluding scene of the Play, which combines to much dis- tressing incident, was not to be surpassed for strength and boldness of execution. Mr. R. Power, jun. was very effective in the part of De Vienne. The character does not comprehend a wide or interesting range of action, but this excellent Actor gave it with fidelity. Mr. M'Caskey played O'Carroll, his first effort, we believe, as a dramatic Irishman. This line of character has been hitherto filled, on our boards, by a Gentleman whose absence cuts off our very richest sources of dramatic pleasures ; but we trust that Mr. M'Caskey will not think we have here suggested an unkind re- collection. The vocal powers of this Gentleman are cer- tainly of a high order, and will always render him a power- ful accession to the Musical department of the Theatre. Mr. Gyles gave us a very droll piece of acting in the character of the First Worknian. It was short, but irresistibly ludicrous. This Gentleman's physiognomy has strong comic power of expression, and he possesses, in no ordinary degree, the art of varying his countenance without exhibiting a single feature in unseasonable distor- tion. He was humorously seconded in this character by Mr, A. BusHE, who was his younger partner in trade. The part of King Edward the Third was sustained by Mr. RoTHE, jun. in a very able style. That o! Earl Har- court was respectably supported by Mr. Geevase Power. The Ju/ia of Miss Walstein was a performance of striking excellence; and MissRocK sustained the character of Madelon with a lively and interesting spirit. On the con- clusion of the Plav, which aflbrded, in the splendor and variety of its scenes, a richness of spectacle conspicuously beautiful, the approbation of the Audience was marked by three distinct and enthusiastic cheers. The Afterpiece of Bombastes Fdrioso finished the entertainments of the evening. The performance of Mr. Annesley, in this amusing piece of bombastic droUerjr, was infinitely diverting. He strutted with a becoming spirit of military dignity through his scenes, in which a forcible imitation of a very celebrated Performer was most happily introduced. Mr. Gyles was humorous, in the highest degree, as the pompous representative of the royal Artaxomenes. Lord Mon'ck held the very prominent sta- tion of Fnihos among these exalted personages, and in an incidental Song and Dance, which he executed with great drollery, was loudly encored. His Lordship repeated both, amid reiterated applause and laughter. The whole per- formance of this ludicrous Burletta excited loud and con* stant peals of merriment. [Ball at the Theatre. — Tknrsday, October I4th, 1819.J The Theatre was again converted mto a Ball-room this evening, and the Saloon and Boxes were filled with one of the most brilliant assemblages of exalted rank, fashion, and beauty, ever seen within the walls of that House, so long the resort of loveliness and taste. The Stewards were, Sir J. C. CoGHiLL, Bart. W. Wrixon Becher, Esq M. P. Richard Power, Esq. James Corry, Esq. John Power, jun. Esq. and Thomas C. Duffy, Esq. They were dis> tinguished by white wands, and an admirable regularity was preserved throughout the joyful night by their exceU' lent arrangements. The Ball was opened by Sir J. C. CoGHiLL, Bart, and Miss Kavanagh. The Quadrilles were kept up with a very lively spirit until two o'clock in the morning, A Gentleman, who has just arrived here from a tour through France and Italy, assures us, that he never saw so fine a Ball-room as our Theatre affords. When appropriated to this |)urpose, the Saloon is 90 feet by 30 ; one-half of which is enclosed on three sides by Boxes splendidly decorated, which, when brilliantly illuminated, and occupied by lovely females, in gay and fashionable attire, present a coup d'eeil that is absolutely enchanting. Miss O'Neill, This accomplished Actress, " the sweetest of the Muses* train," after an absence of seven years, the most interesting of her past, and perhaps of Yitr future life, is to appear upon the boards of our Theatre on Wednesday next. She returns to the land of her birth, " the land which first cradled her fame." She comes, beyond ail question, the first and most splendid luminary in the dramatic hemisphere, to throw a lustre over the " descending glories" of that spot where she first shone in splendor on the public gaze. " Come, with thy gentle attributes, and show. In passion's strongest shades of joy or woe, In jocund mirth, in sorrow's deep distress. Thy sweet variety of loveliness." Every Irish heart will learn with exultation, that this lovely and accomplished lady, at once an honour to the drama, her country, and her sex, is as rich in generosity as in genius. She uost positively refuses f.very be* MUNERATioN for her professional services to our city. This is her only stipulation, and from it she will not depart. We are authorised to state, that Miss O'Neill has positivel,? 3H 122 PRIVATE THEATRE OF KILKENNY. 1819. refused to assist in any Private Theatricals in England, although solicited by personages of the first distinction ; and that, with a generous disregard of all personal convenience, and at a very great sacrifice of professional income, she has liberally made her arrangements in the Sister Country subservient to the interests of the Kilkenny Theatre. [Third Night.— JPnda^, October 15th, 1819.] — The entertainments of this evening were, the Tragedy of Douglas, and the Farce of The Poor Soldier. As a Play which derives no interest from those gaudy accompaniments which have not unfrequently suc- eeeiled in keeping buoyant many a dull and weighty body of dramatic poetry, the Tragedy of Douglas ranks high. It possesses strength of character and force of artless passion above the agency of scenic pomp ; and the excellen- cies of its construction are of that general and enduring kind, which may stand successfully against the encroach- ments of a frivolous or inconstant taste. But we shall not obtrude a dull essay on merits, with which most of those for whom we write are intimately familiar. The Play was brought forward to place Mr. Becher in a line of character very remote from that in which he has earned the largest portion of his dramatic fame ; and we retained too forcible an impression of what he had done for parts dissimilar in all the more pro- minent traits of spirit and of action to the present, not to regard a new, and, as we think, adventurous appli- cation of his powers, with some anxiety for the result. A reference to the observations we have made on several of his most approved performances, will show, that we have given him credit for such qualities of acting as ill assort with the genius and feeling of the part to which we are about to advert ; and it is obvious that the efficacy of his labours in that particular and favourite line of character in which he has been heretofore accustomed to move, was calculated to discourage the expectation of equal success in so different a course of dramatic representation as that embraced in the character of Douglas. It was, therefore, under an impression arising from this view of Mr. Becker's capability, that we sat down to ■witness his performance on Friday evening; but we soon discovered that his resources, both in feeling and execu- tion, were fully equal to this new occasion. The higher powers of his talent were reserved for the latter scenes of the Tragedy, and certainly his efforts there, were made with powerful effect. The first scene of the fourth Act developed many of the most imposing excellen- cies of Mr. Becker's tragic style. The spirit of impas- sioned feeling in which he rejpels the haughty insolence of Glenalvon, was strikingly characteristic ; and the tone so full of sarcastic meaning, with which he puts the conclud- ing question of the annexed passage, was most significantly pointed — Norvnl.—liasX thou no fears for thy presumptuous self? Glenal. — Ha ! dost thou threaten me ? Norval.--Didst thou not hear ? The next scene was also one of admirable acting, between >Ir. Becher and the impressive representative of Old Norval. Nor was the parting interview of Douglas and Lady Randolph without its portion of affecting interest. Mr. R. Power gave us in Glenahon a masterly delinea- tion of the character described by the author ; he seemed to have accurately studied the part, for he marked every prominent passage of it with a shrewd and successful attention to Theatrical effect. In the range of Mr. Power's dramatic talents, wide as it is, we would not, before to night, have ventured to include the character of Glerudvon as one within his reach, and therefore we have been not less surprised, than delighted with his performance. Mr. RoTHE made his first appearance here this season, as Old Norval, a character for which he is peculiarly adapted ; and he was received, on his entrance, with long and sincere greetings of applause. He always evinces a feeling of the most exquisitely pathetic nature. — Through- out his scene with Lady Randolph we were struck with the profound attention of the Audience, strongly evinc- ing the deep interest they took in the business of the drama ; and many a bright eye glistened with a tear, at the narrative of the Old Peasant, who had " bred Sir Malcolm's heir as a Shepherd's son." There is, indeed, in Mr. Rothe's manner of acting, all that can awaken the tenderest sympathies of our nature ; and his performance of this night must rank high amongst the many successful efforts of this Gentleman. Mr. Annesley was Lord Randolph, to which he gave considerable importance. This Gentleman is, indeed, a serviceable Member of our Corps Dramatique, and ac- quits himself most creditably in many characters, which are totally of a distinct order. Of the female characters in this Drama, there is but one which can give any scope for a display of talent j and this was supported by Miss Walstein, in her usual superior manner. The Musical Entertainment of The Poor Soldier was brought forward with excellent effect. The vocal qualifi- cations of Mr. M'Caskey fit him for a distinguished part in English Opera, and we are always pleased to see him in a department which he can render so very interesting. The character of Patt devolved on this Gentleman in the Entertainment of Friday night, and he gave some of the delightful Airs incidental to the Piece with much effect. Mr. Dixon played Dermot, and delighted us by the sweetness and simplicity in the quality of his tones. Mr. Corby executed an incomparable likeness of all that we can imaging of Father Luke. The power of natural humour was predominant in him ; he gave it with a shrewdness and pleasantry of rich and original variety, chastened with so much attention to the delicate task he had undertaken, that a generous applause was bestowed upon him even by " the Gods themselves." He was admir- ably dressed, and his air and manner were exquisitely amus- ing. Indeed we never saw before so good a Father Luke as this. The jDor6y of Lord Monck was a highly comical perfor- mance. One of his Lordship's songs excited such general merriment, that the Audience loudly called for a repetition. The request was instantly complied with ; but, on its con- clusion, the House once more resounded with shouts of PRIVATE THEATRE OF KILKENNY. 123 1819. applause, *nd " encore s" and his Lordship good humour- edly obeyed the call again. We pert'orm a very pleasing duty in noticing the excellent zeal and spirit with which Lord MoNCK has always entered into those amusements which have rendered this city a splendid centre of attraction for so many years. In the part of Captain Fitzroy, Mr. G. Power made a very favourable stand. He looked the character extremely well, and went through his scenes with ease and spirit. In the part of Bagatelle, Mr. Gyles was lively and amusing. Miss Rock supported the character o{ Kathleen with her wonted archness and vivacity of expression ; and some of Miss Kelly's Songs in Nora were very well executed. [FoDRTH Night;. — Monday, October 18th, 1819.]- The entertainments of this evening were the Comedy of The Honey Moon, and the Farce of The Apprentice. This Play is universally allowed to possess an exquisite charm of language ; and although the principal incidents are with- out originality of interest, the many beautiful and descriptive varieties of poetic eloquence with which it abounds, stamp upon it a character of versatile and exalted genius. In the personation of the Duke of Aranza, Mr. Power showed consummate skill and facility of execution. The scenes in which he and Juliana are principally concerned, were finished specimens of chaste and elegant acting ; and the following speech of Aranza was not less effective in the delivery, than the sentiments which it conveys are delicately beautiful : Thus modestly attir'd. An half-blown rose stuck in thy braided hair. With no more diamonds than those eyes are made of, No deeper rubies than compose thy lips. Nor pearls more precious than inhabit them ; With the pure red and white, which that same hand That blends the rainbow mingles in thy cheeks. This well-proportioned form (think not I flatter) In graceful motion to harmonious sounds. And thy free tresses dancing in the wind ; — Thou'lt fix as much observance, as chaste dames Can meet, without a blush. There was, in the recital of these lines, a tender and earnest manner of delivery, that rendered the scene one of extreme interest. In the opening of the second Act, which exhibits the Duke in his assumed character of humble fortune, Mr. Power gave full play to that sarcastic raillery with which he treats the yet unchastened violence of his termagant and ambitious bride. There is an« easy but impressive firmness in his look and action — a shrewd, provoking calmness in his accents, which, set in poignant contrast with the turbulent impatience of the Lady, were forcibly appropriate. Mr, Power was not less successful in the first scene of tiie following Act, where his imprisoned Lady feigns contrition for her intemperate follies, and en- deavours, by the affectation of unreserved obedience, to disarm the severity she could not defy. His pretended confi- dence in her assumed conversion, and the well-feigned open- ness of spirit with which he receives her assurances of entire submission to his will, were both admirably expres- sive. We don't know that we have witnessed, even in the happiest of Mr. Power's former efforts, a portraiture which exhibited more truth and delicacy of colour, or which | called into exercise more comprehensive powers of judg- ment and of feeling, than .his personation of the Duke. In the concluding scene of this admirable Comedy, when the Duke, after casting off his humble dress, appears in attire suitable to his rank, Mr. Power's new costume was indeed beautifully splendid, and added to the peculiar grace and dignity of his acting. His entire performance was ardently applauded. Mr. Becher, as the Count Rolando, appeared before us in a different line of character from that in which we have been accustomed to see him. His performance of the ec- centric and pretended woman-hater was very humorous and entertaining. We may justly rank him as a votary of Thalia, though we should rather witness his offerings at the shrine of Melpomene. Mr. Annesley, as the Mack Duke {Jacques,) was exr tremely diverting; he performed the part throughout with an assumption of consequence perfectly in character, and was much and deservedly applauded. Mr. G. Power, as Count Montalban, justified the favourable opinion we had previously formed of his Theatrical talent. The Balthazar of Mr. R. Power, jun. was highly credit- able to him ; and the little part of Lopez was humourously performed by Mr. Gyles. Lord Monck was an admirable representative of the starved Apothecary, Lampedo — and Sir J. C. CoaHiLL, by his performance of the trifling cha- racter of Campillo, furnished another proof of that gene- rous feeling that prevails amongst our distinguished amateurs, with whom ambition vanishes at the shrine of charity. The Peaeants' Dance, in the fourth Act, was performed in all its mazy revolutions with grace, spirit, and precision. There was one absent, from whom these pleasures would have derived an animating interest ; and we do confess, that we have missed him with a painful feeling, from those gaie- ties to which his presence ever gave so powerful a charm. But he cannot be with us, and it is unavailing to regret the exigency which can bind A leg so nimble, and a heart so kind.. The female characters were admirably sustained. The three sisters, Juliana, Volante, and Zamora, could not be better represented than by Miss Walstein, Miss Kelly,. and Miss Rock. The Farce of The Apprentice was successfully per- formed. The Prologue to this very amusing Piece was spoken by Mt. Holmes. It was loudly and most deservedly applauded. His performance of the stage-struck Dick was full of comic truth ; and he flaunted through his scenes without that boisterous force which is too often mistaken for dramatic spirit. The /SSmora of Mr. Annesley was ex- tremely well supported, and we certainly considered him a very efficient member of the Spouting Club, Lord Monck, in the part of the Irishman, and Mr. A. Bdshe, in that of the Scotchman, gave the broad peculiarities of their re- spective characters with great humour and fidelity., Mr. T. BusHE looked and spoke the character of Gargle most effectively. Mr. Gyles, as President of the Theatrical Club, was a prominent and very entertaining personage on. this occasion. lU PRIVATE THEATRE OF KILKENNY. 1819. [Fifth tiiajn.-^Tuesday, October 19th, 1819.] — The Comedy of All in the Wrong, and the Afterpiece of RosiNA, were the performances of this evening. This Comedy, written by our countryman. Murphy, has long been ranked among the first of our dramatic produc- tions. The dialogue is lively and familiar, and the action replete with whimsical interest. Mr. Corry played his old and favourite character, of Sir John Restlets, a character long and deservedly a favourite with the Kilkenny Au- dience. The jealousy of Sir John is exhibited under many circumstances of preposterous distress. Powers of comic genius, diversified as the incidents to which they apply, are required to a finished personation of it ; and the success of Mr.CoRRY, in so wide and busy a course of acting, proves that while he draws upon those refined and pregnant sources of dramatic excellence which are within his reach, he can never fail of an easy, spirited, and certain execution. Mr. Cobr y is not indebted to any mechanical dexterities for comic effect; and he disdains those coarse and hacknied acts of drollery which, by encumbering the free course of original humour with the offensive impertinencies of grimace, convert the expression of native pleasantry into all the grossness of caricature. With powers of delineation, accurate as they are comprehensive, this Gentleman enters on his characters with the confidence and spirit of one who possesses the richest fund of comic bumour within him, and who feels that he is able to direct it by the best principles of scenic art. His Sir John Restlett must be classed amongst the most striking examples of the merit we have ascribed to hii acting. It was, all through, the unconstrained effusion of a refined talent, brought into various points of vigorous and skilful execution. In several scenes with Lady Rett- less, his performance was spiritedly characteristic : and it was notfllone in thehurried walk, and agitated gesture, that the leading infirmity of his temper was so happily denoted ; his countenance, in the ever-changing variety of its expres- sion — the significant earnestness of bis look — the ludicrous play of his features — the abrupt remark — the voice broken into passionate ejaculation — were all happily in unison with the disordered air and rapidstep which so significantly marked the workings of his jealous spirit. In the first scene of the third Act, when he traces the resemblance between Beverley and what he considers the portrait of his Lady's paramour, Mr. Corry presented us with a faithful delinea- tion of that inquietude which may be supposed to exist in such a character as Sir John Restless. He begins to examine the countenance of Beverley with ludicrous scrutiny ; and as the likeness strikes dim in every successive survey, his look depicts, with all the truth of nature, the anxious progress of conviction ; and when at length the re- semblance is unfolded to him, in full and final certainty, his countenance conveys a mingled expression of triumphant sagacity and passionate distress, that bring the feelings of the Cocu imaginaire before us in all the spirit and energy of real life. The scene in which Lady Restless meets him, disguised as Marmalet, presented also an admirable effort of comic talent, and abounded in the finest strokes of humour. Without going through thie whole of his performance on this evening, we feel that we could give but an incomplete description of its merits. No man could have entered into the character with a more exact discrimination of its comic and serious feelings, and it was impossible to have marked them out with greater boldness, force, and variety. Mr. Cobry received strong testimonies of the pleasure derived from this exqui- site piece of acting, in the alternate laughter and applause of a numerous and fashionable Audience. For ourselves, we confess, that we never rose from a performance with more lively impressions of satisfaction. We do not hesitate to say, that we know of no Performer now on the British Stage who can contend the palm of superiority with this Gentleman in the character of Sir John Restless. In the part of Beverley, Mr. Power was chaste, spirited, and impressive. The influence of that same restless passion, which manifests itself in such ludicrous diversity of operation in the character of Sir John, is not less happily illustrated, as it affects the differently toned feelings of the sentimental Beverley. The jealousy of the latter is of a nature less strikingly absurd. It exhibits, in a variety of light, the same leading passion ; and produces, in the excited sensibilities of Beverley, a very striking interest in the representation. The acting of Mr. Power gave its fullest force to the expression of his character. The part of Brush was excellently filled by Mr. G. Power. This Gentleman brought very effective requisites of figure and address to the performance of this character, and acted up to Mr. Power with appropriate ease and spirit. His exertion on this evening demands our unre- served approval. Mr. R. PowEs, jun. was very suc- cessful as the representative of Blandford; and Lord MoNCK, in J.he character of Sir William Belmont, deserves particular commendation. Mr. T. Bushe, as Belmont, sustained the character with the perfect ease and manner of a young man of fashion) and was much applauded. The other male characters of the Drama were well supported by the Gentlemen to whom they were allotted. Miss Walstein's Lady Restless has long been known on our Stage as a performance of great excellence, and we never saw her to more advantage in the character than on this evening. — The performance of Miss Kelly, Miss Curtis, and Miss Rock, as Behnda, Clarissa, and Tattle were highly respectable, and contributed much to the success of the piece, which was received throughout with the most general marks of approbation. In the Afterpiece of Rosina, Mr. M'Caskey, as Belville, sang the songs of the character with admirable effect, and was warmly applauded; and Mr. Gyles acquitted himself with much credit in the character of Williavi, Mr. Dixon, in the part of Captain Belville, was an efficient assistant in the Musical department of the Piece. The two Irishmen had humorous representatives in Lord MoNCK and Mr. Annesley, whose performance was cha- racteristic of the whim and humour of the Sons of Erin. Miss Kelly evinced considerable vocal acquirements in the performance of the character of Rosina ; and Miss Rock as Phoebe, was much and deservedly applauded. ' [Ball at the Theatre. — Wednesday, October 2oM, 1819.] — The Ball to-night exhibited a most numerous and brilliant display of rank, beauty, and fashion. We be- lieve that in a former Paper we noticed the dimensions and decorations of our Grand Theatrical Saloon. It is not PRIVATE THEATRE OF KILKENNY. 125 1819. therefore necessary to enlarge on them now, but the spectacle of to-night was rendered still more enchanting by the increased attendance, and the tasteful additions that appeared among the embellishments. Over the box which faces the magnificent chandelier at the opposite extreme, appeared a large and brilliant star of variegated lamps, with the Cypher R. P. in the centre. The floor of the Saloon was beautifully chalked in fanciful devices, among which were conspicuous the same letters. It is unnecessary to say that they are the initials of the name of that amiable and accomplished Gentleman, whose classic genius fii-st formed, and whose distinguished talents still holds united, the eminent Society, whose delightful and benevolent labours have conferred imperishable honour on our City. The Ball was opened by Gervase Power, Esq. leading off Miss Kavanagh. Quadrilles followed the Country Dances. They were called, as before, by Mr. Goodman, who kindly volunteers his services at these Assemblies. The Stewards were. Lord Monck, Sir J. C. Cogbill, Bart. William Wrixon BECHER,Esq. M. P. Richard Power, Esq. George RoTHE, Esq. James Corry, Esq. and Thomas Connel Duffy, Esq. It were unnecessary to say, that these Gentlemen performed the arduous duties of their office with urbanity and attention. The Quadrilles were exe- cuted with singular elegance, and the merry dancers kept up the amusement of the night, till after three o'clock. The greater part of the fashionable Audience, with whom time seemed to fly on the wings of the wind, occupied the Boxes, enjoying the pleasures of the scene with unmixed delight. In the Country Dance, Miss O'Neill was led down by Richard Power, Esq. and this lovely and accomplished Lady, who shewed singular judgment in the elegant simplicity of her costume, qua drilled with Richard Rothe, Esq. As we could not make out the names of all the parties who engaged in the different dances, we shall not attempt a taik in which we could not but fail, and in which the slightest error might appear invidious. [Sixth Night. — Thursday, October 21st, 1819.] — Romeo and Juliet, and the Musical Entertainment of Lock and Key, were played this evening. The Tragedy of to-night was selected for the pur- pose of introducing, for the first time this season, on our boards, that most eminently accomplished performer. Miss O'Neill, a Lady whose private virtues in all the inte- resting duties of life, are no less a theme of panegyric, than her pre-eminent talents as an Actress are the subject of universal and deserved admiration. On her entrance, the entire Audience, influenced by a simultaneous feeling of respectful admiration, stood up, while the House rung with enthusiastic plaudits. The>e rapturous acclamations continued for some minutes, and the object of this distin- guished favour was visibly impressed with those feelings of grateful sensibility which the occasion was peculiarly fitted to awaken. It was indeed a homage due to that union of splendid genius with the richest moral worth, which centres in the character of this excellent Lady ; and it was such a distinction as the most exalted individual might well and honourably aspire to. It is impossible to think, that ta- lents even splendid as those which have exalted her above all professional rivalry, would, if separated from the virtues which give a mild but steady lustre to her cha- racter, have elicited, from such an assemblage, so noble a tribute of ardent and profound respect. We are proud to think, that Miss O'Neill should have been so honoured here ; but our pride, we must confess it, is most gratified by the reflection, that our City has done itself imperishable credit by a just and liberal homage to such desert. We regret much that a want of space renders it impos- sible to notice Miss O'Neill's incomparable performance with the minuteness of description it so empliatically claims. A cursory recital of the beauties scattered in such rich profusion throughout this faultless specimen of histrionic art, would but disparage its excellencies. There were certain passages of her acting, which thrilled the Au- dience, and presented, in all the varieties of look, of tone, and of gesture, such a combination of tragic powers, as occasionally reached the very soul of sensibility. The public are too well acquainted with those qualities of genius which have raised this Lady to undisputed eminence as the first Actress of the present day, to require a laboured analysis of her merits ; but we cannot deny ourselves the satisfaction of dwelling upon some of those efforts of genius which the best opinions concur in placing in the very first rank of intellectual greatness. In the very first Act of the Play Miss O'Neill rose to one of those bursts of feeling which seem to rush from the impulse of nature. As the Masqueraders, in the Hall of old Capulet, retire from the revelry of the night, Juliet asks of her Nurse the names of the several guests as they suc- cessively depart ; but the uninquisitive coldness with which she puts her questions till Romeo reached the door, was effectively contrasted with the passionate earnestness of tone with which she then asks — Juliet. What's he that follows Nurse. I know not. Juliet. Go ask his name. If he be married,. My grave is like to be my wedding bed. The light of her youthful love breaks at once into full radiance, and there seems but the interval of a moment, between its dawn and the warmth of its meridian glow. The window scene, where Juiiet reveals her affections to Romeo, was exquisitely fine. The ardour of her pas- sion, chastened into momentary reserve as her modest nature shortly but weakly struggles against its force; the delicately fine and expressive touches of the gentlest affection, as it unfolds itself in all the simplicity of tnith ; the fervency of woman's earliest love " too quickly won," as it impels the flow of youthful sensibilities; were all brought before us in points of the finest delineation. In the fifth scene of the second Act, Miss O'Neill presents us with an admirable picture of natural feeling. Juliet, in all the impatience of expectant love, chides the tedious absence of the Nurse, by whom she had despatched a message to her Romeo. On the return of the tardy dame, Juliet runs to her with eager haste, but can draw no satis- factory reply from the garrulous old woman. She tries alternately the playful arts of juvenile affection, and the gentle upbraiding of her impatient wishes, to obtaui the longed-for news of Romeo. When both these efforts of persuasion have been for some time ineffectually applied, she throws herself ipto the arms of the aged dame, and 2l 126 PRIVATE THEATRE OF KILKENNY. 1819. endeavours by the ardency of her caresses to bring her to the subject next her heart. The movement and the look which accompanied it, spoke the uncontroulable impatience of her feelings in a language eloquently true to nature, and struck on the warmest^mpathies of the Audience. The look of deep affliction with which she receives the supposed information of Romeo's death, was pathetically expre-sive; but when she learns that Tibalt has fallen by her husband's hand, and that this offence has incurred the penalty of exile, she stands for a moment the very image of deep-despairing woe, and with a burst of almost frantic grief, which rends her gentler nature, she yields to the rush of passion — Some word there was worser than Tihalt's death. That niurder'd me; I^ould forget it fain. But, oh, it presses to my memory, Like damned guilty deeds to sinners' minds ; Tibalt is dead, and Romeo banished. That banished, that one word banished. Hath slain ten thousand Tibalts. In that word Is father, mother, Tibalt, Romeo, Juliet, All slain, all dead ! No language can do justice to the overpowering energy of spirit which impelled this tide of desperate sorrows; and to de.cribe the effect produced on the Audience, when Miss O'Neill uttered these lines, would be impossible. The power of genius gave a character of sublimity to the distracted wildness of her look, and all her gestures were passionately accordant to this excess of feeling. In the third scene of the fourth Act, the performance of' Miss O'Neill was, all through, distinctly impressed with, the force of nature. — The boding fear, which presses on Jidiei's spirit, when she bids farewell to the Lady Capulet, in iier chamber, on the eve of her promised marriage, was marked with inimitable justness of look and attitude. Falling on her knee, she gazes after her with strained and eager eye, bending forward as she retires, as if this longing, lingering look was to be her last on earth. The movement was originally striking, and happily illustrated the silent terror of such a moment. But when her feelings, wrought almost to madness by " the horrible conceit of death and night," speak out in agony of fear, the acting of Miss O'Neill electrified the Audience. It was an effort of mind which nature alone inspired. We have not space for a full quotation of this striking passage, but we annex what more forcibly called forth the energies of this incom- parable Actress : — Or, if I live, is it not very like The horrible conceit of death and night. Together with the terror of the place, As in a vault, an ancient receptacle. Where for these many hundred years, the bones Of all my buried ancestors are pack'd : Where bloody Tibalt, yet but green in earth. Lies fest'ring in his shroud ; where, as they say, At some hours in the night spirits resort — Oh I if I wake, shall I not be distraught. Environed with all these hideous fears? And madly play with ray forefathers' joints? And pluck the mingled Tibalt from his shroud ? And in this rage, with some great kinsman's bone. As with a club, dash out my desp'rate brains ? Oh, look, methinks I see my cousin's ghost,; Seeking out Ron^o — Stay, Tibalt, stay ! Romeo I come — this do I drink to thee. After she had taken the contents of the phial given her by the Friar, her tottering frame, as she rests upon her knee and endeavours to rise, well denoted the quick and subtle working of the liquor. Her dying scene could not be sur- passed for Dramatic effect. Miss O'Neill is too much exalted above our praise or censure to set a value on such a tribute of approbation as these weak and hasty ob- servations can convey, but to the more suitable applause of an Audience which comprises at all times so large a portion of refined taste and experienced judgment as that which is occasionally attracted to our Theatre, even thi» inimitable Actress will not feel indiflferent. Her exertions on this evening raised admiration to its highest pitch. Mr. Richard Power established new claims to public admiration in the character of Romeo. His dramatic capabilities were on this occasion brought into a course of action prominently different from that in which they had so often before been successfully exercised ; but it was an exalted and unerring testimony of his excellence, that the admiration of that transcendent genius which spread the light and power of nature over the representation of Juliet, did not so wholly absorb the feelings of the Au- dience as to close his access to theii' sympathies. As the Play advances, and all that is of energy in the character becomes excited to extremes of sorrow or of indignation, he spoke out the glowing language of his passion with a striking power of voice, and an appropriate force of action. In the third scene of the first Act he was eminently suc- cessful. When he learns that sentence of banishment has been pronounced against him, and that he is doomed to separation from his Juliet, the tide of boundless affliction seems rushing in upon his soul, and in the agony of over- powering passion he gives way to the torrent of distracted feelings. Ha ! Banishment? be merciful, say death; For exile had more terror in his look. Much more than death ; do not say banishment ; 'Tis death mis-termed—:^ In the following scenes he gave innumerable proofs^of mature judgment and of the truest feeling. Every shade and change of passion, were drawn distinctly to the eye, and his acting rose in particular junctiu-es to the very perfec- tion of Dramatic art. In the concluding scene his perform- ance also did honour to his powers of conception. The incidents of the scene were wrought up to an extreme of woe, in the united acting of Mr, Power and Miss O'Neill. As the poison difluses its fatal efficacy, and Romeo sinks from madness into death, Mr. Power dis{)laj's the most correct knowledge of scenic effect. It was, indeed, a performance in all respects calculated to improve the Dramatic reputa- tion of Mr. Power, and we place it among his best efibrti in a tragic sphere. Mr. CoRRY was very successful in the lively character of Mercutio ; he told the very difficult story of the progresi of Queen Mab, with great spirit and effect, and bartered the love-begone Romeo through the whole of that PRIVATE THEATRE OF KILKENNY. 127 1819. scene in a gay and lively spirit of playful raillery. Mr. Annesley filled the character of Capulet well. In the part of Paris, Mr. R. Roth* was very successful. This very young Gentleman infuses into every character assigned him, in that particular line to which his taste inclines, a full portion of impressive feeling. Benvolio was creditably sustained by Mr. R. Lanoeishe, The THball of Mr. Power, jun. was very correctly supported. The part of Peter was well acted by Lord Monck; and the Balthazar of Mr. G. Power entitles him to much approbation. Mr. Gyles acted the Apothecary as it should be, but he certainly did not look the man whom " sharp misery had worn to the bones." The Nurse was excellently well filled by Mrs. Eyreby ; and Mr. Becher performed Friar Laurence, and displayed in it his usual energy and discrimination. The other characters of the Drama were all well supported, and it was highly creditable to the taste and feeling of the Audience, that whilst they bestowed the most rapturous applause on the exertions of the hijhlr gifted Lady whose performance on this niglit was a peculiar source of attraction, they did not, in their enthusiasm, sutler the meritorious efforts of other performers in the Drama to pass without those encouraging tokens of approbation, which seemed to give the most animating confidence and energy to all of the distinguished corps whose exertions were called into action. Between the Play and Farce Mr. Becher came forward to anno.ince th:-.t Miss O'Neili. would perform Desdemona on Friday ni^iit, Behidera on Saturilay night, and Mrs. Beverly ou Mon'iay night. We congratulate the Nobility and G^itry no\. at this Cily on the rich enjoyments still in store ibr iheai thiough tli ■ kin iness of that lovely daughter of Ireland, who has fasciTi.ited mankind by the powers of her mind, and who, to her glory and to her country's honour be it said, has returned as she formerly left us, pure " as the stars that twinkle in the milky way." Enraptured by the intellectual feast of the evening, we could pay but little attention to the Musical Afterpiece of Lock and Key. The several characters appeared to be well sustained, and Mr. M'Caskey, whose vocal powers are of a very high order, introduced a new song allusive to the Kilkenny Theatricals, which was universally encored, and repeated by that Gentleman with his usual good humour. The following is the concluding verse : — If ever you wish to survey Old Ireland set out in her glory, In October step into the Play, And Kilkenny will set it before you : There is wit, and good humour, and fun. And there too are sympathy's sighs. While ambition strives hard with renown, And beauty adjudges the prize. [Seventh Nit=HT. — Friday, October 22d, 1819.]— The Tragedy of Othello was performed this evening, with the Afterpiece of Raising the Wind. Our Theatre, during the last four nights of performance, has exhibited an assemblage of rank and fashion, which, for brilliancy and beaiity, could not be surpassed in any of the metropoHtan Theatres. Every place in the Boxes was secured, for each night of Miss O'Neill's performance, in a few hours after the arrival of that inimitable Actress at I Kilkenny. It is with feelings of deep regret we declare, that we fear we shall never again enjoy the opportunity of witnessing, at this City, that gi-and simplicity of nature and unsophisticated feeling which the magic of her sublime genius has thrown into her acting ; and it is the highest praise which Miss O'Neill can receive, to say, and we say it under impressions of delight that can never be obliterated, she has a soul to feel, a judgment to select, and an ima- gination to combine, with taste and effect, all the original emotions of human nature. In the character of Othello, Mr. Rothe stood prominent in Dramatic rank, for the first time this season. The long established fame of this Gentleman, as the successful repre- sentative of the jealous Moor, had taught us to expect whatever was most interesting and impressive in the per- sonation of this noble character. We had long since known in what animating vigour he possesses those impos- ing capabilities which can bring into light the most precious charms of Dramatic eloquence ; but not having before this evening seen him in a character which so intimately combined the rude and rugged strength of manly nature, with the tenderest and most generous sympathies of refined passion, as that under our immediate notice, we relied on the promise which his recorded success in the part held out to general expectation, rather than on any general estimate of his intellectual resources that we could have deduced, even from the highest efforts of his fa- vourite art. Uninfluenced then by a single prepoisession, we attended the Theatre on Friday evening ; and we should, do little honour either to our judgment or our feelings by any affectation of critical* coldness on the exposition of those splendid merits which establish the Othello of Mr. RoTHE as a 'finished model of natural acting. Favoured with useful and povperful requisites in form and counte- nance, this Gentleman is no less liberally gifted with that salient force of feeling, which can always preserve his performances from langour ; and in the application of that essential resource, he leaves but few passages of his acting unimpressed with the spirit of sensibility. In his exculpa- tory speech to the Senate he was eminently effective. It was spoken with a power of feeling which was truly accordant to the nature of the impassionate Moor ; and there was, in his developement of the course by which he won the gentle Desdemona to his love, a rude but energetic simplicity of address, which equally assorted with the character. When the arts of lago first flash suspicion of Desdemona's fidelity on the ingenuous mind of Othello, the features of Mr. Rothe presented an expression of such dreadful doubt as struck home to pity j and, as distrust more firmly seizes on his nature, the struggle of contending passions is revealed in all the distinctness of truth, both in his voice, which becomes tremulous with agony of feeling and his gestures, which as forcibly betray the impetuous workings of his soul. The effect of lago's malignant insinuation, as he forms out those probabilities, which are designed to render the access.of jealous violence more easy and direct, was finely and forcibly depicted in the acting of Mr. Rothe. His insidious enemy, in exultation at the obvious success of hit early machinations, observes to him — I see this hath a little dash'd your spirits. 0th. Not a jot, not a jot. 128 PRIVATE THEATRE OF KILKENNY. 1819. These words of feigned indifference were uttered in a voice broken into trembling accents ; and when again [ago says. My lord, I see you're moved, the look and tone with which Othello answers. No, not much moved ; — I do not think but Desdemona's hones't,> conveyed so fully and so forcibly the too successful influence of the passion which newly assailed his credulous but manly spirit, as to excite the very deepest sympathy. Through the whole scene in which Togo contrives to agitate the jealous fears of the Moor, Mr. Rothe displayed consum- mate excellence. The progress of his doubts is there pourtrayed with ipasterly force of delineation, and the many strokes of nature, with which it abounds, were given with unsurpassed truth and power of execution. The flow of impetuous feeling in which he abandons himself to the dreadful certainty of his dishonour, and bids farewell to every joy which spreads its influence over his tranquil or ambitious hours, was impressively affecting. The violence of his passion, as proofs of Desdemona's guilt seem to multiply, was depicted with emphatic power, and Mr. Rothe threw into the character so many strokes of the truest pathos, as could not fail to reach the best sym- pathies of his Audience. His performance in the concluding scene of this incomparable Drama could not be excelled. In some passages he surpassed himself, and brought into view innumerable beauties of rich and original grandeur. The contention of feelings which for a moment distracts his purpose, while he gazes on the sleepmg Desdemona, was delineated with a touching power ; and when, after avenging his supposed dishonour, Emilia knocks for ad- mission to the chamber, he exclaims. If she comes in, she'll sure speak to my wife; My wife ! my wife ! — what wife? — I have no wife. — O insupportable ! O heavy hour ! Methinks it should be now a huge eclipse Of sun and moon, and that the affrighted globe Should yawn at alteration. The power of sorrow was forcibly attested in his .dis- tracted look and agitated frame. The acting of Mr. Rothe was maintained throughout with unabated energy of design and execution, and elicited the loudest plaudits. The character of lago was very happily sustained by Mr. Becher. The part is fully within the compass of this Gentleman's powers, and he gave it the most exact expres- sion. We have not often seen the qualities of the character more effectively drawn out than in the- performance of Mr. Becher on this evening. We regrfet much that we cannot afford his merits a more particular attention now. The part of Cassia was acted with striking excellence by Mr. R. Rothe. In the drunken scene his performance was admirable. There was nothing of coarseness or clamour in his intoxication, all which he very properly avoided. Mr. Annesley acquitted himself with much credit as Roderigo; he seems to have acquired a knowledge of the business of the Stage worthy of a veteran performer. The part of Montano was very efficiently performed by Mr, Langrishe ; and the ot|ier characters of theDrama were sustained by the Gentlpmen to whom they were allotted, with all that precision ',^pl attention to the business of the Drama, which are so carefully observed at our Theatre, even in the most trifling ancfunimportant concerns of the Stage. It is known to ourrDramatic readers that the character of Desdemona does not associate amongst the requii^ites for an efficient performance those pre-eminent and tower- ing traits of excellence, which Miss O'Neill so eminently possesses ; still the character is of that gentle and inte- resting kind, which, we think, elicits mahy of the very finest qualities of her inimitable acting. We have wit- nessed with the highest admiration those efforts of her genius which so strikingly depict the stronger pas- sions of our nature, and we well know with what over- powering force she acts in passages of rapid feeling. But we have also derived the truest pleasure from such of her performances as abound with tender expression, and delineate the gentler affections of tier sex. The acting of this Lady in the opening scene of the third Act, when she entreats forgiveness of Cassia from the Moor, was irresis- tibly effective. The tender look and playful gesture — the voice of mild but earnest entreaty — the affectionate re- proach, and gentle' endearment — all bore the stamp of truth and nature. When shall he come ? Tell me, Othello. — I wonder, in my soul. What you could ask of me, that I should deny. Or stand so mumraering on. — What ! Michael Cassia, That came a-wooing with you ; and many a time. When I have spqke of you dispraising],}'. Hath taken your part,— -to have so much to do To bring' him in ! — ^Trust me, I could do much,— We have not sieri a piece of acting which, throughout, seemed to us so rich in the attributes of native feeling, as the Desdemona of Miss O'Neill. This Lady met with the enthusiastic applause of an overflowing House. Miss Kelly performed the fcharacter of Emilia, and in her last scene displayed great energy and feeling. The Afterpiece of Raising the Wind was performed, for the second time this season, on Friday evening. The characters were filled by the same Gentlemen to whom they were before allotted, and we have nothing to add to our first notice of the performance, but that we consider Mr. Gyles a more successful representative of Fainwould, than we have seen for a long time ; and that Mr. Holmes, in the part of Jeremy Diddler, approached a little too near the boisterous, in his manner, 'We. consider him, however, a young Gentleman of much spirit and chaste humour. [Eighth ^ight.— Saturday, October 23d, 1810.] The Play of 'Venice Preserved was performed this evening, and the Afterpiece of Rosina. The Belvidera of Miss O'Neill was a performance which we contemplated with no less astonisiiment than delight. The sensation of grief experienced by the Audience at the falling of the curtain was overwhelming. Every eye in the House, as far as we could perceive, was " shedding pity's tear ;" and never could the words of PRIVATE THEATRE OF KILKENNY. 129 1819. Jaffier be more happily applied than to the lovely being who chained our affections, and awakened our sympathies, by exertions " more than mortal." Sure, all ill stories of thy sex are false ! Oh, woman ! lovely woman ! Nature made thee To temper man : we had been brutes without you j Angels are painted fair, to look like you : There's in you all that we believe of heaven ; Amazing brightness, purity, and truth. Eternal joy, and everlasting love. * The Jaffier of Mr. Richard Power was highly creditable to this accomplished Actor. His delivery of many of the leading passages of this arduous character, evinced his accustomed strength and accuracy of judgment. The scene in which he is introduced to the conspirators, where he labours to convince them of the sincerity of his vows, and confidei his Belvidera, with the dagger which was to avenge his falsehood, to the care of Renault, as the best pledge of his fidelity to their cause, drew forth such acting from him, as brought down several rounds of applause. The conflict of love and duty which arises from the fond entreaties oi Belvidera to betray those engagements, which were consecrated to truth and friendship, was also admir- ably depicted. The following passage was given with a tone of feeling that carried to our hearts a keen sense of the leading and opposite traits of passion that characterise this moment of distracting irresolution : — Rather, remember him^ who, after all The sacred bonds of oaths, and holier friendship. In fond compassion to a woman's tears. Forgot bis manhood, virtue, truth, and honour. To sacrifice the bosom that relieved him. — Why wilt thou damn me ? In that scene wherein Jaffier, after having betrayed his associates, and brought upon himself the infamy of violated friendship, deplores the weakness which too imphcitly yielded to the persuasion of her he loved, Mr. Power delivered the following lines with unsurpassed effect ; — Where's my friend ? my friend ! thou smiling mischief; Nay, shrink not, now 'tis too late ; for dire revenge Is up, and raging for my friend. He groans ! Hark, how he groans ! his screams are in my ears f See, see, they've fix'd him on the wheel. And now they tear him — Murder ! perjur'd senate 1 Murder ! — Oh I hark thee, traitress, thou hast done this ! Thanks to thy tsars, and false persuading love. As the endearments of Belvidera turn him from his medi- tated vengeance, and the power of affection triumphs over every violent resolution, Mr. Power gave great effect to these fines : I am, I am a. coward — witness Heaven, Witness it Earth, and every Being witness, 'Tis but one blow ! yet, by immortal love, I cannot longer bear a thought to harm thee. Indeed, his entire performance produced a powerful sen- sation on the Audience ; and, associated with the fine acting of Miss O'Neill, combined to give us a dramatic represen- tation of the highest interest. Of the performance of Mr. Rothe, as Pierre, it is sufficient to say, that it may be reckoned amongst the best efforts of this highly gifted gentleman. Mr, Becher gave us a powerful proof of the effect that great talents can give to a part of inferior interest, by his judicious and excellent performance of the part of Priuli ; nor can we dismiss this article without bestowing upon Mr. R. Power, jun. our tribute of humble praise, for the excellent manner in which he represented the character of Renatdt. Miss O'Neill appeared to-night before a Kilkenny Audience for the third time this season, and with unabated claims to public admiration. Her efforts in Belvidera have long been recognized as engaging the noblest qualities of her genius ; and it was in this character, we believe, that her powerful talents were first expanded to the admiring view of a London Audience. Whatever is most excellent in the delineation of conjugal affection — of despairing wretchedness — of passion carried through afflicting varieties of woe, to madness — madness horribly terminating in death, were combined in the personation of the distracted Belvi- dera. It were, indeed, to our perception, impossible with more fidelity and pathos, to have pourtrayed the successive sorrows which bear down her gentle spirit, and at length subdue the power of reason to their dominion. This incomparable Actress conveys, too, with the most toUch- mg force, those bursts of impassioned love which seem to rush from the heart, and speak in Nature's best and strongest language. In the scene where Jaffier upbraids her with the mischief her " false persuading love" has done, in consigning him to eternal disgrace, and the friend of his heart to ignominy ana death, ■her acting presented many finely-drawn examples of this expressive power ; and the conquering force of affection could not have been more faithfully depicted, than at the decisive moment when she throws herself on his bosom, and at once disarms him of his purposed violence^ — Now, then, kill me, {Leaps upon his neck and kisses him-) While thus I chng about thy- cruel neck^ Kiss thy revengeful lips, and die in joys Greater than any I can guess hereafter. Her parting interview with Jaffier was irresistibly pathaic. It seems impossible to have combined the varieties of deep distress with more'complete effect than in this well-wrought scene of woe. We should vainly endeavour to describe the sensations of the Audience, when she separates for ever from the devoted Jaffier, and when, almost distracted with excess of grief, she again rushes into his arms, giving vent to the agony of troubles which presses on her breaking heart, in a burst of wild, convulsive laughter, but when incipient mad- ness strikes upon her senses, the tone and gaze of despe- ration with which she broke out into the following wild, and passionate exclamation, were terrifically striking ; Oh ! give me daggers, fire or water : How I could bleed, how burn, how drown, the waves- Hizzing and foaming round my sinking head. Till I descended to the peaceful bottom f Oh ! there's all quiet, here all rage and fury : The air's too thin, and pierces my weak brain j I long for thick substantial sleep V Hell ! hell { Burst from the centre, rage and roar aloud^ If thou art half so hot, so mad as I am- 2K 130 PRIVATE THEATRE OF KILKENNY. 1819. The sensibilities of the Audience were wrought up to the very highest pitch of feeling, by her delivery of these lines, and " the tributary tear" flowed from every eye. The concluding scene was dreadfully just. Her madness had that terrible hkeness to reality whieh gave a finishing illusion to this unrivalled representation. The exertions of Miss O'Neill throughout the whole of the night, were rewarded with constant and rapturous applauses. The Musical Entertainment of Rosina followed, and was in all respects, both as to its vocal and dramatic departments, very successfully represented. The Night's entertainments were so admirably arranged, as to be con- cluded soon after the hour of eleven. The allusion to the Mebino Factory, in the opening Address, at our Theatre, has attracted many of the distinguished strangers assembled in our City to that excel- lent Establishment. A large Party visited it this day, which was particularly favourable to the excursion. A minute examination of the course of labour pursued in this Institu- tion, as well as the several arrangements, which render it equally contributive to moral and industrious objects, gave the most complete satisfaction to the distinguished visitors, for whom a splendid collation was spread on the occasion.' [NiMTH Niant.— Monday, October 2Sfh.] — The Tragedy of The GAMESTEa was played this evening, with the Afterpiece of Kathebine and Fetruchio. An admirable efFort of the dramatic art was displajred in the Beverly of Mr. Rothe. There is not, in our opinion, in the whole range of the Drama, a character more ex- actly, or more forcibly suited to his taste and feeling, than that whieh he so successfully represented on this evening. The circumstances of the Play form a tissue of the deepest domestic misfortunes, and Beverly is, placed throughout it in scenes which keep the sympathies of the Audience in constant and painful endurance. We need not observe on those peculiar qualifications which Mr. Rothe can always bring to the delineation of such a character; nor is it, indeed, necessary to enumerate the particular passages on which he bestowed the greatest share of interest. We have seen him before in this character, and have dwelt with unqualified admiration on the striking union of genius and sensibility which is visibly stamped on his performance. This evening his acting displayed undiminished excellence, and kept pace with the truly interesting representation of Miss O'Neill. His scene with Stukely, in the gaming- house, when he reproaches him with having brought him to those habits of guilty indiscretion which had wrecked his fame and fortune, was particularly affecting. But in the prison scene, his effort at prayer, as he kneels for a moment, and starts up in hopeless agony, was as fine a piece of acting as we have ever beheld on any Stage. The Stukety of Mr. Richard Power was an excellent performance in evej'y part, and particularly in the scene where he discloses his guilty passion for the hapless Mrs. Beverley, but when we turn from the illusion of the Stage to him who personated this revolting character, well may" we repeal, what our Poet said, upon a former occasion, " And our Stage-villain every virtue graces." Mr. Richard Rothe supported the character of Lewson with considerable ability. He fully entered into the spirit of the part, and gave it a judicious expression. It is the praise of this very interesting Performer, that he never fails to bring his character into distinct and favour- able notice, however brief may be the duties connected with it. Mr. Corry filled the characftr of Jarvis, though not within this gentleman's line of character, with feeling and effect. The part of Dawson was very respectably sup- ported by Mr. R. Power, jun. Mrs. Beverly had a powerful and pathetic representative in Miss O'Neill ; but we cannot at present enter into a particulai' view of her noble efforts on this occasion. This was the concluding performance of Miss O'Neill in this City; and on the following morning this excellent Lady left Town for Dublin. The receipts of the House, on this night, amounted to One Honored and Eighty- Eight Pounds. We believe, that since the first season of its establishment, the Theatre never presented so numerous an Audience. AH parts of the House were filled, and considerable numbers were necessarily excluded from a view of the performance. For so important an accession to the treasury of our Theatre it will always be gratefully remembered, we are indebted to the genius and benevo- lence of Miss O'Neill. In the Afterpiece of TTie taming of the Shrew, we have to congratulate Mr. Becher on his complete success in the chwacter of Fetruchio. It is to be classed among his best efforts. Mr. Gyles acted extremely well in the part of Baptista ; and Mr. Annesley pre- sented us with a very humorous representation of Grumio. Lord Monck's performance in the character of The Tailor was highly laughable. We should do much injustice to the merits of a very young Member of our dramatic corps, if we omitted to notice, with perfect approbation, the spirited acting of Mr. A. Bushe, in the part of Biondello. Miss Walstein played with much sphit in the character of Katherine. The entertainment passed off excellently. [Ball at the Theatre, Tuesday, 26th October, 1819.1 On this night our Theatre was opened as a Bail-Room, for the fourth time since the commencement of the prwent Season. A very fashionable assemblage graced the Room, in every part of which, the Gentlemen who act as Stewards at these delightful assemblies, were, seen actively attentive to the arrangements of the night. The company exceeded one hundred and seventy, and included many persons of the first distinction. Dancing was kept up to an early hour in the morning. PRIVATE THEATRE OF KILKENNV. 131 1819. FTknth Nicht. — Wednesday, October 27th, 1819.] — The Tragedy of Henry the Fodbth, and the Farce of X. Y. Z. were performed this evening. The comic hero of the Play fell to the lot of Mr. Conay, in which he proved himself fully equal to the arduous task of a performance, considered, we believe, as difficult in its representation as any in the whole range of the drama. It was, we understand, his first appearance in Sir John Fal- ttaff, and we congratulate him upon his complete success in an effort which would have added to the reputation of the most established Comedians of the present day. Mr. Cobry's appearance and costume were admirably appro- priate, and he imparted to the fat Knight all the humour and whim that belongs to the part, but with so chastened a softening, as to render it a performaiice of the most finished nature. Mr. R. PowEE was peculiarly successful in the Prince of Wales. The ingenuous and gallant Barry Monmouth could not have had a more accomplished representative than this highly valued Gentleman; and whether we consider him in the lighter scenes with his " mad-cap companions," or as the chivalric Prince, bowing to the reproof of his Father, and resolving upon " deeds of arms," he never departed from the spirit and meaning of the author. Mr. RoTHE was " the gallant Hotspur" and sustained the character with his usual excellence. His performance was marked throughout with characteristic spirit and energy, and merited the frequent bursts of approbation which it drew from the Audience. Mr. R. Langrishe, as King Henny the Fourth, gave great importance to a character which, from his youth, he was but ill calculated to personate ; but his declamation was distinct and impressive, and the whole was an effort highly creditable to his taste and genius. Mr. Rothe, jun. dis- played an animated and nervous warmth in the personation of