OlorncU IttioBtaitg ffitbtarg ailjata. New Inrfe FROM THE BENNO LOEWY LIBRARY COLLECTED BY BENNO LOEWY 1854-1919 BEQUEATHED TO CORNELL UNIVERSITY DATE DUE 1 6 «£' ^^^ ' ^ i^^^fe ^ v- CHARLES LAMB tJ^ this Large Paper Edition of the Memoirs of Charles LamA One Hundred and Fifty Copies are printed. One Hundred and Twenty-five for England and Twenty five for America. fUj jTf \ Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013495217 MEMOI RS OF HARLES WAMB SIR THOMAS.NOON TALFOURD, D.C.L. ONE OF HIS EXECUTORS EDITEB. AND ANNOTATED BY PERCY FITZGERALD, M.A., F.S.A. AUTHOR OF ' CHARLES LAMB, HIS HOMES, HIS HAUNTS, AND HIS BOOKS,' ETC. WITH PORTRAITS W. W. GIBBINGS 18 BURY STREET, LONDON, W.C. iSgs j\ L>i(^sS^ LIST OF PLATES Lamb. From an Engraving by Henry Meyer, Frontispiece „ Scratched on Copper, by Brook Pulham, face page i ,, Engraved by EDWARD Smith, after Wm. Hazlitt, face page 8 Coleridge. " From an Engraving by W. Say, after North- cote, face page 34 Lamb. From a Water-Colour by G. F. Joseph, in the British Museum, .... face page 76 - MuNDEN (in 'Lock and Key'). From an Engraving by Thos. Lupton, after G. Clint, . face page 130 Godwin. From an Engraving by G. Dawe, after North- cote, face page 174 Wordsworth. From an Engraving by Thos. Lupton, after B. R. Haydon, . . . face page 248 Lamb. From the Drawing by Maclise in the Dyce and Forster Collection, .... face page 26^ INTRODUCTION. Lamb is a writer whose merit has been but tardily recog- nised. Talfourd's admirable and dramatic "Life" was intended rather as an account of the sad story of the struggles of an interesting literary man. It was issued in 1838, the " Final Memorials " in 1843; and though much interest was excited by their publication, it cannot be said that there was any very hearty appreciation of Lamb's rare gifts as a writer until many years later. The Americans may be said to have taken the lead in this cordial recognition. Not content with relishing his "official" writings, they set the example of diligently collecting all his scattered essays, and even his most careless scraps : and, though these were of unequal merit, they were much enjoyed, and perhaps of the same quality as his best work. But during the last thirty years, this engaging writer has enjoyed the fullest and increasing recognition and popularity. Editions of all kinds have multiplied. His writings have been edited, and collected again and again; there have been dainty little editions of his " Essays," and even what is called an " edition of luxury,' which seems to suit their tranquil ruminative character VIU INTRODUCTION. about as little as its modern dress did the reprinted old Burton folio, which Lamb himself described as "heart- less." This supplying illustrations of localities, buildings, &c., imparted somewhat too concrete and literal a tone. I feel pleasure in thinking that in a small way I con- tributed to this revival, having nearly thirty years ago issued a volume entitled " Charles Lamb, his Homes, his Haunts, and his Books," which was very cordially received. I may also claim to have made the first full and regular collection of Lamb's letters, and of his other writings, to which Talfourd's memoir was prefixed, and which was issued in six volumes about the year 1876. It was stereotyped, and there have been several issues during the past years. In the same year, Mr Charles Kent prepared for Messrs. Routledge a compact and convenient edition of Lamb's writings, excluding the letters, prefixing to each essay or paper a short account of its history, an ex- planation of the allusions, initials, &c. This edition was valuable for at least two interesting contributions to Lamb's history, for an extract from the Temple Register of the births of the Lamb family, and the true story of Barbara S , supplied to the editor in person by the veteran actress Miss Kelly, herself the heroine. This little narrative must have given genuine pleasure to all lovers of Elia. At this moment, I do not know of any one now alive who had known or spoken to Charles Lamb, though it is not quite sixty years since his death. It is a pleasant thing, however, to have talked of him with his friends, to have pressed hands that have shaken his. The late Mr John Forster, and Mr Procter, have often spoken to me of their departed friend, while Mr Allsop furnished me with letters which he had received from him. The INTRODUCTION. IX Cowden Clarkes are dead. Mr Forster attended Lamb's funeral, and I have seen the tears fill his eyes, coming from his honest, trusty heart, as he turned over the old letters, and faltered out, " Poor Charles Lamb ! " Mr Procter, whom I well knew, at one time corresponded with me as to his account of Lamb which he was about publishing. He and his friends pressed me much to postpone my little book on the subject, but it was too late. Since those days, what may be called the Lamb litera- ture, in the shape of criticisms, collections, lives, &c., has increased to large proportions. So diligent has been the exertion of explorers, that some pieces, thought to have disappeared, or to be apocryphal, have been recovered. Much ingenuity and labour have been expended in this interesting pursuit ; one long lost copy of the " Poetry for Children " was actually unearthed in some distant colony to great rejoicing. A few lines, quoted by Elia at the end of one of his essays, described a boy snatching "a fearful joy " from reading at a stall. This he quoted as the work of a poet of the day, but a critic sagaciously suggested that it was one of his favourite artful devices for veiling the authorship. It was in fact his sister's composition. Scattered little poems were found in a collection issued by the schoolmaster Mylius, and the indefatigable Mr Richard Heme Shepherd, who has written a useful bibliography of Lamb, contrived to bring together these fragments. The poetry for children, thus recovered, was reprinted for the curious amateur. During these latter years, however, yet another, and even, I think, a third copy, has turned up, which has been sold at auction for an enormous price. Quite as rare a production of Lamb's, almost introuvabk. X INTRODUCTION. was the " Devil's Walk," of which I have seen only a single copy, in the hands of Mr Payne, the translator of the Arabian Nights. By him it was reprinted in the Moxon collection of Lamb's writings. A casual allusion, in a letter or diary of Crabb Robinson's, set the collectors and explorers on a fresh literary chase. Every effort was made to recover " Prince Dorus," a fairy tale, and in due time these labours were rewarded, the little volume re- covered and reprinted. Another fairy tale in verse, called " Beauty and the Beast," was issued by Godwin at his Juvenile Library. This, too, has been reprinted in a de luxe fashion, but no one who was familiar with Lamb's style could have any hesitation in rejecting it. It seems astonishing that Mr Andrew Lang should have accepted the office of introducing it to the public. The latest, and admittedly the best, of Lamb's editors, is certainly Canon Ainger, who, after furnishing a short life of the essayist to the series of English Men of Letters, was led by his studies to prepare a selection of his works, illustrated by notes and criticisms. No one could be better or so well fitted for the task, from a certain elegance of style, as well as from his hearty sympathy with his author, judiciously restrained, and never lapsing into hysterics. And now arises an interesting question, namely. What should be the limits of selection, when the works and writings of great authors are collected after their death? Should everything they wrote be gathered up and reprinted, or only such productions as appear to the particular editor to be worthy of preservation ? Canon Ainger, in his edition, seems to have been guided by a rule which he thinks must be conclusive, namely, to include such pieces only as the author himself had selected for preservation. INTRODUCTION. XI The fallacy here is the assumption that the author has discarded the rest of what he had written. But what ground is there for presuming that he would not have included these very pieces in some new and fresh miscellany? Lamb was likely enough to have merely selected what seemed to him the best for his immediate purpose. Then arises a more difficult question still. Should every scrap or fragment of every kind be collected, even such as the writer obviously produced for some ephemeral purpose, and which, to use Johnson's ex- pression, had not "vitality enough to preserve it from putrefaction " ? Of course, in the case of writers of ordinary pattern, it would be undesirable to preserve such trivialities ; even in the instance of Thackeray and Dickens, there was much that was written for a mere temporary purpose, all the interest in which evaporated when the occasion passed by. Little, therefore, would be gained by retaining such pieces. It is different with a writer like Lamb, whose style is quite unique, and where, indeed, the species is the genus. Every " scrap,'' as it seems to me, written by him has special interest, quaintness, and piquancy, which we would be unwilling to let die. Not less remarkable are the vast stores of letters that have come to light. When Talfourd issued his volumes, it was considered that a more than usually rich and abundant collection had been furnished. But since that time, an enormous number of letters have been discovered, the most important being those printed by Mr Kegan Paul in his life of Godwin, and the letters given in the Cowden Clarke recollections. At autograph sales, letters are constantly found. All these are of excellent quality — indeed, it may be said that Lamb never wrote a letter Xll INTRODUCTION. that was not characteristic, or that was not in his best manner; or that did not contain something quaint or curious. The collection in my own edition comprised some four hundred and thirty-seven letters and notelets. One of the most agreeable critical exercises, is the inquiry. In what consists the charm and attraction of Lamb's style? A superficial view might be that he modelled himself on his old Elizabethan favourites, and reproduced their common forms and expressions. The truth is, that from constant study and perusal, he had become so saturated with the spirit and thoughts of these ancients, that he could only express himself in their manner and phrases. Modern language and modern forms, he found, did not serve him ; these failed to express what he desired. Certain antique but significant words he introduced with the happiest effect, and the reader finds him recurring to these with pleasure. Such, for instance, were " I do agnize," and more effective still, the happy term " arides me," for amuses or " tickles." These linger in the memory. There is no masquerading in this, of which it must be said, we have a suspicion in Mr Carlyle's tortuous Germanisms, and which are now found rather tedious. As a judicious critic has pointed out; "for genuine Anglicism, which, among all other essentials of excellence in our native literature, is now recovering itself from the leaden mace of the Rambler, he is quite a study, his prose is absolutely perfect, it conveys thought without smothering it in blankets." And how true, how forcible is this ! for with him, style is but the expression of his thought, or the thought itself. " But besides these quotations avowedly introduced as such, his style is full of quotations, held, if the expression may be allowed, in solution. One feels, rather than INTRODUCTION. XIU recognises, that a phrase, particular or idiom, term, or expression, is an echo of something that one has heard or read before. This style becomes aromatic, like the per- fume of faded rose-leaves in a china jar. " But although Lamb's style is essentially the product of the authors he has made his own, nothing would be more untrue than to say of him that he read nature or anything else ' through the spectacles of books.' It is to his own keen insight and intense sympathy that we owe everything that is of value in his writing. His observation was his own, though when he gave it back into the world, the manner of it was the creation of his reading. " There are two features, I think, of Lamb's method which distinguish him from so many humorists of to-day. He takes homely and familiar things, and makes them fresh and beautiful. The fashion of to-day is to vulgarise great and noble things in burlesque associations. The humorist's contrast is obtained in both cases." Nothing is more difficult than to analyse any particular form of humour, and distinguish and contrast the methods of different writers. Addison, Fielding, Lamb, Dickens, Thackeray, all had a fashion or secret of their own, just as every painter sees the same object from a point of view of his own. In the case of Lamb, Canon Ainger helps us with this acute distinction. " What is the name," he asks, " for this antithesis of irony, this hiding of a sweet aftertaste in a bitter word ? Whatever its name, it is a dominant flavour in Lamb's humour. " But Lamb's wit, like his English, is Protean, and just as we think we have fixed its character and source, it escapes into new forms. In simile, he finds opportunity for it that is all his own. What wit, or shall wecall it XIV INTRODUCTION. humour, is there in the gravity of his detail, by which he touches springs of delight, unreached even by Defoe or Swift, as in ' Roast Pig,' where he says that the father and son were summoned to take their trial at Pekin, ' then an inconsiderable assize town.' Or more delight- ful still, later on, 'Thus this custom of firing houses continued, till in process of time, says my manuscript, a sage arose like Mr Locke.' Or yet, once more, how exquisitely unforeseen and how rich in tenderness is the following remark as to the domestic happiness of himself and his cousin Bridget, in ' Mackery End ' : ' We are generally in harmony, with occasional bickerings, as it should be among near relations.' " Perhaps the most delicately humorous and most original touches in Elia are to be found in his essay on the Burial Societies. After playing with his grim subject in his own style, though it must be confessed in places he becomes too elaborate and mechanical, he arrives at the possible hypothesis of the subscriber dying before being entitled to the benefit of his subscription. As a little exercise, the reader might here ask himself, what humorous com- plexion could he put on this, or what quip or turn could it suggest? He will then see how exquisitely droll is Elia's reflection. " One can hardly imagine," he says, " a more distressing case than that of a poor fellow lingering on in a consumption, till the period of his freedom is almost in sight, and then finding himself going with velocity, which makes it doubtful whether he shall be entitled to his funeral honours, his quota to which he nevertheless squeezes out, to the diminution of the comforts which sickness demands." Here we feel that this comic notion of a sick person's lamenting the loss of a profit which can only be secured by his death, is INTRODUCTION. XV not altogether far-fetched. Another of his speculations, on "The Melancholy of Tailors," offers the same quaint, nay, startling originality, and a view which would never have occurred to us. How rich, for instance, is his theory, so timorously suggested, as to the cause of this melancholy ! " May it not be," he asks, " that the custom of wearing apparel, being derived by us from the Fall, and one of the most mortifying results of that unhappy event, a certain seriousness (to say no more of it) may, in the order of things, have been intended to be impressed upon the minds of this race of men, to keep up the memory of the first institution of clothes ? " Canon Ainger explains another " speciality " of Lamb, his curious perversion and disguising of real incidents, names, &c. " There was a certain waywardness or love of practical joking in Charles Lamb, that led him often to treat matters of fact with deliberate falsification. His essays are full of autobiography, but often purposely disguised, whether to amuse those who were in the secret, or to perplex those who were not, it is impossible to say. " But apart from changes of names and incidents in his essays, there is in Lamb's humour the constant element of a mischievous love of hoaxing. He loves nothing so much as to mingle romance with reality, so that it shall be difficult for the reader to disentangle them. And besides these deliberate mystifications, there is found also in Lamb a certain natural incapacity for being accurate, an inveterate turn for the opposite." I doubt, however, if Lamb had any such commonplace or obvious purpose as this. There was a more far-reach- ing finesse and delicacy involved, than a mere spirit of " hoaxing." His system was akin to that of the skilled novelist, who accepts a real character or incident for XVI INTRODUCTION. treatment, but will make it generic, and discard what is not characteristic, and merely an accident, as in his beautiful story of "Barbara S." I am inclined to think too that he found his fancy kindled or stimulated by adopting some living type as a model, and which he could vary or develop. One of the most favourite tributes to a deceased writer nowadays, is the tracing of him from place to place, with minute descriptions of the various houses in which he lived, a description often extended to the surrounding country. Pictures of the various localities and buildings are supplied, and the whole is usually entitled, " In the Footsteps of So-and-So." There is something attractive in this system, though the haunts and homes are daily passing away; and when the reader, inspired with a new- born enthusiasm, comes to inspect the building, he too often finds that it has been pulled down and cleared. The Society of Arts, which places recording tablets on such houses, has perhaps indirectly contributed to their preservation, for the proprietors, from a sense of pride in having their walls thus garnished, are inclined to exert themselves to take care of it. Recently an admiring American has published a work of this kind, " In the Footsteps of Charles Lamb." But I confess this system appears to be too " pedagogic,'' and even earthy, and no fresh pleasure is conveyed by these researches. To write a life of Lamb might fittingly engage the most finished pen of our times, and would require the most delicate touch and the finest critical appreciation. Yet even were such forthcoming, the fragmentary Life written by Sir Thomas Talfourd would still hold its place as the work of one who had been Lamb's friend and companion, and was himself no indifferent writer. Though INTRODUCTION. XVII in parts a little inflated, its polished style will always please readers of taste ; while the various painful episodes of Lamb's life are treated in excellent taste, and even with art. The biographical realism, as it is called, of our time, — a realism which so largely affects painting and poetry, — seems to require as great a collection as possible of in- teresting and detailed facts. Treated on such principles, the Life of Charles Lamb would leave a painful impression. Talfourd, his contemporary, was eminently suited for the task. In his hands all vulgar associations disappear. His style, too, reflects the literary tone of his day ; and there is introduced a strain of allusion to literary fashions and manners quite in keeping with the subject of his story. His carefully studied periods seem to harmonize with Lamb's almost fastidious style. The Memoir was issued in two portions — the first, in 1837, under the title of " Letters of Charles Lamb, with a Sketch of his Life " ; the second, after an interval of eleven years, in 1848, under that of "Final Memorials of Charles Lamb; consisting chiefly of his Letters not before published, with Sketches of some of his Companions.'^ The reason for this delay, it is explained in the Preface, was the delicate motive of not entering on the tragic side of Lamb's life, so long as his sister was alive. Her death removed the difficulty, while the scruples of persons who objected to having the letters in their possession published had given way. The author then explained that he in- tended his second portion to be, not so much a sequel, as a supplement, and that he was careful not to go over any ground that had been covered in the first part. He added that he had wished to combine both parts into one whole, but that he had forborne " out of consideration for the purchasers of the early volumes." It will also be XVIU INTRODUCTION. gathered from his second Preface that he was not at all content with the form of his work. Bearing this in mind, it did not seem improper to do what Talfourd himself was inclined to have done, viz. combine the two portions of the Memoir in one, dismissing only such short para- graphs as had been introduced to form a framework or introduction for the letters. That these were of no value or interest will be seen at once ; the following being fairly selected specimens : — " The next is a short but charac- teristic letter to Manning ; " " Here is a specimen of Lamb's criticism on Southey's poetical communications;" or such a passage as " Lamb then gives an account of his visit to an exhibition of snakes ; of a frightful vividness and interesting, as all details of these fascinating reptiles are, whom we at once loathe and long to look upon, as the old enemies and tempters of our race." Having thus retained the old Memoir, it was easy to see that in many points of view it was incomplete, and passed over much that was important. These defects I have tried to supply by an abundance of notes, in which has been collected, with at least diligence, everything important relating to Lamb. A great deal of what I have added is new, and all, I hope, will be found interesting. 'i " ScratcKed on Copper from Life in 1 82,5 'by his frieDtl Brook -Pulhatn. CHARLES LAMB. CHAPTER I. [1775 to •796-] Lamb's Parentage, School-days, and Youth. Charles Lamb was born on loth February,^ i775» in Crown Office Row," in the Inner Temple, where he spent the first seven years of his life. His parents were in a humble station, but they were endued with sentiments and with manners which might well be- come the gentlest blood ; and fortune, which had denied them wealth, enabled them to bestow on their children some of the happiest intellectual advantages which wealth ever confers. His father, Mr. John Lamb, who came up a little boy from Lincoln, for- tunately both for himself and his master, entered into the service of Mr. Salt, one of the benchers of the Inner Temple, a widower, who, growing old within 1 In his first edidon, Talfourd gives the date as February 1 8th. — F. 2 " On die ground floor, looking into Inner Temple Lane, ' — Barron Field, Annual Obituary. — F. B 2 PARENTAGE, SCHOOL-DAYS, AND YOUTH. its precincts, was enabled to appreciate and to reward his devotedness and intelligence ; and to whom he became, in the language of his son, " his clerk, his good servant, his dresser, his friend, his flapper, his guide, stop-watch, auditor, treasurer."^ Although contented with his lot, and discharging its duties with the most patient assiduity, he was not without literary ambition ; and having written some occasional verses to grace the festivities of a benefit society of which he was a member, was encouraged by his bro- ther members to publish, in a thin quarto, " Poetical Pieces on several occasions." This volume contains a lively picture of the life of a lady's footman of the last century; the " History of Joseph," told in well- measured heroic couplets ; and a pleasant piece, after the manner of " Gay's Fables," entitled the " Spar- row's Wedding," which was the author's favourite, and which, when he fell into the dotage of age, he delighted to hear Charles read." His wife was a wo- man of appearance so matronly and commanding, 1 Lamb has given characters of his father (under the name of Lovel), and of Mr. Salt, in one of the most exquisite of all the Essays of Elia — " The Old Benchers of the Inner Temple." ' The following little poem, entitled " A Letter from a Child to its Grandmother," written by Mr. John Lamb for his eldest son, though possessing no merit beyond simplicity of expression, may show the manner in which he endeavoured to discharge his parental duties : — " Dear Grandam, Pray to God to bless Your grandson dear, with happiness ; That, as I do advance each year, I may be taught my God to fear ; My little frame from passion free. To man's estate trora intancy ; PARENTAGE, SCHOOL-DAYS, AND YOUTH. 3 that, according to the recollection of one of Lamh's dearest schoolmates, " she might be taken for a sister of Mrs. Siddons." This excellent couple were blessed with three children, John, Mary,' and Charles; John being twelve and Mary ten years older than Charles. Jolp, who is vividly described in the essay of Elia entitled " My Relations," under the name of James Elia, rose to fill a lucrative office in the South Sea House, and died a few years ago, having to the last fulfilled the affectionate injunction of Charles, " to keep the elder brother up in state." Mary (the Bridget of the same essay) still survives,'' to mourn the severance of a life-long association, as free from every alloy of selfishness, as remarkable for moral beauty, as this world ever witnessed in brother and sister. On the gth of October, 1782, when Charles Lamb had attained the age of seven, he was presented to the school of Christ's Hospital," by Timothy Yeates, From vice, that turns a youth aside. And to have wisdom for my guide ; That I may neither lie nor swear. But in the path of virtue steer; My actions generous, firm, and just, Be always faithful to my trust ; And thee the Lord will ever bless. Your grandson dear, John L , the 1*S8." 1 Mary-Anne was, properly speaking, her name.— F. ' Written in 1837.— F. ' Mr. Salt's interest was enough to secure this valuable privilege, though, as Talfourd says, he was presented by Timothy Yeates, one ol the Governors of tlie Hospital. Lamb himself says the " Governor" who presented him resided "under the paternal roof," clearly pointing to Mr. Salt. The latter probably exerted his interest with Yeates. He B 2 4 PARENTAGE, SCHOOL-DAYS, AND YOUTH. Governor, as " the son of John Lamb, scrivener, and Elizabeth his wife," and remained a scholar of that noble establishment till he had entered into his fif- teenth year.'' was admitted in a committee, on July lyth, 1782, " by a bond entered into by Samuel Salt, of the Inner Temple, London, Esquire." A pe- tition had been sent in from his fattier, who set forth " that he had a wife and three children, and he finds it difficult to maintain and edu- cate his family without some assistance." The admission was then merely formal, and he was not " clothed" as a Blue-coat boy until the 9th of October in the same year. I have been &voured with these extracts from the books of the Hospital, through the courtesy of the present Treasurer. — F, 1 He was a sensitive child with a delicate temper, which seems to have been misunderstood or neglected by his parents. The eldest was the mother's favourite. "They loved pleasure, and parties, and visit- ing," he says in " Maria Howe ;" " but as they found the tenor of my mind to be qnite opposite, they gave themselves little trouble about me, but on such occasions left me to my choice, which was much oftener to stay at home, and indulge myself in my solitude, than join in their rambling visits." He found a friend in his old aunt, who was domiciled with them, and whom Mary long after thus recalled : — " My father had a sister lived with us — of course, lived with my Mo- ther, her sister-in-law ; they were, in their different ways, the best creatures in the world — but they set out wrong at first. They made each other miserable for full twenty years of their lives — my Mother was a perfect gentlewoman, my Aunty as unlike a gentlewoman as you can possibly imagine a good old woman to be ; so that my dear Mo- ther (who, though you do not know it, is always in my poor head and heart) used to distress and weary her with her incessant & unceasing attention and politeness, to gain her affection. The old woman could not return this in kind, and did not know what to make of it — thought it all deceit, and used to hate my Mother with a bitter hatred ; which, of course, was soon returned with interest. A little frankness, and looking into each other's characters at first, would have spared all this, and they would have lived, as they died, fond of each other for the last few years of their lives. When we grew up and harmonized them a little, they sincerely loved each other." — Letter of Mary Lamb, given in Mr. Hazlitt's " Charles and Mary Lamb." This aunt clung to the PARENTAGE, SCHOOL-DAYS, AND YOUTH. 5 Small of stature, delicate of frame, and constitu- tionally nervous and timid, he would seem unfitted to encounter the discipline of a school formed to restrain some hundreds of lads in the heart of the metropolis, or to fight his way among them. But the sweetness of his disposition won him favour from all ; and although the antique peculiarities of the school tinged his opening imagination, they did not sadden his child, saying, with some ungraciousness towards her hosts, it was the only thing in the world she loved. Her affection for the boy was constant — displayed when he was a wretched little sufferer from small- pox, when only five years old, at school, and later again under a terrible trial. But she unconsciously ministered to a diseased and morbid aiTection of his nature ; and when actual derangement of mind came long after, it was easy to tell "when its first seeds were sown." " I was let grow up wild," he says, " like an ill-weed ; and thrived accordingly. One night, that I had been terrified in my sleep with my imaginations, T got out of bed, and crept softly to the adjoining room. My room was next to where my aunt usually sat when she was alone. Into her room I crept for relief from my fears. The old lady was not yet retired to rest, but she was sitting with her eyes half open, half closed ; her spectacles tottering upon her nose ; her head nodding over her Prayer-book ; her lips mumbling the words as she read them, or half read them, in her dozing posture ; her grotesque appearance, hei old-fashioned dress, resembling what 1 had seen in that fatal picture in Stackhouse. All this, witli the time of night, joined to produce a wicked fancy in me, that the form which I beheld was not my aunt, but some witch. Her mumbling ul her prayers confirmed me in this shocking idea. I had read in Glanvil of those wicked creatures reading their prayers back the imaginative philosopher's fortune, and the constancy of his day- dreamings. These were the verses entitled, " Writ- ten a Twelvemonth after the Events," and be- ginning :— •' Alas ! how am I changed !" and in which occurred these lines : — **Thou and I, dear friend. With filial recognition sweet, shall know One day the face of oar dear mother in heaven, And her remember'd looks of love shall greet With answering looks of love, her placid smiles Meet with a smile as placid, and her hand With drops of fondness wet, nor fear repulse." In the margin of MS. he wrote, " This is almost literal from a letter of my sister's — less than a year ago." And again : — *• O my companions ! O ye loved names Of friend, or playmate dear, gone are ye now. Gone divers ways; to honour and credit some ; And some, I fear, to ignominy and shame !" In the margin he added, " Alluding to some of my old play-fellows being, literally, ' on the town,' and some otherwise wretched. Two months, though passed by Lamb in anxiety and labour, but cheered by Miss Lamb's continued pos- session of reason, so far restored the tone of his mind, that his interest in the volume which had been con- templated to introduce his first verses to the world, EARLY POETIC EFFORTS. 33 in association with those of his friend, was enkindled anew. While cherishing the hope of reunion with his sister, and painfully wresting his leisure hours from poetry and Coleridge to amuse the dotage of his father, he watched over his own returning sense of enjoyment with a sort of holy jealousy, apprehen- sive lest he should forget too soon the terrible visita- tion of Heaven. It would seem that his acquaintance with the old English dramatists had just commenced with Beaumont and Fletcher, and Massinger. A proposal by Coleridge to print Lamb's poems with a new edition of his own (an association in which Lloyd was ultimately included) occasioned reciprocal communications of each other's verses, and many questions of small alterations suggested and argued on both sides. The volume which was to combine the early poetry of the three friends was not completed in the year 1796, and proceeded slowly through the press in the follow- ing year ; Lamb occasionally submitting an additional sonnet, or correction of one already sent, to the judg- ment of Coleridge, and filling long letters with minute suggestions on Coleridge's share of the work, and high, but honest expressions of praise of particular images and thoughts. The eulogy is only interesting as indi- cative of the reverential feeling with which Lamb regarded the genius of Coleridge — but one or two specimens of the gentle rebuke which he ventured on, when the gorgeousness of Coleridge's language seemed to oppress his sense, are worthy of preservation. The following relates to a line in the noble Ode on the Departing Year, in which Coleridge had written of " Th' ethereal multitude, Whose purple locks with snow-white glories shrne." D 34 EARLY POETIC EFFORTS. "'Purple locks, and snow-white glories;' — ^these are things the muse talks about when, to borrow H, Walpole's witty phrase, she is not finely-frenzied, only a little light-headed, that's all — ' Purple-locks.' They may manage things differently in fairyland; but your ' golden tresses' are to my fancy." On this remonstrance Coleridge changed the " pur- ple" into "golden," defending his original epithet, and Lamb gave up the point. In the commencement of the previous year, Coleridge removed from Bristol to a cottage at Nether Stowey, to embody his favourite dream of a cottage life. This change of place probably delayed the printing of the volume ; and Coleridge, busy with a thousand speculations, became irregular in replying to the letters with writing which Lamb solaced his weary hours. Not satisfied with the dedication of his portion of the volume to his sister, and the sonnet which had been sent to the press. Lamb urged on Coleridge the insertion of another, which seems to have been ulti- mately withheld as too poor in poetical merit for publication. The rejected sonnet (" Friend of my earliest years '), and the references made to it by the writer, have an interest now beyond what mere fancy can give. At length the small volume containing the poems of Coleridge, Lloyd, and Lamb, was published by Mr. Cottle at Bristol. It excited little attention ; but Lamb had the pleasure of seeing his dedication to his sister printed in good set form, after his own fashion, and of witnessing the delight and pride with which she received it. This little book, now very scarce, had the following motto, expressive of Coleridge's feelings towards his associates: — Duplex nobis vin- EARLY POETIC EFFOKTS. 35 culum, et amiciticB et similium junctarumque Camce- narum ; quod utinam neque mors solvat, neque temporis longinquitas.^ Lamb's share of the work consists of ' " The Latin motto, prefixed to the second edition of Mr. C.'t poems, puzzled everybody to know from what author it was derived. One and another inquired of me, to no purpose, and expressed a wish that Mr. C. had been clearer in his citation, ' as no one could under- stand it.' On my naming this to Mr. Coleridge, he laughed heartily, and said, ' It was all a hoax. Not meeting,' said he, ' with a suitable motto, I invented one, and with references perfectly obscure." — Cottle's Remintjcences, 168. The reference was an excellent mystification. — " CroscoU. Epist. ad Car., Uteni/O'v. et Ptol. Lux. Last." In tliis arrangement there were some evidences of the almost tender afiection with which Lamb had inspired Coleridge. He would admit Lloyd's poems, " on condition that you print them in this volume of his, Charles Lamb's, poems ; the title-page, Poems by S. T. Coleridge. Second Edition ; to which are added Poems by C. Lamb and C. Lloyd. C. Lamb's Poems will occupy about forty pages ; C. Lloyd's at least one hundred, although only his choice fish." At Lamb's request, however, Lloyd's pieces were placed first. In the new volume Coleridge said, " There were inserted in my former edition a few sonnets of my friend and old schoolfellow, Charles Lamb. He has now communi- cated to me a complete Collection of all his Poems. Qua qui non rorsus amet, ilium omnes et Firtutet et Veneres odere." He then mentions Lloyd, but not so affectionately. " My friend Charles Lloyd has likewise joined me, and has contributed every poem of his which he deemed worthy of preservation." This republication of the poems seems to have been connected with a dissolution of the partnership, tlie result of a quarrel between Coleridge and Lloyd, and also of a coolness between Lamb and Coleridge. On receipt of the volume, Lamb had written warmly, praising Lloyd's contributions, which he thought " eminently beautiful," but deferring his consideration of Coleridge's. He was not satisfied, too, with some alterations made in his own lines ; " though I think whoever altered did wrong." On the other hand, the two minor poets could not have relished some verses in ridi- cule of their style, which Coleridge sent to a magazine, under the sig- nature of " Nehemiah Higginbotham," and which, as he owned, were intended to expose ** that affectation of unaffectedness, of jumping and misplaced accent, in common-place epithets, flat lines forced inta D 2 35 EARLY POETIC EFFORTS. eight sonnets ; four short fragments of blank verse, of which the Grandame is the principal ; a poem, called the Tomb of Douglas ; some verses to Charles poetry by italics (signifying how well and raouthishly the author would read them), puny pathos, etc., etc. ; the instances were almost all taken from myself, and Lloyd and Lamb." Though he af&cted to include bis own productions, the ridicule really affects his weaker com- panions. His severity in the case of Lamb, will be seen by comparing the sonnets : — " Was it some sweet delight of Faery, That mock'd my steps with many a lonely glade. And fancied wand'rings with a fair-haired maid. Have these things been ? Or what rare witchery (Impregning with delights the charmed air) Enlightened up the semblance of a smile In those fine eyes ? Methought they spake the while Soft soothing things, which might enforce Despair To drop the murdering knife, and let go by His foul resolve. And does the lonely glade. Still court the footsteps of the fair-haired maid .' Still in her locks the gales of summer sigh? While I forlorn do wander, heedless where, And 'mid my wanderings meet no Anna there." So in the "House that Jack built": " Did ye not see her gleaming through the glade .' Belike 'twas she, the maiden all forlorn. What though she milk no cow with crumpled horn. Yet ay she haunts the dale where erst she stray'd. And ay beside her stalks her amorous knight ! Still on his thighs his wonted brogues are worn. And through these brogues, still tattered and betorn, His hindward charms gleam an unearthly white ; As when through broken clouds, at night's high noon. Peeps in fair fragment forth — the fuU-orb'd harvest moon." However this may have been, it was not likely to have caused any ■erious dissension between Lamb and his old friend ; and the visit to Stowey with Mary Lamb, as stated in the text, seems to have fol- EARLY POETIC EFFORTS. 37 Lloyd ; and a vision of Repentance ; which are all published in the last edition of his poetical works, except one of the sonnets, which was addressed to lowed, in the first months of the year 1798. It is probable that the sensitive Lloyd showed some jealousy as to the success of the volume, which Coleridge naturally considered was owing to his share in the work. When a new edition was talked of, he may have shown a wish to be free from the alliance ; or what is more likely, thought that Ms labours were obscured by " the greater Ajax." Cottle seems to say that both causes were at work. Lloyd proposed to his friend Lamb that they should withdraw theirs from the association, and pub- lish their poems without Coleridge. On this being opened to the latter by the publisher, he wrote scornfully, " It is curious that I should be applied to to be persuaded to resign ; and in hopes that I mighr * consent to give up' (unknown by whom) a number of poems which were published at the request of the author, . . . Times change and people change ; so let us keep our souls in quietness ! I have no objection to any disposal of Lloyd's poems, except that of their being republished with mine. The motto which I had prefixed, ' Duplex, etc.,' from GroscoUius, has placed me in a ridiculous situation, but it was a foolish and presumptuous start of affectionateness, and I am not unwilling to incur the punishment due to my folly." " Mr. C," adds Cottle, " even determined that the productions of his two late friends should be excluded. Strange as it may appear, Charles Lamb determined to desert the inglorious ground of neutrality, and to com- mence active operations against his late friend." At the end of May, 1798, Lamb went down on a visit to Lloyd at Birmingham, and remained a fortnight with him. Never had Lamb " been so happy in his life." His enthusiastic friend, by dwelling on his little grievances against Coleridge, made him a partisan, having indiscreetly shown him a letter, in which was illustrated a distinction between the proportions of great genius and simple talent, contrasted with great talent and little genius, by the instances of Lamb's nature and his own. It was, no doubt, Lloyd that repeated the speech, " Poor Lamb ! If he wants any knowledge he may apply to me." This provoked Lamb to address to him the table of Theses, which he proposed that Coleridge should defend or oppugn in the German schools. And what shows that he was hurt by the ridicule of his verses, is his rather bitter retort, " Wishing, learned sir, that you may see Schiller, and swing m a 38 EARLY POETIC EFFORTS. Mrs. Siddons, and the Tomb of Douglas, which was justly omitted as common-place and vapid. They only occupy twenty-eight duodecimo pages, within which space was comprised all that Lamb at this time had written which he deemed worth pre- serving. Lamb, however, was not now so lonely as when he wrote to Coleridge imploring his correspondence as the only comfort of his sorrows and labours ; for, through the instrumentality of Coleridge, he was now rich in friends. Among his friends then was Words- worth, the great regenerator of English poetry, pre- paring for his long contest with the glittering forms of inane phraseology which had usurped the dominion of the public mind, and with the cold mockeries of scorn with which their supremacy was defended. By those the beauty of his character was felt ; the ori- ginal cast of his powers was appreciated; and his •wood (Vide Poems)," which refers to a sonnet addressed to the German poet, in which occurs the words, " tempest-swinging wood." On receipt of this challenge, Coleridge affected to treat the matter lightly, saying, as he handed the letter to Cottle, " these young visionaries will do each other no good." The publisher saw, however, that he was " greatly hurt," and wrote off " a conciliatory letter" to Lloyd, from whom he received a careless reply : — " I cannot think I have acted with, or from, passion towards him. Even my solitary thoughts have been easy and calm, when they have dwelt on him. ... At present I could not well go to Stowey. But," he added, " he loved Cole- ridge." It has been denied that even so much as a vapour ever clouded the intercourse of Lamb and Coleridge, but if further proof were wanting, we have only to turn to " The Old Familiar Faces," published in Januaiy, 1798, and where the lines — " I have a friend, a kinder friend had no man ; Like an ingrate, I left my fHand abruptly." refer to Coleridge. — F. EARLY POETIC EFFORTS. 39 peculiar huinour was detected and kindled into fitful life. At this time, the only literary man whom Lamb knew in London was George Dyer, who had been noted as an accomplished scholar, in Lamb's early childhood, at Christ's Hospital. For him Lamb cherished all the esteem that his guileless simplicity of character and gentleness of nature could inspire ; in these qualities the friends were akin ; but no two men could be more opposite than they were to each other, in intellectual qualifications and tastes — Lamb, in all things original, and rejoicing in the quaint, the strange, the extravagant ; Dyer, the quintessence of learned commonplace ; Lamb wildly catching the most evanescent spirit of wit and poetry ; Dyer, the wondering disciple of their established forms. Dyer officiated as a revering High Priest at the Altar of the Muses — such as they were in the staid, anti- quated trim of the closing years of the eighteenth century, before they formed sentimental attachments in Germany, or flirted with revolutionary France, or renewed their youth by drinking the Spirit of the Lakes. Lamb esteemed and loved him so well, that he felt himself entitled to make sport with his pecu- liarities ; but it was as Fielding might sport with his own idea of Parson Adams, or Goldsmith with his Di. Primrose. i 40 ) CHAPTER 111. [1798 — j8o6.] Rosamund Gray. — ^John Woodvil. In the year 1798, the blank verse of Lloyd and Lamb, which had been contained in the volume pub- lished in conjunction with Coleridge, was, with some additions by Lloyd, published in a thin duodecimo, price 2S. 6d., under the title of " Blank Verse, by Charles Lloyd and Charles Lamb." This unpre- "iending book was honoured by a brief and scornful notice in the catalogue of The Monthly Review, in the small print of which the works of the poets who are now recognised as the greatest ornaments of their age, and who have impressed it most deeply by their genius, were usually named to be dismissed with a sneer. After a contemptuous notice of " The Mourn- ful Muse" of Lloyd, Lamb receives his quietus in a line : — " Mr. Lamb, the joint author of this little volume, seems to be very properly associated with his plaintive companion."^ In this year Lamb composed his prose tale, " Rosa- mond Gray," and published it in a volume of the same size and price with the last, under the title of " A Tale of Rosamund Gray and Old Blind Margaret," which, having a semblance of story, sold much better than his poems, and added a few pounds to his ' Monthly Revteiv, Sept., 1798. ROSAMUND GRAY. 4I slender income. This miniature romance is unique in English literature. It bears the impress of a recent perusal of " The Man of Feeling," and " Julia de Roubigne ;" and while on the one hand it wants the graphic force and delicate touches of Mackenzie, it is informed with deeper feeling and breathes a diviner morality than the most charming of his tales. Lamb never possessed the faculty of constructing a plot either fbr drama or novel ; and while he luxuriated in the humour of Smollett, the wit of Fielding, or the solemn pathos of Richardson, he was not amused, but perplexed, by the attempt to thread the windings of story which conduct to their most exquisite pas- sages through the maze of adventure. In this tale, nothing is made out with distinctness, except the rustic piety and grace of the lovely girl and her venerable grandmother, which are pictured with such earnestness and simplicity as might beseem a frag- ment of the book of Ruth. The villain who lays waste their humble joys is a murky phantom without individuality ; the events are obscured by the haze of sentiment which hovers over them ; and the narrative gives way to the reflections of the author, who is mingled with the persons of the tale in visionary confusion, and gives to it the character of a sweet but disturbed dream. It has an interest now beyond that of fiction ; for in it we may trace, " as in a glass darkly," the characteristics of the mind and heart of the author, at a time when a change was coming upon them. There are the dainty sense of beauty just weaned from its palpable object, and quivering over its lost images ; feeling grown retrospective before its time, and tinging all things with a strange solemnity ; hints of that craving after immediate 42 ROSAMUND GRAY. appliances which might give impulse to a harassed frame, and confidence to struggling fancy, and of that escape from the pressure of agony into fantastic mirth, which in after life made Lamb a problem to a stranger, while they endeared him a thousand-fold to those who really knew him. While the fulness of the religious sentiments, and the scriptural cast of the language, still partake of his early manhood, the visit of the narrator of the tale to the churchyard where his parents lie buried, after his nerves had been strung for the endeavour by wine at the village inn, and the half-frantic jollity of his old heart-broken friend (the lover of the tale), whom he met there, with the exquisite benignity of thought breathing through the whole, prophesy the delightful pecu- liarities and genial frailties of an after day. The reflections he makes on the eulogistic character of all the inscriptions, are drawn from his own childhood ; for when a very little boy, walking with his sister in a churchyard, he suddenly asked her, " Alary, where do the naughty people lie ? " "Rosamund Gray" remained unreviewed till August, 1800, when it received the following notice in The Monthly Review's catalogue, the manufacturer of which was probably more tolerant of heterodox com- position in prose than verse : — " In the perusal of this pathetic and interesting story, the reader who has a mind capable of enjoying rational and moral sentiment will feel much gratification. Mr. Lamb has here proved himself skilful in touching the nicest feelings of the heart, and in affording great pleasure to the imagination, by exhibiting events and situa- tions which, in the hands of a writer less conversant with the springs and energies of the tmral sense. COLERIDGE AND SOUTHEY. 43 would make a very 'sorry figure.'" While we ac- knowledge this scanty praise as a redeeming trait in the long series of critical absurdities, we cannot help observing how curiously misplaced all the laudatory epithets are ; the sentiment being profound and true, but not " rational," and the " springs and energies of the moral sense " being substituted for a weakness which had a power of its own ! Lamb was introduced by Coleridge to Southey as early as the year 1795 ; but no intimacy ensued until he accompanied Lloyd in the summer of 1797 to the little village of Burton, near Christchurch, in Hamp- shire, where Southey was then residing, and where they spent a fortnight as the poet's guests.' After Coleridge's departure for Germany, in 1798, a corre- spondence began between Lamb and Southey, which continued through that and part of the following year ; — Southey communicates to Lamb his Eclogues, which he was then preparing for the press, and Lamb repaying the confidence by submitting the products of his own leisure hours to his genial critic. li Southey did not, in all respects, compensate Lamb for the absence of his earlier friend, he excited in him a more entire and active intellectual sympathy ; as the character of Southey's mind bore more resem- blance to his own than that of Coleridge. In purity of thought ; in the love of the minutest vestige of antiquity ; in a certain primness of style bounding in the rich humour which threatened to overflow it ; they were nearly akin : both alike reverenced childhood, 1 « Where I was lodging in a very humble cottage," says Southey. — Letter to Moxon. He adds that Lloyd was inclined to form " suddee friendships." — F, 44 COLERIDOE AND SOUTHEY. and both had preserved its best attributes unspotted from the world. If Lamb bowed to the genius of Coleridge with a fonder reverence, he felt more at home with Southey; and although he did not pour out the inmost secrets of his soul in his letters to him as to Coleridge, he gave more scope to the " firsf sprightly runnings" of his humorous fancy. At this time Lamb's most intimate associates were Lloyd and Jem White, the author of the Falstaff Letters. When Lloyd was in town, he and White lodged in the same house, and were fast friends, though no two men could be more unlike, Lloyd having no drollery in his nature, and White nothing else. " You will easily understand," observes Mr. Southey, in a letter with which he favoured the pub- lisher, " how Lamb could sympathise with both.'" The literary association of Lamb with Coleridge and Southey drew down upon him the hostility of the young scorners of the " Anti-Jacobin," who luxuriat- ing in boyish pride and aristocratic patronage, tossed the arrows of their wit against all charged with inno- vation, whether in politics or poetry, and cared little whom they wounded. No one could be more innocent than Lamb of political heresy ; no one more strongly opposed to new theories in morality, which he always regarded with disgust ; and yet he not only shared in the injustice which accused his friends of the last, but was confounded in the charge of the first, — his only crime being that he had published a few poems deeply coloured with religious enthusiasm, in con- junction with two other men of genius, who were dazzled by the glowing phantoms which the French ' Lloyd died at Versailles in 1839. — F. COLERIDGE AND SOUTHEY. 45 Revolution had raised., The very first number of the Anti-yacobin Magazine and Review was adorned by a caricature of Gilray's, in which Coleridge and Southey were introduced with asses' heads, and Lloyd and Lamb as toad and frog. In the number for July appeared the well-known poem of the " New Morality," in which all the prominent objects of the hatred of these champions of religion and order were intro- duced as offering homage to Lepaux, a French char- latan, — of whose existence Lamb had never even heard. " Couriers and Stars, sedition's evening host. Thou Morning Chronicle, and Morning Post, Whether ye aa.V.e the ' Rights of Man ' your theme, Your country libel, and your God blaspheme, Or dirt on private iworth and •virtue throw, Still blasphemous or blackguard, praise Lepa>*x. And ye five other wandering bards, that move In sweet accord of harmony and love, C rdge and S — th — y, L — d, and L — b and Co., Tune all your mystic harps to praise Lepaux ! " Not content with thus confounding persons of the most opposite opinions and the most various charac- ters in one common libel, the party returned to the charge in the number for September, and thus de- nounced the young poets, in a parody on the " Ode to the Passions," under the title of "The Anarchists." " Next H — ^le — ft vow'd in doleful tone. No more to fire a thankless age : Oblivion mark'd his labours for her own, Neglected from the press, and damn'd upon the stajfre. See 1 faitlifiil to their mighty dam, C dge, S — th — y, L — d, and L — b. In splay-foot madrigals of love. Soft moaning like the widow'd dove. 46 COLERIDGE AND SOUTHEY. Pour, side-by-side, their sympathetic notes ; Of equal rights, and civic feasts. And tyrant kings, and knavish priests. Swift through the land the tuneful mischief floats. And nov7 to softer strains they struck the lyre, I'hey sung the beetle or the mole, The dying kid, or ass's foal. By cruel man permitted to expire." These effusions have the palliation which the excess of sportive wit, impelled by youthful spirits and fos- tered by the applause of the great, brings with it ; but it will be difficult to palliate the coarse malignity of a passage in the prose department of the same work, in which the writer added to a statement that Mr. Coleridge was dishonoured at Cambridge for preaching Deism : " Since then he has left his native country, commenced citizen of the world, left his poor children fatherless, and his wife destitute. Ex his disce, his friends Lamb and Southey." It was surely rather too much even for partisans, when de- nouncing their political opponents as men who " dirt on private worth and virtue threw," thus to slander two young men of the most exemplary character — one, of an almost puritanical exactness of demeanour and conduct — and the other, persevering in a life of noble self-sacrifice, chequered only by the frailties of a sweet nature, which endeared him even to those who were not admitted to the intimacy necessary to appreciate the touching example of his severer virtues ! If Lamb's acquaintance with Coleridge and Southey procured for him the scorn of the more virulent of the Anti-Jacobin party, he showed by his intimacy with another distinguished object of their animosit)', that he was not solicitous to avert it. He was intro- GODWIN. 47 duced by Mr. Coleridge to one of the most remarkable persons of that stirring time — the author of " Caleb Williams," and of the " Political Justice." The first meeting between Lamb and Godwin did not wear a promising aspect. Lamb grew warm as the con- viviality of the evening advanced, and indulged in some freaks of humour which had not been dreamed of in Godwin's philosophy ; and the philosopher, for: getting the equanimity with which he usually looked on the vicissitudes of the world or the whist-table, broke into an allusion to Gilray's caricature, and asked, " Pray, Mr. Lamb, are you toad or frog ?" ' Coleridge was apprehensive of a rupture ; but calling the next morning on Lamb, he found Godwin seated at breakfast with him ; and an interchange of civilities and card-parties was established, which lasted through the life of Lamb, whom Godwin only survived a few months. Indifferent altogether to the politics of the age. Lamb could not help being struck with produc- tions of its new-born energies, so remarkable as the works and the character of Godwin. He seemed to realize in himself what Wordsworth long afterwards described, " the central calm at the heart of all agita- tion." Through the medium of his mind the stormy convulsions of society were seen " silent as in a picture." Paradoxes the most daring wore the air of deliberate wisdom as he pronounced them. He fore- told the future happiness of mankind, not with the inspiration of the poet, but with the grave and ' *' Mrs. Coleridge will remember,'' writes Southey, " the scene, which was to her sufficiently uncomfortable." In his first edition Talfourd, mistaking the point of the jest, had written, " are you both toad and frog ?" — F. ^ "JOHN WOODVIL." passionless voice of the oracle. There was nothing better calculated at once to feed and to make steady the enthusiasm of youthful patriots than the high speculations, in which he taught them to engage on the nature of social evils and the great destiny of his species. No one would have suspected the author of those wild theories, which startled the wise and shocked the prudent, in the calm, gentlemanly person who rarely said anything above the most gentle common-place, and took interest in little beyond the whist-table. His peculiar opinions were entirely subservient to his love of letters. He thought any man who had written a book had attained a superiority over his fellows which placed him in another class, and could scarcely understand other distinctions. Of all his works Lamb liked his " Essay on Sepulchres " the best — a short development of a scheme for pre- serving in one place the memory of all great writers deceased, and assigning to each his proper station, — quite chimerical in itself, but accompanied with solemn and touching musings on life and death and fame, embodied in a style of singular refinement and beauty. At this time Lamb began to write the tragedy of "John Woodvil." His admiration of the dramatists of Elizabeth's age was yet young, and had some of the indiscretion of an early love ; but there was nothing affected in the antique cast of his language, or the frequent roughness of his verse. His delicate sense of beauty had found a congenial organ in the style which he tasted with rapture ; and criticism gave him little encouragement to adapt it to the frigid insipidi- ties of the time. " My tragedy," says he in the first letter to Southey, which alludes to the play, "will be MANNING. 49 a medley (or I intend it to be a medley) of laughter and tears, prose and verse ; and, in some places, rhyme; songs, wit, pathos, humour; and, if possible, sublimity; — at least, 'tis not a fault in my intention if it does not comprehend most of these discordant atoms — Heaven send they dance not the dance of death !" In another letter he there introduces the delicious rhymed passage in the " Forest Scene," which Godwin, having accidentally seen quoted, took for a choice fragment of an old dramatist, and went to Lamb to assist him in finding the author. It seems to have been finished about Christmas, and transmitted to Mr. Kemble. Like all young authors, who are fascinated by the splendour of theatrical representation, he longed to see his conceptions em- bodied on the stage, and to receive his immediate reward in the sympathy of a crowd of excited spec- tators. The hope was vain ; — but it cheered him in many a lonely hour, and inspired him to write when exhausted with the business of the day, and when the less powerful stimulus of the press would have been insufficient to rouse him. In the summer he revisited the scenes in Hertford- shire, where, in his grandmother's time, he had spent so many happy holidays. His choice list of friends in the meantime received a most important addition in Mr. Thomas Manning, then a mathematical tutor at Cambridge; of whom he became a frequent cor- respondent, and to whom he remained strongly attached through life. Lloyd had become a graduate of the University, and to his introduction Lamb was indebted for Manning's friendship. His letters show how earnestly, yet how modestly. Lamb sought it. Early in the following year (i8oo). Lamb, with his B 50 MANNING. sister, removed to Chapel Street, Pentonville. In the summer he visited Coleridge, at Stowey, and spent a few delightful holidays in his society and that of Wordsworth, who then resided in the neighbourhood. This was the first opportunity Lamb had enjoyed of seeing much of the poet, who was destined to exercise a beneficial and lasting influence on the literature and moral sense of the Qpening century. At this time Lamb was scarcely prepared to sympathise with the naked simplicity of the " Lyrical Ballads," which Wordsworth was preparing for the press. The " rich conceits" of the writers of Elizabeth's reign, had been blended with his first love of poetry, and he could not at once acknowledge the serene beauty of a style, in which language was only the stainless mirror of thought, and which Sought no aid either from the grandeur of artificial life or the pomp of words. In after days he was among the most earnest of this great poet's admirers, and rejoiced as he found the scoffers who sneered at his bold experiment gradually owning his power. Coleridge shortly after came to town, to make arrangements for his contributions to the daily press, and afterwards spent some weeks with Lamb. It was during this visit that he recommended Lamb to Mr. Daniel Stuart, then editor of the Morning Post, as a writer of light articles, by which he might add something to an income, then barely sufiicient for the decent Support of himself and his sister. It would seem from his letter to Manning, that he had made an offer to try his hand at some personal squibs, which, ultimately, was not accepted. Manning need not have feared that there would have been a particle of malice in them ! Lamb afterwards became a cor- MANNING. 5! respondent' to the paper, and has recorded his expe- rience of the misery of toiling after pleasantries in one of the " Essays of Elia," entitled " Newspapers thirty-five years ago." " ' Lamb may have filled this office in the more extended sense of the word. The Morning Post at this time sent an agent to Margate, to report the fashionable arrivals, etc. Now from an allusion in one oi Lamb's letters, he would seem to have been at Margate about this period (1802-3). ' ^'!t^& discovered some of these "pleasantries," which will be found, poit, in the notes to the Elia Essays, — F. ' He was not to keep this connection very long. " Charles has lost the newspaper, but what we dreaded as an evil has proved the greatest blessing, for we have both strangely recovered our health and spirits since this has happened." — Letter of Mary Lamb, 1 804. Connected with this loss, which was more serious than might have been sup- posed, was a little incident which gives a charming idea of Mary Lamb, her deep affection and earnestness, as well as of her pleasant discrimination of character. " My brother," she writes, " has had a letter from youi Mother, which has distressed him sadly — about the postage of some letters being paid by my brother — ^your silly brother, it seems, has informed your Mother (I did not think your brother could have been so silly) that Charles had grumbled at paying the said post- age. The fact was, just at that time we were very poor, having los' the Morning Post, & we were beginning to practise a strict economy. My brother, who never makes up his mind whetlier he will be a Miser or a Spendthrift, is at all times a strange mixture of both : of this failing, the even economy of your correct brother's temper makes him an ill judge. The miserly part of Charles, at that time smarting under his recent loss, then happened to reign triumphant ; and he would no* write, or let me write, so often as he wished, because the postage cosi two and four pence. Then came two or three of your poor Mother' letters nearly together ; and the two & four pences he wished, but grudged, to pay for his own, he was forced to pay for hers. In this dismal distress, he applied to Fenwick to get his friend Motley to send them free from Portsmouth. This Mr. Fenwick could have done for half a word's speaking ; but this he did not do ! Then Charles fool- ishly & unthinkingly complained to your brother in a half serious, hall joking way; & your brother has wickedly, and with malice afore thought, told your Mother. O fyp upon him ! what will your Mo K 2 52 MANNING. Lamb's constant apprehensions of the recurrence of his sister's malady were soon realized. An old maid-servant who assisted her in the lodging became ill ; Miss Lamb incessantly watched the death-bed ; and just as the poor creature died, was again seized with madness. He placed her under medical care. It would seem from his letters of this time, that the natural determination of Lamb " to take what plea- sure he could between the acts of his distressful drama," had led him into a wider circle of companion- ship, and had prompted sallies of wilder and broader mirth, which afterwards softened into delicacy, retain- ing all its whim. A passage, which concludes one of his letters to Manning, else occupied with merely personal details, proves that his apprehensions for the diminution of his reverence for sacred things were not wholly unfounded ; while, amidst its gro- tesque expressions, may be discerned the repugnance to the philosophical infidelity of some of his com- panions he retained through life. It may, perhaps, be regarded as a sort of desperate compromise be- tween a wild gaiety and religious impressions obscured tber think of us i By entreaties & prayers 1 might have prevailed on my brother to say nothing about it. But I make a point of conscience never to interfere or cross my brother in the humour he happens to be in. Charles is sadly fretted now, I know, at what to say to your Mother. Say to her it was a jest misunderstood ; tell her Charles Lamb is not the shabby fellow she & her son took him for ; but that he is now & then a trifle whimsical or so. I do not ask your brother to do this, for I am offended with him for the mischief he has made." She adds : " I have known many single men I should have liked in my life (if It had suited them) for a husband . out very few husbands have I ever wished was mine, which is rather against the state in general ; but one never is disposed to envy wives their good husbands. So much for marrying — but however get married, if you can." — F. MANNING. 53 but not effaced ; and intimating his disapprobation of infidelity, with a melancholy sense of his own unworthiness seriously to express it. Indeed in all his letters to Manning a vein of wild humour breaks out, of which there are but slight indications in the correspondence with his more sentimental friends ; as if the very opposition of Manning's more scientific powertohis own force of sympathy provoked the sallies which the genial kindness of the mathematician fos- tered. The prodigal and reckless humour of some of these letters forms a striking contrast to the deep feeling of the earlier letters to Coleridge. His " Es- says of Elia' show the harmonious union of both. During this year (1800) Lamb carried into effect his purpose of removing to Mitre Court Buildings, Temple. During this time he wrote only a few poems. Meanwhile he had engaged to spend a few days when he could obtain leave, with Manning at Cambridge, and, just as he hoped to accomplish his wish, received an invitation from Lloyd to give his holiday to the poets assembled at the Lakes. In the joyous excitement of spirits which the anticipated visit to Manning produced, he played off Manning's proposal on his friend, and abused mountains and luxuriated in his love of London. He was presently called on to " assist" at the pro- duction of a tragedy, by a friend, whose more mature reputation gave him readier access to the manager, but who had no better claim to success than himself. Mr. Godwin, whose powerful romance of Caleb Wil- liams had supplied the materials for " The Iron Chest" of Colman, naturally aspired, on his own account, to the glory of the scene, and completed a tragedy under the title of " Antonio; or, the Soldier's 54 GODWIN. Eeturn," which was accepted at Drury-lane Theatre, and was announced for representation on Saturday, the 13th December in this year. Lamb supplied the epilogue. Alas for human hopes 1 The play was decisively damned, and the epilogue shared its fate. The tra- gedy turned out a miracle of dulness for the world to wonder at, although Lamb always insisted it had one fine line, which he was fond of repeating — sole relic of the else forgotten play.' Kemble and Mrs, Sid- dons, the brother and sister of the play, toiled through four acts and a half without applause or disappro- bation ; one speech was not more vapid than another ; and so dead was the level of the dialogue, that, although its destiny was seen from afar, it presented no opportunity for hissing. But as the play drew towards a close, when, after a scene of frigid chiding not vivified by any fire of Kemble's own, Antonio drew his sword and plunged it into the heroine's bosom, the " sad civility" of the audience vanished, they started as at a real murder, and hooted the actors from the stage. " Philosophy," which could not " make a Juliet," sustained the author through the trial. He sat on one of the front benches of the pit, unmoved amidst the storm. When the first act passed off without a hand, he expressed his satis- faction at the good sense of the house ; " the proper season of applause had not arrived ;" all was exactly ' In the fourth scene of that tragedy, where tlie description of the Pagan deities occurs. " In speaking of Saturn, he is figured as ' an old man melancholy.' ' That was my line,' Lsmh would say, exultingly. I forget how it was originally written, except that it had not the extra (or eleventh) syllable, which it now has." — Procter. — F. GODWIN. 55 • as it should be. The second act proceeded to its close in the same uninterrupted calm ; his friends became uneasy, but still his optimism prevailed ; he could afford to wait. And though he did at last admit the great movement was somewhat tardy, and that the audience seemed rather patient than interested, he did not lose his confidence till the tumult arose, and then he submitted with quiet dignity to the fate of genius, too lofty to be understood by a world as yet in its childhood 1 Notwithstanding this rude repulse, Mr. Godwin retained his taste for the theatre to the last. On every first night of a new piece, whether tragedy, comedy, or 'farce, whether of friend or foe, he sat with gentle interest in a side-box, and bore its fate, whatever it might be, with resignation, as he had done his own.' The ominous postponement of Lamb's theatrical hopes was followed by their disappointment at the commencement of the century. He was favoured with at least one interview by the stately manager of Drury Lane, Mr. Kemble, who extended his high-bred courtesy even to authors, whom he invariably attended to the door of his house in Great Russell Street, and bade them "beware of the step." Godwin's cata- strophe had probably rendered him less solicitous to encounter a similar peril ; which the fondest admirers of "John Woodvil" will not regret that it escaped. While the occasional roughness of its verse would have been felt as strange to ears as yet unused to the old dramatists whom Lamb's Specimens had not then made familiar to the town, the delicate beauties ' Lamb's grotesque account of the scene will be found in a re- ^enched passage of one of his Essays. — F. 50 "JOHN WOODVIL. enshrined within it would scarcely have been perceived in the glare of the theatre. Exhibiting " the depth, and not the tumults of the soul," — presenting a female character of modest and retiring loveliness and noble purpose, but undistracted with any violent emotion, — and developing a train of circumstances which work out their gentle triumphs on the heart only of the hero, without stirring accident or vivid grouping of persons, — it would scarcely have supplied suiBcient of coarse interest to disarm the critical spirit which it would certainly have encountered in all its bitter- ness. Lamb cheerfully consoled himself by publishing it ; and at the close of the year 1801 it appeared in a small volume, of humble appearance, with the " Frag- ments of Burton" (to which Lamb alluded in one of his previous letters), two of his quarto ballads, and the " Helen" of his sister. The daring peculiarities attracted the notice of the Edinburgh reviewers, then in the infancy of their slashing career, and the volume was immolated, in due form, by the self-constituted judges, who, taking for their motto " jfudex damnatur cum nocens ahsol- vitur," treated our author as a criminal convicted of publishing, and awaiting his doom from their sen- tence. With the gay recklessness of power, at once usurped and irresponsible, they introduced Lord Mansfield's wild construction of the law of libel into literature ; like him, holding every man primd facie guilty, who should be caught in the act of publishing a book, and referring to the court to decide whether sentence should be passed on him. The article on "John Woodvil," which adorned their third number, is a curious example of the old style of criticism vivified by the impulses of youth. We wonder now " JOHN WOODVIL. 57 — and probably the writer of the article, if he is living, will wonder with us — that a young critic should seize on a little eighteen-penny book, simply printed, with- out any preface ; make elaborate merriment of its outline, and, giving no hint of its containing one profound thought or happy expression, leave the reader of the review at a loss to suggest a motive for noticing such vapid absurdities. This article is written in a strain of grave banter, the theme of which is to congratulate the world on having a speci- men of the rudest condition of the drama, " a man of the age of Thespis." "At length," says the reviewer, " even in composition a mighty veteran has been born. Older than ^schylus, and with all the spirit of originality, in an age of poets who had before them the imitations of some thousand years, he comes forward to establish his claim to the ancient hircus, and to satiate the most remote desires of the philosophic antiquary." On this text the writer proceeds, selecting for his purpose whatever, torn from its context, appeared extravagant and crude, and ending without the slightest hint that there is merit, or promise of merit, in the volume. There certainly was no malice, or desire to give pain, in all this ; it was merely the result of the thoughtless adoption, by lads of gaiety and talent, of the old critical canons of the Monthly Reviews, which had been accustomed to damn all works of unpatronized genius in a more summary way, and after a duller fashion. These very critics wrought themselves into good-nature as they broke into deeper veins of thought ; grew gentler as they grew wiser : and sometimes, even when, like Balaam, they came to curse, like him, they ended with " blessing altogether," 58 HESTER SAVORY. as in the review of the " Excursion," which, begin- ning in the old strain, " This will never do," pro- ceeded to give examples of its noblest passages, and to grace them with worthiest eulogy. And now, the spirit of the writers thus ridiculed, especially of Wordsworth, breathes through the pages of this very Review, and they not seldom wear the " rich em- broidery" of the language of the poet once scoffed at by their literary corporation as too puerile for the nursery. The year 1803 passed without any event to disturb the dull current of Lamb's toilsome life. He wrote nothing this year, except some newspaper squibs. His occasional connection with newspapers introduced him to some of the editors and contributors of that day, who sought to repair the spirit wasted by per- petual exertion, in the protracted conviviality of the evening, and these associates sometimes left poor Lamb with an aching head, and a purse exhausted by the claims of their necessities upon it. Among those was Fenwick, immortalised as the Bigod of " Elia," who edited several ill-fated newspapers in succession, and was the author of many libels, which did his employers no good and his Majesty's govern- ment no harm. This year he also wrote the delightful little poem on the death of Hester Savory. This he sent to Manning at Paris, with the following account of its subject : — " Dear Manning, I send you some verses I have made on the death of a young Quaker you may have heard me speak of as being in love with for some years while I lived at Pentonville, though I had never spoken to her in my life. She died about a month since. If yon have interest with the Abbe de Lisle, HAZLITT. 59 you may get 'em translated : he has done as much for the Georgics." The verses must have been written in the very happiest of Lamb's serious mood. I cannot refrain from the luxury of quoting the conclusion, though many readers have it by heart. " My sprightly neighbour, gone before To that unknown and silent shore ! Shall we not meet as heretofore. Some summer morning. When from thy cheerful eyes a ray Hath struck a bliss upon the day, A bliss that would not go away, A sweet forewarning ?" There is no vestige of Lamb's correspondence in the year 1804, nor does he seem to have written for the press. This year, however, added to his list of friends — one in whose conversation he took great delight, until death severed them — William Hazlitt. This remarkable metaphysician and critic had then just completed his first work, the " Essay on the Principles of Human Action," but had not entirely given up his hope of excelling as a painter. After a professional tour through part of England, during which he satisfied his sitters better than himself, he remained some time at the house of his brother, then practising as a portrait painter with considerable success ; and while endeavouring to procure a pub- lisher for his work, painted a portrait of Lamb.' ' Some extracts from Mary Lamb's letters, of this period, will give an idea of the secret gloom that overhung this milage. It suggests the painful influences brother and sister had to struggle against, and that there were in that household other dismal elements. This indeed 6o HAZLITT. It is one of the last of Hazlitt's efforts in an art which he afterwards illustrated with the most ex- was only to be expected, and is scarcely hinted at in Talfourd's equable narrative. Miss Lamb wrote in Sept., 1 805 : — " If I possibly can, I will prevail upon Charles to write to your brother ; but he is so unwell, I almost fear the fortnight will slip away before I can get him in the right rein, indeed, it has been sad & heavy times with us lately: when I am pretty well, his low spirits throws me back again ; & when he begins to get a little chearful, then I do the same kind ofHce for him. I heartily wish for the arrival of Coleridge ; a few such evenings as we have sometimes passed with him would wind us up, and set us a going again. Do not say any thing, when you write, of our low spirits — it will vex Charles. You would laugh, or you would cry, perhaps both, to see us sit together, looking at each other with long and rueful faces, & saying, «how do you do?' & 'how do you do.'' and then we fall a-crying, & say we will be better on the morrow." Again in November : " Your k'uid heart will, I know, even if you have been a little dis- pleased, forgive me, when I assure you my spirits have been so much hurt by my last illness, that at times I hardly know what I do. I do not mean to alarm you about myself, or to plead an excuse ; but I am very much otherwise than you have always known me. I do not think any one perceives me altered, but I have lost all self-confidence in my own actions, & one cause of my low spirits is, that 1 never feel satisfied with any thing I do — a perception of not being in a sane state perpe- tually haunts me." What follows opens up further the troubled interior: — "Charles is very busy at the Office ; he will be kept there to-day till seven or eight o'clock : and he came home very smoky ts" drittky last night ; so that I am afraid a hard day's work will not agree very well with him. "March [3fay] 14. — Here I was interrupted; and a long, tedious interval has intervened, during which I have had neither time nor inclination to write a word. The Lodging — that pride and pleasure of your heart & mine, is given up, and here he is again— Charles, I mean — as unsettled and as undetermined as ever. When he went to the poor lodging, after the hoUidays I told you he had taken, he could not endure the solitariness of them, and I had no rest for the sole ot HAZLITT. 61 quisite criticism which the knowledge and love of it could inspire. tny foot till I promised to believe his solemn protestations that he could & would write as well at home a« there. Do you believe this i " 1 have no power over Charles — he will do — what he will do. But I ought to have some little influence over myself. You shall hear a good account of me, and the progress I make in altering my fretful temper to a calm and quiet one. It is but being once thorowly con- vinced one is wrong, to make one resolve to do so no more ; and I know my dismal faces have been almost as great a drawback upon Charles's comfort, as his feverish, teazing ways have been upon mine. Our love for each other has been the torment of our lives hitherto. I am most seriously intending to bend tlie whole force of my mind to counteract this, and I think I see some prospect of success. " Of Charles ever bringing any work to pass at home, I am very doubtful ; and ot the farce succeeding, I have little or no hope ; but if I could once get into the way of being chearful myself, I should see an easy remedy in leaving town & living cheaply, almost wholly alone ; but till I do find we really are comfortable alone, and by ourselves, it seems a dangerous experiment. We shall certainly stay where we are till after next Christmas." — Letters of Charles and Mary Lamb. — F. ( 62 ) CHAPTER IV. [1806— 1815.] " Mr. H."— Temple Lane.— The " Quarterly Review" attack. " The first-fruits of my retirement," Lamb wrote to Hazlitt, " has now been a farce which goes to manager to-morrow. Wish my ticket luck. God bless you, and do write. — Y ouis, fumosissimus, C. Lamb." The farce referred to is the delightful jeud'esprit, " Mr. H.," destined to only one night's stage exist- ence, but to become " good jest for ever." It must be confessed that it has not substance enough for a dramatic piece in two acts — a piece which must present a show of real interest — involve its pair of young lovers in actual perplexities — and terminate in the seriousness of marriage ! " It would be rare sport in Milton's " Limbo of Vanity," but is too airy for the ponderous sentimentalism of the modern school of farce. As Swift, in " Gulliver," brings everything to the standard of size, so in this farce everything is reduced to an alphabetical standard. Humour is sent to school to learn its letters ; or, rather, letters are made instinct with the most delicate humour. It is the apotheosis of the alphabet, and teaches the value of a good name without the least hint of moral ' Leigh Hunt thought that had the name been " Mr, Horrid&ce, or Mr. Hangman, or Mr. Hornowl or Hellish," etc., the effect would have been better. — F. " MR. H ." 63 purpose.' This mere pleasantry — this refining on sounds and letters — this verbal banter, and watery collision of the pale reflexions of words, could not succeed on a stage which had begun to require interest, moral or immoral, to be interwoven with the web of all its actions ; which no longer rejoiced in the riot of animal spirits and careless gaiety; which no longer permitted wit to take the sting from evil, as well as the load from care ; but infected even its prince of rakes, Charles Surface, with a cant of sentiment which makes us turn for relief to the more honest hypocrite his brother. Mr. H. " could never do ;" but its composition was pleasant, and its acceptance gave Lamb some of the happiest moments he ever spent.'' Wednesday, loth December, i8o5, was the wished- for evening which decided the fate of " Mr. H." on the boards of Drury. Great curiosity was excited by the announcement ; the house was crowded to the ceiling ; and the audience impatiently awaited the conclusion of the long, dull, intolerable opera of " The Travellers," by which it was preceded. At length, Mr. EUiston, the hero of the farce, entered, gaily dressed, and in happiest spirits — enough, but not too much, elated — and delivered the prologue with great vivacity and success. The farce began : at first it was much applauded ; but the wit seemed wire-drawn ; and when the curtain fell on the first act, the friends of the author began to fear. The second act dragged ' This is a too exaggerated estimate of the merits of the piece, which is undramatic in construction. In Alibone's Dictionary it is stated that it was acted with success at Philadelphia, — F. ' Mary Lamb carried it herself to Drury Lane. " He was very civil to me," she says of Wroughton the managfer. — F. 64 "MR. H ." heavily on, as second acts of farces will do ; a rout at Bath, peopled with ill-dressed and over-dressed actors and actresses, increased the disposition to yawn ; and when the moment of disclosure came, and nothing worse than the name Hogsflesh was heard, the audi- ence resented the long play on their curiosity, and would hear no more. Lamb, with his sister, sat, as he anticipated, in the front of the pit, and having joined in encoring the epilogue, the brilliancy of which injured the farce, he gave way with equal pliancy to the common feeling, and hissed and hooted as loudly as any of his neighbours. The next morning's play- bill contained a veracious announcement, that " the new farce of Mr. H., performed for the first time last night, was received by an overflowing audience with universal applause, and will be repeated for the second time to-morrow ;" but the stage lamps never that morrow saw I Elliston would have tried it again : but Lamb saw at once that the case was hopeless, and consoled his friends with a century of puns for the wreck of his dramatic hopes.' ' It was thus announced. "To-morrow The Travellers, after which (never acted) a new Farce in two acts, called ' Mr. H .' The charac- ters by Mr. Elliston, Mr. Hartley, Mr. Wewitzer, Miss Mellon, Aliss Tidswell," etc. The performance was thus criticised in the Morning Chronicle .- — " Last night, after the opera of The Travellers, a new Farce was produced here, entitled ' Mr. H .' This air of mystery had the effect of attracting a very numerous audience. Before the rising of the curtain, and for some time after, many conjectures were formed respecting the name, and a few of the spectators seemed disposed to concur with some of the personages of the piece, in the supposition that he must turn out to be no other than the Prince of Hesse in dis- guise." An account follows of the plot. " The idea certainly might have afforded material ioi a laughable entertainment, as it may be easily conceived that the fear of discovery might have brought Mr. H " MR. H ." 65 From this period, the letters of Lamb which have been preserved are comparatively few, with reference into many awkvrard predicaments, and his excessive irritability respect- ing liis name occasioned mucli ludicrous conversation. The author has not by any means made so much of it as he might have done. At the same time he did not entirely fail, for the horror of Mr. H, at his own name, and his embarrassment from the eagerness of everybody to discover it, was tolerably supported. But there were defects in the piece, which justified a part of the disapprobation which it experienced towards the close. The chief of these were, first, the excessive length to which the puns on the name were carried after the discovery ; and secondly, the want of prominent characters. . . . This excessive punning produces disgust rather than laughter. The only character of any consequence is Mr. H. himself, and he, unfortunately, is not managed so as to enable him to support completely the interest of the piece. The unexpected change of name seemed to shock from its improbability, and the pun attached to it rather increased the disgust. The conclusion, too, was exceedingly tame and ill-managed. If, however, the most obnoxious of the puns were struck out, and a more interesting concluding scene devised, the piece might be tolerable. Certainly, even as it is, more insipid farces have been endured, and the dissatisfaction with which it was received was greater than the occasion called for. A considerable number, however, declared in its favour, and it was given out for a second representation on Friday." The author, Hazlitt, and Mr. Crabb Robinson sat together in the front row of the pit. The reception of the prologue was encouraging, and it was believed that had a less ponderous piece than The Travellers opened the performance the piece might have succeeded. His two companions were astonished to find him joining in the hisses. Lewis the actor declared, that with judicious curtailment it would even have been popular. Even now, when its author's reputation is estab- lished, it would be found amusing, and certainly interesting, if com- pressed into a one-act piece. On the following morning it was announced for Friday evening ; but in the programme of that day appeared the following : — " * , * The new farce of Mr. H is with- drawn at the request of the author ;" and " Three Weeks after Mar- riage" was substituted. " Much whim," said the Daily Advert'uer, "vras expected. The piece was completely condemned." The laborious Geneste declares "that worse farces than this have been successful." — F. 66 TEMPLE LANE. to the years through which they are scattered. He began to write in earnest for the press, and the time thus occupied was withdrawn from his correspondents, while his thoughts and feeh'ngs were developed by a different excitement, and expressed in other forms. In the year 1807 the series of stories founded on the plays of Shakspeare, referred to in his last letter to Manning, was published ; in which the outlines of his plots are happily brought within the apprehension of children, and his language preserved wherever it was possible to retain it; a fit counterpoise to those works addressed to the young understanding, to which Lamb still cherished the strong distaste which broke out in one of his previous letters. Of these tales. King Lear, Macbeth, Timon of Athens, Romeo and Juliet, Hamlet, and Othello, are by Charles, and the others by Mary Lamb; hers being, as Lamb always insisted, the most felicitous, but all well adapted to infuse some sense of the nobleness of the poet's thoughts into the hearts of their little readers. He had two other works preparing for the press. Miss Lamb, also, sought to contribute to her bro- ther's scanty income by presenting the plots of some of Shakespeare's plays in prose, with the spirit of the poet's genius interfused, and many of his happiest expressions preserved, in which good work Lamb assisted her ; though he always insisted, as he did in reference to " Mrs. Leicester's School," that her por- tions were the best. During the next year they produced their charming little book of " Poetry for Children," and removed from Mitre Court to Southampton Buildings, but only for a few months, and preparatory to a settlement (which meant to be final) in those rooms in Inner TEMPLE LANE. 67 Temple Lane, — most dear of all their abodes to the memory of their ancient friends — where first I knew them. The change produced its natural and sad effect on Miss Lamb.' I Here is i/Lairy Lamb's quaintsketch of the place, written four years later : — " We still live in Temple Lane, but I am now sitting in a room you never saw ; soon after you left us we were distressed by the cries of a cat, which seemed to proceed from the garrets adjoining to ours, and only separated from ours by the locked door on the farther side of my brother's bedroom, which you know was the little room at the top of the kitchen stairs. We had the lock forced and let poor puss out from behind a panel of the wainscot, and she lived with us from that time, for we were in gratitude bound to keep her, as she had introduced us to four untenanted, unowned rooms, and by degrees we have taken possession of these unclaimed apartments — first putting up lines to dry our clothes, then moving my brother's bed into one of them, more commodious than his own room. And last winter, my brother being unable to pursue a work he had begun, owing to the kind interruptions of friends who were more at leisure than himself, I persuaded him that he might write at his ease in one of these rooms, as he could not then hear the door knock, or hear himself denied to be at home, which was sure to make him call out and convict the poor maid in a fib. Here, I said, he might be almost really not at home. So I put in an old grate, and made him a fire in the largest of these garrets, and carried in one table and one chair, and bid him write away, and consider himself as much alone as if he were in some lodging on the midst of Salisbury Plain, or any other wide unfrequented place where he could expect few visitors to break .n upon his solitude. I left him quite delighted with his new acquisition, but in a few hours he came down again with a sadly dismal face. He could do nothing, he said, with those bare whitewashed walls before his eyes. He could not write in that dull unfurnished prison. " The next day, before he came home from his office, I had gathered up various bits of old carpeting to cover the floor ; and, to a little break the blank look of the bare walls, I hung up a few old prints that used to ornament the kitchen, and after dinner, with great boast of what an improvement I had made, I took Charles once more into his new study. A week of busy labours followed, in which I think you would not have disliked to have been our assistant. My brother and I P 2 68 TEMPLE LANE. A journey into Wiltshire, to visit Hazlitt, followed Miss Lamb's recovery. Martin Burney and a large company were of the party.' almost covered the walls with prints, for which purpose he cut out every print from every book in his old library, coming in every now and then to ask my leave to strip a fresh poor author — ^which he might not do, you know, without my permission, as I am elder sister. There was such pasting, such consultation where their portraits, and where a series of pictures from Ovid, Milton, and Shakespeare would show to most advantage, and in what obscure corner authors of humbler note might be allowed to tell their stories. All the books gave up their stories but one — a translation from Ariosto — a delicious set of four- and-twenty prints, and for which I had marked out a conspicuous place ; when lo ! we found at the moment the scissors were going to work that a part of the poem was printed at the back of every picture. What a cruel disappointment I To conclude this long story about nothing, the poor despised garret is now called the print room, and is become our most favourite sitting-room." — Mary Lamb to Miss Betham, Nov. 7,, 1 8 14. Mr. Crabb Robinson says the place was little more than " a garret;" and in his diary, Talfourd's allusion to its disastrous effect on Mary Lamb receives significant confirmation. In 1 8 10, Mr. Robinson wrote that she was " in a feeble and tottering condition. IVater prescribed." The amiable motive of her brother's abstinence appears to have been a wish to encourage and support her ; and though the practice improved his health, yet when in low spirits it left him without a remedy. — F. ' As a large company was invited ; and Mary Lamb, with touching forethought, seems to have sent the hostess a contribution to defray the extra expense, " We can spare you also just five pounds," she wrote. " You are not to say this to Hazlitt, lest his delicacy should be alarmed ; but I tell you what Martin and I have planned, that, if you happen to be empty pursed at this time, you may think it as well to make him up a bed in the best kitchen. " I think it very probable that Phillips will come ; and, if you do not like such a crowd of us, for they both talk of staying a whole month, tell me so, and we will put off our visit to next summer. «The 14th July is the day Mardn has fixed for coming. I should have written before, if I could have got a positive answer from them." — F. TEMPLE LANE. 69 But the country excursions, with which Lamb sometimes occupied his weeks of vacation, were taken with fear and trembling — often foregone — and finally given up, in consequence of the sad eifects which the excitement of travel and change produced in his beloved companion. Two new works were shortly after published. " The Adventures of Ulysses " had some tinge of the quaintness of Chapman; it gives the plot of the earliest and one of the most charming of romances, without spelling its interest. The " Specimens of English Dramatic Poets who lived about the time of Shakspeare," were received with more favour than Lamb's previous works, though it was only by slow and imperceptible degrees that they won their way to the apprehensions of the most influential minds, and wrought out the genial purpose of the editor in renewing a taste for the great contemporaries of Shakspeare. The Monthly Review vouchsafed a notice in its large print, upon the whole favourable, according to the existing fashion of criticism, but " craftily qualified." It will scarcely be credited, without reference to the article itself, that on the notes the critic pronounces this judgment : " The notes before us indeed have nothing very remarkable, except the style, which is formally abrupt and elabo- rately quaint. Some of the most studied attempts to display excessive feeling we had noted for animad- version, but the task is unnecessary," etc. It is easy to conceive of readers strongly dissenting from some of the passionate eulogies of these notes, and even taking oifence at the boldness of the allu- sions ; but that any one should read these essences of criticism, suggesting the profoundest thoughts, and yo THE "QUARTERLY REVIEW ' ATTACK. replete throughout with fine imagery, and find in them " nothing remarkable," is a mystery which puzzles us. But when the same critic speaks of the heroine of the " Broken Heart" as "the light-heeled Calantha," it is easy to appreciate his fitness for sitting in judgment on the old English drama and the congenial expositor of its grandeurs 1 In the autumn, the establishment of a Quarterly Magazine, entitled the Reflector, opened a new sphere for Lamb's powers as a humorist and a critic. Its editor, Mr. Leigh Hunt, having been educated in the same school, enjoyed many associations and friend- ships in common with him, and was thus able to excite in Lamb the greatest motive for exertion in the zeal of kindness. In this Magazine appeared some of Lamb's noblest effusions ; his essay " On Garrick and Acting," which contains the character of Lear, perhaps the noblest criticism ever written, and on the noblest human subject ; his delightful " Essays on Hogarth ;" his " Farewell to Tobacco," and several of the choicest of his gayer pieces. The number of the Quarterly Review, for December, 1811, contained an attack upon Lamb, which it would be difficult, as well as painful, to characterise as it deserves. Mr. Weber, in his edition of " Ford," had extracted Lamb's note on the catastrophe of " The Broken Heart," in which Lamb, speaking of that which he regarded as the highest exhibition of tragic suffering which human genius had depicted, dared an allusion which was perhaps too bold for those who did not understand the peculiar feeling by which it was suggested, but which no unprejudiced mind could mistake for the breathing of other than a pious spirit. In reviewing Mr. Weber, the critic, who was also the THE "QUARTERLY REVIEW ATTACK. 7] editor of the Review, thus complains of the quota- tion : — " We have a more serious charge to bring against the editor than the omission of points, or the misapprehension of words. He has polluted his pages with the blasphemies of a poor maniac, who, it seems, once published some detached scenes of the ' Broken Heart.' For this unfortunate creature, every feeling mind will find an apology in his calamitous situation; but for Mr. Weber, we know not where the warmest of his friends will find palliation or excuse.'' It would be unjust to attribute this para- graph to the accidental association of Lamb in literary undertakings with persons like Mr. Hunt, strongly opposed to the political opinions of Mr. Giiford. It seems rather the peculiar expression of the distaste of a small though acute mind for an original power which it could not appreciate, and which disturbed the conventional associations of which it was master, aggravated by bodily weakness and disease.' ' Talfourd, in his warmth for his friend, taunts the reviewer with having a small but acute mind, with associations " aggravated by bodily weakness and disease." This reproach offends against taste almost as much as the original attack. It would seem incredible indeed, even in those days of personality, that any writer would have made an infirmity of the kind a subject of abuse ; this kind of recrimination being in favour, as Lamb has said in one of his " popular fallacies," with the lower and less cultivated classes. It seems that Mr. Gifford meant no more than the conventional terms that were applied in Ihe Anti-faco- bin and other Tory organs, to Radicals and Freethinkers, then inva- riably pronounced to be iools, madmen, or scoundrels. Southey wrote to the publisher, Murray, lamenting that such an unfortunate expression had been used, and received ii-om Giflbrd the following dated Feb. 13, 1812 : — " My dear Sir, — ... I have this moment received your last letter to Murray. It has grieved and shocked me beyond expression ; but, my dear friend, I am innocent, as far as the intent goes. T call God to 72 THE "QUARTERLY REVIEW" ATTACK. Notwithstanding this attack, Lamb was prompted by his admiration for Wordsworth's " Excursion" to contribute a review of that work, on its appearance, to the Quarterly, and he anticipated great pleasure in the poet's approval of his criticism ; but when the review appeared, the article was so mercilessly man- gled by the editor, that Lamb entreated Wordsworth not to read it. For these grievances Lamb took a very gentle revenge in his sonnet, " Saint Crispin to Mr. Gifford." Lamb, as we have seen, cared nothing for politics ; witness that in the whole course of my life I never heard one syllable of Mr. Lamb or his family. I knew not that he ever had a sister, or that he had parents living, or that he or any person connected with him had ever manifested the slightest tendency to insanity. In a word, I declare to you, in the most solemn manner, that all I ever knew or ever heard of Mr. Lamb was merely his name. Had I been aware of one of the circumstances which you mention, I would have lost my right arm sooner than have written what I have. The plain truth is, I was shocked at seeing him compare the suf&ring and death of a person who just continues to dance after the death of her lover is announced (for this is all her merit) to the pangs of Mount Calvary ; and not choosing to attribute it to folly, because I reserved that chaige for Weber, I unhappily in the present case ascribed it to madness, for which I pray God to forgive me, since the blow has fallen heavily where I really thought it would not be felt. I considered Lamb as a thought- less scribbler, who, in circumstances of ease, amused himself by writing upon any subject. Why I thought so I cannot tell, but it was the opinion I formed to myself, for I now regret to say I never made any inquiry upon the subject; nor by any accident in the whole course of my life did I hear him mentioned beyond his name." It must be siud that nothing could be more frank or truthful than this explanadon ; and this genuine distress, as Southey says, makes one think better of Giflbrd. It was unfortunate that the letter was not found in time to be used in the Biography. Further, on consulting the number, I could not succeed in finding the obnoxious passage : so Giflord must have vrithdrawn it in the later impressions. — F. THE "QUARTERLY REVIEW ATTACK. 73 yet his desire to serve his friends sometimes induced him to adopt for a short time their view of public aiFairs, and assist them with a harmless pleasantry.' His epigram on the disappointment of the Whig associates of the Regent, appeared in the Examiner; and the better known " Triumph of the Whale," also published in the same paper, would probably have only caused a smile if read by the Regent himself, and may now be republished without offence to any one. At the time when he wrote it, Lamb used to stop any passionate attacks upon the prince, with the smiling remark, " I love my Regent." * This scarcely represents the true state of the case. Lamb's politi- cal squibs all show a heartiness and bitterness — ^witness his epigram on Sir J. Mackintosh — which proves that his feelings were engaged. These satires, too, are much more numerous than is supposed. It was only Talfourd's amiable optimism that could have led him to believe that the Regent would have "smiled" on reading " The Whale ;" a mope bitter, savage onslaught was never made. — F. ( 74 ) CHAPTER V. [1815 to 1817.] Lamb's Suppers. It was at the beginning of the year 1815 that I had first the happiness of a personal acquaintance with Mr. Lamb. With his scattered essays and poems I had become familiar a few weeks before, through the instrumentality of Mr. Barron Field, now Chief Justice of Gibraltar, who had been brought into close intimacy with Lamb by the association of his own family with Christ's Hospital, of which his father was the surgeon, and by his own participation in the Reflector. Living then in chambers in Inner Temple Lane, and attending those of Mr. Chitty, the special pleader, which were on the next staircase to Mr. Lamb's, I had been possessed some time by a desire to become acquainted with the writings of my gifted neighbour, which my friend was able only par- tially to gratify. "John Woodvil," and the number of the Reflector enriched with Lamb's article, he indeed lent me, but he had no copy of " Rosamund Gray," which I was most anxious to read, and which, after earnest search through all the bookstalls within the scope of my walks, I found, exhibiting proper marks of due appreciation, in the store of a little circulating library near Holborn. There was some- thing in this little romance so entirely new, yet breathing the air of old acquaintance; a sense of lamb's suppers. 75 beauty so delicate and so intense ; and a morality so benignant and so profound, that, as I read it, my curiosity to see its author rose almost to the height of pain. The commencement of the new year brought me that gratification ; I was invited to meet Lamb at dinner, at the house of Mr. William Evans, a gentle- man holding an office in the India House, who then lived in Weymouth Street, and who was a proprietor of the Pamphleteer, to which I had contributed some idle scribblings. My duties at the office did not allow me to avail myself of this invitation to dinner, but I went up at ten o'clock, through a deep snow, palpably congealing into ice, and was amply repaid when I reached the hospitable abode of my friend. There was Lamb, preparing to depart, but he stayed half an hour in kindness to me, and then accompanied me to our common home — the Temple. Methinks I see him before me now, as he appeared then, and as he continued, with scarcely any per- ceptible alteration to me, during the twenty years of intimacy which followed, and were closed by his death. A light frame, so fragile that it seemed as if a breath would overthrow it, clad in clerk-like black, was sur- mounted by a head of form and expression the most noble and sweet. His black hair curled crisply about an expanded forehead ; his eyes, softly brown, twin- kled with varying expression, though the prevalent feeling was sad ; and the nose slightly curved, and delicately carved at the nostril, with the lower outline of the face regularly oval, completed a head which was finely placed on the shoulders, and gave im- portance, and even dignity, to a diminutive and shadowy stem. Who shall describe his countenance — catch its quivering sweetness — and fix it for ever in 76 lamb's suppers. words ? There are none, alas ! to answer the vain desire of friendship. Deep thought, striving with humour ; the lines of suffering wreathed into cordial mirth ; and a smile of painful sweetness, presents an image to the mind it can as little describe as lose. His personal appearance and manner are not unfitly characterised by what he himself says in one of his letters to Manning of Braham — " a compound of the Jew, the gentleman, and the angel." He took my arm, and we walked to the Temple, Lamb stammering out fine remarks as we walked ; and when we reached his staircase, he detained me with an urgency which would not be denied, and we mounted to the top story, where an old petted servant, called Becky, was ready to receive us. We were soon seated beside a cheerful fire ; hot water and its better adjuncts were before us ; and Lamb insisted on my sitting with him while he smoked " one pipe" — for, alas ! for poor human nature — he had resumed his acquaintance with his " fair traitress." How often the pipe and the glasses were replenished, I will not undertake to disclose ; but I can never forget the conversation : though the first, it was more solemn, and in higher mood, than any I ever after had with Lamb through the whole of our friendship. How it took such a turn between two strangers, one of them a lad of not quite twenty, I cannot tell ; but so it happened. We discoursed then of life and death, and our anticipation of a world beyond the grave. Lamb spoke of these awful themes with the simplest piety, but expressed his own fond cleavings to life — to all well-known accustomed things — and a shivering (not shuddering) sense of that which is to come, which he so finely indicated in his " New Year's Eve," years afterwards. ,/ lamb's suppers. 77 It was two o'clock before we parted, when Lamb gave me a hearty invitation to renew my visit at pleasure ; but two or three months elapsed before I saw him again. In the meantime, a number of the Pamphleteer, contained an " Essay on the Chief Living Poets," among whom on the title appeared the name of Lamb, and some page or two were ex- pressly devoted to his praises. It was a poor tissue of tawdry eulogies — a shallow outpouring of young enthusiasm in fine words, which it mistakes for thoughts ; yet it gave Lamb, who had hitherto received scarcely civil notice from reviewers, great pleasure to find that any one recognised him as having a place among the poets. The next time I saw him, he came almost breathless into the ofiice, and proposed to give me what I should have chosen as the greatest of all possible honours and delights — an introduction to Wordsworth, who I learned, with a palpitating heart, was actually at the next door. I hurried out with my kind conductor, and a minute after was presented by Lamb to the person whom in all the world I venerated most with this preface : — " Wordsworth, give me leave to introduce to you my only admirer." The years which Lamb passed in his chambers in Inner Temple Lane were, perhaps, the happiest of his life. His salary was considerably augmented, his fame as an author was rapidly extending ;' he resided ' Many years later he met Moore at breakfasts and dinners ; and it is amusing to see tlie air of patronage witli whicli the poet records his impressions, ** A clever fellow certainly," he writes in his diary, " but full of villanous and abortive puns, which he miscarries of every minute." He was, however, pleased with his comic idea of forming a library solely of the heroes of the Dunciad, displacing the Humes. Gibbons, and other respectable authors, "which no gentleman's library 78 lamb's suppers. near the spot which he best loved ; and was surrounded by a motley group of attached friends, some of them men of rarest parts, and all strongly attached to him and to his sister. Here the glory of his Wednesday nights shone forth in its greatest lustre. If you did not meet there the favourites of fortune ; authors whose works bore the highest price in Paternoster Row, and who glittered in the circles of fashion ; you might find those who had thought most deeply, felt most keenly, and were destined to produce the most lasting influences on the literature and manners of the age. There Hazlitt, sometimes kindling into fierce passion at any mention of the great reverses of his idol Napoleon, at other times bashfully enunciated the finest criticism on art; or dwelt with genial iteration on a passage in Chaucer ; or, fresh from the theatre, expatiated on some new instance of energy in Kean, or reluctantly conceded a greatness to Kemble ; or detected some popular fallacy with the fairest and the subtlest reasoning. There Godwin, as he played his quiet rubber, or benignantly joined in the gossip of the day, sat an object of curiosity and wonder to the stranger, who had been at one time shocked or charmed with his high speculation, and at another awe-struck by the force and graphic power of his novels. There Coleridge sometimes, though rarely, took his seat; and then the genial hubbub of voices was still ; critics, philosophers, and should be without." Yet Lamb was delighted with him. " Mister Moore," Mr. Crabb Robinson heard him call out not very distinctly across the table, " will you drink a glass of wine with me ?" Thej suiting the action to the word, he went on : " Mister Moore, till now I have always felt an antipathy, but now ttiat I have seen you, I shall like you ever after." — F. LAMB'S SUPPERS. 79 poets, were contented to listen ; and toil-worn lawyers, clerks from the India House, and members of the Stock Exchange, grew romantic while he spoke. Lamb used to say that he was inferior then to what he had been in his youth ; but I can scarcely believe it ; at least there is nothing in his early writing which gives any idea of the richness of his mind so lavishly poured out at this time in his happiest moods. Although he looked much older than he was, his hair being silvered all over, and his person tending to cor- pulency, there was about him no trace of bodily sick- ness or mental decay, but rather an air of voluptuous repose. His benignity of manner placed his auditors entirely at their ease, and inclined them to listen delighted to the sweet, low tone in which he began to discourse on some high theme. Whether he had won for his greedy listener only some raw lad, or charmed a circle of beauty, rank, and wit, who hung breathless on his words, he talked with equal elo- quence ; for his subject, not his audience, inspired him. At first his tones were conversational ; he seemed to dally with the shadows of the subject and with fantastic images which bordered it ; but gradually the thought grew deeper, and the voice deepened with the thought ; the stream gathering strength, seemed^ to bear along with it all things which opposed its progress, and blended them with its current; and stretching away among regions tinted with ethereal colours, was lost at airy distance in the horizon of the fancy. His hearers were unable to grasp his theories, which were indeed too vast to be exhibited in the longest conversation ; but they perceived noble images, generous suggestions, affecting pictures of virtue, which enriched their minds and nurtured their So lamb's suppers. best affections. Coleridge was sometimes induced to recite portions of " Christabel," then enshrined in manuscript from eyes profane, and gave a bewitching effect to its wizard lines. But more peculiar in its beauty than this, was his lecitation of Kubla Khan. As he repeated the passage — A damsel with a dulcimer In a vision once I saw : It was an Abyssinian maid. And on Iter dulcimer she played. Singing of Mont Abora ! his voice seemed to mount, and melt into air, as the images grew more visionary, and the suggested asso- ciations more remote. He usually met opposition by conceding the point to the objector, and then went on with his high argument as if it had never been raised : thus satisfying his antagonist, himself, and all who heard him ; none of whom desired to hear his discourse frittered into points, or displaced by the near encounter even of the most brilliant wits. The first time I met him, which was on one of those Wednesday evenings, we quitted the party together between one and two in the morning ; Coleridge took my arm and led me nothing loath, at a very gentle pace, to his lodgings, at the Gloucester Coffee House, pouring into my ear the whole way an argument by which he sought to reconcile the doctrines of Neces- sity and Free-will, winding on through a golden maze of exquisite illustration ; but finding no end, except with the termination of that (to me) enchanted walk. He was only then on the threshold of the Temple of Truth, into which his genius darted its quivering and uncertain rays, but which he promised shortly to light lamb's SUPPERS. 8l up with unbroken lustre. " I understood a beauty in the words, but not the words : " " And when the stream of sound. Which overflowed the soul, had passed away, A consciousness survived that it had left. Deposited upon the silent shore Of memory, images and gentle thoughts. Which cannot die, and will not be destroyed," Men of "great mark and likelihood" — attended those delightful suppers, where the utmost freedom pre- vailed — including politicians of every grade, from Godwin up to the editor of the New Times. Hazlitt has alluded con amore to these meetings in his Essay " On the Conversation of Authors,'" and 1 The following is his graphic sketch of these evenings : — "This was formerly the case at Lamb's, where we used to have many lively skirmishes at his Thursday evening parties. I doubt whether the small-coal- man's musical parties could exceed them. O 1 for the pen of John Buncle to consecrate & petit sowvenir to their memory. There was Lamb himself, the most delightful, the most provoking, the most witty and sensible of men I He always made the best pun and the best remark in the course of the evening. His serious conversation, like his serious writing, is his best. No one ever stammered out such fine, piquant, deep, eloquent things in half a dozen half-sentences, as he does. His jests scald like tears, and he probes a question with a play upon words. What a keen, laughing, hairbrained view of home- felt truth ! What choice venom ! How often did we cut into the haunch of letters, while we discussed the mutton on the table ! How we skimmed the cream of criticism ! How we got into the heart ot controversy 1 How we picked out the marrow of authors 1 And in our flowing cups many a good name and true was freshly remembered. Recollect, most sage and critical reader, that in all this I was but a guest. Need I go over the names. They were the old everlasting set — Milton and Shakespeare, Pope and Dryden, Steele and Addison, Swiit and Gay, Smollett, Sterne, Richardson j Hogarth's prints, Claude's landscapes ; the cartoons at Hampton Court, and all those things, that, having once been, must ever be. The Scotch novels had not then been G 82 lamb's suppers. has reported one of the most remarkable discussions which graced them in his Essay " On Persons one would wish to have seen," published by his son, in the two volumes of his remains, which with so affec- tionate a care he has given to the world. In this was a fine touch of Lamb's pious feeling, breaking through his fancies and his humours, which Hazlitt has recorded, but which cannot be duly appreciated, except by those who can recall to memory the suffused eye and quivering lip with which he stammered out a reference to the name which he would not utter. " There is only one other person I can ever think of after this," said he. " If Shakespeare was to come into the room, we should all rise to meet him ; but if heard of, so we said nothing about them. In general we were hard upon the moderns. The author of the " Rambler" was only tolerated in Boswell's Life of him ; and it was as much as any one could do to edge in a word for Junius. Lamb could not bear Gil Bias. This was a fault. I remember the greatest triumph I ever had was in persuading him, after some years' difficulty, that Fielding was better than Smollett. On one oceasion he was for making out a list of persons &mous in history that one would wish to see : at the head of whom were Pontius Pilate, Sir Thomas Brown, and Dr. Faustus ; but we black-balled most of his list. With what a gusto would he describe his favourite authors, Donne, or Sir Philip Sidney, and call their most crabbed passages deli- cious 1 He tried them on his palate as epicures taste olives, and his observations had a smack in tliem like a roughness on the tongue. With what discrimination he hinted a defect in what he admired most ; as in saying that the display of the sumptuous banquet in ' Paradise Lost' was not in true keeping, as the simplest fare was all that was necessary to tempt the extremity of hunger ; and stating that Adam and Eve in ' Paradise Lost' were too much like married people. There was no fuss or cant about him, nor were his sweets or his sours ever diluted witli one particle of affectation. I cannot say that the party at Lamb's were all of one description. There were honorary members — lay brothers. Wtt and good fellotxiship was the motto inscribed over lamb's suppers. 83 That Person were to come into it, we should all fall down and kiss the hem of his garment." Lamh's intention of spending the rest of his days in the Middle Temple was not to be realized. The inconvenience of being in chambers began to be felt as he and his sister grew older, and in the autumn of this year they removed to lodgings in Russell Street, Covent Garden, the corner house. Being now in the immediate neighbourhood of the theatres, Lamb re- newed the dramatic associations of his youth, which the failure of one experiment had not chilled. Although he rather loved to dwell on the recollections of the actors who had passed from the stage, than to mingle with the happy crowds who hailed the succes- the door. When a stranger came in, it was not asked, 'Has he written anything,' We were above that pedantry, but we waited to see what he could do. If he could take a hand at picquet he was welcome to sit down ; . . . we abhorred insipidity, aflectation, and fine gentlemen. There was one of our party who never failed to mark 'two for his nob' at cribbage, and he was thought no mean person. This was Ned Philips, and a better fellow in his way breathes not. There was Godwin, who asserted some incredible matter of fact as a likely paradox, and settled all controversies by an ipse dixit, 3. fiat of his brain — the Baron Munchausen of politics and practical philosophy. There was Captain Bumey, who had yoii at a disadvantage by never understanding you. There was Jem White, the author of ' FalstafF's Letters,' who the other day left this dull world to go in search of more kindred spirits, * turning like the latter end of a lover's lute.' There was Ayrton, who sometimes dropped in, the Will Honeycomb of our set ; and Mr. Reynolds, who being of a quiet turn, loved to hear a noisy debate. An utterly misinformed person might have supposed this a scene of vulgar confusion and uproar. While the most critical question was pending, while the most difficult problem in philosophy was solving. Philips cried out, 'That's game!' and Mai-tin Bumey muttered a quotation over the last remains of a veal pie at a side-table." — Plain Speaker, i., p. 79. — F. G 2 84 lamb's suppers. sive triumphs of Mr. Kean, he formed some new and steady theatrical attachments. His chief favourites of this time were Miss Kelly, Miss Burrell of the Olympic, and Munden. The first, then the sole sup- port of the English Opera, became a frequent guest in Great Russell Street, and charmed the circle there by the heartiness of her manners, the delicacy and gentleness of her remarks, and her unaffected sensi- bility, as much as she had done on the stage. Miss Burrell, a lady of more limited powers, but with a frank and noble style, was discovered by Lamb on one of the visits which he paid, on the invitation of his old friend EUiston, to the Olympic, where the lady performed the hero of that happy parody of Mon- crieff 's, " Giovanni in London." To her Lamb devoted a little article, which he sent to the Examiner, in which he thus addresses her : — " But Giovanni, free, fine, frank-spirited, single-hearted creature, turning all the mischief into fun as harmless as toys, or children's make believe." Miss Burrell soon married a person named Gould, and disappeared from the stage. To Munden in prose, and Miss Kelly in verse. Lamb has done ample justice. Among the frequent guests in Inner Temple Lane was Mr. Ayrton, the director of the music at the Italian Opera. At this time Lamb's interest was strongly excited for Mr. Kenney, on the production of his comedy entitled " A Word to the Ladies." He had engaged to contribute the prologue ; but the promise pressed hard upon him, and he procurf d the requisite quantity of verse from a very inferior hand. Kenney, who had married Holcroft's widow,' had ' Daughter of Mercier, the author of the " Tableau de Paris." — F. IAMB S SUPPERS. 85 more than succeeded to him in Lamb's regards. Holcroft had considerable dramatic skill ; great force and earnestness of style, and noble sincerity and uprightness of disposition ; but he was an austere observer of morals and manners ; and even his gro- tesque characters were hardly and painfully sculptured ; while Kenney, with as fine a perception of the ludi- crous and the peculiar, was more airy, more indulgent, more graceful, and exhibited more frequent glimpses of " the gayest, happiest attitude of things." The comedy met with less success than the reputation of the author and brilliant experience of the past had rendered probable, and Lamb had to perform the office of comforter, as he had done on the more unlucky event to Godwin. Another of Lamb's new acquaintances was Mr. Charles Oilier, a young bookseller of considerable literary talent, which he has since exhibited in the original and beautiful tale of " Inesilla," who pro- posed to him the publication of his scattered writings in a collected form. Lamb acceded ; and nearly all he had then written in prose and verse, were pub- lished this year by Mr. Oilier and his brother, in two small and elegant volumes, of which early copies were despatched to Southey and Wordsworth. The widening circle of Lamb's literary friends also embraced additional authors and actors, — famous, or just bursting into fame. He welcomed in the author of the " Dramatic Scenes," who chose to appear in print as Barry Cornwall, a spirit most congenial with his own in its serious moods — one whose genius he had assisted to impel towards its kindred models, the great dramatists of Elizabeth's time, and in whose success he received the first and best reward of the 86 lamb's suppers. efforts he had made to inspire a taste for these old masters of humanity. Mr. Macready, who had just emancipated himself from the drudgery of represent- ing the villains of tragedy, by his splendid performance of Richard, was introduced to him by his old friend Charles Lloyd, who had visited London for change of scene, under great depression of spirits. Lloyd owed a debt of gratitude to Macready which exemplified the true uses of the acted drama with a force which it would take many sermons of its stoutest opponents to reason away. A deep gloorn had gradually over- cast his mind, and threatened wholly to encircle it, when he was induced to look in at Covent Garden Theatre, and witness the performance of "Bob Roy." The picture which he then beheld of the generous outlaw, — the frank, gallant, noble bearing, — ^the air and movements, as one " free of mountain solitudes," — the touches of manly pathos and irresistible cordi- ality, delighted and melted him, won him from his painful introspections, and brought to him the un- wonted relief of tears. He went home " a gayer and a wiser man ;" returned again to the theatre, when- ever the healing enjoyments could be renewed there ; and sought the acquaintance of the actor who had broken the melancholy spell in which he was enthralled, and had restored the pulses of his nature to their healthful beatings.' The year 1820 gave Lamb an 1 In Mr. Macready's recendy published Diary, is given a fuller account of this curious incident. It seems that shortly after the per- formance he received a sonnet, which, in some fervent lines, told him what had been the effect of his acting : — " That one whose brain was dry — whose dearest rest Was death's pale dwelling — he hath felt it start, Nature's first gush for years— at thy behest." lamb's suppers. 87 interest in Macready beyond that which he had derived from the introduction of Lloyd, arising from the power with which he animated the first produc- tion of one of his oldest friends — " Virginius." Knowles had been a friend and disciple of Hazlitt from a boy, and Lamb had liked and esteemed him as a hearty companion ; but he had not guessed at the extraordinary dramatic power which lay ready for kindling in his brain, and still less at the delicacy of tact with which he had unveiled the sources of the most profound affections. Lamb had almost lost his taste for acted tragedy, as the sad realities of life had pressed more nearly on him ; yet he made an exception in favour of the first and happiest part of " Virginius," those paternal scenes, which stand alone in the modern drama, and which Macready informed with the fulness of a father's affection. This perpetual influx of visitors whom he could not repel, whom indeed he was always glad to welcome, but whose visits unstrung him, induced him to take lodgings at Dalston, to which he occasionally retired when he wished for repose.' The deaths of some Not long after he and the author met, when Lloyd told him what had been his sufferings for four years, "a torpor of feeling, and, as it were, a numbness of his faculties." But the relief, as might be ex- pected, was only temporary, and he soon sank back into a state of incurable monomania. Macready met Lamb at Talfourd's, and was particularly " arrided" by his speech, " that the last breath he drew he wished might be through a pipe, and exhaled in a pun." — F. ^ In 1820 Charles Lamb and his sister paid a visit to Cambridge. " It was a pleasure," says the amiable Crabb Robinson, who met them there, *'to be with them. All Lamb^s enjoyments are so pure and hearg^"— F. 88 lamb's dUpfers. who were dear to him cast a melancholy tinge on his mind, as may be seen in his letters.' ' That some such retreat was called for, is plain from the round of entertainments — if such it may be called— in which brother and sister lived. Here was Mr. C. Robinson's experience of a weeic only. On November 13th he met Wordsworth at Lamb's; on the i8th he dined with them at Mr. Monkhouse's; on the zoth he was again at Lamb's to meet Wordsworth ; on the next evening came Miss Xelly, Wordsworth again, Stoddart, Barry Cornwall, Talfourd, etc. This series of little festivities — duly celebrated with punch and supper — was wholly unsuited to such excitable natures : and though Sir T. Talfourd puts the matter as delicately as he can, there is no doubt but that ffight became a matter of absolute necessity. Then a reaction about as prejudicial followed, and we find the unhappy Mary Lamb chafing against the restraint, and sighing for the old pleasures. " I had rather," she says in one of her letters, " live in Russell Street all my life, and never set my foot but on the London pavement, than be doomed always to enjoy the silent pleasures I now do. We go to bed at ten o'clock — late hours are life-shortening things ; but I would rather run all risks, and sit every night — at some places I could name — luiihing in vain at eleven tf clock for the entrance of the supper- tray, than be alivays up and alive at eight 0'' clock breakfast, as I am here." When staying at their Dalston Cottage they lost their bro- ther, John Lamb, in November, i8zi. Mr. Crabb Robinson, who visited them, found Mary Lamb " pale and thin," and just recovered from one of her attacks. " They feel their brother's loss, and seem softened by afRiction, and to wish for society." Miss Wordsworth was surprised to see how much they took this affliction to heart, con- sidering " there had been so little personal or iamily communication." — F. ( 89 ) CHAPTER VI. [1820.] The "London Magazine" — Wainwright's Story. Lamb's association with Hazlitt in the year 1820 intro- duced him to thai oi the London Magazine, which sup- plied the finest stimulus his intellect had ever received, and induced the composition of the Essays fondly and familiarly known under the fantastic title of Elia. The adoption of this signature was purely accidental. His first contribution to the magazine was a descrip- tion of the Old South Sea House, where Lamb had passed a few months' noviciate as a clerk, thirty years before, and of its inmates who had long passed away; and remembering the name of a gay, light- hearted foreigner, who fluttered there at that time, he subscribed his name to the essay. It was afterwards affixed to subsequent contributions ; and Lamb used it until, in his " Last Essays of Elia," he bade it a last farewell.^ Never was a periodical work com- menced with happier auspices, numbering a list of contributors more original in thought, more fresh in spirit, more sportive in fancy, or directed by an editor better qualified by nature and study to preside, than this " London." There was Lamb, with humanity 1 "To be pronounced Ell-ii," he writes to one of his correspondents — F. go THE "LONDON MAGAZINE.'" ripened among town-bred experiences, and pathos matured by sorrow, at his wisest, sagest, airiest, iwdiscreetest, best ; Barry Cornwall, in the first bloom of his modest and enduring fame, streaking the darkest passion with beauty; John Hamilton Rey- nolds, lighting up with the wildest eccentricities and most striking features of many-coloured life with vivid fancy ; and, with others of less note, Hazlitt, whose pen, unloosed from the chain which earnest thought and metaphysical dreamings had woven, gave radiant expression to the results of the solitary musings of many years. Over these contributors John Scott presided, himself a critic of remarkable candour, eloquence, and discrimination, unfettered by the dogmas of contending schools of poetry and art ; apt to discern the good and beautiful in all ; and having, as editor, that which Kent recognised as Lear, which subjects revere in kings, and boys admire in schoolmasters, and contributors should welcome in editors — authority; — not manifested in a worrying, teasing, intolerable interference in small matters, but in a judicious and steady superintendence of the whole ; with a wise allowance of the occasional excesses of wit and genius. In this respect, Mr. Scott differed entirely from a celebrated poet,' who was induced, just a year after, to undertake the Editorship of the New Monthly Magazine, an office for which, it may be said, with all veneration for his poetic genius, he was the most unfit person who could be found in the wide world of letters — ^who regarded a magazine as if it were a long affidavit, or a short answer in Chancery, in which the absolute < Thomas Campbell.— F. THE "LONDON MAGAZINE. gi truth of every sentiment and the propriety of eveiy jest were verified by the editor's oath or solemn affirmation ; who stopped the press for a week at a comma; balanced contending epithets for a fortnight; and, at last, grew rash in despair, and tossed the nearest, and often the worst article, " unwhipped of justice," to the impatient printer. Mr. Scott, indeed, was more fit to preside over a little commonwealth of authors than to hold a despotic rule over subject con- tributors; he had not the airy grace of Jeffrey by which he might give a certain familiar liveliness to the most laborious disquisitions, and shed the glancing light of fancy among party manifestoes ; — nor the boisterous vigour of Wilson, riotous in power, reck- less in wisdom, fusing the production of various intellects, into one brilliant refiection of his own master mind ; — and it was well that he wanted these weapons of a tyranny which his chief contributors were too original and too sturdy to endure. He heartily enjoyed his position ; duly appreciated his contributors and himself; and when he gave audience to some young aspirant for periodical honours at a late breakfast, amidst the luxurious confusion of newspapers, reviews, and uncut novels, lying about in fascinating litter, and carelessly enunciated schemes for bright successions of essays, he seemed destined for many years of that happy excitement in which thought perpetually glows in unruffled but energetic language, and is assured by the echoes of the world. Alas ! a few days after he thus appeared the object of admiration and envy to a young visitor, in his rooms in York Street, he was stretched on a bed of mental agony — the foolish victim of the guilty custom of a world which would have laughed at him for re- 92 THE "LONDON MAGAZINE.'' garding himself as within the sphere of its opinion, if he had not died to shame it ! In a luckless hour, instead of seeking to oppose the bitter personalities of Blackwood by the exhibition of a serener power, he rushed with spurious chivalry into a personal contest ; caught up the weapons which he had himself denounced, and sought to unmask his opponents and draw them beyond the pale of literary courtesy; placed himself thus in a doubtful position in which he could neither consistently reject an appeal to the conventional arbitrament of violence nor embrace it ; lost his most legitimate opportunity of daring the unhallowed strife, and found another with an anta- gonist connected with the quarrel only by too zealous a friendship ; and, at last, met his death almost by lamentable accident, in the uncertain glimmer of moonlight, from the hand of one who went out resolved not to harm him !' Such was the melancholy result ' "Mr. Lockhart, the reputed author of 'Peter's Letters to his Kinsfolk,' having been violently and personally attacked in the London Magazine, came to London for the purpose of obtaining from Mr. Scott an explanation, an apology, or a meeting. Mr. Scott declined unless Mr. Lockhart would first deny that he was the editor of Black- luooSs Magazine. This Mr. Lockhart did not consider it necessary to do, and the correspondence ended with a note from Mr. Lockhart containing very strong and unqualified expressions touching Mr. Scott's personal character and courage. Scott published his account of the afTair, and Mr. Lockhart published his, in which he stated that a copy had been sent to Mr. Scott. The copy circulated by Mr. Lockhart contained a denial of his being the editor of Blackivood's Magazine. The copy sent to Scott did not contain this denial. Scott on this charged Mr. Lockhart with falsehood. The discrepancy between the copies arose from an oversight in printing the statement. But Scott's charge produced a reply from Mr. Christie, who had acted as Mi, Lockhart's friend in the affair, and Mr. Christie's reply led to a challenge from Scott, which was accepted. The parties met at Chalk THE "LONDON MAGAZINE." 93 — first of a controversy too envenomed — and after- wards of enthralment in usages, absurd in all, but most absurd when applied by a literary man to a literary quarrel. Apart from higher considerations, it may befit a life destined for the listless excesses of gaiety to be cast on an idle brawl ; — " a youth of folly, an old age of cards" may be no great sacrifice to preserve the hollow truce of fashionable society ; but for men of thought — whose minds are their posses- sion, and who seek to live in the minds of others by sympathy with their thoughts — for them to hazard a thoughtful being because they dare not own that they prefer life to death — contemplation to the grave — the preparation for eternity to the unbidden entrance on its terrors, would be ridiculous if it did not become tragical. " Sir, I am a metaphysician !" said Hazlitt once, when in a fierce dispute respecting the colours of Holbein and Vandyke, words almost became things ; " and nothing makes an impression upon me but abstract ideas;" and woeful, indeed, is the mockery when thinkers condescend to be duellists ! The Magazine did not perish with its Editor.' Farm at nine o'clock at night, an unusual hour chosen on Mr. Scott's suggestion. Two shots were exchanged : Mr. Christie fired wide the first time, intentionally, but on the second fire his ball entered Mr. Scotf s side, and the wound was fatal, Mr. Scott dying on the zyth." — Life of Haydon. — F. ' Mr. Procter furnishes some agreeable reminiscences oj- The London. "The London Magazine was established in January, i8zo; the publishers being Messrs. Baldwin, Cradock, and Joy, and its editor being Mr. John Scott, who had formerly edited The Champion news- paper, and whose profession was exclusively that of a man of letters. " Mr. John Scott was the writer of several articles entitled • The living Authors ;' of a good many of the earlier criticisms ; of some of the papers on politics, and of some which may be termed • Contro- 94 THE "LONDON MAGAZINE.'' Though its unity of purpose was lost, it was still rich in essays of surpassing individual merit ; among versial.' The essays on Sir Walter Scott, Wordsworth, Godwin, and Lord Byron, are from his liand. He contributed also the critical papers, on the writings of Keats, Shelley, Leigh Hunt, and Hazlitt. Mr. Hazlitt wrote all the articles which appear under the head ' Drama ;' the twelve essays entitled ' Table Talk ;' and the papers on Fonthill Abbey, and on the Angerstein pictures, and the Elgin marbles. Mr. Thomas Carlyle was author of the ' Life and Writings of Schiller,' in the eighth, ninth, and tenth volumes of the Magazine. Mr. de Quincy's contributions were the ' Confessions of au Opium Eater ;' also various papers specified as being ' by the Opium Eater ;' the essay on Jean Paul Richter, and papers translated from the German, or dealing with German literature. The Reverend Henry Francis Cary (the translator of Dante) wrote the Notices of the Early French poets ; the addition to Orford's ' Royal and Noble Authors ;' and, I believe, the continuations of Johnson's ' Lives of the Poets.' Mr. Allan Cunningham (the Scottish poet) was author of the 'Twelve Tales of Lyddal Cross,' of the series of stories or papers styled ' Traditional Literature,' and of various other contributions in poetry and prose. Mr. John Poole contributed the 'Beauties of the living Dramatists,' being burlesque imitations of modern writers for the stage, viz., Morton, Dibdin, Reynolds, MoncriefT, etc. Mr. John Hamilton Reynolds wrote, I believe, in every number of the periodical, after it came into the hands of Taylor and Hessey, who were his friends. All the papers with the name of Henry Herbert affixed were written by him ; also the descriptive accounts of the Coronation, Greenwich Hospital, The Cockpit Royal, The Trial of Thurtell, etc. Mr. Thomas Hood fleshed his maiden sword here ; and his first poems of length, 'Lycus the Centaur' and 'The Two Peacocks of Bedfont' may be found in the Magazine. Mr. George Darley (author of ' Thomas S Becket,' etc.), wrote the several papers entitled ' Drama- ticles,' some pieces of verse, and the Letters addressed to 'The Dramatists of the Day.' Mr. Richard Ayton wrote ' The Sea Reamers,' the article on 'Hundng,' and such papers as are distin- guished by the signature • R. A.' Mr. Keats (the poet) and Mr. James Montgomery contributed verses. Sir John Bowring (I believe) translated into English verse the Spanish poetry, and wrote the several papers which appear under the head of 'Spanish Romances.' Mr. THE "LONDON MAGAZINE." 95 which the masterly vindication of the true dramatic style by Darley ; the articles of Gary, the admirable Henry Southern (editor of The Retrospecti've Revieiu) wrote the ' Conversations of Lord Byron,' and ' The Fanariotes of Constan- tinople,' in the tenth volume. Mr. Walter Savage Landor was author of the Imaginary Conversation between Southey and Person, in volume eight. Mr. Julius (Archdeacon) Hare reviewed the works of Landor in the tenth volume. Mr. Elton contributed many transla- tions from Greek and Latin authors ; from the minor poems of Homer, from Catullus, Nonnus, Propertius, etc. Messrs. Hartley Coleridge, John Clare, Cornelius Webb, Bernard Barton, and others sent poems, generally with the indicating name. I myself was amongst the crowd of contributors ; and was author of various pieces, some in verse, and others in prose, now under the protection of that great Power which is called 'Oblivion.' Finally, the too celebrated Thomas Griffiths Wainwright contributed various fantasies, on Art and Arts ; all or most of which may be recognised by his assumed name of Janus Weathercock. To show the difficulty of specifying the authorship of all the articles contributed, — even Mr. Hessey (one of the proprietors) was unable to do so ; and, indeed, shortly before his death, applied to me for information on the subject. By the aid of the gentlemen who contributed — each his quota — to the London Magazine, it acquired much reputation, and a very considerable sale. During its career for five~years, it had, for a certain style of essay, no superior (scarcely an equal) amongst the periodicals of the day. Yet the Magazine was successful, to an extent that preserved its proprietors from loss, perhaps not greatly beyond that point. On the death of Mr. John Scott, the Magazine, in July, i8zi, passed into the hands of Messrs. Taylor and Hessey; the former being the gentleman who discovered the identity of Junius with Sir Philip Francis; the latter being simply very courteous to all, and highly respectable and intelligent. " When Taylor and Hessey assumed the management of the London Magazine, they engaged no editor. They were tolerably liberal pay- masters : the remuneration for each page of prose (not very laborious), being, if the writer were a person of repute or ability, one pound, and for each page of verse, two pounds. Charles Lamb received (very fitly) for his brief and charming essays, two or three times the amount of the other writers. When they purchased the Magazine, the proprietors gS THE "LONDON MAGAZINE." translator of Dante ; and the " Confessions of an English Opium Eater," held a distinguished place. Mr. De Quincy, whose youth had been inspired by enthusiastic admiration of Coleridge, shown in con- tributions to " The Friend," not unworthy of his master, and substantial contributions of the blessings of fortune, came up to London, and found an admiring welcome from Messrs. Taylor and Hessey, the pub- lishers into whose hands the London Magazine had passed. After the good old fashion of the great TRADE, these genial booksellers used to assemble their contributors round their hospitable table in Fleet Street, where Mr. De Quincy was introduced to his new allies. Among the contributors who partook of their professional festivities, was a gentleman whose subsequent career has invested the recollection of his appearances in the familiarity of social life with fearful interest — Mr. Thomas Griffiths Wainwright. He was then a young man; on the bright side of thirty ; with a sort of undress military air, and the conversation of a smart, lively, clever, heartless. opened a house, in Waterloo Place, for the better circulation of the publication. "It was there that the contributors met once a month, over an excel- lent dinner, given by the firm, and consulted and talked on literary- matters together. I do not know that many important matters were arranged, for the welfare of the Magazine, at these dinners ; but the hearts of the contributors were opened, and with the expansion of the heart the intellect widened also. "Amongst others, Charles Lamb came to most of these dinners, always dressed in black (his old snufT-coloured suit having been dis- missed for years) ; always kind and genial ; conversational, not talkative, but quick in repiy ; eating little, and drinking moderately with the rest." WAINWRIGHT S STORY. 97 voluptuous coxcomb. It was whispered that he had been an officer in the Dragoons ; had spent more than one fortune ; and he now condescended to take a part in periodical literature, with the careless grace of an amateur who felt himself above it. He was an artist also; sketched boldly and graphically; exhibited a portfolio of his own drawings of female beauty, in which the voluptuous trembled on the borders of the indelicate ; and seized on the critical department of the Fine Arts, both in and out of the Magazine, un- disturbed by the presence or pretensions of the finest critic on Art who ever wrote — William Hazlitt. On this subject, he composed for the Magazine, under the signature of "Janus Weathercock," articles of flashy assumption — in which disdainful notices of living artists were set off by fascinating references to the personal appearance, accomplishments, and luxu- rious appliances of the writer, ever the first hero of his essay. He created a new sensation in the sedate circle, not only by his braided surtouts, jewelled fingers, and various neck-handkerchiefs, but by osten- tatious contempt for everything in the world but elegant enjoyment. We lost sight of him when the career of the Magazine ended ; and Lamb did not live to learn the sequel of his history. Lamb, who de- lighted to find sympathy in dissimilitude, fancied that he really liked him ; took, as he ever did, the genial side of character ; and, instead of disliking the rake in the critic, thought it jileasant to detect so much taste and goodnature in a fashionable roue; and re- garded all his vapid gaiety, which to severer observers looked like impertinence, as the playful effusion of a remarkably guileless nature. Thus, when expatiatmg in his list of choicest gS wainwright's story. friends in Elia's letter to Southey, he reckons W , the light and warm, as light-hearted " Janus " of the London; and two years afterwards, adverting to the decline of the Magazine, in a letter to Mr. Barton, he persists in his belief of Wainwright's light-heart- edness as pertinaciously as all the half-conscious dupes in Othello do in the assertion of lago's honesty: "They have pulled down Hazlitt, P , and their their best stay, kind, light-hearted W , their ' Janus.' " In elucidation of this apparent lightness of heart, it will not be uninstructive to trace the remainder of this extraordinary person's history ; for surely no contrast presented by the wildest romance between a gay cavalier, fascinatmg Naples or Palermo, and the same hero, detected as the bandit or demon of the forest, equals that which time has unveiled between what Mr. Wainwright seemed, and what he was, Mr. Wainwright having ceased to contribute to The London about the year 1825, when Lamb te- stowed on him his parting eulogium, was scarcely seen in our literary circle, though he retained the acquaintance and regard of some of its members. In the year 1830 he was residing at Linden House, Turnham Green, in the possession of which he had succeeded his uncle Dr. Griffiths, who for many years edited a monthly publication, and whose death had occurred about a year before, after a short illness, while Mr. Wainwright and his wife were visiting at his house on the occasion of her confinement with her only child. He acquired some property at the death of his uncle, by whose bounty, being early left an orphan, he had been educated ; but his expensive tastes soon brought him to severe pecuniary embar- rassments and the verge of ruin. His wife's mother, wainwright's story. 99 who had died in Linden House after a short illness, left two daughters by Mr. Abercrombie her second husband, named Helen Frances Phoebe and Made- line — Mrs. Wain Wright being the daughter of a former husband named Ward. These young ladies being left without provision, except a pension of £io a year each, which had been granted to them as the desti- tute daughters of a meritorious ofHcer, by the Board of Ordnance, were invited by Mr. Wainwright to visit him at Linden House, and at the beginning of 1830, with his wife and child formed his family. About this time, he formed the remarkable scheme of procuring the eldest of the young ladies to effect insurances on her life, to the amount of many thou- sands of pounds, for the period of three or two years. Miss Helen Frances Phoebe Abercrombie was then a lovely woman, nearly of the age of twenty-one, which she attained 12th March, 1830, without expecta- tions, except of some trifling possibility under a settlement, and, except the proceeds of the pension, without a shilling in the world ; while Mr. Wainwright, who supplied the funds for this strange speculation, was in reality still poorer, being steeped in debt, impatient of privation, with ruin daily contracting its circle around him. The first proposal was made by Mr. Wainwright, on behalf of Miss Abercrombie, to the Palladium Insurance Office, on the 28th March, for ;f3000 for three years. On this occasion, Mr. and Mrs. Wainwright and Miss Abercrombie called together at the office, where the object of the insurance was stated to be to enable them to recover some property to which the young lady was entitled. This proposal was accepted, and on the 20th of April completed, by payment of the premium for one yea' 100 WAINWRIGHT S STORY. by the hand of Miss Abercrombie, then attended onlji by Mrs. Wainwright, and the delivery of the policy. On or about the same day, a similar insurance was effected with the Eagle Insurance Office for ;f3000, for the term of two years ; and the premium for one year and stamp duty were paid by Miss Abercrombie in her sister's presence. In the following October four more policies were effected : with the Provident for £'2000, with the Hope for £'2000, with the Imperial for £'3000, and with the Pelican for £5000, each on the life of Miss Abercrombie, and each for the period of two years ; so that at the close of this month of Oc- tober, the life of this poor girl, described by the actuary of the Provident as " a remarkably healthy, cheerful, beautiful young woman, whose life was one of a thousand," was insured to the amount of £'18,000, as to pfsooo for three years, and for the residue for two years only. Premiums for one year, amounting with the stamps to something more than £220, had been paid ; the premiums which would be required to keep the policies on foot for a second year amounting to £200, and in the event of her surviving the brief terms of insurance, the whole money would be lost. On every visit to the offices. Miss Abercrombie was accompanied by Mrs. Wainwright, and the appearance of these two ladies together on such an errand, sometimes awakened scruples, which the apparent desirableness of the life for insurance to an office did not always silence. At the Imperial, it was suggested to Miss Abercrombie by Mr. Ingall, the actuary, that " as she only proposed to make the insurance for two years, he presumed it was to secure some property she would come into at the expiration of that time ?" to which Mrs. Wainwright replied: " Not exactly so : WAINWRIGHT'S story. 101 it is to secure a sum of money to her sister, which she will be enabled to do by other means if she out- lives that time. But I don't know much of her affairs ; you had better speak to her about it." On which Miss Abercrombie said, " That is the case." By what means the ladies were induced to make these statements can scarcely ever be guessed ; it is certain that they were illusory. No reason existed for the poor penniless girl securing £3000 for her sister, in case of her own death within two years ; nor was there the least chance of her receiving such a sum if living at the end of that period. The sum of £18,000 did not bound the limits of the speculation ; for in the same month of October, a proposal to the Eagle to increase the insurance by the addition of £2000 was made and declined, and a proposal to the Globe for £5000, and a proposal to the Alliance for some further sum, met a similar fate. At the office of the Globe, Miss Abercrombie, who, as usual, was accompanied by Mrs. Wainwright, being asked the object of the insurance, replied, that " she scarcely knew, but she was desired to come there by her friends, who wished the insurance done." On being furthei pressed, she referred to Mrs. Wainwright, who said, " It is for some money matters that are to be arranged, but ladies don't know much about such things ;" and Miss Abercrombie answered a question, whether she was insured in any other office, in the negative. At the Alliance, Helen was more severely tested by the considerate kindness of Mr. Hamilton, who received the proposal, and who was not satisfied by her state- ment, that a writ was depending in Chancery which would probably terminate in her favour, but that if she should die in the interim the property would go 102 WAINWRIGHT S STORY, into another family, for which contingency she wished to provide. The young lady, a little irritated at the question, said, " I supposed that what you had to inquire into was the state of my health, not the object of the insurance ;" on which he informed her, " that a young lady such as she was, had come to the office two years before to effect an insurance for a short time, and that it was the opinion of the Company she had come to her death by unfair means." Poor Helen replied, " She was sure there was no one about her who would have any such object," Mr. Hamilton said, " Of course not," but added, " that he was not satisfied as to the object of the insurance, and unless she stated in writing what it was, and the Directors approved it, the proposal could not be entertained." The ladies retired, and the office heard no more of the proposal, nor of Miss Abercrombie, till they heard that she was dead, and that the payment of other policies on her life was resisted. Mr. Wainwright's affairs soon approached a crisis, for he had given a warrant of attorney in August, and a bill of sale on his furniture at Linden House, both of which had become absolute, and seizure under v;hich he had postponed only till the 20th or 21st of December. Early in that month he left Linden House, and took furnished lodgings in Conduit Street, to which he was accompanied by his wife and her two half-sisters. On the 13th of that month. Miss Abercrombie called on a solicitor named Lys, to whom she was a stranger, and requested him to attest the execution of a will she desired to make, as she was going abroad : he complied, and she executed a will in favour of her sister Madeline, making Mr. Wainwright its executor. On the 14th, having obtained a form of assignment WAINWRIGHT S STORY. IO3 from the office of the Palladium, she called on another solicitor, named Kirk, to whom she was also a stranger, to perfect for her an assignment of the policy of that office to Mr. Wainwright: this the solicitor did, by writing in ink over words pencilled in the handwriting of Mr. Wainwright, and witnessing her signature. On that evening Miss Abercrombie accompanied Mr. and Mrs. Wainwright and her sister to the play, as she had done the preceding evening, and partook of oysters, or lobsters, and porter, after their return. The weather was wet, she had walked home as she had done the evening before, and in the night suffered from illness, which was attributed to cold. She continued ill, however, and in a day or two Dr. Locock, who was called in by Mr. Wainwright, found her labouring under derangement of stomach, and pre- scribed for her simple remedies. She continued indisposed, but he entertained no serious apprehen- sions, until he was sent for on the 21st, when she died. On that morning a powder, which Dr. Locock did not recollect ever prescribing, was administered to her in jelly, and Mr. and Mrs. Wainwright quitted her to take a long walk for some hours. Soon after their departure she was seized with violent convul- sions ; the physician was sent for, and was shocked by her condition, and by her exclaiming, " Oh, Doctor! these are the pains of death !" He administered proper remedies for pressure on the brain, under which she was then labouring. The symptoms subsided, and he left her in a state of composure. The convul- sions, however, soon returned with increased violence; the attendant, in alarm, called in the assistant of a neighbouring apothecary in the emergency ; the youna: man did for her the best that human skill I04 wainwright's story. could devise, but all assistance was in vain, and before Mr. and Mrs. Wainwright returned from their walk, she was dead. An examination of the body took place with Mr. Wainwright's ready concurrence, which, in Doctor Locock's apprehension, left no reason to attribute the death to other than natural causes. Its immediate cause was obviously pressure on the brain, and the sums amounting to £18,000, insured on her life, became payable to Mr. Wain- wright as her executor, though except as to two of the policies — those of the Palladium and the Hope— which had been assigned to him by poor Helen, appa- rently, at least, for the benefit of the sister. Suspicion, however, was excited, the offices resisted the claim. Mr. Wainwright left England for France, where he spent several years ; and after delays occa- sioned chiefly by proceedings in Equity, the question of the validity of the policies was tried, before Lord Abinger, on the 29th of June, 1835, in an action by Mr. Wainwright as executor of Miss Abercrombie on the Imperial's policy. Extraordinary as were the circumstances under which the defence was made, it rested on a narrow basis — on the allegation that the insurance was not, as it professed to be, that of MisC Abercrombie for her own benefit, but the insurance of Mr. Wainwright, effected at his cost for some purpose of his own, and on the falsehood of representations she had been induced to make in reply to inquiries as to insurances in other offices. The cause of her death, if the insurance was really hers, was imma- terial ; and though surely not immaterial in the con- sideration of the question, whether the insurance was her's or Mr. Wainwright's, was thrown out of the case by Lord Abinger. That accomplished Judge, wainwright's story. 105 who had been the most consummate advocate of his time, disposed always to pleasurable associations, shrunk in a Civil Court from inquiries which, if they had been directly presented on a criminal charge, would have compelled his serious attention, stated that there was no evidence of other crime than fraud, and intimated that the defence had been injured by a darker suggestion. The jury, partaking of the Judge's disinclination to attribute the most dreadful guilt to the plaintiff on a Nisi Prius record, and perhaps scarcely perceiving how they could discover for the imputed fraud an intelligible motive without ■it, were unable to agree, and were discharged without giving a verdict. The cause was tried again, before the same Judge, on the 3rd December following ; when the counsel for the defence, following the obvious inclination of the Bench, avoided the most fearful charge, and obtained a verdict for the Office without hesitation, sanctioned by Lord Abinger's proffered approval to the jury. In the meantime, Mr. Wain- wright, leaving his wife and child in London, had acquired the confidence and enjoyed the hospitality of an English officer residing at Boulogne. While he was thus associated, a proposal was made to the Pelican Office to insure the life of his host for ;f 5000 ; which, as the medical inquiries were satisfactorily answered, was accepted. The Office, however, re- ceived only one premium, for the life survived the completion of the insurance only a few months, falling after a very short illness. Under what cir- cumstances Mr. Wainwright left Boulogne after this event is unknown. He became a wanderer in France ; and being brought under the notice of the Correctional Police as passing under a feigned name, was arrested. io6 wainwright's story. In his possession was found the vegetable poison called strychnine, which leaves little trace of its pas- sage in the frame of its victim ; and which, though unconnected with any specific charge, increased his liability to temporary restraint, and led to a six months' incarceration at Paris. After his release, he returned to revisit London, where, in June, 1837, soon after his arrival, he was met in the street by Forrester the police officer, who had identified him in France, and was committed for trial on a charge of forgery. The offence for which Mr. Wainwright was thus apprehended was not very heinous of its kind, but his guilt was clear, and the punishment at that time capital. It consisted in the forgery of the names of his own trustees to five successive powers of attorney to sell out stock settled on himself and his wife before their marriage, which his exigencies from time to time had tempted him thus to realize. The Bank of England, by whom he was prosecuted, consented to forego the capital charges on his pleading guilty to the minor offence of uttering in two of the cases, which he did at the Old Bailey Sessions of July, 1837, and received sentence of transportation for life. In the meantime, proceedings were taken on behalf of Miss Abercrombie's sister Madeline, who had married a respectable bookseller named Wheatley, to render the insurances available for her benefit; which induced the prisoner to offer communications to the Insurance Offices which might defeat a purpose entirely foreign to his own ; and which he hoped might procure him, through their intercession, a mitigation of the most painful severities incident to his sentence. In this expectation he was miserably disappointed ; for though in pursuance of their promise the Directors of one of WAINWRIGHT S STORY. I07 the Offices made a communication to the Secretary of State for the Home Department, the result, instead of a mitigation, was an order to place him in irons, and to send him to his place of punishment in a vessel about to convey three hundred convicts. Thus terminated the European career of the " kind and light-hearted Janus 1" The time has not arrived for exhibiting all the traits of this remarkable person. Probably before it shall arrive the means of disclosing them will be lost, or the objects forgotten ; but enough may be found disclosed in the public proceedings, from which we have taken thus far our narrative, to supply an instructive contrast between his outer and inner life ; and yet more instructive indications of the qualities which formed the links of connection between them. The defect in his moral nature con- sisted, perhaps, chiefly in morbid self-esteem, so excessive as to overwhelm all countervailing feelings, and to render all the interests of others, all duties, all sympathies, all regards, subservient to the lightest efforts, or wishes, or enjoyments of the wretched idol. His tastes appreciated only the most superficial beauty; his vanities were the poorest and most empty; vet he fancied himself akin to greatness ; and in one of his communications from Newgate, in his last hours of hope, he claimed for himself " a soul whose nutriment is love and its offspring art, music, divine song, and still holier philosophy." When writing from the hold of the convict-ship to complain of his being placed in irons, he said, " They think me a desperado. Me 1 the companion of poets, philo- sophers, artists, and musicians, a desperado ! You will smile at this — no — I think you will fed for the man educated and reared as a gentleman, now the io8 wainwright's story. mate of vulgar ruffians and country bumpkins." This shallow notion of being always " a gentleman" — one abstracted ever from conventional vulgarities — seems to have given him support in the extremity of wretchedness and infamy ; the miserable reed he leaned on, not the ruling passion — but the ruling folly. " They pay me respect here, I assure you," said he to an acquaintance who visited him in Newgate; " they think I am here for ;f 10,000;" and on some of the convicts coming into the yard with brooms to perform their compulsory labour of sweeping it, he raised himself up, pulled down his soiled wristbands, and exclaimed, with a faint hilarity — " You see those people, they are convicts like me ; but no one dares offer me the broom 1" Circumstances were indeed changed, but the man was the same as when he elaborated artistic articles for The London.^ To 1 It may not be uninteresting, nor wholly uninstmctive, to place, in contrast with this person's deplorable condition, a specimen of his com- position when " topping the part" of a literary coxcomb. The fol- lowing is a portion of an article under the head of " Sentimentalities on the Fine Arts, by Janus Weathercock, Esq. To be continued when he is in the humour," published in the London Magazine for March, i8zo : — "I (Janus^ had made a tolerable dinner the other day at George's, and with my mind full of my last article, was holding up 3. petit verre tHeau de vie de Dantzic to the waxen candle, watching with scient eye the number of aureate pardcles, some swimming, some sinking quiveringly, through the oily and luscious liquor, as if informed with life, and gleaming like golden fish in the Whang-ho or Yellow River (which, by the way, is only yellow from its mud) : so was I employed, when suddenly I heard the day of the month (the 15th) ejaculated in the next box. This at once brought me back from my delicious reverie to a sense of duty. * Contributions must be forwarded by the 1 8th, at the very latest ,' were the Editor's last words to Janus, and he is incapable of forgetting them. I felt my vigorous personal identity instantly annihilated, and resolved by some mystic process into it part of that unimaginable plurality in unity wherewithal editors. WAINWRIGHT S STORY. lOg the last he seemed to be undisturbed by remorse; shocked only at the indignities of the penal condition of one imbued with tastes so refined that all causes reviewers, and at present pretty commonly authors, clothe themselves when seated on the topmast tip of their topgallant masts, they pour forth their oracular dicta on the groaning ocean of London, spread out huge at their feet. Forthwith we (Janus) sneaked home alone, poked in the top of our hollow fire, which spouted out a myriad of flames, roaring pleasantly as, chasing one another, they rapidly escaped up the chimney; exchanged our smart tight-waisted stiif-collared coat for an easy chintz gown with pink ribbons ; lighted our new elegantly-gilt French lamp, having a ground-glass globe painted with gay flowers and gaudy butterflies ; hauled forth Port/olio No. 9, and established . ourselves cosily on a Grecian couch ! Then we (Janus) stroked our favourite tortoise-shell cat into a full and sonorous purr, and after that our nurse or maid-servant — a good-natured Venetian-shaped girl (having first placed on the table a genuine flask of as rich Montepul- ciano as ever voyaged from fair Italia) — had gently but firmly closed the door, carefully rendered air-tight by a gilt-leather binding (it is quite right to be particular), we indulged ourselves in a complacent consideration of the rather elegant figure we made, as seen in a large glass placed opposite our chimney-mirror, without, however, moving any limb except the left arm, which instinctively filled out a full cut- glass of the liquor before us, while the right rested inactively on the head of puss! 'It was a sight that turned all our gall into blood ' Fancy, comfortable reader ! Imprimis, a very good-sized room ; item, a gay Brussels carpet covered with garlands of flowers ; item, a fine ori- ginal cast of the Venus de Medicis ; item, some choice volumes in still more choice old French moroquin with water-tabby silk linings ; item, some more volumes coated by the skill of Roger Payne and 'our Charles Lewis ;' item, a piano by Tomkinson ; item, a Damascus sabre : item, one cat; item, a large Newfoundland dog, friendly to the cat; item, a few hot-house plants on a white marble slab ; item, a delicious melting love-painting by Fuseli ; and last, not least, in our dear love, w«, myself, (Janus !) Each and the whole seen by the Correggio-kind of light breathed as it were through the painted glass of the lamp 1 1 ! Soothed into that amiable sort of self-satisfaction so necessary to the bodying out those deliciously voluptuous ideas, perfumed with languor, which occasionally swim and undulate like gauzy clouds over the brain of the 110 WAINWRIGHT'S STORY. ought to give way to their indulgence. This vanity, nurtured by selfishness and unchecked by religion, most cold-blooded men, we put forth our hand to the folio which leant against a chair by the sofa's side, and at haphazard extracted thence Lancret's charming • Repas Italien,' T. P. le Bas. Sculp, : — " * A summer party in the greenwood shade. With lutes prepared and cloth on herbage laid, And ladies' laughter coming thro' the air,' " L. Hunt's ' Rimin.* This completed the charm. We immersed a well-seasoned prime pen into our silver inkstand three times, shaking oif the loose ink again lingeringly. While holding the print fast in our left hand, we perused it with half-shut eyes, dallying awhile with our delight." This last portion of the strange history of Wainwright's, which has an almost ghastly interest, was suppressed by Sir T, Talfourd in the jater editions of his work, perhaps from a wish not to fiirtherprejudice the condition of the criminal, then undergoing his sentence of trans- portation. In Mr. Dickens' All the Tear Round, appeared a fuller account of his infamous career, from which I take the following : — " On the night the Norfolk gentleman in difGculties at Boulogne died, Wainwright had insisted on making his friend's coffee, and passed poison into the sugar. The poisoner had succeeded before this in win- ning the affections of his friend's daughter, and gaining a supreme influence in the house, " Being asked in the jail how he could find it in his heart to murder the trusting girl who had so confided in him (meaning Miss Abercrom- bie). he reflected for a moment, and then returned, with a cool laugh : • Upon my soul I don't know — unless it was that her legs were too thick.' " A more insupportable scoundrel never troubled this earth. He had kept a Uiary, The insurance offices, by the masterly stroke of sending to a French inn where he had lived, paying the bill he had left unpaid, and demanding the effects he had left there, obtained possession of it. Description of this demoniacal document cannot be attempted, but it contained a kind of index to the details of his various crimes, set forth with a voluptuous cruelty and a loathsome exultation worthy ol the diseased vanity of such a masterpiece of evil, " In 1842, the dandy convict was admitted as in-patientof the Gene- ral Hospital in Hobart Town, where he remained some years. Whilst WAINWRIGHT'S story. Ill became a disease, perhaps amounting to monomania, and yielding one lesson to repay the world for his an inmate ot the hospital, he forwarded to the Governor, Sir Eardley E. Wilmot, the following memorial. It is too characteristic of the man not to be given. The gilt has all gone now. The Governor's minute on the memorial is very laconic: — *A T, L. (ticket-of-leave) would be contrary to Act of Parlt. T. L. refused, ^rd class wages received f — E. E. W." " 'To His Excellency, Sir John Eardley Wilmot, Bart., Lieut.-Go- vemor of Van Dieman's Land, etc. etc. " « The humble petition of T. Griffiths Wainwright, praying the indulgence of a ticket-of-leave. " ' To palliate the boldness of this application he oflers the statement ensuing. That seven years past he was arrested on a charge of forging and acting on a power of attorney to sell stock thirteen years previous. Of which (though looking for little credence) he avers his entire inno- cence. He admits a knowledge of the actual committer, gained though some years after the fact. Such, however, were their relative positions, that to have disclosed it would have made him infamous where any human feeling is manifest. Nevertheless, by his counsel's direction, he entered the plea Not Guilty, to allow him to adduce the " circon- stance attenuante," viz., that the money (£5200) appropriated was, without quibble, his own, derived fi-om his parents. An hour before his appearing to plead he was trepanned (through the just but deluded Governor of Newgate) into withdrawing his plea, by a promise, in such case, of a punishment merely nominal. The same purporting to issue from y= Sani Parlour, but in fact from the agents of certain Insu- rance Companies interested to a heavyamount(£i6,ooo)in compassing his legal non-existence. He pleaded guilty — and was forthwith hurried, stunned with such ruthless perfidy, to the hulks at Portsmouth, and thence \a Jive days aboard the Susan, sentenced to Life in a land (to him) a moral sepulchre. As a ground for your mercy he submits with great deference his foregone condition of life during 43 years of free- dom. A descent, deduced, through family tradition and Edmondson's Heraldry, from a stock not the least honoured in Cambria. Nurtured with all appliances of ease and comfo. t — schooled by his relative, the well-known philologer and bibliomaniac, Chas. Burney, D.D., brother to Mdme. D'Arblay, and the companion of Cooke. Lastly, such a modest competence as afforded the mental necessaries of Literature, Archeology, Music and the Plastic Arts ; while his pen and brush in- 112 wainwright's story. existence : that there is no state of the soul so dan- gerous as that in which the vices of the sensualist troduced him to the notice and friendship of men whose iame is Euro- pean. The Catalogues of Somerset House Exhibitions, the Literary Pocket Book, indicate his earlier pursuits, and the MS. left behind in Paris, attest at least his industry. Their titles imply the objects to which he has, to this date, directed all his energies : " A Philosophical Theory of Design, as concerned \rith the Loftier Emotions, showing its deep action on Society, atawn from the Phidean-Greek and early Florentine Schools" (the resjlt of seventeen years' study), illustrated with numerous plates, executed with conscientious accuracy, in one vol. atlas folio. " An Esthetic and Psychological Treatise on the Beauti- ful ; or the Analogies of Imagination and Fancy, as exerted in Poesy, whether Verse, Painting, Sculpture, Music, or Architecture ;" to form four vols, folio, with a profusion of engravings by the first artists of Paris, Munich, Berlin, Dresden, and Wien. " An Art-Novel," in tliree vols., and a collection of "Fantasie, Critical Sketches, etc., selected partly from Blackiuood, the Foreign Revieiv, and the Lon- don Magazine." All these were nearly ready for, one actually at press. Deign, your Excellency ! to figure to yourself my actual con- dition during seven years ; without friends, good name fthe breath of life) or art (the fuel to it with me), tormented at once by memory and ideas struggling for outward form and realization, barred upfrom increase of knowledge, and deprived of the exercise of profitable or even of decorous speech. Take pity, your Excellency! and grant me the power to shelter my eyes from Vice in her most revolting and sordid phase, and my ears from a jargon of filth and blasphemy that would outrage the cynism {sic") of Parny himself. Perhaps this clinging to the lees of a vapid life may seem as base, unmanly, arguing rather a plebeian, than a liberal and gentle descent. But, your Excellency 1 the wretched Exile has a child ! — and Vanity (sprung from the praise of Flaxman, Charles Lamb, Stothard, Rd. Westall, Delaroehe, Corne- lius, Lawrence, and the god of his worship, Fuseli) whispers that the folloiuer of the Ideal might eren yet achieve another reputation than that of a Faussaire. Seven years of steady demeanour may in some degree promise that no indulgence shall ever be abused by your Excel- lency's miserable petitioner, " ■ T. G. Wainwright.' " Discharged from the hospital, the elegant-mannered poisoner set up as an artist 9t Hobart Town, where sketches by him still exist. His WAINWRIGHT S STORY. II3 are envenomed by the groyelling intellect of the scorner. conversation to lady-sitters was often indelicate. A writer in a Mel- bourne paper, 6th July, 1841, says of this dangerous and abandoned wretch : • He rarely looked you in the face. His conversation and manners were winning in the extreme ; he was never intemperate, but nevertheless of grossly sensual habits, and an opium-eater. As to moral character, he was a man of the very lowest stamp. He seemed to be possessed by an ingrained malignity of disposition, which kept him constantly on the very confines of murder, and he took a perverse pleasure in traducing persons who had befriended him. There is a terrible story of his savage malignity towards a fellow-patient in the hospital, a convict, against whom he bore a grudge. The man was in a state of collapse — his extremities were already growing cold. Death had him by the throat, Wainwright's snakish eyes kindled with un- earthly fire. He saw at once the fatal sign. He stole softly as a cat to the man's pallet, and hissed his exultation in his dying ear : " ' You are a dead man, you . In four-and-twenty hours your soul will be in hell, and my arms will be up to that (touching his elbow) in your body, dissecting you.' " Twice this delight of society attempted to poison people who had become obnoxious to him. Even in that polluted comer of the world the man was dreaded, hated, and shunned. His sole friend and com- panion was a cat, for which he evinced an extraordinary and senti- mental afTecdon. He had always been fond of cats. In 1851, this gentlemanly and specious monster was struck down in a moment, as with a thunderbolt, by apoplexy. He had survived his victims sixteen years." — All the Tear Round, Jan. 5, 1867. Mr. Forster {Life of Dickeni, i. 161) thus describes a strange rencontre to which he was witness. " We made together," he says, " a circuit of nearly all the London prisons, and in coming to the pri- soners under remand while going over Newgate, accompanied by Macready and Mr, Hablot Browne, were startled by a sudden tragic cry of ' My God ! there is Wainwright !' In the shabby-genteel creature, with sandy disordered hair and dirty moustache, who had turned quickly round with a defiant stare at our entrance, looking at once mean and fierce, and quite capable of the cowardly murders he had committed, Macready had been terrified to recognise a man familiarly known to him in former years, and at whose table he had dined." Lord Lytton has drawn Wainwright in his " I.ucretia ." — F. ( "4 I CHAPTEE VII. [1822-1813.] V/siT TO Paris. — " Elia's" Letter to Southey. — Islington. In the summer of 1822 Lamb and his sister visited Paris.' Soon after his return he became acquainted with the poet of the Quakers, Bernard Barton, who, like ' Lamb and his sister set off on their journey on June i8th, ac- companied by a French gentleman, and a nurse, in case Mary Lamb should be taken ill. She was a little nervous, but Lamb was in high spirits. Her courage seemed wonderful to Mr. Crabb Robinson, who furnished them with letters to friends in Paris, Their dismal foreboding, and wise provision, were to be unhappily justified by the event. " When at Amiens," says Mrs. Shelley in a letter, " poor Miss L. was taken ill in her usual way, and Lamb was in despair. He met, however, with some acquaintances, who got Miss L. into proper hands ; and L. went on to Versailles, and stayed with the Kenneys." This is alluded to by Moore, who, in his light way, adds a painiiil touch, speaking of Miss Lamb as " the poor woman who went mad with him in the diligence on the way to Paris." These and other friends that Lamb met at Paris found him more reserved and silent than was his wont ; which was not surprising, considering what was in his thoughts. Charles had to leave her in Paris, and returned to England. She found a warm friend in Mr. Payne, and Mr. Crabb Robinson arriving towards the end of August, devoted some days to visiting the sights of Paris with her. Charles Lamb could not speak a word of French, and Mr. Procter relates, that " he had once intended to ask the waiter for an egg {auf), but called, in his ignorance for eau- de-vie, and that the mistake produced so pleasant a result, that his inquiries afterwards for eau-de-vie were very frequent." — F. VISIT TO PARIS. 115 himself, was engaged in the drudgery of figures. The pure and gentle tones of the poems of his new ac- quaintance was welcome to Lamb, who had more sympathy with the truth of nature in modest guise than in the affected fury of Lord Byron, or the dreamy extravagancies of Shelley. Lamb had written in " Elia" of the Society of Friends with the freedom of one, who, with great respect for the principles of the founders of their faith, had little in common with a sect who shunned the pleasures while they mingled in the business of the world ; and a friendly expostu- lation on the part of Mr. Barton led to such cordial excuses as completely won the heart of the Quaker bard. Some expression which Lamb let fall at their meeting in London, from which Mr. Barton had supposed that Lamb objected to a Quaker's writing poetry as incon- sistent with his creed, induced Mr. Barton to write to Lamb on his return to Woodbridge, who replied to him. Encouraged by Lamb's kindness, Mr. Barton continued the correspondence, which became the most frequent in which Lamb had engaged for many years. How bitterly Lamb felt his East-India bondage, has abundantly appeared from his letters during many years. Yet there never was wanting a secret con- sciousness of the benefits which it ensured for him, the precious independence which he won by his hours of toil, and the freedom of his mind, to work only "at its own sweet will," which his confinement to the desk obtained. This sense of the blessings which a fixed income, derived from ascertained duties, confers, was nobly expressed' in reference to a casual fancy in one ' See the letter of Lamb, Jan. 9th, 1823. — F. I 2 Il6 VISIT TO PARIS. of the letters of his fellow in clerkly as well as in poetical labours, Bernard Barton — a fancy as alien to the habitual thoughts of his friend, as to his own — for no one has pursued a steadier course on the weary way of duty than the poet whose brief dream of literary engrossment incited Lamb to make a generous amends to his ledger for all his unjust reproaches. The refer- ences to the booksellers have the colouring of fantas- tical exaggeration, by which he delighted to give effect to the immediate feeling ; but making allowance for this mere play of fancy, how just is his advice — how wholesome for every youth who hesitates whether he shall abandon the certain reward of plodding industry for the splendid miseries of authorship ! ' I It is singular that, some years before, Mr. Barton had received similar advice from a very different poet — Lord Byron. As the letter has never been published, and it may be interesting to compare the expressions of the two men so different on tlie same subject, I subjoin it here :— " To Bernard Barton, Esq. " St. James's Street, June i, 1812. " Sir, — ^The most satisfactory answer to the concluding part of your letter is, that Mr. Murray will republish your volume, if you still retain your inclination for the experiment, which I trust will be successful. Some weeks ago my friend Mr. Rogers showed me some of the stanzas in MS., and I then expressed my opinion of their merit, which a further perusal of the printed volume has given me no reason to revoke. I mention this, as it may not be disagreeable to you to learn, that I entertained a very favourable opinion of your powers before I was aware that such sentiments were reciprocal. Waving your obliging expressions as to my own productions, for which I thank you very sincerely, and assure you that I think not lightly of the praise of one whose approbation is valuable; will you allow me to talk to you candidly, not critically, on the subject of yours i You will not suspect me of a wish to discourage, since I pointed out to the publisher the propriety of complying with your wishes. I think more highly of youi poetical talents than it would perhaps gratify you to hear " elia's" letter to southey. 117 In the beginning of the year 1823, his Essays, col- lected in a volume, under the title of " Elia," were pub- lished by Messrs. Taylor and Hessey, who had become the proprietors of the London Magazine. The book met with a rapid sale, while the magazine in which its contents had appeared, declined. In the same year, Lamb appeared, for the first and only time of his life before the public, as an assailant : and the object of his attack was one of his oldest and fastest friends, Mr. Southey. It might, indeed, have been predicted of Lamb, if ever he did enter the arena of personal controversy, it would be with one who had obtained a place in his affection ; for no motive less powerful than the resentment of friendship which expressed, for I believe, from what I observe of your mind, that you are above flattery. To come to the point, you deserve success ; but we Itnew before Addison wrote his Cato, that desert does not always com- mand it. But suppose it attained, ■ You I<:now what ills the author's life assail. Toil, envy, want, the patron, and the jail.' Do not renounce writing, iut never truit entirely to authorship. If you have a profession, retain it ; it will be like Prior's fellowship, a last and sure resource. Compare Mr. Rogers with other authors of the day ; assuredly he is among the first of living poets, but is it to that he owes his station in society, and his intimacy in the best circles? — no, it is to his prudence and respectability. The world (a bad one, I own) courts him because he has no occasion to court it. He is a poet, nor is he less so because he is something more. I am not sorry to hear that you were not tempted by the vicinity of Capel Lofft, Esq., — though, if he had done for you what he has for the Bloomfields, I should never have laughed at his rage for patronising. But a truly well-constituted mind will ever be independent. That you may be so is my sincere wish ; and if others think as well of your poetry as I do, you will have no cause to complain of your readers Believe me, " Your obliged and obedient servant, " Byron." ti8 " elia's" letter to southey. deemed itself wounded, could place him in a situation so abhorrent to his habitual thoughts. Lamb had, up to this time, little reason to love reviews or reviewers ; and the connection of Southey with The Quarterly Review, while he felt that it raised, and softened, and refined the tone of that powerful organ of a great party, sometimes vexed hini for his friend. His indignation also had been enlisted on behalf of Hazlitt and Hunt, who had been attacked in this work in a manner which he regarded as unfair; for the critics had not been con- tent with descanting on the peculiarities in the style and taste of the one, or reprobating the political or per- sonal vehemence of the other, — which were fair subjects of controversy, — but spoke of them with a contempt which every man of letters had a right to resent, as unjust. He had been much annoyed by an allusion to himself in an article on " Hazlitt's Political Essays," which appeared in theReview for November, 1819, as "one whom we should wish to see in more respectable company;" for he felt a compliment paid him at the expense of a friend, as a grievance far beyond any direct attack on himself. He was also exceedingly hurt by a reference made in an article on Dr. Reid's work " On Nervous Afifections," which appeared in July, 1822, to an essay which he had con- tributed some years before to a collection of tracts pub- lished by his friend, Mr. Basil Montague, on the eifect of spirituous liquors, entitled " The Confessions of a Drunkard." The contribution of this paper is a striking proof of the prevalence of Lamb's personal regards over all selfish feelings and tastes ; for no one was less disposed than he to Montague's theory or practice of abstinence ; yet he was willing to gratify his friend by this terrible picture of the extreme effects " ELIA S LETTER TO SOUTHEY. Iig of intemperance, of which his own occasional devia- tions from the right line of sobriety had given him hints and glimpses. The reviewer of Dr. Reid, ad- verting to this essay, speaks of it as a " fearful picture of the consequences of intemperance, which we happen to know is a true tale." How far it was from actual truth the " Essays of Elia," the production of a later day, in which the maturity of his feeling, humour, and reason is exhibited, may sufficiently witness. These articles were not written by Mr. Southey ;^ but they prepared Lamb to feel acutely any attack from the Review ; and a paragraph in an article in the number for July, 1823, entitled " Progress of Infidelity," in which he recognised the hand of his old friend, gave poignancy to all the pajnful associations which had arisen from the same work, and concentrated them in one bitter feeling. After recording some of the con- fessions of unbelievers of the wretchedness which their infidelity brought on them, Mr. Southey thus proceeded : — " Unbelievers have not always been honest enough thus to express their real feelings ; but this we know concerning them, that when they had renounced their birthright of hope, they have not been able to divest themselves of fear. From the nature of the human mind, this might be presumed, and in fact it is so. They may deaden the heart and stupify the consci- ence, but they cannot destroy the imaginative faculty. There is a remarkable proof of this in ' Elia's Essays,' a book which wants only a sounder religious feeling, to be as delightful as it is original. In that upon 1 Dyer in his notice of Talfourd's work, in the Gentleman's Maga- zine, says that the review was written by Dr. Gooch, of Berners Street.— F. £20 " ELIA's" letter TO SOUTHEY. ' Witches and the other Night Fears,' he says, ' It is not book, or picture, or the stories of foolish servants, which create these terrors in children ; they can at most but give them a direction. Dear little T. H., who of all children has been brought up with the most scrupulous exclusion of every taint of superstition, who was never allowed to hear of goblin or apparition, or scarcely to be told of bad men, or to hear or read of any distressing story, finds all this world of fear, from which he has been so rigidly excluded ab extra, in his own " thick-coming fancies," and from his little midnight pillow this nurse child of optimism will start at shapes, unborrowed of tradition, in sweats to which the reveries of the well-damned murderer are tranquil- lity.' — ^This poor child, instead of being trained up in the way he should go, had been bred in the ways of modern philosophy ; he had systematically been pre- vented from knowing anything of the Saviour who said, ' Suffer little children to come unto me, and for- bid them not, for of such is the kingdom of heaven ;' care had been taken that he should not pray to God, nor lie down at night in reliance upon his good pro- vidence ! Nor let it be supposed that terrors of imagination belong to childhood alone. The repro- bate heart, which has discarded all love of God, can- not so easily rid itself of the fear of the devil ; and even when it succeeds in that also, it will then create a hell for itself. We have heard of unbelievers who thought it probable that they should be awake in their graves ; and this was the opinion for which they had exchanged a Christian's hope of immortality !" The allusion in this paragraph was really, as Lamb was afterwards convinced, intended by Mr. Southey to assist the sale of the book. In haste, having ex- ISLINGTON. 121 punged some word which he thought improper,' he wrote, " sounder religious feeling," not satisfied with the epithet, but meaning to correct it in the proof, which unfortunately was never sent him. Lamb saw it on' his return from a month's pleasant holidays at Hastings, and expressed his first impres- sion respecting it in a letter to his Quaker friend Barton. But his angry feeling was a little diverted by the execution of a scheme, rather suddenly adopted, of removing to a neat cottage at Islington, where Lamb first found himself installed in the dignity of a house- holder.^ There an expostulation with Southey was ' The "improper" word was ja»fr; almostas awkward an allusion as GifTord's " poor maniac." Southey was horrified at what he had thus un- consciously written, and, as stated in the text, felt that any substitution would be more suitable, for the present at least. It must be said that the Essays are open to his very temperate criticism, as it cannot be denied that an under-current of amiable materialism runs through them. Here the "gentle-hearted" Charles was a little unreasonable; especially as he had allowed his friend and champion, Leigh Hunt, to malce the same objection. " It is difficult," wrote the latter, in a number of the Examiner, in 1819, "from his works to collect whether Mr. Lamb is a professed Christian or not." This is far more severe than Southey's " sounder religious feeling," which he had intended to soften away. Lamb wrote that he did not intend to retort, but he later changed his mind. Southey treated the attack with a sweetness that did infinite credit to his goodnature and good humour. " The letter, I remem- ber,'' says Mr. Procter, " produced a strong sensation in literary circles, and Mr. Southey's acquaintances smiled, and his enemies rejoiced, at him."— F. " Mr. George Daniel, the well known " D. G." of " Cumberland's Theatre," gives the following sketch of their life at Islington ;..— " He planted, pruned, and grafted. The rose was his favourite flower. • Commend me,' he said, ' to the sparrows for what our friend Ma- tnews calls in his " At Home," " irregular appropriation." ' Seeing his growing fondness for birds, I offered him a beautiful bullfinch en- sconced in a handsome cage. But he declined the present. ' Every 122 ISLINGTON. written, and appeared in the London Magazine for October, 1823. Lamb did not print it in any subse- song that is sung from its wiry prison,' said he, ' I could never flattei myself was meant for my ear ; but rather a wistful note to the passing travellers of air that it were with them too ! This would malie me self-reproachful and sad. Yet I should be loth to let the little captive fly, lest, being unused to liberty, it should flutter itself to death, or starve.' "Ani witn wnat cheerfulness and gratitude he boasted that, for the first time in his life, he was the absolute lord and master of a whole house ! — of an undisturbed and well-conducted home ! I helped him to arrange his darling folios (Beaumont and Fletcher, Ben Jonson, and Company !) in his pleasant dining-room ; to hang in the best light his portraits of the poets, and his ' Hogarths' (the latter In oId-&shioned ebony frames), in his newly-furnished drawing-room ; and to adorn the mantelpieces with his Chelsea china shepherds and shepherdesses (&- mily relics) which, like their owner, looked gayer and fresher for the change of air ! He lived abstemiously, retired to rest at a reasonable hour (the midnight chimes had hitherto been more familiar to him than the lark's), and rose early. He took long summer walks in the neighbouring fields, and returned with a gathering of wild flowers. ' Every glimpse of beauty,' he said, ' was acceptable and precious to colour our pale lives.' He lamented the encroachments of ' horrid bricks and mortar ' on the green sward. " • Merrie Islington' was endeared to Charles Lamb by many tender recollections. Its rural walks, having been the scenes of his early and transient courtship, still retained for him an inexpressible charm. I have had many opportunities of friendly converse with the gifted woman, his sister, when her intellect was unclouded, and I have beheld her when that intellect was a ruin, and memory was alive only to the horrors of the past. Lamb, referring to his many domestic trials, once remarked to me, ' What a hard heart must mine be that these blows cannot break it!' Yet he might have remembered that when the dark- ness is deepest (midnight), the light is near. " In the autumn of 18Z5, after dining at Colebrooke Cottage with him and Robert Bloomfield, I accompanied the two poets to the cele- brated ' Queen Elizabeth's Walk' at Stoke Newington, which had become Lamb's favourite promenaae in summer, for its wild flowers, upon which he could neve tread with indifference ; for its seclusion ISLINGTON. 123 quent collection of his essays ; but I have reason to know that its publication will cause no painful feel- and iti shade. He would watch the setting sun from the top of old Canonbury Tower, and sit contemplating the starry heavens (for he was a disciple of Plato, the great Apostle of the Beautiful I), until the cold night air warned him to retire. He was hand and glove with Goodman Symes, the then tenant of this venerable Tower, and a bro- ther antiquary in a small way, who took pleasure in entertaining him in the oak-panelled chamber where Goldsmith wrote his ' Traveller,' and supped on butter-milk ; pointing at tlie same time to a small coloured portrait of Shakespeare in a curiously carved gilt frame, which Lamb would look at lovingly, and which, through the kindness of a late friend, has since become mine. He was never weary of toiling up and down the steep, winding, narrow stairs of this suburban pile, and peeping into its sly corners and cupboards, as if he expected to discover there some hitherto hidden clue to its mysterious origin t The ancient hostelries of Islington and its vicinity he also visited. At the Old Queen's Head he pufied his pipe, and quaffed his ale out of the huge tankard. It was here that he chanced to fall in with that obese and burly figure of fun, Theodore Hook, who came to take a last look at this historical relic before it was pulled down. Hook accompanied him to Colebrook Cottage, which was hard by. During the evening Lamb (lightsome and lissom) proposed a race round the garden ; but Hook (a cochon a I'angraisse, pursy and puffy, with a nose as radiant as the red-hot poker in a pantomime, and whose gait was like the bab- blings of a fat goose attempting to fly^ declined the contest, remarking that he could outrun nobody but ' the constable.' In the Sir Hugh Myddleton's Head ' Elia' would often introduce his own, for there he would be sure to find, from its proximity to Sadler's Wells, some play- going old crony with whom he could exchange a convivial * crack,* and hear the celebrated Joe Grimaldi call for his < namesake' (a tum- bler !) of ■ iiueet and pretty' (rum punch) ; challenging Boniface to bring it to a ' rummer 1' Many a gleeful hour has he spent in this once rural hostelrie (since razed and rebuilt) in fiimigation and fiin. Though now a retired ' country gentleman,' luxuriating in the Per- sian's Paradise, ■ something to see, and nothing to do,' he occasionally enjoyed the amusements of the town. He had always been a great sight-seer (as early as i8o2 he piloted the Wordsworths through Bar- tlemy Fair), and the ruling passion still followed him to his Islingtoniau 124 ISLINGTON. ings in the mind of Mr. Southey, and as it forms the only ripple on the kindliness of Lamb's personal and literary life. Indeed, the feeling with which it was received by him may be best described in his own words in a letter to Mr. Moxon. " On my part there was not even a momentary feeling of anger; I was very much surprised and grieved, because I knew how much he would condemn himself. And yet no resentful letter was ever written less offensively : his gentle nature may be seen in it throughout." ' Southey was right in his belief in the revulsion Lamb's feelings would undergo, when the excitement under which he had written subsided ; for although he would retract Tusculnm. ■ One who patronises,' said lie, ' as I do, St. Bartlemy, must liave a liindred inkling for my Lord Mayor's Show. They both possess the charm of antiquity.' Many a penny he has paid for a peep into a puppet-show, and after his final retirement to Edmonton in the Spring of 1 833, he, in my company, revisited its fair in the September follow- ing, and renewed old acquaintanceship with the clowns and con- jurors. " This happy change of life and scene, this moral sunshine — (he had vanquished evil by resisting it) — produced the best effects upon his constitution (sickly frames are the homes of sickly fanciet) and mind. Those spectre-haunted day and night dreams, (ghastly and grotesque !) that he so fearfiilly describes, no longer distracted him, and he lost that nervous irritability and restlessness which at one time threatened to become a permanent disease. His eyes recovered their lustre, his step its firmness, his pulse its regularity, and his appetite its tone. ' I have the stomach,' said he, ' of a Heliogabalus and the gorge of a garreteer 1' He had not become a ' sadder'— for he was as full of felicitous absurdities as ever — ^but a ' wiser' man. All rejoiced at his rejuvenescence." — F. ' He also added : " My reply was to this efiect, that if he had inti- mated to me that he was hurt by anything which had been said by me in the Quarterly Review, I would in the next number have explained or qualified it to his entire satisfaction ; but I would never make sport for the Philistines by entering into a controversy with him." — F. ISLINGTON. 125 nothing he had ever said or written in defence of his friends, he was ready at once to surrender every resentment of his own. Southey came to London in the following month, and wrote proposing to call at Islington; and on the 21st of November Lamb thus replied : — "E. I. H., list November, iSzj. " Dear Southey, — The kindness of your note has melted away the mist which was upon me. I have been fighting against a shadow. That accursed Q. R. had vexed me by a gratuitous speaking, of its own knowledge, that the ' Confessions of a D d' was a genuine description of the state of the writer. Little things that are not ill meant, may produce much ill. That might have injured me alive and dead. I am in a public office, and my life is insured. I was prepared for anger, and I thought I saw, in a few obnoxious words, a hard case of repetition directed against me. I wish both magazine and review at the bottom of the sea. I shall be ashamed to see you, and my sister (though innocent) will be still more so ; for the folly was done without her knowledge, and has made her uneasy ever since. My guardian angel was absent at that time. " C. L." Southey went to Colebrook-cottage, as proposed ; the awkwardness of meeting went off in a moment ; and the affectionate intimacy, which had lasted for almost twenty years, was renewed, to be interrupted only by deatli. ( 126 ) CHAPTER VIII. [1823.1833.] New Friends. — Lamb's Emancipation. — Enfield, — Edmonton. Lamb was fond of visiting the Universities in the summer vacation, and repeatedly spent his holiday month at Cambridge with his sister. On one of these occasions they met with a little girl, who being in a manner alone in the world, engaged their sympathy, and soon riveted their affections. Emma Isola was the daughter of Mr. Charles Isola, who had been one of the esquire bedells of the University ; her grand- father, Agostino Isola, had been compelled to fly from Milan, because a friend took up an English book in his apartment, which he had carelessly left in view.' This good old man numbered among his pupils. Gray the poet, Mr. Pitt, and, in his old age, Wordsworth, whom he instructed in the Italian language. His little grand-daughter, at the time when she had the ' He belonged to Emmanuel College, where he had taken a degree ; and in a contest for the office of " Esquire Bedell," that took place in 1797, he was elected in preference to a very influential opponent, Mr. Ellis, Fellow of King's College. His father was highly esteemed, and in consequence there was a general desire to do something to advance the son. The latter was of shy and retiring manners, and for the six- teen years that he held his office, " was found ready to undertake every duty that did not include dining with a large party." — Reminiscences of Cambridge. — F. NEW FRIENDS. t27 good fortune to win the regard of Mr. Lamb, had lost both her parents, and was spending her holidays with an aunt, who lived with a sister of Mr. Ayrton, at whose house Lamb generally played his evening rubber during his stay at Cambridge. The liking which both Lamb and his sister took for the little orphan, led to their begging her of her aunt for the next holidays ; their regard for her increased ; she regularly spent the holidays with them till she left school, and afterwards was adopted as a daughter, and lived generally with them until 1833, when she mar- ried Mr. Moxon. Lamb was fond of taking long walks in the country, and as Miss Lamb's strength was not always equal to these pedestrian excursions, she became his constant companion in walks which even extended " to the green fields of pleasant Hertford- shire." About this time. Lamb added to his list of friends, Mr. Hood, the delightful humorist ;' Hone, lifted for ' An American lady, Mrs. Balmanno, describes a dinner at the Hoods, then living at Winchmore. Miss Kelly was of the party. Lamb, the lady noted, was " always playing pranks on his sister, who was dressed with qiiaker-like simplicity in a dove-coloured silk, with a transparent kerchief of snow-white muslin folded across her bosom." Her behaviour towards him was as of " some adoring disciple," her eyes being always fixed on his face: even when he was talking at the other end of the room, she would supply some word that he wanted. On this occasion he was in high spirits, sauntering about the room, his hands crossed behind his back, conversing in fits and starts, and all attention to Miss Kelly. Affecting to seek a dish that would be easy to carve, "so as to take the trouble off Mrs. Hood's hands," he selected a lobster salad, observing that that was the thing. When pressed to sing a song, he made a Latin speech, which was in favour, he said, of Mrs. Hood, but really in praise of the Salad. — Memorials ofT. Hood. Mr. Procter quotes the American N. P. Willis' account of his meeting with Charles and Mary Lamb : — " He had been invited by a gentle- 128 NEW FRIENDS. a short time into political fame by the prosecution ol his Parodies, and the signal energy and success oi his defence, but now striving by unwearied researches, which were guided by a pure taste and an honest heart, to support a numerous family; and Ainsworth, then a youth, who has since acquired so splendid a reputation as the author of " Rookwood " and " Crichton." Mr. Ainsworth, then resident at Man- man in the Temple, Mr. R (Robinson ?) to meet Charles Lamb and his sister at breakfast. The Lambs lived at that time ' a little way out of London, and were not quite punctual.' At last, they enter ; ' the gentleman in black small-clothes and gaiters, short and very slight in person ; his head set on his shoulders with a thoughtful forward bent, his hair just sprinkled with grey, a beautiful deep set eye, an aquiline nosa, and a very indescribable mouth. Whether it expressed most humour or feeling, goodnature or a kind of whimsical peevishness, or twenty other things which passed over it by turns, I cannot in the least be certain.' The guest places a large arm chair for Mary Lamb; Charles puUs it away, saying, gravely, 'Mary, don't take it ; it looks as if you were going to have a tooth drawn,' Miss Lamb was at that time very hard of hearing, and Charles took advan- tage of her temporary dea&iess to impute various improbabilities to her, which however were so obvious as to render any denial or explana- tion unnecessary, Willis told Charles that he had bought a copy of the ' Elia' in America, in order to give to a friend. 'What did you give for it ?' asked Lamb, ' About seven and sixpence.' • Permit me to pay you that,' said Lamb, counting out the money with earnestness on the table ; ' I never yet wrote anything that could sell. I am the publisher's ruin. My last poem won't sell, — not a copy. Have you seen it.' No; Willis had not. ' It's only eighteen-pence, and I'll give you sixpence toward it,' said Lamb ; and he described where Willis would find it, ' sticking up in a shop window in the Strand.' Lamb ate nothing ; but inquired anxiously for some potted fish, which Mr. R used to procure for him. There was none in the house ; he therefore asked to see the cover of the pot which had contained it ; he thought it would do him good. It was brought, and on it was a picture of the fish. Lamb kissed it, and then left the table and began to wander about the room, with an unceitain step." — F, NEW FRIENDS. I29 Chester, excited by an enthusiastic admiration of Elia, had sent him some books. In the year 1824, one of Lamb's last ties to the theatre, as a scene of present enjoyment, was severed. Munden, the rich peculiarities of whose acting he has embalmed in one of the choicest " Essays of Elia," quitted the stage in the mellow- ness of his powers. His relish for Munden's acting was almost a new sense ; he did not compare him with the old comedians, as having common qualities with them, but regarded him as altogether of a different and original style. On the last night of his appearance, Lamb was very desirous to attend, but every place in the boxes had long since been secured, and Lamb was not strong enough to stand the tre- mendous rush, by enduring which, alone, he could hope to obtain a place in the pit ; when Munden's gratitude for his exquisite praise anticipated his wish, by providing for him and Miss Lamb places in a cor- ner of the orchestra, close to the stage. The play of the " Poor Gentleman," in which Munden played Sir Robert Bramble, had concluded, and the audi- ence were impatiently waiting for the farce, in which the great comedian was to delight them for the last time, when my attention was suddenly called to Lamb by Miss Kelly, who sat with my party far with- drawn into the obscurity of one of the upper boxes, but overlooking the radiant hollow which waved below us, to our friend. In his hand, directly beneath the line of stage-lights, glistened a hugh por- ter-pot, which he was draining ; while the broad face of old Munden was seen thrust out from the door by which the musicians enter, watching the close of the draught, when he might receive and hide the porten- 130 NEW FRIENDS. tous beaker from the gaze of the admiring neighbours. Some unknown benefactor had sent four pots of stout to keep up the veteran's heart during "his last trial ; and, not able to drink them all, he bethought him of Lamb, and without considering the wonder which would be excited in the brilliant crowd who sur- rounded him, conveyed himself the cordial chalice to Lamb's parched lips. At the end of the same farce, Munden found himself unable to deliver from memory a short and elegant address which one of his sons had written for him ; but, provided against accidents, took it from his pocket, wiped his eyes, put on his specta- cles, read it, and made his last bow. This was, per- haps, the last night when Lamb took a hearty interest in the present business scene ; for though he went now and then to the theatre to gratify Miss Isola, or to please an author who was his friend, his real stage henceforth only spread itself out in the selectest chambers of his memory.' A New Series of the London Magazine was com- menced with the year 1825, in an increased size and price ; but the spirit of the work had evaporated, as often happens to periodical works, as the store of rich fancies with which its contributors had begun, was in a measure exhausted. Lamb contributed another theatrical paper, a " Memoir of Liston," who occa- sionally enlivened Lamb's evening parties with his society; and who, besides the interest which he derived from his theatrical fame, was recommended to Lamb by the cordial admiration he expressed for Munden, whom he used to imitate in a style delight- ' " It was on this occasion," says Mrs. Cowden Clarke. " that Marj l,amb made the pun, ' Sic transit gloria Munden.'"— F lamb's emancipation. 131 fully blending his own humour with that of his some- time rival. The " Memoir " is altogether a fiction, giving a ludicrously improbable account of his hero's pedigree, birth, and early habits. This year is marked by one of the principal events in Lamb's uneventful life ; his retirement from the drudgery of the desk, with a pension equal to two- thirds of his now liberal salary.^ Freedom now gleamed upon him, and he became restless with the approach of deliverance. In February, 1825, he had completed his half century. The first dawning hope of Lamb's emancipation was suggested in a note to Manning, proposing a visit, in which he refers to a certificate of non-capacity for hard desk-work, given by a medical friend (Dr. Tut- hill). " I dare not hope," he says, " for fear of disap- pointment." The dream was realized — in April, 1825, the "world-wearied clerk" went home for ever — with what delight has been told in the elaborate raptures of his " Superannuated Man," and in the letters already published," as well as how imperfectly the emanci- pation, so rapturously hailed, fulfilled its promises. When the first enjoyment of freedom was over, it may be doubted whether Lamb was happier for the change. He lost a grievance on which he could ' He was treated with liberality, his retiring pension being fixed at £450 ; nine pounds being deducted to secure a provision for his sister _F. 2 Some of his friends were aheady doubtful as to the result. Mr. C. Robinson wrote thus to Miss Wordsworth in June : — " Nor can 1 give you the report you so naturally looked for of his conduct at so great a change in his life. I do not doubt, T do not fear, that he will be unable to sustain the weight of chance desires. He has no desire to travel, ... he has a passion for solitude, and hitherto finds thai his retiring has not brought him leisure," — F. K 2 132 lamb's emancipation. lavish all the fantastical exaggeration of a sufferer without wounding the feelings of any individual, and perhaps the loss was scarcely compensated by the listless leisure which it brought him. Whenever the facile kindness of 6is disposition permitted, he fled from those temptations of society, which he could only avoid by flight ; and his evening hours of solitude were hardly so sweet as when they were the reliefs and resting-places of his mind, — "glimpses which might make him less forlorn" of the world of poetry and romance. His mornings were chiefly occupied in long walks, sometimes extending to ten or twelve miles, in which at this time he was accompanied by a noble dog, the property of Mr. Hood, to whose humours Lamb became almost a slave," and who, at last, acquired so portentous an ascendancy that Lamb ' The following allusion to Lamb's subserrience to Dash is extracted from one of a series of papers, written in a most cordial spirit, and with great characteristic power, by the friend to whom Dash was assigned, which appeared in tlie Court Magazine. "During these interminable rambles — heretofore pleasant in virtue of their profound loneliness and freedom from restraint. Lamb made himself a perfect slave to the dog — whose habits were of the most extravagantly errant nature, for, generally speaking, the creature was half a mile off from his companion either before or behind, scouring the fields or roads in all directions, scampering up or down ' all manner of streets,' and leaving Lamb in a perfect fever of irritation and annoyance ; for he was afraid of losing the dog when it was out of sight, and yet could not persuade himself to keep it in sight for a moment, by curbing its roving spirit. Dash knew Lamb's weakness in these paruculars as well as he did himself, and took a dog-like advantage of it. In the Regent's Park, in particular. Dash haa his master completely at his mercy ; for the moment they got into the ring, he used to get through the paling on to the green sward, and disappear for a quarter or half an. hour together, knowing perfectly well that Lamb did not dare move from the spot where he (Dash) had disappeared, till such time as he thought proper to show himself again. And they used to take this particular ENFIELD. 133 requested his friend Mr. Patmore to take him under his care. At length the desire of assisting Mr. Hone, in his struggle to support his family by antiquarian research and modern pleasantry, renewed to him the blessing of regular labour ; he began the task of reading through the glorious heap of dramas collected at the British Museum under the title of the " Garrick Plays," to glean scenes of interest and beauty for the work of his friend ; and the work of kindness brought with it its own reward. " It is a sort of office work to me," says Lamb, in a letter to Barton ; " hours ten to four, the same. It does me good. Man must have regular occupation that has been used to it." But he now found that the cares of housekeeping pressed too heavily on Mary Lamb, and presently resolved to resign the dignity of a housekeeper for the independence of a lodger.' A couple of old dwellers in Enfield, hard by his cottage, had the good fortune to receive them. The first result of the experiment was happy, as it brought improved health to Mary Lamb ; and in his letters addressed to Wordsworth, and to Gilman (intended also for his great guest, Coleridge), he described his landlord and landlady ; expressing, also, with a fine solemnity, the feelings which still held him to Enfield. While Lamb was residing at Enfield, the friendship which, in 1824, he had formed with Mr. Moxon, led to very frequent intercourse, destined, in after years, walk much oftener than they otherwise would, precisely because Dash liked it and Lamb did not." Under his second master, we learn iiom the same source, that Dash " subsided into the best bred and best behaved of his species." ' This "pressing too heavily," was, of course, connected with thsil usual affliction. — F. 134 ENFIELD. to be rendered habitual, by the marriage of his friend with the young lady whom he regarded almost as a daughter. In 1828 Mr. Moxon, at the request of Mr. Hurst, of the firm of Hurst, Chance, and Co., applied to Lamb to supply an article for the " Keepsake," which he, always disliking the flimsy elegancies of the Annuals — sadly opposed to his own exclusive taste for old, standard, moth-eaten books — had declined. In the spring of the year, Mr. Murray, the eminent publisher, through one of Lamb's oldest and most cherished friends, Mr. Ayrton, proposed to him an- other literary venture : that he should undertake a continuation of his specimens of the Old English Dramatists. The proposal was communicated by Mr. Ayrton to Lamb, then at Enfield, and then too pain- fully anxious for the recovery of Miss Isola, who was dangerously ill in Suffolk, to make the arrangement desired. His friend's letter he said, "revived some old images ; Phillips,' (not the Colonel,) with his few hairs bristling at the charge of a revoke, which he de- clares impossible ; the old Captain's significant nod over the right shoulder," (was it not ?)." ' Edward Phillips, Esq., Secretary to the Speaker of the House of Commo.is. The " Colonel" alluded to was the Lieutenant of Marines who accompanied Capt. Cook in his last voyage, and was on shore with that great man when he fell a victim to his humanity. On the death of his commander. Lieutenant Phillips, himself wounded, swam off to the boats ; but seeing one of his marines struggling in the water to escape the natives who were pursuing him, gallantly swam back, pro- tected his man at the peril of his ovra life, and both reached their boat in safety. He afterwards married that accomplished and amiable daughter of Dr. Burney, whose name so frequently occurs in the Diary and Correspondence of her sister, Madame D'Atblay. 3 Admiral Burney died in i8zi, having been promoted to his rank only a few weeks before. — F. ENFIELD. 135 " Have you seen," he wrote at this time, " a curious letter in the Morning Chronicle, by C. L.,' the genius of absurdity ?" He continued occasional contributions to the New Monthly, especially the series of " Popular Fallacies ;" wrote short articles in the Athenaum ; and a great many acrostics on the names of his friends. He had now a neighbour in Mr. Serjeant Wilde, to whom he was introduced by Mr. Burney, and whom he held in high esteem, though Lamb cared nothing for forensic eloquence, and thought very little of eloquence of any kind ; which, it must be confessed, when printed is the most vapid of all reading. What political interest could not excite, personal regard produced in favour of his new friend ; and Lamb supplied several versified squibs and snatches of electioneering songs to grace Wilde's contests at Newark. With these slender avocations his life was dull, and only a sense of duty induced him to persist in absence from London. The following was addressed in 1829 to the Editor, on occasion of his giving to a child the name of " Charles Lamb," though withheld from an indisposi- tion to intrude matters so personal to himself on the ' Capel Lofft, a barrister residing in SuffoU:, a well-linown whig and friend of Major Wyvil and Major Cartwriglit, who sometimes half vexed Lamb by signing, as he had a right, their common initials to a sonnet. He wrote a very vehement letter, contending that the deten- tion of Napoleon on board a vessel off" the coast, preparatory to his being sent to St. Helena, was illegal, and that the captain of the vessel would be compelled to surrender him in obedience to a writ of Habeas Corpus. — ^T. As this gentleman signed with the same initials, Lamb was often to his annoyance, set down as the author of his compositions. The Hon. George Lamb, another dilettante writer, was given in a theatrical dictionary as the author of " Mr. H."- — F. 136 ENFIELD. reader, may now, on his drawing near the close of the Bubject, find its place. " To Mr. Talfourd. " Dear Talfourd, — You could not have told me of a more friendly thing than you have been doing. I am proud of my namesake. I shall take care never to do any dirty action, pick pockets, or anyhow get myself hanged, for fear of reflecting ignominy upon your young Chrisom. I have now a motive to be good. I shall not omnis moriar ; — my name borne down the black gulf of oblivion. " I shall survive in eleven letters, five more than Caesar. Possibly I shall come to be knighted, or more ! Sir C. L. Talfourd, Bart. !" * m in « * It was signed, — "Charles Lamb-Philo-Talfourd." He adds : " I come as near it as I can." ' ' The child who bore the name so honoured by his parents, survived his god-father only a year — dying at Brighton, whither he had been talcen in the vain hope of restoration, on the 3rd December, 1 83 J. Will the reader forgive the weakness which prompts the desire, in this place, to link their memories together, by inserting a few verses, which, having been only published at the end of the last small edition of the Editor's dramas, may have n:iissed some of the friendly eyes for which they were written ? Our gentle Charles has pass'd away From earth's short bondage free. And left to us its leaden day And mist-enshrouded sea. Here, by the ocean's terraced side, Sweet hours of hope were known, When first the triumph of its tide Seem'd omen of our own. That eager joy the sea-breeze gave, When first it raised his hair. ENFIELD. 137 Good tidings soon reached Lamb of Miss Isola's health, and he went to Fornham to bring her, for a Sunk with each day's retiring wave. Beyond the reach of prayer. The sun-blink that through drizzling mist. To flickering hope akin, Lone waves with feeble fondness kiss'd, No smile as faint can win ; Yet not in vain with radiance weak The heavenly stranger gleams — Not of the world it lights to speak. But that from whence it streams. That world onr patient sufTerer sought, Serene witli pitying eyes. As if his mounting spirit caught The wisdom of the skies. With boundless love it look'd abroad For one bright moment given, Shone with a loveliness that awed. And quiver'd into Heaven. A year made slow by care and toil Has paced its weary round. Since Death enrich'd with kindred spoil The snow -clad, frost-ribb*d ground. Then Lamb, with whose endearing name Our boy we proudly graced. Shrank from the warmth of sweeter lame Than ever bard embraced. Still *twas a mournful joy to think Our darling might supply, For years to us, a living link With name that cannot die. And though such fancy gleam no more On earthly sorrow's night. Truth's nobler torch unveils the shore Which lends to both its light. 138 ENFIELD. month's visit, to Enfield.' In the following year he ventured to try the experiment of lodging a little while in London ; but Miss Lamb's malady compelled him to return to the solitude of Enfield." He there- fore gave up Colebrooke Cottage, and took what he described in a notelet to me as " an old-looking gam- bogish-coloured house," at Chase Side, Enfield. The situation was far from picturesque, for the opposite side of the road only presented some middling tene- ments, two Dissenting-chapels, and a public-house decorated with a swinging sign of a Rising Sun ; but the neighbouring field-walks were pleasant, and the country, as he liked to say, quite as good as West- moreland.' ^ It was on his tetum that Lamb's repartee to the query of the statistical gentleman as to the prospects of the turnip crop, which had been repeatedly published, was made. ^ Mrs. Leishman was his landlady, though he boarded with the family that lired next door. Even in their housekeeping, brother and sister seem to have been most unfortunate. The loss of their maid " Becky," who seems to have directed the household with a good- natured tyranny, led to the boarding arrangement, which again turned out unsatisfactory ; their caterers, according to Mr. Patmore, " charging them for the plainest possible accommodation a price almost sufficient to keep all the household twice over." One of the " extra teas" was subjected to an "extra" charge, because "the elderly gentleman" (Wordsworth) " had taken such a quantity of sugar in his tea." — F. 8 Mr. T. Westwood, who was living at Enfield during these last days, recalls Lamb's kindness to him : describing their rambles in the lanes ; " turning into more than one way-side hotel," where " for each host and hostess he had his joke, and was clearly an honoured presence. Later in the evening, when the lamp was lit, I ventured to slip into his hand that worst of all literary scarecrows, a volume of my juvenile verse. With his customary kindness and patience, he deciphered the weary pages, bantered me occasionally on the misanthropic and other despairing moods, and selected for commendation such as were simplest and sincerest. In the latter contingency Mary Lamb was usually called ENFIELD. 139 The esteem which Lamb had always cherished for Mr. Rogers, was quickened into a livelier feeling by the generous interest which the poet took in the success of Mr. Moxon, who was starting as a pub- lisher, and had established a magazine entitled The Englishman. This, although enriched with Lamb's articles, and some others of great merit, did not meet with a success so rapid as to requite the proprietor for the labour and anxiety of its production. One of his little notes to Mr. Moxon, on some long forgotten occasion of momentary displeasure, the nature and object of which is uncertain, — contains a fantastical exaggeration of anger, which, judged by those whc knew the writer, only illustrates the entire absence of all the bad passions of hatred and contempt it feigns. In 1830, a small volume of poems, the gleanings of some years, during which Lamb had devoted himself to prose, under his name of " Elia," was published by Mr. Moxon, under the title of " Album Verses," and which Lamb, in token of his strong regard, dedicated to the publisher. An unfavourable review of them in the Literary Gazette produced some verses from Southey, which were inserted in the Times, and of which the following, as evincing his unchanged friendship, may not unfitly be inserted here. The residue, being more severe on Lamb's critics than on for confirmation." He also mentions some little characteristic traits, such as his mode of disposing of new books, for which he cared but little. " One would come skimming to my feet through the branches of the apple-trees (our gardens were contiguous), or a " Bernard Barton " would be rolled downstairs after me from the library door, " Marcian Colonna" I remember finding on my window sill ! "The Plea of the Midsummer Fairies" I sicked up out of the strawberry-bed. r40 ENFIELD. Lamb himself would have wished, may now be spared. " Charles Lamb, to those who know thee justly dear For rarest genius, and for sterling worth, Unchanging friendship, warmth of heart sincere. And wit that never gave an ill thought birth. Nor ever in its sport infix'd a sting ; To us who have admired and loved thee long. It is a proud as well as pleasant thing To hear thy good report, now borne along Upon the honest breath of public praise : We know that with the elder sons of song, In honouring whom thou hast delighted still, Thy name shall keep its course to after days." This year closed upon the grave of Hazlitt. Lamb visited him frequently during his last illness, and attended his funeral. They had taken great delight in each other's conversation for many years ; and though the indifference of Lamb to the objects of Hazlitt's passionate love or hatred, as a politician, at one time produced a coolness, the warmth of the de- fence of Hazlitt in " Elia's Letter to Southey " re- newed the old regard of the philosopher, and set all to rights. Hazlitt, in his turn, as an Edinburgh Re- viewer, had opportunities which he delighted to use, of alluding to Lamb's Specimens and Essays, and making him amends for the severity of ancient criti- cism, which the editor, who could well afford the genial inconsistency, was too generous to exclude. The conduct, indeed, of that distinguished person to Haz- litt, especially in his last illness, won Lamb's admira- tion, and wholly effaced the recollection of the time when, thirty years before, his play had been denied critical mercy under his rule. Hazlitt's death did not so much shock Lamb at the time, as it weighed down ENFIELD. 141 his spirits afterwards, when he felt the want of those essays which he had used periodically to look for with eagerness in the magazines and reviews which they alone made tolerable to him ; and when he realized the dismal certainty that he should never again enjoy that rich discourse of old poets and painters with which so many a long winter's night had been glad- dened, or taste life with an additional relish in the keen sense of enjoyment which endeared it to his companion. After the year 1830, Lamb's verses and essays were chiefly given to his friends ; the former consisting of album contributions, the latter of little essences of observation and criticism. At this time, his old and excellent friend, Dyer, was much annoyed by some of his witticisms, — which, in truth, were only Lamb's modes of expressing his deep-seated regard ; and at the quotation of a couplet in one of his early poems, which he had suppressed as liable to be misconstrued by Mr. Rogers. Mr. Barker had unfortunately met with the unexpurgated edition which contained this dubious couplet, and in his " Memorials of Dr. Parr" quoted the passage; which, to Mr. Dyer's delicate feelings,' conveyed the apprehension that Mr. Rogers * Mr. Dyer had complained to Mr. Lamb of some suggestions in Elia, which annoyed him, not so much for his own sake as for the sake of others, who, in the delicacy of his apprehensiveness, he thought might feel aggrieved by imputations which were certainly not intended, and which they did not deserve. One passage in Elia, hinting that he had been hardly dealt with by schoolmasters, under whom he had been a teacher in his younger days, hurt him ; as, in fact; he was treated by them with tlie most considerate generosity and kindness. Another passage which he regarded as implying that he had been underpaid by booksellers also vexed him ; as his labours have always been highly esteemed, and have, according to the rate of remuneration of learned 142 ENFIELD. would treat the suppression as colourable, and refer the revival of the lines to his sanction. The follov/ ing letter was written to dispel those fears from his mind. Coleridge, now in declining health, seems to have feared, from a long intermission of Lamb's visits to Highgate, that there was some estrangement between them, and to have written to Lamb under that fear. The answer shows how much he was mis- taken. " My dear Coleridge," Lamb wrote, " not an un- kind thought has passed in my brain about you. But I have been wofully neglectful of you, so that I do not deserve to announce to you, that if I do not hear from you before then, I will set out on Wednesday morning to take you by the hand. I would do it this moment, but an unexpected visit might flurry you. I shall take silence for acquiescence ; and come. I am glad you could write so long a letter. Old loves to, and hope of kind looks from, the Gilmans when I come. — Yours, semper idem, C. L." " If you ever thought an offence, much more wrote it, against me, it must have been in the times of Noah, and the great waters swept it away. Mary's most kind love, and maybe a wrong prophet of your bodings ! — here she is crying for mere love over your letter. I wring out less, but not sincerer showers." men, been well compensated by Mr. Valpy and others. The truth is that Lamb wrote Irom a vague recollection, without intending any per- sonal reference at all to Mr. Dyer himself, and only seeking to illustrate the pure, simple, and elevated character of a man of letters " unspotted from the world." Probably no one has ever applied these suggestions to the parties for whose reputation Mr. Dyer has been so honourably anxious but himself; but it is due to his feelings to state that they are founded in error. EDMONTON. 143 In the spring of 1833, Lamb made his last removal from Enfield to Edmonton. He was about to lose the society of Miss Isola, on the eve of marriage, and determined to live altogether with his sister, whether in her sanitj' or her madness. On the approach of the wedding-day, fixed for the 30th July, Lamb turned to the account of a half-tearful merriment, the gift of a watch to the young lady whom he was about to lose. To Mr. Moxon. " July Z4th, 1833. " For God's sake give Emma no more watches ; one has turned her head. She is arrogant and insulting. She said something very unpleasant to our old clock in the passage, as if he did not keep time, and yet he had made her no appointment. She takes it out every moment to look at the moment-hand." Miss Lamb was in the sad state of mental estrange- ment up to the day of the wedding ; but then in the constant companionship of her brother at Edmonton.^ A cluster of little letters to the new married pair — the first from Charles, introducing one from Mary — shows the happy effect of the news on her mental health. To Mr. and Mrs. Moxon. "August, 1833. " Dear Mr. and Mrs. Moxon, — Time very short. I ^ His letters at this date are almost full of despair. To one he wrote that her state of mind was " deplorable beyond example." And to Wordsworth, in the following hopeless strain : " Mary is ill again ; her illnesses encroach yearly. The last was three months, followed by two of depression most dreadful. I look back on the earlier attacks with longing ; nice little durations of six nueeks or so, folloiued by com- plete restoration — shocking as they turre then to me." Indeed from the date of their going to Edmonton the malady seems to have settled on her ; to which it seems not unlikely that the solitude of the place contributed. — F. 144 EDMONTON. wrote to Miss Fryer, and had the sweetest letter about you, Emma, that ever friendship dictated. ' I am full of good wishes, I am crying with good wishes,' she says ; but you shall see it. " Dear Moxon, — I take your writing most kindly, and shall most kindly your writing from Paris. " I want to crowd another letter to Miss Fryer into the little time after dinner, before post-time. So with twenty thousand congratulations, Yours, C. L. " I am, calm, sober, happy. Turn over for the reason. I got home from Dover Street, by Evans, half as sober as a judge. I am turning over a new leaf, as I hope you will now." The turn of the leaf presented Miss Lamb's letter; and at the foot is the following by Charles : — " Wednesday. " Dears', again, — Your letter interrupted a seventh game at picquet which we were having, after walking to Wright's and purchasing shoes. We passed our time in cards, walks, and reading. We attack Tasso soon. C. L. " Never was such a calm, or such a recovery. 'Tis her own words, undictated." In this year the choicest essays, which Lamb had written since the publication of Elia, were collected and published — as with a melancholy foreboding — under the title of " The Last Essays of Elia ; " by Mr. Moxon. The work contains ample proof that the powers of the author had ripened rather than declined ; for the paper called " Blakesmoor in H — shire," which embodies his recollection of the old mansion in which his grandmother lived as housekeeper ; those on EUiston. " Captain Jackson," EDMONTON. I45 and " The Old Margate Hoy," are among the most original, the least constrained, and the most richly coloured of his works. It was favourably noticed by almost all the principal critics — by many enthusiasti- cally and sincerely praised — and an admirable notice in The Quarterly was published just after the fore- boding of the title was fulfilled. His indisposition to write, however, increased ; but in creating so much, excellent in kind, so complete in itself, and so little tinged with alloy, he had, in truth, done enough, and had earned in literature, as in the drudgery of the desk, a right to repose. Yet, still ready to obey the call of friendship, he wrote both prologue and epilogue to Knowles's play of " The Wife ;" the composition of which must have been mere labour, as they are only decently suited to the occasion, and have no mark or likelihood to repay the vanity of the poet. Miss Isola's marriage, which left Lamb and his sister once more alone, induced them to draw a little nearer to their friends; and they had fixed their abode in Church Street, within reach of the Enfield walks which custom had endeared to them.' There with his sister he continued, regularly visiting Lon- don and dining with Mr. Gary on every third^Wed- nesday. Lamb and his sister were now, for the last year of their united lives, always together. He had now to sustain the severest of his losses. After a long and painful illness — borne with an heroic patience which concealed the intensity of his suffer- ings from the bystanders, Coleridge died. As in the instance of Hazlitt, Lamb did not feel the immediate blow so acutely as he himself expected ; but the 1 The name of his landlady was Mrs Walden. — F. L 146 EDMONTON. calamity sank deep into his mind, and #as, I believe, seldom far from his thoughts. It had been arranged that the attendance at the funeral should be confined to the family of the departed poet and philosopher, and Lamb, therefore, was spared the misery of going through the dismal ceremony of mourning. For the first week he forbore to write ; but at its close he addressed the following short letter to one of the family of him whom he once so justly denominated Coleridge's " more than a friend." " My dear Sir," he wrote to the Rev. Mr. Oilman, " the sad week being over, I must write to you to say, that I was glad of being spared from attending ; I have no words to express my feelings with you all. I can only say that when you think a short visit from me would be acceptable, when your father and mother shall be able to see me wiih comfort, I will come to the bereaved house. Express to them my tenderest regards and hopes that they will continue our friends still. We both love and respect them as much as a human being can, and finally thank them with our hearts for what they have been to the poor departed. " God bless you all. C. Lamb." Shortly after, assured that his presence would be welcome. Lamb went to Highgate. There he asked leave to see the nurse who had attended upon Cole- ridge ; and being struck and affected by the feeling she manifested towards his friend, insisted on her receiving five guineas from him, — a gratuity which seemed almost incomprehensible to the poor woman, but which Lamb could not help giving as an imme- diate expression of his own gratitude. From her he learned the effort by which Coleridge had suppressed the expression of his sufferings, and the discovery EDMONTON, I47 affected him even more than the news of his death. He would startle his friends sometimes by suddenly exclaiming, " Coleridge is dead !" and then pass on to common themes, having obtained the momentary relief of oppressed spirits. He still continued, how- ever, his monthly visits to Mr. Gary ; and was ready to write an acrostic, or a complimentary epigram, at the suggestion of any friend. A quiet dinner at the British Museum ' with Mr. Gary once a month, to which Lamb looked forward with almost boyish eagerness, was now almost his only festival. Lamb's regard for him had now ripened into a fast friendship. In general, these were occasions on which Lamb observed the strictest rules of temperance ; but once accident of stomach or of sentiment caused a woful deviation." In a little note to his host about this time, he hints at one of his few physical tastes. — " We are thinking," he says, " of roast shoulder of mutton with onion sauce, but I scorn to prescribe to the hospitalities of mine host." The following, after these festivities had been inter- rupted by Mr. Gary's visit to the Continent, is their last memorial. TO MR. CARY. "Sept. iz, 1834. " By Cot's plessing we will not be absence at the grace." " Dear G., — We long to see you, and hear account of your peregrinations, of the Tun at Heidelburg, the Clock of Strasburg, the statue at Rotterdam, the ' Lamb was admitted to the Museum so far back as May 12th, 1804, — " recommended" by Mr. Godwin. — F. 2 '< To be seen deliberately," he savs in his apologetic letter, ** to go out of the house of a clergyman dnia'c!" — F. L 2 148 EDMONTON. dainty Rhenish, and poignant Moselle wines, West- phalian hams, and Botargoes of Altona. But perhaps you have seen, not tasted any of these things. " Yours, very glad to chain you back again to youi proper centre, book and Bibliothecae, " C. and M. Lamb." ( 14-9 ) CHAPTER IX. Lamb's Wednesday Nights. — His Companions. — Last Glimpses. Two circles of rare social enjoyment — differing as widely as possible in all external circumstances — but each superior in its kind to all others, during the same period frankly opened to men of letters — now existing only in the memory of those who are fast departing from us — may, without offence, be placed side by side in grateful recollection ; they are the dinners at Holland House and the suppers of " the Lambs" at the Temple, Great Russell Street, and Islington. Strange, at first, as this juxta-position may seem, a little reflection will convince the few survivors who have enjoyed both, that it involves no injustice to either ; while with those who are too young to have been admitted to these rare festivities, we may exercise the privilege of age by boasting what good fellowship was once enjoyed, and what "good talk" there was once in the world ! But let us call to mind the aspects of each scene, before we attempt to tell of the conversation, which will be harder to recall and impossible to characterise. And first, let us invite the reader to assist at a dinner at Holland House in the height of the London and Parliamentary season, say a Saturday in June. It is scarcely seven — for the luxuries of the house are 150 lamb's WEDNESDAY NIGHTS. enhanced by a punctuality in the main object of the day, which yields to no dilatory guest of whatever pretension — and you are seated in an oblong room, rich in old gilding, opposite a deep recess, pierced by large old windows through which the rich branches of trees bathed in golden light, just admit the faint out- line of the Surrey Hills. Among the guests are some perhaps of the highest rank, always some of high political importance, about whom the interest of busy life gathers, intermixed with others eminent already in literature or art, or of that dawning promise which the hostess delights to discover and the host to smile on. All are assembled for the purpose of enjoyment; the anxieties of the minister, the feverish struggles of the partisan, the silent toils of the artist or critic, are finished for the week; professional and literary jea- lousies are hushed ; sickness, decrepitude, and death are silently voted shadows ; and the brilliant assem- blage is prepared to exercise to the highest degree the extraordinary privilege of mortals to live in the know- ledge of mortality without its consciousness, and to people the . present hour with delights, as if a man lived and laughed and enjoyed in this world for ever. Every appliance of physical luxury which the most delicate art can supply, attends on each ; every faint wish which luxury creates is anticipated ; the noblest and most gracious countenance in the world smiles vver the happiness it is diffusing, and redoubles it by cordial invitations and encouraging words, which set the humblest stranger guest at perfect ease. As the dinner merges into the dessert, and the sunset casts a richer glow on the branches, still, or lightly waving in the evening light, and on the scene within, the harmony of all sensations becomes more perfect ; a L.\MB's WEDNESDAY NIGHTS. I5I delighted and delighting chuckle invites attention to some jolly sally of the richest intellectual wit reflected in the faces of all, even to the favourite page in green, who attends his mistress with duty. like that of the antique world ; the choicest wines are enhanced in their liberal but temperate use by the vista opened in Lord Holland's tales of bacchanalian evenings at Brookes's, with Fox and Sheridan, when potations deeper and more serious rewarded the Statesman's toils and shortened his days ; until at length the serener pleasure of conversation, of the now care- lessly scattered groups, is enjoyed in that old, long, unrivalled library in which Addison mused, and wrote, and drank; where every living grace attends; " and more than echoes talk along the walls." One happy peculiarity of these assemblies was, the number of persons in different stations and of various celebrity, who were gratified by seeing, still more, in hearing and knowing each other ; the statesman was relieved from care by associations with the poet of whom he had heard and partially read ; and the poet was elevated by the courtesy which "bared the great heart," which " beats beneath a star ;" and each felt, not rarely, the true dignity of the other, modestly expanding under the most genial auspices. Now turn to No. 4, Inner Temple Lane, at ten o'clock, when the sedater part of the company are assembled, and the happier stragglers are dropping in from the play. Let it be any autumn or winter month, when the fire is blazing steadily, and the clean-swept hearth and whist-tables speak of the spirit of Mrs. Battle, and serious looks require " the rigour of the game." The furniture is old-fashioned and worn ; the ceiling low, and not wholly unstained IS?. HIS COMPANIONS. by traces of " the great plant," though now virtuousl) forborne : but the Hogarths, in narrow black frames, abounding in infinite thought, humour, and pathos, enrich the walls ; and all things wear an air of com- fort and hearty English welcome. Lamb himself, yet unrelaxed by the glass, is sitting with a sort of Quaker primness at the whist-table, the gentleness of his melancholy smile half lost in his intentness on the game ; his partner, the author of " Political Jus- tice," (the majestic expression of his large head not disturbed by disproportion of his comparatively dimi- nutive stature,) is regarding his hand with a philoso- phic but not a careless eye ; Captain Burney, only not venerable because so young in spirit, sits between them ; and H. C. R., who alone now and then breaks the proper silence, to welcome some incoming guest, is his happy partner — true winner in the game of life, whose leisure achieved early, is devoted to his friends ! At another table, just beyond the circle which extends from the fire, sit another four. The broad, burly, jovial bulk of John Lamb, the Ajax Telamon of the slender clerks of the old South Sea House, whom he sometimes introduces to the rooms of his younger brother, surprised to learn from them that he is growing famous, confronts the stately but courteous Alsager; while P., *' his few hairs bristling " at gentle objurgation watches his partner M. B., dealing, with " soul more white "^than the hands of which Lamb once said, " M., if dirt was trumps, what hands you would hold 1" In one ' Lamb's Sonnet, dedicatoiy of his first volume of prose to this cherished friend, thus concludes : " Free from self-seeking, envy, low design, I have not found a vt niter soul than thine." HIS COMPANIONS. 153 corner of the room, you may see the pale earnest countenance of Charles Lloyd, who is discoursing " of fate, free-will, fore-knowledge absolute," with Leigh Hunt ; and if you choose to listen, you will scarcely "know which most to admire — the severe logic of the melancholy reasoner, or its graceful eva- sion by the tricksome fantasy of the joyous poet. Basil Montague, gentle enthusiast in the cause of humanity, which he has lived to see triumphant, is pouring into the outstretched ear of George Dyer some tale of legalised injustice, which the recipient is vainly endeavouring to comprehend. Soon the room begins to fill ; in slouches Hazlitt from the theatre, where his stubborn anger for Napsleon's defeat at Waterloo has been softened by Miss Ste- phens's angelic notes, which might "chase anger, and grief, and fear, and sorrow, and pain from mortal or immortal minds ;" Kenney, with a tremulous pleasure, announces that there is a crowded house to the ninth representation of his new comedy, of which Lamb lays down his cards to inquire ; or Ayrton , mildly radiant, whispers the continual triumph oi " Don Giovanni," for which Lamb, incapable ot opera, is happy to take his word. Now and then an actor glances on us from " the rich Cathay " of the world behind the scenes, with news of its brighter human-kind, and with looks reflecting the public favour — Liston, grave beneath the weight of the town's regards — or Miss Kelly, unexhausted in spirit by alternating the drolleries of high farce with the terrible pathos of melodrama, — or Charles Kemble mirrors the chivalry of thought, and ennobles the party by bending on them looks beaming with the aristocracy of nature. Meanwhile Becky lays the 154 HIS COMPANIONS. cloth on the side-table, under the direction of the most quiet, sensible, and kind of women — who soon compels the younger and more hungry of the guests to partake largely of the cold roast lamb or boiled beef, the heaps of smoking roasted potatoes, and the vast jug of porter, often replenished from the foaming pots, which the best tap of Fleet Street supplies. Perfect freedom prevails, save when the hospitable pressure of the mistress excuses excess ; and perhaps, the physical enjoyment of the playgoer exhausted with pleasure, or of the author jaded with the labour of the brain, is not less than that of the guests at the most charming of aristocratic banquets. As the hot water and its accompaniments appear, and the severities of whist relax, the light of conversation thickens : Hazlitt, catching the influence of the spirit from which he has lately begun to abstain, utters some fine criticism with struggling emphasis ; Lamb stammers out puns suggestive of wisdom, for happy Barron Field to admire and echo ; the various driblets of talk combine into a stream, while Miss Lamb moves gently about to see that each modest stranger is duly served ; turning, now and then, an anxious loving eye on Charles, which is softened into a half humorous expression of resignation to inevitable fate, as he mixes his second tumbler ! This is on ordi- nary nights, when the accustomed Wednesday-men assemble ; but there is a difference on great extra nights, gladdened by " the bright visitations " of Wordsworth or Coleridge ; the cordiality of the wel- come is the same, but a sedater wisdom prevails. Happy hours were they for the young disciple of the then desperate, now triumphant cause of Words- worth's genius, to be admittea to the presence of the HIS COMPANIONS. 155 poet who had opened a new world for him in the un- discovered riches of his own nature, and its affinities with the outer universe ; whom he worshipped the more devoutly for the world's scorn ; for whom he felt the future in the instant, and anticipated the "All hail hereafter !" which the great poet has lived to enjoy I To win him to speak of his own poetry — to hear him recite its noblest passages — and to join in his brave defiance of the fashion of the age — was the solemn pleasure of such a season ; and, of course, superseded all minor disquisitions. So, when Coleridge came, argument, wit, humour, criticism were hushed ; the pertest, smartest, and the cleverest felt that all were assembled to listen ; and if a card-table had been filled, or a dispute begun before he was excited to continuous speech, his gentle voice, undulating in music, soon " Suspended luhlst, and took with ravishment The thronging audience.^ ' Mr. Procter's recollections of these evenings are not less interest- ing. " None of Lamb's intimates," he says, " were persons of title or fashion, or of any political importance. They were reading men, or authors, or old friends who had no name or pretensions. None of them ever forsook him ; they loved him, and in return he had a strong regard for them. When you went to Lamb's rooms on the Wednesday evenings (his * At Home') you generally found the card-table spread out. Lamb himself one of the players. On the corner of the table was a snufT-box ; and the game was enlivened by sundry brief ejaculations and pungent questions, which kept alive the wits of the party present. When the conversation became general. Lamb's pait in it was very effective. His short clear sentences always produced effect. He never joined in talk unless he understood the subject; then, if the matter in question interested him, he was not slow in showing earnestness : but I never heard him argue or talk for argument's sake. If he was indif- ferent to the question, he was »lent. " The supper of cold meat, on these occasions, was always on tlia 156 HIS COMPANIONS. The conversation which animated each of these meniorable circles, approximated, in essence, much side table ; not very formal, as may be imagined ; and every one might rise, when it suited him, and cut a slice or take a glass of porter, with- out reflecting on the abstinence of the rest of the company. Lamb would, perhaps, call out and bid the hungry guest help himself without ceremony. " It was curious to observe the gradations in Lamb's manner to nis various guests; although it was courteous to all. With Hazlitt he tallied as though they met the subject in discussion on equal terms ; with Leigh Hunt he exchanged repartees ; to Wordsworth he was almost respectful ; with Coleridge he was sometimes jocose, sometimes deferring; with Martin Burney fraternally &miliar; with Manning afTectionate ; with Godwin merely courteous ; or if friendly, then in a minor degree. The man whom I found at Lamb's house more fre- quently than any other person was Martin Burney. Lamb was very much attached to Martin, who was a sincere and able man, although with a very unprepossessing physiognomy. His face was warped by paralysis, which affected one eye and one side of his mouth. He was plain and unaffected in manner, very difHdent and retiring: yet pro- nouncing his opinions, when asked to do so, without apology or hesitation. He was a barrister ; and travelled the western circuit at the same time as Sir Thomas Wilde (afterwards Lord Truro), whose briefs he used to read before the other considered them ; marking out the principal facts and points for attention. Martin Burney had excellent taste in books ; eschewed the showy and artificial, and looked into the sterling qualities of writing. He frequently accompanied Lamb in his visits to friends, and although very familiar with Charles, be always spoke of him, with respect, as Mr. Lamb. The last time I saw Burney was at the corner of a street in London, when he was overflowing on the subject of RafTaelle and Hogarth. After a great and prolonged struggle, he said, he had arrived at the conclusion that RafTaelle was the greater man of the two. " Notwithstanding Lamb's somewhat humble description of his friends and familiars, some of them were men well known in literature. Amongst others, I met there Messrs. Coleridge, Manning, Hazlitt, Haydon, Wordsworth, Barron Field, Leigh Hunt, Clarkson, Sheridan Knowles, Talfourd, Kenny, Godwin, the Burneys, Payne Collier, and others whose names I need not chronicle. I met there, also, on one or HIS COMPANIONS. I57 more nearly than might be surmised from the dif- ference in station of the principal talkers, and the contrast in physical appliances ; that of the bowered saloon of Holland House having more of earnestness and depth, and that of the Temple-attic more of airy grace than would be predicated by a superficial ob- server. The former possessed the peculiar interest of directly bordering on the scene of political conflict — gathering together the most eloquent leaders of the Whig party, whose repose from energetic action spoke of the week's conflict, and in whom the mo- ment's enjoyment deriyed a peculiar charm from the perilous glories of the struggle which the morrow was to renew — when power was just within reach, or held with a convulsive grasp — like the eager and solemn pleasure of the soldiers' banquet in the pause of vic- tory. The pervading spirit of Lamb's parties was also that of social progress ; but it was the spirit of two occasions, Liston, and Miss Kelly, and, I believe, Rickman. Politics were rarely discussed amongst them. Anecdotes, characteristic, showing the strong and weak points of human nature, were frequent enough. But politics (especially party politics) were seldom admitted. Lamb disliked them as a theme for evening talk ; he perhaps did not understand the subject scientifically. And when Hazlitt's impetuosity drove him, as it sometimes did, into fierce expressions on public affairs, these were usually received in silence ; and the matter thus raised up for assent or controversy was allowed to drop. The beauty of these evenings was that every one was placed upon an easy level. No one out-topped the others. No one — not even Coleridge — ^was per- mitted to out-talk the rest. No one was allowed to hector tlie other, or to bring his own grievances too prominently forward; so as to disturb the harmony of the night. I never in all my life, heard so much unpretending good sense talked, as at Charles Lamb's social parties. Often a piece of sparkling humour was shot out that illumi- nated the whole evening. Sometimes there was a flight of high and earnest talk, that took one halfway towards the stars."— F. 158 HIS COMPANIONS. the dreamers and thinkers, not of the combatants of the world — men who, it may be, drew their theories from a deeper range of meditation, and embraced the future with more comprehensive hope — but about whom the immediate interest of party did not gather ; whose victories were all within ; whose rewards were visions of blessings for their species in the furthest horizon of benevolent prophecy. If a profounder thought was sometimes dragged to light in the dim circle of Lamb's companions than was native to the brighter sphere, it was still a rare felicity to watch there the union of elegance with purpose in some leader of party — the delicate, almost fragile grace of illustration in some one, perhaps destined to lead advancing multitudes or to withstand their rashness ; — to observe the growth of strength in the midst of beauty expanding from the sense of the heroic past, as the famed Basil tree of Boccaccio grew from the immolated relic beneath it. If the alternations in the former oscillated between wider extremes, touching on the wildest farce and most earnest tragedy of life ; the rich space of brilliant comedy which lived ever between them in the latter, was diversified by serious interests and heroic allusions. Sydney Smith's wit — not so wild, so grotesque, so deep-searching as Lamb's — had even more quickness of intellectual demonstration ; wedded moral and political wisdom to happiest language, with a more rapid perception of secret affinities ; was capable of producing epigram- matic splendour reflected more permanently in the mind, than the fantastic brilliancy of those rich con- ceits which Lamb stammered out with his painful smile. Mackintosh might vie with Coleridge in vast and various knowledge; but there the competition LAST GLIMPSES. I59 between these great talkers ends, and the contrast begins ; the contrast between facility and inspiration; between the ready access to each ticketed and labelled compartment of history, science, art, criticism, and the genius that fused and renovated all. But then a younger spirit appeared at Lord Holland's table to redress the balance — not so poetical as Coleridge, but more lucid — in whose vast and joyous memory all the mighty past lived and glowed anew ; whose declama- tions presented, not groups tinged with distant light, like those of Coleridge, but a series of historical figures in relief, exhibited in bright succession, as if by dioramic art there glided before us embossed sur- faces of heroic life.' Rogers too was there — con- 1 I take leave to copy the glowing picture of tlie evenings of Hol- land House and of its admirable master, drawn by this &vourite guest himself, from an article which aoorned the Mdinburgh Revlenv, just after Lord Holland's death. " The time is coming when, perhaps a few old men, the last sur- vivors of our generation, will in vain seek, amidst new streets, and squares, and railway stations, for the site of that dwelling which was in their youth the favourite resort of wits and beauties — of painters and poets — of scholars, philosophers, and statesmen. They will then re- member, with strange tenderness, many objects once familiar to them — the avenue and the terrace, the busts and the paintings ; the carving, the grotesque gilding, and the enigmatical mottoes. With peculiar fondness, they will recall that venerable chamber, in which all the antique gravity of a college library was so singularly blended with all that female grace and wit could devise to embellish a drawing-room. They will recollect, not unmoved, those shelves loaded with the varied learning of many lands and many ages ; those portraits in which were preserved the features of the best and wisest Englishmen of two gene- rations. They will recollect how many men who have guided the politics of Europe — who have moved great assemblies by reason and eloquence — who have put Ufe into bronze and canvas, or who have left to posterity things so written as it shall not willingly let them die — were there mixed with all that was loveliest and gayest in the society l6o LAST GLIMPSES. necting the literature of the last age with this, partaking of some of the best characteristics of both — whose first poem sparkled in the closing darkness of the last century " like a rich jewel in an Ethiop's ear," and who was advancing from a youth which had anticipated memory, to an age of kindness and hope ; and Moore, who paused in the fluttering expression of the most splendid of capitals. They will remember the singular character which belonged to that circle, in which every talent and accomplishment, every art and science, had its place. They will remember how the last debate was discussed in one comer, and the last comedy of Scribe in another ; while Wilkie gazed with modest admi- ration on Reynolds' Baretti ; while Mackintosh turned over Thomas Aquinas to verify a quotation ; while Talleyrand related his conversa- tions with Barras at the Luxemburg, or his ride with Lannes over the field of Austerlitz. They will remember, above all, the grace — and the kindness, far more admirable than grace — with which the princely hospitality of that ancient mansion was dispensed. They will remem- ber the venerable and benignant countenance, and thd cordial voice of him who bade them welcome. They will remember that temper which years of pain, of sickness, of lameness, of confinement, seemed only to make sweeter and sweeter ; and that frank politeness, which at once relieved all the embarrassment of the youngest and most timid writer or artist, who found himself for the first time among Ambas- sadors and Earls. They will remember that constant flow of conversa- tion, so natural, so animated, so various, so rich with observation and anecdote; that wit which never gave a wound; that exquisite mimicry which ennobled, instead of degrading ; that goodness of heart which appeared in every look and accent, and gave additional value to every talent and acquirement. They will remember, too, that he whose name they hold in reverence was not less distinguished by the inflexible uprightness of his political conduct, than by his loving disposition and his winning manners. They will remember that, in the last lines which he traced, he expressed his joy that he had done nothing un- worthy of the friend of Fox and Grey; and they will have reason to feel similar joy, if, in looking back on many troubled years, they cannot accuse themselves of having done anything unworthy of men who were distinguished by the friendship of Lord Holland." LAST GLIMPSES. l6l of graceful trifles, to whisper some deep-toned thought of Ireland's wrongs and sorrows. Literature and art supplied the favourite topics to each of these assemblies, — both discussed with earnest admiration, but surveyed in different aspects. The conversation at Lord Holland's was wont to mirror the happiest aspects of the living mind ; to celebrate the latest discoveries in science ; to echo the quar terly decisions of imperial criticism ; to reflect the modest glow of young reputations ; — all was gay, graceful, decisive, as if the pen of Jeffrey could have spoken ; or, if it reverted to old times, it rejoiced in those classical associations which are always young. At Lamb's, on the other hand, the topics were chiefly sought among the obscure and remote ; the odd, the quaint, the fantastic were drawn out from their dusty recesses ; nothing could be more foreign to its em- brace than the modern circulating library, even when it teemed with the Scotch novels. Whatever the subject was, however, in the more aristocratic, or the humbler sphere, it was always discussed by those best entitled to talk on it ; no others had a chance of being heard. This remarkable freedom from bores was produced in Lamb's circle by the authoritative texture of its commanding minds ; in Lord Holland's, by the more direct, and more genial influence of the hostess, which checked that tenacity of subject and opinion which sometimes broke the charm of Lamb's parties by " a duel in the form of a debate." Perhaps beyond any other hostess, — certainly far beyond any host. Lady Holland possessed the task of perceiving, and the power of evoking the various capacities which lurked in every part of the brilliant circles over which she presided, and restrained each to its appropriate M l62 LAST GLIMPSES. sphere, and portion of the evening. To enkindle the enthusiasm of an artist on the theme over which he had achieved the most facile mastery ; to set loose the heart of the rustic poet, and imbue his speech vi^ith the freedom of his native hills ; to draw from the adventurous traveller a breathing picture of his most imminent danger ; or to embolden the bashful soldier to disclose his own share in the perils and glories of some famous battle-field ; to encourage the generous praise of friendship when the speaker and the subject reflected interest on each other; or win from an awkward man of science the secret history of a dis- covery which had astonished the world ; to conduct these brilliant developments to the height of satisfac- tion, and then to shift the scene by the magic of a word, were among her nightly successes. And if this extraordinary power over the elements of social enjoy- ment was sometimes wielded without the entire con- cealment of its despotism ; if a decisive check some- times rebuked a speaker who might intercept the variegated beauty of Jeffrey's indulgent criticism, or the jest announced and self- rewarded in Sydney Smith's cordial and triumphant laugh, the authority was too clearly exerted for the evening's prosperity, and too manifestly impelled by an urgent consciousness of the value of these golden hours which were fleeting within its confines, to sadden the enforced silence with more than a momentary regret. If ever her prohibition — clear, abrupt, and decisive, — indicated more than a preferable regard for livelier discourse, it was when a depreciatory tone was adopted towards genius, or goodness, or honest endeavour, or when some friend, personal or intellectual, was mentioned in slighting phrase. Habituated to a generous partisanship, by LAST GLIMPSES. 163 Strong sympathy with a great political cause, she car- ried the fidelity of her devotion to that cause into her social relations, and was ever the truest and the fastest of friends. The tendency, often more idle than malicious, to soften down the intellectual claims of the absent, which so insidiously besets literary con- versation, and teaches a superficial insincerity, even to substantial esteem and regard, and which was sometimes insinuated into the conversation of Lamb's friends, though never into his own, found no favour in her presence; and hence the conversations over which she presided, perhaps beyond all that ever flashed with a kindred splendour, were marked by that integrity of good nature which might admit of their exact repetition to every living individual whose merits were discussed, without the danger of inflicting pain. Under her auspices, not only all critical, but all personal talk was tinged with kindness ; the strong interest which she took in the happiness of her friends, shed a pecu- liar sunniness over the aspects of life presented by the common topics of alliances, and marriages, and pro^ motions ; and there was not a hopeful engagement, or a happy wedding, or a promotion of a friend's son, or a new intellectual triumph of any youth with whose name and history she was familiar, but became an event on which she expected and required congratulation as on a part of her own fortune. Although there was necessarily a preponderance in her society of the senti- ment of popular progress, which once was cherished almost exclusively by the party to whom Lord Hol- land was united by sacred ties, no expression of triumph in success, no virulence in sudden disappoint- ment, was ever permitted to wound the most sensi- tive ears of her conservative guests. It might be M 2 164 LAST GLIMPSES. that some placid comparison of recent with former times, spoke a sense of freedom's peaceful victory ; or that, on the giddy edge of some great party struggle, the festivities of the evening might take a more serious cast, as the news arrived from the scene of contest, and the pleasure might be deepened by the peril ; but the feeling was always restrained by the supremacy given to those permanent solaces for the mind, in the beautiful and the great, which no political changes disturb. Although the death of the noble master of the venerated mansion closed its portals for ever on the exquisite enjoyments to which they had been so generously expanded, the art of conversation lived a little longer in the smaller circle which Lady Holland still drew almost daily around her ; honour- ing his memory by following his example, and strug- gling against the perpetual sense of unutterable be- reavement, by rendering to literature that honour and those reliefs, which English aristocracy has too often denied it ; and seeking consolation in making others proud and happy. That lingering happiness is extinct now ; Lamb's kindred circle — kindred, though so dif- ferent — dispersed almost before he died; the "thoughts that wandered through eternity," are no longer ex- pressed in time ; the fancies and conceits, " gay crea- tures of the element " of social delight, " that in the colours of the rainbow lived, and played in the plighted ilouds," flicker only in the backward perspective of waning years ; and for the survivors, I may venture to afSrm, no such conversation as they have shared in either circle will ever be theirs again in this world !^ ' This ekborace comparison between the Holland House coterie And Lamb's supper parties, is admitted to be rather &r-ietched, — F. ( i6S ) CHAPTER IX. Lamb's Friends and Companions. ^ Before closing these Memorials of Charles and Mary Lamb, it may be permitted me to glance sepa- rately at some of the friends who are grouped around them in memory, and who, like them, live only in recollection, and in the works they have left behind them. George Dyer was one of the first objects of Lamb's youthful reverence, for he had attained the stately rank of Grecian in the venerable school of Christ's Hospital, when Charles entered it, a little, timid, affectionate, child ; but this boyish respect, once amounting to awe, gave place to a familiar habit of loving banter, which, springing from the depths of old regard, approximated to schoolboy roguery, and, now and then, though very rarely, gleamed on the consciousness of the ripe scholar. No contrast could be more vivid than that presented by the relations of each to the literature they both loved ; one divining its inmost essences, plucking out the heart of its mysteries, shedding light on its dimmest recesses ; the other devoted, with equal assiduity, to its exter- nals. Books, to Dyer, " were a real world, both pure and good ;" among them he passed, unconscious oi time, from youth to extreme age, vegetating on their i66 lamb's friends and companions. dates and forms, and " trivial fond records," in the learned air of great libraries, or the dusty confusion of his own, with the least possible apprehension of any human interest vital in their pages, or of any spirit of wit or fancy glancing across them. His life was an Academic pastoral. Methinks I see his gaunt, awkward form, set off by trousers too short, like those outgrown by a gawky lad, and a rusty coat as much too large for the wearer, hanging about him like those garments which the aristocratic Milesian peasantry prefer to the most comfortable rustic dress ; his long head silvered over with, short yet straggling hair, and his dark grey eyes glistening with faith and wonder, as Lamb satisfies the curiosity which has gently disturbed his studies as to the authorship of the Waverley Novels, by telling him, in the strictest confidence, that they are the works of Lord Castle- reagh, just returned from the Congress of Sovereigns at Vienna I Off he runs, with animated stride and shambling enthusiasm, nor stops till he reaches Maida Hill, and breathes his news into the startled ear of Leigh Hunt, who, " as a public writer," ought to be possessed of the great fact with which George is laden 1 Or shall I e.ideavour to revive the bewil- dered look with which, just after he had been an- nounced as one of Lord Stanhope's executors and residuary legatees, he received Lamb's grave inquiry, " Whether it was true, as commonly reported, that he was to be made a Lord ?" " O dear no ! Mr. Lamb," responded he with earnest seriousness, but not without a moment's quivering vanity, " I could not think of such a thing ; it is not true, I assure you." " I thought not," said Lamb, " and I contra- dict it wherever I go ; but the Government will not lamb's friends and companions. 167 ask your consent ; they may raise you to the peerage without your even knowing it." " I hope not, Mr. Lamb ; indeed, indeed, I hope not ; it would not suit me at all," responded Dyer, and went his way, musing on the possibility of a strange honour descending on his reluctant brow. Or shall I recall the visible pre- sentment of his bland unconsciousness of evil when his sportive friend taxed it to the utmost, by suddenly asking what he thought of the murderer Williams, who, after destroying two families in Ratcliffe High- way, had broken prison by suicide, and whose body had just before been conveyed, in shocking proces- sion, to its cross-road grave 1 The desperate attempt to compel the gentle optimist to speak ill of a mortal creature produced no happier success than the answer, " Why I should think, Mr. Lamb, he must have been rather an eccentric character." This simplicity of a nature not only unspotted by the world, but almost abstracted from it, will seem the more remarkable, when it is known that it was subjected, at the entrance of life, to a hard battle with fortune. Dyer was the son of very poor parents, residing in an eastern suburb of London, Stepney or Bethnal-greenward, where he attracted the attention of two elderly ladies as a serious child, with an extraordinary love for books. They obtained for him a presentation to Christ's Hospital, which he entered at seven years of age ; fought his way through its sturdy ranks to its head ; and, at nineteen, quitted it for Cambridge, with only an exhibition and his scholarly accomplishments to help him. On he went, however, placid, if not rejoicing, through the difficulties of a life illustrated only by scholarship; encountering tremendous labours; unresting yet serene; until at eighty-five he breathed i68 lamb's friends and companions. out the most blameless of lives, which began in a struggle to end in a learned dream ! ' Mr. Godwin, who during the happiest period of Lamb's weekly parties, was a constant assistant at his whist-table, resembled Dyer in simplicity of manner and devotion to letters ; but the simplicity was more superficial, and the devotion more profound than the kindred qualities in the guileless scholar; and, instead of forming the entire being, only marked the surface of a nature beneath which extraordinary power lay hidden. As the absence of worldly wisdom subjected Dyer to the sportive sallies of Lamb, so a like defi- ciency in Godwin exposed him to the coarser mirth of Mr. Home Tooke, who was sometimes inclined to seek relaxation for the iron muscles of his imper- 1 Mr. Crabb RobinBon gives a pleasant sketch of George Dyer : — " One of the best creatures morally that ever breathed. He was son of a watchman at Wapping, and put to a charity school by some pious Dissenting people. He was a scholar, but to the end of his days (and he lived to be eighty-five) was a bookseller's drudge. He led a life of literary labour in poverty — made indexes, corrected the press, and gave lessons in Latin and Greek." Wordsworth considered his Life of R. Robinson to be one of the best works of biography in the language. Reid's epigram is well known : " The world all say, my gentle Dyer, Thy odes so very much want fire ; Repair the fault, my gentle Dyer, And throw thy odes into the fire." It is said that he would " literally give away his last guinea." Lord Stanhope made him one of his six executors and residuary legatees, with Charles Fox. Dyer was the first to declare that he rejected the legacy and renounced the executorship ; but the heir insisted on his accepting a small annuity. Finally, in his old age he married his laundress, with the encouragement and advice of his friends, and died in March, 1841. Mrs. Dyer died at the age of ninety-nine having survived four husbands. — F. lamb's friends and companions. 169 turbable mind in trying to make a philosopher look foolish. To a stranger's gaze the author of the " Po- litical Justice " and " Caleb Williams," as he appeared in the Temple, always an object of curiosity except to his familiars, presented none of those characteristics with which fancy had invested the daring speculator and relentless novelist ; nor, when he broke silence, did his language tend to reconcile the reality with the expectation. The disproportion of a frame which, low of stature, was surmounted by a massive head which might befit a presentable giant, was rendered almost imperceptible, not by any vivacity of expres- sion (for his countenance was rarely lighted up by the deep-seated genius within), but by a gracious suavity of manner which many " a fine old English gentleman" might envy. His voice was small ; the topics of his ordinary conversation trivial, and dis- cussed with a delicacy and precision which might almost be mistaken for finical ; and the presence of the most interesting persons in literary society, of which he had enjoyed the best, would not prevent him from falling after dinner into the most profound sleep. This gentle, drowsy, spiritless demeanour, presents a striking contrast to a reputation which once filled Europe with its echoes ; but it was, in truth, when rightly understood, perfectly consistent with those intellectual elements which in some raised the most enthusiastic admiration, and from others elicited the wildest denunciations of visionary terror. In Mr. Godwin's mind, the faculty of abstract reason so predominated over all others, as practically to ex- tinguish them ; and his taste, akin to this faculty, sought only for its development through the medium of composition for the press. He had no imagination. 170 lamb's friends and companions. no fancy, no wit, no humour ; or if he possessed any of those faculties, they were obscured by that of pure reason ; and being wholly devoid of the quick sensi- bility which irritates speech into eloquence, and of the passion for immediate excitement and applause, which tends to its presentment before admiring assem- blies, he desired no other audience than that which he could silently address, and learned to regard all things through a contemplative medium. In this sense, far more than in the extravagant application of his wildest theories, he levelled all around him ; admitted no greatness but that of literature ; and neither desired nor revered any triumphs but those of thought. If such a reasoning faculty, guided by such a disposition, had been applied to abstract sciences, no effect remarkable beyond that of rare excellence would have been produced ; but the appa- rent anomalies of Mr. Godwin's intellectual history arose from the application of his power to the pas- sions, the interests, and the hopes of mankind, at a time when they enkindled into frightful action, and when he calmly worked out his problems among their burning elements with the " ice-brook's temper," and the severest logic. And if some extreme conclusions were inconsistent with the faith and the duty which alone can sustain and regulate our nature, there was no small compensation in the severity of the process to which the student was impelled, for the slender peril which might remain lest the results should be practically adopted. A system founded on pure reason, which rejected the impulses of natural affection, the delights of gratitude, the influences of prejudice, the bondage of custom, the animation of personal hope ; which appealed to no passion — which suggested no LAMB S FRIENDS AND COMPANIONS. I7I Juxury — which excited no animosities — and which offered no prize for the observance of its laws, except a participation in the expanding glories of progressive humanity, was little calculated to allure from the accustomed paths of ancient ordinance any man dis- posed to walk in them by the lights from heaven. On the other hand, it was a healthful diversion from those seductions in which the heart secretly enervates and infects the understanding, to invite the revolutionary speculator to the contemplation of the distant and the refined ; by the pursuit of impracticable error to brace the mind for the achievement of everlasting truth ; and on the " heat and flame of the distemper" of an impassioned democracy to " sprinkle cool patience." The idol Political Justice, of which he was the slow and laborious architect, if it for a while enchanted, did not long enthral or ever debase its worshippers ; " its bones were marrowless, its blood was cold," — but there was surely " speculation in its eyes" which " glared withal" into the future. Such high casuistry as it evoked has always an ennobling tendency, even when it dallies with error ; the direction of thought in youth is of less consequence than the mode of its exercise ; and it is only when the base interests and sensual passions of mortality pander to the under- standing that truth may fear for the issue. The author of this cold and passibnless intellectual phantasy looked out upon the world he hoped to in- form from recesses of contemplation which the out- ward incidents of life did not disturb, and which, when closed, left him a common man, appearing to super- ficial observers rather below than above the level of ordinary talkers. To his inward gaze the stupendous changes which agitated Europe, at the time he wrote. 172 lamb's friends and companions. were silent as a picture. The pleasure of his life was to think of; its business was to write; all else in it was vanity. Regarding his own being through the same spiritualising medium, he saw no reason why the springs of its existence should wear out, and, in the spring-time of his speculation, held that maa might become immortal on earth by the effort of the will. His style partook of the quality of his intellect and the character of its purposes — it was pure, simple, colourless. His most imaginative passages are in- spired only by a logic quickened into enthusiasm by the anticipation of the approaching discovery of truth — the dawning Eureka of the reasoner ; they are usu- ally composed of " line upon line and precept upon precept," without an involution of style, or an eddy in the thought. He sometimes complained, though with the benignity that always marked his estimate of his opponents, that Mr. Malthus's style was too richly ornamented for argument ; and certainly, with all its vivacity of illustration it lacks the transparent sim- plicity of his own. The most palpable result which he ever produced by his writings was the dark theory in the first edition of the work on Population, which was presented as an answer to his reasoning on be- half of the perfectibility of man ; and he used to smile at his ultimate triumph, when the writer, who had only intended a striking paradox, tamed it down to the wisdom of economy, and adapted it to Poor-law uses ; neutralised his giant spectres of Vice and Misery by the practical intervention of Moral Restraint ; and left the optimist, Godwin, still in unclouded possession ot the hope of universal peace and happiness, postponed only to that time when passion shall be subjected to reason, and population no more rising like a resistless LAMB S FRIENDS AND COMPANIONS. 173 tide, between adamantine barriers to submerge the re- novated earth, shall obey the commands of wisdom ; rise and fall as the means of subsistence expand or contract ; and only contribute an impulse to the uni- versal harmony. The persons of Mr. Godwin's romances — stranger still — are the naked creations of the same intellectual power, marvellously endowed with galvanic life. Though with happier symmetry, they are as much made out of chains and links of reasoning, as the monster was fashioned by the chemistry of the student, in the celebrated novel of his gifted daughter. Falk- land, and Caleb Williams, are the mere impersonations of the unbounded love of reputation, and irresistible curiosity ; these ideas are developed in each with masterly iteration — to the two ideas all causes give way ; and materials are subjected, often of remarkable coarseness, to the refinement of the conception. Haz- litt used to observe of these two characters, that the manner they are played into each other, was equal to anything of the kind in the drama ; and there is no doubt that the opposition, though at the cost of pro- bability, is most powerfully maintained : but the effect is partly owing to the absence of all extrinsic interest which could interfere with the main purpose ; the beatings of the heart become audible, not only from their own intensity, but from the desolation which the author has expanded around them. The consistency in each is that of an idea, not of a character ; and if the effect of form and colour is produced, it is, as in Jine engraving, by the infinite minuteness and delicacy of the single strokes. In like manner, the incidents by which the author seeks to exemplify the wrongs in- flicted by power on goodness in civilised society, are 174 lamb's friends and companions. utterly fantastical ; nothing can be more minute, nothing more unreal ; the youth being involved by a web of circumstances woven to immesh him, which the condition of society that the author intends to re- pudiate, renders impossible ; and which, if true, would prove not that the framework of law is tyrannous, but that the will of a single oppressor may elude it. The subject of " St. Leon " is more congenial to the author's power ; but it is, in like manner, a logical development of the consequences of a being prolonged on earth through ages ; and, as the dismal vista ex- pands, the skeleton speculators crowd in to mock and sadden us 1 Mr. Godwin was thus a man of two beings, which held little discourse with each other — the daring in- ventor of theories constructed of air-drawn diagrams — and the simple gentleman, who suffered nothing to disturb or excite him, beyond his study. He loved to walk in the crowded streets of London, not like Lamb, enjoying the infinite varieties of many-coloured life around him, but because he felt, amidst the noise, and crowd, and glare, more intensely the impertur- bable stillness of his own contemplations. His means of comfortable support were mainly supplied by a shop in Skinner Street, where, under the auspices of " M. J. Godwin and Co.," the prettiest and wisest books for children issued, which old-fashioned parents presented to their children, without suspecting that the graceful lessons of piety and goodness which charmed away the selfishness of infancy, were published, and some- times revised, and now and then written, by a philo- sopher whom they would scarcely venture to name I He met the exigencies which the vicissitudes of busi- ness sometimes caused, with the trusting simplicity lamb's friends and companions. 175 which marked his course — he asked hia friends for aid without scruple, considering that their means were justly the due of one who toiled in thought for their inward life, and had little time to provide for his own outward existence ; and took their excuses, when offered, without doubt or offence. The very next day after I had been honoured and delighted by an intro- duction to him at Lamb's chambers, I was made still more proud and happy by his appearance at my own on such an errand — which my poverty, not my will, rendered abortive. After some pleasant chat on in- different matters, he carelessly observed, that he had a little bill for £150 falling due on the morrow, which he had forgotten till that morning, and desired the loan of the necessary amount for a few weeks. At first, in eager hope of being able thus to oblige one whom I regarded with admiration akin to awe, I began to consider whether it was possible for me to raise such a sum ; but, alas 1 a moment's reflection sufficed to convince me that the hope was vain, and I was obliged, with much confusion, to assure my distin- guished visitor how glad I should have been to serve him, but that I was only just starting as a special pleader, was obliged to write for magazines to help me on, and had not such a sum in the world. " Oh dear,'' said the philosopher, " I thought you were a young gentleman of fortune — don't mention it — don't mention it ; I shall do very well elsewhere :" — and then, in the most gracious manner, reverted to our former topics ; and sat in my small room for half an hour, as if to convince me that my want of fortune made no difference in his esteem. A slender tribute to the literature he had loved and served so well, was accorded to him in the old age to which he attained, 176 lamb's friends and companions. by the gift of a sinecure in the Exchequer, of about £200 a-year, connected with the custody of the Re- cords ; and the last time I saw him, he was heaving an immense key to unlock the musty treasures of which he was guardian — how unlike those he had unlocked, with finer talisman, for the astonishment and alarm of one generation, and the delight of all others ! John Thelwall, who had once exulted in the ap- pellation of Citizen Thelwall, having been associated with Coleridge and Southey in their days of enthusi- astical dreaming, though a more precise and practical reformer than either, was introduced by them to Lamb, and was welcomed to his circle, in the true Catholicism of its spirit, although its master cared nothing for the Roman virtue which Thelwall devotedly cherished, and which Home Tooke kept in uncertain vibration between a rebellion and a hoax. Lamb justly esteemed Thelwall as a thoroughly honest man ; — not honest merely in reference to the moral relations of life, but to the processes 'of thought; one whose mind, acute, vigorous, and direct, perceived only the object imme- diately before it, and, undisturbed by collateral cir- cumstances, reflected, with literal fidelity, the impres- sion it received, and maintained it as sturdily against the beauty that might soften it, or the wisdom that might mould it, as against the tyranny that would stifle its expression. " If to be honest as the world goes, is to be one man picked out often thousand," to be honest as the mind works is to be one man of a million ; and such a man was Thelwall. Starting with imper- fect education from the thraldom of domestic oppres- sion, with slender knowledge, but with fiery zeal, into the dangers of political enterprise, and treading fear- i,amb's friends and companions. 177 lessly on the verge of sedition, he saw nothing before him but powers which he assumed to be despotism and vice, and rushed headlong to crush them. The point of time — just that when the accumulated force of public opinion had obtained a virtual mastery over the accumulated corruptions of ages, but when power, still unconvinced of its danger, presented its boldest front to opposing intellect, or strove to crush it in the cruelty of awaking fear — gave scope for the ardent temperament of an orator almost as poor in scholastic cultivation as in external fortune ; but strong in in- tegrity, and rich in burning words. Thus passionate, Thelwall spoke boldly and vehe- mently — at a time when indignation was thought to be a virtue ; but there is no reason to believe he ever meditated any treason except that accumulated in the architectural sophistry of Lord Eldon, by which he proved a person who desired to awe the Govern- ment into a change of policy to be guilty of compassing the king's death — as thus : — that the king must resist the proposed alteration in his measures — that resist- ing he must be deposed — and that being deposed, he must necessarily die ; — though his boldness of speech placed him in jeopardy even after the acquittals of his simple-minded associate Hardy, and his enig- matical instructor Tooke, who forsook him, and left him, when acquitted, to the mercy of the world. His life, which before this event had been one of self- denial and purity remarkable in a young man who had imbibed the impulses of revolutionary France, partook of considerable vicissitude. At one time, he was raised by his skill in correcting impediments of Speech, and teaching elocution as a science, into elegant competence — at other times saddened by the 178 lamb's friends and companions. difficulties of poorly requited literary toil and wholly unrequited patriotism ; but he preserved his integrity and his cheerfulness — " a man of hope and forward- looking mind even to the last." Unlike Godwin, whose profound thoughts slowly struggled into form, and seldom found utterance in conversation, — speech was, in him, all in all, his, delight, his profession, his triumph, with little else than passion to inspire or colour it. The flaming orations of his " Tribune," rendered more piquant by the transparent masquerade of ancient history, which, in his youth, "touched monied worldlings with dismay," and infected the poor with dangerous anger, seemed vapid, spiritless, and shallow when addressed through the press to the leisure of the thoughtful. The light which glowed with so formidable a lustre before the evening audience, vanished on closer examination, and proved to be only a harmless phantom-vapour which left no traces of destructive energy behind it. Thelwall, in person small, compact, muscular — with a head denoting indomitable resolution, and features deeply furrowed by the ardent workings of the mind, — was as energetic in all his pursuits and enjoyments as in political action. He was earnestly devoted to the Drama, and enjoyed its greatest repre- sentations with the freshness of a boy who sees a play for the first time. He hailed the kindred energy of Kean with enthusiastic praise j but abjuring the nar- rowness of his political vision in matters of taste, did jiTtice to the nobler qualities of Mrs. Siddons and her brothers. In literature and art also, he relaxed the bigotry 6f his liberal intolerance, and expatiated in their wider fields with a taste more catholic. Here Lamb was ready with his sympathy, which in- lamb's friends and companions. 179 deed even the political zeal, that he did not share, was too hearted to repel. Although generally detest- ing lectures on literature as superficial and vapid substitutes for quiet reading, and recitations as unreal mockeries of the true Drama, he sometimes attended the entertainments, composed of both, which Thelwall, in the palmy days of his prosperity, gave at his house in Lincoln's Inn Fields, not on politics, which he 'nad then forsaken for elocutionary science, though maintaining the principles of his youth, but partly on elocution, and partly on poetry and acting, into which he infused the fiery enthusiasm of his nature. Sometimes, indeed, his fervour animated his disqui- sitions on the philosophy of speech with greater warmth than he reserved for more attractive themes ; the melted vowels were blended into a rainbow, or dispersed like fleecy clouds ; and the theory of lan- guage was made interesting by the honesty and vigour of the speaker. Like all men who have been chiefly self-taught, he sometimes presented common-places as original discoveries, with an air which strangers mistook for quackery ; but they were unjust ; to the speaker these were the product of his own meditation, though familiar to many, and not rarely possessed the charm of originality in their freshness. Lamb at least, felt that it was good, among other companions of richer and more comprehensive intelligence, to have one friend who was undisturbed by misgiving either for himself or his cause ; who enunciated wild paradox and worn-out common-place with equal con- fidence ; and who was ready to sacrifice ease, fortune, fame — everything but speech, and, if it had been pos- sible, even that — to the cause of truth or friendship. William Hazlitt was, for many years, one of the N 3 i8o lamb's friends and companions. brightest and most constant ornaments of Lamb's parties ; — linked to him in the firm bond of intel- lectual friendship — which remained unshaken in spite of some superficial differences, " short and far be- tween," arising from Lamb's insensibility to Hazlitt's political animosities, and his adherence to Southey, Wordsworth, and Coleridge, who shared them. Haz- litt in his boyhood had derived from his father that attachment to abstract truth for its own sake, and that inflexible determination to cherish it, which naturally predominated in the being of the minister of a small rural congregation, who cherished religious opinions adverse to those of the great body of his countrymen, and waged a spiritual warfare throughout his peaceful course. Thus disciplined, he was intro- duced to the friendship of youthful poets, in whom the dawn of the French Revolution had enkindled hope, and passion, and opinions tinctured with hope and passion, which he eagerly embraced ; and when changes passed over the prospects of mankind, which induced them, in maturer years, to modify the doc- trines they had taught, he resented these defections almost as personal wrongs, and, when his pen found scope, and his tongue utterance, wrote and spoke of them with such bitterness as can only spring from the depths of old affection. No writer, however, except Wilson, did such noble justice to the poetry of Wordsworth, when most despised, and to the genius of Coleridge, when most obscured; he cherished a true admiration for each in " the last recesses of the mind," and defended them with dogged resolution against the scorns and slights of the world. Still the superficial difference was, or seemed, too wide to admit of personal intercourse; and I do not think lamb's friends and companions. i8i that during the many years which elapsed between my introduction to Lamb, and Hazlitt's death, he ever met either of the poets at the rooms of the mac they united in loving. Although Mr. Hazlitt was thus staunch in his attachment to principles which he reverenced as true, he was by no means rigid in his mode of maintaining and illustrating them ; but, on the contrary, frequently diminished the immediate effect of his reason ing? by the prodigality and richness of the allusions with which he embossed them. He had as unquenchabl : a desire for truth as others have for wealth, or power, or fame ; he pursued it with sturdy singleness of pur- pose ; and enunciated it without favour or fear. But, besides that love of .truth, that sincerity in pursuing it, and that boldness in telling it, he had also a fervent aspiration after the beautiful ; a vivid sense of plea- sure, and an intense consciousness of his own individual being, which sometimes produced obstacles to the current of speculation, by which it was broken into dazzling eddies or urged into devious windings. Acute, fervid, vigorous, as his mind was, it wanted the one great central power of Imagination, which brings all the other faculties into harmonious action ; multiplies them into each other ; makes truth visible in the forms of beauty, and substitutes intellectual vision for proof. Thus, in him, truth and beauty held divided empire. In him, the spirit was willing, but the flesh was strong ; and, when these contend, it is not difficult to anticipate the result ; " for the power of beauty shall sooner transform honesty from what it is into a bawd, than the person of honesty shall transform beauty into its likeness." This " sometime paradox " was vividly exemplified in Haz- i82 lamb's friends and companions. litt's personal history, his conversation, and his writings. To the solitudes of the country in which he mused on fate, free-will, foreknowledge absolute," a temperament of unusual ardour had given an intense interest, akin to that with which Rousseau has ani- mated and oppressed the details of his early years. He had not then, nor did he find till long after- wards, power to embody his meditations and feelings in words. The consciousness of thoughts which he could not hope adequately to express, increased his natural reserve, and he turned for relief to the art of painting, in which he might silently realise his dreams of beauty, and repay the loveliness of nature by fixing some of its fleeting aspects in immortal tints. A few old prints from the old masters awakened the spirit of emulation within him ; the sense of beauty became identified in his mind with that of glory and duration ; while the peaceful labour he enjoyed calmed the tumult in his veins, and gave steadiness to his pure and distant aim. He pursued the art with an earnest- ness and patience which he vividly describes in his essay, " On the pleasure of Painting ;" and to which he frequently reverted in the happiest moods of his conversation ; and, although in this, his chosen pur- suit, he failed, the passionate desire for success, and the long struggle to attain it, left deep traces in his mind, heightening his keen perception of external things, and mingling with all his speculations airy shapes and hues which he had vainly striven to transfer to canvas. A painter may acquire a fine insight into the nice distinctions of character, — he may copy manners in words as he does in colours, — bur it may be apprehended that his course as a severe reasoner will be somewhat " troubled with thick- lamb's friends and companions. 183 coming fancies." And if the successful pursuit of art may thus disturb the process of abstract contem- plation, how much more may an unsatisfied ambition ruffle it; bid the dark threads of thought glitter with radiant fancies unrealized, and clothe the diagrams of speculation with the fragments of picture which the mind cherishes the more fondly, because the hand refused to realize ? What wonder, if, in the mind of an ardent youth, thus struggling in vain to give palp- able existence to the shapes of loveliness which haunted him, " the homely beauty of the good old cause" should assume the fascinations not properly its own ? This association of beauty with reason diminished the immediate effect of Mr. Hazlitt's political essays, while it enhanced their permanent value. It was the fashion, in his lifetime, to denounce him as a sour Jacobin ; but no description could be more unjust. Under the influence of some bitter feeling, or some wayward fancy, he occasionally poured out a furious invective against those whom he regarded as the enemies of liberty, or as apostates from her cause ; but, in general, the force of his expostulation, or his reasoning, was diverted (unconsciously to himself) by figures and phantasies, by fine and quaint allu- sions, by quotations from his favourite authors, introduced with singular felicity, as respects the direct link of association, but tending, by their very beauty, to unnerve the mind of the reader, and substitute the sense of luxury for clear conviction, or noble anger. In some of his essays, where the reasoning is most cogent, every other sentence contains some exquisite passage from Shakespeare, or Fletcher, or Words- worth, trailing after it a line of golden associations; 184 lamb's friends and companions. or some reference to a novel, over which we have a thousand times forgotten the wrongs of mankind; till, in the recurring shocks of pleasurable surprise, the main argument is forgotten. When, for example, he compares the position of certain political waverers to that of Clarissa Harlowe confronting the ravisher who would repeat his outrage, with the penknife pointed to her breast, and her eyes uplifted to Hea- ven, and describes them as having been, like her, trepanned into a house of ill-fame, near Pall Mall, and there defending their soiled virtue with their penknives ; what reader, at the suggestion of the stupendous scene which the allusion directly revives, can think or care about the renegade of yesterday ? Here, again, is felt the want of that Imagination, which brings all things into one, tinges all our thoughts and sympathies with one hue, and rejects every ornament which does not heighten or prolong the feeling which it seeks to embody. Even when he retaliates on Southey for attacking his old co-patriots, the poetical associations which bitter remembrance suggests, almost neutralise the vituperation ; he brings every " flower which sad em- broidery wears to strew the laureate hearse," where ancient regards are interred ; and merges all the cen- sure of the changed politician in praise of the simple dignity and the generous labours of a singularly noble and unsullied life. So little does he regard the unity of sentiment in his compositions, that in his " Letter to Gifford," after a series of just and bitter retorts on his maligner as " the fine link which connects litera- ture with the police," he takes a fancy to teach that " ultra-crepidarian critic " his own theory of the na- tural disinterestedness of the human mind, and de- lamb's friends and companions. 185 velops it, not in the dry, hard, mathematical style in which it was first enunciated, but " o'er informed " with the glow of sentiment, and terminating in an eloquent rhapsody. This latter portion of the letter is one of the noblest of his effusions, but it entirely de- stroys the first in the mind of the reader ; for who, when thus contemplating the living wheels on which human benevolence is borne onwards in its triumphant career, and the spirit with which they are instinct, can think of the literary wasp which had settled for a mo- ment upon them, and who had just before been merci- lessly transfixed with minikin arrows ? But the most signal example of the influences which " the show of things " exercised over Mr. Hazlitt's mind was the setting up the Emperor Napoleon as his idol. He strove to justify this predilection to himself by referring it to the revolutionary origin of his hero, and the contempt with which he trampled upon the claims of legitimacy, and humbled the pride of kings. But if his •' only love " thus sprung " from his only hate," it was not cherished in its blossom by antipa- thies. If there had been nothing in his mind which tended to aggrandisement and glory, and which would fain reconcile the principles of freedom with the lavish accumulation of power, he might have desired the triumph of young tyranny over legitimate thrones ; but he would scarcely have watched its progress and its fall " like a lover and a child." His feeling for Bonaparte in exile was not a sentiment of respect for fallen greatness ; not a desire to trace " the soul of goodness in things evil;" not a loathing of the treat- ment the Emperor received from " his cousin kings " in the day of adversity; but entire affection mingling with the current of the blood, and pervading the moral i86 lamb's friends and companions, and iritellectual being. Nothing less than this strong attachment, at once personal and refined, would have enabled him to encounter the toil of collecting and arranging facts and dates for four volumes of narrative which constitute his "Life of Napoleon ;" — a drudgery too abhorrent to his habits of mind as a thinker, to be sustained by any stimulus which the prospect of re- muneration or the hope of applause could supply. It is not so much in the ingenious excuses which he dis- covers for the worst acts of his hero — offered even for the midnight execution of the Duke d'Enghien and the invasion of Spain — that the stamp of personal devotion is obvious, as in the graphic force with which he has delineated the short-lived splendours of the Imperial Court, and " the trivial fond records " he has gathered of every vestige of human feeling by which he could reconcile the Imperial Cynic to the species he scorned. The first two volumes of his work, although redeemed by scattered thoughts of true originality and depth, are often confused and spiritless ; the characters of the principal revolu- tionists are drawn too much in the style of awkward, sprawling caricatures ; but when the hero casts all his rivals into the distance, erects himself the individual enemy of England, consecrates his power by religious ceremonies, and defines it by the circle of a crown, the author's strength becomes concentrated ; his nar- rative assumes an epic dignity and fervour ; dallies with the flowers of usurped prerogative, and glows with " the long-resounding march and energy divine." How happy and proud is he to picture the meeting of the Emperor with the Pope, and the grandeurs of the coronation ! How he grows wanton in celebrating the fetes of the Tuileries, as " presenting all the ele- lamb's friends and companions. 187 gance of enchanted pageants," and laments them as " gone like a fairy revel 1" How he " lives along the line " of Austerlitz, and rejoices in its thunder, and hails its setting sun, and exults in the minutest de- tails of the subsequent meeting of the conquered sovereigns at the feet of the conqueror I How he ex- patiates on the fatal marriage with " the deadly Aus- trian'' (as Mr. Cobbett justly called Maria Louisa), as though it were a chapter in romance, and sheds the grace of beauty on the imperial picture I How he kindles with martial ardour as he describes the prepa- rations against Russia; musters the myriads of bar- barians with a show of dramatic justice ; and fondly lingers among the brief triumphs of Moskwa on the verge of the terrible catastrophe ! The narrative of the disastrous expedition is, indeed, written with a master's hand; we see the "grand army" marching to its destruction through the immense perspsctive : the wild hordes flying before the terror of its " coming ;'' the barbaric magnificence of Moscow towering in the remote distance ; and when we gaze upon the sacri- ficial conflagration of the Kremlin, we feel that it is worthy to become the funeral pile of the conqueror's glories. It is well for the readers of this splendid work, that there is more in it of the painter than of the metaphysician ; that its style glows with the fervour of battle, or stiffens with the spoils of victory ; yet we wonder that this monument to imperial grandeur should be raised from the dead level of jacobinism by an honest and profound thinker. The solution is, that although he was this, he was also more — that, in opinion, he was devoted to the cause of the people : but that, in feeling, he required some individual object of worship ; that he selected Napoleon as one in whose i88 lamb's friends and companions. origin and career he might at once impersonate his principles and gratify his affections ; and that he ad- hered to his own idea with heroic obstinacy, when the " child and champion of the Republic " openly sought to repress all feeling and thought, but such as he could cast in his own iron moulds, and scoffed at popular enthusiasm even while it bore him to the accomplishment of his loftiest desires. Mr. Hazlitt had little inclination to talk or write about contemporary authors, and still less to read them. He was with difficulty persuaded to look into the Scotch novels, but when he did so, he found them old in substance though new in form, read them with as much avidity as the rest of the world, and expressed better than any one else what all the world felt about them. His hearty love of them, however, did not diminish, but aggravate his dislike of the political opinions so zealously and consistently maintained, of their great author: and yet the strength of his hatred towards that which was accidental and transitory only set off the unabated power of his regard for the great and the lasting. Coleridge and Wordsworth were not moderns to him, for they were the inspirers of his youth, which was his own antiquity, and the feel- ings which were the germ of their poetry had sunk deep into his heart. With the exception of the works of these, and of his friends Barry Cornwall and Sheri- dan Knowles, in whose successes he rejoiced, he held modern literature in slight esteem, and regarded the discoveries of science and the visions of optimism with an undazzled eye. His " large discourse of reason " looked not before, but after. He felt it a sacred duty, as a lover of genius and art, to defend the fame of the mighty dead. When the old painters were assailed lamb's friends and companions, i8g in "The Catalogue Raisonne of the British Institu- tion," he was "touched with noble anger." All his own vain longings after the immortality of the works which were libelled, — all the tranquillity and beauty they had shed into his soul, — all his comprehension of the sympathy and delight of thousands, which, accumu- lating through long time, had attested their worth — were fused together to dazzle and subdue the daring critic who would disturb the judgment of ages. So, when a popular poet assailed the fame of Rousseau, seeking to reverse the decision of posterity on what that great though unhappy writer had achieved by suggesting the opinion of people of condition in his neighbourhood on the figure he made to their appre- hensions while in the service of Madame de Warrens, he vindicated the prerogatives of genius with the true logic of passion. Few things irritated him more than the claims set up for the present generation to be wiser and better than those which have gone before it. He had no power of imagination to embrace the golden clouds which hung over the Future, but he rested and expatiated in the Past. To his apprehension human good did not appear a slender shoot of yesterday, like the beanstalk in the fairy tale, aspiring to the skies, and leading to an enchanted castle, but a huge growth of intertwisted fibres, grassing the earth by number- less roots of custom, habit, and affection, and bear- ing vestiges, of " a thousand storms, a thousand thunders." When I first met Hazlitt, in the year 1815, he was staggering under the blow of Waterloo. The re-ap- pearance of his imperial idol on the coast of France, and his triumphant march to Paris, like a fairy vision, had excited his admiration and sympathy to the igo lamb's friends and companions. utmost pitch ; and though in many respects sturdily English in feeling, he could scarcely forgive the valour of the conquerors ; and bitterly resented the captivity of the Emperor in St. Helena, which followed it, as if he had sustained a personal wrong. On this subject only, he was " eaten upwith passion ;" on all others he was the fairest, the most candid of reasoners. His countenance was then handsome, but marked by a painful expression ; his black hair, which had curled stiffly over his temples, had scarcely received its first tints of grey ; his gait was awkward ; his dress was neglected; and, in the company of strangers, his bash- fulness was almost painful — but when, in the society of Lamb and one or two others, he talked on his favourite themes of old English books, or old Italian pictures, no one's conversation could be more delight- ful. The poets, from intercourse with whom he had drawn so much of his taste, and who had contributed to shed the noble infection of beauty through his reasoning faculties, had scarcely the opportunity of appreciating their progress. It was, in after years, by the fireside of " the Lambs," that his tongue was gradually loosened, and his passionate thoughts found appropriate words. There, his struggles to express the fine conceptions with which his mind was filled were encouraged by entire sympathy ; there he began to stammer out his just and original conceptions of Chaucer and Spenser, and other English poets and prose writers, more talked of, though not better known, by their countrymen ; there he was thoroughly understood and dexterously cheered by Miss Lamb, whose nice discernment of his first efforts in conver- sation were dwelt upon by him with affectionate gratitude, even when most out of humour with the lamb's friends and companions. 191 world. When he mastered his diiHdence, he did not talk for effect, to dazzle, or surprise, or annoy, but with the most simple and honest desire to make his view of the subject in hand entirely apprehended by his hearer. There was sometimes an obvious struggle to do this to his own satisfaction ; he seemed labour- ing to drag his thought to light from its deep lurking- place ; and, with timid distrust of that power of expression which he had found so late in life, he often betrayed a fear lest he had failed to make himself understood, and recurred to the subject again and again, that he might be assured he had succeeded. With a certain doggedness of manner, he showed nothing pragmatical or exclusive ; he never drove a principle to its utmost possible consequences but, like Locksley, " allowed for the wind." For some years previous to his death he observed an entire abstinence from fermented liquors, which he had once quaffed with the proper relish he had for all the good things of this life, but which he courageously resigned when he found the indulgence perilous to his health and faculties. The cheerfulness with which he made this sacrifice was one of the most amiable traits in his character. He had no censure for others, who, in the same dangers, were less wise or less resolute j nor did he think he had earned, by his own constancy, any right to intrude advice which he knew, if wanted, must be unavailing. Nor did he profess to be a con- vert to the general system of abstinence, which was advanced by one of his kindest and staunchest friends ; he avowed that he yielded to necessity ; and instead of avoiding the sight of that which he could no longer taste, he was seldom so happy as when he sat with friends at their wine, participating the sociality of the iga lamb's friends and companions. time, and renewing his own past enjoyment in that of his companions, without regret and without envy. Like Dr. Johnson, he made himself poor amends for the loss of wine by drinking tea, not so largely, indeed, as the hero of Boswell, but at least of equal potency; for he might have challenged Mrs. Thrale and all her sex to make stronger tea than his own. In society, as in politics, he was no flincher. He loved " to hear the chimes at midnight," without considering them as a summons to rise. At these seasons, when in his happiest mood, he used to dwell on the conversational power of his friends, and live over again the delightful hours he had passed with them ; repeat the pregnant puns that one had made ; tell over again a story with which another had convulsed the room ; or ex- patiate on the eloquence of a third ; always best pleased when he could detect some talent which was unre- garded by the world, and giving alike, to the celebrated and the unknown, due honour. Mr. Hazlitt delivered three courses of lectures at the Surrey Institution, on " The English Poets ; " on " The English Comic Writers," and on " The Age of Elizabeth," which Lamb (under protest against lec- tures in general) regularly attended, an earnest ad- mirer, amidst crowds with whom the lecturer had " an imperfect sympathy." They consisted chiefly of Dis- senters, who agreed with him in his hatred of Lord Castlereagh, and his love of religious freedom, but who " loved no plays ;" of Quakers, who approved him as the earnest opponent of slavery and capital punishment, but who " heard no music ;" of citizens, devoted to the main chance, who had a hankering after " the improvement of the mind ;" but to whom his favourite doctrine of its natural disinterestednes> LAMB S FRIENDS AND COMPANIONS. ig3 was a riddle; of a few enemies who came to sneer; and a few friends, who were eager to learn and to admire. The comparative insensibility of the bulk of his audience to his finest passages sometimes pro- voked him to awaken their attention by points which broke the train of his discourse ; after which, he could make himself amends by some abrupt paradox which might set their prejudices on edge, and make them fancy they were shocked. He startled many of them at the onset, by observing, that, since Jacob's dream, " the heavens have gone farther off, and become astronomical ;" a fine extravagance, which the ladies and gentlemen who had grown astronomical them- selves under the preceding lecturer, felt called on to resent as an attack on their severer studies. When he read a well-known extract from Cowper, comparing a poor cottager with Voltaire, and had pronounced the line ; " A truth the brilliant Frenchman never knew,'' they broke into a joyous shout of self-gratulation, that they were so much wiser than the scornful Frenchman. When he passed by Mrs. Hannah More with observing that " she had written a great deal which he had never read," a voice gave expression to the general commiseration and surprise, by calling out " More pity for you 1" They were confounded at his reading with more emphasis, perhaps, than discretion, Gay's epigrammatic lines on Sir Richard Blackstone, in which scriptural persons are too freely hitched into rhyme ; but he went dog- gedly on to the end, and, by his perseverance, bafHed those who, if he had acknowledged himself wrong, by stopping, would have visited him with an outburst of displeasure which he felt to be gathering. He once had a more edifying advantage over them. He was o 194 LAMB S FRIENDS AND COMPANIONS. enumerating the humanities which endeared Dr. John- son to his mind, and at the close of an agreeable catalogue, mentioned, as last and noblest, " his car- rying the poor victim of disease and dissipation on his back, through Fleet Street," at which a titter arose from some, who were struck by the picture, as ludi- crous, and a murmur from others, who deemed the allusion unfit for ears polite: he paused for an instant, and then added, in his sturdiest and most impressive manner, — " an act which realizes the parable of the Good Samaritan ;" at which his moral and his delicate hearers shrunk, rebuked into deep silence. He was not eloquent, in the true sense of the term ; for his thoughts were too weighty to be moved along by the shallow stream of feeling which an evening's excite- ment can rouse. He wrote all his lectures, and read them as they were written ; but his deep voice and earnest manner suited his matter well. He seemed to dig into his subject, and not in vain. In delivering his longer quotations, he had scarcely continuity enough for the versification of Shakespeare and Milton, " with linked sweetness long drawn out;" but he gave Pope's brilliant satire and delightful compliments, which are usually complete within the couplet, with an elegance and point which the poet himself, could he have heard, would have felt as indicating their highest praise. Mr. Hazlitt, having suffered for many years from derangement of the digestive organs, for which per- haps a moderate use pf fermented liquors would have been preferable to abstinence, solaced only by the intense tincture of tea in which he found refuge, worn out at last, died on i8th Sept., 1830, at the age of fifty-two. Lamb frequently visited him during his lamb's friends and companions. 195 Bufferings, which were not, as has been erroneously suggested, aggravated by the want of needful com- forts ; for although his careless habits had left no provision for sickness, his friends gladly acknowledged, by their united aid, the deep intellectual obligations due to the great thinker. In a moment of acute pain, when the needless apprehension for the future rushed upon him, he dictated a brief and peremptory letter to the editor oi the Edinburgh Review, requiring a considerable remittance, to which he had no claim but that of former remunerated services, which the friend, who obeyed his bidding, feared might excite displeasure ; but he mistook Francis Jeffrey; the sum demanded was received by return of post, with the most anxious wishes for Hazlitt's recovery — just too late for him to understand his error. Lamb joined a few friends in attending his funeral in the churchyard of St. Anne's, Soho, where he was interred, and felt his loss — not so violently at the time, as mournfully in the frequent recurrence of the sense that a chief source of intellectual pleasure was stopped. His personal frailties are nothing to us now; his thoughts survive; in them we have his better part entire, and in them must be traced his true history. The real events of his life are not to be traced in its external changes ; as his engagement by the Morning Chronicle, or his transfer of his services to the Times, or his intro- duction to the Edinburgh Review; but in the progress and development of his fine understanding as nurtured and checked and swayed by his affections. His war- fare was within ; its spoils are ours ! One of the soundest and most elegant scholars whom the school of Christ's Hospital ever produced, Mr. Thomas Barnes, was a frequent guest at Lamb's o 2 196 lamb's friends and companions. chambers in the Temple; and though the responsibi- lities he undertook, before Lamb quitted that, his happiest abode, prevented him from visiting often at Great Russell Street, at Islington, or Enfield, he was always ready to assist by the kind word of the powerful journal in which he became most potent, the expand- ing reputation of his schoolmate and friend. After establishing a high social and intellectual character at Cambridge, he had entered the legal profession as a special pleader, but was prevented from applying the needful devotion to that laborious pursuit by violent rheumatic affections, which he solaced by writing cri- tiques and essays of rare merit. So shattered did he appear in health, that when his friends learned that he had accepted the editorship of the Times newspaper, they almost shuddered at the attempt as suicidal, and anticipated a speedy ruin to his constitution from the pressure of constant labour and anxiety, on the least healthful hours of toil. But he had judged better than they of his own physical and intellectual re- sources, and the mode in which the grave responsibility and constant exertion of his office would affect both ; for the regular effort consolidated his feverish strength, gave evenness and tranquillity to a life of serious exer- tion, and supplied, for many years, power equal to the perpetual demand; affording a striking example how, when finely attuned, the mind can influence the body to its uses. The facile adaptation of his intellect to his new duties was scarcely less remarkable than the mastery it achieved over his desultory habits and physical infirmities ; for, until then, it had seemed more reiined than vigorous — more elegant than weighty — too fastidious to endure the supervision and arrangement of innumerable reports, paragraphs, LAMB S FRIENDS AND COMPANIONS. I97 and essays ; but, while a scholarly grace was shed by him through all he wrote or moulded, the needful vigour was never wanting to the high office of super- intending the great daily miracle; to the discipline of its various contributors ; or to the composition of articles which he was always ready, on the instant of emergency, to supply. Mr. Barnes, linked by school associations with Leigh Hunt, filled the theatrical department of criticism in the Examiner during the period when the Editor's imprisonment for alleged libel on the Prince Regent precluded his attendance on the theatres. It was no easy office of friendship to supply the place of Hunt in the department of criticism, he may be almost said to have invented ; but Mr. Barnes, though in a dif- ferent style, well sustained the attractions of the " Theatrical Examiner." Fortunately the appearance of Mr. Kean during this interval enabled him to gratify the profound enthusiasm of his nature, with- out doing violence to the fastidious taste to which it was usually subjected. He perceived at once the vivid energy of the new actor; understood his faults to be better than the excellences of ordinary aspirants ; and hailed him with the most generous praise — the more valuable as it proceeded from one rarely induced to render applause, and never yielding it except on the conviction of true excellence. Hazlitt, who contributed theatrical criticism, at the same time, to the Morning Chronicle, and who astounded the tame mediocrity of Mr. Perry's subordinates by his earnest eulogy, and Barnes, had the satisfaction of first appreciating this unfriended performer, and, while many were offended by the daring novelty of his style, and more stood aloof with fashionable indifference from a deserted igS lamb's friends and companions, theatre, of awakening that spirit which retrieved the fortunes of Old Druiy — which revived, for a brilliant interval, the interest of the English stage, and which bore the actor on a tide of intoxicating success that " knew no retiring ebb" till it was unhappily checked by his own lamentable frailties.' The manners of Mr. Barnes, though extremely courteous, were so reserved as to aeem cold to strangers ; but they were changed, as by magic, by 1 As the essays of Mr. Barnes have never been collected, I take leave to present to the reader the conclusion of his article in the Examiner of February zyth, 1814, on the first appearance of Mr. Kean in Richard : — " In the heroic parts, he animated every spectator with his own feelings ; when he exclaimed ' that a thousand hearts were swelling in his bosom,' the house shouted to express their accordance to a truth so nobly exemplified by the energy of his voice, by the grandeur of his mien. His death-scene was the grandest conception, and executed in the most impressive manner ; it was a piece of noble poetry, expressed by action instead of language. He fights desperately : he is disarmed and exhausted of all bodily strength : he disdains to fall, and his strong volition keeps him standing: he fixes that head, full of intellectual and heroic power, directly on the enemy : he bears up his chest with an expression which seems swelling with more than human spirit : he holds his uplifted arm, in calm but dreadful defiance of his conqueror. But he is but man, and he falls after this sublime effort senseless to the ground. We have felt our eyes gush on reading a passage of exquisite poetry. We have been ready to leap at sight of a noble picture, but we never felt stronger emotion, more overpowering sensations, than were kindled by the novel sublimity of this catastrophe. In matters of mere taste, there will be a difference of opinion ; but here there was no room to doubt, no reason could be imprudent enough to hesitate. Every heart beat an echo responsive to this call of elevated nature, and yearned with fondness towards the man who, while he excited admira- tion for himself made also his admirers glow with a warmth of con- scious 'uperiority, because they were able to appreciate such an exalted degree of excellence." LAMB S FRIENDS AND COMPANIONS. igg the contemplation of moral or intellectual beauty, awakened in a small circle. I well remember him, late one evening, in the year 1816, when only two or three friends remained with Lamb and his sister, long after "we had heard the chimes at midnight," holding inveterate but delighted controversy with Lamb, re- specting the tragic power of Dante as compared with that of Shakespeare. Dante was scarcely known to Lamb ; for he was unable to read the original, and Gary's noble translation was not then known to him ; and Barnes aspired to the glory of affording him a glimpse of a kindred greatness in the mighty Italian with that which he had conceived incapable of human rivalry. The face of the advocate of Dante, heavy when in repose, grew bright with earnest admiration as he quoted images, sentiments, dialogues, against Lamb, who had taken his own immortal stand on Lear,, and urged the supremacy of the child-changed father against all the possible Ugolinos of the world. Some reference having been made by Lamb to his own expo- sition of Lear, which had been recently published in a magazine, edited by Leigh Hunt, under the title of The Reflector, touched another and a tenderer string of feeling, turned a little the course of his enthusiasm the more to inflame it, and brought out a burst of affectionate admiration for his friend, then scarcely known to the world, which was the more striking for its contrast with his usually sedate demeanour. 1 think I see him now, leaning forward upon the little table on which the candles were just expiring in their sockets, his fists clenched, his eyes flashing, and his face bathed in perspiration, exclaiming to Lamb, "And do I not know, my boy, that you have written about Shakespeare, and Shakespeare's own Lear, finer than 200 lamb's friends and companions. any one ever did in the world, and won't I let the world know it?" He was right; there is no criticism in the world more worthy of the genius it estimates than that little passage referred to on Lear; few felt it then like Barnes; thousands have read it since, here, and tens of thousands in America ; and have felt as he did ; and will answer for the truth of that excited hour. Mr. Barnes combined singular acuteness of under- standing with remarkable simplicity of character. If he was skilful in finding out those who duped others, he made some amends to the world of sharpers by being abundantly duped himself. He might caution the public to be on their guard against impostors of every kind, but his heart was open to every species of delusion which came in the shape of misery. Poles — real and theatrical — refugees, pretenders of all kinds, found their way to the Times inner office, and though the inexorable editor excluded their lucubrations from the precious space of its columns, he rarely omitted to make them amends by large contributions from his purse. The intimate acquaintance with all the varie- ties of life forced on him by his position in the midst of a moving epitome of the world, which vividly reflected them all, failed to teach him distrust or dis- cretion. He was a child in the centre of the most feverish agitations ; a dupe in the midst of the quickest apprehensions ; and while, with unbending pride, he repelled the slightest interference with his high func- tions from the greatest quarters, he was open to every tale from the lowest which could win from him personal aid. Earely as he was seen in his later years in Lamb's circle, he is indestructibly associated with it in the recollection of the few survivors of its elder days ; and they will lament with me that the influ- LAMB S FRIENDS AND COMPANIONS. 201 ences for good which he shed largely on all the departments of busy life, should have necessarily left behind them such slender memorials of one of the kindest, the wisest, and the best of men who have ever enjoyed signal opportunities of moulding public opinion, and who have turned them to the noblest and the purest uses. Among Lamb's early acquaintances and constant admirers was an artist whose chequered career and melancholy death gave an interest to the recollections with which he is linked independent of that which belongs to his pictures — Benjamin Robert Haydon. The ruling misfortune of his life was somewhat akin to that disproportion in Hazlitt's mind to which I have adverted, but productive in his case of more disastrous results — the possession of two different faculties not harmonized into one, and struggling for mastery — in that disarrangement of the faculties in which the unproductive talent becomes not a mere negative, but neutralises the other, and even turns its good into evil. Haydon, the son of a respectable tradesman at Plymouth, was endowed with two capa- cities, either of which exclusively cultivated with the energy of his disposition, might have led to fortune — the genius of a painter, and the passionate logic of a controversialist ; talents scarcely capable of being blended in harmonious action except under the aus- pices of prosperity such as should satisfy the artist by fame, and appease the literary combatant by triumph. The combination of a turbulent vivacity of mind with a fine aptitude for the most serene of arts was rendered more infelicitous by the circumstances of the young painter's early career. He was destined painfully to work his way at once through the lower 202 lamb's friends AND COMPANIONS. elements of his art and the difficulties of adverse fortune ; and though by indomitable courage and unwearied industry he became master of anatomic science, of colouring, and of perspective, and achieved a position in which his efforts might be fairly pre- sented to the notice of the world, his impetuous temperament was yet further ruffled by the arduous and complicated struggle. With boundless intellec- tual ambition, he sought to excel in the loftiest department of his art ; and undertook the double responsibility of painting great pictures and of cre- ating the taste which should appreciate, and enforcing the patronage which should reward them. The patronage of high art, not then adopted by the Government, and far beyond the means of individuals of the middle class, necessarily appertained to a few members of the aristocracy, who alone could encou- rage and remunerate the painters of history. Although the beginning of Mr. Haydon's career was not un- cheered by aristocratic favour, the contrast between the greatness of his own conceptions and the humility of the course which prudence suggested as necessary to obtain for himself the means of developing them on canvas, fevered his nature, which, ardent in grati- tude for the appreciation and assistance of the wealthy to a degree which might even be mistaken for servility was also impatient of the general indifference to the cause of which he sought to be, not only the orna- ment, but unhappily for him, also the champion. Alas I he there " perceived a divided duty." Had he been contented silently to paint — to endure obscurity and privation for a while, gradually to mature his powers of execution and soften the rigour of his style and of his virtue, he might have achieved works, not lamb's friends and companions. 203 • only as vast in outline and as beautiful in portions as those which he exhibited, but so harmonious in their excellences as to charm away opposition, and ensure speedy reputation, moderate fortune, and lasting fame. But he resolved to battle for that which he believed to be " the right," he rushed into a life-long contest with the Royal Academy ; frequently suspended the gentle ■■ labours of the pencil for the vehement use of the pen ; and thus gave to his course an air of defiance which prevented the calm appreciation of his nobler works, and increased the mischief by reaction. Indignant of the scorns " that patient merit of the unworthy takes," he sometimes fancied scorns which impatient merit in return imputes to the worthy; and thus instead of enjoying the most tranquil of lives (which a painter's should be), led one of the most animated, restless, and broken. The necessary consequence of this disproportion was a series of pecuniary embar- rassments, the direct result of his struggle with fortune ; a succession of feverish triumphs and dis- appointments, the fruits of his contest with power ; and worse perhaps than either, the frequent diversion of his own genius from its natural course, and the hurried and imperfect development of its most ma- jestic conceptions. To paint as finely as he some- times did in the ruffled pauses of his passionate controversy, and amidst the terrors of impending want, was to display large innate resources of skill and high energy of mind ; but how much more un- questionable fame might he have attained if his disposition had permitted him to be content with charming the world of art, instead of attempting also to instruct or reform it 1 Mr. Haydon's course, though thus troubled, was 204 lamb's friends and companions. one of constant animation, and illustrated by hours of triumph, the more radiant because they were snatched from adverse fortune and a reluctant people. The exhibition of a single picture by an artist at war with the Academy which exhibited a thousand pictures at the same price — creating a sensation not only among artists and patrons of art, but among the most secluded literary circles — and engaging the highest powers of criticism — was, itself, a splendid occurrence in life ; — and, twice at least, in the instance of the Entry into Jerusalem, and the Lazarus, was crowned with signal success. It was a proud moment for the daring painter, when, at the opening of the first of these Exhibitions, while the crowd of visitors, distin- guished in rank or talent, stood doubting whether in the countenance of the chief figure the daring attempt to present an aspect differing from that which had enkindled the devotion of ages — to mingle the human with the Divine, resolution with sweetness, dignified composure with the anticipation of mighty suffering — had not failed, Mrs. Siddons walked slowly up to the centre of the room, surveyed it in silence for a minute or two, and then ejaculated, in her deep, low, thrilling voice, " It is perfect!" quelled all opposition, and re- moved the doubt, from his own mind at least, for ever. Although the great body of artists to whose corpo- rate power Mr. Haydon was so passionately opposed, naturally stood aside from his path, it was cheered by the attention and often by the applause of the chief literary spirits of the age, who were attracted by a fierce intellectual struggle. Sir Walter Scott, Words- worth, Hazlitt, Godwin, Shelley, Hunt, Coleridge, Lamb, Keats, — and many young writers for periodical works, in the freshness of unhacknied authorship — lamb's friends and companions. 205 took an interest in a course so gallant though so troublous, which excited their sympathy yet did not force them to the irksome duty of unqualified praise. Almost in the outset of his career, Wordsworth ad- dressed to him a sonnet, in heroic strain, associating the artist's calling with his own ; making common cause with him, " while the whole world seems adverse to desert ;" admonishing him " still to be strenuous for the bright reward, and in the soul admit of no decay ;" and, long after, when the poet had, by a wiser perseverance, gradually created the taste which appreciated his works, he celebrated, in another sonnet, the fine autumnal conception in the picture of Napoleon on the rock of St. Helena, with his back to the spectator, contemplating the blank sea, left desolate by the sunken sun. The Conqueror of Na- poleon also recognised the artist's claims, and supplied him with another great subject in the contemplation of the solitude of Waterloo by its hero, ten years after the victory. Mr. Haydon's vividness of mind burst out in his conversation, which, though somewhat broken and rugged, like his career, had also, like that, a vein ot beauty streaking it. Having associated with most of the remarkable persons of his time, and seen strange varieties of " many-coloured life " — gifted with a rapid perception of character and a painter's eye for effect, — he was able to hit off, with startling facility, sketches in words which lived before the hearer. His anxieties and sorrows did not destroy the buoyancy of his spirits or rob the convivial moment of its prosperity ; so that he struggled, and toiled, and laughed, and triumphed, and failed, and hoped on, till the waning of life approached and found him still in opposition to 2o6 lamb's friends and companions. the world, and far from the threshold of fortune. The object of his literary exertions was partially attained ; the national attention had been directed to high art ; but he did not personally share in the benefits he had greatly contributed to win. Even his cartoon of the Curse in Paradise failed to obtain a prize when he entered the arena with unfledged youths for compe- titors ; and the desertion of the exhibition of his two pictures of Aristides and Nero, at the Egyptian Hall, by the public, for the neighbouring exposure of the clever manikin, General Tom Thumb, quite van- quished him. It was indeed a melancholy contrast ; — the unending succession of bright crowds throng- ing the levees of the small abortion, and the dim and dusty room in which the two latest historical pictures of the veteran hung for hours without a visitor. Opposition, abuse, even neglect he could have borne, but the sense of ridicule involved in such a juxta-position drove him to despair. No one who knew him ever apprehended from his disasters such a catastrophe as that which closed them. He had always cherished a belief in the religion of our Church, and avowed it among scoffing unbelievers; and that belief he asserted even in the wild fragments he penned in his last terrible hour. His friends thought that even the sense of the injustice of the world would have contributed with his undimmed con- sciousness of his own powers to enable him to endure. In his domestic relations also he was happy, blessed in the affection of a wife of great beauty and equal discretion, who, by gentler temper and serener ws- dom than his own, had assisted and soothed him m all his anxieties and griefs, and whose image was so identified in his mind with the beautiful as to impress lamb's friends and companions. 2C7 its character on all the forms of female loveliness he had created. Those who knew him best feel the strongest assurance, that notwithstanding the appear- ances of preparation which attended his extraordinary suicide, his mind was shattered to pieces — all distorted and broken — with only one feeling left entire, the per- version of which led to the deed, a hope to awaken sympathy in death for those whom living he could not shelter. The last hurried lines he wrote, entitled " Haydon's last Thoughts," consisted of a fevered comparison between the Duke of Wellington and Napoleon, in which he seemed to wish 8o repair some supposed injustice which in speech or writing he had done to the Conqueror. It was inclosed in a letter addressed to three friends, written in the hour of his death, and containing sad fragmental memorials of those passionate hopes, fierce struggles, and bitter dis- appointments which brought him through distraction to the grave ! A visit of Coleridge was always regarded by Lamb, as an opportunity to afford a rare gratification to a few friends, who, he knew, would prize it ; and I well remember the flush of prideful pleasure which came over his face as he would hurry, on his way to the India House, into the office in which I was a pupil, and stammer out the welcome invitation for the even- ing. This was true self-sacrifice ; for Lamb would have infinitely preferred having his inspired friend to himself and his sister, for a brief renewal of the old Salutation delights ; but, I believe, he never permitted himself to enjoy this exclusive treat. The pleasure he conferred was great ; for of all celebrated persons I ever saw, Coleridge alone surpassed the expectation created by his writings; for he not only was, but 2o8 lamb's friends and companions. appeared to be, greater than the noblest things he had written. Lamb used to speak, sometimes with a moistened eye and quivering lip, of Coleridge when young, and wish that we could have seen him in the spring-time of his genius, at a supper in the little sanded parlour of the old Salutation hostel. The promise of those days was never realized, by the execution of any of the mighty works he planned ; but the very failure gave a sort of mournful interest to the " large discourse, looking before and after," to which we were enchanted listeners ; to the wisdom which lives only in our memories, and must perish with them. From Coleridge's early works, some notion may be gleaned of what he was ; when the steep ascent of fame rose directly before him, while he might loiter to dally with the expectation of its summit, without ignobly shrinking from its labours. His endowments at that time — the close of the last century — when literature had faded into a fashion of poor language, must have seemed, to a mind and heart like Lamb's, no less than miraculous. A rich store of classical knowledge — a sense of the beautiful, almost verging on the effeminate — a facile power of melody, varying from the solemn stops of the organ to a bird-like flutter of airy sound — ^the glorious faculty of poetic hope, exerted on human prospects, and presenting its results with the vivid- ness of prophecy ; a power of imaginative reasoning which peopled the nearer ground of contemplation with thoughts " All plumed like ostriches, like eagles bathed. As full of spirit as the month ot May, And gorgeous as the sun at Midsnmmer," lamb's friends and companions. 209 endowed the author of " The Ancient Marinei," and " Christabel." Thus gifted, he glided from youth into manhood, as a fairy voyager on a summer sea, to eddy round and round in dazzling circles, and to make little progress, at last, towards any of those thousand moun- tain summits which, glorified by aerial tints, rose before him at the extreme verge ot the vast horizon of his genius. "The Ancient Mariner," printed with the " Lyrical Ballads," one of his earliest works, is still his finest poem — at once the most vigorous in design and the most chaste in execution — developing the intensest human affection, amidst the wildest scenery of a poet's dream. Nothing was too bright to hope from such a dawn. The mind of Coleridge seemed the harbinger of the golden years his enthu- siasm predicted and painted ; — of those days of peace on earth and good will among men, which the best and greatest minds have rejoiced to anticipate — and the earnest belief in which is better than all frivolous enjoyments, all worldly wisdom, all worldly success. And if the noontide of his genius did not fulfil his youth's promise of manly vigour, nor the setting of his earthly life honour it by an answering serenity of greatness — they still have left us abundant reason to be grateful that the glorious fragments of his mighty and imperfect being were ours. Cloud after cloud of German metaphysics rolled before his imagination — which it had power to irradiate with fantastic beauty, and to break into a thousand shifting forms of gran- deur, though not to conquer; mist after mist ascended from those streams where earth and sky should have blended in one imagery, and were turned by its obscured glory to radiant haze ; indulgence in the fearful luxury of that talismanic drug, which opens 210 lamb's friends and companions. glittering scenes of fantastic beauty on the waking soul to leave it in arid desolation, too often veiled it in partial eclipse, and blended fitful light with melan- choly blackness over its vast domain ; but the great central light remained unquenched, and cast its gleams through every department of human know- ledge. A boundless capacity to receive and retain intellectual treasure made him the possessor of vaster stores of lore, classical, antiquarian, historical, biblical, and miscellaneous, than were ever vouch- safed, at least in our time, to a mortal being ; goodly structures of divine philosophy rose before him like exhalations on the table-land of that his prodigious knowledge ; but, alas ! there was a deficiency of the power of voluntary action which would have left him unable to embody the shapes of a shepherd's dreams, and made him feeble as an infant before the over- powering majesty of his own ! Hence his literary life became one splendid and sad prospectus — resembling only the portal of a mighty temple which it was forbidden us to enter — but whence strains of rich music issuing " took the prisoned soul and lapped it in Elysium," andfragmentsof ocular wisdom startled the thought they could not satisfy. Hence the riches of his mind were developed, not in writing, but in his speech — conversation I can scarcely call it — which no one who once heard can ever forget. Unable to work in solitude, he sought the gentle stimulus of social admiration, and under its influence poured forth, without stint, the marvel- lous resources of a mind rich in the spoils of time — richer — richer far in its own glorious imagination and delicate fancy ! There was a noble prodigality in these outpourings ; a generous disdain of self; an LAMBS FRIENDS AND COMIANIONS. 211 earnest desire to scatter abroad the seeds of wisdom and beauty, to take root wherever they might fall, and spring up without bearing his name or impress, which might remind the listener of the first days of poetry before it came to be individualised by the press, when the Homeric rhapsodist wandered through new-born cities and scattered hovels, flashing upon the minds of the wondering audience the bright train of heroic shapes, the series of godlike exploits, and sought no record more enduring than the fleshy tablets of his hearers' hearts ; no memory but that of genial tradi- tion ; when copyright did not ascertain the reciter's property, nor marble at once perpetuate and shed chillness on his fame — " His bounty was as boundless as the sea. His love as deep." Like the ocean, in all its variety of gentle moods, his discourse perpetually ebbed and flowed, — nothing in it angular, nothing of set purpose, but now trem- bling as the voice of divine philosophy, " not harsh nor crabbed, as dull fools suppose, but musical as is Apollo's lute," was wafted over the summer wave ; now glistening in long line of light over some obscure subject, like the path of moonlight on the black water ; and, if ever receding from the shore, driven by some sudden gust of inspiration, disclosing the treasures of the deep, like the rich strond in Spenser, "far sunken in their sunless treasuries," to be covered anon by the foam of the same immortal tide. The benignity of his manner befitted the beauty of his disquisitions ; his voice rose from the gentlest pitch of conversation to the height of impassioned eloquence without effort, as his language expanded from some common topic of the day to the loftiest abstractions ; ascending by a P 2 212 lamb's friends AND COMPANIONS. winding track of spiral glory to the highest truths which the naked eye could discern, and suggesting starry regions, beyond, which his own telescopic gaze might possibly decipher. If his entranced hearers often were unable to perceive the bearings of his argument — too mighty for any grasp but his own — and sometimes reaching beyond his own — they under- stood " a beauty in the words, if not the words ;" and a wisdom and piety in the illustrations, even when unable to connect them with the idea which he desired to illustrate. If an entire scheme of moral philosophy was never developed by him either in speaking or writing, all the parts were great : vast biblical know- ledge, though sometimes eddying in splendid conjec- ture, was always employed with pious reverence ; the morality suggested was at once elevated and genial ; the charity hoped all things ; and the mighty imagi- native reason er seemed almost to realize the condition suggested by the great Apostle, "that he understood all mysteries and all knowledge, and spake with the tongues both of men and angels !" After Coleridge had found his last earthly refuge, under the wise and generous care of Mr. Gilman, at Highgate, he rarely visited Lamb, and my opportuni- ties of observing him ceased. From those who were more favoured, as well as from the fragments I have seen of his last effusions, I know that, amidst suffer- ing and weakness, his mighty mind concentrated its energies on the highest subjects which had ever kindled them ; that the speculations, which sometimes seemed like paradox, because their extent was too vast to be comprehended in a single grasp of intellectual vision, were informed by a serener wisdom ; that his perceptions of the central truth became more un- LAMB S FRIENDS AND COMPANIONS. 213 divided, and his piety more profound and humble. His love for Charles and Mary Lamb continued, to the last, one of the strongest of his human affections — of which, by the kindness of a friend,' I possess an affect- ing memorial under his hand, written in the margin of a volume of his " Sibylline Leaves," which — after his life-long habit — he has enriched by manuscript annotations. The poem, beside which it is inscribed, is entitled " The Lime Tree Bower my Prison," com- posed by the poet in June, 1796, when Charles and Mary Lamb, who were visiting at his cottage near Bristol, had left him for a walk, which an accidental lameness prevented him from sharing. The visitors are not indicated by the poem, except that Charles is designated by the epithet, against which he jestingly remonstrated, as " gentle-hearted Charles ;" and is represented as*" winning his way, with sad and patient soul, through evil and pain, and strange calamity."" Against the title is written as follows : — CH. & MARY LAMB, dear to my heart, yea, as it were, my heart, S. T. C. JEt. 63. 1834. 1797 1834. 37 years! ' Mr. Richard Welsh, of Reading, editor of the Berkshire Chro- nicle—one of the ablest productions of the Conservative Periodica.' Press. 2 The whole passage is worth quoting here : — " Yes, they vrander on In gladness all ; but thou, methinks, most glad. My gentle-hearted Charles ! for thou hast lived And hungered after Nature many a year In the great city pent, winning thy way 214 LAMB S FRIENDS AND COMPANIONS. This memorandum, which is penned with remark- able neatness, must have been made in Coleridge's last illness, as he suffered acutely for several months before he died, in July of this same year, 1834. What a space did that thirty-seven years of fond regard for the brother and sister occupy in a mind like Coleridge's, peopled with immortal thoughts which might multiply in the true time, dialled in heaven, its minutes into years ! These friends of Lamb's whom I have ventured to sketch in companionship with him, and Southeyalso, whom I only once saw, are all gone ; — and others of less note in the world's eye have followed them. Among those of the old set who are gone, is Manning', With sad yet patient soul, through evil and pain. And strange calamity . . . Henceforth I shall know That Nature n^er deserts the ivise and pure ; No plot so narrow be, but Nature there ; No waste so vacant, but may well employ Each faculty of sense, and keep the heart Awake to Love and Beauty 1 and sometime "lis