=i*o^< i ?&fe^'D*&*><£>*c%aia^ SIMPLE LESSONS ^^MJakley llliam Beverley Hanson \ 5 WEST 18th STREET HEW YORK. C'UPTBIQBT, 1895, JJY W. B. lUlllBON. K^£><7><^7?*er8it\> Xlbran? IRew IPork State College of a gricultur e M%. &.&J.lJja,... Cornell University Library QH 53.011 Simple lessons in the study of nature, fo 3 1i i;»iir f '4h Uri^ii Juioiu OiJO maun The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924001080658 SIMPLE LESSONS IN THE STUDY OF NATURE FOR THE USE OF PUPILS BY ISABELLA G. OAKLEY Come forth into the light of things, Let Nature be your teacher. ILLUSTRATED NEW YORK WILLIAM BEVERLEY HARISON 5 West 18th Stbeet 1898 Copyright, 1895, Kl WILLIAM BEVERLEY HAEISOK. All rights reserved. CONTENTS. CHAPTER PAGE I. Feathers, 1 II. Shells, 12 III. The Spinal, Column, . 25 IV. Limbs of Some Animals, 35 V. Hands and Feet 48 VI. Eyes and Ears, ...... 64 VII. Teeth 78 VIII. Animal Society, 90 IX. Food fob Young Plants, 96 X. Grass and Plants Like Gbass, . . . 104 XI. Budding and Falling Leaves, . . . .119 XII. Bark 133 XIII. Some Experiments in Combustion, . . . 140 XIV. Summaries, 151 El PREFACE Ik this new contribution to the rapidly in- creasing list of nature lessons, the author offers the novelty of a question book, with answers withheld until observation and experiment sug- gest them; thus a sort of inductive lesson-book with the object in the foreground and the teacher behind the scenes. If the topics are of sufficient interest to children, there is no need to doubt their willingness to puzzle out the conclusions which the lessons imply. When we recall the persevering curiosity with which they take their toys to pieces to see how they work, we may reiy upon some ability to follow up Nature in her work. Like all other observation lessons these are intended to develop thought ; but further to VI PREFACE. introduce intelligently the study of botany, zoology, and (to a small extent) natural philosophy. As science lessons they may appear meager and loosely connected ; but as inductive lessons they have their real unity. This first book is adapted to children of the average age of nine years, and contains work for one year ; but taken together with advanced numbers suited to a higher grade, will form, it is believed, not only foundation for thoughtful and productive study of these particular sciences, but a stimu- lus to the love of nature and of truth. It is constantly urged that these interesting and important branches of study should be begun early and carried along from year to year, to the point of some real attainment : and this will be possible when they are presented in books that are helpful alike to pupils and teachers. This contribution to that end is earnestly recommended to the favor of thought- ful teachers. PREFACE. VU The illustrations are comparatively few. Since the lessons are confined to the common objects that surround the daily life of all, the material for study is easy to obtain. To strew it with pretty pictures would defeat the pur- pose of the book. Some of the drawings were made in the Agassiz Museum of Comparative Zoology at Harvard. Isabella Gr. Oakley Gkeat Neck, N. Y., 1895. INTRODUCTION TO TEACHERS. Is here another tiresome book of object les- sons, with a string of cut-and-dried questions and answers about some pictures, assuming general ignorance and stupidity, and failing to lessen it ? Have patience, dear fellow teacher, while I briefly attempt to remove your prejudice and secure your approval of these, my Nature Lessons. Too much has been asked of busy instruct- ors, in the demand for oral teaching of natural sciences, and the most conscientious know best how great a failure it becomes. I now offer these lessons, which are real, all hav- ing been worked out inductively by little chil- dren under my instruction ; and by the novel mode of presenting them as questions to be X INTRODUCTION TO TEACHERS. studied with the object in hand, I have sought to relieve the teacher's work and to refrain from doing the pupil's thinking. The questions found in his own book, in periods assigned for preparing lessons, will arouse and guide the child's curiosity, and pre- pare him to become the intelligent qnestioner when the delightful lesson time arrives. The Summaries (printed at the end) supply the teacher the means to give direction and preci- sion to his thoughts. They are a sort of key to the subjects of inquiry, reduced to brief and careful statements. It would be best for a teacher to get familiar with all the Summaries belonging to a chapter, before entering upon it, to anticipate, by repeated reminders, the need of materia], and then to withdraw, as it were, and let the lessons do their work ; only guiding, never telling until the time comes for the sum- ming up. Then, by dictating or otherwise pre- senting the Summaries, he reappears as the one who must throw the light and settle the INTRODUCTION TO TEACHEES. XI doubts. Such a book can advantageously be kept open in recitation — as any good school book may always be when teachers are doing the best books permit. Thus, though flights of fancy may be indulged, too great discursiveness is held in check, and the minds of the children are easily brought to settle strongly around a few clear points. Many devices are sought to enable the class to linger around a topic, for I would insist on two cardinal points of advantage : give time for the thought to develop ; and let the pupils do most of the speaking, if it is only to read aloud the questions, and frame answers as well as they can. In the lessons in biology there is usually a discovery to be made of the adaptation of an organ to its fv/action. This gives the funda- mental unity of inductive science lessons to what at first may seem objectionably heter- ogeneous topics. Nature lessons cannot be pursued in the consecutive order of the XU INTRODUCTION TO TEACHERS. development of life, as they are presented in books depending upon pictures for illustrations. The material for illustration must be available ; hence, in these simple lessons, I have limited my choice of topics to such as can be studied from life. The few pictures are wholly sub- ordinate. No lesson should be allowed to pro- ceed without a full supply of material, enough for all to handle. It is a good plan, in a large class, to divide it into groups under the leader- ship of a few responsible pupils. A word further upon the usefulness of giv- ing such a book to pupils. By possessing a book, they get opportunity to reflect ; to review the points that have not been well under- stood; to put to-day's work with yesterday's, and to repair the losses of absence. A respon- sibility for the lesson can be much more readily educated with a text-book than without one; this very important point is one too much lost sight of by the advocates of oral teaching, now so positive of its value. INTRODUCTION TO TEACHERS. Xlll All the means of expression are in constant requisition — as much correlation of studies as any could ask ; but the best results can only be reached in classes where children are encour- aged to talk freely. Speech training is what our schools have yet to do. When yes or no is the only answer, something is wrong. Finally the lessons appeal to the heart ; not only by the interspersed poetry, which should be learned and relearned, but by the oppor- tunities they frequently present of giving an uplift to the feelings. Those who are on the outlook for such opportunities are doing the best work that falls within a teacher's reach. Notes to teachers are scattered throughout the book ; to many they will seem superfluous : to some they may carry hints about the con- duct of the lessons which they can profitably use. They are not trammels nor do they assume that all would not go well if they were absent. Some of them contain information that will be useful as a background of thought ; XIV INTRODUCTION TO TEACHERS. many are only reiterated persuasions to keep within the author's purposes in the use of the lessons. One other word about the Summaries. Though they serve their chief purpose in giv- ing concise expression to thought, they are also a means of securing neat, orderly notebooks, where the little compositions and drawings will naturally appear. But do not let it be pre- tended that this is " laboratory work," nor expect of infancy valuable records of measure- ments and dates, of seed-time and harvests. Those who believe in training the memory by rehearsing sentences that have fully taken hold of the understanding, may make them serve that use. SIMPLE LESSONS IN THE STUDY OF NATUBE. CHAPTER I. FEATHERS. Lesson I. Preparation : Have a supply of stiff feathers from the wing or tail of a bird. Where did you find your feathers ? Do you know what part of the bird they grew on ? To-day we want only these large ones that came from the wing or tail. Lay one across your hand ; how does it feel ? Could you hold a great pile of them easily on your hand ? a FEATHERS. What is the part called we hold the feather by? (Have new names written on blackboard, and discussed as words.) Write quill. It extends all through the feather. Compare the upper and under surfaces of the feather. Are the surfaces of the feather alike? At the same time, notice the difference in the form of the quill. Keep the upper surface of the feather toward you, and see whether on the right side of the quill it grows as it does on the left. Draw a feather, and try to draw the quill in just the right place. Can you see through the quill? How is it made ? Would not a solid quill be better ? Try to tear the feather ; is it tough ? Can you easily destroy it ? Try to bend it ; is it stiff ? Which side of the quill is the stiff est ? FEATIIEttS. d Now tell what tilings we have observed in the feather. Write the Summary. (Teacher see Introduction.) Lesson II. You will see something very curious now about a feather, something I dare say you have never before seen. Hold it to the light, look through it. See how far you can stretch one side without pull- ing it apart. Now draw it between your thumb and finger downward toward the hollow quill, and then back to the point. Do this several times, very gently, all the time keeping it toward the light. Can you make the parts close up perfectly again, after you have separated them ? What makes the little pieces hold together? Be sure you look well. Some children think it is gum that sticks the threads together ; is it ? 4 FEATHERS. When you pull two clusters very gently apart, find out just what takes place ; but do it slowly : hold it between your eyes and the light, or you will miss seeing a curious thing. It is very fine, and not easy to see. What do you find along the edges of the threads ? If you can look through a small magnifying glass, you will see the very nice method of latching which these hooks have. You ought to look at many different ones, until you find some that behave differently. What, then, holds a feather together and makes a fine stiff plume out of a thousand little strings ? Write the Summary. (Teacher see Introduction.) Lesson III. Preparation : Bring some soft little feathers, such as grow on a bird's breast. Is this feather like the wing-feather we had yesterday ? FEATHERS. 5 Tell three things about it that make it different. Where did you get this feather ? On what part of a bird does this one grow ? How are its barbs and barbules formed ? Do they lock together ? Is this feather light ? Is it stiff ? Do you use such feathers at your house ? If you should put your hand into a bag full of them how would they feel ? Of what use are such little feathers to a bird ? Why must a bird keep its eggs warm ? Do birds keep warm in cold weather ? . If you know something about the down that grows on birds in cold countries you may tell it. I think of some very large feathers that are loose and soft like this, throughout ; they grow on a remarkable bird. What are they ? Bring the wing-feathers and the breast- feathers to-morrow. Write the Summary. FEATHERS. Lesson IV. Write all you know about feathers. (Teacher may dwell at some length on the use the mother bird makes of her downy breast. Enlist sympathy for the preservation of creatures so full of instinct and so beautifully made.) Lesson V. Lay both feathers side by side. Dip the wing-feather under water, and take it out quickly. Do this several times. Let it lie on the water. Or pour water over a wing. Is the feather wet ? Why does the water slip off ? Is it wet through ? Can you make water run through the close barbs ? Try to wet the down of the breast-feather. Of what use is the wing in rainy weather ? Count the feathers that are overlapped in a wing. We say the wing is folded when the feathers are all drawn together — this way. FEATHERS. 7 Can birds get out of the rain ? How do they keep dry? Write the Summary. (Do not hurry the observation in this lesson. 'Try to let everyone see, by repeated trials, how the water slips off.) Lesson VI. The dove with whistling wing of blue The wind can fast collect. Preparation : Bring a wing, or if that cannot be got, a feather fan, or some feathers sewed together like a wing. Try to spread the wing as a bird does. Beat the air slowly and thoughtfully by waving the wing, and try to perceive how it strikes the air. Now do the same with a piece of stiff paper, or a book-cover, or your hands. Do this all again and again, until you feel a difference. Now tell me how the air acts under the wing. When you push it slowly downward how does it feel? When you draw it up,. how? Does the air pass through the wing ? Can it pass through ? Is the wing flat or curved inside ? Tell how the feathers are laid over each other. Is it necessary that the wing should be light ? Why is it so large ? 8 FEATHERS, What causes it to be light ? The bird can spread it better than yon can. It will be difficult to tell much about its action unless it is spread. Can you see how beating the air with the wing makes a bird go forward? Show how men row a boat. Let us see, if we can, what makes the boat go forward. It is so with the bird. Her wings are like very light, stiff oars. Is her body at all the shape of a boat ? How large do you suppose the largest wings are ? Some birds are as heavy as a young child. (Teacher will try to make this experiment convincing by having it done with pains. Admire the perfection which combines the greatest extent and rigidity of surface with the greatest lightness. Try not to pursue any points far beside those that are included in the Summaries, but many will come up, to be gently dropped. Let the children talk freely, but keep the point of view steady. Save a little time to give an uplift of thought ; to enlist right feeling, and admiration of perfection.) Do you think it is right to have birds killed, that ladies' hats .may be dressed with their feathers and wings? Write the Summary. FEATHERS. 9 Lesson VII. READING LESSON. He prayeth best who loveth best All things both great and small. — COLEKIDGE. One dealer in London is said to have re- ceived, as a single consignment, thirty-two thousand dead hummingbirds, eighty thousand aquatic birds, and eight hundred thousand pairs of wings. A Parisian dealer had a con- tract for forty thousand birds, and an army of murderers was turned out to supply the order. No less than forty thousand terns have been sent from Long Island in one season for milli- nery purposes. At one auction alone in London there were sold four hundred and four thou- sand, three hundred and eighty-nine West Indian and Brazilian bird skins, and three hundred and fifty-six thousand, three hundred and eighty-nine East Indian, besides thousands 10 FEATHERS. of pheasants and birds of paradise. — From Publications of Society for Protection of Birds in Britain. The people of the United States have killed as many as fifty-five million birds in one year : among these, the red-headed woodpecker: and what is the consequence ? We are told that in South Carolina, upon a tract of at least two thousand acres of forest, ninety out of every one hundred trees were killed by the ravages of a small bug. Wilson, the historian of Amer- ican birds, adds, "The woodpecker is the peculiar enemy of these destructive creatures." (To Teacher.— Bead with class " The Birds of Killingworth," by- Longfellow.) Lesson VIII. REVIEW QUESTIONS. What are barbs ? What is a quill ? FEATHERS. 11 On which side of the quill is the feather widest ? Which side is stiffest ? "What keeps the air and water from passing through a feather ? Why should not the air pass through ? Why should not water pass through ? Why is a wing made so light ? See if you can explain how a bird is pushed forward by its wings. How are the feathers arranged on a wing ? How on a tail ? What are down feathers ? Tell what three things a bird can do with its downy feathers ? Are feathers easily destroyed ? CHAPTER II SHELLS. What hidst thou in thy treasure cells, Thou hollow-sounding and mysterious main ? Pale glistening- pearls and rainbow-colored shells. (To Teacher. — By starting an inquiry a few days in advance, sheila of the right sort are sure to be brought. The lessons are restricted to those single-Talved spiral shells of the mollusks known as GastropodB. But the living mollusk, which is indispensable to Lesson 7, must be sought for in good season. Kemember that we are studying the adap- tation of the organ to the function.) Lesson I. Preparation : Bring all the shells you can get. Select now those that are single, and more or less twisted. Pick out the largest and prettiest. Hold a shell with its opening toward you, and the closed end up. Always hold it in this way, while we talk about it. Notice how it 12 SHELLS. 13 winds around. Begin at the upper end and count the turns; be sure you hold the shell still, opening toward you. How many turns ? Can you find as many as eleven turns ? Which turn is the largest ? Place your finger on the point where the shell begins the twist; that point is called the apex. Keep the apex straight up. Trace with your pencil the line that the turns make. Now point the apex toward you, and trace them again. Count them ; count them in a good many shells. Have all the shells the same number of turns ? Are the coils all of the same size ? (To Teaches. — The object of this lesson is familiarity, merely, with handling the shell. A few common shells, like the CowrieB, appeal- alike at both ends. The truly spiral form is much varied. The ex- treme forms should remain unnoticed for the present ; use a good typical spiral. A common Winkle will do, but the exotic, prepared shells are so beautiful it is a pity not to have some. Keep the apex of a shell uppermost, as it is the starting point of growth.) 14 SHELLS. Lesson II. Show me the apex of a shell. How should we hold our shells ? When anything is twisted in this way, one turn above another, we say it is spiral. When the spiral grows larger, as you leave the apex, it forms a spire. Can you think of something that is called a spire ? Twist a strip of paper into a spire. Push the paper spiral down by pressing on the apex ; now the paper is said to lie in coils or rings. What shape is a shaving ? Pick out the longest spire among the shells. Pick out the flattest. Find three good words to describe the differ- ent spires. Are any of the shells merely coiled iu flat coils ? SHELLS. 15 Look at my watch, or at the clock, and tell how the hands move. Make your fingers move the same way, in the air. Now hold a shell with its apex toward you ; trace the turns from the apex to the opening with your pencil. Do they turn like the hands of a clock ? Does the mouth of the shell open to the left or to the right ? If this shell goes on growing larger, where will the mouth be next ? See if we have different sizes for the same kind of shell. Do they seem to have grown from small ones to large ones ? Lesson III. Copy and repeat the next Summary. (To Teachek. — The motion of the hands of a cloch, or of the sun's course, is usually instanced to describe circular motion, the words left and right lacking precision, because spiral movement is alternately 16 SHELLS. in each direction. A very few shells coil the other way ; these are called dextral ; the greater number are sinistral, that is coiling toward the left. It piques curiosity to search for the dextral shells and emphasizes the common form. Turret-shells have long, gently sloping spires. Linger over these various spiral forms, until the variety and uniformity are both appreciated. It makes a good lesson in classifica- tion by likenesses.) Lesson IV. Lay the shell with the opening downward, apex toward you. The edge the shell rests on is called the lip. It is on the right side of the opening. Describe the lip of your shell. Describe the lips of three different shells. How are some lips ornamented ? Are the mouths all shaped alike ? The creature that lives in the shell has a mouth, and so there is another word for the shell-mouth ; it is ap-er-ture. Describe the aperture of three shells. "Which way does the aperture open, to the left or right ? SHELLS. 17 See if you can find one that opens the other way. On the lower side the aperture often ends in a twist. That is called the canal. Look through the canal. Can you see through it? Does it run all through the shell ? If we can get a broken shell, we shall be able to see just how the canal twists inside ; you can then see the chambers of the shell. Do you suppose there are separate rooms in it? Find different sorts of canals among the shells. (To Teacheb.— Have many description a. Let some be written and read aloud, and the precise terms used. Below, there are some forms suggested. The precision of the observation, and in the use of terms, gives the chief value to this part of the lessons. The canal is difficult. It is absent in the great snail family. Those animals are destitute of the siphon which protrudes from the canal. By its convolutions the canal forms a central column. Only the Nautiluses have separated chambers. In museums shells are displayed sawn in two, with the central column in sight. The article Mollusca in an Encyclopedia gives good illustrations.) 18 SHELLS. Lesson V. LINES OF GEOWTH. (These are conspicuous in only a few species. Get a Triton, if pos- sible. On that shell they are very ornamental.) See if you can find a shell with ridges run- ning up and down on the coils. Are they on all the coils of the shell ? Are the ridges like the lip? Count the ridges, begin- ning at the lip, and going up the spiral. Are they like twisted stairs? You see the shell appears to have come down, down, along these stairs. Count them downward. Try to think how the tkiton. ridges came. The shell seems to have grown a while, and SHELLS. 19 then rested at one of these ridges. The lip was evidently there. How many rests has this shell had ? Every time it built itself a larger room, it left the old ridge behind. These ridges left by the growing lips are called Lines of Growth. Some- times the lip gets broken, and is mended — you may find some — then the lines of growth look as if they had been patched. Can you see them in all the shells ? Copy the Summary. Lesson VI. Far from all light, against strong waves, A Castle Beautiful he wove. — Emerson. Describe the shell by filling in these blanks. If you think of more than one word to put in the blank, use it. This shell has made turns. 20 SHELLS. The last coil is about times as large as the one next above it. The spire is and about inches long. The lip is and The aperture is shaped like The aperture is about wide, and loner. The canal is and The lines of growth are The shell is shaped like a Do the same with the other shells. (To Teacheb.— It would be better to call for compositions after this in which a more independent line of thought is carried. An interest- ing lesson and a profitable one can be made, by deciding, while listen- ing to a description, what shell it is a pupil is describing. This leads to great precision. Lesson 6 will be more or less profitable as the instruction has been rich and suggestive.) SHELLS. 21 Lesson VII. Enowest how the fish out-built her shell Painting with morn each annual cell ? — Emerson (To Teacher. — Have some snails with shells, either fresh or salt water snails. This call must be made in season — for snails are not always easily found. It will repay a great deal of trouble to get them, however.) In the first lesson about shells, what name was given for the creature that builds the shell? Watch this one ; has it limbs ? What parts do you see ? Any eyes ? Put it in the sunlight and give it food, sea- weed or clams, if it is a salt-water mollusk. How does it move about ? 22 SHELLS. Can it walk up the jar? Do you see the track of slime it leaves behind it ? Can it live out of the water, and in the water ? Has it a mouth ? Can you see its mouth ? It is a kind of slit in the snout. What happens when you touch it ? Has it a door to close the aperture with ? Describe the door. Its behavior is decidedly sulky ; it runs in, shuts the door, and holds it fast with its foot. The door has a long name ; it is o-per-cu-lum. Is the mollusk quite safe behind its opercu- lum ? A few do not have any operculum, but they can fasten themselves very tight to stones, to get out of harm's way. The part it crawls on is its stomach. You can see how it draws itself up, like a worm crawling. Since it walks on its stomach, it is called a stomach-footed animal. The Latin word is Gas-tro-pod. SHELLS. 23 Has the gastropod a spinal column ? We call it an in-ver-te-brate animal. What is a ver-te-bra ? (To Teacher.— See Chapter III. The Spinal Column.) Copy and repeat the Summary. Lesson VIII. In some places the bottom of the sea is nearly- covered with gastropods. They commonly live near the shore. Some are twelve inches long and weigh many pounds. Some large ones are very fierce, and prey upon other mollusks. A few swim about, without shells, and have beautiful colored fringes to swim with. If you have found any common whelks you see that they breathe through a tube which they push out of the canal. Do the waves drive shells to and fro among the stones and sand ? Are they easily broken ? Try to crush a 24 SHELLS. shell. Step on it. When the mollusk is alive, its house is still stronger than after it is dead. How do the shells get caught amoug the rolling stones ? What happens then ? Is a round shell any stronger than a flat one would be ? Are round things commonly stronger than flat ones? For example, what? Is a gastropod shell thick ? Thicker than an egg-shell ? Is it as easily broken as a bottle, for ex- ample ? Guess what salt-water gastropods feed on. How is the mollusk well prepared for its home beneath the waves? (To Teacheb. — Salt-water mollnsks will perish in fresh water. The tongue of the marine gastropod is covered with innumerable rasping points like a file. This is known as the lingual ribbon, and though entirely beyond the purpose of this lesson, it affords so much interest that it is worth trying to see one under the compound microscope. They are prepared ou slides. If these lessons are conducted near the sea-shore, they can be carried a little farther, particularly those about the living gastropods ; but in some places Lesson 7 would be possible only with pictures.) CHAPTER III. THE SPINAL COLUMN. Pondering shadows, colors, clouds, Grass-buds and caterpillar shrouds.; Wonderer at all he meets, Lover of all things alive. — Emerson. Preparation : Bring, if possible, a chicken's neck or piece of fish-spine, with the bones boiled clean. Experiment : Place your fingers tight on the small bones in the back of your neck, under your collar. Bend the head in all directions. Put the fingers in various places and go on bending the head and moving the arms, until you think you know how the bones move in the neck. How many separate pieces can you feel mov- ing ? Can you tell whether they are separate joints ? It is that way all down the back ; did you ever notice it before ? You will learn something very interesting about it when you have answered all these questions. 25 26 THE SPINAL COLUMN. Did you ever have a doll that could nod and turn its head ? Usually dolls' necks are all in one piece. Is a single bone as good for us as so many pieces ? What is the use of so many pieces ? How many can you count in the picture on this page ? What is this picture ? One of the separate pieces is called a ver-te-bra. What is it called ? The little pieces in the chicken's neck are similar. What joins them ? They have an elastic substance between them which you may find. Spell ver-te-bra. Spell col-umn. This is the way the backbone of all animals is made. When we want to make a stiff sub- stance bend easily, we break it up into many MAN S SPINAL COLUMN. THE SPINAL COLUMN. 27 little joints, like the parts of a chain. We say then that it is flex-i-ble. What does flexible mean ? Is your backbone flexible ? Bend it many wavs. It is not quite correct to speak of it as the backbone, because it is not one bone, but many bones. Copy the Summary. (To Teacher. — The muscles, it is true, play the greater part in com- parative flexibility of anatomical structure ; but the number and composition of the cartilages separating the vertebrae bear an impor- tant part, and so also does the shape of the vertebrae. Many illustrations can be given by the class of the need of a flexible column in human beings.) Lesson II. Preparation : Have some fishes' vertebrae to pass about. You have often noticed these long, sharp bones that stick out like handles. They are called spines. Often the long points that grow upon plants and animals are called spines. 28 THE SPINAL COLUMN. There are spines on the locust tree, and on wild plum trees. Some fishes . have spines growing along the top of their bodies. Tell me of some others. Are there such points on our own vertebral column ? Find them in the picture. They are on all vertebrae, but in the fish they are uncom- monly long. The spines have a very important use ; the muscles are attached to them, and all creatures move by means of their muscles. Can you tell now why a man's backbone is called the spinal column ? You see we have two correct names for it ; but the last is the most common. Write both the names. Can you think of any creatures that have no spinal column ? Has a worm ? Bring me the names at least of three such creatures. Try to think of ten. Copy the Summary. THE SPINAL COLUMN. 29 Lesson III. Preparation : Bring the chicken's neck. Count the vertebrae in this bird's neck. LONG VERTEBB.& IN STOEK S NECK. Did the bones in the chicken's neck look like these ? What is their shape ? Do you know some stories about storks? In what country do they live ? What other birds have such very long necks ? When the feathers are off, many little birds are seen to have Ions? necks. 30 THE SPINAL COLUMN. The tiny huinuringbird has a very long neck. Think of at least three such birds. Of what use is their long neck ? If you want to pick up something from the ground, what do you do? Try to do it with- out your hands. How does a bird pick a thing up ? What birds stand very tall ? Plow do they feed themselves ? Do you'knovv what a bird does when it goes to sleep ? What, when it catches a fly ? If the bug is on the under side of the leaf, how does the bird find it ? If birds eat seeds and worms only, they need not stretch their necks so far; but many of them eat creatures that fly away. Who can tell how a woodpecker uses its neck in finding its food ? Its neck is like an arm, driving a beak which is like a hammer. What kind of a neck should you say a stork has? Copy the Summary. THE SPINAL COLUMN. 31 Lesson IV. Which is more flexible, a cat's back or yours ? What does a kitten usually do when she goes to sleep? How does she wash her- self? What is that fish in the picture doing ? Did you ever catch a fish that wriggled so ? What does it do if you try to hold it ? Why does it have to twist and dart about in the water? When it sees a fly on the top of the water, how does it catch it ? Can a boy jump out of the water when he is swimming ? Can a fish ? 32 THE SPINAL COLUMN. Do you remember the long points in the fish's vertebrae ? What are they for ? Has it many vertebrae ? Try to count the vertebrae in a sardine, or any little fish. Learn the Summary and copy it. Lesson V. DRAWING. Draw a picture of either one of these objects. 1. A fish springing, or squirming at the end of a line. 2. A cat curled up. 3. A swan feeding. 4. A stork feeding. 5. A turkey running. Lesson VI. Write a composition about the backboned animals. THE SPINAL COLUMN. 33 Lesson VII. KEVLEW. What does flexible mean ? What does ver- tebra mean ? What is a vertebra like ? Are there any creatures that have not a flexible vertebral column? Can you tell how it is with a turtle ? With a lobster ? With a grasshopper ? Will the vertebrae fall apart if the flesh is removed ? How do men make the skeletons of birds and beasts stand up ? How many vertebrae are there in your spinal column ? There is one creature that has 400 vertebrae. Can you guess what it is ? Why do wading birds have long necks ? Has a pig a flexible spinal column ? Does it need one ? What is a spine ? 34 THE SPINAL COLUMN. What is a spinal column ? Why is it so called ? (ToTeacheb. — This chapter is perhaps chiefly useful for reference from the other lessons. It is not exactly au easy object lesson — the pictures have to take the place of the object, to a great degree. But in studying animal structure it is best by some means to have the two great divisions of vertebrate and invertebrate soon made familiar. It is well to review the summaries. If the references to animals seem to lead too far away from the life that surrounds the child, I should advise that they be skipped.) CHAPTER IV. LIMBS OF SOME ANIMALS. All are needed by each one ; Nothing is good or fair alone. Lesson I. What is the picture on next page ? We call such an engraving a figw % e ; it is not exactly a picture. Let us see if we can tell whether our bones are like these. Your bones are well packed away, but may be you can feel them. Feel the bones of your arms; count them; count the bones of your wrists ; of your hands ; your fingers ; your thumbs. When you have the number right, set them down on your 35 36 LIMBS OF SOME ANIMALS. slate and add them. See if you can mate out as many as there are in the picture. no. 4. How many bones in all are there in your arm and hand ? LIMBS OF SOME ANIMALS. 37 That is a good many. Are there just suffi- cient ? Yes ; each has a particular use, as you will see better by and by. The arm is joined to the spinal column. Show me where. Write the names of all these bones when your teacher dictates them. (Teacheb. — The child can imperfectly discover the anatomy of his own hand and arm. Give English names for the different sections : 1, upper arm ; 2, forearm ; 3, wrist ; i, hand ; 5, fingers.) Lesson II. Take all sorts of exercises with your hands and arms. Hold the elbow fast, and say how many distinct ways you can move your wrist and hand. In what ways can you move the forearm ? Next, move the whole arm from the shoulder, as you do when you are throwing a ball. There is one movement you can make with your upper arm that you cannot make with the forearm ; what is it ? 38 LIMBS OF SOME ANIMALS. Show me some of the gestures men make when they speak in public or when they get excited. Can people talk with their hands ? Write four things we do with arms ; four we do with hands ; four we do with fingers. Write good sentences. Lesson III. Fill the blanks in these sentences with suit- able words. Do not use the same word twice. The conductor his hands and arms. The dancers their arms about each other. Sometimes in school the pupil his arms. The mother her arms about her child. The sawyer moves his arms The carpenter moves his arms The ball thrower his arms. The child his arms about the mother's neck. LIMBS OF SOME ANIMALS. 39 Lesson IV. Copy in your note-books the picture of the man's arm. Write on one side of the page the names of the bones you learned yesterday ; put the let- ters you find in the engraving opposite the names. Then write the same letters opposite the parts of your drawing. Lesson V. Copy and learn the Summary. (Teacheb. — Bring out the rotary motion of the upper arm ; the par- tial rotation of the forearm at the elbow ; the play of one of the bones of the forearm upon the other, so that palms can be turned upward.) Lesson VI. Today we will see how the fore legs and paws of some animals are like our arms, and how they are different. 40 LIMBS OP SOME ANIMALS. What are these pictures ? Such pictures are called figures. Where did you ever see a live deer or monkey ? What does a monkey use its arms for ? FIG. 5. — FOBE LEO OF MtTSK DEEB. FIG. 6. — FOEE LIMB OF MONKEY. Compare its limb, bone by bone, with ours ; and see if you can find any difference. Has it the same number of bones ? LTMBS OF SOME ANIMALS. 41 What kind of a wrist has it ? What kind of an elbow ? Do you think it can straighten that elbow out as you can ? How are its fingers made ? §4 Does a monkey walk § £ with all four limbs ? ^ f / / ml I suppose you know where monkeys pass most it of their time, and where they feed. They are tree b- beasts. § | Now look at this pretty deer's fore leg. What do MfAf — c you call the joint at the (m J\- d letter c ? \(fk- © Compare its toes with FI0 . 7 ._ F0KE LEa or DEEB . the fino-ers in Figure 6. Can the deer make many motions with its fore leg, as you can with your arm? Can he strike with it? What can he do with it better than you can 42 LIMBS OP SOME ANIMALS. do? How is it formed for running? "Who knows how fast a deer can run ? What do we mean by a paw ? What part is that at letter d ? Compare the same part with the hand of a monkey. At home to-day examine in the same way the paw of a dog or a cat, and be ready to write about them. Do you think you can tell why we some- times call pictures figures ? (Teacher. — Bring out increase of stiffness and limitation of move- ments, as the anterior limbs become more and more used for locomo- tion. The deer and the wild horse both strike with their fore feet.) Lesson VII. Write an account of what you saw in your examination of the cat's or dog's paw. Give me your hand. When a dog " gives its paw," can it stretch it out as you do when you give your hand ? When it stands and begs for its dinner, how does it hold its paws ? LIMBS OF SOME ANIMALS. 43 Write for me two peculiar things a cat can do with its fore paws. Can she bend her wrist ? Can you teach her to give her paw ? Let us see how some other creatures use their fore legs, as cows, and rabbits. Can a rabbit feed itself with one paw ? "Who can think of three animals that can lift their paws to their faces ? Can any of them hold their paws over their heads ? What do we call that joint of a horse's leg which is where our wrist is ? Is it flexible ? Then where is the horse's knee ? Find a picture of a horse, and show me the ankle and the knee. See how very long and slender his foot is. All that part from what you would call his knee, down to where the hoof is joined, is properly a foot, while the hoof is a toe tip. (To Teacher. — By making good use of the horse, which every child can see, this chapter can be a real nature lesson.) 44 LIMUS OF SOME ANIMALS. Lesson VIII. What are these figures ? You would hardly speak of a bird's arms ; but are these not much like the bones of the human arm, in Figure 4 ? Point to the bird's bone marked a ; then find b- ^\T~~ ^ =S ^ FIG. 8. the one like it in our arm. Which of our bones is like b ; which like c, and d, and e ? Say what you think of the bird's wrist and fingers. How many finger-bones has it ? Are they three-jointed ? Since they are only needed to hold feathers it might seem of little conse- quence how many joints there are. But do you remember in Chapter First, you decided that a wing must be very flexible, so that it can give LIMBS OF SOME ANIMALS. 45 to the air, in flying ; and for this reason it must have joints. Try to find these finger-bones when you next eat a chicken's wing. If you can watch a chicken when it stretches and flaps its wings, you will see that the ^^----^^ wing looks like a little J^*5 arm - . . b Z^>^ Can birds strike with _ £ feet 5-15 " 2x4 feet 6 90 " 3x5 feet 890 " 2,% x 4}{ feet 9 40 " 3 x 6 fctt 10.90 " 4x5 feet 1 1.90 No. 0. No. 1. No. 2. No. 3. No. 4. No. 5- No. 6. No. 7- Revolving Backboaids. No. 1. Size, 3x4 feet $12.90 No. 2. " 3% x 4>£ feet 15-4° No. 3. "4x5 feet 179° "Natural Slate" Blackboard Cloth. The only slated cloth that is color of natural slate, and with- out gloss. This cloth does not wear shiny as do all other cloths. It is made of best cloth and is strictly first class in every particular. It is not only the cheapest because of the actual price, but also because it is the best in the market. Price, (1 yard wide) per yard, 75 cents, per roll, 12 yards, $8.00 " (4 feet wide) " $1.00, " " n.oo DISSECTED MAP-United States. Price, 50 cts. This map is made of plain pasteboard, without either names or color to ™-uide the student. It is on a sufficiently large scale to have each State a separate piece —therefore they can be contrasted, as for instance, the size of Texas and the New England States. As busy -work this map has no equal. It furnishes a de- lightful and instructive round game "The Game of States"— directions lor which accompany each box. 24