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A GUIDE 
 
 TO THE KNOWLEDGE OP 
 
 POTTEKY, POECELAIN, 
 
 AND OTHER OBJECTS OF VEETU. 
 
 COMPRISING 
 
 AN ILLUSTRATED CATALOGUE 
 
 or THE 
 
 BERNAL COLLECTION 
 
 OF 
 
 WORKS OF ART, 
 
 WITH THE PRICES AT WHICH THEY WERE' SOLD BY AUCTION, 
 AND THE NAMES OF THE PRESENT POSSESSORS. 
 
 TO WHICH ABE ADDED 
 
 $n Intaotoittots torn m f uteg attir famMii, 
 
 AND 
 
 AN ENGRAVED LIST OP MARKS AND MONOGRAMS. 
 BY 
 
 HENRY G. BOHN. 
 
 H0MEEOUS WOOD ENGRAVINGS. 
 SkoiiB lEBttion, cartccteK. 
 
 LONDON : 
 H. G. BOHN, YORK STREET, COVENT GARDEN. 
 1862. ,.- V 1 -v 
 
 I I ».l 1 VI i- 1- i^l s v 
 
I Preside;-; V ; h'ic ■' 
 
 % in 
 
 filLLING, PRINTEB AND STEfiEOTYPBH, 
 GUILDFOUD, SURREY. 
 
PEEFACE. 
 
 The present Manual has arisen from accidental circum- 
 stances. At the sale of the late Mr. Bernal's extraordinary 
 collection, the numerous and expensive woodcuts which em- 
 bellished the Auction Catalogue, became mine for a mere trifle. 
 Upon this it occurred to me, that an illustrated volume, com- 
 prising the entire Catalogue, with the prices, and the pur- 
 chasers' or rather present possessors' names, and such inci- 
 dental remarks and additions as might suggest themselves, 
 would be an acceptable service to amateurs and collectors ; — and 
 those whom I consulted thought the same. I therefore took 
 immediate measures for accomplishing this object, but other 
 and more pressing avocations so continuously engrossed most 
 of my disposable time, that its completion has been sadly re- 
 tarded. 
 
 In the interim I had been invited by the Eev. Harry Dupuis 
 of Richmond, in common with many of the neighbouring 
 gentry, to take part in a projected Exhibition of works of Art 
 and Science, connected with a series of educational lectures, 
 — a movement in the path of social progress so consonant to 
 my own views and feelings, that I joined in it most cordially. 
 The Exhibition, which was held in a very large and lofty 
 school-room, presented a rich assortment of objects of vertu 
 
IT PBEFACE. 
 
 and natural history, and reflected great credit upon the taste, 
 industry, and perseverance of the several gentlemen who 
 collected and gratuitously conducted it. 
 
 My contributions were principally Porcelain, Enamels, and 
 Glass, of which I have long had a small but very fair collection. 
 Others contributed Pictures, Carvings, Sculpture, Indian An- 
 tiquities, Goldsmiths' Work, Minerals, Geological Specimens, 
 Insects, Stuffed Birds — indeed whatever was likely to amuse 
 or instruct. 
 
 The Lectures were based upon the objects exhibited. — Pro- 
 fessor Owen illustrated Palceontology and Zoology ; Mr. Ra- 
 venshaw, Mineralogy; Mr. Wm. Chapman, Historic Portraits; 
 others gave experiments in Chemistry, Electricity, Hydraulics, 
 and Photography; and I made my de'but on Pottery and 
 Porcelain. A request to repeat my Lecture led me to prepare 
 it with increased attention, and I now present it to the public 
 in its amended form, as a convenient introduction to the 
 present volume. i 
 
 The few additional notes interspersed through the Catalogue, 
 some within brackets denoting the painters on porcelain, are 
 either by myself, Mr. Thomas Woods, the intelligent assistant 
 of Messrs. Christie and Manson, or Mr. Burn, who has read 
 the sheets with me through the press. 
 
 The Appendix of Mouogeams, which I deem the great fea- 
 ture of the volume, will, I hope, be found as useful and complete 
 as anything of the kind yet produced. In the class Majolica the 
 list might have been much enlarged ; but without more positive 
 information than we yet have respecting many unlocated marks 
 the collector would have derived little or no advantage from far- 
 ther additions. Some of the finest and most valuable specimens 
 have no marks at all, while some that would rank well accord- 
 
PEEFACE. V 
 
 ing to the mark, are of little value. A Xanto plate, marked 
 and dated, may vary in value from five to a hundred guineas, 
 ■while an unmarked plate, about which there is not the least 
 positive information, may be worth even more than the larger 
 sum. 
 
 In constructing this Appendix I have been mainly indebted 
 to the valuable works of Messrs. Brongniart and Riocreux, 
 especially their splendid volume, the " Muse'e Ceramique," 
 from which I have copied all the monograms, with scarcely 
 any variation. I am also indebted to that magnificent and 
 well-executed work " Les Arts au Moyen Age ; par Du Som- 
 merard," which every lover of the fine arts, that can afford it, 
 should procure. The brochure of Passeri, on Majolica, as 
 edited by Mons. Delange, has afforded me many additional 
 marks, and some useful information. Labarte's " Arts of the 
 Middle Ages ;" Mr. Robinson's Descriptive Catalogue of the 
 Soulages Collection ; the Catalogues of the Museum of Prac- 
 tical Geology, by Sir Henry de la Beche, Mr. Trenham Reeks, 
 and Mr. Robert Hunt ; and the Manchester Catalogues ; have 
 all supplied something : and last, not least, Mr. Marryat's 
 pleasing volume, of which a new and much improved edition 
 has just been published under the care of his sister, Mrs. 
 Palliser* 
 
 HENRY G. BOHN. 
 
 Twickenham, 
 July 1, 1857. 
 
MR. PLANCHE'S NOTICE 
 
 AS PREFIXED TO THE SALE CATALOGUE. 
 
 I hate been requested to write a few introductory line9 
 to this Catalogue, and feel it is one of the greatest com- 
 pliments that could have been paid to me. Nothing I 
 can say would enhance the value of such a collection, and 
 I cannot therefore look on the request in any other light 
 than that of a delicate mode of conferring upon me the 
 privilege of publicly expressing the respect and regard which 
 I have for nearly thirty years entertained for the kind friend, 
 whose sudden and unexpected loss I so deeply deplore. 
 
 Distinguished amongst English Antiquaries by the perfec- 
 tion of his taste, as well as the extent of his knowledge, the 
 difficulty of imposing upon him was increased by the neces- 
 sity of the fabrication being fine enough in form, colour, or 
 workmanship, to rival the masterpiece it simulated : to be, in 
 fact, itself a gem of art, which it would not pay to produce 
 as a relic of antiquity. Mr. Bebnal could be tempted by 
 nothing that was inferior. Even his Pictures, though avow- 
 edly not selected for their value as paintings, but for their 
 illustration of costume, have probably, taken as a whole, 
 more merit in them than any similar collection in Europe. 
 I am not presuming to offer this as my own opinion ; I but 
 echo that which I have so often heard from the lips of men 
 considered the highest authorities in such matters, both 
 amateurs and dealers. 
 
 With the treasures thus garnered up, it would be an honour 
 to any antiquary to have his name in any way associated ; 
 and I can only repeat that mine has no claim to such a 
 distinction, unless it be that I yield to none in regret for 
 the departed, and in sympathy for his bereaved family. 
 
 J. R. PLANCHE. 
 
 Jawtmry, 1835. 
 
AN 
 
 ILLUSTRATED LECTURE 
 
 ON 
 
 POTTERY AND PORCELAIN, 
 
 DELIVERED AT , 
 
 EICHMOND, JULY 15th AND 28th, 1856, 
 
 ON OCCASION OIT THE LOCAL EXHIBITION. 
 
 Potteby must have been known to the world almost from 
 the beginning of time, first as sunburnt or baked vessels of 
 clay, called by the Italians, Terra Cotta ; then as glazed and 
 enamelled or vitrified ware, called terra invitriata ; and lastly, 
 as modelled or painted vessels, such as Etruscan vases, urns, 
 &c. ; and there are abundant records, as well in sacred as 
 profane history, of its existence in every variety of form many 
 centuries before the Christian era. 
 
 In the catacombs of Thebes, which are proved to be nearly 
 four thousand years old, a series of drawings has been dis- 
 covered, exhibiting the Potter's art as then practised, by which 
 it appears that the clay was kneaded with the feet, worked at 
 the wheel, baked in a cylindrical oven, and lastly painted. And 
 judging by the completeness of all the appliances, this must 
 have been an advanced stage of the art. The ancient potters 
 took rank with the highest class of artists, and their praises 
 are sung or said by many of the Greek and Roman classics. 
 
 The earliest specimen of unglazed ware in the present col- 
 lection is an elegantly formed Roman Vase of reddish brown 
 earth ; but there are many earlier and finer in the British 
 Museum. 
 
 Of glazed and enamelled ware, you see before you some 
 Egyptian figures, rings, and beads, and several Etruscan vases. 
 
AN ILLUSTKATED LECTITEB 
 
 Egyptian figures, rings, and leads of blue enamelled ware 
 are of great antiquity, and are found in the tombs of Egypt ; 
 the largest of the rings here has intagliated hieroglyphics 
 on its face, and is presumed to be a signet-ring. One of 
 the little Egyptian figures is the god Isis ; the other is the 
 celebrated deity Thoth, the type of nearly all the best gifts 
 to man, and the supposed inventor of writing. 
 
 The exquisite finish and fine colour of these examples of 
 enamelled pottery shew that the art was more perfect in the 
 age of the Pharaohs than it has been at some intermediate 
 periods. 
 
 Etruscan Wabb, or as the earlier manufacture is now 
 more learnedly called, Italo-Greek pottery, is traced back with 
 certainty to five hundred years before the Christian era, at 
 which period Phidias and other celebrated artists furnished 
 designs for the potters ; and if we may give credit to Hero- 
 dotus, in his account of the pottery of Samos, it existed even 
 ten centuries before Christ. The present examples will suffice 
 to shew the character of the ware. 
 
 One specimen, a jug in the form of a negro slave's head, 
 is remarkable for its curious and uncommon character, and 
 for its lustrous black glaze, which is called Thericlean, be- 
 cause supposed to have been invented by Thericles of Corinth. 
 But it is more remarkable for its ferruginous reticulated work, 
 meant to represent hair, though more like a nutmeg-grater. 
 By the side of it is another negro slave's head, with the same 
 kind of reticulated work for hair, unglazed, and of great age. 
 The Etruscan vase beyond them is interesting for the tasteful 
 elegance of its form, and the spirited painting of the chimsera 
 and dancing figures which cover it. The last to which I shall 
 
 call your attention is an example of the simplest form the 
 
 ground of a yellowish red, and the figures in glazed black with 
 white touches, which three colours are those principally used 
 by the ancient potters. The white having always been put ou 
 after the vessel was baked and glazed, would not incorporate 
 and therefore easily wore off, so that scarcely any of the 
 Etruscan vases are perfect in the white parts. The colours 
 however, though often damaged by abrasion, seem never to 
 have faded, for those vases which have been well kept are as 
 vivid as if they were the work of modern times. 
 
 Beyond this, it may be sufficient to say that every country 
 
ON POTTERY AND POECE1ATN. IX 
 
 had pottery of more or less perfection from very early pe- 
 riods — Babylon, Armenia, Arabia, Scandinavia, the Celtic 
 tribes, South America, Mexico, and especially China, which 
 claims for this art the highest antiquity — and examples of 
 most may be seen in the British Museum, the India House, 
 the Geological Museum, Marlborough House, and other col- 
 lections. 
 
 Glass followed Pottery, and was likewise in use long before 
 the commencement of the Christian era. Pliny tells us that 
 in very remote times it was accidentally discovered by some 
 Phoenicians, who supporting their kettle on two blocks of 
 native soda over a strong fire on the banks of the river Belus, 
 produced transparent streams of an unknown liquid, which 
 proved to be glass.* We know, at any rate, that the first 
 glass makers were in Phoenicia and Egypt. Pliny praises 
 the glass-makers of Sidon, and Herodotus and Theophrastus 
 record the wonders of the glass houses of Tyre. 
 
 The specimens of Greek and Roman glass before you illus- 
 trate the perfection to which vitrifaction had been brought 
 more than two thousand years ago. For lightness, colour, 
 and form, they could not be surpassed by all the science of .the • 
 present day. The small, light, ultramarine-blue bottle, deco- 
 rated in three opaque colours, is an Amphora, of Greek work- 
 manship, and being quite perfect, is of considerable value. 
 
 The knowledge which the ancients had of vitrifaction would 
 naturally lead to the discovery of the enamel required for 
 Porcelain ; and there is reason to believe that it was made in 
 the East, especially in China, at a very early period. The 
 transition from glass to Porcelain is-well illustrated in the small 
 Roman Vase of white opaque glass before you. It is so en- 
 tirely dotted with colour, yellow) red, and blue, that it has all 
 the appearance of Porcelain. 
 
 The Middle ages did not, as far as we now know, add any- 
 thing to the progress of the Ceramic art, although Venice, long 
 before the "fifteenth century, had achieved wonders in glass- 
 work, and other countries excelled in enamelling, especially 
 Byzantium from the fourth to the thirteenth century, f and 
 Limoges from the tenth to the sixteenth, and later. Of 
 Byzantine work there is no specimen here, and of Limoges it 
 
 * Pliny's Natural History (Bohn), vol. vi. p. 379. 
 t See p. 129, &c. of the present Catalogue, 
 
X AN ILLTTSTEATED LECTURE 
 
 will be more convenient to speak in another section. I will, 
 therefore, make a great jump to Luca della Robbia, a Ceramic 
 artist of the fourteenth century, of great and deserved fame. 
 
 Lttca della Robbia studied under Leonardo, a skilful 
 goldsmith of Florence, about the middle of the fourteenth 
 century. Finding his genius for design cramped by the slow 
 process of working in metal, he devoted himself first to sculp- 
 ture in stone, and then to modelling in clay or wax, as being 
 more easily manipulated. His first productions were in a 
 whitish clay, without glaze, and proclaim the powers of the 
 master. After many experiments, he succeeded in discovering 
 an opaque, white, highly lustrous enamel, which gave to his 
 clay forms the polish of glass, and the durability of marble. 
 His subjects were mostly figures or bas-reliefs, adapted to 
 the decoration of churches and palaces. He soon added 
 colours, principally yellow, blue, green, and violet, upon white 
 
 His brothers and their descendants continued to work in 
 the same style. One of them, Girolamo, was called to France 
 to decorate the so-called Chateau de Madrid, the palace of 
 Francis I. in the Bois de Boulogne, nicknamed the Chdteau 
 de Faience. In the French Revolution this was recklessly 
 demolished, and the beautiful decorations of Delia Robbia 
 fayence, which had cost upwards of £615,000, crushed to 
 atoms, and made into cement. 
 
 As terra cotta and enamelled sculpture continued to be 
 made by Luca della Robbia and his descendants for upwards 
 of a century and a half, specimens of the later periods are not 
 of very great rarity ; but it is difficult to authenticate any of 
 the first period, indeed they are scarcely be met with out of 
 Italy. Many of the churches and old buildings of Florence 
 are still decorated with bas-relief figures of the Della Robbia 
 school, and some of them are not unlikely to be by the founder 
 himself. I have here, as a specimen of the ware, a broken 
 but bold example of coloured fruits, which may or may not 
 have escaped from the wreck of the Chateau de Faience • 
 and I have also a small group of figures of Raphelesque 
 beauty not unlikely to be by one .of the Delia Robbias ■ but 
 the parts which are unglazed have, I suspect, been sand- 
 papered and coloured afresh,— not an uncommon practice with 
 Italian artists. 
 
ON POTTEET AUK POECEIAIN'. XI 
 
 Majolica, or as it is variously called Faenza, Gvhbio, 
 Vmbrian, or Raphael Ware, is a beautiful enamelled earthen- 
 ware of the end of the fifteenth and early part of the sixteenth 
 century. Its original title of Majolica is supposed to have 
 been derived from Majorca, because it much resembles, and 
 was, perhaps, founded on the Moorish pottery and enamelled 
 dishes brought from Majorca by the Pisans in the twelfth cen- 
 tury, and afterwards by the other trading cities along the 
 coast. 
 
 The Spanish Moors were, no doubt, far advanced in the 
 manufacture of decorative pottery, as we see by their painted 
 tiles and magnificent vase in the Alhambra ; and during the 
 whole of the Italian Majolica period they still continued to 
 supply Europe with their beautiful works. 
 
 Their iridescent or metallic lustre plates, of the fourteenth 
 and fifteenth century, certainly have very much the character 
 of the early Italian Majolica, and the patterns in both are 
 often purely Alhamhraic. An early and fine enamelled plate 
 of Moresque pattern will show the character of the Majolica 
 manufacture, and a so-called Hispano-Arab Majolica plate 
 will show the Italian version of it. 
 
 Although it seems very likely that the term Majolica was 
 derived from Majorca, there is no evidence that it was so 
 called among writers earlier than Scaliger,* who wrote in 1557, 
 and Ferrari,+ who lived in the next century. It appears at 
 first to have been called Faenza, where it was principally 
 made or exported. This want of positive testimony permits 
 me to propound a theory which may at least amuse. I assume 
 that the term may have arisen from the family of Maioli, 
 (called Maggioli) of Ferrara, who, at the end of the fifteenth 
 and beginning of the sixteenth century, were promoters of 
 the fine arts, and distinguished for taste and vertu. Aldus, 
 then at Venice, printed for Lorenzo Maioli in 1497 ; and 
 some of the finest specimens of Italian binding, between 1 500 
 and 1530, bear the inscription "Maioli et amicorum," and are 
 called Maioli bindings. These are now as valuable as Majo- 
 lica dishes. 
 
 Majolica appears to have been first made at Faenza and 
 
 * In his " Excrcitationes Exoticse," first published at Paris in 1567. 
 f In hie " Origines Linguae Italics." Padua, 1676. 
 
X li AN ILLTJSTBATED LECTTTBE 
 
 Pesaro, then at Gubbio, and afterwards at Urbino, the birth- 
 place of Raphael, Perugia, Ferrara, Monte-lupo, Naples, and 
 other places in Italy. It is said that Raphael furnished 
 patterns for this ware, and even painted some of it: but there 
 is no positive evidence; and as he died in 1520, and the best 
 specimens of art, as regards drawing, are after rather than 
 before his death, it has by many been thought improbable. 
 Indeed, OuidobaUo, Duke of Urbino from 1538 to 1574, the 
 great patron of Majolica, is known to have begun collecting 
 Raphael's sketches several years after that painter's decease, 
 for the purpose of decorating pottery. Previously, Andrea 
 Mantegna, Marc Antonio, and the early masters of the Bolog- 
 nese School, whose works had become familiar by engravings, 
 were the type of nearly all the early Majolica paintings. After 
 this period, the designs become more Raphelesque, — an evi- 
 dence of which is in an Urbino plate before you, dated 1538. 
 But the best specimen here of Majolica is a plate painted by 
 Fba Xanto, of Urbino, in 1539, the second year of Guido- 
 baldo's rule. It is very fine and very perfect, and has the 
 ruby metallic lustre, or iridescence, which is a distinguishing 
 feature in this ware, and the peculiar characteristic of the 
 works of Maestro Gioegio, one of the most esteemed of the 
 early Ceramic artists. The subject of the painting is an 
 incident in the life of the tyrant Dionysius. One of his flat- 
 terers, Damocles, in admiration of the tyrant's wealth and 
 power, pronounced him the happiest man on earth ; on which 
 Dionysius prevailed on him to undertake a season of royalty, 
 and test the happiness which a sovereign is supposed to enjoy. 
 
 You see here the so-called feast of Damocles, where a sword 
 is suspended over his head by a single hair, as a symbol of 
 the dangers to which a king is exposed. The costume, the 
 furniture of the table, and other incidentals of the tableau, 
 give the plate an interest independent of its technical 
 merits. 
 
 At Mr. Bernal's sale, was a plate supposed to represent 
 Raphael and Fornarina, in the studio of an artist, employed 
 in painting a piece of Majolica. The general impression 
 seemed to be that it was painted by Raphael himself, or at 
 least during his life-time ; and under that fiction, it sold for 
 
OTT POTTERY AND POECELATB'. xill 
 
 s6120, but it was evidently painted long after Raphael's death. 
 The plate, however, is one of great beauty, and of considerable 
 -value as a work of art.* 
 
 - During all the great Majolica period, and even to the end of 
 the century, it was the fashion for lovers to present their 
 mistresses, or their betrothed, with small ornamental pieces, 
 called Amatorii — generally plates, dishes, or vases — adorned 
 with the portrait and christian name of their favoured fair. 
 They are for the most part more interesting for costume than 
 the beauty of the lady. The plates before you — one early, 
 the other late — are good specimens of this class. 
 
 The artistic character of Majolica declined, and almost 
 ceased, before the end of the sixteenth century, but was re- 
 vived in the next century, at Naples. Of this late, or Neapo- 
 litan ware, the present jug and plate are good examples. 
 The colour, as you will see, is thinner and colder than the 
 earlier specimens, and the drawing more correct. A very 
 similar jug, but bolder and more vivid in its colouring, is sup- 
 posed to be of the manufacture of Monte-lupo. 
 
 In the meantime, the taste for Majolica had spread to other 
 countries, particularly to France, in the reign of Francis the 
 First, no doubt introduced by Katharine de Medicis, daughter 
 of the Duke of Urbino, who had married the king's son, after- 
 wards Henry II., in 1533. This kind of enamelled earthen- 
 ware, then termed Fayence (supposed from Faenza, the great 
 emporium of Pottery), was in full perfection when Henry II. 
 ascended the throne in 1547, and so continued till his 
 death in 1558. The exquisite manufacture of this latter 
 period is now distinguished as the Faience de Henri et Diane, 
 and is of extraordinary value. This may well excuse my not 
 having any to show you. 
 
 Some French antiquaries, it may be here observed, claim a 
 greater age for the French term Fayence, and insist that it is 
 derived from Fayence, an obscure town in France, where 
 there is said to have been a Pottery long before it existed at 
 Faenza, in Italy. 
 
 The Fayence, now called Nevebs, was, it should appear, 
 manufactured during these early periods, but came to no per- 
 fection till Louis Gonzaga, kinsman of Katharine de Medicis, 
 
 ■* Now at the S. Kensington Museiitn, 
 
xiv AN ILLITSTEATED LECTUBE 
 
 succeeded to the Dukedom of Nevers, in 1565, and imported 
 artists from Italy. It was at first of fine Italian character, 
 similar to Majolica, but in time degenerated to very ordinary 
 Fayence, such as you see before you, which is a piece in the 
 two characteristic colours of this ware, blue and orange. 
 
 Paiisst, that is, the Fayence or enamelled Pottery which 
 passes under his name, was made in France, about the middle 
 of the sixteenth century. The discoverer was Bernard Pa- 
 lissy, a man of humble birth, and almost without education, 
 but extremely ingenious, and a most persevering enthusiast. 
 His history is a romance. 
 
 From low condition he became a land surveyor, acquired a 
 taste for experimental chemistry, and taught himself painting 
 by copying the works of the great masters ; and being one 
 day struck with the beauty of a piece of enamelled pottery, 
 valued at a high price, set about discovering the secret of its 
 composition. In making experiments during several years, he 
 exhausted every means in pursuit of his object, — spent all the 
 money he could earn or borrow — burnt his tables, chairs, and 
 other furniture, and even some of his flooring, to provide fuel 
 for his furnace, — and reduced his wife and family to the last 
 stage of distress. At length, however, in 1550, after between 
 fifteen and sixteen years of experiment, he succeeded in dis- 
 covering the composition of various enamels, and was patron- 
 ized by all the great. But, in 1562, the year of the massacre 
 of the Huguenots at Vassy, fresh troubles beset him, for he 
 was a firm Protestant, and the edicts against the Protestants, 
 followed by the massacre of St. Bartholomew in 1572, exposed 
 him to continual danger and persecution. And though he 
 escaped these for a time by royal protection in the Tuilleries, 
 where many of his best works were produced, he could not, 
 some years later (1576), escape the leaguers, who kept him 
 in prison till his death, which took place in 1589. 
 
 The Fayence of Palissy is very peculiar, always, as far as 
 I have observed it, in relief and colours, and generally copied 
 from subjects near at hand, especially fish, frogs, lizards 
 shells, and plants, found in the vicinity of Paris. The prin- 
 cipal specimen here is a fountain of exquisite workmanship 
 
 one of those pieces which he called Rustiquefiguline. It is 
 ornamented with shells, fish, and reptiles, of the Seine less 
 gorgeous, but more painter-like than any other specimen I 
 
ON POTTEEY AND POBCELAIN. XV 
 
 have yet seen. The other specimens are : a plate, covered 
 ■with good-humoured faces, or masks, exactly like one in 
 Mr. Bernal's collection ; and one perforated like a sieve, 
 and beautifully decorated with masks and flowers, especially 
 the little daisy called Marguerite, which he is supposed to 
 have adopted as his mark in compliment to Marguerite de 
 Navarre, his Protestant protectress. Perforated work either 
 in pottery or porcelain is always of difficult workmanship, 
 and bespeaks the artist. 
 
 Next follows, as far as my specimens help me, the Pottery 
 of Germany, Flanders, and England. The oldest here is a 
 Cologne Jug, dated 1615. The earliest dated vessels of this 
 kind of enamelled pottery yet known are about 1540 ; but 
 there is printed evidence that the ware was made much earlier. 
 German hard pottery or stone ware was made at the beginning 
 of the sixteenth century ; the specimen here is not dated, but 
 probably about 1560, and, I think, of Nurenberg manufac- 
 ture. The polychromatic enamels, and the correct drawing, 
 show a high state of the art. 
 
 The fine large Turkey, a soup tureen and cover, which 
 figures at a distance, is a specimen of Rotten Faience, or, as 
 it used to be called, French Delft, and not unlikely to be one 
 of those pieces of table service which Louis XIV. substituted 
 for his silver plate, when in 1714 he heroically sent it all to 
 the mint to defray the expenses of the war. 
 
 The Dbiet specimen before you is of the seventeenth cen- 
 tury, and of Japanese character, as was most of the Dutch 
 pottery for many years. It was by means of the Dutch that 
 England was principally supplied with the porcelain of China 
 and Japan ; and as the supply was long unequal to the de- 
 mand, they were led to imitation, in which they were very 
 expert. The Delft manufacturers were in the habit of painting 
 the common white ware with brilliant colours and passing it 
 off as Chinese, but these pieces are now easily detected. 
 
 There are some remarkably fine specimens of Delft in our 
 public and private collections ; and this ware cannot but be 
 interesting to an Englishman, as being, so to say, the parent 
 of our native pottery. 
 
 We have no authentic records of English pottery till late in 
 the reign of Elizabeth, although there is no doubt that it 
 was manufactured in various parts of this country during the 
 
XVI AW IXLTTSTBATED LECTDTtB 
 
 Roman period, and very early in Staffordshire. There is a 
 jug, dated 1594, in the Museum of Economic Geology, and 
 several early pieces in the British Museum, but the most inte- 
 resting relic of that period— the Elizabethan— is the Shakspeare 
 Jug, of the date of 1603. Some think that even this was 
 made in Flanders, or at least by Dutch or German workmen.* 
 
 Our domestic vessels and utensils had previously been either 
 gold, silver, electrum, or some other metal, or earthen ware 
 supplied from abroad. When the workers in metal found that 
 their trade was damaged by the extensive introduction of 
 earthenware from the Low Countries, it is supposed they 
 would apply their moulds to the purposes of pottery— hence 
 the metallic forms of some of the early pieces. Here is an 
 instance of English ware, which has all the appearance of 
 beh>$f cast in a goldsmith's mould. 
 
 <^After the age of Elizabeth, at different periods, there were 
 several attempts at enamelled stone ware in England, espe- 
 cially at Fulham, about 1 640 ; Lambeth, in 1 680 ; and Staf- 
 fordshire, in 1 700 ; but little of a positive character is known 
 of these early English manufactures, nor were they of any 
 consequence till the time of Wedgwoojlr 
 
 Wedgwood deserves especial notice. His career began about 
 1760, and continued till 1795, when he died. The son of a 
 poor potter, at Burslem, his education was of the most mode- 
 rate kind'. But he fought through adverse circumstances 
 with as much endurance as Palissy himself, and by ex- 
 traordinary energy and a diligent study of his art, succeeded 
 ip- placing himself at the head of European manufacturers, 
 ^flis early or cream-coloured ware was honoured with the 
 patronage of Queen Charlotte, - and thence called. Queen's 
 Ware ; afterwards, when he succeeded in giving-"to pottery 
 the varied colours and brilliant glaze of porcelain, all the 
 varieties of his manufacture bore his own name, which was 
 stamped upon it. He employed Flaxman, among other dis- 
 tinguished artists, for his designs ; and his earthenware cameos 
 were so much esteemed, that they ranked in value with the 
 
 * It is now pretty well ascertained, from certain peculiarities of the 
 ware and form, that this famous Shakespeare jug is about a century later 
 than its hitherto accredited date. There have been a great many facsimiles 
 made of it at the potteries, which have found purchasers at about £3 3s 
 
 each. 
 
OK POTTEEY ADD POECEIAIir. XTU 
 
 choicest productions of Dresden and Sevresy^The specimens 
 before you illustrate his best period. Tire Vase is covered 
 with beautiful designs of Flaxman-like character, the Cameos 
 are gems of minute workmanship. Wedgwood's enthusiasm 
 for his art was such, that he bid as far as a thousand pounds 
 for the Portland Vase when it was offered for sale ; and 
 though he did not obtain it, he got permission to copy it ; 
 and not being allowed to mould from it, lest it should sus- 
 tain injury, he paid Mr. Webber four hundred pounds for 
 making a model.* He then published fifty copies, at fifty 
 guineas each, by subscription. f 
 
 This celebrated Vase, which, as every one knows, was broken, 
 a few years ago, in the British Museum, by a mad fanatic, is 
 composed of two layers of vitrified paste or glass, one white, 
 the other blue ; so perfect an imitation of an onyx cameo, 
 that it was long regarded as a natural production. It was 
 discovered about the middle of the tenth century, and is said 
 to be many centuries earlier, and of Greek workmanship. 
 Till it came into the possession of the Duchess of Portland, 
 it was known to Europe as the Barberini Vase. 
 
 Enamels form a direct link between Pottery and Porcelain, 
 it will therefore be convenient to introduce the mention of 
 them here. For early Byzantine examples, I must refer you 
 to the British Museum, where there is a valuable collection. 
 Limoges, of which there are several specimens before you, is a 
 painted enamel on copper, generally of great beauty, which pre- 
 vailed universally as an article of decoration till gradually supei- 
 seded by the introduction of the higher classes of faience and 
 porcelain. It attained its greatest perfection in the sixteenth 
 century, and went entirely out in the seventeenth. The exam- 
 ples before you illustrate several different qualities and periods. 
 The earliest are two beautifully-wrought classical miniatures 
 — Themistocles and Cleomenes — in rich colours and gold, pro- 
 bably by Leonard Limousin, about 1535. The next is a cup, 
 
 * This statement is on the authority of Wedgwood's contemporary, Mr. 
 Partes, the chemist. 
 
 f It is asserted by some that he did not finish tiff and complete half the 
 intended number, and that only those marked at the bottom in pencilled 
 figures are what were actually delivered to subscribers. There are modern 
 copies of this vase, which have but little value. 
 
XViii AN ILLTTSTEATED LECTHEE 
 
 carved out of a solid piece of agate, and mounted on a stem 
 of Limoges, in the time of Francis I., formerly the property 
 of Mr. Beckford, of Fonthill. Near it is a cup, with orna- 
 ments in relief, and Roman portraits in colours, by J.Laudvn, 
 one of the most prolific of the Limoges artists. Ihe two 
 other cups, with mythological and hunting subjects, are ot a 
 later date, and, it should seem, in the decadence of the art 
 
 The Limoges picture in chiaro-scuro touched with gold, 
 is copied from Albert Durer's celebrated engraving of " Christ 
 with Martha and Mary," and is probably about 1550, and the 
 artist Raymond. The other picture in rich colours — 
 " Christ on the Mount"— and which, for an enamel, is of 
 rather a large size — is in the manner of Lucas Cranach, and 
 preserves all the treatment of the early German School. Like 
 the preceding, it is unmarked, hut may be guessed at near 
 1550. The last is a small plate, probably by Jean Courtois, 
 similar in general character to the well-known plates of the 
 Months, of which there were several in Mr. Bernal's col- 
 lection.* The subject is "Abraham offering up his son Isaac," 
 in black and white, or chiaro-scuro, tinted with red and gold, 
 and surrounded by an arabesque border ; the back is orna- 
 mented with a female bust, and likewise surrounded by 
 arabesques. 
 
 It is not my intention to descant upon enamels, but rather 
 to confine myself more immediately to pottery and porcelain ; 
 but while I am on the subject, I cannot help calling your 
 attention to a Chinese Enamel — a bottle and stand of ex- 
 quisite workmanship, — of a class called cloisonne, and probably 
 of the twelfth century ; and also to a beautiful enamel from 
 Horace Walpole's collection — the Countess of Conway — by 
 Zincke, a Germano-English artist, who has never been sur- 
 passed; and lastly, to some fine miniatures, chiefly of the 
 Court of Charles the Second, by both the elder and younger 
 Henry Bone. 
 
 We will now turn to Porcelain, and begin with China, 
 in which kingdom it no doubt originated. 
 
 Porcelain is an intermediate substance between pottery and 
 glass, more translucent than the one, more opaque than the 
 other, and presumed to be of Chinese origin ; either before 
 
 * See Nos. 1467—1470, and 1490; at pp. 153—160 of present Cata- 
 logue. 
 
ON POTTEBY AND PORCELAIN. XIX 
 
 or in the beginning of the Christian Era. Be this as it may, 
 there is evidence of its use in the fifth century; and in the 
 beginning of the fourteenth, the famous porcelain Tower of 
 Nankin was built, three hundred and thirty feet high, and 
 is still standing. It consists of nine stories of enamelled 
 bricks or tiles, in five colours, white, red, blue, green, and 
 brown. Indeed, the Chinese would probably have built our 
 Crystal Palace in porcelain had it been projected at Nankin. 
 
 Chinese porcelain did not come fully into Europe till the 
 sixteenth century, when it was brought first by the Portuguese, 
 and then by the Butch and Italian traders. The term porce- 
 lain is supposed to be derived from the Portuguese word 
 porcellana, which originally signified a little pig, then a cowrie 
 shell, from the similarity of its shape to the back of a pig, 
 and afterwards a porcelain cup. Dr. Johnson whimsically 
 derives the term from: "pour cent annees," from a notion 
 to which I shall presently allude'. In England it was at 
 first called Oonbrbn, because at that settlement in the Per- 
 sian Gulf the East India Company used to exchange for it 
 with the Chinese. 
 
 The Chinese kept their manufacture a great secret, and pre- 
 tended it was made of egg-shells, sea-shells, and other mat- 
 ters, mixed in given proportions and buried for eighty or a 
 hundred years (that is, pour cent annies) ; and for two cen- 
 turies Europe, led astray perhaps by these fictions, endea- 
 voured in vain to discover the composition of their white 
 transparent paste. 
 
 Every nation seems to have attached great value to Chinese 
 porcelain, and justly, for we are told that their fine specimens 
 were made with so much care, that out of two hundred pieces 
 they would sometimes destroy a hundred and ninety-nine as 
 not sufficiently perfect. 
 
 It is recorded by Sir Thomas Roe, in 1615, that the Great 
 Mogul had one of his attendants of rank whipped for breaking 
 a cup,' and then sent him to China, at his own expense, to 
 buy another. 
 
 You have before you a specimen of the so called egg-shell 
 china, a cup and saucer, which is extremely thin and transpa- 
 rent ; but it is not necessarily so thin, as you see by the ena- 
 melled plate painted with birds, which is likewise egg-shell. 
 The other specimens are an early vase, with raised flowers, 
 
XX AN IXLTJSTEATED LECTTJKE 
 
 not very unlike Dresden work, and a little monster teapot with 
 chimsera for the handle and spout ; also a citron-yellow cup 
 of very pure colour. This yellow porcelain was exclusively 
 made for imperial use, and its export prohibited. Mr. Beck- 
 ford had some of these yellow cups and saucers, which at his 
 sale produced so much excitement among collectors, and sold 
 for such extravagant prices, that it was nick-named the yel- 
 low fever, The Chinese attach great value to their crackle, 
 which, though it looks like damaged glaze, is produced by art ; 
 also to their ruby colour, their sea-green and their turquoise 
 blue. A specimen of the latter, a josse or kylin, from Mr. 
 Bernal's sale,* supposed to be five or six hundred years old, 
 will show you the perfection to which the Chinese had brought 
 this favourite colour, which, though successfully imitated at 
 Sevres, and only at Sevres, has never been surpassed. 
 
 I will not dwell longer on the porcelain of the Chinese, 
 which would require a volume for its history, save to men- 
 tion their ingenuity. The sea-green cup in my hand is 
 called the Cup of Tantalus, and by the French " Surprise 
 hydraulique." If you merely fill it to the shoulder of the 
 blue Chinaman within, it will hold water, but add another 
 drop, and it all runs out ; this is accomplished by means of a 
 concealed syphon. They have many other hydraulic and 
 scientific ingenuities in porcelain, which may be seen in 
 some of our museums. 
 
 Japanese poecelaiu has much similarity to that of 
 China, and existed at almost as remote a period. The 
 paste is generally more brilliant, the glaze tinged with blue, 
 and the ornamentation simpler and bolder, often in relief. 
 The favourite colours ^of the Japanese are yellow, blue, and 
 red, and they excel in perforated work. 
 
 The Portuguese were the first to bring it into Europe, early 
 in the sixteenth century, and were themselves in the next 
 century driven out of Japan by meddling, through their mis- 
 sionaries, with the ware, getting legends of saints substituted 
 for the native patterns. Some of the specimens, now re- 
 garded as the most curious and interesting, are those in which 
 the Jesuits have covertly introduced the cross, or some other 
 emblem of Christianity. The yellow holy water vessels before 
 
 * See No. 12 of the Catalogue. 
 
OS POTTEEY AHB FOECELAIlT. XXI 
 
 you must have been of the Jesuits' period, as they belong to 
 Catholic worship. 
 
 The first European manufactory of true porcelain was at 
 Meissen, near Dresden, in the beginning of the eighteenth 
 century. John Frederick Bottcher, an apothecary's assistant 
 at Berlin, being suspected of alchemy, had been obliged to fly 
 his native country to avoid prosecution, and took refuge in 
 Dresden. Here the king, after questioning him closely as to 
 his knowledge of the art of making gold, placed him in the 
 royal laboratory under Tschirnhous, who was then engaged in 
 searching for an universal medicine. Bottcher, in the course of 
 his experiments, unexpectedly produced a composition which 
 assumed many of the characteristics of oriental porcelain. The 
 king, perceiving the importance of the discovery, immediately 
 transferred him to the Castle of Albrechtsberg, at Meissen, 
 and afterwards, with his companion workmen, under an escort 
 of cavalry, to the fortress of Konigstein, where he continued 
 his experiments. In 1707, having obtained the confidence of 
 the king, he returned to Dresden, where he pursued his expe- 
 riments with great vigour and eventual success. His first pro- 
 ductions were only a kind of semi-porcelain, or red stone 
 ware ;* but in 1709, he succeeded in producing white porce- 
 lain, which, though it at first bent and cracked in the fire, 
 was brought to perfection in 1715. This is generally ad- 
 mitted to have been thejirst European discovery of porcelain, 
 and its quality has never been exceeded. 
 
 Bottcher was so devoted to his object, that on making some 
 great experiment, he is said to have sat up five days and 
 nights watching the furnace. 
 
 How he composed his artificial paste is not now known ; 
 but the natural paste, or kaolin, which he afterwards so suc- 
 cessfully used, was discovered by accident. A rich iron- 
 master, named Schnorr, in riding over his estate, found that 
 his horse's feet continually stuck fast in some soft and per- 
 fectly white earth. Hair powder being at that time a great 
 object of commerce, it occurred to him that it might be made 
 of this earth, and experience justified his discernment. This 
 powder soon becoming an article of general use in Saxony, fell 
 into the bands of Bottcher, who perceiving, by its weight, that 
 it must be an earth, tried it in the fire, and found, to his great 
 
 * See present Catalogue, p. 3. 
 
xxii AN ILLUSTRATED LECTTTBE 
 
 joy, that it was the very material he wanted, that is, true ka- 
 olin. Upon this, by order of the king, it was carried to the 
 manufactory in sealed barrels, by persons sworn to secrecy, 
 and its exportation strictly prohibited. Indeed, everything 
 connected with the Dresden manufactory was carried on with a 
 degree of secrecy that in the present day would seem quite 
 ridiculous : the workmen were bound by the most solemn oaths, 
 and were confined within a castle, having all the character of 
 a fortress, which they were never allowed to leave, and into 
 which no stranger was permitted to enter. " Be secret until 
 Death," was the motto hung up in every department. 
 
 The specimens of Dresden before you are of three different 
 periods : of the first, or B'dttcher ware, a.iei or jasper-coloured 
 teapot, with Chinese figures in colour and gold ; of the middle 
 period, some shaped cups and saucers, and a sucrier and 
 cover, of very fine paste, beautifully paii>ted with Watteau sub- 
 jects ; and of the late, or what is called the Marcolini period, a 
 cup, cover, and stand, the latter with a guard in the centre of 
 it ; the colour is gros-blue, and the designs after Angelica 
 Kauffman. 
 
 The Dresden mark is, and for more than a century always 
 has been, two electoral swoi-ds crossed, so that the Dresden of 
 the present day can only be distinguished from the original 
 by a practised eye. 
 
 Notwithstanding all the vigilance of the Elector of Saxony 
 and his gens-d'armes, one of the workmen, named Stobzel, 
 escaped about or just before Bottcher's death, which took place 
 in 1719, and he got safely to Vienna. 
 
 The importance of porcelain, as an article of commerce, 
 was so strongly recognised by the German princes, that he 
 was received with open arms. Thus arose, in 1 720, the great 
 manufactory of Vienna, which has since produced some won- 
 derful specimens of workmanship, especially in gilding, but 
 the paste is not equal to Dresden. The specimens here are 
 a cup, cover, and saucer, painted in classical taste, a plate in 
 raised gold work of most perfect workmanship, and a plate 
 richly painted within a raised gold border, subject, "The 
 Education of Cato." 
 
 The Vienna mark is a shield with the arms of Austria. 
 
 The secret having got to Vienna, could not easily be con- 
 
ON EOTTEEY AND POECEIAIST. XX1U 
 
 cealed ; and as every state regarded it as scarcely second to 
 gold mines, it transpired by degrees in a great many direc- 
 tions, notwithstanding the continued precautions of the Elector 
 of Saxony, and the jealousy with which each successive pos- 
 sessor endeavoured to keep it from spreading. As workmen 
 increased they dispersed, and before the middle of the century 
 arose the manufactories of H'dchst, in Mayence ; Fiirstenberg, 
 in Brunswick ; Frankenthal, in the Palatinate ; Nymphenburg, 
 in Bavaria ; Baden, Ludwigsburg, and Berlin. The men who 
 possessed the secret continually changed masters as oppor- 
 tunities offered, and among these was especially one Ringler, 
 who seems always to have been open to the best bidder. 
 
 At all these places some very fine specimens were occa- 
 sionally produced. H'Ochst is famous for its statuettes and 
 for the violet-red and deep blue colours of its porcelain of the 
 early period, but the paste is not quite equal to Dresden. 
 Fiirstenberg comes very close to Dresden, but, excepting some 
 few instances, is inferior to it both in paste and painting. 
 Frankenthal, often called " Carl Theodor," because for a long 
 period under his patronage, produced very good porcelain, 
 but nothing equal to Dresden, though conducted by Hanung, 
 through whom and his son hard paste was introduced 
 at Sevres. Ludwigsburg, better known as Kronenburg, is 
 often of high quality, the figures well modelled, and the 
 paintings executed with artistic excellence. Drawings in bistre 
 were a favourite decoration. The paste was imported from 
 France, and the best German artists employed. The figures 
 and plateau before you I think confirm my character of it. 
 
 Passing Nymphenburg, Baden, and other early manu- 
 factures of hard paste, of which there are no specimens here, 
 I come to Beelin, which is second only to Dresden, and in 
 some instances quite equal to it. The Berlin factory was 
 founded in 1751, by means of a merchant who bought the 
 secret from some Hochst workmen. During the Seven Years' 
 War, 1756-1763, Frederic the Great, alive to the importance of 
 what was becoming a staple article of commerce, transported, 
 by force, all the best Dresden artists to his own capital, 
 Berlin, where they continued and settled, to the great damage 
 for a time of the parent establishment. The plates before 
 you are of different periods, early and late, and beautifully 
 painted ; the cup and saucer, ornamented with views of Berlin 
 
xxiv AN ILLTJSTEATED LECTTTEE 
 
 and Potsdam, is part of a service presented to the Duke of 
 York by the King of Prussia, nearly half a century ago. 
 
 The Berlin mark is a sceptre. . 
 
 We now come to what may be called the great period ot 
 soft paste, which begins with Chelsea. Though a factory 
 existed there in the reign of Queen Anne, it does not appear 
 to have produced anything but ordinary ware till some time 
 after the Hanoverian accession, and did not reach perfection 
 till about 1750, when, under the direction of a foreigner 
 named Spremont, the Duke of Cumberland, son of George I., 
 then about thirty years old, took the manufactory under his 
 especial protection, and is said to have provided funds^ for 
 it. A year or two before his death, which took place in 1765, 
 the director Spremont retired, which circumstance, added to 
 the influx of foreign porcelain, ruined the establishment, and 
 the models and workmen were transferred to Derby. During 
 its zenith, the porcelain made there was of singular beauty, 
 especially the Vases, now worth fabulous prices. A set of 
 seven were lately sold at three thousand pounds. — But Chelsea 
 was never cheap ; for we are told by Horace Walpole, that even 
 in 1 763, a service made for the Duke of Mecklenburgh cost 
 twelve hundred pounds at the factory. 
 
 The paste of Chelsea porcelain is extremely soft, and will not 
 hear tampering with by a second firing. The predominant 
 colours are deep blue, often a little wavy, claret red, canary 
 yellow, and sea green, with rich and solid gilding ; and the 
 ornaments are generally birds, especially peacocks. The cup 
 and saucer before you, and the Shepherd and Shepherdess, 
 are examples of the best period. The vases — one set with 
 landscapes, the other of Oriental character — are probably a 
 little earlier. Excepting the last, they all bear the usual 
 Chelsea mark — an anchor in red or gold. 
 
 Bow China, produced at rather a considerable establish- 
 ment at Stratford-le-Bow, is about coeval with that of Chelsea, 
 and ceased about the same time, or rather before. Its 
 ordinary ware is of so much the same character, as scarcely 
 to be distinguishable when neither are marked. It is generally 
 shaped and tastefully embossed, sometimes with a bee mo- 
 delled or painted in a conspicuous part, but the usual mark 
 is a triangle. I never heard of any highly wrought and ex- 
 pensive vases such as there are of Chelsea ; the finest known 
 
ON POTTEinr AND POECELAHT. XXV 
 
 specimen is perhaps a painted bowl in the British Museum, 
 which is accompanied by a curious account of the factory. 
 The only specimen here is a shaped tea-pot and stand, 
 ornamented with raised tulip leaves in colours, marked at the 
 bottom with triangles in a circle. The paste is very white, and 
 in general quite as good as Chelsea. 
 
 Next follows the so-called Chelsea-Debby. The models, 
 and most of the workmen, having, as I have just said, been 
 transferred from Chelsea to this factory, it produced, after 
 1765, some very fine porcelain, but never anything quite 
 equal to the best specimens of its predecessor ; and the paste, 
 though fine, is somewhat less transparent. This factory, now 
 long discontinued, was in full operation in 1777, as we learn 
 from Dr. Johnson, who says that the china was beautiful, but 
 as dear as silver. The bright blue vases and the flesh-co- 
 loured candelabra figures are of this manufacture, and have 
 the usual mark of a D crossed by an anchor. 
 
 We now come to Worcester, the most important in a mer- 
 cantile sense of all the English manufactories of porcelain, 
 whether soft or hard. The factory was established in 1751 by 
 Dr. Wall, a physician, well skilled in chemistry, who had suc- 
 cessfully employed himself in researches and experiments to- 
 wards the improvement of porcelain. To him is attributed the 
 first idea of transferring printed patterns to porcelain, an in- 
 vention of very considerable importance. At first an imi- 
 tation of the Nankin blue and white ware, as well as of the 
 Japan, both then very popular in this country, were the prin- 
 cipal articles of manufacture ; but very soon the Sivres and 
 Dresden patterns, especially the bleu-de-roi and salmon-scale 
 grounds of the former, and the birds, flowers, and insects 
 of the latter, were successfully copied. The paste, even of the 
 first and best periods, distinguished as Old' Worcester, is not 
 quite so fine as Chelsea, although I think quite equal to 
 the generality of Derby, and it possessed the advantage of 
 keeping its colour in use, without cracking in the glaze. No 
 porcelain before or since has ever been more deservedly 
 popular. 
 
 These works passed in 1783 to Mr. Flight, afterwards 
 Flight and Barr; in 1839 to Messrs Chamberlain, and in 
 1850 to Messrs. Kerr and Binns, who now conduct them 
 with great spirit. The specimens here are a small sugar vase 
 
XXVI AJST ELLTJSTEATED 1ECTUEE 
 
 and cover, of old Worcester, of which the paste and gilding are 
 worthy of Chelsea ; a flower vase on stand, signed. Flight, Barr, 
 and Barr, charmingly painted with passion flowers, on a light 
 blue ground, and for which I remember being asked five 
 guineas more than thirty years ago ; a teapot and stand, 
 with the arms and supporters of Nelson, part of a service 
 made for him by Messrs. Chamberlain in 1802, when the 
 freedom of the city was conferred upon him ; and a cup and 
 saucer of extremely thin or egg-shell china, the sample of a 
 tea service recently made by Messrs. Kerr and Binns for Her 
 Majesty. 
 
 I have no specimens of the many other English manufac- 
 tories, past and present, and no time to consider them, but 
 I cannot conclude this section without a tribute to Messrs. 
 Minton of Stoke, several of whose beautiful productions are 
 exhibited here by an immediate neighbour. Their decorative 
 porcelain, as here seen in plates and vases, and their imitations 
 of Majolica and Palissy, are quite equal, if not superior to, 
 anything that can now be produced at Sevres, while they are 
 infinitely cheaper ; and their Parian figures, a manufacture, I 
 believe, of their own creation, are unrivalled for skilful work- 
 manship and grace. The elaborate and highly wrought 
 figures and vases in bisquit, in the same group, are, I am 
 told, not by Mr. Minton, but by Messrs. Alcoc/c, who excel in 
 this department. 
 
 Those who would know more of our present English manu- 
 facturers, must consult the Jury reports of the Exhibition of 
 1851.* 
 
 This concludes my rapid sketch of the ' pate tendre ' of Eng- 
 land, and I now turn to that of France, beginning with Sevres, 
 the most renowned of all. 
 
 SEVRES. 
 
 This beautiful porcelain originated at St. Cloud, where an 
 artist named Morin, after more than twenty-five years of ex- 
 
 * I hare lately been told that among the present manufacturers, Messrs. 
 Jiose, ot Coalbrookdale, hold a distinguished position for their fine porce- 
 lain, and especially for their clever imitations of Sevres and Dresden 
 Their principal agents are Messrs. Danells, of Bond Street 
 
ON POTTEBY AND POECELAIN. XXVU 
 
 periment, succeeded in discovering an artificial soft paste. 
 In 1735, a runaway carried the secret to ChantiiiYj and in 
 1 740, it was conveyed in like fashion to Vincenites. It was 
 not, however, till several years later, that it arrived at perfec- 
 tion, and not till 1753, when Louis XV. took a share in the 
 establishment, that its recognised date commenced. Three 
 years after this, the factory became too small for its extend- 
 ing operations, and was removed to Sevres. 
 
 The extraordinary perfection to which this porcelain ar- 
 rived, is especially attributable to the patronage of Madame 
 de Pompadour, who, from 1744 to 1764, was the strenuous 
 supporter of all the elegant arts. 
 
 The 'pdte tendre ' manufacture, however, was limited to 
 the use of the wealthy, and never became a staple article of 
 commerce, as .the difficulty of its composition, and the loss 
 sustained by its liability to fall in the process of firing, made 
 it of slow produce, and very expensive. The true porcelain, 
 or hard paste, such as was used by the Chinese, and had re- 
 cently been discovered at Dresden, still remained unknown at 
 Sevres, in defiance of the unremitting researches made to dis- 
 cover the secret. In 1761, G. A. Hanung, son of the founder 
 of the Frankenthal factory, sold them the secret ; but it was 
 comparatively useless, for want of the white earth called Kaolin, 
 which had not been found in France, notwithstanding the di- 
 ligent enquiries "of scientific men. 
 
 Chance led to its discovery in 1768. A poor woman, named 
 Darnet, the wife of a surgeon at St. Yrieix, near Limoges, 
 found some unctuous earth in a ravine, which she thought 
 might be used as a cheap substitute for soap. On showing 
 it to her husband, who was aware of the enquiries made for a 
 porcelain earth, he took it to a neighbouring chemist, through 
 whose means it was proved to be the true Kaolin. This led 
 to the hard paste manufacture at Sevres, which, from ] 765 to 
 the present time, has been on a very extensive scale, and 
 given employment to thousands all over the kingdom. 
 
 The woman who discovered it was, in 1825, still living, and 
 in poverty, unable to return home for want of means. She 
 applied to Mons. Brongniart, then the superintendent of Sevres, 
 upon whose recommendation Louis XVIII., on being made 
 acquainted with her miserable condition, granted her a pen- 
 sion from the civil list. 
 
AN ILLUSTRATED LECTCTEE 
 
 Notwithstanding this important discovery of true Kaolin, 
 soft paste continued to he used, for the higher objects of art, 
 till 1804, as the artists found they could not produce such 
 brilliant effects in glaze and colouring on hard paste as were 
 yielded by the softer material. 
 
 The value of Sevres consists in its creamy and pearly sott- 
 ness, the beauty of its painting, and the depth of its glaze ; 
 and these qualities are only united in great perfection in the 
 pdte tendre of the early period. I have, however, seen some 
 specimens of ' hard paste,' which, as works of art in respect 
 to painting, could not be surpassed. 
 
 All descriptions of old Sevres are now collected with eager- 
 ness, and sell for high prices ; but 'pieces de luxe,' which are 
 generally painted by the best artists on grounds of ' bleu de roi,' 
 'gros bleu," turquoise,' 'Rose Dubarry,' 'jonquille' (a canary 
 yellow), 'vert-pr<§' (a bright green), or ' oeil de perdrix' 
 .(partridge eye), sell at auctions for sums almost fabulous. At 
 Mr. Bernal's sale, a pair of Rose Dubarry Vases (No.469) sold 
 for £1942 10*.; a pair of turquoise Vases (No. 470) for 
 ^61417 10*. ; a single bleu de roi Vase (599) for £871 10*. ; 
 a single green Vase, with a painting after Greuze (No. 597), 
 for £388 10*. ; a cup and saucer (No. 451), painted by Morin, 
 for £160 ; and a jewelled cup and saucer (No. 571), was 
 thought cheap at £80. And since Mr. Bernal's sale, this 
 kind of property has increased in price rather than dimi- 
 nished. 
 
 The specimens before you, though not of this extravagant 
 character, are fine, and illustrate the different periods and 
 qualities. The earliest is a cup " bleu du roi," of the Vin- 
 cennes period, being marked B, which stands for 1754. The 
 next is a sucrier and cover of 'gros-bleu,' which is of a deeper 
 shade than ' bleu de roi,' marked M, that is 1 764 ; the third 
 is a cup of turquoise colour, painted in medallions, and well 
 gilt, marked P, which is 1768, the year before the use of hard 
 paste ; the fourth is a ' Rose Dubarry ' cup and cover of soft 
 paste, ornamented with a miniature worthy of Greuze, but 
 without any mark beyond the double L, but probably about 
 1780. 
 
 The others are cups or plates, of different periods and co- 
 lours, mostly of soft paste ; but there are several of hard paste 
 so beautifully painted that, as works of art, seem to me quite 
 
ON POTTEBY AND POBCELAIN. XXIX 
 
 as interesting. The large plaque (20 inches by 14) in a gilt 
 frame, which looks like an enamel, is a copy of a very fine 
 picture by Karl du Jardin, formerly in the Louvre. It is said 
 to have been executed at Sevres during the Napoleon period, 
 for a Russian nobleman, at an agreed price of 3500 francs. 
 
 While the establishment at Sevres was progressing, manu- 
 factories of soft paste porcelain arose in several other parts of 
 France, of which Chantilly and Touunay, both represented 
 here by good speciniens, were among the best, and are occa- 
 sionally very fine. Omitting the many hard paste manufac- 
 tories of this period, I will say a few words of Italy and 
 Spain, and then conclude. 
 
 Capo di Monte is undoubtedly the most beautiful of Italian 
 porcelain. What is recognised under this name is, for the 
 most part, moulded in high relief, and the best quality richly 
 coloured and gilt. The earlier manufacture is less brilliant 
 than the later, both in paste and colouring, but all are very 
 valuable. Owing to the large prices which some specimens 
 produced at Lady Blessington'ssale — a cream ewer twenty-six 
 guineas* — an inundation of forgeries has come in from the 
 neighbourhood of Naples ; so that it requires great caution 
 not to be cheated. My specimens are two plaques, one 
 green, the other white, of the Caesars, and a cup and saucer. 
 
 Doccia, in the neighbourhood of Florence, had a manufac- 
 tory of porcelain, but hard, a few years before Capo di Monte. 
 It is now one of the largest in Europe, employing, it is said, 
 upwards of 2000 persons. Its early productions are not 
 equal, either in paste or treatment, to those of the present 
 century. The cup and saucer before you, tastefully painted 
 in medallions, and bearing Florentine arms, is a favourable 
 specimen of this manufacture. 
 
 Venice had a manufactory which produced a fine enamelled 
 pottery, called in England " Venus Purselayne," long before 
 the cities we have just mentioned, and appears also to have made 
 porcelain at an early period. We know that our Chelsea factory 
 was originally carried on by glass-workers from Venice, and 
 there is so much similarity between the best periods of Vene- 
 tian and Chelsea porcelain, that it seems very probable the 
 same workmen were concerned, which is further confirmed by 
 
 * Even higher prices were realised at Mr. Bernal's sale. See p. 36. 
 
XXX Alf ILLUSTEATED LECTURE, ETC. 
 
 both having adopted an anchor as the factory mark. The 
 beautiful plate before you, though distinctly marked with the 
 Venetian anchor, is so exactly like Chelsea, both in paste and 
 decoration, that it might easily be mistaken for it. 
 
 I have nothing more to say of Italy; and of Spain can merely 
 refer to the factory taken from Capo di Monte in 1759 by 
 Charles III., and transferred to Biten Retibo, a Royal palace 
 near Madrid. This porcelain, which is very much like Capo di 
 Monte, is extremely rare and beautiful. There are no speci- 
 mens here, and very few anywhere, it being extremely rare. 
 
 And here I must conclude with a short quotation from that 
 sprightly letter-writer, Lady Mary Wortley Montague. 
 
 " Old china is below nobody's taste, since it has been the 
 Duke of Argyll's, whose understanding has never been doubted 
 either by his friends or enemies." 
 
CONTENTS. 
 
 Ancient Ornamented Kets 351 
 
 Ancient Seals 173 
 
 Antique Jewellery, Eings, Crosses, Brooches, and Ob- 
 
 naments ."...••• 137, 342 
 Armour and Arms : 
 
 Complete Suits of Armour 283 
 
 Cross-bows . 262 
 
 Daggers 232, 245, 261 
 
 Demi-suits and Portions of Suits .... 253 
 
 Gauntlets 239 
 
 Guns and Pistols 236, 243, 247 
 
 Halberds, Glaives, and Partisans . . . 233, 249 
 
 Helmets 265, 281 
 
 Horse Trappings and Equipments .... 235 
 
 Maces and Batde-axes 246 
 
 Match-lock and Wheel-lock Guns . . 263, 275 
 
 Oriental 267 
 
 Powder Flasks .... 238, 248, 264, 280 
 
 Shields and Bucklers 252 
 
 Swords and Daggers, 229, 232,242,245,257,261,271,275 
 
 Tilting and other Helmets 281 
 
 Wheel-lock Pistols 264, 277 
 
 Bijouterie, Sea£s, and Eings 342 
 
 Bottchee Ware, Early .'• . . . 3, 229 
 
 Boxes : ■ 
 
 Dresden and other Porcelain 363 
 
 Boxes painted in Enamel, on Copper . . . 359 
 
 Porcelain Snuff-Boxes 358, 372 
 
 Snuff-boxes enamelled on Copper . . . 359, 376, 
 
xx xii CONTENTS. 
 
 
 PAOB 
 
 Beonze Medals . 
 
 
 . 412 
 
 . 128 
 
 Bronzes ...-•■ 
 
 
 Byzantine Metal Woek 
 
 
 . 129 
 
 Calendars, Compasses, and Dials 
 
 
 . 403 
 
 Capo di Monte Porcelain . 
 
 
 36 
 
 Carvings in Wood 
 
 
 . 174, 370 
 
 Ivory . 
 
 
 . 170, 176 
 
 Chamberlains' Gilt metal Keys 
 
 
 . 352 
 
 Chelsea Porcelain . 
 
 
 . 37 
 
 Clocks and Watches .... 
 
 
 . 404 
 
 Coffers, Early, and Curiosities . 
 
 
 . 178 
 
 Cologne Ware . 
 
 
 305, 317, 330 
 
 Cross-bows . 
 
 
 . 262 
 
 Curiosities . 
 
 
 . 175, 178 
 
 Daggers ...... 
 
 
 232 245, 261 
 
 Delft Wake . . ... 
 
 
 228? 305, 316 
 
 Demi-butts and Portions of Suits 
 
 
 . 253 
 
 Debby-Chelsea Porcelain . 
 
 
 18, 36 
 
 Derby Pobcelain 
 
 
 28, 36, 38 
 
 Dresden Porcelain . . . . 
 
 4,1: 
 
 !, 21, 24, 31, 38 
 
 Dresden and other Enamels 
 
 
 . 165 
 
 Dresden Snuff Boxes . . . . 
 
 
 . 363 
 
 Ecclesiastical Plate . 
 
 
 . 134 
 
 Egg-shell Porcelain . 
 
 
 . 19 
 
 Enamels : 
 
 
 
 Byzantine .... 
 
 
 . 129 
 
 Dresden and otter Enamels - • 
 
 
 . 165 
 
 Limoges .... 
 
 
 . 153 
 
 Moresco-Hispano 
 
 
 . 166 
 
 Oriental, on metal 
 
 
 . 166 
 
 Etuis ..... 
 
 
 . 384 
 
 Paenza and Rapfaelle Ware. See Poti 
 
 EST A 
 
 nd Porcelain. 
 
 EUENITURE : 
 
 
 
 In the Armoury 
 
 
 . 431 
 
 In the back Drawing-Boom . 
 
 
 . 421 
 
 In the Dining-Room . . ' 
 
 
 . 428 
 
 In the Entrance Hall . 
 
 
 . 427 
 
 In the front Drawing-Room . 
 
 
 . 415 
 
 In the Glass-Room 
 
 
 . 429 
 
 In the Library 
 
 
 . 428 
 
CONTENTS. 
 
 xxxill 
 
 290, 
 292, 
 
 285, 
 
 286, 301, 
 
 292, 
 
 290, 
 
 293, 305, 
 
 236, 247, 263, 264, 
 
 FcjBNITUBE 
 
 On Staircase 
 Gauntlets 
 
 GbHMAN AND OTHEE PoBCELAIN 
 
 Glass : 
 
 German 
 
 German, Enamelled 
 
 Opalized 
 
 Opaque 
 
 Euby . 
 
 Schmeltz 
 
 Stained 
 
 Venetian 
 
 Venetian, Enamelled 
 
 Venetian, Frosted 
 
 Vitro di Trina 
 Gekman Enamelled Glass 
 Gishman Glass . 
 Gees de Plandees Waee 
 Guns and Pistols 
 
 Hague, Beelin, Vienna, Eeankenthal Poecelain 
 Halbeeds, Glaives, and Paetisans 
 
 Helmets 
 
 Hobse Tbappinss and Equipments 
 
 hunting hoens .... 
 
 Hunting Knives 
 
 Ivoet Caevings, Combs, &c. . 
 
 Japan. See Oeiental Poecelain. 
 
 Jewellebt, Antique . 
 
 Jubs: 
 
 Gres de Plandres and Cologne Ware 
 Kets: 
 
 Chased and Ornamented 
 
 Chamberlains' Gilt Metal 
 Knives, Pobks, &c, Steel . 
 Limooes Enamels 
 Maces and Battle-axes 
 Majolica, Paenza, and Raffaelle "Wake 
 Matchlock and Wheel-lock Guns 
 
 168, 
 
 . 433 
 . 239 
 
 . 28 
 
 297, 322 
 
 309, 325 
 
 . 289 
 
 . 321 
 
 . 303 
 
 289, 315 
 
 . 240 
 
 299, 327 
 
 . 315 
 
 . 290 
 
 312, 329 
 
 309, 325 
 
 297, 322 
 
 317, 330 
 
 275, 277 
 
 . 36 
 
 233, 249 
 
 265, 281 
 
 . 235 
 
 . 251 
 
 . 275 
 
 170, 176 
 
 137, 342 
 
 293, 330 
 
 . 350 
 
 . 352 
 
 334, 354 
 
 . 153 
 
 . 246 
 
 182, 225 
 
 263, 275 
 
XXXIT 
 
 CONTENTS. 
 
 MEDALS : 
 
 Bronze 
 
 Silver 
 Medieval Silveb and Silveh-gilt 
 Metal Dishes and Plates 
 Metal Locks, Ancient . 
 Metal "Woks, Ewebs, &c. 
 
 Byzantine . 
 
 Mediaeval 
 Miniatures : 
 
 Cabinet of 
 
 In the Armoury . 
 
 In the Drawing-Boom 
 
 Framed 
 Moresco-Htspano Enamels 
 Objects in Cabveb "Wood 
 Opalized Glass . 
 Opaque Glass 
 
 Oriental Armour, and Abms 
 Oriental Enamels on Metal 
 Omental Pobcelain . 
 Palisst "Wake . 
 Pictures : 
 
 In Front Drawing-Boom 
 
 In Back Drawing-Boom 
 
 On Staircase 
 
 In the Library 
 
 In the Dining-Boom 
 
 In the Entrance Hall 
 
 In the Inner Hall 
 
 In the Armoury . 
 
 In the Glass-Boom 
 
 Small Portraits in Oil 
 Plate, Obnamental : 
 
 Silver, Silver-gilt, and Plated Ware 
 Pobcelain. See Pottekt. 
 Poutkaits, Small — in Oils . 
 Pottery and Pobcelain : 
 
 Berlin 
 
 Bdttcher Ware .... 
 
 Ecclesiastical 
 
 m . 
 
 412 
 
 m . 
 
 413 
 
 Plate 
 
 134 
 
 . 123, 
 
 349 
 
 
 124 
 
 B , 
 
 349 
 
 , . 
 
 129 
 
 . 125, 
 
 131 
 
 . 105, 
 
 120 
 
 . 
 
 117 
 
 
 119 
 
 . . 
 
 121 
 
 # . 
 
 166 
 
 . 
 
 370 
 
 
 289 
 
 . 
 
 321 
 
 . . 
 
 267 
 
 . 
 
 166 
 
 . 1, 10, 19 
 
 • 
 
 224 
 
 : 
 
 47 
 
 . . 
 
 55 
 
 , 
 
 63 
 
 . 68 
 
 117 
 
 . . 
 
 72 
 
 . . 
 
 84 
 
 . 
 
 87 
 
 . 88 
 
 114 
 
 . 
 
 97 
 
 
 118 
 
 11, 146 
 
 412 
 
 • 
 
 118 
 
 30, 36 
 
 3 
 
 , 229 
 
CONTENTS. 
 
 XXXV 
 
 Pottery and Pobcelain — continued. 
 
 PAGB 
 
 Capo di Monte 
 
 . 36 
 
 Chelsea .... 
 
 . 37 
 
 Chinese. See Pobcelain. . 
 
 
 Cologne .... 
 
 . 305, 317, 330 
 
 Delft and other "Ware . 
 
 . 228, 305 
 
 Derby .... 
 
 28, 36, 38 
 
 Derby-Chelsea . . 
 
 18, 36 
 
 Dresden 
 
 4, 12, 21, 24, 31, 38 
 
 Egg-shell . 
 
 . 19 
 
 English Delft . 
 
 . 229 
 
 Eaenza, Eayence, &c. . . 
 
 . 182, 225 
 
 German and other Porcelain . 
 
 . 28 
 
 Gres de Flandres 
 
 293, 305, 317, 330 
 
 Hague, Berlin, Vienna, Prankentha 
 
 1, Nymphenburg. 36 
 
 Hispano-Moresco . 
 
 . 203 
 
 Japan. See Omental. 
 
 
 Majolica .... 
 
 . 182—225 
 
 Nevers .... 
 
 3, 213 
 
 Oriental .... 
 
 . 1, 10, 19 
 
 Palissy .... 
 
 . 224 
 
 Eaffaelle Ware, Gubbio, &c. 
 
 . 182—225 
 
 Scent Bottles 
 
 . 23 
 
 Sevres .... 
 
 . 8, 16, 25, 33, 40, 46 
 
 Yarious .... 
 
 . 36 
 
 Powder Flasks 
 
 . 238, 248, 264, 280 
 
 Eaffaelle "Wake, Gubbio, &c. 
 
 . 182—225 
 
 Eosaries 
 
 . .174 
 
 Eubt Glass .... 
 
 . 303 
 
 Sohmeltz 
 
 . 289, 315 
 
 Seals : 
 
 
 Ancient Monastic 
 
 . 173 
 
 Bijouterie, Seals and Eings . 
 
 . 342, 346 
 
 Setees Pobcelain 
 
 8, 16, 25, 33, 40, 46 
 
 Shields and Bucklebs 
 
 . ' . 252 
 
 Silver and Silvee-gilt Ecclesiastical ] 
 
 'late . .134 
 
 Silveh mounted Cocoa ITut and Nautili 
 
 rs Shells . 144, 146 
 
 Silver, Silver gilt, and Plated 14 
 
 1, 146, 406, 410, 412 
 
 Silver Apostle Spoons 
 
 . 411 
 
 Snuff-boxes .... 
 
 358, 363, 372, 376 
 
XXXY1 
 
 CONTENTS. 
 
 169, 367 
 . 369 
 
 144, 411 
 . 334 
 . 240 
 
 Spoons : 
 
 Carved "Wood .... 
 
 Ivory, or Bone .... 
 
 Silver ..... 
 
 Spoons, Knives, and Forks . 
 
 Stained Glass ..... 
 
 Steel Knives and Forks, and other instruments, 168, 834, 354 
 Swords and Daggers . . . 229, 242, 257, 271 
 
 Venetian Enamelled Glass . . . . . .315 
 
 Venetian Frosted Glass ...... 290 
 
 Venetian Glass 285, 299, 327 
 
 Vitko di Tbina .... 286, 301, 312, 329 
 
 Warders and Hunters' Horns 251 
 
 "Watches 385, 404 
 
INDEX TO PLAT.ES. 
 
 Omental Porcelain. & f ace Fa 9> 
 
 Double-necked gourd-shaped Bottle li 
 
 Dresden Porcelain. 
 
 A beautiful Clock (No. 195) -«*• 
 
 Superb Candelabra 
 
 Sevres Porcelain. 
 
 Kose Dubarri Vases V' 
 
 Turquoise Vases **■ 
 
 Oviform green Vase and Cover . ** 
 
 Tall gros-bleu Vases and Cover, mounted on plintbs «*• 
 
 Magnificent centre Vase and Cover, gros bleu, with uprigbt 
 
 Handles * 6 
 
 Vase and Cover, gros bleu, with gilt friezes »• 
 
 Oviform gros bleu Vase and Cover **• 
 
 Portrait op Eleanor op Portugal 9* 
 
 „ Anne of Cleves **• 
 
 „ Lady Johanna Aberoavennt 95 
 
 „ Nicholas, Lord Vadx 96 
 
 „ Edward IV., with collar of rubies 97 
 
 „ Viscount Faulconberg. Miniature by Cooper 109 
 
 Byzantine Metal Work. 
 
 Reliquaire on stand of four crocodileB 130 
 
 Medieval Metal Work. 
 
 Sir Thomas More' s Candlestick < 7 '- 
 
 Enamelled head of a Crozier ib. 
 
 A copper gilt Crucifix, with the four Evangelists at the angles. . 133 
 
 St. Thomas a Beckett's Keliquaire ib. 
 
 A silver Monstrance ib. 
 
 A BEAUTIFUL (JILT EeLIOUAIRE 161 
 
 A silver Nef, embossed ib. 
 
 Limoges Enamels. 
 
 An elegant Ewer 163 
 
 Casket, with Sybil plaques .•■ ib. 
 
 Carved Ivory Cup 178 
 
 Faenza and Raffaelle Ware. 
 
 A tall Jar ; combat of warriors, dated 1501 194 
 
 A massive Jar, with tho Medici arms, and marked double Y, circa 
 
 1620 227 
 
 An elegant Salt Cellar Vase ib. 
 
 A flat-sided Pilgrim's Bottle 211 
 
 Vase with Sphinx handles ib. 
 
 Raphael and Fornarina Plate 196 
 
 Halberd 250 
 
 Sword ib. 
 
XXXVIU INDEX TO PLATES. 
 
 To face Page 
 
 Spanish Breastplate ^°* 
 
 Spanish Demi-suit . ° 
 
 Long Rapier **• 
 
 Powder Flask 2< ?* 
 
 Tilting Bourguinot **• 
 
 Mock Tournament at Nuremberg, in 1446 »'*■ 
 
 Cap-a-pie Suit 283 
 
 Venetian Glass 286 
 
 Schmeltz Vase *^» 
 
 Gres de Flandres Jug , **• 
 
 Venetian Glass Bottle 300 
 
 German Glass Bocale «*• 
 
 Venetian Glass • ■ «&■ 
 
 Vitro di Trina. 
 
 A vessel, in the form of a porpoise 308 
 
 White gres de Flandres. 
 
 A singularly beautiful Gres "White Jug t'S. 
 
 German Glass. 
 
 A flagon and cover, ornamented with the Last Supper, dated 1599 ii. 
 A curious drinking glass, -with tube in the centre, surmounted 
 
 by two horses' heads 324 
 
 Venetian Glass, fluted, on elegant openwork stem, with two dolphins <"i. 
 
 Venetian Tulip Glass , - . 328 
 
 A r ENETiAN Bottle, in the form of a horse rampant, holding a tazza, 
 
 on pedestal »'}. 
 
 Venetian Glass Oviform Vase •. . . . 330 
 
 Gres de Flandres Jug, with portraits of a prince and princess in 
 
 medallions a. 
 
 Pilgrim-shaped Gres Bottle 332 
 
 Ancient Gaelic Brooch 348 
 
 Metal Ewer .- 348 
 
 Chased Keys. 
 
 A key, with richly chased and pierced bow 353 
 
 A key, richly chased and engraved all over ii. 
 
 Boxwood Spoon ,-j. 
 
 Padlock-shaped Watch 385 
 
 Book-shaped "Watch. 
 
 A book-shaped gilt-metal watch, with silver chased ornaments 
 
 or clasps ,-j 
 
 Clock, in Scalloped Crystal Case .', , $ 
 
 Clock, in Metal Case, in the form of a temple . . . . . . ' .' " 406 
 
 Ormolo Candlesticks "_ "415 423 
 
 Pier Glass, carved by Chippendale ' aoq 
 
 MARO.UETERIE Book and Ink-stand ' 404 
 
 Spanish Cabinet ' ' ' <2R 
 
CATALOGUE 
 
 OF THE 
 
 COLLECTION OF WORKS OF ART 
 
 FORMED BY THE LATE 
 
 EALPH BEENAL, ESQ. 
 
 FIRST DAY'S SALE. 
 
 ON MONDAY, MARCH 5, 1855. 
 
 ORIENTAL PORCELAIN. 
 
 1 A very curiouB plate, pencilled with oriental characters in 
 gold, alternately with red lines. 31. 10s. Marlborough 
 House. 
 
 '2 A plate, with openwork border and female figures. U. 8s. 
 Waters. 
 
 3 One, with a subject of figures. 15s. TV. Twopenny, Esq. 
 
 4 A cup, cover, and stand, green, with flowers, the ground 
 
 slightly indented. 21. 2s. Waters. 
 
 5 A plate, pink, with circular ornaments, crimson. 21. 12s. 6d. 
 
 Marlborough House. 
 (> A basin, with leaves of flowers, the outside light brown, 
 
 with flowers and birds. 21. 10s. Van Cuyck. 
 7 A very rare cup and cover, deep blue, covered inside and 
 
 out with honeysuckle branches, turquoise. \7l. 6s. 6d„ 
 
 C. S. Bale, Esq. 
 
 This was a very uncommon specimen. , < „ 
 
2 POECBIiAIIT : OBIENTAX. 
 
 8 A small basin, deep blue, richly enamelled with flowers. 
 
 11. 2s. /. Dunlop, Esq. 
 
 9 Another, with flowers in compartments, on red and green 
 
 ground. 11. 2s. The same. 
 
 10 A beautiful white basin, with flowers of delicate buff 
 
 colour, mounted with a rim of silver gilt. 41. 15s. 
 C. S. Bale, Esq. 
 
 1 1 A basin, with birds and foliage, in gold and colours. 21. 6«. 
 
 J. Bethell, Esq. 
 
 12 A pair of figures of Josses, in arbours, turquoise, mounted 
 
 with or-moulu nozzles for lights. 151. C. Mills, Esq. 
 
 13 A basin, cover, and stand, light blue, with flowers in small 
 
 circles, the surface slightly indented. 21. 14s. Chaf- 
 fers. 
 
 14 A basin, cover, and stand, of old japan, with flowers on 
 
 red ground : mounted, with rims and handle of silver. 
 41. 15s. Rainey. 
 
 15 An oviform bottle, with chrysanthemums and birds, a blue 
 
 lizard on the neck, mounted, with plinth, handles, 
 and top of or-moulu — 11 in. high. 8?. Marlborough 
 House. 
 
 16 A small blue vase, mounted, with plinth, handles, and rim 
 
 of or-moulu — 10 in. high. 81. 5s. F. L. Pojpham, Esq. 
 
 17 A beautiful vase, red ground, with Chinese figures in me- 
 
 dallions, and butterflies above : mounted, with goat's 
 head handles and festoons beneath, plinth and top of 
 or-moulu — 13 in. high. 15?. J.Dunlop, Esq. 
 
 18 A pair of vases, blue, with white chrysanthemums and 
 
 foliage pencilled with dark blue and brown, mounted, 
 with mask handles and festoons, plinths and lips 
 of or-moulu — 9 in. high. 16?. 10*. Annoot and 
 Gale. 
 
 1 9 A very curious tall jug, with red dragon handle and crim- 
 
 son spout, the surface covered with crimson and white 
 flowers, enamelled on yellow ground — 15£ in. high. 
 121. 5s. J. Durilop, Esq. 
 
EAEEY BOUCHER WAEE. 3 
 
 20 A flat vase and cover, with chrysanthemums on white 
 
 ■waved ground: mounted, with stem -and rim of or- 
 moulu — 9 in. diameter. 261. Miss Talbot. 
 This and the following were of very rare quality. 
 
 21 The companion. 261. 5s. The same. 
 
 22 A pair of globular vessels, with handles and spouts of fine 
 
 old japan, with figures delicately pencilled with gold, 
 and chrysanthemums raised. 8?. 5s. J. Dunlop, Esq. 
 
 23 A plate, with a Chinese lady at work, red and black 
 
 border ; and one, with flowers on a scroll. 31. 10s. 
 Marlborough House. 
 
 24 A dish, with birds and flowers, and white flowers raised 
 
 on the border. \l. 15s. The same. 
 
 25 A scalloped dish, with water birds and flowers on yellow 
 
 border, turquoise outside ; and a richly enamelled japan 
 plate. 41. 5s. The same. 
 
 DRESDEN. 
 
 EAELY BOTTCHEE WAEE. 
 
 26 A pair of cups and saucers, red, with Chinese figures on 
 
 the exterior, and a shield of arms inside. 41. 10s. 
 Marlborough House. 
 
 27 A coffee-pot ; a sucrier and cover ; and a cup and saucer, 
 
 deep chocolate, with figures and arabesques in gold. 
 111. 6s. The same. 
 
 28 A square red teapot, with Chinese flowers, raised ; a tea 
 
 canister, with cypher and figures in silver on chocolate 
 ground ; and a cup, of white, with figures and animals, 
 raised. 41. 7s. The same. 
 
 29 A globular coffee-pot, with figures and flowers in silver on 
 
 deep chocolate ground. 21. 17s. 6d. Earl of Craven. 
 
 30 A coffee-pot, with shields of arms — similar. 21. 12s. 
 
 Henry Christ]/, Esq. 
 
 31 A globular jug, with shield of arms and Chinese figures in 
 
 silver, on deep crimson ground. 21. 10s. J. Bowker, Esq. 
 
 B 2 
 
PORCELAIN : DRESDEN. 
 
 32 A globular teapot, in imitation of black and gold japan, 
 
 with beautifully chased silver mountings. 167. & Ad- 
 dington, Esq. 
 
 DRESDEN. 
 
 33 A cup, cover, and saucer, deep blue, with subjects of Be- 
 
 lisarius and Calisto. 4l. R. Kell, Esq. 
 
 34 A cup, gros bleu, with cupids ; and three saucers, gros 
 
 bleu, pencilled with gold. 21. 1 7s. P. B. Purnell, Esq. 
 
 35 A Sevres plate, with Cupid. 11. 15s. Southam. 
 
 36 A pair of small octagonal oups and saucers, sea-green 
 
 ground, with landscapes, 51. 15s. Sir H.H. Campbell. 
 
 37 A beautiful coffee-pot, cover, and stand ; and a basin, tea- 
 
 caddy, and cup and saucer, scalloped, with conversations 
 of figures after Watteau, and flowers on yellow ground. 
 552. Annoot and Gale. 
 
 38 A coffee-pot and cover ; and a basin and cover, pale 
 
 crimson ground, with landscape and figures. 81. 8s. 
 Marlborough House. 
 
 39 A large coffee-pot — nearly similar. 51. 15s. 6d. The 
 
 same. 
 
 40 A scalloped teacup and coffee-cup, with saucers, painted 
 
 with seaports and military scenes, yellow ground. 6/. 
 J. Bethell, Esq. 
 
 41 A pair of cups and saucers, with seaports, and arms of a 
 
 Saxon count. 121. 5s. J. Dunn Gardner, Esq. 
 
 42 A cup and saucer, with landscapes and figures" yellow 
 
 ground. 3J. 15s. S. Addington, Esq. 
 
 43 A two-handled cup, cover, and stand, yellow, with eight 
 
 small landscapes and figures. 81. 12s. The same. 
 
 44 A chocolate pot and cover ; a hot-milk pot, cover, and 
 
 stand; and a cup and saucer, a la reine, blue scale 
 ground, with musical conversations after Watteau. '231. 
 Attenborough. 
 
 45 A small oval compotiere, cover, and stand, crimson 
 
 scale ground with exotic birds. 91. 9s. Marlborough 
 House. 
 
poecelain: dbesdeic 5 
 
 46 A coffee-cup and saucer, chocolate ground, with minute 
 
 figures. 41. 4s. S. Addington, Esq. 
 • 47 An ewer and cover, sea-greenj with eight landscape and 
 
 river scenes. 71. 2s. 6d. Hedfern. 
 
 48 A small coffee-pot, painted with views. 6/. 10s. VanCuyeh. 
 
 49 A plate, green ground pencilled with gold, and five river 
 
 scenes. 31. 10s. The same. 
 
 50 A paib of small sceatji, scalloped, each with eight 
 
 small subjects of figures, and silver-gilt handles. 40?. 
 Attenborough. 
 
 These beautiful specimens were purchased by Mr. Bernal of the late 
 Mr. Baldock for 61. The above price is not more than their present 
 value. 
 
 51 A coffee-pot and cover, with vines and grapes, raised, in 
 
 colours and gold. 10/. 10*. Marlborough House. 
 
 52 A plate, deep blue border, with cupids in bistre. 21. 10s. 
 
 Waters. 
 
 53 Another, with light blue openwork edge, with a review in 
 
 the environs of Dresden. 41. S.Zimmerman. 
 
 54 Another, deep blue, with Cupid holding a pallette and a 
 
 wreath. 1/. 12s. Weston. 
 
 55 A fruit sucrier and cover, green, with figures champfitre. 
 
 11/. 15s. S. Addington, Esq. 
 50 A pair of beautiful scalloped cups and saucers, with figures 
 after Watteau, and flowers on gold ground. 28/, 
 P. B. Purnell, Esq. 
 
 57 Two cups and saucers — nearly similar. 21/. Sir Anth. 
 
 de Rothschild. 
 
 58 A pair of cups and saucers, with flowers on gold ground, 
 
 6/. 6s. Burlacher. 
 
 59 A pair — nearly similar. 71. The same. 
 
 60 A pair of scalloped cups and saucers, with seaports and 
 
 buildings. 51. S. Zimmerman. 
 
 61 A pair of scalloped trays and cups, with seaports. 6/. 10*, 
 
 Van Cuyck. 
 
6 POECELAEf: DRESDEN. 
 
 62 A pair of scalloped cups and saucers, with peasants. 
 
 41. 14s. 6d. Waters. 
 
 63 A cup and saucer, with raised frieze of figures, in imi- 
 
 tation of gems. 11?. Marlborough House. 
 Purchased by Mr. Bernal for thirty s hillin gs. 
 
 64 A cup, cover, and saucer, with views in Dresden. 41. 5s. 
 
 J. C. Carruthers, Esq. 
 
 65 Another, with medallion portraits of Angelica Kauffmann 
 
 and Ariadne on the saucer. 81. Marlborough Mouse. 
 
 66 Another, with a lady and children in landscapes. 51. 5s. 
 
 The same. 
 
 67 A cup and saucer, deep blue, with bouquets of flowers. 
 
 21. 5s. The same. 
 
 68 Another, small, with figures after Watteau ; and a scal- 
 
 loped ditto, with minute figures. 11?. The same. 
 
 69 Two cups and saucers, sea-green, with seaports. 31. 10s. 
 
 H. L. Wickham, Esq. 
 
 70 A cup and saucer, with figures on the Elbe, gold ground. 
 
 31. 10s. Attenborough. 
 
 71 One, deep blue, with Neptune, Hippomenes, and Atalanta. 
 
 81. The same. 
 
 72 A cup and saucer, scalloped, crimson, with flowers en- 
 
 crusted in imitation of oriental. 11. 18s. Rainey. 
 
 73 Another, with landscapes and figures, yellow ground- 
 
 11. 5s. Attenborough. 
 
 74 A pair, with Chinese figures and leaves raised, 1739. 
 
 51. 10s. Rainey. 
 
 75 One, sea-green, with Chinese figures. 31. 10s. Marl- 
 
 borough House. 
 
 76 A beautiful cup, cover, and stand, by Carl Theodore, 
 
 crimson, with medallions of cupids. 10?. 10s. S. Ad~ 
 dington, Esq. 
 
 77 Another, with domestic poultry. 3?. 3s. Attenborough. 
 
 78 A cup and saucer, pink, with seaports. 3?. 1 0*. Haines. 
 
 79 One, small — nearly similar. 11. 15s. Rainey. 
 
 80 Another, deep blue, with river scenes. 31. 17s. Burgess. 
 
POBCELAIN: DBESDEN. 7 
 
 ■81 One, with deep blue, with landscapes and figures. 51. 
 J. B. Stanhope, M.P. 
 
 82 One, with green border and cupids, in pink. 11. 7s. 
 
 Waters. 
 
 83 A dejeunS, with blue scale borders, and figures after 
 
 Watteau ; consisting of teapot, coffee-pot, and two cups 
 and saucers. 171. 15s. Nathan. 
 
 84 A teapot, crimson, with conversations after Watteau. 
 
 51. 5s. Lord St. Leonards. 
 
 85 An ecuelle, cover, and stand, crimson, with subjects, after 
 
 Watteau, and twisted vegetable stalk handles. 10?. 10«. 
 Attenhorough. 
 
 86 A small square plateau, with five river scenes, and gold 
 
 borders (faulty and rivetted). 21. 5s. Marlborough House. 
 ;87 A beatjtietjl oval two-handled Plateau, gros bleu, 
 with five compositions 6f architecture and figures'. 167. 
 The same. 
 
 88 A magnificent oval Plateau, deep blue; with cupids 
 
 holding a shield, inscribed, and doves and wreaths in 
 the borders. 10?. 10s. D. Falche. 
 
 89 A pais ob supeeb ovieoem Vases, the ground encrusted 
 
 with forget-me-nots, each with two conversations after 
 Watteau, on gold ground, surrounded by raised flowers, 
 mounted with or-moulu in the best taste. 997. 15s. 
 Sir Anth. de Rothschild. 
 
 90 An ecuelle, cover, and stand, the ground encrusted with 
 
 may-flowers, with two military scenes and shields of 
 arms, surmounted by a female bust. 191. 10s. At- 
 tenhorough. 
 •91 A beautiful egg-shaped scalloped vase, with two conver- 
 sations after Watteau, and flowers on gold grotind, on 
 three feet, with flowers raised, mounted with silver gilt- 
 422. Sigismund Bucket; Esq. 
 
 This piece was the perfection of the Dresden manufacture. 
 
8 poecelain: sIsvbes. 
 
 S&VBES. 
 
 92 A cup and saucer, with blue ribbon border, and roses in 
 
 compartments. 51. 5s. C. Be Fceux, Esq. 
 
 93 One, apple green, with exotic birds in compartments. 
 
 7t. 17 s. 6d. Owen. 
 
 94 One, gros bleu and green, with cupids. 17?. 17*. Sir 
 
 H. H. Campbell 
 
 95 One, green and rose du Barri, painted with exotic birds. 
 
 13?. D. Falclce. 
 
 96 One, green, with bouquets of flowers, in compartments. 
 
 91. 9s. Sir H. H. Campbell. 
 
 97 One, green, with Venus chastising Cupid, and a dog, in 
 
 a landscape. 26?. 5s. W. Goding, Esq. 
 
 98 One, with two children, and a trophy of the vintage, 
 
 [painted by Leguay]. 22?. Is. S. H. Sutherland, Esq. 
 
 99 One, green and rose du Barri, with bouquets of flowers. 
 
 8?. 10s. Sir H. H. Campbell. 
 
 100 One, green, with two subjects of figures and merchan- 
 
 dise after Lingelbach, [painted by Chabry and Me- 
 rault]. 55?. S. Addington, Esq. 
 
 101 One, green, with exotic birds and flowers. 6Z. Moranf. 
 
 102 One, green, with small flowers in compartments. 
 
 7?. 17s. 6d. Marlborough House. 
 
 103 One, rose du Barri and green, with exotic birds. 9?. 10s. 
 
 Sir H. H. Campbell. 
 
 104 One, gros bleu and green, with cupids. 18?. 7s. 6d. King. 
 
 105 One, gros bleu and green, with children after Boucher, 
 
 [painted by Veillard]. 27?. 6s. Sir H. H. Campbell. 
 
 106 One, green, with baskets of fruits, [painted by Chulotj. 
 
 71. 17s.'6d. Annoot and Gale. 
 
 107 One, apple green, with two subjects of cupids. 19?. 
 
 S. H. Sutherland, Esq. 
 i 108 One, turquoise, with exotic birds. 9?. 9s. M. T. Smith, 
 M.P. 
 109 One, green, with flowers. 71. J. B. Stanhope, M.P. 
 
POECELAIN : SETBES. 9 
 
 110 A small cup, cover, and stand, rose du Barri and green, 
 
 with festoons of flowers. 10/. 10s. Marlborough 
 House. 
 
 111 A small two-handled cup, with alternate stripes of green, 
 
 and wreaths of flowers. 21. 10s. Morant. 
 
 112 A BEATJTnftTL EcXTEIiLE, COVEE, AND STAND, gTOS bleu, 
 
 exquisitely painted with six subjects of cupids, [by 
 Chabry, 1771.] 1251 Marlborough House. 
 
 113 Ateet tine bwee, aitd Oval Dish, gros bleu, with 
 
 four baskets of flowers in compartments, mounted 
 with silver gilt. 58?. 16s. /. B. Stanhope, M.P. 
 
 114 An ecuelle, cover, and stand, gros bleu, with baskets of 
 
 flowers in six compartments. 221. Is. The same. 
 
 115 A small two-handled cup, cover, and stand, the ground 
 
 of blue and red chequers, painted with six pastoral 
 landscapes, [by Veillard]., 16?. 5s. 6d. Marquis .of 
 Londonderry. 
 
 116 A cup and saucer, with blue and white stars, and rich 
 
 ornaments in stripes. 62. 6s. The same. 
 
 1 17 A cup and saucer, gros bleu, with white and gold spots. 
 
 71. 5s. The same. 
 
 118 A large cup and saucer, turquoise, with bouquets of 
 
 flowers, in compartments. 15?. Marlborough House. 
 118*A baton, enamelled with classical medallions in white, 
 inscribed— JVSTVS FLOEEBIT ; mounted, with rims 
 and ends of bronze — dated 1415. 23 in. long. 71. 10s. 
 Col. Sibthorp, M.P. 
 
 Amount of first Day's Sale, 1419?. 16s. 
 
10 poecelaitt: omental. 
 
 SECOND DAY'S SALE. 
 
 ORIENTAL PORCELAIN. 
 
 118a A pale sea-green cup, beautifully mounted, with or-moulu 
 open-work stem, lid, and handles. 51. 15s. Earl of 
 Craven. 
 
 119 A plate, with poultry, on white scroll, crimson ground. 
 
 18s. J. Dunlop, Esq. 
 
 120 One, with flowers, on white scroll, black and green 
 
 ground. 16*. Hugh Hope, Esq. 
 
 121 One, with three figures, and gold border. 11. 13s. 
 
 W. Twopenny, Esq. 
 
 122 A cup and cover, white, with flowers in small circles, and 
 
 silver rim — from Fonthill. 8/. C. S. Bale, Esq. 
 
 123 A pair of cups and saucers, light blue, with flowers, the 
 
 surface slightly indented. 41. 14s. 6d. Marlborough 
 House. 
 
 124 A cup and saucer, beautifully enamelled with small figures 
 
 blue and gold borders, green inside. 21. 8*. Nathan. 
 
 125 A kylin, supporting a coffee-pot, green and black, with 
 
 flowers — on singular plinth. 71. 17s. 6d. Marlbo- 
 rough House. 
 
 126 A cup and saucer, with flowers on black ground, green 
 
 inside. 61. 6s. The same. 
 
 127 A plate, beautifully painted with a lady and two children. 
 
 11. Is. J. Bowker, Esq. 
 
 128 One, with figures hunting. 11. lis. 6d. Lady Monson. 
 
 129 A scalloped dish, of fine old japan, with flowers, three 
 
 gold stars inside. 16s. B. S. White, Esq. 
 
 130 A plate, with a lady working, and red borders. 17. 5«. 
 
 Gale. 
 
 131 One, with flowers in compartments, and gold borders. 
 
 11. 13s. W. M. Bigg, Esq. 
 
POBCELAIN: OBIENTAL. 11 
 
 132 A pair of curious small white cups, with medallions of 
 
 figures in high relief, unglazed, the ground of open- 
 work. 11?. W. Maskell, Esq. 
 
 133 A small kettle, with upright handle, richly enamelled 
 
 with flowers on copper. 21. 15s. Waters. 
 
 134 A small globular vessel and cover, with stripes in blue, 
 
 green, and yellow, the surface encrusted with small pat- 
 terns, mounted with or-moulu. 16?. 5s. 6d. C. S. Bale, 
 Esq. 
 
 135 A bowl and cover, of very fine old grey crackle, mounted, 
 
 with handles and open rim of or-moulu — 14 in. high. 
 39?. Nieuwenhuys. 
 
 136 A NOBLE ELTTTED GLOBTJLAE VASE AND COVEB, of fine 
 
 light brown crackle, mounted, with pierced borders, 
 handles, and top of or-moulu, in very rich taste — 19 
 in. high. 50?. Chr. Tumor, Esq. 
 
 From the Sac de Montehello's collection. 
 
 137 A BEAT/TIF0L DOUBLE-NECK GOTOD-SHAPED BOTTLE, sea- 
 
 green, with stems and leaves slightly raised, superbly 
 mounted, with scroll handles, and beautifully chased 
 vine leaves and grapes of or-moulu — 16 in. high, under 
 glass shade. (See Illustration.) 631. O. E. Coope, Esq. 
 Prom the Due de Montehello's collection. 
 
 138 A pais of vest eaee sqtjaee Jabdiniebes, each with 
 
 double frieze, the one of leaves and the other of dragons' 
 heads, partly pierced, mounted, with or-moulu rims, 
 plinths, and handles. 43?. Walter Stirling, Esq. 
 From the Sue de Montehello's collection. 
 
 139 A flat Bottle, with handles of delicate light blue 
 
 colour, mounted with stem and ring handles of or- 
 moulu— 11 inl high. 24?. C. S. Bale, Esq. 
 From Sir Wathen "Waller's collection. 
 
 140 A pair of small globular vases, enamelled with' groups 
 
 of flowers on white ground, and mounted as ewers 
 with or-moulu, in fine old taste — 12J in. high. 
 20?. 10s. Wright. 
 
12 rOECELAIN: DEESIEir. 
 
 DRESDEN. 
 
 141 A cup and saucer, gilt inside, with peasant figures ; and 
 
 a small hexagonal canister, with Chinese figures. 
 41. 4s. Movant. 
 
 142 A coffee-pot and cover ; a basin ; and a cup and saucer, 
 
 with courtiers — on gilt brackets. 91. 9s. Atten- 
 borough. 
 
 1 43 A beautiful scalloped cup and saucer, canary ground, 
 
 with Chinese birds and flowers. 31. 3s. The same. 
 
 144 A coffee-pot and cover, with merchants and merchandize 
 
 — a mask at the spout. 61. 10s. The same. 
 
 145 Another, with landscapes in medallions. //. I5s. Nathan. 
 
 146 A beautiful cabinet cup, cover, and saucer, gros bleu, 
 
 with cupids. 31. 15s. Marlborough House. 
 
 1 47 A cabinet cup and cover, gros bleu, with pastoral figures 
 
 — the cover imperfect. 11. 15s. H. G. Bohn, Esq. 
 
 148 An oblong scalloped dish, with five landscapes in com- 
 
 partments. 3/. Willson. 
 
 1 49 A beautiful tankard, with an oriental seaport, in colours, 
 
 and small sea views round the rims, mounted with 
 metal gilt. 19?. Hon. Francis Baring. 
 
 150 A fluted coffee-pot, with bouquets of flowers. 61. 15s. 
 
 Marlborough House. 
 
 151 A noble coffee-pot and cover, with elegant handle, and 
 
 spout rising from a mask, the sides painted with 
 figures in pink, and festoons of vines and grapes, in 
 their natural colours, in relief. 14/. 10s. Nathan. 
 
 152 A fine coffee-pot and cover, with elegant handle, the 
 
 spout formed of a head in a cocked hat, the bowl beau- 
 tifully painted with a large landscape and figures. 
 18Z. 10s. The same. 
 
 1 53 A coffee-pot and cover, with straight handle, the surface 
 
 spirally waved, with two groups of figures in colours, 
 and festoons of flowers in pink. 10/. 10s. Atten- 
 lorough. 
 
POECELAIB': DEESDE2T. 13 
 
 154 A pair of rare plates, with border of openwork of flowers 
 
 in colours, and animals and birds in medallions, an 
 exotic bird in the centre, with blue scale borders. 91. 
 Marlborough House. 
 
 155 Another, with openwork borders of birds and forget-me- 
 
 nots, and medallions of military figures. 41. 4s. 
 The same. 
 
 156 An octagonal ditto, with a fine landscape in the centre, 
 
 and smaller subjects round, the borders richly pen- 
 cilled with gold. 13?. The same. 
 
 1 57 A fine scalloped bowl, with a landscape and figures round 
 
 the outside, small views in pink underneath, and bor- 
 ders pencilled with gold. \0l. . Chr. Tumor, Esq. 
 
 158 A small cup and saucer, with views ; and one, with 
 
 figures after Watteau. 31. 8s. Rainey. 
 
 159 Another, with a river scene ; and one, with figures after 
 
 Watteau. 31. 15s. 0. E. Coope, Esq. 
 
 160 One, gros bleu, with bouquets of flowers. 11. 10s. 
 
 Atteriborough. 
 
 161 One, with seaports ; and one, small, with views. 21. 15s. 
 
 J. Bowker, Esq. 
 
 162 A basin, with a sea fight and view of a town ; and a cup 
 • and saucer, with harbour scenes. 51. 5s. 0. E. 
 
 Coope, Esq. 
 
 1 63 A cup and saucer, with military figures ; and a cup and 
 
 saucer, similar. 21. 2s. Rainey. 
 
 164 A pair, with military subjects in pink. 61 Annoot and 
 
 Gale. 
 
 165 A cup and saucer, with minute figures; and one, with 
 
 landscapes. 31. 5s. Marquis of Bath. 
 
 166 A Berlin cup and saucer, a la reine, with peasant figures; 
 
 and a canister, with Polish figures. 71. 10s. The 
 same. 
 
 167 A small oval stand, and a canister with hunting subjects 
 
 in pink. 21. Waters. 
 
 168 A cup ; and a coffee-cup and saucer, with figures after 
 
 Watteau, and blue borders. 31. 3s. H. G. Bohn, Esq. 
 
14 poecelain: dbesden. 
 
 169 A pair of cups and saucers, with insects, and raised 
 
 borders, and elaborate handles. 31. 5s. M. of Bath. 
 
 170 One, with a chateau near Dresden; and one, with figures 
 
 after Watteau. 71. 5s. B. Napier, Esq. 
 
 1 71 One, with seaports ; and one, with military figures. 
 
 21. 6s. Bainey. 
 
 172 One, with Watteau figures ; and one, with a seaport and 
 
 figures. 31. 15s. Jackson and Graham. 
 
 1 73 Two, with figures after Watteau. 21. 14s. Bainey. 
 
 174 One, with children sporting, and festoons in pink; and 
 
 one, with seaports and figures. 31. — Ellis, Esq. 
 
 1 75 One, with monkeys and cats ; and one, Vienna, with 
 
 Roman ruins. 31. Jacltson and Graham. 
 
 176 A small coffee-pot and cover with fables. 41. 17s. 6d. 
 
 Marquis of Londonderry. 
 
 177 A larger, with camp scenes in pink. 31. 10s. M. of Bath. 
 
 178 Another, with raised basket ground, and two small views, 
 
 and flowers encrusted on the lid. 71. 5s. The same. 
 
 179 Another, with two large subjects of Chinese figures. 
 
 61. 16s. 6d. Marlborough House. 
 
 180 Another, with two river scenes and figures. 41. Bainey. 
 
 181 Another, with spiral wreaths of flowers, and pink scale 
 
 borders. 31. 15s. Bedfern. 
 
 182 A coffee-pot and cover, with a large subject of oriental 
 
 figures. 41. 4s. Attenlorough. 
 
 183 One, with raised ground, and two subjects after Teniers.' 
 
 51. 5s. Marquis of Bath. 
 
 1 84 One, with two minute landscapes in compartments, and 
 
 borders of flowers. 61. 10s. The same. 
 
 185 A square canister, with four views; and a hexagonal- ditto, 
 
 with oriental figures. 51. 5s. O. E. Coope, Esq. 
 
 186 A rare plate, with openwork borders of flowers, and 
 
 bouquets of flowers in the centre. 11. 15s. Atten- 
 lorough. 
 
 187 A plate, with openwork, white and gold border — Hercules 
 
 and Anteeus in the centre. 1/. lis. 6d. Jackson and 
 Graham. 
 
POBCELAIIT : BBESDEK. 15- 
 
 188 A basin, with four landscapes and figures in compart- 
 
 ments. '71. Ids. Nathan. 
 
 189 A smaller ditto, with two landscapes and figures, and a 
 
 landscape inside. SI. Hon. Francis Baring. 
 
 190 A circular stand, with figures after Watteau, seagreen 
 
 outside. 21. 8«. 0. E. Coope, Esq. 
 
 191 A plate, with deep blue border and birds ; and two, with 
 
 pierced borders. 31. 5s. Atteriborough. 
 
 192 Three plates, with shepherds and sheep. 41. 14s. 6d. 
 
 Redfern. 
 
 193 Four deep plates, with figures in the centres. 51. 5s- 
 
 Marlborough House. 
 
 194 Six plates, with different subjects of landscapes and 
 
 figures. 10/. 15s. The same. 
 
 195 A VERY BEAUTIFUL CLOCK, in the form of a temple, 
 
 with pilastres at the angles, and dome top, surmounted 
 by two female figures, the sides painted with minute 
 Chinese figures and landscapes ; .on the back is the 
 date 1727 — glass shade and stand. This beautiful 
 object is 18 inches high. {See Illustration.) 1201. 
 Sir Anth. de Rothschild. 
 
 196 A PAIS, OF SUPEEB CANDELABEA, each formed of 
 
 a female draped figure bearing scroll branches for five 
 lights, seated on pedestals, round which cupids are 
 supporting shields of arms. These magnificent objects 
 of decoration are 24 inches high. (See Illustration.) 
 2311. Marquis of Bath. 
 
 197 A handsome chime clock, by Le Noir, Paris, in circular 
 
 or-moulu case, on stem, before which a Dresden 
 mastiff and puppy are lying, on a rich or-moulu stand 
 —17 in. high, the plinth 11 in. deep. 110Z. Sir 
 Anth. de Rothschild. 
 
 198 A pair of candelabra, with or-moulu branches for three 
 
 lights each, with a female Dresden figure in the centre, 
 and flowers behind — glass shades and stands. 497- 
 The same. 
 
16 poeceiiAin: s£viies. 
 
 199 Another pair, with Dresden figures of a shepherd and 
 shepherdess, and groups of larger flowers — glass shades 
 and stands. 63/. Sir Anth. de Rothschild. 
 
 SEVRES. 
 
 200 A cup and saucer, pale green with white spots, medal- 
 
 lions from gems, surrounded by wreaths of foliage, 
 gilt. 81. Marlborough House. 
 
 201 One, smaller, nearly similar. 71. 7s. The same. 
 
 202 One, blue, with scrolls in white and gold. 31. 10s. 
 , Duke of Newcastle. 
 
 203 One, light blue, with white spots, and trellis compart- 
 
 ments. 31. Lord St. Leonards. 
 
 204 One, gros bleu, with two pastoral scenes. 171. 17s. 
 
 Rhodes. 
 
 205 One, gros bleu, with two figures reposing in a landscape, 
 
 [painted by Chabry]. 321. lis. H. G. Bohn, Esq. 
 
 206 One, gros bleu, with dogs and game, with hawks. 11/. 
 
 Marlborough House. 
 
 207 One, spotted gros bleu, white and gold, with exotic birds. 
 
 61. Beurdeley. 
 
 208 A small two-handled white cup, with dogs pursuing deer 
 
 and game, in gold. 71. Marlborough House. 
 
 209 One, with spots and horizontal blue stripes, with medal- 
 
 lions from gems. 51. 15s. 6d. H. L. Wigram, Esq. 
 
 210 One, with pink flower, trellis, and blue flowers, on gold 
 
 ground, with two pastoral scenes, [painted by Veillard, 
 1767]. 13/. 2s. 6d. H. G. Bohn, Esq. 
 
 21 1 One, waved with rose and gold, with blue lines. 3/. 10s. 
 
 Earl of Lonsdale. 
 
 212 One, pale blue, with light spots, and musical trophies. 
 
 16/. 10s. Waters. 
 
 213 One, white, with flowers in blue vases. 31/. Beurdeley. 
 
 214 One, white, with pink flowers. 3/. Viscount Falmouth. 
 
POECELArPT: sfeVBES. 17 
 
 215 One, rose, with white spots, musical trophies, and sur- 
 
 rounded by wreaths of flowers. \3l. 5s. D. M. 
 Davidson, Esq. 
 
 216 One, white, with grosbleu and brown scalloped borders, 
 
 and festoons of flowers. 41. 14*. 6d. Watson. 
 
 217 One, pink with white spots, and two subjects of cupids, 
 
 [painted by Chabry, 1753.] 221. 10*. C. Cope, Esq. 
 
 218 A pair of caps and saucers, white, witli blue edges, and 
 
 festoons of flowers suspended by ribbons. 61. Falc/ce. 
 
 219 A cilp, gros bleu, with a nymph reposing, [painted by 
 
 Chabry, 1770.] 61. 6s. Viscount Falmouth. 
 
 220 A small two-handled cup and saucer, white, with cupids, 
 
 [painted by Vavasseur.] 71. Marlborough Souse. 
 
 221 A plate, gros bleu border, with white spots, exotic birds 
 
 in three compartments, and flowers in the centre. 
 41. 15s. D. M. Davidson, Esq. 
 
 222 A plate, turquoise border, with flowers and grapes. 
 
 21. 15*. Duke of Newcastle. 
 
 223 One, with yellow and crimson scalloped border, a boiir 
 
 quet of flowers i» the centre, in blue rim. SI. 13s. 6 d. 
 The same. 
 
 224 One, with green border, with medallions of birds, and 
 
 bouquets of flowers in the centre. 31. 18*. Beurdeky. 
 
 225 One, with cupids and baskets of flowers on the border, 
 
 and cypher B D, in flowers, in the centre. \3l. 10s. 
 
 C. Scott, Esq. 
 
 226 A beautiful plate, the borders in imitation of limoge 
 
 enamel, with figures and arabesques. 31. 5s. Bipp. 
 
 227 A beautiful ecuelle, cover, and stand, with alternate blue 
 
 and lilac bands, delicately painted with gold. 13/. 
 
 D. M. Davidson, Esq. 
 
 228 A plate, green edge with white spots, with medallion heads 
 
 after gems and birds. 41. 14*. 6d. Toms and Luscombe. 
 
 229 One, with blue ribbon, and flower borders. 41. 5s. 
 
 S. Addington, Esq. 
 
 C 
 
18 POECELAIN : SEYEES. 
 
 230 A mug, marbled pink and blue ground, with, a landscape. 
 
 15?. 10s. H. L. Wigram, Esq. 
 
 231 A pair of elegant small oviform vases, rose du Barri, with 
 
 bouquets of flowers, on or-moulu plinths. 70?. Watson. 
 Similar in form to the beautiful vases No. 469, and of the finest quality. 
 
 233 An ecuelle, cover, and stand, with gold and red spot edges, 
 
 and festoons of flowers. 19?. 10s. Viscount Falmouth. 
 
 234 A paie OF Sceatjx (Derby Chelsea porcelain), the ground 
 
 of greeri wreaths on white, with gold star in the centre, 
 each painted with two medallions of cupids. 12?. 5s. 
 J. B. Stanhope, M.P. 
 
 235 A green vase, mounted with upright handles, stem and 
 
 top of or-moulu. 10?. Attenborough. 
 
 236 A pair of gros bleu flat oval vases, mounted on plinths, 
 
 and with handles of or-moulu. 50?. The same. 
 
 237 A PAIR OF BEAUTIFUL GROS BLEU VASES, 
 
 mounted, with stems, masks, and festoons of or-moulu, 
 in fine old taste. 43?. The same. 
 
 238 A VERY ELEGANT VASE, WITH HANDLES OF 
 
 GOATS' HEADS, gros bleu, with frieze of gold, painted 
 with an exquisite medallion of Fame recording the 
 events of Time : a bouquet of flowers on the reverse, 
 mounted on plinth, and with cover of or-moulu— in- 
 cluding plinth, 14 in. high. (Bought of Owen for 17?. 
 17s.) 127l.ls. S. Addington, Esq. 
 
 239 A GROS BLEU VASE AND COVER, OF BEAUTIFUL 
 
 FORM, WITH TWO HANDLES, and festoons of 
 leaves falling from the centre of the neck to the bottom 
 of the handles, a broad band round the body of the 
 vase pencilled with gold, on the front of which is an 
 exquisite painting of Venus, Adonis, and Cupid: a 
 bouquet of flowers on the reverse— [painted by Pavon], 
 16| in. high. 223?. 13s. Sigismund Ruder, Esq. 
 
 Amount of Second Day's Sale, 2043?. 8s. 6d. 
 
POBCELAIIT : OBIENTAIi. ( 19 
 
 THIRD DAI'S SALE. 
 
 ORIENTAL EGG-SHELL PORCELAIN. 
 
 240 Three beautiful egg-shell plates, with figures in the centre, 
 
 and flowers in the borders : and one, with landscapes 
 and flowers. 51. Earl of Craven. 
 
 241 One, with Chinese buildings and flower border ; and one, 
 
 with landscape in Indian ink, crimson outside. 21. 6s. 
 H. B. Bay, Esq. 
 
 242 One, with two figures ; and one, with flowers in gold com- 
 
 partments. 51. 10s. Marlborough House. 
 
 243 One deep plate, with fishermen. 21. 6s. J. Bowker, Esq. 
 
 244 One, with flowers in Indian ink, on gold ground, crimson 
 
 outside, hi. 5s. Marlborough House. 
 
 245 One, with Chinese musicians. 51. 15s. The same. 
 
 246 One, with Chinese figures, and pink border. 21. 2s. The 
 
 same. 
 
 247 Two ditto, with flowers. 51. 15*. 6d. The same. 
 
 248 One, with gold flowers on deep blue ground. 51. The 
 
 same. 
 
 249 Four small plates, with flowers, pink outside. 71. 7s. The 
 
 same. 
 
 250 Two, with poultry, red outside. 71. The same. 
 
 251 One, with a lady and two children, red outside. 41. 15s. 
 
 Norton. 
 
 252 One, with a river scene and boat, red outside. 41. 4s. 
 
 Marlborough House.) 
 
 253 One, with aquatic birds ; and one, with a basket of 
 
 flowers. SI. 10s. The same. 
 
 254 A paib op Shall Figttees op Josses, turquoise, mounted 
 
 with or-moulu nozzles for lights, and small Dresden 
 flowers. From Queen Charlotte's Collection. 1 61, The 
 same. 
 
 c 2 
 
20 pobceIiAUT : OErENTAii. 
 
 255 A teapot, cover, and stand, white, with flowers in high 
 
 relief in colours. 41. 4s. Waters. 
 25G Another, with vine leaves and squirrels, fluted, with pink 
 
 and yellow heneath. 31. 3s. J. Dunlop, Esq. 
 
 257 A rare cup and saucer, with small landscapes, pencilled 
 
 in gold on huff, on green ground with blue spots. 4L 
 Marlborough Souse. 
 
 258 A yeby bare Bottle, with marine dragons and plants 
 
 in relief, in colours, on light clay-coloured ground. 
 20/. S. Addington, Esq. 
 
 259 A curious teapot, formed of a fish, brown, with green handle 
 
 and spout, with waves below. 41. 4s. Marlborough 
 Mouse. 
 
 260 A cup and cover, with plants in blue and white ; and a small 
 
 cup and saucer, with butterflies in gold. 11. 15s. Smith. 
 
 261 A small, cup and saucer, crimson, with butterflies; and 
 
 one, scalloped, pink and yellow, with plants in relief. 
 61. Waters. r 
 
 262 One, with a female, and a priest with a beard ; and an 
 
 egg-shell cup, cover, and stand, with figures and in- 
 scriptions. 1Z. 7s. H. G. Bohn, Esq. 
 
 263 A cup and cover, yellow, with plants and leaf-shaped 
 
 flutings. 11. 10s. S. Addington, Esq. 
 
 264 A brown saucer, gilt inside ; and a cup, with birds and 
 
 open trellis. '21. 2s. Chafers. 
 
 265 A coffee pot, and a cup and saucer, lilac, with white 
 
 flowers; and one, richly enamelled with flowers. 8/. 5*. 
 Waters. 
 
 266 A pair of small vases, enamelled with flowers and birds 
 
 between broad perpendicular stripes of green, mounted 
 with or-moulu as ewers — 10^ in. high. 211. 10*. Hon. 
 Francis Baring. 
 
 267 A. BEATTTIETJI. TWO-HAHBXED BIBBED BOTTLE, light blue 
 
 colour, mounted, with plinth and upright handles of 
 or-moulu— 131 in- high. 25Z. Hon. John Ashley. 
 2G8 A pair of beautiful globular vases, the surface covered 
 
POECEI/AIN: DEESDEN-. 21 
 
 with scroll foliage of red and green, mounted as ewers 
 with or-moulu — 11 in. high. 211. Hon. Francis 
 
 269 A dish, with a Chinese landscape and figures in the centre, 
 
 the border with piuk flowers on blue ground, a scalloped 
 edge beneath — 16 in. in diameter. 51. Earl of Craven. 
 
 270 A Paie of veey cueiotjs gbeen Kylins, with small 
 
 lions at their shoulders, and upright stem behind, which 
 is surmounted by an or-moulu nozzle for a light — 9 in. 
 high. From Queen Charlotte's Collection. 2\l. 
 Waters. 
 
 271 A dish, with flowers and figures in medallions, on blue 
 
 ground, the arms of Utrecht introduced in the centre 
 — 17 in. in diameter. 31. 3s. M. J. Higyins, Esq. 
 
 DRESDEN. 
 
 272 A teapot, and a small milk pot, deep blue, with medallions 
 
 of cupids. 11/. J. B. Stanhope, M.P. 
 272a A saucer with pastoral figures. 10s. 6d. H.G. Bohn,Esq. 
 
 273 A small coffee pot, and a cup and saucer, blue scale 
 
 ground, with exotic birds. 61. \5s. J. J. Jemmett, Esq. 
 
 274 A scalloped cup and saucer, with minute landscapes. 
 
 U. 14s. Marquis of Londonderry. 
 
 275 An octagonal two-handled cup, yellow ground, with river 
 
 scenes ; 3 spoons, with flowers ; and one in imitation 
 of metal. 41. 4s. M. T. Smith, M.P. 
 
 276 A small oval scalloped tray, with flowers on gold ground. 
 
 61. 5s. Attenborough. 
 
 277 A pair of small scalloped trays, with figures in pink ; and 
 
 a pair of minute cups. 91. 9s. S. Addington, Esq. 
 
 278 An oval scalloped tray, and cup, with flowers on yellow 
 
 and white. 51. 5s. King. 
 
 279 A pair of coffee cups and saucers, with buildings, on gold 
 
 ground. 71. 7s. S. Addington, Esq. 
 
 280 Two saucers, with landscapes ; one, with figures in green ; 
 
 and one, with cypher. 11. 3s. H. G. Bohn, Esq. 
 
22 pobceiaut: dbesdejt. 
 
 281 Two pair of cups and saucers. 21. 14«. Davis. 
 
 282 A pair of beautiful plates, with openwork flower borders- 
 
 and birds in the centre. 41. IQs. Attenborough. 
 
 283 A plate, with shepherdess and sheep in the centre, flower 
 
 and ribbon border. 21. 7s. W. M. Bigg, Esq. 
 
 284 One, with pastoral figures and flowers in green. 11. 5s. 
 
 Attenborough. 
 
 285 One, with openwork border and festoons of flowers. 31. 5s. 
 
 H. G. Bohn, Esq. 
 
 286 One, with openwork border and bouquets of flowers. 3L 
 
 Attenborough. 
 
 287 A pair of double boats, with dragons and festoons of 
 
 flowers raised, painted with flowers inside. 111. 
 Marlborough House. 
 28S A sucrier and cover, a basin, and 2 cups and saucers, 
 painted with landscapes and coats of arms, gilt inside. 
 28£. Hon, Francis Barirtg. 
 
 289 A coffee pot, crimson ground, with landscape. 91. 5s. 
 
 Sir A. K. Maedonald. 
 
 290 A butter dish and cover, with minute landscapes. 31. 7s. 
 
 Nathan. 
 
 291 A coffee pot and cover, and a scalloped basin, yellow 
 
 ground, with seaports- 121. 10s. Waters. 
 
 292 A pair of small jars and covers, with exquisite landscapes- 
 
 and seaports, in gold borders, with flowers raised on 
 the lids. 261. Nathan. 
 
 293 A flat oval scalloped box, cover, and stand, with figures 
 
 after Watteau, and flowers in blue on gold ground. 
 261.10s. J. B. Stanhope, M.P. 
 
 294 A cup and saucer, encrusted with mayflowers, painted 
 
 with figures in pink. 41. Attenborough. 
 
 295 A very curious fruit-shaped teapot, painted with Chinese 
 
 figures and leaves, raised. 20?. 10*. H. St. John 
 Mildmay, Esq. 
 
 296 An oblong card box, painted with cards and flowers, con- 
 
POECELAIW : 6CENT BOTTLES. 23 
 
 taining four suits of counters, of porcelain. 51. 15s. 
 M. J. Biggins, Esq. 
 
 297 A beautiful scalloped jar and cover, seagreen, with me- 
 
 dallions of flowers in gold borders. 10Z. 10s. J. B. 
 Stanhope, M.P. 
 
 298 A Paie of beatjtietti two-handled Vases and Covebs, 
 
 exquisitely painted with Chinese figures in colours, and 
 small landscapes in pink, the handles of female caryatid 
 figures. 541. Russell. {Baron Meyer Rothschild?) 
 
 299 A BEATjnnrL Ovefoem Vase, the surface encrusted with 
 
 forget-me-nots, with two medallions of birds in land- 
 scapes, in borders of raised flowers, mounted with or- 
 monlu. 31Z. 10s. Nathan. 
 
 300 A scalloped basin, seagreen, with oriental birds and plants. 
 
 51. 15s. Morant. 
 
 SCENT BOTTLES. 
 
 301 Two minute scent bottles, formed of baskets of flowers. 
 
 31. 17s. D. Faleke. 
 
 302 One, pine-shaped ; and one, covered with mayflowers. 
 
 11. 10s. Viscount Falmouth. 
 
 303 One, vase-shaped, with a dog ; and one, formed of a 
 
 poodle. 21. 17s. Earl of Craven. 
 
 304 One, a tower; and one, vase-shaped. 21. 10s. H. G.Bohn, 
 
 Esq. 
 
 305 One, with a group of three figures ; and one, of a group 
 
 of .fruit. 31. 5s. Rainey, 
 
 306 A pair, formed of female figures ; and one, with a child 
 
 in white. 41. 10s. C. S. Bale, Esq. 
 
 307 A pair, with groups of figures. 61. 12s. 6d. Marl- 
 
 borough House. 
 
 308 One, with two children ; and one, with a female figure. 
 
 31. 10s. The same. 
 
 309 One, with three female figures ; and one, with a monk 
 
 carrying a female. 41. 4s. D. Faleke. 
 
 310 A pair of female figures. 31. 12s. 6d. J. J. Jemmett, Esq, 
 
24 POECEIAUT : DBESDEN. 
 
 .".1 1 A bonbonniere, with Cupid and a lamb, agate lid, mounted 
 with silver gilt. 41. 15s. Viscount Falmouth. 
 
 312 One, with Venus and Cupid, similarly mounted. 41. The 
 
 same. 
 
 313 A monkey, with two young ones, on or-moulu plinth. 
 
 10Z. 10s. Attenborough. 
 
 314 A figure of a freemason, standing on a pedestal. 91. 9s. 
 
 The same. 
 
 DRESDEN. 
 
 315 A beautiful Otitobm Vase, encrusted with forget-me- 
 
 nots, with figures after Watteau, on gold ground, and 
 borders of raised flowers, mounted with or-moulu. 111. 
 Annoot and Gale. 
 
 3 1 6 A plate, with maroon ground, and medallions of Venus 
 
 and Cupid. 91. 1 5s. Marlborough House. 
 
 317 A small teapot and stand, yellow, with landscape and 
 
 flowers in pink. 51. 10s. J. J. Jemmett, Esq. 
 
 3 1 8 A two-handled cup, cover, and stand, with blue borders, and 
 
 figures after Watteau, in red. 41. 7s. Annoot and Gale. 
 
 3 1 9 A tall cup and saucer, with arms : and a cup with a battle 
 
 and arms. 21. 1 5s. Durlacher. 
 
 320 A large scalloped basin, seagreen, with three landscapes. 
 
 71. 10s. J. B. Stanhope, M.P. 
 
 321 A smaller ditto, similar. 41. 10s. Durlacher. 
 
 322 An ecuelle, cover, and stand, the surface encrusted with 
 
 mayflowers, and painted with figures. 10^. 10s. Hon. 
 and Rev. Fred. Baring. 
 323. A small oval pierced tray, with two figures in green ; 
 and a small coffee-pot, with figures after Watteau. 
 191. 8s. M. Lord Foley. 
 
 324 A saucepan, cover, and stand, on foot, conversations of 
 
 figures, and the royal arms of Saxony. 25/. Hon. 
 Francis Baring. 
 
 325 A beautiful basin, cover, and stand, gold ground.with eleven 
 
 subjects of seaports. 36Z. 10s. J. B. Stanhope, M.P. 
 
POBCELAIN : BEVEES. • 25 
 
 326 An ecuelle, cover, and stand, seagreen ground, with eleven 
 
 seaports and landscapes. 171. 5s. Marquis of Bath. 
 
 327 Another, with crimson scale ground, with six views near 
 
 Dresden. 301. Nathan. 
 
 328 A beautiful oval scalloped ecuelle cover and stand, with 
 
 figures after Watteau, and gold borders, the handle 
 formed of a lemon. 291. Marquis of Bath. 
 
 SfcVRES. 
 
 329 A cup and saucer, rose du Barri, painted with two land- 
 • scapes. 1757. 22Z. S. Addington, Esq. 
 
 330 A -cup and saucer, with gros bleu and white trellis border, 
 
 painted with bouquets of flowers in compartments. 
 1768. 13Z. 2*. 6d. Marlborough House. 
 
 331 A cup and saucer, turquoise, with bouquets of flowers in 
 
 compartments. 71. 17s. 6d. Rhodes. 
 
 332 One, large, with flowers in compartments. 1753. 261. os. 
 
 S. Addington, Esq. 
 
 333 One, white, with two subjects of cupids in blue, [painted 
 
 by Dodet, 1763.] 19Z. 19«. G. Hibbert, Esq. 
 
 334 One, white, with rose du Barri borders, and minute groups 
 
 of flowers in compartments. 1786. 1 51. 1 0s. S. 
 Addington, Esq. 
 
 335 An exquisite Cup and Sauces, green, most delicately 
 
 painted with four pastoral subjects, [painted by Chabry, 
 1769.] '521. 10*. C. Cope, Esq. 
 
 336 One, gros bleu, with pink and white spots, with three 
 
 subjects of cupids. 271. Marlborough House. 
 
 337 An exquisite Cup, Coyeb, and Stand, gros bleu, with 
 
 a subject of two oriental figures, and four of trophies, 
 [painted by Chabry and Chavaux, 1779]. 107/. S. 
 H. Sutherland, Esq. 
 
 338 A cup and saucer, gros bleu, with a bacchante gathering 
 
 grapes, and a landscape, [painted by Dodet, 1785]. 
 371. The same. 
 
 339 One, turquoise, with flowers in gros bleu and gold, vase 
 
 and wreath. 102. 10*. Marlborough House. 
 
26 POKOELAIlf : SEYEES. 
 
 340 One, gros bleu, wifli head of Franklin, and a trophy in 
 
 .Indian t ink, [painted by Leguay.J 431. Is. Star- 
 buck. 
 
 341 One, gros bleu, with a soldier and a trophy. 401. Annoot 
 
 and. Gale. 
 
 342 One, gros bleu, with two landscapes and figures. 111. 10s. 
 
 £. Addington, Esq. 
 
 343 One, gros bleu, with two subjects of a shepherd and sheep, 
 
 [painted by Dodet and Drand, same subject as No. 470.] 
 571. S. H. Sutherland, Esq. 
 
 344 One, small, gros bleu, with flowers. 11. Annoot and Gale. 
 
 345 One, white with blue border, and festoons of flowers. 
 
 101. Marquis of Londonderry. 
 
 346 A cup and saucer, gros bleu, with two subjects of seaports, 
 
 [painted by Morin and Chavaux]. 21/. J.B.Stan* 
 hope, M.P. 
 
 347 One, gros bleu, with a peasant sleeping, and a pastoral 
 
 scene. 211. 10*. 6<£. S. Addington, Esq. 
 
 348 A cup, gros bleu, with two landscapes ; and a saucer, with 
 
 a view interior. 111. Viscount Falmouth. 
 
 349 A Cup and Sauces, gros bleu, with a vase and wreath 
 
 of flowers. 13Z. 2s. 6d. Marquis of Bath. 
 
 350 A BEAT/TIEUIi SMALL StTCEIEE AND COYEB, gros bleu, 
 
 with shepherdesses, lambs, and a dog, [painted by 
 Dodet, 1763]. 231. H. G. Bohn, Esq. 
 
 351 A teapot,. and cup and saucer, white with rose du Barri 
 
 trellis and flowers, painted with three subjects of chil- 
 dren. 651. Marquis of Bath. 
 
 352 A cup, gros bleu, with a river nymph, [painted by Le- 
 
 guay]. 21?. S. H. Sutherland, Esq. 
 
 353 A cup, turquoise, with two ures with a birdcage after 
 
 Boucher, [painted by C .biy]. 521. The same. 
 353a A saucer, gros bleu, v „n Apollo killing Python, [painted 
 
 by Leguay]. 271. The same. 
 3536 Another, turquoise, with a seaport, [painted by Morin, 
 
 1772]. 15?. Annoot and Gale. 
 
PORCELAIN: SEVEES. 27 
 
 354 A small milk pot, with blue scales, and a trophy. 61, 10s. 
 
 Attenborough. 
 
 355 A teapot, sucrier and cover, and a milk pot, gros bleu, 
 
 with wreaths of flowers suspended by ribbons. 45?. 3s. 
 S. M. Sutherland, Esq. 
 
 356 A MAGNIFICENT CABARET, of the finest gros bleu, 
 
 with wreaths of gold ; consisting of plateau, with white 
 ribbon handles, exquisitely painted with a large subject 
 of two figures dancing to the music of two shepherds> 
 seated on a bank, in a landscape, a teapot, sucrier and 
 cover, a milk pot, and two cups and. saucers, with 
 peasant children and pastoral landscapes, [painted by 
 Leguay, 1775-6] 465?. Marquis of Bath. 
 ^Said to have cost Mr. Bernal sixty-five guineas. 
 
 357 A' PAIR OP BEAUTIFUL OVIFORM VASES, gros. 
 
 bleu, with egg and anchor frieze in white on the shoul- 
 ders, painted with a harvest and vintage, of children, 
 and rustic trophies on the reverses, the plinths and 
 handles of or-moulu — 10J in. high, including plinths, 
 [painted by Dodet, 1766]. 172?. 4*. G. Morland. Esq. 
 Probably the cheapest lot sold. 
 
 358 A PAIR OF FINE VASES AND COVERS, with upright 
 
 sides, on elegantly formed stems, green ground, pen- 
 cilled with gold, each painted with two exquisite bou- 
 quets of flowers, in medallions, and white upright 
 handles, mounted on plinths, and surmounted by clus- 
 ters of grapes of or-moulu — including plinths, 17 in. 
 high, [painted by Dodet]. 320?. 5s. Charles Mills,Esq. 
 360 A PAIR OF BEAUTIFUL OVAL JARDINIERES, the 
 ground very fine blue de Vincennes, painted on both 
 sides with children, after Boucher, in light blue and 
 flesh colour, in borders pencilled with gold, with white; 
 and gold handles, 1754. 100?. Viscount Falmouth. 
 
 Amount of Third Day's Sale, 2731?. 6s. 6d. 
 
28 poeceiain : german. 
 
 FOURTH DAI'S SALE. 
 
 GERMAN AND OTHER PORCELAIN. 
 
 361 A Vienna plate, with green border and white stars, painted 
 
 with flowers. 11. 2s. J. Bowker, Esq. 
 
 362 One, with brown and gold border, with flowers: 11. Is. 
 
 0. Plumleij, Esq. 
 
 363 A Vienna plate, with two cupids ; and one, with a cupid, 
 
 and blue border. 2Z. 18s. Marlborough House. 
 
 364 Two Hague plates, with birds and flowers. 41. Falclce. 
 
 365 A pair of Hague plates, with open-work edges, painted 
 
 with domestic birds in blue borders. 61: The same. 
 
 366 An old Derby plate, with open-work blue edge, painted 
 
 with flowers; and a fine old Chelsea plate, crimson 
 
 border, painted with flowers. 61. 15s. Marlborough 
 
 House. 
 
 There were no very fine specimens of the Derby manufacture in the 
 cellection. It is highly esteemed, and was so when Dr. Johnson visited 
 the works in 1777 ; as Boswell states that he objected to the price, though 
 he admired the beauty, observing that be could have vessels of silver of 
 the same size, as cheap as what were here made of porcelain. 
 
 367 A Hague plate, painted with a figure in pink, and border 
 
 of festoons ; and a Dresden cup and saucer, with sea- 
 ports, hi. 10s. C. de Vosux, Esq. 
 
 368 A tankard and cover, of Frankenthal, with two subjects 
 
 of huntsmen. 121. Durlacher. 
 
 369 A beautiful coffee pot, Karl Theodore, with a sleeping 
 
 nymph and bacchanals, and borders of flowers. 2(M. 
 The same, 
 
 370 A Berlin coffee pot and cover, with a river scene and a 
 
 landscape. 51. Rainey. 
 
 371 A Nassau coffee pot and cover, painted with two peasant 
 
 girls. 14Z. 14s. B. Falcke. 
 
POBCELAIN : GEEMA2T. 29 
 
 372 A vase, of Kronenburg, painted with dwarfs, on or-moulu 
 
 foot. 61. B. Falcke. 
 
 373 A fine coffee pot and cover, with a seaport after Claude, 
 
 in pink, a mask under the spout, and ornamental gold 
 border. 91. 5s. Marlborough House. 
 
 374 An ecuelle, cover, and stand, beautifully painted with 
 
 three classical subjects : inscribed G. F. B. 1783 ; and 
 a plate, No. 407*. 16Z. 10*. > The same. 
 
 375 A sup and saucer, of Popplesdorf, with a conversation of 
 
 figures. 41. i). Falcke. 
 
 376 A two-handled Vienna cup and cover, with medallions on 
 
 green ground. 21. 8*. H. G. Bohn, Esq. 
 
 377 A square Vienna tray, with open border, and gem me- 
 
 dallion, on green ground. 31. 15s. Smith. 
 
 378 A Vienna teapot, blue waved border, and bouquet of 
 
 flowers. 11. 15*. Rainey. 
 
 379 A Frankenthal two-handled cup, cover, and stand, by 
 
 K*l Theodore, painted with landscape and figures. 
 151. 10s. D. Falcke. 
 
 380 A Nymphenberg basin, with an elaborate painting of a 
 
 battle in Indian ink. 10Z. The same. 
 
 381 A Berlin plate, with Salmacis and Hermaphroditus, and 
 
 gold border. 13Z. 10*. S. Addington, Esq. 
 
 382 One, with nymphs dancing after Van der Werff. 171. 
 
 The same, 
 
 383 One, with Achilles dragging the dead body of Hectdr. 
 
 •14;. 10*. The same. 
 
 384 One, with Bacchus and Cupids. 61. 6s. H. Wadding- 
 
 ton, Esq. 
 
 385 A French plate, with St. John preaching, painted by 
 
 Madame- Sarg, in pink borders. 31. 10*. The same. 
 
 386 A Vienna plate, deep blue and gold border, with bouquets. 
 
 of flowers. 21. 5s. B. S. White, Esq. 
 
 387 Another, pink border, with scrolls, a river nymph ia the 
 
 centre. 31. 3s. Davis. 
 
 388 Another, with lilac border, and friezes from gems, in 
 
 Indian ink. 372.16*. S. Addington, Esq. 
 
30 POECELAIIf: GERMAN. 
 
 389 An Amsterdam basin, with a military review and a river 
 
 scene. 51. B. Falcke. 
 
 390 A Copenhagen coffee pot, with two medallion heads under 
 
 wreaths of flowers. 41. Us. 6d. Hon. and Bev. 
 Fred. Baring. 
 
 391 A two-handled Tournay basin, with a river scene and 
 
 landscape, sold with No. 391*. 
 391* A two-handled plateau, of Tournay, deep blue, with 
 five views. 421. Falcke. 
 
 392 A Berlin cup and saucer, deep blue, with female busts, in 
 
 red, on gold ground. 41. 10*. S. Addington, Esq. 
 
 393 A Berlin cup and saucer, with pink festoon border and 
 
 exotic birds. 11. 10s. Attenhorough. 
 
 394 A Berlin coffee pot, and cup and saucer, with cupids and 
 
 cyphers in pink'. 51. 10s. The' same. 
 
 395 A Nymphenberg cup and saucer, with figures in Indian 
 
 ink and gold. 21. The same. 
 
 396 A small Berlin coffee pot, and two cups and saucers, gold 
 
 scale ground, with classical busts. 111. The same. 
 
 397 A Nymphenberg basin, with figures and scrolls in gold 
 
 and Indian ink. 21. 12*. 6d. B. Falcke. 
 
 398 Another, with medallions in Indian ink, figures in colours, 
 
 and gold scrolls. 141. The same. 
 
 399 Another, with three landscapes. 41. Attenhorough. 
 
 400 A Furstenburg cup, cover, and stand, a la Keine, painted 
 
 with flowers and surmounted by a flame. 6O0s. Waters. 
 
 401 A Copenhagen basin, with two medallions of figures. 
 
 61. 10s. D. Falcke. 
 
 402 A Frankenthal cup, cover, and stand, deep blue, with 
 
 cupids in pink. 31. 15s. G. Moffatt, M.P. 
 
 403 A Berlin cup, cover, and stand, pink, with black me- 
 
 dallion of the Princess de Lamballe, and her cypher. 
 51. 15s. S. Addington, Esq. 
 
 404 An Amsterdam compotiere and cover, with a medallion of 
 
 Esculapius ; and a spittoon, with two medallions after 
 Teniers. 61. J. J. Jemmett, Esq. 
 
POECEEAIN: DEESDEN. 31 
 
 405 A Vienna cup and saucer, beautifully painted with Venus 
 
 and Cupid after Sir J. Reynolds. 81. 15s. S. Ad- 
 dington, Esq. 
 
 406 A Venetian basin, with figures reclining, pencilled in dark 
 
 brown and gold, marked Ven. 61. D. Faleke. 
 
 407 A French cup and saucer, with pink festoons. 31. The 
 
 same. 
 407* A plate, painted with Nessus and Dejanira, see No. 374. 
 
 DRESDEN. 
 
 408 A mug, cover, and stand, crimson scale ground, with ex- 
 
 quisite views on the Elbe, the stand with openwork 
 border. 201. 10s. 8. Addington, Esq. 
 
 409 A ciip and saucer, with children sporting, parcel gold 
 
 ground. 41. 10*. Watson. 
 
 410 A scalloped coffee pot, .apple green, with two landscapes. 
 
 51. 5s. Bedfern. 
 
 411 An ecuelle, cover, and stand, white basket ground, with 
 
 eight small landscapes, and a flower on the lid in relief. 
 161. 16s. J. J. Jemmett, Esq. 
 
 412 A basin, light green ground, with two landscapes. 4.1. 5s. 
 
 Earl of Kilmorey. 
 
 413 A butter dish and cover, with four seaports. 61. 15s. 
 
 O. E. Coope, Esq. 
 •414 A cup and saucer, with, four subjects of classical figures 
 and flowers. 31. 10s. Nathan. 
 
 415 One, pale green, with three landscapes. 31. 10s. O. E. 
 
 Coope, Esq. 
 
 416 One, with two landscapes, in ink ; and one other, with 
 
 landscapes. 91. S. Addington, Esq. 
 
 417 Two cups and two saucers, pink, with views ; and one cup 
 
 yellow, with views. 121. 5s. Waters. 
 
 418 A basin and cover, yellow, with two river scenes, and 
 
 handle, with flowers encrusted. 6J. 10s. H. IVad- 
 dington, Esq. 
 
32 FOECELA.IN: DEESDEK. 
 
 419 A vase and cover, with two subjects of figures, and twelve 
 
 smaller subjects in pink. 91. 5s. Durlacher. 
 
 420 A teapot, with two river scenes and flowers. 81. Nixon. 
 
 421 A moutardier and cover, with two conversations, and 
 
 flowers, 51. 2s. 6d. Attenborough. 
 
 422 A square canister, pale green, with four views and flowers. 
 
 51. O. E. Coope, Esq. 
 
 423 A box and cover, with views. 61. Lady Monson. 
 
 424 A small coffee pot and cover, with two classical subjects 
 
 and flowers. 11. 15s. S. Addington, Esq. 
 
 425 A cup, with cypher in pink ; and one small, with Chinese 
 
 figures. 31. 3s. Attenborough. 
 
 426 Two coffee cups, with a seaport, the inside gilt, sold with 
 
 No. 279. 
 
 427 A pair of small scalloped cups, with figures, in pink, 
 
 with handles. 31. 15s. Smith. 
 
 428 A beautiful vessel, with two subjects of figures after 
 
 Watteau, on gold, and two figures in pink under the 
 lip, and elegant gold borders. \&l. Russell. 
 
 429 Another, with vegetable stalk handle, and three groups of 
 
 figures after Watteau. 41. 4s. Earl of Craven. 
 
 430 A coffee cup and saucer, pink ground, with seaports. 3/. 
 
 Rainey. 
 
 431 A small two-handled vase and cover, and a cup and cover, 
 
 with stands, having classical friezes white on red ground, 
 and wreaths of flowers beneath. 30Z. Hon. and Rev. 
 Fred. Baring. 
 
 432 A two-handled cup, pink ground with seaports. 21. As. 
 
 Clark. 
 
 433 A vessel, with exotic birds and flowers, a monkey seated 
 
 on the handle. 51. 5s. Russell. 
 
 434 A beatjtiitjl Vessel, with the triumph of Neptune and 
 
 Amphitrite, and Narcissus drinking, with elegant gold 
 borders. 51. Attenborough. 
 
POECELAIS : SEVEES. 33 
 
 SEVRES. 
 
 435 A beautiful small square tray, with openwork border, 
 
 and rich ornaments in gold and colours. 191. 8*. 6d. 
 Marlborough House. 
 
 436 A two-handled cup, cover, and stand, light blue, with 
 
 white stars, with heads from gems. 161. 16s. The same. 
 
 437 A cup and saucer, bleu de Vincennes, painted with exotic 
 
 birds, 10Z. 10*. Sir H. H. Campbell. 
 
 438 A Cabaeet, with pink flowers, trellis, and blue orna- 
 
 ments, painted with pastoral trophies ; consisting of 
 oval plateau, sucrier and cover, and cup and saucer. 
 511. S. Addington, Esq. 
 
 439 A cup and saucer, gros bleu and white, with landscapes 
 
 in Indian ink and pink. SI. 10s. Viscount Falmouth. 
 
 440 An ecuelle, cover, and stand, with gros bleu ribbon trellis, 
 
 painted with festoons of flowers. 231. 10s. N. Mac- 
 donald, Esq. 
 
 441 A milk jug, turquoise, with a group of fruits and flowers. 
 
 31. 10s. Mainey. 
 
 442 One, gros bleu, with wreaths of flowers suspended from 
 
 a ribbon. 71. 10s. Annoot and Gale. 
 
 443 A basin, gros bleu, with two subjects of soldiers. 261. 
 
 0. E. Coope, Esq. 
 
 444 Another, larger, gros bleu, with two subjects of exotic 
 
 birds. 10Z. Marquis of Londonderry. 
 
 445 A large square plateau, with two handles, gros bleu, with 
 
 gold borders, painted with a skirmish in a wood, in 
 Indian ink, [by Pavon]. 851. Marquis of Bath. 
 
 446 A sucrier and cover, white, with red lines, with two views. 
 
 12?. O. E. Coope, Esq. 
 
 447. An elegant Sqtjabe Jaedioteee, with trellis orna- 
 ments, in brilliant colours and gold. 281. 7s. S. Ad- 
 dington, Esq. 
 
 448 A mug, white, with gold trellis, painted with a landscape. 
 111. Rhodes. 
 
Missing Page 
 
Missing Page 
 
36 FOBOEIiAIK^ CJlPO DI MONTE. 
 
 FIFTH DAY'S SALE. 
 
 CAPO DI MONTE. 
 
 471 A cup and saucer, with the triumph of Neptune, choice of 
 
 Paris, and other figures. 321. lis. S. Addington, Esq. 
 
 472 One, with the triumph of Venus. 341. 13s. A. Barker, 
 
 Esq. 
 
 473 One, with Diana and Calisto, and another subject. 311. 
 
 O. E. Coope, Esq. 
 
 474 One, with the rape of Proserpine, and triumph of Nep- 
 
 tune. 34Z. 13s. H. T. Hope, M.P. 
 
 475 One, with Apollo in his chariot. 361. D. Falcke. 
 
 476 One, with Bacchus and Ariadne and Proserpine in a 
 
 chariot. 371. Rev. T. Staniforth. 
 
 477 One, with the flaying of Marsyas, and triumph of BaG- 
 
 chus. 361. J. Noble, Esq. 
 
 478 A compotiere and cover, with Phoebus in his car, and the 
 
 Dance of the Hours. 51Z. S. Addington, Esq. 
 
 VARIOUS. 
 
 479 A pair of large pilgrims' bottles, [of Nevers ware,] with 
 
 flowers and foliage in white, on metal plinths — 16£ 
 mches high. 531. 6s. Earl of Craven. 
 
 480 Five old Derby plates, with cupids in pink, and flower 
 
 borders. 91. J. S. Forbes, Esq. 
 
 481 Three, of Derby Chelsea, with vases, and deep blue 
 
 borders. 21. 12s. 6d. Marlborough House. 
 This is called Derby Chelsea from the moulds and models of the 
 Chelsea works being removed to Derby, as well as many of the artists and 
 workmen, when the Chelsea manufactory was discontinued. 
 
 482 Two Berlin ditto, with flowers and openwork borders. 
 
 21. 12s. W. M. Bigg, Esq. 
 
 483 Three Vienna ditto, with deep blue borders. 31. 2s. 6d. 
 
 Gale. 
 
P0ECBLAI1T: OLD CHELSEA. 37 
 
 484 Six old plates of Staffordshire white ware, with openwork 
 
 borders. 21. 10*. C. de Vceux, Esq. 
 
 485 A two-handled cup and saucer, with pink ribbon border 
 
 and blue festoons. 21. Chafers. 
 
 486 A cup and saucer, gold inside, with vines 'and leaves raised. 
 
 21. 10*. Watson. 
 
 OLD CHELSEA. 
 
 The establishment of the Chelsea manufactory is not correctly known. 
 It became one of importance in 1745, since the company which at that 
 time desired the exclusive privilege of establishing a Porcelain manufactory 
 at Vincennes (subsequently that at Sevres), urged the benefit that France 
 would gain by having works which should exclude the German and English, 
 porcelain. _ . 
 
 It was especially patronised by George II., who procured models work- 
 men, and even materials, from Saxony and Brunswick. 
 
 The period of the greatest excellence of the Chelsea Porcelain is con- 
 sidered to have been between 1750 and 1763 ; and there was so much de- 
 mand for it, that dealers are described as surrounding the doors of the 
 works, purchasing the pieces as soon as they were fired, and large prices 
 were paid for them. 
 
 Mr. Marryat quotes part of a letter from Horace "Walpole to Sir Horace 
 Mann, of the 4tn March, 1763, in which he mentions having seen a set of 
 Chelsea Porcelain about to be presented by the King and Queen to the 
 Duke of Mecklenberg, which was to cost 12002. 
 
 The works were discontinued in 1764, and the manufactory was then 
 removed to Derby. 
 
 487 A pair of oval dishes, crimson borders, painted with birds, 
 
 butterflies, and fruits. 13/. 13s. Marlborough House. 
 
 488 A Paie ojt beautiful Globulab Scalloped Vases 
 
 and Cotees, deep blue, painted with exotic birds, 
 with pierced borders and covers. Of the highest 
 quality. 1101. 5s. S. Addington, Esq. 
 
 489 A cup and saucer, with festoons raised in white (chipped), 
 
 11. Is. Jackson and Graham. 
 
 490 Another, with flowers, and crimson drapery edge; 31. 
 
 13s. 6rf. W. Wigram, Esq. 
 
 491 A beautiful two-handled cup and saucer, with medallions 
 
 of cupids in pink, and striped gold sides. 211. 
 — Powell, Esq. 
 
38 POBCEIAIN : DEESDEN. 
 
 492 An ecuelle, cover, and stand, with pink scalloped edges. 
 
 and sprigs of flowers very delicately painted. 271. 6s. 
 Hon. and Rev. Fred. Baring. , 
 
 DRESDEN. 
 
 493 A very small cup and saucer, with sprigs of flowers raised, 
 
 pink and gold. 21. 12s. 6d. Morant. 
 
 494 A cup and saucer, with pastoral figures, and pink and 
 
 gold festooned borders. 31. Viscount Dupplin. 
 
 495 Another, with pastoral figures and pink scale edge. 21. 10s. 
 
 W. H. Skynner, Esq. 
 
 496 Another, with classical friezes, in imitation of gems and 
 
 trophies. 61. Chafers. 
 
 497 A two-handled cup, cover, and saucer, with landscapes and 
 
 roses on yellow ground. 171. 6s. 6d. — Powell, Esq. 
 
 * This is a fine specimen of the old Derby manufacture, and has the mark 
 known as the crown Derby. 
 
 498 A cup and saucer, a la reine, with the cypher H, crimson 
 
 scale borders, and bouquets of flowers. 31. 3s. Waters. 
 
 499 A beautiful ecuelle, cover, and stand, with landscapes 
 
 and seaports on red ground. 71. 7s. Annoot and 
 Gale. 
 
 500 Seven cups and saucers, with exotic birds. 101. 10s. 
 
 Attenborough. 
 
 501 Two ditto, with flowers in blue and gold. 41. 4s. Marl- 
 
 borough Mouse. 
 
 502 A pair of plates, with openwork borders of Forget-me-nots, 
 
 and white waved centres. 41. 5s. J. S. Forbes, Esq. 
 
 503 Pour plates, with fables of animals, and ribbon borders. 
 
 62. 10*. Attenborough. 
 
 504 One, with a peacock ; and one, with a bouquet of flowers, 
 
 and ribbon borders. 31. 5s. Herbert Minton, Esq. 
 
 505 One, with exotic birds, and blue scale border ; and one, 
 
 with flowers, and pink border. 11. 14s. Willson. 
 
POECBIAIir: DHESDEN - . 39 
 
 506 Two deep plates, with peasants and sheep, and ribbon 
 
 borders. 41. 5s. Herbert Minton, Esq. 
 
 507 Five plates, with flowers, and openwork borders. 51. 
 
 Attenborough. 
 
 508 Six, with flowers of different patterns. 121. 10s. J. S. 
 
 Forbes, Esq. 
 
 509 Three deep plates, with crimson and green borders. 
 
 61. 15s. Marlborough House. 
 
 510 Three plates, with blue and green 'borders, and birds. 
 
 41. 12*. Chafers. 
 
 511 Five, with flowers, and openwork borders. 41. 15s. 
 
 Lady Monson. 
 
 512 Four, with fruits and flowers, and blue openwork borders. 
 
 51. Bainey. 
 
 513 Six f shell-shaped dishes, with flowers. 41. 6s. W. 
 
 Meyrick, Esq. 
 
 514 A set of four small pierced baskets, with flowers. • 231. 
 
 Annoot and Gale. 
 
 515 Four small dishes, with flowers and birds. 41. W. H. 
 
 Skynner, Esq. 
 
 516 A flat bowl, with flowers. 11. 12s. Nixon. 
 
 517 A pair of bowls, with figures after Watteau, and flowers. 
 
 161. H. St. John Mildmay, Esq. 
 
 518 A cup, with a concert champetre, in green and pink 
 
 borders. 21. 10*. Herbert Minton, Esq. 
 
 519 A cup and saucer, pink, with canary border;] and a 
 
 moutardier, with figures after Watteau. 51. Atten- 
 borouffh. 
 
 520 A beautiful cabinet cup, cover, and saucer, gros bleu, with 
 
 Venus and Cupid. 71. 1 5s. The. same. 
 
 521 A plate, with openwork border, white and gold, with 
 
 Venus mourning over Adonis, in Indian ink, on pink 
 ground. 31. 5s. Nixon. 
 
 522 A pair of plates, with openwork blue and gold borders, 
 
 medallions of nymphs in the centre, on granite ground. 
 61. Bed/em. 
 
40 POECELAIN : SEVEES. 
 
 523 A canister and cover, -with Chinese figures, and raised 
 
 leaf border, 1739. 41. 5s. Hon. Francis Baring. 
 
 524 A small coffee pot and cover, pale pink ground, with 
 
 peasants. 41. 4s. Redfern. 
 
 525 Another, with a peasant, a dead bear and dogs, and arose 
 
 on the lid. 61. 10s. Marlborough House. 
 
 526 Another, with soldiers in pink, and vegetable stalk handle. 
 
 31. 5s. H. St. John Mildmay, Esq. 
 
 527 A teapot, with seaports, and gilt borders. 11. 7s. Chafers. 
 
 528 A coffee pot, with landscape and horsemen in pink. 41 5s. 
 
 Annoot and Gale. 
 
 529 A smaller ditto, of Tournay, with cupids in pink ; and a 
 
 flat box and cover, with Chinese figures. 1 11. Chafers. 
 529* A beautiful scalloped oblong dish, with figures after 
 Watteau, and small bouquets of flowers. 81. Marl- 
 borough House. 
 
 SEVRES. 
 
 530 A cup and saucer, with small medallions of roses, tur- 
 
 quoise ground, and crimson trellis borders. 41. 15*. 
 Rainey. 
 
 531 A cup and saucer, with medallions of exotic birds on 
 
 gold ground. 61. 10s. P. B. Purnell, Esq. 
 
 532 A cup and saucer, with vases and heart' s-eases in me- 
 
 dallions on yellow ground. 51. 1 5s. Chafers. 
 
 533 A two-handled cup and saucer, with medallions of roses 
 
 and heart' s-eases, and trellis borders of flowers. 61. 15*. 
 Attenborough. 
 
 534 A pair of sugar tureens, covers, and stands, with flowers. 
 
 14?. D. M. Davidson, Esq. 
 
 535 A pair of compotieres, with pierced stars, metal tops and 
 
 glass liners. 181. Hon. Francis Baring. 
 
 536 An oval two-handled plateau, with roses and cornflowers. 
 
 41. 12s. Litchfield. 
 
 537 Another, with roses, in gold circles and crimson lines. 111. 
 
 Red/em. 
 
POBCBLAIN : SETEES. 41 
 
 538 Four square dessert dishes, with roses. 10/. 10*. S. P. 
 
 Cockerell, Esq. 
 
 539 A pair of plates, with roses in blue. 41. C. Scott, Esq. 
 
 540 A pair of diamond-shaped plateaux, with flowers and blue 
 
 borders. 51. 5s. Nathan. 
 
 541 Another, with roses in trellis, and light pink borders. 71. 
 
 Bedfern. 
 
 542 Another, turquoise, with exotic birds and flower border. 
 
 41. 10*. WilUon. 
 
 543 A cup and saucer, gros bleu, with exotic birds. 41. 4s. 
 
 Movant. 
 
 544 A large saucer, with blue and crimson flowers, and a land- 
 
 scape in the centre. 41. 4s. Bedfern. 
 
 545 A cup and saucer, white, with birds in gold. 61. 5s. Sir 
 
 H. H. Campbell. 
 
 546 One, gros bleu, with tripos, cupids, and festoons in gold. 
 
 61. 10*. A. Barker, Esq. 
 
 547 One, gros bleu, with trees and fountains in gold, [painted 
 
 by Leguay]. 91. Watson. 
 
 548 One, white, with Venus chastising Cupid, [painted by 
 
 Dodet]. 351. 10*. Falcke. 
 
 549 One, with deep blue borders and wreaths of roses. 51. 
 
 Lord St. Leonards. 
 
 550 One, with light blue spotted borders, and a wreath of pink 
 
 ribbon and leaves. 5/. 10*. Morant. 
 
 55 1 One, gros bleu, pencilled with gold, with figures drinking. 
 
 271. Falcke. 
 
 552 One, white, with medallions of cupids and rustic trophies 
 
 surrounded by flowers, [painted by Chabry]. 23Z. 
 Attenborough. 
 
 553 One, with white and gold, square, and medallions after 
 
 gems. 41. 5s. A. Barker, Esq. 
 
 554 One, white, with cupids. 14Z. Annoot and Gale. 
 
 55 5 One, white, with cupids in pink. 81. 1 0*. C. de Vceux, Esq. 
 556 One, with friezes of flowers,, and doves in the centre. 51. 
 Morant. 
 
4 2 POBCEI/ADJ : . SETEES . 
 
 557 One, with deep blue borders and festoons of flowers. 211. 
 
 Annoot and Gale. 
 
 558 A cabinet cup, cover, and stand, with figures after Boucher, 
 
 and rustic subjects, [painted by Chabry]. 30/. 10*. 
 Attenborough. 
 
 559 A two-handled chocolate cup, cover, and stand, with up- 
 
 right lines of flowers, and blue ornaments. 20Z. 10s. 
 E. V. Bayley, Esq. 
 
 560 A beautiful cup and saucer, gros bleu and gold, with two 
 
 subjects of seaports and figures, [painted by Morin, 
 1770]. 951. D. Falcke. 
 
 This was the companion cup to Uo. 451, and precisely similar, except 
 being painted with seaports. 
 
 561 A ribbed cup and saucer, with upright lines of leaves and 
 
 blue stripes. 81. 8s. Earl of Lonsdale. 
 
 562 A fine chocolate cup, cover, and stand, with landscapes 
 
 in seven compartments, the ground white pencilled with 
 gold. 80/. B. Falcke. 
 
 563 A small square tray, with open gros bleu and gold border 
 
 painted with a landscape. 111. 6d. J. J). Gardner, Esq". 
 
 564 An ecuelle, cover, and stand, light blue, with white stars, 
 
 cupids in Indian ink, in compartments, -and wreaths of 
 foliage. 56/. 16s. Marq. of Bath. 
 
 565 A cup and saucer, with green and gold borders and fes- 
 
 toons of flowers. 61. 16s. 6d. P. B. Purnell, Esq. 
 
 566 A milk jug and cover, blue and white ribbon, border and 
 
 wreaths of flowers, mounted with silver gilt. 241. 3s. 
 Marlborough House. 
 
 567 A beautiful cabinet cup, cover, and stand, gros bleu, ex- 
 
 quisitely painted with two figures after Boucher, and 
 four subjects of pastoral trophies, [painted by Chabry 
 and Chavaux]. 41/. Falcke. 
 
 568 A tall cup and saucer, with broad scalloped green borders, 
 
 and bouquets of flowers. 21/. S. Addington, Esq. ' 
 
 569 A cabaret, rose du Barri, with bouquets of flowers ; con- 
 
POECELAIN : SEVEES. 43 
 
 Bisting of square plateau, milk jug, sucrier and cover, 
 and cup and saucer. 911. Marlborough House. 
 
 570 A cup and saucer, turquoise, with wreaths of gold leaves 
 
 and vases of flowers. 12?. 15$. Sir H. E. Campbell. 
 570* [A sceaux painted with flowers and cupids.] 111. 6s. 6d. 
 Annoot and Gale. 
 
 571 A beautiful jewelled Cup asd Sat/oee, gros bleu, with 
 
 medallion portraits suspended from gold wreaths, and 
 ruby and pearl border above, [painted by Leguay]. 80/. 
 B. Falcke. 
 
 572 A smaller jewelled cup and saucer, gros bleu, with rubies 
 
 and gold leaves. 28?. 17*. 6d. Baron J. de Bothschild. 
 
 These exquisite jewelled cups were manufactured exclusively for Marie 
 Antoinette, the first one was an unusually fine specimen. . 
 
 573 A cup and saucer, turquoise, with bouquets of flowers, 
 
 [painted by Chevaux]. 16M6s. Sir H. H.' Campbell. 
 
 574 A cup, rose du Barri, green and white, with flowers, 
 
 [painted by Clievaux]. 41. Ed. Snell, Esq. 
 
 575 A milk jug and cover, gros bleu, with a wreath of flowers 
 
 mounted, with silver-gilt handle. 211. Annoot and Gale. 
 
 576 A cup and saucer, rose du Barri and green, with white 
 
 compartments and bouquets of flowers, by Vavasour. 
 441. 2s. S. Addingtori, Esq. 
 
 577 One, pale yellow, with two subjects of children in blue. 
 
 321. 1 1*. Sir H. H. Campbell. 
 
 578 One, gros bleu and gold, trellis border, with festoons of 
 
 flowers. 12?. 1*. 6d. O.E. Coope, Esq. 
 
 579 One, rose du Barri, with flowers in green compartments. 
 
 16?. 16s. Annoot and Gale. 
 
 580 One, white, with a peasant girl and a pastoral trophy in 
 
 landscapes, [painted by Noel] . 541.12s. A. Barker,Esq. 
 
 581 One, pale yellow, with two. subjects of children in blue, 
 
 the faces coloured. 41?. H. L. Wigram, Esq. 
 
 582 One, green and rose du Barri, with exotic birds — imper- 
 
 fect. ■ 71. 5s. Webb. 
 
44 POBCELAIN : SEVEES. 
 
 583 One, rose du Barri, with bouquets of flowers. 231. 10«. 
 
 Viscount Falmouth. 
 
 584 One, white, with arms in Indian ink, and a soldier seated 
 
 at a table, in colours, [painted by Morin]. 231. Earl of 
 Lonsdale. 
 
 585 A Paib of beautiful Small Squabe Jabb-hotees, tur- 
 
 quoise, each with four subjects of cupids, in pink. 751. 
 S. Lyne Stephens, Esq. 
 
 586 A veey fine Ecttelle, Coveb, and Sxaot, gros bleu, 
 
 with six subjects of seaports exquisitely painted [by 
 Morin and Boulanger], and gold borders, delicately 
 pencilled. 150Z. B. Falcke. 
 This remarkably fine specimen is said to be from the Eoyal Collection, 
 and purchased by Mr. Bernal for a very small sum. 
 
 587 A cup and saucer, gros bleu, with gold spots, painted with 
 
 two landscapes. 10?. 10s. Movant. 
 
 588 One, green, with white compartments, painted with bou- 
 
 quets of flowers. 172. 17s. O. E. Coope, Esq. 
 
 589 A small basin and stand, marbled rose du Barri and blue, 
 
 with wreaths of flowers in compartments. 1 71. S. Ad- 
 dington, Esq. 
 
 590 A moutardier, cover, and stand, turquoise, with flowers in 
 
 three compartments. 201. Sir Anth. de Rothschild. 
 
 591 A cup and cover, light blue, with white spots, small me- 
 
 dallions from gems in compartments, surrounded by 
 wreaths of gold suspended by ribbons, with trophies 
 on the lid. \\l. A. Barker, Esq. 
 
 592 A tankard and cover, white, with gold spots, painted [by 
 
 Veillard], with utensils in landscapes. 19Z. Marq. of 
 Londonderry. 
 
 593 A cup, cover, and stand, marbled rose du Barri and blue, 
 
 with a shepherd keeping sheep and goats, in compart- 
 ments. 252. Attenborough. 
 
 594 A cup and saucer, white, with gros bleu and gold borders, 
 
 painted with wreaths and festoons of flowers. 5/. 5*. 
 E. V. Bayley, Esq. 
 
SKV11ES PORCELAIN. 
 
POBCELA.IN : SEVBES. 45 
 
 595 A moutardier, cover, and stand, pale yellow, with Cupid 
 
 and fruits in blue, [painted by Veillard]. 28Z. 7 s. 
 Marq. of Bath. 
 
 596 A PAIR OF TALL VASES AND COVERS, green with 
 
 white and gold bands, and festoons of leaves at the 
 "sides, each beautifully painted with a subject of pastoral 
 figures, and bouquets of flowers on reverse, mounted 
 on or-moulu plinths — including plinths 14J in. high. 
 315?. J. B. Stanhope, M.P. 
 
 These were described as No. 358. 
 
 597 A NOBLE OVIFORM VASE AND COVER, green with 
 
 gilt busts forming the handles, an exquisite painting of 
 a peasant family, in the manner of Greuze, and an 
 artistic trophy on the reverse, in medallions — 1 8 in. high. 
 388Z. 10*. (See illustration.) Marq. of Hertford. 
 
 598 A PAIR OF EXQUISITE TALL VASES AND COVERS, 
 
 of rare form, gros bleu, delicately pencilled with gold 
 stripes, with medallion of a sacrifice to Venus and 
 Bacchus, in imitation of gems, and trophies on the re- 
 verse, mounted on or-moulu plinths — including plinths 
 14 in. high. (See illustration.) 7001. S. H. Suther- 
 land, Esq. 
 
 These were as pure specimens as ever emanated from the celebrated 
 SSvres Manufactory. 
 
 599 A MAGNIFICENT CENTRE , VASE AND COVER, 
 
 GROS BLEU WITH UPRIGHT HANDLES, of foli- 
 age, a festoon of leaves raised, gilt, encircling the vase 
 and falling over the handles, the lower part fluted 
 with pendant lines of leaves ; in the centre is a most 
 exquisite painting of a peasant and two girls gathering 
 cherries, a donkey with panniers filled with cherries at 
 their side, a group of flowers on the reverse — on square 
 plinth. This superb work of art is 18 in. high. (See 
 illustration.) 8711. 10*. Marq. of Hertford. 
 
 From the collection of Sir "Wathen "Waller, who most probably purchased 
 it at the Empress Josephine's sale in Paris after her death. 
 
46 poECEiiAiir : sjsvbes. 
 
 600 A PAIR OF VASES AND COVERS, OF EQUALLY 
 
 HIGH QUALITY, GROS BLEU, with handles rest- 
 ing on grotesque masks, a frieze of gold foliage en- 
 circles the bowls, and on the necks are two exquisite 
 paintings [by Gremont] of a nymph at the bath, and 
 a bacchante reclining, squeezing. grapes into her mouth, 
 bouquets of flowers on the reverse — on fluted stems and 
 square plinths — 15-§- in. high. {See illustration.') 
 9001. Sir A. de Rothschild. 
 
 These are said to be part of the celebrated service known as the Soman 
 History Service, part of which is in the possession of her Majesty. 
 
 601 A PAIR OF OVIFORM VASES AND COVERS, OF 
 
 EQUALLY HIGH QUALITY, GROS BLEU, with flat 
 handles, encircled with bands of foliage, the front of 
 each nearly covered with an exquisite painting of 
 Bacchus seated, with an infant and goats, and a nymph 
 presenting a wreath to Cupid in landscapes, on the re- 
 verse are bouquets of flowers suspended from blue 
 ribbons — on fluted stems and circular plinths — 13 in. 
 high. (See illustration.) 590Z. Marq. of Bath. 
 
 The painting of these vases was of the very highest quality, they were- 
 obtained by Mr. Bemal from Mr. Jarman, many years since ; the tops were: 
 of English manufacture, and were not originally intended to have covers. 
 
 Amount of fifth Day's Sale 6,133?. 16*. 6d. 
 
 Total amount of Porcelain 17,111?. 19*. 
 
PICTUBES. 
 
 47 
 
 SIXTH DAY'S SALE. 
 
 The height of the Pictures is always expressed first. 
 PICTURES IN FRONT DRAWING ROOM. 
 
 Buys, 1774 . . 
 Buys: 
 
 610 
 
 611 
 
 Boucher 612 
 
 Boucher 613 
 
 Coypel . . 
 Breughel 
 
 614 
 
 615 
 
 ("Two 
 a! 
 
 4f 
 \ Three uy 
 
 in a li 
 
 [_ 647. It 
 
 Breughel ...... 616 
 
 Karl de Moor .." 617 
 
 Karl de Moor.. 617* 
 
 A conversation of six gentlemen and 
 ladies, in an apartment — 21 in. by 
 16 in. Sold with No. 611. 
 
 The lesson : a composition of four 
 figures — the companion. 100?. 
 Marq. of Hertford. 
 
 Two nymphs, with Cupid, reclining in 
 
 landscape — a sopra porta, about 
 
 4ft. 6 in. wide. Sold with No. 613. 
 
 Three nymphs and a cupid reclining 
 landscape — the companion. 
 The same. 
 
 Adrienne le Couyreur, as the Mag- 
 dalen — engraved — 16 in. by 11-J- 
 in. 71. 7s. T. Vardon, Esq. 
 
 A pair of village scenes, with nume- 
 rous figures. Highly finished on 
 copper — 65 in. by 8^ in. 40J. 19*. 
 W. Lea, Esq. 
 
 A fete champ&tre ; and a ffete in the 
 gardens of a chateau — a pair. Esc. 
 quisitely finished — 6 in. by 8 % in. 
 431. Is. The same. 
 
 Admiral Cornelius de Witt, in a richly 
 ornamented brown dress, with lace 
 scarf; a man-of-war in the back- 
 ground — 16| in. by 13 in. Sold, 
 with No. 617.* 
 
 His wife — the companion. 24?. 3«- 
 Morant. 
 
48 
 
 PICTUBES. 
 
 P. de Champagne 618 
 
 German . t 619 
 
 English 620 
 
 Drouais. 621 
 
 Gonzales 622 
 
 Breughel 623 
 
 Gonzales 624 
 
 Bilcoq 
 
 625 
 
 Karl de Moor . . 626 
 
 Mignard ...... 627 
 
 The Marshal Fabert, in armour ; a 
 skirmish in the background — 14 
 in. by 10J in. 41. 4s. Movant. 
 
 An officer, hi a brown dress, bis hand 
 resting on a helmet on a table — 
 12in. by 8 in. 3l.3s. — Ellis, Esq. 
 
 Beau Fielding, in a court dress, with 
 amuff — small whole length — 14in. 
 by 9 in. 26Z. 5s. E. of Lonsdale. 
 
 Louis XVI., when young — small 
 whole length — 14 in. by lOJ in. 
 121. Is. 6d. H. B. Baring, M.P. 
 
 A gentleman, in a lilac embroidered 
 coat, standing near a table, on 
 which is a violoncello ; a terrace 
 in the background — 12j in. by 
 9§ in. 11. Is; Waters. 
 
 A coast scene, with vessels and figures 
 — 7in.byl2iin. 321. lis. W. 
 Stirling, Esq. 
 
 A lady, in a pink dress, standing near 
 a table — small whole length — 8 in. 
 by 5 in. 4/. 15s. The same. 
 
 A lady seated reading at a table, on 
 which is a bust of Homer — 7 in. 
 by 6 in. 11?. Us. G.H.Morland, 
 Esq. 
 
 An officer, somewhat like Count Ta- 
 rouca, in armour, standing near a 
 bank, on whichis ahelmet — oval — 
 19 in. high. 71. 7s. T. Wilson,Esq % 
 
 A young French Princess, supposed 
 to be the Duchesse du Maine, 
 seated on a cushion blov?ing bub- 
 bles, a spaniel at her side — 26 in. 
 by 20 in. 44/. 2s. T. D. White. 
 
PICTUBES. 
 
 49 
 
 Largilliere 
 
 Mignard 629 
 
 Largilliere 
 [but Mignard.] 
 
 628 A lady.in a yellow dress and red cloak 
 — oval — 29£ in. high. 61. 6s. 
 R. Osborne, M.P. 
 Madame de Fontanges [but Mar- 
 quise de Longueville,] in a yellow 
 dress, and blue and ermine cloak 
 —oval— 36 in high. 10?. 10*. 
 H. B. Baring, M.P. 
 
 630 The Duke of Burgundy, in armour, 
 -with the ribbon of St. Esprit ; a 
 battle in the background — oval— 
 28 in. high. 212. \0s.6d. Stanger. 
 
 From Lord Cowley's Collection. 
 
 Hugtenburg, . . 
 [dated 1735.] 
 
 Drouais 632 
 
 Mignard, after, 633 
 
 Nctscher, after, 
 [but Tounaier.] 
 
 631 The Princess Maria Clementina So- 
 bieski, of Poland, on horseback, 
 in the singular dress she wore 
 in her romantic journey from 
 Warsaw to Borne to marry the 
 Pretender, Prince James Stuart — 
 19 in; by 26 in. 311. 10s. Duke of 
 Hamilton. 
 Louis XV., in a cuirass, and cloak 
 embroidered with fleurs-de-lys ; 
 he wears the badge of the Golden 
 Fleece— oval— 28|- in. high. 41. 
 Morant. 
 Philip, Begent Duke of Orleans, in 
 armour — oval — 26-^- in. high. 41. 
 The same. 
 
 634 The Duchesse de Berri, in a blue 
 velvet dress, seated, leaning on a 
 .cushion, a child at her side — 24y 
 in. by 17 in. 6?. 15*. T. Wil- 
 son, Esq. 
 
 E 
 
50 
 
 PICTUBES. 
 
 Jansens , 635 The artist, with his friends, feasting 
 
 and dancing before the portico of a 
 
 chateau — 13 in. by 18 in. 261. 5s. 
 
 H. B. Baring, M.P. 
 LargiUiere 6-36 The Queen of Louis XV., in a dress 
 
 ornamented with jewels, holding a 
 
 fan— oval— 27\ in. high. 31. 15*. 
 
 Morant. 
 Mignard 637 Maria Theresa, in a white dress with 
 
 pink ribbons — oval — 28 in. high. 
 
 51. 55. W. Stirling, M.P. 
 
 Eigaud 638 Louis XIV., in armour, holding a 
 
 [but Mignard.] baton — oval — 28 in. high. 71. 7s. 
 
 Stanger. 
 From Lord Cowley's Collection. 
 French 639 An ecclesiastic, seated in a library — 
 
 21^ in. by 17| in. 31. 15*. 
 
 T. Wilson, Esq. 
 Boucher ...... f640 A pastoral scene — a moulded panel 
 
 [but Van Loo.] I —3 ft. 6 in. wide. Sold with 641. 
 
 Boucher . . | 641 The companion. 55Z. 13*. Mar- 
 
 {but Van Loo.] {_ quis of Hertford. 
 
 Albano, after . . 642 The Marine Venus — 8J in. by 7$ in- 
 
 III. G. Morland, Esq. 
 LargiUiere .... 643 Madame de Montespan [but Madame 
 
 de Thyanges] — oval — 8% in. high. 
 
 12Z. 12s. T. Wilson, Esq. 
 Coypel 644 Duchess of Burgundy, in white 
 
 dress with red drapery, attended 
 
 by Cupid holding music — 20 in. 
 
 by 16 in. 10Z. 10*. H. B. 
 
 Bering, M.P. 
 Van Kessel .... 645 A group of armour, cannon, and 
 
 other arms — on copper — 7Jin. by 
 
 1 1 in. 3/. 5*. Pearce. 
 
PIOTTTEES. 
 
 51 
 
 Velasquez, after 646 King of Portugal ; and Catherine of 
 Braganza — a pair — 6|-in. by 4Jin. 
 Si. 3s. Waters. 
 
 Breughel 647 Summer and Winter — a pair of land- 
 scapes — 4 in. by 6 in. 161. 5s. 
 Walter Stirling, Esq. 
 
 Boel 648 Charles II., in armour, holding a 
 
 baton, his left hand resting on a 
 helmet — 8-jin. by 6 in. 51. 5s. 
 Waters. 
 
 Breughel 649 An extensive landscape, with post- 
 waggons and figures on a road — 
 8 in. by 12 in. 451. 13s. 6d. 
 G. Morland, Esq. 
 
 J. de MaBTTSE. . 650 Virgin and Child, seated in a gothic 
 stone throne, with landscape 
 background — 8J in. by 6% in. 
 401. 19*. The same. 
 
 Netscher 651 Duehesse of Burgundy [to Duehesse 
 
 de Maine,] in a crimson velvet 
 dress, standing before a pedestal, 
 on which is a group of fruits — 
 arched top — 13 in. by 10 in. 
 30/. 9s. T. Baring, M.P- 
 
 Drouais 652 Louis XV., in a violet coat, with the 
 
 star of St. Esprit— 12 in. by 19 in. 
 41. T. Wilson, Esq. 
 
 Van Thulden . . 653 Charles II. [but Prince FerJinand 
 de Suabia,] in armour, a lion at his 
 feet — small whole-length — 13 in. 
 by 19£ in. 21. 10*. Duke of 
 Hamilton. 
 
 Kilian, after .... 654 A piince of Hesse, in a black silk 
 dress, standing near a table — small 
 whole-length — 10 in. by 7^ in. 
 '61. 5s. The same. 
 
 e2 
 
52 
 
 PICTXJEE3. 
 
 Parrocel 655 
 
 Buys ' /-656 
 
 Buys •< 657 
 
 Van Harpe .... 658 
 Luoas Ceanach 659 
 
 A. Geimmeb . . 660 
 
 Stee .wyck ., .. 661 
 
 Rigaud. 
 
 662 
 
 Gerard Hoet . . 663 
 [1665.] 
 
 A French cavalier, like Turenne, on 
 a horse richly caparisoned — 13J 
 in. by 10£ in. 241. 3s. Marquis 
 cf Londonderry. 
 
 A conversation in a garden — 12§ in. 
 by 16| in. Sold with No. 657. 
 
 The proposal — the companion — 21 J 
 in. by 16 in. 7SI. 15*. Hon. F. 
 Baring. 
 
 Peace and Plenty crowning Frederick 
 Henry, Prince of Orange, who is 
 seated — 13 in. by 11 in. 41. 4s. 
 Clark. 
 
 A Landscape, with the Duke of 
 Saxony, attended by cavaliers and 
 ladies, reposing round a fountain, 
 near the portico of a palace ; a 
 rocky bay scene in the background, 
 with arched top, festooned with 
 gold — 12 in. by 15| in. Highly 
 interesting. 431. Is. Morant. 
 
 St. Chbistophee carrying the Infant 
 across a river towards a rocky 
 hermitage; a city in the back- 
 ground — 5 in. by 8 in. A very 
 perfect specimen of this rare 
 Master. 221. lis. 6d. Pearce. 
 
 St. Jerome, studying in a gothic 
 apartment leading into a church 
 — 5| in. by 7| in. 51. 5s. The 
 same. 
 
 The Due de Noailles, in a cuirass, 
 with the star of St. Esprit— 13 
 in. by 10J in. 51. 5s. Morant. 
 
 A gentleman, in a red silk dress and 
 cloak, standing, at a sculptured 
 
PICTTTEBS. 
 
 53 
 
 Boucher 664 
 
 Largilliere .... 665 
 
 Mignaed 666 
 
 Van der Meulen 667 
 
 MlONABD AND 
 COXPEI 
 
 668 
 
 Van der Meulen 669 
 
 stone window — 8 J in. by 12 in. 
 10/. Webb. 
 
 A peasant girl, in a brown dress and 
 straw hat — 7Jin. by 65 in. 11/. 6*. 
 H. B. Baring, M.P. 
 
 The Duchess of Burgundy, in a red 
 velvet dress — oval, three-quarters- 
 length— 31 in. high. 15Z. 15*. 
 T. Wilson, Esq. 
 
 Marie de Bourbon, Duchess de Mont- 
 pensier and Orleans, in a blue dress 
 ornamented with rows of pearls, in 
 the character of Fortune dispens- 
 ing her gifts — half-length — 50 in. 
 by 36 J in. 451. 3s. Graves. 
 
 Louis XIV., attended by his staff, 
 outside the walls of Douay ; a de- 
 putation of burgomasters kneeling 
 before the Queen, who is seated in 
 her gilt coach ; the French army 
 is entering the town, over abridge, 
 in the background — 23 in. by 35 J 
 in. 431. Is. The same. 
 The espousals of the Duke and 
 Duchess of Burgundy, who are 
 surrounded by Hymen, Minerva, 
 and other allegorical figures ; 
 cupids spreading a festoon of 
 flowers, in the foreground — 59 in. 
 by 73 in. 341. 13s. H. B. 
 Baring, M.P. 
 
 Louis XI V.,on horseback, surrounded 
 by his staff, directing the siege of 
 a town, which is seen in the back- 
 ground — arched top — 21£ in. by 
 15-J- in. 55/. 13*. Farrer. 
 
54 
 
 Van der Meulen 670 
 
 Netscher . . 671 
 
 Frank Hals ... . 6/2 
 {but Van der Heist.] 
 
 PICTUBES. 
 
 Louis XIV., on horseback, attended 
 by -his staff, receiving the keys of 
 Marsau— 21£ in. by 15£ in. 551. 
 13*. The same. 
 Racine, in a yellow dress and blue- 
 cloak, standing before a table, on 
 which is> a sword and mask; a 
 sculptured statue of Tragedy, in 
 the background — half-length — 
 17^ in. by 14£ in. 22/. Is. Lord 
 St. Leonard's. 
 Admiral De Euyter [but Aart Van 
 Ess,] in a black and gold dress, 
 holding a baton, a page standing 
 by his side ; a sea view in the 
 background — half-length — 18 in. 
 by 161 i n . 14/. 3*. 6d. S. 
 Christy, M.P. 
 Philip, Due d'Anjou, in a crimson 
 dress, holding a hat and feather 
 under his arm — half-length — 37-§- 
 in. by 30 in. Sold with No. 674. 
 Charles, Due de Berri, in a blue dress, 
 his left hand extended — the com- 
 panion — half-length — 37i in. by 
 30 in. 44/. 2s. Hon. Fred. 
 Baring. 
 ■Madame be Mainteh'oh', in a yellow 
 damask dress, and blue robe lined 
 with ermine, her hand resting on 
 a book, seated at a table, on which 
 is an hour-glass — 52 in. by 40 in. 
 Purchased at Quintin Crawford's 
 sale. 84/. Duke of Hamilton. 
 
 Engraved as from Mignard,but believed to have been painted by Le Bran. 
 
 DeTroye...... f673 
 
 De Troye 
 
 674 
 
 MlGETABD 675 
 
MCTUKES. 
 
 55 
 
 MlttEVEEDT . 
 
 676 
 
 RlGAUD 6/7 
 
 Boucher . 
 Mirevcldt. 
 
 678 
 
 679 
 
 Prince Maurice, in gilt armour, on a 
 white charger with a very long 
 mane ; an army in the background 
 14 in. by 13 in. 641. Is. Mar- 
 quis of Londonderry. 
 
 Louis XlVc, in his coronation robes ; 
 he holds a sceptre, the crown and 
 insignia on a cushion by his side. 
 Signed by the Artist — 18 in. by 
 14 in. 49£. 7s. Colnaghi, for 
 H.B.H. the Due D'Aumale. 
 
 Princess Victoire d'Orleans, as a 
 river nymph, seated in a landscape 
 —18 in. by 14£ in. 321. Annoot. 
 
 Frederick of Nassau, in a green 
 dress and red scarf, white hat and 
 feather, on a grey charger; an 
 army in the back ground. 327. 
 lis. H. B. Baring, M.P. 
 
 A lady, like the Countess de Gram- 
 niont [Duchess of Cleveland], in a 
 lilac and white dress, with rich 
 scarf, seated in a landscape, with 
 sculpture in the background — 26 
 in. by 21 in. 13Z. 2s. 6d. Earl 
 of Lonsdale. 
 
 PICTURES IN BACK DRAWING ROOM. 
 
 Boucher 681 f A shepherd, keeping sheep and play- 
 ing with a dove — a sopra porta— 
 5 ft. wide. Sold with No. 682. 
 
 Boucher 682 i A shepherdess, with doves — the com- 
 
 I panion — 5 ft. wide. 65/. 2s. John 
 I Mitchell, Esq. 
 
 Coypel 683 Princess Victoire d'Orleans, in a 
 
 white and blue dress — oval, half- 
 
 Sir Peter Lely . . 680 
 
tf<r 
 
 Mignabd 684 
 
 Mignard 685 
 
 Van der Meulen 
 [but Van Loo] 
 
 686 
 
 Netscher 687 
 
 Nattier 688. 
 
 Mignard 689 
 
 Wyck . . . 
 Van Loo 
 
 690 
 
 691 
 
 PICTTTRES. 
 
 length — 28 in. high. 1M. 11». 
 Pearce. 
 
 Madame de la Valliere, holding a 
 miniature of Louis XIV. — the 
 companion — 28 in. high. 51?. 
 Tho. Baring, M.P. 
 
 Duke of Burgundy, in armour — 
 half-length— 21 in. by 16 in. 13Z. 
 2s. 6d. Stanger. 
 
 Louis XIV., in armour, with a red 
 cloak; landscape background — 
 small whole-length — 17iin. by_14 
 in. 51. 10s. Morant. 
 
 A girl, in a blue and white dress, 
 with a basket of flowers on a pe- 
 destal— half-length — 18£ in. by 
 14 in. Z21. lis. Hon. Francis 
 Baring. 
 
 Joachim [Francois] Bernard Potier 
 [Due de Gisors], in a white silk 
 dress, with a page and robes in 
 the background — small whole- 
 length — 18 in. by 15 in. [En- 
 graved by Petit.] 321. 2s. £d. 
 H. B. Baring, M.P. 
 
 Madlle. de Houdaincourt [but 
 Bouthillier, subsequently wife of 
 Marshal Clairambault], in a white 
 silk dress, seated on a landscape, 
 holding a wreath of flowers ; a 
 chateau in the back ground — oval 
 —1 5 in. by 20 in. 211. Weeks. 
 
 Head of an officer, in armour — 
 oval — 7 in. high. U. 15«. H. 
 Skynner, Esq. 
 
 A lady, in a white and blue dress — 
 
PICTTJEES. 
 
 57 
 
 Bigaud 
 
 [but Van Loo] 
 
 Rigaud 698 
 
 [but Van Loo] 
 
 Prins 604 
 
 Natoire 695 
 
 Drouais 
 German 
 
 Rigaud 
 
 Van Loo 
 
 [but Touanier] 
 
 half-length— 10|in.by 8 in. 57. 5*. 
 Mrs. Wihner. 
 692 f Louis XV., in half armour, holding 
 the sceptre ; the crown, and robes 
 on a table at his side— small 'whole- 
 length — [painted for the Orleans 
 Gallery], 28 in. by 21 in. Sold 
 with No. 693. 
 
 The Queen of Louis XV., in a white 
 dress — the companion — small 
 whole-length — 28 in. by 21 in. 
 
 . 427. Farrer. 
 
 A view in Holland, with figures on 
 a road, and chateaux in the dis- 
 tance— 12£ in. by 16 in. 337. H. 
 Baring, M.P. 
 
 Elizabeth, Duchess of Parma, aunt 
 of Louis XVI., in a blue hunting 
 dress, seated in a landscape — half 
 length— 15 in. by 12£ in. 127. 12s. 
 C. Plumhy, Esq. 
 
 696 Louis XVI., or the Prince de Conde, 
 
 in a blue Coat — 171- in. by 15£in. 
 47. 14s. 6d. T. Wilson, Esq. 
 
 697 Christina of Sweden, in a black 
 
 dress, holding a sceptre : she is 
 standing under the portico of a 
 palace— 17 in. by 14 in. 14l.3s.6d. 
 Morant. 
 
 698 The Dauphin, son of Louis XIV. 
 
 with long light hair, in armour — 
 oral— 28 in. high. 27.18*. The 
 same. 
 
 699 A lady, in a white and blue dress, 
 
 gathering flowers in a balcony — 
 
58 
 
 rlCTTTEES. 
 
 Largilliere 700 
 
 Mignard. 701 
 
 Nattier 702 
 
 Mignaed 703 
 
 Van Loo. 
 
 704 
 
 Van Loo 705 
 
 Mignard 706 
 
 Mignaed 707 
 
 half-length— 44 in. by 34 in. 38/. 
 17*. G. B. Smith, Esq. 
 Louis XIV., in gilt armour; and 
 his queen — a pair of ovals— three- 
 quarters-length — 25 in. high. 28/. 
 7s. Farrer. 
 
 Two young French princes, the sons 
 of the Dauphin and grandsons of 
 Louis XIV., in blue dresses, the 
 younger holding a miniature — 
 half-length— 34 in. by 36 in. 12/. 
 H. B. Baring, M.P. 
 
 A lady, in a white and blue silk 
 dress, seated in a landscape, hold- 
 ing a page of music — half-length 
 —39 in. by 31 in. 521. Ws. The 
 same. 
 
 Madame la Valliere, in a blue silk 
 dress, with pearls in her hair, 
 seated at a table — half-length — 
 38 in. by 29Jin. 81/. 18*. T. 
 Baring, M.P. 
 
 Madame Adelaide of Orleans, in a 
 rich yellow dress — oval, three- 
 quarters-length — 25 in. high. 26/. 
 5*. Pearce. 
 
 Madame Elizabeth d'Orleans, in a 
 red and yellow dress — oval three- 
 quarters - length — 205- in. high. 
 13/. 2*. 6d. ' Sianger. 
 
 Maria Theresa, in a blue dress and 
 
 pearl necklace — three - quarters- 
 length— 18 in. by 15£ in. 41. 4s. 
 Graves. 
 
 Princess Henrietta, Duchess of Or- 
 leans, in a blue and white dress. 
 
. PICTTTEES. 5? 
 
 ornamented with fleurs-de-lys : 
 she holds a watch in her hand, a 
 terrier is lying at her side — half- 
 length— 40 in. by 33 in. 81Z. 18«. 
 T. Vardon, Esq. 
 This beautiful portrait is one of the best works of the Master. 
 
 Boucher 708 A harvest and vintage of cupids— 
 
 a pair of sopra porte — 42 in. wide. 
 32/. N. G. Lambert, Esq. 
 
 French 709 Madame Geoffroi, in a red dress, 
 
 with a muff — three-quarters-length 
 —28 in. by 22 in. 31. 5s. H. B. 
 Baring, M.P. 
 
 De Troye 710 Duchess of Burgundy, in a blue 
 
 dress, with a spaniel and another 
 dog— half-length— 28 in. by 22£ 
 in. 10Z. 10s. F. Walford, Esq. 
 
 Nattier 711 Louis XVIII., when a boy, in a blue 
 
 [but Fredon] coat — three-quarters-length — 25 
 
 in. by 21 in. 61. 5s. Annoot. 
 
 De Troye 712 Madame Adelaide d'Orleans, in a 
 
 white and blue dress, at a foun- 
 tain, with an attendant presenting 
 a basket of flowers — half-length — 
 — 28 in. by 22 in* 13/. 10*. F. 
 Walford, Esq. 
 
 Eigatjd 713 La Comtesse de la Briffe, as Ceres, 
 
 in a brown dress, seated on a bank, 
 holding a sickle and ears of corn 
 — half-length — 53 in. by 40 in. This 
 beautiful portrait is engraved by 
 Brevet. 421. 10s. Pearce. 
 
 Mignard 714 A gentleman, in a yellow dress and 
 
 [but Rigaud] blue velvet cloak — three-quarters- 
 
60 
 
 PICTUEES. 
 
 length— 31 in. by 23 in. 41. 10*. 
 Annoot. 
 
 German 715 Emperor Paul of Russia, in a red 
 
 coat and blue velvet ribbon — 
 three-quarters length — 30yin. by 
 24 in. 14/. 14*. H. B. Baring, 
 M.P. 
 Labgilliebe .... 716 The Pretender, in a red dress, wear- 
 ing the Order of the Garter, and 
 his sister, in white satin, at his side 
 in a garden — small whole-length 
 — 26 in. by 21 in. — engraved. 
 1 167. 11*. Fairer. 
 _ This picture is of great interest, there being no doubt as to its authen- 
 ticity ; it having been engraved soon after it was painted. 
 
 A. Boonen 717 
 
 Mignard 718 
 
 E. Van der Neer .. 719 
 
 Schalken 720 
 
 .Netscheb 721 
 
 Rigaud, after, 
 
 722 
 
 Peter the Great, in armour, and his 
 Empress Catherine — a pair — half- 
 length — 13^ in. by9^in. 46/. 4*. 
 Earl of Lonsdale. 
 Madlle. de Montpensier, in a red 
 dress — oval, three-quarters-length 
 —15 in. high. 10/. 10*. F. 
 Walford, Esq. 
 Count Rantzou, in a cuirass and 
 white scarf, holding a baton — 
 half-length— 9 in. by 7 in. 7/. 1 7*. 
 6d. Morant. 
 A lady, in a yellow and blue scarf 
 — small oval — on copper -^ 5 in. 
 high. 15/. 15*. Pearce. , 
 
 William III. in his robes ; and 
 Queen Mary, in a yellow satin 
 dress and ermine cloak, seated in 
 garden — a pair — half-length— 15 
 in. by 12 in. 42/. Farrer. 
 A king and queen of Saxony -a 
 
PICTTJEEa. 
 
 61 
 
 Natoire 723 
 
 Gonzales 724 
 
 Karl de Moor. ... 725 
 
 Gbetjze . t 726 
 
 This picture is the pendant 
 the late Sir B. Peel at Stowe 
 lection. 
 
 Mignard 727 
 
 Geetjze 728 
 
 {but Drouais.] 
 
 German 729 
 
 pair of small whole-lengths — 20 
 in. by 13 in. 71. 17*. 6d. G. 
 Moore, Esq. 
 
 A lady, in a white dress and veil 
 [Madame de Pompadour en ves- 
 tale] — oval, three-quarters length 
 20£ in. high. 201. 10s. H. B. 
 Baring, M.P. 
 
 A gentleman, in a white silk dress 
 — oval, half-length — on copper — 
 6 in. high. Exquisitely painted. 
 221. Is. Graves. , 
 
 Madlle. Yertue Carnee, in a blue 
 and yellow dress — oval, half-length 
 — 8| in. high. 81. 10s. Pearce. 
 
 Marie Antoinette, in a white dress 
 
 and veil — oval, three-quarters 
 
 length — 24 in. high {from Stowe], 
 
 51Z. 9s. Sir R. Peel. 
 
 to the Portrait of Louis XVI., purchased by 
 They are. from the Due de Berri's Col- 
 
 Madame laDuchesse de Montausier, 
 in a yellow and blue drapery — 
 three-quarters length — 31 in. by 
 24 in. 221. Is. Annoot and Gale. 
 
 Madame de Pompadotjb, in a 
 white flowered dress, with a muff 
 — oval, three-quarters length.— 
 23 in. high. 194?. 5s. 8. L. 
 Stephens, Esq. 
 
 The Emperor Leopold, and his Em- 
 press, in fancy dresses — small 
 whole length — on copper — 13 in. 
 by 9 in. 13Z. 13s. H. B. Baring, 
 M.P. 
 
•€2 
 
 PICTTTEES. 
 
 Rigaud , 
 
 Mignard 731 
 
 Nattier 
 
 730 The Duke of Burgundy, in armour, 
 with the ribbon of St. Esprit ; a 
 battle in the distance — halMength 
 —57 in. by 44 in. 32?. lis. C. 
 Mills, Esq. 
 
 Mademoiselle Mancini, in a blue 
 dress — three-quarters- length — '• 
 28 in. by 23 in. 14Z. 14s. Earl of 
 Lonsdale. 
 
 732 Madame Tengin, in a blue dress, 
 with black lace cap, holding a fan 
 — three-quarters length — 30 in. 
 by 24 in: 31. 13s. 6d. B. Osborne, 
 M.P. 
 
 French 733 Louis XVI., when young, in a red 
 
 dress, with the Order of the Golden 
 Fleece — three-quarters-length — 
 22in. by 19 in. 61. 15s. Annoot. 
 
 734 Princess of Orleans as Venus, with 
 Cupid— half-length— 22 in. by 18 
 in. Engraved by Vattet. 71. 15s. 
 G. Moore, Esq. 
 
 734a. A camp scene, with a view of Tour- 
 nay in the distance. 141. 3s. 6d. 
 Stanger. 
 
 734b Louis XIV. and his staff, command- 
 ing an assault of cavalry. \4l. 10s. 
 The same. 
 
 734c The passage of the Rhine, with 
 Louis XIV. and his staff in the 
 foreground. 15Z. 5s. Watson. 
 
 Y. de Troye 
 
 Van der Meulen . . 
 [but Martin, after] 
 
 Van der Meulen . . 
 [but Martin, after] 
 
 Van der Meulen . , 
 [but Martin, after] 
 
 Amount of Sixth Day's Sale 31 13 J. 
 
MOTTOES. 
 
 63 
 
 SEVENTH DAY'S SALE. 
 
 PICTURES ON STAIRCASE. 
 
 Largilliere ...... 735 
 
 Bouton 736 
 
 Mignard 737 
 
 Mignard 738 
 
 Nattier 739 
 
 Ramsay 
 
 740 
 
 Mignard 741 
 
 An officer, in a cuirass and red 
 velvet cloak — three-quarters-length 
 —34 in. by 26 in. 11. Is. Watson. 
 
 A Prince of the Lorraine family, in 
 a red coat — half-length — 35 in. 
 by 29 in. 11. 7s. The same. 
 
 Marie, Queen of Louis XIV., in a 
 white dress and pearl necklace- 
 oval, three-quarters length — 31 in. 
 oy26in. 121. 12s. Morant. 
 
 Portrait of the artist, in a blue 
 cloak — oval, three-quarters-length 
 32 in. by 25 in. 81. 8s. S.Christy, 
 M.P. 
 
 A lady, in a white satin dress and 
 pink cloak, with a wreath of 
 flowers on her shoulders— rthree- 
 quarters-length — 30 in. by 25 in. 
 91. 9*. Morant. 
 
 Frederick, Prince of Wales, and the 
 Princess, in their robes — a pair — 
 
 small whole-length — 35 in. by 24 
 
 in. 121. Hon. F. Baring. 
 
 Head of a lady, with pink feathers 
 
 in herhair^-16|in. by 13 in. 2h 
 Waters. 
 
64 
 French 
 
 MCTT/BES. 
 
 .... 742 Cardinal Richelieu, in an ermine 
 cloak— 17 in. by 13 in. 21. Mo- 
 rant. 
 
 Moroni 743 A Grand Duchess of Tuscany, in a 
 
 rich dress striped with gold, a chain 
 of pearls hanging from her neck ; 
 her right hand resting on a chair, 
 a fan in her left, and drapery be- 
 hind— half-length— 44 in. by 39 
 in. 26Z. 15*. Nieuwenhuys. 
 
 German 744 The Empress Maria Theresa, in a 
 
 white dress and ermine robes, her 
 left hand resting on a crown — 
 half-length — 55 in. by 45 in. 
 ' Presented by the Empress to the 
 Earl of Hyndford. 11/. Morant. 
 
 German 745 Anne, Duchess of Courland, [sister 
 
 of Maria Theresa,] in a yellow silk 
 dress, wearing a red ribbon badge 
 and star of diamonds, a fan in her 
 right hand — half-length — 50 in. 
 by 38 in. From the Collection of 
 the Earl of Hyndford, who was 
 Ambassador at the Court of Rus- 
 sia, from 1741 to 1749. 41. 4s. 
 Waters. 
 
 Drouais 746 Sophie, aunt of Louis XVI., in a 
 
 richly embroidered pink dress, 
 holding a page of music — half- 
 length— 28 in. by 23 in. 8/, 
 18«. 6d. Annoot and Gale. 
 
 Karl de Moor. ... 747 A lady in a white satin dress and 
 pearl necklace, holding a gilt dish 
 of fruit— half-length— 37 in. by 
 30i in. in. lis. Nieuwenhuys. 
 
 Parrocel 748 Louis XIV., in a blue coat on a bay 
 
MCTUBES. 
 
 65 
 
 Rigaud 
 
 749 
 
 Rigaud 750 
 
 Mignard. 
 
 751, 
 
 Mignard 752 
 
 De Troye. 
 
 753 
 
 Laegilxieee. . . . 754 
 
 Boucher 755 
 
 charger, in a landscape — 50 in. 
 hy 37i in. 41. 4s. Wright. 
 A marshal, like Marshal Tallard, in 
 armour, with a .blue ribbon and 
 a crimson cloak over his shoulder, 
 his hand resting on his helmet — 
 half-length— 46 in. by 38£ in. 
 41. 10«. Willson. 
 Louis XV., in his coronation robes 
 — whole length — 52|- in. by 40£ 
 in. 58Z. 16*. Marquis of Hert- 
 ford. 
 
 Duchesse de Berri, in a white dress, 
 ornamented with rubies and pearls, 
 
 ^ holding an arrow — half-length— 
 
 39 in. by 35 in. 11?. Morant. 
 Louise, Duchess of Orleans, in a 
 rich yellow dress, with blue cloak, 
 seated — half - length— 34 in. by 
 27 in. 13Z. The same. 
 A girl, in a crimson satin dress, 
 holding a basket of flowers on a 
 terrace, a greyhound before her — 
 whole-length — 51 in. by 31 in. 
 81. 5s. Annoot and Gale. 
 
 Duchesse de Berri, in a gold and 
 crimson velvet dress, as Cleopatra, 
 about to drop the pearl into a 
 silver vessel on a table — half- 
 length — 48 in. by 38J in. 
 55Z. 13s. G. B. Smith, Esq. 
 
 Two nymphs, one of them sleeping 
 after the chace — a sopra porta, 
 about 4 ft. wide. 43?. 1*. N. G. 
 Lambert, Esq. 
 
66 
 
 PICTTTBES. 
 
 Avercamp 757 
 
 Van Loo 756 A lady, in a blue dress and turban, 
 
 playing the guitar — three-quarters- 
 length — 32 in. by 25 in. 221. Is. 
 H. G. Bohn, Esq. 
 A frost scene outside the walls of 
 Antwerp, with masquerade and 
 other figures skating on the frozen 
 moat— 261 in. by 42 in. 38?. 17*. 
 W. Maskell, Esq. 
 
 Michaud 758 A Dutch -village, on a river, with 
 
 numerous figures assembled round 
 the booth of a charlatan, waggons 
 and market figures on the right— - 
 24 in. by 35 in. 35?. Morant. 
 
 Van der Meulen . 759 Louis XIV., on horseback, accompa- 
 nying his Queen in her coach 
 drawn by six white horses, and 
 attended by a numerous cortege, 
 on a road towards a fortified city 
 — 29 in. by 45 in. 53?. Os. 6d. 
 Marq. of Lansdowne. 
 "An aunt of Louis the XVI., in a 
 green dress, embroidered with 
 flowers — three-quarters-length — 
 25 in. by 20 in. Sold with No. 
 761. 
 
 Drouais 761 ] An aunt of Louis the XVI., in a 
 
 dress embroidered with white 
 flowers — the companion — three- 
 quarters length— 25 in. by 20 in. 
 _ SI. 18*. 6d. Waters. 
 A gentleman, in a lilac and blue 
 dress, reposing on a bank after 
 the chace, dogs and dead par- 
 tridges at his side. Admirably 
 
 Drouais ........ 760 
 
 Laeghliebe 
 
 762 
 
PICTURES. 
 
 67 
 
 painted — 5J in. by 39 in. 
 171. 6s. 6d. C. Mills, Esq. 
 
 Boueixabs 763 A camp scene, with a general offi- 
 cer and attendants before a tent, 
 soldiers casting lots with dice on 
 a drum in the foreground — 25 in. 
 by 31J in. 10Z. 10s. J. S. 
 Forbes, Esq. 
 
 De Troye 764 Due de Berri, seated in a landscape, 
 
 caressing a dog, and 'watching a 
 bullfinch — whole-length — 57 in. 
 by 45 in. 1 51. 15*. S. Christy, M.P. 
 
 German 765 Empress Elizabeth of Russia, in a 
 
 richly ornamented yellow boddice 
 with pearls, and a blue cloak 
 lined with ermine, seated with her 
 right hand on the crown — half- 
 length — about 47 in. by 36 in. 
 14,1. 14s. Earl of Lonsdale. 
 
 Largilliere. . . . 766 A French prince, in armour, a blue 
 cloak over his shoulders, his left 
 hand resting on a helmet, a page 
 at his side — half-length — 53 in: 
 by 43 in. 61. 16s. 6d. Field. 
 
 German 767 Empress Catharine of Russia in a 
 
 white dress, and yellow robe lined 
 with ermine, holding the sceptre, 
 a coronet on her head — half-length 
 —54 in. by 44 in. 101. 10*. 
 H. B. Baring, M.P. 
 
 Rigaud 768 Duke of Burgundy, in armour, with 
 
 the ribbon of St. Esprit, holding a 
 baton in his right hand, his left 
 resting on a helmet — half-length 
 — 55 in. by 43 in. 61. 6s. Waters. 
 
Missing Page 
 
Missing Page 
 
Missing Page 
 
Missing Page 
 
72 PICTTTBES'. 
 
 first Earl of Exeter— three-quarters- 
 length — 28 in. hy 24 in. — en- 
 graved. 11?. lis. Watson. 
 
 Sir A. More 790 A lady in a black dress, and head 
 
 dress ornamented with rich jewels, 
 a white handkerchief round her 
 neck ; she holds a feather fan in 
 her hand — half-length — 31 in. by 
 23J in. 13Z. 13s. Graves. 
 
 German. ..... 791 A Landgrave and his wife, in white 
 
 dresses embroidered with gold: 
 they are standing under a canopy 
 marked with arms, the word 
 "Jehoya" above. 1636. 19 in. 
 by 13 in. 6Z.15*. H. Baring, M.P. 
 
 PICTURES IN THE DINING EOOM. 
 
 Wissing 792 Duke of Somerset, in his robes, 
 
 with the badge of the Garter, his 
 left hand resting on a table, on 
 which is a hat and plume — half- 
 length— 48 in. by 39 in. 161. 5«. 
 Graves. 
 
 Tan Dyck .... 793 Duchess of Holstein, in a yellow 
 silk dress with white sleeves, and 
 a lilac scarf over her shoulder, 
 which she is holding with her right 
 hand— half-length— 48 in. by 39 
 in. 13/. 13s. Farrer. 
 
 Nason 794 Chaeles II., in steel and gold 
 
 armour, with the badge of the 
 Garter : he is holding a baton, 
 the crown on a table by his side — 
 half-length — 46 in. by 36 in. En- 
 graved by Van Balen. 74Z. lis. 
 Dnike of Hamilton. 
 
MCTTJEES. 
 
 73 
 
 Rigaud. 
 
 795 
 
 Mtttens 796 
 
 Ferdinand Bol . . 797 
 
 Sib P. Lely 
 
 Bbonziuo 
 
 798 
 
 799 
 
 Trench 800 
 
 [but Pourbus.] 
 
 Empress Maria Theresa, in a blue 
 dress and yellow velvet cloak : she 
 is seated at a table, holding a 
 sceptre — half-length — 54 in. by 
 39 in. Given by the Impress to 
 a hospital at Ghent. 13£. 2s. del. 
 Bodoconochi. 
 Cuakles I., in a pink silk dress 
 with slashed sleeves, with lace 
 collar, and the ribbon and badge - 
 of the Garter, his right hand ex- 
 tended, and the left resting on the 
 hilt of his sword — half-length — 
 46 in. by 36 in. 841. Duke of 
 Hamilton. 
 A lady, in a black dress, holding, 
 a fan in her right hand: she holds 
 a flower in her left on a globe : 
 she is seated on the terrace of a- 
 chateau — half-length — 46 in. by 
 36 in. 71- Davis. 
 Nell Gwyotte, in a white dress, 
 and blue mantle, seated on a bank 
 in a landscape — half-length — 49 
 in. by 40 in. A very elegant por- 
 trait. 651. 2s. J. Neeld, M.P. 
 Bianoa Capeela, Duchess of 
 Tuscany, in a crimson dress and 
 white slashed sleeves and lace- 
 collar — half-length — 33 in. by 
 26£ in. 511. Graves. 
 A youthful princess, presumed to 
 be Anne of Austria when young, 
 in a richly embroidered white- 
 dress, with pearl necklace and 
 a ruff— three-quarters length—- 
 
Missing Page 
 
Missing Page 
 
76 pIcttees. 
 
 is pointing towards a ship of war, 
 which is seen in the back-ground; 
 he holds a palette in his left hand, 
 a celestial globe on the right in 
 front — half-length — 34^ in. by 
 27iin. 191.19s. Movant. 
 
 Karl de Moor . . 813 A Dutch gentleman, in a flowing 
 wig, yellow dress, and blue and 
 crimson cloak — oval — 27 in. high. 
 31. 5s. C. Dunn Gardner, Esq. 
 
 Van der Heist . . 814 Martin Tromp, in a black dress and 
 steel gorget, wearing a gold medal 
 suspended by a blue ribbon ; a 
 sea fight in the background : the 
 portrait enclosed in a stone — 
 oval — three- quarters length — 28 
 in. by 23 in. 61. 15s. Morant. 
 
 Sir Peter Lely .' . 815 James II., in the robes of the Garter, 
 standing before a table, on whicb 
 is his hat and plume of feathers 
 — small whole-length — 40 in. by 
 27 in. 137. 13s. J. S. Forbes, 
 Esq. 
 
 Kigaud 816 Elizabeth Christina de Brunswick 
 
 Wolfenbuttel, Empress of Ger- 
 many, in a dress covered with 
 magnificent jewels; the crown 
 and sceptre of Hungary, on a 
 crimson cushion on her left. Died 
 1750— half-length— 37 in. by 
 29£ in. 1 51. 4s. 6d. Annoot. 
 
 Ph.de Champagne 817 Portrait of Louis XIII., in armour, 
 ornamented with gilt fleurs-de- 
 lys, wearing a white scarf and 
 the ribbon of the St. Esprit — 
 
PICTEBE3. 
 
 half-length— 28 in. by 22 in. 
 
 Mark Garrard . . 818 A lady, in an elaborately worked 
 dress of white and gold, a mirror 
 suspended from the side of her 
 dress ; she holds a red feather 
 fan in her right hand ; on the 
 finger of her left hand is a ring, 
 attached to her wrist by a silk 
 •cord ; a green drapery behind — 
 half-length— 33i in. by 28 in. 
 111. 10s. S. Christy, M.P. 
 
 Mieeteldt , . . . 819 Maurice of Nassau, in a yellow 
 quilted dress with a ruff, his right 
 hand resting against his side — 
 half-length— 43 in. by 29J in. 
 36/. 15s. Movant. 
 
 S. COELLO. ... 820 ANNA MARIA OF AUSTRIA, 
 Queen of Philip II. of Spain, in 
 a white silk dress, ornamented 
 with broad gold bands of ara- 
 besque pattern, a chain of rich 
 , jewels round her neck and waist ; 
 she wears a small black velvet 
 cap with white feather, from which 
 a rich jewel is suspended, her left 
 i hand resting on the arm of a 
 
 , . chair — half-length — 48 in. by 39 
 
 in. A noble chef-d'oeuvre of the 
 great Spanish portrait painter. 
 Signed by him. 21bl. 5s. Sir 
 S. H. Campbell. 
 There is a whole-length in the Madrid Gallery, a duplicate of this. 
 
 Zoust 821 A lady, in a white satin dress, hold- 
 
 [but lichtenhaus.] ing a blue scarf in her right 
 
PICTTTEES. 
 
 Schoolof L.da Vinci 822 
 SchoolofL.da Vinci 823 
 Mireveldt 824 
 
 Myttens 825 
 
 Myttens 826 
 
 Mireveldt 827 
 
 German 828 
 
 hand, and a rose in her left — 
 half-length— 38 in, by 21 in. 81. 
 Harrison. 
 
 La belle Ferroniere — 22£ in. by 19 1 
 in. 241.10s. J. J. Jemmett, Esq. 
 
 La Jocanda — 28 in. by 22 in. 11. 
 7s. Durlacher. 
 
 Frederick Henry, Prince of Orange, 
 in a black silk dress and white 
 collar; a medal suspended by a 
 gold chain from his neck — three- 
 quarters length — 26 in. by 21-j- in. 
 41. 4s. C. Dunn Gardner, Esq. 
 
 A gentleman, presumed to be Lord 
 Selkirk, in a white quilted dress, 
 with a ruff — three-quarters length 
 —26 in. by 2\\ in. 61. 6s. J. 
 Alleard, Esq. 
 
 Wriottesley, Earl of Southampton* 
 Knight of the Garter, in a black 
 dress with a lace collar — three- 
 quarters length— 29 in. by 23 in. 
 31. 13s. 6d. Sir E. Lytton. 
 Bulwer. 
 
 Frederick Henry of Orange, in brown 
 and gold armour, and lace collar 
 — three quarters length — 10£ in. 
 by 8 in. 21. 10*. C. Plumley, 
 Esq. 
 
 Christian V., King of Denmark, in 
 a gorget, and yellow and red 
 dress, holding a baton, the crown 
 and sceptre on a table at his side; 
 and his queen, Ulrica — a pair of" 
 small whole-lengths — 14 in. by 
 
PIOTTJEES. 
 
 79 
 
 10 in. — on copper. 321. lis. 
 H. B. Baring, M.P. 
 
 S. J. 1659 .... 829 A Dutch gentleman, in a black cloak 
 and broad rimmed hat — three- 
 quarters length — 12Jin. by 11 in. 
 21. Field. 
 
 German 830 Christian IV., King of Denmark, in 
 
 a yellow dress with green sleeves, 
 standing by a table — small whole- 
 length — 13 in. by 8£ in. 61. 6s. 
 Movant. 
 
 Myttens 831 Elizabeth of Bohemia, in a large 
 
 ruff and rich dress, with necklace 
 and badge of jewels — three- 
 quarters length — 10 in. by 8 in. 
 41. 10s. The same. 
 
 S.J 832 A "Dutch naval officer, in a lilac- 
 dress, holding a baton — half- 
 length— 12 in. by 11 in. 11?. 
 10*. S. Christy, M.P. 
 Christian IV., King of Denmark, 
 in a yellow dress, holding a 
 baton ; a helmet on a table by his 
 side — small whole-length — 13 in. 
 by 9 in. 21. 5s. Russell. 
 Jabdin, 834 A Lady, with light hair, in a yellow 
 and pink dress and lilac scarf, 
 holding her hand over a fountain 
 formed of a cupid on a dolphin — 
 half-length — 50 in. by 54 in. — 
 Very elegant. 241. 13s. Waters, 
 
 Myttens 835 An officer, like the Marquis de 
 
 Vieuville, in a cuirass, with lace 
 collar and blue and gold scarf — 
 three-quarters length — 25 in. by 
 21 in. 31. 5s. Morant. 
 
 German 833 
 
 Kael Du 
 1671 
 
80 
 
 PICTURES. 
 
 Van Dyck, after 836 
 
 joanes luga 
 D'Eneico 
 
 837 
 
 Mireveldt 838 
 
 Mark Garrard . . 839 
 
 Mieeteidt .... 840 
 
 Palomino 841 
 
 W.MIREIS .. 842 
 
 Henrietta Maria, in a white dress 
 —naif-length— 23 in. by 19 in. 
 31. 15s. J. J. Jemmett, Esq. 
 
 PHILIP III., King of Spain, in rich 
 armour, with baton and helmet 
 by his side, kneeling in prayer 
 before a battle ; a sea-fight seen 
 in the distance — an inscription 
 beneath — 55 in. by 38 in. 58Z. 
 16s. F. Barchard, Esq. 
 
 James I., in a white silk dress, with 
 chain and jewels, a jewelled badge 
 in his hat — three-quarters length 
 —22 in. by 16 in. 14Z. 3s. Gd. 
 Movant. 
 
 Lady Shirley, her face seen in a 
 profile, in a dress embroidered 
 with flowers in brilliant colours 
 — three-quarters length — 22 in. 
 by 17 in. hi. 5s. Redfern. 
 
 Henry Frederick, Prince of Orange, 
 in a crimson silk dress striped 
 with gold, wearing a ruff and 
 gorget, his left hand resting on 
 the hilt of his sword — half- 
 length— 4 li in. by 29 in. 34Z. 
 13s. Movant. 
 
 A cavalier, somewhat like the Arch- 
 duke Albert [Don Kaimondo da 
 Cordova], in rich steel and gold 
 armour, with a ruff, holding a ba- 
 ton in his right hand ; a plumed 
 helmet on a table at his side — 
 half-length — 46 in. by 33 in. 
 32Z. lis. F. Barchard, Esq. 
 
 THE ARTIST, in a yellow silk dress, 
 
PICTURES. 
 
 81 
 
 CoeUo 843 
 
 Rigaud , 
 
 844 
 
 Fbeb-ch 845 
 
 Mireveldt, 1335.. 846 
 
 C. Jansen.., 847 
 
 C, Jansen 848 
 
 and crimson velvet cloak fastened 
 by a jewel ; he holds a palette and 
 brushes in his left hand, the right 
 hand extended — oval — 34 in. high. 
 This beautiful portrait is of the 
 artist's most elaborate and deli- 
 cate finish. 651. 2s. Nieuwenhuys. 
 
 Isabella Clara Eugenia, in a white 
 dress, elaborately ornamented with 
 gold ; she wears a lace ruff and a 
 coliar, and pendant of rich jewels 
 and pearls — half-length — 46£ in. 
 by 38 in. 42Z. Morant. 
 
 The Duchesse d'Orleans, in a blue 
 and gold damask dress and blue 
 scarf — oval, half-length — 34 in* 
 high. 61. 16s. 6d. Harrison. 
 
 A Cayalieb, in a yellow doublet, 
 with red cloak, bearing the badge of 
 the Order of Saint Esprit, holding 
 a hat and plume of feathers in hit 
 right hand — half-length — 36 in. 
 by 26 in. Admirably painted. 
 321. Us. Well. 
 
 A gentleman, in a black silk dress 
 and lace collar, and large hat — 
 oval, three-quarters length — 28iru 
 high. 10Z. S. Christy, M.P. 
 
 Sir Richard Fanshawe, with fair hair, 
 in a black silk dress and lace col- 
 lar, his left hand holding his cloak 
 — 28|in. by 24 in. Sold with 
 No. 848. 
 
 Lady Fanshawe, the wife of the 
 preceding, in a black dress, witk 
 lace collar and rows of pearls— 
 G 
 
82 
 
 PICTTJBES. 
 
 Velasqttez 
 
 849 
 
 Wyck 
 
 Old Cuyp 
 
 [but Mireveldt] 
 
 Zoust • 
 
 850 
 
 851 
 
 852 
 
 three-quarters length— 28| in. hy 
 24 in. 23Z. 2s. W. Stirling, M.P. 
 
 Marie Louise d' Orleans, Queen of 
 Charles II. of Spain, with long 
 black hair falling over her shoul- 
 ders, in a crimson dress, holding 
 a basket of flowers — half-length 
 — 30 in. by 23 in. 221. Is. Graves. 
 
 A son of the King of Bohemia, in 
 armour, with a gold chain round 
 his neck — three-quarters length — 
 29 in. by 22£ in. 61. 6s. J. J1U 
 card, Esq. 
 
 A lady, in a black dress and large 
 ruff — oval, three-quarters length 
 — 28 in. high. 31. 5s. Money. 
 
 Admiral Van Tro.mp, the younger, 
 in a cuirass and blue silk dress, 
 with crimson cloak ; a sea fight in 
 the background — half-length — 42 
 in. by 34 in. 16Z. 5s. Morant. 
 
 The youthful Princess of Conde", 
 with light hair, in a yellow dress 
 richly embroidered, with gold da- 
 mask train ; a yellow drapery sus- 
 pendedbehind — whole-length— 62 
 in. by 43 in. Sold with No. 854. 
 854 ^ The youthful Prince of Conde', in a 
 dress richly embroidered, holding 
 a plan of a fortification in his 
 hand ; with crimson drapery be- 
 hind — whole-length — the com- 
 panion — 62 in. by 43 in. 1 101. 5s. 
 Charles Mills, Esq. 
 Mask (Jaeeaed. 855 Lucy Habbingtost, Countess 01? 
 Bedford, in a blue and white 
 
 Mignaed 853 
 
 MlGNAED . 
 
PICTT7BES. 83 
 
 dress, richly embroidered, and 
 yellow scarf, her left hand resting 
 on the stem of a Tine ; she is lead- 
 ing with her right hand a child at 
 her side, who holds a buncli of 
 grapes — whole-length — 69 in. by 
 43 in. From Mereworth Castle. 
 43/. 1*. Alex. Barker, Esq. 
 
 Sib P. Lely. . . . 856 As Oiticee, supposed to be the 
 Duke of Gloucester, in armour, 
 holding a baton in his right hand, 
 his left resting on a helmet — 
 whole-length — 72 in. by 43 in. 
 Admirably painted. 131. 12«. C. 
 Mills, Esq. 
 
 Palomino .... 857 Isabella de Valois, wife of Philip 
 II., [in a black dress with pink 
 sleeves, with necklace of pearls 
 and jewels ; she holds a jewelled 
 chain in her left hand, her right 
 hand resting on the back of a chair ; 
 she wears a black cap on her head, 
 ornamented with pearls, a plume 
 of red and white feathers, and 
 a rich jewel suspended over her 
 right ear — whole length — 75 in. 
 by 43 in. 115Z. 10s, The same. 
 This js a very fine portrait. 
 
 Amount of Seventh Day's Sale, 2921 Z. 2s. 6d. 
 
 g 2 
 
84 
 
 PICTITEES. 
 
 EIGHTH DAY'S SALE. 
 
 PICTURES IN THE ENTRANCE HALL. 
 
 Dobson 858 A gentleman, supposed to be John 
 
 Evelyn, in a brown dress and 
 yellow cloak, holding a crook — 
 half-length — 39in.by33in. 6l.Gs. 
 F. Barchard, Esq. 
 
 Maes 859 A Dutch commander, in armour, 
 
 holding a batons-half-length — 
 48 in. by 37 in. 51. 5s. The same. 
 
 Dutch 860 "William III., when young, in ar- 
 mour—half-length — 31 in. by 25 
 in. 6Z. J. Allcard, Esq. 
 
 C. Jansen 861 A lady, in a black dress, with pearl 
 
 necklace and bracelets — half- 
 length— 38 in. by 31 in. 41. 4s. 
 Movant. , 
 
 Maes 862 Christina of Sweden, in a red cloak 
 
 —half-length — 44 in. by 33 in. 
 31. 10s. Waters. 
 
 Tan der Meulen 863 Louis XIV., in his coach, passing in 
 procession over the Pont Neuf — 
 a composition of numerous figures 
 — 43 in. by 22| in. IQl. 5s. 
 Watson. 
 
 Pakeocel 864 Louis XIV., on a white charger, 
 
 with a siege in the background — 
 38|in. by 30 in. 211. 10*. 6rf. 
 Movant. 
 
PICTTTBES. 
 
 85 
 
 Sir A. More, 1561 865 
 
 Eronzino S66 
 
 French 867 
 
 Van Vitell 868 
 
 School of A.'More 869 
 
 VanBloemen [but 870 
 Verdussen, 1751] 
 
 Van Viielii . . . , 871 
 
 Sandrart 872 
 
 [but Gaspar Crayer] 
 
 873 
 
 Sandrart [1629] 874 
 Rubens 875 
 
 A lady, in a black dress and gold 
 
 chain— three-quarters length — 7£ 
 
 in. by 6 in. 41. 15s. Van Cuyck. 
 Head of Leonora di Medici — 7j in. 
 
 by5Jin. 51. 15s. Morant. 
 Duchesse de Montpensier, in a richly 
 
 ornamented dress and plume of 
 
 feathers — small whole-length — 50 
 
 in. by 38 in. 7 J. 15s. Waters. 
 A view of the Tuileries and Seine, at 
 
 Paris, with boats and figures — 30 
 
 in. by 51 in. 21Z. 10*. Duke of 
 
 Hamilton. 
 Two children, in white dresses with 
 
 crimson stripes — half-length — 30 
 
 in. by 37 in. 6 J. 15s. Marquis of 
 
 Londonderry : 
 A camp scene, with horsemen and 
 
 butchers' tents — 32 in. by 39 in. 
 
 111. 10s. Myers. 
 The Pont Neuf and surrounding 
 
 buildings, with numerous figures 
 - and carriages in the foreground — 
 
 29 in. by 5,0 i in. 51/. 9*. Duke 
 
 of Hamilton. 
 A cavalier, in a black silk cloak, with 
 
 a rapier — half-length — 42 in. by 
 
 29i in. 7/. 15s F. Stanford, 
 
 Esq. 
 A lady, in a black dress, with girdle 
 
 of pearls — half-length — 43 in. by 
 
 31 in. 9/. Waters. 
 A cavalier, in a black dress, with lace 
 
 collar— half-length — 34 in. by 27| 
 
 in. 41. The same. 
 Archduke Albert, in a black dress, 
 
86 
 
 PICTTTBES. 
 
 French 876 
 
 W.VanderVleet 877 
 
 Rubens 878 
 
 Pourbus 879 
 
 Mireveldt T 880 
 
 WlQMJUSA 
 
 881 
 
 with a ruff and gold chain — three- 
 quarters length — 30 in. by 21 J in. 
 16Z. 16s. C. Dunn Gardner, Esq. 
 A gentleman of the time of Louis 
 XII., in a light brown slashed 
 dress, his right hand on his Btick 
 
 — half-length — 39 in. by 28 in. 
 81. 5s. Morant. ' 
 
 An ecclesiastic, in black robes, seated 
 in a chair, a crucifix on a table by 
 his side — half-length, inscribed 
 jet. 52, 1631— 43in. by 33 in. 
 13/. Waters. 
 
 Isabella, the Governess of the Low 
 Countries, in a black and gold 
 dress, with a ruff — three-quarters 
 length— 31in.by22|in. 6U6s.6tf. 
 W. Stirling, M.P. 
 
 An elderly man, with a grey beard, 
 in a black dress edged with fur, 
 and a ruff — three-quarters length 
 
 — 25 in. by 21| in. 151. 15s. 
 Morant. 
 
 A lady, in a black dress, with gold 
 chain and ruff — three-quarters 
 length— 26£ in. by 22 in. 1 0/. 1 5s. 
 S. Christy, M.P. 
 
 The Czae Peteb, at dinner with the 
 Mayor of Dorkum, in Friesland, 
 surrounded by male and female 
 attendants ; figures in the back- 
 ground looking through a window 
 — 46 in. by 70 in. Bought from 
 a naval captain at Dorkum, whose 
 wife is a descendant of the mayor 
 represented. 28?. 7s. Hon. F. 
 Baring. 
 
MOTTOES. 
 
 87 
 
 C. Jansens .... 
 
 Sandrart [1643] 
 Gueldorp . , 
 
 882 
 
 883 
 
 884 
 
 Velasquez, after 885 
 
 E. Hals 886 
 
 [but Siebolt] 
 
 De Troye 887 
 
 De Troye 888 ^ 
 
 A lady, in a green and pink dress, with 
 broad lace collar — three-quarters 
 length, inscribed Passi — 25g in. by 
 221 in. si, 3 S . Willson. 
 
 Portrait of a lady, in a ruff. 11. 10*. 
 Waters. 
 
 A gentleman, in a black silk dress 
 and ruff, holding his gloves in his 
 hand— three-quarters length — 32 
 in. by 26J in. 71. 7s. The same. 
 
 An Infanta of Spain, in a white silk 
 dress, with red scarf. 71. 15s. 
 Norton. 
 
 A lady, in a black dress and lace col- 
 lar, holding a jewel at her breast 
 — three-quarters length — 34 in. by 
 27 in. 21. 15s. Anthony. 
 
 Duke of Burgundy, in his robes — 
 small whole-length. Sold with 
 No. 888. 
 
 Duchess of Burgundy, in a hunting 
 dress, with an attendant — the com- 
 panion. 121. Is. Gd. J.J.Jemmettj 
 Esq. 
 
 PICTURES IN THE INNER HALL. 
 
 Myttens 889 
 
 Edema. 
 
 890 
 
 A lady, in a black silk dress and blue 
 silk petticoat, with lace collar, 
 holding a flowered fan in her hand 
 —half-length — 46 in. by 37 in. 
 61. 5s. Burgess. 
 
 A view of St. Cloud, from the river 
 — 41 in. by 72 in. 61. Waters. 
 
Myttens. 
 
 Eigaud. 
 
 Kabl dtt Jaedin. 893 
 
 Yan Loo. 
 
 PICXTJBES. 
 
 891 A lady, in a light flowered dress, 
 
 holding a lemon, a, spaniel on a 
 table at her side— half-length— 
 42| in. by 33 in. 61. 10*. Myers. 
 
 892 La Bruyere in a blue dress and red 
 
 velvet cloak — three - quarters 
 length— 32 in. by 25 in. 51. 5*. 
 J. M. Smith. 
 The Aetist, in a yellow silk dress 
 lined with red— half-length— 42 
 in. by 31 in. 101. 10*. Bedfern. 
 894 Madame de Pompadour, as a pil- 
 grim — three-quarters length — 31 
 in. by 25 in. 61. 5s. Rodo- 
 conochi. 
 
 PICTURES IN THE ARMOURY. 
 
 Mark Garrard. 
 
 Pourbus. 
 
 Greco. 
 
 895 A princess, in a rich crimson dress, 
 
 with lace ruff and sleeves, red hat 
 and white feathers — half-length 
 —41 in. by 32 in. 51. Willson. 
 
 896 Isabella Clare, when young, in a rich 
 
 embroidered dress, with ruff and 
 double chain round her neck, 
 holding a fan in her hand, and 
 drapery behind — half-length — 47 
 in. by 34 in. 91. 9s. F. Bar- 
 chard, Esq. 
 
 897 Don Rodrigo Ponze de Leon, in rich 
 
 gilt armour, wearing the order of 
 the Golden Fleece, holding a 
 baton in his right hand, his left 
 resting on the hilt of his sword, a 
 plumed helmet by his side — half- 
 
PICTUEES. 
 
 89 
 
 Coello. 
 
 Pourbus., 
 
 Greco. 
 
 School of Mabuse. 901 
 
 Pourbus. 
 
 length — 50| in. by 37 in. 61. 6s. 
 Purchased/or Continent. 
 
 898 A lady, in a rich white and gold 
 
 dress, ■with a necklace of pearls 
 and ruff, her right hand resting 
 on the back of a chair, a handker- 
 chief in her left — half-length — 
 451 in. by 36± in. 91. 9s. F. 
 Barchard, Esq. 
 
 899 A lady, in a white dress and black 
 
 robe, with a ruff, a jewel suspend- 
 ed from a chain at her side, a 
 shield of arms above : in marque - 
 terie frame — half-length — 42 in. 
 by 28 i in. 81. 18*. 6d. C. tie 
 Vaeux, Esq. 
 
 900 A Spanish marshal, in a yellow dou- 
 
 blet and steel gorget, holding a 
 baton, a morion at his side — half- 
 length— 41| in. by 321 in. 8Z. 8*. 
 Davis. 
 Louis XII., in a crimson cloak, 
 giving alms to a beggar who holds 
 a wooden bowl, a peasant woman 
 carrying a child on her shoulder, 
 and three other figures behind ; 
 in the background are representa- 
 tions of teaching the young, and 
 clothing the naked, under a por- 
 tico supported by square columns 
 — in tortoiseshell frame — 36-g- in. 
 by 27 in. 521. 10*. Movant. 
 902 Duchess de Montmorency, in a black 
 dress, with white sleeves and ruff, 
 a gold chain round her neck ; she 
 holds her gloves in her right hand, 
 
90 
 
 PICTUBES. 
 
 Lucas Cs.asa.os, 
 [ 1539.] 
 
 Lucas Cbanach, 
 [1539.] 
 
 903 
 
 904 
 
 Coeiio . 
 
 905 
 
 Pourbus. 
 
 Mireveldt. 
 
 906 
 
 907 
 
 Early Flemish. . 908 
 
 and a book in her left — in tor- 
 toiseshell frame — half-length — 35 
 in. by 25| in. 91. 18*. Webb. 
 
 Duke of Saxony, in a crimson dress 
 and black cloak, holding a purse 
 in his hand — in tortoiseshell frame 
 — three-quarters length — 23 \ in. 
 by 16 in. 23Z. 2*. Movant. 
 
 Duchess of Saxony, in a richly 
 worked dress, with gold chains 
 round her neck ; a green curtain 
 before her, and a scroll ornament 
 above — in tortoiseshell frame — 
 three-quarters length — 26 in. by 
 16 in. 421. The same. 
 
 Don Carlos, son of Philip II., in a 
 white, silk dress edged with fur, 
 and wearing the collar of the 
 Golden Fleece, his right hand on 
 the handle of a dagger, his left on 
 the hilt of hia sword — half-length 
 —43 in. "by 34 in. 141. 3s. M. 
 Graves. 
 
 Henri IV., in a white quilted dress, 
 with the order of St. Esprit, 
 standing before a table — half- 
 length— 43 in. by 33£ in. 91. 9s. 
 S. Christy, M.P. 
 
 Archduke Albert, in richly orna- 
 mented armour, wearing the collar 
 of the Golden Fleece — three- 
 quarters length — 26 in. by 20 in. 
 31. 13s. 6d. Burgess. 
 
 A gentleman, in a black cloak, with 
 a landscape background — arched 
 top — three-quarters length — 23£ 
 
PICTUBES. 
 
 91 
 
 Venetian. 
 
 Mabtjse. 
 
 909 
 
 910 
 
 Holbein. 
 
 911 
 
 Lucas de Heeee 912 
 
 in. high. 201. 9s. 6d. J. M. 
 Smith. 
 
 A boy, in white doublet and crimson 
 hose, holding a bow and arrow,, 
 a dog at his side, in a landscape 
 — small whole-length — 45 in. by 
 33 in. 15Z. 10s. S. Christy, M. P. 
 
 Hekey VII., in a yellow dress or- 
 namented with jewels, and a red 
 cloak edged with fur, holding his 
 glove in his hand — in tortoise- 
 shellframe — three-quarters length. 
 — 22i in. by 18 in. 68?. 5*. 
 Morant. 
 
 Henbt VIII., in a gold damask 
 dress, with a red cloak edged with 
 fur, his right -hand in his girdle 
 — small half-length — 25^- in. by 
 17J in.— in marqueterie frame. 
 1M. lis. The same. 
 
 Queen Elizabeth, in a white dress,, 
 and black robe ornamented with 
 gold, a chain, with jewel, round 
 her neck, and coronet on her 
 
 in. 
 The same. 
 
 head— small ;half -length— 28 
 
 by 20 in. 15?. 15s. 
 From Mr. Peacock's Collection. 
 
 Quentin Matsys. 913 
 
 St. Jerome, seated in meditation, 
 his right hand raised to his fore- 
 head, his left resting on a skull ; 
 the cardinal's hat and a candle- 
 stick before him ; landscape back- 
 ground — 33-J- in. by 26 in. — En- 
 graved. 13Z. 13s. The same. 
 
92 
 
 PICTURES. 
 
 Lucas Cranach 
 [but Holbein.] 
 
 Janet. 
 
 914 
 
 91.5 
 
 Lucas Cranach. . 916 
 
 ZtrccHEEO 917 
 
 Zucchebo 918 
 
 Giov. della Rovere 919 
 
 A lady, in a crimson velvet dress 
 and black cap, holding a bunch of 
 lilies of the valley in her hand — 
 in tortoiseshellframe — half-length 
 — 19£in.by 15in. 21Z. Morant. 
 
 Head of Charles IX., in a black 
 dress, ruff, and cap ornamented 
 with pearls — in tortoiseshell frame 
 —19 in. by 16£ in. 51. 16*. 6d- 
 The same. 
 
 A Duke of Saxony, in a black coat 
 with fur collar and black cap, 
 holding a bunch of carnations — 
 three-quarters length — in tor- 
 toiseshell frame — 19 in. by 15 
 in. 51. 5s. Anthony. 
 
 Robeet Dudley, Eabl of Lei- 
 cesteb, in a yellow doublet and 
 crimson sleeves, wearing the Order 
 of the Garter, his right hand on 
 his girdle, with cap, and red fea- 
 ther with j ewel — half-length — 3 6{- 
 in. by 28 in. Very fine. 86Z. 2s. 
 F. Bareliard, Esq. 
 
 Queen Elizabeth, in a black and 
 white dress, with lace ruff, small 
 circles of pearls in her hair ; she 
 holds a fan and a lily, and lilies 
 are fixed to the shoulders of her 
 dress — half-length — 36 in. by 30 
 in. 141. Us. J. C. Bent,Esg. 
 
 A lady, in a crimson boddice edged 
 with black, her hands clasped—' 
 three-quarters-length — \1\ in. by 
 121 in. 4i 10s Graves. 
 
PICTURES. 
 
 93 
 
 Pourbus. 
 
 Janet, 
 
 Jauet, 
 
 SchoolofVanEyck. 923 
 
 POTTEBUS. 
 
 Janet, 
 
 920 A gentleman, in a black dress edged 
 
 with fur, and a ruff, his left hand 
 on the hilt of his sword — small 
 half-length — in tortoiseshell frame 
 — 16^- in. by 11 in. 31. 15s. Lady 
 Monson. 
 
 921 Diane de Poictiebs, in a black 
 
 dress and cap, with rows of pearls 
 on her neck ; she is putting a 
 ruby ring on the little finger of 
 her left hand — in frame, inlaid 
 with silver and mother-o' -pearl — 
 half-length— 13|- in. by 10 in. 
 22Z. Is. Morant. 
 
 922 Henry II., of Prance, in a black 
 
 dress edged with gold, and black 
 cap — three-quarters length — \A\ 
 in. by 11 in. 51. 5s. The same. 
 A female saint, in a rich dress, 
 with a turban, holding a model 
 of a tower — arched top — lOyin. 
 by 6| in. 31. 3s. Marq. of Lon- 
 donderry. 
 
 924 Henriette de Balzac, [Marquise de 
 
 Verneuil,] in a white damask 
 dress, and crimson cloak with lace 
 collar, pearl necklace, and pearls 
 in her hair — three-quarters length 
 —13 in. by 10 in. 23Z. 12s. 6d. 
 Morant. 
 
 925 Isabe:o,"[5m£ Elizabeth of Austria,] 
 
 Queen or Chaeles IX. oi? 
 Fkance, in a white dress beauti- 
 fully ornamented with jewels, and 
 bands of pearls in her hair — three- 
 quarters length — 14 in. by 10 in. 
 
1)4 PTCTTjBES. 
 
 154Z. 7 s. Colnaghi,for H. R. E. 
 the Due D'Aumale. 
 
 This is a fine portrait in a very pure state. 
 
 Janet 926 Eleanob of Poettjgal, Queen of 
 
 Francis I., in a black dress with 
 slashed sleeves, wearing a neck- 
 lace and row of pearls, and a ruby 
 jewel on each shoulder, a jewel 
 hanging from her black head- 
 dress ; she holds a letter in her 
 hand — three-quarters length — 
 I5-J- in. by 12 in. A work of the 
 highest quality. (See illustration.') 
 2251. 12s. The same. 
 
 Though attributed to Janet,, this is most probably the work of Bernard 
 VanOr&y; he was a pupil of Eaffaelle, and was much occupied in 
 making designs for the Brussels tapestry for the court of Charles V. 
 
 Holbein 927 Anne of Cleyes, in a black dress 
 
 ornamented with broad stripes of 
 gold damask, a gold chain and 
 cross round her neck, a flat gold 
 cap on her head ; she holds two 
 carnations in her right hand — 
 half-length — 15£ in. by 14 in. 
 An exquisite portrait on vellum. 
 {See illustration.) 1831. 15s. 
 Movant. 
 
 There is a duplicate of this in the Louvre. 
 
 Holbein. ..... 928 The celebbateb- Lady Johanna 
 
 ABEEGATENNT.in a crimson dress 
 with yellow sleeves, a gold head- 
 dress embroidered with initials, 
 A. I., a rich necklace and jewelled 
 girdle ornament her dress; she 
 
ELEANOR OF PORTUGAL, 
 
927 
 
 ANNE OF CLEVES. 
 
LADY JOHAJIIv'A ABBKGAYENNY. 
 
PICTUBES. 95 
 
 holds a pink in her hand — in tor- 
 toiseshell frame — half 'length— 16 
 in. by 1 2 in. From Strawberry 
 Hill. (See illustration.) 541. 12s. 
 B. Neville, Esq. 
 
 This lady is mentioned by Horace Walpohj in his " Royal and Noble 
 Authors ;" there is a memorandum at the back, in the handwriting of 
 Horace Walpole, Btating that she was the daughter of Thomas Fitzaflan, 
 «arl of Arundel, wife of George Nevil, earl of Abergavenny. 
 
 Janet 929 The Due d'Alencon, [Francis II.] in 
 
 a black dress and cap with jewels 
 — 101 in. by 8£ in. 111. Os. 6d. 
 Morant. 
 
 School of Van Eyck 930 A lady, as the Magdalen ; she is in 
 a rich dress ornamented with 
 jewels, and blue and gold turban, 
 her long light hair falling behind ; 
 she holds a green marble vase of 
 ointment. 111. lis. The same. 
 
 L. Vast Leyden . 930* The Empebob Febdhtaitd, .in a 
 black dress with yellow sleeves, 
 and black cap, his linger extended 
 —11 in. by 9 in. 441. 2s. The 
 same. 
 
 J. de Mabtjse . 931 Philip xe Bel, father of Charles 
 V., in a red and black dress with 
 fur border, wearing the Collar of 
 the Golden Fleece, and a badge 
 on his black cap, his hands rest- 
 ing on a stone plinth — 14-g- in. by 
 11 in. 19Z. 19*. The same. 
 
 Jawei 932 Chables V., in a black dress and 
 
 cap, holding his glove in his hand ; 
 buildings in the background ; a 
 stone plinth below — 16 in. by 12 
 in. 17 J. 17s. The same. 
 
96 
 
 PICTURES. 
 
 School 01? Giob- 933 
 
 CHOSE. 
 
 AlBEET DtJBER 933 
 
 HOLBEIN. 
 
 935 
 
 The Chevalieb Bayaed, in a 
 crimson and black dress edged 
 with panther skin ; he wears a 
 black cap, and holds a book in 
 his hands ; landscape background 
 —18 in. by 13£ in. 22Z. lis. 6d. 
 Movant. 
 
 THE ADORATION OF THE NAME 
 OF "JESUS." The Emperor 
 Charles V., with the Pope, King of 
 France, and other sovereigns and 
 dignitaries, kneeling in adoration 
 before the sacred . monogram ; 
 above them are groups of saints, 
 and patriarchs on each side ; the 
 condemned are seen in the tor- 
 ments of hell beneath. At the 
 top, where the Almighty appears, 
 is a scroll, on which is written 
 the text from the Epistle to the 
 Philippians, " Dedit Ei Nomen 
 quod est super omne nomen, ut in 
 Nomine Jestj omne genu flecta- 
 tur."' This illustrates a portion 
 of the Introitus in the Roman 
 Catholic Church, on the Second 
 Sunday after the Epiphany, called 
 the Feast of the Holy. Name of 
 Jesus — in tortoiseshell frame — 
 27|- in. by 21£ in. 2\l. Graves. 
 
 Nicholas Loed Vattx, the cele- 
 brated poet and musician, in a 
 black dress and cap, seated at a 
 table, an open book before him ; 
 he holds a viol de gambe in his 
 left hand, and a scroll of paper in 
 
NICHOLAS LORD VAUX. 
 
PICTURES. i)/ 
 
 Lis right; green drapery behind 
 — in tortoiseshell frame — 17£ in. 
 by 17 in. A most beautiful por- 
 trait, of the highest interest. (See 
 illustration.) 1051. Movant. 
 
 ■Unknown 936 EDWARD IV., in a gold dress and 
 
 crimson cloak edged with fur, a 
 chain of jewels round his neck ;* 
 he wears a black cap ornamented 
 with a badge, and holds a red rose 
 in his right hand — 17 in. by 11 
 in. From the Collection of the 
 Leiffhs of Allington. 1571. 10s. 
 ' Duke of Newcastle. 
 
 » The celebrated collar of rubies, sold by Henrietta Maria, at Antwerp. 
 
 Lucas Ceauach. 937 Sybixla, Duchess oe Saxony, in 
 a brown and orange dress, with 
 gold chain, and yellow head-dress 
 ornamented with pearls, letters 
 worked in pearls, on the bands 
 crossing her neck, and the letters 
 S.H.S. beneath in heart-shaped 
 ruby jewel on her breast— in tor- 
 toiseshell frame — 20 in. by 14 in. 
 111. Morant. 
 
 PICTURES IN THE GLASS ROOM. 
 
 Pourbus 938 Isabella of Spain, in a rich dress 
 
 ornamented with jewels, her right 
 hand resting on the back of a 
 .,, chair— half-length— 48 in. by 39 
 in. \%l. JRadclyfe. 
 
98 
 Cuyp 
 
 939 
 
 Kaphael Mengs . 940 
 
 German 941 
 
 German 942 
 
 MlBEVELDT. 
 
 943 
 
 Mireveldt, 1620 . 944 
 
 Mireveldt, 1620 . 945 
 
 PICTURES. 
 
 A boy in a black dress, holding a 
 stick- — half-length — 34 in. by 23 
 in. 71. 10*. J. J. Jemmett, Esq. 
 
 A marshal, supposed to be of the 
 Imperial family, in a red coat and 
 cuirass, holding a baton — half- 
 length— 48 in. by 38 in. 71. Pur- 
 chased for the Continent. 
 
 The Emperor Joseph, in rich robes 
 of blue and gold, holding a 
 sceptre, a hat and plume of blue 
 feathers on his head — half-length 
 —56 in. -by 45 in. 13Z. 2s. 6d. 
 J. S. Forbes, Esq. 
 
 The Empress in a blue dress and 
 crimson cloak, holding a sceptre- 
 — the companion — half-length — 
 56 in. by 45 in. 13Z. 13s. The 
 same. 
 
 Prince Maurice, in elaborate gilt 
 armour, holding a baton, a helmet 
 and plume of feathers on a table 
 at his side — half-length — 44 in. 
 by 33 in. 50?. 8s. F. Barchard, 
 Esq. 
 
 The Sieur de Fronsberg, in a quilted 
 doublet, with a scarf, and a dagger 
 in his girdle — half-length — in tor- 
 toiseshell frame*-"!! in. by 34 in. 
 61. 16s. 6d. Morant. 
 
 The Lady de Fronsberg, in -a brown 
 and gold dress richly ornamented 
 with jewels — the companion — 
 half- length — 41 in. by 30 in. 
 61. l'6s. 6d. The same. 
 
PICTITEES. 
 
 99 
 
 Myttens 946 Frederick Henry, Prince of Orange, 
 
 in black armour, with ruff and 
 scarf: he holds a baton, and a 
 plumed helmet at his side — half- 
 length — 44 in. by 33£ in. 
 171. 17*. Movant. 
 
 Pourbus 947 A gentleman, in a dress ornamented 
 
 with gold, and black cloak, his 
 hand resting on a sword — half- 
 length— 40 in. by 30 in. 5Z. 
 Sir E. I/ytton Bulwer. 
 947a A pair of Portraits. 71. 17s. 6d. 
 
 S. Christy, M.P. 
 948 rk. group of vessels of wine and fruits 
 | —36 in. by 27 in. Sold with 
 i No. 949. 
 
 Van Musscher 
 Torrentius . . 
 
 Torrentius . , 
 Myttens 
 
 949 
 
 950 
 
 The companion. 26?. 5s. J. S. 
 - Forbes, Esq. 
 
 A gentleman, in a white slashed 
 doublet and high collar, his right 
 hand resting on a book ; a shield 
 of arms in the background — half- 
 length — 44 in. by 26 in. 51. 
 
 A. Claessens 
 
 951 
 
 A. Claessens 
 
 952 
 
 King Cambyses, judging his unjust 
 steward Sisanes. 13?. 13s. Movant. 
 
 Sisanes, the unjust steward, being 
 flayed, as he himself had decreed 
 — the companion — 42 in. by 26 
 in. 41. 4s. Willson. 
 
 ' These two curious 'pictures were taken from the Louvre, in 1830. 
 
 Myttens 
 
 953 Mary, Infanta of Spain, in a red 
 dress and white sleeves, .standing 
 near a window, holding a palm- 
 
100 
 
 PICTTTEES. 
 
 Sir A. More, 1554 954 
 
 Boucher 
 
 Zucchero, after, 
 [but Vertue.J 
 
 955 
 
 956 
 
 957 
 
 German 958 
 
 Schooreel 959 
 
 branch — half-length — 48 in. by 
 42 in. 13/. 13s. Waters. 
 
 Queen Mary, in a red velvet dress 
 ornamented with pearls, and neck- 
 lace of jewels, with black and gold 
 head-dress — half-length — 13 in. 
 by 10 in. 32/. lis. Movant. 
 
 Madame Contat, in an oval — 25 in. 
 by 21 in. 31. Crace. 
 
 Queen Elizabeth, in a white dress 
 and red petticoat ornamented with 
 pearls ; she is standing on a tor- 
 toise, and holding a dove in her 
 hand — small whole-length — 19J 
 in. by 14 in. 51. 5s. Webb. 
 
 An Italian princess, in a lilac dress 
 ornamented with arabesques, and 
 red and white sleeves, holding a 
 rosary — in tortoiseshell frame — 
 half-length — 34 in. by 25 in. 
 28/. 7s. F. Barchard, Esq. 
 
 Prince Alexis of Russia, in a red coat 
 and gold flowered waistcoat, and 
 gold sash — half-length — 49 in. 
 by 39 in. 41. Waters. 
 
 The Vibgin, in a blue dress and 
 crimson cloak, the Infant in her 
 arms, to whom an angel in white 
 drapery is presenting carnations ; 
 the figures are standing within a 
 low stone wall, beyond which is 
 seen a rocky landscape and a forti- 
 fied town on a river — upright — 
 15 in. by 11 in. 12/. Is. 6d. An- 
 thony. 
 
PICTUBES. 
 
 101 
 
 J. DE MaBTTSE 
 
 960 
 
 School op Hem- 
 ling 
 
 961 
 
 Lotas Ceanach. 962 
 
 The Kiposo. The Virgin, in a blue 
 dress and red drapery, seated on a 
 stone plinth between two columns, 
 with the Infant in her lap, her left 
 hand resting on a book ; St. Jo- 
 seph is on their right, his head 
 resting on his hand, two female 
 figures in a balcony on the left : 
 on the right an angel is standing 
 before a richly sculptured gothic 
 fountain ; a metal vase in the fore- 
 ground; picturesque buildings and 
 a range of mountains form the 
 background — 1 1\ in. by 1 3 in. 
 32?. 11*. Movant. 
 
 The two side doors of an altar, re- 
 presenting on one side the finding 
 of the true cross by the Empress 
 Helena : the empress and other 
 figures standing round an invalid, 
 who is about to be attached to a 
 cross ; a pope and attendants walk- 
 ing, in procession, to a church in 
 the background, and Christ carry- 
 ing his cross : on the other side is 
 represented the Virgin and Child 
 appearing to Constantine, who is 
 kneeling and holding a censer near 
 a window, the empress and three 
 male figures on either side, and 
 the adoration of the Magi— in 
 tortoiseshell frames — 20 in. by 10 
 in. 40Z. 19*. Anthony. 
 The Passion of Cheist : Christ 
 brought before Pilate, who is seat- 
 ed under a portico washing his 
 
102 
 
 PICTTJEES. 
 
 hands ;, above is represented the 
 Flagellation and Mocking ; and in 
 the background the Crucifixion — 
 tortoiseshell frame — \7\ in. by 
 12£in. 171. 17s. Morant. 
 J. be Mabxtse 963 The.Viegin, in a blue dress, seated 
 on a richly ornamented gothic 
 throne : she is presenting a pear 
 to the Infant, who is standing on 
 a pedestal by her side, on a step 
 above which is an open book — in- 
 scribed " Joannes Ma. pingebat, 
 1532 "— 12£ in. by 9f in. 31Z. 
 10s. - Morant. 
 From H. Hbpels collection. 
 
 Fba An geeico da 964 The Annunciation : the Virgin, in 
 Flesole. a red dress and blue cloak, seated, 
 
 with a gold drapery behind her, 
 before a building, receiving the 
 mission of the angel, who is clad 
 in a crimson and blue dress, with 
 a wreath of flowers round its head 
 — in tortoiseshell frame — 13 \ in. 
 by 1 0|- in. 69 J. 6s. Miss Sullivan. 
 
 Eaely Gebman 965 The Bieth of St. John : a female, 
 in blue dress with' yellow sleeves, 
 receiving the infant saint from the 
 hands of St. Elizabeth, who is lying 
 on a couch covered with crimson 
 drapery ; two females, preparing 
 a bath in a brass vessel, in the fore- 
 ground ; Noah in the Ark, and the 
 Magi, seen through two open win- 
 dows on either side ' — 27£ in. by 
 17|-in. 71. 5s. Anthony. 
 
PICIUEES. 
 
 103 
 
 Early German ... 966 
 [but Van Byck.] 
 
 Early German . . 967 
 [but Hans Burgmair.] 
 
 The Viegin, seated, in a white dress, 
 with, the Infant in her lap, her left 
 hand pressing her breast ; a red 
 damask drapery suspended behind 
 her ; a choir of angels playing 
 different musical instruments on 
 each side, and angels above sing- 
 ing ; on gold ground, with semi- 
 circular ornamented top, the mar- 
 bled pavement strewed with jas- 
 mines and other flowers — arched 
 top— 22£in.byl4£in. I9l.8s,6d. 
 S. Christy, M.P. 
 
 Christ seated on a throne in the 
 Temple, surrounded by the doc- 
 tors ; the Virgin at a doorway on 
 the right, with a sword piercing 
 her heart ; St. Joseph behind her 
 — 18 in. by 12£ in. 51. 5s. 
 J. C. Dent, Esq. 
 
 The Viegin, in a red dress, and blue 
 cloak lined with green, seated on a 
 stone throne : she holds the Infant 
 in her arms, who is turning the 
 leaves of a missal which rests on 
 the side of the throne ; a damask 
 drapery of very rich colours is 
 suspended behind her, and falls 
 beneath her feet ; the buildings 
 and gardens of the Hospital of 
 St. John, at Bruges, are seen 
 through arched windows on either 
 side— 20 in. by 14 in. 951. 1 la. 
 Anthony. 
 
 One of the most beautiful and perfect works of the Master. 
 
 Hemling 968 
 
104 PICTTIEES. 
 
 Early German . . 969 A beatjtipui. and veey peeject 
 Tetptic : in the centre is repre- 
 sented the Adoration of the Magi, 
 with numerous other figures, re- 
 markable for the singularity of 
 their costumes, with architectural 
 background ; on the right wing is 
 represented the approach of the 
 Magi, who are again represented 
 on the left, carrying their offerings 
 — mounted in carved oak frame. 
 531. 1 1*. G. R. Smith, Esq. 
 
 Amount of Eighth Day's Sale, 2688Z. 9*. 6d. 
 
CABINET OF JilNIATTTEES. 105 
 
 NINTH DAY'S SALE. 
 
 CABINET OF MINIATURES. 
 
 970 A pair of portraits,'by N. Huliaed ; James I., and Ann 
 
 of Denmark, in water colours, ovals, in carved and gilt 
 frames. 31. 10*. Webb. 
 
 971 Charles I., enamel, full face, by Boediee, in armour, in 
 
 oval coral frame, set with turquoises, gilt back, 81. 15s. 
 Duke of Hamilton. 
 
 972 Charles I., enamel, three-quarters face, the frame in gold 
 
 locket, engraved E. D. to H. T., mounting of the time. 
 21. 12*. 6d. Lebenheim. 
 
 973 Oliver Cromwell, enamel of the time, in original gold 
 
 setting. 41. 14s. 6d. Chafers . 
 
 974 Charles II., when young, enamel on gold. 31. 3s. 
 
 Queen of Holland. 
 
 975 Charles II., enamel, in original setting of a gold locket, 
 
 the back has on the enamel the letters C. B., with the 
 crown. 51. Marlborough House. 
 
 976 Charles II., enamel, by Boit, in silver filagree frame, set 
 
 with garnets. 171. 17s. Duke of Hamilton. 
 
 977 James II., enamel, set in a gold ring of the period. 11. 1 8s. 
 
 Rev. W. B. Hawkins. 
 
 978 William III., enamel by Boit, on gold. 14/. 14*. Queer? 
 
 of Holland. 
 
 979 William III., enamel, of larger size, believed to be on 
 
 gold. 11. 11*. The same. 
 
 980 William III., in armour, with blue ribbon, enamel on 
 
 copper, of large size. 31. 5s. S. Addington, Esq. 
 
 981 The Old Pretender, [Jame3 III.,] by Bebnaed Lens, and" 
 
106 CABINET OE HIMTA TUBES. 
 
 Maria Clementina Sobieski, his wife — in oil colours. 
 181. 10s. Duke of Hamilton. 
 
 982 Charles Edward, the Young Pretender, in armour — in 
 
 water colours, ornamental metal frame. 14/. Sir 
 H. H. Campbell. 
 
 983 Louisa or Stolbebg, wife of Charles Edward, enamel. 
 
 An exceedingly scarce portrait. 221. lis. 6d. Duke 
 of Hamilton. 
 
 984 George I., with cupids supporting a crown over his head, 
 
 encircled by flowers. 71.. Lebenheim. 
 
 985 Frederick, Prince of Wales, in a laced scarlet coat, with 
 
 the Garter and Kibbon, enamel. 11. Is. Davis. 
 
 986 Augusta, Princess of Wales, a beautiful enamel, by Zincke. 
 
 91. 19s. 6d. Queen of Holland.. 
 $87 William Henry, Duke of Gloucester, brother of George 
 III., when a youth, in a red coat, with blue ribbon, 
 enamel. 11. 17s. Benjamin. 
 
 988 William, Duke of Cumberland, (of Culloden), oval enamel, 
 
 by Zincke. 21. 2s. H. G. Bohn, Esq. 
 
 989 George III., profile enamel, set in gold ; he is in a red 
 
 coat, with the Star of the Garter. 11. lis. 6d. Rev. 
 W. B. Hawkins. 
 
 990 George III., full face, in a red coat— ire oils. 15s. Sir 
 
 E. Lytlon Bulwer. 
 
 99 1 Queen Charlotte, by Hone — in water colours ; originally 
 
 presented to the Duke of Sussex : it represents the 
 queen when young. SI. 5s. S. Addington, Esq. 
 
 992 Ladislaus of Poland, and his queen, double sided enamel 
 
 on gold. 112.11s. Prince CzartorysM. 
 
 993 Anne of Austria, enamel, by Petitot, on gold. 61. 6s. 
 
 Marlborough House. 
 
 994 Louis the Dauphin, son of Louis XIV., enamel. 91. 5s. 
 
 Queen of Holland. 
 
 995 The Due de Maine, son of Louis XIV., when a child, by 
 
 Petitot — in water colguxs. 11. 2s. Rev. W.B.Hawkins. 
 '996 William Henry, Prince of Orange, (who married Anne, 
 
CABINET QB MINIATTTBES. f07 
 
 eldest daughter of George II.), enamel. 21. 14s. 
 Lebenheim. 
 
 997 Francis I., Emperor of Germany, enamel ; on the back 
 
 are the letters G. N. F., and dated, ] 754. 41. 10s. 
 Marlborough Houses 
 
 998 Maria Theresa, Empress of Germany, enamel. 61. 6s. 
 
 Lebenheim. 
 
 999 Louis XV., when a boy, in armour, enamel. 41. 4s. 
 
 The same. 
 
 1000 Louis XV., when young, in civil dress, enamel on gold. 
 
 21. 5s. Marlborough House. 
 
 1001 Maria Leczinski, queen of Louis XV., at her devotions, 
 
 enamel, by Feee. 11?. Queen of Holland. 
 
 1002 The Queen of Naples, daughter of Maria Theresa — a 
 
 very beautiful enamel on gold. 21. 2s. The same. 
 
 1003 Joseph, King of Portugal, and his Queen, in an original 
 
 gold ring of the period, turning on a jewel — in water 
 colours. 31. 13*. 6c?.. Garrard. 
 
 1004 A German Prince Bishop, circular enamel„ by Bichdolf. 
 
 1Z. 10*. Willson. 
 
 1005 King of Saxony, in a green coat — in water colours. Is. 
 
 Lebenheim. 
 
 1006 An elector of Saxony, enamel, in silver frame. 5?. H. 
 
 G. Bohn, Esq. 
 
 1007 Frederick William II. of Prussia (nephew of the Great 
 
 Frederick), in armour, with ribbon of the Garter, 
 enamel. 4?. 10*. D. Falcke. 
 
 1008 Frederick, King of Bohemia, in armour, enamel — be- 
 
 lieved to be by Petitot.. 12?. 12*. Marlborough House. 
 
 1009 Catharine, Empress of Kussia, enamel, by Boutilieh. 
 
 14s. Lebenheim. 
 
 1010 Catharine, Empress of Russia, when young, in a blue 
 
 cloak trimmed with fur, enamel. 11. The same. 
 
 1011 Charles IV. of Spain, and his queen, double profiles, 
 
 circular enamel, singularly painted, and with a very 
 minute stone on the dress, on gold. 21. 15*. Webb. 
 
108 CABINET OF MINTATT/EES. 
 
 1012 Maria Leczinski, in a rich dress — in water colours. 151. 
 J. M. Smith. 
 
 1014 Marquis St. Servien, enamel in gold, about 1640. 21. 2s. 
 
 Lebenheim. 
 
 1015 Don Louis de Haro, enamel cm gold, about 1630. 21. 
 
 Graves. 
 
 1016 Madame du Baeei, when young — in water colours, in 
 
 original shagreen case with metal studs. 21?. , S. 
 Addington, Esq. 
 
 101 7 Madame Le Brun, enamel, by Pasqttiee, 1783. 15?. 15*. 
 
 Lebenheim. 
 
 1018 Necker, the financier, with long white hair, circular 
 
 enamel, by Gr. Lenz. 8Z. 8s. Chaffers. 
 
 1019 Charles III. of Spain, in armour, circular enamel. 15s. 
 
 D. Falcke. 
 
 1020 Emperor Joseph, in a green dress, enamel. 21. Le- 
 
 1021 Pope Gregory XVI., a square miniature, in a case. 21. 
 
 D. Falcke. 
 
 1022 Louis XV., when young, in armour and robes, enamel, 
 
 by Mathieu. 31. 4s. Lebenheim. 
 
 1023 Empress Josephine, in a blue dress, oval miniature, by 
 
 Saint. 71. 15s. D. T. White 
 
 1024 Emperor Leopold I., oval enamel, by Prieur, 1665. 
 
 21. 10s. D. Falcke. 
 
 1025 Frederick I., King of Prussia, oval enamel. 11. 18s. 
 
 Lebenheim. 
 
 1026 A prince of Hesse, in armour, with blue ribbon; his 
 
 princess on the reverse, oval miniatures, in silver 
 mount. 51. 15s. J. Swaby,Esq. 
 
 1027 A King of Poland, in a blue dress and yellow waistcoat, 
 
 time of Louis XVI., circular enamel. 21. 18s. Le- 
 benheim. 
 
 1028 A gentleman, in a white wig, and a pink and blue cloak, 
 
 oval enamel. 21. 6s. The same. 
 
VISCOUNT EAULCONEERG. 
 
CABINET OJ? M13STIATUEES. 109 
 
 1029 A lady, in a white ornamented satin dress, oval enamel. 
 
 \l. 9s. Surman. 
 
 1030 A gentleman, much resembling Leibnitz, oval enamel, 
 
 gold frame. 31. 18s. Field. 
 
 1031 A beautiful miniature of a gentleman, 1598, mtat. 50, 
 
 by Hilliaed — in water colours ; coat of arms behind, 
 in ivory box. 51. Graves. 
 
 1032 Lord Fatjlconbebg, Cromwell's son-in-law— a beauti- 
 
 ful miniature, by Coopee, 1662, in water colours. 601. 
 Baron Anselm de Rothschild, Vienna. 
 
 1033 William, Earl of Stirling, in a blue ribbon, a miniature, 
 
 — in water colours, in gold frame, with ornamented 
 enamel back. 71. 10*. B. Falc/ee. 
 
 1034 Lady Clarendon, temp. Charles II., enamel on gold. 
 
 41. 6s. J. Swaby, Esq. 
 
 1035 Mrs. Arabella Fermor, enamel, by G. Scoulae. 111. 
 
 Hon. F. Baring. 
 
 1036 Earl of Peterborough, enamel, by Zincke, 1716. 41. 
 
 14s. 6d. H. G. Bohn, Esq. 
 
 1037 Margaret or " Peg Woffington," enamel, by N. Hone, 
 
 1750. 22Z. Is. Earl of Lonsdale. 
 
 1038 Sir Richard Steele the author, enamel. 51. Chaffers. 
 
 1039 Countess of Yarmouth, mistress of George II., enamel 
 
 on gold, in gold setting. 61. 10s. Lebenheim. 
 
 1040 Henrietta Howard, Countess of Suffolk, favourite of 
 
 George II., enamel. 61. The same. 
 
 1041 Peregrine Hyde, Marquis of Carmarthen, enamel set in 
 
 gold, with finely chased cypher, and coronet on the 
 back. 51. 10s. Marlborough House. 
 
 1042 A lady, in a yellow dress, enamel, by N. Hohe, 1748. 
 
 51. 10s. Durlacher. 
 
 1043 A lady, in a white and pink dress, with pearls, enamel. 
 
 31. 6s. Willson. 
 
 1044 A gentleman, in a brown coat and white wig, enamel. 
 
 21. 10s. D. Falcke. 
 
 1045 William Pitt, first Earl of Chatham, enamel. 41. Chafers. 
 
Missing Page 
 
Missing Page 
 
Missing Page 
 
Missing Page 
 
114 
 
 PICTtTBES 1ST THE ABMOTJBY. 
 
 TENTE DAY'S SALE. 
 
 PICTURES IN THE ARMOURY. 
 
 Spanish 1106 
 
 Early Flemish 1107 
 
 Florentine 
 
 1108 
 
 Van Breda, 1618 1109 
 
 Quentin Matays 
 
 Charles, Earl of Nottingham, in a 
 black and gold dress, and black 
 cap ornamented with pearls, a 
 jewelled badge hanging from his 
 neck — tortoiseshell frame — 17 in. 
 by 12£ in. 13Z. Farrer. 
 
 Alexander Farnese, Duke of Parma, 
 in a cuirass and lace collar, wear- 
 ing the Order of the Golden Fleece 
 — 17i in. by 12£ in. 71. 10*. 
 Movant. 
 
 A lady, with light hair and yellow 
 dress, richly ornamented with 
 jewels, and landscape background ; 
 on the reverse is a small figure of 
 an apostle, with arabesque border. 
 71. 10s. Marg,. of Londonderry. 
 
 An encampment, with numerous 
 figures, waggons, horses, and 
 mules ; on a rising ground above, 
 a fortified camp near the sea — in 
 tortoiseshell frame — 23 in. by 40 
 in. 26?. 15s. — Gibbs, Esq. 
 1110 Don Manuel de Menens, in a black 
 dress edged with fur, and black 
 cap, holding a scroll in his left 
 hand — in tortoiseshell frame — 
 
PICTITBES DT THE ABMOUEY. 
 
 115. 
 
 — three-quarters length — 18 in. 
 by 15 in. 521. 10s. T. Baring, 
 M.P. 
 
 This is a capital picture in a very pure state. 
 
 P. Bordone. . 
 
 1111 
 
 Mabuse 1112 
 
 Schoolof Holbein 1113 
 
 Holbein 1114 
 
 Mabuse 1115 
 
 Janet 
 
 1116 
 
 Holbein, after . 1117 
 
 A lady, in a crimson and green 
 striped dress, with pearl orna- 
 ments — in tortoiseshell frame — 
 three-quarters length — 11 in. by 
 9 in. 31. 12s. R. Osborne, M.P. 
 
 Emperor Maximilian, in a black 
 dress and yellow sleeves, with 
 black cap, wearing the Order of 
 the Golden Fleece, holding a car- 
 nation in his hand — arched top — 
 8 in. high. 171. 17s. Movant . 
 
 A lady, in a black dress and white 
 cap, holding a cross in her hand 
 —half-length— 13 in. by 10 in. 
 51. Burgess. 
 
 An ecclesiastic, in a black dress and 
 cap, his right hand resting on a 
 book — half-length — 16 in. by 12 
 in. 51. 5s. Movant. 
 
 Philip le Bel, in a red and black 
 dress, wearing the Collar of the 
 Golden Fleece, — arched top — 14 
 in. high. 16/. 16*. The same. 
 
 Charles IX., in a white dress, with 
 gold chain, black cap and feather 
 — in tortoiseshell frame — 13-J- in. 
 by 9 in. 51. 10s. The same. 
 
 A gentleman, in a black dress 
 striped with white, black cloak 
 and hat with white feather, hold- 
 
11(5 
 
 PICTTTRES IN THE ARMOURY. 
 
 Janet, 1577 .. 1118 
 
 German 
 
 1119 
 
 Spanish 1120 
 
 Janet 
 
 Janet 
 
 1121 
 
 1122 
 
 School of Janet . 1123 
 
 School of Holbein 1124 
 Jahet 1125 
 
 Italian 1126 
 
 Pourbus 1127 
 
 ing the hilt of his sword — 14 in. 
 
 by 10 in. 8/. S. Christy, M.P. 
 Head of Henri III., in a hat and 
 
 feather— 17 in. by 12 in. 151. 15s. 
 
 Morunt. 
 A gentleman, in a black dress and 
 
 cloak — smallwhole-length — 21 in. 
 
 by 12$ in. 41. 15s. B. Osborne, 
 
 M.P. 
 A gentleman, in a black dress and 
 
 yellow sleeves, wearing a gold 
 
 chain and badge — arched top — 17 
 
 in. high. 41. 15*. The same. 
 Head of Henri III., in a ruff — in 
 
 tortoiseshell frame — 16 in. by 9 
 
 in. 31. 5s. Willson. 
 Gabrielle d'Estrees, in a ruff, with 
 
 pearl necklace — 14 in. by 9 in. 
 
 81. 10s. Luxmore. 
 Louis XII., in a black slashed dress 
 
 — 13 in. by 7 in. 11. 5s. S. 
 
 Christy, M.P. 
 A gentleman, in a black dress — 1 2 
 
 in. by 7 in. 61. 10s. The same. 
 Henry III., in a brown dress, and 
 
 black cloak, with black pap and 
 
 feather — 11 in. by 8 in. 2U. 
 
 Farrer. 
 A lady seated, in profile, in a rich 
 
 dress, her light hair dressed in a 
 
 singular manner — 15$ in. by 12 
 
 in. 10Z. 10s. Annoot and Gale. 
 A gentleman and lady, in black 
 
 dresses and ruffs, their hands 
 
 clasped in prayer — 16 in. by 12 
 
 in. 81. 5s. S. Christy, M.P. 
 
PICTTJEES IN THE XIBBAEY. 
 
 117 
 
 PICTURES IN THE LIBRARY. 
 
 French 1128 
 
 Gonzales 1129 
 
 Hayman 1130 
 
 German 1131 
 
 Francks 1132 
 
 Mireveldt, after 1133 
 
 Schalken 
 
 1134 
 
 A prince, in a lilac and crimson 
 dress, on a bay charger; a sea 
 view in the background — 8 J in. 
 by 12 in. 41. 4s. Mrs. Bernal. 
 
 A lady, in a black dress, with white 
 ruff and cap — 8£ in. by 6^ in. 
 101. 10s. Marq. of Londonderry. 
 
 A lady — oval — 5 in. high. 41. 4s. 
 M. T. Smith, M.P. 
 
 Wonter Crabeth, in a black dress 
 and ruff — oval — in carved pear- 
 wood frame. SI. 17s. The same. 
 
 The Annunciation, with angels — 
 small oval — in elaborate pearwood 
 frame — 5 in. high. Marquis of 
 Londonderry. 
 
 A lady, in a black dress, richly em- 
 broidered — 6 in. by 4 in. 31. 
 Willson. 
 
 A girl, in a green dress and white 
 collar — oval — 7 in. high. 71. 
 Movant. 
 
 MINIATURES.— The Aemouey. 
 
 1 135 Henei II., [but Chaeles IX.], in a green dress and 
 
 black cloak, on a white horse, covered with crimson 
 trappings, by Janet. An exquisite drawing in water- 
 colours ; in frame, inlaid with ivory. 1G3/. 15s. 
 Colnaghi,for H.R.H. Due oVAumale. 
 
 1136 Henei III., [but II.], in a black dress, on a brown 
 
 horse, by Janet — the companion. 2151.5s. The same. 
 
118 SMALL POBTEAITS. 
 
 SMALL PORTRAITS.— In Oils. 
 
 1137 Margaret of Austria, wife of Charles IX., in a white 
 
 dress with pearls. 41. 10s. Morant. 
 
 1138 Head of the Duke of Alva. 41. 5s. The same. 
 
 1139 An Italian nobleman, [Andrea Grimani, by Tintoretto] 
 
 in a black dress. 21. 14s. S. Christy, M.P. 
 
 1140 A Duchess of Tuscany, after Bronzino, in a red dress, 
 
 oval. 51. 5s. Movant. 
 
 1141 Michael Marullus, Poeta, jn a red dre.ss. 41. 7s. Webb. 
 
 1142 A gentleman, in a black dress with yellow sleeves, by 
 
 Pourbus ; a coat of arms behind. 31. 3s. Luxmore. 
 
 1143 The Infanta Isabella, in a pink dress. 31. 15s. Webb. 
 
 1144 A child, holding a bird — early German. 31. 3s. Willson. 
 
 1145 A Spanish officer, in armour, after Greco. 61. Lord 
 
 Carrington. 
 
 1146 A girl, in a yellow and pink dress, by Bronzino, circle. 
 
 81. 10s. Movant. 
 
 1147 Isabella of Spain, in a white dress, after Kilan. 81. The 
 
 same. 
 
 1148 Alady, in a rich dress with white collar. 81. 10s. Lord 
 
 Carrington. 
 
 1149 Head df a philosopher, 1526, circle. 11. 10s. S. 
 
 Christy, M.P. 
 
 1150 A lady, called Mary Queen of Scots, after Janet, circle. 
 
 31. 10s. The same. 
 
 1151 Head of Francis I., by Jaitet, oval. 181. 18s. MoranL 
 
 1152 A lady, in a black dress, 1560. 31. 12s. 6d. Luxmore. 
 
 1153 Henri II., in a white dress, by Janet — half-length, 16Z. 
 
 16*. Morant. 
 
 1154 A lady, called Queen Mary, in a black and yellow dress 
 
 —half-length. 10Z. 10s. S. Christy, M.P. 
 
 1155 Caesar Borgia, in a black dress, standing near a table. 
 
 241. Colnaghi. 
 
 1 156 A lady, in a black dress, with a ruff. 21. 12s. Morant. 
 [1156* Janet, a lady of the Medicis family. 41. 10s. Waters.'] 
 
MINIATUEES. 119 
 
 1157 A General of the Fugger family {but Duke de Guise], in 
 
 gold armour, with white hose. 221. H. Magniac, Esq. 
 
 1158 A Spanish gentleman, in a pink dress and black cloak, 
 
 with a lady on the reverse, circle. 51. 10s. Movant. 
 
 1 1 59 A cardinal, Archduke of Austria, and a lady on the re- 
 
 verse, circle. 21. 16s. Davis. 
 
 1160 A lady, in a black dress, seated ; with three children on 
 
 the reverse. 61. 15s. Movant. 
 
 1161 A gentleman, in a black dress and gold chain, hat and 
 
 feather, circle. 81. 5s. S. Christy, M.P. 
 
 MINIATURES IN THE DRAWING ROOM. 
 
 1162 Louis XIV., attended by his Couet, offering birth- 
 
 day presents to the queen, in an apartment at Ver- 
 sailles. A beautiful drawing, of important size — in 
 body-colours. 431. Is. Movant. 
 
 1163 A Dutch girl, enamel on porcelain, oval. 21. 15s. Lux* 
 
 more. 
 
 1164 Frederick the Great, on copper, oval, in beautifully chased 
 
 ormoulu frame. 15^. 15s. Marlborough House. 
 
 1165 La Madonna della Sedia, on ivory, in a carved frame, 
 
 with Benetier. 12Z. Is. 6d. The same. 
 
 1166 Maria Theresa, of Austria, oval, on copper, in elaborate 
 
 carved frame. 161. 16s. M. T. Smith, M.P. 
 
 1167 Oliver Cromwell, in armour, oval. IOZ. 10s. . Money. 
 
 1168 Karl de Moor — A Dutch officer, in a cuirass, oval. 11. 
 
 15s. Morant. 
 
 1169 A lady of the Court of Louis XIV., oval. 11/. The 
 
 same. 
 
 1170 Anne of Austria, in a rich yellow dress and ruff, oval. 
 
 11. Us. 6d. Willson. 
 
 1171 Gabrielle d'Estrees, in a ruff, oval. 6?. 15s. M. T.Smith, 
 
 M.P. 
 
 1172 A lady, in a black dress, with large ruff, and flowers in 
 
 her hair, by Gonzales ; and a French gentleman, with 
 wig and lace scarf, oval. 11. 15s. Mm-ant. 
 
>20 MINIATUJiES. 
 
 1173 Venus and Adonis, in a Landscape, with border of 
 classical subjects in medallions, and trophies, by H. 
 Bol, 1549. In body-colours — exquisitely finished. 
 15?. 10s. Herts. 
 
 11/4 A lady, in a blue dress, oval. 1Z. 13*. S. Christy, M.P. 
 
 1175 Emperor Joseph and Maria Theresa, halting from the 
 
 chase in a landscape, by Myttens. 201. Chafers. 
 
 1176 A female, in a fancy dress, leading a bear. 31. 15s. 
 
 Rev. M. J. Taylor. 
 Tl 77 [James III.], the Old Pretender, in a blue coat and cui- 
 rass, by Laegillieee. 22Z. Marquis of Breadalbane. 
 
 1178 [Charles Edward] the Young Pretender, in a Scotch 
 
 dress, oval. 23/. 2s. The same. 
 
 1179 James III., [the Old Pretender], in armour. 61. 5s. 
 
 The same. 
 
 1180 Lady Walpole, represented in a red head dress, circular 
 
 enamel, the back enamelled like .lapis-lnzuli. 5/. 
 H. Walpole, Esq. 
 
 1181 .Sir Hugh Palliser, in naval uniform, enamel. 11. 10s. 
 
 Lebenheim. 
 
 CABINET OF MINIATURES— continued. 
 
 1182 Gray the poet, when young. 5Z. Webb. 
 
 1-183 Sir Joshua Reynolds, enamel, by Peat, 161. Miss Sul- 
 livan. 
 
 1184 A lady, in a pink dress, after Sir Joshua Reynolds, 
 
 by Scouler, 1768, enamel. 31. 8s. Willson. 
 
 1185 Tilney Long, in a dark brown coat laced with silver, 
 
 wearing his dark hair, unpowdered, enamel. 18s. 
 Webb. 
 
 1186 A gentleman, in a red coat and white wig, early part of 
 
 George II.'s reign, enamel by Zincke. 41. 10s. 
 Marlborough House. 
 
 1187 A gentleman, in a light coat and white wig, period of 
 
 George I. 11. lis. 6c?. Money. 
 
MINIATURES. 121 
 
 FRAMED MINIATURES. 
 
 1188 A frame, containing four miniatures of gentlemen — one 
 
 of them much resembling Turenne, and one of a lady 
 — in oils. 51. Movant. 
 
 1189 An oval frame, -with six miniatures, including Charles 
 
 II., Catharine of Braganza, and the Due de Lesdi- 
 gueres — in oils. 81. 8s. The same. 
 
 1190 Au upright metal frame, with four miniatures, three of 
 
 them foreign, and one English, temp. Charles II. 
 51. 15*. S. Christy, M. P. 
 
 1191 An oval frame, with four miniatures, one of them of the 
 
 Old Pretender, another Christian IV. of Denmark. 
 51. 1 5s. The same. 
 
 1192 Another, with five miniatures, the centre one William III. 
 
 81. 5*. The same. 
 
 1193 A frame, containing nine miniatures — on vellum — two 
 
 being Charles II. and Catharine, Frederick Prince of 
 Wales. 81. 10s. M. T. Smith, M.P. 
 
 1194 Marshal Spinola. A highly finished drawing, on ivory, 
 
 in metal frame. 201. Colnaghi, for H.R.H.theDuc 
 d'Aumale. 
 
 1195 A pair, with four miniatures, three of them ladies of the 
 
 Court of Louis XV. 41. 15s. H. G. Bohn, Esq. 
 
 1 196 A lady, m a white dress ; and a musician, time of Louis 
 
 XV. 11. lis. Benjamin. 
 
 1197 A pair of Austrian princesses. Highly finished, with 
 
 initials, and crowns behind. 21. 8s. Bedfern. 
 
 1198 A gentleman and lady — small miniatures, in metal 
 
 frames, time of Louis XVI. 21. 3s. Willson. 
 
 1199 Anne of Austria, represented with a cross at her side, in 
 
 metal frame. 21. 12s. 6d. Hon. H. B. Clive, M.P. 
 
 1200 St. Carlo Boromeo, seated. 21. 12s. Burgess. 
 
 1201 A prince and princess of Lorraine, in the character of 
 
 Venus and Adonis. A beautiful large miniature. 
 41. 4s. Burlacher. 
 
 1202 An imperial princess, in a white dress. Highly finished 
 
 miniature. 15s. B. S. White, Esq. 
 
122 METEATTrEEa. 
 
 1203 Children of Maria Theresa. A beautiful highly finished 
 
 miniature, on vellum. 21 1. Colnaghi, for H.R.H* 
 the Due d'Aumale. 
 
 1204 A general in armour, wearing a Maltese cross. 11. Is. 
 
 Chaffers. 
 
 1205 School of Athens, after Raffaelle. Executed in relief , in 
 
 imitation of a Cameo, and dedicated to the Archduke 
 Bainer. 61. Is. J. Noble, Esq. 
 
 1206 A lady, whole-length, seated before a mirror, temp. 
 
 Louis XIV. Highly finished, on vellum. 11. 8s. 
 F. O. Beggi, M.B. 
 
 1207 Empress Elizabeth, daughter of Peter the Great. Highly 
 
 finished, on vellum. 11. 13s. Willson. 
 
 1208 Maria Theresa, Queen of Hungary, by the celebrated 
 
 Picers — highly finished. 51. 5s. Morant. 
 
 1209 Portrait of Purcell, the , composer — in oils. 11. 6s. 
 
 F. O. Beggi, M.B. 
 
 1210 Maurice, Prince of Orange, by Mireveldt — small circle. 
 
 31. 15s. S. Christy, M.P. 
 
 1211 Pope Sixtus V. Highly finished drawing, on vellum, in 
 
 ebony frame, ornamented with lapis lazuli and other 
 gems. 151. Morant. 
 
 1212 Louis XIV., in armour, holding a baton — a large and 
 
 elaborate miniature — on vellum. ' 51. 5s. M. T. 
 
 Smith, M.P. 
 1212a The engraved wood blocks from which the seventy-one 
 
 illustrations are printed. 15/. 10s. H. G. Bohn, Esq. 
 1212a A lady and gentleman — a pair, on ivory! 11. F. O. 
 
 Beggi, M.B. 
 1212b An empress of Austria — on copper. 11. 10s. H. G. 
 
 Bohn, Esq. 
 1212c Judith, with the head of Holofernes, by David. 31. 10s, 
 
 S. Christy, M.P. 
 1212d A lady, reclining, 21. 4s. Willson. 
 1212b Louis XIV.— oval. 16s. S. Christy, M.P. 
 Amount of Tenth Day's Sale, ^61307 lis. 
 
ANCIENT METAL DISHES. 123 
 
 ELEVENTH DAY'S SALE. 
 
 ANCIENT METAL DISHES. 
 
 1213 An ancient brass dish, with four classical subjects in- 
 
 medallions, and border of animals and fruits — 14£ in. 
 diameter. 6?. 6s. Hon. H. B. Clive. 
 
 1214 One, of copper, with two grotesque figures supporting a 
 
 vase, and rude inscription round, with scroll border 
 — 17 in. diameter. 21. 10s. P. B. Purnell, Esq. 
 
 1215 A deep dish, gilt, with Adam and Eve in relief, and in- 
 
 scription round — 12 in diameter. 11. 14s. Chafers. 
 
 1216 A copper dish, with St. George and the dragon, and 
 
 inscription — 15-J in. diameter. 11. 5s. Aug. W. 
 Franks, Esq. 
 
 1217 One, gilt, richly chased with arabesques — 18 in. dia- 
 
 meter. 207. 10s. Marlborough, House. 
 
 1218 One gilt, with the Annunciation, and inscription around 
 
 and leaf border — 18£ in. diameter. 41. P. B. Pur- 
 nell, Esq. 
 
 1219 A curious dish, copper gilt, with the Conception of the 
 
 Virgin, surrounded by busts of Apostles — 18 in. 
 diameter. 71. 7s. Marq. of Breadalbane. 
 
 1220 One, of copper, with two shields of arms, 1539 — 18§. 
 
 in. diameter. 31. 15s. Marlborough House. 
 
 1221 One, pewter, with the Resurrection, and apostles around 
 
 — 13£ in. diameter. 11. 6s. Rev. W. E. Buckley ^ 
 
 1222 Another, with a stag in the centre, and six medallions of 
 
 the expulsion of Adam and Eve on the border, which 
 is dated 1640 — 19£ in. diameter. 11. Pratt. 
 
 1223 An English pewter dish, with the arms of Charles I., on 
 
124 ANCIENT METAL DISHES. 
 
 the raised centre, enamelled — 17-gia. diameter. 61. 6*. 
 British Museum. 
 
 1224 A brass dish, with medallions of the German emperors, 
 
 inscribed with their names, and historical subjects 
 relating to Greek and Roman cities round the border 
 — inscribed on the bottom, Horatio Forezza, 1333 — 
 19 in. diameter. 471. 5s. The same. 
 
 1 225 A brass rosewater dish, a shield of arms, enamelled, on 
 
 raised centre, gothic inscription around — 19 in. dia- 
 meter. 61. Marlborough House. 
 ] 226 A beautiful metal-gilt dish, entirely covered with ara- 
 besques, in the richest moresque taste, with coat of 
 arms in the centre — 19J in. diameter. 43?. Is. 
 The same. 
 
 1 227 Another, with beautiful moresque ornaments, with me- 
 
 dallions of figures, and columns between on the bottom, 
 a procession round the border, and curious landscape 
 border within — inscribed Nicolo Eugina — 17 in. dia- 
 meter. 571. 15s. British Museum. 
 
 1228 A beautiful brass dish, with circular medallions, ara- 
 
 besque and scroll borders, a shield, with a lion in the 
 centre — 17 in. diameter. 221. Is. Marlborough 
 House. 
 
 1229 A pewter dish, with a figure of Temperance in the raised 
 
 centre, and elegant figures in the border, surrounded 
 by arabesques — [by F. Briot] — 17|in. diameter. 19/. 
 The same. 
 
 1230 Another, with enamel of Cupid in black and white, in 
 
 the raised centre, numerous figures and arabesques 
 around — 17i in. diameter. 191. 19s. The same. 
 
 ANCIENT METAL LOCKS. 
 
 1231 A curious lock and key of steel and brass openwork, 
 with six bolts. 51. 5s; Sir H. H. Campbell. 
 
ANCIENT METAL LOCKS. 125 
 
 1232 A steel upright plate, with bolt for a door, chased with 
 
 a figure and arabesques. 51. 5s. Movant. 
 
 1 233 A very curious steel lock and key, the handle richly 
 
 ornamented with a fine mask in relief. 16Z. Marl- 
 borough House. 
 
 1234 A curious steel lock, the front with arabesques in open- 
 
 work — inscribed Gaspar Mozelin me fecit, 1649. 8/. 
 The same. 
 
 1235 A curious iron lock, with brass plate. Signed H. H., 
 
 1651. II. 12s. The same. 
 
 1236 A teut ctntioirs Steel Lock, for a shrine ; the Saviour 
 
 kneeling under an archway, surrounded by trees, in 
 high relief; St. Peter and Malchus below; a mask 
 over the keyhole, and pierced borders ; with key, 
 from No. 1241. 421. lis. B. Falcke. 
 
 1237 A curious lock, of brass work, engraved. 19s. Willson. 
 
 1238 An iron hasp, with a rude figure of a man under a tree. 
 
 21. Marlborough House. 
 
 1239 A steel lock, the front beautifully chased with ara- 
 
 besques and openwork, with key, from No. 1241. 
 8J. 8s. Sir H. H. Campbell. 
 
 1240 Tw\> keys, with ornamental handles ; one plain, and two 
 
 picklocks. 51. 18s. Marlborough House. 
 
 1241 Two curious keys, with square openwork handles, 
 
 highly ornamented, sold in Nos. 1236 and 1239. 
 
 1242 An iron plate, with door-bolt, and the arms of France. 
 
 71. Marlborough House. 
 
 1243 A beautiful door-plate, with a medallion bust of Louis 
 
 XIV., with river nymphs and Cupid, surmounted by 
 the crown in silver on brass ground. 8/. The same. 
 
 MEDLEVAL METAL WORK. 
 
 1244 A gothic casket, with four figures under canopies on 
 
 the lid, birds and snakes on the sides, embossed with 
 raised bands and mountings. 31f. 10s. The same. 
 
126 M£DI2EYAIi METAIi WOEK. 
 
 1245 A pair of steel nippers, mounted on spiral stem, on flat 
 
 plate with four feet. 16s. Willson. 
 
 1246 A bronze candlestick, formed of a German figure hold- 
 
 ing nozzles for two lights. 21. Marlborough House. 
 
 1247 A pair of low brass candlesticks, on large stems pierced 
 
 with flowers. 111. 5s. The same. 
 
 1248 A steel press, with two spiral columns, the ends orna- 
 
 mented with open work. 201. The same. 
 
 1249 A steel instrument, with a screw pressing two prongs 
 
 together. 1/. 10*. Lord Londesborough. 
 
 1250 A gilt metal stand, for a pix, engraved with St. Peter and 
 
 St. Paul, and arabesques. Dated 1573. 19s. Willson. 
 
 1251 A small brass almanac and compass, on upright stand, 
 
 the pendulum formed of the head of Christ, with 
 German inscription. 51. 15s. Marlborough House. 
 
 1252 A beautiful gothic pix, of hexagonal form, surrounded 
 
 by buttresses, on stem and scalloped foot of copper 
 gilt — 9 in. high. 21. 10s. The same. 
 
 1253 A stand for a reliquaire, of copper, which has been gilt, 
 
 surmounted by the Crucifixion and the Virgin on 
 gothic pinnacles ; a coat of arms enamelled beneath 
 — 11 in. high. 51. 5s. The same. 
 
 1254 A pair of brass candlesticks, with beautiful arabesques, 
 
 and lines of white metal — 7 in. high. 261. John 
 Swaby, Esq. 
 
 1255 A brass candlestick, with friezes of arabesques and birds 
 
 — 11 J in. high. 31. 5s. Marlborough House. 
 
 1256 A bell, chased with medallions, cupids, and arabesques, 
 
 with ivory knob — inscribed Johannes k Fineme fecit, 
 1547. 11. Is. F. 0. Beggi, M.B. 
 
 1257 Another, with festoons and medallions of shells— in- 
 
 scribed by the same artist, 1544. 11. 4s. Rev. W. E. 
 Buckley. 
 
 1258 A pair of brass snuffers, with Adam and Eve on the box. 
 
 1 1. 2s. Marlborough House. 
 
 1259 A pair with a knight. 13s. Chafers. 
 
JUEDLEYAL METAL WOBK. 127 
 
 1260 A pair, with a winged lion's head in high relief, and 
 
 terminal handles. 11. 3s. Marlborough House. 
 
 1261 A pair, nearly similar. 10». 6d. Chaffers. 
 
 1262. A pair, with the imperial eagle at the side. 1/. Marl- 
 borough House. 
 
 1263 A pair, with portrait, and St. Catharine at the sides. 
 
 11. 14s. Pratt. 
 
 1264 A figure of St. George, standing on the dragon, metal 
 
 gilt — 6£ in. high. 101. British Museum. 
 
 1265 A pair of figures of a cavalier and lady, holding vases of 
 
 metal gilt — 6-J- in. high — to support glasses. 21. 1 2s. 6d. 
 J. S. Forbes, Esq. 
 
 1266 Another pair,, with German cavaliers. 11. 15s. The same. 
 
 1267 A pair of nippers, in the form of a dragon, of steel, in- 
 
 laid with silver and gilt metal. 21. 18s. Marl- 
 borough House. 
 
 1 268 A screw press, of steel. 11. 10s. Lord Londesborough. 
 
 1269 A very small casket, metal gilt, engraved with figures in 
 
 compartments, and white metal borders — inscribed 
 on the top, Conradt.Man. 41. 18s. M. T. Smith, M.P. 
 
 1270 Another, coffer-shaped, metal gilt, with the subject of 
 
 Orpheus, in relief, round the sides, the lid covered 
 with arabesques. 9/. 15s. Marlborough House. 
 
 1271 One, with birds, scales, and foliage, in white metal on 
 
 black ground, mounted with or-moulu figures at the 
 angles and rim. 16?. Chaffers. 
 [1271* A gilt figure. 11. Is. Pratt.'] 
 
 1 272 A larger casket, of metal gilt, with openwork scrolls and 
 
 caryatid pilasters at the angles, on crimson velvet, 
 supported on cherubs' heads, with very curious lock 
 covering the under part of the lid — 8J in. by 4f in. 
 171. Marlborough House. 
 
 1 273 A pilgrim-shaped bottle, of semi-opalized glass, entirely 
 
 covered with metal-gilt openwork of foliage of boys 
 supporting shields, mask handles in relief,, and chain 
 from the stopper — 10 in. high. 32?. The same. 
 
128 FINE OLD BBONZES. 
 
 1274 A brass handle, in the form of a hand and ring ; and a 
 
 bronze head of a negro. 11. 13*. Willson. 
 
 1 275 A beautiful handle, of or-nioulu, in the form of a female, 
 
 terminating in a dolphin. 12*. M. T. Smith, Jf.P, 
 
 1276 A pair of square pillar candlesticks, the foot embossed 
 
 with dolphins of German work— 7£ in. high. 51. 5s. 
 ft Be Vaux, Esq. 
 
 1277 A frame for a miniature, of copper gilt, surmounted bjr 
 
 a crown — sight 2% in. by 2 in. 21. Marlborough 
 House. 
 
 1278 A steel candlestick, chased with arabesques. [With- 
 
 drawn^ 
 
 1279 A portrait of Dargenson, in high relief, in copper, in 
 
 oval ornamented frame — 9J in. high. 5/. 15s. Marl- 
 borough House. 
 
 FINE OLD BRONZES. 
 
 1280 A beautiful Tbipod, supported on chimserse and 
 
 lions' feet, and surmounted by a bacchante, a satyr 
 seated with hia arms bound, and Cupid. A fine cinque- 
 cento work — 14 in. high. 31Z. 10*. Wright. 
 
 1281 A beautiful low Candlestick, the nozzle with cupids 
 
 and rams' heads, the stem of three chimserae and 
 masks. Of cinque-cento work — 7 in. high. 1SZ. 10*. 
 Lewis Lloyd, Esq. Jun. 
 
 1282 A Circuxab Inkstand, on caryatid feet, with rick 
 
 frieze of masks and foliage. Of the same period — 
 6 in. diameter. 15?. 15*. Marlborough House. 
 
 1283 A Satxe, Seated, holding a tazza and cornucopiae. A 
 
 very fine Italian work — 8 in. high. 14Z. 5*. Wright. 
 
 1284 A circular inkstand, supported on three winged chi- 
 
 mserse, bearing shields, and surmounted by Cupid 
 blowing a horn. Of fine cinque-cento work — 11 in. 
 high. 401. S. Addington, Esq. 
 
BYZANTINE METAL WOBK. 12*9 
 
 BYZANTINE METAL WORK. 
 
 1285 A small metal crucifix, the Figure crowned, and the legs 
 
 crossed, gilt, and enamelled with light hlue. 21. 
 Chafers. 
 
 1286 A Greek miniature of the Virgin crowned — in oils- 
 
 small oval. \l. 1*. F. 0. Beggi, M.D. 
 
 1287 A small metal tryptic, with the Crucifixion, the supper 
 
 at Emmaus, and the Virgin raising saints from pur.- 
 gatory — rude inscriptions ; on the outside are the 
 cross and sacred emblems, with Greek characters 
 above. 12*. Willson. 
 
 1288 A reliquaire, of copper gilt, of square form, pierced 
 
 with moresque arches — on stem and foot — 6 in. high. 
 11. 6s. Marlborough House. 
 
 1289 A beatjtietji, Circular Alms Dish, of copper, enar 
 
 melled with hlue and green : in the centre a lady on 
 horseback, holding a bird in her hand, six female 
 figures seated round the border, the ground of ara- 
 besque ornaments — 9 in. diameter. 401. Lord 
 Londesborough. 
 
 1290 A Prx Box and Cover, surmounted by a cross, ena- 
 
 melled dark blue, with ten shields of devices in gold 
 on turquoise, four glass imitation gems on the lid — 
 4 in. high. 5/. 5s. The same. 
 
 1291 Another, similar, but with larger shields — 4-J in. high. 
 • 41. 4s. Chaffers. 
 
 1292 Another, the cross wanting, with seven medallions of 
 
 angels' heads — 3\ in. high. 31. 12s. Willson. 
 
 1293 A hexagonal stand for a reliquaire, of copper, enamelled 
 
 with medallions of birds, in blue, red, and green — 
 5f in. diameter. 31. 5s. Wetterhan. 
 
 1294 A figure of Christ, for a crucifix, of brass, witk drapery, 
 
 the feet not crossed or pierced — 6$ in. high. 21. 8s. 
 Marlborough House. 
 
 K 
 
130 BYZANTINE 3LETAL WOEK. 
 
 1295 KING LOTHAIRE'S MAGIC CRYSTAL.— A HIGH- 
 LY INTERESTING OBJECT, circular, engraved with 
 the whole history of Susannah, and Latin inscriptions 
 above : over the central subject is inscribed " Lotha- 
 rius • Rex Franc. -£eri • jussit," — in copper gilt gothic 
 frame, set with imitations of precious stones, several 
 of them wanting, and open-work flower-edge — the 
 crystal 4|- in. diameter. 2671. Webb, for the British 
 
 This interesting relic was purchased in the Low Countries by Mr. Pratt, 
 for 12 francs, and was sold hy him to Mr. Bernal for £10. It is said to 
 be fully described in some early publication, which will, no doubt, be re- 
 published. Mr. Fairholt, for Lord Londesborough, was Mr. "Webb's oppo- 
 nent. 
 
 1296 A reliquaire, in the form of a coffer, copper gilt, with 
 
 glass sides engraved with angels at the ends, the roof 
 lid set with imitations of gems — 6|- in. long, 2J in. 
 wide, 5 in. high. 61. Chaffers. 
 
 1297 An altar candlestick, of copper gilt — of very rude early 
 
 work : around the foot are the emblems of the four 
 evangelists, on circular openwork base, with rings to 
 attach it — 8J- in. high. 51. 12s. Pratt. 
 
 1298 A Reliqtjaiee, of copper gilt, of hexagonal gothic form, 
 
 with pinnacled buttresses and Bpire top, the vase and 
 stem enamelled with red and white arabesques, with 
 inscription round the top of the base — 11 in. high. 
 51. 7s. 6d. C. 0. Morgan, M.P. 
 
 1299 A Reliqtjaiee, of copper gilt, circular, the top sup- 
 
 ported on four columns, the boss and stem enamelled 
 with heads of apostles and arms, and six medallions 
 of heads of saints on the foot— 13-J- in. high. 21. 15*. 
 Myers. 
 
 1300 A VERY INTERESTING RELIQUAIRE, in the form 
 
 of a circular tower, surrounded by buttresses and sur- 
 mounted by a spire and cross, the stand formed of 
 four crocodiles of copper gilt— 1 1 in. high. (See illus- 
 tration.) 10Z. 10s. Wilhon. 
 
1317 
 
 MEMJL'VAIi METAL WORK. 
 
1310 
 
 MEDIAEVAL METAL W011K. 
 
Missing Page 
 
Missing Page 
 
MEDLEVAL METAL WOEK. I33 
 
 compartments ; three enamelled bosses on the open- 
 work ; moresque pattern ridge — length, 7\ in. ; 
 width, nearly 3| in. ; and height, 1\ in. Presented, 
 by Pope Eugenius IF. to Philip le Bon, Duke of Bur- 
 gundy, containing at that time the relics found in the 
 Chartreux, at Dijon, in 1430. 66/. British Museum. 
 
 This'was purchased of Mr. Isaacs for £28. 
 
 13] 6*An enamelled box, containing a tryptic. \0l. Marl- 
 borough House. 
 
 1317 A VERY BEAUTIFUL HEAD OF A CROZIER, of 
 
 copper gilt, enamelled, with trellis work of light blue, 
 and crocketed edge ; within the circle of the crook 
 are figures of the Virgin and the announcing angel, 
 the boss surrounded by lizards in high relief ; three 
 upright bands below, terminating in crooks — 12£ in. 
 long. (See illustration.) 46Z. The same. 
 
 1318 A VERY BEAUTIFUL TRYPTIC, of chased copper gilt ; 
 
 in the centre, under a double arch, is a double cross 
 in relief, set with jacinths, an angel supporting the 
 junction of the arches above ; beneath the centre, 
 and on the wings, are nine medallions of saints and 
 angels, enamelled in colours, set with agates, with 
 inscription — 13 in. high ; width, when closed, 8J in. 
 431. 11*. M. Col. Silthorp, M.P. 
 
 1319 A REMARKABLY FINE AND INTERESTING CRU- 
 
 CIFIX, of copper gilt, the figure crowned with thorns, 
 and draped, lapis-lazuli and jacinth ornaments at the 
 point ; the stem of the cross is supported by two 
 winged angels, and rests on a seated figure of the 
 Virgin ; the stem of arabesque open-work, with the 
 four Evangelists, seated writing, at the angles, on 
 ' lions' head and feet — 14 in. high. (See illustration.) 
 161. Hayes. 
 
 1320 THE ST. THOMAS A'BECKETT RELIQUAIRE; a 
 
134 MEDI.EYAL ECCLESIASTICAL PLATE. 
 
 small coffer of copper gilt, riehly enamelled with blue ; 
 on the front,, is represented the martyrdom of the 
 saint, who stands before the altar, holding a cross in 
 his hand ; above is a bishop, standing over the dead 
 body of the saint, which is on a bier, supported by 
 two figures ; at the ends are figures of the Virgin and 
 St. Thomas,, all the heads embossed in relief ; a door 
 opens at the back, which is enamelled with quatrefoils 
 in compartments ;, the top surmounted by a crested 
 ridge, on which is a cross enameled — kngth, 4-|- in. ; 
 width,, nearly 2j. in. ; height, 6£ in. (See illustra- 
 tion.) 281.17s. Gd. Col. SibihorpyM.P. 
 This is said to have cost £12. 
 
 MEDIEVAL SILVER AND SILVER -GILT ECCLESIAS- 
 TICAL PLATE. 
 
 1321 A Gilt CbMMintioN Chalice, of gothic period, on 
 
 circular foot, in octagon division, on which is en- 
 graved a crucifix, between two figures of a prelate 
 holding a sword and a holy man a crozier, with in- 
 scription in German character ; the open work chasing 
 of the boss and foot rather florid gothic — date pre- 
 sumed to be about 1480 — 9 in. high, and 7 in. dia- 
 meter. 212. British Museum. 
 
 1322 A Gilt Saceamentax Cttp, shaped like a wine glass, 
 
 on thin stem, curiously, though simply, chased — 7f 
 in. high. Evidently English, and of the time of 
 Charles T. It was found in pulling down an old house 
 near Dorking, when it fell out of the inner roof; no 
 doubt it had been concealed there during the, Parlia- 
 mentary War. 111. lis. Chaffers. 
 
 1323 A silver shield-shaped badge, with three figures of saints, 
 
 gilt, in relief, standing in gothic niches, with foliage 
 
MEDI2EVAL ECCLESIASTICAL PLATE. 135 
 
 and a goat beneath — 5 in. high, and 5 in. wide. 507. 
 Lord JLondesborough. 
 
 1324 A small badge, gilt, with a bishop and a female saint, in 
 
 relief, under gothio canopied nkhes, three small 
 chains attached above — 3% in. high, 1-J- in. wide. 211. 
 Marlborough Bouse. 
 
 1325 A beautiful pax, gilt, with centre for an enamel, the 
 
 border, of cherubs' heads and scrolls set with car- 
 buncles, the back engraved with arabesques — 17th 
 century — 7 in. high, 5 in. wide. 12Z. Chaffers. 
 
 1326 A beautiful Gothic Chalice, on hexagonal foot, with 
 
 small castles at the angles, flower bosses on the 
 knop centre ; the crucifix, in relief, on the foot, and 
 seven shields of arms — inscribed " Jhesus," and " 
 Maria." \7l. Marlborough House. 
 \Z2~7 Anotheb, on hexagonal circular foot, pierced, the bowl 
 engraved with flowers; with twelve bosses of flowers 
 enamelled in relief — 15th century — 7 in. high. 16£. 
 The same. 
 
 1328 A silver monstrance, on hexagonal foot, with circular 
 
 edge, in the form of a tabernacle, with gothic pin- 
 nacled buttresses, surmounted on a crucifix on a ball, 
 on the spiral roof — early period of 15th century — 
 11 in. high. 16/. The same. 
 
 1329 A gilt crucifix, the cross opening to contain reliques, on 
 
 hexagonal foot, a piece of lapis-lazuli and masks at 
 
 ; the angles of the cross, a lamb on the centre of the 
 
 back — 9 in.— 14th century. 101. British Museum. 
 
 1330 A Gilt Cheismatoey, with carved cover, to hold three 
 
 holy oils, the names of which are inscribed, sur- 
 mounted by a figure of Christ on the cross — date 
 between 1560 and 1600— 4| in. high. 81. Atten- 
 borov.gh. 
 
 1331 A Gilt Saobamehtal Cup, of gothic work, on foot of 
 
 hexagon shape, the boss in gothic taste. The figure 
 of Christ on the cross remaining as originally placed 
 
136 MEDUEVAX ECCLXS1ASTICAX PLATE. 
 
 on. the foot (which it is very rare to find preserved) ; 
 underneath the foot are engraved two shields of arms 
 and many initials — date probably about 1450 — 6f in. . 
 high. 61. 2s. 6d. Benjamin. 
 
 1332 A Shyee Moitstbasce, of Italian design, richly chased 
 
 with masks and other ornaments; the part to en- 
 close the host is circular, the foot of quatrefoil shape, 
 surmounted by a plain cross; also an enamelled 
 metal ornament to insert in the top — date about 1570 
 — 14 in. high. 21?. Attenborough. 
 
 1333 A Crystal Reliquary, with cover, mounted with 
 
 silver gilt, delicately chased, which has been in many 
 parts enamelled — date presumed to be about 1540 — 
 . 7 in. high. 32?. M. T. Smith, M.P. 
 
 1334 A Pair of Crystal Altar Caudle sticks, beauti- 
 
 fully mounted with silver gilt, delicately chased — date 
 probably between 1560 and 1609 — 12J in. high. 
 617. Baron Meyer Rothschild. 
 
 1335 Another Pais oe Crystal Candlesticks', the feet 
 
 of triangular shape, engraved with heads of a religious 
 character, ornamentally, though simply, cut — date 
 about 1560 — Sy in. high. 28?. Burlacher. 
 
 1336 A Gilt Chalice attd Cover, chased and engraved, 
 
 surmounted by a crucifix having fieur-de-lys points, 
 at the back of which is engraved a shield with three 
 ■wheat-sheaves, and the letters M.S. — date probably 
 about 1600— \Q\ in: high. 11?. — Dowling, Esq. 
 
 1337 A BEAUTIFUL GILT EELIQUAIRE, of gothic de- 
 
 sign, on richly ornamented stem : has been, and is, 
 partly enamelled with arms ; the foot, of hexagon 
 shape, has on it two enamelled coats of arms or de- 
 vices ; the cover surmounted by a figure, of one of the 
 Evangelists — date presumed to be about 1460 — 10| 
 in. high. 43?. M. T. Smith, M.P. 
 This is a very fine example of Gothic ornament. 
 
 Amount of Eleventh Day's Sale, 2029?. 4s. 
 
ANTIQUE JEWELLEEY A2TD ORNAMENTS. 137 
 
 TWELFTH DAY'S SALE. 
 
 ANTIQUE JEWELLERY, RINGS, CROSSES, BROOCHES, 
 AND ORNAMENTS. 
 
 1338 A broad silver crucifix, of the Byzantine period — pro- 
 
 bably this was formerly enamelled. 11. Ss. W. 
 Mashell, Esq. 
 
 1339 A silver cross, decorated and perforated, with angels 
 
 chased on the sides ; it opens on a hinge, by unscrew- 
 ing the bottom ornament, and has partitions within 
 for reliques ; the back is rudely engraved with the 
 Crucifixion. 11. 12s. Russell. 
 
 1340 A crystal cross, with original gold and enamelled mount- 
 
 ing, and pendant pearls from the points ; St. John 
 and the Virgin, in gold, on either side of the Saviour. 
 61. Willson. 
 
 1341 A triple-form cross, with fleur-de-lys points of silver, 
 
 enamelled black, with deaths' heads in white, a bleed- 
 ing heart in red, and cross-bones in silver — " Super 
 vivum et Mortuum," in enamelled letters. 11. 5s. 
 D. Faleke. 
 
 1342 A silver gilt pocket book-shaped scent case, chased and 
 
 set with a garnet. 21. 8s. Earl of Lonsdale. 
 
 1343 A round metal-gilt case, pierced with gothic scrolls, 
 
 inclosing an original Bezoar stone. 51. Chafers. 
 
 1344 A silver-gilt enamelled book-shaped scent case, with di- 
 
 visions which are lettered, enamelled with St. George 
 and the Dragon, two shields of arms, and date 1614. 
 26J. Russell, for Baron Meyer Rothschild. 
 
138 ANTIQUE JEWE1LEBY. 
 
 1345 An oval bloodstone scent case, mounted and lined with 
 
 silver gilt, with emblems engraved, and motto " Nee 
 Vagus ardor, nee csecus," &c, and cypher of Charles I. 
 under the crown, between laurel branches. 31. 15s. 
 M. T. Smith, M.P. 
 
 1346 An octagon-formed angular silver case, gilt inside, chased 
 
 and divided into panels, with the numbers from 1 to 
 18 engraved on some of them. 41. 10s. Russell, 
 for Baron Rothschild. 
 
 1347 A melon-shaped silver scent-box, engraved with a species 
 
 of niello work, with separate divisions opening in 
 slices — inscribed " Muschat," &c, with initials, and 
 1437. 111. The same. 
 
 1348 A melon-shaped silver scent box, opening in eight slices, 
 
 with a small spoon inside, and the names of the several 
 scents, the bottom perforated, with cypher, engraved. 
 10?. 10s. The same. 
 
 1349 A small fillagree counter case, with an. enamel of the 
 
 knave of clubs on the top. 81. M. T. Smith,, M.P. 
 
 1350 A silver-gilt box, chased and perforated, with profile 
 
 busts of Charles I. and Henrietta Maria, in relief, 
 containing thirty-three silver jettons,, engraved with 
 the sovereigns of England, dates, arms, &c, com- 
 mencing with Edward the Confessor, and ending with 
 Charles Prince of Wales, 1630. It is remarkable, 
 that the effigy of Elizabeth is omitted, though there is 
 one of Maria, mother of James I. ; there are jettons 
 of James I; 's other children, Elizabeth of Bohemia^ 
 and Henry. 161. 5s. 6d. BuJce of Hamilton. 
 
 1351 A Venetian glass scent bottle, in two divisions, mounted 
 
 in metal gilt, the sides enamelled with landscapes. 
 11. 8s. Earl of Lonsdale.. 
 
 1352 A long glass scent bottle, mounted and guarded all over 
 
 with gilt metal work. 11. 2s. Annoot and Gale. 
 
 1353 A silver whistle and tobacco stopper, chased and formed 
 
ANTIQUE JJSWEILEBT. 139» 
 
 as a cavalier in a rich, dress of the time of Charles II. 
 21 12*. 6d. Charles Miles, Esq. 
 
 1354 A cylindrical snuff-box, of silver or metal gilt, enamelled; 
 
 and a small spoon, in gilt leather case. 13 J. 13s. 
 M. T. Smith, M.P. 
 
 1355 A silver'gilt hair pin^ the top with a head of. a negro,, 
 
 ■with various coloured stones. 51. 5s. Russell, for 
 Baron Rothschild. 
 
 1356 A silver hair pin, formed as a sword hilt,, with small 
 
 sparks and device of the- rose and crown. 3?. 
 Annoot and Gale. 
 
 1357 A silver-gilt hair pin, with waved blade-, terminating 
 
 in a bird's head holding a pearl — engraved A. M. F. 
 1640. \l. 10s; Russell. 
 
 1358 A silver hair pin, parcel gilt, with a figure of Minerva 
 
 with lance and shield,, the stem twisted and termi- 
 nating in a heart, which unscrews. 21. 8s. Annoot 
 and Gale. 
 
 1359 A cross, of gold or silver gilt, with enamelled ornaments 
 
 on the back, the points decorated and enamelled, the 
 front set with twelve garnet tablets, each engraved, 
 with enamelledisubjects relating to the Crucifixion. 
 11. 15*. Herts. 
 The whole of Mr. Hertz' collections' are now the. property of Mr- 
 Joseph Mayer, Liverpool. 
 
 1360 A silver-gilt eagle, with extended wings, a coronet on 
 
 its head and collar round the neck with, chain, ruby 
 or garnet eyes, and a coloured pebble or glass on the- 
 top of the head : it is slightly engraved: — of gothic. 
 period. 11. 10*: Maxlborough House. 
 
 1361 An antique circular silver brooch, with its tongue, rudely 
 
 chased, with a head and united hands. 21. 2s. 
 British Museum. 
 
 1362 A similar brooch, larger, with its tongue, rudely orna- 
 
 mented with chased bands. 41. The same. 
 
 1363 A circular silver plate, with the alphabet engraved round- 
 
140 ANTIQUE JEWELLEBY. 
 
 it, and an inner moveable rotatory plate, which brings 
 round a letter in an opening ; supposed to have been 
 contrived for the conveyance of secret messages — in 
 a silver case, covered with black fish skin, with silver 
 studs — temp. Charles I. 27. 15s. Russell. 
 
 1364 A small silver circular perpetual English calendar, with 
 
 rotatory movement, the days of the week, &c, en- 
 graved as first day, second, &c, evidently made for a 
 Puritan at the time of the Civil Wars, inscribed— 
 " Ye shall not think of the name of other gods, neither 
 shall they be heard out of your mouths." Exod. 
 xxiii. 13. 71. 10s. Banting. 
 
 1365 A round silver medal, which opens and contains a male 
 
 and female portrait painted in colours, on one side 
 engraved the figure of a saint (bishop) and coat of 
 arms below, and inscription " Sanct. Rudbertus Eps. 
 Salisb. 1625 ;" on the other the holy father, &c, 
 with a cardinal's hat and lion rampant below, inscribed 
 " Paris D. G. Archieps. Sali. Se. A. P. L." and an 
 inner inscription " Sub tuum prsesidium confug." 
 12. Is. Owen. 
 
 1366 A round silver medal, which unscrews, and contains 
 
 twelve miniatures on talc, and two on paper, with the 
 life of a saint ; each one has a blank for the face of 
 the saint to fit over the painting at the bottom : the 
 medal has- on one side the effigy of Frederick III., 
 Emperor of Germany, who reigned from 1637 to 
 1658. 22. John D. Gardner, Esq. 
 
 1367 A massive antique silver ring, with monograms engraved 
 
 on the shanks. 32. 5s. Chafers. 
 
 1368 A thick silver ring, with a coat of arms (of a vessel in 
 
 full sail) on the tablet, and on the shanks a faint en- 
 graving of the Virgin and Child and a bishop. 82. 
 British Museum. 
 
 1369 A rude ring, of silver, chased with a representation of a 
 
OENAMEJfTAL SIITEK PLATE. 141 
 
 hand and ornaments : it appears to have been for- 
 merly gilt. 6*. Dantgigger. 
 
 1370 A ring guard for the finger against the friction of the 
 
 bowstring, of green jade, with ornamental inlaying of 
 gold and rubies ; and another guard, similar, of ivory. 
 21. 2s. Lord Londesborough. 
 
 1371 An Italian ornament, intended to be suspended, of chased 
 
 gold or silver gilt ; an oblong tablet, with scrolls and 
 masks and pearls attached, with the letters D. A. in 
 relief, and two shields, of arms enamelled, of the Cel- 
 lini period. 252. 10s. Marlborough House. 
 
 1372 A silver fillagree crucifix, with rays behind, the figure 
 
 partly draped and gilt, with the Virgin kneeling, and 
 a scroll engraved beneath. Presumed to be of Spanish 
 work. 31. 10s. Chaffers. 
 
 1373 A papal ring, set with a large crystal, with the tiara and 
 
 keys, with arms on two sides, and the emblems of the 
 evangelists on the other in relief — inscribed " Sixtus 
 Quartus." 81. 15s. Marlborough House. 
 
 1374 A Doge's ring, metal gilt, set with a green coloured 
 
 stone, with a winged lion and two shields of arms — 
 inscribed R-X-R-A-G-O-N-A. 111. E. Waterton, Esq. 
 
 1375 A girdle, of metal gilt, enamelled with blue and white 
 
 on upright flat plates — of elegant arabesque design, 
 of the fifteenth century. 21. As. Lord Londesborough. 
 
 ORNAMENTAL SILVER PLATE. 
 
 1376 A bocale, with three medallions of a German emperor 
 
 and two gentlemen; with borders embossed, aid sup- 
 ported by eagles — 6 in. high. 5/. 18s. Viscount 
 Dupplin. 
 
 1377 A small bocale, engraved, with foliage and small figures 
 
 in medallions ; with openwork base, in which is a 
 die and inscriptions, 1649—4 in. high. 21. 2s. 
 TVillson. 
 
142 OEETAMENTAi SILVEB PLATE. 
 
 1378 A plain bocale, with gilt hands above and below, engraved 
 
 ■with domestic subjects and landscapes ; with German 
 distich, two shields of arms beneath — 3f in. high. 
 3/. 18s. S. Addington, Esq. 
 
 1379 A small hexagonal, gilt German drinking cup, the bowl 
 
 engraved with festoons, the stem embossed with knops 
 — inscribed at bottom S. B., 1625 — 3 in. high. 21. 6s. 
 Garrard. 
 
 1380 A pair of cups forming one, parcel gilt, with slightly 
 
 raised oval bosses, engraved alternately with German 
 lines, in praise of wine, and arabesques — together, 
 3f in. high. 51. 5s. Lord Londesborough. 
 
 1381 A small blue essence bottle, mounted with bands and 
 
 rims of silver gilt, with chased fillagree ornaments — 
 7\ in. high. 71. 10s. Marlborough Souse. 
 
 <1 382 A pair of hexagonal salt cellars, parcel gilt, each engraved 
 with six medallions of female figures, and flower 
 borders — on ball and claw feet, the edges richly em- 
 bossed with flowers and masks, and gilt — 4£ in. high. 
 292. Rhodes, for Baron Meyer Mothschild. 
 
 1383 A triangular gilt salt cellar, on ball feet, with three ca- 
 vities, engraved with designs on each side — 4-§- in. the 
 triangle. 51. 10s. Marlborough House, 
 
 .1384 A small cup, gilt, on elegant openwork stem, the foot 
 embossed with fruits, &c., ihe inside engraved with a 
 celestial sphere. Dated 1596— 4£ in. high. 51. 5s. 
 — Marshall, .Esq. 
 
 1385 A parcel gilt drinking cup, with fluted bowl, on stem, 
 
 with three small openwork handles, a device engraved 
 above, outside " A. K.," and inside " Peter Rampa," 
 1626 — 6f in. high. 5/. Garrard. 
 
 1386 A fluted wager drinking cup, gilt, richly embosssd with 
 
 arabesques, surmounted by a windmill, to which a 
 man is mounting by a ladder ; another figure looking 
 out at a window on the side ; at the back is a dial to 
 denote the time occupied in drinking, of German 
 
0ENAMB3STTAL StLTEE MATE. 143 
 
 ■work — of the 1 7th century — 1 1 in. high. 1 5?. 4s. 6d. 
 Marks. 
 
 1387 An hexagonal gilt salt, with a stag hunt chased in relief 
 
 round the sides — 2 in. high by 3 in. wide. 10?. 
 Rhodes, for Baron Meyer Rothschild. 
 
 1388 A pair of small two-handled rgilt cups, fluted, and en- 
 
 graved with scrolls and flowers — 2f in. high. 8?. 
 Garrard. 
 
 1389 A triangular gilt salt, supported on three lions, with 
 
 masks and arabesques on each side — 4J in. high. 
 10?. 15s, Marlborough Mouse. 
 
 1390 A circular gilt salt, on cherubs' heads, with cupids, coats 
 
 of arms, and masks, chased in high relief — 3 in. dia- 
 meter. 13?. 5s. The same. 
 
 1391 A small gilt cup and cover, on vase-shaped stem and 
 
 feet, cut, chased with flowers, fruits, and cherubs' 
 heads — 8 in. high. 10?. 15s. Beurdeley. 
 
 1392 A gilt cup and cover, on ball feet, the surface embossed 
 
 with bulb-shaped ornaments, two small shields of 
 arms enamelled on the lid — 9 in. high. 16?. Marl- 
 borough House. 
 
 1393 A cup and cover, on foot, with balls on spiral lozenge 
 
 flutings, the cover surmounted by a boy holding a 
 shield, a rim of open chased gothic design beneath 
 the bowl — of German work — 11 in. high. 12?. 10*. 
 The same. 
 
 1394 A cup and cover, of gothic design, supported on three 
 
 lions, with openwork friezes of gothic tracery, sur- 
 mounted by a figure of a savage in a group of foliage, 
 a device enamelled inside the cover — 11 in. high. 55?. 
 The same. 
 
 1395 A plain gilt ewer, with two oval enamelled bosses on the 
 
 sides — 7 in. high. 28?. Russell, for Baron M. 
 Rothschild. 
 
 1396 A green stoneware jug, mounted with rims and lid of 
 
144 SI1VEB MOUNTED CUPS. 
 
 silver, embossed with, scrolls and flowers — 6% in. high. 
 8/. 15s. S. Zimmerman. 
 
 1397 One, smaller, of brown speckled ware, with rims and 
 
 cover of silver gilt, chased with flowers in relief — 5 j- 
 in. high. 11. B. Falcke. 
 
 1398 A German chasing, in silver, of a lady and gentleman, in 
 
 relief— inscribed "S. C., 1623"— 5§ in. high and 
 wide. 61. 5s. Herts. 
 
 SILVER SPOONS. 
 
 1399 A spoon, with short handle, a shield of arms above the 
 
 bowl, the shaft inscribed " Hans Veit van Harras," 
 surmounted by a plume of feathers. 91. Marlborough 
 House. 
 
 1400 One, parcel gilt, with an angel holding a shield above 
 
 the bowl, with German inscription on the shaft, sur- 
 mounted by a female figure. 11. James James, Esq. 
 
 1401 One, parcel gilt, with oval bowl, the back engraved, and 
 
 the shaft twisted. \l. 10s. The same. 
 
 1402 One, larger, the bowl engraved on back, in niello work, 
 
 the long thin shaft enamelled in niello on the back 
 with scales, and a waived line in relief in front. 4Z. 
 The same. 
 
 SILVER AND SILVER-GILT MOUNTED COCOA NUTS, 
 AND NAUTILUS SHELLS. 
 
 1403 A cocoanut cup, carved with three subjects from St. 
 
 John's Gospel, with boldly chased bands, foot and 
 top of silver gilt, with heads, trophies, and foliage, 
 the rim engraved — date presumed to be between 1530 
 and 1583— about 9 in. high. 10?. 15*. H. T. Hope, 
 Esq. 
 
 1404 Another, carved with Judith and Holofernes ; and two 
 
 other subjects, with arabesque borders, the foot, bands, 
 and top, of silver, richly chased with boys' heads, &c, 
 
SILVER MOUNTED CUPS. 145- 
 
 the rim. engraved — date presumed to be between 1530 
 and 1580 — between 9 and 10 in. high. 301. Lord 
 Londesborough. 
 
 1405 Another, carved with three scriptural subjects, lined with 
 
 silver, having at the bottom an enamelled coat of 
 arms, with motto and date 1561, with richly chased 
 mountings of silver ; the bands are formed of Roman 
 figures, and have a coral bead hanging from each ; 
 underneath the foot there is a cut crystal, and some 
 stones set in the outside mounting of the foot ; sur- 
 mounted by a figure of a boy holding a shield, on 
 which are armorial bearings ; round the top rim is 
 engraved "Vinum lsetificat cor hominis, 1561 ;" on 
 the bottom, the name of the owner — lljin. high. 
 19Z. 0. E. Coope, Esq. 
 
 1406 Another, with silver mountings, of English work, very 
 
 plainly ornamented and engraved, carved with por- 
 traits of Charles I. not crowned, and Charles II. 
 crowned, and one other portrait ; a small death's head 
 on one side, no doubt intended to mark the date of 
 the decease of the parties — date presumed to be be- 
 tween 1648 and 1665— 7\ in. high. 11/. Duke of 
 Hamilton. 
 
 1407 Another, with richly chased bands of silver gilt, with 
 
 stones or glass set in them, the foot richly chased with 
 masks, fruit, &c. — date presumed to be between 1560 
 and 1580— about 6f in. high. 15Z. 10*. H. T. Hope, 
 Esq. 
 
 1408 Another, mounted with silver-gilt elegant bands, with 
 
 heads and arabesques, pendant rings and small mala- 
 chite beads, the rim at the top engraved, with date, 
 1585, and initials G. B.— about 9£ in. high. 46Z. 10s. 
 Marlborough House. 
 
 1409 Another, carved with Diana and Actaeon ; and two other 
 
 subjects, with richly chased silver mountings of masks, 
 &c, the bands with lions' heads, bearing rings in their 
 
 i 
 
146 OENAMENTAL SILVER PLATE. 
 
 mouths ; the coyer surmounted with the figure of an 
 armed man holding a shield with armorial bearings — 
 date about 1580— about 12J- in. high. 191. 10s. Marl- 
 borough Mouse. 
 
 1410 Another, with parcel gilt and silver mountings ; the 
 
 cover, which is on hinges, is surmounted by a Roman 
 figure, the bands curiously ornamented, and four 
 silver medallions on the sides, on which are enamelled 
 coats of arms, of Italian work — .date presumed to be 
 between 1480 and 1500— about 10 in. high. 40L 
 The same. 
 
 1411 A Nautilus Shell, mounted with silver gilt, on stem,. 
 
 with figures of an old peasant, subjects of sea mon- 
 sters on the foot and foliage, a figure of a triton on 
 the top, the date, 1606, engraved on the shell, and the 
 rebus of " Chascun sa croix," with four Latin lines : 
 it evidently belonged originally to one of the La Croix 
 family — about 13 in. high. 15Z. Beurdeley. 
 
 SILVER AND SILVER-GILT ORNAMENTAL PLATE. 
 
 1412 An old stone jug, with hinged coyer, with richly chased 
 
 and engraved silver mountings ; Hercules and Cerberus, 
 in high relief, on the cover ; a Latin inscription round — 
 date about 1570-^-6 in. high. 30Z. Marlborough House. 
 
 1413 Another, with hinged cover, with richly chased silver- 
 
 gilt mountings, with masks and fruit ; a lion on the 
 cover— date about 1600— 10^- in. high. 22Z. The 
 same. 
 
 1414 Another, with hinged cover, chased silver-gilt mount- 
 
 ings, with heads, &c.-r-date about 1580 — 9yin. high. 
 20Z. 10s. The same. 
 
 1415 Another, with silver-gilt mountings, chased with monkeys,. 
 
 masks, &c. ; on the back of the handle IS., in an. 
 ornamented lacing, engraved — date about 1580 — 10J 
 in. high. 20Z, 10s. H. T. Hope, Esq. 
 
0E2TAMENTAL SILVEE PLATE. 147 
 
 1416 Another, with silver-gilt mountings, chased with masks, 
 
 fruit, &c. ; on the cover the figure of a lion, on the 
 back of the handle the initials F.V.I. — date about 
 1580— 9| in. high. 10Z. M. T. Smith, M.P. 
 
 1417 A parcel gilt tankard, of hexagon shape ; on the lid a 
 
 lion holding a shield, the handle ornamented, and the 
 body boldly chased with birds and foliage — date about 
 1600 — 1\ in. high. 171. Marquis of Breadalbane. 
 
 1418 A parcel gilt tankard, of hexagon shape, engraved with 
 
 six heads of King David, Julius Caesar, &c. ; under the 
 head of David the date 1619, boldly chased at the top 
 and bottom with triangular bulbs — 7 in. high. 28?. 
 The same. 
 
 1419 A Pabcel Gilt Tankaed, on three pomegranate feet, 
 
 superbly chased in the finest taste, with figures, busts, 
 and other ornaments in high relief ; on the inside of 
 the lid a chased medallion of the Trinity, an embel- 
 lished shield of arms on the body. A beautiful spe- 
 cimen of the cinque-cento period — 8 in. high. 131?. 
 H. T. Hope, Esq. 
 
 This was very superior to any other piece in the Collection, and in perfect 
 preservation. 
 
 1420 A silver-gilt tankard, elaborately chased all over with 
 
 medallions of subjects, masks, and arabesques ; a 
 figure on the ornamented handle — date between 1560 
 and 1600 — 5£ in. high. 411. Baron Jas. Rothschild. 
 
 1421 A Gilt Dbinking Cup and Covee, with engraved or- 
 
 naments, surmounted by a figure of a savage with a 
 club and shield of a bear enamelled ; round the base 
 of this figure is engraved, "Werli von Berenfels, 
 1541 ;" inside the cover are armorial bearings and the 
 date 1541—13 in. high. 45/. G. W. Basent, Esq. 
 
 1422 A silver drinking cup, bell-shaped, with embossed lions' 
 
 heads, surmounted by an engraved sphere, inside 
 which there is a die, and over these is a small figure, 
 
 L 2 
 
148 OBNAMENTAL SILVEE PLATE. 
 
 supporting with, uplifted arms a small swinging cup 
 —date about 1590—8 in. high. \2l. 10*. Lord Lon- 
 deslorough. 
 
 1423 A tall Gilt Cup and Cotee, with bulbs and orna- 
 
 ments embossed, supported on a figure of a Swiss 
 guard with, his halberd of the pope of the period, the 
 cover surmounted by a knight holding a spear and 
 shield— date about 1570—21 in. high. 331. 10*. 
 Marlborough House. 
 
 1424 A tall silver drinking cup, of English work, plain flat 
 
 chased ; on the top rim is engraved " The gift of 
 Christopher Pym, on his admission to the place of 
 Clerke of this Company ;" a coat of arms is also en- 
 graved, and apparently relates to the Blacksmiths' 
 Company, supported on a stem with a figure of an 
 old warrior holding a smith's hammer and anvil, on 
 which is engraved " By the hammer and hand, all arts 
 do stand "— 1 If in. high. 371.10s. S. Zimmerman. 
 
 1425 A large gilt drinking cup, the bowl and boss beneath 
 
 of hexagon shape, engraved with subjects connected 
 with some legend of the felling of a tree, and six Ger- 
 man coats of arms, the foot, &c. boldly chased — date 
 1620—14 in. high. 32Z. 10s. O. E. Coope, Esq. 
 . 1426 A Gilt deinbing Cup and Covhb, chased and em- 
 bossed, surmounted by a figure of a mason in colours, 
 on stem, with a boy with a shield, on which are en- 
 graved various names and the date 1681 ; many other 
 names and subsequent dates are engraved on other 
 parts— 17 in. high. 311. H. T. Hope, Esq. 
 
 1427 Anothee, richly chased, surmounted by a figure holding 
 
 a shield — 15 in. high. 321. Russell, for Baron M. 
 Rothschild. 
 
 1428 A Gilt Cup and Coveb, boldly chased with heads, 
 
 scrolls, and flowers, surmounted by a Koman figure 
 holding a shield with armorial bearings and P.S. en- 
 graved inside ; there is another coat of arms and H.S. 
 
OENAMENTAL SILVEE PLAl'B. 149 
 
 .engraved-— date abovjt 1600— 14 in. high. 161. At' 
 tenborougk. 
 
 1429 Anothee, chased and enibossed with bulbs, surmount- 
 
 ed by an armed figure holding a shield, with armorial 
 bearings and initials A.P.M.G. on the foot — the date 
 1630, and initials A.P. 11£ in. high. 71. The same. 
 
 1430 A gilt drinking cup, chased with three medallions of 
 
 figures in military costume of the period ; beneath, 
 the foot is an inscription in the Hungarian or Scla- 
 vonic dialect, and date 1650, die 10 Septembris — it is 
 apparently earlier than the date of the inscription — 
 10 in. high."" 13J. Beurdeley. 
 
 1431 A gilt cup and cover, richly chased with landscapes, 
 
 birds, and flowers, surmounted by a figure of Minerva 
 holding a spear and shield — date about 1590 — 13 in, 
 high. 15Z. Marlborough House. 
 
 1432 A silver cup and cover, elaborately chased, with a subr 
 
 ject from the parable of the Prodigal Son, masks, 
 scrolls, and fruit, surmounted by a figure of a wild 
 boar — date about 1590 — 10£ in. high. 261. , Lord 
 Londesborough. 
 
 1433 A silver cup, in the form of a lady, in costume of about 
 
 the year 1600, holding a small cup over her head — 
 inscribed " Philippus Kuntzell von Hall. Ans. Sach- 
 sen 1637"— 7\ in. high. 91. The same. 
 
 1434 An octagonal gilt mug, with raised scroll work, enam. 
 
 elled in colours — 3£ in. high. 271. S. H. Sutherland, 
 Esq. 
 
 1435 A gilt drinking-cup and cover, in the form of a lanthorn ; 
 
 in the inner part there is an engraving of a subject, 
 with German inscription — 7 in. high. A singularly, 
 formed specimen of quaint German taste. 441. 
 Russell, for Baron M. Rothschild. 
 There is one nearly similar to this in Lord Londesborough's Collection. 
 
 1436 A gilt cup and cover, on three pomegranate feet, chased 
 
150 OSKAMENTAI SffLFBB PLATE. 
 
 ■with three portraits of ioyal personages, probably 
 Leopold II. of Austria, &c— 8 in- high. 71. 5s. T; 
 M. Whitehead, Esq. 
 
 1437 A gUt drinking cup, in the form of a female figure with, 
 
 a ruff ; she holds in her hands, over her head, a small 
 cup — date about 1600, the costume of that period — 
 7\ in. high. 71. 10s. Money. 
 
 1438 A gilt cup, chased, with pine formed-bulbs ; engraved 
 
 round the rim — "Johannes Petrus, anno 1647" — 
 5$- in. high. 41. Attenborough. 
 
 1439 A gilt cup and cover, chased, with three heads of the 
 
 Csesars, landscapes and fruit, on three ball feet, sur- 
 mounted by a swan — date about 1649 — 8 in. high. 
 23Z. S. Addington, Esq. 
 
 1440 A smaller cup, similar — 6 in. high. 61. 6s. The same. 
 
 1441 Another, similar, with landscapes — 6 in. high. 81. 5s. 
 
 The same. 
 
 1442 A silver mug, engraved with ornaments, and chased at 
 
 the foot, engraved "Cornel. Doeren, &c, 1618" — 4\ 
 
 in. high. 41. As. Viscount Dwpplin. 
 1442a A silver box. 41. Attenborough. 
 1442ft A cover and a stand. 21. 8s. The same. 
 
 1443 A silver mug, curiously chased and engraved, with a 
 
 kind of rectangular ornament underneath a court of 
 arms, and "Pranck Auches, 1647" — 5 in. high. 41. 
 Viscount Dupplin. 
 
 1444 A silver cup and cover, hexagonal shape, on three pome- 
 
 granate feet, flat chased and engraved with figures, 
 surmounted by a figure ; under the bottom is en- 
 graved " 1 742, Johannes Gadritz," but it appears 
 older — 10 in. high. 20Z. Attenborough. 
 1446 A nrara old Nep, or table ornament, in the form of a 
 boat, with barrel inside, the after-part with openwork 
 chased ornaments, supported on a stem formed of a 
 vine branch and grapes, on oval foot, embossed with 
 grapes ; the bowl is inscribed with German verses, 
 
SILVEB-GILT RELiaUAIEE. 
 
 A SILVER NEE, EMBOSSED. 
 
OEJTAMENTAL SILVEE PLATE. 151 
 
 " Joharm B. Franckenthal, 1662," by whom it was 
 presented to the Guild of Wine Coopers of that city 
 — 10 in. high. 201. 5s. Garrard. 
 
 1447 A smallee Nee, boat-shaped, with Fortune standing on 
 
 the neck, the stem with triple openwork ornament, 
 dolphins embossed on the oval foot — 8£ in. high. 
 (See illustration.) 221. The same. 
 
 1448 A small circular salt cellar, gilt, on scroll feet, with 
 
 masks, the borders embossed with masks and fruits — 
 3i in. diameter. 31. 15s. Marlborough House. 
 1448a A Silyee Tazza, or Italian Wobk, in perfect state, 
 the bowl chased with the Judgment of Solomon, the 
 stem and foot with flowers and scrolls— date about 
 1590 — height about 6 J in. diameter 8 in. 451. 10s. 
 The same. 
 
 A very beautiful speeimen. 
 
 1449 Another, oe German Woek, the bowl chased with 
 
 Christ and the Woman of Samaria, about the same 
 size as the preceding, round the rim is engraved 
 " Elisabeth Schott U.K."— date probably about 1590. 
 171. John D. Gardner, Esq. 
 
 1450 A Gilt Casket, of coffer shape, on four sphinx feet, 
 
 covered with pierced tracery of scroll work, enamelled 
 in colours — date about 1590 — about A\ in. high, 5f- 
 in. long, and 3\ in. wide. 38/. Marlborough Mouse. 
 
 1451 A gilt top or bowl of a tazza, chased with Christ at the 
 
 well, of German work — date about 1560-^-7£ in. 
 diameter. Sold with No. 1452. 
 
 1452 A gilt bowl of a tazza, chased with Moses and the brazen 
 
 serpent, of German work— -date about 1560 — 7% in. 
 diameter. 111. S. Zimmerman. 
 
 1453 A gilt bowl of a tazza, chased with the Rape of Helen, 
 
 of Italian work — date about 1560—73- in. high. 
 10/. 5s. The same. 
 
 1454 A parcel gilt round plate, with deep centre, chased with 
 
152 ORNAMENTAL SILVER PLATE. 
 
 a figure of a boy, in high relief, and border of birds 
 and fruit — date about 1640 — 9£ in. diameter. 71. S. 
 Falcke. 
 
 1455 A gilt diminutive tazza, in perfect condition, chased 
 
 with a saint in a landscape — date about 1590 — If in. 
 high, 2 in. diameter. 21. 5s. Wertheimer. 
 
 1456 A gilt salt cellar, of triangular shape, chased with heads 
 
 and animals, on sphinx feet, with chased arched rail 
 border — date about 1600 — l-§-in. high, side of triangle 
 4 in. 271. Marlborough House. 
 
 1457 A gilt salt cellar, of triangular shape, chased with birds 
 
 and fruit, on three'ball feet — date about 1600 — f in. 
 high, side of triangle 3J in. 27?. The same. 
 
 1458 A Gilt Salt Cellak, with four sides ; finely chased 
 
 with whole-length figures and two shields of arms, 
 the rim chased with birds, of Italian work — date 
 about 1590— If in. high, 3 in. wide. 511. The same. 
 
 1459 A Pair oe elegant Gilt upright Salt Cellars, on 
 
 four scroll feet, with figure, the sides of pierced scroll 
 work, the tops slightly engraved — 3 £• in. high, and 2 
 in. wide. 85Z. S. H. Stitherland, Esq. 
 
 1460 A gilt salt cellar, with octagonal foot, chased with orna- 
 
 ments — date about 1640 — 2\ in. high, base 3>\ in. 
 wide. 18Z. Baron Meyer Rothschild. 
 
 1461 A, gilt and enamelled scent bottle — date about 1600 — 
 
 3 in. high. 51. 5s. S. Addington, Esq. 
 
 1462 A silver bell, boldly chased with scrolls outside ; on the 
 
 top a figure of Minerva holding a shield coat of arms, 
 engraved ; on the inner lining is a coat of arms with a 
 ducal coronet — date about 1700 — A\ in. high. 31. 5s. 
 G. C. Glyn, Esq. 
 
 1463 An original Gilt Sprinexer, chased and enamelled 
 
 in parts, used by the Parsees or Guebres fire wor- 
 shippers, in sprinkling the bodies of the dead. This 
 form has been copied in more modern times in India, 
 for ornamental vessels used for sprinkling otta of 
 
0BNAMENTA1 SILVEB PLATE. 153 
 
 roses, or other perfumes. Some modern initials are 
 engraved underneath, and no doubt Tefer to some 
 former owner. Its date may very fairly be referred 
 to a distant period — between 10 and 11 in. high 
 51. 10*. Durlacher. 
 
 1464 A gilt and enamelled round box and cover, with a garnet 
 
 or ruby set in it, ornamented with insects, flowers, 
 and scrolls of richly raised enamelled work, on three 
 ball feet— date about 1580— 2 in. high. 10Z. Marl- 
 borough House. 
 
 1465 A silver tea caddy, of very old form, beautifully chased 
 
 and engraved, and with a coronet and armorial bear- 
 ings — 5\ in. high. 4Z. 10s. The same. 
 
 Amount of Twelfth Day's Sale, 1941?. 6*. 6d. 
 
 THIRTEENTH DAI'S SALE. 
 
 LIMOGES ENAMELS. 
 
 1466 A circular plate, with a Jewish sacrifice, black and white- 
 
 with red tints, with beautiful arabesque borders, the 
 number 4 on a tablet at the bottom ; the back elabo- 
 rately enamelled with figures, subjects, and medal- 
 lions ; a border round, and a shield in centre — nearly 
 8 in. diameter. 132. 5s. British Museum. 
 
 1467 A circular plate, with an illustration of the month of 
 
 April in colours and gold upon a bright blue ground, 
 with rich arabesque border ; the back has rich ara- 
 besque masks and ornaments — 8 in. diameter. 402. 
 Baron Gustave de Rothschild. 
 
 1468 Another, illustrating the month of July, a harvest scene, 
 
 black and white with red tints and gilding, with rich 
 arabesque border ; the back covered with arabesque 
 
154 LIMOGES ENAMELS. 
 
 and masks pdjf% gilt. Inscribed with initials of the 
 artist I. C. (Jean Courtois) — 7i in. diameter. 101. 10s. 
 Hertz. 
 
 1469 Another, with a baker's house, illustrating the month 
 
 of December, black and white with red tints and gild- 
 ing, with a border of arabesques ; the back covered 
 with masks and scrolls. Signed I. C. (Jean Courtois). 
 91. 10s. British Museum. 
 
 1470 Another, with a battle of many figures, black and white 
 
 with red tints and gilding, with rich border; the back 
 with arabesques, masks, and scrolls. Signed also I. G. 
 — 8 in. diameter. 12?. 10s. Linton,. 
 
 1471 Another, with a courtship and a jester, black and white 
 
 with red tints, with rich border ; the back with ara- 
 | besques, masks, and gilding — 7 in. diameter. 6/. 6s. 
 — Maguire, Esq. 
 
 1472 Another, with Hercules and Geryon, black and white 
 
 with red tints, surrounded by scrolls ; on the back a 
 female bust, surrounded by scrolls and flowers — 7 in. 
 diameter. 41. 15s. Wetterhan. 
 "1473 A circular plate, with Hercules and the lion, black and 
 white with red tints and gilding, scroll and arabesque 
 border ; on the back a male bust, in scrolls, and 
 floreated border — 7 in. diameter. 51. The same. 
 
 1474 Another, with a man and woman on horseback, with the 
 
 sign of Gemini in fanciful border, black and white 
 with flesh tints ; on the back arabesques, masks, and 
 gilding— 7:|- in. diameter. 51. 5s. Earl of Craven. 
 
 1475 An oval plaque, in colours and gilding, with classical 
 
 figures and landscape. Signed I. C. (Jean Courtois) 
 — 9i in. by 7 in. 81. 12s: Fairer. 
 
 1476 An oval plaque, with warriors in a galley^ on the sea- 
 
 shore, by the same artist— the companion. 61. 7s. 6d. 
 T. M. Whitehead, Esq. 
 
 1477 A plate, with Sol in his car, a shield of arms at the 
 
 bottom and border of masks and scrolls in black, 
 
LIMOGES ENAMELS. 155 
 
 white, and gold, with flesh tints; the baofe with 
 masks and wreaths — 9 in. diameter. 10?. 5s. O. E. 
 Coope, Esq. 
 
 1478 Another, with sheepshearing, illustrating the month of 
 
 July, in colours, with variegated border of gems ; on 
 the back a bust of Galba, with border of gems ; be- 
 lieved to be the work of Susannah Courtois — 9£ in. 
 diameter. 341. Tarrer. 
 
 1479 Another, similar, with a sporting subject, illustrating 
 
 the month of March, with rich arabesque border and 
 two medallions. Dated 1565, and initials of artist, 
 P. R. (Eexman) ; on the back is a helmeted bust, 
 with rich scroll and mask border — 7iin. diameter. 
 102. 15s. Marlborough House. 
 
 1480 Another, similar, with the Sacrifice of Isaac, and border 
 
 of masks and scrolls; on the back, masks and wreaths, 
 with the artist's name, P. Corteys M. F. — 9f in. dia- 
 meter. 101. British Museum. 
 
 1481 A circular plate, in black and white with flesh tints and 
 
 gilding, Eurydice and Cerberus at the entrance to 
 Hades, within a rich arabesque border ; a crest of an 
 eagle, surmounted by three crescents, in a medallion; 
 the back with cherubs' heads and arabesques: the 
 plate has a convex projection in the centre — about 
 10 in. diameter. 241. 10s. The same. 
 
 1482 A similar plate, with a classical subject of four females. 
 
 161. 5s. S. Zimmerman. 
 
 1483 A similar plate, with the temptation of Adam and Eve 
 
 in arabesque border, with masks ; at the back, masks 
 and other ornaments, with the artist's name, P. Cor- 
 teys — 8£ in. diameter. 211. Wright. 
 
 1484 A similar plate, with Ceres'; on the back, cherubs' heads 
 
 and arabesques — 9 in. diameter. 261. 10«. British 
 Museum. 
 
 1485 An upright plaque, with the Annunciation, in colours 
 
 and gilding — 9-j- in. by 5 in. 51. 5s. W. Mas/cell, 
 Esq. 
 
156 LIMOGES EXAMELS. 
 
 1486 An oblong plaque, with two classical male figures, and 
 
 ornamented facade of a temple, in colours, with gild- 
 ing. Artist's initials, P. R. — 5£in. by 3 in. 161. 10s. 
 Marlborough House. 
 
 1487 Another, the betrothal of Louis XIII. and Anne of 
 
 Austria, with Mary de Medicis and other figures, in 
 gilt metal twisted frame, in red leather case — 5 in. 
 by 3 in. 321.10s. British Museum. 
 
 1 488 An upright plaque, with a hunter and wild animals, and 
 
 a Latin legend at the top — 6£ in. by 4 in. 5/. 5s. 
 Bryant. 
 
 1489 Another, with the Good Shepherd, the Deity above, with 
 
 Latin legends — companion to the preceding. 41. 
 J. H. Anderdon, Hsj. 
 
 1490 A plate, in black and white with flesh tints and gilding, 
 
 (the Judgment of Solomon, 1 Kings, chap. 3.) ; at 
 the back is a female portrait, with fruits and masks, 
 and arabesque borders — 8 in. diameter. 131. Marl- 
 borough House. 
 
 1491 A flattened circular plaque, in colours, with gilding, with 
 
 figures sowing seeds — 6£ in. by 6 in. 31. J. H. An- 
 derdon, Esq. • 
 
 1492 A similar plaque, with figures killing a pig, illustrating 
 
 the month of December. 3/. 5*. Davis. 
 
 1493 An oval plaque, with stag hunting, illustrating the month 
 
 of April, in colours and gold — 5-§- in. by 4£ in. 
 11. 10s. Beurdeley. 
 
 1494 An upright oval plaque, with a female bearing a staff 
 
 surrounded by a snake, with grotesque arabesque, and 
 foliage ornaments — 5 in. by 4 in. 151. 2s. 6d. Marl- 
 borough House. 
 
 1495 An upright plaque, with arched top, with the Annunci- 
 
 ation, and raised imitation gems — about 4 in. by 3 in. 
 181. Fairer. 
 
 1496 A square plaque, with the death of Anchises, from Virgil 
 
 — about 8 in. by 7 in. 151. Marlborough House. 
 
LIMOGES ENAMELS. 157 
 
 1497 An upright plaque, with, the Crucifixion, in colours and 
 
 gilding, bearing the artist's initials, L. L. [Leonard 
 Limousin], 1539 — 8J in. by 6£ in. 561. 10s. Marl- 
 borough House. 
 
 1498 An oblong plaque, with Silenus and fauns, in black and 
 
 white with flesh tints, bearing the artist's initials, 
 P. R., 1556, in ebony fluted frame — 6-j in. by 3 in. 
 12 J. 5s.. The same. 
 
 1499 An octagonal mirror, in the original gilt chased frame, 
 
 with enamelled back, in colours, painted with Cerbe- 
 rus guarding Hades, and rich borders — 3| in. by 2£ 
 in. '611. A. Fountaine, Esq. 
 
 1 500 An upright plaque, arched top, with the Holy Family 
 
 and Infant in the manger, black and white with flesh 
 tints — 3 in. by 2 in. 51. 5s. H. St. John Mildmay, 
 Esq. 
 
 1501 A circular ornament, with a combat of equestrian war- 
 , riors ; in a steel and silver-gilt antique mounting — 
 
 about 1-J- in. diameter. 251. Is. British Museum. 
 
 1502 An upright plaque, with arched top, with the Nativity, 
 
 in black and white, with some gilding — 3£ in. by 2-J- 
 in. 11. 13s. H. St. John Mildmay, Esq. 
 
 1503 The enamelled back of ,an oval mirror, upright, with 
 
 Charon ferrying Psyche in a boat, in colours and gild- 
 ing, within a rich fanciful border of birds. Signed 
 I. L. [Joseph Laudin] — about 4 in. by 3 in. 18Z. 15*. 
 British Museum. 
 
 1504 An upright oval back of a mirror, with a female plunging 
 
 into the sea, in original gilt chased mounting — 4£ in. 
 by 3^ in. 211. Farrer. 
 
 1505 Another, of similar form, with Apollo and the Muses on 
 
 Mount Parn'assus, in colours and gilding. Signed 
 S. C. — 4-} in. by 3£ in. 211. A. Fountaine, Esq. 
 
 1506 An oblong plaque, with Charles IX. or Henry III. of 
 
 France, as Phoebus in his car, in a landscape, in co- 
 lours and gilding. Signed L. L., 1573, on the base 
 
158 LIMOGES ENAMELS. 
 
 of a fountain— 9£ in. by 7 in. 511. Baron James 
 de Rothschild. 
 
 1507 Another, similar, with a queen as Venus, with cupids — 
 
 dated 1574. Also signed L. L. 611.19s. The same. 
 
 1508 Three square plaques, with the three sybils .and wreath 
 
 borders — about 5 in. square. 331. Farrer. 
 
 1509 An upright plaque, in colours and gilding, with th& 
 
 Adoration of the Magi — nearly 6 in. by A\ in. 16Z. 
 Marlborough House. 
 
 1510 An oblong plaque, with the Magdalen in the desert. 
 
 Signed I. L. [Joseph Laudin] — nearly 10 in. by 7 in. 
 81. 10s. Willson. 
 
 1511 A BEAtTTiitrL ttpbight Pax, with the Crucifixion, the 
 
 Virgin and St. John at the foot of the cross, with 
 arched top, in original architectural mounting with 
 circular medallions above, in one of which is a small 
 bust ; a pearl set in the top of the frame, and a cir- 
 cular space for reliques : it is in colours, with gilding - r 
 on the back is a rude engraving of an arched door, 
 and an embossed hand upon it — about 5£ in. by 3 in. 
 271. C. S. Bale, Esq. 
 
 1512 A circular plaque, with the Annunciation in colours and 
 
 gilding, some curious marks on the copper back — 
 — nearly 5 in. diameter. 20Z. 10«. British Museum. 
 
 1513 An upright oval plaque, with St. Hubert praying — about 
 
 3 in. by 2£ in. 19/. Marlborough House. 
 
 1514 Another, with arched top, the Virgin praying, attended 
 
 by another figure — 2£ in. by 2 in. 11. Is. Wetterhan. 
 
 1515 Another, with Susannah and the elders, in a rich garden 
 
 scene — nearly 11 in. by 8 in. Ml. The same. 
 
 1516 Another, with Judith and Holofernes in the tent — of 
 
 similar size. 121. Is. 6d. Beurdeley. 
 
 1517 An oblong plaque, with Charles IX. as Jupiter in his 
 
 car, with Ganymede — about 9 in. by 7 in. 52?. 10*. 
 Baron James de Rothschild. 
 
 1518 An oval plaque, with sheepshearing, illustrating the 
 
LIMOGES ENAMELS. 159" 
 
 month oMune — about 5J in. by 4 in. 41. 4s. J. H. 
 Anderdon, Esq. 
 1519 An upright plaque, in colours and gilding, with monks 
 in white robes, kneeling round a tomb, the Trinity 
 above, surrounded by angels, with Latin legends on 
 scrolls : a very singular composition. On the back is 
 inscribed, in gold letters, M. F. VERTHAMON. 
 C. D.'R.— about 4£ in. by 3| in. 497. British 
 
 1520 A square plaque, in colours and gilding, with St. John 
 
 Capistran preaching to numerous figures, some of 
 whom are burning implements of gaming ; on a bel- 
 lows in front is the monogram H. S. and the artist's 
 initials, I. P. (Penicault) — 5 in. by 4f in. 17?. 17*. 
 Hertz. 
 
 1521 An upright plaque, with Ceres and the Furies in Hades 
 
 — artist's initials, I. C. (Jean Court, or Courteys ?) 
 14Z. 10s. Farrer. 
 
 1522 An hexagonal double handled saucer: in the centre a 
 
 medallion of Tobit, in black and white gilding, sur- 
 rounded by flowers and birds in colours, the back 
 richly ornamented with birds and fancy ornaments,, 
 and a landscape — 6 in. by' 5 in. 101. 10*. S. Ad- 
 dington, Esq. 
 
 1523 A circular saucer, with double handles : in the centre is- 
 
 St. John and the lamb in colours, surrounded by em- 
 bossed scrolls and gems a Failhettes, the outside simi- 
 larly ornamented with a landscape at the bottom. 
 91. 10s. Marquis of Breadalbane. 
 
 1524 Another, with Orpheus surrounded by beasts and birds- 
 
 in medallions, in colours and gold ; at the back a 
 Magdalen, with medallions of landscapes and fruits, 
 in black and white— 5 in. diameter. 91. 9s. Willson. 
 
 1525 A cieculae Sauces, with a curiously embossed coloured 
 
 portrait, inscribed "Xantippe," in rich costume partly 
 gilt, surrounded by embossed decorations and medal- 
 
160 LIMOGES ENAMELS. 
 
 lions of landscapes ; at the back a piping faun in a 
 landscape, with medallions of scrolls — nearly 6 in. dia- 
 meter, 24?. 3s. Marquis of Breadalbane. 
 
 A very rare specimen. 
 
 1526 An oval purse, with male and female portraits in rich 
 
 costume, coloured and gilt, with embossed ornaments 
 at the top : it has its original lining of gold brocade 
 and thread — period about 1680. 3J.10s. Marlborough 
 House. 
 
 1527 Another, with portraits in rich costume, and similar or- 
 
 naments. 31. 10s. The same. 
 
 1528 Two similar ovals for a purse — the artist's initials N. L. 
 
 (Noel Laudin). 41, The same. 
 
 1529 A circular priming powder flask, turquoise ground, with 
 
 figures in black, partly gilt, relating to the chase, with 
 original mounting, and gold brocade tassels — period 
 about 1640 — 3 in. diameter. ] 5Z. The same. 
 
 1530 An oblong plaque, with Apollo and Daphne, in blue, 
 
 white, and black, gilt, inscribed on the back " Lau- 
 din," in original gilt metal frame — nearly 8 in. by 6J 
 in. 121. Wright. 
 
 1531 A circular plaque, with Aurora, Cephalns, and Narcissus, 
 
 in colours, on both sides — 5 in. diameter. 121. 12s. 
 The same. 
 
 1532 A square plaque, with the Saviour freeing souls from 
 
 Satan's power, in colours and gold — 6 in. by 5| in. 
 31. 10s. T. M. Whitehead, Esq. 
 
 1533 An oblong plaque, with Alexander and Roxana, in black 
 
 and white, with gilding — about 5 in. by 3J in. 51. 1 5s. 
 British Museum. 
 
 1 534 An upright plaque, with a sportsman and falcon in black, 
 
 white, and gold, illustrating the Air ; the artist's name, 
 J. Laudin, on the- back — nearly 8 in. by 6 in. 5/. 5s. 
 Linton. 
 
LIMOGES ENAMELS. 161 
 
 1535 Another, similar, with a sportsman, illustrating the 
 
 Earth, by the same artist. 3/. 15*. Weeks. • 
 
 1536 An oblong plaque, with a man drinking, inscribed with. 
 
 French verses, black and white, with gilding ; ihscripr 
 ' tion on the back — about 6 in. by 4^ in. 201. British 
 Museum. 
 
 1537 An upright plaque, with the Holy Family, in very rich 
 
 colours ; and on the reverse Joseph and his Brethren, 
 in black and white, in its original silver-gilt frame, in 
 leather case— rabout 3-§- in. by 3 in. 321. The same. 
 
 1538 Another, with a female portrait in the costume of the 
 
 time of Louis XIII., in colours and gilding — 4£ in. by 
 3 in. 21. 7s. Willson. 
 
 1539 An irregularly-shaped circular plaque, with profile por. 
 
 trait of Andrea Doria, inscribed " Andreas Aurea," in 
 colours and gilding, in metal ring frame — 8 in. dia- 
 meter. 291. Marlborough House. 
 
 1540 An oblong oval plaque, with a man feeding swine by 
 
 beating oak trees, illustrating the month of November, 
 in colours and gilding, probably by Rexman — 7\ in r 
 by 6 in. 51. 5s. Wetterhan. 
 
 1541 A similar plaque, with a family repast, illustrating the 
 
 month of January. Initials P. K. 81. 2*. 6d. Marl- 
 borough House. 
 
 1 542 An oblong plaque, with a hunter and a nymph, with. 
 
 dogs, in colours and gilding, in metal frame.— 3% in. 
 by 2j- in. 21. 10*. B. S. White, Esq. 
 
 1 543 An upright plaque, with the procession to the Cruci- 
 
 fixion, in a very curious style of colouring — about 5 in. 
 by 4 in. 51. 5s. W. Maskell, Esq. 
 
 1544 A LARGE UPRIGHT OVAL PORTRAIT OF CA- 
 
 THARINE DE MEDICIS,in colours: a letter L oc- 
 curs on the right side near the sleeve — 18 in. by 12 in, 
 420?. Baron Gustave de Rothschild. 
 
 Enamels of this size are very rare. 
 
 M 
 
162 LIMOGES ENAMELS. 
 
 1545 An oblong oval plaque, -with a singular subject of a 
 
 banquet of deities ; inscription on a banderolle at 
 bottom — 13£in. by 10£in. 50?. Marlborough House. 
 
 1546 An upright plaque, with a figure of Hope, in black and 
 
 white with flesh tints ; green ornamented background. 
 Inscribed P. I. 1541—11 in. by 9 in. 211. British 
 Museum. 
 
 1547 An oblong plaque, with Pan and Syrinx, by Laudin, in' 
 
 blue and white with gilding, in original frame — nearly 
 8 in. by 6} in. 91. Marlborough House. 
 
 1548 A square plaque, with the betrayal of Christ, Peter 
 
 smiting Malchus, in. colours, with gilding — about 6 in. 
 by 5^ in. 111. 17s. Wright. 
 
 1549 An upright plaque, with head of our Saviour, finely 
 
 treated, in colours with gilding ; a monogram on the 
 back — nearly 6 in. by 4 in. '261. Marlborough 
 House. 
 
 1550 An upright oval, with Peace and Abundance, after Guido, 
 
 in colours, by N. Laudin — about 8 in. by 7 in. 
 111. 0s. 6d. Marquis of Bath. 
 
 1551 An upright oval, with the baptism of our Saviour, a coat 
 
 of arms with a knight's helmet as crest on one side 
 of the enamel, in colours and gilding: the artist, 
 P. Nouailher. Vide front and bach — about 5^ in. 
 by 4f- in. 41. 4s. Willson. 
 
 1552 A circular plaque, with illustrations of the sense of 
 
 Feeling : a group of three grotesque heads, in colours, 
 by N. Laudin — about 7\ in. diameter. 41. 15s. 
 Wedderburne. 
 
 1553 A square plaque, with the Virgin and angels in the 
 
 heavens, in colours with gold — about 6 in. by 5 in. 
 13 h Marlborough House. 
 
 1554 A square plaque, with the flagellation of Christ, very 
 
 rudely treated, in colours with gilding — about 1\ in. 
 by 6i in. 31. 12s. 6d. Redfern. 
 
I.1M0CES ENAMELS. 
 
LIMOGES ENAMELS. 163 
 
 1555 A square plaque, with St. Cecilia playing on the organ ; 
 
 embossed ornaments at the four corners of the oc- 
 tagon border — about 6 in. by 5 in. 201. 10s. Wright. 
 
 1556 An upright oval plaque, with Christ on the cross, at- 
 
 tended by the Magdalen, in colours, gilt, with raised 
 scroll border, by J. Laudin — 7\ in. by 6 \ in. 
 41. 14s. 6d. Brown. 
 
 1557 A similar plaque, with a saint habited as a bishop and 
 
 a kneeling infant, with similar ornamented border, 
 by J. Laudin. 21. 1 7s. Smith. 
 
 1558 An upright plaque, with the descent from the cross, at- 
 
 tended by the Maries and a bishop praying, with de- 
 votional Latin legends, a shield of arms in front, in 
 colours and gold, in worked metal gilt frame — 9 in. 
 by 6 in. 511; British Museum. 
 
 1559 An Upeight Pax, with arched top, in rich gothic 
 
 silver-gilt mounting, with an opening at the bottom 
 for reliques ; the enamel represents the descent from 
 the cross, with the Maries, in colours and gold — the 
 whole of the pax is about 7\ in. in height. 42?. Sir 
 H. H. Campbell. 
 
 1560 A beautiettl Tazza and Coveb; within is the banquet 
 
 of Dido to /Eneas, and inside and outside are classical 
 busts in ornamented wreaths, and raised medallions, in 
 colours, with gold and flesh tints, in original metal 
 mounting, partly engraved. Signed P. R., and dated 
 1545— 9£ in. by 8£ in. 80Z. British Museum. 
 
 1561 AN ELEGANT EWER, with a fine subject of an eques- 
 
 trian combat round the body; on the neck are busts 
 in medallidns, among which may be recognised Henry II. 
 or Francis I., in black and white with flesh tints and 
 gold j the foot embellished with arabesque ornaments : 
 the artist's initials, I. C, occur on one of the medal- 
 lions, probably his portrait — 10 in. by 4 in. (See Il- 
 lustration.) 1361. 10*. S. Addington, Esq. 
 
164 LIMOGES ENAMELS. 
 
 1562 A tazza, with the Annunciation in the howl ; the foot 
 
 has a subject of dancing figures, the outside fancifully 
 embellished : within the foot the initials of the artist, 
 , I. H. — about A\ in. high by %\ in. diameter. 82?. 
 'Marlborough House. 
 
 1563 A Salt Cellab, hexagonal, the sides having subjects 
 
 of boys engaged in the vintage, the top and -bottom 
 having busts of Paris and Helen, with figures and 
 wreaths in colours, with gold — nearly 3 in. high. 
 171. 17s. O. E. Coope, Esq. 
 
 1564 A itne labge Tazza, with a scriptural subject of many 
 
 figures, in black and white, with flesh tints and gold ; 
 rich masks and scrolls on the outside. The initials of 
 the artist, I. C, on the outside — 4§- in. high by 10 in. 
 diameter. 41 J. British Museum. 
 
 1565 A BEAUTIFUL CASKET, in original silver-gilt chased 
 
 mounting, highly embellished with gems, camei, etc. : 
 it is composed of five plaques of enamels, in panels, 
 representing the Sybils, in black and white, with gilding 
 — height about A\ in. width b\ in. (See Illustration.) 
 2521. M. T. Smith, Jlf.P. 
 
 1 566 A Tazza, with Abraham and Isaac represented within. 
 
 the bowl ; on the foot another subject from Genesis, 
 in black and white, with flesh tints and gold, with a 
 shield of arms — nearly 7 in. diameter, and 6 in. high. 
 41Z. 10s. Wright. 
 
 1 567 A Salt Cellab, circular, with hexagonal sides ; the 
 
 top has a subject of figures in a landscape, and on the 
 sides are six of the Sybils, in colours with gold — 4 in. 
 high. 262. 10*. Farrer. 
 
 1568 A labge Tazza, with the passage of the Red Sea, in 
 
 black and white, with flesh tints and gold, rich scrolls 
 on outside — 4 J in. high, 10 in. diameter. 26/. 10s. 
 Wright. 
 
 1569 A Paie or Salt Cellabs, of hexagonal form : the 
 
DRESDEN AND OTHEE ENAMELS. 165 
 
 labours of Hercules represented on the panels, and 
 busts of Hercules and Dejanira on the tops and bot- 
 toms, in colours and gold— dated 1542 — 3^ in. high, 
 4f in. wide. 421. Marlborough Souse. 
 
 1570 A Ciecttlae Pax, in silver-gilt mounting, with the 
 
 Virgin and Child in a landscape, in colours and gold : 
 the enamel appears to be older than the mounting ; ' 
 on the back of which is inscribed A. Pasto, Doctor. 
 1593 — about 4 in. diameter. 41/. British Museum. 
 
 1571 A Salt Cellae, of circular form, on the top is a classi- 
 
 cal bust, on the stem, some of the labours of Hercules, 
 in black and white, with flesh tints and gold — 4 in. 
 high, 5 in. diameter. 371. Beurdeley. 
 
 1572 An Hexagonal Salt Cellae, with classical busts, in 
 
 medallions, with trophies, and a shield of arms with 
 three fleurs-de-lys — about If in. by 3 in. 16Z. 16*. 
 Baron James de Rothschild* 
 15/3 A cup and saucer : the inside of the cup light blue, 
 with portraits of Semiramis and Pauline, and busts of 
 Roman emperors between embossed borders ; on the 
 saucer, the figure of Jael, in colours and gold. Signed 
 by the artist, J. Laudin. 251. D. Falcke. 
 
 1574 A similar cup and saucer, with portraits of Artemisia, 
 
 Zenobia, and Aria, with Roman imperial busts be-- 
 tween. 16/. 16s. John Noble, Esq. 
 
 DRESDEN AND OTHER ENAMELS. 
 
 1575 A pair of cups and saucers, of Dresden enamel, in 
 
 silver-gilt mountings with spoons, with three seaports, 
 in the manner of Claude, and a large view in each 
 saucer, with rich borders of flowers, the cups lined 
 with silver-gilt. 59/. S. Addington, Esq. ' 
 
 1576 Another pair of cups and saucers, of Dresden enamel, 
 
 also painted with Claude-like seaports and floral em- 
 bellishments. 45/. Marlborough House. 
 
166 EAELX OEIENTAIi ENAMELS. 
 
 1577 An oblong saucer-formed drinking vessel, the sides 
 
 lipped over near the centre, enamel, with a chase of 
 wild beasts, and embossed work in colours : the eques- 
 trian figures are attired in old Hungarian costume. 
 41. 15*. S. Zimmerman. 
 
 1578 A cup and saucer, enamelled on silver, of Dresden work, 
 
 with medallions of figures and floral embellishments, 
 41?. The same. 
 
 1579 A circular flat box and cover, enamelled on metal, or- 
 
 namented with raised scroll work. 61. 10s. Baron 
 James de Rothschild. 
 
 1580 Another, nearly similar. 10?. 10s. Baron Solomon de 
 
 Rothschild. 
 
 1581 A circular plate, of Moresco Hispano enamel, in blue,. 
 
 gold, and white, with a sunk centre, the embellishments 
 very fanciful and elegant — about 10 in. diameter. 
 15?. 10s. Marquis of Br eadalbane. 
 
 1582 A similar plate, with the centre more deeply sunk — 
 
 about 8 in. 17?. Annoot and Gale. 
 
 1583 A circular plate, of Italian enamel, embossed all over 
 
 with raised flowers, and arabesques in scrolls — about 
 15 in. diameter. 41. British Museum. 
 
 EARLY ORIENTAL ENAMELS, ON METAL. 
 
 1584 A two-handled flat basin, of bronze, richly enamelled 
 
 with scroll work in blue and red, on three feet — 6 in. 
 diameter. Of very early work. 1 61. 5s. Marlborough 
 House. 
 
 1585 A beautiful small flat basin, similarly ornamented— 
 
 6 in. diameter — on rosewood stand. 21?. Baron- 
 Solomon de Rothschild. 
 
 1586 A circular flat bottle, with globular neck, and two 
 
 handles, of very early enamel, scroll ornaments in 
 colours on blue ground — 9$- in. high. 21?. 10s. 
 Marlborough House. 
 
BAK1T OEIElTTAl! ENAMELS. 167 
 
 1587 A small hexagonal stand, with flowers on dark blue, in 
 
 compartments— 2|- in. high. 31. 12s. 6d. Baron 
 Solomon de Rothschild. 
 
 1588 An oval vessel, with scales in imitation of tortoises, with 
 
 black scrolls on yellow ground — 3 in. long. 217. S. 
 Addington, Esq. 
 
 1589 A globular essence vase, with flowers, in colours, on blue 
 
 ground — 6 J in high. 26?. Baron James de Rothschild. 
 
 1590 A beautiful basin, with dragons, scrolls, and flowers, in 
 
 colours on blue ground, lined with white metal — 8|- in. 
 diameter. 2\l. 5s. Marlborough House.' 
 
 1591 A small cup and saucer, with coloured flowers on white 
 
 ground. 21. Banting. 
 
 1592 A small cup and saucer, white flowers on blue ground. 
 
 21. 2s. The same. 
 
 1593 A fruit-shaped cup and saucer, green and pink, with 
 
 flowers. M. 2s. — Bowling, Esq. 
 
 1594 A pair of Dresden cups and saucers, in imitation of 
 
 oriental, scalloped with flowers in relief. 41. 6s. Weeks. 
 
 1595 A plaque, with coat of arms of Sir Anthony Browne,, 
 
 Grand Squire to Henry VIII., and inscription beneath, 
 enamelled in colours on metal, the edges gilt — 6|- in. 
 by 4f in. 21. 10s. British Museum, 
 
 One of the plates from the stalls in St. George's Chapel, Windsor. 
 Amount of Thirteenth Day's Sale, 3,1067. Is. 6d. 
 
168 KNIVES ABD OIHEE INBTETJMBIfTS. 
 
 FOURTEENTH DAY'S SALE. 
 
 STEEL KNIVES AND FORKS, AND OTHER INSTRU-, 
 
 MENTS. 
 
 J596 A large knife, with mother-o' -pearl and ornamented 
 metal-gilt handle, the lower part of the blade gilt and 
 engraved ; on the back edge, in raised letters, is " De la 
 Fidelite derive ma Fortune" in leather sheath — date 
 from 1540 to 1560. 81. Marlborough House. 
 
 1597 A steel tooth-extracting instrument, engraved and dated 
 
 1598, with an inscription in German, and H. H. on 
 the handle. 10s. Gd. Lord Londesborough. 
 
 1 598 A large pair of steel scissors, with engraved blades, the 
 
 handles of silver work on steel, with birds and shields 
 of arms. SI. 5s. Marlborough House. 
 
 1599 A pair of steel sugar breakers, the blades engraved with 
 
 figures, with German inscription, and date 1644. 11. Is. 
 The same. 
 
 1600 A large pair of steel scissors, ornamented with silver, 
 
 with the arms of a bishop on the handle. 11. 5s. The 
 same. 
 
 1601 Another pair, the handles of chased silver, with arms, 
 
 cypher, and crest. 1 1. 2s. The same. 
 
 1602 A steel knife, with chased handle of a lion holding a 
 
 shield of arms, some marks on the blade ; in t rude 
 wooden iron-mounted case, engraved with an anchor, 
 heads, &c. — date 1552. 3/. 12s. 6d. The same. 
 
 1603 A pair of steel knives, with curiously shaped handles of 
 
 dark horn, mounted with brass, engraved with subjects, 
 and the date 1608. 11. 10s. The same. 
 
 1604 A steel knife, with carved blade, partly gilt and engraved 
 
 with richly carved ivory handle of a female figure — of 
 Italian work, in leather sheath. 21. 12s. Pratt. 
 
KNIVES AM) OTHER INSTEUMENTS. 169 
 
 1605 A steel dagger knife, mounted with silver, with ivory 
 
 handle, carved with a group of boys, in leather mounted 
 sheath. 3/. Pratt. 
 
 1606 A steel dagger knife, mounted with silver-gilt, engraved 
 
 with ivory handle carved with male and female figures 
 and foliage, in leather sheath. '61. 15s. Burl of Lons- 
 dale. 
 
 1607 A steel knife, with red shell or horn handle, mounted 
 
 with silver, with devices and figures. 91. 5s. Marl- 
 borough House. 
 
 1608 A pair of shears, the blades engraved, and apparently 
 
 formerly gilt.' 11. The same. 
 
 1609 A steel knife, with silver handle, enamelled light blue, 
 
 with raised silver ornaments, afleur-de-lys and coronet 
 engraved. 21. 
 
 1610 Another, with variegated bone handle, silver and coloured 
 
 stripes, with chased ferrule and hilt of metal gilt, the 
 blade partly gilt, and engraved with stags. 21. 
 Chaffers. 
 
 1611 Another, with dark shell or horn handle, mounted with 
 
 silver scrolls and busts. 71. Marlborough House. 
 
 1612 A steel knife and fork, in one piece, for a one-armed 
 
 person, the handle of ivory, with shield, and date 1617. 
 Sold with No. 1613. 
 
 1613 A long steel fork, with bone handle inlaid with picquet 
 
 work. 10s. 6d. Chaffers. 
 
 1614 A stylus, for writing, ornamented with silver of Mo- 
 
 resque design. 11. 3s. Lord Londesborough. 
 
 1615 A beautiful boxwood spoon, the bowl carved with an 
 
 equestrian figure and a portrait, with inscription and 
 crown, dated 1676 ; the handle formed of a male and 
 female figure, seated on a mask, the Virgin and Child, 
 and other figures. 71. 15s. Marlborough House. 
 
 1616 A red bone spoon, mounted on two small wheels, in 
 
 imitation of a cannon. 11. 7s. Lord Londesborough. 
 
170 COMBS AND CASTINGS IN IYOEY. 
 
 IVORY COMBS AND CARVINGS IN IVORY. 
 
 1617 A Paie oj? beauth'ijxly Caeved Ivoby Plaques, 
 
 being the sides of a dyptic, with four subjects from the 
 life of Christ — of Gothic period, in ebony frames. 
 30Z. British Museum. 
 
 1618 A square shaped ivory comb 5 with large and small teeth 
 
 carved all over with subjects of David and Bathsheba 
 and the Choice of Paris, and ornaments in renaissance 
 taste. \8l. 10*. Marlborough House. 
 
 1619 An oblong Italian comb, with small and large teeth, 
 
 beautifully carved in ivory, with busts and arabesques. 
 1 71. The same. 
 
 1620 Another oblong Italian comb, of the same kind, beauti- 
 
 fully carved in ivory, with boys, masks, and scrolls. 
 71. 7s. The same. 
 
 1621 Another oblong Italian comb, of the same fine workman- 
 
 ship and form, but different subjects, busts, etc., the 
 carving being of different periods. 71. Is. W. Mas- 
 hell, Esq. 
 
 1622 An Obiong Venetian- Comb, carved in ivory, with 
 
 one row of teeth on each side, carved with minstrels, 
 hawking parties, etc., and ornamental sides, similar 
 to the embellishments seen in missals. 271. Lord 
 Londesborough. 
 
 1623 A square-shaped comb, of ivory, with two rows of teeth, 
 
 carved with a decorative interlacing device, like a rib- 
 bon, entwined with other ornaments. 81. 5s. Marl- 
 borough House. 
 
 1624 A comb, with two rows of teeth, carved in tortoiseshell, 
 
 and in outer case of the same, with silver mountings, 
 both elaborately engraved with the arms of Jamaica 
 and specimens of some of the native trees, and also 
 engraved "Port Royall in Jamaica, 1690:" on the 
 
COMBS AND CABVINGS IN IVOEY. 171 
 
 comb an earlier date appears, Jamaica 1674. 41. 15s. 
 British Museum. 
 
 1625 A comb, carved in boxwood, with two rows of teeth and 
 
 perforated tracery design, inclining to the gothic style, 
 an amatory device on a pierced heart, carved in relief, 
 and inscription in gothic letters in French. 21. 5s. 
 Marlborough House. 
 
 1626 A comb with double row of teeth, carved in ivory, with 
 
 a female nursing an infant, with two nude male figures- 
 and ornaments. 31. 17s.. Chafers. 
 
 1627 A dyptic, elaborately carved in ivory, with six horizon- 
 
 tal compartments, with subjects from the life of Christ, 
 under gothic arches of the fifteenth century. 741. lis. 
 British Museum. 
 
 1628 An oblong carved ivory tablet, with a singular subject 
 
 in relief, armed knight slaying a man attired like a 
 wild monster, and other figures — early. 151. The same. 
 
 1629 A whole-length figure of the Virgin and Child, carved in 
 
 ivory, with crowns on their heads. 51. 10s. W. Mas- 
 kell, Esq. 
 
 1630 A very curious circular carving in ivory, in relief, in. 
 
 original silver and gilt ornamented and fillagree frame, 
 with crystal cover over it, with the death of the Virgin,, 
 with many figures of saints, etc., in its original state 
 of ornamental colouring and gilding, in modern leather 
 case. 81. 15s. M. T. Smith, M.P. 
 
 1631 A circular plaque, of ivory, carved in relief, with David's 
 
 mission to Bathsheba, etc., in an ornamented border : 
 perhaps this has been the case of a mirror — date from 
 1460 to 1480. 51. 5s. Marlborough House. 
 
 1632 An upright carved ivory plaque,, with arched top, and 
 
 two whole-length figures of angels supporting a circular 
 medallion ; the background covered with fleurs-de-lys 
 under the triple decorated arch : this may have been a 
 reliquaire. 101. British Museum. 
 
 1633 An Oblong Itoet Plaque, carved in relief, in two- 
 
172 CABVINtiS IS IVOBY. 
 
 compartments, with St. George and the dragon, and 
 St. Barbara and other figures, under very rich pointed 
 and circular architecture forming canopies. A most 
 interesting object of the fifteenth century. 311. British 
 Museum. 
 
 1634 A Cikcttlab Ivoey Plaque, carved in relief, with gro- 
 
 tesque gothic crockets round the border, with a sub- 
 ject representing the betrayal of a castle by the females 
 within to the besiegers ; supposed to illustrate a passage 
 in an early French chronicle : perhaps it has been the 
 case of a mirror. Highly interesting. A31. Lord 
 Londesborough. 
 
 1635 A citbiotjs Itoet Casting, of four busts in three- 
 
 quarters proportions, representing a young man in 
 health and prosperity, with an imp deriding him, when 
 in a subsequent stage of his life he is dying, and with 
 the figure of Death, with Latin inscription in gothic 
 characters, referring to the love of the world, etc., in 
 red and black. 81. 10s. Marlborough Souse. 
 
 1636 A small ivory bust, carved in profile, representing on 
 
 one side a youthful female in rich costume, and on the 
 other the head when decayed by death, with a pair of 
 scales — date about 1560. 51. 2s. 6d. Chaffers. 
 
 1637 A small ivory carved ornament, intended to be worn 
 
 suspended, a double bust, on one side a face of a mo- 
 ribund person, and on the other a death's-head, etc., 
 with original gold and enamelled setting, with chain, 
 etc. Maria and TN'R-I on the setting, and "Dura et 
 Aspera " inscribed on the ivory. 41. W. Maskell, Esq. 
 
 1638 A pair of carved ivory dice, formed as grotesque females 
 
 in a sitting posture. 31. William King. 
 
 1639 A carved ivory grater, formed as an upright female figure 
 
 in a Turkish or Armenian dress — of early period. 
 11. 3s. T. M. Whitehead, Esq. 
 
 1640 A small whole-length figure, of ivory, of a draped Gre- 
 
 cian warrior, with shield. 11. 10s. Durlacher. 
 
ANCIENT SEALS. l/3> 
 
 1641 A carted Ivokt Top of a Sceptre or baton, of ce- 
 
 remony, with two busts in high, relief, the one of an 
 emperor under the guise of Herod, and the other the- 
 daughter, as Herodia's daughter with the head of St. 
 John — of the time of Maximilian. 151. 10s. Marl- 
 borough Souse. 
 
 1642 A small ivory flask, like a powder case, carved in relief, 
 
 with men at a table with attendants pouring out wine- 
 — date about 1580. 3/. 13s. 6d. W. Lake Price, Esq. 
 
 1643 A small ivory powder flask, with original silver pipe, 
 
 boldly carved as a warrior's helmeted head, with lizard- 
 like monster on it. 101. 10s. Marquis of Breadalbane. 
 
 ANCIENT SEALS. 
 
 1644 S' -NOBILIS -ANTONIID' • VERANNO ■ D' ■ PAEMA. 
 
 SACRI-IMPERII-COMITISPALATINI: seal of An- 
 tony D'Veranno, imperial governor of Parma ; the em- 
 peror seated, with the orb and sceptre, upon a gothic 
 throne, between two shields, one charged with the im- 
 perial eagle, the other the lion of Bavaria; on one 
 side, the governor upon his knees 'addressing the em- 
 peror, " S'MAGES "—size 3£ in. brass. 41. Marl- 
 borough House. 
 
 1645 S' • COVET • ECCL'ILE ■ BE ■ MARIE ■ VALL' • SCI. 
 
 GEORGII : the Virgin and Child, seated between two 
 trees, upon a gothic arch ; below, St. George, upon 
 horseback ; in front, figures. 21. 17*. The same. 
 
 1646 GOEFRID'DE-HODENLOCH-COMESROMANIOLE : 
 
 the earl, riding to the left, armed with a shield and. 
 
 pennon. 11. 6s. The same. 
 *647 S'SOROR-ORDINIS-SCI-VICTORISTRAIECTO : St. 
 
 Victor riding to the right, armed with sword and shield- 
 
 21. Ss. The same. 
 IG-18 S-DER-GAMERBEN.ZV-NVYIETI-FALKENSTERN : 
 
 St. George and Dragon, in front; the princess, behind, 
 
 shield charged with a lion. 31. 17s. The same. 
 
174 CAETOffiS IN WOOD. 
 
 ROSARIES. 
 
 1649 A rosary, with, black beads set with engraved mother- 
 
 o'-pearl, the stops of gilt sacred emblems : at the 
 bottom is suspended a large Greek cross of gilt filla- 
 gree, and a small fillagree reliquaire above. 16?. 
 Chaffers. 
 
 1650 Another, with pierced beads of white enamel divided by 
 
 gilt embossed beads, a silver fillagree cross and silver 
 crucifix suspended. 11. 13s. Benjamin. 
 
 1651 One, with brown wooden beads, with cross inlaid with 
 
 mother-o'-pearl. 1 7s. Pratt. 
 
 1652 One, with numerous silver representations of celebrated_ 
 
 relics : at the bottom is suspended a silver heart, which 
 opens as a reliquaire, with a small figure of Christ in 
 the tomb. 51. 10s. Chaffers. 
 
 1653 One, of long oval beads of pink coral, and two small 
 
 silver-gilt badges, with inscriptions. 31. 5s. W. Stir, 
 ling, M.P. 
 
 1654 A Moorish necklace, of gilt metal, covered with blue 
 
 enamel, and figured with arabesques, composed of 
 beads, crescents, lozenges, and hands. 51. 7s. 6d. 
 Chaffers. 
 
 1655 A rosary, with black beads set with small sacred emblems 
 
 covered with crystals, the cross in the form of a spread 
 eagle. 11. 18s. 
 
 CARVINGS IN WOOD. 
 
 1656 Silenus, with an infant bacchanal in his arms — a beau- 
 
 tiful statuette, in boxwood, on black marble plinth — 
 10 in. high. 191. 8s. &d. John Noble, Esq. 
 
 1657 The Virgin crowned, holding the sceptre, the Infant 
 
 standing on her knee — a beautiful Flemish carving, in 
 boxwood — 8-g- in.' high. 71. 5s. Wright. 
 
 1658 A female, a dog at her feet, in boxwood— 9 in. high. 
 
 31. 17 s. The same. 
 
CUHIOSITIES. 175 
 
 1659 A triangular altar, with satyrs at the angles, coloured 
 
 black, surmounted by a sphinx bearing a shield, of 
 Venetian work coloured. Bated 1654 — 13J in. high. 
 lOi. 10s. Marlborough House. 
 
 CURIOSITIES. 
 
 1660 A rosewater dish and ewer, of white German stoneware, 
 
 with borders of female busts, fruits, and flowers in re- 
 lief, coloured — diameter of dish, 14£ in. ; height of 
 ewer, 12£ in. 13?. 10*. The same. 
 
 1661 An ewer, of German stoneware, painted with Mercury 
 
 and Aglaura — 14 in. high. 61. 15*. Walter Stirling, 
 Esq. 
 
 1662 A rosewood box, inlaid with a shield of Spanish arms 
 
 and arabesques, in ivory — 12 in. by 7\ in. l'5l. 
 Marlborough House. 
 
 1663 A curious wooden casket, painted with lions on gold 
 
 ground, gilt inside, and engraved, mounted with brass 
 
 work — 8y in. by 5 in. 401. 10*. The same. 
 
 This casket was purchased by Messrs. Annoot and Gale, for Martin T. 
 Smith, M.P., -who finding he had unintentionally obtained it, in compe- 
 tition with the School of Design, generously presented it to Marlborough 
 House, where it remains an honourable memento of his liberality and 
 patriotism. 
 
 1 664 A Persian mirror, in a painted case, with Persian figures 
 
 on the top ; under the lid and bottom are subjects of 
 the Nativity ; supposed to have been executed for an 
 Armenian Christian in Persia. 31. 6s. Bedfern. 
 
 1 665 Twenty-seven small glass tablets, painted with shields of 
 
 arms. 11. 10s. Pratt. 
 
 1666 Head of Augustus, bronze fragment. 31. 12s. Chafers. 
 
 1667 An oriental matchpot, of teakwood, encrusted with a 
 
 tree, birds, and flowers, in mother-o'-pearl and colours 
 — 5 in. high. 81. 5s. Marlborough House. 
 
 1668 A two-handled rice cup, in imitation of jade. 11. lis. 6d. 
 
 The same. 
 
176 CARTINGS IN IVOET. 
 
 1669 A large circular box, of tortoiseshell, engraved with the- 
 
 arms of Jamaica, 1676. 21. 6s. — Greenwood, Esq. 
 
 1 670 A shell, mounted with a dolphin,of metal gilt, as a scent 
 
 bottle. 17*. Benjamin. 
 
 1671 A circular ivory powder flask, with a horseman and at- 
 
 tendants, with dogs, in relief, coloured. 10/. Marl- 
 borough House. 
 
 1672 A curious horn, mounted, as a drinking cup, with rims 
 
 and bands of copper gilt, with German inscription. 
 121. 10s. The same. 
 
 1673 A leather gauntlet, the edge worked with silver ; a pair 
 
 of gloves, with ribbon ornaments ; and a worked 
 border for a gauntlet. 7s. Pratt. 
 
 1674 Two pairs of gauntlets, worked with gold and silver 
 
 lace. 7s. The same. 
 
 1675 A sconce, of brown Flemish stoneware, with two nozzles, 
 
 the arms and cypher of Queen Elizabeth on the back. 
 1H. British Museum. 
 
 CARVINGS IN IVORY. 
 
 1676 A tall dice box, engraved with Susannah and the elders, 
 
 shaded with Indian ink, -arabesques below, on metal 
 feet — 8 in. high. 51. Marlborough House. 
 
 1677 A tall goblet, fluted, with four medallions of lions, sup- 
 
 porting sheaves of corn above — 8y in. high. 3/. 10*. 
 Pratt. 
 
 1678 A small canette and cover, with two figures of Charity ; 
 
 a shield of arms, with inscription and date, Hamborch, 
 1595 — 71 in. high. 121. 10s. Marlborough House. 
 
 1679 A circular stand, in the form of a quiver, engraved with 
 
 German emperors and knights, and frieze of hunting 
 subjects in arabesques ; containing twelve knives, the 
 handles engraved with figures— 9 in. high. 251. 10s. 
 The same. 
 
CABTOTGS IN IVORY. 1/7 
 
 IG80 Two knives, with steel blades, engraved with notes of 
 music and a Latin grace, the handles of ivory, engraved, 
 in a leather case. 11. 10s. Lord Londesborough. 
 
 1681 A set of six knives, the handles of busts, crowned, in a 
 
 leather case. 31. Benjamin. 
 
 1682 A casket, of mahogany, inlaid with minute arabesques 
 
 of ivory. 8Z. 18*. 6d. Charles Mills, Esq. 
 
 1 683 A knife and sheath, the handle formed of groups of ani- 
 
 mals, in ivory, hi. 0. E. Coope, Esq. 
 
 1684 A CROZIER, the top beautifully carved of bold foliage, 
 
 two ivory bands on the ebony stem — 6 ft. 10 in. high. 
 14?. 5*. — Greenwood, Esq. 
 
 1685 ANOTHER CROZIER, on ebony stem, the top elabo- 
 
 rately carved -with infant angels bearing shields, one of 
 them wearing a mitre, and cherubs' heads at the edges 
 — 6 ft. 4 in. high. 20Z. Marlborough House. 
 
 1686 A papal staff of office, engraved with numerous small 
 
 scriptural subjects, the oval top with portrait of a pope 
 and shield of arms — 5 ft. 7\ in. high. 22?. 10*. The 
 same. 
 
 1687 An oval medallion of a French gentleman, in a cuirass, 
 
 with long flowing hair. 12*. Willson. 
 
 1688 The House of Hanover — a set of five beautiful medallion 
 
 busts of the family of George I., with the royal arms 
 of England and tablet of inscription. 41. 4s. — Green, 
 wood, Esq. 
 
 1689 Louis XIV. — a medallion, beautifully carved. 11. Ss. 
 
 Linton. 
 
 1690 William, Duke of Cumberland, in armour — an oval me- 
 
 dallion, in high relief. 21. 15s. British Museum. 
 
 1691 A gentleman, in a flowing wig, holding a heart-shaped 
 
 vase of lire. 21. 12*. Benjamin. 
 
 1692 Sir Martin Frobisher, by Marchant — fine medallion, in 
 
 high relief. 71. Geo. Morland, Esq. 
 
 1693 An ivory crucifix, beautifully carved — the figure 10 in. 
 
 high. 41. 17 s. Duke of Newcastle. 
 
 w 
 
178 EAEIT COFEEES JLKD CUBIOSITIES. 
 
 1694 A beautiful ivory stand for a cup, exquisitely carved with 
 
 a figure of a triton and sea monsters, on waved saucer, 
 supported on three dolphins — 85- in. high. (See illus- 
 tration.) 351. — Greenwood, Esq. 
 A fine Italian work of the beginning of the sixteenth century. 
 
 1695 St. Andrew, one arm affixed to the cross— a beautiful 
 
 figure — 13 in. high. 221. lis. 6d. John Noble, Esq. 
 
 1696 A SUPERB CUP AND COVER, on stem, with a frieze 
 
 of figures of Minerva, Peace, and Silenus with fauns 
 and bacchanals, in high relief, the stem formed of clus- 
 ters of vine leaves and. grapes, friezes of children with 
 grapes round the foot and cover, surmounted by an 
 infant with a tazza and grapes, in octagonal crystal 
 case, on pillar — 20 in. high. 200Z. Benjamin. 
 
 This magnificent work was bought by Mr. Pratt for ISO/. It came 
 from Belem in Portugal. 
 
 EARLY COFFERS AND CURIOSITIES. 
 
 1697 A coffer-shaped box, of oat, carved with foliage, and 
 
 brass hinges. 21. 15s. Pratt. 
 
 1698 An ancient coffer, covered with plates of copper gilt, the 
 
 medallions of female heads and sphinxes — 8£ in. by 
 6 in. 241. 10*. Marlborough House. 
 
 1699 An inkstand, of copper gilt, the cover in the form of a 
 
 basilica. 41. 10«. The same. 
 
 1700 A small iron chest, painted with two German portraits 
 
 and flowers on the lid — 16 in. by 83- in. 6s. The same. 
 
 1701 A pair of altar candlesticks, of metal gilt, on feet — 
 
 13 in. high. 9s. The same. 
 
 1 702 A pair of candlesticks, with two nozzles each, held by 
 
 bronze figures of German soldiers — 10 in. high. 21. 7s. 
 Benjamin. / 
 
 1703 A pair of matchpots, carried on the backs of German 
 
 figures, rudely carved in wood. 41. 10s. Marquis of 
 Breadalbane. 
 
1B94 
 
 
 CAHVED IVORY CUP. 
 
EAETiT COFFEES AHD CUEIOSITIES. 179 
 
 1704 One, nearly similar, with white metal rims. 41. 4s. Mar- 
 
 quis of Breadalbane. 
 
 1705 An ancient coffer, of wood, with animals and scrolls in 
 
 gothic niches, and iron mountings — 8 in. by 6£. in. 
 15Z. 10*, Marlborough House, 
 
 1706 Another, larger, with figures and animals — 11^- in. by 
 
 9 in. 151.15s. The same. 
 
 1707 A copper tankard and cover, embossed with birds in 
 
 compartments. 11. 2s. B. G. Austen, Esq. 
 
 1708 A circular stand and cover, of copper, with frieze of 
 
 figures dancing in relief, and animals on the hd — 8-J- 
 in. diameter. 211. 10s. Marlborough House. 
 
 1709 A mortar, of bell metal, of German work, with inscrip- 
 
 tion, and date 1545 — 6-J- in. high. 41. 15s. The same. 
 
 1710 Another, larger ; and a pestle, t with figures, in relief, 
 
 friezes of flowers, and inscription and date 1511 — 7J 
 in. high. 51. The same. 
 
 1711 A brass hand candlestick, embossed with figures; and a 
 
 small ditto. 11. 18s. The same. 
 
 1712 A pilgrim's bottle, covered with cuir bouilli, with ani- 
 
 mals, cupids, and foliage in relief — 1 1 in. high. 141. 10s. 
 The same. 
 
 A very fine specimen of stamped leather. 
 
 1713 The Magi presenting their offerings : a group of figures, 
 
 in relief, round a circle, in white marble — 4 in. high. 
 51. Pratt. 
 
 1714 A brush, the handle of wood, carved with figures. 11. Is. 
 
 S. Addington, Esq. 
 
 1715 A small box, covered with stamped leather, with initials 
 
 P. P., and brass mountings. 11. 5sl Marlborough 
 House. 
 
 1716 A box, covered with stamped leather, a shield of arms 
 
 on the lid, and inscription round. 16?. 10s. The same. 
 
 1717 A carved wood box, of early gothic work, with a cypher, 
 
180 EABET COEEEES AND CURIOSITIES. 
 
 and letters and flowers on damasked ground. 61. 5s. 
 Marlborough House. 
 
 1718 A coffer, -with dome top, covered with velvet, ornamented 
 
 with medallions, pilasters, and bands, of or-moulu-- df 
 in. by 4£ in. 81. 10*. Webb. 
 
 1719 Another, of wood, covered with vellum, painted with 
 
 arabesque designs in gothic taste — 10-j in. by 6 in. 
 71. 5s. Marlborough House. 
 
 1720 Another, of inlaid woods, surrounded by a frieze of 
 
 figures carved in bone, and another frieze on the top 
 — 8-J- in. by 5£ in. 10?. 10s. W. Lake Price, Esq. 
 
 1721 Four purses, needlework, with silver lace and tassels ; 
 
 and a memorandum book. Withdrawn. 
 
 1722 A grotesque head, of coloured and glazed stoneware. 
 
 11. 5s. A. W. Franks, Esq. 
 
 1 723 A broad steel knife, the haft chased with head and scrolls, 
 
 gilt, and black wood handle, in leather case. 41. Marl- 
 borough House. 
 
 1724 A set of four large knives, with steel blades, the handles 
 
 of amber fluted, the tops of ivory inlaid with amber, 
 two small medallions in each, in leather case. 61. 
 Benjamin. 
 
 1725 A brass candlestick, with plain stem, the base embossed 
 
 with cupids and scrolls — 7 in. high. 11. 8s. Pratt. 
 
 1726 A paie oe BEAr/TTFUX Beass Candlesticks, the surface 
 
 elaborately chased with arabesque ornaments — 7 in. 
 high. 201. 10«. Marlborough House. 
 
 1 727 A paib oe Altab Candlesticks, of Silveb, embossed 
 
 with flowers and foliage — 10^ in. high. 121. 5s. Pratt, 
 
 1728 A beautiful crucifix, the figures of boxwood, on tortoise- 
 
 shell cross— the figure 11 in. high. 41. 10s. Mrs. 
 Thomas. 
 
 1729 A steel skewer, with screw; a pair of nippers ; 2 pairs 
 
 of nutcrackers ; and a screw. 1Z. 15s. Lord Londes- 
 borough. 
 
 1730 A hook-bladed steel knife, engraved, the back edge gilt, 
 
EABLY COFFEES ATTD CTTBIOSITIES. 181 
 
 with mother-o'-pearlhandls ; and a steel, with mother- 
 o' -pearl handle. 31. 17*. Hon. W. G. Osborne. 
 
 1731 Four barbed brass-mounted arrows, for a crossbow. 5/, 
 
 Pratt. 
 
 1732 An almanac, in oval plate of silver, chased with foliage. 
 
 21. 5s. Linton. 
 
 1733 Another, in plate of silver openwork, chased with foli- 
 
 age. 11. 7s. The same. 
 
 1734 A large oval silver sconce, with branches for lights, 
 
 painted with a female portrait in the centre, and arms 
 above, the borders embossed with birds and flowers — 
 27 in. by 16 J in. 51. 2s. 6d. Benjamin. 
 
 1735 AN ANCIENT COFFER, on stand, covered with old 
 
 figured cut crimson velvet, with engraved steel handles 
 and corner mounts ; the top ornamented with five 
 chased steel plaques partly damasquined in gold, with 
 subjects from the Bible ; the front with eight subjects 
 from sacred and profane history, supposed to be of 
 Italian workmanship ; the front falls down and dis- 
 closes six drawers and centre recess, with separate lock ; 
 on the inner side of the fall-down front is a complete 
 steel lining, engraved with a calendar, with rich border, 
 dated 1560, calculated for twenty years forward: the 
 drawers and fronts have steel fronts engraved with 
 subjects of the wise man and fool, etc., with Latin de- 
 scriptive verses — 16 in. long, 12 in. wide, and 12J in. 
 high. 26/. 15*. 6d. John D. Gardner, Esq. 
 
 1736 A MAGNIFICENT ANCIENT GERMAN SILVER,. 
 
 GILT COLLAR OF OFFICE, composed of fifteen 
 circular medallions, five of them enamelled with coats 
 of arms, the others with archery emblems chased in 
 relief; the three central medallions surrounded with 
 figures and masks in relief, and one of them sur* 
 mounted by a figure of Sebastian ; a crowned bird 
 suspended below, on which is inscribed Ob. Dorp— 
 dated 1554. 41?. Marlborough House. 
 
182 ItfEHBSA AND EAETAELLE WAEE. 
 
 1737 A curious oriental collar formed of beads of metal gilt 
 with a locket, of butterfly form, richly enamelled on 
 silver, hanging from the heads of two monsters. 31. 
 Marlborough House. 
 
 Amount of Fourteenth Day's Sale, 1393J. 9s. 
 
 FIFTEENTH BAY'S SALE. 
 
 FABNZA AND RAFFABLLB WARE. 
 
 1738 A plate, with the subject of the shipwreck of the fleet 
 
 of Seleucus ; at the top, the crest of the Negro's head ; 
 on the back, the description, with the name, etc., of 
 the artist, Fra Xanto, and date, 1532 — 10 in. diameter. 
 71. A. Fountaine, Esq. 
 
 1739 A dish, op Gioegio da Gubbio Waee, with a deeply 
 
 sunk centre, in which there is a subject of Cupid 
 blinded : this dish has a fine metallic lustre glaze, with 
 a rich border of a dark blue ground, with variously 
 coloured arabesques and medallions of musical and 
 other trophies, with devices ; the back has rude scrolls 
 of a metallic colour, and the monogram and date, 1524 
 — 10-f- in. diameter. A most splendid specimen, of this 
 ware. 401. John Henderson, Esq. 
 
 1740 An early Italian plate, having a dark blue ground, or- 
 
 namented with yellow, green, and other coloured ara- 
 besques, eagles, trophies, etc. ; the back is of light 
 blue, with circular lines of orange — lOf in. diameter — 
 presumed date about 1520. 102. Marlborough House- 
 
 1741 An early Italian dish : in the centre the subject of Leda, 
 
 etc., richly coloured, with a border of ornamental 
 variously coloured scrolls and arabesques ; the back 
 is painted in light and dark blue, with orange coloured 
 
IMENZA AND BAFFAELLE WABE. 183 
 
 Circular lines ; in the centre, at the back, a mask — 
 lOf- in. diameter — presumed date about 1500. 11. 16s. 
 Willson. 
 
 1742 An early Italian dish, with crinkled or fluted edges, or- 
 
 namented with variously coloured scrolls, &c, which 
 are cut in or engraved : in the centre is a coat of arms, 
 which is embossed ; the back is engraved, and slightly 
 coloured circular lines are thereon — 10 in. diameter — 
 presumed date before 1500. 10Z.15s. S.Addingtbn,Esq. 
 
 1743 An early Italian dish, of metallic lustre, being embossed, 
 
 and having various coloured ornaments of masks and 
 arabesques : in the centre a cross and I.H.S., in gothic 
 letters, are embossed ; the back is highly glazed, and 
 has brownish red lines — 9£ in. diameter — presumed 
 date about 1525. 161. 10s. Sir S. II. Campbell. 
 
 1 744 An early Italian dish, with a sunk centre : in the centre 
 
 a male portrait in costume of the time, and having 
 quite the character of a head after Raffaelle, a very 
 beautiful border of arabesques, of various colours, on 
 an orange ground ; the back has white and blue 
 circular lines — about 1 in. diameter — presumed date 
 about 1510. 141.10s. Marlborough House. 
 
 1745 A dish, of Raffaelle ware, in very fine colours : the sub- 
 
 ject of Perseus and Andromeda; on the back the 
 description of the' subject and inscription — 10 in. 
 diameter. 10/. 10*. B. Falcke. 
 
 1746 An early Italian dish, light blue ground, ornamented 
 
 with yellow and other colours : subject Apollo and the 
 Muses, in a landscape ; the back is of a greyish blue 
 colour, with dark blue and white circular lines, and 
 mask in the centre — presumed date about 1500. 61- 
 British Museum. 
 
 1747 A deep plate, white, with a gold wing in the centre, 
 
 and frieze of ivy leaves round — 9|- in. diameter. 41. 
 Chaffers. 
 •1 748 A small deep plate, with leaf ornaments, green and white 
 
J §4 FAENZA AND BAITAELLE WAEE. 
 
 on light blue ground — 7% in. diameter. 51. Marl- 
 borough House. 
 ] 749 Another, with medallion portrait of a female, and twisted 
 border, orange, on deep blue ground of brilliant 
 colours— 9f in. diameter. 18Z. 10s. Baron Alphonse 
 de Rothschild, Paris. 
 
 1750 A dish, with the angel driving Adam and Eve out of 
 
 paradise — 12 in. diameter. 221. British Museum. 
 
 1751 A dish, with Jupiter and Semele, and shield of arms, 
 
 inscribed beneath " nella botega de M°. Gudio Duran- 
 tino in Urbino, 1535 " — 10 in. diameter. 71. 5s. The 
 same. 
 
 1752 One, with a metamorphose from Ovid — 10 in. diameter. 
 
 51. Chafers. 
 
 1753 One, withiEneas carrying Anchises from Troy, inscribed 
 
 beneath, " Francesco Xanto Avelli da Rovigo I. Urbino 
 Pinse, 1531" — 10 in. diameter. 141. British Museum. 
 
 1754 A fine Dish, with Alexander, attended by equestrian 
 
 figures, meeting Diogenes, blue on white ground, with 
 blue and red arabesque border — 15Jin. diameter. 251. 
 Marlborough House. 
 
 1755 Another, with Phoebus in his car, drawn by four white 
 
 horses, Italian verses beneath — 10f in. diameter — im- 
 perfect. 61. British Museum. 
 
 1756 A scalloped dish, of early ware, in imitation of mala- 
 
 chite — 12f in. diameter. 41. 4s. Marlborough House. 
 
 1757 A dish, with the Rape of Helen, in faint colours, blue 
 
 foliage and cyphers beneath — 12 in. diameter. 61. 
 British Museum. 
 
 1758 A plate, with sunk centre, blue ground, with Cupid 
 
 on a horse ; on the edge, a Roman medallion, and 
 two dolphins — 8 J in. diameter. 5?. 15s. Marlborough 
 House. > 
 
 1759 Another, with sunk centre, with scrolls, blue and green, 
 
 on orange ground — 9 in. diameter. 41. The same. 
 
 1760 Another, with bust of Moses in the centre, on orange 
 
PAENZA AND EAFFAE1LE WABE. 185 
 
 ground* and light blue arabesques on purple ground 
 on the border — 9g- in. diameter. Marlborough House. 
 
 1761 A deep plate, with light blue circles on orange ground 
 
 and inscription in centre— -9^ in. diameter. 41. The 
 same. 
 
 1762 A labge Dish, with Hannibal at th,e battle of Cannae ; 
 
 the subject described on the reverse — 17-§-in. diameter. 
 121. Is. 6d. The same. 
 
 1763 A Dish, of earit Gubbio Wabe, with shield of arms 
 
 in centre, gilt embossed radii towards the edge, with 
 bosses between, coloured blue and orange, on orange 
 diapered ground — 17 in. diameter. 151. 10s. The- 
 same. 
 
 1764 A curious bottle, in the form of a missal, with blue and 
 
 white scrolls on the back, inscribed " Mesalo ;" 
 cherubs' heads on the sides — 5^ in. by 4 in. 51. 10«- 
 Bedfern. 
 
 1765 Another, lilac and orange ornaments, a cross on each 
 
 side — 7 in. by 5 in. 31. The same. 
 
 1766 An Inkstand, of octagonal form, with the four Evan- 
 
 gelists at the sides, and rich embossed borders of masks 
 and scrolls, with two cavities for drawers ; writing im- 
 plements painted in the tray above — dated 1S24 — ex- 
 treme diameter 13 in. 261.10s. Marlborough House. 
 
 1767 A tine Dish, with sunk centre, full coat of arms, 
 
 supported by cupids, with white border diapered with 
 honeysuckles, the outer border with the flaying of 
 Marsyas ; Pan, and Apollo, in a landscape, with archi- 
 tecture — 16 in. diameter. 261. Baron Gustave de 
 Rothschild. 
 
 1768 A plate, with two coats of arms and arabesques, on 
 
 white ground — 8f in. 31. 3s. Davies. 
 
 1769 A plate, covered with arabesques and cameos, crest of a 
 
 kind of harpy, with mantle and helmet, and three 
 shields of different heraldic bearings — presumed date 
 1570 — 8-J in. diameter. 31. 3s. The same. 
 
186 EAENZA AND BAITAELEE WAEE. 
 
 1770 An early Italian dish, in blue and white scrolls, ara- 
 
 besques, etc., — presumed date 1530~-££ in. diameter. 
 3/. e, S. Bale, Esq. 
 
 1771 A dish ; banquet of the Roman people : a fine subject ; 
 
 border of rich arabesques and cameos ; description at 
 the back — presumeddate about 1 540 — 1 7\ in. diameter. 
 26Z. 10s. R. S. Holford, Esq. 
 
 1772 A Dish ; the Nativity, etc.: border of arabesques and 
 
 cameos, yellow lines at the back — presumed date about 
 1540 — 17J in. diameter. A fine specimen. 311. 10s. 
 C. S. Bale, Esq. 
 
 1773 A dish; M. Curtius leaping into the gulf: border of 
 
 arabesques and cameos ; on the back a description, 
 with some lines in yellow — presumed date about 1 540 
 — 17 in. diameter. 451. Baron Ghistave de Rothschild. 
 
 1774 An early Italian dish, with ornaments of various co- 
 
 loured trophies : in the centre a cupid — presumed date 
 about 1 560 — 8J in. diameter. 61. 5s. Marlborough 
 House. 
 
 1775 An early Italian plate, singular colours, orange ground, 
 
 with arabesque border : in the centre the presentation 
 of Pompey's head ; on the back rude blue ornaments, 
 with the date and mark, 1550 — about 9 in. diameter. 
 5L 5s. British Museum. 
 
 1776 A dish, with a battle — presumed date 1540— 14f in. 
 
 diameter. ] 01. Annoet and Gale. 
 
 1777 An early Italian plate, without border : Horatius Codes 
 
 defending the bridge at the back. A. D. B. — pre- 
 sumed date about 1500 — lOf in. diameter. 61. 15s. 
 Marlborough House. 
 
 1778 A plate, a battle of cavalry : on the back, rude blue 
 
 ornaments, with the date 1554 — 9| in. diameter. 
 ' 81. 15s. British Museum. . 
 
 1779 A vh&y Eaely Italian Dish, the ground being of a 
 
 light green colour, with a battle and fortifications in 
 various colours ; the back yellow, and glazed with a 
 
BAENZA AM) RAEFAELiE WABE. 187 
 
 black mark— presumed date about 1490 — 14£ in. di- 
 ameter. Very curious. 30Z. British Museum. 
 
 1780 An early Italian plate ; M. Curtius leaping into the gulf : 
 
 border of orange colour ground, with blue and white 
 arabesques ; at the back a description, and rude orna- 
 ments in blue colour, with the date 1550 and mark — 
 9| in. diameter. 152. 15*. Marlborough House. 
 
 1781 A dish, with sunk centre ; an old man, Cupid, and a 
 
 young female with a lute ; in the centre, a coat of arms 
 of Hercules and the Hon ; on the back the date 1531, 
 and "F.X.A.R.P. Urbino"— 7f in. diameter. 71. 
 The same. 
 
 1782 A dish, with a sunk centre : Venus and Mars in the 
 
 centre, a coat of arms of a cardinal, with the Medici 
 quartering of the balls and the negro's head in colours ; 
 description at the back, with yellow hues — date about 
 1530 — 8 in. diameter. 51. 5s. The same. 
 
 1783 An early Italian dish: a female portrait in costume, in 
 
 bright colours with inscription round — presumed date 
 about 1510 — 8J in. diameter. 81. The same. 
 
 1784 An early Italian plate, in bright colours, a trophy in the 
 
 centre ; a curious border — presumed date about 1520 
 —8 in. diameter. 81. 5s. The same. 
 
 1785 A Eaffaelle-ware dish, with a sunk centre ; Celadon and 
 
 the boar, etc. : bright colours ; description at the back 
 — date about 1535 — 10-jin. diameter. 91. 5s. O.E. 
 Coope, Esq. 
 
 1786 An early Italian dish, in rich metallic lustre colours, with 
 
 hollow flutes and embossed handsome ornaments in the 
 centre ; papal arms, a tiara, eagles, and chevrons, on 
 the back; there are ornaments all over — presumed 
 date about 1540 — 13in. diameter. 13Z. BritishMuseum. 
 
 1787 A plate: subject the metamorphosis of Myrrha, etc. in 
 
 vivid colours ; description at the back — date about 
 1540 — 10 in. diameter. 51. 10*. Marlborough Souse. 
 
 1788 A similar plate ; Mutius Scsevola: description at the 
 
188 FAENZA AND BAFFAELLE WABE. 
 
 back, with yellow lines — presumed date about 1540 — 
 13 in. diameter. 11?. 0s. 6d. J. J. Jemmett, Esq. 
 
 1 789 An early Italian plate, with a deep centre, in metallic 
 
 lustre colour, figures in costume of the time, buildings, 
 etc. ; on the back, rude ornaments, with the date and 
 monogram of the artist, 1525, which is also on the 
 front — 7-f in. diameter. 21?. Marlborough House. 
 
 1790 An early Italian dish, dark blue ground, a female por- 
 
 trait in costume, with inscription "Margarita" — date 
 about 1510 — 8 in. diameter. 15?. 15*. The same. 
 
 1791 A Raffaelle-ware plate; Hercules carrying away the 
 
 pillars : a coat of arms, with white cross on black 
 ground, and an oak tree surmounted by a cardinal's 
 hat and tassels ; on the back, the description and date 
 1542 Urbi — 10 in. diameter. 91. 5s. British Museum. 
 
 1792 A similar ware dish ; the rape of Europa : description 
 
 at the back, with yellow lines — date about 1540 — 9f in. 
 diameter. 71. 17s. 6d. John B. Gardner, Esq. 
 
 1793 A similar plate ; a bacchante metamorphosed into trees : 
 
 crest of a negro's head at the top ; description at the 
 back, with date, 1532; an inscription " Fra Xanto A. 
 da Rovigo P. Urbino " — 10 in. diameter. 11?. 10*. . Sir 
 H. H. Campbell. 
 
 1794 A similar plate ; Perseus and Andromeda: description 
 
 and yellow lines at the back, with date 1545 — 9^- in. 
 diameter. 71. 17*. 6d. J. J. Jemmett, Esq. 
 
 1795 A plate ; Pan and Apollo : description and yellow lines 
 
 at the back — date about 1540 — 10^ in. diameter. 
 5?. 5*. Marlborough House. 
 
 1796 Another ; the finding of Moses : a coat of arms of a 
 
 cardinal, the quarterings being six balls, five red and 
 
 , one black, and a negro's head ; description at the back 
 
 — date about 1535 — 1 Of in. diameter. 8?. 8s. The same. 
 
 1797 A similar plate with a sunk centre; Eriphyle betraying 
 
 Amphia'raus : on the back, the description and date, 
 1531, and artist's signature, " Fra Xanto A. Rovigo P. 
 
JAENZA AND BAITAELLE WABE. 189 
 
 Urbino " — 10 in. diameter. 91. 19s. 6d. British 
 Museum. 
 
 1798 A similar dish, with a sunk centre, the subject from Ovid 
 
 — a traveller knocking at a door ; description and 
 yellow lines at the back, with the date, 1545 — 9^ in. 
 diameter. 81. 8s. Marhorough House. 
 
 1799 A Raffaelle-ware plate, with a sunk centre; the burial 
 
 of Leucothoe : description at the back, with date, 1 540, 
 and monogram of the artist — 10^ in. diameter. \Ql. 5s. 
 The same. 
 
 1800 A similar plate, with a sunk centre; Jupiter and the 
 
 fallen Dionysius of Syracuse'; description at the back, 
 with date and monogram, 1549 — 10 in. diameter. 
 10?. 15s. The same. 
 
 1801 A similar plate ; Tiberius Gracchus at table : a dragon 
 
 appearing ; description, with yellow lines at the back, 
 with date and monogram, 1540 — 10£ in. diameter. 
 91. 9s. The same. 
 
 1802 A similar plate ; the Discord of Italy : the description 
 
 at the back, with date, 1536, and inscription "F? X. 
 Eovi." — 10£ in. diameter. 141. 3s. 6d. The same. 
 
 1803 A plate ; Apollo and Marsyas : description and yellow 
 
 lines on the back — date about 1540 — 10£ in. diameter. 
 71. 17s. 6d. The same. 
 
 1804 A similar plate, with a sunk centre ; the metamorphosis 
 
 of Acteon ; the description at the back, with the date 
 and inscription "Fra Xanto Eovigo T. Urbino, 1533" 
 — 10£ in. diameter. 61. 16s. 6d. The same. 
 
 1805 A similar plate, the subject, Acteon, differently treated 
 
 — presumed date about 1540 — 10^ in. diameter. 11?. 
 lis. The same. 
 
 1806 A similar plate, with sunk centre ; Circe and Scylla : 
 
 description at the back — date about 1540 — 10g- in. 
 diameter. 61. 5s. Pearce. 
 
 1807 Aplate; Medea renewing the youth of iEson — date about 
 
 1540 — 8£ in. diameter. 51. 5s. John B. Gardner, Esq. 
 
190 IAENZA AND EAITAELLE "WARE. 
 
 1808 Air eably Italian Plate, of a fine and rare character, 
 
 with, a sunk centre, in which there 'is an Italian land- 
 scape, with a diapered border, with figures playing on 
 viols on it ; the back ornamented in blue and orange 
 colours, with the mark in orange — date about 1 500— 
 llf in. diameter. 431. Is. British Museum. 
 
 1809 A Kaffaelle-ware plate, with sunk centre, Apollo, Mi- 
 
 nerva, Mercury, etc. in a landscape, with buildings ; a 
 rich coat of arms and a coronet at the top ; the de- 
 scription, with yellow lines at the back — date about 
 1535 — lOf in. diameter. 67. 16*. 6d. The same: 
 
 1810 A dish, with sunk centre, Mars, Vulcan, and Venus — 
 
 date about 1535 — 11| in. diameter. 44/. Marl- 
 borough House. 
 
 1811 Another ; subject a ferry ; and a female, with a chalice 
 
 in her hand, in the boat, with other figures, yellow lines- 
 at the back — date about 1540 — about 12 in. diameter. 
 12/. Is. 6d. Pearce. 
 
 1812 Another, with a foot ; Dido, Ascanius, etc. ; an interest- 
 
 ing architectural representation of the time of the dish, 
 a full coat of arms at the top — date about 1532 — 
 10£ in. diameter. 19/. 8s. 6d. Baron Alphonse de 
 Rothschild. 
 
 1813 A plate, of bold design; Galatea — date ahput 1240 — 
 
 11 in. diameter. 14/. 3s. 6d. Herts. 
 
 1814 Another ; Cain and Abel : yellow lines at the back — 
 
 date about 1540 — 10f in. diameter. 61. 16s. 6<L 
 Marlborough House. 
 
 1815 A. similar plate ; marine deities and sea view : a coat of 
 
 arms on the right hand side, on the back the descrip- 
 tion, and yellow lines — date about 1540 — 10£ in. dia- 
 meter. 11/. 0s. 6d. The same. 
 
 1816 An eably Italian Plate, in metallic lustre; Jupiter 
 
 and Dionysius of Syracuse in chains : a coat of arms 
 on the left hand side, the centre curiously ornamented 
 with dots, the back rudely ornamented, and has the 
 
FAENZA AND BAITAELLE WAEE. 191 
 
 mark, date, and inscription, N. 1535, F. X. R., in 
 black — lOf in. diameter. 231. Movant. 
 
 1817 A similar plate; the rape of Buropa: the subject cu- 
 
 riously treated in metallic colours ; on the back rude 
 ornaments, with date 1533, description, mark, etc., in 
 blue colour, " Urbino " — 10-J- in. diameter. 14.1. H. 
 Christy, Esq. 
 
 1818 Another, in metallic lustre colours ; Romulus, Remus, 
 
 and the -wolf : the back rudely ornamented — date about 
 1530 — 10£ in. diameter. 102. Marlborough House. 
 
 1819 Another, in similar colours; Perseus and Andromeda; 
 
 back rudely ornamented — 10 in. diameter. 131. 13*. 
 T. M. Whitehead, Esq. 
 
 1820 A similar plate, in metallic lustre colours ; a woodman 
 
 cutting a tree, in -which a dryad appears ; back rudely 
 ornamented, and dated 1533 — 9 in. diameter. 71. 10s- 
 Marlborough House. 
 
 1821 A similar plate, in similar colours; Brutus Portia: on 
 
 the back rude ornaments, with description, dated 1535, 
 mark in black — 9f in. diameter. 15?. Chafers. 
 
 1822 A dish, of fluted form ; a fete champetre, with cavalier* 
 
 and ladies : Apollo in his car in the heavens ; de- 
 scription and yellow lines at the back — date about 1545 
 — 13£ in. diameter. 17?. 17s. Nathan. 
 
 1823 A similar dish ; Pallas, the Furies, etc., description and 
 
 yellow lines at the back— date about 1540 — 13| in. 
 diameter. 171. 10s. The same. 
 
 1824 A Dish, of splendid character : a cameo of Charity in 
 
 the centre, and cameo of Faith and Hope, and rich- 
 coloured borders of emblematical figures, angels, etc., 
 yellow lines at the back— presumed date about 1545 — 
 18 in. diameter. 741. Baron James de Rothschild. 
 
 1825 A Raffaelle-ware dish, of the fluted form: the fall of 
 
 Jericho, with the procession of the ark, at the back 
 the description and yellow lines — presumed date 1540- 
 — 13-J- in. diameter. 132. 2s. fid. Beurdeley. 
 
192 EAENZA AND EAEEAELLE WAEE. 
 
 1826 A similar dish, of similar form : Galatea, the description 
 
 and yellow lines at the back — presumed date about 
 1540 — 13£ in. diameter. 91. 9s. Pearce. 
 
 1827 A tazza-shaped cup and cover, of Raffaelle ware, highly 
 
 embellished, with centre classical figures and arabesque 
 ornaments, the foot and outside ornamented with ara- 
 besques and camei ; on the inside of the cover is a 
 cupid, and on the outside a figure seated, and two 
 naked boys, with arabesque borders — height 4f in., 
 diameter 7i in. 201. 10*. Moranl. 
 
 1828 A two-handled vase, of early Italian ware, covered with 
 
 metallic lustre ornaments — presumed date about 1490 
 — height 9-§- in., diameter 5-j in. 31. O. E. Coope, Esq. 
 
 1829 A Vase, with spout and handle ; the spout formed of a 
 
 dragon's head, intended for pharmacy use, having an 
 inscription with the name of the drug ; a subject of 
 three females, naked on orange coloured ground, two 
 of them being crowned, and the third lying between 
 them — presumed date about 1540 — height 9§- in., 
 width 9-f in. 11 J. Marlborough House. 
 
 1830 A jar, at the bottom a mark A, designed for pharmacy, 
 
 with an inscription as to its contents, with variously 
 coloured ornaments, and at the bottom armorial bear- 
 ings of three geese, with a trefoil bar between them — 
 dated at the back 1580 — height 8 in., diameter 4| in. 
 8/. 10s. British Museum. 
 
 1831 Two jugs, with handles, highly glazed with bright green, 
 
 blue, and white ornaments — height lOf in., diameter 
 7-j- in. 151. Marlborough House. 
 
 1832 A Vase, or eaelx Italian Waee, with spouts and 
 
 handles, originally intended for pharmacy, having the 
 name of the drug inscribed round it, with yellow or- 
 . naments and shield of arms of two lions rampant, and 
 eagles and medallions of negroes' heads — date 1502 — 
 height 10J in., diameter 7 in. 11. 10s. British Museum. 
 
 1833 A Vase, oe similae Waee, orange coloured ground, 
 
FAENZA AND EAEFAELXE WAEE. 193 
 
 ■with variously coloured ornaments ; inscription round 
 relating to the drug ; a negro's head in medallion in 
 front, with the same devices as iii the last — dated 1501 — 
 height nearly 11 in., diameter 1\ in. 14Z. 10*. British 
 Museum. 
 
 1834 A Vase, with Handle, probably of French ware, open 
 
 in the centre, with the figure of a cock, in relief, and 
 embossed ornaments round the top, variously coloured 
 with marine views in blue — date 1751, curiously 
 formed in open cut work round the neck — height lOj- 
 in., diameter 5|- in. 51. 15s. 6d. Marquis of Bread- 
 albane. 
 
 1835 A Vase, or eakly. Italian Wake, with double handles, 
 
 in metallic lustre colour, with ornaments and scrolls in 
 blue, white, and drab — presumed date 1502 — height 
 7\ in., diameter 6£ in. 6/. 10s. 0. E. Coope,' Esq. 
 
 1836 A large jug, with handle, of early Italian ware, with rich 
 
 scrolls, of various colours, on a blue ground, having a 
 large circular medallion, in blue and white, of a trophy 
 and masks — presumed date about 1520 — 15£ in. high, 
 14 in. diameter. 121. Is. 6d. Marlborough House. 
 
 1837 A laege Jug, with handle and spout, of early ware, 
 
 brown colour, highly glazed, with rude ornaments in 
 relief, of pale yellowish drab colour, of masks and 
 heads ; above the spout is a tablet, with a griffin — pre- 
 sumed date 1495 — height nearly 13 in., width from 
 spout to handle 10 in. 101. 10s. The same. 
 
 1838 A dish, of early ware, with sunk centre, ornaments em- 
 
 bossed and raised in metallic lustre, with enrichments 
 in blue ; in the centre a shield of arms ; the back is 
 ornamented with scrolls, etc., in metallic lustre — pre- 
 sumed date about 1520 — 18 in. diameter. 261. 10s. 
 S. Addington, Esq. 
 
 1839 A dish, of the same ware, with embossed ribs and knobs, 
 
 in metallic lustre ; in the centre, a lion in white, on 
 the metallic ground, with white stars ; the back orna- 
 
 o 
 
194 TAENZA AND BAFFAELLE WARE. 
 
 mented like the two preceding — presumed date 1520 — 
 nearly 18 in. diameter. 11/. Marlborough House. 
 
 1840 A dish, of the same ware, ornamented with leaves in 
 
 metallic lustre, and hlue colours : in the centre a shield 
 of arms, being a lion rampant ; on the back a large 
 spread eagle, and scrolls in metallic lustre — presumed 
 date 1510 — Yl\ in. diameter. 71. 7s. The same. 
 
 1841 A laege bound Bottle or Vase, highly coloured, with 
 
 ornaments of scrolls, chimserse and arabesques, foliage 
 and masks ; two heraldic bearings, encircled by wreaths 
 and devices ; in one tablet is inscribed, " Ne la Botaga 
 d'Sebastiano d'Marforio," and on the other "A. di xi. 
 de Octobri fece, 1519 ;" at the bottom rim, "In Castel 
 Dura"— 15£ in. high, 12| in. diameter. 23Z. British 
 
 1842 A similab Bottle, but having no date or place in- 
 
 scribed on it. 23Z. Marlborough House. 
 
 1843 A round vase, highly coloured, with scrolls, flowers, and 
 
 medallions of figures, in costume of the time, in- 
 dicative of sports of the field — presumed date about 
 1510— about 12f in. high, 12^ in. diameter. 16J. 
 British Museum. 
 
 1 844 A nearly similar vase, but bearing the medallions, with 
 
 heads and emblematical figures, Justitia and Dio, etc. 
 171. Marlborough House. 
 
 1845 A tall Jab, having a large oval medallion of a combat 
 
 of warriors, in classical costume, encircled by a rich 
 border ; at the bottom a negro's head, with a green 
 fillet round the hair, and at the top of the border a 
 pontifical cypher; on the back is the date, 1501 — 15£ 
 in. high, 10 in. diameter. (See illustration.) 131. 10s. 
 British Museum. 
 
 1846 A Massive Jtra, of early Italian ware, highly orna- 
 
 mented in bright colours, with foliage, rich heraldic 
 bearings of the Medici arms and quarterings of fleurs- 
 de-lys, surmounted by the papal tiara and keys, red 
 
F.YFXZA AND 11AFFAKI.I.F, WA1IK. 
 
1U.PIIAEL AND FOltNAKINA PLATE. 
 
FAENZA AND EAFFAELLE WABE. 195 ' 
 
 cross, etc. ; under the handle a double T — presumed 
 date 1520 — height nearly 19 in., diameter 12-| in. 
 (See illustration.) 601. Marlborough House. 
 
 1847 An early Italian dish, the border of dark blue, relieved 
 
 by various coloured arabesque ornaments, -with the 
 letters S. P. Q. R. in different parts : in the centre a 
 landscape, and a naked boy falling from a tree, his 
 head downwards ; the back is much ornamented by blue 
 escallops and red dots, and has a mark in red — pre- 
 sumeddate about 1525 — 9£ in. diameter. 501. The same. 
 
 1848 A Plate, of the most eaee and inteeesting cha- 
 
 eacteb, in very strong colours : the subject believed : 
 to be Eaffaelle himself and the Fornarina seated in the 
 studio of an artist, who is occupied in painting a plate ; 
 the costume of the artist and of the visitors is strictly 
 that of the time, and the whole details most curious 
 as illustrating the habits of the day, the superior grade 
 of the artist, and the care devoted to the painting of 
 Raffaelle-ware ; blue and orange, circular lines on the 
 back — 9£ in. diameter. From Stowe. (See illus- 
 tration.) 1201. The same. •■ 
 
 This Lot, at the Stowe sale, August 17th, 1848, no. 304, produced only 
 four pounds, and was afterwards sold to Mr. Bernal for five pounds. 1 
 
 In the Stowe Catalogue, the subject is simply described as "an interior, 
 with an artist painting the Majolica ware." In Mr. Bernal's Catalogue, 
 from which the ubove description is an exact transcript, the assuming the 
 seated figures to be, those of Eaffaelle and Fornarina, created an extraor- 
 dinary competition to possess a pictorial production apparently so identified, 
 with this distinguished artist. The general impression seemed to be that 
 the plate was painted by Eaphael himself. But Eaphael died in 1520, and 
 the plato bears the impress of a much later date. It now forms no. 2981 of 
 the Marlborough House " Inventory," where it is thus unostentatiously 
 described : Plate. A majolica painter in his studio, painting a plate in 
 the presence of two persons of distinction ; on the reverse a monogram—' 
 Caffagialo ?— Diameter 9£ in. (Bernal Collection.) 120?. 
 
 1849 An early Italian dish, with sunk centre, of the kind 
 
 commonly called Pesaro ware, rich orange colour 
 border, with blue and white arabesque ornaments : in 
 the centre, and within an ornamented diapered border, 
 
 o 2 
 
196 TAENZA AUD BAITAEIXE WAEE. 
 
 are painted the Virgin praying, and two cherubs ; the 
 back is highly ornamented with blue and yellow scrolls, 
 and the initials I. P. in dark blue — presumed date 
 about 1520 — 8| in. diameter. 411. C. S. Bale, Esq. 
 
 1850 A Dish, with sunk centre, in metallic lustre colours; 
 
 subject, Cephalus and Procris : on the back are me- 
 tallic colour ornaments, and in blue colour the descrip- 
 tion of subject, and date 1533, and inscription of 
 " Fra Xanto Kovigense P. Urbino ;" also, in faint 
 yellow, a mark — l]Ain. diameter. A fine specimen. 
 28/1. 7s. A. Fountaine, Esq. 
 
 1851 An early Italian dish, with sunk centre, in metallic 
 
 lustre colours : in the centre a naked boy against a 
 tree ; border of a dark blue ground, relieved by rich 
 metallic coloured arabesque ornaments — presumed date 
 1510— 9i in. diameter. 321. lis. Rev. IV. B. Hawkins. 
 
 1852 An early Italian plate, in metallic lustre colours, varie- 
 
 gated border ; a bust, with helmet in the centre, cir- 
 cular lines on the back — presumed date about 1520 — 
 about 9 in. diameter. 2SI. 10s. C. S. Bale, Esq. 
 
 1853 A iTJSfB Ju&, of early ware, with an heraldic device of 
 
 stags' horns, on blue ground, in green border, with 
 yellow fruits ; the back with blue flower ornaments : 
 under the broad handle, which is composed of five 
 stalks, is the date, 1541 — 13^ in. high; about 11 in. 
 diameter. 151. Marlborough House. 
 
 1854 A fine Dish, with a shield of arms surmounted by a 
 
 papal tiara and keys, the border with arabesques in 
 blue, on yellow ground — 19|- in. diameter. 61. 16s.6d. 
 British Museum. 
 
 1855 A Dish, with large oval shield of the Medici arms, one 
 
 of the balls with three fleurs-de-lys on blue, with blue 
 and orange borders— 20£ in. diameter. 81. 10s. 
 Marlborough House. 
 
 . Amount of Fifteenth Day's Sale, 1807?. 10*. 
 
PAENZA AND BA3TAELXE WAEE. 197 
 
 SIXTEENTH DAY'S SALE, 
 
 FAENZA AND RAFFAELLE WARE. 
 
 1856 An early Italian dish, with sunk centre, on which, is a 
 
 vase with boys, and rich border of cupids, birds, and 
 arabesques, within a white diapered edge — presumed 
 date about 1520 — about 9 in. diameter. 422. British 
 Museum. 
 
 1857 A plate, with Abraham praying, and three angels ; on 
 
 the back "Atmmo," and date 1545 — 9f in. diameter. 
 5?. 5*. Chafers. 
 
 1858 A plate — subject of Neptune with a castle, etc. ; on the 
 
 back the description, and date 1544 — 9£ in. diameter. 
 3/. 10*. The same. 
 
 1859 An early Italian dish, in metallic lustre colours, with 
 
 embossed oval ornaments round, and red strawberries 
 embossed between the ornaments : in the centre an 
 infant St. John, etc. in relief ; lines round the back — 
 presumed date about 1520 — 9$ in. diameter. 8/. 
 R. S. Holford, Esq. 
 
 1860 A dish, of similar character, with ornaments in relief, 
 
 of strawberries, leaves, etc. ; in the centre, in relief, 
 St. Sebastian ; on the back an outline, in blue, of a 
 female bust, in Italian costume — presumed date about 
 1520 — nearly 9J- in. diameter. 51. 5s. Chaffers. 
 
 1861 An early Italian fluted dish, with ornaments of various 
 
 coloured foliage, with the Virgin in the centre ; back 
 of like character — presumed date about 1530 — 11 in. 
 diameter. Gl. 10s. Marlborough House. 
 
 1862 A similar dish, in character; in the centre a saint — pre- 
 
 sumed date about 1530 — 11 in. diameter. 61. 10*. 
 The same. 
 
198 IAENZA AST) KABFAELLE WA2B. 
 
 1863 A plate, with a banquet with, tritons attending ; on the 
 
 back the description, with blue and yellow lines — 
 presumed date about 1550 — 11-J- in. diameter. 10?. 
 Marlborough House. 
 
 1864 An early Italian dish, light blue ground, much orna- 
 
 mented with green wreaths, and white, dark blue, 
 yellow, etc. ornaments : in the centre a coat of arms, 
 five balls with fleur-de-lys and three crescents, perhaps 
 the Medici arms : the back is ornamented with rude 
 dark blue scrolls, etc., and has a mark in dark blue — 
 presumed date about 1540 — 15^- in. diameter, 101. 
 The same. 
 
 1865 An early Italian plate : in the centre, a man in singular 
 
 costume, playing on the guitar ; a beautiful border, 
 in bright colours, of rich arabesques, cupids, masks, 
 musical instruments, and S. P. Q. It. ; on the back, 
 dark blue foliage ornaments — presumed date about 
 1525— 8-J- in. diameter. 34?. 2s. 6d. S. Addington, 
 Esq. 
 
 1866 A dish, dark blue ground, with grey and white musical 
 
 trophies, horses' heads, etc. ; the back having dark 
 blue ornaments, on a grey ground, rudely painted — 
 the date, 1555, and mark in dark blue on the back — 
 nearly 13 in. diameter. 71. 10s. Marlborough House. 
 
 1867 An early Italian plate, with military trophies, in yellow 
 
 and brown colour, on a dark blue ground : in the 
 centre a cupid — presumed date about 1540 — 8| in. 
 diameter. 41. J. J. Jemmett, Esq. 
 
 1868 A dish, of Raifaelle ware :. a banquet of four guests, a 
 
 sunset, and a female flying; a man in a helmet holding 
 a scroll, on which the date 1556 appears ; on the back 
 are yellow lines— 13 in. diameter. 10?. 10s. British 
 
 1869 An eably Italian Plate, or Dish, in metallic 
 lustre colours, very rich ornaments in colours, masks, 
 arabesques, etc. ; on the back rude metallic coloured 
 
FAENZA AMD BAFFAELLE WABE. 199 
 
 scrolls — presumed date about 1530 — 11 in. diameter. 
 6?. 10s. Marlborough House. 
 
 1870 An early Indian dish, with a sunk centre : Cupid hold- 
 
 ing a book, border of drab-coloured trophies and 
 books, on a dark blue ground, 'with a device — pre- 
 sumed date about 1540 — 9i in. diameter. 11?. Farrer. 
 
 1871 An early Italian plate, dark blue ground, with centre 
 
 and border of musical trophies, etc. in various colours, 
 richly decorated ; back of light blue, with rude dark 
 blue ornaments and mark — presumed date about 1530 
 — 9f in. diameter. SI. 8s. Chaffers. 
 
 1872 An early Italian dish, very curious : a centaur and armed 
 
 men attacking and slaying others, and plundering, in 
 colours, on a dark blue ground, a coat of arms at the 
 top ; the back ornamented in colours, and having a 
 mark and date 1525 — 11J in. diameter. 30?. 10s. 
 British Museum. 
 
 1873 An early Italian dish, the ground curiously spotted in 
 
 blue : a man bareheaded, in a classical costume, bear- 
 ing a two handed sword, with boys, arabesques, etc., 
 coloured ornaments on the back, and a mark in red — 
 presumed date about 1520 — 9f in. diameter. 33?. 10s. 
 8. Addington, Esq. 
 
 1874 An early Italian dish, with a sunk centre, in metallic 
 
 lustre colours : in the centre a coat of arms, consisting 
 of a pig passant, black in colour, with yellow | band 
 round the body, bars below, yellow, straw-coloured, 
 and black-coloured scroll border — presumed date about 
 1530. 16?. Marlborough House. 
 
 1875 An early Italian dish : in the centre, figures with tam- 
 
 bourine, etc., richly coloured border of arabesques, 
 heads, etc., on a dark blue ground ; on the back cir- 
 cular blue lines — presumed date about 1520 — 8 in. 
 diameter. 39? A Fountaine, Esq. 
 
 1876 An early Italian plate : in the centre a man bareheaded, 
 
 in classical costume, but with a shield of the Pavoise 
 
200 FAEtTZA AND BAFEAELLE WAEE. 
 
 form, and dagger, etc., in a landscape ; a most beauti- 
 ful border of rich, coloured arabesques on a dark blue 
 ground ; on the back yellow and blue circular lines, 
 with the mark — date about 1520 — 12^ in. diameter. 
 611. Marlborough House. 
 
 1877 An Eaelt Italian Dish, with very fine landscape ; 
 
 a satyr playing on a pipe to a female in childbirth 
 under a tree ; the back curiously ornamented in va- 
 rious colours — presumed date 1500 — 13 in. diameter. 
 A most curious plate. 461. JBritiih Museum. 
 
 1878 A Plate, in rich metallic lustre colours; dark blue- 
 
 ground, with various coloured arabesques — dated in 
 several places 1518; the back ornamented in metallic 
 colours, and with the same date — ll-§- in. diameter. A 
 most curious specimen. 421. Baron A. de Roths- 
 child. 
 
 1879 An early Italian dish, having a figure in high relief, 
 
 embossed in metallic lustre colours, of a saint with a 
 cross and dog, etc. ; on back metallic lustre lines — 
 presumed date about 1500 — 6f in. diameter. HZ. 
 10?. Marlborough House. 
 
 1880 An early Italian plate, dark blue ground, with male and 
 
 female heads, in costume of the time, within wreathed 
 circles, trophies, animals, birds, etc., in various colours ; 
 at the top the initials MAI M — presumed date about 
 1500 — 9^ in. diameter. A very curious and interesting 
 specimen. 261. 10s. The same. 
 
 1881 An early Italian dish, with a sunk centre, light blue 
 
 ground, with green and other coloured wreaths round 
 a military trophy : in the centre, dark blue and white 
 ornaments ; on the back, which is of light blue, there 
 are rude scrolls in dark blue with a mark — presumed 
 date about 1540— 9£ in. diameter. 71. 10s. The same. 
 
 1882 An early Italian plate ; green ground, with arabesque 
 
 and bold chymaerse ornaments of a drab colour — the 
 
SAENZ A AND EAITAELLE WAEE. 201 
 
 date in front on atablet 1533 — 10 in. diameter. 51. 10s. 
 British Museum. 
 
 1883 An early Italian plate, in metallic lustre colours, having 
 
 arabesque ornaments and armorial bearings of a tree 
 and two lions ; metallic lions on the back — date about 
 1510. 101. 10s. Marlborough House. 
 
 1884 An early Italian plate, in metallic lustre colours, dark 
 
 blue ground, with arabesques : in the centre a coat of 
 arms ; on the back rude metallic scrolls, and the date 
 1531 — 9£ in. diameter. 101. 10s. The same. 
 
 1885 An early Italian plate : in the centre an old man in a 
 
 turban reading, with a curious ornamented border ; the 
 outer border is dark blue, with light blue, white, and 
 arabesque ornaments ; the back is of light blue, with 
 rude ornaments in dark blue and the mark — date 1525 
 on the tablet in front — 9f in. diameter. 111. British 
 Museum. 
 
 1886 An early Italian plate, of a dark blue ground, borders 
 
 with light blue and white arabesque ornaments : in 
 the centre a coat of arms in colours on light blue, etc. 
 ground ; the back is of light blue, with rude orna- 
 ments and mark in dark blue — presumed date about 
 1520 — 9f in. diameter. 121. Marlborough House. 
 
 1887 An early Italian dish, with a naked boy in the centre, a 
 
 border of blue, green, and yellow foliage — presumed 
 date 1520 — 7 in. diameter. 81. 5s. The same. 
 
 1888 An early Italian dish, dark blue border, with light blue 
 
 and white arabesque ornaments in the sunk centre, and 
 coat of arms in colours within an ornamented circle ; 
 the back of light Blue, with rude dark blue ornaments 
 and mark — presumed date about 1 520 — 9j in. diameter. 
 91. The same. 
 
 1889 An early Italian dish, with a sunk centre, cupids in a 
 
 grotesque car within a diapered border ; the outer 
 border of dark blue, with rich arabesques and medal- 
 
202 FAENZA AND EAFEAELLE WAEE. 
 
 lions : blue lines round the back — presumed date about 
 i520 — 9£ in. diameter. 361. Marlborough House. 
 
 1890 An early Italian dish, with sunk centre,, rich colours, a 
 
 man angling, arabesque border, with landscapes in 
 medallions ; on the back blue, yellow, and orange lines 
 — presumed date about 1520 — 9f in. diameter. 71. 
 The same. 
 
 1891 An early Italian dish, with a sunk centre, border of 
 
 orange-coloured ground, with military trophies in blue 
 and white ; in the centre St. Genevieve and the deer ; 
 back ornamented in various colours — date about 1 520 
 — 9£ in. diameter. 231. 10*. The same. 
 
 1892 An early Italian dish, in metallic lustre colours, border 
 
 of dark blue, with rich coloured arabesque ornaments : 
 in the centre a device ; on the back ornaments in 
 metallic lustre, and date .1518 — 9f in. diameter. 
 All. 10s. British Museum. 
 
 1893 An early Italian dish, with a sunk centre, curious vari- 
 
 coloured border, and on which are two coats of arms 
 tied by a ribbon, with a coronet between : in the sunk 
 centre a coloured star, with diaper pattern round ; the 
 back much ornamented with rude dark blue ornaments 
 — presumed date about 1518 — 9f in. diameter. 81. 5s. 
 Marlborough House. 
 
 1894 A yeey Eaely and Rase Italian Dish, ornaments 
 
 cut in the ware, figures in costume of the time, male 
 and female ; the man holding a Pavoise shield, on 
 which the Milanese or Visconti arms are represented ; 
 the female playing on a viol, near her a shield with 
 armorial bearings : the ornaments in this dish are en- 
 graved in the ware itself, so as to appear to be in relief, 
 and are curiously coloured— presumed date about 1490 
 — 15£ in. diameter. A fine specimen of a very rare 
 and interesting ware. 4SI. 2s. < British Museum. 
 
 1895 An Eaely Italian Dish, with a sunk centre in metallic 
 
 colours, with raised or embossed ornaments : Mutius 
 
IAENZA AND EATEAELLE 'WAKE. 203 
 
 Scaevola in the centre ; the border composed of raised 
 and metallic lustre coloured arabesques ; back orna- 
 mented with metallic lines — presumed date about 1500 
 — 17 in. diameter. A very fine and rare specimen. 66Z. 
 British Museum. 
 
 1896 A Dish, with Heeo and Leandee, singularly treated ; 
 
 on the back a description and inscription " F. Xanto 
 a da Rovigo Urbino, 1532" — 10-§- in. diameter. A 
 very beautiful specimen. 331. Burlacher. 
 
 1897 An early Italian plate, border of dark blue, with light 
 
 blue and white arabesque ornaments : in the centre a 
 youth in costume, in colours, within an ornamented 
 border ; light blue back, with dark blue circular lines 
 with a mark — presumed date about 1530 — 9f- in. 
 diameter. 81. 10s. Marlborough House. 
 
 1898 A similar plate ; in the centre an old man in a turban, 
 
 etc. ; on the back the date 1583 and a mark — 9f in. 
 diameter. 71. 10*. C. Be Vozux, Esq. 
 
 1899 A dish, in fine colours ; the siege of the city of Aries ; 
 
 description at the back — presumed date about 1535 — 
 14f in. diameter. 24?. G. Morland, Esq. 
 
 1900 An Early Spanish Matjeo Dish, of a most rare and 
 
 interesting character, ornaments in metallic lustre 
 colours ; one of these ornaments partakes much of the 
 character of the Moorish ornaments in the Alhambra, 
 etc. ; in the centre a doe in blue colour ; round the 
 border of the dish is a Spanish inscription in gothic 
 letters ; rude ornaments on the back — presumed date 
 1480 — 1 5 £■ in. diameter. 18?. British Museum. 
 
 1901 An early Italian plate, with a sunk centre in metallic 
 
 lustre colours, a naked boy seated by a tree, a death's 
 head, etc., border of trophies — presumed da,te about 
 1535 — 8y in. diameter. 71. 5s. John B. Gardner, Esq. 
 
 1902 A dish, with the wooden horse and Troy : deep centre 
 
 to dish ; on the back yellow lines — presumed date 
 
204 SAENZ A AND BAFFAELIiE WAKE. 
 
 about 1535— i6£ in. diameter. 201. 9s. 6d. J. J. 
 Jemmett, Esq. 
 
 1903 An Italian dish, in blue and white, ornamented with 
 
 masks and various figures of cnpids, and with winged 
 figures embossed in relief ; in the centre a coat of arms, 
 with a front barred helmet above ; the back white, with 
 rude blue scrolls and a mark — presumed date about 
 1640—18 in. diameter. 41. J. S. Forbes, Esq. 
 
 1904 A dish, with sunk centre ; Joseph and Potiphar's wife ; 
 
 the back has yellow lines — presumed date about 1550 
 — 9\ in. diameter. 61. Marlborough House. 
 
 1905 An Italian dish, in blue and white, warriors, tents, fe- 
 
 males, etc. ; at the top a coat of arms, rude blue scrolls 
 on the back, and a faint blue mark — presumed date 
 about 1650 — 15^ in. diameter. 21. Wedderburne. 
 
 1906 A dish, with a sunk centre-; Jupiter and Europa: on 
 
 the back a description with a blue mark — presumed 
 date about 1540 — 8-J in. diameter. 61. 10*. - Herts. 
 
 1907 A dish, with a sunk centre ; the Deluge : on the back 
 
 a description — presumed date about 1535 — 8-J in. 
 diameter. 51. las. The same. 
 
 1908 A plate: in the centre a naked boy, on an orange 
 
 coloured ground ; military and musical trophies and 
 wreath round — presumed date about 1557 — 7£ in. 
 diameter. 41. O. E. Coojpe, Esq. 
 
 1909 A Dish, with an assembly of deities on Olympus ; the 
 
 back ornamented with a subject of Minerva and Me- 
 dusa, witli a border of cupids and camei — presumed 
 date about 1550 — 15f in. diameter. A curious specimen. 
 161. Marlboroiujh House. 
 
 1910 A Dish: in the centre a coat of Srms of the La Scala 
 
 family, within a diapered pattern on the border round 
 an Italian landscape, with the subject of Apollo and 
 Marsyas — presumed date about 1540 — 16|in. diameter. 
 A beautifid specimen. 691. British Museum. 
 
 1911 A plate; Myrrha flying from her father, in singularly 
 
FAENZA AKD BAITAELLE WAEE. 205 
 
 light colours ; on the back a description in blue, with 
 rude yellow scrolls and edge lines, a mark and date 
 154S in yellow — 10£ in. diameter. 41. 14s. 6d. Marl- 
 borough House. 
 
 1912 An early Italian dish, fluted pattern, blue, yellow, green, 
 
 and white foliage, arabesques, etc. : in the centre a 
 youthful St. John kneeling, with a coat of arms, blue 
 and yellow lines on back — presumed date about 1530 
 — 10^ in. diameter. 2^. 18s. Smart. 
 
 1913 An early Italian dish, in. metallic lustre colours, with a 
 
 sunk centre, various coloured ornaments embossed in 
 relief : in the centre a head of St. Peter on a dark blue 
 ground ; metallic lines on the back — date about 1 520 
 — 6 in. diameter. 14?. JR. S. Holford, Esq. 
 
 1914 An early Italian dish, fluted pattern; Mutius Scaevola 
 
 burning his hand, etc. : ornaments of boys drawing 
 bows, etc. ; on the back, blue lines in the flutes and 
 mark — presumed date about 1530 — 9f in. diameter. 
 131. S. Addington, Esq. 
 
 1915 A dish, with a sunk centre ; Europa and the bull, etc. : 
 
 on the back the description and yellow lines — presumed 
 date about 1540 — 7f in. diameter. 41. Owen. 
 
 1916 A dish, with Latona, etc. ; on the back description and 
 
 date 1543— 8f in. diameter. 31. 10*. A. W.Franks, 
 Esq. 
 
 1917 A dish, with sunk centre ; the metamorphosis of Actreon: 
 
 a coat of arms at the top ; on the back a description 
 and yellow lines— presumed date about 1545 — 7|- in. 
 diameter. 41. Wilhon. 
 
 1918 A Raffaelle-ware dish ; Pan and Syrinx : on the back a 
 
 description and yellow lines — presumed date about 
 1540 — 8| in. diameter. 10/. 10*. Marlborough House. 
 
 1919 An early Italian dish, in blue and white, with figures and 
 
 trophies, etc. ; on the back blue ornaments — presumed 
 date about 1550 — 18 in. diameter. 51. 5s. The same. 
 
 1920 A tazza-shaped dish, on a foot ; Coriolanus's interview 
 
206 JTAENZA AKD EAFl'AELLE WAKE. 
 
 with his mother, and description in full on the back, 
 and date 1544—1 0| in. diameter. 51. British Museum. 
 
 1921 An Italian dish, in blue and white, painted m a bold 
 
 style, armed horsemen, etc. ; a coat of arms, with 
 yellow colour, introduced at the bottom of the dish ; 
 at the back a blue mark — presumed date about 1600 — 
 \5\ in. diameter. 11. 12s. J. Bowler, Esq. 
 
 1922 A plate; Cato, Ascanius, Dido, etc. at Carthage: de- 
 
 scription on the back, with yellow lines — actual date 
 1545 — 9| in. diameter. 51. 10s. Marlborough House. 
 
 1923 An Italian dish, fluted or crinkled, on afoot; subject, 
 
 saints, etc. and angels' heads ; on the back, ornaments 
 in blue and yellow, and inscription " Mad. Donat. a 
 Dona do " — date about 1560 — llf in. diameter. 4l.4s. 
 J. S. Forbes, Esq. 
 
 1924 A plate, with the Rape of Europa ; on the back a de- 
 
 scription and yellow lines — presumed date about 1545 
 — 9i in. diameter. 61. 5s. J. J. Jemmett, Esq. 
 
 1925 A dish, with a sunk centre ; Moses and the murrain of 
 
 the cattle ; on the back a description and mark — pre- 
 sumed date about 1545 — 9 in. diameter. 41. 5s. C. 
 De Vceux, Esq. 
 
 1926 An eably Italian Dish, in metallic lustre colours; 
 
 the Judgment of Paris, with rich border ; on the back 
 rude ornaments, in metallic colour, also the mark and 
 cypher of the artist, Maestro Georgio — dated 1525 — 
 — 15f in. diameter. A very rare and interesting spe- 
 cimen, being the identical dish mentioned and particu- 
 larly described by Abbate Passeri. 1421. A. Foun- 
 taine, Esq. 
 
 This is erroneously stated to be " The Judgment of Paris ;" it represents 
 " The Stream of Life," after an early and very rare print by Eobetta. 
 
 1927 A plate of Kaffaelle ware, with a sunk centre ; a boar 
 
 hunt ; on the back a description with the date of 1544 
 and marks — 9f in. diameter. 81. 5s. British Museum. 
 
 1928 A plate, of Raffaelle ware ; David and Goliath ; descrip- 
 
PAESTZA AND EAITAELLE "WABE. 207 
 
 tiononthe back— date 1545 — 8fin. diameter. 21. 10*. 
 B. S. White, Esq. 
 
 1929 A dish, with a sunk centre ; Hercules and Dejanira ; on 
 
 the back a description and yellow lines — presumed date 
 about 1540 — 7f in. diameter. 51. 10s. Marlborough 
 House. 
 
 1930 A plate ; Leda and the birth of Castor and Pollux ; on 
 
 the back a description and yellow lines— presumed 
 date about 1535 — 9£ in. diameter. 221. Baron J. de 
 Rothschild. 
 
 1931 A plate with Jupiter and Leda ; on the back a descrip- 
 
 tion and yellow lines — presumed date about 1540 — 10£ 
 in. diameter. 11. lis. 6d. J. Bowker, Esq. 
 
 1932 A Basin oe eaely Italian Waee, on foot, tazza- 
 
 shaped, painted all over : within are the papal tiara, 
 armorial bearings, etc., the Medici arms, five red 
 balls and one dark blue ball, with the fleur-de-lys, also 
 there are medallions of devices and mottos ; within the 
 basin, arabesques, angels, etc. On the exterior there 
 are angels supporting coats of arms, with arabesque- 
 ornaments, etc. — presumed date about 1530 — 14 in. 
 diameter, depth to foot 8-J- in. A rare and noble spe- 
 cimen. This is placed in an antique 'Italian steel stand,, 
 having three carved boxwood figures of satyrs at the 
 angles. 96?. British Museum. 
 
 The tazza-sbaped basin was retained by the British Museum at eighty 
 pounds, and the antique steel stand passed to the Collection at Marlborough 
 House, at sixteen pounds. 
 
 1933 A picture, of early Italian Faenza, representing the 
 
 Virgin, infant Saviour, and St. John, with saints, build- 
 ings, etc., in landscape, etc. ; four medallion circles 
 round, of St. Francis, etc., arabesque ornaments in 
 purple, light blue, and white : curious colours — in a 
 black frame — presumed date about 1520 — 16 J in. high, 
 13 in. wide. 22/. The same. 
 
 1934 A picture, of the same ware ; the Virgin, infant Christ, 
 
 and offerings of the three kings, etc., very curiously 
 
208 lAENZA AND BAFFAEELE WAEE. 
 
 coloured, in a tortoiseshell frame — dated 1527' — 17 in. 
 high, 13 in. wide. 5£. 'British Museum. 
 
 1935 A Pictube, in Raffaelle Waee, the subject being the 
 
 crucifixion ; very fine and rare : many figures in bright 
 colours, in a curious embossed porcelain frame, with 
 a shield of armorial bearings at the top — presumed 
 date about 1540 — 16 in. high, 12 in. wide. 531. lis. 
 S. Addington, Esq. 
 
 1936 A Raffaelle-ware dish; subject, Hannibal at Cannse ; 
 
 description at the back — presumed date about 1540 — 
 17|- in. diameter. 32/. British Museum. 
 
 1937 A ditto, subject being Psyche's dream, finely treated ; 
 
 said to be one of the lost cartoons of Raffaelle ; beauti- 
 fully drawn and coloured ; at the back there are in- 
 scribed two stanzas of Italian poetry, and there are 
 also handsome ornaments in dark blue — presumed 
 date about 1 535 — 1 7\ in. diameter. 80Z. 1 7s. The same. 
 
 1938 A most stjpbeb Dish, in vivid colours ; a full subject of 
 
 Pompey and Cleopatra, with cupids, etc. ; on the left 
 side there is a fall coat of armorial bearing, surmounted 
 by a coronet ; at the back of the dish there is a descrip- 
 tion of the subject, and date 1533, and "Fra Xanto A. 
 da Rovigo P. Urbino " — 18 in. diameter. 50Z. Marl- 
 borough House. 
 
 1939 A dish, of Nevers ware, dark blue ground, with white 
 
 and drab coloured flowers and birds, etc. ; on the back 
 blue and white flowers — presumed date 1600— 10^-in. 
 diameter. 41. Morant. 
 
 1940 A dish, of early Italian ware, light blue ground, with 
 
 variously coloured ornaments of flowers, etc. : in the 
 centre a camel ; the back of the dish is of light blue, 
 with dark blue ornaments — presumed date about 1540 
 — about ll-i- in. diameter. 61. Marlborough House. 
 
 1941 A dish, of early Italian ware, of a light greyish blue 
 
 ground, with scrolls of blue round the border : within 
 the centre, which is sunk, a coat of arms ; on the 
 
FAENZA AND EAEEAELLE WAEE. 209 
 
 back there are scrolls round the centre, and a mark 
 X in blue colour — presumed date about 1550 — lOJ-in. 
 diameter. 11. Marlborough Home. 
 
 1942 A dish, of early Italian ware, with a sunk centre, having 
 
 green, buff, white, and drab scrolls, arabesques, and 
 masks, etc. — presumed date about 1535 — near 10 in- 
 diameter. 21. 8s. The same. 
 
 1943 A plate or dish, of Raffaelle ware, with sunk centre; 
 
 subject, three Gracesat the fountain : on the left side 
 there is a coat of arms — presumed date about 1540 — 
 1 l^ in. diameter. 15/. 10s. The same. 
 
 1944 A dish, of early Italian ware, of yellow drab coloured 
 
 ground in metallic lustre, with blue and white scallop 
 ornaments : in the centre the portrait of a female, in 
 the costume of the time ; the back is highly glazed, 
 and ornamented with circular lines in metallic colour, 
 in centre of the back a mark — presumed date about 
 1520orl530 — 12£ in. diameter. 14Z. British Museum. 
 
 1945 A plate, of Kaffaelle ware, the subject, the murder of 
 
 Abel by Cain, altars, etc. : on the back is a description, 
 but no date — presumed date about 1540 — 11 in, 
 diameter. 8/. Marlborough House. 
 
 1946 A small Italian dish, with a deeply sunk centre, in me- 
 
 tallic lustre colours, of the kind commonly called Gub- 
 bio ware : in the centre is a representation of St. Se- 
 bastian ; it has a rich dark blue ground border with 
 metallic lustre, and other coloured arabesque ornaments, 
 the initials S.P.Q.R., and the date 1512 are in front ; 
 behind the dish there are highly glazed and metallic 
 scrolls and lines, with the date 1512, and the artist's 
 cypher — 7-f in. diameter. 30/. Chaffers. 
 
 1947 A deep plate, with St. John in the island of Patmos, 
 
 inscribed beneath with the subject — \Q\ in. diameter. 
 8/. 5*. Marlborough House. 
 
 1948 A plate, with Mars, Venus, and Cupid, inscribed — 9 ill. 
 
 diameter. 3/. 15s. Hertz. 
 
 s 
 
210 EAENZA AND BAEFAELLE WABE. 
 
 1 949 A deep plate, with a griffin in the centre, the border with 
 
 terminal figures and arabesques on deep blue — in- 
 scribed on the back "P. Incha Agricola"— 11 in. 
 diameter. 90?. Baron A. de Rothschild. 
 
 1950 A plate, with tritons and sea nymphs, shaded in metallic 
 
 lustre, with ornaments on the bottom, and initials of 
 Maestro Giorgio, 1525—8 in. diameter. 21?. Marl- 
 borough House. 
 
 1951 A tazza-shaped Dish, with the Holy Family reposing 
 
 in a landscape, the outside pale blue with scales — 8 J in. 
 diameter. 26?. British Museum. 
 
 1952 Another (the foot having been cutoff), with a warrior 
 
 pleading before an emperor on behalf of prisoners — 
 scale border beneath — 10 in. diameter. 24?. 10s. The 
 same. 
 
 1953 Another, with the judgment of Solomon, and inscription, 
 
 with blue and white ornaments outside — 9^ in. diameter. 
 22?. Marlborough House. 
 
 1 954 Aw elegant Salt Cellab, supported on three chymasrse, 
 
 a cupid painted on the top — 5£ in. high. 12?. 10s. 
 S. Addington, Esq. 
 
 1955 An elegant Tazza and Stand, of early ware, fluted 
 
 and embossed, white, with minute ornaments in me- 
 tallic lustre — the tazza 7-J- in. high, the dish lOf in. 
 diameter. 28?. British Museum. 
 
 1956 An elegantly shaped Vase, of a shell form, spout 
 
 like an embossed dolphin, with paintings of figures on 
 a dark blue # ground within the shell — presumed date 
 abont 1540 — 8£ in. long, 3 in. high. 32?. Baron J. 
 de BotJischild. 
 
 1957 A tazza, or bowl, of early Italian ware, with paintings 
 
 of St. John, etc., and various coloured ornaments with- 
 in — presumed date about 1520 — between 4 and 5 in. 
 high, 10 in. diameter. 27?. Marlborough Home. 
 
 1958 A Basin, oe Raeeaelle Waee, ornamented all over 
 
 with paintings in bright colours, classical figures and 
 
IAENZA AND BAITAELLE WAEE. 211 
 
 subjects within the basin, and landscapes on the out- 
 side, a fine mask at the bottom — presumed date about 
 1540 — the depth of the basin to the foot is 6^ in. — 
 12 in. diameter. This basin is placed in an antique 
 steel, Italian stand ornamentally scrolled. 34?. Marl- 
 borough House. 
 
 1959 An elegant Salt Cellae Vase, painted with ara- 
 
 besques and camei, with embossed goat's head han- 
 dles — presumed date about 1560 — 10 in. long, 6£ in. 
 high. Abl. S. Addington, Esq. 
 
 1960 A pair of candlesticks, on broad round bases, painted 
 
 with cupids and landscapes — presumed date about 1550 
 — 6-J in. high — 6£ in. diameter of base. 391. Alex. 
 Barker, Esq. 
 
 1961 An ornament of a lion passant, holding a shield, on 
 
 which are emblazoned the Medicis arms ; on ornamental 
 pedestal of the same ware — presumed date 1550 — 13^- 
 in. long, 10 in. high. 161. 16s. Col. Sibtkorp, M.P. 
 
 1962 A Vase, op Tazza shape, on fluted stem, painted in 
 
 bright . colours, with a female in her accouchement, 
 attended by her maids, with wreath border and naked 
 boys — presumed date about 1535 — 5 in. high, 1\ in. 
 diameter. 61. 6s. Attenborough. 
 
 1963 An Italian ware drinking vessel, in the form of a barrel, 
 
 having two orifices, with embossed ornaments of va- 
 riously coloured foliage ; at one end is inscribed " Vin 
 Nero," and at the other " Vin Bianco," and at the 
 bottom "Oleamo Azeto " — the date cut in is 1522 — 
 h\ in. high, by 7f in. long. 141. 10s. British Museum. 
 
 1964 A tazza, having holes perforated round the rim, and four 
 
 hollow tube ends, painted in bright colours, with 
 figures in costume of the time, engaged in the vintage 
 within the hollow centre, and landscapes round the ex- 
 terior — presumed date about 1540 — %\ in. high, 8iin. 
 diameter. 11. 10s. John B. Gardner, Esq. 
 
 1965 A deep dish, of early ware, with light buff coloured 
 
 p 2 
 
212 FAENZA AND BAFFAEIjLE WABE. 
 
 ground, ornaments in green and yellow colours : in the 
 centre is the device of a large bear, or other animal 
 passant, carrying a flag — presumed date 1500 — 20J in. 
 diameter. 61. 5s. Marlborough House. 
 
 1966 A dish, of the same ware, of metallic lustre, with orna- 
 
 ments in yellow and blue : in the sunk centre, a large 
 female portrait in Italian costume with a banderolle 
 and inscription " Chi beguie da sua Barcha ESEP. 
 EIPT. Ro., etc."— presumed date about 1520— 16| in. 
 diameter. 14Z. 3s. 6d. Hertz. 
 
 1967 A dish, of the same ware, with ornaments and leaves in 
 
 metallic lustre colour, covering the entire front: in the. 
 centre on a black ground, armorial bearings ; on the 
 back a large spread eagle, in metallic lustre colour, 
 covering the whole surface — presumed date about 1500 
 — 18 in. diameter. 61. 10s. Marlborough House. 
 
 1968 A dish, of the same ware, with sunk centre, blue ground 
 
 with yellow and green scrolls and foliage : in the centre 
 a figure of Justice, etc. ; on the back are circular blue 
 lines, and a mark A. — presumed date 1 520 — 8y in. 
 diameter. J 01. The same. 
 
 1 969 A dish, of early ware, ornamented with metallic lustre 
 
 and blue foliage : in the centre a shield of arms ; the 
 back has ornaments in metallic lustre — presumed date 
 about 1500— 18£ in. diameter. 71. 10s. The same. 
 
 1970 A dish, of early ware, with coloured ornaments of me- 
 
 tallic lustre, similar to the preceding : in the centre a 
 shield of arms in blue, on white ground, believed to be 
 of the Concini family of Florence — presumed date 1520. 
 51. British Museum. 
 
 1971 A plate, with the choice of Paris in the sunk centre; 
 
 subject described on the back — dated 1544 — 10| in. 
 diameter. 51. 10*. Pearce. 
 
 1972 A flat plate, with sunk centre, a nymph reclining, with 
 
 light border, diapered with honeysuckles. Kecata- 
 logued no. 2033. 
 
FAENZA AND EAFFAELLE WAEE. 213 
 
 1973 A plate, with figures praying for the success of their 
 
 voyage, cherubs in the clouds ; the subject described at 
 the back — 10J in. diameter. 121. 10*. A. Fountaine, 
 Esq. 
 
 1974 A plate, with Cain and Abel; a shield of arras on the 
 
 border— 10| in. diameter. 121. 10s. R. S. Holford, 
 Esq. 
 
 1975 A scalloped tazza, on foot, •with Joseph receiving his 
 
 brethren, with architectural background ; arms on the 
 outside, and description of the subject — 10 in. dia- 
 meter. 13Z. 10«. John B. Gardner, Esq. 
 
 1976 A plate, with the wife of Amphiaraus killed by her son, 
 
 in brilliant colours, with a shield bearing a negro's 
 head ; inscribed with the subject, and signed " Fra 
 Xanto da Rovigo Urbino, 1532 " — 9f in. diameter. 
 151. A. Fountaine, Esq. 
 
 1977 A Dish, of eaely wake, white flowers, in metallic 
 
 gold lustre ; a shield of arms in centre, and inscrip- 
 tion in rude characters in lines round the edge — 15 in. 
 diameter. 10/. British Museum. 
 
 1978 A Tazza-shaped Dish, with Mercury and Aglaura, 
 
 Neptune and Vulcan ; on the back the initials of 
 Maestro Georgio, and date 1534 — 11J in. diameter. 
 111. D. Falcke. 
 
 1979 Anotheb, with Picus and Circe, the subject described 
 
 on the foot, Fatto in Pesaro — 10\ in. diameter. 11/. 
 British Museum. 
 
 1980 A beautiful Dish, with large female portrait in yellow 
 
 and other colours, on green ground ; S. A. L., and 
 other initials at the side, and blue and white arabesque 
 border — 20 in. diameter. 151. Marlborough House. 
 
 1981 A pair of bottles, of Nevers ware, light blue, spirally 
 
 fluted with dark blue flowers — 12 in. high. 11?. J. S. 
 Forbes, Esq. 
 
 1 982 A teey cueious Dish, of early French ware, with a lady 
 
 and two cavaliers, one of them playing the guitar, on 
 
214 FAENZA AST) BAFEAELLE WAKE. 
 
 orange ground, -with green festoons of leaves, and 
 border of crossed bands, brown, orange and green. — 
 20£ in. diameter. 40?. 10*. Marlborough House. 
 
 1983 A small dish, of early ware, with four figures in a land- 
 
 scape, and faint colours on light blue ground — 8 in. 
 diameter. 20?. British Museum. 
 
 1984 Another, of similar ware, with Christ and the woman of 
 
 Samaria, inscribed "Da. Mi. Chi." — 7j- in. diameter. 
 20?. Marlborough House. 
 
 1985 A plate, with shield of arms in centre, and scroll border, 
 
 with acorns, orange on purple ground — 9 in. diameter. 
 5?. The same. 
 
 1986 A deep plate, with hands crossed in the centre, the 
 
 border with minute ornaments in oval medallions, blue 
 and orange — 9J in. diameter. 8?^ 5s. The same. 
 
 1986a A deep dish, with a mask supporting a basket of fruit, 
 and surrounded by fruits in colours ; on the bottom is 
 an interesting slight sketch of a female figure, in blue 
 — 18 in. diameter. 10?. The same. 
 
 19866 A two-handled vase, with inscription and arabesques on 
 yellow ground — 7i in. high. 16?. The same. 
 
 1986c A very fine dish, of curious early ware, a lady and gen- 
 tleman in the centre, surrounded by arabesques and 
 cupids on festoons of foliage, the design slightly raised 
 on buff ground — 20 in. diameter. 45?. 10s. British 
 Museum. 
 
 1986rf A beautiful globular two-handled vase, with masks, fes- 
 toons, and trophies, in grey, on deep blue ground — 
 12 in. high. Recatalogued no. 2088. 
 
 1986e A fluted dish, with ornaments in metallic lustre, a shield 
 of arms on the raised centre. 6?. 5s. /. S. Forbes, Esq* 
 
 Amount of Sixteenth Day's Sale, 2511?. 6s. 6d. 
 
FAENZA AND BAITAELLE WAEE. 213 
 
 SEVENTEENTH DAY'S SALE. 
 
 FAENZA AND RAFFAELLE WARE. 
 
 1987 A deep plate, with the combat of the Horatiiand Curiatii ; 
 
 a town in the background — ll^- in. diameter. 51. 18*. 
 Marlborough House. 
 
 1988 A dish, with a lady, and peasants bringing birds to her 
 
 in a garden, near a chateau — 14£ in. diameter. 51. 5s. 
 C. B. E. Fortnum, Esq. 
 
 1989 A dish, with two horsemen leaving a gateway, a spear- 
 
 man and a man carrying a child before them ; ara- 
 besque border of blue and white — 16 in. diameter. 
 11Z. 0*. 6c?. Marlborough House. 
 
 1990 A deep dish, of early ware, with a male portrait of the 
 
 period in the centre, and border of flowers and scales 
 — 15 in. diameter. 21. 15s. The same. 
 
 1991 A deep dish, with Latona and other figures, inscribed 
 
 with the subject beneath — lOf in. diameter. 41. 15*. 
 British Museum. 
 
 1992 A small deep dish, with a shield in centre, inscribed 
 
 S.P.Q.R., 1535 ; on purple ground, and white dia- 
 pered border — 8£ in. diameter. 61. Marlborough 
 House. 
 
 1993 Another, with shield of arms in centre, and arabesque 
 
 border in brown, on blue ground — 8f in. diameter. 
 5/. 10s. The same. 
 
 1994 A plate, white ground, with two shields of arabesques 
 
 and colours — 9 in. diameter. 51. 5s. Chafers. 
 
 1995 A plate, deep blue, with arabesques in buff; dated 1529 
 
 — imperfect — 8|- in. diameter. Zl. 5s. British Museum. 
 
 1 996 Another, with musical trophies, on blue ground — dated 
 
 1555— 10i in. diameter. 21. 2s. Chaffers. 
 
 1997 A tazza-shaped dish, with figures leading an aged man, 
 
 in a landscape — 10£ in. diameter. M. 15s. The same. 
 
216 FAEUZA AND BAITAELIiE WAEE. 
 
 1998 Another, with the death of Achilles; inscribed with the 
 
 subject beneath — 10£ in. diameter. 61. O. E. Coope, 
 Esq. 
 
 1999 A deep plate, with two figures, three shields of arms, 
 
 and a view of a town ; inscribed at the back 1534, 
 P. Athanasius, B.M. — 9£ in. diameter. 13Z. 2s. 6d. 
 British Museum. 
 
 2000 A plate, white, with two shields of arms and arabesques, 
 
 after G-. da Udine, in colours — 9 in. diameter. 41. 2s. 6d. 
 Chaffers. 
 
 2001 Another, with Polyphemus and Galatea; a coat of arms 
 
 above, inscribed I. A., with a dolphin — 9 in. diameter. 
 31. B. S. White, Esq. 
 
 2002 A plate, white, with two shields of arms and arabesques, 
 
 in colours. 4?. 10s. Marlborough House. 
 
 2003 A tazza-shaped dish, on foot, with Artemesia burning 
 
 the body of her deceased husband ; the subject in- 
 scribed at the back — presumed date about 1540 — 
 lOf in. diameter. 51. 5s. Chaffers. 
 
 2004 An early Italian dish, tazza-shaped, on foot, with Mutius 
 
 Scsevola, the armour and costume of the period of the 
 dish ; blue and red ornaments on the back — presumed 
 date about 1530 — 10 in. diameter. 51. 10s. Marl- 
 borough House. 
 
 2005 A plate ; Actseon, etc. : on the back a description — 
 
 presumed date about 1540 — lOf in. diameter. 31. 10s. 
 T. S. Forman, Esq. 
 
 2006 A dish, tazza shape, on a foot : a female killing a man, 
 
 two cupids leaving, etc.— presumed date about 1540— 
 lOf in. diameter. 10Z. British Museum. 
 
 2007 A similar dish ; Cadmus and the dragon : on the back 
 
 the description — presumed date about 1540 — 9f in. 
 diameter. 31. 10s. O. E. Coope, Esq. 
 
 2008 A plate : Glaucus and Scylla ; description on the back, 
 
 with yellow lings — dated 1545 — 9-f in. diameter. 61. 
 Marlborough House. 
 
lAENZA AND KATFAELLE WABE. 217 
 
 2009 An early Italian plate, with portrait of a female in the 
 
 costume of the period, border of a rich coloured 
 escallop pattern ; the back has rude ornaments in blue, 
 and a mark — presumed date about 1520 — 10J in. dia- 
 meter. 41. 1 5s. Marlborough House. 
 
 2010 A dish ; Diogenes addressing warriors, etc. : description 
 
 and date 1548, on back — 12^ in. diameter. 51. 5s. 
 Chaffers. 
 
 2011 A dish ; the wooden horse, Troy, etc. : yellow lines and 
 
 description on the back — presumed date 1545 — 12§in. 
 diameter. 41. 4s. Wittton. 
 
 2012 A similar dish ; warriors, boys, etc. : yellow lines and 
 
 description at the back — presumed date about 1548 — 
 llf in. diameter. 61. 10s. Annoot and Gale. 
 
 2013 An early Italian dish : in the centre a portrait of a fe- 
 
 male, in a hood mantle, with inscription "Sura Fiore." 
 The colours are in a kind of metallic lustre and blue 
 ground, with ornaments of foliage, etc. ; metallic lines 
 and a mark at the back — presumed date about 1 520 — 
 13 in. diameter. 10Z. 10*. Marlborough House. 
 
 2014 A plate ; Pyramus and Thisbe : heraldic bearings at the 
 
 top, of Hercules and lion within shield; description of 
 the back, with the date of 1531, and " FraXanto, A. 
 Ro., T. Urbino, p." — 10 in. diameter. 81. 5s. The 
 same. 
 
 2015 A dish, tazza-shaped, on a foot: armed horsemen, a 
 
 child trodden under foot on the ground, a female 
 coming out of a gate, with a full coat of arms in a 
 wreathed circle at the top ; a motto, " Nee spe nee 
 metu," at the bottom — presumed date about 1535 — 
 10£ in. diameter. 241. 10s. British Museum. 
 
 2016 A similar dish : death of the children of Niobe ; de- 
 
 scription and date 1545 at the back — lOf in. diameter. 
 51. 15s. Chafers. 
 
 2017 A similar dish : Dido and Ascanius, etc. : on the back, 
 
218 TAENZA AND EAFJ?AEIiLE WAKE. 
 
 date 1526, and " In Castel Durante " — 1 1 in. diameter. 
 132. British Museum. 
 
 2018 A plate; the metamorphose of Cycnus into a swan, by- 
 
 Neptune : description on the back — date presumed 
 about 1540 — lOf in. diameter. 51. 5s. A. Fountaine, 
 Esq. 
 
 2019 A similar dish; Perseus and Andromeda, etc. : descrip- 
 
 tion on the back — presumed date about 1545 — lOf in. 
 diameter. 31. Annoot and Gale. 
 
 2020 An early Italian dish, in metallic lustre colours ; a child 
 
 coming out of the trunk of a tree, females present ; 
 rude scrolls on the back, with date 1533 — 10-j- in. dia- 
 meter. 31. 5s. W. Stuart, Esq. 
 
 2021 A dish, on a foot; a car and four white horses, Cupid, 
 
 etc. : on the back some Italian venses as to the power 
 of love, with, yellow lines — presumed date about 1540 
 — lOf- in. diameter. 51. British Museum. 
 
 2022 An early Italian dish, in metallic lustre ; Hercules, 
 
 Nessus, Dejanira, etc. : on the back rude scroll orna- 
 ments with a mark — presumed date about 1520 — 11J 
 in. diameter. 22/. The same. 
 2d23 A dish, cavaliers and females at a table in costume of 
 the time, with music : yellow lines on the back — pre- 
 sumed date about 1545 — 1 If- in. diameter. 71. CD. 
 E. Fortnum, Esq. 
 
 2024 An early Italian plate, of a very curious character; 
 
 Actseon and Diana, etc. in a fine Italian landscape : the 
 subject curiously treated, with a prevalence of blue 
 colour — presumed date about 1500 — 11£ in. diameter. 
 191. 10s. Marlborough House. 
 
 2025 A dish, on a foot ; Apollo and Marsyas ; yellow lines at 
 
 the back — presumed date about 1540 — 10 in. diameter. 
 31. 3s. Willson. 
 
 2026 A similar dish, of the crinkled pattern; subject the 
 
 Laocoon : on the back a description with yellow lines 
 
PAENZA AHB BAEFAEELE WABE. 219" 
 
 — presumed date about 1540 — 10J in. diameter. 12/. 
 Marlborough House. 
 
 2027 A dish, on a foot ; the Holy Family in an interior of 
 
 the time of the dish ; yellow lines on the back- 
 presumed date about 1560 — lOf in. diameter. 11/. 10s. 
 The same. 
 
 2028 A similar plate, in fine colours ; the death of Alcyone : 
 
 a coat of arms surmounted by a cross, with five blue 
 balls or circles ; on the back a description, with the 
 date 1535 and " FX"— • 9f in. diameter. 41. B. 
 Falcke. 
 
 2029 A similar plate ; iEacus and cattle, etc. : on the back a 
 
 description and yellow lines — presumed date about 
 1545 — 10£in. diameter. 61. J. J. Jemmett, Esq. 
 
 2030 A dish, with a sunk centre, a fortified city and bridge, 
 
 etc. — date about 1540 — 10-J in. diameter. 51. 5s. 
 Chafers. 
 
 2031 A similar dish; a dragon issuing from blood, satyrs, 
 
 etc. : description on the back — presumed date about 
 1540 — 10 in. diameter. 41. 8s. T. S. Forman, Esq. 
 
 2032 An early Italian dish, on a foot, in metallic lustre co- 
 
 lours ; Time with his scythe, and a female fallen from 
 a horse, of very rude execution, rough ornaments on 
 the back, with date 1539 — 9£ in. diameter. 41. 10*. 
 Willson. 
 
 2033 A plate, with a nymph reclining, and diapered border 
 
 of light colour — 10 in. diameter. 25?. A. Foun- 
 taine, Esq. 
 
 2034 A similar plate ; Arethusa and Alpheus, Cupid, etc. : 
 
 description at the back — presumed date about 1535 
 — 1 0J- in. diameter. 51. 10s. The same. 
 
 2035 A similar plate ; Ficus and Circe : description on the 
 
 back, with date 1535 and mark — 10 in. diameter 
 41. 10s. British Museum. 
 
 2036 A Raffaelle-ware dish: a landscape, village, and a co- 
 
 vered carriage of the time with horses, a coat of arms 
 
220 FAENZA AND BAFFAEI.LE WAItE. 
 
 at the top, yellow lines at the back — presumed date 
 ahout 1550 — 15£ in. diameter. 10/. 10s. Marlborough 
 House. 
 
 2037 An early Italian dish, light blue and white ornaments : 
 
 in the centre a coat of arms in colours, dark purple 
 border, with light blue and white arabesques, masks, 
 etc. ; on the back purple ornaments on a light blue 
 ground, and mark — presumed date about 1550 — 14f- 
 in. diameter. 12/. 10s. British Museum. 
 
 2038 An early Italian dish ; Abraham and Isaac : border of 
 
 blue and white masks and arabesques, on an orange 
 coloured ground — presumed date about l530-^»14f in. 
 diameter. 211. Marlborough House. 
 
 2039 A Raffaelle-ware dish; Phalaris attacked by his subjects : 
 
 description and yellow lines at the back — presumed 
 date about 1545 — 15£ in. diameter. 91. 5s. The same. 
 
 2040 A Raffaelle-ware dish, with a sunk centre, a bear hunt, 
 
 figures in the costume of the time ; yellow lines on 
 the back — presumed date about 1560 — lOf in. dia- 
 meter. 51. 10s. Pearce. 
 •2041 A Raffaelle-ware dish, on a foot ; Andromeda, etc. : de- 
 scription at the back — presumed date about 1540 — 
 9y in. diameter. '61. 3s. Wright. 
 
 2042 A similar dish ; Apollo and Argus : rude purple scrolls 
 
 and description, etc. " fato in pesaro" on the back — 
 presumed date about 1535 — 10g in. diameter. 61. 10s. 
 British Museum. 
 
 2043 A similar dish ; David and Goliath: on the back a de- 
 
 scription — presumed date about 1540 — 9f in. diameter. 
 41. 10s. Lord Maidstone. 
 
 2044 A dish, on a foot ; Tiberius receiving tribute, etc. : de- 
 
 scription on the back, on the back the mark in purple 
 — date about 1540 — 10£ in= diameter. 71, 15s. CD. 
 E. Fortnum, Esq. 
 
 2045 A similar dish ; a Deity in the heavens slaying with 
 
 arrows an armed host : on the right side a crest, coat 
 
FAENZA AND EAFFAELI/E WAKE. 221 
 
 of arms, and motto near the edge — presumed date 
 about 1535 — 9|- in. diameter. 31. 15s. Willson. 
 
 2046 A dish, with a sunk centre ; Vulcan and Venus : de- 
 
 scription and yellow lines on the back — presumed date 
 about 1535 — 7f in. diameter. 71. Marlborough House. 
 
 2047 A dish, on a foot, subject the building of a palace, work- 
 
 men on scaffolding, etc. — presumed date about 1535 — 
 10£ in. diameter. 41. 15*. British Museum. 
 
 2048 A dish, with a sunk centre ; Hercules killing the dragon : 
 
 description and yellow lines at the back — presumed 
 date about 1535 — 7£ in. diameter. 41. 10s. O.K 
 Coope, Esq. 
 2Q49 A similar dish ; a full coat of arms and motto " Nee 
 spe nee metu" in the centre, divers figures on the 
 borders, and another coat of arms on the borders on 
 the left side ; yellow lines at the back — presumed date 
 about 15.30 — 10£ in. diameter. 40/. British Museum. 
 
 2050 A similar dish, with the same coat of arms and a tablet 
 
 of musical notes below them, the same motto in ano- 
 ther part ; a handsome border of figures in the costume 
 of the time with a four-horse car, etc. above ; yellow 
 lines on the back — presumed date about 1535 — 10|-in. 
 diameter. 5U. Roussel, Paris. 
 
 2051 An early Italian dish, with a sunk centre in metallic 
 
 lustre colours : in the centre a coat of arms of a por- 
 cupine on a shield, rude figures and landscape on the 
 border, rude ornaments with the date 1522 and mono- 
 gram on the back — 10 in. diameter. 13/. 10*. Marl- 
 borough House. 
 
 2052 A similar dish; Cupid, etc. and Actseon metamorphosed 
 
 — on the back the date 1524 and monogram — lOf in. 
 diameter. 15/. The same. 
 
 2053 A dish, on a foot, of a fluted pattern ; a hawking party 
 
 in costume of the time : yellow lines on the back — 
 presumed date about 1560 — 11 in. diameter. 5/. 5s. 
 Pearce. 
 
222 FAEUZA AM) EAEFAEILB WABE. 
 
 2054 A dish :• in the centre two large coats of arms and crests, 
 
 figures on the border ; rude yellow and blue lines at 
 the back— presumed date 1550— Hi in. diameter. 
 10Z. British Museum. 
 
 2055 A dish, on a foot ; the death of Portia : description, 
 
 with the date 1541, and monogram on the back — 10J 
 in. diameter. 10Z. 10s. Marlborough House. 
 
 2056 A dish, river god, and metamorphose of Daphne, etc. — 
 
 presumed date about 1540— 10^ in. diameter. 51. 
 The same. 
 
 2057 A similar 'dish, on afoot; a boar hunt — presumed date 
 
 about 1545 — 10 J in. diameter. 31. 8s. Willson. 
 
 2058 An Italian ware dish, the colours of which are singular ; 
 
 Polyphemus and Galatea : on the back yellow lines, 
 with the date 1564, and "+ a padon"— 1 Of in. dia- 
 meter. 6/. British Museum. 
 
 2059 A plate ; the metamorphosis of Echo into a rock : de- 
 
 scription at the back — presumed date about 1535— 
 1GJ in. diameter. 51. 10s. A. Fountaine, Esq. 
 
 2060 An early Italian dish, with a sunk centre ; a boy flying 
 
 a bird : border of purple ground, with drab coloured 
 trophies and inscription — date about 1550— 9f in. 
 diameter. 61. British Museum. 
 
 2061 An early Italian dish; Cupid riding a goose in the 
 
 centre : border of rich arabesques, masks, trophies, etc., 
 and S. P. Q. R. ; on the back rude blue ornaments — 
 presumed date about 1520 — 8J in. diameter. 60/. 
 The same. 
 
 2062 An early Italian dish, with a sunk centre ; Cupid play- 
 
 ing on a pipe in the centre, encircled by a rich border, 
 diapered round; the outer border of orange colour, 
 with richly coloured ornaments of birds and devices — 
 presumed date about 1535 — 7i in. diameter. 21?. 
 Marlborough House. 
 
 2063 A dish, of a fine character : Mars and Venus in the 
 - centre, surrounded by, bold arabesques and camei; 
 
1'AENZA AND BAMFAELLE WAEE. 223 
 
 yellow lines on the back — presumed date about 1550 — 
 19£ in. diameter. 31?. Alex. Barker, Esq. 
 
 2064 A similar dish: boss, in the centre Venus and Cupid, in 
 
 blue grisaille, rows of arabesques and cameo medal- 
 lions ; on the back a medallion of a horse and its rider, 
 with ornamental borders — presumed date about 1 550 
 — 16 in. diameter. 151. Marlborough House. 
 
 2065 A dish : Curtius on horseback, with other figures ; a 
 
 city in the background ; yellow lines on the back — 
 date about 1540 — 12J in. diameter. 81. Annoot and 
 Gale. 
 
 2066 An eably. Italian Plate, blue ground, with yellow 
 
 scrolls embossed in relief, and oak leaves and acorns : 
 in the centre a small circular medallion of a classical 
 male bust, within a green wreath — presumed date about 
 1520 — 9f in. diameter. 221. British Museum. 
 
 2067 A Raffaelle-ware dish ; Neptune in a car iu the heavens: 
 
 yellow lines at the back — presumed date about 1540 — 
 12|- in. diameter. 3/. 5s. Willson. 
 
 2068 An early Italian dish, with a sunk centre : the outer 
 
 border of a purple colour, with light blue, etc. orna- 
 ments ; acupid'on the yellow ground in the centre, 
 within a coloured border ; the back of a light blue 
 ground, with purple lines and mark — date about 1520 
 — 9-f in. diameter. 71. 10s. C. D. Fceux, Esq. 
 
 2069 An eaelt Italian Plate, of a species of stone ware, 
 
 with a border of curiously coloured foliage and spotted 
 ground ; in the centre two hearts, «tc. pierced with 
 arrows, within a coloured wreatb, and the motto " En 
 Piu" — presumed date about 1500 — 11£ in. diameter. 
 A rare and curious specimen. 51. 10s. Marlborough 
 House. 
 
 2070 An early Italian plate, of the Pesaro fabric : in the 
 
 centre St. Bartholomew ; the border of a rich orange 
 ground, with coloured arabesque ornaments ; the back 
 ornamented with the scale pattern, and having I P in 
 
224 PALISST WAEB. 
 
 the centre — date about 1520 — lOf in. diameter. 41/. 
 British Museum. 
 
 PALISSY WARE. 
 
 2071 An oval dish, on a foot ; Abraham and Isaac, etc. : with 
 a rich border— 12£ in. by 10£ in. 20/. 10s. John B. 
 Gardner, Esq. 
 
 20/2 A circular dish, on a foot : Perseus, Andromeda, etc. — 
 10 in. diameter. 261. The same. 
 
 2073 A circular dish, perforated with masks, etc. — 8|- in. 
 
 diameter. 11. 10s. <S. Addington, Esq. 
 
 2074 An oval dish, on a foot, with a rich border : a king on 
 
 his throne, with females, etc. — 9£in. by 7y in. 61. 5s. 
 Marlborough House. 
 
 2075 An oval dish, on a foot, having five hollow pools, with 
 
 ornamented borders, and figures of cupids in relief — 
 13 in. by 10f in. 261. The same. 
 
 2076 A Cieculai!. Dish, on a foot : a lizard in the centre, 
 
 and a very rich border — 12^ in. diameter. A very fine 
 specimen. \62l. Baron Gustave de Botksehild. 
 
 A true specimen of the extremely rare Palissy ware, originally pur- 
 chased in a broken state at Paris, for twelve francs ! and after being admirably 
 restored here, sold to Mr. Bcrnal for four pounds. These matters are now 
 better understood, and the day has passed when rarities of surpassing in- 
 terest might be purcbascd-for trifling sums. 
 
 2077 An oval dish, on a foot, with a rich border : Pomona in 
 
 a garden, with buildings — 13 in. by 10-J- in. 17/. 
 John D. Gardner, Esq. • 
 
 2078 A benitier, of a species of ware somewhat similar to 
 
 Delft, with coloured figures of the dead Christ and 
 the Virgin, in relief, and other ornaments — dated 
 1620 — 14| in. high, 9 in. wide. 5/. 15s. Marlborough 
 House. 
 
FAENZA AND KAFFAELLE WAEE. 225 
 
 FAENZA — continued. 
 
 2079 A vase, of Raffaelle ware, with handle, and dragon's head 
 
 spout, intended for pharmacy, with rude ornaments 
 and heads of old men — presumed date 1540 — 9-§- in. 
 high, 9-f in. wide. 51. 5s. 0. E. Coope, Esq. 
 
 2080 A jar, for pharmacy, with inscription as to'its contents, 
 
 variously coloured ornaments, and heraldic device of 
 geese at the bottom, dated 1580 — 8 in. high, 4-f in. 
 diameter. 21. 8s. The same. 
 
 2081 A salt cellar, of Raffaelle ware, of triangular form, on 
 
 dolphin's head and feet, painted with rich ornaments of 
 cupids and negroes' heads [inscribed Fra Xanto, etc.] — 
 dated 1532 — 2f in. high, 6 in. long. 6\l. British 
 Museum. 
 
 2082 A large bottle, of Raffaelle ware, intended for pharmacy, 
 
 having an inscription of its contents, embellished in 
 various colours with the subject of an old man kissing 
 a young female — presumed date about 1540 — \7\ in. 
 high, 8|- in. diameter. 26Z. Marlborough House. 
 
 2083 A similar bottle, of the same ware, having a subject of 
 
 an old man in rich costume ; the pendant to the pre- 
 ceding — 18^- in. high, 2\ in. diameter. 28/. The same. 
 
 2084 A plate, with Cupid supporting a shield bearing the 
 
 Imperial double eagle, the border purple, with ara- 
 besques in white — 9£ in. diameter. 8/. The same. 
 
 2085 A tazza-shaped Dish, deep blue, with ten cupids sup- 
 
 porting banners, a vase between them, and arabesques 
 above, of very vivid colours — dated 1520 — 10 in. dir 
 ameter. 611. A. Fountaine, Esq. 
 
 2086 A deep Plate, with Christ rising from the tomb in the 
 
 centre, arabesque border on deep blue ground of very 
 rich colours — 7\ in. diameter. 221. British Museum. 
 
 2087 A cr/EiOT/s Jr/a, with spout formed of a lion rampant; 
 
 holding a shield, inscribed I. H., 1576, the surface 
 covered with trophies in light brown and yellow — 8 in. 
 high. \2l. 10s. Col. Sibthorp, M.P. 
 
 Q 
 
226 EAENZA AND BAEFAELLE WAEE. 
 
 2088 A beautiful two-handled Vase, deep blue, with 
 
 arabesques and trophies in pale brown and white — 12|- 
 in. high. 201. 10s. British Museum. 
 
 2089 A pilgrim- shaped Bottle, with blue and white flowers 
 
 and arabesques, and two shields, with lions rampant 
 
 holding roses — 12J in. high. 61 10s. Marlborough 
 House. 
 
 2090 A jug, with lip, white, with flower ornaments in blue 
 
 and yellow — 1\ in. high. 19^. 10s. Movant. 
 
 2091 An elegant Jug, with triple lip, and snake handle, 
 
 white ground, with arabesques in colours — 7 in. high. 
 111. 10s; Annoot and Gale. 
 
 2092 A Pilgeim's Bottle, with handles ornamented with 
 
 embossed and coloured arabesques, medallions and 
 masks ; a device of a flame, with the motto " Ardet 
 iEturnum" — presumed date about 1550 — 13$- in. high, 
 10 in. wide. 201. Prof. Maconochie, Edinburgh. 
 
 2093 A Pilgeim's Bottle, with embossed ornaments highly 
 
 coloured and masks at the side, with subjects of classi- 
 cal deities — presumed date about 1540 — 1A\ in. high, 
 ll|-in. wide. 31Z. Annoot and G ale. 
 
 2094 A pair of circular two-handled vases, with covers, orna- 
 
 mented with snakes and masks and various coloured 
 trophies, and a subject of Galatea ; they were intended 
 for pharmacy, having an inscription of their contents 
 — presumed date about 1570 — 8| in. high, 8 J in. dia- 
 meter. 30L H. T. Hope, Esq. 
 
 2095 \ Two vases, with spouts and handles, intended for 
 
 2096 ) pharmacy, with inscriptions of contents, ornamented 
 
 with trophies in various colours on blue ground, Ga- 
 latea on the handles, on yellow ground — dated 1 577 — 
 8 in. high, 6J in. diameter. 251. Alex. Barker, Esq. 
 
 2097 A pilgrim's bottle, with ornaments of various colours, 
 
 shields cf arms at the sides — dated 1573 — 12£ in. high. 
 3Z. 15s Willson. 
 
 2098 A Pilgeim's Bottle, with covered top, embossed snake 
 
FAENZA AND EAITAELLE WABE. 227 
 
 handles, with subjects of Perseus and Andromeda, and 
 a shield of arms— presumed date about 1545 — 14 in. 
 high, 8 in. wide. 311. Marlborough House. 
 
 2099 A pilgrim's bottle, similar in form and ornaments to the 
 
 preceding, with Silenus and bacchanal boys, and vin- 
 tage scenes — presumed date about 1540 — 14 in. high, 
 12 in. wide. 55Z. S.Addington, Esq. 
 
 2100 A PLAT-SIDED PILGEIM'S BOTTLE, with cover, 
 
 with snake handle, embellished with arabesque orna- 
 ments, camei, and subjects of Hercules and the Cen- 
 taur, and an equestrian combat — presumed date about 
 1540— 12J in. high, 11 in. wide. {See illustration.) 
 421. Baron A. de Bothschild. 
 
 2101 A Paid oe beautiful Vases, with lion's heads and 
 
 mask handles, and old or-moulu mounts ; they are 
 brilliantly painted with subjects of Neptune and Ga- 
 latea — presumed date about 1540 — 12£ in. high, 7J 
 in. diameter. 74.1, The same. 
 2i02 A VASE, OF THE LATER RAFFAELLE WARE, of 
 curious but elegant form : the top much embossed and 
 ornamented, the base decorated with snakes, dolphins' 
 heads, and arabesques, in colours — dated 1630 — 13-j 
 high, 6£. in. wide. 211. Alex. Barker, Esq. 
 
 2103 A splendid Vase, with elegant handle, ornamented with 
 
 a sphynx and masks, painted in bright colours with the 
 brazen serpent, etc. — presumed date about 1550 — 15 
 in. high, 5£ in. diameter. 220?. The same. 
 
 2104 A beatjtietjl Vase, the handle and lip of elegant de- 
 
 sign, painted in vivid colours with the subject of a me- 
 tamorphosis — presumed date about 1535 — ll^in. high, 
 6 in. diameter. 200?. The same. 
 
 2105 A dish, with Danae and Perseus embarking in a boat, 
 
 brilliant colours — 16 in. diameter. 52Z. British 
 
 2106 A fine Dish, with Pan playing on the pipes, two figures 
 kneeling bearing shields, with beautiful border of ara- 
 
 Q2 
 
228 DELFT AND OTHEE WAEE. 
 
 besques after G. da Udine — it has been mended — 16| 
 in. diameter. 62/. British Museum. 
 
 2107 A deep plate, with a trophy and arabesques, in light 
 
 blue and white, on purple ground — 9i in. diameter. 
 Eecatalogued in error. 
 
 2108 A plate, with a figure of Fortitude, on orange ground, 
 
 and flowered border, in scale compartments — 8J in. 
 diameter. 10?. 10s. Marlborough Souse. 
 
 2109 A Yeey ctteiotts Plate : in the centre is Cupid in a 
 
 chariot, the border, with children on a dolphin's head, 
 scrolls and seaports, the figures raised, in orange colour 
 on blue ground — 11 in. diameter. 20?. The same. 
 
 2110 A deep plate, with a mask, arabesques, and cornucopise, 
 
 in rich colours, on metallic lustre ground — 1 1 in. dia- 
 meter. 20?. Chaffers. 
 
 2111 A teet cueiotts Dish, of early ware, probably French, 
 
 with cupids climbing a tree and riding on griffins, and 
 border of foliage ; a large stag, and female medallion 
 and ornaments on the bottom : the design indented 
 and coloured brown and green — \b\ in. diameter. 40?. 
 Marlborough House. 
 
 DELFT AND OTHER WARE. 
 
 21 12 A globular jug, with flowers in blue, and openwork neck 
 
 — 6 in. high. II. 6s. J. Bowker, Esq. 
 
 2113 A chalice and cover on stem, with two shields of arms, 
 
 and arabesque borders — 12 in. high. 6?. J. S. Forbes, 
 Esq. 
 
 2114 A curious dish, with a female shooting arrows at St. 
 
 Sebastian ; a chalice, and two hearts between them, blue 
 and white — 16 in. high. 21. 2s. Marlborough House. 
 
 2115 A green glazed flagon, mounted, with lid and bands of 
 
 metal gilt — 8£ in. Sold with no. 2116. 
 
 2116 Another, nearly similar. 6?. 15s. Alex. Barker, Esq. 
 
 2117 A Globtjlae Teapot, and Coyee, of black Bottcher 
 
AEMOUE : SWOED3 AND DAGGEBS. 229 
 
 ware, mounted, with, engravediims, and surmounted by 
 a cock of silver. 5/. /. S. Forbes, Esq. 
 
 2118 A cxteiotts jiat Globuiae Bottle, of early French 
 
 ware, with cupids and vines, white, on blue ground, a 
 seated cupid, in relief, seen through the open centre, 
 the neck pierced — 12-J- in. high. 61. Burlacher. 
 
 2119 An eably Dish, of an oval form, embossed in relief, 
 
 with hollow ovals, figure of a recumbent Venus, with 
 naked boys ; in front the arms of Westminster, etc., 
 and I. C. E., and date of 1659— oval, 18J in. by 15£ 
 in. A rare specimen. 61. British Museum. 
 
 2120 An early English dish, of coarse ware : a whole-length 
 
 of Charles II. crowned, with sceptre in his hand, 
 under an arch, pillars, etc., dated 1668 — 13. in. dia- 
 meter. 31. 3s. The same. 
 
 Amount of Seventeenth Day's Sale, 2396?. 15*. 6d. 
 
 EIGHTEENTH DAI'S SALE. 
 
 ARMOUR: SWORDS AND DAGGERS. 
 
 2121 Two swords, with brass pommels, one with swept hilt, 
 
 the other with pierced shell guard. 11. 6s. Nathan. 
 
 2122 A long straight sword, with beaded hilt and cup guard ; 
 
 the broad blade is engraved " Gio. Knegtin Solingen." 
 lis. D. Falcke. 
 
 2123 A long rapier, with cup guard, the blade waved and en- 
 
 graved " Andrie Brabendei in Solingen." 5s. Burlacher. 
 
 2124 Two swords, with convex plate guards, one having a 
 
 hollow for the thumb. 12s. Pratt. 
 
 2125 Two coutels, with ornamented pommels, the guard of 
 
 one chased with a medallion, and Andrea Ferrara 
 blade. 9s. The same. 
 
230 abjioub: swoebs and daggebs. 
 
 2126 Two long straight swords, with barred guards, the blade 
 
 of one engraved "Valentin me fecit." 11. 14s. Wet- 
 terhan. 
 
 2127 Two others, one with embossed basket hilt, the other 
 
 with a shell guard. 11. 15s. B. Falcke. 
 
 2128 A powerful sword, with perforated shell guard ; and a 
 
 plain rapier, with cup guard and Solingen blade. 18s. 
 Pratt. 
 
 2129 A very long narrow pointed rapier, with fluted pommel, 
 
 the circular shell guard flat and large, and straight 
 cross guard and fluted ebony grip. 61. 6s. W. Lake 
 Price, Esq. 
 
 2130 Another, with fluted pommel, gilt, the round cup guard 
 
 flat and perforated, and straight cross guard. 11. 15s. 
 Pratt. 
 
 2131 A large sword, with ridged blade and square pommel, 
 
 and a plain shell guard — 1490. 11. The same. 
 
 2132 Another, cross hilted, with pear-shaped pommel, the 
 
 broad blade is engraved " No mi salves sin rason — 
 No mi embaines sin honor." 11. 2s. The same. 
 
 2133 A large sword, the hilt of Maltese-cross shape, upon 
 
 the blade is engraved the Crucifixion and hunting sub- 
 jects, and a long inscription — 1560. 11. 17s. The 
 same. 
 
 2134 A large sword, with very broad blade, the cross guard 
 
 curved downwards, and ribbed steel pommel ; the 
 blade has had an inscription — about 1480 to 1500. 
 11. 2s. Wetterhan. 
 
 2135 A two-handed sword, with scalloped pommel and twisted 
 
 hilt; the blade is scrolled near the guard. 21. 10s. 
 ■Litchfield. 
 
 2136 Another, very fine, with scrolled cross guard, engraved 
 
 with heads, the pommel hexagonal and embossed ; the 
 original velvet grip, and part of the scabbard. 51. 15s. 
 W. Lake Price, Esq. 
 
 2137 Another, with large cross guard hilt, of openwork, and 
 
ABMOTTE : SWOEDS AND DAGGEES. 231 
 
 engraved with heads of animals ; the blade has the 
 date 1573, and a later inscription on the pommel. 71. 
 B. Falcke. 
 
 2138 A large and powerful sword, with straight cross guard, 
 
 and beaded ring under the wooden grip, covered with 
 the original leather, with cut steel pommel ; the broad 
 blade is engraved — 1480. 11. 14s; Pratt. 
 
 2139 A long practising sword, with straight cross guard and 
 
 plain pommel ; the blade has the maker's marks upon 
 it — 1500. 11. 3s. The same. 
 
 2140 A two-handed sword, with waved blade, engraved scroll 
 
 cross guard, and octagonal pommel ; on the blade is 
 engraved "Stantlep"— about 1560. 71 7s. W.Lake 
 Price, Esq. 
 
 2141 Another, with plain cross guard and pommels — about 
 
 1560. 11. 2s. Durlacher. 
 
 2142 Another, with straight blade and cross guard, and chased 
 
 pommel, with the original leather to the grip, steel 
 straps and nails — 1490. 11. Pratt. 
 
 2143 A Spanish rapier, the cup and guard perforated, and 
 
 steel pommels ; and a dagger, with double curved hilt 
 and fluted shell. 31.15s. Lord Londesborough. 
 
 2144 A fine Spanish rapier, with pierced cup, chased with 
 
 birds, and swept hilt ; the pommel is chased with 
 birds. 41. 4s. B. Falcke. 
 
 2145 A powerful long sword, with swept hilt and steel 
 
 pommel. 11. Pratt. 
 "2146 A fine long rapier, with swept hilt and pommel, on the 
 blade is engraved, in an oval, " Castione ;" and a 
 dagger, with pierced shell, and the figure of an animal. 
 51. 15s. Chaffers. 
 
 2147 A long sword, with swept hilt and fluted pommel; and 
 
 a dagger, with cross guard hilt, and ring for the thumb. 
 11. lis. 6d. C. Be Vmux, Esq. 
 
 2148 Another, with an engraved shell hilt, twisted and orna- 
 
232 ARMOUB: SWOBDS AND DA&GEBS. 
 
 merited, with inscription, and armoury marks on the 
 blade. 11. 12s. S. Zimmerman. 
 
 2149 A powerful thrusting sword, with spear-shaped point, 
 
 curved and engraved cross guard, and fluted pommel. 
 31. 5s. Pratt. 
 
 2150 Along sword, with swept basket hilt, engraved in six 
 
 divisions, and pierced steel pommel ; the blade is in- 
 scribed. 21. 15s. Burlacher. 
 
 2151 A long rapier, with five-barred swept hilt, and shell 
 
 guard and large oval pommel, on the blade are the 
 letters I.H.S. repeated ; and a dagger, with carved 
 cross guard and thumb ring. 11. 9s. Litchfield.. 
 
 2152 Another, with pierced cup, with swept hilt and cross 
 
 guard, and embossed pommel, the blade inscribed; 
 and a dagger, with pierced shell guard chased with 
 scrolls. 81. 5s. S. Zimmerman. 
 
 2153 Another, the cup pierced and chased in eight compart- 
 
 ments, chased swept hilt and pommel, the blade is in- 
 scribed ; and a dagger with cross guard hilt and. thumb 
 ring. 31. 15s. Pratt. 
 
 2154 Another, with five-barred swept hilt, pierced shell, em- 
 
 bossed with lions' heads, the pommel cut in zig-zag. 
 6/. 10s. 8. Zimmerman. 
 
 2155 Another, very long, the cup pierced and chased with 
 
 birds, and with a hook for the girdle, carved cross 
 guard and fluted pommel, bl. Chaffers. 
 
 2156 Another, with six-barred swept hilt, and shell embossed 
 
 with masks. 21. B. Falcke. 
 
 2157 A sword, with swept hilt straight cross guard and flat- 
 
 tened pommel, embossed with silver and partly gilt. 
 HZ. 10s. Nathan. 
 
 DAGGERS. 
 
 2158 A dagger, with bronze handle formed as a terminal 
 
 figure of a boy. 6s. F. 0. Beggi, M.D* 
 
abmoub: halbebds and glaives. 233 
 
 2159 One, with broad blade, the cross guard chased with 
 
 masks, the metal openwork sheath chased with the 
 subject of the death of Virginia ; it has places for a 
 knife and fork. 121. Marlborough House. 
 
 2160 Another, the blade partly gilt, the handle of ivory, 
 
 carved with Venus and Cupid. 41. 5s. Lord Londes- 
 borough. 
 
 2161 Another, the hilt and steel mountings to the sheath 
 
 chased with arabesques and gilt. 311. The same. 
 
 2162 Another, with the death of Virginia engraved in the 
 
 sheath, which contains a knife and fork — date 1563. 
 81. Marlborough House. 
 
 2163 One, with engraved ivory handle and silver-mounted 
 
 sheath. 31. 10s. Pratt. 
 
 2164 A curious hunting knife, with a smaller in the sheath ; 
 
 and a dagger, with engraved blade. 1 1. Chaffers. 
 
 2165 A dagger, with pierced blade ; and a knife, with carved 
 
 handle. 31. The same. 
 
 2166 Adagger, with curious engraved blade, and ivory handle 
 
 carved with a female figure. 1 6*. Pratt. 
 
 2167 Two rapier daggers, one of them with a pierced blade. 
 
 21. 10*. Nathan. 
 
 2168 Another, the steel hilt chased with a coat of arms and 
 
 trophies, the blade pierced. 51. 5s. Myers. 
 2169 "A dagger, with steel chased hilt, the four-edged blade 
 
 piereed. 91. 5s. Marlborough House. 
 2170 Two, with four-edged blades. 31. 5s. Marquis of Bread- 
 
 albane. 
 
 HALBERDS AND GLAIVES. 
 
 2171 A halberd, with very long blade, pierced and engraved, 
 
 with a circle of six steel heads at the socket. 31. 5s. 
 D. Falcke. 
 
 2172 Two glaives, the blades pierced and engraved with coats 
 
234 aemottb: halbeeds and glaiyes. 
 
 of arms, one inscribed with the date 1578. 8?. 10*. 
 Tower Armoury. 
 
 2173 A glaive, with three hooks at the back of the blade, 
 
 which has been engraved; and a pole-axe. 21. 2s. 
 Pratt. 
 
 2174 A halberd, with pierced blade engraved all over, with 
 
 spike ends ; and & powerful partisan, engraved and 
 inlaid with gold. 81. 10*. Redfern. 
 
 2175 A pair of halberds, with long pike ends, engraved with 
 
 the arms of Saxony and the date 1604. 71. 17s. 6d. 
 Marquis of Breadalbane. - 
 
 2176 Two halberds, with pierced blades ornamented with 
 
 brass chasings of Judith and other subjects ; they have 
 had circlets of heads, the staff of one is curiously 
 ornamented. 111. The same. 
 
 2177 A bill, with "W.Hood" stamped on the blade ; and a 
 
 glaive, engraved with armorial bearings, and inscribed 
 " Margarita Duchessa d' Austria." 41. 5s. The same. 
 
 2178 A partisan ; and a bill, with engraved blade. 61. 10s. 
 
 The same. 
 
 2179 A halberd, with double blade ; and one, with pierced 
 
 and chased blade. 3?. 10s. B. Falcke. 
 
 2180 A large glaive, engraved with figures, and a coat of arms, 
 
 and inscribed " Comunitas Rumani ;" and a large hal- 
 berd, engraved with arms. 41. 7s. The same. 
 
 2181 A bridle cutter : this curious specimen has a perforated 
 
 blade, and engraved with knights on horseback, and 
 the date 1582. 51. 5s. Lord Londesborough. 
 
 2182 A linstock, the steel part chased and terminating in a 
 
 snake. 11. 18s. Durlacher. 
 
 2183 Another, with spear at the end, ornamented with masks ; 
 
 and a matchlock rest. 21. 10s. The same. 
 
 2184 A matchlock rest, the steel part pierced and chased, the 
 
 stock inlaid with mother-o' -pearl and ivory; 141. 10s. 
 Marlborough House. 
 
 2185 A small halberd, with chased blade, with a coat of arms- 
 
HOESB TEAPPI1T&S AND EQUIPMENTS. 235 
 
 supported by two eagles ; and on the other side, " P. 
 III." 10*. 6d. Durlacher. 
 
 2186 A staff, containing a three-bladed spear, to be thrown 
 
 out with a jerk. 11. Lord Londesborough. 
 
 2187 Two battle-axes. 41. 15s. E. Burchett, Esq. 
 
 2188 A plain battle-axe; and a horseman's hammer, with 
 
 engraved head. 51. 12s. 6d. D. Falcke. 
 
 2189 A horseman's hammer, with spikes, the blade inlaid with 
 '"gold; and one other. 51. 15s. Pratt. 
 
 HORSE TRAPPINGS AND EQUIPMENTS. 
 
 2190 A pair of steel stirrups, with barred toes ; and a curious 
 
 spike spur. 51. 15s. Lord Londesborough. 
 
 2191 A pair of gilt stirrups, the sides boldly chased with 
 
 figures in Italian taste. 10?. Marlborough House. 
 
 2192 A pair of brass stirrups, chased with mythological figures- 
 
 and lions' masks. 31. 5s. Davis. 
 
 2193 A pair of steel shoe stirrups, of openwork, ornamented 
 
 with fleur-de-lys. 11. Is. D. Falcke. 
 
 2194 A pair of curious iron stirrups, of openwork, which 
 
 have been gilt. 31. 5s. Lord Londesborough. 
 
 2195 An iron stirrup, covered with small silver studs; and a 
 
 spur, with very long spikes. 41. 14s, 6d. The same. 
 
 2196 Two spurs, nearly similar, with very large rowels work- 
 
 ing between scrolls, the bands of open work, and en- 
 graved. 41. 4s. Durlacher. 
 
 2197 A pair of spurs, with open rowels, embossed with silver. 
 
 31. 5s. Lord Londesborough. 
 
 2198 Two spurs of different patterns, embossed with flowers 
 
 in silver. 41. 16s. Marquis of Breadalbane. 
 
 2199 A pair of spurs, with blunt rowels, embossed with masks, 
 
 etc., in silver. 11. Is. Willson. 
 
 2200 Another pair, with small rowels, the shafts of openwork,. 
 
 partly gilt. 31. 13s. 6d. James James, Esq. 
 
 2201 Another pair, partly gilt ; and a single one, enamelled" 
 
 in colours — broken. 51. 15*. The same. 
 
236 GUNS AND PISTOLS. 
 
 2202 Another pair, embossed with figures in silver, partly gilt. 
 
 31. 5s. Lord Londesborough. 
 
 2203 Another pair, with very large spiked rowels, and the 
 
 original steel chains. 51. 12s. 6d. Durlacher. 
 
 2204 Another pair, embossed with figures and masks in silver, 
 
 with openwork rowels. 61. 6s. Lord Londesborough. 
 
 2205 A plain steel pair, with large star-shaped rowels. 11. 4s. 
 
 B. Falcke. 
 
 2206 A large spur, with spiked rowel ; and one other. 11. Is. 
 
 John D. Gardner, Esq. 
 
 2207 A pair of small spurs, embossed with silver ; and two 
 
 others; one with inscription. 21. 15s. James James, Esq. 
 220S A pair, engraved all over with foliage, and partly gilt. 
 61. 10s. Lord Londesborough. 
 
 2209 A pair, of steel openwork, with spike rowels. 51. 15s. 
 
 The same. 
 
 2210 A very large bit, chased with animals in openwork, and 
 
 surmounted by crowns. 41. 15s. The same. 
 
 2211 Another, of curious form, with openwork sides. 41. 14s. 
 
 6d. Marlborough Mouse. 
 
 2212 A large and fine chanfron, fluted. 6Z. 7s. 6d. Marquis 
 
 of Breadalbane. 
 
 2213 A piece, for a horse's nose, openwork steel, with lions 
 
 and spread eagles. 21. 15s. Durlacher. 
 
 GUNS AND PISTOLS. 
 
 2214 A wheel-lock rifle : the stock with case for charges, is 
 
 inlaid with steel, with animals, and in the front two 
 portraits and other subjects ; the lock is embossed and 
 chased in high relief. 41. D. Falcke. 
 
 2215 A wheel-lock pea rifle, inlaid with animals in mother-o'- 
 
 pearl and ivory, with the case for charges ; the barrel 
 and lock are of blue steel, engraved and gilt — about 
 1570. 141. 10*. Marlborough House. 
 
 2216 A wheel-lock rifle, the stock inlaid with scrolls in steel, 
 
gots and pistols. 237 
 
 and with case for charges ; the lock is engraved with 
 the figure of a female : on the barrel is " Hans Ruhr 
 Coburgk, 1648." 21. \5s. M. Wetterhan. 
 
 2217 Another, shorter, the stock inlaid with ivory, with 
 
 sportsmen and animals, and with case for charges, and 
 a German inscription and date 1585 ; on the butt is 
 an animal carved in ivory ; the lock engraved with 
 hunting subjects. 61. 6s. Colnaghi. 
 
 2218 Another, the stock carved and mounted with engraved 
 
 metal, has the case for charges ; the locks chased with 
 combats, and has the name Christophe Jos. Frey, in 
 Minchen — about 1690. 81. 5*. Marlborough House. 
 
 2219 A beautiful French fowling piece, for the left hand : the 
 
 barrel of blued steel, gilt ornamented ; the lock and 
 steel mountings are chased and partly gilt ; on the 
 stock,' near the breach, are a ducal coronet and shield 
 of arms — temp. Louis XVI. 30Z. The same. 
 
 2220 A pair of wheel-lock pistols, 2 ft. 3 in. long, the butts 
 
 and stocks are ornamentally carved, the locks embossed 
 with silver ornaments and partly gilt, the barrels are 
 partly gilt and embossed with silver — about 1600. 
 21. 13*. Col. Lawrence. 
 
 2221 A wheel-lock pistol, with stop, 2 ft. 6 in. long, the stock 
 
 inlaid with mother-o'-pearl and ivory, the barrel partly 
 fluted. 71. 5s. Marquis of Breadalbane. 
 
 2222 A pair of wheel -lock pistols, of powerful make, the 
 
 barrels fluted, the stocks inlaid with ivory, and en- 
 graved with the arms of Saxony, with pear-shaped 
 butts — the date on the barrels is 1610. 41. Col. Law- 
 rence. 
 
 2223 Another pair, with globose butts, with chasings of St. 
 
 George and the Dragon differently treated, the stocks 
 have engraved silver mountings, and are carved ; the 
 barrel of one is fluted, and bears the date 1588. 
 61. 8s. 6d. I). Falche. 
 
 2224 Another pair, inlaid with ivory, with catches to fasten to 
 
238 POWDBE ELASKS. 
 
 the girdle — the barrels have the date 1577. 51. 17*. 6d. 
 Litchfield. 
 
 2225 A long wheel-lock pistol, the barrel partly engraved, and 
 
 with the date 1567; the stock inlaid with ivory. 11. 10s. 
 Pratt. 
 
 2226 Another, the stock inlaid with ivory, carved in relief 
 
 with a male figure in ricn costume, the butt has a 
 carved ivory head, the barrel is engraved, and the lock 
 of blued steel ; the pistol has a catch for the girdle — 
 1554. 81. Morant. 
 
 POWDER FLASKS. 
 
 2227 A small brass powder flask, of curious pattern, enamelled 
 
 in colours. 13s. Litchfield. 
 
 2228 Another, small circle, chased with a bust of Lucretia, 
 
 and a combat. 11. 7s. Myers. 
 
 2229 Another, circular, with a chasing in silver of Fame, 
 
 seated, in a scroll ornament. XI. 7s. Marlborough 
 
 2230 Another, circular, ornamented in colours. 41. 10s. The 
 
 same. 
 
 223 1 One, of tortoiseshell, silver mounted ; and one, with a 
 
 chasing of a Lapitha and Centaur. 51. 5s. The same. 
 
 2232 One, circular, of ivory, carved with a group of animals. 
 
 81. 10s. The same. 
 
 2233 One, of wood inlaid with ivory, and engraved with a 
 
 musketeer ; the mounting engraved. 41. The same. 
 
 2234 A metal cartouch box, with a beautiful chasing of the 
 
 Judgment of Paris, curiously treated, and engraved with 
 scrollwork — gilt. ] 51. The same. 
 
 2235 An ornamental powder flask, of ivory, carved with animals 
 
 and birds. SI. 10s. Morant. 
 
 2236 One, of ivory, .beautifully carved with foliage, and with 
 
 subjects in medallions. 41. 6s. Myers. 
 
 2237 Another, of metal, to attach to the belt, chased with ara- 
 
QATJim/ETS. 239 
 
 besque ornaments and gilt. 41. 10s. Marlborough 
 House. 
 
 2238 Another, very elaborately chased with hunting subjects, 
 
 and engraved and gilt, with case for balls, and catch 
 for the girdle. 15Z. 10s. The same. 
 
 2239 One, of wood inlaid with ivory : the steel work engraved. 
 
 31. P. B. Purnell, Esq. 
 
 2240 A German wand, inlaid with engraved ivory, and sur- 
 
 mounted by a figure carved in ivory. 31. 15s. Annoot 
 and Gale. 
 
 2241 Another, flat, inlaid with ivory, and engraved with birds 
 
 and animals. 11. 13«. Pratt. 
 
 2242 Another, engraved with figures, and inscribed Fraw 
 
 Magdalena Hildebrandin, 1626. 11. lis. 6d. Annoot 
 and Gale. 
 
 2243 Another, square, engraved with figures and animals. 
 
 11. Us.6d. Chafers. 
 
 GAUNTLETS. 
 
 2244 A pair of gauntlets, the wrists and fingerB engraved and 
 
 partly gilt — imperfect. 31. W. Meyrick, Esq. 
 
 2245 Another pair, chased and partly gilt, the fingers divided 
 
 into two parts only, with a fluted ridge across the 
 knuckles. 10/. 10s. Lord Londesborough. 
 
 2246 A SUPERB PAIR OF SMALLER GAUNTLETS, 
 
 very richly engraved and gilt, the wrists embroidered 
 with figures of fine work. 53?. 11*. The same. 
 
 These beautiful gauntlets are of the finest Italian work, and formed part of 
 the armour of Philip IV. of Spain, as did also no. 2420. 
 
 2247 A PAIR OF GAUNTLETS, FOR A YOUTH, chased 
 
 with figures in armour, and trophies, and partly gilt, 
 the fingers of the left hand of chain. 201. The same. 
 
 2248 A PAIR OF SMALL GAUNTLETS; CHASED ALL 
 
 OYER with guns and other weapons, and partly gilt, 
 
240 STAINED GLASS. 
 
 the bottom of the wrists are encircled with studs, and 
 with the original lining embroidered with silver. 501- 
 Lord Londesborough. 
 
 2249 A fine single right gauntlet, of plain steel fluted, the 
 
 plates of the fingers and hand with serrated edges- 
 41. As. Woodgate. 
 
 2250 A gorget, beautifully embossed with trophies and birds 
 
 in silver. 71. 15*. J. Swaby, Esq. 
 
 2251 An elbow piece, chased and gilt ; and four other pieces. 
 
 II. Is. Pratt. 
 
 2252 A breastplate of scale armour ; and a piece of chain 
 
 mail. 41. 16*. John D. Gardner, Esq. 
 
 2253 A coat, of chain mail, with small plates attached. 81. 10s. 
 
 Tower Armoury. 
 
 STAINED GLASS. 
 
 2254 A small panel, with Esther and Ahasuerus in Indian ink 
 
 — lOf in. by 7i in. 151. Litchfield. 
 225'5 An upright window, formed of three escutcheons of 
 arms, and figures of a king and Death — dated from 
 1576 to 1594— 5ft. 6 in. high by 1 ft. wide. 371. 
 Baron James de Rothschild. 
 
 2256 The companion window, composed of emblazoned arms 
 
 —dated from 1533 to 1574—5 ft. 6 in. by 1 ft. 33/. 
 Baron A. de Rothschild. 
 
 2257 A panel, with two subjects of figures, and a procession 
 
 in the centre — dated 1600 — oblong, 3 ft. 3 in. by 1 ft. 
 H in. 35Z. The same. 
 
 2258 A panel, composed of the royal arms of Spain, richly 
 
 emblazoned— oblong, 36 in. by 22J in. 26/. The 
 same. 
 
 2259 A standard bearer of Nuremberg— dated 1538 — 10£ in. 
 
 by 6 in. 8/. 5s. Marlborough House. 
 
 2260 Two German cavaliers — 1594 — 13-Hn.by g^in. 4?. 15*. 
 
 The same. 
 
STAINED GLASS. 241 
 
 2261 The Adobation op the Magi, in three compartments 
 
 —each 43 in. by 24 in. Sold with* nos. 2262, 2263, 
 and 2264. 
 
 2262 Cheist's chabge to St. Petee — 58£ in. by 24 in. 
 
 2263 St. Petee Peeaching — 58|- in. by 24 in. 
 
 2264 The Cetjcefixion of St. Petee — 58£ in. by 24 in. 
 
 50Z. Marlborough Souse. 
 
 2265 A WINDOW, IN TWO COMPARTMENTS, with the 
 
 Duke and Duchess D'Archout, kneeling in prayer, in 
 a church : the Duke is in the robes and collar of the 
 Golden Fleece ; two dogs at their feet, Gothic canopies 
 above, and their shields of arms beneath — 93 in. by 
 39 in. 971. The same. 
 From the Cathedral of Archout, vide Histoire de la Maison de Croye. 4to. 
 
 2266 A pair of narrow windows, each with five coats of arms 
 
 of the house of Croye — 93 in. by 13 in. each. 26/. 
 John Swahy, Esq. 
 
 2267 A panel, with a knight and lady, interior ; and a land- 
 
 scape with a horseman, in scroll border — dated 1562 — 
 23 in. by 18£ in. 81. 10s. P. B. Purnell, Esq. 
 
 2268 Another, with numerous German shields of arms and 
 
 inscriptions, in a circle — 23 in. by 19^ in. 20?. Baron 
 S. de Rothschild. 
 
 2269 Another, with a man on a camel, and German arms 
 
 round — 1572 — 23 in. by 19£ in. 141. Marlborough 
 House. 
 
 2270 Another, with a knight in armour, and small subjects 
 
 in medallions round. Signed H. B., Basle, 1579 — 
 23 in. by 19£ in. 32?. The same. 
 
 2271 Another, with shields of arms, with figures and scroll 
 
 border. Signed Nuremberg, 1618 — 23 in. by 18-J- in. 
 10?. Marlborough House. 
 
 2272 A pair of panels, with shields surmounted by coronets, 
 
 on diapered ground — 24^ in. by 19^- in. 81. Watson. 
 
242 AEMOUE : SWOED3 AND DAOGEBS. 
 
 2273 One, with saints, and a shield of arms — 23 in. by 18|r 
 
 in. 31. 15*. Haines. 
 
 2274 One, with cavaliers feasting — 23 in. by 18^ in. 71. 5s. 
 
 P. B. Purnell, Esq.. 
 
 2275 One, with cavaliers and ladies— 23 in. by 18£ in. 21. 15*. 
 
 Haines. 
 
 Amount of Eighteenth Day's Sale, 1 1 73?. 
 
 NINETEENTH DAY'S SALE. 
 
 ARMOUR : SWORDS AND DAGGERS. 
 
 2276 A long sword, with cross guard and double ring, twisted, 
 
 the blade engraved. 11. 14s. B. Burchett, Esq. 
 
 2277 A pair of rapiers, nearly similar, with cup hilts, fluted 
 
 and pierced, with cross guards; the blades are engraved 
 with initials. 11?. 10s. Marlborough House. 
 
 2278 Two rapiers, with cup hilts, pierced and chased, cross 
 
 guards; one of the blades is triangular. 15?. 10s. 
 The same. 
 
 2279 A very long rapier, with knotted hilt and cross guard, 
 
 ornamented pommel; the blade is engraved with a 
 castle, in an oval, and inscribed " Frederic." 21. 15s. 
 C. Be Voeux, Esq. 
 
 2280 A small fighting sword, with cross guard, and pierced 
 
 and beaded shell, the pommel of ivory, is crutch shaped, 
 and carved with a female figure, in ancient costume, 
 and with cherubim at the sides — 1545. 21. 2s. Pratt. 
 
 2281 Another, left handed, with cross guard and fluted shell, 
 
 pierced chequered pommel ; on the blade is engraved, 
 Caspar Mair Hofer. 14s. Sir Robert Peel. 
 
 2282 A small sword, of sabre shape, with pierced cross guard, 
 
 the pommel and grip of perforated steel ; the blade is 
 
AEMOTTB: 8WOBDS AND DAGGEBS. 243 
 
 engraved with the figure of a musketeer. 11. 3s. 
 Pratt. 
 
 2283 A long rapier, the cup hilt chased -with trophies and 
 
 flowers, straight cross guard, and chased pommel and 
 triangular blade. 41. 5s. Sir Robert Peel. 
 
 2284 Another, the cup hilt pierced and chased with scrolls, 
 
 with cross guard and swept hilt, the pommel pierced 
 and chased. 31. 5s. The same. 
 
 2285 Another, with deep cut hilt, cut in interlacing rings, and 
 
 plain pommel. 31. Marquis of Breadalbane. 
 
 2286 Another, with pierced cup hilt, in eight compartments, 
 
 with flowers. 31. 5s. Woodgate. 
 
 2287 Two others, with triangular blades and pierced cup hilts, 
 
 and chased and plain pommels. SI. 15s. The same. 
 
 2288 Another, with pierced cup, with birds and scrolls, and 
 
 turned edge, and chased pommel ; the blade inscribed. 
 61. 2s. 6d. The same. 
 
 2289 Another, the cup hilt and pommel chased with heads 
 
 and flowers, and inscribed blade. 51. 15s. 6d. Mar- 
 quis of Breadalbane. 
 
 2290 Two, with pierced cup hilts, one pommel fluted, the 
 
 other chased. 71. 10s. Nathan. 
 
 2291 Another, the cup hilt pierced and chased with birds, and 
 
 fluted pommel ; the blade is inscribed I. H. N. So- 
 lingen. 31. 15s. The same. 
 
 2292 Another, the cup hilt chased with scrolls and birds, and 
 
 four medallions, with figures and chased pommel. 
 51. 15s. Pratt. 
 
 2293 Another, with cup hilt, fluted and engraved with flowers, 
 
 and fluted pommel. 41. 14s. Gd. W. Lake Price, Esq. 
 
 2294 A long powerful sword, with pierced cup, chased with 
 
 flowers, straight cross guard and chased pommel. 71. 
 Durlacher. 
 
 2295 Two long rapiers, with barred swept hilts and cross 
 
 guards. 31. 15s. Sir Robert Peel. 
 
 2296 Another, with fluted pommel, the hilt chased with tro- 
 
244 abmotjb: Swoeds and daggees. 
 
 phies, and shell guard embossed with heads. 21. 8s. 
 Marquis of Breadalbane. 
 
 2297 A powerful fighting sword, with twisted pommel ; and 
 
 another, with carved hilt and thumb ring. 31. 3s. 
 R. Burcheit, Esq. 
 
 2298 A long rapier, with triangular blade, and five barred 
 
 hilt ; and one shorter, with engraved pommel and cross 
 guard, and inscribed blade. 21. 12s. 6d. Marquis of 
 Breadalbane. 
 
 2299 Another, with swept hilt and perforated shell ; on the 
 
 blade is engraved the figures of Justitia and Fortuna, 
 and Latin mottoes. 21. \s. Pratt. 
 
 2300 A small fighting sword, with Andrea Ferrara blade and 
 
 open basket hilt. 21. 6s. The same. 
 
 2301 A rapier, with basket hilt pierced shell, embossed with 
 
 heads, and chased pommel ; on the blade is the date 
 1591. 11. 18s. Marquis of Breadalbane. 
 
 2302 A powerful sword, with broad blade, two-barred swept 
 
 hilt, and fluted pommel ; and another, with six-barred 
 hilt. SI. 18s. Tower Armoury. 
 
 2303 Another, with fluted pommel, and fluted shell hilt and 
 
 cross guard; the blade is inscribed. 1/. 8s. The same. 
 
 2304 A long rapier, with swept hilt and pommel chased with 
 
 shell ornament. 41. 10s. Pratt. 
 
 2305 A large fighting sword, with broad blade tapering to a 
 f point, the grip covered with old velvet and cording, 
 
 with heavy pommel ; the blade is engraved with tro- 
 phies, etc. 61. 6s. Lord Londesborough. 
 
 2306 An early sword, with circular steel pommel, and cross 
 
 guard turning down. This sword was dug up in Francs. 
 41. 10s. Sir S. H. Campbell. 
 
 2307 A sword, with broad blade, in the original leather sheath, 
 
 with steel mountings and steel cross guard and grip, 
 which have been ornamented with silver — of curious 
 form. 3/. John B. Gardner, Esq. 
 
 2308 A small fighting sword, the pommel and ends of the 
 
AEMOUB: 8WOEDS AND DAGGEBS. 245 
 
 guard, of open melon shape, have been inlaid with 
 silver. 21. Pratt. 
 
 2309 A curious sabre, or executioner's sword, with very broad 
 
 blade, the cross guard with reptiles' heads, the steel 
 grip is notched for the fingers, and elaborately en. 
 graved and partly gilt ; the blade has an inscription, 
 and is partly gilt. 15?. 10s. Lord Londesborough. 
 
 2310 A curious early sword, in the original scabbard, with 
 
 steel mounts, and broad blade engraved with flowers ; 
 the boxwood handle is carved with animals, and has 
 an inscription. 12?. 5s. The same. 
 -2311 A Spanish rapier, with pierced cup, chased with figures, 
 and chased pommel, the blade is four-edged ; and a 
 dagger, with pierced and chased grip and shell guard j 
 the blade is serrated, and has a hollow for the thumb. 
 261. The same. 
 
 2312 A dress sword, with flat shell guard pommel, and hilt 
 
 of russet steel embossed with figures in silver ; the 
 triangular blade is inscribed " Thomas Avala." 11. Is. 
 Myers. 
 
 2313 Another, with pierced blade, the brass hilt and shell 
 
 pierced and chased with flowers ; the blade is engraved 
 " Clemens Routzon." 12s. Woodgate. 
 
 DAGGERS. 
 
 2314 A rapier dagger, the cross, pommel, and mountings of 
 
 the sheath embossed with silver; and one, with 
 chased pommel and guard. 21. 10s. Nathan. 
 
 2315 A dagger, with powerful four-edged blade, and steel 
 
 pommel and guard. 21. 18s. Pratt. 
 
 2316 One, with waved blade ; and one, with shell and cross 
 
 guard. 11. 18s. John B. Gardner, Esq. 
 
 2317 One, with carved handle; and one, with four-edged 
 
 blade, pierced. 41. Marquis of Breadalbane. 
 
246 aemque: maces and battle-axes. 
 
 2318 Two, with pierced blades, one with carved ivory handle. 
 
 31. 3s. Marquis of Breadalbane. 
 
 2319 One, with four-edged blade, the cross guard, thumb ring, 
 
 and metal sheath, inlaid with figures and arabesques 
 in silver and gold. 14/. W. Lake Price, Esq. 
 
 2320 One, the blade engraved with animals, birds, and foliage. 
 
 ll. 15s. 6d. Pratt. • 
 
 2321 Two, with chased metal hilts. 91. Marlborough House. 
 
 2322 One, with pierced blade and ivory handle ; and one, 
 
 with tortoiseshell and mother-o' -pearl handle, and en- 
 graved blade. 31. 3s. Pratt. 
 
 2323 A very curious short sword, with four revolving pistol 
 
 barrels, with two flint locks, in a sheath. 31. 15s. 
 Woodgate. 
 
 2324 A CURIOUS DAGGER, forming a pair of compasses, 
 
 with scales on the blade, and inscribed " Stein — Zool 
 — Blei — Eisen," the handle inlaid with gold. 51. 
 Lord Londesborough. 
 
 MACES AND BATTLE-AXES. 
 
 2325 A mace, the head formed of seven upright projecting 
 
 plates, the shaft of chased steel. 41. 15s. Marquis of 
 Breadalbane. 
 
 2326 Another, with spear shaped head, studded with silver, 
 
 the long steel shaft inlaid with silver, in scrolls. 41. 6s. 
 Tower Armoury. 
 
 2327 Another, with plain steel shaft, the head formed of eight 
 
 circular projecting plates, pierced. 71. 10s. O. E. 
 Coope, Esq. 
 
 2328 Another, with ribbed steel shaft, the head eight upright 
 
 projecting plates, plain. 41. 10s. Sir Robert Peel. 
 
 2329 Another, part of the steel shaft spirally fluted, the head 
 
 eight semicircular plates, pierced. 71. 10s. Marquis 
 of Breadalbane. 
 
GTTITS AM) PISTOLS. 247 
 
 2330 Another, with, cut steel shaft, the head eight ornamented 
 
 plates, with spikes. 71. Marquis of Breadalbane. 
 
 2331 Another, of russet steel, the head seven triangular plates, 
 
 pierced, with small rings attached. 71. 5s. The same. 
 
 2332 Another, with short steel shaft, and seven angular plates 
 
 to the head, engraved with foliage. 81. 15s. The same. 
 
 2333 A horseman's hammer, with openwork nob, and long 
 
 spike engraved with arms, the shaft of. wood. 21. 15s. 
 John D. Gardner, Esq. 
 
 2334 A battle-axe, with steel shaft, engraved with a harp, and 
 
 containing a small knife and saw ; the blade is en- 
 graved with an eagle and a pelican, and has a catch 
 for the girdle, and a spike at the back. 61. 12s. 6d. 
 Burlacher. 
 
 2335 Another, with twisted steel shaft, and pierced blade. 
 
 61. 10s. Tower Armoury. 
 
 GUNS AND PISTOLS. 
 
 2336 A wheel-lock gun, 5 ft. 4 in. long, the stock with case 
 
 for charges inlaid with ivory, engraved with subjects, 
 and on the butt are engraved figures ; the barrel en- 
 graved with figures, and inlaid with silver and gold — 
 the lock is engraved; about 1580. 201. 10s. The same. 
 
 2337 Another, the barrel and lock chased with masks and 
 
 flowers, and ornamented with silver and gold ; the 
 stock inlaid with ivory, engraved with figures in the 
 costume of the time,, hunting ; in the butt is a silver 
 medal, with a bishop, and inscribed " Sanctus Rud- 
 bertus Epis. Salisb. 1623." 371. Lord Londesborough. 
 
 2338 A matchlock rifle, the stock inlaid with figures in the 
 
 costume of the time, and animals, in ivory. 71. John 
 B. Gardner, Esq, 
 
 2339 A»wheeUock pea rifle, with case for charges ; the butt 
 
 is singularly curved, the barrel and lock are engraved, 
 the stock is inlaid with ivory and pearl in figures ; on ' 
 
248 POWDER FLASKS AND CAETOTTOHE E»XES. 
 
 the butt are engraved some armorial bearings. 14?. 
 10s. Marlborough House. 
 
 2340 Another, with, case for charges, the stock inlaid with. 
 
 mother-o'-pearl and ivory ; the barrel and lock are of 
 blue steel, engraved and gilt. 13Z. 10*. The same. 
 
 2341 A double-barrel wheel-lock pistol, with globose butt 
 
 inlaid with ivory, engraved with animals ; on the butt 
 is an equestrian figure — about 1554. 61. Tower 
 Armoury. 
 
 2342 A wheel-lock pistol, with globose butt inlaid with flowers 
 
 in ivory— about 1550. 41. 16s. P. B. Purnell, Esq. 
 
 2343 A single-barrel pistol, with double wheel-lock, the stock 
 
 and butt inlaid with figures in costume in ivory, the 
 lock partly engraved — about 1560. 51. 12*. 6d. Tower 
 Armoury. 
 
 2344 A wheel-lock pistol, inlaid with ivory, engraved with 
 
 figures, the lock is partly engraved — about 1554. 
 M. E. Burchett, Esq. 
 
 2345 Another, with a catch for the girdle, inlaid with animals 
 
 in ivory, the lock engraved — about 1570. 31. 14*. 
 Woodgate. 
 
 2346 Another with globose butt, inlaid with ivory — about 
 
 1550. 3/. 14*. Litchfield. 
 
 2347 A double-barrel wheel-lock pistol, the stock of steel, 
 
 the lock engraved. 71. 15*. Tower Armoury. 
 
 2348 A wheel-lock pistol, with a catch for the girdle, inlaid 
 
 with figures and animals in ivory — about 1 554. 51. 1 5*. 
 P. B. Purnell, Esq. 
 
 POWDER FLASKS AND CARTOUCHE BOXES. 
 
 2349 One, of ebony, with the arms of Saxony engraved on 
 
 ivory, the steel work engraved. 11. JohnB.Gardner,Esq. 
 
 2350 One, of ivory, mounted with metal, and elaborately 
 
 carved with animals and dogs. 51. Tower Armoury. 
 
 2351 A metal bullet box, chased with hunting subjects. 31. 
 
 18s. The same. 
 
HALBEEDS AND PARTISANS. , 249 
 
 2352 A powder flask, circular, of boxwood, boldly carved with 
 
 figures hunting a lion ; a rose on the other side. 12?. 
 10s. Marlborough House. 
 
 2353 One, circular, of wood, inlaid with ivory, and mounted 
 
 with metal, chased with masks. 71. 15s. Tower 
 Armoury. 
 
 2354 ANOTHER, VERY FINE, of ivory, beautifully carved 
 
 in high relief, with figures hunting wild animals. 15/. 
 Marlborough House. 
 
 2355 A cartouch box, of steel, with chasings of equestrian 
 
 figures. 11. 16*. Annoot and Gale. 
 
 2356 Another, of wood and engraved ivory, steel mounted. 
 
 31. 5s. Marlborough House. 
 
 2357 A powder flask, of wood, inlaid with ivory ; and one, of 
 
 metal, with gun pick attached. 21. 12s. Pratt. 
 
 2358 A curious one, of leather, embossed with figures dancing, 
 
 and catch for the girdle. 91. 5s. Marlborough House. 
 
 2359 One, of wood, inlaid with engraved ivory, and mounted 
 
 with metal gilt. 21. 18s. Tower Armoury. 
 
 2360 A STEEL CARTOUCH BOX, chased with the letter H 
 
 on a shield supported by lions, and the date 1580 ; 
 the sun and moon on the lid. 21. 18*. Wetterhan. 
 
 2361 ANOTHER, chased with equestrian figures and lions' 
 
 masks. 51. 5s. Tower Armoury. 
 
 HALBERDS AND PARTISANS. 
 
 2362 A halberd, the blade of fleur-de-lys shape, engraved 
 
 with a coat of arms on each side, and F. L. C. U. M., 
 and with figures and arabesques. 41. 15s. Marquis 
 of Breadalbane. 
 
 2363 A tall partisan, engraved on each side with equestrian 
 
 figures and trophies, and Latin and German inscrip- 
 tions. 31. 10s. The same. 
 
 2364 A spetum, or ranseur, its blade engraved with scrolls 
 
 and arms. 31. 15s. Redfern. 
 
250 HALBEEDS AND PABTISANS. 
 
 .2365 A* partisan, with the arms of Saxony on one side, and 
 on the other, F. A. 21. 10s. Movant. 
 
 2366 A halberd, engraved with legendary subjects. 21. lis. 
 
 Tower Armoury. 
 
 2367 A partisan, the blade partly gilt, and engraved with the 
 
 Crucifixion and other subjects ; the staff is carved. 51. 
 The same. 
 
 2368 A curious spear, with very long blade ; and a small 
 
 halberd, with ornamented blade. 71. 10s. Burlacher. 
 
 2369 A VERY TALL PARTISAN, the blade engraved with 
 
 Muses at Mount Helicon, and other mythological sub- 
 jects ; the socket is engraved with coats « of arms. 
 81. 5s. Tower Armoury. 
 
 2370 A partisan, the blade formed as the spread eagle crowned. 
 
 21. 6s. F. 0. Beggi, M.B. 
 
 2371 A long steel fork, with a wheel-lock pistol, the stock 
 
 inlaid with ivory. 51. Tower Armoury. 
 12372 A Paetisan, with Gn/r Blade, engraved on both sides 
 with figures, a crown, and the arms of the Medici, and 
 inscribed Jacopo Rossi disegnio, 1680. 21. As. Bur- 
 lacher. 
 
 2373 A hunting spear, the blade ornamented with brass ; and 
 
 a boar spear, the socket inlaid with silver. SI. 3s. Pratt. 
 
 2374 A linstock, with pierced and engraved spear head, a 
 
 circle of six heads in steel round the socket ; the ends 
 for holding the match are formed as grotesque heads. 
 41. Willson. 
 
 2375 A glaive, engraved with a crown and armorial bearings, 
 
 date 1620 ; and a halberd, with engraved blade, and the 
 date 1596. 191. Marlborough House. 
 
 2376 A halberd, with crescent blade, engraved and pierced, 
 
 with a circle of steel heads at the bottom of the spear. 
 81. The same. 
 
 2377 A spetum, and a military fork, inscribed. SI. 5s. Annoot 
 
 and Gale. 
 
 2378 A halberd, engraved with a figure in the costume of the 
 
WAEDEES' AND HUNTING HOENS. 251 
 
 time, playing a drum. (See illustration.) 121. 12s. 
 Woodgate. 
 
 2379 A very long and large ranseur; and a halberd, with 
 
 pierced and engraved blade, and a circle of steel heads 
 at the socket. 11. 15s. Annoot and Gale. 
 2379* A halberd, engraved with figures. 21. As. B. Bur- 
 chett, Esq. 
 
 WARDERS' AND HUNTING HORNS. 
 
 2380 A curious brass horn, with sliding tubes ; and an early 
 
 wooden flute. Zl. The same. 
 
 2381 A whip, with leather thong, in the handle is a flint-lock 
 
 pistol. 11. 6s. Myers. 
 
 2382 A curious steel mask. 11. lis. Gd. Lord Londesborough. 
 
 2383 A torture collar, with spikes ; and a pair of handcuffs. 
 
 11. 16s. Col. Lawrence. 
 
 2384 A pair of curious steel hands, one with springs in the 
 
 fingers. 81. 15s. Lord Londesborough. 
 
 2385 A metal warder's horn, with German inscription, coat 
 
 of arms, and date 1551. 111. Tower Armoury. 
 
 2386 Anothbe, eoemed or a veey iaege Piece oe Itoet, 
 
 carved with animals and figures, and the metal chain 
 attached. 56/. Lord Londesborough. 
 
 2387 A flask, made of a large cow's horn, engraved with 
 
 hunting subjects. 3/. Mbrant. 
 
 2388 AN .EARLY BRITISH HORN, made from a cow's horn, 
 
 carved with figures of animals, and with an inscription, 
 silver mounted. 151. British Museum. 
 
 2389 A WARDER'S HORN, FORMED OF A VERY LARGE 
 
 PIECE OF IVORY : it is carved with a coat of arms 
 and other ornaments,, and is inscribed. 321. Col. Sib- 
 thorp, M.P. 
 
 2390 A piece of ivory, carved with figures of rude work. 
 
 81. 10s. Pratt. 
 
 2391 A small hunting horn, of ivory, engraved with hunting 
 
252 SHIELDS AND BCCKLEE3. 
 
 subjects; and one other. 41. 16*. Marquis of Bread- 
 albane. 
 
 SHIELDS AND BUCKLERS. 
 
 2392 An early Highland target, with engraved boss to hold a 
 
 dirk, upon the blade of which are the letters I. F.~ S. ; 
 it is covered with black leather and brass studs, in the 
 form of thistles and crowns ; it has the original holders, 
 and is 18|- in. diameter. 11^. 10s. The same. 
 
 2393 A square target of wood, covered with canvas, and 
 
 painted with a coat of arms and crest. 21. 3s. Tower 
 Armoury. 
 
 2394 Another, very large, of oblong form, raised in the centre, 
 
 painted with St. George and the dragon. 13Z. 2s. 6d. 
 The same. 
 
 2395 A hotind Bttcexee, of concave form, the 'umbo and 
 
 spike of steel, ornamented with brass studs, with the 
 original wooden holder — 14 in. diameter. This buckler 
 is similar to those borne by the royal guards in the 
 picture at Hampton Court, of the embarkation of 
 Henry VIII. 61. 5s. Lord Londesborough. 
 
 2396 Ajstothee, oe Steel, with a matchlock pistol in the 
 
 centre, and aperture above to take aim through ; it is 
 embossed with an oval ornament in twelve compart- 
 ments — 18£ in. diameter. 11. Is. The same. 
 
 2397 A round steel shield, with beaded edge, and a spike in 
 
 the centre, surrounded by a chased ornament ; it has 
 the original lining and holders — 2 ft. diameter, hi. 15s. 
 Sir Robert Peel. 
 
 2398 A pair of large plain steel oval shields, with the original 
 
 leather straps — 26 in. by 21 in. 41. 2s. 6d. Towel 
 Armoury. 
 
 2399 A round buckler, of wood, with rays, covered with 
 
 leather, and embossed centre of steel — 14-§-in. diameter. 
 21. 8s. Marquis of Breadalbane. 
 
DEMI-STJITS AND POBTIONS OP SUITS. 253 
 
 2400 An oval shield, embossed -with a fleur-de-lys. 3?. 15s. 
 
 R. Burchett, Esq. 
 
 2401 A round steel buckler, with a raised boss, and a hook 
 
 for attaching it to the belt, with the original lining and 
 holder ; it has two indentations, caused by a bolt or 
 bullet — 17 in. diameter. 11. 2s. Marquis of Bread- 
 albane. 
 
 2402 Another, with hook and a large boss, with the original 
 
 lining and holder — 1 1 in. diameter. 11. Us. 6d. Pratt. 
 
 2403 Another, with three rims — llf in. diameter. 3?. 5*. 
 
 Tower Armoury. 
 
 2404 ANOTHER, OF WOOD, covered with leather, embossed 
 
 with armed equestrian figures inside and out ; it has 
 a steel pike, and at the top the remains of a lantern 
 and the original holder : probably Italian. 20Z. The 
 same. 
 
 2405 A LARGE ROUND BUCKLER, of wood, covered with 
 
 leather, and the original velvet straps ; it has a lantern 
 at the top, and is painted inside with the history of 
 Camillus, after Giulio Romano — 22 in. diameter. 21?. 
 The same. 
 
 2406 A steel shield, with four spear heads projecting from the 
 
 sides, and one in the centre. 51. 5s. Marquis of 
 Breadalbane. 
 
 DEMI-SUITS AND PORTIONS OF SUITS. 
 
 2407 A breastplate, of pointed form, beaded round the gussets 
 
 —about 1520. 21. 10s. John JD. Gardner, Esq. 
 
 2408 Another, swelling at the bottom, but without gussets — 
 
 1570. 11. As. The same. 
 
 2409 Breast and back plates, with the lamina plates — 1535. 
 
 31. Pratt. 
 
 2410 THE BREAST AND BACK PLATES, and the right 
 
 tasset of an officer of pikemen, ribbed and scalloped, 
 
254 DBMI-STTITS, AND POETIONS OF SUITS. 
 
 with the original steel studs and openwork hinges — 
 hetween 1610 and 1635. Very fine. 51. 5s. Litchfield. 
 
 2411 A curious plain placart, to fix on the back. 10s. 6d. 
 
 Prate. 
 
 2412 A SINGULAR AND FINE BREAST PLACART, of 
 
 Spanish work, in russet and silver, engraved with a 
 triangular figure and the letter F, and crowns and 
 feathers; there is a sharp ridge down the centre ; it has 
 a dent made by a crossbow bolt or bullet on it. 
 11. lis. 6d. The same. 
 
 2413 Breast and back plates, with the lance rest attached, and 
 
 an inner plate at the bottom of the breastplate, en- 
 graved and inlaid with gold — 1530 to 1540. 61. The 
 same. 
 
 2414 A long breast plate, with a moveable bottom plate of 
 
 blue steel, ribbed across, and ornamented with lines^-. 
 1540 to 1560. 21. 2s. The same. 
 
 2415 A PINE LARGE DEMI-SUIT, consisting of breast and 
 
 back plates, and gorget : the breastplate is very long^ 
 with swelling tapul, and the original lance rest, the 
 back has the original iron straps — about 1560 : the 
 pauldrons and tassets attached to it are of earlier date. 
 36£. Marquis of Br eadalhane.. 
 
 2416 Breast and back plates, of globose form, with the la- 
 
 mina plates— 1530. SI. 7s. 6d. Pratt. 
 
 2417 Tilting pieces, consisting of mentoniere shoulder piece, 
 
 and garde-de-bras — 1530. Very fine specimens. 41. 4s. 
 The same. 
 
 241 8 Breast and back plates, of globose form — 1480. 4.1. As. 
 
 Tower Armoury. 
 
 2419 A fine tilting gauntlet, for the left hand — 1500 to 1530. 
 
 SI. 3s. Nathan. 
 
 2420 A SPANISH BREASTPLATE, OF SMALL SIZE, OF 
 
 RUSSET STEEL, damascened and inlaid with gold 
 and silver, beautifully chased and embossed with figures, 
 
SPANTSH BREASTPLATE, 
 
DEMI-STTITS ASD POETIONS OF 8TTITS. 255" 
 
 trophies, etc. — about 1560. A beautiful specimen. 
 (See Illustration.) 1551. Lord Londesborough. 
 
 This remarkably fine breastplate, as before stated, formed part of the 
 armour of Philip IV. of Spain, and was given to Don Sebastian, from 
 ■whoso representatives Mr. Pratt obtained it, and sold it to Mr. Bernal. 
 
 2421 Breast and back plates, of globose form, with the la- 
 
 mina plates cut in the gothic style, highly polished — 
 1380. 41. 5s. B. Burchett, Esq. 
 
 2422 Breast and back plates, of fine form, with splints, the 
 
 tops embossed with foliage — 1540. 51. 12s. 6d. 
 Tower Armoury. 
 
 2423 A breastplate, with separate placart fixing on it, with 
 
 the holes for the mentoniere and lance rest, engraved 
 with scroll ornaments, and formerly gilt — 1560. Fine 
 specimens. 71. 10s. The same. 
 
 2424 A back plate, hollowed for the shoulders, and engraved 
 
 with figures and ornaments, with scalloped plate at 
 bottom; it has formerly been blue or black — 1560. 
 21. 3s. The same. 
 
 2425 A placart, for tilting, to fasten on the breastplate ; it is 
 
 engraved, and has the date 1536. 11. Is. The same. 
 
 2426 A BREASTPLATE, with very sharp point, engraved 
 
 with arabesques, and the Crucifixion, with a knight 
 kneeling at the foot of the cross, and a female figure, 
 with the word "Pacientia"— about 1540. 12Z. \2s. 
 Morant. 
 
 2427 ANOTHER, of the kind called "Allecret,"— engraved t 
 
 on one side of the breast is the Crucifixion, and on 
 the other a knight kneeling ; above him and at the top 
 a sun is engraved — the date 1560. 11. 15*. John D. 
 Gardner, Esq. 
 
 2428 Breast and back plates, and tassets, the breast of glo 
 
 bose form, with an ornamented screw for a placart j 
 the right tasset opens with a hinge — about 1460 
 Fine specimens. 41. 6s. Pratt. 
 
Missing Page 
 
ARMOTTB : SWOEDS. 257 
 
 TWENTIETH BAY'S SALE. 
 
 ARMOUR: SWORDS. 
 
 2434 A very fine fighting sword, with cross guard and curved 
 
 hilt, embossed with trophies and other ornaments in 
 silver, and partly gilt ; the pommel is also embossed 
 with armed heads in silver. 6/. 6s. Nathan. 
 
 2435 A sword, with cross guard and scrolled hilt, and pom- 
 
 mel embossed with ornaments in silver ; the blade is 
 inscribed " Clemens Keuiler me fecit Solingen." 
 21. 18s. The same. 
 
 2436 A very long rapier, with waved blade, with bold swept 
 
 hilt, .straight cross guard, and pommel embossed with 
 silver. 41. 15s. The same. 
 
 2437 A sword : the three-barred scalloped cup with sixteen 
 
 compartments, embossed with silver : on the blade is 
 " Johannes Tesche me fecit Solingen." 21. 12s. 
 Woodgate. 
 
 2438 A small sword, with waved blade, the curved cross guard 
 
 fluted and grooved and embossed with silver, and 
 small ornamented pommel ; the blade is inscribed. 
 21. 12s. 6d. Marlborough House. 
 
 2439 A long sword, for practice, with straight cross guard, 
 
 the blade near the hilt is engraved with an escutcheon, 
 with a crown and two swords through it, and a barred 
 helmet above. 41. 2s. Pratt. 
 
 2440 A small sword, the metal grip formed of two figureB, 
 
 the cross guard, hilt, and pommel embossed with tro- 
 phies in silver, the original leather sheath mounted 
 with chased silver: on the blade is "Biscotto" — about 
 1610. 19Z. S. Zimmerman. 
 
 2441 A sword, with straight cross guard with pierced shells, 
 
258 AEMOT/B: SWORDS. 
 
 the pommel a flattened circle embossed with, silver, on 
 the blade is a figure, and a " Soli Deo Gloria, 1 645 :" 
 it has the original leather scabbard, mounted with 
 steel, embossed with silver. 11. 4s. Willson. 
 
 2442 A sword, with straight cross guard and three-barred 
 
 hilt, the pommel of russet steel, embossed with silver 
 in sixteen compartments ; the blade long and narrow, 
 is inscribed " D. H. Francisco Ruiz, en Toledo"— 
 about 1570. 31. 18s. Nathan. 
 
 2443 Another, with swept hilt and cross guard, twisted, the 
 
 small six-sided pommel embossed with silver, the tri- 
 angular blade long and narrow — about 1570. 21. 7 s. 
 S. Zimmerman. 
 
 2444 Another, with swept hilt, cross guard, pierced cup, and 
 
 pommel, inlaid with silver ; the blade is inscribed 
 "Kasiar Keiser me fecit Solingen" — about 1579. 
 11. 15*. Willson. 
 
 2445 A small sword, the cross guard with figures of horses 
 
 at each end, and an equestrian figure in the centre ; 
 the pommel formed as an equestrian. figure, and coated 
 with silver— about 1630. 31. 12*. The same. 
 
 2446 A sword, the swept hilt, guard, and pommel embossed 
 
 with silver; on. the blade is "Hans Moven." This 
 sword came from a house in Yorkshire, formerly be- 
 longing to the Fairfax family 31. 13s. Redfern. 
 
 2447 A sword, with straight cross guard and swept hilt, on 
 
 the pommel are four busts ; it is embossed with silver 
 —about 1620. 11. 17s. Pratt. 
 
 2448 A small sword, with straight cross guard, the flat pom- 
 
 mel embossed with silver ; the broad blade is inscribed 
 "Por Diose my Key"— about 1630. 21. 15s. The 
 same. 
 
 2449 ANOTHER, with cross guard, with male heads at the 
 
 ends, and two recumbent figures on the centre, the 
 grip of silver wire, the pommel formed as an armed 
 head embossed with silver; the broad blade is in- 
 
AKMOTTR : SWOBD8. 259 
 
 scribed " Sahagum" — Spanish — about 1 570. 21. 2s. 
 
 Pratt. 
 2449* A sword, with basket cup hilt, and cut pommel. SI. 
 
 Wbodgate. 
 2450 Another, with cross guard, the hilt and pommel of russet 
 
 steel embossed with silver; the blade inscribed. IO/.IOs. 
 
 Pratt. 
 245X A VERY FINE LONG EAPIER ; the hilt and pommel 
 
 pierced and chased — about 1570. (See illustration.) 
 
 18?. Marlborough House. 
 
 2452 A very fine sword, with broad blade and straight cross 
 
 guard ; the cup hilt pierced and chased with medal- 
 lions and trophies, the pommel pierced on ebony fluted 
 grip — 1570. 41. 4s. Woodgate. 
 
 2453 ANOTHER, of rapier shape : the cup hilt pierced and 
 
 chased with the flight into Egypt, and other scriptural 
 subjects, the pommel beautifully chased with a combat 
 of horsemen ; the blade is inscribed. 281. 10s. Lord 
 Londesborough. 
 
 2454 A long rapier, with swept hilt, embossed and chased 
 
 with figures, the pommel with equestrian figures — 1570. 
 71. 10s. 0. E. Coope, Esq. 
 
 2455 A POWERFUL SWORD, with double basket shell hilt, 
 
 gilt inside, the outside chased, with eagles and two 
 crowns, four heads, embossed on the pommel ; on the 
 broad blade is inscribed "Espadeiro del Rey, 1640." 
 3/. 17s. 6d. Pratt. 
 
 2456 A sword, with broad blade, the cross guard carved with 
 
 a small fluted shell, and curious pommel. 21. 4s. Tower 
 Armoury. 
 
 2457 A rapier, the swept hilt and pommel embossed with 
 
 equestrian figures — about 1545. 81. 15s. O. E. Coope, 
 Esq. 
 
 2458 Another, the cup hilt pannelled in six compartments, 
 
 chased with flowers, and chased pommel — 1570. 
 101. 10s. Marlborough House. 
 
 s 2 
 
260 abmoitb: swoebs. 
 
 2459 A sword, with cross guard and pierced cup, chased with 
 
 heads, and ebony grip. 61. D. Falcke. 
 
 2460 A long rapier, with swept hilt, and scroll shell covering 
 
 another pierced shell. 41. 4s. Tower Armoury. 
 
 2461 Another, with a two-barred swept hilt, chased with 
 
 figures, and chased pommel ; the blade is inscribed. 
 57. 10s. S. Zimmerman. 
 
 2462 A long sword, with straight cross guard, swept hilt, and 
 
 pommel inlaid with silver and partly gilt, and perfo- 
 rated shell ; on the three-sided blade is engraved " Jo- 
 hannes Calaorta." 31. 3s. Pratt. 
 
 2463 A long sword, with three-barred swept hilt, and pommel 
 
 ornamented with lines ; the blade is inscribed. 31. 
 John B. Gardner, Esq. 
 
 2464 Another, with a ribbed and perforated shell, straight 
 
 cross guard, the pommel opens by a spring in four 
 parts ; the blade is inscribed. 13?. 10s. Itoussel, Paris. 
 2464* Another, with broad blade, the pommel chased with 
 equestrian figures. 31. lis. Willson. 
 
 2465 A powerful fighting sword, the hilt is chased, the pommel 
 
 chased with heads. 21. 15s. John D. Gardner, Esq. 
 
 2466 Two swords, for practice, with cross guards and swept 
 
 hilts— 1580. 31. 3s. Pratt. 
 
 2467 A sword breaker, with serrated back and hole in the 
 
 blade, curved hilt, and openwork pommel ; the grip is 
 covered with the old velvet and gold lace. 11. 16s. 
 The same. 
 24C8 A coutel, with broad swept blade, the hilt has a plain 
 shell pierced ; and a fighting sword, with swept hilt 
 and plain shell ; on the blade is engraved " Faciera." 
 3?. 5s. Tower Armoury. 
 
 2469 A long rapier, with Ferrara blade, with cup and hilt in 
 
 six compartments, pierced and chased with birds, the 
 pommel pierced and chased with figures. 41. 10*. 
 Marq. of Breadalbane. 
 
 2470 A sword, with chased swept hilt and perforated cup, and 
 
AEMOUE : DAGGERS. 261 
 
 round chased pommel and broad blade. 31. 10*. 
 Marlborough House. 
 
 2471 A fighting sword, with broad blade, chased cross guard 
 
 and hilt and fluted shell, covered by a three-barred guard 
 and chased pommel ; and a long rapier, with three-bar 
 swept hilt and perforated shell. 41. 16*. Woodgate. 
 
 2472 A powerful rapier, with swept three-barred hilt, and 
 
 fluted shell ; and a long rapier, with three-barred hilt. 
 31. 3s. Marquis of Breadalbane. 
 
 2473 An Andrea Ferrara highland broadsword, in the original 
 
 scabbard ; the blade engraved. 31. 12s. 6d. Hon. 
 Charles Lamb. 
 
 2474 Another, older, with swept hilt, ornamented at the ends, 
 
 and perforated, fish-skin grip. 31. Tower Armoury. 
 
 2475 A small dress sword, with straight cross guard, the ring 
 
 embossed with acorns. 19*. The same. 
 
 2476 Another, with ornamented blade and partly engraved, 
 
 the cross guard chased with heads ; on the pommel 
 are two busts. 21. 2s. Banting. 
 
 2477 A long and powerful sword, with swept hilt and bold 
 
 pommel; blade inscribed. 41. 6s. Pratt. 
 
 2478 A rapier, with pierced cup, with birds and flowers, and 
 
 chased pommel. 4.1. 6s. Woodgate. 
 
 2479 A powerful sword, with swept hilt and pierced shell, and 
 
 broad blade ; and another, with three-barred swept hilt, 
 with chequered pommel. 41. 4s. John B. Gardner, Esq. 
 
 DAGGERS. 
 
 2480 A dagger, with broad blade, the metal sheath chased 
 
 with William Tell. 41. 4s. Marquis of Breadalbane. 
 
 2481 A pair of rapier daggers, the hilts and pommels chased. 
 
 61. 10s. O. E.Coope,Esq. 
 
 2482 One, with a serrated bacjt ; and one, with triangular 
 
 blade, engraved with a scale from 6 to 120. 21. 4s. 
 Pratt. 
 
262 AEMOTTB : CROSSBOWS. 
 
 2483 Two rapier daggers, one with engraved blad e . 41. \0s 
 
 Marquis of Breadalbane. 
 
 2484 .Two four-edged daggers, with chased steel hilts. 10 ^- 
 
 Marlborough Mouse. 
 
 2485 A curious dagger, with very broad blade, chased with 
 
 figures and inscriptions : the leather sheath, which is 
 silver mounted, is embossed with scroll work. 20Z. 
 Lord Londesborough. 
 
 2486 Two rapier daggers, one with openwork hilt, the other 
 
 chased. 61. 15s. Tower Armoury. 
 
 2487 A dagger and sheath, with plain handle, the blade in- 
 
 scribed " God save King James II. 1686." 21. 7s. 
 Marq. of Breadalbane. 
 
 2488 Two hunting daggers, with carved wood handles and 
 
 sheaths. 132. 10«. Marlborough House. 
 
 2489 A long rapier dagger, with curious guard and shell ; and 
 
 one, with engraved shell. 21. 12*. 6d. Pratt. 
 
 2490 A dagger, with curious iron handle, and banded steel 
 
 sheath. 16Z. 10s. Alex. Barker, Esq. 
 
 2491 A long rapier dagger, with thumb ring; and one, with 
 
 shell guard. 31. As. Pratt. 
 
 CROSSBOWS. 
 
 2492 A steel crossbow, the stock inlaid with birds, in coloured 
 
 ivory. 31. 18s. John D. Gardner, Esq. 
 
 2493 Another, the steel bow chased with figures and animals, 
 
 the stock inlaid with ivory carvings of figures and 
 scroll work. 51. Woodgate. 
 
 2494 Another, the stock with hunting subjects carved in ivory, 
 
 with steel windlass attached, the wheel chased with 
 figures. 91. R. Burchett, Esq. 
 
 2495 ANOTHER VERY POWERFUL, the steel bow painted 
 
 with hunting subjects and gilt, the stock with flowers 
 in marqueterie and covered with ivory, which is en- 
 graved with portraits of Henri II. and Diane de Poic- 
 
MATCHLOCK AND WHEEL-LOCK GTTNS. 263 
 
 tiers ; figures playing musical instruments, and a coat 
 of arms, and borders of hunting subjects. 211. Lord 
 Londesborough. 
 
 2496 Another, small, the stock of steel, with, lever attached. 
 
 21. 2s. Wbodgate. 
 
 2497 Another, the wooden stock inlaid with animals in ivory, 
 
 and having a case with a small steel arrow. 21. 2s. 
 Col. Lawrence.. 
 
 2498 Another, the stock inlaid with engraved ivory, and steel 
 
 windlass attached, engraved with figures. 61. 10s. 
 Litchfield. 
 
 2499 Another, with long stock of black wood, carved with a 
 
 sphinx and grotesque masks, and the date 1579. 91. 
 Pratt. 
 
 2500 A leather quiver, with six bolts. 11. 6s. Lord Lon- 
 
 desborough. 
 
 MATCHLOCK AND WHEEL-LOCK GUNS. 
 
 2501 One, with matchlock and wheel-lock, 5 ft. 4 in. long, the 
 
 stock inlaid with ivory — about 1610. 21. 2s. Col. 
 Lawrence. 
 
 2502 A rifle matchlock and wheel-lock, the stock is inlaid 
 
 with ivory, engraved with a female figure and a mus- 
 keteer ; the butt has a case for charges — about 1 640. 
 41. Litchfield. 
 
 2503 A wheel-lock rifle, the stock inlaid with birds and scrolls 
 
 in brass, with case for charges — about 1640. 10/. 10«. 
 Marlborough House. 
 
 2504 Another, the stock with case for charges, inlaid with 
 
 scrolls in steel, a coat of arms are inlaid in steel in the 
 butt; on the barrel is " Aen Stein, 1657." 5/. 
 Litchfield. 
 
 2505 A matchlock gun, 5 ft. 2 in. long, the stock inlaid with 
 
 animals in ivory — about 1600. 31. Woodgate. 
 
 2506 A wheel-lock rifle, the stock, with a case for charges, 
 
264 WHEEL-LOCK PISTOLS. 
 
 is inlaid with figures hunting, in ivory ; on the barrel 
 is 'engraved "Hall, 1650." 41. 10s. Woodgate. 
 
 2507 A wheel-lock gun, the stock-inlaid with ivory, and with 
 
 a case for_ charges; the barrel has the date 1591. 
 31. 3s. The same. 
 
 2508 A pair of wheel-lock carbines, the stocks inlaid with 
 
 ivory ; on the barrels is the date 1595. 41. 10s. Litchfield. 
 
 WHEEL-LOCK PISTOLS. 
 
 2509 A pistol, the stock and butt of ivory, engraved all over : 
 
 on the butt is the Crucifixion ; the lock is engraved 
 and chased with heads and figures of Venus and Cupid, 
 with the name engraved " Fenus ;" the barrel is en- 
 graved, and with the date 1548, and a long German in- 
 scription. 81. 10s. Lord Londesborough. 
 
 2510 A pair of wheel-lock pistols, the butts ornamented with 
 
 chasings in steel, the stocks carved and inlaid with 
 ivory, and the locks partly chased — about 1620. 61. 
 Pratt. 
 
 2511 Another pair, with catches for the girdle, the stocks and 
 
 butts are ornamented with steel ; on the barrel is the 
 name " Gio. Batt. Francino "—about 1630. 6Z. 10s. 
 Tower Armoury. 
 
 2512 A pair of pistols, with snap haunce locks, one for each 
 
 hand, with silver and mother-o'-pearl mountings ; the 
 brass barrels are chased and engraved, and bear the 
 date 1618. 131.10s. Alex. Barker, Esq. 
 
 2513 A pair of very fine wheel-lock pistols, 33 in. long : the 
 
 stocks are beautifully inlaid with trophies and figures 
 in ivory, the fluted barrels and the locks engraved and 
 ornamented with brass. 611. The same. 
 These are of the very finest Italian work. 
 
 POWDER FLASKS. 
 
 2514 A curious metal powder flask, with the figure of a bird, 
 
TILTING ROURGUINOT. 
 
aemotte: helmets. 265 
 
 in high relief; and one, of -wood and ivory, covered 
 with metal. 111. Lord Londesborough. 
 
 2515 One, oriental, of ivory, carved with groups of animals. 
 
 71. S. Addington, Esq. 
 
 2516 One, of wood, with a figure, stag hunting, in ivory ; and 
 
 one, of metal, with a female head in relief. 11. Is. 
 Pratt. 
 
 2517 A beautiful cartouch box, of steel, partly gilt, engraved 
 
 with Adam and Eve, and a figure in armour, kneeling 
 before a crucifix. 51. 10s. Col. Sibthorp, M.P. 
 
 2518 A powder flask, of wood, with a figure in costume, in- 
 
 mother-o'-pearl ; and one, with an equestrian figure, 
 chased in metal. 41. Pratt. 
 
 2519 ONE, COVERED WITH VELVET, and with a CHAS- 
 
 ING OF SAMSON AND DELILAH, above are the 
 arms of the Medici, supported by two griffins, of fine 
 work. (See illustration.) 71. 7s. Tower Armoury. 
 
 2520 One, formed of a stag's horn, carved with Samson de- 
 
 stroying the lion, and inscribed "Force, 1574, Sanson." 
 51. Marlborough House. 
 
 2521 One, small, the steel elaborately ornamented with flat 
 
 chasing, with a leather bag for bullets attached. 81. 10s. 
 The same. 
 
 2522 One, covered with embossed leather ; and one, of fluted. 
 
 steel. 4.1. The same. 
 
 2523 One, of buck's horn, engraved with a figure ; and one, 
 
 of wood, with bullet bag attached. 11. 13s. John D^ 
 Gardner, Esq. 
 
 HELMETS. 
 
 2524 A steel cap' of an officer of pikemen, with thick ribs, 
 
 with the original plume holder and steel studs — between 
 the years 1610 and 1635. ' 21. 16s. Litchfield. 
 2524* A SPANISH HELMET, channelled and engraved with 
 flowers, partly gilt, with original plume holder — be- 
 tween 1560 and 1580. 41. 2s. Pratt. 
 
266 AEMOrB : HELMETS. 
 
 2525 A SINGULARLY PERFECT CIRCASSIAN CASQUE, 
 
 the lobster tail composed of seven plates, with plume 
 holder and steel studs thickly set and ornamented with 
 flutes and lines — about 1645. 41. 4s. Redfern. 
 
 2526 A BOURGUINOT, with additional tilting pieces inlaid 
 
 with gold, and beautifully engraved with figures in the 
 style of Albert Durer — about 1540. 161. Nathan. 
 
 2527 A steel cap, or pot helmet, of blue steel, ribbed and gilt ; 
 
 it is very heavy, and without comb or ridge. 11. 16s. 
 Pratt. 
 
 2528 A SUPERB MORION, with broad and high comb, en- 
 
 graved with scrolls, and two coats of the arms of 
 Saxony, and inlaid with gold, with the original ear- 
 plates, lining, and lion's head rivets, and a figure plume 
 holder— between 1550 and 1560. 41. 17*. 6d. Wet- 
 terhan. 
 
 2529 A curious salade, with moving beams, and without any 
 
 comb — between 1430 and 1465. 25Z. Lord Londes- 
 borough. 
 
 2530 A VERY EARLY CASQUE, formed like a Greek hel- 
 
 met ; it has holes round the bottom, apparently for 
 the purpose of fixing on chain mail. 51. 10s. Tower 
 Armoury. 
 
 2531 An open casque, embossed with oak leaves and acorns, 
 
 with the rivets — about 1540. 31. 3s. John J). Gard- 
 ner, Esq. 
 
 2532 A helmet, with twisted comb, beaver, and visor, and 
 
 original rivets, probably Italian — about 1530 and 1540. 
 71. 10s. W. Meyrick, Esq. 
 
 2533 A helmet, engraved and inlaid with gold, with original 
 
 plume holder, side loops, and rivets — about 1540. 
 51. 2s. 6d. Pratt. 
 
 2534 A morion, with peaked ends, engraved with figures and 
 
 trophies, and with the original plume holder and rivets 
 — about 1570. 11. Is. John 23. Gardner, Esq. 
 8535 Another, cap shape, with peak ends, engraved with 
 
OMENTAL AEMOTIE AND ABMS. 267 
 
 trophies, the original brass plume holder and rivets — 
 about 1560. 21. 10*. John D. Gardner, Esq. 
 
 2536 An open casque with ear pieces, elaborately engraved 
 
 with coats of arms, apparently Spanish — about 1530. 
 41. 12s. 6c?. Litchfield. 
 
 2537 Another, with ear pieces, embossed and ornamented with 
 
 lines — about 1530. 31. 3s; Marquis of Breadalbane. 
 
 2538 A helmet, of peaked form, with a scalloped visor and 
 
 high comb — about 1530. 41. 17s. 6c?. Litchfield. 
 
 2539 A MORION, RUSSET AND GOLD, engraved with 
 
 armed equestrian figures and arabesques, with peaked 
 ends and a peak at the top, the original brass plume 
 holder, and ornamented rivets — about 1570. 11. Is. 
 ' Pratt. 
 
 2540 A steel cap, of the morion shape — about 1470 to 1480. 
 
 11. 12*. The same. 
 
 ORIENTAL ARMOUR AND ARMS. 
 
 2541 A beautiful flint gun, with Damascus barrel, the stock 
 
 of ivory, inlaid with coloured glass, with a silk tassel 
 — the lock imperfect. 15Z. Hancock. 
 
 2542 A dagger, the metal sheath and hilt beautifully chased 
 
 with scrolls, the end of the sheath is formed as a mace. 
 151. 10s. Lord Londesborough. 
 
 2543 A knife, the ivory hilt carved with a lion's head, and 
 
 inlaid with metal, in a velvet sheath, mounted with 
 silver. HI. The same. 
 
 2544 A dagger with broad blade, inlaid with gold, the metal 
 
 handle engraved with oriental characters. 11. 15*. 
 Marquis of Breadalbane. 
 
 2545 A yataghan,, the blade inscribed and mounted with 
 
 chased silver, the handle also of chased silver. 21. 10*. 
 Col. Sibthorp, M.P. 
 
 2546 Another, with metal hilt and sheath, with chain attached, 
 
 boldly chased with trophies. 6/. 10*. The same. 
 
 2547 Another, with damascened blade, inlaid with gold, the 
 
268 0BIE2TTAL AEMOUE AND AEMS. 
 
 ivory handle mounted with chased silver. 13s. Wet- 
 ter han. 
 
 2548 A cuttar, the blade embossed with a man on horseback 
 and an elephant, the engraved handle richly gilt. 111. 
 Lord Londesborough. 
 
 -2549 Another; with curious triple blade, and engraved and 
 gilt handle. 13Z. 2s. Gd. Alex. Barker, Esq. 
 
 2550 Two others, with embossed handles, gilt ; and a belt. 
 
 51. Annoot and Gale. 
 
 2551 A tinder box, formed as a pistol, the barrel embossed 
 
 with gold, with richly chased mountings. 16?. S. 
 Addington, Esq. 
 
 2552 A cuttar, with fluted blade, and embossed and gilt 
 
 handle; and one, with figured blade. 31. 15s. Annoot 
 and Gale. 
 
 2553 One, with ridged blade, gilt handle, and hilt ; and one 
 
 other, the blade partly gilt. SI. 15s. The same. 
 
 2554 A short sword, with broad blade of blue steel inlaid 
 
 with gold, and seal skin sheath, with small knife. 
 21. 15s. Marquis of Breadalbane. 
 
 2555 A pair of fine stirrups, of embossed metal inlaid with 
 
 coloured stones, with circular bottoms. 61. 2s. Willson. 
 
 2556 Another pair, of brass, chased with figures. 81. 8s. 
 
 Marquis of Breadalbane. 
 
 2557 A DAGGER, the handle formed of A FINE PIECE OF 
 
 ONYX of five strata, beautifully cut with flowers on 
 each side. 91. Nathan. 
 
 2558 ANOTHER, the handle of GREEN JADE, cut with 
 
 flowers. 51. 15*. Gd. Marquis of Breadalbane. 
 
 2559 ANOTHER, the handle and end of the sheath of 
 
 GREEN JADE, inlaid with gold and set with RUBIES. 
 21?. 10s. S. Zimmerman. 
 
 2560 Another, the blade massively mounted with silver 
 
 minutely chased, the handle of tortoiseshell carved and 
 mounted with silver, the sheath cased with silver. 
 151. 10s. Col. Sibthorp, M.P. 
 
OEIEUTAL AEMOTJE AND AEM3. 269 
 
 5561 A knife, the metal handle inlaid with gold. 11. 18*. 
 Roussel, Paris. 
 
 2562 A small dagger, with chased steel handle. 41. 15s. 
 
 Annoot and Gale. 
 
 2563 Another, the handle and blade of one piece of damasked 
 
 steel, containing a small knife with damask blade ; 
 the velvet sheath is mounted with chased silver, ena- 
 melled. 61. 10s. S. Zimmerman. 
 
 2564 A dagger, with damask blade ; the metal handle is made 
 
 to contain small instruments. 21. Annoot and Gale. 
 
 2565 ANOTHER, with damask blade, the JADE HILT inlaid 
 
 with LARGE SAPPHIRES, the sheath metal mounted 
 with a rim of sapphires. 91. 10s. S. Addington, Esq. 
 .2566 Another, the blade inlaid with inscriptions in gold, the 
 handle and mountings of the sheath of silver. 61. 15«. 
 Alex. Barker, Esq. 
 
 2567 Another, small, with waved blade and agate handle, and 
 
 silver sheath. 51. 10s. Annoot and Gale. 
 
 2568 Another, with silver sheath and handle, and silver chain 
 
 attached. 51. 10s. Marquis of Breadallane. 
 
 2569 A Chinese knife and chopsticks, mounted with enamelled 
 
 silver, in a worked case. 1?. 8s. Todd. 
 
 2570 A breastplate, in four parts, inlaid with engraved gold. 
 
 11. 16s. Litchfield. 
 
 2571 A circular shield, of hide, embossed and gilt. 91. Mar- 
 
 quis of Breadalbane. 
 
 2572 Another, smaller, with four gilt bosses, and an orna- 
 
 ment, with a bird chased. 71. 10s. The same. 
 
 2573 A horn, of ivory, carved with figures and crocodiles, 
 
 the mouth-piece of horn. 261. The same. 
 
 2574 A pair of steel arm pieces, richly inlaid with gold in 
 
 foliage, the gloves of gilt chain mail. 61. 5s. W. Lake 
 Price, Esq. 
 
 2575 A helmet, the crown plated with silver and gold, and 
 
 set with coloured stones, the rest with covering for the 
 
270 OBIEMTAIi AEMOTTB AND AEHS. 
 
 neck, of chain mail, with plates of steel covered with 
 silver. 71. 2s. 6d. Willson. 
 
 2576 Another, the crown of steel inlaid with gold, with neck 
 
 covering of very fine chain, partly gilt. 41. 14s. 6d. 
 W. Lake Price, Esq. 
 
 2577 Another, the crown of dead steel inlaid with gold, with 
 
 har for the face, and three plume holders, with neck 
 guard of fine chain partly gilt. 101. Hertz. 
 
 2578 A battle-axe, the staff embossed with flowers and gilt, 
 
 the blade inlaid with gold. 41. 10s. Col. Sibthorp, 
 M.P. 
 
 2579 A scimitar, the blade and hilt inlaid with gold, the 
 
 sheath mounted with silver gilt. 21. 12s. 6d. The same. 
 
 2580 A short sword, with ivory handle, silver mounted and 
 
 set with coral, the sheath mounted with chased silver. 
 11. 2s. Nathan. 
 
 2581 A dagger, with broad blade, the sheath and handle 
 
 covered with chased silver, and set with coral. 11. 16s. 
 The same. 
 
 2582 A battle-axe, with knife-shaped blade, the staff with an 
 
 elephant's head inlaid with gold, the mountings of 
 the sheath chased and gilt. 11L 15s. Col. Sibthorp, 
 M.P. 
 
 2583 An axe, with curious broad blade, the handle covered 
 
 with gold. SI. Is. Hon. Charles Lamb. 
 
 2584 A spear, with chased blade, the socket inlaid with gold. 
 
 71. Annoot and Gale. 
 
 Amount of Twentieth Day's Sale, 1013?. 11*. 
 
SWORDS AND DAGGEES. 271 
 
 TWENTY-FIRST DAI'S SALE. 
 
 SWORDS AND DAGGERS. 
 
 2585 A dress sword, with triangular blade, the flat pierced 
 
 shell and pommel inlaid with gold and silver. 14s. 
 Bourne. 
 
 2586 Another, with blue steel shell grip and pommel, inlaid 
 
 with flowers in gold ; the blade is engraved. II. 2s. 
 Pratt. 
 
 2587 ANOTHER, the blade covered with engraving, the 
 
 figures of the twelve apostles and other subjects, the 
 steel pommel and shell guard have figures embossed 
 in silver. 10*. 6d. Russell. 
 
 2588 Another, in a scabbard with gilt mountings, pierced 
 
 shell and pommel embossed with figures ; on the blade 
 is "En cherchant l'honneur je trouve la mort." 13s. 
 Pratt. 
 
 2589 Another, with flat shell guard hilt and pommel of russet 
 
 steel, embossed with flowers and ornaments ; the blade 
 is pierced and ornamented, and partly gilt. 12*. The 
 same. 
 
 2590 A sword in a sheath, like a swordstick, engraved with 
 
 animals. 2s. 6d. Litchfield. 
 
 2591 A sword, with broad blade, engraved "Monier aBesan- 
 
 con, Vive le Roy, regiment de Renepont :" the box- 
 wood handle is carved with a dog's head ; the leather 
 ' sheath contains a knife and fork, the handles carved 
 as dogs' heads. 11. 13s. Pratt. 
 
 2592 A sword, with brass pommel, hilt and shell guard, em- 
 
 bossed with crest of a boar surrounded by the garter, a 
 coronet above. 21. The same. 
 
 2593 A dress sword, with bayonet blade, steel pommel, and 
 
272 swoeds xmv daggees. 
 
 flat shell guard, pierced and chased with the crest of a 
 swan. 17s. Pratt. 
 
 2594 A sword, the hilt, pommel, and shallow shell guard are 
 
 chased with St. George and the dragon and other sub- 
 jects ; the Solingen blade is inscribed " Pro aris et focis 
 — pro Christo et patria." 51. 2s. 6d. 0. E. Coope, Esq. 
 
 2595 Another, the hilt, pommel, and shell guard are gilt and 
 
 chased with portraits of Charles I. and his queen ; the 
 blade is inscribed. 5/. 5s. Pratt. 
 
 2596 A dress sword, in a silver-mounted sheath, the grip, 
 
 pommel, and shell embossed with trophies. 31. S. 
 Addington, Esq. 
 
 2597 Another, the pommel, shell guard, and mountings of 
 
 the sheath are embossed with figures ; the blade is 
 inscribed " Coulaux Freres Manufacteur Royale a Klin- 
 genthal." 21. 6s. Russell. 
 
 2598 A dress sword, the pommel, hilt, and shell guard em- 
 
 bossed with mythological figures ; the blade engraved. 
 51. The same. 
 
 2599 A fighting sword, with broad blade ; inscribed "Johannes 
 
 Wundes— Soli Deo gloria." 10Z. 6s. Hull.' 
 
 2600 A dress sword, the pommel and pierced shell guard 
 
 chased with equestrian figures ; the blade is inscribed. 
 21. 8s. Marquis of Breadalbane. 
 
 2601 Another, with Dresden China grip, the gilt steel hilt 
 
 embossed with flowers, the blade engraved. 1 Is. Pratt. 
 
 2602 A pair of rapier daggers, one with serrated blade, with 
 
 ring and hollow for the thumb. 21. Woodgate. 
 
 2603 A couteau de chasse, with straight broad blade, engraved 
 
 with a German almanack and the date 1686, buckhorn 
 handle and shell guard. 21. 12s. 6d. Tower Armoury. 
 
 2604 Another, nearly similar, with the maker's name, and 
 
 date 1660. 21. 10s. Pratt. 
 
 2605 Another, with carved ivory handle, and silver shell guard 
 
 and mounting, chased with figures ; the blade is in- 
 
SWOBDS AND DAGGEES. 273 
 
 scribed " Gerrit Binghorst, Amsterdam." 11. 10s. 
 Pratt. 
 
 2606 Another, with agate grip, and chased silver shell guard 
 
 and mounting. 11. 15s. 0. E. Coope, Esq. 
 
 2607 Another, the handle and shell guard of silver, chased 
 
 with hunting trophies. 1/. lis. Pratt. 
 
 2608 Another, the shell guard, handle, and mounting of the 
 
 sheath of black steel, chased and inlaid with gold ; the 
 blade is inscribed " Thinot a la Haye." 67. 5s. S. Ad- 
 dington, Esq. 
 
 2609 A powerful hunting knife, the leather sheath mounted 
 
 with brass, the handle inlaid with ivory. 6*. Bourne. 
 
 2610 A couteau de chasse, the leather sheath silver mounted, 
 
 with a knife and fork with ivory handles, carved with 
 boys and flowers, the handle of ivory, carved with a 
 lion's head, with silver shell guard. 21. 5s. Pratt. 
 
 2611 Another, the leather sheath embossed with animals and 
 
 an inscription, and silver mounted, the ivory handle is 
 carved with subjects ; the blade is inscribed " Rambald 
 Comes Travisii. Unica Mens.'\ 51. 15s. Marlborough 
 House. 
 
 2612 A Spanish hunting dagger, with a small knife in the 
 
 sheath, with inscribed broad blade ; and a couteau de 
 chasse, the steel hilt embossed with silver ; the blade 
 has been engraved. 16*. Litchfield. 
 
 2613 A hunting sword, with broad blade, in a leather sheath, 
 
 steel mounted, which contains seven hunting instru- 
 ments, the handle of russet steel, [inlaid with gold. 
 61. 5s. Lord Londeslormigh. 
 
 2614 A Set of Tex Hunting Instetjments, in red leather 
 
 sheath ; the blades are engraved. 51. 5s. Pratt. 
 
 2615 An executioner's sword, with short broad blade, thelong 
 
 handle studded with bone, the cross guard with ani- 
 mals' heads ; it has the original leather sheath, which 
 is embossed with fleurs-de-lys. 41. 15s. The same. 
 
 2616 A powerful fighting sword, with curved guard, and three 
 
274 SWOEDS AND BAGGEBS. 
 
 rings embossed with, silver, as well as the flat pommel. 
 A fine specimen. 7L 15s. Tower Armoury. 
 
 2617 A very long fighting sword, with pierced cup hilt, and 
 
 curved' cross guard, the pommel formed in the shape of 
 a helmet. 41. Pratt. 
 
 2618 A rapier, with broad: blade, and [inscribed, the pierced 
 
 cup hilt with four medallions of lions, swept guard, and 
 plain pommel.. 57. Davis. 
 
 2619 Another, with engraved cup and swept hilt, and cross 
 
 guard, the pommel spirally fluted ; the blade is in- 
 scribed. 41. 4s. The same. 
 
 2620 A rapier, with, four-edged blade, the cup with foliage, 
 
 beautifully pierced, swept hilt and straight cross guard, 
 and the original sheath. Hi. 15s. Nathan. 
 
 2621 A powerful fighting sword, the cup beautifully chased 
 
 and pierced with flowers, the pommel chased with 
 figures, with swept hilt and chaaed guards ; the blade 
 is inscribed " Pace^' porto Guera Cercho." (See illus- 
 tration.) 171. 5s. Lord Londeslorough. 
 
 2622 A rapier, the shallow cup, cross guard and pommel 
 
 chased with foliage. 51. 15s. Tower Armoury. . 
 
 2623 Another, the cup pierced in foliage, with swept hilt and 
 
 scroll cross guard.. 61. 2s. 6d. Davis. 
 
 2624 Another, the cup pierced in lines of foliage, straight 
 
 cross guard, and. chased pommel. 51. 15s. 6d. Marl- 
 borough House. 
 
 2625 A two-handed sword, with straight cross guard and 
 
 plain pommel. 21. 16^ Pratt. 
 
 2626 A German fighting sword, with straight cross guard 
 
 and flat pommel, studded with silver, the blade very 
 broad at the hilt,, and tapering to the point. 81. 15s. 
 Tower Armoury. 
 
 2627 A sabre, the steel grip and cross guard terminating in 
 
 eagles' heads ; each side, near the fluted blade, is 
 chased with a coat of. arms. 41. 10*. Pratt. 
 2623 A curious two-handed sword, with long bayonet-shaped 
 
MATCHLOCK AND WHEEL-LOCK GUNS. 275 
 
 blade, the straight cross guard curved at each end. 
 41. 4s. Woodgate. 
 
 2629 A French small sword,, with Dresden grip, the hilt and 
 
 pommel chased and gilfe,. in a velvet sheath, mounted 
 with metal gilt. 21. Davis. 
 
 2630 A youth's dress sword, the grip, pommel, cross, and 
 
 sheath, are cased in silver, elaborately chased. 18Z. 10*. 
 Webb* 
 
 DAGGERS AND HUNTING KNIVES. 
 
 2631 A DAGGER, the handle and mountings of the sheath 
 
 of. steel,, exquisitely chased and partly gilt — similar to 
 no. 2675. 21L Marlborough House. 
 2632. Another, with agate, handle, silver mounted. 21. 2s. 
 Son. Charles Lamb. 
 
 2633 A very small dirk, the handle a female figure in silver ; 
 
 it screws into an ebony sheath, mounted with silver. 
 21. 2s tl Woodgate. 
 
 2634 One, the handle of ruby glass, metal mounted. 11. 16s. 
 
 Davis. 
 
 2635 A SET OP FOUR HUNTING KNIVES, mounted 
 
 with silver, enamelled with coats of arms and inscrip- 
 tions ; the leather case is engraved with figures and 
 inscription. 601. British Museum. 
 
 2636 A CASE, WITH TWO HUNTING KNIVES, with silver 
 
 handles, engraved, and- inscribed on one side "Ave 
 Maria gratia plena dnsi-te;" and on the other "Me- 
 mento mei mater dei ;" the leather case is embossed 
 with birds and coats- of arms. 491. 10a Marlborough 
 Souse. 
 
 MATCHLOCK AND WHEEL-LOCK GUNS. 
 
 2637 A wheel-lock rifle, with case for charges : the stock is 
 
 inlaid with ivory, in classical and scriptural subjects ; 
 some of the figures are in the costume of the time. 
 61. 2s. 6d. Pratt. 
 
 I 2 
 
276 MATCHLOCK AND WHEEL-LOCK GTOS. 
 
 2638 A matchlock gun, the , stock inlaid with birds in ivory 
 
 — about 1610. 51. 5s. Davis. 
 
 2639 A wheel-lock rifle, with case for charges, the stock in- 
 
 laid with ivory engraved ; on a shield are engraved a 
 coat of arms, surrounded by " Marquardus Von Han- 
 stein zu Weilbach," and the date 1605. 61. 15s. Marl- 
 borough House. 
 
 2640 A matchlock gun, 5 ft. 2 in. long, inlaid with animals 
 
 in mother-o'-pearl and brass ; the lock is engraved with 
 animals, and inscribed "Kiobenhann" — about 1620. 
 51. 5s. Woodgate. 
 
 2641 Another, 5 ft; 1 in. long, inlaid with brass, mother-o'- 
 
 pearl, and ivory. 51. 5s. Davis. 
 
 2642 A wheel-lock carbine, with case for charges, the stock 
 
 inlaid with ivory, engraved with figures in costume, 
 and other subjects — about 1600. 61. 12s. 6d. The 
 same. 
 
 2643 Another, inlaid with mother-o'-pearl and ivory, and en- 
 
 graved with figures of sportsmen : there is a whistle in 
 engraved ivory at the end of the butt, and on the 
 reverse side to the lock is a stop for the cock — about 
 1600. 61 17s. 6d. W. Lake Price, Esq. 
 
 2644 A SHORT WHEEL-LOCK RIFLE, with case foi 
 
 charges : the barrel and the lock are of blued steeL 
 beautifully ornamented with embossed silver and partly 
 gilt, the stock is inlaid with mother-o'-pearl and ivory, 
 engraved with figures in costume — about 1580. 8?. 8s. 
 The same. 
 
 2645 A wheel-lock carbine, with case for charges : the lock 
 
 is engraved, the barrel is of dark blue steel, and has 
 been ornamented with figures in gold, the stock is in- 
 laid with mother-o'-pearl and ivory, engraved with 
 figures in Bohemian costume — about 1580. 71. 5s. 
 Pratt. 
 
 2646 A short stick-shaped gun, with flint lock and plain steel, 
 
 mountings ; a sword is contained in the stock, which 
 
WHEEL-LOCK AITD OTHEE HSTOLS. 277 
 
 is inlaid with animals in ivory — about 1680. 31. 
 Pratt. . 
 
 2647 An Italian flint gun, the barrel inscribed with the maker's 
 name ; the stock minutely inlaid with brass and 
 mother-o' -pearl. 41. 12s. 6d. W. Lake Price. Esq. 
 
 •2648 One, with matchlock and wheel-lock, inlaid with gold, 
 the barrel chased with a coat of arms, and surmounted 
 by a coronet and scrolls, and the date 1 536 ; the stock 
 has a case for charges, and is covered with ivory, en- 
 graved with classical figures and arabesques. 91. 2s. 6d. 
 Lord Londesborough. 
 
 2649 A wheel-lock rifle, the stock of red wood, with case for 
 
 charges, inlaid and engraved with ivory and with brass 
 ornaments ; on the barrel is the date 1606. 1 21. 10*. 
 Marlborough House. 
 
 2650 A matchlock gun, the barrel and lock beautifully chased 
 
 with scroll work, which has been gilt, and inscribed 
 " Got und dein Willichtein, 1546 ;" the stock, with 
 case for charges, inlaid with ivory. 30/. 10s. Tower 
 Armoury. 
 
 2651 A long flint gun, the barrel mounted with silver, chased 
 
 with masks ; it is 'stamped on two gold marks with 
 the word " Pistoia," under a coronet and a lion ; the 
 stock is carved with scrolls, and the butt covered 
 partly with steel, pierced and chased with portraits. 
 51. 12s. 6d. Davis. 
 
 2652 A blunderbuss, the russet barrel inlaid with wreaths of 
 
 flowers in gold, and chased with trophies, and the word 
 " London ;" the stock inlaid, and mounted with chased 
 silver ; the name " Willson," on the lock. 21. 8s. 
 Woodgate. 
 
 WHEEL-LOCK AND OTHER PISTOLS. 
 "2653 A matchlock pistol, the stock inlaid with ivory and 
 
278 WHEEL-MCK AND OTHEE PISTOLS. 
 
 mother-6'-pearl, the barrel is embossed with figures, 
 which have been formerly gilt. 21. Pratt. 
 
 2654 A wheel-lock pistol, 32 in. long, the stock inlaid with 
 
 brass and engraved mother-o' -pearl, the barrel is fluted 
 and engraved. 51. 5s. Davis. 
 
 2655 Another, 32 in. long, inlaid with figures in costume,, 
 
 animals and other ornaments in ivory and mother-o' - 
 pearl, the barrel and the lock engraved and chased. 
 A very fine specimen. 141. Hie same. 
 
 2656 Another, 32 in. long, the stock inlaid with brass and 
 
 mother-o' -pearl, the barrel has been engraved. 8?. 
 W. Lake Price, Esq. 
 
 2657 A small wheel-lock rifle, 2 ft. 6 in. long, with case for 
 
 charges, the stock inlaid with brass and mother-o'- 
 pearl, the barrel inlaid with brass. 41. 10s. Woodgate. 
 
 2658 A LONG WHEEL-LOCK PISTOL, the barrel and lock 
 
 minutely chased in Italian taste, and inlaid with gold, 
 the stock and hexagonal butt inlaid with ivory, en- 
 graved with figures in costume, and with figures, ani- 
 mals, and heads, in mother-o' -pearl. 51. 10s. Pratt. 
 
 2659 A wheel-lock pistol, with steel stock, and catch for the 
 
 girdle, the butt, which is made to contain charges, is 
 chased and gilt. 41. 4s. The same. 
 
 2660 A brace of pistols, with plain steel stocks and catches 
 
 for the girdle ; the locks partly engraved, and the 
 armoury mark B K ; the stocks .are hollow for charges 
 and winder. 81. 5s. — Alexander, JSsq. 
 
 2661 A SINGLE ONE, very curious, the whole of the barrel 
 
 and steel stock are very minutely and beautifully 
 chased with foliage ; it has a steel catch, and the butt 
 is of uncommon shape. 71. 7s. Lord Zondesborougk. 
 
 2662 Another, small, the stock inlaid with heads and animals 
 
 in ivory. 11. 2s. Willson. 
 
 2663 Another, curious, with double barrel, and wheel-locks 
 
 above and below, with stop locks, the stock and butt 
 
WHEEL-IPCK JUST) OTHEB PISTOLS. 279 
 
 inlaid with ivory ; on the barrels are the initials H. S. 
 and the date 1544. 51. 10*. Pratt. 
 
 2664 Another, single-barrel, the stock inlaid with mother-o'- 
 
 pearl and ivory, engraved with figures in the costume 
 of the time of Charles IX. 71. W. Lake Price, Esq. 
 
 2665 Another, with snap-haunce lock, engraved, and barrel 
 
 also engraved and banded. 12*. Wetterhan. 
 ,2666 A rifle pistol, with wheel-lock, engraved, and with a 
 winder, the stock inlaid with mother-o' -pearl and brass. 
 61. Woodgate. 
 
 2667 One, with self-priming flint lock, the barrel and mount- 
 
 ings beautifully chased with foliage in high relief. 
 41. 4s. Pratt. 
 
 2668 A brace of flint locks, the barrels chased with Hercules 
 
 and the Hydra, the steel mountings chased with masks 
 and figures. 111. Davis. 
 
 2669 A long pistol, the stock inlaid with scroll work of silver, 
 
 and -richly mounted with chased silver. 51. 15s. O. E. 
 Coope, Esq. 
 
 2670 A brace of Highland pistols, by David Dunbar, with 
 
 engraved steel stocks, and catches for the girdle. 
 t 9l. 5*. — Alexander, Esq. 
 
 2671 A BRACE OF LONG PISTOLS, BY LAZABINO 
 
 COMINAZZO, with engraved and fluted barrels : the 
 stocks inlaid with steel, with hunting subjects of very 
 minute work ; the locks are chased — one imperfect. 
 10?. Marlborough House. 
 
 2672 ANOTHER BEACE, BY THE SAME: the barrels, 
 
 locks, ramrods, and steel mountings beautifully chased 
 with arabesque ornaments ; the stocks partially carved. 
 111. 15*. Sir H. H. Campbell. 
 
 2673 A LONG WHEEL-LOCK PISTOL, BY THE SAME : 
 
 the lock beautifully chased, and the stock inlaid with 
 minute arabesques in steel. 61. 10s. TV. Lake Price, 
 Esq. 
 
 2674 A brace of wheel-lock pistols, with engraved barrels ; 
 
280 POWDEE FLASKS. 
 
 the stocks inlaid with ivory, engraved with masks and 
 heads. 101. 15*. W. Lake Price, Esq. 
 
 2675 A BRACE OF SUPERB PISTOLS : the ends of the 
 
 barrels of blue steel, embossed with classical figures in 
 gold; the locks, mountings, and the breeches of the 
 barrels are exquisitely chased with subjects from Ovid 
 — each pistol different ; the stocks, of light coloured 
 wood, are beautifully carved and inlaid with gold ; the 
 cocks are inscribed " Les la Roche aux Gallerie du 
 Louvre ;" the hammers are chased with the head of 
 Louis XVI. 1071. Marlborough House. 
 
 POWDER FLASKS. 
 
 2676 One, of steel, for a wheel-lock gun, with the winder at- 
 
 tached. 11. 15s. T. M. Whitehead, Esq. 
 
 2677 Another, for a wheel-lock gun, with winder, engraved 
 
 with an equestrian figure, and scroll work ; partly gilt. 
 11. Pratt. 
 
 2678 One of buckhorn, carved with the Last Judgment, and 
 
 mounted with silver. 31. 12*. Lord Londesborough. 
 
 2679 One, of metal, with a chasing of the Judgment of Paris. 
 
 4.1. 14s. 6d. Alex. Barker, Esq. 
 
 2680 One, of wood, with figures stag hunting, inlaid with. 
 
 ivory. 21. Ss. W. Lake Price, Esq. 
 
 2681 One, a stag's horn, covered with seal skin, and mounted 
 
 with openwork steel ; and one, covered with embossed 
 leather. 71. Marlborough House. 
 
 2682 One, of embossed leather, fluted ; and one, covered 
 
 with pierced steel. 10*. 6c?. Pratt. 
 
 2683 The covering of a powder flask, of metal, chased with 
 
 figures, and enamelled' in colours. 21. 17*. 6d. The 
 same. 
 
 2684 A cartouch box, of wood and ivory ; and a flask, of 
 
 embossed leather, fluted. 11. 15*. 0. E. Coope, Esq. 
 
TILTING AND OTHEB HELMETS. 281 
 
 2685 A flask, and cartouch box, with the arms of Saxony, in 
 
 steel openwork. 11. 14*. Redfern. 
 
 2686 A flask, with the arms of Saxony, in steel openwork ; 
 
 and a cartouch box, engraved with the arms. 31. 
 W. Lake Price, Esq. 
 
 2687 A flask, carved with a spearman, and a bullet bag at- 
 
 tached. 21. 5s. Tower Armoury. 
 
 2688 A powder flask, with a chasing of the Judgment of 
 
 Paris ; and a winder, for a wheel-lock gun, beautifully 
 chased. 81. 15s. Marlborough House. 
 
 2689 One, carved with a spearman, the steel work beautifully 
 
 chased with scrolls, and the cartouch bag attached. 
 21. 2s. Pratt.' 
 
 2691 A winder, for a wheel-lock gun, chased with foliage ; a 
 
 powder flask, inlaid with mother-o'-pearl ; and a set of 
 bandeliers with belt. 51. 15s. Marlborough House. 
 
 TILTING AND OTHER HELMETS. 
 
 2692 A VERY FINE BOURGUINOT, with plume holder, 
 
 hooks, and screws for fastening on the tilting pieces : 
 it opens in two parts in front, and has a high beaded 
 comb, the visor and beaver are embossed with scrolls 
 and lines — the date about 1530. 27?. A. Fountaine, 
 Esq. 
 
 2693 Another, having a door in the visor, and its screw, nuts, 
 
 and fastenings — its date from 1510 to 1520. 3/. 3s. 
 Pratt. 
 
 2694 A fine helmet, the comb with a twisted edge ; it has 
 
 its original fastenings — date about 1500. 41. 6s. 
 Litchfield. 
 
 2695 A helmet, with fluted visor, the ridge is flattish, and 
 
 approaches the Salade form ; it has its original steel 
 fastenings— date about 1470 or 1480. 41. 4s. Pratt. 
 
 2696 A FINE BOURGUINOT, with gorget attached ; it has 
 
Missing Page 
 
COMPLETE SUITS OS AEHOUB. 283 
 
 inlaid with gold, and engraved with hunting subjects 
 and inscriptions, the bottom plates of the helmet have 
 the holes for fastening it to the breast and back plates 
 —date between 1560 and 1580. 121. 10s. Pratt. 
 
 2703 A very fine morion, beautifully engraved -with medal- 
 
 lions and trophies, and inlaid with gold ; there are 
 projecting points round the bottom, the peaks are 
 richly engraved, the plume holder is embossed — date 
 about 1550. 91. 19s. 6d. Marquis of Breadalbane. 
 
 2704 A fine open casque ; the triple ridges embossed and 
 
 chased with figures, and inlaid with gold, with em- 
 bossed ear pieces ; of Italian make — between 1530 
 and 1550. 51. Pratt. 
 
 2705 A plain morion, without comb ; the original brass orna- 
 
 ments and rivets are of fine character — between 1530 
 and 1550. 11. 3s. 
 
 2706 An open casque, with embossed ear pieces — between 
 
 1540 and 1550. SI. Woodgate. 
 
 2707 A helmet, with a grooved flat comb, with hold for the 
 
 crest, the visor is peaked and fluted ; it has moveable 
 back plates, and is of very particular shape in the 
 scull part— between 1460 and 1480. 51. 10*. Pratt. 
 
 2708 A fine large helmet, opening in two halves, with a fall- 
 
 ing beaver, barred and ornamented with lines — about 
 1540. (Engraved in Gfrose's Military Antiquities.) 51. 
 Litchfield. 
 2708* A shirt of chain mail. 11. 10s. Pratt. 
 
 COMPLETE SUITS OF ARMOUR. 
 
 2709 A SUPERB CAP A PIE SUIT, beautifully channelled 
 
 and engraved; the helmet with a ridge, visor and 
 beaver, gorget with lapping plates, right and leftpaul- 
 drons and braces, armlets and gauntlets, back and 
 breast plates with taces and tassets and lance rest, 
 cuisses, and jambs, the boots of chain mail with steel 
 toes, a roundel is attached to the right arm, of rather 
 a different pattern, a jupon and shirt of chain mail 
 
284 
 
 COMPLETE SUITS OF AEMOUK. 
 
 beneath ; the engraving has been formerly gilt — pro- 
 bably Italian — about 1530. {See illustration). 
 
 Thiswith the five following lots, all of the same pattern 
 as the foregoing suit, were sold together. 315Z. Lord 
 Londesborough. 
 
 2710 A MENTONIERE, BREAST PLACART, TASSETS 
 
 AND MANTEAU D'ARMES, engraved and chased, 
 the manteau with lions' heads within squares. 
 
 2711 A small mentoniere; a left shoulder piece, with pass 
 
 guard ; a guard de bras for left elbow ; and a part of 
 a chanfron, 
 
 2712 An open casque, with one ear-piece and high comb. 
 
 2713 A helmet, of a light dress kind, without beaver, and a 
 
 crest holder to affix to it. 
 .2714 A VERY FINE CIRCULAR SHIELD, embossed with 
 rampant lions in four divisions, and gilt. 
 
 2715 A SUPERB CAP A PIE SUIT, of fluted armour, of 
 
 globose form, with salade-shaped helmet opening at the 
 chin, with barred visor, gorget, arm pieces, and gaunt- 
 lets, back and breast plates with taces,the gusBets fluted, 
 cuisses, jambs, and square-toed sollerets and spurs, 
 and shirt of chain mail ; the lance rest wanting — Ger- 
 man, about 1510. 157?- 10s. Mara, of Breadalbane. 
 
 2716 A Cap a Pie Suit, of plain armour, with fluted edges : 
 
 the helmet with low ridge, of curious form, and neck- 
 piece attached, beaver, gorget, pauldrons with braces 
 and pass guards, arm pieces and gauntlets, back and 
 breast plates with taces, tassets, and lance rest, solid 
 cuisses and jambs, with square-toed sollerets ; the belt 
 has a curious chain for attaching the sword — probably 
 Spanish— about 1520. 102Z. 18«. The same. 
 % '17 Another Cap a Pie Suit, of plain armour, of globose 
 form ; consisting of helmet of salade form, with fluted 
 ridge and visor, gorget, back and breast plates, with 
 taces, tassets, and lance rest, pauldrons with pass 
 guards and braces, arm pieces and gauntlets, solid 
 
YENETIAN GLASS. 285 
 
 cuisses, and jambs, with square-toed sollerets — about 
 1520. 1162.11*. Tower Armoury. 
 2718 A Cap a Pie Suit, of plain armour; consisting of hel- 
 met with visor, gorget, back and breast plates with 
 taces and tassets, right arm piece and gauntlet, left 
 pauldron, with braces and arm pieces, and massive 
 tilting gauntlet and guard bras for the elbow, cuisses, 
 jambs, and stirrup sollerets; this suit has a manteau 
 d'armes with spike, and painted with a coat of arms, 
 and a plain roundel for the right shoulder ; it has the. 
 original leather and silk belt for the sword — about 
 1540. 7\l. 8s. Marquis of Breadalbane. 
 
 Amount of Twenty- first Day's Sale, 1687?. 15*. 
 
 TWENTY-SECOND DAY'S SALE. 
 
 VENETIAN GLASS. 
 
 2719 A small two-handled cup, with masks and bosses, and 
 
 blue rim. 21. l£s. Marlborough House. 
 
 2720 A small essence ewer, on metal stand. 71. The same. 
 
 2721 Another, with bosses and blue ornaments on the handle-. 
 
 11. 15s. British Museum. 
 
 2722 A glass, on tall elegant openwork stem, partly of blue 
 
 glass. 71, Marlborough House. 
 
 2723 A tall glass and cover, on open stem." U. 6s. P. B. 
 
 Purnell, Esq. 
 
 2724 A glass, on stem, ornamented with a flower and leaves. 
 
 21. 15s. Durlacher, 
 
 2725 A vessel, in the form of a bunch of grapes, with up- 
 
 right spout, and bird's head above. 3?. 10s. 0. E. 
 Coope, Esq. 
 
 2726 A tall drinking glass, with two bands and gilt edge. 31. 
 
 Marlborough House. 
 
 2727 Another, with curious openwork stem. 57. The same. 
 
286 TlTEO HI TEINA. 
 
 2728 A goblet and cover, on stem, of blue glass, with waved 
 
 surface. 71. M. T. Smith, M.P. 
 
 2729 Anne large flat tazza, on stem, enamelled with foliage 
 
 and arabesques, partly gilt — 9£ in. high. 541. Baron 
 Gustave de Rothschild. 
 
 2730 A plate, delicately engraved with terminal figures, masks, 
 
 and festoons — 10J in. diameter. 41. Felix Slade, Esq. 
 
 2731 One, smaller, with a shield of arms in the centre. Si. 
 
 The same. 
 
 2732 A tazza, with a shield of arms in the centre, on stem, 
 
 with masks which have been gilt. 38Z. The same. 
 
 2733 A glass, on elaborate openwork twisted stem, with blue 
 
 ornaments — 14 in* high. 171- Marlborough Souse. 
 
 2734 Another, nearly similar. (See illustration.) 201. 10s. 
 
 British Museum. 
 
 2735 Another, mounted, with silver stand — 13 in. high. 
 
 221. 10s. Felix Slade, Esq. 
 
 2736 A tazza, enamelled with three figures, on stem, with 
 
 masks partly gilt, mounted on silver-gilt embossed 
 stand— 7 in. high. 111. 10*. Baron ■ S. de Rothschild. 
 
 VITRO DI TRINA. 
 
 •2737 A two-handled tazza. 11. J». FalcKe. 
 
 2738 A goblet, with bulb ornaments beneath. 41. Marl- 
 
 borough Mouse. 
 
 2739 A goblet, with diagonal' stripes of white. 61. 15s. The 
 
 same. 
 
 2740 A low goblet, with broad stripes. Ih 6s, Carr. 
 
 2741 A taller goblet, with raised ribbon stripes. 41. 15*. 
 
 British Museum. 
 
 2742 Another, with laced stripes. 11. Is." Wedderburne. 
 
 2743 A small globular vessel, with upright handle, and rings, 
 
 and stripes of different colours. 31. 12s. Chafers. 
 
 2744 A glass, on stem, with diagonal lacework. 41. B.Fakke. 
 
 2745 An elegant glass, on stem, with crossed strip*. 5/. 
 
 Marlborough House. 
 
Missing Page 
 
Missing Page 
 
opalised glass. 289 
 
 flowers in the centre — 1 1 in. high. 352. Felix Slade, 
 Esq. 
 27 5 A low vase, cover, and stand, with diagonal flutings, 
 and bands of zigzag — extreme diameter 20 in. 31. 10s. 
 Woodgate. 
 
 2786 A bottle, in the form of a pistol — 16 in. long. 18*. 
 
 E. S. White, Esq. 
 
 SCHMELTZ. 
 
 2787 A pair of small ewers, with ornamented handles of opal 
 
 colour. 81. 5s. Marlborough House. 
 
 2788 A small vase, the lip compressed on each side, with two 
 
 ornamental handles, of opal. (See illustration.) 91. 
 The same. 
 
 2789 A cup, in imitation of gold porphyry. 3Z. Marlborough 
 
 House. 
 
 2790 An oval nautilus-shaped tazza, on stem of opal glass — 
 
 6 in. high. 41. Sir H. H. Campbell, 
 
 2791 A beautiful vase, with handle and spout, of ruby, waved 
 
 with green and other colours — 12j- in. high. 101. lOs^ 
 Marlborough House. 
 
 OPALISED GLASS, 
 
 2792 A glass, on tall openwork stem — 9^- in. high. 111. 
 
 Martin T. Smith, M.P. 
 
 2793 A glass, with curious leaf-shaped curved lip, on stem— 
 
 8 in. high. 13/. Marlborough House. 
 
 2794 A cup, on stem. 8/. British Museum. 
 
 2795 A candlestick, on fluted stem and plinth — 9 in. high. 
 
 51. 10s. Durlacher. 
 
 2796 A flat tazza, of yellow and other colours — 8£ in. dia- 
 
 meter. 31. 5s. Marlborough House, 
 
 2797 Two cups — green. 21. 12*. Annoot and Gale. 
 279S Two cups, with gold. 51. British Museum. 
 
 u 
 
290 GEBMAN GLASS. 
 
 2799 A small tazza ; and a pair of small globular vessels. 21. 
 
 British Museum. 
 
 2800 A teapot and ewer, gold with green handle. 21. 2s. 
 
 Wetterhan. 
 
 2801 A fluted basin, of rich colour and gold. \l. 10s. 0.-E. 
 
 Coope, Esq. 
 
 2802 A small cup; a small bottle; and a globular stand- 
 
 1Z. 14s. Nathan. 
 
 2803 A small barrel-shaped vessel, red and white. 21. 3s. 
 
 Marlborough House. 
 
 FROSTED VENETIAN GLASS. 
 
 2804 A bocale, with lions' heads in relief— gilt— 8J in. high. 
 
 101. 10s. Felix Slade, Esq. 
 
 2805 Another, similar, with gilt band round the edge — 8 in. 
 
 high. 31. 10s. Sir H. H. Campbell. 
 
 2806 A beautiful large ewer, with straight spout and scroll 
 
 handle ; and basin — the basin 13f in. diameter. 
 16Z. 5s. Gi. Marlborough House. 
 
 2807 A vase of elegant form, with masks, festoons, and flut- 
 
 ings in relief — 8§ in. high. 91. 15s. British Museum. 
 
 2808 A circular flat vessel, with upright handle in rings — 
 
 bosses and bands on the side. SI. 5s. The same. 
 
 2809 A small low ewer, with white bands. 121. Felix Slade, 
 
 GEEMAN GLASS. 
 
 2810 A goblet and cover, on stem, engraved with the arms of 
 
 Saxony. Sold with no. 2811. 
 
 2811 A tall weinstock green glass — 14 in. high. 10s. Gale. 
 
 2812 A tall goblet, on stem, with cover, with arms and in- 
 
 scription, gilt. 31. 5s. Marlborough House. 
 
 2813 Another, with landscape in Indian ink — 13 in. high. 31. 
 
 The same. 
 
 2814 A goblet and cover, of green glass, engraved with im- 
 
 perial arms. 31. The same. 
 
GEBMAST GLASS. 291 
 
 2815 A deep blue bottle, engraved with arms, and inscribed 
 
 "Rudolf, H. V., 1672." 7s. Davis. 
 
 2816 A quart hock glass, with Cupid seated on a barrel, and 
 
 inscription — 8£ in. high. 17*. Wetterhan. 
 
 2817 An oval ruby flat glass, enamelled, with inscription in 
 
 white. 41. Marlborough House. 
 
 2818 A green flat glass, with indented lip. 121. 2s: 6d. Felix 
 
 Blade, Esq. 
 
 2819 A green weinstock glass — 9 in. high. 10s. Marlborough 
 
 Mouse. 
 
 2820 A blue ditto— -10 in. high. 11. 2s. Felix SMe, Esq. 
 
 2821 A large green, hock glass, with inscription — imperfect — 
 
 10 in. high. Sold with no. 2822. 
 
 2822 Another, with arms. 10s. Gd. Chaffers. 
 
 2823 Another, engraved with huntsmen — 10 in. high. 11. 6s. 
 
 2824 A very tall glass, with portrait of a queen — 13 in. 11. 5s. 
 
 R. S. White, Esq. 
 
 2825 A goblet, on stem, with cover, engraved with a view of 
 
 Hirschberg. 21. 2s. Nathan. 
 
 2826 A tall ribbed bocale, with inscriptions and wreaths of 
 
 leaves — 12 in. high. 4Z. Marlborough House. 
 
 2827 A glass and cover, on foot, with medallion of Philip IV., 
 
 and three coats of arms. — 10 in. high. 12s. Rev. 
 W. Pigott. 
 
 2828 A glass, on foot, with Cupid and devices, " Tout pour 
 
 l'amour" — 9 : in. high. 14s. The same. 
 
 2829 A tall glass, on rich figured stem, with shields of arms, 
 
 and figures ; and a spoon and fork — imperfect. 
 11. lis. Gd. Watson. 
 
 2830 A glass, on tall stem, with a bishop's arms, surrounded 
 
 by vines — lOf in. high. 1/. lis. Rev. W. Pigott. 
 
 2831 Another, on high ornamental stem, with figures of birds, 
 
 and coats of arms — 11 in. high. 41. Marlborough 
 House. 
 
 2832 A very tall glass, with arms of the Holy Roman Empire, 
 
 V 2 
 
292 ENAMELLED GERMAN GLASS, 
 
 and Electorate, 1655—16 in. high. 61. Felix Slade-, 
 Esq. 
 
 2833 A tall glass and cover, on foot, with a seaport and figures 
 
 —17|- in. 21. R.S.White, Esq. 
 
 2834 Another, blue, inscribed " Floreat Domus Palatina," 
 
 and arms— 17J in. high. 21. 10s. Col. Sibthorp, M.P. 
 
 2835 A very tall glass, on twisted stem, with Bacchus seated 
 
 on a barrel with grapes — 17 in. high. 1/. 17s. Rev. 
 W. Pigott. 
 
 2836 A tall glass and cover, on stem, with the Emperor Leo- 
 
 pold, and inscription — 17 in. high. 11. Is. The same. 
 
 2837 Another, with a boar hunt— 16 in. high. II. 3s. P. B. 
 
 Purnell, Esq. 
 
 2838 A tall Venetian glass and ribbed cover, with twisted 
 
 handle and stem, of green and white, with shield of 
 arms— 15 in. high. 21Z. Martin T. Smith, M.P. 
 
 2839 Another, on elegant twisted stem, with birds' heads and 
 
 green combs — 14§ in. high. 30?. Marlborough House. 
 
 2840 Another, nearly similar. 19Z. Baron Gustave de Roths- 
 
 child. 
 
 ENAMELLED GERMAN GLASS. 
 
 2841 A bottle, with the arms of the Holy Soman Empire, the 
 
 Crucifixion on the centre of the eagle, 1576 — 11 in. 
 high. 91. Baron A. de Rothschild. 
 
 2842 A bocale, with horsemen, and two shields of arms — 11 \ 
 
 in. high. 11. 10s. British Museum. 
 
 2843 Another, with a lady in a white dress, and shield of 
 
 arms in wreaths — 12 in. high. 31. The same. 
 
 2844 A vidercom, with different trades, in compartments, in- 
 
 scribed " Hieronymuss Fisscher, 1679" — 12 in. high. 
 81. 5s. Marlborough House. 
 
 2845 Another, with the arms of the Holy Roman Empire, and 
 
 inscription, 1661 — \\% in. high. 71. Marquis of 
 Breadalbane. 
 
GEES BE IXAKDEES JUGS. 293 
 
 2846 Another, and cover, light green, with the Fichtel 
 
 Giberge, and animals, with inscriptions, 1664 — 13 in. 
 high. 31. 10s. Burlacher. 
 
 2847 A vidercom, with a German Emperor, surrounded by 
 
 the Seven Electors, verses beneath, 1601 — llgin.high. 
 107. The same. 
 
 2848 Another, with cover, and arms of the Holy Roman Em- 
 _pire, 1625 — 12 in. high. 71. British Museum. 
 
 2849 A jug, with glass cover, with Christ and the woman of 
 
 Samaria, the text inscribed, 1652 — 13 in. high. 91. 15*. 
 Marlborough House. 
 
 2850 A bocale, with arms of Johannes Schemdt, 1602 — 1 1-J- 
 
 in. high. 21. 2s. Rev. W. Pigott. 
 
 2851 Another, with arms of Roccho Grasl, 1603 — 10£ in. 
 
 high. 11. 15*. Marlborough House. 
 
 2852 A bocale, with the Fichtel Giberge. 21. Marquis of 
 
 Breadaibane. 
 
 2853 Another, with a lady in white, and shield of arms — 1 1 
 
 in. high. 41. 7s. Felix Slade, Esq. 
 
 2854 A vidercom and cover, with the rivers running from 
 
 mountains, two figures behind, 1676 — 12 in. high. 31. 
 British Museum. 
 
 2855 Another, on foot, with cover, and two shields of arms — 
 
 12 in. high. 31. 5s. Felix Slade, Esq. 
 
 GRES DE FLANDRES JUGS. 
 
 2856 A white jug, pewter-mounted, the surface reticulated, 
 
 with drunken and dancing figures, masks and orna- 
 ments — dated 1589 — 7i in. high. 10?. 5*. B. Falcke. 
 
 2857 A curious brown and blue barrel-shaped vessel, pewter- 
 
 mounted, with ornaments and coats of arms round, and 
 two large coats with oval wreaths, IF. V. and H. V. in- 
 scribed — 6 in. high. 41. 4s. British Museum. 
 
 2858 A small blue and white mug, with chequers, and C. R., 
 
 with a crown — 3J in. high. 71. Gale. 
 
294 GEES MS FiAOTBES JUGS. 
 
 2859 A curious square bottle, with blue and brown rude orna- 
 
 ments—dated 1618—7 in. high, 18?. P. B. Pur- 
 nell, Esq. 
 
 2860 A white jug, reticulated with ornaments, heads, etc., 
 
 with original silver mounting and hd — dated 1589, 'on 
 handle — 7\ in. high. 51. 10s. Marlborough House. 
 
 2861 A dark lava jug, with original metal-gilt ornamented 
 
 mountings, the lid engraved T. S. — date perhaps about 
 1600—6 in. high. 1/. 13*. The same. 
 
 2862 An ancient black lather mug, with silver rim, and coat 
 
 of arms — no date, probably about the time of James II. 
 — 6f in. high ; and one, with engraved silver lid, 
 10Z. 2*. 6d. W. Meyrick, Esq. 
 
 2863 A curious glazed and coloured square earthenware vase, 
 
 with metal tap, figures on horseback hunting, trees, 
 etc. in relief, with masks and other ornaments — date 
 perhaps about from 1500 to 1530 — 8fin. high. Very 
 curious. 71. 5s. British Museum. 
 
 2864 A brown jug, with pewter lid, with two armorial bear- 
 
 ings in ovals ; a pelican and young in the centre, sup- 
 ported by two griffins, masks, and other ornaments — 
 dated 1599, and long inscription — 13£ in. high. 41. 15s. 
 The same. 
 
 2865 A gre"s jug, with pewter lid, blue and white, with a 
 
 classical procession — dated 1589, and initials I. B. — 
 14 in. high. 51. The same. 
 
 2866 Another, with pewter mounting, blue and white, masks 
 
 and ornaments, and scriptural and historical subjects 
 in arched compartments — dated 1622 ; an oval medal- 
 lion, with inscription and shield with device — 16 in. 
 high. 91. The same. 
 
 2867 Another, with the handle of the lid formed of a figure 
 
 of the Magdalen seated, with blue and white ornaments, 
 and the Crucifixion in the centre — date about 1670 — 
 13£ in. high. 71. Marquis of Breadalbane. 
 
 2868 A pewter jug and cover, embossed with three medallions 
 
GEES BE TLANDEES JUGS. 295 
 
 of Patientia, Solertia, and Nonvi — 6f in. high. 41. 10s. 
 British Museum. 
 
 2869 A blue, white, and brown jug, pewter mounted, with 
 • embossed ornaments and masks, and full coat of arms 
 
 in front — no date — 15 in. high. 16?. The same. 
 
 2870 A very large brown jug, with grey-bearded head, three 
 
 large coats of arms, and two smaller ; the imperial 
 double eagle in the centre, the arms of England, and 
 inscription of Elizabeth Iiegina, etc. — dated 1594 — 
 \4\ in. high. 71. F. L. Popham, Esq. 
 
 2871 An English blue and white earthenware jug, with a 
 
 little yellow in the painting, with Prince of Wales's 
 feathers, helmet, crest, and cypher, within shield — 
 dated 1638 — pewter mounted — 10 in. high. 21. 5s. 
 British Museum. 
 
 2872 A carved wooden tankard, with emblematic medallions 
 
 of Faith, Hope, and Charity, a hare hunt, etc. — no 
 date— 7\ in. high. SI. 3s. Col. Sibthorp, M.P. 
 
 2873 A brown jug, highly glazed, with figures of dancing 
 
 boors, bagpipers, etc. — dated 1576, with long inscrip- 
 tions — 9 in. high. 41. 4s. Marquis of Breadalbane. 
 
 2874 A curious hour-glass shaped-brown jug, pewter mounted, 
 
 with four double handles and four single, with pendant 
 rings — date probably 1580 — 11 in. high. 51. 15s. 
 Col. Sibthorp, M.P. 
 
 2875 A brown jug, with pewter lid, and renaissance orna- 
 
 ments, with three coats of arms — dated 1587 — 9 in. 
 high. 11. 10s. British Museum. 
 
 2876 Another, with men holding shields of Electorate arms, 
 
 under arches, with renaissance ornaments — dated 1602 
 — 1 1 in. high. 21. Annoot and Gale. 
 
 2877 A teste Bltje asd White Gees de Flahdees Ju<j, of 
 
 very curious . three-sided form, circle and half circle, 
 with figures dancing, under the handle ; masks and 
 ornaments at the top ; under lip, a cypher and G. B. 
 
296 GEES DE ELAXDEES JUGS. 
 
 — dated 1602, with long inscription— i'/\ in. high. 
 (See Illustration.) ' 291. 8s. P. B. Purnell, Esq. 
 
 2878 A circular glazed Delft tazza, on foot; marriage symbol, 
 
 with six handles and coloured ornaments in relief, 
 hands united, birds, etc. ; within P. P. C. anno 1656 
 — 6 in. diameter, exclusive of handles, and 2£ in. high. 
 31. 15s. Marlborough House. 
 
 2879 A veey ehte Bltje akd White Gees Jug, pewter 
 
 mounted, with an equestrian cavalcade, masks, orna- 
 ments, and long inscription — dated 1587 — 18£ in. high. 
 \Al. 10«. S. Addington, Esq. 
 
 2880 A tall white cannette, pewter mounted, with scriptural 
 
 and classical subjects ; in the centre, date 1574 and 
 armorial bearings, lion rampant, crest, helmet, etc., 
 B. I. V. — 17f in. high. \2l. 10s. Marlborough 
 Mouse. 
 
 2881 A blue and white gres flat jug, pewter mounted, with 
 
 figures, and many crests and coats of arms — dated 
 1601 — 15|-in. high. 14?. British Museum. 
 
 2882 A curious white round jug, pewter mounted, with the 
 
 Crucifixion and two other subjects : rude early — date 
 probably from 1540 to 1550— -6^ in. high. 31. 3s. 
 The same. 
 
 Amount of Twenty-second Day's Sale, 98 71. 15*. 
 
GEBHAN GLASS. 297 
 
 TWENTY-THIRD DAY'S $ALE. 
 
 GERMAN GLASS. 
 
 2883 A mug, with a gentleman and lady, and inscription in 
 
 white — 6J in. high. 21. 8s. P. B. Purnell, Esq. 
 
 2884 A purple mug, with a medallion and arabesques — 6| in. 
 
 high. 11. 2s. C. S. Bale, Esq. 
 
 2885 A white opalised mug, with pewter lid, enamelled — 8£ in. 
 
 high. 12*. Gale. 
 
 2886 A tankard, blue, with a lady and gentleman pledging 
 
 each other, 1601, with metal lid — 7 in. high. 11. 16s, 
 P. B. Purnell, Esq. 
 
 2887 A blue bocale, with a sportsman shooting a stag — 6|-in. 
 
 high. 41. Marlborough Souse. 
 
 2888 Another, with arms and cypher, 1678. 21. The same. 
 
 2889 A bocale, with figures feasting and musicians, with 
 
 arabesque borders — 4-| in. high. 19s. Woodgate. 
 
 2890 One, with arms of George Frederick, Margraff of Bran- 
 
 denburg, 6£ in. high. 16s, R. S. White, Esq. 
 
 2891 A glass, engraved with portrait of Barnevelt — 7i in. 
 
 high. 11. 10s. Sir Charles B. Price. 
 
 2892 One, with portrait of Cornelius de Guselaar, Pensioner 
 
 of Dordrecht. 10s. B. Falcke. 
 
 2893 A cut mug and cover, with two subjects of fountains 
 
 before chateaux, and arabesques-.— 8 in. high. Hi, 
 Marlborough House. 
 
 2894 A small cup, with a landscape, gilt — imperfect. 11. Is. 
 
 The same. 
 
 2895 A bocale and cover, with busts of Cosmo III. and Fer- 
 
 dinand Duke of Tuscany, and arms — 9 in. high. 
 11. 12s. B. S. White, Esq. 
 
 2896 One, with Cupid before a cask, and two landscapes, 
 
298 GEEHAN GLASS. 
 
 with inscriptions, mounted with silver gilt — 8| in. high. 
 42.15*. John B.Gardner, Esq. 
 
 2897 A mug, with two shields of arms engraved. 13*. Capt. 
 
 Mobson. 
 
 2898 A tumbler, with arabesques, and red and green gem 
 
 bosses — 4J- in. high. 42. Marlborough House. 
 
 2899 A mug, with cypher and coronet, mounted with silver- 
 
 gilt lid, on which is a medal of John Henry, Duke of 
 Saxony, 1 500 ; a small gold coin of Frederick William, 
 Duke of Brandenburg, in the bottom — 7i in. high. 
 112. Morant. 
 
 2900 A pair of flat-sided bottles, engraved with arabesques 
 
 — 10 in. high. 17?. Marlborough, House. 
 
 2901 A flat pilgrim's bottle, with two shields of arms ena- 
 
 melled, and rings for handles — 11 in. high. 182. 
 British Museum. 
 
 2902 A small globular fluted jug, of blue glass — 7i in. high. 
 
 51. C. S. Bale, Esq. 
 
 2903 A green cup, on stem, engraved with flowers. 21. 10s. 
 
 The same. 
 
 2904 A small globular bottle, with painted neck, enamelled 
 
 with two shields of arms and scrolls. 332. Marl- 
 borough House. 
 
 2905 A fine bocale and cover, the surface waved, surmounted 
 
 by the imperial eagle — 21 in. high. (See illustration.) 
 361. The same. 
 
 2906 A tall glass and cover on stem, engraved with a battle 
 
 in a landscape, and trophies on the cover — 21 in. high. 
 22. 12s. 6d.. Gale. 
 
 2907 Another, with imperial arms, inscribed Augustissima 
 
 Patronanza, for Maria Theresa — 17 in. high. 42. 4*. 
 Chafers. 
 
 2908 Another, with medallion of an elector, and a battle — 
 
 18 in. high. 32. The same. 
 
 2909 A ctjbiotts Globtjlae Bottle, with tall neck : within 
 
 is a group of three fruits on leaf stands, enamelled 
 
VENETIAN GLASS. 299 
 
 in colours, and a fruit forms the stopper— '2 1| in. 
 high. 31. 15s. British Museum. 
 
 VENETIAN GLASS. 
 
 2910 A glass, on openwork stem, with blue bosses. 67. 10s. 
 
 The same. 
 
 2911 A scalloped glass, on openwork crested stem, blue on 
 
 one side. 71. The same. 
 
 2912 A horn, of deep blue, with twisted bands of white, 
 
 raised. 41. 10s. Baron Gustave de Rothschild. 
 
 2913 A large flat glass, delicately engraved with scrolls, on 
 
 openwork blue stem. 41. 15s. Annoot and Gale. 
 
 2914 A green glass, on twisted stem. 41. 5s. Lady Car. 
 
 rington. 
 
 2915 A scalloped glass, with bands raised, on embossed stem f 
 
 51. 5s. Felix Slade, Esq. 
 
 2916 A tall, four scalloped glass, engraved with arabesques. 
 
 41. \5s. The same. 
 
 2917 Another, lower, with spiral red line in stem. 21. 15s. 
 
 S. Addington, Esq. 
 
 2918 A tall glass, on stem, with Diana and Bellona, and ela- 
 
 borate arabesque borders — 6£ in. high. 21. 17». 
 John D. Gardner, Esq. 
 
 2919 One, engraved with a princess, and shield of arms. 
 
 21. 15s. Durlacher. 
 
 2920 One, richly engraved with scrolls, 6J in. high. 21. 2*. 
 
 Marlborough House. 
 
 2921 An oblong basin and hexagonal ewer, with small land- 
 
 scapes, arms and arabesques of minute design — length 
 of ewer 7f in. 15?. The same. 
 
 2922 A chalice, on stem, engraved I. H. S. — 6f in. high. 
 
 11. 6s. Wedderburne. 
 
 2923 An oval shaped glass, with landscapes engraved. 11. 10s. 
 
 Marlborough House. 
 
300 TEKBTIAN GLASS. 
 
 2924 A small square jar and cover, with figures, arms, and 
 
 arabesques. 3 J. 18s. John B. Gardner, Esq. 
 
 2925 A tazza, on stem, with delicate waved cup. 10?. British 
 
 2926 Another, delicately engraved with frieze of animals and 
 
 trees, with German inscription, 1599. 18?. Felix Slade, 
 
 Esq. 
 "2927 A glass, in the form of a beehive, mounted with metal 
 
 bell — 7\ in. high. 2^. 10s. Marlborough House. 
 2928 A glass, mounted with silver sphere, with a die in it, 
 
 a figure of Fortune above — 9 in. high. 81. The same. 
 35929 A vessel in the form of an elephant, with blue edges. 
 
 21. 7s. R. S. White, Esq. 
 
 2930 A globular glass and cover, with a marine globe inside, 
 
 enamelled, with a fish — 8|- in. high. 41. 15s. British 
 Museum. 
 
 2931 A jug, with very curious double fluted spout, orna- 
 
 mented with bands, blue bosses on the handle — 9 in. 
 high. 31. 15s. John D. Gardner, Esq. 
 ■2932 A globular vase and cover, with projecting drop or- 
 naments of red, blue, and green. 81. Marlborough ' 
 House. 
 
 2933 A light blue drinking glass, on embossed metal stem — 
 
 9 in. high — \2l. 10*. British Museum. 
 
 2934 A very elegant flat-sided bottle, with raised leaf orna- 
 
 ments, enamelled between white stripes mounted with 
 silver — 10|in. high. {See illustration.) Ml. 10*. 
 Felix Slade, Esq. 
 -2935 A vessel, in the form of a sceptre, of deep blue, with 
 openwork ornaments on the top, the bottom mounted 
 with pewter— 12 in. long. II. 8s. Burlacher. 
 
 2936 A tall glass, the cover surmounted by a serpent, on stem 
 
 formed of a pelican, with blue crest and wings — 18 in. 
 high. (See illustration.) 551. Felix Slade, Esq. 
 
 2937 A horn shaped glass, with embossed, rings, mounted 
 
 with silver bell at the end ; on the silver rim is in- 
 
YITEO DI TEDTA. 301 
 
 scribed "Qui tient y boit," and date 1595; French 
 inscriptions scratched on the glass. 3/. 5*. British 
 
 2938 A horn-shaped glass waved with white lines with two 
 
 blue rings — width of arc 13 in. 21. 8s. Thomas. 
 
 VITRO DI TRINA. 
 
 2939 A small jar ; and a globular bottle, ' with waved lines, 
 
 14s. Carr. 
 
 2940 A two-handled flat bottle, with stripes of laced orna- 
 
 ments — 12 in. high. 31. D. Falcke. 
 
 2941 A square vessel, with broad stripes. 10s. 6d. Rhodes. 
 
 2942 A bocale, with two white bands, and flutings below. 
 
 1Z. Is. British Museum. 
 
 2943 A glass, on openwork twisted stem of blue and white — 
 
 12f in. high. 151. Annoot and Gale. 
 
 2944 A fine bocale, with upright stripes and mask handles, 
 
 —12 in: high. 31. C. S. Bale, Esq. 
 
 2945 A superb ewer and basin, with lines of lacework, the ewer 
 
 with indented edge and straight handle — thebasin 14^ 
 in. diameter. 91. Sir H. H. Campbell. 
 
 2946 A tall glass and cover, on stem, with fine stripes, and 
 
 laced lines, 15 in. high. 31. 10s. Chaffers. 
 
 2947 A tazza, on stem, with laced stripes. 61. 10s. Felix 
 
 Slade, Esq. 
 
 2948 A jug and cover, with spiral lines, a flower in relief, in- 
 
 side — 9f- in. high. 1/. 13«. John B. Gardner, Esq. 
 
 2949 A tazza, on stem, with crossed lines. 1?. Us. 6d. Chaf- 
 
 fers. 
 
 2950 A goblet and cover, striped with white, on stem orna- 
 
 mented with masks and festoons — 10£ in. high. Bri- 
 tish Museum. 
 
 2951 A basin, with delicate crossed lines — 9 in. diameter. 
 
 II. Is. Wedderburne. 
 
 2952 An elegant tazza, with indented edges, on stem. 91. 
 
 Felix Slade, Esq. 
 
302 TITEO DI TBINA. 
 
 2953 A mug, with handle, blue chain band round the sur- 
 
 face, and raised ornaments. 61. 15*. Marlborough 
 House. 
 
 2954 A tazza, on stem, with spiral lines' — 6f- in. diameter. 
 
 II. 18*. O. E. Coope, Esq. 
 
 2955 One, with spiral crossed lines, 7 in. diameter. 21/. Fe- 
 
 lix Slade, Esq. 
 
 2956 One, with rope ornaments raised — 6 in. diameter. 61. 5s. 
 
 The same. 
 
 2957 One, with laced lines — 6-| in. diameter. 121. 10*. Marl- 
 
 borough House. 
 
 2958 A glass, on stem, with coloured stripes. 14Z. 5s. 
 
 Martin T. Smith, M.P. 
 
 2959 A vessel, in the form of a porpoise. {See illustration.) 
 
 71. 5s. Marlborough House. 
 
 2960 A flagon, striped with turquoise and white, with a mask 
 
 in relief— 10 in. high. 12Z. 10*. C. S. Bale, Esq. 
 
 2961 A globular vase, with maroon and white stripes — 8 in. 
 
 high. 41. 4s. Marlborough House. 
 
 2962 A tall glass, on stem, with pink stripes. HZ. lis. 
 
 S. Addington, Esq. 
 
 2963 A square bottle, with blue and white stripes and^flutings. 
 
 1Z. -Is. Marlborough House. 
 
 2964 An elegant flat-sided bottle, with blue and red stripes, 
 
 partly gilt — 10 in. high. 121. Rev. J. W. Martin. 
 
 2965 A bocale, with red and blue diagonal stripes — 6f in. 
 
 high. 12Z. C. S. Bale, Esq. 
 
 2966 Another, with purple, blue, and yellow stripes — 6f in. 
 
 high. 12?. 12s. S. Addington, Esq. 
 
 2967 Another, with red and blue stripes — 6 in. high. 41. 
 
 British Museum. 
 
 2968 One, nearly similar — 6f in. high. 41 10s. Marl- 
 
 borough House. 
 
 2969 A cannette, with handle, blue and white diagonal stripes, 
 
 with masks in the front, pewter lid — 9£ in. high. 
 hi. 10s. C. S. Bale, Esq. 
 
ETJBT GLASS. 303 
 
 2970 A bocale, with blue and white diagonal stripes — 8 in. 
 
 high. 41. Marlborough House. 
 
 2971 Another, similar, with masks in relief — imperfect — 
 
 8| in. high. - 6/. 10s. British Museum. 
 
 2972 A large dish, with crossed spiral lines — 16 in. diameter. 
 
 11?. Marlborough House. 
 
 RUBY GLASS. 
 
 2973 A goblet, with birds and flowers, on ball feet ; and a 
 
 small purple decanter. 31. O. E. Coope, Esq. 
 
 2974 A tazza, the border engraved with arabesques, deep 
 
 crimson — 7\ in. diameter. 31. 3s. Marlborough 
 House. 
 
 2975 One, larger, with flowers and arms, inscribed M.S.S.G.B. 
 
 — 9 in. diameter. 31. 7s. The same. 
 
 2976 A fluted tazza, of rich orange-colour. II. Is. R. S. 
 
 White, Esq. 
 
 2977 A goblet, crimson, spirally fluted, on stem, embossed 
 
 with masks and festoons. 13Z. Us. Marlborough 
 i House. 
 
 2978 A very curious ornament, pyramidal oval, on stem, gilt 
 
 — 9 in. high. 51. 5s. The same. 
 
 2979 A fluted upright bottle, of rich deep colour, the surface 
 
 coarsely frosted — 7£ in. high. 51. 5s. The same. 
 
 2980 A jug, with white waved ornaments, of very early and 
 
 rude design, on very deep red — 7f in. high. 21. 2s. 
 Annoot and Gale. 
 
 2981 A mug, with spots raised in imitation of gems ; the 
 
 borders have been gilt, with pewter lid — 5 in. high. 
 \Ql.Ws. Baron S.'de Rothschild. 
 
 2982 A pair of glasses, fluted, on pale stems. 172. John 
 
 D. Gardner, Esq. 
 
 2983 A small globular vessel, with spout, mounted, with stem, 
 
 cover, and handle of silver gilt, engraved with ara- 
 besques. 11/. 10s. The same. 
 
304 BUBY GLASS. 
 
 2984 A%lobular teapot, with handle, the lid and spout of 
 
 metal, chased and gilt. 11Z. 10s. John D. Gardner, 
 Esq. 
 
 2985 A goblet, engraved with birds, fruits, and festoons, 
 
 mounted, with lid, and on ball feet of metal. XL 
 The same. 
 
 2986 A globular jug, with handle, the cover of metal gilt. 
 
 10/. O. E. Coope, Esq. 
 
 2987 A barrel-shaped small glass, with metal lid, set with ruby 
 
 glass gems. 51. 10s. Sir H. H. Campbell. 
 
 2988 A globular vase, engraved with birds, fruits, and festoons, 
 
 with metal top. 12/. 12s. C. S. Bale, Esq. 
 
 2989 A small jug, with handle, F. R., and a crown engraved 
 
 on the lid, mounted with rims of silver gilt* 301. 10s. 
 Felix Slade, Esq. 
 
 2990 A small goblet, engraved with a trophy and a landscape, 
 
 21. 6s. C. Skipper, Esq. 
 
 2991 A small oval fluted tazza, mounted , with silver gilt. 
 
 31. 15s. The same. 
 
 2992 A small fluted cup, on metal stand ; and a smaller cup, 
 
 engraved. 51. 5s. Marlborough House. 
 
 2993 Two small opal glasses, on ruby stems. 10J. 5s. The 
 
 same. 
 
 2994 A goblet, engraved with Cupid seated beneath the sun, 
 
 on chased silver stand, 31. 10s. C. S. Bale, Esq. 
 
 2995 A goblet, with arms and trophy. 51. Sir H. H. Camp- 
 
 bell. 
 
 2996 One, smaller, with flowers. 21. 5s. S. Adding ton, Esq. 
 
 2997 A vessel, in the form of a bird ; and a small glass 
 
 mounted with silver gilt. 21. 10s. J. D. Gardner, Esq. 
 
 2998 APAIE OF BEAUTIFUL FLUTED FLAT BOTTLES, 
 
 mounted on plinths, and with rims of silver gilt — 
 12 in. high. 81Z. Baron A. de Rothschild, Vienna. 
 
 2999 A globular bottle, with tall narrow neck, fluted, on a 
 
 square silver stem— 12 in. high. 37/. The same. 
 
DELET, GEES BE FLAITDEES, AND COLOGNE WAEE. 305 
 
 3000 A goblet and cover, on a tall stem and foot, mounted 
 
 with silver gilt — 11 in. high. 19/. 19s. /. Banks 
 Stanhope, M,P. 
 
 3001 A jug, engraved with fruits and flowers, mounted, with 
 
 gilt metal cover — 10 in. high. 301. Baron A. de 
 Rothschild. 
 
 3002 A pair of vases, of double globular form — 9 in. high. 
 
 12 J. 10«. Marlborough House. 
 
 3003 A fine kabe Tazza, on a fluted stem, the outside with 
 
 scale ornaments, gilt and enamelled with green— 
 10 in. diameter. 532. Baron Gustave de Rothschild. 
 
 3004 A globular vessel of ruby, on stem, with bands and or- 
 
 naments of white. 11Z. 10s. Baron A. de Roths- 
 child. 
 
 3005 A glass, in form of a boot with spur, the leg fluted. 
 
 11. 5s. R.S. White, Esq. 
 
 3006 A negro's head, small. Very fine. 21: Annoot and Gale, 
 
 3007 A tall fasceted goblet and cover, on stem — 13 in. high, 
 
 21. 2s. Marlborough Souse. 
 
 3008 A tazza, with fluted rim, of rich light red — 8£ in. dia- 
 
 meter. 21. 2s. The same. 
 
 DELFT, GRfeS DE FLANDRES, AND COLOGNE WARE, 
 
 3009 A blue and white delft stone jug, with lid, pewter- 
 
 mounted, a horse painted on the lid — date perhaps 
 1680— 8 in. high. 81. 10s. The same. 
 
 3010 A brown Bottcher-ware glazed tankard, with gold orna- 
 
 ments, crown, and royal arms of Saxony, with copper 
 mounting, which appears to have been gilt — date from 
 1680 to 1700—9 in. high. 3/. 3s. Col. Sibthorp, M.P 
 
 3011 A blue and white stone jug, pewter mounted, with kings' 
 
 ana queens' heads tinder arches, and coats of arms, 
 d#ed 1587, and private shield of devices — 8£ in. high. 
 21. 10s. Marlborough House. 
 
 3012 A jug, with pewter mounting, figures of musqueteers. 
 
3015 A carved wood peg tankard (the pegs on the inside), 
 
 306 DELFT, GBES DE FLANDBESj AUD COLOGNE TVAEE. 
 
 masks, and ornaments, in blue and white — date about 
 1630— 12i in. high. zi. 10*. Marlborough House. 
 
 3013 A brown English mug, with ornaments, and four double 
 
 carved handles, rude-work, cyphers on tablets, and 
 date 1621 — 6J in. high. 61. 15*. British Museum. 
 
 3014 A brown unglazed mug, pewter mounted, in the form of 
 
 a bear on his feet, the fore-paws supporting a shield, 
 with a device — no date, perhaps about 1570 — 8|- in. 
 high. 11. 2s. Wedderburne. 
 
 s 
 
 rude and grotesque animals and figures in relief — no 
 date — 8 in. high. 152.10s. Marquis of Breadalbane. 
 
 3016 A glazed mug, with part of original pewter mounts, 
 
 brown and buff, with figures of boys and bacchanals- 
 no date — 6|- in. high. 41. British Museum. 
 
 3017 A yellow drab two-handled bowl-shaped mug, English, 
 
 inscribed round the top "JOSHVA HEATH, 177—" 
 5 in. high. 41. B. Falcke. 
 
 3018 A glazed earthenware mug, brown speckled ground, 
 
 with blue and white scrolls, a crown and device of an 
 eagle crowned, and sun, with motto " Non soli sedet," 
 pewter mounted ; on the lid, a head of George I., of 
 the time — 10 in. high. 11. Capt. Bobson. 
 
 3019 A curious English brown earthenware bowl-shaped drink- 
 
 ing cup and cover, with four handles, one hollow for 
 trick to spill liquors, with ornaments, and Prince of 
 Wales's feathers — no date, probably about 1620 — 10 in. 
 high. 102. 5s. British Museum. 
 
 3020 A delft basket, with handle yellow, with animals and 
 
 wreaths in colours, the cover perforated ; probably a 
 marriage basket — no date, perhaps about 1640 — 13 in. 
 high. 41. 7s. Marlborough House. 
 
 3021 A blue and white stoneware mug, with dancing figures, 
 
 in arches, and ornaments and inscription — dated 1586 
 — 7§ in. high. II. Is. Gale. 
 
 3022 A blue and white stone jug, with grey-bearded head, 
 
DELFT, GEES DE F1ANDEES, AND COLOGITE WAEE. 307 
 
 with floriated ornaments in circles — no date, perhaps 
 1580 — 9-2- in. high. 19s. Wedderburne. 
 
 3023 A hlue and -white ditto, pewter mounted, with some 
 
 brown colour and scroll ornaments, a rude head at the 
 top ; a portrait crowned, of Maria D. Grat. Britan. 
 France, et Hiber. Regina, of the time — 9i in. high. 
 11. 4s. British Museum. 
 
 3024 A blue and white jug, with fluted ornaments, silver 
 
 mounted, the lid chased with heads, and a glass star 
 in the middle ; inside, engraved coat of arms — no date, 
 perhaps 1590 — 10 in. high. 91. Marlborough House. 
 
 3025 A pilgrim-Bhaped stone bottle, blue, brown, and white, 
 
 with ornaments and shields of crowned imperial eagle 
 — no date, perhaps from 1640 to 1660 — 10£ in. high. 
 41. 10s. British Museum. 
 
 3026 Another, with two full coats of arms — dated 1678 — 10 
 
 in. high. 112. S. Addington, Esq. 
 
 3027 A blue and white stone jug, with curious spout, pewter 
 
 mounted, covered with ornaments — no date, perhaps 
 about 1580 — 13 in. high. 31. 3s. British Museum. 
 
 3028 Another, pewter mounted, and arabesque ornaments — 
 
 no date, perhaps 1570— 9f in. high. 31. 3s. Marl- 
 borough House. , 
 
 3029 Another, blue, white, and brown, with foliage and coat 
 
 of arms in the centre — dated 1687 — 9 in. high. 31. 3s. 
 British Museum. 
 
 3030 A white stone jug, with blue and brown embossed orna- 
 
 ments, and pewter lid — no date, perhaps 1650 — 11 in. 
 high. 11. Us. D. Falcke. 
 
 3031 Another, with old head and pewter lid, engraved with 
 
 cypher and date — 1681 — 1 li in. high. 11. 15s. Gale. 
 
 3032 A blue and white stone jar, with blue embossed orna- 
 
 ments, and tablet — dated 1691 — 10 in. high. 61. 
 Marlborough House. 
 
 3033 A blue and white stone jug, pewter mounted, with orna- 
 
 x 2 
 
308 DEEFT, GEES DE ELANDEES, AND COLOGNE WAEE. 
 
 merits, dancing figures, and inscriptions — dated 1589 
 — 11 in. high. 11. 17s. Wedderburne. 
 
 3034 A pilgrim- shaped stone bottle, blue, brown, and drab, 
 
 with fleurs-de-lys and other ornaments, an old ship in 
 the centre, fleurs-de-lys above — no date, perhaps 1670 
 —11 in. high. 25?. B. Falcke. 
 
 3035 A glazed brown Bottcher-ware tankard, pewter mounted, 
 
 with medallions of a father and children, and motto ; 
 it has been silvered with trees, carriages, etc. — date 
 about 1700, with crown and cypher silvered — 11 in. 
 high. 41. 15s. Marlborough House. 
 
 3036 A blue and white stone flat-sided jug, pewter mounted, 
 
 with old head to spout, with blue ring in its mouth ; 
 two coats of arms, one with inscription round, "Kunick. 
 W. Pen.: Van Frackrick," dated 1597; and other 
 arms, with inscription — dated 1614 — 12 in. high. 
 211. 10s. British Museum. 
 
 3037 A white, blue, and brown stone jug, with foliage, arms, 
 
 crown electoral, and inscription — dated 1680 — 12 in. 
 high. 10L 10s. The same. 
 
 3038 A blue and white stone jug, with military figures under 
 
 arches — dated 1598 — 9§ in. high. 41. 4s. Marlborough 
 House. 
 
 3039 AnotheV, fluted, with grey-bearded mask, and figures of 
 
 Justice, Mercy, and Truth, under arches ; monogram 
 on shield, I. E., and a four-line inscription in capital 
 letters— dated 1586— 10| in. high. 51. 5s. British 
 Museum. 
 
 3040 A white gres bottle, with curious double handle, pewter 
 
 mounted, and three scriptural subjects in circles — 
 dated 1559— 9§ in. high. 10Z. 10s. The same. 
 
 3041 A singtldaely BEAUTIFUL Geeb White Jtjg, with or- 
 
 naments in the finest taste, with elegant handle termi- 
 nating in a mask, stags, birds, and flowers in high 
 relief, and subjects of field sports, and an angel hold- 
 ing a shield, with devices and inscription — no date, 
 
VITUO DE TllINA. 
 
 WHITE GEES DE IXAXDRES. 
 
 &EKMAN GLASS. 
 
GEEMAN ENAMELLED GLASS. 309 
 
 perhaps 1570 — 9 in. high. {See illustration.) 44/. 10*. 
 British Museum. 
 3042 A curious early jug, no lip, of grey unglazed coloured 
 earthenware, and ornaments in relief, glazed with three 
 lions having rings in their mouths, and medallions of a 
 Roman soldier and a female — dated 1579 — 7 J in. high. 
 10/. 10*. Marquis of Breadalbane. 
 
 Amount of Twenty-third Day's Sale, 1326/. 12*. 6d. 
 
 TWENTY-FOURTH DAY'S SALE. 
 
 GERMAN ENAMELLED GLASS. 
 
 3043 A square bottle, with figures of the Seasons, on red 
 
 ground— dated 1692. 1/. 13s. O. E. Coope, Esq. 
 
 3044 A small cup, with two angels at a fountain, in blue and 
 
 white — 1635. 10/. 10*. Baron A. de BothscMld. 
 
 3045 A very small bocale, with arms of Saxony ; inscribed 
 
 F. A. R. P. E. S. 10*. O. E. Coope, Esq. 
 
 3046 One, on ball feet, with similar. arms — 1629. 10*. Th» 
 
 same. 
 
 3047 One, with two figures and inscription — 1612. 11. Is. 
 
 P. B. Burnett, Esq. 
 
 3048 A mug, with Elector Bishop of Mayence— 1609. 10*. 
 
 O. E. Coope, Esq. 
 
 3049 A small bocale, with arms of Saxony — 1688. 14s. The 
 
 same. 
 
 3050 An hexagonal bottle, blue, with figures of Salvator 
 
 Mundi, St. Peter, and St. John, with flowers on the 
 alternate sides, and silver stopper. 41. 10*. Felix 
 Slade, Esq. 
 
 3051 A small bocale, with arms of Saxony — 1687. 9/. Marl- 
 
 borough Souse. 
 
310 GEEMAN EHAAIELLED GLASS. 
 
 3052 Another, with similar arms — 1666. 11. 7s. 0. E. 
 
 (hope, Esq. 
 
 3053 One, larger, with similar arms — i 684. 10s. The same, 
 
 3054 A ruby goblet, with four medallions of horsemen, in 
 
 white. 41. 4s. P. B. PurneU, Esq. 
 
 3055 A small glass, with medallions of Concordia and Keligio, 
 
 in white and black. 10s. Durlacher. 
 
 3056 A small bocale, with arms — 1660. 21. Baron S. de 
 
 JRothsehild. 
 
 3057 One, with cover, enamelled with birds, in gold and white 
 
 ornaments. 51. 10s. Marlborough House. 
 
 3058 One, with two square medallions of flowers, and inscrip- 
 
 tion in white; and a very small glass. 61. 10s. The 
 
 3059 A jbocale and cover, on ball feet, enamelled, with a 
 
 cavalier, and inscription — 1684. 11. 10s. O. E. 
 Coope, Esq. 
 
 3060 A jug, with the lamb and flag, and foliage, inscription — 
 
 1668 — 7J in. high. 51. 10s. Marlborough Mouse. 
 
 3061 A bocale, with white stripes, enamelled with arms in the 
 
 motto of the Garter, and inscription — 1678 — 7\ in. 
 high, 132. , S. Addington, Esq. 
 
 3062 A vidercom, with two merchants seated at a table and a 
 
 man weighing goods : inscribed " Ich Pin Genant der 
 Gott Wilkum" — period about 1.570 — 7J in. high. 
 31. 10s. Captain Hobson. 
 
 3063 One, with Roman emperor and electors, on white horses 
 
 —1664—7 in. high. 61. 10s. D. FalcTce. 
 
 3064 One, with an elector in black, between two halberdiers 
 
 in red; arms of Mayence on the reverse— 1654 — 7£ 
 in. high. 11. 5s. Gale, 
 
 3065 One, with a stag-hunt — 8} in. high. 3L 8s. Captain 
 
 Robson. 
 
 3066 One, with a figure driving a cart drawn by five horses, 
 
 with inscription — 1660 — 6£ in. high. 31. 15s. Mar- 
 quis of Breadalbane. 
 
GEEJIAN ENAMELLED GLASS. 311 
 
 ■3067 One, with a cavalier in black, between two ecclesiastics 
 holding books, arms of Saxony — 1654 — 7J in. high. 
 11. 15*. 0. E. Coope, Esq. 
 
 3068 One, with the Crucifixion, Eesurrection, lamb and 
 
 pelican, under arches — 1655. 3/. 13*. 6d. D. Falcke. 
 
 3069 A square low bottle, with two shields of arms — 1644. 
 
 14s. The* same. 
 
 3070 A tall bocale, with two shields of arms and gold rim — 
 
 10 in. high. 21. 2s. Marlborough Mouse. 
 
 3071 A jug, with a cavalier pledging a lady, inscribed " Hans 
 
 Gasmant, etc.," pewter lid — 1655 — 10 in. high. 91. 10*. 
 The same. 
 
 3072 A vidercom, with the ages of women in arched compart- 
 
 ments — 10-|- in. high. 251. Soil. Magniac, Esq. 
 
 3073 A bocale, with Abraham offering up Isaac — 1577 — 10 
 
 in, high. 11. 12*. Gale. 
 
 3074 A vidercom, with knights in armour, and an arquebussier 
 
 in green dress ; two shields of arms — imperfect — 9f 
 in. high. 81. Baron A. de Rothschild. 
 
 3075 One with the German Emperor, French King, and Queen 
 
 of Sweden in alliance, electors and princes kneeling on 
 each side ; inscription commemorating the alliance ; 
 the Almighty and angels above — 1651 — 9 J in. high. 
 15?. 15*. The same. 
 
 3076 A tankard, with the twelve apostles in arched compart- 
 
 ments, of early work — 9£ in. high. 13Z. The same. 
 
 3077 One, with a bear hunt — 11 in. high. 81. J. Noble, Esq. 
 
 3078 One, with the German emperors and electors, on white 
 
 horses — 1 624, with imperial arms — 10£ in. high. 71. 
 D. Falcke. 
 
 3079 One, with arms of Holy Koman Empire, elaborately em- 
 
 blazoned— 1692 — 10 in. high. 111. Mdrquis of 
 
 3080 A tall bocale, of early period, with two shields of arms 
 
 and gold rim — 15 in. high. 21. 10*. Felix Skde,Fsq. 
 
 3081 A vidercom, with two figures and an unicorn in leafed 
 
312 TITEO DI TEINA. 
 
 circles, inscribed " Michael Mensom, in Nuremburgh r 
 1615," with cypher; flowered borders above and 
 below, and on the cover — 16 in. high. 61. 5s. Mar- 
 quis of Abercom. 
 
 3082 One, with a boar hunt— 1591— 15 in. high. 20?. The 
 
 same. 
 
 3083 One, of early date, covered with blue and yellow fleur- 
 
 dedys — 16 in. high. 16/. 10s. Baron J. de Rothschild*. 
 
 3084 One, with arms of the Holy Roman Empire, fully em- 
 
 blazoned ; the brazen serpent on the reverse — 1581 — 
 16 in. high. 1 71. Marquis of Abercom. 
 
 3085 A flagon and cover, with Christ and the disciples at the 
 
 Last Supper — 1599 — 14 in. high. {See illustration.) 
 251. 10*. British Museum. 
 
 3086 A vidercom, with knight bearing arms of Leonhart Von 
 
 Milckau, 1608; Fortune, on the reverse — 12fin. high. 
 51. 5s. Sir M. H. CampEell. 
 
 3087 One, with a horseman and shield of arms, inscribed 
 
 "Wilbolt Gewant Schneide"— 1600— 14 in. high. 
 11. 13s. O. E. Coope, Esq. 
 
 3088 One, with portrait and arms of Hanns Reming, of 
 
 Nurmberg — 1 6 in. high. 61. 5s. Baron A. de Roths- 
 child. 
 
 VITRO DI TRINA. 
 
 3089 A glass, on fluted stem, with white lines. 1Z. lis. 6ct. 
 
 D. Falcke. 
 
 3090 One, with bosses on the bowl, and diagonal stripes. 
 
 31. 10s. O. E. Coope, Esq. 
 
 3091 A, very small glass; and a tortoise-shaped glass, with 
 
 blue stripe. 21. 5s. The same. 
 
 3092 A tazza, with waved white lines on stem — 9 in. diameter. 
 
 31. 15s. The same. 
 
 3093 One, with diagonal lines — 9 in. diameter. 11. 10s. 
 
 Burlacher. 
 
TITEO DI TEINA. 313 
 
 3094 A blue tazza, enamelled with frieze of leaves — 5J in. 
 
 diameter. 171. 10*. Baron A. de Rothschild. 
 
 3095 A very large drinking glass, on foot, with crossed dia- 
 
 gonal lines — 12 in. high. 51. 0. E. Coope, Esq. 
 
 3096 A bocale, with crossed stripes — llf-in. high. ll.'lls.6d. 
 
 Marlborough House. 
 
 3097 A flat tazza, with laced bands — 8 in. diameter. 11. 4s. 
 
 R. S. White, Esq. 
 
 3098 One, with diagonal white stripes — 12 in. diameter. 19*. 
 
 British Museum. 
 
 3099 One, with delicate crossed stripes — 15 in. diameter. 
 
 41. 4*. Sir H. H. Campbell. 
 
 3100 A vase, on stem, with festoons. 15*. Rhodes. 
 
 3101 A flat cup, on openwork stem, with blue ornaments. 
 
 21. 5s. O. E. Coope, Esq.' 
 
 3102 A globular bottle, with upright bands of laced work. 
 
 31. 15*. British Museum. 
 
 3103 A flat glass, on openwork stem, with two white bosses. 
 
 31. Marlborough Souse. 
 
 3104 A glass, with diagonal stripes, on embossed stem*. 31. 10*. 
 
 O. E. Coope, Esq. 
 
 3105 One, with diagonal crossed stripes. 3/. 15*. Annoot 
 
 and Gale. 
 
 3106 One, with laced stripes, and spirally-fluted stem. 11. 6*. 
 
 D. Faleke. 
 
 3107 One, with bosses on the bowl, and laced stripes. 41. 10s. 
 
 Marlborough House, 
 
 3108 A small globular bottle, with laced stripes and two 
 
 handles. 1". D. Faleke. 
 
 3 1 09 A small goblet, with diagonal stripes, on ball feet. 1 1. 1 0s. 
 
 Marlborough House. ' 
 
 3110 A goblet, with diagonal stripes, on embossed stem. 
 
 11. 18*. R. S. White, Esq. 
 
 3111 A glass, on stem, with diagonal stripes — 6-jf in. high. 
 
 11. 3*. P. B. Purnell, Esq. 
 
314 VITEO DI TBINA. 
 
 3112 A tall diagonal striped glass, on embossed stem — 7i In. 
 
 high. 1/. lis. 6c?. Annoot and Gale. 
 
 3113 A pair of tall glasses, on stems, with delicate laced lines 
 
 — 7i in. high. 41. 4s. D. Falcke. 
 
 3114 One, with crossed diagonal lines — 7i in. high. 31. 
 
 The same. 
 
 3115 One similar, but with a gold Papal coin enclosed in the 
 
 stem — 8 in. high. 14Z. 10s. Felix Slade, Esq. 
 
 3116 One, with laced stripes — 7i in. high. 21. 10s. D. Falcke. 
 
 31 17 A bocale, with fine diagonal stripes — 5\ in. high. 21. 15s. 
 
 Marlborough House. 
 
 3118 A globular vase and cover, with diagonal lines — 9 in. 
 
 high. 41. 12s. Gd. S. Addington, Esq. 
 
 3119 A bocale and cover, with fine crossed lines — 8Jin. high. 
 
 21. 13s. &d. Marlborough Mouse. 
 
 3120 A bocale, with crossed lines — 6 in. high. 21. 10s. 
 
 D. Falcke. 
 
 3121 A tall bocale, with perpendicular waved lines— 8 in. 
 
 high. 21. 12s. R. S. White, Esq. 
 
 3122 Another, with perpendicular lines — 8J in. high. 12s. 
 
 Gale. 
 
 3123 A globular vase and cover, on stem, with laced lines— 
 
 10 in. high. 51. Durlacher. 
 
 3124 A tall cup and cover, on stem, with crossed lines — 10J- 
 
 in. high. 91. 10s. Marlborough House. 
 
 3125 A bocale, with diagonal stripes — 10 in. high. 11. 5s. 
 
 3126 Another, with upright stripes — 11 in. high. 12s. 
 
 The same. 
 
 3127 A goblet, on stand, with crossed stripes — 6 in. high. 
 
 31. 10s. D. Falcke. 
 
 3128 A glass, on stem, with crossed stripes — 7 in. high. 
 
 1?. Is. The same. 
 
 3129 A glass, on stem, with white lines — 5 \ in. high. 81. 5s. 
 
 British Museum. 
 
SCHMELZE. 315 
 
 ENAMELLED VENETIAN GLASS. 
 
 3130 A flat glass, with handle, ornaments of beads raised, and 
 
 white spots, and bands which have been gilt— 4J in. 
 diameter. 161. C. Magniac, Esq. 
 
 3131 A globular vase, enamelled with flowers and spots, and 
 
 gilt rims — imperfect. 91. 5s. Marlborough House. 
 
 3132 A goblet, deep blue, enamelled with flowers, and gold 
 
 rims. 20Z. Baron S. de Rothschild. 
 
 3133 A square canister, with flowers and gold foliage — silver 
 
 top — 6 \ in. high. 11. 10s. Annoot and Gale. 
 
 3134 A jug, of deep blue, with flowers and scales of white, 
 
 with coloured spots ; the pewter lid painted to corre- 
 spond — 8 in. high. 121. The same. 
 
 3135 A figure of a negro, bearing a cornucopia, in black, 
 
 white, and colours. 10 in. high. Withdrawn. 
 
 3136 A circular tazza and cover, deep purple, fluted, with 
 
 white and gold buds of ornaments. 81. 15s. S. Al- 
 dington, Esq. 
 3136* A circular bottle, painted with flowers and silver top ; 
 and one square, with flowers embossed. 91. 5s. 
 Marlborough Souse. 
 
 SCHMELZE. 
 
 3137 A fluted upright bottle, ruby tint, with pewter stopper 
 
 — 10 in. high. 31. 15s. Annoot and Gale. 
 
 3138 A Paie op beautiful Bottles, nearly similar, but 
 
 of the bronze gold with silver tops — 9 in. high. 
 From Strawberry Hill. 151. 10s. C. Magniac, Esq. 
 
 3139 An elegant globular vase, fluted beneath, with handle, 
 
 blue and green on ruby ground — 9£ in. high. 10Z. 10*. 
 British Museum. 
 
 3140 A flat-sided bottle, lapis-lazuli— 10$ in. high. 51. 5s. 
 
 O. E. Coope, Esq. 
 
 3141 Another, red, green, and white, on green ground, with 
 
316 DELFT E AETHER "WAEE. 
 
 two green handles — 9 in. high. 27?. Marlborough 
 House. 
 
 3142 Another, nearly similar — 8£ in. high. 262. British 
 
 Museum. 
 
 3143 A globular jug, orange red, fluted beneath — 7 in. high. 
 
 91. 10s. Marlborough Mouse. 
 
 3144 A deep blue jug, with handle with crossed white stripes, - 
 
 mounted with pewter — 9 in. high. 8/. 10s. Annoot 
 and Gale. 
 
 3145 An hexagonal bottle, of rich blue and green, with gold ; 
 
 ivory top — 9 in. high. 31. 10s. Gale. 
 
 3146 A very curious vase, on stand, in imitation of tortoise- 
 
 shell with gold— 7 in. high. 421. M. T. Smith, M.P. 
 
 3147 A flat-sided lapis lazuli bottle — 10 in. high. 211. 
 
 Marlborough House. 
 
 3148 A small essence bottle, with long neck, pink, white, and 
 
 yellow. 41. 4s. 0. E. Coope, Esq. 
 
 3149 A small ewer, red and white, on blue ground. 61. 10s. 
 
 Marlborough House. 
 
 3150 Another, with white handle and spout, and white spots 
 
 on crimson ground. 41. P. B. Purnell, Esq. 
 
 3151 A tazza, on stem, red and green tint — 8 in. high, 9 in. 
 
 diameter. 101. 5s. Felix Slade, Esq. 
 
 3152 A cup, with handle, red and white diagonal waved lines, 
 
 on clear white ground. 21. 5s. Marlborough House. 
 
 3153 A mug, of green marble tint, with white handle, and 
 
 metal top— 7| in.'high. 31. 5s. M. T. Smith, M.P. 
 
 3154 A small ewer, of lapis-lazuli tint — 8 in. high. 571- 
 
 Marlborough House. 
 
 DELFT EARTHEN WARE. 
 
 3155 A dish, with a cavalier, a page holding a crown by Ills 
 
 side, an attendant with a horse behind ; pencilled in 
 Indian ink on white ground — inscribed Johannes 
 
GEES BE IXANDEES AND COLOGNE WABE. 317 
 
 Bucholdi a Ley da— 14 in. diameter. II. 5s. Wed- 
 derburne. 
 
 3156 A dish, with double coat of arms, in red and gold scroll 
 
 in the centre, and arabesque border in colours — 15 in. 
 diameter. 14s. M. J. Higgins, Esq. 
 
 3157 A dish, nearly-similar. II. lis. The same. 
 
 3158 A dish, with Fortune seated on globe in the centre, a 
 
 shield of arms on each side — inscribed H. M. A. M. 
 E. \V., 1681 — 13 in. diameter. l/«. Wedderburne. 
 
 3159 A jug, with the triumph of Neptune and Amphitrite, 
 
 and arms above — inscribed under the handle, W. R., 
 1681 — with pewter lid. 31. 15s. M. J. Higgins, Esq. 
 
 3160 A white spirally-twisted jug, with embossed silver lid, 
 
 engraved with a ship. 41. 5s. E. Mills, Esq. 
 
 3161 Another, with silver-gilt embossed lid. 61. 5s. The 
 
 same. 
 
 3162 One, with a battle, in red, in ornamental border, with 
 
 pewter lid. 31. 5s. M. J. Higgins, Esq. 
 
 3163 One, with a boar hunt, in Indian ink, with pewter lid. 
 
 31. B. Falclce. 
 
 3164 A pair of globular bottles, with musical conversations. 
 
 3/. 15.5. Rhodes. 
 
 3165 A pair of stands, in the form of high heeled shoes, 
 
 painted .with flowers — inscribed M. I., 1705. From 
 Queen Charlotte's Collection. 11. Redfern. 
 
 gr£s de flandres and cologne ware. 
 
 3166 A round brown jug, with some blue colour, twisted 
 
 handle, with grey-bearded head, shield of arms, and 
 coronet in centre — dated 1596 ; and two medallions 
 of Claudius Csesar, with original pewter lid — 11£ in 
 high. 21. 12s. 6d. B. Falcke. 
 
 3167 A gr& de Flandres cannette, with pewter lid, with 
 
 shields of imperial arms and ornaments in sharp relief, 
 and figures of Veritas, Justitia, and Pax — dated 1573. 
 
318 GBES DE IXANDBES AND COLOGNE WAKE. 
 
 The initials L. W. occur at foot— 1 If in. high. A very 
 beautiful specimen. 111. 10s. British Museum. 
 
 3168 Another, with pewter lid, arms Imperial, Bavarian, and 
 
 Saxon—initials L. W, 1576—91 in. high. 51. 10*. 
 Marlborough Some. 
 
 3169 Another, with Samson and Delilah and other scriptural 
 
 scenes, scrolls and ornaments in sharp relief. Signed 
 H. H.— 11J in. high. 4Z. 15s. The same. 
 
 3170 Another, with shields of arms, and Venus, in medal- 
 
 lions, with pewter lid. Signed H. H. 1591. 21. 5s. 
 British Museum. 
 
 3171 A blue and white jug, with pewter lid, flat sided, with 
 
 the Cross, I.H.S., and ornaments in relief round the 
 neck— 1 li in. high. 21. 1 7s. 6d. P.B. Purnell, Esq. 
 
 3172 A tall tankard, light brown, with subjects of Dives, Lot 
 
 and his daughters, and Abraham and the angels, with 
 pewter lid and handle — 1562 — 10| in. high. 51, 5s. 
 D. Falcke. 
 
 3173 A globular jug, with handle and pewter lid, ribbed with 
 
 stripes of black, blue, and white, with date 1680 on 
 the lid—] 9 in. high. 21. 12s. 6d. P. B. Purnell, Esq. 
 
 3174 A tankard, bright brown, with handle and silver cover, 
 
 engraved with figures and shield of arms in oval in the 
 centre, and frieze of foliage above and below — 6£ in. 
 high. 9L Marquis of Breadalbane. 
 
 3175 Another, with handle, a frieze of hunting subjects in 
 
 colours and arabesques above and below, without cover 
 —5 in. high. 21. 12s. 6d. P. B. Purnell, Esq. 
 
 3176 A curious triple cup, brown, in the form of bulbs, 
 
 with three shields of arms gilt — 4f- in. high. 41. 5s. 
 British Museum. 
 
 3177 A brown jug, with frieze of peasants dancing, and 
 
 Flemish inscription above and below— 15 in. high. 
 71. 10s. The same. 
 
 3178 Another, with pewter lid, with six oval shields of arms 
 
GEES BE FLA1TDEES AKD COLOGNE WABE. 319 
 
 and devices, with Flemish inscriptions between carya- 
 tides — 16 in. high. 15?. 5*. British Museum. 
 
 3179 A large gre's tankard, with pewter lid, a shield of arras 
 
 on an oval, supported by lions, the ground covered 
 with foliage— 15 in. high. 19?. 5». M.T. Smith, M.P. 
 
 3180 Another, with oval, the shield of arms of Bruda Petter, 
 
 and Flemish inscription, lion supporters, the ground 
 of flowers and gems — 15 in. high. 141. 10*. British 
 Museum. 
 
 3181 A brown tankard, pewter lid, and stem, open trellis 
 
 sides— dated 1634, on lid— 9 in. high. 41. 10*. Marl- 
 borough House. '■ 
 
 3182 A brown jug, with handle and pewter lid, seven coats 
 
 of arms, the centre with double imperial eagle, and 
 H. W. — 13 in. high. 21. 18*. British Museum. 
 
 3183 A gre's globular bottle, with fluted ornaments, and four 
 
 shields of arms, in medallions — 1591 — 8 in. high. 
 21. 5s. The same. 
 
 3184 A very curious vase, on foot, with small spouts on the 
 
 shoulders, with figures of electors and knights in 
 niches, H. H. on a drum ; small masks, in relief — 
 10 in. high. 91. The same. 
 
 3185 A gre's plate, with two female figures. 13*. Gale. 
 
 3186 A white cannette, with imperial eagle, thrice represented 
 
 — C. M., 1591, with arms of Bremen and Lubeck — 
 9 in. high. 51. British Museum. 
 
 3187 Another, with David and Alexander, and three full coats 
 
 of arms — 1589 — 9£ in. high. 21. 10*. The same. 
 
 3188 A gre's tankard, with six medallions of arms and saints, 
 
 metal cover — 7 in. high. 11. Is. T. Butler, Esq. 
 
 3189 A curious brown vase, with four handles, with silver 
 
 rims — 10 in. high. Of rare form. 21. 15*. Marl- 
 borough House. 
 
 3190 A Nevers ware jug, with metal cover and foot, inscribed' 
 
 M. M.B., 1778—10 in. 11. 11*. 6d. M. J. Hig- 
 gins, Esq. 
 
320 GEfiS DB ELANDEES AND COLOGNE WAKE. 
 
 3191 A gres-handled jug, pewter cover, two lions supporting 
 
 a full coat of arms, with a knight, I. E., 1594—9 in. 
 high. 21, 10s. Marlborough House. 
 
 3192 A curious brown early vase, with pewter cover, and or- 
 
 naments indented — 10 in. high. 41. 5s. British 
 Museum. 
 
 3193 A gr& jug, mask under the spout, white scalloped or- 
 
 naments, and lion masks — 10£ in. high. 21. 18*. 
 Wedderhurne. 
 
 3194 A greVhandled jug, with pewter lid, with an owl, eight 
 
 coats of arms of the Swiss cantons, in arched apart- 
 ments— 10|- in. high. 21. T. Butler, Esq. 
 
 3195 A brown cannette, with metal stand and rim, three coats 
 
 of arms, masks, and arabesques, H. V. C, 1592 — lOf 
 in. high. 51. Marlborough House. 
 
 3196 A large brown globular jug, with three full shields of 
 
 arms, in circles of Rhine grapes, chased metal-gilt 
 cover, embossed with George and the dragon ; small 
 figures and inscriptions on the neck, 1577 — 15 in. high. 
 91. 10s. British Museum. 
 
 3197 A snuff jar, black, with flowers in rich colours and gold, 
 
 with pewter screw cover — 6£ in. high. 11. 18s. Bourne. 
 
 3198 A brown globular jug, with three full coats of arms in 
 
 medallions, and inscriptions, 1592 — 7^ in. high. 101. 
 British Museum. 
 
 3199 A curious brown jug, with spout, with two portraits, 
 
 and two imperial eagles in medallions, pewter lid — 7 in. 
 high. 11. 3s. Bourne. 
 
 3200 A brown highly glazed jug, with pierced brown and blue 
 
 neck — 7 in. high. 31. 3s. Marquis of Breadalbane. 
 
 3201 A curious highly glazed barrel-shaped bottle with two 
 
 handles and spout ; a mask on one end, and a shield 
 with three fleurs-de-lys and crown on the side— 6 J in. 
 high. 81. Marlborough House. 
 
 3202 A medallion of a smoker, holding a jug — E. D., 1572 — 
 
 small ovaL 11. 13s. M. T. Smith, M.P. 
 
OPAQUE GLASS. 321 
 
 3203 A jug, with four figures, seated, a group of musicians, 
 
 and a page with a dog, in arched compartments, in 
 colours, on deep blue ground ; a frieze of foliage be- 
 neath, a lion passant on the shoulder, with pewter lid 
 — 11 in. high. 15?. 10s. British Museum. 
 
 3204 A Fine and Eaee Jttg : in front are two men with axes, 
 
 in relief, between a recess, a tree between them ; For- 
 tune and two other female figures under the handle, 
 leaf ornaments at the edges, a sunflower surmounting 
 the shoulder in front, in colours, on dark blue ground 
 — 13in.high. 101. D. FaMe. 
 
 3205 A Fine Cassette, of rude early design, with three up- 
 
 right bands, embossed with male and female busts and 
 arabesques, green and white, on brown and orange 
 ground — 12^ in. high. 61. 15s. Marlborough House. 
 
 3206 A double globular vase and cover, with leaf scrolls in 
 
 white and gold, on deep blue ground— 12|- in. high. 
 21. 2s. Annoot and Gale. 
 
 3207 A brown stoneware jug, with three medallions of Venus 
 
 and Lucretia, in arabesque borders, a mask under the 
 lip — 1578 — 13|in. high. 171. British Museum. 
 
 3208 Another, with three medallions of devices, and shield of 
 
 arms of Rudolph II., and pewter lid — 1604 — 13 in. 
 high. 51. 5s. The same. 
 
 OPAQUE GLASS. 
 
 3209 A German mug, with Cupid sleeping, in a medallion, 
 
 surrounded by figures and arabesques, mounted with 
 lid of silver-gilt, a lion and shield at the top — 10 in. 
 high. 11. 10*. Marlborough House. 
 
 3210 A beautiful small Venetian vase, of schmeltz, of rich 
 
 colours, with bands, birds, and bosses, gilt — 8 in. high- 
 40Z. Baron A. de Rothschild. 
 
 3211 A figure of young Bacchus, seated on a barrel, ruby and 
 
 white. 10Z. 10s. might. 
 8212 A pair of Venetian plates, with views of San Giorgio 
 
322 GEEMAif GLASS. 
 
 Maggiore and the Arsenal, in brown. From Straw- 
 berry Hill. 201. Felix Slade, Esq. 
 
 Horace Walpole, when at Venice in 1741, obtained two dozen of these 
 plates, which, in the Description of the Villa at Strawberry Hill, printed in 
 1774, are enumerated among the contents of the China-room, p._ 9, as 
 " Two dozen plates of Venetian glass; each plate has a different view of 
 Venice, drawn in red." On the dispersion of that Collection in 1842, they 
 were sold in four lots of six each, at an average price of about U. per lot. 
 
 3213 A mug, with Chinese figures, in Indian ink, with metal 
 lid 51. 10s. Robert Napier, Esq. 
 
 Amount of Twenty-fourth Day's Sale, 1137?. 4*. 
 
 TWENTY-FIFTH DAY'S SALE. . 
 
 GERMAN GLASS. 
 
 3214 Four small drinking glasses, with subjects of Joseph, 
 
 Esther, Judith, and Tobit. 21. 8s. Bourne. 
 
 3215 A tumbler, with views of Amsterdam, shield of arms, 
 
 and flower border. 21. 4s. Durlacher. 
 
 3216 One, with the arms of the Hague. SI. 13s. 6d. Baron 
 
 Gustave de Rothschild. 
 
 3217 A fluted wager glass. 17*. Wedderburne. 
 
 3218 A glass, in the form of an elephant seated, drinking. 
 
 15*. Rhodes. 
 
 3219 A curious vessel, light green, in the form of an animal, 
 
 the tail forming the spout. 13*. Gale. . 
 
 3220 A green hock glass, mended with copper ; and a tall 
 
 glass, with twisted tube inside, surmounted by a swan. 
 1 1*. The same. 
 
 3221 A small oval glass and cover, on stem, with minute ara- 
 
 besques. 21. 15*. Durlacher. 
 
GEEMAST GLASS. 323 
 
 3222 A small goblet, with figures of the Seasons. Vs. 0. E. 
 
 Coope, Esq. 
 
 3223 A curious green drinking vessel, in the form of a por- 
 
 poise. 5s. Gale. 
 
 3224 A tall cup, on stem» with a view of a city, and Imperial 
 
 arms. 16s. Charles Mills, Esq. 
 
 3225 Another, with three views, and shields of arms, in com- 
 
 partments. 18s. The same. 
 
 3226 Another, plain,, with cover ; and a small shell-shaped 
 
 cup, with minute ornaments. 21, 12s. 6d. J. S. Forbes, 
 Esq. 
 
 3227 A tall cup and cover, on stem, with views of a chateau 
 
 — the rim gilt. 7s. Gale. 
 
 3228 Another, with arabesques, crown, and cypher. 11. 6s. 
 
 O. E. Coope, Esq. 
 
 3229 Another, with figures in a ship, inscribed " Floreat Com- 
 
 mercium." II. 8s. The same. 
 
 3230 Another, with figures before a palace. 11. Is. J. S. 
 
 Forbes, Esq. 
 
 3231 A cup and cover, on short stem, with bacchanals and 
 
 small figures of the Months, beneath a gilt honey- 
 suckle, raised. 1/. 13s. O. E. Coope, Esq. 
 
 3232 A pair of glasses, on tall stems, with small medallions 
 
 and borders. 10Z. 10s. Baron J. de Rothschild. 
 
 3233 An oval cup and cover, on stem, with chateau. 1/. 3s. 
 
 Rhodes. 
 
 3234 A hexagonal bottle, with raised rims at the angles, and 
 
 small masks, in blue. 19s. Bourne. 
 
 3235 A cup and cover, on stem, with view of Vienna, and ela- 
 
 borate border. 31. Sir H. E. Campbell. 
 
 3236 Another, with a subject of Commerce, and German in- 
 
 scription, with gilt foliage raised. 11. 3s. O. E. Coope, 
 
 Esq. 
 
 •3237 Another, with buildings and shipping, and gold scroll, 
 raised. 1/. lis. fid. The same. 
 
 X 2 
 
324 GEEMAK GIASS. 
 
 3238 Another, with figures, in ovals, and German inscriptions. 
 
 11. As. J. S. Forbes, Esq. 
 
 3239 Another, with oval medallion of an emperor, and imperial 
 
 eagles. 12s. Gale. 
 
 3240 Another, with shield of arms, and gilt rims. 11. Marl- 
 
 borough House. 
 
 3241 Another, with Cupid, and shield of arms. 11. 3*. Charles 
 
 Mills, Esq. 
 
 3242 Another, with views in arabesque compartments. 41. 10s. 
 
 Marlborough House. 
 
 3243 One, with a bourse, and portrait of Frans Hendrick. 
 
 11. 10s. W. Webb, Esq. 
 
 3244 One, with a bacchanalian subject. Beautifully engraved 
 
 ly F. Greenwood. 41. Geo. S. Nicholson, Esq. 
 
 3245 A globular flat decanter, with a fleur-de-lys on a lozenge. 
 
 1?. 10s. BritishMuseum. 
 
 3246 A curious drinking glass, with tube in the centre, sur- 
 
 mounted by two horses' heads. {See illustration.) 11. 13s. 
 Rhodes. 
 
 3247 A dagger, with pink and yellow lines, and blue shell on 
 
 the hilt. 11. Is. Bedfern. 
 
 3248 A tall cup and cover, on stem, with shield of arms, and 
 
 inscription. 14s. Rhodes. 
 
 3249 Another, elaborately ornamented with a chateau, figures, 
 
 and arabesques. 1/. 10s. Charles Mills, Esq. 
 
 3250 A cup and cover, on very tall stem, and medallion of the 
 
 Emperor Leopold, and arms. 13s. Gale. 
 
 3251 One, of semi-opaque glass, with royal arms and cypher. 
 
 15s. J. S. Forbes, Esq. 
 
 3252 One, with the Great Alliance, arms of the Allies, on the 
 
 back. 21. 8s. Burlacher. 
 
 3253 One, with medallion portraits and arms, in wreaths. 
 
 10s. 6d. Rhodes. 
 
 3254 A tall green glass and stand, with allegorical figures of 
 
 Fire and Water. SI. 3s. Marlborough House. 
 
 3255 A globular two-handled vase : within is a figure of an 
 
3315 
 
 GEHMAN GLASS. 
 
 VENETIAN GLASS. 
 
ENAMELLED GEBMAtJ GLASS. 325 
 
 infant bacchanal, of opaque white glass, holding a 
 bottle and goblet, and seated, on a high stem of blue 
 glass. 201. 5s. Marlborough House. 
 
 3256 An elegant high double chalice, with fruits and flowers, 
 
 with or-moulu lid, surmounted by a figure of Minerva. 
 5/. O. E. Coope, Esq. 
 
 3257 A tall green goblet, on stem, with subject of a vintage- 
 
 21. 15s. Sir H. H. Campbell. 
 
 3258 A goblet and cover, on high stem, with an engagement 
 
 of cavalry. 10s. 6d. Gale. 
 
 ENAMELLED GERMAN GLASS. 
 
 3259 A fine ewer, of schmeltz, of rich colours, with lines up 
 
 the bowl— 13 in. high. 91. 15s. 0. E. Coope, Esq. 
 32G0 A large goblet, on stem, with portrait of the Emperor 
 Leopold, in Indian ink. 18s. M. J. Higgins, Esq. 
 
 3261 A set of nine cups, on ball feet, with landscapes in 
 
 Indian ink. 91. Marlborough House. 
 
 3262 A set of three rather larger, with landscapes and figures, 
 
 in colours and Indian ink. 81. B. Falcke. 
 
 3263 A cup and cover, on ball feet, with three emblems and 
 
 inscriptions, in Indian ink. 11. Marlborough House. 
 
 3264 A vidercom, with processions of figures round the side, 
 
 and inscription in honour of the Emperor Maximilian, 
 1662, in Indian ink. 41. Felix Slade, Esq. 
 
 3265 A fluted oval decanter, blue, with a fleur-de-lys on a 
 
 medallion. 141. Marlborough House. 
 
 3266 A glass on stem, with cupid, a grave digger, and moral 
 
 inscriptions in Indian ink — 12£ in. high. 13s. Sir 
 H. H. Campbell. 
 
 3267 Another, with Cupids and inscriptions— 11| in. high. 
 
 1/. 6s. J. S. Forbes, Esq. 
 
 3268 Another, with arms of Gocthals, and of the Holy Roman 
 
 Empire, on stem, with handles — 10£ in. high. 
 11. lis. Gd. The same. 
 
326 ENAMELLED GEEMAIT GLASS. 
 
 3269 A tankard, with the bull of St. Luke, and pewter lid. 
 
 K 6s. T. Butler, Esq. 
 
 3270 A tell glass, striped with white, with two coats of arms 
 
 — Dresden, 1623. 12?. Marlborough House. 
 
 3271 A bocale, with a double imperial eagle, and lily of the 
 
 valley — 1596. 31. 5s. British Museum. 
 
 3272 A small vidercom, with a cavalier on horseback, and in- 
 
 scription— 1631. 11. 18s. Rev. W. Pigott. 
 
 3273 A cup, on steni, with an angel supporting two shields 
 
 of arms, with inscription — 1600. 22. 10s, P. B. 
 Purnell, Esq. 
 
 3274 A bocale, with the Virgin and Child, in an oval — 1659. 
 
 21. 5s. T. G. Parry, Esq. 
 
 3275 A bocale, with a Japanese warrior on horseback — 1604. 
 
 12. 12s. The same. 
 
 3276 A bocale, with shield of arms — 1651. 11. Is. Rev. 
 
 W. Pigott. 
 
 3277 Another, with four apostles, inscribed with their names. 
 
 11. 15s. John D. Gardner, Esq. 
 
 3278 Another, with a lady, a ladder on which her little boy 
 
 is standing, with inscription. 1?. 8s. Marlborough 
 House. 
 
 3279 A small jug, with two animals — 1587, with pewter lid. 
 
 17. ISs. British Museum. 
 
 3280 A bocale, of green glass, with a lady holding a vase of 
 
 flowers, and German verses, inscribed — 1699. 18s. 
 ^Rhodes. 
 
 3281 A large goblet, on stem, with a lady, in a blue dress, 
 
 and shield of arms emblazoned with gold. 282. Felix 
 Slade, Esq. 
 
 3282 A fine vidercom, with arms of the Holy Eoman Empire, 
 
 elaborately emblazoned — 1603 — 9 in. high. 51. M. J. 
 Higgins, Esq. 
 
 3283 Another, with a German Emperor, King of France, and 
 
 Queen of Sweden before him, and figures kneeling 
 
VENETIAN GLASS. 327 
 
 behind, and German inscription — 1656 — 9 in. high. 
 221. Baron A. de Rothschild. 
 
 3284 A square bottle, with arms on two sides and flowers, 
 
 and arms— 1625— 9 in. high. 11. 5s. T. Butler, Esq. 
 
 3285 A vidercom, with the Virtues under arches, and friezes 
 
 of foliage — 9-j in. high. 151. 10s. Baron A. de 
 Bothschild. 
 
 3286 Another, with a prince on a white horse, a town beneath 
 
 —1689—9 in. high. 91. 15s. The same. 
 
 3287 One, with Charles XII. of Sweden, and inscription — 
 
 1710—61 in. high. 21. 4s. 0. E. Coope, Esq. 
 
 3288 A tankard, with Christ and the woman of Samaria, in- 
 
 scribed Johannam 4 ; with pewter lid — 8 in. high. 
 21. 16s. Captain Robson. 
 
 3289 A vidercom, with the ten ages of man, and inscriptions 
 
 above — 11 in. high. 12?. John D. Gardner, Esq. 
 
 3290 A bocale, with a figure of Jacob Praun, and arms — 
 
 11 in. high. 31. 15s. Felix Slade, Esq. 
 
 3291 Another, with a female figure and arms of Hanns Eemiug, 
 
 of Nuremberg — 11-J-in. high. 81. Baron Gustave de 
 Rothschild. 
 
 3292 Another, with two shields of arms — 1578 — 12 in. high. 
 
 10/. 15s. The same. 
 
 3293 A vidercom and cover, with a white horse, and arms of 
 
 Saxony— 1671— 12 in. high. 11. 6s. Rev. W. Pigott. 
 
 3294 A tankard, with two figures, and arms of Hanns 
 
 Neithart, supported by griffins, an inscription under 
 the handle — 1661 ; with pewter lid — 10 in. high. 51. 
 Marlborough House. 
 
 3295 A vidercom, with the ten ages of man in arched divisions 
 
 —11 in. high. 13/. 13s. Sir S. R. Campbell. 
 
 VENETIAN GLASS. 
 
 3296 A fine bocale, of frosted glass, with masks on the sides 
 
 — ll|in. high. 81. 
 
328 VENETIAN GItABS. 
 
 3297 A curious cornucopia-shaped glass — 12$ in. high. 19s, 
 
 0. E. Coope, Esq. 
 
 3298 A glass, on stem formed of a tulip. {See illustration.) 
 
 29/. Felix Slade, Esq. 
 
 3299 A very curious vessel, in the form of a ship, with rigging 
 
 of blue — 13$ in. high. SI. 10s. British Museum. 
 
 3300 A candlestick, in the form of a flower, with green orna- 
 
 ments — 9 in. high. 11. Russell. 
 
 3301 A blue glass and cover, with waved surface — 13$ in. 
 
 high. 271. Martin T. Smith, M.P. 
 
 3302 A tall glass, on foot — 12$ in. high. 41. 15s. British 
 
 Museum. 
 
 3303 A glass, on elegant openworlc stem — 11 in. high. 11. 15s. 
 
 The same. 
 
 3304 One, on high stem, blue and white, elegantly twisted — 
 
 11 in. high. 132. The same. 
 
 3305 One, with blue outside, nearly similar — 11 in. high. 15/. 
 
 The same. 
 
 3306 A beautiful oviform vase, with three handles and spouts 
 
 edged with blue — 10 in. high. {See illustration.) 261. 
 Felix Slade, Esq. 
 
 3307 A very curious bottle, in the form of a horse rampant, 
 
 holding a tazza, on pedestal — 11 in. high. {See illus- 
 tration.) 61. 15s. Rhodes. 
 
 3308 A ribbed cup and cover, on stem, the cover on four 
 
 handles — 10 in. high; and a cup with open stem. 
 6?. 5s. J. S. Forbes, Esq. 
 S309 A cup, on high twisted stem, with blue — 10 in. high. 
 36?. Martin T. Smith, M.P. 
 
 3310 A ribbed cup and cover, on high twisted stem — 12$ in. 
 
 high. 81. 5s. Marlborough House. 
 
 3311 A dagger, with red and yellow twisting on the handle. 
 
 11. Is. Baron Gustave de Rothschild. 
 
 3312 A small cup and saucer, of coloured glass — imperfect. 
 
 14Z. Marlborough House. 
 
3-OS 
 
 VENETIAN TULIP GLASS. 
 
 «?C£r -"'' 
 
 VENETIAN BOTTLE. 
 
YITKO DI TBTWA. 329 
 
 3313 A tall glass, on stem, with a rose in colours — 13 in. 
 
 high. 3PJ- Felix Slade, Esq. 
 
 3314 A two-handled vase, on foot, with white trellis — 9^- in. 
 
 high. 127. Sir H. M. Campbell. 
 
 3315 A fluted glass, on elegant openwork stem, with two 
 
 dolphins — 13 in. high. (See illustration.) 50?. M. T. 
 Smith, M.P. 
 
 VITRO DI TRINA. 
 
 3316 A tall glass, on stem, striped with crimson, blue, and 
 
 gold, with rich effect — 13 in. high. 16Z. 10s. Marl- 
 lorough House. 
 
 3317 A goblet, on stem of circles, increasing in size — 10 in. 
 
 high; and a bell. 11. 10s. Gale. 
 
 3318 A goblet and cover, on stem of or-moulu — 13J in. high. 
 
 51. 5s. Annoot and Gale. 
 
 3319 A curious fish-shaped vessel, on foot — 7 in. high. 31. 15s. 
 
 Gale. 
 
 3320 A bell, surmounted on an eagle crowned, in silver. 31. 
 
 M. T. Smith, M.P. 
 
 3321 A curious glass, in the form of a boot, with buttons, gilt 
 
 —1 0| in. high. 10s. 6d. Gale. 
 
 3322 A tall bocale and cover — 13 in. high. 51. 10s. Marl- 
 
 borough House. 
 
 3323 A curious bulb-shaped vessel, on or-moulu foot — 10 in. 
 
 high. 51. The same, 
 
 3324 An elegant cup and cover, on foot — 11£ in. high. 41. 4s. 
 
 Brtish Museum. 
 
 3325 A cup and cover, on foot— 9^- in. high. 8/. M. T. 
 
 Smith, M.P. 
 
 3326 A bocale and cover, with straight lines — 12 in. high. 
 
 11. 15 s. J. S. Forbes, Esq. 
 
 3327 A cup, in the form of a boot, with buttons, gilt, and 
 
 spiral lines, blue and white — 8 in. high. 10s. 6d. 
 Rhodes. 
 
 3328 A tumbler, with pink and blue lines. 11. 3s. Durlacher. 
 
330 COLOGNE AND GBiSS DB ri/ANDBES JUGS. 
 
 3329 A square bottle, with pint, green, and black lines. 
 
 II. 13*. Marlborough House. 
 
 3330 A bottle and cover, with blue and white knob. 6/. 
 
 0. E. Coope, Esq. 
 
 3331 A tall fluted glass and cover, opalised — 12J in. high. 
 
 10?. 10*. Sir H. H. Campbell. 
 
 3332 A bottle and cover — 6£ in. high ; and a striped bocale, 
 
 with turquoise bosses. 51. 15*. British Museum. 
 
 3333 A bocale and cover — 15£ in. high. 11. 18*. Gale. 
 
 3334 A vase and cover, on foot — 13 in, high. 111. Annoot 
 
 and Gale. 
 
 3335 A small ewer, with spout ; and a striped vase and cover. 
 
 81. 15*. Marlborough Mouse. 
 
 3336 A bocale and cover— 15 in. high. 21. 3s. Sir H. H. 
 
 Campbell. 
 
 COLOGNE AND GR&S DE FLANDRES JUGS." 
 
 3337 A jug, with heads in medallions, and whole-length fe- 
 
 male figures and foliage in various colours, dated 1652 
 — 6J in. high. 21. 2*. British Museum. 
 
 3338 Another, with pewter lid and rims, with the Electors and 
 
 Kaiser on horseback, and ornaments in various colours 
 in relief— dated 1688—71 in. high. 21. 12*. Gale. 
 
 3339 Another, with pewter handle and lid, with portraits of 
 
 a prince and princess in medallions, female caryatid 
 figures and ornaments, in. colours in relief — dated about 
 1600 — J. G. G., 1712, inscribed on the lid, which is 
 of more recent date — 8 in. high. (See illustration.) 
 21. 18s. Rev. W. Pigott. 
 
 3340 Another, with hunting and field sports, in various co- 
 
 lours — date about 1600 — 4^- in. high. 31. 15*. John 
 B. Gardner, Esq. 
 
 3341 Another, with pewter lid, with figures of the twelve 
 
 apostles and other ornaments, a coat of arms and crest 
 in the centre, George Bicklemann — dated 1677 — 8 in. 
 high. 21. 18*. Gale. 
 
3300 
 
 VENETIAN GLASS. 
 
 ORES DE FLANDHES 
 
COLOGNE AND GEES DE ELA2TDEES JTTGS. 331 
 
 3342 Another, with pewter lid, with four circles of different 
 
 employments, ornaments, and wreaths in various co- 
 lours — date about 1680 : a coronet engraved on the lid, 
 and J. C. E. in flowers — 7\ in. high. 31. Marlborough 
 Home. 
 
 3343 Another, with pewter lid, dark grey, with enamelled 
 
 black and white ornaments, with small heads embossed 
 which have been gilt — date about 1650 — 7 J in. high. 
 101. 10*. P, B. Purnell, Esq. 
 
 3344 A jug, dark grey, with various coloured ornaments and 
 
 gilding, and small busts — 9£ in. high. 101. 15s. 
 Marlborough House. 
 
 3345 Another, with pewter mounting, the lid embossed with a 
 
 courtship, dress of the period, with figures of the 
 twelve Apostles, and some bearings in the centre, with 
 H. H. above ; a long German inscription round the 
 bottom— dated 1683—9 in. high. 31. 10s. Rev. W. 
 Pigott. 
 
 3346 Another, dark brown, with male and female portraits, in 
 
 colours — date about 1680 — 9^ in. high. 21. 15*. 
 The same. 
 
 3347 Another, with handle and spout, with pewter mountings, 
 
 dark brown, with figures of the Saviour, St. Matthew, 
 five other saints, and ornamented in colours — dated 
 1655 — 9 in. high. 41. The same. 
 
 3348 Another, with pewter mountings, with figures of Sol, 
 
 Luna, and other planets — dated 1677, with German 
 inscriptions — 9 in. high. 31. Gale. 
 
 3349 Another, with pewter mountings, the lid engraved with 
 
 ornaments, and C. S. B. ; figures of the twelve 
 Apostles, and the lamb, with banner, in the centre, in 
 relief in colours — dated 1674 — 5^ in. high. 11. 12s. 6d. 
 T. Butler, Esq. 
 
 3350 Another, with ornaments of Sol, Luna, and other planets, 
 
 in colours — dated 1668, and long German inscription 
 beneath — 5-J- in. high. 31. 3s. John D. Gardner, Esq. 
 
332 COLOGNE AND GEES DE FLANDBES JUGS. 
 
 3351 A jug, with field sports, and figures in costume, and 
 
 other ornaments, in colours — date about 1660 — 5 in. 
 high. 11. 18*. Rev. W. Pigott. 
 
 3352 Another, with portraits and arms of seven of the Electors 
 
 in robes, and other ornaments, in colours — date about 
 1650— 5J in. high. 21. As. Gale. 
 
 3353 Another, with figures of the apostles and other orna- 
 
 ments, in colours — dated 1 560, long Flemish or German 
 inscription at foot — 6 in. high. 11. The same. 
 
 3354 Another, with pewter mounting, the lid chased with a 
 
 portrait ; drab ground, reticulated, embossed heads 
 and ornaments, light blue and white enamelled — date 
 about 1650 — 7 in. high. 81. Marlborough House. 
 
 3355 Another, with rich ornaments and masks ; a device in 
 
 the centre— dated 1622, inscribed B. S. G. F. 31. 8s. 
 The same. 
 
 3356 Another, with pewter mounting, with Christ, and the 
 
 apostles, and other ornaments — date about 1660 — 6 in. 
 high. 41. 15s. John I). Gardner, Esq. 
 
 3357 A snuff jar, with pewter top, with gilt and coloured 
 
 heads and ornaments, arms and crest in the centre, 
 "Joan Wolfgang Reinelius, Nat. XXXI. Octob. 
 M.D.C.LIII " round the top of hexagon shape — 6} in. 
 high. 11. Us. 6d. A. W. Franks, Esq. 
 
 3358 A blue and white jug, with pewter mountings, flat sided, 
 
 richly ornamented with a full coat of arms, and date 
 1589 in front ; and behind are inscriptions in four lines, 
 with date beneath— 1591— 16 in. high. 371. M. T. 
 Smith, M.P. 
 
 3359 A brown jug, with arabesque ornaments, three ovals of 
 
 arms and devices, and two crowned lions, supporters 
 of the centre one — date about 1600. 51. British 
 
 5360 A blue and white gre's pilgrim-shaped bottle, with per- 
 forated ridges at the sides ; inscriptions relating to, 
 and shield of arms of the Prince of Orange — dated 
 
PILGRIM-SHAPED GIiF.8 BOTTLE. 
 
COLOGHE ASTD GBlJS DE FLAiCDEES JUGS. 333 
 
 1590 ; and medallion of a helmeted head, surrounded 
 by renaissance arabesques. (See illustration.) 181. 
 British Museum. 
 
 3361 A rude white grie vase-shaped jug, with handle, with 
 
 two female saints, and coat of arms in centre in circle 
 —dated 1563—11 in. high. 11. lis. 6d. The same. 
 
 3362 A blue and white gre"s upright pot, with pewter handle, 
 
 heads of Minerva in ovals ; coat of arms and crest in 
 centre, dated 1594 — 10 in. high. 41. Marlborough 
 House. 
 
 3363 A brown jug, with pewter top, with masks and renais- 
 
 sance ornaments, dancing figures and musicians, in 
 compartments — dated 1596 — 11 -J- in. high. 21. 15s. 
 The same. 
 .3364 A blue and white gr^s jug, pewter mounted, with em- 
 bossed ornaments — date about 1590 — 9 in. high. 21. 2s. 
 J. S. Forbes, Esq. 
 
 3365 A Delft basket-shaped vase, with twisted handle, with 
 
 blue, green, and yellow foliage, and religious inscrip- 
 tions — dated 1640 — 11 in. high. 4/. 15*. Marlborough 
 House. 
 
 3366 A brown jug, with pewter lid, with religious subjects, 
 
 masks, and inscriptions — dated 1584. 51. British 
 
 3367 A brown cannette, with double imperial eagle, crowned, 
 
 in the centre — dated 1583 — 9| in. high. 4?. The same. 
 
 3368 Another, with arms in the centre — no date, probably 
 
 1583— 10 in. high. 41. The same. 
 
 3369 Another, white gre's, with pewter lid, with ornaments and 
 
 double imperial eagle — dated 1591 — 10 in. high. 51 5s. 
 John JD. Gardner, Esq. 
 
 3370 A brown pot, with handle and pewter lid - , with crowned 
 
 double imperial eagle in the centre — dated 1583 — lOf 
 in. high. 41. Marlborough House. 
 
 Amount of Twenty-fifth Day's Sale, 921?. 6s. 
 
334 SPOONS, KNIVES AND rOBKS, 
 
 TWENTY-SIXTH DAY'S SALE. 
 
 SPOONS, KNIVES AND FORKS. 
 
 3371 A silver-gilt spoon, with chased angel's head, the stem 
 
 ornamented with cut crystal ; and a silver-gilt fork and 
 knife, similar. 41. 5s. Marlborough Mouse. 
 
 3372 A small spoon, agate bowl, with silver-gilt. handle, richly 
 
 chased in grapes, vine leaves, etc. 15s. Wedderburne. 
 
 3373 A small fork and spoon, silver gilt, the handles orna- 
 
 mented with enamelled leaves and fillagree scrolls on 
 silver. 41. Marlborough House. 
 
 3374 Four small spoons, of silver, with chased ornamented 
 
 handles, having figures at the tops. 14s. Col. Lawrence. 
 
 3375 A knife, steel blade, with silver shoulder, amber and 
 
 ivory handle, carved as the figure of a man in a rich cos- 
 tume—of the time of 1690. Sold with no. 3376. 
 
 3376 A small fork and knife,- steel bladed and pronged, silver 
 
 handles, enamelled in light blue, with the armorial 
 bearings of Saxony in various places upon them — on 
 the blade a mark. 11. 3s. Benjamin. 
 
 3377 A small knife and sheath, light blue enamel, with busts 
 
 and shields of arms, and flowers in relief, in silver. 
 1?. 6s. The same. 
 
 3378 A knife and fork, agate handles, mounted with enamel 
 
 foliage, in colours. \l. The same. 
 
 3379 An agate spoon, with silver-gilt and enamel mountings. 
 
 21. Marlborough Mouse. 
 
 3380 A small knife and fork, blade and prongs of steel, handles 
 
 enamelled in light blue on silver gilt, having their ori- 
 ginal silver-gilt etui, enamelled in light blue, with 
 chased ornaments of busts and flowers. 21. Benjamin. 
 
SPOONS, KNIVES AOT) EOBKS. 335 
 
 3381 A silver spoon, with a large bowl, the back engraved 
 
 with a shield of arms surmounted by a coronet and the 
 letters £'£;; the handle having a chased ornamental top 
 like a pine apple. 11. 3s. Marquis of Breadalbane. 
 
 3382 A sugar tongs, of silver, with chased ornaments of foli- 
 
 age — on the bow of the handle the date, AD. IDCXVI 
 (1616). 11. 8s. Marlborough House. 
 
 3383 A silver-jointed spoon and fork, doubling back, with a 
 
 chased goat's head at the top : the stem fancifully en- 
 graved in Briot's style, the bowl finely engraved within 
 with a female figure, foliage, and scrolls : it has its 
 beautifully stamped leather case, gilt, and shaped like 
 a tortoise. 71. 7s. The same. 
 
 3384 A silver spoon, with round-shaped bowl, having a chased 
 
 ornamented handle, with a figure of a warrior with a 
 crown on his head at the top, leaning on a shield, with 
 G. D. on it. 11. 2s. Col. Lawrence. 
 
 3385 A silver-gilt spoon : the bowl finely chased inside with 
 
 figures of birds : the stem and handle richly chased 
 and engraved, on the top a figure of a bishop standing 
 with his crozier, ornaments of masks, etc. ; on the 
 handle also a coat of arms, with a bishop's mitre. SI. 1 5s. 
 Marlborough House. 
 
 3386 A silver spoon, with a round-shaped bowl, having a 
 
 chased and ornamented handle, with a figure of a 
 crowned warrior at the top leaning on a shield with 
 T. K. on it. 14s. Col. Lawrence. 
 
 3387 A silver spoon, with round-shaped bowl ; the handle 
 
 richly chased and ornamented ; the top having a female 
 bust at the back of the bowl, a coat of arms with T. E. : 
 on the back of the stem the date 1660 is engraved, but 
 the spoon, from the style of decoration, appears much 
 older. 16*. Pratt. 
 8388 A silver spoon, parcel gilt, the handle chased and richly 
 ornamented, having an ornament like a globe at the 
 
336 SPOONS, KNIVES AND F0BK3. 
 
 top ; on the back of the bowl, the date of 1507 en- 
 graved. 1 1Z. 10*. Annoot and Gale. 
 
 3389 A silver spoon, with round-shaped bowl : on the back 
 
 of the bowl, the letters C. B. and A. S. are engraved, 
 the handle waved, with chased ornamented shoulder, 
 and the top having the figure of an old man, like an 
 apostle, with a tub, having three figures within it, below 
 his right hand. 11. 18s. Marquis of Breadalbane. 
 
 3390 Two small knives (steel bladed), in their original leather 
 
 case, the handles are enamelled, in landscape, subjects 
 on gold, with chased shoulders, where the steel joins the 
 handles. 11. 10*. Durlacher. 
 
 3391 A spoon, knife, and fork, en suite, of silver gilt (steel 
 
 blade), chased and ornamented handles, with female 
 bust at the top, in their original green and gilt leather 
 case. 21. 8s. Bedfern. 
 
 3392 A spoon, of silver gilt, steel bladed knife and fork, en 
 
 suite, the handles enamelled in light blue, with em- 
 bossed garnets and enamelled pearls ; with the orna- 
 mented leather case. SI. 3s. Annoot and Gale. 
 
 3393 A spoon, knife, and fork, en suite, of silver gilt, the 
 
 blade and prongs of steel, the handles in ornamental 
 fillagree work; they have their original ornamented 
 leather case. 1/. 18s. Webb. 
 
 3394 Two English knives, steel blades, with twisted red horn 
 
 and silver ornamented handles, in the original black 
 stamped leather case ; on the blade of the one is en- 
 graved— 
 
 With wealth and beauty all doe well, 
 
 But constant love doth far excel. Elizabeth Wallis ; 
 and on the other— 
 
 My love is fix't, I will not range ; 
 
 1 like my choice, I will not change. Elizabeth Wallis. 
 51. British Museum. 
 
 3395 Two knives, carved amber and chased silver-gilt handles, 
 
SPOONS, KNIVES AND FOEKS. 337 
 
 in their original gold and silver embroidered silk case. 
 II. 10s. British Museum. 
 
 3396 A steel-bladed knife and fork, handles enamelled on 
 
 silver, with ornaments of raised enamelled work, in fruit, 
 etc., with their original case of silk and silver festoons. 
 11. 18s. John Swaby, Esq. 
 
 3397 A knife, fork, and jointed spoon, en suite, steel prongs 
 
 and blade, agate handles, mounted in rich chased filla- 
 gree silver, in their original and gilt leather case. 
 \l. Us. Pratt. 
 
 3398 A knife, fork, and spoon, en suite (steel bladed), the 
 
 other parts in silver and silver gilt, the bowl of the 
 spoon richly engraved ; the handles of the set, in 
 chased fillagree work, with chased gold tops, having 
 garnets in the centres ; in their original painted and 
 gilt wooden case, which has P. B., 1796, on it. 21. 3s. 
 Benjamin. 
 
 3399 A knife, fork, and spoon, en suite, with carved bowl, 
 
 and handles of ivory, the blade and prongs are of 
 steel, in their original case of gilt and stamped red 
 leather, il. 10s. Marlborough House. 
 
 3400 A knife and fork (steel blade and prongs), handles richly 
 
 enamelled in raised flowers, on dark ground on silver 
 gilt. 11. John Swaby, Esq. 
 
 3401 A small fork, silver gilt, ornamented agate handle, with 
 
 chased and pierced mountings. 9s. Annoot and Gale. 
 
 3402 A knife, steel blade, partly engraved and gilt, the handle 
 
 of rich embossed enamel work, and a handle similar 
 for a fork. 51. 10s. Marlborough House. 
 
 3403 A knife and fork, steel blade, the fork silver gilt, handles 
 
 of amber and ivory, carved in representation of a lady 
 and gentleman, in rich costume of the time, 1680, 
 with silver ornaments. 11. Is. Davis. 
 
 3404 A knife, of steel entirely, with a magnificently chased 
 
 figure handle of a female, naked, with drapery round. 
 51. 10s. Webb. 
 
 z 
 
338 SPOONS, KNIVES AND F014KS. 
 
 3405 A knife and fork, of steel entirely, with chased gold 
 mounting between the handles and blade, the handles 
 superbly chased, with the figures of Silenus and Diana. 
 SOL Marlborough House. 
 
 This knife and fork belonged to the Pretender. 
 
 3407 A long spoon, of silver, with small bowl and twisted 
 
 handle, topped with a bacchanalian figure. 10*. 
 A. W. Franks, Esq. 
 
 3408 A handle for a knife, of richly embossed enamel work 
 
 .of flowers. Not found. 
 
 3409 A fork, of the most extraordinary design and workman- 
 
 ship, of silver, and ornamented with garnets ; the fork 
 is jointed, and moves on a hinge, elaborately chased 
 all over with St. George and the Dragon, in raised work, 
 chasings of angels, and the Prince of Wales's feathers ; 
 the top of the handle has a figure kneeling, in prayer. 
 151. Marlborough House. 
 
 3411 A knife, steel blade, ornamented agate handle, with 
 
 silver-gilt chased and pierced mountings, lis. Annoot 
 and Gale. 
 
 3412 Another handle of a knife, of embossed enamel work, 
 
 of silver or copper gilt. 11. Is. W. King. 
 
 3413 A small knife, steel blade, embossed enamelled handle, 
 
 the top silver, mounted with some pebble. 11. 1*. 
 The same. 
 
 3414 A silver-gilt fork, with carved amber handle, represent- 
 
 ing a bust. 16s. Pratt. 
 
 3415 A silver fork, with richly chased handle, surmounted by 
 
 an animal holding a shield, on which a coat of arms is 
 engraved. 10Z. 10s. Annoot and Gale. 
 
 3416 A silver spoon, parcel gilt, with joint and moveable fork 
 
 attached at the back, the inside of the bowl beautifully 
 engraved with the Nativity, within a border of angels 
 and scrolls ; on the back of the bowl, fruit, etc. en- 
 graved; the stem of the spoon chased and ornamented, 
 and surmounted by a female bust ; on the back of tha 
 
SPOONS, KNIVES AND FOEKS. 339 
 
 stem, the date 1624 occurs. 8/. 10*. Marlborough 
 House. 
 
 3417 A silver spoon, with joint and moveable fork attached 
 
 to the back, the stem chased and surmounted by a 
 whole-length male figure ; on the stem, which is six- 
 sided, various inscriptions are engraved " Claes. Ioost. 
 etc.," and the date "Jehova Anno 1592." 61. The 
 same. 
 
 3418 A spoon, jointed and folding back, of mother-o' -pearl, 
 
 curiously mounted in chased silver. ll.lU.6d. The 
 same. 
 
 3419 A silver spoon, parcel gilt, with moveable joint and fork 
 
 attached, the stem and handle richly chased in the 
 renaissance taste, surmounted by a bust of a warrior. 
 51. 15*. Marq; of Breadalbane. 
 
 3420 A crystal fork and spoon, en suite, mounted in gold, 
 
 with gems ; the handles carved at the extremities in 
 the form of goats', or some other animal's heads. 
 11?. 10*. Burlacher. 
 
 3421 A spoon, silver-gilt bowl, but having its handle enamelled 
 
 upon gold, with subjects of figures and heads in pink 
 colour. 81. Marlborough House. 
 
 3422 A spoon, of gold, or silver gilt, curiously enamelled in 
 
 party colours of purple, green, and white, with raised 
 gold ornaments of crescents, stars, etc. ; the handle 
 surmounted by a pomegranate. 14Z. 10*. Lord 
 Londesborough. 
 
 3423 A spoon, of silver gilt, ornamented by enamel scrolls in 
 
 colours ; its bowl of crystal, engraved with T. H. S. 
 and a cross. 81. 15*. Marlborough House. 
 
 3424 A spoon, with a bowl of white shell, the handle of some 
 
 dark blue or enamelled substance carved, and with 
 chased silver-gilt ornamental mounting. 21. 15*. The 
 same. 
 3426 A silver spoon, squat-shaped, with large bowl, the handle 
 curiously chased in leaves, and ornamented with rings; 
 
340 spoons, knives and forks. 
 
 the stem, rudely engraved. 11. 10s. Marlborough 
 House. 
 
 3427 A silver spoon, parcel gilt, of similar shape : the bowl 
 
 has an engraving of a ribbon, with some characters on 
 it, and the handle is chased with a figure of the Virgin 
 Mary, and at the top with a head of an ecclesiastic 
 rising out of an ornamental capital. 101. 15s. The 
 same. 
 
 3428 A silver spoon, similar in shape, the bowl rudely en- 
 
 graved, the handle chased with ornaments like fleurs- 
 de-lys, and having rings. 31. 10*. The same. 
 
 3429 A spoon, silver gilt, with chased ornamented handle, 
 
 the bowl engraved in the inside with subject of Christ 
 rising from the tomb, and on the outside with the 
 Virgin and infant Saviour, and a Latin legend in honour 
 of the Virgin — Virgo gloriosa, etc. 10Z. 5s. The same. 
 
 3430 A spoon, parcel gilt, chased and spiral handle, rudely 
 .engraved within the bowl, which is of a large size, with 
 
 a fancy ornament and some letters round, L. A. R. I. 
 S. *M., and, though much effaced, "Anno 17, 1611;" 
 round the edge of the bowl some rude engraving. 
 41. 10s. The same. 
 
 8431 A long spoon, parcel gilt, with convex-shaped bowl, 
 which is engraved ornamentally outside, shoulder and 
 head of the spoon ornamentally chased ; on the back 
 of the spoon curious marks like what are termed mer- 
 chant's marks, are engraved, with a date 1454 : the 
 engraving on the back is that of the spread double 
 eagle, with a kind of coronet. 21. 4s. Redfern. 
 ,3432 A long spoon, of silver, rudely engraved, the handle 
 ornamented with a bust of Pallas ; on the back of the 
 handle is engraved^- Andreas Gutzmacher, g. 19 Martz, 
 Ao. 1631. 11. 3s. Col. Lawrence. 
 
 3433 A silver spoon, the handle chased, and ornamented with 
 a bird's head at the top. 11. 13s. Annoot and Gale. 
 
SPOONS, KNIVES AJSD FOEES. 341 
 
 3434 Another, chased, handle ornamented with heads — T. S. 
 
 on the back of the bowl. 11. Is. Col Lawrence. 
 
 3435 A spoon, with silver-gilt bowl and shoulder ornamentally- 
 
 chased with heads : the inside of the bowl has a deeply 
 cut ornamental scroll border, the outside an orna- 
 mental device, with a coat of arms, surmounted with 
 a coronet, and the letters " G.P.V.E. ;" the handle is 
 of coral, like a branch at the top. 41. 10s. Marl, 
 borough House. 
 
 3436 A spoon, of silver, with a largish bowl : the stem is of 
 
 a twisted pattern and the shoulder chased in figures, 
 the top having a whole-length figure of a bearded 
 man, with a saw in one hand, and a basket in the other. 
 11. 16s. B. T. Searles, Esq. 
 
 3437 A pair of steel scissors, with metal-gilt handles, and 
 
 bows ornamented with terminal figures. 31. 10*. 
 Marlborough House. 
 
 3438 A small steel knife, with chased steel handle, with tablets 
 
 of mother-o' -pearl. 11. 5s. The same. 
 
 3439 A steel penknife, with metal-gilt handle, and top chased 
 
 with a winged figure and heads. 21. The same. 
 
 3440 A silver case, to hang at the girdle, chased with subjects 
 
 of boys : containing a knife and fork with steel blades, 
 the handles of waved ivory and gilt, the back edge 
 engraved with letters. 21. 8s. Chaffers. 
 
 3441 A knife, with steel blade, and silver fork, with silver- 
 
 gilt ferrules and carved boxwood handles with male 
 and female musicians — in fishskin case. 14s. B. T. 
 Searles, Esq. 
 
 3442 A knife, with steel blade, and silver fork, with ivory 
 
 handles inlaid with silver, and silver-gilt ferrules — in- 
 scribed and dated 1685 — in brown leather sheath. 
 31. 8s. Marlborough House. 
 
 3443 A knife and fork, with steel blades, and chased silver 
 
 handles, engraved in the style of S. Pass, with reli. 
 
342 BIJOTTTEBIE, SEALS AND EITTGS. 
 
 gious subjects — inscribed and dated 1607 — in silver- 
 mounted fishskin case. 81. 5s. Marlborough House. 
 
 3444 A silver spoon, with handle of dark wood, with the top 
 
 carved with a female (of amber) silver mounted. 14s. 
 The same. 
 
 BIJOUTERIE, SEALS AND RINGS. 
 
 3445 A double oval locket, with chain, mounted with silver 
 
 gilt, and containing a portrait of Martin Luther, and 
 one other portrait painted on glass — inscribed D.M.L., 
 and " Post tenebras lux, 1517." 41. 15s. Baron 
 Gvstaee de Rothschild. 
 
 3446 A pair of oval lockets, in old shell camei, with portrait 
 
 of Albert and Isabella, the Governor and Governess of 
 the Low Countries, in gold mounting enamelled tur- 
 quoise. 31. 3s. Wedderburne. 
 
 3447 A flat circular silver seal, with a dragon to suspend it 
 
 by, cut with a coat of arms, and inscription, and the 
 date 1581 engraved on the back. 101. 10s. Marl- 
 borough House. 
 
 3448 A gold finger ring, engraved with St. George and the 
 
 dragon ; formerly enamelled. 41. 5s. British Museum. 
 Said to have teen found in tie Thames. 
 
 3449 Another, with a small emerald set in the pointed form, 
 
 with gothic ornaments. 81. 10s. Chaffers. 
 
 3450 A small gold and enamelled bust of Gustavus Adolphus, 
 
 with an old table diamond pendant, and the lion and 
 sword of Sweden embossed in relief. 91. 5s. C. S. 
 Bale, JEsq. 
 
 3451 A small oval badge, silver gilt, with portrait of Philip II. 
 
 of Spain, and the legend " En tout fidelles au Roy ;" 
 on the reverse, two united hands and two beggar's wal- 'c W 
 lets, with the legend " Jasques a porter la Besace." 
 10s. Wedderburne. 
 
 3452 A silver-gilt badge, in the form of a crossbow, set with 
 
BIJOUTERIE, SEALS AND KINGS. 343 
 
 stones, with a whole-length figure of St. Sebastian, and 
 three others ; inscribed 1551, A. P., and 1554, A. P., 
 and Donavit 1565. 8^. 10*. Marlborough House: 
 Formerly worn by the Captain of the time being, of the Archerfs' Society. 
 
 3453 A round brooch, with its tongue of gold, with knobs 
 
 round the rim — inscribed in gothic letters, " Jovis. a 
 Quimaporta." 21. 10s. D. Falcke. 
 
 3454 A circular gold and enamelled badge, with portrait of 
 
 Gustavus Adolphus, and his Queen Maria Eleanora — 
 enamelled in relief. 221. Baron A. de Rothschild. 
 
 3455 A silver-gilt diamond-shaped ornament, with portrait of 
 
 Charles V. of Germany, and Christ on the Cross, with 
 "Plus ultra" device behind, and inscription "Misere 
 mei Deus, 1547." 10Z. 10s. Marlborough House. 
 
 3456 A small model, in steel and gilt metal, of a wheel-lock 
 
 pistol, engraved. 21. 12s. 6d. Nathan. 
 
 3457 A silver-gilt scent box, in the shape of a frog, on leaves, 
 
 with ruby or garnet eyes, opening twice, with hooks. 
 141. 14s. — Chambers, Esq. 
 
 3458 A silver-gilt ornamental buckle, chased and engraved 
 
 with masks. 161. W. Meyrick, Esq. 
 
 3459 A heart-shaped locket, set with pearls and garnets, en- 
 
 amelled at the back, and a mourning device, with 
 angels in enamel, protected by a crystal covering. 
 31. 10s. Morant. 
 
 3460 A small gold brooch and tongue, complete, formed like 
 
 a spur; the rowel formed of two hands, inscribed 
 " Sea. (Sancta) Maria ora pro nobis," etc. 51. 5s. 
 British Museum. 
 
 3461 A small oval gold and enamelled badge, with a whole- 
 
 length figure in armour, crowned — inscribed "Lud. 
 Mag. inst. 1683." SI. 15s. Marlborough House. 
 
 3462 A small round gold brooch, with tongue, complete, with 
 
 letters raised on dark ground. 6/. 1 5s. The same. 
 
 3463 A small round gold brooch, with tongue complete, en- 
 
344 BIJOTTTEBIE, SEALS AND EINGS. 
 
 graved with a knight in armour, etc. 101. Marlborough 
 House. 
 
 3464 A very small round gold circle like the rim of a brooch; 
 
 on one side inscribed " Sum regis Anglie," and on the 
 other " Comitis Herfordie." 4Z. 5s. British Museum. 
 
 3465 A small round gold brooch, with tongue complete, in- 
 
 scribed on both sides with gothic characters, 11. The 
 same. 
 
 3466 A massive gold and enamelled ancient Hebrew marriage 
 
 ceremonial ring, with Hebrew characters, and the build- 
 ing of a house. 6Z. 6*. Myers. 
 
 3467 Another gold and enamelled ring, of the same nature, 
 
 more richly ornamented. 201. Baron A. de Rothschild. 
 
 3468 An oval gold and enamelled locket, richly embellished, 
 
 and formed inside to contain reliques, the names off 
 various saints engraved round the form of a cross. 
 81. 10s. Earl of Lonsdale. 
 
 3469 An oval convex gold and enamelled reliquaire, perforated 
 
 on bands in the back ; an enamel of St. Martin in 
 front. 16/. Martin T. Smith, M.P. 
 
 3470 An oval flat gold and enamelled locket, with a naval 
 
 engagement and a battle, and Diana and Actseon, etc., 
 within ; inscribed " Henri Tontin m d orphevre a Paris 
 fecit 1637." 91. 15s. British Museum. 
 
 3471 A scent box, of book-shape, of silver gilt, chased and 
 
 ornamented in gothic taste, and set with stones. 11. 4s. 
 Annoot. 
 
 3472 A square-formed ornament, of gold and enamel, with a 
 
 narrow frame, with crystal panels covering two kneel- 
 ing angels at an altar, in enamelled gold. 121. 10s. 
 Marlborough House. 
 
 3473 A silver-gilt cylindrical etui, richly chased with figures 
 
 and devices, a rose diamond set in the top, and another 
 on the spring catch. 51. 5s. The same. 
 
 3474 Another, differently shaped, opening at both ends. 11. 3s. 
 
 Eedfern. 
 
BIJOTJTEBIE, SEALS AND EINGS. 345 
 
 3475 A silver case, engraved and picked out in black ; con- 
 
 taining a pair of scissors, a knife, and a piercer, partly 
 gilt and engraved, with chased heads, figures, etc. 
 11. 13*. /. -S. Forbes, Esq. 
 
 3476 A steel seal, on swivel, with long handle, forming at the 
 
 other end, which unscrews, a scent case, with raised 
 silver work and cypher engraved on tablets. Sold with 
 no. 3477. 
 
 3477 A silver-gilt seal, the handle formed as the Virgin and 
 
 Child, with glory — the seal an old rudely cut intaglio. 
 12s. Wedderburne. 
 
 3478 A small hexagonal silver-gilt essence bottle, with screw 
 
 top, enamelled and gilt. 11. 18s. Earl of Lonsdale. 
 
 3479 A small silver-gilt needle case, pierced with scrollwork, 
 
 and enamelled. 31. Marlborough House. 
 
 3480 A small oval silver pomander box, opening at both sides, 
 
 of pierced work, with figures of a shepherd and shep- 
 herdess — date about 1640. 21. 10s. The same. 
 
 3481 A silver-chased badge of St. George and the drag- - 
 
 worn in the time of Charles I., with the motto " Honi 
 soit," etc. 11. 8s. Annoot and Gale. 
 
 3482 A silver scent case— date about 1640— in divisions formed 
 
 as a skull; it opens by unscrewing at the top, en- 
 graved — 
 
 " Tho' I spoke in vaine, 
 
 This ends my paine." 
 And " If you alive when I am dead, 
 
 'Tis true -what ere to you I 6aid.' ' 
 10J. William Maskell, Esq. 
 
 3483 Another silver scent case, formed as a skull, and con- 
 
 taining in one of the inner divisions the representation 
 of a skeleton recumbent, partly gilt — date about 1640. 
 71. 10s. Annoot and Gale. 
 
 3484 Another, smaller, with chain and ring to wear on the 
 
 finger, like a child's head, on one side ; and the 
 other a skull, with a figure of a child with an hour- 
 
346 GOLD-MOUNTED SEAIS. 
 
 glass leaning on a skull, with the motto " hodie mihi, 
 eras tibi" — date about 1640. 91. 5s. Annoot and Oak. 
 
 3485 A chased and coloured gold seal, with a plain cornelian ; 
 
 the four panneled sides enamelled with allegoric figures 
 relating to France ; the seal opens and discloses under 
 a glass a view of a fortress, with a ship at sea, minutely 
 carved in ivory — in fish skin case. 81. 10s. Marl- 
 borough House. 
 
 3486 A gold finger ring, with a ship and fortress, etc., mi- 
 
 nutely carved in ivory, under glass — in fish skin case. 
 16s. Wetterhan. 
 
 3487 A gold mounted swivel seal, with a bloodstone, engraved 
 
 with a triumphal procession, with the artist's name, 
 " Varan." 51. 5s. Marlborough House. 
 
 GOLD-MOUNTED SEALS. 
 
 3488 A yellow cornelian seal, engraved with helmeted head, 
 
 the stem a negro's bust, of black, white, and grey 
 agate, with coloured stones. 11. 12s. Rev. M. Taylor. 
 
 3489 A red cornelian seal, engraved with a classical profile 
 
 bust, with stem of coloured agate, of a female bust set 
 with diamonds, etc. 31. 10s. Watson. 
 
 3490 An antique black and white intaglio seal, of a figure, 
 
 the stem a bust of a negro, of yellow agate, with white 
 turban, set with coloured stones. 81. 5s. Marlborough 
 House. 
 
 3491 A bloodstone seal, engraved with an antique head, the 
 
 stem of streaked agate, of a female bust set with dia- 
 monds. 1?. 18*. B. Falcke. 
 
 3492 A white agate seal, engraved with a helmeted head, the 
 
 stem of partly coloured agate in the form of a dog, set 
 with stones. 11. 10*. Hertz. 
 
 3493 A light red cornelian ditto, engraved with a Greek bust, 
 
 the stem partly enamelled with small agates and co- 
 loured stones. 11. 7s. The same. 
 
 3494 A bloodstone ditto, engraved with an antique head, the 
 
GOLB-MOTTJTTED SEALS. 347 
 
 stem of pierced curves, with a negro's head in a turban, 
 in agate, set with diamonds. H. 14*. Rev. W. Pigott. 
 
 3495 Another, of partly coloured onyx, engraved with a 
 
 female bust, the stem formed as a female negro bust, 
 of black and yellow onyx, with small diamonds. 21. 2s. 
 Watson. 
 
 3496 Another, of bloodstone, engraved with two birds billing, 
 
 the stem of coloured onyx, carved as a large female 
 bust, set with diamonds. 111. Hertz. 
 
 3497 One, red cornelian, engraved with a bust of Socrates, 
 
 the stem of streaked onyx carved as a bust, enamelled 
 and set with small diamonds. 21. 16s. Watson. 
 
 3498 A plain gold seal, the stem of coloured onyx, carved as 
 
 a three-headed bust, set with diamonds. II. 18*. 
 Annoot and Gale. 
 
 3499 A red cornelian seal, engraved with an antique bust, the 
 
 stem of coloured onyx, with a negro's head in a turban, 
 with coloured stones. \l. 10*. Redfern. 
 
 3500 A seal, of white shaded onyx, engraved with an antique 
 
 head, the stem of coloured onyx, with a turbaned head 
 of a negro, with a diamond at the top. 16*. Watson. 
 
 3501 A seal, of white onyx, engraved with a helmeted bust, 
 
 the back enamelled, the stem with a bust, in red and 
 white onyx. 31. 5*. S. Addington, Esq. 
 
 3502 A red cornelian ditto, antique intaglio, with a classical 
 
 subject, the stem enamelled in raised flowerwork. 41. 
 Marlborough House. 
 
 3503 A plain gold seal, the stem enamelled with blue and 
 
 white. 12*. Davis. 
 
 3504 A heart-shaped bottle, of metal gilt, the surface covered 
 
 with arabesques. 5?- 15*. British Museum. 
 
 3505 A scent bottle, formed of a tortoiseshell, with head and 
 
 legs of silver. 21. 15*. Davis. 
 
 3506 An apple, of silver, opening and containing a skull, of 
 
 silver, crowned with a wreath, and containing a mi- 
 niature inscribed on the outside, "From man came 
 
348 TAEIOUS OBJECTS. 
 
 •woman, from woman came sin, from sin came death — 
 1628." 141. Lord Londesborough. 
 
 3507 A small flat sided ink bottle and stopper ; a small pen 
 
 case ; and a hook to attach them to a girdle of steel, 
 the surface covered with scroll ornaments of silver — 
 in a case. 51. 10s. Myers. 
 
 3508 A miniature, of bishops and saints, with angels singing 
 
 — of early Venetian work. 171. Marlborough, House. 
 
 3509 Another, small, with the Annunciation, inlaid in mother- 
 
 o'-pearl and coloured glass. 112. 10s. Herts. 
 
 3510 A curious snuff-box, the bottom opening and showing 
 
 a carved female figure in a bath, the face seen through 
 a glass opening — the surface ornamented with mother- 
 o'-pearl and small gems. 21. 2s. Annoot and Gale. 
 
 3511 A circular plaque, of bronze gilt, with a landscape and 
 
 a man angling — 7 in. diameter. SI. 10s. Webb. 
 
 3512 Aw Ancient Gaelic Beooch, of silver, of circular 
 
 form, scalloped and surrounded by small upright 
 obelisks, each set with a pearl at top : in the centre is 
 a round crystalline ball, considered a magical gem ; 
 the top may be taken off, showing a hollow, originally 
 for reliques. This interesting work was the property 
 of Macleane of Lockbuy, in the Isle of Mull, and is 
 said to be made of silver found on the estate. An in- 
 teresting work of the time of Queen Elizabeth. Men- 
 tioned in Pennant's Tour — engraved beneath — 4f in. 
 diameter. {See illustration.) 711. British Museum. 
 This Scottish brooch is traditionally said to have been made by a tinker 
 on the estate of Lockbuy in Mull, from silver ore found there in or 
 about the year 1500. It was handed down by the ladies of the family of 
 McLean, till Anna Campbell, the wife of Murdock McLean (who had no 
 male issue), gave it to Isabella McLean, their daughter, wife of John 
 Scrogie, Esq. 
 
 Pennant describes it in his Tour in Scotland, 1772, part ii. p. 14. It 
 was then in Dr. Lort's possession, at the sale of whose effects, July 
 15, 1791, no. 60, it was purchased by Samuel Ts'sson. Mr. Bindley 
 ' bought it at his sale May 18, 1802, no. 67, and Mr. Thomas bought 
 it at Bindley's sale, March 5, 1819, no. 241* ; and on the dispersion of that 
 extraordinary cabinet of rarities, it came into Mr. Bernal's possession for 
 ten guineas. See Catalogue, June 11, 1844, no. 32. 
 
METAL EWER. 
 
 ANCIENT GAELIC BUOOCH. 
 
METAL DISHES AND PLATES. 349 
 
 OBJECTS IN METAL. 
 
 3513 A paie oe ctteiotts Ewebs, metal gilt, formed of 
 
 monstrous animals, the handles formed of the horns ; 
 a cardinal's arms engraved beneath — 8 in. high (See 
 illustration.) 271. John Noble, Esq. 
 
 3514 A circular metal-gilt bowl and cover, the surface chased 
 
 with Moorish designs, surmounted by a figure of a 
 later period. 10?. 10*. Marlborough House. 
 
 3515 Another, larger, richly damascened, with ornaments 
 
 raised in white metal. 211. The same. 
 
 3516 A pair of figures of Hercules, of metal gilt, bearing 
 
 celestial spheres — 16 in. high: 15Z. 10*. The same. 
 
 3517 A curious metal-gilt stand, chased with figures support- 
 
 ing a sphere — 16 in. high. 15Z. 10*. British Museum. 
 
 3518 A pair of or-moulu sconces, with masks, and branches 
 
 for one light each. 11. 6s. Annoot and Gale. 
 
 METAL DISHES AND PLATES. 
 
 3519 A circular brass dish, chased with inscriptions and de- 
 
 signs — 11 in. diameter. 21. 15*. Marlborough House. 
 
 3520 A pewter dish, with figures playing musical instruments 
 
 round the border, and in the centre, between columns 
 —dated 1567 — 10^ in. diameter. 10*. 6d. Col. 
 Lawrence. 
 
 3521 Another, with spir^ly fluted border and raised centre, 
 
 with portrait of Gustavus Adolphus, inscribed — 10 in. 
 diameter. 1 9*. The same. 
 
 3522 Another, with fluted border, and St. George and the 
 
 dragon in the centre — 9^ in . diameter. 1 Is. The same. 
 
 3523 A metal-gilt mounting for a plaque, on three feet, with 
 
 cherubs' heads ; the border of openwork with busts 
 and chimera— lOf in. diameter. 8lA0s. Marlborough 
 House. . 
 
 3524 A curious brass stand, with double pierced rims, formed 
 
 of German letters— 9J in. diameter. W. 6*. The same. 
 
350 ANCIENT OENAMElfTED KEYS. 
 
 3525 A pewter plate, with Gustavus Adolphus on horseback 
 
 in the centre, and in medallions round the border — 
 7f in. diameter. 15*. Davis. 
 
 3526 Another, with scalloped edge, with grotesque figures 
 
 in the centre, and the arms of the Swiss Cantons round 
 the border — 8 J in. diameter. 15s. Wedderburne. 
 
 3527 Another, with the Creation in the centre, and the Seasons 
 
 on the border — 7 in. diameter, lis. Col. Lawrence. 
 
 3528 One, with the Resurrection, and the apostles round — 
 
 1% in. diameter. 13s. Wedderburne. 
 
 3529 One, with kings on horseback, in compartments. Sold 
 
 with no. 3530. 
 
 3530 One, nearly similar — 1\ in. diameter, lis. Col. Law- 
 
 rence. 
 
 3531 One, with William Tell, and arms of the cantons — 
 
 1\ in. diameter. 12s. Wedderbwrne. 
 
 3532 One, with sacred subjects, partly enamelled in colours. 
 
 17s. The same. 
 
 3533 One, with the Resurrection, and figures holding shields 
 
 of arms — 7 in. diameter. 5s. Col. Lawrence. 
 
 3534 One, with the Imperial eagle, and arabesques — 5£ in. 
 
 diameter : and a rim, with kings on horseback — 7$ in. 
 diameter. 6s. Wedderburne. 
 
 Amount of Twenty-Sixth Day's Sale, 8671. 14s. 6d. 
 
 TWENTY-SEVENTH DAY'S SALE. 
 
 ANCIENT ORNAMENTED KEYS. 
 
 3535 A very large steel key, gothic pattern, ornamented with 
 
 cut and pierced openwork scrolls, and pierced for 
 numerous wards. 11. 5s. Marlborough House. 
 
 3536 A steel key, renaissance taste, in the form of a pillar, 
 
 with Corinthian capital, a rich scroll ornamented bow, 
 
ANCIENT OBNAMENTED KEYS. 351 
 
 cut and pierced openwork, with masks, etc., also 
 pierced for numerous wards. 41. Marlborough House. 
 
 3537 A street key, the bow finely chased, and having pierced 
 
 and cut openwork, with a ducal coronet, surmounted 
 by a coat of arms within a circle. 21. The same. 
 
 3538 A steel key, with chased and ornamented bow, having 
 
 a ducal coronet of the royal house of France, sur- 
 mounting a coat of arms, three fleurs-de-lys, etc. 
 31. 5s. The same. 
 
 3539 A steel key, the upright part, etc. finely and orna- 
 
 mentally chased, the bow cut in openwork, scrolled 
 with a kind of coronet at the top. 21. The same. 
 
 3540 A steel key, handsomely chased and engraved, fluted, 
 
 etc., the bow in chased and pierced openwork, with a 
 ducal coronet. 10Z. 10*. Marquis of Hertford. 
 
 3541 A small steel key, richly chased and ornamented all 
 
 over, with pierced openwork bow, surmounted by a 
 ducal coronet. 11?. The same. 
 
 3542 A steel key, the bow richly chased and ornamented, 
 
 having the armorial bearings of the Louvois family, 
 three lizards, etc., and a ducal coronet — date about 
 1 680. 41. Marlborough House. 
 
 3543 A steel key, with richly chased openwork bow, having a 
 
 ducal coronet surmounting a coat of arms, with sup- 
 porters of figures like horses — date about 1680. 11/. 
 Marquis of Hertford. 
 
 3544 A steel key, with chased openwork bow, ducal coronet 
 
 surmounting a coat of arms — date about 1 680. 12. 15s. 
 Marlborough House. 
 
 3545 A steel key, with chased capital, like a pillar to the 
 
 stem, which has an outer steel case, with a pierced 
 scrolled bow. 10 1. 10s. Baron Gnstave de Rothschild. 
 
 3546 A steel key, gothic form, with a moveable bow, the key 
 
 having two ends for different locks ; the bow is of 
 pierced openwork, and having on one side the letters 
 
352 CHAMBEELAINs' GILT METAL KETS. 
 
 A N A : M R A, and on the other, I. H. S. 31. Marl- 
 borough Souse. 
 
 3547 A steel key, gothic form, with a cut and pierced open- 
 
 work bow, and brass ribbed ornament under it. 11. 10s. 
 The same. 
 
 3548 A gilt metal ornament, like a long buckle, or clasp, 
 
 handsomely chased with masks, figures, etc., and re- 
 ticulated openwork. 51. 5s. The same. 
 
 3549 A small brass square-formed ornament, opening like a 
 
 case, apparently intended to be worn suspended ; on 
 one front, are engraved heads of a male and female, 
 with these letters above A. S., M. 0. R. E. ; and on 
 the other, two angels supporting a coat of arms, and 
 above the letters, I. S. 0. 1. F. R. E. 11. 10s. The same. 
 
 3550 A steel mount, for an escorelle, chased and damascened 
 
 with gold, ornamented with trophies, in the renaissance 
 taste — date about 1 540. 41. The same. 
 
 3551 A gilt metal ornamental picker, or hook, with an ear 
 
 picker, moving on a swivel, a little scent case at the 
 handle, chased with medallion busts — date about 1540. 
 14*. Smith. 
 
 3552 A chased steel key, damascened with gold, for winding 
 
 up some musical instrument, ornamented with musical 
 trophies. 11. lis. Gd. Marlborough House. 
 
 3553 A steel key, pierced and ornamented bow, gothic taste, 
 
 circular ornament like a rose window, with openwork, 
 and pierced for many wards. 21. 12s. 6d. The same. 
 
 CHAMBERLAINS' GILT METAL KEYS. 
 
 3554 A key, with chased and pierced bow, having a cypher 
 
 in it, and a crown. 12/. Wetterhan. 
 
 3555 A key, with chased bow, pierced, having a crown at top, 
 
 and within the bow a shield of arms, surmounted by 
 another crown and cypher. 11. As. C. O. Morgan, M.P. 
 
 3556 A key, with chased and pierced bow, having the double 
 
 Austrian eagle, with crown and cypher on one side, and 
 
3699 
 
 BOXWOOD SPOON. 
 
 ; ! 
 
 CHASED K.EY9 
 
CHAMBEELAINs' GILT METAl KEYS. 358 
 
 another cypher on the other side. 11. Is. Marlborough 
 House. 
 
 3557 A key, with richly chased and pierced bow, haying two 
 
 crowns and the arms of Saxony, and on the key part 
 the letters cut open of A. F. (See illustration.) 21. 10s, 
 D. FaleJce. 
 
 3558 A key, with chased bow, having the arms and crown of 
 
 Bavaria. 11. 7s. Marlborough House. 
 
 3559 A key, with chased and pierced bow, having the May- 
 
 ence arms and crown. 15s. The same. 
 
 3560 A key, chased and pierced, the bow shaped like a mantle, 
 
 with a cypher, pierced in the centre, and a cut chased 
 crown above ; the key part has a W. cut open in it — 
 Prussian work. 11. 10s. C. 0. Morgan, M.P. 
 
 3561 A key, with chased and pierced bow, having a crown 
 
 and scrolled cypher work, with a small coat of arms of 
 Saxony, below. 11. lis. 6d. The same. 
 
 3562 A small key, with chased and pierced bow, the key 
 
 richly chased and engraved all over. 11. 8s. Marl- 
 borough House. 
 
 3563 A key, chased, and having a large ornamented bow, with 
 
 a crown and cypher, and supporters ; a lion erect, and 
 an eagle erect, crowned. II. C. O. Morgan, M.P. 
 
 3564 A key, with chased and pierced bow, scrolled work and 
 
 masks. 11. 3s. Marlborough House. 
 
 3565 A key, richly chased and engraved all over, bow cut and 
 
 pierced with a crown and double cypher of apparently 
 George I. 21. 15s. S.Addington, Esq. 
 
 3566 A similar key, differently ornamented. 41. C. O. Mor- 
 
 gan, M.P. 
 
 3567 A similar key, with a different and intricate cypher in 
 
 the bow. 31. 5s. The same. 
 
 3568 A similar key, more richly ornamented, and having in 
 
 the bow double cyphers, apparently G. P. W. (See 
 illustration.) 41. 4s. Marlborough House. 
 
 A A 
 
354 KKTVES AND FOEKS. 
 
 KNIVES AND FORKS. } 
 
 3569 A steel, to kindle fire, handsomely ornamented and 
 
 damascened with gold. 9«. Smith. 
 
 3570 A steel wheel-lock, with its winder for light and fire, 
 
 opening at the back to contain matches ; the steel parts 
 are blued, and have been partly gilt and engraved ; 
 the whole mounted in engraved metal gilt. 11. 3s. 
 Davis. 
 
 3571 A steel knife, with crystal handle, mounted with en- 
 
 graved silver gilt. 11. 8s. Russell. 
 
 3572 A steel knife and fork, partly gilt, engraved with the 
 
 Saviour on the Cross, the Virgin, etc. ; the handles of 
 tesselated squares of mother-o' -pearl and black shell, 
 with yellow scrolls — dated 1623. 21. Marlborough 
 House. 
 
 3573 A steel bladed knife, partly gilt and engraved, with ivory 
 
 handle, fluted with ribbon pattern of silver. Sold 
 with no. 3574. 
 
 3574 A steel knife and fork, with silver gilt handles, with cut 
 
 and pierced scroll tops. 21. 5s. The same. 
 
 3575 Another, partly gilt, and engraved and dated 1622, with 
 
 metal-gilt handles, chased and inlaid with mother-o'- 
 pearl and imitative gems. 131. Russell. 
 
 3576 A steel knife, partly engraved, the handle of mother-o'- 
 
 pearl, with chased steel ornaments, formerly gilt. Sold 
 with no. 3577- 
 
 3577 Another, the handle of worked brass, enamelled in co- 
 
 lours ; an animal's head at the top. 71. 10s. Marl- 
 borough House. 
 
 3578 Another, with worked brass handle, formerly enamelled 
 
 in colours ; a female figure at the top. 19s. Carr. 
 
 3579 A steel knife and fork, with carved horn handles, and 
 
 goat's head tops, mounted with gilt. Sold with no. 
 3580. 
 
KNIVES All]) FOBKS. 355 
 
 3580 A steel knife and fork, with bone handles mounted with 
 
 chased silver, and inlaid with crests, the handle un- 
 screws and makes a corkscrew. 41. As. Marlborough 
 House. 
 
 3581 A steel knife and fork, silver mounted, with handles of 
 
 variegated Venetian glass. 16*. Willson. 
 
 3582 A steel knife, with carved horn handle, the top with a 
 
 lion holding a shield. 9s. D. Falcke. 
 ,3583 A knife and fork, with steel blades ; and a silver-bowled 
 spoon, the handle of dark wood engraved, and mounted 
 and inlaid with silver, with raised studs. 12?. 5s. 
 Russell. 
 
 3584 A knife and fork, with steel blades, with variegated 
 
 Venetian glass handles, mounted in engraved gilt. 
 II. 2s. Davis. 
 
 3585 A knife and fork, with steel blades, and variegated Ve- 
 
 netian glass handles, mounted with engraved silver- 
 gilt. 21, 2s. Marlborough House. 
 
 3586 Another, mounted in silver or metal gilt, 21. Webb. 
 
 3587 A knife and fork, with steel blades, the handles of 
 
 carved ivory, with boys and fruit. 61. 5s. The same. 
 
 3588 Another, with bone or ivory handles, the tops with heads 
 
 of animals. 3/. 10s. D. Falcke. 
 3C89 An ivory or bone knife handle, the top carved with an 
 animal's head. 5s. Wetterhan. 
 
 3590 A knife and fork, with steel blades, and bone or ivory 
 
 handles, the top carved with heads of animals. 1 1. 12s. 
 Marlborough House. 
 
 3591 A knife and fork, with steel blades, and carved ivory 
 
 handles of boys, and silver-gilt ferrules. 31. 5s. Willson. 
 
 3592 An Italian penknife, the blade partly gilt and engraved, 
 
 with carved ivory handle of a sphinx supporting a 
 rearing horse. 12. 15s. Smith. 
 
 3593 A knife with steel blade, with carved ivory handle of a 
 
 harlequin and nude female figure with a child. 11. 
 
 Davis. 
 
 aa2 
 
356 KNIVES AND I'OEKS. 
 
 3594 A knife with steel blade and hinge, the handle of carved 
 
 boxwood, with a female figure. 6s. Willson. 
 
 3595 Another, with carved boxwood handle, with a male, and 
 
 female and child. 8s. Bhodes. 
 
 3596 An elaborately carved boxwood handle, for a folding 
 
 knife, with a group of boys. 1 1. 2s. Willson. 
 
 3597 A small pair of steel shears, in chased steel case of scroll 
 
 pattern. 1Z. 13s. Marlborough House. 
 
 3598 A set of three instruments for the teeth, of steel damas- 
 
 cened with gold and_chased, in case of the same, with 
 a' medallion and ornaments. 10*. 6d. Willson. 
 
 3599 A steel knife, with carved boxwood handle, with a figure 
 
 of St. Matthew ; in sheath of boxwood, carved with 
 eight religious subjects and German inscriptions, and 
 date 1587. 32. Marlborough House. 
 
 3600 A steel knife and .fork, with German silver handles, 
 
 worked and pierced at the top, in fish skin case, 
 mounted with chased German silver, with subjects and 
 scrolls. 3Z. 5s. The same. 
 
 3601 A steel knife and fork, with carved ivory handles, with 
 
 David and Goliath's head — in stamped leather case. 
 11. 11*. 6d. Russell. 
 
 3602 A knife, with steel blade and silver fork, the handles of 
 
 carved ivory, with a gentleman with a falcon, and a lady 
 with a fan, in costume of the period about 1660 — in 
 black stamped leather case. 21. 10s. Annoot and Gale. 
 
 3603 Two small steel knives, with chased steel handles, orna- 
 
 mented with mother- o' -pearl and animal's head tops, 
 in chased steel sheath. 21. 10s. Russell. 
 
 3604 A pair of small steel shears, partly gilt, with figures 
 
 engraved on the blades. 11. 5s. Marlborough House. 
 
 3605 Two small steel knives, with metal-gilt ornamented 
 
 handles, pierced at the tops, the blades partly gilt and 
 engraved, in boxwood sheath, carved with ten scrip- 
 tural subjects, ten of the apostles, and an angel sup- 
 
KNIVES AND FOBSS. 357 
 
 porting a shield, with initials and date 1609. 21. 9s. 
 Wilhon. 
 
 3606 A small steel chiropodist's knife, with yellow metal in- 
 
 laid in the blade, the handle of coloured wood, silver- 
 mounted, with an ape's head — in black leather case, 
 silver-mounted with a large ape's head on the top. 
 Sold with no. 3607. 
 
 3607 A pen and ink case, of black fish skin, silver mounted, 
 
 with coat of arms chased in silver at the bottom. 10*. 
 The same. 
 
 3608 A most curious and interesting knife, (perhaps an astro- 
 
 loger's,) with steel blade .engraved at the back, and 
 large square-shaped silver handle, beautifully engraved 
 in compartments, with subjects of figures, opening at 
 the top and Bides, and again in the interior, in which 
 are minute carvings of scriptural subjects, the inside en- 
 graved all over with almanacs, etc. — dated 1606 : it 
 appears to have been made in Amsterdam — in black 
 shagreen case. 221. 10s. British Museum. 
 
 3609 A curious knife, of the sixteenth century, with flat steel 
 
 blade, appropriated originally to some Hebrew rite, the 
 handle of silver partly gilt, and engraved with a sort 
 of rude niello work ; on the sides an inscription in old 
 Hebrew characters — " Let the high praises of God be 
 in their mouth, and a two-edged sword in their hand.'' 
 Moses Askanser, the son of the learned Eabbi Alex- 
 ander Kat (Cohen) Vinesberg. 51. 5s. Marlborough 
 House. 
 
 3610 A large carved ebony handle for a couteau de chasse, 
 
 with a lion's head, with coral eyes, and other animals, 
 mounted in silver-gilt — of the seventeenth century. 
 11. lis. Davis. 
 
 3611 An ornamented and engraved steel shoe horn, partly 
 
 gilt, with two crossed keys, and the cypher K. W., 
 male and female figures, and a long Grman inscrip- 
 tion, and date 1607. 11. 10s. Pratt. 
 
358 POECEIAIN SNTOI BOXES. 
 
 3612 A knife, with curved steel blade, partly engraved and 
 
 gilt, with handle of green and white, and ivory in 
 stripes, and yellow metal lines. 11. Bussell. 
 
 3613 A knife, fork, and large needle, of steel, the handles of 
 
 bone, painted round indented spots, mounted with 
 brass — in rough leather case. 9*. Benjamin. 
 
 3614 A set of four pieces; consisting of two knives, a pair 
 
 of scissors, and a pair of tweezers, of steel, partly gilt, 
 the handles of steel, gilt, the blades partly engraved 
 and gilt — in black leather case. ll.lZs. Marlborough 
 House. 
 
 3615 A knife and fork, with steel blades and handles, ena- 
 
 melled light blue, with silver busts in relief, and en- 
 graved ferules, with coats of arms. 11. Davis. 
 
 3616 A fine cuir bouilli case, wanting the instruments for- 
 
 merly belonging to it ; richly ornamented with a coat 
 of arms, surmounted by a cardinal's hat. 51. 5s. 
 Marlborough Souse. 
 
 3617 A knife, with steel blade and gold ferule, and ivory 
 
 handle, with carved lion's head, with garnet eyes, on 
 the blade is " C. Duroy a Langres"*— in green fish skin 
 case. 12*. The same. 
 
 3618 A knife and fork, with steel blades and horn handles, 
 
 with male and female busts, etc., silver-gilt mounted. 
 21. 7s. Bussell. 
 
 PORCELAIN SNUFF BOXES. 
 
 3619 An oval Vienna box, with six subjects of figures, in co- 
 
 lours, in compartments, the ground pale green, scale 
 pattern, gilt mounted. 51. 12s. 6d. D. Falcke. 
 
 3620 A square box, with eight views in colours, on the out- 
 
 side ; and one on the inside, in raised scroll borders, 
 with flowers. 61. 17s. 6d. Willson. 
 
 3621 An «val basket-shaped box, green, with four subjects 
 
SOXES PAINTED IN ENAMEL, ON COPPEB. 359 
 
 of Chinese figures, gilt inside, gilt mounted. 51. 10s. 
 Marlborough House. 
 3622 A circular crimson box, with gold ornaments : an un- 
 glazed medallion of Maria Theresa in the centre; a 
 temple, in bistre, on the inside. 11. 12*. Dur lacker. 
 
 3624 A square box, with conversations of figures, in flesh 
 
 colour and green, in raised scroll borders, with flowers; 
 inside, a subject of figures dancing in colours, silver- 
 gilt or metal mounted. 11. 1 Os. 0. E. Coope, Esq. 
 
 3625 An oval box, mounted with gilt, painted with seven 
 
 views, with oriental figures in pink, in green borders. 
 81. Marlborough House. 
 
 3626 An oblong box, pink flowers, in white, and figures after 
 
 Watteau ; inside, mounted with silver-gilt. 11. Ben- 
 jamin. ; i 
 
 3627 An oval box, with double lid, a country house, and 
 
 shield of arms in the sky above, a cypher at the 
 bottom, B. M. E. ; portrait of a priest, in grisaille, 
 under the upper lid, gilt mounted. 41. 8s. S. Ad- 
 dington, Esq. 
 
 3628 A square box, with six beautiful hunting subjects ; and 
 
 a subject inside, mounted with metal gilt, 21. 12*. 
 Bed/em. 
 
 3629 A white circular Dresden box, painted with flowers ; a 
 
 subject of two figures inside, gilt mountings. 4/. 
 Bhodes 
 
 BOXES PAINTED IN ENAMEL, ON COPPER. 
 
 3630 A box, parallelogram-shaped, with original gilt waved 
 
 pattern metal mounting : outside subjects figures and 
 arbours, in black and white, faces tinted flesh colour ; 
 on the inside of the lid, a female in black hood, and a 
 youth in colours. 51. 5s. The same. 
 
 3631 A square white enamel box, with its original gilt metal 
 
 mounting, figures and landscapes, in pink colour, on 
 the outside and the inside of the lid. II. 4s. Gim/nn. 
 
360 BOXES PAINTED IN ENAMEL, ON COPPEB. 
 
 3632- A square box, with its original chased and gilt metal 
 mounting, cupids, etc. in colours, outside ; Venus and 
 cupids inside of the lid. 61. Marlborough House. 
 
 3633 An oblong box, with its original shaped gilt metal 
 
 mounting ; on the outside, figures in costumes, and 
 landscapes, in colours ; on the inside, a female por- 
 trait, holding a mask. 11. 7s. 6d. Bed/em. 
 
 3634 A box, of oblong and swept-curve shape, with its ori- 
 
 ginal gilt metal mounting : on the outside, figures 
 anghng, in colour, raised gilt enamel scrolls and orna- 
 ments. 31. Smith. 
 
 3635 A square box, original plain gilt metal mounting, ex- 
 
 terior playing cards, in colours ; inside the lid, flowers. 
 11. Is. M. J. Higgins, Esq. 
 
 3636 A square box, plain gilt metal mounting ; on the out- 
 
 side, a lady in rich dress, dancing, and Watteau figures, 
 in colours ; on the inside, a portrait of an old man, in 
 a cap and white beard. 51. 15s. Russell. 
 
 3637 A square box, with original chased gilt metal mounting: 
 
 outside, Watteau figures, and scenery in green and 
 shaded. colours ; on the inside, a nymph bathing her 
 feet, and a cupid, in colours. 11. 3s. The same. 
 
 3638 A square box, fluted, silver gilt mounting ; on the out- 
 
 side and inside of lid, classical subjects, in colours. 
 51. 5s. Marlborough House. 
 
 3639 A square and swept curve-shaped box, old gilt metal 
 
 mounting : the outside, dark blue, relieved with white 
 ornaments and gilt scrolls, figures in Watteau costume, 
 on colours ; on the inside, a rustic scene, cattle and 
 figures, in pink colour. 11. 17s. Redfern. 
 
 3640 A small oval box, the white ground outside ornamented 
 
 with imitation enamelled turquoises, and raised gilt 
 circles, paintings of roses, etc. in colours ; the inside, 
 turquoise blue colour, silver-gilt mounting. 41 6s. 
 Russell. 
 
 3641 An oblong flat box, original chased gilt metal mouting; 
 
BOXES PAINTED IN ENAMEL, ON COPPEE. 361 
 
 the outside, fully painted in colours, with Watteau 
 dancing subjects ; inside, a lady and gentleman court- 
 ing. 41. 4s. Smith. 
 
 3642 A small square box, old gilt metal mounted ground ; 
 
 outside, dark blue, embossed raised figures, Chinese 
 costume, in colours, and gilt on the top ; on the inside 
 of lid, dark brown ground and Chinese figures, in 
 colours. 14s. Gwynn. 
 
 3643 A square box, original silver gilt and cage mountings, 
 
 and on the outside a portrait of Ferdinand of Bruns- 
 wick, in a small oval, with allegorical figures and mili- 
 tary subjects ; on the inside, a portrait of Frederic II., 
 of Prussia, in colours. 31. Is. D. Falcke. 
 
 3644 A square box, original chased gilt metal mountings ; 
 
 exterior and interior, battle subjects, in colours. 21. 3*. 
 Davis. 
 
 3645 A large oval box, monks and hussars, in colours, with 
 
 F. R. on the outside, with inscriptions in praise of 
 Frederic II. ; inside a portrait of Frederic II., old gilt 
 metal mounting. 21. 13s. Joseph Mayer, Mq. 
 
 3646 A square box, original chased gilt metal mounting ; out- 
 
 side a battle beautifully painted, and military subjects, 
 in colours ; inside, an officer on horseback ; with double 
 lid having two portraits, Frederic II., and the Duke of 
 Brunswick. 21. 4s. Bed/em. 
 
 3647 A square [Battersea enamel] box, original chased gilt 
 
 metal mounting ; outside, dark blue colour, ornamented 
 with raised white and gilt scrolls ; a portrait, in colours, 
 of Oliver Cromwell, and landscape, medallions. 41. 
 
 G. R. Smith, Esq. 
 
 3648 A square box, original chased gilt metal mounting, ex- 
 
 terior richly painted with Watteau figures and scenery; 
 on the top, the artist's name and date, " Thienpondt, 
 1 758," interior, under a gilt metal plate, a portrait of 
 a lady, in rich costume. 31. 5s. Benjamin. 
 ,3649 A large oblong box, old silver chased mounting, battles 
 
362 BOXES PAINTED IN ENAMEL, ON COPPEK. 
 
 and military subjects, in colours, outside ; on the in- 
 side, the battle of Bosbaeh, November 5th* 1757- 
 31. 10s. — ■ Stocker, Esq. 
 
 3650 A square box, original chased gilt metal mounting ; the 
 
 exterior and interior of the lid have cupids, in colours, 
 ornamented round by gilt scrolls. 11. lis. 6d. Money. 
 
 3651 A square box, original chased gilt metal mounting ; out- 
 
 side, pale yellow ground, with blue ornaments, medal- 
 lions of Watteau figures, in pink colour ; inside of the- 
 lid, a nymph bathing her feet, in pink colour. 10?. 5*. 
 The same. 
 
 3652 A small swept curve-shaped box, original silver-gilt 
 
 mounting : exterior, classical subjects, in colour, and 
 sepia in medallions, with lilac and blue ornaments ; 
 interior, a classical subject, in colours, the bottom gilt. 
 21. 9s. WOlsoh. 
 
 3653 A swept curve-shaped box, in original gilt silver or metal 
 
 mounting : ground outside, dark blue, ornamented with 
 raised rich gold figures, scrolls, and paintings, in co- 
 lours and pink ; in the inside, a subject, within an 
 ornamented gilt and blue border. 31. 10s. Rhodes. 
 
 3654 A square box, original gilt silver or metal mounting: 
 
 outside, a rich classical figure subject, cupids, etc., in 
 colours, ornamented with gilt and crimson scrolls ; in- 
 side, subject of Pan and Syrinx. 61. Marlborough 
 House. 
 
 3655 An oval box, original chased gilt metal mounting ; out- 
 
 side and inside, Teniers subjects, in colours. 31. 3s. 
 Willson. 
 
 3656 A box, shaped like a pianoforte, old gilt metal mount- 
 
 ing : outside, mixed trophies, in colours ; inside, music 
 noted in black, a Polonaise. 21. 3s. The same. 
 
 3657 A circular box, like a kettle-drum, silver mounting, un- 
 
 hinged cover : lined in the inside with silver gilt, mili- 
 tary subjects, in colours ; outside, richly ornamented 
 
DEESDEN AND OTHJEE POECELAIN BOXES. 363 
 
 with raised gold wreaths, figures, and imitative ena- 
 melled gems. 11. 17s. 6d. Davis. 
 
 3658 An egg-shaped box, silver mounting, turquoise blue 
 
 colour, with raised gold ornaments. 41. Earl of Lons- 
 dale. 
 
 3659 An oval box, original gilt silver or metal mounting: 
 
 outside, painted with flowers, with emblematical sub- 
 jects of the four quarters of the world ; at the bottom, 
 the artist's name and date "Friedrich, pinx, 1767 ;" 
 inside, a classical subject, in colours. 31. 12s. D.Falcke. 
 
 3660 An oval box, original gilt metal mounting, and chased : 
 
 outside, imitative marble ground, in colours, with 
 Venus, Cupid, etc., in medallions ; inside, figures and 
 landscape, in colours. 21. 16s. Benjamin. 
 
 3661 A fluted and shell-shaped box, original silver-gilt mount- 
 
 ing and lining ; inside, with paintings of ornaments ; 
 outside, with raised gilt figures. II. lis. John Swaby, Esq. 
 
 DRESDEN AND OTHER PORCELAIN BOXES. 
 
 3662 A square box, with fluted corners, and its original gold- 
 
 chased mounting, painted in colours, with Watteau 
 subjects, surrounded by gilt scroll ornaments, outside- 
 and inside— gilt within. 121. 15s. Benjamin. 
 
 3663 An oval box, with original chased gold mounting : on 
 
 the outside a portrait of an Elector, embossed in white, 
 on pink ground, surrounded as well as the sides with 
 pink ornaments, in colours, of flowers, gilt, etc. ; 
 within the lid, a fancy subject, in colours. 31. 17s. 6d. 
 D. Falcke. 
 
 3664 An oval box, with chased original gold mounting : 
 
 Watteau conversation subjects, on the top, sides, and 
 inside the lid, in colours, ; and within the box itself, 
 flowers painted. 41. Benjamin. 
 
 3665 An oblong box, with original chased gold mounting, 
 
 ground, blue striped : inside of the lid, tops, and sides, 
 
364 DRESDEN AUD OTEEE POECELAIIf BOXES. 
 
 painted in colours, with conversation subjects, in orna- 
 mented panels. 10Z. The same. 
 
 3666 A square box, in original chased gold mounting, inside 
 
 of the lid, a portrait of Frederick II. of Prussia, in a 
 civilian's dress ; outside, top, and sides, cupids, and 
 raised ornaments in pink, framing the subjects. 131. 15s. 
 H. St. John Mildmay, Esq. 
 
 3667 A box, of swept octagon shape, in original gold mount- 
 
 ing ; inside gilt ; landscape and figures in colours on 
 white ground, inside and outside of lid, sides, etc. 
 1 0/. 5s. The same. 
 
 3668 A box, of swept octagon shape, with original gold 
 
 mounting, green ground, and six landscapes, with 
 figures, in colours, within panels outside ; a lady, 
 clown, and harlequin, within ; the inside, gilt. 131. 10*. 
 Benjamin. 
 
 3669 A box, of swept octagon shape, original gold mounting 
 
 yellow ground ; on outside, six seaports, etc., in co- 
 lours, within frames or panels ; inside the lid, harle- 
 quin, columbine, etc., gilt inside. 181. S. Addingtcn, 
 Esq. 
 
 3670 A box, of swept octagon shape, original gold mounting, 
 
 subjects, palaces and landscapes, beautifully painted on 
 the top, sides, and bottom, and on the inside, on a 
 white ground. 16/. 15s. The same. 
 36/1 A square box, original gold mounting, rich paintings in 
 colours, of Watteau fetes, trellis work, and wreaths of 
 flowers on the outsides. 101. Annoot and Gale. 
 
 3672 A square box, in original gold chased mounting, and 
 
 coloured gold ornaments, ground painted in a greyish 
 blue, with medallions, in grisaille, of classical subjects, 
 on the outside ; a lady and pug dog, in colours, within 
 an ornamented wreath in the inside. 121. Benjamin. 
 
 3673 A circular box, with original gold mounting, painted on 
 
 the top with a landscape, in colours ; landscapes on 
 the sides, with a fancy ornamented border ; a landscape 
 
DEESDEN AUD OTHEH POBCELAIN BOXES. 365 
 
 and figures at the bottom ; subject within lid, gilt in- 
 side. 161. 10s. S. Addington, Esq. 
 
 3674 A box, of swept octagon shape, original gold mounting, 
 
 pink ground, gilt inside, seven medallions, in colours ; 
 of seaports and figures on the top and inside lid, 
 sides, and bottom ; and four small medallions, in red 
 colour, within border on the top. 91. 10s. Marlborough 
 House. 
 
 3675 A square box, in original gold and coloured enamel 
 
 mounting, cage pattern, painted in colours, in fancy 
 subjects, outside and inside of lid ; and in the bottom, 
 inside, cupids holding a shield, with armorial bearings 
 of the Albani family ; in the original red velvet orna- 
 mented case. 16Z. 15s. D. Falcke. 
 The box was presented by the Emperor Joseph II., to Cardinal Albani. 
 
 3676 A circular box, original chased gold mounting ; at top 
 
 and bottom, landscapes and figures, in colours ; also a 
 fine painting of a villa, with figures, on the inside. 
 15Z.10s. Hon. Francis Baring. 
 
 3677 AN OVAL BOX, with original gold mounting, beautiful 
 
 paintings in colours on the top, and on the sides, in 
 medallions, and on the bottom, of classical figures, 
 etc. ; arabesque borders, in brown and white colours ; 
 in the inside, a view of Dresden (Marcolini's time) ; 
 in its original red leather case. 40Z. S. Addington, Esq. 
 
 3678 An oval box, original chased gold mounting, figure sub- 
 
 jects, in colours, in medallions ornamented with raised 
 flowers and white scrolls ; six medallions round the 
 sides ; subjects inside the lid, and the inside of the box 
 painted with flowers. 71. 17 s. 6d. Wetterhan. 
 
 3679 An oval box, chased gold mounting, painting in colours, 
 
 of cupids, and a portrait of a prince on the inside ; 
 the box within is painted in imitation of marble ; out- 
 side, the china is ornamented with raised work. 9'. 
 Viscount JDupplin. 
 
366 DBESDEN AND OTHEB POBCELAIIT BOXES. 
 
 3680 A square box, original chased gold mounting, views in 
 
 colours of Meissen, with ' figures on the outside and 
 inside, ornamented with raised scroll work. 101. 
 Marlborough House. 
 
 3681 A box, shaped as a rose, and painted in colours, and or- 
 
 namented with gilding, in its original gold mounting ; 
 within, figures and a French sentence. 8/. 8*. C. S. 
 Bale, Esq. 
 
 3682 A circular box, in its original chased and coloured gold 
 
 mounting, without hinge : on the outside, an imitation 
 of black and gold japan ; in the inside, a Chinese sub- 
 ject, in gold and colours. 11 I. 10s. W. Angerstein, Esq. 
 
 3684 A square box, original gold mounting ; outside and in- 
 
 side, battle subjects, in colours. 61. 10s. O. E. 
 Coope, Esq. 
 
 3685 A square box, original chased gold mounting, painted 
 
 in flowers, etc., in colours,' inside and outside. 41. 7s. 
 No name. 
 
 3686 A box, of octagonal shape, Vienna china, original chased 
 
 coloured gold mounting, inside gilt : raised cameo 
 work in a medallion on the top, richly ornamented with 
 raised and gilt work ; on the sides, garlands of flowers, 
 cameo busts, ornamented with richly gilt and raised 
 work ; on the bottom, winged female figures, within 
 ornamented frame. 201. 10s. W. Angerstein, Esq. 
 
 3687 A box, of oval shape, original chased gold mounting, 
 
 subjects in colours, outside and inside, ornamented 
 with raised scrolls. ' 61. Marlborough House. 
 
 5688 An oblong box, with original gold mounting : military 
 subjects outside ; inside the lid, a marine subject, in 
 colours — the box is gilt inside. 71. 5s. The same. 
 
 3689 A square box, original chased gold mounting ; outside 
 painted in light brown colours, with statue of Hercules 
 and classical ruins ; in the inside, a portrait of Au- 
 gustus, Elector of Saxony, in colours— no doubt, the 
 
CAEVED WOOD SPOONS. 367 
 
 outside subjects are illustrative of the personal strength 
 of Augustus. 61. 5s. DurlacAer. 
 
 3690 An oval box, original chased gold mounting ; outside, 
 
 subjects of cupids, in grisaille, on a pink ground, in 
 medallions ; in the inside, portrait of an empress, with 
 a dog, in colours. 161. 10s. O. E. Coope, Esq. 
 
 3691 An oval box, original chased and coloured gold mount- 
 
 ing, painted outside, with six medallions of cupids on 
 the sides, besides two subjects of cupids ; top and 
 bottom, in colours, ornamented with raised flowers and 
 scrolls ; inside, a portrait, in colours, of a lady. 62. 15s. 
 
 3692 A circular box, original chased gold mounting : outside, 
 
 subjects in colours in Wouverman's style ; iuside, a 
 female portrait, with flowers ; the outside, ornamented 
 with scroll work. 1 01 D. Falcke. 
 
 3693 An oval box, original chased gold mounting, painted in 
 
 colours outside, and inside, with views of Meissen, and 
 ornamented with raised work. 51. Gale. 
 
 Amount of Twenty-Seventh Day's Sale, 763Z. 14s. 
 
 TWENTY-EIGHTH DAY'S SALE. 
 
 CARVED WOOD SPOONS. 
 
 3695 A long and large spoon, in boxwood, finely carved with 
 
 figures, in medallion. 11. 1 8*. H. M. Farquhar, Esq. 
 
 3696 A boxwood spoon, carved in religious subjects, with in- 
 
 scriptions, having an outer case, carved with the Virgin 
 and infant Saviour, of German work. 11. 3s. Robert 
 Napier, Esq. 
 
 3697 A spoon carved in boxwood, with festooned handle, and 
 
 engraved in and on its bowl. 15s. Wetterhan. 
 
368 CAEVED WOOD SPOONS. 
 
 3698 Two spoons, very long and large size, one 'with a per- 
 
 forated bowl, finely carved in boxwood, with religious 
 subjects in medallions at the heads of the spoons, and 
 foliage and boys on the stems. 21. 4s. H. M. Far- 
 quhar, Esq. 
 
 3699 A large spoon, carved in boxwood, with medallions of 
 
 agricultural figures and subjects, and other ornamental 
 carving, with a bee carved inside the bowl. (See illus- 
 tration.') 41. 4s. Sir H. H. Campbell. 
 
 3700 A boxwood spoon, with its original silver gilt and chased 
 
 handle, of a female naked figure, having on her back 
 a shield with an armorial bearing ; the workmanship 
 appears to be Italian. 31. Marlborough House. 
 
 3701 A boxwood spoon, with its original gilt metal and chased 
 
 handle, ornamented in the renaissance style, and sur- 
 mounted with a whole length figure of an apostle. 7s. 
 W. Stirling, M.P. 
 
 3702 A boxwood spoon, with its original silver gilt handle ; 
 
 on the top a whole length figure of St. Peter. 2s. 6d. 
 The same. 
 
 3703 A boxwood spoon, with its original silver and parcel gilt 
 
 handle, partly engraved, and a whole length baccha- 
 nalian figure at the top. 10s. The same. 
 
 3704 A boxwood spoon, or perhaps of softer wood, painted, 
 
 having the figure of a rat carved in relief and painted 
 within the bowl, in its original gilt metal, or silver 
 mounting ; the top of the handle having a whole length 
 figure of an apostle. 6s. P. B. Purnell, Esq. 
 
 3705 A boxwood spoon, on the back a lizard, carved in relief; 
 
 the handle carved, representing a whole length of a 
 halberdier in the costume of the time, which appears 
 to be about 1550. 10s. Thomas Jones, Esq. 
 
 3706 A boxwood spoon, having on the back of the bowl, en- 
 
 graved I.H.S. ; and the handle carved in whole length 
 figures of the twelve Apostles. 11. Marlborough House. 
 
ITOET OH BONE SPOONS. 369 
 
 IVORY, OE BONE SPOONS. 
 
 3707 A long spoon, of bone, the bowl fig shape, the handle 
 
 carved with a nondescript animal, foliage, etc., and a 
 crocodile's head — gothic taste of the early part of the 
 seventeenth century. 17s. Willson. 
 
 3708 A long spoon, of ivory or bone, of gothic taste, the bowl 
 
 of an oblong fig shape, the handle carved ornamentally 
 with annulated bosses and openwork ; the head of the 
 spoon has a gothic letter or numeral carved on a 
 tablet. 14«. The same. 
 
 3709 Four spoons, of ivory or bone, the stems and handles 
 
 elaborately carved in religious and classical subjects, 
 David, Justice, Venus, etc., with a background of trees 
 — time about the seventeenth century. 31. 3s. The 
 same. 
 
 3710 A small spoon, curiously cut, in red and white shell, 
 
 and mounted in chased and engraved silver gilt, with a 
 head at the handle. 13*. H. M. Farquhar, Esq. 
 
 3711 A jointed spoon and fork, in ivory, most elaborately 
 
 carved in religious subjects, masks, fancy devices, etc., 
 the head being a figure of the Virgin Mary and infant 
 Christ — the stem folds on a hinge. 21. IQs. JohnB. 
 Gardner, Esq. 
 5712 Another jointed spoon and fork, in ivory, finely carved 
 in architectural taste on the stem, the top being a 
 winged head supporting a basket of flowers, the bowl 
 of an antique shape. 51. Marlborough House. . 
 
 3713 A short spoon, the bowl being large in proportion, and 
 
 of a spotted sea shell, mounted- in its original silver- 
 gilt, slightly engraved, with a handle of gothic design, 
 having a crest enamelled in colours, at the top. 15*. 
 The same. 
 
 3714 A spoon, the shell, bowl, and handle, mounted silver- 
 
 gilt, and enamelled. 11. The same. 
 
 B B 
 
370 OTHEE OBJECTS IN CABYED WOOD. 
 
 OTHER OBJECTS IN CARVED WOOD. 
 
 3715 A long pipe, elaborately <carved, in boxwood, with agate 
 
 mouthpiece, with figures and rich fanciful designs. 
 32. Ss. Wilhon. 
 
 3716 A long pipe, elaborately carved, in ivory, in figures and 
 
 rich fanciful subjects — in a green leather case. 32. 3s. 
 Nathan. ': 
 
 3717 A mug, carved in boxwood, with subjects of nymphs, 
 
 satyrs, and Cupid. 22. 7s. 6d. Wetterhan. 
 
 3718 A pair of nut-crackers, finely carved in boxwood, with 
 
 a crested warrior's bust, and otherwise ornamented with 
 carved ivory boss at the end, with the date 156.9, carved 
 on a tablet. 31. 13s. 6d. Davis. 
 
 3719 A pair of nut-crackers, carved in boxwood, with double 
 
 faces of an old man and woman. 21. 10s. H. Mi 
 Farquhar, Esq. 
 
 3720 An oblong carving, in boxwood, representing, a stag hunt, 
 
 with figures on horseback. Passed. 
 
 3721 A large boxwood sheath, mounted with engraved silver, 
 
 elaborately carved, with six subjects from the New 
 Testament — 'the date 1594 on the bottom; with Ger- 
 man inscriptions, and W twice on the mounting, con- 
 taining a knife and fork, of chased steel, with negro 
 heads, 52. 18*. Edward Greaves, M.P. 
 
 3722 Two long steel knives, with silver handles, elaborately 
 
 engraved, and chased with Flora, Janus, etc. ; flowers 
 and animals, with inscriptions— in stamped and gilt 
 leather case, with shield of arms and coronet. 52. 
 Marlborough House, 
 
 3723 A boxwood sheath, elaborately carved with scriptural 
 
 subjects, ten of the apostles, and grotesque heads at 
 the top ; an angel bearing a shield at the bottom, of 
 German work, inscribed with initials and date 1593, 
 containing a penknife, with mother-o' -pearl and black 
 
OTHEE OBJECTS IN CABYED WOOD. 371 
 
 wood handle, with negro's head, in silver-gilt mount- 
 ing, with pearl ornaments. 31. 3s. Robert Napier, Esq. 
 
 3724 A steel knife, with chased steel handle, partly gilt, with 
 
 a lion holding a shield, with arms and coronet, in. 
 carved boxwood sheath, with a military expedition, 
 etc., mounted in engraved silver. 101. 10*. Lord 
 Londesborouffh. 
 
 3725 A sandalwood box, beautifully inlaid with flowers in 
 
 ivory and ebony, with silver handles— 16J in. by 10£ 
 in. 51. Wathins. 
 
 3726 A curious stick, the head carved with'St. Martin, on 
 
 horseback, and a Sainton the other side ; palm branches 
 above— 4 ft. 8 in. high. 31. 10*. Marquis of BreadaU 
 
 3727 A carved and gilt Florentine frame, for a faenza dish- 
 
 sight 10 in. diameter. 18*. Prince Soltykoff. 
 
 3728 A sandalwood box, carved, with cypher and coronet, 
 
 surrounded by flowers — 13£ in. by 9£ in. 51. J. S. 
 Forbes, Esq. 
 
 3729 A pair of wooden candlesticks, inlaid with mother-o'- 
 
 pearl, the feet of hexagonal star shape — 12 in. high. 
 61. Pratt. 
 
 3730 A caddy, covered with landscapes and flowers, in straw. 
 
 12*. Col. Lawrence. 
 
 3731 A box, containing flowers and other pieces of Venetian 
 
 glass. 31. 5s. Webb. 
 
 3732 A guitar, the sides inlaid ■with slabs of ivory, engraved 
 
 with scriptural subjects — 1626. 51. 2*. 6d. Pratt. 
 
 3733 A fine large alms dish, of wood elaborately carved, with 
 
 shield of arms in the centre ; four scriptural subjects 
 and the evangelists, in the border — dated 1575 — 22 in. 
 diameter. 71. W. Stirling, M.P. 
 
 3734 A guitar, inlaid with slabs of ivory, engraved with hunt- 
 
 ing subjects and arabesques. 21. 10*. Benjamin. 
 
 3735 An ebony stick, the handle covered with green velvet. 
 
 3s. Willson. 
 
 B B 2 
 
372 POECELAIN SNTJF]? BOXES. 
 
 PORCELAIN SNUFF BOXES. 
 
 3736 A square box, plain mounting : the ground outside 
 
 painted in bright lake coiour, scale pattern ; top, bot- 
 tom, and sides, having classical figure subjects, in 
 colour, within scrolled medallions; inside, a large 
 subject of Venus and Adonis. 91- 15s. Marlborough 
 House. 
 
 3737 A^square box, original chased gold mount, gilt inside : 
 
 landscape and subjects, on top, sides, and bottom ; 
 inside the lid, figures looking at a comet. 71. 10s. 
 Annoot and Gale. 
 
 3738 A box, basket- shaped, gold mount: blue and buff forget- 
 
 me-not flowers pattern embossed all over the outside ; 
 inside, the lid painted in colours, with a Watteau sub- 
 ject; the box, gilt within. 61. 5s. Benjamin. 
 
 3739 A square box, engraved gold mounting : top, sides, and 
 
 bottom, painted in colours, with military subjects, 
 ornamented round with flowers and raised scroll work ; 
 inside the lid, a battle in colours. 21. 12s. 6d. Russell. 
 
 3740 A square box, original chased gold mounting, gilt in- 
 
 side : figures and conversations on the top, bottom, 
 and sides ; a female in rich costume, and buildings 
 within the lid. 61. 10s. Benjamin. 
 
 3741 A large square box, silver-gilt mounting: all over raised 
 
 may-flower pattern, and leaves in colours ; inside, a 
 landscape, shepherd, sheep, etc., in colours — in original 
 red and gilt leather case. 61. C. S. Bale, Esq. 
 
 3742 An oval box, with original chased gold mounting : 
 
 Vienna china ; figures on the top, bottom, and sides ; 
 and inside lid, raised scroll work on the white ground. 
 41. Benjamin. 
 
 3743 A small round jar-shaped box, plain gold mounting : 
 
 the ground is white raised basketwork pattern ; top, 
 bottom, and sides painted in colours, with six medal- 
 
POECELAIH BinTIT BOXES. 373 
 
 lions of figures ; inside lid, subject in colours. 62. 10s. 
 Earl of Lonsdale. 
 
 3744 An oval box, gilt metal mounting : the top and bottom 
 
 painted in pink, with a seaport and figures surrounded 
 with rich coloured and gilt raised scrolls and flowers ; 
 six medallions round the sides, in pink, of seaports, 
 etc., with similar ornaments round them ; inside the 
 lid, a view of a city, in pink. 121. Annoot and 
 Gale. 
 
 3745 A square box, gilt metal mounting : top, sides, and bot- 
 
 tom painted with' figures in green, faces in flesh colour, 
 surrounded by raised scrolls ; inside lid, figures and a 
 lady with dogs, in colours. SI. 15s. Marquis of Bread- 
 albane. 
 
 3746 An egg-shaped box, original gold chased mountings, 
 
 painted in colours, with religious subjects, finding of 
 Moses, etc. 12/. Earl of Lonsdale. 
 
 3747 A small oval box, chased original gold mounting : top 
 
 of Aventurine ; bottom, raised and coloured china, 
 agricultural trophy, and motto in French ; inside, 
 flowers painted. 6/. 10s. Russell. 
 
 3748 A square box, original gold mounting, beautifully painted 
 
 in birds, top, sides, bottom, and inside. 52. Benjamin. 
 
 3749 A square box, Capo di Monte silver-gilt or gold mount- 
 
 ing : with busts of the Caesars, surrounded by co- 
 loured scrolls, on gilt ground, on the top and sides ; a 
 landscape, in pink, on the bottom ; a battle in colours, 
 inside ; the corners of the box are curved in shape. 
 71. 10*. D.'Falcke. 
 
 3750 An oval basket-shaped box, in its original gold mount- 
 
 ing, fluted in shape : inside and outside, a richly gilt 
 ground, with seven medallions, in colours, of Watteau 
 subjects, on gilt ground. 381. 10s. W. Goding, Esq. 
 
 3751 A circular box, unhinged, original chased gold mounts 
 
 ing : the head of a king, in grisaille, on a pink ground, 
 on the top, surrounded by gilt ornaments ; inside, a 
 
374 EQECELAITT SNTiTF BOXES. 
 
 trophy in gold colour ;. at the bottom and sides, wreaths 
 in gold, and some colours. 21. 16s. Wilhow. 
 
 3752 An) oval' box,, in; silver-gilfe mounting, having eight views, 
 in colours, of Meissen, within raised and. coloured 
 scrolled and, flowered' frames ; inside, a portrait of a 
 lady, as a shepherdess. 41. 15s. D. Falelce. 
 
 3'753 A barrel-shaped box, opening at both ends, in its ori- 
 ginal chased gilt-metal mounting, painted in colours, 
 with garlands of flowers over raised hoops round sides ; 
 on the ends, a Gat and dog within raised wreaths of 
 flowers ; within lids, figures and dogs, painted in co- 
 lours. 11. 5s. Earl of Lonsdale. 
 
 3754 Am oblong- box, original chased^ gilt-metal mounting, 
 
 painted in colours, with flowers ; in the inside, a hunt- 
 ing party, in colours. 3?. 1 7s. 6d. Redfern. 
 
 3755 A square box, silver-gilt threaded mounting : outside 
 
 and inside, painted with views:, of Meissen, in colours. 
 41. Benjamin. 
 
 3756 A large- square box, silver-gilt threaded mounting : gilt 
 
 within ; the outside and inside, painted in colours, in 
 battle and military subjects. 51. 5s. Rhodes. 
 
 3757 An oval box, silver-gilt mounting : outside and inside, 
 
 painted in colours, in eight medallions of battle and 
 military subjects ; on the outside, the medallions are 
 ornamented with, raised and coloured flowers and 
 scrolls. 6L Smith. 
 
 3758 An oval box, metal-gilt mounting : outside, there are 
 
 eight medallions of subjects, in colours within raised 
 and flowered ornamented scroll work ; inside lid, 
 figures. 71. 12*. Baron J. de Rothschild. 
 
 3759 A large oval box, silver-gilt chased mounting: the 
 
 ground outside a drab green Ghequered pattern, with 
 six medallions, in grisaille, of cupids, trophies on a 
 blue ground, and gold lines ; within, a mythological 
 subject in grisaille. 131. 10s. The same.] 
 
 3760 An oblong trunk-shnped box, silver-gilt mounting, 
 
P0ECELAZ5T SNTJPF BOXES. 375 
 
 ground painted in green, with shaded white orna- 
 ments ; medallions of aquatic birds, in colours, out- 
 side and inside. 51. Marlborough House. 
 
 3761 A square box, gilt metal chased mounting : outside, 
 
 painted in colours, with subjects ; inside, a lady as a 
 shepherdess. SI. 14*. J. S. Forbes, Esq* 
 
 3762 A square box, gilt metal or silver-gilt chased mounting: 
 
 dark blue ground, ornamented with gilt stars, medal- 
 lions in colours, of figures, cupids, etc., scrolled round; 
 within, cupids, and a rustic scene. 81. Watson. 
 
 3763 An oval basket-shaped box, gilt metal mounting: the 
 
 outside painted with medallions- of figures in pink 
 colours, and ornaments, of raised gilt scroll work ; in 
 the inside, subject, in colours. SI. Nathan. 
 
 3764 A heart and basket-shaped box, silver-gilt mounting : 
 
 the box gilt within, and seven medallions of subjects, 
 in dark bistre colour, outside and inside, in ornamented 
 panels. 81. 1 5s. B.Falehe. 
 
 3765 A square box, silver mounting : painted in military 
 
 subjects, in colours, and having an embossed scroll 
 ornamental work ; in the inside, a painting of a royal 
 family, view of a palace, etc. 21. 4s. Willson. 
 
 3766 A square box, with curved corners, ornamented silver- 
 
 gilt or metal mounting : outside, with raised and co- 
 loured scrolls and painted flowers ; inside the lid, 
 figures dancing, in colours. 51. 5s. Webb. 
 
 3767 A flat square box, imitative of a folded letter, addressed 
 
 " A ma Bonne Garde Malade la Comtesse de Bruhl, 
 etc. a Varsovie, da date le 25, d'Avril, 1755"— gilt 
 metal mounting. 12?. Earl of Lonsdale. 
 
 3768 A flat square box, with gilt metal or silver mounting : 
 
 on top and bottom, cupids, in pink colour, emblema- 
 tical of painting ; within, a female portrait, under the 
 type of Fame, supporting- a portrait of a painter, in 
 colours. 21. 2s. WMkon. 
 
 3769 A square box, original ornamental silver-gilt cage mount- 
 
376 siren?]? boxes enamelled on coppee. 
 
 ing ; black, gold, and shell applique" work in buildings 
 on the outside. 51. 15s. Hon. Francis Baring. 
 
 3770 A square box, silver-gilt mounting, raised indented or- 
 
 namented surfaces : outside, blue, gold, and white ; 
 within the lid a figure subject, in colours. 11. 13s. 
 Willson. 
 
 3771 An orange-shaped box, metal mounting, coloured like 
 
 an orange: within, a subject in colours. 11. 7s. 
 Redfern. 
 
 3772 A circular box, silver-gilt mounting, medallions in pink 
 
 colour outside, of cupids ; within, coloured ornamented 
 borders ; inside lid, a female portrait, in colours, in 
 fancy costume. 41. C. S. Bale, Esq. 
 
 3773 A barrel-shaped box, opening at both ends, gilt silver 
 
 or metal mounting, yellow ground, with embossed 
 white flowers ; and on either end, sporting subjects, 
 embossed white on yellow ground ; within each lid, 
 Watteau figures, in colours, and gilt within. 51. 10s. 
 S. Addington, Esq. 
 
 SNUFF BOXES ENAMELLED ON COPPER. 
 
 3774 An etui, gilt silver chased mounting, painted in colours, 
 
 in mythological subjects : within, embossed scroll or- 
 naments. 11. 19s. Robert Napier, Esq. 
 
 3775 A bodkin case, long and round, original chased gold 
 
 mounting, painted in colours, with figure subjects 
 within, yellow, etc., frame work. 71. 5s. John D. 
 Gardner, Esq. 
 
 3776 An oblong box, original chased gilt metal or silver 
 
 mounting ; outside, painted in colours and gilding in 
 monumental urns, subjects, etc. : in the inside, figures 
 in colours. 21. 15s. Smith. 
 
 3777 A small square box, chased gilt silver or metal mount- 
 
 ing ; outside, painted in colours, in subjects of figures, 
 
SNurr boxes ewameiled on coppeh. 377 
 
 arbours, etc. ; inside, a portrait of a queen, in colours. 
 3/. 10*. Willson. 
 
 3778 A small square box, silver-gilt and engraved mounting, 
 
 lake coloured ground : outside, medallions, in colours, 
 of buildings, figures, etc. ; within, subject in colours, 
 of buildings and figures. 41. 18s. JohnB. Gardner, 
 Esq. 
 
 3779 A square box, silver-gilt mounting : outside, painted in 
 
 colours, with subjects ; inside, a portrait of Augustus 
 Frederic of Saxony, without his wig, in colours. 
 91. 5s. Well. 
 
 3780 A square box, silver-gilt mounting : outside, embossed 
 
 with coloured raised flowers ; in the inside, Diana, 
 Actseon, etc., in colours. Zl. C. S. Bale, Esq. 
 
 3781 A large square box, silver-gilt and engraved mounting, 
 
 painted all over and inside lid with landscapes, and gilt 
 within box. 17/. 5s. Earl of Gosford. 
 
 3782 A square box, fluted and gilt corner sides, gilt metal 
 
 mounting : outside, painted in colours, with the nine 
 of diamonds and the nine of clubs, with flowers ; in- 
 side lid, a subject, in colours, of figures surveying a 
 comet. 21. 8s. R. S. White, Esq. 
 
 3783 A square box, silver-gilt mounting, gilt within : on the 
 
 top of the lid, Hercules and a classical subject, in co- 
 lours ; within, head of a philosopher, in colours ; sides 
 and bottom, Watteau figures, etc., in colours. 61. 2s. 6d. 
 Willson. 
 
 3784 A square box, plain silver mounting : battles in colours 
 
 outside ; portrait, in colours, of Frederic II., of Prussia. 
 51. 5s. 8. RucJcer, Esq. 
 
 3785 A square box, original chased and coloured gilt metal 
 
 mounting : military subjects in colours, outside ; and 
 a battle within, in colours. 21. 19s. Willson. 
 
 3786 A square box, metal chased mounting : Watteau sub- 
 
 jects, in colours, outside ; a classical or mythological 
 subject, in colours within. 11. 16s. Southam. 
 
378 SNOTT BOXES ENAMELLED ON COPPEB, 
 
 3787 A circular box, metal gilt chased mounting* ribbed and 
 
 fluted all over : outside, with flowers painted in colours ; 
 inside box, flowers painted in colours ; and within lid, 
 a large painting, in colours, of figures. 51. 10s. Hon. 
 Francis Baring* 
 
 3788 A circular box, gilt metal or silver mounting : flowers 
 
 in pink colours on the outside ; box gilt within ; and 
 in the inside a subject, in pink colour. 11. lis. 
 Marks. 
 
 3789 A large octagonal box, silver-gilt mounting, outside and 
 
 inside lid, painted in colours, with seaport views, 
 figures, etc., in panels, surrounded by gilt scrolls, with 
 small medallions,, in lake colour,, of views. 221. 10s. 
 D. Faleke. 
 
 3790 A circular box, original chased gilt metal mounting, 
 
 with a moveable gilt metal tray inside : the box is 
 ribbed and fluted, and has flowers painted in green 
 outside, with, circular medallions of figures in green 
 in the centres of the top and bottom ; in the inside of 
 lid, a large painting in colours of a Watteau subject. 
 1 01. Annoot and Gale. 
 8791 A circular box, threaded silver mounting, painted within 
 lid and on the outside in colours, in landscape, figures, 
 etc., within raised and coloured scrolled and orna- 
 mented borders. 122. 5s. H.St. John Mildmay, Esq. 
 
 3792 A box, shaped liked a shell, Capo di Monte china, co- 
 
 loured shells outside ; within lid, classical figures in 
 colours ; box gilt inside ; chased silver gilt mounting. 
 3U. S. AdMngton, Esq]. 
 
 3793 A circular box, like a rose, silver-gilt mounting, painted 
 
 outside in colours, and embossed and raised, with 
 leaves, and a butterfly, and ornamented with gilding ; 
 within lid, a view, in colours, of a part of Rome, with 
 four medallions in lake colour, round. 31. Southam. 
 
 3794 An oval box, silver-gilt mounting, painted on the out- 
 
 side in pink colour, in mythological subjects and land- 
 
SHTJIT BOXES ENAMELLED OS COPPES. 379 
 
 scapes, with gilt ornamented borders; .within lid, Mars 
 and Venus, in colours' — Italian china. 51. 7s. 6d. 
 J. C. Cmruthers, Esq.. 
 
 3795 A box,, oval, and fluted, curved and panelled, gilt silver, 
 
 or metal mounting, arms and crown in colours; out- 
 side, conversational figures in green colour, in medal- 
 lions, and richly gilt ornaments. 161. 10*. D.'Faloke. 
 
 3796 An oval box, with chased silver mounting : the tops, 
 
 sides, and bottom painted in medallions of cupids, 
 within raised and gilt scroll work ; in the inside of 
 the lid, a mythological subject ;, the box is gilt within. 
 SI. C. S. Bab, Esq,. 
 
 3797 A box, modelled as a pug dog, lying down, with its ori- 
 
 ginal chased gilt metal mount ; flowers painted at the 
 bottom- and within the. lid. 1 1 /. 5s. Russell. 
 
 3798 A box, shaped like a female bust, and mounted in chased 
 
 silver : bust,, in colours ; outside, a landscape in pink ; 
 and within the lid, a female, in pink. 51. 5s. P. II- 
 Pwnell, Esq. 
 
 3799 A jar-shaped box, gilt chased metal mount, painted 
 
 with birds. 71. 10s. Earl of Lonsdale. 
 
 3800 A small' oval box, chased silver-gilt mounting ; Watteau 
 
 figures, subjects, etc. outside and within lid. Si. 5s. 
 Willson- 
 
 3801 A circular grooved box, silver-gilt mounting, Watteau 
 
 subjects on top, sides, and bottom ; female subject, 
 with .flowers, inside lid ; box gilt within. 71. 2s. 6d. 
 D. Falcke. 
 
 3802, A circular grooved box, silver-gilt mount, green ground, 
 with medallions of flowers within gilt borders ; inside 
 lid, figures and subjects: the box gilt within. 51. 12s. 6d. 
 Amioot and Gale. 
 
 3803 A circular box, silver-gilt mounting : landscapes with 
 figures in sepia and colours, outside ; inside lid, a 
 subject, in colours, and flowers in colours within body 
 of box. 9/. 15*. Mavks. 
 
380 SNOTT-BOXES ENAMELLED ON COPPEE. 
 
 3804 An oval box, Sevres china, with chased and gilt metal 
 
 mounting, and enamelled flower ornaments — on the 
 top, a painting of a female with a basket of flowers, sur- 
 rounded by a dark blue and gilt border ; paintings of 
 flowers, within dark blue borders, on the sides, on the 
 bottom, within a wreath in gold. 71. Is. Marlborough 
 House. 
 
 3805 An oval box, gilt metal mounting : the outside embossed 
 
 with a bust, in white, of a French marshal, on a blue 
 ground, ornamented with wreaths, flowers, etc., in 
 blue and gilding ; in the inside, fruit, a parrot on a 
 terrace, in colours. 21. 16s. Willson. 
 
 3806 A box, square-shaped, silver-gilt mounting, in colours, 
 
 with a mythological subject within scrolled orna- 
 mented border ; sides having embossed and coloured 
 figures ; the bottom embossed with coloured trophies, 
 figures, and crown, with inscription and date, 31 Jan., 
 1764 ; inside, Pan and a nymph, in colours. 21. 15s. 
 The same. 
 
 3807 A square box, with curved corners, silver-gilt and chased 
 
 mounting, white trellised raised pattern ground, and 
 flowers in colours ; within, a vase of flowers and parrot. 
 11. 16*. Redfern. 
 
 3808 A square box, silver-gilt mounting : outside, embossed 
 
 scroll work, with flowers painted in colours between 
 scroll work; inside, a rich painting of Cupid and 
 Venus, in colours. 21. 12s. 6d. Ralph Osborne, M.P. 
 
 3809 A square box, silver-gilt chased mounting ; outside 
 
 painted in colours, with- Watteau figures; in the 
 inside of lid a subject in colours ; the box gilt inside. 
 61. D. Falcke. 
 
 3810 A square box, original chased gilt metal mounting, 
 
 paintings, in colours, of subjects outside; a female 
 portrait seated, a pug dog, etc., in colours, inside. 
 31. 18s. Willson. 
 
 3811 A square box, chased silver-gilt mounting, paintings in 
 
sntjit-boxes enamelled on coppeb. 381 
 
 colours, outside and inside, of cupids attired in gro- 
 tesque costumes. 47. 9s. B. Falcke. 
 
 3812 A box, swept and fluted shape, silver-gilt mounting : top 
 
 painted in colours, with a Watteau subject, within an 
 embossed ornamented scrolled border ; bottom painted 
 similarly; the sides ornamented with raised scroll 
 work ; inside of the lid Apollo and Venus, in colours : 
 the box is gilt within. 41. 10*. Watson. 
 
 3813 A square box, silver mounting, painted outside and in- 
 
 side with poultry and birds in colours, and having 
 raised and ornamented scroll borders outside. 3/. 
 John D. Gardner, Esq. 
 
 3814 A square box, chased or engraved silver mounting : rich 
 ' paintings in pink, of figures and flowers, within orna- 
 mented borders, on the outside ; a subject of figures, 
 after Watteau, inside the lid. 81. 5s. John B. Jar- 
 man, Esq. 
 
 3815 A square box, original chased gilt metal mounting, white 
 
 embossed lattice pattern ground outside, with views and 
 figures, within gilt medallions ; interior of the box gilt, 
 and a subject, in colours, inside the lid. 9/. 15*. 
 Webb. 
 
 3816 A square box, engraved silver or metal mounting : out- 
 
 side, figures subjects in colours within scrolled raised 
 borders, edged with lake colour, scale pattern, green ; 
 within, a Watteau subject, in colours. 61. Marlborough 
 House. 
 
 3817 A square box, silver-gilt engraved mounting, mytholo- 
 
 gical figures and trophies, cameo like, of light blue 
 grey ground; and inside a naked Venus, in colours. 
 71. 15s. Norman Macdonald, Esq. 
 
 3818 A square box, with hollowed corners, mounted in silver- 
 
 gilt : painted on the outside with subjects of figures 
 within rich gilt scrolls ; in the inside the portrait of a 
 lady at her toilette : the box gilt within, bl. 18s. 
 D. Falcke. 
 
382 SNIHET-BOXES T5KAMELLED OX GOPPEB. 
 
 3819 A large square box, mounted in silver-gilt, painted in 
 
 figures and landscape subjects outside and inside. 81. 
 JBaron J. de Rothschild. 
 
 3820 A ibox, of square form, -with curved sides, in its original 
 
 chased gilt metal mounting ; the top opening in two 
 divisions; the box painted in a blue scale pattern 
 ground, with nine medallions, in colours, of zfigures,, 
 outside and inside. 71. 10s. Durlacher.. 
 
 3821 A box, of large oblong form, fluted and curved, in its 
 
 original chased gilt metal mounting : the outsides 
 painted in landscapes and figures enclosed within 
 medallions of flowers ; the inside of the lid has a large 
 subject of figures at a table ; the box gilt inside, but 
 cracked on the 'top. 61. Mcvr»ks. 
 
 3822 A square box, original chased gilt metal mounting, with 
 
 figure of a Tat on the front of the mounting : the top 
 of the box painted with a subject of a prisoner in the 
 Bastile taming mice ; on the other parts of the box 
 there are subjects of mice and rats ; the top damaged. 
 21. 8s. Red/em. 
 
 3823 A square box, engraved and silver gilt cage mounting : 
 
 Watteau figures, etc. on outside ; inside of lid a mytho- 
 logical subject; box gilt.within. Al. J). Falcke. 
 
 3824 A box, of curved and fluted shape, metal mounting r 
 
 with a crown and cypher in pink on the top ; land- 
 scapes in pink on the sides and bottom ; within, a 
 portrait, in colours, of an empress. ] 1. 7s. Bourne. 
 
 3825 A square box, silver-gilt mounting, in a white ground,. 
 
 with raised and reticulated pattern, flowers, and scrolls 
 of green and gold ■; within the lid, a lady and parrot, 
 in colours. 21. 5s. Willson. 
 
 3826 A large square -box, mounted in silver : on the outside 
 
 paintings of figures, etc. in green, with flesh colour 
 tints, within white scroll embossed borders ; in the in. 
 side of the lid, a fine painting in colours, of a female- 
 
SNTJIT-BOXES ENAMELLED OS COPPEB. 383 
 
 wearing a crown, on a scushion ; the box gilt inside. 
 71 It. T>. Falclee. 
 
 3827 A box, of large square-shape, silver^gilt threaded mount- 
 
 ing : Watteau figures, and subjects outside ; inside, 
 portrait of Augustus the Strong, Elector of Saxony, iD 
 a red dress. 51. 5s. The same. 
 
 3828 A box, of a large square-shape, silver-gilt chased mount- 
 
 ing : on the outside, mythological figures and subjects 
 within highly ornamented and scrolled medallion 
 borders ; within the lid a portrait of Augustus of Sax- 
 ony, in a different costume, and full armour ; the box 
 ornamented inside, with hexagon lattice work, and 
 cyphers of A.R., in pink. 11. Marks. 
 
 Formerly belonged to George IV. 
 
 3829 A square-shaped box, silver-gilt mounting, light pink, 
 
 drab ground, with oval medallions in cameo of classical 
 busts ; within the lid a portrait in colours of Frederic 
 II. 21. 2s. Willson. 
 
 3830 A large square box, mounted, in chased silver-gilt cage 
 
 pattern ; the sides curved, white ground, highly em- 
 bossed in relief with busts of Mars and trophies ; in- 
 side the lid, a painting in colours, of Mars and Venus ; 
 the box is gilt inside. 5/. Davis. 
 
 3831 A box, of square form, engraved silver-gilt or metal 
 
 mount: the outside is painted in landscapes and figures: 
 in the inside, a portrait of a lady reading a letter, 
 within an ornamented oval border. 41. 4s. John D. 
 Gardner, Esq. 
 
 3832 A box, of large square-shape, gilt metal mounting, 
 
 opening both at the top and bottom : in the inside of 
 each lid there are subjects highly coloured ; on, tho 
 outside, small landscape and figures. 81. 8s. — 
 Birch, Esq. 
 3835 An oblong-shaped box, in original chased gilt metal 
 mounting : painted in enamel, on the outside, with. 
 
384 ETTTIS. 
 
 subjects of pastoral figures ; inside, a female portrait 
 holding a mask, with flowers. 31. 12s. Southam. 
 
 3836 A box, of square oblong shape, with its original chased 
 
 gilt metal mounting, painted in enamel on the top and 
 within ; the top with subjects in pink. 21. 10s. R. S. 
 White, Esq. 
 
 3837 A square box, in its original chased silver-gilt mounting, 
 
 painted in enamel, in pink, with flowers outside, and 
 a subject of figures within. 91. 5s. Van Cuyck, Paris. 
 
 ETUIS. 
 
 3838 A female head, painted on stem, with flowers, and 
 
 yellow scale pattern — mounted in gilt-metal. 21. 8s. 
 Russell. 
 
 3839 A leg, in ornamental stocking and shoe, mounted in gilt 
 
 metal. 21. 15s. The same. 
 
 3840 A child, with basket of flowers on its head, mounted in 
 
 gilt metal. 21. 9s. W. Stirling, M.P. 
 
 3841 A baby, in swaddling clothes, mounted in gilt-metal. 
 
 11. 8s. Reginald Neville, Esq. 
 
 3842 A leg and thigh, with stocking half up, mounted in 
 
 gold. 11. 7s. Annoot and Gale. - 
 
 3843 A bouquet of flowers, and upright stalks, mounted in 
 
 gold. 21. 12s. 6d. Red/em. 
 
 3844 An etui, of china, painted in flowers, mounted in ori- 
 
 ginal chased gilt metal or silver, ll. 17 s. Annoot and 
 Gale. 
 
 Amount of Twenty-Eighth Day's Sale, 7791. 10s. 
 
3849 
 
 PADLOCK-SHAPED WATCH. 
 
 BOOK.SHAPED WATCH. 
 
 ~ V" 
 
 CLOCK, WITH CRYSTAL CASE. 
 
WATCHES. 3#5 
 
 TWENTY-NINTH DAY'S SALE. 
 WATCHES. 
 
 3845 An octagonal- shaped watch, crystal and gilt- metal 
 
 mounted, in a plain gilt-metal outer case : a dial plate, 
 gilt metal, engraved; hours only noted — catgut — 
 "John Kendal, fecit." 11. 10s. Wetterhan. 
 
 3846 An oval watch, crystal, fluted and mounted in gilt metal 
 
 in small swept curved edgings ; engraved dial, silver, 
 with the hours on a circular plate, chased with flovrers, 
 fixed on gilt-metal and engraved oval plate, catgut, 
 " Jacques Viother." 157. 10s. Prince Soltykoff. 
 
 3847 An oval watch, crystal, mounted in gilt metal, sides 
 
 panelled with the same ; oval dial plate, in chased and , 
 ornamented silver, having three circular dials for the 
 hours, days of the month, and week, and apertures for 
 the moon's age : it opens both in .front and back. 
 3/. 15*. Webb. 
 
 3848 An octagonal watch, crystal front and back, sides, pa- 
 
 nelled in turquoise-coloured glass or composition, gilt- 
 metal mountings ; dial circle for hours, of Bilver, on 
 metal- gilt plate — name, "Conrad & Kreiger :" it 
 opens both in back and front. 41. 10s. Marlborough 
 House. 
 
 3849 A scalloped or padlock locket-shaped watch, crystal front 
 
 and ribbed crystal back ; gilt-metal engraved mount- 
 ing, dial of gilt metal, hands engraved and pierced in 
 part, hours noted ; days of the month noted on a silver 
 circle, with steel plate apparently for moon's age — cat- 
 gut — maker's name, " Gio. Batt. Mascarone." (See 
 illustration.) . 2\l. . Rev. J. J. Moss. 
 
 3850 An octagonal watch, of crystal, with gilt metal mount- 
 
 c c 
 
386 WATCHES. 
 
 togs, sides in panels ; the hours noted on a silver circle, 
 on an engraved gilt-metal plate ; it opens on the back 
 and front — maker's name NR. 51. 5s. Annoot and Gale. 
 
 3851 A tulip-shaped silver-gilt watch, opening on the three 
 
 sides ; the hours noted on a silver dial, on an engraved 
 gilt plate— maker's name, " Adam Gluck, Aug." 81. 
 Van Cuych, Paris. 
 
 3852 A tulip-shaped silver watch, enamelled in black small 
 
 squares or chequers ; the hours noted on an engraved 
 oval silver dial, catgut — " Edward Bysse, fecit." 
 11. 15s. Webb. 
 
 3853 A tulip-shaped silver watch, ornamented with raised and 
 
 cut or chased chequers, on a panel, gilt ground ; hours 
 noted on a gilt circle, with chased silver foliage in cen- 
 tre, catgut — "Daniel Van Pilcom, fecit Amsterdam, 
 M.DCXL." 61. 15s. C. O. Morgan, M.P. 
 
 3854 An octagonal gilt silver or metal watch, the back and 
 
 front being of opaque blue glass or composition, richly 
 enamelled in colours, with gilding in flowers : the 
 hours noted on a silver circle, on an engraved gilt 
 plate — " A B L :" it opens in back and front. 51. 
 Marlborough Howe. 
 
 3855 An oval pear-shaped watch, crystal front and' back, in 
 
 parcel gilt silver mounting: it opens in front and 
 back ; hours noted on a silver circle on an engraved 
 giltplate— " J. H. Ester." 171.10s. Prince Soltykof. 
 
 3856 An octagonal silver watch, parcel gilt : sides, front, and 
 
 back prettily engraved ; hours noted on a silver en- 
 graved circular plate laid on an engraved gilt plate — 
 " C. Cameel a Strasbourg." 101. 10s. Marlborough 
 
 3857 A pear or locket-shaped silver-gilt watch, crystal front: 
 
 very handsome dial plate, enamelled with coloured 
 
 flowers; hours noted on enamelled circle "Conrafc 
 
 Kreitzer." 51. B.Falclce. 
 
 3858 A round silver watch, parcel gilt, finely engraved on 
 
WATCHES. 387 
 
 the front, back, and sides with scriptural subjects: 
 dial plate handsomely engraved, with hours noted on 
 a silver circlet thereon — "James Vanbrosis fecit." 
 11. 5a. Van Cuyeh, Paris. 
 
 3859 A round crystal watch, with gilt silver or metal mount- 
 
 ing, the crystal cut in diamond-shaped panels ; the dial 
 plate of silver, engraved — the maker " Chas. Bobinel" 
 —catgut: it has an outer black shagreen silver-mounted 
 case. 11?. 10*. Marlborough House. 
 
 BEEIOD Or ELIZABETH OB JAMES THE FTRgT. 
 
 3860 A skull-shaped silver watch; engraved on the outside 
 
 with an hour glass, and Latin moral mottoes — catgut ; 
 hours noted on an engraved dial plate — " Charles Bo- 
 binel :" time of Elizabeth. 16L Rev. J. J. Moss. 
 
 3861 A crucifix or cross-formed silver-gilt watch, handsomely 
 
 engraved on all parts, with figures, emblems, etc. ; dial 
 plate, handsomely engraved hours on a circlet : it opens 
 both in front and back ; time of Elizabeth. 20?. 5s. 
 Prince Soltyhoff. 
 
 3862 A cross-shaped silver-gilt watch: points of the cross 
 
 rounded ; richly engraved all over ; engraved dial plate, 
 with the hours noted on a circlet thereon: time of 
 Elizabeth. 20Z. 10*. The same. 
 
 3863 A silver watch, shaped like a duck: engraved dial 
 
 plate, gilt, with a silver circular plate for the hours — 
 in an original shaped black leather outer case, orna- 
 mented with silver studs : time of Elizabeth. 24 1. Lord 
 Londesborough. 
 
 3864 A round silver watch, ornamented with raised ribs or 
 
 rftys ; hours noted on a dial, engraved in flowers — 
 catgut — "Theodore Girard, Blois:" Elizabeth or 
 James I. 21. 10s. Pratt. 
 
 3865 A cross-formed watch, crystal, with gilt silver or metal 
 
 mounting, engraved : a group of figures apparently 
 added at the top ; opening at the back and front ; 
 
 c c 2 
 
388 WATCHES. 
 
 hours noted on an engraved dial — mark N. R. : Eliza- 
 beth. 13/. 10*. Marlborough House. 
 
 3866 A fleur-de-lys shaped watch, the front of crystal, and 
 
 the back and mounting of gilt metal ; the dial round, 
 and of engraved silver, set in a gilt metal plate, engraved 
 — " Henry Gebert a Strasbourg :" Elizabeth or James I. 
 117. Annoot and Gale. 
 
 3867 A small octagonal watch, in a fluted melon-form amber 
 
 case, mounted in gilt silver or metal ; the dial of silver, 
 enamelled, with crystal over it : Elizabeth or James I. 
 13Z. Prince Soltykoff. 
 
 3868 A silver watch, shaped like an eagle, with Ganymede 
 
 clasping its neck ; hours noted on an engraved and 
 ornamented dial plate — " E. Delafueille :" Elizabeth. 
 261. 10s. Lord Londesborough. 
 
 3869 A flat square watch, gilt silver or metal, with raised 
 
 ornamental silver and flowers, a jour on the case ; 
 hours noted on a circle, with the dial having the same 
 silver ornamental work — catgut — " Johan. Michael 
 Kheller :" James I. 91. 19s. 6d. C. O. Morgan, M.P. 
 
 3870 A flat square watch, silver gilt and engraved, ornamented 
 
 with cut-silver scrolls, a jour on the sides and on the 
 dial plate, with hours noted thereon ; glass in a circle 
 over the dial — " Johannes," the remainder of the 
 name hidden by the works : James I. 51. D. Fdlcke. 
 
 3871 A square gilt metal or silver watch, the bottom part 
 
 swelling outwards, and chased in scrolls, etc. ; the dial 
 handsomely ornamented in blue enamel, with the hours 
 on a white ground; crystal over the dial — "John 
 Joyne, St. Germain a Paris :" James I. 71. 15s. 
 C. O. Morgan, M.P. 
 
 3872 An octagonal smoked topaz watch, the sides and back 
 
 cut in panels, the dial-plate enamelled in colours on 
 
 gold, the mounting of gilt silver, or metal— in an 
 
 outer case of green shagreen, etc: Elizabeth or 
 James I. 14lt 10s. Prince Soltykof. 
 
WATCHES. 389 
 
 3873 A round-ribbed or fluted silver-gilt watch, the hours 
 
 noted on engraved silver dial-plate — maker's name, 
 • " Girard a Caen." 21. 10s. Wetterhan. 
 
 3874 A small round silver-gilt watch; hours noted on a plain 
 
 silver dial — catgut — " Pierre Dufour :" it has a very 
 handsome outer case of black shagreen, with the coro- 
 net of a marquis and rich cypher and other ornaments, 
 with small gilt studs : James I. 21. 5s. Marlborough 
 House. 
 
 3875 A round silver watch, chased or embossed like a rose, 
 
 the dial, with the hours noted, handsomely chased — 
 "Benjamin Rotterodd" — catgut: it has a handsome 
 outer case of black and brown, profusely ornamented 
 with silver studs : James I. 71- 15*. The same. 
 
 3876 A round gold watch, enamelled on the back ; subject of 
 
 Venus and Mars, medallions of cupids round the sides ; 
 in the centre of the dial a circular portrait in enamel 
 of Charles II., of England ; in the inside of the gold 
 case a large portrait in enamel of the Earl of Rochester 
 — " Rob. Dingley, London :" it has a handsome outer 
 case of shagreen, richly ornamented with gilt studs 
 in scrolls ; it is supposed to have belonged to one of 
 the royal family, or their connexions, in the time of 
 Charles II. 171. 10s. Chaffers. 
 
 3877 A round gold watch : fine portrait, in enamel, on the 
 
 back, of William III. on a white horse at the battle of 
 the Boyne ; in the centre of the dial, enamel of St. 
 George and the Dragon ; the hands of the dial are or- 
 namented with rose diamonds ; the sides of the watch 
 enamelled in flowers : inside, a landscape in enamel 
 — " Josephus Norris, Amsterdam ;" the watch has an 
 elegant gold outer case ; on the sides ornamentally 
 chased and pierced. This watch is supposed to have 
 belonged to the royal family of the time. \7l- 6s. 6d. 
 Lebenheim. 
 
 3878 A massive gold repeater, with ornamented gold dial. 
 
390 WATCHES. 
 
 This watch belonged to the Duchess (Sarah Churchill) 
 of Marlborough, and was given to her by Queen Anne. 
 The inner case handsomely chased and pierced, with 
 ornaments of birds and scrolls round the sides, with 
 an engraved portrait bust of Queen Anne under a 
 canopy, with the lion and unicorn as supporters ; and 
 in the middle of the back of the watch there are the 
 initials S. A. C. : the outer case is richly chased with 
 female busts in medallions, and pierced with small cir- 
 cular apertures for the sound ; and in the centre an 
 engraved cypher — maker's name, " John Halsted, 
 London." 36?. -r White, Esq. 
 
 3879 A round gold chased repeating watch, with ornamented 
 
 gold dial. This watch belonged to George I. The 
 inner case is handsomely chased and pierced, having 
 the royal arms, surmounted by a crown within an or- 
 namented circle, at the back ; the outer case is finely 
 chased with a subject of the king hunting the wild 
 boar, and chased ornaments of busts, trophies, etc. — 
 maker's name, "Z. Michau Georg. Albrecht." 15?. 
 Marlborough House. 
 
 3880 A round gold enamelled watch : on the back, subjects 
 
 enamelled of the Elector and Electress of Branden- 
 burgh, in classical attire ; in the centre of the dial 
 plate is an enamel of Diana and Endymion ; round 
 the sides, enamels of landscapes in medallions, on a 
 blue ornamented ground ; a tablet in the middle — 
 — " les deux freres heraut de son A. E. a Berlin ;" 
 inside the case, an enamel of a large landscape — 
 maker's name, "Jean de Cherudens:" in an outer 
 case of black shagreen, ornamented with gilt studs 
 141. 10s. Marlborough House. 
 
 3881 A large round hunting-shaped gold enamelled watch, 
 
 beautifully enamelled with figures and landscapes after 
 Poelemberg, on the front, back, and sides, and on 
 the dial, and in the insides of the hack and front : the- 
 
WATCHES. 391 
 
 original catgut in the works — maker's name, " Hans 
 Canraet Btcninger, Amsterdam :" Charles I. 201. 10*. 
 C. O. Morgan, M.P. 
 
 3882 A large gold enamelled round hunting watch, finely 
 
 enamelled on the front and hack with the subjects of 
 Charity and Faith; round the sides, landscapes; on 
 the dial, and inside the case, landscapes — the maker's 
 nrime, "Nicholas Bernard. &.. Paris" — catgut: Charles 
 I. 15?. 15*. Marlborough House. 
 
 3883 An oval Anted ivory watch, gold and enamelled dial 
 
 plate, and gold enamelled mountings; catgut, on silk; 
 in a black shagreen case. 11. 17s. 6d. Annoot and 
 Gale. 
 
 3884 A round gold enamelled watch : in the centre of the 
 
 dial, Diana; at the back, a classical figure subject; 
 round the sides, landscapes in medallions, on a blue 
 ground, ornamented ; on a tablet, on centre of sides, 
 "Heraud le puisne* fecit ;" and landscapes inside the 
 case — maker's name " Jacques Cartier :" it has an 
 outer dark shagreen case, ornamented with gilt metal 
 studs, disposed in flowers — 1650 to 1700. 16Z. 
 S. Addington, Esq. 
 
 3885 A ROUND GOLD AND ENAMELLED WATCH : in 
 
 the inner case, on the back, a subject; round the 
 sides, birds ; the hands of the dial ornamented with 
 small diamond sparks ; within the inner case, an enamel 
 of a landscape — maker's name, " Ben. Gray Just 
 Vulliamy, London, Z. N. 0." This beautiful watch 
 has an elegant outer case of crystal, mounted in chased 
 gold, with a brilliant knob. 21?. Lebenheim. 
 
 3886 A round gold enamelled watch, formerly given by 
 
 George II. to the wife of Sir Robert Walpole: the 
 sides are ornamented with raised enamelled flowers ; 
 on the back, a curious enamel of translucid kind, of 
 three musicians, apparently older than the other parts 
 of the watch — maker's name "Joseph Marteau, senior, 
 
392 'WATCHES. 
 
 London ;" in the inside of the case, a -written inscrip- 
 tion — " This watch was given to Sir R. Walpole's first 
 wife, by George II. when Prince of Wales, 1721." 
 From Strawberry Hill. 421. Russell. 
 
 3887 A round gold and enamelled watch : on the back, the 
 
 subject of Galatea; round the sides, medallions of 
 landscapes on a blue ornamented ground, the name of 
 the enameller on a panel, " Heraud le puisne fecit ;" 
 on the dial, a classical subject; the hands set with 
 sparks : a landscape inside the case — maker's name, 
 " Stephen Tracy, Rotterdam." 14?. 10*. C. O. Mor- 
 gan, M.P. 
 
 3888 A round gold and enamelled watch, hunting shape: 
 
 classical subjects on the front and back ; landscapes 
 round the sides, and on the dial, and inside the case — 
 maker's name, " Josephus Norris, Amsterdam :" it has 
 an outer protecting case of shagreen, studded with 
 gold or gilt metal studs : Charles I. 18?. 7s. 6d. Rev. 
 J. J. Moss. 
 
 3889 A round gold enamelled watch, hunting shape : beau- 
 
 tifully enamelled subjects of the Virgin and infant 
 Christ on the front, back, dial, and round the sides, 
 and inside cases, also surrounded with small enamels, 
 imitative of turquoises — "Jean Hebrat a Bruxelle:" 
 it has the original catgut. From the Debruges Col- 
 lection ; Charles I. 18?. 7s. 6d. C. O. Morgan, M.P. 
 
 3890 A round gold-mounted agate watch, hunting shape, or- 
 
 namented with enamel : the dial of gold, and enamelled 
 in part with coloured ornaments, and'with two rubies on 
 the dial ; the initials H. G. R. on the works : James I. 
 1 51. 10s. Marlborough House. 
 
 3891 An octagonal crystal watch, mounted in gold, and en- 
 
 amelled round the edges ; dial gold plate enamelled in- 
 green colour, catgut — maker's name, etc. — D. du 
 cheminAR. 16?. 10s. Prince Soltykoff. 
 
 3892 A very diminutive round gold watch, ornamented with 
 
WATCHES. 393 
 
 raised enamelled coloured flowers, and pierced; the 
 dial has coloured enamelled ornaments on the plate ; 
 apparently this watch has had a striking movement. 
 It has an outer case of gold or silver gilt, engraved on 
 one side with a cypher, and on the other side a coat of 
 arms : the gold chain and key are of much more mo- 
 dern date — 1500 to 1550. It is a most curious speci- 
 men. 271. P. B. Purnell, Esq. 
 
 3893 A small octagonal gold and enamelled watch, with rubies 
 
 set in projecting tablets round the sides, enamelled 
 birds at the back — maker's name P. P. or P. D. A 
 most curious specimen : it has a small chain and oddly 
 shaped key: Elizabeth or James. 282. 10*. Baron 
 Gustave de Rothschild. 
 
 3894 An oval watch : the back and front cut out of a Syrian 
 
 garnet, cut in squares ; the sides mounted in gold, and 
 set round with old tallow-drop-shaped rubies set in 
 silver, with two old cut diamonds at the top and place 
 of opening ; the dial plate chased in gold — catgut. A 
 very fine and rare specimen : Elizabeth or James. 751. 
 Russell. 
 
 3895 A round gold enamelled watch : on the back subject of 
 
 a female bathing, attended by two handmaids ; on the 
 dial Diana ; round the sides landscapes in medallions ; 
 on a blue ground, with yellow ornaments ; in the in- 
 side a landscape — maker's name, " Quainte, London ;" 
 in a panel round the sides the enameller's name " Les 
 freres Huant :" the watch has an outer case of green 
 shagreen, with gilt metal ornament — 1650 to 1700. 
 71. 5s. Lebenheim. 
 S896 A round gold enamelled watch, hunting shape : back 
 and front, with paintings of a sacred character, most 
 finely executed — name of the artist at the back, under 
 the infant Christ, "Vauguer Pin;" enamelled medal- 
 lions of subjects, etc. round the sides ; on the dial, in 
 centre, a sacred subject ; and within the cases, back 
 
394 WATCHES. 
 
 and front, enamels of the Holy Family, in landscapes 
 — maker's name, " C. Bonneux, A Paris" — catgut : it 
 has an outer protecting gold case with chased orna- 
 ments, with glasses back and front. Vauguer was a 
 famous enameller, of Blois, and this watch is said to 
 have belonged to Anne of Austria. 221. Chaffers. 
 
 3897 A round watch, most beautifully ornamented in the front, 
 
 back, and sides, in raised and pierced enamel work of 
 coloured flowers in gold or gilt metal, hunting shape : 
 dial, plain gold, or gold metal ; on the inside of the 
 top lid is a fine etching of a landscape, with figures of 
 satyrs, etc. : intended for catgut — maker's name, 
 " Claude Pascal a la Haye :" James I. or Charles. 331. 
 Marlborough House. 
 
 3898 A round gold and enamelled watch, hunting shape : en- 
 
 amels of Theseus and Ariadne, Neptune, etc. on the 
 front and back ; and classical subjects, in landscapes, 
 round the sides, with masks between them; in the 
 centre of the dial, cupids with doves ; in the inside of 
 front case, a landscape and figures, and in the inside 
 of back, flowers — maker's name, " Simion Van Leuwen, 
 Amsterdam:" Charles I. 51. 10s. Davis. 
 
 3899 A round gold and enamelled case for watch, hunting 
 
 shape : front and back finely enamelled in colours with 
 battles ; round the sides are classical subjects, enamelled 
 in pink colours, within tablets or medallions, separated 
 by figures, in colours on a black ground ; inside the 
 cases are battles in pink colours, one of which resem- 
 bles the subject of the contest of the Bridge of Pisa. 
 This ease is of apparently Italian workmanship : Charles 
 I. 51 5s. B. Falcke. 
 
 3900 A gold and enamelled square watch : the back and sides 
 
 richly enamelled in coloured and raised flowers ; the 
 dial covered with crystal, ornamentally enamelled ; and 
 on the centre of the dial, on a green enamelled 
 ground, is an embossed enamelled cupid, with bow and 
 
WATCHES. 895 
 
 arrow, which acts as an index to the hours — maker's 
 name, " Jean de Choudens, A.K. ;" on the hack, in the 
 centre, is an enamel of Cupid and Venus : James or 
 Charles I. 50/. Russell. 
 
 3901 A round gold and enamelled watch, having on the back 
 
 and on the centre of the dial, classical subjects ; in- 
 side of the case a landscape ; round the sides are land- 
 scapes in medallions, on a blue ground, with fruit — 
 maker's name, " Philippus Van Ceulen Hage :" it has 
 an outer case of dark shagreen, with gilt mounting : 
 about 1650. 61, lis. 6d. Wilhon. 
 
 3902 An oval silver watch, parcel gilt ; round the sides, chas- 
 
 ings of animals, birds, and scroll work; dial, silver 
 and gilt metal, engraved with scrolls and animals : it 
 has been formed to tell the moon's age, days of the 
 month, etc. ; in the inside of the back case there has 
 been a sun dial and compass— maker's name, "Dupont 
 a Castres :" Elizabeth or James. 31. 5s. Litchfield. 
 
 3903 An oval silver watch, with gilt metal mountings : the 
 
 sides round are pierced in gilt metal, with scrolls, 
 figures, and animals ; the front and back finely en- 
 graved with subjects of "Vera opulentia," "Curiosi- 
 tas," etc., surrounded by beautifully chased borders of 
 figures, scrolls, etc. ; the inside of the top case is en- 
 graved with a landscape ; the dial plate of gilt metal, 
 is engraved with landscapes, etc., and has a silver cir- 
 clet for the hours in centre ; the watch has a bell for 
 an alarum — maker's name, " Noel Hubert, Bouen." 
 Elizabeth or James. 51. 10s. Marlborough House. 
 
 3904 A silver watch, shaped like a shell, and fluted : the dial 
 
 is chased and engraved in scroll work and figures, in 
 Niello manner, on the silver, on a black ground, and 
 ornamented with gilt metal, engraved round it- 
 maker's name, " Pierre Combret a Lyon :" Elizabeth 
 or James. 8/. 10s. The same. 
 
 3905 An oval-shaped silver watch : front and back finely 
 
396 WATCHES. 
 
 chased with birds, scrolls, etc. ; the sides of gilt metal 
 engraved in leaves ; the dial plate of gilt metal chased 
 with ornaments of birds, scroll work, etc. ; and having 
 a silver circlet for the hours — maker's name, " N. Ridg- 
 dale :" Charles I. 41. Marlborough House. 
 
 3906 A round silver-gilt watch, hunting shape : front and 
 
 back chased in high relief, in battle, and other subjects, 
 and the sides in scrolls and figures ; the dial plate 
 engraved — maker's name, "Nicholas Cuy, k Paris." 
 11. 10s. Davis. 
 
 3907 An octagonal gilt-metal watch : the cover of dial pierced, 
 
 and representing the lamb and cross, with armorial 
 bearings ; the dial plate of silver, rudely enamelled ; 
 the back pierced in circular ornaments — maker's name> 
 "J. P.": the works appear rudely fashioned. 11. Litch- 
 field. 
 
 3908 An octagonal gilt-metal watch, with a scroll-shaped out- 
 
 side, engraved, with four blue glass or pebble orna- 
 ments at the corners, and a projecting screw point on 
 the outside, to fasten to some plan ; the back is of 
 amber, and has an eagle engraved on it ; the dial plate 
 is engraved with figures, and has the hours, etc., on a 
 silver circlet. 11. 10s. Russell. 
 
 3909 A fiat book-shaped silver engraved watch, dial engraved 
 
 — maker, " George Gluck, Berlin :" Elizabeth or James. 
 91. 9s- C. O. Morgan, M.P. 
 
 3910 A pear-shaped silver watch, dial engraved — maker's 
 
 mark, " J. C." 81. 8s. The same 
 
 3911 A book-shaped gilt-metal watch, with silver chased or- 
 
 naments or clasps. This singular article belonged to 
 Bogislaus XIV., Duke of Pomerania, in the time of 
 Gustavus Adolphus. On the dial side there is an en- 
 graved inscription of the duke and his titles, with the 
 date 1627, and the engraving of his armorial bearings; 
 on the back side there are engraven two male portraits, 
 buildings, etc. ; the dial plate is of silver, chased in 
 
■WATCHES. 397 
 
 relief ; the insides are chased 'with birds and foliage. 
 This specimen has apparently two separate movements, 
 and has a large bell ; at the back, over the bell, the 
 metal is ornamentally pierced in a circle, with a dragon, 
 etc. ; and the sides apparently pierced and engraved 
 in scrolls, etc. — maker's name, " Dionistus Hessichti." 
 {See illustration.) 181.10s. Lord Londesborough. 
 
 3912 A large oval watch, hunting shape : the outside of the 
 
 top is chased in relief on silver, the judgment of Paris, 
 within a scrolled border; the rest of the case is of 
 gilt metal, with pierced ornamented sides ; in the in- 
 side of top case engraved with a calendar com- 
 mencing in the year 1610, calculated to 1665, with 
 dominical letters, solar circle, etc., for such period ; 
 the dial plate of silver is finely engraved with figures, 
 masks, and scrolls ; and has three smaller dials of or- 
 namented and gilt metal for the time, planets, etc. ; it 
 has a large bell, and the watch has been intended to 
 perform various matters — maker's name, "Flant." 
 41. 12s. 6d. Willson.. 
 
 3913 A large round metal-gilt watch, having chased circular 
 
 ribs on the back and sides ; the sides are also orna- 
 mentally pierced, and chased with flowers ; the dial 
 plate finely engraved with the entombment of Christ, 
 and rim round engraved ; it has a striking movement — 
 maker and date, "Nicholas Lemandre, a Blois, 1630." 
 10?. Marlborough Howe. 
 
 3914 A small oval gilt metal watch, with circular glass at the 
 
 top ; engraved gilt oval dial plate, having the hours 
 marked on a narrow silver circle fixed thereon — the 
 maker's name, beginning with B, is partly hidden by 
 the works: Elizabeth or James. 21. Rev. W. E.Buckley. 
 
 3915 Aflat oblong watch, brass, in a brass box case, with 
 
 round glass over dial: the dial plate engraved, and 
 having the hours and minutes cut and engraved on a 
 
398 WATCHES. 
 
 silver circular plate — name, etc. "Burg harbfen :" 
 this watch goes with a pendulum. 11. Wilhon. 
 
 3916 A round silver watch, chased with flowers, and pierced 
 
 back and sides, with a bell, etc. for alarum; dial, 
 silver, and engraved gilt circumference, engraved in 
 the centre ; hours marked or enamelled in black — 
 maker's name " Estienne Hubert, Kouen " — glass over 
 dial : Charles I. 61. 5s. Marlborough House. 
 
 3917 A round silver watch, engraved in scrolls and flowers 
 
 on the sides and back ; dial plate engraved, and orna- 
 mented on silver and gilt metal ; hours and days of the 
 month noted thereon, and apparently intended to mark 
 the moon's age— maker's name, " J. Bock :" it opens 
 front and back. This watch was said to have been 
 given by Oliver Cromwell to one of the Whalley family : 
 Charles I. 91. 10s. The same. 
 
 3918 A brass cruciform watch : the hours engraved on a circle 
 
 of brass — maker's name, " Isidore Champion, A Paris" 
 — catgut or silk spring : in a black shagreen case, with 
 glass over the dial. 14*. Russell. 
 
 3919 An oval gilt metal watch, with alarum bell, the sides 
 
 ornamentally pierced; round silver dial plate, with 
 the hours ; chased gilt metal border — maker's name, 
 "Richard Bedertz in Strasbourg:" Elizabeth or James. 
 11. 15s. Rev. W. B. Hawkins. 
 
 3920 A round silver watch, double case, the outside case 
 
 chased and engraved, with border of flowers : in the 
 centre of the back, engraving of Charles I. praying, 
 etc., like the frontispiece of Eikon Basilike ; at the 
 back of the inner case is the engraving of a man in a 
 gown praying, with our Saviour above, and the legend 
 in a scroll " And what I sai to you, I sai unto all, 
 watch ;" dial, silver circle in gilt metal, and engraved 
 plate, noted for hours, days of the month, and moon's 
 age— maker's name, " Richard Bowen, Londini, fecit" 
 
WATCHES. 399 
 
 — catgut spring. Said to have been given by Charles I. 
 to Colonel Hammond, at Carisbroohe. 15?. Chaffers. 
 
 3921 A round silver watch, in an outer case, enamelled in 
 
 brown colour, with a subject of two boys, a globe, 
 trees, etc. mounted in silver ; the works rather flat and 
 handsomely cut — maker's name, " John Christoph. 
 Erhardt ;" dial, singular, silver, ornamented with gilt 
 metal scroll raised work; hours and days of the 
 month, noted on moveable plates : minutes engraved 
 in large { numerals — eighteenth century. 31. 10*. 
 C. O. Morgan, M.P. 
 
 3922 A round silver-gilt watch, in double cases, handsomely 
 
 pierced, chased, and engrav d, with birds and flowers; 
 and an outer case, of tortoiseshell, ornamented with 
 silver studs ; the dial of silver, with hours and mi- 
 nutes, noted and raised ornamentally — maker's name, 
 " Jaques Patron ;" strikes the hours and half-hours ; 
 and is marked with the engraved letters S. and N. on 
 rim of inner case. 31. 15*. Rev. W. B. Hawkins. 
 
 3923 A gilt metal octagonal watch, with pendulum movement, 
 
 opening in front and at the side ; dial plate circular, 
 of silver, with the hours marked thereon. 21. Sir 
 C. Fellowes. 
 
 3924 A round gilt metal repeating watch, ornamentally chased 
 
 and pierced at the back, in scrolls, and at the sides 
 with hunting subjects ; the dial, gilt and engraved ; a 
 projecting piece of metal at the side causes the repeat- 
 ing movement to act — maker, "Thomas Taylor, in 
 Holbourn ;" Charles II. or James. 31. 10s. Marl- 
 borough House. 
 
 3925 A round watch, of German silver, ornamentally pierced 
 
 on the front, back, and sides, in flowered scrolls, etc. ; 
 it has either a striking or an alarum movement, having 
 a large bell ; the dial plate of gilt metal, rudely en- 
 graved: Charles I. \l. 10*. Willson. 
 
 3926 A large oval gilt-metal watch, chased and engraved on 
 
400 WATCHES. 
 
 top and bottom, with subjects of Justice, etc. ; within 
 the lid, a coat of arms, finely engraved, 1589 — maker, 
 " Ghylus van Cheels." 31. 3s. Sir C. Fellowes. 
 
 3927 A round silver watch, in silver outer case, handsomely 
 
 chased in ornaments of birds, scrolls, and fruit, with 
 an enamel, in colours, in centre of back, of Venus and 
 Cupid ; the dial ornamentally chased, hours and mi- 
 nutes noted thereon, with motion for the days of the 
 month — maker's name, "Cabrier, London." Time, 
 about 1680. 11. 10s. Davis. 
 
 3928 A round gilt metal watch, pierced in a star pattern, at 
 
 the back ; it has an alarum bell ; the dial of silver, 
 engraved with the hours, and having a metal rim round 
 it, engraved; the works are of steel — 1500 to 1550. 
 21. 8s. Litchfield. 
 
 3929 A gilt-metal octagonal watch, flat chased or engraved in 
 
 scrolls ; the back ornamentally cut and pierced, with 
 a subject of a flower vase, scrolls, etc. ; the sides cut 
 open in balustrade work ; it has an alarum bell ; the 
 dial plate of silver, with gilt and engraved moveable 
 centre for the hours ; dated 1698 — maker, " Johannes 
 Borsdofer, Augsburg." 2l. 15s. P. B. Purnell, Esq. 
 
 3930 A small round gold watch, enamelled in blue, with raised 
 
 floral coloured border, with an oval centre medallion 
 of Minerva ; the inside case is enamelled in turquoise 
 blue, with flowers in the middle ; the dial plate en- 
 amelled in blue, with raised 'flowers — maker's name, 
 "Pieter Wiesback, Haghe" — probable date, about 
 1680: it has its original outer case, of black leather, 
 formerly ornamented with gilding, and has silver-gilt 
 mountings. 61. Marlborough House. 
 
 3931 A small round gold watch, enamelled in blue, with co- 
 
 loured border of flowers : in the centre, a medallion 
 of Minerva ; the dial has hands set with sparks, and 
 is enamelled with blue, in flowers ; in the inside of 
 case a female portrait, in oval, with helmet, and tur- 
 
WATCHES. 401 
 
 quoise blue ground ; original catgut — maker's name, 
 "Pierre Duhamel" — probable date, about 1680. 
 71. 1 5*. Marlborough House. 
 
 3932 A small round gold watch, of scalloped octagonal form, 
 
 enamelled on both sides and back in landscape sub- 
 jects, and otherwise ornamented ; dial, of a bright 
 green, surrounded by a white circle ; the watch has 
 its original catgut — maker's name, " Estienne Hubert 
 k'Rouen :" it has its original outer black leather case 
 —date about 1670. 171. P. B. Purnell, Esq. 
 
 3933 A small round gold enamelled watch : on the base a 
 
 medallion female portrait, resembling Anne of Austria, 
 surrounded by raised enamelled ornaments ; inside 
 case, an oval medallion, of a warrior, on a turquoise 
 blue ground — maker's name, "Pierre Lagisse" — date 
 about 1660 — French. Ml. Van Cuyck, Paris. 
 
 3934 A round gold watch, with lapis-lazuli back and sides, 
 
 divided by bands of rose diamonds and emeralds — 
 maker's name, "P. Beauvais, London." 19J. 10s. 
 Webb. 
 
 3935 A round watch, the case of Dresden china, with gilt 
 
 metal mountings, case painted in figures, landscapes, 
 etc. — maker's name, " Gide a Paris" — date about 
 1750 or 1760. 21. lbs. Willson. 
 
 3936 A gold watch, shaped like a hat, with turned up front, 
 
 enamelled in variegated pattern : the hat front, in blue, 
 with a diamond button and seed-pearl loop ; on one 
 side is a circular mirror ; it has a small chain attached: 
 this watch is apparently of Geneva production, and 
 may date about 1790. 41. 4s. Davis. 
 
 3937 A gold watch, shaped like a shield, enamelled in varie- 
 
 gated colours and ornaments — maker's name, " Amal- 
 ric Frerer" — Swiss, and date about 1795 to 1800. 
 32. 15s. Annoot and Gale. 
 
 3938 A gold watch, shaped like a lyre, enamelled, in an orange 
 
 ruby colour, ornamented with pearls and a diamond : 
 
402 WATCHES. 
 
 apparently Swiss— date about 1800, or perhaps earlier: 
 it has an original red leather case. 41. 6s. Davis. 
 
 3939 A gold watch, shaped like a smaller lyre, enamelled in 
 
 yellow, light blue, and bright maroon colours, orna- 
 mented with pearls : it has a small chain attached — 
 maker's name, "Lg. Duchene etfils:" probably Swiss, 
 and date about 1798 to 1800. 51. 15s. S. Addington, 
 
 Esq. 
 
 3940 A small gold watch, shaped like a pear, enamelled in 
 
 light blue, and black and white ornaments — probable 
 date 1800 — Swiss. 51. Earl of Lonsdale. 
 
 3941 A small gold watch, shaped like a balloon, with a boat 
 
 and figures in it below, attached by gold chains to the 
 top part ; enamelled in dark purple or black ground, 
 with ornamented gold cross lines on the top, and gold 
 and light blue and white flowers enamelled on the 
 bottom part of the balloon; the end of balloon set 
 round the edge with pearls — in a leather case. 5?. 15s. 
 Robert Hollond, Esq. 
 
 3942 A round gold watch, with a chased gold dial, in a chased 
 
 gold outer case, ornamented with panels of a red co- 
 loured agate — maker, "Debaufire, London." 11?. 10s. 
 MarWorough House. 
 
 3943 A small watch, shaped like a melon, fluted, gold and 
 
 enamelled in light blue, white, and black, with orna- 
 mental devices. 71. S. Addington, Esq. 
 
 3944 A metal-gilt round watch, the sides with landscapes 
 
 chased ; and Mars and Venus enamelled on the back. 
 31. 5s. Willson. 
 3946 A small fruit-shaped watch, enamelled with filagree 
 handle. 41. D. Falcke. 
 
 3946 Another, in heart-shaped locket case, enamelled — name, 
 
 " Constantin." 51. 5s. Marlborough House. 
 
 3947 A small watch, in balloon-shaped case, enamelled blue- 
 
 — name, "Patry et Cheneviere." 61. 5s. Earl of 
 Lonsdale. 
 
CALENDAES, COMPASSES, AND DIALS. 403 
 
 3948 A round silver watch, by Jean Rousseau, the back and 
 
 sides engraved with figures of the Seasons and flowers. 
 31. 5s. Marlborough House. 
 
 CALENDARS, COMPASSES, AND DIALS. 
 
 3949 A compass, metal gilt, circular, very elaborately en- 
 
 graved. SI. 10*. British Museum. 
 
 3950 A small circular perpetual almanac, of steel, with Ger- 
 
 man inscriptions. 19s. C. 0. Morgan, M.P. 
 
 3951 A gilt metal circular box, with a long measuring paper, 
 
 and a calculating dial on the lid. SI. British Museum. 
 
 3952 A circular metal-gilt case, with perpetual almanac on the 
 
 lid, giving the phases of the moon ; a compass inside. 
 11. 15s. The same. 
 
 3953 A compass, in octagonal case, of metal gilt, engraved, 
 
 with the elevation of the pole on the reverse. 11. 16s. 
 The same. 
 
 3954 Another, nearly similar, but smaller. 7s. Rev. W. B. 
 
 Hawkins. 
 
 3955 A compass and perpetual almanac, with steel dials, in 
 
 metal-gilt frame, by N. Hager, of Arnstadt. 5/. 10s. 
 C. O. Morgan, M.P. 
 
 3956 An almanac, in vase-shaped metal-gilt case, chased with 
 
 arabesques. 51. 15s. British Museum. 
 
 3957 A square ivory case, containing a perpetual calendar and 
 
 compass — inscribed C.Bloyd, Dieppe. 11. 6s. Willson. 
 
 3958 An oblong ivory folding tablet, containing compass, al- 
 
 manac, etc., of German work — engraved. 2L 12s. 
 
 British Museum. 
 3959 1 A metal folding tablet, containing compass and hour 
 
 dial ; the top engraved with shields of arms — inscribed 
 
 C. S-, 1566. 21. 8s. The same. 
 3960 A curious magical crystal ball, set in bands of silver. 
 
 From the Collection of the Rev. Mr. Ashby, of Barrow, 
 
 Suffolk ; described in Douglas's Nenia Britannica. 
 
 1SI. 10s. Banting. 
 
 d D 2 
 
404 CLOCKS AKD WATCHES. 
 
 3961 A metal-gilt tablet, forming a perpetual almanac, etc., 
 
 by Johann du Polth, Hague ; the surface engraved 
 with, arabesques and scrolls. 11. 10*. British Museum. 
 
 3962 A compass and sun-dial, on octagonal plate of white 
 
 metal, by Mollinger, of Neustadt. 21. 17s. Hertz. 
 
 CLOCKS AND WATCHES. 
 
 3963 A clock, in metal-gilt dome-shaped case, of openwork, 
 
 on square plinth, engraved with scriptural subjects. 
 91. 10*. Marlborough House. 
 
 3964 A clock, in scalloped crystal case, on stem, the plinth 
 
 of crystal, mounted with metal-gilt, with movement in 
 the plinth. Signed " J. Wolf, Wien." (See illustra- 
 tion.) 141. The same. 
 
 3965 A small silver circular watch, mounted on tripod stand 
 
 of metal gilt, with the zodiac above — maker, " Sisson, 
 London." 71. 10s. D. Falcle. 
 
 3966 A clock, in square flat case of metal gilt, engraved with 
 
 classical busts on outer case, with glass lid. 51. 15s. 6d. 
 Van CuycJe, Paris. 
 
 3967 A clock, in circular metal-gilt case, engraved with 
 
 figures, a compass beneath — maker, " C. Wolf, Paris." 
 41. 8s. Hertz 
 
 3968 A clock, in hexagonal case of metal-gilt, finely chased 
 
 with classical figures and pilasters, in leather case. 51. 
 B. Falcke. 
 
 3969 A clock, in hexagonal scalloped case of metal-gilt, with 
 
 glass panels bordered with silver, on feet, with repeat- 
 ing movement. 11Z. Marlborough House. 
 
 3970 A clock, in the form of an hexagonal temple, metal-gilt, 
 
 with classical busts above, and arabesque arches be- 
 neath, surmounted by a small white-metal figure of 
 Time. 18?. 10s. C. O. Morgan, M.P. 
 
 3971 A clock, in metal-gilt square case, with dome top, and 
 
 caryatid figures at the angles, chased with arabesques,* 
 
CLOCKS ATTD WATCHES. 405 
 
 etc.: two kings, the pope, a cardinal, and other figures, 
 round a wheel of fortune, on the bottom, with the letters 
 W. L. S. ; four oval silver medallions, engraved with 
 the Evangelists, on the sides. 211. Prince Soltykqf. 
 
 3972 A clock, with silver dial, in a curious oblong case of 
 
 metal-gilt on legs of silver, caryatid figures and scrolls 
 of the same round the sides, with German inscriptions, 
 with flint lock and match box. 221. Russell. 
 
 3973 A watch, in crystal spherical case, engraved, the stem of 
 
 metal-gilt, and foot of crystal, cut and mounted with 
 metal-gilt, and enamelled. 141. 10s. Hertz. 
 
 3974 A clock, by Gabriel, London, in hexagonal metal-gilt 
 
 case, with glazed sides and top, the dial enamelled with 
 flowers, in leather case. 5s. Banting, 
 
 3975 A clock, in square metal-gilt case, ornamented with me. 
 
 dallions, coats of arms, angles, and feet of white metal 
 (silver)— 1603. 51. 2s. 6d. Litchfield. 
 
 3976 A clock, in case of metal-gilt, the movement in thehexr 
 
 agonal plinth, on which stands a negro pointing to a 
 sphere, on an upright stand — about 1600. 41. 12s. 6rf, 
 Russell. 
 
 3977 Another, constructed in the same manner, with an 
 
 oriental figure, the round plinth pierced : early part of 
 the seventeenth century. 51. Annoot and Gale. 
 
 3978 Another, constructed in the same manner, with circular 
 
 plinth and sphere, surmounting a crucifix, the figure 
 of silver — inscribed " Nulla Hora sine tui memoria," 
 by Gans, in Nurnberg — in case. 41. 15s. Rhodes. 
 
 3979 A Clock, in haitdsome Metal-Gilt Case, in the form 
 
 of a square temple, with dome top, surmounted by a 
 figure of Hercules and the lion, engraved with fruits 
 and flowers, on lion's feet, with dial on both sides, 
 under glass shade. 19/. 10s. Marlborough House. 
 
 3980 A CLOCK, IN ELEGANT CASE OF METAL-GILT, 
 
 in the form of a temple, most elaborately chased and 
 engraved with figures and arabesques, surmounted by 
 
406 SILTEB. 
 
 a figure standing on a globe, on ball and claw feet, 
 with winged horses at the angles, and dial on either 
 side, under glass shade. (See illustration.) 901. 
 Marlorough House. 
 3981 A clock, in metal-gilt case, with crucifix above, sur- 
 mounted by a ball, and the Maries at the foot of the 
 cross, on openwork hexagonal plinth, in which the 
 movement is contained. 51. Willson. 
 
 Amount of Twenty-Ninth Day's Sale, 1481Z. 9s. 
 
 THIRTIETH DAY'S SALE. 
 
 SILVER. 
 
 3982 Twelve fiddle and shell pattern table spoons — 38 oz. 
 
 2 dwt., at 5s. 4d. per oz. — 10?. 3s. 2d. Foligrw. 
 
 3983 Twelve ditto — 38 oz. 3 dwt., at 5s. Ad. per oz. — 
 
 10?. 3s. 5d. The same. 
 
 3984 Twelve diito table forks — 39 oz., at 5s. Sd. per oz.— 
 
 111. Is. The same. 
 
 3985 Twelve ditto — 39 oz. 7 dwt., at 5s. 8d. per oz.— 
 
 111. 2s. lid. The same. 
 
 3986 Twelve ditto — 38 oz. 5 dwt., at 5s. 8d. per oz. 
 
 10?. 16s. 9d. The same. 
 
 3987 Six ditto dessert forks ; and 6 ditto dessert spoons — 
 
 22 oz. 3 dwt., at 5s. 8d. per oz. — 6?. 5s. 6<?. Cooper. 
 
 3988 Twelve ditto dessert spoons — 23 oz. 3 dwt., at 5s. Ad. 
 
 per oz. 61. 3s. 5d. Emanuel. 
 
 3989 Eighteen ditto tea spoons — 18 oz. 9 dwt., at 5s. lOd. 
 
 per oz. 51. 7s. 7d. S. AMington, Esq. 
 
 3990 A pair of ditto table spoons ; and a fish slice 21 oz. 
 
 12 dwt., at 5s. per oz. 51. 8s. 
 
CLOCK. IN METAL CASE. 
 
S3XTEE. 407 
 
 3991 A pair of ditto; and a soup ladle — 23 oz. 3 dwt., at 
 
 5s. 2d. per oz. 51. 19s. 7d. Benjamin. 
 
 3992 Four shell-pattern salt spoons — 3 oz. 18 dwt., at 6s. per 
 
 oz. 11. 3s. Ad. The same. 
 
 3993 Four ditto sauce ladles — 12 oz. 11 dwt., at 5s. 2d. per 
 
 oz. 31. 4s. lOd. The same. 
 
 3994 A set of five dozen table knives, six small knives, three 
 
 carvers, and three forks, with chased silver shell-pattern 
 handles. 101. Foligno. 
 
 3995 Twelve threaded and shell pattern tea spoons ; and a 
 
 butter knife— 10 oz. 18 dwt., at 5s. 6d. per oz. 
 21. 19s. lid. Emanuel. 
 
 3996 Four plain salt spoons ; a pair of sugar tongs ; a butter 
 
 knife; and 2 egg spoons — 4 oz. 17 dwt., at 5s. 6d. 
 per oz. 11. 6s. 8d. Davidson. 
 
 3997 Four fiddle salt spoons ; a butter knife, with ivory- 
 
 handle ; and a cheese scoop, with ivory handle. 15s. 
 Benjamin. , 
 
 3998 A marrow spoon ; a tea-scoop ; 2 tea strainers ; and 2 
 
 savealls — 3 oz. 13 dwt., at 5s. Wd. per oz. 17s. 7d. 
 Benjamin. 
 
 3999 Nine wine labels, chased with vines and scrolls, with 
 
 chains — 8 oz. 15 dwt., at 5s. per oz. 21. 3s. 9d. 
 The same. 
 
 4000 Four pairs of plain knife rests — 6 oz. 18 dwt., at 6s. 8d. 
 
 per oz. 21. 6s. Davidson. 
 
 4001 A two-handled lemon strainer, with beaded edges — 3 oz. 
 
 13 dwt., at 4s. lOd.per oz. 17s. 7d. Heigham. 
 
 4002 A punch ladle, chased with flowers. 10s. O.KCoope,Esq. 
 
 4003 A pair of plain scallop shells — 7 oz. 5 dwt., at 10s. Id. 
 
 per oz. 31. 13s. Id. Robert Holland, Esq. 
 
 4004 A plain argyll — 9 oz. 12 dwt., at 4s. 1 Od. per oz. 21. 6s. 5d. 
 
 Benjamin, 
 
 4005 A set of four plain bottle stands 21. 15s. The same. 
 
 4006 Twenty-four large knives and 24 forks, with chased silver 
 
 handles. 71. 9s. 6d. D. Faleke 
 
408 SILVER. 
 
 4007 Twelve knives ; and 12 forks, of different pattern. 3?. 
 
 C. W. Reynolds, Esq. 
 
 4008 Twelve small ditto; and 12 ditto of different pattern. 
 
 41. 4*. Bed/ern. 
 
 4009 A pair of chamber candlesticks and extinguisher, with 
 
 beaded edges — 15 oz. 18 dwt., at 5s. 2d. per oz. 4l.2s.Qd. 
 Solomon. 
 
 4010 A pair of ditto, with extinguishers, and silver snuffers— 
 
 22 oz. 3 dwt., at 5s. per oz. 51. 10s. Id. The same. 
 
 4011 A set of four handsome circular salts, on feet, with 
 
 chased bands on the outsides, with medallions of heads 
 
 24 oz. 5 dwt., at 10s. 6d. per oz. 121. 14s. 6d. 
 
 Walter Stirling, Esq. 
 
 4012 A set of four similar — 24 oz. 12 dwt., at 10*. per oz. 
 
 1 21. 6s. The same. 
 
 4013 A small oval pierced sugar basket, with festoons of 
 
 flowers — 4 oz. 14 dwt., at 9s. 2d. per oz. 21. 3s. Id. 
 C. W. Reynolds, Esq. 
 
 4014 An oval teapot and stand, chased with festoons of flowers 
 
 — 19 oz. 8 dwt., at 6s. 9d. per oz. 61. 10s. lid. 
 Davidson. 
 
 40 1 5 An oval two-handled sugar basin, fluted, gilt inside — 8 oz. 
 
 16 dwt., at 5s. 3d. per oz. 21. 6s. 2d. Hon. Fred. Baring. 
 
 4016 A plain oblong two-handled sugar basin ; and a milk 
 
 jug, similar — 14 oz. 4 dwt., at 5s. 2d. per oz. 31. 1 3s. 4d. 
 The same. 
 
 4017 A very handsome coffee pot, richly chased with boys and 
 
 landscapes, in scroll pattern compartments — 35 oz. 
 10 dwt., at 8s. 9d. per oz. 151. 10s. 7d. Foligno. 
 
 4018 A cocoanut cup, carved with flowers, and mounted with 
 
 silver rim and foot. 21. Attenborough. 
 
 4019 A pair of plain oval sauce tureens and covers — 35 oz 
 
 6 dwt., at 5s. per oz. 81. 16s. 6d. Benjamin. 
 
 4020 An 8-in. circular salver, with beaded edges, on ball and 
 
 claw feet — 12 oz. 4 dwt., at 6s. 4c?. per oz. 31. 17s. 3d. 
 Edward Mills, Esq. 
 
SILVEE. 409 
 
 4021 A set of four plain oval 12|-in. deep dishes — 62 oz. 
 
 8 dwt., at 5s. per oz. 151. 12s. Benjamin. 
 
 4022 A set of four ditto — 65 oz. 12 dwt., at 5s. per oz. 
 
 16/. 8s. The same. 
 
 4023 An oval pierced bread basket, with flowers, and upright 
 
 handle. Withdrawn. 
 4 24 A Be atttiftjl Oval Bee ad Basket, with upright, handle, 
 pierced and chased with ears of corn and flowers — 
 22 oz., at 10s. 9d. per oz. 1 U. 16s. 6d. D. Falcke. 
 
 4025 An oval pierced snuffer tray, and a pair of plated snuffers 
 
 — 3 oz. 11 dwt., at 4s. lid. per oz. 17s. 5d. Edward 
 Mills, Esq. 
 
 4026 A plain snuffer tray, with gadrooned edge, and a pair of 
 
 snuffers — 7 oz. 18 dwt., at 4s. lid. 11. 18s. 9d. Solomon. 
 
 4027 A pair of table candlesticks, with square scroll feet. 
 
 4.1. 10s. D. Falcke. 
 
 4028 A pair of plain table candlesticks. SI. 12s. Benjamin. 
 
 4029 A pair of handsome table candlesticks, with square co- 
 
 lumns and feet, chased with rams' heads, vases, and 
 festoons. 10/. B. Falcke. 
 
 4030 A set of four elegant Ionic column candlesticks, with 
 
 spirally entwined ornament of foliage, rams' heads, and 
 festoons. 122. 10s. Attenborough. 
 
 4031 An octagonal-shaped cruet stand, with gadrooned edges, 
 
 and eight cruets, a silver spoon, and two labels — 34 oz. 
 3 dwt., at 5s. 6d. per oz. 91. 7s. 9d. Benjamin. 
 
 4032 An oval epergne, with centre and six baskets, with open- 
 
 work chased edges — 141 oz. 10 dwt., at 5s. per oz. 
 311. 7s. 6d. Solomon. 
 
 4033 A SUPERB CIRCULAR SALVER, with border of 
 
 scrolls and flat chasing, the edge of openwork of vines, 
 and masks, beautifully chased in high relief — 25£ in. 
 diameter — 215 oz. 10 dwt., at 6s. per oz. 641. 13s. 
 Foligno. 
 
 4034 ANOTHER, SIMILAR— 18 in. diameter— 78 oz. 5 dwt, 
 
 at 7s. 9d. per oz. 201. 6s. 5d. The same. 
 
410 SILVEE-GIIiT. 
 
 4035 THE COMPANION— 77 os., at 8s. 6d. peroz. 321. Us. 
 
 6d. Attenborough. 
 
 SILVEK-GILT. 
 
 4036 Twenty dessert knives, with silver-gilt blades ; and 20 
 
 forks, the handles of shell pattern. 18?. Redfern. 
 
 4037 Six shell-pattern table spoons — 19 oz. 15 dwt., at 5s. 
 
 lOd. per oz. 51. 15s. 2d. Ralph Osborne, M.P. 
 
 4038 Seven king's-pattern dessert spoons — 14 oz., at 6s. Id. 
 
 per oz. 41. 5s. 2d. The same. 
 
 4039 Eighteen shell-pattern ditto — 35 oz. 15 dwt., at 6s. Id. 
 
 per oz. 101. 17s. 5d. Webb. 
 
 4040 Twelve ditto tea spoons — 14 oz., at 6s. 5d. per oz. 
 
 41. 9s. lOd. M. J. Higgins, Esq.. 
 
 4041 Six French shell-pattern tea spoons — 6 oz. 6 dwt., at 
 
 5s. 8d. per oz. 11. 15s. 8d. Heigham. 
 
 4042 A cream and a sugar ladle, of shell pattern — 3 oz. 17 
 
 dwt., at 6s. 5d. per oz. 11. 4s. 8d. S. Addington, Esq. 
 
 4043 A ditto, and a ditto — 4 oz. 5 dwt., at 5s. id. per oz. 
 
 11. 3s. 4d. Solomon. 
 
 4044 A pair of ice spades, shell pattern, 11. 13s. The same. 
 
 4045 A pair of sugar nippers, of vine leaf pattern — 2 oz. 8 
 
 dwt., at 9s. 7d. per oz. 11. 3s. S. Addington, Esq. 
 
 4046 A pair of king's-pattern grape scissors — 3 oz., at 6s. 7d. 
 ' per oz. 19s. 9d. The same. 
 
 4047 Four salt spoons, with shell bowls, and masks at the 
 
 handles — 2 oz. 13 dwt., at lis. per oz. 11. 9s. Redfern. 
 
 4048 Four wine labels, beautifully chased with vines — 7 oz. 
 
 5 dwt., at 7s. 5d. per oz. 21. 13s. 9d. 8. Addington, 
 Esq. 
 
 4049 A pair of ancient spoons, one with ship handle, and one 
 
 with figures. 21. 6s. Col. Lawrence. 
 
 4050 Another pair, with a figure of Hope, and a group of 
 
 figures. 21. Southam. 
 
 4051 Another pair, with female figures, one engraved on the 
 
 back. 21. 2s. The same. 
 
6ILVEE-GILT. 411 
 
 4052 TWELVE APOSTLE SPOONS ; English, dated AJ>. 
 1519, by the same maker. This uniform and unbroken 
 set is almost unique. 651. 2s. Rev. T. Staniforth. 
 
 4054 A Set as Fotte yeby handsome Bottle Stands, -with 
 
 openwork rims of scroll work. 33Z. Redfern. 
 
 4055 A pais oe ancient Ciboulab Saxt Cellabs, on stems 
 
 and ball feet, embossed with flowers — 8 oz. 9 diet., at 
 15s. per oz. 61. 6s. Sd. Benjamin. 
 
 4056 A toothpick stand, in the form of a hedgehog, on stand, 
 
 with wheels. 51. 15*. Van Cuyck, Paris. 
 
 4057 A BEAUTIFUL TwO-HANDLED SuGAE VaSE AND CoVEE, 
 
 embossed with foliage — 18 oz. 12 dwt., at lis. Id. per 
 oz. 101. 6s. Id. Annoot and Gale. 
 
 4058 The Companion — 18 oz. 15 dwt., at lis. Id. per oz. 
 
 10Z. 7s. 9d. The same. 
 
 4059 A Sitpeeb Coitee Pot, embossed with fruit and foliage, 
 
 with a flower on the top — 34 oz. 7 dwt., at 9s. per oz. 
 151. 9s. Id. Cooper. [! 
 
 4060 A Teapot, richly embossed with flowers, on feet, with 
 
 a mask at the spout — 29 oz. 10 dwt., at 8s. 6d. per oz. 
 12?. 10s. 9d. Solomon. 
 
 4061 A Sugab Basin and Coveb, with Chinese figures form- 
 
 ing handles and top, and embossed with Chinese sub- 
 jects — 21 oz. 7 dwt., at 8s. per oz. 81. 10s. 9d. The 
 same. 
 
 4062 A Milk Eweb, chased with animals in high relief — 4 oz. 
 
 7 dwt., at 20s. per oz. 41. 7s. Attenborough. 
 
 4063 A Cbeam Eweb, embossed with a female figure and 
 
 others milking cows — 14 oz. 11 dwt., at 9s. per oz. 
 61. 10s. lid. Cooper. 
 
 4064 A square muffineer, chased with flowers — formerly 
 
 George IV.'s — 7 oz. 9 dwt., at 8s. Id. per oz. SI. 3s. lit?. 
 Webb. 
 
 4065 A small oval sugar basket, with upright handle and flat 
 -■ chased border— 4 oz.idwt., at 7s. 6d. per oz. 1 1. 1 Is. 6d. 
 
412 BRONZE MEDALS. 
 
 4066 A BEATTTrEUi. Muitin Plate, Coveb, and Stand, with 
 
 scroll handles, ornamented with scrolls in flat chasing 
 —56 oz. 10 dwt., at lis. 2d. per oz. 311. 10s. lid. 
 Bedfern. 
 
 4067 A SUPERB ROSEWATER EWER, with dolphin 
 
 handle and mask at the spout, richly embossed with 
 fruit and foliage— 30 o%. 9 dwt., at 10*. Ud. per oz. 
 161. 4s. 8d. C. Shipper, Esq. 
 
 4068 ANOTHER, of different form, with dolphin handle and 
 
 shell lip, chased with flowers and foliage — 39 oz., at 
 10s. Id. per oz. 191. 13s. 3d. O. E. Coope, Esq. 
 
 4069 ANOTHER, of different form, the handle with fishes 
 
 and animals' heads, a mask at the lip, beautifully 
 chased with flowers in relief — 30 oz. 16 dwt., at 15s. 5d. 
 per oz. 231. 14s. 9d. The same. 
 
 4070 A MAGNIFICENT MONTEITH, the bowl fluted with 
 
 lions' masks foy handles, the rim of beautiful scroll 
 work, with two shields with arms, on gilt wooden stand 
 — 52 oz., at lis. per oz. 28?. 12s. Bedfern. 
 
 PLATED. 
 
 4071 A pair of circular entree dishes, covers, and heaters, 
 
 with chased edges. 51. 10s. Alex. Barker, Esq. 
 
 4072 A 19-inch fluted dish cover, with chased handle. II. 14s. 
 
 D. Falcke. 
 
 4073 A 16-inch ditto. II. 6s. The same. 
 
 4074 Four plain oval dish warmers. 10s. &d. Davis. 
 
 4075 A pair of ice pails, fluted and gadrooned. 15s. D. Falcke. 
 
 4076 Four gilt salt stands ; a pair of lobster crackers ; and 2 
 
 skewers. Sold with no. 4077. 
 
 4077 A pair of branches, for two lights each. 7s. Cooper. 
 
 BRONZE MEDALS. 
 
 4078 Papal medals of Innocent XII., Alexander YIIL, Cle- 
 
 ment XL, and others.— 8. 10s. D. M. Davidson, Esq. 
 
SILTEE MEDALS. 413 
 
 4079 Alexander VIII., Clement IX., Clement XII., and Inno- 
 
 cent XII. 7s. Annoot and Gale. 
 
 4080 Alphonso, King of Naples, DIWS-ALPHONSVSREX 
 
 MCCCCXL Villi ; his bust, in armour, to the right ; 
 in the field, a crown and helmet : rev. LIBERALITAS - 
 AVGVSTVS, an eagle, with a dead fawn, and four vul- 
 tures. A large medal, by Pisani; fine, and very rare. 
 41. Marlborough House. 
 
 4081 Louis XII., his bust crowned; in the field, fleur-de-lys, 
 
 below, a Hon : rev. his queen, veiled and crowned ; in 
 the field, in front, fleur-de-lys ; behind, ermine ; be- 
 low, a lion. Very fine and rare. 111. The same. 
 
 4082 Andrea Doria, two varieties; Anthony Alvarez, John 
 
 Valetta, Ludovico Ariosto, G. Caraffa, and others, 
 in all 8. Fine. 31. The same. , 
 
 4083 Francis, Duke of Guise : rev. a city ', Vic. Amadeus, 
 
 King of Cyprus : rev. his queen; Napoleon medals — 
 Conquest of Egypt, Passage of the Danube, and the 
 battle of Marengo, in all 5. 21. 5s. The same. 
 
 SILVER MEDALS. 
 
 4084 HENR • IIII • R • CHRIST • MARIA ■ AVGVSTA, their 
 
 busts to the right ; PROP AGO IMPERI. Henry IV. 
 and Maria in the characters of Mars and Pallas, be- 
 tween them, Cupid placing a helmet upon his head ; 
 above, an eagle descending, with a crown in his beak. 
 Very fine, and set in a large rim, inscribed. 51. 5s. 
 Marlborough House. 
 
 4085 John, Duke of Saxony, his bust in front : rev. arms; 
 
 Henry IV., bust in front : rev. two shields of arms, 
 within a wreath ; Catherine de Medici : rev. broken 
 spear. Allfine. — 3. 41. 
 
 4086 Charles V., King of Spain and Emperor of Rome, his 
 
 bust robed, holding the orb and sceptre : rev. shield of 
 arms in front of the Imperial eagle. Very fine and 
 rare, gilt. 242., 10s. Marlborough House. 
 
414 SILVEB MEDALS. 
 
 4087 P. 0. VIRGILIUS, bust to the left, inscriptions round 
 
 — dated 1134 : rev. a skull, with a leg bone in the jaw, 
 and inscription. Fine and curious chasing, gilt. 21. 5s. 
 Marlborough House. 
 
 4088 Frederick William, Elector of Brandenburg, his bust in 
 
 front, KEVRVORST VAN BRANDENBVRG, 1666 : 
 rev. C'EST ICI L'ELECTEVR DE BRANDEBOVRG, 
 etc., the Low Countries trampling upon the emblems 
 of Great Britain, on renouncing the alliance of Eng- 
 land; [by Krumpholtz]. Fine and rare. '61. 15s. 
 Chaffers. 
 
 4089 MAVRITIVS • AVR • PRINC • COM ■ NASS • ET • MV- 
 
 MAR • FL • EQ • OR • PERISCELIDIS, front bust of 
 the prince in armour : rev. garnished shield of arms 
 crowned, within the garter — oval. Fine and rare. 
 11. 12s. ' Annoot and Gale. 
 
 4090 Charles II., his bust in front in armour, with long flow- 
 
 ing hair : rev. ships under sail, below, a shell, in- 
 scribed "Anno 1610 Juni 2, Io S. M. uyt Hollant van 
 Scheveling afgevaren naer syn conincryken " ; the em- 
 barkation at Scheveling. Fine and rare. 11. Is. 
 Medfern. 
 
 4091 Charles III., his bust in armour to the right ; rev. 
 
 VENCE Y TRIVMFA EL MAS PRVDENTE; table 
 and figures upon a mount. Prize Medal for the Aca- 
 demy of Derecho ; fine. 6s. Chaffers. 
 
 4092 Charles Pell, of Nuremberg: a silver-gilt medal, on 
 
 his birth, 8th July, 1573, engraved and chased : obv. 
 the adoration of the shepherds — very beautifully chased: 
 rev. inscription ; within a case like a book, the outer 
 boards open, one contains his nativity, engraved upon 
 a silver-gilt plate ; the other containing the arms of his 
 | parents emblazoned. Very curious and rare. 71. 
 
 Chaffers. 
 
 Amount of Thirtieth Day's Sale, 9Q7/. 13s. 2d. 
 
ORMOLD CANDLESTICK. 
 
PlTONITTraE IN FEONT DEAWTtTG-EOOM. 415 
 
 THIRTY-FIRST DAY'S SALE. 
 
 FURNITURE IN FRONT DRAWING-ROOM. 
 
 4093 A pair of or-moulu candlesticks, richly chased with 
 
 foliage and ornaments, with cherubs' heads at the , 
 angles of the triangular stems. 41. 14s. 6d. Bourne. 
 
 4094 A pair of ditto, of chased scroll pattern. 31. 18s. 
 
 Annoot and Gale. 
 
 4095 A pair, with wreaths and festoons of flowers, each 
 
 chased with three classical medallions suspended by 
 ribbons. 261. R. S. Holford, Esq. 
 
 4096 A pair, of richly chased fluted scroll pattern. 21. 15s. 
 
 Webb. 
 
 4097 A pair, of very handsome scroll pattern, richly chased 
 
 with flowers. 31. 3s. Annoot and Gale. 
 
 4098 A vest elegant Clock, by Merra, with two dials, con- 
 
 tained in vase-shaped case of or-moulu, surmounted by 
 a figure of Cupid holding a medallion of Henri Quatre 
 on a column, round which the Graces are supporting 
 a festoon of flowers, on circular plinth, with frieze of 
 vines — glass shade and stand — 20 in. high, the plinth 
 6f in. wide. 251. 10s. Van Cuych, Paris. 
 
 4099 A pais op beautiful Oe-moultt Candlesticks, on 
 
 triangular openwork plinths, chased, with winged ter- 
 minal figures at the angles, and masks — of cinque- 
 cento design — 12 in. high. (See illustration.) 481. 
 Hon. Fred. Baring. 
 
 4100 A pair of handsome or-moulu girandoles, of scroll pat- 
 
 tern, for three lights each, on gilt brackets. 147. 
 Annoot and Gale. 
 
 4101 A pair of ditto for two lights, of scroll pattern, with 
 
 dragons, on carved and gilt brackets. 41. 8s. The same. 
 
 4102 A set of three carved and gilt brackets, with festoons of 
 
 flowers. 41. 5s. S. Addington, Esq. 
 
416 EUENITUEE IN EB0NT DBAWING-BOOM. 
 
 4103 A pair of carved and gilt brackets, each -with two mer- 
 
 maids and shells. 15?. 10s. Marlborough House. 
 
 4104 A pair of ditto, with Pluto and Proserpine, two doves 
 
 and masks. 9?. S. Addington, Esq. 
 
 4105 A pair of or-moulu girandoles, of scroll pattern, for three 
 
 lights each. 411. Walter Stirling, Esq. 
 
 4106 A teet handsome Ob-mot/lu Chandelieb, chased 
 
 with masks, heads, and rich ornaments, with branches 
 for eight lights. 21 1. John D. Gardner, Esq. 
 
 4107 The Companion Chandelieb. 16?. 10s. The same. 
 
 4108 An or-moulu fender, of chased scroll pattern ; a set of 
 
 steel fire-irons, with or-moulu handles ; and a pair of 
 elegant openwork scroll-pattern fire dogs, with figures 
 of boys playing musical instruments, after Watteau. 
 171. 5s. Pratt. 
 
 4109 The crimson and drab flowered Brussels and bordered 
 
 carpet — 34 ft. ^by 19 ft. ; and a hearth rug. 61. 15s. 
 Litchfield. 
 
 4110 A pair of elegant carved and gilt pier tables, with pierced 
 
 scrolls and festoons of flowers, and shaped coloured 
 marble slabs — 28 in. wide. 91. 5s. Annoot and Gale. 
 
 4111 A beattieul Secbetaibe, of moulded pedestal shape, 
 
 of tulipwood, with group of flowers and borders of 
 kingwood, with cupboard beneath and fall-down front 
 above, enclosing drawers, and small drawer above, sur- 
 mounted by a coloured marble slab, mounted with or- 
 moulu ornaments — 3 ft. 10 in. higb, and 21 in. wide. 
 40?. The same. 
 
 41 12 An Oblong Table, of Fine old Italian Mabqttetebie, 
 
 with drawer, on spirally twisted carved legs and stretcher 
 beneath, inlaid with flowers, the top with a large vase, 
 flowers and birds in the centre, and the double L 
 cypher at the angles, surmounted by coronets in co- 
 lours, on dark ground — 53 in. long, and 23J in. wide. 
 80?. J. M. Montefiore, Esq. 
 
 4113 A BEAUTIFUL TABLE CABINET, OE OLD PtEISNEE MAE- 
 
FCTHSTTUE'E IK TEOIfT DBAWING-EOOM. 417 
 
 queteeib, with musical trophies and flowers, with 
 drawer and shelf beneath, and cabinet above, with fold- 
 ing doors and three small drawers under, with pierced 
 or-moulu gallery — 41^ in. high, and 26J in. wide. 58/. 
 J. M. Montefiore, Esq. 
 
 4114 A small oblong table, of old marqueterie of king and 
 
 tulipwood, the top inlaid in diamonds, with drawer and 
 or-moulu mouldings. 81. Annoot and Gale. 
 
 4115 A small square table, of old marqueterie, with two draw- 
 
 ers and writing slide in front, and a drawer at the side, 
 with a musical trophy, with doves and flowers, mounted 
 with or-moulu. 10/. The same. 
 
 4116 A small oblong table, of old marqueterie of satinwood, 
 
 with diamonds in light green, with two drawers and 
 shelf beneath, the top covered with green leather, 
 mounted with openwork frieze and ornaments of or- 
 moulu. 17/. 10s. The same. 
 
 4117 A small oblong table, of old marqueterie, with three 
 
 drawers, with flowers in diamond trellis, pierced or- 
 moulu gallery and ornaments. 16/. John D. Gard- 
 ner, Esq. 
 
 4118 An elegant small oval-shaped table, of old marqueterie of 
 
 flowers, in diamond trellis, with drawers and shelf be- 
 neath, pierced or-moulu gallery and ornaments. 19/. 
 Morant. 
 
 4119 A small oblong table, of king and tulipweod, with a group 
 
 of flowers on the top, which rises, forming a casket, with 
 or-moulu ornaments. 18/. Charles Cope, Esq. 
 
 4120 A small oval-shaped table, of old marqueterie of satin- 
 
 wood, with flowers, in diamond trellis round the sides, 
 and a beautiful trophy of books, flowers, acock, &c. 
 on the top, with drawer and writing slide, and pierced 
 or-moulu gallery. 43/. Annoot and Gale. 
 
 4121 A small oblong table, of old marqueterie of king and 
 
 tulipwood, with rising top and writing slide ; a group 
 of flowers on the top, mounted with or-moulu. 6/. 15*. 
 The same. e k 
 
418 FUBKTTUEE IU FEONT DEAWING-EOOM. 
 
 4122 A beautiful Small SqUaee Table, of Old Mae- 
 
 queteeie, with three drawers and shelf beneath, on 
 which are scattered playing cards and dice ; a view of 
 a chateau and figures on the top ; the faces of engraved 
 ivory, military and other trophies on the sides, with 
 pierced or-moulu gallery and ornaments. 412. An- 
 noot and Gale. 
 
 4123 As Oblong Table, of Old Gebman Maequetebie, 
 
 with drawer, inlaid all over with flowers, birds, and 
 ornaments," in colours on dark ground, the edges in- 
 laid with ivory — 41 in. long, and 27 in. wide. 151. 
 The same. 
 
 4124 A small oblong table, of old marqueterie, with three 
 
 drawers and shelf beneath, inlaid with ornaments and 
 trellis borders ; the top covered with green leather, 
 and mounted with or-moulu. 12?. 15s. Owen. 
 
 4125 A beautiful small Oval-shaped Table, Old Mae- 
 
 quetebie, with iEneas carrying Anchises from Troy, 
 on the top ; musical trophies round the sides, with 
 three drawers containing smaller ones, openwork or- 
 moulu gallery and ornaments. 2201. 10s. Annoot arid 
 Gale. 
 
 4126 A carved and gilt jardiniere, formed of a figure on 
 
 triangular plinth supporting a vase, with festoons and 
 flowers— 36 in. high. 221. T. Grusell, Esq. 
 
 4127 A shaped white and gold carved sofa, and two pillows 
 
 covered with rich old crimson satin damask, with flowers 
 in colours. 13/. 2s. 6d. John Carlon, Esq. 
 
 4128 A settee, en suite, covered with the same. 10Z. The same. 
 
 4129 A large fauteuil, covered en suite. 41. 10s. The same. 
 
 4130 Another, rather smaller. 51. Annoot and Gale. 
 
 4131 A pair of smaller fauteuils, en suite. 61. 15*. John 
 
 Carlon, Esq. 
 
 4132 A pair of ditto. 61. 15s. The same. 
 
 4133 A pair of ditto. 61. C. D. E. Fortnum, Esq. 
 
 4134 A pair of ditto. 51. 5s. Litchfield 
 
 4135 A pair of ditto. 51. 5s. The same. 
 
FUBNITUBE IN FRONT DBAWING-BOOM. 419 
 
 4136 A square ottoman stool, covered with the same. 41. 
 
 Annoot and Gale. 
 
 4137 An Oblong Table, of Fine Old Mabqtjetebie, with 
 
 three drawers, groups of flowers and ornaments on the 
 top and on the sides, the figures of chimerse on shields, 
 in colours on dark ground, mounted with caryatid fe- 
 male figures at the angles, and rich mouldings of or- 
 moulu — 51 in. long, and 26 in. high. 76?. Burlacher. 
 
 4138 A MAGNIFICENT OBLONG TABLE, OF THE VERY 
 
 FINEST OLD BOULE, of tortoiseshell, covered with 
 arabesques, masks, ornaments, coats of arms, and 
 coronets, of gilt and white metal, with caryatid figures 
 at the angles, and four double cornucopiee handles.'and 
 friezes of festoons of flowers, of the very finest work 
 of Goutiere. This superb work is 50 in. long, by- 29 in. 
 wide. 143L S. Addington, Esq. 
 4138* A magnificent Clock, by Baillon, in scroll-shaped 
 case, of or-moulu, surmounted by a cupid. 41/. 
 Walter Stirling, Esq. 
 
 4139 A beautiful shaped Seobetaibe, of tulipwood, with 
 
 groups of flowers in kingwood, with fall-down front, 
 enclosing drawers and cupboard beneath, with folding- 
 doors, mounted with rich or-moulu ornaments — 54 in. 
 high, and 41 in. wide. 105Z. B. FalcJce. 
 
 4140 An elegant Glazed Cabinet, of Mabqtjetebie, with 
 
 flowers in colours, lined with velvet, in three divisions, 
 with shelves and looking-glass back, on carved open 
 stand, with four legs and stretcher, and three coats of 
 arms, painted in shields on the top ; the doors of 
 curved glass, in metal-gilt frames — 86 in. high, and 
 78 in. wide. 62Z. Annoot and Gale. 
 
 4141 A VERY FINE OLD CARVED AND GILT PIER 
 
 TABLE, with scrolls and flowers of openwork on two 
 legs, surmounted by a beautiful shaped slab pink co- 
 loured variegated Sicilian jasper — 50 in. wide. 191. 19s. 
 The same. 
 
420 rUESTITUKE IN rEOM DEAWIlfG-BOOM:. 
 
 4142 THE COMPANION TABLE, with shaped solid slah of 
 
 Griotte marble. 15Z. 15*. Annoot and Gale. 
 
 4143 A VERY ELEGANT PIER GLASS, in elaborately 
 
 carved and gilt frame, by Chippendale, of scroll pat- 
 tern, -with birds, festoons of flowers and foliage, the 
 ornaments dividing it into several parts, with branches 
 for three lights— extreme height 77 in., and 43 in. wide. 
 (See illustration.) 501. Marlborough House. 
 
 4144 THE COMPANION PIER GLASS. 38J. Annoot and 
 
 Gale. 
 
 4145 A SUPERB CARVED AND GILT PIER TABLE, the 
 
 legs formed of four terminal figures, with shells and 
 festoons of flowers ; a group of a stag and dogs on the 
 looking glass, stretcher beneath, surmounted by a 
 shaped solid Verona marble slab — 78 in. wide. 20?. 15*. 
 William Bayne, Esq. 
 
 4146 A MAGNIFICENT GLASS, in carved and gilt frame, 
 
 by Chippendale, of scroll design, with caryatid figures 
 at the sides, festoons of flowers interlace the outer and 
 inner frames ; a vase of flowers at the top, and two 
 dogs beneath — extreme height 1 28 in., width 80 in. 
 78/. Annoot and Gale. 
 
 4147 A BEAUTIFUL CARVED AND GILT PIER TABLE, 
 
 of scroll pattern, with four legs, surmounted by a solid 
 Brocatella marble slab — 49 in. wide. 132. 10*. The same. 
 
 4148 The Companion Table, of rather different design, with 
 
 Griotte marble slab — 50£ in. wide. 101. 10*. The same. 
 
 4149 A VERY ELEGANT OVAL-SHAPED PIER GLASS, 
 
 in carved and gilt frame, by Chippendale, with birds 
 and flowers at the sides, surmounted by a vase of 
 flowers ; the glass divided by the scroll ornaments into 
 several compartments, with three branches for lights — 
 extreme height 86 in., and 55 in. wide. 36/. 10*. 
 Marlborough Souse. 
 
 4150 THE COMPANION GLASS. 40/. Annoot and Gale. 
 
 4151 A SUPERB GLASS, in richly carved and gilt frame, of 
 
PIER GLASS, CARVED PT CHIPPENDALE. 
 
TUE1UTTJEE IN BACK DEAWING-EOOM. 421 
 
 scroll pattern, with flowers — extreme height 110 in., 
 and 71 in. wide. 211. William Bayne, Esq. 
 
 4152 A pair of richly carved and gilt cornices, with flowers 
 
 and scrolls — 90 in. wide. Withdrawn. 
 
 4153 A pair of ditto, rather different — 90 in. wide. 
 
 4154 A pair of green oriental pierced stoneware garden seats. 
 
 FURNITURE IN BACK DRAWING-ROOM. 
 
 4155 The crimson and drab flowered and bordered Brussels 
 
 carpet — 30 ft. by 21 ft. 6 in. ; and a hearth rug. 91. 
 Smith. 
 
 4156 A handsome carved and gilt window cornice, of scroll 
 
 design — 14 ft. wide. Withdrawn. 
 
 4157 A pierced scroll-pattern or-moulu fender and fire irons, 
 
 with or-moulu handles ; and a pair of elegant pierced 
 scroll or-moulu fire dogs, with figures of Apollo and 
 Venus reclining. 19/. 10*. — Cunningham, Esq. 
 
 4158 A carved and gilt bracket, on four terminal figures, and 
 
 a figure of a warrior, in armour, beneath. 16Z. 16*. 
 Redfern. 
 
 4159 A pair of or-moulu scroll pattern girandoles, for two 
 
 lights each, on brackets, carved and gilt. 42. 14s. 6d. 
 Pratt. 
 
 4160 A pair of ditto, larger, on carved and gilt brackets. 11. 
 
 Wetterhan. 
 
 4161 A pair of richly-chased or-moulu candlesticks. 10/. 15*. 
 
 J. M. Montefiore, Esq. 
 
 4162 A paper weight, of or-moulu, chased with scrolls. 13s. 
 
 D. Falche. 
 
 41 63 An elegant or-moulu inkstand, with two vases and bell 
 
 in the centre, chased with vines and foliage, in high 
 relief. 40Z. Marquis of Hertford. 
 
 4164 A carved lounging chair, white and gold, covered with 
 
 old crimson satin damask, with covers in colours, and 
 a pillow. 8/. Rhodes^ 
 
 41 65 A carved white and gold couch, with fauteuil end, shaped 
 
422 FUBNITTTEE IN BACK DBAWING-EOOM. 
 
 and covered en suite, and a pillow. 201. Marquis of 
 Hertford. 
 
 4166 A pair of carved white and gold fauteuils, covered with 
 
 rich old, crimson satin damask, hi. 10s. T. Gri&sell, Esq. 
 
 4167 A pair of ditto. 61. The same. 
 
 4168 A pair of ditto. 61. 6s. The same. , 
 
 4169 A pair of cabriole chairs, en suite. 121. The same. 
 
 4170 A square carved and gilt ottoman stool, covered en suite. 
 
 41. 15*. The same. 
 
 4171 A pair of square richly carved and gilt ottoman stools, 
 
 with scrolls and snakes, covered with crimson satin 
 damask, with flowers in colours. 221. Annoot and 
 Gale. 
 
 4172 A carved white and gold square ottoman stool, covered 
 
 with crimson and white flowered satin damask. 31. 3*. 
 The same. 
 
 4173 A square carved white and gold ottoman stool, covered 
 
 with rich crimson satin damask. 41. 4s. T. Grissell, 
 Esq. 
 
 4174 A pair of circular richly carved and gilt ottoman stools, 
 
 covered with crimson and coloured flowered satin da- 
 mask. 101. 10s. Annoot and Gale. 
 
 4175 A nest of ten gilt shelves, to fit into a corner. 3/. 
 
 H. G. Bohn, Esq. 
 
 4176 A pair of scroll-pattern or-moulu candlesticks. 51. 15s. 
 
 Pratt. 
 
 4177 A handsome Striking Clock, by Agebon, showing 
 
 the phases of the moon and days of the month, in rich 
 scroll-shaped case of or-moulu, with flowers and birds, 
 glass shade and stand — 21 in. high; the plinth 6 in. 
 deep. 401. B. Falcke. 
 
 4178 A pair of scroll-pattern or-moulu candlesticks. 5/. 10a. 
 
 Annoot and Gale. 
 
 4179 An elegant Striking Clock, bt Ceoniee, showing 
 
 the days of the week, in case of or-moulu, with a female 
 figure pointing to a vase, which indicates the day of 
 
ITjBNITTJEE IN BACK DBAWING-KOOM. 423 
 
 the month : Cupid holding a sun-dial on the other side 
 — glass shade and stand — 17 in. high ; the plinth 9 in. 
 deep. 422. F. L. Popham, Esq. 
 
 4180 A pair of or-moulu candlesticks, with octagonal feet, 
 
 chased with medallions and draperies. 152. J. M. 
 Montefiore, Esq. 
 
 4181 Another pair, with medallions, trophies, and coats of 
 
 arms, with coronets. 162. Tan Cuyck, Paris. 
 
 4182 A Pais oe yeey. elegant Gibandoles, with cupids, 
 
 terminating in quivers, with festoons of vines, with 
 tulip branches for three lights each. 532. C. Mills, Esq. 
 
 4183 An elegant Ok-moultj Chandeliee, chased, with 
 
 terminal figures, masks, and ornaments, for twelve 
 lights. 162. Annoot and Gale. 
 
 4184 A teet handsome Clock, by Festeau, in elegant 
 
 openwork scroll case of or-moulu, with flowers and 
 doves, supported on the back of a wild boar, on plinth 
 of the same — glass shade and stand — 26 in. high ; the 
 plinth 9-I- in. deep. 66/. 3s. J. M. Montefiore, Esq. 
 
 4185 A Paie of supebb Candelabba, of or-moulu, on tri- 
 
 angular plinths, with sphinxes, medallions on the 
 stems, and scroll branches for four lights each — 20 in. 
 high. 721. John D. Gardner, Esq. 
 
 4186 A Teet handsome Clock, by Maettn, in very rich 
 
 scroll-shaped case of or-moulu, with flowers, surrounded 
 by a female figure of the time of Louis XIV. — glass 
 shade and stand — 30 in. high ; the plinth 15 in. deep. 
 542. Walter Stirling, Esq. 
 
 4187 A eine old Feench Clock, contained in an elegant 
 
 vase-shaped case of or-moulu, round which the figures 
 are enamelled, on a fluted cippus, with festooned dra- 
 pery — glass shade and stand — 20 in. high ; on tri- 
 angular carved and gilt pedestal — 38 in. high. 302. 
 J. M. Montefiore, Esq. 
 
 4188 A pais of stjpebb Candlesticks, of or-moulu, each 
 
 with two cupids supporting the stem, on plinths, chased 
 
424 FITBNITUBE IN BACK DRAWING- BOOM. 
 
 with vases and bands of foliage — 15 in. high. (See 
 illustration.) All. S. Lyne Stephens, Esq. 
 
 4189 A small oblong table, of old marqueterie of king and 
 
 tulipwood, with groups of flowers, three drawers and 
 writing slide, mounted with or-moulu. 15/. 10s. Annoot 
 and Gale. 
 
 4190 A small Oblong Table, or old Maeqttetebie, with 
 
 drawers ; a coat of arms in the centre on the top, and 
 flowers, cyphers, and coronetB at the corners, birds and 
 flowers round the sides, mounted with or-moulu. 31/. 
 Lord Londesborough. 
 
 4191 A "VEEY ELEGANT AND ELABOBATELT CABVED AND GILT 
 
 Chetal Fire Skbeen, the mount of rich old crimson 
 satin damask, with a lady in a swing, and flowers in 
 white. 201. Earl of Lonsdale. 
 
 4192 The Companion Skbeen. 31?. The same. 
 
 4193 A MAGNIFICENT COMMODE, with three drawers of 
 
 OLD BOULB, of brass and flowers, in mother-o'-pearl 
 and colours, with caryatid figures at the angles, rich 
 handles and mouldings of or-moulu, surmounted by 
 solid Sicilian jasper slab — 59 in. wide. 118/. Marquis 
 of Hertford. 
 
 4194 An Oblong Table, oe tine old Reisneb Mabqt/e- 
 
 tebie, with sliding top, enclosing trays and glass ; a 
 musical trophy and scroll borders on the top, and orna- 
 mented in trellis round the sides, with openwork or- 
 moulu gallery. 32/. Col. Sibthorp, M.P. 
 
 4195 An elegant small shaped Secbetaiee, of Mabqtje- 
 
 teeie, of king and tulipwood, with groups of flowers, 
 with falldown front enclosing three drawers, with or- 
 moulu mouldings. 29/. F. L. Popham, Esq. 
 
 4196 An Oblong Table, oe eine old Maeqttetebie, with 
 
 sliding top, with trays and writing slide ; a large street 
 scene on the top, with figures and utensils in compart- 
 ments round the sides, mounted with or-moulu. 152/. 
 5*. Baron J. de Rothschild. 
 
OB-MOULT) CANDLESTICK. 
 
 MARQUETERIE BOOK AND INKSTAND. 
 
FUBNIT0EE TN BACK DEAWING-EOOM. 425. 
 
 4197 A beautiful Book and Inkstand, of fine old Mab- 
 
 queteeie, with subjects of figures near a temple in a 
 garden, the faces engraved in ivory, classical vases and 
 views at the ends, in colours — 22 in. long, and 7y in. 
 wide. (See illustration.) 1051. Walter Stirling, Esq. 
 
 4198 An elegant small square-shaped table of old marqueterie 
 
 of king and tulipwood, with or-moulu ornaments. 
 10/. 10*. Annoot and Gale. 
 
 4199 A BEAUTIFUL OBLONG TABLE, OF FINE OLD MAEQUE- 
 
 teeie, with drawers, a large landscape on the top, with 
 figures, and two trophies at the ends in tulipwood 
 borders, and five views on the front and ends, mounted 
 ■with or-moulu. 36?. 15s. The same. 
 
 4200 A handsome ebonized Cabinet, with folding glazed 
 
 doors, enclosing shelves, with caryatid figures, of or- 
 moulu, at the angles, and rich mouldings of the same 
 — 50 in. wide. Sold with no. 4201. 
 
 4201 The Companion Cabinet. 651. Wertheimer. 
 
 4202 A small oblong-shaped table, of old marqueterie of king 
 
 and tulipwood, with a group of flowers on the top, 
 drawer and writing slide, mounted with or-moulu. 
 11/. 5s. Charles Cope, Esq. 
 
 4203 A satinwood cabinet, to contain miniatures, with twelve 
 
 drawers — 15 in. high, by 16 in. wide. 51. Charlet 
 Plumley, Esq. 
 
 4204 A beautiful Small Table, of fine old Mabque- 
 
 teeie, with fall-down front, on which is Mademoiselle 
 Clairon crowning Voltaire, enclosing recess and small 
 drawers, and shelf beneath, or-moulu gallery and or- 
 naments. 111. 10s. Lord Londesborough. 
 
 4205 A beautifdl Oblong Table, of fine old Reisneb 
 
 Maequeteeie, with drawer ; a seaport, and figures 
 with a donkey on the top, and eight views round the 
 sides, with or-moulu gallery and ornaments. 64/. 
 B. Falche. 
 
 4206 A VERY FINE SHAPED TABLE, OF OLD PAR- 
 
426 Tr/ENITITBE IN BACK DEAWING-BOOlt. 
 
 QUETERIE, of king and tulipwood, with six draw- 
 ers, with handles and ornaments of or-moulu, the top 
 covered with green leather — 69£ in. long, and 34 in. 
 wide. 1201. Lord Foley. 
 
 4207 A MAGNIFICENT SPANISH CABINET, in the form 
 
 of a temple, of tortoiseshell, covered with trophies of 
 arms, figures, coat of arms, and arabesques of white 
 metal, with small cabinets in the centre, and nine 
 drawers, on stand, with spirally twisted pillar legs, 
 with or-inoulu capitals, and looking-glass back — 84 in. 
 high, and 44|- in. wide. (See illustration.) 1081. 
 Col. Sibthorp, M.P. 
 
 4208 A VEEY HANDSOME CaBVED WHITE AND GOLD Recep- 
 
 tacle eoe Pobcelain, in three divisions, with glazed 
 folding doors, supported on brackets, formed of winged 
 terminal figures, and surmounted by roses and foliage — 
 82 in. wide, and about 80. in high. Sold with no. 4209. 
 
 4209 The Companion-. 38Z. Earl of Dartmouth. 
 
 4210 Anotheb Cabinet, nearly similar, on four legs, with 
 
 serpents entwined, glazed beneath — 94 in. high, and 
 84 in. wide. 20?. The same. 
 
 4211 A Pais oe eichlt Caeved and Gilt Piee Tables, 
 
 with scrolls and dragons on the legs, surmounted by 
 solid Brocatella slabs — 38 in. wide. 15/. 10s. D.Faleke. 
 
 4212 A Piee Glass, in richly carved and gilt frame, of 
 
 foliage, with wreaths of flowers entwined — extreme 
 height 93 in., by 43 in. wide. Sold with no. 4213. 
 
 4213 The Companion Glass. 28Z. Earl of Ashburnham. 
 42U A HORIZONTAL GRAND PIANOFORTE, by Erard, 
 
 6£ octaves, in a magnificent carved and white and gold 
 case, with flowers and scroll ornaments. 101. William 
 Goldsmid, Esq. 
 4215 A SUPERB CHIMNEY GLASS, in carved and gilt 
 frame, with border of foliage and flowers, surmounted 
 by a trophy of a quiver, and flowers and birds at the 
 angles, a wreath of flowers suspended across the top 
 
SPANISH CABINET. 
 
TTJENITTJEE IN" ENTRANCE HALL. 427 
 
 — extreme height 112 in., by 70 in. wide. 13J. 
 William Bayne, Esq. 
 4216 A MAGNIFICENT OVAL PIER GLASS, the frame 
 boldly carved with cupids and feBtoons of flowers, a 
 figure of Juno seated at the top, Jupiter and Neptune 
 on either side, and a figure with a cornucopia beneath 
 — extreme height 63 in., by 55 in. wide. 182. 10*- 
 Marlborough House. 
 
 Amount of Thirty-first Day's Sale, 3,518?. 9s. 6d. 
 
 THIRTY-SECOND DAY'S SALE. 
 
 FURNITURE IN ENTRANCE HALL. 
 
 4217 A pair of carved oak hall chairs, the backs with coats 
 
 of arms and coronets. 41. 5s. B. Falcke. 
 
 4218 A pair, similar. 41. 4s. The same. 
 
 4219 A handsome old carved oak settee, with openwork scroll 
 
 back, with festoons of flowers and cherubs' heads. 51. 
 Alex. Barker, JSsq. 
 
 4220 A small carved oak table, with an eagle supporting a 
 
 veined yellow marble slab — 29 in. wide. Zl. 13*. 6d. 
 Sir Robert Peel. 
 
 4221 A handsome carved oak pier table, with scroll legs, and 
 
 mask in the centre, surmounted by a Brocatella marble 
 slab, with border of Sienna marble. 71. Rhodes. 
 
 4222 A handsome old French clock, by Herbault/and bracket 
 
 of rosewood, with rich ornaments of or-moulu, of the 
 time of Louis XIV. 221. 10*. Russell. 
 
 4223 Two chairs, with carved oak backs, with coats of arms, 
 
 the seats covered with tapestry. 41. 4s. Evans. 
 
 4224 Two ditto, of different pattern. 61. 10*. Smart. 
 
428 FUENITTTEE IK DINING-ROOM. 
 
 4225 A pair of chairs, with carved openwork backs and legs, 
 
 the sides covered with crimson Utrecht velvet. 4/. 14s. 
 6a?. Annoot and Gale. 
 
 4226 A handsome shaped table, on richly carved stand of 
 
 carved oak, arabesque design, with cypher and coronet 
 in the centre, surmounted by a veined marble slab — 
 41 in. wide. 51. 10s. B. FalcJce. 
 
 4227 A Chinese gong, on stand. 16/. 10s. Rev. T. Staniforth. 
 
 4228 A handsome carted Oak Armoire, with masks, 
 
 scrolls, and ornaments — 7 ft. 4 in. high, and 6 ft. 2 in. 
 wide. 41. 10s. Litchfield. 
 
 FURNITURE IN LIBRARY. 
 
 4229 A pair of or-moulu fire-dogs, with figures of cupids on 
 
 scrolls. 21. 15s. H. Richardson, Esq. 
 
 4230 An elegant shaped Glass, in elaborately carved oak 
 
 frame, with scrolls and a cherub's head in the centre — 
 extreme width 60 in., and height 35 in. 17/. 13s. 
 Earl of Powis. 
 
 4231 A handsome old coffer, of pearwood, on stand, orna- 
 
 mented with plates of metal, chased with birds and 
 flowers. 32/. Marlborough House. 
 
 FURNITURE IN DINING-ROOM. 
 
 4232 A capital Turkey carpet— 25 ft. by 17 ft. ; and a hearth 
 
 rug. 18/. Woodgate. 
 
 4233 A set of twelve handsome cabriole chairs, of carved oak, 
 
 with scroll-shaped backs, covered with crimson Utrecht 
 velvet. 21/. Ensom. 
 
 4234 A set of eight similar. 24/. Herring. 
 
 4235 A capital oak dining table, with circular ends, on carved 
 
 pillar legs ; five extra leaves. 17/. 10s. Woodgate. 
 
 4236 A BEAUTIFUL SIDEBOARD, OF PEARWOOD, sup- 
 
 ported on four richly carved trusses, with terminal 
 figures of cherubs, very elegant design, the back carved 
 
EUENITUEE IN GLA8S-E00M. 429 
 
 with ornaments, and a shelf above — 9 ft. long. 30/. 
 Woodgate. 
 
 4237 A beaStieul Side Table, of pearwood, supported on 
 
 richly carved trusses, with foliage — 6 ft. 6 in. long. 
 20/. 9s. 6d. Morant. 
 
 4238 The Companion Side Table. 21/. The same. 
 
 4239 A VERY ELEGANT OCTAGONAL STAND, of metal 
 
 gilt, on tripod feet, formed of openwork of foliage of 
 gothic design, with metal lines ; it has been used as a 
 wine cooler — 32 in. high. 33/. Marlborough House. 
 
 4240 A handsome Peint Peess, of carved oak, with scroll 
 
 ornaments, and folding doors enclosing trays — 5 ft. 
 7 in. long, and 3 ft. 2 in. deep. 3/. 5*. Woodgate. 
 
 4241 A magniticent Oe-moulu Chandelieb, very richly 
 
 chased with ornaments, and branches for twenty-four 
 lights. 15/. Ensom. 
 
 FURNITURE IN GLASS-ROOM. 
 
 4243 A pair of ancient brass fire dogs. 41. 6s. Pratt. 
 
 4244 A steel fender and fire irons, with brass handles. 31. 3s. 
 
 B. Faleke. 
 
 4245 A pair of or-moulu branches for one light each. 21. Is. 
 
 Ensom. 
 
 4246 A chimney glass, in frame of carved oak, partly gilt, 
 
 with figures and arabesques of renaissance design — 45 
 in. by 41 in. 15/. John Allcard, Esq. 
 
 4247 A pair of ancient bellows, carved with masks and a 
 
 figure holding a shield partly gilt, the nose of chased 
 bronze. 28/. Marlborough House. 
 
 4248 A pair of ancient bellows, inlaid with flowers of engraved 
 
 mother-o'pearl. 10/. B. Faleke. 
 
 4249 A carved oak frame, with spirally twisted pillars and 
 
 shelves, and looking glass back — 5 ft. wide, and 4 ft. 
 2 in. high. 4/. 6s. Pratt. 
 
 4250 Another, with cupids, coats of arms, and coronets — 5 ft. 
 
 wide, and 4 ft. 2 iu. high. 41. 6s. Watson. 
 
430 EUBNITUBE IK glass-boom:. 
 
 4251 A carved oak set of shelves, with brackets — 7 ft. wide, 
 
 and 5 ft. high. 11. lis. Woodgate. 
 
 4252 An oblong oak table, with two drawers carved with 
 
 friezes of figures, on carved legs and stretcher. 81. 
 JEnsom. 
 
 4253 A carved oak high-back arm chair, the seat covered with 
 
 tapestry. 101. 15s. Marquis of Breadalbane. 
 
 4254 A beautiful Oblong Table, of rosewood, inlaid with 
 
 flowers in ivory, on carved standards and arched colon- 
 nade, under the centre, also inlaid with ivory. 35Z. 
 B. Falcke. 
 
 4255 A Beautiful Small Secbetaire, of sandalwood, with 
 
 fall-down front, enclosing drawers and four drawers 
 under, elaborately inlaid all over with birds and flowers 
 in engraved ivory, the foliage of ebony — 35 in. high, 
 and 30 in. wide. 40/. 5*. The same. 
 
 4256 A beautiful Small Otal Table, of sandalwood, with 
 
 folding top, on four legs with stretcher inlaid, similar. 
 50 1. The same. 
 
 4257 A Paib of Small high-back Chaibs, en suite, the 
 
 seats covered with needlework. Sold with nos. 4258 
 and 4259. 
 
 4258 A paib of Ditto. 
 
 4259 A paib of Ditto. 701. The same. 
 
 4260 An Oblong Ottoman Steel, en suite — 43 in. by 22 in. 
 
 71. D. Falcke. 
 
 4261 A handsomely carved oak settee, one end with cane 
 
 back, the seat covered with tapestry, with Christ ap- 
 pearing to Mary in the garden. 51. 5s. Sir Robert Peel. 
 
 4262 A carved oak arm chair, the back rising and forming a 
 
 priedieu, covered with tapestry. 17/. 10*. The same. 
 
 4263 A pair of small carved oak folding chairs, the seats co- 
 
 vered with tapestry. 21. 18s. Smith. 
 
 4264 A MAGNIFICENT CHANDELIER, OF OLD VENE- 
 
 TIAN GLASS, with flowers and ornaments in colours, 
 and scroll branches for eight lights. 47/. 10*. Webb. 
 
rUEHITITEB IN THE ARMOURY. 431 
 
 4265 An elegant Oyax-shaped Glass, with a figure in the 
 
 centre holding a banner, in frame of old Venetian glass, 
 with wreaths of flowers in relief, in colours, and gilt 
 ornaments — 46 in. high, and 31 in. wide. Sold with 
 no. 4266. 
 
 4266 The Companion, with a figure playing a guitar. 8W. 
 
 Edward Mills, Esq. 
 4266a An old French thermometer, carved with a military 
 trophy, and shield of arms. 71. C. Mills, Esq. 
 
 4267 The Range op Wainscot Cabinets, in eight divisions, 
 
 with cupboards beneath, and glazed folding doors 
 above, enclosing glass shelves, of architectural design, 
 with Corinthian columns supporting a frieze carved 
 with subjects of figures, hunting subjects, and masks, 
 fitted in the recess — the four centre divisions 18 ft. 
 
 6 in. long — each of the other divisions about 3 ft. wide, 
 
 7 ft. 6 in. high. 35Z. 10s. Pratt. 
 
 4267a A beautiful backgammon board, of old marqueterie, the 
 inside engraved, the borders carved with figures, play- 
 ing games ; and 29 pieces, carved with animals. 10?. 10*. 
 Marlborough House. 
 
 FURNITURE IN THE ARMOURY. 
 
 4268 A pair of old steel fire dogs, with basket tops, and chased 
 
 masks of or-moulu. 16 J. 16s. Marlborough House. 
 
 4269 An iron fender ; an ancient pair of tongs ; 2 pokers, and 
 
 a shovel, with handles of figures. \2l. 10*. The same. 
 
 4270 A pair of ancient bellows, carved with the Adoration of 
 
 the Shepherds, in high relief, in oak. 21/. 10*. The 
 same. 
 
 4271 A pair of girandoles, of steel, formed of mermaids, bear- 
 
 ing branches, for two lights each. 101?. The same. 
 
 4272 A pair of gothic leaf-pattern branches, with nozzles for 
 
 lights of metal gilt. 21. 10*. H. M. Farquhar, Esq. 
 
 4273 A pair of arms, of carved oak, holding steel nozzles for 
 
 lights. 31. Rhodes. 
 
432 rTJENITTJEE IN THE AEMOTJET. 
 
 4274 A small steel bracket, of pierced gothic design, with 
 
 hook for suspending a lamp. 1/. 14s. Willson. 
 
 4275 A small old metal-gilt chandelier, with star and ball be- 
 
 neath, and branches for eight lights. 91. 15s- S. T. 
 Morey, Esq. 
 
 4276 A handsome old metal-gilt chandelier, of gothic design, 
 
 with foliage branches for twelve lights, surmounted by an 
 angel holding a shield. \Zl. 10s. Marlborough House. 
 
 4277 An oblong oak table, with drawer, the top inlaid in dia- 
 
 monds, the stand carved, on pillar legs. 171. Christo- 
 pher Tumor, Esq. 
 
 4278 A veey hajsdsome Gothic Oak Cabinet, in three 
 
 divisions, the centre door with open steel trellis, and 
 the sides with carved openwork panels of trophies and 
 shields of arms, two drawers beneath, and carved gal- 
 lery of foliage above — 6 ft. high to the top of the pil- 
 lars, and 4 ft. 8 in. wide. Sold with no. 4279. , 40/. 
 Pratt. 
 
 4279 The Companion Cabinet, with arched openwork steel 
 
 centre, and coats of arms at the sides. E. H. Braine, 
 Esq. 
 
 4280 A low carved oak chair, with high back, with a terminal 
 
 figure, the seat covered with tapestry. Withdrawn. 
 
 4281 A carved oak arm chair, with openwork back, sur- 
 
 mounted by lions, and seat of tapestry. Zl. Willson. 
 
 4282 A pair of carved oak chairs, with openwork backs, the 
 
 seats covered with tapestry. 21. 10*. The same. 
 
 4283 A pair of ancient carved oak high-back chairs, with 
 
 mermaids and busts, with cane backs and seats. 61. 6s. 
 — Moore, Esq. 
 
 4284 An ancient carved oak arm chair, the back with ara- 
 
 besques and coat of arms, the arms formed of dolphins 
 resting on masks, the seat covered with tapestry. 
 15/. 10s. Marlborough House. 
 
 4285 A curious rude carved oak chair, with low back, with 
 
 inscription and bird above, the seat covered with ta- 
 pestry. 3/. 15s. Pratt. 
 
STAIECA8E. 433 
 
 4286 A carved oak high-back chair, with cane seat and back. 
 
 11. 15s. — Moore, Esq. 
 
 4287 Another, nearly similar, surmounted by a crown. 21. 15*. 
 
 The same. 
 
 4288 A carved oak Venetian chair, with arabesque figure legs, 
 
 and back. 51. Annoot and Gale. 
 
 4289 A carved oak stand for muskets. 11. Is. Watson. 
 
 4290 A pair of carved stands, with hooks for small arms. 
 
 41. 15*. Marlborough House. 
 
 STAIRCASE. 
 
 4291 A fine old Feench Clock Case, of old black boule, 
 
 with Fame at the top, and figures on either side, and 
 rich ornaments of or-moulu ; it has new works and 
 chimes, by Tupman. Sold with no. 4292. 
 
 4292 A Squabe Pedestal, op fine old Black Boule, of 
 
 brass and tortoiseshell, with rich mouldings of or- 
 moulu, of the time of Louis XIV. — 45 ft. 3 in. high. 
 205Z. R. S. Holford, Esq. 
 
 4293 A fine old Feewoh Babometeh and Thebmometeb, 
 
 in case of tulipwood, with rich mouldings of or-moulu. 
 351. 14s. The same. 
 
 4294 A pair of old metal-gilt sconces, of chased scroll pattern, 
 
 with branches for one light each. 21. Pratt. 
 
 Amount of Thirty-second Day's Sale, 1382Z. 13*. 6d. 
 
 F B 
 
MONOGEAMS AND MAEKS 
 
 POUND ON 
 
 POTTEEY AND POECELAIN. 
 
 TAKEN FBOM BEONGNIABT'S * MUSEE CEEAMIQUE," OB FEOM SPECIMENS IN THE POSSES- 
 SION OP THE EDITOE AND HIS FRIENDS. 
 
 The earliest productions — Chinese, Egyptian, Oriental, Etrus- 
 can, Greek, Roman, Moorish (including Hispano-Mauro ware), 
 Peruvian, Delia Eobbia, and many other kinds — are gene- 
 rally without marks. The age and country of such can only 
 be determined by a practised eye. And so, too, is much of the 
 modem pottery and porcelain — German, French, Italian (in- 
 cluding Capo da Monti) and English. But even marks are 
 not always to be relied on, as they are sometimes forged, 
 especially those of Shires and Chelsea. When the mark is 
 covered by the glaze instead of being merely pencilled on after 
 the piece was made, there is some little guide ; but as this 
 can be imitated, and some genuine pieces have the factory 
 marks put on over the glaze, there is no invariable rule. Be- 
 sides which, certain manufactories, both in this country and 
 abroad, counterfeit entire pieces very successfully. 
 
 Luca della Eobbia is fully entitled to stand at the head 
 of this section, although no marks exist by which his works 
 can be identified. He was born in 1388, and died about 
 1430, in his 42nd year. His works — chiefly figures and bas- 
 reliefs — are just what would be expected from an Italian sculp- 
 tor, who worked in enamelled Terra-cotta (called also terra 
 invitriata or vitrified earth) for churches. His earlier pieces 
 seem to have been entirely white, some of them unglazed ; his 
 later ones, white figures on vivid blue grounds, sometimes 
 decorated with blue,' green, golden, or orange tints. He was 
 succeeded by his brothers and descendants, who carried on 
 the manufacture for nearly a century and a half. Their works 
 have in later times been frequently and well imitated in Flo- 
 rence and Doccia. u2 
 
436 
 
 I P. 
 
 HISPANO-MAURO WAEE. It seems necessary to notice this before 
 proceeding to the recognized Italian Majolica. Some of this 
 Spanish-Arab ware is apparently of early date, and may have 
 been the parent of those dishes and vessels of Moresque pattern 
 ■which seem to have been made in Italy late in the fifteenth and 
 throughout the sixteenth century, They are generally of a 
 coppery or rusty brown colour and highly lustrous, as if gilt or 
 bronzed, (whence they are sometimes called metallic pottery,) and 
 the decorations are quite Alhambraic, seldom introducing more 
 than one subject — a doe, a lion, or an Arabic monogram — in 
 the centre or on the back. They are by no means uncommon, 
 and range in price below the finer descriptions of Majolica. 
 Specimens may be seen in the Kensington Museum, and in the 
 British Museum. Mr. Bernal had several, see No. 1900, &c. 
 There are plates enamelled on metal of the same Moorish character, 
 called in Bernal' s Catalogue, Moresco-Hispano. SeeNos. 1581, 
 1582. 
 
 PesAEO. Supposed to mean In Pesaro, or 
 
 to be the Monogram of Maestro Je- 
 ronimo Pesaro, from 1520 to 1550. 
 Pesaro ware is of a somewhat distinct 
 character, often deep blue or purple 
 and white, with orange borders of 
 flowers. It is sometimes marked with 
 these letters, but at Cluny is a plate 
 marked with only a P. The specimens 
 in Mr. Bernal's collection were very 
 artistic, and highly finished. See 
 Nos. 1849 and 2070, both dated 
 1620; also a plate dated 1535, 
 marked " fato in Pesaro." Bernal, 
 No. 2042. Reduced size. 
 
 Pes ABO ? On a plate — Arabesques on a blue 
 ground — described in Brongniart. 
 Probably of late date. Passeri men- 
 tions a dish, dated 1582, marked O A, 
 united by a cross ; and Labarte had 
 one marked Pesaro, 1771. 
 
 GrtJBBIo. Giorgio Andreoli ? possibly an 
 
 early mark, soon after he came from 
 Pavia to Gubbio in 1498, and some 
 years before he was ennobled and 
 called MaeBtro Giorgio. On a richly 
 lustred Gubbio plate, belonging to 
 Mr. Isaac Falcke, and now in the 
 Ceramic Court of the Crystal Palace. 
 
POTTEEY. — ITALY. 
 
 437 
 
 LT I J 
 
 fltMMf i 
 
 
 GUBBIO. 
 
 Giorgio Andreoli, (MaeBtro Gior- 
 gio), probably before be was enno- 
 bled, or possibly a compound mono- 
 gram of Giorgio Andreoli and Oratio 
 Fori tana. On the back of an extremely 
 well painted plaque, representing St. 
 Jerome in a rocky landscape, slightly 
 irridescent. No. 119 of the Soulages 
 Collection. Seduced size. It may 
 be noted here, that much of the 
 Gubbio ware, including both the early 
 and later works of Maestro Giorgio, 
 is without marks. 
 
 GUBBIO. Maestro Giorgio. From a plate at 
 Marlborough House representing St. 
 Francis receiving the Stigmata. The 
 dated specimens of this artist are 
 mostly between 1518 and 1541. One 
 of his finest compositions, an altar- 
 piece, consisting of many hundred 
 figures, was executed as early as 1618, 
 for a church at Gubbio, and is now 
 in the Museum at Frankfort. The 
 finest specimen, at any rate the most 
 costly yet sold by auction, was a 
 highly lustrous plate, dated 1525, 
 decorated with a painting of the 
 thkek graces, after Marc Antonio, 
 which was lately bought for Mr.Foun- 
 taine, at Mr. Roussel's sale, at Paris, 
 for four hundred guineas. 
 
 Maestro Giorgio. From a plate 
 with gold and ruby lustre. No. 15 of 
 the Soulages Collection. Seduced size. 
 The same mark, dated 1528, is on a 
 fine plate belonging to Mr. Isaac 
 Falcke, now in the Ceramic Court of 
 the Crystal Palace. See also Ber- 
 nal, No. 1739, dated 1524. 
 
 10 
 
 Gubbio. 
 
 -^, . Gubbio. 
 
 Maestro Giorgio. (Both this and 
 the preceding are, according to Mr. 
 Eobinson, probably executed by his 
 son, Maestro Cencio, or Vincentio.) 
 From plate No. 38 in the Soulages 
 Collection. Seduced size. See a plate 
 dated 1634 inBernal, No. 1978. See 
 also Brongniartfor mention of a plate 
 of Giorgio, dated as early as I486. 
 
438 
 
 POTXBET. MAJ OI/ICA. 
 
 GUBBIO. Maestro Giorgio. One of the finest 
 specimens in the Bernal Collection 
 was No. 1926, described as the Judg- 
 ment of Paris, and dated 1525. This 
 is now in the possession of A. Foun- 
 taine, Esq. 
 
 GUBBIO. Maestro Giorgio, another mark, 
 undated. From Passeri. 
 
 GuBBIO. Maestro Giorgio. From a Bmall 
 ' Tazza, dated 1525. No. 58 of the 
 Soulages Collection. Seduced size. 
 See also Bernal, No. 1950 for a spe- 
 cimen of the same date. 
 
 GtJBBIO. Another mark of Maestro Giorgio, 
 on a plate painted with " Baalam 
 prophesying." It is interesting as 
 being the type of some of the upright 
 monograms, consisting of circles and 
 crosses, found on medicine jars, and 
 which are generally supposed to indi- 
 cate the proprietor rather than the 
 artist, or to be a compound of both. 
 
 GlTBBIO. Dated 1519, and attributed by Pas- 
 seri to Maestro Giorgio, but not un- 
 likely to Maestro Cencio. On a dish 
 decorated with arabesques on a pale 
 blue ground, with metallic lustre, but 
 less vigorously painted than usual. 
 
 Supposed to be Maestro Cencio, «'. e. 
 Vincentio, or Vicenzo, son of Maestro 
 Giorgio. On a dish in the posses- 
 sion of M. Souvageot, cited by Pas- 
 seri. Also on a fine iridescent plate, 
 with a blue and orange border, and 
 the arms of the Piccolomini in the 
 centre; — in the possession of the 
 Editor. 
 
 GUBBIO. 
 
POTTERY. — ITALY. 
 
 439 
 
 Gubbio. Signature not yet deciphered, found" 
 on a plate, much in the style of ' 
 Maestro Giorgio and Xanto. From 
 Passeri., 
 
 fir 
 
 S.P.Q.R. 
 
 GtJBBlO. This monogram occurs on a fine 
 large early dish, with the arms of the 
 Torregiani family in the centre, sur- 
 rounded by a wreath of foliage and 
 a deep border of trophies, the whole 
 painted in metallic and ruby lustre 
 on a rich blue ground. It was 
 formerly the property of Mons. Gal- 
 liardi, of Florence, who is said to 
 have given £200 for it, but it was 
 lately sold at Christie's for £104. 
 The first letter is apparently a Greek 
 Phi, the second an X or a cross, the 
 third a D, which gives this mark some 
 similarity to one of those ascribed to 
 Oratio Fontana, of TJrbino. 
 
 GtJBBIO. These letters (which are not fac- 
 fOv Naifles) similes) were on plates, dated 1512, 
 1520, 1525, and 1535. See Bernal, 
 Nos.1847, 1866,1946, 1992,arid 2061. 
 I have seen the same mark on what 
 seemed to be Neapolitan ware, of about 
 1650. The letters are the well- 
 known 8(enatus) ¥{ppulisque) E(o- 
 marnu) of the Roman Standard, and 
 probably not an artist's mark. 
 
 GUBBIO. ^ n a ' ar S e dish dated 1546, sub- 
 
 ' ject, Coriolanus, elaborately and well 
 
 painted, but not lustrous. The 
 
 S.P.Q.R. occurs on a trophy in the 
 
 foreground. 
 
 M-A-LM. 
 
 Probably On a plate, circa 1500. Bernal, 
 
 Gubbio. No. 1880. 
 
440 POTTEEY. — MAJOLICA. 
 
 » 1-w tj Probably Circa 1500. Bernal, No. 1777. 
 
 ±\.i JJ • H GuBBIO. The letters in this and the preceding 
 
 are not facsimiles. 
 
 Maestro Prestino. Gtjbbio. 
 
 4Sjl* Ubbino. 
 
 F. X. A. B. P. Uebino. 
 
 
 Uebino. 
 
 On a large deep dish with gold and 
 ruby lustre, inscribed "fato in Gubbio 
 per ma/no di mcestro Prestino," 1557. 
 Subject : Venus and Cupid. Now ia 
 the Crystal Palace, belonging to Mr. 
 Isaac Falcke, 
 
 Francesco Xanto Avelli da Rovigo 
 in TJrbino. From apiece in the Col- 
 lection at Marlborough House and 
 Bernal, 2014. See plates dated 1532, 
 Bernal,' Nos. 1896 and 1976. The 
 letter T which precedes the word TJr- 
 bano is supposed to be a contraction 
 of the word in. 
 
 Francesco Xanto Avelo Rovi- 
 gense (Pinxit ?). These letters were on 
 a plate dated 1531, in the Bernal Col- 
 lection, No. 1781, and the inscription 
 in full was on another dated 1533. 
 See Bernal, Nos. 1804 and 1938. 
 
 Francesco Xanto Rovigense. From 
 a piece in the Collection at Marlbo- 
 rough House. 
 
 Sometimes the monogram is merely 
 F. X., and sometimes only anX. See 
 Bernal, No. 2028. 
 
 &&•&• 
 
 UeBINO. Francesco Xanto Rovigense. On a 
 plate, marked N, 1535. No. 1816 
 of Bernal's Collection. The same 
 three letters, but the R placed under- 
 neath, on a very fine and extremely 
 valuable Xanto plate, with ruby and 
 metallic lustre, dated 1533, now at 
 Strawberry Hill. 
 
 Francesco Xanto Rovigense. On 
 ' 1536. Bernal, No. 
 
 - ._- /T) Francesco 2 
 
 9r IT yfovts. a p late dated 
 
 iS? . \JL* ' S^KZ^X:' 1802. Mr. I 
 
 TJkeino. 
 
 1802. Mr. Bernal's best specimens 
 were No. 2081, now in the .British 
 Museum, and 1938. 
 
POTTERY. — ITA1T. 
 
 441 
 
 k"W. 
 
 Ubbino. 
 
 Ubbino. 
 
 Monogram of Francesco Xanto da 
 Eoyigo. From a finely painted plate, 
 in which the ruby and gold lustre is 
 supposed to be added by Maestro 
 Giorgio. Subject : the sword of Da- 
 mocles. The property of the editor, 
 and shewn at the Manchester Exhibi- 
 tion. Fat-simile of Monogram. 
 
 From a Tazza, finely painted in 
 Arabesque, dark blue and white, not 
 dated. lac-simile of the Mono- 
 gram. 
 
 V 
 
 A P. 
 
 B. F. V. F. 
 
 UeBINO. This mark, closely following the 
 word Ifota, occurs on a fine Tazza, 
 painted with a mythological subject, 
 and ascribed to Fra Xanto. 
 
 UBBINO. 0" a &*^ °f blue ground, with a 
 portrait of " Laura " in colours, 
 coarsely painted. Some of the early 
 deep plates, ascribed to Maestro 
 Georgia, have a portrait of Laura 
 (probably Petrarch's Laura), finely 
 executed. 
 
 UbbINO. Alfonzo Patanazzi, a late but in- 
 different artist. Sometimes his name 
 , is signed in full. At Marlborough 
 House is one marked Alf. P. F. 
 Urbino, 1606. 
 
 UEBINO. Battista Franco (Urbino Fecit?) 
 Painter to Guidobaldo II., Duke of 
 Urbino, in 1540— 1555. One of the 
 most celebrated of the Majolica artists 
 for classical and skilful drawing. He 
 returned to Venice, and died there. 
 1561. 
 
442 
 
 POTTEEY. — MAJOLICA. 
 
 UbBINO. Oratio Fontana Vrbinaie fecit, 
 
 Painter to the Duke Guidobaldo, of 
 Castel Durante (1540—1560), from 
 Passeri, who, however, says he was 
 unable to verify the monogram. Some 
 of the finest known specimens of Ma- 
 jolica are painted by this artist. He 
 usually signs his name either Orazio 
 or Oratio Fontana. 
 
 y/44- 
 
 UeBINO. Oratio Fontana. On a plate de- 
 scribed in the Appendix to the Sou- 
 lages Catalogue. Reduced size. 
 
 Uebino. Oratio Fontana. From a plate, No. 
 1927 of Bernal's Collection, now in 
 the British Museum. Full size of 
 Monogram. (The Editor has a small 
 deep dish of this date, 1544, but 
 without any monogram, which in 
 richness of colour and quality of exe- 
 cution, has all the appearance of being 
 by Orazio Fontana.) 
 
 UeBTTTO? Supposed to be Orati* Fontana. 
 1550 ? ^ n a ma g n 'fi cent Kateau, in the Mu- 
 seum of the Louvre. Reduced six. 
 
 /&A; 
 
 UebiNO. Supposed to be Oratio Fontana ; 
 assuming the Greek Phi to stand for 
 O.f., and the Delta for Durantino. 
 From a finely painted Tazza, in the 
 possession of Andrew Fountaine, Esq. 
 Seduced size. 
 
 UbBIMX). Ditto. 
 
 Ditto. 
 
 Ditto., 
 
■1? 
 
 FOTTEEY. — ITALY. 
 
 443 
 
 Castel-Dubante This mark has hitherto heen at- 
 (or Deeuia.) tributed to Castel Durante, but Mr. 
 
 " Franks of the British Museum now 
 
 attributes it to Deruta. On a dish, 
 painted with a subject from Orlando 
 Furioso, in the possession of Mrs. 
 Palliser. On another at Marlborough 
 House, the intersecting line is more 
 like a long S reversed, and is dated 
 1539, with the letters &. S., indi- 
 cating, it is supposed, Guido Selvag- 
 gio, a skilful artist, who afterwards 
 went to Antwerp, and gave an Italian 
 character to the Flemish pottery. Me- 
 dueedsize. In general the plates of 
 this factory are inscribed in blue, "In 
 Castel Durante." See Bernal, No. 
 1841, for a plate dated 1519,andNo. 
 2017, for one dated 1526. 
 
 Deetjta. 
 
 Unknown. 
 
 Probably 
 
 Ubbino or 
 Gtjbbio. 
 
 Ubbiito. 
 
 On a dish painted in blue Catnaieu, 
 with metallic lustre, subject, " Diana 
 at the Bath," now at the Hotel de 
 Cluny. ThiB, as well as the pre- 
 ceding mark, has hitherto been attri- 
 buted to Castel Durante. Eeversed 
 it might read as a D. 
 
 School of Giorgio, but inferior. 
 Mr. Robinson thinks the N may be 
 the monogram of Maestro Giorgio's 
 son Vincentio, and mean VIN, the 
 first three letters of his name. On a 
 Tazza; subject, Head of John the 
 Baptist in a charger. No. 39 of the 
 Soulages Collection. In Bernal, No. 
 1816, was a plate marked N, 1535, 
 F. X. E., which seems to connect 
 this N with Francesco Xanto. 
 
 It may be here observed, that 
 much of the early Urbino ware is 
 without marks, especially vessels and 
 figures. 
 
 Nicolo da TJrbino. On a plate well 
 drawn and painted, subject " Par- 
 nassus," after Raphael, in the posses- 
 sion of Mons.Souvageot. FrpmPasseri. 
 
444 
 
 POTTEBY. — MAJOLICA. 
 
 Uebino. 
 
 Uebino. 
 
 Faenza. 
 
 Faebza. 
 
 On another similar plate, subject, 
 Diana and Aoteon. From Passeri. 
 This monogram, -without the crown, 
 is similar to those of Lucas Cranaeh 
 and Lucas Cambia&i, the latter a 
 painter in Camaieu at Genoa. 
 
 On a ewer, blue ground, with yel- 
 low scrolls, of remarkably fine exe- 
 cution, in the possession of M. de 
 Kothschild. 
 
 The mark (which is here consi- 
 derably reduced) was on a plate, No. 
 1808, of Denial, described as circa 
 1500, of fine and rare character, 
 bought by the British Museum for 
 £43 Is. 
 
 On a plaque of magnificent execu- 
 tion, after a painting of the school of 
 Albert Durer. From Passeri. 
 
 X 
 
 F. 
 
 FAENZA. On a Faenza plate, blue ground, with 
 boys and animals tinted yellow. 
 Faenza ware is generally dark bjue or 
 orange for the ground colour, and 
 yellow or orange for the subject or 
 centre; and one of its characteristics is 
 arabesque borders and the invariable 
 absence of the metaUie lustre. From 
 the brilliancy of the colours ant 
 glaze, it has more the appearance of 
 porcelain than pottery. 
 
 FAENZA. Tne l ett er F, whether written or 
 
 Printed, probably indicates Faenza. 
 t is sometimes of very quaint form. 
 
POTTEEY. — ITALY . 
 
 445 
 
 Faenza. 
 
 Faeuza. 
 
 Tfy 
 
 Faenza. 
 
 V 
 
 Faenza. 
 
 fro'torp^ : 
 
 Faenza. 
 
 This kind of F occurs on what 
 appears to be a Faenza plate. It is 
 similar to the F of the Rouen 
 Faience. 
 
 Marl on the back of a beautifully- 
 painted plate, with broad arabesque 
 border of indigo blue and bianchetti, 
 and a female portrait of Laura (ap- 
 paxentlyPetrarch's) in the centre. The 
 British Museum has specimens dated 
 1525 and 1527, but the present (in 
 the possession of the editor) seems 
 later. Nothing can be more perfect 
 than the drawing and Bhading. A si- 
 milar mark sometimes occurs, very 
 freely flourished and crossed. 
 
 P. Incha Agricola. This mono- 
 gram was on Mr. Bernal's Nos. 1832, 
 1833, and 1845, three medicine jars, 
 dated 1501 and 1502 ; and on No. 
 1949, a plate which sold for £90, the 
 name was given in full. 
 
 Mr. Marryat has a Faenza plate, 
 subject, Samson pulling down the pil- 
 lars of the Temple, with this mono- 
 gram, which is not unlikely to be 
 that of F. Atanasius. 
 
 Another mark. On a dish repousse 
 at the back, forming festoons of dif- 
 ferent colours, and ornamented with 
 
 Unknown. Considerably reduced. From 
 
 Marryat, who obtained the mark from 
 Mr. Bernal. But the plate was not 
 in his collection. 
 
 Unknown. On a bowl, with arabesques in relief. 
 Brongniart. 
 
446 
 
 POTTETJY. — MAJOLICA, 
 Unknown. 
 
 Unknown. 
 
 Caitagiolo? 
 
 No known 
 Mark. 
 
 Mohtb-Lttpo. 
 
 ^0Mf 
 
 Abetjzzi. 
 
 Sayona. 
 
 (or Naples). 
 
 On a cup with festooned border. 
 Brongniart. 
 
 On a Tazza, dated 1548. Brong- 
 niart, page 183, No. 195. 
 
 This mark was on the famous Ea- 
 phael and Fornarina plate of the Ber- 
 nal Collection, figured and described at 
 our page 195. Mr. Eobinson, of Marl- 
 borough House, attributes it to Caf- 
 fagiolo, a castle of the Medici, near 
 Florence, where he presumes most of 
 the pieces bearing evidences of the Me- 
 dici family to have been made. He 
 thinks that the " red enamel colour" 
 belongs almost exclusively to this fa- 
 bique and Faenza. See Soulages, p. 35. 
 Mr. Fountaine has a plate of this ware 
 marked with a Trident (like the Swan- 
 sea mark), and a very small ring by the 
 side of it. Some plates are said tobc mark- 
 ed Caffagiolo, some merely with a C, and 
 others with a large P, generally in blue. 
 
 This ware, which seems to belong 
 to about 1530 — 80, has a very Neapo- 
 litan character, but is somewhat bolder 
 in its colours and drawing, and revels 
 in vivid blues and decided colours. 
 Some handsome medicine jars, painted 
 in scrolls, and large blue and black 
 dishes, with a kind of damascene under 
 the glaze, are ascribed to this factory. 
 See Bernal, No. 1830. 
 
 The black and white mottled ware 
 modelled in vessels of classic design, 
 is also attributed to this factory. 
 
 A crown appears to be one of the 
 marks of the many potteries of the 
 Abrtmi, of which we know very little. 
 Prom Passeri. 
 
 Arms of Savona. See Brongniart, 
 page 183, Nos. 202 and 203. This 
 mark, but more triangular, occurred 
 on a blue dish— subject, " Curtius leap- 
 ing into the gulph," lately sold at 
 Christie's as Neapolitan. B. 
 
POTTEBY. — ITALY. 
 
 447 
 
 J3©C 
 
 Sayona 
 
 (or Kaples). 
 
 Ditto. 
 
 Naples. 
 
 Naples. 
 
 Mark, generally blue, on vases of 
 Majolica character. UroHgniart, page 
 185, No. 224. The same mark, with a 
 double T, was on a jug, No. 1846, of 
 the Bernal Collection. 
 
 Blue figures on a silver white ground. 
 These two marks are similar excepting 
 the letters, which are, no doubt, ini- 
 tials of the artist. 
 
 On a pair' of shaped medicine or 
 pharmaceutical jars, dated 1524, painted 
 in scrolls, chiefly blue, and highly glazed. 
 On anotber jar the same mark assumed 
 more the figure of an L crossed at 
 top. Valued at £10. Such jars are 
 also called apothecaries' pots, drug 
 vases, &c, but it will be convenient 
 here to call them by one accepted name, 
 " Medicine Jars." 
 
 Mark on a medicine jar, described 
 as Neapolitan, date, about 1540. It 
 would De easy to give many more of 
 the curious monograms from medicine 
 and pharmaceutical jars and bottles, 
 but want of space forbids ; nor is it 
 quite certain that they are artiste' or 
 factors' marks. 
 
 NAPLES. This P is found on medicine jars 
 and vessels described as Neapolitan ; 
 date about 1560—80. The letter P 
 is also said to be found on some of the 
 manufacture of Perugia, where much 
 Majolica of ordinary character seems 
 to have been made. 
 
 NAPLES. ^ n a c ' rou l ar plateau, with figures 
 
 in the manner of Majolica, in the Sevrea 
 Collection. Brongniart. 
 
448 
 
 POTTEET. — MAJOLICA. 
 
 H F 
 
 Naples. On Dessert plates of 'Majolica pat- 
 
 terns. Brongniart. 
 
 NAPLES. On Dessert plates, ditto. B. This 
 
 and the two preceding marks are now, 
 in the opinion of the present director 
 at Sevres, thought to be " Delft." 
 
 JV. 
 
 Naples. 
 
 Naples. 
 
 / 
 
 'Naples. 
 
 I$N Napies - 
 
 F. Del Vecchio. Stamped on pieces 
 of table service and white ornaments, 
 painted, or gilt ; also on pieces painted 
 in black on a red ground, in the Etrus- 
 can style. Brongniart, plate xliii. figs. 
 10 and 18. 
 
 Giustiniani. Vases of all styles in 
 white or coloured paste, chiefly Etrus- 
 can patterns. Brongniart, plate xliii. 
 figs. 2, 3, 16. These manufacturers 
 generally stamp their name infull. When 
 they use only an initial letter, it is 
 usually engraved. 
 
 Giustiniani, 1780. Indented letter, 
 on a white enamelled dish, of shell pat- 
 tern. 
 
 The I. N. means In Kapoli. In- 
 dented and scarcely legible, 1800, on 
 vessels of Etruscan pattern; white, 
 black, and reddish brown. 
 
 Naples. The brothers Giustiniani. These let- 
 
 ters occur on part of the service from 
 which the name in full was taken. 
 
 VlCENZA. Stamped on a Dessert-plate. 
 
 FlOBEJJCE. Fi means Firenze. On a soup tureen, 
 shaped like a cabbage, with a 6nail for 
 the Knob. From Brongniart, who does 
 not suggest the date, which ie probably 
 before 1600. 
 
POTTEBY. — ITALY. 
 
 449 
 
 F. 
 
 FLOBENCE. On a piece" in the Musee Ceramique. 
 
 In blue. 
 
 VENICE. 1650— 1700? On round and oval 
 
 dishes, of blueish white paste, with 
 landscapes painted blue, brown, and 
 yellow, with arabesque borders in relief. 
 Brongniart. Much fine pottery of Maj oli - 
 ca character appears to have been made 
 at Venice in the seventeenth century. 
 
 V«*T. 
 
 . Venice. 
 
 Sometimes found on old Venetian 
 pottery, in red. And it should seem 
 also on porcelain. See Bernal, No. 
 4U6. for a teapot, now in the possession 
 of Mr. Isaac Falcke. 
 
 3 
 
 DC 
 
 3pm, |0rtapl, fa. 
 
 Piedmont 
 
 Madeid. 
 
 MQ Porto 
 • a for Oporto,). 
 
 Vineuf (in Piedmont), D. Gioanetti, 
 director; established 1750. 
 
 This interlaced C is sometimes with- 
 out the crown, both on the Madrid 
 pottery and on porcelain. See Buen- 
 Retieo, at page 469. 
 
 This mark is found on pottery made 
 in the suburbs of Lisbon. On a scent 
 vase. Brongniart. 
 
 Manufacture of Eocha Soares. On 
 a tea-cup. Sometimes the mark is 
 Mieatia, Porto ; one word above, and 
 the other below a crown. 
 
 Malta. 
 
 On two triangular stone jars, stamped. 
 
450 
 
 $rsnn. 
 
 Faience de Henri et Diane. This exquisitely wrought early French 
 
 ware ranges about 1520 — 1553, and is 
 extremely rare. It is fine hard pottery, 
 generally in Italian taste, and supposed 
 to be the work of Giko:lamo dklla 
 Robbia, nephew of the celebrated Luca 
 della Robbia. Shaw, in his " Decora- 
 tions of the Middle Ages," figures and 
 describes two fine examples, one a ewer 
 belonging to H. Magniac, Esq. ; the 
 other, a candlestick belonging to Sir 
 A. Rothschild, Bart., which cost him 
 more than £200, and is now at the 
 Manchester Exhibition. Mr. Bernal 
 had but few specimens of early French 
 ware. See Nos. 1982 to 1986, 2103, 
 2104, 2111. 
 
 Jfe* I—. Beknaed 
 
 fr$T 
 
 Engraved with a point. On a small 
 figure called the nurse of Francis I. 
 lkongniart, plate xxxv. fig. 6. But 
 Palissy is almost always without any 
 perceptible mark, though sometimes the 
 pieces with grotesque masks and scal- 
 loped borders have a daisy, which in 
 French is Marguerite, as a principal 
 ornament, and probably as a mark 
 in honour of Marguerite de Navarre. 
 The ware of this celebrated artist is 
 generally in relief or raised work, of 
 various colours, and the ornaments usu- 
 ally Fish, Frogs, Lizards, Shells and 
 Insects, but sometimes figures and 
 faces. He died 1589. Mr. Bernal's best 
 specimen was No. 2076. Much of the 
 coarse raw-coloured ware often sold as 
 Palissy, is probably of much later date. 
 
 Sixteenth On an enamelled tile for mosaic pave- 
 d£STUh.r. ment (about 1552). Brongniart, plate 
 xxxin. fig. 13. 
 
IV 
 
 POTTEBY. — FRASCE. 
 
 451 
 
 Nevjbes. 
 
 X 
 
 Neyebs. 
 
 Netees. 
 
 ROTJEK. 
 
 Eouen. 
 
 On a large round dish, painted in 
 blue, Chinese pattern, circa 1600. 
 This ware (often called French Majo- 
 lica) was first manufactured about 
 1565, under the superintendence of 
 Italian artists, and declined about 1600. 
 In the Bernal Catalogue, No. 479, 
 will be found a fine specimen of the 
 early period ; and at No. 1939, of the 
 late period ; and at No. 1981, a pair of 
 bottles. The present mark is from a 
 dish about 1600. 
 
 On a blue and white enamelled 
 pitcher in the form of a ring (at Sevres). 
 Brongniart, plate xxxvi. fig. 2. The 
 monogram is that of Jacques Senlis, a 
 celebrated potter of the 18th century, 
 and in this instance is introduced in 
 the decoration. 
 
 On a Compotier, marked blue and 
 orange. Brongniart, plate xxxvi. fig. 1. 
 Much of the beautiful Fayence of Ne- 
 vers is without marks. Slue and orange 
 are favourite colours. 
 
 Royal manufacture of Louis XIV. 
 On an octagon Se'au, with handles. The 
 letters which often accompany the fleur- 
 de-lis are probably the monogram of the 
 painter. Brongniart, plate xxxvi. fig. 7. 
 
 This mark is on a large soup tureen 
 (of a fine delft character), in the form 
 of a Turkey, belonging to the editor, 
 and now at the Manchester Exhibition. 
 It is possibly one of the service made 
 for Louis XIV., in 1714, when he sent 
 his silver plate to the mint to defray 
 the expenses of the war. 
 
 On an oblong dish with two bandies, 
 and on various pieces of a table service. 
 The S oftener occurs without the D. 
 
 On a Seau, 
 
 On a plate with festconed border, 
 a a 2 
 
452 
 
 POTTEEY. — EEANCE. 
 
 ROTTEN. 
 
 RoTJEN. 
 
 Roues'. 
 
 On a mustard pot with arms of the 
 Due de Penthievre. Brongniart gives 
 it as Rouen, but it is more like the PH 
 of Philip Hanung of Frankenthal. 
 
 On an octagon plateau with feet. 
 
 On Faience, painted in dull colours, 
 red, blue, green, and yellow. 
 
 On three oblong blue dishes (of one 
 service), each bearing an escutcheon 
 surmounted by a count's coronet with 
 the letters L O interlaced ; manufac- 
 ture of the 17th and 18th centuries. 
 The different marks may be thus ex- 
 plained : — The letter L crossed by a 
 small o represents the mark of the 
 manufacture. The letters or marks 
 which precede or follow it, are those 
 of the artists who painted the escut- 
 cheons. 
 
 UzES Gaud. Francois Pichou. Brongniart. 
 
 ( SCEAtJX-PENTHJETRE. The word Sceauz is usually under- 
 neath the anchor. Plates in relief, the 
 centres painted with sea pieces, &c. 
 We also find this mark on the blue ena- 
 melled pottery of Cologne. 
 
 BOTJBG-LA-REINE. On an oval Scent-vase and other 
 vessels. Brongniart, plate xxxvi. fjg. 8. 
 It is sometimes accompanied by an 
 anchor. 
 
 1$ l&K. B0TJEG-LA-ReINE. On a plate and jug of ordinary white 
 
 Faience. Brongniart, p. 176. 
 
POTTEBY. — FBAITCE . 
 
 453 
 
 TOTLOVSE. 
 
 TOTJES. 
 
 Casemehts. 
 
 FouquS, Arnoux and Co., on ena- 
 melled pottery, white and coloured. 
 
 Monogram of Victor Avisseau, on 
 pieces of Faience, in imitation of 
 
 The mark of a manufactory near 
 Besancon. Stamped. 
 
 VaL-SOUS-MeTJDON. Mettenhoffand Mourot. Stamped 
 on plates, &c. 
 
 PBC 
 
 NlSMES. Plantier, Boncoirant & Co. Stamped 
 
 on plates, &c. 
 
 15 
 
 % 
 
 BOTJBDEATJX. Lahens and Rateau. Estahlished in 
 1829, but lasted a very short time. 
 Ee-established by M. D. Johnston,who 
 marked his ware with the name of the 
 town in full. 
 
 Le Montet. 
 
 VoiSIHI,IE5. 
 
 A manufactory near Charolles, un- 
 der the direction of Mons. Laurjorois. 
 On white enamelled stone- ware. Stamp- 
 ed. 
 
 A manufactory near Beauvais, con- 
 ducted by John Ziegler (historical pain- 
 ter). Generally brown stone-ware, in 
 relief. Stamped. Brongniart, plate 
 xlyiii. figs. 1 — 10, 
 
4 54 
 
 POTTEET. rBANCE, GEBMANY. 
 
 QTJIMPEB. 
 
 De la Hubaudiere, 1809. Od glazed 
 stone-ware, grey and brown. Stamped. 
 
 Saint SaMSON. Manufactory on the Oise. Cruci- 
 bles, in whitish paste. 
 
 MONTPEI.IEE, I<6 Vouland. On stone-ware. 
 
 itflMlg. 
 
 Boettcher ware, 1700 — 1710. Fine 
 soft pottery, generally reddish, and 
 formerly called the " Red porcelain of 
 Dresden," Stamped. Brongniart, plate 
 xlv. fig. 3. Some fine specimens were 
 in the Bernal Collection, Nos. 26 to 32. 
 The present mark is from Brongniart. 
 
 .'K 
 
 545 
 
 Steasbtjbg 
 
 and 
 Fbankenthal. 
 
 H 
 133 
 
 Stbasbtjeg 
 
 and 
 Fjiakkenthal. 
 
 John Hannng, proprietor (before 
 1750). On a jar with Chinese figures 
 in colours. The number is probably 45, 
 with a German prefix for No., some- 
 thing like an S. This monogram is 
 from Brongniart, who calls it Delft. 
 
 John Hanung, No. 33, on a taste- 
 fully painted mustard pot 
 
POTTEEY. — GERMANY. 
 
 455 
 
 H. 
 
 Steasbtjeg 
 
 aud 
 Feaitkenthal. 
 
 John Hanung, No. 85. Ditto. 
 
 There are many other varieties of 
 Hanung's letter H, sometimes rudely 
 crossed at the top, almost like an n. 
 
 H 
 
 Steasbtjeg 
 
 and 
 Fbankenthal. 
 
 K 
 
 #8ra- 
 
 Feaseentbal. 
 
 Hochst, 
 in Nassau. 
 
 ® 
 
 Hochst. 
 
 known. 
 
 A 
 
 Gebmany. 
 
 John Hanung. On a vase of white 
 enamel, apparently early. It may Ije 
 observed here, that these two pottery 
 establishments belonging to Hanung, 
 merged after 1750, into the well-known 
 Franhenthal Porcelain works. See page 
 461. 
 
 John Hanung. This variety is from 
 Fairholt, who thinks what looks like a 
 double f indicates Frankenthal. But it 
 is probably one of the several German 
 prefixes for No. 
 
 The arms of the Bishopric, a wheei 
 surmounted by an electoral crown. 
 The best pieces are marked in gold, 
 Ihe inferior in red, and the worst in 
 blue. The mark is sometimes much 
 larger. The French call this ware 
 Poterie du Ehin. 
 
 This mark is also used on the por- 
 celain of Hochst, after 1740, when 
 the pottery appears to have been relin- 
 quished. 
 
 On a globular jar, with landscapes 
 in grisaille. 
 
 Possibly Anspach. On a decorated 
 plate. From Brongniart. 
 
456 POTTERY. GBEitANT, BELGIUM, ETC. 
 
 G'JSBMANT. On a jug figured in Brongniart, plate 
 
 xxxvii. fig. 4. 
 
 Gebmany. On a globular bottle, with land- 
 
 scapes in blue. Brongniart. 
 
 <-u 
 
 GERMANY. On a pot in tbe form of a helmet, 
 
 painted in blue, Brongniart, plate 
 xxxvii. fig. 1. 
 
 
 Probably Vienna. On a large 
 round dish, painted in blue. Fruit and 
 birds in centre, arabesque borders. 
 Brongniart, plate xxxvii. fig. 11. 
 
 f ffitejr— imtrog, $tlpmt, tfa. 
 
 NUBENBEBG. 
 
 4 
 4- 4- 
 
 CoiOGHE. 
 
 This town claims the introduction 
 of Majolica into Germany in 1503, by 
 means of HirscJwogel, who studied at 
 TTrbino. But the ware is of a different 
 character, generally in high relief, like 
 sculpture, and wrought with consider- 
 able minuteness. Palissy is supposed 
 by some to have originally adopted this, 
 and not Italian ware as his model. It 
 continued to be made here in great 
 perfection to a late period. 
 
 Manufacture of M. L. Cremer. On 
 plates, cups, &c. Engraved. 
 
 The early Cologne, Gris de Flan- 
 dres, and German ware (which have 
 some general similarity of character), 
 are rarely distinguished by any mono- 
 gram, although often dated. They 
 are well illustrated in the present Ca- 
 talogue. See Nos. 3357 to 3370. 
 
Nr* 
 
 A-.N 
 
 POTTBBY. — GEBMANY, BELGIUM, ETC. 
 
 457 
 
 POPPELSDOBF. A manufactory on the Rhine, near 
 Bonn, conducted by M. L. Wessel. 
 Stamped. The same mark is sometimes 
 found on the manufacture of Mettlach, 
 who generally prints his name in full. 
 Brongniart, plate xliii. fig. 17. In Ber- 
 nal, No. 375, is a porcelain cup and 
 saucer of this factory. 
 
 AltenrolhAU A manufactory near Carlsbad, con- 
 (Bokemia). ducted by A. Jiowotny. Stamped, 
 pieces of table and dinner service. 
 
 AW 
 
 MORAYIA 
 
 (Frain). 
 
 ANDENJTES 
 (Belgium). 
 
 Besides the usual stamp, the orna- 
 mented pieces have an anchor, a ribbon 
 and leaves in colour. 
 
 B. Lammens & Co. 
 ware. Stamped. 
 
 Fine enamelled 
 
 AHDENNES. A. De Vander Waert. On a dinner 
 
 service. Stamped. 
 
 B.L 
 
 LUXEMBURG. ^ ne manufacture of Mons. Boch, at 
 Sept-Fontaines. The cypher mean* 
 B(och) L(uxembourg). On plates, 
 vases, figures, &c. 
 
 Kot«C- 
 
 Kotzeo 
 
 (Poland). 
 
 Found on Pottery. The mark is a 
 pyramid. 
 
 It 
 
 f rjilanr). 
 
 DELFT. ^ n a l ar g e plate with festooned 
 
 border.. In the centre a landscape 
 after Berghem, finely painted. 
 
458 
 
 TOTTEBY. — HOLLAND. 
 
 Delft. 
 
 Ditto. 
 
 /K 
 
 Ditto. 
 
 
 Ditto. 
 
 DX' 
 
 Delft. 
 
 ~Bfs 
 
 Delft. 
 
 U2W 
 
 2 
 
 Delft. 
 
 KVK. 
 
 GOG 
 
 H79 
 
 Delft. 
 Delft 
 
 \W 
 
 Delft. 
 
 J3^ 
 
 Delft. 
 
 ■vfSI* 
 
 Delft. 
 
 This Monogram appears to bcA.P.K. 
 interlaced, which on different specimens 
 is more or less perfectly formed, ac- 
 cording to the hand of the artist. 
 Brongniart gives six varieties of it, 
 and figures a blue water-jug, a tea- 
 pot, and an armorial plate, all bearing 
 it. The present is in red, from a plate 
 of Chinese pattern, painted in red and 
 gold. It may be observed here, that 
 some of the early Delft ware has so 
 much the character and fine colour of 
 the old Japan, as scarcely to be distin- 
 guishable. 
 
 On a goblet in the form of a flask. 
 
 (A coarse tea-service has on it what 
 
 . may be taken for either HXorfl K.) 
 
 On a dish, with festooned borders. 
 
 On a plate of Chinese pattern. 
 
 On a plate painted in blue, with a 
 castellated mansion. Brongniart, plate 
 xxxvii. fig. 8. 
 
 On a rectangular plateau. 
 
 On an oblong octagon dish, painted 
 in the Chinese style. B. 
 
 On a plate and dish, with festooned 
 borders, and bouquets. 
 
 On a comfit box, in the form of a 
 bunch of grapes. 
 
POTTJSBT. — HOLLAND. 459 
 
 TJ/jW* Delit. On a mustard-pot, painted with 
 
 —jry^^'ry . aims, bouquets, and gold lines. Brong- 
 
 'V P V-5 niart places this as a Delft mark, but it 
 
 //J. SO. is by some thought to be Nurnberg. 
 
 1 
 
 Delft. On a plate of Chinese pattern. 
 
 I J Delft. Ditto, blue. The D sometimes oc- 
 
 n curs surmounted by a kind of Z, with- 
 
 . -V out its base. 
 
 The city of Delft manufactured pottery as early as 1310, and 
 exported it to England, from the time of our Henry IV. up to a 
 late period (especially during the seventeenth century), in large 
 quantities. There were at one time as many as thirty-eight 
 factories, all probably having different marks, which it would 
 now be almost impossible to identify. 
 
460 
 
 $nglan&, 
 
 Wedgwood. SiAiTorasmra:. English Pottery first began to assume 
 Botslem, 1759— 1770. the characteristics of high art under 
 Ethubia, 1770—1795. Josiah Wedgwood. After some previ- 
 ous success, he, in 1763, produced his 
 fine cream - coloured or Queen's ware, 
 then his jasper ware, and about 1769 
 his black Egyptian. His partner, Bentley, 
 descendant of the celebrated scholar, 
 Richard Bentley, directed the classical 
 subjects till his death, in 1780 ; after 
 which, up to 1786, Flaxman, who had 
 been previously employed, designed or 
 suggested all his principal works. Beau- 
 tiful clear colour, generally a pale blue 
 (called jasper or onyx), but often green, 
 pink, violet, and other tints, and especi- 
 ally black (called basalt), without glaze, ia 
 one of its merits. This ware, after 1765, 
 is generally stamped with the name in full 
 of Wedgwood, and between 1768 and 
 1780 it hears the names of Wedgwood 
 and Bentley. When engraved, instead of 
 stamped, it may be suspected as imitation. 
 A descriptive catalogue of his various pro- 
 ductions, published 1777, may be seen in 
 the British Museum. Pieces inthe Wedg- 
 wood style, without any name, are gene- 
 rally by Turner, Adams, or some other 
 of his many English imitators. He has 
 even been imitated abroad, especially at 
 Sevres, Dresden, and Vienna. After the 
 decease of Wedgwood in 1795, his suc- 
 cessors devoted their attention for many 
 years to the finer kinds of the usual 
 glazed Staffordshire ware for the con- 
 tinental markets, especially Russia, and 
 these also are marked Wedgwood. Of 
 late they have resumed their old style of 
 blue and white ware, and judging by 
 its general bluntness, some of the old 
 moulds are probably used. 
 
rOTTEEY. — ENGLAND. 
 
 461 
 
 fiOlii LONGTON, 
 
 1762—1786. 
 
 Tubijeb(.Tno). Staffoudshiee, This ware is generally stamped with. 
 at liAKB End, his name. It is an imitation of Wedg- 
 wood ; and, though generally inferior,' 
 some specimens are very nearly equal. 
 Turner also made a beautiful white stone 
 ware from a fine clay discovered in 1780, 
 at Green Dock. He was on friendly 
 terms with Wedgwood, and died at an 
 advanced age in 1786. His sons con- 
 tinued the pottery, and made fine jasper 
 and black ware till 1803, when they 
 failed, in consequence of losses occasion, 
 ed by the French Revolution. 
 
 Another imitation of Wedgwood, 
 usually without any name, though, some- 
 times marked. It is scarcely inferior to 
 Turner's, and some pieces are quit* 
 equal; but, being much more common, 
 does not command so high a price. 
 
 Imitations of Wedgwood are also 
 found with the names, no doubt assumed, 
 of Eastwood, Westwood, and Sack- 
 wood ; also of Nast, of Paris, but such, 
 ware has very little value. 
 
 ADAMs(Wm.)STAFFOEDSHrRE. 
 TUNSTALL, 
 
 after 1789 
 
 called Geeengatbs. 
 
 Staffobdshihb. 
 
 LONGPOBT. 
 
 w 
 
 Swansea and 
 Nantsahw. 
 
 Davenport's ironstone Potteries were 
 established in 1793 at Longport, and 
 are still carried on there. It is curious 
 that this is the only English pottery 
 given in Brongniart's list, where it it 
 placed at the head. The mark, previ- 
 ous to its use on this so-called iron-atom 
 Dottery (first made in 1805), is merely 
 .he anchor and name, stamped, without 
 jolour. 
 
 Nantgarw has its name painted in 
 red, and stamped in full. The Swansea 
 Pottery, established about 1750, united 
 with it in 1817, and the ware was after- 
 wards marked Swansea with the addition 
 of a trident. Sometimes Bevington, the 
 manager's name, is added. In 1802, it 
 became the property of the late Mr. 
 Dillwyn, the naturalist, who occasionally 
 made pretty specimens for gifts to his 
 friends. In 1814 he attempted porcelain, 
 which was elegantly and very correctly 
 ornamented wtih flowers, insects, &c, 
 but he discontinued porcelain in 1817, 
 and resumed pottery. 
 
462 POTTEBT. — ENGLAND. 
 
 CG 
 
 Leeds. Charles Green, 1770, &c. A book of 
 
 patterns was published by this Pottery 
 in 1770, of which a copy is in the British. 
 Museum ; and Hartley, Green and Co. 
 
 DlTIO. issued others in 1783, 1784, and 1786. 
 
 The ware is of a dingy cream colour, 
 much of it with open work, and marked 
 C <?, or with an arrow head. The Pot- 
 tery is now carried on by Messrs. 'War- 
 burton and Britton, who employ no fewer 
 than four hundred hands. 
 
 Of the other early English Potteries — Fitlham, supposed to 
 be the manufactory of sack-bottles, about 1640 ; Lambeth, of 
 stone ware, between 1640 and 1680; Catjghley, in Shropshire, 
 1634, and perhaps earlier ; Beadwell, in Staffordshire, of red 
 clay ware, by the brothers Elers, of Nurenberg, from 1 700 to 
 1720 ; Liteepool, first as early as 1653, and then printed 
 ware in 1756, conducted by Mr. Carver ; Nottingham, Bbis- 
 tol, Lowestoft, and a great number mentioned in " Shaw's 
 Chemistry of Pottery " — there are few or no known marks, 
 and we have no space for any enquiry into their manufacture. 
 There was a curious early embossed Dish, of a coarse Palissy 
 character, bearing the arms of Westminster, dated 1659, and 
 marked I.C.E., in Mr. Bernal's sale (No. 2119), which some 
 thought English, but others pronounced Flemish. There was 
 another of very coarse ware (No. 2120), ornamented with a 
 whole length of Charles II., dated 1668, which is most pro- 
 bably English. They are both in the British Museum ; and 
 there are many fine early specimens of supposed English ware 
 in the Museum of Economic Geology. To enumerate the 
 English Potteeies op the pbesent day (more than one 
 hundred and fifty) would be difficult, and not within the scope 
 of the present volume. It is sufficient to say that they number 
 many workmen of great skill and talent, capable of executing 
 any works which depend on taste, manufacture, and chemical 
 knowledge. 
 
463 
 
 forata Harts— (§mm\%. 
 
 Jlh 
 
 DEESDEM. Royal manufacture, at Meissen, near 
 Dresden. The Monogram A R (Augus- 
 tus Rex) is that of Augustus I., king of 
 Poland, used from 1709 to 1712. In blue. 
 Much modern porcelain bears a similar 
 mark, being the initials of Fred. Augus- 
 tus, who reigned from 1836 to 1854. 
 
 DBESDElf. From 1712 to 1715, or probably to 
 1719, when the discoverer, Bottcher, 
 ' died. On a cup and saucer, painted with 
 Chinese figures. The mark is some- 
 times bolder. In blue. 
 
 DllESDEJT. First used in 1 720, under the direction 
 of Horoldt, The mark is sometimes 
 thicker. In blue. 
 
 DltESDElf. On an old tea-service, probably of 
 Hbroldt's period. The sword handles, 
 by sometimes touching, seem to form a 
 cartouche. 
 
 Dkesden. The two electoral swords. Brongniart 
 Bays this mark, in blue, was first used 
 about 1730, and is still continued. This 
 semicircular form is merely a variation 
 of the following. 
 
 DltESDEN. The usual mark (in blue), subject only 
 to the variations of artists or directors. 
 Sometimes a dot is introduced between 
 or below the handles, which indicates the 
 immediate directorship of the king (Fred. 
 Augustus III). The Marcolini period 
 has a star beneath it. (See next page.) 
 
 DEEfDEN. From a remarkably fine cup and 
 
 cover, painted in Watteau subjects on 
 a white ground The dot between the 
 handles indicates the Boyal period. See 
 also Eernal, Nos. 56, 57, 89, 91, 517. 
 
464 
 
 PORCELAIN. GEEMANY. 
 
 JC&&C. 
 
 DeesdeN. About 1778. During the directorship 
 of the king. In blue. 
 
 The royal pieces are distinguished by 
 the letters K. P. M. (Konigliche Por- 
 cellan Manufactur), generally small and 
 in gold. 
 
 The Editor has a finely executed plate, 
 painted with a military subject,surrounded 
 by French mottoes in medallions, on 
 ■which the following inscription (but in 
 German) occurs beneath the swords re- 
 versed. C. F. Kiihnel, 35 pears in service, 
 57 pears old, 1776. A star is beneath the 
 swords, like the Marcolini mark. 
 
 Dkesden. Marcolini period, 1796 &c. The mark 
 is often much smaller, and generally has 
 a second star beneath it, which denotes 
 the artist. The paste is sometimes co- 
 vered with colour, especially deep blue, 
 and many of the designs are from the 
 pencil of Angelica Kaufmann, whose 
 ideal painting was worshipped in Ger- 
 many. See fiernal, No. 65. 
 
 Dresden. Mr. Marryat has these letters on a 
 Dresden service of the first period, sup- 
 posed to have belonged to Count Briiul. 
 K. P.M., as stated above, is the mark 
 of the royal pieces, and the P. C. here may 
 be a flourishing German M, partly obli- 
 terated. If the porcelain had been Ber- 
 lin instead of Dresden, the letters might 
 have stood for Konigliche Prenssische 
 Porcellan Companie, or Comtoir. 
 
 VlE'VNA Imperial manufactory. Stamped in 
 
 blue. Early mark, but not used till after 
 1744. The Porcelain made between 
 1720 and 1744 is without any mark. 
 Brongniart, plate lh. fig. 1. 
 
 Vienna '^ ne same, of a later period, taken 
 
 from a richly gilt plate of exquisite 
 workmanship, in the possession of the 
 editor. Vienna porcelain is sometimes 
 dated thus : 96 for 1796, 804 for 1804. 
 
PORCELAIN GERMANY. 
 
 465 
 
 VV 
 
 i 
 
 BERLIN. The mark of Wegeley, who established 
 
 the first Porcelain manufactory at Berlin 
 in 1751, and relinquished it in 1761 ; but 
 the mark was for some time continued 
 by his successor, Gottskowski. The W 
 is generally more crossed, so as to look 
 something like the Dresden mark. TV is 
 also used for Wallendorf, in Saxe Coburg, 
 established 1762. 
 
 BERLIN. Royal manufactory. This mark is 
 
 taken from a very fine cup and saucer, 
 painted with views of Berlin, Potsdam, 
 &c, presented by the King of Prussia--to 
 the Duke of York. 
 
 BERLIN. This mark, in blue, has been adopted 
 
 from the beginning, savs Biongniart. 
 See his plate li. figs. 3, 10, 14. On the 
 gilt Porcelain an eagle was generally 
 -added. 
 
 KPM 
 
 BERLIN. A special mark (in brownish red) first 
 
 used about 1830, on small richly deco- 
 rated pieces. K. P. M. means Konig- 
 . liche Porcellan Manufactur. 
 
 HoCHST, 
 in Nassau. 
 
 fc 
 
 Hochst. 
 
 Strasbttrg and 
 Frankenthal. 
 
 Hard paste. Arms of the Arch- 
 bishopric of Mayence. See also page 
 455. Manufactory established about 
 1740, by Gelz, in conjunction with 
 Eingler, who had left the manufac- 
 tory of Vienna. It ceased in 1794. 
 Mark in gold, red or blue. Some- 
 times the mark is a wheel with eight 
 spokes. The pieces modelled by Mel- 
 chior, and marked M, are highly es- 
 teemed. See Bernal, No. 371. 
 
 Another mark. See also the Hochst 
 marks under Pottery, page 455. 
 
 Mark of Philip Hanung, used at 
 Strasburg, and at Hagenau on the 
 Ehine. 
 
 ir H 
 
466 
 
 PORCELAIN. — GERMANY. 
 
 STRASBTJRC+ and 
 
 Frankenthal. 
 
 Philip Hanung ; another mark. 
 
 Frahkenthal. 
 
 Crest of the Palatinate. Soft paste. 
 First period, 1755 to 1761, conducted by 
 Philip Hanung, under the direction of 
 Ringler, -who had left Hochst. See Ber- 
 nal, No. 368. On a plate, painted in 
 flowers, marked in blue. 
 
 Frajtkenthal. 
 
 Frankenthai,. 
 
 Mark of Joseph Adam Hanung, which 
 is sometimes found in conjunction with 
 the lion. Supposed to be Frankenthal. 
 
 Second period, 1762-1798, under the 
 patronage of Carl Theodor, Elector Pa- 
 latine, afterwards Duke of Bavaria. 
 Hard paste, stamped in blue. See Ber- 
 nal, Nos. 76, 369, 379. 
 
 FeaHEEKTHAI. O n * wo sma 'l baskets of open-work 
 pattern, with small May flowers. 
 
 Feankjekthal. 
 
 FrankejSTthai;. 
 
 Nymphenbtjbg, 
 near Munich. 
 
 Arms of Bavaria. The mark of the 
 third period, 1798, when the Palatinate 
 was annexed to Bavaria. On the death 
 of Carl Theodore, in 1799, the factory 
 was removed to Nymphenburg, and the 
 mark continued there. 
 
 This mark is supposed to be Frank- 
 enthal, and may indicate Bayarn, i. c. 
 Bavaria. x 
 
 Koyal manufacture. The arms of Ba- 
 varia. Stamped without colour. Brong- 
 niart, plate hi. figs. 4 and 7. See Bcir- 
 nal, Nob. 380, 397-99. 
 
POEOELAIN. — GEEMAIJY. 
 
 467 
 
 C^ NY&PHEirBTJEG. 
 
 J 
 
 55" 
 
 FiJESTENBEEG. 
 
 FiJESTElfBEBG. 
 
 Eoyal manufacture. Hard paste. 
 Probably the earliest mark. On an an- 
 cient tea-pot. In blue. The mark is 
 sometimes in blind, and almost invisible. 
 
 Ducal manufacture, founded 1750. 
 Hard paste. Scarcely equal to Dresden, 
 although some specimens are occasion- 
 ally very fine. See Bernal, No. 400. 
 Blue mark. 
 
 , On a pipe bowl of soft paste. 
 
 LncwiGsmrno, 
 usually called 
 
 Kbonehbueg. 
 
 X 
 
 TjUT/WIGBBTTRG, 
 usually called 
 
 Kbonenbtjeg. 
 
 "VW 
 
 LtJirWIGSBUIlG, 
 usually called 
 
 Kbonenbtjbg. 
 
 Ditto. 
 
 A variation. 
 
 Ditto. 
 
 First period. Established by Ringler, 
 under the patronage of Carl Eugene, 
 1758. It was sometimes merely the 
 double C without the crown, and is then 
 like the Buen-Retiro mark, given at 
 page 475. See Bernal, No. 372. 
 
 Another mark, probably of the first 
 period. Hard paste. 
 
 Second period. Hard paste, marked 
 in blue. The cypher of Carl Eugene, 
 founder of the manufactory in 1758. 
 
 This factory was celebrated for the 
 beauty of its modelling and painting, in 
 which it was quite equal to Dresden. 
 
 Another mark. Fac-similied from a 
 beautiful service. In 1806 the cypher 
 was changed to T.B, and in 1818 to W.R. 
 The manufactory ceased in 1824. 
 
 Another mark, being the arms of Ba- 
 varia. 
 
468 
 
 POKCKLAIN. GERMANY. 
 
 Established by Kingler's workmen in 
 1763. Ceased in 1780. Hard paste. The 
 mark (blue) is a doable F, meaning 
 Filrstlich luldaish. Sometimes it is 
 without the crown and cross, and some- 
 times a + used without any other mark. 
 The ware is well designed, fine, and 
 scarce. 
 
 Hard (native) paste, marked in blue. 
 The first factory in Thuringia, esta- 
 blished about 1758, and very consider- 
 able in 1795. The R sometimes has a 
 small dl near the top. 
 
 GbosbbeitenbaCH. Hard paste. Greiner manufac- 
 turer. He used the same mark (a clover- 
 leaf or trefoil), but generally less formal 
 than the present, at his other manufac- 
 tories, Seltzebode, Wallendobf, and 
 
 LlMBACH. 
 
 FULDA 
 (Hesse-Gassel). 
 
 Etjdolstadt 
 
 (Schwarzburg). 
 
 Ratjenstein. 
 
 The principal manufactory in Saxe- 
 Meiningen. Hard paste. Marked in blue. 
 
 RauensteiN. The same, a variation. 
 
 O 
 
 oo OO 
 
 •+ 
 
 *=£, « JL 
 
 LlMBACH. Another manufactory in Saxe-Meinin- 
 
 gen, conducted by Greiner, Hard paste. 
 
 LlMBACH. Another mark; sometimes the L is 
 italic, and sometimes double. 
 
 ChabIiOTTENBU.bg. Two miles from Berlin, Manu- 
 facture of Mons. Pressel, established 
 1790. Hard paste, called "Porcelaine 
 de Sante\" Monogram, stamped in co- 
 lour up to 1830, afterwards without. 
 The same mark is found on a white dish, 
 of soft Berlin Porcelain. 
 
 Alt-Haldehtsleben. Manufacture of Mons. Nat- 
 husius. Hard paste. Stamped in blue, 
 somewhat rudely resembling the Berlin 
 mark. A similar mark is attributed to 
 Veilsdorf. 
 
 Veilsdobf. 
 
 Marks given by Marryat, from the 
 German Cyclopaedia. See another mark 
 at foot of page 470, Hard paste. The 
 editor has the latter mark in blue, on a 
 tea service. 
 
s. 
 
 POBCELAIN. — GEBMANY, ETC. 
 
 469 
 
 ScBIAKENWALD, Hard paste, 1812. The mark some- 
 near Carlsbad. tiroes engraved, sometimes pencilled in 
 gold. 
 
 VSL> Tt ^ E Hammee, Hard paste. Stamped. 
 JC 8S. £V near Carlsbad. 
 
 ■ P 
 
 Mi ijiyija Baden. 
 IffiF 
 
 •J -Geba. 
 
 9 
 
 Gotha. 
 
 GOTHA. 
 
 Anspach. 
 
 From 175? to 1758 (and again later;, 
 carried on with workmen from Hochst. 
 The mark is the blade of an axe, gene, 
 rally in gold, and is sometimes merely 
 lines, that iB, without any filling up. 
 
 Generally white, prettily painted with 
 blue or red flowers. The G is some- 
 times more elegant, and sometimes the 
 word is marked in full. 
 
 Founded in 1780 by Vienna workmen, 
 and existing in 1840. Sometimes the 
 name is at full length. 
 
 Another mark attributed to Gothn, 
 but very like that of Kudolstadt. It in- 
 dicates HotKerberg, near Gotha, and is 
 sometimes marked I(-g. 
 
 This A is sometimes more like that of' 
 Amsterdam ; occasionally it is smaller, 
 and placed above arms, as here shewn. 
 
 Korxeo 
 
 I I HI " Elbogen, 
 K\ ___, in Bohemia. 
 
 i i - Copenhagen. 
 
 Korzeo and Wolhynie, 
 lain. Marked in red. 
 
 Hard porce- 
 
 Hard paste. The mark, an Elbow, is 
 a pun upon the name of the town. 
 Stamped, without colour. 
 
 Kpyal manufacture. Hard paste. 
 Marked in blue. The three wavy lines 
 indicate the sound and the two belts. 
 They are sometimes closer and neater. 
 See Bernal, Nos. 390, 401. Lord RelBon 
 was partial to this porcelain, and when 
 he was at Copenhagen, in 1801, sent 
 some to Lady Hamilton. 
 
470 
 4- 
 
 ac 
 
 St. Peteesbeeg\ 
 
 St. Petebsbubg. 
 
 J\ 
 
 POECELAIN. — HOLLAND, ETC. 
 
 > 
 
 St. PETEBSBUBG. Imperial manufacture, time of Nicho- 
 las I. Hard paste. Another mark ia 
 three perpendicular lines, thus, | | | 
 another, something like an AP joined. 
 
 Imperial manufacture. Marked ia 
 blue on decorated statuettes. The Editor 
 has a richly gilt cup and saucer so marked, 
 with the addition of a Russian name 
 stamped in blind. 
 
 A Russian E twice barred, for Eka- 
 therina. The porcelain of the time of 
 Catherine II. bears this monogram ; 
 and it is also found on portions of a very 
 fine service made at Sevres for the Em- 
 press in 1777. 
 
 Manufactory of A. Papove. 
 
 L. Genesse, manufacturer. Hard paste, 
 marked in blue. The porcelain of the 
 Canton de Vaud establishment is 
 marked with a fish in single lines, with- 
 out shading. 
 
 Hard porcelain, blue. Under the di- 
 rection of Trou, (Uy. from St. CJoud,) 
 about 1755. . 
 
 Moscow. 
 
 Switzerland, 
 Nxon. 
 
 Ztjeich. 
 
 c/t^nj(Ju 
 
 iirllsnlr, #r. 
 
 A 
 
 M O 
 
 Amstebdam. 
 
 Y Amstebdam. 
 
 Unknown, 
 but probably 
 AMSTEJj. 
 
 A factory on the river Amstel, at 
 Amsterdam. From a jug of elegant 
 form, painted with garlands in the French 
 style, about 1780. This factory was 
 established by workmen from Dresden, 
 and is celebrated for the fineness and 
 beauty of its wares. It ceased about 
 1790. Amstel and Amsterdam are sy- 
 nonymous. 
 
 Hard paste. Saxon style. Marked 
 in blue. See Bernal, Nos. 389, 404. 
 
 These letters are supposed to refer to 
 the site of the manufactory. Marked in 
 blue. Saxon style. The is rather 
 smaller and thinner than the other two 
 letters. 
 
 Figured by Marryat first as unknown, 
 and since as Veilsdorf. But by others 
 supposed to be Amstel. Mr. Joseph gives a 
 very similar mark, as found pn a hard 
 paste bowl painted in flowers and buds. It 
 looks like a monogram of J. A. Hanung, 
 of FranhmUial. See pp. 466, 468. 
 
PORCELAIN. — ENGLAND. 
 
 471 
 
 Hague. 
 
 TOUBNAY. 
 
 A 
 
 Lille. 
 
 Bkuxelles. 
 
 Hard and soft paste. Saxon style. 
 Birds, flowers, &c. Generally penciled 
 in grey. See Bernal, Nos. 364, 365, 367. 
 
 Established 1750, and still continued. 
 Soft paste. The mark for first quality 
 is generally in gold ; for second, blue. 
 The annexed is taken from a small, but 
 very fine specimen, a milk ewer ami 
 cover, ornamented with Bouchet figures 
 in bistre. See Bernal, Nos. 391, 529, &c. 
 A To, also a Ty, is supposed to be ;i 
 Tournay mark. And so, too, is a rude hive- 
 sbaped arch with a two-leaved truit above 
 it. 
 
 Founded 1785, ceased 1792. A dol- 
 phin, crowned, in red, very indistinct. 
 Hard paste. From a saucer in possession 
 of Mr. Burn. Specimens are scarce. 
 
 Hard paBte. Marked in brown on 
 a dark blue breakfast service, with flowers 
 and silver lines. On a Brussels service, 
 dated 1791, we findX. Crotti deBruxelies, 
 rue d' Arenberg, and on another, L. 
 Crotti d Bruz. 
 
 $n$jlanfo. 
 
 Chelsea. 
 
 Chelsea, 
 
 i\Ja I 
 
 Chelsea. 
 
 Fine soft paste. Venetians are said 
 to have been the first workmen at Chel- 
 sea. An embossed oval enclosing an an- 
 chor without colour is supposed to be 
 the earliest Chelsea mark. See a note at 
 p. 37 of this Catalogue. 
 
 These two marks, one something like 
 an arrow, the other like a quaver, were 
 separately on a pair of early English but- 
 ter-boats of a Chelsea character. The 
 three characteristic dingy spots, marks of 
 the stand on which this ware was baked, 
 were at the bottom. These marks are 
 claimed by some for Bow. See Bow 
 and Worcester. 
 
 Other marks of the early period. 
 
472 
 
 POBCELAIN. — EKGLAKD. 
 
 
 Chelsea. 
 
 HP* 
 
 The earlier manufacture has the an- 
 chor engraved, ■without colour ; the later 
 has it painted in gold for first quality ; 
 and in red for second and inferior qua- 
 lities. 
 
 CHELSEA. Another variation, used till 1764, 
 
 when the manufactory was transferred 
 to Derby. It often happens, that only 
 one or two pieces of a service or series 
 are marked. 
 
 CheLSEA-Debby. Soft paste, transparent and fine 
 The Derby manufactory was established 
 in 1751, but acquired no reputation till 
 it obtained the Chelsea models and work- 
 men in 1764. The anchor across in- 
 dicates the union of Chelsea with Derby. 
 Sometimes the anchor is larger, and al- 
 most encircled by the D. 
 DeeBT. Crown- Derby. This is posterior to 
 
 the Chelsea-Derby, and not quite so fine. 
 The marks of both are usually violet. The 
 Dresden mark is often found on this 
 manufacture. The later manufacture,bear- 
 ing the name of Bloor, Locker, Stevenson, 
 or Courtney, is but of ordinary value. 
 
 WoBCESTEB. Old Worcester. Soft paste, and, when 
 
 of the best quality, quite equal to Derby. 
 The mark is in blue under the glaze, and 
 the pieces which bear it are generally 
 painted in blue without gold. So says 
 
 Di tto . Brongniart ; but the pieces with this mark 
 
 are often gilt, and there is a fine speci- 
 men of this kind at the Manchester Ex- 
 hibition. On a cup and saucer of the 
 early blue and white Worcester, of Nan- 
 kin pattern, the saucer has the crescent ) 
 and the cup a small i, like a quaver, 
 which, therefore, is unquestionably an 
 early Worcester mark. See Chelsea. 
 
 "WoEOESTElt. Second period of the old Worcester. 
 
 This mark, sometimes with a slight va- 
 riation, is either blue or red; and the 
 pieces which bear it generally orna- 
 mented in the Chinese manner. Brong- 
 niart, plate liii. fig, 4. But one of the 
 commonest series of marks on Chinese 
 patterns is a set of bold figures from 
 1 to 9 fantastically crossed and recrossed 
 with flourishes. Some, however, think 
 these figured cups are Salopian, circa 1780. 
 
PORCELAIN. — ENGLAND. 
 
 473 
 
 WoECESTEtt. 
 
 Flight, Barr 8j Barr. 
 
 J. 
 
 % 
 
 Salopian. 
 
 Salopian, 
 
 COALBKOOKDALE. 
 
 Plymouth. 
 
 Other marks, supposed to be of the 
 period of Dr. Wall, who established the 
 manufactory iu 1751. The Editor haB 
 the second mark on some small blue and 
 wbite cups and saucers, accompanied by 
 a ring printed in blind; and the third 
 on vases with raised flowers. 
 
 Mr. Thomas Flight purchased the 
 "Worcester manufactory in 1783, and 
 transferred it to the firm, who generally 
 marked their productions in full, but 
 sometimes only with F. B. & B. They 
 are for the most part beautifully ani 
 tastefully painted, and were at the time 
 very expensive. 
 
 Kerr and Binns,the present spirited pro- 
 prietors of the Worcester Works. This 
 mark is on a cup and saucer of extreme 
 lightness, elegance, and beauty, the spe- 
 cimen of a service made for her Majesty. 
 
 Established by Thomas Turner, at 
 Caughley, near Broseley, 1772. The 
 printed Willow pattern, the most uni- 
 versal of all patterns, was first produced 
 here about 1780. This mark is some- 
 times larger, but Salopian is rarely 
 marked at all. See Worcester,2nd period. 
 
 Soft paste, about 1789. Sometimes 
 it was sent to be painted and gilt to Wor- 
 cester, which gives it the latter character. 
 The mark generally pencilled in blue. 
 
 This is the mark occasionally used by 
 Messrs. Bose, of Coalport and Coal- 
 brookdale, successors of Mr. Turner, who 
 have a very extensive manufactory, where 
 some of the closest imitations of Sevres, 
 Dresden, and Chelsea are constantly 
 produced. 
 
 Hard paste, the first made in this 
 country, generally blue and white. These 
 porcelain works were established about 
 1760, by Cookworthy, but it was not 
 till 1768 that he took out a patent for 
 manufacturing from the now well-known 
 " china-clay." The works ceased in 
 1772. Specimens are very scarce. 
 
 Lord Camelford was a partner, and 
 Henry Bone (the elder) was for a time 
 employed in the works, and painted 
 some of the ware. 
 
474 
 
 PORCELAIN. — ENGLAND. 
 
 * 
 
 Bjbistol. 
 
 LLf 
 
 Nantgabw. 
 
 Swansea. 
 
 ■4 
 
 Unknown. 
 
 but probably 
 WoBCESTEB. 
 
 Founded in 1772, by purchase, from 
 Cookworthy of Plymouth. Relinquished, 
 and passed to Staffordshire in 1777. 
 Hard paste. 
 
 IShese two marks (in light blue under 
 the glaze) are given by Mr. Joseph as 
 found on Bristol porcelain, painted in 
 blue landscapes, with embossed birds and 
 flowers. A simple cross -f- is another 
 mark. Brongniart says that soft paste 
 was made at Bristol about 1776 by 
 Champion, the proprietor of this factory. 
 What is generally known as Bristol ware 
 are hard paste white figures, which are 
 identified as English by their costume, 
 are rare. 
 
 This mark, a trident, is stamped in 
 red under " Swansea," both in pottery 
 and porcelain f on the latter only between 
 1814 and 1817). See Pottery, p. 461. 
 
 The name stamped in red, hut often in 
 blind, and scarcely visible ; sometimes 
 witn the letters! G. A small factory 
 commenced in 1813, by some workmen 
 who absconded from Worcester. It ex- 
 isted for only a short time, and then 
 merged into the Swansea establishment. 
 Some of the porcelain specimens in the 
 Geological Museum are extremely pretty, 
 and worthy of Worcester. 
 
 On early blue and white porcelain. 
 This mark is something like flourishes on 
 the Worcester pieces, numbered 1 to 9. 
 See bottom of page 472. 
 
 WoBCESTEB. Mr. Marryat gives this mark as found 
 
 (or Derby?) on English china — creamy white, light 
 
 and porous, and the gold well laid on. 
 Mr. Joseph gives it reversed, making the 
 6 a 9, as found on a piece of Derby, in 
 imitation of Chelsea, ornamented with 
 green subjects. It has since been pro- 
 nounced Old Worcester, which is the 
 most likely. It is a palpable imitation 
 of the Dresden mark. The Editor has 
 the mark on a fine fluted cup and cover, 
 and the usual Worcester mark on another 
 of the same pattern and made from the 
 same mould. 
 
POBCEIiAIN. — SPAIW, POBTTJGAL, ITALY, ETC. 47J) 
 
 z± 
 
 Bow. This manufactory is supposed to be 
 
 coeval with that of Chelsea, and the 
 paste is in general quite as white and 
 soft. A bee, embossed or painted on 
 some prominent part of a teapot or a 
 jug, is supposed to have been one of the 
 devices used ; but tbe only mark about 
 which there is no doubt is a triangle. 
 Sometimes the triangle, by being re- 
 peated four times, makes a square. The 
 editor has a teapot so marked, with stand 
 and cover, embossed with tulip leaves in 
 ' colours, and painted with insects, which 
 lie has no doubt is Bow. 
 
 Much unmarked ware of early En- 
 glish manufacture, quite as good, and 
 sometimes better than the first Chelsea, 
 is believed to be Bow. The butter boats 
 described under Chelsea, are by some 
 thought to be Bow, and by others early 
 Worcester. Vases of an ordinary Chelsea 
 character, with raised flowers and marks, 
 and black and white cups and saucers, are 
 supposed to be Bow ; as are also figures 
 of (jarrick, Kitty Clfve, Wilkes, Quin in 
 Falstaff, &c. 
 
 Spin, ^artapl, %\i\% fa. 
 
 BrjEK Retibo, Soft paste. Royal manufacture. The 
 
 near Madrid. best quality has the fleur-de-lis stencilled 
 
 in blue; all other is stamped without 
 
 colour. The two C's interlaced, and 
 
 generally engraved, are the monogram of 
 
 Ditto. Charles III., founder of the manufacture. 
 
 They indicate the period (1759) when 
 the Capo di Monte establishment was 
 discontinued, and the workmen, models, 
 
 Ditto. and tools taken to Spain. Charles III. 
 
 died 1787. Some of the ware is in re- 
 lief, like the Capo di Monte, and some 
 is similar to Sevres. See Capo di Monte, 
 
 Ditto. next page. Mr. Joseph figures the se- 
 
 cond mark, that is the fleur de lis, in 
 conjunction with the letters O.F.L. as 
 Q # F.Ii. occurring on a cup, of which the saucer 
 
 was marked with two swords crossed in 
 the Dresden manner, with L on one Bide, 
 and the fleur de lis on the other. 
 
 VlSTA AlE GEE, Hard paste. Manufacture of M. Kn- 
 near Oporto. ta-Basto. Mark in gold or colour. 
 
 A/A 
 
476 
 
 POECELAIN. — SPAIN, POBTTTGAIi, ITALY. 
 
 X 
 
 Venice. 
 
 Venice. 
 
 Venice. 
 
 Lenove, ' 
 
 near Ba&sano. 
 
 VlNETJr, 
 
 called 
 TUBIN. 
 
 Turin. 
 
 Soft paste. Pencilled in red. This 
 manufacture, the parent of our Chelsea, 
 ceased in 1812. 
 
 Facsimile of the mark on a remark- 
 ably fine plate, painted in flowers in the 
 Chelsea manner, probably of the period. 
 Sometimes Venetian Porcelain is merely 
 marked Ven a . 
 
 This mark, in red (apparently two 
 flails crossed), is given by Mr. Joseph 
 as found on a hard paste cup and saucer 
 with portraits, made at Venice. 
 
 Ceased in 1812. Soft paste, the 
 mark, an asterisk of six points, gene- 
 rally sharper than the engraving, is pen- 
 cilled in blue or red. A similar mark, 
 four times as large, is sometimes found 
 on Gvhbio ware. 
 
 Hard paste. Under the direction of 
 D. Gioanetti. The + stands for the arms 
 of Savoy. This mark also occurs with- 
 out the D G, and sometimes it is merely 
 a cross. The earliest mark is said to be 
 the W. Pencilled in blue. 
 
 Another mark of the Gioanetti period. 
 
 * 
 
 Ditto. 
 
 DoCCIA, Hard and soft paste. Two triangles 
 
 near Florence. crossed, forming a star of six rays (in 
 
 gold on the richest specimens), a quarter- 
 ing of the arms of the Marquis Ginori 
 (founder of the man ufacture), which bore 
 azure on the gold belt, charged with 
 three stars azure. ' Sometimes Ginori 
 impressed. 
 
 On a cup and saucer, very tastefully 
 painted with views in medallions. Flo- 
 rentine arms on the cup, apparently those 
 of the Marquis Ginori. The Editor also 
 has a cup and saucer with Italian views 
 on them, evidently of the manufacture of 
 Ginori, marked E.F. surmounted by a 
 crown, 
 CapodiMonte, First period. Established 1736 by 
 near Naples. Charles III., king of the two Sicilies, 
 
 and extinct in 1812. Stamped without co- 
 lour. But this ware, which is generally 
 in high relief and exquisitely modelled, 
 
POBCELAIN. — FBANCE. 
 
 477 
 
 Capo DI Monte rarely has marks. The original estab- 
 amtinued. lisbment was removed to the palace of 
 
 Bum Jtetiro in 17S9, when Charles III. 
 (on the death of his brother Ferdinand) 
 became king of Spain. He took with 
 him many of the models and twenty-two 
 of the best workmeir, and allotted part 
 of his palace to the new factory, where 
 some very fine pieces were produced. 
 Capo di Monte has of late years been 
 extensively forged at Doccia. 
 
 Naples. 
 
 '.fl 
 
 Vl^&* Ditto. 
 
 Royal manufacture. Established with 
 the sanction of Ferdinand IV., soon 
 after his accession in 1759, and extinct 
 in 1821. It is in general beautifully 
 painted, rarely, if ever, in relief, there- 
 fore quite distinct from Capo di Monte. 
 Soft paste. Sometimes the N is on one 
 piece, and the crown on another. 
 
 On a tea-service richly decorated with 
 views and cameo paintings. Both these 
 marks are used indifferently, blue, red, 
 or stamped without colour. 
 
 %* Many of the Italian Manufactories are becoming 
 famous for their forgeries of the valuable kinds of porcelain, 
 such as Majolica, Sevres, and Dresden. 
 
 itwt. 
 
 SAINT ClOUD. Mark of the first period, when the 
 manufacture was under the patronage of 
 Louis XIV. in 1702. 
 
 Satnt CLOUD. Soft paste, marked in blue under the 
 glaze, or engraved. This mark was used 
 between 1740 and 1753. T indicates 
 Trou, the director. Saint Cloud is the 
 parent of the Sevres, and indeed of all 
 the French manufactories, porcelain hav- 
 ing been made there, though of an infe- 
 rior quality, as early as 1695. Afterl702, 
 when Louis XIV. granted the factory 
 exclusive privileges, it assumed for its 
 mark the sun in full splendour. But 
 till 1718, the quality was indifferent 
 Brongniait, plate liii. fig. 8. 
 
478 
 
 FOECEIAIN — FBANCE. 
 
 
 Chantillt. 
 
 Abbas. 
 
 T^'W* Menecy 
 
 (Vllleroi.) 
 
 j^^K-P Etioi/les, 
 
 m L £ near Corbeil. 
 
 Under the protection of the Prince de 
 Conde. Conducted by the brothers 
 Dubois till 1740, when they went to 
 Vincennes. Soft paste. The secret was 
 brought, by a runaway, from Saint 
 Cloud in 1735. Marked in blue, green, 
 or red under the glaze. 
 
 Established about 1782, under the 
 protection of Mons. de Calonne, and 
 ceased about 1786. Soft paste. Harked 
 in blue, under the glaze. 
 
 Under the protection of the Duke de 
 Villeroi. The mark engraved, seldom 
 in colours. This manufactory was esta- 
 blished about 1740, and was in full acti- 
 vity in 1773. The paste is soft and fine, 
 and scarcely inferior to Sevres. There 
 was a fine Ewer of this porcelain at 
 Strawberry Hill. 
 
 Monnier manufacturer, 1766. Soft 
 paste, 
 
 B"T% BouBa-LA-REINE. Jacques Julien, manufacturer, 1773. 
 ■F*- Soft paste. 
 
 S^jp* Sceaux-Penthievbe, 
 ^3h» Glot, in 1773. Soft paste, mark engrave 
 
 Established 1751, conducted by 
 d. 
 
 
 ClIGNANCOITBT. Pounded by Deruelle. The mark 
 used before Oct. 1775, when he was 
 appointed manufacturer to Monsieur, 
 the King's brother, afterwards Louis 
 XVIII. I have heard this mark called 
 Moclines, but I suspect incorrectly. 
 
 ClIGKAJTCOTTBT. Another early mark of Deruelle, used 
 before 1780 on pieces of Chinese pattern. 
 Hard paste, marked in red. 
 
 M 
 
 CliIGNAlTCOtrBT. The official mark used on pieces made 
 during the patronage of Monsieur, 1785 
 —1792, and called " Porcelain de Mon- 
 sieur." Hard paste, marked in red. 
 
PORCELAIN — FRANCE. 
 
 479 
 
 Paris Hard paste, painted with landscape!. 
 
 (Pont-aux-Choux).' This factory was established in 17S6, 
 under the patronage of Louis Philippe, 
 Duke of Orleans. This and the two 
 next monograms were all three found on 
 one service by Mr. D. Falcke, by whom 
 they have been communicated to the 
 editor. 
 
 Ditto. 
 
 oCP. 
 
 Another mark of the same period. 
 
 H 
 
 Paris. 
 
 Paris. 
 
 Other Pont-aux Choux marks of the 
 same period. 
 
 Established in the Rue-Fontaine-au- 
 Roi, called " De la Courtille," under 
 the direction of LocreV 1773. Hard 
 paste, mark in blue. 
 
 Faubourg St, Lazare, 1773. Hard 
 paste. P. A. Hunting manufacturer, 
 who, in 1761, had sold his secret of hard 
 paste manufacture to the Sevres establish- 
 ment. His Paris manufacture is rare, 
 as, owing to some difference with the 
 French government, he was not allowed 
 to continue. 
 
 Paris. 
 
 Faubourg St. Antoine. Morelle ma- 
 nufacturer, in 1773. Hard paste. 
 
 C Paris. 
 
 Faubourg St. Antoine. Souroux ma- 
 nufacturer, in 1773. Hard paste. 
 
 Gros-Caillou. Advenir-Lamarre, ma- 
 nufacturer, in 1773. Hard paste. 
 
480 
 
 ■pOECliLAIN.— PEANCE. 
 
 Paeis. " Porcelaine de la Heine." Lebeuf 
 
 manufacturer, 1785 to 1792. Hard paste 
 marked in red, with an A under the 
 French crown, for Marie Antoinette. An 
 A crowned was also used on the Turin 
 porcelain. 
 
 Paeis. 
 
 Eue de Bondy. Dihl and Guerhard. 
 Hard paste. Mark pencilled in gold or 
 colour. 
 
 Paeis, Angouleme Porcelain, by the same 
 
 called manufacturers, 1785 — 1792. Stencilled 
 
 AnulXJLEME. in red on a soft paste cup, dated 1783. 
 
 Paeis. 
 
 Belleville, 
 
 near Paris. 
 
 NlDEBYILLEB. 
 
 Orleans. 
 
 £i A/£ 
 
 Christopher Potter. Eue de Crussol. 
 Hard paste, called " Prince of Wales's 
 porcelain." Stencilled in red, but on 
 richly painted specimens the mark is in 
 gold. On later specimens, B is .substi- 
 tuted for the crown, in blue. Sometimes 
 the name C. Potter is used. Date of 
 manufacture 1790, &c. 
 
 Jacob Petit, about 1790, et seq. to the 
 present time. Hard paste. Pencilled in 
 blue, and burnt in. On apair of curiously 
 formed flower vases, well painted and 
 gilt, like old Worcester. 
 
 Hard paste. Manufacture of Fran- 
 cois Lanfray, successor to General Cus- 
 tine, about 1790. Stencilled in blue. 
 
 A label of three points, stamped in 
 blue on both. Under the patronage of 
 the Duke of Orleans, 1753— 1770. Hard 
 and soft paste. 
 
FOECELAIN. — FRANCE. 
 
 481 
 
 a 
 
 ORLEANS. Hard paste. On a bowl and cover 
 
 painted in flowers. Marked in blue 
 under the glaze. 
 
 JL 
 
 Unknown. Figured by Mr. Marryat. 
 
 T s? PAEIS. The letter L, either as a Roman or Italic 
 
 I i or f^j _ capital, is said to be a mark used by 
 
 Lassia, of the Faubourg St. Antoine, in 
 
 1784. 
 
 & or 
 
 C.H. 
 
 PARIS. Marks used by Henri Florentin Chanou, 
 
 Chanou. a wor '" nan f rom Sevres.established 1784, 
 
 in the Rue de Rouilly, Faubourg St. 
 
 Antoine. 
 
 A 
 
 Pabis. 
 
 Potjyat 
 
 et 
 
 Ru&singer. 
 
 Hard paste. Generally stamped in 
 blue. Found on decorative porcelain 
 of fine quality, probably the manufacture 
 of Potjyat and Sussinger. This 
 firm was established .about 1775, and 
 ceased about 1810. Their names on later 
 specimens are generally printed in full, in 
 bold red letters. 
 
 PABIS. Hard paste. This double mark is not 
 
 Unknown. unlikely to indicate the Painter and 
 
 Gilder. It is boldly stamped in gold, on 
 
 a cup and saucer painted with figures of 
 
 children, and richly gilt in broad lines. 
 
 I I 
 
481* 
 
 PORCELAIN — FBAITCE. 
 
 NAST, Paris. 
 
 n 
 
 Unknown. 
 
 HONORE, Paris. 
 
 Hard paste. The name usually stamped 
 in full, either in red or gold. This ma- 
 nufactory was founded (in the Rue des 
 Amandiers-Popincourt) about 1760 by 
 the elder Nast, who died about 1780, 
 after which the establishment was con- 
 tinued by his brothers and their heirs 
 till about 1830, when it ceased. Some 
 specimens produced at this manufactory 
 are of great beauty, as well in respect of 
 paste as of painting and gilding. There 
 are many in the Museum at Sevres, 
 where they are highly prized. 
 
 This mark is found on a large dish, 
 soft paste, gros bleu, and beautifully 
 painted after Boucher. It is equal to 
 Sevres, both in paste and painting, and 
 seems likely to be either ChantUly_or 
 eld Tournay. 
 
 Name printed in full ; generally in bis- 
 tre. Hard paste, well painted and gilt- 
 Established about 1800, and still con- 
 tinued. 
 
 HOUSEL, Pabis. 
 
 Name printed in full ; on the finer 
 pieces in gold. Hard paste. The gilding 
 rich, and the decoration good. The 
 manufactory appears to have been esta- 
 blished about 1796, and to have ceased 
 in 1820. 
 
 Manufacture unknown. This unin- 
 telligible mark occurs stamped in gold, 
 on a cup and saucer, of hard paste, with 
 landscapes and groups of children pret- 
 tily painted in bistre. It is probably the 
 mark of the painter or gilder. 
 
482 
 
 EXPLANATORY TABLE 
 
 OB MASKS AND MONOGEAMS USED BY THE SETTEES MANUFACTOEY, 
 (FIEST ESTABLISHED AT VLNCENNES IN 1740, UNDEB THE 
 BISECTION OE THE FREBES DUBOIS, WHO CAME FBOM CHAN- 
 TILLy), COMMENCING WITH THE TEAR 1753, BEING THE FIEST 
 IN WHICH THIS MANUFACTURE WAS MASKED, ACCORDING TO A 
 EOTAL LICENSE GBANTED AUG. 19th OF THIS TEAS TO ELM 
 BEICHAED. 
 
 FIRST ROYAL EPOCH, 1753—1792. 
 
 (For the period previous to 1753, see St. Cloud, page 477.) 
 
 • * Double L interlaced in blue always under the 
 
 glaze. The character of this cypher changes with 
 the period, and becomes gradually less formal. 
 The absence of letters indicative of date is often 
 perplexing, for the omission occurs in pieces of every 
 period. Indeed, some fine pieces of Sevres have no 
 mark at all. It is supposed that in long services or 
 series it was often considered unnecessary to mark 
 more than a few of the principal pieces. > The crown 
 or fleur-de-lis is sometimes placed over the double L, 
 and denotes that the piece was made for royal use ; 
 of such, those between 1760 and 1769 are among' 
 the finest. 
 
 In blue under the glaze. The letter in the centre 
 denotes the year in which the piece was painted, 
 beginning with 1753. (See Table on page 495.) 
 The monogram or mark, placed above or below, Is 
 that of the painter or gilder. 
 
 The double letters commenced in 1777, and 
 ended in 1793 with R It, as will be seen in the 
 Chronological Tables. They are not always capi- 
 tals, but often small letters. Bernal's No. 205, 
 is marked a a. When the royal cypher is pen- 
 cilled in gold, by Vincent or other gilders of a late 
 period, it is sometimes decorative, like that of the 
 period 1814—24. The jewelled cups were manu- 
 factured chiefly for Marie Antoinette, sometime be- 
 tween 1770, when she was married, and 1790— pro- 
 bably between 1775 and the latter period. 
 
t5# 
 
 R.F. 
 
 B^TEES MABK8. 
 
 483 
 
 REPUBLICAN EPOCH, 1792—1804. 
 
 These three monograms of the " Republique 
 Francaise," are always (as a law) accompanied by 
 the word " Sevres," and were used indiscriminately 
 according to the fancy of the painters, from 1792 
 to 1800, often -without a date. The custom of 
 marking pieces with indications of their date, ceased 
 as a practice after 1793, and was not resumed until 
 1801. Many of these Republican pieces are gilt 
 by Vincent,, and have his mark of 2090 in gold 
 figures. (See Chronological Tables.) 
 
 <A 
 
 . The Republican monogram R. F. was disused about 
 C fV e t/. the end of 1799, or thebeginning of 1800, and from 
 that time, to the end of 1802, the mark consisted 
 merely of the word " Sevres." 
 
 le, 
 
 M N' 
 
 JeVreg 
 — // — 
 
 This mark, which indicates the Consular period, was 
 first used in the year 1803, and is generally stencilled 
 in red. The mark underneath denotes the year in 
 which the piece was painted. The present indicate! 
 1801. (See Chronological Table, page 495.) 
 
 d© Sevres 
 
 IMPERIAL EPOCH, 1804—1814. 
 
 A mark used from 1804 to 1809, generally stamped 
 or stencilled in red, like the preceding. 
 
 The Imperial eagle stamped in red, was substi- 
 tuted for the above mark in 1810, and continued 
 until the abdication in 1814. During this period 
 the date was generally pencilled by the artist as well 
 as his monogram. 
 
 SECOND ROYAL EPOCH. LOUIS XVIII., 1814—1824. 
 
 Revival of the Royal cipher, or double L, usu- 
 ally printed in blue ; the year is indicated .by the 
 figures placed below the word Sevres. Thus th« 
 present means 1821. Used from May 1814 to Sep- 
 tember, 1824. 
 
SEVBES MAEKB. 
 
 REIGN OF CHARLES X., 1824—1830. 
 
 Variations of three similar ciphers, a double C, 
 used from 1824 to 1828, and printed in blue. The 
 figures indicate the year : the present are 1824, 
 1825, 1827. 
 
 Marks of the years 1829 and 1830. They were 
 
 intended to prevent counterfeits in the matter of 
 
 vi decoration ; the first, that of a simple C, was applied 
 
 to porcelain merely gilt-edged; the second to figured 
 
 ft pieces, whatever might be their richness. 
 
 tSeyre>- 
 30 
 
 REIGN OF LOUIS PHILIPPE, 1830—1848. 
 
 Used from the beginning of August, 1830, until 
 the end of the same year. 
 
 Used from the beginning of 1831 till Nov. 1834. 
 
 L. P., the king's initials, substituted for the pre- 
 ceding in November, 1834, and continued till July 
 1845, after which the double reversed monogram 
 L. P. was used till Feb. 26, 1848, when Napoleon 
 III. became President. 
 
 The Chateau a" Eau services, white and gold, have 
 the above mark, dated 1834 to 1837, and, in addi- 
 tion, the mark as in margin. 
 
 The mark on porcelain not ornamented is in chrome 
 green, burnt in and glazed. Every plain white 
 piece made between 1834 and 1848 should bear this 
 mark. The mark on gilt porcelain continued to be 
 that given above: — blue for pieces with simple gold 
 lines, and gold for those decorated. 
 
SEVRES MAEK8. 
 
 485 
 
 Between 1848 and 1851 the decorated pieces were 
 marked S- 48, within a frame, as in margin. The 
 other mark,B(epublique)F(rancaise) S(evres),1851, 
 is what was adopted on the fine soft paste Yases sent 
 by the Sevres manufactory to our Crystal Palace 
 Exhibition of 1851. A pair of these, 10 J inches 
 high, was lately sold by auction, for thirty guineas ; 
 and another pair, larger, for nearly forty guineas. 
 
 Mark after the proclamation of the Empire, 
 in 1852, when the eagle was resumed. 
 
 Monogram of the Emperor, 1864. 
 now in use. 
 
 The mark 
 
486 
 
 TABLE OF MARKS AND MONOGRAMS 
 
 OF PAINTEES, DBCOBATOES, AND GILDERS OP 1KB BOYAL 
 MANUFACTORY OF sTsYEES FEOM 1753 TO 1800. 
 
 (It often happens that two or more artists are employed for the different kinds 
 of decoration found in one piece, in which case their several monograms 
 are given together. See Bernal, Nos. 100, 337, and 086.) 
 
 l7V» Alonde. Birds, first class. 
 
 ~V* Aemand. Birds, Flowers, &o. 
 
 i>"& ovu .A ^- SSBI,Ilf * Portraits, Miniatures, &c. 
 
 ^Zf Bab. Detached Bouquets. 
 
 6\>J2F. 
 
 e. 
 
 * 
 
 Babbat. 
 
 BATJDOUUf. 
 
 Bektband. 
 
 BlBNFAIT. 
 BlNET. 
 
 Garlands, Bouquets. {These letters 
 are not always joined, and sometimes look 
 like F, or T. B.) 
 
 Ornaments, Friezes, &c. 
 
 Detached Bouquets. 
 Gilding. 
 
 Detached Bouquets. 
 
 Boucat (Philippe). Flowers, Birds, &c. 
 
 Bot/chex. 
 
 Landscapes, Figures andOrnaments. 
 ( The tree is in general taller and lighter.) 
 
PAUTTEES' MAEKS OUT 8EYBES, 1753 — 1800. 487 
 
 *\A Bouillat. Flowers, Landscapes. 
 
 <y) (yl Bot/iuat (Each.) Detached Bouquets. 
 
 t-SL > t/t) afterwards 
 
 Mad. Maquebet. 
 
 /y\ » Boulangeb. Detached Bouquets. 
 
 **** • (Sernal, No. 586.) 
 
 SJt Bulidon. Detached Bouquets. 
 
 rrvJ> «IUE Ba S2t mm) - Betached Bouquet8, 
 
 Mad. Bumel. 
 
 ^^ -^V Btjteux, sen. Flowers, Emblems, &c. 
 
 Q Bttieux, eld. son. Detached Bouquets, &c. 
 
 /$s^ Btjtet/x, yr. son. Pastorals, Children, &c. 
 
 ^\ Capelle. Various Friezes. 
 
 Cabdht. Detached Bouquets. 
 
 ? 
 
 C* Castel. Landscapes, Hunting, Birds, first 
 
 class. 
 
 ^X Caioit. Pastoral Subjects, Children, Por- 
 
 traits. 
 
 SC Catbice. Flowers, Detached Bouquets. 
 
 „ £ Chabet. Miniatures, Pastoral Subjects. 
 
 C /fc/. (Bernal, Not. 100, 112, 205, 217, 
 
 335, 337, 353, 552; 558, 567.) 
 
 ff, ■ Chamott (Soph.) Garlands, Bouquets. 
 
 " CJ' afterwards (This artist appears to have continued 
 
 Mad. BlNE'f . painting into the E. F. period.) 
 
 C- 49 . Chapuis, sen. Flowers, Birds, &o. 
 
488 PATNTEBS' MABKS ON SEVRES, 1753 — 1800. 
 
 J ^ Chapuis, jun. Detached Bouquets. 
 
 Chaotattx, sen. Gilding. 
 
 {Bernal, Nos. 337, 346.) 
 
 J.n, 
 
 A 
 If 
 
 &JI 
 
 </& 
 
 Chatjvatjx, jun. Detached Bouquets, Gilding. 
 {Bernal, No. 573.) 
 
 Choist (De). Flowers, Arabesques. 
 
 Chttlot. Emblems, Flowers, Arabesques. 
 
 {Bernal, No. 106.) 
 
 CoMMELnf. Detached Bouquets, Garlands. 
 
 Cobnaille. Flowers, Detached Bouquets. 
 
 Cotjtubiee. Gilding. 
 
 Diet/. Chinese Flowers and Gilding. 
 
 DoDnr. Figures, Subjects, Portraits. 
 
 {Finely painted.^ 
 
 Dodet. Figures, Fruits, Landscapes. 
 
 {Bernal, Nos. 338, 350, 357, 358, 470.) 
 
 It seems necessary to introduce this 
 
 name here, because it occurs in the Cata~ 
 
 logue, but it should have been Dodin in 
 
 every instance, the mark being his ]£. 
 
 Dband. Chinese Gilding. 
 
 {Bernal, Nos. 343, 470.) 
 
 .Dubosey (Julia) DetachedFlowers,LightFriezes,&c. 
 
 afterwards 
 
 . Mad. Chanott. 
 
 7« Dtoobey (Soph.) Detached Flowers, Light Friezes. 
 
 m Ss \J afterwards 
 
 ~ l Mad. Nouailhier. 
 
 ~2>. 
 
 DUSOLLE. 
 
 Detached Bouquets, &c. 
 
DT. 
 
 PAINTEBS' MAEKS ON SKVBES, 1753 — 1800. 
 DuTANDA. 
 
 489 
 
 Evans. 
 
 J" Falot. 
 
 .». Fontaine. 
 
 ^\ FoNTELLlATT. 
 
 FUMEZ. 
 
 Gereakd. 
 
 GlEAED. 
 
 Gbemont. 
 
 fd. 
 
 pi/. 
 
 sy Geison. 
 ^4, / Henbion. 
 /l. Cs t Heeicottrt. 
 
 flQ? HlLKEN. 
 
 Hunij. 
 
 Detached Bouquets, Garlands. 
 
 (This mark occurs in conjunction with 
 C.T. on a cup and saucer of the Sepublitan 
 period, beautifully painted in Garlands 
 and Birds.) 
 
 Birds, Butterflies, Landscapes, &c. 
 
 Arabesques, Birds, Butterflies. 
 Emblems, Miniatures, &c. 
 
 Gilding, &c. 
 Flowers, &c. 
 
 Pastoral Subjects, Miniatures. 
 Arabesques, Chinese subjects, &o. 
 
 Garlands, Bouquets. 
 
 {The first Utter is sometimes small, thus, 
 g t. Berttal, No. 600.) 
 
 Gilding. 
 
 Garlands, Detached Bouquets. 
 
 Garlands, Detached Bouquets. 
 Figures, Pastoral Subjects, &o. 
 
 Flowers, &c. 
 
490 
 
 PAIFTEBS* MABiCS ON SEVBES,. 1 753 — 1800. 
 
 mm JoTATT. 
 
 ^fi . JUBIN. 
 
 ^ or ~f.H, La Eoche - 
 
 ^ 
 
 & 
 
 Detached Bouquets, &c. 
 
 Gilding. 
 
 Detached Bouquets, Garlands, Me- 
 dallions, Emblems. {The first of 
 these Monograms is sometimes hoped at 
 top as well as bottom, and makes either 
 anSoraG. 1790.) 
 
 r* 1 Le Bel, sen. Figures and Flowers. 
 
 <^C Ob . Le Bei ' J™- 
 
 L F Unknown. 
 
 W Leotjat. 
 
 t *^' oW li Lete, pere. 
 
 ■f- Letk (Felix). 
 
 Garlands, Bouquets, Insects, &c. 
 
 {These Utters, pencilled in gold, occur m 
 a cup and saucer, beautifully painted with 
 cupids, Sjc. 1791. Qy. Lew, Fils or L. 
 Feuillit.) 
 
 Chinese Subjects, &c. 
 
 Gilding. {This L. G. is found on a gilt 
 cup, with Indian ink portraits, dated 
 1788, while the saucer has 2000, in gilt, 
 by Vincent.) 
 
 Miniatures, Children, Chinese Sub- 
 jects, Trophies, &c. 
 (JSemal,Nbs.3iO, 352,353, 356, 454,571.) 
 
 Flowers, Birds, Arabesques. 
 Flowers, Chinese. 
 
 VJ/T. t Massey (Peon). Flowers, first class. 
 
 t/* Meeatot, sen. Various Friezes, &e. 
 
 {Berml, No. 100.) 
 
 9 Mebauli, jun. Bouquets, Garlands, &c. 
 
m 
 
 PAINTEBS' MAEKS ON SETBES, 1753 — 1800. 491 
 
 3C» Micato. Flowers, Bouquets, Medallions. 
 
 a, JS/L .Michel. 
 
 t^O Mobin. 
 
 A 
 
 Motel. 
 
 Detached Bouquets. 
 
 Marine and Military subjects. 
 (Bernal, NosMS, 353, 451, 560,584,586.) 
 
 Landscapes. 
 
 Flowers, Bouquets, &c. 
 Detached Bouquets, &c. 
 
 Flowers, Ornaments. 
 (Bernal, No. 580.) 
 
 / /]* Pabpette (Louison). Detached Flowers, Garlands. 
 C * T * => ^' • (The P is sometimes a small letter, and 
 
 more distinct.') 
 
 TX "p Paton. Cupids, Figures, Bouquets. 
 
 J " L * • (See Bernal, Nos. 239,445. This mark 
 
 is duplicate of one on next page, and pro- 
 bably means Prevost. We give it because the 
 
 /name appears in the present Catalogue.) 
 Pfeiffeb. Detached Bouquets. 
 
 '/*' Piebbe sen. Flowers, Detached Bouquets. 
 
 {Sometimes tlie letter is P'.) 
 
 7 °7 ' Piebee, jun. Bouquets, Garlands. (Sometimes the 
 * letter is capital and the figure small, 
 
 without dots, thus : P 7.) 
 
 O^j/tf Pithou, sen. Portraits, Historical Subjects. 
 
 ^ 
 
 Pithou, jun. Figures, Flowers, and Ornaments. 
 
492 
 
 PAINTEBS' MASKS OK SEVEES, 1753 — 1800. 
 
 Pouillot. Detached Bouquets. 
 
 HP. 
 
 Pbevost. 
 
 •• •. Baux. 
 
 ^/2 oc ^ 0TrasEI " 
 
 KJ'il) . SCHBABEE. 
 
 o.O'J), Sinssoit, sen. 
 
 f'\ Sioux. 
 
 A Tatlianbiee. 
 
 . • • Tandart. 
 
 \ , I Tabdi. 
 
 « • • • Theodore. 
 
 I Thevenet, sen. 
 
 Gilding. 1772 to 1790. 
 Detached Bouquets. 
 
 Landscapes, &c. 
 
 Detached Bouquets. 
 Birds, Landscapes, &c. 
 Flowers. 
 
 Flowers, Groups, Garlands. 
 
 {This wreath is much smaller on cups, 
 — used 1791.) 
 
 Detached Bouquets, Garlands, &c. 
 
 Detached Bouquets, Garlands. 
 
 Groups of Flowers, Garlands, &c. 
 (Continued as late as 1790.) 
 
 Detached Bouquets, &c. 
 
 Gilding. 
 
 Flowers, Cartels, Groups, &c 
 
J* 
 
 FAlNTEBs' MASKS ON SEVRES, 1753 1800. 493 
 
 Thevenet, jun. Ornaments, Friezes, &c. 
 
 ^u Vatttrin (Mile.) Detached Bouquets, Light Friezes. 
 
 afterwards 
 
 -» ^» Vande. Gilding, Flowers, 
 
 9 • Mad. Gekaed. 
 
 Wf Vavasseub. Arabesques, &c. 
 
 * (Bernal, Ms. 220, 576.) 
 
 CJU' Vieixard. Emblems, Ornaments. {This mark, 
 
 a label of three points, when on cups and 
 saucers, has more the appearance of a line 
 •* *» * with three dots on it, li/ce our reduced du- 
 
 plicate of it in margin. And sometimes 
 it is much slwrter. See Bernal, Ms, 105, 
 115, 210, 592, 595.) 
 
 2 OOO Vincent. Gilding. {On a gilt saucer, ornamented 
 
 with devices inlndian ink, date 1788; also 
 onan S.F. cuppaintedbyMad.Ducluzeau. ) 
 
 HH Xrowet. Arabesques, Flowers, &o. 
 
 LATE PEEIOD, 1800—1845, 
 Andbe (Jules). Landscapes. 
 
 Berangeb (Ant.) Figures. 
 
 2J Babbin (Fran.) Ornaments. 
 
 jp, BoiTLi,EMiER(An.) Gilding. 
 
 fi -|x Devellt (Cha.) Landscapes, &c. 
 
 _ • Dronm. Ornaments, &c. 
 
 JJ.I, 
 
 jf 0/l Ducluzeau (Mad.) Figures, Subjects, Wreaths, Tot- 
 jr f" J>- traits. 
 
 qf Fontaine. Flowers. 
 
494 FAINTEBS' MAKES, LATE PEBIOD, 1800 1845. 
 
 G Q Geobget. Figures, Portraits, &c. 
 
 n (y, Hcabd. Ornaments. 
 
 %«i Julienne (Eug.) Renaissance Ornaments. 
 
 ■^ £££• Langlace. Landscapes. 
 
 J* A Le Bel. Landscapes. 
 
 y? 'St LeGay Et-Ch. Figures, various Subjects, Portraits. 
 
 j£> jP Philippine. Flowers and Ornaments. 
 
 JQ Poupaet (Achilles). Landscapes. 
 
 fi-» Regnier (Ferd.) Figures, various Subjects. 
 
 o^SfcT" Swebach. Landscapes and Figures. 
 
495 
 
 CHRONOLOGICAL TABLE 
 
 OP THE MAEKS EMPLOYED IN THE EOYAL MANUFACTORY OP 
 SEVEES, 
 
 Serving to indicate the year in -which the piece was decorated. 
 
 A Viucennes. 
 
 1753 
 
 AA 
 
 .. .. 1777 
 
 letters were 
 
 replaced by the 
 
 B Do. 
 
 1754 
 
 BB 
 
 .. .. 1778 
 
 following marks- 
 
 C Do. 
 
 1755 
 
 CC 
 
 .. 1779 
 
 Tear IX 
 
 (1801) .. T 9 
 
 D .. .. 
 
 J756 
 
 DD 
 
 . . 1780 
 
 " X 
 
 (1802) .. X 
 
 E 
 
 1757 
 
 EE 
 
 .. 1781 
 
 « XI 
 
 (i803) .. 11 
 
 F .. .. 
 
 1758 
 
 FF 
 
 .. 1782 
 
 
 
 G 
 H 
 
 1759 
 1760 
 
 GG 
 
 HE 
 
 .. 1783 
 
 Gliding prohibition ■■ to. 
 removed. *■ • "* 
 
 " XII (1804) ""//• 
 
 Sift paste ditcontinutd, j^ 
 
 " XIII (1805) ^ 
 
 I .. .. 
 
 1761 
 
 II 
 
 .. 1785 
 
 " XIV 
 
 (1806) ~£r 
 
 K .. .. 
 
 1762 
 
 IK' 
 
 ouis XPI. patterns 1 7 Q fi 
 begin to prevail, A J t u 
 
 
 
 L .... 
 
 1763 
 
 LI 
 
 .. .. 1787 
 
 
 1807 — 7 
 
 11' Pomptdour period 
 
 1764 
 
 MM 
 
 .. 1788 
 
 
 1808 — 8 
 
 N """'.. .. 
 
 1765 
 
 NN 
 
 .. 1789 
 
 
 1809 — 9 
 
 _ From thit to\7M, no 
 ( ) other porcelain allowed 
 
 1766 
 
 Jewelled capt mi. 1790 
 
 
 1810 — 10 
 
 to be gilt. 
 
 P .. .. 
 
 1767 
 
 PP 
 
 QQ 
 
 .. 1791 
 .. 1792 
 
 
 1811 — o z 
 
 1812 — d z 
 
 a .. 
 
 1768 
 
 El 
 
 .. 1793 
 
 
 1813 — t z 
 
 J, //«rrf paett discovered 
 
 *1769 
 '. 1770 
 
 
 
 
 1814 — q z 
 
 S Marie Antoinette mtrrie 
 
 
 
 1815 — qn 
 
 1816 — s z 
 
 T .. .. 
 U 
 
 1771 
 1772 
 
 With the revolutionary 
 changes this mark fell 
 
 
 into disuse, and from 1793 
 
 
 1817 — d s 
 
 V 
 X 
 
 1773 
 
 1774 
 
 down 
 
 to 1800, we meet 
 
 From 1818 to 1834 
 when the year began to be ex- 
 
 with few examples of it. 
 
 pressed by figures, the two 
 
 Y Jewelled Sevres probably ]775 
 
 In 1801 the practice was 
 
 last only were given. Thus IS 
 for 1818 ; 19 for 1819, and so on 
 
 Z .... 
 
 1776 
 
 again 
 
 resumed, and the 
 
 down to the 
 
 year 1833. 
 
 * The appearance of the extraordinary comet of 1769, suggested to the adminis- 
 tration of the time, the idea of transmitting the remembrance of it by their pro- 
 ductions ; it was thus that a great vase was made in the form of a sphere, with the 
 appendages in bronze, representing the long luminous tail of the comet, and some 
 painters substituted for the ordinary mark, which in this year was the letter 11, the 
 following figure ; 
 
 K K 
 
496 
 
 CHRONOLOGICAL TABLE 
 
 OP THE MAMS USED IS THE BOYAL SlANUFACT HUE AT SEVBES, 
 
 Showing the period of the manufacture of WHITE PIECES, from the 
 year ix (1801), when the practice commenced. 
 
 The following marks, which are composed of signs and figures, are en- 
 graved, and indicate both the year and the month. Thus, the number X 
 following the marks "q. z." (1814) would mean October, which is the 
 10th month, and the unit 1 following the number 19 (1819), would mean 
 January, which is the first month. The monograms which accompany them 
 are the marks of the workmen. 
 
 Year IX (1801) — T 9 
 
 Year 
 
 1808 — 8 
 
 Year 
 
 1815— q. ii. 
 
 X (1802) — X 
 
 
 1809 — 9 
 
 » 
 
 1816 — s. z. 
 
 XI (1803) — 11 
 
 
 1810 — 10 
 
 jj 
 
 1817— d. s. 
 
 XII (1804) — *"//- 
 
 
 1811 — o. z. 
 
 >> 
 
 1818— 18 
 
 XIII (1805) — ^. 
 
 
 1812 — d. z. 
 
 » 
 
 1819 — 19 
 
 XIV (1806) _ — ~ 
 1807 7 
 
 
 1813 — t. z. 
 
 1814 — q. z. 
 
 sviqp 4 ^ 
 
 * After this period the two last. figures of the date continued to "be used as the 
 distinctive mark of the year. The mark with the device of the king, which closes 
 this table, was first used in July, 1S45, without reference to the marks stamped In 
 paste ; it is stamped in chrome green under the glaze. 
 
49/ 
 
 CllIIfA. Mandarin. Hard Porcelain. This 
 
 stamp, sometimes red, sometimes bltm, 
 is said to denote imperial manufacture. 
 
 Japan. On a fine old bowl, in the form of a 
 
 gourd, richly coloured and embossed. 
 
 Messrs. Brongniart and Riocreux give only these two marks. 
 Mr. Marryat, in his first edition, added some half-dozen, 
 communicated by Dr. Klemm, of Dresden, but in his second 
 edition has withdrawn them, as incorrect. In a new and 
 very elaborate French work on the Porcelain of China 
 and Japan, translated from original authorities, by M. Stanis- 
 laus Julien and Dr. J. Hoffman, we get a vast amount of 
 marks and information, but little, if anything, of practical 
 value. Of the many fine pieces of Chinese Porcelain brought 
 to this country by Mr. Fortune, not one of those which hap- 
 pened to be marked could be identified with anything figured 
 in Julien j and the rarest and best were not marked at all. , 
 Under these circumstances, and for want of space, the reader 
 must be content with a few indications, which will be best 
 given by citing from Messrs. Christie and Mauson's recent 
 Catalogues, their descriptions of such articles as have sold for 
 the highest prices. 
 
 ■ It will be seen that Crackles of all kinds are highly 
 appreciated, and among these the Tuequoise, Cbimson, and 
 Sea-Gbeen, take the lead. Of colotjes not crackled, and 
 which to an uninitiated eye are certainly the handsomest, 
 the most esteemed are Tubquoise, Deep Blue, Yellow, 
 Ceimson, Ruby, Ghees', light and dark, Mottled — generally 
 Blue and Purple, or Crimson and Purple, — Pink, and Cbeam- 
 
 COLOUE. 
 
 The following extracts must tell the rest. 
 
408 OBIENTAL. 
 
 Ma. FORTUNE'S FIRST SALE, Febbuaby 4th, 1856. 
 20 A small bottle, of fine Turquoise Coloub ; and a small 
 
 bottle, of rare Yellow Cbackle. 1 67. 5s. 6c?. 
 '.'9 A bottle, of rare Tuequoise Cbackle— 12 in. high. 
 
 48/. 16*. 6d. 
 
 30 A very fine vase, of rare Cbimson Coloub — 1 8 in. high. 
 
 26/. r>s. 
 
 31 A magnificent bottle, of Deep Blue Coloue, covered 
 
 with birds and ornaments in gold, the interior turquoise 
 —24 in. high. 32/. lis. 
 36 A pair of oviform vases, of rare Mottled Blue Colour 
 —11 in. high. 10/. 
 
 38 A bottle, of Mottled Blue and Pubple, very uncom- 
 
 mon — 15 in. high. 24/. 3s. 
 
 39 A bottle, of rare Ceimson Coloub — 13£ in. high. 
 
 271 6s. 
 41 A very rare and important vase, of Rich Turquoise 
 Cbackle, on a carved stand — 18 in. high. 131/. 
 
 Me. FORTUNE'S SECOND SALE, Mat 13 k 14, 185". 
 
 46 A globular bottle, of very rare Light Geees Cbackle, 
 
 on carved rosewood stand — 6-J- in. high. 48/. 
 60 A gourd-shaped bottle, of rare Tuequoise Coloub, 
 
 Mottled with Deep Blue, on stand — 8 in. high. 
 
 13/. 10s. 
 68 A vase, with elephants' head handles, of rich Deep 
 
 Cbimsos Coloub, on stand — 8 in. high. 8/. 
 80 A rare Tuequoise Ceackle bottle, on stand — 5^- in. 
 
 high. 10/. 10s. 
 82 A rare Gbeen Ceackle bottle, on stand — 5^- in. high. 
 
 11/. 
 90 A noble vase, of Gbet Ceackle, with elephants' head 
 
 handles, on stand — 18 in. high. 13/. 10s. 
 93 A fine square vase, of White Ceackle, with handles of 
 
 dolphins. 71. 10s. 
 98 A very fine and rare double square-shaped bottle, of 
 
 rare Gbeibn Coloue, with elephants' head handles, on 
 
 stand — 11 in. high. 15/. 15s. 
 104 A very fine vase of Sea-geeew Ceackle, with lizard 
 
 handles in relief, on rosewood stand — 20f in. high. 
 
 11/. 5s. 
 
ORIENTAL 499 
 
 110 A noble oviform vase, of Geet Crackle — 15£ in. high. 
 121. 
 
 114 A beautiful fluted bottle, oviform, of very rare Green 
 
 Ceackle, on stand — 6 in. high. 23?. 10*. 
 
 1 1 5 A very rare oviform bottle, of Tuequoise Ceackle, 
 
 covered with plants and ornaments in black — 10 in. 
 high. Of extreme rarity. 151.10s. 
 
 1 16 A noble fluted vase, of very rare Light Beown Ceackle, 
 
 differently crackled inside, on carved rosewood stand — 
 19 in. high. 171 10*. 
 
 1 1 7 A very beautiful battle, of rare Turquoise Ceackle, on 
 
 carved rosewood stand — 15£ in. high. An unusually 
 fine specimen. 501. 10*. 
 
 118 A noble vase, with handles formed as lizards, of rare 
 
 Sea-green Ceackle — 23£ in. high. 371. 
 
 119 A beautiful vase, of rare old Turquoise Ceackle, on 
 
 rosewood stand — 16 in. high. A fine specimen. 401. 
 
 120 A handsome vase, of Sea-Green Ceackle, with ring 
 
 handles and collar in imitation of bronze — 15^ in. high. 
 171. 
 
 121 A larger ditto, of Grey Crackle, with bronzed ring 
 
 handles — 15jin. high. 13/. 
 134 A very rare and curious double square-shaped vase, with 
 handles, Mottled Crimson, Purple, and Amber, on 
 stand — 6 in. high. hi. 5s. 
 
 145 An unusually fine deep crimson tase, with handles in 
 
 relief, on rosewood stand — llfin. high. 26 J. 
 
 146 A very fine and rare bottle, brilliantly mottled deep 
 
 crimson and purple, on stand — 17 in. high. 31Z. 10*. 
 150 A very fine and rare brilliant Blue Fluted Bottle, on 
 
 carved stand — 16 in. high. 8/. 
 153 A very fine and rare Crimson bottle, on stand — 9 in. 
 
 high. Of the highest quality. 111. 
 265 A Light Brown Crackle Vase, on stand — 15 in. 8/. 
 270 A fine large Grey Crackle bottle, with lizard handles — 
 
 16 in. 15/. 10*. 
 278 A beautiful double gourd-shaped bottle, of Light Brown 
 
 Ceackle, on stand — 12 in. A rare specimen. 91. 5*. 
 280 A very fine and rare flat-shaped bottle, with handles, most 
 
 brilliantly Mottled Deep Ceimson and Purple, on 
 
 stand — 8f in. An unusually fine specimen. 281. 10*. 
 
SOO OB1ENTAL. 
 
 281 A beautiful small bottle, -with handles, of rare Pale 
 Geeen Cbackle, on stand — 7 in. high. 141. 3s. 
 
 284 A very fine and beautiful fluted bottle, of rare Tubqttoise 
 Colotje, with vines in relief, on stand — 8^ in. 301. 10*. 
 
 288 A very fine and beautiful bottle, of Tueqtjoise Ceackle, 
 covered with figures and ornaments in darker colour, on 
 stand — 12 in. high. Extremely rare. 261. 
 
 290 A very beautiful double gourd-shaped bottle, of very rare 
 
 Pale Tueqtjoise crackle — 12 in. high. 571. 
 
 291 A very fine flat square-shaped bottle, of rare Tueqtjoise 
 
 Ceackle, with handles, on stand — 15 in. high. 491. 
 
 292 A beautiful Geey Ceackle bottle, enamelled with petals 
 
 of flowers in colours — 9 in. high. 171. 17s. 
 
 300 A rare pale Ceeam-Coloueed Ceackle bottle, on stand 
 
 — 9|in. 61. 
 
 301 A very fine and rare Tuequoise Ceacexe bottle, on 
 
 stand — 16 in. high. 101. 5s. 
 
 302 A noble vase of Geey Ceackle, with bronzed collars and 
 
 mask handles, on stand — 26£ in. high. 30?. 9s. 
 
 303 A rare Pale Beown Ceackle vase, with a flower in re- 
 
 lief, in imitation of bronze— 9^ in. 51. 10s. 
 
 305 A noble vase of Geet Ceackle, with elephant's head 
 
 handles — 16 in. high. 121 12s. 
 
 306 A very fine and rare oviform bottle, of rare Tuequoise 
 
 COVEEED WITH OEHAMENTS in BLACK — 10 in. 30?. 
 
 307 A very curious bottle, with a lizard on the neck, of rare 
 
 Ambee-coloueed Ceackle, on stand — 10 J in. 91. 10s. 
 
 310 A noble vase, of Seageeen Ceackle, with lizard handles, 
 
 on stand — 1 7-J- in. 25?. 
 
 311 An extremely rare and fine circular vessel, of rare 
 
 Mottled Pubple and Geet colotje, with spots of 
 crimson inside, on an elaborately carved stand — 8f in. 
 diameter, and 3£ in. high. Of great antiquity, and 
 highly prized by the Chinese. 141. 
 
 312 A beautiful globular vase, very brilliantly mottled in 
 
 COLOUBS, on stand — 6£ in. 221. 
 315 A magnificent bottle, most brilliantly mottled Ceimsoh 
 
 and Pubple, on stand — 23£ in. 34?. 
 320 A very fine flat double gourd-shaped bottle, very richly 
 
 enamelled with ebuits, in beilliakt coloues, on 
 
 white gbound, on stand — 15 in. 201. 10*. 
 323 A magnificent bottle, of the most brilliant Ruby Colotje 
 
0EIENTAL. 501 
 
 and elegant form, on carved stand — 14^- in. Of ex- 
 treme rarity. 221. Is. 
 
 324 A beautiful flower stand, of rare Turquoise, formed as a 
 miniature hexagonal garden seat, with ornaments in re- 
 lief, and^ask handles — 4f in. 18?. 18s. • 
 
 825 A very fine and rare vase, Mottled in beilliant Co- 
 loues, on stand — 18, in. high. Very rare. 35?. 14s. 
 
 326 An equally fine and rare vase, Mottled Cbimson and 
 
 Bbown, on stand — 13-J-in. 18?. 7s. 6d. 
 
 327 A square-shaped bottle, Mottled in Beilliant Colours, 
 
 with ornaments in relief, on stand — 9|- in. 13?. 
 
 329 A very fine and rare bottle, formed as two fishes, in bril- 
 liant Mottled Colours; on carved stand — 9 in. 13?. 
 
 333 A rare flat-shaped vase, with handles, enamelled with 
 figures and utensils in Indian Ink — llf in. , 10/. 10s. 
 
 335 A beautiful Light Blue vase, covered with foliage and 
 
 characters in gold, on stand — 19 in. high. 10?. 10s. 
 
 336 A fine old enamelled vase, with a Combat oe Hoesemen, 
 
 in Beilliant Colours — 14 in. high. 14?. 14s. 
 342 A noble vase, richly enamelled withpiGUEES and animals 
 in a landscape — 20 in. 16?. 16s. 
 
 Me. JOHN GRAHAM'S SALE, June 8th to 10th, 1857. 
 
 220 A pair of very fine and rare old octagonal vases, with 
 
 flower handles, enamelled all over, with landscapes, 
 and birds, in medallions, on eich geound of 
 elowees, on carved rosewood stand — 3 ft. high. 61/. 
 
 221 A magnificent vase, of rare Yellow coloue, covered 
 
 with flowers and insects, in enamel, in brilliant colours. 
 A very important specimen — 5 ft. high. 25?. 
 
 222 A pair of very fine and rare old vases, richly enamelled 
 
 with the imperial dragon, birds and plants, in brilliant 
 coloues, on white geound, on stands, and with carved 
 covers of rosewood — 24 in. high. 27?. 10s. 
 
 224 A pair of rare Pink Coloured Ceackxe Vases with ring 
 
 handles, and collars in imitation of bronze, enamelled 
 with dragons and butterflies in colours — 8f- in. high. 
 From the Marquis qfAilsa's Collection. 14?. 
 
 225 A very fine Old Seagreen Ceackle Cylindrical vase, 
 
 with gilt foot — 15 in. high. From Mr. Beckford's Col- 
 lection. 26?. 15s. 6d. 
 227 A pair of very fine and rare bottles, of old enamel, with 
 
502 OBIENTAL. 
 
 Wayed Gbeen Subface, with kylins and other orna- 
 ments in brilliant colours, mounted with or-moulu — 
 12J in. high. From the Marquis of Ailsa's Collection. 
 451. 10s. 
 
 228 A pair of rare Geey. Ceackle vases, with elephants' 
 
 head handles, mounted with or-moulu — 11 Jin. high. 
 From the Marquis of Ailsa's Collection. 16?. 5s. 6d. 
 
 229 A pair of fine old Ceimson bottles, enamelled with 
 
 subjects in medallions, Tubquoise Inside, mounted 
 with or-moulu — 10 in. high. From the Bickly Mansion 
 Collection. 147. 14*. 
 
 23 1 A pair of fine old flat vases and covers, of the richest 
 
 enamel, with birds, foliage, and ornaments in beilliant 
 Colot/es and Gold, massively mounted with handles, 
 and on plinths of or-moulu, with figures of seated 
 cupids with wreaths — 16 in. high. From Mr. Beck- 
 ford's Collection. 201. 
 
 232 A magnificent cylindrical bottle, of the finest old enamel, 
 
 with the Impebial Deagon, in Blue, on Rich 
 Ceimson Geound, covered with plants and ornaments 
 in brilliant colours, mounted with rim, and plinth, 
 of silver gilt on four figures of griffons — 21J in. high. 
 From Mr. Bedford's Collection, b&l. 
 
 233 A pair of fine large beakers, of Old Japan, with land- 
 
 scapes and plants in deep blue and gold — 19 in. high. 
 Unusually fine. From the same Collection. 91. 5s. 
 
 234 A pair of circular dishes, of rich enamel, of equally fine 
 
 quality — 20 in. diameter. From the same Coll. 61. 15s. 
 
 235 A pair of very fine old globular-shaped jars and covers, 
 
 covered with Laege Subjects oe Chinese Domestic 
 Scenes, in brilliant colours — 24 ic. high. 141. 
 
 236 A noble jar and cover, of Old Japan, with flowers and 
 
 ornaments in Deep Blue, Gold, and Coloues, sur- 
 mounted by a Chinese figure, gilt — 32 in. high. 61. 10s. 
 
 237 A fine old globular Blue and White Nankin jar, 
 
 covered with ornaments of Ceimson Lacquee, painted 
 with flowers, with modern cover — 24 in. high. 41. 15«. 
 
 238 A very fine Old Japan bell-shaped vase, with Plants in 
 
 Rich Coloues and Gold, on White Geound, mas- 
 sively mounted, with or-moulu handles, and on plinth 
 of the same, with- figures of marine cupids — 28 in. 
 high. 181. 10s. 
 
OBIENTAL. 
 
 503 
 
 239 A pair of magnificent vases and covers, of unusual size 
 and importance, with Bibbs and Plants Enamelled 
 in Beilliant Cplottbs, surmounted by lions, gilt, on 
 carved and gilt plinths — 48 in. high. From the Ms- 
 curial. 2001. 
 
 INDEX TO THE MONOGRAMS. 
 
 (Excepting the Sevres marks, which are given at p. 486.) 
 
 A Bnuzzi, 446. 
 Adams, Win., 461. 
 Agricola, F. Incha, 445.' 
 Alt-Halilensleben, 468. 
 Altenrolhau, 467. 
 Amstel, 470. 
 Amsterdam, 470; 
 Anchor marks, 449, 463, 466, 
 
 467,471,472,476,487. 
 Andennes, 457. 
 Andreoli, 436-439. 
 AngonlSme, 480. 
 Anspach ? 465, 469. 
 Arras, 478. 
 Avisseau, Victor, 453. 
 
 Baden, 469. 
 Bassano, 476. 
 Belgium, 467. 
 Belleville, 480. 
 Berlin, 466. 
 Bevington, 461, 
 Boch, 467. 
 Boettoher, 454, 463. 
 Bohemia, 457, 469. 
 Bordeaux, 453. 
 Bourg-la-Eeine, 452, 478. 
 BoV, 476. 
 Bristol, 474. 
 Brussels, 471. 
 Buen-Eetiro, 449, 475. 
 Burslem, 460. 
 
 Caffagiolo, 446. 
 Cambiasi, 444. 
 Capo di Monte, 476, 477. 
 Carlsbad, 469. 
 Casemene, 463. 
 Castel-Durante, 443. 
 Cencio. See Vincentio. 
 Chantilly, 478. 
 Charlottenbnrg, 468. 
 Chelsea, 471, 472. 
 Chelsea-Derby, 472. 
 Chinese, 497. 
 Clignancourt, 478. 
 Coalbroofcdale, 473. 
 Cologne, 456. 
 Cookworthy, 478. 
 
 Copenhagen, 469. 
 Corbeil, 478. 
 Cremer, M. L, 466. 
 
 Davenport, 461. 
 Delft, 467, 458, 469. 
 Del Vecchio, 448. 
 Derby, 472. 
 Deruta, 443. 
 Dihl & Gnerliard, 480. 
 Dillwyn, 461. 
 Doccia, 476. 
 Dresden, 464, 463, 464. 
 
 Elbogen, 469. 
 Etiolles, 478. 
 Etruria, 460. 
 
 Faenza, 444, 445. 
 Faience, 450. 
 Flight, Barr, & Barr, 473. 
 Florence, 448, 449, 476. 
 Fontana, Oratio, 442. 
 Fouque 1 & Co., 453. 
 Franco, Battista, 441. 
 Frain, 467. 
 Frankenthal, 454, 455, 465, 
 
 466. 
 Fnlda, 468. 
 Furstenberg, 467. 
 
 Gelz, 465. 
 Gera, 469. 
 Germany, 465, 456. 
 Gioanetti, 449, 476. 
 Giustiniani, 448. 
 Gotha, 469. 
 Green, Charles, 462. 
 Grosbreitenbach, 468. 
 Gubbio, 436-440. 
 
 Hague, 471. 
 
 Hauling, John, 464, 465, 466. 
 Hanilng, J. A., 466, 470. 
 Hanung, P. A., 465, 479. 
 
 Hesse-Cassel, 468. 
 Hb'chst, 455,465. 
 Holland, 457. 
 Harold t, 483. 
 
 Hubaudiere, 454. 
 
 Japan, 497. 
 Johnston, D., 453. 
 
 Kerr and Binns, 473, 
 Kotzec, 457, 469. 
 Kronenburg, 467. 
 K uhnel, 464. 
 
 Lahens, 453. 
 
 Lammens & Co., 457. 
 
 Lanfray, Francois, 480. 
 
 Laurjorois, 463. 
 
 Leeds, 462. 
 
 Le Hammer, 469. 
 
 Le Montet. 453. 
 
 Le Nove, 476. 
 
 Le Vouland, 454. 
 
 Lille, 471. 
 
 Limbach, 468. 
 
 Lisbon, 449. 
 
 Locre, 479. ^ 
 
 Longport, 461. 
 
 Long ton, 461. 
 
 Ludwigsburg, 467. 
 
 Luxemburg, 467. 
 
 Madrid, 449. 
 Malta, 449. 
 Marcolini, 463, 464. 
 Meissen, 454, 463. 
 Melchior, 465. 
 Menecy, 478. 
 Mettenhoff, 463. 
 Miravia, 449. 
 Monte-Lupo, 446. 
 Montpelier, 454. 
 Moravia, 457. 
 Munich, 466. 
 
 Nantgarw, 461, 474. 
 Naples, 439, 446, 447, 44S, 
 477. 
 
 Nassau, 455, 465. 
 Nevers, 451. 
 Niderviller, 480. 
 Nismes. 453. 
 Nowotny, 457, 
 
504 
 
 INDEX TO THE MONOGRAMS. 
 
 Nurenberg, 456. 
 Nymphenburg, 466, 467. 
 Nyon, 470. 
 
 Oporto, 449, 475. 
 Oriental, 497. 
 Orleans, 480, 481. 
 
 Paliasy, 450, 453. 
 Paris, 479, 480. 
 Patanazzi, 441. 
 Perugia, 447. 
 Pesaro, 436. 
 Petit, Jac, 480. 
 Pfeiffer, 491. 
 Philippine, 494. 
 Pichou, Pr., 452. 
 Piedmont, 449, 476. 
 Plantier, 453. 
 Plymouth, 473. 
 Poland, 457, 469. 
 Pont-aux-Choux, 479. 
 Foppelsdorf, 457. 
 Porto, 449. 
 Poterie du Rhin, 455. 
 Potter, Ch., 480. 
 
 Queen's "Ware, 460. 
 Quimper, 454. 
 
 Eauenstein, 468, 
 
 Kingler, 465, 467. 
 Robbia, 435, 450. 
 Kose & Co., 473. 
 Rouen, 451, 452. 
 Rudolstadt, 468. 
 Russia, 470. 
 
 St. Cloud, 477. 
 
 St. Petersburg, 470. 
 
 St. Samson, 454. 
 
 Salopian, 473. 
 
 Savona, 446, 447. 
 
 Sceaux-Penthievre, 452, 478. 
 
 Schlakenwald, 469. 
 
 Schwarzburg, 468. 
 
 Selvaggio, 443. 
 
 Sevres, Chronology, 495, 496. 
 
 Sevres Marks, 482-485. 
 
 Soares, Rocha, 449. 
 
 Staffordshire, 460, 461. 
 
 Strasburg, 454, 455, 465. 
 
 Strobel,456. 
 
 Swansea, 461, 474. 
 
 Switzerland, 470. 
 
 Torregiani, 439. 
 Toulouse, 453. 
 Tournay, 471, 
 Tours, 453. 
 
 Tunstall, 461. 
 Turin, 476. 
 Turner, Jno., 461. 
 Turner, Thos., 473. 
 
 Urbino, 440-444. 
 Urbino, Nic. da, 443. 
 Uzes-Gard,452. 
 
 Val-sous-Meudon, 453. 
 Vander Waert, 457. 
 Veilsdorf, 470. 
 Venice, 449, 476. 
 Vicenza, 448. 
 Vienna, 464. 
 Vincentio, 437, 438, 443. 
 Vineur, 449, 476. 
 Vista Alegre, 475. 
 Voisinlieu, 453. 
 
 Wedgwood, 460. 
 Wegeley, 465. 
 Wessel, M. L., 457. 
 Worcester, 472, 473, 474. 
 
 Xante, 440, 441, 443. 
 
 Ziegler, John, 453. 
 Zurich, 470. 
 
 THE END. 
 
 J. Billing, Printer and Stereotyper, Guildford, Surrey. 
 
MESSRS. BELL AND DALDY'S 
 
 CATALOGUE 
 
 BOHFS VARIOUS LIBRARIES 
 
 THEIR OTHER COLLECTIONS, 
 
 WITH A CLASSIFIED INDEX. 
 
 LONDON': 
 No. 186, FLEET STEEET; 
 
 AND 6, YOKE STEEET, COVENT GARDEN- 
 1864. 
 
BOHN'S YARIOUS LIBRARIES. 
 
 A complete Set, in 483 Volumes, price 1211. IBs. 
 
 No. of 
 Volumes. 
 
 SEPAEATE LIBRARIES. 
 
 Price. 
 £ s. 
 
 d. 
 
 150 
 
 Standard Library (including the Atlas to Ooxe's 
 
 26 15 
 
 
 
 13 
 
 
 3 5 
 
 
 
 6 
 
 Library of French Memobss .... 
 
 1 1 
 
 
 
 43 
 
 Uniform: with the Standard Library 
 
 8 3 
 
 6 
 
 19 
 
 
 4 
 
 
 
 29 
 
 
 5 1 
 
 6 
 
 8 
 
 
 2 
 
 
 
 40 
 
 
 10 
 
 
 
 74 
 
 
 5 19 
 
 6 
 
 76 
 
 
 19 9 
 
 
 
 89 
 
 Classical Library (including the Atlas) 
 
 21 18 
 
 6 
 
 63 
 
 
 16 4 
 
 
 
 IN PREPARATION, 
 
 BOETHIUS'S CONSOLATIONS OF PHILOSOPHY, rendered into 
 Anglo-Saxon by King Alfred : the Anglo-Saxon Metres and a 
 literal English translation by the Rev. Samuel Fox, (Antiquarian 
 Ltbrary). Immediately. 
 
 LOWNDES'S BIBLIOGRAPHER'S MANUAL, Appendix Vol. con- 
 taining the Lists of Books published by various Societies and Clubs, 
 (Philological Libraby). 
 
 FOSTERS MISCELLANEOUS WORKS, including his Essay 
 on Doddridge, &c. (Standard Library). 
 
NOTICE. 
 
 Messes. Bell and Daldy beg to announce that they have 
 purchased of Mr. H. Gr. Bohn, who is preparing to retire 
 from business, after forty years of successful enterprise, the 
 entire stock of his various Libraries, consisting of more 
 than 600 different works, and comprising nearly half a 
 million of volumes. 
 
 These Libraries have been created by Mr. Bohn during 
 the past twenty years by an amount of energy and industry, 
 bibliographical knowledge and literary skill never before 
 united with the requisite amount of capital ; and they repre- 
 sent an accumulation of valuable works unexampled in the 
 history of'literary undertakings. 
 
 Though Mr. Bohn was not the first to recognize the 
 power of cheapness as applied to the production of books, 
 he was the first to address his efforts exclusively to works 
 of a standard character and enduring interest. He threw 
 himself into the movement with characteristic energy ; and 
 in developing his aim he is known by those who have 
 watched the progress of cheap literature to have distanced 
 all competitors. During the time that his Libraries have 
 been before the public, he has carried into all classes in all 
 parts of the world where the English language is under- 
 stood an unexampled choice of books, not only for students 
 and scholars, but for readers who merely seek amusement. 
 
 Such a choice, so varied, and at so low a price, does not 
 
 exist in this country or elsewhere ; and Mr. Bohn is entitled 
 
 to the gratitude of all who value the humanizing effects of 
 
 literature. Since the commencement of these Libraries at 
 
 b 2 
 
least three million volumes have been issued, and these 
 may fairly be taken to represent thirty million readers. 
 
 In accepting the responsibility of so large an under- 
 taking, Messrs. Bell and Daldy desire to carry on the pro- 
 jects of Mr. Bohn with the same spirit and energy which 
 have influenced him, and they are happy to announce they 
 will have the advantage of his bibliographical knowledge 
 and large experience. 
 
 In addition to the Libraries of Mr. Bohn, this Catalogue 
 comprises the various Collections published by Messrs. 
 Bell and Daldy during the last nine years, and now in 
 progress. 
 
 These Libraries and Collections together afford a choice 
 from about 800 volumes on general literature and educa- 
 tion. 
 
 To assist purchasers in making their selections a classi- 
 fied index is attached, by which they will be guided to the 
 subjects of the books. 
 
 Messrs. Bell and Daldy venture to add, that the Aldine 
 Poets, Aldine Series, British Worthies, Elzevir Series, and 
 Pocket Volumes, are specially prepared for the lovers of 
 choice books, and are specimens of careful editing combined 
 with the most finished workmanship in all external features. 
 They believe that they are not surpassed in these respects 
 by any similar productions of the present day. 
 
 Many of the above works are adapted for prizes and 
 presents ; and they may be had through any bookseller, 
 bound in a suitable style, by giving a short notice. 
 
CLASSIFIED INDEX. 
 
 Amusements. 
 
 Angler, Walton . . . 
 Angler's Manual, Hofland 
 Chess Congress . . . 
 
 Games of, Morphy 
 
 : Player's Companion 
 
 Handbook . 
 
 Praxis, Staunton . 
 
 Tournament . . 
 
 Games, Handbook of 
 Manly Exercises, Walker^ 
 Shooting, Recreations iu 
 
 Art, 
 
 Didron's' Iconography . 
 Holbein's Bible Cuts 
 
 _ — . Dance of Death 
 
 Lanzi's Painting . 
 Lectures on Painting 
 Michael Angelo and Raphael 
 Reynolds' (Sir J.) Works - 
 Schlegel's .Esthetic Works . 
 Stanley's Synopsis of Painters 
 Vasari's Lives of the Painters 
 
 Atlases. 
 
 Classical Geography . . . 
 
 . — , — . Long . 
 
 Grammar School Atlas . . 
 
 Marlborough's Campaigns . 
 
 Biogeaphy. 
 
 Burke's Life .... 
 Cellini, Memoirs of . . 
 Foster's Life, &c. . . . 
 Franklin's Autobiography 
 Irving's Life and Letters 
 Johnson's Life, &c 
 Locke's Life and Letters- 
 Luther's Life, Michelet . 
 Nelson's Life, Soutbey . 
 Pope's Life, Carruthers 
 Walton's Lives . . 
 Washington's Life . . 
 Wellington, Life of . . 
 
 British Classics. 
 
 Addison's Works . . . 
 Burke's Works 
 
 PAGE 
 
 41, 42 
 17 
 . 38 
 . 40 
 . 40 
 . 40 
 
 10 
 . 23 
 
 IV, 24 
 . 23 
 . 12 
 . 12 
 
 30,41 
 . 30 
 
 41, 42 
 17,24 
 . 31 
 
 Milton's Prose Works 
 
 Divinity - . 
 
 Butler's Analogy .... 
 • and Sermons 
 
 - Sermons 
 
 - Works 
 
 CliilUngworth's Religion of 
 
 testants 
 
 Gregory's Evidences . . . 
 Henry on the Psalms . . 
 Kltto's Scripture Lands . 
 Krummacher's Parables . . 
 Neander's Christian Dogmas 
 ._ —- Christian Life . 
 
 Pro- 
 
 PAGE 
 
 Divinity — continued. 
 
 Neander's Life of Christ " *. . 13 
 
 Light in Dark Places . 13 
 
 New Testament— Greek . 16, 47, 47 
 
 , Lexicon to ... 16 
 
 Sturm's Communings . . . 14 
 
 Taylor's Living and Dying 14, 43, 45 
 Wheatley on the Common Prayer . 15 
 
 Dramatic Literature. 
 
 
 Beaumont and Fletcher . . . 
 
 . 9 
 
 Lamb's Dramatic Poets . . . 
 
 . 22 
 
 Tales from Shakespeare 
 
 . 41 
 
 Schlegel's Dramatic Literature 
 
 . 14 
 
 Shakespeare's Plays .... 
 
 13,42 
 
 Works . . 
 
 . 17 
 
 Sheridan's Dramatic Works. 
 
 . 14 
 
 Fiction. 
 
 
 Andersen's Tales .... 
 
 . 26 
 
 BerberjThe .... 
 
 . 23 
 
 Bremer's Works 
 
 . 9 
 
 Cattermole's Haddon Hall . 
 
 . 26 
 
 Cinq-Mars . . ... 
 
 23 
 
 
 . 16 
 
 Defoe's Works 
 
 . 20 
 
 Gil Bias 
 
 . 21 
 
 Goldsmith's "Vicar of Wakefield 
 
 . 41 
 
 Hawthorne's Tales . . . 
 
 . 24 
 
 Howltt's English Life . . . 
 
 . 11 
 
 Hunt's Book for a Corner . . 
 
 . 21 
 
 
 
 Keightley's Fairy Mythology . 
 
 . 22 
 
 Lamartine's Genevieve . . . 
 
 25 
 
 >■ Stonemason, &c. . 
 
 . 25 
 
 Longfellow's Prose Works . 
 
 28 
 
 
 28 
 
 Mayhew's Image of his Father 
 
 25 
 
 Mitford's Our Village . . 
 
 13 
 
 Modern Novelists of- France 
 
 . 25 
 
 
 25 
 
 
 
 Sandford and Merton 
 
 . 25 
 
 Tales of the Genii . . . 
 
 . 31 
 
 Taylor's El Dorado . . 
 
 . 25 
 
 Uncle Tom's' Cabin . . 
 
 18, 25 
 
 Whiteslave" . . 
 
 25 
 
 Wide, Wide World . . . 
 
 . 18 
 
 Willis's Tales .... 
 
 25 
 
 Yule Tide Stories . . 
 
 23 
 
 French Authors. 
 
 
 Fe'ne'lon's Telemaque . . 
 
 48 
 
 La Fontaine's Fables 
 
 48 
 
 
 . 48 
 
 Voltaire's Charles XII. . . 
 
 . 48 
 
 German Authors. 
 
 
 German Ballads 
 
 . 48 
 
 Schiller's Wallenstein . . 
 
 . 48 
 
 German (the). Translations frosi. 
 
 
 
 11 
 
 Heine's Poems 
 
 . 11 
 
 Schiller's Works . . . . 
 
 13 
 
CLASSIFIED INDEX. 
 
 PAGE 
 
 Greek Authors. 
 
 ^Eschylus . . . ." . . . 45, 47 
 
 Demosthenes .. . 45 
 
 Euripides 45, 47 
 
 Herodotus 45, 47 
 
 Hesiod . ... ... 45 
 
 Homer .45 
 
 Plato 46 
 
 Sophocles 46 
 
 Thucydides . . ... 47 
 
 Xenophon's Anabasis . . 47, 47 
 
 ^ Cyropaedla .... 47 
 
 Greek (the) Translations from. 
 
 Achilles Tatlus . . . . , . .34 
 
 jEschines . 16 
 
 ^schylus 32 
 
 Anthology, Greek . . 34 
 
 Aristophanes ....... 32 
 
 Aristotle's Ethics 32 
 
 — History of Animals . . 32 
 
 ■ Metaphysics .... 32 
 
 — Grganon 32 
 
 Politics and Economics 32 
 
 Rhetoric and Poetics . 32 
 
 Athenaeus 33 
 
 Bion 36 
 
 Callimachus ........ 34 
 
 Demosthenes' Orations . , - 16, 33 
 
 Diogenes Laertlus 34 
 
 Euripides 34 
 
 Heliodorus . 34 
 
 Herodotus ........ 34 
 
 Analysis of .... IS 
 
 — Notes ., 18 
 
 Hesiod 34 
 
 Homer's Diad 34 
 
 . . 30 
 . . 34 
 
 Pope 
 Pope 
 
 Longus . 
 
 ' Moschus .36 
 
 Philo-Judseus , 20 
 
 Pindar 35 
 
 Plato . * 35 
 
 Sophocles 36 
 
 Theocritus 36 
 
 Theognis 34 
 
 Thucydides .36 
 
 Analysis of . . . .19 
 
 Tyrtseus 36 
 
 Xenophon .,..,,. 36 
 
 Historical Memoirs. 
 
 Carafas of Maddalont . . t . . 9 
 
 Coxe's Life of Marlborough . . 10 
 
 Memoirs of the House of 
 
 Austria 10 
 
 Guizot's Life of Monk .... 24 
 
 Monk's Contemporaries . 24 
 
 Irving's Life of "Washington . 1-7, 24 
 
 3 Louis XIV 11 
 
 - Richard Cceur de Leon 
 
 Kossuth, Memoirs of 
 Lodge's Portraits of Illustrious Per- 
 sonages 
 
 Memoir of Colonel Hutchinson 
 Duke of Sully . . . 
 
 Historical MTemoirs — continued. 
 
 Memoir of Hampden, by Lord Nu- 
 gent 15 
 
 — Philip de Commines . 15 
 
 Naval and Military Heroes of 
 
 Britain 29 
 
 Pauli's Life of Alfred the Great . 22 
 
 Roscoe's Life of Leo X 13 
 
 Lorenzo de Medici 13 
 
 History and Travels. 
 
 Anglo-Saxons, Miller . . . . 2S 
 
 Antiquiiies, Popular, Brand . . 21 
 Arabs in Spain, Conde" .... 9 
 
 Christianity, First Planting of, 
 Neander ......... 13 
 
 Chbonicles. 
 
 Anglo-Saxon Chronicle, Bede 
 Florence of Worcester's 
 Geoffrey de Vinsauf . . .* , 
 Henry of Huntingdon's 
 Ingulph's Chronicle 
 Matthew of Paris 
 
 Westminster 
 
 Richard of Devizes 
 Roger de Hovenden 
 Six Old English Chronicles 
 William of Malmtsbury 
 
 Chronological Tables, Blair . 
 
 Church History, Neander 
 
 Civilization, Guizot , . . 
 
 Conquest of England, Thierry 
 
 Diary, Evelyn ... 
 
 Pepys .... 
 
 Ecclesiastical History, Bede 
 
 Eusebius 
 
 - Ordericus Vi- 
 
 tulis . . 
 
 - Socrates 
 
 - Sozomen 
 -Theodoret & 
 
 Evagrius . 
 
 Egypt, Lepsius 22 
 
 England, History of, Hughes . . 48 
 
 — = Hume . \ .48 
 
 Smollett . , 48 
 
 English Constitution, Delolme . . 10 
 
 — Revolution of 1640, Guizot 11 
 
 Florence, Machiavelli .... 12 
 French Revolution of 1848, Lamar- 
 
 tine 12 
 
 French Revolution, Michelet . . 12 
 
 Mignet ... 12 
 
 Snrytb. ... 14 
 
 Germany, Menzel 12 
 
 Giraldus Cambrensis, Historical 
 
 Works '21 
 
 Girondists, Lamartine .... 12 
 History Philosophically Considered, 
 
 Miller ........ 17 
 
 Hungary, History of . . . 11 
 
 Index of Dates 37 
 
 India, Conquest of, Hall .... 41 
 
 Jesuits, History of,.NicoUin . . 29 
 
 Modern History, Schlegel ... 14 
 
 Smyth .... 14 
 
 Naples under Spanish Dominion . 9 
 
CLASSIFIED INDEX. 
 
 PAGE 
 
 History and Travels— continued. 
 
 Naval Battles, Allen .... 26 
 
 Nineteenth Century, Gervlnus . . 24 
 
 Northern Antiquities, Mallet . . 22 
 Philosophy, Tenneman - . . . .19 
 
 of History, Hegel . . 18 
 
 Schlegel . 14 
 
 Popes, Ranke . 13 
 
 , i*retenders, Jesjse 15 
 
 Representative Government, Guizot 11 
 Restoration of the Monarchy, La- 
 
 martine 12 
 
 Revolution, Counter, in England, 
 
 ■■* Carrel 9 
 
 Roman Empire, Gibbon .... 20 
 
 Republic, Michelet ... 12 
 
 Russia, History of ...... 13 
 
 Saracens, Ockley 13 
 
 Servia, Ranke .... . . 13 
 
 Stuarts, Jesse 15 
 
 Three Months in Power, Lamartine 25 
 
 Tiers Etat, Thierry 15 
 
 Travels, Early, in Palestine . . 21 
 
 in America, Humboldt . 39 
 
 of Marco Polo .... 22 
 
 Wellington, Victories of ... 28 
 
 lTA*LrAN (the) Translations from. 
 
 Arlosto's Orlando Furiosa 
 
 Dante, Cary 
 
 Wright 
 
 Tasso's Jerusalem Delivered . 
 Latin Authors. 
 
 Caesar, De Bello Gallico . . . 
 
 , Bks. 1-3 . . 
 
 Cicero's Cato Major .... 
 
 — - Orations 
 
 Horace 45, 
 
 Juvenal, Satires, 1-16 . . . 
 - and Persius . . . 
 
 Lucretius 
 
 Ovid's Fasti . . . 
 
 Sallust 
 
 Tacitus, Germania, &c 
 Terence .... 
 Virgil ' 
 
 26 
 . 16 
 . 26 
 . 31 
 
 46,47 
 . 46 
 
 46,47 
 . 45 
 
 46,47 
 . 46 
 . 45 
 . 47 
 
 46, 47 
 . 46 
 . 46 
 
 46,47 
 
 PAGE 
 
 Latin (the) Translations from — 
 continued. 
 
 Lucan 35 
 
 Lucilius 34 
 
 Lucretius 35 
 
 Martial's Epigrams 35 
 
 Ovid , 35 
 
 Persius 34 
 
 Petronius .... . . 35 
 
 Phsedrus .36 
 
 Plautus .... 35 
 
 Pliny's Natural History . . . 35 
 
 Propertlus . , 35 
 
 Quintillan's Institutes .... 36 
 
 Sallust 36 
 
 Suetonius 36 
 
 Sulpicia . . 34 
 
 Tacitus 36 
 
 Terence . 36 , 
 
 Tibullus 33 
 
 Velleius Paterculus 36 
 
 Virgil 36 
 
 Literary History, &c 
 
 Lowndes'B Bibliographer's Manual 13 
 Schlegel's History of Literature . 14 
 Sismondi's Literature of South of 
 
 Europe 14 
 
 Miscellaneous. 
 
 Ascliam's Schole Master ... 45 
 
 Bacon's Essays 9, 44 
 
 Browne's (Sir T.) Works ... 21 
 
 Cape and the Kaffirs 23 
 
 Coin Collector's Manual, Hura- 
 
 plireys 39 
 
 Cotton Manufactures, TJre ... 40 
 CruikBharik's Three Courses, &c. . 26 
 Dictionary of Obsolete Words . . 19 
 Emerson's Orations and Lectures . 23 
 Representative Men 
 
 Latin (the), Translations from. 
 
 Ammianus Marcelllnus .... 32 
 
 An toninus's Thoughts .... 44 
 
 Apuleius, the Golden Ass ... 32 
 
 Boethius , . 21 
 
 Ceesar 33 
 
 Catullus 33 
 
 Cicero's Academics, &c 33 
 
 . Nature of the Gods, &c . 33 
 
 . Offices, &c 33 
 
 On Oratory . . . . 33 
 
 Orations 33 
 
 Cornelius Nepos ... . 34 
 
 Eutropius . . 34 
 
 Floras . . . . ■ — ■ ■ 36 
 
 Horace IV, 34 
 
 Johannes Secundus .... 35 
 
 Justin 3 4 
 
 Juvenal 34 
 
 Livy 34 
 
 Epitaphs 
 
 Foster's Essays, &c. . 
 
 Lectures, &c 
 
 Miscellaneous Works 
 
 Fosteriana .... 
 Fuller's Works . . . 
 Gray's Works .... 
 Hall's (Basil) Lieutenant 
 
 Midshipman 
 
 ■ (Robert) Works . 
 
 Herbert's Works 
 
 Jesse's Dogs, &c. . . . 
 
 Junlus's Letters . . 
 
 Lion Hunting .... 
 
 Locke's Conduct, fee. . . 
 
 Luther's Table Talk . . 
 
 Magic (Ennemoser's) . . 
 
 Manufactures (Philosophy 
 
 Moral Sentiments, Smith . . . 14 
 
 Political Cyclopedia 18 
 
 Pottery and Porcelain .... 30 
 Preachers and Preaching ... 25 
 Prout's (Father) Reliques ... 30 
 Starling's Noble Deeds of Women. 30 
 45 
 43 
 45 
 
 Taylor's Logic in Theology 
 
 Physical Theory 
 
 Ultimate Civilization 
 
 . 21 
 . 10 
 
 10 
 . 10 
 . 10 
 . 10 
 . 44 
 
 41 
 . 41 
 . 11 
 41,42 
 . 27 
 . 11 
 . 25 
 . 45 
 . 12 
 . 38 
 
 Ure 40 
 
CLASSIFIED INDEX. 
 
 PAGE 
 
 Mrso ellaneotjs — continued. 
 
 Temperance, Carpenter . . . . 23 
 
 Wines, Redding on .... 30 
 
 Young Lady'a Book . . tJ . . 31 
 
 Natural History. 
 
 British Birds, Mudie 29 
 
 Cage Birds, Bechsteln ... 26 
 
 Poultry, DickBon and Mowbray . 1 6 
 
 Seasons, Howitt . .... 27 ' 
 Selbome, White . . 31, 41 
 
 Warblers, Sweet 26 
 
 Poetry. 
 
 Akenside's Poems 43 
 
 British Poets — Milton to Kirke 
 
 White 17 
 
 Burns's Poems 41, 42 
 
 Songs ... . . 41 
 
 ButleT's Hudibras 26 
 
 Coleridge's Poems . . . . 41, 42 
 Collins's Poems . . 43 
 
 Cowper's Poems 43 
 
 Works 10 
 
 Dibdin's Sea Songs . ... 23 
 
 Dryden's Poetical Works . 43 
 
 Ellis's Metrical Romances . . . 21 
 
 Goldsmith's Poems 41 
 
 Gower's Confebsio Atnantis ... 43 
 Gray's Poems ... . 41, 44 
 
 Herbert's Poems 41, 43 
 
 Kirke White's Poems . . 44 
 
 Longfellow's Poems . . . . 28, 41 
 Milton's Paradise Lost . . 23, 41, 42 
 
 Regained . . 28, 41 
 
 Petrarch's Sonnets ... 29 
 
 Pope's Poetical Works .... 30 
 Robin Hood Ballads ... .41 
 
 Sea Songs and Ballads . . 41 
 
 Shakespeare's Poems . . IS, 43 
 
 Spenser's Works . . . . 43 
 
 Thomson's Poems 44 
 
 Seasons 44 
 
 Vaugban's Poems. . ' . 41,45 
 Young's Poems 44 
 
 Proverbs and Quotations. 
 
 Dictionary of Greek and Latin Quo- 
 tations 34 
 
 Handbook of Proverbs ... 21 
 
 Polyglot of Foreign Proverbs . . 22 
 
 Science and Philosophy. • 
 
 Anatomy, Comparative, Lawrence . 17 
 Animal Physiology, Carpenter . 38 
 
 Arts and Sciences, Joyce ... 17 
 
 Astrology, Lilly, 17 
 
 Astronomy, Carpenter . . . 38 
 
 — Hind ..... 39 
 
 Bacon's Advancementof Learning 37, 44 
 
 Novum Organum . . 37, 44 
 
 Botany, Carpentec 38 
 
 Science and PHILOSOPHY' — Continued. 
 
 Botany, De Jussieu .... 39 
 
 Bridgewatkr Treatises. 
 
 Chalmers on Moral Man . 37 
 
 Kidd on Man 37 
 
 Kirby on Animals .... 37 
 
 Prout on Chemistry ... 37 
 Whewell's Astronomy and 
 
 .General Physics .... 37 
 
 Chemistry. 
 
 Agricultural, Stockhardt . 4 0_ 
 
 Elementary, Parkes . . . 18* 
 
 Principles of, Stockhardt 40 
 
 Chevreul on Colour . ... 38 
 
 Comparative Physiology, Agassiz . 37 
 
 Comte's Philosophy of the Sciences 38 
 
 Cosmos, Humboldt's .... 39 
 Geology. 
 
 General, Richardson . . .40 
 
 Medals of Creation, Mantell . 39 
 
 Of Isle of Wight, Mantell . . 39 
 
 Of Scripture, Pye Smith . . 40 
 
 Petrifactions, &c, Mantell . . 39 
 
 Wonders of Geology, Mantell 39 
 
 Horology, Carpenter 38 
 
 Inventions, Beckmann's History of . 9 
 
 Joyce's Scientific Dialogues ... 39 
 
 Kant's Pure Reason 18 
 
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