.'J* J^fS^iM^ p6? 2\(o\ V -2- CORNELL UNIVERSITY LIBRARY CORNELL UNIVERSITY LIBRARY 3 1924 088 388 56 DATE DUE <5as3i?»'jiH -TET m MM^^:^ AM:^ym^-=^^ a^ l 1976 1- - ^ vt PRINTED IN U.3 A. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924088388156 ^onore tie Balzac LA COMEDIE HUMAINE PARISIAN LIFE VOLUME 11 THIS EDITION OF THE COMPLETE TRANSLATION OF "the human comedy" IS STRICTLY LIMITED TO ONE THOUSAND COMPLETE COPIES NO. 75 5 THE COUNTESS DE SERIZY AND M. CAMUSOT She chose her time, she calculated her movements, and suddenly, with the agility of a cat, she seized the two examinations and flung them into the fire. Camusot snatched them from the blaze, but the countess, springing at the judge, seized the* burning papers. A struggle followed, while Camusot was crying out : " Madame ! madame I you are attempting — madame — " THE NOVELS OF HONORS DE BALZAC NOW FOR THE FIRST TIME COMPLETELY TRANSLATED INTO ENGLISH THE SPLENDORS AND MISERIES OF COURTESANS: THE IV AY THAT GIRLS LOVE HOW MUCH LOVE COSTS OLD MEN THE END OF BAD ROADS THE LAST INCARNATION OF VAUTRIN BY ELLERY SEDGWICK WITH TEN ETCHINGS BY FR^DERIC-EMILE JEANNIN AFTER PAINTINGS BY GASTON BUSSIERE VOLUME II PRINTED ONLY FOR SUBSCRIBERS BY GEORGE BARRIE, PHILADELPHIA COPYRIGHTED, 1 895, BY G. B. THE END OF BAD ROADS PART THIRD THE END OF BAD ROADS At six o'clock the next morning, two wagons, such as the people in their forceful language call "salad baskets," driven post-haste, left the Force in the direction of the Conciergerie and the Palais de Justice. There are few idlers who have not seen this roll- ing gaol; but, although books are generally written for Parisians alone, foreigners will doubtless be well content to read here the description of this formid- able equipage of our criminal law. Who can tell ? The Russian, Austrian or German police, the magis- trates of countries to which salad baskets are un- known, may perhaps profit by this; and in many foreign countries the imitation of this method of transportation will certainly be of benefit to the prisoners. This ignoble wagon, a yellow box raised upon two wheels and lined with sheet iron, is divided into two compartments. In the forward portion there is a bench covered with leather, behind which hangs a curtain. This is the free compartment of the salad basket ; it is intended for an officer of the court (3) 4 SPLENDORS AND MISERIES and a gendarme. A strong latticed framework of iron completely separates this species of cab from the second compartment, in which are to be found two wooden benches placed lengthwise as they are in an omnibus ; on these the prisoners sit after they have entered by steps leading up to a solid door which opens at the back of the wagon. The name of salad basket comes from the fact that since the wagon was origitially left open on all sides, the prisoners had to be fastened in exactly as leaves of lettuce are secured in their basket. For greater security in case of accident, this vehicle is followed by a mounted gendarme, especially when it carries condemned criminals to the place of execution. Thus escape is impossible. The wagon, lined with iron, cannot be pierced by any tool whatsoever. The prisoners, carefully searched on their arrest or upon their entry into gaol, can at most have preserved a watch spring, somewhat adapted for filing bars, but powerless against flat surfaces. Thus the salad basket, perfected by the ingenuity of the Parisian police, has at length come to serve as a model for the cellulated wagon which transports convicts to prison, and which has replaced that horrible cart — the shame of earlier civilization — in spite of the lustre shed upon it by Manon Lescaut. The first step in the judicial process is to hurry the latest arrivals from the diiferent prisons of the capital by means of the salad basket to the Palais de Justice, in order that they may be interrogated by the examining magistrate. In prisoners' slang THE END OF BAD ROADS J this is known as "passing examinations." Next the accused are taken from these same prisons to the Palace for trial, provided that their cases come within the jurisdiction of the police court; if, how- ever, to make use of criminal terms, high crimes are to be judged, the prisoners are removed from the gaols to the Conciergerie, the prison of the Department of the Seine. Finally, criminals con- demned to death are conveyed in a salad basket from BicStre to the Barri^re Saint Jacques, the square assigned for public executions since the Revo- lution of July. Thanks to philanthropy, the suf- ferers are no longer compelled to undergo the ignominy of the journey which was formerly made from the Conciergerie to the Place de Gr^ve in a cart precisely like those which woodsellers employ. This cart is used to-day merely to carry the bodies from the scaffold. Without this explanation the remark of a famous criminal to his accomplice as he was stepping into the salad basket, "Now it rests with the horses," could not be understood. Nowhere can a man go to his last punishment more commodiously than in Paris. On the occasion of which we speak, the two salad baskets, which had appeared at so early an hour, were employed for the rare service of transferring two new arrivals from the gaol of the Force to the Conciergerie ; and each prisoner occupied a salad basket by himself. Nine-tenths of readers and nine-tenths of the last tenth are certainly ignorant of the broad differences 6 SPLENDORS AND MISERIES which separate these words : inculp'e, pr'evenu, accus'e, detenu, maison d'arrtt, maison de justice, or maison de detention. All alike will probably be surprised to learn here that the expressions are intimately connected with the whole code of French criminal law. We shall presently give a clear and succinct account of them to the reader, as much for his in- struction as for the intelligibility of this story. Besides, when it is known that the first salad basket contained Jacques Collin, and the second, Lucien, who in a few hours had fallen from the very pin- nacle of social greatness to the depths of a dungeon, the reader's curiosity will be sufificiently aroused. The attitude of the two accomplices was charac- teristic, Lucien de Rubempre hid himself to avoid the looks which passers-by cast upon the bars of the sinister and fatal wagon as it passed through the rue Saint Antoine, on its way to the Quays, through the rue de Martroi and through the Arcade Saint Jean, beneath which it was necessary, at that time, to pass in order to traverse the square of the H6tel-de-Ville. To-day this arcade forms the gate- way of the hotel of the Prefect of the Seine, in the vast municipal palace. The daring convict pressed his face against the grating of his wagon, between the gendarme and the officer of the court, who were talking to each other confident in the security of their salad basket. The days of July, 1830, and their tempestuous violence, have hidden former events beneath their uproar, while political interests absorbed France so THE END OF BAD ROADS 7 completely during the last six months of that year that nowadays people can remember only with the greatest difficulty, if at all, the private, judicial and financial catastrophies, extraordinary as they are, which form the annual consummation of Parisian curiosity, and which were not wanting during the first six months of that year. It is then necessary to tell how Paris was for a moment excited by the news of the arrest of a Spanish priest in the house of a courtesan, and of the apprehension of the fash- ionable Lucien de Rubempre, the destined husband of Mademoiselle de Grandlieu, effected upon the highroad to Italy, at the little village of Grez ; for both prisoners were implicated in a murder, the fruits of which amounted to seven millions. The scandal of this trial reached such a height that for several days it surpassed the prodigious interest of the last elections held in the reign of Charles X. Firstly, this criminal trial was due in part to an accusation made by the Baron de Nucingen. Next, the arrest of Lucien, on the eve of his appointment as private secretary to the first Minister of State, shocked the noblest society of Paris. In every Parisian salon more than one young man remem- bered how he had envied Lucien when the latter had been favored by the handsome Duchess de Maufrigneuse ; and all the women knew that he had stolen the love of Madame de Serizy, the wife of one of the most prominent personages of the State. Lastly, the beauty of the unfortunate young man enjoyed a singular celebrity in the different 8 SPLENDORS AND MISERIES worlds which compose Paris : in the world of nobility, in the financial world, in the world of courtesans, in the world of young men, and in the literary world. Thus for two days all Paris had been talk- ing of these two arrests. The examining judge, upon whom the trial had devolved, M. Camusot, saw therein the possibility of advancement; and in order to proceed with all possible alacrity he had given orders that the transfer of the two culprits from the Force to the Conciergerie be made as soon as Lucien had arrived from Fontainebleau. Since the Abbe Carlos had passed but twelve hours, and Lucien but half a night in the Force, it is unneces- sary to describe this prison, which has since then been entirely rearranged ; and as for the particulars of the registration, they were but a repetition of what was to pass at the Conciergerie. But before entering upon the terrible drama of a criminal trial, it is indispensable, as we have said before, to explain the normal proceedings in a pro- cess of this kind ; for, in the first place, its diverse phases will be better understood both in France and abroad ; and secondly, those who are ignorant thereof will learn to appreciate the economy of criminal law as it was conceived by the legislators under Napoleon. It is all the more important inas- much as this great and noble work is at this moment threatened with destruction by what is known as the penitential system. A crime is committed ; if it be serious, the incul- pis are arrested by the police of the district and THE END OF BAD ROADS 9 secured in the gaol, which among the people goes by the name of violin, doubtless because within arise the sounds of music of men crying and of men weeping. Thence the inculp&s are led before the Commissioner of Police, who proceeds with a pre- liminary examination and who has power to release the prisoners if there be any mistake. After this the inculpis are transported to the station house of the Prefecture, where the police retain them to be placed at the disposal of the public prosecutor and of the examining judge, who, informed more or less promptly, according to the gravity of the offence, arrive on the scene and cross-question the prisoners, who are still under provisory arrest. Governed by the nature of the presumptions, the examining judge issues a warrant from the station house, and has the inculp^s registered at a maison d'arrSt. Paris has three maisons d' arret: Sainte Pelagie, the Force and the Madelonnettes. Notice the term inculpH. The French code has created three essential distinctions in criminal guilt: inculpation, prevention, accusation. So long as the warrant is not signed, the supposed authors of a crime, or of a grave offence, are the inculph; beneath the weight of the warrant they become privenus; they remain privenus pure and simple so long as the examination continues. The examina- tion ended, the moment that the tribunal has decided that the prhenus must be handed over to the regu- lar court, they pass into the condition of accuses when the royal court has determined, upon the lO SPLENDORS AND MISERIES request of the public prosecutor, that the charges warrant the transfer of the prisoners to the Court of Assize. Thus persons suspected of a crime pass through three different stages, through three sieves, before they come into the presence of what is called the justice of the country. In the first stage, inno- cent persons possess means of justification in plenty : the public, the keepers, the police. During the second stage, they are before a magistrate, con- fronted by witnesses, and judged either by a Cham- ber of the Tribunal at Paris, or by an entire Tribunal in the departments. In the third, they appear before twelve justices, and the writ of assign- ment to the Court of Assize may, in case of error, or on account of any defect in the formality of the proceedings, be altered to a writ of assignment to the Court of Appeals. The jury does not realize how much popular authority, both administrative and judicial, it annuls when it acquits the accused. Thus, at Paris, we do not speak of other tribunals, it seems to us well nigh impossible for an innocent man ever to sit upon the benches of the Court of Assize. The dttenu is the condemned man. The criminal law of France has created maisons d'arrSt, maisons de justice, and maisons de detention, judicial differences which correspond to those of the pr^venu, the accuse and the condamni. Imprisonment is but a slight penalty, the punishment of a slight offense; but imprisonment in the maison d'e detention is bodily restraint, which, in certain cases, is ignominious. THE END OF BAD ROADS II Thus the present supporters of the penitential sys- tem overturn an admirable criminal code, in which the punishments were carefully graduated, and will eventually chastise peccadillos with almost as much severity as the very greatest crimes. The reader will be able to compare in the "Scenes of Political Life," — see Une Tenebreuse Affaire — the curious differences which existed between the criminal law of the code of Brumaire, in the year IV, and that of the Code Napoleon, by which it was replaced. In the greater number of important trials, such as this, inculp'es become pr^venus without delay. Justice issues an immediate warrant from the gaol or from the place of arrest. As a matter of fact, in the largest number of cases the inculpis are in flight or must be surprised without an instant's delay. Thus as we have seen, the police, which is only the instrument of execution, and justice had come upon the domicile of Esther with the swiftness of lightning. Even had not demands for vengeance been whispered by Corentin in the ear of the Judi- cial police, there would still have remained the accusation of a robbery of seven hundred and fifty thousand francs, made by the Baron de Nucingen. Just as the first wagon, which contained Jacques Collin, arrived at the dark and narrow passage of the Arcade Saint Jean, a blockade of carriages obliged the postilion to stop beneath the arcade. The prisoner's eyes burned across the grating like two carbuncles, in spite of the evident approach of death, which, the evening before, had brought the 12 SPLENDORS AND MISERIES warden of the Force to believe in the necessity of summoning a physician. Free for an instant, since neither the gendarme nor the officer looked round to see their customer, these blazing eyes spoke such plain language that any sagacious judge, such as M. Popinot, for example, could have recognized instanter the convict clothed in the sacrilege of a priestly robe. From the moment that the salad basket had left the gate of the Force, Jacques Collin had been examining every detail of his surround- ings. In spite of the rapidity of his course he enveloped, with an eager and accurate eye, the houses from garret to basement He saw all the passers-by, and scrutinized every one. God does not embrace the means and end of His creation more perfectly than this man noted the smallest differen- ces in the mass of people and things which he passed. Armed with a single hope, as the last of the Horatii was armed with his sword, he waited for help. To any other than this Machiavel of prisons, this hope would have appeared so impossible to realize that he would mechanically have followed the path trod by all the guilty. No culprit dreams of resistance when he is placed in the situation in which justice and the police of Paris plunge prisoners, and less than ever when he is locked in solitary confinement like Lucien and Jacques Collin. It is difficult to imagine the sudden isolation which comes upon a privenu: the gendarmes who arrest him, the com- missioner who cross-questions him, the guards who lead him to prison, the turnkeys who conduct him THE END OF BAD ROAD 13 to what is literally his dungeon, the wardens who hold him beneath his arms in order to place him in a salad basket, all the persons who have been about him since his arrest are mute or else take note of their words so that they can repeat them either to the police or to the judge. This complete separa- tion, so simply attained, between the whole world and the prtoenue causes a total subversion of his faculties, an overpowering prostration of the mind, most perfect when the man is not, through his antecedents, rendered familiar with the course of justice. The duel between the culprit and the judge is all the more terrible because justice has for its allies the silence of its walls and the incorruptible indifference of its agents. Nevertheless, Jacques Collin, or Carlos Herrera it is fitting to give him one or the other of these names according to the necessities of his situation, had long been familiar with the methods of police gaol and justice. This colossus of craft and of cor- ruption had employed all the powers of his mind and the resources of his talents for imitation in playing to perfection the amazement and the sim- plicity of innocence without ceasing to deceive the magistrates with the comedy of his death agony. As we have seen, Asia, that wise Locusta, had made him swallow a poison weakened in such a manner as to produce the likeness of a mortal malady. Thus the action of M. Camusot and the Police Commissioner, as well as the interrogative activity of the public prosecutor, had been 14 SPLENDORS AND MISERIES checkmated by the action and the activity of a crushing attaclt of apoplexy. "He has poisoned himself!" M. Camusot had exclaimed, horrified by the sufferings of the pre- tended priest, when the officers had carried him down from the garret, writhing in terrible convul- sions. Four policemen had with difficulty succeeded in bearing the Abbe Carlos down the staircase to Esther's chamber, where all the magistrates and gendarmes were assembled. "It was his best course, if he is guilty," remarked the attorney. "Then you think him ill?" inquired the Police Commissioner. Police doubt everything, without exception. The three magistrates had then held a colloquy, as may be supposed, apart; but Jacques Collin had divined the subject of their whispered conversation from their faces, and made use of this information to render the summary examination, usually held at the moment of arrest, impossible, or at least wholly insignificant. His words were but muttered phrases wherein Spanish and French were inter- woven to form nonsense. At the Force the comedy had obtained a success yet more complete, owing to the fact that the Chief of the Secret Service — an abbreviation of the words chief of the brigade of the police of the secret ser- vice, — Bibi Lupin, who had formerly arrested Jacques Collin in the cheap lodging house of THE END OF BAD ROADS 1 5 Madame Vauquer,was away on duty in the depart- ments, and his place taken by an agent. This man was designated to become the successor of Bibi Lupin, and to him the convict was unknown. Bibi Lupin, himself an ex-convict, had been, at the galleys, the companion of Jacques Collin, but had since become his personal enemy. His hatred traced its source to quarrels from which Jacques Collin had always come forth victorious, and to the supremacy which Trompe-la-Mort had exercised over his companions. Lastly, for ten years Jacques Collin had been the guardian of returned convicts, their chief, their adviser in Paris, their depositary, and consequently the deadly antagonist of Bibi Lupin. Although he had been placed in solitary confine- ment, Carlos counted upon the intelligent and abso- lute devotion of Asia, his right arm, and perhaps upon Paccard, his left arm, whom he flattered him- self would again return to his allegiance when the careful lieutenant had once succeeded in placing the seven hundred and fifty thousand stolen francs in some secure nook. Such were the reasons for the superhuman minute- ness with which he examined everything which he passed. Strange fortune ! These hopes were des- tined to be fully realized. The two massive walls of the Arcade Saint Jean were covered to the height of at least six feet with a cloak of permanent mud, produced by the con- tinual splashing of wheels in the neighboring gutter; for at this time foot passengers had no pro- tection from the constant succession of carriages, or from what were then called kicks from carts, other than a narrow ledge of curbstones, long since broken by the hubs of passing wheels. Here more than once a cart loaded with stone had struck and bruised some absent-minded person. Such was Paris, for a long time and in many quarters. This detail de- scribes the narrowness of the Arcade Saint Jean, and shows how easily the passage might be blocked. A cab had entered by the Place de Gr&ve, and as a woman peddler, nicknamed the four seasons, had just pushed her hand-cart full of potatoes through the rue du Martroi into the arcade, the appearance of the third vehicle upon the scene occasioned a blockade. The foot passengers in alarm rushed in various directions, looking for a curbstone to place them beyond the reach of the old-fashioned hubs, whose length was so excessive that they had event- ually to be modified by law. When the salad basket arrived, the arcade was barricaded by one of those women venders of fruit whose type is the more curious as it is still to be seen in Paris, in spite of 2 (17) l8 SPLENDORS AND MISERIES the increasing number of fruit shops. She was so evidently the fruit seller of the streets that a police- man, had the institution been created before that time, would have left her free to wander without asking to see her license, in spite of her sinister face which reeked with crime. Her head, covered with a plaid handkerchief, soiled and ragged, bris- tled with unkempt locks and hair, stiff as a wild boar's. Her red and wrinkled neck was hideous to look upon, and her scarf was too scanty to con- ceal skin bronzed by sun and dust and mud. Her gown looked like patchwork. Her shoes, yawning with rents, seemed to grin at her face, as full of holes as her gown. And what an apron ! A stick- ing plaster had been cleaner! At ten paces this walking heap of fetid rags could but offend delicate nostrils. Her hands had reaped a hundred har- vests ! This woman came from a witches' Sabbath or from some storehouse of beggary. But what looks ! what impudent intelligence, what concentrated life, when the magnetic rays of her eyes and those of Jacques Collin met to exchange a single idea. "Get out of the way, you old home for vermin," cried the postilion gruffly. "Don't run over me, sir knight of the guillotine," answered she, "your merchandise isn't worth as much as mine." Endeavoring to squeeze herself against the wall in order to leave the passage-way free, the peddler blocked the path during the time needful for the accomplishment of her project. THE END OF BAD ROADS 19 "Oh! Asia!" thought Jacques Collin, who re- cognized his accomplice instantaneously, "all is well." The postilion continued to interchange courte- sies with Asia, and carriages accumulated in the rue de Martroi. "AM! Fecair'e fermati. Sounilh. Vedrem!" cried old Asia, with those intonations peculiar to street venders, who garble their words so vilely that they become mere sounds comprehensible for Parisians alone. During the uproar in the street and in the midst of the shouts which arose from the surrounding drivers, nobody heeded this savage scream which seemed to be the peddler's cry. But these sounds, which Jacques Collin caught distinctly, poured into his ear in a preconcerted jargon, mingled with frag- ments of bastard Italian and Provengal, this terrible sentence : " Your poor boy is taken; but I am there to watch over you. You shall see me again." In the midst of the infinite joy which his triumph over justice caused him, for now he hoped to be able to establish communications with the outer world, Jacques Collin was struck by a reaction which would have killed another man. "Lucien arrested!" he said to himself, and his consciousness almost left him. For him this news was more frightful than the rejection of a petition, had he been condemned to death. Now that the two salad baskets are rolling along 20 SPLENDORS AND MISERIES the quays, the interest of this story demands that a few words be spent upon the Conciergerie as it was at the time they were to arrive there. The Conciergerie, historic name, terrible word, but still more terrible in reality, is bound up with the revolutions of France, and especially with those of Paris. It has seen the greater number of noble criminals. If, of all the monuments of Paris, this is the most interesting, it is also the least known — to people who belong to the higher classes of society ; but in spite of the immense in- terest of this historic digression, it will be quite as swift as the course of the salad baskets. Who is the Parisian, the foreigner or the country- man who, after two days spent in Paris, has not no- ticed the black walls flanked by three massive towers like pepper boxes, two of which are almost exact mates, the sombre and mysterious ornament of the quai des Lunettes ? This quai begins at the foot of the Pont au Change and extends as far as the Pont Neuf. A square tower, called the Tour de I'Hor- lage, from which the signal of Saint Bartholomew was sounded, a tower almost as lofty as that of Saint Jacques la Bucherie, marks the palace and forms a corner of the quai. These four towers, these walls are covered with that black dampness that comes over every facade in Paris which faces toward the north. Toward the middle of the quai, at a deserted arcade, begin the private buildings, whose erection was determined in the reign of Henry IV., by the construction of the Pont Neuf. THE END OF BAD ROADS 21 The Place Royale was a reproduction of the Place Dauphine. It is in the same style of archi- tecture, brici< framed by borders of freestone. This arcade and the rue de Harlay mark the boundaries of the palace to the west Formerly the Prefecture of Police and the mansion of the first presidents of Parliament were connected with the palace. The Cour des Comptes and the Cour des Aides, situated here, completed the supreme justice of the sover- eigns of France. Thus before the Revolution, the palace enjoyed by nature that isolation which to- day men seek to create about it. This square, this island of houses and of monu- ments, amongst which stands the Sainte Chapelle — ^the most splendid jewel of Saint Louis' casket; this spot is the sanctuary of Paris : it is its holy place, its sacred ark. Originally this space inclu- ded the limits of the original city, for the site of the Place Dauphine was a meadow dependent upon the royal domain, on which there stood a mill once used as a mint. Hence comes the name rue de la Mon- naie, given to the street which leads to the Pont Neuf. Hence, also, is derived the name of one of the three round towers — ^the second — which is called "La Tour d'Argent;" and this seems to prove that here, too, money was coined in primitive times. The famous mill, which is to be seen in the ancient maps of Paris, should, in all likelihood, be dated to a period later than the years when money was coined in the palace itself; and, no doubt, that building was owing to an improvement in the art of minting. 22 SPLENDORS AND MISERIES The first tower, almost united to the Tour d' Argent, is named the Tour de Montgomery. The third, the smallest, but the best preserved of the three, for it has kept its battlements, is known as the Tour Bonbec. The Sainte Chapelle and these four tow- ers — Including the Tour de I'Horloge — determine accurately the circumference, the perimeter, as any clerk employed for the register of public lands will tell you, of the palace from the Merovingians to the accession of the house of Valois ; but, for us, who are following its transformations, this palace repre- sents more especially the epoch of Saint Louis. Charles V. was the first king to abandon the palace. He bestowed it upon the newly created Parliament, and went beneath the protection of the Bastille to live in the famous H6tel Saint Pol, against the walls of which in later times was built the Palais des Tournelles. Then, under the last Valois, royalty left the Bastille for the Louvre, which had been its first fortress. The earliest dwelling of the kings of France, the Palace of Saint Louis, which has kept simply the name of "Le Palais," designed to show its pre-eminence, is included within the Palais de Justice ; it now forms the cellar of that building, for, like the Cathedral, it was built in the Seine, and built so carefully that the river, at its highest level, scarcely covers its first steps. The quai de I'Horloge buries beneath twenty feet of earth these thrice secular construc- tions. Carriages roll at the height of the capitals of the great columns of these three towers, whose THE END OF BAD ROADS 23 elevation was formerly designed to harmonize with the elegance of the palace, and to give a picturesque effect as they rose over the water ; for to-day these towers still rival in height the loftiest monuments of Paris. When one contemplates this vast capital from the summit of the lantern on the Pantheon, the palace, with the Sainte Chapelle, still appears the most monumental among so many monuments. This palace of our kings, over which you walk when you tread the vast "Salle des pas Perdues," was a marvel of architecture, and thus it still is to the intelligent eyes of the poet who comes to study it, in his examination of the Conciergerie. Alas! the Conciergerie has invaded the palace of kings. The heart bleeds to see how the despoilers have mutilated the dungeons, the by-ways, the corridors, the guard rooms, the halls without light or air, in this splendid composition wherein the Byzantine, the Roman, and the Gothic — those three great prin- ciples of ancient art — have been combined in the architecture of the twelfth century. This palace is the monumental history of France in its earliest stage; as the Chateau de Blois is its monumental history in its second stage. In the same manner, as in a single court at Blois — see Study of Catherine de Medicis, Philosophical Studies — you can admire the Chlteau of the Counts de Blois, that of Louis XII., that of Frangois I., that of Gaston; just so at the Conciergerie you will find in the same spot the characteristics of the earliest races, and in the Sainte Chapelle the architecture of Saint Louis. 24 SPLENDORS AND MISERIES Municipal council, if you give millions, place at the architect's side a poet or two, if you would save the cradle of Paris, the cradle of kings, which you endeavor to endow Paris and the sovereign court with a palace worthy of France, it is a question to be studied for years before a stone is laid. One or two more prisons built like la Roquette, and the Palace of Saint Louis will be saved ! To-day there are many plagues which infect this gigantic monster buried beneath the palace and beneath the quai, like one of those antediluvian creatures among the plaster casts of Montmartre ; but the greatest of all is the fact that it is the Con- ciergerie! Everybody understands this word. In the early times of the monarchy, villains — it is better to cling to this orthography by which the word retains its meaning of peasant — and townsmen belonged to municipal or seignorial jurisdictions, while noble offenders and the possessors of large or small fiefs were brought before the king and confined at the Conciergerie. As only a few of these noble offenders were ever arrested, the Conciergerie was large enough for the king's justice. It is difficult to determine the exact site of the original Conciergerie. Nevertheless since the kitchens of Saint Louis still exist and to-day form what is known as the SouricHre (the mouse trap), it is to be presumed that the original Conciergerie was situated on the spot where stood, before 1825, the Judicial Conciergerie of Parliament, beneath the arcade at the right of the exterior grand staircase, which leads to the Cour THE END OF BAD ROADS 25 Royale. Thence, until 1825, every condemned prisoner went fortli to his punishment Thence went forth all the state criminals, all the victims of statecraft: the Mar^chale d'Ancre as well as the Queen of France, Semblangay as well as Malesher- bes, Damien as well as Danton, Desrues as well as Castaing. Fouquier Tinville's old office occupied the present site of the Attorney-General's cabinet, so that the public prosecutor could watch the pris- oners condemned by the revolutionary tribunal file past him in their carts. Thus the steel-hearted butcher could cast a final glance over the batch. Since 1825, under the ministry of M. de Poy- ronnet, a great change has taken place in the pal- ace. The old wicket of the Conciergerie, behind which once passed the ceremonies of registry and search, was closed and transported to the spot where it may be seen to-day between the Tour de I'Hor- lage and the Tour de Montgomery, in an inner court marked by an arcade. To the left is the Sourici^re, to the right the wicket. The salad baskets en- ter this somewhat irregular court and can stop there, turn with ease, or, in case of tumult, can be protected against any attempt at rescue by the strong iron grating of the arcade ; while, formerly, they had not the slightest facilities for manoeuvering in the narrow space which divides the exterior grand stairway from the right wing of the palace. Nowadays the Conciergerie hardly suffices for the number of accused, since accommodation is needed for three hundred persons, men and women, and 26 SPLENDORS AND MISERIES receives neither prhenus nor detenus, excepting on such rare occasions as that which brought thither Lucien and Jacques Collin. • All who are prisoners there must appear before the Court of Assize. As an exception to the rule, the board of magistrates suffers culprits of the upper class, who have already- been sufficiently dishonored by the verdict of the Court of Assize.to be imprisoned outside of the Conciergerie if they prefer to serve out their sen- tences at Melun or at Poissy. Ouvrard chose to be confined at the Conciergerie rather than at Sainte Pelagie. At this very moment the notary, Lehon and the Prince de Bergues are imprisoned there through sufferance, which, however arbitrary, is full of humanity. . Ordinarily, the prevenus, whether they dixe passing examinations (to use the palace slang) or whether they are summoned to appear on the benches of the police court, are removed from the salad baskets directly to the SouriciSre. The Sourici^re, which is opposite the wicket gate, is composed of a certain number of cells, constructed within the kitchens of Saint Louis, and here the j>r^^MMS taken from their prisons await the hour of their appear- ance before the tribunal, or the arrival of the judge who is to examine them. The Souricifere is bounded on the north by the qua:, on the east by the guard-house of the municipal guard, on the west by the courtyard of the Conciergerie, and on the south by an immense vaulted hall — doubtless the ancient banqueting hall — which is now used for no THE END OF BAD ROADS 27 particular purpose. Above the Sourici^re there is an interior guard-house, which commands through its v/indow a view of the courtyard of the Con- ciergerie ; it is occupied by a departmental brigade of gendarmes, and here it is that the stairway ends. When the hour of judgment sounds, bailiffs have already called the roll of the pr&venus, as many gendarmes as there are prisoners descend from their quarters. Each gendarme takes a prboenu by the arm, and thus in couples they march down the stair- way, traverse the guard-room, and arrive by certain passages at an apartment adjoining the court-room, where sits the famous sixth chamber of the tribunal, upon which the hearing of cases from the police courts has devolved. This path must be followed by the accusis on their way to and from the Concier- gerie. In the Salle des pas Perdues, between the door of the first chamber of the tribunal for trying First Offences, and the steps which lead to the sixth chamber, the stranger notices instantly, though he be walking there for the first time, a doorway with- out a door, unadorned by architectural device, a square ignoble hole. It is through this that judges and lawyers pass into the lobbies and the guard- room and descend to the Souricidre and to the wicket of the Conciergerie. All the offices of the examining judges are situated in this part of the palace on different stories. These are reached by narrow staircases — a labyrinth too apt to bewilder the stranger. The windows of these offices open, 28 SPLENDORS AND MISERIES some on the quai, others on the courtyard of the Conciergerie. In 1830 several offices of examin- ing judges looked out upon the rue de la Barillerie. Thus when a salad basket turns to the left in the courtyard of the Conciergerie it carries the pr^venus toward the Sourici^re, when it turns to the right it brings the accuse to the Conciergerie. It was then toward the latter side that the salad basket, which contained Jacques Collin, was directed, in order to deposit its occupant at the wicket. Noth- ing is more formidable. Criminals or visitors behold two barred gates of wrought iron separated by a space of about six feet, which always open one after the other, and across which everything is noted so carefully, that persons who have been granted permission to enter pass across this interval before the key grates in the lock. The examining magistrates, even those from the office of the pub- lic prosecutor, cannot enter before they are recog- nized. Do but speak of the chance of communica- tion or escape! — The warden of the Conciergerie will wear upon his lips a smile which will freeze the doubts of the boldest romancer in his struggle against reality. In the annals of the Conciergerie the escape of La Valette alone is known ; but the certainty of an august connivance, to-day proved beyond a doubt, has diminished, if not the devotion of a wife, at least the apparent danger of a failure. Standing upon this ground and judging of the nature of the obstacles, the truest friends of the marvelous will recognize that in times past these obstacles THE END OF BAD ROADS 29 have been what they still are, invincible. No ex- pression can depict the strength of the walls and vaulted ceilings. Although the pavement of the courtyard is on a level with that of the quai, after you have passed the wicket it is still necessary to descend several steps before arriving at a great vaulted hall, whose mighty walls, ornamented by splendid columns, are flanked by the Tour de Mont- gomery, which nowadays forms part of the domicile of the warden of the Conciergerie, and by the Tour d' Argent, which serves as a dormitory for the watchmen, keepers, or turnkeys, whichever you are pleased to call them. The number of these guards is not so large as might be imagined (they are but twenty). Their dormitory as well as their bedding does not differ from that of the pistole. This name comes, no doubt, from the fact that the pris- oners used to pay a pistole a week for this lodging, the bareness of which recalls the cold garret where many a poverty-stricken genius has dwelt in Paris at the outset of his career. To the left in this vast entrance hall stands the recorder's office of the Conciergerie, a sort of closet built of glass, in which sit the director and his clerk, and where the gaol- book is kept There the privenu and the accusi are enrolled, described and searched. There is decided the question of lodging, the solution of which is dependent upon the prisoner's purse. Opposite the gateway of this hall there is a glass door open- ing into a parlor where relatives and lawyers talk with the prisoners through a wicket with a double 30 SPLENDORS AND MISERIES grating of wood. This parlor receives its light from the interior prison yard, where the prisoners may breathe the open air and take exercise at cer- tain prescribed hours. This great hall, lighted by the uncertain light of the two wickets, for the only window which opens upon the front court-yard is entirely concealed by the recorder's office, presents to the eye an atmos- phere and a light perfectly in harmony with the images preconceived by the imagination. It is the more dreadful when, looking in a direction parallel to the Tours d'Argent and de Montgomery, you per- ceive mysterious crypts, vaulted, awful, and without light, which lead past the parlor to the dungeons of the Queen and Madame Elizabeth and to the solitary cells called les secrets. This labyrinth of freestone, which once witnessed the feasts of royalty, has become the cellar of the Palais de Justice. From 1825 to 1832 it was in this vast hall, between a great stove by which it was heated and the first of the two wickets, that the prescribed change of clothes was made by the prisoner. Even now a man does not walk without a tremor across these flags which have felt the horrid secrets of eyes that have looked upon them for the last time. To descend from his frightful wagon, the sick man had need of the assistance of two gendarmes, who lifted him, one by each arm, and carried him like a lifeless body into the recorder's office. As he was dragged along, the dying man raised his eyes toward heaven with the expression of a THE END OF BAD ROADS 31 Saviour descended from the cross. Certainly in no picture does Jesus present a face more cadaver- ous or more distorted than did the counterfeit Span- iard ; he seemed about to render up his last breath. When he was seated in the office he repeated in a feeble voice the words which he had addressed to everybody since his arrest: "I am known to his excellency, the Spanish am- bassador. ' ' "Tell that," answered the warden, "to the examining judge." "Ah, God!" replied Jacques Collin, with ^a gasp, "cannot I have a breviary? Will they never allow me a doctor.' I have not two hours to live." As Carlos Herrera was to be placed in solitary confinement, it was useless to ask of him whether he desired the privilege of a pistole, that is to say the right to inhabit one of those rooms which en- joyed the sole comfort permitted by law. These rooms are situated at the end of the yard, of which mention will be made hereafter. The bailiff and the recorder went through the formalities of regis- tering the prisoner's name with phlegmatic deliber- ation. "Your honor," said Jacques Collin, in execrable French, "I am a dying man. You see it. Tell the judge if you can ; above all, tell him as soon as possible that I solicit as a favor the very test which a criminal should fear most; to appear before him the instant that he arrives; for my sufferings are 32 SPLENDORS AND MISERIES really intolerable, and when I see him all mistakes will be at an end. ' ' The general rule; all criminals talk of mistakes! Go to the prisons. Question the prisoners ; they are almost all victims of some mistake of justice. Thus this mere word raises an imperceptible smile to the faces of those who come into contact with prhenus, accuses or condamnis. "I can speak to the examining judge of your re- quest, ' ' answered the warden, "1 shall bless you, then, sir!" replied the false Spaniard raising his eyes toward heaven. As soon as he was registered, Carlos Herrera, supported on either side by a municipal ofificer and accompanied by an overseer, who had been informed by the warden of the cell in which the prhenu was to be confined, was conducted through the subter- ranean maze of the Conciergerie into a chamber which, though certainly healthy, whatever philan- thropists may say, was without the possibility of communication with the outer world. When he had disappeared, the overseers, the warden of the prison, the clerk, the bailiff himself, and the gendarmes looked at one another, as if every man were asking his neighbor's opinion; every face expressed doubt But at the appearance of the other prisoner the spectators reassumed their habit- ual uncertainty concealed beneath an air of apparent indifference: except under extraordinary circum- stances, the keepers of the Conciergerie feel but little curiosity ; to them criminals are what customers THE END OF BAD ROADS 33 are to barbers. Thus those formalities, which alarm the imagination, are accomplished by them more simply than bargains are made in the business world, and often more politely. Lucien's appear- ance was that of disheartened guilt; he had lost hope and surrendered himself mechanically to his fate. Since he had left Fontainebleau, the poet had been contemplating his ruin, and saying to himself that the hour of expiation had struck. Pale, wasted, ignorant of all that had happened since his depar- ture from Esther's house, he knew that he was the intimate companion of an escaped convict ; a situa- tion which pictured clearly catastrophes worse than death. When his thoughts took shape, the idea of suicide rose before him. He wished at any price to escape the ignominy which he beheld dimly like the fancies of a painful dream. Jacques Collin, as the more dangerous of the two prisoners, was placed in a cell built entirely of free- stone, which received its light from one of those small inner yards such as are found within the palace, and which was situated in the wing contain- ing the ofifice of the Public Prosecutor. This little court served as a prison yard for the women's quar- ters. Lucien was led away in the direction his friend had taken, for according to the orders given by the examining judge, the warden had made preparations for him in a cell next to the pistoles. Ordinarily, people who have never become en- tangled with criminal law conceive the blackest ideas of solitary confinement The idea of criminal 3 34 SPLENDORS AND MISERIES justice is not yet separated from antiquated ideas of ancient torture, pestiferous prisons, cold walls whose stones sweat tears, rough gaolers and coarse food, the needful accessories of dramas ; but it is not useless to say here that these exaggerations exist on the stage alone, and that such scenes raise a smile to the lips of magistrates and lawyers, and of those who from curiosity or another reason have visited the prisons. For many years prison life was terrible. It is certain that under the ancient parliament, during the reigns of Louis XIII. and Louis XIV., the accused were thrown pell-mell into wretched quarters built above the old wicket. The prisons were one of the crimes of the revolution of 1789, and the visitor has only to see the cell of the queen and that of Madame Elizabeth in order to feel deep horror for ancient forms of justice. But now- adays if philanthropy has done incalculable evil to society, it has at least done some good to individ- uals. We owe to Napoleon our criminal Code, which, even more than the civil Code whose reform in certain respects is urgent, will remain one of the greatest monuments of that short reign. This new criminal law closed an abyss of suffering. We may even affirm that, setting aside the fearful moral tor- ture which preys upon persons of the upper class when they are in the power of the law, the action of this power has a softness and simplicity all the greater since they are unexpected. The inculpi and the pr'evenu are certainly not lodged as if they were at home, but the necessities of life are not THE END OF BAD ROADS 35 wanting in Paris prisons. Besides, the heaviness of the prisoner's heart deprives life's comforts of their normal importance. It is not always the body that suffers. The condition of the mind is so turbu- lent that every kind of inconvenience is brutality, if it be met with in his environment, is easy for the prisoner to bear. We must admit that in Paris above all, the innocent man is promptly set at liberty. On entering his cell Lucien found in it the faith- ful image of the first room he had occupied in Paris at the Hotel Cluny. A bed such as those which are found in the cheapest lodging houses of the Latin Quarter ; cane-bottomed chairs, a table and a few utensils composed the furniture of one of those chambers, wherein two prisoners are often placed when their behavior is good and when their crimes belong to some such reassuring category as forgery or bankruptcy. This resemblance between the spot which he had reached in innocence and that to which he had now come, at the lowest point of shame and degradation, was so perfectly comprehended by one last effort of his poetic fibre, that the unfortunate young man burst into tears. For four hours he wept, in appearance insensible as a stone statue, but suffering from all his disappointed hopes, wounded by the ruin of every social vanity, tortured by the stings of his pride, and cut off from all the selves which make up the lover, the dandy, the Parisian, the poet, the voluptuary, the ambitious, lucky, privileged man. Everything within him was bruised by this Icarian fall. 36 SPLENDORS AND MISERIES When Carlos Herrera was left alone in his cell he walked round the room as the polar bear walks about his cage in the Jardin des Plantes. He ex- amined the door minutely, and made sure that excepting the prescribed peep-hole no orifice had been made. He sounded every wall, he looked up the chimney through the mouth of which came a feeble light, and he said to himself: "1 am in safe keeping." He sat down in a corner where the eye of a keeper applied to the grated peep-hole could not see him. Then he took off his wig and immediately tore from it a paper which had been glued to the lining. That side of the paper which had been in contact with the head was so greasy that it seemed to be a part of the tegument of the wig. Had Bibi Lupin thought of taking off this wig to prove the identity of the Spaniard with Jacques Collin, no suspicion of this paper would have crossed his mind, so completely did it seem to form part of the wig- maker's work. The reverse side of the paper was still white and clean enough to receive a few lines of writing. The difficult and delicate operation of tearing it from the lining had been begun at the Force ; two hours would not have sufficed, and half of the day before had been spent upon it. The prisoner begun by cutting this precious paper in such a manner as to procure a band of from four to five lines in length. This he divided into several portions, and then restored his supply of paper to its singular hiding place, after having previously THE END OF BAD ROADS 37 moistened the lining of the wig with gum arabic by the aid of which he could re-establish the adherence of the paper. Next drawing from a lock of his hair, where it had been fastened by glue, one of those bits of lead fine as the shank of a pin, the invention of which, by Susse, was at that time very recent, he broke off a fragment of it, long enough to write with yet small enough to hold within his ear. Having concluded these p(;eparations with the rap- idity and finish of execution peculiar to old convicts who are as .adroit as monkeys, Jacques Collin seated himself on the foot of his bed and began to meditate upon the nature of his instructions to Asia. He felt certain of finding this woman in his path, so confidently did he count upon her ingenuity. "In my immediate examination," thought he, "I played the part of a Spaniard, spoke French badly, said that I was intimate with the Spanish ambassa- dor, alleged diplpmatic privileges and understood nothing of what was asked of me. All this has been played in a low key, with rests, sobs, and all the consonance of a dying man. Let us stand our ground. My papers are correct. Asia and I will pull the wool over M. Camusot's eyes; he is scarcely redoubtable. Now then as to Lucien. His courage must be kept up. I must reach the boy at any cost and trace out his plan of conduct : other- wise he will betray himself, betray me and ruin everything. Before his examination he must be taught to sing a different song. Lastly, I need witnesses to testify that I am a priest. Such was the moral and physical situation of the two prisoners, whose fate depended at this moment upon M. Camusot, examining judge in the Tribunal of First Offence of the Seine, sovereign arbiter, during the time allotted him by the criminal code, of the smallest details of their existence; for he alone had power to allow the chaplain or the doctor of the Conciergerie or anybody whomsoever to communi- cate with them. No human power, not the king, nor the keeper of the seals, nor the prime minister can encroach upon the authority of an examining judge ; nothing can stop him, nothing can command him. He is a sovereign subject alone to his conscience and to the law. At this time when philosophers, philan- thropists and publicists are incessantly occupied in diminishing all social authority, the right conferred by our laws upon the examining judges has become the object of attgicks, all the more violent because they are in part justified by this power, which is, we admit, exorbitant. Nevertheless this power should remain unattacked by all intelligent men; its exercise may in some cases be weakened by a special employment of caution ; but society already shaken to its base by the lack of intelligence and by the feebleness of juries — ^those august and supreme magistracies which ought never to be entrusted (39) 40 SPLENDORS AND MISERIES to any but chosen men of high reputation- would be menaced with destruction if the column which upholds the whole fabric of our criminal laws should be broken. Preventive arrest is one of those terrible yet necessary powers, the danger of which is counterbalanced by their very grandeur. Besides, to mistrust the magistracy is a beginning of social dissolution. Destroy the institution; reconstruct it upon other bases; demand, as before the revolution, enormous guarantees of money from the magistracy; but believe in it! Do not make of it the image of society in order to heap insults upon it. To-day the magistrate, paid like any other officer, and generally poor, has bartered his former dignity for an insolence which seems intolerable to all whom the law has made his equals, for inso- lence is a kind of dignity devoid of its foundations. There lies the vice of the existing institution. If France were divided into ten departments, it would be possible to raise the position of the magistracy by requiring from the candidates the possession of enormous fortunes, but with twenty-six depart- ments this becomes impossible. The only improve- ment that it is fair to demand in regard to the exercise of the powers confided to the examining judges, is the remodeling of the maison d'arret Arraignment as a prhenu should make no change in the habits of individuals. The maisons d'arret in Paris should be built, furnished and arranged in such a manner as to effect a distinct alteration in the public attitude toward prevenus. The law is THE END OF BAD ROADS 41 good, it is necessary; tiie administration of laws is bad, and custom judges laws after the manner in whicti tliey are administered. In France, Public Opinion by an inexplicable contradiction condemns prhenus and restores accuses to their former status. Perhaps this is the result of the essentially critical spirit that prevails among Frenchmen. This incon- sistency on the part of the Parisian public was one of the motives which led to the catastrophe of this drama ; it was even, as we shall see, one of the most powerful. To be in the secret of these terri- ble scenes which are acted within the office of an examining judge ; to understand with clearness the respective situation of the two warring parties, the prhenus and the law, whose struggle has for its object the secret kept by the former against the curiosity of the judge, who is aptly nicknamed "Old Curiosity," in prison slang, we must not forget that the pr'evenus, kept in solitary confine- ment, are entirely ignorant of everything that the six or seven publics which form the public, say of everything that the police and justice know and of the little that the papers publish in regard to the circumstances of the crime. Thus to a prtvenu, information such as that which Jacques Collin had just received from Asia in regard to the arrest of Lucien, is like a rope to a drowning man. For this reason we shall see a project fail which, without this communication, would certainly have ruined the convict. When once these conditions of the prisoner's situation are understood the most 42 SPLENDORS AND MISERIES self-controlled minds will be wrought upon by the result of these three causes of terror : sol itude, silence and remorse. M. Camusot, son-in-law of one of the ushers of the king's cabinet, already so well known that it is unnecessary to explain his connections and position, was at this moment plunged in perplexity almost equal to that of Carlos Herrera in regard to the ex- amination that had been entrusted to his care. But lately, president of the Tribunal of a department, he had been promoted from this office to the highly enviable position of judge at Paris, through the in- fluence of the celebrated Duchess de Maufrigneuse, whose husband, at once companion to the Dauphin and colonel of one of the cavalry regiments of the royal guard, was as high in favor with the king as was his wife with MADAME. For rendering a very slight service, which chanced to be of great impor- tance to the duchess, on the occasion of a charge of forgery brought by a banker of Alengon against the young Comte d'Esgrignon — see in the Scenes of Provincial Life, The Cabinet of Antiques, — he was promoted from a simple judgeship to the presidency of a provincial court, and later became an examin- ing judge at Paris. During the eighteen months he had been sitting in the most important tribunal of the realm, he had already been able, upon the recommendation of the Duchess de Maufrigneuse, to serve the interests of a noble lady no less pow- erful than she, the Marquise d'Espard; but his hopes had been disappointed — see The Interdiction. — THE END OF BAD ROADS 43 Lucien, as we have seen in the beginning of this story, in order to revenge himself on Madame d'Espard, who wished to have her husband declared incapable of conducting his alTairs, was able to prove the truth of the facts to the Attorney-General and to the Count de Serizy. When these two great powers declared in favor of the Marquis d'Espard, the wife had only escaped the censure of the court through the clemency of her husband. The even- ing before, upon learning of Lucien's arrest, the Marquise d'Espard had despatched her brother-in- law, the Chevalier d'Espard to Madame Camusot's house. Madame Camusot went at once to call upon the illustrious marchioness. She returned at dinner time and took her husband aside into her bedroom : "If you can send that little fool, Lucien de Ru- bempre, to the Court of Assizes and make his con- demnation certain," whispered she, "you will be a counsellor of the Royal Court — ' ' "How so?" "Madame d'Espard would like to see the poor fellow lose his head. I felt cold shivers run down my back when I heard the words that hate can make a pretty woman utter." "Don't mix yourself up in criminal matters," answered Camusot "Mix myself up !" replied his wife. "Anybody might have listened to us without understanding a word of what it was all about. The marchioness and I were both of us as delightfully hypocritical as you are at this moment She wished me to 44 SPLENDORS AND MISERIES thank you for your services in her behalf, and told me that, in spite of ill success, she was not un- grateful. She talked to me about the terrible responsibility that the law puts upon you. 'It is frightful to be obliged to send a man to the scaffold, but with such a villain as he it is but justice ! ' She deplored the fact that such a handsome young man, who had been introduced to Paris by her cousin, Madame du Chatelet, had turned out so badly. That is the path down which bad women, like a Coralie or an Esther, lead young men who are dis- honest enough to share their vile earnings. Then came splendid tirades on charity and religion! Madame du Chatelet had told her that Lucien de- served a thousand deaths for having almost killed his sister and his mother. She went on to speak to me about a vacancy in the royal court, she knew the Keeper of the Seals. 'Your husband, madame, has an admirable opportunity of distinguishing him- self,' said she, in conclusion. And so this is my reason for thinking so." "We distinguish ourselves every day by doing our duty," said Camusot. "You have a long road to travel, if you are a magistrate everywhere, even with your wife!" exclaimed Madame Camusot. "I once thought you a fool, now I admire you." The magistrate wore upon his lips one of those smiles as peculiar to his class as that of a danseuse is to hers. "Madame, may I come in.'" asked the maid. THE END OF BAD ROADS 45 "What is it that you want?" demanded her mistress. " Madame, the Duchess de Maufrigneuse's wait- ing maid came here during madame's absence, and begs madame, on behalf of her mistress to come to the Hotel de Cadignan immediately." "Postpone dinner," said the judge's wife, re- membering that the driver of the cab which had brought her was waiting for his payment. She put on her hat, stepped into the cab, and in twenty minutes was at the Hotel de Cadignan. Madame Camusot was introduced by a private pas- sage into a boudoir communicating with the duch- ess' bed chamber. After some ten minutes the duchess herself appeared in a gorgeous gown, for she was about to leave for Saint Cloud, whither a court invitation had summoned her. "My dear friend, between you and me a word alone is necessary. ' ' "Yes, Madame la Duchess." "Lucien de Rubempre has been arrested ; your husband is in charge of his case ; I guarantee the poor boy's innocence; let him be set at liberty before twenty-four hours. This is not all. Some- body wishes to see Lucien to-morrow secretly in his prison ; your husband may, if he wish, be pres- ent, provided that he does not allow himself to be seen. I am faithful to those who serve me, you know it. The king expects much from the courage of his magistrates in the serious difficulties which lie before him. I will place your husband in 46 SPLENDORS AND MISERIES the fore front, I will recommend him as a man devo- ted to the king, even at the risk of his head. Our Camusot will first be counsellor, then first president somewhere — Adieu. They are waiting for me — You will excuse me, won't you .' You are not only con- ferring a favor upon the Attorney-General, who must not be mentioned in this regard : you are also saving the life of a woman lying at death's door — Madame de Serizy. Thus you cannot want for support You receive this in confidence, I have no need to recommend — you understand!" She placed a finger upon her lips and was gone. "And I, who could not tell her that the Marquise d'Espard wishes to see Lucien on the scaffold!" thought the magistrate's wife, as she walked back to her cab. She arrived at her house in such a state of ex- citement that the moment he saw her, the judge exclaimed: "Amelie, what is the matter?" "We are between two fires." She recounted her interview with the duchess, whispering the words in her husband's ear; so great was her anxiety lest the maid be listening at the door. "Which of the two is the more powerful.?" said she in conclusion. "The marchioness almost com- promised you in that stupid attempt to have her husband pronounced incapable of managing his affairs, while we owe everj^hing to the duchess." "One made me vague promises while the other THE END OF BAD ROADS 4/ said, 'First you shall be counsellor, and then, first president!' God keep me from advising you, I shall never mix myself up with criminal matters; but it is my duty to recount to you faithfully what is said at court and what is in the wind." "You don't know, Amelie, the message which the Prefect of Police sent me this morning, and by whom ! By one of the most important men of the general police of the kingdom, the Bibi Lupin of politics, who told me that the government had secret interests in this trial. Let's have dinner and go to the Varietes. We'll talk to-night of all this in the silence of my office, for I shall need your intelligence; the judge's perhaps will not suffice. ' ' Nine-tenths of magistrates will deny the influ- ence of the wife over her husband upon such an occasion as this ; but if it is one of the most marked social exceptions, we may remark that it is true, though accidental. The magistrate is like the priest, especially at Paris, where the flower of the magistracy are to be found; he speaks rarely of criminal affairs unless the case be closed. The wives of magistrates not only pretend to know noth- ing, but even more than this, they all have a suffi- ciently acute sense of prudence to divine that they will injure their husbands if, when they know a secret, they allow any trace of their knowledge to become apparent Nevertheless, on great occasions, when there is some prospect of advancement in case such and such a resolution is taken, many a 48 SPLENDORS AND MISERIES wife has, like Amelie, aided the determination of a magistrate. In short, these exceptions, the more easy to deny as they are always unknown, depend entirely upon the manner in which the struggle between two characters is enacted in the bosom of a family. But in the Camusot family the gray mare was the better horse. When all the household was asleep the magistrate and his wife sat down at a desk on which the judge had spread all the documents relating to the case. "Here are the memoranda which the Prefect of Police sent at my request," said Camusot. "THE ABBE CARLOS HERRERA. "This individual is certainly the person named Jacques Collin, alias Trompe-la-Mort, whose last arrest, dating back to the year 1819, was effected at the residence of a certain Madame Vauquer, landlady of a cheap lodging house in the rue Neuve Sainte Genevieve, where he was living under the assumed name of Vautrin. " On the margin the following lines were written in the prefect's own hand : "Orders have been telegraphed to Bibi Lupin, chief of the secret service, to return immediately in order to testify to the identity of the priest with Jacques Collin; for he has known the latter personally, as he arrested him in 1819, by the co-operation of a certain Made- moiselle Michonneau." "The persons who were lodging at the time in THE END OF BAD ROADS 49 the Maison Vauquer are still alive and can be sum- moned in order to prove the identity. "The so-called Carlos Herrera is the intimate friend and adviser of M. Lucien de Rubempre, whom for the past three years he has furnished with considerable sums, evidently the profits of thefts. "This joint liability, if the identity of the so-called Spaniard with Jacques Collin can be established, will be the condemnation of M. Lucien de Rubempre. "The sudden death of the agent Peyrade is due to poison administered by Jacques Collin, by Ru- bempre, or by their accomplices. The reason for the murder comes from the fact that the agent had been for some time past upon the track of these two wily criminals." The magistrate pointed to this sentence written upon the margin by the Prefect of Police himself: ' ' This is my personal knowledge, and I am certain that M. Lucien de Rubempr^ has most shamefully deceived the Count de Siri^ and the Attorney-General." "What have you to say to this, Amelie ?" "It is frightful," answered the judge's wife; "goon." "The substitution of the Spanish priest for the convict Jacques Collin is the result of some crime more skillfully committed than that by which Cog- niard became Count de Saint Helene." "LUCIEN DE RUBEMPRE. "Lucien Chardon, son of an apothecary of Angou- ISme, and whose mother was a daughter of the 4 50 SPLENDORS AND MISERIES house of Rubempre, owes to a royal ordinance the privilege of bearing the name of Rubempre. This permission was granted at the solicitation of the Duchess de Maufrigneuse and of Count de Serizy. "In 182 — , this young man came to Paris, with- out any means of support, in the train of the Coun- tess Sixte du Chatelet, then Madame du Bargeton, cousin of Madame d'Espard. "Ungrateful to Madame de Bargeton, he lived for some time with a woman named Coral ie, formerly an actress at the Gymnase, who, for his sake, had left M. Camusot, a dealer in silk, of the rue Bour- donnais. "Soon plunged into poverty through the insuffi- cient support which this actress gave him, he compromised his respectable brother-in-law, a prin- ter in Angoul^me, very seriously, by issuing coun- terfeit notes, for the payment of which David Sechard was arrested, during a short visit of the aforesaid Lucien in Angoul^me. "This affair determined Rubempre's flight; he suddenly reappeared, however, in Paris in company with the Abbe Carlos Herrera. "With no apparent means of subsistence this Lucien spent on an average, during the first three years of his second sojourn in Paris, about three hundred thousand francs, which he could only have obtained from the so-called Abbe Carlos Herrera ; but by what means ? "Over and above this, he has recently disbursed upward of a million for the purchase of the Rubempre THE END OF BAD ROADS 51 estate, in order to fulfil! a condition necessary for his marriage with Mademoiselle Clotilde de Grandlieu. The rupture of this engagement is owing to the fact that the Grandlieu family, to whom M. Lucien had stated that his funds came from his brother-in-law and sister, obtained infor- mation in regard to those respectable persons, M. and Madame Sechard, notably through the Attorney Derville ; and not only were they totally ignorant of these acquisitions but they even supposed that Lucien was very deeply in debt "Moreover, the fortune inherited by M. and Madame Sechard consists in real estate ; and their money, reckoned after their own declaration, amounted to two hundred thousand francs. "Lucien has been living secretly with Esther Gobseck ; it is then certain that the vast sums lav- ished by the Baron de Nucingen, this woman's protector, have been transferred to the aforesaid Lucien. "Lucien and his companion, the convict, have been able to retain their positions before the world for a longer space than Coignard, by drawing their resources from the prostitution of the aforesaid Esther, a woman who has formerly been under police surveillance." In spite of the repetition which these memoranda make in the recital of this drama, it was necessary to repeat them word for word in order to picture the methods of the police in Paris. The police has, as we have already seen when information 52 SPLENDORS AND MISERIES was demanded in regard to Peyrade, records, almost invariably exact, of all the families and all the rndividuals whose behavior is suspected and whose actions are reprehensible. The police does not allow a single deviation to pass unnoted. This universal scrap-book, this balance sheet of con- sciences, is as accurately kept as is the ledger of the Bank of France. In the same way that the bank marks the slightest delay in the dates of payment, weighs the credit of everybody with whom it deals, reckons the fortunes of capitalists and follows their speculations, just so the police watches over the honesty of citizens. Here, as at the palace, inno- cence has nothing to fear ; watch is kept over sins alone. However distinguished a family may be, it can never be quite safe from this social provi- dence. The discretion of this power equals its extent. This vast quantity of statements of police commissioners, of reports, memoranda, of certifi- cates ; this ocean of information sleeps motionless, deep and calm as the sea. But let some great oc- currence happen, a misdemeanor or a crime take place, let justice appeal to the police, and instantly, if the records of the accused be on file, the judge takes notice of it These records, wherein antece- dents are analyzed, are not mere scraps of informa- tion which expire within the walls of the palace ; justice can make no legal use of them, it employs them, it lights its way by them — that is all. These maps display, as it were, the reverse side of the embroidery of crimes and their original causes which THE END OF BAD ROADS 53 remain almost always unpublished. No jury would trust them, the whole country would rise in indig- nation if recognition were taken of them in the cross-examination of the Court of Assize. Thus, in a word, truth is condemned to dwell deep in its well, as is its fate everywhere and always. There is no magistrate who, after a dozen years of practice in Paris, does not know that the Court of Assizes and the Police Court conceal half of those infamous secrets which are like the bed on which crime has brooded over its purposes, and who does not admit that justice does not punish one half the crimes that are committed. If the public could know the lengths to which this discretion is carried by unforgetting agents of police, it would revere these worthy men side by side with the Cheverus. Men think the police crafty, Machiavellan ; it is excessively benign ; only, it listens to passions in their paroxysms ; it receives secrets and it preserves its memoranda. It is terrible, but on one side. What it does for justice it does also for politics; but in politics it is as cruel and unjust as the fire of the Inquisition. "So much for that," said the judge, replacing the memoranda in their envelope. "It is a secret between the police and law; the judge will know what it is worth; but M. and Madame Camusot have never known anything about it." "Is it necessary to tell me that again?" said Madame Camusot. "Lucien is guilty," continued the judge, "but of what?" 54 SPLENDORS AND MISERIES "A man loved by the Duchess de Maufrigneuse, by the Countess de Serizy and by Clotilde de Grandlieu, is not guilty," replied Amelie; "the other must have done all." "But Lucien is his accomplice!" exclaimed Cam- usot "Will you take my advice?" said Amelie. "Ren- der up the priest to diplomacy, whose brightest ornament he is; acquit this poor wretch, and find others guilty." "How you gallop!" answered the judge, smiling. "Women fly toward their ends across the bar of law like birds in the air, which stop at nothing." "But," replied Amelie, "diplomat or convict, the Abbe Carlos will name somebody in order to extricate himself." "1 am but a cap, you are the head, " said Camusot. "Well, the council is over; come, kiss your Melie, it is one o'clock." — Madame Camusot went to bed, leaving her hus- band to put his papers and ideas in preparation for the examination which the two prisoners were to undergo on the following day. While the salad baskets were bringing Jacques Collin and Lucien to the Conciergerie, the exam- ining judge, after breakfast, walked through Paris afoot, in accordance with the simplicity of manners affected by Parisian magistrates, on his way to his office where the documents relating to the case were already collected. They had been brought in this way: THE END OF BAD ROADS 55 Every examining judge has a private secretary, a kind of judicial clerk under oath, whose race, perpetuated without bounties and without encour- agement, produces admirable individuals; among whom silence is as natural as it is absolute. From the origin of parliaments until to-day there has never been an example of an indiscretion com- mitted at the palace by one of these private clerks relating to criminal examinations. Gentil sold the receipt given by Louise of Savoy to Semblan^ay ; a clerk in the war department sold to Czernichef the plan of the Russian campaign ; both these trai- tors were more or less rich. The possibility of a situation in the palace or of a position as registrar, and the traditional conscience of their profession suffice to render the private secretary of an exam- ining judge the successful rival of the grave, for since the progress in chemistry has reached its present development, even the grave has become indiscreet This clerk is the very pen of the judge. Many people, perceiving that such a man might become the shaft of the machine, will ask one an- other how he can be satisfied to remain a simple nut ; but the nut is content : perhaps it is afraid of the machine. Camusot's clerk, a young man of twenty-two, named Coquart, had come in the morn- ing to collect all the judge's documents and memo- randa, and he had already arranged everything in the office when the magistrate was strolling leisurely along the quays, looking at the , curiosities in the shop windows and asking himself : 56 SPLENDORS AND MISERIES "Howshalll go to work with a rascal as able as Jacques Collin, supposing that it is he ? The chief of the secret service will recognize him; I must seem to know my business even if it be for the ex- clusive benefit of the police. I see so many im- possibilities that the best way would be to enlighten the marchioness and the duchess, too, by showing them the memoranda of the police, and I could also revenge my father from whom Lucien enticed Cora- lie. By detecting such black villains I shall spread the fame of my cleverness abroad, and Lucien will soon be disowned by all his friends. The examin- ation shall decide it," He entered a curiosity shop, attracted by a BouUe clock. "To be true to my conscience and yet to serve two noble ladies will certainly be a masterpiece of shrewdness, " thought he. "What! are you here? iVlonsieur le Procureur-General ?" exclaimed Camu- sot aloud. "Are you looking for medals?" "It's the taste of almost all justices," answered the Count de Granville, laughing, "on account of the reverses." Then after having glanced about the shop for a few moments as if he were finishing his examin- ation, he led Camusot away across the quai, so naturally that the latter could not suspect that his company was the result of anything but chance. "You are going to examine M. de Rubempre this morning," remarked the attorney-general. "Poor fellow, I was fond of him." — THE END OF BAD ROADS 57 "There are heavy charges against him," said Camusot. ' ' Yes, I have seen the pol ice memoranda ; but they are due in part to an agent not connected with the Prefecture, the notorious Corentin, a man who has cut the throats of more innocent men than you have sent guilty men to the scaffold, and — but the fellow is entirely out of our province. Without wishing to influence the conscience of a magistrate such as you, I cannot help saying that if you can be certain of Lucien's ignorance in regard to this woman's tes- tament, it would prove that he had no interest in her death, for she left him a prodigious amount of money." "We have positive proof of his absence at the time of the poisoning of this Esther, ' ' said Camu- sot "He was at Fontainebleau watching for the arrival of Mademoiselle de Grandlieu and of the Duchess de Lenoncourt. ' ' "Oh," remarked the attorney-general, "he was so confident in regard to his marriage with Made- moiselle de Grandlieu — I have it from the Duchess de Grandlieu herself — ^that it is impossible to sup- pose that so clever a fellow as he would compromise everything by a useless crime." "Yes," said Camusot, "above all if this Esther gave him all her earnings. " "Derville and Nucingen say that she died with- out hearing of the succession, which had been withheld from her for a long time," added the attorney-general. 58 SPLENDORS AND MISERIES "What do you think is the solution, then?" demanded Camusot, "for there is an answer." "A crime committed by the servants," replied the attorney-general. "Unhappily," remarked Camusot, "it is perfectly consistent with Jacques Collin's character, for, in all probability, the Spanish priest is this escaped convict, to make away with the seven hundred and fifty thousand francs realized by the sale of the three per cent bonds presented by Nucingen." "You must weigh everything, my dear Camusot; be prudent The Abbe Carlos Herrera is connected with diplomatic circles — but, should an ambassador commit a crime, he would not be protected by his position. Is he or is he not the Abbe Carlos Her- rera? That is the most important question." — And M. de Granville bowed like a man who does not wish an answer. "So he too is anxious to save Lucien?" thought Camusot, as he made his way across the quai des Lunettes, while the attorney-general entered the Palais through the Cour de Harlay, When he had reached the courtyard of the Con- ciergerie, Camusot went straight to the warden's house, and led its master to the middle of the side- walk safe from every ear. "My dear sir, be so kind as to goto the Force and learn of your colleague whether he is fortunate enough to possess at this present time any convicts who have been imprisoned at Toulon from 1810 to 181 5; find out, also, whether you have any such persons yourself. We shall transfer those now at the Force to your command for a few days, and you will tell me whether the pseudo Spanish priest is recognized by them as Jacques Collin alias Trompe- la-Mort' "Certainly, Monsieur Camusot; but Bibi Lupin has arrived — " "Ah, already!" exclaimed the judge.' "He was at Melun. When he heard that Trompe- la-Mort was in the case he smiled with delight, and now he waits your orders." "Send him tome." The warden of the Conciergerie had then an opportunity to tell the examining judge of Jacques Collin's petition, and to describe his deplorable condition. "It was my intention to examine him first," answered the magistrate; "but not on account of his (59) 6o SPLENDORS AND MISERIES health. This morning I received a note from the warden of the Force ; but this fellow, who twenty- four hours ago was at the point of death, slept so well that the doctor, summoned by the warden, was able to enter his cell without arousing him; the doctor did not even feel his pulse, but let him sleep; this seems to prove that his conscience is as good as his health. I am not going to believe in this ill- ness unless it be to study my man's game," said M. Camusot smiling. "We have a daily opportunity for that with the pr'eoenus and the accuses," observed the warden of the Conciergerie. The Prefecture of Police is connected with the Conciergerie, and the magistrates, as well as the warden of the prison, can appear there with ex- traordinary promptness by means of their acquain- tance with subterranean passages. This is the explanation of the miraculous facility with which the general ministry and the presidents of the Courts of Assizes can, during session, secure certain pieces of information. Thus, when M. Camusot had reached the head of the staircase leading to his office, he came upon Bibi Lupin, who had hastened thither through the Salle des pas Perdus. "What zeal!" said the judge with a smile. "Ah! that's because, if it is he," answered the chief of the secret service, "you will see a terrible dance in the yard, though there are but few of these runaway horses." (A slang expression for former convicts.) THE END OF BAD ROADS 6l "Why?" "Trompe-la-Mort has gobbled their cash and I know that they have sworn to do away with him. ' ' "They," signified the convicts whose savings, entrusted for twenty years to Trompe-la-Mort, had been squandered on Lucien as the reader knows. "Could you find the witnesses of the last arrest?" "Give me two summons for witnesses, and I will procure them for you to-day. ' ' "Coquart," said the judge, taking off his gloves and placing his hat and cane in a corner, "make out two summons according to the agent's direc- tions." He looked at his picture in the glass over the fire- place. On the mantle-piece in place of a clock stood a basin and water pitcher, on one side of this was a carafe full of water and a glass, and on the other a lamp. The judge rang; after a few minutes the usher appeared. "Is there anybody waiting to see me?" asked he of the usher, whose duty it was to receive witnesses, to verify their summons and to arrange them in order of their arrival. "Yes, sir." "Take the names of all who have come; bring me the list." Examining judges, avaricious of their time, are sometimes obliged to conduct several examinations at once. This is the explanation of the long line which the witnesses form when they are summoned into an apartment, where ushers are standing about 62 SPLENDORS AND MISERIES and gongs of the examining judges are continually ringing. "Now," said Camusot to his usher, "find Abbe Carlos Herrera for me." "Ah! He represents himself as Spanish and a priest? So they have told me. It's Collet over again, Monsieur Camusot," exclaimed the chief of the secret service. "There is nothing new," replied Camusot The judge signed two of those formidable sum- mons which make even the most innocent witness anxious when justice commands him thus to appear, under severe penalties in case of refusal. About half an hour before this time Jacques Collin had completed his profound deliberation, and he was resting on his arms. Nothing can more graphically describe this figure of the people in rebellion against the law than the few lines which he had traced upon his greasy papers. The meaning of the first ran as follows, for it was written in the language agreed upon between him- self and Asia, the slang of slang, the cipher applied to the idea : "Go to the Duchess of Maufrigneuse or to Madame de Serizy; see that one or the other interviews Lucien before his examination, and gives him the paper herein enclosed to read. Then Europe and Paccard must be found, in order that both thieves be at my orders and ready to play the part I shall assign to them. THE END OF BAD ROADS 63 "Hasten to Rastignac, tell him on the part of the man whom he met at a ball at the Opera, to come and bear witness that Carlos Herrera resembles in no particular the Jacques Collin arrested at the house of Madame Vauquer. "Tell Doctor Bianchon to do likewise. "Make Lucien's two wives work toward the same end." On the enclosed paper these lines were written in good French : "Lucien, confess nothing about me. I must be for you the Abbe Carlos Herrera. Not only is this your justification, but, a little more courage and you shall have seven millions, and your honor safe in the bargain. ' ' These two papers glued on the side of the writing in such a way as to appear like a single fragment of the same leaf, were rolled with an art peculiar to those who have pondered in prison over the means of becoming free. The whole assumed the form and consistency of some round particle of grease, large as are those waxen heads which eco- nomical women fasten to needles that have lost their eyes. "If it is my turn to go to the examination first, we are saved; but if it is the boy's, all is lost," thought he as he waited. This brief delay was so cruel that, redoubtable 64 SPLENDORS AND MISERIES as fie was, Carlos felt the cold sweat start out upon his forehead. This extraordinary person divined as truly in his sphere of crime as Moliere divined in the sphere of dramatic poetry, or as Cuvier con- cerning creations that have disappeared. In all its forms, genius is an intuition. Below this phenom- enon the remainder of remarkable works owe their accomplishment to talent Herein lies the difference which separates persons of the first from persons of the second rank. Crime has its men of genius. Jacques Collin, at bay, was allied with the ambi- tious Madame Camusot, and with Madame de Serizy, in whom love had reawakened beneath the blow of the terrible catastrophe which had engulfed Lucien. Such was the supreme effort of human intelligence against the steel armor of the law. As he heard the grating of the heavy iron locks and bolts of his door, Jacques Collin assumed once more the appearance of a dying man ; he was aided in this effort by the intoxicating sensation of joy which came over him as he heard the squeaking of the turnkey's shoes in the corridor. Ignorant of the means by which Asia would succeed in reaching him, he counted upon seeing her near his path, above all after the promise which he had received at the Arcade Saint Jean. After that fortunate encounter, Asia had made her way down to the Gr^ve. Before 1830 the name of Gr^ve had a meaning which is now lost All that portion of the quai from the Pont d'Arcole as far as the Pont Louis Philippe was then just as THE END OF BAD ROADS 65 nature had made it, with the exception of a paved walk that slanted to one side. Thus at flood tide boats could ply past the houses and along the streets which sloped toward the river. On this quai the ground floors of the houses were almost all raised to the height of a few steps above the level of the street. When the water splashed against the foun- dation of the houses carriages made a detour by the abominable rue de la Mortellerie, now entirely abolished to enlarge the H6tel de Ville. It was then an easy matter for the sham peddler to push her little cart rapidly to the foot of the quai, and to leave it there until the true owner, who was at this time drinking the proceeds of her wholesale bargain in one of the dirty pot houses of the rue de la Mor- tellerie, should come to find it at the spot where Asia had promised to leave it. At this time work- men happened to be finishing the addition to the Quai Pelletier. The entrance to the workshed was guarded by a disabled soldier, and the cart entrusted to his care ran no risk. Asia instantly took a cab on the Place de I'Hotel de Ville, and said to the driver : "To the Temple, hurry, there' s grease to be had." A woman dressed like Asia could, without exciting the least curiosity, disappear within the vast market where are heaped all the rags of Paris, where a thousand hawkers swarm and hundreds of old-clothes women chatter the praises of their wares. The two prisoners were scarcely registered when Asia was busy changing her costume in a small, damp, low 5 66 SPLENDORS AND MISERIES entresol, situated above one of those vile shops where seamstresses and tailors sell remnants of stolen cloth, kept by an old hag called La Romette, from her christian name of Jer6mette. La Romette was to women of Asia's occupation exactly what Madame Resources themselves are to those women who are styled fashionable when they have run into debt — a lender of money at a hundred per cent "Now, old girl," said Asia, "I want to be rigged up. I must be a baroness of the Faubourg Saint Germain at the least. Hurry it up," continued she ; "I'm walking on tacks. You know what gowns become me. First of all rouge ; pick me out some of your best laces, and out with your shiniest jewels — send your little girl to hail a cab, and have the driver stop at our back door." "Yes, madame," replied the old woman, with the submission and alacrity of a servant in the presence of her mistress. Had there been a witness of this scene, he would have seen at once that the woman hidden beneath the name of Asia was quite at home. "1 have an offer of diamonds — " said La Romette as she arranged Asia's hair. "Stolen.?" "I think so." "You must go without, my child, whatever the profit. We have old curiosity to fear for sometime to come. ' ' The reader can now understand how Asia was able to be in the Salle des pas Perdus of the Palais THE END OF BAD ROADS 6/ de Justice with a summons in her hand and an usher to guide her through the corridors and up the stair- ways which lead to the offices of the examining judges, and finally to ask for M. Camusot full fifteen minutes before the arrival of the judge, Asia no longer bore any resemblance to herself. After having washed her wrinkled face like an actress, and painted it with red and white, she had covered her head with an admirable blond wig. Dressed precisely like some lady from the Faubourg Saint Germain in quest of her lost dog she looked forty years old, for she had concealed her face beneath a magnificent veil of black lace. Tightly laced stays compressed her huge waist. Neatly gloved, and provided with rather a large bustle, she exhaled an odor of powder k la marechale. While her hands played with a gold-mounted reticule, she divided her attention between the walls of the palais, to which this was evidently her first visit, and the leash of a pretty King Charles' spaniel. Such a dowager did not go long unnoticed by the black-robed population of the Salle de pas Perdus. Beside the briefless barristers, who sweep the Salle de pas Perdus with their long gowns and call famous lawyers by their Christian names to one another, after the fashion of grand seigneurs, in order to pretend that they too belong to the aristocracy of their profession, there are often to be seen patient young men at the beck and call of solicitors, who dance attendance for the sake of a single case in which they may be retained as second counsel and 68 SPLENDORS AND MISERIES thus obtain some possible chance to plead in case the lawyers retained as first counsel happen to be delayed — that would be a curious picture which should portray the differences between the black gowns as they pace up and down the vast hall by threes, and occasionally by fours, while the buzz of their conversations echoes through this hall, so aptly named, for walking wears lawyers out as well as the unbounded measure of their speech ; but this descrip- tion will find a place in the study destined to depict the lawyers of Paris. Asia had calculated upon the idlers of the palace ; she laughed in her sleeve at the pleasantries which she overheard, and finally succeeded in attracting the attention of Massol, a young licentiate in law more interested in the Cassette des Tribunaux than in his clients, who smilingly placed his services at the disposal of a woman so perfumed, so sweetly and so richly dressed. Asia assumed a little shrill voice to explain to this obliging gentleman that she had come in accordance with the summons of a judge named Camusot. — "Ah! for the Rubempre case." The case already had its name ! "Oh! its not I, but my maid, a girl surnamed Europe, who has been in my service twenty-four hours, and who fled the moment that she saw my butler bring me this stamped paper. ' ' Then like all old women, whose lives are passed in gossiping about the hearth, encouraged by Mas- sol, she dilated upon all sorts of wholly foreign sub- jects; she told of her unhappiness with her first THE END OF BAD ROADS 69 husband, one of the three directors of the Treasury of the Interior; she consulted the young lawyer on the question of a possible suit against her son-in- law, the Count de Gross-Narp, who was making her daughter very unhappy, and as to whether the law allowed him to dispose of her fortune. Massol, for all his efforts, could not discover whether the sum- mons had been served upon the mistress or the maid. At the outset he had contented himself with glancing at the judicial paper, samples of which are so fre- quently to be seen ; since, for the sake of greater haste, they are printed, and the clerks and examin- ing judges have only to fill out the blanks left vacant for the names and addresses of witnesses, the hour of their appearance, etc. Asia questioned Massol on the geography of the palace, which she knew better than the lawyer himself, and con- cluded by asking of him at what time M. Camusot was expected. "As a general thing, examining judges began their interrogation toward ten o'clock." "It is a quarter before ten," said she, looking at a charming little watch, a masterpiece of the jew- eler's art, which made Massol think, "Where the devil will fortune perch at last!" At this moment Asia had reached that dark hall opening upon the courtyard of the Conciergerie, where the ushers are in waiting. Perceiving the wicket gate through the window, she exclaimed : "What are those enormous walls.'" "That is the Conciergerie." 70 SPLENDORS AND MISERIES "Ah! that's the Conciergerie where our poor queen — Oh! how I should like to see her cell!" "It is impossible, your ladyship," replied the lawyer, who had given his arm to the counterfeit dowager; "you must have a permit, and that is difficult to obtain. " "I am told," continued she, "that Louis XVIII. wrote the Latin inscription which is placed in Marie Antoinette's cell with his own hand." "Yes, your ladyship." "I should like to know Latin In order to study the words of that inscription," replied she. "Do you think that M. Gamusot could give me a permit?" "He has nothing to do with that; but- he might accompany you — ' ' "But his examinations.'" said she. "Oh!" replied Massol, "the prisoners can wait." "Ah! they are prisoners, it is true," replied Asia, naively. "But I know M. de Granville, your attor- ney-general. " This bit of information produced a magical effect upon the ushers and upon the lawyer. " Ah ! you know the attorney-general .'" said Mas- sol, who was considering a request for the name and address of the client whom chance had brought him. "I see him often at the house of his friend, M. de S6rizy. Madame de S6rizy is a relative of mine through the Ronquerolles. " "But if madame cares to visit the Conciergerie, " said an usher, "she — " THE END OF BAD ROADS 7I "Yes," said Massol, And the ushers made way for the lawyer and the baroness, who descended the stairs to the small prison yard, from one end of which rises the stair- way of the Sourici^re, a spot well known to Asia, which forms, as we have seen, a post of observation between the Sourici^re and the sixth chamber, before which everybody is obliged to pass. "Ask those men whether M. Camusot has come, " said she, pointing toward several gendarmes play- ing at cards. "Yes, madame, he has just gone into the Souri- ci^re. " "The Sourici^re!" said she. "Which is that.? Oh! how stupid I was not to go straight to the Count de Granville. But I have no time. Please take me to M. Camusot, so that I may speak with him before he is engaged. "Oh ! madame, you have plenty of time to speak with M. Camusot," said Massol. "If you will send him your card, he will spare you any disagreeable delay in the ante-room with the witnesses. At the palace ladies such as you do not go unheeded. You have your cards.'" At this juncture Asia and her barrister were stand- ing exactly opposite the window of the guardhouse, whence the gendarmes could watch any movement of the wicket of the Conciergerie. The gendarmes, trained in the respect due to the defenders of the widow and the orphan, and knowing well the priv- ileges of the gown, tolerated for a few moments the 72 SPLENDORS AND MISERIES presence of a baroness escorted by a barrister. Asia encouraged the young barrister |to tell her all the dreadful things that a young barrister can say about a wicket. She refused to believe that prisoners were dressed for the scaffold behind the grating which was pointed out to her ; but the brigadier of gendarmes corroborated this statement "How I should like to see that!" said she. There she stayed chatting with the brigadier and her barrister until the moment thatshe caught sight of Jacques Collin, supported by two gendarmes and preceded by M. Camusot's usher, coming out from the wicket. "Ah! There's the prison chaplain who has no doubt been preparing some poor wretch — ," "No, no, your ladyship," replied the gendarme; "it's Apr^venu on his way to examination." "What is the charge against him?" "He's implicated in this poisoning case — " "Oh! I should so like to see him!" "You cannot remain here," said the brigadier, "for he is in solitary confinement and he i^ coming directly across this guard room. This door, madame, opens upon the stairway. — " "Thanks, sir," said the baroness, as she turned toward the door and sprang toward the stairway, where she cried out: — "Why, where am I?" Her cry reached the ears of Jacques Collin, whom she had purposed to prepare thus for her appearance. The brigadier dashed after the baroness, seized her by the waist, and bore her, like a feather, to the midst THE END OF BAD ROADS 73 of the five gendarmes, who sprang to their feet like a single man ; for in the guard house nothing is unsuspected. It was an arbitrary measure, but it was necessary. The barrister himself had uttered two exclamations, "madame! madame!" in a tone full of alarm, so great was his fear lest he should compromise himself. The Abbe Carlos Herrera sank almost senseless upon a chair in the guard room. "Poor man!" said the baroness. "Is he guilty?" These words, although they were spoken in the ear of the young barrister, were heard by everybody, for in this dreadful guard room there reigned the silence of death. Some few exceptional persons obtain the occasional privilege of seeing notorious criminals as they pass through the guard room or the lobbies so that the usher and the gendarmes charged with conducting the Abbe Carlos Herrera paid no heed to Asia's presence. Besides, thanks to the prompt action of the brigadier, who had seized the baroness in order to prevent any possible com- munication between the pr'evenu and the strangers, the prisoner was still at a very safe distance. "Let us proceed!" said Jacques Collin, making an effort to rise. At this instant the tiny ball fell from his sleeve, and the spot where it dropped was noted by the baroness, whose eyes, protected by her veil, were left at liberty. The moist and greasy paper did not roll ; for these small details, apparently unthought of, had all been calculated by Jacques Collin in 74 SPLENDORS AND MISERIES order to make the success of his stratagem complete. When the prisoner had been led up the stairs, Asia dropped her reticule quite naturally, and picked it up slowly ; but as she stooped over she had picked up the ball, which, from its color, absolutely like that of the dust and mud of the wooden floor, was invisible. "Ah!" said she, "that breaks my heart! — He is dying." "Or he seems so," replied the brigadier. "Sir," said Asia to the lawyer, "show me the way, at once, to M. Camusot; this very trial is my reason for coming — and perhaps he will be glad to have seen me before examining the poor priest." The barrister and the baroness left the guard room, with its greasy and smoke-stained walls ; but when they had reached the top of the staircase, Asia suddenly cried out: ' ' My dog ? Oh, sir ; my poor dog !' ' and like a mad woman she darted into the Salle des pas Perdus, asking everybody for tidings of her dog. She reached the Galerle Marchande and dashed toward a stair- case, saying: "There he is!" This staircase was that which led to the Cour de Harlay, and now that her comedy was played, Asia rushed through the court, jumped into one of the cabs which stood on the quai des Orfeveres, and disappeared with the summons to appear directed against Europe, whose real name was still unknown to the police and to justice. "Rue Neuve Saint Marc," she cried to the driver. Asia could count upon the inviolable discretion of a certain dealer in old clothes, called Madame Nourrisson, known likewise under the name of Madame de Saint-Esteve, who had lent her not only her personality but even her shop, where Nucingen had haggled for the delivery of Esther. In this shop Asia was completely at home, for she occupied a room in Madame Nourrisson's dwelling. She paid her fare and went up to her room, after nodding to Madame Nourrisson hastily, to show her that there was no time for words. Once safe from all danger of detection, Asia began to unfold the papers with the scrupulous care of scholars unrolling palimpsests. After reading the instructions, she judged it necessary to transcribe upon note paper the lines destined for Lucien ; then she went downstairs to the shop and talked with Madame Nourrisson, while a little shop girl went to the Boulevard des Italiens to secure a cab. Asia then procured the addresses of the Duchess de Maufrigneuse and of Madame de Serizy, with which Madame Nourrisson was familiar through her rela- tions with their chambermaids. These diverse proceedings, these minute occupa- tions employed more than two hours. Madame la Duchess de Maufrigneuse, who lived in the upper part of the Faubourg Saint Honore, kept Madame <75) 76 SPLENDORS AND MISERIES de Saint-EstSve waiting for a whole hour, although the maid, after knocking at her mistress' door, had sent in Madame de Saint-EstSve's card on which Asia had written, " Come on most urgent business regarding Lucien." At the first glance which she cast at the duchess' face, Asia understood that her visit was most inoppor- tune ; thus she excused herself for having disturbed her ladyship's repose, pleading in her defence the imminent danger in which Lucien stood. — "Who are you?" demanded the duchess, without any expression of politeness, as she stared at Asia, who might easily be taken for a baroness by Master Massol in the Salle des pas Perdus, but who, as she trod the carpet of the little parlor of the H6tel de Cadignan, produced an effect not unlike a spot of carriage grease upon a white satin gown. "I am a tradeswoman, your ladyship, and I deal in second-hand clothes ; for at such a juncture as this people address themselves to women whose business rests upon absolute discretion. I have never betrayed a soul, and God knows how many noble ladies have confided their diamonds to me for a month and secured in return counterfeit ornaments precisely like — " "You have another name.'" said the duchess, smiling at a reminiscence which this response called to her mind. "Yes, your ladyship, on great occasions I become Madame de Saint-Est^ve, but in business my name is Madame Nourrisson." THE END OF BAD ROADS jj "Good!" answered the duchess quickly, chang- ing her tone. "I am able," continued Asia, "to render great services, for we keep husband's secrets as well as those of wives. I have frequently done business with M. de Marsay, whom your ladyship — ' ' "Enough! enough!" exclaimed the duchess ; "let us think about Lucien. " "If your ladyship wishes to save him you must be brave enough to lose no time in dressing ; besides, your ladyship could not be handsomer than she is at this moment On the word of an old woman, you are pretty enough to eat! Don't have your horses harnessed, madame, but get into my cab with me. Come to Madame de Serizy, if you would avoid greater misfortune than death of this cherub — " "Go on, I follow," said the duchess after a moment's hesitation ; " we two shall encourage Leon- tine—" In spite of the truly devilish activity of this Dorine of prisons, the clock was striking two when Asia, accompanied by the Duchess de Maufrigneuse, entered the house of Madame de Serizy, who lived in the rue de la Chaussee-d'Antin. But there, thanks to the duchess, not an instant was lost. Both women were immediately introduced into the pres- ence of the countess, whom they discovered reclin- ing upon a divan under a miniature chalet, in the midst of a garden perfumed with the rarest flowers. "It is well," said Asia, glancing about her, "we cannot be overheard. ' ' 78 SPLENDORS AND MISERIES "Ah! mydearest, lamdying. Diane, what have you done?" cried the countess, springing forward like a fawn and bursting into tears as she threw her arms about the duchess' shoulders. "Courage, Leontine, there are seasons when women, like you and me, should not weep but act," said the duchess, forcing the countess to sit down beside her on the couch. Asia studied the countess with that look peculiar to women grown old in cunning, with which they search another's soul, with the swiftness of a sur- geon's knife probing a wound. The companion of Jacques Collin 'could discern traces of the rarest sentiment known to a worldly woman, true sorrow ! That sorrow which ploughs upon both heart and face furrows which cannot be effaced. There was not a trace of coquetry in her attire. The countess had seen forty-five summers; her loose gown of printed muslin was rumpled and showed no mark of care ! She was without stays ; her eyes encircled by black rings, her stained cheeks bore witness of bitter tears; her waist was bound by no girdle; the embroidery of her petticoat was worn; her hair, caught up beneath a lace cap untouched by comb for twenty-four hours, was woven into a short light braid, while a few curly wisps appeared in all their bareness. Leontine had forgotten to put on her false braids. "You love for the first time in your life," said Asia, sententiously. Leontine noticed Asia, and made a startled gesture. THE END OF BAD ROADS 79 "Who is that, dear Diane?" said she to the Duchess de Maufrigneuse. "Whom do you suppose that I would bring you if she were not a woman devoted to Lucien and ready to serve us?" Asia had divined the truth. Madame de S^rizy, who passed for one of the most fickle of worldly women, had once felt for the Marquis d' Aiglemont an attachment that had lasted for ten years. Since the marquis' departure for the colonies, she had become wildly in love with Lucien, and had torn him away from the Duchess de Maufrigneuse, ignorant, as was all Paris at that time, of Lucien's love for Esther. In the best society, a single authentic attachment hurts a woman's reputation more than ten obscure intrigues; and two such attachments wound her good name in full proportion. Never- theless, as Madame de Serizy cared nothing for what people say, her biographer might guarantee her virtue with the slight exception of a blemish or two. She was a blond of middle height, preserved like blonds who are preserved, that is to say looking scarcely thirty, slender without thinness, pale with ash-colored hair ; her feet, hands and figure were of an aristocratic delicacy. As a RonqueroUes she was witty, and in consequence as displeasing to women as she was attractive to men. Through her vast fortune and through the distinguished positions of her husband and of her brother, the Marquis de RonqueroUes, she had always been sheltered from the mortifications which would doubtless have 8o SPLENDORS AND MJSERIES overwhelmed another woman in her position. She had one great merit: she was candid in regard to her vices, and openly avowed her taste for the manners of the Regency. This woman, now forty-two years old, had hitherto only considered men as amusing toys, though, strange to say, she had granted them much, thinking that in love you have to submit, to ultimately conquer, but at the mere sight of Lucien, she was seized with love similar to Baron Nucingen's for Esther. She had then loved, as Asia had just told her, for the first time in her life. These trans- positions of youth are more common than is sup- posed among women in Paris in the highest circle of society, and cause inexplicable falls of virtuous women at the moment they reach the harbor of forty years. The Duchess de Maufrigneuse was the sole confidant of this terrible and consummate passion, whose joys, from the infantine sensations of first love to the indulgence of unbounded pleasure, made Leontine mad and insatiate. True love, as everybody knows, is pitiless. The discovery of an Esther had been followed by one of those angry ruptures in which woman's rage does not shrink from murder; then came the stage of cowardice to which sincere love surrenders with sweet delight. Thus, for a month past the countess would have given ten years of her life to see Lucien but for a week. In a word, she had come to accept the rivalry of Esther at the moment when, in this paroxysm of tenderness, the news of her lover's arrest had burst upon her like the trumpet call of THE END OF BAD ROADS 8 1 the last judgment The countess had been near to death; her husband, fearing the revelations of deli- rium had himself kept watch over her bedside ; and for twenty-four hours she had been living with a dagger at her heart In the heat of fever, she cried aloud to her husband : "Save Lucien; and henceforth 1 will live for you alone. ' ' "It's of no use to cry your eyes out, as her lady- ship, the duchess, says, ' ' exclaimed the terrible Asia, seizing the countess by the arm. "If you wish to save him there's not an instant to lose. He is inno- cent, I swear it on my mother's bones." "Yes, yes, is he not innocent ?' ' cried the countess looking kindly into Asia's hideous face. "But," said Asia, continuing, "if M. Camusot makes a had examination he can condemn Lucien by a word ; and if you have the power to open the doors of the Conciergerie and speak with him, go this instant and give him this letter. — To-morrow he shall be free, I swear it You must rescue him, for it was you that drove him to his fate." "I?" "Yes, you ! You noble ladies never have a penny, though you have your millions. The ragamuffins who made love to me used to have their pockets full of money. I liked to see them happy. It's pleasant to be mother and mistress at once. You let the men who love you starve like dogs, and never trouble yourself to ask about them. Esther had no fine words, but at the price of her body and 6 82 SPLENDORS AND MISERIES her soul she gave the million which they demanded of your Lucien, and that is what has driven him to the place where he is." "Poor girl ! Did she do that? I love her — ' ' said Leontine. "Ah! now — " said Asia with cold irony. "She was very beautiful, but now, my angel, you are far more beautiful than she; and Lucien's marriage with Clotilde is broken past mending," whispered the duchess to Leontine. The effect of this reflection and calculation was so strong that the countess ceased to suffer; she passed her hand over her forehead ; she was young again. "Come, my pet; off with you, hurry!" said Asia, who saw this metamorphosis and divined its power. "But," said Madame de Maufrigneuse, "first of all we must prevent M. Camusot from examining Lucien; we can write him a line and send it to the palace by your valet, Leontine. ' ' "Come into my room," said Madame de S^rizy. Let us find out what was going on at the palace while Lucien's protectresses were carrying out the orders written by Jacques Collin. The gendarmes carried the dying man in a chair and placed him directly opposite the window of the office of M. Camusot, who was sitting in an arm chair before his desk. Coquart, pen in hand, bent over a small table a few feet from the judge. THE END OF BAD ROADS 83 The situation of the otificers of examining judges is not a matter of indifference, and if it has not been chosen with foresight, we must admit that chance has treated justice like a sister. Like painters, these magistrates need the pure and uni- form light which comes from the north, for the faces of their criminals are pictures which need the most careful study. Thus almost all examining judges place their desks in the position chosen by Camu- sot ; so that their backs are turned toward the win- dow while the faces of those whom they examine are exposed to the full glare of the light. There is not one of them who, after six months' practice, neglects to assume a careless absent-minded expres- sion whenever his spectacles are off his nose, so long as the examination lasts. It was to a sudden change of countenance, observed by this method and caused by a question asked point-blank, that was owed the discovery of a crime committed by Castaing at the very moment when, after a long consultation with the attorney-general, the judge was about to re- lease this deep offender against society in default of proof. This detail may explain to persons of the smallest comprehension how animated, interes- ting, curious, dramatic and terrible is the struggle of a criminal examination, a struggle without wit- nesses but always written down. God knows what remains on paper of this frigid yet burning scene, in which the eyes, the accent, a tremor of the face, the slightest tinge of color rising at a thought, are as perilous as they are among savages who scrutinize 84 SPLENDORS AND MISERIES one another to discover secrets and to murder. The written report is but the ashes of the confla- gration. "What is your real name?" demanded Camusot of Jacques Collin. "Don Carlos Herrera, canon of the royal chapter of Toledo, secret envoy of his Majesty, Ferdinand VII." We must mention here that Jacques Collin was speaking a vile jargon of Spanish and French, muti- lating the latter to such a degree that his answers were almost unintelligible, and had to be repeated at the judge's request. The Germanisms of M. de Nucingen have already been strewn too thickly through this book to allow us to add other dialects which are difficult to read, and delay the unravel- ing of the plot "You have papers which support your affirma- tion .'' ' inquired the judge. "Yes, your honor, a passport, a letter from his Catholic Majesty authorizing my mission. — In short, you can send at once to the Spanish Embassy a line which I shall write in your presence ; my testi- mony will be corroborated. Then, if you require more proofs, I will write to his Eminence, the Grand Almoner of France, and he will dispatch his private secretary hither immediately." "You still maintain that you are dying?" said Camusot. "If you had really experienced the suffer- ing of which you have complained you would THE END OF BAD ROADS 85 certainly have died before this," added the judge ironically. "You regulate the trial according to the courage of an innocent man and to the strength of his con- stitution !' ' answered the pr^enu with gentleness. "Coquart, ring! Send for the doctor of the Con- ciergerie and his assistant. — ^We shall be obliged to remove your coat and proceed to the verification of the mark upon your shoulder, ' ' continued Camu- sot. "I am in your honor's hands." The prisoner asked if the judge would have the goodness to explain to him what this mark was and why they sought for it upon his shoulder. The judge was expecting this question. "You are suspected of being Jacques Collin, an escaped convict, whose audacity recoils before noth- ing, not even sacrilege! — " said the judge suddenly, darting his glance into the prisoner's eyes. Jacques CoUin did not tremble, his color did not change; he sat quite calm, and his face assumed an expression of ingenuous curiosity as he stared at Camusot "I, a convict, your honor? May the order to which I belong, and may God pardon you for such an error ! Tell me ever5^hing that I must do to prevent you from persisting in so serious an insult to the rights of man, to the Church, and to the King, my Master. ' ' Without returning a direct answer, the judge explained to the prisoner that if he had undergone the branding inflicted by law upon the shoulders 86 SPLENDORS AND MISERIES of criminals condemned to hard labor, a few blows would make the letters immediately reappear. "Ah! sir!" said Jacques Collin, "it would be hard if my devotion to the royal cause were to be the cause of my ruin." "Explain yourself," said the judge; "that is the reason why you are here. ' ' "I will, your honor. I must have many a scar on my back, for I have been fusilladed from behind as a traitor to my country, because I was faithful to my king, by the Constitutionals who left me for dead." "You have been shot by a file of soldiers and yet you are alive!" said Camusot. "I had some understanding with the soldiers, who had received money from several pious per- sons ; and thus they placed me so far away that the bullets were almost spent when they struck me; the soldiers aimed at my back. It is a fact to which his Excellence, the Ambassador, can bear wit- ness — ' ' "This devilish man has an answer for everything. So much the better," thought Camusot, who did not appear more severe than was necessary to sat- isfy the demands of justice and of the police. "How is it that a man of your cloth," said the judge ad- dressing the convict, "is found in the house of Baron de Nucingen's mistress; — and of such a mis- tress as she, a former prostitute." "This is the reason why they found me in the house of a courtesan, your honor," replied Jacques THE END OF BAD ROADS 8? Collin. "But before telling you my motive in going there I ought to observe that at the instant that I stepped upon the staircase I was seized by the sudden attack of my illness; thus I did not even have time to speak to the v/oman. I had had information of Mademoiselle Esther's intended sui- cide and since this concerned the interests of young Lucien de Rubempre, for whom 1 have a peculiar affection, the motives of which are sacred, I was going to attempt to lead the poor creature from the path down which despair was hurrying jher; I wished to tell her that Lucien was certain to fail in his last attempt to win Mademoiselle Clotilde; and by telling her that she was the heiress of seven millions, I hoped to give her courage to live. I am certain, sir, that I have been the victim of the secrets confided to me. By the manner in which I was struck down, I believe that I had been poisoned that very morning, but the strength of my constitu- tion has saved me. I know that for some time past an agent of the political police has been following me, seeking to entrap me in some wicked snare. — If, upon my request after my arrest, you had sum- moned a physician you would have had proof of what 1 tell you now in regard to the state of my health. Believe me, sir, that persons in high authority have extraordinary interests in confounding me with some rascal in order to find a legal method of getting rid of me. To serve kings is not wholly gain; they have their littlenesses. The Church alone is perfect." It is impossible to describe the play of Jacques 88 SPLENDORS AND MISERIES Collin's features as he spent, intentionally, ten minutes in enunciating this tirade, phrase by phrase ; the whole was so credible, above all the allusion to Corentin, that the judge's conviction was shaken. "Can you confide to me the reasons of your affec- tion for M. Lucien de Rubempre?" "Cannot you guess? I am sixty years old, your honor. — I implore you not to write it — it is — must I tell — unavoidably ?' ' "It is for your interest, and above all for the in- terest of M. de Rubempr6 to tell ever3d:hing, ' ' an- swered the judge. "Then, it is — oh, my God! — He is my son!" added the priest with an effort. He fainted. "Don't write that, Coquart," said Camusot in a whisper. Coquart rose to get a small vial of strong vinegar. ' ' If this is Jacques Coll in, he is a truly great actor !' ' thought Camusot Coquart put the vinegar below the nostrils of the ex-convict, while the judge looked on with all the acute ness of a lynx and a magistrate. "His wig must be taken off," said Camusot, waiting until Jacques Collin should recover his senses. The old convict heard these words and shivered with terror, for he well knew the base expression which his countenance would assume. "If you have not strength to remove your wig — THE END OF BAD ROADS 89 yes, Coquart, take it off," said the judge to his secretary. Jacques Collin bent his head toward the secre- tary with admirable resignation; but once deprived of its covering his head was horrible to see, its real character was imprinted upon it. This spec- table plunged Camusot once again into great uncer- tainty. While he waited for the doctor and his assistant he began to classify and examine all the papers and objects which had been seized in Lu- cien's dwelling. After the law had done its work in the rue Saint Georges at Madame Esther's house, it had descended upon the quai Malaquais to finish its search. "You have laid hands upon the letters of the Countess de Serizy," said Carlos Herrera;"but I do not know why you have almost all Lucien's papers, ' ' added he, with a smile of withering irony directed at the judge. As Camusot perceived the smile, he understood the meaning of the word almost ! "Lucien de Rubempre, suspected of being your accomplice, is under arrest," answered he, wishing to see what effect this news would have upon the prb)enue. "You have done a great evil, for he is as inno- cent as I," replied the pretended Spaniard without showing the least emotion. "We shall see. As yet we 'have not got beyond the question of your identity," answered Camusot, surprised by the prisoner's tranquillity. "If you 90 SPLENDORS AND MISERIES are really Don Carlos Herrera, the proof of this would at once alter the situation of Lucien Char- don." "Yes, she was Madame Chardon, Mademoiselle de Rubempre!" murmured Carlos. "Ah, it was one of the blackest sins of my life!" He raised his eyes toward heaven, and by the way in which his lips moved, beseemed to be utter- ing a fervent prayer. "But if you are Jacques Collin; if he has been wilfully the accomplice of an escaped convict, the partner of a sacrilege, all the crimes which the law suspects become more than probable. ' ' Herrera sat like a statue of bronze during the judge's cleverly conceived speech, and for all answer to the words: wilfully, escaped convict, he xdAsed his hands with a gesture of noble sorrow. "Monsieur I'Abbe," the judge continued, with excessive politeness, "if you are Don Carlos Her- rera, you will pardon [us for everjM:hing that we are obliged to do in the interests of truth and jus- tice—" Jacques Collin discerned a trap by the mere tone in which the judge pronounced the words Monsieur I'AWe ; his face remained unchanged. Camusot ex- pected a movement of joy which would have been the first indication of the convict's character. The visible sign of the unspeakable delight which the criminal feels in deceiving his judge, but he found this hero of crime resting upon the arms of the most machiavelian dissimulation. THE END OF BAD ROADS 91 "I am a diplomat, and I belong to an order whose vows are very severe," replied Jacques Collin, with apostolic gentleness; "I understand every- thing and 1 am accustomed to suffering. I should already have been free, had you discovered in my room the hiding place in which my papers are; for I see that you have taken only the most insignifi- cant." This was the finishing stroke for Camusot; Jacques Collin had already counter-balanced, by his ease and simplicity, every suspicion which the appearence of his bared head had aroused. "Where are these papers?" "I will tell you, if you will have your messenger accompanied by a secretary of legation from the Spanish embassy, who will take them and make answer to you of their contents; my own official position is at stake, as well as diplomatic documents and secrets which would compromise the late King Louis XVIII. — Ah! your honor, it would be better — but you are a magistrate ! — besides, the Ambassa- dor to whom I appeal in this whole matter will un- derstand." At this moment the physician and his assist- ant entered, after having been announced by the usher. "How do you do. Monsieur Lebrun," said Camu- sot to the doctor; "I need your assistance in order to ascertain the physicial condition of this prisoner. He affirms that he has been poisoned, and that two days ago he was at death's door; see whether there 92 SPLENDORS AND MISERIES is danger in undressing iiim, and proceeding to verify the mark." Doctor Lebrun took Jacques Collin's hand, felt his pulse, asked him to show his tongue, and looked at him very intently. This inspection lasted ten minutes. "The prisoner," answered the doctor, "has suffered much, but at this moment he enjoys great strength." "This artificial strength is due, monsieur, to the nervous excitement resulting from my strange situa- tion," replied Jacques Collin with the ecclesiastical dignity of a bishop. — "That may be," said M. Lebrun. At a sign from the judge the prisoner was un- dressed. His trousers were not removed, but he was stripped even of his shirt; so that the company could admire a hairy torso of cyclopean strength. It was the Farnese Hercules of Naples without his colossal exaggeration. "For what purpose does nature destine men built thus?" said the doctor to Camusot. The usher returned with that species of ebony mallet, which since time immemorial has been the symbol of the operation we are about to describe, and which is called a rod. With this implement the usher struck several blows upon the spot where the executioner had applied the fatal letters. Seven- teen holes then reappeared, but so capriciously dis- tributed that, in spite of the care with which the back was examined, no trace of letters could be THE END OF BAD ROADS 93 found. The usher, alone, discerned the cross-bar of a T, indicated by two holes forming the down strokes at either end, while another hole marked the base of the letter. "Yet, this is very uncertain," said Camusot, as he saw doubt painted upon the face of the physician. Carlos demanded that the same operation should be made upon the other shoulder and upon the middle of his back. Some fifteen other scars ap- peared, which were examined, at the Spaniard's re- quest, and the doctor then stated that the back had been so deeply furrowed by scars that it was im- possible for the mark to be discernable, even if it had been actually branded by the executioner. At this moment an official messenger from the Pre- fecture of Police entered, and presenting a sealed note to M. Camusot, asked for an answer. When fie had read the contents the magistrate whispered to Coquart, but so low that not a syllable could be overheard ; yet by a glance at Camusot, Jacques Collin divined that some information concerning him had been forwarded by the Prefect of Police. That friend of Peyrade's is always on my heels, ' ' thought Jacques Collin; "if I knew who he was I would get rid of him as I did of Contenson. Why cannot I see Asia once more ?' ' After having signed the paper written by Coquart, the judge put it into an envelope and handed it to the messenger of the Bureau of Assignments. The Bureau of Assignments is an indispensable aid to justice. This bureau, presided over by a 94 SPLENDORS AND MISERrES commissioner of police ad hoc, is composed of ofificers of the peace, who, by the aid of police commis- sioners, serve warrants for appearance in court and even arrest, upon persons suspected of complicity in crimes or misdemeanors. These delegates of Judicial authority save precious time to magistrates conducting examinations. Upon a sign from the judge, the prisoner was dressed by M. Lebrun and by his assistant, who withdrew together with the usher. Camusot sat down at his desk and began to toy with his pen. "You have an aunt," said Camusot suddenly to Jacques Collin. "An aunt!" replied Don Carlos Herrera in aston- ishment, "Why, your honor, 1 have no relations; I am an unrecognized son of the late Duke d'Ossuna," and to himself he added, "They burn!" in allusion to the game of hide and seek, infantile image of the terrible struggle between justice and the criminal. "Bah!" said Camusot, "your aunt is still alive; Mademoiselle Jacqueline Collin, whom you placed in the service of Mademoiselle Esther, beneath the fantastic name of Asia." Jacques Collin shrugged his shoulders carelessly, a gesture perfectly in harmony with the air of curiosity with which he received the communica- tion of the judge who examined him with cunning scrutiny. "Take care," continued the judge; "hear me out. • ' "1 am listening, your honor." THE END OF BAD ROADS 95 "Your aunt is a vender at the Temple; her busi- ness is managed by a woman named Paccard, sister of a convict surnamed La Romette, and formerly an honest person. Justice is upon your aunt's traces, and in a few hours we shall have decisive proof. This woman is very devoted to you — ' ' "Continue, sir," said Jacques Collin quietly, in answer to the pause which Camusot made, "I am listening." "Your aunt, who is some five years your senior, has been the mistress of Marat, of odious memory. It is from this bloody source that the nucleus of her present fortune has sprung. According to the in- formation I possess she is exceedingly clever at concealing the traces of her crimes, for at present there are no proofs against her. After Marat's death she seems to have belonged, according to statements which I have at hand, to a chemist, con- demned to death in the year XII. for the crime of counterfeiting. She appeared as a witness at the trial. It was during her intimacy with this man that she seems to have acquired a knowledge of poisons. From the year XII. to 1806, she dealt in second-hand clothes. She underwent two years imprisonment in 1812 and 1816, for having enticed girls under age into vice. You were already con- demned for the crime of forgery; you had left the bank where your aunt had placed you as clerk, thanks to the education which you had received, and to the patronage which your aunt enjoyed from persons for whose pleasures she furnished victims. 96 SPLENDORS AND MISERIES All this, prisoner, seems to bear but small resem- blance to the greatness of the dukes of Ossuna. Do you persist in your denial ?" Jacques Collin listened to M. Camusot as if he were thinking of his happy childhood at the College des Oratoriens, where he had graduated; medita- tions which lent him an air of realistic astonish- ment. In spite of his adroit interrogative diction, Camusot did not arouse the slightest movement in this placid countenance. "If you have written correctly the explanation which I gave you in the first place, you may read it again," replied Jacques Collin, "I cannot alter it — I had never before been to the courtesan's house ; how should I know who was her cook ? I am an absolute stranger to the person of whom you speak. ' ' "In spite of your denial, we shall proceed to tes- timony which may diminish your assurance." "A man who has once been shot under sentence of court martial is accustomed to everything, ' ' re- plied Jacques Collin, gently. Camusot again glanced over the pile of confiscated papers while he waited for the return of the Chief of the Secret Service. The expedition of the latter was extraordinary, for the examination had begun about half past ten and now, at half past eleven, the usher appeared and announced in a low voice that Bibi Lupin had arrived. "Show him in!" replied M. Camusot Bibi Lupin entered the room. Instead of crying out "It is he!" as the judge had expected, he stood still in surprise. He no longer recognized the face of his customer in a visage furrowed by the ravages of small-pox. This hesitation was not without its effect on the judge. "It is certainly his figure, his proportions," said the agent — "Ah, it is you, Jacques Collin!" re- plied he, examining the eyes, the shape of the fore- head and the ears. "There are some things which cannot be disguised. — It is he beyond question. Monsieur Camusot — Jacques has the scar left by a knife blade upon his left arm, make him take off his coat; you shall see it." Once again Jacques Collin was obliged to remove his coat. Bibi Lupin drew back the sleeve of his shirt and pointed to the scar he had named. "It is a ball," replied Don Carlos Herrera; "here are many other scars." "Ah, that is his voice!" exclaimed Bibi Lupin. "Your certainty," said the judge, "is simply an assertion; it is not proof." "I know it," answered Bibi Lupin humbly; "but I shall find witnesses. Already one of the boarders of the Maison Vauquer is here — " said he, looking at Collin. 7 (97) 98 SPLENDORS AND MISERIES Collin's placid countenance was undisturbed. "Admit the woman," said M. Camusot, with a peremptoriness which showed his discontent in spite of his apparent indifference. This alteration was marked by Jacques Col- lin, who, counting but little upon the sympathy of the examining judge, sank into an appar- ent unconsciousness, produced by the violent medi- tation through which he sought to discover its cause. The usher introduced Madame Poiret, whose unexpected appearance sent a shudder through the convict's frame, which was not re- marked by the judge. Camusot seemed to have decided on his course. "What is your name?" demanded the judge, pro- ceeding with the formalities which begin all depo- sitions as well as examinations. Madame Poiret, a little old woman, pale, wrinkled as a sweetbread, and dressed in a gown of coarse blue silk, declared that her name was Christine- Michelle Michonneau, that she was the wife of M. Poiret, that she was fifty-one years old, had been born in Paris, dwelt in the rue des Poules, at the corner of the rue des Postes, and that for a living she let furnished apartments. "In 1818 and 1819, Madame," said the judge, "you lived in a cheap boarding house kept by a certain Madame Vauquer?" "Yes, sir; it was there that I made the acquaint- ance of M. Poiret, a retired clerk who has since be- come my husband, and at whose bedside I have THE END OF BAD ROADS 99 been watching for the past year. — Poor man — he is very sick, and so I must not be long away from home. ' ' "At that time there was in this boarding house a certain Vautrin .'' ' inquired the judge. "Oh! sir, that's a long story! He was a dread- ful convict." "You aided in his arrest." "It is false, sir." "You are in the presence of the law, be careful !" said M. Camusot severely. Madame Pbiret was silent. "Collect your thoughts," continued Camusot. "Do you remember this man distinctly.' Would you recognize him." "I believe so." "Is this the man?" said the judge. Madame Poiret put on her spectacles and looked at the Abb6 Carlos Herrera. "It is his breadth of shoulders, his figure; but — no — if, your honor," continued she, "I might be allowed to see his chest bare, I could identify him at once." (See Pore Gorist.) In spite of the gravity of their functions neither the judge nor the clerk could hold back their laugh- ter; Jacques Collin shared their hilarity, but in moderation. The prisoner had not put on his coat which Bibi Lupin had just removed, and at. a sign from the judge he opened his shirt complacently. "That is his hair — but it has grown gray. Mon- sieur Vautrin!" exclaimed Madame Poiret. 100 SPLENDORS AND MISERIES "What have you to say to this?" demanded the judge of the prisoner. "That she is mad!" replied Jacques Collin, "Ah! Heaven! If I had a doubt, for he has no longer the same face, that voice would suffice — he is certainly the man who threatened me. Ah ! that is his look!" "The agent of the detective police and this woman cannot have made any preconcerted agree- ment to say the same thing about you," continued the judge, addressing Jacques Collin, "for neither of them had seen you. How do you explain this.?" "Justice has committed errors still greater than that which might follow from the testimony of a woman who recognizes a man by the hair of his chest, and the suspicions of a detective," replied Jacques Collin. "They find in me resemblances in voice, look and figure, to a great criminal; that is vague enough. As to a reminiscence which seems to prove between this woman and my Sosie rela- tions at which she does not blush — you laughed at it yourself. Will you, sir, in the interests of truth which I desire to establish for my own sake more strongly than you can wish to do in behalf of jus- tice, ask this woman ! — Foi — ' ' "Poiret." — "Poiret — pardon me — I am a Spaniard — whether she recalls the persons who lived in this — what do you call the house?" "A pension bourgeoise," said Madame Poiret THE END OF BAD ROADS lOI "I don't know what that is," replied Jacques Collin. "It's a house where you can lunch and dine by season tickets." "Right you are!" exclaimed Camusot, who made a motion of the head favorable to Jacques Collin, so forcibly was he struck by the apparent good faith with which the prisoner furnished him with the means of arriving at a result. "Try," he added , "to recall the persons boarding at this house at the time of Jacques Collin's arrest" "There was M. de Rastignac, Doctor Bianchon, M. Goriot, Mademoiselle Taillefer — " "Well," said the judge, who had not ceased to gaze at Jacques Collin, whose face remained impas- sible, "Well, this M. Goriot?"— "He is dead," said Madame Poiret. "Sir," said Jacques Collin, "I have often met at Lucien's rooms a M. de Rastignac, an intimate friend, I believe, of Madame de Nucingen, and if he is the person in question, he has never taken me for the convict with whom they are trying to con- found me — " "M. de Rastignac and Dr. Bianchon," said the judge, "both enjoy social positions such that their testimony, if favorable for you, would suffice to set you at liberty — Coquart, prepare their. summons. " In a few minutes the formalities of Madame Poi- ret's deposition were concluded; Coquart read aloud to her the written report of ^the scene which had taken place, and she affixed her signature ; but 102 SPLENDORS AND MISERIES the prisoner refused to sign his name, alleging his ignorance of the forms of French law. "This is quite enough for to-day," said M. Camusot; "you must have need of food. I will have you escorted to the Conciergerie, ' ' "Alas! I suffer too much to eat," said Jacques Collin. Camusot intended to make Jacques Collin's return coincide with the hour in which prisoners were allowed to walk in the yard ; but he wished to obtain from the director of the Conciergerie an answer to the order which he had given him that morning, and he rang in order to dispatch his usher to the prison. The usher appeared and said that the janitress of the house on the quai Malaquais had given him an important letter relative to M. Lucien de Rubempre. The incident was so import- tant that Camusot forgot his design. "Admit her!" said he. "Pardon; excuse me, sir," said the janitress, bowing first to the judge and then to the Abbe Carlos. "My husband and I have been so frightened by the two visits which the law has made us that we forgot a letter in our bureau addressed to M. Lucien, for which we paid ten sous, although, it comes from Paris, for it is very heavy. Will you make good the postage ? Heaven knows when we shall see our lodgers again!" "This letter was given you by the postman?" demanded Camusot, after having examined the envelope with minute care. THE END OF BAD ROADS 103 "Yes, sir." "Coquart, make out the report of this declara- tion. You, my good woman, give your name and occupation. ' ' After having administered the oath to the jani- tress, Camusot dictated the report. During the accomplishment of these formalities, he verified the postmark, which bore the dates of the hours of collection and of delivery as well as of the day of the month. This letter, delivered at Lucien's lodgings on the day following Esther's death, had no doubt been written and posted on the day of the catastrophe. Now the reader can judge of the stupefaction which came over M. Camusot as he read this letter, written and signed by the very woman whom jus- tice believed to be the victim of a crime : "ESTHER TO LUCIEN. "MONDAY, May 13, 1830. "(My last day at ten o'clock in the morning.) "My Lucien: — I have not an hour to live. At eleven o'clock I shall be dead, and I shall die with- out sorrow. I have paid fifty thousand francs for a pretty little black gooseberry, which kills with the swiftness of lightning. Thus, dear heart, you may say, 'My little Esther did not suffer.' Yes, I shall have suffered only in writing you these pages. 104 SPLENDORS AND MISERIES "The brute that has bought me so dearly, know- ing that the day on which I should belong to him should have no morrow for me, Nucingen, has just gone away drunk as a drunken bear. For the first and last time in my life I have been able to con- trast my former trade, as a courtesan, with a life of honest love, to rate the tenderness which expands into the infinite higher than the horror of duty which had rather die than submit to one kiss. I need this disgust in order to find death sweet I have taken a bath ; I wished to summon the confessor from the convent where I was baptized, in order to confess and thus to cleanse my soul. But this would have been to profane a sacrament, and besides I feel that I am washed in the waters of sincere repentance. God will work His will upon me. "Enough of these complaints ; 1 wish to be yours, your Esther, until the last moment, and not to dis- tress your mind with thoughts of my death, of the future, and of the good God who would not be good were He to torture me in another life when I have tasted such sorrow in this. "1 have before me your lovely miniature painted by Madame de Mirbel. This ivory leaf is my con- solation for your absence ; I look at it with mad delight as I write you my last thoughts and describe to you the last beats of my heart. I will send you the miniature in this letter, for I do not wish it to be stolen or sold. The mere thought that my sole delight may be placed in some shop-window among ladies and officers of the Empire, or Chinese THE END OF BAD ROADS lOJ oddities, makes me feel death already upon me. De- stroy this picture, my darling; do not give it away — unless this present can buy you the heart of that petticoated walking lath, Clotilde de Grandlieu, whose angular bones are enough to give you a nightmare. Yes, I consent to that; I should still be of some use to you as I was while I was alive. Ah ! if it were to give you pleasure, or if it were but to make you laugh, 1 would stand before a brazier with an apple in my mouth to cook it for you ! My death will be useful to you ; I should have disturbed the peace of your household. Oh! that Clotilde; I do not understand her ! To have it in her power to be your wife, to bear your name, to leave you neither night nor day, to be yours, and yet to stand on ceremony; a woman must belong to the Fau- bourg Saint Germain to do that — and not have ten pounds of flesh upon her bones 1 — "Poor Lucien, vainly ambitious boy, 1 dream of your future 1 Go your way. You will more than once regret your poor faithful dog, the devoted woman who stole for you, who would gladly have been dragged before a Court of Assizes were it to insure your happiness whose sole occupation was to dream of your present pleasures, and to invent fresh delights, who loved you with her hair, her feet, her ears, in a word your plaything; whose every glance was a benediction on you ; who for six years thought only of you, who was so completely your creature that 1 have never been but an emanation of your soul as light is of the sun. But, without Io6 SPLENDORS AND MISERIES money and honor, alas ! I cannot become your wife — I have always provided for your future by giving you all that I possess. Come the instant you re- ceive this letter and take that which is under my pillow, for I distrust the servants of the house. "I wish to be beautiful in death. I shall undress, I shall lie down in my bed, I shall pose. Then I shall press the gooseberry against my palate and I shall not be disfigured by convulsions nor any ridicu- lous posture. "I know that Madame de Serizy has quarreled with you because of me ; but you can plainly see, my darling, that when she learns that I am dead, she will pardon ; you must be attentive to her and she will arrange a noble marriage for you, if the Grandlieu persist in their refusal. "My sweetheart, I do not wish you to lament long over my death. First, I must tell you that the hour of eleven on Monday the thirteenth of May is but the termination of a long illness which began on the day when, upon the terrace of Saint Ger- main, you cast me back into my old life. The soul has its illness as well as the body, but unlike the body, it cannot endure suffering blindly. The body does not support the soul as the soul supports the body, and the soul has strong medicine in the thought of recourse to the sempstress' bushel of charcoal. You gave me life, the day before yester- day, by saying that if Clotilde were to refuse you, you would marry me. This would have been a great misfortune for both of us, I should have died still THE END OF BAD ROADS 107 more, so to speak, for some deaths are more bitter than others. The world would never have accepted us. "For two months I have been meditating upon many things. A poor girl is in the mire as I was before my entry into the convent; men find her fair, they use her for their pleasures, without con- sideration; they come for her in a carriage and send her away afoot; if they do not spit in her face it is because her beauty protects her from this outrage : morally, they commit a greater sin. Well, if this girl inherits five or six millions, she will be sought by princes, men will bow to her with respect when she passes in her carriage — she can make her choice among the most ancient escutcheons of France and of Navarre. This world, which would have ex- claimed "raca," had it seen two beautiful creatures united and happy, has often uncapped itself before Madame de Stael, in spite of the romances of her life, simply because she had an income of two hundred thousand francs. The world, which bows before money or glory, will not bow before happiness or virtue, for I should have done good — Ah ! how many tears I should have dried ! — as many, I sup- pose, as I have shed already. Yes, it would have been my wish to live only for you and charity. "These are the thoughts which make death sweet for me. So do not weep for me, my love ! Say often to yourself: 'There have been two loving women, two beautiful creatures, who have both died for me without regret, for they worshipped I08 SPLENDORS AND MISERIES me!' Call up within your heart a picture of Coralie, and one of Esther, and go your way. Do you remember the day that you pointed out to me a shriveled, old woman, in a dull green cape that hung down over a gray gown, padded and stained with black grease spots, the mistress of a poet before the Revolution? The sun scarcely warmed her, although she was sitting in the gardens of the Tuil- eries, anxiously watching a wretched spaniel, the most bedraggled of spaniels. You know she had owned lackeys and carriages and a hotel ! I said to you, 'Better die at thirty;' well, that day you found me thoughtful, and caressed me to distract my mind ; and between two kisses I spoke to you again, and said, 'Every day pretty women go out from the play before the curtain falls!' — I have not wished to see the last act, that is all. — "You must find me garrulous, but it is my last chance. I write as I used to .talk, and I like to talk gaily to you. Weeping sempstresses have always disgusted me. You know that once already I have known how to die properly, upon my return from that fatal ball of the Opera, where they told you what my past had been. "Oh no, my dearest; never give away this por- trait ! If you knew the floods of love which I have buried in your eyes as I have been gazing at them during a pause of drunken pleasure, you would think, as you received the love which I have tried to incrust upon this ivory, that the soul of your beloved darling was there. THE END OF BAD ROADS 109 "Dead and asking alms; there is something comic in the notion ! I must learn to lie quietly in my grave. "You can imagine how heroic my death would seem to simpletons if they knew that last night Nucingen offered me two millions if I would consent to love him as I have loved you. He will be neatly tricked when he finds out that I kept my word and died of him. "I have tried everything to continue to breathe the air which you breathe. I said to the fat rob- ber: 'Do you wish to be loved as you desire.' I will even promise never to see Lucien again.' 'What must I do?' he demanded. — 'Give me two millions for him?' No! If you had seen his grimace. I should have laughed if it all had not been so tragic. 'Spare yourself a refusal !' 1 said. 'I see, you care more for two millions than for me: — A woman is always pleased to know what she is worth,' I added, turning my back upon him. "In a few hours the old rascal will know that I was not joking. "Who will be able to part your hair like me? Bah ! I do not wish to think of life; I have but five minutes more, I give them to God ; do not be jeal- ous, my beloved angel, I wish to speak to Him of you, to ask of Him your happiness as the price of my death, and of my punishment in another world. I hate to go to hell ; I should have liked well to see the angels and learn whether they were like you. no SPLENDORS AND MISERIES "Adieu, my darling, adieu. I bless you for all my sorrow. Even in the grave I shall be, "YOUR ESTHER. "Eleven o'clock is striking. I have made my last prayer. I am about to lie down and die. Once more, good-bye ! I wish that the warmth of my hand might leave my soul upon your picture as I imprint upon it one last kiss ; and I wish once more to call you my sweet darling, although you are the cause of the death of "Your Esther." A touch of jealousy pricked the judge's heart as he finished reading the only letter of a suicide which he had ever seen written in a spirit of gaiety ; though it was but a feverish gaiety, the last effort of blind adoration. "What is it that makes a man loved thus.-"' thought he, repeating the question of every man who has not the gift of pleasing women. — "If it is possible for you not only to prove that you are not Jacques Collin, the ex-convict, but also that you are actually Don Carlos Herrera, canon of Toledo, and secret envoy of his Majesty, Ferdinand VII.," continued the judge, addressing Jacques Collin, "you shall be set at liberty, for the impartiality which my office demands compels me to tell you that I have this moment received a letter written by Mademoiselle Esther Gobseck, in which she THE END OF BAD ROADS III avows the intention of suicide, and intimates sus- picions concerning lier servants, which appear to designate them as the authors of the robbery of the seven hundred and fifty thousand francs. ' ' As he spoke M. Camusot compared the handwri- ting of the letter with that of the will, and it was clear to him that letter and testament had been written by the same hand. "Your honor was too ready to believe in a mur- der; do not believe too hastily in a theft." "Ah!" said Camusot, casting a magisterial look upon the prisoner. "Do not think that I compromise myself in say- ing that this sum can be recovered," continued Jacques Collin, showing the judge that he under- stood his suspicion. "This poor woman was much beloved by her servants ; and if I were free I would undertake a search for the money which now be- longs to the being I love most in the world, to Lucien. Will you be so kind as to allow me to read this letter? It will not take long. It is the proof of the innocence of my dear child — you cannot fear that I would destroy it, nor speak of it, for I am in solitary confinement." "In solitary confinement!" cried the magistrate, "you shall be so no longer. It is I who beg you to establish your identity as soon as possible; send word to your ambassador if you wish — " Camusot handed the letter to Jacques Collin, glad to be rescued from his quandary and to be able to satisfy at once the attorney-general, the Duchess 112 SPLENDORS AND MISERIES de Maufrigneuse and Madame de Serizy. None the less coldly and curiously, however, did he examine the face of his prisoner as the latter read the cour- tesan's letter ; and in spite of the sincerity of the emotions painted upon it, he said to himself: "And yet it is the face of a criminal !" "See how he is loved," said Jacques Collin, re- turning the letter, as he turned toward the judge, his face bathed in tears. "If you knew him!" continued he, "he is so young, so fresh, so gloriously handsome; a child, a poet. — You cannot see him without an irresistible desire of sacrificing yourself to him and of satisfying his least desires. Dear Lucien is so fascinating when he cares to charm !" "Now," said the magistrate, making one more effort to discover the truth, "you cannot be Jacques Collin." "No, sir," replied the convict Jacques Collin became more than ever Don Carlos Herrera. In his desire to complete his work he advanced toward the judge, led him into the embrasure of the window, and assuming the man- ners of a prince of the Church, he said in a con- fidential tone. "I love this child so well, sir, that if it were necessary for me to become the criminal for whom you take me in order to spare myself a quarrel with this idol of my heart, I would be my own accuser," said he in a low voice. "I would imitate the poor girl who has killed herself for his advantage. Thus, THE END OF BAD ROADS 113 sir, I beg of you to grant me a favor ; it is to set Lucien at liberty at once." "My duty does not allow it," said Camusot kindly: "but if heaven can be accomodating, justice can also be oolite, and if you can give me good reasons — Speak freely, this shall not be written." "Then, " continued Jacques Collin, deceived by Camusot's kindliness" 1 know all that this poor child suffers at this moment; he is capable of attempt- ing his life when he finds himself in prison — " "Oh! as to that — " said Camusot, shrugging his shoulders. "You do not know whom you oblige in obliging me," added Jacques Collin, who wished to pull other strings. "You are doing a service to an order more powerful than Countess de Serizy or Duchess de Maufrigneuse, who will scarcely pardon you for having read their letters in your office," said he, pointing toward two perfumed packets. "My order is not forgetful. " — "Sir," said Camusot, "enough! Find other rea- sons to offer me. 1 owe my duty more to the pris- oner than to the vindictiveness of the public." "Ah! believe me, I know Lucien; his is a woman's soul, a poet's, a southerner's, without con- sistency or will," continued Jacques Collin, who thought the day surely gained. "You are certain of the innocence of this young man ; do not torture him; do not examine' him; give him this letter, tell him that he is Esther's heir, and set him free. If you act otherwise, you will drive him to despair ; 8 114 SPLENDORS AND MISERIES while if you release him purely and simply, I will explain to you — keep me in solitary confinement — ^to- morrow — to-night, everything that may appear to you mysterious about this trial, and the reasons for the malignant pursuit which follows me ; but I will stake my life upon it, my head has been in danger for five years past — Lucien free, rich, and married to Clotilde de Grandlieu, my task here on earth is accomplished, I shall no longer defend my life. — My persecutor is a spy of your late king's." "Ah! Corentin!" "Ah! His name is Corentin? I thank you. Well, sir, will you promise to grant my request?" "A judge cannot and ought not to promise any- thing. Coquart, tell the usher and gendarmes to lead the prisoner back to the Conciergerie. I shall give orders so that you may spend to-night in a pistole," added he kindly, making a slight inclina- tion of his head toward the prisoner. Struck with the demand that Jacques Collin had just addressed to him, and recalling the prisoner's urgent appeal to be examined first, pleading the crit- ical state of his health, Camusot resumed all his distrust. As he listened to these indeterminate suspicions, he saw the man who had pretended to be at the point of death walking, striding like a Hercules, without a trace of those contortions which he had feigned so admirably on his arrival. "Sir.?—" Jacques Collin turned. "My clerk, in spite of your refusal to sign, is THE END OF BAD ROADS 115 going to read you the report of your examina- tion." The prisoner was in perfect health ; the move- ment with which he took his seat near the cleric was another gleam of light for the judge, "You have been promptly cured?" said Camusot. "lam caught," thought Jacques Collin. Then he answered aloud. "Joy, sir, is the only panacea that exists— this letter, the proof of innocence which I never doubted, that is the great remedy." The judge followed his prisoner with a thoughtful look as the usher and gendarmes surrounded him ; then he started as though from deep sleep, and tossed Esther's letter upon the clerk's desk. "Coquart, copy that letter !" If it is in man's nature to mistrust a request, when the favor demanded of him is against his interests or his duty, or often, even, when it is a matter of indifference, this feeling is the law of an examining judge. The more plainly the prisoner, whose fate still hung in the balance, could discern the clouds that would rise over the horizon in case Lucien were examined, the more necessary this ex- amination appeared to Camusot. This formality was demanded by neither Code nor precedent, unless it were required by the ques- tion of Don Carlos' identity. Every career has its own peculiar conscience. Had he lacked curiosity Camusot would have questioned Lucien as he had questioned Jacques Collin, from his sense of Il6 SPLENDORS AND MISERIES magisterial honor, making use of the artifices which the most upright magistrates employ. The favor, which it lay in his power to confer, his own advancement, everything in Camusot's mind was subordinate to the overpowering desire of learning the truth and of unearthing it himself, even though he were never to divulge the secret He drummed upon the window-panes and gave himself up to the flood tide of his conjectures, for at times such as this, thought is like a river flowing through a thou- sand different regions. Lovers of the truth, magis- trates are like jealous women : they give way to a thousand suppositions and, armed with the dagger of suspicion, they search their victims' hearts like the sacrificial priest of ancient times ; then they halt not at the true, but at the probable, and at last they obtain a distant vision of the truth. A woman questions the man she loves as a judge interrogates a criminal. When their minds are in this state a flash of light, a word, an inflection of the voice, the hesitation of an instant suflBceto discover buried truth, treason and crime. "The manner in which he has painted his devo- tion to his son — if he be his son — inclines me to be- lieve that he was in Esther's house to watch over the harvest; and not suspecting that the dead woman's pillow hid a will, he has taken for his son's sake the seven hundred and fifty thousand francs, provisionally! This is the reason of his promise to recover the money. M. de Rubempre owes it to himself and to justice that he should THE END OF BAD ROADS 1 17 throw light upon the civil status of his father. And to think of his promising me the protection of his order — his order! — if I do not examine Lucien — " His meditation broke off at this point. As we have seen, an examining magistrate directs an examination according to his pleasure. He is free to use craft or to lack it. An examination is nothing, or it is everything. There lies the importance of influence. Camusot rang; the usher returned. The judge ordered him to bring M. Lucien de Rubempre, and bade him see to it that the prisoner communicated with nobody on the way. It was then two o'clock in the afternoon. "There is a secret," said the judge to himself, "and this secret must be of the last importance. The reasoning of my amphibian, who is neither priest nor layman, convict nor Spaniard, but who "fears lest some terrible word escape his pupil's lips is this: 'The poet is weak, he is womanish, he is not like me, who am a Hercules of diplomacy, and you can easily tear our secret from him.' So our young innocent shall tell us all." He began to rap the table with his ivory-handled knife while his clerk was busy copying Esther's let- ter. How many idiosyncracies there are in the use of our faculties ! Camusot, thinking every crime possible, passed over the only one which the pris- oner had committed — the forged will in Lucien's favor. Let those who envy the position of a magis- trate ponder well over his life passed in perpetual Il8 SPLENDORS AND MISERIES suspicions, the tortures which weigh upon his mind, for civil suits are not less tortuous than criminal trials, and perhaps they will think that the magistrate's harness is heavy as the priest's and as thickly studded with inward-pointing nails. Every profession has its hair-shirt and its tomahawk. It was almost two o'clock when Lucien entered M. Camusot's office. The prisoner was pale and wasted, his eyes red and swollen, and his whole frame so nerveless that the judge was enabled to compare nature with art, and contrast the dying man in real life with the dying actor upon the stage. The passage from the Conciergerie to the judge's office, made between two gendarmes, with an usher going before, had brought Lucien to the pinnacle of despair. It is in a poet's soul to prefer punishment to judgment When the examiner saw this nature so entirely bereft of the moral courage essential to decision, the quality which had been displayed by the other prisoner in such an extraordinary degree, M. Camusot's compassion was aroused at the pros- pect of this easy victory, yet rising scorn allowed him to strike home and gave him in this encounter that awful freedom of the will which characterizes the marksman as he decides which puppet to strike down. "Compose your thoughts, Monsieur de Rubempre, you are in the presence of a magistrate most eager to repair the wrong which justice does involuntarily in making an arrest, for the sake of prevention, when the charge proved to be unfounded. I believe that you are innocent; you shall be set at liberty immediately. Here is the proof of your innocence; ("9) I20 SPLENDORS AND MISERIES it is a letter kept by your janitress in your absence, which she brought to me a minute ago. In the dis- turbance caused by the descent of the police and by the news of your arrest at Fontainebleau, the woman had forgotten this letter, which comes from Mademoiselle Esther Gobseck — read it!" Lucien took the letter, read it, and burst into tears. He sobbed so violently that he could not utter a syllable. After a quarter of an hour, an interval which scarcely allowed Lucien time to re- cover, the clerk handed him a copy of the letter and asked him to sign a certificate that this copy conforms to the original, so that it may be produced when ne- cessary at any time during this trial, and at the same time offered to compare the two documents word for word; Lucien, however, naturally relied upon Coquart's word as to the accuracy of the copy. "Sir," said the judge, in a most friendly tone, "it is, nevertheless, difficult to give you your lib- erty until we fulfill our formalities and ask you a few questions. It is almost as a witness that I re- quire of you to answer. I deem it well nigh useless to remind a man like you that the oath to tell the whole truth is not only an appeal to your conscience, but also a necessity of your position, which for a few hours is placed in a doubtful light. Whatever it may be the truth cannot alter your position, but a lie would send you to the Court of Assizes, and oblige me to have you led back to the Concier- gerie ; while by answering my questions frankly, you will sleep to-night in your own bed "and your THE END OF BAD ROADS 121 reputation will be restored by this statement which the newspapers will publish: 'M. de Rubempre arrested yesterday at Fontainebleau, was released immediately after a very brief examination.' " This speech produced a lively impression upon Lucien's mind, and, noticing the disposition of his prisoner, the judge added : "I repeat to you, you were suspected of complic- ity in a murder by means of poison committed upon the person of Mademoiselle Esther : there is proof of her suicide, so much is satisfactorily answered;" but a sum of seven hundred and fifty thousand francs, which depends upon the will, has been abstracted, and you are the heir. In this, unhap- pily, there is a crime. This crime has preceded the discovery of the will. Justice, however, has reasons for believing that a person who loves you as well as this Mademoiselle Esther loved you, has suffered this crime to be committed for the sake of your interests — Do not interrupt me, ' ' said Camu- sot, with a gesture imposing silence, as Lucien attempted to speak; "I am not examining you yet. I wish to make you understand how deeply your honor is concerned in this question. Cast aside the false, the wretched ideas of honor which bind accomplices together, and tell the whole truth. ' ' The reader must have already noticed the exces- sive disproportion of weapons in this struggle be- tween prisoner and examining judge. A denial cleverly managed, it is true, is sufficient in itself, and completes the criminal's defense; but it is, as 122 SPLENDORS AND MISERIES it were, a panoply which crushes its wearer when once the searching knife of examination discovers an unprotected joint, since denial is powerless in the face of certain evident facts, and the prisoner is placed absolutely at the discretion of the judge. Take, for example, the case of a partial criminal like Lucien, saved from his first fall from virtue, he might yet become a useful servant to his country ; but yet he will perish in the toils of the exam- ination. The judge writes out a very concise re- port, a faithful analysis of questions and answers ; but of his insidiously paternal speeches, and of his captious remonstrances, such as Camusot employed in this scene, there remains no trace. The judges of the Superior Court and the juries see the results, but do not know the means. Thus, according to the judgments of several excellent minds, the trial by jury, as it is in England, might with advantage supersede the present method of examination. France enjoyed this system for a brief time. Under the Code of Brumaire, in the year IV., this institution was known as the jury of accusation, to distinguish it from the jury of judgment. If juries of accusation should again be instituted, the final decision would, of necessity, be referred to the royal courts unassisted by juries of any kind. "Now," said Camusot, after a pause "what is your name ? — Monsieur Coquart, attention !' ' added he to the clerk. "Lucien Chardon de Rubempre." "You were born — ?" THE END OF BAD ROADS 123 "In AugoulSme — " Lucien gave the day, the month and the year. "You have never had any patrimony?" "None." "Nevertheless, during your first sojourn in Paris you have made expenditures that were very large in proportion to your small fortune .'' ' "Yes, sir; but at that time I had in Mademoiselle Coralie a friend absolutely devoted to my welfare. It has since been my misfortune to lose her. It was the sorrow which her death caused me that brought me back to my native place. ' ' "Sir," said Camusot, "I commend your frank- ness ; it shall not pass unnoticed. ' ' As the reader perceives, Lucien was on the high road to a general confession. "You spent sums far larger still upon your return from AugoulSme to Paris," continued Camusot; "you lived as if you enjoyed an income of some sixty thousand francs. ' ' "Yes, sir." "Who furnished you with this money?" "My protector, the Abbe Carlos Herrera." "Where did you meet him?" "I met him upon the highway, just as I was about to rid myself of life by suicide — " "You have never heard him spoken of in your family — by your mother ?' ' "Never." "Your mother never told you that she had met the Spaniard ?' ' 124 SPLENDORS AND MISERIES "Never." "Can you recall the month and the year when you met Mademoiselle Esther?" "Toward the end of the year 1823, at a small theatre on the boulevard. ' ' "Did she, at first, cost you money?" "Yes, sir." "Lately, with the intention of marrying Made- moiselle de Grandlieu, you purchased what is left of the Chateau de Rubempre, and you have an- nexed to its estate lands to the amount of a million francs; you told the Grandlieu family that your sister and brother-in-law had recently come into possession of a large inheritance, and that you owed these sums to their liberality ? You did say this, sir?" "Yes, sir." "You are ignorant of the reasons which led to the rupture of your marriage?" "Entirely, sir." "They are these: the Duke de Grandlieu sent one of the most reliable attorneys in Paris to your brother-in-law in order to obtain authentic informa- tion. In Angoul^me, the lawyer learned from the personal avowals of your sister and brother-in-law not only that they had lent you little, yet further- more that their inheritance was composed of real estate, valuable, it is true, but that their capital scarcely amounted to two hundred thousand francs. — You must not think it strange that a family like the Grandlieu recoils before a fortune of dishonest THE END OF BAD ROADS 125 origin. This, sir — is the pass to which a lie has brought you." Lucien was horror-stricken at this revelation, and the little strength of mind which he had preserved now deserted him. "The police and justice Icnow everything they care to Icnow," said Camusot; "remember that. Now," continued he, thinking of the declaration of fatherhood which Jacques Collin had made, "do you know who this so-called Carlos Herrera is ?' ' "Yes, sir; but I learned the secret too late." "What do you mean .' too late } explain yourself. " "He is not a priest, he is not a Spaniard, he is — " "An escaped convict?" said the judge quickly. "Yes," replied Lucien. "When the fatal secret was revealed to me I was his debtor ; I had supposed myself bound to a respectable priest — ' ' "Jacques Collin — •" said the judge, beginning a sentence. "Yes, Jacques Collin," repeated Lucien; "that is his name." "So far so good. Jacques Collin," continued Camusot, "has just been recognized by a woman, and if he still denies his identity it is, I believe, for your interests. But I asked you whether you knew who this man is in order to bring to light another imposture of Jacques Collin." Lucien felt a red-hot iron sear his very entrails as he heard this ominous speech. "Do you not know," continued the judge, "that 126 SPLENDORS AND MISERIES he pretends to be your father in order to justify the extraordinary affection which he feels for you?" "He, my father! Oh! sir!— He said that!" "Can you suspect from what source the sums came which he gave to you ; for if I must believe the letter which you hold in your hand, this poor unfortunate Mademoiselle Esther would later have done you the same service which Mademoiselle Coralie has rendered you already; but you have contrived, as you have just said, to live for several years, and in luxury too, without receiving a penny from her." "It is of you I ask, sir" cried Lucien, "the sources of a convict's money! — A Jacques Collin, my father ! O, my poor mother !' ' The young man burst into tears. "Clerk, read aloud to the prisoner that portion of the examination of the pretended Carlos Herrera in which he states that he is the father of Lucien de Rubempre." The poet listened to this reading in silence, with an expression painful to see. "I am lost!" he cried. "No man is lost upon the path of honor and of truth," replied the judge. "But you will send Jacques Collin before the Court of Assizes?" asked Lucien. "Certainly," replied Camusot, who wished to make Lucien continue his confession. "Finish what you were about to say. ' ' But in spite of the efforts and the remonstrances THE END OF BAD ROADS 127 of the judge, Lucien returned no answer. Reflection had come too late, as it ever must to men who are the slaves of sensation. There lies the difference between the poet and the man of action : one sur- renders himself to the sentiment he wishes repro- duced in lifelike images, he never judges until afterward ; while the other feels and judges simulta- neously. Lucien stood there, sad and pale ; he felt himself at the foot of a precipice, down which the judge had hurled him. His poet's nature had been deceived by the kindliness of his examiner. He had betrayed not his benefactor, but the accomplice who had defended their position with all the cour- age of a lion, and with craft that left no spot unpro- tected. At the moment when Jacques Collin had saved all by his audacity, Lucien, the clever Lucien, had lost all by his stupidity and by his want of re- flection. This infamous lie which had aroused his indignation served as a screen for a yet more infa- mous truth. Confounded by the subtlety, and unnerved by the cruel ingenuity of the judge who had struck his blows in quick succession, making use of all the naked sins of Lucien's life, like drag-hooks to rake his conscience, the poet stood motionless as an animal whom the axe of the slaughter-house has missed. He had entered the office free and innocent; in an instant he had proved himself guilty by his own avowals. Then, last and most solemn mockery of all, the cold, calm judge told Lucien that his revelations were the fruit of a mistake. Camusot was intent upon the 128 SPLENDORS AND MISERIES character of father which Jacques Collin had assumed, while Lucien, simply fearing lest his alli- ance with an escaped convict become public, had imitated the famous error of the murderers of Ibycus. It is one of the glories of Royer-CoUard that he proclaimed the perpetual triumph of natural obli- gations over the obligations enforced by social decrees, and that he upheld the cause of the prior- ity of oaths by declaring, for example, that the law of hospitality must bind, even though it annulled, the virtue of the judicial oath. He confessed this the- ory before the world at the bar of a French court; he boldly lauded the conspirators, and showed that it was human to obey the dictates of friendship rather than tyrannical laws discharged from the social arsenal and directed against such and such a circumstance. Natural justice is governed by laws which, though they have never been promulgated, are yet more efficacious and better known than the bolts forged by society. To his own hindrance Lucien had disregarded the law of joint and separ- ate liability, which commanded him to be silent and to allow Jacques Collin to defend himself; far, more than this, he had been the accuser of his accomplice; for his own interest this man should always have been to him Don Carlos Herrera. ' M. Camusot enjoyed his triumph, he held two culprits within his grasp ; with the right hand of justice he had struck down one of fashion's favor- ites and he had discovered the undiscoverable THE END OF BAD ROADS 1 29 Jacques Collin. He was destined to be proclaimed one of the cleverest of examining judges. He did not question his victim, but he studied this silence born of consternation, he watched the drops of sweat gather upon the poet's disturbed countenance, grow big, and fall at length mingled with two streams of tears. "Why do you weep. Monsieur de Rubempre?" You are, as I have told you, the heir of Made- moiselle Esther, who has no other heirs either collateral or direct. This property amounts to well- nigh eight millions if the seven hundred and fifty thousand stolen francs are recovered." This was the last stroke for the culprit. Courage but for ten minutes, as Jacques Collin had written him in his note and Lucien would have attained the goal of his desires! He might have settled accounts with Jacques Collin, parted from him, become rich, married Mademoiselle de Grandlieu. Nothing can show more eloquently than this scene, the power which the isolation and separation of prisoners bestow upon the judge, or the priceless value of a communication like that which Asia had made to Jacques Collin. "Ah! sir," answered Lucien, with all the bitter- ness and irony of a man who stands upon the ped- estal of misfortune which his own hands have built, "how right men are to talk in your language about 'suffering an examination.' Between the physical torture of the past and the moral torture of to-day I should not hesitate to make my choice, I should 9 130 SPLENDORS AND MISERIES choose the sufferings which the executioner, in times of old, used to inflict — What more do you wish of me?" he added proudly. "In this place, sir," said the magistrate, answer- ing the poet's pride with mingled scorn and haugh- tiness, "I alone have the right to question." "I had the right to give no reply," murmured poor Lucien, whose intelligence had returned in all its clearness. "Clerk, read the prisoner his examination." "1 have become a prisoner once more!" said Lucien to himself. While the secretary was reading this report Lucien took a resolution which determined him to use all courtesy toward the magistrate. When the murmur of Coquart's voice ceased, the poet shook like a man who has slept among sounds to which his organs have grown accustomed, and who at length is startled from his slumber by silence. "You must sign the report of your examination," said the judge. "And you set me at liberty.'" inquired Lucien, ironical in his turn. "Not yet," replied Camusot, "but to-morrow, after you are brought face to face with Jacques Collin, you will doubtless be given your liberty. Now, justice must learn whether you are or are not an accomplice of crimes which may have been com- mitted by that person since his escape, which dates from 1820. Nevertheless, your confinement is no THE END OF BAD ROADS 131 longer solitary. I shall write to the warden to place you in the best chamber of the pistole." "Shall I find writing materials there?" "You will be provided with everything you re- quire. I shall send orders to that effect by the usher who is to conduct you thither." Lucien signed the report mechanically, and wrote his initials on several papers as Coquart directed him, with the docility of a victim reconciled to his fate. A single detail will tell more about his condi- tion than the most minute description. At the announcement of his confrontation with Jacques Collin, the beads of sweat had dried upon his face and his dry eyes glittered with marvelous brightness. In a moment, swift as lightning, he had become like Jacques Collin, a man of bronze. In persons whose character is like Lucien's, which Jacques Collin had analyzed so accurately, these sudden transitions from a condition of absolute de- moralization to a condition as metallic as human power can attain, are the most striking phenomena in the life of ideas. The will returns like water in a dry spring ; it permeates the machine set in motion by the unknown essence of which it is made, and then the lifeless body is made man and the man, ' filled with strength, springs forward to the supreme struggle of existence. Lucien placed Esther's letter and the portrait which she had sent him, next to his heart. Then bowing disdainfully to M. Camusot, he walked 132 SPLENDORS AND MISERIES down the corridor, between two gendarmes, with a firm step, "There goes an arrant scoundrel !" said the judge to his cleri< out of revenge for the crushing scorn which the poet had displayed toward him. "He thought to save himself at the expense of his accom- plice." "Of the two," said Coquart timidly, "the con- vict is the stronger — ' ' "You are excused for the day, Coquart," said the judge; "we have- done quite enough. Send away the persons who are waiting, and warn them that they must appear to-morrow. Ah ! You will go at once to the attorney-general and find out whether he is still in his office ; if he is, ask for a moment's audience for me. Oh! — he'll be there," continued the judge, as he glanced toward a wretched wooden clock painted green and decorated with gilded fil- lets, "it's a quarter after three." These examinations, which can be read so rap- idly, are written out in full, questions as well as answers, and thus consume a great deal of time. This is one of the causes of the delays of criminal processes and the duration of preventive arrests. For the poor, it means ruin ; for the rich, it is dis- grace; since for them an immediate discharge repairs, so far as anything can repair, the misfor- tune of an arrest. This is why the two scenes we have so faithfully reproduced filled all the time con- sumed by Asia in deciphering her master's com- mands, in carrying away a duchess from her boudoir, THE END OF BAD ROADS 133 and in inspiring Madame de Serizy with the energy- she lacked. At this moment Camusot, who was deliberating . how he could best reap the rewards of his clever- ness, took the two reports and read them again, and decided to show them to the attorney-general and ask his advice. While he was still lost in meditation, his usher appeared to announce that the valet of Madame la Countess de Serizy insisted upon speak- ing with his worship. Upon a sign from Camusot an elaborately dressed valet entered, gazed alter- nately at the usher and the magistrate, and said : "It is certainly M. Camusot whom I have the honor — ?' ' "Yes," replied judge and usher. Camusot took a letter offered him by the servant and read as follows : "As you know already, my dear Camusot, the interests of many persons demand that you do not examine M. Lucien de Rubempre ; we bring you the proofs of his innocence in order that he may be given his liberty immediately. " L. DE Serizy, d. de maufrigneuse. "P. S.— Burn this letter." Camusot felt the magnitude of the error he had committed in spreading nets for Lucien, and his first act was in obedience to the commands of the two noble ladies : he lighted a candle and destroyed 134 SPLENDORS AND MISERIES the letter written by the duchess. The valet bowed respectfully. "Madame de Serizy is on her way hither then?" inquired Camusot. "Her horses were being harnessed," replied the valet. At this juncture Coquart arrived to tell M. Camusot that the attorney-general was awaiting him. Weighed down beneath the weight of the error which he had made to the detriment of his ambi- tion and the advancement of justice, the judge, who in seven years of practice had developed that fin- ished art which belongs to every man that for duty's sake has crossed swords with grisettes, sought for weapons to defend himself against the revenge of two powerful women. The candle in whose flame he had burned the letter was still lighted, he made use of it to seal the thirty notes written by the Duchess de Maufrigneuse to Lucien and the voluminous correspondence of Madame de Serizy. Then he made his way to the office of the attorney-general. The Palais de Justice is a confused mass of build- ings piled one upon anotiier ; some full of grandeur, and others so mean that the effect is injured by lack of harmony. The Salle de pas Perdus is the most im- posing of halls, but its bareness is most unsightly. This vast cathedral of chicane chokes the royal court. The Galerie Marchande leads to two great sewers. In this gallery there is a staircase flanked by balus- ters, and beneath it there is a large doorway with two swinging doors. The staircase leads to the Court of Assizes, and the lower door to a second Court of Assizes. In certain years the crimes com- mitted in the Department of the Seine required two sessions. Beyond this door are situated the office of the attorney-general, the chamber of barristers and their library, the cabinets of the leading law- yers, and those of the substitutes of the attorney- general. These places, for we must use the generic term, are united by small circular stairways, and by those dark corridors, the shame of architecture, the corridor of la Ville de Paris and that of la France. In its interior the first of our sovereign courts of justice surpasses the prisons in everything most hideous that they possess. The painter of manners would recoil before the necessity of de- scribing the mean lobby of a metre's breadth used as an ante-room for the witnesses of the Superior (135) 136 SPLENDORS AND MISERIES Court of Assizes. As for the stove which serves to warm the hall when the sittings are held, it would disgrace a cafe of the boulevard Montparnasse. The attorney-general's ofiflce is situated in an octagonal pavilion, flanking the main body of the Galerie Marchande, which at a date very recent in comparison with the age of the palace, has en- croached upon the prison yard annexed to the women's quarters. All this portion of the Palais de Justice is over- shadowed by the high and splendid walls of the Sainte Chapelle. Thus it is sombre and silent. M. de Granville, worthy successor of the great magistrates of the old parliament, did not wish to leave the palace until Lucien's fate had been de- cided. He was awaiting news from Camusot, and the judge's message plunged him into the involun- tary revery which suspense brings upon the strong- est minds. He was seated in the embrasure of his office window; he rose and began to pace up and down the room, for that morning he had found Camusot, in whose path he had stationed himself, but little comprehensible ; he felt a vague anxiety and was ill at ease. This is the explanation : the dignity of his functions forbade the attorney-gen- eral to tamper with the absolute independence of an inferior magistrate ; and in this trial was at stake the honor and reputation of his best friend and warmest protector, the Comte de Serizy, Minister of State, member of the Privy Council, vice- president of the Council of State, the future THE END OF BAD ROADS 137 chancellor of France, in case that the noble old man who was holding this august office should chance to die. It was M. de Serizy's misfortune to adore his wife, in spite of her failings; he was always ready to shelter her beneath his protection. Yet the attorney-general could well foresee the wild excite- ment both in society and at court, which would fol- low the conviction of a man whose name had been linked so frequently and so disgracefully with that of the countess. "Ah 1" he said to himself, as he crossed his arms, "authority used to have the resource of transferring cases to other courts. — Our mania of equality — he dared not say legality, the word which latterly has been so boldly pronounced by a poet in the pres- ence of the Chamber — will be the destruction of this era. — " This worthy magistrate knew the allurements and the misfortunes of unlawful love. As we have seen, Esther and Lucien had succeeded to the apartment which the Count de Granville had shared in secret with Mademoiselle de Bellefeuille and whence a scoundrel had one day succeeded in entic- ing her. (See A Double Household in the Scenes of Private Life.) Just as the attorney-general was saying to him- self: "Camusot will be sure to entangle us in some foolish scrape!" the examining judge rapped twice upon the office door. "Well, my dear sir, how goes" the case about which I was talking to you this morning?" 138 SPLENDORS AND MISERIES "Badly, Monsieur le Count; read it and judge for yourself. ' ' He handed the two reports of the examinations to M. de Granville, who placed his eye-glasses upon his nose and walked into the embrasure of the win- dow to read the papers. His perusal was very rapid. "You have done your duty, " said the attorney- general, with a voice which betrayed emotion. "The case is closed; justice will take its course. You have displayed too great ability to allow the government ever to deprive itself of such an exam- ining judge." Had M. Granville said to Camusot, "You will re- main an examining judge all the days of your life," he would not have spoken more explicitly than in this complimentary sentence. Camusot felt a shiver course down his backbone. "Madame la Duchess de Maufrigneuse, to whom I owe much, has asked me — " "Ah! the Duchess de Maufrigneuse, — she is the friend of Madame deSerizy," said Granville, inter- rupting the judge. "It is true — you have bent be- fore no influence, I see ; you have done your duty, sir, you will become a great magistrate." At this moment Count Octave de Bauvan opened the door without knocking, and said to the Count de Granville : "I am bringing you a charming woman who scarcely knew which way to turn. She was losing herself in our labyrinth." THE END OF BAD ROADS 139 The Count Octave led by the hand the Countess de Serizy, who for a quarter of an hour had been wandering blindly through the palace. "What! you here, madame!" exclaimed the at- torney-general, pushing forward his own arm- chair, "at such a time as this, too! — This is M. Camusot, madame," he added, pointing toward the judge; — "Bauvan," continued he, addressing that illustrious ministerial orator of the Restoration, "wait for me in the office of the first president, he is still there, I will rejoin you in an instant" Count Octave de Bauvan understood not only that his presence was superfluous, but likewise that the attorney-general sought an excuse to leave his office. Madame de Serizy had not been so foolish as to drive to the palace in her magnificent coupe, with its blue draperies and armorial bearings, its lace- trimmed coachman and its two footmen in knee breeches and white silk stockings. As the countess was about to start, Asia had explained to the two ladies the necessity of taking the cab in which she and the duchess had arrived; lastly she had as- signed to Lucien's mistress an attire such as among women corresponds to the dun-colored cloak once in vogue among men. The countess wore a brown coat, an old black shawl, and a velvet hat, from which the flowers had been torn to make room for a veil of very thick black lace. "You have received our letter?" she inquired of Camusot, whose stupefaction appeared to her a proof of respectful admiration. 140 SPLENDORS AND MISERIES "Too late, alas! Countess," replied the judge, whose tact and ready wit deserted him when he was not seated in his ofiSce cross-questioning a prisoner. "What do you mean by 'Too late?' " She glanced at M. de Granville and saw conster- nation painted upon his face, "It cannot, it must not be too late yet," she added with the intonation of a despot. Women, pretty women, in Madame de Serizy's situation are the spoiled children of French civiliza- tion. If the women of other countries knew every- thing that a rich and titled woman of fashion is at Paris, they would all dream of attaining this splen- did royalty. Women governed solely by their own ideas of propriety and by that collection of petty laws, already called so often in The Human Comedy, the Female Code, scoff at the laws which men have made. They say everything; they recoil before no fault, before no folly ; for they have all learned by heart the fact that they are responsible for nothing in life, except for their own and their children's honor. They give utterance to the greatest enor- mities and laugh. Be the event what it will, they repeat the words spoken by the pretty Madame de Bauvan in the early days of her married life, to her husband, whom she had come to carry away from the palace; "Have done with your judging and come with me!" "Madame," said the attorney-general, "M. Lucien de Rubempre is guilty neither of robbery nor THE END OF BAD ROADS 14 1 assassination ; but M. Camusot has made him con- fess a crime greater than these." "What?" she demanded. "He has acknowledged himself," whispered M. de Granville in her ear, "to be the friend and pupil of an escaped convict, the Abbe Carlos Herrera ; this Spaniard, who has lived with him for nearly seven years seems to be none other than our famous Jacques Collin. — " Every word fell upon Madame de Sdrizy's ear with all the weight of an iron club, and this notori- ous name was the finishing blow. "The meaning of this?" she asked in a voice which was but a breath. "Is," interrupted M. de Granville, continuing the countess' phrase in a low tone, "that the convict will come before the Court of Assizes, and that if Lucien does not appear at his side for having wil- fully profited by his crimes, he will be brought into court as a witness and his reputation will be seri- ously compromised." "Ah! never!" — cried she aloud, with extraordi- nary firmness. "Were I to choose, I should not hesitate between death and the prospect of seeing a man, whom the world looks upon as my dearest friend, declared legally the comrade of a convict. The king likes my husband well — " "Madame," said the attorney-general aloud, as a smile passed over his lips, "the king has not the slightest control over the pettiest judge within his realm, nor of the pleading in the Court of Assizes. 142 SPLENDORS AND MISERIES There lies the grandeur of our new institutions. I, myself, have just been congratulating M. Camusot upon his adroitness — " "Upon his stupidity," retorted the countess quickly, who felt far less concern at Lucien's rela- tions with an outlaw than at his love for Esther. "If you will read the examinations of the two prisoners, conducted by M. Camusot, you will see that everything depends upon him — " After this remark, the only one that the attorney- general allowed himself to hazard, and after a look of feminine, or rather, perhaps, of judicial subtlety, he turned toward the door. As he stood on the sill he turned and added : "Pardon me, madame, 1 have a word or two to say to Bauvan. ' ' This, in the language of society, signified to the countess, "I cannot be a witness of what is about to pass between you and Camusot. ' ' "What are these examinations.'" asked Leon- tine gently of Camusot, who stood abashed in the presence of the wife of one of the great officers of state. "Madame," replied Camusot, "a clerk takes down in writing the questions of the judge and the answers of the prisoners ; the report is signed by the clerk, by the judge, and by the prisoner. Sub- sequent proceedings are built upon the foundation of these reports, which determine the indictment and the committal of prisoners to the Court of Assizes." THE END OF BAD ROADS 143 "Well," answered she, "suppose that these re- ports be suppressed?" "Ah! madame, that would be a crime such as no magistrate could commit, a crime against society!" "To write them was a far greater crime against me ; but at present there is no other proof against Lucien. Read me his examination so that we may know whether there is any expedient left which can save us all, sir. My own peace is not alone at stake, for I would go to my grave cheerfully ; the happiness of M. de Serizy depends upon the result." "Madame," said Camusot, "do not imagine that I have forgotten the gratitude which I owe you. Had M. Popinot, for instance, been intrusted with this examination, you would have been still more unfortunate than you are with me; for he would never have come to consult the attorney-general, and all that has passed would be a mystery. Why, madame, all M. Lucien's effects were seized, even your letters — " "Oh! my letters!" "Here they are, sealed," said the magistrate. In her perturbation, the countess rang the bell as though she had been at home, and the attorney-gen- eral's ofiSce boy appeared. "A light," said she. The boy lighted a candle and placed it upon the mantel-piece, while the countess collected her let- ters, counted them, crumpled them in her hand and threw them into the fireplace. Then twisting the last letter with her fingers she used it as a torch to 144 SPLENDORS AND MISERIES light the mass of papers. Camusot stood stupidly watching the blaze, with the two reports in his hand. The countess, who appeared solely occu- pied with the annihilation of every proof of her ten- derness, observed the judge from the corners of her eyes. She chose her time, she calculated her move- ments, and suddenly, with the agility of a cat, she seized the two examinations and flung them into the fire. Camusot snatched them from the blaze; the countess, springing at the judge, seized the burning papers. A struggle followed, while Camusot was crying out, "Madame! madame! you are attempting — madame — " a man dashed into the office, and the countess could not restrain a cry as she recognized the Count de Serizy, followed by M. de Bauvan and the attorney-general. Even then, Leontine, deter- mined to save Lucien at any cost, did not relax her grasp from the fatal stamped papers, which her fingers clasped with the strength of pincers, although the flame made her delicate skin look as though it had been cauterized. Camusot, whose fingers were also singed, appeared ashamed of his position and loosened his hold. Of the papers nothing remained except the portion that had been clinched by the struggling hands, so tightly that the fire could not reach Jt. This entire scene passed more quickly than the moment required to read its recital. "What can there be between you and Madame de Serizy which admits of dispute?" demanded the Minister of State of Camusot. THE END OF BAD ROADS 145 Before the judge could answer, the countess held the papers in the flame of the candle and tossed them upon the fragments of her letters which the fire had not entirely consumed. "It will be my duty," said Camusot, "to enter a complaint against Madame la Countess," "Eh! What has she done?" inquired the attor- ney-general, looking alternately at the countess and the judge. "I have burned the examinations," answered the woman of fashion with a laugh; for Leontine was so happy at the success of her desperate venture that she was still unconscious of her burns. "If it's a crime, why in that case this gentleman can write his horrible scrawls over again." "It is true," replied Camusot, endeavoring to re- cover his dignity. "After all, everything is for the best," said the attorney-general. "But, my dear countess, it would be unsafe to take such liberties with the magistracy often, for it might fail to recognize you." "M. Camusot has courageously resisted a woman whom nothing can resist: the honor of the gown is saved!" said the Count de Bauvan, laughing. "Ah! M. Camusot resisted .?" said the attorney- general laughing in his turn ; "he is audacity itself, I should never have dared to lift a finger against the countess. ' ' Thus, in a moment, this gravely criminal offence became the joke of a pretty womanj, and Camusot laughed over it himself. 146 SPLENDORS AND MISERIES The attorney-general noticed one man who did not laugh. Justly alarmed by the attitude and the ex- pression of the Count de Serizy, M. de Granville took him aside. "Myfriend," whispered he, "your sorrow hasde- termined me to compound with my conscience for the first and only time in my life." The magistrate rang ; the office boy appeared. "Tell M. de Chargeboeuf to come and speak with me." M. de Chargeboeuf, a young man recently ad- mitted to the bar, was the attorney-general's secre- tary. ' ' My dear sir, ' ' replied the attorney-general, draw- ing Camusot toward the embrasure of the window, "go to your office ; make out anew, with your clerk's help, the examination of the Abbe Carlos Herrera, which, as it was without a signature, can be begun again without difficulty. ' ' To-morrow you will con- front this Spanish diplomat with De Rastignac and Bianchon, who will not recognize him as our Jacques Collin. Upon his release he will sign his examina- tion. As for Lucien de Rubempre, set him at liberty to-night, for he will not be the man to disclose the examination when the report has been suppressed, especially after the warning which I shall give him. The Ga^^tte des Tribunaux will announce in to- morrow's issue the young man's immediate release. Now let us see whether justice suffers by these measures. If the Spaniard is the convict we have a thousand and one means of rearresting him, and THE END OF BAD ROADS 14/ of examining him a second time, for we shall re- ceive diplomatic intelligence concerning his conduct in Spain ; Corentin, the chief of the counter-police, will shadow him, and thus he will never be beyond our reach; thus it is better to treat him well rather than to incarcerate him longer in solitary confine- ment Have we a right to kill the count, the Coun- tess de Serizy, and Lucien to boot, for a robbery of seven hundred and fifty thousand francs, still un- proved, and committed to Lucien's detriment? Would it not be better to let him lose this amount, than to let him lose his reputation? Above all, when he drags downward in his fall a min- ister of state, his wife, and the Duchess de Mau- frigneuse ? This young man is a tainted orange, don't let it rot The whole thing won't take half an hour. Go, we wait for you. It is half after three, the judges have not all gone ; find out for me whether you can obtain a verdict of insufficient evi- dence — or perhaps Lucien can wait until to-morrow morning." Caniusot left the room with a low bow, which Madame de Serizy, stung with the pain of her scorched hand, did not return. M. de Serizy who had hastened from the office while the attorney-gen- eral was talking with the judge, now returned with a small pot of pure wax, with which he dressed his wife's hands as he whispered : "Leontine, why did you come without telling me?" "Dearest,"' she answered in his ear, "pardon 148 SPLENDORS AND MISERIES me ; you think me mad ; but it was for your sake as well as mine." "Love this young man, if fate will have it so; but don't flaunt your passion in the eyes of the world," replied her poor husband. "My dear countess," said M. de Granville, after some conversation with the Count Octave, "I trust that you will take M. de Rubempre home to dine with you to-night." This half promise aroysed so strong a reaction in Madame de Serizy that she burst into tears. "I thought that I had done with weeping," said she, with a smile; "could you not summon M. de Rubempre hither?" "I'll try to find ushers to spare him the com- pany of gendarmes," replied M. de Granville. "You are kind as an angel !" said Leontine to the attorney-general, with an effusion of tenderness which transformed her voice into divine music. "Such women as she are always fascinating, irre- sistible! — " said the Count de Bauvan to himself, as a melancholy picture of his own wife crossed his mind. (See Honorine, in the Scenes of Private Life.) On his way out, M. de Granville was stopped by the young de Chargebceuf, to whom he gave in- structions concerning the account which should be given to Massol, one of the editors of the Galeae des Tribunaux. While pretty women, ministers and magistrates alike, were conspiring to save Lucien, the wretched prisoner was spending his time as follows: As he passed through the wicket, the poet stated at the record office that M. Camusot had given him per- mission to write, and asked for pens, ink and paper. M. Camusot's usher whispered a word in the warden's ear, and a turnkey was immediately given orders to fulfill the request. During the few minutes which the turnkey required to collect the requisite articles and deliver them at Lucien's door, that unhappy young man, to whom the thought of confrontation with Jacques Collin seemed insupportable, sank into one of those fatal meditations wherein the idea of suicide, to which he had already yielded without accomplish- ing his purpose, reaches the proportions of madness. According to several distinguished physicians who have made a specialty of mental disease, suicide, in certain organizations, is the termination of insanity ; but since his arrest, this determination had re- mained fixed in Lucien's brain. Esther's letter, reread many times, increased his longing for death, and recalled to his mind how Romeo had at length been restored to his Juliet. This is what he wrote: (149) 150 SPLENDORS AND MISERIES "THIS IS MY TESTAMENT. "The Conciergerie, "This fifteenth day of May, 1830. "I, the undersigned, do give and bequeath to the children of my sister, Madame ^ve Chardon, wife of David Sechard, formerly a printer in AngoulSme, and of M. David Sechard, all my property, whether personal or otherwise, which shall belong to me on the day of my death, deduction being made for pay- ments and for legacies which I request my testa- mentary executor to arrange. "I beg of M. de Serizy to accept the charge of be- coming my testamentary executor. Payment is to be made : i. To the Abbe Carlos Herrera the sum of three hundred thousand francs. 2. To the Baron de Nucingen, that of fourteen hundred thousand francs, which is to be dimin- ished by the sum of seven hundred and fifty thou- sand francs in case that the money stolen from the domicile of Mademoiselle Esther be recovered. " I give and bequeath, as heir of Mademoiselle Esther Gobseck, the sum of seven hundred and sixty thousand francs to' the alms houses of Paris, to be devoted to the purpose of founding an asylum to be set apart for the use of fallen women who wish to abandon their career of vice and of perdition. "Furthermore, I bequeath to the alms houses the sum necessary for the purchase of five per cent bonds yielding thirty thousand francs a year; THE END OF BAD ROADS 1 51 whereof the annual interest is to be devoted twice each year to the deliverance of persons imprisoned for debt, whose obligations amount at the most to two thousand francs. The administrators of the alms houses shall make their choice from among the most honorable of the imprisoned debtors. "I request M. de Serizy to devote a sum of forty thousand francs to raising a monument to the mem- ory of Mademoiselle Esther in the Cemetery of the East, and I earnestly request to be buried by her side. This tomb is to be made after the fashion of ancient monuments ; it shall be square, figures of us both carved in white marble shall lie upon its sur- face ; the heads reclining upon cushions, the hands joined and pointed toward heaven. This monu- ment shall have no inscription. "I request M. the Count de Serizy to give to M. Eugene de Rastignac, as a souvenir, the dressing- table that will be found in my house. "Lastly, in virtue of his position, I request my testamentary executor to accept the gift which I make him of my library. "LUCIEN CHARDON de RUBEMPRE." This testament was inclosed within a letter addressed to the Count de Granville, attorney-gen- eral of the Royal Court at Paris, which ran as follows : "Monsieur le Count: "1 intrust my will to your keeping. When you unfold this letter 1 shall have ceased to be. In my 152 SPLENDORS AND MISERIES desire to recover my liberty I have answered so pusillanimously the crafty questions of M. Camusot, that in spite of my innocence, I can be incriminated in a disgraceful trial. Even in case 1 were acquitted without spot, life would still be impossible in the face of a captious world. "Give, I beg you, the enclosed letter to the Abbe Carlos Herrera, unopened, and forward to M. Camu- sot's hands the formal retraction which is included within this cover, " I do not think that my gaolers will dare open a packet which is addressed to you. Trusting in this, I bid you good-bye, offering you my respects for the last time and asking you to believe that in writing to you I give you a token of my gratitude for all the kindnesses whichjyou have heaped upon your dead servant, "LUCIEN deR." "TO THE ABB^ CARLOS HERRERA. "My Dear Abbe: "From you I have received naught but benefits, and yet I have betrayed you. This , involuntary ingratitude kills me, and when you read these lines I shall have ceased to live; you cannot be at my side to save me. "You have given me full permission to ruin you and to cast you from me like the butt of a cigar, if by so doing I might secure some advantage for my- self; but I have sacrificed you stupidly. Simply to THE END OF BAD ROADS 1 53 extricate himself from danger, deceived by an artful question of the judge, I, your spiritual son, him whom you have adopted, has ranged himself in the ranks of those who wish to murder you at any cost by establishing a false identity between you and a French scoundrel. This is the whole story. "Between a man of your power and me, of whom you wished to make more great than I could ever have been, there must be no exchange of idle re- proaches at this moment of eternal separation. You desired to make me powerful and glorious ; you have hurled me into the abyss of suicide; this is all. It is a long time since I have ceased to hear the whirr of the mighty wings of giddiness swooping down upon me. "There is the posterity of Cain as well as that of Abel, as you have sometimes said. In the great drama of humanity, Cain is the enemy. You are descended from Adam by that line whose flame the devil has fanned unceasingly since its first spark fell upon Eve. Among the demons of this race there appear from time to time terrible beings whose vast organizations contain the sum of all the powers of man, and who are like those restless beasts of the desert that need the immense solitudes they inhabit Creatures like these are as dangerous to society as lions turned loose in the heart of Normandy. They need a pasturage, they devour common men and browse upon the money of fools. Their very games are so perilous that at length they kill the meek dog which they have chosen for a companion, for 154 SPLENDORS AND MISERIES an idol. When God so wills it, these mysterious beings are Moses, Attila, Charlemagne, Mohammed, or Napoleon; but when he lets these gigantic instruments rust at the bottom of the ocean of a generation, they are but Pugatcheff, Fouche, Louvel, or the Abbe Carlos Herrera, Endued with boundless influence over sensitive souls, they attract them and grind them to powder. It is great, in its way it is beautiful. It is the venemous plant of gorgeous colors which fasci- nates children in the woods. It is the poetry of evil. Men such as you should dwell in caverns and never come forth. You have made me live this giant life and I have finished my full measure of existence. Thus I may draw my neck from the gor- dian knots of your projects to slip it into the run- ning noose of my cravat. "To repair my fault I transmit to the attorney- general a full retraction of my examination. — You will find this document of advantage to you. ' ' By the wish formally expressed in my testament, you will receive the sums belonging to your order, which you have very imprudently expended in my behalf, on account of the fatherly affection which you have displayed toward me. "Adieu, then, adieu, mighty statue of Evil and of Corruption. Adieu, you who, in the path of right, might have been more than XimenSs, more than Richelieu! You have kept your promises; once more I find myself such as I was upon the bank of the Charente after having owed to you the THE END OF BAD ROADS 155 enchantments of a dream ; but, unhappily, it is no longer the river of tny native place wherein 1 was about to drown all my boyhood's sins; it is the Seine, and my pit is a cell of the Conciergerie. "Do not regret me; my contempt for you was as great as my admiration. "LUCIEN." " DEPOSITION. "I, the undersigned, declare that 1 retract every word that is contained in the examination which M. Camusot forced me to undergo this day. "The Abbe Carlos Herrera was very apt to call himself my spiritual father, and I allowed myself to be deceived by this word, understood by the judge in another sense, doubtless by mistake. "1 know that for political ends, in order to bury certain secrets which concern the cabinets both of Spain and of the Tuileries, obscure agents of diplo- macy are endeavoring to identify the Abbe Carlos Herrera with a convict named Jacques Collin ; but the Abbe Carlos Herrera has made me his confi- dant in this respect only so far as relates his efforts to procure authentic proof of the death or the exist- ence of Jacques Collin." "The Conciergerie, this fifteenth day of May, 1830. "LUCIEN DE RUBEMPRE." The fever of sucide lent Lucien great clearness of ideas, and that dexterity of hand which authors 156 SPLENDORS AND MISERIES know when they are a prey to the fever of compo- sition. The change wrought in him was so great that these four documents were written within the space of half an hour. He made the papers into a packet, closed it by means of wafers, and stamped upon it the impress of his arms from the ring he wore upon his finger with the feverish strength of delirium. Surely it would have been difficult to behave with more dignity in the false situation into which a life of infamy had plunged Lucien; he was saving his memory from opprobrium, and re- pairing the evil which he had done his accomplice so far as the wit's cleverness could efface the effects of the poet's disclosure. Had Lucien been confined in one of the solitary cells he would have been encountered at the outset by the impossibility of accomplishing his design, for these boxes of freestone have no other furniture than a kind of camp-bed and a bucket. There is not a nail, not a chair, not even a stool. The bed is so firmly fixed that it cannot be moved without an operation which would probably alarm the turn- key, for the iron-bound peep-hole is always open. As a further safeguard, whenever the prisoner arouses suspicion he is carefully watched by a gen- darme or detective. In the apartments of the pis- tole, as in that which Lucien occupied on account of the consideration which the judge thought fit to show toward a young man belonging to the best society in Paris, the movable bed, the table and the chair are of service in eifecting a suicide, although THE END OF BAD ROADS 1 57 they do not render it an easy matter. Lucien wore a long blue silk cravat, and as he walked back from the examination his mind was already meditating upon the manner in which Pichegru had met a more or less voluntary death. To hang himself a man must have a fixture from which the rope can depend and sufficient space between his body and the ground to prevent his feet from receiving any support. The window of Lucien's cell, looking out upon the prison yard, was without a sash, while the iron bars clamped to the exterior of the wall, did not lend themselves to his purpose. Lucien's rapid investigation speedily suggested this plan to consummate his suicide. If the screen that covered the aperture cut off Lucien's view of the prison yard, this screen likewise prevented the guards from perceiving what was happening within the cell ; although in the lower part of the window the glass had been replaced by two stout planks, the upper portion still preserved small lights held in place by the crossbars which framed in the glass. By standing upon his table Lucien could reach the glazed division of his window, and remove or break two lights in such a way as to make of the angle of the lowest crossbar a support strong enough to bear his weight. His design was to pass his cravat over this, wind it once about his neck, knot it firmly and kick the table from beneath his feet. Lucien pushed the table noiselessly toward the window ; he took off his coat and waistcoat, and then without hesitation stepped upon the table to 158 SPLENDORS AND MISERIES break the pane above and that below the lowest crossbar. When he stood upon the table he could look out upon the prison yard, a magical sight of which he now caught sight for the first time. The warden of the Conciergerie, having received in- structions from Camusot to treat Lucien with the utmost consideration, had ordered the gendarmes to lead their prisoner through the interior passages of the Conciergerie, the entrance of which is in the dark vault opposite the Tour d' Argent, and thus to avoid exhibiting the young and elegant Lucien to the crowd of criminals who are always walking in the prison yard. The reader will judge whether this scene is of a nature to print a deep impression on a poet's soul. The yard of the Conciergerie is bounded upon the quay by the Tour d'Argent and by the Tour Bonbec ; and its extent is plainly marked from with- out by the space which separates them. The gal- lery, named after Saint Louis, which leads from the Galerie Marchande to the Court of Appeals and to the Tour Bonbec, where tradition still points to the closet of Saint Louis, can describe to accur- ate observers the extent of the prison yard, with which it is of equal length. The solitary cells and the pistoles are situated beneath the Galerie Mar- chande. Thus the Queen Marie Antoinette, whose dungeon lies beneath the present solitary cells, was led to the revolutionary tribunal then sitting in the solemn court of audience of the Court of Appeals by means of a gloomy stairway now condemned, built THE END OF BAD ROADS 159 against the massive walls that uphold the Galerie Marchande. One side of the prison yard, that of which the first story is occupied by the Galerie de Saint Louis, displays a long line of Gothic columns, and between these the architects of some epoch have constructed a double tier of cells, designed to accommodate the greatest possible number of prison- ers, and have covered with plaster, bars and bolts the capitals, arches and the shafts of this magnifi- cent gallery. Beneath the so-called cabinet of Saint Louis, in the Tour Bonbec, a spiral stair winds up to these cells. This prostitution of one of the grandest monuments of France is hideous to see. From the height at which Lucien was placed, looking obliquely from his window, he could view this gallery and the details of the building which connects the Tour d' Argent with the Tour Bonbec; he saw the pointed roofs of the two towers. He stood in silent wonder; his death was delayed by his admiration. In our time the phenomena of hal- lucination are so freely admitted by physicians that this mirage of our senses, this curious faculty of our minds, is no longer contestable. Beneath the im- pulse of a feeling, raised by its intensity to the height of a monomania, a man falls into the same condition that is produced by opium, haschisch, , or protoxyde of asote. At such times spectres and phantoms arise, dreams become incarnate in bodil}/^ forms, things long destroyed revive in their ancient shapes. That which within the brain lived but as an idea, becomes an animated and living creature. l6o SPLENDORS AND MISERIES Modern science believes that beneath the strain of this paroxysm of passion, the brain is suffused with blood and that this congestion produces the alarming creations of waking dreams, so strongly does it object to considering thought as a live and generating force. — See Louis Lambert, Philosophical Studies. — Lucien beheld the palace in all its primitive beauty. The colonnade was slender, young, fresh. The dwelling of Saint Louis reappeared as it had been of old, and he marveled at its Babylonian propor- tions and its oriental fancifulness. He received the glorious vision as a poetic adieu to civilized crea- tion. As he prepared to die, he asked himself why this marvel had so long existed unknown in Paris. There were two Luciens, Lucien, the poet, walking through the Middle Ages beneath the arcades and turrets of Saint Louis; and Lucien, preparing for suicide. Just as M. de Granville had given his final in- structions to his young secretary, the warden of the Conciergerie appeared, and the expression of his countenance foretold misfortune to the attorney- general. "Have you met M. Camusot?" he asked. "No sir," replied the warden. "His clerk, Coquart, told me to relax the severity of the Abbe Carlos' confinement and to release M. de Rubempre altogether; but it is too late." ' ' Good God ! What has happened .'' ' "Here, sir," said the warden, "is a packet of SUICIDE OF LUCIEN When the cell door was opened, and the countess saw Lucien hanging as though his garments were suspended from a peg, she bounded toward him to seize and clasp him to her. v'.-a\T'\i "Ao a.di'^iwjz ii-i^s^wo-i 'l'^^ Viwft ,\i'i«'b\ft law -^ci^iV \\"i-> 'isVi sx'iiVlJ .T)\\ (i^ \»\'u\ \lft\-i \>'Aft 'at'vjl /?-rf^ 'to /,, t) "^ J I I THE END OF BAD ROADS l6l letters for you which will explain the catastrophe. The sentinel in the prison yard heard the sound of breaking glass coming from the pistole, and a prisoner in the next cell to M. Lucien's shrieked aloud for he could hear the death agony of the poor young man. The sentinel returned pale with fright at the sight which he had seen. The prisoner had hung himself from the sash by means of his cravat " Although the warden was speaking in a low voice, the terrible cry that Madame de Serizy uttered proved that in the crisis of life our organs are endowed with incalculable power. The coun- tess heard or divined the truth. Before M. de Granville could turn round, before her husband or M. Bauvan could block her rapid course, the coun- tess darted like an arrow through the doorway, reached the Galerie Marchande, and rushed through it as far as the staircase which leads to the rue de la Barillerie. A barrister was taking off his gown before the door of one of those shops which for so many years encumbered the gallery with their busy trade in shoes and caps and gowns. The countess asked the way to the Conciergerie. "Go down and turn to the left. The entrance is on the quai de I'Horloge, in the first arcade." "The woman's mad!" said the shop-girl, "you must follow her." Nobody could have followed L^ontine ; she flew. A doctor must explain how these women of society, whose strength has long been unexercised, can find l62 SPLENDORS AND MISERIES such a reserve of power at the great crisis of life. The countess dashed through the arcade toward the wicket so swiftly that the gendarme on duty did not see her pass. She flung herself against the grating like a feather whirled by some mighty wind ; she shook the iron bars with such fury that one of them snapped in her hands; she crushed her breast against the jagged points until the blood spurted, andthen she fell to the ground, crying, "Open! open!" in a voice at which the guards shuddered. The turnkey ran to the gate. "Open! I am sent by the attorney-general to save the dead." — As the countess was making this detour by the rue de la Barillerie and the quay de I'Horloge, M de Granville and M. de Serizy, guessing her in- tention, hurried to the Conciergerie through the interior of the palace, but in spite of their haste, they did not arrive until the moment when the gen- darmes, whom the noise had summoned from their guard room, were raising the fallen body of the coun- tess who had fainted before the outer wicket On the appearance of the warden of the Conciergerie the wicket opened and the countess was carried into the record office. Springing suddenly to her feet Leontine clasped her hands and fell upon her knees. "To see him, only to see him! Oh, gentlemen, 1 shall do no harm ; if you don't wish to see me die before your eyes let me look at Lucien, living or dead. Ah ! my dear husband, you are there too. Choose between my death or — " THE END OF BAD ROADS 163 She sank to the floor. "You are good," she murmured; "I will love you. ' ' "Carry her away,' said M. de Bauvan. "No, let us go to Lucien's cell," said M. de Gran- ville, reading M . de Serizy's intention in his disor- dered look. He caught hold of the countess, raised her to her feet and supported her by one arm while M. de Bauvan upheld her by the other. "Sir," said M. de Serizy to the warden, "be silent as death in regard to all this." "Rely upon me," replied the warden. "You have acted wisely. This lady — " "Is my wife." "Ah! Pardon me, sir. She is certain to faint when she sees the young man, and while she is un- conscious she can be taken to a carriage." "I thought of that," said the count; "send one of your men to.the Cour de Harlay to tell my grooms to come to the wicket My carriage is there, alone." "We can save him," said the countess, walking with a courage and strength that amazed her friends. "He can be brought back to life — " She dragged the two magistrates along, crying out to the keeper : "On; on, faster! Every second is worth the lives of three men!" When the cell door was opened, and the countess saw Lucien hanging as though his garments were suspended from a peg, she bounded toward him to l64 SPLENDORS AND MISERIES seize and clasp him to her; but, suddenly she fell face downward upon the floor of the cell, uttering shrieks that were stifled by a rattle in her throat. Five minutes later she was lying in the count's car- riage on her way to her hotel, stretched at full length on one of the cushions, while her husband knelt at her side. The Count de Bauvan had hurried for a physician to bring timely relief to the countess. The warden of the Conciergerie examined the outer grating of the wicket, and said to his clerk : "No expense has been spared! The iron bars were forged ; they have been tested, and cost dear enough, too; yet there was a flaw in that spike!" When the attorney-general reached his office he was obliged to give other instructions to his secre- tary. Luckily Massol had not yet returned. A few moments after the departure of M. de Gran- ville, who had hastened off to see M. de Serizy, Massol arrived to find his fellow barrister, De Char- gebceuf, in the attorney-general's office. "My friend," said the young secretary, "if you wish to do me a favor, you will insert in to-mor- row's number of your Gazette the lines that I am going to dictate to you in the place which you assign to judicial news. Print at the head of the column. Write!" He dictated as follows : "It has been fully proved that Mademoiselle Esther Gobseck killed herself voluntarily. THE END OF BAD ROADS 165 "The satisfactory alibi of M. Luciende Rubempre and his complete innocence make his arrest still more a matter of regret, inasmuch as, at the moment when the examining judge was on the point of giv- ing orders for his release, the young man died very suddenly." "I have no need," said the young lawyer to Massol, "to recommend to you the utmost discre- tion in the small service which is asked of you. ' ' "Since you do me the honor of placing your con- fidence in me," replied Massol, "I will take the liberty of making a suggestion. This notice will lead to disagreeable imputations upon justice." "Justice will be strong enough to support them," replied the young novice of the bar with all the pride of a future magistrate educated by M. de Granville. "My dear sir, if you will allow me, I can avoid this mishap by two sentences. The barrister wrote as follows : "The forms of justice have nothing to do with this melancholy event. The autopsy which took place immediately proved that death was due to the rupture of an aneurism in its last stage. Had M. de Rubempre been affected by his arrest, his death would have taken place much sooner than it actually did. But we believe we can safely afifirm that far from being afflicted by his arrest, this much- lamented young man laughed at it, and told the l66 SPLENDORS AND MISERIES gendarmes who had escorted him from Fontaine- bleau to Paris that his innocence was certain to be recognized the instant that he should be taken before a magistrate. ' ' "Does not that avert all danger ?' ' — demanded the barrister-journalist. "You are right." "The attorney-general will be very much pleased with you to-morrow," replied Massol, adroitly. And now for most readers, and especially for the more fastidious, this study, perhaps, seems quite completed by the deaths of Esther and of Lucien ; perhaps, however, Jacques Collin, Asia, Europe and Paccard are of sufficient interest to induce the reader to follow their fortunes to the end. This last act of the drama may, moreover, complete the pic- ture of manners and customs so far as the limits of this story will allow, and finish the story of divers fortunes, still untold, which Lucien's life has so curiously interwoven, mingling some of the vilest figures of the galleys with persons in the highest walks of life we have seen. Thus we have seen that the greatest events of human life are exemplified by the pettiest details of life in Paris, whether they are true or false ; and the same truth holds good of many things far more august than these. THE LAST INCARNATION OF VAUTRIN 'iSi^i^,t,^^£u^ /fSf^^ SS THE ATTORNEY-GENERAL, M. GAULT AND COLLIN M. de Granville looked carefully at Jacques Collin and saw that he was outwardly calm, but he soon perceived the truth of what the director had told him. The convict's deceptive attitude hid the cold and terrible irritation of the nerves of a savage. Volcanic fire was smouldering in his eyes and his hands were clenched ; he was like a tiger. THE LAST INCARNATION OF VAUTRIN "What is the matter, Madeleine?" asked Madame Camusot, as her waiting-maid entered her chamber, with that troubled expression which servants assume at critical seasons. "Madame," replied Madeleine, "M. Camusot has just returned from the palace ; but he looks so upset and miserable that perhaps madame had better go at once to see him." "Did he say anything?" asked Madame Camusot. "No, madame; but we have never seen him look as he does ; he will probably be very ill indeed ; he is yellow; he seems to be going to pieces and — " "Without waiting for the end of this sentence Madame Camusot rushed from the room and went to her husband's study. She found the judge seated in an arm chair, with his legs stretched rigidly in front of him, his head thrown back, his hands hang- ing lirnp at his sides, his face white, his eyes star- ing exactly as if he were about to swoon. "Dearest, what is the matter with you?" asked the young wife in alarm. "Ah ! my poor Amelie, the saddest thing has hap- pened. — It makes me shudder still. Just imagine; the attorney-general — no, Madame de Serizy — I don't know where to begin. ' ' (169) I70 SPLENDORS AND MISERIES "Begin at the end!" — said Madame Camusot "Well, then, I was in the Council Chamber of the Superior Court. M. Popinot had just written the last requisite signature at the conclusion of my report of insufficient evidence which was to give Lucien de Rubempre his liberty; in fact every- thing was over, the clerk was carrying away the minutes of the proceedings, I was just about to wash my hands of the whole affair, when suddenly in comes the president of the tribunal and examines the verdict. " 'You are releasing a corpse,' said he, with cold irony ; 'this young man has gone, to use M. de Bon- ald's expression, before his natural judge. He has been struck dead by a violent attack of apoplexy. ' " — I breathed more freely, supposing that it was an accident. " — 'If I understand aright, sir,' said M. Popinot to the president, 'it was an attack of apoplexy like Pichegru's,' — " — 'Gentlemen,' continued the president, in his grave manner, 'you must know that, so far as the world is concerned, young Lucien de Rubempre has died through the rupture of an aneurism. ' "We all looked at one another. " — 'High interests are entangled in this sad affair,' said the president; 'God grant, for your sake, M. Camusot, although you have but done your duty, that Madame de Serizy does not go mad from the blow which she received ; she was carried away more dead than alive. I have just THE LAST INCARNATION OF VAUTRIN 171 met our attorney-general in a state of despair pain- ful to see. — My dear Camusot,' he added in my ear, 'you took the wrong tack that time. ' "So, my dearest, when 1 was ready to come away, I could scarcely walk. My legs were trem- bling so that I dared not venture into the street, and I went into my ofifice to lie down, and then Coquart, who was arranging the documents of this unlucky trial, told me how a beautiful lady had taken the Conciergerie by storm ; how she had tried to save Lucien, with whom she is madly in love, and how she fainted dead away when she saw him hang- ing by his cravat from the window sash in his cell. The thought that the manner in which I examined this unhappy young man — who, between you and me, was clearly guilty — had been the cause of his suicide, has pursued me from the moment I left the palace, and I have been on the point of fainting ever since. ' ' "So, you are going to think yourself a murderer because a prisoner hangs himself in prison just as you were about to release him?" — cried Madame Camusot "A judge in your position is like a gen- eral who has had a horse shot under him. — That's all." "My dear, these comparisons are at the best but jokes, and this is no time for joking, in this case death kills life. Our hopes are buried in Lucien's coffin." "Really?" — said Madame Camusot with an ac- cent of profound irony. 172 SPLENDORS AND MISERIES "Yes; my career is over. I shall remain all my life long a mere judge of the Tribunal of the Seine. Even before this fatal event, M. de Granville was very dissatisfied with the turn which the examina- tion was taking; but his speech to our president makes me certain that so long as M. de Granville is attorney-general, I shall never be promoted!" Promotion! That is a terrible word; an idea which in our era transforms the magistrate into the functionary. In former times the magistrate had already re- ceived all the honors he had a right to expect Three or four presidencies of Chambers satisfied the ambitious spirits of each parliament. A coun- sellorship contented a De Brosses as well as a Mole, either at Dijon or at Paris. This position, a for- tune in itself, required a great fortune to be maintained with dignity. In Paris, outside of par- liament, lawyers can aspire to but three great prizes: the comptroller-generalcy, the seals, and the chancellor's robe. Below the dignity of the parlia- mentary sphere, the deputy of a Court of Judicature considered himself a personage of suificient distinc- tion to rest upon his laurels. Contrast the position of a councillor of the Royal Court at Paris in 1829, whose entire fortune was bounded by the limits of his salary and that of a councillor of the Parliament in 1729. Vast is the difference! To-day, when money has become the universal guarantee of soci- ety, the great wealth which magistrates formerly possessed is no longer required of them ; thus we THE LAST INCARNATION OF VAUTRIN 173 see parliamentary deputies, peers of France, heap- ing magistracy on magistracy, becoming judges and legislators at once, borrowing importance from posi- tions other than those upon which alone their repu- tation should rest. In a word, magistrates never cease to think of distinguishing themselves in order that they may be promoted as a man is promoted in the army or in the administration. Even if this thought does not affect a magis- trate's independence, it is too well-known, too nat- ural, and its effects are too evident to allow the dignity of his office to remain untarnished in the public eye. The salaries paid by the state meta- morphose priest and magistrate to clerks. The possibility of advancement stimulates ambition, and fosters a desire to please the powers that be, while the modern dogma of equality places the judge upon the same social footing with men who are amenable to his jurisdiction. Thus the two pillars of every social system. Religion and Law, have both grown less in this XlXth century, the so-called age of universal progress. "Why should your chances of promotion fail.'" said Amelie Camusot. She cast a mocking glance at her husband ; for she felt the necessity of encour- aging the tool of her ambitious hopes. "Why do you despair.'" continued she with a gesture which painted her indifference to the pris- oner's death. "This suicide will rejoice Lucien's two enemies, Madam d'Espard and her cousin, the 174 SPLENDORS AND MISERIES Countess du Chatelet Madame d'Espard is most intimate with tiie Keeper of the Seals; and through her you can obtain an audience with his Excellency and tell him the secret of this affair. If the Min- ister of Justice is on your side what have you to fear from your president or from the attorney -general ?' ' "But the Count and Countess de Serizy!" — cried the poor judge. "I tell you that Madame de Serizy is stark mad ; and mad, they tell me, by my fault ' ' "If she is mad, most injudicious judge, " ex- claimed Madame Camusot, laughing, "she cannot harm you. Tell me all the particulars of the day. ' ' "Great heaven!" replied Camusot, "just after I had heard the unhappy young man's confession and when he had declared that this so-called Spanish priest is actually Jacques Collin, the Duchess de Maufrigneuse and Madame de S6rizy sent me a valet with a brief note requesting me not to examine him. All was over — " "You must have lost your senses," said Amelie, "for, as you can rely upon your secretary, you might have recalled Lucien and by a little encour- agement it would have been easy to make him alter his deposition." "You are exactly like Madame de Serizy in your contempt of law!" retorted Camusot, who could not bring himself to make a mockery of his profession. "Madame de Serizy seized my reports and tossed them into the fire!" "She's a woman to be proud of! bravo!" ex- claimed Madame Camusot. THE LAST INCARNATION OF VAUTRIN 175 "Madame de Serizy told me that she had rather blow up the palace than suffer a young man who had stood high in the good graces of the Duchess de Maufrigneuse and in her own to appear at the bar of the Court of Assizes side by side with a con- vict!"— "But, Camusot," said Am^lie, who could not re- strain a smile of superiority, "your position is glorious. ' ' — "Oh! yes. Glorious!" "You have done your duty." — "Yes, but most unfortunately and contrary to the Jesuitical advice of M. de Granville, who met me on the quai Malaquais — " "This morning?" "This morning." "At what time?" "At nine o'clock." "Oh! Camusot!" said Amelia, wringing her hands and clasping them together. "To think how many times I have warned you to take care of everything. Good heavens! it's not a man that I am dragging after me, but a load of stone. — But, Camusot, your attorney-general was waiting for you on your way, — ^then he must have recom- mended some course. ' ' "Yes;— he did." "And you did not understand him! If you are deaf, you will remain an examining judge with no- body to examine as long as you live. Kindly have sense enough to listen to me," she added, silencing 176 SPLENDORS AND MISERIES her husband, who wished to defend himself. "You think that the game is up. ' ' Camusot looked at his wife with the expression of a peasant staring at a juggler. "If the Duchess de Maufrigneuse and the Coun- tess de Serizy are compromised, they must both become your protectresses," continued Amelie. "Madame d'Espard will obtain an audience for you with the Keeper of the Seals ; you can tell him your secret, and he will make use of it to amuse the King; for all sovereigns like to know the seamy side of things, and to learn the real motives of events which the public gapes at in amazement From thenceforth all danger from M. de Serizy and the attorney-general will be at an end — ' ' "What a blessing it is to have such a wife!" ex- claimed the judge, more cheerfully. "After all, I have unearthed Jacques Collin, and I shall send him to settle his accounts with the Court of Assizes. "It is a victory in the career of an exam- ining judge, that — " "Camusot," interrupted Amelie, delighted to see her husband recovering from the moral and physi- cal prostration into which the news of Lucien's sui- cide had plunged him. "The president told you just now, that you had taken the wrong tack and now you have tacked too far in the opposite direc- tion. — You are further from your course than ever, my dear!" The examining judge stood looking at his wife with an air of stupefaction. THE LAST INCARNATION OF VAUTRIN 177 "The King and the Keeper of the Seals may be glad to learn the secret of this trial and at the same time be displeased to see lawyers of the liberal party dragging to the bar of public opinion and of the Court of Assizes, in their pleas, such names as Serizy, Maufrigneuse and Grandlieu, in short all those who are involved directly or indirectly in this case." "Every one of them is incriminated — I have them!" exclaimed Camusot The judge, who had risen from his seat, paced up and down his study floor as Sganarelle does upon the stage when he is trying to extricate himself from some scrape. "Listen to me, Amelie!" said the judge, halting before his wife," a circumstance comes back to my mind which, trivial as it seems, is of capital import- ance in my present position. Picture to yourself, dearest, this Jacques Collin, a colossus of craft, dis- simulation, and of deceit, — a man of such depth — what can I call him? — The Cromwell of the galleys! — I have never met so shrewd a ras- cal; he came within an ace of hoodwinking me. — But in criminal examinations a chance thread leads to a skein which guides a man through the labyrinth of the darkest conscience and the most deeply-hidden facts. When Jacques Collin noticed that I was skimming over the papers seized in Lucien de Rubempre's lodgings, the crafty rogue glanced at them as if he were looking to see whether some particular packet were among them, 178 SPLENDORS AND MISERIES and he allowed a gesture of evident satisfaction to escape him. This look of a thief estimating a treasure, this prisoner's gesture, which meant, 'I have my weapons,' taught me a world of things. It is only you women who, like judges and prison- ers, can gather from a single glance whole histories of fraud more complex than a system of prison locks. Volumes of suspicion are read in a single second ! It is frightful ; life or death in the twink- ling of an eye. 'The villain has other letters in his power, ' thought I ; and then the thousand and one other details of the case absorbed my attention. I passed by this incident because I expected to bring my prisoners face to face, and to clear up this matter at a later stage of the examination. But we may consider it certain that Jacques Collin has stowed away in some safe spot, after the fashion of these wretches, the most compromising letters of this young Apollo who was adored with so much— ' ' "And yet you tremble, Camusot! You will be president of a Chamber in the Royal Court much sooner than I expected!" cried Madame Camusot, whose face beamed with delight. "Mark my words, you must behave so as to sat- isfy everybody; for this trial has become so import- ant that it might be stolen from us I — Did they not take the case out of M. Popinot's hands to entrust it to yours, at the time when Madame d'Espard applied for an injunction against her husband?" continued Amelie, in answer to her husband's ges- ture of astonishment. "Now, can't the attorney- THE LAST INCARNATION OF VAUTRIN 179 general, who takes such a lively interest in the honor of the Count de Serizy and his wife, transfer the case to the Royal Court and intrust it to a coun- cillor of his own choosing, so that the whole process may begin afresh. — " "My dearest wife, where did you learn your crim- inal law?" cried Camusot. "You know ever3rthing, you are my master — " "What! can't you see that to-morrow morning M. de Granville will be alarmed at the probable action of some liberal lawyer. Jacques Collin will have no trouble in finding one, for any of them would gladly pay him for the right to be his counsel ! These ladies know their danger quite as well, if not better, than you ; they will make a confidant of the attorney-general, who sees already how close these families are to the prisoner's dock on account of the intimacy between this convict and Lucien de Rubempre, the accepted suitor of Mademoiselle de Grandlieu, Lucien the lover of Esther, the former flame of the Duchess de Maufrigneuse, the idol of Madame de Serizy. You must, therefore, manoeuvre in such a way as to win the affection of your attor- ney-general and the gratitude of M. de Serizy, of the Marchioness d'Espard and of the Countess du Chatelet alike, to reinforce the duchess' protection by that of the house of Grandlieu, and to invite the commendation of your president The countess, the duchess, and Madame Grandlieu will be my care ; it is yours to see the attorney-general to-mor- row morning. M. de Granville does not live with l8o SPLENDORS AND MISERIES his wife ; for the past dozen years he has had a mis- tress, Mademoiselle de Bellefeuille. She has borne him children, has she not? This magistrate is no saint; he is a man like the rest of you; he can be seduced ; there is some way to gain a hold upon him. You must discover his weak point, flatter him, ask his advice, point out to him the danger of the case. Try to implicate him as well as yourself, and you shall — " "No, I ought to kiss the dust beneath your feet!" said Camusot interrupting his wife, as he slipped his arm about her waist and pressed her to his heart. "Amelie, you are my saviour!" "It was I, who dragged you from Alengon to Mantes and from Mantes to the Tribunal of the Seine," replied Amelie. "So you may trust me now! Five years hence, I wish to be spoken of as 'the president's wife;' but, my love, always think a long time before you come to a decision. A judge's calling is not like a fireman's, there's never a conflagration in your papers, you have time to reflect; thus in your place stupid mistakes are inex- cusable. — " "The strength of my position rests entirely upon the identity of the sham Spanish priest with Jacques Collin," said the judge, after a long pause. "When once this identity is firmly established, even if the court should take cognizance of the case, it will always be a fact of which no magistrate, judge or counsellor, can rid himself. I shall be like the child who has fastened an iron chain to a cat's tail ; no THE LAST INCARNATION OF VAUTRIN l8l matter where the prosecution is conducted, it will always jangle Jacques Collin's irons." "Bravo!" said Amelie. "The attorney-general will be more anxious to come to terms with me while 1 hold this sword of Damocles suspended over the heart of the Faubourg Saint-Germain than with anybody else ! But you don't realize the difficulty of arriving at this glori- ous result! The attorney-general and I, a few min- utes ago in his office, agreed to take Jacques Collin at his word, and consider him to be Carlos Herrera, canon of the Chapter of Toledo. We have agreed to recognize his capacity of diplomatic envoy and to allow him to be declaimed by the Spanish Ambas- sador. It was in accordance with this plan that I signed the order for Lucien de Rubempre's release, and that I began a fresh examination of my prison- ers, making them appear white as snow. To-mor- row de Rastignac, Bianchon, and 1 don't know who besides, must be confronted with the self-styled canon of the Royal Chapter of Toledo ; they will not recognize in him Jacques Collin, whose arrest took place in their presence some ten years ago, in a family boarding house, where they had known him under the name of Vautrin." There was a moment's pause, while Madame Camusot reflected. "Are you positive that your prisoner is Jacques Collin?" she asked. "Positive," replied the judge, "and so is the attorney-general. " l82 SPLENDORS AND MISERIES "Then try to create some excitement in the Palais de Justice, but take care to lfl/s. But the good pals, worthy offspring of the swell mob, has been for twenty years and more the Court of Appeals, the Institute, the Chamber, and the peerage of this people. The good pals all possessed their own pri- vate means, while they owned certain funds in common and separate dwelling places. Every man knew his mates and owed them aid and comfort in adversity. Wholly superior to the ruse and seduc- tive offers of the police, they possessed their own constitution, their own pass words and signs. These dukes and peers of the galleys had formed, between the years 1815 and 1819, the famous society of the Ten Thousand, — see P&re Goriot — thus named from the constitution, by virtue of which no member might undertake a job which promised to yield less than ten thousand francs. Even at the present time, in 1829 and 1830, memo- randa are published wherein the numbers of this society and the very names of its members are recorded by one of the celebrities of the detective police. The reader learned with dismay of the existence of a great army of men and women — an army so formidable, so adroit, and often so lucky, that Pastourel, Collonge and Chimaux, burglars of from fifty to sixty years of age, are mentioned as having been in revolt against society from their cradles! — What greater proof of the impotence of law is there than the mere existence of robbers grown old in crime. THE LAST INCARNATION OF VAUTRIN 223 Jacques Collin was treasurer not only of the society of the Ten Thousand, but also of the good pals, the heroes of the galleys. By the testimony of competent authorities, the galleys are never without their treasuries. It is not difficult to understand the reason of this peculiarity, for unless the case be exceptional, stolen money is never recovered. Criminals condemned to the galleys are unable to take their gains with them, and so are compelled to have recourse to any secret and reli- able agency at their command, and to deposit their wealth, just as in society people deposit their money in some bank. Originally, Bibi Lupin, for ten years chief of the secret service, had been a member of the aristocracy of the good pals. His treason was the result of wounded pride ; he had seen his reputation eclipsed at every step by the keen intelligence and pro- digious strength of Trompe-la-Mort. From this origin came the vindictive hate which the well- known chief of the secret service cherished against Jacques Collin; hence, likewise arose certain mutual agreements between Bibi Lupin and his former comrade, which now began to engross the attention of the magistrates. Thus, in his keen desire for vengeance, to which the examining judge had given full rein, owing to the necessity of establishing Jacques Collin's iden- tity, the chief of the secret service had chosen his allies with great shrewdness when he loosed upon the Spaniard's trail la Pouraille, Fil-de-Soie, and 224 SPLENDORS AND MISERIES le Biffon; for la Pouraille belonged to the Ten Thousand, while Fil-de-Soie and le Biffon were both members of the good pals. La Biffe, Biffon's redoubtable mistress, who, thanks to her numerous and fashionable disguises, still eludes the vigilance of the police, was at large at this time. This woman, the admirable mimic of marchioness, baroness and countess alike, owns a carriage and servants. This feminine Jacques Col- lin is the only woman who can be compared with Jacques Collin's right arm, Asia, Every hero of the galleys, in fact, has a double in the guise of a devoted woman. The annals of crime, the secret chronicles of the Palais de Justice will tell you this truth. No passionate love of an honest woman, not even the adoration of a nun for her confessor, can surpass the attachment of the mistress, who shares the perils of some great criminal. In this sphere of society, passion is almost invari- ably the primitive reason for boundless audacity and recklessness of murder. The excessive love which drags them, constitutionally, as doctors say, toward women, consumes all the moral and physical strength of these giants of energy. Hence comes the idleness which consumes their days; for this violent love will admit of no rival occupation. This infatuation accounts for their dislike to every species of labor ; a repugnance which compels these wretches to resort to the most rapid methods of pro- curing money. Nevertheless, the necessity of liv- ing, and of living in comfort, strong as it is, is but THE LAST INCARNATION OF VAUTRIN 22$ Irifling in comparison witli the prodigality inspired by the woman upon whom these generous Medors heap gowns and jewels, which are received with an insatiate desire for more. The woman desires a shawl, the lover steals it, and the woman sees therein a new proof of love ! Thus it is that men come to steal, and if the human heart be examined beneath a microscope, this sentiment will appear almost natural. Theft leads to murder, and step by step murder leads the lover to the scaffold. The uncurbed physical love of these men seems to be, if we may believe the Medical Faculty, the origin of seven-tenths of the crimes which they commit A palpable and striking proof of this appears at the autopsy of a man who has been exe- cuted. Then is made plain the adoration that the mistress feels for her unnatural lover, the bugbear of society. It is the feminine devotion that lies crouched at the prison door always watchful to foil the crafty thrusts of the examining judge ; the incor- ruptible guardians of the blackest secrets, who ren- der hidden mysteries impenetrable. In this wild union lie at once the prisoner's weakness and his strength. In the language of prostitutes, to be honest means simply and solely never to fail in any law of this attachment ; it means to give the last penny to the jugged — imprisoned — man ; to hold sacred every promise given to him, and to stop at nothing if it be for his sake. The most cruel reproach that one of these women can cast in another's teeth is to accuse her of infidelity toward a smugged — apprehended — 15 226 SPLENDORS AND MISERIES lover. A woman who has fallen to this depth is looked upon as wholly without heart. La Pouraille was passionately fond of a woman, as we shall have occasion to see. Fil-de-Soie, an egotistical philosopher, who robbed for his pocket's sake, bore a strong resemblance to Jacques Collin's devoted slave, Paccard, who had fled with Prudence Servien, and seven hundred and fifty thousand francs in the bargain. He had no attachments, he despised women, and cared for Fil-de-Soie alone; on the other hand Biff on, as the reader knows, owed his nickname to his attachment for la Biffe. All these three examples of the swell mob were deter- mined to call Jacques Collin to accounts that would be difficult, indeed, to settle. The treasurer alone knew the number of deposi- tors who still survived, and the fortune of each one. The mortality, peculiar to his associates, had entered into his calculations at the time when Trompe-la-Mort had resolved to make away with this money for the sake of the advantages that would accrue to Lucien. Since he had successfully avoided the researches of his comrades and of the police for nine years, Jacques Collin felt confident of inheriting, in accordance with the terms of the constitution of the good pals, the property of at least two-thirds of his depositors. Could he not, besides, allege payments made to mown — guillotined — pals? In a word, this chief of good pals was bound by no restraint. His fellow convicts had no choice other than to rely upon his probity, for the hunted lives THE LAST INCARNATION OF VAUTRIN 227 that these creatures lead entailed the utmost delicacy among the aristocratic class of this savage society. Jacques Collin had stolen three hundred thousand francs, he might, perhaps, free himself from all obli- gations by the payment of a hundred thousand. At this time, as the reader knows, la Pouraille, one of Jacques Collin's creditors, had but ninety days to live. Furnished with funds, far more consider- able, doubtless, than those which he had entrusted to his chief, la Pouraille was not likely to create much disturbance. One of the infallible tests by which prison war- dens and their turnkeys, the police and its agents, and even the examining magistrates recognize old horses — ^that is to say those who have already eaten the fare of beans which the state deals out to its prisoners — is their evident familiarity with their surroundings. Returned convicts are naturally no strangers' to the customs of prison life; they are at home, and show astonishment at nothing. By keeping a ceaseless watch over his own actions, Jacques Collin had thus far played to per- fection the part of an innocent man, entirely unac- quainted with both the Force and the Conciergerie. But, crushed beneath the weight of grief and of a double death, for on this fatal night he had twice passed through death's agony, he was transformed once again into Jacques Collin. The turnkey was amazed when he found that the Spanish priest needed no guidance to find his way to the prison yard. Consummate actor as he was, Collin forgot his part; he descended the spiral staircase of the Tour Bonbec with the careless precipitation of an old inmate of the Conciergerie. "Bibi Lupin is right," muttered the turnkey to himself; "he's an old horse, he's Jacques Collin." At the moment when Trompe la-Mort appeared in the frame which the doorway of the Tower formed about his figure, the prisoners, who had completed their purchases at the stone table of Saint Louis, were dispersing themselves about the yard, always too narrow for their wants. Thus everybody per- ceived the new comer at the same instant, and with all the more rapidity as nothing can be more perfect than the vision which these prisoners acquire cooped up in a yard like spiders in their webs. This comparison is mathematically exact, for since (229) 230 SPLENDORS AND MISERIES his view is hemmed in on every side by high and black wails, the prisoner, even without turning his eyes, can see the door by which the turnkeys enter, the windows of the parlor, of the staircase and of the Tour Bonbec, the sole means of exit from the yard. In his profound isolation, everything seems to him to involve some chance of accident, every detail absorbs his attention. The very weari- ness of his mind, like that of the caged tiger in the Jardin des Plantes, multiplies his powers of atten- tion. It is interesting to observe that Jacques Col- lin, dressed like an ecclesiastic who does not confine himself to a strict observance of his cloth, wore a pair of black trousers, black socks, shoes orna- mented by silver buckles, a black waistcoat, and a coat of dark maroon color, the cut of which betrayed the priest in spite of the situation of its master, above all since its testimony was corroborated by the characteristic method of wearing the hair. Jacques Collin wore a wig superlatively ecclesiastic and marvelously true to life. "Look, look," said la Pouraille toBiffon; "That's a bad sign. A boar — priest! — What brings him here?" "It's one of their dodges, a new kind of cook — detective) — .It's some trapper — ^the old-fashioned mounted gendarme — in disguise, who has come on business. ' ' The gendarme has different names in slang: when he is in pursuit of a thief he is a trapper; when he is escorting him to prison he becomes a THE LAST INCARNATION OF VAUTRIN 231 butcher bird, and, finally, as he conducts the sufferer to the scaffold, he is called the knight of the guillo- tine. To make the picture of the prison yard complete, it is necessary to describe in a few words the appearance of the two other pals. SelSrier, alias I'Auvergnat, Father Ralleau, le Rouleur, in short, Fil-de-Soie — he had thirty names and as many pass- ports — will henceforward be designated by this title; the only one recognized among the good pals. This profound philosopher, who discerned a gendarme beneath the guise of the false priest, was a fellow of some five feet four inches, with muscles that pro- truded from his body in lumps. Set deep in his head, his small eyes gleamed brightly, although they were overhung by lids gray, heavy and leaden as those of a bird of prey. At first sight, his thick- set, prominent jaw gave him the appearance of a wolf, but the cruelty and the ferocity which this resemblance entailed was counterbalanced by the sly and vivacious play of his features, furrowed, though they were, with the ravages of small-pox. The clear-cut lines of his face seemed to denote wit, and it was easy to read mockery in his expression. The life of criminals, chequered with hunger, thirst, nights passed in bivouac on wharves and river- banks, on bridges and in streets, by orgies where the triumph of crime was celebrated with strong drink, had washed this face, as it were, with a coat of varnish. Had an agent of police or a gendarme caught sight of Fil-de-Sole in his accustomed dress. 232 SPLENDORS AND MISERIES at thirty paces he would have recognized his game ; but in the art of painting his face and of disguising his figure this master rivaled Jacques Collin him- self. At this moment Fil-de-Soie, carelessly dressed, like great actors who give no heed to their attire when they are off the stage, wore a kind of hunt- ing waistcoat, lacking several buttons, with torn button holes that disclosed glimpses of white lining, old green slippers, nankeen pantaloons, grown threadbare with age, and upon his head a cap with- out a visor, from beneath which fell the corners of an old bandanna handkerchief riddled with holes and very much faded. Beside Fil-de-Soie, le Biffon made a complete contrast. This famous burglar, short of stature, square, stout, agile, with a livid complexion and deep-set black eyes, dressed like a cook, and planted firmly upon two very bowed legs, frightened the observer by a physiognomy wherein predominated all the symptoms of the organization peculiar to carnivorous animals. Fil-de-Soie and le Biffon were both paying their court to la Pouraille, who had now lost all hope. This man, in whom murder had become a habit, knew that before four months came to an end he would be tried, condemned and executed. Thus Fil-de-Soie and le Biffon, friends of la Pouraille, invariably spoke of him as the Chaplain, that is to say, the Chaplain of the Monastery of the Sorrowful Mount — the slang name for the guillotine. — It is not difficult for the reader to guess the reason for the THE LAST INCARNATION OF VAUTRIN 233 obsequious attention which Fil-de-Soie and le Biffon paid to la Pouraille. La Pouraille had buried two hundred and fifty thousand francs in gold, his share of the plunder stolen — as the form of in- dictment ran — ^from the dwelling of M. and Madame Crottat. What a magnificent inheritance to be- queath to a pair of pals, even though these two hardened criminals were themselves doomed to re- turn to the galleys within a few days. Le Biffon and Fil-de-Soie were to be condemned for complex theft — ^that is to say, thefts entailing certain aggra- vating circumstances — ^to fifteen years imprison- ment, to which must be added ten years of a previous sentence which they had taken the liberty of inter- rupting. Thus, although one of them had twenty- two, and the other twenty-six years of hard labor to undergo, yet neither was without hope of making his escape and unearthing la Pouraille's treasure. The Ten Thousand, however, kept his secret to himself; for it appeared to him quite useless to sur- render it when he was not so much as condemned. A member of the proudest aristocracy of the gal- leys, he had revealed nothing concerning his accomplices. His character was well known; M. Popinot, the examiner of this dreadful mystery, could not draw a syllable from his lips. This terrible triumvirate stood at the upper end of the yard, or, to speak more plainly, immediately below the pistoles, Fil-de-Soie was giving his last words of advice to a young man on trial for his first offence, who, sure of being sentenced to ten years 234 SPLENDORS AND MISERIES at hard labor, was gathering information concerning the different yfeWs — prisons — . "Well, my boy," Fil-de-Soie was saying senten- tiously at the moment Jacques Collin appeared; "the difference between Brest, Toulon and Rochefort lies in this — " "We shall see, old fellow," said the young man, with the curiosity of a novice. This prisoner, a young man of respectable family, arrested on the charge of forgery, had come from a pistole adjoining that in which Lucien had been con- fined. "You see, my boy; at Brest you're sure of find- ing beans in the bucket by the third time you dip in your spoon ; at Toulon you'll not find 'em till your fifth try, and at Rochefort, you won't get any at all if you're not an old hand." When he had delivered himself thus, the pro- found philosopher rejoined la Pouraille and Le Biffon, who, absorbed in the contemplation of the boar, began to stroll down the yard, while Jacques Collin, overpowered by the weight of his sorrow, moved toward them from the opposite direction. Trompe-la-Mort, at the mercy of his terrible thoughts, the thoughts of a discrowned emperor, did not notice that he was the centre of all looks, the object of all interest; he walked slowly, with his eyes fixed upon the fatal window from whose sash Lucien de Rubempre had hung himself. Not one of the prisoners knew of this event, for Lucien's neighbor, the young forger, through motives which THE LAST INCARNATION OF VAUTRIN 235 will soon be disclosed to the reader, had kept the tragedy a close secret. The three pals disposed themselves in such a way as to bar the priest's pro- gress. "He's not a boar," whispered la Pouraille to Fil- de-Soie; "he's an old horse. See how he drags his right!" It is necessary to explain here, for the curiosity of all readers has not led them to inspect the prisons of France, that every convict is fastened to another — an old criminal to a young one — by a chain. The weight of this chain, riveted to a ring immediately above the ankle, is so great that at the end of a year it creates a permanent defect in the convict's gait Obliged to use more strength in one leg than in the other, in order to drag his manacle, that is the name the prisoners give this iron ring, the prisoner con- tracts the inalienable habit of this effort Later, when he has ceased to carry his chain, the same phenomenon occurs which happens in the case of amputated limbs: the convict feels the ring riveted forever about his leg; he never can rid himself of the lameness he has thus acquired. To use the technical slang of the police, he drags his right. This diagnostic, as widely known among convicts as it is among the agents of police, completes the identification of a comrade, if it does not aid in his immediate recognition. In Trompe-la-Mort, whose escape had occurred eight years before, this halt had grown almost 236 SPLENDORS AND MISERIES. imperceptible ; but through the absorbing effect of his meditation, his pace was now so slow and solemn that, slight as was the defect in his gait, it could not escape the practiced eye of la Pouraille. It is easy to imagine that convicts, who, at the galleys, are never out of one another's presence, and who have only one another to observe, have studied the physiognomies of their fellow-prisoners with such exactness that they have to come to observe certain habits which escape the scrutiny of their systematic enemies: detectives, gendarmes and the commissioners of police. Thus it was owing to a certain twitching of the maxillary muscles of the left cheek, discerned by a convict who had been sent to a review of the Legion of the Seine, that the lieutenant-colonel of the corps, the celebrated Coignard, owed his arrest ; for, in spite of Bibi Lupin's testimony, the police dared not believe in the identity of the Count Pontis deSainte Helfene with Coignard. "He's our toss — master!" — said Fil-de-Soie, as he felt Jacques Collin's eyes rest upon him in that vacant stare which a man casts upon everj^hing about him when he has sunk into the last stage of despair. "I'll swear to him. It's Trompe-la-Mort I" said Biffon, rubbing his hands. "Yes! That's his figure and the cut of his shoulders ; but what has he done ? He doesn't look like himself." "Oh! I have it!" said Fil-de-Soie. "He's got some scheme; he's trying to see his fl««^— friend — , who is to be executed shortly. ' ' THE LAST INCARNATION OF VAUTRIN 237 To give the reader a vague idea of the person which the turnkeys, the keepers and the wardens call the aunt, it is sufficient to relate the splendid answer which the director of one of the central prisons gave the late Lord Durham, who visited all the prisons while in Paris. This nobleman was so anxious to know all the details of French justice, that he induced the late Sanson, the high execu- tioner, to erect a guillotine and execute a living calf that he could see exactly how the machine worked, which the French Revolution had made celebrated. After the director had shown him the whole prison, the yards, the workshops, the cells, etc., he pointed with a gesture of disgust to a room and said: "I shall not take your excellency to that place, it is the aunts' quarter. ' ' — "Hay!" said Lord Durham, "and what is that?"— "It is the third sex, my lord." "They're going to ^■^— guillotine — Theodore!" said la Pouraille, "and a pretty boy he is! Clever with his fingers, and with brass to boot; what a loss for the society!" "Yes, Theodore Calvi is bolting his last mouth- ful," said Le Biffon. "Ah! his molls will be a blinking their eyes, for they were fond of him, poor little beggar!" "So it's you, is it, old boy.'" said la Pouraille, addressing Jacques Collin, as he blocked the new comer's path, with one of his acolytes on either arm. 238 SPLENDORS AND MISERIES "So, boss, you've turned boar?" added la Pou- raille. "They tell me that you've scooped our tin — picked our pockets of gold, — " chimed in le Biffon with a menacing air. "You're going to cough up the wad — give us back our money? — " demanded Fil-de-Soie. These three questions were snapped like as many pistol shots. "Don't trifle with a poor priest who is here by mistake," answered Jacques Collin, mechanically; for he had recognized his three comrades on the instant. "That's the ring of his voice; but it's not his ph^," said la Pouraille, laying his hand on Jacques Collin's shoulder. This gesture and the sudden appearance of his three comrades startled the boss violently from his mental prostration, and restored him to the recogni- tion of the realities about him ; for during that fatal night he had wandered through the spiritual and infinite regions of the imagination, seeking after some new path. "Don't cook your boss's hash — do not awaken sus- picions concerning your master," — said Jacques Collin in a low tone, while his voice sounded hollow and threatening as the deep growl of a lion. "The peelers — the police — are there, let 'em gulp the bait — fall into the trap. — I am playing the game for a pal at the top notch — a comrade in the last extrem- ity."— THE LAST INCARNATION OF VAUTRIN 239 This was said with all the unction of a priest con- verting sinners to repentance, and it was accom- panied by a look with which Jacques Collin embraced the entire yard, saw the turnkeys grouped beneath the arcades, and pointed them out mock- ingly to his three companions. "Aren't there cooks here? Tip up your winkers and use your wipes — look and see. — Don't queer me; but out withyour sneakers, and handle me like a boar — act like complete strangers ; take every precaution, and treat me like a priest; — or I'll swamp you, and your molls and your wad in the bargain — I will ruin you with your women and your fortunes — . "So you're sniffing about us that way — you dis- trust us — ," said Fil-de-Soie. "You've come to pull out your aunt — ^to save your friend — . ' ' "Madeleine is all tricked out to mount the stump — ready to ascend the scaffold — , ' ' said la Pouraille. "Theodore!" said Jacques Collin, restraining a scream and a start This was the final pang which torture held in store for this fallen colossus. "They are going to maw him," repeated la Pou- raille. "He was billed through to the devil two months ago — condemned to death — ." An overpowering weakness came over Jacques Collin. His knees would have bent beneath him had he not been supported by his three companions. In this extremity he had the presence of mind to fold his hands together with a remorseful air. La 240 SPLENDORS AND MISERIES Pouraille and le Biffon respectfully supported the sacrilegious Trompe-la-Mort, while Fil-de-Soie ran toward the turnkey on duty before the door of the wicket which leads to the parlor. "This venerable priest wants to sit down, bring him a chair." Thus the stratagem contrived by Bibi Lupin failed, Trompe-la-Mort had won the respectful obedi- ence of three convicts, like Napoleon when he was recognized by his soldiers. Two words had been enough. These two words were your molls andyour wad, — your women and your money ; — ^the epitome of all man's genuine affection. To the three con- victs this menace was the stamp of sovereign power ; the boss still held their fortunes in his hand. Still outwardly all-powerful, their boss had not betrayed them as false brothers had insinuated. Their chief's unbounded reputation for skill and cunning stimu- lated the curiosity of the three convicts; for in prison, curiosity becomes the sole spur of these lost souls. The hardihood of Jacques Collin's disguise pre- served even within the bolted doors of the Con- ciergerje, won still further admiration of his three brother criminals. "I've been in solitary confinement for four days, and I didn't know that Theodore was so near the monastery," — said Jacques Collin. "I had come to save a poor boy who hung himself there yesterday, at four o'clock; and now I am on the threshold of a new misfortune. My last ace is played." — THE LAST INCARNATION OF VAUTRIN 241 "Poor boss/" said Fil-de-Soie. "Ah! the baker — the devil — gives me up!" cried Jacques Collin, breaking away from the grasp of his two companions, and drawing himself up fiercely. "There is a time when the world is too strong for us. The stork — ^the Palais de Justice — swallows us in the end." The warden of the Conciergerie, apprised of the priest's sudden ailment, came himself to the yard to see what was the matter. He made him sit down upon a chair in the sun and scrutinized him with the extraordinary acuteness which increases from day to day in the exercise of duties such as his, although it is hidden beneath an exterior of appar- ent indifference. "Ah, great heaven" exclaimed Jacques Collin. "To be cast among these people, the refuse of soci- ety, thieves and assassins all of them ! — But God will not forsake his servant. My dear sir, I will leave the stamp of my passage through this place by acts of charity, the remembrance of which shall last I will lead these unhappy creatures into the fold; they shall learn that they have souls, that life immortal awaits them, and that, if they have lost all they have upon earth, yet paradise may still be won, the paradise which can belong to them at the price of true, sincere repentance." Twenty or thirty prisoners had run forward and grouped themselves a yard behind the three terrible convicts, and, deterred from approaching nearer by the sullen looks of the pals, the inquisitive throng 16 242 SPLENDORS AND MISERIES Stood still and listened to this harangue pronounced with priestly unction. "That man, Monsieur Gault," said the formidable la Pouraille. "We were listening to him." — "They tell me," continued Jacques Collin, near whom M. Gault was standing, "that there is in this prison a man condemned to death." "At this moment they are reading him the rejec- tion of his petition," said M. Gault. "I don't know what that means?" said Jacques Collin ingenuously, looking about him. "Lord! He's simple," said the small young man who had recently been consulting Fil-de-Soie con- cerning the best field beans. "Well, to-day or to-morrow they mow him I" said a prisoner. "Mow?" inquired Jacques Collin, whose innocent air of perplexity struck his three comrades with admiration." "In their language," replied the warden, "that means the execution of the death penalty. If the clerk is reading the rejection, doubtless the execu- tioner is about to receive orders for the execution. The unhappy man has persistently refused the con- solation of religion." — "Ah, sir! it is a soul to save!" — cried Jacques Collin. The sacrilegious impostor clasped his hands with the gesture of a despairing lover, which the atten- tive warden took for the effect of holy fervor. "Ah, sir," continued Trompe-Ia-Mort, "suffer me THE LAST INCARNATION OF VAUTRIN 243 to prove to you who I am and what I can do, by allowing me to plant the seed of repentance in this hardened heart God has given me the power of saying words which sometimes work great changes. I break hearts, I open them — what have you to fear. Let me be accompanied by gendarmes, guards, by whomsoever you will." "I will see whether the prison chaplain is willing that you should replace him," said M. Gault. The warden turned away, struck with the per- fectly indifferent, although curious air, with which the prisoners surveyed the priest, whose evangeli- cal voice spread a charm over his half-French, half- Spanish jargon. "How is it that you are here.father ?" asked Fil- de-Soie's young interlocutor of Jacques Collin. "Oh! by a mistake," replied Jacques Collin, looking into the inquirer's face. "I was found in the house of a courtesan, who had been robbed after her death. It is proved that she committed suicide; and the perpetrators of the robbery, who are prob- ably the servants, have not as yet been arrested. "And it is on account of this robbery that this young man hanged himself.'" — "Doubtless the poor child could not bear the thought of being branded by an unjust imprison- ment," replied Trompe-la-Mort, raising his eyes toward heaven. "Yes," said the young man; "they were just about to set him at liberty when he killed himself. How unlucky!" 244 SPLENDORS AND MISERIES "None but innocent people are carried away thus by their imagination," said Jacques Collin. "Notice that the robbery was committed to his pre- judice." ' "How much was there in it.?" demanded the deep and subtle Fil-de-Soie. "Seven hundred and fifty thousand francs," re- plied Jacques Collin very quietly. The three convicts looked at one another, and withdrew from the group which all the prisoners formed about the pretended ecclesiastic. "It's he that scooped the girl's deep — robbed the woman's cellar — 1" whispered Fil-de-Soie to le Biffon, "and they wanted to scare us about our balls — ^five franc pieces. — " "He'll always be the good pal's boss," replied la Pouraille. "Our bird hasn't flown." La Pouraille, looking for a man upon whom he could rely, was naturally eager to find Jacques Collin an honest man; it is most commonly in prison that a man believes in what he hopes. "I'll bet he juggles the stork's boss — that he out- wits the attorney-general and pulls out his aunt — saves his friend — !" said Fil-de-Soie. "If he succeeds," said le Biffon, "I shan't \h\nk him the great boss — God — himself; but as every- body says, he certainly has had a puff with the baker — smoked a pipe with the devil — . " "Didn't you hear him exclaim : 'Ihe baker hdi.s given me up! '" remarked Fil-de-Soie. "Ah," exclaimed la Pouraille, "if he caredto/)«W THE LAST INCARNATION OF VAUTRIN 245 out my poll — save my head — ; what a chase I'd lead with my hit of a wad — what a life I should lead with my share of money — , and the yellow balls that I've stowed away — the stolen gold that I have hidden — . ' ' "Follow his lead," — do as he bids you — ! said Fil-de-Soie. "You're joking?" said le Pouraille, looking at his comrade. "You're an ass. You'll be billed through to the devil — condemned to death — . Besides, your only chaince of sticking on your pins and bolting, gu^^ling and prigging again is to give him a boost — of keep- ing on your feet, of eating, drinking and steal- ing more is to help him along, — " replied le Biffon. "This much is sure," continued la Pouraille, "not one of us will peach on the boss — will betray the master — or I'll take him along with me to the place where I'm going. — " "He'll do as he says!" exclaimed Fil-de-Soie. "Even those persons, who feel the least sympathy for this strange society, can imagine the situation of Jacques Collin's mind, as he thought of the corpse of the idol he had worshipped for five hours that night, and the approaching death of the former companion of his chain, the future corpse of the young Corsican, Theodore. To gain an interview with the unhappy prisoner required cunning far more than is given to most men ; but to rescue him needed a miracle ; yet already Jacques Collin was planning this miracle. In order to understand what Jacques Collin was 246 SPLENDORS AND MISERIES about to attempt it is important to say here that assassins, thieves and all the inmates of the gal- leys are not so redoubtable as men believe them. With a few very rare exceptions, these wretches are all cowards; doubtless on account of the fear which presses unceasingly at their hearts. Their faculties are continually strained to the uttermost by the ex- citement of robbery, and the execution of crime de- mands the employment of all their vital power, alertness of mind equal to the readiness of body, and an intensity that weaicens the intellect. When the violent exercise of their will is past they become stupid, for the same reason that a prima donna or a dancer falls exhausted after a fatiguing step, or after one of those formidable duets, which modern com- posers inflict upon the public ear. In fact, malefac- tors are so bereft of reason, or so overpowered by fear, that they become mere children. Credulous to the last degree, they are ensnared by the simplest device. After the success of a.job,they fall into such a state of prostration that, yielding to the peremptory need of debauchery, they make themselves drunk on wine and liquor, and rush passionately to the embraces of their women, seeking in vain for calm amid the wreck of their strength and for forgetful- ness of crime in the forgetfulness of reason. In this condition they are at the mercy of the police. Once that they are arrested, they are blind; they lose their head, and feel so great a need for hope that they are ready to believe in everything; thus there is no absurdity which they cannot be induced THE LAST INCARNATION OF VAUTRIN 247 to admit An example will explain to what lengths this stupidity of the nabbed criminal will go. Bibi Lupin secured the confession of a murderer, nineteen years old, by persuading him that minors never were executed. When the boy was trans- ferred to the Conciergerie to undergo his sentence, when his petition had been rejected, this terrible agent of the law came to see him. "Are you cer- tain that you are not twenty ?' ' he asked of the boy. "Yes, I am but nineteen years and six months," replied the murderer with perfect calm. "Then," answered Bibi Lupin, "you have no cause to fear; you will never be twenty." — "Why not.?" "Eh! but you'll be mown within three days," answered the chief of the secret service. The murderer, who, even after his sentence, sup- posed that minors were never executed, collapsed like an omelette souffle These men, rendered so cruel by the necessity of suppressing testimony, for they commit murder only to make away with proof — ^this is one of the arguments set forth by those who demand the aboli- tion of capital punishment — ; these giants of skill and cunning, in whom eye and strength are devel- oped as they are among savages, become the heroes of wrong-doing only in the theatre of their exploits. When a crime has been committed their difficulties begin, for they are as stupefied before the necessity of concealing their new wealth as they had been formally prostrated by poverty; more than 248 SPLENDORS AND MISERIES this, they are weak as the woman who has just risen from child-bed. Alarmingly energetic in their conceptions, when success comes, they behave like children. In a word their nature, like some savage beasts, is an easy prey when it has gorged its fill. In prison, these singular men are men by virtue of their dissimulation and discretion, which weakens only at the last moment when the spirit is broken and prostrated by long imprisonment The reader can now understand how the three convicts instead of betraying their chief, were eager to serve him ; they admired him, for they suspected him of being the possessor of the seven hundred and fifty thousand stolen francs. They saw him self-possessed even under.the locks of the Concier- gerie, and they believed him able to take them under his protection. On leaving the counterfeit Spaniard, M. Gault walked back through the parlour to his office, and then went to find Bibi Lupin. He came upon the spy crouched down beneath one of the windows that opened on the yard, where he had been stationed for twenty minutes, watching through a peep-hole everything that had happened in the yard since Jacques Collin's entry. "Not one of them has recognized him," said M. Gault, "and Napolitas, who is keeping an eye on them, has heard nothing. Last night, in all his dejection, the poor priest did not say a single word which could imply that his cassock is hiding Jacques Collin." "That proves that he's been a prisoner before," replied the chief of the secret service. Napolitas, Bibi Lupin's secretary, unsuspected by all the prisoners, was confined at this time within the Conciergerie, and was playing there, the part of a well-to-do young man under the charge of forgery. "To be brief, he asks to be allowed to confess the condemned man," continued the warden. "There lies our last chance!" exclaimed Bibi Lupin. I never thought of it before. Theodore Calvi, this Corsican, was the companion of Jacques Collin's chain; they tell me that in the Field {249) 250 SPLENDORS AND MISERIES Jacques Collin used to make plugs for him with the greatest care. ' ' — Convicts make a certain kind of wad which they insert between their iron rings and the skin in order to ease the weight of the ring upon their ankle bones and instep. These wads are composed of tow and linen, and in the galleys they are known as plugs. "Who is watching the condemned man?" de- manded Bibi Lupin of M. Gault. "Coeur-la-Virole." "Good, I'll turn gendarme. I'll be there, and listen to them. I'll answer for everything. " "If it is Jacques Collin, aren't you afraid of being strangled in case he recognizes you?" inquired the warden of the Conciergerie. "As a gendarme, 1 shall have my sword," replied the detective; "besides, if it's Jacques Collin, he'll not do anything to convict himself; and if he's a priest, I'm quite safe." "There's no time to lose," said M. Ganlt. "It's half-past eight Father Sauteloup has finished reading Calvi the rejection of his plea ; M. Sanson is awaiting the judge's orders in the main hall." "Oh! It's for to-day that the widow's knights — another and a terrible name for the machine — are ordered," replied Bibi Lupin. "I can understand how the attorney-general hesitates ; the fellow has always declared that he is innocent, and, in my opinion, the proofs against him are not convincing." "He's a true Corsican," answered M. Gault; THE LAST INCARNATION OF VAUTRIN 251 "he has not said a word and has showed fight at every step. ' ' The last words spoken by the warden of the Con- ciergerie to the chief of the secret service were an epitome of the gloomy history of condemned crimi- nals. A man, whom justice has cut off from the number of the living, belongs to the oificers of the prosecution; the prosecution is sovereign; it is dependent upon nobody ; it cannot be moved unless it be by its own conscience. The prison belongs to the prosecution; he is its absolute master. Poetry has seized upon this social subject, so emi- nently fitted to appeal to the imagination — the con- demned criminal. Poetry has been sublime ; prose has no other resource than the actual, but the actual is so terrible that in itself it is able to wres- tle with the sublimity of poetry. The life of a con- demned man, who has not confessed his crimes nor his accomplices, is a prey to frightful tortures. There are no boots which crush the feet, nor waters forced into the stomach, nor hideous machines that tear the limbs asunder ; but, in their stead, is tor- ture, silent, and, so to speak, negative. The prose- cution gives the condemned man up wholly to himself; it leaves him in silence and in darkness, with one companion — a sheep — , whom the prisoner cannot but mistrust. The tender philanthropy of modern times believes that the atrocious punishment of isolation is her invention; she is deceived. When torture was abolished in the very natural desire to reassure the 252 SPLENDORS AND MISERIES over-delicate consciences of juries, the officers of prosecution conceived the terrible weapon that soli- tude gives to justice against remorse. Solitude is vacuum, and moral nature hates it quite as much as physical nature. Solitude can be dwelt in only by the man of genius, who fills it with his ideas, children of the spiritual world, or by some contem- plator of divine works who sees it illuminated by the light of heaven and animated by the voice of God. With the exception of these two types, both on the threshold of paradise, solitude bears the same relation to torture that moral does to physical nature. Between solitude and torture there is all the difference which separates nervous disease from the disease which can be cured by surgery. It is suffering multiplied by the infinite. The body touches the infinite through the nervous system as the spirit penetrates thither by the thought Thus in the annals of the Court at Paris, it is an easy matter to count the criminals who have not con- fessed. This sinister situation, which, in certain cases assumes vast proportions, as for example in politics when a dynasty or a nation is at stake, will have its story told in its own volume of the HUMAN COMEDY. But, here, the description of the stone box, where, under the Restoration, the criminal court of Paris immured its condemned prisoners, may dimly show the horror that attends a sufferer's last days. Before the Revolution of July, there existed, and there still exists to-day, at the Conciergerie a room THE LAST INCARNATION OF VAUTRIN 253 known as the death chamber. It adjoins the office, from which it is separated by a solid freestone wall, and on the opposite side is flanked by the immense wall seven or eight feet thick that strengthens a portion of the vast Salle des pas Perdus. You reach it by the first door in the long dark corridor into which you can look from the mid- dle of the great vaulted entrance hall. This gloomy chamber is lighted by a ventilator, protected by a formidable iron grating, and invisible from the ex- terior ; for it pierces the wall within the narrow limits between the office window, beside the en- trance gate, and the lodging of the clerk of the Con- ciergerie, which the architect has placed like a wardrobe at the end of the entrance court. The situation of this room, shut in by four massive walls, explains why, at the time of the alterations made in the Conciergerie, it was devoted to so sin- ister and funereal a purpose. AH escape from it is impossible. The corridor, which leads to the solitary cells and the women's quarters, opens opposite the stove, where there is always a group of gendarmes and gaolers. The ventilator, the sole opening in the external wall, is nine feet above the floor, and looks out on the first court-yard guarded by the sentries that stand at the front gate of the Con- ciergerie. No human power could assail the mighty walls, and besides, the condemned prisoner is always clothed in a strait-jacket that prevents him from moving his hands. He is, moreover, chained by one foot to his camp bedstead, and a sheep — one 254 SPLENDORS AND MISERIES of his fellow prisoners — is appointed to serve and watch him. The chamber is paved with thick slabs of stone, and the daylight is so faint that it is almost impossible to distinguish anything. You cannot enter there without feeling chilled to the bone, even to-day, although the room has been unused for sixteen years, owing to the changes in- troduced into the execution of the law's decrees in Paris. Imagine the criminal there, in the company of his remorse, in the twin terrors of silence and dark- ness, and you will wonder that these are not enough to drive him mad. How powerful an organization must the prisoner have who can endure such a life, with the added immobility and inaction com- pelled by the strait-jacket. Theodore Calvi, a Corsican then twenty-seven years of age, entrenched himself behind a barrier of absolute silence, and for two months succeeded in resisting the influence of the dungeon and the insidious friendship of the spy! — The account of the singular criminal case which led to the young Corsican's conviction, is here given, but curious as the story is the analysis must be very brief. It is impossible to make a long digression at the end of a scene that has been already so protracted, and that offers no interest other than that which surrounds Jacques Collin, whose horrrible person- ality, like a kind of vertebral column, forms the connecting link between Phe Goriot and Lost Illu- sions and between Lost Illusions and this present Study. Moreover, the reader's imagination is free THE LAST INCARNATION OF VAUTRIN 255 to develop the obscure theme, which, at this mo- ment, was causing great anxiety to the jury of the court before which Theodore Calvi had been brought for trial. For a weeic after the rejection of the criminal's petition by the Court of Appeals, M. de Granville's attention had been engrossed by this affair, and from day to day he delayed giving orders for the execution of the young man, so desirous was he of satisfying the jury by making it public that the prisoner had confessed his crime before he died, A poor widow of Nanterre, whose house stood without the town which lies, as everybody knows, in the midst of the barren plain stretching between Mont Valerien, Saint Germain and the hills of Sartrouville and Argenteuil, had been robbed and murdered, a few days after she had received her share of an unexpected legacy. This share amounted to three thousand francs, a dozen spoons and forks, a gold watch and chain, and some linen. Instead of investing the three thousand francs in Paris as she was advised to do by the notary of the deceased wine merchant who had bequeathed her the inheritance, the old woman insisted upon keep- ing it all in her possession. In the first place, she had never seen so much money of her own before, and besides, like most peasants and people of the lower class, she suspected everybody in every kind of business transaction. After exhaustive conver- sations with a wine merchant of Nanterre, who was a relative both of her's and of the wine merchant who had died, the widow finally resolved to buy a 256 SPLENDORS AND MISERIES life-annuity with the money, to sell her house at Nanterre, and set up as a bourgeoise at Saint Germain. The house she lived in, which was surrounded by a good-sized garden, shut in by a wretched fence, was one of those miserable dwellings that the small farmers in the neighborhood of Paris build for themselves. The plaster and rough stone, so abundant at Nanterre, where the land is covered with open quarries, had been, as is generally seen about Paris, hastily put together, without any architectural plan. Such a building may be called the hut of the civilized savage. The house was composed of a ground floor and an upper floor, above which were the attics. The woman's husband, who was a quarryman, had built the house himself, and had provided all the windows with very solid iron bars. The front door also was remarkably strong, for the man knew that he lived in a lonely spot in the open country, and what a country! His customers were among the chief master masons of Paris, so he was able to bring back from thence, on his empty carts, the more important materials needed for the house that he was building at five hundred feet from his own quarry. He chose the stuff he wanted from houses in Paris that had been torn down, and bought it at a very low price. So it was that his windows, gratings, doors, shutters and woodwork had all come from depredations authorized by the law, or were the well-chosen gifts of his customers. Whenever THE LAST INCARNATION OF VAUTRIN 257 he was offered the choice of two window-sashes, he selected the stronger one. In front of the house there was a large court-yard that contained the sta- bles and was inclosed by walls from the high-road. The door was made of a strong iron grating; there were two watch-dogs in the stable, and a little dog slept in the house. Behind the house there was a garden of somewhat more than two acres in extent. After she was left a widow, and without children, the quarryman's wife lived alone in the house with one servant The price brought by the quarry which she sold, paid the debts of her husband, who had now been dead two years. The widow had no other property than the lonely house, where she kept cows and chickens, selling the milk and eggs at Nanterre. As she no longer employed a stable- man, carter, or the laborers at the quarry, whom her husband had been used to set to all kinds of odd jobs, she let the garden run to waste, and gathered only the few herbs and vegetables that still grew in the stony soil. As the proceeds of the house and the money she had inherited amounted to some seven or eight thousand francs, the widow thought she could live comfortably at Saint Germain on an annuity of seven or eight hundred francs that she expected to purchase with her eight thousand francs. She had already had several interviews with the notary of Saint Germain, for she refused to invest her money with the wine-merchant who promised her the annuity. The widow Pigeau's affairs were in 17 258 SPLENDORS AND MISERIES this condition, when one day it was observed that neither she nor her servant had appeared for some time. The gate of the court-yard, the front door of the house and the shutters were all fast closed. After three da:ys' time, the officers of the law were informed of this state of things, and made a visit to the house. M. Popinot, an examining judge, accompanied by the public prosecutor, came from Paris, and the following facts were established: Neither the iron gate of the court-yard nor the front door of the house showed any signs of having been tampered with. The key was still in the lock, on the inside of the front door. Not a single iron bar had been removed. The locks, shutters, and all the fastenings of the house were intact The walls offered no trace of having been scaled by thieves, and as the tiled chimneys had no prac- ticable openings, it was evident that no one could have entered through them. The roofs were whole and uninjured, and bore no marks of violence. When the two magistrates, the gendarmes and Bib! Lupin reached the rooms on the second floor, they discovered the widow Pigeau and her servant-maid, both strangleid in their beds by means of their own night-handkerchiefs. The three thousand francs had been taken, as well as the spoons and forks and the watch and chain. The two bodies were in a state of putrefaction, as were also those of the little dog and of a big dog in the court-yard. The garden fence was examined, and was found to ie unbroken, and there were no trades on the garden THE LAST INCARNATION OF VAUTRIN 259 paths. The examining judge thought it probable that the murderer had walked upon the grass, in order to avoid leaving any foot-prints, in case he had effected his entrance through the garden ; but how could he have penetrated into the house itself? On the garden side the door was furnished with three iron bars that had remained untouched, and the key was in the lock, just as it had been found in the front door opening upon the court-yard. As soon as these inexplicable facts were estab- lished by M. Popinot, by Bibi Lupin, who spent a whole day examining everything, by the public prosecutor himself, and by the commander of the post at Nanterre, the murder became a fearful prob- lem in which the state and the law seemed destined to be worsted. This drama that was published by the "Gazette des Tribuneaux" took place in the winter of 1828 to 1829, Heaven knows what curiosity may have been awakened in Paris by this extraordinary oc- currence, but Paris has new dramas to digest every day and forgets everything. The police forget nothing. After three months of vain search, a woman of the town, who had excited the suspicions of Bibi Lupin's agents by her extravagance, ^nd who had been under surveillance on account of Jier acquaintance with certain thieves, tried to induce a friend to pawn for her a dozen forks and spoons and a gold watch and chain. The friend refused the request, but the circumstance reached the ears of Bibi Lupin, whp remembered the twelve forks 26o SPLENDORS AND MISERIES and spoons and the gold watch and chain that had been stolen at Nanterre. The commissioners of the Mont-de-Piete,and all the receivers of stolen goods in Paris were advised of the fact, and Bibi Lupin set a strict watch upon the girl who was known as Manon la Blonde. It was soon discovered that Manon la Blonde was madly in love with a young man about whom very little was known, and who was supposed to be indif- ferent to all the blandishments of the blonde Manon. Mystery upon mystery. The young man who was watched by spies was soon found, and recognized as an escaped convict, the famous hero of the Corsi- can vendettas, the handsome Theodore Calvi, alias Madeleine. One of those double-faced receivers of stolen goods who are ready to serve both thieves and police, was sent in pursuit of Theodore, and promised to buy from him the silver and the watch and chain. At the very moment that the pawnbroker from the Cour Saint Guillaume, was counting out the money to Theodore, disguised as a woman, the police made a descent upon the shop Guillaume, arrested Theodore and seized the articles. The examination began at once, but with so little evidence it was impossible, in the opinion of the court, to secure sentence of death against the young man. Calvi was never inconsistent, and never contradicted himself. He afifirmed that a country- woman had sold him the articles at Argenteuil, and that after he had bought them, the report of the THE LAST INCARNATION OF VAUTRIN 25l murder committed at Nanterre had enlightened him upon the danger of possessing the silver and the watch and chain, which, as they had been men- tioned in the inventory made after the death of the Paris wine-merchant, uncle of the widow Pigeau, had evidently been identified with the stolen arti- cles. He said that as he was forced by his poverty to sell these articles, he had tried to get rid of them through a person who was in no wise connected with the affair. Nothing farther could be extracted from the escaped convict, who, by his firmness and silence, succeeded in making the officers of the law believe that the wine-merchant of Nanterre had committed the crime, and that the merchant's wife was the woman from whom Theodore had bought the stolen articles. The unfortunate cousin of the widow Pigeau and his wife were arrested, but after a week's imprisonment and careful investigation, it was ascertained that neither husband nor wife had been away from home at the time the crime was committed. Moreover, Calvi did not recognize the merchant's wife as the woman who, according to his testimony, had sold him the silver and the trinkets. , As Calvi's concubine, who was implicated in the trial, was proved to have spent about a thousand francs in the interval between the occurrence of the murder and Calvi's attempt to pawn the silver and the watch and chain, there appeared sufficient evidence to send the convict and his 262 SPLENDORS AND MISERIES. mistt'ess before the Assizes. This murder was the eighteenth Theodore had committed; and he was condemned to death as he appeared to be guilty of this skilfully planned crime. Though he did not recognize the wife of the wine-merchant of Nan- terre, he himself was recognized by both the hus- band and wife. The examination had proved by means of various witnesses that Theodore had lived for about a month at Nanterre ; hie had worked for masons there, and had been seen ill-dressed' with his face covered with powdei* from the plaster. At Na:nterre, people thought him a boy of eighfeeh, and yet he must have been plotting this crime for at least a month before its execution. The prosecution believed that he had accoriVpKces. The chimney-flues were measured with reference to the size of Manon la Blonde, to see whether it were possible that She could have slipped through one of them; but a child of six could not have passed through the tiled pipeSwhich modern archi- tecture has substituted for the large chimneys of former days. If it had riot been for this singular and exasperating mystery, Theodore wOuId have been executed a Week earlier. The prison chap- lain had totally failed, as we have seen, in elicit- ing a confession from him. The whole affair and the name of Calvi had escaped the notice of Jacques Collin, who was then absorbed by his contest with Contenson, Corentin and Peyfade. Moreover, Trompe-la-Mort was en- deavoring to banish from his mind all Recollections THE LAST INCARNATION OF VAUTRIN 263 of his former friends and ever jrthing connected with the Palais de Justice, He trembled at the idea of meeting face to face a comrade who might demand from his boss an account which he could never give. The director of the Conciergerie went immedi- ately to the office of the attorney-general, and found the public prosecutor already there talking with M. de Granville, and holding the order for execution in his hand. M. de Granville had just come from the hatel de Serizy, were he had been passing the night, and was overwhelmed with fatigue and grief, as the doctors dared not as yet promise that the countess should recover her reason; yet, on account of the important execution that was to take place, he felt it his duty to spend some hours in his office after talking for a moment with the director, M. de Granville took back the order for execution from the public prosecutor and gave it to Gault "You are to proceed with the execution," said he, "except in case of any extraordinary circum- stances, of which you must be the judge; I rely upon your discretion. You may dejay the erection of the scaffold till half-past ten, so you have an hour left In such a morning as this an hour is worth a century, and many events may happen in a century ! Do not allow any hope of a reprieve. Let the prisoner be dressed for death, and if there be no farther disclosure give the order to Sanson at half -past nine. Meantime, let him wait!" As the director of the prison left the office of the attorney-genera;! be met in the vaulted corridor 264 SPLENDORS AND MISERIES Opening into the gallery M. Camusot, who was on his way to see M. de Granville. Gault had a rapid conversation with the judge, and after informing him of all that had happened at the Conciergerie, with reference to Jacques Collin, he hastened thither himself to arrange an interview between Trompe-la-Mort and Theodore. He would not, however, allow the self-styled ecclesiastic to hold any communication with the condemned prisoner until Bibi Lupin, perfectly disguised as a gendarme, had replaced the sheep who had been watching the young Corsican. It is impossible to describe the profound astonish- ment of the three convicts when they saw a gaoler come to take Jacques Collin into the cell of the con- demned man. They all bounded simultaneously toward the chair in which Jacques Collin was sitting. — "It is to-day, isn't it. Monsieur Julien?" asked Fil-de-Soie of the gaoler. — "Oh! yes. Chariot is waiting," answered the gaoler with perfect indifference. Chariot is the name that prisoners and the offi- cers of prisons give to the executioner of Paris. It dates from the Revolution of 1789, and the sensa- tion it now produced upon the prisoners was im- mense. They all looked at one another. "It is all over !" the gaoler continued ; "the order for the execution has been given to M. Gault, and the sentence has been read. ' ' — "Then," said la Pouraille, "has the pretty Madeleine received the sacraments.'" THE LAST INCARNATION OF VAUTRIN 265 He drew in a long breath as if it were his case. "Poor little Theodore!" cried le Biffon, "he is such a nice boy; it is a great pity to come to the guillotine so young," — The gaoler moved toward the gate, expecting Jacques Collin to follow him; but the Spaniard walked slowly, and when he was within ten feet of Julien, appeared to totter and beckoned to la Pouraille to give him his arm. "He is a murderer!" said Napolitas to the priest, pointing to la Pouraille and offering his own arm. "No, in my eyes he is but an unfortunate man," — answered Trompe-la-Mort with the presence of mind and the unction of an archbishop of Cambrai. He drew away from Napolitas, whom he suspected at the first glance ; then he added in a low voice to the pals. "He is on the first step of the Monastery of Sor- rowful Mount — ^the scaffold — ,but I am the prior of it I am going to show you how I can get round the stork, — ^fool the attorney-general — and pull the boys poll from his claws." "On account of his montante!" — breeches — said Fil-de-Soie, smiling. "I want to give this soul to heaven!" he added fervently, seeing that he was surrounded by several other prisoners. He rejoined the gaoler at the gate, — "He has come to save Theodore," said Fil-de- Soie; "we guessed right. What a boss he is," — "How can he.' The knights of the guillotine 266 SPLENDORS AND MISERIES are there; he can't even see him," objected: le Biffon. — "He's got the iaher behind him>" cried la Pouraille, ' 'What, he prig our wad ? He loves his pals too much for that! Besides he depends too much on us. They tried to make ns peach on him, but we're no such fools. If he saves Theodore, he shall have my secret I' ' These last words had the effect of increasing the devotion of the three convicts to their god; for now their famous boss was their only hopie. In spite of Theodore's danger, Jacques Collin did not forget to play his part to perfection. He, who knew the Conciergerie as well as he knew the three galleys, mistook his way so naturally that the gaoler was continually obliged to direct him, until they reached the registration office. There Jacques Collin's first glance met a tall stout man — leaning against the stove, — whose long red face was not lacking in a certain kind of distinction and whom he recognized as Sanson. — "Are you the chaplain, sir?" said he, going up to him politely. The mistake was so ghastly that the spectators were appalled. "No, sir," replied Sanson, "I have other duties." Sanson, father of the last executioner of that name, who has been recently deprived of office, was a son of the man who executed Louis XVI. After the exercise of this calling had been four hundred years in the family, the heir of so many THE LAST INCARNATION OF VAUTRIN 267 torturers had attempted to rid himself of the hered- itary burden. The Sansons had been executioners at Rouen for two centuries before they were pro- moted to the first position of the kind in the king- dom, and from father to son they had executed the sentences of the law since the XIII. century. There are few families which can offer the example of an office or a title that has descended from father to son for sijf centuries. Just at the time that the young man had been made captain of a cavalry fegiment, and saw a fine military career marked out for him, his father compelled him to lend him^ his aid in the execution of the king, and after- ward, he named him his assistant, when in 1793 there were two scaffolds permanently erected, one at the Barriere du Tr6ne, and the other in the Place de Gr^ve. This terrible functionary,^ now about sixty years of age, was remarkable for his jgentleman-like address, for his calm and quieli manner, and for the great scorn he showed toward Bibi Lupin and his acolytes, the purveyors of the guillotine. The only indication of his inher- iting the blood of his ancestors, the torturers of the Middle Ages, lay in the formidable size and thick- ness of his hands. He was well educated, very tenacious of his privileges as a citizen and an elec- tor, and was said to be passionately fond of garden- ing. Tall and broad-shouldered, with a quiet digni- fied demeanor^ and a high bald forehead, he looked far more like a member of the English aristocracy thsSn an executioner. Thus a Spanish ecclesiastic 268 SPLENDORS AND MISERIES would have been likely to make the same error that Jacques Collin made voluntarily. — "He's no convict," said the head gaoler to the warden. "I begin to think so myself," thought M. Gault, as he nodded to his subordinate. Jacques Collin was introduced into a kind of a small cellar, where he found young Theodore bound in a strait-jacket and seated on the edge of his miserable camp bedstead. A momentary gleam of light shone from the corridor and Trompe-la-Mort instantly recognized Bibi Lupin in the gendarme who was standing there leaning on his sword. — "lo sono Gaba-Morto! Parla nostra italiano," said Jacques Collin hastily, "yengo ti salvar." — I am Trompe-la-Mort Speak Italian, I have come to save your life. — The whole conversation of the friends was going to be unintelligible to Bibi Lupin, but as he was placed there to guard the prisoner, he could not leave his post. The rage of the head of the detec- tive police was indescribable. Theodore Calvi was a young man of pale olive complexion, light hair, and deep-set eyes of a dull blue colour; he was well proportioned and pos- sessed prodigious muscular strength hidden under the lymphatic exterior natural to so many south- erners. His face would have been charming, were it not for the arched eyebrows, and the retreating forehead that lent it a sinister expression; and without the cruel red lips and the twitching of the THE LAST INCARNATION OF VAUTRIN 269 muscles indicative of the Corsican, that is so quick to murder in a sudden quarrel. Surprised to hear the tones of Jacques Collin's voice, Theodore raised his head abruptly, believing himself to be under some hallucination ; but as in two months' time he had become accustomed to the extreme darkness of his stone cell, he looked at the pretended priest and sighed deeply. He did not recognize Jacques Collin, whose face, seamed by the action of sulphuric acid, no longer appeared to him to be that of his boss. — "It is I, your own Jacques; I am dressed as a priest, and am come to save you. Don't be fool enough to show that you recognize me, but pretend to confess." Jacques Collin said this very rapidly, and then addressing the gendarme, he added : "The young man is much overcome; the idea of death terrifies him, and he is going to confess everything. ' ' "Tell me something that will prove to me that you are he, for you have only te voice," said Theo- dore. — "Do you see ? the poor lad is telling me that he is innocent," said Jacques Collin to the gendarme. Bibi Lupin dared not speak, for fear of being recognized. — "Sempre-mi!" said Jacques Collin, returning to Theodore, and whispering the password in his ear. — "Sempre-ti!" answered the young man replying to the password. "You are my boss indeed!" — 270 SPLENDORS AND MISERIES — "Did you do that business?" —"Yes." — "Tell me everything, so I may know what I must do to save you; it is time, for Chariot is waiting." The Corsican threw himself on his knees as if he meant to confess. Bibi Lupin did not know what to do, for this conversation was so rapid that it oc- cupied less time than is needed to read it Theo- dore related promptly the circumstances that were known concerning his crime, as Jacques Collin was still in ignorance of them. — "The jury have condemned me without proof," said he as he ended. — "Do you want to argue now, child, when they are going to cut your hair .■" '^ — "I ought to be convicted only of pawning the silver and the watch and chain. Yet this is how- the law works, and in Paris, too!" — — "But how did you do the job.'" demanded Trompe-la-Mort — "I'll tell you. Since I last saw you I made the acquaintance of a little Corsican girl, whom I met when I arrived at Pantin — Paris — " — "When a man is idiot enough to fall in love with a woman," exclaimed Jacques Collin, "she always brings him to grief! — ^Women are tigers at large, tigers that chatter and are always admiring themselves in looking-glasses. — You've been a fool!" "But—" THE LAST INCARNATION OF VAUTRIN 27-T — "Come, what did the damned «Jo// have to do with this business?" — "The little love of a girl, slim as an eel and nimble as a monkey, got into the house through the top of the oven, and let me in by the door. We had poisoned the dogs and they were all dead. I laid the two women cold. As soon as we had got the money, Ginetta locked the door and went out by the same way she came in." "You deserve to live for such a clever plan as that," said Jacques Collin, who admired the skill with which the crime had been accomplished, as a sculptor admires a beautiful statue. "I was fool enough to waste all that cleverness for a beggarly three thousand francs." — — "No, for a woman !" returned JacquesCollin. "I have already told you that they rob us of our wits !' ' — He cast a look of flaming scorn upon Theodore. "You were not with me anymore," replied the Corsican "and I had no one to advise me." — "Do you love the girl.'" demanded Jacques Collin, sensible to the reproach contained in Theo- dore's answer. — "Ah! If I desire life, it's now more for your sake than for her's." — "Put your mind at ease; my name is not Trompe-la-Mort for nothing! I will be responsible for your life." — "What! is it life?" cried the young Corsican, raising his manacled arms toward the damp vaulted roof. 272 SPLENDORS AND MISERIES — "My little Madeleine, you must make up your mind to return to the Fields," answered Jacques Collin. "You must not expect to be garlanded with roses like the prize ox at Shrovetide. — If they want to send us to Rochefort, it will mean that they are trying to get rid of us, but I shall arrange to get you dispatched to Toulon. From there you can escape and return to Pantin — Paris, — where I shall manage to set you up in some comfortable little business." — Theodore heaved a sigh, such as had seldom re- sounded under that inflexible roof, a sigh of joy at the prospect of deliverance. The stone walls sent back the echo, which has no equal in the musical scale, into the astonished ears of Bibi Lupin. — "It is the effect of the absolution I have prom- ised him, on account of his confession," said Jacques Collin to the chief of the secret service. "You see, sir, the Corsicans are very devout But he is spotless as a lamb, and 1 am going to try to save him." — "God be with you, sir," — said Theodore in French to the Abbe. THEODORE CALVPS CONFESSION " The jury have condemned me without proof" said he as he ended. " Do you want to argue now, child, when they are going to. cut your hair ?" " I ought to be convicted only of pawning the silver and the watch and chain. Yet this is how the law works, and. in Paris, too!" ''But how did you do the job?" demanded Trompe-la-I^ort. " I'll tell you." Kf)e L(iin^/oj ,j<' Trompe-la-Mort, more Carlos Herrera, more priest than ever, left the condemned cell, and rushing out into the corridor, presented himself to M. Gault, with an expression of feigned horror upon his coun- tenance. — "Sir, the young man is innocent and has dis- closed to me the name of the guilty person. — Like a true Corsican he was going to die for a mistaken point of honor. — Go and ask the attorney-general to spare me five minutes' audience, M. de Gran- ville cannot refuse an instant hearing to a Spanish priest, who has suffered so much at the hands of French law." — "I will go immediately," answered M. Gault, to the great astonishment of all who witnessed this extraordinary scene. — "Please have me taken back to the court-yard, while I am waiting," continued Jacques Collin, "so that I may complete the conversion of a crim- inal, whose heart I have already touched. — Ah! these people have so much heart!" His speech produced a stir among the persons present. The gendarmes, the keeper of the books, the gaolers, Sanson and his assistant who were all awaiting the order to "set up the machine," as they call it in the prison; all these persons, 18 (273) 274 SPLENDORS AND MISERIES ordinarily unsusceptible to emotion, were moved by a curiosity that may be easily imagined. At this moment was heard the sound of a carriage drawn by spirited horses, stopping in a significant manner on the quay outside the gate of the Con- ciergerie. The carriage door was opened and the steps let down so rapidly that the prison officials expected the arrival of a great personage. Pres- ently a lady waving a bit of blue paper in her hand presented herself at the iron gate, followed by a footman and a groom. She was dressed magnifi- cently in black, her bonnet was covered with a veil, and she was drying her eyes with a large em- broidered handkerchief. Jacques Collin instantly recognized Asia, or to give his aunt her rightful name, Jacqueline Collin. This horrible old woman was worthy of her nephew, all whose thoughts were concentrated upon the prisoner that he was defending with an intelligence and perspicacity, at least, equal to those of the law. She had obtained a permit, given the night before, in the name of the maid of the Duchess de Maufrigneuse, upon the recommen- dation of M. de Serizy, to hold communication with Lucien and the Abbe Carlos Herrera as soon as he should be released from solitary confinement The chief of the department of prisons had written a few lines upon the permit, which, moreover, by its color alone, indicated powerful recommenda- tion, as these permits, like complimentary theatre THE LAST INCARNATION OF VAUTRIN 275 tickets, differ in form and color from those which are usually given. So the turnkey hastened to unlock the gate, influ- enced especially by the sight of the plumed groom, whose green and gold livery was as brilliant as that of a Russian general, and vouched for the presence of an aristocratic visitor of almost royal pretensions. "Oh! my dear Abbe!" cried the pretended mar- chioness, bursting into a torrent of tears at the sight of the ecclesiastic, "how could they shut you up here, even for a moment ; you, who are such a holy man!" The warden took the permit and read: "On the recommendation of his excellency, the Count de S'eri^^. ' ' "Ah! Madame de San Esteban, Madame la Mar- quise," exclaimed Carlos Herrera, "what true devotion!" — "Madame, there is no communication allowed with the prisoners here," said good old Gault He tried at the same time to bar the way to the advancing mass of black silk and lace, "Still, at this distance!" begged Jacques Collin, "and before all of you!" — he added, looking round at the assembled company. Jacques Collin's aunt, whose costume had an amazing effect upon them all, clerk, warden, gaolers and gendarmes, was redolent of musk. Besides three thousand francs worth of lace, she wore a black cashmere shawl that must have cost six 276 SPLENDORS AND MISERIES thousand. Her groom was parading the court-yard of the Conciergerie with all the insolence of a lackey who thinks himself indispensable to an exacting mistress of high station. He did not speak to the footman, who had taken up his post at the door opening on the quay, which was left open all day. — "What do you want, and what am I to do.'" said Madame de San Esteban, in the slang dialect that aunt and nephew had agreed to use. This slang consisted in giving words terminations in ar or or, al or /, and in lengthening them, whether they were French or slang, so as to render them unintelligible. It was a diplomatic cipher applied to language. — "Put all the letters in a safe place, choose those among them that are most compromising for the ladies, dress yourself in rags, and come back to the Salle des pas Perdus to wait for my orders." Asia, or Jacqueline, as she really was, knelt down to receive a benediction, which the sham priest pronounced with evangelical unction. — "Addio, marckesa!" said he aloud, and then added in their own slang, "find Europe and Paccard with the seven hundred and fifty thousand francs they stole, for I must have them. ' ' — "Paccard is here," answered the pious mar- quise, looking tearfully toward the groom. His aunt's ready wit not only forced a smile from Jacques Collin, but even surprised him, whom nobody else in the world could have surprised. THE LAST INCARNATION OF VAUTRIN 277 The pretended marquise turned toward the spec- tators like a woman in the habit of striking an attitude, and said in bad French : — "The good man is in despair that he cannot go to his child's funeral ; this unfortunate mistake of the police has disclosed his secret. — I am on my way to the requiem mass. There, sir," said she to M. Gault, as she handed him a purse of gold, "here is something for the relief of the poor pris- oners. ' ' — "That's a good move," whispered her nephew, much pleased. Jacques Collin followed the gaoler into the prison yard. Bibi Lupin, now in despair, succeeded at last in attracting the attention of a gendarme, to whom he had been hemming significantly ever since the de- parture of Jacques Collin, and the man came to take his place in the cell of the condemned. Trompe-la- Mort's enemy was too late to see the lady, who had driven away in her brilliant equipage, but her voice, which he heard, was suggestive of drink, in spite of its disguise. — "Three hundred balls — ^francs — ^for the pris- oners!" said the head gaoler, showing Bibi Lupin the purse that M. Gault had given to his clerk. — "Let me see. Monsieur Jacomety," said Bibi Lupin. The chief of the secret service took the purse, poured the gold into his hand and examined it care- fully. 278 SPLENDORS AND MISERIES — "It is really gold," — he said, "and the purse has a coat of arms. Ah ! how consummately clever the scoundrel is ! He can take us all in, and when- ever he chooses ! — He ought to be shot down like a dog!" — "Why do you say that?" asked the clerk taking back the purse. , — "The woman must be a thief!" — cried Bibi Lupin, stamping with rage on the pavement out- side the prison door. His words produced a great sensation among the spectators grouped at a little distance from M. Sanson, who still stood leaning against the large stove in the middle of the vast vaulted hall, wait- ing for an order to make the criminal's toilet, and set up the guillotine in the Place de Gr^ve. After re-entering the prison-yard Jacques Collin walked up to his friends with the step that is pecu- liar to prisoners. — "What have you on hand?" he asked of la Pouraille. — "I'm in a bad way," answered the murderer, whom Jacques Collin had drawn aside. "What I need now is a friend I can count on." —"Why?" La Pouraille told the story of his crimes to his chief, speaking in his dialect, ending with the de- tails of the murder and robbery he had committed in the Crottat household. — "I congratulate you," said Jacques Collin. "You did well, but I think you made a mistake." THE LAST INCARNATION OF VAUTRIN 279 "What was it?" "As soon as you had finished your business you should have got a Russian passport, disguised your- self as a Russian prince, and bought a carriage with armorial bearings; then you could have gone boldly to a banker to deposit your money, and asked for a letter of credit on Hamburg. Afterward, it would have been an easy matter for you to take the post, accompanied by a valet, a maid-servant and your mistress dressed like a princess, and at Hamburg you could have embarked for Mexico. With two hundred and eighty thousand francs in gold, a fel- low of spirit can do what he wants and go where he pleases, you fool!" "Oh! you can think of these things, because you are the boss I — You'll never lose your poll, but I"— — "I may as well tell you that giving good advice to a man in your position is like wasting good broth on a dead man," rejoined Jacques Collin, fixing his fascinating glance upon his comrade. "That may be true," said la Pouraille doubtfully, "but please give me the broth all the same; if it doesn't prove nourishing, I'll make a footbath of it—" — "Here you are seized by the stork with five considerable robberies and three murders on your head, the last one concerning two rich bourgeois, — No jury likes to have bourgeois killed either. — You'll certainly be billed through to the devil; there isn't the least hope for you." 28o SPLENDORS AND MISERIES —"They've all told me the same thing," replied la Pouraille, ruefully. "My aunt Jacqueline, whom I have just been talking with, before all the prison oificials, and who is, as you know, a mother to all our good comrades, told me that the stork wanted to get rid of you, because you are considered dangerous." — "But," said la Pouraille, with an ingenuousness that showed how completely thieves are convinced of their «fl/«ra/ right to rob; "I have money enough now; what can they be afraid of?" — "We have no time for philosophising," said Jacques Collin. "We must return to your situa- tion."— — "What is it you want of me?" demanded la Pouraille, interrupting his master. — "You shall see! A dead dog has his worth." — "For others!" said la Pouraille. — "I will let you help in my game!" replied Jacques Collin. — "Even that is something!" — said the murderer. "What else.'" — "I don't ask where your money is, but I want to know what you mean to do with it ' ' — La Pouraille watched closely the inscrutable expression of his boss, as the latter continued coolly: — "Have you any moll that you love, or a child or any pal you care to help along? I shall be out- side the walls in an hour, and I can do anj^ing for any friends of yours. ' ' THE LAST INCARNATION OF VAUTRIN 28 1 La Pouraille still hesitated, and could not make up his mind. Jacques Collin brought forward a final argument. — "Your share in our common funds is thirty thousand francs ; are you going to leave them to the pals? or do you mean to give them to somebody in particular .' The money is safe, and I can hand it over this evening to anybody you may wish to be- queath it to. ' ' La Pouraille could not conceal his pleasure. — "Now I have him !" thought Jacques Collin. — "But there is no time to waste; think quickly!" — he went on, in a whisper. "We haven't ten minutes to ourselves, old fellow. " — " The attorney- general will send for me, and I'm to have a con- ference with him. I have tight hold of the man, and I can twist the stork's neck. I am certain to save Madeleine. ' ' — "If you save Madeleine, dear boss, you might save me — " — "Don't waste your breath," said Jacques Col- lin abruptly. "Make your will." — "Well, 1 should like to give the money to la Gonore, " answered la Pouraille, sadly. "Indeed! — Is she your mistress then, the widow of Moses, the Jew, who was at the head of the southern swindlers.'" inquired Jacques Collin. Like all great generals, Trompe-la-Mort had a per- sonal knowledge of all his troops. "Yes, that is she," said la Pouraille, extremely flattered. 282 SPLENDORS AND MISERIES "She is a pretty woman," said Jacques Collin, who understood perfectly how to work his terrible machines, "and shrewd too. She's a clever girl, and honest into the bargain. She's really an ac- complished thief. So you had la Gonore for an ally, did you ? It was stupid of you to get into trouble when you had a mistress like her. You fool! You ought to have set up in some respect- able trade, and have scraped along together! — What sort of prigging is she engaged in ?' ' — "She lives in the rue Sainte Barbe and keeps a house — ' ' — "So you make her your heiress? You see the result, old fellow, when a man is fool enough to love one of those hussies," — "Yes, but don't give her a penny till I have kicked the bucket!" — "I promise," said Jacques Collin, seriously. "Then you leave nothing to the pals}" — "Nothing; they betrayed me!" replied la Pouraille, vindictively. — "Who sold you .' Do you want me to revenge you?" asked Jacques Collin, trying to stir the last chord that could vibrate in la Pouraille's heart at a critical moment like this. — "Who knows, oXdpal, that I couldn't manage to revenge you and make your peace with the siork at the same time?" The murderer stared at his boss, dazed with joy. — "But," began the boss, replying to the speak- ing expression of his countenance, "I am now THE LAST INCARNATION OF VAUTRIN 283 acting this little comedy for Theodore alone. If it succeeds, old boy, I might do a great deal for a friend of mine, and you are one." — "If I can only see you able to put off the cere- mony for poor little Theodore, I will do anything you want. ' ' — "I have done it already, for I'm sure oi pulling his poll out all right. You see, la Pouraille, if we mean to get out of this mess we must all stick to one another. — Nobody can do anything by him- self."— — "That's true!" cried la Pouraille. La Pouraille's confidence and fanatical faith in his boss was now so complete that he hesitated no longer. He then disclosed the names of his accomplices, a secret which he had kept inviolate until then. This was all that Jacques Collin wanted to know. — "Here's my secret! Ruffard, Bibi Lupin's agent, went thirds with Godet and me in the job, which we had long been planning — " — "Arrache Laine?" — exclaimed Jacques Collin, giving Ruffard his thieves' name. — "Yes, that's he, and the rogues sold me because I knew the place where they kept their money, and they didn't know mine." — "You grease my hoots — are making it easy for me — my love!" said Jacques Collin. "Why?" "See," Jacques answered, "what you gain by trusting me! — Now, I shall make your revenge a 284 SPLENDORS AND MISERIES point of my game — ! I don't ask you to tell me where you keep your money, you will tell me that at the last moment, but tell me all about Ruffard and Godet." — "You are our boss and always will be, so I have no secrets from you," replied la Pouraille. "My money is in la Gonore's deep — cellar — . " — "Can you trust your mistress then ?" — "Oh! she knows nothing of the performance!" la Pouraille went on. "I made la Gonore tipsy, although she wouldn't tell to save her neck. Still such a lot of gold !' ' — "Yes, it would be enough to turn the milk of the purest conscience," said Jacques Collin. — ' ' In that way I could work with no eye upon me. All the hens had gone to roost. The gold lies three feet below ground, behind the wine-bottles, and I covered it with a layer of pebbles and mortar." — "Good," said Jacques Collin. "And where do the others keep their wads?" — "Ruifard keeps his share in la Gonore's house, in the very room of the poor creature, whom he holds in his power, in this way; for she might be discovered to be an accomplice in receiving stolen goods, and end her days at Saint Lazare." — "The rogue! It takes the peelers to train a thief properly!" said Jacques. — "Godet's wad is at his sister's, who is a clear- starcher and an honest girl. She might easily get five years in jail, without suspecting why. He THE LAST INCARNATION OF VAUTRIN 285 took up the tiles of the floor, fitted them back again, and decamped." — "Can you guess what I want of you?" said Jacques Collin, fixing his magnetic gaze upon la Pouraille. —"What is it?" "I want you to take Theodore's concern upon your shoulders — ' ' La Pouraille gave an expressive shrug, and then promptly resumed his obedient attitude, under his master's eye. — "What! Are you objecting already? Do you want to manage my game ? What do you suppose is the difference between three or four murders?" — "There may not be much difference!" — "By the god of pals, you have no blood in your veins ! And 1 was thinking of saving you !" — "How could you?" — "You're a fool! If you offer to return the money to the family you will get off with the field for life. I wouldn't give a straw for your poll if they had the money, but at this very moment you are worth seven hundred thousand francs, you idiot, you!" "O! boss!" cried la Pouraille, in ecstasy. — "And," Jacques Collin continued, "we can accuse Ruffard of the murders. — That will put an end to Bibi Lupin at once! — I have him!" La Pouraille was completely dazed by this new idea; his eyes opened wider and wider, and he stood motionless as a statue. It was three months 286 SPLENDORS AND MISERIES since he had been arrested, and he was on the eve of appearing before the Court of Assizes ; he had asked the advice of his friends in prison, but he had not told them of his accomplices, and an inves- tigation of his crimes had left him so utterly de- spondent that nobody had been clever enough to think of this plan. So this slender hope made him almost beside himself. — "Have Ruffard and Godet had a spree yet? Have they been airing any of their shiners — gold pieces? — " asked Jacques Collin. — "They dare not," replied la Pouraille. "The scoundrels are waiting for my head to be mowed. That's the news that my mistress sent me by la Biffe, when she came to see le Biffon. " — "We shall have all the money in twenty-four hours, then!" exclaimed Jacques Collin. "The wretches won't be able to make restitution as you can ; you will be white as snow, and they will be stained with all the blood! I shall take care to have it believed that you were an honest fellow misled by them. There will be money enough to get alibis on your other charges, and once in the field — for you'll have to go back there — you can make your escape somehow. — It is a nasty kind of life, but still it's life!" La Pouraille's eyes expressed a state of delirious excitement. — "With seven hundred thousand francs you have many chances, old fellow!" said Jacques Col- lin, filling his comrade with intoxicating hopes. THE LAST INCARNATION OF VAUTRIN 287 Boss ! Boss ! "I'll bewilder the attorney-general! — ^Ah! Ruff- ard shall dance for this; he's a police agent and fair prey. Bibi Lupin is cooked!" "It's a go!" cried la Pouraille with savage joy. "Give me your orders, and I'll obey." He hugged Jacques Collin, with tears in his eyes, for his head felt firm upon his shoulders. —"That's not all," said Jacques Collin. "The stork has a difficult digestion, especially when there is a revelation of new facts. What we must do now is to bring a false charge against some moll." — "How can we .' and what would be the good of it ?' ' asked the murderer. — "Help me, and you'll see!" — replied Trompe- la-Mort. He then related briefly the story of the crime committed at Nanterre, showing la Pouraille the need of finding a woman who would consent to play Ginetta's part Then he and la Pouraille, who was now in good spirits, walked toward le Biffon. "I know how much you love la Biffe, — "said Jacques Collin to le Biffon. There was a dreadful poem to be read in le Biffon's look. — "What is she to do while you are mths field?" A tear softened le Biffon's savage eyes. — "Suppose I got her locked up in a house of correction for women, (at the Force, the Madelon- ettes, or Saint-Lazare), for a year.? That would 288 SPLENDORS AND MISERIES cover the time of your trial, your departure, your arrival at the field, and your escape." — "You can't work miracles, and she's clean of this Job," replied la Biffe's lover. —"Oh! le Biffon!" said la Pouraille, "our boss is more powerful than God." — "What is your password with her?" Jacques Collin inquired of le Biffon, with all the assurance of a master who never takes a refusal. —r" 'A night in Paris. ' When she hears that, she will know you come from me, and if you want her to obey you, show her a five-franc piece, and say the word 'TondifP " — "She will be convicted at la Pouraille's trial, and released for confessing the matter after a year in prison," said Jacques Collin, slowly, with his eye upon la Pouraille. La Pouraille understood the plot and promised his master with a look that he would do his best to make le Biffon co-operate in persuading la Biffe to assume a pretended complicity in the crime he was about to take upon his own shoulders, — "Good-bye, my children. You will soon learn that I have saved the boy from Chariot's clutches," said Trompe-la-Mort "Yes, Chariot was in his office, with his attendants, waiting to make Made- leine's toilet. There," he added, "the attorney- general has sent some one for me, now. ' ' It was as he said ; a gaoler came through the gate and beckoned to this extraordinary man, now roused by the danger of his favorite, the young THE LAST INCARNATION OF VAUTRIN 289 Corsican, to regain possession of his savage power for struggling against society. It may be worth while to observe that at the moment when Jacques Collin was robbed of Lucien's body, he made a mighty resolution to attempt a final incarnation, not in the person of a human being, but in the likeness of a thing. He decided upon the fatal course that Napoleon adopted when he stepped upon the boat that was to carry him to the "Bellerophon. " Owing to a strange concurrence of circumstances, everything aided to keep his evil and corrupt genius in the enterprise he had marked out for it 19 Although the unexpected ending of Jacques Col- lin's criminal life may lose something in its char- acter of the marvelous, — a quality to be obtained now-a-days only by the wildest improbabilities — before entering the office of the attorney-general, we must follow Madame Camusot in the various visits she made, while the events related above were taking place at the Conciergerie. One of the most serious obligations of the historian of manners, is to try never to introduce dramatic inci- dents at the expense of the truth, especially when truth itself happens to be romantic. Human society, above all, in Paris, admits of such startling possi- bilities, and such intricate and capricious associa- tions of circumstances, that the most inventive imagination is outstripped at every turn. Truth soars boldly to situations outside of the domain of art, so improbable and indecorous are they, unless the writer soften, purify and chasten them. Madame Camusot undertook to invent a costume for the morning that should be as near good taste as possible, and this was a difficult task for the wife of a judge who had been living in the prov- inces for nearly six years. It was very important for her, however, to avoid encountering any criti- cism from the Marquise d' Espard, or the Duchess de Maufrigneuse, whom she meant to call upon (291) 292 SPLENDORS AND MISERIES between eight and nine o'clock in the morning. Amelie-Cecile Camusot, although born a Thirion, only half succeeded, we must confess, and in a matter of dress, a miss is as good as a mile. People little know the usefulness of Parisian women to men who are ambitious; they are as necessary in the great world as they are in the world of thieves, where, as we have just seen, they play an essential part. For instance, suppose that, under penalty of being left behind in the arena, a man is forced to address himself to the Keeper of the Seals, who was a great personage at the time of the Restoration. Choose a man who is placed in favorable circumstances, say a judge, that is, a person who is familiar with the house. He is obliged to secure an interview with the head of a department or a private secretary, or a general secretary, and to show some adequate reason for obtaining an immediate audience. A Keeper of the Seals can never be seen at once. In the middle of the day, if he is not at the Chamber, he is at the council of ministers, or else he is signing papers, or giving audiences. In the morning he is sleeping, though no one knows where. In the evening he has public and social duties to fulfil. If every judge could insist upon an audience on any pretext what- ever, the chief officer of justice would be besieged. The object for which a private and immediate inter- view is requested is, therefore, subjected to the consideration of an intermediary power, who may bar the passage like a closed door, even though the THE LAST INCARNATION OF VAUTRIN 293 way is forstalled by no other competitor. But when one woman goes to see another she can walk into her bedroom without delay, and succeed in rousing the curiosity of either the mistress or the maid, especially when the mistress is absorbed in some important interest or pressing necessity. Madame d' Espard, who represented all the au- thority of a minister, may be taken as an illustra- tion of feminine power. When she chose to write a little perfumed note it was instantly carried by her lackey to the minister's valet. When the minister awakes the note is immediately handed to him, and he reads it without delay. No matter how urgent the duties of his ofifice, he finds personal pleasure in calling upon one of the queens of Paris, who was a power of the Faubourg Saint Germain, and a favorite of Madame, of the Dauphiness, or of the King. Casimir-Perier, the only real prime minister produced by the Revolution of July, left everything to pay a visit to an ex-first gentleman of the bed-chamber of Charles X. Upon this theory, we can understand the power of the announcement: "Madame, Madame Camusot is here to see you on very pressing business, which you know of," made to Madame d' Espard by her wait- ing-maid, who believed her mistress to be awake. The Marquise ordered Amelie to be introduced forthwith, and the judge's wife .obtained an atten- tive hearing when she began, as follows : — "Madame la Marquise, we have ruined our- selves by revenging you — " 294 SPLENDORS AND MISERIES — "What do you mean, my dear?" said the Mar- quise, looking at Madame Camusot, who was stand- ing in the half-light of the open door. "You look fascinating this morning, in that charming little hat. Where did you find a shape like it? — " — "You are very kind Madame, — but you must know that the manner in which Camusot conducted Lucien de Rubempre's examination, reduced the young man to such despair, that he hung himself in prison — " — "What will become of Madame de Serizy?" cried the Marquise," pretending not to know any- thing about the tragedy, so that she might listen to the particulars over again. — "Alas! She is supposed to be crazy," — an- swered Amelie. "Oh! If you can only induce His Grace to send a courier to the Palais de Jus- tice for my husband, the minister will hear strange secrets from him, which he will certainly feel it his duty to tell the king. — In that way, Camusot's enemies will be forced to keep silence." — "Who are Camusot's enemies?" inquired the Marquise. — "The attorney-general and now M. de Serizy, besides." — — "Don't be afraid, my dear," replied Madame d' Espard, who owed to M. de Granville and M. de Serizy her defeat in the shameful suit she had brought for the purpose of obtaining an injunction against her husband. "1 will defend you. I never forget my friends nor my enemies. ' ' THE LAST INCARNATION OF VAUTRIN 295 She rang, and ordered the curtains drawn aside ; the daylight poured into the room. Then asking for her desk, which her maid brought to her, the marchioness rapidly scribbled a little note. — "Tell Godard to take a horse and carry this note to the Chancellerie; there is no answer," she said to her maid. The woman left the room hastily, but in spite of her orders, lingered outside the door for some min- utes. — "There is some great mystery, then?" de- manded Madame d'Espard. "Tell me all about it, my dear. Did Clotilde de Grandlieu have any part in all this?" "You will hear everjrthing from his Grace, madame, but my husband told me nothing; he merely warned me of his danger. It would be better for us to have Madame de Serizy die than to have her live insane." — "Poor woman!" said the marquise; "but wasn't she half mad already ?' ' Women of fashion have a hundred ways of pro- nouncing the same phrase, that show an acute ob- server the infinite variety of sounds in the musical scale. The whole soul may be expressed in the voice as well as in the eye ; it may be as readily impressed on air as it is on light, those two medi- ums, through which the eyes and the throat are able to act. By the accent with which the mar- quise pronounced the two words, "poor woman," she betrayed the joys of triumph and satisfied 296 SPLENDORS AND MISERIES hatred. There was no misfortune she did not wish for Lucien's patroness ! The insatiable hatred that survives the death of its object has something appalling in its intensity, and even Madame Cam- usot, who had a harsh, vindictive and mischief- making nature, was shocked. She found nothing to say in return, and was silent. — "Diane told me that Leontine had gone to the prison," Madame d'Espard went on. "The poor duchess is in despair over the scandal, for she is weak enough to love Madame de Serizy. That is easy to understand, however, for they both adored that little fool of a Lucien, and almost at the same time; nothing unites or separates two women like paying their devotions at the same altar. So the dear creature spent two hours yesterday in Leon- tine's room. It seems the poor countess said dread- ful things, quite disgusting in fact. — A well-bred woman should never allow herself to be subject to such outbursts! — Fie! It was a disgraceful pas- sion. — The duchess was pale as death when she came to see me, though she was full of courage ! There is something monstrous about this whole thing."— "My husband will tell everything to the Keeper of the Seals, so that he may justify himself ; for they wanted to save Lucien, and he only did his duty, Madame la Marquise. An examining judge is obliged to question prisoners privately, and within the time the law prescribes. — It was necessary to ask the poor little wretch some questions, and he THE LAST INCARNATION OF VAUTRIN 297 didn't understand that it was merely a form, so he confessed at once — ' ' — "He was always a silly, saucy fellow," said Madame d'Espard, dryly. The judge's wife said nothing, as she listened to this judgment. — "Though we failed in getting an injunction against M. d' Espard, it was not Camusot's fault, and I shall always remember that," the marquise continued, after a pause. "It was Lucien, M. de Serizy, M. de Bauvan and M. de Granville that made us lose the case. God will help me, in time, and every man of them will come to grief. Don't worry any more. I will dispatch the Chevalier d' Espard to the Keeper of the Seals, and make him send for your husband, if you really think it is of use — " —"Ah! Madame!"— — "Listen to me," said the marquise, "I promise you the decoration of the Legion of Honor, at once, to-morrow! It will be a public recognition to your husband's conduct in this affair. Yes, it will be incriminating to Lucien, too, and everybody will believe him guilty. A man rarely hangs himself for amusement. — ^Good-bye, my dear!" Ten minutes later, Madame Camusot entered the bedroom of the beautiful Diane de Maufrigneuse who had never slept, though it had struck nine, and she had gone to bed at one o'clock the night before. A duchess may be unfeeling by nature, yet hard 298 SPLENDORS AND MISERIES as her heart may be, she cannot see a friend in the paroxysms of madness without some trace of deep feeling. Moreover, though Diane's connection with Lu- cien had been broken eighteen months before, it was still fresh enough in her memory to allow his tragic death to give her a violent shock. All night long Diane had seen before her the handsome youth, the charming poetic lover, hanging as Leon- tine had so graphically described him, in the ravings of her delirium. She had kept Lucien's eloquent, rapturous letters, that might be compared to those written by Mirabeau to Sophie, save that these were more literary and careful in form, as they had been dictated by vanity, the strongest of human passions ! Lucien's head had been turned by the happiness of possessing the heart of the loveliest of duchesses, and the knowledge that for his sake she was guilty of secret folly. The pride of the lover had inspired the poet. So the duchess had kept these stirring letters, as old men sometimes keep indecent pictures, because of the extravagant praise they contained of such qualities of hers as were least worthy of a duchess. — "And he died in a shameful prison!" said she, clutching her letters in alarm, as she heard her maid tap softly at the door. — "Madame Camusot has come to see you on a most important matter that interests you," the maid announced. Diane sprang up in terror. THE LAST INCARNATION OF VAUTRIN 299 — "Oh!" said she as she saw Amelie, who as- sumed an expression of suitable gravity. "I know what you have come for ! You want my letters — Ah! my letters — my letters!" — She sank back upon a sofa, remembering that, in the madness of her passion, she had answered Lucien in his own tone, that she had written him as enthusiastically of his charms as he had of hers, and in what romantic strains ! — "It is too true, madam," answered Madame Camusot; "I have come to save more than your life, for your honor is at stake. — Collect yourself and dress ; we must go to the Duchess de Grand- lieu, for, happily for you, you are not the only woman compromised." — "Butl am told that Leontine burned all the letters poor Lucien left at the Palais yesterday. ' ' "But Lucien had a double in Jacques Collin, madame, " cried the judge's wife. "You forget that pernicious intimacy which was certainly the sole cause of the death of the charming young man whom we regret so deeply. That Machiavelli of the galleys never lost his head in his life, and M. Cam- usot is sure that the monster has put in a place of safety the most compromising among the love- letters received by his — " — "His friend," said the duchess, quickly. "You are right, my dear; we must go and hold council with the Grandlieus. We are all involved in this matter, and fortunately Serizy will lend us a helping hand." 300 SPLENDORS AND MISERIES — The extremity of danger has, as we have just seen in the scenes at the Conciergerie, as terrific a power over the soul as that of the strongest re- agents over the body. It is a moral Voltaic bat- tery, and perhaps the day is not far distant when it will be discovered by what method feeling is chemically condensed into a fluid, somewhat simi- lar to electricity. The same phenomenon took place with the duchess as with the convict. This weak, exhausted woman, who had not slept all night; this duchess who usually spent so much time at her toilet, was suddenly possessed of the strength of a lioness at bay, and the presence of mind of a general under fire. Diane selected her garments herself, and dressed as rapidly as a grisette, who is her own tiringwoman. The change was so remarkable that her maid stood motionless with astonishment star- ing at her mistress, who was clad in her chemise, pleased, perhaps, to have the judge's wife see, through its transparent veil of linen, her body, that, white and perfect as Canova's Venus, was like a jewel glittering through the delicate paper that envelops it. It suddenly occurred to Diane to put on a comfortable pair of stays that hooked together in front, and spared her the time and trouble nec- essary for lacing them. After she had arranged the lace ruffles of her chemise and laid them sys- tematically in place, her maid brought her petti- coat to her and finally her dress. Then the woman signed to Amelie to fasten the duchess' dress in THE LAST INCARNATION OF VAUTRIN 301 the back, while she ran to fetch a pair of Scotch thread stoci