h CORNELL UNIVERSITY LIBRARY Cornell University Library arVmoi House mottoes and inscriptions: old and 3 1924 031 319 944 olin,anx Cornell University Library The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031319944 HOUSE MOTTOES AND INSCRIPTIONS SUNDIAL 01 KXIlill'lS I H ISI'I'I' \I,I,KK.^ Ill' ^ I'. JOHN ClF JKKUSALEM, AT ,MILI.UI(;G, near J'ENRITIl. [Fiuiihspu'cc: HOUSE MOTTOES AND INSCRIPTIONS: OLD AND NEW BY S. F. A. CAULFEILD AUTHOR OF 'the lives of the apostles,' 'true philosophy,' 'DESMOND,' 'avenele,' 'sick-nursing at home, etc..' LONDON ELLIOT STOCK, 62, PATERNOSTER ROW, E.G. 1902 TO THE DEAR MEMORY OF MY FRIEND AND PARTNER IN LITERARY WORK AND HOME LIFE, AT WHOSE SUGGESTION THIS BOOK WAS WRITTEN, C. DORA DE BLAQUlfeRE (Nee BETTRIDGE). Obit May b, 1 901. BELOVED, RESPECTED, AND UNSPEAKABLY LAMENTED. PREFACE IN presenting this collection of house mottoes and other inscriptions to the public, I can- not claim for it by any means an exhaustive character ; it is only representative, curious, and interesting as indications of the turn of thought of the several nationalities from which they were derived, and of the periods of their dates. Furthermore, it may obtain a favourable recep- tion as the only work of the kind in the English language. My best thanks are due to Dr. Wallis Budge (of the British Museum) ; Miss Busk (in Notes and Queries); Mrs. Bury Palliser; C. W. King, Esq. ; Edward Walford, Esq. (the late) ; Mrs. Gatty ; B. Harris Cowper, Esq. ; Robert Cham- bers, Esq.; Dr. Cobham Brewer (the late); Thomas North, Esq., F.S.A. (the late, whose Till Preface work was re-edited by the Rev. W. Beresford) ; and Mrs. E. Hodges. From interesting works by these distinguished authors I have made, more or less, extracts ; or gleaned information from personal interchange of thoughts. S. F. A. CAULFEILD, Lady of Grace, Order of the Knights Hospitallers of St. John of Jerusalem in England. CONTENTS PART I PAGE Introduction : Ancient Inscriptions i PART II English Inscriptions i8 PART III Scottish and Irish Inscriptions - 6i PART IV Foreign Inscriptions 77 PART V Sundial Inscriptions, including some on Posie Rings, Organs Bells, and Others 112 PART I INTRODUCTION : ANCIENT INSCRIPTIONS THE history of house inscriptions carries the student back to very remote times. We find that important events and per- sonal sentiments were recorded on their public monuments by the Pelasgi — such, especially, as their contests with the barbarous aborigines west of the jS)gean. Sea, whom they displaced, and represented as but half human — centaurs — they themselves riding on their backs. The dates of the Etruscan inscriptions, the runes of Scandinavia, oghams of the Celts, and the picture-writings of the Aztecs of Mexico, have not yet been decided. The earliest known engraved inscriptions are those of Egypt, which are at least 500 years older than any on papyrus, being attributed to the Second Dynasty, 3000 B.C., and of the reign of Sent. Then follow in point of antiquity the cuneiform inscriptions of Assyria, 2000 B.C. The Chinese, that of Yu, is said to date from 2205 B.C., but this appears to be a moot question. The Lycian, Indian, and Roman I 2 House Mottoes and Inscriptions are successively of later date. The great key to the ancient Accadian, Egyptian, and Zend in- scriptions (as most readers must know) was found in 1799 in the precious ' Rosetta Stone.' This discovery we owe to Bouchart, a French artillery officer, at the Redoubt of St. Julian. It is an oblong slab of black syenite, on which are three inscriptions, one in hieroglyphic phonetic signs, and one in the enchorial or popular character. For the translation of the writings on the Etruscan monuments no such key has yet, I beHeve, been discovered. The records traced by hands long laid to rest, on public and private buildings, are touching revelations of human thought and personal feeling, and of deeds performed for good or evil that cannot be undone. They characterize certain epochs of the world's history in divers lands and climes, and often prove most highly instructive to those who possess appreciative * eyes to see, and ears to hear.' In certain countries it is clearly to be seen that there has existed a more rehgious drift of thought and feeling than in our own country, although more evident in the olden, than in modern times, for, according to a code of etiquette of recent acceptation, ' the subject of religion, as well as of politics should be banished in the social reunions of polite society!' The recent discoveries in Babylonia include that of a library in the city of Lagas, the origin Ancient Inscriptions 3 of which is lost in antiquity. This collection of inscriptions comprised countless clay tablets, formed nearly 5,000 years ago. Assyrian scholars are now engaged on deciphering and translating the greater part of them at Constantinople, which appear to belong to the age of Gudea. The library was discovered by M. Sarzec, and, like the tablets carried away by the American ex- pedition from Nippen, it contains ' sillabaries, letters, texts, votive tablets, inventories, tax lists, plans of estates, contracts, and building inscrip- tions ' — so we learn from Professor Hilprecht. Thus we see how far back into the early ages of the world the custom which forms the subject of this book, of immortalizing human thought, history in general, and the names of distinguished personages, in sculpture, as well as with brush and pen, has obtained. The most remarkable historical inscription is that of Mesha, King of Moab, who recorded upon it his victory over the Israelites some 900 years B.C., after his defeat by Jehoram and Jehoshaphat. It is of too great length to be given here, but a translation may be read in Dr. Eadie's ' Bible Cyclopaedia,' together with a facsimile of the original inscription. It is the most ancient of Semitic records on stone, and discovered near the ruins of Dibon by Klein, an Enghsh clergy- man, in 1868. It exhibits nearly the whole of the Greek alphabet in the identical Phoenician shape. I — 2 4 House Mottoes and Inscriptions The Assyrians also employed the walls of their grand, imposing buildings for inscriptions, and between the front and hind legs of those colossal winged bulls with human heads keeping guard at the entrance doors we find engraved inscrip- tions recording the acts of the King. A fine collection of these original sculptures preserved in the British Museum deserve a careful study, for they are grand in their conception, have a distinct individuality, and are majestic beyond description. Egypt can boast of almost unexampled speci- mens of engraved writings, both as to richness in quantity and as to extreme antiquity. Those who have not visited that wonderful country may find a large collection of these also in the British Museum, and (unhappily outside its threshold) an example, unsurpassed in interest, in the obelisk which once stood before the Temple of On, or ' House of the Sun.' In the time of Moses, Potiphera was the priest, or prince, of On, and Asenath, the wife of the Hebrew deliverer, was his daughter. The artistic emblem or sign language was identical with letters, and all building inscriptions, graven with the sculptor's tools, painted on wood, or written with a ' pen of iron,' formed the equivalent to letters, re- cording historical and distinguished names, and to the illiterate the meaning conveyed by those pictorial signs needed scarcely to be explained. Amongst the most ancient of the hieroglyphic Ancient Inscriptions 5 signs which time has spared us, that of the 'magnificent' Egyptian monarch Osymandyas — who is reputed to have been the first to form a library — should be included in my collection. Amongst the still remaining ruins of buildings erected by him at Thebes, he raised a colossal statue of himself, and on this he inscribed the words : ' I am Osymandyas, King of Kings ; whoever will dispute this title with me, let him surpass my works.' Osymandyas is also known as Memno and Sesostris. The hieroglyphical tablets are ex- tremely well executed on the back and both arms, and the achievements of the hero-King are likewise recorded on the walls of the magnificent temple. This splendid historical relic' has been thrown from its pedestal and shattered. Another very remarkable inscription, which appeared on the Temple of Isis, ran as follows : ' I am whatsoever is, whatsoever has been, whatsoever shall be ; and the veil which is over my countenance no mortal hand has ever raised.' Surely some knowledge of the true faith — corrupted by fables — may be traced in these words. It is a description of Him who proclaims Himself: ' I am Alpha and Omega, the beginning and the ending • . . which is, and which was, and which is to come ' ; ' whom no man hath seen, nor can see ' ; for ' there shall no man see Me and live.' 6 House Mottoes and Inscriptions At Persepolis, the ancient capital of Persia, and state palace of the Achsemenian Kings, on the north side of the Hall of Xerxes, there are bas-reliefs and cuneiform inscriptions, of which translations were published by Sir Henry Rawlin- son, and are remarkable for their delicate chisel- ling and fine condition, the climate being favour- able to the preservation of such remains. The monument is a large rectangular structure, with a gabled roof, raised on seven layers of immense blocks of stone, arranged in pyramidal form, like huge steps. The inscription in the chamber of the tomb is in Persian, viz. : * O men, I am Cyrus, the son of Cambyses, who founded the empire of the Persians and governed Asia. Do not grudge me this monu- ment.' Cyrus the Great began his reign about 550 B.C., and united the Persians and Medians, both originally Aryan. In the ruins of Persepolis, the palaces of the Achsemenian dynasty, dating back for a period of 2,500 years and upwards, are enhanced in interest by the cuneiform inscrip- tions which they bear, as well as by the grand and masterly sculptures, so full of life and energy, and the superb rows of columns, 60 feet in height. Amongst the inscriptions, and characteristic of Oriental assumption, are the words ' the Great King,' • the King of Kings,' ' the King of all in- habited countries,' ' the King of this great earth ' (all having reference to Xerxes). Ancient Inscriptions 7 Not only in the tomb of Cyrus do we find inscriptions, but on the pillar bearing the only authentic portrait of that monarch in existence, of which the sculpture was very fine, though the features are much defaced by time. The figure is four-winged and crowned, and the motto or monumental record is cut in triphcate cuneiform, of Persian, Susian, and Assyrian, viz. : ' I am Cyrus the King, the Achaemenian.' The pillar is at about a quarter of a mile from the tomb. (I quote from Clive Bigham's ' Ride through Western Asia.') The most ancient Greek inscription known is cut upon the rocks of Aboo-Simbel, in connection with the name Amasis, a General and successor of Apries (the Pharaoh-Hophra of Jeremiah). The inscription records the fact that under the leadership of Amasis the expedition against the Ethiopians had reached thus far. Much might be recorded of the Greek and Roman inscriptions, chiefly those of a memorial character, that on the tomb of Scipio serving as a fine characteristic example. The monument is a sarcophagus of a very highly decorated char- acter, the name being inscribed along the upper part of the memorial. But all inscriptions on memorial tablets or tombstones owe their origin to the Egyptians, who inscribed or painted records of their names and exploits, pedigrees, etc., on their sarcophagi and on their public buildings and obelisks. Such 8 House Mottoes and Inscriptions are as numerous as in the case of the Greeks and Romans, and so likewise amongst the Saxons and Danes ; but few remain in evidence. In this country they became common in the eleventh century, and were for the most part engraved on the tombs of Kings and dignitaries. The most ancient Greek epitaph of which I have found any record seems to be that on the heroes of Thermopylae, by Simonides, i.e. : ' Stranger of Sparta, say her faithful band Here He in death, remembering her command.' In Hierapolis (now Pambouk Kalisi), Asia Minor, there are still to be seen the words on the lintels of a ruined Christian church : * is cs niica ' (Jesus Christ conquers). The ancient and beautiful Palmyra, otherwise called Tadmor, rendered doubly famous by the illustrious Queen Septimia Zenobia, wife of Adainothus, is full of inscriptions. Some of these appear in Palmyran, and others in Greek ; certain of them are on brackets protruding from the columns, bearing the great Queen's name, and representing her as 'the pious and just Queen ' and ' the illustrious and pious Queen.' One states that her statue was erected to their Sovereign Septimia, the daughter of Zabbai, ' by the Septimii, Zabda, General-in- Chief, and Zabbai, General of Tadmor, Excel- lencies,' etc. It will be remembered that ' Solo- mon built Tadmor in the wilderness ' ; but Ancient Inscriptions 9 (according to Dr. William Wright, to whom I am much indebted) although he found a city there supplied with fountains, the Tadmor, of which I name the inscriptions, was not that of Solomon, ' of which,' Dr. Williams says, ' not a vestige remains.' Crossing the Atlantic in search of old-time sculptural records, the ancient Nahuans must be accorded some notice. This people, coming from northern regions, settled in the Gulf States of Mexico at Tabasco, between the sea and the mountains, and were builders of pyramids, stately palaces, and great blocks of buildings, the interiors of which are full of inscriptions in hiero- glyphic characters as well as in paintings. The outer fa9ades, which are very splendid, are almost covered with pictorial carvings and records in these hieroglyphics. Still on the quest for old-time memorials on stone at the other side of the ocean, I read of another example. On the imposing Government House of St. Domingo, the grandest building in the New World, there was the motto ' Non sufficit orbis.' The entrance was approached by broad flights of marble steps, and above the portico hung the arms of Spain, a globe, repre- senting the world, and a horse leaping upon it, and the motto was inscribed on a scroll proceed- ing from his mouth. Sir Francis Drake levelled both palace and escutcheon to the ground in his crusade against the Spaniards everywhere and the infamous deeds of their Inquisition, per- lo House Mottoes and Inscriptions petrated chiefly on our sailors. The acquisition of spoil was not lacking in attraction, but only regarded by that dauntless man as some just compensation for risk, and loss of life, and the chance of tortures in case of defeat. Recrossing the Atlantic, and passing up the Mediterranean to Sicily, we may see the splendid Saracenic palace at Palermo. This building is decorated round the upper part by a wide ' string-course ' balustrade, which is occupied by a beautiful inscription in relief, and by battle- ments. I regret that of this I have not got a translation, nor of those in the interior of the palace, where such are likewise conspicuous above the ' string-course,' painted arabesques, and bordering the high arched vault above them, these being records of thought, and of history which time has not yet obliterated. Travelhng north-eastwards, we find in the ruins of Pompeii that pictorial signs were employed to supersede the use of written words, so following ancient custom ; and, indeed, such was commonly the case in our own country. The reason is not far to seek, for to the great majority of the old- time folk letters were unknown, and education was not compulsory, although the horn-books were in use in our schools, dating from before the Elizabethan period till the reign of George II. But as these books bore no date, it seems difficult to assign one to their earliest origin. Letters were also employed in Pompeii, for under the Ancient Inscriptions 1 1 sign of the two gladiators there was the follow- ing inscription : ' abiat venerem pompenanama IRADAM QUI HOC L^SERiT ' {i.e., ' Hobeat venerem Pompeianam iratam,' etc.). There was also in- scribed beneath the sign over a baker's shop : ' HIC HABITAT FELICITAS.' Above the door also of a Pompeiian house, once inhabited by a surgeon, there remains the following intimation : ' eme et habebis.' While still engaged on the subject of ancient inscriptions, I should not omit to name the existence of some Scandinavian records, en- graved on stone, and belonging to the United Kingdom. At Maeshowe, Orkney, there is a very remark- able mound, containing a large chamber, three cells, and a long entrance passage, entered by a low door. It is of unknown antiquity. The vault is built of slabs of stone, 15 feet square. At the corners there are buttresses, and the roof, composed of arched masonry, has an aperture for ventilation. Runic inscriptions and emblematic figures are carved on some of the stones, which have been explained partly by the aid of Nor- wegian scholars, who say they refer to the Vikings and Scandinavian heroes. But one of these informs us that ' Those Robainsson cut these runes (on) this cave.' A winged dragon and the figure of a horse are amongst the sculp- tural designs, and it is supposed that these in- scriptions were the work of Scandinavian rovers 12 House Mottoes and Inscriptions of far later times than those of the ancient build- ing itself. One of our own most ancient engraved stones is an obelisk standing at a short distance from the town of Forres, Co. Elgin, N.B. It is cut out of a large block of granite, the hardest to be found in Scotland, and measures 23 feet in height — the top having been broken off — and at its base nearly 4 feet in width, the monument surmounting four steps. It is divided into several compartments horizontally marked across, and each part is engraved with representations of men, on horseback and on foot, spear or bow men, and with other symbols. The origin of the erection of this record of the past is unknown. The hypothesis of the Rev. Charles Cordiner, a distinguished antiquary, is regarded as supply- ing the most probable origin of this monument, amongst other suggestions made. It is that it was erected to commemorate the victory of the Scots over the Scandinavian adventurers, who in the ninth century had established themselves on the neighbouring promontory of Burghead. The name Sueno's Stone seems to point to some connection with the Norwegian King so called. ' There is nothing new under the sun ' was the opinion of the ' wisest of men,' and as the years in centuries have rolled onwards, we find old ideas and practices handed down and widespread amongst different peoples. In our own country, Ancient Inscriptions 13 on our old castles and the mansions of our titled and untitled aristocracy, the knightly escutcheons of each family were set up, after the manner of signs, to notify, either with mottoes or with unwritten words, to those who passed by the family to whom the feudal castle or country seat belonged. Just so was it customary for the visored knight to proclaim his personal identity by means of his crest and his coat of arms emblazoned on his shield or on his person. His retainers and dependents likewise, who lived under his protection, and on his means and property, proclaimed their attachment to his service by wearing his livery, and placing a representation of his armorial bearings over their public hostel- ries to serve as a name. This was in imitation also of their liege Iprds' custom, whose castles and mansions were greatly appropriated as hostel- ries to the use of wayfarers as well as to personal friends. It will probably occur to many of my readers that in the sculpture or painting of the family insignia over the entrance door of our ancient houses (equally obtaining on Continental palaces and castles), we followed the Mosaic command to the heads of the several tribes of Israel — i.e., to place the hereditary device (divinely appointed to every one of them) on a banner at the door of their respective tents. These were equivalent to house mott6es. With certain interesting exceptions, we find 14 House Mottoes and Inscriptions that what was equivalent to house inscriptions in our own country served to distinguish our old hostelries ; and no less to provide landmarks, guiding the stranger on his ill - directed way through unnumbered and nameless streets. But the language on the tavern signs was for the most part pictorial, and the paintings and letterings were not (as in most other countries) executed on the walls of the house, but were hung from them on an iron bracket, or else, in banner fashion, on an upright post in front of the dwelling, out on the road. Thus the language of signs that obtained in ages long gone by, again found its expression in our own land, as all over the civilized world, in some form or other, and served the same purpose after a kindred manner as the ancient hieroglyphics. Before giving any examples, I may remark on the curious fact that we have so many mottoes in Latin, German, and Dutch on our own houses. That such as the first-named should appear on the gateways and walls of religious houses and churches is not surprising, as the learned clerks employed in connection with them directed repairs and improvements, and naturally used the language of letters, rather than what is called ' the vulgar tongue ' (meaning in this sense ' ordinary language ' or that in ' common use '). Having traced back the origin of house inscrip- tions to very remote ages of the world, and proved the truth of the statement that ' there is nothing Ancient Inscriptions 15 new under the sun' (or was not in the days of the wise man who propounded it), I shall give a few specimens of English, Scotch, and Irish examples, and some collected from Switzerland, the Tyrol, Italy, France, and Germany, as space may permit. That mottoes on sundials, and monumental records should be strongly imbued with rehgious feeling is very obviously natural, but that this should be so generally evidenced in house in- scriptions seems characteristic of certain epochs and nationalities. Such demonstrations of pious and devout thought are especially remarkable in Germany, Switzerland, and the Tyrol. In our own country we have a goodly collection of such like, but there are not wanting some of a facetious character, as well as others of hospitable intent. Wood-working is the oldest of the decorative arts, and one which even among savages still main- tains its former excellence. The New Zealander's club and the ancient Aztec's gods, the Hydah Indian's pipes and the paddles of the Polynesian canoe-man, are marvels of carving, executed with the rudest tools, or with bits of obsidian, or sharpened shell, which the civilized workman would scarcely recognise as worthy of the name. The few travellers who have penetrated the mys- terious Kaffir country of Central Asia describe entire villages, composed of wooden houses, elaborately carved on post and pillar. Until the fear of fire led to the use of iron and stone 1 6 House Mottoes and Inscriptions as building materials, and the disuse of wood reacted prejudicially on wood-carving, such towns were common in Europe, and remnants of them may still be seen in Blois, Chester, and Coventry. Beams, brackets, door-heads, and gable-ends were effectively hewn with grotesque images of demons, heraldic devices, and those saintly faces which still look down on us with a glance so benign. After the Renaissance the great masters practised carving in wood with such success that the chefs d'ceuvre of Wohlgemuth of Nuremberg, Albert Durer, Ludwig Krug, and Peter Flotner, whether in wood or, as some of Properzia de Rossi's are, in peach-stones, can only be redeemed for ' a ransom,' which courtesy likens to that ' of kings.' I have given but few illustrations. Of the sun- dial of the knights of St. John of Jerusalem facing the title-page, a description will be given later on. The specimen given of Egyptian hieroglyphics represents a scene taken from a bas-relief sculp- tured on a wall of a corridor in the temple built by Seti I., King of Egypt, about B.C. 1370, at Abydos. The relief contains the names of seventy-six Kings, beginning with the reign of Menes and ending with that of Seti I. Menes was the first historical King of Egypt. In the above- named relief we see the King and his son, burning incense to their deceased ancestors. This information I received from the celebrated writer and Egyptologist, Dr. Budge, taken down li^tMm I iiliSSP^HH^lilB I Mks^^SSS^SM^E^ IliCEEl a tJ w H ^ '^ u U) '^ w ^ K /. ;i u: v-n t^ w J ^ p- <; ■r w U r-< -^ w ^ H r J ( > Lj > w ~ o I o ' w Z; o ►J Ancient Inscriptions 17 at his dictation, and the copy is from Marietta, ' Abydos,' vol. i., p. 43 (Egyptian Department, British Museum). Egyptian inscriptions are read either from right to left or left to right, and sometimes vertically. According to the great authority, Mr. W. de Gray Birch, Egyptian hieroglyphics are read both vertically and horizontally, or promiscuously in the field, to right or to left, as the case may be. Sometimes the animals face one way, and some- times the other ; all depends on the circumstances of spaces, forms, and respective arrangement. It seems scarcely excusable to omit any notice of the glyptic art, but it will suffice to refer my readers to a work entitled ' Engraved Gems,' by C. W. King. I will only observe that the art owes its origin to the artificers of Nineveh, who employed fragments of crushed diamonds, secured in an iron tool. Prior to this the Egyptians used sharpened flints, fastened - on arrows, for en- graving softer substances than gems. To the appliance which the Ninevites employed, see an allusion made in Jeremiah xviii. i. The inven- tion dates back to about 729 B.C., just prior to the reign of Sargon. PART II ENGLISH INSCRIPTIONS London. AS I have already forewarned the reader, I am only about to give a representative selection of house mottoes and other inscriptions. They have been collected from various countries, beginning with our own United Kingdom, and giving our Metropolis the first place, although it supplies by no means the most inter- esting amongst them. It will be observed that the Scotch mottoes, like those of all the German-speaking countries, are characterized by great piety of feeling, and in the case of the first-named of a rather gloomy kind. The Irish are of a facetious and jocular description, the Dutch are very quaint, and even grotesque, and the English are of a well-mixed character. In beginning with England, and naturally with her Metropolis, I will give a modern example, and conduct my readers to the Ladies' Tea-room in^^sB^^s^ fS-Si^ --7 bjiom^rr- i^if><2i." o ►4 y S o H H O w ^ H H g (d ■