*>i.Sii>Mia'«"» '" LIBRARY OF THE NEW YORK STATE COLLEGE OF HOME ECONOMICS CORNELL UNIVERSITY ITHACA, NEW YORK .l/t-'^ ' »iBi¥isr;3SK»w«sc-^!p(rnip;. f ^(.■-^^■|hHh f' '■ ' 3H >.._ JH ~-""^ >i'/'r''d^H • ■•■■-si ^) tlj^^l 1 .li.i' .^'^ '^^i^ /Zt^-!^ /%^ e-^^^*''-^^^'' The original of tliis bool< is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924055004281 THE BOOK OF PERFUMES. THE BOOK OF PERFUMES. fe^^^'^I-?. ^-^ THE SHOP OF EENfe THE PEBFUMEB, ON POHT AU CHANGE, PARIS. THE BOOK OF PERFUMES. 3> -J EUGENE EIMMEL, MEMBER OF THE SOCIETY OF ARTS, AND REPORTER OF THE JURY AT THE GREAT EXHIBITION (PERFUMERY CLASS), ABOVE 250 ILLUSTRATIONS BY BOURDELIN, THOMAS, ETC. LOIS'DON: CHAPMAN AND HALL, 193, PICCADILLY. TO BE HAD ALSO OF THE AtJTHOR, 96, STRAND, 128, REGENT STREET, 24, CORNHILL, LONDON. 17, BOULEVARD DES ITALIENS, PARIS. MDCCCLXV. \_All Mights of Translation and Reproduction Reserved], rp ff3 \}JXLy .u- 8TKHIKN AUSTIN, PEXNTEH, IIERTroaD. PEEFACE. LTHOTJGH I am aware that Prefaces are out of fashion, and that it is now custo- mary to plunge at once in m edicts res, I feel bound in this instance to deviate from the general rule, and to explain how I was led to emerge from the depths of my laboratory, and to appear thus before the public in an entirely new character. Four years ago, I had to prepare for the Society of Arts a paper on "The Art of Perfumery, its History and Commercial Development," and, to qualify myself for the task, I was forced to devour a huge pile of hig hooks in order to ascertain through what mysterious arts the Ancients ministered to the gratification of their olfac- tory sense, and to the embellishment of "the human face divine." Two j^ears later, I was called upon to form part of the Jury at the Great Exhibition, and to draw up the official report of the Perfumery class. The researches I had to make on the former occasion, and the observations I gathered on the latter, gave me a complete insight into the world of " sweet smells," both ancient and modern ; and, thinking that the notes I had thus collected, combined with the b PEEFACE. I'esults of iny experience as a practical perfumer, and of my rambles in foreign lands, miglit prove in- teresting to some readers, and especially to ladies, I published in tbe "Englishwoman's Magazine" a series of articles on the " History of Perfumery and the Toilet." These few stray leaves ha\Tng met with a much more favourable reception than I had pre- sumed to anticipate, I have been induced to re-publish them in the shape of a book, adding thereto a great deal of fresh matter, and numerous illustrations. Many writers have already exercised their pen on the subject of Perfumery, from Aspasia, the wife of Pericles, to Mr. Charles Lilly, tbe Perfumer, of the Strand, at the corner of Beaufort Buildings, whose pre- mises I have now the honour of occupj^ing, and whose name was immortalized in the " Tatler," and other magazines of the period. The list of these works would be long and tedious, and those that are worth noticing will be found chronicled in their proper place in the following pages. Modern books on Perfumery may be divided into two classes, some being simply books of recipes, laying claim to a useful purpose which, however, they do not fulfil, since they contain nothing but antiquated formulaD long discarded by intelligent practitioners ; and others being what our neighbours call reclames, namely, woi-ks written in a higb-ilown style, but inva- riably terminating en queue de jMisso)!, with the praise of some preparation manufactured b^' the author. Besides these productions, articles on Perfumery PKEFACE. Til have occasionally appeared in periodicals ; but though some of them are handled with evident talent, the want of technical knowledge on the part of the writers considerably impairs their value. I may mention as an instance an essay of that kind lately published by the " Grand Journal," in which a certain Parisian doctor gravely asserts that rouge is made of ver- milion, and commits numerous other blunders, which may pass unnoticed by the general public, but which in the eye of a practical man, denote his utter igno- rance of the subject he attempted to treat. In writing this book, I have endeavoured to steer clear of these objections, by adopting the following plan, which will be foiind to differ entirely from those of my predecessors. After devoting a few pages to the physiology of odours in general, I trace the his- tory of perfumes and cosmetics from the earliest times to the present period, and that is the principal feature of my work. I then briefly describe the various modes in use for extracting the aromas from plants and flowers, and conclude with a summary of the principal fragrant materials used in our manufacture ; in fine, I give all the information which I think likely to interest the general reader. The only recipes which I quote are those which I think, from their quaintness, likely to amuse, but I abstain from giving modern formula;, for the following reasons, which I hope may appear sufficient : There was a time when ladies had a private still- room of their own, and personally superintended the "VIU PEEFACE. various " confectious " used for their toilet ; but it was then almost a matter of necessity, since native perfumers were scarce, and exotic preparations ex- jjensive and difficult to procure. Such is not the case now: good perfumers and good perfumes are abundant enough ; and, with the best recipes in the world, ladies would be unable to equal the productions of our laboratories, for how could they procure the various materials which we receive from all parts of the world ? And were they even to succeed in so doing, there would still be wanting the necessary utensils and the modus faciendi, which is not easily acquired. I understand the use of a cookery-book, for the culinarjr art is one that must be practised at home ; but perfumery can always be bought much better and cheaper from dealers, than it could be manufac- tured privateljr by untutored persons. The recipes, therefore, admitting them to be genuine, would only bo of use to those who follow the same pursuit as myself. But is it to be reasonably ex- pected that, after spending my life in perfecting my art, I am thus to throw away the result of my labours in a fit of Quixotic generosity? Had I dis- covered some means of alleviating the suiFerings of my fellow- creatures, I should think myself in duty bound to divulge my secret for the benefit of hu- manity at large; but I do not feel impelled by the same considerations to give to my rivals in trade the benefit of my practical experience, for then, indeed, "Othello's occupation" would be "gone." This may be PREFACE. IX thought by some a selfish way of reasoning; but on due reflection, they will find that I am only more sincere than those who appear to act differently. As a proof, I need but point out the inconsistency of a perfumer who claims some superiority for his art in compounding, and who, at the same time, explains by what means he attains that superiority. Is he not at once de- stroying his prestige if he professes to enable others to manufacture just as well as himself? The con- clusion of all this is, that the recipes given in books are never those actually used ; and I say, therefore, cui bono ? If I have avoided recipes, I have also shunned any allusions to my personal trade. As a man of business, I do not underrate the value of advertisements ; but I like everything in its place, and consider this hybrid mixture of literature and puff, an insult to the good sense of the reader. Before I close this brief address, I wish to acknow- ledge, with best thanks, the assistance I have received in the shape of very interesting notes, from many of my friends and correspondents, among whom I may mention, Mr. Edward Greey, of the Eoj^al West India Mail Company ; Mr. Chapeli^, of Tunis ; Mr. Thunot, of Tahiti ; Mr. Schmidt, of Shang-Hae ; Mr. Elzingre, of Manilla ; Professor Miiller, of Melbourne ; Mr. Hannaford, of Madras ; and last, not least, Mr. S. Henry Berthoud, the eminent French litterateur, who very kindly placed his unique museum at my disposal. I have also found some valuable information in the PREFACE. following books (besides otbers mentioned in the course of the work) :— Sir Gardner Wilkinson's " Ancient Egyptians;" Mr. Layard's "Nineveh;" Mr. Eastwick's excellent translations of Sadl's " Gulistan," and the "Anvar-I Suhaili;" Mr. Monier Williams's no less admirable adaptation of " Sakoontala ; " Consul Pethe- rick's " Egypt, the Soudan, and Central Africa ;" Dr. Livingstone's "Travels," and Mr. Wright's " Domestic Manners and Sentiments During the Middle Ages." I have not the honour of knowing these authors, but I hope they \vill excuse me for having borrowed from them what belonged to my subject. In conclusion, I crave for this offspring of my leisure hours (which are but few), the same indulgence which has been shown to the objects contained in the Work- men's Exhibitions lately held in various parts of the Metropolis, in which the labour and difficulty in pro- ducing an article is more taken into account than the actual merit of the production. Mine is a plain, un- varnished tale, without any literary pretension what- ever ; and if I have picked up a few gems on my way, and inserted them in my mosaic work, I claim but to be the humble cement which holds them together. EUGENE RIMMEL. 96, Strand, \5th December, 1864. CONTENTS. Preface. CHAPTER I. Physiology of Perfumes. PACE The sense of smell — Origin of Perfumery — The Perfumer's art — • Perfumes used at first for sacred rites — Plan of this work — Nature of odours — Floral clock — Classification of odours — Influence of scents on memory — Medicinal properties attributed to perfumes by the ancients — Flowers more injurious than perfumes — Natural instinct to prefer pleasant odours 1 CHAPTER II. The Egyptians. Perfumes applied to three distinct purposes in Egypt — Religious festivals — 'The sacred bull, Apis — Ointments offered to the gods — The fHes of Isis and Osiris — Processions — Kings anointed — Methods used for embalming the dead — Incense and honors paid to mummies — Funeral vases — Animals embalmed — Modern mode of embalming — Ointments — The first perfumers — Cosmetics used by ladies — 'The toilet of an Egyptian belle — Cleopatra and Mark Antony — Egyptian banquets — Agesilaus — A "sensation" scene — The hair and beard — Egyptian wigs — Ladies' head-dresses 15 CHAPTER III. The Jews. Noah's sacrifice — Balm of Gilead — Altar of incense — Holy incense and anointing oil — Jewish kings anointed — Stacte, onycha, and gal- banum — Penalties against using holy perfumes for private purposes — Purification of women — Esther and Ahasuerus — Judith and Holo- XU CONTENTS. p. femes — Solomon's Song — Aromatics used by the Jews — Camphire — Spikenard — Saffron — Frankincense — My rrli — Aloes — Clothes and beds perfumed — Aromatic plants abundant in Judsea — Anointing — Embalming — Soap not known by the Jews — Cosmetics and toilet implements — Jewish customs x^reserved in the Holy Land — Jewish ornaments — Mode of wearing the hair — King Solomon's pages . . . CHAPTER IV. The Ancient Asiatic Nations. The garden of Eden — Ancient authors and modern discoveries — Assyrian deities and worship — The temple of Belus — Nimrod's altar — Zoroaster — Origin of the sacred fire — Sardanapalus — Nineveh and Babylon — The hanging gardens — Babylonian perfumes and cos- metics — Parsondes and Nanarus — Astyages and Cyrus — The Persians — Darius and his perfume-chest — Antiochas Epiphanes — A "sweet" monarch — The Lydians — The hair and beard — Ladies' head-dresses — The marriage-market at Babylon — Mausolus, and his little specu- lation 59 CHAPTER V. The Greeks. Greek deities and sacrifices — Eleusinian mysteries — Juno's toilet — ■ Pallas and Penelope — Phaon's transformation — Medea's renovating process — Origin of Greek pei-fumery — Diogenes' notions about scents — List of Greek perfumes — Athenian perfumers — Grecian entertain- ments — Socrates' horror of scents and baths — Milto — Greek cosmetics and hair dye — Lais and Myron — Euneral rites — Anacreon's wish — The toilet tribunal — Grecian ladies' head-dresses — Hair cut off in mourning , 77 CHAPTER VI. The Romans. Early Roman sacrifices — Religious worship and funeral rites — Ticinus Menas — Lucius Plotius — The Roman emperors' taste for per- fumes — Roman baths — The Emperor Hadrian — Caracalla's baths — A matron at her toilette — Roman perfumes and cosmetics — Roman perfumers — Catullus and Martial — A Roman lean — Poppa?a's fifty asses — Ovid's book on cosmetics — Hair dyes — Modes of dressing the hair — Otho's wig — Plioebus's expedient 97 CONTENTS. XIU CHAPTER Til. The Orientals. PAGE The Eastern Empire — The Arabs — Avicenna — The invention of rose-water — Oriental courtesies — Censer and Gulabdan — Mahomet's Paradise — Musky walls — Turkish baths — Scented clay used as soap — Sadi's " Gulistan " — Hafiz's love of flowers — Tanjtakh and Yezdijird — Turkish ladies — List of Oriental cosmetics and mode of preparing them — Eastern mode of wearing the hair — The king of Persia's barber H9 CHAPTER VIII. The Fak East. Perfumery used in India 2000 years ago — Sakoontala — Sacred fires — Ointments — Henna — The five Hindu heavens — Kama, the Indian Cupid — Religious ceremonies — Tibetan altar — Cochin-Chinese sacrifices — Hindu marriages and funerals — Origin of otto of roses — ■ Indian flowers and essences — Extracts from Indian poems relating to flowers and perfumes — Hindu perfumers and barbers — Incense used by Mussulmans — Exorcisms — Cosmetics — Origin of soorma — Indian mode of dressing the hair — Himalayan fashions — Chinese censers — Chinese funerals — Chinese perfumers and cosmetics — Chinese flowers — Three styles of coifi'ure used in China — Japanese perfumers and cos- metics — Japanese funerals — Style of hair-dressing in Japan .... 139 CHAPTER IX. Uncivilized Nations. Savage modes of adornment — African ointments — Tola pomatum' — ■ Bridal toilet at Fernando Po — African head-dresses : the cocked-hat, nimbus, and shoe-brush styles — The Ounyamonezi — King Radama's system of hair-cutting — ^Arab, Nubian, and Abyssinian coiffures — The language of oyster-shells — A begging bridegroom — A pat on the head — A bath in a teacup — The enamelling process in Soudan — , Fashions in Central Africa — The Neam-Nam and Como peasants — Blue hair and red skin — The Tagals and Loo-Choo Islanders — Lord Macaulay's New Zealander — Tattooing in New Zealand — The artist's song — Embalmed heads— Rainbow style of hair dyeing in Fee-jee — Powdered beaux — White versus black. — Nooka-hiva and Tahiti — Terra del Fuego — South American Indians — Facial painting among the Redskins — Indian mourning 167 XIV CONTENTS. CHAPTER X. From Ancient to Modern Times. PAGR Gauls and Britons — The Druids — Roman conquest — Clovis — Char- lemagne—Sweet rushes— Embalming— The Crusades— Introduction of rose-water — The perfumers' charter — Mediasval times — Hungary- water — The Renaissance — Venetian hair-dyes — Catherine de Medieis —The secrets of Master Alexis— Queen Elizabeth— Pomanders— The boat of foolish smells— Musk and civet— Casting-bottles— Perfumed ground — Aromatic fumigations — Sweet bellows — Buoklersbury in Shakespeare's time — Perfumery hawkers — Charles I. — The Common- wealth — Charles II. — Patches — Hair -powder — Louis XIV. — The Prince de Conde's snuff — Ancient recipes — Louis XV. — The Georges — English perfumers of the last century — French charlatans — The hair and beard — Ladies' head-dresses 189 CHAPTER XI. The Commercial Uses of Flowers and Plants. Countries whence perfumery materials are obtained — Proposed British flower-farms — Distillation, expression, maceration, and ab- sorption — Semeria's new system of enjleurafje — Piver's pneumatic apparatus — Millon's percolating process — Quantities of flowers con- sumed — Manufacture of perfumery — London and Paris perfumers — Scents, toilet soaps, cosmetics, etc. — Glycerine — Volatilisation of per- fumes — A word of advice to ladies 223 CHAPTER XII. Materials Used in Perfumery. The animal series, musk, civet, and ambergris — The floral, herbal, andropogon, citrine, spicy, ligneous, radical, seminal, balmy, fruity, and artificial series — New materials — East India essences — Australian trees and flowers — Other aromatic products 241 Appendix 265 LIST OF ILLUSTRATIONS. FKONTISPIECE— The Shop of Rene, the Perfumer, on Po.\T-AU-CiiANGE, Pakis to face the Title. FRONTISPIECE TO CHAP. I.— The Floral World to face 1 Initial A ib. A Primitive Perfume Altar 4 Egyptian Princess 6 Powdered Belle of the last century ... ... ... ... ih. African Head-dress 7 Lepcha Head-dress ib. Floral Clock 8 LinNjEus, the Botanist 9 "The Young Arab" 12 Perfumery and Toilet Attributes (Tail-piece) 14 FRONTISPIECE TO CHAP. II.— An Egyptian Temple, to face 15 Initial L ii. Mummy Pit 16 Rhamses III. Sacrificing ... 17 Egyptian Censers (Two Illustrations) 18 Offerings op Ointment (Two Illustrations) 19 Priest Pouring Oil over a Mummy' 21 Embalming Mummies (Perfuming the Body) 22 Embalming Mummies (Binding the Body) ih. Embalming Mummies (Painting the Case) 23 Funeral Vase 24 Mummy of a Cat 25 Alabaster Vase containing Ointment 26 Ointment Boxes (Four Illustrations) 27 Ointment Box with Compartments ih. XVI LIST OF ILLUSTRATIONS. A Theban Lady's Dressing-case Kohl Bottles and Bodkin (Three Illustrations) .. Chinese Kohol Bottle An Egyptian Lady at her Toilet Egyptian Mirrors (Three Illustrations) Egyptian Mirror with Ty^phonian Handle Egyptian Comb Cleopatra on the Cydnus Slave Anointing Guest An Egyptian Banquet Egyptian Barbers (Two Illustrations) Egyptian Wig, from the Berlin Coli,ection Egyptian Wig in the British Museum (uacic and Beards (Three Illustrations) Egyptian Ladies' Head-dresses (Two Illustration. Egyptian Head-dress from a Mummy Case Head-dresses (Tail-inece) FRONTISPIECE TO CHAP. III.— A Garden i Land Initial A The Altar of Incense The High Priest Offering Incense Judith Preparing to Meet Holofernes ... Henna, or Camphire, with enlarged leaf and Spikenard S.\FFRON Frankincense The Aloes Tree An Eastern Marriage Procession An Eastern Bride Jewish Captives at Baby'lon Jewish Censer (Tail-piece) '; the Holy Ao face FRONTISPIECE TO CHAP. IV.- Initial T Baal, ok Belus ASTARTE, the ASSY'RIAN VENUS Dagon, or the Fish-God Altar (Khorsabad) -TiiK Death of Sardanapalu LIST or ILLUSTRATIONS. XVU PAGE Nimrod's Statue and Altar 03 Altar on a High Place 04 Assyrian Altar and Priests (Khoesabad) ib. Sassanide Medal 00 Parses Altar ib. Assyrian Ointment Boxes (Two Illustrations) 08 Assyrian Perfume Bottles, with Cuneiform inscriptions (Nimroud) Two Illustrations th. Baby'lonian Banquet 70 Incense-burning before a King (Persepolis) 72 King's Head-dress 74 Cyrus' Head-dress (Persepolis) 75 ASSY-RIAN Ear-rings (Three Illustrations) ib. Baby'lonian Ladies ib. Assyrian Winged Bull {Tail-piece) 76 FEONTISPIECE TO CHAP. V.— Venus' Toilet to face 77 Initial N" ib. Private Altar 78 Patera ib. Incense Altar 79 Greek Altar ib. Alabaster Scent-bottle 83 Public Washing Basin 89 Ladies' Toilet Basin ib. Greek Ladies at their Toilet 90 Greek Girl Painting ib. Funereal Urns {Two Illustrations) 92 MiTEA Head-dresses {Three Illustrations) 94 Sakkos Head-dress ib. Korymbos Head-dress ib. Strophos Head-dresses (Three Illustrations) 95 NiMBO Head-dresses {Three Illustrations) ... ... ... ... ib. Kredemnon Head-dress ib. Tholia Head-dress ib. Greek Censer (Tail-piece) 90 FRONTISPIECE TO CHAP. VI.— A Roman Lady's Boudoir... 97 Initial R il>- Incense Altar 98 xviii LIST OF ILLUSTRAllONS. PAGE 99 ib. ib. 100 ib. 102 103 104 105 106 Incense Casket Censee Roman Altar Sepulchral Chamber Incense Chariot EoMAN Baths Strigil AND Ampulla Tepidarium at Pompeii Plan of Caeacalla's baths TiEE Woman Toilet Ewer ^^"^ EoMAN Comb 108 BoMAN Mirrors ib. Scent-box H** Roman Perfume Bottles (Ten Illustrations) tS- Triclinium Found at Pompeii HI Roman Lady applying Fucus 114 Julia Semiamira 116 Roman Head-dresses — Tutulus, Nimbus, Vitta (Tlrree Illus- trations) 117 Hair-pin '''■ MUNDUS MuLiEBRis (Tail-piccc) 118 FRONTISPIECE TO CHAP. VII.— A Perfume Bazaar in THE East to face 119 Initial L ib. Arabian Censer and Gulabdan 123 Turkish Servants bearing Perfumes 124 Turkish Bath 128 A Persian Lady' 132 An Eastern Fountain (Tail-piece) 138 FRONTISPIECE TO CHAP. VIII.— Japanese Fashion Pl.4TE 1.39 Initial C ib. Kama, the Indian Cupid 143 Song-boom, or Tibetan Incense Altar 145 Hindu Marriage Ceremony" 147 Gund'hee, or Hindu Perfumer 151 Hindu Razor 152 Magic Figure for Dawut or Exorcism 153 LIST OF ILLUSTEATIONS. XIX PAGE Magic Figure for Dawut or Exorcism 15-1 Hindu Head-dress 157 Pocket Comb Used by the Mech Tribes ib. Statue of Providence with Burning Censeu 158 Chinese Censek at Tong-Choo-Foo 159 Private Incense Burner ih. Chinese Maid ICl Chinese Head-dress (Teapot Style) 162 Chinese Barber 163 Japanese Ladies at their Toilet 164 Japanese Belle 165 Japanese Head-dress ib. Japanese Perfume Burner (Tail-piece) 166 FRONTISPIECE TO CHAP. IX.— Otahitian Dancers, to face 167 Initial I ib. A Bridegroom's Toilet at Fernando Po 170 Bushukulompo Head-dresses 172 LoNDA Head-dress ih. AsHiRA Head-dress 173 Head-dress of the Ounyamonezi Tribes 174 Abyssinian Lady 176 Abyssinian Amulet ib. Abyssinian Combs 177 African Anointing Feather 178 Marquesas Hair-pin 184 Marquesas Ear-rings made of Fish-bones ib. Comb from the Solomon Islands 185 Tattooed Head of a New Zealand Chief (Tail-piece) 188 FRONTISPIECE TO CHAP. X.— A Strolling Vendor of Perfumery (time of Louis XV.) to face 189 Initial L ib. A Lady at her Toilet (1.3th century) 194 Ladies Making Garlands 195 A Medieval Perfumer's Shop 197 La donna CHE SI fa biondi i capelli 199 The Boat of Foolish Smells 203 A Lady with Patches, of the Time of Charles II 208 Applying Hair Powder (temp. Louis XV.) 209 XX LIST OF ILLUSTRATIONS. PAGK Comb of the 17th centuky 210 Madame de Pompadour at Choisy 213 German Barber (16th century) ... 2IG Caricature of the Horned Head-dress 218 Various Styles of Head-dresses Last Century — Butterfly, Dove, Battery, Bride, Noble Simplicity, Great Pretensions, Jardiniere, Tuilfries, Frigate, Capri- cious, Intercepted Looks, Union, Pilgrimage, Flower Girl, Shepherdess, Porcupine, Friendship, Victory (Ei(/hteen Illustrations) ... ... ... ... ... 220-1 Modern Toilet Eequisites {Tail-piece) 222 PfiONTISPIECE TO CHAP. XI,— Interior of a Perfume Manufactory AT Nice to face 223 Initial IJ ,7,. Steam Still 220 Oil and Pomade Frames 229 View of Grasse 230 View of Nice 231 Floral Vase (Tail-piece) 240 FRONTISPIECE TO CHAP. XII.— A Flower Garden and Distillery at Nice to face 2-41 Initial H ... ,'j. Musk-Deer 242 Musk-Deer Hunting 243 Musk-Pod (Natural size) 244 Civet Cat 246 Bigarrade Leaf ... ... ... ... ... ... ... ... 250 Tuberose 251 Cassie 252 Patchouli 255 Cloves 257 Nutmeg Benzoin Camphor DiPTERix Odorata Sassafras Vanilla Plant Flora (Tail-piece) ih. 258 ih. 259 ih. 261 264 THE BOOK OF PERFUMES. Chap. I. THE FLORAL WORLD. THE BOOK OF PEEFUMES. CHAPTER I. Physiology of Peeftjmes. Ah, what can language do ? ah, where find words Ting'd with so many colours ; and whose powers, To life approaching, may perfume my lays With that fine oil, those aromatic gales, That inexhaustible flow continual round? — Thomson. M N G the many enjoy- ments provided for us by bountiful Nature, there are few more delicate and, at the same time, more keen than those derived from the sense of smell. When the olfactory nerves, wherein that sense resides, are struck with odoriferous emanations, the agreeable impres- sion they receive is rapidly and vividly transmitted to the braiQ, and thus acquires somewhat of a mental character. 1 K^- 2 THE BOOK OF PERFUMES. Who has not felt revived and cheered by the balmy- fragrance of the luxuriant garden or the flowery mea- dow ? Who has not experienced the delightful sensa- tions caused by inhaling a fresh breeze loaded with the spoils of the flowery tribe ? — that " sweet south," so beautifully described by Shakspeare as " Breathing o'er a bank of violets, Stealing and giving odour." An indescribable emotion then invades the whole being ; the soul becomes melted in sweet rapture, and silently oflers up the homage of its gratitude to the Creator for the blessings showered upon us ; whilst the tongue slowly murmurs with Thomson — " Soft roll your incense, herbs, and fruits, and flowers, In mingled clouds to Him whose sun exalts, Whose breath perfumes you, and whose pencil paints ! " It is when nature awakes from her long slumbers, and shakes oS the trammels of hoary Winter, at that delightful season which the Italian poet so charmingly hails as the " youth of the year," " Primavera, gioventu dell' anno ! " that the richest perfumes fill the atmosphere. The fair and fragile children of Spring begin to open one by one tlieir bright corols, and to shed around their aromatic treasures : — " Fair-handed Spring unbosoms every grace ; Throws out the snowdrop and the crocus first ; The daisy, primrose, violet darkly blue, And polyanthus of unnumber'd dyes ; The yellow -wallflower, stained with iron-brown. And lavish stock that scents the garden round." But soon — too soon, alas ! — those joys are doomed to PHYSIOLOGY OF PERFUMES.