A 1 .\- / CORNELL UNIVERSITY LIBRARY The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924021991678 KATE FIELD ■■■"■■^V Kate Field. From the Portrait painted by Eliiiu Vedder, Florence, i86l. KATE FIELD a decorli BY LILIAN WHITING " Spirits are not finely touched but to fine issues " BOSTON LITTLE, BROWN, AND CQMPANY 1899 ' Copyright, 1S99, By Little, Brown, and Company All rights reserved , ©nibetsitj! JJttss John Wilson and Son, Cambridge, U.S.A. TO T. SANDFORD BEATY, WHOSE NOBLE AND GENEROUS FRIENDSHIP GLADDENED THE LIFE OF KATE FIELD, THIS RECORD IS INSCRIBED WITH THE UNFORGETTING GRATITUDE OF LILIAN WHITING 9 "And she the rest will comprehend, will comprehend" CONTENTS CHAPTER I Childhood and Circumstance. An Interesting Hered- ity. Family Letters. Mr. and Mrs. Field's Stage Life. Death of Joseph M. F'eld. The Mother and Daughter ^ CHAPTER 11 Early Youth. Aspirations and Studies. Interest in Art and Literature. Ardent Devotion to Music . 45 CHAPTER III Florentine Days. At Villa Bellosguardo. Enthusiasm for Italy. George Eliot and the Trollopes. Walter Savage Landor. At Casa Guidi with the Brownings 83 CHAPTER IV Lecturing and Writing. Intense Energy of Purpose. John Brown's Grave. Ristori, Fechter, and the Drama. Planchette's Diary. Death of Eliza Riddle Field 147 CHAPTER V Europe Revisited. Among London Celebrities. In Spain with Castelar. Music and Drama. Pro- fessor Bell and the Telephone. The Shakespeare Memorial 257 viii Contents CHAPTER VI Page Return to America. New York Life. The Lander Album. Social Literests. The Co-operative Dress Association. An Unsuspected Romance . 379 CHAPTER VII Summer Days in Colorado. The Mormon Problem. Alaska and the Golden Gate. Picturesque Journeys. Comments on Affairs. Important Lectures. Fame and Friends 419 CHAPTER VIII "Kate Field's Washington." A Unique Enterprise. Miss Gilder's Friendship. Charming Life in the Capital. The Columbian Exposition. France confers the " Palms of the Academy " on Miss Field 467 CHAPTER IX Crossing the Bar. A Journey of Destiny. Life and Studies in Hawaii. Noble and Generous Work. The Angel of Death 523 CHAPTER X In Retrospect. Universal Appreciation and Love. The Strange Ordering of Circumstance. A Sculp- tured Cross in Mount Auburn. Death only an Event in Life 561 Index 579 ILLUSTRATIONS Page Portrait, from the original picture painted by Elihu Vedder, in Florence, 1861 Frontispiece Portrait, from the original picture painted by Simpson, 1852 47 Portrait, from a photograph taken in 1865 . . 147 Portrait, from a crayon drawing by Vanderweyde, London, 1878 380 Facsimile of Kate Field's handwriting . . . . 456 Portrait, from a photograph taken in 1889 468 KATE FIELD A RECORD T salicte the immortal. Great minds never die. Becoming Invisible in one fo?-m, they become resplend- ent in another. — Victor Hugo. CHILDHOOD AND CIRCUMSTANCE " The birds sing like angels, so mystical-fine, And the cedars are brushing the archangel's feet; And time is eternity, love is divine. And the world is complete. May God bless the child, father, mother respond, O Life, O Beyond, Thou art strange, thou art sweet." KATE FIELD " From wave and star and flower Some effluence rare Was lent thee, a divine, but transient dower." " I will paint her as I see her." CHAPTER I Childhood and Circumstance. An Interesting Heredity. Family Letters. Mr. and Mrs. Field's Stage Life. Death of Joseph M. Field. The Mother and Daughter. KATE FIELD'S varied and prismatic life rises before one like a romance of destiny. It was a life strangely rich in a series of brilliant represen- tations and of unique experiences ; and still, if an in- cantation of prophecy had been invoked over her cradle, voice and vision might well have proclaimed to her : " It will be yours to wrestle, not to reign." She was pre-eminently a woman who impressed the imagination. She abounded in spiritual energy. Delicate in physique, artistic in temperament, exqui- site in taste, lofty in all poetic and heroic aspiration, she had in the utmost degree that intense and finely wrought nature that leaves in some form or other its haunting impress. Kate Field was made " of spirit, and fire, and dew," and her tenacity of endurance was a signal illustration of the power of the mind over the body. 4 Kate Field Mary Katherine Keemle Field was the stately bap- tismal name that will hardly be recognized as iden- tical with the brief and familiar one by which she was known, and which seemed to express her per- sonality; but this was the name given to the little girl born in St. Louis, Mo., on Oct. i, 1838, the daughter of Joseph M. and EHza (Riddle) Field. Behind her lay a most interesting heredity. The Field family came originally from Warwickshire, England, and its earliest known representative was Nathaniel Field, one of the Elizabethan dramatists, who wrote several plays, among which there was one called " Woman as a Weathercock." He was a friend of Shakespeare and an actor in his company. Curi- ously, the first time that Kate Field visited the church at Stratford-on-Avon she found her foot stepping on a grave-slab bearing the name of Field, one of her far-away ancestors. In some revolutionary change the family became located in Ireland, and we find Kate's grandfather, Matthew Field, a leading Catholic in Dublin, and a man so benevolent and beloved that he was commonly known as " the Saint." The rebellion of 1798 came on and all his property was con- fiscated. Then he came to America with his family, settled in Baltimore where he became a publisher and brought out the first Catholic almanac in this country. He died in early life, leaving a family of young children, of whom his two sons, Joseph and Matthew, were destined to leave more than an ordi- nary impress on life. The latter was a poet whose work met with considerable recognition from Poe and other of the literary people of his day. His early death cut short what promised to be a literary career of importance. Joseph M. Field was still more Childhood and Circumstance 5 brilliantly gifted, — too richly endowed, indeed, in various lines, for that concentration upon any single line which is the condition of special success. He, also, was a poet ; his versatility, one might almost say his fatal versatility, — which his daughter inherited in a marked degree, — was manifested as an actor, a playwright, a journalist, an organizer and theatre- manager, and a delightful raconteur of travel and incident. Nothing more conclusively points to the reality of the immortal life than the vision of these rare and richly endowed natures for whom the ut- most span of physical existence here is hopelessly inadequate in its time for development and achieve- ment. Joseph M. Field was one of whom it might truly be said : — " His life was gentle, and the elements So mixed in him that nature might stand up And say to all the world, ' This was a man.' " He was born in 18 10, in Dubhn, during the brief sojourn of the family in Ireland, and was but two years of age when his father settled in Baltimore. In his earliest youth he went upon the stage and be- came a great favorite as an actor. He wrote stories and plays, one of which, called " Family Lies," took the prize of $1000 offered by Dan Marble for the best American comedy. Other plays of his were brought out with success; and in a French drama called " Gabrielle," which Mr. Field translated and adapted to the American stage, Charlotte Cushman played the leading r61e, making of it one of her finest successes. It was somewhere about 1836 that Mr. Field, the young actor, excelling in light comedy, first met Miss Riddle, who was engaged in the same 6 Kate Field company, and had already won recognition for her impersonation of Julia in " The Hunchback." Eliza Riddle was one of a family somewhat excep- tionally gifted. Her mother, Mary (Lapsley) Riddle, was the daughter of an old Philadelphia family of Quakers, and seems to have been an exotic ; for at the age of fifteen she ran away from home to go on the stage. She married an actor, Mr. William Riddle, and with him entered on the dramatic life. Of this marriage there were several children, — Sarah, who became well known to the stage under her mar- ried name of Mrs. W. H. Smith ; Edward and Wil- liam, who both shared in the brilliant gifts of their family, but who died in comparatively early life; Eliza, who became the wife of Joseph M. Field ; and Cordelia, wonderfully gifted in music, who became Mrs. Milton T. Sanford, the wife of a Newport mil- lionaire. The marriage of Kate Field's maternal grandparents — Mr. W. H. Riddle and Miss Mary Lapsley — must have occurred in the very early years of 1800, and Eliza (Mrs. Field) was born about 1 812. In 1823 we find Mrs. Riddle, with her young family about her, playing in and around Cincinnati, sharing the life of the strolling actor of those early years. The stage of those days was no such luxuri- ous temple of the Muses as now meets the exaction of polite life, but was frequently a dark and shabby place, and salaries averaged from eight to fifteen dol- lars a week. Mrs. Mary Riddle was a strong person- ality, and to her Edwin Forrest owed the aid which led to his first professional success. Lawrence Bar- rett, in his biography of Edwin Forrest, speaks of the friendship between him and the Riddles as one which, " beginning under the shadow of a mutual Childhood and Circumstance 7 poverty, lasted and grew stronger and more dear under the sun of prosperity. To Mrs. Riddle and her family," continues Mr. Barrett, " Edwin Forrest owed in those dark days much of the hope and en- couragement which brighten adversity. Their cour- tesy and unfaihng friendship were the ties which bound him to duty, and kept in his mind the exam- ple and precepts of his beloved mother and sister. The Riddles had passed many years of honorable labor in their profession, and reached respectable positions, and out of their scanty earnings made Edwin feel at home in a circle where happy con- tentment helped to banish from the hearthstone the pangs of public neglect or private sorrows. To the end of his life, in fame and prosperity, the name of this early benefactress of his was a dear one to his ears, and he never ceased to speak fondly of her and of her memory." Mrs. Mary Riddle died in Boston on Dec. 2, 1840, when her grand-daughter, Kate Field, was but two years of age. Edwin Forrest came to stand by the grave that winter day when the snow lay deep over Mount Auburn, and as the faint sunshine shone upon his head, reverently bared, the tears fell un- checked from his eyes. " My heart is full of memo- ries," he said to a friend. The beneficence of character which so distin- guished the mother was shared by all her children, and particularly by Eliza, whose patience and sweet- ness of nature were almost ideal. She was also lovely in person, — a slender, graceful figure, with oval face shaded by rich brown hair, with eyes which matched it to a shade, and rose tints adding brilliancy to a finely expressive countenance. 8 Kate Field May»we pause for a moment in contemplation of this prologue of the drama of Kate Field's life? — of these " meeting streams," as George Eliot well calls them. The coming to America of a Catholic pub- lisher from Dublin ; the impetuous impulse of a girl of Quaker parentage to enter on the dramatic life; the years of hardship and privation in her profession and of honorable struggle to rear and educate her family of young children ; and then the meeting of the son of the one and the daughter of the other, each with the best traditions of life behind, — not the traditions of ease and luxury, but of high aspiration and untiring energy. Was not this indeed an hered- ity whose influence on the young life to come was one of the utmost nobleness? It was somewhere about 1835 when Joseph M. Field and Eliza Riddle met as members of the same dramatic company, playing an engagement in Mo- bile, he about twenty-five and she some two years younger. A letter from him to the girl who had become the star of his dreams, bearing no date save that of " Tuesday night," runs thus : — My dearest, dearest Love, — Let me call you so. I am so happy and yet so miserable. You don't look so dis- couragingly on me, but I have become a downright coward. In the morning I shall call. When I gave you that little note, you did not reprove me. Oh, I shall hope ! My love, my dear love, do not shut up your heart against me and happiness. I cannot even think what it would be to part with you. They are talking to me of engaging for an- other year, but I can put my mind on nothing but the hope I hold, — that we may arrange our future together. My love, my soul's love, do not be offended. My own dear Eliza, I love you with a pure and honorable love, whose Childhood and Circumstance 9 only object is your happiness, and through yours my own. You "do not think you will ever marry"! But, my love, if marriage has its cares, what are they but a motive for healthy exertion, a stimulant to employ faculties that otherwise might lapse into inaction. Oh, trust me, Eliza, my sweet friend ! Let me walk by your side all through this life, shielding you from the world's rough ways ; let your heart and hand lie in mine. God bless you, my love, my love ! And again this ardent lover writes to the maiden of his choice : — My dear Eliza, — You will go away, and what will there be to remind you of me ? . . . I am not happy in what is termed brilliant society ; I am weary of that notoriety and show which is so generally sought by members of our j>rofession. I see the folly of indulging in those dreams and fancies which fill the heads of young men to the exclu- sion of real happiness. I only long for the companionship of the one I love, — yourself. I want to tell all my thoughts to you ; to study and improve myself in your society ; to know that we may mingle all our joys and cares. You say you fear you do not love me with sufficient devotion. Oh, my dear Eliza (pray pardon me), but may not future re- grets make you aware of the true nature of your feelings? I pray to God, my dear Eliza, that regrets may never be yours, whatever becomes of me. ... I have reflected deeply upon the responsibilities. I am even now able to lay by means. I will exert myself, and I feel I could do anything for you, and time must better my fortunes. As for those near claims you have upon you, they shall be to me as my own. I have given my heart to you, Eliza, as a being pure and gentle, with all the qualities that adorn a home. . . . Oh, if you could but love me, all the world lo Kate Field beside may go ! Might we not be most happy together ? I don't care for the dazzle of the world, nor do you. Think, my dear, beloved Eliza, with the approbation of our own hearts, and the esteem of the few whose friendship we value, could we not be most happy? With youth, health, and industry, too, believe me, my dear, dear Eliza, love and competence would bless our union. God bless you ! Your devoted, Joe. Love, that most intense spiritual potency, cuts its own channel, creates its own conditions, and the lofty tenderness of Joseph Field for the woman of his dreams was no exception to this law. Eliza Riddle turned to him with the utmost consecration of de- votion, and their marriage being celebrated in St. Louis, Mo., in October of 1837, together the hus- band and wife entered on that new world which is the old. Eliza Riddle was then in the first flush of her artistic fame. She made constant advances in her art. Of her Isoline, in "John of Procida," a critic of the time records that it was " a beautiful piece of acting; " that her conception of the character was admirable, and that some of her scenes in the most impassioned passages were executed with a fine in- tensity of feeling and a fidelity to the character por- trayed which had seldom been equalled and never surpassed. Previously to her marriage Mrs. Field had supported Sheridan Knowles, and as Mariana to his St. Pierre, in his play of " The Wife," she inspired an enthusiasm seldom known in those days. Happy months came and went, and the first day of October, 1838, was marked for the Fields by the ar- rival of the little daughter on the eve of the Feast of the Holy Angels, which the Catholic Church, into Childhood and Circumstance 1 1 which her father was born, celebrates on the second of October. The infant was baptized in the Catholic faith, and received the name of Mary Katherine Keemle, the latter being for Charles Keemle, Mr. Field's nearest friend and business partner in a newspaper that he was about establishing, called " The Reveille." The auspices under which the little maid entered on her terrestrial experiences were full of joyous energy. The union of Mr. and Mrs. Field was indeed a " mar- riage of true minds." He was full of exhilaration, wit, boundless energy, and versatile genius ; a poet, a journalist, an actor, a playwright. She was gentle, loving, with a grace and sweetness peculiarly her own, and with an undercurrent of serene strength of character which her husband safely trusted. The first record that has been preserved of their little daughter is in a letter from Mrs. Field to her husband, appar- ently written in June of 1839, in which she says: " Our dear baby has so improved since you left and is so joyous. It 's as much as I can do to keep her in my arms. If she had wings, I really think she would fly. . . . O my dear love, I cannot express the happiness I feel in hearing of your success. . . . You tell me not to be too economical. I do not think that I am. We have no engagement for next season, dear Joe, so it behooves us to be careful. God bless you, my dear love." On June 19, 1840, Mr. Field sailed for Europe as correspondent of the New Orleans " Picayune," and also to study the dramatic art of London and Paris. He took with him many important letters of intro- duction, among which was one from George P. Morris to Theodore Fay of the American Legation at Berlin ; and there opened to the young actor a tide of rich 1 2 Kate Field opportunities. Mrs. Field writes to her husband soon after his departure that their Httle Kate is a " perfect chatterbox," and that " she courtesies and kisses her hand on leaving a room in the most grace- ful manner." That distinction of presence which was always recognized in Kate Field seemed to manifest itself in her infancy. The psychology of childhood is always fascinating in its speculative data, and, re- membering Kate Field's ardent interest in politics from the time she was a girl of eighteen, one smiles to read, in the fond mother's nursery chronicles, that at the age of eighteen months the little maid was shouting "Tippecanoe," as she danced and laughed, catching the name from a popular ditty of the hour that ran : — " Tippecanoe and Tyler too." Here was shown that same keen perception that always characterized her. On Oct. I, 1 84 1, Mrs. Field writes to her hus- band : — " This is Kate's birthday. She sends an hundred kisses to her dear father, and hopes that he will bring her some- thing pretty from Philadelphia. She says of course that father will remember the first of October, that it is his dar- ling little Katy's birthday, that he will bring her something very, very pretty. I was sitting very quietly the other day sewing and thinking of you ; presently I received a thrust in my side. I started up ; there stood Miss Kate with a wooden dagger, shouting at the top of her little voice, ' Die ! Die ! ' waving it above her head. I am wishing you were here to see her little tricks ; there is no end to them. When I told her that you had sent her a dozen kisses, she looked at the letter and kissed it inside and out. Childhood and Circumstance 1 3 ' Now,' says she, ' you must give that father, that dear father, a dozen kisses from his darling little Kate.' This morning she rather puzzled me with her questions. She looked up into my face and gravely asked how we came to be made. I replied that God made us. 'Why am I your child if God made me ? ' 'He gave you to me, darling, to be a blessing to your father and mother.' ' Well, I '11 be good, my darling little mother,' — and so this interesting conver- sation ended. What do you think of our little Kate? " Mr. Field's letter in reply reveals the tenderness of the father : — ..." Your last letter, reminding me that this would be the birthday of our little pet, and containing her little prattle with regard to it, delighted me extremely. Little things become of great consequence sometimes, and Miss Kate being at the distance of a day's journey has wonderfully im- proved in consequence, bless her little heart ! " Mr. Field's European visit resulted in a larger out- look for his fortunes, and on his return he and Mrs. Field returned to the St. Charles Theatre in New Orleans at a salary of eighty dollars a week for both, which at that time was considered eminently satisfac- tory. The autumn of 1843 found Mrs. Field with her mother in Boston, while her husband was still playing in the South. Some business perplexities ensued, and the loving wife writes to him : — "... You have more resources within yourself than most men, and as long as you are blessed with health I am content. To be sure, I should be much happier if we were together for such loneliness comes over me when you are away. I don't know why, but I never look for considera- tion or sympathy from any one but yourself. You are the 14 Kate Field only person in the world with whom I could ever be uncon- strained. . . . Our little Katy is so wild I do not know what to do with her. The little witch is perfectly healthy, and growing more intelligent every day. She was very anx- ious to know last night if the man in the moon would not take cold ; and she says papa is not very polite to stay away so long." In January of 1843 Mrs. Field again says of their little daughter in a letter to her husband : I asked Katy if she had anything to say to papa? She replies that she will write for herself, but not just what she wrote in her last letter, for she was certainly sure papa would not like it so well twice. Again, in the little girl who was only three months past her fifth birthday is seen the same dawning inde- pendence and self-reliance and a foretaste of the liter- ary discrimination that in later life was so signally her own. One of her own little letters to her father at this time, which his fond love preserved, runs thus : — My darling Papa, — I send you a lock of your little Katy's hair. You are to make a bracelet of it, and not give it away, but keep it for yourself. I shall expect you home next week and then I shall dance and sing all day. I send a kiss to my darling papa. In February of 1843 a son was born to Mr. and Mrs. Field, the " Little Joe " whose brief life of six years was a rapture of joy to the young father and mother. " Little Joe is a true Field and your very image," Mrs. Field writes to the father, who had not yet seen his little son. " He has Katy's eyes and her delicate lands and feet," continues Mrs. Field. " Katy is as Childhood and Circumstance 1 5 independent as ever, and I could not write in all day the funny things the little sprite says." The beautiful spirit of Eliza Field is reflected in every word she writes. As this : — My dear Love, — I have received the check for ^60. It came in good time. I look forward to every letter of yours with the greatest happiness. Little Joe will be five weeks old to-morrow. Oh, my dear husband, it is hard for us to be parted at this time, but your little wife tries to be brave and we will be all the happier when we do meet, and you can take Katy and our darling son in your arms. My dear love, as I write this, your letter with check for ^100 comes. How thoughtful you are, and, oh, if you can only keep your health, we shall be so happy with our sweet chil- dren. Katy sends a hundred kisses to her darling papa. This was the sweet atmosphere of refinement and love into which Kate Field was born. Her earliest impressions were those of honorable aspiration, de- voted love, and a sweet reasonableness regarding all the vicissitudes of life. The autumn of 1844 was marked to the Fields by a great sorrow in the death of Mr. Field's brother Matthew, whose gentle and poetic nature endeared him to all whom he met. In those days there was a famous theatrical firm known as Ludlow and Smith, and a daughter of Mr. Ludlow became the wife of Matt Field. The two brothers had been famiharly known to the press as " Straws " and " Phasma," and both had written much verse, some of which is not without genuine poetic quality. Matt Field, as he was always called, was for years in delicate health with bronchial trouble, but his death came with the same startling suddenness that was afterward to be 1 6 Kate Field the fate of his brother Joseph, and of Kate, his niece. Leaving his young wife and two little children in St. Louis, he went to New York, hoping that a sea voyage would restore his health. Embarking on Nov. 13, 1844, he died at midnight of the following day and was buried at sea. During his last evening his talk had been full of brightness and repartee. The cap- tain of the steamer came to his stateroom, and sitting just outside the door read to Mr. Field for some time. At last, speaking to him and receiving no reply, he arose and turned to the berth only to find the invalid unconscious, and within an hour his spirit had taken flight. The surviving brother expressed his grief in a poem entitled "A Sigh for Phasma," in which occur such lines as these : — '' Complainings gentle, musical, and low — Thy mystic harp, November — Here around Mingle the sad vibrations. The dull words Breathe their last dirge for summer, their adieu To all they love of beauty, all their wealth Of vernal shelter, all their tenant throngs. Their hymn of patience, their deep sigh of love." These lines are a typical illustration of Mr. Field's poetic gift, which was not unlike that of Bryant, save in degree. Mr. Field had, however, another vein of wit and rollicking fun, which was almost equally in evidence, and there were in him, as in his daughter, varying gifts which were at times mutually exclusive. About this time (1844-45) Mr. Field became asso- ciated with Mr. Charles Keemle in the publication of the St. Louis " Reveille." Five years later their office was destroyed in the great fire that swept over St. Louis, even destroying steamboats moored on the river, but the mercurial spirits of Mr. Field rose to Childhood and Circumstance 1 7 new endeavor, and he turned from the very smoke of the ruins to write a comedy which proved successful. He also collected a volume of his sketches with the hope that Messrs. Little, Brown, and Co. of Boston would publish it; but when they declined, as their house was then dealing exclusively in legal works, he applied to a Philadelphia house that ofifered him $250 for the volume outright, which he accepted. Not the least fortunate characteristic of Mr. Field was his power of instantaneous decision, wasting no energy in hesitation and doubt. Mrs. Field accepted an engagement at the St. Charles Theatre in New Orleans, taking her two little children with her. She writes to her husband : — My dearest Husband, — You would think me childish if I were to tell you how much I love you, how constantly you occupy my thoughts. I have a thousand hopes, — a thousand fears. I fear some accident may have happened to you ; that you may be ill, and I not there to nurse you ; that you may work too hard and so hurt your health ; that you have not those comforts about you that you ought to have. Then, again, I am so happy in your love. I know you love me as dearly as I love you, and 't is so delightful to think that we feel so towards each other. You are my world ; my thoughts, feelings, affections, are all centred in you. I love my children very dearly, but not as I love you. They may leave me by-and-by ; but if you are spared and love me, I can never feel lonely. A loving mother's details of her children and life and Katy's studies fill every letter. The parents were even at this time much occupied with thoughts and plans, for their daughter Kate was a brilliant child already, with a kind of inscrutable 1 8 Kate Field individuality of her own, with a passionate love of music, and hardly less devotion to literary pursuits. " Katy is very fond of writing," records her mother in a letter when the little girl was some eight years of age. And again in a letter to her sister (Mrs. Sanford), Mrs. Field writes: — " Katy is getting along finely with her studies. She is as fond of books and study as her father. She is a good, strange child. I think she will make a fine woman. I hope she will not be spoiled ; but it is very difficult in the West to keep girls like Kate away from flattery. I hope she will have the good sense to withstand it. She is very quick, very observing, for one of her age." The dancing-master from whom Kate had lessons while with her mother in New Orleans wished his pupils to give a dance, and in the winter of 1848-49 Mrs. Field writes to her husband : — " Katy was so anxious to go that I consented. I had no idea a few days before the ball that the children were to be invited. Katy was dressed simply (in a frock she had last winter), and looked and danced prettily. I think she was the most lady-like of the crowd. She is getting very self-willed, however, and I find it hard to manage her. She says if her father were here she is sure he would not deny her. I may be wrong ; I think I am rightt Tell me in your next what you think of it. Kate values your opinion. The perfect freedom she had last winter was an injury to her. She says ' if I will allow her to go to parties this winter, — that is, children's parties, — she will not ask to go again until she is a young lady.' I fear it would make her a young lady too soon. Katy is rather impatient of control ; I do not like to refuse her ; I know it gives her a great deal of pleasure. ' I must be cruel only to be kind.' Childhood and Circumstance 1 9 If you do not agree with me, say so. I told Kate I would write to you on this subject. She will be anxious to hear your opinion. I do not blame her ; it is perfectly natural at her age to desire pleasure. I do not wish her to be selfish ; I fear that more than anything else. 'T is bedtime ; good- night, my own dear love j I will go to sleep and dream of you." The strength of will which sometimes, even in her womanhood, degenerated into mere wilfulness, is shown in the young girl in this transcript. Yet around her was the wise and sweet and unselfish care of this ideal mother; but life's experiences, which must be individual for each and every one, were already beginning for Kate Field. Uncon- sciously circumstances were educating and moulding her nature. The impetuosity of her temperament caused her father serious thought, and he was anxious again to reunite his family in a home, feeling it pecu- liarly essential for Kate that she should be in a more quiet and regular life; for even before the age of twelve the little girl was recognized as so exceptional in gifts and temperament as to require the most judicious care. Jenny Lind was entrancing America with her voice, and Kate's artistic temperament was aglow with en- thusiasm. To her mother in Mobile she writes, under date of St. Louis, Feb. 22, 1849 : — Dear Mother, — I received a letter from you a few days ago, and would have answered it before, but have not had time. You said that Jenny was expected in Mobile. If you meet her, tell her to call on me when she comes to St. Louis and take me to hear her sing. She will be here in March and you will not be up here, and I shall not hear 20 Kate Field Jenny Lind ; it is too bad. How much will Father gain by Jenny Lind's being in Mobile? I am enjoying very good health. Give my best love and a kiss to Father, and tell him to come up soon. Give my love to all my relations. Your little daughter, Kate. There was an explosion of a ferryboat here yesterday, and killed about 25 and wounded about eight. It was a dreadful thing, but you will read it in the papers. This letter for a girl of eleven is in nowise remark- able; but it indicates the temperament that always believed in its own right of way, and shows how early her habit of being interested in affairs asserted itself. In another letter about this date she writes to her mother : — "Is the theatre doing a good business now? I hope it is. Has any person written in my album ? Is Father well ? Are you in good health? I went to a Practising Party last night, and I had a great deal of pleasure. I love to dance so much. I never get tired. I think I am improving in Drawing very much. I think it is a beautiful art, and I love it very much. I am half way through Racine, and I can translate very well, but the difficulty is to speak the lan- guage ; I can read and write French and understand it nearly always when it is spoken, but the difficulty is for me to speak it. I saw two books at the store that I want. They are ' Bleak House ' and ' Dombey and Son,' in the same binding as my 'David Copperfield.' " Remembering her intense appreciation of Dickens in her after life, and the "Pen Photographs" she wrote of his famous readings in Boston, this childish reference is not without interest. In a letter of some- what later date she wrote to her mother: — Childhood and Circumstance 2 1 "To my great joy, I took two letters out of the office this afternoon, and both were from my best friend. You well know who that friend is. I shall indeed endeavor to profit by your most excellent advice, dearest mother. I have often thought of the spirit of my angel brother being near me, and how grieved he must be when I have com- mitted a wrong action ; when I have shown my ugly temper to you, my Mother, whom I ought always to obey with cheerfulness \ who has sacrificed everything for a child who, in return, has made her sorrow again and again for her disobedience. May the angel one, as well as you and father, be able to find me gradually and gradually improv- ing in disposition, and becoming less selfish. I do not want you to read the letter I wrote Christmas week ; it was in a very ugly spirit, and I was sorry I sent it. I do not think as I wrote in that letter, and I am sure it shows no improvement in me. " I am sorry you did not receive my Christmas presents except that which Tom gave you. He was very thoughtful. Did the birds taste nice ? Did you give the children any- thing? I shall give John the five dollars to-morrow morn- ing, in your name. I shall have to keep one dollar for myself." Somewhere about this time Mr. Field received this characteristic letter from Edgar Allan Poe, who, under date of June 15, 1846, thus writes from New York to his friend Mr. Field, in St. Louis : — Dear Field, — I have frequently seen in the "Reveille" notices of myself evincing a friendly feeling on your part, which, believe me, I reciprocate in the most cordial . man- ner. I enclose an article from the New York " Mirror " of May 26, headed " Mr. Poe, the New York Literati." The attack is editorial. . . . 2 2 Kate Field All that I venture to ask of you is to say a few words in condemnation of it, and to do away with the false im- pression of my personal appearance that it conveys in those parts of the country where I am not individually known. You have seen me and can describe me as I am. Will you do me this act of justice? I know you will. There is also an incidental service just now which you have it in your power to render me. That is to put the following, editori- ally, into your paper : — "The British literary journals are admitting Mr. Poe's merit in the most unequivocal manner. . . . ' The Raven ' is copied in full in the ' British Critic ' and in the ' Athe- nseum.' The world's greatest poetess, Elizabeth Barrett, says of Mr. Poe : ' This vivid writing, this power which is felt. The Raven has produced a sensation, a fit honor, here in England. Some of my friends are taken by the music, and some by other qualities, but all are taken. I ' hear of persons absolutely haunted by the Nevermore ; and an acquaintance of mine who has the misfortune to possess a bust of Pallas never can bear to look at it in the twilight. Our great poet, Mr. Browning, the author of Paracelsus, The Pomegranates, etc., is enthusiastic in his admiration of the rhythm.' " After all this, Mr. Poe may possibly make up his mind to endure the disapprobation of the editor of the " Mirror." If you can oblige me in this case, depend upon my most earnest reciprocation when and where and how you please. Cordially yours, Edgar A. Poe. P. S. — Please cut out anything you may say and send me in a letter. A newspaper is not so likely to reach me. I have been very seriously ill for some months, and being thus utterly unable to defend myself, must rely upon the chivalry of my friends. Childhood and Circumstance 2 3 There could be no more characteristic expression of Poe than this letter, revealing all his childish petu- lance and suspicion of nature, his intense self-love, always tortured by fancied slights, and his genuine enthusiasm for literature and due care for his poetic reputation. This letter Kate had always treasured carefully. After her death it was given by the friend to whom all her manuscripts were committed to Mr. Edmund Clarence Stedman, whose friendship was one of the most important influences in her life, and in acknowledgment he wrote to the donor of the letter : — " You have quite touched my heart and taken my breath away. . . . Well, I have Poe's best daguerreotype and a famous Poe MS., and I need just this letter to go with them to make my Memorial complete." Poe's reference in this letter to Elizabeth Barrett recalls the fact that after her marriage he sent to Mrs. Browning a volume of his poems dedicated to her, with a letter, in which he celebrates her as the noblest of her sex. Mrs. Browning laughed at this expression, and, narrating Poe's fervors to Mr. Ken- yon, she said: "What could I say in reply, indeed, when called 'the noblest of my sex,' except ' Sir, you are the most discerning of yours.' " The winter of 1850 found Mr. Field's desire to unite his family in a settled home partially fulfilled, in that Mrs. Field and her children were together in St. Louis, although Mr. Field was playing in Mobile. To his daughter, under date of February 4, 1850, he writes : — 24 Kate Field My own dear Daughter, — I address this letter exclu- sively to you, partly because I have not yet sent you a letter " all to yourself" and partly because your dear mother may have started on her vi^ay to me. If she set out before the receipt of my remittances, you must turn business vjroman yourself, look after the money, and keep an account of sums paid out. This was quite a commission for a girl of twelve. Mr. Field continues : — My dear child, your mother evinces much anxiety with regard to your fancy for balls and parties. Of course your desire is natural and unobjectionable when indulged only in a proper degree, but I should think that opportunities of enjoyment would present themselves often enough among our own personal friends — where you would not be with- drawn from the company of your mother — to satisfy you. Believe me, my dearest child, an early habit of curbing hasty inclinations is the most valuable of all the elements of personal character, and will conduce more to your life- long happiness than anything else which you may acquire. I want to see you gay and sportive ; so does your mother, but not to a degree which renders you cross and sullen under wholesome restriction. You are a dear, good, intelli- gent, and loving child ; the hopes of our heart rest on you ; your future progress and happiness are all that we look for- ward to, and with all a father's affection I tell you that you have in your mother one of the noblest models that ever lived. If you would be a true and Christian woman, loved and admired as a credit to your sex, emulate the kindness and the single-mindedness of your first friend, your fondest protector. You have asked me, my dear Katy, so rasioy-humired questions, I believe, that not having your letter by me (I am writing in the office) I know not what to say. They have principally, however, been inquiries as to health and Childhood and Circumstance 25 happiness of relatives and friends, and I am happy to say that, as far as I know, they are all well. Business this win- ter has been very good, and I trust to open in St. Louis under very favorable circumstances. You must remember me most kindly to the Cutlers, to Mrs. Randolph, and all inquirers. Go on with your lessons, and take in season your youthful " fun," as you call it. Grow up an intelUgent, discreet, and benevolent young woman, and your friends will not be confined to this world ; those who have left us for a happier land will hold their hands in blessing and protection over you. God bless you, my dear, dear daugh- ter. Your affectionate father. The summer of 1851 found Mr. and Mrs. Field re- united in their own home in St. Louis, and their plan?* for the ensuing season are revealed in a letter of Kate's written to a cousin in New Orleans, under date of Sept. 7, 185 1. Her father was then having his own theatre built, and the little girl writes : — "The theatre is progressing rapidly now, but it will not be finished before spring. We are all perfectly delighted with housekeeping, and mother and father say they will never board again if they can help it. I am not to attend school this winter. I shall practise three hours a day, take care of the parlor, study my French lessons, and father says I must begin drawing soon ; so that I shall have enough to attend to. Father intends leaving the house with some friends, and let me remain here, paying my board, so in all probability I shall be here this winter. I shall be thirteen on the first of next October at one o'clock, so when you sit at dinner on this day you can remember it is my birthday." Kate had been attending a school in St. Louis known as " Mrs. Smith's Seminary," where for three years she took the prize in composition and penman- 26 Kate Field ship, and her childish " compositions " of that period, still preserved, tied with the blue ribbon that invested literary efforts in those days, incite a smile. On one is inscribed, " Mary Kate Field, aged eleven," and its subject is "Three Scenes in the Life of a Schoolgirl," — a subject indicative of that dramatic turn which always persisted in her writings. "What shall these three scenes be?" (questions the youthful writer) . " My first recollections of school are very indistinct, as I was very young. The first day I went to school I went alone, as my mother was engaged. I think the entrance into a new school ought to be the first scene. . . . Suppose we take for the second that in which a girl is not perfect in her lessons, and she stammers and hems and haws, and if she is kept in she will say to her companions, ' Did you ever see such a stiff, starched teacher ?'...! shall take for the third scene that in which the industrious girl receives the prize. She is en- couraged by this to carry on what she has begun, and often rises to fame and fortune." The intense personal ambition in Kate Field's nature is also foreshadowed in this last line. When she was four years of age she ran away and entered herself as a pupil of a Miss Shaw, who had a little infant school. At the age of seven she entered the " Seminary" of Mr. and Mrs. Smith, and a year later she wrote to a cousin: " I have just begun to learn how to sing. I have got as far as Chili in geography, and I am at the indicative mood in grammar." Again, under date of Feb. 28, 1849, Katy writes to her aunt : — " You have requested me to write to you, and it gives me a great deal of pleasure to comply with the request. . . . Childhood and Circumstance 2 7 I have been reading ' Masterman Ready, or a Shipwreck on the Pacific Coast.' It is a very interesting story, but the worst of it is I cannot get the third volume. A gentleman whom I know has gone to California, and promises to send me two barrels of gold dust ; if he should do so, I shall be very rich and shall do great wonders, but I do not believe he will, so I need not make such great calculations about it. I have related to you all the interesting news I can think of." In all this childish writing her keen observation of details is evident, mingled too with a tendency to re- flection that is quaint. " Knowledge is a benignant genius," opens one of her efforts. " She bids us fol- low and obtain the key to unlock the mysteries of nature." Here may be the dawning of the disposi- tion which in her womanhood led her to interview Dr. Schliemann and, later on, Edison, and strive to pluck out for herself the mysteries in archeology and in inventions. The idolized son of Mr. and Mrs. Field died in St. Louis of cholera, before his seventh birthday, and the tender mother's care for her only remaining child be- came thus more ardent. On the New Year following the death of " Little Joe," Mrs. Field writes to her husband : — " Good-morning, my own dear husband, a Happy New Year to you. How much I should like to see you on this day of all others. This is the first New Year I have passed here since the loss of our own little darling angel boy. Well, I will not be sad. I have so much to be grateful for. Per- haps if I am happy on this day, I maybe happy all the year." Mr. Field's letters to his wife were full of the same exquisite ardor and affection that breathed through hers, and from Mobile he writes to her : — 28 Kate Field My own sweet Wife, — Your joint letter, yours and Katy's, are just received. Let me first speak to you. I am afraid, my dearest love, that you will have become embar- rassed for money before the receipt of my remittance. It was my hope to be able to send you the money by this present time, but business is slack and salary day to- morrow. The Logans here now are not attractive, but Lola Montez opens next Monday for a few nights, and she will excite curiosity. I will then send. I am very busy, playing every night, tragedy and comedy, and, strange to say, every- body seems struck with my serious efforts. I think myself I have improved in self-possession and also in earnestness, — the necessary result. I play " Ingomar " night after next. The company is very good, and all acknowledge it. My dear wife, as to propriety of appearances, your good taste and sense must guide you. Should your health or spirits require it, come, come to me, my dear wife. With the fondest and truest affection, I dwell upon your good- ness and devotion and love. God bless you. To Kate he vs^rites : — " My dear daughter, when you wish to visit the theatre, your dear mother assenting, you must go. You must hear all the musicians. Pursue your studies, my dear child, but recreation, particularly in the guise of music, is little less than instruction itself. You promised to write me a letter in ' the finest of French.' This will do you no harm to try. God bless you, my daughter, and keep you in health and happiness ! " Kate Field's strong individuality began to express itself in her early childhood in many directions. She was the very incarnation of the artistic intensity of the life and environment into which she was born : she was full of radiant joy, and yet, even in her dawning Childhood and Circumsiance 29 girlhood, the vein of deep intellectual power and a certain wistful reflection began to make itself felt. A journal, whose first date is of August 2, 1852, thus opens : — " I have finally resolved in my own mind to commence a journal and write regularly each day. I never tried before except when I was in New Orleans, and then I made such foolish work of it that I have never had the courage since to begin another." This self-critical habit was always characteristic of her. She had the curious power to view herself ob- jectively, as if the higher self kept continual watch over its lower manifestations. The record of this little maid of thirteen runs on : — "I arose very late this morning — seven o'clock, I am ashamed to acknowledge, but it was a rainy day. I had hardly finished my breakfast when Monsieur le Docteur Xampi came to give me une legon franqaise, which I knew very well. Then I practised as usual. Went out at eleven and got some pens and paper for mother, and at the same time I got this blank book, which cost me 35 cents, and in which I shall record my thoughts. I have heard a great many say that there is a great probability of Benton being elected. The ' Republican,' speaking of him the other day, says that Colonel Benton is the best abused person they have known for years." . . . The intense interest in political affairs expressed in her after life seems to reveal its dawning in the young girl. Her love of nature is evinced, too, in the opening line of the next day's record, where she says : — 30 Kate Field " Such a beautiful day ! I longed all day to be out in the country, and do nothing but play and enjoy myself. I suppose some people would say I am too old to play. I entirely differ with such persons. I do not believe in mak- ing an old woman out of a little girl. I, not quite thirteen, consider myself quite a little girl, and intend to act accord- ingly. Many say to me, 'This is the happiest time of your life.' But business before pleasure. The election is over, and the Democrats are victorious, to the chagrin of the Whigs. Colonel Benton is as popular as ever he was among a certain class of individuals, who are termed the rabble." Another day records the visitation of several little friends for a concert party, and then a sudden illness of her father. She writes : — " Reading over some scraps in the evening, I found some verses which father wrote, and I will include them here. He calls the poem ' A Calculation.' " ' Four hundred million breaths make up The term of human life, And millions draw the air of heaven In pain, in loss, in strife.' " The theatre which her father owned at this time was a prominent factor in her amusements, and she chronicles the visit with a party of her little friends to a box, where the loving mother sent in ice-cream and cake to them. She continued to copy in her journal verses written by her father; and on a Sunday morning, when she heard Rev. Dr. William Eliot speak on Immortality, she writes of it and of a tenor solo that enchanted her. French, music, and drawing occupied her morn- Childhood and Circumstance 3 1 ings. Spiritualism, in the modern sense, was just dawning in those days ; and the little Katy, who seemed to catch everything that was in the air, chronicles a rudimentary discussion she had with a girl friend, and she adds : — " Father then said, ' How is it, then, when you receive communication that you do not ask and have not the least idea about or the persons present ? ' Mary said she ' did not know, but the spirits said so.' Electricity is then intel- ligent, which no person ever was aware of before." This speculative idea of electricity being intelligent she evidently expresses in a half sarcastic and half wondering way, as if she caught some foregleam of the marvellous power destined within another half- century to be revealed to man. Kate's journal runs on : — "August 12. Rose early and read the 'Republican,' which is very interesting, being full of politics. Mother took me to a minister to see if he would take me as a pupil in September, and he will. I do not know what the reason is, but I would not go back to Mrs. Smith's school on any account. My French lesson to-day was on Napoleon Bonaparte. "August 13. Mr. Simpson came early in the morning to see if I could come to his studio so that he could work on my portrait again. I sat for him from ten until one, and it was tiresome work. I wrote a letter to Bessie, and sent in it some pressed flowers and a lock of my hair. Emma Crow came for me to go home with her. We went into the theatre to ask mother, who consented, and at Wayman Crow's house we went up to the third story and played till Mary Eliot came in." 32 Kate Field On another day Kate copied this stanza, and com- ments on it: — " ' Many a shaft at random sent Finds mark the archer Httle meant, And many a word at random spoken May soothe or wound a heart that is broken.' " How true this little piece of poetry ! I know it by experience." This extreme sensitiveness of the child only deep- ened rather than lessened in the woman, and as it was fully equalled by her reticence, only those nearest her in sympathetic intuition ever divined all she felt. Of a little theatre party of her young friends at her father's theatre she writes : — " We secured a nice box in the second circle. The first piece was the ' Corsican Brothers,' which is perfectly beauti- ful. Father personated the two Brothers, and mother the character of Emilie. The spectres were beautifully got up. The evening concluded with the comic ballet of the ' Bar- ber's Troubles,' in which Espinosa caused a great deal of laughter. ... I am reading ' Uncle Tom's Cabin,' which is creating a furore. I finished it before tea. I do not think that the things that she related in the book ever happened. It is too highly wrought. I cried for half an hour when I came to Eva's death ; and poor Uncle Tom, I was so sorry that Mrs. Stowe made him die where she did." The period of 1852-53 was an interlude of quiet do- mestic happiness in that Mr. and Mrs. Field enjoyed the unusual and hitherto unprecedented experience of a settled home. Mr. Field was the actor-manager of his own theatre, his wife playing with him almost constantly, and the open, sunny hospitality of their home makes a picture that tempts one to linger over Childhood and Circumstance 33 it. Their house, near the corner of Sixth Avenue and Market Street, was only a few steps from the theatre, which stood on the site now marked by the opera house in St. Louis. On the fa9ade of the new structure are the dates of the opening and close of Mr. Field's theatre. The house in which they lived is still standing, a two-story dwelling painted brown, and St. Louis friends point out the windows of the room occupied by Kate in her early girlhood. The Way- man Crows and the family of Rev. Dr. William Eliot, who became the Chancellor of Washington Univer- sity, were the nearest friends of the Fields. The best society in St. Louis was then, as now, marked by particular refinement and choice culture, and the gifts and charm of Mr. and Mrs. Field were appreciated. It was a very congenial atmosphere to the little daughter, with her keen intellect, her artistic bent, and her social instincts. It was even too stimulat- ing for so delicately organized a girl, and all her life Kate Field suffered from that intense nervous self- consciousness whose best name is perhaps stage- fright. This is revealed in the girl of thirteen in a letter to her Aunt Corda, when she says : — "Aunt Corda, you do not know how foolish I am. I may know a piece of music perfectly, and if one asks me to play I make mistakes throughout the entire piece. I am trying to conquer it." In March, 1853, Mr. and Mrs. Field, returning from New Orleans to St. Louis, were twelve days en route, and as Mr. Field was in haste to open his theatre, the Vari^t^s, with Lola Montez, the annoyance in this delay can be imagined. Kate writes to her Aunt Corda : — 3 34 Kate Field " Well, Lola Montez appeared at father's theatre last night for the first time. The theatre was crowded from parquette to doors. She had the most beautiful eye I ever saw. I like her very much, but she performed a dumb girl, so I cannot say what she may do in speaking characters or as a danseuse. She is trying to trouble father as much as possible. Madame Anna Shellon is here, and will com- mence her engagement as soon as the countess leaves. You must know that father has adopted the starring system this season. He has been very successful at Mobile. The theatre there is still open. Father had a silver salver together with four goblets presented to him by the citizens of Mobile." A little later Kate again writes to her aunt : — " What do you think of Ole Bull ? We do not hear any- thing of Jenny Lind now ; I wonder if she will return to America. Do you think that Sontag is equal to her? I am improving very much in music and French, so my teachers say. I have translated Racine and the first vol- ume of Molifere. In Music I have Bertini's Instruction Book, and my pieces are now sonatas by Chopin, which are very hard for me. My teacher does not allow me to play waltzes, polkas, or anything of that description. He has sent to Germany for a grand piano, which will be here early in January. What a loss Mr. Chickering must have sustained by the total destruction of his piano manufactory ! Father has been gone six weeks ; very nearly half the time of his absence has passed away. I think he intends opening the theatre here by the middle of March. Lola Montez is in Mobile now. Do you like Strakosch? Have you read 'Uncle Tom's Cabin'? I think it is an entirely one-sided affair. She makes the colored individuals perfection. I should like to have such a little negro as Topsy. Would not you? The Pacific Railroad is in operation for fifteen Childhood and Circumstance 35 miles and that great work is rapidly going on. How is Mr. Sanford's health? You must give my best love to him. I should like to visit you next summer and then go to the World's Fair in New York." In January, 1853, Mrs. Field writes to her husband in Mobile : — St. Louis, Jan. 21, 1853. My own dear, hasty, impulsive Husband, — You know I had made up my mind to remain here this winter, that it was for the best. Your letter of the ninth which I received yesterday has so unsettled my thoughts and feelings. One moment I feel I ought not to go and leave Kate — the house — they will all miss me so much, it seems selfish. The next moment I feel that I could not wait until spring, although it is not far off now. This is not right, my own dear husband, or wise, to tempt your little wife in this way. You know how much I love you, how much I long to see you, to be with you. I am so happy and delighted to re- ceive this proof of your affection that it makes me wish I could fly into your arms and kiss you a thousand times for it. Poor Kate looks very sad and unwilling to let me off, although she says, ' if father wishes it, of course go.' Her face has been very long since the arrival of your letter. I wish you would write her a letter addressed to her, for her- self alone. I think she feels a little hurt that you have not done so. She said this morning that she did not think her father cared so much about seeing her. About this time Katy pasted in her journal a printed slip that enjoined its readers " aWays to speak the truth ; keep your own secrets if you have any; if any one speaks ill of you, let your life be such that no one will believe him," et cetera; and she comments thus : — 36 Kate Field " I think that if every person follows what is on this little piece of printed paper, we would do well. I intend here- after to try and keep my own secrets. I got through late in the afternoon. I went to the theatre and staid until the first piece was out, which was Job and his children, written by father. It is a beautiful piece." She finds a sermon on " Doing Good," and copies it entire in her journal. And, again, this girl of thir- teen copies in her journal : — " When troubles flow upon you, dark and heavy, toil not with the waves, wrestle not with the torrent, — rather seek by occupation to divert the dark waters that threaten to overwhelm you into a thousand channels, which the duties of life always present." All these extracts indicate the trend of life for the gifted, thoughtful young girl, whose spirit is already unconsciously confronting the experiences that await her in the future years, — " the sorrows that were to be." This gift of prescience was born with her and increased and deepened with years. Her father's imaginative genius, her mother's spirituality, both blended in this gift of their daughter. Mr. Field was an idealist and poet. His supreme aim in life was the elevation of the drama, and for this he strove with every energy; and as a friend who knew him well said, he "ruined his health, broke his heart, and emptied his pocket-book," in this effort, - — words that would literally describe the close of his daughter's life regarding the work which had become her own treasured ideal. But we must not anticipate. The poet and the prophet have here no continuing city; but still it is forever good to live with lofty aims, and Childhood and Circumstance 37 there is no real failure in life except the failure to keep faith with our ideals. Both Joseph Field and his daughter Kate kept theirs unfalteringly, and no poverty of the purse can make poor when there is no poverty of the spirit. The summer of 1853 was passed by the Fields in St. Louis. The school year then continued into mid- summer, and Kate was diligently at work. In this, her fifteenth year, she was already very much of a young lady, very studious, very much given to hold- ing opinions, and quite in her element as a mentor to a young cousin, whose manners and pursuits she directed with a girlish autocracy that held its hints of the little imperiousness of manner which was always associated with her. She was very independent, and inclined to regard her own way as one from which there could be no appeal. The only child, and cherished with even renewed tenderness after the death of her brother, she was naturally the idol of the household, and Kate's wishes and interests, from her early morning rising to her retiring at night, were the important matters to which all else deferred. She was an early riser, and the series of ideal methods of living which attended her always is seen even in her earliest childhood. At this time she was a devotee of cold baths ; a very delicate girl, she sub- jected herself to a severer regimen than was favorable to good health, but she had always a firmness of pur- pose, and was absolutely unrelenting with herself in any system she set out to practise. Very slender and graceful, with a wealth of chestnut hair falling in clustering curls, with her fair complexion and lumi- nous blue eyes, she was a figure to haunt the imagina- tion. One is tempted to linger on this threshold of 38 Kate Field her womanhood, — the eager, impetuous girl, so richly gifted, and who was attracted in so many directions that the concentration on any single one seemed im- possible. She had learned to dance almost as soon as she had learned to walk, and she had this constant poetry of motion. She had a pride of personal appearance, too, and each morning, immediately after breakfast, she seated herself, book in hand, for her rich masses of hair to be dressed. Elizabeth, the seamstress, whose specialty was to keep Mrs. Field's stage costumes in order and attend to the family sew- ing, would appear with comb, brush, and a large round curling-stick in hand at the instant Kate sat down in a low chair. Conning her lesson while the maid toiled for half an hour or more over the long, bright chestnut tresses, rolling each curl around the stick, she sat studying, until at the completion of the task a mass of burnished curls fell from the crown of her head below her shoulders in rich clusters, held back from the broad, fair brow by a round comb. Kate was not without her girlish pleasure in the con- sciousness of being an attractive figure. She had an innate belief always in her own right of way; but could the ideal atmosphere of wise and tender love that enfolded her then have but continued longer, Kate Field would have had a different and a far hap- pier life. She was then rather the queen rose of the rosebud garden of girls; and when this exquisite dawning of her girl-life ended, as it did with the en- suing year, there was left behind something that never could come again. " The flowing conditions of life," — how true is this expression of Emerson's. Never a year, never a day, repeats itself Circumstances are fluid in their character, and now, just before the Childhood and Circumstance 39 young girl, a new set of circumstances were already forming ; already Destiny stood near to lead the ten- derly beloved daughter into ways of sorrow and stern discipline, unrevealed to the sapphire blue eyes that looked out on life so eagerly, yet with a certain wist- ful appeal, too, as if the spirit had some subtle prophecy of all that waited in the unrevealed future of the eventful years. The spring of 1856 found Mr. and Mrs. Field play- ers in Mobile, and her father thus writes : — Mobile, March 14, 1854. My dear, dear Daughter, — Your mother is very busy with study, and must omit, this time, one of her most de- lightful employments, and that is to write her affections to you. I am just as busy in my turn, but can scribble faster than " mother." Your last composition did honor to your head and heart, my dear child. Such and kindred senti- ments are among the results of a fond mother's anxious care and training. God bless you, and long guard within your heart your present feelings of love and simplicity. Another letter from her father playfully addresses her as " My Dear Miss Long Clothes," and sends her a check for fifty dollars, trusting her " to use it wisely." And the tender mother, writing from Mo- bile, says that she has three new r61es to acquire and so has little time to write, and adds : " May God bless you, my own dear child, and keep you in health, goodness, and happiness." In the autumn of 1854 Kate's wish to visit her Aunt Corda (Mrs. Milton T. Sanford) in Boston, was fulfilled, and in November her father and mother left St. Louis for Mobile to enter on their season there. Misfortune had come upon Mr. Field in the burning 40 Kate Field of his theatre, the Vari6t6s, but his cheerful forti- tude is shown in the following letter to his young daughter : — My dear, dear Katy, — I have just succeeded in making a new arrangement with our association by which I receive myself ^2000 present debt, and put myself on a much better footing with them for the future, without com- promising, for a moment, my position with the public or the profession. I need not say that a weight of care has been removed from my mind, and the iirst use I make of it is to drop a few Hnes to my dear, dear child, whom I may apparently seem to have neglected for some weeks back. God bless you, Katy. If fortune should prove herself capable of taking a clairvoyant peep through her bandage this winter, as far as my humble prospects are concerned, I shall be comparatively free in the spring. Make yourself a teacher, by all means, — that is, store your mind and heart, my child, with the ability to become such, — but your temperament will never permit you to undertake the requisite duties of the position, I fear. Still your aim is a noble one, — you will endeavor to be able to be inde- pendent and useful. I shall send you money from Mobile very soon. We start to-morrow. My best love to Uncle Milton and Aunt Corda. Again, God bless you. Your affectionate Father. Mr. Field had, as this letter reveals, an unerring insight into his daughter's peculiar trend of tem- perament. Her imperious will was something very unlike either of her parents. She was an exotic ; and those skilled in the mysteries of heredity might go back to some far-away ancestor and find the clue to the unique quality of Kate's nature. She was self- willed almost to waywardness, and still her entire character was of the utmost elevation and nobleness Childhood and Circumstance 41 of quality. Mistakes, errors, she could always make, but anything ignoble was utterly foreign to her; — so foreign, indeed, that she was intolerant toward it, and if she were misjudged and misunderstood she would never condescend to explain, when at times a more lenient attitude might have been better as well as wiser. Her nature was as true as steel, as open as the sunlight, as lofty in purpose and aim as an ideal could be; but so mercurial, so impres- sionable, so sensitive, that a word, a look, would de- flect her mood and cause her to seem capricious because the subtle cause of the change eluded ob- servation. All her life she suffered intensely from this invisible friction of average life on a highly wrought and too self-conscious nature. The wise, sweet influence of her parents is shown in two follow- ing letters written to her from Mobile, — that of her mother dated Christmas, 1854, and her father's on New Year's Day, 1855. Mrs. Field writes: — Mobile, Dec. 25, 1854. My dear Darling, — This is Christmas day. 'Tis too late to wish you and those I love with you in Boston a Merry Christmas, but not too late to tell you how much I love you, how constantly I am thinking and wishing to be with you all, and how fervently I pray that the opening year and all that are to come may be years of blessedness and peace ; and that my own darling child may grow wiser, better, more useful and unselfish, every day she lives ; that she may not love this world so well as to forget that there is a higher motive for exertion than the approbation of manj that the farther she advances in goodness and in knowledge in this world, the sooner she will arrive at perfect bliss in the world everlasting. Holidays are always sad days to me when I am away from those I love. 42 Kate Field Mr. Field's letter runs thus : — New Year, 1855. My dear, dear Daughter, — God bless you on this happy day, which here is a bright one indeed, as far as sunshine goes. This day week I sent you a ^10 gold piece to buy a present for Uncle Milton, as your mother instructed you. I hope it may have reached you in time. We are well in health and business improving. In a week I expect to remit you more money. God bless you, my dear Katy, and grant you many, many happy, peaceful returns of this day. You must arrange with Aunt Corda about school. Love to your Uncle and Aunt. Your affectionate Father. Little dreamed the young girl that this was the last Newf Year's greeting she was to have from the father she idolized. So it was written, and she stood on the threshold of changes which were to entirely transform the apparent course of her life. Events dissolve to give new material for the structure. " Ever the Rock of Ages melts Into the mineral air To be the quarry whence to build Thought, and its mansions fair." The first chapter of the story of her sojourn in this part of life was rapidly ending. The atmosphere of idolizing tenderness with the wise and thoughtful love that had encompassed her was to give place to those sterner experiences of life which are as truly the culture of the spirit and are a part of the needed forces for development. EARLY YOUTH " In those young eyes so keenly, bravely bent To search the mysteries of the future hour, There shines the will to conquer, and the power. The radiance of the Beautiful was blent E'en with thine earliest dreams." CHAPTER II But heard are the Voices, Heard are the Sages, The Worlds and the Ages. " Choose well : your choice is Brief, and yet endless." Goethe. " Sculptors of life are we as we stand With our souls uncarved before us, Waiting the hour when, at God's command, Our life-dream passes o'er us. If we carve it then on that yielding stone With many a sharp incision, The angel dream shall become our own Our lives shall reflect the vision I " Early Youth. Aspirations and Studies. Interest in Art AND Literature. Ardent Devotion to Music. IN the winter of 1855 Kate entered Lasell Sem- inary in Auburndale, near Boston. The change from the ideal atmosphere of the home in which she had been reared to that of a boarding-school, how- ever well conducted, was naturally hard to bear. Yet the sweet influences had wrought their impress in her, and she endeavored to adapt herself to the changed circumstances. " I should much prefer rooming alone," she writes to her mother, " as you know I have a passion for having no other com- panions than my own thoughts and books when I am studying, but I cannot, so I must be satisfied." She writes to her mother of the annoyances of inter- 46 Kate Field ruption in her study, and this sweet counsel comes in reply : — " I know, my dear child, it is not always pleasant when our minds are engaged with study, or our own thoughts, to answer questions, but nevertheless good breeding and con- sideration for others often compel us to do what is not always agreeable to our feelings." There began to come now into Kate's life an influ- ence that had the potency of destiny. Her mother's youngest sister, Cordelia Riddle, one of the most beautiful, gifted, and charming of women, had be- come the wife of Milton T. Sanford, a man of wealth and influence. Mrs. Sanford (born in 1824) was only fourteen years the senior of her niece, and her youth and the harmony of taste between them in the pas- sionate love of music, drew the aunt and niece to- gether in an absorbing affection which had in it the elements of tragedy. This expression regarding a family relation seems to savor of exaggeration ; but however inexplicable the cause, it is still true that between Kate and her Aunt Corda there was a feeling akin to that of a romantic love. The young aunt satisfied the more impassioned side of the girl's nature. Mrs. Sanford was a born artist. She had great beauty and distinction of presence, an exquisite voice, a passionate love of art. She was a very keen and not too charitable critic of life and people. She had the family uprightness and honor, but she lacked the great love, the infinite patience, sweetness, and philosophic tolerance that so characterized Mrs. Field. Of the two sisters, Mrs. Field would win where Mrs. Sanford would dazzle. She had a bewil- dering fascination about her, and with her youth. Kate Field. From the Portrait painted by Simpson, 1852. Early Youth 47 beauty, wealth, artistic gifts, and just sufficient sen- iority to charm the fancy of a young girl, she became the most potent influence in Kate's life. A girl of sixteen has no fixed character. She is one thing or another in her plastic youth according to circum- stances and influences. Mrs. Sanford had no chil- dren, and this clever, unique niece became her idol and delight. Brilliant, responsive, sympathetic, an artist and the friend of artists, a persona grata in an enchanting world which this young girl had dreamed of but not seen, Mrs. Sanford's vivid personality was ineffaceably stamped upon the mind and heart of her niece. Mrs. Sanford had the dramatic temperament, and had it not been for her early marriage she would undoubtedly have made a name on the lyric stage. When a girl of seventeen Mrs. Sanford discovered the rare musical genius of Adelaide Phillipps, then a little child playing juvenile parts on the stage of the Boston Museum. Corda Riddle gave Adelaide Phil- lipps her first music lesson, and was from that time her life-long friend. After Miss Riddle's marriage to Mr. Sanford, her husband's wealth enabled her to become a generous patron of art; and in her beau- tiful villa in Newport, she drew around her a choice and distinguished circle of friends, among whom were Charlotte Cushman, Edwin Booth, Mr. and Mrs. Edwin P. Whipple, Thomas Ball, the sculptor, Charles Caryll Coleman, Mrs. Julia Ward Howe, Adelaide Phillipps, and other persons whose names have flown to world-wide fame. Into this stimulating atmos- phere came Kate Field. Auburndale is almost a Boston suburb, and her aunt was in almost daily com- munication with her by visit or letter. The artistic side of her nature responded to all this brilliant art 48 Kate Field life: with this she had, as we have seen, a vein of mysticism and fervent, though undefined rehgious longing which her Aunt Corda could not wholly com- prehend, although in the later life of Mrs. Sanford this element in her character revealed itself. But the girl who had copied sermons, at thirteen, into her diary, found irksome the ceremonial religious obser- vances of the school, for she had no sympathy with formal piety. And to her mother she wrote, expressing something of this feeling, to which Mrs. Field replied : — " It makes me happy to know you are in good spirits, my darling child. You have much to be grateful for, and I trust your education will enlarge your ideas without engen- dering pride (that sin of the shallow-minded). I could wish to see you free from all prejudice or suspicion, kind and considerate of the feelings of others. When you see faults in those around you, remember how many good qual- ities they have, and judge charitably. Make it a habit be- fore going to sleep, my darling daughter, to think over your own conduct, — all you have done and thought (for thoughts should be pure as well as actions), and this practice will help you, and lead to happiness not only in this world, but what is far better, prepare you for the world that is to come. You say in your letter, my dear child, ' that you think you will never succeed in becoming unselfish, selfishness has ht- come so firmfy sealed ■within you.' If you really and truth- fully think this, set about the case, do not rest until you have eradicated it from your heart. You can never be happy yourself or make those about you so with such feelings in your bosom. I would be wretched, my own darling child, if I thought you would grow up a selfish woman. I know that it is one of the strongest feelings of our nature, and one that requires the greatest struggle on our part to overcome ; but Early Youth 49 we can, with God's help, overcome that, as many other sins. You would be shocked to be called a thief or a liar, and yet in the eye of God, selfishness is a great sin. Think that the pure spirit of your little darling brother is always hovering about you, sorrowing when you do wrong, rejoic- ing when you are good. With this thought constantly in your mind, it will purify your heart, you cannot be selfish, it will teach you to do to others as you would wish others to do unto you ; to be good from principle. We cannot depend upon our impulses; they as often lead us to do wrong as right. I know, my dear child, I do not practise these teachings, but I will struggle and endeavor to do so ; and if my life is spared I hope I shall be a better woman, and if I am better I shall be happier. Never say again, my own dear child, if you love your mother and wish to make her happy, ' that you will never succeed in becoming un- selfish: " Mrs. Sanford takes her niece to the theatre during, this winter, and Kate writes to her father that she thinks Forrest very successful in his characters ; and that Adelaide Phillipps has just opened an operatic engagement, adding that it is very sad that the strength of Miss Phillipps is unequal to the tax of her great mind, and " if this be true, a genius will be lost to the world, such an one as we cannot hope to see again." Even then, as a school-girl, Kate discerned truly the noble genius and wonderful power of Ade- laide Phillipps whom, as artist and woman, America now holds in reverence as an embodied ideal of lofty character. Again Kate writes : — " Have you or has father read ' Hiawatha/ Longfellow's new poem? If you have not, do so and give me your opinion. I have just commenced it. They accuse him of 4 50 Kate Field plagiarism from the German, then again others say it is not worth the precious time devoted to the perusal. For my- self the singular metre has a peculiar charm, and there seems to be an undercurrent of harmony breathing through- out it. I have read but a few pages, however." Kate gave herself to musical study with all the ardor of her nature, and in a letter to her mother she says : — " I am to sing in two more choruses, one from ' Macbeth' and the other from Rossini. I am very well, and have finished the ' Corsican Brothers ' with the exception of two pages." Italian, too, is now added to her studies, and the girl records : " I am quite bewildered with the lan- guage, and I shall make rapid progress with it." Writing to her mother in the December of that year, Kate says : — " Sixteenth of December. This year will have soon passed away, and we shall have entered upon '56. How short is life in this world ! How short in comparison with eternity, and yet it seems to me as though all our labor, all our strivings, were for earthly objects, as fleeting and uncertain as our own mortality. Whenever I think on this, I resolve to try to be a Christian, but my resolutions seem to fail, and I am the same uncharitable, restless spirit. There is always such a tumult going on in my brain that I never can decide what I am, what I will be, what I was created for, or what it is my ambition to be. I suppose I am what is designated as ' rather queer.' " In this girl only just past her seventeenth birthday there was striving the same feeling that William Watson voiced in his " World-Strangeness." Early Youth 51 " Strange the world about me lies, Never yet familiar grown, — Still disturbs me with surprise, Haunts me like a face half known. " On from room to roolh I stray Yet my Host can ne'er espy. And I know not to this day Whether guest or captive I. " So, between the starry dome And the flow of plains and seas, I have never felt at home, Never wholly been at ease." Toward the end of that December it would almost seem as if a premonition of the sorrow that was so near came upon her, and she writes : — My own dear, darling Mother, — I am homesick, very homesick, and how I long to see you and father ! It seems to me as though the time would never come when I shall be with you once more. 1 can only reconcile by anticipating the pleasure which is in store for me, Provi- dence permitting. I think there is something inspiring in looking forward to what will be. It urges me to renewed exertion in whatever I am engaged upon. My poor father, how often I think of him, confined to his room and suffering ! May his health be speedily restored ! " Serious thoughts of the future begin to stir in her mind, and in a letter to her mother she says : — Yesterday Aunt Corda made me an offer as generous as it was surprising, yet one which I dread to accept and would not if I did not know the displeasure my refusal would cause Uncle Milton. It is to finish this year at Lasell, and to study music at their expense. Aunt Corda 52 Kate Field urged it so earnestly, and I remembered how last summer when at the St. Nicholas I refused to take some bank bills that Uncle Milton threw into my lap, I hurt his feelings so that I dare not refuse again. And yet, dear mother, it gives me great pain to place myself under such great obli- gation to my aunt and uncle, and I shall not rest till I can repay them. I shall devote all my energies to singing with a view to making it a means of support. My French I could turn to account and might teach beginners, the same with my English. But I prefer the singing if I can make myself capable. I have often thought I would like to practise writing sketches with father, if he would criticise them and tell me if they were in the least meritorious. But I have been away from him so much, and when he was last here he was so ill and so full of cares, that I did not dare to mention such a foolish and trifling occupation. Has he ever told you what he thought of my capacities, — where he thought my little talent lay ? I have none, I can excel in nothing, I am good for nothing. Write me very often, dear mother, take good care of your health, and remember that you have a devoted daughter, Katey. Again under date of Jan. 20, 1856, Kate writes to her mother: — " The opening opera to-morrow night is ' II Trovatore.' Ah, woe, ah, woe is me ! I shall be a model for despair if I do not hear ' Linda de Chamounix ' Friday night. Do you remember the two gold dollars that father gave me to see Rachel in Adrienne ? I did not need the money then, and I have treasured them ever since, waiting for something to 'turn up.' I think that if I spend ^1.50 upon the opera of ' Linda,' it will be a profitable investment. What is your opinion of the matter? . . . Present my remembrances to Mr. and Mrs. Barney Williams. Is it true that they intend Early Youth 53 visiting Europe? Ask them to remember me if they have an opportunity of collecting autographs or curiosities of any description. I wonder if it will ever be our destiny to jour- ney over the old world. If wishing would accomplish it, such a consummation would soon come to pass." Already Destiny was on its way, in the guise of a sorrow of which the young girl little dreamed. She attends Thackeray's first lectures in Boston, and then writes : — " As I expected, I attended Thackeray's lecture Friday night. I shall not yet pass my judgment, as we had a seat near the entrance, and I only heard about half he said. The lecture was by no means an extraordinary composition, simply pleasing, chatty, and conversational. Not at all historic, but this latter he acknowledged he avoided, from the fact that he did not aspire to the position of an historian, but a recorder of the manners and times of the age of the Georges. I thought his lecture a com- plete satire, and certainly I could not help feeling that he arrived at the most unamiable and uncharitable conclusions concerning the individuals upon whom he dilated, as were possible to any human being. They say the opening one is the most inferior ; hereafter I shall hear what I shall hear, and shall then give my impressions. Thackeray was con- ducted to the hall (which was crowded with the ^lite and literati of Boston) by James T. Fields. Mr. Thackeray is no orator, merely a pleasant speaker, very easy in his man- ner. His voice is quite monotonous, though at the same time it does not weary you. It must arise from his being so perfectly natural." On Jan. 23, 1856, Kate wrote the last letter she was ever to write to her beloved father, — a letter that tells its own story of the eager young life : — 54 Kate Field " Something has turned up in reality. Let me tell you the news. Aunt Corda and Uncle Milton are to visit Aunt Charlotte as long as the opera remains in Boston ; further- more, we are all going next Friday night to hear Linda, which character La Heusler is to sustain. The greatest curiosity is of course manifested to see her, the American Prima Donna. Tableaux are progressing. I am becoming exceedingly nervous about my part in the performance. It will be hard for me to commit ' Come e bello ' to memory, as I have not yet learned a note of it. Oh, dear me ! what will become of me ? We have seen the proof sheet of pro- grammes, which has quite a nice appearance. My name looks quite imposing in print. I think, talk, and dream nothing but tableaux, and this is the case with my three co-laborers.'' It w^as one of these strange sequences recurring in Kate Field's life that on the very night of the amateur tableaux the telegram should come to her bearing the news of the death of her idolized father. The New Year of 1856 dawned, and several of the pupils of Lasell gave this musical soiree with tab- leaux. A local paper describing the entertainment says : — " But there was a touching episode connected with the entertainment which was the cause of sudden gloom to one young lady, who had been ' the observed of all observers ' during the evening, and whose charming accomplishments had elicited the admiration of the company there gathered. Miss Kate Field, to whom we allude, had borne the most prominent part in the tableaux, and was the only girl who had favored the company with vocal music, she having sung ' Casta Diva ' and ' She wore a Wreath of Roses,' in a manner which her sweet and vibrant though not powerful voice made irresistibly pleasing. A dispatch was received Early Youth 55 in Boston that evening stating that her father, Mr. Joseph M. Field, the well-known actor, had died during the morn- ing at Mobile. It was deemed prudent not to make the announcement to the young lady until late in the evening, but what must have been the private grief that overwhelmed her joyous spirits on the reception of such news at such a time, it is easy to imagine. As the sad tidings were whis- pered about after the close of the entertainment, each heart seemed touched with melting sympathy for the unfortunate young lady whose evening's transition from delight to sad- ness was so sudden." In Mobile, where Mr. and Mrs. Field had played for so many seasons, came his sudden death on the morning of Jan. 28, 1856. The previous day (Sun- day) he had driven out with his wife, and although he was ill, no one dreamed of immediate danger. The journals of the day were full of tribute to him as a dramatic artist of rare power, a man of brilliant intel- lect and noble life, — a high-minded gentleman. The funeral services were held in the Episcopal church on St. Emanuel Street in Mobile, and his body was brought to Boston and buried in the family lot in Mount Auburn. A leading writer of the day said of Mr. Field: — " He was affectionate and faithful in all his family rela- tions, true to all his friendships, and honorable in the dis- charge of all the duties of life. His pilgrimage has been a diversified and toilsome one ; yet he bore its burdens cheer- fully, and has gone to his final rest with a consciousness of having acted well his part on earth. No one could know Mr. Field without being drawn toward him by his genial nature, and that accomplishment and vivacity of mind which rendered his society always instructive and agreeable. As 56 Kate Field a writer he was distinguished for refinement and wit, and as an actor for that nice conception and correct delineation which rendered his impersonations models in the histrionic profession." To the loving wife, the devoted daughter, the loss was one whose sadness lay too deep for tears, but there was a spirituality in the nature of both that led them instinctively to lay hold of the realities of the life after death and of the intimate way in which all life in the Seen and the Unseen is related. The generous kindness of heart that so signally character- ized Mrs. Field's brother-in-law, Mr. Sanford, is shown in a note dated Jan. 31, 1856, which he wrote to her, saying : — " Come home to us as soon as may be. You will draw on me for any funds that you require. Kate will soon resume her lessons.'' Mrs. Field was not the type of woman, however, to retire before misfortunes into helpless inactivity. Indeed, the very desolation of her grief spurred her on to renewed efforts for the future. She was left with a theatre company on her hands, with debts caused by Mr. Field's loss in the burning of his the- atre in St. Louis, and other misfortunes that had in- volved him in obligations which he was expecting to clear off by the season's work. The only property was a life insurance for ;^3,ooo, and this Mrs. Field felt must be held intact for their daughter's educa- tion. She turned immediately to her work on the stage, keeping the company together and facing the public each night with smiles and radiance, however heart-breaking were the lonely hours when she re- Early Youth 57 turned from the evening's performances. To a friend who wrote suggesting a benefit night for her in St. Louis, she replied : — " My husband was very sensitive, but never shrank from what he conceived to be his duty. I will endeavor to imi- tate his example, as far as light is given me. I owe already so many obligations to my friends that they almost over- power me. If my dear husband's name was free from debt, I would decline your kind offers ; but as I am situated, I do not think it would be right or just to others in doing so." To her sister, Mrs. Sanford, Mrs. Field wrote : — " I would not have my dear, dear husband back if his suffering were to continue, as the doctor said. I could not be so selfish. It is a great consolation to me that my own darling child is with you, and you will do all in your power to comfort her, to console her." To her daughter, Mrs. Field writes, saying : — My Own Darling, — My sweet comforter, I feel your sympathy, and now we will both endeavor to be less selfish than we have ever been before, and if ever we have any unkind or uncharitable feelings rise in our hearts towards those we mingle with, we will watch ourselves closely, and believe that the loving spirit of your dear Father is ever with us, loving us so dearly, so happy if we are purely so. Let us, then, pray, my dariing, that time may never wean us, but keep ever fresh in our hearts the sad but sweet memory of your beloved father. And I pray to our Heav- enly Father that we may find ease of heart and cheerful- ness in the thought of usefulness to others. We will even try to be happier, my precious daughter. This I will try to do ; this I would hke my darling to practise. How far our weak endeavors will succeed, time must show. 'T is 58 Kate Field hard to give up those we love so dearly. I thought so when I lost your darling brother. I do not wish him back now. He would have been left so young without a father's care that I now feel that it was for the best. He was a boy ; I could not have had him always with me as I could a daughter. How much greater (as far as I can understand) would have been my responsibility ! Our loved ones are together, — perhaps with us often, — loving us more dearly than ever. The time will come, if we are good, that we shall be with them, — never, never again to part. My own darling, you are young, and if you are spared, the world is before you, — I hope a bright and happy future, — one of usefulness, of love and charity. ... As you say, my pet, 'there is nothing so easy as to advise others.' Do not think, my child, because I can give good advice that I am good myself. No ; far, far from it. I wish I were. I can only say that I will endeavor. Such angelic words have their universal message, and are too vital to be consigned to oblivion. Writ- ten only for the eye of her daughter, they are nowf, after a lapse of nearly half a century, full of counsel and help for the life of to-day. Again Mrs. Field writes, two weeks after her hus- band's death : — " We do not know what we are able to endure until we are tried. I have been sorely tried in the loss of my best friend, — so truthful, so unselfish, so high-minded in all his actions. My beloved husband possessed my entire esteem as well as my love. He has gone to a happier world, free from toil and suffering. Do not think that I have no strength, no belief, in the promise of our Heavenly Father. I feel that He alone can help me in this saddest hour of my life, that He alone can give me consolation. Although my heart is sore and I am very lonely, I do not despair. Life Early Youth 59 is not a blank to me, even in this the first hours of my be- reavement. I feel that I have much to live for ; that I am blessed with a dear, good child, — one who has always been a comfort to her parents, and who has never caused us an anxious thought. I was asked after my husband's death as to whether my wishes were to go home or to go on with the theatre as usual. My reply was that I wished, as far as I am able, to carry out the engagements made by my hus- band ; that this was my most earnest desire ; for I did not wish any one to suffer so far as I was able to prevent it." About this time Kate writes to her mother : — " Yesterday I took my first singing lesson. Signor Ben- delari was very kind, and seemed very sorry for me. Darling mother, I pray that we may never be obliged to be parted hereafter. Signor Bendelari spoke encouragingly of my voice." Again Kate writes : — AuBURNDALE, Feb. 26, 1856. My precious Mother, — Once more at school. Oh, how strange everything appeared here ! Each object wears a different aspect. So sad, so desolate, how different it was when I left it ! Well, well, it must be so. It was hard for me to return, but you desired it, Aunt Corda and Uncle Milton urged it very much, and I have come. I cannot as yet fix my mind on my books, but I will try to overcome my feelings and thoughts and fix my attention upon my studies. I do not think I have yet told you of my lessons. They are Geometry, Rhetoric, Kames' Elements of Criti- cism, and (perhaps) Geography of the Heavens. I have no French or Italian now, so I can take more English studies. I have concluded not to continue Algebra, from the fact that I dislike it to such a degree that it positively makes me sick to open the book. It is of no use unless 6o Kate Field you intend to be a teacher, and if I am to be one, I can never attempt to teach mathematics. I have a natural dis- taste for all excepting Geometry. You know my propen- sity to scribble and read. I delight in studies of a literary nature. Father wished me to study astronomy, and so I wish to take up the Geography of the Heavens. Father's picture is hanging up before my writing desk, so that I am gazing upon his beloved face all the time. Oh, mother dear, I know that I am very ungrateful to complain. You, who have so much more cause, are making all efforts to gain the mastery over your feelings. I think I have done so too, but in writing to you I forget myself. Forgive me, and do not be anxious about me. Like all persons of strong imagination, Kate had great practical power, and of their affairs she said to her mother: — " With regard to father's debts, if it is a possible thing let them all be paid. Will not something be realized from the properties of the theatre and the disposal of the lease ? You remember that father owns the Reveille building on Olive Street in St. Louis. If the debts cannot all be paid now, collect them if the parties are willing, and let us see what can be done in the future, if we live." The speculative discussion of the day in regard to spiritualism appealed to Kate, and she wrote to her mother : — " If spiritual manifestations are true, what a source of comfort they will be to us ! We shall hear from father from the Spirit world, but we must not give our confidence too readily, but receive all such communications with great caution. Were I in New York, I should seek the Misses Fox. I know them to be honest and truthful in them- Early Youth 6i selves. I do not speak on this latter subject to Aunt Corda or Uncle Milton, for they are averse to it and con- sider such belief as fanaticism. Nevertheless I am one to enquire and to believe that which my reason allows, — to believe facts. My father's mind was too strong to be led away by impositions or idle fancies and supposition. He sought eagerly for Spiritual Truth, he studied earnestly, he found that which he sought, in Swedenborg. I have read but little of Swedenborg, but that little has satisfied me. What noble lessons of humanity does he teach ! Charity and love are his passports to Heaven. But to be liberal one should study the teachings of others, of the established doctrines. One thing it seems to me I must believe, — in the Trinity. Do you accord with the Unitarian belief? " Kate's self-analysis is almost startlingly frank at times. As this : — "What I attempt is well done, and it is by no means easy music that I sing, but I have not a powerful voice, no dramatic fervor, little expression, nor is my voice the most flexible known to the world. It is medium, neither one thing nor the other ; in consequence, I am not satisfied. I would sing like Jenny Lind, like Albani, like Grisi; all these different styles I would have combined in one. As I am incapacitated by nature for anything of the kind, I am unhappy, for music is my passion, my love. I would be wedded to it were I a worthy bride. How glorious to interpret the inspired notes of Mozart, Rossini, Bellini, Donizetti, and even the thundering Verdi ! Oh, how I long to be a follower of this divine art, the art of Arts ; but no humble servant would I be. Could I not stand beside Grisi, I would not tread their path. 'T is impossible, even , ridiculous to think this, so my favorite desire must be re- linquished. Have I another? Yes, to be a fine writer. 62 Kate Field Could I be? No. Why not? Nature has not thus en- dowed me. Does not success in an undertaking need hard study, work? Yes. Do I seek to gain this desire? No. These are my two great desires, I have always cherished more or less. . . . " I awoke at 5 finding the storm continuing unabated, much to my discomfort. Did not rise till (i\, lying until that time in bed wondering what the future might bring forth. It is foolish to indulge in reveries I know full well, but since my return to school I find myself dreaming very nearly half the day. My thoughts are anywhere but on my studies. I find myself planning for the future, thinking of my dear mother, and then the truth will flash across my brain that I have no longer a father, that I am fatherless. Oh, it is terrible. I cannot realize it. My own darling father that I loved more than any daughter can love a father, whom I studied for and depended upon, whose talents, and whose sensitive, noble nature I so well under- stood and appreciated, is gone to his Eternal home. I must not despair, it is wrong; the thought of the long, lonely separation of father and daughter is so sad, so very sad. But ought I to say long ? for might I not be taken away at any moment? Am I prepared for death? Ah, no, and this is what makes me feel how awful that hour would be. Such were my reveries, and very dispiriting they were. . . . People may think I have little feeling. They little know my nature." And again : — " I have always felt that I was different from the other girls with whom I have associated ; that I had a mission of some kind on this globe. ... I am passionately fond of reading, not trash, but literature of a high order. This is one thing in my favor, and I think that literature is my forte. Early Youth 63 "... After dinner commenced the ' Spectator.' I ex- pect a ' feast of reason and a flow of soul ' from Joseph Addison, in which I pray not to be disappointed. Wrote journal and read until bedtime." She hears Mozart, and writes : — " Mozart's 7th Symphony was played quite well. What a glorious composition, — so purifying in its influence ! The andante from Beethoven's 7th Symphony was con- ceived quite well by the performer, — perhaps it was exe- cuted too slowly. There is too great a predominance of light music at these concerts to satisfy me. Waltzes rule the day, to the evident satisfaction of the majority. ... It is so very galling to see aimless, stupid, brainless school girls get up and sing in a manner so far superior to my own. Music requires soul, — have I none ? I am a devoted lover of music ; I have the most exalted worship for the art, and still I am only what I am. Voice. The voice is indispensable in vocal music. The want of this is my misfortune, not my fault. . . . Arrived at the Seminary and studied my astronomy lesson, wrote in journal, zxA thought, — went to bed, fell asleep. . . . " Practised the Opus Second. It is a noble composition, and one which I delight to sing, — it is so grand, so reli- gious in its sentiment." Music was the absorbing passion of Kate's life. In her dying hours, in Hawaii, she was asked if the sing- ing of some of the natives under her window disturbed her, and she replied, " Oh, no, music is heaven to me ! " — an expression that sustained to the last her most intense devotion. When taking her lesson one morning from Signor Bendelari, the famous Boston teacher of that day, he told her that her high notes were improving, and she records this in her journal with her intention to take severe study, and adds: 64 Kate Field " Some people go through life as if it were a plaything. I have very different ideas of God's creation." She was born under a star that danced, and a lapse into domestic industries fretted her. She confided to her journal one day that " the entire family are sewing themselves out of existence. I cannot afford a seam- stress, and I ought to sew," she continues, " but it seems to me such a waste of time, such a sacrifice of life. What new idea has suggested itself during such work?" Another day was more to the girl's taste, and she records : — " I have been reading Mrs. Browning's poems all the afternoon. Read the ' Poet's Vow,' which pleased me for its moral. I was agreeably disappointed in my rapid glance of the lady's works. She is a remarkable woman, and the only real poetess' of the age." In the May of 1856 Kate first saw Washington in a trip made vm New York and Baltimore, with her indulgent uncle and aunt, the Sanfords. In a picture gallery she saw a sketch of an old man's head which she thought "showed the hand of a master; " and she visited the Smithsonian Institute with eager interest in the inventions displayed, and she writes in her journal: "But the instruments for experiment- ing, — how I feasted my eyes on mammoth lenses, electrical machines, monstrous air-pumps, and horse- shoe magnets." This attraction to scientific achievements deepened into one of her most marked characteristics, and at the Chicago Exposition of 1893 her press description and comment on the electrical achievements led all the rest. This trip to the nation's capital was an- other mile-mark in the girl's, life, and stimulated her Early Youth 65 innate longing for wider horizons. Thus uncon- sciously does one come to an hour of destiny that is retrospectively recognized as a point dividing the past from the future. " We cross an unseen line, Andlo! another zone." On the Sunday following her return she gave her- self up to the newspaper reading, which was to be one of the interests of all her after life, and in her journal she alludes to newspapers as " friends of humanity." She finds that a stranger has leased the Mobile the- atre that her father had managed, and she writes : — " Will they find him equal to my talented, brilliant, sensi- tive, unappreciated father? The world in general scorns actors. Be it so, which is most to be coveted, money or genius? Death will separate men from the one. Genius is eternal. Do I regret that my father was poor? No, indeed ; I glory in his memory as he was. Honest, truthful, sharing with others his gains, acting by others as he would wish others to act by him, hopeful, never complaining of reverses, but trusting in Providence, scorning a low action, he was all to admire. Verily, he will meet his reward above. Abbott Lawrence is spoken of as a pattern to young men, a merchant prince ; follow his example. How it makes my blood boil to have it said, as I know it is, ' Poor Joe, he was a noble fellow, too generous to get along in the world, always sharing his money with others, had not much business tact, infatuated with all the isms of the day.' Why? Because he was not a Yankee, did not screw those he employed, and would not drive a hard bar- gain. He was a Christian, and followed the teachings of Christ. In business he was talented and always showed it. In the progress of the day he was always interested ; he always read what would uplift and advance him." 5 66 Kate Field That parting of the ways which youth must always meet in some form opened now before Kate Field. She had a capacity for exaltation of spirit that was not understood, and she began to encounter that spiritual tragedy which reveals itself when one who longs to lead a higher life than the average fails in the effort, and questions the reality of his own ideals. The summer of 1857 was a period of mingled fer- ment. In those days the outlook for women was limited, and Kate's inborn independence was urging her on to a life of her own, free from the sense of obligation that often burdened her. Mrs. Sanford was of a highly nervous and excitable disposition, and her ill health resulted in a lack of mental balance that made Kate's position in her aunt's home one that at times tortured her sensitive nature. Under the date of Aug. 24, 1857, the girl writes in her journal : — " I sometimes think it is a great misfortune that I was not born a boy, for then any and every employment would be open to me, and I could gain sufficient to support my mother and self. I cannot, as it is, much longer lead my present idle, unsatisfactory life. Ever since the death of my dear father, there has been a something weighing, weigh- ing, weighing upon me. A feeling of dependence, a knowledge that I was poor, that I was a drag upon my dear aunt and uncle. Still, I returned to school, but the death of the only one whom I adored, one whom I only knew and who only knew me, would ever rise before me ; and although I persevered in my studies, I made but little progress. 1 gave school up ; money was too precious now to spend in vain. I left, however, with a sigh, for it is sad sometimes to see the plans of your youth frustrated. Dear Aunt Corda and Uncle Milton were then so good as to take me with Early Youth 67 them upon a visit to New York, Philadelphia, Baltimore, etc. A trip which I most thoroughly enjoyed and appreciated, for with me the sight of great cities never before visited could not fail to interest me and divert my mind from its dark channel of thought. I was very grateful to my aunt and uncle, although I did not express the same in words upon my return home. I met my mother for the first time since our bereavement. She had borne her trials bravely, had suffered more than I had. My poor mother's eyes failed her, her engagement is thrown up, not to be renewed, her eyes had not improved, she cannot work, it is my duty to do my best, and what is that? I have so little talent for writing, but provided I had the material within, it takes years of ill success before even a good writer makes a living. I have sometimes thought of the stage, I love it dearly ; it is a great profession for making money where an actor's efforts are crowned with success. But have I any talent? I fear not. Were I not talented, my ambition would soon bring me to the grave. Oh, God, what shall I do ? Would that I had some one to advise me ! My father, if it be true that spirits are near the loved ones of earth, oh, listen to me, thy child who reveres thy memory as none other can revere it : listen to my prayers that God will lead me to the path in which I shall tread through life : and if it be in thy power, impress me with the advice which thou wouldst give if once more on earth." Meeting a lady who had been making a trip abroad, Kate writes : — " She has just returned from Europe, and almost disgusted me with the unexcitable manner in which she descanted upon the Old World. I can conceive of anything on earth except taking Europe coolly." This was the time when the girl's tendency to in- tolerance should have been repressed, for the only 68 Kate Field true attitude toward life is to see each person in his higher possibilities and recognize the ideal in him. " Emerson's beautiful manners," says his friend Mr. Charles Malloy, " were the result of his seeing each man in his ideal self, and to that self Mr. Emerson always addressed himself." There was no wise hand to point this truth out to Kate Field, and she suffered all her life from a too keen sensitiveness to defects, — a fault which her father foresaw, and from which he had vainly endeavored to guard his tenderly be- loved daughter. Adverse criticism is a deteriorating element in character. Nothing is more injurious to the spiritual quality of life than to discern the worse, rather than the better qualities of others. This ten- dency of Kate's was a result of an exceedingly fas- tidious and delicate temperament, whose inbred refinement and artistic exaction dominated her in these early days. Yet, withal, she was generous to a fault, and had her mother's exquisitely kind nature; but this keen perception of defects always remained with her to a degree, and to those who did not discern the real Kate Field under the outer semblance, often misrepresented her. A rare sweetness of nature was always hers, however, and she grew more and more devoted to her enthusiasm for music. " Bendelari gives me every encouragement that I can become a prima donna," she writes. " There is a magic charm in the two words, ' I will,' and though I dare not utter them in this connection, I yet act upon that principle." Kate's isolation of temperament revealed itself in her earliest girlhood, and she had, too, a curious ten- dency to that depression of spirits from which all her Early Youth 6g life she suffered. In her seventeenth year she writes in her journal : — " Oh, if I were a man ! I pity myself, indeed, I do. There is not an ambition, a desire, a feeling, a thought, an impulse, an instinct that I am not obliged to crush. And why? because I am a woman, and a woman must content herself with indoor life, with sewing and babies. Well, they pretend to say that God intended women to be just what they are. I say that He did not, that men have made women what they are, and if they attribute their doings to the Almighty, they lie. The time will come, but my grave will be many centuries old. . . . Well, Excelsior, time will work a cure for all things but the heartache. It seems to me that one of the greatest delights of life to a thinking mind must be a study, — a room religiously your own, the open sesame of which is a charm to be broken by none else ; a sanctuary to which you retire to ponder, think, weep, write, read, pray, knowing that there you may indulge your feelings as the emotions and passions dictate, and no one will dare intrude — no one will scrutinize you, save the All-wise, Omnipresent God. For such a retreat have I ever sighed. . . . When at home I like to be alone, to collect my thoughts, to read and write. The presence of another person renders me so nervous that I am almost ready to fly ; it grates so upon my feelings that I am completely upset and can do nothing. The more I attempt to fight off these feelings the fiercer is the battle, and I at length have decided that I am constituted thus, and that it is entirely useless to ' kick against the pricks.' What person is there that does not sometimes desire to shut the door upon all mankind?" Visions rose before her of a life that flashed in brilliant mirage and then vanished, leaving her with a present that seemed ignoble and dull by com- "JO Kate Field parison with her dreams. Yet the girl was full of ten- der household affections, as shown in this record : — " Oh, I love my aunt and uncle very, very much ; now that my father is dead I have no one to love but ray mother and them. For the last three years they have done everything in the world for me, and what have I done in return? Nothing. I have been conceited enough to look upon Cordaville as a home, as something to which I was entitled, expecting kindness from Aunt Corda and Uncle Milt rather as a right than as a favor. This is not as it should be. However much I may love and be attached to them, I can- not expect equal feehngs from them. It is not natural. Everything they do for me is a kindness, and consequently increases my affection. Not one thing do I do for them that can cause a similar feeling. On the contrary, I am perfectly useless. I am selfish, have a very disagreeable temper and manner, and of no use about the house, and consequently in the course of time they will become weary of me, for I cannot expect them to make allowances for me as my mother does. Uncle Milt has a great many depend- ent upon him now. Mrs. intends to educate her children to earn their own living ; and how disgraceful it would be that while Uncle Milton's own nieces are at work, his wife's niece should be dependent on him. Mother is disabled, and she feels a burden on her friends ; she looks to me and asks to what my tastes lead me ? Oh, my dear father ! What shall I do ? The grave gives not up its dead. I cannot teach ; I have a little talent for singing, but even if my voice improved it would take years of study before I could dream of realizing anything from it." Through all her girlhood and indeed through all her life, Kate suffered intensely from that feeling which William Watson well describes as "World- Strangeness," in a poem to which allusion has been Early Youth 71 made. There was always in her a certain detach- ment" from ordinary life. She had her own world, one not easily adapted to alien atmospheres. To liter- ature she turned with almost the same enthusiasm as to music, and the reading of Mrs. Jameson's " Diary of an Ennuy6 " interested her, but she criticised its dolorous tone and longed for " less recorded grief and more Italy." After writing several pages regard- ing it, she asks : — " I wonder if what I have written is in the least a criti- cism? If my darling father were only alive, what a friend and instructor I should have in him ! It seems very hard to me sometimes that I should be separated from the only one I reverenced on earth. " Received a letter from Little Mother. She has visited Mount Auburn and says the iron railing is all that she could wish. Dear Father, if there is no monument to mark the spot where lies all that remains of so glorious a nature, at least his grave is protected from all harm. It is sad to think the absence of gold causes the poor to neglect their angel ones. The love is the same, though the world sees no monumental evidence of it. And, after all, what are appearances ? This world ' is but the baseless fabric of a dream.' " Dear ' Little Mother,' she is so sensitive too. Hers is a sad fate, a life of constant self-sacrifice, the death of her adored husband and darling litde son, swindled out of thou- sands of dollars, deprived for the most part of sight, unable to follow her profession, naught of consolation but me, and I am a selfish, disagreeable creature. I ought to be her stay and support ; good daughters are of benefit to their mothers. I am a burden and an expense. My reproaches are many, and yet there is something that hints to me that I must wait 72 Kate Field awhile ; a scheme will be developed. Now perhaps this is all dream work — that I ought not to listen to anything but present duty ; and yet I am almost forced to pay attention to this unknown pleader, perhaps a siren's voice to lead me astray. Mine is a hard alternative, either to remain as I am, depending upon the bounty of aunt and uncle with mother likewise a dependent, or try my fortune upon the stage. This is all I can do if I am in the least capacitated for suc- cess. It seems to me that I was not born to be poor or to earn my living in a miserable plodding manner (another dream) ; my tastes, desires, ideas, ambitions, and positive existence are so diametrically opposite. And then I love my darling Aunt Corda so very, very much, I cannot bear to be separated from her ; it seems to me impossible to live apart from her. But then there is Uncle Milt, I love very much, but I fancy lately that he does not care for me ; to- day especially I have noticed how little notice he has taken of me." The revealing journal of a girl's hidden life runs on: — " Oh, poor me, I 'm the victim of fate, fortune, circum- stances, everything. Aunt Corda and Uncle Milt close the house on Tuesday, and mother and I straggle off to Charles- town there to remain perhaps for the remainder of our natural lives. Well, so much for being a lazy, stupid, con- ceited, selfish idiot. If I had the determination of a mouse, I would be independent of all relatives. But I 've just talent enough to make me despise humble occupations and long for that which it seems to me I can never attain. My talents are those apropos to a wealthy amateur born to gratify her tastes in literature, art, and science all over the world. Situated as I am, my talents are my bane, and it is my firm belief I shall be an unhappy creature as long as I am on earth. No one has the faintest idea of the thoughts Early Youth 73 human and celestial that course through my brain. I won- der if it is so with every one. My outer and inner self have not the least sympathy save in affection for those I love. I feel as though my life were wasting away, leaving naught behind to mark the days, hours, minutes, seconds. What was I created for? Oh, how wicked to make God account- able for my own misdeeds. I was born for a purpose. " It is not the love of one who has been benefited ; it is a love apart from that. Had she the same love for me, she could not part from me and be happy ; but her husband is the receiver of this love, and I am loved slightly as a niece. I must not expect more, so must plod on without the star of my existence. Oh, my dear father, I am not forgetting my love for thee when I write this ; no one can ever supply thy place. I love Uncle Milt because he has been kind to me \ he will not let me go farther." Again Kate records in her journal : — " Later in the evening we met Mr. Nat. Hale and passed a very pleasant half-hour with him. He is a man of posi- tive genius in some respects." "We were introduced to Rev. Edward Everett Hale and Dr. Hedge. Dr. Hedge enjoys a fine reputation as a theo- logical writer, as a man of great talents, but his face is by no means a pleasing one to a stranger. It is strong, hard, unyielding, not good-natured, unsympathetic. His manner is not winning. I should like to have heard him converse, but had not the opportunity. My verdict on his face may all be wrong." " Gertrude is a difficult role, — one of great vivacity and affection, of light and shade. I know how it should be done, but I am unable to carry out my conception. Here- tofore I have rehearsed the part awfully; I trust to the 74 Kate Field inspiration of the moment if there is such a thing in me as inspiration. Why cannot I do it as well as other girls of my age ? Inability is the reason. Well, well, Katy, you are a poor, miserable little thing, fit for nothing but to brood over her uselessness in this world and unfitness for the next ! " " If I ask myself this awful question, ' For what do I live? ' I can give no answer save ' self.' Knowing this, why do I not reform? It seems to me that I am the incarna- tion of all that is evil. There can surely be no one so little affected to good works as myself. Alas, alas ! the angel does not smile on me ! " " I suppose I am ridiculously sensitive, but the least appar- ent slight affects me and makes me dolorous lachrymose. If Uncle Milt were only a little different, if he would treat me more as a father treats a child, if he would let me love him in a fatherly way, — I should feel so much better. I miss my darling father, — oh, so much, so much ! no one knows how much I miss him. If I could only fill a little of the void his loss has left in my heart, it would be such a relief to me. But no ; no longer can I look for a father on earth ; I must seek higher. I have two in heaven : my earthly and my Heavenly Father ; and this thought that I have two such spiritual guardians should make me better. Life is not everlasting, and I shall be with them by-and-by. Oh, my revered father ! if thou canst see thy poor Kate now, pity her ! and if it is according to divine law that the spirit out of the flesh may commune with the spirit in the flesh, infuse thy counsels into my soul in such a way that I may know they are thy teachings ! Alas ! I fear there is no truth in Spiritualism ! " "... be a heavenly union ; but it never is, therefore where shall I seek for aid? Alas, I know not ! No one to Early Youth 75 instruct me j no one to tell me in what channel to direct my powers ; no one to point out my talents ; no one to say to me, ' Well done ! ' or the reverse. It is my misfortune to live among those merely equal or inferior to me ; I can learn nothing from them ; whereas could I be surrounded by superiors my steps would be quickened in following in the path of people of knowledge. Oh, my dear father ! you alone are the one to instruct me ! My aspirations are so vehement, surely, surely they must be based upon some little talent ! Shall I never meet with sympathy thorough and entire ? What happiness when found ! Am I treating my dearest, kindest friends with injustice or ingratitude in writing thus? " " Uncle Milt is very, very kind to me ; and, oh, how I wish he were more like my darling father, that I might love him in his place ! But, oh, there is a space in my heart that is always yearning to be filled and yet never will be ! for where shall I find a second father? Oh, how I need his counsel ! He alone could tell me what my life should be. Sometimes I long that I could treat Uncle Milt as a father, but he will not let me. Oh, I feel very lonely ! " " Starr King occupied the head of the table opposite us. He is a very pleasant man, of winning and genial manners and ready repartee." " That 's the best I can do to-night, and I am sure it is very bad. Nothing I despise more than bad poetry, and I cannot help rhyming, though knowing what a fool I am making of myself." " The fact is. Aunt Corda is becoming decidedly misan- thropic. I know not sometimes what is the matter with her. There is nothing sunny and joyous about. She is indifferent to every one. I love Aunt Corda passionately ; she is very, very kind to me. . . ." 76 Kate Field " I trust then to begin a course of History, — one thing needful in a person who pretends to the least education, and something in which I am wofuUy deficient. I think that I am more interested in Biography and Metaphysics than any other styles of reading. Philosophy in any form is delightful to me. Poetry is gradually winning a good- sized place in my heart. " I am losing all my taste for the languages. The longer I live the more I desire to become acquainted with homely English and its army of invincible writers. I find that these furious students of the modern languages devote so much time to them that they neglect their mother tongue. The system is all wrong ; I for one shall not follow it. Were I able, I should continue Italian." " Uncle Milt is talking rather seriously about Europe ; but if he goes I do not know that he will take me ; or if I should be invited I do not know that I ought to go, leaving poor little mother all alone. I feel that this climate is in- juring me, that I cannot be well here, and that the East winds may kill me. But to go to the South or West, live and be slighted, as I know I should, without the least sym- pathy or appreciation, would be as fatal as the East winds. There is nothing left me but Italy ; and that is a doubt, almost a myth. I hope for the best, and do nothing. This is not right ; I ought to scribble daily, and see if I cannot bring forth something worth being the author of. It is difficult to get up any enthusiasm here where no one is interested or spurs me on, and writing ought not to be mechanical. The other day, upon returning from Boston, after having become excited over Miss Cushman, I shut myself up and wrote some verses to her in a very short time, copied them, showed them to Aunt Corda, who said they were the best I had ever written ; sent a copy to Mr. Clapp of the ' Gazette ; ' and next time I called upon Miss Cushman left a copy in her room. I did this to find out Early Youth 'j'j whether they were good or bad. Miss Cushman tells Mrs. Hears that the verses are very clever indeed ; the ' Gazette ' pubhshes them ; Lincoln Emerson, a finely educated man and teacher, says they are good ; Mr. Spofford, I hear, acknowledges something approving ; I hear something else. What am I to infer? That they are trash, or good enough for me to try again? 'Alas! poor Yorick ! ' I will per- severe in spite of everything, and wait for time to bring approval. I cannot think that I have all this desire for authorship, all this love for it, and yet no glimmering of talent. I should be perfectly miserable if I thought that I could never write. I can better bear the thought that I can never sing, and this makes me think that I can or will write better than I can sing. After all, I prefer the fame of an author. The singer or actor, if successful, reaps golden harvests, is feted for the time being; but death knocks at the door and drives away friends, fame, all. No sooner dead than forgotten. A few remember the genius ; but the next generation know of no such person, save that the ' Cyclopedia ' devoted a few lines to her, and some author may refer to her as having been great. How fleet- ing, how sad, is such fame ! But the author, how different ! He makes not a fortune, perhaps, his life may not be so great a triumph ; but his brain-work is strewn all over the world, he is everybody's friend and companion, everybody loves him, he is a universal benefactor ; and death, instead of ending his career of good, gradually increases it, until his name becomes most sacred. No fame is so lasting as that of a great author. Marble crumbles, canvas defaces, the voice is hushed, action still, but thought is eternal ; books must be renev/ed. Viewing it in this light, there can be but one choice j but if I could be both, this is what I long for. Are the two incompatible ? I think they minister one to the other. And then it must be so glorious to inspire thousands of people instantaneously with the same feelings 78 Kate Field by which you are excited ; to sway so many human beings by a power superior to them. Oh, it must be sweet to taste, as delightful as it is fleeting ! If I must make a choice, it will be for authorship, — that is, if I have the necessary materials to work with. I wonder what the future will bring forth. It is well, perhaps, that I cannot read it.'' Tuesday, June 22d. This morning I received a cunning little note from Charlotte Cushman. She says she will write again. Oh, if I could only have a European correspondence with her, how delightful it would ht/or me, probably a bore to her. I intend to reply to this note to see what it may call forth on her part. She has a bright mind. I feel that I ought to write for myself. I cannot keep this sensation out of my mind. It worries me that I can- not decide upon any one thing as a profession, and I know not whether my indecision is owing to my want of character or the undeveloped state of my faculties. No one could render me a greater service than to inform me if my powers are in the zenith or no. If they are, I am a very ordinary person, and can do nothing but teach a primary school. If not, I ought to wait and see what time unfolds. With- out knowing which, I am waiting for time and so im- patiently that I become almost crazy with misgivings now and then. But work is the only improver. If I do not study, I cannot improve. Sometimes I think that God would not endow man with such vehement aspirations if he did not intend to have them fulfilled. This is my theory, but if every one had this feeling then it is over- thrown, for they are rarely realized. Will some friendly spirit impress me with the truth? I have often thought that if Spiritualism were true, my dear father would make himself manifest in some way, but he does not, and this is one reason why I doubt its truth. He was so interested in the subject when alive, that he would endeavor to make Early Youth 79 us believers. We do not seek mediums, to be sure, for it is too expensive ; but when we did, I, at least, was not satis- fied with the communications I received. Spiritualism is strange and more than "passing strange." Strangely introspective is this for a girl of eigh- teen. Bettina's letters to Goethe hardly reveal more intricate depths. But the way out of the labyrinth always reveals its clue to eager, aspiring youth, and that of the Cretan designed by Daedalus was not more intricate and involved than the labyrinth of life was to prove to be for Kate Field. FLORENTINE DAYS " And day by day the mountains seem to grow Enwrapt more royally in robes of state As with the sight of thy young face elate ; And the sun's flush is brighter, so to show It kissed thee first, to all the world below. And mounteth guard at noontide as to wait And know thy happy footsteps are not late." CHAPTER III O Florence, with thy Tuscan fields and hills And famous Arno, fed from all the rills, The brightest star of star-bright Italy. Aubrey de Verb, Florentine Days. At Villa Bellosguardo. Enthusiasm FOR Italy. George Eliot and the Trollopes. Walter Savage Landcr. At Casa Guidi with the Brownings. THE open doors that suddenly reveal themselves in life as one approaches a wall, apparently blank and forbidding in its positive limitation, are among the most vivid intimations of the divine leading. There is no absolute fate or destiny super- seding the individual will ; but the life of aspiration has its attendant angels, who, while unseen, lead the way and reveal an ideal existing in the realm of thought which may be actualized in daily life. Kate Field's spiritual nature always dominated her outer person- ality. She was not what the world calls religious, — she had, indeed, not sufficiently realized the divine aid that pours itself through form and ceremonial when genuinely sought; but she had lived the life of the spirit in its larger sense of intellect and aspira- tion. She was always in a curiously close relation to unseen influences whose causes she had not learned to recognize, but whose effects she felt wonderingly. There was something in the girl too fine for the world's coarse uses ; and who shall say but 84 Kate Field that the father who idolized her was not more potent to aid in shaping her course from the unseen world to which he had passed than he could have been even in the human life? The potency of invisible causes ran as a strand through the entire earthly ex- perience of Kate Field. Her life was a spiritual drama. The realm of ideals always lies behind the realm of action, and to discern those ideals is the true purpose of life. The stress and storm period which all young people of keen sensibilities experience to a greater or less degree in earliest youth had passed by and left Kate none the worse, perhaps, although a certain inborn tendency to an almost morbid sensitiveness always lingered in her. She was alive in every fibre of her being, and every touch and tone thrilled, whether the response was discord or harmony. There now rose before the girl enchanted visions of song and Italy. It was suddenly decided that the one intense desire of her heart should be granted, — that she should go to Italy to study music. The Sanfords were going abroad, and the decision was made to take their niece with them. Kate was in the first flush of girlish loveliness. One evening about this time she is described by a friend as ap- pearing in a lilac gown, d^colletS, sleeveless, reveal- ing her beautiful arms and the fine poise of the head : the clustering auburn curls tied back in the fashion of the time, her luminous blue eyes shining, and the faint rose tints deepening in the animated face. Florence, that Flower of all Cities and City of all Flowers, beckoned her on. What wonder the girl danced on air and gave herself up to the long, long thoughts of youth ! Florentine Days 85 For always is it true that, — " Something sweet Follows youth with flying feet, And it never comes again." Dreams of the lyric stage again rose around her like an incantation. The promise of definite musical study under a master caught her away to new life. And still one sad strain persisted, — the parting with her mother, who was then playing an engagement in the South. " Were you only going with us, darling mother," she writes, " but courage ! it may not be so long before we meet." Although music was her first love, literature was her second ; and the eager girl, with something of that executive capacity that distinguished her in after life, made an arrangement to write for the Boston " Courier," then edited by Mr. Lunt, a brother-in-law of Dr. Par- sons, the poet and translator of Dante. Mr. Lunt was a cultivated man of letters, and a recent tour abroad had brought him into contact with many eminent persons. He offered to give the young girl letters to the Brownings and Trollopes, and also to the Hawthornes and Ex-President Franklin Pierce, who were then in Rome. And thus companioned Kate set forth upon the journey which stamped upon her at this most impressible age images of beauty which sunk deep into her nature, pervading it forever after with that indefinable charm and exaltation which was always felt and which can no more be defined than can the fragrance of a rose. Such ex- periences in the happy hours of youth lie in character, moulding life. It was on Jan. 8, 1859, that Kate with her uncle and aunt embarked on the steamer " Fulton," sailing from 86 Kate Field New York to Havre. Going directly to Paris, they stopped at the H6tel Louvre, opposite the magnifi- cent palace of art whose galleries held Kate under a spell of enchantment. The Paris of that time is hardly to be compared to the wonderful city of to-day, and still, newly transformed as it was by Napoleon, it appeared in great splendor to the American travel- lers. The drives through the boulevards, the visits to celebrated churches and monuments, filled the days with delight. With her inborn dramatic feeling Kate's first longing was to see the interior of the Theatre Francais, the scene of Rachel's triumphs, and on the evening of January 30, — an evening that made itself a date in her life, — this desire was gratified. Curi- ously the play happened to be one which her father had translated (under the title of "Gabrielle") and adapted to the American stage. The characters of the Marquis and Marquise were played that night by M. Bressant and Mile. Augustine Brohan with that marvellous perfection of art that always invests the Theatre Francais. These fine comedians played with the naturalness of life in a drawing-room, and with the entire freedom from the rant that at that time too largely pervaded the American stage. One morning Kate passed in the Chapelle Expiatoire erected to the memory of Louis XVL and Marie Antoinette, which is on the site of the old cemetery of the Madeleine. In this cemetery, as will be remembered, the bodies of the ill-fated royal pair had lain, from the time of their execution, to 1815, when they were removed to the royal vault at St. Denis. "This is one of the most interesting places I have ever seen," wrote Kate to her mother of the Chapelle. Mr. Sanford took his wife and niece to the Morgue, but permitted them Florentine Days 8y too brief a glimpse to satisfy the girl, who, with a foretaste of the independence that characterized her womanhood, took a cab alone the next day, and had herself driven there, only to flee from a horrible figure newly brought, which was too much for her endurance. One evening in February was made memorable to Kate by seeing Dejazet, the great French come- dienne who had retired from the stage some twenty years before. By some good fortune for the Ameri- can girl who was so eagerly absorbing Parisian life, Ddjazet reappeared for a brief season at this time to astonish the world, and herself as well, with her per- formance in " The First Arms of Richelieu," in which she played the role of Richelieu himself at fifteen. Her make-up was so perfect that people forgot she was a woman. Her costume was exquisite, her manner boyish, but full of the courtly grace of the character ; and while her singing voice was slightly worn, she yet held the house with her song, with that finished power of the great artist. At the Vaudeville there was then running, as a new play, " The Romance of a Poor Young Man." Kate was impressed by it, and wrote to her mother, saying : " Oh, such a beautiful subdued play ! But all for the man. It would suit Mr. Davenport. And such a wonderful actor as La Fontaine, who personates the hero." The perfection of the ensemble in French theatres surprised Kate, as she had never before seen minor characters perfectly played. On another ex- perience, she thus wrote to her mother : — " To-day I have been to the H6tel des Invalides, where repose the ashes of the first Napoleon. I can give you no description of the grandeur of this chapel and of the splen- 88 Kate Field dor of the new sarcophagus, in which the remains are to be placed, but not for two years. Louis Napoleon is a great man, without doubt. He is determined to leave the Napoleon stamp upon every great work in France. I do not see who is so well fitted to govern this nation as him- self. The French need a master. Yesterday the Legisla- tive Session opened with a speech from the Emperor. Not one word in reference to America." Another Parisian experience was in going to a ball given by Mr. Mason, virho was then the American Minister. Kate's gown for this festivity was of white tulle and the traditional blue sash of the jettne fille of the day, with her curls tied back with blue ribbon, and she enjoyed the evening with all the zest of a girl who loves to dance, and for whom partners were eager. The treasures of art in the Louvre held her through long mornings, and she was half averse to leaving the brilliant city, when after a few weeks the travellers set their faces toward Rome, embarking from Marseilles and sailing on the blue Mediterranean, with constant views of the Alps, to Civita Vecchia, where they landed and took a coupd in a diligence for Rome, a distance of forty-seven miles, which it took eleven hours to accomplish. The railroad from this point to the Eternal City was completed in the May of that year, but on this second day of March, when the little party whose fortunes we are follow- ing set out, the diligence was the only conveyance. They entered the Eternal City by St. Peter's and the Vatican Palace, under a blue cloudless sky; and in the luminous Italian air, the purple hills gleamed like an encircling ring of amethyst. Kate was enraptured with the beauty. " Not Rome," she ex- Florentine Days 8g claimed, " but the seventh heaven." She was always keenly alive to the beauty of nature; and from the Italy of her first youth to the marvellous glaciers of Alaska and the wonders of the Yellowstone which she visited in her later Hfe, she was always " alive to gentle influence " in landscape loveliness. " Rome is a thousand times more beautiful than Paris," the girl wrote, feeling at once that intense love for Italy that always remained in her life. The enchantment of early spring, bursting into bloom and fragrance, was over Rome, and the girl breathed the air in mute ecstasy. That wonderful view from the Pincian hill where the sunset splendor is seen beyond the dome of St. Peter's ; the long and picturesque flight of steps that led up from the Piazza di Spagna to the Via Sistina; the glory of alabaster and gold in the rich temple of St. Paul's outside the walls; the Italian landscape with all Rome in the valley below, as seen from the heights of the Janiculum, — all these held Kate as under a magic spell. There were drives on the purple Campagna with its air of sublime deso- lation ; there were descents into the catacombs of St. Calixtus ; there were the pilgrimages to churches and paintings. There was a morning in the impressive Coliseum, with its oval glass windows for a roof, where one gazes into the infinite depths of blue sky. Oh, that first experience in the Eternal City ! Can any other word or moment in life ever efface it from its supreme rank in memory? The Sanfords were fortunate in securing a fur- nished apartment at No. 6i Via del Babuino. The Car- nival was just ending, and Kate participated in the shower of confetti on the Corso, and in the opening days of Lent they all made a flying trip to Naples go Kate Field and Vesuvius. Returning, they began to find out old and new friends, of whom, among the former, were Charlotte Cushman and Harriet Hosmer, who, with Miss Stebbins, were all occupying an apart- ment together at No. 38 Via Gregoriana. This was one of the most beautiful locations in Rome. The street ran up to the Pincian, the house being hardly ten minutes' walk from that famous promenade, and the outlook from it at that time included a grand view of St. Peter's, with all the picturesque outline of the city and purple Campagna stretching away into azure distance. In front lay the Mignanelli Gardens, and the sculptured Madonna of the Column of the Imma- culate Conception was silhouetted against the deep blue sky. The vista included the Castle of San Angelo, the far away heights of San Pietro, and the famous sculptured gateway of the Villa Pamfili Doria. These, with the gray old Coliseum and the lofty tower of the Capitol bathed in the golden sunshine, shot through with azure lights, made up a picture which held Kate in a rapture of enjoyment. Miss Cushman welcomed Miss Field and the San- fords with characteristically warm-hearted cordiality. " Miss Cushman rushed down upon us the moment she found we were here," wrote Kate to her mother. " She looks as bright and well as possible." Invita- tions to social festivities poured in upon the travel- lers, and Kate writes of the charming way in which Miss Cushman sang some Enghsh ballads and a brogue song at an evening party. " Hattie Hosmer came in last night about midnight," Kate writes, " and later we drove her home. She is praised by every one here, — a universal favorite. . . . The air is so delicious. Now I am off for St. Peter's with Floretitine Days gi Miss Cushman." The great actress was noble in her friendships as well as in her art, and in all her after- life Kate never forgot the kindness that made her first experiences in the Eternal City so beautiful. Young as she was, Kate's distinctive individuality made itself felt by every one. " She was always a personage, even as a girl of sixteen," Mrs. Edwin P. Whipple has said of her; and she united the some- what paradoxical qualities of being very womanly in her early girlhood, and of retaining the freshness and simplicity of the girl in her later womanhood. Life was new every morning and fresh every evening to her. She lived always in that region of spiritual progress where perpetually new experiences keep life in freshness and exaltation. On one of these evenings, in Rome, Kate saw Salvini for the first time. The play was " Othello." " He is superb," writes Kate to her mother, " very tall, handsome, and a superior tragedian." Kate became wholly enamoured with Rome. She writes : — " I like it, I love it, and I only wish I could remain here for months. The weather is charming, the sky is so blue. The carnival was glorious, and I was in it all the time, and what fun I did have. I was in a carriage with a boy's hat on, the only one in the Corso. I have just sent a letter in rhyme to the ' Courier.' I am having singing lessons of Sebastiani, and if I only enjoy these for a month, it will still be a great gain. . . . Last Sunday I went with Miss Cushman, Miss Stebbins, Hattie Hosmer, Mr. Ward, a young sculptor, and Mr. Ned Cushman, to a picnic at Hadrian Villa (six miles out of Rome). We had a glorious day among the ruins, the mountains, and the wonderful sky. The country around Rome is made for drives and rides." 92 Kate Field Again the girl writes to her mother : — " Miss Cushman wants me to go to England this Spring, but I want to study with Romani in Florence. Miss Steb- bins is a noble woman, and has certainly a great talent for sculpture. The Brownings are here, and have been all winter. Hawthorne and President Pierce have just arrived. Rome agrees with me so much better than Paris. Then the green fields, the ruins, the paintings, the sculpture, all the life I love so much. If only you were with me, darling mother. There may be a bright future for us." One evening Miss Cushman gave a musicale for Kate, who was herself asked to sing. The famous hostess had no idea of anything more than a school- girl's performance, and her friend Miss Stebbins said of the surprise she felt in Kate's voice and expression : " I wish you could have seen Meg Merrilies open her eyes. ' Why, I am completely amazed, Kate ! You sing beautifully. You have charmed every one,' she exclaimed." Among Miss Cushman's guests that evening was Levasseur, the famous comedian of the Palais Royal in Paris, who sang some acting songs in a manner that delighted the company with his inim- itable art. " Miss Cushman says Garcia, in London, is the finest teacher in the world," writes Kate to her mother, " and urges uncle and aunt to leave me in England. I am crazy to be at work. I want to see what effect the change of climate will have on my voice, and I am so anxious to be inde- pendent, and have my dear little mother in a position wor- thy of her tastes and talents. I shall never feel comfortable until I am my own mistress and have an occupation. Not that I do not enjoy the present ; not, indeed, that I do not appreciate my opportunities ; but I feel that if anything is Florentine Days 93 to be done now is the time, and Aunt Corda has become willing that I should go on the stage as a profession. I am afraid there 's no chance for me, but I hope for the best. Rome is no place for music, Naples is better, but I want to study in Florence with Romani. . . . President Pierce called on us yesterday. He was very polite, but does not seem to be a man of much fun." The Brownings had arrived in Rome in the late December of 1858, and had been for some three months settled in their apartments at No. 43 in the Bocca di Leone when MisS Field and the Sanfords reached the city. On New Year's Day of 1859, Mrs. Browning, writing to Ruskin, said : — "What would this life be, dear Mr. Ruskin, if it had not eternal relations ? For my part, if I did not believe so, I should lie down and die. Nothing would be worth having, certainly. But I am what many people call a mystic, and that I myself call a realist, because I consider that every step of the foot or stroke of the pen here has some real connection with and result in the Hereafter. I believe in a perpetual sequence according to God's will, and in what has been called a ' correspondence ' between the natural world and the spiritual." In these words is expressed something of the beau- tiful and helpful influence which was about to come from Mrs. Browning into the life of Kate Field. There was then living in one of the villas at the height of Bellosguardo a very interesting and accom- plished English lady. Miss Isabella Blagden (" always called Isa by her friends," as Mr. Trollope says in his reminiscences), who was the most intimate friend of Mrs. Browning. The villa overlooked the Valley of 94 Kate Field the Arno, and Florence, set gem-like amid the purple hills. Looking over the city and its cypress-covered slopes Fiesole was seen, and the view is one of the most enchanting in Italy. From the bleak New Eng- land winter to this fair loveliness of the Italian spring, which intimates its approach as early as February, made a rapture of delight to the young girl. With her passionate love of music she was inclined to measure every one from the standard of musical cul- ture, and one smiles to read, in one of her letters to her mother, this mention of Mr. Browning: — " Mr. Browning is the person whose good opinion I am most anxious for, and to whom I am already very much attached. He feels music, and I should like to sing before him. There is something about him that I fancy marvel- lously. Last night he said to me, ' You are very ambitious ; you are the most ambitious person of my acquaintance.' I laughed and asked him how he had arrived at such a con- clusion. ' Oh, I can tell by your eyes,' he said. ' How so ? ' I asked. ' I can detect it in their glisten,' he replied. ' Well,' I said, 'it is no great crime to be ambitious, is it? ' ' No, indeed,' he returned ; ' I admire it ; I would not give a straw for a person who was not.' " A little homesickness came over the girl at times, and she writes to her mother : — " You are mistaken when you think I can take care of myself. I don't like to ; I want some one to love me, to take an interest in me, some one to whom I can say. What do you think? some one to kiss and tease and scold me." It was fitting that love should first come to her in the romantic atmosphere of Italy. Here she met a young artist whose presence thrilled through her Florentine Days 95 days and dreams, and a new chapter opened in her life, not less determining, it may be, although it did not end in marriage. Neither ever married, and curi- ously both died within the same year. Kate threw herself ardently into her press letters and writes to her mother that she has never shown any of them to Mr. Browning, but that Miss Blagden has told him of her efforts. " I could not possibly show one to him, he is too great," she writes. " But to show you what kind hearts Mr. and Mrs. Browning have, I send you two notes that they sent me yester- day with Landor's autograph. I wrote them a few lines thanking them for a letter of Lytton's. To Miss Blagden Mrs. Browning writes of me as ' dear Miss Field.' " Under the celebrated Italian master Romani, Kate made progress in her musical study. She entered with ardor on "Don Pasquale " to learn it by heart, with absolute assurance, and to express the words in her countenance. " If I can once break through the ice of my face," she writes, " I shall be rejoiced." She made constant advance, but she was as self-distrust- ful as she was earnest. The effect of so passionate an intensity for any form of art is to produce inevit- able self-distrust on the part of the student. In one of her letters from Florence she says : — " Every Monday evening we go to the TroUopes and there meet a half dozen Italians, politicians, literati, etc. Dair Ongaro gave me his new book of poems and looked unutterable things at me, but he can't make an impression to save his life. Last Monday slavery was attacked, and I, an American, in the mingling of Italian, French, and Eng- lish, had to maintain my country against seven adversaries. Foreigners cannot understand the 'peculiar institution,' 96 Kate Field and that it is no child's play to free 4,000,000 blacks. The English, the very creatures who forced it upon us, are most bitter against us. Mr. Trollope is such a fine naan. His wife is promiscuously talented, writes for the Athenaeum, composes music, translates, etc., but does not go very far in any one thing. What do you think Mr. Jarves said the other day? ' It is impossible for you to lie. You have a tell-tale face.' And then again, ' I should like to see you when you are thoroughly smashed' (meaning in love). 'Why?' 'Be- cause you will love with so much earnestness and passion.' We were all talking about love. I could not but laugh and think how different you viewed me, as one devoid totally of sentiment and passion. People here think me so full of passion and truth." This judgment of Kate was the true one. Her nature can only be described as that of fire under ice, or as flame through alabaster. She had the intensity that can only be compared to that rate of vibration which is so far beyond the vision of the eye as to appear motionless. During the past two years of this period, her range of reading had been of a character to stimulate and develop her powers in a lofty way. Her note-books show her citations from Dante, Shakespeare, Cole- ridge, Cervantes, Mazzini, Carlyle, Heine ; and she had entered into a speaking acquaintance, at least, with the great Latin poets through translation, be- fore Mr. Landor's offer to teach her Latin led her into a fairly adequate familiarity with them in their own tongue. Often does the selection of a quotation unconsciously offer a key to the inner life, and in the line, — " O, they love least that let men know their love," Florentine Days 97 which Kate copied from the "Two Gentlemen of Verona," there is more than a hint of her own nature. Again, on a page of these note-books, which are rather remarkable in their range as representing the intellectual life of a girl of seventeen and eighteen, one finds this selection : " Hesiod as quoted by- Aristotle divided the world into classes: the first have sense of their own; the second the sense of their neighbors ; and the third have neither the one nor the other." Emerson was to her opening life a vital inspiration, and her note-books show hosts of pages copied from his essays and then translated into French. She read George Sand's " Consuelo " in the original, and records the curious impressions that it made on her. Emerson's poems, too, — the noblest poetic work that has ever been produced in America, — appealed deeply to this high-souled girl. She had copied such passages as these: " Give all to love ! Obey thy heart ; Friends, kindred, days. Estate, good-fame, Plans, credit, and the Muse, — Nothing refuse." And again : — " I hold it of little matter Whether your jewel be of pure water. A rose diamond, or a white ; But whether it dazzle rae with light." Another quotation from some classic author runs : " Honor and virtue are ornaments of the soul, without which the body, though it be really beautiful, ought not to be thought so." 7 gS Kate Field There are hundreds of pages full of the choicest selections from choice literature, which she copied, and out of this mental food the girl's mind assimi- lated a store of what became transmuted into her character. " The high that proved too high, The heroic for earth too hard." Fortunate is youth when it feeds on such thought as that represented by the note-books of Kate Field, for it becomes " music sent up to God," and is con- stantly creating for the one who possesses it the larger and fairer world into which the soul enters and lives. It is since Kate Field has gone from this part of life that the wonderful poem from Stephen Phillips has appeared, with its tragic portrayal of the death of a soul : — " She felt it die a little every day, Flutter less wildly and more feebly pray. Stiller it grew ; at times she felt it pull Imploring thinly something beautiful, And in the night was painfully awake And struggled in the darkness till daybreak." Yet something of the instinct to guard against this spiritual suicide stirred in the young girl, and she fed her soul on the loftiest literature of thought. Read- ing is largely the fibre of which the mind creates its quality, and the choice made is an unerring indication of the inner life. Into the cause of Italian liberty Kate entered with all her heart. In allusion to the varying fortunes of her American press correspondence, she said, " I want to write in a paper which does not assert that Liberty is too good for Italy." In the late winter of i860, Mrs. Field joined her Florentine Days 99 daughter in FloVence. " I am almost happy," writes Kate to her Aunt Corda ; " I believe at last I have a mother." The idolized young aunt was necessary to complete her happiness, and in reply to a letter explaining an unforeseen delay in Mr. and Mrs. San- ford's arrival Kate wrote to her aunt: "Your letter gave me more than one twinge about the heart, but I must, I must, I must submit to destiny, so I'll no longer implore for that which will not be granted. You know how 1 long to embrace you — here let it end." She explains further to her aunt that she is in no need of new clothes, as she is not going into dress society, and adds : — " Mrs. Jarves has asked me to go to the masked ball at the Veglio, which I hope to do, as much to see to write a letter about as anything. James T. Fields and wife are here, and I have made their acquaintance. She is very pretty and has been more than kind. He tells me he knew dear father, and speaks of the pleasure he had in reading my letters. Learning that I no longer write for the ' Courier ' he said, ' You 're just the person for the " Transcript." Button must have you. Suppose you send him twenty letters for i^iso, and later on you can ask more ? ' I agreed gladly. How good he is. I write twice a month for the ' Picayune ' at ^5.00 a column. Mr. Fields is an inimitable story-teller. They go to Rome to-morrow, as do the Stowes. I like Mrs. Stowe the more I see her. Robert C. Winthrop and family are here. Americans are always the belles of the occasion. Not yet singing, I am obliged to learn self- denial ; not a bad thing for me, as I expect my life to be anything but a bed of roses." All through Miss Field's earliest youth there ran this vein of sadness, a kind of prophetic recognition that life for her was to be a ceaseless struggle ; that lOO Kate Field her destiny was " to wrestle and not to reign." Yet who, even of those who hold her in deepest tender- ness, can regret that she never chose inglorious ease, but, rather, the unfaltering pursuit of those ideals toward which the road winds upward all the way? Once in later life she exclaimed with her character- istic impetuosity : " I 've no patience with the selfish women who evade every feeling and emotion. Give me activity and struggle, — -yes, even if it means wrinkles at twenty." Mrs. Field's gentle loveliness was instantly recog- nized by Kate's Florentine friends, and Miss Blagden wrote of her in a note to Mrs. Browning comparing Mrs. Field with her daughter as a dove who had hatched an eagle. It was in this spring that Miss Frances Power Cobbe came to Florence and took up her abode with Miss Blagden in Villa Bellosguardo. Mrs. Field and Kate had rooms in the city almost opposite the Trol- lopes, and one of their near friends was a gifted young man " to fortune and to fame unknown," whom the world now recognizes with acclaim in that trans- cendent genius, Elihu Vedder. To her Aunt Corda Kate writes, — "There is a young American here, Mr. Vedder, very talented and very poor, to whom I do wish somebody would give an order. I have translated a sonnet of Nicolini into blank verse ; very blank, I fear, as it is my first attempt. It is about the Pope and Rome, of course. I 've sent two letters to the 'Transcript ' under the noin de plume of ' Fie.' Do you think it good ? I was at a loss for a name ; mother thought it as good as any. I think you will be delighted with Milan — people so fine — Cathedral so beautiful — La Scala so grand — and Liberty Florentine Days loi so new there. But poor Venice ! It would make my heart ache to visit Venice while the white coats of Austrians hover over her like birds of prey. Last evening we were at Miss Blagden's, — mother and I meeting Miss Cobbe, Hattie Hosmer, Emma Crow, and young Cushman, the great Charlotte's nephew ; and we all laughed immoderately at nothing, as people always do whenever Hattie Hosmer is present. Emma Crow tells me that Mr. Browning paid me a tremendous compliment the night before she left Rome. I was dying to know what, but modesty forbade. Still this much is pleasant to me and may be to you. The Brownings return in May. Miss Cushman does not visit Florence en route to England, so they say. Miss Stebbins is at work upon her Lotus Eater, and has completed a 'wonderful' bust of Miss Cushman." The last day of May of this i860 was made forever memorable to Kate by her first meeting with George Eliot. To her Aunt Corda Kate writes : — " Last night we went to the Trollopes and there met the authoress of ' Adam Bede,' and Mr. Lewes, the Life-of- Goethe man. Miss Evans, or Mrs. Lewes, is a woman whose whole face is of the horse make ; but there is some- thing interesting about her, and you feel impressed with her importance. They say she converses finely, she is very re- tiring — and talked all the evening to Mr. TroUope. I liked Mr. Lewes, who is a very ugly man, but very charming in conversation, so that you forget his looks, and Mr. Chapman, who is a regular good-natured, obstinate John Bull though a young man. I thought to myself, ' Shall I ever have the pleasure of looking upon you in the light of my publisher J ' The Leweses intend to make Florence their home, return- ing here in the autumn. I hear that Dickens is making more money than ever, has provided handsomely for his I02 Kate Field wife, and lives very quietly indeed. It is reported of Mrs. Stowe that, having desired to know Dickens, he gave a large dinner party for her, and received her acceptance. Later the Duchess of Sutherland desired her company and Mrs. Stowe went to her, leaving Dickens out and sending him no apology. She called upon him afterwards and he refused to receive her." Under date of June 6 Kate writes : — " Miss Cobbe left to-day, to our great sorrow and Miss Blagden's great grief. She is a charming woman, though not so interested in Italy as she should be. In my desire to give her something, and with the limitations of my purse, I bethought myself of the black and yellow Austrian scarf you purchased for me in Rome. I cannot wear the colors of Austria, but Miss Cobbe can, — she feels no compunctions of conscience in this respect, — and she promised to tie it about her neck whenever she preaches unto the ragged schools. I asked her to write me something before leaving, and, behold, she gives me this note : ' Dear Kate, — You have asked me to write something to you. What can I say but that I like you very much ? I believe in you and think you are of the stuff of which realities are made, — if it must be out of Life's hard marble — It is meant to last. Good- bye, etc' A very aggravating parting gift I call this, for I can't get at the meaning, but I suppose if she believes in me I ought to be content. Do you believe in me ? How can any one believe in me ? It would be impossible were I known as I know myself. Miss Cobbe went to see my portrait^ and says there are a great many clever things in it. Vedder has introduced a distant view of Florence with Palazzo and the Duomo. This idea pleases me very much." 1 This allusion is to the portrait that forms the frontispiece of this volume, the original of which is in the Museum of Fine Arts in Boston. It is very representative of Kate Field in her dawning womanhood. Florentine Days 103 Florence itself captivated Kate's imagination. "What traveller has not mused before Dante's stone," she wrote, " and lingered in Palazzo Buona- rotti ? " She welcomed a pleasant opportunity that came to her in being invited by Mrs. Trollope to accompany her on a round of visits to Florentine studios. Mrs. Trollope had contracted to write a series of art papers, and to this end she planned this round. Mrs. Browning was at this time absorbed in writing her " Poems before Congress," which English critics censured while admiring her courage. Theodore Parker's death had recently occurred, and of memorial portraits of him we find Kate saying: — " I have seen a photograph of Story's bust of Theodore Parker, which I do not like in the least. Young Hart, the sculptor here, is, they say, making a much better likeness of him. Miss Cobbe has a cameo medallion of Parker, and Mr. Trollope one in plaster. The Brownings have returned, looking well and like angels. What think you, dear ? They brought me a beautiful pair of Roman gold sleeve buttons, a copy of ' Poems before Congress,' and photographs of themselves, also a large one taken from Hamilton Wild's pretty painting of Penini on his httle pony. Is this not dear of them ? They have received mother very kindly, and last night we took tea with them in company with Mr. Landor. Mr. Landor, they say, was quite cross until I came. They also say I always put him into a good humor. In going to the table he came up to me and said, ' Now were I a young man, I should offer you my arm.' ' Why cannot you as it is?' I asked. 'With delight, if you will accept it.' And so we marched to the table. In taking our seats, Mr. Chapman came forward to occupy the place next me, whereupon Mr. Landor exclaimed, ' Don't come I04 Kate Field between me and Paradise,' and down he sat. It 's the first time I was ever told I was Elysium Field. Do you take ? Dear Mrs. Browning whispered, ' I hope you appreciate the compliment, Kate.' The old man, speaking of years, said, ' I wish I were dead and buried.' ' Buried or not, Mr. Landor, you will always live,' cried I, very much to his amusement. Miss Blagden and I noticed that his beard was cut. ' Yes, I cut it myself. Ah, willingly would I exchange my hair for yours,' said he to me, mine being curled. ' Most willingly would I exchange the outside on my head for the inside of yours, Mr. Landor,' retorted I, and again he laughed heartily. ' Pray tell me, Mr. Landor, how many times does a man fall in love during his life ? ' ' Well, every time he sees a pretty woman,' and at this witticism he shouted lustily, then resuming, ' Not that I ever was as fickle as that. Oh, no, I never loved but twice. I married to get rid of love, but found this did not answer at all.' Once speaking of women, he said, ' Women are all good. I never knew but two bad women in all my life — ah, stop, stop, — I mean three — I forgot my wife.' " About this time these notes reached Kate. Siena, August 21, '59. Dear Miss Field, — Thank you heartily for your kind note. I enclose an affecting little poem, — Mr. Lander's last on his domestic misadventures. It seems perfect as far as it goes, but my wife fancied rhymes would have beseemed so short a composition, and I tried my hand accordingly. Between ourselves, I think my arrangement the happier of the two, for the devil's name is legion in this business. Wife, daughter, and son emulating each other in all that entitles people to the horrible epithet, and you will see I take Mrs. L. by the horns. Ever yours faithfully, Robert Browning. Florentine Days 105 My dear Miss Field, — I thank you for your excellent words, and also the vision of your bright, earnest face given in the sight of your handwriting. Do observe that the amnesty full and entire, spoken of in " La foi des traitds," is just given in France. This is the second phase of the Empire, and to be followed by a larger measure of liberal concerns, which confirms and verifies the book, for the writer. Napoleon, walks under as well as on the earth. Now in Italy he is walking under, but walking surely, and we may congratulate one another in hopes again. Then for lesser hopes we shall meet on the dear terrace, all alive, I hope, and I also hope you will accompany Miss Blagden, my dear Isa (I can't leave a Miss Blagden so), when she comes to pay us a visit ; it will give us pleasure, dear Miss Field, if you do. Yours affectionately ever, Elizabeth B. Browning. A spark of fire may be struck, but if it fall on nothing inflammable, no result will follovk^. It will simply vanish and leave no trace ; while if it fall on tinder, a conflagration may ensue. Thus, with the effects of opportunities and privileges accorded to the individual whose mind is impervious to them. Practically, they do not exist. Opportunity is, in- deed, as boundless as the atmosphere, and it is con- ditioned chiefly by the degree to which the individual faculties are able to appropriate it. By temperament Kate Field was singularly calculated to enter into the most sympathetic and responsive rapport with this stimulating life. She was the artist born, and she was so endowed with a straightforward honesty, an uncompromising demand for truth and sanity, that a merely meretricious art would not have enthralled her. She would have had no affinities with a passion- io6 Kate Field ate Brompton; she had, even, at this early age, a keen intellectual judgment, and her range of reading had, as we have seen, brought her into close sym- pathy with classic thought and literature. Her lumi- nous blue eyes looked out frankly on life demanding of it that which was sincere, fine in quality, and of the upward trend. With Landor's Hippomenes the young girl might have said : — " the Gods have given me strength And confidence ; one name for victory. " One June evening Miss Blagden had invited the Brownings and Mr. Landor, together with Mrs. Field and Kate, to tea. The other guests were already present when Mrs. and Miss Field arrived on the entrancing Bellosguardo heights, and as Kate entered she was embraced and kissed by the hostess and by Mrs. Browning. She was radiantly lovely that night, in a pale blue gown, her auburn curls tied with blue ribbons after the fashion of the hour, and a cluster of roses in her belt. As she kissed the ladies Mr. Landor exclaimed, "What, do you intend to stop there?" To the amusement of every one the girl turned to him and kissed him, and he proudly as- serted, with the pardonable exaggeration of chivalry, " This is the happiest day of my life. I know now the advantages of being old, and for the first time. Let me hope it is not the last. Had I been sixty years younger, you would not have kissed me, I am sure." Then he laughed immoderately and compli- mented the girl in Latin phrases. For the lonely old man, with all his classic lore, his elegance of scholar- ship, his infinite intellectual resources, was still very human and very susceptible to the kindness and Florentine Days 107 affection which in some moods he affected to despise. Emerson, visiting him in 1843 at his Florentine villa, describes him thus: — ^ " I found him noble and courteous, living in a cloud of pictures. ... I had inferred from his books, or magnified from some anecdotes, an impression of Achillean wrath, — an untamable petulance. I do not know whether the impu- tation were just or not, but certainly on this May-day his courtesy veiled that haughty mind, and he was the most patient and gentle of hosts." The tea-table that night was a veritable banquet of the gods. The reader will recall when Ixion ban- queted with the gods, he remembered only the pat- tern of the table-cloth. With the girl who had been permitted this privilege there was no failure to ap- preciate the high meaning of this beautiful occasion. Mr. Landor confided to Mrs. Browning as they drove homeward that night down the winding slope of the hills into Florence, lying still and fair under the golden moonlight, that Miss Field was " the most charming young lady he had ever seen." Mrs. Browning told this to the girl the next day, " and you know, dear Kate," she added, " that he has seen a great many." Kate listened to this while a sud- den stillness swept over her, and she replied, " Dear Mrs. Browning, there is something of heaven about him." A night or two later. Miss Blagden dined with Mrs. and Miss Field, and that evening they all passed with the Brownings in Casa Guidi. The atmosphere of sympathetic friendship was very sweet to gentle Mrs. Field, who had already become a favorite in this enchanted Florentine circle. Kate carried with her that night Miss Prescott's ' Granadian Girl's Song.' io8 Kate Field Harriet Prescott — now Mrs. Spofford — was then in the dawning recognition of her fame, and her work was watched with critical interest. Of this ' Song,' which Kate carried that night for the Brownings to see, Mrs. Browning said it was poetry, but not com- parable to Miss Prescott's prose. " So it seems to me," replied Kate; "I am always thirsty for ideas, and I find few in this; but her 'Amber Gods' has the greatest charm, and she has a wealth of imagery. I long to see her write for great ends, great prin- ciples, on subjects where one is not only pleased with beauty of idea, but where the cause of humanity is likewise espoused. She has the beauty of feature and the beauty of flesh in her writings ; but she needs, back of these, the all-conquering power of a great truth to be taught." This girlish criticism held its prophetic keynote of Miss Field's own future work. " Art for Art's sake " never seemed to her a complete aim; but art for humanity's sake; art for truth's sake; art, never limited by mere actualities, but uplifting them to the nobler plane of spiritual realities. Nor was she un- appreciative of the brilliant gifts and charm of the writer whom we now know as Harriet Prescott Spof- ford ; she only demanded the highest service for gifts so fine. About this time Kate read the new novel of George Eliot's that had recently appeared, and of it she writes : — "I have just finished 'The Mill on the Floss,' and am perfectly content with it. It is vastly superior to ' Adam Bade ' in my eyes. The ending has really made me melan- choly. It seems to me there is much in my character like Maggie's, and that I shall have just such a struggling exist- ence, I mean morally and mentally." Florentine Days 109 The June days ran on, and these pleasant little reunions of the cercle intime continued almost daily. To Landor Kate went each day for her Latin lesson, and his rugged expression softened, and he became what his pupil called " chivalry incarnate." If he paid her compliments, they were imbedded in the sauce piqiiante of a bon mot. One day he dropped his spectacles, and as she picked them up and handed them to him, he exclaimed, " Oh, this is not the first time that you have caught my eyes." A bit of play- ful verse that he wrote, in reference to the memora- ble night that she kissed him bears the date, in his own hand, of July, i860, and is entitled TO KATE FIELD Kisses in former times I 've seen, Which, I confess it, raised my spleen ; They were contrived by Love to mock The battledoor and shuttlecock. Given, returned — how strange a play, And both are, even when night sets in. Again as ready to begin. I am not sure I have not played This very game with some fair maid. Perhaps it was a dream ; but this I know was not ; I know a kiss Was given me in the sight of more Than ever saw me kissed before. Modest as winged angels are, And no less brave and no less fair. She came across, nor greatly feared The horrid brake of wintry beard. Regarding this bit of verse, Mr. Browning thus wrote to Kate : — no Kate Field Siena, Villa Alberti, July i6. Dear Miss Field, — I have only a minute to say that Mr. Landor wrote these really pretty lines in your honor the other day. You remember on what circumstance they turn. I know somebody who is ready to testify to double the extent at the same cost to you, and do his best too. And you also know Yours affectionately, R. B. Kindest regards from Ba, as well as myself, to Mrs. Field. The servant waits for this, and stops all expansion of soul. Italian politics was the absorbing interest of this little group of poets and poet-lovers. Mr. Russell, an English M. P., came to Florence, and was a guest at Casa Guidi. He had much to report of the Eng- lish attitude. Mrs. Browning, writing to Miss Blagden, said : — • " You are an angel, dearest Isa, with the tact of a woman of the world. ... I shall agree with you as to Prince Na- poleon if it were not that I want the Emperor's disinterest- edness to remain in its high place. . . . Out of all, I rescue my fact that Napoleon made the English government ac- knowledge the Tuscan vote. Don't let Kate put any of this in the American papers, because Mr. Russell was our guest and spoke trustingly to us. He had just arrived from Eng- land, and went on to Rome without further delay. Our love to Kate, and mind you give our regards to Dr. Gresanowsky." This reference of Mrs. Browning's introduces an- other person who became a factor in the life of Mrs. Field and her daughter. Dr. Gresanowsky was a Prussian who, for political reasons, had left his country and domiciled himself Florentine Days 1 1 1 in Florence, where he became one of the habitues of Casa Guidi. Mrs. Browning frequently had long talks with him as they both sat on Isa Blagden's ter- race on Bellosguardo, and to Kate and her mother this liberal and cultivated Prussian became a valued friend. Lander's friendship for the young girl, whom he distinguished by his regard, increased as the days went by. " I have always deeply regretted that I never met Shelley," he said to her one day. " It was my own fault, for I was in Pisa the winter he resided there, and was told that Shelley desired to make my ac- quaintance. But I refused to make his, as, at that time, I believed the disgraceful story related of him in connection with his first wife. Years after, when I called upon the second Mrs. Shelley, I repeated to her what I had heard. She assured me that it was a most infamous falsehood." Another day he gave Kate the Introduction to his " Gebir " to read, following it, the next day, by a re- vision, which he sent to her with the following note : " Again the old creature comes to bother you. The enclosed is to take the place of what I wrote yesterday, and to cancel, as you will see, what a tolerably good critic " (Southey) " thought too good to be thrown away, etc., etc. I do not think so, but certainly the beginning of ' Gebir ' is better with ' Kings ! ye athirst for conquest,' etc. You are not athirst for it, but take it coolly." Another little note from Landor which Kate treas- ured was this revision of a line in his " Gebir " : — " ' Gebir ' should begin thus : — 1 1 2 Kate Field ' Hear ye the fate of Gebir ! ' Not ' I sing the/aUs of Gebir.' " As the summer grew warmer, Kate and her mother left Florence for Leghorn, where they were domiciled in the Casa dell' Ardenza, from which Kate writes to her Aunt Corda vivid transcripts of the days. In Leghorn, Kate passed an idyllic summer life, yet one full of ardent work and purpose. To her aunt she writes : " Lincoln elected, and you write of eter- nal ruin. My opinion is just the reverse, — eternal salvation." The tendency of youth to proffer advice was not lacking in Kate, and to some remark of her aunt she replies : — " It really is dreadful to think of your not thanking God and enjoying the many blessings by which you are sur- rounded. You have health and wealth, and the power to make yourself friends without number, and also the ability to be useful. Interest yourself in things of universal in- terest, — schools or hospitals, or something carried on by women, and which will call forth your energies and sym- pathies. You can do any amount of good, and your love to me is almost as needful as daily bread. Your state of mind grieves me beyond measure." Mr. Landor sent to Kate while in this summer re- treat a copy of his " Hellenics," with an autograph inscription not yet faded from the leaf, presenting it to his " amiable and intelligent pupil. Miss Kate Field," and she comments on it to a friend : — " Amiable ? I wish I were. Just now I 'm being re- proved for not doing justice to in my last ' Transcript ' letter ; but when I think of worthy Mr. Ball in Boston, and of unworthy , with his pockets full and his head empty, I get indignant." Florentine Days 1 1 3 The impetuous, high-souled girl had the defects of herqualities, and, like many another enthusiast, in early- youth she looked on a far from ideal world with the ex- clamation, " That ever I was born to set it right ! " There is a tinge of both Hamlet and of Don Quixote in most young persons who have in them the stuff of which character is made. Mrs. and Miss Field found in the Casini dell' Ardenza a pleasant group of people, — Count and Countess Rusponi, the Marchesa Romagnoli, and near was the villa of Mademoiselle Talvo, a vivacious French actress. In one of Kate's letters this sketch of their days is given : — " Before breakfast we walk a little ; after it comes the mail, that always brings me papers and letters from al- most the four quarters of the globe, which are duly read and digested. Then, perhaps, write a Httle, or perhaps I chat on the steps. At 1 2 m. we bathe ; but I have got tired of bobbing up and down under cover, so in a few days I shall begin to take swimming lessons. I am very curious to know how my courage will deport itself. Perhaps ill, as it always does on great occasions. After bathing we sit all in a pile upon the terrace built out in the sea, and laugh and talk there until 3. At 3 we dine; after dinner, perhaps I write or read or do nothing. At 6 p. m. we make ourselves somewhat decent, and promenade along the ' passeggiata,' as it is called, watching the myriads of carriages from Leg- horn and the surrounding villas containing gayly dressed men and women, — for you must know the Ardenza is the termination of the fashionable drive, — or we walk to Anti- gnano, the charming village a mile beyond." There were frequent dances, and there were even- ings when Miss Field was asked to sing; and a beau- 114 Kate Field tiful bouquet was one night offered her as a tribute. Of this night she writes : — " We have had another concert, at which GiovaccHni Ricci played the viohn most exquisitely. La Talvo sang a romanza from Donizetti very well. There was a scherzo for piano ; Madame dell' Imperatore sang a duet with an officer and ' Mira la bianca luna ' with me, but the latter went badly. I sang ' Ma voce poco fa ' and ' Ah ! fors' e lui.' They seemed to think I sang very well, but I did not think so. Principessa Argirapolo (a Greek girl) played re- markably well on the piano. VVe had among our audience Princess Batellini, first cousin to Napoleon, who is a fine, talented, and noble-looking woman, though immensely stout ; her two daughters, who looked like servant girls ; a Countess who is a second cousin to Napoleon, and who lives near here, and is very pretty : to me, indeed, decidedly distinguee. . . . Since then we have made an excursion to Monte Nero (near here) with a large party. We had a nice breakfast halfway up the mountain and sang lustily. Two balls have taken place this week ; the last was the winding up of the season." To another concert Kate thus alludes : — " We had been lingering late in the moonlight, and com- ing in a rush was made for the piano. The ' Croce di Savoia ' (written for caro and soprano, dedicated to Picca- lomini, whom I heard sing it last winter) was produced and played through by three good amateurs, two gentlemen and a lady, — two at the piano and the third at a broken-down tin pan formerly a piano. Then the young men sang the choruses ; but such sticking at the solos ! What was to be done ? I mustered courage and exclaimed, ' I '11 sing them ! ' This offer was gladly accepted, and ' Croce ' was bised and bised, and da capoed, da capoed ; and when all was over everybody was very gracious and eternally obliged. Florentine Days 115 Every evening we are to practise, and every Sunday we give a concert, when all the visitors of the town assemble. ' Una voce come un campanello — perfettamente intuonata,' and many more such compliments I had. This morning every- body bows, so you see I am on the road to favor. It is per- fectly delightful to sing in the hall, it is so nice and high, the voice rings through it, and I feel very happy at having so good an opportunity to sing. Mrs. Hanan was the prima donna last year, but this year no one has a voice except myself." The victories of Garibaldi were thrilling the air, and Kate was in ardent sympathy with the liberty of Italy. A Southern cousin remonstrated with her on some expression in one of her letters to the " New Orleans Picayune," and hoped, as Kate said to a friend, that it " ' did not spring from my own convic- tions, but from the opinions of others.' She little knows me if she thinks I could write contrary to my own convictions," added the girl. The idyllic evenings of the dolce far niente days ran on, and a picture of one of these is suggested in this paragraph from a letter of Kate's to her aunt: — " Last Monday night twenty-two of us had a grand sup- per at the famous restaurant near Leghorn. The courses consisted of macaroni made with butter and cheese, oys- ters, fried chicken, fruit, and fine ice-cream, champagne, and wine of the country. The table was beautifully deco- rated, and we had a nice time. We sang Brindisi, and at twelve o'clock broke up. We walked home, singing na- tional songs the way along. . . . Miss Cobbe writes me a charming letter," again Kate records, "and says she is very well and very busy, so that her happiness is complete. Miss Blagden writes me that Mrs. Browning is quite overcome by the news of a sister's ill health. Have you read Mrs. Browning's last poem, ' A Musical Instrument,' that ap- peared in the ' Cornhill Magazine'? It is very pretty." 1 1 6 Kate Field The August of this summer (i860) was made memorable for Kate Field by her first meeting with Ristori, the great Italian tragedienne, whose friend- ship was destined to enter as a controlling force and influence all her future. Of the first sight of the great artist, she says : — " We have seen Ristori in Judith, Mirra, Medea, and in farce. Our delight is intense • a more fascinating creature I never saw, and her comedy is as fine as her tragedy. You could not have seen her to advantage, for I prefer her to Rachel. She is more melodramatic, I grant, but she has greater passion ; her love is real love. Rachel was not so superb in the softer passions, nor had she the beautiful figure and lovely face of Ristori. A more mobile expression I never saw ; her blue eye looks any color to suit the feel- ing of the moment, and when she smiles, disclosing pearly teeth, she is angelic. I am transported with her, and re- gret that we are not able to see her again. What a glorious effect would be produced with Ristori and Salvini in the same tragedy ! We have no actors in America ; we have no criticism. Italy produces both spontaneously ; but a bad Italian actor is the most atrocious conception on earth. Ristori looks more like an American than an Italian, — she is so exceedingly fair and feminine off the stage. I hope Edwin Booth will study the French and Italian schools of acting, and will remember to be natural. Give my love to Miss Cushman when you see her next, and tell her that I sympathize in her admiration for beautiful, good Ristori." The meeting with the great actress, Adelaide Ris- tori, who in private life was the Marchesa del Grillo, was the unconscious initiation of Kate Field into a line of work that she was destined to make brilliantly effective, — that of dramatic criticism. To her this Florentine Days 1 1 7 branch of literary art was of the highest importance. " A dramatic critic should believe as firmly in the nobility of his calling as the clergyman believes in the sacredness of his pulpit," she said. " If acting is an art, — and the greatest minds have placed it high among the fine arts, — if the stage has such tremen- dous power for good or evil, surely a critic should hold himself aloof from every influence that is likely to trammel his judgment." To follow in retrospective completeness a strong individuality through the period of time passed on earth is to become dimly aware of the rhythmic nature of life : the symphonic nature, indeed, one might almost say. For in this life, here, as in a great symphony, one will find a motive introduced in the first movement recurring again and again each time, with different combinations, but still recognizable in its identity. So do the presence and influences of certain persons recur and reappear in a given lifetime. They appear at intervals, like characters in a play ; they come and they go, but are always liable to re-enter into that personal drama in which they are evidently among the appointed actors. " We meet — at least those who are true to their instincts meet — a succession of persons through their lives, all of whom have some peculiar errand to us," said Margaret Fuller. " There is another circle whose existence we perceive, but with whom we stand in no real relation. . . . Another circle is within this, one near and dear to us. . . . But yet a nearer group there are, beings born under the same star and bound with us in a common destiny. These are not mere acquaintances, mere friends, but are sharers of our very existence. The times of these meetings are 1 1 8 Kate Field fated, nor will either one ever be able to meet any other person in the same way." It was thus that Ristori entered into the life of Kate Field. The sum of that Italian summer by the blue sea — the residuum that remained for Kate — was this forging of the link that bound her to Madame Ristori. The problem of fate is an intricate question ; still, life is not made up of blind chance nor of automatic movements. Every outer event has its inner cause. The dramatic personality of Madame Ristori made on Kate an impression that kindled her imagination and colored all her future life. It was the source of her distinctive and important contribution to the lit- erature of dramatic criticism which found its fruition in such papers as her monograph on " Adelaide Ris- tori ; " her series of three papers on " The Hamlets of the Stage ; " a monograph, biographical and criti- cal, on " Charles Albert Fechter," and others entitled, "A Conversation on the Stage," "Fechter as Hamlet," and " Ristori as Marie Antoinette." All of these, with the single exception of the latter, were published in the "Atlantic Monthly," and in the same magazine appeared Miss Field's " Last Days of Walter Savage Landor," running through three numbers; her pa- per on " Elizabeth Barrett Browning," and the delight- ful transcription of Florentine days called "English Authors in Florence." This group of a dozen papers all appeared between September of 1861 and Decem- ber of 1870. In the paper on Adelaide Ristori Miss Field thus contrasted her with Rachel : — "There is no common ground upon which Rachel and Ristori can meet. Their conceptions of Phfedre may be compared, but not their genius. Ristori makes a tour de Florentine Days 119 force of what with Rachel was bone of her bone and flesh of her flesh. She is noble in it ; her reading is beautiful, as it ever is; and some of her points, particularly in the fourth act, are fine ; but we do not feel a character. Ris- tori's large humanity speaks through it all, and we heartily wish that ' Phedre ' had never been translated. Rachel was fifteen years in mastering the idea of this wretched daughter of the monster Pasiphae. How useless, then, to look for an equal work of art from a foreigner, with whom the part is a comparatively recent assumption ! Independently of predestined genius, Rachel's figure eminently fitted her for the rendering of Greek tragedy. Drapery hung upon her as it hangs upon no other human being, her very phy- sical defects making her the more exquisitely statuesque. Rachel's effects depended greatly upon her poses, — her poses depended upon her drapery, the management of which had been one of her profoundest studies. She knew the secrets of every crease in her mantle. Every movement was the result of thoughtful premeditation. A distinguished painter once said to us : 'I never studied my art more carefully than I studied Rachel. I watched her before and behind the curtain, and so narrowly, that, while one action was going on, I could see her fingers quietly, and to all appearances unconsciously, making the folds by which she shortly after produced a beautiful effect in what the public considered a spontaneous pose.' This is plastic art, and Rachel was mistress of it. Of course, Ristori has little or none of it in 'Phfedre.' Impulse is death to it, and no amount of pictorial genius will produce re- sults for which years of practice, as well as of thought, are required." In her "Conversation on the Stage," Miss Field struck the keynote of the dramatic dialogue which she afterward used so effectively in producing her comediettas. After the fashion of Landor's " Imagi- 1 20 Kate Field nary Conversations " and Mr. Story's pleasant " Con- versations in a Studio," Kate expresses her own specu- lative views and observations in the discussion of two characters whom she calls Vif Esprit and Sang-froid. The influence of Landor stimulated Kate's literary inclinations as that of Ristori did her dramatic tastes. Charles Caryll Coleman had painted for her a study of Landor's head, which, as the last portrait ever painted of him, has an enduring interest. Kate in- troduced the subject to Mr. Landor, and she after- ward related the conversation as follows : — " ' Mr. Landor, do you remember the young artist who called on you one day?' " ' Yes, and a nice fellow he seemed to be.' " ' He was greatly taken with your head.' " (Humorously) — 'You are quite sure he was not smit- ten with my face ? ' " ' No, I am not sure, for he expressed himself enthusias- tically about your beard. He says you are a fine subject for a study.' " No answer. " ' Would you allow him to make a sketch of you, Mr. Landor? He is exceedingly anxious to do so.' " ' No. I do not wish my face to be public property. I detest this publicity that men nowadays seem to be so fond of. There is a painting of me in England. I have been urged to allow my portrait to be inserted in my books, but never would I give my consent.' (Notwithstanding this assertion, it may be found in the 'Lost Fruit.') 'It is a custom that I detest.' " ' But, Mr. Landor, you had your photograph taken lately.' " ' That was to oblige my good friend. Browning, who has been so exceedingly kind and attentive to me. I could not refuse him.' Florentine Days 121 But, Mr. Landor, this is entirely between ourselves. It does not concern the public in the least. My friend wants to make a study of your head, and I want the study.' " ' Oh, the painting is for you, is it? ' Yes. I want to have something of you in oil colors.' " ' Ah, to be sure ! The old creature's complexion is so fresh and fair. Well, I '11 tell you what I will do. Your friend may come, provided you come with him — and act as chaperone ! ' This was said laughingly. " 'That I will do with pleasure.' " The nobility of Landor's head is admirably depicted in this portrait. October found Mrs. and Miss Field again in Flor- ence in the Piazza Pitti opposite the Pitti Palace and very near Casa Guidi. Kate's health was improving slowly, but she had then, as all through her life, a del- icate physique, upheld by a steel-like nervous force. " I don't know what it is to be free from — not ex- actly pain, but uncomfortableness," she writes ; and the cause is not far to seek in the conjunction of an originally delicate constitution and the pervading order of un-hygienic living of those days. " I am not unhappy about myself, however," she wrote, " but about Garibaldi ! His declaration that the two Sicilies shall not be annexed to Piedmont until he has marched through Rome sounds like a hot-headed boy. The sooner Italy is consolidated, the better will be her position with other Powers. . . ." The letter runs on : — " I 've finished the first two volumes of Gibbon, and am quite fascinated with him. I am beginning to wake up to a sense of my enormous ignorance, and perhaps if I live I may know something in the course of a few years. After 12 2 Kate Field all, considering that I could not do anything in July and August, my time has not been entirely thrown away, for besides carrying on a large private correspondence I have read ' Aurora Leigh,' ' Men and Women,' ' Bacon's Essays,' 'Transformation,' 'Tom Brown's School Days,' 'Three Clerks,' ' The Bertrams,' ' Scenes in Clerical Life,' ' Id^es Napol^oniennes,' and the two volumes of Gibbon's, be- sides dipping into various other books, reading Italian news- papers, writing twelve letters to 'Picayune,' that account of watering-place life that I sent you, and thirty pages of a something at which I am now experimenting. I know this is nothing, but it is an improvement on the Kate Field of old. Three months of last year commencing to-day I did nothing except lie on a sofa and be miserable." Dr. Gresanowsky had become a warm friend of Miss Field, and it was he who secured their apart- ment in the Piazza Pitti. The prices in Florence then were not high ; several well-furnished rooms on the first piano were but twenty-two dollars a month, and two flights higher were four dollars less. But stairs were a serious consideration. His letters playfully recount the details of apartment-finding, and in one the learned Doctor writes : — " I think it is high time for you now to come back to Florence, as the sea water seems to have a very exciting effect upon you. Such a mania for Ristori, as if she were a solid angel. Oh, womankind ! Oh, youth ! And what do you say of Garibaldi ? And what of King Victor's war pro- clamation? Miss Blagden has wrapped herself in complete silence." Finally in November Mrs. and Miss Field changed their abode for a first floor opposite the Trollopes in the Piazza Independenza. Florentine Days 123 "We are to furnish the rooms ourselves," Kate writes, " the Trollopes kindly volunteering to lend us some furni- ture to start with, and it is by far the most economical way to live in Florence. The furniture soon pays for itself and the remarkable decrease in the rent for unfurnished apart- ments is a consideration. Our situation, so near the dear Trollopes, will be a great comfort to us, and the Piazza is by far the healthiest locality in the city." In these autumn days Kate began her study in music and Italian with renewed zeal. Her health was much better, and the gentle mother's companion- ship and care were her best safeguards. Florence was thronged with Americans that year, but the little circle of the Brownings, Trollopes, Dr. Gresanowsky, Mr. Lander, Miss Blagden, and Mrs. and Miss Field held their intimacy rather apart. To her Aunt Corda Kate writes : — " Anthony Trollope is a very delightful companion. I see a great deal of him. He has promised to send me a copy of the ' Arabian Nights ' (which I have never read) in which he intends to write ' Kate Field, from the Author,' and to write me a four-page letter on condition that I answer it. The Brownings returned day before yesterday. I sent her a bouquet yesterday and intend calling to-day." The Christmas of i860 dawned in Florence in a cold driving rain. Kate and her mother dined with the Trollopes, Miss Blagden and Dr. Gresanowsky being of the party, and she records among her gifts an album from Miss Blagden, and a picture — "a perfect gem" — from Mr. Vedder. " I made only two gifts," she writes, — " one to Beatrice Trollope and a camellia to Mr. Landor. The old man made 124 Kate Field us a visit the next day and presented me with the only copy he possesses of his works, in two large volumes. They are filled with his corrections and doubly valuable on this account. Was it not kind of the poor old man? A few days previous he sent us some very fine grapes. The world may say what it pleases of Mr. Landor. I cannot but feel a sympathy for him, and certainly his errors have fallen most heavily on himself." The New Year of '6i was inaugurated by a grand ball given in the Palazzo Vecchio by Signor Recasdi. A magnificent suite of rooms was thrown open and the scene was a brilliant one. Miss Field, with whom dancing was a passion, appeared for a little while in a white tulle ball gown garnitured with silver lilies, but the still delicate state of her health did not admit of long indulgence in festivities. A young American artist, Mr. Greene, left Florence about this time and made a parting gift to Miss Field of a sketch which she thus describes : — " It is a moonlight scene ; the stars are out, and a meteor tracks the heavens. A troubadour with guitar in hand is serenading his lady-love, who is listening at an open win- dow. The house and figures are in shadow, and fire-flies glow in the dark. The frame is very appropriate, and on the top are carved two bars of music from the serenade in ' Trovatore,' ' non ti scordar di me.' Is not the idea in- genious? Greene is a fine fellow and deserves success. His crayon of me excited universal commendation. I send you a photograph of it that does not of course do the crayon justice. Green took a sketch of Beatrice Trollope also that he presented to her mother. It is an admirable likeness, and Mrs. Trollope is delighted with it. There still remain three young artists, Baldwin, Coleman, and Oliver Lay, all three New Yorkers. Mr. Baldwin will never be an artist, but Florentine Days 125 he is a noble character and very well educated. His father is very wealthy. Coleman is poor and has great feeling for art, — he is very clever in landscapes. Oliver is one of the handsomest and most charming young fellows that I have ever met. He is remarkably mature for his years, is well educated, talks well, argues with originality, is well read, and very imaginative. He has the most wonderful and yet practical dreams that he relates with glistening eyes and in romantic language. They are almost always allegorical. Oliver reads exceedingly well. What he will do in art I can't say, as I have seen nothing that he has done, nor have any of the students ; besides, he is a beginner. He is going to Paris to study very shortly. All I know is that he is a singularly interesting boy, and when you see or write to Aunt Charlotte, .please tell her the same, that it may be repeated to his mother. He has dined once with us and drops in every now and then. The Trollopes, through me, have invited him to their house, but he has not gone yet. He is eminently calculated to take care of himself. His mother need have no fears for him." Under date of March 31 of this year, Kate writes to her aunt: — " Is it really true that Miss Prescott is engaged to Mr. SpofFord? . . . Well, I've read 'Sir Rohan's Ghost' and am disappointed. I don't think it nearly as good as her stories in the 'Atlantic' There is an entire want of ana- tomical knowledge, if .1 may so speak. She has a great deal of gorgeous coloring, showing that she possesses to a great extent the first requisite of a writer, imagination, but character-drawing so far she utterly fails in. Then there is an effort and straining at saying clever things in the dialogue which shows she makes her people talk with difficulty. This criticism of ' Sir Rohan ' does not take away from my firm belief in her talent, and if she only has the proper advisers 126 Kate Field I doubt not a few years will cure her of her faults. The misfortune in America to a young author is that the general tone of conversation is slangy and that the least promise of talent calls forth enthusiastic praise unadulterated with that sound criticism so necessary to stifle self-conceit and pro- mote the improvement of the writer. I do hope Miss Prescott will not be spoiled. If she could only come to Florence she would be on the road to salvation. Her tech- nical knowledge of different subjects is perfectly wonderful, and foreign travel would open to her a mine of thought. . . . Miss Blagden's book has arrived, but I have not seen it yet. She is a good creature as ever was. Lady Ashburton got down on her knees to Hattie Hosmer the other day, and gave her a magnificent ring, a ruby heart surrounded with diamonds. Why she went on her knees is a mystery. Is not Hattie lucky? She is fortunate in everything. Is it true that Miss Cushman is to pass the summer in Florence ? I hope so." The Brownings go for a little visit to Rome, and Mr. Browning thus writes to Kate: — Rome, Via del Tritone, 28, March 29, '60. Dear Miss Field, — Do you really care to have the little photograph ? Here it is with all my heart. I wonder I dare be so frank this morning, however, for a note just received from Isa mentions an instance of your acuteness that strikes me with a certain awe. " Kate," she says, " persists that the ' Curse for a Nation ' is for America and not England." You persist, do you? No doubt against the combined intelligence of our friends, who show such hunger and thirst for a new poem of " Ba's," and when they get it digest the same as you see. Write a nation's curse for me, quote the antislavery society five years ago, and send it over the Western seas. " Not so," replied poor little Ba, " for with my heart sore for my own land's sins, Florentine Days 127 which are thus and thus, what curse can be assigned to another land when heavy sins are mine?" "Write it for that very reason," rejoined Ba's botherer, "because thou liast strength to see and hate a foul thing done within thy gate," and so after a little more silly rallying and shilly-shallying she wrote and sent over the western sea what all may read, but it appears only Kate Field out of all Florence can understand. It seems incredible. How did you find out? Besides the meaning of all these puzzling phrases, which I quote in the exact words of the poem, that the people who have broken their own chain and climbed a nation's height yet thence bear down with brand and thong on souls of others, are not precisely the English, but those who have a claim to honor in the Old World's sight are likely to live in the New World. In short, you are not only the delightful Kate Field, which I always knew you to be, but the per- spicuous creature to whom I am suddenly found bowing down before you as the sole understander of Ba in all Florence. Kate persists, etc. I can't get over it. To be sure, the Athenaeum pretended to make the same blunder for a private pique, but then it had the instinct of its kind, the crawlers, and took care to leave out of its quotations every word of the explanatory prologue I have been laying under contribution. But I thought the friends you " persist " against would read in plain English, and were inclined to pay a moderate attention to that of the divine Mrs. Browning. They precipitated themselves upon this excruciatingly expected work. They read, marked, and thoroughly digested those precious words above cited. They devoutly thanked God they were not called to discuss any of the unintelligible Browning, the husbands stick Jew jordellian stir about, and they came to a conclusion which Kate Field persists against. Browning, the husband, means to try increasingly and grow somewhat intelligible to all of his intimates at Florence, with the sole exception of Kate 128 Kate Field Field, to whose comprehension he will rather endeavor to rise than to stoop henceforth ; and so, with true love from Ba to Kate Field, and our united explanations to all other friends, that the subject-matter of the present letter is by no means the annexation of Lombardy and Nice, she will believe me, Hers very faithfully, R. B. Mrs. Browning also writes : — Rome, Tuesday. Indeed, my ever dear, kind Kate, you gave me a great fright with the first page of your letter, but from writing herself to you as a shade better, I take heart again and trust it may simply be an attack of grippe. Isa catches cold easily. I am glad she has . . . and do hope that you will be ministering angel enough to let me have a word before I leave Rome. Only if it is n't done spontaneously, don't write because I say this. We shall be gone before a letter of yours could arrive here. We go on Saturday, creeping along the road by Siena, and expecting earth- quakes and banditti as travelling companions. Would that we could hold some magic in our hand which by thinking of a party we hear where you are. At Rome it is very hot and oppressive. In fact, we have overstayed our time. The winter has been mild, and I have had repose for the most part. Now the necessity for effort which comes with the summer frightens me, yet I am better and stronger in body and soul. My dear Kate, never say that I have cursed your coun- try. I only declared the consequences of the evil in her, and which has since developed itself in thunder and flame. I feel with more pain than many Americans do the sorrow of her transition time ; but I do know that it is transition ; it is crisis, and you will come out of the fire, purified, stainless, having had the angel of a great cause walking with you in the furnace. As to England, a late article in the " Post " Florentine Days 129 has quieted the worst of my fears, and, in fact, the govern- ment could scarcely cover itself with apologies up to a certain point. It has been bad enough, what we have read in the "Times " and elsewhere, of ignoble selfishness on this sub- ject, and listened to Lord Brougham, but we may trust England as under her present political regime for being consistently interested as far as she can and dares. Why blame her? Is it not proved that the Boers murdered them- selves, and that the lonians would but for her tender care, and that the Suez canal is impossible because France and the Nation might get some good by it? Why talk any more after these things are evident ? For me, I have done talking, I only groan. Have mercy upon us, miserable sin- ners, is my form of the National Anthem. So, Kate, you are learning Latin and communing with W. S. Landor, and he feels, as we all do, that you are clever, dear, and good, and that the more we have of you, the better. Give my love to . . . Oh, our photographs, how hke you, and how glad we were of your words ! And now good-bye till we meet next week. Very affectionately yours, E. B. B. My husband sends his love. He may. In reply to the urgency of her aunt, Mrs. Sanford, that Mrs. and Miss Field return to America, Kate writes : — "There are all good reasons for returning home, but there are still more powerful ones for remaining here. I assure you we have not the money to live out of Italy. Here we can exist comfortably within our income, which were it tripled would not insure us a respectable living in America. Were I strong and healthy, and could submit to many inconveniences fighting my own way, it would be different; but I am equal to nothing of the kind, — the 9 1 30 Kate Field greater part of my time is passed in an easy-chair. Dis- tances are so great in New York that I never could walk ; and where I pay a dime here for conveyance, I should pay a dollar in America. No, dear ; much as I wish to see you, whom I miss more and more as I grow older, much as I wish to have mother surrounded with her own particular interests and family, we cannot leave Italy." Patriotism was a passion with Kate Field ; and most characteristic of her is this expression, written to her Aunt Corda, under date of June 21, 1861 : " You speak of ' feeling apathetic' Is it possible that any American in times like these can dream of such a thing? You must be ill, or you would be more alive than you ever were before, — invigorated, strengthened, by the grand attitude which America has taken before the world. ' Un grand peuple se relive,' to use the title of M. Gasparin's good work upon America. The one thing that makes me happy in my far-off exile is the patriotic pride which posi- tively makes me glow with satisfaction. Our house is very hot, our money is almost oozed out, our doubts about rein- forcements are great, our sanitary state is none of the best, yet we joy on, content ; and if we must starve to save the Union, then let us starve. What are individuals in com- parison with the nation's welfare? And you, who are so fortunate as to be a witness to the American regeneration, feel apathetic ! Go, armed with the thimble, needle, and thread, and offer your services at the Evans House where the Sanitary Commission is toiling. Quicken your blood by pricking your fingers in the making of drawers and shirts, or even work at home. Without an object in life, no one can be happy; and there are so many calls made upon philanthropy, that no one can say there is no opportunity of being of use. It is my only salvation that I can find food in the politics of the world ; they fill up the vacuum that Florentine Days 1 3 1 otherwise would yawn for want of friends and activity. On my couch, with no visitor hardly from one week's end to another, I find enough to do to be interested in, and time flies so rapidly that I am terrified at the wicked manner in which I let slip my opportunities. Yet I am not absolutely idle. You want to know what will be the end of this war. I don't think we have any right to look into the future. What we do know is that the Union has been betrayed, gov- ernment property stolen, and the flag disgraced. What we know is that traitors should be punished, property recap- tured, and the national flag rescued from dishonor. These three things we know ; these three things are right ; these three things therefore must be done. What will be the con- sequences? The consequences of right axe good." Kate's patriotism, indeed, cost her what most girls would have held to be too great a price. Her uncle, who was then a millionaire and childless, had an- nounced his settled purpose to make her his heiress. But his sympathies were conservative. He had not the breadth of mind to welcome sacrifice, loss, or ruin if it meant the triumph of principle: ; and Kate's spirited espousal of the radical side of the war in her press letters, brought upon her his censure and his command to cease. She, however, had the courage that could hold fast to a forlorn hope and assert, " One with God is a majority." He reversed his deci- sion ; and the girl who had been encouraged to feel that the ways and means of life were provided, was thus left — in ill health, in a foreign land, a girl of twenty-one — to face the future as best she might, and provide for her mother and herself. Yet was she steadfast and magnanimous always. Her spirit is revealed in this passage from a letter to her aunt about this time : — 132 Kate Field " You are good enough to say that if we are in need of the necessaire you will accommodate us ; but you forget that your money is in reality Uncle Milton's ; and you for- get that he would not respect me, nor I respect myself, did I become still more indebted to him when his feelings -towards me are as they are. Put yourself in my position and ask yourself if I am not right. Were we able to live independently of you in America, and there was a hope of my being able to refund the sum advanced, the inducements to return home would be so great that your proposition would be accepted ; but there is no such hope, I am sorry ■to say. You know that my feeling towards Uncle Milton has ever remained the same." These family matters are not literary material, and this reference is only made as it involves a fact bear- ing on Miss Field's life. Mr. Sanford, although con- servative and devoid of the heroic nature, was a man with many admirable qualities; and the development of the future of his gifted niece was nobler and greater in that she was left without his inheritance. Gf Landor at this time she writes : — "Mr. Landor comes to see me every day, bringing me flowers, books, etc. ; and although I have the very highest respect for his intellect and derive advantage from his visits, yet I do grudge passing every morning to such compara- tively small profit. I console myself by thinking that I am pleasing an old man, and therefore making myself useful. He sent me yesterday all the manuscript scraps in his pos- session, which I am to edit and publish after his death. What will Mr. Forster's biography say to this? I endeav- ored to persuade him otherwise ; but he insisted, and I was obhged to accept them in self-defence. Mr. Landor's praise of me is too extravagant and absurd to mention. Let us hope that I may never offend him, and thereby become Florentine Days 133 quite as black as I am now white, as is the case with his attached friend Forster. But, Aunt Corda, Mr. Landor is a great man, the cleverest mind I have ever encountered, as well as being the most wayward, — wayward in temper and fancies. There is much good in him. His latest donations to me are a Virgil, a fine Latin dictionary, and Aubrey de Vere's poems, that I fancy greatly." As the summer again came on, it became evident that there was little improvement in Kate's health, and she began to look, not hopelessly, but certainly with serious questioning, at the future. She loved the dreamy air and the poetry of the golden sunsets as seen from Villa Brichieri, where Miss Blagden dwelt on Bellosguardo ; but a haunting fear that she was doomed to invalidism recurred to her and would not be silenced. She was learning, too, that between the two arts that beckoned her with almost equal attrac- tion, Literature was more her own than Music. With her artistic temperament there was another that responded to affairs ; to activities and to a certain universality of interests to which the artist par excel- lence must sometimes close his eyes. As the poet says : — " Who loves the music of the spheres, And lives on earth, must close his ears To many voices that he hears." That Kate loved the music of the spheres there was no question ; but neither at this time nor increasingly in her after life, could she ever succeed in closing her ears to the many voices. While the art-life is en- riched by all possible breadth and extension of inter- ests, .there is yet in it a demand for a degree of absolute concentration ; and the nature of Kate Field was one that responded in too many directions to 1 34 Kate Field ever permit her to centre her forces on a single line. In her after hfe this fact was sometimes regretted by her friends ; but when the period of years passed in this world is regarded in its true light as the prepara- tory and experimental stage out of which a more positive and definite life of achievement is to be evolved, it can hardly be other than encouraging to see a nature keenly responsive to progress in more directions than one. Kate's girlish ambition for the lyric stage was, at this period, modified, and she said : " If only I had strong health and no disposition to write, I could give myself to lyric art unreservedly; as it is, I feel that writing is my only hope." If heredity is a force with which we must reckon, this complication of the girl's inclinations and gifts is not strange when the mixed conditions of the drama, of literary work, and of practical and executive mat- ters that filled the life of both her parents and the an- cestry back of them, are remembered. Her father's versatility was to her an inheritance. The June of i86l found Mrs. Browning's strength failing, although, until the last day of her life, she did not consider herself sufficiently ill to remain in bed. On the last evening of her life she read the " Athenaeum " and the " Nazione," and when her little son kissed her good-night she smiled and said : " I am better, dear, much better." Her death brought to Kate a loss that made upon her an impression never to be effaced. In two letters to her Aunt Corda, dated June 29, 1861, she thus tells the touch- ing story : — Florence, June 29, 1861. Darling, — I am sick, sick at heart, for dear Mrs. Brown- ing is dead. The news was as sudden as it is dreadful, for Florentine Days 135 though she has been quite ill for a week past, yet her health has always been so feeble that I firmly believed she would rally as of yore. I believed that God had more work for her on earth before he called her to fill a glorious place in Heaven. During her illness I have not seen her once, as she was unable to converse, but I went every day, and always the report has been more encouraging. Two days ago we saw Mr. Browning, and he like myself deceived him- self by founding hopes upon her powers of endurance. Yes- terday Mrs. Browning said that she felt better, read a little in the "Athenaeum" and saw Miss Blagden as late as eight o'clock in the evening, who left her with but little misgiving. This morning, at half-past four, she expired unconsciously to herself with the words, '•' It is beautiful," upon her lips. Poor Mr. Browning was entirely unprepared for the terrible blow. When she raised herself to pronounce her dying words wherein she expressed the glorious life which was opening upon her, he thought it was simply a movement premonitory to coughing. I have not seen him, but Miss Blagden, who is constantly with him, says he is completely prostrated with grief. The poor boy wanders about the house, sad and disconsolate, hardly realizing that his angel mother is no more. We went to the house the moment we heard of Mrs. Browning's death, but could be of no use. All that we did was to buy flowers and consecrate them by placing them around all that is left of one who was too pure to remain longer in this world. They have cut off all her hair, and the emaciated form was heart-rending to look upon. I almost regret that I have seen her in death, only that I do not wish to shun the house of mourning. I am sufficiently callous as it is. Her last act to me was one of kindness, insisting upon our going up to Villa Brichieri with Mr. Browning in a carriage. Almost the last thing that I did in her presence was to kneel before her, and say that when near her, I always longed to be at her feet — and she 136 Kate Field was so gentle and kind, so loving and unassuming. Her character was as perfect as God permits in the flesh. What Mr. Browning will do, I don't know. His nature is so excitable that at first I fear the consequences ; that in the end this terrible loss will chasten and perfect him, I trust and pray. He who has never had any heavy affliction is now to feel its rod of iron, iron that remorselessly enters the heart and lacerates in the name of the Highest. I cannot realize what has befallen us and the world. The almost last link that binds me to Florence has been sundered, and I long more than ever to be away. Mr. Browning will surely leave Italy, and I should not be surprised did he seek a home elsewhere. Italy and his angel wife are one. Or perhaps for this very reason he will be the more ready to remain. I doubt this. Now I know nothing more than that she is dead, to-morrow we are to learn if anything can be done, and are to do it if called upon. I cannot help perceiving that Dr. Wilson, who was called in owing to the absence of Gresanowsky, and who is most forbidding in physiognomy and is said by some to be a humbug, has hastened Mrs. Browning's death by resorting to a violent practice which her weak body was thoroughly incapable of enduring. He began by frightening her, telling her what a fearful state her entire system was in, — a fine way to treat an imaginative person. Gresanowsky knew her constitution, and it does seem most unfortunate that he should have been absent. Since the medical murder of Cavour, I have begun to distrust all doctors in Italy. Dear Mrs. Browning had reached the age of fifty, and had labored long and nobly for humanity, therefore we must be resigned, and think that her release from a long-suffering diseased body is Heaven's reward for a pure, religious life, religious in the truest sense. I can never forget her, and hope that her memory may lead me to better things than have yet been my aspiration. I thank God that I was permitted to know Florentine Days 137 her, that I can claim her as a friend, that I may look up- ward for one more tie binding me to a life hereafter. Florence, July i, 1861. Dearest Aunt, — I have been completely upset for the last three days, — the death of Mrs. Browning has unfitted me for doing anything. We have just returned from her funeral. We have seen all that is mortal of her buried in the beautiful Protestant burial-ground outside of Florence's walls, where lies Theodore Parker. The service was accord- ing to the Episcopal form. No discourse. Her life had been a sermon ; she needed no other. It was agonizing to look on Mr. Browning — he seemed as though he could hardly stand, and his face expressed the most terrible grief. The poor boy stood beside him with tears in his eyes, and when I glanced from them to the pall where their loved one's remains lay, it seemed as though the sorrow was too much to bear. I yearned to go to Mr. Browning and weep with him that wept. The scene was made impressive in spite of the minister; it was very short, and we were hurried away by Mr. Trollope. A lovely wreath of white flowers and a laurel wreath were placed upon the coffin. The funeral was managed by a friend of the Brownings, and so managed that no one knew anything about anything. Orders were given in the greatest confusion during the three days, and up to this morning I was told that no ladies were to be at the grave. However, Mr. Browning expressed a wish that Miss Blagden should be present and all other friends that desired to ; therefore at the last moment I sent word to those whom I knew would wish to attend, and in this way there were sorrowing women to mourn for a great woman. The funeral would have been meagre with- out them. I thought that Mr. Landor ought to have been there, and had I known that the service would have been so short would have gone for him. The Storys came up 138 Kate Field from Leghorn; young Lytton, Mr. TroUope, the Powers, and others paid the last tribute to her memory. There were very few Italians; they were invited to attend, but with their usual indifferences abstained from doing so, in- different to one who loved Italy with her whole soul and labored for it with her whole intellect ! England and America will mourn if Italy does not. Mr. Browning is almost heartbroken; last night he did nothing but rush through the house. He says that he will sell everything, settle up everything, and leave Italy forever, — only return to be buried beside his wife. He will probably go almost immediately to Paris, where his father and sisters live. God be with him ! My hold upon Italy has gone. The Brown- ings were dear to me ; she was a guiding light, and will ever remain so, wherever I may be. With the breaking up of the Browning household the glory of Florence vanished for the girl who had so deeply loved and revered Elizabeth Barrett Browning. There was for her in the air that subtle feeling so exquisitely expressed in the lines of Bliss Carman : — " The old, eternal Spring once more Comes back the sad eternal way ; With tender, rosy light before The going out of day. The great white moon across my door A shadow in the twilight stirs ; But now forever comes no more That wondrous look of Hers." Yet, withal, while Kate grieved for the inspiring friend who had .vanished from mortal sight, and while obstacles and difficulties surrounded her, she was not depressed. In the heart of the artist " There 's always, always something sings," Florentine Days 1 39 and her preponderance of the ideal nature was her saving grace. Youth and its boundless exhilaration were with her ; and although her press letters to Amer- ica were neglected (the war not unnaturally crowding out all other interests) she took matters with a certain serenity that was doubtless the effect of unseen ministries. " We see not half the causes of our deeds, Seeking them wholly in the other life, And heedless of the encircling spirit world Which, though unseen, is felt." Looking over Kate Field's life as seen in retro- spect, one cannot fail to recognize how her father, from the Unseen, guarded and directed his idolized daughter more effectively, indeed, than he could have done on earth. Mr. Browning and his little son, accompanied by Miss Blagden, left for Paris. Casa Guidi without her presence was intolerable to him. " Places are too much Or else too little, for immortal man." Just before leaving Mr. Browning sent to Kate this note : — July 6, 1 861. Dear Friend, — God bless you and yours for all your kindness, which I shall never forget. I cannot write now except to say this, and beside that I have had great comfort from the beginning. I know you are truth itself in all you profess to feel about her. She also loved you, as you felt. I hope to see you soon and talk with you. Meantime ever remember me as Your affectionate R. B. I speak to Mrs. Field also, you understand. 140 Kate Field Goethe's mother affirmed that whenever her son had a grief he made a poem of it. The impulse to record the deepest feehng in literary expression is with all writers, and Kate found in the writing of a sketch of Mrs. Browning a channel for hers. This article, which appeared in the September number of the " Atlantic Monthly" for 1861, has long since been conceded to be the finest interpretation that was ever given of Elizabeth Barrett Browning.^ It will forever remain the one perfect interpretation of Mrs. Brown- ing in its portrayal of the sympathetic divination that so peculiarly characterized her, and as the authorita- tive transcription of the exquisite life in Casa Guidi. Mr. TroUope read the article in manuscript and sur- prised Kate by pronouncing it the most adequate and perfect sketch of Mrs. Browning that he had ever seen. Kate wrote to her aunt: "I have sent it to the ' Atlantic,' but of course it will not be accepted, notwithstanding I said I would take no money for what was written as a tribute of love." However, it was accepted, and as in those days the " Atlantic " did not allow its contributors to sign their work, this paper was often erroneously ascribed to Mr. Story, who was a well-known contributor, and whose literary talent and well-known friendship with the Brownings gave probability to such authorship ; the circumstantial evidence being as misleading as such evidence has been known to be on more serious occasions than this. However, the semi-annual list of contributors which the " Atlantic " gave establishes this paper on Mrs. Browning as Kate Field's, even to those who do not know the fact from the personal side. To her aunt Kate wrote : — 1 A Study of Elizabeth Barrett Browning. Florentine Days 141 " Mr. Browning has a very severe cold, and the other night he thought he was dying, being attacked by a fit of strangulation. Miss Blagden says the change in his face is marvellous. God help him ! I love him more now for her sake. He has just written a reply to my note of sympathy, which I copy for you. ' God bless you and yours for all your kindness, which I shall never forget. I cannot write now except to say this, — and, besides, that I have had great comfort from the beginning. I know you are truth itself in all you profess to feel about her. She also loved you, as you felt. I shall see you soon and talk to you ; meantime and ever remember me as your affectionate R. B.' It is a great comfort to have this note, — to be told again that she loved me. Oh, Aunt Corda ! hers was such a beautifiil spirit that the tears flood up from my heart whenever I think of her, which is very, very often. We went to her grave two days ago. I could not feel that she was there. I hope she will think of me sometimes in the other world, and out of her love for humanity influence me for good. I did worship her as a glorious type of woman- hood, — unselfish, suffering, loving, grand. She is not dead to me j but the absence of her dear face is hard to bear. I am trying to write upon her, but feel how unworthy I am for such a task. We shall probably go up to Miss Blagden to-day. She is very gloomy, of course. To me Florence is one vast Campo Santo ; my hopes in it are dead. It seems as though there was to be a break up of everything. "We passed several evenings at Villa Erichieri before coming away. Mr. Browning is very subdued, very dear, and has been more than kind to us. He gave mother a favorite shawl that belonged to dear Mrs. Browning, and me a locket that she had before she was married, and of which she was very fond. In the centre is a crystal, in which is her hair shaped in two hearts. The gold around it is a serpent emblem of eternity. I cannot tell you how 142 Kate Field much I value this souvenir. We went to Casa Guidi to take a last farewell of it. Everything was just as she had left it, — the half-opened fan, the last ' Nazione ' that she had read, the open desk on which she had written all her poems. It was sad, very, very sad ! I felt far worse than when stand- ing at her grave. An artist here has sketched the drawing- room in oils, and has made a most satisfactory picture, not as a painting, but on account of the minute detail. He has put in everything, and the sketch brings the dear room right before you. Mr. Browning is to have it photographed, and has promised me a copy of it. He, Penini, and Miss Blagden leave to-day for Paris if all the furniture of Casa Guidi can be packed or sold in time. Miss Blagden has gotten release from her villa, stored her furniture with Mr. TroUope, and intends to pass a year at least in Eng- land. Mr. Browning does not think he shall ever return to Italy, — at least not to Florence. He says he shall never have a home again, but rove about the world. He said he might come to America some time or other. So there is nobody left in Florence but the TroUopes. You can fancy how changed the place must be to me. Dr. Gresanowsky, however, returns in the fall. I have met Lytton, the poet, several times. He talks exceedingly well, and is by no means a snob. I like to hear him converse, for there is no doubt about his being exceedingly intellectual, and he puts forth his best powers before Mr. Browning, whom he adores ; but I don't like the man as a man. Although under thirty, he has the broken-down appearance of a blas^ man of fifty. You can read dissipation in his face and in his stooping figure and shuffling gait. He is weak in character, and this one sees most readily in his poetry. There is nothing vig- orous about him, nor is there anything lofty in his aspira- tions. There never was greater contrast in persons, as well as mind, as between him and Mr. Browning. I pity Mr. Lytton, for he has misused his life ; but there is an inherent Florentine Days 143 want of truth and candor about him that prevents him from ever obtaining the respect of honest, earnest natures. He has lately written a review on Mr. Browning." Out of this apparently dissolving fabric of life new combinations were to arise. Friends are taken from us ; circumstances change like the baseless fabric of a dream ; the skies fall upon the ruins of our per- sonal world, and then out of this wreck and ruin suddenly arises, like a dream of enchantment, a new world that brings with it, in essence, all that is best of the old. " The flowing conditions of life," says Emerson ; and how true to actual experience is that description. " Who thinks at midnight morn will ever dawn 1 Who knows, far out at sea, that anywhere is land ? and yet a shore Hath set behind us, and will rise before." The truth of these words was to fulfil itself to Kate Field. Her Florence had crumbled before her eyes ; her health was very uncertain ; the financial reliance she had been encouraged to feel had been withdrawn because she had given full expression to her ardent espousal of the cause of the Union ; the war closed for the time the literary market; the dreams she had cherished of lyric art were abandoned ; the one beloved friend, Mrs. Browning, was taken from her, and the beautiful life in Casa Guidi was no more. Yet something whispered to the girl to be of good cheer. " Mortal, they softly say, ' Peace to thy heart. We, too, yes, mortal, Have been as thou art. 144 Kate Field Hope-lifted, doubt-depressed, Seeing in part, Tried, troubled, tempted. Sustained as thou art.' " Out of the chapters of experiences that make up life there always remains a certain residuum. The outer events vanish; the ideas and purposes de- veloped remain. In Kate Field's life the Florentine influences were to germinate and grow. They entered into her mind, moulding her character. They were to find their inflorescence in a certain exquisite grace that always invested her; in a purity of purpose and nobleness of quality which became the very fibre of her being. In the purely literary sense, also, this period had a rich fruition in her grasp of the themes embodied in her series of papers in the "Atlantic Monthly" be- tween 1861 and 1868, comprising her article on Mrs. Browning; the three entitled "Last Days of Walter Savage Landor; " the charming sketch, full of color and character-drawing, entitled " English Authors in Florence ; " and others, including " A Conversation on the Stage," " Adelaide Ristori," and " Fechter as Hamlet." All her life was she to draw sweetness and inspiration from this charmed period of her youth in Bella Firenze. LECTURING AND WRITING " Thought is the wages For which I sell days." Duty, freedom, truth, a divine life, what are they ? They are the real things of God, for which all poor temporalities of fame, ease, and life are to be cast to the winds. Theodore Parker. " Around the one who seeks a noble end Not angels, but divinities attend." Kate Field. From a Photograph, I865. CHAPTER IV O young Mariner, Down to the haven. Call your companions, Launch your vessel. And crowd your canvas, And, eie it vanishes Over the margin, After it, follow it, Follow the Gleam ! Tennyson. Lecturing and Writing. Intense Energy of Purpose. John Brown's Grave. Ristori, Fechter, and the Drama. Planchette's Diary. Death of Eliza Riddle Field. ON returning to America Mrs. and Miss Field passed some years in Boston, New York, and Newport without any very settled conditions of life. The summer of 1863 they spent largely at Sharon Springs, and in La Rue Cottage where they were boarding, there was a very interesting and accomplished Catholic priest, Father Fiarotti, between whom and Kate sprang up a warm friend- ship. The political state of the country interested Kate deeply. The policy of Governor Seymour of New York was then attracting attention and denun- ciation from the supporters of Lincoln ; and in a private letter Kate says : — " A fine state of mob in New York. How my blood has boiled the last two days ! Thank God ! Boston has behaved better. Our Governor has not addressed murderers and 148 Kate Field house-breakers as ' friends.' ' The fact is,' said a New York gentleman yesterday, ' our city is controlled by venal politicians; in Boston there is a government.' Abraham Lincoln can not have sunk so low as to be frightened out of drafting by Seymour and ' the left wing of Lee's army,' as the mob is called. The rioters only help on the good cause of union and liberty." During that summer Mr. Vedder and Charles Caryll Coleman made sojourns at the Springs, and the pleasant comradeship of Italy was renewed. Mrs. Field and her daughter changed their loca- tion frequently within the succeeding decade. Kate was thinking and writing and planning, and living her daily life with intensity and with purpose. Her circle of nearer friends included many of the most interesting people of the day. Boston was then in the golden age when Emerson and Lowell and Longfellow, Sumner, Dr. Howe, James T. Fields, and Edwin P. Whipple were to be met under the over- arching elms of the old Common ; when Curtis, Phillips, Garrison, and Lowell were to be heard from the platform; when Mrs. Julia Ward Howe was one of the younger matrons, — a brilliant pres- ence greatly sought and admired ; when Louisa Alcott first enchanted the juvenile world with her "Little Women;" when Louise Chandler Moulton was in the early dawn of her poetic fame ; when Edmund Clarence Stedman inaugurated his ex- quisite criticism ; when Henry Ward Beecher was the great preacher of the day, and Horace Greeley, Prof, and Mrs. Vincenzo Botta, and Phoebe and Alice Cary were prominent figures in New York life. From these days during her entire lifetime Mr. Stedman was one of the nearest and most deeply Lecturing and Writing 1 49 prized friends of Kate Field, giving to her appre- ciation and counsel and sympathy in a measure of which any mere mention conveys little idea of the fulness and strength of the inner current. It was somewhere about this time that Miss Field became the Boston correspondent of the Springfield " Republican/' then edited by that brilliant journalist, Mr. Samuel Bowles. The friendship between Miss Field and Mr. Bowles continued during his life, and one of the most finely appreciative of the memorial tributes to him was written by Kate Field. For a number of years Kate's letters to the Springfield " Republican " were signed " Straws, Jr.," in imitation of her father's signature of " Straws " in his press correspondence. In playful allusion to this pen- name is the following note from Mrs. Annie Fields : — Dear Kate, — Three cheers for " Straws, Jr.'' The letter is capital, — full of spirit from end to end. How glad I am you wrote this letter about Mr. Dickens ! It is such a reUef, somehow, to say a little when we feel so much. He told me of the pretty basket of flowers on his desk, and I beUeve I felt almost as much pleasure as you in the reading. A. F. Again is there this pleasant note from Mrs. Fields : — Dear Kate, — I have just read Miss Blagden's romance, " Agnes Trevor," which, in spite of inaccuracies of style, has fascinated me by bringing all Italy to my wintry fireside and filling the common world with lovely pictures of zcw-common character, yet such as we see slumbering under the mask which too many think is human, Christian — perhaps necessary to wear. . . . 150 Kate Field The great Fair held in New York in 1864 for the benefit of the Sanitary Commission was one of the subjects vividly handled in Miss Field's letters, in one of which she says: — " General Fremont and Mrs. Fremont were there, he look- ing very intensely out of that eagle eye, and she the em- bodiment of a strong, brilliant, impulsive woman. General McClellan also was there, creating a little curiosity and indeed a vastly interesting study to the impartial critic. It were not possible for such a head and face to save a country. Salvation is not written on a hair or a line, but there are symptoms of incompetency everywhere." And again, of the art of the day as represented in the donations to the Fair : — " By far the most hopeful and promising pictures among the rising men are the little interior 'Repose,' by George H. Boughton ; the ' Post Boy ' and ' Working for the Fair ' by Eastman Johnson ; the ' Prayer ' by Hennessy, and a sunny ' Interior ' by Charles Caryll Coleman. "The two hundred pictures that have been donated to the Fair represent almost as many New York artists, and demonstrate not only that art is patriotic, but that it is growing powerful in numbers as well. Church, Bierstadt, Dana, Vedder, Winslow Homer, Gifford, Samuel Coleman, Kensett, Beard, Whittredge, and Gray have contributed the best work." Miss Field's letters from Italy revealed her tren- chant incisiveness of expression, and her press work of these years shows the growing development of her pungent phrasing. It was an effervescent style, — arresting at the moment and not unfrequently en- riched with a vein of thought and epigrammatic ex- pression worthy of a less ephemeral medium than the LectuHng and Writing 151 daily press. She had an unusual power of present- ing scenes vividly with terse condensation. Abound- ing in a sense of humor, she served up many a phase of life with sauce piquante ; and her letters setting forth a dress reform craze that swept over New York and New England, a Fourth of July in Boston, the great Peace Jubilee held on the Com- mon, and various features of the season at Newport, are like a series of instantaneous photographs of the times. The contrast between the Newport of 1864 and that of to-day is a commentary on the development of " the leisure class " in America which might well enlist the attention of Mr. Thorstein Veblen. One of these letters bears the very Kate- Fieldian heading, " The Miseries of Pleasure : " while another invites the reader to " Richmond and Reli- gion," a keen bit of reflection on Jefferson Davis. Of Mrs. Howe's country house, near Newport, Miss Field thus writes : — " Six miles north of Newport, on what is called the West road, is a charming bit of nature known as Lawton's valley. It is a most decided valley, steep and narrow, bounded north and south by rather high hills. Through it a brook trickles, forming quite a pretty water-fall, above which there stands an old mill, long unused, which, from the valley below, looks like the remains of a Swiss chalet. This valley runs down to the sea; and here many 2. fete cham- petre, many a pleasant informal picnic, many an aesthetic tea, have been given by the lady whose cottage and whose hospitality have given celebrity to it. Here French officers have danced on the green, youths and maidens have wielded the mallet of that apparently inexhaustibly fascinating game, croquet ; grave and reverend seniors have hobnobbed over great questions, and all the clever men and women visiting 152 Kate Field Newport have found their way hither. The valley, attrac- tive though it be, would have few worshippers were it not for its presiding genius, Mrs. Julia Ward Howe, whose name is too well known to require aught but its mention. A recent tea-party there recalls pleasant memories of Henry T. Tuckerman, who, as passionately and rationally in love with Newport as your special correspondent, never fails to pass the summer here, thereby laying the large supply of health required to endure the remorseless demands of a New York winter ; of Miss Sarah Freeman Clarke, the artist, whose cosy cottage in the harbor is frequented by all the bright lights that shine steadily or flash occasionally on Newport ; of Miss Margaret Foley, the sculptress, who has lately returned from Rome on a visit which will terminate in November. While here, Miss Foley was engaged upon a medallion of Mrs. Howe." Miss Field writes long letters, too, on the Academy exhibitions in New^ York in those years. A New York critic had attacked William Hunt, and we find Miss Field — who was one of his truest appreciators — saying : — " Most incorrect, too, is the statement that Mr. Hunt is a slave to Couture's manner. That he studied with Couture for a time is true enough, but his style of painting is thoroughly un-Couturian. If he must be likened to any former master it should be Millet, with whom he naturally sympathizes, though we believe that Mr. Hunt is an original man, and always thoroughly himself. One artist may resemble another without being an imitator. There is a little sketch in Boston so like Millet in manner that for a moment we attributed it to him, until told that it was by Vedder. At the time it was painted, the artist had never seen anything of Millet's, nor did he know there was such a painter living. Lecturing and Writing 153 " But these three pictures are Mr. Hunt playing with his brushes, and we blame him for doing himself injustice, in not allowing New York to see his finest work. He has hardly treated the Exhibition with sufficient respect, for though the Academy is absurd enough in many ways, still it is the national institution, and every artist should make it a point of honor to contribute his very best. Though Mr. Hunt's worst may be better than many a National Academician's most pretentious effort, he at least, is too true an artist not to be more exacting with himself than any one else can be. A want of earnestness is not one of Mr. Hunt's faults. Could the critic of the ' New Path ' visit Hunt's studio, he would see there works superior to ' Marguerite.' He would see a portrait of a mother and child that, unfinished as it is, would have represented the artist's power far more truly than anything of his in New York. He would see a life-size ' Hamlet,' that ought to have been completed for the exhibition. He would see the portrait of a blonde, beautiful in pose and drawing, Titianesque in color, such a painting as does Hunt credit. He would see, too, a composition called ' Night,' which, though only rubbed in, is fine in idea and vigorous in exe- cution. What the public ought to demand of Mr. Hunt is, that he should finish the work he has begun, and not allow critics to mourn over 'rich possibilities.' Mr. Hunt is great in suggestion, and it will be sad indeed, if he does not carry out his noblest inspirations. But he will." In this early estimate of Hunt, vi^e find Miss Field agreeing with the later, and the mature and authorita- tive estimate made of him by his favorite pupil, and afterward his co-worker, Miss Helen M. Knowlton, whose biography of the great master in American art is one of the ablest interpretations of life and genius. 154 Kate Field John Weiss was another whom Kate truly appre- ciated, and of him in this brilliant press correspond- ence of her youth, she wrote : — " John Weiss is always in earnest ; therefore whether you agree or disagree with him, he commands your liking and respect. He is saturated with his subject ; he has con- victions ; he believes in his opinions. The fire in his soul never burns low. It is always bright and ready to warm the cold, faint-hearted wayfarer. Therefore his essay on the ' Law of Marriage ' inspires, though it does not pre- scribe a panacea for happiness. He believes that marriage is the best wine of life, and his eloquence makes converts of the willing. To some his theories are too radical; to others not radical enough ; to the few they are inadequate ; to all, many passages of the essay are beautiful. The scoffer dares not show his colors in the presence of so much genu- ine enthusiasm. The reader of French novels breathes an atmosphere impossible when under the influence of morbid thought. Mr. Weiss does not describe matrimony as un- adulterated bliss, but he does assert it to be the nearest approach to individual completion." Of Vedder we find this finely critical estimate : — " By far the most promising ardst in America is Elihu Vedder, a native and resident of New York, whose picture, ' The Lair of the Sea Serpent,' is the most prominent work on exhibition at the Academy of Design. After wandering through a wilderness of mediocrity, it renders one speech- less to come suddenly upon so much originality of idea and power of execution. At last the myth of the sea has found an interpreter. Criticisms on this painting are loud and various, and though many are repelled by the steel-gray monster that is the only bit of life in a wonderful landscape, all are obliged to allow the exceeding ability of the artist. Lecturing and Writing 155 Fancy a background of silvery-blue sea and soft, transparent sky which is a reflex of the water, a dead calm pervading, allowing scarce a ripple of the water even where it nears the land, — a warmth so tropical that you feel as though you stood on the equator. In the foreground lies a sandy, sul- try waste, stretching out into the sea with a wonderful effect. Tufts of grass, burnt yellow by the scorching noonday sun, show how dead is vegetation, and a cluster of scrubby brush is the centre around which is visible the serpent's trail. Back of this, on higher ground, lies the sea-serpent, coil on coil, his head resting upon the sand with a dilated eye as glittering and sultry as the still life around it. Critics have exhausted the passions of hate, revenge, etc., etc., in de- scribing what they consider to be an ' evil eye.' To us, that eye expresses nothing more terrible than insatiable, impatient longing. Here is a creature drearily alone in his lair, the last of his kind, doomed to roam the sea, another species of wandering Jew, no likeness to other monsters of the deep, no recognition from them, — a friendless thing that sees itself unlike all nature in its solitude, that seems to ask in a dumb, passionate way how many ages more existence must be prolonged. To us this picture is the tragedy of solitude. Many are disappointed that the sea- serpent is not painted in gay colors ; such a serpent would be contrary to nature, which gives dark coloring to the largest animals of both sea and land. Others maintain that Vedder's serpent could never find its way to Barnum's or be recognized by Agassiz. If Agassiz or Barnum knows how a sea-serpent looks, they are wise, and should establish the reality of what the artist has imagined to be a myth. Real or unreal, the sea-serpent is going to Boston, having been purchased at the private view by Thomas Gold Apple- ton, the well-known art patron. Mr. Vedder has still an- other picture at this exhibition, — a bit of Venetian coloring, that is exceedingly powerful." 156 Kate Field These press letters of Kate Field's through the years of 1863-69 contain material that is not without value in permanent literature. The following interesting letter from Thomas Adolphus TroUope came to her: — Christmas Day, 1864, Florence. Dearest Kate, — How can I sufficiently thank you for all your abounding kindnesses, moral and material, your pudding and your praise, and what a wretch I am for not having written to you sooner ; but if you know what it is to be struggUng on to do the daily tale of bricks against in- terruption of every possible kind, and how necessary it is that I should have completed my history of Florence in time for publication in May, you would be disposed to forgive me. I have just reached the death of Savonarola, and hope, having all my materials ready, to be in time ; but I have two more months of hard labor before me. Thanks a thousand times, dear Kate, for the " Atlantic," and for the only too kind things you have said in it. Your article contains the only correct account I have ever seen in print of the circumstances that led to the publication of the domestic manners of the Americans. As I write the title, it strikes me that the most objectionable part of the work is that title. It implies generality, where particularity should have been expressed. Isa tells me that she has written to you all she could tell of Landor's last hours. I met by chance old Mrs. Landor the other day. She was very curious about the will which he has made. There is no mention in it of any of his children. What little he had to leave he has left to his nieces, but you know that he had long since given up the bulk of his property to his eldest son. She told me what I did not know before, that her son had been obliged to pay the damages, ^1000, awarded by the jury in the case of libel to Mrs. . Lecturing and Writing 157 I presume that she has been abW to put her hand on some property in England to which she had a claim. She was very furious against Browning, who is executor to the will. It seems to me unnecessary. She told me that when he (Landor) heard that Mrs. Gestone had succeeded in get- ting his money, he tried to starve himself. Many thanks for your notices of Landor. The book has done very well in England. . . . The book of engravings is yours, and re- mains in my hands. What am I to do with it ? Mrs. Browning's monument has not yet been erected, but will shortly be so. Leighton, who was intrusted by Mr. Browning with the design, was exceedingly and very rea- sonably angry on coming here in the autumn to superintend the erection of the monument, to find that the sculptor had most unwarrantably changed divers parts of the design. Some of these departures from his plan Leighton insisted on having restored, as far as was possible, to what he had intended, and this has led to considerable delay. And I should fear that the monument, when it is put up, will not be wholly satisfactory to Mr. Browning or Mr. Leighton. I am delighted, truly delighted, to hear of the literary progress you are making and the evident opening of a career before you. Would to God that it were possible for you to get something that should involve a residence here as its means of execution ! Surely many of your papers will require a correspondent in the Capital of Italy? It would be a very great delight to have you here. It really does seem at last as if Sherman and Thomas are making important steps towards the final crushing of the Rebellion. But of course it is difficult here to form any accurate opinion of the exact probable result of their operations. Did you see what the "Daily News" said of Seward's answer to Lord Horncliff ? Seward's letter was by no 158 Kate Field means a bad one, but I am inclined to think with the "Daily News" that it would have been more dignified to have replied by a simple and haughtily cold refusal. The impudence of the proposal was so outrageous that it needed no remark to point it out. I almost think that I would have given no answer at all. . . . I am very fortunate in the moment at which my history of Florence will come out, next May, just at the time when general attention will be called to the subject by the coming of the capital. If you do not make haste to visit the old place again you will not recognize it, so great are the changes that are in prospect and in progress. . . . I suppose you have heard all about Mrs. Ritchie's dra- matic drawing-room ; thirteen representations have been given with a very encouraging amount of success, and now a short carnival season is about to begin of six nights, — /. e. six Saturdays. Really, Mrs. Ritchie's enterprise has done a great deal for Florence, and has made the late autumn much gayer than it would have been otherwise. Pray tell me how in case of need any book might be sent to you better than by the post. I finish this letter, dear Kate, at three-thirty a. m. on Monday the 2d of November. We have no ball this capo d'anno the first time in Florence for more than twenty years, and I must be back at my desk at nine a. m. this morning for my new day's work, so you may judge that it is not without difficulty that I find the time to write. I am really working very hard. Give my kindest love to your dear mother, and be sure, dearest Kate, that I am and shall always be. Very affectionately yours, T. A. Trollope. A letter from Mr. Vedder gives this intimate view of the great artist's life at this early period : — Lecturing and Writing 159 Paris, 22 June, i866. Friend Kate, — You have doubtless received the letter I wrote when feeling very discouraged, and when I should not have written at all. But I suppose it is my fate to lose my best friends and then work out my salvation in sorrow and alone. Since then, I have read your letter over and over and fully appreciate the thorough kindness in it, and I thank you for it and am determined to set to work and profit by it. That it made me angry is a good sign, although I must continue to think that spurning is more apt to make me balk than anything else. I am just what I am, so shall write no more on that subject. Only I would say once for all, that I desire sincerely to be your good friend and to always have you as such. I was delighted with your article in the " Galaxy " and am glad you sent it. I have been look- ing out for good articles on the Exposition here to send you, but I could not bear to send such trash — not to put too fine a point on it — as came under my notice. I have given up reading criticisms on art. I like that person telling Hunt to try some " tints from Story's palette." Coleman is here, and I have settled him and his mother in a good house for the present ; a most unsettled settling it is in Charley's case, as he is vibrating between furnishing rooms and going into the country. I have had a busy time getting Inman, Hitchcock, and Charley in running order, but hope they can now take care of themselves. ... I should like to know when the stream of American immigrants to Paris will stop. I have n't the faintest idea of your not being among them in due time. I am glad of it. I feel more like working already. Charley How has been in Paris, but did not call. Are you still of the opinion that the Italian is not worth thinking of as a commission ? I have no letters of introduction except to Colonel Hay — and^ one to Lawrence in Florence. I have not money enough to move with independence in society here, and lack the de- i6o Kate Field sire. May repents bitterly all the time he has wasted in that way. I give that for what it is worth. The state of my funds is low, but not eminently dangerous. I have nearly finished a nude picture, which will be good at least. I am very glad that Mrs. Sanford sent my picture to the exhibition. ... Be kind enough to thank her for me. Hope you will improve in health and not remain in Boston. Sincerely, E. V. The first exhibition of Harriet Hosmer's " Beatrice Cenci;" the first appearance of Tennyson's "Enoch Arden," which seems to have made a great sensation ; the Bryant Festival in the early part of 1865, when Emerson and Mrs. Howe went over from Boston, and of which, in describing, Miss Field speaks of the " charmed hearers," who listened to Mrs. Howe's reading of her poem ; Edwin Booth's Hamlet ; the lyric genius of Adelaide Phillipps and the philan- thropic work of Clara Barton, — all the range of which these themes are typical is represented in Kate Field's press letters through these years. Of Adelaide Phil- lipps we find her saying : — " Miss Phillipps knows how to sing. What nature could not do, art has accomplished. Her style is the purest Italian, her execution exceedingly fine, and her versatility unusual, for she is equally at home in intensely dramatic, comic, and sacred music. Her rendering of Orpheus' great song ('Che faro senza Euridice') by Gluck, is second only to Viardot Garcia's, and the manner in which she sang ' Una voce poco fa ' from the ' Barber of Seville ' at a concert given here recently, was superb. In Europe it would have created a furore." To the Academy of 1865 Vedder contributed eight pictures, of which Miss Field wrote: — Lecturing and Writing i6i " All are admirable; two of them are remarkable. 'The Girl Feeding Chickens ' is a poem, such as dear human Hood might have written. . . . ' A Lost Mind ' is another name for a lost love embodied in a woman more fascinating through her magnetism than her beauty. . . . The woman is of the intellectual style, — a sort of Romola, who, too human, too broad-visioned to enter a convent, wanders into the world in search of her old self. She is one of those few women capable of a ' grande passion,' who has loved with body, heart, and soul, and has waked to find the lover lost. The mind is not gone, it is simply eclipsed by hope- less grief; therefore we seriously object to the name of this picture. It is the story of a broken heart, and although hearts cannot be broken without stunning the intellect, still, in this case the mind sits enthroned even in its stupor. The majority of people, interpreting the painting by its name and not by the idea conveyed, insist upon seeing a fit subject for an insane asylum. However ideal a picture may be, we do not believe in leaving its name to the imagination, for names, as Hamerton says, ' are almost as necessary to works of art as to living persons, for it is inconceivable how any work should become celebrated without one.' It is best not to indulge in misnomers. "The greatness of 'Lost Mind' consists in suggestion. It shows that Vedder is rich in ideas, and that with proper study and growth he may attain to the first rank among poets. In execution the picture has shortcomings. The nose of the face is too long, the hand is not harmonious, and the whole picture denotes the fact that the artist worked without models. This is his misfortune, not his fault ; for models in America are rarer than angels' visits, and the art student groans in spirit at the lack of proper tools for work. Should Vedder go to Paris, as is his inten- tion, and study faithfully under the influence of the French school, with the example of such men as Gerome, Millet, 1 62 Kate Field and Corot before him, he will, in a few years' time, be able to paint a ' Lost Mind ' that will be a glory to American art. " Many object to Mr. Vedder's recent pictures because of their sombre tone ; and a critic verges on complaint be- cause in looking at the ' Lost Mind ' every beholder feels sadder for it. Would it not be as sensible to demur at ' Hamlet ' because every reader or spectator of it feels the sadder for it? Must every painting be a species of jig in color? People don't look at tragedies to be amused." This criticism made on Vedder when he was so young an artist is curiously interesting as embodying a prophetic verdict that the years since have more than fulfilled. Equally prophetic, too, was her in- stant vision of the place Lincoln would hold in the heart of the nation when, on his assassination, she wrote : — " Abraham Lincoln was removed at the flood-tide of his fortune. He is now all-wise and all-powerful, and will live in history as a grand sacrifice to the cause of human pro- gress. John Wilkes Booth has made a hero of the honest backwoodsman. The crucifixion of the last Good Friday has canonized its victim." As a critic of the arts, — music, painting, and the drama, — Kate Field ranks among the best the world has known, in our own country, England, or France. Her literary criticism, while always effective and often adequate, has not quite the completeness of judg- ment and unerring insight that marked her critiques of lyric, dramatic, or pictorial art. Her literary judg- ments, while formed from able standards, — for her mind was stored with the choicest quality of litera- ture, were occasionally colored by her eager and impetuous temperament, and a certain vehemence in Lecturing and Writing 163 her nature demanded a corresponding quality of vigor in any expression. The productions of a cer- tain American story-writer whose work is, in its way, fine, were always obnoxious to Miss Field, who had little patience with the elaborate carving of cherry- stones. Still, as a rule, her literary criticism is of value, its defect being, perchance, in that it is more trenchant than sympathetic. Her Shakespearian criticism is a classic. In her own lofty and heroic temperament she intuitively responded to the greatest of English poets, whom she loved with an absolute devotion. A criticism running through three numbers of the "Atlantic Monthly," on " The Hamlets of the Stage," is one of the most valuable contributions to modern dra- matic literature. In it she compares the long line of actors who have played this r6Ie, and speaks of the Hamlet of Edwin Booth as one of rare grace and tenderness, of an electric swiftness, and an even more even, finished, and scholarly beauty than that of the elder Booth. Another paper in the " Atlantic," " A Conversation on the Stage," is one of the keenest critical insight, in dialogue form, full of esprit and sparkle. Among many letters from authors are the follow- ing from Miss Phelps, now Mrs. Herbert D. Ward. In reference to Miss Field's criticism on her " Gates Ajar" she writes : — My dear Miss Field, — Thank you; you have spoken some very pleasant words about my book. I certainly was very much in earnest about it, and it is pleasant to find earnest readers. I am in haste, but Very truly yours, Elizabeth Stuart Phelps. 164 Kate Field In reply to a question of Miss Field's regarding the story called " The Day of My Death," Miss Phelps replies : — Dear Miss Field, — The phenomena recorded in the story occurred, every one, about fifteen years ago, in the house of a friend of mine, — an honorable Christian gentle- man. Testimony sufficient " to hang a regiment," he says, could be brought to sustain his individual witness. I never saw the manifestations myself; but I believe in the fact of their occurrence precisely on the principle by which I be- lieve in the pyramids of Egypt ; and am, Very truly yours, Elizabeth Stuart Phelps. About this time Miss Field discovered her gift in the writing of comediettas, which she afterward de- veloped to a marked degree. She began by trans- lating little plays from the French and Italian. One of the latter, from the Italian of Baron Cosenza, a little comedy in five acts, she translated under the title of " Mad on Purpose; " and it had some little vogue as it was played by Adelaide Ristori, who impersonated the character of Novina, while her daughter, Bianca del Grillo, appeared as Mademoi- selle Cristina. It was in 1866 that Madame Ristori (the Marchesa del Grillo) first visited America, and this event inau- gurated for Kate Field her distinctive work as a dra- matic critic, which became a leading feature among all the varied achievements of her after life. It is impressive to see how when a great work is prepared for an individual in the future that he is meantime being prepared for the work. A life that has been nobly lived looks in retrospect almost like a mosaic. Lecturing and Writing 165 so marvellously do the parts fit into one perfect whole. The pattern of life, Phillips Brooks used to say, is on the divine side, and Emerson, too, affirms that " There is no great and no small, To the soul that knoweth all." Miss Field's life in Italy; the strong impression that Madame Ristori had made upon her when first hearing the great tragedienne in Leghorn ; her own temperamental magnetism toward the stage and her familiarity with the Italian tongue, all combined to make her the ideal critic for the appearance of the ItaHan actress. The New York " Tribune " at once engaged her for the Ristori season in New York ; and during Madame Ristori's playing in Phil- adelphia and in Boston, a leading journal of each city secured Miss Field as the critic of what was justly felt to be an important dramatic event. Miss Field's criticism on each appearance were articles of from one to three columns in length, and were ex- haustive in their noble presentation of the art of act- ing and of the genius of Ristori. Miss Field had the traditions of the drama at her finger-tips. She had the most intuitive grasp and recognition of dramatic quality. Beside her voluminous newspaper criticism of Ristori, she wrote the paper on the great Italian artist which appeared in the " Atlantic Monthly " for April of 1867, and which contains such passages as these : — " There is no surer test of grandeur of character than a readiness to acknowledge and respect the individuality of all God's creatures. This is the crowning grace that brings Ristori so near to the hearts of her friends. Her social ease makes you wonder how she can ever be transformed 1 66 Kate Field into the classic statue of Mirra. Rachel was so complete a Pagan princess — ' Elle pose toujours,' said her best friends — that she never succeeded in being herself. Both she and Siddons were first artists and then women. Ris- tori is first a woman and then an artist. . . . " It is not enough that an actor know how to wear a toga. To live in his own age, and love and laugh with his contemporaries, is as necessary as to suffer, hate, and mur- der after the fashion of the past." And of her Lady Macbeth, Miss Field wrote : — " Ristori's sleep-walking scene is a wonderfully solemn vision of retribution. The twenty-two lines of the drama- tist become a five -act tragedy. It is the thrilling, terrible picture of a guilty, heart-broken woman on her way to the grave. There is none of the horrible and conventional gasping, but just sufficient hardness of breathing to denote somnambulism and approaching dissolution ; for Ristori evi- dently, and we think properly, believes that Lady Macbeth died by no suicidal hand, but of that disease to which none could minister. There never was such a washing of the hands ; there never was queen so quickly transformed into a spirit of Dante's hell ; there never was more fearful re- morse, more pitiful, heart-rending sighs. And her final exit is the fatal flicker before the going out of the candle ; it is the summing up of all the horrible past, a concentra- tion of superhuman power into one moment of superb ac- tion. Ignorant of English, with no knowledge of Macbeth but what she has obtained from an inferior translation, Ristori has made the part of Lady Macbeth her own. It is the interpretation of Shakespeare's soul." This paper on Ristori was followed by others of a dramatic cast, -— all of which Miss Field contributed to the " Atlantic Monthly," — as " The Hamlets of Lecturing and Writing 167 the Stage," " Fechter as Hamlet," a biographical paper on Fechter, and the " Conversation on the Stage " as heretofore mentioned. Press and magazine work and social enjoyments filled the time. The summer of 1865 was passed by Kate in Newport, her mother being among the north- ern hills ; and in one letter to her Kate speaks of a delightful tea at Mrs. Howe's, where she met Hamil- ton Wild, the artist, and another friend whom she had last seen at the Brownings' in Florence. Colonel Higginson was also present, and the Storys from Rome were, she noted, expected the next week. Mr. Caryll Coleman, the artist, and Mr. Vedder both ap- peared at Newport at this time, and the old friends made excursions to Paradise, and walked on cliffs, and enjoyed that old, poetic Newport which is now so rapidly disappearing in its transformation into a city of palaces whose splendor more than rivals the courts of Europe. Colonel Higginson was the always delightful presence ; Miss Sarah Freeman Clarke, the artist sister of James Freeman Clarke, had a cottage at Newport that summer, and had as her guest Miss Margaret Foley, the sculptor. Miss Lina Warren, a charming New York girl, now Ma- dame George Nonn^, of Paris, was one of Kate's nearest friends, and the two girls had a boat called " The Mermaid," in which they rowed. Miss War- ren was the captain and Miss Field the mate, and the former being asked one day if she were not afraid of her companion, — for there was a vein of hauteur and of sarcasm in Kate which sometimes overawed the unwary, — to this question Miss Warren replied that she was not in the least afraid, for if Miss Field, as the mate, showed any signs of insubordination, 1 68 Kate Field she, as the captain, would throw her overboard at once. The Frothinghams were also among the New- port visitors that summer, and of Mr. Frothingham — whom, in later years, Kate was to know so well — she writes to her mother : " He is very sweet in his manner and is a charming and cultivated companion." Mrs. Field's noble counsel to her daughter relates itself, in a universal way, to life. " Remember you cannot be too careful, my child," she writes; "the world is not always just or kind. Yet never say fail ! The world is before you. You are blessed with more ability than the average, and you must be true to yourself, and to all that your dear father would wish you to be. Oh, my child, how I long to be with you ! But we must sacrifice our feelings, and be prudent, and simply do the best we can in our circumstances." Kate already felt indeed the responsibility of care- taker. She was earning money, and to her mother she writes : — " I made you no Christmas present and now I make it — the product of two letters to the 'Post,' twenty dollars, — and I want you to spend it on excursions. First, I want you to go to the top of Mount Washington, if it takes that and more still to do it." Miss Field was always a social favorite, being ac- corded a certain distinction wherever she went. Her little vein of hauteur could not conceal the kindest heart in the world; she was sincere and truthful to the very highest degree, and always perfectly honest with herself and with others. -There are persons who cannot bear the honest daylight of sincerity and prefer contemplating themselves in some arti- Lecturing and Writing 169 ficial atmosphere of hypocrisy more flattering to their self-love. To such persons as these a sincere, straightforward nature is an offence. Yet, happily, this class of humanity does not abound, and the sincerity of the good-will of the world in general is more conspicuous than is the reverse. " There are nettles everywhere, But smooth green grasses are more common still." The social world in which Kate mingled was ex- ceptional in its grouping of noble and remarkable per- sonalities, a society unsurpassed in character and bril- liancy, to whose stimulus she was keenly responsive. Mrs. Edwin P. Whipple, meeting her often and knowing her with that inner clairvoyance of kindred natures, gives many a vivid word-picture of Kate through these years of her young womanhood. " I shall never forget," says Mrs. Whipple, " the sense of freedom and largeness of life that she gave me. The fine poise of her head, with a wealth of cluster- ing auburn curls drawn back from the broad, fair brow; the changeful, luminous blue eyes, — now starry and sparkling, now full of serene calm that indicated depths upon depths of feeling and thought. She used to come to our Sunday evenings," con- tinued Mrs. Whipple, " in a little pale blue silk gown under white lace, with Mar6chal Neil roses, of which she was very fond, in her belt. There would often be with us Mr. Emerson, Mr. Longfellow, Mrs. Howe, Louisa Alcott, Prof. Benjamin Peirce who was our great friend, Charles Sumner, and other interesting people of the time, and Kate was a personage among them, young as she was. Clever men liked to talk with" her and draw her out. Edwin, my husband, was always very fond of her." 1 70 Kate Field Miss Sarah Holland Adams, the distinguished German scholar and translator, and a sister of Mrs. James T. Fields, says of Kate at this time: "She was beautiful, with her mass of flying curls, and her exquisite voice, and then her brilliant intellect charmed every one." In the early days of the April of 1868 Miss Field was the guest of Mr. and Mrs. James T. Fields for a little time, and from their house she thus writes to her mother in New York: — " Here I 've been ever since Saturday evening, but there was no Charles Dickens to dinner. Of course not. Of course he had to have a dreadful cold and go to bed. Such is life. We were dreadfully disappointed. Mr. Dickens has a serious attack of catarrh and is obhged to reserve all his strength for reading. Perhaps I may meet him, but now I doubt. However, as the Fields go on to New York with him, there may be a chance there. Friday p. M. I attended a concert ; Friday evening I never heard Dickens read Doctor Marigold so well. The audience was the most sympathetic that I have seen, and Dickens was inspired, although he had been ill in bed all day. Satur- day Mr. Osgood gave me some items. Loring thinks very favorably of the Pacific Railroad, and I have written to Lombard. Mr. Fields has given me items and books about Dickens, but I am afraid I cannot write much. " Yesterday, of course it snowed, and to-day is wintry, cold, and blowy, although fine overhead. Last evening we took tea at Mrs. Beal's (Mrs. Field's sister), who lives in a fine house on Beacon Street, and after tea we went to Josiah Quincy's. There the Women's Club was dis- cussed, and it meets with great favor, I assure you. Everybody thanks me for my book on Dickens. All read it." Lecturing and Writing 171 Soon after this a farewell concert was given to Miss Adelaide Phillipps before her departure for Europe in June of '68, Signor Bendelari, the famous musician of the day, conducting it. The programme was made up from Mendelssohn, Handel, and other great composers, and then one number of Signor Bendelari's own composition, a " laughing song," which Miss Field sang, and also " Auld Robin Grey," — which she rendered with pathos that brought tears to the eye. Miss Phillipps herself ap- peared in two numbers, from Handel and Schubert, and again with Madame Gazzaniga in the Sappho duet from Pacini. While Miss Field had definitely re- nounced her girlish ambition for the lyric stage, she was yet a musical artist of a high order. She sang classical music con spirito ; and in ballads, such as " Twickenham Ferry " and " Kathleen Mavourneen," her voice had a wonderfully sympathetic timbre that entranced the hearer. In the mean time her friends abroad did not forget her throughout these years. Under date of May 5, 1866, from Warwick Crescent, No. 19, London, Rob- ert Browning wrote to Kate : — Dear Kate Field, — Do let me ask you, please, in re- gard to old times, when I might have done it, but did not. I know well enough that there is great stupidity in this way of mine, this putting off a thing because I hoped and felt some other thing as here, for had you not asked for some photographs, which I suppose I could soon find, and in condition to get, I should have thanked you at once, as I do now indeed, and with all my heart. But the review article is wavering and indistinct in my mind now, and though it is inside a drawer of this table where I write, I cannot bring myself to look at it again, not from a motive which is 1 72 Kate Field disparaging to you, as I am sure you understand. The general impression is enough for me, and enough for you also, if you care in the least about how I feel toward you. The boy has certainly the likeness to which you refer, and an absolute sameness almost in feature as well as look with certain old portraits here older and younger. There is not a trace of me in him, thank God. I know that dear, teasing Isa and how she won't answer your questions, but sometimes for compensation she tells you what you never asked for, and though I always or very often ask about you, yet I think it only may have been in reply about the price of Italian stock that she lately de- scribed to me a photograph of you yourself, and how you were, . . . what, ever and ever, and moreover how you were your old self with additions, which, to be sure, I don't require. Give my true regard to your mother, and thank her for her goodness in remembering me. How you can give a thought, even to old friends, is strange in this terrible state of yours. But I wrote only to have a cordial minute's chat with you in the balcony, looking for fireflies in the garden under between us and the slanting Pitti-fagade. Now that it 's warm and May-like in Florence, and I won't spoil it now it 's ended. God bless you. Yours ever truly, R. B. Again, Mr. Vedder wrote : — Rome, June 4, 1867. Dearest Kate, — You are the best and truest woman I ever knew. I am trying to leave Rome for the country and work. Your letters have been read over and over again. You did just the right thing at the right time. It is need- less to say how much obliged, nor how much I thank you, nor how noble I think you. I have written this letter to Lecturing and Writing 173 Mr. and send it through you, thinking you would wish it so. If I can only manage to paint the many things I have on hand (exhibition pictures) and have a number finished in my studio for the winter season, I shall do splendidly. I am full of hope, but impatient. You suggest more work than any one man can do and do well. Indeed, you are a friend, a better one than I deserve, but I will try and be somewhat worthy of you. Yours, Elihu Vedder. Miss Field's diary of 1868 offers a condensed commentary of the times, and from it the following extracts are presented. January i, 1868. Last night Dickens read "David Copperfield " and "Bob Sawyer's Party" with great effect. During the afternoon I became possessed with the idea to present the Great Charles with a New Year's offering in the shape of a bouquet. Told Fanny Ashley of my idea. She seconded it warmly, and out we strolled in search of flowers. Dashing wildly into every flower-shop in Broadway, and being told that only previous orders would be fulfilled, our ardor received numerous shocks, but finally we discovered a young German who had violets for sale, and who would arrange them in a pretty little basket. " It is impossible to make the bouquet now. I '11 send them to you. " " I want them now." (It was then 5 o'clock.) " I '11 let you have the basket by 7 o'clock." " No, I want it now." " I '11 send it at 6 o'clock." "That will not answer." "In half an hour." " Now or never." 1 74 Kate Field "Well, then, now," replied the young German, desper- ately, and away he went at the flowers. Fanny and I sat on the end of a box and watched the German and the shades of night stealing upon us. At last the basket was completed, and off we sped. Upon arriving home I began to feel nervous, and tortured myself by imagining that Mr. Dickens might think me very impertinent. But finally I said to myself, " If Mr. Dickens fails to appreciate my motive in offering that basket, so much the worse for him, and so much the better for me, as I shall then know what manner of man he is. On the con- trary, if he receives it in a proper spirit, the flowers will prove him to be all my fancy paints him." Thus inspired, I tied some pretty ribbons of red, white, and blue around the handle of the basket, and on one end I fastened a card on which I wrote, " Wishing Mr. Dickens ' A Happy New Year ' in America. ' God bless him ' — every one." Griswold and I went off to Steinway Hall together, I wondering whether I had bought an elephant and what I should do with it upon reaching the hall. Fortune, how- ever, favors the brave. I had no sooner entered the build- ing than Mr. Dolby came to me, saying, — " I 've a message for you from Dickens." " Indeed ! Pray, what can it be? " " I asked him whether he saw you in the audience, to which he replied, 'See her? Yes, God bless her ! She 's the best audience I ever had.' " Of course I was surprised to hear that Mr. Dickens had noticed a person whom he did not know and could not have ever heard of; but without confessing as much I an- swered, "And /have something for Mr. Dickens.'' "Really?" " Yes, I 've a little nameless basket of violets that I want to have placed on his desk unknown to him. Won't you please see that this is done ? " Lecturing and Writing 175 Mr. Dolby hesitated : he thought it was too late for any- thing to go upon the platform ; that it would be better to carry the basket directly to Mr. Dickens, and, moreover, tell him whom it came from, as he would be infinitely more pleased to know the giver. After much demurring, I allowed Mr. Dolby to have his own way, and Griswold and I took our seats, — on the left side, two from the front. Great was my horror when, the gas being all on and the reading about to begin, I saw a man mount the platform and deposit my basket on the desk, letting the card fall in front, so that those on the front seat could read it. I felt as if the eyes of Europe were upon me and was quite ready to go through the floor. Then out came Mr. Dickens, ^Txii&sxg profusely, and when he reached the desk what did he do but pat the basket as if to assure me that it was all right, and give a pleasant nod to Dolby behind the screen, as if to say, " I hope Miss Field is pleased with my way of receiving her flowers." Then he read " David Copper- field " finely, and at the conclusion of Part I. he bore off the violets. At the close of the readings he addressed the audience thus : — " Ladies and gentlemen, from my heart of hearts I wish you a happy, happy New Year." " My flowers did that," I said to Griswold. " It is the first speech he has made in America." I came home in great glee. January 2. Heard Dickens in Doctor Marigold for the first time. I was dehghted. January 3. Adelaide PhilHpps went with me to hear Dickens in "Christmas Carol." Going up the hall steps Mr. Dolby gave nae a letter from Mr. Dickens. It is charming. The most neatly worded note I ever read. I feel one inch taller. It is very sweet of Mr. Dickens to take so much notice of my little offering. 1 76 Kate Field January 4. Lippincott published my " Ristori as Marie Antoinette." " The Philadelphia Press " calls it the sensation article. "The Tribune " stigmatizes it as written in bad Carlylean. Thank you, Mr. Ripley, I know nothing of Carlyle, so must be naturally depraved. That article will live to be noticed yet, if I ever succeed in putting my "Ristori " together in book form. " The Public Spirit " prints my first story, — " Love and War." Springfield " Republican " copies it entire. January 9. Went with John Russell Young of "The Tribune " to hear Mr. Dickens a second time in Doctor Marigold, — was more pleased than ever. Had seats immediately in front. Caught Mr. D.'s eye on one occa- sion, and felt that he saw way down into my boots. His eye is a dissecting knife. Took supper with Mr. Young at The Westminster. Had a long talk about newspapers and people. January 18. My letter on Dickens in Springfield " Republican." January 19. Sunday. Ristori celebrated her fete with a dinner to her company, and a proverbe, " Un Mari dans du coton," acted very cleverly by Bianca and Giorgio. Giorgio was particularly good, — as easy as an old stager. Ristori stood behind a screen, and directed everything with as much interest as if worlds depended upon it. My pres- ent was two copies of " Marie Antoinette " article, — one for Ristori and one for Giacommetti. January 22. Ristori sent me an exquisite full-length photograph of herself (French), on which is written, "To my dear and noble friend, Kate Field. A remembrance of sincere affection, from her true and grateful friend, Ade- laide Ristori del Grillo." I prize this highly. For Ristori to acknowledge herself grateful is more than I expected. Artists do not often make this confession and concession. Took leave of Ristori to-day. She is tired and ill, but always good and uncomplaining. Lecturing and Writing 177 January 23. Ristori sailed for Havana with all her troupe. Success and glory attend La Diva. January 27. My article on Adelaide Phillipps ap- peared in "The Tribune." Has excited much remark. Hope it will do her good. No critic has ever done justice to her genius. January 29. Addie made her debut in "La Favorita," — a great success. Her acting and singing beautiful. The operatic sensation of many years, from an artistic point of view. Of course, Strakosch won't let the critics praise her as she ought to be praised. What a horrible life it is to be before the public, and at the mercy of unprincipled man- agers and ignorant or vile critics ! How I wish I had con- trol of an art organ ! I 'd have the truth told. February 3. Wrote Dickens. Dined at Mrs. Botta's virith Helen Hunt and Mr. C. W. ElHott, the author. I in- vited them all to opera ; also the Frothinghams. Addie in " Don Pasquale." All were pleased. February 4. Wrote on " Pen Photographs of Dickens," — the hardest task I ever set myself. Hope they will repay me for the trouble when issued by Loring. Shall I ever be independent in pocket ? February 5. Breakfasted at Mrs. Botta's with George Ripley, Helen Hunt, Major De Forrest, Mrs. Elliott, a Frenchman, and Du Chaillu. Mr. Ripley was my right- hand man, and by far the most brilliant person at the table. Returned home at 2 p. m. Wrote on Dickens. February 10. Wrote on Dickens. Will finish to-morrow, thank Heaven ! Then I '11 stop writing for a fortnight and breathe. Oh, if I could only go to Europe, take care of my physique, and study ! Heaven's will be done ! I must not complain. It will all be made clear one of these days. February 13. "The Public Spirit " for this month pub- lishes ray essay on " The Wisdom of Masks." I see that the newspapers have made extracts from it I wonder if I 12 1 78 Kate Field ever shall write anything to be proud of ? Life is a curious puzzle to me. February 15. Notice in "The Tribune" of my book. Calls me " brilliant," and my pen " facile." No compli- ment, because everybody is called brilliant and facile now- adays. February 18. Received a letter from Mr. Osgood say- ing Mr. Dickens had seen a notice of my book about his Readings in " The Tribune," and proposed to have it re- published by Chapman and Hall, in England, if I would furnish advance sheets. I have written to Loring. Amazed at Dickens's proposal. February 19. Correcting proof. Telegram from Loring. Won't delay publication, but will send me a second set of proof. Telegraphed to Osgood at Providence. February 21. Mr. Osgood called at 9.30 about the " Pen Photographs." Said book was smaller than Mr. Dickens supposed it would be, and it might be too late to obtain English revenue. Decided to let Mr. Dickens be the judge. Corrected proof and left it with Mr. Osgood. February 2^. Called on Adelaide Phillipps. Long talk. She had a great ovation in " La Favorita " yesterday, and at the Philharmonic in the evening at Brooklyn. Wrote in the evening. February 24. Awful day. As blue as any indigo. Could n't fix my mind on anything. Began Lockhart's " Life of Scott." February 25. Saw " Norma" in evening. February 26. Lippincott will give me three or four pages, and ^25 for my Kemble article. Sha'n't have it. February 27. Mr. Fields will take my article on "The Tombs." Is doubtful about Kemble. Dickens praises my "Photographs" very warmly. So do Boston papers. Mr. Dickens says it is too late for English republication. Delighted that he is pleased. Lecturing and Writing 1 79 February 28. Mr. Frothingham called. He will write an article on "Photographs" for "The Nation," if editor per- mits. Busy mailing " Photographs " to diiferent persons. The book is a success. Have received complimentary letters. Loring wants me to enlarge it. March 2. Went to gymnasium. Heard Mrs. Kemble read " Coriolanus " in evening. March 3. Mrs. Kemble in " Midsummer Night's Dream." Delighted with Bottom. Voice beautifully mu- sical in some of the poems. March 4. Loring wants me to enlarge my Dickens book. Will do so at ^10 per page. Had I foreseen its success, I would have fought for a percentage on sale. He will make money, and I not a cent. Alas ! Fanny Kemble in " Tempest," — not good in Prospero and Miranda. Great in Caliban. Excellent in Stephano. March 5. A very flattering notice of my book in Bos- ton "Transcript; " also in Portland "Press." March 6. Forney's "Press " gives me more than a col- umn of praise. Amende honorable ! Called on Mrs. Kelley. Gave her $\o to pay her rent. They say she makes des- perate efforts to get down on her knees and pray for me, but she fails from physical inability. Poor woman ! And I have done so little. March 7. Springfield " Republican " praises my book. Read " Lear." Heard Mrs. Kemble read it in afternoon. Was exceedingly fine in some portions. Fails in Kent. March 9. Fanny Kemble in " Julius Caesar." Fine, but open to criticism. Brutus was not Brutus. But it is a ter- rible test. March 10. Wrote letters, read Boaden's "Siddons." Note from Mr. Osgood, suggesting calling at his office. Down there p. m. Had a charming talk about my book, Dickens, etc. I like Mr. Osgood. He is true, manly, and considerate. 1 80 Kate Field March 1 1. " Herald " has flattering notice of my book. Heard Fanny Kemble read " Merry Wives " in the after- noon. Perfectly delighted with every character, Falstaff excepted. March 12. It appears that it was with greatest difficulty that Mr. Phillips could arrange an article about my Dickens book, that Bennett hates Dickens, and it was only by pecu- liar wording that the notice was allowed insertion. March 13. Heard Fanny Kemble in "Measure for Measure." Cuts immensely. Reads well, but gave false interpretation of Isabella. She does not psychologize me as Dickens does. March 15. Carrie Rosencrans spent afternoon with me, and told me about the Gilmore drama. Wish I could travel. March 18. Dr. Barker delighted with "Pen Photo- graphs." Colonel Higginson writes to " Independent " that I have " extraordinary talents." Hurrah ! I '11 try and do something. April 21. Worst snowstorm of the season. Did not stir out. Read. April 22. New Orleans " Crescent " says ray book is an insidious attempt to injure the genius of Dickens. De Gustibus. Called on Carrie Rosencrans P. m. Went with Addle Phillipps to concert in evening. Gazzaniga bad. April 23. Mrs. Fields asks me to visit her in Boston. Ay, ay ! Read and wrote letters. April 24. Wrote letters. Finished " Martin Chuzzlewit." Dined at Mrs. S. G. Ward's. Large party. Young Ward for my companion. Is a strange, but agreeable and well- educated fellow. Like him. A young Frenchman came to me without introduction, and we had a sympathetic tete- a-tete. April 21. Party at Mrs. Ripley's; played, etc. Addie Phillipps sang. Give me the voice for soul. Mrs. Henry Lecturing and Writing 1 8 1 Field has promised to join our Woman's Club. Hassard of " The Tribune " present. At last he has written against the indecencies of Oifenbach. I thanked him. April 28. Read "Nicholas Nickleby." Henry Sayles of Boston called. May I. Went to Boston. Got tickets for Dickens' Readings. The Longs called. Visit to State's Prison. Intensely in- teresting. Shall make article out of it, I hope. The Warden polite. Read " David Copperfield." Saw Loring. Fall into my idea of writing about Pacific Railroad Excursion. Dickens in Doctor Marigold and Mrs. Gamp (first time of Mrs. G.). The finest audience I ever felt. Called on Mrs. Claflin, who says I must visit her. Met Mr. Osgood by appointment. He is a noble fellow. Told me things about Dickens. Came to visit Mr. and Mrs. Fields. A horrible snowstorm. In house all day. Browsed among Mr. Fields' books. Copied extracts about Dickens. Took tea at Mrs. Beals'. Passed evening at the Quincys'. All receive my idea of Women's Club most cordially. Mrs. Fields will support it. Am to meet the Boston Women's Club just started in idea. Blowing a hurricane all day. Thought I was out at sea. Read "David Copperfield" all day, and heard Mrs. Fields talk about Dickens. David Copperfield and Bob Sawyer in the evening. Dickens weak owing to illness and exhaus- tion. Dolby wants him to stop reading, so do Longfellow, Charles Eliot Norton, and Fields. By way of variety, it rained pitchforks. Did not stir out. Copied articles about Dickens. Lombard says I can go to the Pacific. Dickens read Dombey and Pickwick. Pre- sented to him after reading. Said he was delighted to make my acquaintance. I replied that I owed him so 1 82 Kate Field heavy a debt that I never should be able to pay the in- terest. "Then I will give you a receipt in full," he replied. Dickens last night. Dr. Marigold and Mrs. Gamp. Great house and great enthusiasm. Mrs. Wales, florist, sent an exquisite basket of flowers; Mrs. Fields a palm leaf inlaid with flowers ; I a lovely little basket of pansies. On the card I wrote : — A little western flower That's for thoughts. It was a memorable night. Copied Thackeray on Dickens. Took leave of Mr. and Mrs. Fields and went to Mrs. Claflin's. Took tea at Dr. Angell's, and made the acquaintance of Perabo, — a positive, entete fellow, who plays remarkably well, and who made me dream sadly as he passed from one Schubert composition to another. Schubert is divine. A dreadful snowstorm. Mr. Dickens and the Fields went on to New York. Also Addie Phillipps. Mrs. Claflin invited me to go to Washington for impeachment trial. Shall do my best to go. Must work, though. Ordered a beautiful laurel wreath for Dickens last night. Received an engraving from Dickens, on which he had written. Left for Washington with the Claflins. Saw the "Russia" getting up steam, and bade Dickens "Godspeed" as I crossed the ferry. May 23. Beautiful day ; first taste of spring. Went to Capitol. Not captivated by my first glimpse of Washington. Saw Congress assembled; a clever-looking body of men. Met Henry Wilson. May 24. Drove out to General Lee's house, Arlington Heights. Evening at Senator Pomeroy's. Met Stanton, Butler (a sharp, clever lawyer). General Howard (good), Colfax (an amiable politician) , Senator Wilson, and others. Lecturing and Writing 183 May 25. Went to Capitol. Heard Grossbeck. No orator, and I couldn't endure the atmosphere. Met An- thony TroUope. Same as ever. Interviews with General Banks, Spofford, and Stillson. Latter took me over build- ing and to Vinnie Ream's studio. TroUope called in even- ing. Met Chief- Justice Chase, a fine-looking man. Sunday, May 26. Wrote all the morning. Called on the Pomeroys. May 2 7. Visited the White House ; like a big hotel, then to Treasury ; Spinner very polite and showed me everything. Had a charming visit at Charles Sumner's house ; he was very cordial. Then to Capitol. Stevens and Williams spoke. Met Anthony TroUope again. Walked over Patent Office. Friends at dinner. The Boutwells called. May 28. Anthony TroUope caUed and went with us to Capitol. WilUams finished, and Evarts began his speech after skirmish between Butler and Nelson. Took my last breath of Capitol air. The Spofifords and Mary Clemmer Ames caUed. Left for New York in night train. Not one wink of sleep. Sleeping cars, are they ? May 29. Heard Mrs. Kemble read " As You Like It." Touchstone, Audrey, and Jacques admirable. Rosalind affected. CaUed on Addie PhiUipps. Did not get to bed until midnight. Tired to death. May 30. Called on Ristori. Found her tired and worn. Great season in Cuba. In the evening, Fanny Kemble in Mary Stuart. Bored to death. She was exaggerated and stagy. No idea of Mary Stuart's character. June 3. Visited Mrs. Botta. June 6. Mr. TroUope came and remained an hour or two. Asked me to write a story for his St. Paul magazine. If I can it wiU be a feather in my cap. If I can't — well, we shall see. June 7. Saw Ristori in Medea and Teresa. Good house. The play does not wear. 184 Kate Field June 9. Ristori's last appearance. Goes to Boston. I called on Mrs. to consult about the club, but I saw there could be no understanding between us. We belong to different spheres. June 24. Ristori has returned. She says she is over- worked, and will not act after next season. This summer of 1868 Kate passed largely at the Isles of Shoals, and on September 3 she chron- icles : " My first letter on the Isles of Shoals in ' The Tribune ' to-day." She soon returned to Newport, and a few days later notes going to a tea-party at Mr. Samuel L. Ward's, driving there with Colonel Higginson and meeting La Farge ; she meets Mr. Lawrence (a son of Sir Henry Lawrence), and other people of note. The next day the diary tells of a call from Mr. La Farge and Henry James, Jr., as he was then, the novel- ist, and she records her impressions of his power and' his refined charm of personality. Miss Field's book, called " Pen Photographs of Dickens' Readings " was making quite an enviable success, and Charlotte Cushman wrote to her that the work was the most perfect criticism she had ever seen and urged Miss Field to come and stay with her at Swampscott. In the mean time, another alluring invitation came to Miss Field from Miss Carrie Rosencrans of Glen Falls, N. Y., the Jianch of the artist Vedder. Miss Rosencrans and Miss Field were already warm friends, and Kate records in her diary the wish that she might accept this invitation ; " but I can't," she says, " and they must do their love-making without my moral support." Lecturing and Writing 185 Helen Hunt, the poet, who was an habitude and an ardent lover of Newport, was one of the intimate circle in Kate's life at this time. Mr. La Farge had then a studio in Newport, and Miss Field writes in her journal of a very interesting landscape of his called " Paradise." It was in this September at New- port that Miss Field and Mr. Howells first met, and she writes that the young poet " is very sweet in dis- position and so sympathetic." She felt at once that rare charm of Mr. Howells' personality. The Perry monument in Newport was unveiled on October first, and John Russell Young commissioned Miss Field to describe the event for " The Tribune." Thus she was enlarging her field of press work. The autumn of 1868 found Mrs. Field and her daughter located for the season at the St. James Hotel in Boston, now the New England Conservatory of Music. Kate hears Wendell Phillips lecture one night on " Events after Grant's Election," and she records : " He was great and suggestive, but not hopeful. The issue is momentous." James R. Osgood, the noted Boston publisher, the noble man and the ideal friend, had previously to this time come somewhat into Miss Field's life, and during this season of '68-69 their lifelong friendship was formed. His counsel and influence were most valu- able to Kate, and were always deeply appreciated by her. In her " Pen Photographs " Mr. Osgood took a keen interest, and about this time thus wrote to Kate : " Mr. Dickens spoke of the little book very warmly and in terms which show that it pleased him very much." This little volume, now entirely out of print, is, as its title indicates, a series of vividly picto- i86 Kate Field rial impressions of Charles Dickens in his American tour of reading from his own works. The days brought to Kate various pleasant expe- riences. One entry in her diary records this inci-r dent. " When in the publishing-house to-day, Mr. Fields called me aside, saying that he had recently looked over my Landor papers, finding them to be very valuable, that I had been paid too little for them, and gave me a check for $88.50, making in all now $300, for the three articles. I could not speak, but I smiled my thanks to him." The famous Radical Club of Boston had been recently formed, and it seems that Kate had already written of it in press letters. One entry in her diary notes that she called on the Sargents (Rev. John T. and Mrs. Sargent, at whose house this Club met) and that they were delighted with her report, and told her that Wendell Phillips liked the way in which she opened the subject. Her first letter regarding it begins as follows: — " Now that I have been admitted to the inner temple where the gods forge their potent thunderbolts, I wonder how Boston ever existed without the Radical Club, and why it never was born until last year. Last Monday saw the second meeting of the second year in the commodious parlors of those well-known friends of humanity. Rev. and Mrs. John T. Sargent. There were present Emerson, Wasson, Alcott, and Weiss; Morse and Marvin of 'The Radical ; ' the Whipples, W. J. Linton, the most graceful of designers, the young and noble Gen. Edward M. Hallo- well, who fought beside Shaw at Fort Wagner, and took the command left vacant by the death of his friend and colonel ; Julia Ward Howe, Louisa M. Alcott, Louise Chandler Mouiton, and other potentates in literature and society. Lecturing and Writing 187 The chair was occupied by John Weiss, who read an essay on the old yet ever young subject of woman, — an essay so beautiful, so earnest, so appreciative of the best womanhood, so generous, so chivalric, that there was not a woman pres- ent whose eyes were not moistened, whose heart was not softened, whose intellect was not inspired, by this tribute from a man to the latent worth of her sex. ' God bless John Weiss and all men Uke him ! ' murmured more than one woman who saw the glorious vista opening for another generation of women. Yes, God bless John Weiss ! If ever there comes a time when all men think as he thinks, every woman who comes short of the possibilities awarded to her will have no excuse to fall back upon but that of total depravity. May that time come quickly, for who is not greater and better for being believed in by the true and good ? Who that sees her niche in the Pantheon will not strive to be a goddess? To attempt to report John Weiss's essay would be as futile as to attempt a description of Beethoven's heroic symphony. It is a heroic symphony, breathing in every page the poetry of humanity, and I could no more tell you what it was like without giving you the whole than I could take the sparkle out of a diamond." Mr. Edwin P. Whipple delivered his great lecture on " Jeanne d'Arc " before the Parker Fraternity on the evening of Nov. i, 1868, and Kate records of it : — "Mr. Whipple was so earnest, and impressed me so much that I fairly cried, and when I met him and Mrs. Whipple after the lecture I could not speak for the tears. It was noble and suggestive and made one feel strong to do and to dare. All my life I shall henceforth be indebted to Edwin Percy Whipple." One of Miss Field's best newspaper articles at this time was one on the new publishing house of Fields, 1 88 Kate Field Osgood, and Company for the Springfield "Republi- can." She had breakfasted with Mr. and Mrs. Fields in their home on Charles Street, where the library windows command that Venetian-like view of the river, and afterwards Mr. Fields gave her the data for the article, which was full of information and not without its hints of keen powers of characterization in its setting forth of such strong individualities as Mr. Fields and Mr. Osgood. During the prepara- tion for Miss Field's article on the Fields and Osgood house, Mr. Osgood drove Miss Field out to the University Press in Cambridge, which she went all through with keenest interest in every department. Edwin Booth played an engagement in Boston that winter giving Macbeth to Madame Janauschek's Lady Macbeth, and seats were at a premium and the theatre crowded to the doors. It was in the November of this year ('68) that the idea of lectur- ing first occurred to Kate. Mrs. John T. Sargent thought favorably of the project, and offered to her- self speak to Wendell Phillips who encouraged it. Kate speaks also of a beautiful and helpful conversa- tion with Mr. Whipple. Emerson gave this winter his lecture on " Hospitality," and all Boston heard it with delight. Mrs. Siddons came, bringing a letter of introduction to Miss Field, who heard her read and felt her power, but found her " bad in ' King John.'" The Boston life of 1868-69, on which Miss Field was fairly launched, was as usual deep in interest. Kate attended the Symphony Concerts ; heard Emerson again, this time on " Greatness," and in company with Mrs. Moulton, with whom she took long walks, it seems, discussed poetry and art. Miss Field finds continued interest in the Radical Lecturing and Writing 1 89 Club meetings, where she meets the most briUiant group of that day. Of one occasion Mrs. JuHa Ward Howe says : — " I can remember neither the topic nor the reader of the essay, but the discussion drifted in the direction of woman suffrage, and John Weiss delivered himself of the follow- ing sentence : ' When men and women shall meet at the polls and he shall hold out his hand and say to her. Give me your quick intuition and accept in turn my ratiocina- tion — ' A ringing laugh here interrupted the speaker. It came from Kate Field." There were in Kate's life at this time undercurrents which were as all-determining as they were undreamed of by her friends, and whose nature might be sug- gested by these lines from " Aurora Leigh " : — " Even so we let go hands, And in between us rushed the torrent world To blanch our faces like divided rocks And bar forever mutual sight and touch Except through swirl of spray and all that war." The 31st of May of this year was a fateful day for Kate Field. It was a warm golden Sunday in New York, and in the morning she called upon Madame Ristori. That afternoon she wrote a letter which, accompanied by a little explanation, will be given in full in these pages. A biography is not a romance. If it exist at all, it exists as a truthful interpretation of the events of the life it commemorates. There was never a woman's life with less in it to conceal than that of Kate Field. She had her share of defects ; she made mistakes; she made errors of judgment, but it still may be said that she was so essentially I go Kate Field noble in her temperament and character that noth- ing ignoble was ever possible to her. This is not saying that hers was a perfect character ; she needs no special pleading, and it is not the wish of her biographer to assume any attitude of the apologist, but rather to present, with the same frank simplicity that characterized Miss Field herself, the story of her life. Into this story came more than once the romance of a girl's life, — the approach of love and lovers. She was very fond of the companionship and com- radeship of men. Other things being equal, she enjoyed their society more than she did that of women. This enjoyment was largely a camaraderie quite removed from romantic ideas : but while in Florence there came into her life a young artist between whom and Kate there sprang up a warmer interest than that of friendship. As he died in the same year with herself, it is possible to allude quite frankly to him, and to say that he was the victim of a vacillating temperament. He was one who would and who would not in the same breath. His nature — slow, hesitating, uncertain — was the very reverse of that of the ardent, impulsive girl, whose vehemence of temperament often led her into mis- takes and unwise decisions. For some seven or eight years the friendship between this young artist and Kate Field had persisted through a variety of stages. A large package of his letters are among the voluminous records of her life. And with this little explanation a letter that she wrote to him on the last day of this May will be given in full, as it portrays the strength and clearness of her mental attitude re- garding this influence upon her. She writes : — Lecturing and Writing 1 9 1 New York, May 31, 1868. It is five months since I received your last letter, and you undoubtedly imagine that my silence has been owing to disgust or indignation. Neither. I was at first disgusted, naturally, and therefore put your letter aside until I should be perfectly cool. The coolness came much before leisure. I have been so engrossed in business, people, and things — Dickens, especially, about whom I have written a series of photographs in book form — that I have never seen the moment until now that I could sit down and tell you my opinion of you and your letter. First let me tell you that I renewed our correspondence after a year's cessation because I heard you were very ill, and because I at that time could write to you, having no other feeling toward you than that of a friend. I supposed you would understand this from the fact of my writing at all. It seemed to me consequently that your letters were anything but friendly, even brutal at times, but I so believed in your honesty and principle that I gave you the benefit of the doubt and laid all the shortcomings to bad health. We are the slaves of our nerves. The letter you wrote last December ought to have been written in 1862. You were a moral coward not to have written it then. Now you know you were ; therefore I shall say nothing further because I don't care. That epi- sode has passed out of my life, and is as dead to me as if it were buried six feet under ground. The friendship I entertained for you is very sensibly diminished by knowing more of your real character, but I have, at the same time, a certain respect for a man who even at the eleventh hour will voluntarily enter the confessional and show himself in his true colors. By not writing that letter you made me fancy that I had allowed myself to be much more interested in you than you 192 Kate Field were in me. This is what made me so indignant with my- self that ever since I have been trying to make the amende honorable by showing you that I was, after all, nothing more than a friend, that I had recovered from the delusion, after considerable mortification. Now I know that I was no such fool, that you were deeply interested in me, as I had reason to suppose at the time. I was young then and inexperienced, but not so inexperienced as to fancy myself admired without any foundation. This has always been the mystery to me, — that I, who never imagine I am mak- ing impressions, who give men the widest possible margin and rarely believe a word they say — when it comes to sentiment — should have made such an idiot of myself. Your tardy letter assures me that I was not this idiot, and my regard for my own common sense is much greater than it has been for six years. I thank God that you did not remain longer in Florence and that I did not tarry in Paris, for had you offered me your hand, I should have accepted it, believing you to be other than you are, — and been cured. When my eyes open they open very wide. I am not one to submit tamely to wrong, and separation if not divorce would have been the inevitable consequence of such an ill-assorted union. You do well to say that you will never marry. No woman should be subjected to such a miserable fate. As a single man, infidelity hurts no one but yourself, provided you have honor enough to confine your flirtations to those who are educated in the art. I have no sympathy with flirtation. It must be a very cold nature that can play with fire. Neither do I admire fickle- ness. But your nature in no way concerns me, and pray don't imagine that I am lecturing. I am simply giving my opinion of you and your letter. It is unavoidable, and is given for the very last time. I am not the Deity and having no claims to perfection do not intend to visit anathemas upon your head. You Lecturing and Writing 193 undoubtedly have many admirable qualities, and so long as you live I shall have hope pf you. I believe that the time will come when you will be tired of your present order of exercises, and will care for more earnest friends. If you desire to retain me as an earnest friend, you can. I shall never flirt with you, never entertain you flippantly, never go down to your lower nature. You must come to me with the best there is in you. I will never tolerate any more cruel, unkind letters. Now we understand each other. If you choose to accept my terms, you can. If you do not care to do so, why, we will part. If ever I meet you it will be in the kindliest manner, for I shall always wish for you health, happiness, and ultimate regeneration. There is something of divinity in you, and the sooner it develops the better for you. You may laugh, but if you have a heart it will be more inclined to weep that a beautiful dream has vanished into such thin air. Yours earnestly, The Once Mistaken. Later, in allusion to this episode in her life Kate recorded : — "In 187 1. This man has made a long journey to ask my forgiveness and declare his love, and I have refused him. How strange is life ! " The man's reply to this is dated Dec. 4, 1868, and runs : — • " It is five months since I received your letter. Had I written at the time, I should have written much that I shall now leave unsaid. I will merely observe that I could not have written my last letter in '62 because my affection for you did not begin to wane until the summer of '63. As soon as I had made up my mind to abandon all pretensions to your heart and hand, I wrote an ungracious letter to that 13 194 Kate Field effect. That was in April, 1864, since which time I cannot be accused of having encouraged you to continue the cor- respondence. In my last I think I attributed my change of feeling to ' inconstancy.' I ought to have told you why I was inconstant to you. It was because I could no longer shut my eyes to the fact that there was great incompatibil- ity in our natures ; that we had many traits of character, habits of thought, tastes, whims, or prejudices — whichever may be the proper term — that were too antagonistic to blend or to harmonize by contrast. Your offer of ' earnest friendship ' is magnanimous ; but permit me to observe that friendship can only exist between equals. If I ever attain to your level, I shall eagerly accept your generous offer." But this was not the end. Can anything, indeed, in this part of life be ever said to be the end in our human relationships? At all events, these tw^o ybung people had not lived their lives out, even on earth, at this time: and in the story of Kate's life he is to re- appear, as the reader will find, later on. Each had an intense feeling for the other, however paralyzed into coldness at times, and however successfully dis- guised or concealed. In the June of '68 Anthony Trollope, Kate's ardent friend, wrote asking her to secure rooms for them in New York. Adelaide Phillipps sailed for Europe, and the Trollopes arrived. It was during this sum- mer that Miss Field found that Planchette would write for her, — the little mechanism that was then new and attracting a great deal of attention. Kate Field had the electric temperament. She had avast preponder- ance of what latter-day scientists (who are also psy- chic researchers, like Sir William Crookes and Prof. William James) call " luminiferous ether." And it Lecturing and Writing 1 95 is said to be by virtue of this ethereal quality that persons possessing it are more or less mediumistic. Certainly Kate was intensely psychic. The clue to her, whole life on earth is to be found, indeed, in the fact that she was intensely susceptible to unseen influences, and that these acted upon her powerfully in ways which science in those years had not begun to reveal. Her experience with Planchette grew to be so marked in the significance of the writing that she collected the matter into a little book called " Planchette's Diary," which was sent to Redfield, the publisher who was to bring it out. He accepted it on her own terms, — ^100 paid in advance, and ten per cent copyright on all the sales. This book is a literary curiosity. Planchette wrote under Kate's hand, and the voluminous communications received were so curiously significant in character as to incite her own analytical study. The modern intimations from the Unseen were then in the early stages, and this little book will always hold a place in the historic record of a progressive movement of psychical re- search, which Mr. Gladstone, some years before his death, pronounced to be the most important move- ment before the world. Space does not here permit citations from " Planchette's Diary," and all that is of special interest or importance in it has already been reproduced in a recent book,^ the original volume being out of print. What with Ristori, Charles Dickens, Fanny Kemble, and Adelaide Phillipps, that spring was a memor- able one. The Gary sisters were then living in New York, and Kate knew them well. A playful little 1 The World Beautiful : Third Series. 1 96 Kate Field note from Phoebe Gary to Kate, after the style of a " Herald " " personal " comes to light, running as follows : — If the young lady who spent last Thursday evening at No. 5 2 East Twentieth Street will meet her friend at the same time and place, she may hear something to her advantage. Phcebe Gary. P. S. — This establishment does not advertise in the "Herald." Of the opening of the year 1869 Kate's diary graphically records a running story : — Friday, Jan. i, 1869. The new year began on an un- lucky day, Friday, and carried out the old superstition. It was most intolerable, and not to be endured. The night before, I went to bed, rather believing that there never would be snow again ; I awakened to assist at the greatest snowstorm in several years. It snowed and blew furiously all night, which state of things aggravated my melancholy at the death of another year. I have just gotten used to '68, and now I am called to throw myself into the arms of unknown '6g. I am sick at heart with the fleetness of time, and have almost determined to close my shop-win- dows until Eternity, when the absence of almanacs will enable me to accomplish something in the course of cycles. My discontent with status quo undoubtedly arises from dis- gust of self. I am wasting time. I know that I do not accomplish all that I should. But I am not thoroughly well, and, moreover, have no one to spur me into new fields. My lecture hangs fire for the reason that I am afraid to touch it. Alas and alas ! I wrote letters and practised all day. Then at five o'clock Mrs. Fields sent a carriage for us. In we stowed ourselves, and were driven through the pitiless snow to No. 148 Charles Street. There we found Whittier, who has a lovely spirit, but is not enter- Lecturing and Writing 197 taming at a dinner. In fact, I should have preferred to see Fields alone, and to have heard his literary news and com- ment. Whittier nibbled at his food, and scarcely touched his wine. After dinner there was conversation such as Mr. and Mrs. Fields know how to lead and inspire. I was beguiled into using Planchette. Mr. Whittier said he had' read my " Diary " with interest, and was really quite ear- nest in watching me as I wrote. The communications were pertinent, and some of them about Thackeray and Landor were clever, but there was nothing in them to astound one. I demand tests. Mrs. Stowe is to write an article on Plan- chette for the Atlantic. She believes in it. After Plan- chette I produced my Ristori and Vedder drawings. Both interested Mr. Whittier very much. Being particularly struck by one of Vedder's beautiful drawings, I asked him if he would not write a poem about it. " It is already a poem," he replied. He was right. Many people cannot appreciate Vedder truly. He is too great for the time in which he lives. Later Mrs. Fields read an interesting pri- vate letter from Charles Dickens. He gave a graphic ac- count of his trying his new reading, " Oliver Twist," on his family and then on his friends. " If that 's what you are going to do," said his daughter Mary, " I suppose it ought to be seen and heard, but it is awful." " The world has been waiting for a sensation foi fifty years," exclaimed Mrs. Keeley, the actress; "now they have it." I believe in Dickens thoroughly, and I Ve no doubt that his new reading, is great; Nevertheless, I do not forget that Rachel and Ristori have lived within fifty years. Per- haps Mrs. Keeley believes in nothing that is not English. I 'd give an immense deal to hear the new reading. The Fields were enthusiastic over a new story of Dickens, " The Star in the East." It is a clever photograph of life. Finally we came home in a worse storm even than that in 1 98 Kate Field which we set out, and I went to bed wondering who and what I was ? Where the money to live on is to come from, and whether I ever shall do anything worthy of myself or of the world? January 2. Cessation of storm. Wrote out " Lumi- nara of Pisa " with a view to publication, and practised. Went down town and stopped at the Women's Club, where I met Mrs. Sewall. I called on Mrs. Moulton, walking home. January 3. A mild day. Read all the papers and wrote with Planchette. Returning, we dined, and I finished my " Luminara." Mrs. called and was very flattering, as usual. I wish she would n't say such extravagant things to me, for she makes me doubt her January 4. Copied sentences from Mrs. Julia Ward Howe's essay with view to a letter for " Health and Home." Walked down town to meet an appointment with Mr. Waters of the "Advertiser,"' and met Mr. Perabo full of enthusiasm over some pictures. He said that Emerson's reading at Chickering's was great. To-night Weiss lectures at the Club, on " Woman." On my way home called at Fields, Osgood, and Co's., and there were Howells, Aldrich, and Fields, all together, and the latter gave me two auto- graph poems, — Lowell's "Two Rabbis," and Whittier's "Ember Picture." I left my MS. of "Luminara" with Fields, which I dare say he will return. I doubt its being good enough for the " Atlantic." Then went to the station to see Aunt Corda off, and then I met Mr. Weld. Walked home and began reading Mary WoUstonecraft's "Rights of Women." January 5 . Gilmore has issued the programme for a Grand National Peace Jubilee for the isth, i6th, and 1 7th of June ; 1000 orchestra and 9000 chorus. Coliseum on Common. What next? Took notes from " Les Femmes," and prac- tised for two hours. Went down town and left Mrs. Howe's Lecturing and Writing 1 99 essay on " Polarity" at her house, not finding her at home. I 'm just as downhearted as I can be, but nobody knows it. I feel as Mrs. Browning felt when she wrote that pathetic poem, "My Heart and I." " How tired we are — my heart and I, — We seem of no use in the world." What a game life is ! And is it worth the candle ? When I 'm alone, — " I am the doubter and the doubt." Father, be near and help me. Let me be useful if I cannot be happy. To expect recognition or happiness is folly. I have many who call themselves friends, but — oh, I wish not for much, but more than I shall ever get. This is my cross. I must learn to bear it without murmuring. Amen. January 6. A warm, spring-like day. Mr. Fields sent me word that my " Luminara " article is capital, but not im- portant enough for the " Atlantic." Just as I expected. I 've sent it to Lippincott, and have begun a letter for " Hearth and Home " about the latest Boston notion, a grand festi- val in June. In the afternoon went to the Symphony Concert and heard Camilla Urso, who manipulated the violin as beautifully as she alone does. I had to miss Mr. Alcott's Conversation on " Beauty " to-night, because of no escort. Read Mrs. Ball's " College, Market, and Court." January 9. Read Mrs. Ball and practised. Bought " With Verdure Clad," a great study. To-night, at Mrs. Water- ston's, where I met Br. Langmaid and General Gordon, both very clever men, Addie Phillipps sang, with the greatest effect. I was then urged to sing, but refused, saying it would be as absurd for me to sing after Adelaide Phillipps as for one who had supped upon canvas-back ducks to call for a thin beefsteak. Addie laughed and said she was 200 Kate Field never called that before. "Why," I replied, "you have often been called a duck, and you know you have been extensively canvassed, and frequently backed." Poor sort of wit that. But had n't any sort of scruple about singing after a great artist, not she. So a thin voice brought forth a mouse, and people exclaimed, " How charming ! " Society is such a humbug, and the bad often seems to have the advantage, because it is brazen and has no feelings. I re- mained until eleven. Addie gave me a very pretty little English ballad, "The Danube River," and made me happy by saying I had made a conquest of Mrs. Waterston. I am glad if this is true, for she is most kind. They have a wealth of books, and are so good as to promise me the run of them. The Waterstons have heart, and are lavish in grace and goodness. January lo. Again read from Mrs. Dall. Miss called, and we found her a bright, clever woman, — a little anxious, perhaps, to be up to her reputation in what she says, but nice for all that. In the evening we went to Mrs. Moulton's and there met Mrs. Corbin, who has written a novel on the woman question, called " His Marriage Vow," and D. R. Locke, the author of the widely known Nasby papers. I liked him. He is defiant of pronunciation and of elegance, but he is so shrewd, frank, and good-hearted, that I fancied him immediately. He addressed his conversation to me, and we kept on talking till midnight. First women's status, then Grant, Wendell Phillips, the press and person- alities. He was very funny about his interview with Olive Logan and Sikes, — she sending Sikes out of the room, and then exclaiming to Locke, " That man is the Thackeray of America." And he, taking Mr. Locke for a walk, ex- claimed, " Do you know there is not a woman on earth who writes Hke Olive?" I should hope not, indeed! Locke has made ^40,000 in one year's lecturing ; and by Lecturing and Writing 201 his Nasby papers he has gained nothing but reputation. Such is Ufe. I shall lecture. January 11. Addie Phillipps called to invite me to the opera. A letter from Redfield saying that 1300 copies of " Planchette's Diary " remain unsold. All speak well of it. however, even the most intelligent. The Diary is nothing, and as I expected nothing from it, I am not disappointed, but I a7n sorry for my publisher. I have tickets for Alcott's next Conversation, and I secured mother's photo- graphs to-day, which are beautiful. In the evening went to the Club, where was laid an aesthetic tea, Mrs. Howe pre- siding. Among those present were Mrs. Lodge. The members are all efficient and strong in their way. January 12. Read, practised, wrote, and received a long letter from Elliott Coues, who speaks with great praise of "Planchette's Diary," and says that he, too, writes with Planchette. An invitation to a party at Mrs. Waterston's, and I shall go. A letter from Carrie Rosencrans, who says that Vedder is threatened with pleurisy. [Miss Rosen- crans, now Mrs. Vedder, was then the fiancde of the great artist.] I returned Mrs. Dall's valuable book to the Library and took out " Histoire Morale des Femmes." Henry James repeated his essay on " Women " at Chickering Hall for the benefit of the Club. Annie, an old servant, whom I had such a bother getting off to Ireland last June, writes beseeching me to send her money to return. She is out of work, has spent all her money, and knows not what to do. How I 'm to get the money, or what I 'm to do with her when she gets here, Heaven only knows. It must be accomplished, however, in some way. We are the only persons in the world to whom she can look for help, — poor thing. I visited Mrs. Waterston and Addie Phillipps to-day, and told Addie I 'd do all I could to rouse the press and make Maretzek engage her if she would say the word. Addie is rather in favor of it, and Mrs. Waterston promised 202 Kate Field her aid. ... In the evening, mother and I went to Alcott's Conversation on " Theism and Christianity." My first ex- perience in these unique entertainments. Mr. Alcott is to me incomprehensible. Henry James told me the other day, when he called, that Alcott once said to him : " There are but three men who never strayed from the Divine Centre : Socrates, Christ, and myself." I think that is say- ing about as much for himself as a man can. Carlyle calls him "the acorn-eating Alcott," and Emerson, when Mr. James told him of Alcott's assertion, replied : " But, after all, he is the most spiral flame New England has produced." When Carlyle heard this he went into fits of laughter. I dare say Alcott is a spiral flame, only I don't know what that means. These Concordians are too much for me. However, Alcott was interesting in his monologue, with his serene, benignant face, his thin white hair looking like spun glass, and his curious gesticulation with his left hand, as if brandishing something at an imaginary enemy. He made a strong distinction between personality and individuality, saying we were persons not individuals in another world, the former being the soul, the latter body. His interpre- tation of Christ's words, " I and my Father are one," was very satisfactory. Mr. Alcott came to me later and cour- teously expressed his regret that I had not been present at the Conversations on " Plato " and " Beauty," and he added that "this to-night was rather dry." I do not think so. January 14. Read Legouvd and practised. " Hearth and Home " returned my article on the Peace Jubilee as likely to be stale before they could publish it, and I posted it to the "Republican." A letter from Willie Winter. Mrs. Russell called, then Lizzie Boott and Dr. and Mrs. Angell, who liked my little room very much. Mrs. Waterston, too, made me a little visit, and said that Addie Phillipps was averse to any demonstration in her favor. So like the great artist that she is. Lecturing and Writing 203 January 15. Still not well and in the house all day. Mr. James Murdock called and we had a long talk. I told him of my lecturing idea and he seized upon it immediately. He has very good ideas, and he gave me more encourage- ment than I have ever before received. He said he would come on and help me make my first appearance if I would let him know. He thinks I can be successful. Mr. Murdock told me that only ten months ago a friend of Anna Dickinson's asked him to prepare her for the stage. A party in the evening at Mrs. Waterston's, and I met Gen. Horace Binney Sargent. There was music, and Addie sang. January \']. Wrote notes on Legouv6's book, and letters, letters, — among them a non-committal one to . Other women may glory in scalps ; I won't. If he will be a friend and nothing more, all right. Mother went to hear Weiss on " The Evils of the Day." Says it was great. January 1 8. At the Radical Club Colonel Higginson read a paper on the " Greek Goddesses," and there was a vigor- ous discussion by Mrs. Howe, Mr. Alcott, Miss Peabody, and others. John Weiss, whom I ventured to stir up, was eloquent in praise of the women — not goddesses — of to-day, and even I dared to say a word which turned out a strong blow to the pretty theorizing. I said, " After all, Colonel Higginson, I do not believe there is a woman present who would return to the Greek civilization," — a remark received with applause. Something was said by Mr. Alcott about Plato and women. When I ventured to say that Mr. Alcott must remember Plato's declaring that women were not capable of Platonic affection, he grew excited and denied that anything of the sort had ever been said by Plato. I had only read this in Legouv^, so I could n't prove it. I '11 read Plato now and find out for myself. The meeting was interesting. We met there Mr. Robinson, the " Warrington " of the Springfield " Republi- 204 Kate Field can," and later mother and I called, on Mrs. Fields. On our way home we stopped at the Library, where I took out Grote's "Plato." January 20. Another wonderful day. What this weather means, Heaven only knows. I hope it has nothing to do with the earthquakes that are performing with great effect in various parts of the world. A letter from , who says she heard my " Moving Tale " pronounced very clever, and that I was called " very beautiful." I laughed. Better be thought a beauty than a fright. I am reading Aira^e Martin's " Education des Mferes de Famille." At the Symphony Concert Haydn in D and Beethoven's Eighth Symphony were as pure and refreshing as mountain spring water. At breakfast Dr. got into an argument with mother about women, and declared that any woman who spoke in public was unfeminine, et cetera. And this man is now speaking and preaching, — a man of less originality, of less breadth, of more conceit, of less dignity, I never met in my life. He is an insuiferable bore, and is never happy save when talking of himself. I wish he 'd vanish. How long, O Lord, how long? Mrs. called, and in the course of conversation I said that I held the post of honor to be a private station ; that a home, a loving husband and children, were the real satisfactions of a woman's Ufe. "Strange that you should say this," replied Mrs. . "Why?" I asked. " Because you strive for just the opposite." " I am trying to make a living, certainly.'' " The world says you care for nothing but fame." "The world tells many lies." "Ah, but there is never fire without smoke," she replied. Polite, to say the least. I scorn to vindicate myself to such people. I am misunderstood. Januaiyii. A bright cold day. Got Rousseau's " Emile " Lecturing and Writing 205 from the Library. ... An invitation from the Longs to a German on Friday. Read all the evening. A letter from Juliet Goodwin saying that Henry James was enthusiastic in my praise. " Barkis is willin'." Letter from Putnam desiring me to send on my " Luminara." I '11 oblige him. He '11 return it " with regrets." Read in Plato's " Republic " and Rousseau's " Emile." Plato does not confound me with his wisdom, and I don't see what Mr. Alcott meant by advising all young girls to take Plato as a guide. Mrs. Moulton's report of Colonel Higginson's address on the " Antislavery Standard " is very good. It looks queer to see my little remark in print. Down town and called on Mrs. Ballou. The photographs of father's picture are good. It is the finest face I know. January 24. A lovely day. Rose late ; read " Emile," and just as I was going out Mrs. Homans came. A charm- ing woman. While talking, Addie Philhpps came, anxious to have me go to Chicago with her to-morrow. She is en- gaged for several concerts by Parepa Rosa, who is laid up with rheumatism. I felt much like going, but health and duty say stay at home, and I resign the pleasure. Later I went to Horticultural Hall to hear Mrs. Howe on "Re- ligion," her first professional appearance. The hall was well filled with the best people, who appreciated the many fine things she said. I borrowed a Bible (all ours are packed), for I want to study it for myself. In the evening Addie Phillipps came for me to go with her to Camilla Urso's testimonial concert. Urso was delightful in Bee- thoven's concerto. Addie sang " Lascia ch' io pianga," and " O Lord of Hosts " from " Samson." She was fine, Addie and Mrs. Waterston left me at home, and I slept the sleep of the just. January 2'^. Read " Emile " and practised. MissFroth- ingham called. Dropped in at Club but found mouth- ing poetry, and I beat a retreat. Called on the Bracketts, 2o6 Kate Field who told me that I 'd made a deep impression on Nasby (Locke). Very glad, as I like him. A letter from Lina Warren containing a little picture, — New Year's gift. En- countered Mr. Osgood in the street, who stopped me and wanted to know when I had returned from New York. Seemed surprised that I had been in town so long, and wanted to know why I had not advised him. Nous verrons. January 26. A bitter cold day. Finished "Emile." Rousseau therein gives a few good ideas, which he drowns in an ocean of turbid sentimentality. A sweet picture he draws certainly of a perfect man and woman. False, false, false ! Rousseau's conception of woman is as wrong as it can be. A fine man, he, to instruct the world. Practised, went out and called on Madame Bendelari. Came home soon, nearly frozen and as blue as possible. Tomlinson sent me the money for my article in Warren's " Advocate." A letter from Carrie Rosencrans enclosing one from Charley Coleman in which he calls me " Dear Cousin Kate, — the tonic of the earth. I swear by her, and would fight for her any day." Ah, well, perhaps I 'm of some little use to somebody. Perhaps by leading an honest life I may help to raise the standard of my sex. But, oh, I am weary, weary. Read Plato. Dr. Lothrop called. He is interesting, although Weiss called him a clerical Silenus. January 27. Charming day, warm as May. Rose early, and by half-past ten o'clock I was off for Mrs. Sargent's to assist at the supplementary meeting of the Radical Club. Mrs. Linton read a very interesting paper on the " Religion of Organization," and the conversation that ensued between Weiss, Alcott, Robert Dale Owen, and Mrs. Foster was better than usual. Mrs. Sargent begged me to report the meeting, and to oblige her I took notes. Mr. Linton gave me his MS. I was introduced to Mr. Parker, a clever Lecturing and Writing 207 radical and a lawyer, and Mr. Powell, editor of the " Anti- slavery Standard." They were both very kind in what they said to me. ... I had a pleasant chat with Mrs. Dale Owen and Mrs. N. P. WiUis. The latter told me that she had received but $60 on the copyright of her husband's books. . . . After the Club dispersed, fourteen of us, in- cluding A\'endell Phillips, Mr. 'Weiss, and Mr. Linton sat down to a lunch. I sat beside Saint Wendell, who was as lovely as a June day. He is very sympathetic to me, and if I saw much of him I should love him, I am quite sure. He is so truly a gentleman. He told me that he had never studied oratory ; that it came to him by nature, but that he had had his failures. I walked toward home with Mr. Linton, who stopped at Fields, Osgood, and Company's, and on reaching home found that Mrs. Whipple and Mr. and Mrs. Fields had called. In the evening to Mrs. Howe's reception. A crowd ; met Mr. Morton again, Governor Claflin, and others. Mrs. Howe in low neck and short sleeves. She is a most charming hostess. . . . January 2?,. Another charming day. Read " Republic." Mrs. Anthony and Mr. Linton made us a long call. Lunched at Mrs. Moulton's to meet Mrs. Bullard, — an interesting woman with a beautiful Greek profile. In the evening we attended the antislavery festival. Reformers are the queerest-looking people I ever saw. " Here is the angel who records our sins," said Mr. Phillips, when he shook hands with me. He spoke admirably, so did Weiss. Then Mrs. Howe read two of her poems. Mrs. Sargent says ^5 000 will be made for the " Antislavery Standard." No need of such an organ ? Slavery dead ? When not an hotel or a boarding-house will receive Menard and Simms, the colored members of Congress, who are now in the city. Mrs. Sargent has herself taken them. "They shall he accommodated if I go into the streets myself," she bravely said ; and then, crowded as her house is, she found room for them. 2o8 Kate Field January 30. A rainy, dreary day. After breakfast wrote off r6sum6 of Linton's essay. Dined with the Anthonys, where were Mr. Linton and Mr. Osgood. Dinner very pleasant. I like the Anthonys extremely. Mr. Osgood is a fine fellow and a genial companion. The more I see of him, the better I like him. He walked home with me, and a glorious night made the distance much too short for my inclinations. I could have walked miles. Going to the Anthonys in a dull, feverish condition, I returned home in the best of spirits. Such is the effect of being with people one enjoys. Sunday, January 31. A horrid east wind day. I lay in bed dreaming until one o'clock, and took my breakfast and dinner combined one hour later. John How called, and I sang for him. He was followed by Frank Boott, who engaged me for Tuesday week for a stance, with Mrs. Tappan and myself as mediums. Took tea. Read a pile of newspapers. February i. A cold, fine day. Took notes from Rous- seau's " Emile." Practised. Went to the Library, returning " Emile " and took out " Corinne." Called on Mrs. Moul- ton and saw Mrs. BuUard, who is very interesting. Sang all the evening. February 3. At the Woman's Club to-night Mrs. read a paper. I did not go. They say she looked all around the room for Kate Field and not discovering me said, " Then my manuscript is safe." It would have been " safe " in any event, so far as I am concerned. I can't blow a horn whose notes are not music. In a letter from Aunt Corda to-day I learn that Junius Henri Browne has put me in his subscription book, — " The Great Metrop- olis." I am one of the " distinguished women," Mrs. Calhoun and Mrs. Mary Mapes Dodge being among them. Here is the damning with faint praise and praising with faint damns : — Lecturing and Writing 209 " Kate Field, daughter of J. M. Field, the actor, and a bright writer for the ' Atlantic ' and other magazines, is rather small in stature, a pleasant blonde. Seems to be in excel- lent spirits always and delights in epigrammatic conversation. [Do I ?] She was a friend of that cultivated and peculiar brute, Walter Savage Landor, whom she knew in Italy. She gained considerable fame here by her elaborate ' Tribune ' critiques, or, rather, eulogies, upon Ristori when she first appeared in this country. She is frequently at Miss Gary's receptions." Sat down to my lecture. Tried all day Saturday and not a word came. Just as I began to screw my cour- age to the sticking point Mr. and Mrs. Howells came. I was very glad to see them, and we had a charming visit, grumbling over the miseries of authorship. They remained for a long call, but too short for me. Later I went down town and called on Mrs. Severance, situated at the top of Belleview with a view over all creation. In the evening I sang to callers. Shall I have courage to write to-morrow? Munson sent me his photograph, and Tom Sturgis, from the wilds of Missouri, writes me, enclosing a letter for "The Trib- une." I doubt whether " The Tribune " will publish Tom's first effort, but I '11 do what I can for him. He is a manly fellow, and has no end of pluck. How many more men am I to take in tow ? Formerly I had my hands full of artists ; lately I seem to have been getting into business channels. How queer a kaleidoscope is life ! February 4. As vile a day as one desires to see. Snow and then rain. Walked down to Pinckney Street to invite the Anthonys and Mr. Osgood to dine Saturday. Found Mrs. A. ill with a headache, but she said they would come if Mr. Osgood returned from New York in time. Borrowed "Aurora Leigh." By the time I reached home, I was afloat in my own boots. In the evening Mr. and Mrs. Sloane called and asked me to sing. Mr. Sloane was enthusiastic 14 2IO Kate Field over "The Danube River." After they left I ran through "x\urora Leigh." How I see dear Mrs. Browning in every line ! Helen Hunt's encyclical letter reached me. It is clever, but somehow I don't relish a private letter written for circulation among fifteen or twenty. It looks like posing, — not easy enough. She says some good things, though. . . . There comes a grand account of the opening of Booth's Theatre in New York. I expect the acting was bad, scenery fine. Such is our stage. February 6. Wakened with a sore throat. Wrote beginning of lecture, and practised with some difficulty. By afternoon I was worse, and at night my throat was very sore. Mrs. Governor Smith of Vermont came in, and said she had a plot for a novel in a Husband of Fact and a Husband of Fancy. She said that when she was first mar- ried she lived two lives, — on the plane of fact, she met her husband ; on the plane of fancy, she met an ideal man entirely different. As years went by the two became less distinct, until finally both blended and she found all she craved in her own husband. She had grown to his fact, and he had grown to her fancy. A capital idea that might be elaborated — by one who has brains. It is too much for me, I fear. February 7. Passed a restless night and wakened with a very bad ulcerated sore throat. Lay on sofa and did nothing. Mrs. Angell called and presented me with a ticket to Listermann's quartette concerts. In the evening I felt a little better. Memorized Hood's "Song of the Shirt," which mother read to me with great feeling. Was to have had the Anthonys and Mr. Osgood to dine, but had to write them to postpone it. February ?,th. A lovely day. Throat better, but still ulcerated. Kept my room. Still no appetite. Read the paper and wrote on my lecture. John How came and brought me two songs, — Wallace's "Winds that waft my Lecturing and Writing 211 Sighs to Thee " and Archer's " Alice." Henry James, Jr., soon followed and remained until night. We had a good long talk about everything under the sun and some things above it. I lay on the sofa rather exhausted. When I am excited I do not realize how much vitality I throw off. February %th. Throat better, but still ulcerated. Read and wrote a lecture. I actually begin to see a little light. McGlenen sent me an invitation to visit Selwyn's Theatre at any time. Very polite. The first courtesy I ever re- ceived from a theatre, Ristori excepted. Of course did not go to the social tea at the Women's Club. Cards from Bes- sie Frothingham and Walter Brown. May they be happy. Shall not be able to go to write with Planchette to-morrow night where we were to have a Planchette stance. From February 8 there is a blank in this journal till November of the ensuing autumn. Miss Field then writes : — November, 1869. A long blank of some months, in which I have lived years, and why I have not grown gray under the pressure, the excitement, and the misery seems strange to me, who know myself so well. Oh, if there were some one who knew me half as well ! Ill for a month previous with an ulcerated sore throat, on March 3d I made my debut as a lecturer at Chickering Hall, before the most critical audience that Boston can as- semble. James T. Fields says it was the most successful d^but that he ever saw. The papers next day were very eulogistic. I was more dead than alive at the time, and had not the remotest idea what sort of an impression I pro- duced. Mr. Whipple's notice in the " Transcript " was very fine. I was invited to repeat my lecture, " Women in the Lyceum," by the best men in town. It was again given with the same success. On the 2 2d of April I appeared at Newton ; on May 4 at Brooklyn, where I was introduced 212 Kate Field by Mr. Beecher, and on May loth at the Union League Theatre, before a crowded house of fashionables. " The Tribune " gave me an editorial, and all the papers treated me well. In June I reported the Peace Jubilee for " The Tribune," and received the kindest courtesy in the press room. It was one of the pleasantest experiences of my life. On July 5 th I started for the Adirondacks with mother, and the Rev. Mr. Murray was of our party. What came of that excursion has been printed and spoken. Returned August ist, joining Aunt Corda at Sara- toga, where all attended the races, and had nine days of Congress water. While there I wrote four columns for "The Tribune." While there, Mr. Osgood invited me to stop at Lanesville on my way to Newport, which I did, passing three days with the Anthonys, the Partons, Mr. Osgood, and T. B. Aldrich. On August 16 found myself again in old Newport. Mr. Osgood thought well of a caricature book apropos of the Adirondacks, and told me to write out my sketch for illustration, which I did, but the artist who came down to get my ideas was so bad that the plan was deferred sine die. I wrote another letter about the Adirondacks to "The Tribune," and by August 26 had an article called " In and Out of the Woods," written for the " Atlantic Almanac," which Mr. Osgood says is the best thing in it. Then I be- gan my lecture, which it was hard to write in the lazy atmos- phere of Newport. Between the sentences I rowed, and made Ida Lewis's acquaintance. On September 4th I saw a tremendous gale, the worst since 1815. Correcting proof with one eye, I watched vessels break away and drift from their moorings with the other. It was a terrible spectacle, and the damage to the town was great. September 17 th Mr. Osgood and the Anthonys visited us. On the 27th mother and I returned to the St. James, Boston. On Octo- Lecturing and Writing 2 1 3 ber I St I again started for the Adirondacks, where in com- pany with the Farquets, Mr. and Mrs. Emmons, Mr. E. F. Parker, and Mr. Arthur J. Landon, I passed a very jolly week, ascending Whiteface only to get caught in the rain, and visiting Elizabethtown and Ausable Chasm. Owing to the terrible freshets and breakage on the road, I was obliged to return from Plattsburg via Albany. To Troy I got on very well. Smith M. Weed, the democratic politician, being my escort, but on arriving at Greenbush my troubks began, for at Albany in a strange hotel, in the pouring rain, I was stranded for forty-eight hours, my only consolation being in work. I wrote all day Sunday. Previous to leaving for the Adirondacks the last time, I wrote a biography of Mr. Osgood for the "Advertisers' Monthly." Then I sat down and finished my lecture, and on October 15th took it to Mr. Osgood to read. He re- turned it the next day, praising it highly, saying that it would go far toward making my future, but advising me, as a matter of policy, to leave out the peroration on John Brown. Leave out the only portion that was a matter of conscience? How wretched I was on that Saturday ! I shall never forget it the longest day I live. I sobbed like a child, and wanted to die. Then conviction took possession of me and said, "Retain the peroration if you die." So I wrote a letter to Mr. Osgood, telling him that my conscience forced me to hold fast to John Brown. The series of circumstances that arise through a lifetime by means of which moral fibre is tested and developed offers an interesting problem. The kingdoms of this world are forever being offered to those who accept the terms ; but to those who pray " Give me new wisdom and knowledge," these gifts are granted. Kate Field was not one to sell her soul for a mess of pottage. As this record has revealed, 2 1 4 Kate Field there arose one crisis in her Hfe when the choice was between the inheritance of a large fortune or the free and full expression of her patriotic ardor in the hour of her country's peril. She unhesitat- ingly chose the latter and renounced the wealth that might have been hers. For in the time of the Civil War party spirit ran so high that it was very possible for a man who had many admirable quali- ties and impulses of lavish generosity to yet be so intrenched in his prejudice as to be exasperated by direct opposition to his views, and this, too, on the part of a young girl whom he had warmly befriended and whom, being a woman, he did not recognize as possessing any right or title to hold political con- victions. Again before Miss Field arose circum- stances when she must choose between the politic, the merely expedient, and the eternal right. " You will ruin yourself as a lecturer if you insist on eulo- gizing John Brown," said to her. " Then let me be ruined," was her reply. Yet she was facing the problem, not only of self- support, but of caring for her delicate mother. To earn a living for two at the point of a pen, especially in those days when literature was far less remunera- tive than now, and when there was much less de- mand for literary productions, was not unlike the task of Sisyphus. On the other hand, the lyceum lecture of that time was the most remunerative of the professions and attracting many of the finest intellects of the age. George William Curtis, Wen- dell Phillips, Henry Ward Beecher, Edwin P. Whip- ple, Anna Dickinson, Starr King, and Mary A. Livermore were sweeping the country with their eloquence and communicable ardor. Emerson, Lecturing and Writing 2 1 5 Lowell, Whipple, and Mrs. Howe also occasionally went far afield ; and although with them the lecture never became an exclusive profession as with the others mentioned, yet their appearances on the plat- form contributed signally to the diffusion of the higher culture. One must have grown up from a child, in the middle West, to be able to quite appreciate what the lyceum lecture system did for the people through that decade of the seventies. It is not now held as an article of faith by the people of the East that the inhabitants West of the Alleghanies differ in essential characteristics from those on the other side of this mountain range. Customs and fashions and even the finer culture follow the star of empire westward, and the settlers of the great middle West were very largely the flower of New England enter- prise and energy. The succeeding generations were their children, and they have never revealed them- selves, as a whole, without a very fair share of those virtues and aspirations which so signally mark the distinctive New England character. But inner as- piration does not, alas ! immediately create outer advantages. Education in the scholastic way has never lagged superfluous in the middle West; but education in the sense of artistic culture requires museums and galleries and many aids that this region is, even now, only beginning to acquire. In the sense of literary culture the advantages were less impossible. A great picture or statue may only be seen in one place at the same time; but books and periodicals have wings, and are rather mag- netically attracted to their lovers. Thus it was that the people of this region were very conversant with the literature and thought of the day, and were 2i6 Kate Field prepared to welcome, with the most intelligent appre- ciation, the lyceum lecturers who appeared through the cities and towns. Families living in the country- would willingly drive ten miles and back at night to hear Emerson or Phillips, Mrs. Livermore or Anna Dickinson, and it was to this enticing profession that Kate Field began to incline. It was very remunerative. Miss Dickinson has said that for several years her income averaged ^30,000 annu- ally from her lecturing. Mrs. Livermore — in case her generosity ever permitted accumulations — must have had a similar experience ; for the infinite num- ber of people whom she has helped and placed on a foundation to proceed again, is something of which only the Recording Angel could give accurate statis- tics. The lecture audiences of those days were people who could seldom enjoy pictorial, lyric, or dramatic art. The lyceum platform was their theatre, their art galleries, their balls and dinners as well. The arrival of the lecturer was an event. Kate Field made her initial appearance on the platform in March of 1869 with a lecture entitled "Women in the Lyceum." She had made an in- stant success with a witty and thoughtful paper on what was then a comparatively new theme. A press notice, describing her appearance on this occasion, said : — " Miss Field was costumed in a blue and white silk, with flowers in her belt. Her hair, which is sunny brown, was looped up at the back of the head by a comb, and fell in a cascade of shining curls down her neck. She is slender, and eminently graceful. For the rest, she has blue eyes, a rather prominent nose, a generous mouth, whose expression Lecturing and Writing 217 is wonderfully improved when she smiles, a well-developed forehead, and a chin that indicates a good deal of will power. As a whole, the face cannot be called a handsome one, yet there is a bright intellectuality about it which makes even a more grateful impression upon the beholder than mere beauty could. Her elocution is — well, it is super- latively Bostonian ; and that means as proper as proper can be. She sits as she reads, manages her inflections very artis- tically, and charms you with the music of her voice no less than with the piquancy of her thought." Rev. O. B. Frothingham wrote congratulating her : — ■ New York, April 5, 1868. My dear Friend, — Accept my heartiest congratulations. I was confident of your success, but such a brilliant success did surprise me a little. More anon, when I see you. Good-by. With kindest love to your mother, believe me. Faithfully yours, O. B. Frothingham. Henry James, pire, thus amusingly narrated an expedition he undertook on behalf of Miss Field : My blessed Child, — I went, as you bade me, to the " Advertiser," but learned Mr. Waters was out of town. Where was Goddard ? Three stories up ! I proceeded, when I discovered he was out ! 'T was ever thus. 'T is true, 't is pity ; pity 't is, 't is true. But Mr. Goddard had authorized his colleague to inquire of the fugitive Waters, What could he do? What could we do? Prosecute? Nay, forgive him once, but only this once. So I came home to think what a dear, industrious, good little girl you had been to occupy your fair fingers with my crabbed in- tellectual fancies, and to tell my wife and daughter that not even they should be henceforth more sure of my tender 2 1 8 • Kate Field and most respectful homage. But in reading over your Report, blessed child, I could n't help seeing that my crooked intellect had stifled the free movement of your spirit for the time ; and I at once sat down to rewrite my paper with less of myself and more of your lovelier self in it. And this I send as a substitute for your gracious gift, leaving you to retouch it as you please, and make such use of it as you will, — stipulating only that you cover and con- ceal from your lovely eyes my masculine conceit in the drapery of your own womanly forgiveness. Forgive me, but not forget me, and believe me. Your friend, Henry James. Another letter from Mr. Frothingham runs : — January 2, 1867. My dear Friend, — If George Bancroft, or George Rip- ley, or any other of my learned acquaintances, had sent me a handsome copy of " Michelet,'' I should have been sur- prised at nothing but the kindness of the remembrance. But when Kate Field sent it I was impressed, not by the kindness merely, but by the kind of kindness. Are you a pundittoo or a pundette ? Do you deal with Muckle, with Mickles, and people of that ilk? Do you lend a hand at large ... as well as at magazine and newspapers? I shall begin to be afraid of you, through the very cause that should make me think of you with more affection than ever. I shall take you for a universal genius, and always some remote and private sanctum, where you pass studious hours over the great poets and sages . ; . the vain world is forgetting. I will spare you all that ill opinion, however, until further evidence for my suspicions, and only thank you heartily for thinking of me in holiday times, as well as in times of trouble, and your taking the pains to bring me a gift, which must have some associations of a tender character connected Lecturing and Writing 219 with it. Pray don't forget to remember me again in times of perplexity and trouble, when you think my poor advice or influence may be of the remotest service to you. With kind regards to your mother, who is well, I trust, by this time, and with best wishes for the New Year, believe me. Faithfully yours, O. B. FROTHINGHAil. Mrs. Elizabeth C. Kinney, the mother of Mr. Ed- mund C. Stedman, thus writes to Kate : — Dear Miss Field, — How your name — so often seen in print as the lecturer or author, and in my son's letters as Xht friend — takes me back to old Florence, and to some of our mutual literary associates there who are now no more. But I have not taken up my pen to speak of Italy, or the days of auld lang syne. I want rather to thank you for your beautiful, able notice of Edmund's collected poems. I feel a twofold pride for " Pan in Wall Street," first, as a mother, and, secondly, for my fair country-women, who so graciously and aptly brought home the poet's theme. Your " Hap-Hazard " is by me as I write, and I congratulate you alike on the piquancy and point of its pages and the felicity of its title. With warm wishes for your success in this and every venture, I am. Sincerely, E. C. Kinney. Immediately after her first appearance, Miss Field had the compliment of being invited by a number of eminent men, among whom were Hon. William C. Claflin, Henry James, pire, Dr. Holmes, T. B. Aldrich, and James T. Fields to repeat her lecture, this testi- monial bearing the date of April 3, 1869. Of this second elifort Mr. Wasson wrote to her : — 2 20 Kate Field CusTOM-HousE, Boston, April 13, 1869. Dear Miss Field, — I felt just like quaffing a glass of your sparkling wine yesterday, but the fates had decreed that I should remain thirsty. "Official duties" detained me until thirty minutes past the hour. I was wilhng to be guilty of the barbarism of coming a quarter late rather than lose the entertainment altogether, but twice that was mani- festly too much. I thank you for the ticket you were kind enough to send me, and congratulate you with all my heart on your success. Yours with much regard, D. A. Wasson. Mr. Hilliard also wrote : — Boston, April 13, 1869. My DEAR Miss Field, — " But with the morning cool re- flection came." But with the cool reflection of the morning I will say that your lecture was a success. In the first place, it was well written, with a style simple and yet pointed, with good thought and good rhetoric. In the next place, your manner was good, your enunciation is very distinct, and the quality of your voice will enable you to fill a much larger space than you occupied yesterday. But as I am nothing if not critical, I make two slight qualifications to my commendation. First, I should omit hereafter what you say of the novel of St. Elmo as being somewhat out of harmony with the rest of your discourse, and also because the game is hardly worth such good powder and shot as yours. And next you occasionally, in speaking, fall into a slightly artificial tone or cadence. This was, perhaps, the result of embarrassment, and will probably pass off with time. Cultivate, in speaking, the easy, natural tone of con- versation. This is the charm of Mr. Phillips's speaking, and with him, as with all finished orators, such ease is the result of exquisite art, and not a gift of nature. Lecturing and Writing 221 You observed, yesterday afternoon, that my countenance was shorn of a portion of its usual charms. I was suffering from an angry and inflamed eye, and on this account I am obliged, in addressing you, to use the hand of a secretary, and let me add, in honor of woman's rights, that it is a feminine hand. With warm congratulations and hearty good wishes, Yours faithfully, G. S. HiLLARD. A request to lecture in Plymouth Church brought the following response : — My dear Miss Field, — If the Plymouth Church was mine, you should have it just as often as you wanted it, and free too. But except to preach in, it is not mine, alas ! but is held by trustees, who have to extend to the secularities, and who must be bargained with, even with filthy lucre. But two facts it behooves me to mention : first, that, as I be- lieve the church has engagements for lectures on the dates you specify ; and then lectures are a dead failure in Brook- lyn, — not a single one has begun to pay expenses. Are you rich? Do you deal in superfluous money? Do you want to use some of it ? Yes, Dickens sent me word after speaking in our church never to build another, as I should not get so good an one. I mean to take his advice. I have noticed the very favorable words of you and your lec- ture in the papers. I congratulate you. I am very truly yours, Henry Ward Beecher. It is incredible that barely a period of thirty years lies between the days when a woman's appearance on the lecture platform was in the nature of social phe- nomena and the present, when it is a matter of daily and universal experience. 222 Kate Field Although Miss Field was a very earnest woman, and would have been quite capable of going to the stake for the sake of her convictions, she was yet extremely sensitive to public opinion and appearance. How- ever engrossing might be her theme, she never forgot that she was a lady by birth and breeding, and she was hampered by conventionalisms in a way that other women on the platform at the time were not. Mrs. Livermore had the married woman's freedom and prestige, with a marvellous greatness of experience, too, lying behind her for her noble work in the Sani- tary Commission; Lucy Stone and Miss Anthony were totally absorbed in their cause of the political enfranchisement of women ; Anna Dickinson, with her ardor and eloquence, was a law unto herself, and all these women in varying ways had the gift of the genius that well cuts its own channels. Miss Field had the divine gift, too, to a very remarkable degree ; but she was younger; she had been for ten years an acknowledged favorite in the choicest, the most exclusive and not unfrequently conventional social life, and she shrank with a nervous dread that no words could describe from a public career. Yet she obeyed the voice that called her to go on. She wrote two other lectures at this time, — one on Charles Dickens, and one drawn from her experience and observations in the Adirondacks. The press notices of these lectures, which extended over two years, — from the spring of 1869 to that of 187 1, — hundreds of which are preserved in her scrapbooks, are curiously glowing in their praise. On her ap- pearance in New York with her second lecture, " The Tribune " said : — Lecturing and Writing 223 " Miss Kate Field appeared in Steinway Hall, last even- ing, and, in a happily devised and smoothly written narra- tive, described her personal experiences in the Adirondack woods. The occasion was uncommonly agreeable, and was enjoyed by a large audience, in which the intellect, cul- ture, and fashion of the city were well represented. Miss Field has but recently adopted the lecturer's vocation. Her brilliancy of mind, however, and her soft, gentle, refined, yet piquant manner of delivery, have already gained for her a high professional rank. " Miss Field's discourse closed with a touching mention of her visit to John Brown's grave in the Adirondack coun- try and a tender tribute to his memory." For a column and a half this pleasant appreciation ran on in unqualified praise. This period of her lec- turing resulted, therefore, not only in a success of estimation, in considerable financial profit, and in a great gain for herself of endurance and poise, but her work also contributed materially to the breaking down of prevailing prejudices regarding women's part in the affairs of life. Although over thirty years of age at this time, Miss Field looked ten years younger. Not strictly beautiful, she had the effect of beauty, and she had grace, distinction, and exquisite taste in dress. She appealed to the eye as well as to the ear. Wil- liam Lloyd Garrison once remarked that it was worth an admission fee merely to see Kate Field on the platform. Then, with these incidental advantages, she had vigorous ideas, exceptional charm of literary quality, and a voice of rare beauty. It is not possible, without employing terms that would, in this day, savor of exaggeration, to re- cord adequately the enthusiasm that attended Miss 2 24 Kate Field Field's lecturing experiences. As a speaker she never equalled Mrs. Livermore in spontaneous and impassioned power and the magnetism of genius ; nor was she ever calculated to make the peculiarly vivid and electric impression that Miss Anna Dickin- son made during that period. Still her place was unique. She had great social prestige, and she went out from Boston with the stamp of approval from men and women whose names were held in national esteem. To have the indorsement of Wendell Phillips, Mrs. Julia Ward Howe, Dr. Holmes, Edwin P. Whipple, and Henry James was to carry a letter of unlimited social credit everywhere, for the Modern Athens has always been a recognized Mecca of social and intel- lectual power, and its cachet rather absolute. There is no such absolute interpretation of spiritual qualit}' as the voice, and in this was Kate Field's most felicitous gift. Her enunciation was pure, her Eng- lish was choice, her use of language perfect in its values. The scholarly Boston "Advertiser" said of one of her early appearances : — " Miss Field's voice is exceptionally musical, sweet, and agreeable ; and it is but the simple truth to say that she manages it admirably. With a little practice she will find it easy to deliver her lecture in the largest hall, and we prophesy that, if she goes on in the path upon which she has entered, her refined and modest mamier, her artistic perception of the power of light and shade in speech, and her native gifts of mind, will make her everywhere acceptable." It was an impressive hour w^hen Kate Field stood in Music Hall and told to an audience that crowded it to the very doors the story of John Brown. In this lecture she said : — Lecturing and Writing 225 " I could not leave the North Woods without making a pilgrimage to John Brown's grave. What ! that humble, unpainted farmhouse John Brown's home ? I stood upon the threshold and knocked in vain. Trying the door, it opened ; and venturing to enter, I saw signs of habitation, but none of comfort. There seemed to be no angel in the house. A portrait of John Brown, a few memorial wreaths snatched from some recent grave, were the only visible re- mains of sentiment. Several men were pitching hay in a field near by, and when I hailed them, one sad man came forward to bid me return. He was the owner of the farm, for John Brown's homestead is no longer the property of his family, although it was his wish that there they should remain. " ' I am Alexis Hinckley,' said the thin, sad man. ' My sister married John Brown's son, Salmon, who went West and is now in California. Mrs. Brown was very lonely without any of her children, and in order to join Salmon, sold the farm in 1863 for $800. She did not want it to go out of the family, and so I bought it. But I do not feel like staying here any longer. I buried my wife last winter. The place is not what it used to be, and, in fact, I must sell it. I have offered it for $2000.' " ' Does that plot of land go with the farm ? ' I asked, looking from the window where ' John Brown's body lay mould'ring in the ground.' " ' Oh, no. That is reserved by Mrs. Brown. There are two hundred and forty- four acres, and ;?iooo worth of timber.' " So John Brown's farm was for sale." Telling this story, the $2000 were, within forty- eight hours, subscribed, twenty persons, of whom Miss Field was herself one, and Mrs. Waterston (n^e Quincy) another, giving each $100, and thus was IS 2 26 Kate Field John Brown's farm purchased to be held as historic ground; this act of national justice being entirely due to Kate Field. These two years of lecturing carried her as far west as Illinois and as far south as Virginia. She appeared in hundreds of the smaller cities and towns, under- going the inevitable fatigue and hardships of travel, but making hosts of friends, acquiring very valuable experience and also making a considerable amount of money. On her arrival in Chicago, Anna Dickinson met her at a dinner at Robert Collyer's and thus wrote of Miss Field : — " Witty, pungent, concise of speech, hating shams with a royal hatred ; with beautiful blue eyes that penetrate deep, while they reveal depths, and firm mouth that dominates the delicate face, and seems to say to it and to any weary- ing that lies beyond it, ' Advance ; you have your work to do, your plan to accomplish ; do and accomplish them.' " In Washington, where she appeared on Dec. lO, 1870, members of Congress and several Senators listened to her. " They gave me undivided atten- tion," writes Kate to her mother, " but less applause than anywhere. I thought they were not pleased, but I am assured that they were delighted and did not applaud because they were listening intently." Constantly was she sending money to her mother and urging upon her every indulgence. " You are a darling, and I 'm not half good enough for such a mother," she writes in one letter. The rush of life through this period is indicated in her letters to Mrs. Field. She lectures in New Haven and takes the eleven o'clock train afterward for New York, where she arrives in a driving rain and is up and off on an Lecturing and Writing 227 eight o'clock morning train for Buffalo. She speaks in a small town in New York, and after the lecture drives ten miles to Batavia and takes the train for Albany. On this particular journey she says : — " Then at West Point Mr. Bigelow, formerly minister to France, came in, and we had a very interesting talk about Mexico and France." At another time she reaches Poughkeepsie at five P. M., where she is to lecture in the evening, and in the interim drives to Vassar College. From Madison, Wisconsin, under date of Feb. 23, 1871, she writes to her mother: — " An excellent house last. The University and Legis- lature turned out, and Lieutenant-Governor Pound, a very nice man, presided. This morning I visited the Capitol with Governor and Mrs. Pound." Sometimes the houses are not excellent, after all this midnight travelling and rush and effort, but she accepts things as they come. All the time she is sending money to pay debts and for her mother's comfort. " I enclose draft for six hundred and fifty dollars. Make it payable to Uncle Milt," she says. " I hope this spring to pay him entirely." . . . And later: " Of the $250 I sent you yesterday pay Uncle Milton $50. That squares things with him. ... In next letter I '11 remit $650, the profits of last week." And again : " Yesterday I sent you $250 from Auburn." And again referring to a relative, she says : " I gave $20 for clothes the other day, and shall give her $20 more for Christmas, and there stop." Finance is a very important matter. The spending 228 Kate Field and apportionment of money is an unerring index to character, and Miss Field's accuracy, promptness, and moral integrity, as well as the generosity which always so signally characterized her, is revealed in this glimpse of the constant conduct of her finances. She was as prompt in repaying an advance from a wealthy relative as she would have been to a relent- less creditor. Invariably, in every relation she was the soul of honor. She was always very easily touched by kindness, and of a lecture season in Washington she writes to her mother: — " The Washington people treated me in the most affec- tionate manner. One landlady would accept no payment, saying that the pleasure of my company was sufficient com- pensation, while the other (where I lodged) made me a present. Both of course were women who had seen better days. The Southern women are deeply interested in the women movement." Her lecture on Charles Dickens was one of the most artistic and beautiful of literary lectures. She repeated it with great effect in Boston, New York, Chicago, Washington, Brooklyn, — in Henry Ward Beecher's church, Mr. Beecher himself presiding, — and the lecture is one that was not only impressive as oratory, but which may well be embalmed in litera- ture. On her delivery of this lecture in the Globe Theatre in Boston, Mrs. Louise Chandler Moulton wrote to the New York " Tribune " : — " One saw among this audience the poet Longfellow, in company with his friend, James T. Fields of ' The Atlan- tic,' the Hon. George S. Hillard, David A. Wasson, Dr. L. H. Lothrop, E. P. Whipple, the Rev. Petroleum V. Nasby, and others. Lecturing and Writing 229 "The curtain rising, a slight, graceful girl is disclosed, with floating hair, ' outwardly brown but inwardly golden,' and clear, honest eyes, which insure her welcome before she opens her lips. The applause which salutes her is only less enthusiastic than that with which she is summoned before the curtain after it has fallen upon her brilliant peroration. She wore blue silk, with an overdress of misty white lace, and made a pleasant picture as she stood among the flowers with which admiring friends had made the scene beautiful." Miss Field continued to give this lecture on Dickens throughout her life, its last delivery being, indeed, in Honolulu, where she gave it only a few months before her death, for the benefit of a kinder- garten. Somewhere about 1883 she gave it in New York before a notable audience. Very lovely she looked, in a costume of dark-blue velvet and silk, which brought out the pure, perfect brightness of her face, — that spirituelle beauty which held one with its irresistible spell, — as she stood by the little table laden with rarest flowers, where great baskets of scarlet roses and calla lilies, with bending sprays of mignonette and cluster of violets gleaming through trailing greenery, made beautiful the place. It was the last of a matinee course that she had been en- gaged in giving in New York at the pretty little University Club Theatre, where delighted audiences listened to her. In this interpretation of Dickens Kate is unsur- passed in her swift, subtle insight, her epigrammatic vigor, her fine touch, and her appreciation of the values of life. One found in her lecture on Dickens two separate aims: one to present a living, lifelike portrait of the great genius in her consideration of 230 Kate Field him as the actor, dramatist, journalist, novehst, — as the merry-maker, the poet, the friend of humanity; the other fulfilment of the lecture, and one that seemed an outgrowth rather than a conscious aim, was to give a most inspiriting, vital, and suggestive presentation of thought, in a manner that ennobled all who listened. In it she said : " Great genius is only great good sense;" "The price of success is industry;" and "Who that is head and shoulder above his fellows escapes misinterpretation?" she questioned. Again : " They who have great ideas fight for them," and somewhere in passing she spoke of " the blessed trinity of love, devotion, and self- sacrifice." Of Dickens she said : " The watchword of his life was duty; " and one silently thought how truly the same words might be said of herself, — this woman in her simple elegance standing before her audience, — with the earnest, beautiful eyes ; the spiritual loveliness of face and form ; the graceful, exquisite refinement that surrounded her like an atmosphere. Rarely does one find such an hour of spiritual uplifting as was this in hearing Kate Field in a lecture in which she touched the deepest chords of humanity. Her lecture on Charles Dickens closed with this paragraph : — " Dickens, the uncommercial traveller for the great house of Human Interest Brothers, has made his last journey. The light of Gad's Hill has gone out ; the light of the world is dimmed. . . . He lies with England's best and greatest, with tuneful Handel gazing heavenward above him, with Garrick by his side, with Johnson at his feet, with Dryden, Chaucer, Spenser, and Milton near by ; with a mighty congregation of kings and queens, philosophers Lecturing and Writing 231 and generals, to sing hosannas as they welcome him to this city of the dead. But mightier is that congregation of liv- ing, humble souls silently filling the sombre abbey from noon to night, treading lightly lest the dead be waked, cast- ing flowers into the still open grave until the dark void is made bright and beautiful as if with the bloom of everlast- ing peace and hope. Last to linger is a woman, listening to the voice of Memory as it repeats the words of him who lies so silently at her feet : ' O woman, God-beloved in old Jerusalem ! The best among us need deal lightly with thy faults, if only for the punishment thy nature will endure in bearing heavy evidence against us on the day of judgment.' " This world's day of judgment has come to you, Charles Dickens, and this grateful woman casts humble flowers upon your grave for your loyalty to duty, for your loyalty to literature, for your loyalty to the drama, for your loyalty to friendship, for your love of humanity, for your love of truth, — Ipving it better than Shakespeare and Shakespeare's country, better than Irving and Irving's country, — for your love of children, for your tenderness towards the outcast of her sex. And as she lets fall the last pansy in her hand she murmurs : ' The old, old fashion. The fashion that came in with our first parents, and will last unchanged until our race has run its course, and the wide firmament is rolled up like a scroll. The old, old fashion — death ! O, thank God, all who see it, for that older fashion yet of immortal- ity ! and look upon him, angels of young children, with regards not quite estranged now the swift river bears him to the ocean.' " These three lectures — the one on Dickens being most in demand — filled the time, and yet with all the rush of life Kate found days for occasional writing. One article, called " Woven of Many Threads," ap- peared in the New York " Herald ; " and she suggested 232 Kate Field to Mr. Whitelaw Reid a paper for " The Tribune " to be called " Leaves from a Lecturer's Notebook," to which proposition he replied warmly, accepting it. The sense of movement conveyed by Kate's letters to her mother can only be compared to the whir of wings through the air. Seldom is she in one place for two consecutive days. One night in Buffalo after the lecture an intelligent quadroon came up, saying she must speak to Miss Field, and exclaimed : " God bless you for what you have said of John Brown ! It was sublime, and it was as much as I could do to keep from shouting." Miss Field records the fun of a Buffalo sleigh-ride the next day " with the avenue as gay as the Corso in Rome." Lecturing once under Mr. Daly's management in New York, the suc- cess was so assured that Mr. Daly wished her to re- peat it on Christmas night of 1870, which she did. " I am very sorry not to be at home for Christmas," she writes to her mother, who at this time was living in Joy Street, Boston, at No. 21, "but I must think of our business interests first." Lecturing in Hart- ford, she was entertained by Mrs. Jewell, — the wife of the Governor, to whom Miss Field was much attracted. In all these tours she was quite by way of being a guest at the home of the Governor, the College president, or the chief magnate, in some way, of city or town. Occasionally her travelling experiences included a night like this, — to return from her lecture to be called at three A. M. for a train ; change cars at six and reach her next destina- tion in the afternoon, with her evening appearance before her. There was no complaining at all of these hardships. In one town there was a very small audience, and Miss Field insisted on returning one Lecturing and Writing 233 third of the fee. " It surprised and touched my good friend," she said, " but he was a teacher, and I could not bear to take money out of a teacher's pocket." From Cincinnati she wrote: — " Murat Halstead, Editor of 'The Commercial,' to whom Mr. Reid gave me a letter, has been very kind. To-day he drove me to see the sights and then took me to dine with some pleasant wealthy people living at Clifton, a suburb of beautiful residences." In February of 1871, she lectured in St. Louis, and she writes that as she went to church and heard Rev. Dr. Eliot, " the old times quite came back listening to his gentle voice." Hon. Wayman Crow introduced her on the evening of her lecture, and drives and a number of festivities marked her stay in her native city. In New York City about this time she sees Fech- ter, whom she finds, " passionate, natural, and in earnest. He is always sympathetic and knows how to make love, which is a luxury," she adds. Lecturing again in Washington, she writes : — " Chief Justice Drake of the Court of Claims came up to me, told me that he was an old friend of my father's and that I looked and acted so like him as to almost bring him to life." Through all these years and, fortunately for the world, continuing until the autumn of 1893, — there was a serene star shining in the firmament of prog- ress whose influence was marvellous in its penetra- tive and permeating power, — a star that radiated a light not only of illumination but of energy. This 2 34 Kate Field great power for human progress was known to the world as Lucy Stone, — a woman who was a very in- carnation of heavenly forces and who builded better than she knew all through her long and beneficent life. She lived with her face toward the dawn, and while her own specific work was for the political enfranchisement of women, her power was so great and so united with the divine energy that it operated in other ways, producing results on lines which Mrs. Stone did not, at the moment, mentally define. George Eliot suggests that by desiring what is per- fectly good, even when we don't quite know what it is and cannot do what we would, we are part of the divine power against evil, widening the skirts of light and making the darkness narrower. This deep truth was signally illustrated in the life of Lucy Stone and a group of noble women of whom she was one, — a group originally represented by Lucretia Mott, Lydia Maria Child, Lucy Stone, Julia Ward Howe, Susan B. Anthony, Mary A. Livermore, and Elizabeth Cady Stanton, — a constellation that will shine for- ever in the records of womanhood. To this group, individually and collectively, is due the opening of all the larger life of women in the industrial, the educa- tional, and the professional lines. To opportunities that these women had made possible, Kate Field owed an infinite debt and one that, in the later years of her life, she came to fully comprehend and acknowl- edge. Noble as were all these women, it would not yet be possible for a writer who had enjoyed the in- effable privilege of dwelling in the same city with Lucy Stone and seeing, in the sweet atmosphere of friendly proximity, this morning star among women, not to pause in the record to offer special tribute of Lecturing and Writing 235 gratitude to the serene, resistless, and ever-ennobling influence of her personality. Miss Field's unique individuality impressed every one, and a little reflection of this is seen in some playful letters of her friend, Richard Watson Gilder, now so widely recognized as a poet of exquisite gifts, and the editor of the " Century Magazine." The success attending Kate's lecture on Dickens had led her, as we have seen, to prepare a book under the title of " Pen Photographs of Charles Dickens' Read- ings," which she called " the inspiration of gratitude " for twenty-five of the most delightful and instructive evenings of her life. After the death of Dickens the work was republished in London by the Triibners. Miss Field opened this with one of her vivid, electric transcriptions of the welcome to Mr. Dickens in Boston and in New York, passing on to a truly photographic picture of " the desk of the reader," as he appeared before his audiences, describing through some dozen chapters his different readings. In clos- ing this volume Miss Field says : " Thank God that morals have something to do with art, and that the genius of Dickens has realized this solemn fact." After the appearance of these " Pen Photographs " Mr. Richard Watson Gilder wrote to Miss Field : Miss Kate Field. Dear Individual (As if it were Mr. Kate Field, Dear Sir), — I want to thank you for your "Pen Photographs," and to apologize, in a manner, for what I send you by way of acknowledgment. And this is the apology : that there is no other book wherein is name or initial of mine than the Howarth poems, wherein I perform the humble part of organ-grinder to the show. As to your book ... I must 236 Kate Field prolong my note enough to tell you that nothing of the kind, since Dickens, has had the same effect upon me. I confess to a happy period upon the boat " Providence " this morning, of intermingled giggles and moistenings of the eyes, as on that memorable night when I heard and saw that man of blessed memory. Henceforth, O woman 1 the world o^&i, you a debt as well as it does Dickens' family. If that is your Naples — die. I have an insane desire — being full to overflowing of my little glimpse into the Newport Paradise — to say many things to you here with this pen on this paper. But as I have no excuse for screeding, I will put in the stopple, only adding this : before being critical on the little volume, read again the last paragraph of the preface, and see the possible prevarication that lies so near the surface. Ah, do not misunderstand me ! I refer to the last clause, and only mean that to stand up before the critics, these, as a whole, need the bolstering of circumstances. The "Daily" will take the liberty of saying something, however insufficient, about the photographs, and this " we " will always be only too happy to climb into any windows, through any pig- pens, after any oars, that are to row " K. F." to any haven where she would be. Farewell, Witch. I like you, and I 'm afraid of you. Richard Watson Gilder. Another characteristic letter from this delightful poet and wit, dated " The Place of Abominations, otherwise the Capitol," ran as follows : — Dear K. F., — For the reason that you shall not forget me, I write unto you. What a glorious, interesting, " grand, gloomy, and peculiar " letter was the last you wrote me. Missing such missives, I awake to the consciousness that, if I expect to receive the same, I must deign replies thereto. I have sent you one or two pointed reminders of my exist- Lecturing and Writing 237 ence, which I hope you received. One was the St. James paragraph j the other was — well, I guess you " waked and remembered and understood," didn't you? You said something about having a fine photograph taken when you were in New York. I did n't dare then to hint a desire, but since then I have waxed bolder, to wit : — My darling Miss Kate, If it is n't too late, May I aspire So high and so higher As humbly to ask For a pho. of the mask, "which I mean to say," of your face (all faces are masks, nevertheless) . Rhyme and unreason aside, you see what I am trying to muster courage to say, " and your petitioner will ever pray," etc. Questions. 1 . How are you in body and soul ? 2. How is your mother, ditto, ditto? 3. What are you doing? 4. What are you trying to do ? 5. What do you want to do? 6. When are you coming to New York again ? 7. When shall we two meet again? 8. Will you show your generous forgiveness of my not having written lately by answering this soon? 9. Will you be horrified to learn that I write monthly for Scribner's '•' Hours at Home "? 10. Will you please not try to find out what I write therein until I can send you a proof-corrected copy thereof? Please believe me your sincere friend, R. Watson Gilder. 238 Kate Field Among the words of encouragement she prized were these from the poet and novelist, Mrs. EHza- beth Stoddard : ■ — Dear Miss Field, — Mr. Stoddard says he will do all he can to further the growth of William's . . . How wonderful that you have the interest, courage, and energy to do such things as you do do ! How do you do it ? It is line, I think, and I like to see the meaning and inten- tion in your face. It would be a nice thing if you and I could become friends, — friends in one sense ; that is, the whole double sense is a lost art, — to mean, I mean. We should both be pleased to see you here, and I hope you may find time to come without ceremony. Yours, Elizabeth Stoddard. To the "Atlantic Monthly," Kate contributed a paper on Fechter about this time, which incited sev- eral pleasant letters from literary friends, among which are the following : — Mrs. Botta wrote : — October 29, 1870. Dear Kate Field, — I am not going to write you a let- ter, but only a line, to say how delighted I am with your " Fechter " in the " Atlantic." It tells just what one would wish to know, and yet many things are already known by instinct, that he was the true Prince, noble in all his senti- ments, a gentleman in all his instincts. He is happy in having such a biographer. . . . Always affectionately, Anne C. L. Botta. And Mrs. Moulton also wrote : — September i, 1870. Dear little Queen Katherine (Queen of Hearts), — I kiss in respectful admiration the small hands of your gra- Lecturing and Writing 239 cious majesty, for I have just been reading in the September " Atlantic " " Charles Albert Fechter," and admire you and him through you immensely. I believe I know what is good. It does n't take much for that, and this article of yours is very good. I am proud of you ! They tell me that your ease, self-possession, and knowledge of stage busi- ness were a surprise to those who know you best. Laura has a great deal more faith in you than before she saw you play. She says she knows you can make a theatrical suc- cess, as you have already made a literary one. Affectionately, Louise Chandler Moulton. A characteristic letter from Mr. Samuel Bowles, the distinguished editor of the Springfield (Mass.) " Republican," — one out of dozens from him which Miss Field had preserved, — runs as follows : — Springfield, Mass., June 15, 1870. My dear Kate Field, — This note is from one of your distant and unseen admirers. He is an indescribable sort of a chap, well enough to know, but not well enough to be on very intimate terms with, — a child of nature and, the mountains, with an occasional weakness for the distillations of corn ; irrepressible in his enthusiasm ; harmless enough, so far as I know, but not quite holding the respect of the best society in Colorado. Thus I give a character for your new " brother." Yours very truly, Samuel Bowles. From Mr. Charles G. Leland, then editing " The Philadelphia Press," are also preserved a great num- ber of letters, of which one — which suggests its own commentary on the journalism of that period — thus runs : — 240 Kate Field What does Miss Field mean by saying that she cannot write funny articles ? I have just read for the first time your "Shadows of Christmas Eve," and am charmed with it. It is melancholy, — of course I do not suppose there is a lady writer in America who knows what cheerfulness is, — but it is well adapted to please our readers, and respice ad finem should be every editor's motto. The idea of a series of living pictures as you have sketched them is very good, and might be again employed and applied to fashions, as in describing ladies as they "shop" along the street, or to celebrities in New York, going by or to the public build- ings. However, I am not prescribing — only gossiping on my own private account. Whenever you want your reward in money, make out your account and draw on our cashier, J. G. L. Brown, giving him a day or two notice. Yours truly, Charles G. Leland. Miss Field's connection with " The Tribune," which, virtually, continued during her life, seems to have been initiated with the following letters from Mr. Greeley and Mr. Reid : — New York, June 27, 1869. The bearer. Miss Kate Field, who has long been con- nected with " The Tribune," is to represent us this summer at various watering-places, and other summer resorts. Any courteous kindness that may be extended to her will be gratefully appreciated by this journal. Whitelaw REiD,/. A. There were not wanting those who commented ad- versely upon Miss Field's unwisdom — as they termed it — of founding this establishment, when its failure 4IO Kate Field proved it to have been a disastrous venture, in which she herself was the most unfortunate loser. But see- ing it all in its larger relation to the entire purpose through her life, it is more than an open question as to whether there is anything to regret. Our failures are not unfrequently quite as important as are our successes. " Measure not the work Until the day's out and the labor done ; Then bring your gauges." Miss Field had given somewhat of a social flavor to the C. D. A., in frequently entertaining her friends there and using its large parlors for evening recep- tions. One pleasant lunch that she gave is still re- membered, the guests being Mrs. Edwin P. Whipple ; Miss Maud Howe, a beauty and a belle, as well as a charming woman of letters, who is now Mrs. John Elliott of Rome; Mr. Frank D. Millet, the clever artist ; and Mr. Samuel Ward, the wit and bon vivant ; and the hour was sparkling in the wit and repartee of the brilliant hostess and distinguished guests. Miss Field was the President of this Association, and passed a part of every day in the establishment. The " President's room " was fitted up in great beauty, and Kate was not without an enjoyment and pride in the establishment. In May of 1882 Miss Field sailed again for Lon- don, where she remained until the end of July, when she went to Mont Dore in France, returning in the autumn to Paris. From London she wrote to a friend : — " I 've dived into art. My soul hungers and thirsts for music ■ — • for pictures — for all the things I 've had no taste A Significant Period 4 1 1 of since I 've been in trade ! Music I had in the form of Wagner's ' Meistersingers,' and of Patti. The ' Meisler- singers ' I heard twice, and the more I heard the more I liked it. It is Wagner's sole attempt at comic opera, and certainly it is strange comic opera, but there are splendid things in it. . Wagner is all wrong in writing for the voice, but admitting this fact, which will prevent any singer like Patti from touching his music, there is that within which commands admiration. I don't believe I shall ever go mad over Wagner, but I can't call him a humbug. He is a great intellect. " I heard Patti in a new French opera, ' La Velleda,' and in 'Traviata.' She worked like a Trojan to make ' Velleda ' go, but with all the flowers and applause, it was but a succes d'estime. Lenepreu, the composer, proved cleverness, but no originality or inspiration. He had worked tremendously, but he had nothing new to tell the world. After a second night ' La Velleda ' disappeared. After hearing and seeing Patti in her pet role of ' Traviata ' I return to my original conclusion that she is a delightful singer, without any real dramatic ability. She does not once touch. And she leaves out ' Gran Dio morir si giovane.' No dramatic artist would throw away the pas- sionate gem of the opera. Albani sings beautifully, and is an acknowledged favorite with the Queen. Her high notes are singularly pure, while Lucca has a fine middle register, but no high notes. There 's a new tenor, a Pole, Mier- winsky, who pleases me greatly. " In acting I 've seen Irving's production of ' Romeo and Juliet ' sumptuously put upon the stage, and as Juliet Ellen Terry is very picturesque. To-night I 'm to see Modjeska in Odette. The Kendals in ' The Squire ' are very good, but the play will not bear transplanting. Edwin Booth has appeared as Richelieu, and has had good notices. . . . " I 'm quite miserable over the paintings I can't 412 Kate Field buy. There 's a fine portrait of Dickens in 1842 for sale for $750. It would fetch double that in America. There's a charming Gainsborough for ^150, and another for ^125, — a Sir Peter Lely for I300. I go and look at these things, and ache at not being able to buy them. " Mont Dor6 is a charming place when the sun shines. When it rains, as it has been doing for four days, it is hor- rid. There is no perfect climate this side of heaven, I fancy. The views and excursions are lovely. We have rooms on the third story opening upon a balcony, from which we command the Valley of the Dordogne and the splendid amphitheatre of mountains to the south of it. The sun, when it shines at all, beats upon us all day, and physical existence becomes a pleasure. " Paris is always interesting, until one has heard all the music, and seen all the plays and pictures, and bought all the new books. Then I want to cross over to England, where people think in an Anglo-Saxon way. . . . " I saw Bernhardt in ' Camille ' last Wednesday night. She is an admirable artist, who acts from the head down. Still, I prefer Modjeska's conception and rendering of the part, as truer to Dumas's novel." Returning to New York in October, Miss Field passed the winter in that city. She was in a tide of social life ; she was writing various magazine papers, and bearing, through all, a burden of anxiety which had culminated just before Christmas in the failure of the Co-operative Dress Association. The reader may recall the very striking and unique letter written by Miss Field to one who must be nameless in these pages, under the date of May 31, 1868, which appears in a preceding chapter. It is A Significant Period 413 curious to see how, in any moment of need, the friend to whom this letter was addressed seemed destined to reappear in her Hfe and, as has before been noted, his death occurred within the same year as that of her own. As the years had vanished be- tween 1868 and 1880, he seemed to have come to feel something of that intensity expressed in the poet's lines, — " There will no man do for your sake, I think, What I would have done for the least word said : I had wrung life dry for your lips to drink ; Broken it up for your daily bread." His was a nature that failed in power of self-ex- pression, but something of this sentiment was appar- ent in him, and the experiences between Kate and himself had left their impress on both lives since that far-away May-day when she had written him the letter included in this volume; still something in time, place, or circumstance prevented the feeling between them from ever finding its inflorescence in the love that alone would have satisfied Kate Field. She seemed to distrust the possibilities of married happiness, although on two occasions he had sought to win her to be his wife. Her letter of that May-day had aroused in him his better self. Never had he been so worthy of her as on her final refusal. The silent tragedy in life that may result from the lack of correspondence in date of a strong feeling between two persons has never found more keen expression than in the lines : — " A year divides us, love, from love : Though you love now, though I loved then, The gulf is straight but deep enough. Who shall recross ? who among men Shall cross again ? 414 Kate Field " Do the stars answer ? in the night Have ye found comfort ? or by day Have ye seen gods ? What hope, what light, Falls from the farthest starriest way On you that pray ? " As has previously been remarked, it was often a subject of wonder that a woman so attractive as Kate Field, and one who always frankly preferred the companionship of men to women, did not marry; but there seemed to be some instinct warning her back from the final step. Opportunities for marriage, brilliant in every worldly sense, came to her, but she refused to consider them. Twice in her life came love, and why, in both these instances, she shrank from marriage, even she herself could not have told. " I am a strange being," she once said in a moment of intimate confidence with her present biographer: " I am a mystery to myself, doing things that the conventional world would perhaps call unwomanly, and yet so very a woman that I ought never to have been born. You little dreamed that I cared more for than for any one in the world. ... I need a clear head to accomplish the work I must do in this world, and nothing so unfits a sensitive nature for mental exertion as emotional intensities." Perhaps these self-revealing words from a woman usually so reticent that even her nearest friends gained little clue from herself to her inner thought, may offer a clue to the labyrinthine mazes of her life. It was in Florence, in the early summer of 1 86 1, that she first met and loved this man, whose death occurred, like her own, in 1896, and looking backward to that May among the Florentine lilies they both might have said : — A Significant Period 415 " The year 's a little older grown : And fair white boughs by green ways blown In these new days no more are known. (Oh, who can bring the May again ?) " And we are wiser grown, we two ; Our story 's told ; each word was true. (Oh, who can bring the May again.') Was it not sweeter e'er we knew ? Yet who can bring the May again ? " That long-lost Maytime may have awaited them in some fairer clime. Emerson tells us : — " The world rolls round ; mistrust it not. Befalls again what once befell ; All things return." Surely we must believe that these rudimentary expe- riences find their full fruition in the rich and infinite future. Aside, however, from all this undercurrent of the romance in her life which was unsuspected by her friends ; into the actual day and daylight world came the lover again in the guise of the following letter at the time when her business enterprise, the Co- operative Dress Association, failed and she stood alone in loss and perplexity. Under the date of Dec. 27, 1882, he wrote: — " I forbear to call upon you at a time when you are, per- haps, over-burdened by well-meaning, but inconsiderate friends. But I write to remind you that I claim to be your friend. . . . " Should the closing of C. D. A. embarrass you financially, I beg that you will allow me to do all that a sincere and devoted friend ought to. If you will permit me to be of 41 6 Kate Field service to you, as occasion demands, I shall take it as a great favor. . . . ♦' I hope you will not think me officious and presumptu- ous, but believe me to be earnestly and loyally, A greater energy of nature on the part of the writer of this letter would have swept her distrust away; as it was, that which she most asked of him was precisely that which he did not possess. The larger interests and the higher individual de- velopment that are the gifts of modern life to women have effaced the type described in the lines, — " Love is of man's life a thing apart ; 'T is woman's whole existence." Still, by a paradox, it is only the woman who can live her life bravely, even happily, without love, who most appreciates and reverences its holiness and its power for bestowing every gift and grace. Miss Field held this faith in all its purity and perfection. She insisted always on marriage and motherhood as the only complete fulfilment of the ideal of womanly life. Yet, for herself, the path of destiny led otherwhere than to " the sweet, safe corner by the household fire." Kate Field was born under a star that danced. INTO UNKNOWN WAYS The Summers of Hesperides Are long. Emily Dickinson. I doubt whether a mortal can arrive at a greater degree of perfection than steadily to do good, and, for that very reason, patiently and meekly to suffer evil. — A Letter to John Wesley from His Father. There is no end to the great ends of life. If one is living in the resolute pursuit of them, he may first welcome, and then rejoice to leave behind, the several means which in succession come to offer him their help toward the attainment of those ends, as the traveller whose heart is set upon some distant city rejoices when he comes to, and then rejoices when he gets be- yond, each field and river which must be crossed before he enters the far-off city gates. — Phillips Brooks. Ah, happy if a sun or star Could chain the wheel of Fortune's car, And give to hold an even state, Neither dejected nor elate. In vain : the stars are glowing wheels, Giddy with motion Nature reels. Sun, moon, man, undulate and stream. The mountains flow, the solids seem, Change acts, reacts; back, forward hurled, And pause were palsy to the world. Emerson. CHAPTER VII Great is he, Who uses his greatness for all. His name shall stand perpetually As a name to applaud and cherish. Mrs. Browning. Nor stony tower, nor walls of beaten brass. Nor airless dungeon, nor strong links of iron Can be retentive to the strength of spirit. Julius Ccssar. Summer Days in Colorado. The Mormon Problem. Alaska AND THE Golden Gate. Picturesque Journeys. Comments ON Affairs. Important Lectures. Fame and Friends. THE late summer of 1883 found Miss Field pre- paring for a journey to the far West. She passed a few days with her uncle and aunt, the San- fords, in Newport, at their beautiful villa on the old Point, where her own room — a blue room, with a Venetian window looking out on the water, beyond which the sunsets shone gloriously — again made her happy to be in it and sad to leave. In the early summer of 1883, however, she fared forth on a journey westward toward issues of which she little dreamed. With Ulysses she might have said : — "It may be that the gulfs will wash us down ; It may be we shall touch the Happy Isles." It will be remembered that, amid all the varied charms and interests of her foreign life, passed in the most cultivated and refined social circles of Europe, Kate Field never forgot that she was an American, 420 , Kate Field and patriotism grew to be a passion with her. She had been a student of English and American pohtics, and her revelations of the ponderous machinery of the British Parliament, in that series of strong and brilliant press letters, collected into the little volume called " Hap-Hazard," was as fine and impressive in its way as was her dramatic criticism or literary papers. All this, perhaps, had paved the way for her to enter into a close and comprehensive study of the social and the political crimes of Utah. The serious attention which she gave to this problem stamps her lectures on this theme as among the most potent political influences of that time. Miss Field's dis- cussion of Mormonism was one of those events which seem predetermined by the law of the unconscious, and which seem to choose the individual rather than to be chosen by him. In this summer of 1883, as we have seen, Miss Field determined to hitch her wagon to a star and journey westward. She lingered for a month in Denver, where she received distinguished social attention, and where, by special request, she gave her lecture on an " Evening with Dickens " and her " Musical Monologue." Of this Dickens lecture a Denver journal said : — " Charles Dickens was the novelist of humanity, and Kate Field is, to-day, his most sympathetic and intelligent inter- preter. Those who were so fortunate as to attend her read- ing last evening enjoyed an intellectual pleasure not soon forgotten. They saw a slender, graceful woman, dressed in creamy white, with soft laces falling about her ; with low, broad brow, and earnest, sympathetic eyes, under a cloud of soft brown hair. With a rich and finely modulated voice of remarkable power of expression, she held her audience for two hours spellbound by the magic of her genius." Into Unknown Ways 421 In Colorado Miss Field enjoyed an unique and picturesque holiday. Picnics and excursions were gotten up in her honor ; special trains were run ; she rode on horseback with gay parties of friends twenty- five miles a day ; she joined friends from New York who were camping out on " The Needles," and she made a visit to the San Juan silver-mining district. Among other diversions she had the honor of naming a new watering-place, located on " The Divide," an hour by rail from Denver, to which, in honor of General Palmer, who had practically " made " that region, she gave the name of Palmero, the Spanish for Palmer. On first reaching Denver, under date of July 22, 1883, Kate thus writes to a friend to whom for fifteen years — from 1880 until the lack of mail facilities from Honolulu, the year before her death, interrupted the correspondence — she wrote almost daily. This friend was then living quietly in one place ; Kate was con- tinually flying about ; but her address for every day, as approximately as it was possible to calculate, was always with the friend whose devotion to the brilliant and noble woman was fairly in the nature of an occu- pation. All Kate's letters that are quoted in this Record are from this correspondence exclusively unless otherwise specified. From Denver Miss Field wrote : — " Here I am, my dear, feeling very like the traditional cat in a strange garret, yet very much interested, and new things turn up so fast that my head feels as though it would burst. A sister of Julia Dean, the famous actress, has just left me, having called on the strength of knowing my dear mother, and the result is that I 'm going to visit her ranch. 422 Kate Field " People appear here in the most amazing manner, and one makes friends inside of five minutes. My journey west was uneventful and perfectly comfortable, thanks to Pullman cars. I stopped over night at Chicago and went with Mr. Pullman to his town, which is unique and wonderful and such a monument as does honor to its founder. It is worth a journey west to see ' Pullman ' alone. ... I had not been two hours in town before a committee of ladies engaged me to give my monologue on the 31st. Eugene Field called at once and has been as kind and attentive as though he were a real cousin — kinder. He is very clever. Senator and Mrs. Hill came to see me last evening. . . . Denver is wonderful for so young a town, and the distant mountains are fine." . . . Of the grave of Helen Hunt Jackson she wrote: . . . " I 've been to Colorado Springs, lectured there and visited H. H.'s grave. It is on Cheyenne Mountain, 2,500 feet above the town, reached by a mountain road good enough for carriage and two horses. The situation of the grave is beautiful, romantic, and appropriate. I walked several rods in a foot of snow to get to the grave, but only a few steps beyond I found bare rock, where I sat in the sun for an hour, and thinking of the unique woman and generous heart that had passed many a day in the same place, I gazed upon the beautiful plain that stretches to the Missouri River. No monument at present marks H.H.'s grave, and it would require a sympathetic genius to create a fitting design. The usual white marble atrocity would desecrate nature and insult the dead. ... I liked her very much for her great cleverness and vivacity. It is impossible for me to give an analysis of her character as she appeared to me. ... As I care for Shakespeare and a few old fellows supremely, per- haps you can understand why the poetry of H. H. does not appeal to me. . . . You will, of course, use your judg- Into Unknown Ways 423 ment in publishing scraps that I send. . . . But for your- self, pray don't think it womanly to be too easily disgusted. Whatever a man can read, a woman can read. Whatever a man can write about, a woman can write about." Again she says : — " The farther West I go, the more interested I become in the people." The death of Miss Field's uncle, Mr. Sanford, occurred suddenly about this time, and to her Aunt Corda she wrote : — " God bless you and make you brave ! I wish I were with you. It seems such an awful distance away when sorrow comes. " Poor Uncle Milton ! Yet why should I write ' poor ' ? No. He leaves his tired body, and begins life over again with truer insight and higher aspirations, as we all must. You think of this, I know, dearest aunt, and you accept temporary separation with resignation to a will wiser than we can conceive." No adequate idea of the breadth and fulness of her life could be given without some representation of her relations with the daily press. They were singularly happy ones ; and even when some adverse comment was made on her, she took the matter with good grace and evidently believed, with the Rev. Dr. Crothers, that "When a man comes to appreciate his own blunders, he has found an unexhaustible supply of innocent enjoyment." There was no feature of her own life which she held as more responsible than her journalistic work, and she once remarked to a friend : " I honor the journalist because he does work that is needed from day to day. He is the contemporary 424 Kate Field historian, and quietly submits to oblivion ; in fact, takes it for granted and puts on no airs." She was herself always a close student of the daily press ; and if one stops to think of it, there is a distinc- tive difference between the woman who reads the newspapers and the woman who does not. In Miss Field's apartments neither belles-lettres nor bric-a- brac ever crowded out the semi-daily papers. They had place in her rooms and space in her life ; and as a natural consequence, she brought to bear on the current questions of the hour a just and thorough acquaintance with them. A vigorous daily journal crowds out an immense amount of nonsense and frippery in a woman's life, if once one happens to reflect upon it. During 1 883-84 Miss Field wrote a series of letters on the political situation in Utah to the Boston " Herald," which dealt in a masterly way with the prob- lems of the hour. In one of these under date of Feb. 4, 1884, she writes this pungent sketch of her view of Utah : — "When I arrived here, Mormons told me that Governor Murray was a fool, a rascal, and a dude. What an extraordi- nary combination ! Murray had only one thing to recom- mend him, and that was good looks ; his vanity, however, was so great on account of his beauty as to render him in- sufferable. I had never met the Governor, and marvelled exceedingly that the President should have sent a trinity of folly, rascality, and dudeism to so critical a community as the Latter Day Saints. To be sure, the Gentiles told me a diametrically opposite story. They said Murray was every inch a gentleman ; that he was sound in head and heart, and that he was as true to his trust as the needle to the pole. ' He has been here four years,' said one clever Into Unknown Ways 425 man, ' and, hated as he is by the Mormons, anxious as they have been to pick holes in his record, tliey have not suc- ceeded in finding a flaw.' Where lay the truth ? " ' Externally,' said a high priest, ' Governor Murray is an accomplished, agreeable, amiable gentleman, but inter- nally he is a black-hearted scoundrel.' " ' ^^'hy is he a scoundrel ? ' I asked, expecting at last to place my finger on something tangible. " ' Well, Governor Murray would head a mob against our people.' " ' How do you know he would head a mob against your people or any other? Soldiers have special detestation of mobs. I don't beheve any officer of the United States army, volunteer or regular, would head a mob against any- body.' " 'I believe Murray would,' replied the high priest. " ' If you want me to share your detestation of Governor Murray, you must produce stronger evidence than suppo- sition,' I continued. ' What else have you against him? ' " ' At a Fourth of July celebration here, Governor Murray declared that there was wood enough in the mountains to make coffins for all traitors, and he meant us ! ' " ' How do you know he meant you ? Are you traitors ? ' " Here the conversation ceased, for I did not want to tell my friend that he had put the cap upon his own head, and, if it fitted, so much the worse for him. I repeat this dia- logue because it is a fair illustration of the reason brought to bear by Mormon judgment on Governor Murray or any other faithful official. " Governor Murray is neither a fool nor a rascal. Moreover, he is not a dude. It is my good forturie to know him, and I have rarely met a man with a more generous heart. I do not think he could betray a trust if he tried. It is not in his nature. His head has been wise enough to grasp the situation 426 Kate Field here, and to advocate the only poUcy compatible with com- mon sense. He cannot be bought by flattery or gold. Thanks to his parents, he has a fine, manly physique, which fact seems to be a crime in Mormon eyes. This is some- thing Governor Murray cannot help. Therefore he should be forgiven. But he can help being well dressed ; hence he is a dude. I don't wonder that the ' saints ' are shocked at good tailoring. Utah has made its own clothes by divine revelation for so many years as to look upon uninspired broadcloth as the work of the evil one. " If Eli H. Murray is not reappointed Governor of Utah Territory, a great injustice will be done to a faithful servant, as well as to the cause of liberty." That we are led by a way we know not, is a truth that was emphasized by the unconscious way in which Miss Field came to be interested in the Mormon prob- lem. In a letter to the Boston " Herald," under date of January, 1884, she tells the story: — " I know of nothing that would do Bostonians so much good as a prolonged trip across this continent, giving them- selves sufficient time to tarry at different points and study the people. For myself — about half a Bostonian — I be- came so ashamed of sailing east year after year, that last summer I made up my mind to hitch my wagon to the star of empire and learn as much of my own country as I knew of Europe. I started from New York in July, expecting to be absent three months, and in that period obtain an intel- ligent idea of the far West. After passing two months and a half in wonderful Colorado, and only seeing a fraction of the Centennial State, I began to realize that in two years I might, with dihgence, get a tolerable idea of this republic west of the Mississippi. Cold weather setting in, and the fall of snow rendering mountain travelling in Colorado neither safe nor agreeable, I came to Utah over the won- Into Unknown Ways 427 derful Denver and Rio Grande Railroad, intending to pass a week prior to visiting New Mexico and Arizona. My week expired on the 2 2d day of October, and still 1 linger among the ' saints.' I am regarded as more or less demented by Eastern friends. If becoming interested in a most ex- traordinary anomaly to such an extent as to desire to study it and to be able to form an intelligent opinion therein is being demented, then I am mad indeed, for I 've not yet got to the bottom of the Utah problem, and if I lived here years, there would still be much to learn. Despite this last discouraging fact, I have improved my opportunities and am able to paragraph what has come under my own obser- vation or been acquired by absorption of Mormon and Gentile literature. If the commissioners sent here by Con- gress to investigate the Mormon question, at an annual expense of forty thousand dollars per annum, had studied this question as earnestly as I have, they never would have told the country that polygamy is dying out. One or two members of that commission know better, and sooner or later they must tell the truth or stultify their own souls." This extract reveals how deeply the anomaly of Mormon life had at once impressed her. Miss Field was too keen and cultivated an observer not to see beneath the surface of this phase of living a problem whose roots struck deep into national prosperity and safety. The distinguished essayist and critic, Mr. Edwin P. Whipple, said of her study of Mor- monism : — " She undertook a perfectly original method of arriving at the truth, by intimate conversations with Mormon husbands and wives, as well as with the most intelligent of the ' Gen- tiles.' She discarded from her mind pre-conceptions and all prejudices which discolor and distort objects which 428 Kate Field should be rigidly investigated, and looked at the mass of facts before her in what Bacon calls ' dry light.' Corne- lius Vanderbilt, the elder, was accustomed to account for the failures and ruin of the brilliant young brokers who tried to corner the stocks in which he had an interest, by declaring that ' these dashing young fellars did n't see things as they be.' Miss Field saw things in Utah ' as they be.' She collected facts of personal observation, analyzed and generalized them, and, by degrees, her sight became in- sight and the passage from insight to foresight is rapid. After thorough investigation, her insight enabled her to pene- trate into the secret of that ' mystery of iniquity ' which Mormonism really is ; while her foresight showed her what would be the inevitable result of the growth and diffusion of such a horrible creed." The winter lapsed into spring, and still she lingered in Salt Lake City. She relinquished all pleasure for the real work of studying deeply the anomaly of a polygamous hierarchy thriving in the heart of the republic. Every facility was accorded to her by United States officials, military officers, leading Gen- tiles and apostates. Prominent " Latter Day Saints" offered her marked courtesy. She pursued this re- search unremittingly for eight months and when, at last, she left Salt Lake City, the leading Gentile paper, " The Tribune," devoted a leading editorial to Miss Field's marvellously thorough study of Mormon condi- tions, and, on her departure, said : — " Miss Field is probably the best posted person, outside the high Mormon church officials and others who have been in the church, on this institution, in the world, and its effects upon men, women, and governments. With a fixedness of purpose which nothing could swerve, and with Into Unknown Ways 429 an energy which neither storm, mud, snow, cold looks, the persuasions or even the loss of friends, could for a moment dampen, she has held on her course. In the tabernacle, in the ward meeting-house, in the homes of high Mormons, and, when these were closed to her, in the homes of the poor, she has worked upon the theme, while every scrap of history which offered to give any light upon the Mormon organization she has devoured. Mormonism has been to her like a fever. It has run its course, and now she is going away. If she proposes to lecture, she ought to be able to prepare a better lecture on Mormonism than she has ever yet delivered ; if a book is in process of incubation, it ought to be of more value than any former book on this subject. Lecture or book will be intense enough to satisfy all de- mands. ' The Tribune ' gives the world notice in advance that Miss Field has a most intimate knowledge of the Mormon kingdom." Returning to the East, she stopped on the vi^ay in Missouri and at Nauvoo, Illinois, looking up all the old camping-grounds of Mormonism, and meeting and interviewing people who had been connected with it, including two sons of Joseph Smith. Miss Field opened her course of lectures on Mormonism in Bq^ton before a brilliant and distinguished audience, including the Governor and other officials of state, Harvard University professors, and men and women eminent in art, literature, and society. She dealt with the political crimes of the Mormons, arguing that the great wrong was not, as many had believed, polygamy, but treason ! There is no exaggeration in saying that Miss Field aroused the entire country with these lectures. Her statements offered a revelation of conditions little known. Rarely has such fire and eloquence and 430 Kate Field splendor of oratory, combined with the mental disci- pHne of trained thought, scholarly acquirements, and finished elegance, been known in the annals of the lyceum. These lectures yielded her returns in fame and friends which were of a priceless nature. The importance of her theme, the wide and accurate knowledge, and the dignity with which she invested it impressed the statesmen and the leading thinkers of the day. The celebrated Boston divine, Rev. Dr. S. K. Lothrop, said : " I am very glad Kate Field has taken up a theme so worthy of the vituperative in- dignation of every intelligent and patriotic and Chris- tian woman and man in this enlightened American Republic." Miss Field received, indeed, many letters of com- pliment after her initial lecture of the course, and among them was this from the Rev. Dr. Phillips Brooks, afterward the Bishop of Massachusetts: Boston, 232 Clarendon Street, Nov. 24, 1884. My dear Miss Field, — I listened with interest to your lecture last evening, and I thank you for giving me the privilege of hearing it. As to the possibility of interesting the people of Boston in any active measures with reference to the matter in which you are so deeply interested, I can form no judgment. I have had no means of testing public sentiment upon the subject, and your own judgment would be worth more than mine. I need not say that I should be heartily rejoiced if the true method of dealing with the problem could be discovered and vigorously pursued. I am, Yours most sincerely, Phillips Brooks. Rev. Dr. Bartol wrote : — Into Unknown Ways 431 Dear Miss Field, — I appreciate and bless you for your enthusiasm. Do not think people indifferent or thoughtless on the matter that so stirs you, because they are too much preoccupied to attend to lectures or unable for any reason to go to them. I judge your discourses made their mark on the mountain of wrong and prejudice to be removed thereby, as the work must go on. I have no new expedient to suggest, but am cordially yours, also very busy. C. A. Bartol. Mr. T. B. Aldrich also wrote to Miss Field : — "The Atlantic Monthly," Boston, Nov. 22, 1884. Dear Miss Kate Field, — My wife bids me send you her thanks for those passes, which she has used with the unalloyed joy that attaches itself to free tickets in a world where one doesn't usually get anything for nothing. I suppose that my humble applause didn't reach you the other evening so as to be distinguishable, though I made quite a spectacle of myself two or three times. Yours very sincerely, T. B. Aldrich. Miss Field's methods of investigation while in Salt Lake City had been those of the closest personal observation and conversational intercourse with all classes of people. The method itself is something of a commentary on her original genius. Her press letters on political topics at this time were not invariably diplomatic in the policy they advocated, but they were penetrating and fearless. In the summer of 1885 she filled many lecture en- gagements before assemblies and institutes in the East, and a picture of her during a little interlude, when she was the guest of Mrs. ^fimile Marqu6ze, in 432 Kate Field her seaside cottage on the North shore of Massachu- setts, recurs to memory. At the corner of the piazza a hammock was swung, and in it, reclining against cushions, was the pretty figure of Kate Field, while all the blue Atlantic rolling in formed the back- ground. It was out on the extreme point of Marble- head Neck, — the very jumping-ofif place of the North Shore, — and .the white wings of yachts and sail-boats flitted over the blue waters, lying sparkling and shim- mering under a golden flood of sunshine. The " Point " here curves about far out at sea, making a small bay, on which the quaint old town of Marble- head fronts, and across which the dwellers on the "Point" can row to the mainland, or instead they may drive over the long neck of land that connects Marblehead Point with the main shore. Here on this extreme end of land out at sea are dozens of cottages, where Bostonians install themselves, and here, too, is the Eastern Yacht Club House, gay with banners and pennons streaming to the wind. At the outer- most edge of this point, with piazzas and balconies overhanging the sea, which breaks against great ledges of rocks, Mrs. Marqudze had a summer cot- tage, in which the law of hospitality was that each guest should enjoy himself after the devices of his own heart. The hostess flitted about her pretty rooms here and there; Miss Field swung idly in the hammock, and threw in conversational interludes of glancing wit and brilliancy, altogether Kate Fieldian, and therefore indescribable. " The idea," said some one at last, " of a newspaper correspondent who is tolerated by the press of the country being up here with the great authority on Mormonism, and not in- terviewing her. Tell me, O my lady of the ham- Into Unknown Ways 433 mock," continued the youth, " whether there is any danger of a Mormon uprising on their anniversary (July 24), their Pioneer Day." Miss Field gazed serenely out at sea. Her thoughts were far away, sailing the Vesuvian Bay or some other locality. But she was recalled to terra finna : " About the Mormons?" " The Mormons are serfs," she re- plied with her characteristic incisive energy. " They have been taught from the beginning to obey coun- sel. I cannot believe that they would act individually on their own responsibility. Whatever is done will be by order of the Church. Unless the Presidency have gone mad, there will be no demonstration against the Gentiles. John Taylor and George Q. Cannon are not fools ; they know perfectly well that in any phy- sical contest they must eventually be worsted, and I cannot think they wish to bring about a collision. There may be a Guiteau among the saints, but I very much doubt it. They are under too good Church discipline to think for themselves." Miss Field ardently enjoyed the North Shore, where long drives through piny woods with sud- den glimpses of the sea, — where the waves breaking against rocky cliffs and a sea of silver lying at night beneath a moonlit sky, all charmed her anew. One day her hostess drove her to Manchester-by-the-Sea, where James T. Fields had his country seat, still occupied by Mrs. Fields, and of which the story is told that Mr. Fields, writing a letter to Dr. Holmes, dated his note Manchester-by-the-Sea: to which the witty Autocrat, determined not to be outdone, replied, dating " Beverly-farms-near-the-depot." " I almost fancy I hear the Beverly Bells, — Lucy Larcom's bells," remarked Kate, as she swung idly in 28 434 Kate Field the hammock one summer day; and half dreamily, in her vibrant, musical voice, she repeated : — " Beverly Bells ! Ring to the tide as it ebbs and swells. This was the anguish a moment tells, The passionate sorrow death quickly knells ; But the pain that is caused by a lifelong woe Is left for the desolate heart to know, Whose tides with the dull years come and go." During the later years of this decade (1880-90) Miss Field visited the Yellowstone Park and the Yosemite; passed one winter at Coronado Beach, which she pronounced the most enchanting of places ; passed some time at San Rafael and in San Francisco, and made two trips to Alaska, on one of which she gave the first lecture ever delivered in that country. Miss Field's pungent humor was always appre- ciated by the press of her country, and she was the heroine of an alarming number of racy paragraphs. Eugene Field, the poet and wit, who, though they Were not related, always called her " Cousin Kathe- rine " set afloat one of his characteristic paragraphs as follows, during one of Miss Field's California sojourns : — " Miss Kate Field is so delighted with California that she has decided to spend the evening of her life there. Accordingly she has purchased an orange grove near Los Angeles and is erecting a splendid villa overlooking the sea. This beautiful estate she calls Castellata in honor of her friend, the Duque de la Castellata, of Madrid. It was the duke's eldest son who was killed at a bull-fight some years ago, and it has been hinted that Miss Field had more than a passing regard for the unhappy lad." Into Unknown Ways 435 Pasting this on the top of a letter to Kate, he wrote as follows : — Dear Cousin Katherine, — It is not probable that Mr. Stone's retirement from the "Daily News" will interfere with my arrangements here ; at the same time, however, I am mighty sorry to be deprived of the companionship of so good a man and so true a friend. Your manuscript is in the hands of the new editor and proprietor, Mr. Vic- tor F. Lawson, and it will have prompt attention. I see by " Yenowine's Milwaukee News " that you are to remain in California ; is this true ? It would be indelicate, perhaps, to ask if the story about the unhappy young heir of de la Castellata be equally true. I have heard a good deal about that bull-fight, but you never spoke of it to me. My folks are all well, and they wish to be remembered cordially to you. God bless you, dear cousin, and fill you with pleasant thoughts of him who now and hereunto subscribes himself yours affectionately, Eugene Field. Chicago, May 27, 188S. On one of Miss Field's departures from the West to the Atlantic seacoast again, Mr. Stedman rivalled Thomas Hood's celebration of his " fair Inez " by writing to Kate on a post-card : — O, saw ye not fair Katie ? She 's going to the East, To take from out our loaf of cake, Its most ethereal yeast ! E. C. S. All this infinite jest followed her as a part of her own atmosphere, and made itself a recognized element of her genial, brilliant life. At one time she heard a lecture from a state oiiiicial in the West who argued for phonetic spelling. Miss Field replied, as Max 436 Kate Field Muller or Archbishop Trench might have done, in defence of language. " Why,'' she said, as her face glowed with enthusiasm, " pure language is the one imperishable bequest of the centuries. It is the crystallization of all human thought and emotion. It is history, poetry, art, and science, all rolled into one, and if you hack and mutilate it as you suggest, you leave us only parrot calls." A Christmas brought her this note from her old friend Laurence Hutton. Christmas Morning. Perhaps Miss Field will care to possess this bit of English Mistletoe, the real thing, cut in Warwickshire not more than two weeks ago. " A rare old plant " and seasonable, sugges- tive of " God bless us every one ; " and it may help to "keep his memory green." Respectfully, Laurence Hlitton. Mrs. Laurence Hutton, in playful allusion to some splendid elk-heads which Miss Field had sent to Mr. Hutton from Colorado, and which he had attached to the wall of his house, thus wrote to Kate in as- sumed formality : — Miss Kate Field. Dear Madam, — Mr. Laurence Hutton requests me to inform you that he regrets to state that the firm of Elk-Head hangers, whom he has employed for the last twenty years to hang his Elk-Heads, have attached yours so firmly to the wall that it cannot be taken down without removing the side of the house. Mr. Hutton has made provision in his will that you and your heirs shall be per- mitted every Sunday afternoon, forever, between the hours of three and five, to look at the head, on the payment of a small fee to the servant who opens the door. I remain, dear madam, yours with consideration, Betta. Into Unknown Ways 437 In reply to a question regarding the Yosemite she said : — " What do I think of the Yosemite Valley ? I want to quote Emerson and then stop : ' It is the only scenery that comes up to its brag.' To attempt to describe it is absurd — as attempting to describe the Niagara Falls. There are persons who undertake this big contract, just as there are artists who paint the falls. With what results? They only display their own littleness. Fanny Kemble had more sense. When she was a girl and visited Niagara for the first time, she kept a diary which was afterward published. Instead of indulging in bathos, as the average young person would have done, she exclaims, ' O God ! ' That tells the story. In the presence of Yosemite Valley I feel like mak- ing the same brief and eloquent criticism." Of a summer she passed some weeks lecturing in Michigan she said : — " I started for Alaska, and at the rate of speed with which I was approaching it, I probably would have reached it near the close of the twentieth century. I have been figuring on the subject somewhat, and the seeming fly- tracks you see here represent the tangents I pursued while traversing that State. I have delivered my Mormon lec- ture at Paw Paw, Weeping Water, Lone Mound, — in short, I have elucidated the problem of polygamy at every little cross-roads in Michigan and in Iowa. Last week I began to realize that if I had kept on fly-tracking the intervening territory, I would have reached Alaska in 1970 — that is to say, eighty-four years hence. Much as I wish to see Alaska, I really have not the time to devote to this method of accomplishing a realization of that wish ; so I have abandoned the Slayton lecture route to our iceberg possessions." 438 Kate Field This lecture tour had involved the utmost hardships in night travel, — in being called at two or three o'clock in the morning to take some local train which was perhaps two hours late, and would have left her stranded in some rural station with a long delay for another train; but she bore it with seeming good humor and always extracted what Mr. Stedman well called the Kate Fieldian view. Her intense earnest- ness, her impassioned power, were relieved by this humorous vein in her character. Notwithstanding the fact that every Boston woman who respects herself regards her genius as the guid- ing star foreordained of heaven in all emergencies, there is still one forum in the modern Athens on which the foot of woman has never stood, — that of the Lowell Institute. It was reserved for Kate Field to initiate the storming of this impregnable fort of exclusive masculine wisdom, — an attack of which the following correspondence suggests the rise, de- cline, and fall. March 19, 1885. To Augustus Lowell, Esq. Dear Sir, — Going West for pleasure I was arrested against my will by the presence in Utah of a hierarchy in the heart of a republic. After months of study I have re- turned and am doing all in my power to enlighten public opinion in order that Congress may be forced to consider it and take speedy action. The lecture which I am giving to the general public in no way covers the whole ground of Mormonism. I am preparing half a dozen lectures with a view to delivering them to thinking associations, etc., early next autumo- As Lowell Institute is in the habit of giving courses of lectures, I now write to inquire whether such a subject as mine — of vital national importance — commends itself to your consideration. It would be easy for me to Into Unknown Ways 439 obtain letters of introduction to you from Mr. James Rus- sell Lowell and other prominent Americans, but I prefer to let this matter rest entirely upon its merits. Whether I know what I talk about can be told you by Judge Field of the Supreme Court, Washington, D. C, Judge Arthur Mc- Arthur of the District Court, Washington, D. C, Senator Dawes of Massachusetts, Governor Murray of Utah, and many another, if you care for references. As I leave town in a few days, an early answer vs'ill oblige. Yours truly, Kate Field. 171 Commonwealth Ave., 19 March, 1885. To Miss Kate Field. My dear Madam, — I sympathize very cordially in the work you have undertaken against Mormonism, and should be very glad to do anything in my power to advance it. I hesitate, however, to break through a rule of more than forty years' standing, which has confined the platform of the Lowell Institute to men as lecturers, foreseeing the very serious embarrassment which such a break may bring upon me, and feel compelled, though with more reluctance than ever before, to decline the suggestion. I remain. Yours very truly, Augustus Lowell. March 21, 1885. To Augustus Lowell, Esq. Dear Sir, — Many thanks for your prompt reply to my letter of inquiry. Will you kindly answer three questions ? Did the generous donor of the Lowell Institute Fund specify the sex of the lecturer, or does he leave this matter to the discretion of his executors ? Were I a man, would you entertain the idea of lectures on Mormon Treason before the Institute ? Were a man delegated to deliver my lecture, would this arrangement be acceptable ? Yours truly, Kate Field. 440 Kate Field March 21, 1885. To Miss Kate Field. My dear Madam, — Upon my return I find your note of this morning, and reply to your questions. . . . A literal interpretation of the language of the testator would certainly confine the lectureships of the Lowell Insti- tute to men, and such has been the practice from the beginning. While, as I wrote you, I feel personally great sympathy with any attempt to put down Mormonism, I am not clear that an institution devoted to instruction is a fitting place to use it, or that I should be doing my duty to permit it to be so used. The suggestion that some man should be permitted to read your lectures would be introducing an entirely new feature, for which I am not prepared. I remain. Yours truly, Augustus Lowell. In the winters of 1885 and 1886, Miss Field gave three lectures on the Mormon question in Washing- ton, and in reply to her desire to meet the President was this autograph note from Mr. Cleveland : — Executive Mansion, Washington, Feb. 22, 1886. My dear Miss Field, — I have received your note, and in reply have to say that I shall be pleased to see you to-morrow afternoon (Tuesday) at half-past three o'clock. Yours sincerely, Grover Cleveland. "So you have been interviewing President's?" remarked a friend to Miss Field at the breakfast-table, in the Brunswick Hotel, a day or two later, as she came on to Boston. Into Unknown Ways 441 "Yes," she replied, smiling; "President Cleveland was good enough to waste some time upon me ; and while it could have been of no particular advantage to him, it was a very great pleasure and satisfaction to me. Only a few days since in Buffalo I made it my business to interview every prominent man and woman with whom I came in contact, on Grover Cleve- land, as they say that you never know anything about a man until you get the opinion of his lifelong neigh- bors. Inasmuch as I am no partisan, and don't care who is President of the United States, provided he is honest, intelligent, and a patriot, it was a great com- fort to be assured by Mr. Cleveland's political oppo- nents as well as by his warm friends, that he was as honest as the sun, true to his convictions, entirely in- corruptible, and while he was an ardent Democrat, he was first a patriot." " Well, Kathleen," chimed in another familiar spirit, "do illuminate our understandings with some gleam of light as to what Mr. Cleveland is about? I'm a sceptic, ready to be fairly won over if you '11 turn on all your dazzling brilliancy." " It 's too early in the day to be resplendent," flashed back Miss Field ; " but I do believe that Mr. Cleveland wants to make a good President, first and foremost ; that he wants to help this country in prefer- ence to helping himself, and if he does he is the right man in the right place. We are approaching a very serious epoch in our history. The genius of good luck seems to have presided at our birth. She gave us George Washington for our first revolution ; that great man Abraham Lincoln for the second, and in the social revolution that is to come who knows but Grover Cleveland may be the saviour of his country? " 442 Kate Field "Who, indeed?" exclaimed another friend, toying with his coffee. " For my part, I have learned to believe in miracles, and I am only surprised when they do not happen." Kate's merry laugh replied. She looked very lovely that morning in her dark-blue costume, wear- ing a picture hat with long plumes; her blue eyes sparkled and her face was aglow with animation. After this conversation she wrote as follows to the President : — Dear Mr. Cleveland, — As you say that friends are always sending you .unkind remarks about yourself, I ven- ture to enclose an interview extorted from me during my recent visit to Boston. The reporter was very anxious to know what you said. . I think I know one woman who can hold her tongue. What I told the reporter I believe. Apropos of the Utah U. S. Marshal, if you meet John W. Mackay of Nevada, ask him what he thinks of P. H. . . . There never lived a truer man, a sounder Democrat, a pluckier soul or one who understood so well the require- ments of Utah. Several things have occurred recently to prove the weakness of the present incumbent, who is, how- ever, an honest, well-meaning man. Natural limitations are a misfortune, not a fault. I also enclose some Mormon scraps to be read by you at your leisure. It is said that a good way to influence men is through their wives. If Mormon agitation can be made fashionable, matters can be expedited. . . . That brilliant editor, Charles A. Dana, who made " The Sun " to shine for all, liked nothing better as a jeu d' esprit than to flash his trenchant pen against Kate Field's steel ; and on her appearance in New York with her Mormon lectures he gave this living picture of the occasion. Into Unknown Ways 443 Under the heading, " Miss Kate Field as a Model of Self-Possession and Enduring Interest," Mr. Dana wrote : — " Kate Field is a remarkable type of the self-possessed woman. She has wit, and a purpose in what she does gives expression to her bright eyes. Newspaper correspondent, European tourist, monologue performer, lecturer, and woman of business, Kate Field has been before the public ; and it is to her credit that in her various roles she has had always something to offer which the public has found it worth while to listen to. " Her present hobby is Mormonism, and yesterday she delivered her eighth lecture on the subject in this city. The topic might properly be regarded as a delicate one for a woman to discuss. Miss Field apparently has no scruples upon that point. She deals frankly, even boldly, with the vices and evils as she has found them to exist in Utah. Her argument in a word is this : Mormonism has never been painted black enough, and the Government of the United States, and the people who make public opinion, have never really appreciated the enormity of its sinfulness. Polygamy and Mormonism she treats as practically synony- mous, and, therefore. Mormons are criminals and traitors, and should be dealt with by force of arms if necessary. " The methods by which Kate Field holds the interest of her audiences are simple and straightforward. She is direct and earnest in her appeal, and seems to fully feel the force of her own arguments. "When the lights were turned on brightly in Chickering Hall the other evening, Kate Field came unannounced upon the stage, and with a quiet, gliding step swept gracefully to a place before the footlights. The red portfolio of notes which she carried she opened upon a small table at her side, and turning her face to the audience she began to speak in a clear, musical voice. Her tone was distinctly 444 Kate Field colloquial, and she became more familiar in addressing her audience in the second person as she warmed to her sub- ject. Her enunciation was conspicuously and consciously distinct and clear cut. " Miss Field has the reputation of dressing. Her gown was of black silk, trailing far astern. The front breadth of the skirt was of cherry silk, and the same rich hue swept the length of the train. Rows of sparkling jet beads glis- tened from the folds of the drapery. The bodice was sleeveless and V-shaped at the throat. The edges of the opening were softened with black lace, and a fringe of the same flimsy fabric took the place of sleeves. A large bunch of pink roses, held together with a light blue ribbon, adorned the front of the bodice. The arms, otherwise bare, were encased to the elbows in buff gloves so light as not to be easily distinguishable from the white flesh. " So much for the attire. The face is less easily described. The brow is broad and low, and fringed by dark hair matted in ringlets. A coil of indistinguishable style holds together the back hair. The eyes are bright and direct in their gaze, the complexion a triple ' peach-blow,' and the lips are full and make no show of pretty puckering. Kate Field's mouth, to tell the truth, is large. Around her white neck she wore a band of black velvet to emphasize the whiteness, and a buckle set with brilliants adorned the velvet. " As Miss Field stepped to the footlights she appeared to discredit the record of her birth which is preserved in the old family Bible. She looked young. Her graceful figure was lithe, and she was wholly at her ease under the critical stare of her audience. Having taken her stand she did not move her feet for two hours. Her hands were lightly clasped at her waist and held a dainty lace kerchief. She was admirably at ease. As she spoke every one settled comfortably in his seat, prepared to listen attentively, and a certain musical modulation of her voice made listening easy Into Unknown Ways 445 and pleasant. There was nothing of the recitation in her manner of speaking. She was in earnest. She appeared to beheve in the importance of her subject and to feel that she had to overcome the indifference of her audience. Utah and Mormonism are so far away from the East that it is difficult to wake people up to a realization of the true state of affairs. As the feebleness of her single-handed combat with the hydra-headed monster seemed at moments to strike her, she would raise her voice and her daintily gloved hand, and her eyes would flash sparks of indignant fire. Dropping from the height of an impassioned climax, she would wipe the floor with the United States Congress in a whirl of sarcasm and bitter invective. But she never smiled, even at her own most audacious bursts of irony. " ' Think of it ! ' she exclaimed, her eyes very wide open and very eloquent in expression ; ' think of it ! New York and Utah under the same flag ! We ought to be ashamed of ourselves,' she said fiercely, and then, dropping her voice and speaking with great deliberation, she added, ' That is, those of us who vote.' " Brigham Young she spoke of as ' that vulgar, illogical wonderful old man.' She paid her respects to Uncle Sam with pointed anger. ' John T. Kane, Mormon, upholder of polygamy, traitor,' she said savagely, received ^2,400 a year more for upholding polygamy in Congress than Governor Murray of Utah, a patriot, received for enforcing the laws. ' We have,' she added, ' an abominably magnanimous Gov- ernment ! ' Speaking of the removal of Governor Murray, she said in her most impressive manner : ' It is the great- est blunder of President Cleveland's Administration. I say it with all good wishes for the President and with grief in my heart.' And, it might be added, with grief in her voice as well. " After describing the evils of polygamy as she saw them during a long residence in Utah, Miss Field appealed to the 44^ Kate Field people to do something. 'The United States Govern- ment,' she said with passion, ' is responsible for thirty years' growth of polygamy, with its degradation of woman and brutalization of man, and it is time that you who hold the ballot should cry, halt ! ' She spoke with a fervor that could not be without effect, and the applause which followed would have elected Miss Field to a place in Congress if such an expression of public approval could be thus counted in her favor. ' The sooner the East gets it out of its head that there is nothing the matter with Mormonism except polygamy, the better,' she went on. ' The great crime of Utah is treason ! ' " Miss Field sang a Mormon hymn. She did not change the attitude which she had maintained throughout her lec- ture, and there was no straining after operatic effect. The air was not strikingly unlike a Methodist hymn tune, but the sentiment of the song was profane and treasonable. ' That is a hymn,' she remarked. ' I was afraid you would not know it.' " In reviewing the acts of Congress respecting the practice of polygamy in Utah she dismissed them scornfully in two words, thus : ' All farces.' The cure for the disease, she said, was in a universal marriage law. ' It is a disgrace that there is no United States marriage law.' " Throughout her address there had been no ranting. Her zeal had never exceeded the bounds of convincing earnest- ness. In concluding. Miss Field dropped her voice and spoke to her hearers as to an individual, face to face : ' Men and women of the great Empire State, you who do so much to make public opinion, what are you going to da about it?' " In this transcript from Mr. Dana's instantaneous mental photography there is a vital portrait of Kate Field, the lecturer, that is unsurpassed ; and the keen, half caustic, teasing vein in which it is written makes Into Unknown Ways 447 this critical description, or descriptive criticism, one of the most typical specimens of the writing of the most unique and brilliant American journalists. Again in Washington Miss Field delivered her Mormon lectures. Letters from Hon. T. B. Reed, Senator Morrill, Judge Field, and many others from statesmen and officials flowed in upon her with encouragement in her work. Judge Field thus wrote: — Washington, D. C, Feb. 23, 18S5. My dear Miss Field, — Thanks for the tickets received this morning. I shall certainly attend your lecture on Thursday evening if I can get rid of my present cold. I think it would be a wise thing to send tickets to the other judges. Just at this time the condition of things in Utah excites much interest with them. Very sincerely yours, Stephen Field. After one of these lectures the following acknowl- edgment came to her : — A. M. Soteldo, Minister of Venezuela, sends compliments to Miss Kate Field and his cordial congratulations for the success of her very interesting, admirable lecture of last night, on Utah, the Mormons, and Mormonism. The Hon. George Bancroft wrote: — 1623 H. Street, N. W , Washington, D. C, Feb. 25, 1886. Dear Miss Kate Field, — I was not aware that you had been so good as to call at my house yesterday. I very greatly regret having missed your visit. On inquiry I find that the servant who went to the door misunderstood your question and made no report of it to me. It would have given me particular pleasure to have met you. If among your other great qualities you have that oi 448 Kate Field being able to lift twenty years from the back of a man of more than fourscore and will exercise it upon me, I shall be one of the most attentive, pleased, and instructed of your listeners to-morrow evening. Otherwise I dare not depart from my habit. I have not been this winter to lecture, opera, or play. Yours very truly, George Bancroft. It is hardly an exaggeration to say that the press comments on Kate Field's Mormon lectures could only be estimated by volumes, so numerous they are. Individual expressions abound, and one of these — made by Mrs. May Wright Sewall of Indianapolis, the foremost leader of the day among the younger women, and the successor of Lady Aberdeen as President of the International Council — is as follows : — " Kate Field, — when did I first see her ? As she came out upon the platform at Plymouth Church in Indianapolis to speak on ' The Mormon Monster.' No one who heard it will ever forget that lucid exposure and relentless denun- ciation of the subtle private deterioration and subtle public dangers that lurk in polygamy. That night I got the im- pression of versatihty and freedom which in my mind are always associated with the name of Kate Field. She looked as unlike the lyceum lecturer as possible : in manner and in dress she seemed the woman of fashion ; in thought and in speech, the statesman." A letter to Miss Field from Mr. S- L. Clemens, (Mark Twain) is as follows: — Hartford, March 8, 1886. Dear Miss Field, — Oh, dear me, no. That would be the same as saying that because you differ from me upon the rights and equities of a subject, I am at liberty to hold Into Unknown Ways 449 a "poor opinion" of you for voicing your sentiments in the matter. Your notion and mine about polygamy is without doubt exactly the same ; but you probably think we have some cause of quarrel with those people for putting it into their religion, whereas I think the opposite. Considering our complacent cant about this country of ours being the home of liberty of conscience, it seems to me that the attitude of our Congress and people toward the Mormon Church is matter for limitless laughter and derision. The Mormon religion is a religion : the negative vote of all of the rest of the globe could not break down that fact ; and so I shall probably always go on thinking that the attitude of our Congress and nation toward it is merely good trivial stuff to make fun of. Am I a friend to the Mormon religion ? No. I would like to see it extirpated, but always by fair means, not these Congressional rascalities. If you can destroy it with a book, — by arguments and facts, not brute force, — you will do a good and wholesome work. And I should be very far from unwilling to publish such a book in case my business decks were clear. They are not clear now, how- ever, and it is hard to tell when they will be. They are piled up with contracts which two or three years — and pos- sibly four — will be required to fulfil. I have even had to rule myself out, and am now an author without a pub- lisher. My book is finished and ready, and I have spent nearly ten thousand dollars in its preparation; but it is pigeon-holed indefinitely, to make room for other people's more important books. (In this line of business we gen- erally publish only one — and never more than two — books in a year.) I think I could write a very good moral fable about an author who turned publisher in order to get a better show, and got shut up entirely. Truly yours, S. L. Clemens. 29 450 Kate Field The subject of cremation occupied Miss Field very much during this decade, and she was a pioneer in the movement. She wrote a paper advocating it which she read before the Nineteenth Century Club in New York City and before drawing-room audiences in Boston, Philadelphia, and Washington. She ar- gued for it on the grounds that are now so increas- ingly securing its adoption, — • those of the health and safety of the living, the insurance from the terrible fate of burial before life is extinct, and of the eco- nomic interests. That cremation is making great advances among the most enlightened communities is largely due to the efforts of Miss Field, who argued its claims by press work as well as lectures, and who was one of the first members of the cremation society in New York. Miss Field's efforts contributed greatly to influencing public sentiment toward this form of disposing of the dead, and among other able advo- cates of cremation are Rev. R. Heber Newton, D.D., of New York, Prof. Charles Eliot Norton, and Hon. Charles Francis Adams. In her incisive way Miss Field said : — " I am a cremationist, because I believe cremation is not only the healthiest and cleanest, but the most poetical way of disposing of the dead. Whoever prefers loathsome worms to ashes, possesses a strange imagination." Another measure which she championed by voice and pen during this period was the advocacy of a national marriage law. In her public speaking on this question she frankly ignored divorce as of secondary importance to the far more vital subject of marriage. " In this free and easy country men and women marry early and often, for the reason that they Into Unknown Ways 451 can be very much married in some States and not at all in others, while few precautions are taken against fraud," said Miss Field, and added: "Were mar- riage made more difficult, there would be fewer unhappy households. Then divorces would be less frequent, and special legislation, which is always dangerous, would be unnecessary. What this Re- public needs is a national marriage law." Writing to the New York " Tribune " on " Utah Politics and Morals," written during this period, Miss Field opens her letter with this vigorous paragraph : — To THE Editor of " The Tribune." Sir, — The Mormons have a very great advantage over any other class of people. Nobody out of Utah can con- tradict them for the excellent reason that nobody knows enough. When Matthew Arnold comes from England and gives this Republic the benefit of his opinions concerning Emerson, Boston arises as one man and with a howl of in- dignation denies the hard impeachment. When Monsignor Capel tells Americans that in those Catholic countries where marriage is a sacrament and divorce impossible there is infinitely more social morality than elsewhere, the charming Jesuit is torn to pieces, metaphorically, in scores of journals, East and West. But when a Mormon elder rises to explain on being interviewed by ubiquitous reporters, he carries everything before him. There is no critic sufficiently con- versant with the subject under discussion to say him nay. What a commentary on our boasted intelligence ! When a nation is so big that portions of it become a terra incognita to those who make public opinion and the laws, " there 's something rotten " this side of Denmark. . . . In 1887, Miss Field again fared forth to the West on a long lecture tour, and of a public reception given to 452 Kate Field her in Salt Lake City by the Loyal Legion, she thus writes in a private letter : — ..." Never was a woman more taken by surprise than was I on being presented with a beautiful gold badge set with diamonds. I had been entirely thrown ofif my guard by being called upon to pay for the regulation badge prior to my initiation. Governor Murray is commander of the corps here and expressed great delight at my becoming a mem- ber of his flock." The long series of private letters from which these extracts are made concerned themselves largely with the topics of the day. There was in them curiously little of the usual feminine personalities and chatter. Always she took the large and objective view of life. Regarding the discussion over the political course of James Russell Lowell, in 1887, Kate writes: — . . . " I think the ' North American ' is too severe on Lowell. He may deserve all that criticism, but I doubt it. The great crime seems to be that he is a Mugwump. As I am a Mugwump, I feel differently. Lowell's great trouble is that he has always been self-indulgent, and has never liked the people. The people are not agreeable at dinner parties, and Lowell likes clean clothes and wit." Meeting the " bonanza king, " John Mackay, she thus writes of him: — " John W. Mackay has been to see me, and I think I shall like him very much. He is not at all the type of man I imagined he would be. He is five feet ten inches, very erect, iron gray hair and mustache, heavy eyebrows, keen gray eyes, a strong jaw and mouth, and aquiline nose. He looks like the president of a big bank and a United States Senator. The many generous things I have heard about him from those who know him best make me ready to like Into Unknown Ways 453 him, and I don't often care for rich men. The poor ones are generally far more interesting. " Think of my being more impressed by a wreck of hu- manity in ragged clothes who trims gardens, and whose only friend is Nature, than by all the well-to-do inhabitants of this sleepy valley ! I believe I was intended to consort with outcasts and sinners. I 'm at home with them." Extending her tour to Alaska, Miss Field gave the first lecture ever delivered in that country. Her steamer, "The Ancon," reached Juneau, a mining town, at 7 A. M. The passengers went on shore ; and Miss Field delivered her lecture on Charles Dickens in a dance-house, to an audience of miners, who were one of the most appreciative audiences that she ever had. They gave her a vote of thanks, presented her with a bottle of virgin gold and a jelly cake, and she was then taken three miles in a tug to join the steamer at Douglas Island. To her most constant correspondent Kate wrote of this Alaskan experience : — " It rained twelve days out of seventeen ; and we had fog two more ! I wore out a pair of arctics on shore and went about in a riding-habit and a seal-skin. The habit did away with peiticoats, and in it I defied mud and ascended the Muir glacier. Alaska is very interesting to me, and I shall probably go to work on a lecture at once. I remain here to consult Judge Swan, an Indian authority, and then go over to the Britishers in Victoria. Here I am the guest of Beecher's son. He has a charming little boy named after his grandfather." . . . Captain Beecher, to whom Miss Field referred, is a son of Henry Ward Beecher, and his little son. 454 Kate Field named for his illustrious grandfather, greatly inter- ested Kate by his childish precocity. Referring to a question of her correspondent's, she said : — - " If I did not write about the Yosemite, it was not from lack of appreciation. It is great, and I want to go back there. The big trees, too, impressed me tremendously." Fortunately there has been preserved a pictorial reminiscence of that wonderful tour. A friend who was one of the party with Miss Field in the Yosemite thus describes the experience : — ... "As Kate Field and I rode side by side on our horses through the hushed silence of that awful grandeur, her soul seemed to commune with God." This friend relates that after this trip was over and Miss Field had gone on to Victoria on her way to Alaska, she wrote to Kate, speaking earnestly of the unusual influence toward all that was noble and divine which she had received from this companionship in the Yosemite, to which Miss Field replied : — " Thank you very much for your extremely kind words, which, I confess, surprised me, as I do not understand why I should produce such an influence upon any one. Never- theless, I am glad I do you good, unworthy a^ I may be." On her homeward journey from Alaska Miss Field stopped at Vancouver's Island, where she gave her monologue, " Eyes and Ears in London," to a British audience, who laughed heartily at the inimitable hits on London life, and she began to study the literature giving accounts of the coast Indians. She met and interviewed Judge Swan of Fort Townsend, formerly Into Unknown Ways 455 of Boston, and a regular correspondent of the Smith- sonian Institute. The monographs of Judge Swan which the Institute publishes are considered very valuable. From Victoria, under date of July 29, 1887, Miss Field writes to a friend: — ..." I lectured in Tacoma before a very cordial audi- ence. Yesterday I came here, and give ' Dickens ' to- night and Monologue to-morrow night. As the town, though twelve thousand souled, is only one-tenth Caucasian, the rest being natives, half-breeds, and Chinese, the outlook is a problem ; but as I am here for investigation, it is not of vital importance. The theatre is the nicest I 've seen since I left Salt Lake, and my pianist is a very clever young man who is English and studied in London with Shakespeare. Last night I visited Chinatown, and had an interesting ex- perience. These Pig Tails are wonderful in many respects, and are a great study. They mean more in the civilization of the new world than we dream at present. Thousands are now going East, and the Chinese question will come before you as it never has before." This prophetic forecast of Miss Field's has come true. Her insight into political conditions was sin- gularly unerring. Again she writes : — . . . "The smugglers of Port Townsend, enraged that Special Agent Beecher, who is in the Custom House, should be an honest man, have attacked him in the most shameful manner." Later, from San Francisco, under date of Oct. 19, 1887, Kate writes: — . . . " I 've met a lovely woman here, — Mrs. Sarah B. Cooper, who is the President of the Kindergartens. She makes one believe in goodness and everything beautiful. She is a cousin of Robert G. Ingersoll." 456 Kate Field Miss Field passed the winter of 1887-S8 at that wonderfully beautiful resort, Coronado Beach, and in one letter she says : — ..." Coronado Beach is across the bay from San Diego and is well situated for view of ocean and mountain. The day is lovely, and as I look out upon mountain, sunshine, and the glitter of a placid sea, I wish you were here to enjoy its loveliness. An Eastern woman is playing Mendelssohn extremely well in the adjoining parlor. Les extremes se touchent. I know you would exclaim at the fine scenery, the delightful air, the glorious sun, delicious fruit, and the general dolce far niefite. . . . " Mrs. Oliphant's ' Old Lady Mary ' has arrived, and what a pretty story it is ! Far ahead of ' Vestigia ' in interest. Then the other two books have come, also ' Life,' also that sweet poem of yours, for which accept my grateful thanks. You 've lots of fancy and emotion. What you need to cul- tivate is your reason. When you can, read logic and study Geometry. Your life all runs one way. Go in for Mon- taigne and Bacon and hard-headed old brains like theirs. " Over and over again I wish you were here. It is so lovely and so lazy. I can't do anything — not even write a letter without an effort. The work I came here to do remains undone, and I am desperate in one sense while utterly indifferent in another. But it will soon come to an end, and I shall have my nose to a very sharp grindstone. Miss Willard's note has just arrived. . . . " Do you know where Alice and Phoebe Gary were born ? Are they of Irish origin ? I ask to oblige a waiter here, who is very fond of Alice's poetry and who would dearly hke to know. You, who are up in all such things, can probably enlighten me." J^-^MJUU — . . IM^ qLaLsA- \j/-^^ '^. -eA^;L^ -^T-DV^t/uu "UJULlo^ \jJ\JtiJ Uy-^^ dL, e>u-e_ ^m^L QlaJr^u}^ tK^^^^LR^ _ -^Uv^ -efe^ £a.^ Into Unknown Ways 457 Regarding the reports of a lecture by Henry Irving, the actor (now Sir Henry), Miss Field com- mented : — " The matter of his lecture is not new, always excepting the anecdote of Charlotte Cushman, which is new and good of its kind. Mr. Irving has genius, — the genius of stage decoration and much beside. He understands his age. I saw him and Ellen Terry in ' Much Ado ' lately." And again from Coronado on March i, 1888, she writes : — . . . " I 've been trying to catch up with the news in in- tervals of writing letters and being interviewed. I 'm told that the ideal climate is found on the Sandwich Islands. " Here 's something funny. A journalist attached to your ' Inter-Ocean ' has just called for my autograph. Looking over his book I found ' George Q. Cannon, Salt Lake City,' at the top of a page, written just ten years ago. Oppo- site his name I 've written, 'Where is he now? ' You know he is hiding from justice. Below I wrote ' Extremes meet,' and signed my name with date." In reference to some remark of her correspondent's regarding Edgar Fawcett, the poet and novelist, Miss Field replied: — " Edgar Fawcett is an unusual man, and I 'd like to know him. How clever his letters are ! Where does he get the time to write them ? My scrawls are the veriest shreds and patches. " I do not think of birthdays myself. They mean nothing 458 Kate Field if people don't grow, and if people grow they mean less. It 's experience and discipline and illumination that count — not years or the lack of them. " I wish the word unwomanly meant as much the lack of moral courage as does the word unmanly. It ought. " Do see ' Held By The Enemy.' That is an acting play, hailed with dehght in London as I knew it would be." In the summer of 1888 the State Viticultural Com- mittee of California asked Miss Field to present, in lectures in Eastern cities, the claim of pure California wine as a table beverage, and to recommend its uni- versal use as the only means of settling the much- mooted question of temperance reform in a satisfac- tory way. To President Wetmore of the State Board, Miss Field replied, acceding to the proposi- tion. The undertaking was a mistake on her part. Her attitude and ideas were grossly maligned and misrepresented ; and the question as to whether light wines for table use would replace the present excess of tea and coffee; and whether, if they did, their use would restrict rather than increase any desire for more harmful beverages, — is still an open question with perhaps no probabilities in its favor. The New York " Tribune " of July 17, 1889, said editorially : "Miss Field behaves with many thousands of sincere persons that the general introduction of pure native wines would promote practical temperance. She and those who agree with her may be utterly mistaken. A zealous effort to prove them in the wrong would be entirely commendable, whereas a campaign of personal defamation, though it may have driven her temporarily from the field, is not only a Into Unknown Ways 459 despicable, but in the long run an exceedingly disastrous, mode of warfare." The Rev. Dr. Phillips Brooks in his " Fast-Day " sermon of that year expressed his serious doubts regarding the efficacy of prohibition. Miss Field's own view was thus given by herself: — " No, I am not blind to the evil of drunkenness. It is terrible, both in itself and in the results. But my remedy is not that of the Prohibitionist. I believe that is only going to make matters worse. I do believe in temperance, not merely in drinking, but in eating and general living ; and I tell you drunkenness is almost entirely unknown in the vine- yard countries of the world where the wines are made. The poorest person has his bottle of wine with his frugal meal ; it is harmless, it is inexpensive, it is pure." Miss Field's attitude toward the entire matter was not unlike that of Phillips Brooks, who maintained that every individual soul must be educated to recog- nize its individual responsibilities and " be subject unto the higher powers." Yet while it was a mistake for Miss Field to lend her influence even briefly — for she entirely withdrew from this within one year — to any such theory, still, misrepresentation, personal malignment, a di.stortion of facts, due either to mental failure to perceive in- telligently, or to wilful blindness, are not calculated to impress the world as methods of either temper- ance or of Christianity. There is one great law of prohibition on which humanity will agree, and that is the divine prohibition which says, " Thou shalt not bear false witness against thy neighbor." The error had, however, no permanent conse- 460 Kate Field quences, and the just and sympathetic recognition of her real motives, expressed by many representative Prohibitionists, was very grateful to her. Bishop Vincent, referring to one of her lectures before the Chautauqua Assembly, wrote her, saying : — " Your visit to Chautauqua was a source of great delight to our people. Everybody was charmed." The falling into errors of judgment and mistaken ideas is a part of the mortal pilgrimage ; but the test of the noble soul is not to remain in these errors. The life on earth is a moral school, and to acquire constantly advancing ideals and be loyal to the best that is revealed is to achieve success. The question was asked by Miss Field as to whether Rev. Dr. Edward Everett Hale was a Prohibitionist, and a friend of hers undertook to procure his views, which the distinguished divine thus expressed : — My dear Miss , ■ — For many years after I began housekeeping I had not a wineglass in my house. I do not know that there is one in the house now. This will represent my feeling in the matter. I think it is necessary to drink wine sometimes ; I am ordered to myself by my medical advisers. But I do not think it nec- essary to present it to one's guests as an elegance with every fascination that art, poetry, and literature can give it. I do not offer sherry or champagne to my guests any more than I offer them quinine or paregoric. If they need either, I should hope they would ask me, and I should try to provide them as well as I could, but I should not make this a matter of elegant hospitality. You may send this note to Miss Field. Very truly yours, Edward Everett Hale. Into Unknown Ways 461 All these years from 1883-90 were a ceaseless round of travelling and lecturing. She studied and read and thought; she was in social contact with representative people all over the country; and her polished and many-sided culture added its charm to a woman singularly charming by natural gifts. She had fire, and force, and fervor; sense, sweetness, and sincerity, — finely balanced and held in equipoise. Too often the fateful dower of genius is neutralized by the fatal lack of common sense. Lombroso is not alone in his theories which so many facts support. Kate Field escaped this penalty that is so frequently imposed on exceptional organizations. She had tact as well as talent; and an extraordinary versatility, a power of adaptation, a facile adjustment of forces, lent energy of achievement to every plan and endeavor. In all her intense activity in various and varied di- rections, Kate Field was always to one friend a prompt and a constant correspondent. These private letters were very rich in thought and expression. When " Robert Elsmere " first appeared, she was lec- turing in the Far West, and as the friend sent her, at once, a copy of the much-talked of novel, she wrote : " ' Robert Elsmere ' is all you claim for it. I am deeply moved by it, and am more indebted to you than you can think. What a study it is ! How great, how earnest, how artistic ! Nothing slighted, and the broad mind does the suffering as usual, and finds little sympathy at home. What a tragedy ! " During this decade of 1880-90 Miss Field had passed two summers in Europe, sojourning in Lon- don, Paris, and Switzerland; she had made three journeys to the Pacific coast, extending two of these 462 Kate Field to Alaska, and she had travelled several times over the region covering Boston, New York, Washington, Chicago, Minneapolis, and Denver. Always on her arrival in any city she was in a maze of social engage- ments, newspaper interviews, and turmoil in general. Her returns to the East were the signal for press in- terviews again, and in one of these, in the New York " Herald," she said in reply to a question: — " I remained in Zion one month, and having been asked to lecture there, and having been told by the Mormons that my lecture concerning them was a tissue of falsehoods, I delivered the tissue of falsehoods in the city of the enemy, and had the satisfaction of having it universally in- dorsed by the Gentiles and apostate Mormons, and being treated with profound silence by the Mormons themselves. It was all the proof I wanted that I had told the truth. It was then that I was made a member of the Women's Relief Corps of the Grand Army of the Republic, and presented with a very beautiful gold and diamond badge by the loyal citizens of Utah, — a memento which I assure you I treasure profoundly." During the seven years when she was making these Western trips her private letters, as has already been noted, were intensely interesting. The friend to whom she wrote constantly sent to her the new books, news- paper clippings, reviews, and the general movement of the East, and Kate's comments on all the literary and social panorama would make a lively volume, albeit one that could more appropriately be published a century hence, according to Mark Twain's latest idea. When Mr. Aldrich made the literary sensation of the hour by publishing " A Brother of Dragons " in the " Atlantic Monthly," and when, fast following, Into Unknown Ways 463 came that curious creation, " The Quick and the Dead," a copy was sent to Kate, who wrote in response : — " I 've read ' The Quick and the Dead,' and I must con- fess that I do not like hysterics in any form, especially in literature. I suppose there are indications of power in the story, but what gasping, gurgling bosh the whole thing is ! And that 's what half-educated people will call ' passion.' Oh, dear ! What 's the use of art and taste, when the public will buy this counterfeit? One bookseller in San Francisco sold three hundred copies of ' Quick, etc.,' in one week. " ' Why do people buy it ? ' I asked. '" Because they think it is improper,' replied the clerk. " From my point of view the impropriety consists in very bad taste, bad art, and straining after eliifect." Again, of meeting Mrs. Howe in California, she writes : — " I 've just returned from lunching with Mrs. Howe at her sister's (Mrs. Maillard) whose husband (what a. sen- tence !) has a ranch eight miles away. Mrs. Maillard is a lady and sweet, biit she is not J. W. H. Mr. Maillard is a handsome Frenchman, who came over here with Joseph Bonaparte and shared the fortunes of the house. There are two daughters, unmarried ; one especially is very inter- esting in her appearance. The Maillards have been rich. . . . Mrs. Howe has been lecturing successfully, and is greatly pleased with the coast." Meeting Mr. Gushing, the ethnologist, she says: — " Frank Gushing, whose health is much better than it was a year ago, is again visiting San Francisco. He lunched with me here lately and was delighted with the scenery. If possible, he will come over again and we '11 go in search of 464 Kate Field Indian remains. How lucky he is to be backed by a woman like Mrs. Hemenway ! " Everywhere Miss Field found or made friends. She was the guest of honor at many a festive occasion gotten up for her, and she rode, and drove, and ob- served, and thought. In reply to some playful allusion to Boston's mu- sical status at the moment, she wrote : — " I fail to see why a season of opera in the bel lingua del si should retard either musical taste or the advent of na- tional opera. On the contrary, as the study of all literature and all schools of painting are necessary to the develop- ment of authors and painters, so the study of all schools of music is advantageous to musical students. . . . " I had a fine ride several days ago, and think I 've found a decent saddle-horse. But I sha'n't remain here longer than I can help, as I want to see Monterey, where the Hotel Del Monte is said to be wonderfully fine. Then there is the great Lick Observatory to visit and lots of things to be done. Life is too short for one to accomplish anything." All this large knowledge of the resources and the people of the country was the inspiration out of which she evolved her next undertaking, — that of founding a journal of her own and fixing her residence in the nation's Capital. She had so come into touch with the great West during these years that she was eager to discuss conditions, social, political, and economic, in a way that demanded an individual channel. Out of this longing she evolved the idea of her national review, — with whose appearance the next decade of her life was to open, — her journal, which was named "Kate Field's Washington." KATE FIELD'S WASHINGTON I cannot bear to think what life would be With high hope shrunk to endurance, stunted aims, A self sunk down to look with level eyes On low achievements. I accept the peril, I choose to walk high with sublime dread Rather than crawl in safety. ^ George Eliot. An old French sentence says : " God works in moments," — " En peu d'heure Dieu labeure." We ask for long life, but 'tis deep life or grand moments that signify. Let the measure of time be spiritual, not mechanical. Life is unnecessarily long. Moments of insight, of fine personal relation, a smile, a glance, — what ample borrowers of eternity they are ! Life culminates and concentrates ; and Homer said : " The gods ever give to mortals their apportioned share of reason only on one day." — Emerson. For who would lose, Though full of pain, this intellectual being, Those thoughts that wander through eternity. Milton. 30 CHAPTER VIII If we shall stand still, In fear our motion will be mocked or carped at, We should take root here where we sit, or sit State-statues only. King Henry the Eighth. Genius is not, generally speaking, unconscious of what it experiences or of what it is capable. It is not the suspended harp which sounds (as the statue of Memnon in the desert sounds in the sun), at the Changing, unforeseen breath of wind that sweeps across its strings ; it is the conscious power of the soul of a man, rising from amidst his fellow-men, believing and calling himself a son of God, an apostle of eternal truth and beauty upon the earth, the privileged worshipper of an ideal as yet concealed from the majority ; he is almost always sufficiently tormented by his contemporaries to need the consolation of this faith in himself, and this communion in spirit with the generations to come. — Mazzini. "Kate Field's Washington." A Unique Enterprise. Miss Gilder's Friendship. Charming Life in the Capital. The Columbian Exposition. France confers the " Palms OF the Academy " on Miss Field. DURING this most significant decade of 1880-90, Miss Field had laid the foundations, uncon- sciously to herself at the time, of an unique enter- prise, — that of her weekly review, called " Kate Field's Washington," whose initial number was issued on Jan. i, 1890. Consulting with friends from the coast of the blue Atlantic to the sunset shore of the Pacific, she met warm encouragement and sus- taining sympathy. Subscriptions set in almost on the first intimation of the idea. The prospectus was richly freighted with advertising, and a writer who had gained an even larger practical experience in 468 Kate Field the world than had Kate Field might well have be- lieved that the conditions were most favorable for a financial as well as for a literary success. There had been nothing in Kate's entire life which had so con- centrated her interest, and stimulated every gift and grace of her nature, as this enterprise of founding and conducting a national review of her own. She thought of it by day and dreamed of it by night. One reason lay in the fact that, to a very unusual de- gree, Kate Field lived and moved and had her being in the current of events ; she was intensely interested in her own time. With Mrs. Browning she could have said : — " I do distrust the poet who discerns No character or glory in his times, And trundles back his soul five hundred years, Past moat and drawbridge, into a castle-court." In addition to this profound sympathy with con- temporary progress. Miss Field had in her nature a dominant vein of leadership. This was instinctive; and while it never degenerated into arrogance or mere self-assertion ; while it was of too noble and aspiring a trend to work on the lower planes, — it was yet so essentially an element in her temperament as to color and control her life. Always she revealed this . strong affirmative force. It was natural that, with her profound interest in political matters. Miss Field should be strongly at- tracted to Washington as a residence. Its brilliant and varied social life appealed to her in its cosmo- politan quality, and the absence of trade and traffic offisred an equally strong inducement to her to there set up her household gods. Of all Miss Field's friends the -one who perhaps entered most intimately Kate Field. From a Photograph, 18S9. J'iA^ 359- Bell Telephone, 393, 401. Bellini, Vincenzo, 61. Bellosguardo, heights of, 106, 133. , villa of, 93, 100. Bendelari, Signor Augustus, 63, 68, , Josephine, nee Corelli, 206. Benedict, Sir Julius, 353, 365. Bennington, the U. S. S., 534, 539. Benton, Col. Thomas H., 29, 30. , Josiah Henry, Jr., 295. Bernhardt, Mme. Sarah, 329, 337, 412. Berthold of Zahringen, tomb of, 277. Bertini, Henri, 34. Besant, Annie, 119. Beverly Bells, 433. Biddulph, Sir Thomas, 352, 359. , Lady, 352. Bierstadt, Albert, 150, 487. Bigelow, Hon. John, 227. Bimie, Rev. Dr. D. P., 556, 557. Black, William, 279, 280, 314, 343, 353- Blagden, Isabella, lives on Bello- sguardo, 93, 95 ; compares Kate Field and her mother, 100; shares villa with Miss Cobbe, 100; evening with, loi; Miss Cobbe leaves, 102, 104, 105; invites Brownings, Lan- Index 581 dor, and Kate Field to tea, 106; dines with Kate Field, 107; Mrs. Browning writes to, 110; 115, 122, 123, 126; sees Mrs. Browning for last time, 135; 137, 139, 156. Blaine, Mrs. James G., 392. Blake, Dr. Clarence J., 347. Blanc, Louis, 291. " Bleak House," 20. •' Blinker, The," 318. Blount, , 524. " Bob Sawyer," 173, i8i, Bocca di Leone, 93. Boeufvfi, Jules, 510. Bcnaparte, Joseph, 443. Bonnat, Leon Joseph Florentin, 371. Booth, Edwin, 47, 116; Hamlet of, 163; as Richelieu, 411, 473, 474. , John Wilkes, 162. , Junius Brutus, 163. Booth's theatre, 209; Kate Field's debut in, 324, 325; 334, 335. Boott, Frank, 208. , Lizzie, 202. Boston, city of, 50S, 570, 571, 572. Botta, Anne Charlotte, nee Lynch (Mme. Vincenzo), 177, 183, 238, 366, 404, 565, 566. , Vincenzo, 334. , Prof, and Mme. Vincenzo, 148, 319- " Bottom," 189. Boucicaults, the, 346. Boughton, Geo. H., 150, 487. Boutwells, the, 183. Bowditch, Dr. Henry P., 295. Bowles, Samuel, 149, 249. Boyd, Porter, Vice-Consul-General, 556. Brackett, Anna C, 401, 402. , George A., 485. Bracketts, the Walter, 205. Bradlaugh, Charles, 297, 298, 299, 308, 313. 338- Brahma, Emerson's, 336. Brahmin life, 414. Brazil, 547. Bressant, M., 86. Brice, Hon. Calvin S. and Mrs., 494. Bridal Veil, the, 473. " Brindisi," from opera of " Galath^e," 115, 388. Brohan, Mile. Augustine, 85. Brooks, Rt. Rev. Dr. Phillips, in, 165 ; commends Kate Field's Mor- mon lecture, 430; 459, 488, 4S9, 496. Brougham, Lord Henry, 129. Brown, John, 213, 214, 223, 224, 225, 226, 232, 243, 283, 52S. , Junius Henri, 20S. , Walter, 211. Browning, Elizabeth, nee Barrett, writes to Ruskin, 93 ; note to Kate Field, 95; writes "Poems before Congress," 103; 104, 106, 107; her opinion of "Amber Gods," loS; no, 115; death of, 134; death and funeral described by Kate Field, 134-138 ; sketch of, by Kate Field, 140 ; locket of, given to Kate Field by Browning, 141 ; love of Kate Field for, 143, 144; 199, 209, 354, 394 ; calls Trollope " Aristides the Just," 396; 468, 55>. 553; monu- ment of, by Leighton, 157 ; "Study of Life and Poetry of," 147. , Robert, 22; Kate Field's care for opinion of, 94 ; note to Kate Field, 95 ; compliments Kate Field, loi ; writes to Kate Field, 104, 105, 109, 110,126,127, 139, 171; 262,263. 266, 267, 274, 306. 307. 3'5. 362; great grief of, 135, 136, 1.37 ; leaves Florence for Paris, 139 ; gives shawl of Mrs. Browning. to Mrs. Field, 141; gives locket containing Mrs. Browning's hair to Kate Field, 141 ; has interior of Casa Guidi photo- graphed, 142 ; contrast of Browning and Lytton, 142; 157. , Robert Barrett Wiedemann, 31. Brownings, the, 85, 92, 93, 103, 123, 126, 167, 292. Brummel, Beau, 480. Brunswick, the Hotel (Boston), 440, 477, 508. Bryant, William Cullen, 16; festival of, 160, 338. Building, the Administration, Manu- factures, Electricity, Machinery, 582 Index Agricultural, in Columbian Exposi- tion, 505, 506. Bull, Ole, 34. Bullard, Laura, nee Curtis, 207, 208, 33S, 383- Butler, Hon. Benjamin, 1S2, 183. Calhoun, Lucia, nee Gilbert (later Mrs. Runkle), 208. California, 485; the Governor of, 571. Calixtus, St., Catacombs of, 89. Calvin, 278. Cambridge, 494. "Camilla," 334; Bernhardt's and Modjeska's, compared by Kate Field, 412. Campagna, the, 89. Campanini, Signor, 321. Campbell, Governor and Mrs., 482. Campo Santo, the, 141. Canavarro, Seiior, 557. Cannon, George Q., 457, 483. Capital, the, 486, 518. Carlyle, Thomas, 96, 1 76 ; calls Alcott " the acorn-eating," 202; 362. Carman, Bliss, 138. Gary, Alice, 148, 208. , Phoebe, 148. Cary, the sisters, 195, 456. Casa, Thomas, 386. Casa dell' Ardenza, no, 113. Casa Guidi, 107, no, 121, 139, 142, 143.3"- " Casaubon, Mr.," 285. Casta Diva, 54. Castelar, Emilio, 311, 317, 518. " Castellata, Due della," 434. Catholic, the. University, 496, 524. "Caught Napping," comedietta by Kate Field, 375. Cavendish, Ada, 306, 341. Cavour, Count Camillo Benso, 136. Cecil, Lord Arthur, 367. " Celia," 369. Cenci, Beatrice, 160. Central Music Hall, 502, 503. "Centuries, A Vision of," article by Kate Field, 505. Century, the Club, 339. , the magazine, 235, 469. Cervantes, Miguel, 96, 531, 563. Cesnola, di. Count Luigi Palma, 390. "Chamounix, Linda de," 52, 54. Champ de Mars, 372. Chandler, Hon. William and Mrs., 495. Channing, Rev. Dr. William EUery, 260. Chapel, Mount Auburn, 251, 252, 259. , the Royal, 283. Chapelle Expiatoire, the, 86. Chapin, Rev. Dr. and Mrs. Edwin Hubbell, 306. Chapman (Messrs. Chapman and Hall), loi, 103, 178. Chase, Chief-Justice, 183. Chatterton, Thomas, 364. Chaucer, Geoffrey, 230. Chautauqua Assembly, 460. Chicago, 462, 497, 506, 525, 572. Child, Lydia Maria, nee Francis, 234, Chinese, 536, 545. Chippendales, the, 283, 313. Chopin, Frangois Fr^d^ric, 34. Christ, the, 65, 502, 503, 565. Christianity, 459, 480, 502, 503, 565. Christmas, 534, 538. comedietta by Kate Field, " Pluto and Cupid," 472. gift to Kate Field, 555. Church, Frederic Edwin, 150. Cimarosa, Doraenico, 514. Cincinnati, 540. City, the Dream, 498. , Salt Lake, 431, 526, 532, 533. , the White, 498. Civita Vecchia, 88. Claflin, Mary (Mrs, William), 181, 182. , Hon. William, 219. Clapham, William, 207. Clapp, WilUam, 76. Clarendon, Lord, 284, 287. Clark, James Gurdy, 554, 555. Clarke, Rev. Dr. James Freeman, 243, 244, 492, 496. , Sarah Freeman, 152, 492, 493. Clemens, Samuel L. (Mark Twain), 299, 448, 449. , Mr. and Mrs. Samuel L., 312. Cleveland, Frances, nee Folsom (Mrs. Grover), 488. Index 583 Cleveland, Hon. Grover, 440, 4SS, 491 ; sends flowers for last rites over Kate Field, 571. Clive, Miss, 311. Clough, Arthur Hugh, 246. Cobbe, Frances Power, arrives in Florence, 100 ; shares villa with Miss Blagden, loo; sees \'edder's portrait of Kate Field, 102; leaves Florence, 102 ; characterized by Kate Field, 102; estimate of Kate Field, 102 ; her medallion of Parker, 103 ; vfrites to Kate Field, 115 ; 262, 274. Cod, Cape, 547. Cole, Foxcroft, 246. Coleman, Charles Caryll, 47, 96, 124, 125, 150, 159, 167, 206, 379. , Samuel, 150. Colfax, Hon. Schuyler, 182. Cohseum, the, 89. Collection, the Kate Field Memorial, 295, 296. College, Stowe, 528. Collins, Wilkie, 306, 308, 312, 313, 34°. 34i> 344. 345. 402, 405, 406, 407. CoUyer, Rev. Dr. Robert, 226, 263, 297. Cologne, the Cathedral, 275. " Colonel Sellers," 337. Colorado, 421, 426. Springs, 422. Columbian Exposition, 471. Columbus, 471. Colvin, Sidney, 285. Com&iie Frangaise, the, 86, 329, 377. Comediettas by Kate Field: "The Blind Side," " Extremes Meet," " Two Quarrelsome Cousins," " Dead to the World," " The Wrong Flat," " A Moving Tale," "Caught Napping," "A Morning Call," " The Opera Box," 295. " Conclusion, A Foregone," 321. Concordians, the, 202. Congress, 534. , the Art, 487, 513, 542, 543. Connaught, Duke of, 352. Connery, Thomas B., 368. Conservatory of Music, the National, 485. "Consuelo," 97. Consul at Athens, 389. Conway, Rev. Moncure Daniel, 2S9, 339, 34°- Conway, Mr. and Mrs., 263. Cooper, Henry E., 557; S. B., 455. Co-operative Dress Association, 375, 390. 393. 394. 409. 410; failure of, 412,415- Copley Square, 477. Coquelin, B^noit Constant, 329. Corbin, Mrs. Caroline C, 200. Corcoran Building, 471. Corday, Charlotte, 276. "Corinne," 208. " Coriolanus," 179. Comhill Magazine, 115. Coronado, 456, 457. Corot, Jean Baptiste Camille, 162. "Corsican, The, Brothers," 32, 50. Corso, the, 89, 91, 232. Coues, Dr. Elliott, 201. Courier, the Boston, 85 ; Kate Field writes to, gi. Court of Honor, the, 505 . Couture, Thomas, 152. Cozenza, Baron, 164. Credo, Kate Field's, 470. Crescent, the New Orleans, 180. , Warwick, 171. "Croce di Savoia," 114. Crocker, Colonel, 469. Croisette, Madame, death-scene of, compared with Genevieve Ward's, 369- Crookes, Sir William, convictions of, regarding intercourse between Seen and Unseen, 23, 194. Cross, J. M., 401 i Marian Lewes, nee Evans (see George Eliot), 395. Crossed Palms, the, 572. Crothers, Rev. Dr. Samuel M., 423. Crow, Emma {see Cushman), 3, 101. , Hon. Wayman, 3T ; introduces Kate Field, 233. Crystal Palace, the, 312. "Cuckoo Song, The," 352. Cummings, W. H., 249, 363 Curtis, George William, 214, 363, 491, 492. Cashing, Frank, 463, 494, 495. 584 Index Cushman, Charlotte, plays leading rSIe in " Gabrielle," 5, 47 ; Kate Field writes verses to, 76, 77; writes to Kate Field, 78; 1S4, 1S6, 322, 457; gives musicale for Kate Field, 92, bust of, loi; 116, 126. , Edward, 91, loi. , Emma, nee Crow, Mrs. Edward (see Crow). Daly, Augustin, 232. Dall, Caroline, nee Healy, 199, 200, 201. Dall' Ongaro, 95, 397. Dana (artist), Mr., 150. , Charles Anderson, describes Kate Field on lecture platform, 443-446. Dante Alighieri, 96, 166, 514, 563, 572. Dardanelles, the, 375. Dartmouth, the University of, 307. D'Aubign^, Merle, 278. Davenport, Edward, 87. "David Copperfield, " 20, 173, 175, 181. Davis, Jefferson, 151. , Rebecca, nee Harding, 271, 272. Dawes, Hon. Henry L., 439. Dean, Julia, 421. DiSjazet, Madame Pauline Virginie, 87. Delmonico, 385. Denmark, 451. Denver, 420, 421, 422, 462, 499, 526. Desclee, Aim^e, 313. " Diana," 506. Dicliens, Charles, 20, 101,102; reads " David Copperfield," 173 ; 174, 175, 176, 177, 178, 179, 180, 181; sends engraving to Kate Field, 182; 183, 191, 195, 221, 222 ; Kate Field's lecture on, 228, 229, 420; Kate Field's "Pen Photographs" of, 235 ; 236, 244, 274; Kate Field's lecture on, in London, 285 ; invites Kate Field to Gad's Hill, 311; writes to Kate Field, 382 ; portrait of, 405; 412; Kate Field's lecture on, in Alaska, 453; Kate Field's lecture on, given to prisoners, 4S2 ; Kate Field's lecture on, in Honolulu, the last lecture she ever gave, 536. Dickinson, Anna Elizabeth, 202, 214, 216, 222, 224; describes Kate Field, 226. Dilke, Sir Charles, Kate Field writes of, 281 ; speaks, 283 ; Kate Field dines with, 284 ; sympathy of, with Bradlaugh, 298 j edits " The Athe- n£eum," 299 ; calls on Kate Field, 353. , Sir Charles and Lady, invited by Lady Franklin, 288. , Emilia (Lady Dilke), nee Strong {see Pattison), 500. , WiUiam, 315. Dillingham, B. F., 547. District of Columbia, 543. Divide, the, 421, Dodge, Mary Abigail (Gail Hamilton), 208; writes to Kate Field, 391, 392. , Mary, nee Mapes, 208 ; writes to Kate Field, 484. Dolby, Mr., 174, 175, 181. Dole, Hon. Sanford B., President of Hawaii, Kate Field meets, 534 ; interviewed by Kate Field, 536; characterized by Kate Field, 538; interview with, praised, 544, 546; attends funeral of Kate Field, 557; President and Mrs. Dole entertain Kate Field at Christmas, 538; send flowers to funeral of Kate Field, 556, "Dombey and Son," 20, 281. Donizetti, Gaetano, 61. Doremus, Prof, and Mrs., 319. "Dorothea," 285. Dorschemer, Mrs., 311. " Dragons, A Brother of," 462, Drake, Chief-Justice, 433. Drummond, Dr. Henry, 565. Drury Lane, theatre of, 311, 529. Dryden, John, 230. Du Chaillu, Paul, 177. Dudevant, Madame Amantine Lucille Aurora, nee Dupin (George Sand), 97. Dumas, Alexander, ^/j, 412. Du Maurier, George Louis Palmella Busson, 353. Index 585 Duomo, the, distant view of in Ved- der's portrait of Kate Field, 102. Dusenbury, Mrs., 3S6. Easter, Kate Field's reference to, 4S3, 496. '' Echoes from the Orient," the, 472. Edinburgh, Kate Field visits, 343, 345. 347. Edison, Thomas Alva, 27, 350. Edmunds, Hon. George Franklin, 473. "Education des Mferes de Famille," 206. Electricity Building, 498. Eliot, George (Marian Cross, nie Evans, see Lewes), 8; Kate Field reads novel of, 108 ; Kate Field's impression of, 101 ; writes to Kate Field, 270, 271 ; invites Kate Field, 284:285,292; Kate Field's descrip- tion of first meeting with, 395, 396 ; TroUope shows Madonna to, 397; talks to Kate Field, 397; Kate Field's description of, 397; speaks of her work, 398 ; novels of, 39S ; visit to Florence of, 399 ; described at the Priory, 400; her reception day, 400; visits Bell Telephone office, 400 ; Kate Field's estimate of, 401. Eliot, Mary, 31. , Rev. Dr. William, preaches on Immortality, 30 ; 33, 233. "Elizabeth," rSle of Ristori, 371. , Mrs. Field's maid, 38. Elliott, C. W., and Mrs. C. W., 177. , Mrs. Johp, no. See Howe. Emerson, Lincoln, 77. , Ralph Waldo, 38, 68; inspira- tion of, to Kate Field, 97 ; poems of, copied by Kate Field, 97 ; de- scribes Landor, 107 ; 143, 148, 165, 1 86, 188, 198; calls Alcott a spiral flame, 202; 214, 216; writes to Kate Field, 243 ; 244, 245 ; Caste- lar's fondness for, 318; 476, 493, 561, 564, 574. "Emile," 205, 206, 208. Emmons, Mr. and Mrs., 213. "Ennuyl, Diary of," 71- " Ernani," 311. Escurial, the, 319. Eternal City, the, 88. Eternal Love, the, 577. Ethnological Building, the, 498. Evarts, Hon. William M., 183. Ewing, 482. Executive Mansion, the, 491. Exhibition, National Loan, the, or- ganized by Kate Field, 4S8. Exposition, the Columbian, 64 ; Kate Field's enthusiasm for, 497 ; an evening of, 499 ; Kate Field reads before, 499, 500 ; Congress of, 505 ; classic description of, by Kate Field, 505, 506; awards medal to Kate Field's journal, 515 ; 527, 528. , the Paris, of 1878, Kate Field's letter on, 372-374. " Extremes Meet," comedietta by Kate Field, 341^ 360. " Eyes and Ears in London," mono- logue musical by Kate Field, 454. "Eyes Bright," comedietta adapted from French by Kate Field, 367. Fairy Ring, a, 315. "Falstaff," 180. Parquets, the, 213. Farquhar, George, 347. Farrington, Wallace R., 556. Fate, problem of, iiS. " Father of Annexation," sobriquet of Dr. McGrew, 541. Faucit, Helen, later Lady Martin, 364. Faure, Jean Baptiste, 270. Fawcett, Edgar, 457. Fay, Theodore, 11. Fechter, Charles Albert, Kate Field's criticism on Hamlet of, 144 ; 167, 407, 408 ; Kate Field's biographical sketch of, 238 ; 248, 403 ; Kate Field's criticism on Claude Melnotte of, 404 ; life of, by Kate Field, 404 ; Wilkie Collins writes of, 405, 406, 407. , Marie, 407. , Paul, 407. Ffoulke, Mr. and Mrs. Charles M., 496 Fiarotti, Pfere, 147. 586 Index " Fie," girlish nom de plume of Kate Field, loo. Field, Cyrus, 288. Field, Eliza Riddle, 4 ; meets Joseph M. Field, 5, 8 ; birth of, 6 ; recog- nized for her impersonation of Julia in " The Hunchback," 6 ; charac- teristics, 7 ; personal beauty, 7 ; let- ters from Joseph M. Field to, 8, 9; marriage of, 10; plays leading support to Sheridan Knowles, 10; dramatic powers of, 10; birth of daughter, lo-; baptism of the infant, II ; ideal marriage, 11 ; characteris- tics of, II ; writes to her husband, II, 12, 13, 14, 15, 18, 27, 35 ; visits her mother in Boston, 13 ; birth of her son, 14 ; beautiful spirit of, 15 ; receives letter from her daughter, 19; in St. Louis with her daughter, 23 ; returns from New Orleans, 33 ; writes to her daughter, 41, 46; contrasted with Mrs. Sanford, 46 ; counsels her daughter, 48 ; her hus- band's death, 55 ; renewed efforts of, 56; letters of, 57, 58, 59; an- gelic words of, 58; convictions of, regarding future life, 58 ; first meet- ing with her daughter after her husband's death, 67 ; plays in the South, 85 ; joins her daughter in Florence, 98, 99 ; loveliness of, rec- ognized, 100; leaves Florence for Leghorn, no; in Casini dell' Ar- denza, 113; returns to Florence, 121; takes apartment, 122; Brown- ing's reference to, 139; returns to America, 147; among the moun- tains, 167 ; her daughter writes to, of Newport, 167 ; counsels of, to her daughter, 168 ; locates in Bos- ton, 185 ; hears Alcott's Conversa- tion on Theism and Christianity, 202 ; hears Weiss, 203 ; Mrs. Whip- ple's estimate of, 245 ; domestic life of, 246 ; failing health of, 248 ; sails for Europe, 248 ; death of, 250 ; body of, sent to America, 251, 267 ; her daughter writes of, 268 ; wed- ding ring of, 253, 555. Field, Eugene, 434, 435. Field, Mrs. Henry, 180, 181. Field, Joseph M., 4; brilliantly gifted, 5 ; birth of, 5 ; versatile powers of, 5 ; writer of stories and plays, 5 ; wins prize for best American com- edy, 5 ; other plays and transla- tions, 5 ; excelled in light comedy, 5; meets Eliza Riddle, 5, 8; writes to Eliza Riddle, 8, 9; devotion to Eliza Riddle, 10; marriage of, 10; characteristics of, 11; sails for Eu- rope, II ; takes letters to leading people, 1 1 ; opening of opportunities, 1 1 ; writes to his wife, 13,28; return from Europe, 13 ; theatre salary of, 13 ; letter from his daughter, 14; let- ters from his wife, 15, 17, 18, 35 ; great sorrow of, 15 ; poem of, 15 ; vein of humor, 16; association with Charles Keemle, i5 ; power of swift decision, 17 ; sells manuscript to a Philadelphia house, 1 7 ; serious thought regarding his daughter, 19 ; receives characteristic letter from Edgar Allan Poe, 21, 22 ; plays in Mobile, 23 ; ardent affection of, for his wife, 27; writes to his daughter, 28 ; actor-manager in theatre of, 32 ; hospitality of, 33 ; opens his theatre, "^y^ presented with silver wine-set, 34 ; imaginative genius of, 36 ; keeps faith in ideals, 37 ; plays in Mobile, 39 ; burning of theatre of, 40 ; forti- tude of, 40 ; perception of his daugh- ter, 40 ; counsels her, 40 ; writes last letter to his daughter, 42 ; letter from his daughter, 49 ; death of, 54 ; trib- utes to, 55 ; reference of his daughter to, 60, 61, 62, 65, 67, 70, 71, 74, 75, 78; interest in Spiritualism of, 78, 209. Field, Joseph Matthew, birth of, 14; resemblance to his sister, 14 ; anni- versary of death of, 27. Field, Mary Katherine Keemle (Kate Field), varied and prismatic life of, 3 ; nature and characteristics of, 3 ; baptismal name of, 4 ; ancestors of, 4 ; prologue of the drama of her Index 587 life, 8 ; hereditary influences of, 8 ; infantile cliaracteristics of, 12; her mother's narrations of, 12, 13 ; her father's thought of, 13 ; sends message to her father, 14; sweet atmosphere of home of, 14 ; early impressions of life, 14 ; message to her father, 1 5 ; takes dancing lessons, 18 ; attends children's party, 18 ; impatience of control, iS; impetuosity of, 19; artistic tem- perament of, 19 ; aspirations toward the good, 21 ; treasures a letter of Poe's, 23 ; childish compositions of, 26 ; intense ambition of, 26 ; strong individuality of, 28; incar- nation of artistic life, 28 ; self- criticism of, 29 ; interest in politics of, 29; sitting for her portrait, 31 ; reads " Uncle Tom's Cabin," 32 ; stimulating atmosphere around, 33 ; reads Racine, 34 ; practises Cho- pin's sonatas, 34 ; records childish opinion of " Uncle Tom's Cabin," 34 ; describes Lola Montez, 34, 35 ; diligent work of, yj ; personal de- scription of, 37 ; characteristic ideals of physical care, 37 ; queen rose of the rosebud garden, 38 ; unique qual- ity of, 40 ; truth and lofty nature of , 41 ; threshold of changes for, 42 ; enters Lasell Seminary, 45 ; sub- mits to conditions, 45 ; influences about, 46, 47 ; reads " Hiawatha," 49 ; opinion of, 49, 50 ; sings in chorus, 50 ; studies Italian, 50 ; spiritual aspirations, 50 ; premoni- tions of sorrow, 51 ; considers gen- erous oiler, 51, 52; attends opera, 52 ; hears Thackeray lecture, 53 ; first sees her name in print, 54 ; appearance in tableaux of, 54 ; hears of her father's death, 54 ; practical power of, 60 ; speculative views of, 60 ; enthusiasm of, for music, 61 ; writes of her father, 62 ; difference from other girls, consciousness of, 62 ; views of, on voice, 63 ; absorb- ing passion of, 63 ; reflections of, re- garding her father, 65 j parting of ways for, 66 ; independence of, 66 ; first meeting of her mother since her father's death, 67 ; anxiety and aspiration of, 67 ; tendencies of, 68 ; Starr King, her impressions of, 75 ; longs for Italy, 76; verses by, to Charlotte Cushman, 76 ; way to open for, 79 ; spiritual nature of, 83 ; stress and storm period, 84 ; dreams of Italy, 84, 85 ; sails, 85 ; enchant- ment of Paris for, 86 ; sees D6jazet, 87; attends Vaudeville and sees " The Romance of a Poor Young Man," 87 ; surprises of French drama, 87; visits Napoleon's tomb, 87 ; attends ball at American Legation, 88 ; spends mornings in Louvre, 88 j embarks for Rome, 88; first sight of Eternal City, 88 ; sees Vati- can Palace and St. Peter's, 88 ; ecstasy of, in Rome, 8g ; on Corso, 89; welcomed by Charlotte Cush- man, 90; writes of Miss Cushman's singing, go ; meets Harriet Hosmer, 90; distinctive individuality of, 91 ; Mrs.Whipple's words about, gi ; first sees Salvini, 91 ; describes Salvini, 91 ; studies with Sebastiani, 91 ; goes to Hadrian Villa with Miss Cush- man, Harriet Hosmer, and others, 91 ; singing of, charms Miss Cush- man, 92 ; urged by Miss Cushman to study with Garcia, 92 ; ex-Pres- ident Pierce calls on, 93; influence of Mrs. Browning on, 93 ; delight in Florence of, 94 ; attachment of, to Robert Browning, 94: his impressions of, 94 ; love and ro- mance of, 94, 95, 413-416 ; grate- ful affection of, for the Brownings, 95 ; ardor of, in musical study, 95 ; Mr. Jarves's estimate of, 96; Lan- dor's offer to teach Latin to, 96 \ reads " Consuelo," 97; enters into cause of Italian liberty, 98 ; wel- comes her mother, 99; meets Amer- icans in Florence, 99; her mother and herself compared by Miss Blag- den, 100 ; meets Vedder, 100 ; meets George Eliot, loi ; estimate of, by 588 Index Mis3 Cobbe, 102; Vedder's portrait of, 102 ; sees photograph of Story's bust of Parker, 103; receives gifts from the Brownings, 103 ; is talten in to tea by Landor, 103 ; compli- mented by Landor, 104 ; is an artist born, 105; enjoys social evening, 106 ; conversation with Mrs. Brown- ing, 107 ; passed evening in Casa Guidi, 107 ; criticism of " Amber Gods," 108 i reads " Mill on the Floss," 108; daily Latin lessons of, 109; verses by Landor to, 109; letter from Browning, no, 11 1; visits Leghorn, 112; gift of Lan- dor to, 112; qualities of, 113; in Casini dell* Ardenza, 113 ; concerts, 114; sympathy with Italy, 115; first meeting of, with Ristori, 116; writes of Ristori's art, 116 ; views of, on dramatic criticism, 117; friendship of, for Ristori, 118 ; in Florence, 121 ; interest in Italy, 121 ; range of reading of, 122 ; improved health of, 122 ; takes apartment, 122 ; estimates Anthony Trollope, 123 ; attends ball in Flor- ence, 124; gift of Greene to, 124; letters of Browning and Mrs. Brown- ing to, 126-129 ; patriotism of, 130, 131 ; sacrifice for principle, 131 ; writes of Landor, 132, 133 ; gifts of Landor to, 133, 381, 382 ; interest in affairs, 133 ; attraction to litera- ture of, 133 ; versatility of, 134 ; grief of, for Mrs. Browning, 134- 138; writes sketch of Mrs. Brown- ing which Trollope commends, 140; returns to America, 147 ; interest in politics of, 147; circle of friends, 148 ; becomes Boston correspondent of "Springfield Republican," 149; interest in art, 150; journalistic style, 150, 151 ; appreciates Hunt, 151, 152; appreciation of Weiss, 154; criticism on Vedder, 154, 155 ; Trol- lope writes to, 156 ; Vedder writes to, 159, 160; criticism of Vedder's work by, i6r, 162 ; rank as critic, 162, 163 ; compares Hamlets of the stage, 163; gift of, in writing comediettas, 164; dramatic criti- cism of, 164 ; on Ristori, 165 ; on sleep-walking scene, 166 j social in- terludes, 167 ; her mother's counsel to, 168; a social favorite, 168; esti- mate of, by Mrs. Whipple, 169 ; por- trayal of, by Miss Adams, 170 ; visits in Boston, 170; sings in concert given to Adelaide Phillipps, 171 ; letter from Robert Browning to, 171, 172; from Vedder to, 172, 173 ; diary of, Dickens' readings, 1 74 ; takes Adelaide Phillipps to hear Dick- ens read "Christmas Carol," 175; sends violets to Dickens, 1 75 ; letter from Dickens to, 175 ; Lippincott publishes article of, on " Ristori as Marie Antoinette," 176; "Tri- bune " praises, 176 ; assists at Ristori's ^eie^ 176; gift of Ristori to, 176; assists at Adelaide Phil- lipps' debut in " L'a Favorita," 177; writes on " Pen Photographs of Dickens," 177; longs for Eu- rope, 177; success of her "Pen Photographs of Dickens' Read- ings," 178 ; praises of Dickens, 178; hears Fanny Kemble in '' Julius Cae- sar," 179; in "Measure for Meas- ure," 180; sends pansies to Dickens, 182; farewell to Dickens, 182 ; leaves for Washington, 182 ; Anthony Trollope calls on, 183 ; visits White House, 183; goes to Boston, 184; to Isles of Shoals, 184; meets Henry James, fils, 1S4 ; meets Howells, 185 ; attends Radical Club, 186 ; hears Whipple on Jeanne d'Arc, 187 i first thinks of lecturing, 188; attends Radical Club, 189 ; fateful day for, 189, 190; romance of, 191, 194; Planchette writes for, 194; writes Planchette's Diary, 195 ; psychic powers of, 195 ; diary of, 196-213; meditations, 196; dines with the Fields, T97; meets Howells, Aldrich, and Fields, 198 ; despond- ency of, 199; at Mrs. Waterston's, 200 f finds Alcott " incomprehensi- Index 589 ble," 202; speaks in Radical Club discussion, 203; reads Plato and Rousseau, 205 ; meets Wendell Phillips at lunch, 207 j her opinion of him, 207 ; reads " Corinne," 208 ; writes on her initial lecture, 209; sings "The Danube River," 210; call from Henry James, fils, 211; makes debut as lecturer, 211 ; re- ports Peace Jubilee for " Tribune," 212; leaves for Adirondacks, 213 ; loyalty to John Brown, 213; moral heroism of, Z14; appears in lecture, "Woman in the Lyceum," 216; congratulations to, from eminent persons, 216-221 ; lectures on " The Adirondacks," 222, 223; tells story of John Brown, 224, 225 ; raises fund, 225 ; dines with Robert CoU- yer, 226 ; described by Anna Dick- inson, 226 ; business integrity of, 228 ; lectures on Dickens, 228 ; de- scribed by Mrs. Moulton, 229 ; her estimate of Dickens, 230, 231 ; rush of hfe of, 232, 233 ; unique indi- viduality of, 235 ; life of, in Boston, 243, 244, 245 ; poem to, by Stedman, 246, 247 ; " Atlantic Monthly " work, 248 ; impressible nature of, 249; great sorrow of, 250, 251 ; ar- ranges for her mother's burial, 251, 252, 253; arrives in England, 253; common sense of, 257 ; clair- voyant's prophecy for, 258, 259 ; reaches London, 262 ; Browning, Miss Cobbe, and other friends sym- pathize with, 262, 263 ; convictions against mourning apparel, 263; many expressions of sympathy for, 264-266; Garcia's opinion of her voice, 267; intense life of, 269; George Eliot writes to, 270, 271 ; invited by Lord and Lady Hough- ton, 223 ; friendship with Brown- ing renewed ; leaves for the Conti- nent, 275 ; in Germany, 277 ; in Geneva, 278; returns to London, 27S ; independence in finance, 279 ; interest in the Unseen, 281 ; at- traction to political affairs, 282 ; press letters of, 283; alleged mes- sage from the Unseen, 2S4 ; lectures on Dickens, 285 ; leaves England, 286 ; post-prandial speech, 287 social interests of, 2S8-293 ! '^i^' Stedman's counsel to, 294 ; com^ ediettas by Kate Field, 293 Memorial Collection for, 295, 296 estimate of Bradlaugh, 297 ; inter views Bradlaugh, 299; poem by 301, 304 ; Rubinstein's compliment to, 306 J enthusiasm of for direct ex- pression, 307 ; dramatic sequence of her life,309 ; meets Ristori again, 310; "Tribune" letters of, 312; on the Thames with Herbert Spen- cer, 313 ; is seen off for Continent by Browning, 315; visits Spain, 317; estimate of Castelar, 318; returns to New York, 319 ; her convictions on friendship, 329 ; hears " Lohen- grin," 321 ; dramatic study, 323 ; de- cides to appear on the stage, 323 ; debut in Peg Woffington, 324,325; results, 329 ; Stedman's description of Kate Field's debut, 330-335 ; bril- liant success in " Gabrielle," 336; plays successfully in " The Gilded Age," 337, 33S ; return to London, 341 ; plays in her own comedy, " Extremes Meet," 341 ; success as Violante, 342 ; visits Edinburgh, 343 ; describes initial experience with telephone, 348-350 ; scientific vein in, 350 ; work for telephone, 351 ; sings through telephone to the Queen, 352 ; gives matinee t^l^phonique, 352 ; personal inde- pendence of, 356, 357; finances of, 358; describes London life, 360- 363 ; interest in Shakespeare Me- morial, 363; sings in theatre; 365 ; organizes matinee for Shake- speare Memorial benefit, 366-369; letters of congratulation to, 369, 370 ; joins Ristori in Svritzerland, 371 ; contrast of, with Ristori, 371 ; compares Rachel and Ristori, 371 ; Ristori's friendship for, 371; de- scribed by Paris correspondent. 590 Index 371; attends Paris Exposition, 372; letters to "Tribune," 372, 373; Dr. Schliemann's thanks to, 374; return to America, 379 ; achieve- ments and plans, 379; description of apartments of, 379, 380; fa- vorable conditions for, 379; pleas- ant surroundings, 380; Lander's album, 380, 381, 3S2; gift of Dickens to, 382 ; home life of, 382; personal appearance of, 3S3; reception of Dr. Holland to, 3S4 ; gives "Musical Monologue," 386; dancing and singing of, 387 ; gives musical recital, 388 ; efforts for Dr. Schliemann, 389 ; how she inter- viewed him, 390 ; the C. D. A., 391: in Boston, 392; financial losses, 393, 394 ; describes first meeting with George Eliot, 395, 396; her conversation with, 397; description of George Eliot, 397 ; describes George Eliot's reception day, 400; estimate of George Eliot, 401 ; praised by Miss Brackett, 401; portrait of, painted by Millet and exhibited at Academy, 402; writes Life of Fechter, 404 ; describes Fechter's " Claude Melnotte," 404; letters from Wilkie Collins discuss- ing Fechter, 405, 406, 407; her estimate of Fechter's Hamlet, 407 ; provides seats for women employees, 409; social side of C. D. A., 410; sails for London, 410 ; hears Wagner opera, 411; hears Patti, 411 ; sees Irving and Terry in " Romeo and Juliet," 4T1 ; sees Bernhardt in "Camille," 412; self-revelations of, 414 ; her ideal of womanhood, 416 ; visits in Newport, 419; her blue room in Edna Villa, 419; patriot- ism of, 419, 420 ; decides to visit the far West, 420 ; described as de- livering lecture on Dickens, 420 ; holidays in Colorado, 421 ; constant letters of, to a friend for fifteen years, 421; visits grave of H. H., 422; news of her uncle's death, 423; fulness of her life, 423 ; honors the journalist, 423 ; reads daily papers, 424 ; vigorous masterly deal- ing of, with Mormon problem, 424, 425, 426, 427 ; Mr. Whipple's char- acterization of Kate Field's Mor- mon study, 427, 428 ; the Salt Lake Tribune on, 428, 429 ; lectures in Boston, 429 ; brilliant audience of, 429 ; Phillips Brooks' commendation of, 429; Dr. Bartol's enthusiasm for, 431 \ Aldrich's humorous thanks to, 431 ; methods of investigation, 431 ; filled lecture engagements, 431, 432 ; visits the seashore, 432; described in hammock, 432 ; speaks of Mor- monism, 433; visits Yellowstone Park, 434; Eugene Field's jokes on, 434, 435 ; Stedman'sy 487) 488; Celia Thaxter, 292; James Parton, 293 ; R. S. Spofford, 293; C. Bradlaugh. 298; E. P. Whipple, 300 ; W. Reid, 305, 306, Index 593 307, 308, 309, 326, 327, 328, 340 ; Howells, 321 ; Tuckerman, 321, 322 ; '■ H. H.," 322, 323 ; Schenck, 339; M. D. Conway, 339, 340; W. Collins, 340, 341, 345, 346, 347> 403. 404. 405. 406; H. B. Mil- lard, 342, 343; F. B. Millet, 344; Beaconsfidd, 359 ; A. G. Bell, 359 ; for Prince Imperial, 360; Thomas Connery, 368 ; Wentworth Hughes, 369 ; Morell Mackenzie, 370 ; Charles Loundes, 370; H. Schlie- mann, 374 ; J . T. Fields, 386, 387 ; Gail Hamilton, 392 ; W. Reid's re- quest to write her Recollections of George Eliot, 395, 402 ; A. C. Brackett, 401 ; Lawrence Barrett, 409 ; a lover, 413, 414 ; Phillips Brooks, 430, 4S8, 489 ; Dr. Bartol, 431 ; T. B. Aldrich, 431 ; Eugene Field, 435 ; Laurence Hutton, 436; Betta Hutton, 436 ; Augustus Low- ell, 439, 440 ; Cleveland, 440 ; Judge Stephen Field, 447 ; A. M. Soteldo, Venezuelan Minister, 447 ; George Bancroft, 447, 448 ; Dr. Hale (to a friend of Kate Field's), 460 ; Edwin Booth, 474 ; R. U. Johnson, 475 ; Rear-Admiral Jouett, 483, 4S4; M. M. Dodge, 484; Geo. A. Brackett, F. H. Forbes, 485 ; Se- reno E. Payne, 48 7 ; Cardinal Gib- bons, 489 ; C. M. Depew, 489 ; Eastman Johnson, 489, 490; E. W. Halford, 490, 491 ; G. W. Curtis, 491, 492 ; S. F. Clarke, 492, 493 ; G. W. Holmes, 493, 494; J. R. Lowell, 494, 530, 531 ; Frank Gush- ing, 494, 495 ; W. H. Huntington, 495 ; C. W. Stoddard, 496 ; Bertha Palmer, 497 ; Lucy Stone, 504 ; E. C. Stanton, 506; W. T. Harris, 507, 508; Jules Bosufv^, 510; Pa- ten6tre, 510, 511 ; Albert Shaw, 517. Field, Kate, letters from 14, 19, 20, 21, 25, 26, 27, 33, 34, 35, 49. 50. 5'i 52, 53) 54. 59, 60, 61, 85, 86, 87, 88, 90, 91, 92, 93, 94, 95, 96, 99, 100, 101, 102, 103, 104, III, 112, 113, 114, 115, 121, 122, 123, 124, 125, 129, 130, 131, 132, 133, 134-138, 140, 141, J42, 147, 14S, 150, 168, 170, 186, 191-193, 227, 228, 233, 24S, 249, 250, 251, 252, 253, 262, 263, 268, 276, 277, 278, 279, 2S0, 281, 282, 283, 284, 285, 2S6, 291, 3191 355, 356, 365, 366, 383. 384, 389, 390, 410, 4", 412, 421, 422, 423, 437, 438, 439, 452. 453, 454, 455, 456, 457, 458, 459, 46°, 462, 463, 464, 465, 496, 518, 519, 526, 529, 530, 532, 533, 534, 535, 537, 538. 539, 540, 544, 545, 548, 549, 5'53. 564, 565, 566, 567; diary of, 29, 30, 31, 32, 35, 36, 5°, 5', 52, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75-79, 173-184, 196-213, 258, 259, 313, 314, 315, 316, 317, 350-353, 384-386- Field, Matthew, leading Catholic in Dublin, 4; came to America, 4; death of, 4. Field, Matthew, Jr., recognition of, as poet by Poe, 4 ; promise of, 4 ; verses of, 15; marriage of, 15; takes sea voyage, 16; death of, 16. Field, Nathaniel, Elizabethan dram- atist and actor, 4, 368. Field. Hon. Stephen, 439, 449. Fields, Annie, nee Adams (Mrs. James T.), described by Kate Field, 96; writes Kate Field, 149; 170, 180, 1S2, 204. , James T., 53, 99, 148, 178, 181; praises Kate Field's Landor papers, 186 ; 199 ; compliments Kate Field's debut as lecturer, 211 ; 219, 228 ; writes to Kate Field, 386, 387. , Mr. and Mrs. James T., 181, 182, 188, 207, 244, 245, 366, 433. Fields, Osgood and Co., 1S8, 207, 312. Fiesole, 94. Fifth Avenue, 480. Fifth Symphony, 309, 310. Firenze, La Bella, 144. Florence, Kate Field's dreams of, 84; 92; Kate Field's first sight of, 96; she writes from, 95, 96; Mrs. Field joins Kate Field in, 99 ; Miss Cobbe, arrives in, 100; studies of, 103; 38 594 Index heights of, 107; Kate Field's rooms in, 121 ; prices in, 122 ; Christmas in, 123; 126, 127; link sundered that bound Kate Field to, 136,' burial- ground of, 137, 138 ; Mr. Brown- ing's departure from 142, 143; in- fluence of, on Kate Field, 166; allusion to, by Browning, 172; ro- mance of Kate Field in, 190; 191, 274. 3". 381. 395. 399. 4°°. 4i4- Florence, Trollope's History of, 156, 157- , Mr. and Mrs. William, 474. Florida, the, 547. Flower, Charles E., 363. Foley, Margaret, her medallion of Mrs. Howe, 152. Fontaine, La, %•]. Fontainebleau, 408. Forney, Col. John W., 179,353. Forrest, De, Major, 177. Forrest, Edwin, aided by the Riddles, 6 ; attends burial of Mrs. Riddle, 7 ; Kate Field comments on, 49. Forster, John, 132. Fort, John Brown's, 528. Fortunate Isles, the, 519. " Forty to Twenty ; A Drawing-room Drama," title of poem by Kate Field, 301. Foster, Mrs., 206. Fowler, Mr. (Fowler and Wells), 567. Fox, Kate, 284. Fox, the Misses, 60. France, 486; republic of, 513, 514. Francis, Mr., 389. Franklin, Lady Jane, writes to Kate Field, 288. Franqueville, Comte de, 314. Frear, Associate-Justice, 557. Fremont, Gen. John Charles, 150. , Jessie, nee Benton, 150. French Decoration bestowed on Kate Field, 572. "French Flats," Kate Field sees play of, 385. French Minister, the, 510. French Republic, the, 509, 5ro. Frothingham, Bessie, 205. , Rev. Octavius B., described by Kate Field, 168; invited to opera by Kate Field, 177 ; calls on Kate Field, 179; writes to Kate Field, 217, 218, 219; Kate Field's reference to, 252, zi^< 338- Froude, James Anthony, writes to Kate Field, 289. Fuller, Chief-Justice, 471, 496. , George, 487. , Margaret (Countess d'Ossoli), 117. Fulton, Chandos, 338. Gabriel, Virginia, 362. "Gabrielle: or A Night in the Bas- tile," translated from Dumas by J. M. Field, 86; Kate Field appears in, 336- Gad's Hill, 230 ; Dickens invites Kate Field to, 311. Gaetano, Mile., 310. Gaiety, theatre of, 367. Gainsborough, Thomas, 370, 380, 382, 412. Galaxy, the, 159. Galileo, 396. Gamp, Mrs., iSi, 182. " Gamp's Garret," 243. Garcia, Manuel, Kate Field first meets, 267; estimates her voice, 267; 270; prices of, for lessons, 279; hears Kate Field lecture, 285; calls on Kate Field, 312. Garcia, see Viardot. Garibaldi, Giuseppe, 115, 121, 122. Garrick, David, 230, 370. Garrison, William Lloyd, praises Kate Field on platform, 223. Gasparin, M., 130. Gaudens, St., Augustus, 487. Gazzaniga, Mme., 180. Gear, Governor, 487. Gentiles, the, 433, 536. Gerome, Jean Leon, 161. Gestone, Mrs., 157. Giacommetti, 176. Gibbon, Edward, 121, 122. Gibbons, Cardinal James, 489. Gifford, R. Swain, 150. Gilbert, William Schwenck, 471. Index 595 Gilder, Jeannette L., aids Kate Field, 469 ; honorable place in letters of, 469 ; advises Kate Field, 469. , Martena, 385. , Richard Watson, writes to Kate Field, 235, 236, 237, 291, 292; 517. Gilders, the, 319. Glacier, the Muir, 453. Gladstone, Hon. William Ewart, 195, 283, 297. Gliick, Johann Christoph von, 160. Goddard, Arabella, 365. , D. O., 217, 252. Goethe, Johann Wolfgang von, 79, 160, 563. Goodwin, Juliet, nee Bryant, 205. Goodwood races, the, 311, 315. Gordon, Gen. Charles George, 199. Government, the French, 510; honors Kate Field, 512. Grace Church, the, 495. Gramercy Park, 319. " Granadian Girl's Song," 107. Grand Army of the Republic, 462. " Gran Dio morir si giovane," 411. Grant, General Ulysses Simpson, 200. "Gratiano," 368. Gray, Henry Peters, 150. Greeley, Horace, 148, 240. Greene, , 124. Gresanowsky, Dr., 122, 123, 136, 192. Grillo, Countess del, see Ristori. Grisi, Giulia, 61. Grossbeck, , 183. Grossmith, George, 386. Grosvenor House, 313. Guerrebelli, Mnie. Genevieve, nee Ward, 313, 314. Guiteau, 433. Guizot, Frangois Pierre Guillaume, 257. Hale, Rev. Dr. Edward Everett, 73, 459- , Hon. Eugene, 495. , Nathaniel, 73. Halford, E. W., 490, 491. Hallowell, Gen. Edward M., 186. Halstead, Murat, 233. Hamerton, Philip Gilbert, i5i. Hamilton, Gail (see Dodge), 397. " Hamlet," Hunt's painting of, 153, 162 ; Edwin Booth's, 160, 163 ; " The Hamlets of the Stage," title of three papers by Kate Field, 163; Kate Field's agreement with Helen Knowlton's judgment of, 153. Hanan, Mrs., 115. Handel, 230. " Hap-Hazard," title of book by Kate Field, 283, 420. Harcourt, Sir Vernon, 312. Harpers, the, 321 ; magazine of, 301 ; Harper's Ferry, 528. Harris, Augustus, 529, 530. , Hon. William T., 507, 50S, Harrison, Hon. Benjamin, 471, 491. , Caroline, nee Scott (Mrs. Benja- min), 490. Hart, Joel, 103. Harte, Bret, 248. Hartwell, Judge, 557. Harvard University, 373, 429, 572. Harves, M., 253. Hassard, John R. G., 181, 339. Hauk, Minnie (Mme. de Wartegg), 530- Havana, 177. Hawaii, 63, 523, 524, 527, 532, 535, 536, 537, 542. 543, 544, 547, 54?, 550, 556, 569, 570, 576; King of, 523- Hawaiian Capital, 555, 595. "Chronicle," the, 552; conditions of, 535, 543 ; government of, 543, 557- Hotel, 534. Hawaiians, the, 546, 552. Hawthorne, Nathaniel, 92, 361. , Una, 279. Hawthornes, the, 85, 2^^, 361. Hay, Hon. John, 159, 248, 313, 389. Hayden, Joseph, 204, 309. Hayes, Fanny (Mrs. Rutherford B.), 392- Haymarket, theatre of, 274. Hearst, Mrs. Phoebe, 496. " Hearth and Home," 199. Hedge, Rev. Dr. Frederic Henry, 73. 596 Index Heine, Heinrich, 96. "Held by the Enemy," 458. "Hellenics," Landor's, 112. Hemenway, Mrs. Mary, 464, 494. Hennessy, , 150, 251, 252, 262, 3i5> 379- Hennessys, the, 306. Henry, Sir Thomas, 315. " Henry VIII.," 369. Hensler, La, 54. " Herald," the Boston, Kate Field's letters to, 393, 424-426, 477; Washington representative of, 512. , the New York, 308, 309 ; 324, 342,353, 360; 369; 384- , the Salt Lake, 532. Heron, Matilda, 336. Herring, Miss, 351, 352. Hesiod, 97. " Hiawatha," 49. Higginson, Col. Thomas Wentworth, 147; writes to "Independent" praising Kate Field, iSo; 184, 203, 205, 270. Highton, Mr. and Mrs. Henry, 570. Hill, Senator and Mrs., 314, 422. Hillard, George Stillman, 220, 228. Hilo, 549. Hinckley, Alexis, 224. "Hippomenes," 106. " Histcire Morale des Femmes," 201. Hitchcock, , 159. Hoare, Sir Henry, 283. Hogarth, Miss, 405. Holbeins, the, 277. Holland, Sir Henry, 284. , Dr. Josiah Gilbert, gives re- ception to Kate Field, 384; 385, 401 ; Mrs. Holland, 385. Holmes, Dr. Oliver Wendell, 219, 244, 433 ; writes to Kate Field, 494. Holy Angels, the Feast of, 10. Holy Spirit, the, 577. Homans, Mrs., , 205. Homer, 563. Homer, Winslow, 150. Honolulu, 229, 309, 421 ; Kate Field arrives in, 526 ; 533 ; Kate Field's sympathy with progress in, 536 ; Kate Field's Christmas in, 538; Kate Field a favorite in, 539, 540 ; visit to country house, 544 ; inci- dent of Kate Field in, 546 ; 547 ; Kate Field returns to, 550; Kate Field's death in, 556; beautiful rites over Kate Field in, 569; 570, 573, 577- Hood, Thomas, 209. Hopekirk, Mme. Helen, 471. Horncliff, Lord, 157. Hcsmer, Harriet, universal favorite in Rome, 90, loi ; gift of Lady Ash- burton to, 136 ; exhibition of Bea- trice Cenci of, 160. Houghton, Lord Monckton Milnes, invites Kate Field to dine, 273; calls on Kate Field, 313 ; enter- tained in New York, 338. House of Commons, 299, 362. , Edward, 307. 308. , the White, 183. How, Charles, 159. , John, 208, 209. Howard, General, 182. Howe, Julia, nee Ward, 47, 14S ; her country house described by Kate Field, 151 ; medallion of, 152; gives a tea, 167 ; 186 ; relates incident of Kate Field, 189 ; presides at club tea, 201 ; gives reception, 207; 215, 224 ; one in noble group, 234 ; her opinion of Boston society, 244 ; calls on Kate Field, 290 ; writes Kate Field, 290, 291, 296, 297 ; Kate Field meets in California, 463. , Maud, see Elliott. , Dr. Samuel Gridley, 148. , Dr. and Mrs,, 243, 245. Howells, Eleanor, nee Mead (Mrs, William Dean), 209, 478. , William Dean, Kate Field's impressions of, 185 ; 209, 245 ; writes Kate Field, 321 ; 478. Hughes, Wentworth, 399. Hunt, Helen, nee Fiske, later Mrs. Jackson, Kate Field meets at Mrs. Botta's, 177; at Newport, 185, 209, 278 ; writes to Kate Field, 322, 323, 384; Kate Field visits grave of, 422. Index 597 Hunt, Waiiam Morris, Kate Field's critidsm of, 152, 153. Huntington, Rev. Dr. Frederic D., writes to Kate Field, 495 . Hutton, Betta (Mrs. Laurence), 436. , Laurence, 159, 343, 436. Hyde" Parlc, 361. "Hymn to tiie Wiltshire Laborers," recited by Kate Field, 4S3. " I AM the Resurrection and the Life," 571- Ibsen, Henrik, 472. Ideals, Kate Field's devotion to, 577. "Idfies Napoleoniennes," 122. Immortality, 30, 566 ; proof of, by science, 575, 576. Imperatora, Mme. dell', 114. Ingersoll, Robert G., 455. Inman, Mr., 159. Inness, George, 487. Institute, the Essex, 347. , the Lowell, 438, 439, 440. "Instrument, A Musical," 115. "Inter-Ocean," the, 457, 471. International Council, the, 448. Invalides, Hotel des, Kate Field de- scribes grand chapel of, 87. Iowa, 437. Irving, Sir Henry, 367, 411, 457. , Washington, 231. "Isabella," 180. Islands, the Hawaiian, 532. Isle of Wight, 352, 385. Isles of Shoals, 184. Italian, 572. theatre, 371. Italy, 71, 76, 84; Kate Field's love for, 89; liberty of, 98, 113; pro- duction of, in great actors, 116; 121, 165,311,35°, 486- Ives, Albert, 3S3. Iwilei, 546. Jackson, Helen Hunt, nee Fiske, see Hunt. , Mr., 385. Park, 492, "Jacques," 183. James, Henry, pire, 201, 202, 205 ; writes to Kate Field, 217, 218 ; 219, 224, 245, 366. James, Henry,^/j, 184, 211. , 'Dr. William, 23, 194. Jameson, Anna, nee Murphy, 71. Janauschek, Mme. Francesca Made- Una, 18S. Janiculum, the, 89. Japan, 380, 536, 545, 551, 569. Jarves, Isabella, nee Kast (Mrs. James Jackson), 99, , Hon. James Jackson, estimates Kate Field, 96. Jeanne d'Arc, Mr. Whipple's lecture on, 187, 276. Jefferson, Joseph, 338. Jenkins, Josephine, 393. Jerusalem, 577. "Jesus, Lover of my Soul," 556. Jewell, Mrs., 232, 314, Jewett, Rear-Admiral, 483, 484. Jews, the, 536. Joachim, Joseph, 362. Johnson, Eastman, 150, 489, 490. , Robert Underwood, writes to Kate Field, 474, 475; 517. Jones, Mrs. Inigo, 284, 314. , Hon. and Mrs. P. C, 544. Jouett, Prof. Benjamin, 286. Judd, Chief-Justice A. F., 557. Judge, William Q., 472. "Juliet," 469. "Julius Csesar," 179. Juneau, 453. Kailua, 549. Kalakaua, 523. * ' Kala wahine nananao ' ' (the Learned Woman), appellation of Hawaiian natives for Kate Field, 544. Kamehameha, 548. Kanaka, 546. Kanakas, 543. Kane, John T., 445. " Kathcrine, Cousin," Eugene Field's sobriquet for Kate Field, 434, 435. , " Queen," 369. " Kathleen Mavourneen," 171, 344, 352- Kauai, 545, 548. 598 Index Kawaihae, 549. Kaye, Col. M. C, 495. Kean, Mrs. Charles, 285. Keemle, Charles, 11, 16. , Mary Katherine, 346. See Kate Field. Kelley, Mrs. , 179. Kemble, Fanny, nee Siddons, 178 ; reads " Midsummer Night's Dream," " The Tempest," "Julius Cajsar," 179 ; reads " Measure for Measure " and " Merry Wives of Windsor,' ' 180; Kate Field's opinion of, iSo ; 1S3, 195, 274, 311; characterizes Niagara, 437. Kenilworth, 286. Kensett, 150. "King John," 311. King, Rev. Dr. Thomas Starr, 75, 214. Kinglake, Robert Arthur, 313. Kingsley, Rev. Charles, 283. Kinney, Mrs. Elizabeth C, 219. Knowles, Sheridan, supported by Eliza Riddle, 10. Knowlton, Helen M., writes "Art Life of Hunt," 153. Kohlsatt, Hon. H. H., great generos- ity to Kate Field, 527 ; estimates Kate Field's work, 569; an execu- tor of her will, 572. , Mr. and Mrs. H. H., Kate Field's attachment to, 527. " Kreutzer Sonata," Kate Field's opinion of, 478, 479. Labouch^re, Henry, 351. La Farge, John, 184, 185. " La Favorita," 177, 178 Lanai, 547. " La Naranjera," 388. Landon, Arthur J., 213. Landor, Walter Savage, 95; offer of, to teach Kate Field Latin, 96 ; chivalry to Kate Field, ro3, 104; scholarly elegance of, 106; praises Kate Field, 107 ; verses of, to Kate Field, 109 ; Browning's reference to, no; sends autograph copy of his "Hellenics" to Kate Field, 112; 123; Kate Field gives camelia to. 123 f Kate Field's sympathy for, 124 ; Kate Field writes of, 132, 133, 139; "Last Days of," three papers by Kate Field published in the " Atlantic Monthly " for April, May, and June, 1866, 144; 156, 186, 209 ; story of album given to Kate Field, 380, 381 ; Mrs. Landor, 156. Lanesville, 212. Langmaid, Dr., 199. Larcom, Lucy, 433. " La Scala," 100. " Lascia ch' io pianga," 205. " Laura Hawkins," stage r61e of Kate Field, 337- " La Velleda," 411. Lawrence, Abbott, 65. , Mr., 184. Lawson, Victor F., 435. Lawton's Valley, 151. Lay, Oliver, 124, 125, 246, 379. Layard, Sir A., 374. " Lead, Kindly Light," 556. "Lear, King," 179. " Leaves from a Lecturer's Note- Book," title of papers by Kate Field, 232. Lee, General, 182. Leghorn, no, n2, i\^, n5, 138, 165, 266. Legouv6, Gabriel Marie Jean Baptiste, 202, 203. Leighton, Sir Frederick, 157. Leland, Charles G., 239. Lely, Sir Peter, 412. Leonard, Ella S., 470. Leslie's, Frank, the, 403. Leslie, Henry, 283. Leupp, Francis P., 470. Levasseur, Louis Gustave, 92. Lewes, George Henry, described by Kate Field, loi ; 274, 397, 398, 399, 400. , Marian nee Evans, impression of, on Kate Field, loi ; 39S, 491; later Mrs. Cross. See George Eliot. Leweses the, toi, 362. Lewis, Ida, 212, 242. Lexington, the Hotel, 497. Liberia, 313. Index 599 Library, the Boston Public, 295, 296, 477- Life, symphonic nature of, 117. Light, into that, 577. Lincoln, Abraham, 112, 147, 148 ; Kate Field's prophetic words of, 162; 441. College (Oxford), 285, 286. , Solomon, 295. Lind, Jenny, 19, 20, 61. Lingle, Caroline C, 470. Linton, W. L., 186, 206, 20S. ' ■ Lippincotfs Magazine," 176, 178, 199. Listermann's concerts, 209. Little, Brown, and Co., manuscript offered them by J. M. Field, 17. " Little Maid of Arcadie," 384. Livermore, Mary A., nee Ashton, 214 ; generous nature of, 216 ; noble work of, 222 ; unequalled in impassioned power, 224 ; 234, 243, 244. Locke, D. J. (pseud.. Petroleum V. Nasby), 200, 206. Lockhart's "Life of Scott," 128. Lodge, Anna Cabot, 201. "Lohengrin," 321. Lombard, Mr. (lecture agent em- ployed by Kate Field), 170, 181, 385- Lombardy, 127. "L'Ombra," 353. London, 383, 390, 461, 529. Lone Mound, 437. Long, Mr., 250, 251. Longfellow, Henry Wadsworth, 148, iSi, 244, 245, 366. Longs, the, 181, 205. Long Walk, the (at Wmdsor Castle), 3T2. Loring, Gen. Charles C, 382. Loring, , 170, I77> '78, I79; '^i. Lorraine, Claude, 382. Lothrop, Rev. Dr. S. K.. called "a clerical Silenus," by Weiss, 206, 228; compliments lecture by Kate ' Field, 430. Lotus Eaters, the (ideal sculpture), loi. , Louis XVI., Chapelle Expiatoire to memory of, 86. Loundes, Charles, 370. Lourdes, 316. Louvre, the, 88. " Love's Labor Lost," 369. Lowell, James Russell, 148, 198, 215, 244, 245; criticism of, on Hamlet, 407 ; Kate Field's comments on, 452; writes to Kate Field on copy- right, 494 ; letter of, to Kate Field from Spain, 530, 531. Lowry, Hon. and Mrs. Thomas, 485. Loyal Legion, the, honors Kate Field, 452, 540. Lucca, Pauline, 270, 41T. Lucifer, 292. Ludlow (Messrs. Ludlow and Smith), 15- "Luminara, the, of Pisa," title of paper by Kate Field, 198, 205. Lunt, George, editor of "Boston Courier," offers Kate Field letters to the Brownings, TroUopes, Haw- thornes, 85. Luther, statue of, 277, Lyman, Rufus, 549. Lytton, Sir Edward Bulwer (Owen Meredith), 95, 138; contrast of, with Browning, 142. Macbeth, William (composer). 50. " Macbeth, Lady," Kate Field's de- scription of Ristori's, 166; Janau- schek's, 188; Kate Field and others discuss, 315; Ristori's, 371, 529. MacFarland, Henry, 512. Mackay, John W., Kate Field's esti- mate of, 452. Mackenzie, Dr. Morell (later Sir Mo- rell), attends Kate Field, 279; call described by Kate Field, 280; Mrs. (later Lady) Mackenzie, 280; in- vites Kate Field to speak at banquet, 286; writes to Kate Field, 369, 370. Mackintosh, A. St. M., 557. Macmillans, the, 285. MacMonnies, Frederick, 487. "Mad on Purpose," a comedy trans- lated from the Italian by Kate Field, 164. Madeleine, the, 86. 6oo Index Madonna, the, 397 ; of the Column of Immaculate Conception, 90. Madrid, 434, 530. Maillard, Victor, 463. " Maison Rouge," 313. Malloy, Charles, 68. Marble, Daniel, offers prize for best American comedy, won by Joseph M. Field, 5. Marblehead Point, 432. Maretzek, Max, 201. Marie Antoinette, Chapelle Expiatoure to memory of, 86, 311. "Marigold, Doctor," 170, 176, 181, 182. Mariposa, 583. Marqu^ze, Mrs. Emile, 431, 432. Marston, Dr. Westland, co-operates with Kate Field in adapting Spanish play, 351; writes poem for Kate Field to recite before Shakespeare Memorial /?/«, 363, 364; 365, 530. Martin, Aim6e, 204. " Martin Chuzzlewit," 180. Martineau, Harriet, 244. " Mary Stuart," Ristori's, 183. "Masks, The Wisdom of," title of humorous paper by Kate Field in "The Public Spirit " for February, 1868. Mason, Hon. , 88. Matinee T6]^phonique, arranged by Kate Field, 352. Maui, 545; Kate Field leaves Hono- lulu for, 547, 548 ; Kate Field notes beauty of, 545, 552. Maurier, Du, George, 313. May, fateful month of, for Kate Field, 189; death of Kate Field, May 19, 1896; 554; 555- Mazzini, Giuseppe, 96, 490. McArthur, A., Judge, 439. McCandless, Senator, 557. McCarthy, Justin, 150, 278. McCormick, Hon. R. A., 396. McCullough, John, 299. McGlenen, Harry, 211. McGrew, Dr. John S., Kate Field writes of, 540; her death in his home, 554, 556. McGrew, Mrs. John S., 554. McLean, Col. R. H., 557. Mead, Edwin D., 344. Mears, Mrs., 77. " Measure for Measure," 180. Mecher, Ralph, 385. "Medea," 1S3. " Meg Merrilies," 92. "Meistersingers," the, Kate Field enjoys opera of, 411 ; 529,530. " Melnotte, Claude," Fechter's, 404. "Men and Women," 122. Menard (colored M. C), 207. Mendelssohn-Bartholdy, Felix, 456. Mercadante, Saverio, 388. " Merchant of Venice," 368. "Merry Wives of Windsor," 180. Metaphysics, 76. Miami, the University of, 307. Michigan, 437 ; Lake of, 505, 506. " Middlemarch," 285. "Midsummer Night's Dream," 179. Mierwinsky, 411. Mignanelli Gardens, the, 90. Milan, the Cathedral, 100. "Mill on the Floss," Kate Field's criticism on, 108 ; 398. Millais, Sir John, 314. Millard, Henry B., writes to Kate Field, 343. Miller, Joaquin, 338. Millet, Frank D., 344 ; his portrait of Kate Field exhibited, 379; 402, 410. Millet, Jean Franjois, 152, 161. Mills, Ellis, Consul-General, 536, 556, 402. Milton, John, 230. Minneapolis, 462, 485. " Miranda," 179. Modjeska, Helena (Countess Bozenta) Kate Field sees in "Odette," 411; 412. Molifere, Jean Baptiste Poquelin, 34. Molokai, 534. "Monologue, Musical, on Eyes and Ears in London," original comedy by Kate Field, 375 ; is completed, 384 ; given in New York, 386 ; praised by "Tribune," 3S6; given Index 6di in Boston, 3S6 ; praised by J, T. Fields, 386, 387 ; Kate Field's beau- tiful dancins in, 387 ; given in Tacoma, 455. Monroe, doctrine of, 536. Montaigne, Michel Eyquem, 456, 563, Monte Nero, 114. Montez, Lola, 28, 33, 34, Moran, Fanny, 333. Moret, Seiior and Seiiora, 310, 313, 315) 3I7- Moriartj", Mrs. George Andrews, nee Sheffield, 572. Morgue, the, 86. Morris, George P., 11. Mormon church, the, 532. problem, the, 514. Mormonism, Kate Field's discussion of, 420 ; lectures on, 438, 439, 440 ; Dana's description of Kate Field, on, 443-447, 448. Mormons, the, 428, 429, 430. Morse, Mr., 106. Morton, Hon. Levi P., 207. Moscheles, Felix, 315. Motley, Hon. John, 246. Mott, Lucretia, 234. Moulton, Ellen Louise, nee Chandler, early dawn of poetic fame, 148 ; 1S6 ; takes long viialks with Kate Field, 108; 19S, 200; writes of Col. Higginson's address, 205 ; Kate Field lunches with, 207; 208 ; wrrites to "Tribune" of Kate Field's lec- ture, 228, 229 ; writes to Kate Field, 238, 239 ; 324, 338 ; visits in Edin- burgh with Kate Field, 343. Mounet-SuUy, 329. Mount Auburn, 71, 259, 309, 570, 572. Dor^, 410, 412. Mozart, Johann Chrisostom Wolf- gang Amadeus, 61, 63, 309. "Much Ado About Nothing," 364, 457- Mueller, Mr., 546. Miiller, Max, 435. Munger, Mr., 352. Munson, Mr., 209. Murdock, James, 202. Murray, Rev. W. H. H., 212. Murray, Hon. Ely H., Kate Field's estimate of, 424 ; 425, 426, 439, 445, 452. Museum of Fine Arts, the Boston, 295 ; Vedder's portrait of Kate Field in, 103. , Kensington, 313. Music, N. E. Conservatory of, 185. Hall, the Boston, 224. " Music is Paradise to me," among Kate Field's last words. Naples, 89, 403. Napoleon Bonaparte, 31 ; tomb of, de- scribed by Kate Field, 86, 87 ; Na- poleon, Louis, 88, 105, no, 114, 40S. Nasby, Petroleum V., see Locke. Nash, Mr., 351. Nation, the, 179. National Marriage Law, advocated by Kate Field, 451. National Peace Jubilee, Kate Field reports for " Tribune," 198. " Nazione," the, 134. Necker, M., 278. Needles, the, 421. Neilson, Lilian Adelaide, 367. Nelson, Hon. , 183. New England, 542. Newman, John Henry, Cardinal, 556. New Orleans, 483. Newport, 147, 151, 167, 1S4, 185, 212, 305, 419, 509, 539. Newton, Rev. Dr. R. Heber, 450. New Years of 1897, 572. New York, city of, 507, 511. Niagara Falls, 437. Nice, 127. " Nicholas Nickleby," 181. Nilsson, Christine (Mme. Rouzaud), 3'9- Nineteenth Century Club, the, 450. Noble, General, 312. Nonn^, Mme. George, nee Warren, 167. " Norma," 178. Normandie, de, Rev. Dr. James, 295. "North American, the," 452. Norton, Prof. Charles Eliot, 181, 450. 602 Index Novalis, pseud, of Friedrich von Har- denberg, 354. " Numi che intesi mai," 388. Nunanu, Cemetery of, body of Kate Field temporarily placed in, 537. Observatory, Lick, 464. Occultus, no7n de plume ol WHWzm Q. Judge in "Kate Field's Washing- ton," 472. "Odette," Modjeska's, 411. "Officier de I'lnstruction publique," title conferred on Kate Field with decoration of " Palms of Academy," 509- "Old Lady Mary," 456. Oliphant, Mrs. Margaret, 456. Olympic Theatre, 306. "O Lord of Hosts," 205. " Ophelia," 233. Orcagna, Andrea di Clone, 396. O'Reilly, Boyle, 245; Kate Field's words on, 565. Oriental, immigration of, 535. "Orpheus," song in, 160; sculpture of *' Orpheus with his Lute," 365. " Orlando," 369. Osborne House, 352, 353, 385. Osgood, James R., 170, 178, 179, iSi, 185, 186, 188, 206, 208, 209, 212, 213, 280, 403, 404, 405, 406, 407. , Mrs., 365. Ossoli, Margaret, Countess of. See Fuller. "Othello," Salvini's, 91, Owen, Robert Dale, 206. , Mrs. Robert Dale, 207. Oxford, 285, 286. Pacific, coast of, 462, 467; railroad, 34- Pacini, Giovanni, 171. Paderewski, Ignace, portrayed by Kate Field, 514. Page, Charles A., 264, 347. Palace, the Crystal, 312. Palais Royal, the, 92; theatre of, 385. Palazzo Pitti, 121. Vecchio, 102. Palmer, Bertha, nee Honor6 (Mrs. Potter), 497. Palmer, Manager, 335. , General, 421. "Palms of the Academy," decoration conferred on Kate Field, 509-514. " Pan in Wall Street," 219. "Paracelsus," 22. Paradise of the Pacific, 535. Paris, 86, 89, 92, 139, j6i, 192, 371, 372, 3S3> 39=) 461- , Anna, 348 ; journeys with Kate Field, 549, 551. Park, Jackson, 498. Parker, , 206. , Edgar, 213. , Theodore, Story's bust of, 103; cameo medallion of, 103, 137. Parliament, 229, 420. Parnell, Charles Stewart, 383. Parsons, Dr. Thomas William, 85, 244. Parthenon, 493. Parton, James, 292, 293. Partons, the, 212. " Pasquale, Don," 95. Paten6tre, M., 510, 511. Patti, Adelina, 311; Kate Field's esti- mate of, 411. Pattison, Emilia, nee Strong, Mrs. Mark, 271, 311. See Dilke. , Mark, 2S5. "Paul FerroU," 399. Paw Paw, 437. "Pax Vobiscum," favorite phrase of Kate Field's inscribed on memorial cross, 496, 573. Payne, Sereno E., 487. Peabody, Elizabeth, 245, 279. , Rev, Dr. Francis G., 572. Peabodys, the, 283. Peace Jubilee, the, 212. Peirce, Prof. Benjamin J., 244. " Pele, the goddess," 537. Pelligrini, Domenico, 315. Penini, pet name of Robert Barrett Wiedemann Browning, 103, 142. " Pen Photographs," Kate Field's book on Dickens' readings, 20, 184, 235- Perabo, Ernst, Kate Field hears inter- pret Schubert, 182, 198. Index 603 " Phasma," nom de plume of Mat- thew Field, Jr., 15, i5. Phelps, Hon. Edward J., 511. , Elizabeth Stuart (later Mrs. Herbert D. Ward), 244; writes to Kate Field, 163, 164. Philbrick, Hon. John D., Kate Field writes of, to "Tribune," 372-374. Phillipps, Adelaide, receives her first lesson in music from Mrs. Sanford, 47 i 49; lyi<^ genius of, 160; Kate Field sings in concert given to, 171 ; hears Dickens with Kate Field, 175 ; Kate Field's critique on in ** Tri- bune," 177; makes debut in "La Favorita," 177 ; 178, iSo, 182, 183 ; sails for Europe, 194; 195, 199, 200, 201, 203, 204; appears with Parepa Rosa, 205 ; 246, 262, 275 ; travels with Kate Field, 315, 316. , Mathilde, 262; travels with Kate Field and her sister Adelaide, 315, 316. Phillips, Stephen, tragic poem of, 98. , Wendell, 148 ; Kate Field hears lecture of, 1S5, 186 ; encourages Kate Field to lecture, 188; 200; described by Kate Field, 207 ; 214, 220, 224, 566. Philosophy, 76. Piazza di Spagna, 89. Piazza Independenza, 122. "Picayune," the New Orleans, 115, 122. Piccalomini, 114. Picknell, E. W., 487. Pickwick, 181. Piedmont, 121. Pierce, Hon. Franklin, 85, 92; calls on Kate Field in Rome, 93. Pindan, the, 90. Pioneer Day, 433. Planchette, 211, 347. " Planchette' s Diary," title of book by Kate Field, 195, 207. Plato, 202, 203. Players, The, Edwin Booth's sugges- tion for name of department in "Kate Field's Washington," 473, 474- Plymouth Church, 221. Plympton, Eben, 336. Poe, Edgar Allan, characteristic letter of, 21, 22; quotes Elizabeth Bar- rett's estimate of his poetry, 22 ; cites Mr. Browning's praise, 22. " Poems before Congress," 103. Poems, Mrs. Browning's, 64. Poetry, 76. , Oriental, 561. Politics of Utah, 451. Pomeroy, Senator, 1S2. Pomeroys, the, 183. Ponsonby, Gen. Sir Thomas, 352. , Lady, 352. Pope, the, 100. " Portia," 368, 369. Portuguese, the, 536, 545. " Posdicheff," 478. "Post," the N. Y. Evening, 513, 517- , the George Maxwell, honors Kate Field, 481. Potomac, the, 471. Potter, Major Geo. C, 557. Pound, Gov. and Mrs., of Wis., 227. Poussin, Nicolas, 382. Powell, Mrs., 207. Powers, the Hiram, 138. Prescott, Harriet, see Spofford, 107 ; her work estimated by Kate Field, loS; engagement of, 125 ; 126. President, the, of Co-operative Dress Association, 409, 410. , the, of U. S., 384, 543. " Press," the Philadelphia, 239. , the University, Kate Field visits, 188. Prie, Marquise de la, 336. Prince, Frederick Octavius, 295. Prince Imperial, the, 360. Priory, the, 400. Problem, the Hawaiian, 525. Procter, Mrs., 311. Prohibitionists, the, 459, 460. " Prospero," 179. Psychology of childhood, 12. Public spirit, the, 176, 177. Pullman, George M., 422. Puna, 549 6o4 Index Punchbowl, the crater of, 540. Pyramids, the, 493. Pyrenees, the, 314. Queen, the. Her Majesty Victoria, 351. 352> 359.4"- Queen's Theatre, 311, Quincy, Josiah, 170, 181 Quixote, Don, 113. Rachel, Mile., 52, 86; Kate Field's comparison of, with Ristori, 116. Racine, Jean, 20, 34. Radical Club, the, 186, 188. Raphael, 382, 514. Raymond, John T., Kate Field plays leading support to, 337. Reade, Charles, 271. Realm of Unseen, Kate Field's inter- est in, 34S. Ream, Vinnie, 183. Rebellion, the, 157. " Red Cotton Night-cap Country, The," Browning reads to Kate Field, 306. Redfield, J. S., 195, 201. Reed, Hon. Thomas B., 447, 471. Reeve, Wybert, 345. Regent Street, 314. Reid, Hon. Whitelaw, 232, 240, 241, 242 ; writes to Kate Field on her mother's death, 263, 264; 305, 306, 307, 308, 319 ; congratulates Kate Field on stage debut, 326 ; reply to her arraignment, 326, 327; acknowledges gifts from Kate Field, 32S ; 33S ; asks Kate Field to write of George Eliot for " Tribune," 395 ; replies to Kate Field's congratula- tions, 402. Renan, Ernest, 373. "Republic," Plato's, 205. " Republican," the Springfield, 149, 177, 18S, 202, 203, 239, 470. " Review of Reviews," the, 517. Revolution, the French, 480. Reynolds, Sir Joshua, 300. Ricci, Giovacchini, 114. Richelieu, Cardinal, 87; Booth's, 411, Riddle, Charlotte, nes Cutter (Mrs. Edward), 54, 125. , Cordelia, 47. See Sanford. , Edward, 6. , Francis A., 515. , George, exquisite letter of, to Kate Field, 265 ; 572. , Mary, nee Lapsley, parentage of, 6 ; goes on stage, 6 ; marries William Riddle, 6 ; dramatic life of, 6 ; aids Forrest, 6 ; death of, 7 ; burial of, 7. , William, 6. Ripley, George, 176 ; Kate Field meets at Mrs. Botta's, 177; writes to Kate Field, 292. , Mrs., 180. Ristori, Adelaide (Marchesa del Grillo), first meeting of, with Kate Field, 116; great r6Ies of, 116; enters into life of Kate Field, iiS; 122; first visits America, 164; her Lady Macbeth described by Kate Field, 166 ; as Marie Antoi- nette, 176 ; Kate Field calls on, 183 ; 184, i8g, 195, 209, 211 ; Kate Field special critic of, 248; Kate Field sees in Paris, 291 ; Kate Field calls on in London, 310; plays Marie Antoinette, 311 ; interest of, in tele- phone, 350 ; invites Kate Field to join her in Switzerland, 370, 371 ; Kate Field compares with Rachel, 371; Kate Field's friendship with, 372 ; Kate Field describes meeting with, in London, 529 ; title of mono- graph by Kate Field in '^Atlantic Monthly" for April, 1867, 144. Ritchie, Anne, nee Thackeray, 158. River Pearl, 525. " Robert Elsmere," 461. Roberts, President, of Liberia, 313. Robinson, Lionel, 315. ■ , Mr. (nom de plume " Warring- ton "), 203. R61es, great, of Ristori, 116, Romagnoli, Marchesa, 113. " Romance, The, of a Poor Young Man," 87. Romani, 92, 93, 95. Index 605 Rome, 85, 88 ; Kate Field's enchant- ment with, 89 ; Charlotte Cush- man's home in, 89 ; Salvini in, 89 ; 92; Brownings arrived in, 93; gg, 100, no, 121, 126, 127, 128, 167, 172, 232, 350, 403. "Romeo and Juliet," 367; Irving's production of, 411. "Romola," 161, 399. Rosa, Parepa, 205. "Rosalind," 369. " Rosalind's Epilogue," 352. Rosencrans, Carrie, iSo, 184, 201,206. See Vedder. Rossini, Gioachino Antonio, 50, 61. Rousseau, Jean Jacques, 206, 208, 278. Rubinstein, Anton, 306, 308. Rudersdorf, Mme., 248, 251. Ruskin, John, letter of Mrs. Brown- ing's to, 95. Russell, , M. P., no. , Mrs., 202. " Russia," the steamship, 486. Rusponi, Count and Countess, 113. Rycroft, Mr., 549. Saints, Latter Day, 424, 428. "Salve Maria," 388. Salvini, plays Othello, 91 ; 116. Samson, 205. Samuelson, M. P., 312, 313, Sand, George, 97, 399, 403. See Dudevant. Sanford, Cordelia, nee Riddle (Mrs. Milton T.), birth of, 6; letter from Mrs. Field, 18 ; letters from Kate Field, 33, 34, 35, 39, 99, 100, no, "5> 123, 132, 134, 138, 141, 142, 143, 208, 212, 262, 355, 356, 359, 383, 385, 423; characteristics and gifts of, 46 ; marriage of, 46 ; contrasted with Mrs. Field, 46 ; vivid personality of, 47 ; gives Ade- laide Phillipps her first music les- son, 47 ; 49 ; generous offer to Kate Field, 51 ; 54, 59, 5i, 64 ; ill health of, 66 ; 70, 72, 75 ; sails for Europe, 85 ; embarks for Rome, 88 ; secures apartment, 89 ; visits Naples, 89 ; welcomed by Miss Cushman, 90 ; winter at the Brunswick, 477 ; death of, 508 ; Kate Field's words of, 509. Sanford, Milton T., 35, 39; wealth and influence of, 46; 47, 51, 52, 54; generous purposes of, 56; 59, 61, 64, 66, 70, 72, 73, 75 ; talks of Europe, 76 ; decides on foreign tour, 84 ; sails, 85, 86; embarks for Rome, 88 ; secures apartment, Sg ; makes trip to Naples, 89, '90 ; 132, 227. 252, 253 ; Kate Field writes to, 278, 284 ; 355. 356. 357, 419: death of, 423. San Francisco, Kate Field writes from, 455; lingers in, 526, 532; press club of, gives reception to Kate Field, 533 ; funeral rites over Kate Field in, 570: Mayor of, 571, Sanitary Commission, the, 130, 150. San Juan, mining district of, 421. San Raphael, 564. Santa Claus, 383. Santley, Mr., 365. Sargent, Gen. Horace Binney, 203. , John Singer, 487. , Rev. John T., 261. , Mrs. John T., iS5, 188, 206. Savonarola, 156, 399, 400. Sayles, Henry, 181. "Scenes in Clerical Life," 122, 398. Schenck, Gen. Robert C, Kate Field meets celebrities at his house, 284 ; hears Kate Field lecture, 285 ; Kate Field attends reception of, 313 ; dines with Mme. Moret, 315 ; writes to Kate Field, 33g. Schliemann, Dr. Heinrich, 27; writes to Kate Field, 374; Kate Field ad- vocates as Consul to Athens, 38g, 390- Schofield, Gen. William, 301. Schubert, Franz, Kate Field praises Perabo's interpretation of, 182. Scochdopole, 388. Scott, Clement, 347. "Scribner's Magazine," 301. Selwyn's theatre, 211. Seminary, Lasell, 45, 56. , Mrs. Smith's, 25. Servia, 486. Severance, Mrs. Caroline M., 209. 6o6 Index "Seville, Barber of," i6o. Sewall, Mrs. Anna, 198. , Mrs. May, nee Wright, estimates Kate Field as lecturer, 448. Seward, Hon. William H. 157. " Seyd Nimetallah of Kuhistan, Song of," 561. Seymour, Hon. William, 147. " Shadows of Christmas Eve," sketch Kate Field, 240. Shakespeare, William, 4 ; Kate Field copies from, 96 ; referred to, in lec- ture by Kate Field, 231; 324; Kate Field's love for, 422; 529, 530, 531; Kate Field refers to, 563; lines from, on memorial cross to Kate Field, 572. , William (London composer) ,365. Shakespeare's church, 368. Shakespeare Memorial Association, object of, 363 ; Kate Field's interest in, 363 ; fete for benefit of, 364, 365 ; Kate Field sings songs for benefit of, " I Know a Bank," '• Where the Bee Sucks," " Blow, blow, thou Winter Wind," " Should he Upbraid," 365 ; fund of, 366; Kate Field organizes matinee for benefit of, 366, 367, 368; S. M. A. thanks Kate Field, 369. Memorial Theatre, 364, 368. Shaw, Albert, 517. , Col. Robert Gould, 1S6. Sheldon, Mme. Anna, 34. " She wore a Wreath of Roses," Kate Field sings, 54. Sherman, General, 157. Shoreham, the, 471, Sicilys, the two, 121. Siddons, Boaden'siife of, 179. , Mrs., 188. Siena, 12S. Sikes, WiUiam, 200. "Silas Marner," 398, 399. Simmons, Edward, 487. Simms, Hon. 207. Simpson, , painter of early por- trait of Kate Field, 31. " Sir Rohan's Ghost," 125. Sismondi, 278. Sisyphus, task of, 214. Sloane, Mr. and Mrs., 209. Smalley, George A., 307 ; Mrs. Smalley, 314; Smalleys, the, 311, 3>2. 313- Smith, Joseph, 429. (Ludlow and Smith), 15. — — , Sarah, nee Riddle (Mrs. W. H.), 6. , Mr., 209. Smithsonian Institute, the, Kate Field visits, 164; 455; chapel of, 487. Society, the Dramatic Authors', Kate Field's membership of, 412. Socrates, 202, 396. " Song of the Shirt," 209. Sontag, Mme. Henriette, 84. Soteldo, Senior A. M., 447. Souza, de. A., 557. Spain, Kate Field first thinks of vis- iting, 311 ; arrived in, 317 ; sojourn in, 318 ; described by Kate Field, 319 ; Lowell writes Kate Field of, 530, 531- "Spain, Ten Days in," title of book by Kate Field, 496. Spanish language, 486. "Spectator," the, 63. Spencer, Herbert, 313, 362. Spenser, Edmund, 230. Spinoza, 183. Spiritualism, 24, 78, 79. Spofford, Harriet, nee Preston (Mrs. Richard), io8. See Preston. , Richard S., 77; engaged to Miss Preston, 125; writes to Kate Field, 293. Spoffords, the, 183. Squires, Hon. , 492. St. Charles theatre, 364, 368. St. Denis, royal vault of, 86. St. Elmo, 220. St. Nicholas, 484. St. Paul's, 89, III. St. Peter's, 88. St. Pietro, heights of, 90. Stafford House, 315. "Stage, A Conversation on," title of paper by Kate Field in the "At- lantic Monthly " for March, 1868, 144. Index 607 Stanley, Arthur Penrhyn, Dean of Westminster, 577. , Dowager, Lady, 286. , Henry M., 495. Stanton, Elizabeth, nee Cady, 234, 504. , Hon. William M., 1S2. Stratford-on-Avon, 365. Stead, William, Kate Field's estimate of, 502, 503. Stebbins, Emma, 90, 91 ; talent of, for sculpture, 92; completes bust of Charlotte Cushman, 101. Stedman, Edmund Clarence, receives gift of Poe's letter to J. M. Field, 23 ; writes of his Foe collection, 23, 14S, 219; verses to Kate Field as Hypatia, 246, 247 ; jeu iV esprit to Kate Field, 2S8 ; writes Kate Field, 294, 295> 3°o> 3°'. 308, 319. 487, 488; loyal friendship of, for Kate Field, 329; writes to "Tribune" in re Kate Field's stage debut, 33°~355i 3^6 ' /*" d'esfrit to Kate Field, 435; 438. Sterling, Mme. Antoinette, 365. Stevens, Hon. , 183. Stillson, Hon. , 183. Stoddard, Prof. Charles Warren, writes Kate Field, 496 ; verses of, 524 ; book of, the last one read by Kate Field, 552. , Elizabeth, nee Barstow, writes to Kate Field, 238. Stone, Lucy, 222 ; morning star among women, 234 ; welcomes Kate Field into suffrage ranks, 504. , Mrs., 383. Story, William Wetmore, 103, 159; erroneous attributing to, of Kate Field's sketch of Mrs. Browning in "Atlantic Monthly" for Septem- ber, 1861, 140. Storys, the, 138, 167. Stowe, Harriet, nee Beecher, 32, 99, 102. Strakosch, Maurice, 34, 177. "Straws," nom de flume of Joseph M. Field, 149; " Straws, Jr." early nom de flume of Kate Field, 149. Sturgis, Thomas, 209. Sullivan, Sir Arthur, 365, 388. , Margaret, nke Buchanan, noble tribute to Kate Field, 562. Sumner, Charles, 148, 183, 244. "Sun," the New York, 542. Superintendent, the National, of Edu- cation, 507. Sutherland, the Duchess of, 102, Swan, Judge, 455. Swedenborg, Emanuel, 61. Swinburne, Charles Algernon, 338. Switzerland, 461. Symphony Concerts, the, 188, 204. Tacoma, 473. " Tale, A Moving," sketch by Kate Field published in " Harper's Mag- azine," 204. Talvo, Mile., 113, 114. ' Tappan, Mrs., 208. Tasso, 563. Taylor, Bayard, 336, 33S ; comments on Kate Field, 516. , General Charles, brings urn con- taining ashes of Kate Field's body from San Francisco to Chicago, 571. , John, 433. , Mrs. P., Kate Field visits in London, 262, 266, 306. Telephone, the Bell Co., 358. " Ten Days in Spain,"' title of book by Kate Field, 317. "Teresa," 183. Terry, Ellen, 367 ; " Juliet " of, com- mended by "Kate Field's Wash- ington," 411, 457. Tesla, Nicola, 350. Testament, the New, 480. Thackeray, William Makepeace, 53, 182, 244, 362. Thames, the, 313. Thaxter, Celia, writes to Kate Field, 292. " The Bertrams," 122. " The Cuckoo Song," 369. " The Danube River," 200. "The Day of My Death," 164. "The Ember Picture," 198. "The Gilded Age," 337. 6o8 Index " The Gladiator" of Ravenna, 371. " The Honeymoon," 342. " The Lair of the Sea-Serpent," 154. " The New Magdalen," 306, 340. "The Once Mistaken," signature of Kate Field to a letter, 193. "The Opera Box," comedietta by Kate Field, 336, 337. "The Pomegranates," 22. " The Quiclc and the Dead," 463. "The Raven," 22. " The Scarlet Letter," 476. "The Tempest," 179. " The Two Rabbis," 198. Theocritus, lines of, 558. Theosophical Society, President of, 472. Thomas, General, 157. , Theodore, 498. Thompson,*Sir William, 347. Thoreau, Henry D., 320. " Three Clerks," 122. Thurston, Hon. L. A., 537, 556. Ticknor, Howard, 185. Ticknor and Fields, 185. "Times-Herald," the Chicago, 517, 537, 569, 57!- "Times," the London, Kate Field writes editorials for, 360, 374. Titian, 300. Todd, Mabel, nee Loomis (Mrs. Da- vid P.), 550, 551. , Prof, and Mrs. David P., meet Kate Field in Hawaii, 550. Tolstoi, Count Leo, 478, 479. " Tom Brown at Rugby," 122. "Touchstone," 183. "Transformation" ("The Marble Faun"), 122. "Traviata," 411. Treason, Mormon, 439. "Tribune," the New York, 176, 178; letter in, of Kate Field's, 184; Kate Field describes Perry monument for, 185 ; 209; Kate Field writes to, of Adirondacks, 212; comments on lec- ture of Kate Field's, 223; Mrs. Moulton's letter of Kate Field in, 228; article of Kate Field's in, 232 ; 235, 242; Kate Field serves as critic, 248; 277; Kate Field writes editorials for, 282; 292, 293, 294; Kate Field interviews Eradlaugh for, 297 ; 307; Kate Field writes to, 312; 314, 451; criticism of Kate Field's stage d'ebut, 326, 3271331, 342 ; Kate Field writes to, from Paris, 372; criticises Kate Field's "Musical Monologue," 386; Kate Field writes to, on George Eliot's death, 395-401 ; Kate Field writes to, of C. D. A., 409; editorial com- ment on Kate Field, 458. "Tribune," the Salt Lake, editorial comment on Kate Field in, 428, 429; 532- Trinity Church, 570. Trojan, 411. TroUope, Anthony, described by Kate Field, J 25 ; calls on Kate Field in Washington, 183 ; sails for Australia, 266; 306, 311, 396; comment of, on Kate Field, 573. , Beatrice, 123, 124. , Theodosia, nee Garrow (Mrs. T. A.), 103, 124. , Thomas Adolphus, reminis- cences of, in " What I Remember,' ' 93, 96, loi, 137, 138; commends Kate Field's sketch of Mrs. Brown- ing, 140; writes to Kate Field, 156- 158; 265, 266, 267, 396, 397. TroUopes, the Anthony, 194; the Thomas Adolphus, 85, 95, 101, 122, 123, 125, 142, 249. "Truth," the London, 374. Tuckerman, Henry T., 152; writes to Kate Field, 321, 322. Tuileries, the, 408. Turner, Joseph Mallard William, 381, 382. Twain's, Mark, 462. Twentieth century, the, 480. , Club, the, 344. "Twickenham Ferry," 171. "Two Gentlemen of Verona," 97. Tyndall, Dr. John, 362. Ulysses, 419. " Uncle Tom's Cabin," 32. Index 609 Union Square Theatre, 336, 385. United States, the, 513, 514, 536, 543, 556, 569; President of the, 571. University Theatre, the, 483. Unseen, the, communion with, 575. Urso, Camilla, 199; testimonial con- cert to, 205. Utah, 420, 424, 425, 439, 444, 445, 446, 447, 462, 485. 5'4, 532, 576. Valley of the Dordogne, 412. of the Shenandoah, 528. Vanderbilt, Cornelius, pire, 428. Vari^t^s Theatre, the, 33, 40. Vasseur, Leon, 38S. Vatican Palace, the, 88. Vaudeville Theatre, the, 87. Veblen, Thorstein, 151. Vedder, Caroline, nee Rosencrans (Mrs. Elihu), 277. ■. , Elihu, meets Kate Field, 100; paints portrait of Kate Field, 102; gives picture to Kate Field, 123 ; 148, 150, 152; Kate Field's estimate of, 154, 155; letters of , to Kate Field, 1 59, 160 ; 1 72 ; 1 84 ; contributes eight pictures to Academy, 160; *' Girl Feeding Chickens," 161 ; " A Lost Mind," 161, 162; 167; portrait of Kate Field reproduced, 295; 379, 487, 509. Vedders, the, 269. Venetian window, 419. Venice, loi, 265. Verdi, Giuseppe, 61. Vere, Aubrey de, 133. Vernon, Ida, 336. "Vestigia," 456. Vesuvian Bay, 433. Vesuvius, 90. Vezin, Hermann, 338, 351, 353, 367, 368. Via del Babuino, 89. Gregoriana, 90. Sistina, 89. Viardot, PauUne, nee Garcia, 160. Victor, King, 122. , Mass6, 388. Victoria, 454. 39 Victoria Hotel, N. Y., 379, 387, 389, 403. 469- Villa Brichieri, 133, 135, 141. Edna, 509. Pamfili Doria, 90. Villini TroUope, 394, 397. Vincent, Bishop (Rev. Dr. John H.), 459- Vinci, Leonardo da, 382. "Violante," 342, 3S2. Virgil, 133, 563. Vizzevona, M., 557. Volcano House, 550. Voltaire, 244. " Voluntaries," 244. Wagnek, Richard, 321 ; Kate Field's opinion of, 411 ; operas of, 530 j fort of, 186. Waikiki, 546. Wales, the Prince of, 299. Walker, Gen. Francis A., 245. Wallack, Lester, 335. Ward, Genevieve (Countess de Guer- bel), early stage name Mme. Guerre- belli, 313, 353, 367, 368; "Queen Katherine" of, 369. , Julia, 245. See Howe. , John Quincy Adams, 91. , Samuel G., 180, 184, 410. , Mrs. Samuel G., \i,o\ fils, 180. Warren, Lina, 167, 206, 269, 275. See Nonn6. Warwick Castle, 286. Washington, city of, 447, 462, 468, 507, 508. " Washington, Kate Field's," her first idea of, 464 ; initial number issued, 467, 469 ; interest of, 478, 4S4, 513, 514. medal awarded to, 515, 517, 518. , Mount, 168. monument, 471. , State of, 472. Wasson, David A., 186, 219, 220, 228. Waters, Edwin F., ig8, 217. Waterston, Anna, nee Quincy (Mrs. Robert C), 199, 200, 201, 202, 205, 225 ; Rev. and Mrs. R. C, meet Kate Field in Paris, 316. 6io Index Watson, commander U. S. S. "Ad- ams," 557. , William, 50, 70. Watterson, Col. Henry, 469. Watts, George Frederick, R. A., 314. Wedderburn, Sir David, 312. Weed, Smith M., S13. Weeping Water, 437. Weiss, Jolin, Kate Field's estimate of, 154; 186, 187; anecdote of, 189; lectures on Woman, 19S; calls Dr. Lothrop "a clerical Silenus," 206; 207, 252. Weld, Theodore, 198. Wells (Fowler and Wells), 567. Wertheimer, Herr, 529. Wetmore, , 458. Wheatleigh, Mr., 333. Whipple,Charlotte, nee Hastings (Mrs. Edwin Percy), 47; describes Kate Field, 91, 169; brilliant evenings of, 245 ; 300. 410- , Edwin Percy, 148; Kate Field hears lecture of, on "Jeanne d'Arc," 187 ; writes of Kate Field, 211 ; 214, 224, 228; criticism of, 245 ; 299 ; writes to Kate Field, 300 ; de- scribes Kate Field's methods in study of Mormonism, 427, Whipples, the, 186, 243, 280, 565. Whistler, James McNeal, 315. White, Sallie, nee Joy, 393. Whittier, John Greenleaf, 198, 244. Whitredge, Worthington, 150. Wild, Hamilton, 103, 167. Wilder, W. C, 557. Wight, C. J., 549. Willard, Frances Elizabeth, 456, 482. Williams, Hon. , 183. , Mr. and Mrs. Barney, 52, 251. Willis, Hon. , 324, 356. , Nathaniel Parker, 393. , Mrs. N. P., 207. Wilson, Hon. Henry, 182; Dr., 136. " Winds that waft my Sighs to thee," 211. Wingfield, Lewis, 314. Winter, William, 202 ; letter of, 296 ; 327, 329 ; criticism of, on Kate Field, 357. Winthrop, John, 245. , Hon. Robert C., 99. , Theodore, 473. " With Verdure clad," 199. ** Woffington, Peg," Kate Field makes dibut in, 324 ; 329, 337. Wollstonecraft, Mary, 198. Woman's Club, the Boston, 170, 181, 208, 211. " Women in the Lyceum," title of lecture by Kate Field, 211, 216. Wordsworth, William, 397. "World, The" (N. Y.), 331. Worth, M., 402. " Woven of Many Threads," article by Kate Field, 231. Wyndhams, the, 347. Xampi, M. le Docteur, 29. Yale, the University of, 368. Yellowstone, the Park, 89, 434, 539. Yosemite, valley of, 434; Kate Field visits, 437; Kate Field described in, 454 ; 473 ; Kate Field's efforts for, 474, 475. Young, John Russell, 176, 185. ZiON, 462, 532. Zuni, the tribes of, 494. Cijc^ictorijoftije^ill By victor CHARBONNEL Translated from the French by Emily Whitney, With an Introduction by Lilian Whiting, author of " The World Beau- tiful," "A Study of Elizabeth Barrett Browning," etc. i6nio. Cloth, extra, ^1.50. Our whole criticism might be expressed in the brief exhortation — read it. , . There is not a page which has not some impetus to refiection, some sug- gestion for a higher life, and all given with an originality of mind, a felicity of expression, a simplicity of phrase that fix the thought instantly and clearly. — Literary }Vorld. Since Emerson wrote his immortal essays, and Maeterlinck advanced his beau- tiful theories, no finer book on the spiritual life has been written. — Geo. S. Goodwin, in Philadelphia Item. Not only is there a striking originality of thought throughout the book, but a style which, losing comparatively little in the admirable translation by Miss Whit- ney, reaches the high French standard of lucidity and ease. — New York Com- mercial Advertiser . He makes a forcefiil appeal for living the life of one's own soul and the development of one's own personality by its own inner power. His whole message bids us look within ; it gets at the roots of things ; liis style is admirably clear, terse, and vigorous. — Detroit Free Press. The volume takes up the relations of the individual soul to the universe and treats them in a way that is practical, but is also marked by high spiritual aspira- tion. . . The book has great purity and beauty of style, and is, all in all, a notable piece of literature. — hos Angeles Times. His words are helpful and stimulating, his optimism contagious and inspiring. He has a faculty for putting things in a form which lingers in the memory. — Brooklyn Times. Some of the noblest thoughts contained in this book . . find expression in the ^a?jeic with which it closes. — Chicago Evening Post. Full oi consoling optimism and exhales a firm faith in God and his truth. The writer discusses lofty themes. — Revue Bleue. At bookstores ; or sent, postpaid, by the publishers, LITTLE, BROWN ^ COMPANY, Boston E^t Wotlli Mtmtifvil By LILIAN WHITING I know of no volumes of sermons published in recent years which are so well fitted to uplift the reader, and inspire all that is finest and best in his nature, as are the series of essays entitled "The World Beautiful," by Lilian Whiting. — B. O. Flower, in TAe Coming Age. J!rJ)0 amorltr JSeaUtiful (JFirat Sedea) " i6mo. Cloth, jji.oo. Decorated cloth, JSi. 25. Comprising ; The World Beautiful ; Friendship ; Our Social Salvation ; Lotus Eating ; That which is to Come. The World Beautiful about which she writes is no fiir-ofF event to which all things move, but the every-day scene around us filled by a spirit which elevates and transforms it. — Prof. Louis J. Block, in The Philosophical Journal. No one can read it without feeling himself the better and richer and happier for having done so. — The Independent. JT^e WAqvVH J5eautifUl (Secanb Series) i6mo. Cloth, Jfi.oo. Decorated cloth, $i.i$. Comprising : The World Beautiful ; Our Best Society ; To Clasp Eternal Beauty ; Vibrations ; The Unseen World. The style is at once graceful and lively. Every touch is fresh. Stress is laid upon inward and spiritual affinities and upon the life of the soul. The real world is beyond us ; we are groping for it in our comparatively dim environment. But though dark, this world is not all dark ; the streaks of brightness in the clouds light us on to the real city of God. — ■ Zion^s Herald. JCije faaocra iSeauttful (arfjfru Scrfea) i6mo. Cloth, ;Ji.oo. Decorated cloth, gi.25. Comprising : The World Beautiful ; The Rose of Dawn ; The Encircling Spirit- World ; The Ring of Amethyst ; Paradisa Gloria. The thoughtful reader who loves spiritual themes will find these pages in- spiring. — Chicago Inter-Ocean. Many of her essays give the philosophy of Emerson and of Philips Brooks in a form that will send it far among those who need it. — The Christian Register. LITTLE, BROWN, & CO., Publishers, Boston A STUDY OF By LILIAN WHITING Author of "The World Beautiful," "After Her Death," "From Dreamland Sent," etc. With portrait. i6mo. Cloth, extra, jji.zj. CONTENTS LIVING WITH VISIONS. " Summer Snow of Apple blossoms ;" Music- Flow of Pindar ; Friends in the Unseen. LOVES OF THE POETS. The Prefigured Friend; Vita Nuova; "One Day, my Siren.** IN THAT NEW WORLD. Pisa and Poetry ; In Casa Guidi ; Florentine Days J Walter Savage Lander. ART AND ITALY. Individuality of Character ; The Clasped Hands; Kate Field's Records ; IVlrs. Browning's Death. LILIES OF FLORENCE. Poetic Rank ; Spiritual Laws ; Modern Scientific Thought ; The Consecration of Genius. jftom Jireamlanti g>ent VERSES OF THE LIFE TO COME By LILIAN WHITING New Edition, with additional verses. i6mo. Cloth, extra, lil.oo. Decorated cloth, ;Jil.25. Lilian Whiting's verse is lilce a bit of sunlit landscape on a May morning. — Boston Herald. Gracefiil, tender, and true, appealing to what is best in the human heart. — The Independent. The poems express and reveal her inmost nature, full of affection, longings, appreciation of others, belief in the nearness of the other world. She seems to me to have gained a higher outlook than most of us in a spiritual as well as in an intellectual way. — Kate Sanborn. I never saw anything on earth before which looked so much as if just brought fi-om heaven by angel hands as this new edition of " From Dreamland Sent." In the golden sunshine of an Italian morning I have heard the silver trumpets blow. This exquisite book reminds me of them. — Sarah Holland Adams. LITTLE, BROWN, &> CO., Publishers, Boston By LILIAN WHITING Author of "Kate Field: A Record," "The World Beau- tiful," etc. i6mo. Cloth, ^i.oo. Decorated cloth, $1.25. Padded calf, gilt edges, $i-S°- Fi^U crushed morocco, gilt edges, ^3.50. Comprising : What Lacks the Summer ? From Inmost Dreamland ; Past the Morning Star ; In Two Worlds ; Distant Gates of Eden ; Unto My Heart Thou Livest So ; Across the World I Speak to Thee ; The Deeper Meaning OF the Hour. It is an open secret that the friend referred to in this little book is Miss Kate Field, whose portrait appears as the frontispiece. Miss Field had inspired on the part of the writer one of those rare friendships of absolute devotion, the trust and truth and tenderness of which made a kind of consecration of life. The extraordinary psychic communication established since her death between Miss Field and the writer of this book has attracted much attention from scientific investigators of psychic phenomena. The beautiful friendship between two natures of exalted spiritual character was not ended by death, but rather made more intimate, more real. Words can hardly do justice to the exquisitely tender spirit in which Miss Whiting tells the messages uttered to her mind by the woman who had passed to the life beyond this. — Boston Herald. Opening either of the three volumes of **The World Beautifiil " series, and the collection of verse entitled ** From Dreamland Sent," one beholds the idealist and the poet. But opening *' After Her Death," he beholds the scientist as well. For all her psychic theories and experiences she not only courts, but commands, the most thorough investigation of the world's ablest scientists, as Sir William Crookes, F. W. H. Myers, Lord Kelvin, and Alfi-ed Russel Wallace. She is an epoch-making writer. . . My conviction is that every preacher, reformer, religious editor, and Christian worker should read the books by Lilian Whiting. — Rev. W. H. Rogers, in The Christian Standard. We find a firm belief in the possibility of communion with the spiritual world, dignified by a beautiful philosophy inspiring high thoughts and noble purposes. — ff^hig and Courier. " After Her Death " has given me the light and help I have so long craved ; it has given me comfort and strength which no other book has ever done. — Cordelia L. Commore. At bookstores ; or sent, postpaid, by the publishers, LITTLE, BROWN, &f COMPANY, Boston PS 1669.F2Z7 ""'""""' ""''" Kate Fleldia record 3 1924 021 991 678 380 Kate Field mother; a drawing of Gainsborough that was very rare and valuable; her grand piano and a well-stocked music stand, and books, and her souvenirs of travel that gave individuality to the rooms. A rosewood writing-desk that had been her mother's was laden with a scattered mass of letters and papers, and sofa, table, and chairs were not unlikely to be strewn with the latest books and magazines and the morning newspapers. Her favorite working-place was in her old steamer chair, a wonderful, storm-beaten bamboo construction which a friend once brought her from Japan, and which ever after followed her in all her vicissitudes of travel until, on her last journey — when she set forth for the islands in the Pacific from which she never returned — it was mj'steriously lost. This chair was as adjustable as its occupant, being arranged to run the whole scale of ups and downs, and the right arm was capable of being transformed into a shelf on which her writing-pad and papers rested. Here in luxurious ease, with her favorite fountain pen, she would lie and write by the hour together. Among her treasured souvenirs were the study of Landor's head, painted by Charles Caryll Coleman, and an immense album that Mr. Landor had given to her. " To express a liking for any of Landor's pictures — provided you were a friend — was almost sufficient to cause them to be taken down and pre- sented to you ; hence to praise anything in his pres- ence was exceedingly unsafe," remarked Kate one day when some conversational reference had turned on this album. " I remember looking over his large collection that once belonged to Barker, the English artist, which Landor had purchased to relieve him Kate Field. From a Crayon Portrait by Vanderweyde, London, 1878.