/ %^- Pi.i5mj Cornell University Library PR 4629.D6F8 Fragments of verse.Printed for private c 3 1924 013 343 680 The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013343680 FRAGMENTS OF VERSE FRAGMENTS OF VERSE BY pl^ HENRIETTA A^ DUFF ' Give me a low and humble mound In some sequester'd dell And Memory shall scatter there The laurel I have longed to wear." W. M. Praed. r (Printed for Private Circulation) ILonBon: MARCUS WARD & CO., 67, 68, CHANDOS STREET And royal ULSTER WORKS, BELFAST 1 880 K i\.\SS%%c^ IBeJicateU ERRATA, Page 70, second line from top, for " 'Twixt he and me,'' read " 'Twixt him and me." Page 117, in title, for *' Welweiss," read " Edelweiss " H. M. D. March, 1880. ©etitcateB TO Mr. & Mrs. FREDERICK LOCKER, IN REMEMBRANCE OF THEIR CONSTANT FRIENDSHIP FOR, AND KIND ENCOURAGEMENT OF ONE WHOSE POEMS WOULD HAVE APPEARED IN A MORE FINISHED FORM, HAD SHE BEEN SPARED TO REVISE THEM. H. M. D.' March, 1880. CONTENTS. The Eclipse of the Moon, PAGE 9 Cradle Song, . PAGE 58 A Greeting, . lO My Dead Love, . 59 Among the Vines, 12 The Queen of the Season, 60 Never Met ! . 13 Cousin Giulio, . 62 Leal Souvenir ! . 16 The Working Ladies' Guild, 83 In the Park at Tredegar, 18 It Might Have Been, 84 Suspense, .... 20 A Valediction, . 86 Back to Italy, 21 Young and Old, 87 To the Author of "Blue The Maid-Queen, 88 Roses," . 23 A Sonnet, 91 Summer-Moon, 25 Times and Seasons for Artist- A Portrait, 27 Life 92 New Houses, . 28 A Madrigal, . 94 The Birth of Cain, . .30 To a Friend, 95 The Lost Piece, 38 Spinning- Song, 96 Holy Night, 40 Young T , 98 "Rejected," . 41 Misconceptions, 100 My April Queen, 43 Somebody's Eyes, lOI Damascus, 45 For Palm Sunday, . 102 An Unfinished Song, . 46 Laurels versus Roses, . 103 The Mower's Song, 49 Casuals, loS Daybreak at Pontresina, SO A Sonnet, from a Spanish In Despair, SI Idea, . . .. . 106 Chance, .... 52 Die Wacht am Rhein, . 107 A Catch, 54 How Love Glorifies, . no Princess Eva, 56 Only a Word, 112 Contents. Prosper Merimee's Grave in the Cemetery at Cannes, . 113 Patience, . . . 115 An Impromptu, . .116 Nur Blumen, . . 117 The Happiest Day, . .119 Bells at Christmas-tide, . 120 A Sea-GuU on a Wet Day, 121 Only in Dreams, . . 122 A Pancake-maker — in Paris, 123 Something Beyond, . 124 Aspirations, . , . 125 The Name of Kate, . 129 The Songs that were Sung Long Ago, . . .130 A Longing, ... 132 To Lisette, . . .133 A Farewell, . . . 135 A Greeting, . . .136 Love-Song, . . . 141 To F 142 In the Churchyard — Cannes, 143 The Widow's Son, . . 144 The Old Story, . . 146 A Lullaby, . . .148 Good-Morning, . . ijo Floating, . . . . ijr ffiijristmas, WtSn gear, Ualenttne, antf ISirtfjBag STetSES. PAGE A Christmas Carol for Mas- ters and Men, . . 155 A Christmas Greeting, . 157 A Christmas Card (with Heather-hell), . . 159 A Christmas Card (with Forget-me-nots), . . 160 A Christmas Greeting (with Trefoils), . . . 161 A Christmas Card (with Maiden-hair), . .162 A Christmas Carol, . 163 A Birthday Wish (Spring), . 164 Do. (Summer), 165 Do. (Autumn), 166 Do. (Winter), 167 A Letter of Good Wishes, . 168 A Valentine ( To Marguerite), 1 70 A Valentine, . . . 171 affiatlanSDftitflear. Spring 172 Summer, 173 Autumn, . . . . 174 Winter, . . . . 1 75 FRAGMENTS OF VERSE. THE ECLIPSE OF THE MOON. Seen from the Gardens of Rowfant, Aug. 23, 1877. Dedicated to Frederick Locker, Esq. npHE trees stand black against the skies — Tiie skies themselves are full of light, For all the stars, like angels' eyes, Look down upon the world to-night ; — While slowly on the moon's fair-orbfed face Earth's hills and dales their darkling shadows trace. O Earth, O Moon, O Love, O Life, O eager hearts and spirits pure, The mists of morn, the stains of strife, The dusk of death we must endure, Until at length we learn from angels' lips That we have reached the world beyond eclipse ! Rowfant, Aug. 24, 1877. B A Greeting. A GREETING. TO THE DUCHESS OF EDINBURGH. 'T^HE Town sends her thousands to meet her, The Princes and people go forth With music and banners to greet her, The gentle Princess from the North — The streets we are decking with flowers. And streamers are floating on high : But a welcome more tender than ours Is the greeting that comes from the sky ! The North flings before her in splendour Its diamonds glittering and white, And, spread o'er the shadows, its tender Lace raiment of nuptial white : It has summon'd its speediest minions. Its horses of wind, fleet and wild, And brought, as on angel's white pinions, A kiss from the Czai: to his child. A Greeting:. It has breathed on her cheek and has spoken, In language as soft as the snow, The meaning of motto and token, The homage of high and of low. It has proved that though lands may be parted. As stars in the dark skies above ; There is still to the true and fond-hearted, The one and same Heaven of Love ! March 12, 1874. Among the Vines. AMONG THE VINES. IN ITALY. T^HE clustering vines spring up through the clear air; ■*■ They grow twice over; once, high up and green, And once deep down in the blue lake, between The purple mountains — both alike so fair. One scarce can tell the sunshine from the glare. Here, the light ripples through a leafy screen. There, it flows on all golden and serene. In both the dark-eyed children stand and stare; While up and down their weary parents pace Those stony ways, with long, deep baskets slung Over their shoulders; yet with easy grace They bear their burdens, whether old or young : For here they play at work — in many a place They work at play — for those, no song be sung. Never Met ! 1 3 NEVER MET! "How touching is the story of the friendship between Scaliger and Casaubon, the two great scholars, who never met, but who loved each other dearly." — See The Times, March 8, 1875. TTTHO'S not felt, while poring over Some divine mysterious scroll, Wild desires within him burning. Strongest longings of the soul — "Would that I had known this master!" Thus the ardent spirit cries ; "Would that I had lived when he lived, Lived and died beneath his eyes ! " Sad regrets — yet how much sadder Was it in the olden days, For those two great famous scholars Who ne'er crossed each other's ways : 14 Never Met! Parted, not by chance of birth-time, But by fortune sterner yet; Beads upon the self-same chaplet, Strung apart — they never met. Never met — though deep devotion Bound the younger to the sage ; Never met — though faithful friendship Little recked of fame or age ; Never met — though kindly greetings Passed between their hands for years. While each heart to each lay open In a letter wet with tears ! Then at last came death, came darkness, Came the setting of the sun, Came the news one life had vanished, And one worker's work was done ; But across that funeral tolling Surely too came accents sweet, "Friend, rejoice, the day is nearing When we first, at last, shall meet!" Never Met ! 1 5 Oh ! that day — that glorious trysting, May we all be present too ; All who love, and all the loving, All our heroes, brave and true; For we trust, amid the elders Sitting on their golden thrones. We may realise ideals, And know, too, our Great Unknowns ! 1 6 Leal Souvenir! LEAL SOUVENIR! [Words under a Portrait, by John Van Eyck, in THE New Wing of the National Gallery.] TS it a friend who is painted here, Rugged of feature, and homely of dress ? Did he inspire such a leal souvenir, All those years back on the banks of the Lesse ? Was he a friend as a friend should be — Loyal alikfe in. praise and in blame — Prone to be silent, yet prompt to foresee Every call upon friendship's name? Was he so steadfast that no one could e'er, E'en for a moment, his constancy doubt? Honest and faithful — so just and so fair — His whisper meant more than another man's shout? Leal Souvenir! 17 It was ages ago, and mankind, we are told, Has since become selfish, and hard, and austere; Yet I think it were strange, if 'twixt friends, new and old, We did not own, too, just one leal souvenir 1 1 8 In the Park at Tredegar. IN THE PARK AT TREDEGAR. A GRASSY mound, by bay trees crowned, Four cypresses in sight, A sculptured stone, with moss o'ergrown. This touching tale indite. " Sir Briggs" lies here, for many a year A charger swift and bold. Who nobly bore his master o'er Crimean fields of old. He won his way, that glorious day, Upon the Alma height. And fought for life in the bloody strife Of Inkerman's dark fight; But the foremost claim he has to Fame Has been sung by the Poet's breath, In the famous raid of the Light Brigade, Where he rode through the Jaws of Death ! In the Park at Tredegar. 19 And when at last his day was past, And his active service o'er, No echoing roof rang back his hoof — For he scorned a stable door ; But still out there, in the sweet fresh air. He chose to live and die, — And now he sleeps where the Welsh wind sweeps O'er him a lullaby ! Knole Park, April 27, 1875. Suspense. SUSPENSE. A LITTLE longer to wait, A little longer to pray ; Weary to learn my fate, Day after day ! Will it be joy or pain ? Will it be peace or strife ? What doth thy hand contain, Life, for my life ? Nay, it is better so, Hid in the future tense ; Best that I now should know Only suspense. Back to Italy. BACK TO ITALY. A Rhyme without Reason. DACK to Italy! ah yes, Start off by the next express ; Quickly seven-leagued boots we don, Panting, puffing, plunging on. Under mountains, over seas. To the land of figs — and fleas. What to us are cleanly ways, English dinners, English days ? What the sight of Alpine snows. Or the mountain gleams and glows ?- Give us Italy — ah I si. Give us that — and let us be. We shall glory in the grime. Dust, decay, and dirt sublime ; We shall learn the dearest way. How to beg — and what to pay ; Back to Italy. How to drink the sourest wine. And upon polenta dine ; How to have one's cheek saluted, How to have our wills disputed ; How to give with both our hands In this liberalest of lands, And to be transformed so That ourselves we hardly know. Wherefore 'tis our constant prayer, Every day and everywhere, That whenever flit shall we, 'Twill be back to Italy ! Baveno, Sept. 19, 1874. To the Author of "Blue Roses." 23 TO THE AUTHOR OF "BLUE ROSES." A LL the world in flower Lies about me now, Light on every bower, Bloom on every bough ; But where are the roses In my dreams that grew? Flower that never closes, Rose whose shade is blue. Once, I thought I found them In the days gone by- Buds grew all around them. Bluer than the sky; Still, whene'er I touched them, Blue would turn to grey, For it seemed I clutched them Only to decay. 24 To the Author of "Blue Roses' Ah ! blue roses, never Here may be your birth — Sin and shame together Dark have made our earth ; But the mist discloses Azure peeping through, And, may be, my roses Are where all is true ! Midsummer Day, 1877. Slimmer-Moon. 25 S UM M ER-MOON. A Picture in the Royal Academy (1872), by Frederick Leighton, R.A. TTEAD to head, and hand in hand, 'Mid the fulness of all things fair : Dreaming they lie in the sweet southern land, Where the moonlight, flooding the air. Rounds the pomegranates the whole night long, Hushes loud life with its lullaby-song. Heaven's peace in the midst of earth's prayer. O passionless, perfect, O " Summer-moon ! " Rarest picture thus triply crowned With the music of painting, the colour of time. And the cadence of golden sound : A "Schlummerlied" striking a chord for a rest — A poem of peace by grave symbols expressed — Art's sweetness in ecstasy drowned, c 2 6 Summer-Moon. Sleep ever, ye girls, and O moonlight, still stream That ineffable halo of light. Which fills our souls subtly in moments supreme With a glory beyond common sight : Inspirer, O picture, O fair "Summer-moon,'' It is worth while to live through long months for one June, One such breath from the land of delight. A Portrait. 27 A PORTRAIT. T)UT let me paint them once — the hands, the head, the hair, The flower-like face poised on a lily stem. The sweet sad lips — the eyes half closed, as though there were Some weary, dreary secret hid in them ; And then that look — the burden of a long past pain, perchance, Regretful, hopeless, helpless, as Eurydice's last glance ! Only, and if Eurydice could hear and see Her Orpheus singing somewhere in the light; Only, and if our hearts were but more frank, more free, More apt to live by faith, and less by sight ; Then speechless pictures, soulless words, and such a smileless face In God's great glad created world would never have a place. 28 New Houses. NEW HOUSES. A HALF-FINISHED house at most, ■'■ *■ A wall, 'and a cross-way beam, A nameless, numberless ghost, A faceless, figureless dream ; Yet why should it own not a rhyme. As well as a house that is old ? That was young too, once on a time. Before its stories were told. The stories of these had begun Or ever their mortar was dry; For oft through the westering sun. As a gay young couple go by, They'll gaze at the brick and the stone As they pause where the roadway is rough, And they'll sigh — "Such a house for our own Were happiness more than enough ! New Houses^ 29 "Those rooms — to the left — to the right, Shall be yours, shall be mine, shall be ours. And there, where the sunshine is bright. Our children shall grow up like flowers ; Our schoolboys shall yearn for their home; Our girls flit about it all day, Until, in due time, there shall roam Some lover adown the rough way." There's a story in there to be read, Home-coming, and wedding, and birth. And then one thing beside, all unsaid, That only one sure thing on earth; — Ah ! Death — spare the young and the fond, Or, at least, when their knell must be tolled, Let the city have stretched far beyond, And these new houses then be the old. 30 The Birth of Cain. THE BIRTH OF CAIN. (Eve speaks.) /^H ! was there ever such a day as this, Since first upon the darkling water's face The Spirit moved? And has it been, indeed, A day like other days, made up of hours, Just common hours, of daybreak — noontide — night, - Such hours as mark the everydays of life ? Ah ! surely not. I have known so many days : The day when first I woke to life and love ; The day when first I knew of sin and shame ; The day when first those flaming swords were set Round Eden's gate ; and then, those other days. When Adam sallied forth to daily toil. And I was left alone to watch and weep \ — But never day like this. The skies stooped down To kiss the straining earth, — athwart the trees I heard the angels move, and surely felt His Presence, too, who walked beside us once The Birth of Cain. 31 In Eden's grove. A solemn silence fell On all things living. To their grassy lairs The howling, grovelling creatures noiseless crept ; The birds swung still and silent on their boughs ; The waters soundless swelled and swayed. My soul Seemed widening slowly; — o'er my spirit stole A sweet, strange sense of swimming into space. Until at last across that silence broke A little cry : my babe was born, — our son. O Adam, come and look upon "the man Which I have gotten from the Lord " to-day 1 Poor Adam ! thou art weary too, and worn With many a day of travail and of toil ; Methinks the curse hath fallen sorer far On thee than me, — and yet the sin was mine. The arid ground yields not such fruit as this For all thy delving. Ah ! my pretty bud, My fairest flower in all the world, — nay, nay. Thou must not wrinkle up thy forehead thus, Nor frown like that. Do babies always frown? Does the world seem to them so ill a place, They needs must pucker up their little brows At sight of it ? How should I know ? In truth. 32 The Birth of Cain. There never was a baby born before On all this earth : this is the first, — our child ! Look at him, Moon and Stars ! Look at him, once. And then draw off your twinkling silver rays, Lest they disturb his slumbers. Sun, arise In splendour, so that he too may awake To light, and joy, and gladness. Birds, trill out Your sweetest songs ; 'twill make him leap for joy. Come hither, beasts, and let him stroke your manes. And draw his fingers down your furry coats ; For is not he the first-born babe on earth? And should not all things minister to him. Their infant lord and master? Ah ! my babe. My precious babe, how shall we train thee up? How rule him rightly, Adam, thou and I, Who are so ignorant of life ourselves ? What shall we teach him ? Shall he be as thou, — "A tiller of the ground," — and learn to delve. And offer up his first-fruits to the Lord, And carry home his faggots on his back ? — And some day — some far distant day — when we Are resting 'neath the fig-tree's fragrant shade The Birth of Cain. 33 (One must grow weary as the years go on), We'll watch him coming through the palms at eve, And know that he is working now for us. As we worked once for him, our little Cain. — What ! frowns again ! — ah no ! this must not be, I cannot bear to watch those shadows pass Across thy brow. There; nestle down once more. And sleep and dream the ugly marks awfiy. . . . Lullaby Song. Sleep, then, my little one, Peacefully sleep ; Father and mother your Vigil will keep ; Angels wa:tch over you, God above all, So that no evil thing Can you befall. Sleep, then, my little one, peacefully sleep ; God's holy angels your vigil will keep. Sweet be your dreams, my babe, Tender and bright, 34 The Birth of Cain. Visions like stars shall shine Through the long night ; Daybreak they flee before, Drop into dew, Spangle the earth afresh, Darling, for you ! Dream, then, my little one, peacefully dream ; Starshine or dewdrops about you shall gleam. (Four months later.) Adam, — quick !— come, tell me what is this 1 hold within my hand, all stiff' and stark ? It was a butterfly, I know — a thing All full of pretty life and light ; but now — What is it now? It does not move, nor fly. But lies here like a lifeless stick, or stone. This morn it flew above my baby's head, Through the blue air. He stretched his fingers out, And caught it thus, and crunched it up between His tiny palms, and laughed to see it start. And struggle (oh ! he 's lusty now, and gay, Our four-months' babe), and then he let it fall ; And there it lay until I picked it up. The Birth of Cain. 35 All bruised and crushed — a pretty thing no more ! What ! never any more — never again To flit across the sunbeam's path, nor float Through summer breezes like a rare-winged flower. — What ! dead — ^quite dead ! Oh, Adam, 'tis not dead ! Death is a thing for thee and me, but not For babes to deal to creatures such as these ! Dirge. Dead J — dead, — dead, — The word has been said. And blood has been shed Upon earth ; For all that have breath Are as certain of death As of birth ! (A year later.) Another son, dear lord ; we are rich in sons. I might have wished a woman-child this time, But God knows best; and this, our last-born son. Looks mild and gentle as a little lamb. — No frowning here. But where 's our elder son ? 36 The Birth of Cain. Where 's Cain ? — ah me ! he toddled off awhile To pounce upon some little unfledged bird. — See ! there he comes, his prize between his hands, How fierce he looks ! — nay, boy, put off for once That scowling face, lest it affright the babe. What is it that offends thee? Can it be That thou art jealous of thy brother, Cain? Nay, but thou, too, thou sturdy year-old child. Once sat upon my knee as Abel now. So come, and give him one fraternal kiss. What ! clenched fists ! — a rush, — a blow, — a cry : — Oh, Cain, what hast thou done? See, Adam! see. Thy elder strikes thy younger ! Oh, my God, Is this the punishment reserved for me? — To see my blessings turned to curses thus. My children foes, — to know that through my sin All men shall sin, that but for me alone There had not been in all the world such things As envy, hatred, strife, or death Ah! Lord, My punishment is more than I can bear. The Birth of Cain. 37 (Eve swoons, an Angel sings.) Great was thy guilt, O Eve, Cruel thy crime ; Yet shall thy seed atone For it, in time. Death shall be swallowed up. Strife shall be o'er ; Men shall through Man attain Life evermore ! 38 Tlie Lost Piece. THE LOST PIECE. To R. B. H. ' Rejoice with me ; for I have found the piece which I had lost." — S. Luke xv. 9. TTTILL it be really so? Shall we some day Get back the things we thought Gone for alway? Find our lost treasures, dear, Count our lost sheep. Gather what blossomed, while We were asleep ? Joys that we once have had, Love that was ours, Hopes that we scoffed and scorned In the past hours ; — Hands that we might have held, Hearts that we lack, — Chances we miss on earth. Will they come back? The Lost Piece. 39 Will they ? Ah ! who can tell What we shall find, When the great golden gates Close in behind? Crowns, palms, and seraph songs,- / shall rejoice If I may hear, at last. One angel voice ! Trevalyn, July 24, 1877. 40 Holy Night. HOLY NIGHT. QTARS with silver-crested besom Sweep the heavens pure and bright. Fearful lest they should awaken Any slumberer to-night. All the forests lie in silence, Holy watch the branches keep, While his shadowy arms the mountain Flings before him in his sleep. Mute are all things — save the lovers. Whispering in their star-lit bower ; What to them is day or darkness, Cottage roof, or palace tower? COBLENTZ, Sept. 2, 1872. "Rejected" 41 "RE J EC TED." A Picture in the Royal AcADEMy (1876), by Marcus Stone, R.A. TTER little face is white with woe, Her downcast eyes are wet ; She had not meant to grieve him so, At least, — at least, — not yet; — It was so pleasant to be wooed, So hateful to be won, — Ah ! why should many a merry mood End in so sad a one ! She draws the curtain back, and peers Into the world beyond; The garden gleams in flowery tiers, The fish leap in the pond; Behind there is a misty hill, — How grey it all has grown ! Perhaps it was her father's will, Perhaps it is her own. 42 " Rejected:' He turns aside, — he pleads no more, But goes with drooping head ; A man is often wounded sore Who dons a coat of red. And so he sadly rides away. Slowly, o'er hill and plain ; But, let us hope, some other day He will ride back again ! My April Queen. 43 MY APRIL QUEEN. npHE winter, with his icy hand, Has hewn the flowers down. And turned this green and pleasant land Into a plough-field brown. E'en now young April's twigs can show But little buds of ice and snow. Yet deem not, blossoms, that I weep For your long-tarrying grace. Nor think that I for ye can keep Within my heart a place : The fairest flower on earth, I ween. Has filled it all— my April Queen ! What need of nightingales have I, Or blackbird on the tree. While her clear voice doth scale the sky In carols sweet to me ? Her eyes are like the violets blue, Her breath as fragrant honey-dew. 44 My April Queen. What rose among the hedges grows As rosy as her lips? What bee among the blossoms knows, As I, such dainty sips? Ah ! May, what need have I of thee, When April brings such sweets to me? Damascus. 45 DAMASCUS. To THE HONBLE. LIONEL TOLLEMACHE. A FTER long years, Gloomy with fears, Travail and tears : — Suddenly Light Breaks through the night. Heavy and grey, Clouds ever lay. Low on my way : — Yonder the Blue Opens to view. Once all around. Falsehood I found Worshipped and crowned : — Time at last brings Truth on his wings ! 46 An Unfinished Song. AN UNFINISHED SONG. r?ARE-THEE-WELL, my love, fare-thee-well, For by Faith's plighted token shall Love live unbroken : Fare-thee-well, fare-thee-well, fare-thee-well. I. Thus he sang, my own love, on a fair autumn day; And the winds, through the heather hills moaning and sweeping. Stirred the shivering barley that fell with the reaping, Shook the bells of the sheep on the grey moorland leaping. And they all answered back as my love turned away. Come again, come, come again, From the wearisome road or monotonous main, Through the glare of the sun or the beating of rain : Come in sadness or gladness, in pleasure or pain ; For, undaunted by weather, Faith and Love stand together : Come again, O my love, come again. An Unfinished Song. 47 II. Then the air drank the echo, and silence fell round, Yet through winter's closed doors shutting out the earth's singing, Through the birth-bells of life which the springtide sets ringing. Through the passion of summer outflashing and flinging, Till its music the dirges of autumn have drowned : I could hear, yes, my love, I could hear A sad sobbing and throbbing of waves in mine ear. And the burden of footsteps grown dusty and drear. And the ghost of a voice sounding icily clear. Love may live through Death surely, if Faith be kept purely, I can hear, O my love, I can hear. III. Ah ! he never came back, — and I live on alone. But the summer and winter together are fleeting; The round ring of hfe groweth nigh its completing. And the jewel it lacks shall be set in the meeting; So I wait and keep faith, and my love makes no moan : 48 An Unfinished Song. For I know, love, I know, for I know The faint song that the clouds drifted back long ago, We shall finish at last beyond sunshine and snow. Ringing out its full meaning we missed here below. How that Faith's work is ended when All Love is blended. Oh, I know, my own love, oh, I know. The Mower's Song. 49 THE MOWER'S SONG. QWISH, sweep, the scythe is keen, — ^ Swish, sweep, the grass is green, — And the flower of the field that to-day is bright, Shall be food for cattle to-morrow night ; So swish, sweep the meadows clean. Swish, sweep, another scythe, — Another mower keen and lithe, — And the flesh that we now with such pleasure array, May be food for the worm in a little day; So swish, sweep, though mortals writhe. Swish, sweep, not so indeed — Dead grass may yet hold living seed — And we trust that our names like new-mown hay May be sweetly remembered for many a day; So swish, sweep, through wheat and weed, The mower's song is the mortal's creed. 50 Daybreak at Pontresina. DAYBREAK AT PONTRESINA. "TlARKNESS trickling into dawn, Steel to blue, and blue to white. Rolling on in waves of light, As the tide, grown full and high, Floodeth first the pallid sky, Then o'erlaps the mountain tops With a spray of silver drops. Till within its sway supreme Field and fold and snowy stream, All at last are gained and drawn : — So each morning here is born. In Despair. 51 IN DESPAIR. /^OME to me, darkness, Close on me, night. Hide me, — oh, hide me Out of the light. Noontide is searching, Sunshine 's all eyes, Stars are the only Blanks in the skies. Eyes red and swollen,— Wlien will it cease? Not till death brings us Darkness and Peace ! 52 Chance. CHANCE. TT THERE the tall white lilies bloom and fade, And the starry flag-flowers blow ; There sat a maid in the dewy shade, With a face of wistful woe. " Oh ! the birds o'erhead have their mates to wed," 'Twas thus she made her moan, "And each blossom here has a sister dear, But I am alone, alone." Where the reeds and rushes swim and soar, By the side of the rippling wave, There sprang to the shore with a steady oar A noble youth and brave ; "Is there never a one beneath the wide sun To welcome me back?" he cried; "I have travelled afar, like a wandering star. And no one hath watched at my side." Chance. 53 Where the oak and the ivy meet and twine Round the arch of an old church gate, At the sacred shrine of love divine, These two have joined their fate ; And he wanders still at his own free will. But never afar from shore. For there 's some one now who does not allow Him to leave her alone any more ! 54 -A Catch. A CATCH. Refrain. Oh ! when watches disagree, There 's an end to harmony ! Dialogue. " p-'-^-^ o'clock — six — past seven — near eight — What is cook doing? Why are we so late?,"- " Eight o'clock, John ! Your watch, how it ticks. It is you who are wrong j why, it barely is six." " That 's the nature of watches, my dear little wife." " Well, but look how it races, as if for dear life ; Now mine may be slow, but it's steady, you know; Past eight, 'tis absurd " "Oh fie, such a word From a wife to a husband should never be heard. But chiefly from one who has owned she is slow." "Now, John, that's not true, I am fast, I declare. By the clock on the top of the gallery stair." " What ! fast are you, now ? — that I will not allow." A Catch. 55 "Oh, John, how you bait me, — you make me quite hate ye. The clocks are all right — call Betty, and see " Here Betty comes in with the dinner — or tea, Whichever repast it may happen to be. June 2, 1874. 56 Princess Eva. PRINCESS EVA. An Impromptu. T^INY hands just caught together, Cheeks that match the pinkest heather Ever born on snowy wold — Topaz eyes in wonder gleaming, Hair that sets a miser dreaming How to clutch the burnished gold — Lips that crush with baby clatter, Hardest tongues to sweetest chatter : This is Eva, — Princess Eva, Waiting while from snow-wreathed Neva They bring her chains of many a word, Songs to suit a Russian bird, Many-voiced as Eva. Three short years my Princess numbers Since her life of smiles and slumbers Woke across the Northern Sea ; Princess Eva. 57 And her little mouth rejoices In three languages, three voices, Wherewithal to sound her glee ; Ch'erie, Liebchen, triple blessing, Fall upon her sweet caressing : — What 's the Russian word for Eva ? (Th' Italian might be "Casta Diva") Where is truth ? but in her eyes — What is love? her kiss replies — • Kiss me, Princess Eva. Ah ! when three times three are doubled, And all lovers' hearts are troubled. How my young Princess to woo : — Three words still, shall sweetest sound In whatever tongue they 're found, Ah! "I love you!" Love, be true. Choose for her the sweetest lover. May all angels' pinions cover Evil from her, Princess Eva; Make her life one long " Evviva,'' To end where nations meet above. Speak one language, know one Love, Three in one ! my Eva ! 58 Cradle Song. CRADLE SONG. QLEEP and dream, my child, ^ Dream and sleep, — God's holy angels, child. Vigil will keep. Wake and work, my dear, Work and wake ; Though thy hands fail, my dear. Though thy heart ache. Trust and hope, my love, Hope and trust. God's word is sure, my love, God's ways are just. Die and live, my saint, Live and die ; Until God's trump, my saint. Calls thee on high. My Dead Love. 59 MY DEAD LOVE. TF I called you, would you come, Dear, across death's pallid sea. From the grave which is your home, Back to life, to love, to me? Nay, though autumn draweth near. Days are days as when we met, Still I would not have you, dear. Meet me here, or meet me yet. There is much that I must see, Much that I must learn and do, Ere I feel that I shall be Fit for death, and fit for you. 6o The Queen of the Season. THE QUEEN OF THE SEASON. QHE laughs as the sun in his heaven, She moves as a bird on the wing ; She answers each compliment given, With just the right accent and ring ; — And men look upon her with pleasure, The women with envy, 'tis said, As she moves to the music and measure, Wherever her footsteps are led. But, oh ! when the band has done playing, And, ah ! when the lights are put out, What meaneth this passionate praying, This trouble, and tossing, and doubt? And wet is her pillow, where, lonely. The throbbing white face has been laid, — Can the Queen of the Season be only A poor little woe-begone maid ? The Queen of the Season. 6i It may be. — Yet better this weeping Than many a glance from her eye; For tears must have truth in their keeping, While laughter may cover a lie. — So close up the curtains above her ; Put by her ball dress and her gloves — The smiles are for those who may love her ! The tears for the one whom she loves! 62 Cousin Giulio. COUSIN GIULIO. A Girl's Story. I. T CANNOT tell why I was born — nor why I live, and breathe — Yet poor as Life has been to me, I 've something to bequeath ; — For in this world, so full of woe, where all must weep and wail. Some heart may get some sympathy from this my simple tale. 2. In youth, perhaps, it may be best to hide these things away From all the hundred eyes and tongues that scorch our Life's noon-day; — But when those rays are slanting off — before the stars appear — Between the lights — past days and nights step forth distinct and clear. Cousin Giulio. 63 3- It chanced, then, on an Easter Eve (Oh day of hap- piness !) I set to work, as was my wont, our village church to dress ; For the vicar, my dear father, always loved, each year, to see His church's festivals thus marked by all the flowers and me. 4- But 'twas in vain, that day, I strove my wreaths to twist and twine. They drooped, and dropped, and baffled quite this vaunted skill of mine ; And the sheaves of golden daffodils lay withering on the floor, When noontide came — and noontide brought my father to the door. 5- A stranger stood beside him — ah ! my cheeks were all a-glow. For a bramble-bough had caught my gown, and given my hand a blow. And yet he scarcely could, I think, bow lower to a Queen, While softly fell the murmured words — "My Cousin Rose, I ween." 64 Cousin Giulio. 6. Then my father's grave voice answered, "Ay, she's all now left to me. Her mother sleeps 'neath yonder yew, her brother is at sea. Come, look up. Rose, and welcome give to this your cousin, dear, My sister's son should never be a stranger to us here." 7- So I knew my Cousin Giulio, and, half-flushing with surprise, I shook the lilies from my lap, and lifted up my eyes. — Ah ! God forgive me what I write, but the saints that dwell with Thee Can scarce be fairer in Thy sight than he was then to me !" 8. In glorious strength, in youth's fair pride, in wondrous winning grace. With noble head, and drooping eyes, and rarely tender face. So peerless, perfect, grand, sublime, such beauty must be good. And o'er his head the oriel shed a halo where he stood. Cousin Giulio. 65 9- He moved not for a moment, but stood with down- cast eyes, While slowly o'er his face there grew a look of glad surprise. " If my cousin would but let me," thus, at length, he softly said, " I would show her how our peasants oft their shrines with blossoms spread." 10. Ah me ! was this the peasants' way — these gentle looks and words. These smiles whene'er our fingers met, shy glances like a bird's ? Then would I were a peasant too, if ever at my hand Another peasant, such as he, might wait my least command ! , II. They said our church had never looked so bright, so fair before. As on that Easter Day when his and my joint work was o'er; They said that even Lady Maud, with eyes so calm and blue. Glanced round her very often from her carved and cushioned pew. 65 Cousin Giulio. 12. "That is Lord Welbourne's daughter," said my father, service done — We stood within the churchyard gate, and greeted every one; " My daughter deems her haughty — Rose, she 's bowing to you now. But surely Giulio will to her some other grace allow." 13- Then faintly I responded to my lady's greeting gay, Methought I liked her gracious air less than her haughty way; But Giulio's words came thick arid fast, while slowly out of sight The carriage to the castle bore its burden gay and bright. 14. " ' A lily maid ' — the fairest face in sooth I 've ever seen. Ah ! were I not a democrat, I 'd crown her as my Queen ! But being what I am — to me the sweetest thing that grows In all the earth, my uncle, you yourself have named a Rose." Cousin Giulio. 67 IS- " What an answer for a Painter ! " said my father, laughing too, And then all suddenly my hand within his arm he drew — And, talking thus, we went across the fields that homeward lay — Oh ! was there e'er before, or since, so sweet, so bright a day ! 16. Yes, Giulio was a Painter — what a noble name it seemed ! A soldier's or a sailor's life quite common things, I deemed ; But a Painter — God's creative gift to hold within one's hand. To call down angels from the sky around one — at command ! 17- He was a democrat besides, but I scarcely understood The meaning of that word, although I knew 'twas nothing good; For had it not an exile made of him who owned the name, And cast up barriers before his opening road to fame ? 68 Cousin Giulio. 1 8. " 'Tis not too late, I '11 work again," 'twas thus he bravely said ;— And work he did, from morn till eve, till twice the skies were red ; And sometimes e'en beneath the stars we 'd wander forth to see The glimmering light fall faintly o'er the darksome lawn and lea. 19. And so it chanced, one summer day, he held a sketch aloft, A charcoal drawing of a girl, with serious eyes and soft, And in her hand she held a palm .... I pondered for a space. Till Giulio spoke — " Rose, let me give my maiden saint your face." 20. I had no need to answer — for between the parting trees My father came — our talks of late had seemed him not to please. "Thank God," he said, "my little Rose is but a homely flower. And hardly fair enough to inspire a painter's skill or power." Cousin Giulio. 69 21. "A flower indeed — the Queen of flowers!" my cousin murmured low. But graver still my father spoke, "Yes, Giulio, but I know Your art demands stern study, therefore would it not be well To seek out art with artists, and awhile in town to dwell?" 22. Then passed a few more twilight talks, and lingerings at noon. Each golden sunset chased the last too quickly and too soon, Till dawned a morn whose memory still doth make my eyelids- swell. When Giulio waved his hand to us, and bade us all farewell ! 23- The night before — that golden eve — ah! can I write what passed, How Love caught up two throbbing hearts, and held them firm and fast — How faint grew Life, how strong grew Love, all else how weak and vain, Till faith seemed but a sacrilege, in Love's celestial fane? 70 Cousin Giulio. 24. That moment it seemed very s*eet to hold a secret thus, 'Twixt he and me — no other lips our treasure might discuss. But in the morn I held my breath, lest sighs should aught disclose, It was so hard to part just then — "Good-bye, my Cousin Rose." 25- He wrote — he wrote — yes, letters came, at first quite thick and fast, Then by degrees they fewer grew — and then, they ceased at last ; But yet — not yet, did I lose heart — each dawning day I thought Before the night some tidings bright to me will sure be brought. 26. So swelled the summer sweetness, and I whispered to each flower, " My Love, my Love shall see you ere is spent your little hour." Methought they trembled 'neath my touch, or else the sun was strong. And scorched their little lives — I know that year they lived not long. Cousin Giulio. 71 27. One morning (there had been a night of storm and wind and rain, And the standard-tree that bore my name had shed great drops of pain) The Lady Maud sent for me — she 'd returned from town, I knew, Could she have seen my Giulio — ah ! if such a thing were true ! 28. They led such different lives, of course — yet stranger things have been, And stranger things were here. — How strange and soft had grown her mien ! " Rose, I 've some news for you," she said. " You see this little ring, No rare one — but you know, perhaps, what meaneth such a thing ? 29. " 'Twas always talent I adored — not rank, nor wealth, nor birth, A man of genius was to me the noblest thing on earth ; 'Tis true I ne'er met one before in all my gay young life— Until I knew your cousin, and agreed to be his wife !" 72 Cousin Giulio. 3°- I heard the words — all too distinct, and ah ! too simply clear, My lips disputed not their truth — no room for doubt was here, And so I sat in silence, while her words pierced through my heart — I scarce can write them — even now, they make my life-blood start. 31- She told me how she met him unexpectedly one day, And after that, how oft they chanced to cross each other's way, Until, at last, he craved her leave to paint her '■^pretty face" In a picture which he hoped some day would take a noble place. 32- Great God ! keep back this bursting pain — I see him — hear each word, I too have marked his eyelids droop — such tender pleading heard. Why didst Thou give to Lady Maud a bliss denied to me — His cousin, and his plighted love — his wife that was to be! Cousin Giiilio. 73 33- So then, between those two, fell hours that only lovers know. When Fear means Hope, and Pain is Joy, and Love akin to woe : When words spring up each dare not say, and thoughts they cannot sigh, When looks are all too eloquent, and hearts are strung too high ! 34- The dread of parting, fuel heaps on Love's fresh lighted flame. It kindled once my flickering torch, and now it did the same To this intenser passion — yet I think, when all was told, He did not love her half as well as he did me of old. 35- He thought of me between each kiss he strained upon her brow, He spoke of me in tender tones (I like to think that now) ; He told her she must love me too, for I was kind and good. Though just too cold, and English born, to suit his southern mood. F 74 Cousin Giulio. 36. All this I heard, yet heard not, as sick eyes in sorest pain Will mark each pattern on the wall, and trace each curve again — Will watch the nauseous draught prepared — gaze at the leech's knife. And lose no jot of present pain in sight of future strife. 37- But she — oh ! God be praised — but she observed not aught of this. "Congratulate me. Rose," she cried, "come, give me one kind kiss." I could not — ere her words had ceased, I 'd flown beyond the gate — Great God ! he stood there — whom, that hour, I almost tried to hate. 38- I darted past him, but he laid his hand upon my arm, I shook it off, as Paul of old, that thing of viperous harm. " You 're angry. Rose, and with good cause, yet grant me one more grace. Just let me speak." I turned, alas ! and gazed upon his face. Cousin Giulio. 75 39- Ah ! why were we weak women made with hearts so faint and frail, That all our stern resolves before a glimpse of sorrow quail ? We give our all, and ask for nought, but hold life's holiest end Is just to love once — ^evermore — whate'er else God may send. 40. 'Twas thus with me — my Love was there, I turned, and looked, and heard, — I gazed upon his well-loved face, I drank in every word. And sweetness found within the thought that he had come to me, With workless hands, and loveless heart, for sister's sympathy. 41. No word we spake of Lady Maud until we neared our door. Then brake he from me, but I pleaded, "Giulio, come once more Back to your home — for this is yours, until — your wedding-day ; Ah! off so soon — God speed your love" — God helped me thus to say. 76 Cousin Giulio. 42. He heard not, for he'd loosed my hand, and I returned within, And told my father what had passed, my sorrow and my sin. And then together mute we sat, and listened to each sound That greatened in the gloaming, until night fell all around. 43- At length I pushed the door ajar, and looked out through the air ; Against the sweet lime-tree he stood, — I felt he would be there. Beneath that tree we'd told our love. He needed now its aid. And there he stood half-kneeling, cowering low beneath its shade. 44. He started when he saw me — o'er his lips there broke a smile : "Give me your hand," he said, "sweet Rose. My uncle, list awhile ; We stand together, she and I, to whom one Love was life— For I loved none but her, and she had sworn to be my wife ! Cousin Giulio. 77 4S- "Between us stepped the Lady Maud — a madness filled my brain And hers — we thought we loved — and yet the thought, to me, was pain. There 's no excuse — I am, in truth, most worthless, false, and base. Yet Maud's more passionate beauty never blurred out this sweet face. 46. " ' A low adventurer^ thus my lord has spurned me from his door, And thus 'twixt Lady Maud and me all plighted vows are o'er. But never dare I now to wed — my bride must be my art. To Italy I give my hand — but still thou hast my heart !" 47- Sore troubled looked my father, but his words no blame expressed : "'Tis late to talk of future plans, my Giulio, come, and rest." He answered not — one short sigh's space his lips on mine were laid, And then we parted once again beneath the lime- tree's shade. 78 Cousin Giulio. 48. It ended there — the morning light could show of him but this, These trembling lines — "Farewell, my Rose, my bride, whose plighted kiss I dare not, cannot claim — for by my love I under- stand 'Twere wrong with my false lips to touch your holy maiden-hand. 49. " It was not Love 'twixt Maud and me — not perfect Love and pure, Such as shall now between our souls for evermore endure. Through changing seasons, altered years, through good report and Ul, Till Love's exceeding great reward Love's patience shall fulfil. SO- "Not yet, not yet; nor know I when that blessbd time shall be. But not till Lady Maud, I think, has set our spirits free ; Such flames as hers devour themselves, they burn too fierce to last. They change or fade within the shade by time or absence cast^ Cousin Giiilio. 79 51- " But our Love, ours, by pain baptised, my tender- hearted Rose, Shall flourish still, for oft by tears I think it sweeter grows. And we who love must ever live — true Love can never die- When Faith and Hope are needed not. Love still is Love on high. 52- "For what is Death? This, all we know, by it new Life is born. As bruised grapes give out new wine, as midnight maketh morn ; So all things change, but nought is lost, God looseth silver cords, Earth's leading-strings to bind them firmer, faster H eaven-to wards. S3- "And so my darling will forgive the ill my Love hath done, For earth meets heaven in the rain as well as in the sun ; — My fingers tremble — ah ! how poor seem words of Love to tell, But Rose will understand — my Rose, for ever mine, Farewell !" 8o Cousin Giulio. 54. Ah ! God is good — He held me up while yet there had been aught To do or bear, now let me faint or die — it matters naught ; My head reels round — a fever smites upon my throb- bing brain ; And thus I toss for many a week in weary racking pain. 55- At length, I slowly rose again — but changed was all the world, The sun was hid in mist and frost — the lime-tree stretched and hurled Its bare arms wildly- — Lady Maud had sought a sunnier clime, And George, my sailor-brother, George, was with us for a time. 56. A dear, kind lad was brother George, and strong his boyish arm. How tenderly he carried me, and strove to cheer and charm; How oft he told his middy tales, and when we found them dull, How patiently he'd scan the Times, some news from it to cull. Cousin Giulio. 57- "There's nothing new," he oft would say, "except these daily fights Between the Papal party and Italians on the heights. To-day there 's one which must have been a very bloody strife, In which 'tis feared the painter known as 'Giulio' lost his life." 58. One long sharp cry my father gave, I neither wept nor spake. But merely stretched my arms across, the newspaper to take. My brother rose, and gave it me — ah ! holiest surprise — Ah ! God be praised ! before his name, another met my eyes, "59- "At Florence, Lady Maud Welbourne, to Walter, Viscount Tyne, The English Church," — Ah ! thus, my Love once more at last is mine ; All claims to him she has renounced, has set his Love aside. And by her marriage we are free — our Love is purified ! 82 Cousin Giulio. 60. And what if to this World he's dead, it matters little now, He's mine in the new-coming World, whose breath is on my brow; He's mine in life, and mine in death, my Hope, my Joy, my Love, Earth's sweetest memory, to be reality above ! 61. And God, who ruleth all things well, has ruled this for the best. Here in this hurrying world of ours one has no time for rest ; And Work spoils Love, as Love spoils Work, but both shall perfect be When Life and Labour rest in Love through all Eternity ! 62. And so I '11 wait, if God permit, my father's eyes to close, Then let me shed my petals pale, as doth my emblem rose; Thus fading from this loveless world, to wake in Heaven above. Where he and I for evermore shall live in perfect Love ! TJu Working Ladies' Guild. 83 THE WORKING LADIES' GUILD. Dedicated to the Lady Mary Feilding. TirORK as your Saviour worked when here, Breathing a blessing everywhere, And do the best within your reach. Each for all, and all for each. Tread where your blessed Master trod, Feet in His footprints tend to God ;^ Go not alone, but with you lead The hands that fail, the feet that bleed. Join hands and hearts, until at length The Guild shall prove that "Union's Strength;" So shall ascend about the Throne Ten thousand songs — not yours alone ! 84 It Might Have Been. ' IT MIGHT HAVE BEEN. TT might have been Home, riches, bliss. A husband's love, A baby's kiss ; — It is, instead, A silent room. An empty hearth, A spinster's doom. It might have been A snarling mate, More mouths than meat, Less love than hate; — It is, instead, A cosy tea, Which " troops of friends" Share oft with me. It Might Have Been. 85 Each scene is true ; — All might, you know, Have different been. But it is — so. Then let us set Our minds at rest, — Whatever is Is for — the best ! 86 A Valediction. A VALED I CT I ON. TT is May, and the season, they're saying, Is just at its merriest hour, For the Parks all their charms are displaying. And the balconies all are in flower; — But vainly the sunlight is shining. To me all is dismal and drear; And vain is all dancing and dining. While you, my one Friend, are not here ! You are gone, and my heart has gone after, And left but a pain in its place, — A sighing where once there was laughter; Where once there was music — a space; — Yet I know, when I kneel at God's Altar, His angels are never afar; — So, praying or praising, I '11 falter, God bless you — wherever you are ! Young and Old. 87 YOUNG AND OLD. TJAND crossed with hand on the threshold- And the fingers just newly ringed there, Are grasping the hand, all trembling, Of a woman worn with care. Hand crossed with hand on the threshold — One was hardly a minute made wife. While the other, once bride too, and mother. Would fain now have done with life. Hand crossed with hand on the threshold, While the bells ring to East and to West : Ring now for a wedding — the next May toll for a Spirit at Rest. The Maid- Queen. THE MAID-QUEEN. r^OLD on her brow, ^ Gems on her breast, Thus she came forth, Looking her best. " Choose thou to-day Whom thou wilt wed," So all her lords Shouted and said. Glancing round once, Glancing round twice, — Lips that grew pale, Hands that were ice; — "Oh, sad, how sad!" Cried she, " my fate ; Who is there here Fit for my mate?" TJu Maid-Queen. 89 Stood forth a prince, Broad were his lands — " Let me, I pray. Kiss those fair hands.'' But she drew back, " Never," she cried ; " My hands are clean — Yours with blood dyed." Next there came by One of gay mien. Surely he must Please the Maid-Queen. But she stood still — "Villain, in sooth, Get thee begone, — Traitor to truth. " He whom I wed Must be most brave. Fair as the dawn. True as the grave. Woo me with grace. Win me by love. Die for me here. Then live above.'' 90 The Maid-Queen. Sighing, she spoke, Glanced round once more, None that stood there Could she adore. So, grave and sad, Tho' with much pride, Maid-Queen she lived, . Maid-Queen she died ! , London, June, 1872. A Sonnet, gi A SONNET. 'T^HERE is a mist between us, dear, my friend — It hangs about our soul's doors; we may see Dim outlines, but we feel that there may be Some sweeter thought hid close, as truth by rhyme ; Or as the curtains on the shrine descend To hold the world from those who bend the knee. So, lest should mocking eyes disturb us, we. Whose hearts are shrines, choose not this veil to rend. Yet when the dew has risen, night is past; Where dropping veils guard churches, prayers are rife. And where words tremble, thoughts are beating fast ; So shall the sun arise above our strife — Love's sun — to lift the rising veil at last. And seal a covenant with Love and Life. Florence, May 3, 1865. 92 Times and Seasons for Artist- Life. TIMES AND SEASONS FOR ARTIST-LIFE. pURPLE Twilight makes the Poet Blossom into starry rhymes ; Spring's soft voice the rapt musician Answers back with silver chimes ; Crimson day-dawns, golden sunsets, Painter's straining hands .repeat. And the night's deep silence. Science Needs to make her work complete. These are Artists, — Artists holy, Working each in his degree. Beating from creation's rhythms Echoes of the life to be : Nature's mystical discernment. Mindful of their daily needs. Spreads for each, in due succession. Star-strewn skies and flower-grown meads. Times and Seasons for Artist-Life. 93 But one Artist-life remaineth, One existence, nobler far Than these feeble lives whose motions Subject unto seasons are ; He who leads it knows no, winter, No bad days of storm and strife. When he may not fill his being With the passion of his life. He, the Poet, lives in praising, He, Musician, singeth aye. He, the Man of Genius, learneth How to live and how to die. He, the Painter, waiteth, watcheth. Through the night for light divine^ This is Artist-life, this truly, — Oh, may such a life be mine ! 94 ^ Madrigal. A MADRIGAL. lirHY should I love thee? Thou art coy, Slow to smile, but swift to toy With each varying emotion Of a lover's fond devotion : — Thou art paler than the flowers Blossoming about thy bowers ; Cold as icebergs, fierce as fire. Wayward as a hedge-row briar; Froward, foolish, proud, unkind, Fickle as the summer wind ; Hard to win, but harder yet 'Twere to lose thee — or forget. Tell me, then, why I should love thee? Or, for what? — Nay, but ask the stars above thee, Why should I not? To a Friend. 95 TO A FRIEND. T WAS not wrong, then, when at first we met I hailed you bird of song ; Not yours the poet's dower, you said, — and yet You found it was, ere long. We cannot always read ourselves aright. Or count our gifts by name ; But wheresoe'er there burns one spark of light. There too may be a flame. And wheresoe'er is traced a golden vein. There let a mine be sought ; God gives nor spark of fire, nor tender strain, Nor touch of gold, for nought. England has need of poets in these days. When bad is oft her best; Their voices aye ring true through blame or praise- Lift yours among the rest. 96 spinning- Song. S PINNIN G-SONG From the German. TJURRY, hurry, hurry, Through the fret and worry, Shuttle flying round the wheel, Drawing threads along the reel. For a maiden's dresses. Hurry, hurry, hurry. Through the fret and worry. Weave a veil all bright and gay. Fit for her whose wedding-day Time now onward presses. Hurry, hurry, hurry. Why this fret and worry? Many maidens there have been Fair without and foul within, — Bridals are but guesses ! spinning- Song. 97 Hurry, hurry, hurry, Quick the shuttle worry. For, at last, a maid I 've seen, Fair without and pure within, E'en as her golden tresses. gS Young T- YOUNG T- "TN the twelfth !" ah, my hero, then pardon I crave from your proud flashing eyes; If I deemed you at school still, O harden Your heart not in angry surprise. Do such red beardless lips, and fair cheeks stained with health, Appertain by some right to the roll of the twelfth? Will the fingers that met mine in dancing Draw the sword with a warrior's hand? Will the voice through which laughter is glancing Grow hoarse with the words of command ? Is the glory of strength, and young intellect's wealth, Offered all to the service and need of the twelfth ? Young T . 99 When the drum and the trumpet are calling Each soldier to battle for right, When the bullets like hailstones are falling, When victory crowneth the fight — May a thought that is creeping towards me in stealth Float over the banner you bear in the twelfth. May the twelve who began the great battle, Who wrestled that we might withstand All the chains of the devil that rattle, And fetter man's soul to his hand; May these fishermen twelve, who built God's common- wealth. Still in spirit watch over my boy in the twelfth. Misconceptions. MISCONCEPTIONS. T THOUGHT you loved me when your eyes Bent down to laugh in mine — I thought Love's instinct, keen and wise, Could not mistake Love's sign. Ah me ! ah me ! you loved me not — And I, in pride, my love forgot. I thought you did not love me, dear. When graver grew your face : — I did not know — just then- — that fear In true love has a place. Alas ! alas ! I rose in haste — Such love as that has bitter taste. I thought, I thought the world was gay With rifts of golden light ; I know not why, but since that day All things appear less bright. Ah, dear, my friend, come back and see If this be love 'twixt you and me. Somebody s Eyes. SOMEBODY'S EYES. QOMEBODY'S eyes flashed across me one day, Brilliant and bright as a diamond's ray^ Clear as the wells wherein truth doth abide ; Somebody — why did you turn them aside? Somebody looked up with tenderest glance, Somebody looked down askance — askance, Somebody sighed when I went away, Somebody smiled the following day. Somebody blushes and somebody pales, Somebody ventures, but — somebody fails : — Somebody — ah ! well, he is not too wise Who stakes all his hopes upon somebody's eyes ! For Palm Sunday. FOR PALM SUNDAY. To Frances. "l T 7"E do not know what life may mean — this twisted, "^ * tangled skein ; But by-and-by the Master Hand shall draw it clear and plain. Our sorrows here will cease anon, the tempest change to calm ; And they who bore the cross below, above shall wear the palm ! We do not know what love implies — that sweetest, saddest gift ; But presently the glare shall cease, the heavy clouds shall lift. If under foot the road is rough, the sky is clear above ; And they who love through life on earth, in heaven shall live in love ! London, Palm Sunday, 1877. Laurels versus Roses. 103 LAURELS VERSUS ROSES. ' ' et ces lauriers, doivent ils remplafer vos roses bleues." — From a letter. "TiraiCH, which shall it be?" They are asking of me, "Is the Laurel or Rose to be thine?" — For Love, stands the Rose, While the Laurel-tree grows, For Success, — 'tis its token and sign. The Laurels are bright With their evergreen light. And through all the seasons they last ; While the roses are dead, And their petals are shed, Or ever the summer is past. Then were it not wise To choose as one's prize The smooth-shining garland so fair? I04 Laurels versus Roses. To walk through the world With one's love-locks all curled, And the laurel set high in one's hair? Ah ! no, for we hold That a Rose-bud, though old. Is worth more than a mere shrivelled leaf. Dead roses smell sweet. And dead loves cannot cheat. Though the life of them both be so brief. But a Laurel alone Is to bread as a stone. Or as poetry turned into prose ;— Yet those who don both Unto neither are loth Where groweth the Laurier Rose. Casuals. 105 CASUALS. A Picture in the Royal Academy (1874), by Luke Fildes, A.R.A. TTUDDLED together, and hated, and hiss'd. Hungry, and tired, and cold. Looming like "Sphinxes" through drizzle and mist, Children and people old ; Shivering they stand, 'neath the wan gas-light. Praying for shelter and board, Waiting long hours through the chill damp night. For a bed in the casual ward. Oh ! was there nothing that they could have done ? — Or nothing that we can do To save these souls from the fate they have won. And help them to work life through? Or will this riddle — this enigma of life — Not be solved till "The Great Overthrow"?* When, at last, we shall learn the true reason of strife, And as we are known, we shall know ! * " Dumb, wet, silent horrors ! Sphinxes set up against that dead wall, and no one likely to he at the pains of solving them until the General Overthrow." — Extract from letter of the late Charles Dickens. See Forster's Life of Dickens, vol. iii. H io6 A Sonnet, from a Spanish Idea. A SONNET, FROM A SPANISH IDEA. Cada uno para si. Dios parce todos. — Spanish Proverb. ly ifY soul, the sun is sinking o'er the sea, — ^ Earth's purple shadows rise, — less fair, less bright, Less tinged with hope and strength, less full of light Must each remaining moment be to thee. Then let me haste, my soul, lest aught there be Left uncompleted of my Task. For Night, Wherein no more shall men go forth to fight. Is slowly, surely creeping over me. Ah ! why are men so fitful ? We may speed With frantic footsteps, at a breathless pace, O'er moor and mountain, through each flowery mead, Up hill, down vale — for just a little space. And then we drop asleep — asleep indeed — While steady Time plods on, and wins the race. Pau, January 30, 1875. Die Wacht am Rhein. 107 DIE WACHT AM RHEIN. The First Anniversary of Sedan. r\ SHOUT! shout! shout! Thro' thy battled-for line, O thou many-voiced Rhine, From the Drachenfels rock to the grim Lurlei cave Let the music re-echo, the war-banners wave : For this day was the foretaste, Sedan was the sign Of the speedy fulfilment of Prussia's design. Then shout ! shout ! shout ! For the mighty deeds done, that made Germany one : For the Fritz, who returns to his faithful Lolotte, For the husbands unharm'd and the brothers unshot, While the mother clasps proudly her warrior-son : Yet watch ! watch ! watch ! Not for smoke of the foeman, or cause of offence. Not for gain or for gold, for assault or defence : io8 Die Wacht am Rhein. But for measures of mercy large sorrows to heal, For all wrongs to see righted, for justice to deal, And for peace and prosperity, wisdom, and weal, To guard ! guard ! guard ! With thy bulwarks of vine, O thou bravely-won Rhine. O weep, weep, weep. Full of blood and of brine, O thou wan-willow'd Rhine, Where thy waters heave sadly 'neath Strasburg's tall spire, And thy Michaelmas daisies grow pale in the mire : For the fair banks of France shall no longer be thine. And Alsace and Lorraine their loved birthright resign. O weep, weep, weep, For the count and the cost, for the fire and the frost, For the hearts that are broken, the wounds that have bled, Ah! for those who have fallen, for those who are dead, For the war, in which all except honour was lost : Yet watch ! watch ! watch ! Not for rays of revenge in the tear's glistening gleams, Not for moments of vengeance, for future war-dreams, Die Wacht am RJtein. 109 But for strength to strike light, thro' the blackness of night, Until France shall resume her first place in the fight, Not for greed — but for science, and knowledge, and right. O guard ! guard ! guard ! For a strife so divine, a long peace, O loved Rhine. COBLENTZ, Sept. 2, 1871. How Love Glorifies. HOW LOVE GLORIFIES. A Translation from the German. TTOW happy is the man who loves, And happier still is he Who is beloved ! — no monarch moves In joy so pure and free. Who loves will count a maiden's kiss Above all gems and gold, And while her smiles suffice for bliss, He'll ne'er grow poor or old. The world may run away, or stand Stock-still, or stones may swim. Fair heads may bow, and hand loose hand- What matters it to him ! "Ah ha!" he cries, "the wind and rain Can do us little harm ; No wind can blow our hearts in twain. No rain our love alarm. How Love Glorifies. And through his veins there flashes too The crimson stream of health ; He dances all his lifetime through Glad nature's commonwealth. By angels fed, he has no fear, Sweet slumbers close his eyes, And heav'nly messengers appear With flowers of paradise. In God's own joy that man shall dwell Who' sees in earthly love A type, a sign, a parallel Of that "to be" above. Only a Word. ONLY A WORD. TS it so hard to say, Dearest, my friend, Only one word that may Blunderings end? Must that word be, my dear. Dead ere its birth — Ne'er to be uttered here, Never on earth? What is it holds its course? Anger? or Pride? Makes your lips mute perforce, - Keeps your tongue tied? Ah ! men have died, I fear, Girls, so I've heard, Just for the want of, dear — Want of a word ! London, July 24, 1875. Prosper Merim^e's Grave. 113 On Coming Unexpectedly upon Prosper Merim£e's Grave in the Protestant part OF THE Cemetery at Cannes. T YING here— Here, in the sight of the purple hills, Within sound of the rolling wave, 'Neath the breath of the golden daffodils,- — Can this be Merimee's grave? Lying here — Here, in the midst of a multitude Of many a country and race, Exiles asleep in a holy rood, — Is this, too, Merimee's place? Lying here — He, whose whole life was gloomy and sad, Who wearily drew his last breath j — Do glories like these now render him glad. As he lies underneath them in death? 114 Prosper Merim^e's Grave. Lying here — He, who in life was a lonely man, To an unknown, pledged his vow — Does She ever come hither, his grave-stone to scan?- An " Inconnue " stands by it now ! Patience. 115 P ATI ENC E! "Oh! leave me alone — DO" pATIENCE ! when the head is aching, And the weary days drag on, Patience, when the heart is breaking. Crushed beneath its load of wrong. Patience ! — oh ! a truce to preaching Thus to souls whence joy hath fled ; Moons won't fall for all our reaching, Nor will watching wake the dead. Leave me, then, kind friends and tender, Leave me with my grief, alone. Morning must to midnight render, But the yesterday 's my own ! And, may be, in days that follow, I shall find, as ye have found, Patience not an utterance hollow, But a Peace by Silence crown'd ! FONTAINEBLEAU, Sept. 25, 1875. ii6 An Impromptu. AN IMPROMPTU. T REMEMBER the day I first saw you, *■ Dear friend, with the firank, tender eyes. And I longed for an artist to draw you As you stood there beneath the blue skies. The sunlight was rippling all over Your beautiful golden-brown hair ; And the breath of the freshly-mown clover Was scenting the tender spring air. For your face has a history in it, A story untold without doubt. And perhaps you have yet to begin it Or perhaps 'tis already worked out. But whichever it is, I can read it (Tearful eyes see so clearly, so well), Though the words of a Poet were needed The whole of that story to tell. Whit Monday, 1873. Nur Blumen. 117 NUR BLUMEN. Written on a Packet of Ws**»b*s5, sent to me FROM Botzen. ATUR Blumen — only Flowers, Travelling thus o'er land and sea ; Nur Blumen — yet strange powers, Somehow, must about them be. London vanishes before me As their curling leaves I touch, — And a fresh sensation o'er me Comes with wUd impetuous rush. Houses sinkj then swift uprearing. Turn to glistening mountain heads, And a silvery mist appearing, Softly through the valley spreads. Through the mist I hear the tinkle, As it were, of cattle bells. And a thousand blossoms twinkle Many-hued adown the dells. ii8 Nur Blumen. Through the mist — nay, halt, an end there. Alchemy is dead and gone, — But the magic of my sender Lives for aye in kindness done ! London, July i, 1876. The Happiest Day. 119 THE HAPPIEST DAY. r\ GOLDEN Day! ^ O silvery Night! Gayer than gay, Brighter than bright- All my years count — All my past bliss ; Not their amount Equalleth this I FONTAINEBLEAU, Sept. 26, 1875. Bells at Christmas-tide. BELLS AT CHRISTMAS-TIDE. ■pv ING— ding— dong— How the bells ring on Through, all through the Christmas night; Love, Love is sweet, Thus the bells repeat. Love is ever true and bright ! Ding — ding — dong — Now the bells go -wrong — Always wrong since one sad day, Since Love grew cold — Hark ! the bells are tolled. Dying spirit — pass away ! D ing — ding-dong — Yet the bells ring strong, Strong to tell another tale — Tale of truer Love, To be found above, Where no lovers ever wail ! A Sea- Gull on a Wet Day. A SEA-GULL ON A WET DAY. A LITTLE space he swims aloft, a little way he flies, With flapping wings that strive and strain to bear him to the skies ; But, sea-bird though he be, the mist, the billows, and the rain, All tossing, heaving, drive him back;— he soars to sink again. And so it is, it seems to me, that we go on in life, We toil and moil, and love and lose, and fight our way through strife, Now getting on a little step, then slipping back once more, To work afresh, and do again what we had done before. It seems a faint and foolish thing, and yet it is not so, For work is work, whate'er its kind, as birds and angels know. And if we only do our best until the waves are past. The sky hath prizes — See, the bird is flying straight at last. I Only in Dreams. ONLY IN D REAM S. /^NLY in dreams, my love, only in dreams We two may meet again here, so it seems ; Death hath claimed thee, my love, — life still is mine. Why could not Fate us the same fate assign? Yet still be brave, my love, yet still be brave : Faith must be stronger than death or the grave j And when are ended all life's sorry schemes. Love shall meet Love again, where are no dreams ! A Pancake- Maker, — in Paris. 123 A PANCAKE-MAKER,— IN PARIS. UNDER an archway he stands, — every day he is there, The little old pancake-man, with his tins, and his cooking-ware ; Tossing his batter aloft, as he brays out many a yarn Concerning the making of crepes, which he designates d, la MacMahon. " First, there are eggs to be sifted, — the country's best silver and gold ; Next, for some flummery-mixture, or else the matter won't hold ; Stir it about with sugar, then pop it into the pan. And out comes a cr^pe for the Marshal, or — any popular man." The people around him laugh — " There 's wisdom in that !" they cry; For had not old Antoine seen the violets bloom and die? The lilies, too, — yet there, still there, with his " voix d'Ane," He praises now, and tosses his crepes, — d, la MacMahon! Rue St. Honore, March 5, 1877. 124 Something Beyond. SOMETHING BEYOND. "IT THAT! — is there still then something beyond — Even for you who have scaled the heights, Sounded the depths and counted the lights, Numbered the moods that hold souls in bond — Even for you is there something beyond? Something beyond the world's esteem — Somehow young hearts to touch and reach, Somewhere fresh minds to train and teach ; — This was a nobler work, you deem, Than tracing out a life's whole scheme 1 Alp behind Alp still upward doth yearn — And which is the highest we scarce can tell, Save they who have climbed them, and they know well ; But a cry, it is said, each re-echoes in turn — So speak from your Alp — we will listen and learn ! Sept. 10, 1876. Aspirations. 125 ASPIRATIONS. "T^IS hard to see that green is blue and gold, That cloth is woven out of many threads ; We hold one texture, and we see one hue, And dream not of the mixture underneath. 'Tis hard to prove that what sounds right is wrong. That doubt is not suspicion, and half truths Are often more pernicious than whole lies : And yet, my friend, these tasks are lighter far Than one imposed on me ; I know not how To hold aright these threads of diverse shades. Nor how from cadenced feet to strike a chord Of answering thought. The strings get mixed ; now blue Predominates — I seek, but find no gold (And O for gold, so perfect, pure, and clean. To ring its sharp metallic touch through life. Excluding meaner metals) ; I 'm not sure That I am right, but then I do not think That you are either, though your words sound best. 126 A sp.irations. For if a woman, as you say, becomes A nobler woman by a noble man — If when a man is strong and great and good. He takes and makes his own equivalent, 'Tis well ; but for the rest, not only those Whose fair expectancy is never gained, But they who think to gather while in truth They lose, who dip their thirsty souls within A broken cistern, waterless and dry — Alas ! what profit bringeth life to them ? Such dainty blossoms wind their tendrils round The plants sown tall beside them, till they drag Each other down, because they never learnt To shoot their branches upward, making shade For tender buds beneath. Or else their eyes Had gazed together at God's clouds and skies, And, sep'rate or united, they had strained The fulness and perfection of all things. For man who bears a woman on his arm May touch the highest ceihng, and her breath Shall blow the cobwebs back, and she shall grow In stature, till her hands, stretched out, may reach And raise her sisters ; for by woman best Aspirations. 127 Shall succour come to woman. There 's the truth, The kernel of the matter. For this cause, I say, is woman's, and by her alone Can come redemption. Let the men Be strong, and give us women larger thoughts And nobler aims, and so the end shall be A happier life to them; for good, like love, Is never lost, but still rebounds in good To him who gives. My friend, forgive me if I breathe a thought Too great for words like these — and yet I think The primal recognition of this truth Comes not amiss. If He, the Man of men, Who knew not wedded love, but claimed and called All women sisters, spake He not indeed For time and generations yet unborn ? God makes us sisters, man may make us wives. The wide world's sisters, sisters of all time. Each century of noble women lays Its treasures at your feet ; the wise and good Have lived that ye, their last-born sisters then Might learn of them what hateful ways to shun. Which way the light shines clearest, truth comes best, 128 Aspirations. Till, self-dependent, ye have learned to win Rare freedom, courage, reverence, and peace, And love enough to cheer your homely ways. Ah, help then, living sisters, all who rise Above your fellows ; let not dead mute mouths Seem stronger than your loving lips and lives. Let woman understand and know herself, And then there shall be men to see and know, And love and live for real things and true — No longer for a creature warped and bent By Use, Conventionality, and Time. Yet there is one Who, out of sorrow for the loss of her His perfect wife, and for her honour claims Equality for women. What if once His voice hath trembled, tears obscured his sight. At thought of her the symbol of her sex. It matters not. Her mem'ry gives the world A woman's champion, and through years to come An angel woman with the torch of Love, A large-brained man with skilful, keen-edged words Shall stand for ever in the foremost ranks Regenerating women. March i, 1871. The Name of Kate. 129 THE NAME OF KATE. "T^HE name of Kate — the name of Kate, It was to him a name of joy — Some names we love and some we hate, This one he loved when quite a boy. The years rolled on, to man's estate He came, and fain would win a wife ; He sought his fate, he found a Kate, And swears to love her all his life ! yanuary I, 1875. 130 TJie Songs that were Sung Long Ago. THE SONGS THAT WERE SUNG LONG AGO. "IT THEN morning is waking, and all things are ^ "' thrilling With music, and laughter, and sunshine, and glee, When the voices of children come trickling and trilling Through a chink in the shutter to silence and me, I wake too, but sighing, for never, I know. Can I now hear the songs that were sung long ago. When night closes round me, and daylight is fleeting. And darkness is creeping all over the earth, And the stars overhead are all silently meeting. And hushed are the children, and mute is their mirth. I sleep too, but sighing ; and ghosts come and go — The ghosts of the songs that were sung long ago. The Songs that were Sung Long Ago. 13 1- When daylight and midnight together have vanished To visions of jasper, and jacinth, and gold. When the sea is no more, and when sorrow is banished. When dark things are cleared, and all secrets are told. I shall rise up, and, smiling, for there then, I trow, I shall hear the same songs that were sung long ago. 132 A Longing. A LONGING. r\ H ! that hearts could grasp, however faintly, ^^ Just one fragment of the soul's desire ; — Oh ! that hands could hold in rapture saintly. Just one breathing of celestial fire ! Bellosguardo, 1865. To Lisette. 133 TO LISETTE. 'T^HEYsay that the summer has left us, That winter is coming apace, That November's chill touch has bereft us Of all the year's glory and grace ; But somehow I cannot believe them, While one thing remains to me yet, — I suppose you were born to deceive them, You little spring-blossom, Lisette ! For the breath of the roses still lingers About you the whole of the day ; And the touch of your little pink fingers Is softer than zephyrs in May; And your voice has the notes of a starling, All trickling and tender and clear : But I don't think you'll guess yet, my darling, What makes it so sweet to my ear. 134 To Lisette. Perhaps 'tis because you are merely A dear little six-year old child, Or perhaps 'tis because you are nearly As tall as a reed, and as wild : Or perhaps 'tis for cheating the seasons, For making us winter forget. Or perhaps — ^here 's the best of all reasons- Perhaps 'tis I love you, Lisette ! A Farewell. 135 A FAREWELL. TTTE come and go — clasp hands and greet, * Then let them drop once more ; — Two hearts have hardly time to meet, Two waves to reach the shore. It's always thus, the kind and wise Ne'er tarry with us long; — The roses drop, — but, lift your eyes. The weeds all round grow strong! Cannes, December 10, 1S76. 136 A Greeting. A GREETING. MUSICIAN, young musician, Wherefore with light twinkling feet, Dainty hands, and movements sweet, Dost thou still before me fleet? What have I to do with thee ? What hast thou to do with me? That thy soul with mine doth keep Vigil, while with meanings, deep Thoughts of thine my spirit thrill. Striking strings that vibrate still, Touching aye some hidden key With the chord of sympathy. II. But, musician, rare musician, I can never understand Why thy larger heart hath spanned, When with octave-stretch thine hand Trembles 'neath its passion grand ; A Greeting. 137 Or when softer thoughts sublime Echo back some childish chime, Making musical each rhyme, As the sea retakes bright the sand ; Ah, musician, sweet musician, That strange sea is still less far From thee than my best thoughts are, For its rippling voices tell Back the song thou lovest well ; And the birds know more than I Of the joy of melody And its power; and each star Flings down thoughts that cannot jar Harmony, nor music mar : E'en the gold-dust-powdered bee Hums thee many a catch and glee : And the reeds and water-grass Wordless songs in token pass Of their kinship unto thee : But my voice doth strive in vain To call back one tender strain, To ring out the still refrain Of life's constant jubilee. K 138 A Greeting. III. Ah, musician, great musician, Thou hast felt at least in part. Through the beatings of thine heart. What the Psalmist did of old ; Tell me, dost thou ever hear Heavenly music in thine ear. Struck from angels' harps of gold ? Do the winds not waft thee oft, Fragments of that choral soft. Chanted evermore aloft, By God's singers manifold? IV. Ah, musician, my musician, This is why I dare not tell All my quivering thoughts to thee ; For beyond earth's quavering glee. Thou hast reached the treble key. Trinity of music's spell : Poet, bard, creator, thou, Triple crown upon thy brow. Yet with loving hands stretched out Castest largesses about; A Greeting. 139 To this one a wider creed, Yonder, tender help in need, Raising hope and clearing doubt ; For thine eyes, which catch God's light Strongly through song's second sight, Separate the wrong from right. As thine ears false notes from true ; And thine artist soul would fain Cause sweet melody to gain Many a grovelling heart from pain. Thereby making this world through Worthier of our Father's view. V. Ah, musician, God's musician. Knowledge ceaseth, but thine art Hath eternal counterpart In all great things that are past. In all sweet things fleeting fast. In all God's things near at last. Music's mystic evidence Of our nature's highest sense. Of our spirit's deepest need From all discord to be freed ; 140 A Greeting. Music is omnipotent. Symbol of perfection sent, Joining earth and sky and sea. As the symphony divine, Makes from mingled sounds one line Of unbroken harmony ; Wherefore raise thine antiphon, Loving, helpful, and anon Miriam's timbrel, Asaph's lyre, Joshua's trumpets, angels' choir. Seraph's lute and mart5T:'s song. Shall life's melody prolong, Ringing back earth's semitone In a full chord from the throne. Filling every space and rest With the chorus of the blest ; Till the K5rrie'iS need is past, And the Credo's known at last, Till the anthem, with a blast. Bursts from God's cathedral vast ; Till the Sanctus need not soar, For the singers go before — Go before, and take their place In God's temple, through God's grace There to chant for evermore. Love-Song. 141 LOVE-SONG. Translation from the German. 1\ TY baby-love, my little lover, With fingers fair as flowers in May, With eyes like stars that shine above her, And fairy feet that flit away. Come back, O baby, queen of beauty — For slaves toil not without reward — I've done your work, now do your duty, And give the pay your lips aff'ord. You will not ? Then I give you warning, Your slave will be a thief — and more; Come, kiss me ere to-morrow morning. Or else a theft you will deplore. 142 To F- TO F- "PIGHTING, yes, fighting, dear, All the day long; Truth against falsehood, dear, Right against wrong. Does one grow weary, dear? Yes, now and then, Weary of women, dear. Weary of men. What does one do then, dear? Fight to the end, God for one's helper, dear. You for one's friend. In the Churchyard — Cannes. 143 IN THE CHURCHYARD— CANNES. OLUE, blue is the sea, But bluer still were his eyes — Grey, grey it must be Wherever the Shadow lies. Red, red is the rose, But ruddier far was his cheek — Pale, pale are the snows That drop on the mountain peak. Straight, straight as a palm. So straightly his course he ran — Strange, strange is the Calm That falleth on fallen man. Cold, cold are earth's showers. And colder is Death's dark wave ;- Yet fair, fair are the flowers That grow all over his grave ! Cannes, February 15, 1878. 144 The Widow's Son. THE WIDOW'S SON. A Ballad. A CROSS the bay, at break of day, Were cries of bitterness, Upon a rock a brave ship lay, A ship in dire distress ! The people gathering on the shore, 'Mid clouds of driven sand, Could hear above the tempest's roar Strange gusts of wild command — " Oh ! rotten ropes. Ah 1 broken hopes. Death falls on all our band !" Then out stepped one, a widow's son, A fair young fellow, he : " What God hath set us must be done. Oh ! who will sail with me ? " He chose him one, he chose him two, And ropes of strongest make, The Widow's Son. 145 And swift across the waves he flew, And loud and clear he spake — "Row, comrades, row, Death yawns below. And precious life 's at stake." The ship they gain, the rock they reach, And in the noontide sun. The ship's crew, on the friendly beach, Are standing every one. But where, ah ! where 's the widow's hope ? And where his comrades twain ? The little boat, the trusty rope. Were never seen again :• — But still they say. At break of day, They hear the billows, sing, "Row, comrades, row. For death lies low, And God rules every thing !" 146 The Old Story. THE OLD STORY. DEYOND the hill, behind the mill, ^^ In the days of long ago. There lived a maiden fair to see. But she was coy, you know; And first 'twas "Yes," and then 'twas "No," And then she 'd run away. And so she'd flout the men about — " For girls are girls," they say. At last, it chanced, one sued her hand — She looked at it, and said, " I '11 give it to the best of you, Or else I'll ne'er be wed. The best of you, the worst of you. What matters it to me? — I'm sure to fret whate'er I get. For girls are girls, you see." The Old Story. 147 Within each home, inside each house, Such maidens blossom still. And many a manly heart doth ache With waiting on their will; — For first they will, and then they won't, Like the maid of long ago, And then they flirt with ways expert, — " For girls are girls," you know ! June 12, 1874. 148 A Lullaby. A LULLABY. QLEEP, my lady-love, smile and sleep, ^ Softly, softly, While the stars their vigils keep Softly, softly. Till the night's dark hours are past, And the day begins to break — When the birds their voices raise. Then wake, my lady-love, wake. Sigh, my lady-love, sob and sigh. Sadly, sadly, While thy lover is not nigh, Sadly, sadly j But when he returns to thee, With his winning, wooing wile. Let thy dismal fancies flee. Then smile, my lady-love, smile. A Lullaby. 149 Dream, my lady-love, hope and dream. Sweetly, sweetly; Thy thoughts be brighter than now they seem, Sweetly, sweetly. For morn than night is more perfect and pure, And the sun than the stars above, And all that is sure while earth doth endure Is, lady-love, only love. 150 Good-Morning i GO OD-MO RN IN G! pOOD-MORNING, all ye birds and bees; ^ Good-morning, all ye skies and seas ; Good-morning, sun; — good-morning, day; — Good-morning, all the sweets of May ! Good-morning, friends; — good-morrow, foes;- Good-morning, joys; — good-morrow, woes; — Let every heart be blithe and gay To welcome in the month of May ! Good-morrow, all that's sore or sad; — Good-morning, all that 's good or glad ; — Earth flings her wintry shroud away. For Heaven's self is here in May ! Floating. 1 5 1 FLOAT I NG. ■pLOATING down the river, Gleaming through the air, Silver bubbles quiver. Golden sun-motes glare ; But when straining fingers Would these glories grasp, Water, water lingers Only, in our clasp. Floating all around us. Through the spirit's mist. Myriad dreams surround us. Myriad hopes exist ; We may hear them chiming, Bell-like, each to each ; — But to catch their rhyming Is beyond our reach. 152 Floating. Waves o'er waves are curling Back from weary feet ; Winds are ever whirling Rifts of vision sweet ; But the music's meaning Lost is in the sound ; And a life's long gleaming Seas of Time have drowned. Oh ! this strange uplifting, Oh ! this world of wings, We ourselves are drifting Unto higher things ; Drifting clouds we sunder, Singing as we soar, Till we, filled with wonder, Reach the heavenly shore ! CHRISTMAS, NEW YEAR, VALENTINE, AND BIRTHDAY VERSES A Christmas Carol. 155 A CHRISTMAS CAROL FOR MASTERS AND MEN. Dedicated to the Rev. F. A. J. Hervey. r^VER the woods and their wailing, ^ Into the hall and the hearth, The sound of a song comes sailing Thro' the laughter and dancing and mirth : "Be gentle, be just. For low in the dust Lies the Lord of all Heaven and Earth." Over the snow that is falling Thick on the cottages white, A message comes calling, calling, To those who can hearken aright — "Be loyal, be true, For lo ! unto you A King has been crown'd in the night!" iS6 A Christinas Carol. Over the earth and the ocean, Wherever, whoever we be; There are meanings for all in each motion, And carols for you and for me : — "For a Babe was born On this glorious morn, Both Master and Man is He ! " A Christmas Greeting. 157 A CHRISTMAS GREETING. 'IPHE sands of Time are running out, The Year is growing old, A shroud of snow lies close about, And all is white — and cold. — Yet lift your eyes above the Earth, Heaven's doors are set ajar; — For Death is swallowed up in Birth, Where shines the Christmas Star ! "Let out the old, let in the new," The Past is dead and gone; " Ring out the false, ring in the true,'' The Future strideth on. Though all the world be dim with mist, Yet starry are the skies. And bells are ringing clear, I wist. Above our sobs and cries. There rushes out a tangled web, There floats a twisted skein. The waves are bearing on their ebb, More than they '11 bring again ; 158 A Christmas Greeting. There whirls a host of doubts and fears, The hopes of many a day ; There rolleth out a tide of tears ; — So flies the year away. Here bloweth in, all fresh and free, A strange, mysterious air; With bursts of music and of glee, With gusts of grief and care ; — It bears a welcome on its wings, A greeting on its breath; It speaks to us of coming things — Of Love, of Life, of Death ! Ah, friends, good friends, the night is chill. The stars their watches keep ; — T 'were time I laid aside my quill, 'Tis time I fell asleep. — Yet, ere I go where all are due, I '11 wish with heart sincere, A merry Christmas, sirs, to you. And many a glad New Year ! A Christmas Card. 159 A CHRISTMAS CARD. (With Heather-bell.) TT grew across the purple moor, ■*■ Beneath the wintry sky, I thought, although the gift be poor, It might some want supply; — For who can tell, so far away, How fares my friend this Christmas Day ? I wish you all that's sweet and bright, I wish you all that's best; I hope your days are full of light, I pray your prayers be blest ; I wish you weal, I wish you well. All this would say my heather-bell. And if you should this Christmas-time Look back o'er trodden ways. Let me repeat that little rhyme We made in other days; — Oh ! Love is kind and suffereth long, Where Hope is firm and Faith is strong ! i6o A Christmas Card. A CHRISTMAS CARD. (With Forget-me-nots.) T I THEN the year was young and fair, Flowers about her blew, O'er the meadows, everywhere; — Some I saved for you. Now the year is growing old, Fields are bare and days are cold. But beyond the darkest hour, Christmas comes apace; So was born my little flower. Gloomy spots to grace; Nor can breathe a heart so sad But that love can make it glad. So I wish you, dear, to-day, Happiness and health, Hope to cheer, and love to stay, Wisdom, weal, and wealth ; And whate'er may be forgot At this time — Forget me not ! A Christmas Greeting. i6i A CHRISTMAS GREETING. (With Trefoils.) THE days are dark and dreary, The snow is on the wold, Maybe we both are weary, Mayhap we both are cold ; — Yet this, dear Friend, remember, Though we are far apart. That love in chill December- — True love will warm the heart. I send you Christmas Greeting, Good luck, good health, good cheer; I wish that we were meeting, — Oh, would that, you were here ! I hope my love unspoken Will reach your heart to-day; Good fairies, guard my token, And speed it on its way. And as my three-fold blessing These Trefoils will renew, I think I 've set you guessing Who sent these leaves to you ! 1 62 A Christmas Card. A CHRISTMAS CARD. (With Maiden-hair.) TT grew within a mossy wall, I pluck'd it, dear, with care ; — I think that I alone, of all. Will send you Maiden-hair At Christmas-tide, at Christmas-tide, When much is bleak and bare. I think that it will well express The wish I would indite. The hope to cheer, the prayer to bless, The message sweet and bright; Oh Maiden-hair, oh Maiden-hair, Be sure you say it right. I think no mortal's eye may gaze On Time's mysterious brow ; But may our Love in future days Be green as it is now ; — Go, Winter Fern ! go, Winter Fern ! And witness this my vow. A Christmas Carol. 163 A CHRISTMAS CAROL. (OM Style.) LAST Christmas Night, when the stars shone bright, We tramped away up to the Hall ; There was Phil with his flute, and Bill with his lute. And Dick, who sang best of us all. And we sang — and we sang — and we sang — Till the mistress peeped out, and the maids ran about. And served us with wassail and cake — Maid Moll, neat and wise, pretty Doll, with blue eyes, And Bell, who made all our hearts ache, — How they ran — how they ran — how they ran. This Christmas Night, when the stars shine bright, They will shine upon only me — For Phil has won Moll, and Bill has wed Doll, And Dick has the best of the three. And they 're gone — and they 're gone — and they 're gone — Gone to travail and toil — to make the pot boil. While I alone have not a mate ; — Stay— there 's one at the Hall, who 's the fairest of all. Why should I not there try my fate? All alone — all alone — all alone. 164 A Birthday Wish. A BIRTHDAY WISH. (Spring.) /^H ! sweet are the woods and the ways of Spring, Oh ! fair is each thicket and thorn, Where the daisies peep, and the linnets sing, To welcome so gladsome a morn. For ever for thee may blossoms blow, For ever thy path be sweet, For ever may roses around thee glow. And blue-bells kiss thy feet ; Till the day shall dawn when the flowers no more Can awaken within thee a thrill — Yet, dear, perchance on the other shore Thou wilt keep thy Birthday still ! A Birthday Wish. 165 A BIRTHDAY WISH. (Summer.) /^H! welcome the morn when thou wast born, Oh ! welcome the Summer's prime, When first thy boat was set afloat Across the seas of Time ! Yet I do not pray for thy course to-day An endless summer-tide ; But that o'er each wave, with a spirit brave, ■ Thy gallant ship may ride. So trim thy sails to weather the gales, Till every storm be past — Till thou reachest the shore where the sea is no more. And the ships are in haven at last. 1 66 A Birthday Wish. A BIRTHDAY WISH. (Autumn.) /^LEAR against the autumn sky Stands the purple hill, While upon the tree-tops high Leaves are clustering still; — And around, the golden corn Waves, to greet your Birthday morn ! Dear, where'er your steps be bent, May the way be light; — Dear, howe'er your life be spent, May its days be bright; — Gleaning thus, where'er you roam, Sheaves for Heaven's Harvest Home ! A Birthday Wish. 167 A BIRTHDAY WISH. ( Winter.) /^H ! bare and bleak are the woods and ways In the dreary wintry time ; Oh ! short and sharp are the snowy days At the season of frost and rime. Yet though all around thee be dismal and cold, Still warm are the wishes I sendj For where is the heart that can ever feel old While possessing the love of a friend. So, dear one, I send my best greetings to thee; May these lines my affection convey ; For I always must wish thee, where'er thou may'st be,' Many happy returns of the day ! i68 A Letter of Good Wishes. A LETTER OF GOOD WISHES. (With Primroses.) TV /TY friend, my sweetest friend, I write -'■'-'■ These loving words to you, To wish you every blessing bright. Here and hereafter too ; — The world, no doubt, is often sad, Or we are hard to please, For things are surely not so bad Where grow such flowers as these. I plucked them for their fragrant breath, As well as for their bloom. They speak to us of life in death, — Of time beyond the tomb ; For see, — when days are dark indeed. When earth is dull and drear. And just a grave for buried seed. Then — primroses appear. A Letter of Good Wishes. 169 They come our longing eyes to greet, Our yearning hearts to thrill — They come to tell us life is sweet, But love is sweeter still ; — • To say all this and more forsooth, These primroses I send. And here I sign myself in truth. Your fond and loving friend. lyo A Valentine. A VALENTINE. (To Marguerite.) QHE leans against the meadow-gate, She plucks the daisy-leaves, She thinks thereby to learn her fate, — The fate the Daisy weaves ; Spring flowers blow about her feet. Spring breezes lift her curls. She is a flower herself, my sweet, A pearl amongst the pearls ! Oh, maiden of the kirtle blue, Repeat your pretty task, Though never any need have you Of flowers your fate to ask ; — You know I love you — love you well, Not hard is that to see, — Yet say once more your daisy-spell. To see if you love me. A Valentine. 171 A VALENTINE. 'T^ELL me where your secret lies — In your lips, or in your eyes ? In the smiles that sun your face ? In your movements full of grace ? In your words that come and go Just like sledge-bells o'er the snow? In your wisdom ? In your wit ? Nay, I scarce can think that 's it. Some day, though, I will divine — Yes, some day, when you are mine. 172 spring. A GARLAND OF THE YEAR. SPRING /^H, welcome Spring, the year's young king, ^^ Sweet lord of maiden mirth, A lover true, who comes to woo Our fair green-mantled earth ! He gives her rings, and daisy strings, He strews her path with flowers : — Yet still she pleads, for still she needs More sunshine, or more showers. When April's smiles are vanished wiles. When May is pink with pride, Then may we know, — these tokens show Young Spring has won his bride ! Summer. 173 SUMMER. 'T^HE morning wakes all rosy-lipped, From garden bud to bramble spray ; The birds arise all dewy-tipped, To herald forth the dawn of dayj — So wake, my. darling, — leap, my love. To mimic the starling, to answer the dove. The rabbits scud adown the dale To nibble woodland herb and root. The bee, the fly, the nightingale. Are busy with the ripening fruit ; — For cherries are growing, and peaches appear. Sweet music is flowing, for Summer is here. 174 Atitumn. AUTUMN. T\ USSET, and purple, and gold, These are the colours to-day. For the tale of the daisies is told, And the roses are fading away ; Yet Phoebus still lustily shines O'er the glow of the harvest fields. On the purpling grape of the vines, By the fruit that the flower yields. So tell me, my sweet little mate. Which season is dearest to thee, And glance, as thou spinnest thy Fate, Once round on the Autumn and me. Winter. 175 WINTER. T7EAR not thou the wintry wind, Earth has flowers still for thee ; Leave thy carking cares behind, Home is full of homely glee ; Peace and joy therein abide. Doors of love that open wide. After many rainy days, After Summer's heat and glow, After Autumn's golden blaze, Comes the Winter pall of snow : Comes the time when all must die. Bud and blossom, thou and I. Marcus Ward & Co., Printers, Royal Ulster Works, Belfast.