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There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013521178 VERSES VERSES By W. H. MALLOCK i LONDON Published by HUTCHINSON & CO. AT 34, PATERNOSTER ROW 1893 ft a Printed by Hattll. IVatscn. S- yimy, Ld.. Undmi and Afksluril CONTENTS PAGE TO MADAME DE * * * * . . . . . 7 HAEC OMNIA DABO TIBI . . . . I3 THE sibyl's books . .... 17 HUMAN LIFE . . . 21 TO ' VIOLET FANE ' .... 25 TO A CHILD .... 29 TO A DEAD DOG 35 TO ANOTHER DEAD DOG . . . . 39 WILL ... .... 43 MARGARET . . .... 47 A NEW FKANCESCA 5 1 LINES WRITTEN IN CALAIS TO V. C. IN THE SOUTH OF EUROPE . 55 BOAT SONG . . 59 A PHILOSOPHIC LOVER . . 63 5 CONTENTS. TO AN ENGAGED WOMAN . THE TOWER AT BEAULIEU REVISITED LINES HIPPOLYTUS TO ARTEMIS THE SEA NYMPHS TO PROMETHEUS . ' CHRISTMAS THOUGHTS BY A MODERN THINKER STROPHES (FROM ' A SONG AFTER MOONRISE ') THE AUTHOR OF ' SONGS BEFORE SUNRISE ' PULVERIS EXIGUI MUNUS ... FROM VICTOR HUGO LINES ON THE RIVIERA .... ' THE SOULS ' . TO IRMA . ... CIRCUMSTANCE . . . AUTUMN TO IRMA TO IRMA TO IRMA FROM BEAUDELAIRE TO IRMA PAGE • 67 73 77 81 8S 89 95 103 107 "3 "7 121 129 133 137 141 145 149 153 >S7 TO MADAME DE * * * * CrJiOM AN UNPUBLISHED NOVEL) TO MADAME DE » * » * (.FROM AN UNPUBLISHED NOVEL) I. WHAT gift shall I give you ? Suppose, if you please, I had houses and acres and fashion and fame. And a name,— Need I tell you, my friend, that of these I could give you not one, dear — not even my name ? II. But something I must give — a something with qualities To move you or prove you. So since, as I've said, I can't give the things that the world calls realities, I bring you my hopes. Will you take them instead ? 9 TO MADAME DE III. They are excellent hopes. I can speak, for I know them. I've nursed them and reared them through good and through ill. And they in return — you can't think what I owe them — When all things had left me, they clung to me still. IV. As the days and the nights became lonelier and colder. As I slept with a sigh, or awoke with a moan, They were by me, to breathe, with their cheeks on my shoulder, ' Take courage : you shall not be always alone ! ' How simply they spoke ! yet they chased my de- jection ; For they hinted of one who should come through the gloom, To the hearthstone of life with the fire of affection. And should turn to a chamber what else were a tomb. TO MADAME DE * VI. How trite were their phrases ! Yet all that was tragic Was touched by their voice, and receded from life : For they sang a redemption, a passion and a magic Into words such as home, and a hearth, and a wife : VII. Till what seems to the youth like a vain iteration Of copy-book platitudes bought by the quire. Was flamed on the man like a new revelation Of the glory of God in a scripture of fire. VIII. Yes— that's what my hopes did. Despair and com- plaining They turned into patience ; and day after day, When my darkness returned, like the clouds after raining, They would soothe me and cheer me, and sing it away. II TO MADAiyiE DE • « » • IX. Tell me, then — will you take them ? — my gift that I'm bringing ? But before you accept them, there's this to be said — 'Tis merely that now they have done with their singing. They are silent. I've killed them. I bring you my dead. Nay, turn not away in disgust from their faces. Look at least on them once ; and perhaps you will see That to you, dear, my mute ones still speak from their places ; And you'll hear them, and murmur, ' He killed these for me.' HAEC OMNIA DABO TIBI HAEC OMNIA DABO TIBl OH, World, whose days like sunlit waters glide, Whose music links the midnight with the morrow, Who, for thine own, hast beauty, power, and pride ! Oh, World, what art thou ? And the World replied, ' A husk of pleasure round a heart of sorrow.' Oh, child of God, thou who hast sought thy way Where all this music sounds, this sunlight gleams, 'Mid prid^knd power and beauty day by day : And what art thou ? I heard my own soul say, ' A wandering sorrow in a world of dreams.' 15 THE SIBYL'S BOOKS THE SIBYL'S BOOKS LIFE is a Sibyl, who to Youth Offers the golden books of Truth, And Youth rejects them ; for, indeed, The dazzling lines are hard to read. ' But what cares Life for that ? She goes, And in the fire a volume throws. When Manhood ripens, as before She offers still her dwindling store, In vain : — till one day Age divines What seems some meaning in the lines. And starts, and stays her with the call, ' Bring your books back : I'll take them all.' ' Good,' cries the Sibyl, 'that's to say. All that are undestroyed to-day. Take them.' She spreads her bundle bare, And not a single book is there. ' What's this ? ' She laughs. ' Ere man has learnt To read my books, the books are burnt ! ' ' Life, you're a mockery ! ' ' Man,' is Life's reply, ' Without my books you know me. Such am I.' 19 HUMAN LIFE HUMAN LIFE LIKE smoke I vanish, though I bum like flame ; I flicker in the gusts of wrong and right, A shining frailty in the guise of might. Before, a nothing— and behind, a name. 23 TO 'VIOLET FANE' TO 'VIOLET FANE' (WRITTEN IN A COPY OF 'A ROMANCE OF THE NINETEENTH CENTURY') FAR in an unseen world I place my treasure, And in this near world, you : But will you find that your world gives you pleasure, Or I, that mine is true ? 27 TO A CHILD TO A CHILD O DAINTY figure, floating hair, O small face, turn and let me see ! Turn, Irma, turn ! A child like you Has always charm for me. O sad as death, and soft as love, What's this that I in you behold ? All life seems gazing from the eyes — The eyes of eight years old. All life ! Why, child, what's life to you ? Your dog, your doll — a toy, a pet — These are its joys : — and, for its griefs. They're things as small. And yet, 31 TO A CHILD Between your eyelids swims the look That says, ' My faith in prayer is o'er.' Your mouth seems quivering to the lost, ' Kiss me that kiss once more ! ' Is this a fancy, do you think ? Merely an idle fancy ? Nay, Your face but says before its time What soon your heart will say. That look was moulded in the past, Before your father's days began ; And means what life will mean for you, And long has meant for man. Those clear young eyes before they fade Shall scan their past, and read ' In vain.' Irma, I see the stainless cheek Where life shall write a stain. But ah ! I see the fire which first Shall cast its soft disguise divine O'er earth and heaven ; and envy those For whom your eyes will shine. 32 TO A CHILD Whose pulses shall be stirred by yours, And who, on the wet sands of youth. Shall found that house of faiths and hopes Which poets dream is truth. O happy dream, and happy they Who dream it one by one with you ! Ah ! by your aid might I once more Dream, and believe it true ; Before once more I wake, as you And I, and all, must wake to feel Their fair dreams broken one by one On Time's relentless wheel. For love builds up, and life destroys ; But well — ^however this may be, Irma, ere love shall live for you He will be dead for me. 33 TO A DEAD DOG TO A DEAD DOG WHERE are you now, little wandering- Life, that so faithfully dwelt with us. Played with us, fed with us, felt with us, Years we grew fonder and fonder in ' II. You who but yesterday sprang to us. Are we for ever bereft of you ? And is this all that is left of you — One little grave and a pang to us ? 37 TO ANOTHER DEAD DOG' TO ANOTHER DEAD DOG THOU art gone to sleep, and we — May we one day sleep like thee. Prinny, were this heart of mine Half so true, my dog, as thine,' I my weary watch should k6ep For a something more than sleep. 41 WILL WILL " Oh, living will, that shalt endure." WE Strive to will the right ; but what's our will ? A die whose casts we nickname good or ill, Loaded by fate — a tendency, a taint, Which Fate has dealt us. This with all her skill Does Science prove : and this is man's complaint : ' Sinning, an idiot conscience stabs me still, Which yet has no one blessing for restraint.' 45 MARGARET O' MARGARET ^H, her cheek, her cheek was pale. Her voice was hardly musical ; But your proud grey eyes grew tender Child, when mine they met, With a piteous self-surrender, Margaret. Child, what have I done to thee ? Child, what hast thou done to me ? How you froze me with your tone That last day we met ! Your sad eyes then were cold as stone, Margaret. D 49 MARGARET Oh, it all now seems to me A far-off weary mystery ! Yet — and yet, her last sad frown Awes me still, and yet — In vain I laugh your memory down, Margaret. 50 A NEW FRANCESCA A NEW FRANCESCA (MRS. S/NCL^/R'S SONG IN THE ' NEW REPUBLIC ) * Passion-pale they met And parted.' Lord Tennyson's Guinevere. DARLING, can you endure the liquid weather, The jasmine-scented twihghts, oh my dear ? Or do you still remember how together We read the sad sweet Idyl ' Guinevere,' Love, in one last year's twilight ? Galeotto fu il libra, e chi lo scrisse> Ah, the flowers smelt sweet, and all unheeding Did I read to you that tender tale, Oh, my love, until my voice, in reading How those lovers greeted ' passion-pale,' Trembled in the soft twilight. Galeotto fu il libra, e chi lo scrisse. Dante's Inferno, v. 137. 53 A NEW FRANCESCA Then our eyes met, and then all was over — All the world receded cold and far ; And your lips were on my lips, my lover ; And above us shook a silver star. Through depths of melting twilight. Galeotto fu il libro, e chi lo scrisse. Darling, no July will ever find us On this earth, together, more. Our fates Were but a moment cheated. Then, behind us Shrilled his voice for whom Caina' waits. Shattering our one sweet twilight. Galeotto fu il libro, e chi lo scrisse. I shall know no more of summer weather, Nought will be for me of glad or fair. Till I join my darling, and together We go for ever on the accursed air, There in the dawnless twiUght. Galeotto fu il libro, e chi lo scrisse. * Dante's Inferno, v. 107. 54 LINES WRITTEN AT CALAIS TO V. C. IN THE SOUTH OF EUROPE LINES WRITTEN AT CALAIS TO V. C. IN THE SOUTH OF EUROPE ' Is there a wish for which you dare not pray ? Then pray to God to take that wish away.' YESTERDAY a cloudless sky was glowing, All the flowers were floj|jering yesterday ; And to-day a bitter east is blowing, Flowerless all the flowers, theXkies are grey. Yesterday there breathed a life beside me — Now the lips and eyes are far away. Deep in memories of the past I hide me, And I pray for her, whate'er betide me, Every wish for which I dare to pray. 57 BOAT SONG BOAT SONG HOLLOW and vast, starred skies are o'er us. Bare to their blue profoundest height. Waves and moonlight melt before us Into the heart of the lonely night. Row, young oarsman, far out yonder. Over the moonlight's breathing breast. Rest not — give us no pause to ponder ; All things we can endure but rest. Row, young oarsman ; row, young oarsman ; Into the crypt of the night we float. Fair, faint moon-flames wash and wander — Wash and wander about our boat. 6i BOAT SONG See how shadow and silver mingle Here on the wonderful wide bare sea ; And shall we sigh for the blinking ingle ? Sigh for the old known chamber — ^we ? Not a fetter is here to bind us, Love and memory loose their spell. Friends of the home we have left behind us, Prisoners of content, farewell ! Do we sigh for the old smiles tender — The homely love, and the pure repose ? Sighing bosoms, would ye surrender Sighs like ours for smiles like those ? Row, young oarsman, far out yonder. Over the moonlight's breathing breast. Rest not — give us no pause to ponder. All things we can endure but rest ! Row, young oarsman ; row, young oarsman ; See how the diamonds drip from the oar. What of the shore and friends ? young oarsman, Never row us again to shore ! 62 A PHILOSOPHIC LOVER A PHILOSOPHIC LOVER {TO THE WIFE OF AN OLD SCHOOLFELLOW) LET others seek for wisdom's way In modem science, modem wit, — I turn to love, for all that these, These two can teach, is taught by it. Yes, all. In that first hour we met And smiled and spoke so soft and long, love, Did wisdom dawn ; and I began To disbelieve in right and wrong, love. Then, as love's gospel clearer grew. And I each day your doorstep trod, love, I learned that love was all in all, And rose to disbelieve in God, love. E 65 A PHILOSOPHIC LOVER Yes, wisdom's book ! you taught me this, And ere I half had read you through, love, I learned a deeper wisdom yet — I learned to disbelieve in you, love. So now, fair teacher, I am wise, And^firee : 'tis truth that makes us free, love. But you — ^you're pale ! grow wise as I, And learn to disbelieve in me, love. 66 TO AN ENGAGED WOMAN TO AN ENGAGED WOMAN WHICH is the better, which the kinder part — To leave you quite, to cast you quite aside, And in one cold farewell to hide with art The pain and passion nature will not hide ; Or still to hold and fold you to my heart, And in a vain drearh dream you still my bride, Nor ever call one loving word the last, Until the past become indeed the past ? This is the question which, this whole blank day, I ask my heart, as I sit here alone. Watching the dull waves break in Beaulieu bay ; And answer from my heart receive I none. What makes it mute ? you ask. I will not play With hackneyed phrases. Oh, my own, my own, There is no need to say my heart is breaking ; Pain makes it mute, although 'tis only aching. 69 TO AN ENGAGED WOMAN Pain in my heart, and silence in my ears, Gloom in my eyes — my eyes and ears that miss Your eyes and voice, and vague regrets and fears Clouding my thoughts — my life is come to this : With one keen sense through all, that all my years Have closed their meaning in your hopeless kiss. Ah ! "once again, before the moment slips. Love, let me leave my life upon your lips. What ! do you chide me for that desperate cry. And say I tempt you ? Yes, I feel you do. Listen to me, then ; I have this reply : Let Love, my loved one, judge 'twixt me and you. Inquire of Love, who still stands lingering by, And gives us still his licence to be true. And will not wholly leave us, till betwixt My life and yours there is the great gulf fixed. Ask Him, for He has made you one with me; You are with me, and around me everywhere. I feel you in the mountains and the sea, And when I breathe you feed me in the air. And oh, my soul's true soul, the thought of thee Moves me to pray, and mixes with ray prayer. Ask Him, for still — He still can point to-day Towards Heaven, and say, ' In me behold the way. 70 TO AN ENGAGED WOMAN Ask Him to-day. He will have said * Farewell/ Farewell to you, farewell to me — to-morrow : And where He dwelt another Love will dwell, With haggard, pitying eyes, and lips that borrow Their hopeless sentence from the gates of Hell, ' Through me the way is to the eternal sorrow ' ; And lure and warn us in the same low breath — ' Take life from me, but know my life is death.' 71 THE TOWER AT BEAULIEU REVISITED THE TOWER AT BEAULIEU REVISITED ONE true hour of love lies there, Dead in the clear unburying air Hear distracted Memory call, ' Who shall give it burial ? ' Memory ! thou of little wit, There be three shall bury it. Let the World, false, vain, and loud, Be the grave-clothes and the shroud ; Let the Devil's Scorn of Good Be the heavy coffin-wood ; And let false love be the clay That hides all from the light of day. 75 LINES LINES HOMELESS man goes, even on life's sunniest slope, And yet between two homes he takes his way — Between to-morrow — that's the home of Hope — And Happiness, whose home is yesterday. Yet, man, complain not. Thank your fates instead. And call them good, before they bring you worse — The days when Hope shall in her home lie dead. And Happiness forgotten fade in hers. 79 HIPPOLYTUS TO ARTEMIS HIPPOLYTUS TO ARTEMIS (AFTER EURIPIDES) MINE own, my one desire, Virgin most fair Of all the virgin choir ! Hail, O most pure, most perfect, loveliest one ! Lo, in my hand I bear, Woven for the circling of thy long gold hair. Culled leaves and flowers, from places which the sun The spring long shines upon, Where never shepherd hath driven flock to graze, Nor any grass is mown ; But there sound through all the sunny sweet warm days. Mid the green holy place. The wild bee's wings alone. Yea, and with jealous care The maiden Reverence tends the fair things there, And watereth all of them with sprinkling showers Of pearled grey dew from a clear running river. 83 HIPPOLYTUS TO ARTEMIS Whoso is chaste of spirit utterly, May gather there the leaves and fruits and flowers- The unchaste, never. But thou, O goddess, and dearest love of mine — Take, and about thine hair This anadem entwine — Take, and for my sake wear. Who am more to thee than other mortals are. Whose is the holy lot As friend with friend to walk and talk with thee, Hearing thy sweet mouth's music in mine ear. But thee beholding not. 84 THE SEA NYMPHS TO PROMETHEUS THE SEA NYMPHS TO PROMETHEUS (.AFTER AESCHYLUS) SUFFERER, fear not, love hath sent us, Yearning with compassion we ! We have stilled our fathers' tongue, fain to prevent us, We have left our clear homes in the deep blue sea. We have travelled far In our winged car, For thee, for thee ! For through our still, wave-dripping grottoes rang A hideous brazen clang, Breaking our noonday dreamings in our peaceful sea. With unsandalled feet Breathless and fleet To our winged car we sprang. For thee, for thee. 87 CHRISTMAS THOUGHTS,^ BY A MODERN THINKER CHRISTMAS THOUGHTS, BY A MODERN THINKER (.AFTER MR. MATTHEW ARNOLD) THE windows of the church are bright ; 'Tis Christmas Eve ; a low wind breathes ; And girls with happy eyes to-night Are hanging up the Christmas wreaths ; And village voices by-and-by Will reach my windows through the trees, With wild, sweet music : ' Praise on high To God : on earth, good-will and peace.' Oh, happy girls, that hang the wreaths Oh, village fiddlers, happy ye ! Christmas to you still truly breathes Good-will and peace'; but not to me. 91 CHRISTMAS THOUGHTS Yes, gladness is your simple r61e, Ye foolish girls, ye labouring poor ; But joy would ill beseem my soul — To sigh, my part is, and endure. For once as Rousseau stood, I stand Apart, made picturesque by grief — One of a small world-weary band, The orphans of a dead belief. Through graveyards lone we love to stray. And sadly the sad tombs explore, And contradict the texts which say That we shall rise once more. Our faith is dead, of course ; and grief Fills its room up ; and Christmas pie And turkey cannot bring relief To such as Obermann and I. Ah, Obermann, and might I pass This English Christmas-tide with thee. Far by those inland waves whose glass Brightens and breaks by Meillerie ; 92 BY A MODERN THINKER Or else amongst the sternest dells Alp shags with pine, we'd mix our sighs, Mourn at the sound of Christmas bells. Sniff at the smell of Christmas pies. But thou art dead ; and long, dank grass And wet mould cool thy tired, hot brain ; Thou art lain down, and now, alas ! Of course you won't get up again. Yet, Obermann, 'tis better so ; For if, sad slumberer, after all You were to re-arise, you know 'Twould make us feel so very small. Best bear our grief this manlier way. And make our grief be balm to grief ; For if in faith sweet comfort lay. There lurks sweet pride in unbelief. Wherefore, remembering this, once more Unto my childhood's church I'll go, And bow my head at that low door I passed through standing, long ago. 93 CHRISTMAS THOUGHTS I'll sit in the accustomed place, And make, while all the unlearned stare, A mournful, atheistic face At their vain noise of unheard prayer. Then, while they hymn the heavenly birth And angel voices from the skies, My thoughts shall go where Weimar's earth For ever darkens Goethe's eyes ; Till sweet girls' glances from their books Shall steal towards me, and they sigh : ' How intellectual he looks. And yet how wistful ! And his eye Has that vain look of baflSed prayer ! ' And then when church is o'er I'll run. Comb misery into all my hair. And go and get my portrait done. 94 STROPHES {.FROM 'A SONG AFTER MOONRISE') STROPHES {FROM -A SONG AFTER MOONRISE') Strophe I. I BOWED my laurel'd head Above my lyre, and said : ' What new song shall I sing across the strings ? Madden'd for whose new sake What new noise shall I make ? ' And I answered : ' Lo, I will sing of no new things ; I will turn to her once more I have sung so oft before — Freedom — and worship her, and curse some kings. Set on her motherly knee. Her nursing arms round me, I will cling about her neck as a child clings, Re-wounding with my kiss Each scarce-healed cicatrice, Doing to her divers and disgusting things ; Whilst in her ears my chaunt, Re-risen and reboant. Sounds as one sounds who, being senseless, sings. G 97 STROPHES FROM Strophe II. Oh, one cant name of many names I have chosen — Freedom — lo, once again I call to thee ; By the cold earth's iron-bound ends and oceans frozen, By the rivers that run billowing to the sea, By the lisp and laughter of Spring in leafy places, By the storms that follow and the calms that flee, By the pale light flung in men's funereal faces From holocausts of kings, we bum to thee ; By the seas that link us and the lands that sever, By the foes upon our weather-side and lee — By all these things and all other things whatever. We call and howl and squeak and shriek to thee, Calling thee early and late, Wild, inarticulate. Calling and bawling that thou set something free. 98 'A SONG AFTER MOONRISE^ Strophe III. But where is the something — a land In the east, or the uttermost west — A land with a grievance, a curse ? I heed not her name or her place, So shame on her brow be a brand, So she have but a white scourged breast. And a name that will scan in verse ; And I ask for the royal race, For the land opprest. But where shall I find her — wftere ? I mean the land with a wrong Not already outworn By those that have sung for her sake. For Byron and bards that were, Were singing of Freedom long Before I was thought of or born, And they plucked all the plums from the cake. From the cake of song. 99 STROPHES FROM Strophe IV. Ah, but would that I Had been the first of these ! I would have drained them dry, These themes of war and peace, Nor have left one song to sing of Italy, Nor a poet's picking on the bones of Greece. Then with flowers an^ fire. And bitter foam and wine, And fangs and fierce desire, And things I call divine, I would nauseate so the world that no man's lyre Should again be struck to a note I had once made mine. 100 'A SONG AFTER MOONRISE' Epode I HUNG my laurel'd head Down on my lyre, and said : ' What answer does my sovereign, Freedom, make ? ' And in the air I heard Not even a whispered word From her for whom my very lungs do ache, And, as an addled egg is, is my brain : Wherefore for her most royal and holy sake^ I think I will behowl her once again. Hear me, O goddess ! for it indeed is I That call thee, at thy knees. And don't be frightened, please, At the many things I shall adjure thee by. Come to us, bright in clear re-arisen ascendency. Loosen o'er us all thine orient oriflamme ! By the power Mat Arnold calls ' a stream of tendency,' By the Christianity we have proved a sham. By the lowering name that darkened Hebrew story We have turned to Thou art not, that was once I Am; We thy singers, we thy sons that work Thee glory With the unburnt offerings of our worthless verses Heaped on thy shrine, adjure thee and adore thee : I, the clamouring herd's choregus, I implore thee lOI FROM 'A SONG AFTER MOONRISE' By all the things that we bemire with curses — That is, by all the holy things that are, Rise and make manifest upon us thy mercies. Rise o'er us all a large and lovely star. For the night is now far spent ; the air gives warning With a dewy stir and chillness of the morning, And the wan dark whitens on the eastern hill. Bumthroughtheeast.growlarge, and lighten, until In the saffron of the sunrise we discern thee Shining and trembling like a tear of gladness. Draw near to us, we will love thee, we will learn thee — Learn thee to the heart, and love thee even to madness — If thou wilt only hear us in our crying. Across the night. Conjuring thee by this our rhythmic sighing — Our songs which might Have many senses, but which have not one sense A man may see ; By the sounding and the fluent foam of nonsense We shower on thee ; By the shallow and the babbling things, our mothers, From whom we spring ; By the barking and the braying things, our brothers, Like whom we sing ; By all the fatuous things, our near relations. That chaunt and cheer us ; By the people, and the people's demonstrations, - Oh, Freedom, hear us ! 102 THE AUTHOR OF 'SONGS BEFORE SUNRISE ' THE AUTHOR OF 'SONGS BEFORE SUNRISE ' OH, master of music and thunder, And measures that sway like the sea, Could only my reason take wing And follow my heart as you sing, Singer in winter of spring. To the fiiture, and welcome the wonder Awaiting a world of the free ; — Then would my lips which are cold Be on fire as your lips are, and I, Adding my song to your own, As a rill to an ocean of tone, As an echo you strike from a stone. On the rulers who rule as of old, I would turn, and upbraid them, and cry — 105 THE AUTHOR OF SONGS ' What ! are ye deaf to our warning — Drowned in your dreams ? But we, Faithful and few on the height, We have watched long, long, for the light ; And discern we at last through the night That the long low lights of the morning Are already awake on the sea.' Then were my soul as a note Longing to startle the dark — Then were it fain from the frore Earth, as the lark does, to soar To the watch-towers of morning, and pour As you do, o'er earth through the throat Of a bugle the songs of a lark ! ro6 PULVERIS EXIGUI MUNUS PULVERIS EXIGUI MUNUS (/iV THE MANNER OF MR. MATTHEW ARNOLD) SOFTLY the evening- descends, Violet and soft. The sea Adds to the silence, below Pleasant and cool on the beach Breaking ; yes, and a breeze Calm as the twilight itself Furtively sighs through the dusk, Listlessly lifting- my hair, Fanning my thought-wearied brow. Thus I stand in the gloom Watching the moonrtrack begin Quivering to die like a dream Over the far sea-line To the unknown region beyond. 109 PULVERIS EXIGUI MUNUS ' So for ages hath man Gazed on the ocean of time From the shores of his birth, and, turning His eyes from the quays, the thronged Marts, the noise and the din To the far horizon, hath dreamed Of a timeless country beyond. Vainly : for how should he pass. Being on foot, o'er the wet Ways of the unplumbed waves ? How, without ship, should he pass Over the shipless sea To the timeless country beyond ? ■ Ah, but once — once long ago. Came there a ship white-sailed From the country beyond, with bright Oarsmen, and men that sang ; Came to humanity's coasts. Called to the men on the shore, Joyously touched at the port. Then did time-weary man Climb the bulwarks, the deck Eagerly crowding. Anon With jubilant voices raised, And singing, " When Israel came Out of Egypt," and whatso else PULVERIS EXIGUI MUNUS In the Psalm is ■written, they passed Out of the ken of the land, Over the far sea-line, To the unknown region beyond. ' Where are they now, then — they That were borne out of gight by the ship- Our brothers, of times gone by ? Why have they left us here Solemn, dejected, alone. Gathered in groups on the shore ? Why ? For we, too, have gazed O'er the waste of waters, and watched For a sail as keenly as they. Ah, wretched men that we are ! On our haggard faces and brows Aching, a wild breeze fawns Full of the scents of the sea. Redolent of regions beyond. Why, then, tarries the ship ? When will her white sail rise Like a star on the sea-line ? When ? ' When ? — And the answer comes From the sailless face of the sea, " Ah, vain watchers, what boots The calm of the evening ? PULVERIS EXIGUI MUNUS Have ye not watched through the day Turbulent waves, the expanse Endless, shaken with storm. And ask ye where is the ship ? Deeper than plummet can dive She is bedded deep in the ooze. And over her tall mast floats The purple plain of the calm." ' Yes — and never a ship, Since this is sunken, will come Ever again o'er the waves — Nay, not even the craft with the fierce Steersman, him of the marsh. Livid, with wheels of flame Circling his eyes, to smite The lingering soul with his oar. Not that even ; but we Drop where we stand one by one On the shingles and sands of time, And cover in taciturn gloom, With only perhaps some tear. Each for his brother the hushed Heart and the limitless dreams With a little gift of sand.' FROM VICTOR HUGO H FROM VICTOR HUGO THE Tomb said to the Rose, ' Those tears the mornings weep Into thy petals deep, What does love's flower with those ? ' The Rose said to the Tomb, ' And thou, what dost thou — say — With that which day by day Drops in thy gulfs of gloom ? ' The Rose said, ' I do this : Out of each tear I make A soul of perfume wake — Honey and ambergris.' ' Poor flower,' the Tomb said, ' I, Out of each clod that slips Mute through my earthen lips. Make a winged soul on high.' "5 LINES ON 'THE RIVIERA LINES ON THE RIVIERA ^WRITTEN IN AN ALBUM) AH ! what ailed you to bid rhyme for you me — me who have done with rhyme ? Would you ask of a tree figs, when you know well it is past the time ? See the lute that I breathed love to ; it hangs now on a broken string : One song only of all songs have I now courage or heart to sing. Oh, my luminous land, glowing with blue under and blue above. Land whose violets breathe sweeter than all mouths that have murmured love ! Oh, my land of the palm, olive and aloe, land of the sun, the sea. Still my heart is a child's, turning in long longing to thee, to thee ! 119 'THE SOULS' (TO MISS M T IN ANSWER TO A QUESTION) 'THE SOULS' (.TO MISS M T IN ANSWER TO A QUESTION) {March zgtkf i8go) YOU asked me, Miss M , one day last November, If a certain production was due to my pen — A Paper on ' Souls.' I replied, you remember. That I'd not even seen it, — I've done so since then. Well — you said it was good: an^ — ah me! — when you said it. How I wished I could claim what had pleased you, as mine ! But now, to be candid, I own, since I've read it. That the treatment seems poor, for a subject so fine. 123 'THE SOULS' All the same, if 'tis really a thing you see wit in, There's nothing so low, or so light, or so high. That I could not have sunk or have soared to have written, Could it only have won me a glance from your eye. But vain are such wishes. A glance from Miss M , What language of mine could command or control ? I never could master the psychical argot That a soul, as I gather, expects from a soul. For the souls are like flowers, that look out from the border Of Eden, on us the poor children of Eve ; Oh, marvellous flowers, we are not of your order, 'Tis an order we cannot so much as conceive. You were born of some pollen that sinks and that settles From heaven ! But we from the red earth are grown, And the dust and the flesh are a worm in our petals. That cankers the blossoms before they are blown. 124 'THE SOULS' Whilst you ! — Why, it seems that the dew remains fresh on Your bright lives for ever. Some mystical means Enables you still to retain the possession Of all that our twenties have left with our teens. Your names in themselves — I run over a few of them — Proclaim what you are, and confirm what I say. I allude to your Ladies. I know one or two of them. And I know two are ' constant,' I think. one is 'gay.' We are neither. We shift, or fate shifts our devotion, From this love to that love : and still as we roam. We find that our hearts, at each fresh locomotion. Are heavier and sorer anji farther from home. You discuss Aristotle and Mill : on the issue Qf creeds and of systems your brains are employed : But for u^, they are merely the rags of a tissue Once woven to shelter man's eyes from the void. 125 'THE SOULS' You keep talking of faith, of devotion, and purity, Things deep and things high are your favourite themes. We have dreamed of them too ; hut our songs, in maturity, Have sunk to one burden, ' Good-bye to our dreams.' For you. Life's a garden, whose vista discloses The Heavens at the end ; but it looms op our sight Like a thicket of briars with a few withered roses, And beyond is the night, is the night, is the night. Oh, sons, and oh, daughters of art and of culture. Forget for a moment your play and your parts, And take pity upon us, for whom time is a vulture Which leaves us our livers and feeds on our hearts. What I say is in earnest. I urge you to think of it. Miss M , I'm specially speaking to you ; For your set is perfection, and you are the pink of it. Bethink you, for us is there nought you can do ? 126 THE SOULS' You might surely explain by what mental appliance You are able tcrfix the illusions of youth. You might save us from memory, and save us from Science, Which is leading us down to the death which is truth. I say ' us.' You'll remark that in these my petitions I've invariably spoken of ' us ' and of ' we ' ; But, well — ^like all patriots and most politicians, When I speak about 'us,' I am thinking of ' me.' Just a word in your ear. I am sure I should suit you all. Suppose you admit me as one of your band. I'll admire you — the feeling of course must be mutual : I'll discuss with you all things I least understand. I'll take interest in life with a faith that ne'er frets itself, And I'll bravely forget, as I warm to the task, That such interest is merely despair that forgets itself. And that laughter is merely a sigh with a mask. 127 'THE SOULS' And such verbs as 'admire' and 'rise higher' and ' aspire ' I will conjugate daily in all moods and tenses ; And I'll prove on the whole that I must be a soul, For I'll show you I've quite taken leave of my senses. 128 TO IRMA TO IRMA THE world was bright with many a prize Of power and pride for me. I looked at thee with dreaming eyes, And left the world for thee. With waking eyes — with eyes bereft Of dreams I see thee now. The paltriest prize I loved and left Was not so vain as 4hou. I'll seek again for power and pride : Ah no ! — Too late I see That all things else are dross beside My broken dream of thee. 131 CIRCUMSTANCE CIRCUMSTANCE DOES there seem anger in my voice or glance Ever ? Or worse — mistrust ? If this should be. Forgive me, for the dust of circumstance Blows in my eyes, and makes them not to see. I only see you who each day are dearer — I see the breast on which I long to lean, So near, yet every star in heaven is nearer, And all the winds of twilight sweep between. 135 AUTUMN AUTUMN I WRONGED you when I dared to say You were unkind, untrue. I see you love me, as to-day I see the skies are blue. Oh, love, look up ! Our skies in spring Were not more bright, more clear. And they and you seem whispering The same things in my ear. Let me consider what they say ! The airs that fan my cheek Are full of words. Or is it they. Or is it you, that speal^ ? 139 AUTUMN ' ' Trust us, " they say. "You feel our touch ; It still is soft and fair. Trust us ; but trust us not too much, We are not what we were. " The sun is high, and clear the sky ; The beds are starred with flowers, But slow and stiU a secret chill Is creeping through the hours. " How warm the gleam of yonder stream ' But every morning spies In shadows dim along the brim A furtive fringe of ice. " Oh fool, beware — Your heart lies bare. Be warned in time, and fold Your cloak across your breast or e'er Your veins are numbed with cold.' 140 TO IRMA TO IRMA WHAT shall I write that may hint of my love for you ? My pen trembles idly, and doubts as it dips. Teach me some name that is tender enough for you ; Or else hold me silent, my love, with your lips. 143 TO IRMA TO IRMA I HAVE known — but not known it with you — the dejection That follows when passion has wounded affection. I have known, but know only with you, dear, how single Is the joy that turns pain into peace, when they mingle. 147 TO IRMA TO IRMA YOUR eyes and mine are turned towards the light. How can our footsteps tend towards the night ? They do not,' cannot : — though above our road Sorrow and cloud are gathering like a load. For learn this secret : — 'Tis to be allowed To make a silver lining to our cloud : And we will turn the dark to daylight by That one clear lamp, our own fidelity. You will be faithful — will you ? This I know : I shall not leave you till you make me go. / 151 FROM BEAUDELAIRE FROM BEAUDELAIRE THE breeze-stirred hour draws on, when as its slim stalk swings, Each flower sends up its soul like censer swung at prayer. The wandering sounds and scents wheel through the evening air, A languorous dance that forms and floats on way- ward wings. Each flower sends up its soul like censer swung at prayer, Wails like a heart in pain the lute through all its strings. Moves to its sound the dance that wheels on lan- guorous wings ; Like some great lighted shrine the heavens are sad and fair. FROM BEAUDELAIRE Wails like a heart in pain the lute through all its strings, A heart that hates the void circling it everywhere. Like some great lighted shrine the heavens are sad and fair, The sun sinks dim with blood staining his wounded wings. A heart that hates the void circling it everywhere, Culls from the past a store of loved and shining things. The sun sinks dim with blood staining his wounded wings, In me your memory shines — a monstrance raised at prayer. 156 TO IRMA TO IRMA SEE in the west the day fails ! Low on the sands the waves sound. Slow on the down the lean sails Of the mill drift round. See in the west is one star ! See, a day we have found fair Is leaving the things that still are For the things that once were. Hold me fast by your true hand — Turn away from the changed sea ! Our day forsakes the forlorn land, Never forsake me. 159 PR4972.M5vT""'™™"^'-"'"'^ Verses.