BOUGHT WITH THE INCOME •-• '■ ' • FROM THE SAGE ENDOWMENT FUND THE GIFT OF Henrg US. Sa^e 1891 .^.:....fflm l^l'^.J.^ 5474 Cornell University Library CC75 .P49 Methods & aims in archaeoiogy, W.iM. Flin oiin 3 1924 029 801 192 The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://archive.org/details/cu31924029801192 METHODS AND AIMS IN ARCHAEOLOGY TO MY FRIENDS F. LL. GRIFFITH, E. A. GARDNER, F. J. BLISS, H. CARTER, B. P. GRENFELL, J. E. QUIBELL, J. DUNCAN, H. F. PETRIE, N. DE O. DAVIES, A. C. MACE, D. RANDALL-MACIVER, B. ORME, A. E. WEIGALL, M. A. MURRAY, L. ECKENSTEIN, H. STANNUS, C. T. CURRELLY, E. R. AYRTON, WHO HAVE JOINED IN VARIOUS PORTIONS OF THE WORK HERE DESCRIBED, 1884-1903. PREFACE Archaeology is the latest born of the sciences. It has but scarcely struggled into freedom, out of the swaddling clothes of dilettante speculations. It it still attracted by pretty things, rather than by real knowledge. It has to find shelter with the Fine Arts or with History, and not a single home has yet been provided for its real growth. All other sciences deal with the things around us ; with subjects which may, or may not, affect us. Even medical sciences are concerned with the mechanical structure of the body, rather than with the nature and abilities of the mind. But the science which enquires into all the products and works of our own species, which shows what man has been doing in all ages and under all conditions, which reveals his mind, his thoughts, his tastes, his feelings, — such a science touches us more closely than any other. By this science, of which History forms a part, we trace the nature of man, age after age, — his viii PREFACE capacities, his abilities ; we leam where he suc- ceeds, where he fails, and what his possibilities may be. From another point of view the subject should be considered ; it gives a more truly " liberal education " than any other subject, as at present taught A complete archaeolc^cal training would require a full knowledge of history and art, a feir use of languages, and a working familiarity with many sciences. The one-sided growth of modem training, which produces a B J^. who knows nothing of natural science, or else a B.Sc. who knows nothing of human nature, is assuredly not the ideal for a reasonable man. Archaeology, — the knowledge of how man has acquired his present position and powers — is one of the widest studies, best fitted to open the mind, and to produce that tv'pe of wide interests and toleration which is the highest result of education. Though this volume is a book of referoice for those engaged in actual work, yet it wfll also serve to give the public a view of the way in which this work is don^ the mode in which results are obtained, the ends which are pursued, and the important questions which must be considered. We have nothing here to do with the details of the facts discovered ; but deal only with thp methods and aims, which have been slowly learned in a quarter of a century. Yet every year there are fresh methods to add, and more dear views of the aims ; and far more PREFACE IX might easily have been said about each of the subjects here discussed. If in this outline there is much more reference to Egypt than to other countries, it is for the reason that most of my own work has' lain there ; and there is the more need to deal with that land, as more exploration is going on there than elsewhere. I have to thank my friends for six of the photographs here used, W, M. FLINDERS PETRIE. Univbrsity Coixeob, London/ CONTENTS CHAPTER I The Excavator PAGB Purpose, I J Character, 2 ; Experience, 3 ; Organiza- tion, 5 J Acquirements, 5 ; Demands of tlie work, 6 1-8 CHAPTER n Discrimination Temples, 9 j Towns, 10 ; Cemeteries, 1 1 ; Indications, 12; Productions, 14; Pottery, 16; Style, 17; Visual memory, 19 9- '9 CI-IAPTE]?L in , The Labourers Quality,, 20 1 Edieation,, 21 ;. Con-trol, 22 ; .S-ubstitution, 23 J Overseers,, 24 ; Direct system, 26 j Day pay, 27 J Piecework, 29.;.. Day and piece work, 30; : ; iiKewards, 33 ; Accounts, 35 ; Native ways, 37 . 20-40 xi xii CONTENTS CHAPTER IV Arrangement of Work PAGE Clearances, 41 ; Turning over, 43 ; Raising earth, 44 ; Tracing walls, 46 ..... . 41-47 CHAPTER V Recording in the Field Need of record, 48 ; Value of record, 50 ; Resulting view, 50; Marking, 51; Nature of notes, 52; Planning, 53; Plotting, 55 48-59 CHAPTER VI Copying Paper squeezes, 60; Dry squeezes, 61 ; Casting, 64; Drawing, 68; Restored forms, 71; Copying inscriptions, 72 . . . . . . . 60-72 CHAPTER VII Photographing The Camera, 73 ; Preparing objects, 76 ; Lighting, 77 ; Arrangement of objects, 79; Stereographs, 81; Developing, 82 . . . . . . . 73-84 CHAPTER VIII Preservation of Objects Stone, 86 ; Pottery, 88 ; Textiles, 89 ; Wood, 89 ; Ivory, ,91 ; Papyri, 93; Beadwork, 95 ; Stucco, 96 ; Gold, 98 ; Silver, 98 ; Copper, 99 ; Bronze, 100 ; Lead, 102; Iron, 102; Sorting, 102 . 85-104 CONTENTS xiii CHAPTER IX Packing PAGE Blocks, 105 ; Long objects, 106 ; Heavy stones, 107; Pottery, 108; Softening, 109; Cases, iio; Unpacking, iii . ... 105-113 CHAPTER X Publication Arrangement, 114; Plates, 115; Processes, 117; Editions, 119; Text, 120; Publishing, 120 114-121 CHAPTER XI Systematic Archaeology Systems of work, 122 ; Need of a corpus, 123 ; Ex- ample of corpus, 124; Utility, 125 ; Successive ages, 126; Sequences, 127; Sequence dates, 129; Conservation, 130; Buildings, 130; Lighting, 131 ; Grouping, 132 ; National Re- pository, 133 ... . 122-135 CHAPTER XII Archaeological Evidence Nature of proof, 136; Legal evidence, 136; Wit- nesses, 138; Material facts, 138; Exhaustion, 139; Probabilities, 139; Legal proof, 140; Egypt and Eiirope, 141 ; In XXVIth Dynasty, 142; XVIIIth Dynasty paintings, 144; Burnt groups, 145 ; Rubbish mounds, 147 ; Houses, xiv CONTENTS PAGE 148; Scarabs, 149; Tombs in Egypt, 150; Tombs in Greece, 152; Variation with date, 153; Style, 154 ; Recapitulation, 155 ; Xllth Dynasty, Kahun, 156; Xllth Dynasty in Crete, 158; Pan-graves, 159; Vlth to Ilird Dynasties, 162 ; 1st Dynasty Aegean, 164; 1st Dynasty Cretan, 166; Prehistoric, 167 ... . 136-168 CHAPTER XIII Ethics of Archaeology Individual rights, 169; Destruction, 170; Restora- tion, 172; Sacrifices, 173; Responsibility, 174 ; Rights of the future, 175 ; Rights of the past, 176; Duties, 178; Future of museums, 180; Publications, 182 ; State claims, 183 ; State rights, 184; Excavating laws, 187 . . 169-1S CHAPTER XIV The Fascination of History . . . 189-193 INDEX . . 195-208 LIST OF ILLUSTRATIONS FIGURE PAGE I. Chain of boys clearing the Osireion . Front. Going up the desert i 4. Tent-life . 6 5. Hut-life 6 6. Temple at El Hibeh . . 9 7. Temple at Tanis . . 9 8. Mound at Defeneh . 10 9. Cemetery of Zuweleyn . , . 10 10. Copper and bronze adzes 14 11. Cutting-out knives . 15 12. Typical forms of pottery . . 16 13. Lad and girl at Tanis ... 20 14. Three little Muhameds .... 20 15. Girls and boys at Tanis 24 16. Girls sorting durra . 24 17. Line of carrier boys, Abydos . 30 18. Heaps thrown out, Abydos . . 30 19. Lifting and carrying, Abydos . -32 20. Carrying at Royal Tombs . . 32 21. Account card for wages . . . . -38 xvi LIST OF ILLUSTRATIONS FIGURE PAGE 2 2. Carrier boys throwing, Abydos . . . .41 23. Town site, turned over, Kahun . 41 24. Cutting down top of work . 42 25. Cemetery, Tell el Yehudiyeh . . -43 26. Clearing a tomb, Abydos . . . . .43 27. Chain at tomb ofUsertesen II . . .44 28. Chains of men at tomb of Den . . . 44 29. Plan measured from two hnes . . -54 30. Method of plotting survey . . . • S6 31. Copy drawn on paper squeeze . 62 32. System of numbering sheets .... 63 33. Paper squeeze 64 34. Plaster cast from paper . . 64 35. Inventory sheet . . .70 36. Frame for drawing vases . -71 37. Weathered stone, sanded . . 71 38. Throwing sand ; drop-shutter view . . 75 39. Girls resting ; diagonal mirror view . .75 40. Tablet, with black and white filling . . 76 41. Hypocephalus, with white filling . . . -76 42. Wooden floor of Azab . . -77 43. Prehistoric grave, Naqada . . 77 44. Ebony negress . . . 78 45. In tomb of Sem-nefer . .... 78 46. Foundation deposit, Aahmes II . . . .80 47. Bracelet of King Zer .... 80 48. Pavement, Tell el Amarna . ... 88 49. Fresco of princesses. Tell el Amarna . 88 50. Box with diagonal bars . . .106 51. Tray for heavy stones . . . 107 52. Box with three-way grain . . . . ,110 LIST OF ILLUSTRATIONS xvii FIGURE I-AGE 53. Box end, nailed diagonally . in 54. Nile boat 112 55. Camels, starting and returning 112 56. Naukratite warrior 144 57. Graeco-Egyptian figures 144 58. Aegean vase, Tahutmes III 152 59. False-necked vases 154 60. Celtic and pan-grave pottery 160 61. Black incised pottery . 161 62. Buttons, Vllth Dynasty 162 63. Aegean pottery, Royal Tombs 165 64. Black pottery, Cretan 166 65. Khufu, builder of the great pyramid 178 66. Mer-en-ptah, Pharaoh of the Exodus . 178 r?* ^.\'i^i:_ .;'''^'" ■«'i3S ^-.-.t.-' '-:* I , /\lt\'|ju:, CHAPTER I THE EXCAVATOR In few kinds of work are the results so directly dependent' on the personality of the worker as they are in excavating. The old saying that ° ■' ° Purpose. a man finds what- he looks for in a subject, is too true ; or if he has not enough insight to ensure finding what he looks for, it is at least sadly true that he does not find anything that he does not look for. Whether it be inscriptions, carvings, papyri, or mummies that excavators have been seeking, they have seldom preserved or cared for anything but their own limited object. Of late years the notion of digging merely for profitable spoil, or to yield a new excitement to the jaded, has spread unpleasantly — at least in Egypt. A concession to dig is sought much like a grant of a monastery at the Dissolution : the man who has influence or pushj a title or a trade connection, claims to try his luck at the spoils of the land. Gold digging has at least no moral responsibility, beyond the ruin of the speculator ; but spoiling the past has an acute moral wrong in it, which those who do it B 2 THE EXCAVATOR may be charitably supposed to be too ignorant or unintelligent to see or realise. And some systematic outline of archaeological methods and aims is needed, not only for those whose moral sense is so untrained that they may ruin a site, and say " I have done no wrong " ; but it may even profit those who take. up the name of archaeology when they mean solely art, or inscriptions, or some single branch of the subject. The most familiar teaching entitled archaeological is that of Classical Archaeology, which in the ways of most teachers means Greek sculpture and vase paintings. In spite of all the professorships and schools of that subject, we are still so profoundly ignorant of the archaeology of Greece and Italy that there is scarcely a single class of common objects of which any one knows the history and transformations. Certainly we know far less of the archaeology of classical lands than we do of that of Egypt. If, then, the character of the excavator thus determines his results, our first step is to consider that character, and to give some outline of the aptitudes and acquirements — the wit and the cunning, as our forefathers well distin- guished them — which are wanted in order to avoid doing more harm than good. Firstly in every subject there is the essential division between those who work to live, and those who live to work — the commercial, and the scientific or artistic aim ; — those who merely do what will best provide them a living, and those whose work is their honour and the end of their being. These two halves of mankind are by no means to be found CHARACTER AND EXPERIENCE 3 ready labelled by their professions. The R.A. who drops his aspirations because portraits pay best, the scientific scholar who patents every invention he can, are of the true commercial spirit, and verily they have their reward. Rather let us honour the pro- fessed dealer who will sooner sell a group to a museum than make a larger profit by playing to the wealthy dilettante and scattering things. Let us be quit, in archaeology at least, of the brandy-and-soda young man who manipulates his "expenses," of the adventurous speculator, of those who think that a title or a long purse glorifies any vanity or selfishness. •^ Without the ideal of solid continuous work, certain, accurate, and permanent, — archaeology is as futile as any other pursuit. Money alone will not do the work ; brains are the first requisite. A hundred pounds intelligently spent will do more good and far less harm than ten thousand squandered in doing damage. Mere money gives no moral right to upset things according to the whim of one person. Even scholarship is by no means all that is wanted ; the engineering training of mind and senses which Prof Perry advocates will really fit an archaeologist better for excavating than book-work can alone. Best of all is the combination of the scholar and the engineer, the man of languages and the man of physics and mathematics, when such can be found. So much for the wit, and now of the cunning that is wanted. The most needful of all acquisitions is archaeo- logical experience. Without knowing well all the objects that are usually met with in an ..... . ... Experience. ancient civilisation, there is no possible insight or understanding, the meaning of what is met 4 THE EXCAVATOR with cannot be grasped, and the most curious mistakes are made. A cloud is " very like a whale," the pre-Christian cross is found everywhere, an arrow- straightener is called a ceremonial staff, an oil-press becomes a sacred trilithon, half a jackal is called a lecust, and lathe chucks become " coal money." Of course the needed experience has to be gradually built up, and those who first explore a civilisation must work through many mistakes. When I first came to Egypt Dr. Birch begged me to pack and send to him a box of pottery fragments from each great town, on the chance that from the known history of the sites some guess could be made as to the age of the objects ; so complete was the ignorance of the archaeology a quarter of a century ago. But when such knowledge has been once accumulated, it is the first duty of any excavator to make himself well acquainted with it before he attempts to dis- cover more. At present the archaeological experience that should be acquired before doing any responsible work in any country ought to cover the history of the pottery century by century, the history of beads, of tools and weapons, of the styles of art, of the styles of inscriptions, of the burial furniture, and of the many small objects which are now well known and dated, better in Egypt than perhaps in any other country. Next to this is needed a good knowledge of the history. Not only every dynasty, but every king of whom anything is known, should be familiar. The general course of the civilisation, the foreign influences which affected the country, and the conditions at different periods, should be clearly in mind. With- ORGANIZATION AND ACQUIREMENTS 5 out such ideas the value and meaning of discoveries cannot be grasped, and important clues and fresh knowledge may be passed by. Organization, both of the plan of woi'k, and of the labourers, is very necessary. Scheming how to extract all that is possible from a given . riii-i J- Organization. Site, how to make use of all the condi- tions, how to avoid difficulties ; and training labourers, keeping them all firmly in hand, making them all friends without allowing familiarity, getting their full confidence and their goodwill ; — these requirements certainly rank high in an excavator's outfit. The power of conserving material and informa- tion ; of observing all that can be gleaned ; of noticing trifling details which may imply . . , Aoijuirements. a great deal else ; of acquirmg and building up a mental picture ; of fitting everything into place, and not losing or missing any possible clues ; — all this is the soul of the work, and without it excavating is mere dumb plodding. Of more external subjects, such as may be deputed to other helpers, drawing is mainly wanted ; more in mechanical exactitude of facsimile-copying than in freehand or purely artistic work. Surveying and practical mathematics, with plan drawing, are almost always involved in dealing with any site. Photo- graphy is incessantly in use, both during the course of the working and for preparing publications. The outlines of chemistry and physics and a good know- ' ledge of materials are necessary to avoid blunders in handling objects and in describing them. The ancient language of a country, all important as it is in the study of remains, is yet in its critical aspects 6 THE EXCAVATOR not so essential during field-work. But the excavator should at least be able to take the sense of all written material which he finds ; and in Egypt that should include hieroglyphic, hieratic, demotic, Greek, and Coptic writing. The spoken language of the country should be fluently acquired for simple purposes, so as to be able to direct workmen, make bargains, and follow what is going on. To be dependent on a cook, a dragoman, or a donkey boy, is very unsafe, and prevents that close study of the workmen which is needed for making the best use of them. And a general eye to the safety and condition of everything, both of work, antiquities, and stores, is incessantly wanted if a camp is to be successful and prosperous. Many of these requirements can well be under- taken by different people ; in fact, not a single living person combines all of the requisite qualities for complete archaeological work. But all of these requirements must be fulfilled by different members in a party, if they are to command success as well as deserve it. In all points, imagination and insight, the sense of all the possibilities of a case, is to be the medium of thought both in theoretical and in practical affairs. In the externals of the work an excavator should be always his own best workman. If he be the Demands of the strongest on the place, so much the work. better ; but at all events he should be the most able in all matters of skill and ability. Where anything is found it should be the hands of the master that clear it from the soil ; the pick and the knife should be in his hands every day, and his readiness should be shown by the shortness of his ^ 1^ ^!l!^i I iiiiiioi . CjAlIP LIKE, AbYIJOS. Fig. 4. Tent in desert. | Fig. 5. Hut.s at temple. DEMANDS OF THE WORK 7 finger-nails and the toughness of his skin. After a week of work in the soil, feeling for delicate things in a way that no tools can do, the skin almost wears through, and the nails break down. But a week or two more at it, and the excavator grows his gloves, and is in a fit state for business, with the skin well thickened, and ready to finger through tons of grit and sand. Nothing can be a substitute for finger-work in extracting objects, and clearing ground delicately ; and one might as well try to play the violin in a pair of gloves as profess to excavate with clean fingers and a pretty skin. It need hardly be said that clothing must correspond to the work ; and there must never be a thought about clothes when one kneels in wet mud, scrapes through narrow passages, or sits waist deep in dust. To attempt serious work in pretty suits, shiny leggings, or starched collars, would be like mountaineering in evening dress, or remind one of the old prints of cricketers batting in chimney-pot hats. The man who cannot enjoy his work without regard to appear- ances, who will not strip and go into the water, or slither on slimy mud through unknown passages, had better not profess to excavate. Alongside of his men he must live, in work hours and out ; every workman should come to him at all times for help and advice. His courtyard must be the pay office and the court of appeal for every one ; and continual attention should be freely given to the many little troubles of those who are to be kept properly in hand. To suppose that work can be controlled from a distant hotel, where the master lives in state and luxury completely out of touch with his men, is 8 THE EXCAVATOR a fallacy, like playing at farming or at stockbroking : it may be amusing, but it is not business. And whatever is not businesslike in archaeology is a waste of the scanty material which should be left for those who know how to use it. An excavator must make up his mind to do his work thoroughly and truly, or else to leave it alone for others who will take the trouble which it deserves and requires. Fig. 6 El Hibeh. Temple ruins. Fig. 7. Taiiis, with obelisks. CHAPTER II DISCRIMINATION The observing of resemblances and differences, and the memory of physical appearances required for this, are absolute requisites for carrying on the duties of excavating. Here we deal with the appearances in a land of sun-dried brickwork, where the accumula- tions are great, as in Egypt, Syria, and Mesopotamia. In a rocky land, such as Greece, there is not the same sheltering mud, and the appearances are there- fore very different. The nature of a site can be guessed pretty closely from its aspect. A wide open space with mounds around it is almost certainly a temple 1 -r 1 1 • Temples. Site ; and if there are stone chips strewn over it, no doubt remains as to its nature (Figs. 6, 7). The temples being of stone from the Xllth Dynasty onwards, they were ruined by the removal of the material in each age of disruption ; but the houses of the towns, being always of mud brick, continually crumbled and decayed, and so filled up the ground with rubbish. In Egypt mud-brick towns accumu- late at about 20 inches in a century ; or in the rainy Syrian climate at about 50 inches. Herodotus describes walking- on the roofs of the houses and lo DISCRIMINATION seeing down into the temple precincts ; and in every great site in Egypt, such as Tanis, Bute, Bubastis, Memphis, or Koptos, the plain of temple ruins had the house mounds far above it oh all sides. The temples were ruined both for building-stone and for lime-burning. It is rare to get any portions of a limestone building left ; sandstone is often found, and all the great temples which remain are of sand- stone ; granite generally has lasted, except where it has been split up in Roman times for millstones. The search for limestone has led to whole buildings being upset in order to extract the limestone founda- tions. The basalt pavement of Khufu, the granite pylon of Crocodilopolis, and probably the granite temple of Iseum, have been overthrown thus. Especially in the Delta, where no limestone hills are accessible, this destructive search for lime has been unrelenting in all ages ; and it is seldom that ancient limestone is now met with. Hence all that can generally be seen of a temple site is a plain of dust with a few tumbled blocks of granite, the ex- posed tops of which are entirely weathered as rounded masses. Five or ten feet down there may be a rich harvest of carvings and inscriptions. A town site is always recognised (Fig. 8) by its mounds of crumbling mud brick, strewn with pot- sherds if in Upper Egypt, or with burnt Towns. ^'^ bj r- ! red bricks on the later mounds of the Delta. Whenever a native begins to describe a site in Lower Egypt, one inquires if there is red brick, and if so there is no need to listen further. Generally it is possible to date the latest age of a town by the potsherds lying on the surface ; and to allow a rate P'ig. 8. Mounds of fori, Dcfciiuh. | Fig. 9. Sarcophngi at ZuwiAvyn. TOWNS AND CEMETERIES ii of growth of 2 inches a century down to the visible level ; if that gives a long period we may further carry down the certainly artificial level by 4 inches in a century for the Nile deposits when in the cultivated ground. For instance, there are mounds in the Delta about 40 feet high, ending about 500 A.D. ; this gives about 40 feet of rise, equal to about 2400 years, or say 2000 B.C., for the age at the present ground level. But the visible base was about 5 feet lower at 500 A.D. ; and the human deposit rising at 20 inches a century has been over- laid at the rate of 4 inches a century by the Nile deposit. Hence the age may be reckoned by a depth of 45 feet accumulated at 16 inches a century before 500 A.D. or about 2900 B.C. No exact conclusion could be based on this ; but it is a valuable clue to the age to which the yet unseen foundation of a town may most likely belong. Town mounds and ruins of buildings have generally symmetrical forms, weathered away uniformly on all sides. But around towns are often heaps of rubbish thrown out, the best-known example of this being the immense heaps behind Cairo ; and such ac- cumulations usually show their nature by the two slopes, the gradual walk-up slope, and the steep thrown-down slope. The cemetery sites on the desert have always been more or less plundered anciently. A pre- historic site may have no external trace, as the blown sand may cover it so evenly that there is no suspicion of anything lying beneath. But on a gravel surface there are generally some indications left of the hollows of the 12 DISCRIMINATION graves, and scraps of broken pottery left about by the plunderers (Fig. 9). The historic cemeteries are generally easier to see, as they are in rising ground, and the holes of the tomb pits show on the surface. The difficulty is not to find the site of a cemetery, but to find a grave in it which still contains anything. As a rule, any tomb pit which appears still undisturbed has been left either because it belongs to an unfinished tomb with nothing in it, or because the tomb has already been reached from elsewhere. At Medum an untouched walling up of a chamber had been left, because the plunderers had tunnelled under the mass of the tomb and broken through the floor of the chamber. At Dendereh the floor of the chamber was entire, with the lid of the sarcophagus sunk in it, yet untouched ; it had been left so because the plunderers had mined through from the outside under the floor to the sarcophagus, and broken through the side of it with- out touching the chamber. Some untouched tombs were left because the burials in them were known to be so poor that they were not worth opening. All this points to the plundering being mostly done during the lifetime of those who saw the burial. Usually only one tomb in ten contains anything noticeable ; and it is only one in a hundred that repays the digging of the other ninety-nine. In general, on looking over a site every indication must be observed. Sometimes there may be a slight indication,, d'^^rence in vegetation, showing the positions of walls or of pits. In colder climates differences are shown by the melting of hoar frost or snow ; as in the square of S. Domenico at INDICATIONS 13 Bologna, where some large patches — probably of ashes — show through the cobble paving during a thaw. A shower of rain will show much in drying ; and, after a rare storm in Egypt, there are two or three precious hours when the buried walls show clearly on the ground, and should be hurriedly scored down before the hot sun removes the traces. A driving wind will bare the ground so that the harder walls show through the sand ; or even a crowd of people passing will tramp into the softer filling and show the constructions. At sunrise or sunset ground should be carefully looked over to pick out the varia- tions of level and slope, which will often show then, though quite invisible in full light. Prehistoric camp sites are noticed by the difference of tone of the ground in walking over them ; the ashes holding so much air that the reverberation to the foot-step is quite different from that on ordinary desert. The appearance of the surface of disturbed desert differs much from the undisturbed : there may be slight hollows filled with sand, which are the traces of deep pits ; there may be pebbles from deep beds thrown up, or fragments of limestone ; or — best of all — chips of worked stone or of hard rocks may tell the tale of a building whose ruins lie beneath. The mastabas of the Xllth Dynasty at Dahshur left scarcely any surface trace, as the stone walls had been removed, and the gravel filling had spread out and denuded down to a level surface. The great wall of the camp at Daphnae 40 feet thick, had been ploughed by de- nudation until it was even lower than the desert on either side of it, and the lines of it were only visible by the absence of potsherds upon the site of the wall. 14 DISCRIMINATION Productions. Besides the discrimination of sites there is a vast subject in the discrimination of objects and of styles. The first requisite acquirement of a digger — his archaeological experience — consists in discriminating and distinguishing the differences between products of various dates. An Egyptian copper adze (Fig. i o). of the ages of middle prehistoric, late prehistoric, early dynastic, Ilird, n r\ r^ u 1st, llird, Mid, Late, Prehistoric. Fig. io. — Development of copper and bronze adzes. i:6, Vlth, Xllth, XVIIIth Dyn. Vlth, Xllth, or XVIIIth Dynasties can be told at a glance, and we only need more dated examples to be able to separate them still more finely. A cutting-out knife (Fig. ii), a pair of tweezers, a comb, can be dated almost as certainly. But it is when we can look not only to differences of form, but also to variations of colour and texture, that we have the widest scope for discrimination. The great variety of beads in each country, the hundreds of details of form, materials, and colour in Egypt alone, give them an importance archaeologically above most other things. In the prehistoric age there are a dozen materials, PRODUCTIONS 15 and many different forms, not one of which can be confounded with later products. In the Old Kingdom new and distinctive styles are met with, and a profusion of small amulets on necklaces. In the Xlth and Xllth Dynasties magnificent beads of amethyst, green felspar, and carnelian outshine those of every other age. In the XVIIIth Dynasty the Fig II. — Development of cutting-out knives. Xllth-XIXth Dynasties. A-A and B-B cutting edges. immense variety of glass and glazed beads defy enumeration, and yet are sharply characteristic of different reigns of that age. The later times of degradation also produce new and distinctive forms and colours ; and when we reach the Roman period a flood of glass work imitates the fashionable beryl, amethyst, rock crystal, and other stones, with the mimicry of a forger. Pottery is, however, the greatest resource of the i6 DISCRIMINATION archaeologist. For variety of form and texture, for decoration, for rapid change, for its quick Pottery. ^^^^ .^^^ oblivion, and for its incomparable abundance, it is in every respect the most important material for study (Fig. 12), and it constitutes the XVIII XIX XXVI RO- Fig. 12. — One typical form of pottery of each period. essential alphabet of archaeology in every land. Think for a moment how few people know the appearance of a common jug a century old, how the crocks of Georgian times have all vanished, and new forms are made. Even of decorated china not one piece in a thousand in England is before the last century, and not one in a million is three centuries POTTERY AND STYLE 17 old ; so rapidly does breakable ware perish, and become unknown. This not only prevents its being handed on from earlier times, as ornaments or weapons may descend, but it prevents the copying of older forms, and gives a free scope to rapid variation. No doubt some standard forms may continue to be made, because they are so simple, and so adapted to common wants, that the same causes continue to produce them. But it is only the simplest and least characteristic types which thus continue ; the more detailed and specialised the form, the more rapidly it changes, and gives way to new styles. In the prehistoric age of Egypt alone there are about a thousand different forms of pottery ; and when the historic times shall be as fully recorded, probably two or three times as many will demand notice. In Italy and Greece there is apparently as great a variety, though — apart from painted vases — it is very far from being fully placed on paper. And when we come to know the archaeology of other lands, their pottery will doubtless prove as varied and distinctive in its styles. It is then in a thorough knowledge of pottery that any sound archaeology must be based ; and there is no wider or more important field for dis- crimination. With the brief viewof Palestinian pottery gained in a few weeks, on one site at Tell Hesy (Lach- ish), I found it possible to ride over mounds of ruins and see the age of them without even dismounting. Beside the discrimination of broad physical differ- ences there is the more subtle observation of style. This cannot be discussed, or even shown . , ,, . r style. to exist, without a very wide collection of examples ; yet in a trained observer a long series of C 1 8 DISCRIMINATION experience should result in an unexpressed — almost intangible and incommunicable — sense of the style of each country and each age, such that a piece of work can at once be referred to its proper place, though not a single exact comparison can be quoted for it. Special motives, outlines, curves, tastes, belong to various sources so certainly and characteristically that they show their origin at a glance. A good example of this is seen in the bronzes of Minusinsk in Central Asia ; this site is almost equidistant from the North Sea, the Persian Gulf, and the China Sea, and the style seems to recall by its details almost equally the taste of Northmen, Persians, and Chinese. A good practice for such discrimination is the analysis of common ornament around us : a rug or a wall pattern may be analysed into its sources — here a bit from Assyria, there from Egypt, here from Japan, there from Norway, all hashed together by the modern designer. And until the common and obviously distinctive patterns of each country can be named at sight, and separated into their various sources, the observer cannot hope to gain that far more essential sense of the national taste of each people, and the sympathetic feeling of the relationship of any form or curve that may chance to be seen, — that conviction of the family and source of each object, which is the illumination of an archaeologist, the guide to fresh suggestions and researches, the mental framework which holds all memories in place. But beside this sublimated use of the permanent memory and discrimination, there is another very crude and transient discrimination which is also needed in actual work. A visual memory of the site and VISUAL MEMORY 19 excavations should be constantly in mind ; the master should be able to go over the . . Visual Memory. whole site, and every man at work on it, entirely from memory ; he should be able to realise at once, on seeing the place next day, exactly how every one of fifty different holes looked the day before ; and know at once where the work stood, and what has been done since, so as to measure it up without depending on any statements by the work- men. If a boy comes with a message that Ibrahim or Mutwali needs direction, the master should be able to visualise the place, inquire what has been done, and how each part now stands, and then give sufficient temporary direction entirely from memory of the site, and memory of what he expected to do, or to prove, or to find, from that particular hole. The extent of this visual memory is never realised until one meets with some who are so unlucky as not to possess such an apparatus, and who are there- fore unable to know what has been done, and have to begin each day's work as if they were strangers to the place. Of all inherent mental qualifications there is perhaps none more essential to a digger than this permanent picture of a site in the mind. And the transient memory from day to day should include the appearance of every hole on all sides, the meaning of it and the purpose for which it is being dug. CHAPTER III THE LABOURERS In starting an excavation one of the first consider- ations is the supply of labourers, and the selection of them. In some places it is difficult to Quality . - . , persuade any one to work at first ; either from distrust, or from being unaccustomed to regular employment. At Naukratis only a few men could be persuaded to try the work in the first week or two ; but so soon as the villagers found that genuine gold coin was to be had, they swarmed up, and some five hundred demanded to be taken. The Egyptian is good at steady work, but the Syrian is very different, and it took some weeks at Tell Hesy to educate men into continuous regular digging. They would jump out of their holes every few minutes, and squat on the edge for a talk with the next man ; and only a steady weeding out of about a third of them every week, gradually brought up the best of them into tolerable efficiency. In Greece such difficulties are even greater, and rational regular hard •work cannot be reckoned upon, as in Egypt. The best age for diggers is about 15 to 20 years. After that many turn stupid, and only a small pro- Figs. 13, 14. A\'okki-;rs at Tanis. QUALITY AND EDUCATION 21 portion are worth having between 20 and 40. After 40 very few are of any use, though some robust men will continue to about 50. The Egyptian ages early; and men of 45 would be supposed to be 65 in England. The boys are of use for carrying from about 10 years old ; and they generally look mere boys till over 20. The ornamental man with a good beard is quite useless and lazy ; and the best workers are the scraggy under-sized youths, with wizened wiry faces, though sometimes a well-favoured lad with pleasing face will turn out very good (Fig. 13). In choosing boys the broad face and square chin are necessary tokens of stamina ; and the narrow feminine faces are seldom worth much. Beside the mere physical strength of the fellow, the face has to be studied for the character. The only safe guide in selecting workers is the expression ; and no influence of recommendations or connections should weigh in the least against the judgment of the appearance. The qualities to be considered are, first, the honesty, shown mostly by the eyes, and by a frank and open bearing ; next, the sense and ability ; and lastly, the sturdiness, and freedom from nervous weakness and hysterical tendency to squabble. When once selected, the education of the workers ■begins. Often some oafs who will not understand any directions, and have no sense to Education. work unless encouraged by watchmg, may yet be brought up in a few months to be good workers if associated with a skilful man. And almost every boy and man will greatly improve by steady work and control. The effect of selection and train- ing is astonishingly seen on comparing some old 22 THE LABOURERS hands, who have had five or ten years at the business, side by side with new lads. There is as much differ- ence between their capacities as there is between the fellah and an educated Englishman. A gang of well-trained men need hardly any direction, especially in cemetery work ; and their observations and know- ledge should always be listened to, and will often determine matters. The freshman from England is their inferior in everything except in recording ; and at least a season's experience is needed before any one can afford to disregard the judgment of a well- trained digger. The better class of these workers are one's personal friends, and are regarded much as old servants are in a good household. Their feelings and self-respect must be thought of, as among our own equals, and they will not put up with any rudeness or contempt. A man with landed property and cattle, and an ancestry of a couple of centuries, can afford to look down on most Englishmen who would bully him. Such workers are of course entirely above going into the usual Government or French work, where the lash is used ; and their good service and skill is onl}' given for friendly treatment. Yet there is a danger in letting control slip away. It is always needful to be firm, and to insist on obedience to orders ; and constant keep- Control. ... ^ mg m hand is required, not only for the rank and file but even for the best men. An Egyptian cannot withstand temptations if often repeated ; and the fault of a collapse of character, which befalls even the best, is mainly due to not keeping sufficient hold and influence, and not taking sufficient trouble to ensure control. The first rule CONTROL AND SUBSTITUTIONS 23 in managing the better class of men is not to let any man get a habit or prerogative of doing any kind of work for oneself: never let the same man repeatedly go for purchases, or for money, or carry things, or walk with the master, or explain phrases, or boss anybody or anything. All such services should be carefully spread over several men ; and if there be two parties — as from opposite sides of the Nile — always keep them well balanced in your con- sideration. Each will then keep a sharp lookout on the opposition. Beside men and boys, girls (Fig. 15) will work very well in the Delta and in Syria, though not in Upper Egypt. They do well at carrying ; and as they never ask for pick work they are, when well grown, worth more than the boys. Not only will they come from the village day by day, but they will also camp out with their fathers and brothers in camps at a distance from home. No difficulty or unpleasantness has arisen in such mixed camps in my work. A frequent trouble is from substitution of workers. The fact of being chosen is worth something ; and the worker will try to sell his place to a , .. , , ., . . Substitutions. substitute, and then get in again soon after on the plea of being an old hand. So long as a substitute comes only for a day or so, he may be tolerated. But if there arises a frequent plea of " So-and-So is ill to-day, and wants me to work for him," it is needful to stamp on it by refusing all substitutes, and replying, " If he is ill, I will take him back when he is better." One common cause is that they wish to push in younger and younger 24 THE LABOURERS boys (Fig. i6), so that the fellow who was 14 or 16 at first, dwindles imperceptibly until he can hardly carry a basket. An opposite cause is that only boys are taken on in some places because the men cannot be trusted ; and then the supreme object of the villains of the place is to get in as substitutes for boys, so that they may learn what is found and where to plunder at night. Most usually when a substitute is refused the original boy turns up as well as ever. I have known the village guards come and call a lad out on a trumped-up charge, with a friend of the guard following close by, quite ready just to work for the accused. Turning now to the organization, there are two great choices to be made, with or without Overseers, and by Day pay or Piecework. Each Overseers. , , - 1 system may be best under particular conditions, and the suitability of each we will note first, before entering on detail. Overseers are almost always employed. They remove much of the friction ; they profess to drive the men on, and be responsible for their regular working ; and they seem indispensable parts of the business. The less a master knows of the men and of their language the more essential an overseer seems to be. Yet all this usefulness is the best reason for avoiding them. The more friction they save, the less the master knows of his men, and the less influence he has. The more they profess to drive the men, the more hollow the fraud is, until the overseer merely serves to give notice when the master is coming. The more indispensable they Flo's. 15, 16. (JIRLS AND BOYS IN THE WciKK. OVERSEERS 25 seem, the less desirable is it to have so to trust a native. And the less a master knows of the men and the language, the more dangerous it is to have some one always acting in everything that goes on. Moreover, there is nothing so demoralising to a native as wandering about, without hard work, stick in hand, to bully men who are quite as good as himself. Even good men soon lose their character in such conditions, and it is needful to have some definite allotted manual work for even a leading man. The results of having overseers, or raises, are instructive. In one case the reis took a third of all the money given as rewards for things, threatening to get any man dismissed who would not give this up to him. In another case the overseers levied a sixth of all the wages from the men, making ten times their own pay by this extortion. Mariette's overseers used to go to a village with a Government order for so many men, and demand the best men they could venture on claiming. These bought themselves off, each at a few shillings a month, and lower men were taken, until most of the villagers were paying heavy tribute. Reises will also bargain with a shopkeeper to put on a third on the price of all goods supplied, and compel any messenger sent shopping to go to that shop. In another case a museum reis was seen bowing down to the ground and kissing the hand of the principal antika-A^dXev of the place ; doubtless for good consideration re- ceived. In short, the dangers, losses, and troubles that come from reises are so great that it is far better to do without them. 26 THE LABOURERS The system which works best is to have a careful distribution of the best men ; and, in fact, work with two or three dozen reises, all of whom do pick -work themselves. Each well- trained man can have half-a-dozen new hands placed near him, and he can be ordered to see that they follow instructions. By such a wide distribution of the authority it does not deteriorate the men, as there are too many rivals ; and being each paid for actual digging, they do not spoil with idleness. Thus every man is directly under the master, all instructions are given at first hand, and every one is in close touch, and not fenced off by intermediate intriguers. Doubtless, two or three men will come to the front by their ability and character ; but though full use should be made of them, yet they should always be kept nominally on the same terms and work as every one else. Their reward consists in being given all the more promising places, where things are likely to be found, so that they may reap much more profit than others. In some different conditions of work overseers may be a necessary evil. In Greece the large distances of sites from each other in the Aegean and political conditions are a bar to employing a regular gang of men, although the Egyptian will readily travel three or four hundred miles to his season's work, as far as Constantinople from Athens, and is quite ready to do his work in spite of the scowls of a bad neighbourhood. Fresh workers are engaged at each place in Greece, and for their needful train- ing overseers are considered necessary. Also at present, owing to the continual shifting of European DIRECT SYSTEM AND DAY PAY 27 superintendence by changes of students, and less frequent changes of Directors, permanent overseers who will carry on the traditions of the modes of working are requisite. But it is questionable whether these needs would not be more safely met by carry- ing about ten or a dozen picked workmen, who would train local hands, and at the same time work themselves. The Greek does not seem nearly as capable of continuous hard work as is the Egyptian, and moves much less earth in the day, and that at about double the wages, while he is said to entirely refuse piecework. But this difficulty would be re- duced if a small picked body of hard workers, stimulated by good piece pay, were used as a nucleus to set the tone of steady work at each place. The Greek needs educating to regular work, which is foreign to his nature. In England about as much work may be done per man as in Egypt, but at about five or six times the cost. Hence the number employed is not so large, twenty or thirty being a large gang, instead of 150 or 200 as in Egypt. As they can follow directions tolerably, an overseer or foreman is not needed, the best of the workers usually taking the lead. The question between Day pay and Piece pay is an open one. In cases where minute valuables may be scattered anywhere in the soil, day pay is needful to prevent undue hurry. Or where the work is very irregular, and time needs to be spent on moving stones, or heavy extras, day pay must be given. But where the work is uniform, and the objects expected are large or in known 28 THE LABOURERS positions, then piecework is far more suitable. Though measuring up the cubic metres of work done may take perhaps a quarter of the master's time, yet that is better than having to give the whole time to spurring on the dawdling pace of day workers. When working by the day it is needful to give the signals for beginning and stopping work, and to insist on regular and continuous digging. It is impossible to be known to be away, as then no work will go on effectively. An air of vigilant surprises has to be kept up. A sunk approach to the work behind higher ground is essential ; and, if possible, an access to a commanding view without being seen going to and fro. A telescope is very useful to watch if distant work is regular. At Tanis the girls in a big pit were kept by the men walking up and tipping baskets at the top ; but the telescope showed that the baskets were all the time empty. The immediate dismissal of fourteen people was the result. A telescope will also show if a boy is put up to watch for the master's coming. Various approaches should be arranged from different direc- tions, and the course of work so planned that no men can give notice to others. In this way a pleasing group of musicians and dancers may be found in the excavations, where picks and baskets are lying idle ; and the arrangement is closed by requesting the boys to dance on their own resources, and the transfer of your pay to other pockets. The need of thus acting as mainspring, without which the work goes on at an official pace, is wearing and time-wasting ; and it leaves no chance of doing writing, drawing, etc., during work hours. PIECEWORK 29 Working by the piece saves all this trouble, and if the men are well trained, and the work is simple, it goes on automatically and takes the . Piecework. smallest possible amount of attention. In detached small sites men may even be left un- visited for two or three days, merely reporting each evening how far they have worked. In one case some lads were left to work at a great sarcophagus for weeks unwatched, and came some miles to report progress, and say when further attention was wanted. The pay for that was given by contract, to cut and lift a stone lid under water, for so many pounds. In piecework it is always best to keep a record of how long each piece has taken, as the time is one element in pricing the work done.^ The ground varies in hardness, the depth of throwing up con- tinually changes, or the presence of large stones hinders the work ; therefore any exact value by a hard and fast rule is impossible. Each piece of work done has to be judged, taking the most likely scale of payment, and then tempering the result by the amount of time occupied. The general rate of pay in Egypt is ^ piastre a cubic metre for loose surface sand, |- for shallow work in harder earth, £ for work as deep as a man, and i piastre for deep pits. At this scale a poor worker will barely earn day pay and a fine worker will make from i-|- to 2 times day pay. The day pay in Upper Egypt is 2^ to 3 piastres (6d. to yd.) a man, and i^ to 2 (3^d. to 5d.) for a boy, of fit and proper quality. ^ A useful notation is to use the letter of the week day, with an hour-spot by it ; thus .F is 7 a.m. Friday, M' is 2 p.m. Monday, W is noon, Wednesday, and this spotted letter is noted in the accounts, for the time of beginning any piece of work. 30 THE LABOURERS To take a practical case. A hole is, say, 2I metres wide, 3^ long and 2 deep, say 1 8 cubic metres. The rate will be at |, making 13^ piastres or 2s. gd. Large stones met with, or pillars or buttresses of earth left to support objects in situ, are counted as work done, as the trouble and incon- venience of leaving them in the hole is quite equal to the removal of so much earth. If the pit above- named had taken a four-gang (two men and two boys) less than a day, it might be cut to i 2 piastres or 2s. 6d. ; or if much over a day, it might be raised to 16 or 3s. 3d. ; reckoning that a rate much quicker or slower than the regular rate, shows that the ground or conditions were better or worse than usual. It is needful to measure with distinct and visible care, as the men are very watchful to see that they get fair measurement ; and their confidence should be gained by taking trouble to be fair and punctilious in every detail, though never taking notice of any wheedling or attempt to influence the account. Where the earth has to be moved to any distance beyond a few yards, then more carriers are needed Day ana ^^an one to each digger. The happiest Piecework, combination then is to go on paying exactly the same rate by the metre, as if the men were working a plain pit, but to supply them with as many boys paid by the day as may be needful to shift the earth away (Fig. i 7). Sometimes two men and two boys will have six more boys to run off the earth to fifty yards away. Any common village boys will do for this gang, and they may be enlisted by the hundred, and distributed over the work. But Clearing the temple, Abydos. Fig. 17. T.ines of carriers. [ Fig. 18. Heaps around area. DAY AND PIECEWORK 31 it is needful to allot these " locals " (as they are called) specifically to known men, so that each pick- man can answer for the time and the doings of each of his own boys. Thus there is no smudge of irre- sponsibility ; but each boy belongs to a man, who has for his own interest to get the work out of him. The local boys should all give the names of their villages on enlistment, and be kept in lists according to villages, so as to group them for payment in gold. In case of any serious theft or trouble due to boys from one village, all the rest from that village can be dismissed as a warning. To keep them up to time in arriving, it is best to dismiss for the day the two or three who come latest, if they are not well up to time. This soon enforces regularity. Any attempt to leave before the sunset signal, is met by dismissing altogether any boy who leaves too soon. It is best not to allow any substitution on the plea of illness, as if that is once allowed, it soon becomes a loop- hole for all the selected boys to gradually sell their places to less desirable fellows. A favourite plan of the piecework men is to turn all their own basket- boys into pick-boys, and then want more locals to carry the stuff. Of course this has to be met by deducting from the rate of pay, as the regular rates are for cutting and throwing, and not for cutting alone. The proportion of pay if the boys are set to do pick-work, on a gang of two men and two boys, goes as follows :- — [Table 32 THE LABOURERS pick 3 pick 3 pick 3 basket 2 pick 3 pick 3 pick 3 pick 3 pick 3 basket 2 basket 2 pick 3 A 10 B II C 12 2 baskets | due 1 4 4 baskets 1 „ due J 15 20 Then if in a normal four-gang, A, one boy takes a pick they become as in B, and only have -J-^ of the piece pay, as the master has to supply the other two baskets for the normal gang of equal numbers of picks and baskets. Similarly if both boys take picks, as in C, the pay is of course j-j of what it would normally be ; the other -| being spent in supplying locals. The one absolute rule, however, is that if there are enough old trained hands to do the cutting, no local shall be allowed to do pick-work, as his intelligence, knowledge, and honesty are not to be trusted with- out training. The combination of piece pay for cutting and day pay for carrying is a happy one ; as the piecework keeps the men moving, and they stir up the boys on day pay (Fig. 19). In European countries this use of boys is scarcely possible owing to the national education. In Greece as in England the boys are required to go to school, and their holidays there are not at a time suitable for excavating, while in England the holidays are occupied by the harvest. Hence all work has to be done by men, at a higher rate of pay ; and so Flgs- r5- 2C- rC-r-iyc- AXD cakryixg. at REWARDS 33 mechanical aids to moving earth would be more profitable than they are in Egypt. It may be mentioned that the workers are always expected to provide their own picks and baskets in Egypt ; while ropes, crowbars, and other tools only occasionally wanted are found by the master. If the daily tools were also provided, they would soon be spoiled, and need constant attention ; it is bad enough to have to check and take care of ropes and special tools. The baskets brought up need to be looked at for size, especially those of local boys. When choosing boys, a fair size of basket should be insisted on as a condition of employment ; and if small or broken baskets are brought up afterwards, the boy should be turned off, in order to bring a proper basket next day. The two objects of excavations are (i) to obtain plans and topographical information, and (2) to obtain portable antiquities. For the . ... . . Eewards. purpose of securmg antiquities it is necessary to guard against the ignorance, the care- lessness, and the dishonesty of the men employed. The best way to protect the interests of the work is to give rewards for all the things that are found, commonly called "the bakhshish system." If only half-a-dozen men are employed, and the master will take care to see that they never touch the work except while he is watching them, it may be practicable to do without bakhshish. But in the ordinary course of having one or two hundred men and boys at work over a large area, it is essential to pay partly by results, at least in the East ; in Greece, owing to the large claims of the Government, this is scarcely practicable. D 34 THE LAB0URI':RS The actual amount given should be as much as a travelling dealer would pay to the peasant, were he buying the object. For small and very saleable things a high rate should be given ; for lar!:;er blocks, difficult to move, a lesser rate ; and for larger things of some hundredweights a nominal present may be given without any relation to the market value. On the whole the bakhshish is usually 5 to 10 per cent of the wages; and as it is only about is. in the pound on the European values it is well worth while to secure better work by giving it. Moreover, it is not by any means overlooked in the estimate of the worth of the work, but — like the prizes of gold digging — it is more than discounted in the prospects which induce desirable men to come, '1 he tenth of a chance of getting ten pounds is more attractive than the certainty of getting one pounrJ in wages ; so the extra payments secure willing workers, even better than the same amount spread in regular pay. It is by no means only as a safeguard to honesty. The observation of things, and the care required to avoid breakages, are two very necessary habits for good workmen. Many a small thing would be over- looked and lost if it were no benefit to the finrJcr. And digging carefully so as to avoid breakages, makes a great difference to the returns obtained. When giving bakhshish on a broken thing, it is well to say how much more would have been given had it been perfect. And if fragments arc missing, a large deduction .should be made, and the balance promised if the pieces can be found. A fine flint knife, anciently broken, was produced with several chips missing ; I gave 4s. for it, but offered 1 6s. ACCOUNTS 35 more for the chips, which induced the men to sit down and turn over twenty tons of earth by hand, fingering every grain ; nearly every scrap was found, the men got the whole 20s., and I got the whole of the largest flint knife known. In another case I kept a lad sifting earth for three weeks, to find a minute head which he had lost. Nothing can ensure care better than paying for it ; while any bad care- lessness or disobedience to orders is met by degrad- ing a man to unprofitable work or dismissing him. The principle that the holder gets the bakhshish must even be extended to cases where one man has taken things from another man's hole ; the man who has lost the things is merely told that he should have taken better care of his work. The account keeping is a serious matter, especially when the men are working far from home, as then they wish to be paid irregularly. There is first the account of earnings, by day or by piecework ; second, the account of bakhshish ; third, the banking account of how much each man has due to him, or, if he has just drawn gold, perhaps a small balance against him ; and fourth, the advances for market and for drawing to send home. The simplest way of paying is Schliemann's, giving a day's pay to every man every night ; but it re- quires great quantities of change and a long time of delay to the workers and the master. Weekly pay- ments are better, on the night before market day or on market morning. The account is read through to a man, his assent obtained to it ; he is asked if he wants to draw gold, and if not, the total is booked to him, added to his previous balance. Then for 36 THE LABOURERS marketing, it is best to join the men in groups of six or eight together, and give the chief man of each group a sovereign to divide as they want it. After market he states how much each has had, and it is deducted from the balance of each man, while any unspent cash is returned. Thus the amounts which should balance in weekly accounts are, for instance : — Received. Total to 1 7th Feb. on 19th „ on 22nd „ on 24th „ L 168 10 5 20 V-v. 77 80 Si'i'..'."r. Total to 17 th Feb. W;i;/f;s to 24th ,, I.O'.Jils to 24th ,, IIou-,i; Materials Personal drawings / 182 34 ') 5 I'-i. 34 \<, 83 Vi 04 Total received Due to men 204 27 59i 79 _132 Balancing total 232 41 41 This, of course, bcin^; the payma.ster account, a.s apart from the accounts in chief, and from which the accounts in chief are made up by the head of a party. It is necessary to take trouble to g.iin the con- fidence of the- men ; they must be convinced of the master's good faith and precision. Whenever there is reasonable doubt on a point, they must always be given the benefit of it ; and plenty of patience is needed to hear their complaints, and to understand v/hat is the real state of an objection. Some rnen are so puzzle-headed that they cannot remember their account clearly ; and if so, it is best to make them name .some friend with whom all their accounts are settled. If any man wants to go far back in accounts — and sometimes they will raise a question NATIVE WAYS 37 of four or five weeks before — then it is well to have a friend as witness, who will see that it is right, and close the matter, silencing any puzzled grumbling. Egyptians will often dispute accounts against their own interest, and remind the payer of amounts which they have received that may have been overlooked. But it is needful to show care and interest about the smallest amounts, so as to maintain a sense of exact- ness and precision with the men. Some masters avoid going over accounts by giving each man a card, and entering his account on it in figures ; but as the man cannot check it without asking a reader, this hardly meets the case. Another form of accounts is, however, understood and desired by the men, in the form of a tally which every one can check, and from which they can automatically balance accounts at once. A piece of sheet zinc is ruled in columns (Fig. 21), each of 20 squares for the 20 piastres in each dollar ; and every fifth column is lined heavier, as marking a pound. All amounts earned are marked by spots in the columns, and amounts paid are scored through. Thus in this example the earnings were 12, 2, 5, 9, 30, and 15 piastres ; the drawings were 17, 14, 11, 4, 2, i^, 6^ piastres ; and the balance still due between the last score and the last spot is 17 piastres, which any man can count for himself Such a tally will hold five pounds of accounts, or ten if ruled on both sides. It hardly needs saying that a small amount of doctoring is continually wanted. Damages to hands and limbs in moving heavy stones, bruises . ° I • I /■ Native ways. and strams, sore e3'es, malarial fever, rheumatic headaches, indigestion, swellings and 38 THE LABOURERS gatherings, old sores, and many other small ailments are of daily occurrence. A stock of medicines, and some care in applying them, are necessary in any excavations. But it is necessary to refuse to give medicine to any one outside of the workmen : first, SclLsA Mu-ko-v^^j-cL S^ 4:'-^ 1-- r__ 4.- -t tX-- iL IL I.... r.-- 7 _.. t.-- 4--- 4i-- :.j[ .. J...: L.._ -JL Fig. 21. — Account-card for native wages. Each square, one piastre. Each column, one dollar. A spot at each amount due. A line through the squares paid up. because a gratis doctor would never have time to do other work ; second, on account of infection ; and third, because patients are an excuse for spies. Having now noticed the men who are required, something may be said of those who are not required. The dealer and the spy are a constant plague. No man must be allowed to loaf about the work, or to NATIVE WAYS 39 lie watching it from a look-out point. And any troublesome men are best dealt with by taking shoes or head-shawl from them, and offering to send the clothes to the man's sheikh to be returned to him. To get them he must give his name, and the name of his sheikh ; and that no man will do, as he can then be dropped on by the police in future. Not a single loafer will ever give his name and sheikh, and so they are well kept at bay by confiscating clothing or tools. Once I took the donkey of a troublesome man, who had fled from me ; and gave it up to his sheikh, who came to intercede next day. Doubtless it had to be redeemed by some blackmail to the sheikh, and the needful lesson was taught. Dealers are incessantly trying to get at the men, daily at wells or as tobacco-sellers, and weekly in the market ; and so any unexplained persons who are seen about should be moved on and kept at a distance. It is supposed by some that there is a solidarity in the family of an Egyptian, which ensures that a man's relatives know about his actions, and are aware if he goes wrong. But various events have shown that a man's own relatives ma}- be quite in the dark about his doings, and that a chance out- sider may see, know, and tell things about a man which are secret from his relatives living with him. Hence the guarantee of a relative is worth practically nothing, and ever)' man must be taken on his o\vn merits. It must always be remembered that ex- cavation is for the sake of archaeology, and is not undertaken in the interest of the workman. Hence any doubt about a man's character is sufficient reason for not employing him. There is neither reason nor 40 THE LABOURERS use in making accusations, which after all it might be impossible to prove. But an unostentatious weed- ing out of men during the fluctuations of the work is the best means of avoiding those who seem less likely to be trustworthy. A reason for not taking any man's recommenda- tions is that the introduction to the work is sure to be paid for ; and if Ibrahim begs you to employ Aly, and succeeds, Aly will have to give him a lump sum or a share of the wages. Advice for a man should therefore never be taken ; though advice against a man may be disinterested and useful. '^:^:!^L'*i.'f^- Fi?. 22. Carrier bovs throwing on mounds. Abydos. Fig, 23. Town-site turned o\er showing outer wall. Kahun. CHAPTER IV THE ARRANGEMENT OF WORK A LARGE site, such as that of a temple or a town, may be attacked in several ways. The most cursory method is by trial pits in various spots ; pits which, if they hit anything of im- portance, are likely to injure it, and certain to destroy its connection with other things. French explorers have a love lor f aire quelqiies sondages, a proceeding which often ruins a site for systematic work, and which never shows the meaning of the positions or the nature of the plan. If it is quite uncertain whether there be remains in the ground, the best examination is by parallel trenches, as such give a good view of the soil, while the stuff can be turned back and the trench filled behind if not wanted. In case of tracing a building, trenches cut along the lines of the walls are a good beginning ; and then if more is wanted, the plan is clear and the rooms can be emptied with foresight. A favourite method with the older explorers was to clear out a whole area (Fig. 1 8 ) and throw the stuff all round the site. This may be needful in case of superimposed buildings, which must be 41 42 THE ARRANGEMENT OF WORK studied one by one, as only two or three periods can be planned at once, and the upper have to be removed before the lower can be cleared. But such a method is a clumsy waste in dealing with a simple group of buildings. The great difficulty of it is to know where to place the stuff removed, so as not to block future work. Before beginning any large excavation, the amount to be shifted should be gauged, and the position of the stuff settled before- hand. The great clearance on the side of the Medum pyramid, to expose the temple, was planned out with the position and size of each waste heap in the mind's eye, and the system of paths by which the stuff could be shifted with least fatigue. It is needful to continually adjust the moving, so as to avoid lifting the stuff more than really needed ; and any long run down of material, either towards the digger or away from the thrower, should be prevented, as it all has to be lifted again in some shape. Working at the foot of a long run of stuff is entirely wrong ; such ground should be shifted in successive levels, each level being discharged without needing to raise the earth up again. Excavations at the Sphinx were carried on by the Government with two men filling baskets with sand, which ran down 20 feet from the surface to the bottom of a pit ; and the baskets were then carried up by a long train of children very slowly climbing up out of the pit on a sand slope at the angle of running sand. Thus nearly the whole labour was wasted by not filling the baskets at the surface and carrying them directly away. Whenever a large pit is needed it should be begun of full size, and lowered equally 3^--\ S;^ ,i Fi?. 24. LLIilXG OjlVX FROM THE TOP EDGE OF THE WORK. ^^^-- J 1.4" if ^^' i V CKMKTERV WliKK P'ig. 25. Mounds, at Whudiyeh. [ Fig. 26. Sarcophagi, Abvdos. TURNING OVER 43 all over, so that nothing runs down during the work. For moving earth to a distance there is no way so simple and adaptable as a line of carrier boys (Fig. 22). Over flat ground this is the best way up to distances of 50 or 100 yards; for longer dis- charges it may be better to lay down a light railway and use trucks. The line of boys is the only practicable way if the stuff has to be carried up a slope to discharge, or taken over irregular paths out of the work, as is often the case. The railway needs much time for rearranging different points of collection and discharge ; and must be in duplicate, or else the work will be at a stand-still during re- arrangement. A boy will carry 20 to 30 lbs. in a load, about 20 journeys an hour for 100 yards discharge, thus moving about 2 tons a day. So the cost is about a piastre a cubic metre for shifting 100 yards. But far the more economical and rapid work is that of turning over whenever practicable. If a site has not been often rebuilt upon, the way '■ Turning over. is to start by a long clearance at one edge ; and then a line of men steadily cut from one side of the trench and throw back on the other (Fig. 24), so that the trench moves across the whole site, and every pound of earth is turned over. Each man needs a frontage of between 4 and 6 metres in width ; and the trench, if open along, should have a clear bottom of at least 2 metres, from back to front of the work. More usually it is worked in compartments, each man clearing about 4 metres square, and throwing into his previous 44 THE ARRANGEMENT OF WORK hole ; each hole is then gauged when empty and the pay assessed. If a town is cleared (Fig. 23), then it is done chamber by chamber, each being emptied over the wall into the previous chamber. The corners of the chambers can just be left visible for making a plan afterwards. A great advantage of this way is that the ground is finally left covered, so there is no great waste heap, and the walls are all covered over again to save them from future destruction. Where a deep hollow has to be cleared out it is a wasteful plan to let the boys walk out with the basket of earth, as they have to raise the body, which is about four times the weight of their load. So soon as the rise is as steep as one in four, it is best to form a fixed chain of boys (Fig. 27), each standing in a permanent place, and handing the baskets up from one to another. About 5 feet apart horizontally is as far as is useful ; or in case of steep work (as out of pits) the vertical lift may be 3 or 4 feet (Fig. i ). A sufficient number of collectors at the bottom and throwers at the top are of course needed to keep the chain in full work (Fig. 28). A well-proportioned gang should not have any accumulations along it, and must be quietly watched from time to time to see that all parts work equally. If the baskets of earth lag at any point and accumulate, the boys before the point must be thinned, and those beyond it increased. A favourite plan of the boys is to let a basket lie un- shifted and then stand upon it, as a full basket of earth gives a pleasant footing, and there is one less to keep moving. In this way most of the baskets Chains of workeks. Fig. 27. At tomb of Usertesen II. I Fig. 28. At tomb of King Den. RAISING EARTH 45 can be quietly suppressed, and yet every one remains as busy as they can be with the short stock of baskets that remain. All such misuse of baskets must be stopped at once ; but old burst baskets may be used thus with advantage. This system of lifting is also used in a surprising way for vertical tomb pits. An Egyptian man will stand all day with his feet on opposite sides of a pit in foot-holes, and stoop down to take a full basket from a man below at the level of his feet ; then raise himself, and lift the basket up at arms' length above his head, thus lifting it 6 or 7 feet. Three men will thus empty out a pit to 20 feet deep ; but such men are usually old tomb-robbers, and must be employed with circumspection. More usually ropes are used, one tied to each handle of a basket, and pulled up by a pair of men. The earth is best left in the carrying basket, which is laid in the roped basket at the bottom, and taken out of it at the surface. If the pit is rotten and wide at the top, the basket has to be swung across the top two or three times, until on letting the ropes loose it flies out 10 or 20 feet to the side of the pit, where it is caught by the emptying boy. Clever rope-men will let a basket fly so as to catch on the top of the dump heap and turn over, so that it only needs clearing loose to let it go back again. The ropes need careful watch- ing ; the men love to tie knots in them, to grip by, whereby they wear through at the knots and drop to pieces ; also the ropes are dragged on the edge of the pit, so as to serve as a friction-clutch when changing hands, thus wearing the rope out in two days instead of two months ; the sides of the pit should be looked 46 THE AkKANGKMlCNT Ol' WOkK .'it to s(;(; if there is any sawiiiy by tin: jopr, .-ui'l i( sf), lh(; men must he sloppcfl. 'I licy ;il:;o '.lit off pieces if the rojje-s are loiifr ; and it i:. I)e:;t lo have all ro[jes in slandarrl lenj.;tlis of 8 metres, 1 hese when doublerl thrice over down to l metre lenj'th a.re quickly tester! ff^r Icrifdh, and then h;inked in the middle to put l;y. Lastly, if not regularly delivered into store ^-.v^-.ty nitdit, the ropes are- not returned when a j;it is finishefl ; and then th':y vanish, arid a fresh pair is asked for when the rie-xt j)it ;;oes deep. Another favourite misuse of rojjes is to lash them round blocks of stone which have to be draf;;;c-d, and thus cut the roj^e into scraps by w(:arinj; on tlie- ground. Hopes can ;;enerally be [lut rmmd th': sides of a stone, and kejjt in jjjace by some old scmps passins;; beneath. Cjne of the most carf:ful kinds of work, to which only ^^ood rnen can be trainc:d, is t}i;i1 of traciii;; out unbaked brick walls buried in rubbish. Tracing waim, ,. ■ i • i r I he surround I rj!.' earth is denve-rl from the crumblinr; and wa.shin;; down of the earthen wall, and tlicrcfore it is indistirj;;uish.'ible frciin the avera;/; of the brick-, themselves. fl';rice, if the bricks are uniform in colour, ari'l the irnjd morf;i,r is like them, the buildinff and its d/jbris are all alike, 'i he best way to examine brickwork is by scraping; a face- of the wall, and then fjeclinr; it quite clean v/ith a dinner-knife ; such a cleii.n smooth ,',urface seen in shadov/ will show whatever can j^/ssibly be made out of the differences of colour and textures Vertical joints are worth far more than horizontal, as often fallen bricks tnay lie as if built Ua/'-AIii-s. If possible the joints should be observed by differences of colour, TRACING WALLS 47 and the bricks measured for comparison with others ; as the sizes vary from 7 inches to 2 feet in length, and but seldom range over half an inch in any one building period, the size will go a long way in show- ing a connection of age. If the bricks cannot be distinguished even after leaving the face to dry for some days, the earth should be searched by peck- ing with a trowel or knife to see if there is dirt in it : only in late times are pottery chips found usually in bricks, and charcoal scraps are very rare, hence pottery and charcoal almost prove the earth to be mere wash and rubbish. The clearing back of dirty earth to a vertical face of clean clay is a satis- factory evidence of a wall. But sometimes the filling is so clean that there is no difference between it and the wall. Then the relative hardness will often serve to distinguish one from the other ; and this is a main means of discrimination by the workmen, who will often tell a wall entirely by the touch under the pick. Failing all these tests, and the strata of dirt beds, the film of stucco on the wall face will sometimes show up, but may leave a doubt as to which side is the wall. In the last resource the stuff should be searched with a magnifier to see the hollows left by decomposed straw dust : in kneaded brick these hollows lie in every direction ; in blown dust and wash they lie nearly all horizontal. It is often need- ful to spend half-an-hour testing and tracing out the line of a wall, fixing the face and the top and base of it ; and such work may give the only evidence of a temple or important building. CHAPTER V RECORDING IN THE FIELD After finding things the first consideration is to record and preserve all the information about them. The most ignorant dealer or plunderer Need of record. '■ may be a very successful digger, but he wfill not care for the value of a record. Recording is the absolute dividing line between plundering and scientific work, between a dealer and a scholar. The most blue-blooded dilettante collector who digs to possess fine things, but records no facts about them, is below the level of the dealer who will publish an illustrated priced catalogue, and state what was found together, and the details of the discovery. The unpardonable crime in archaeology is destroying evidence which can never be recovered ; and every discovery does destroy evidence unless it is in- telligently recorded. Our museums are ghastly charnel-houses of murdered evidence ; the dry bones of objects are there, bare of all the facts of grouping, locality, and dating which would give them historical life and value. And it is only the self-evident facts of age that we already know, which can be observed in such a useless condition. So ignorant are 48 NEED OF RECORD 49 curators that they will even divide up a tomb-group of objects, which are the keys to knowledge, and foolishly scatter them up and down the galleries merely as second-rate specimens of what is already there, without any date or histor)'. This is actually the case in the three largest national museums. It is therefore imperative not only to record, but also to publish, the facts observed ; so that when in future the elements of scientific management may come to be understood, a fit curator may succeed in reuniting the long-severed information, as is being to some extent happih' done at Dublin. In recording, the first difficulty is to know what to record. To state everj- fact about everything found would be useless, as no one could wade through the mass of statements. It would be like a detective who would photograph and measure everv- man on London Bridge to search for a criminal : the complication would entirely defeat the object. It is absolutely necessary to know how much is already known before setting about recording more. In some periods, such as the XVII Ith Dynasty, so much is ascertained that it is seldom that new facts can be brought to light ; and onh- fine or unusual discoveries are worth full publication. On the other hand, in such an age as the early dynasties our onl}- resource lies in complete records of the levels or collocations of hundreds of pots, whole or broken ; and most important historical conclusions may hang on a single potsherd. It is plain therefore that the accuracy and certainty- of the record is necessarj-. At the moment that a fact is before the e}-e, — a fact which may never E so RECORDING IN THE FIELD be seen again, and perhaps never paralleled, — it is needful for the observer to make certain Value of record. _ ,, , , ., ^ -r ■ i of all the details, to verify every point which is of fresh value, and to record all that is new with certainty and exactitude. Statements with a query, or a doubt about them, are worth nothing in themselves, and can only serve to add to the range of similar facts that may be safely recorded from elsewhere. Everything seen should be mentally grasped, and its meaning and bearings comprehended at the moment of discovery, so clearly that a definitive statement can be made, which shall be as certain and as absolute as anything can be which depends on human senses. The observer should at least feel no possible doubts or qualms about his recorded facts ; and what uncertainties there are should only be those which lie beyond his percep- tions. It is well to work slowly over all the petty details of an important discovery, perhaps for half an hour, while considering all the facts and their meaning, before finally and irrevocably removing the main evidences of position. All this needs practice, and a full knowledge of what is important and what is trivial. And not only should such a record be made at the time, but the record should be presented finally in an intelligible form. To empty the Resulting view. ° ' ' contents of note -books on a readers head is not publishing. A mass of statements which have no point, and do not appear to lead to any conclusion or generalisation, cannot be regarded as an efficient publication. The meaning of each fact should be made apparent, and the relative importance RESULTING VIEW AND MARKING ?i of the details should be kept in \'ie\v, so as to present the conclusions as a picture, in which each touch is in its proper place, and where each point adds to the whole without being disproportionate!}- treated. Thus the final result is a statement much hke what might have been written b\- a contemporary of the times in question ; proved and enforced at each point by the various facts discovered. In many cases our materials are not enough to give such a picture ; and then, either the blanks must be noted and the limits of uncertainty stated. or else, at the worst, the facts must be grouped, and their results stated, leaving the question with two or more solutions open to future settlement. Thus the final result to be aimed at is a picture full of detail and accuracy ; and, where material is insufficient, with the limits of doubt clearlj' laid down, so that fresh material can at once be in- corporated, and its value seen and grasped, so soon as it may be discovered. A very needful part of the recording is the marking of the objects with their source. Generally each part of a site is distinguished b\- a ^ o ^ Marking. letter, and each group of objects found in that part by a number ; thus a cemetery may be E, another adjoining it on different ground F, yet another G, a temple site T, and so on, sometimes using up the whole alphabet on a varied district Then E 17, F 8, G 6s, will be different tombs in those cemeteries, as denoted in the note-book and on the objects. Ever}' bone of a skeleton should be marked, and always on one fixed position for each bone. It is best to trust to writing the reference 52 RECORDING IN THE FIELD with China ink on the base or back of most objects ; for pottery and coarse things Brunswick black thinned with turpentine is best ; for dark stones scratching the number is safest, and also for wet pottery at the time it is found. Jewellers' tag-labels with strings are useful for small objects. It is very unsafe to trust labelling only to the wrapping papers, which may be all thrown away ; separate labels should be wrapped with the things if they cannot be marked otherwise. The nature of the notes must vary with each kind of material and each period ; but we may here give some examples of the nature of Nature of notes. such records. Town Plan. — Survey of every wall of each house ; thickness of each wall (easily neglected) ; reveals of doorways ; doorsiils if of stone ; sizes of bricks ; levels of top and base of each wall if any rebuilt or superimposed ; contents of each chamber, note if on floor or in filling ; objects buried in floors ; special note of position of exactly dated objects ; copies of any frescoes or decoration. Tomb. — Position relative to other tombs. Size of pit, direction, depth. Position of chamber. Filling intact, or estimate of time that it has stood open anciently by the weathering of the sides. Objects found loose in filling. Chamber plan. Primary or secondary burial. Position of body, head direction, face direction, attitude of body and limbs. Position of beads and small objects on body. Note if beads follow any pattern or order ; record order of as long groups of beads as possible for rethreading; wrappings, amount and nature. Cofiin or cartonnage ; inscrip- NATURE OF NOTES AND PLANNING 53 tion and figures, if any, often need copying or photo- graphing before removal, as the\- may fall to pieces. Skull and jaw to be removed for measurement ; or, if in rarer periods, whole skeleton to be preserved. Position and nature of all offerings and objects placed in the tomb. Copies of any inscriptions or paintings on the walls of the tomb. To such outlines of the usual character of records are added any special details which are but rarel>' found ; but the above will ser\-e to remind an ex- cavator of what must alwaj's be looked for. In making a plan of any large area, such as a town, it is best to start with a rough key-plan divided into a few dozen squares, each row of ^ Planning. squares lettered, each column of squares numbered, so that ever\' square is designated, as B 5, etc. (Fig. 33). Then the detailed plan of each square is to be made on one opening of a note-book of squared paper, the openings running A i, A 2, A3; B I, B 2, B 3, etc. Thus any connection from one page to another can be found at once by looking for the next letter or number : the whole plan is in the pocket, and can be added to, chamber by chamber, as the clearing progresses. It need hardly be said that every plan or detail should be dra\vn north upwards in the note-book. ^lain lines are of course to be connected together by long lines of measurement. As a general principle it is best to measure positions of as many points as possible along one single line of measurement, rather than take many piece-meal short distances and add them together. Thus (Fig. 29) a series of walls should be stated as, 54 RECORDING IN THE FIELD 66, 76, 201, 220, 257, 269, 330, 353, 434,446 inches, rather than as lengths of 66, 10, 25, 19, 37, 12, 61, 23, 81, and 12 inches ; for the total is more accurate when measured all in one, the positions are plotted quicker, and the comparison with any sym- metric lengths of the building are easier made on the spot, so as to detect errors. In the direct measurement of groups of walls, etc., Fig. 29. — Example of a plan measured entirely from tv.'o bounding lines. it is the quicker and more accurate method to adopt two outside sighting lines, say one along the north, the other along the east, of the ground, marked out by high walls or large stones always visible, and then measure every point out to the two sighting lines at right angles. Spaces of over 1 00 feet across can be divided into separate groups. The general use of instruments cannot be entered upon here. But amongst the means of work the divided rod is indispensable, and it is all that is PLANNING AND PLOTTING 55 wanted for most small buildings that are met with. The tape is the most practical for distances of 10 to 50 feet ; and the steel tape for accurate measuring of base lines, or long distances. The box-sextant is for ver\- broken ground, and isolated details, or if working alone ; and the theodolite for accurate work anywhere between the accuracy of, sa}', i inch on 500 feet and the refinement of a ;|; of an inch on a mile. The plane table may be convenient for approximate plans, and is simple and rapid to use. The prismatic compass is of use for the directions of single blocks or fragments of wall, and is handy for rough topography (generally with paced distances), or for underground passages. In considering the accuracy required, if dimensions in figures are to be given, then minute measurement is wanted, somewhat more accurate than the original workmanship. But where only a plan is to be pro- duced, it is seldom practicable to show more accuracy than ]70xrth inch on a book page 10 inches high, or yJjj^th of the whole, and therefore it is of no use to measure closer than i inch on a space of 200 feet or so across. It need hardly be said that the barbarous irre- gular fractions, such as 4 of an inch to a foot or to a mile, should never be used for plotting. Simple decimal scales should alone be used, and generally y^th is the most suitable and easy for all plans of ordinary buildings, towns, etc. ; this is further reduced by photolithography to what- ever scale will best fit the size of publication. Though the ordinary methods of surve)- need not be stated here, the box-sextant is so seldom seen that 56 RECORDING IN THE FIELD some account should be given of its use. The objection to its use on short distances, that parallax between the direct and reflected ray causes errors, can be avoided by overlapping the images about f inch, the usual amount of the parallax. The main use of the sextant is for three-point survey. Over broken ground wrhere many isolated points have to Fig. 30. — Method of plotting a three-point survey, w, lu, s, the three"_fixed points. A the point to be found. B, C, centres of struck circles. be fixed, within a few inches on a few hundred feet, there is no method so quick and useful as the nautical three-point method, when improved by rigid plotting. At any three points which shall be visible from the whole of the ground, and within its general plane, three signals are placed, best lettered by the quarter of the horizon nearest to each, say n, s, w. The three points must be so placed that the one circle passing through them all shall not pass through points PLOTTING 57 needed m the survey ; otbenrbe tiie^ may be in any paatioD, dKN^ be^ as ai trai^le of about equal sides. Hie tbiee ac^l^ and one side aie to be measmed, tbas defining the idiole tnai^e. Tbenat ai^ point to be fised. A, die tvo ai^^ between B to X and w to j aie measmed witfa the sextant, and these saSnoe to fix the positioa. For plottii^ (F%. 3o\ by down the tnai^le of the duee fixed pomts, say to scale T^ndi the triai^le «idi .'ihari«°H comeis K, j; 8v\ and die peipendioilais to eadi ade of it; this is exist acxmatdy dene by a laige pn>- tiactar widi resn^r, sf^tlng oot the ladn and perpen- dicnlais of fbe tiiai^e fiom its ositie. Then tahnlatr the half of each base x ootan. aisles ob- sened st aichaecdogical work. CHAPTl'.R \'l coi'viNt; A very needful branch of u'coidiiuy is tlio taking impressions of inscriptions and Hat rcliet's. The usual method is b\' wet suuee/iu!.'' ol" Paper squooiea. paper, wnieh ma)' be made uji ol any thickness, from a true mould to a slitjht surface impression. If a mould is wanteil for future caslini;-, a tou^h rat; pa[ier without much size should be used ; but sniod newspaper will do. The touj^her the paper is when wet, the better. The stone must be thoroughly cleanctl aiul soaked. The paper is cut to the size, and, if less tiian the stone, in two or more sheets. A sheet is then put in a basin of water, rolled about to soak, and tiicn i;alheied into a ball and rolled between the liamls ti) break the grain, just short of pulping the surface ; next shaken out like a wet handkerchief, and then laid on the sti)ne with enough slack lo go into all the hollows. It is then gently beaten with a sjioke-brush until it is pusheil into the hollows (h'ig. 33). If they are ileep it is needful to use strips of ]).iper soaked ami pulpeil, and laii_l by fingiM' in the hollows, so as lo nearl)' fill them. I''inally, a severe beating is given to the 60 PAPER SQUEEZES AND DRY SQUEEZES 6i whole, as violent as can be done without tearing the paper. The paper should be pulped on the stone, and driven into every crack and porosity ; using a second, and even a third, sheet to bind it together. The pulp in the hollows should be kneaded in with the sharp edge of the brush -back, using the whole weight of the body to force it home. About 50 square feet of such work is as much as can be done in a day. The precautions are : avoid bubbles of water or air below the paper, beat quite straight without dragging, and see that there is no creeping of the paper or shifting on the stone. When quite dry and hard the cast may be carefully peeled off. After heating and waxing, plaster casts may be taken from it, with a slight oiling between each using. A slighter working is enough on shallow inscrip- tions ; but such squeezes generally need to be taken off while wet, and allowed to dry alone, or else the paper drags flat out of the hollows when contracting in drying. This is specially the case on polished granite, where there is no grip on the surface. Surface impressions of incised carving may be taken with a single sheet of paper beaten just enough to catch the edges of the cutting ; and such make excellent bases for inking over to produce a facsimile drawing (Fig. 31). The impression is so much better on the inner side, that the inking is done on that, and the figures are thus reversed in the plate. But on all coloured work, and many kinds of tender stones, wet squeezing is a crime, as it destroys the original. Fatuous tourists and brazen students have wrecked innumerable monuments by wet squeezing, and it 62 COPYING is now necessarily prohibited in Egypt unless special permission is obtained to do some object which cannot be injured by it. Another system, that of dry squeezing, I therefore introduced when doing the Medum tombs. A sheet of thin paper is held i°^ns?:i^s f @h:ii1 ;iM®Mv®S(A Fif;. 31,— Copy made by inking a paper squeeze, i ; 8. Aipart of the Israel stele, with the name Israel in the last line but one. over the stone, and it is pressed over each edge of the cutting so as to leave a bend in the surface. Then, laid on a drawing-board, with an oblique lighting, the bends are all drawn on with pencil, checking by comparison with the stone. Sometimes it is best to draw by lamplight, and check with the DRY SQUEEZES 63 stone afterwards. The drawing should always begin at the bottom right hand, so as not to press out the impression by the hand ; and the sheets must not be rolled before being pencilled. For small lines, a piece of indiarubber should be used to press the paper into the hollows. For the outlines of reliefs the thumb nail must be used. This system is quicker and more accurate than any reduced-scale hand drawing. Over large wall surfaces the sheets should be placed in regular rows, lettered A, B, C A, A2. A3 A4 AS 1 A6 !a7 !a8 Bl Bl B3 B4- B5 B6 i B7 !b8 CI C2 C3 C4-|C5 C 6 C7 C8 D 1 D2. D3 D4 DS D6 .D7 DS E 1 El E3 iE4-'E5 E 6 E 7 E9 JFl F2. F2 F4-;F5' iF6 r |F8 J — - .. Fig. 32. — System of numbering sheets of connected drawings. (Fig. 32), and each sheet numbered in the row, so that A 3, B 3, C 3, come one below the other. The register of positions is kept by marking a minute cross with pencil on the wall, so that the corners of four sheets will fall between the four arms of the cross. Thus each fresh sheet is placed exactly to fit the sheets which have preceded it, in the row and in the column. Any large blanks or injuries should have their corresponding sheets duly lettered (even if nothing is on them), and put with the drawings, so that there shall be no hitch in placing them all in one great sheet afterwards, 64 COPYING It may be convenient to join up the sheets, and then redivide the drawings at suitable spaces between the subjects for convenience of packing. To join the sheets they must be laid together in position, a slight cut then made with a knife to mark two sheets across the joint ; then turned back- up, adjusted by the cut, and a strip of adhesive paper put on the joint, dabbed down and not rubbed along. Thus large sculptured walls can be copied sheet by sheet, joined up, inked in, and then photo- lithographed for plates. It is needful to remember that the Postal Union will take rolls up to 60 centi- metres length and 2 1 cm. diameter, as ordinary parcels up to 5 kilograms ; or 7 5 cm. length if not over i o cm. diameter and 2 kilograms of weight, by book post, open at ends. Beside the direct material for publishing in plates, it is often desirable to take casts and impressions, both for future reference and also as a step toward a photograph (Fig. 34). The making of paper impressions or squeezes has already been noted. Casting with plaster of Paris is the principal mode of reproduction, and is such a detailed business in itself that only a few notes can be given here, such as might possibly be wanted in field work. The fine work for museum purposes is outside of our aim here. The main point in handling wet plaster is rapidity ; and for that everything must be ready, and the exact plan of work and amount of plaster settled beforehand. A basin should be used with water equal to about two-thirds of the volume of plaster required. Into this shake or sift dry plaster rapidly, until the water is just filled up with Fig- 33- Paper squeeze Goddess Xekheb, Casting. XII Dyn. I Fig. 34. Plaster cast from pape Philistine. XX Dvn. CASTING 6s it, and no free water left on the top ; it is then well proportioned, and should be violently stirred with a large flat spoon or slip of wood and poured out in an even stream, beginning with the middle if a flat mould, and flattening it out to the edges. It is best to have rather too little than too much ; as a fresh lot can be mixed, with the hardened pieces of the first lot, to serve for a backing ; the first lot being, of course, spread over the whole face to begin with. Strings, or strips of butter- muslin, should be put through the mass, if it is large, so as to prevent it falling to pieces if broken later on. Excellent casts are made with a thin skin of plaster on a backing of muslin put on a frame ; but this requires more skill than plain work. About lo minutes after casting the back should be scraped down level, or planed with a wide -mouthed hand plane, which is a very useful tool in finishing casts. No cast of any large size should be left without even support for some hours after casting, as it will settle out of shape if strained. Small quantities of plaster are best mixed with a pocket knife in the palm of the hand. Moulds for casting are usually of clay for a large scale, but that is not likely to be used in the field- work. The division of the clay is best done by bedding threads along the face of the object at the lines required, and then pulling them up to cut the clay. The face of the object requires French chalk (steatite powder) on it to prevent cohesion ; oiling or greasing spoils the face of the original. For field- work paper moulds are best, and the preparation of these as wet squeezes has been already described. To fit the squeeze for use as a mould, it should be F 66 COPYING heated and brushed with melted beeswax on the face, without necessarily soaking it through. Any places that are shiny when cold should be warmed and rubbed with cotton wool, so that the face is the true paper cast. Then slightly oil between each plaster casting, or else the warmth of the setting plaster will make the wax stick to it. Several casts can be taken from one paper, if it is carefully handled in peeling it from the plaster each time. Paper impressions of cylinders are best made with blotting-paper, unrolled wet, and left to dry. To remove the cockling of drying, spread a thin coat of stiff paste on card, and press the paper squeeze lightly on it. Guttapercha moulds are best if many copies are required. To get a sharp impression in this tough material a preliminary mould should be made, of the right shape, but not sharp on the face. This should be thoroughly cooled in water for an hour or more, and then a small quantity of guttapercha from boil- ing water should be laid in the hard mould and the object pressed in very rapidly and with maximum pressure. Thus the hot material is forced firmly against every part and takes a brilliant impression. Such moulds are used for electrotyping as well as for plaster work. To produce a smooth face to a lump of hot guttapercha, it should be pulled out- wards from the middle to all sides by thumbs and fingers, so as to produce a fresh torn face over the whole upper surface. Sealing-wax is one of the handiest materials, and is used professionally for all the coin reproductions that are published. Only the best wax is of any CASTING 67 use for iin{»iessioi]SL It should never be allowed to bum or blaze, nor even to boil, but should be gently heated until a laige mass wiU fall quite readily. The object should be wetted moderately just before impresdng: So soon as the wax is tough Ae object should be lifted sUghtly to make certain that it has not stuck, and then pressed down again till cold. If it has stuck it must be pulled away at once, and the wax picked off while tough. Sealing-wax casts must be oQed before plaster is jmt to them ; and oil does not soften or deteriorate sealing-wax if left on for years. Beeswax, or, better, the mixture called "dentist's wax," makes good impressions, and may be used for moulds. Tin -foil is most useful for rapid impressions, especially from a fr^ile or delicate object The thinnest should be used, such as is wrapped round chocolate. To preserve the form of tin-fofl it may be squeezed into place with a back of beeswax, and so form a focing to a wax mould for casting a plasto- positive; Or it may be press^ alone (forc- ing it on with soft indiarubber or cotton wool), and then Boated, back up, on water, while blazing sealing- wax is dropped into it to form a backing. This mode is very handy for coin impressions, which will travel safely in this form and look weU. For round objects, such as cylinders, a tin-foil impression should be made, beatii^ the fofl in with a soft tooth-brush ; thaa the foil is to be uncoiled by rolling it upon wax so that the curve is removed without flattoiing the impression ; it is then ready for a plasto' casting, givii^ a flat cast of the round cylinder. In all cases thin gold-foil would be far better than tin-foU ; and 68 COPYING such an impression might even be preferred to the original object by some Oriental officials. Drawing is still the main resource for illustration, although photographic processes occupy so important a place. Hand-work is essential for plans, it is the more useful method for inscriptions, and it is the more convenient method for most small objects. There is generally some in- terpretation needed, to show details which could not possibly all be visible in one uniform lighting, as in a photograph ; and this can only be done by drawing all that can be seen in varying lights and aspects. Another superiority of outline drawings is that they are far more easily looked over and referred to than a much less distinct photograph. And lastly, they cost a third or a quarter of the amount for publica- tion. The proper scope of photographs is stated in the next section. As drawing is almost always to be reproduced by photolithography, or by zinc block, it is essential to have it entirely in full black and white without any grey or half tones. Hence the contrast should be kept as strong as possible ; and only China ink of full blackness should be used for fine lines. In wide, coarse work, as full-sized inscriptions from walls, a common writing-ink evaporated to denser quality may be used. Ebony stain, which some use, has the disadvantage of spreading badly if it chances to be wetted. A smooth, glazy-faced paper is good for fine lines, and does not rag up under the pen. Cardboard is pleasant to use, but is awkward to send by post ; whereas paper drawings roll up safely in a tube. DRAWING 69 A cardinal rule in drawing is that the finest line should come out to -g^ inch when the subject is re- duced to the plate size. Thus a drawing to be reduced to ^ by photolithography should have its finest lines ^^ inch thick. This line of -g^-g- inch is the finest which is safe not to break up in repro- ducing ; and of course it spreads a little in the printing. For very slight shade lines rather thinner lines may be used, as it is no disadvantage if they should break. It is very desirable to have similar objects all re- duced to the same scale. For pottery -|- is a con- venient reduction ; for stones vases j^ ; for metal tools and small objects ^. The drawings of pottery and stone vases are easiest to do on scales ^ and ^, as the measured diameters have to be laid off as radii from the axis, needing halving throughout. The further reduction is done when photographing for the litho- graphs ; and it is always best to have such a reduction to I", if not to ^, of the size of the drawing, in order to make it come out more delicate than the hand-work. A very useful system for recording groups of small objects, especially such as are found together, is to lay them out on a sheet (say double the plate size), as arranged for the plate, and then run a pencil round the outlines, and add as much detail as may be needful to explain the objects ; thus a pictorial inventory is made quickly, and is far more useful and easier for reference than any written inventory (Fig. 35). The pencil should have the wood split off one side of the lead, and be sharpened by cutting to a chisel-edge on the opposite side. Thus the point is vertically under the guiding side ; and when held 70 COPYING carefully upright, outlines can well be run from surfaces half an inch or even an inch above the paper. The size of the sheet will, of course, depend on the amount of reduction intended. For numbering the figures printed numbers can be gummed on to the drawing. For vases, block tints are more satisfactory than .^^ ftfjafw™ Fig. 35. — Part of an inventory sheet, recording pieces of ivory carving, i ;3. outlines. So the drawing can be filled up with a wash of ink. Or if section lines are wanted it is best to draw the section line, and block out the ground outside of the vase, leaving the vase white on a black ground ; then have this reversed, black for white, in the photolithographing. The vases may be printed in any colour which is suitable. The method for drawing a completed form of a fragments of vaaea. RESTORED FORMS 71 vase from fragments is to place the brim and the base (the curves of which can be accur- . . Restored forms. ately measured agamst a series of con- centric circles) into their true positions, to a vertical axis ; and then, if there is no complete connection, to adjust their height on their axis so that their curvatures (including other pieces which join them) fall into one line. It is easier to do this with the mouth downwards. A frame is made (Fig. 36), with a vertical rod sliding up and down over the middle ; a card with concentric circles on it is placed on the floor of the frame, and centred under the rod. Taking a piece of a brim, it is rocked to and fro until it touches the card all along the edge, and a leg of wax is stuck on so as to keep it at that angle. It is then slid about till the curve fits between the concentric circles. A piece of base has its curvature measured, by fitting a sheet of celluloid ruled with concentric circles to the curve of it. It is then fixed on the lower end of the vertical rod with some wax, so that the rod is in its axis. Then the rod is slid down in its grooves until the curves of the piece of base and of the piece of brim fall into one line. For drawing the form the radius of the brim and of the base are already measured ; the height is taken as it stands in the frame, also the greatest radius at the shoulder, the angle of the side with the base, and sometimes the height from the brim to the curve at several different radii, read off by sliding a graduated square on the concentric circles to touch the curve. After plotting all these dimensions the curve is drawn in by freehand, looking carefully at the fragments in position. 72 COPYING For hand copying inscriptions of a small size, a good method is to fold over the paper at each line Copying that is done, and draw the signs one by inscriptions, one OH to the fresh edge of paper held side by side on the stone ; thus there is no strain or loss of time by looking to and fro and finding the place, no chance of omissions, and the facsimile is as accurate as possible. This is especially for copying ink writing and graffiti. When making a reduced copy by hand it is best to have a sheet of card under the paper ruled in squares (of j- or up to 2 inches), with thick lines. These show through the paper, and a frame of strings or threads is put over the stone, of a larger size, agreeing to the scale of re- duction intended ; e.g. for reducing a wall to -^, have card ruled in i inch squares, and a frame of strings 5 inches apart over the wall. For lines or columns of inscription it does to rule the column lines and only have a long scale on a strip of wood put along- side of the column which is being copied, so as to tally with the lines seen through the paper. CHAPTER VII PHOTOGRAPHING Photographs are essential for all objects of artistic interest, and for expressing rounded forms for which elaborate shading would otherwise be Camera. needed. Views of the excavations and buildings are also wanted. And it is desirable to publish photographs as well as drawings of very im- portant carvings, in order to guarantee the accuracy of the drawing, which is the more useful edition for most purposes. Though the ordinary knowledge of photography must be taken for granted here, there are many details and preferences which are special to this kind of work. The bane of practical photography is the rich amateur, who insists on useless luxury of ap- paratus, and has set a fashion in fittings which is absurdly complex. It is undesirable to have a specially compact camera, as steadiness and con- venience in use are sacrificed for lightness and slight- ness, which are no object in a fixed camp. An old-fashioned bulky camera is better for stationary work. I have long used a tin-plate camera with plain draw-body in two pieces ; the benefit when 73 74 PHOTOGRAPHING enlarged photographs are needed is found by taking it apart, and inserting a card tube, made up when wanted to any length required for the enlargement. Some very simple, adaptable camera is best, with a large plate- magazine attached to it, so that some dozens can be carried at once. For ordinary views and small-scale objects a simple hand camera is best. A pattern should be adopted which may be the least liable to get out of order in a very dusty and gritty climate ; of the simplest mechanism, with a plain thrown-down pattern, to carry a dozen flat films. As to the size of camera, the ^ plate is by far the most useful, being right for lantern slides and large enough for most objects. Enlargements can be made to double size (or whole plate) quite as good as collotype or net will reproduce them. The time and work of using a whole-plate size are scarcely ever repaid by the results for practical archaeology. The fashion of wide-angle lenses is useless for everything excepting architecture at close quarters. And for most objects it is very detrimental to have so short a focus, as it distorts and spoils the per- spective. It is best to use too long a focus in order to get truer views of objects, at least 6 inches focus for a ^ plate. There does not seem to be any appreciable gain in the newer patterns of lenses over the older " rapid rectilinear " or " symmetrical " ; and the positive disadvantages of some recent lenses are seen in the smaller aperture and lack of light for focussing, and the distortion at extreme edges. The iris diaphragm is a disadvantage, as it brings in another variable, while the time of exposure can be varied to any extent needed. It is best to stick to Fig. 38. Throwing sand ; drop-shutter view. Fig. 39. Girls at rest ; diagonal mirror view. CAMERA 75 one small stop, say fj lOO, and learn exposures entirely on that basis ; then in case of poor light a larger stop, as //a 5 or//8, can be used proportion- ately to shorten the time. Small stops can be made out of a strip of tin plate or blackened card ; and the hand camera can be stopped down with a pin- hole stop stuck in front of the lens so as to work at almost any nearness and scale with exposures of ^ or I minute in full sunshine. The instantaneous shutter is a useless article for all fixed objects. It is far better to work with a small stop which gives plenty of depth of focus, and expose for 2 to 20 seconds, which is long enough for// 1 00 on slow plates in Egypt. For direct en- largement of objects a stop of fj 200 is excellent, and only needs 30 seconds exposure. If a shutter is wanted a simple drop can easily be extemporised (Fig. 38) fitting on to the front of the lens, and such will give fine results. A diagonal mirror front can be made out of any decent scrap of looking- glass, without showing any double image (Fig. 39). Rapid films are another fashion better avoided, as for fixed objects there is no great hurry. The slowest films made have never caused any practical inconvenience in my work, and they are far safer to keep and to develop. The skew-back is never needed except for architecture ; and in the few cases where it is necessary, the effect can always be as well obtained by taking the plate square, and then copying it skewed in a skew -back camera. The sliding and rising front is about the only complica- tion that is useful in serious work ; and if a long focus lens is used a large amount of slide can be 76 PHOTOGRAPHING obtained; but a camera with a free -swinging lens turning to any angle would be the best form. The preparation of the object is a very important point. Any sunk carving or inscription of small size Preparing should generally be filled in with whiting objects. (Fig. 41) or charcoal dust, according as the material is dark or light, so as to give a strong contrast (Fig. 40). In case of worn inscriptions on impervious stone, such as rock crystal, the lines may be marked with China ink, dried on, and then gently wiped with damp fingers until only the faint hollows retain the ink. What is hardly visible to the eye can thus be brought up clearly. If hollows are slight and smooth, so that they will not hold a powder, brush over with stiff paste, wipe the face clean on a damp handkerchief, and then press in the powder. Only rather coarse powders should be used, in order to avoid staining the object. In field-work objects should also be carefully dressed. Reliefs upon weathered stones (Fig. 37) should be dusted over with sand, and then lightly wiped until just the wrought relief is cleared, and the ground is left smoothed with sand. Stones in building should be brushed or scraped clean, so as to contrast with the earth. Joints in walls should be picked out or brushed so as to show clearly. Sometimes, as in a flooring of wood (Fig. 42), the whole should be entirely brushed clean, and then the joints packed with the lightest-coloured sand so as to contrast well. A grave needs hand-picking, and then every bone brushing clean, and the ground between packing with dark earth to give contrast. All pottery and objects should be entirely cleaned around, and lifted 40. Ivory tablet of Zer ; light half with black, dark half with white. b'ig. 41. Bronze hypocephalus, XXX Dyn. ; filled in witli \\ hite. *. M-'-'-^. %S f i3.^-..» .y- -.-^ ■.■, ■-,... Tl.. 'rf^ -^rj sfl^H ^^^^H Pl ■--^^ :^, - "-?',;'.-,-' •'-'-." ■ - S ■ j' DRKSSING TOMBb I;\.il< Tllu lOGKAPHlNG. Fig. 42. ^^'ooden floor of Azab. | Fig. 43. Naqada, prehistoric. PREPARING OBJECTS AND LIGHTING 77 slightly so as to show a clear outline. The proper dressing of a grave (Fig. 43) will easily occupy two hours of work. Nothing which adds to the contrast and clearness of an object should be neglected. Sometimes for dark objects it is well to dust them with very fine white powder, as with a puff-ball, so as to give some light on the darker sides. And for objects of mottled colour, such as carved porphyry, a coat of flake-white water-colour is best, so as to show the relief only and not the colour. For coins and gems there is no method to compare with photo- graphing from plaster casts, which are always used in serious work. The lighting is the most important element in photographing. No other requirement is so essential, for with bad lighting nothing can be done. ihe rule of the light commg from the top left hand should always be followed where no special direction is needed. Generally a diagonal light is best for inscriptions, as most lines are vertical or horizontal. An object should first be held with a moderately oblique light on the face of it, then quickly revolved in the plane of its face, so as to see the changing effect of light from different directions, observing what lines disappear in various positions, and selecting the most effective direction. On setting it up, with the sun (or other light) in the best direction, the obliquity of the light should then be tried, tilting the object more or less, until the details are sufficiently shown without too heavy shadows. In case of a human face the light should be nearly vertical, and the obliquity of it sufficient to bring out the cheek curves to the best. Of course. 78 PHOTOGRAPHING the position of the object must be regulated entirely by the direction of the light, and a figure may need to be tilted in any position. A conical or cylindrical object must be placed with its axis pointing a little behind or below the light, so as to lighten the whole side. For fixed objects, such as buildings, a time- table of the best hours for each part should be drawn up and followed. Beside direct lighting, subsidiary lighting is very useful. Any dark shadows should be lighted with reflectors of white paper or card, or actual mirror. Or during an exposure of several seconds, or more, a transient mirror reflection can be played about the shadow, so as not to show an edge to the light. When looking at the image on the ground glass each part should be searched to see if any detail is lost by shadow, or if an outline is lost against an equally dark background ; if so, some difference of lighting must be made. Various slips of card may be fixed around the object, so as to cast shadows which will make some part of a brightness differing from its background, and other slips to cast lights on any dead part. For photographing an ebony statuette (Fig. 44) I searched in the camera for each dead uniform surface, and then fixed a slip of card so as to break the deadness with a reflection ; half a dozen such slips, at a foot or two distance, left the figure without a single curve not brought out and intelligible. Reflectors are also very useful for lighting dark subjects. Three or four sheets of tin plate should have the edges turned up to stiffen them, and be of slightly different sizes so as to nest together for Lighting by kefi.i:cii')n, F"ig. 44- Ebon}- negress. X\'III Dyn. [ Fig. 45. Tomb of Sem-nefcr. Gizeh. ARRANGEMENT OF OBJECTS 79 carrying. One planted in the sunshine outside a tomb will send a beam in, which may be reflected again by another. With three successive reflections, round two right angles, I have lighted an entirely dark chamber (Fig. 45) enough to photograph with five minutes exposure and full aperture. The successive reflections so neutralise each other's varia- tions that a very uniform lighting results. If a flat surface with different colour is the object, then a light exactly from behind the camera is best, so as to avoid any shadows. A faint ink-writing on rough pottery will appear with a back light when it seems quite hopeless in a side light. For papyri two equal electric arc lights are placed, one on each side of the camera, so that there can be no shadows and no reflections. Backgrounds should be considered. For most objects there is nothing so good as black velvet, as a long exposure can be taken so as to Arrano-ement bring out the shadows on the object, of objects, without any glare from the background. The ground should extend far beyond the object, as any bright surface near the object may make internal reflections in the camera. In short, no bright surface should be visible within 60° of the axis of the lens. For dark objects of which the outline alone is important a light ground might be used ; though even here probably a black ground and long exposure would be better. A glass background with light or dark surface some distance behind it is used sometimes, so as to avoid all shadows from objects. But in many cases a shadow is positively useful, and adds to the intelligibility of the view. 8o PHOTOGRAPHING The direction of the camera is too often hori- zontal. For portable objects a vertical position is generally better, and for groups it is essential (Fig. 46). The background on which the objects are laid can be tilted so as to get oblique light from sun or window, and the camera tilted equally from the vertical by shifting the legs. Scraps of wax can be stuck on below objects, so as to keep them in any exact position required for lighting or view- ing, or scraps of charcoal used as wedges which do not show on the black backing. There is no need to trouble about depth of focus, as the insertion of a small stop, as/"/ 1 00, is enough to bring up every part sharp. I have taken a bracelet (Fig. 47) with the sides at 7 and 9 inches from the lens both in perfectly sharp focus. In fact, a subject may be contracted into the plate by putting it out of focus, and then focussed by the stop. For all cases of large-scale photographs or enlargements it is best to focus by shifting the distance from object to lens, and not from lens to plate. In setting up the camera everything should be done as far as possible before looking into it, — the distance measured for the scale required, the camera set square with the plane of the object in both directions, and set so as to have the object upright on the plate. All of this can be far better dealt with from outside. The actual focussing and slight adjustments can then be done when viewing the ground glass. For skew positions it is best to hold the camera in the hand where it ought to be, keeping the legs turned up from the ground ; and then drop the legs one after another, so as to touch the ground Kig. 46. Foundation flcposit, laid out hori;^ontally 47. Bracelet of King Zcr. 7 and 9 ins. from lens. ARRANGEMENT, STEREOGRAPHS 8i or some object ; thus the camera will be left stand- ing in the required position. The stand should not have the legs packed by folding sideways ; but they should be capable of being shortened to the single length while fixed to the camera, as it is often need- ful to support it only a foot from the ground. A stand should be so made as to give the greatest range of height. A common fault of beginners is not covering the plate, but letting the image be smaller than necessary. Unless working to some uniform scale, an object should be shown as large as the plate allows ; always remembering that a lantern slide will seldom take more than 3 inches diameter, and hardly a full 3 inches square. It is convenient to fill a ^ plate with a group, of which the least important objects are at the sides, and so can be omitted in a lantern-slide print. A most trouble- some matter is taking a series of wall scenes so that they will fit exactly together at the edges. Prob- ably it pays best to do them approximately in the field, and then enlarge in a copying camera on to a ruled ground, and so remove all irregularities of scale and of skewness. For working to a uniform scale it is best to fix it by keeping the focal length unchanged and measuring the distance of the camera from the object, and not to refer to the size on the glass. Stereographic views are most useful for confused masses of objects, such as a field of ruins. And if there are no moving parts there is no . , , -n stereographs. need to take them simultaneously, iiy shifting the camera to one side, and taking a second plate, a perfect stereograph is obtained ; and where- 82 PHOTOGRAPHING ever the chance is not to be repeated, and two plates are taken to ensure success, a shift should be made so that both may be used together. The amount of shift varies with the distance ; for near objects the distance between the eyes, 2^- or 3 inches, may suffice ; for a general view a foot or 2 feet is better, so as to give more solidity than is naturally seen. Small objects must not be shifted by rotating the object if there are sharp shadows, as such are falsified by the turning ; otherwise a slight twist of the object does for the second view. It is undesirable to leave developing till long afterwards. In general all negatives should be Developing. p[x-r, as the)' contain a inixluii' of all(i\'s of vc[y (lidrrcnt oxiilahilily ; lu-nci' much of (lie niatiMial all through the mass wnl have moved 11}) to the surfact- and bei-n coiiodcd there, while the form and size of thi' oii<;inal may at [ircscnt contain only half the metal in a very |h)1(5us and brittle condition. In some casi:s bronzes may Ik; scaled by blows like copper, and they then a[)pcar in their best condition. Hut more often they are too brittle, or the corrosion adheres too tij^htl)-, for it to be thus removed. I'"or cleaninj.; off small (juantities of j^iren carbonate, viue;^ar left to stand for some days does well. But the proper soK'enl of both carbonate ami oxide is dilute liydrochloric acid, about I to lo or 20 of water, as this will not attack the metal, but only the corroded paits. 'I'lie objection to this solvent is that it leaves a thick mud of wliite oxy-chloridc of copper, which is difficult to l)rush off, and which stains the skin ^reen in hand- ling. The treatment is to brush ofl" as much as can be easily removed, and then pickle in hyposulphite of soda, which dissolves the white.- coat; if used hot and stron[,r this will clean tlu; metal to a bri^jht metallic condition. After all these solutions, a lon^r washing in many waters for two or three days is needed to remove all trace of salts which mit;ht afterwards make further corrosion. Minnie tiaces of chlorides are specially danj;erous, as they decomposi: with carbonic acid in the air, forming carbonate, and liberating the chlorine to attack more metal ; thus a trace of chloride will t:at through any amount ol copiJer. TJic extent to which bronzes should be BRONZE loi cleaned, should be ruled by the fullest display of original workmanship : so long as more detail can be shown more crust should be removed. But, if possible, some of the coat of red oxide should be left on plain parts as a guarantee of the age of the work. To bare bronzes entirely, and then oil and smoke them, is barbarous treatment, to be seen in some museums. If something is desired over the bare metal, the bronze may be left in a shallow pan of water, soaking for some weeks, by which it will gain a tinge of red oxide over it which is suitable and pleasing. Another mode of scaling is to heat the bronze over a fire or in melted lead, and then plunge in cold water, which loosens the scale from it. It often happens that a bronze has the original face broken up by corrosion, and then no cleaning is of any use, the mass of green carbonate shows more than any other surface would do. This last and worst state is indicated by cracks in the outer coat, due to further expansion of the inner body. A cracked bronze is best left alone. A frequent disease of bronzes is the formation of small granules of translucent bright green rust. This is attributed to an organic growth, which is infectious, and may spread through a collection. One of the worst instances I dipped in carbolic acid, and this absolutely stopped the attack, proving that it is not due to action of chlorine. But we must not take this as a certain proof of the organic nature of the mischief, in view of the inhibitory effect of anaesthetics, etc., in stopping electric and chemical action. Lead is usually coated with white carbonate, the I02 PRESERVATION OF OBJECTS outer face of which shows more than the metaUic surface beneath. It should therefore be Lead. let alone ; but if it shows signs of further changes, due to salts in it acting with damp, then soaking in several waters will probably make it safe. If carbonate continued to be formed, I should try saturating with paraffin wax. Iron can seldom be cleaned ; but if it has only a little superficial rust, this may be removed by placing it in the strongest nitric acid, which dis- solves the oxide but renders the iron passive. For ordinarily rusted iron all that can be done is to arrest further changes. A long soaking in water to remove all salts, and then baking dry and saturating with wax, is a safe treatment and always available. Sorting and joining fragments is sometimes very essential. In the royal tombs of the 1st Dynasty we collected thousands of pieces of stone Sorting. bowls and veises. Only a very small number out of such cartloads of fragments were of value as they lay ; but so far as they could be re- constructed they gave an important series of forms. To extract any result it was needful to place together all the pieces that belonged to each separate vase ; and the same work frequently had to be done on a lesser scale in dealing with groups of broken stone and potter}-. Taking the whole of the frag- ments which can be supposed by their position to belong together, they are first sorted over for quality, making as many divisions as are quite safe to be distinguished one from the other, so that there shall be no chance of parts of one bowl being classed in SORTING 103 two different divisions. All the pieces of one division, sometimes as many as 500 of one quality, are then to be laid out on tables, — the pieces of brim placed at the top of the tables, and classed according to form and curvature ; the pieces of middle of the vase along the middle of the table, all carefully laid with the axis vertical ; the pieces of base at the nearer edge of the table, classed accord- ing to diameter. Taking then the first piece of brim, it is held at each end of each other piece to which it can possibly belong ; every possible fit is thus found. Each piece of brim is to be thus tried with all that follow it, those before it having been already tried with it. When all the possible junctions of brim have been made, then a row of joined brim pieces are to be laid on a board, and the angle which each broken edge makes with the vertical is to be looked for among all the broken sides of the middle pieces, looking for such slope at both upper and lower sides if the tops are not distinguishable from the bottoms of the pieces. Thus, say the first broken edge of brim slopes at O 20°, every piece broken at 20° O or s^ must be com- pared to see if it will fit. At least twenty different directions of fracture can be mentally dis- tinguished, and the slight curve and irregularities increase this to at least fifty varieties, so that each piece of brim only needs actual touching with about 2 per cent of the pieces of middle. When every possible fit of brim to middle pieces is made, then the bases can be similarly compared, having first fitted them by sorting the curvatures. A load of 500 pieces will take several hours of this sorting, at I04 PRESERVATION OF OBJECTS the end of which every possible fit will have been made. Not more than half-an-hour or one hour at a time can be usefully given to such sorting, as the eye and attention become too much fatigued to observe the fits. When finished, all the fragments belonging to one bowl are to be wrapped together, and a number given to the parcel ; and the odd pieces can be thrown away unless worth having singly. The method for drawing the completed forms has been described in the chapter on drawing. CHAPTER IX PACKING Before packing carved blocks it is generally best to saw off the backs, so as to lighten the quantity. A face should always be sawn from each ^ Blocks. end up to the middle, leaving it about twice as thick in the middle as at the ends, so as to bear the strain of travelling. If a block is so wide on the face that it is liable to be broken in transit, the best course is to saw it in pieces, cutting from the back through to :|^ or i inch from the face, and then snapping it, so that the face can be re- joined perfectly. Limestone is sawn with a large rip saw or stonemason's saw, using a hammer and chisel if any flinty portions are met with, and also using some hammer dressing. Soft Silsileh sand- stone may be cut with pieces of tin plate, such as petroleum tins or biscuit tins ; or else with a thin strip of wood set with wire nails to serve as teeth of a saw. The harder stones must be moved as found, for the cost of reducing the weight would be more than that of carrying it. In all questions of packing long objects, it must be remembered that the best points of support for 105 io6 PACKING equality of strains are at 2 1 per cent (say |) from each end. Any long stone must therefore be held in its case by cross bars or thicker pads Long objects. ,. i r u ^ jl • or hay at i from each end. It is impossible to reckon on a case being so rigid, and so perfectly fitting, that it will give uniform support all along, with a much smaller elasticity than that of the sfone. The utmost any case can do for stone is to deaden blows and shocks, and to hold the stone Fig. so. — Box for flat slab of stone, lid of diagonal bars. so that it is equally likely to break in the middle or at the supports ; and this is gained by the grip at ^ from each end. A good packing for small slabs that are not liable to break, is a shallow box (Fig. so), with the stone face down on dried fodder or straw, and two cross bars parallel and diagonal on the top, to hold the stone in. Such a box is easily lifted by the bars, saves all Customs examina- tion, and will not tempt thieves. In all instances remember that it is useless to put general softening round stones in a box. The best points to take the pressure should be considered, and then thick LONG OBJECTS AND HEAVY STONES 107 pads nailed on the box to catch those best points of contact. The largest stones cannot usefully have any case ; as a case which would not be cracked up by the weight in moving', would be so thick and ° °' Heavy stones. heavy that it would make the stone far less moveable. If the stone is strong it only needs three or four thicknesses of old clothes and Fig. 51. — Tray for carrying heavy blocks of stone, lashed on by ropes through the holes. sacking tightly roped on, in order to travel safely. If it has a tender face, a skin of board may be put over that with some cotton-wool padding under the sacking cover. It is best for blocks of i to 4 cwt. to make a tray (Fig. 5 i ) with poles projecting a foot at each corner to serve as handles, and then lash the block firmly on the tray. This encourages porters to lift it rather than throw it over. Such things as granite columns or colossi need no cover, but only softening of wood or pads, put under bear- ing points during moving. On shipboard they io8 PACKING travel best laid at the bottom of a cargo of beans in bulk or bales of cotton, which wedge them tight. Pottery is the most troublesome stuff to pack. The difficulty lies in keeping the packing material at the right places, and preventing it Pottery. , . "^ , ' ^ , . ° , lumpmg together and so letting the contacts become bare. All the larger hollows must be filled with small pottery, or very light boxes, or empty tins, so that the packing cannot .shift together. For large jars it is best to roll up straw in cloth to form cushions i to 2 inches thick, and nail these on the box at the points of contact ; always observ- ing if the jar can get loose by skewing into the diagonal. It is often needful to tie cotton stuff over the mouths of jars to prevent the packing working loose into the jar. For flat open forms, such as dishes and wide bowls, a stack should be made with the flattest below, so that each dish rests solely on its centre, and all the edges are free. A very little softening between them, and a firm block (such as a round tin pot) in the top one to take the pressure, will make them all travel with a solid contact right through the centres, so that each brim only carries its own weight. Even thin glass dishes can be packed safely in stacks in this way. Glazed pottery is sometimes very fragile and full of cracks. To save it from falling apart it should be wound with string crossing diagonally in every direction, as tightly as it can be pulled. This firmly binds the jar so that it cannot fall apart. A couple of inches of tightjy rammed softening all round it, will make it then travel quite safely. The material for packing, or softening, varies with SOFTENING AND CASES 109 the country and the season. In England there is nothing so good as the fine shavings ° ° Softening. known as " wood-wool." In Egypt the best stuff is helbeh, a dried green crop which is very clinging, and holds in any position in which it is thrust. Tibn, or chopped straw, is also useful for ramming tight in small spaces. Firm cushions on fixed bearing points are made by rolling up straw in old cloth, and nailing the edges on the box, so that the pressure can never reach the nails. Rough country cotton can be had, but it is dear ; and two or three pounds of prepared cotton wool in sheets should be taken for packing delicate things. Plenty of whitey-brown kitchen paper should be taken for wrapping ; and some cartridge paper or brown paper for parcels. Stocks of nested parcel -post boxes are very useful ; but sliding lids fall out loose by contraction, and glued joints crack to pieces. The domestic stock of biscuit boxes and food tins of course all come in for varied use. The making of cases is little understood, and least by professional case-makers. Cases are often supplied in London with the grain entirely running round them, and nothing to prevent their splitting around and dropping in two parts. The most perfect construction is that with the grain running in all three directions (Fig. 52), but such boxes have the disadvantage that the lid cannot be entirely removed. The most practical form is with internal corner-posts, and the sides nailed to these with all the grain running around. First the end boards are nailed on to the corner strips, and then the side boards nailed on. All the nails no PACKING should be driven diagonally (Fig. 53), alternately one way and the other, so that no board can be drawn off without splitting the wood. And the end nails should always be close to the edge, and rake deep down into the corner strip, to avoid splitting the end ; thus the edge of the board cannot part off Fig. 52. — Box without cross bars, the grain running in all three dimensions. with all the lid or bottom nailed to it. For as the whole weight comes on the last inch of the sides on to which the bottom is nailed, unless that is well held on it often parts from the rest of the side. The lid is of course nailed on with upright nails so as to draw off; and a large number of short nails, pro- jecting only ^ inch, is the best for this, as if large nails are used the lid splits during opening and leaves the nail in the side. If a case is long, it is best to have some other CASES AND UNPACKING 1 1 1 upright strips down tlie sides. Partitions bearing against tliese strips are good to tceep weight from riding down when the box is dropped on one end. If objects vary much in density it is convenient to pack a heavy compartment in the middle and a Hght one at each end of a case. Any bars or boards used to hold down heavy pieces from shifting Fig. 53. — End of a box in course of making, to show the diagonal driving of the nails. should not be nailed through the sides, as damage is often done by the violence needed to loosen them in unpacking. Such bars should be held in place by side sti'ips, or other solid articles in the packing. Tin pots are very convenient to protect small and delicate things, and to hold heavy objects from shifting about. The packer must always remember that the un- packer will not know the contents of a case, nor any precautions that are needful. The best arrangements, which may seem infallible, may be entirely upset by the unpacker Unpacking. 112 PACKING opening the case at the bottom ; hence no papers of directions in a case should be relied upon. Also the unpacking is generally left in museums to be done by rough labourers, who may entirely over- look needful precautions or even throw away most valuable things in the boxes. It is dangerous, therefore, to pack small objects in straw ; nothing under lOO cubic inches should be put separately in the packing, anything less being put together in paper parcels. It must always be remembered that a careless unpacker may unwrap everything, and throw away the papers ; hence no labelling or directions should be solely put on the wrappers. Even labels with objects are not safe ; as in several museums the labels have been thrown away, or else stacked in a pile together. Labels should have printed on the back in big red letters, " To be kept with the object." Marking upon each object is necessary, whenever possible. The best way to learn the difficulties and fallacies of packing is to carefully study the causes of any disasters found in the unpacking. APPENDIX LIST OF TOOLS, ETC., TO BE PROVIDED FOR WORK For Excavating. — Crowbars, ropes,^ large hammers, cold-chisels, stone-saw, saw-files, sieves (fine wire), native sieves.'^ For Cleaning Objects, etc. — Dusting-brush, nail-brush, tooth-brushes, paraffin wax. ' These can be obtained in any Egyptian town. TKAN.^PuR^ IN |-'GVI'T. Fig. 54. Two Xile boats ; laden with straw. ^-''S- 55- Camels starting at dawn. The return at noonday. LIST OF TOOLS 113 For Packing. — Paper bags, jewellers' tag labels, reams of kitchen paper, nests of boxes, brush to mark boxes, hammers, saws, chisels, brace and bits, pincers, stout pliers, files, awls, spokeshave, screw-drivers, screws, wire nails,^ square, hone-stone. For House. — Locks, hinges, bell. For Copying and Planning. — Cartridge paper, thin journal paper,'- rag paper for squeezes, spoke brush, paint brushes for outlines, colours for colour copying, drawing boards (several cheap ones, various sizes), tapes, 2-metre rods for gauging work and planning, prismatic compass, box sextant, vertical mirror level. ' These can be obtained in any Egj-ptian town. CHAPTER X PUBLICATION The final shape of the publication of the record has to be borne in mind in all the progress of it. The arrangement of the plates must precede Arrangement. . . , ., ^ t , the writmg of the details of the work. In past generations the ideal was to define in words the conclusions and speculations of an author, and, where unavoidably necessary, to illustrate them by some costly engravings. How inefficient such publication may be, is seen at once in Greenwell's British Barrows, a work full of important detail, which has to be painfully understood from hundreds of pages of text, where plans — and little else — are needed. Indeed the only means of using the information is to reconstruct plans from the intricate text. As form can now be almost as cheaply expressed as words, the ideal is widely changed. The reader is to be put first of all in possession of all the facts and materials, and the author's conclusions are only a co-ordination, presented to enable the reader to grasp the material, and to feel clearly the effect of it on his sum of ideas, or organised sense of the nature of things. Hence nowadays the main structure of 114 ARRANGEMENT, PLATES 115 a book on any descriptive science is its plates, and the text is to show the meaning and relation of the facts already expressed by form. The plates, there- fore, are the first thing to prepare ; and when they are complete it is time to put in words the con- clusions which have been reached. The orderly arrangement of the material in plates is the first duty. The drawings are each to be made with the final scale in view, so that Plates. the lines may be of proper thickness, neither faint nor coarse. The material must be classified according to its nature, — views, plans, in- scriptions, sculpture, small objects, pottery, etc. In each class, the historical order must be followed, objects that are to be compared placed together, and the material arranged in an orderly shape, so that it gives a clear impression, and can be easily found again from memory. The details of the squareness and alignment of the various drawings on a plate are much more serious than might be supposed ; needless irregularity confuses and disappoints the eye and starves the memory, distinctly detracting from the use and value of the work. Obviously every object on a plate must have a number for reference ; and in a long series it is best for the numbers to run through several plates ; so that "sealing 157" or "mark 642" is a complete refer- ence and definition. A uniform scale should be used throughout a plate, or a series of the same class, and it should be stated in the heading of the plate. Every plate should have stated in its heading the source, nature, age, and scale of the objects ; for these render reference far easier, and also give a value ii6 PUBLICATION to loose plates apart from the volume. The use of double-page plates is often desirable, in order to show the whole of a large class at one view ; the only- drawback to them is that objects are more difficult to find in turning over the leaves. At every point it must be remembered that nearly all foreign students, and most English ones, will know the plates but not the text ; that the plates will be the material prac- tically used for comparison, and building up a view of the subject ; and therefore that they should be as far as possible self-contained and self-explanatory, with full lettering upom them, and should comprise the main results of the work in diagram. To help reference to the text, the list of plates should have the page references to each plate stated, to show where it is described and dealt with in the text. The facility of using, remembering, and referring to the plates should be the first consideration. It is even well to remember to make the right-hand edge, or outer edge, of each plate the strongest part, with the most striking objects and best arrangement, and let the other edge be a residual, as this ensures the best eye-grasp in turning over the leaves. The amount of plates must depend upon the subject ; but it is none too much if the area of plates is double that of the text, or twice as many plates as there are pages. Folding-out plates should be avoided where possible ; a double page on a deep guard, so as to lie flat when the book is opened, is the largest that should be ordinarily used. The most absurdly inconvenient shape is to have wide margins to a plate, and a fold at side and another at base, to make it fit the book. It is best to remedy PROCESSES 117 such folly by taking the plates out, cutting thenn to book size if margins allow, and resetting without folds. The wild freaks of recent books in Egypt- ology are incomprehensible. We see some with plates which might be bound with text, yet printed with gigantic margins and issued in an entirely different size, so that they cannot be bound, or even stand on the same shelf with the text ; some plates put on guards of tissue paper, so that they tear out of the book in turning over ; one serial in parts with the plates starting fresh numbers with every separate paper, thus one part has half a dozen " Plate i " in it, making printed references to the work quite im- possible ; other publications with the plates all renumbered and rearranged after printing, and double references throughout ; others with scattered numbers of the plates issued, and intermediate numbers to appear later, after many years or never ; some with plates without any numbers to the objects, and stray references in the text showing that they are usually counted by the author from the base upward, and from right to left. Every absurdity which want of design, forethought, and common sense could perpetrate, seems to be found in these monumental works. The processes used for plates vary greatly in cost and quality. The cheapest is photo-lithography from line drawings ; but only black and white can be given thus, without any half-tones, and the illustrations must be all together on a plate, and cannot be placed in the text. Yet as it can be done at less than 2d. a square inch for 250, or 6d. for 2000, it enables a much larger quantity of ii8 PUBLICATION illustration to be given than would be possible other- wise. Relief process from line drawings costs 4d. a square inch for the blocks alone, without printing on paper ; but as it can be placed with the text and printed together, it has a great advantage, especially for small subjects. Collotype is next in cost, being 6d. a square inch for 250, or 2s. for 2000, but less than this cost in Germany. It has the same disadvantage in being restricted to whole plates, and not mixable with text, but it gives the half-tones well from photographs, and in fine examples is almost as good as a silver print. The finest I have seen were from Berlin. It is best to supply glass positives to the collotyper, and leave him to make such negatives as may suit him. If negatives are sent they are often destroyed. Net process gives half-tones, though with too coarse a grain for very delicate details. The cost is about double that of relief blocks, but as it reproduces photographs which can be mixed with the text it has an enormous use now, from cheap newspapers up to art publications. A disadvantage is that it requires a highly glazed paper to print upon, such as is un- pleasant to read, heavy to hold, and liable to decay. Its duration therefore is distinctly ephemeral. For special subjects the more costly processes are requisite. Chromo-lithography may be expected to cost about half as much again as photo-lithography for each colour used. As seldom less than four colours are efficient it costs at least six times as much as the line plates ; thus the cheapest colour plate begins at the cost of the best net process ; and it may easily come to three or four times that EDITIONS 119 amount. But probably the three-colour photography will soon abolish chromo-lithography, and work much cheaper, perhaps at three or four times the price of collotype. The autotype, platinotype, heliogravure, Swan electric engraving, and other processes all have their place for special subjects, but seldom come into the general run of archaeological illustration. A very successful policy for costly works of research is to issue a magnificent edition for libraries, book - collectors, and rich amateurs ; , , , , , ... Editions. and then to have a much larger edition, deficient in a few of the most costly and least necessary plates, sold at a cheap rate for students and the general public. Thus one great work of coloured folio plates costs ;^2 or 3s. a plate for the complete edition ; whereas with a few plates deficient it is only £6 or is. a plate. Thus the cost of pro- duction is borne by those who demand magnificence, and the results are yet within reach of students. Another useful arrangement is to issue a public edition for general reading, and an appendix of extra plates for students, which would overweight a general edition. Thus a 2000 edition of the popular half of the plates may cost £i^oo, and a 250 edition of the students' half of the plates may cost £100, so saving ;£^300, which would be uselessly spent on 1750 copies that are not wanted, and which would only be a dead-weight to the main work. In arrangement of the text the main necessity is ready reference, and a form which can be remembered. The way to this is by classifying the material, dividing into chapters and paragraphs, each with a title. I20 PUBLICATION and above all making a good index, which ought to be about a tenth of the length of the Text. ° work. A list of plates should have page references for each plate. Remember that all smaller type, footnotes, and tables are far more expensive than straightforward printing. The general nature of the record of results has been already dealt with under the recording ; and the need of giving an organic handling of the whole has been pointed out. As to publication, if any publisher will under- take to issue a work of research at his own risk, well Pubiisiiin ^"^ good. If the author gets a gradually increasing royalty after the first loO copies, that is as much as can be expected from this class of literature. But in no case have any profit- sharing agreement. Usually such a work will have to be issued at the author's risk, and a few of the pitfalls of such arrangements may be noted. Let the manuscript really be in final condition, down to every stop, before it goes to the printer ; consider the details of headlines, paragraphing, insertion of illustrations, arrangements of any tables or lists, (counting the letters), and in short leave nothing undefined. Have an agreement with the printer for terms, including an average of, say, two author's alterations in every page, none to alter the length of any page : this allows for inevitable small improve- ments, without leaving an entire uncertainty in the charges. Correct the proofs in red for the author's alterations, in black for the printer's errors. If alterations exceed the allowance, reckon on paying for the resetting of the worst pages, so as to bring TEXT AND PUBLISHING 121 the average to the allowance on the rest. Beside the contract for printing and binding, have a con- tract with the lithographer, another with the collo- typer, and another with the bookseller, for his terms of commission on sales. Thus the author knows exactly where he is, and no unpleasantness can arise from unexpected charges. After publication, the binder and plate -printer should be asked for any blocks used ; and to send up any " overs " or spoilt plates ; as such are often valuable afterwards to cut up for special uses, and may save spoiling copies of the book. All photographs and drawings supplied to the plate- or block-maker should also be asked for if not returned at once. CHAPTER XI SYSTEMATIC ARCHAEOLOGY A SCIENCE can hardly be said to exist until it has a developed system of work, and its possibilities of value for teaching purposes depend en- Sy stems ofWork. . . . tirely on the organization of its methods. Geology was a chaos before the generalisation of the successive order of the strata, and the method of the determination of a stratum by its fossils, gave the subject a working system. Astronomy was a maze until the Newtonian laws produced methods of analysis. Chemistry could not be said to have any methods until the use of the balance and the theory of atomic combination made possible the last century of development. So far, archaeology cannot be said to have systematised any working methods except those of artistic comparison and of epigraphy, and these can only cover a small part of the space and time which need to be studied. Two general modes of work, however, have been begun, beside that of artistic comparison ; and it only needs that they should be fully carried out in order to produce a thoroughly systematic archaeology. These methods are (i) the complete definition of SYSTEMS, NEED OF A CORPUS 123 facts by means of a corpus of all known varieties of objects, in terms of which every object can be defined ; and (2) the arrangement of material in its order of development by statistical methods and comparison, which bring out the original sequence of construction. These two methods of work may prove to be, for archaeology, what the balance and atomic theory have been for chemistry, — the neces- sary foundation for systematic knowledge and exact theory. The collection of known objects in a corpus was well done by the early systematisers, especially Montfaucon ; and though his work is Need of a nearly two centuries old, it has not yet corpus. been superseded by better productions in every department. Since that appeared, the mass of new material which has been collected, especially in the last fifty years, cannot be mastered by one man, if he is ever to find time for original work ; and the whole subject is near coming to a standstill owing to the dead weight of preparations which are required before going further. Until a generation of system- atisers shall arise, archaeology can scarcely progress without continual waste of material and loss by duplication of work. Moreover, there is no general reference work, and no notation efficient for record- ing new discoveries. What is now urgently needed is for some scholars to each take one branch of work, to collect all that is known, especially of dated material ; and then to publish all type examples, showing how the subject varied from century to century, and to attach a system of letters and numbers to every variety, so 124 SYSTEMATIC ARCHAEOLOGY that any specimen can be denoted merely by its corpus number. This should be done at least for all implements of stone and of metal, all pottery, all stone and metal vases, all beads and personal orna- ments, jewellery, clothing, domestic utensils, and all motives of design and ornamentation. With such a definite notation once laid down, it would be possible to record discoveries, and especially groups of objects, rapidly and in a small compass. It would also be possible to compile results of excava- tions and the contents of museums in simple indices. In order to work systematically in archaeology we ought to be able to look in an index and find at once where, and of what epoch, is every instance of a particular object : say, of a key, type M 27, or of a vase, type D 64. Such indices should be con- tinued by supplements issued every ten or twenty years. At present, if one would ascertain the parallels to a particular form, it is necessary to search through hundreds of volumes and to visit all the museums — a matter of months of work. Progress in archaeology, as an exact science, is practically impossible ; it should be easy and rapid, were all the known material always to be found at once in a corpus and indices. Only one corpus has yet been formed, and that is restricted to only one country, one period, and Example of One material — the prehistoric pottery corpus, of Egypt (see Nagada and Diospolis Parvd). An outline of the system there followed will serve to show the actual working of a corpus, though for each different subject the details will need separate consideration. The whole of this EXAMPLE OF CORPUS UTILITY 125 pottery comprises about a thousand varieties. Each class of pottery is denoted by its initial letter ; P for polished, B for black-topped, etc. Each form in a class is numbered, from i to 99, and each sub- variety is lettered. Thus R 63 c means rough pottery, type 63, variety c ; and this completely defines the example. The numbers are not always continuous, but gaps in the series are left where there is much difference between the forms. In this manner it is possible to add new forms without upsetting the system, and new sub-varieties can be brought in by using small letters. The forms are best classified by beginning with the most open and flat dishes, and proceeding to the most closed forms, with narrow necks ending. The point of reaching verticality in the sides is a well-defined middle point. The practical utility of such a corpus is found at once when excavating. Formerly it was needful to keep dozens of broken specimens, which utility. were of no value except for the fact of being found along with other vases. Now the excavator merely needs to look over the corpus of plates, and writes down on the plan of the tomb, say, B23,P35 3, Ci5,F72, thus the whole record is made, and not a single piece need be kept unless it is a good specimen. How essential such a record is for future progress we shall see below. The most obvious step now would be to corporate all the pottery of Italy. A corpus from Pompeii would be the best starting-point, as being all of one period and well dated ; then a corpus of Constantinian forms, a corpus of Republican forms, and a corpus of each of the prehistoric periods. The early history 126 SYSTEMATIC ARCHAEOLOGY of the Forum at Rome hangs now upon the safety of little groups of potsherds lying in a shed, yet unclassed and unstudied, and certain to be swept away some day by some one who does not value them. Instead of this we ought to have a corpus for reference, and then the contents of each of the archaic wells could be at once denoted and published by the numbers of the types ; the historic material would be safe, and could be studied at any future time irrespective of the conservation of the heaps of sherds. Carry this out in Greece, and, instead of piles of pottery lying in the fields or on the terraces of a classical site from the prehistoric town levels, each piece could be noted by its number, and all could be published to make the history of the site accessible. Without a corpus such discoveries are but a pathetic destruction of material ; with corpus notation they would form the basis of a thorough history of the site and of all its changes. All that is needed to produce a corpus from a collection is a month or two of work by a draughts- man, who has an accurate eye for form, working to a uniform scale, and systematising the material conveniently for future reference. Some subjects would require collecting from many sources, but generally all the pottery of one period can be found together in one museum. We now turn to the second method for archaeo- logical research. This is the synthetical arrangement of the material in the original order. Successive ages. . . The most obvious arrangement is that by contemporary dating, as by years named in a chronicle or on coins, or by successive reigns of SUCCESSIVE AGES AND SEQUENCES 127 kings. But outside of this method there yet lies the greater part of human history, which can only be reconstructed by some internal evidence of suc- cessive periods. A couple of generations ago there were laid down the main divisions of successive ages of stone, bronze, and iron ; and then the division of the stone age into palaeolithic and neolithic. After that fol- lowed the separation of palaeolithic into four main periods in France, more or less applicable to other lands. Further definition was yet found to be necessary, and the neolithic and bronze ages were marked off into many classes, which had to be distinguished by the names of places where they were first found ; and thus we reach a multitude of names, such as Mycenaean, Hallstattian, the period of La Tene, etc. Such a piecemeal plan is well enough for a beginning ; but it is not capable of exact definition, it is cumbersome, and it does not express the relation of one period to another. Before we can think of subdividing a period into a continuous notation, the first requisite is to be able to place the material into its original , Sequences. order or sequence. Let us suppose some old country mansion, where it has been the habit to close permanently any room in which an owner had died, and leave everything in it undisturbed. If we went through such a series of rooms we could not doubt their order of date if we looked at their contents. The William IV room could not be put to the middle of George Ill's reign ; the George II room could not be supposed to go between those of James II and Anne. Each room full of furniture 128 SYSTEMATIC ARCHAEOLOGY would have some links of style with that of the generation before, and of the generation after it, and no real doubt could exist as to the sequence of the whole series. What is true of a room full of furniture is equally true of a grave full of pottery. If we compare together a series of groups of pottery which are not separated by any long time, there will always be found some relationship between the forms in different groups : one group will be seen to fall between two others if it contains forms to be found in each of the other groups, though these others may have nothing in common together. A fragment of the alphabet, K L M N O P, must fall between H I J K L and O P Q R, and proves their connection. Thus if each form lasted in use for a uniform length of time the problem would be fairly simple. But it is complicated by the plainer forms lasting far longer in use than the complex or highly decorated forms ; some may go on being made for a thousand years, others may not have been made for even ten years. Hence it is needful to resort to various statistical modes of sorting, which differ in each case. A complete instance of the process is given in Diospolis Parva, pp. 4-8. On the other hand, the sorting of material is greatly helped by any clear series of forms derived one from the other ; especially a series of degrada- tion, and reduction of useful elements to mere ornament. It is well, however, to have a check on one end of a series, by connecting it to known times, so as to prove which way it proceeds. What notation should be used to express a series SEQUENCE DATES 129 of sequences must vary with conditions. Where we can deal with a larger number — many . Sequence dates. hundreds — of good graves, each contam- ing plenty of material, then a scale of equal numbers of graves is perhaps the fairest that can be taken. Thus for a scale of sequence dates, for the pottery named above, I adopted 50 numbers, each repre- senting 20 graves. The final result is to express the time-range of each type of pottery and of other objects in the graves in terms of the scale of sequence of the tombs. Thus the date of certain forms may be stated as 33-42 sequence date; 37-70 sequence date; 45 -48 sequence date, etc. And when this is once established it is easy to date all further graves by arranging the dates of each object found in a grave, for instance in actual cases : — Sequence dates. Sequence dates. 30- -36 35- -68 32- -68 60- -69 30- -42 68- -78 31- -34 68- -78 Limits 32-34 68 The larger the group the more closely it is dated, by reason of the various forms having a very small common ground of dating. This system enables us to deal with material which is entirely undated otherwise ; and the larger the quantity of it the more accurate are the results. There is no reason now why prehistoric ages, from which there are groups of remains, should not be K I30 SYSTEMATIC ARCHAEOLOGY dealt with as surely and clearly as the historic ages with recorded dates. Yet another all -important matter for the sys- tematic archaeology of the future must be here mentioned, especially as it greatly affects Oonservation. ^ the future schemes of field-work. The first requirement for systematic work of study is material sufficient to work on. And to provide this there must be both discovery and conservation. During the last century there has been a gradual growth of archaeological perception ; and in place of only caring for beautiful and striking objects there has arisen some interest in whatever can throw light on the past civilisations. But unhappily the ideas of conservation have not kept pace with the work of discovery. The present system of museums is the most serious bar to the progress of archaeology. The building, which is the mere modern shell, of no interest, and often of no beauty, is the master of the collection, which is restrained and crippled by such conditions that its use is impaired and its growth is stopped. The past is vanishing before our modern changes yearly and daily. There is ever less and less to preserve. And everything possible must be garnered before it has entirely vanished. The present has its most serious duty to history in saving the past for the benefit of the future. In a museum the collection is the essential ; the building is the mere accident of the surroundings of the collection, and it should completely BuUdlngs. ^ ',, , . ,r conform to all the requirements. Yet can it be believed that, even in the last year or two, enormous national museums — as at Cairo and BUILDING AND LIGHTING 131 Brussels — have been built without the smallest regard to the collection, or the opinions of the curators ? The result at Cairo is the most deplorable sacrifice of the art and history of a great country to the follies and childish vanity of an incompetent and unsympathetic architect. We will not stay to detail the entire unsuitability of that building in style, form, size, and lighting ; the constructive questions of what is needed for a proper museum are our subject After the common purpose of all buildings — security from man and nature — the first require- ments in a museum are lighting and Lighting. grouping. Whatever interferes with these is a detriment which should be avoided or removed. Lighting must be (i) direct, not from . reflection by walls ; (2) full, but not dazzling ; (3) in exactly the right direction. Of all the precious statues of antiquity there is not one that has had a tenth of its value spent on the best lighting possible. Most are in hopelessly bad positions, as the Aphrodite of Melos in a weak, diffused, sidelight ; and none have the simplest blinds to change the direction of the light, so as to study the surface in varying lighting. To know what a figure requires, only take a fine statuette in the hand, and try what can be made of it by the variation of direction, obliquity, and amount of lighting. Then see how hopeless it is to know a statue in one fixed lighting, even if that be suitable. The only person competent to arrange the lighting of objects, and especially statuary, is a successful photographer who has well practised the lighting of portable figures. An 132 SYSTEMATIC ARCHAEOLOGY almost vertical light is essential for all human figures in the round or flat ; but it needs most delicate adjustment to bring out the more important modelling, and many different directions of light to shew all that there is in the work. What is true of statuary is true in a lesser degree of every other object. No other qualities can possibly atone for defects of lighting in a museum. No building with a bad light can be called properly a museum ; it may be an architect's triumph, a civic ornament, a costly patchwork, a marvel of folly, but a museum it is not, if it is unfit for the first requirements of a collection. The second great requirement, that of grouping, includes the intelligent display of objects so as to shew their relation to each other in Grouping. development, their connection as found together, the preservation of the whole of the material that should be preserved, and its comparison by means of casts. The relation of objects in development requires free space in a museum, and the absence of any pinching consideration of how to utilise every square foot. Their connection as found together in tombs and groups also requires free space, more than is yet to be had in any English museum. The preserva- tion of the whole of the needful material is still more utterly beyond the limits of any of the present museums. Every year a great deal of entirely irreplaceable material is thrown away, or neglected on the spot, because there is no hope whatever of preserving it. In the British Museum space costs several pounds a square foot, and only objects of GROUPING, NATIONAL REPOSITORY 133 great value can be reasonably preserved there. We are driven, then, to the conclusion that the progress of archaeology and the preservation of the past, as it comes into our hands year by year, is essentially a question of free space. And that is practically entirely a question of cheap space. To refuse to preserve anything that is not worth some pounds per square foot, is the death of archaeology ; and yet such are the necessary conditions in our present museums, however much we may expand them in their costly conditions. If we once think of what the condition of affairs will be fifty years hence, when many periods and places will be exhausted, and yet nothing but showy objects are preserved, we see that the future knowledge of archaeology is help- lessly bound up in the question of our immediate expansion of conservation. We see then how absolutely necessary for archae- ology and ethnology it is to have a National Repository, where the cost of space shall National never be detrimental to the collection. Repository. I need not enter on the details of how such a repository could be carried out, as I have fully discussed them at the British Association, and the Society of Arts {seejow. S. A. No. 2, 478, price 6d.) ; but an outline of the conditions and cost will shew the practicability of the proposal. All objects of value to a thief should be kept in the strong custody of city museums ; but the great majority of speci- mens that should be preserved are too bulky or too unsaleable to be stolen, beside casts which no one would steal, and such do not, therefore, need more than general supervision. A square mile of land, 134 SYSTEMATIC ARCHAEOLOGY within an hour's journey from London, should be secured ; and built over with uniform plain brickwork and cement galleries, at the rate of 20,000 square feet a year, so providing 8 miles of galleries 50 feet wide in a century, with room yet for several centuries of expansion at the same rate. A staff of about 30 persons would suffice to arrange the new material at this rate ; and having abundant space, no time would be wasted by frequent shifting of old material. Everything should be photographically registered as it came in. Glass should be placed over all objects which can deteriorate ; but the amount of dirt would be a minimum in the country, and with the air-supply filtered from dust. The total cost of land, building, materials, and staff would be covered by a budget of ;£^I0,000 a year. And this is the normal increase of the British ]\Iuseum budget every four years. Hence if the British Museum were to find room by clearing out objects which are not liable to be stolen, for a few years, and placing them in the Repository, the cost of the Repository would be paid for to all time. A mere retardation of growth of the British Museum for five or ten years would entirely make up for the cost of the Repository twenty times its size. That this provision is perfectly practicable is not denied ; that it would be far cheaper than continued expan- sion in highly expensive conditions is certain ; and that it is essential for the growth of archaeology and ethnology is sadly obvious. Let us hope that if we are too hide -bound in England to grasp the new conditions of research, that at least in America some one will provide such a storehouse for all time ; NATIONAL REPOSITORY 135 where some day the history of the world may be studied, when we have hopelessly lost the chance of preserving what might at present be had for the asking. If we are to make up our minds to ignore and lose what is now being lost and destroyed every year owing to our ignorance and blindness, we must look to the New World to rescue from our misuse the material we now throw away, and so preserve the history of mankind. CHAPTER XII ARCHAEOLOGICAL EVIDENCE The nature of proof is more complex than it seems to be at first sight. True enough, all proof is merely a matter of common sense : it does not Nature of proof. appeal to any different faculty. And though a proof may follow as simply as possible from the facts, yet it cannot be understood by one who is not familiar with the facts to begin with. Trigonometry is the most obvious common sense to any one familiar with the formulae ; and the formulae themselves are only common sense to any one who takes the trouble to argue them through. Yet, for all that, trigonometry is not obvious to the ignorant. In the same way the evidences about the past of man are simple and clear when the facts and methods from which they are deduced are already known. Yet it requires a good familiarity with the material be- fore the conclusions can be felt to be self-evident results. To follow clearly what evidence and proof means, it is best to refer to a class of evidence which is most familiar to the reader. What is commonly called legal evidence is the best-known example, as it is met every day in law 136 LEGAL EVIDENCE 137 cases and police reports. Evidence is based on the same principles, in whatever subject it may be ; there is not one logic for the present, and a different logic for the past. But the kind of evidence, the exactitude, the certainty, which is considered enough to determine a property or a life, is rightly looked on as conclusive for all reasonable purposes. The laws of such evidence have been threshed over for generations past ; and it is well known what kind of proofs may be relied upon, and what are dubious. If we then compare this class of evidence with that which we accept in studying the past history of man, we shall see more clearly what kinds of proof are admissible, and how far it is reasonable to depend upon our results. In examining legal evidence we see that it all falls under one of four heads — (i) witnesses, (2) material objects, (3) exhaustion, and (4) probabilities. These four kinds of evidence are of very different values ; any one of them may be stronger than the others in a given case, and each kind has its own special weakness. 1. Witnesses provide the most clear and con- nected proof, and the least liable to misunderstand- ing ; but yet a proof which is entirely dependent on veracity, on intelligence, on absence of prejudice, and on clear memory, and is hence the least dependable kind of evidence in some cases. 2. Material facts, which may be very conclusive ; such as A's footprint in B's garden, or A's chisel left in B's house, at a burglary. If the fact is certain, the conclusion is proved ; but the danger lies in misunderstanding the fact. 3. Exhaustion, which may prove A guilty because 138 ARCHAEOLOGICAL EVIDENCE no one else could have done the deed ; as when A and B are seen in a railway carriage at one station, and at the next stoppage B is found murdered and A leaves the carriage. There may be not a trace of other evidence, but this is enough. 4. Probability, as when A is last seen with B, and B proceeds to deal with the property of murdered A. This kind of evidence is enough to hang a man, solely from presumption. Now let us look at these kinds of evidence about the past of man. 1. Witnesses, the documents, which give a clear and connected statement. They may be either primary, as a stone inscription or an Witnesses. '^ ' '^ autograph letter ; or secondary, as com- piled histories or subsequent copies. No other kind of evidence is so easy to follow ; yet this is a proof in which we are entirely at the mercy of the pre- judices, the ill-will, the frauds, and the blunders of others, and it is hence the least dependable kind of evidence in some cases. The speeches of Thucydides, the bias of Suetonius, the wonders of Livy, the romances of William of Malmesbury, and the forgery called Richard of Cirencester, each plunge us deeper and deeper into the doubtfulness of written docu- ments ; to say nothing of the casket letters or Ossian. 2. Material facts, when rightly understood, are the most conclusive evidence. They may be in a single object, as a palaeolithic flint re- chipped over and over in later ages ; or a foreign ornament used on an object of dated style, as a Maori tatued head in a daguerreotype would prove the tatuing to be known between 1840 and EXHAUSTION AND PROBABILITIES 139 i860 ; or a restruck coin with one type over another, as Barchocheb over Hadrian ; or an added inscrip- tion, so familiar on Egyptian statues. Or the evidence may consist in a collocation of objects, such as a group of things found together in a tomb ; or the superposition of strata of ruins in a town. In the case of a single object there are few possi- bilities of misunderstanding the evidence ; but in strata or tomb-groups there is a chance of older things being reused. Such chances of error are, how- ever, extinguished by the recurrence of instances ; and the finding of certain things together in several cases under different circumstances is one of the strongest kinds of evidence, such, for instance, as the name of Amenhotep III often found with the Mykenaean pottery, both in Greece and in Egypt. 3. Exhaustion may prove a point ; as, for instance, the Iconoclasts in Greece or Reformers and Puritans in England were the only destroyers of Exhaustion. images and pictures, or Akhenaten was the only man who erased the name of Amen. Such destructions therefore are evidence of the age and the man. 4. Probabilities, as, for instance, the fact that the Saxons erased the Romano-Britons, makes , , , , f-., , TT • . Probabilities. it probable that Silche.ster, Uriconium, and other late Roman towns which were burnt, were destroyed by the Saxons. We see thus that each kind of proof which is accepted legally is also used archaeologically, and is subject to much the same failings. Legal evidence may fail by mistaking the nature of the facts, such as that some rabbit's blood on a knife is human I40 ARCHAEOLOGICAL EVIDENCE blood ; so may archaeology mistake by ignorance, as when the Mykenaean treasure was called Byzantine. Or legal evidence may fail by wrong inferences from facts, such as that some human blood on a knife is due to a murder, while it has come from the owner's finger. So archaeology erred from a wrong inference in calling the treasure of Troy " the treasure of Priam." Or legal evidence may fail owing to mere pre- judice, thus ignoring the truth. So archaeology has suffered from the prejudice that nothing in Greece can be older than the Vlllth century B.C. It is supposed sometimes, by those unfamiliar with the subject, that archaeological evidence is so doubtful or so slight that it cannot be relied upon, and is not to be compared with the certainties of legal proof. Let us see then what legal proof is in important cases. In one case a will was lost, and the mere memory of its contents, stated by a survivor who had assisted in writing it, was accepted as sufficient proof of what had been in it, and the property was distributed accordingly. In another case property was left by A to B, or failing B to C ; B also made a will leaving it to D. A and B were killed together in an accident, and the slightest observation of which moved last, deter- mined whether C or D had the property. Again, there are innumerable cases of setting a will aside because of the testator not being of a sound mind for disposing of property ; and various assertions of irrelevant facts by various interested parties are held to reveal the true mental capacity of a person to a judge and jury. In a murder trial the question of LEGAL PROOF, EGYPT AND EUROPE 141 whether one or both of the assailants were guilty was held proved by the deceased having been tied by two different forms of knots. In another trial the mere presumption due to concealing a body and dealing with the property of a murdered person was enough to hang a man. Such are some of the evidences which are held good in law to settle questions of life and property. Happily archaeology is relieved from the terrible dilemma of being bound to come to a conclusion at once, as the law has to do. Questions can be left pending, and it is not peremptorily needful to act one way or another. An open mind can be kept on difficult and obscure points ; and a matter can be discussed in fresh lights, without keeping a prisoner standing in the dock the whole time. Legal con- clusions are often wrong ; though, as the law can do no wrong, a free pardon is all the sufferer gets when his innocence is proved. But if legal proofs, argu- ments, and conclusions were kept freely open to revision for years ; if they were printed in every text- book for beginners ; if all students were encouraged to find fresh evidence, and to upset what was laid down, and if the high-road to position lay in re- versing the decisions of past authorities, it seems only too likely that there would be a greater wreckage of bad cases and bad law than there now is of bad archaeology. For an example of the nature of archaeological evidence it will be best to study the connections of Egypt with early Europe. This subject Egypt ana is not only a fascinating one historically, Europe. but it includes a great variety of different kinds of 142 ARCHAEOLOGICAL EVIDENCE evidence, — from paintings, from groups found in tombs, from remains of palaces, from objects exactly- dated by royal names, from objects dated by their nature and style ; and evidence which is of various degrees of certainty. Moreover this evidence has been more actively and continually attacked than any other class of discoveries of late years, and hence the most that can be argued against it is well known. Until 1883 nothing was known of the Greeks in Egypt before the Ptolemaic age ; the accounts of inxxvith Herodotus about the Greek mercenaries. Dynasty, and their connection with the XXVIth Dynasty, stood solely as a literary statement, without a scrap of tangible evidence. At the close of that year I bought an archaic Greek statuette in Cairo (Fig. 56) ; and on enquiring about the source of it, I heard of Nebireh, and hunted out the site in the Western Delta. There I found the ground covered with archaic Greek pottery dating throughout the XXVIth Dynasty, and it was evident that a great Greek city had existed there. Next year, at the close of 1884, I began exploring it, and found on the first day there, a decree of the people of Nau- kratis. Here then the evidence of Greek occupation depended upon the presence of thousands of pieces of Greek pottery and sculpture ; and to imagine that these had all been imported by Egyptians was beyond any possible supposition. A town containing almost entirely Greek remains, and with only clumsy imitations of Egyptian subjects, was certainly occu- pied by Greeks. And as there is no instance or probability of Greeks having imported great quantities of vases made in earlier times, this place contained IN XXVlTH DYNASTY 143 good evidence for Greeks having lived there from the VI Ith century B.C. As such it was generally accepted ; but the dedication by the Naukratites was withheld from the public for six months by over-cautious authorities, for fear that something else might con- tradict it. This is a case where what was un- doubtedly good evidence should rather have been stated at once, with a reservation that it was very improbable that the stone had been brought from another site, or dedicated anywhere except in Nau- kratis. The evidence of the pottery shewed that Naukratis dated from the middle of the VI Ith century ; and this agrees with the statement by Athenaeus that a statue was dedicated there in the 23rd Olympiad, 688 B.C. In the next season, the spring of 1886, I went down to Defeneh, and there found a great mass of Greek pottery of the same period as that of Naukratis. Here again, then, the Greeks had inhabited the site ; and the evidence was clear that this was a great camp of Greek mercenaries. The modern name Defeneh so closely agrees to the ancient Daphnae that no one hesitated to accept their equivalence. Here the identification rests, then, not on a contemporary inscription, but on a modern Arabic name. Important evidence about the manufactures of these places is given by the pottery. Although the two sites were occupied at the same period by Ionian Greeks, yet the bulk of the pottery on one site differs from that on the other. The conclusion is that probably it was made locally by Greek potters, and not brought by traders from Greek 144 ARCHAEOLOGICAL EVIDENCE towns, as trade would probably have imported from the same sources to both sites. The evidence here is from the difference of classes. Another conclusion is drawn from the few varieties of painted pottery which are found in common at both sites. From the levels at which they were found at Naukratis these varieties were dated at various years between 6io and 550 B.C.; and such varieties were found together in a chamber at Defeneh with jar sealings bearing royal names of Psamtek II and Aahmes, and therefore dated between 595 and 565 B.C., as the Greeks were removed from the camp in the latter year. The evidence here is from the collocation of objects ; those dated by the levels at which other things were found at Naukratis agreeing with those dated by mixture with Egyptian sealings at Defeneh. We now turn to the great group of dating of the XVIIIth-XXth Dynasties; and as the nature of xviiitii Dynasty the evidence is our present considera- paintings. tjon we shall classify it according to the kind of source of the evidence. The most certain dating is that of offerings painted on the walls of tombs, as it is always agreed that such represent objects which were in current use when the tomb was decorated ; they therefore are not older than the tomb, nor can the paintings have been added later. Of this class are the paintings of vases in the tomb of Rekhmara, under Tahutmes III in the XVIIIth Dynasty; these vases are shewn as being brought in by the Kefti foreigners, and strongly resemble the vases found in Cyprus, Mykenae, and other Greek sites. Here the con- The Gkeeks in Egypt. Fig. 56. Warrior, in alabaster. I Fig. 57, Graeco-Egyptian vases. Naulcratib, XX\'l Dyn. | .\bydos, X\'III Dyn. BURNT GROUPS 145 nection of Egypt in the XVIIIth Dynasty with people who made such vases is certain ; but the vases might be older than the scene, or such vases might continue to be made to a later time, hence the connection with any given epoch on Greek soil is only a strong probability but not absolute. Another dated paint- ing is that of stirrup vases (to use a more convenient word than " pseud-amphorae," " false-necked vases," or " bugel kanne ") among the offerings in the paint- ings on the tomb of Ramessu III of the XXth Dynasty. That such forms were familiar at that date is absolute ; but they might be older vases preserved in the Royal Treasury, or might be imitations by Egyptians of older foreign forms, like English repetition of Chinese patterns. The next class of evidence is that of objects which have been placed in such conditions that they cannot have been disturbed after a given date. Ihis evidence is given by several deposits of groups of vases, clothing, etc., which were burnt in pits sunk in the floors of houses, and then earthed over. Such groups cannot possibly have been disturbed later on to insert objects, as the charcoal and ashes are undisturbed, and the foreign objects are likewise burnt. Hence the evidence of the Egyptian objects if clearly dated must carry the foreign objects to the same date. Several such groups have been found at Gurob. In one were many Egyptian objects all agreeing well to the date of Amenhotep III, as fixed by a glazed pottery kohl tube ; in another a group agreeing with the date of Tutankhamen, which was shewn by some fragile pendants which could not have long survived L 146 ARCHAEOLOGICAL EVIDENCE in use ; another group agrees to the age of Ramessu II, who is named on a pendant of glazed ware ; and a fourth group agrees to the rougher style of Sety II, which is dated by a dish with his name. The character of the Egyptian objects thus points to each of these dated objects being contemporary with the rest of their group, and therefore truly dating the group. Now in these groups were first, five well-made globular stirrup vases (see Fig. 59); second, pieces of several stirrup vases of a later form ; third, the neck of a later and coarser stirrup vase ; and fourth, two much later coarse and unpainted stirrup vases. Here the changes in the character of the vases agree with the relative dates given by the Egyptian objects. The stirrup vases might be all older than the Egyptian dates, but that is very improbable by the regular degrada- tion of them according with the dates ; and the groups cannot be later than the dated objects as they agree well with the date of such Egyptian things fixed in other cases. It is then extremely improbable that the stirrup vases should not belong to the periods of the Egyptian kings whose names are found with them. Variation in either direction is prohibited by these limitations. We may add that there are two other burnt groups without kings' names, and the connection of stirrup vases with Egyptian objects in these agrees well with the connection shewn by the other groups. Another such grouping was in a burial in open ground at Abydos ; there several examples of Graeco-Egyptian ware (Fig. 57), two figures and a ring vase with pomegranates and lotus flowers, were RUBBISH MOUNDS 147 found with Egyptian pottery and beads of the XVIIIth Dynasty. A somewhat similar grouping is afforded by the rubbish mounds of the palace of Akhenaten at Tell el Amarna. There the palace was ' EubWsli mounds. entirely deserted after the reign of his successor, about 1360 B.C., and the town ruined finally by Horemheb, 1330 B.C. It seems then impossible to suppose anything later being mixed up with the rubbish heaps, which contained nearly a hundred dated objects, none later than 1360 B.C. The supposition has even been suggested that some unknown people, who left no other traces, have at some later time come laden with hundreds of pot- sherds, and dug over the rubbish mounds to mix them together. Such are the wild fancies which must be resorted to if the evidence is to be upset. The rubbish mounds consist of some thousands of tons of potsherds and dust ; and among these, entirely mixed with them, were found nearly a hundred rings and objects of Akhenaten and his successor, and over 1300 pieces of Aegean pottery, representing probably 800 vases. The palace, which was deserted after 1360 B.C., also contained several pieces of the same pottery. Here the great quantity of the material of all kinds pre- cludes all the suppositions that might be made about isolated specimens. The mounds are too large for later material to be mixed with them ; the dated objects are too many to be accidental, or to have been older than the mounds ; and the Aegean vases are too many to have been pre- served from earlier times. The whole conditions 148 ARCHAEOLOGICAL EVIDENCE prove that all the objects were in common use contemporaneously. A somewhat less certain datmg is given by remains found in houses. At the palace of Akhenaten the definite date of its ruin ouse . f^j^iy shews the Aegean pottery in it to be contemporary with his generation. In a house at Gurob, Aegean pottery was found with wood- carving of the XlXth Dynasty and a ring of the late XVIIIth Dynasty, and also under the walls of a house which was built at the close of the XVIIIth Dynasty. These are not precise datings, and are open to claims that the houses were later than the evidence shews ; but such connections give a strong presumption. Similar, but converse, evidence is given from the Greek side. At Mykenae was found a figure of a monkey in violet glaze (No. 4573 Athens); this is of Egyptian work and bears the name of Amenhotep II. A piece of glaze found in a building by the lion gate has the name of Amenhotep III. A scarab of Thyi, his queen, was found in the palace of Mykenae. And three large jars of drab-coloured Egyptian pottery (4569 Athens), such as is quite unknown from Greek sources, were also found at Mykenae. Now these examples prove the import of Egyptian things of the XVIIIth and XlXth Dynasties before the fall of Mykenae ; they do not give an exact dating as their time-connection on the Greek side is unstated, and they might belong to any part of the history of the town. But their agreement in age gives a strong pre- sumption that the latter half of the XVIIIth HOUSES AND SCARABS 149 Dynasty was contemporary with some part of the flourishing period of foreign trade at Mykenae. At this point we should notice an assertion often made, that Egyptian objects, especially scarabs, often bore the names of kings who were earlier than the date of the manufacture. This is sometimes the case, and on this ground it has been attempted to discredit all evidence about scarabs. Now an exactly similar case occurs in Roman coinage, where at eight different periods restorations of coins of earlier emperors took place, no less than twenty emperors being thus com- memorated. Yet no one has impugned the evidence of Roman coins in dating an excavation, on the ground that as some were restored therefore none are of certain value. Similarly seven kings restored the scarabs of earlier times, twelve different kings being thus commemorated ; but that is no reason for discrediting the age of the remaining ninety-nine scarabs out of every hundred. The restorations, say of the Xllth Dynasty kings by Tahutmes III, are as obvious as the restorations of earlier emperors by Gallienus. No doubt to a person ignorant of coins the subject would seem uncertain and confused ; but then scientific evidence is not expected to appeal to those who are ignorant of the subject, whether it be coins or scarabs. We must then credit the evidence of scarabs for dating, although there are some restored in a different style, and although some case might be found where a scarab had been reused at a much later date than that of its manufacture. Such exceptions are certainly not one per cent of the whole, and cannot therefore ISO ARCHAEOLOGICAL EVIDENCE be invoked to explain away the whole of the instances. The largest class of evidence is that from collo- cation in tombs. The weak points of this are (i) Tombs in reuse of tombs so -that primary and Egypt. secondary interments may be mixed ; this should be obvious in any properly conducted ex- cavation, and cannot be brought in as an hypothesis unless some mixture of date can be otherwise proved : (2) the tomb contents being older than the dated object, and so brought to too low a iate, which is very unlikely, as a whole group of things would not be preserved for long together : j) the dated object being older than the tomb, vhich is practically the only danger. A few rare ixamples have been seen of older objects being eburied, but so rarely that only a very small pro- Dortion of cases could be thus explained. The great najority of things in hand at any one time belong o within a generation or two. In our own time, ilthough we treasure older things more than did the )eople of any past age, yet not one per cent of what ve have is over a hundred years old. In late Roman :oinage the waste was such that in a hundred years )nly an eighth survived in use, and in half a ;entury more only a twenty -fifth remained. It is ^ery rarely that beads or pendants of very dififer- ;nt ages are mixed in ancient necklaces, or that ;carabs of reigns far apart are buried together. I io not remember a mixture of more than two con- iguous reigns in any group of scarabs that I have bund. Hence this possibility of an older object jeing reused may occur rarely, but cannot be called TOMBS IN EGYPT 151 upon in the whole of the cases, or even for any perceptible proportion of them. In certainly nine cases out of ten we must expect that a dated object was buried within less than two or three generations from its original period. The tomb groups containing Aegean pottery are, it so happens, not so well dated as the burnt groups ; and are therefore inferior to the burnt groups, both on this account, as well as by the greater possibility of mixture. The Maket tomb at Kahun is the principal example. The dated objects in that are of Tahutmes II and III; and though at first I supposed it to be of later age on the strength of some beads not then known before the XlXth or XXth Dynasty, yet as such beads were afterwards found in a deposit of Tahutmes III at Koptos, there is no reason for questioning that the whole is of his age. Also the experience of the past dozen years has shewn that such a date agrees well to all the other objects in the tomb. The absence of blue painted pottery does not imply a date after the disuse of it in the XXth Dynasty, but before that style came into use in the middle of the XVIIIth Dynasty. In this tomb was a iine Aegean vase (Fig. 58) with ivy-spray pattern, which is thus dated to about i 500 B.C. The burials were quite undisturbed and therefore the vase cannot belong to a later date, but might possibly be earlier. Other examples have not this precise dating. At Kahun a burial in the open ground, and undis- turbed, had scarabs and objects of the style of the middle or end of the XVIIIth Dynasty, with a stirrup vase from the Aegean {Kahun, p. 32). The undis- turbed tomb at Gurob containing the beautiful wooden 152 ARCHAEOLOGICAL EVIDENCE statuette of Res, certainly of the XVIIIth Dynasty, had in an opposite chamber a stirrup vase, which must have been buried at the same period. Another burial at Gurob had a piece of a stirrup vase with beads exactly like those of Ramessu IL And at Naqada a tomb which by the style of the painting, must have belonged to the beginning or middle of the XVIIIth Dynasty, had been so entirely plundered that the only object left was a fine globular stirrup vase. In these cases there is no exact dating, but a consensus of style in each case of the XVIIIth or early XlXth Dynasty ; and the con- nection of the Aegean Fig. 58. — Aegean vase of Tahutmes III. „„«.< ,, ,. ;4-U :*. :^ ;« .-^ ^ Mlket tomb. 1 :3. pottery with it is in some cases absolute and in others only presumptive The argument for date of the pottery rests then in these cases on the uniformity of the period connected with it, and the absence of any discrepant dating. Now this argument is greatly reinforced if we can shew that the same connection of period exists on Tombs In the Other side. At lalysos in Rhodes a Greece. tomb with Aegean pottery contained a scarab of Amenhotep III. At Mykenae, grave No. 49 contained also glazed ware of Amenhotep III. At Enkomi in Cyprus in grave 93 a scarab of Queen Thyi was found with Aegean pottery. And from the same cemetery comes a metal ring of her son Amenhotep IV. These cases therefore connect one period of the Aegean remains with the Egyptian VARIATION WITH DATE 153 reigns from 14 14 to 1365 B.C. If on one hand it might be supposed that the single Greek objects in Egyptian tombs were older than the time of their burial, here on the other hand the possibility is reversed, and the single Egyptian objects in Greece could only be older and not later than the group with which they were buried. As on both sides the dating is the same — the latter part of the XVIIIth Dynasty — it shows that in both countries the groups contained objects of contemporary date. If we were to further refine on the question, and enquire whether the differences of date of the reigns in Egypt corre- spond to equal differences in Greece, we are met by the lack of all relative dating yet assignable to the Greek tombs ; on that side we have only a vague statement of " Mykenaean period," or some such generality ; and it is therefore only that period in general that we can assign to the XVIIIth-XIXth Dynasty in Egypt. We may, however, see a little further into detail on the Egyptian side by observing how the stirrup vases vary in form and work. At Naqada, variation probably under Tahutmes III, was a with date, globular form, with simple broad bands, and dull face. At Gurob under Amenhotep III the vases have more broad bands and a polished face (Fig. 59). Under Tutankhamen there were fine lines appearing between the bands. Under Ramessu II the form is coarser. And under Sety II is only a coarse un- painted imitation. Lastly, under Ramessu VI at Tell el Yehudiyeh were some rude debased copies. Here the relative style of the vases agrees with the varying date of the objects found with each ; and 1 54 ARCHAEOLOGICAL EVIDENCE hence we are justified in not only placing one general period in Greece as contemporary with another period in Egypt, but also in connecting the varied forms with the reigns which are named with them. The evidence which we gain from the mere general ad- mixture, without any proof of the objects originating XVIIIth Dyn. Amenhotep III Tutankhamen. XlXth Dyn. Ramessu II. Sety II. Fig. 5g. — False-necked vases from Egypt. in the generation by which they were buried, is here further carried on into evidence for the exact age of each type by the sequence of style agreeing to the sequence of the dated objects. We now turn to a question of style alone. In grave 93 at Enkomi was found a gold collar of Egyptian work with nine different patterns in it ; of these, eight are well known as designs of the time of Amenhotep IV, and the ninth STYLE AND RECAPITULATION 155 is a variant of such. As these designs are not known in such forms" at a century later or earlier, this collar cannot have been made far from 1 400 B.C. ; and as it is of slight and tender fabric it cannot have long been in use. Hence the date of its burial and of the tomb must be in the fourteenth century B.C. Of other examples of style, which may be quoted as important, is a great group of blue glazed ware of the same form, colour, and designs, as the vases of Ramessu II, but found in grave 66 at Enkomi ; a gold pin, with a hole in the middle, of the XVIIIth- XlXth Dynasty found at Gurob, like one from grave 66 at Enkomi ; a group of bronze vases with lotus handles found in the Idaean cave in Crete, exactly of the fabric of those of the XVIIIth-XIXth Dynasty; a figure of a swimming girl holding a dish, carved in bone, from the Idaean cave, a favourite design in the XVIIIth Dynasty ; and some other instances of similar style, ornament, and processes, which need hardly reinforce the general argument. To recapitulate the evidences of the XVIIIth- XXth Dynasty : — j~ ., j: ^ • ^- T- 1 r Recapitulation. tLvtaence of paintings. Tombs of Rekhmara and Ramessu III. Result. Aegean objects possibly older than the paintings. Evidence of burnt groups. Four, from Amenhotep III to Sety II. Result. Aegean pottery possibly older than the groups. Evidence of rubbisli heaps. Tell el Amarna. Result. Aegean pottery certainly contemporary with Amenhotep IV. 156 ARCHAEOLOGICAL EVIDENCE Evidence of houses. Tell el Amarna, Gurob, Mykenae. Result. Aegean pottery probably of XVIIIth Dynasty. Greek houses probably of XVIIIth Dynasty. Evidence of tombs. Maket tomb ; tombs at Gurob, Mykenae, and Enkomi. Result. Aegean pottery possibly older than Tahutmes III ; probably of XVII Ith-XIXth Dynasty or possibly older ; Greek tombs of XVIIIth Dynasty, or possibly later. Evidence of style. Gold collar. Idaean vases and carving. Result. Importations to Greece of XVIIIth Dynasty, and perhaps XlXth ; copy of XVIIIth Dynasty design, possibly later. The possible deviations from the probable results are thus seen to balance one another, some leaving the limit only open to earlier times and some only to later times, so that change cannot be accepted in either direction. We now go back to an earlier stage in the history, that of the Xllth Dynasty. Some ten years xiith Dynasty, ago the stage which we have already Kanim. discussed was the " fighting frontier " of the subject ; five years ago the Xllth Dynasty was the fighting frontier ; now this is almost pacified, and the struggle against prepossessions is carried back to the still earlier periods. The view back to the Xllth Dynasty was first opened out in excavating the rubbish mounds of the town of Kahun. This town was entirely built at one time for the workmen employed on the pyramid XIlTH DYNASTY, KAHUN 157 of Usertesen II, this then is the starting date. While the houses were fully occupied a large rubbish mound was accumulated outside of the walls. When the official work of building ceased at the finishing of the pyramid, we may conclude that the town began to dwindle, as I found many of the houses and streets had been used as rubbish holes for waste of the Xllth Dynasty. Therefore the less con- venient and accessible rubbish heap outside of the walls is probably entirely of the reign of Usertesen II. As it does not contain any Egyptian material that could be dated later than that, the evidence of the shrinkage of the town should be accepted as giving a probable limit to the age of the outer heaps. In these heaps the great bulk was of regular Egyptian pottery of the Xllth Dynasty, filling up a depth of 6 or 8 feet in parts, and therefore very unlikely to become mixed with later objects dropped by accident. Now with this pottery thus certified as to its age, were found pieces of several kinds hitherto entirely unknown. Black ware decorated with white spiral lines, and with yellow and red lines and circles of dots, red pottery with white returning spirals, and with painting in red, white, and green. The style was obviously of the Aegean family, so much so that even the best authorities asserted that these were pieces of Naukratite pottery of the XXVIth Dynasty and shut their eyes to the great difference of fabric and material. For some years I protested that the evidence of finding was absolute for the Xllth Dynasty date, and that no such pottery was known at a later date to which this could be compared. But some general resemblance to the 158 ARCHAEOLOGICAL EVIDENCE style of the XXVIth Dynasty was allowed to calm the archaeological conscience of my friends into ignoring all the positive evidence. No such pottery was known on Greek soil at an early date ; therefore none existed ; therefore this could not be of that date. This argument is still in full favour for other and earlier periods. But a shock of surprise came when delicate black pottery with white painting and red was found at Kamares in Crete, and published by Mr. Myres in 1895 ; and later the same style of pottery was so largely found that Messrs. Hogarth and Welch write in 1901 that "so far from that ware being a rarity, it is to be looked for in Crete wherever any strata of remains underlie the Myken- aean. It occurred in our digging at Knossos at all points at which the early town was probed to the rock" {J.H.S. xxi. 78). The pre-Mykenaean period is now before us and is found to agree entirely with the dating already reached on unimpeachable grounds at Kahun. That we may recognise con- nections between Greece and Egypt in the Xllth Dynasty is now orthodox, and we may proceed to see what further evidence appears for this dating. At Knossos was found a portion of an Egyptian seated figure in diorite bearing an inscription of xiith Dynasty, Ab-nub-mes-uazet-user, which from the Crete. style is probably of the Xllth Dynasty. At Praesos were found several globular beads of carnelian and of amethyst such as are well known in the Xllth Dynasty, and the latter material is not found dated to a later period in Egypt. At Knossos was found a globular alabaster vase of the regular type of the Xllth Dynasty ; and also PAN GRAVES 159 the alabaster vase lid of King Khyan, whose date is unfortunately not fixed on the Egyptian side, but who is probably of the XVIth Dynasty, though perhaps of the Xlth. The long period now known in Greece before the civilization which is dated to the XVIIIth Dynasty compels such a presumption of connection with far earlier periods, and the connection is so well shewn by the Kamares ware, that the evidence for the Xllth Dynasty relationship scarcely needs further support. It depends on identity of style of highly decorated pottery, and of beads ; and the transport of two pieces of Egyptian work. Another connection of this age is shewn by the " pan-grave " pottery found in Egypt. This class of shallow circular graves is dated to the Pan graves. close of the Xllth Dynasty by several discoveries of worn and damaged objects of the Xllth Dynasty in the graves, without anything that could be fixed to a later date. In these graves is a large class of non- Egyptian pottery; some of it black and red, highly polished ; others, rude thick pottery with incised patterns. The similarity of the black and red to the style of the prehistoric pottery of Egypt is obvious ; it is a later branch of the same fabric. And when we consider from what other land that may have come into Egypt, we naturally look to the similar forms found in the Celtic pottery of Southern Spain by Bonsor (Fig. 60), as indicating that it belongs to the western Libyan culture. Again, the rough incised pottery is of the same Celtic family found in Spain, showing a western source. The suggestion lately put forward i6o ARCHAEOLOGICAL EVIDENCE that these may have come into Egypt from the East is wholly baseless. It is in Spain and the allied Celtic pottery of Europe that we find the types which were brought into Egypt by the rude invaders at the close of the Xllth Dynasty. So that a con- nection of the western barbaric culture of the bronze age with the close of the Xllth Dynasty must be concluded, from the evidence of similar pottery in- South Spain. tjieii. Arch. XXXV. I2T-2.) Central Europe. Yorkshire. (/. Anth. Inst. xxxii., pi. xxvii.) Fig. 6o. — Celtic and pan-grave pottery and ornament. Diospolis, Egypt. {.Diospolis^ xxxviii., xl.) truded into Egypt, and associated in graves with the objects of that age. It is probably then to the same invaders that we should look for the source of the black incised ware (Fig. 6i) with patterns filled with white, and of characteristically western — Italic or Greek — forms, which is found in Kahun in the Xllth Dynasty, and in burials at Khataaneh of the Xlllth Dynasty. It is the latest stage of a class of imported pottery which recurs at intervals from the early prehistoric age onwards. A piece of this pottery was found in one of the " pan graves," thus linking it with the mEoa^QBia ESEEcnsaaa Fig. 6i.— Black incised pottery, with white filling. M i62 ARCHAEOLOGICAL EVIDENCE other foreign pottery brought in at that period. It has been found at Hissarlik in the lowest levels, in Bosnia at Butmir, and of prehistoric to Xlllth Dynasty age in Egypt. On going back another stage to the Old Kingdom, of the IVth to Vlth Dynasties, we still find links vithtoiiird between Egypt and the West. In the Dynasties. Vlth dynasty is found a class of non- Egyptian buttons (Fig. 62) with devices, which in Fig. 62. — Buttons of ivoryj carnelian, glazed steatite, etc. Vllth Dyn. The upper row with misapplied EgjTJtian designs. The lower row with entirely un-Egyptian designs. 2 : 3. some cases may have been used as seals ; more than a hundred of these are now known, and in no case are they of Egyptian fabric, as when an Egyptian subject was copied it was always in a mistaken manner. Now a close parallel to many of the designs is found on Cretan engraved stones, and it is therefore to that civilisation that we must look for the source of a considerable foreign importation, which probably accompanied a movement of popula- tion at the overthrow of the civilisation of the Old VlTH TO IIIRD DYNASTIES 163 Kingdom. The actual incomers may have passed by sea from the islands, or by land along Africa. On turning to Crete we see in the noble lamp with lotus capital found at Knossos, a type which cannot have been derived from anything that we know of the Xllth Dynasty in Egypt. The free buds around the band had long since become lost at that time ; and even in the Vth Dynasty on the Abusir capital they are less distinct. A form belonging to the Vth Dynasty is the only one that is at all likely to have been the origin of this fine Cretan capital. Again a vase with two handles from Knossos is certainly an exact copy in local stone, of the regular Egyptian type of the Old Kingdom, which was quite unknown later. And two pieces of the brims of bowls, one of Egyptian diorite, the other of liparite, are of exactly the type made in the close of the Ilird Dynasty at Medum, and in the early IVth Dynasty at Gizeh ; this might perhaps last until the Vth Dynasty, but we could not suppose it to come later, as it would have been quite out of the run of later forms. The copying of motives and forms which passed entirely out of use, is a strong form of evidence ; a single object might survive to later times, but for a form to be copied it must be the familiar and usual form at the time when the copy is made. Hence we cannot place the familiarity with these Egyptian types in Crete later than the Vth or perhaps IVth Dynasty. Still earlier, the Western influence on Egypt is seen by the black incised bowls, of which one piece was found inside a mastaba of the time of Sneferu (end of Ilird Dynasty), and another piece between i66 ARCHAEOLOGICAL EVIDENCE soon see the fighting frontier pushed over to include this great and distinctive group of the early 1st Dynasty. Nor does this stand alone. This year another class of foreign pottery has been found in the ruins lat Dynasty, of the temple of Abydos, of the 1st Cretan. Dynasty, and perhaps somewhat before it (Fig. 64). The material is unlike any in Egypt, a dense black pottery ; the facing of it is usually highly burnished, unlike Egyp- tian of that age ; the forms are wholly un- Egyptian, the long pointed amphora with curved neck, and the hollow feet to vases, being unmistakably of the Greek family. Exactly similar pottery in material and finish, is found in frag- ments of the later Neolithic period at Knossos ; a piece from Egypt and one from Knossos when seen side by side seem as if they had been broken from the same jar. The forms of the Cretan examples are not yet re-established, but some at least are the same as the Egyptian examples. As most of the ''biact^oueryo' cups of this type at Abydos had con- Tempk ofTby- taiucd 3. brilliant red haematite paint, it dos. Dyn. I. jg ygj.y \{}^Q\y that the pottery came over as vehicles for trade products. Yet again in the 1st Dynasty deposit of ivory and glazed objects in the temple of Abydos, was a cast copper figure of foreign style which is of the same family as the copper figures found in the Diktaean cave. And all this leads us back to the Egyptian pre- historic age. There we see commonly painted on the pottery, and on walls of a tomb, the large ships then m use. borne had as many as 60 oars, yet we see the greatest of the Venetian fighting galleys had only 24 on a side. A rowing ship is useless on the Nile, except for sometimes getting down stream, as no rowing would suffice to take a large vessel continuously up against the current. But the rowing galley has been the vessel of the Mediterranean, from the French navy back to the Phoenician, and no one knows how long before. These great vessels, which bore various ensigns showing the ports from which they started, must have been concerned in important business ; probably trading the oil and skins and wood one way, and the dates and corn of Egypt in return. Among their imports were probably the foreign bowls of black incised ware, filled in with white, which are found even as far back as near the beginning of the prehistoric civilisation. They clearly belong to that foreign class which is found as far apart as Spain, Bosnia, and Troy ; and the original home of this pottery has yet to be found, in that Mediterranean region about which we are just beginning to discover our own ignorance. If at present our evidence of connection between Egypt and the West, before the Xllth Dynasty, rests upon the identity of styles and fabrics, we must remember how that same class of evidence in later periods has been amply reinforced by dated objects with inscriptions, found in most unequivocal positions. And we may then at last reach the conception that i68 ARCHAEOLOGICAL EVIDENCE after all, civilisation started at much the same time all round the Mediterranean, but advanced rather sooner in Egypt than on the northern shores. In this study of the facts which link together the early history of Europe with that of Egypt, we have now seen the varied sources and values of the different kinds of archaeological evidence ; and the modes by which the accumulation of different evi- dences may reinforce the conclusions, and render them more exact. CHAPTER XIII THE ETHICS OF ARCHAEOLOGY At first sight, ethics might not seem to have more to do with archaeology than with chemistry or astronomy. Yet even in those subjects individual an entire monopoly of some useful rights, material, or the destruction of the only records of irreplaceable observations, would bring in serious questions of individual right. It is notorious what a large element of conduct is involved in biology, where species are being destroyed every year, where the rabbit and the thistle have been wantonly made the curse of a continent, and where a mixture is taking place which will efface the results of ages of segrega- tion. In archaeology there is perhaps a greater range of ethical questions, of the individual versus the community, than in any other science. And the results of action are the more serious as the material is very limited, and perhaps no other chance of observation may ever occur. In most sciences the opportunity of experiment and observation is unlimited. If an alloy is spoiled it can be remade at once, if a star is not examined to-night it may be next night, if a plant is not grown this year it 169 I70 THE ETHICS OF ARCHAEOLOGY may be next year. But Theodoric's gold armour once melted, we shall never know what it was like ; the heads of the Parthenon statues once burnt to lime, are gone for ever ; or the Turin papyrus once broken up, we can hardly hope ever to recover all the history it contained. The destruction that has gone on, and is now going on continuously, seems as if it could leave scarcely anything for the information of Destruction. ° . future ages. Every year sees wiped out the remains which have lasted for thousands of years past. Now, in our own day, the antiquities of South Africa and of Central and South America have been destroyed as rapidly as they can be found. Else- where, engineers of every nation use up buildings as quarries or wreck them for the sake of temporary profit, or for more legitimate purposes as in the submersion of Philae and Nubia. Speculators, native and European, tear to pieces every tomb they can find in the East, and sell the few showy proceeds that have thus lost their meaning and their history. Governments set commissioners to look after things, who leave the antiquities to be plundered while they are living in useless ease. And the casual discoveries that are made perish in a ghastly manner. The Saxon regalia of Harold, the treasures of Thomas a Becket's shrine, the burial of Alfred, the burial of Theodoric, and the summer palace of Pekin, have within modern memory all gone the same way as the wonders that perished in the French sack of Rome or the Greek sack of Persia. However we may deplore this, our present consideration is destruc- tion by archaeologists, and what their responsibilities DESTRUCTION 171 are in difficult situations. In all ages there has been destruction for gold and valuables, and in the Renascence a ruthless seizure of marbles and stone work. To that succeeded destruction for the sake of art, excavations in which everything was wrecked for the chance of finding a beautiful statue. Then in the last generation or two, inscriptions became valued, and temple sites in Greece and in Egypt, and palaces in Babylonia, have been turned over, and nothing saved except a stone or a tablet which was inscribed. At last a few people are beginning to see that history is far wider than any one of these former aims, and that, if ever we are to understand the past, every fragment from it must be studied and made to tell all it can. But still there continues the plundering of sites in the interest of show museums, where display is thought of before knowledge, as is unhappily the case in many national collections. To secure an attractive specimen, a tomb will be wrecked, a wall destroyed, a temple dragged to pieces and its history lost, a cemetery cleared out with no record of its burials. And when carefully authenticated and re- corded specimens reach museums, their fate is not yet a safe one, especially in local museums. Stones will be built into walls, and ruined by the damp bringing salt out ; objects are left to drop to pieces from lack of chemical knowledge, or from the official dread of the responsibility of doing right instead of allowing wrong. Information is deliberately de- stroyed ; labels are thrown away or heaped together out of the way in a glass case where the objects are artistically displayed, with no more history than if 172 THE ETHICS OF ARCHAEOLOGY they had come from a dealer. Groups of things, whose whole value consists in their collocation as they were found, are scattered up and down a museum as if they had no meaning. Or priceless antiquities will be left out for years of exposure to weather, as certain sculptures were in London, until at last they received worthy safeguarding in defiance of the Treasury. Unhappily far too many of those who are responsible for keep- ing the things which have at last reached a haven, need educating in the elements of their profession. This leads to another difficult question, that of restoration. The horrible destruction which has gone on under that term is now some- Restoration. . , . what recognised, after much, or most, of the original buildings of our ancestors have dis- appeared beneath scraping and recutting, so that we only possess a copy of what has been. And in museums till within the last few years, statues were so elaborately built up out of what was — or was not — to be had, that it is often a difficult preliminary study to set aside the shams. In the Louvre there is the honesty of stating how much has been added to the original ; and the list is sometimes so long that it is hard to make out what gave the first idea to the restorer for building up his work. Yet in many cases some mere supports are needful, and the best museums now make such helps as distinct as possible from the original. The cuily full solution of the matter is the great extension of the use of casts ; and the ideal tnuseum of sculpture would have the originals untouched on one side of a gallery, RESTORATION AND SACRIFICES 173 and the full restoration of casts of the same things on the other side. When we stand face to face with a problem like that of the Forum at Rome there rise a multitude of questions which have intricate and Sacrifices. far-reaching solutions. The removal of the latest of the pavements of the Forum has been bitterly resented. The Sacred Way is gone, and what is there for sentiment to dwell on ! Yet who would reasonably prefer the Lower Empire to the Twelve Caesars ? And then is not the Republic still more interesting and less known ? And then the Kings hold a prerogative of glamour to every schoolboy ; and what was Rome before the Kings ? We see the inevitable result of such a crowd of interests, in the honeycomb of pits and planks and tunnels and iron girders which now bewilder the visitor, where formerly he walked down the Sacred Way and blessed his soul in romantic peace. Now this elaborate treatment is most desirable, but is scarcely attainable unless there is a strong public interest, and a government willing to carry out proper conservation. Let us turn to a different set of conditions, as at the temple of Osiris at Abydos. TherS^ere more than a dozen different levels of building ; all the lower ones only of mud brick ; the whol6 of the lower levels under the high Nile, and certain to be a mud swamp so soon as the Nile rose next summer. To treat such a place like the Forum wo.yld have involved enormous iron substructure layer, under layer, and a wide drying area for hundreds of yards afound, at a cost of cer- tainly five figures. No one would be likely to give 174 THE ETHICS OF ARCHAEOLOGY a hundredth of the cost to attain that end. If any part were left without clearing to the bottom, the next high Nile would make entire pudding of it. And so the permanent preservation of such a site was impossible. All that could be done whenever it was begun, was to dig it in as dry a season as possible, when the water was at its lowest ; to clear it entirely to water level ; and to make plans, levelling, and records, of every wall and every detail, removing everything that stood in the way of going lower. Henceforward that temple site, instead of existing in unseen layers of solid earth, exists only on paper. Now here is a great responsibility. Whatever is not done in such an excavation can never be done. The site is gone for ever ; and who knows Rasponsibllity. , r , . , what further mterests and new pomts of research may be thought of in future, which ought to have received attention. Are we justified morally in thus destroying a temple site, a cemetery, a town, while we may feel certain that others would see more in it in future ? If a site would continue un- touched, and always equally open to research, it would be wrong to exhaust such places. But what are the conditions ? In Egypt sites are continually passing under cultivation, and once cultivated no one would ever know more about them. They are being continually dug away for earth to spread on the fields, and all that lies in them is scattered and lost. The stonework is continually the prey of engineers and lime-burners. The Nile is always rising, so that every few centuries makes ground inaccessible that was previously out of water. And the probable RIGHTS OF THE FUTURE 175 movement of invention and appliances will most likely bring under cultivation in future most of the cemetery sites which are now bare desert. In the last few years most of the cemetery and temple sites of Nubia have been blotted out by the new lake for irrigation. Further, on any site of cemetery, temple, or town which is known to contain anything, the native will dig by night if he cannot do so by day, and will leave nothing but a wreck behind. It is sadly unlikely that there will be anything left to excavate in Egypt a century hence ; all the known sites will be exhausted in twenty years more at the present rate. A thousand years hence — a trifle in the history of Egypt — people will look back on these present generations as the golden days when dis- coveries came thickly year by year, and when there was always something to be found. And therefore the best thing that can be done under all these con- ditions is to work with the fullest care and detail in recording, to publish everything fully, and to then trust the history of Egypt to a few hundred copies of books instead of to solid walls and hidden ceme- teries. The destruction which is needful to attain knowledge is justified if the fullest knowledge is obtained by it, and if that is so safely recorded that it will not again be lost. The only test of right is the procuring the greatest amount of knowledge now and in future. Here we are landed in a question on which very different positions are taken. What are the rights of the future? Why should we limit Rights of the our action, or our immediate benefit or futuie. interest, for the sake of the future? If ever this 176 THE ETHICS OF ARCHAEOLOGY question comes into practical dealings, it does so in historical work. Any one who is above the im- mediate consideration of food and starvation, does consider the future. Our public buildings are pre- served for the use of coming generations ; our libraries and museums are largely for the benefit of those yet unborn. Was not the future of England the great charge, the inspiring aim of Alfred, of Edward I, of William HI ? Do we not even now spend ungrudg- ingly for the great future of our colonies? In every direction we unquestioningly assume that the future has its rights ; that distant generations of our own flesh and blood are far more to us than present millions of other races ; that the knowledge, the possessions, the aims, that we have inherited are but a trust to be passed on to the nation yet to be. And to those who live not only in the present but also in past ages by insight and association, the transitory stewardship of things becomes the only view possible. In this generation I possess a gem, a scarab, a carving : it is almost indestructible, it may be lost for a time but will reappear again a thousand, five thousand, twenty thousand years hence in some one else's hands, and be again a delight and a revelation of past thought, as it is to-day. We have no right to destroy or suppress what happens just for the present to be in our power. To do so is to take the position of a Vandal in the sack of Rome. The past also has its rights, though statues may be misappropriated and churches be " restored." Bights of the A work that has cost days, weeks, or P^^*- years of toil has a right to existence. To murder a man a week before his time we call a RIGHTS OF THE PAST 177 crime ; what are we to call the murder of years of his labour ? Or, without touching life, what difference is there between putting a man in prison for a year so that he cannot work, and destroying a year's work when it is done ? If anything, the balance is in favour of preventing rather than destroying his work. Every monument we see has been lovingly intended, carefully carved, piously erected, in hopes that it would last. And who are we to defeat all that thought and labour? Every tablet, every little scarab, is a portion of life solidified ;— so much will, so much labour, so much living reality. When we look closely into the work we seem almost to watch the hand that did it ; this stone is a day, a week, of the life of some living man. I know his mind, his feeling, by what he has thought and done on this stone. I live with him in looking into his work, and admiring, and valuing it. Shall I then turn on him like a wild beast and kill so much of his life ? Surely if we would draw back from wiping out a few years of the life of some man with whom we have no sympathies, far more should we shrink from even hurting the beautiful and cherished result of the life of a man whose mind we admire and honour in his work. I give my life to do so much work in it, and if I were to know that every night the work of the day would be annihilated, I had rather be relieved of the trouble of living. In all worth, in all realness, the life of past men preserved to us has rights as veritably as the life of present men. The work of the archaeologist is to save lives ; to go to some senseless mound of earth, some hidden cemetery, and thence bring into the comradeship of N 178 THE ETHICS OF ARCHAEOLOGY man some portions of the lives of this sculptor, of that artist, of the other scribe ; to make their labour familiar to us as a friend ; to resuscitate them again, and make them to live in the thoughts, the imagina- tions, the longing, of living men and women ; to place so much of their living personality current side by side with our own labours and our own thoughts. And has not the past its rights, as well as the present and the future? What care then, what conscience, must be put into the work of preserving as much as possible of the past lives which those about us are wishing to know and to share in. The mummy of Rameses or of Thothmes, the portrait of the builder of the great pyramid (Fig. 65), or of the Pharaoh of the Exodus (Fig. 66) is a permanent mental possession of all cultivated mankind, as long as our literature shall last. The knowledge of the growth of the great civilisation of Egypt, from the days of men clad in goat-skins to the height of its power, has all been reconstructed in the past ten years, and will be part of the common stock of our knowledge of man, so long as civilisation continues. With the responsibilities before us of saving and caring for this past life of mankind, what must be our ethical view of the rights and duties Duties. ^ , , . , ^ of an archaeologist .■' Conservation must be his first duty, and where needful even destruction of the less important in order to conserve the more important. To uncover a monument, and leave it to perish by exposure or by plundering, to destroy thus what has lasted for thousands of years and might last for thousands to come, is a crime. Yet ^^■■■I I^H ^^^^^^^^^^^^^^^^^■' ! ^.^S^^fH^^^^^I ^^^H ^^^^^H ^^^^^^m-K^^mj^M ^^^^^^H Kp^i^^^l ^H ^^1 ^^HBK^ ^^H ^^^^^H^'t- ? ,.--?: ^ H ^^^^^^Hif*|^;;>^^Hl| imi^^H ^Hi^H^^^^llMf/ ;' < ^^1 ^^^^H^B Fig. 65. The Builder of the Grtat Pyramid. Fig. 66. Thi- Pharaoh of the lixodus. DUTIES 179 it is the incessant failing of the thoughtless amateur, who knows nothing of the business ; and far too often also the inexcusable malpractice of those who know better. To wantonly destroy a monument by cutting pieces out, whether to put them in a museum or to hide them in a pile of curiosities, is unjustifi- able if the whole can be preserved entire. In the case of only fragments remaining, a selection often must be chosen ; yet even then copies of the whole of the material should be made and published all together. To unearth whole tombs or chambers full of objects, whether in an Egyptian cemetery or a Roman camp, and neglect to record and publish the facts of the position or groups of the objects, should debar the inefficient explorer from ever touching such places again. To remove things without ascer- taining all that is possible about their age, meaning, and connections, is as inexcusable as it is easy. To undertake excavating, and so take the responsibilities for preserving a multitude of delicate and valuable things, unless one is prepared to deal with them efficiently, both mechanically and chemically, is like undertaking a surgical operation in ignorance of anatomy. To turn over a site without making any plans, or recording the positions and relations of things, may be plundering, but it is not archaeology. To remove and preserve only the pretty and interest- ing pieces, and leave the rest behind unnoticed, and separated from what gave them a value and a meaning, proves the spirit of a dealer and not that of a scholar. To leave a site merely plundered, without any attempt to work out its history, to see the meaning of the remains found, or to publish i8o THE ETHICS OF ARCHAEOLOGY what may serve future students of the place or the subject, is to throw away the opportunities which have been snatched from those who might have used them properly. To suppose that excavating — one of the affairs which needs the widest knowledge — can be taken up by persons who are ignorant of most or all of the technical requirements, is a fatuity which has led, and still leads, to the most miserable catastrophes. Far better let things lie a few centuries longer under the ground, if they can be let alone, than repeat the vandalisms of past ages without the excuse of being a barbarian. We must always have regard to what may be the condition of sites and of knowledge five hundred or Future of five thousand years hence. For if you Museums. ^i\\ deal with thousands of years you must take thousands of years into account. If a site is certain to be destroyed by natural causes, or the cupidity of man, then an imperfect examination and a defective record of it is better than none. But to ensure the fullest knowledge, and the most complete preservation of things, in the long run, should be the real aim. To raid the whole of past ages, and put all that we think effective into museums, is only to ensure that such things will perish in course of time. A museum is only a temporary place. There is not one storehouse in the world that has lasted a couple of thousand years. Only two or three bronze statues have come down to us from classical times preserved by each generation. A few pieces of gold work have been treasured for a little over a thousand years, but only in North FUTURE OF MUSEUMS i8i Italy. And the whole of our present active clearance of things, that have hitherto lasted safe underground for six thousand years or more, practically ensures that they shall not last one thousand longer. The gold work will be the first thing to disappear, as it is even now disappearing every few years from museums into the melting-pot. And it is a serious question whether we are morally justified in thus ensuring its destruction by exposure. As a counsel of perfection I should like to see twenty electrotypes made of every bit of ancient gold and silver work, and these dispersed over all countries. It might then be considered whether it would not be a noble act to bury the whole of the gold where it would cost a national undertaking to recover it, say in a hundred fathoms of water, and so preserve it for future ages, when only a few wrecks of the electro- types would have survived. The future of the rest of museum treasures cannot so certainly be antici- pated. Bronze is sure to disappear in warfare sooner or later, especially as metals grow scarcer owing to exhaustion of mines. Ivories will probably vanish, like most fragile things, by mechanical damage. Pottery and vases will go the same way as the museum of Kertch, which was bashed to pieces by a disappointed European soldiery. Stone carving has a promise of longer life, especially if it is reused in buildings, and so saved from exposure and wear ; for instance, whenever the Baptistry of Pisa may fall to pieces, a mine of Latin inscriptions will come to light. But, broadly speaking, there is no likelihood that the majority of things now in museums will yet be preserved anything like as long as they have i82 THE ETHICS OF ARCHAEOLOGY already lasted. The hordes of anarchy and of Asia have never left Europe alone for more than a few centuries. It is then to the written record, and the published illustrations, that the future will have mainly to look. Our books will probably not last more PutUoations. r , f , i ■ -n than a few hundred years ; and it will be reprints of the most valued, and summaries of the others that will be the sources of knowledge in the future thousands. The wide spread of publications in different countries, which are never likely to all undergo eclipses simultaneously, is the best guarantee for the permanence of knowledge. But by the time the First Dynasty has doubled its age, we cannot expect that the greater part of our record of it will still be known. Certainly the inefficient and incon- clusive books will vanish first ; and the more compact and generally used a work is, the longer are its chances of life. We must always remember therefore that in archaeological work we are removing what would be as solid proof to future ages as it is now to us ; and we are trusting all future knowledge of the facts to inflammable paper, and the goodwill of successive generations, many of whom may have very different interests. Had any past age of civil- isation dug up and removed every trace of the earlier times, and committed all the results to their literature, we should not be able to learn anything but some brief summary, nor glean but a few trifling fragments, which would have lost their meaning and connection. And here we come against another large ethical question of the rights of the individual against the community, in the claim made by the state to FUBLiCATlUNb AJNU bTAlK CLAlMb l»3 interfere with property in antiquities, in ways in which it does not interfere with any state Claims. other property. From past ages the English law has claimed for the Crown all treasure accidentally discovered. Such a law is the best way to ensure that no such discoveries are made known, and to drive the finder to put all such treasures in the melting pot. The actual gain to the Crown is ignorably trivial, certainly not an average of a thou- sand pounds a year ; yet, in order to grab this trifle, the law. drove all such treasures to destruction. At last an improvement was made by the Crown only demanding specimens needed for the national collec- tion, and paying intrinsic value for them. Even some old candlesticks, the proceeds of an XVIIIth century burglary, were claimed when accidentally found. And when the state does not claim, the landlord or tenant makes a claim, which is just as bad, as such claims lead workmen always to conceal and sell surreptitiously the antiquities which are continually found in all working in old towns. The only law which could act for the full preservation of antiquities would be the grant of the entire rights to the finder if he proclaims his find, but no rights in what he does not proclaim. The actual average gains of an average landlord per annum by discoveries of antiquities are at present incalculably small, probably not a farthing in the pound on the rental or anything near that. Hence there would be no perceptible loss by granting finds to the finder ; and everything would be saved and preserved as it was found. At least a beginning could be made by landlords and 184 iHK ETHICS OF AKCHAEULUUY public bodies offering full intrinsic value for any gold and silver found on their premises ; they could not lose by that, and they might gain large profits in the archaeological value of things. To suppose that (without great precautions) they can get the whole value of finds by simply claiming them, is fatuous. This same fatuous idea pervades many govern- ments. It is thought that by simply making a law, digging can be prevented, or antiquities can be kept in a country. Such laws merely enforce an extensive illicit system, through which valuable and important things can readily be removed in defiance of law, whenever they are found. There is not a country from which any antiquity could not be removed by sufficient care in smuggling. Every national museum has its underground feeders, knows how to defeat the laws of other countries, and incessantly grows in spite of laws. To seize property without paying its real value is seldom a profitable proceeding in the long run, and that is what every government tries to do with antiquities. The Italian government has confiscated a large part of the values of private collections, by forbidding the exportation of any im- portant picture or statue. And yet such things can and do leave Italy. The Greek government, as well as the Turkish, forbid the exportation of any and every kind of antiquity ; yet fine things from both lands continually come over to the West. These confiscatory laws, these claims on private property on behalf of the state, are more or less illogical nibblings on a wide claim which state Rights. i , no state has ventured yet to formulate, — namely, that all objects of past generations are STATE RIGHTS 185 public property. This means, if fully carried out, that no person can own any object of antiquity as private property. No private collections would be possible in such a condition, all would belong to the state. Of course there is a huge amount of material which is duplicate, and not needed in a national collection ; but the state claims would be maintained if all collections must be placed in a public building, (such as a local museum) where they could be seen. The energy of collectors, the transfer of specimens from one to another, would not be stopped, only the objects would be compulsorily visible in a public place. And everything wanted for a national collection would be transferred. This condition of things is slowly being reached by the state buying important objects continually, when they are sold on changing hands. But the logical outcome of the present laws and present tendency would be this nationalisation of all antiquities. Whether such a result would be satisfactory at all points may be doubted ; but it is clearly a position to which all changes at present tend. If fully and honourably carried out by the state paying the finder full value for all it took, and giving up confiscation of all sorts, the result would probably be the best that could happen for archaeology. One great result of defining the position thus, would be to prevent any ancient buildings being destroyed or altered without state consent. If every structure, say, over five hundred years old, needed three months' notice to an inspector before it could be pulled down or dealt with, there would be a great check on the present changes. Every cathedral and i86 THE ETHICS OF ARCHAEOLOGY church, every castle and manor-house, would need special licence for changes in all parts older than the prescribed limit A notice of one week might be required for the destruction of structures as yet not known, which were unearthed in course of digging. Such a protection of monuments would not affect vested interests or property values nearly as much as an ordinary railway bill that passes through Parliament without a protest ; and it seems not too much to hope that such a protection of all monu- ments of historic interest might be carried out. The legal position might take the form of pro- nouncing all ancient buildings, stone circles, and earthworks the ultimate property of the Crown, with the existing owners having full powers as trustees for the Crown to preserve, use, and enjoy such property, and to sell or devise such trustee- ship in every way as if the property was not beyond the age limit of private property. Only the right of destruction and alteration would be reserved. A state register of works of art is desired by Professor Ernest Gardner, who proposes that (i) the ownership of works of ancient art and sculptures and pictures by great masters should be entered on a register in charge of a public registrar ; (2) the registrar should have a right to see to the safety of such objects ; (3) any fairly qualified scholar may apply to be entered on a register of students kept by the registrar ; (4) owners of registered works must fix times for exhibition to students or to the public, or else a registered student must be allowed to see any work within a reasonable period ; (5) the EXCAVATING LAWS 187 owner, if absent, must appoint some one to preserve and exhibit such works ; (6) in case of sale of a work to a foreign country, the government shall have the option of retaining it at the price fixed for the sale. The attitude of foreign governments regarding scientific excavating has not been happy. Too often the prohibitions have been used Excavating not in the interests of archaeology, but i-^™- for promoting plundering. Because it is easy to drop on an open excavation, all regular excava- tions have been fenced with severe difficulties and costs ; while in Greece and Turkey none of the proceeds have been allowed to the finder. On the other hand, it is difficult to always drop on a surreptitious native, and the sympathy of the courts — in Egypt at least — is openly on the side of the plundering native, who is seldom punished for anything. Hence the curious situation is that the whole values of the property have been solely created by the labours and study of the archaeologist ; yet he is almost debarred from using the material which an ignorant peasant may dig and destroy as he pleases. The form of law which is wanted is (i) the punishment of all destruction or removal of an- tiquities, by a special court, independent of local sympathies or favouring of the plunderer ; (2) the rigid requirement of technical knowledge and ability in those who excavate, with the condition that everything is published promptly, and that nothing found can be sold or pass except into a public museum ; (3) the right of the government of each 1 88 THE ETHICS OF ARCHAEOLOGY country to such objects as are necessary to the national collection, on reimbursing whatever may have been given as bakhshish to the finder, and some proportion of the costs according to the case. CHAPTER XIV THE FASCINATION OF HISTORY The love of past times, the craving for that which is gone, is one of the more obscure instincts which appears to be brought forward by the wider growth of interests of the mind. It takes many forms ; it appeals to the intellect, to the curiosity, to the affections ; yet it is really a single instinct, and one which, from its strength, must spring from a primal cause. The sense of loss touches us at every sunset, and in anticipation tinges all the afternoon with the sense of lengthening shadows. Even the things that seem most common, least worthy, when in use, all gain some being as time passes. Each little thing, that carelessly we value not at first, grows rich with store of years. As Antony says — You all do know this mantle : I remember The first time ever Caesar put it on ; 'Twas on a summer's evening in his tent, That day he overcame the Nervii. Still more do places gain their hold upon us, unheeded at the time. A store of memories of days spent amid strong associations, that stirred 1S9 I90 THE FASCINATION OF HISTORY and built the mind, are the truest riches in all after- life. We dwell upon those portions of the past, those days at Athens, or Florence, or in the Forum, as on a treasure ; they are a portion of our life crystallised into the structure of our thoughts — a haven of the imagination. And how much deeper still is the sense of the past when we turn to friends, — or even closer yet. One whom perhaps we hardly heeded in our daily life, is dignified at once by the irrevocable. But all this is merely our personal regret : the direct, selfish, individual interest. But the tender grace of a day that is dead Will never come back to me. Let us step from this out into the past beyond our personal touch. See now a churchyard, tall in grass, with the dial on its stand, which each genera- tion has passed by — how full of memories of gone years it is, how the eye clings to its weathered disc and minds that so it was on the day of Trafalgar or the Boyne ; while by its side is the old carved sarcophagus tomb of some Turkey merchant, silently showing his virtues to each changing time, and calming the mind with quiet age. We love such for the sake of the past, which draws us to its bosom to make one more link in the long chain. And pass inside the church, where Tudor and Edwardian, and Norman and Saxon, have each poured out their souls ; in which every stone seems saturated with their longings ; where pleadings and rejoicings seem to mutely fill the dead air ; where the walls have echoed every bride and every infant THE FASCINATION OF HISTORY 191 and every mourner through all the changing genera- tions ; where Feeder ure has yielded to pater noster before even our familiar supplications were ever heard. This indeed holds us as if it were a place where we can actually live with the past selves that have made us, and be at one with those who would have craved to see us in the ages beyond them. And if past loves and hopes seem thus to give their life to the lasting walls, how fearful is the breath of terror that clings round every stone of the Colosseum. One single mangled death there made ten thousand fiends of men who sat on those benches ; and every year had its thousands of such agonies, through all the centuries. The mass of horror beyond all thought that dwells in that arena, is only exceeded by the thousandfold fire of cruelty that has burnt on those seats around. The place is hell petrified. And, within a stone's throw of that, how the whole past, from which our present ages have sprung, lives before us in the Forum. The triumphs where the beauty of Greek art served but to make the clumsy westerner gape ; where the noblest blood of other lands, — Perseus, Caractacus, Zenobia, — has stood abased ; where the barbaric Goth has fiercely joyed in splendid pillage of its wondrous wealth ; where Theodoric and Karl had each hoped to restore the shattered decay, with the rough material of their own kin, which needed yet a thousand years of hewing ; a space of greater hopes and dreads, greater successes and failures, than any other acre that we know. And yet, before all this, there passed age after age of men, who built up civilisations which we 192 THE FASCINATION OF HISTORY just begin to perceive. The golden splendour of Mykenae, the earlier magnificence of Minoan Knossos, the delicate wares of still older Crete, all live with the same life as ourselves, all are precious to us as if we had made them, all make us fellow minds with those who thought and fashioned and treasured such things in like manner to ourselves. Turn now to our own land, and on a wide western moor stand within a ring of grey stones, which our own flesh and blood there placed in faith and trust, for something greater than the cares of daily life ; so far from us in generations, so far from us in thoughts, that we can hardly grasp the pulse of the same life with them, and feel what they felt. Yet it draws us like those sounds which were the first music to man, the sough of the wind in the wood, and the lap of the wave on the shore, ever the sweetest yet to ourselves. And the grey stones still touch us and bind our thoughts and our love of all our forefathers to themselves in elemental memories. What underlies all this fascination of the past? What is it that thus moves men In thinking of the days that are no more ? It is the same great attraction, whether it be a personal memory, or the being of our forefathers, or a page strong with past life in some history, or the handling of the drinking bowls of the oldest kings of the earth as they come from the dust of Egypt. It is but one sense in varied forms. It is the love of life. In primal seas first sprang that love of life, — of preservation, of continuity of life. Even long before man it led to the moral growth of self-sacrifice, of ihlJl i-AbUiJNAllUJN UJ^ HiblUKY 193 affection, of social union. In man it led the Stoic on to the brotherhood of all nnen, and the responsibility of man for man. It has led the modern forward to the brotherhood of all existing life, the responsibility for the animal as well as the man. It now leads us on to clinging to the life of our ancestors, their being, and their natures ; and beyond that to the fascination of all history, as being the continuity of life, the ever-shifting changes of the one great chain which we .see around us at its present stage, and of which we form part. The man who knows and dwells in history adds a new dimension to his existence ; he no longer lives in the one plane of present ways and thoughts, he lives in the whole space of life, past, present, and dimly future. He sees the present narrow line of existence, momentarily fluctuating, as one stage, like innumerable other stages that have each been the all-important present to the short- sighted people of their own day. He values the present as the most complete age of history for study, as explaining the past. He values the past as the long continuity that has brought about the result of the present, in which he happens to breathe. He lives in all time ; the ages are his, all live alike to him ; the present is not more real than the past, any more than the room in which he sits is more real than the rest of the world. Cleaving to that one stream of life which branch by branch has flowed through so many channels in all the ages, and still runs on into the future, he can give account of the Fascination of History. INDEX Ab-nub-mes-uazet-user statuette 158 Abusir lotus capital 163 Abydos, Osireion, chain clearing, frontispiece ,, temple, black pottery 166 ,, ,, copper figure 166 , , , , excavation of 1 73 Account keeping 35-37 Accumulations of town, rate of 9, 11 Accuracy in levelling 59 ,, ,, observing 50 ,, ,, recording 49-50 Accusations against workmen 40 Adjustment of stuff in moving 42 ,, vase-fragments 70-71 Advances of money 35 Adzes, dating of 14 Aegean pottery 145-170 Age of objects in plate-heading 115 ,, ,, towns II Alchenaten {Amenhotep IV) 147, 148, 152, 154, 155 Alignment of drawings 115 Amateur digging i, 3, 48, 179, 180 Amenhotep II 148 III 139, 145, 148, 152, 153-155 IV(Akhenaten)i47, 148, 152, 154, 155 America, possible saving of history by, 134 Amphora, Cretan 166 Ancient civilisations 191-192 Angles, calculation of 57, 58 ,, of vases measured 71, 103 Antiquities, exportation of 184 exposure of 172 nationalisation of 185 preservation of 85-104 sale of 187 securing of 33 smuggling of 184 thrown away 132 Approaches to site of work 28 Arabic, necessity for 6 Archaeological duties 177-178 evidence 136-168 ,, experience 3, 4, 14 ,, responsibilities 170 178 Archaeology, classical 2 , , conditions of progress 130 , , hindered by present museums 130 ,, mistakes in 139-140 ,, narrow definition of 2 progress depends on space 133 systematic 122-135 Architecture, photographing of 74, 75, 78 Arrangement of objects 79 ,, plates 114-117 ,, text 119-120 ,, ,, work 41-47 ,, with publishers 120 Athenaeus confirmed 143 Author's alterations 120-121 Autotypes 11 g 195 196 INDEX Awls 113 Azab, wooden floor of 77 Backgrounds for photography, 79 Backing of frescoes 96-98 Bakhshish 33-35, 188 ,, accounts 35 Banking accounts of men 35 Barrels for soaking stones 86 Bases of vases drawn 70-71 ,1 ■> t) sorted 103 Basket-boys, and picks 31-32 Baskets 33, 44-45 Beads 14, 15 ,, pattern of 52, 95, 96 ,, position of 52, 95 ,, seldom of mixed ages 150 Bead- work 95 Beeswax 66, 67, 71, 80, 90, 95, 102 Bell 113 Benzol 92 ,, wax in 91 Black incised ware 160-162, 163-164, 167 , , velvet for backgrounds 79 Blank sheets in spacing drawings 63 Block-tints for vases 70 Blocks returned after use 121 ,, zinc 68 Blotting-paper 89 Boats, prehistoric 167 Bone point 98 Bones, cleaning of 76 ,, marking 51 ,, preserving 90 Bonsor, discoveries in Spain 159-160 Book-post for drawings 64 ,, seller 121 Bosnia, black incised ware 161, 162, 167 Boxes, grain of wood in 110 ,, making of 109-1 II ,, nailing of no ,, nests of 109, 113 ,, with bars 106 Box-sextant 55-56, 113 Boys, ages of 20-21 ,, chain of 44, front. , , collecting 44 in work 24 , , throwing 44 Boys, use of 32 Brace and bits 113 Bracelet of Zer 80 Brass, treatment of 100 Brick, burnt 10 ,, mounds 10 , , walls, tracing of 46-47 , , -work 9 Bricks, age of 47 , , colour of 46 , , size of 47, 52 Brims of vases drawn 70-71 sorted 103 British Museum, growth of 134 Bronze, destruction of 181 ,, hypocephalus 76 , , statues, preservation of 180 , , treatment of loo-ioi ,, vases, Idaean cave 155 Brunswick black, marking with 52 Brushes 91, 98, 112, 113 Brushing 86, 87, 89, 98, 100 BUgelkanne, see False-necked vases Builder of Great Pyramid 178 Buildings, destruction of 185-186 photographing 75, 78 planning 52-55 ,, restoration of 172, 185 Burials, primary and secondary 52 ,, undisturbed 12 Burnt groups 145-146 ,, papyri 95 Buttons of VI -VII Dyn. 162 Buttresses left in digging 30 Cairo museum a failure 131 ,, rubbish-mounds 11 Calculation of angles 57 Camel-hair brush 91, 98 ,, transport 112 Camera 73-75 ,, copying- 81 , , direction of 80 hand- 74, 75 ,, -legs 81 , , pattern of 73-74 , , setting up of 80 , , size of 74 ,, -stand 81 Camp requirements 6 Carbolic acid 89, loi INDEX T97 Carbonised papyri 94 Card blackened for small stops 75 ,, -board for drawing 68 , , slips 78 , , tube 74 ,, with concentric circles 71 Carefulness, means of securing 34 Carrier-boys 30, 41, 43 Carr3ing 30, 32 Cartonnage 52 Cartridge-paper 109, 113 Cases, grain of wood in no ,, making of log-iii ,, nailing of no ,, with bars 106 Casting 64-66 backs of frescoes 97-98 Casts of statues 172-173 , , plaster 64-66 ,, ,, photographing from 77 Celluloid 71 Celtic pottery like pan-grave 159-160 Cementing disintegrated granite 87 ,, sculptures in walls 86, 171 Cemetery site, natm*e of 11, 12 Chain of hoys frontispiece, 44 Chambers, contents of 32 emptying of 44 Charcoal 47, 80, 90 ,, dust 76 Chemical knowledge, need of 85, 171 Chromo-lithography 118 China ink, drawing with 68 ,, marking with 52, 76 Choice of facts in recording 49 ,, ,, workmen 21 Claims of landlord 183 ,, State 183-184 Classification of material 115, 1 19-120 Clay moulds 65 Cleaning of bones 76 bronzes loo-roi gold 98 iron 102 pottery 76 silver 98, 99 Clearance at edge 43 , , from bottom 42 ,, of sites 41-43, 174, 181 Clues in digging 5 Coffin 52 Coinage, wastage of 150 Coin impressions 66, 67, 77 ,, restorations 149 Coins, casting 77 , , cleaning 99 Cold chisel 112, 113 Collectors 48, 185 Collotype 74, 118 Colossi, transport of 107 Colour on slabs 87 ,, preservation of 87-8S -printing for vases 70 Columns, packing of 107 Commerce, prehistoric 167 Commission on sales 121 Commissioners, utility of 170 Compass, prismatic 55, 113 Compasses 57 Complex forms fade soon 128 Conservation 5, 130-135 Contracts 121 Copper figures 166 , , treatment of 99 Copying graffiti 72 ,, inscriptions 61-63, 7^ ,, walls 61-63, 72 Corner-posts to boxes 109 Corpus of pottery 124 ,, system 123-126 Cost of publication of drawings 68, 117 >> .1 It >i photographs 118 >> i> II .. text 120 Cotton 109 ,, wool 66, 97, 107, 109 , , , , not with papyri 94 Cretan connections, XVIII Dyn. 155 Xri ,, 158 VI ,, 162 IV ,, 163 I ,. 166 Cross-bars in pacldng 106 ,, partitions in packing in Crowbars 33, 112 Crown property 183, 186 Crystal, inscriptions on 76 Cultivation of sites 174 Curators of museums 49, 172 Cutting down from edge of work 42 198 INDEX Cutting-out knives, dating of 15 Cylinders, impressions of 66, 67 Damping of papyri 93 Daphnae 10, 13, 143-144 Dark room 83 Dated objects 4, 14-15, 52 Dating of adzes 14 ,, ,, beads 14 , , , , cutting-out knives 1 5 , , ,, mounds 17 ,, ,, objects in general 4, 14-17 Day and piece work combined 30, 32 , , -pay 24, 27-31 Dealers in antiquities 3, 25, 38-39, 48 Decomposition of glazes 88 Decoration in bead-work 95 Defeneh 10, 13, 143-144 Den, tomb of 44 Dentist's wax 67 Deposits, foundation 80 Desert views i Destruction by wet-squeezing 61 ,, of antiquities 170- 171, 172 buildings 10, 185-186 evidence 48 information 171 monuments 179 sculptures 86, 172 site 174 Detail, verification of 50 Developers 82-83 , , proportions in 82 Developing 82-84 Development of tools 14 Diagonal bars for box-lids 106 ,, driving of nails no, in lighting 77 ,, mirror in photographing 75 Digging by amateurs i, 3, 48, 179, 180 , , purpose of i , , regularity of 28 Diktaean copper figures 166 Dilettante work i, 3, 48 Diorite bowl, Crete 163 statue, Crete 158 Diospolis Parva, pottery from 160 Direction of lighting 77 Discoveries, age of 175 Discoveries, casual 170 Discrimination of sites 9 ,, style 14, 17-18 ,, ,, walls 46-47 Disintegration of granite 87 ,, ,, stone by salt 86 Disobedience to orders 35 Distance from lens 80 Distinguishing brick-walls 46-47 Distortion in photography 74 Divided rod 54-55, 113 Doctoring of natives 38 ,, workmen 37-38 Door-sills 52 , , ways 52 Double-plates 116 Drab pottery at Mykenae 148 Draughtsman wanted for corpus 126 Drawing boards 113 by lamp-light 62 facsimile 5, 68 from squeezes 62-63 interpretation in 68 plan 5, 68 thickness of lines in 69, 115 vases from fragments 70-71 Drawings, cutting up 63 , , packing of 63-64 , , posting of 64 , , reduction of 69 ,, reproduction of 68, 115 ,, returned after use 121 , , scales of 69 Dressing of graves 76-77 , , , , objects 76 Driving of nails no, in Drop-shutter view 75 Dry squeezes 61-63 Ebony stain 68 ,, statuette 78 Editions, varieties ot 119 Egypt and Europe 141-168 see Europe Electro-types 181 Electrum 98 El Hibeh 9 Engineers, wrecking by 170, 174 Engraving, Swan electric 119 Enkomi, tombs at 152, 154, 155, 156 Enlarged photographs 74, 75, 80, 81 INDEX 199 Ether 92 Ethics of archaeology 169-18 Europe and Egypt, XXVI Dyn. 142-144 XVIII ,, 144-156 XII , I56-I6I VI , 162, 167 IV , 163, 165, 167 I , 164-166, 167 prehistoric 167-168 Evidence, by collocation 139, 150 by scarabs and coins 149 failures of 139-140 from burnt groups 145-146 ,, copied forms 163 ,, houses 148 ,, paintings 144-145 ,, rubbish mounds 147, 156-157 ,, tombs 150-153 in a single object 138 nature of 136-140 Excavation, hindrance to 187 , , purpose of i ,, recording results of 124 Excavator, qualifications of 1-7, 19, 36. 8s responsibilities of x, 8, 174 Exhaustion, evidence by 137, 139 ,, of metals 181 ,, ,, sites 174-175 Exodus, Pharaoh of 178 Experience, archaeological 3-4 Exposure in photography 75, 78, 79, 82 ,, of sites 178 Extortion by overseers 25 Extra plates for students 119 Faces, flaking of 87 ,, of limestone 87, 88 Facts, stating of 50 False-necked vases 145, 146, 153-154 , , , , variation with age 153-154 Families of workmen 39 Fascination of history 189-193 Files 113 Filling 13. 47, 52 , , and carr3nng 32 Films, curling of 83 ,, packing of 83-84 , , rapidity of 75 Finest lines in drawing 69 Finger-work in excavating 6-7 Flake-white, use of 77 Flaking of faces 87 Flint knife obtained whole 34-35 Flooring, wooden 76, 77 Focus 74-75, 80, 81 Foil, gold 67-68 ,, tin 67 Foot-notes 120 Foreigners* use of plates n6 Forms of pottery 16-17 ,, ,, duration of 128-129 Fort-mounds, Defeneh 10 Forum, excavation of 173 , , interest of 191 ,, pottery at 126 Foundation deposit 80 Fragments, means of securing 34 method of drawing 70-71 ,, sorting and joining 102- 104 Frame for drawing vase -fragments 70-71 ,, ,, supporting fresco 96-97 ,, of strings for scale-drawing 72 ,, with backing of muslin 65 Free-swinging lens 80 French chalk 65 Frescoes 52, 88, 96-97 Fuller's earth 92 Furniture, successive ages of 127 Future ages, rights of 175-176 ,, condition of museums 133 destruction of museums 180- Gang, proportions of 44 Gangs of workmen 26, 27, 32 Gauging of stuff to be removed 42 Gelatine for extracting salt 89-go, 92 Gems, photographing 77 Girls as workers 23, 24, 75 Gizeh, tomb of Sem-nefer 78 Glass background 79 ,, waxed for papyri 94, 95 Glaze, decomposition of 88 200 INDEX Glycerine 91 Glycin 83 Gold collar from Enkonii 154 foil 67-68, 98 pin, Cypriote 155 preservation of 180-181 treatment of 98 value offered for 184 Governments, attitude of 183, 187 Graeco-Egyptian vases 144 Graffiti, copying 72 Grave, age of, by sequence-dates 129 ,, dressing of 76-77 Greece, see Europe ,, conditions of work in 26, 32, 33 Greek pottery 17 ,, workmen 26-27 Greeks in Egypt 142-144, 146 Grouping in museums 132 ,, of objects as evidence 139 Groups in museums 172 ,, numbering of 51 ,, of ivories 91 ,, of objects 48-49, 51, 69, 115, 172, 179 ,, photographing of 80, 81 Guards to plates 116, 117 Gum, contraction of 93 Gurob 145, 148, 151, 152, 153, 156 Gutta-percha moulds 66 Haematite paint 166 Hammer dressing 105 light 99 ,, sledge 112 Headings of plates 115 Head-lines of text 120 Head-shawls, seizure of 39 Helbeh 109 Heliogravure 119 Hinges 113 History, fascination of iSg-193 ,, importance of 4-5, 171, 193 ,, knowledge of 4-5 Hibeh, El 9 Hissarlik, black incised ware 161, 167 Holes, excavated 43 ,, in bricks 47 Hollow feet to vases 166 Hollows in ground 11, 12, 13, 44 Hollows in inscriptions 76 ,, ,, packing 108 Hone-stone 113 Honesty in workmen 22, 34, 37 Horemheb 147 Horizontal position, photographing 80 Huts, raud, of excavators 6 Hypocephalus, bronze 76 lalysos, tomb at 152 Idaean cave, bronze vases 155 ,, ,, carved dish 155 Idleness, remedies for 21, 28 Illness among workmen 31, 37-38 Impressions of cylinders 66 Indestructibility of small antiquities 176 Index to books 120 India-rubber for dry-squeezing 63 Indications after rain 13 ,, of nature of site 12, 13 Indices of types required 124 Infectious illness 38 Inking in of drawings 61, 63, 68 , squeezes 61 Inks for drawing 52, 68 Ink-writing copied 72 ,, ,, photographed 79 Inscriptions, columns and hnes 72 ,, copying 60-63, 7^ ,, ,, before removal S3 ,, made legible 76 , , on stone 76 , , sanded 76 Insight in excavating 4-6 Inspectorship of antiquities 185 Instantaneous shutter 75 Instruments, use of 54-55 Inventory-sheets for small objects 69- 70 Iron, treatment of 102 Ironing textiles 89 Irregularities in plates 115 Israel stele 62 Ivory, destruction of 181 ,, preservation of 90-92 , , tablet of Zer 76 Jaw, removal for measurement 53 Jelly for extracting salt 89-90 INDEX 20I Jewellers' tag-labels 52, 113 Joining fragments 102-104 ,, sheets of drawings 63 Jointing of brick-work 46, 76 ,, ,, flooring 76 Kahun, black incised pottery 160 ,, burials at 151 ,, rubbish mound at 156-158 ,, town site turned over 41 Kamares pottery 158-159 Kefti bring vases 144 Key-plans 53 Khataaneh, black incised ware 160 Khufu, portrait of 178 Khyan vase lid 159 Kitchen-paper 109, 113 Knife, cutting-out, development of 15 ,, dinner-, uses of 46-47, 94 ,, pen 65, 93 Knossos, carving 163 ,, Egyptian figure from 158 ,, pottery 158, 166 ,, vase lid of Khyan 159 ,, vases from 158, 163 Knowledge in recording 49 ,, requisite for excavating 187 ,, systematic 123 Koptos 151 Labelling objects 52, 112 Labels in museums 112, 171 ,, ,, packing 112 Labourers, control of 5, 7, 22-23 , , qualities of 21 ,, selection of 20 ,, training of 5, 21-22 Lachish, pottery at 17 Lamp, Cretan 163 Languages, knowledge of, required Lantern-slides 74, 81 Laws, present, concerning archaeologj' 182-184 ,, requisite, concerning archae- ology 185-188 Laying out for photographing 80 Lead, treatment of 102 Legal evidences 136-138 proof accepted 140-141 Legal uncertainties 140-141 Length of bricks 47 ,, ,, ropes 46 Lens, distance from 80 ,, free-swinging 76 ,, wide-angle 74 Lettering of plates 116 Letters used for distinguishing sites 51 Levelling-mirror 58-59, 113 Levels of buildings 173 ,, ,, pottery for dating 144 ,, ,, walls 52 Libyan influence 159 Lids of boxes no Lifting in removing 42, 44, 45 Lighting by reflection 78 ,, in photography 77-79 ,, of museums 131-132 Lime-burners, destruction by 10,174 Linen, glued 94 Lines, thickness of, in drawing 69 Liparite bowl, Crete 163 List of plates 116, 120 Lithography, chromo- 118 ,, photo- 55, 68-70, 117 Locals according to villages 31 , , for carrying 30-38 Locks 113 Logarithms 57 Lotus capital 163 Magnifier, use in work 47 Maket tomb 151-152, 156 Manuscript, readiness for printing 120 Margins to plates 116, 117 Market money 35-36 Marking of bones 51 ,, ,, objects 51-52, 112 Material facts, evidence of 137, 138 Materials, presentment of 50-51 ,, properties of 85 Measurement, accuracy of 55 in planning 53-55 ,, in photography 80 ,, of vase-fragments 71 >> walls 54 II II work 28, 30 Mechanical contrivances 33, 43, 71, 72 Medicines 38 Mediterranean civilisation 141-168 Medum tombs 62-63 202 INDEX Memory, in excavating 18-19 Mer-en-ptah, portrait of, 178 Metals, treatment of 98-102 Method of plotting 3-point survey 56 Metre rod 54-55, 113 Mill-stones, Roman 10 Mirror 78, 95 ,, diagonal 75 ,, levelling 58-59, 113 Mistakes in naming objects 3-4 ,, ,, publication 117 Misuse of ropes 45-46 Mixture of objects of various ages 150 Monkey, violet glazed 148 Montfaucon 123 Moulds for casting 60, 65-68 Mounds of fort, Defeneh lo ,, ,, town 10, II , , position of 42 ,, throwing on 41 Mounting papyri 94 Moving of earth 30, 43 Mud-brick mounds 10 ,, sun-dried 9 ,, ,, walls, tracing of 46 Museums, buildings unsuitable 130- 131 curators of 49, 172 ,, future of 180-182 grouping in 132-133 ,, groups of objects in 172 ,, growth of 184 ,, lighting of 131 ,, methods in 86, 95, loi ,, plundering for 171 ,, present, hinder archae- ology 130 ,, preservation in 180-182 ,, requirements of 131-135 ,, sculptures in 86, 172-173 ,, space needed in 132-135 ,, unpacking in 112 use of 176 Muslin 65 Mykenae, objects from 140, 148, 152, 156 Mykenaean period 127, 153 Nails, 113 ,, diagonal driving of no, in ,, use of 99 Naqada, dressing of tomb 77 National Repository needed 133-135 Nationalisation of antiquities 185 Native digging 175, 187 Naukratis 142-144 Nebireh 142 Negatives 82-84, n8 Negress, ebony 78 Nekheb, goddess 64 Neolithic vase at Knossos i65 Net process 118 Nile boats 112 ,, rise of 174 Nitric acid 92 Notation of successive ages 127 ,, ,, time in work 29 Note-taking in excavations 52 Nubian shore, submersion of 170, 175 Numbering of groups 51 ,, ,, objects on plates 115 ,, ,, plates 117 , , , , sheets of drawings 63- 64 Numbers, printed 70 , , scratched on 52 Obelisks at Tanis 9 Objects, groups of 48-49, 51, 69, 115, 172, 179 inventory of 69 numbering of 5 1 , , outlining of 69-70 ,, position of 50, 52, 179 , , preparing 76 , , scale of drawing 69 Oblique lighting 77 Observation 9 Oiling of moulds 61, 66 Organization of work, 5 ,, ,, workmen 5, 24, 31 Order, historical, in plates 115 Outlining of small objects 69-70 Overseer or reis 24-26 Overlapping images 56 Overs 121 Packer in Packing frescoes 97 ,, glass 108 ,, materials 109 ,, pottery 108-109 INDEX 203 Packing stones 105-108 Pads in packing 106, 107 Page-references to plates ir6, 120 Paint-brushes 113 ,, red, in cups 166 Paintings on tombs as evidence 144- 145 Palestinian pottery 17 Pan-graves 159-160 Paper bags 113 ,, for drawing 68, 113 ,, packing 109, 113 ,, ,, printing 118 ,, ,, squeezing 60, 113 ,, moulds 60-61 squeezes 60-61, 64 Papyri, photographing of 79 treatment of 93-95 Paraffin wax 87, 89, 90, 91, 96, 102, 112 Parcel-post boxes 109, 113 ,, ,, for drawings 64 Partitions in boxes iii Passages, underground 55 Past quickly vanishing 130 ,, love of 189-193 ,, rights of 176-178 Pasting of papyri 93, 94 Patterns of gold collar 154-155 Payment by results 33 ,, deductions for locals 31 ,, proportions in 31-32 , , rate of 29 weekly 35 Pencil-cutting for outlining 69-70 Pendulum -mirror 58 Periods, of bronze and stone 127 ,, successive 127-130 Pharaoh of Exodus 178 Philae, submersion of 170 Philistine 64 Photographic apparatus '^■^ developers 82-83 developing 82-84 drying 83 enlarging 74, 80, 81 films 75 reflectors 78 register of objects 134 washing 83 Photographing and drawing 73 Photographing of buildings 73 ,, ,, excavations 73 ,, papyri 79 ,, ,. views 74, 81 ,» ,, wall-scenes 81 Photography 73-84 , , back-grounds in 79 , , dark room for 83 , , diagonal mirror in 75 , , drop-shutter in 75 ,, lighting in jj ,, scale in 80-81 ,, shadows in 79 , , skew-back 75 ,, stereographic 81-82 Photo-lithography 117 , , colours reversed in 70 ,, ,, for drawings 68 ,, plans 55 , , reduction for 69 Physics 85 Pickling of bronzes 100 Picks and baskets 31-33 Piece and day work combined 30, 32 Piece pay 27 ,, work 24, 29-31 Pillaxs left in digging 30 Pincers 113 Pins 83, 91 Pit, excavation of 42, 45, 52 Placing of stuff removed 42 Plan 33 ,, accuracy of 55 ,, drawing 5, 53 ,, measurement of 53-55 ,, of chambers 44, 52, 53 ,, ,, towns 52, 53 Plane 65 ,, -table 55 Platinotypes 119 Plaster, casts 61, 64-66 ,, coats of 87, 97 , , handling of 64 Plates, book 114-119 ,, ,, double 116 ,, ,, loose 1T5-116 ,, ,, spoilt 121 , , magazine for 74 , , photographing from 'j'j ,, rapidity of 75 206 INDEX Skull, removal for measurement 52 Slate backing to frescoes 97 Sliding of earth 42 Slopes of rubbish-mounds 11 Smuggling of antiquities 184 Sneferu, black incised ware 163 Soaking of bronzes loi iron 102 lead 102 pottery 88 stones 86 textiles 89 Softening in packing 106, 108-109 Sorting fragments 102-104 Spain, pottery from 159-160, 167 Speculators, destruction by 170 Spies 38-39 Spoke-brush, use of 60-61, 113 shave 113 Square 113 Squareness on plates 115 Squares of plans 53 Squeezes, dry 61-63 ,, wet 60-61 Stain, ebony 68 State claims 182-184 ,, register of works of art 186-187 ,, rights 184-187 Stations, surveying 57-58 Statistical sorting of pottery 12S Statuary, casts of 172 ,, lighting of 131-132 ,, preservation of 180 ,, restoration of 172 Statuette, ebony 78 Stirrup vases 145, 146, 154 ,, ,, variation with age 153- 154 Stone chips 9, 13 , , of buildings 76 , , vases, block-tints for 70 , , , , drawing from fragments 71 ,, ,, sorting fragments 102- 104 Stones, large 30 , , moving of 27 , , salt in 86 , , scale of drawing 69 Stops in manuscripts 120 ,, ,, photographing 74-75 Storing of antiquities 6 ,, ,, ropes 46 Straw for packing 108, 109, 112 Strings of beads 95-96 Stucco, coloured 88 ,, facing 87 , ,■ on bricks 96 , , on walls 47 ,, on wood 96 Students' plates 119 Style, discrimination of 14, 17-18 Successive ages, classed 126 Super-heated wax for preserving go Superimposed buildings 41-42 Support, points of, in packing 105- 106 Survey, three-point 56 Surveying 5, 53-59 ,, of walls 52 . Survival of museums 180-181 ,, ,, things in use 128, 150 Systematic archaeology 122-135 , , work in excavating 2 Systematizers needed 123 Tables, printing of 120 Tablet, ivory 76 Tahutmes II 151 III 151, 152, 153 Tally for accounts 37-38 Tanis, with obelisks 9 , , workers at 20 Tape-measure 55, 113 ,, steel- 55 Tapioca-water 88 Telescope used in work 28 Tell el Amarna, frescoes at 88 ,, ,, ,, vases at 147, 148, 155. 156 ,, ,, Yehudiyeh, cemetery mounds 43 Temple, causes of ruin 10 , , evidence of 47 ,, site, clearance of 41-47 ,, ,, nature of 9-10 Tenting in desert 6 Textiles 89 Theodolite 55 Thickness of lines in drawing 69 Threads 65, 90, 92, 95 Three-colour photography 119 INDEX 207 Three-point survey 56 Throwing 30, 41 ,, sand 75 Thyi, Queen 148, 152 Tibn 109 Tilting in photography 80 Tin-foil moulds 67 plate for reflectors 78-79 ,, ,, sawing 105 , , , , small stops 75 pots 108, III saucepans 90 Tints, block, for vases 70 Tomb groups 48-49, 51 ,, ,, scattered 49 ,, of Sem-nefer 78 , , -robbers 45 Tombs, evidence from 150-153 ,, mixture of contents 150 numbering of 51 ,, position of 52 proportion of important 12 re-use of 150 ,, unplundered 12 ,, wrecking of 171 Tools necessary to work 33, 1 12-1 13 ,, provision of 33 Tooth-brush, uses for 67, 112 Topography 33 Town, planning of 52 ,, site, clearance of 41, 44 , , , , nature of 10 ,, ,, rateofaccumulationio-ii ,, ,, turned over 41 Tracing out walls 13, 41, 46-47 Transport of antiquities 85, 97, 107- 108, 112 Tray with poles 107 ,, wooden 95 Treasure trove 183 Trenching ground 41, 43 Trial-pits 41 Troy, black incised ware 161, 167 Trucks 43 Turning back 41 over 41, 43 Tut-ankh-amen 145, 153, 154 Uncertainties, legal 140-141 Underground passages 55 Undisturbed tombs 12 Uniformity of scale 115 Unpacker 111-112 Unpacking of boxes 11 1- 112 Unplundered tombs 12 Unpunctuality, remedies for 31 Unrolling of papyri 93-94 Unsanded stones 71, 76 Usertesen II 44, 157 Valuables, findmg of 27 Variation of vases with age 153-154 Vases, block tints for 70 ,, drawn from fragments 70-71 ,, measurement of angles 71 , , scale of drawing 69 Vertical lighting 77 ,, mirror level 58-59, 113 , , position of camera 80 Wages in Egypt 29 , , , , England 27 ,, ,, Greece 27 Wall-scenes, photographing of 81 Walls, copying 61-63, 7^ , , face of 47 ,, surveying of 52 ,, thickness of 52 ,, tracing of 13, 41, 46-47 ,, visible after rain 13 Warrior in alabaster 144 Washing of negatives 83 out salt 86, 88, 89, 100 Wastage of coinage 150 Water-colours 77, 113 Wax, bees- 66, 67, 71, 80, go, 95, 102 ,, dentist's 6^ ,, paraffin 87, 89, 90, 91, 96, 102, 112 Waxed glass for papyri 94 Weathered stones, sanding of 71, 76 Weeding-out of workmen 40 Weights carried by boy 43 Western, see Europe Wet squeezes 60-61 White ants 8g, 96 ,, filling of black ware 161 ,, flake-, use of 'j'j , , -wash on walls 96 Whiting for inscriptions 76 Wide-angle lens 74 208 INDEX Wills, contradictory 140 Witnesses, evidence of 137, 138 veracity of 138 Wood flooring 76, 77 rotted 90-91 salt in 89 tray 95 wet 91 white ants in 89 -wool 109 Work, irregular 27 Workmen at Tanis 20 chains of 44 control of 5, 7, 22-23 distribution of 26 English 27, 32 Greek 26-27, 32 management of 36 organization of 24, 29, 31 qualities of 21 Workmen selection of 20-21 , , substitution of 23, 31 training of 5, 26, 34 Wrapping-paper 109 Wrappings 52 Wrecking by engineers 170, 174 ,, ,, lime-burners 174 ,, ,, natives 175 ,, of tombs 171 Yorkshire, pottery from 160 Zer, Aegean pottery of 164-165 ,, black incised ware 164 , , bracelet of 80 , , ivory tablet of 76 Zinc, box for washing 83 ,, blocks 68, 118 ,, tally for accounts 37-38 , , trays for soaking stones 86 Zuweleyn, sarcophagi at 10 THE END Printed by R. & R. CLARK, Limited, Edinburgh. WORKS BY W. M. FLINDERS PETRIE THE PYRAMIDS & TEMPLES OP GIZEH. (Out of print). TANIS I. 19 plates, 25s. Quaritch. TANIS II. Nebesheh and Defenneh. 64 plates, 25s. Kegan Paul and Go. NAUKRATIS I. 45 plates, 253. Qimritch. HIEROGLYPHIC PAPYRUS FROM TANIS. (Out of print). A SEASON IN EGYPT, 1887. 32 plates, 12s. (Out of print). RACIAL PORTRAITS. 190 Photographs from Egyptian Monu- ments, 45s. Murray, 37 Dartmouth Park Hill, N.IV. HISTORICAL SCARABS. (Out of print). HAWARA, BIAHMU, AND ARSINOE. (Out of print). KAHUN, GUROB, AND HAWARA. (Out of print). ILLAHUN, KAHUN, AND GUROB. 33 plates, 16s. (Out of print). TELL EL HESY (LacMsh). 10 plates, 10s. 6d. Alexander Watt MEDUM. 36 plates, 24s. (Out of print). TEN YEARS DIGGING IN EGYPT, 1881-1891. 63. B.T.S TELL EL AMARNA. (Out of print). KOPTOS. 28 plates, lOs. Quaritch. A STUDENT'S HISTORY OF EGYPT, Part I, down to the XVIth Dynasty. 5tli ed. 1903. Part II, XVIIth and XVIIIth Dynasties. 6s. each. Methuen. TRANSLATIONS OF EGYPTIAN TALES, with iUustrations by Tristram Ellis. 2 vols., 3s. 6d. Methuen. DECORATIVE ART IN EGYPT. 33. 6d. Methuen. NAQADA AND BALLAS. 86 plates, 253. Quaritch. SIX TEMPLES AT THEBES. 26 plates, 10s. Quaritch. DESHASHEH. 37 plates, 25s. Quaritch. RELIGION AND CONSCIENCE IN EGYPT. 2s. 6d. Methuen. SYRIA AND EGYPT. 2s. 6d. Methuen. DENDEREH. 38 plates, 25s. ; 40 additional plates, 10s. Quaritch. ROYAL TOMBS OF FIRST DYNASTY. 68 plates, 253. Quaritch. DIOSPOLIS PARVA. 48 plates, 253. Quaritch. ROYAL TOMBS OF EARLIEST DYNASTIES. 63 plates, 25s. ; 35 additional plates, 10a. Quaritch. ABYDOS, Part I. 81 plates, 25s. Quaritch. ABYDOS, Part II. 64 plates, 25s. Quaritch. Of works out of print, a few copies can be had on application to the Author, University College. 1 HANDBOOKS OF Archaeology and Antiquities Edited by Professor Percy Gardner, Liit.D. of the University of Oxford, and Professor F. W. Kelset of Ann, Arbor University, Michigan. Each volume will be the work of a thoroughly competent Author, and will deal with some special Department of Ancient Life or Art in a manner suited to the needs both of the scholar and of the educated general reader. The Series will be characterised by the following features : — (1) The size of the volumes will be Extra Crown Octavo ; each volume to contain not less than 200 pages. (2) The illustrations, taken from works of ancient art, will be made as complete and satisfactory as possible. (3) Each volume will contain a concise bibliography, together with complete indexes of Greek and Latin words and quotations, and of subjects. (4) Thus the volumes will together form a handy encyclopaedia of Arohseology and Antiquities for the fields covered. (5) The different treatises will not be uniform in respect to length or price. The following volumes have already been published, and others are in preparation : — THE ROMAN FESTIVALS OF THE PERIOD OP THE REPUBLIC. An Introduction to the Study of Eoman Eeligion. By W. Warde Fowler, Lincoln College, Oxford. 6s. [Beady. SPECTATOR. — "This work is intended as an introduction to the study of the religion of the Romans, and a very faithful and accurate piece of work it is, as indeed might be expected by those who know Mr. Fowler's previous studies of ancient life." LITERATURE.— " Mr. Fowler has admirably summed up the results of the folklore school as far as Rome is concerned ; and it is much to have a scholar's unprejudiced opiuion on them. The book marks a distinct step in advance." GUARDIAN.— " A ieWghttal volume which will attract and interest any educated and thoughtful reader." SPEAKER.— "This delightful book, which leads us by the plain path of the calendar, illuminating every step with now a curious parallel from Samoa, now a pretty tale from Ovid, now an observation made in Oxfordshire. And it is not of every work that you can say with truth that it is the work of a scholar, a gentleman, a philosopher, a naturalist, and an under. standing lover of the country." ACADEMY. — "A book with which every student of Roman religion will have to make his account. . . . Alike as a storehouse of critically-sifted facts and as a tentative essay towards the synthetic arrangement of these facts. Mr. Fowler's book seems to U3 to mark a very distinct advance upon anything that has yet been done." GREEK SCULPTURE. By Prof. Ernest A. Gardner, M.A., University College, London. Part I. 5s. Part 11. 5s. Or in one volume. 10s. [Beady, ATHENJEUM. — "The introduction alone, which runs to over forty pages, makes the book indispensable to every student of the subject." CLASSICAL iiBF"7S W.— " The good qualities which were conspicuous in the first part of Prof. Gardner's handbook are as characteristic of the second, and it is not too much to say that the whole book easily takes rank before all other English elementary treatises on Greek sculpture. . . . There are few books of the kind which can be so freely recommended as Prof. Gardner's." GUARDIAN.— "IAt. Gardner's book may be confidently recommended as the best and most trustworthy sketch of Greek sculpture hitherto published in the English language." HANDBOOKS OF ARCHEOLOGY AND ANHQVITIBS— C