CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE WBOsm , Wavside posies: 3 1924 027 336 845 1 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924027336845 WAYSIDE POSIES. ♦ ? WAYSIDE POSIES ORIGINAL POEMS OF THE COUNTRY LIFE. EDITED BY ROBERT BUCHANAN. PICTURES BY G. J. PINWELL, J. W. NORTH, and FREDERICK WALKER. ENOHAVED BY THE BROTHERS DALZIEL. " There are flowers along the peasant's path That kings might stoop to pull." Old Song. LONDON : GEORGE ROITLEDGE AND SONS, BROADWAY, LUDGATE HILL. 1867. U l\' I ' >- MY TN CUD PREFACE. When I was first requested to undertake the task of selecting the following poems, I had no idea that good verses were so scarce ; but I have gathered together the, best submitted to me by men both unknown and known, and (while including some little pieces of my own) have made all alike anonymous, that the unknown men might meet unprejudiced judgments. The singer of the terse and stirring rhyme called ' Reaping ' is quite a new man, but he will soon (I anticipate) send out his voice from higher ground. R. B. London, November, 1866. CONTENTS. THE SHADOW. A BOY S THOUGHT. THE BIT O' GARDEN. AT THE grindstone; OR, A HOME SHADOW AND SUBSTANCE . AFLOAT ON THE STREAM SCHOOL . . . . ON THE SHORE THE SWALLOWS HOPE ... SPRING THE journey's END REAPING . . . . KING PIPPIN BY THE DOVE-COT THE NUTTING THE VISIONS OF A CITY TREE THE GOOSE . GLEN-OONA THE ISLAND BEE . A VESPER HYMN RAIN . . . . STAINLEY FERRY NORLAN FARM THE OLD CART KITTY MORRIS A vagrant's SONG SUMMER STORM OUR LITTLE ONE AUTUMNAL SONG . WINTER SONG . DOCTOR TOM THE HEATH .... sailor's LOVE 'WHICH WOULD YOU KISS?' MOTHER RUMOUR . WHERE THE WIND COMES FRAE PEACE OF THE BATTLE- -FIELD. Page 2 4 6 9 lO 17 19 20 24 27 29 30 32 36 37 40 42 46 48 5° 53 54 57 58 60 63 66 69 70 72 75 77 80 82 84 88 91 ILLUSTRATIONS. Subject. Artist. Page The Shadow. ^As they lead The little calf to die.' . ..... G. J. Pinwell. . i The Bit o' Garden. ^ And my old mart is busy there from moiiiing until night.' . F. Walker. . . . ^ At the Grindstone; or, a Home View of the Battll-field. * 1 'd face three Frenchmen^ lady and feel no fear, With this old knife that we are grinding here.'' Shadow and Substance. * Neil stands by the stream, and her shadow Glimmers belou-.^ Afloat on the Stream. ' Here the black barges darken dmon Into the suburb.^ * Hither the swishine cometh noty But leafy branches shade the spot.' * Dowmvard at eventide go we.' School. ^ About her sat, hut in no formal roWy Her little students, serious, but urf Tightened.* On the Shore. * The dim line where mingle heaven and ocean, IFhile fshing-boats lie nestled in the grey.' The Swallows. * Seated on a broken tomb, I m.use so off.' .... . . * The swallows build their nests up in thy square ^rey totcei . Hope. ' Make mom Cheer his sad fancy as he jogs a- field.' . Spring. ' The white of the mid-day sun That softens them into a dream.' J. W. North. i G. J. Pinwell. 8 J. W. North. . 10 J. W. North. 12 J. W. North. '4 F. Walker. i6 J. W. North. 1 8 J. W. North. ■ 20 G. J. Pinwell. 22 J. W. North. ■ M J. VV. North. 26 ILLUSTRATIONS. Subject. The Jouunfy's End. ' The people of the farm-yard cluster round. And with mute, curious eyes behold the pair.' Reaping. * The young hares are feasting mi nectar of dew. King Pippin. '^And he assigns their righteous doom IVhere'er their various merits lie.' By the Dove-cot. * TVhat fitter time to creep and woo her, IVhen light and sound and love thrill through her i'^ The Nutting. * Fine are the ivoods by Clover Heath In golden weather such as this is ' The Visions of a City Tree. ' My topmost timgs behold The emerald hills of Surrey.' The Goose. ' Elsie Carr, that single goose Is worse than all your twenty^ ' Well, shake your fist to save the rod^ But when was fool affrighted / ' Glen-Oona. 'Is life still u dream in the vale of Glen-Oona ? Hushed and sweet as the breath of the clear mountain air / The Island Bee. ' Round the farm urchin's ears Terribly hummeth.' .... Page A Vesper Hymn. 'Sweet is the little scented spot Where we have dwelt for many a year."" Rain. 'And in her changeful path the tvind Blows the wild shadows of the rain.' Stainley Ferry. 'This is Stainley Ferry.' * While still unchanged, from day to day The river is Jiowing on.' NoRLAN Farm. 'Flash, peaceful sights of Norlan, On my soldier's memorie.' . G. J. PlNWET.L. . 28 J. W. North. • .SO G. J. PiNWELL. ■ 32 G. J. PlNWELL. • a J. W. North. ■ 37 J. W, North. ■ 39 G. J. PiNWELI.. ■ 41 G. J. PiNWELL. • 4.H J. W. North. ■ 45 G. J. PiNWELL. • 47 J. W. North. • 50 F. Walker. . • 53 J. W. North. • 54 J. W. North. ■ 55 G. J. PiNWELL. ■ 5& ILLUSTRATIONS. Subject. The Old Cart, ^ Many a pretty burthen has it carried^ j4nd heard the talk of many a friendly tovgvr.' Kitty Morris. * Would I ivere one of her hens or diicfcs^ Ay! or the very goose she plucks/' A Vagrant's Song. 'The icanderwg bird icill find a crumb. The wondeiing man a crust.' Summer Storm. ^ But to look at vs then, you'd have sworn that tee both Were a couple of enemies cruel and wroth.' Our Little One. * Nei>er was stranger* s face so sady But it brightened to see a thing so siceet.' Autumnal Song. ' Love I it seems but: yesterday^ A child in fresh green f elds I lay.' Winter Song. ' ffinfry irinds are calling fVheresoe'er 1 go.' ... Doctor Tom. ' He came to cure the emu, y\ .X?f. >.-■-• V--/ M/l THE SHADOW. A boy's thought. O, Willow Farm looks fine In the happy Summer days, And the green trees all around Look golden in the haze ; The birds sing everywhere, And the flowers bloom once again. And there's sweetness in the air, — But there 's bitterness with men. The Farm looks snug and old. But the slain birds on the wall. And the cruel men who kill. Make me angry with it all ; The cows upon the mead Would be pleasant to mine eye. But I sicken, as they lead The little calf to die. There's something in it all That seems to spoil my joy, I feel my heart grow chill. Though I am but a boy: The world looks full of song. Of sweetness, once again. But somehow all seems wrong Through the cruelty of men. Why should the singing birds Fall by the fowler's gun ? Why should the young lambs die. When life has just begun ? O, all the world I see Would be fresh and free and fair. Did not men's crueltie Put a shadow everywhere ! THE BIT O' GARDEN. The bit o' garden ''s tidier now than ever 't was before ; The fruit trees trim, and all in bloom, and roses at the door. Aye, all looks sweet — 't is summer-time — the garden plots are bright. And my old man is busy there from morning until night ; Yet here, indoors, 'tis weary now, and all for Lizzie's sake, — But for the bit o' garden ground, my old man's heart would break. For Lizzie was his darling pride, the treasure of his life : 'T was even pain to think our girl might leave to be a wife ; And now, though even that was sad, 't is bitterer, sorer pain To think she should be here and know we cannot part again ; And then to think the bitterest sound at our fireside should be The crying of the little one upon our daughter's knee ! Oh ! weary was the waiting while our daughter was away ; The bit o' garden ground ran wild ; we listened night and day ; And then that night when all the town was l5^ng in its rest, We saw her standing at the door, her baby at her breast. And my old man leapt up, and cried, and kissed her on the cheek, And the kiss was bitterer to bear than words the tongue can speak ! And all the shame is put away : there ^s peace upon her face ; But though we love to hear her laugh, the laugh seems out o' place : She is the dearest daughter still that ever father had. But there is quiet in the house, and, somehow, all seems sad, — 'T is weary now with over-love, and all for Lizzie's sake : But for the bit o' garden ground, my old man's heart would break ! AT THE GRINDSTONE; OR^ A HOME VIEW OF THE BATTLE-FIELD. Grind, Billie, grind ! And so the war 's begun ? Flash, bayonets ! cannons, call ! dash down their pride ! If I was younger, I would grip a gun. And die a-field, as better men have died : I 'd face three Frenchmen, lad, and feel no fear. With this old knife that we are grinding here ! Why, I ^m a kind of radical, and saw Some fighting in the riots long ago ; But, Lord, am I the sort of chap to draw A sword against old Mother England ? No ! England for me, with all her errors, still — I hate them foreigners, and always will ! There was our Johnie, now ! — as kind a lad As ever grew in England ; fresh and fair ! To see him in his regimentals clad, With honest rosy cheeks and yellow hair. Was something, Billy, worthy to be seen ; But Johnie ^s gone — murdered at seventeen ! None of your fighting sort, but mild and shy. Soft-hearted, full of wench-like tenderness. Without the heart, indeed, to hurt a fly; But fond, you see, of music and of dress : We could not hold him in, dear lad, and so He heard the fife, and would a-soldiering go. And it was pleasant for a time to see Johnie, our little drummer, go and come. Holding his head up, proudly, merrily, Happy with coat o' red, and hat, and drum. That was in peace ; but war broke out one day, And Johnie's regiment was called away. AT THE GRINDSTONE. He went ! he went ! he could not choose but go ! And me and my old woman wearied here : We knew that men must fall and blood must flow. But still had many a thought to lighten fear : Those Russian men could never be so bad As kill or harm so very small a lad ; A lad that should have been at school or play! A little baby in a coat o' red ! What ! touch our little Johnie ? No, not they 1 Why, they had little ones themselves, we said. Billie, the little lad we loved so well Was slain among the very first that fell ! Mark that ! A bullet from a murderous gun Singled him out, and struck him to the brain : He fell — our boy, our joy, our little one — His bright hair dark with many a bloody stain, ' His clammy hands clenched tight, his eyes o' brown Looking through smoke and fire to Stamford town ! What, call that war ! to slay a helpless child Who never, never hurt a living thing ! Butchered, for what we know, too, while he smiled On the strange light all round him, wondering ! Grind, Billie, grind ! call, cannons ! bayonets, thrust ! Would we were grinding all our foes to dust ! Bah ! Frenchman, Turk, or Russian — all alike 1 All eaten up with slaughter, sin, and slavery ! Little care they what harmless hearts they strike — They murder little lads, and call it bravery ! Down with them when they cross our path, I say : Give me old England's manhood and fair play ! i^,//^/^^-^^ SHADOW AND SUBSTANCE. The sun is bright in the meadow, The Spring flowers blow, Nell stands by the stream, and her shadow Glimmers below ; And I try to muster the daring To creep more near, And whisper the passion past bearing Into her ear. Her eyelids droop while she fishes. Her eyes look down ! — But while I whispered my wishes. If Nell should frown, I think I should turn to self-slaughter As something sweet. And, embracing her shade in the water, Die at her feet ! AFLOAT ON THE STREAM. The town upon the river-side. Wherein my love and I abide. Keeps many a hungry home : Beyond those clouds the ocean's lips Are shady with the white-winged ships, And bright with flying foam. 10 AFLOAT ON THE STREAM. Here the black barges darken down Into the suburb, where the town Begins with lane and street; Here are few flowers save human ones, That blossom sickly : slowly runs The river at their feet. Here, where the darkened sunlights fall On haggard wives and children small. The river singing flows. And, sometimes brightening unaware, Flashing its silver in the air. It broadens as it goes. And oft we launch our little boat, And sweetly, quietly we float Toward the gates of morn ; Away from city, smoke, and sin. Unto the solitude wherein The happy stream is born. 11 AFLOAT ON THE STREAM. Hither the sunshine cometh not^ But leafy branches shade the spot Where sleeps the baby stream ; And here with folded wings Love lies,- We feel his breathings and our eyes Meet in a happy dream. 12 AFLOAT ON THE STREAM. TherCj looking down upon its face^ We watch the water in the place From whence it singing flowSj And picture sweetly, while we rest, A little Naiad in a nest. Where the wild lily blows. Yonder there spreads the harvest scene. The slanted sheaves, where gleaners glean And haymakers carouse : Here, floating, dreaming, at our will. We hear the water, feel the still Eye-music of green boughs. And all around are glimpses sweet Of sunny slopes where white flocks bleat ; Of many a quiet glade, Where all is coolness, though above The sunlight faints on clouds, that move Slowly and cast no shade. 13 AFLOAT ON THE STREAM. III. Downward at eventide go we : The river, broadening to the sea. Sighs as we sit and muse ; The flitter-mice around us cry, And far away the sunset sky Takes melancholy hues. 14 AFLOAT ON THE STREAM. Past little villages we gOj With quaint old gable-ends that glow Still in the sunset^s fire ; And gliding through the shadows still, Oft notice, with a lover's thrill, The peeping of a spire. Then silent in our little boat. With downward-drooping eyes we float : All human joy and grief Are hushed around us at this hour ; The silence flutters like a flower. And closes leaf by leaf. The heart beats quick, the bosom sighs; Westward we gaze, and in our eyes More pensive love-thoughts dawn ; For, from the amber sky afar, The twilight of the lover's star Is delicately drawn. 15 16 SCHOOL. I SAUNTERED where the town and country meet, Where Art and Nature battle for the street, Where, ere the stones had vanished from my foot, The grass laughed up at me a gay salute. In leafy contiguity T heard The mellow note of some love-brooding bird ; And nearer still I heard a droning noise Come from a hive of bees or school of boys. But which I could not tell, until my eye Lighted upon a porch, as butterfly Lights on a kingdom of all-mingled bloom. Wherein the flowers breathe out their beauteous doom. And fill the air with souls. To that flower-cell I leaned my ear, as to a humming shell. And heard the moan as of a fairy sea Far in the dim domain of mystery. Then growing bolder, I advanced a pace Into the trellised porch, and saw the placd ; And, lo ! as I do live, a little school, Wherein an easy dame kept easy rule. And learned, as well as taught, the way to know. About her sat, but in no formal row. Her little students, serious, but unfrightened. Surely, I thought, this is a school enlightened. Where neither word of wrath nor lash descends To harden knowledge unto hateful ends ; Where rule is quietljf taught and quickly learned, — Things apprehended, if not quite discerned ; And where bright youth is lifted to a height From which he sees each glorious height on height — Those starry souls by whose effulgent breath The world is snatched from chaos, man from death. A pleasant school — a pleasant sight for eye That loveth spots where nothing seems to die ; Where winds are soft, flowers sweetly bloom, and man Fits like a star into dear Nature's plan. And wins by truth and unreposing duty The throne of wisdom and the crown of beauty. 17 \ \ 18 ON THE SHORE. Wherefore so cold, O day. That gleamest far away O'er the dim line where mingle heaven and ocean. While fishing-boats lie nestled in the grey. And the small wave gleams in its shoreward motion ? Wherefore so cold, so cold ? O say, dost thou behold A face o'er which the rock-weed droopeth sobbing, A face just stirred in a sea-cave old By the green water's throbbing ? Wherefore, O fisherman, So full of care and wan, This weary, weary morning shoreward flying, While, stooping downward darkly, dost thou scan That which below thee in thy boat is lying ? Wherefore so full of care ? What dost thou shoreward bear. Caught in thy net's moist meshes, as a token ? Ah, can it be the ring of golden hair Whereby my heart is broken ? Wherefore so still, O sea. That washest wearilie Under the lamp lit in the fisher's dwelling. Holding the secret of thy deeps from me. Whose heart would break so sharply at the telling ? Wherefore so still, so still ? Say, in thy sea-cave chill. Floats she forlorn with foam-bells round her breaking, While the wet fisher lands and climbs the hill To hungry babes awaking ? 19 *_^ w Jit .J :jwj*ii«j>wiMBK<7j'-A-atMMMiri;t*tw^ 79 SAILOR^S LOVE. What should I look on as I went aboard ship. But lovers quarrelling down along the dale ? Quiet and sly and sneering was his lordship. The lass looked greener than a dolphin^s tail. Heigho ! ' cried I, ' this comes of love on land ; Too much of company brings pain and smarting, — A romp among the pretty ones is grand ; Sweet greeting, though, for me, and speedy parting.' Inez is smiling, if you call at Cadiz ; Drop down by Wapping, there grins English Sue ; All the world o'er, the pretty smiling ladies Wait for the sailor, always trim and true ; Merry for ever, always fresh and free. Sorry a little when we talk of starting, But never grudging one his libertie; Sweet greeting, then, say I, and speedy parting. Can't tie a lad and lass like logs together. But they must bore each other now and then ; One can't be smiling in all sorts of weather, — Women are women only, men are men. 80 SAILOR S LOVE. After the days afloat^ a day ashore, Glad welcome from the pretty faces darting ; A kiss — a dance — then, hey ! away once more ; — Sweet greeting, then, say I, and speedy parting. Pleasant the pretty prattling and beguiling, After a busy dashing up and down ; Sun, lads, a little, in a woman's smiling. But go aboard ere she has time to frown ; And coming ever pleasant, ever new, See nothing of the fretting and the smarting. But find the fair ones ever kind and true : Sweet greeting, then, say I, and speedy parting. 81 WHICH WOULD YOU KISS?' Which would you kiss? A cheek like this, Ruddv and ripe and mellow, Or the languid and mild cheek of the child Of some well-acred fellow ? 'WHICH WOULD YOU KISS?' And how would you kiss ? For a cheek like this^ A tasty smack and rare ! But daintily brush o'er the languid blush^ When you kiss the lady fair. Which would you choose to be your Muse ? To whom would you say or sigh love? Which of the two is the mate for you, — The lowly or the high love ? Oh, daintily kiss your high-born miss, Till ye scorn, or die, or sever; While roundly I kiss a cheek like this. And find it fond for ever ! .Si MOTHER RUMOUR. What did Mother Rumour do ? Over the whole wide world she flew, Upsetting kings, reversing laws. In her state coach drawn by pies and daws. 84 MOTHER RUMOUR. A speaking-trumpet in her hand, She cried aloud thro' every land; English, Spanish, Turkish, Greek — Every tongue the witch could speak. Everywhere her notes were heard. By man and woman, beast and bird : Such a babble in the air ! 'Twas chatter, chatter, everywhere! — From the Sultan's bright seraglio, Where languid trouser'd beauties blow. To Goody Blake and Goody Blane Gossiping in an English lane. Little king or queen could do But noisy Mother Rumour knew ; Not a thing, however small. But she was warned about it all : Terrible things and wicked things, Court and cottage whisperings. Shrieks of pain and cries of power, Cooings from my lady's bower. Kings and courtiers saw her pass, Pretty sinners cried ' Alas ! ' Treason hunched his back, — while she Doomed him to the gallows-tree. 85 MOTHER RUMOUR. The murderer, as he turned to fly. Shrieked to hear her dreadful cry. And tore his hair : — for as he flew, All the pallid people knew ! Two magpies, sitting on a fir. Croaked chuckling, as they looked at her, ' What a world the world must be. Ruled by such a witch as she ! ' But the lark went up to Heaven's gate, And sang his ditty early and late — ' Hither, hither ! ' was his cry, ' The witch can never soar as high ! ' 86 87 WHERE THE WIND COMES FKAE. Oh weel I mind, Oh weel I mind, Tho' now my locks are snaw, How oft langsyne I sought to find What made the bellows blaw ! How, cuddling on my grannie's knee, I questioned night and day. And still the thing that puzzled me Was — where the wind came frae ? Tho' I hae dwelt for many a year Thro' pleasure and thro' pain. Still must I rax my wits and speir. And wish the puzzle plain ? The warld o' men wi' change on change Rolls darkly on its way. And still I ask, in wonder strange. Where, where the wind comes frae ? The wind that beats the widow's face Outside the rich man's door. The wind that drives the human race. And levels rich and poor ; S8 WHERE THE WIND COMES FRAE. The wind that breaks a people's chani^ Or doth a monarch slay, — While weary men in doubt or pain Ask — where the wind comes frae ? Oh, I hae striven, loved, and sinned, And I hae lost in tears. But now the hollow eerie Wind Sounds sweeter in mine ears. Depart, O life ! come soon, O death ! Till I am blest as they. Who, brightening beneath His breath, Wake — where the wind comes frae ! 89 90 PEACE. War thunders out of other lands^ And men are slain by human hands. And mothers' moans and widows' tears Sadden the sweetness of the years. But here in England blooms the palm, Is breathed the prayer and sung the psalm ; Though, sleepless on his iron height. The Lion's eye is rolled in light. The stream unreddened sweeps along ; The poet hums a quiet song ; Yet, from the anvil's piercing tongue The war-cry of the sword is rung. In English meadows sleeps the lamb, Meek symbol of the pure ' I AM ' ; But dark in yon celestial sky A taloned Fate is sailing by. But keep, O England, peaceful rule ;' Far from thy shores be knave and fool ; Lest the slow anger of thy sons Loose the swift lightning of their guns. And pour, O God, around this isle The living splendour of Thy smile. That all our bays and peaks may be Havens and thrones of Liberty ! . 91 DALZIELS' FINE ART GIFT BOOKS. One Guinea each, or Morocco Elegant and Antique, £i 165. In a superb bindings designed by Owen Jones, BIRKET FOSTER'S Pictures of English Landscape. (Engraved by the Brothers Dalziel.) WITH PICTURES IN WORDS BY TOM TAYLOR. " Here is a Birket Foster ' Gallery ' of thirty pictures for a guinea. Pictures so carefully finished, that they would be graceful ornaments were they cut out of the book and framed." — Examiner. Elahorate Mndvig, full gilt, red lettered, and printed onjine toned paper, The Parables of Our Lord. WITH PICTURES BY J. E. MILLAIS, R.A., Engraved by the Brothers Dalziel. " In these designs we have much of Mr. Millais' finest work, whilst Messrs. Dalziel have raised the character of wood engraving by their exact and most admirable translations," — Reader. Elaborate binding, chaste design in gold, uniform with "Pictures of English Landscape,'' Home Thoughts & Home Scenes. IN THIRTY-FIVE ORIGINAL POEMS BY HON. MRS. NORTON, DORA GREENWELL, JEAN INGELOW, JENNETT HUMPHREYS, A. B. EDWARDS, MRS. TOM TAYLOR, AND THE AUTHOR OF " JOHN 'HALIFAX, GENTLEMAN." AND THIRTY-FIVE PICTURES BY A. B. HOUGHTON, Engraved by the Brothers Dalziel. 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