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http://www.archive.org/details/cu31924088388156
^onore tie Balzac
LA COMEDIE HUMAINE
PARISIAN LIFE
VOLUME 11
THIS EDITION OF THE COMPLETE TRANSLATION
OF "the human comedy" IS STRICTLY LIMITED TO
ONE THOUSAND COMPLETE COPIES
NO.
75 5
THE COUNTESS DE SERIZY AND
M. CAMUSOT
She chose her time, she calculated her movements,
and suddenly, with the agility of a cat, she seized
the two examinations and flung them into the fire.
Camusot snatched them from the blaze, but the
countess, springing at the judge, seized the* burning
papers.
A struggle followed, while Camusot was crying
out : " Madame ! madame I you are attempting —
madame — "
THE NOVELS
OF
HONORS DE BALZAC
NOW FOR THE FIRST TIME
COMPLETELY TRANSLATED INTO ENGLISH
THE SPLENDORS AND MISERIES OF COURTESANS:
THE IV AY THAT GIRLS LOVE
HOW MUCH LOVE COSTS OLD MEN
THE END OF BAD ROADS
THE LAST INCARNATION OF VAUTRIN
BY ELLERY SEDGWICK
WITH TEN ETCHINGS BY FR^DERIC-EMILE JEANNIN
AFTER PAINTINGS BY GASTON BUSSIERE
VOLUME II
PRINTED ONLY FOR SUBSCRIBERS BY
GEORGE BARRIE, PHILADELPHIA
COPYRIGHTED, 1 895, BY G. B.
THE END OF BAD ROADS
PART THIRD
THE END OF BAD ROADS
At six o'clock the next morning, two wagons,
such as the people in their forceful language call
"salad baskets," driven post-haste, left the Force
in the direction of the Conciergerie and the Palais
de Justice.
There are few idlers who have not seen this roll-
ing gaol; but, although books are generally written
for Parisians alone, foreigners will doubtless be well
content to read here the description of this formid-
able equipage of our criminal law. Who can tell ?
The Russian, Austrian or German police, the magis-
trates of countries to which salad baskets are un-
known, may perhaps profit by this; and in many
foreign countries the imitation of this method of
transportation will certainly be of benefit to the
prisoners.
This ignoble wagon, a yellow box raised upon two
wheels and lined with sheet iron, is divided into
two compartments. In the forward portion there
is a bench covered with leather, behind which hangs
a curtain. This is the free compartment of the
salad basket ; it is intended for an officer of the court
(3)
4 SPLENDORS AND MISERIES
and a gendarme. A strong latticed framework of
iron completely separates this species of cab from
the second compartment, in which are to be found
two wooden benches placed lengthwise as they are
in an omnibus ; on these the prisoners sit after they
have entered by steps leading up to a solid door
which opens at the back of the wagon. The name
of salad basket comes from the fact that since the
wagon was origitially left open on all sides, the
prisoners had to be fastened in exactly as leaves of
lettuce are secured in their basket. For greater
security in case of accident, this vehicle is followed
by a mounted gendarme, especially when it carries
condemned criminals to the place of execution.
Thus escape is impossible. The wagon, lined with
iron, cannot be pierced by any tool whatsoever. The
prisoners, carefully searched on their arrest or upon
their entry into gaol, can at most have preserved
a watch spring, somewhat adapted for filing bars,
but powerless against flat surfaces. Thus the salad
basket, perfected by the ingenuity of the Parisian
police, has at length come to serve as a model for
the cellulated wagon which transports convicts to
prison, and which has replaced that horrible cart —
the shame of earlier civilization — in spite of the
lustre shed upon it by Manon Lescaut.
The first step in the judicial process is to hurry
the latest arrivals from the diiferent prisons of the
capital by means of the salad basket to the Palais
de Justice, in order that they may be interrogated
by the examining magistrate. In prisoners' slang
THE END OF BAD ROADS J
this is known as "passing examinations." Next
the accused are taken from these same prisons to
the Palace for trial, provided that their cases come
within the jurisdiction of the police court; if, how-
ever, to make use of criminal terms, high crimes
are to be judged, the prisoners are removed from
the gaols to the Conciergerie, the prison of the
Department of the Seine. Finally, criminals con-
demned to death are conveyed in a salad basket
from BicStre to the Barri^re Saint Jacques, the
square assigned for public executions since the Revo-
lution of July. Thanks to philanthropy, the suf-
ferers are no longer compelled to undergo the
ignominy of the journey which was formerly made
from the Conciergerie to the Place de Gr^ve in a
cart precisely like those which woodsellers employ.
This cart is used to-day merely to carry the
bodies from the scaffold. Without this explanation
the remark of a famous criminal to his accomplice
as he was stepping into the salad basket, "Now it
rests with the horses," could not be understood.
Nowhere can a man go to his last punishment more
commodiously than in Paris.
On the occasion of which we speak, the two salad
baskets, which had appeared at so early an hour,
were employed for the rare service of transferring
two new arrivals from the gaol of the Force to the
Conciergerie ; and each prisoner occupied a salad
basket by himself.
Nine-tenths of readers and nine-tenths of the last
tenth are certainly ignorant of the broad differences
6 SPLENDORS AND MISERIES
which separate these words : inculp'e, pr'evenu, accus'e,
detenu, maison d'arrtt, maison de justice, or maison
de detention. All alike will probably be surprised
to learn here that the expressions are intimately
connected with the whole code of French criminal
law. We shall presently give a clear and succinct
account of them to the reader, as much for his in-
struction as for the intelligibility of this story.
Besides, when it is known that the first salad basket
contained Jacques Collin, and the second, Lucien,
who in a few hours had fallen from the very pin-
nacle of social greatness to the depths of a dungeon,
the reader's curiosity will be sufificiently aroused.
The attitude of the two accomplices was charac-
teristic, Lucien de Rubempre hid himself to avoid
the looks which passers-by cast upon the bars of the
sinister and fatal wagon as it passed through the
rue Saint Antoine, on its way to the Quays,
through the rue de Martroi and through the Arcade
Saint Jean, beneath which it was necessary, at that
time, to pass in order to traverse the square of the
H6tel-de-Ville. To-day this arcade forms the gate-
way of the hotel of the Prefect of the Seine, in
the vast municipal palace. The daring convict
pressed his face against the grating of his wagon,
between the gendarme and the officer of the court,
who were talking to each other confident in the
security of their salad basket.
The days of July, 1830, and their tempestuous
violence, have hidden former events beneath their
uproar, while political interests absorbed France so
THE END OF BAD ROADS 7
completely during the last six months of that year
that nowadays people can remember only with the
greatest difficulty, if at all, the private, judicial and
financial catastrophies, extraordinary as they are,
which form the annual consummation of Parisian
curiosity, and which were not wanting during the
first six months of that year. It is then necessary
to tell how Paris was for a moment excited by the
news of the arrest of a Spanish priest in the house
of a courtesan, and of the apprehension of the fash-
ionable Lucien de Rubempre, the destined husband
of Mademoiselle de Grandlieu, effected upon the
highroad to Italy, at the little village of Grez ; for
both prisoners were implicated in a murder, the
fruits of which amounted to seven millions. The
scandal of this trial reached such a height that for
several days it surpassed the prodigious interest of
the last elections held in the reign of Charles X.
Firstly, this criminal trial was due in part to an
accusation made by the Baron de Nucingen. Next,
the arrest of Lucien, on the eve of his appointment
as private secretary to the first Minister of State,
shocked the noblest society of Paris. In every
Parisian salon more than one young man remem-
bered how he had envied Lucien when the latter
had been favored by the handsome Duchess de
Maufrigneuse ; and all the women knew that he
had stolen the love of Madame de Serizy, the wife
of one of the most prominent personages of the
State. Lastly, the beauty of the unfortunate young
man enjoyed a singular celebrity in the different
8 SPLENDORS AND MISERIES
worlds which compose Paris : in the world of nobility,
in the financial world, in the world of courtesans,
in the world of young men, and in the literary
world. Thus for two days all Paris had been talk-
ing of these two arrests. The examining judge,
upon whom the trial had devolved, M. Camusot,
saw therein the possibility of advancement; and in
order to proceed with all possible alacrity he had
given orders that the transfer of the two culprits
from the Force to the Conciergerie be made as soon
as Lucien had arrived from Fontainebleau. Since
the Abbe Carlos had passed but twelve hours, and
Lucien but half a night in the Force, it is unneces-
sary to describe this prison, which has since then
been entirely rearranged ; and as for the particulars
of the registration, they were but a repetition of
what was to pass at the Conciergerie.
But before entering upon the terrible drama of a
criminal trial, it is indispensable, as we have said
before, to explain the normal proceedings in a pro-
cess of this kind ; for, in the first place, its diverse
phases will be better understood both in France
and abroad ; and secondly, those who are ignorant
thereof will learn to appreciate the economy of
criminal law as it was conceived by the legislators
under Napoleon. It is all the more important inas-
much as this great and noble work is at this moment
threatened with destruction by what is known as the
penitential system.
A crime is committed ; if it be serious, the incul-
pis are arrested by the police of the district and
THE END OF BAD ROADS 9
secured in the gaol, which among the people goes
by the name of violin, doubtless because within
arise the sounds of music of men crying and of men
weeping. Thence the inculp&s are led before the
Commissioner of Police, who proceeds with a pre-
liminary examination and who has power to release
the prisoners if there be any mistake. After this
the inculpis are transported to the station house of
the Prefecture, where the police retain them to be
placed at the disposal of the public prosecutor and
of the examining judge, who, informed more or less
promptly, according to the gravity of the offence,
arrive on the scene and cross-question the prisoners,
who are still under provisory arrest. Governed by
the nature of the presumptions, the examining judge
issues a warrant from the station house, and has
the inculp^s registered at a maison d'arrSt. Paris
has three maisons d' arret: Sainte Pelagie, the Force
and the Madelonnettes.
Notice the term inculpH. The French code has
created three essential distinctions in criminal
guilt: inculpation, prevention, accusation. So long as
the warrant is not signed, the supposed authors of
a crime, or of a grave offence, are the inculph;
beneath the weight of the warrant they become
privenus; they remain privenus pure and simple so
long as the examination continues. The examina-
tion ended, the moment that the tribunal has decided
that the prhenus must be handed over to the regu-
lar court, they pass into the condition of accuses
when the royal court has determined, upon the
lO SPLENDORS AND MISERIES
request of the public prosecutor, that the charges
warrant the transfer of the prisoners to the Court
of Assize. Thus persons suspected of a crime pass
through three different stages, through three sieves,
before they come into the presence of what is called
the justice of the country. In the first stage, inno-
cent persons possess means of justification in plenty :
the public, the keepers, the police. During the
second stage, they are before a magistrate, con-
fronted by witnesses, and judged either by a Cham-
ber of the Tribunal at Paris, or by an entire
Tribunal in the departments. In the third, they
appear before twelve justices, and the writ of assign-
ment to the Court of Assize may, in case of error,
or on account of any defect in the formality of the
proceedings, be altered to a writ of assignment to
the Court of Appeals. The jury does not realize
how much popular authority, both administrative
and judicial, it annuls when it acquits the accused.
Thus, at Paris, we do not speak of other tribunals,
it seems to us well nigh impossible for an innocent
man ever to sit upon the benches of the Court of
Assize.
The dttenu is the condemned man. The criminal
law of France has created maisons d'arrSt, maisons de
justice, and maisons de detention, judicial differences
which correspond to those of the pr^venu, the accuse
and the condamni. Imprisonment is but a slight
penalty, the punishment of a slight offense; but
imprisonment in the maison d'e detention is bodily
restraint, which, in certain cases, is ignominious.
THE END OF BAD ROADS II
Thus the present supporters of the penitential sys-
tem overturn an admirable criminal code, in which
the punishments were carefully graduated, and will
eventually chastise peccadillos with almost as much
severity as the very greatest crimes. The reader
will be able to compare in the "Scenes of Political
Life," — see Une Tenebreuse Affaire — the curious
differences which existed between the criminal law
of the code of Brumaire, in the year IV, and that
of the Code Napoleon, by which it was replaced.
In the greater number of important trials, such
as this, inculp'es become pr^venus without delay.
Justice issues an immediate warrant from the gaol
or from the place of arrest. As a matter of fact, in
the largest number of cases the inculpis are in flight
or must be surprised without an instant's delay.
Thus as we have seen, the police, which is only
the instrument of execution, and justice had come
upon the domicile of Esther with the swiftness of
lightning. Even had not demands for vengeance
been whispered by Corentin in the ear of the Judi-
cial police, there would still have remained the
accusation of a robbery of seven hundred and fifty
thousand francs, made by the Baron de Nucingen.
Just as the first wagon, which contained Jacques
Collin, arrived at the dark and narrow passage of
the Arcade Saint Jean, a blockade of carriages
obliged the postilion to stop beneath the arcade.
The prisoner's eyes burned across the grating like
two carbuncles, in spite of the evident approach of
death, which, the evening before, had brought the
12 SPLENDORS AND MISERIES
warden of the Force to believe in the necessity of
summoning a physician. Free for an instant, since
neither the gendarme nor the officer looked round
to see their customer, these blazing eyes spoke
such plain language that any sagacious judge, such
as M. Popinot, for example, could have recognized
instanter the convict clothed in the sacrilege of a
priestly robe. From the moment that the salad
basket had left the gate of the Force, Jacques Collin
had been examining every detail of his surround-
ings. In spite of the rapidity of his course he
enveloped, with an eager and accurate eye, the
houses from garret to basement He saw all the
passers-by, and scrutinized every one. God does
not embrace the means and end of His creation more
perfectly than this man noted the smallest differen-
ces in the mass of people and things which he passed.
Armed with a single hope, as the last of the Horatii
was armed with his sword, he waited for help. To
any other than this Machiavel of prisons, this hope
would have appeared so impossible to realize that
he would mechanically have followed the path trod
by all the guilty. No culprit dreams of resistance
when he is placed in the situation in which justice
and the police of Paris plunge prisoners, and less
than ever when he is locked in solitary confinement
like Lucien and Jacques Collin. It is difficult to
imagine the sudden isolation which comes upon a
privenu: the gendarmes who arrest him, the com-
missioner who cross-questions him, the guards who
lead him to prison, the turnkeys who conduct him
THE END OF BAD ROAD 13
to what is literally his dungeon, the wardens who
hold him beneath his arms in order to place him in
a salad basket, all the persons who have been about
him since his arrest are mute or else take note of
their words so that they can repeat them either to
the police or to the judge. This complete separa-
tion, so simply attained, between the whole world
and the prtoenue causes a total subversion of his
faculties, an overpowering prostration of the mind,
most perfect when the man is not, through his
antecedents, rendered familiar with the course of
justice. The duel between the culprit and the
judge is all the more terrible because justice has for
its allies the silence of its walls and the incorruptible
indifference of its agents.
Nevertheless, Jacques Collin, or Carlos Herrera
it is fitting to give him one or the other of these
names according to the necessities of his situation,
had long been familiar with the methods of police
gaol and justice. This colossus of craft and of cor-
ruption had employed all the powers of his mind
and the resources of his talents for imitation in
playing to perfection the amazement and the sim-
plicity of innocence without ceasing to deceive the
magistrates with the comedy of his death agony.
As we have seen, Asia, that wise Locusta, had
made him swallow a poison weakened in such a
manner as to produce the likeness of a mortal
malady. Thus the action of M. Camusot and the
Police Commissioner, as well as the interrogative
activity of the public prosecutor, had been
14 SPLENDORS AND MISERIES
checkmated by the action and the activity of a
crushing attaclt of apoplexy.
"He has poisoned himself!" M. Camusot had
exclaimed, horrified by the sufferings of the pre-
tended priest, when the officers had carried him
down from the garret, writhing in terrible convul-
sions.
Four policemen had with difficulty succeeded in
bearing the Abbe Carlos down the staircase to
Esther's chamber, where all the magistrates and
gendarmes were assembled.
"It was his best course, if he is guilty," remarked
the attorney.
"Then you think him ill?" inquired the Police
Commissioner.
Police doubt everything, without exception. The
three magistrates had then held a colloquy, as may
be supposed, apart; but Jacques Collin had divined
the subject of their whispered conversation from
their faces, and made use of this information to
render the summary examination, usually held
at the moment of arrest, impossible, or at least
wholly insignificant. His words were but muttered
phrases wherein Spanish and French were inter-
woven to form nonsense.
At the Force the comedy had obtained a success
yet more complete, owing to the fact that the Chief
of the Secret Service — an abbreviation of the words
chief of the brigade of the police of the secret ser-
vice, — Bibi Lupin, who had formerly arrested
Jacques Collin in the cheap lodging house of
THE END OF BAD ROADS 1 5
Madame Vauquer,was away on duty in the depart-
ments, and his place taken by an agent. This man
was designated to become the successor of Bibi
Lupin, and to him the convict was unknown.
Bibi Lupin, himself an ex-convict, had been, at
the galleys, the companion of Jacques Collin, but
had since become his personal enemy. His hatred
traced its source to quarrels from which Jacques
Collin had always come forth victorious, and to the
supremacy which Trompe-la-Mort had exercised over
his companions. Lastly, for ten years Jacques Collin
had been the guardian of returned convicts, their
chief, their adviser in Paris, their depositary, and
consequently the deadly antagonist of Bibi Lupin.
Although he had been placed in solitary confine-
ment, Carlos counted upon the intelligent and abso-
lute devotion of Asia, his right arm, and perhaps
upon Paccard, his left arm, whom he flattered him-
self would again return to his allegiance when
the careful lieutenant had once succeeded in placing
the seven hundred and fifty thousand stolen francs
in some secure nook.
Such were the reasons for the superhuman minute-
ness with which he examined everything which he
passed. Strange fortune ! These hopes were des-
tined to be fully realized.
The two massive walls of the Arcade Saint Jean
were covered to the height of at least six feet with
a cloak of permanent mud, produced by the con-
tinual splashing of wheels in the neighboring
gutter; for at this time foot passengers had no pro-
tection from the constant succession of carriages, or
from what were then called kicks from carts, other
than a narrow ledge of curbstones, long since broken
by the hubs of passing wheels. Here more than
once a cart loaded with stone had struck and bruised
some absent-minded person. Such was Paris, for
a long time and in many quarters. This detail de-
scribes the narrowness of the Arcade Saint Jean,
and shows how easily the passage might be blocked.
A cab had entered by the Place de Gr&ve, and as a
woman peddler, nicknamed the four seasons, had
just pushed her hand-cart full of potatoes through
the rue du Martroi into the arcade, the appearance
of the third vehicle upon the scene occasioned a
blockade. The foot passengers in alarm rushed in
various directions, looking for a curbstone to place
them beyond the reach of the old-fashioned hubs,
whose length was so excessive that they had event-
ually to be modified by law. When the salad basket
arrived, the arcade was barricaded by one of those
women venders of fruit whose type is the more
curious as it is still to be seen in Paris, in spite of
2 (17)
l8 SPLENDORS AND MISERIES
the increasing number of fruit shops. She was so
evidently the fruit seller of the streets that a police-
man, had the institution been created before that
time, would have left her free to wander without
asking to see her license, in spite of her sinister
face which reeked with crime. Her head, covered
with a plaid handkerchief, soiled and ragged, bris-
tled with unkempt locks and hair, stiff as a wild
boar's. Her red and wrinkled neck was hideous
to look upon, and her scarf was too scanty to con-
ceal skin bronzed by sun and dust and mud. Her
gown looked like patchwork. Her shoes, yawning
with rents, seemed to grin at her face, as full of
holes as her gown. And what an apron ! A stick-
ing plaster had been cleaner! At ten paces this
walking heap of fetid rags could but offend delicate
nostrils. Her hands had reaped a hundred har-
vests ! This woman came from a witches' Sabbath
or from some storehouse of beggary. But what looks !
what impudent intelligence, what concentrated life,
when the magnetic rays of her eyes and those of
Jacques Collin met to exchange a single idea.
"Get out of the way, you old home for vermin,"
cried the postilion gruffly.
"Don't run over me, sir knight of the guillotine,"
answered she, "your merchandise isn't worth as
much as mine."
Endeavoring to squeeze herself against the wall
in order to leave the passage-way free, the peddler
blocked the path during the time needful for the
accomplishment of her project.
THE END OF BAD ROADS 19
"Oh! Asia!" thought Jacques Collin, who re-
cognized his accomplice instantaneously, "all is
well."
The postilion continued to interchange courte-
sies with Asia, and carriages accumulated in the rue
de Martroi.
"AM! Fecair'e fermati. Sounilh. Vedrem!" cried
old Asia, with those intonations peculiar to street
venders, who garble their words so vilely that they
become mere sounds comprehensible for Parisians
alone.
During the uproar in the street and in the midst
of the shouts which arose from the surrounding
drivers, nobody heeded this savage scream which
seemed to be the peddler's cry. But these sounds,
which Jacques Collin caught distinctly, poured into
his ear in a preconcerted jargon, mingled with frag-
ments of bastard Italian and Provengal, this terrible
sentence :
" Your poor boy is taken; but I am there to watch
over you. You shall see me again."
In the midst of the infinite joy which his triumph
over justice caused him, for now he hoped to be
able to establish communications with the outer
world, Jacques Collin was struck by a reaction
which would have killed another man.
"Lucien arrested!" he said to himself, and his
consciousness almost left him. For him this news
was more frightful than the rejection of a petition,
had he been condemned to death.
Now that the two salad baskets are rolling along
20 SPLENDORS AND MISERIES
the quays, the interest of this story demands that
a few words be spent upon the Conciergerie as
it was at the time they were to arrive there.
The Conciergerie, historic name, terrible word, but
still more terrible in reality, is bound up with
the revolutions of France, and especially with
those of Paris. It has seen the greater number
of noble criminals. If, of all the monuments of
Paris, this is the most interesting, it is also the
least known — to people who belong to the higher
classes of society ; but in spite of the immense in-
terest of this historic digression, it will be quite as
swift as the course of the salad baskets.
Who is the Parisian, the foreigner or the country-
man who, after two days spent in Paris, has not no-
ticed the black walls flanked by three massive towers
like pepper boxes, two of which are almost exact
mates, the sombre and mysterious ornament of the
quai des Lunettes ? This quai begins at the foot of
the Pont au Change and extends as far as the Pont
Neuf. A square tower, called the Tour de I'Hor-
lage, from which the signal of Saint Bartholomew
was sounded, a tower almost as lofty as that of
Saint Jacques la Bucherie, marks the palace and
forms a corner of the quai. These four towers,
these walls are covered with that black dampness
that comes over every facade in Paris which faces
toward the north. Toward the middle of the quai,
at a deserted arcade, begin the private buildings,
whose erection was determined in the reign of
Henry IV., by the construction of the Pont Neuf.
THE END OF BAD ROADS 21
The Place Royale was a reproduction of the
Place Dauphine. It is in the same style of archi-
tecture, brici< framed by borders of freestone. This
arcade and the rue de Harlay mark the boundaries of
the palace to the west Formerly the Prefecture
of Police and the mansion of the first presidents of
Parliament were connected with the palace. The
Cour des Comptes and the Cour des Aides, situated
here, completed the supreme justice of the sover-
eigns of France. Thus before the Revolution, the
palace enjoyed by nature that isolation which to-
day men seek to create about it.
This square, this island of houses and of monu-
ments, amongst which stands the Sainte Chapelle
— ^the most splendid jewel of Saint Louis' casket;
this spot is the sanctuary of Paris : it is its holy
place, its sacred ark. Originally this space inclu-
ded the limits of the original city, for the site of the
Place Dauphine was a meadow dependent upon the
royal domain, on which there stood a mill once used
as a mint. Hence comes the name rue de la Mon-
naie, given to the street which leads to the Pont
Neuf. Hence, also, is derived the name of one of
the three round towers — ^the second — which is called
"La Tour d'Argent;" and this seems to prove that
here, too, money was coined in primitive times. The
famous mill, which is to be seen in the ancient
maps of Paris, should, in all likelihood, be dated to a
period later than the years when money was coined
in the palace itself; and, no doubt, that building
was owing to an improvement in the art of minting.
22 SPLENDORS AND MISERIES
The first tower, almost united to the Tour d' Argent,
is named the Tour de Montgomery. The third, the
smallest, but the best preserved of the three, for it
has kept its battlements, is known as the Tour
Bonbec. The Sainte Chapelle and these four tow-
ers — Including the Tour de I'Horloge — determine
accurately the circumference, the perimeter, as any
clerk employed for the register of public lands will
tell you, of the palace from the Merovingians to the
accession of the house of Valois ; but, for us, who
are following its transformations, this palace repre-
sents more especially the epoch of Saint Louis.
Charles V. was the first king to abandon the
palace. He bestowed it upon the newly created
Parliament, and went beneath the protection of the
Bastille to live in the famous H6tel Saint Pol,
against the walls of which in later times was built
the Palais des Tournelles. Then, under the last
Valois, royalty left the Bastille for the Louvre,
which had been its first fortress. The earliest
dwelling of the kings of France, the Palace of Saint
Louis, which has kept simply the name of "Le
Palais," designed to show its pre-eminence, is
included within the Palais de Justice ; it now forms
the cellar of that building, for, like the Cathedral,
it was built in the Seine, and built so carefully that
the river, at its highest level, scarcely covers its
first steps. The quai de I'Horloge buries beneath
twenty feet of earth these thrice secular construc-
tions. Carriages roll at the height of the capitals
of the great columns of these three towers, whose
THE END OF BAD ROADS 23
elevation was formerly designed to harmonize with
the elegance of the palace, and to give a picturesque
effect as they rose over the water ; for to-day these
towers still rival in height the loftiest monuments
of Paris. When one contemplates this vast capital
from the summit of the lantern on the Pantheon,
the palace, with the Sainte Chapelle, still appears
the most monumental among so many monuments.
This palace of our kings, over which you walk
when you tread the vast "Salle des pas Perdues,"
was a marvel of architecture, and thus it still is to
the intelligent eyes of the poet who comes to study
it, in his examination of the Conciergerie. Alas!
the Conciergerie has invaded the palace of kings.
The heart bleeds to see how the despoilers have
mutilated the dungeons, the by-ways, the corridors,
the guard rooms, the halls without light or air, in
this splendid composition wherein the Byzantine,
the Roman, and the Gothic — those three great prin-
ciples of ancient art — have been combined in the
architecture of the twelfth century. This palace is
the monumental history of France in its earliest
stage; as the Chateau de Blois is its monumental
history in its second stage. In the same manner,
as in a single court at Blois — see Study of Catherine
de Medicis, Philosophical Studies — you can admire
the Chlteau of the Counts de Blois, that of Louis
XII., that of Frangois I., that of Gaston; just so at
the Conciergerie you will find in the same spot the
characteristics of the earliest races, and in the
Sainte Chapelle the architecture of Saint Louis.
24 SPLENDORS AND MISERIES
Municipal council, if you give millions, place at the
architect's side a poet or two, if you would save
the cradle of Paris, the cradle of kings, which you
endeavor to endow Paris and the sovereign court
with a palace worthy of France, it is a question to
be studied for years before a stone is laid. One or
two more prisons built like la Roquette, and the
Palace of Saint Louis will be saved !
To-day there are many plagues which infect this
gigantic monster buried beneath the palace and
beneath the quai, like one of those antediluvian
creatures among the plaster casts of Montmartre ;
but the greatest of all is the fact that it is the Con-
ciergerie! Everybody understands this word. In
the early times of the monarchy, villains — it is
better to cling to this orthography by which the
word retains its meaning of peasant — and townsmen
belonged to municipal or seignorial jurisdictions,
while noble offenders and the possessors of large or
small fiefs were brought before the king and confined
at the Conciergerie. As only a few of these noble
offenders were ever arrested, the Conciergerie was
large enough for the king's justice. It is difficult to
determine the exact site of the original Conciergerie.
Nevertheless since the kitchens of Saint Louis still
exist and to-day form what is known as the SouricHre
(the mouse trap), it is to be presumed that the
original Conciergerie was situated on the spot
where stood, before 1825, the Judicial Conciergerie
of Parliament, beneath the arcade at the right of
the exterior grand staircase, which leads to the Cour
THE END OF BAD ROADS 25
Royale. Thence, until 1825, every condemned
prisoner went fortli to his punishment Thence
went forth all the state criminals, all the victims of
statecraft: the Mar^chale d'Ancre as well as the
Queen of France, Semblangay as well as Malesher-
bes, Damien as well as Danton, Desrues as well as
Castaing. Fouquier Tinville's old office occupied
the present site of the Attorney-General's cabinet,
so that the public prosecutor could watch the pris-
oners condemned by the revolutionary tribunal file
past him in their carts. Thus the steel-hearted
butcher could cast a final glance over the batch.
Since 1825, under the ministry of M. de Poy-
ronnet, a great change has taken place in the pal-
ace. The old wicket of the Conciergerie, behind
which once passed the ceremonies of registry and
search, was closed and transported to the spot where
it may be seen to-day between the Tour de I'Hor-
lage and the Tour de Montgomery, in an inner court
marked by an arcade. To the left is the Sourici^re,
to the right the wicket. The salad baskets en-
ter this somewhat irregular court and can stop
there, turn with ease, or, in case of tumult, can
be protected against any attempt at rescue by the
strong iron grating of the arcade ; while, formerly,
they had not the slightest facilities for manoeuvering
in the narrow space which divides the exterior
grand stairway from the right wing of the palace.
Nowadays the Conciergerie hardly suffices for the
number of accused, since accommodation is needed
for three hundred persons, men and women, and
26 SPLENDORS AND MISERIES
receives neither prhenus nor detenus, excepting on
such rare occasions as that which brought thither
Lucien and Jacques Collin. • All who are prisoners
there must appear before the Court of Assize. As
an exception to the rule, the board of magistrates
suffers culprits of the upper class, who have already-
been sufficiently dishonored by the verdict of the
Court of Assize.to be imprisoned outside of the
Conciergerie if they prefer to serve out their sen-
tences at Melun or at Poissy. Ouvrard chose to be
confined at the Conciergerie rather than at Sainte
Pelagie. At this very moment the notary, Lehon
and the Prince de Bergues are imprisoned there
through sufferance, which, however arbitrary, is full
of humanity. .
Ordinarily, the prevenus, whether they dixe passing
examinations (to use the palace slang) or whether
they are summoned to appear on the benches of the
police court, are removed from the salad baskets
directly to the SouriciSre. The Sourici^re, which
is opposite the wicket gate, is composed of a
certain number of cells, constructed within the
kitchens of Saint Louis, and here the j>r^^MMS taken
from their prisons await the hour of their appear-
ance before the tribunal, or the arrival of the judge
who is to examine them. The Souricifere is
bounded on the north by the qua:, on the east by
the guard-house of the municipal guard, on the west
by the courtyard of the Conciergerie, and on the
south by an immense vaulted hall — doubtless the
ancient banqueting hall — which is now used for no
THE END OF BAD ROADS 27
particular purpose. Above the Sourici^re there is
an interior guard-house, which commands through
its v/indow a view of the courtyard of the Con-
ciergerie ; it is occupied by a departmental brigade
of gendarmes, and here it is that the stairway ends.
When the hour of judgment sounds, bailiffs have
already called the roll of the pr&venus, as many
gendarmes as there are prisoners descend from their
quarters. Each gendarme takes a prboenu by the
arm, and thus in couples they march down the stair-
way, traverse the guard-room, and arrive by certain
passages at an apartment adjoining the court-room,
where sits the famous sixth chamber of the tribunal,
upon which the hearing of cases from the police
courts has devolved. This path must be followed by
the accusis on their way to and from the Concier-
gerie.
In the Salle des pas Perdues, between the door
of the first chamber of the tribunal for trying First
Offences, and the steps which lead to the sixth
chamber, the stranger notices instantly, though he
be walking there for the first time, a doorway with-
out a door, unadorned by architectural device, a
square ignoble hole. It is through this that judges
and lawyers pass into the lobbies and the guard-
room and descend to the Souricidre and to the
wicket of the Conciergerie. All the offices of the
examining judges are situated in this part of the
palace on different stories. These are reached by
narrow staircases — a labyrinth too apt to bewilder
the stranger. The windows of these offices open,
28 SPLENDORS AND MISERIES
some on the quai, others on the courtyard of the
Conciergerie. In 1830 several offices of examin-
ing judges looked out upon the rue de la Barillerie.
Thus when a salad basket turns to the left in the
courtyard of the Conciergerie it carries the pr^venus
toward the Sourici^re, when it turns to the right
it brings the accuse to the Conciergerie. It was
then toward the latter side that the salad basket,
which contained Jacques Collin, was directed, in
order to deposit its occupant at the wicket. Noth-
ing is more formidable. Criminals or visitors
behold two barred gates of wrought iron separated
by a space of about six feet, which always open
one after the other, and across which everything is
noted so carefully, that persons who have been
granted permission to enter pass across this interval
before the key grates in the lock. The examining
magistrates, even those from the office of the pub-
lic prosecutor, cannot enter before they are recog-
nized. Do but speak of the chance of communica-
tion or escape! — The warden of the Conciergerie
will wear upon his lips a smile which will freeze
the doubts of the boldest romancer in his struggle
against reality. In the annals of the Conciergerie
the escape of La Valette alone is known ; but the
certainty of an august connivance, to-day proved
beyond a doubt, has diminished, if not the devotion
of a wife, at least the apparent danger of a failure.
Standing upon this ground and judging of the nature
of the obstacles, the truest friends of the marvelous
will recognize that in times past these obstacles
THE END OF BAD ROADS 29
have been what they still are, invincible. No ex-
pression can depict the strength of the walls and
vaulted ceilings. Although the pavement of the
courtyard is on a level with that of the quai, after
you have passed the wicket it is still necessary to
descend several steps before arriving at a great
vaulted hall, whose mighty walls, ornamented by
splendid columns, are flanked by the Tour de Mont-
gomery, which nowadays forms part of the domicile
of the warden of the Conciergerie, and by the Tour
d' Argent, which serves as a dormitory for the
watchmen, keepers, or turnkeys, whichever you
are pleased to call them. The number of these
guards is not so large as might be imagined (they
are but twenty). Their dormitory as well as their
bedding does not differ from that of the pistole. This
name comes, no doubt, from the fact that the pris-
oners used to pay a pistole a week for this lodging,
the bareness of which recalls the cold garret where
many a poverty-stricken genius has dwelt in Paris
at the outset of his career. To the left in this vast
entrance hall stands the recorder's office of the
Conciergerie, a sort of closet built of glass, in which
sit the director and his clerk, and where the gaol-
book is kept There the privenu and the accusi are
enrolled, described and searched. There is decided
the question of lodging, the solution of which is
dependent upon the prisoner's purse. Opposite
the gateway of this hall there is a glass door open-
ing into a parlor where relatives and lawyers talk
with the prisoners through a wicket with a double
30 SPLENDORS AND MISERIES
grating of wood. This parlor receives its light
from the interior prison yard, where the prisoners
may breathe the open air and take exercise at cer-
tain prescribed hours.
This great hall, lighted by the uncertain light of
the two wickets, for the only window which opens
upon the front court-yard is entirely concealed by
the recorder's office, presents to the eye an atmos-
phere and a light perfectly in harmony with the
images preconceived by the imagination. It is the
more dreadful when, looking in a direction parallel
to the Tours d'Argent and de Montgomery, you per-
ceive mysterious crypts, vaulted, awful, and without
light, which lead past the parlor to the dungeons of
the Queen and Madame Elizabeth and to the solitary
cells called les secrets. This labyrinth of freestone,
which once witnessed the feasts of royalty, has
become the cellar of the Palais de Justice. From
1825 to 1832 it was in this vast hall, between a
great stove by which it was heated and the first of
the two wickets, that the prescribed change of
clothes was made by the prisoner. Even now a man
does not walk without a tremor across these flags
which have felt the horrid secrets of eyes that have
looked upon them for the last time.
To descend from his frightful wagon, the sick
man had need of the assistance of two gendarmes,
who lifted him, one by each arm, and carried him
like a lifeless body into the recorder's office. As
he was dragged along, the dying man raised his
eyes toward heaven with the expression of a
THE END OF BAD ROADS 31
Saviour descended from the cross. Certainly in
no picture does Jesus present a face more cadaver-
ous or more distorted than did the counterfeit Span-
iard ; he seemed about to render up his last breath.
When he was seated in the office he repeated in a
feeble voice the words which he had addressed to
everybody since his arrest:
"I am known to his excellency, the Spanish am-
bassador. ' '
"Tell that," answered the warden, "to the
examining judge."
"Ah, God!" replied Jacques Collin, with ^a
gasp, "cannot I have a breviary? Will they never
allow me a doctor.' I have not two hours to
live."
As Carlos Herrera was to be placed in solitary
confinement, it was useless to ask of him whether
he desired the privilege of a pistole, that is to say
the right to inhabit one of those rooms which en-
joyed the sole comfort permitted by law. These
rooms are situated at the end of the yard, of which
mention will be made hereafter. The bailiff and
the recorder went through the formalities of regis-
tering the prisoner's name with phlegmatic deliber-
ation.
"Your honor," said Jacques Collin, in execrable
French, "I am a dying man. You see it. Tell the
judge if you can ; above all, tell him as soon as
possible that I solicit as a favor the very test which
a criminal should fear most; to appear before him
the instant that he arrives; for my sufferings are
32 SPLENDORS AND MISERIES
really intolerable, and when I see him all mistakes
will be at an end. ' '
The general rule; all criminals talk of mistakes!
Go to the prisons. Question the prisoners ; they are
almost all victims of some mistake of justice. Thus
this mere word raises an imperceptible smile to the
faces of those who come into contact with prhenus,
accuses or condamnis.
"I can speak to the examining judge of your re-
quest, ' ' answered the warden,
"1 shall bless you, then, sir!" replied the false
Spaniard raising his eyes toward heaven.
As soon as he was registered, Carlos Herrera,
supported on either side by a municipal ofificer and
accompanied by an overseer, who had been informed
by the warden of the cell in which the prhenu was
to be confined, was conducted through the subter-
ranean maze of the Conciergerie into a chamber
which, though certainly healthy, whatever philan-
thropists may say, was without the possibility of
communication with the outer world.
When he had disappeared, the overseers, the
warden of the prison, the clerk, the bailiff himself,
and the gendarmes looked at one another, as if every
man were asking his neighbor's opinion; every
face expressed doubt But at the appearance of the
other prisoner the spectators reassumed their habit-
ual uncertainty concealed beneath an air of apparent
indifference: except under extraordinary circum-
stances, the keepers of the Conciergerie feel but
little curiosity ; to them criminals are what customers
THE END OF BAD ROADS 33
are to barbers. Thus those formalities, which
alarm the imagination, are accomplished by them
more simply than bargains are made in the business
world, and often more politely. Lucien's appear-
ance was that of disheartened guilt; he had lost
hope and surrendered himself mechanically to his
fate. Since he had left Fontainebleau, the poet had
been contemplating his ruin, and saying to himself
that the hour of expiation had struck. Pale, wasted,
ignorant of all that had happened since his depar-
ture from Esther's house, he knew that he was the
intimate companion of an escaped convict ; a situa-
tion which pictured clearly catastrophes worse than
death. When his thoughts took shape, the idea of
suicide rose before him. He wished at any price
to escape the ignominy which he beheld dimly like
the fancies of a painful dream.
Jacques Collin, as the more dangerous of the two
prisoners, was placed in a cell built entirely of free-
stone, which received its light from one of those
small inner yards such as are found within the
palace, and which was situated in the wing contain-
ing the ofifice of the Public Prosecutor. This little
court served as a prison yard for the women's quar-
ters. Lucien was led away in the direction his
friend had taken, for according to the orders given
by the examining judge, the warden had made
preparations for him in a cell next to the pistoles.
Ordinarily, people who have never become en-
tangled with criminal law conceive the blackest
ideas of solitary confinement The idea of criminal
3
34 SPLENDORS AND MISERIES
justice is not yet separated from antiquated ideas
of ancient torture, pestiferous prisons, cold walls
whose stones sweat tears, rough gaolers and coarse
food, the needful accessories of dramas ; but it is
not useless to say here that these exaggerations
exist on the stage alone, and that such scenes raise
a smile to the lips of magistrates and lawyers, and
of those who from curiosity or another reason have
visited the prisons. For many years prison life
was terrible. It is certain that under the ancient
parliament, during the reigns of Louis XIII. and
Louis XIV., the accused were thrown pell-mell into
wretched quarters built above the old wicket. The
prisons were one of the crimes of the revolution of
1789, and the visitor has only to see the cell of the
queen and that of Madame Elizabeth in order to feel
deep horror for ancient forms of justice. But now-
adays if philanthropy has done incalculable evil to
society, it has at least done some good to individ-
uals. We owe to Napoleon our criminal Code,
which, even more than the civil Code whose reform
in certain respects is urgent, will remain one of the
greatest monuments of that short reign. This new
criminal law closed an abyss of suffering. We may
even affirm that, setting aside the fearful moral tor-
ture which preys upon persons of the upper class
when they are in the power of the law, the action
of this power has a softness and simplicity all the
greater since they are unexpected. The inculpi
and the pr'evenu are certainly not lodged as if they
were at home, but the necessities of life are not
THE END OF BAD ROADS 35
wanting in Paris prisons. Besides, the heaviness
of the prisoner's heart deprives life's comforts of
their normal importance. It is not always the body
that suffers. The condition of the mind is so turbu-
lent that every kind of inconvenience is brutality, if
it be met with in his environment, is easy for the
prisoner to bear. We must admit that in Paris above
all, the innocent man is promptly set at liberty.
On entering his cell Lucien found in it the faith-
ful image of the first room he had occupied in Paris
at the Hotel Cluny. A bed such as those which are
found in the cheapest lodging houses of the Latin
Quarter ; cane-bottomed chairs, a table and a few
utensils composed the furniture of one of those
chambers, wherein two prisoners are often placed
when their behavior is good and when their crimes
belong to some such reassuring category as forgery
or bankruptcy. This resemblance between the spot
which he had reached in innocence and that to which
he had now come, at the lowest point of shame and
degradation, was so perfectly comprehended by one
last effort of his poetic fibre, that the unfortunate
young man burst into tears. For four hours he wept,
in appearance insensible as a stone statue, but
suffering from all his disappointed hopes, wounded
by the ruin of every social vanity, tortured by the
stings of his pride, and cut off from all the selves
which make up the lover, the dandy, the Parisian,
the poet, the voluptuary, the ambitious, lucky,
privileged man. Everything within him was
bruised by this Icarian fall.
36 SPLENDORS AND MISERIES
When Carlos Herrera was left alone in his cell he
walked round the room as the polar bear walks
about his cage in the Jardin des Plantes. He ex-
amined the door minutely, and made sure that
excepting the prescribed peep-hole no orifice had
been made. He sounded every wall, he looked up
the chimney through the mouth of which came a
feeble light, and he said to himself:
"1 am in safe keeping."
He sat down in a corner where the eye of a
keeper applied to the grated peep-hole could not see
him. Then he took off his wig and immediately
tore from it a paper which had been glued to the
lining. That side of the paper which had been in
contact with the head was so greasy that it seemed
to be a part of the tegument of the wig. Had Bibi
Lupin thought of taking off this wig to prove the
identity of the Spaniard with Jacques Collin, no
suspicion of this paper would have crossed his mind,
so completely did it seem to form part of the wig-
maker's work. The reverse side of the paper was
still white and clean enough to receive a few lines
of writing. The difficult and delicate operation of
tearing it from the lining had been begun at the
Force ; two hours would not have sufficed, and half
of the day before had been spent upon it. The
prisoner begun by cutting this precious paper in
such a manner as to procure a band of from four to
five lines in length. This he divided into several
portions, and then restored his supply of paper to
its singular hiding place, after having previously
THE END OF BAD ROADS 37
moistened the lining of the wig with gum arabic by
the aid of which he could re-establish the adherence
of the paper. Next drawing from a lock of his hair,
where it had been fastened by glue, one of those
bits of lead fine as the shank of a pin, the invention
of which, by Susse, was at that time very recent,
he broke off a fragment of it, long enough to write
with yet small enough to hold within his ear.
Having concluded these p(;eparations with the rap-
idity and finish of execution peculiar to old convicts
who are as .adroit as monkeys, Jacques Collin
seated himself on the foot of his bed and began to
meditate upon the nature of his instructions to Asia.
He felt certain of finding this woman in his path,
so confidently did he count upon her ingenuity.
"In my immediate examination," thought he, "I
played the part of a Spaniard, spoke French badly,
said that I was intimate with the Spanish ambassa-
dor, alleged diplpmatic privileges and understood
nothing of what was asked of me. All this has been
played in a low key, with rests, sobs, and all
the consonance of a dying man. Let us stand
our ground. My papers are correct. Asia and I
will pull the wool over M. Camusot's eyes; he is
scarcely redoubtable. Now then as to Lucien. His
courage must be kept up. I must reach the boy at
any cost and trace out his plan of conduct : other-
wise he will betray himself, betray me and ruin
everything. Before his examination he must be
taught to sing a different song. Lastly, I need
witnesses to testify that I am a priest.
Such was the moral and physical situation of the
two prisoners, whose fate depended at this moment
upon M. Camusot, examining judge in the Tribunal
of First Offence of the Seine, sovereign arbiter,
during the time allotted him by the criminal code, of
the smallest details of their existence; for he alone
had power to allow the chaplain or the doctor of the
Conciergerie or anybody whomsoever to communi-
cate with them.
No human power, not the king, nor the keeper
of the seals, nor the prime minister can encroach
upon the authority of an examining judge ; nothing
can stop him, nothing can command him. He is a
sovereign subject alone to his conscience and to
the law. At this time when philosophers, philan-
thropists and publicists are incessantly occupied in
diminishing all social authority, the right conferred
by our laws upon the examining judges has become
the object of attgicks, all the more violent because
they are in part justified by this power, which is,
we admit, exorbitant. Nevertheless this power
should remain unattacked by all intelligent men;
its exercise may in some cases be weakened by a
special employment of caution ; but society already
shaken to its base by the lack of intelligence and by
the feebleness of juries — ^those august and supreme
magistracies which ought never to be entrusted
(39)
40 SPLENDORS AND MISERIES
to any but chosen men of high reputation-
would be menaced with destruction if the column
which upholds the whole fabric of our criminal
laws should be broken. Preventive arrest is one of
those terrible yet necessary powers, the danger of
which is counterbalanced by their very grandeur.
Besides, to mistrust the magistracy is a beginning
of social dissolution. Destroy the institution;
reconstruct it upon other bases; demand, as before
the revolution, enormous guarantees of money from
the magistracy; but believe in it! Do not make
of it the image of society in order to heap insults
upon it. To-day the magistrate, paid like any other
officer, and generally poor, has bartered his former
dignity for an insolence which seems intolerable
to all whom the law has made his equals, for inso-
lence is a kind of dignity devoid of its foundations.
There lies the vice of the existing institution. If
France were divided into ten departments, it would
be possible to raise the position of the magistracy
by requiring from the candidates the possession of
enormous fortunes, but with twenty-six depart-
ments this becomes impossible. The only improve-
ment that it is fair to demand in regard to the
exercise of the powers confided to the examining
judges, is the remodeling of the maison d'arret
Arraignment as a prhenu should make no change
in the habits of individuals. The maisons d'arret
in Paris should be built, furnished and arranged in
such a manner as to effect a distinct alteration in
the public attitude toward prevenus. The law is
THE END OF BAD ROADS 41
good, it is necessary; tiie administration of laws is
bad, and custom judges laws after the manner in
whicti tliey are administered. In France, Public
Opinion by an inexplicable contradiction condemns
prhenus and restores accuses to their former status.
Perhaps this is the result of the essentially critical
spirit that prevails among Frenchmen. This incon-
sistency on the part of the Parisian public was one
of the motives which led to the catastrophe of this
drama ; it was even, as we shall see, one of the
most powerful. To be in the secret of these terri-
ble scenes which are acted within the office of an
examining judge ; to understand with clearness the
respective situation of the two warring parties, the
prhenus and the law, whose struggle has for its
object the secret kept by the former against the
curiosity of the judge, who is aptly nicknamed
"Old Curiosity," in prison slang, we must not
forget that the pr'evenus, kept in solitary confine-
ment, are entirely ignorant of everything that the
six or seven publics which form the public, say of
everything that the police and justice know and of
the little that the papers publish in regard to the
circumstances of the crime. Thus to a prtvenu,
information such as that which Jacques Collin had
just received from Asia in regard to the arrest of
Lucien, is like a rope to a drowning man. For
this reason we shall see a project fail which,
without this communication, would certainly have
ruined the convict. When once these conditions
of the prisoner's situation are understood the most
42 SPLENDORS AND MISERIES
self-controlled minds will be wrought upon by the
result of these three causes of terror : sol itude, silence
and remorse.
M. Camusot, son-in-law of one of the ushers of
the king's cabinet, already so well known that it is
unnecessary to explain his connections and position,
was at this moment plunged in perplexity almost
equal to that of Carlos Herrera in regard to the ex-
amination that had been entrusted to his care. But
lately, president of the Tribunal of a department,
he had been promoted from this office to the highly
enviable position of judge at Paris, through the in-
fluence of the celebrated Duchess de Maufrigneuse,
whose husband, at once companion to the Dauphin
and colonel of one of the cavalry regiments of the
royal guard, was as high in favor with the king as
was his wife with MADAME. For rendering a very
slight service, which chanced to be of great impor-
tance to the duchess, on the occasion of a charge of
forgery brought by a banker of Alengon against the
young Comte d'Esgrignon — see in the Scenes of
Provincial Life, The Cabinet of Antiques, — he was
promoted from a simple judgeship to the presidency
of a provincial court, and later became an examin-
ing judge at Paris. During the eighteen months
he had been sitting in the most important tribunal
of the realm, he had already been able, upon the
recommendation of the Duchess de Maufrigneuse,
to serve the interests of a noble lady no less pow-
erful than she, the Marquise d'Espard; but his
hopes had been disappointed — see The Interdiction. —
THE END OF BAD ROADS
43
Lucien, as we have seen in the beginning of this
story, in order to revenge himself on Madame
d'Espard, who wished to have her husband declared
incapable of conducting his alTairs, was able to
prove the truth of the facts to the Attorney-General
and to the Count de Serizy. When these two great
powers declared in favor of the Marquis d'Espard,
the wife had only escaped the censure of the court
through the clemency of her husband. The even-
ing before, upon learning of Lucien's arrest, the
Marquise d'Espard had despatched her brother-in-
law, the Chevalier d'Espard to Madame Camusot's
house. Madame Camusot went at once to call upon
the illustrious marchioness. She returned at dinner
time and took her husband aside into her bedroom :
"If you can send that little fool, Lucien de Ru-
bempre, to the Court of Assizes and make his con-
demnation certain," whispered she, "you will be
a counsellor of the Royal Court — ' '
"How so?"
"Madame d'Espard would like to see the poor
fellow lose his head. I felt cold shivers run down
my back when I heard the words that hate can
make a pretty woman utter."
"Don't mix yourself up in criminal matters,"
answered Camusot
"Mix myself up !" replied his wife. "Anybody
might have listened to us without understanding a
word of what it was all about. The marchioness
and I were both of us as delightfully hypocritical
as you are at this moment She wished me to
44 SPLENDORS AND MISERIES
thank you for your services in her behalf, and told
me that, in spite of ill success, she was not un-
grateful. She talked to me about the terrible
responsibility that the law puts upon you. 'It is
frightful to be obliged to send a man to the scaffold,
but with such a villain as he it is but justice ! ' She
deplored the fact that such a handsome young man,
who had been introduced to Paris by her cousin,
Madame du Chatelet, had turned out so badly.
That is the path down which bad women, like a
Coralie or an Esther, lead young men who are dis-
honest enough to share their vile earnings. Then
came splendid tirades on charity and religion!
Madame du Chatelet had told her that Lucien de-
served a thousand deaths for having almost killed
his sister and his mother. She went on to speak
to me about a vacancy in the royal court, she knew
the Keeper of the Seals. 'Your husband, madame,
has an admirable opportunity of distinguishing him-
self,' said she, in conclusion. And so this is my
reason for thinking so."
"We distinguish ourselves every day by doing
our duty," said Camusot.
"You have a long road to travel, if you are a
magistrate everywhere, even with your wife!"
exclaimed Madame Camusot. "I once thought you
a fool, now I admire you."
The magistrate wore upon his lips one of those
smiles as peculiar to his class as that of a danseuse
is to hers.
"Madame, may I come in.'" asked the maid.
THE END OF BAD ROADS 45
"What is it that you want?" demanded her
mistress.
" Madame, the Duchess de Maufrigneuse's wait-
ing maid came here during madame's absence, and
begs madame, on behalf of her mistress to come to
the Hotel de Cadignan immediately."
"Postpone dinner," said the judge's wife, re-
membering that the driver of the cab which had
brought her was waiting for his payment.
She put on her hat, stepped into the cab, and in
twenty minutes was at the Hotel de Cadignan.
Madame Camusot was introduced by a private pas-
sage into a boudoir communicating with the duch-
ess' bed chamber. After some ten minutes the
duchess herself appeared in a gorgeous gown, for
she was about to leave for Saint Cloud, whither
a court invitation had summoned her.
"My dear friend, between you and me a word
alone is necessary. ' '
"Yes, Madame la Duchess."
"Lucien de Rubempre has been arrested ; your
husband is in charge of his case ; I guarantee the
poor boy's innocence; let him be set at liberty
before twenty-four hours. This is not all. Some-
body wishes to see Lucien to-morrow secretly in
his prison ; your husband may, if he wish, be pres-
ent, provided that he does not allow himself to be
seen. I am faithful to those who serve me, you
know it. The king expects much from the courage
of his magistrates in the serious difficulties which
lie before him. I will place your husband in
46 SPLENDORS AND MISERIES
the fore front, I will recommend him as a man devo-
ted to the king, even at the risk of his head. Our
Camusot will first be counsellor, then first president
somewhere — Adieu. They are waiting for me — You
will excuse me, won't you .' You are not only con-
ferring a favor upon the Attorney-General, who
must not be mentioned in this regard : you are also
saving the life of a woman lying at death's door
— Madame de Serizy. Thus you cannot want for
support You receive this in confidence, I have no
need to recommend — you understand!"
She placed a finger upon her lips and was gone.
"And I, who could not tell her that the Marquise
d'Espard wishes to see Lucien on the scaffold!"
thought the magistrate's wife, as she walked back
to her cab.
She arrived at her house in such a state of ex-
citement that the moment he saw her, the judge
exclaimed:
"Amelie, what is the matter?"
"We are between two fires."
She recounted her interview with the duchess,
whispering the words in her husband's ear; so
great was her anxiety lest the maid be listening at
the door.
"Which of the two is the more powerful.?" said
she in conclusion. "The marchioness almost com-
promised you in that stupid attempt to have her
husband pronounced incapable of managing his
affairs, while we owe everj^hing to the duchess."
"One made me vague promises while the other
THE END OF BAD ROADS 4/
said, 'First you shall be counsellor, and then, first
president!' God keep me from advising you, I
shall never mix myself up with criminal matters;
but it is my duty to recount to you faithfully what
is said at court and what is in the wind."
"You don't know, Amelie, the message which the
Prefect of Police sent me this morning, and by
whom ! By one of the most important men of the
general police of the kingdom, the Bibi Lupin of
politics, who told me that the government had
secret interests in this trial. Let's have dinner
and go to the Varietes. We'll talk to-night of all
this in the silence of my office, for I shall need
your intelligence; the judge's perhaps will not
suffice. ' '
Nine-tenths of magistrates will deny the influ-
ence of the wife over her husband upon such an
occasion as this ; but if it is one of the most marked
social exceptions, we may remark that it is true,
though accidental. The magistrate is like the
priest, especially at Paris, where the flower of the
magistracy are to be found; he speaks rarely of
criminal affairs unless the case be closed. The
wives of magistrates not only pretend to know noth-
ing, but even more than this, they all have a suffi-
ciently acute sense of prudence to divine that they
will injure their husbands if, when they know a
secret, they allow any trace of their knowledge to
become apparent Nevertheless, on great occasions,
when there is some prospect of advancement in
case such and such a resolution is taken, many a
48 SPLENDORS AND MISERIES
wife has, like Amelie, aided the determination of
a magistrate. In short, these exceptions, the more
easy to deny as they are always unknown, depend
entirely upon the manner in which the struggle
between two characters is enacted in the bosom of
a family. But in the Camusot family the gray
mare was the better horse. When all the
household was asleep the magistrate and his wife
sat down at a desk on which the judge had spread
all the documents relating to the case.
"Here are the memoranda which the Prefect of
Police sent at my request," said Camusot.
"THE ABBE CARLOS HERRERA.
"This individual is certainly the person named
Jacques Collin, alias Trompe-la-Mort, whose last
arrest, dating back to the year 1819, was effected
at the residence of a certain Madame Vauquer,
landlady of a cheap lodging house in the rue Neuve
Sainte Genevieve, where he was living under the
assumed name of Vautrin. "
On the margin the following lines were written
in the prefect's own hand :
"Orders have been telegraphed to Bibi Lupin, chief of
the secret service, to return immediately in order to
testify to the identity of the priest with Jacques Collin;
for he has known the latter personally, as he arrested
him in 1819, by the co-operation of a certain Made-
moiselle Michonneau."
"The persons who were lodging at the time in
THE END OF BAD ROADS 49
the Maison Vauquer are still alive and can be sum-
moned in order to prove the identity.
"The so-called Carlos Herrera is the intimate
friend and adviser of M. Lucien de Rubempre,
whom for the past three years he has furnished with
considerable sums, evidently the profits of thefts.
"This joint liability, if the identity of the so-called
Spaniard with Jacques Collin can be established,
will be the condemnation of M. Lucien de Rubempre.
"The sudden death of the agent Peyrade is due
to poison administered by Jacques Collin, by Ru-
bempre, or by their accomplices. The reason for
the murder comes from the fact that the agent had
been for some time past upon the track of these two
wily criminals."
The magistrate pointed to this sentence written
upon the margin by the Prefect of Police himself:
' ' This is my personal knowledge, and I am certain that
M. Lucien de Rubempr^ has most shamefully deceived
the Count de Siri^ and the Attorney-General."
"What have you to say to this, Amelie ?"
"It is frightful," answered the judge's wife;
"goon."
"The substitution of the Spanish priest for the
convict Jacques Collin is the result of some crime
more skillfully committed than that by which Cog-
niard became Count de Saint Helene."
"LUCIEN DE RUBEMPRE.
"Lucien Chardon, son of an apothecary of Angou-
ISme, and whose mother was a daughter of the
4
50 SPLENDORS AND MISERIES
house of Rubempre, owes to a royal ordinance the
privilege of bearing the name of Rubempre. This
permission was granted at the solicitation of the
Duchess de Maufrigneuse and of Count de Serizy.
"In 182 — , this young man came to Paris, with-
out any means of support, in the train of the Coun-
tess Sixte du Chatelet, then Madame du Bargeton,
cousin of Madame d'Espard.
"Ungrateful to Madame de Bargeton, he lived for
some time with a woman named Coral ie, formerly
an actress at the Gymnase, who, for his sake, had
left M. Camusot, a dealer in silk, of the rue Bour-
donnais.
"Soon plunged into poverty through the insuffi-
cient support which this actress gave him, he
compromised his respectable brother-in-law, a prin-
ter in Angoul^me, very seriously, by issuing coun-
terfeit notes, for the payment of which David
Sechard was arrested, during a short visit of the
aforesaid Lucien in Angoul^me.
"This affair determined Rubempre's flight; he
suddenly reappeared, however, in Paris in company
with the Abbe Carlos Herrera.
"With no apparent means of subsistence this
Lucien spent on an average, during the first three
years of his second sojourn in Paris, about three
hundred thousand francs, which he could only have
obtained from the so-called Abbe Carlos Herrera ;
but by what means ?
"Over and above this, he has recently disbursed
upward of a million for the purchase of the Rubempre
THE END OF BAD ROADS 51
estate, in order to fulfil! a condition necessary
for his marriage with Mademoiselle Clotilde de
Grandlieu. The rupture of this engagement is
owing to the fact that the Grandlieu family, to
whom M. Lucien had stated that his funds came
from his brother-in-law and sister, obtained infor-
mation in regard to those respectable persons, M.
and Madame Sechard, notably through the Attorney
Derville ; and not only were they totally ignorant of
these acquisitions but they even supposed that
Lucien was very deeply in debt
"Moreover, the fortune inherited by M. and
Madame Sechard consists in real estate ; and their
money, reckoned after their own declaration,
amounted to two hundred thousand francs.
"Lucien has been living secretly with Esther
Gobseck ; it is then certain that the vast sums lav-
ished by the Baron de Nucingen, this woman's
protector, have been transferred to the aforesaid
Lucien.
"Lucien and his companion, the convict, have
been able to retain their positions before the world
for a longer space than Coignard, by drawing their
resources from the prostitution of the aforesaid
Esther, a woman who has formerly been under
police surveillance."
In spite of the repetition which these memoranda
make in the recital of this drama, it was necessary
to repeat them word for word in order to picture
the methods of the police in Paris. The police
has, as we have already seen when information
52 SPLENDORS AND MISERIES
was demanded in regard to Peyrade, records, almost
invariably exact, of all the families and all the
rndividuals whose behavior is suspected and whose
actions are reprehensible. The police does not
allow a single deviation to pass unnoted. This
universal scrap-book, this balance sheet of con-
sciences, is as accurately kept as is the ledger of the
Bank of France. In the same way that the bank
marks the slightest delay in the dates of payment,
weighs the credit of everybody with whom it deals,
reckons the fortunes of capitalists and follows their
speculations, just so the police watches over the
honesty of citizens. Here, as at the palace, inno-
cence has nothing to fear ; watch is kept over sins
alone. However distinguished a family may be,
it can never be quite safe from this social provi-
dence. The discretion of this power equals its
extent. This vast quantity of statements of police
commissioners, of reports, memoranda, of certifi-
cates ; this ocean of information sleeps motionless,
deep and calm as the sea. But let some great oc-
currence happen, a misdemeanor or a crime take
place, let justice appeal to the police, and instantly,
if the records of the accused be on file, the judge
takes notice of it These records, wherein antece-
dents are analyzed, are not mere scraps of informa-
tion which expire within the walls of the palace ;
justice can make no legal use of them, it employs
them, it lights its way by them — that is all. These
maps display, as it were, the reverse side of the
embroidery of crimes and their original causes which
THE END OF BAD ROADS 53
remain almost always unpublished. No jury would
trust them, the whole country would rise in indig-
nation if recognition were taken of them in the
cross-examination of the Court of Assize. Thus,
in a word, truth is condemned to dwell deep in its
well, as is its fate everywhere and always. There
is no magistrate who, after a dozen years of practice
in Paris, does not know that the Court of Assizes
and the Police Court conceal half of those infamous
secrets which are like the bed on which crime has
brooded over its purposes, and who does not admit
that justice does not punish one half the crimes that
are committed. If the public could know the lengths
to which this discretion is carried by unforgetting
agents of police, it would revere these worthy men
side by side with the Cheverus. Men think the
police crafty, Machiavellan ; it is excessively benign ;
only, it listens to passions in their paroxysms ; it
receives secrets and it preserves its memoranda. It
is terrible, but on one side. What it does for justice
it does also for politics; but in politics it is as cruel
and unjust as the fire of the Inquisition.
"So much for that," said the judge, replacing
the memoranda in their envelope. "It is a secret
between the police and law; the judge will know
what it is worth; but M. and Madame Camusot
have never known anything about it."
"Is it necessary to tell me that again?" said
Madame Camusot.
"Lucien is guilty," continued the judge, "but
of what?"
54 SPLENDORS AND MISERIES
"A man loved by the Duchess de Maufrigneuse,
by the Countess de Serizy and by Clotilde de
Grandlieu, is not guilty," replied Amelie; "the
other must have done all."
"But Lucien is his accomplice!" exclaimed Cam-
usot
"Will you take my advice?" said Amelie. "Ren-
der up the priest to diplomacy, whose brightest
ornament he is; acquit this poor wretch, and find
others guilty."
"How you gallop!" answered the judge, smiling.
"Women fly toward their ends across the bar of
law like birds in the air, which stop at nothing."
"But," replied Amelie, "diplomat or convict,
the Abbe Carlos will name somebody in order to
extricate himself."
"1 am but a cap, you are the head, " said Camusot.
"Well, the council is over; come, kiss your
Melie, it is one o'clock." —
Madame Camusot went to bed, leaving her hus-
band to put his papers and ideas in preparation for
the examination which the two prisoners were to
undergo on the following day.
While the salad baskets were bringing Jacques
Collin and Lucien to the Conciergerie, the exam-
ining judge, after breakfast, walked through Paris
afoot, in accordance with the simplicity of manners
affected by Parisian magistrates, on his way to his
office where the documents relating to the case were
already collected. They had been brought in this
way:
THE END OF BAD ROADS 55
Every examining judge has a private secretary,
a kind of judicial clerk under oath, whose race,
perpetuated without bounties and without encour-
agement, produces admirable individuals; among
whom silence is as natural as it is absolute. From
the origin of parliaments until to-day there has
never been an example of an indiscretion com-
mitted at the palace by one of these private clerks
relating to criminal examinations. Gentil sold the
receipt given by Louise of Savoy to Semblan^ay ;
a clerk in the war department sold to Czernichef
the plan of the Russian campaign ; both these trai-
tors were more or less rich. The possibility of a
situation in the palace or of a position as registrar,
and the traditional conscience of their profession
suffice to render the private secretary of an exam-
ining judge the successful rival of the grave, for
since the progress in chemistry has reached its
present development, even the grave has become
indiscreet This clerk is the very pen of the judge.
Many people, perceiving that such a man might
become the shaft of the machine, will ask one an-
other how he can be satisfied to remain a simple
nut ; but the nut is content : perhaps it is afraid
of the machine. Camusot's clerk, a young man of
twenty-two, named Coquart, had come in the morn-
ing to collect all the judge's documents and memo-
randa, and he had already arranged everything in
the office when the magistrate was strolling leisurely
along the quays, looking at the , curiosities in the
shop windows and asking himself :
56 SPLENDORS AND MISERIES
"Howshalll go to work with a rascal as able as
Jacques Collin, supposing that it is he ? The chief
of the secret service will recognize him; I must
seem to know my business even if it be for the ex-
clusive benefit of the police. I see so many im-
possibilities that the best way would be to enlighten
the marchioness and the duchess, too, by showing
them the memoranda of the police, and I could also
revenge my father from whom Lucien enticed Cora-
lie. By detecting such black villains I shall spread
the fame of my cleverness abroad, and Lucien will
soon be disowned by all his friends. The examin-
ation shall decide it,"
He entered a curiosity shop, attracted by a BouUe
clock.
"To be true to my conscience and yet to serve
two noble ladies will certainly be a masterpiece of
shrewdness, " thought he. "What! are you here?
iVlonsieur le Procureur-General ?" exclaimed Camu-
sot aloud. "Are you looking for medals?"
"It's the taste of almost all justices," answered
the Count de Granville, laughing, "on account of
the reverses."
Then after having glanced about the shop for a
few moments as if he were finishing his examin-
ation, he led Camusot away across the quai, so
naturally that the latter could not suspect that his
company was the result of anything but chance.
"You are going to examine M. de Rubempre this
morning," remarked the attorney-general. "Poor
fellow, I was fond of him." —
THE END OF BAD ROADS 57
"There are heavy charges against him," said
Camusot.
' ' Yes, I have seen the pol ice memoranda ; but they
are due in part to an agent not connected with the
Prefecture, the notorious Corentin, a man who has
cut the throats of more innocent men than you have
sent guilty men to the scaffold, and — but the fellow
is entirely out of our province. Without wishing
to influence the conscience of a magistrate such as
you, I cannot help saying that if you can be certain
of Lucien's ignorance in regard to this woman's tes-
tament, it would prove that he had no interest in
her death, for she left him a prodigious amount of
money."
"We have positive proof of his absence at the
time of the poisoning of this Esther, ' ' said Camu-
sot "He was at Fontainebleau watching for the
arrival of Mademoiselle de Grandlieu and of the
Duchess de Lenoncourt. ' '
"Oh," remarked the attorney-general, "he was
so confident in regard to his marriage with Made-
moiselle de Grandlieu — I have it from the Duchess
de Grandlieu herself — ^that it is impossible to sup-
pose that so clever a fellow as he would compromise
everything by a useless crime."
"Yes," said Camusot, "above all if this Esther
gave him all her earnings. "
"Derville and Nucingen say that she died with-
out hearing of the succession, which had been
withheld from her for a long time," added the
attorney-general.
58 SPLENDORS AND MISERIES
"What do you think is the solution, then?"
demanded Camusot, "for there is an answer."
"A crime committed by the servants," replied
the attorney-general.
"Unhappily," remarked Camusot, "it is perfectly
consistent with Jacques Collin's character, for, in
all probability, the Spanish priest is this escaped
convict, to make away with the seven hundred and
fifty thousand francs realized by the sale of the three
per cent bonds presented by Nucingen."
"You must weigh everything, my dear Camusot;
be prudent The Abbe Carlos Herrera is connected
with diplomatic circles — but, should an ambassador
commit a crime, he would not be protected by his
position. Is he or is he not the Abbe Carlos Her-
rera? That is the most important question." —
And M. de Granville bowed like a man who does
not wish an answer.
"So he too is anxious to save Lucien?" thought
Camusot, as he made his way across the quai des
Lunettes, while the attorney-general entered the
Palais through the Cour de Harlay,
When he had reached the courtyard of the Con-
ciergerie, Camusot went straight to the warden's
house, and led its master to the middle of the side-
walk safe from every ear.
"My dear sir, be so kind as to goto the Force and
learn of your colleague whether he is fortunate
enough to possess at this present time any convicts
who have been imprisoned at Toulon from 1810 to
181 5; find out, also, whether you have any such
persons yourself. We shall transfer those now at
the Force to your command for a few days, and you
will tell me whether the pseudo Spanish priest is
recognized by them as Jacques Collin alias Trompe-
la-Mort'
"Certainly, Monsieur Camusot; but Bibi Lupin
has arrived — "
"Ah, already!" exclaimed the judge.'
"He was at Melun. When he heard that Trompe-
la-Mort was in the case he smiled with delight, and
now he waits your orders."
"Send him tome."
The warden of the Conciergerie had then an
opportunity to tell the examining judge of Jacques
Collin's petition, and to describe his deplorable
condition.
"It was my intention to examine him first,"
answered the magistrate; "but not on account of his
(59)
6o SPLENDORS AND MISERIES
health. This morning I received a note from the
warden of the Force ; but this fellow, who twenty-
four hours ago was at the point of death, slept so
well that the doctor, summoned by the warden, was
able to enter his cell without arousing him; the
doctor did not even feel his pulse, but let him sleep;
this seems to prove that his conscience is as good
as his health. I am not going to believe in this ill-
ness unless it be to study my man's game," said
M. Camusot smiling.
"We have a daily opportunity for that with the
pr'eoenus and the accuses," observed the warden of
the Conciergerie.
The Prefecture of Police is connected with the
Conciergerie, and the magistrates, as well as the
warden of the prison, can appear there with ex-
traordinary promptness by means of their acquain-
tance with subterranean passages. This is the
explanation of the miraculous facility with which
the general ministry and the presidents of the Courts
of Assizes can, during session, secure certain pieces
of information. Thus, when M. Camusot had reached
the head of the staircase leading to his office, he
came upon Bibi Lupin, who had hastened thither
through the Salle des pas Perdus.
"What zeal!" said the judge with a smile.
"Ah! that's because, if it is he," answered the
chief of the secret service, "you will see a terrible
dance in the yard, though there are but few of these
runaway horses." (A slang expression for former
convicts.)
THE END OF BAD ROADS 6l
"Why?"
"Trompe-la-Mort has gobbled their cash and I
know that they have sworn to do away with him. ' '
"They," signified the convicts whose savings,
entrusted for twenty years to Trompe-la-Mort, had
been squandered on Lucien as the reader knows.
"Could you find the witnesses of the last arrest?"
"Give me two summons for witnesses, and I will
procure them for you to-day. ' '
"Coquart," said the judge, taking off his gloves
and placing his hat and cane in a corner, "make
out two summons according to the agent's direc-
tions."
He looked at his picture in the glass over the fire-
place. On the mantle-piece in place of a clock
stood a basin and water pitcher, on one side of this
was a carafe full of water and a glass, and on the
other a lamp. The judge rang; after a few minutes
the usher appeared.
"Is there anybody waiting to see me?" asked he
of the usher, whose duty it was to receive witnesses,
to verify their summons and to arrange them in
order of their arrival.
"Yes, sir."
"Take the names of all who have come; bring
me the list."
Examining judges, avaricious of their time, are
sometimes obliged to conduct several examinations
at once. This is the explanation of the long line
which the witnesses form when they are summoned
into an apartment, where ushers are standing about
62 SPLENDORS AND MISERIES
and gongs of the examining judges are continually
ringing.
"Now," said Camusot to his usher, "find Abbe
Carlos Herrera for me."
"Ah! He represents himself as Spanish and a
priest? So they have told me. It's Collet over
again, Monsieur Camusot," exclaimed the chief of
the secret service.
"There is nothing new," replied Camusot
The judge signed two of those formidable sum-
mons which make even the most innocent witness
anxious when justice commands him thus to appear,
under severe penalties in case of refusal.
About half an hour before this time Jacques
Collin had completed his profound deliberation,
and he was resting on his arms. Nothing can more
graphically describe this figure of the people in
rebellion against the law than the few lines which
he had traced upon his greasy papers.
The meaning of the first ran as follows, for it was
written in the language agreed upon between him-
self and Asia, the slang of slang, the cipher applied
to the idea :
"Go to the Duchess of Maufrigneuse or to Madame
de Serizy; see that one or the other interviews
Lucien before his examination, and gives him the
paper herein enclosed to read. Then Europe and
Paccard must be found, in order that both thieves
be at my orders and ready to play the part I shall
assign to them.
THE END OF BAD ROADS 63
"Hasten to Rastignac, tell him on the part of the
man whom he met at a ball at the Opera, to come
and bear witness that Carlos Herrera resembles in
no particular the Jacques Collin arrested at the
house of Madame Vauquer.
"Tell Doctor Bianchon to do likewise.
"Make Lucien's two wives work toward the same
end."
On the enclosed paper these lines were written
in good French :
"Lucien, confess nothing about me. I must be
for you the Abbe Carlos Herrera. Not only is this
your justification, but, a little more courage and
you shall have seven millions, and your honor safe
in the bargain. ' '
These two papers glued on the side of the writing
in such a way as to appear like a single fragment
of the same leaf, were rolled with an art peculiar
to those who have pondered in prison over the
means of becoming free. The whole assumed the
form and consistency of some round particle of
grease, large as are those waxen heads which eco-
nomical women fasten to needles that have lost their
eyes.
"If it is my turn to go to the examination first,
we are saved; but if it is the boy's, all is lost,"
thought he as he waited.
This brief delay was so cruel that, redoubtable
64 SPLENDORS AND MISERIES
as fie was, Carlos felt the cold sweat start out upon
his forehead. This extraordinary person divined as
truly in his sphere of crime as Moliere divined in
the sphere of dramatic poetry, or as Cuvier con-
cerning creations that have disappeared. In all its
forms, genius is an intuition. Below this phenom-
enon the remainder of remarkable works owe their
accomplishment to talent Herein lies the difference
which separates persons of the first from persons of
the second rank. Crime has its men of genius.
Jacques Collin, at bay, was allied with the ambi-
tious Madame Camusot, and with Madame de Serizy,
in whom love had reawakened beneath the blow of
the terrible catastrophe which had engulfed Lucien.
Such was the supreme effort of human intelligence
against the steel armor of the law.
As he heard the grating of the heavy iron locks
and bolts of his door, Jacques Collin assumed once
more the appearance of a dying man ; he was aided
in this effort by the intoxicating sensation of joy
which came over him as he heard the squeaking of
the turnkey's shoes in the corridor. Ignorant of
the means by which Asia would succeed in reaching
him, he counted upon seeing her near his path,
above all after the promise which he had received
at the Arcade Saint Jean.
After that fortunate encounter, Asia had made
her way down to the Gr^ve. Before 1830 the name
of Gr^ve had a meaning which is now lost All
that portion of the quai from the Pont d'Arcole as
far as the Pont Louis Philippe was then just as
THE END OF BAD ROADS 65
nature had made it, with the exception of a paved
walk that slanted to one side. Thus at flood tide
boats could ply past the houses and along the streets
which sloped toward the river. On this quai the
ground floors of the houses were almost all raised to
the height of a few steps above the level of the
street. When the water splashed against the foun-
dation of the houses carriages made a detour by the
abominable rue de la Mortellerie, now entirely
abolished to enlarge the H6tel de Ville. It was
then an easy matter for the sham peddler to push
her little cart rapidly to the foot of the quai, and to
leave it there until the true owner, who was at this
time drinking the proceeds of her wholesale bargain
in one of the dirty pot houses of the rue de la Mor-
tellerie, should come to find it at the spot where
Asia had promised to leave it. At this time work-
men happened to be finishing the addition to the
Quai Pelletier. The entrance to the workshed was
guarded by a disabled soldier, and the cart entrusted
to his care ran no risk.
Asia instantly took a cab on the Place de I'Hotel
de Ville, and said to the driver :
"To the Temple, hurry, there' s grease to be had."
A woman dressed like Asia could, without exciting
the least curiosity, disappear within the vast market
where are heaped all the rags of Paris, where a
thousand hawkers swarm and hundreds of old-clothes
women chatter the praises of their wares. The two
prisoners were scarcely registered when Asia was
busy changing her costume in a small, damp, low
5
66 SPLENDORS AND MISERIES
entresol, situated above one of those vile shops
where seamstresses and tailors sell remnants of
stolen cloth, kept by an old hag called La Romette,
from her christian name of Jer6mette. La Romette
was to women of Asia's occupation exactly what
Madame Resources themselves are to those women
who are styled fashionable when they have run into
debt — a lender of money at a hundred per cent
"Now, old girl," said Asia, "I want to be rigged
up. I must be a baroness of the Faubourg Saint
Germain at the least. Hurry it up," continued
she ; "I'm walking on tacks. You know what gowns
become me. First of all rouge ; pick me out some
of your best laces, and out with your shiniest jewels
— send your little girl to hail a cab, and have the
driver stop at our back door."
"Yes, madame," replied the old woman, with the
submission and alacrity of a servant in the presence
of her mistress.
Had there been a witness of this scene, he would
have seen at once that the woman hidden beneath
the name of Asia was quite at home.
"1 have an offer of diamonds — " said La Romette
as she arranged Asia's hair.
"Stolen.?"
"I think so."
"You must go without, my child, whatever the
profit. We have old curiosity to fear for sometime
to come. ' '
The reader can now understand how Asia was
able to be in the Salle des pas Perdus of the Palais
THE END OF BAD ROADS 6/
de Justice with a summons in her hand and an usher
to guide her through the corridors and up the stair-
ways which lead to the offices of the examining
judges, and finally to ask for M. Camusot full fifteen
minutes before the arrival of the judge,
Asia no longer bore any resemblance to herself.
After having washed her wrinkled face like an
actress, and painted it with red and white, she had
covered her head with an admirable blond wig.
Dressed precisely like some lady from the Faubourg
Saint Germain in quest of her lost dog she looked
forty years old, for she had concealed her face beneath
a magnificent veil of black lace. Tightly laced stays
compressed her huge waist. Neatly gloved, and
provided with rather a large bustle, she exhaled an
odor of powder k la marechale. While her hands
played with a gold-mounted reticule, she divided her
attention between the walls of the palais, to which
this was evidently her first visit, and the leash of a
pretty King Charles' spaniel. Such a dowager did
not go long unnoticed by the black-robed population
of the Salle de pas Perdus.
Beside the briefless barristers, who sweep the Salle
de pas Perdus with their long gowns and call famous
lawyers by their Christian names to one another,
after the fashion of grand seigneurs, in order to
pretend that they too belong to the aristocracy of
their profession, there are often to be seen patient
young men at the beck and call of solicitors, who
dance attendance for the sake of a single case in
which they may be retained as second counsel and
68 SPLENDORS AND MISERIES
thus obtain some possible chance to plead in case
the lawyers retained as first counsel happen to be
delayed — that would be a curious picture which
should portray the differences between the black
gowns as they pace up and down the vast hall by
threes, and occasionally by fours, while the buzz of
their conversations echoes through this hall, so aptly
named, for walking wears lawyers out as well as the
unbounded measure of their speech ; but this descrip-
tion will find a place in the study destined to depict
the lawyers of Paris. Asia had calculated upon the
idlers of the palace ; she laughed in her sleeve at
the pleasantries which she overheard, and finally
succeeded in attracting the attention of Massol, a
young licentiate in law more interested in the Cassette
des Tribunaux than in his clients, who smilingly
placed his services at the disposal of a woman so
perfumed, so sweetly and so richly dressed.
Asia assumed a little shrill voice to explain to this
obliging gentleman that she had come in accordance
with the summons of a judge named Camusot. —
"Ah! for the Rubempre case."
The case already had its name !
"Oh! its not I, but my maid, a girl surnamed
Europe, who has been in my service twenty-four
hours, and who fled the moment that she saw my
butler bring me this stamped paper. ' '
Then like all old women, whose lives are passed
in gossiping about the hearth, encouraged by Mas-
sol, she dilated upon all sorts of wholly foreign sub-
jects; she told of her unhappiness with her first
THE END OF BAD ROADS 69
husband, one of the three directors of the Treasury
of the Interior; she consulted the young lawyer on
the question of a possible suit against her son-in-
law, the Count de Gross-Narp, who was making her
daughter very unhappy, and as to whether the law
allowed him to dispose of her fortune. Massol, for
all his efforts, could not discover whether the sum-
mons had been served upon the mistress or the maid.
At the outset he had contented himself with glancing
at the judicial paper, samples of which are so fre-
quently to be seen ; since, for the sake of greater
haste, they are printed, and the clerks and examin-
ing judges have only to fill out the blanks left
vacant for the names and addresses of witnesses,
the hour of their appearance, etc. Asia questioned
Massol on the geography of the palace, which she
knew better than the lawyer himself, and con-
cluded by asking of him at what time M. Camusot
was expected.
"As a general thing, examining judges began their
interrogation toward ten o'clock."
"It is a quarter before ten," said she, looking at
a charming little watch, a masterpiece of the jew-
eler's art, which made Massol think, "Where the
devil will fortune perch at last!"
At this moment Asia had reached that dark hall
opening upon the courtyard of the Conciergerie,
where the ushers are in waiting. Perceiving the
wicket gate through the window, she exclaimed :
"What are those enormous walls.'"
"That is the Conciergerie."
70 SPLENDORS AND MISERIES
"Ah! that's the Conciergerie where our poor
queen — Oh! how I should like to see her cell!"
"It is impossible, your ladyship," replied the
lawyer, who had given his arm to the counterfeit
dowager; "you must have a permit, and that is
difficult to obtain. "
"I am told," continued she, "that Louis XVIII.
wrote the Latin inscription which is placed in Marie
Antoinette's cell with his own hand."
"Yes, your ladyship."
"I should like to know Latin In order to study the
words of that inscription," replied she.
"Do you think that M. Gamusot could give me
a permit?"
"He has nothing to do with that; but- he might
accompany you — ' '
"But his examinations.'" said she.
"Oh!" replied Massol, "the prisoners can wait."
"Ah! they are prisoners, it is true," replied Asia,
naively. "But I know M. de Granville, your attor-
ney-general. "
This bit of information produced a magical effect
upon the ushers and upon the lawyer.
" Ah ! you know the attorney-general .'" said Mas-
sol, who was considering a request for the name and
address of the client whom chance had brought him.
"I see him often at the house of his friend, M. de
S6rizy. Madame de S6rizy is a relative of mine
through the Ronquerolles. "
"But if madame cares to visit the Conciergerie, "
said an usher, "she — "
THE END OF BAD ROADS 7I
"Yes," said Massol,
And the ushers made way for the lawyer and the
baroness, who descended the stairs to the small
prison yard, from one end of which rises the stair-
way of the Sourici^re, a spot well known to Asia,
which forms, as we have seen, a post of observation
between the Sourici^re and the sixth chamber,
before which everybody is obliged to pass.
"Ask those men whether M. Camusot has come, "
said she, pointing toward several gendarmes play-
ing at cards.
"Yes, madame, he has just gone into the Souri-
ci^re. "
"The Sourici^re!" said she. "Which is that.? Oh!
how stupid I was not to go straight to the Count de
Granville. But I have no time. Please take me to
M. Camusot, so that I may speak with him before
he is engaged.
"Oh ! madame, you have plenty of time to speak
with M. Camusot," said Massol. "If you will send
him your card, he will spare you any disagreeable
delay in the ante-room with the witnesses. At the
palace ladies such as you do not go unheeded. You
have your cards.'"
At this juncture Asia and her barrister were stand-
ing exactly opposite the window of the guardhouse,
whence the gendarmes could watch any movement
of the wicket of the Conciergerie. The gendarmes,
trained in the respect due to the defenders of the
widow and the orphan, and knowing well the priv-
ileges of the gown, tolerated for a few moments the
72 SPLENDORS AND MISERIES
presence of a baroness escorted by a barrister.
Asia encouraged the young barrister |to tell her all
the dreadful things that a young barrister can say
about a wicket. She refused to believe that prisoners
were dressed for the scaffold behind the grating
which was pointed out to her ; but the brigadier of
gendarmes corroborated this statement
"How I should like to see that!" said she.
There she stayed chatting with the brigadier and
her barrister until the moment thatshe caught sight
of Jacques Collin, supported by two gendarmes and
preceded by M. Camusot's usher, coming out from
the wicket.
"Ah! There's the prison chaplain who has no
doubt been preparing some poor wretch — ,"
"No, no, your ladyship," replied the gendarme;
"it's Apr^venu on his way to examination."
"What is the charge against him?"
"He's implicated in this poisoning case — "
"Oh! I should so like to see him!"
"You cannot remain here," said the brigadier,
"for he is in solitary confinement and he i^ coming
directly across this guard room. This door, madame,
opens upon the stairway. — "
"Thanks, sir," said the baroness, as she turned
toward the door and sprang toward the stairway,
where she cried out: — "Why, where am I?"
Her cry reached the ears of Jacques Collin, whom
she had purposed to prepare thus for her appearance.
The brigadier dashed after the baroness, seized her
by the waist, and bore her, like a feather, to the midst
THE END OF BAD ROADS 73
of the five gendarmes, who sprang to their feet like
a single man ; for in the guard house nothing is
unsuspected. It was an arbitrary measure, but it
was necessary. The barrister himself had uttered
two exclamations, "madame! madame!" in a tone
full of alarm, so great was his fear lest he should
compromise himself.
The Abbe Carlos Herrera sank almost senseless
upon a chair in the guard room.
"Poor man!" said the baroness. "Is he guilty?"
These words, although they were spoken in the
ear of the young barrister, were heard by everybody,
for in this dreadful guard room there reigned the
silence of death. Some few exceptional persons
obtain the occasional privilege of seeing notorious
criminals as they pass through the guard room or
the lobbies so that the usher and the gendarmes
charged with conducting the Abbe Carlos Herrera
paid no heed to Asia's presence. Besides, thanks
to the prompt action of the brigadier, who had seized
the baroness in order to prevent any possible com-
munication between the pr'evenu and the strangers,
the prisoner was still at a very safe distance.
"Let us proceed!" said Jacques Collin, making
an effort to rise.
At this instant the tiny ball fell from his sleeve,
and the spot where it dropped was noted by the
baroness, whose eyes, protected by her veil, were
left at liberty. The moist and greasy paper did
not roll ; for these small details, apparently unthought
of, had all been calculated by Jacques Collin in
74 SPLENDORS AND MISERIES
order to make the success of his stratagem complete.
When the prisoner had been led up the stairs, Asia
dropped her reticule quite naturally, and picked it up
slowly ; but as she stooped over she had picked up the
ball, which, from its color, absolutely like that of the
dust and mud of the wooden floor, was invisible.
"Ah!" said she, "that breaks my heart! — He
is dying."
"Or he seems so," replied the brigadier.
"Sir," said Asia to the lawyer, "show me the
way, at once, to M. Camusot; this very trial is my
reason for coming — and perhaps he will be glad to
have seen me before examining the poor priest."
The barrister and the baroness left the guard
room, with its greasy and smoke-stained walls ; but
when they had reached the top of the staircase, Asia
suddenly cried out:
' ' My dog ? Oh, sir ; my poor dog !' ' and like a mad
woman she darted into the Salle des pas Perdus,
asking everybody for tidings of her dog. She reached
the Galerle Marchande and dashed toward a stair-
case, saying:
"There he is!"
This staircase was that which led to the Cour de
Harlay, and now that her comedy was played, Asia
rushed through the court, jumped into one of the
cabs which stood on the quai des Orfeveres, and
disappeared with the summons to appear directed
against Europe, whose real name was still unknown
to the police and to justice.
"Rue Neuve Saint Marc," she cried to the driver.
Asia could count upon the inviolable discretion
of a certain dealer in old clothes, called Madame
Nourrisson, known likewise under the name of
Madame de Saint-Esteve, who had lent her not only
her personality but even her shop, where Nucingen
had haggled for the delivery of Esther. In this shop
Asia was completely at home, for she occupied a
room in Madame Nourrisson's dwelling. She paid
her fare and went up to her room, after nodding to
Madame Nourrisson hastily, to show her that there
was no time for words.
Once safe from all danger of detection, Asia began
to unfold the papers with the scrupulous care of
scholars unrolling palimpsests. After reading the
instructions, she judged it necessary to transcribe
upon note paper the lines destined for Lucien ; then
she went downstairs to the shop and talked with
Madame Nourrisson, while a little shop girl went
to the Boulevard des Italiens to secure a cab. Asia
then procured the addresses of the Duchess de
Maufrigneuse and of Madame de Serizy, with which
Madame Nourrisson was familiar through her rela-
tions with their chambermaids.
These diverse proceedings, these minute occupa-
tions employed more than two hours. Madame la
Duchess de Maufrigneuse, who lived in the upper
part of the Faubourg Saint Honore, kept Madame
<75)
76 SPLENDORS AND MISERIES
de Saint-EstSve waiting for a whole hour, although
the maid, after knocking at her mistress' door, had
sent in Madame de Saint-EstSve's card on which
Asia had written, " Come on most urgent business
regarding Lucien."
At the first glance which she cast at the duchess'
face, Asia understood that her visit was most inoppor-
tune ; thus she excused herself for having disturbed
her ladyship's repose, pleading in her defence the
imminent danger in which Lucien stood. —
"Who are you?" demanded the duchess, without
any expression of politeness, as she stared at Asia,
who might easily be taken for a baroness by Master
Massol in the Salle des pas Perdus, but who, as she
trod the carpet of the little parlor of the H6tel de
Cadignan, produced an effect not unlike a spot of
carriage grease upon a white satin gown.
"I am a tradeswoman, your ladyship, and I deal
in second-hand clothes ; for at such a juncture as
this people address themselves to women whose
business rests upon absolute discretion. I have
never betrayed a soul, and God knows how many
noble ladies have confided their diamonds to me for
a month and secured in return counterfeit ornaments
precisely like — "
"You have another name.'" said the duchess,
smiling at a reminiscence which this response called
to her mind.
"Yes, your ladyship, on great occasions I become
Madame de Saint-Est^ve, but in business my name
is Madame Nourrisson."
THE END OF BAD ROADS jj
"Good!" answered the duchess quickly, chang-
ing her tone.
"I am able," continued Asia, "to render great
services, for we keep husband's secrets as well as
those of wives. I have frequently done business
with M. de Marsay, whom your ladyship — ' '
"Enough! enough!" exclaimed the duchess ; "let
us think about Lucien. "
"If your ladyship wishes to save him you must
be brave enough to lose no time in dressing ; besides,
your ladyship could not be handsomer than she is
at this moment On the word of an old woman,
you are pretty enough to eat! Don't have your
horses harnessed, madame, but get into my cab with
me. Come to Madame de Serizy, if you would avoid
greater misfortune than death of this cherub — "
"Go on, I follow," said the duchess after a
moment's hesitation ; " we two shall encourage Leon-
tine—"
In spite of the truly devilish activity of this Dorine
of prisons, the clock was striking two when Asia,
accompanied by the Duchess de Maufrigneuse,
entered the house of Madame de Serizy, who lived
in the rue de la Chaussee-d'Antin. But there,
thanks to the duchess, not an instant was lost. Both
women were immediately introduced into the pres-
ence of the countess, whom they discovered reclin-
ing upon a divan under a miniature chalet, in the
midst of a garden perfumed with the rarest flowers.
"It is well," said Asia, glancing about her, "we
cannot be overheard. ' '
78 SPLENDORS AND MISERIES
"Ah! mydearest, lamdying. Diane, what have
you done?" cried the countess, springing forward
like a fawn and bursting into tears as she threw
her arms about the duchess' shoulders.
"Courage, Leontine, there are seasons when
women, like you and me, should not weep but act,"
said the duchess, forcing the countess to sit down
beside her on the couch.
Asia studied the countess with that look peculiar
to women grown old in cunning, with which they
search another's soul, with the swiftness of a sur-
geon's knife probing a wound. The companion of
Jacques Collin 'could discern traces of the rarest
sentiment known to a worldly woman, true sorrow !
That sorrow which ploughs upon both heart and
face furrows which cannot be effaced. There was
not a trace of coquetry in her attire. The countess
had seen forty-five summers; her loose gown of
printed muslin was rumpled and showed no mark of
care ! She was without stays ; her eyes encircled
by black rings, her stained cheeks bore witness of
bitter tears; her waist was bound by no girdle; the
embroidery of her petticoat was worn; her hair,
caught up beneath a lace cap untouched by comb
for twenty-four hours, was woven into a short light
braid, while a few curly wisps appeared in all their
bareness. Leontine had forgotten to put on her
false braids.
"You love for the first time in your life," said
Asia, sententiously.
Leontine noticed Asia, and made a startled gesture.
THE END OF BAD ROADS 79
"Who is that, dear Diane?" said she to the
Duchess de Maufrigneuse.
"Whom do you suppose that I would bring you
if she were not a woman devoted to Lucien and
ready to serve us?"
Asia had divined the truth. Madame de S^rizy,
who passed for one of the most fickle of worldly
women, had once felt for the Marquis d' Aiglemont an
attachment that had lasted for ten years. Since the
marquis' departure for the colonies, she had become
wildly in love with Lucien, and had torn him away
from the Duchess de Maufrigneuse, ignorant, as
was all Paris at that time, of Lucien's love for
Esther. In the best society, a single authentic
attachment hurts a woman's reputation more than
ten obscure intrigues; and two such attachments
wound her good name in full proportion. Never-
theless, as Madame de Serizy cared nothing for
what people say, her biographer might guarantee
her virtue with the slight exception of a blemish or
two. She was a blond of middle height, preserved
like blonds who are preserved, that is to say looking
scarcely thirty, slender without thinness, pale with
ash-colored hair ; her feet, hands and figure were
of an aristocratic delicacy. As a RonqueroUes she
was witty, and in consequence as displeasing to
women as she was attractive to men. Through her
vast fortune and through the distinguished positions
of her husband and of her brother, the Marquis de
RonqueroUes, she had always been sheltered from
the mortifications which would doubtless have
8o SPLENDORS AND MJSERIES
overwhelmed another woman in her position. She
had one great merit: she was candid in regard to her
vices, and openly avowed her taste for the manners
of the Regency. This woman, now forty-two years
old, had hitherto only considered men as amusing
toys, though, strange to say, she had granted them
much, thinking that in love you have to submit, to
ultimately conquer, but at the mere sight of Lucien,
she was seized with love similar to Baron Nucingen's
for Esther. She had then loved, as Asia had just
told her, for the first time in her life. These trans-
positions of youth are more common than is sup-
posed among women in Paris in the highest circle
of society, and cause inexplicable falls of virtuous
women at the moment they reach the harbor of
forty years. The Duchess de Maufrigneuse was
the sole confidant of this terrible and consummate
passion, whose joys, from the infantine sensations
of first love to the indulgence of unbounded pleasure,
made Leontine mad and insatiate.
True love, as everybody knows, is pitiless. The
discovery of an Esther had been followed by one of
those angry ruptures in which woman's rage does
not shrink from murder; then came the stage of
cowardice to which sincere love surrenders with
sweet delight. Thus, for a month past the countess
would have given ten years of her life to see Lucien
but for a week. In a word, she had come to accept
the rivalry of Esther at the moment when, in this
paroxysm of tenderness, the news of her lover's
arrest had burst upon her like the trumpet call of
THE END OF BAD ROADS 8 1
the last judgment The countess had been near to
death; her husband, fearing the revelations of deli-
rium had himself kept watch over her bedside ; and
for twenty-four hours she had been living with a
dagger at her heart In the heat of fever, she
cried aloud to her husband :
"Save Lucien; and henceforth 1 will live for you
alone. ' '
"It's of no use to cry your eyes out, as her lady-
ship, the duchess, says, ' ' exclaimed the terrible Asia,
seizing the countess by the arm. "If you wish to
save him there's not an instant to lose. He is inno-
cent, I swear it on my mother's bones."
"Yes, yes, is he not innocent ?' ' cried the countess
looking kindly into Asia's hideous face.
"But," said Asia, continuing, "if M. Camusot
makes a had examination he can condemn Lucien by
a word ; and if you have the power to open the
doors of the Conciergerie and speak with him, go
this instant and give him this letter. — To-morrow
he shall be free, I swear it You must rescue him,
for it was you that drove him to his fate."
"I?"
"Yes, you ! You noble ladies never have a penny,
though you have your millions. The ragamuffins
who made love to me used to have their pockets
full of money. I liked to see them happy. It's
pleasant to be mother and mistress at once. You
let the men who love you starve like dogs, and
never trouble yourself to ask about them. Esther
had no fine words, but at the price of her body and
6
82 SPLENDORS AND MISERIES
her soul she gave the million which they demanded
of your Lucien, and that is what has driven him to
the place where he is."
"Poor girl ! Did she do that? I love her — ' ' said
Leontine.
"Ah! now — " said Asia with cold irony.
"She was very beautiful, but now, my angel, you
are far more beautiful than she; and Lucien's
marriage with Clotilde is broken past mending,"
whispered the duchess to Leontine.
The effect of this reflection and calculation was
so strong that the countess ceased to suffer; she
passed her hand over her forehead ; she was young
again.
"Come, my pet; off with you, hurry!" said
Asia, who saw this metamorphosis and divined its
power.
"But," said Madame de Maufrigneuse, "first of
all we must prevent M. Camusot from examining
Lucien; we can write him a line and send it to the
palace by your valet, Leontine. ' '
"Come into my room," said Madame de S^rizy.
Let us find out what was going on at the palace
while Lucien's protectresses were carrying out the
orders written by Jacques Collin.
The gendarmes carried the dying man in a chair
and placed him directly opposite the window of the
office of M. Camusot, who was sitting in an arm
chair before his desk. Coquart, pen in hand, bent
over a small table a few feet from the judge.
THE END OF BAD ROADS 83
The situation of the otificers of examining judges
is not a matter of indifference, and if it has not
been chosen with foresight, we must admit that
chance has treated justice like a sister. Like
painters, these magistrates need the pure and uni-
form light which comes from the north, for the faces
of their criminals are pictures which need the most
careful study. Thus almost all examining judges
place their desks in the position chosen by Camu-
sot ; so that their backs are turned toward the win-
dow while the faces of those whom they examine
are exposed to the full glare of the light. There is
not one of them who, after six months' practice,
neglects to assume a careless absent-minded expres-
sion whenever his spectacles are off his nose, so long
as the examination lasts. It was to a sudden change
of countenance, observed by this method and caused
by a question asked point-blank, that was owed the
discovery of a crime committed by Castaing at the
very moment when, after a long consultation with
the attorney-general, the judge was about to re-
lease this deep offender against society in default
of proof. This detail may explain to persons of
the smallest comprehension how animated, interes-
ting, curious, dramatic and terrible is the struggle
of a criminal examination, a struggle without wit-
nesses but always written down. God knows what
remains on paper of this frigid yet burning scene,
in which the eyes, the accent, a tremor of the face,
the slightest tinge of color rising at a thought, are
as perilous as they are among savages who scrutinize
84 SPLENDORS AND MISERIES
one another to discover secrets and to murder.
The written report is but the ashes of the confla-
gration.
"What is your real name?" demanded Camusot
of Jacques Collin.
"Don Carlos Herrera, canon of the royal chapter
of Toledo, secret envoy of his Majesty, Ferdinand
VII."
We must mention here that Jacques Collin was
speaking a vile jargon of Spanish and French, muti-
lating the latter to such a degree that his answers
were almost unintelligible, and had to be repeated
at the judge's request. The Germanisms of M. de
Nucingen have already been strewn too thickly
through this book to allow us to add other dialects
which are difficult to read, and delay the unravel-
ing of the plot
"You have papers which support your affirma-
tion .'' ' inquired the judge.
"Yes, your honor, a passport, a letter from his
Catholic Majesty authorizing my mission. — In short,
you can send at once to the Spanish Embassy a line
which I shall write in your presence ; my testi-
mony will be corroborated. Then, if you require
more proofs, I will write to his Eminence, the Grand
Almoner of France, and he will dispatch his private
secretary hither immediately."
"You still maintain that you are dying?" said
Camusot. "If you had really experienced the suffer-
ing of which you have complained you would
THE END OF BAD ROADS 85
certainly have died before this," added the judge
ironically.
"You regulate the trial according to the courage
of an innocent man and to the strength of his con-
stitution !' ' answered the pr^enu with gentleness.
"Coquart, ring! Send for the doctor of the Con-
ciergerie and his assistant. — ^We shall be obliged
to remove your coat and proceed to the verification
of the mark upon your shoulder, ' ' continued Camu-
sot.
"I am in your honor's hands."
The prisoner asked if the judge would have the
goodness to explain to him what this mark was and
why they sought for it upon his shoulder. The
judge was expecting this question.
"You are suspected of being Jacques Collin, an
escaped convict, whose audacity recoils before noth-
ing, not even sacrilege! — " said the judge suddenly,
darting his glance into the prisoner's eyes. Jacques
CoUin did not tremble, his color did not change; he
sat quite calm, and his face assumed an expression
of ingenuous curiosity as he stared at Camusot
"I, a convict, your honor? May the order to
which I belong, and may God pardon you for such
an error ! Tell me ever5^hing that I must do to
prevent you from persisting in so serious an insult
to the rights of man, to the Church, and to the
King, my Master. ' '
Without returning a direct answer, the judge
explained to the prisoner that if he had undergone
the branding inflicted by law upon the shoulders
86 SPLENDORS AND MISERIES
of criminals condemned to hard labor, a few blows
would make the letters immediately reappear.
"Ah! sir!" said Jacques Collin, "it would be
hard if my devotion to the royal cause were to be
the cause of my ruin."
"Explain yourself," said the judge; "that is the
reason why you are here. ' '
"I will, your honor. I must have many a scar
on my back, for I have been fusilladed from behind
as a traitor to my country, because I was faithful
to my king, by the Constitutionals who left me for
dead."
"You have been shot by a file of soldiers and yet
you are alive!" said Camusot.
"I had some understanding with the soldiers,
who had received money from several pious per-
sons ; and thus they placed me so far away that the
bullets were almost spent when they struck me; the
soldiers aimed at my back. It is a fact to which
his Excellence, the Ambassador, can bear wit-
ness — ' '
"This devilish man has an answer for everything.
So much the better," thought Camusot, who did
not appear more severe than was necessary to sat-
isfy the demands of justice and of the police. "How
is it that a man of your cloth," said the judge ad-
dressing the convict, "is found in the house of
Baron de Nucingen's mistress; — and of such a mis-
tress as she, a former prostitute."
"This is the reason why they found me in the
house of a courtesan, your honor," replied Jacques
THE END OF BAD ROADS 8?
Collin. "But before telling you my motive in
going there I ought to observe that at the instant
that I stepped upon the staircase I was seized by
the sudden attack of my illness; thus I did not
even have time to speak to the v/oman. I had had
information of Mademoiselle Esther's intended sui-
cide and since this concerned the interests of young
Lucien de Rubempre, for whom 1 have a peculiar
affection, the motives of which are sacred, I was
going to attempt to lead the poor creature from the
path down which despair was hurrying jher; I
wished to tell her that Lucien was certain to fail in
his last attempt to win Mademoiselle Clotilde; and
by telling her that she was the heiress of seven
millions, I hoped to give her courage to live. I am
certain, sir, that I have been the victim of the
secrets confided to me. By the manner in which I
was struck down, I believe that I had been poisoned
that very morning, but the strength of my constitu-
tion has saved me. I know that for some time past
an agent of the political police has been following
me, seeking to entrap me in some wicked snare. —
If, upon my request after my arrest, you had sum-
moned a physician you would have had proof of what
1 tell you now in regard to the state of my health.
Believe me, sir, that persons in high authority
have extraordinary interests in confounding me with
some rascal in order to find a legal method of getting
rid of me. To serve kings is not wholly gain; they
have their littlenesses. The Church alone is perfect."
It is impossible to describe the play of Jacques
88 SPLENDORS AND MISERIES
Collin's features as he spent, intentionally, ten
minutes in enunciating this tirade, phrase by
phrase ; the whole was so credible, above all the
allusion to Corentin, that the judge's conviction
was shaken.
"Can you confide to me the reasons of your affec-
tion for M. Lucien de Rubempre?"
"Cannot you guess? I am sixty years old, your
honor. — I implore you not to write it — it is — must
I tell — unavoidably ?' '
"It is for your interest, and above all for the in-
terest of M. de Rubempr6 to tell ever3d:hing, ' ' an-
swered the judge.
"Then, it is — oh, my God! — He is my son!"
added the priest with an effort.
He fainted.
"Don't write that, Coquart," said Camusot in a
whisper.
Coquart rose to get a small vial of strong vinegar.
' ' If this is Jacques Coll in, he is a truly great actor !' '
thought Camusot
Coquart put the vinegar below the nostrils of the
ex-convict, while the judge looked on with all the
acute ness of a lynx and a magistrate.
"His wig must be taken off," said Camusot,
waiting until Jacques Collin should recover his
senses.
The old convict heard these words and shivered
with terror, for he well knew the base expression
which his countenance would assume.
"If you have not strength to remove your wig —
THE END OF BAD ROADS 89
yes, Coquart, take it off," said the judge to his
secretary.
Jacques Collin bent his head toward the secre-
tary with admirable resignation; but once deprived
of its covering his head was horrible to see, its
real character was imprinted upon it. This spec-
table plunged Camusot once again into great uncer-
tainty. While he waited for the doctor and his
assistant he began to classify and examine all the
papers and objects which had been seized in Lu-
cien's dwelling. After the law had done its work
in the rue Saint Georges at Madame Esther's house,
it had descended upon the quai Malaquais to finish
its search.
"You have laid hands upon the letters of the
Countess de Serizy," said Carlos Herrera;"but I do
not know why you have almost all Lucien's papers, ' '
added he, with a smile of withering irony directed
at the judge.
As Camusot perceived the smile, he understood
the meaning of the word almost !
"Lucien de Rubempre, suspected of being your
accomplice, is under arrest," answered he, wishing
to see what effect this news would have upon the
prb)enue.
"You have done a great evil, for he is as inno-
cent as I," replied the pretended Spaniard without
showing the least emotion.
"We shall see. As yet we 'have not got beyond
the question of your identity," answered Camusot,
surprised by the prisoner's tranquillity. "If you
90 SPLENDORS AND MISERIES
are really Don Carlos Herrera, the proof of this
would at once alter the situation of Lucien Char-
don."
"Yes, she was Madame Chardon, Mademoiselle
de Rubempre!" murmured Carlos. "Ah, it was
one of the blackest sins of my life!"
He raised his eyes toward heaven, and by the
way in which his lips moved, beseemed to be utter-
ing a fervent prayer.
"But if you are Jacques Collin; if he has been
wilfully the accomplice of an escaped convict, the
partner of a sacrilege, all the crimes which the law
suspects become more than probable. ' '
Herrera sat like a statue of bronze during the
judge's cleverly conceived speech, and for all answer
to the words: wilfully, escaped convict, he xdAsed his
hands with a gesture of noble sorrow.
"Monsieur I'Abbe," the judge continued, with
excessive politeness, "if you are Don Carlos Her-
rera, you will pardon [us for everjM:hing that we
are obliged to do in the interests of truth and jus-
tice—"
Jacques Collin discerned a trap by the mere tone
in which the judge pronounced the words Monsieur
I'AWe ; his face remained unchanged. Camusot ex-
pected a movement of joy which would have been
the first indication of the convict's character. The
visible sign of the unspeakable delight which the
criminal feels in deceiving his judge, but he found
this hero of crime resting upon the arms of the most
machiavelian dissimulation.
THE END OF BAD ROADS 91
"I am a diplomat, and I belong to an order whose
vows are very severe," replied Jacques Collin,
with apostolic gentleness; "I understand every-
thing and 1 am accustomed to suffering. I should
already have been free, had you discovered in my
room the hiding place in which my papers are; for
I see that you have taken only the most insignifi-
cant."
This was the finishing stroke for Camusot;
Jacques Collin had already counter-balanced, by
his ease and simplicity, every suspicion which
the appearence of his bared head had aroused.
"Where are these papers?"
"I will tell you, if you will have your messenger
accompanied by a secretary of legation from the
Spanish embassy, who will take them and make
answer to you of their contents; my own official
position is at stake, as well as diplomatic documents
and secrets which would compromise the late King
Louis XVIII. — Ah! your honor, it would be better
— but you are a magistrate ! — besides, the Ambassa-
dor to whom I appeal in this whole matter will un-
derstand."
At this moment the physician and his assist-
ant entered, after having been announced by the
usher.
"How do you do. Monsieur Lebrun," said Camu-
sot to the doctor; "I need your assistance in order
to ascertain the physicial condition of this prisoner.
He affirms that he has been poisoned, and that two
days ago he was at death's door; see whether there
92 SPLENDORS AND MISERIES
is danger in undressing iiim, and proceeding to verify
the mark."
Doctor Lebrun took Jacques Collin's hand, felt
his pulse, asked him to show his tongue, and looked
at him very intently. This inspection lasted ten
minutes.
"The prisoner," answered the doctor, "has
suffered much, but at this moment he enjoys great
strength."
"This artificial strength is due, monsieur, to the
nervous excitement resulting from my strange situa-
tion," replied Jacques Collin with the ecclesiastical
dignity of a bishop. —
"That may be," said M. Lebrun.
At a sign from the judge the prisoner was un-
dressed. His trousers were not removed, but he
was stripped even of his shirt; so that the company
could admire a hairy torso of cyclopean strength.
It was the Farnese Hercules of Naples without his
colossal exaggeration.
"For what purpose does nature destine men built
thus?" said the doctor to Camusot.
The usher returned with that species of ebony
mallet, which since time immemorial has been the
symbol of the operation we are about to describe,
and which is called a rod. With this implement
the usher struck several blows upon the spot where
the executioner had applied the fatal letters. Seven-
teen holes then reappeared, but so capriciously dis-
tributed that, in spite of the care with which the
back was examined, no trace of letters could be
THE END OF BAD ROADS 93
found. The usher, alone, discerned the cross-bar
of a T, indicated by two holes forming the down
strokes at either end, while another hole marked
the base of the letter.
"Yet, this is very uncertain," said Camusot, as
he saw doubt painted upon the face of the physician.
Carlos demanded that the same operation should
be made upon the other shoulder and upon the
middle of his back. Some fifteen other scars ap-
peared, which were examined, at the Spaniard's re-
quest, and the doctor then stated that the back had
been so deeply furrowed by scars that it was im-
possible for the mark to be discernable, even if it
had been actually branded by the executioner.
At this moment an official messenger from the Pre-
fecture of Police entered, and presenting a sealed
note to M. Camusot, asked for an answer. When
fie had read the contents the magistrate whispered
to Coquart, but so low that not a syllable could be
overheard ; yet by a glance at Camusot, Jacques
Collin divined that some information concerning
him had been forwarded by the Prefect of Police.
That friend of Peyrade's is always on my heels, ' '
thought Jacques Collin; "if I knew who he was
I would get rid of him as I did of Contenson. Why
cannot I see Asia once more ?' '
After having signed the paper written by Coquart,
the judge put it into an envelope and handed it
to the messenger of the Bureau of Assignments.
The Bureau of Assignments is an indispensable
aid to justice. This bureau, presided over by a
94 SPLENDORS AND MISERrES
commissioner of police ad hoc, is composed of ofificers
of the peace, who, by the aid of police commis-
sioners, serve warrants for appearance in court and
even arrest, upon persons suspected of complicity
in crimes or misdemeanors. These delegates of
Judicial authority save precious time to magistrates
conducting examinations.
Upon a sign from the judge, the prisoner was
dressed by M. Lebrun and by his assistant, who
withdrew together with the usher. Camusot sat
down at his desk and began to toy with his pen.
"You have an aunt," said Camusot suddenly to
Jacques Collin.
"An aunt!" replied Don Carlos Herrera in aston-
ishment, "Why, your honor, 1 have no relations; I
am an unrecognized son of the late Duke d'Ossuna,"
and to himself he added, "They burn!" in allusion
to the game of hide and seek, infantile image of the
terrible struggle between justice and the criminal.
"Bah!" said Camusot, "your aunt is still alive;
Mademoiselle Jacqueline Collin, whom you placed in
the service of Mademoiselle Esther, beneath the
fantastic name of Asia."
Jacques Collin shrugged his shoulders carelessly,
a gesture perfectly in harmony with the air of
curiosity with which he received the communica-
tion of the judge who examined him with cunning
scrutiny.
"Take care," continued the judge; "hear me
out. • '
"1 am listening, your honor."
THE END OF BAD ROADS 95
"Your aunt is a vender at the Temple; her busi-
ness is managed by a woman named Paccard, sister
of a convict surnamed La Romette, and formerly an
honest person. Justice is upon your aunt's traces,
and in a few hours we shall have decisive proof.
This woman is very devoted to you — ' '
"Continue, sir," said Jacques Collin quietly,
in answer to the pause which Camusot made, "I
am listening."
"Your aunt, who is some five years your senior,
has been the mistress of Marat, of odious memory.
It is from this bloody source that the nucleus of her
present fortune has sprung. According to the in-
formation I possess she is exceedingly clever at
concealing the traces of her crimes, for at present
there are no proofs against her. After Marat's
death she seems to have belonged, according to
statements which I have at hand, to a chemist, con-
demned to death in the year XII. for the crime of
counterfeiting. She appeared as a witness at the
trial. It was during her intimacy with this man
that she seems to have acquired a knowledge of
poisons. From the year XII. to 1806, she dealt in
second-hand clothes. She underwent two years
imprisonment in 1812 and 1816, for having enticed
girls under age into vice. You were already con-
demned for the crime of forgery; you had left the
bank where your aunt had placed you as clerk,
thanks to the education which you had received,
and to the patronage which your aunt enjoyed from
persons for whose pleasures she furnished victims.
96 SPLENDORS AND MISERIES
All this, prisoner, seems to bear but small resem-
blance to the greatness of the dukes of Ossuna. Do
you persist in your denial ?"
Jacques Collin listened to M. Camusot as if he
were thinking of his happy childhood at the College
des Oratoriens, where he had graduated; medita-
tions which lent him an air of realistic astonish-
ment. In spite of his adroit interrogative diction,
Camusot did not arouse the slightest movement in
this placid countenance.
"If you have written correctly the explanation
which I gave you in the first place, you may read
it again," replied Jacques Collin, "I cannot alter it
— I had never before been to the courtesan's house ;
how should I know who was her cook ? I am an
absolute stranger to the person of whom you speak. ' '
"In spite of your denial, we shall proceed to tes-
timony which may diminish your assurance."
"A man who has once been shot under sentence
of court martial is accustomed to everything, ' ' re-
plied Jacques Collin, gently.
Camusot again glanced over the pile of confiscated
papers while he waited for the return of the Chief
of the Secret Service. The expedition of the latter
was extraordinary, for the examination had begun
about half past ten and now, at half past eleven,
the usher appeared and announced in a low voice
that Bibi Lupin had arrived.
"Show him in!" replied M. Camusot
Bibi Lupin entered the room. Instead of crying out
"It is he!" as the judge had expected, he stood still
in surprise. He no longer recognized the face of his
customer in a visage furrowed by the ravages of
small-pox.
This hesitation was not without its effect on the
judge.
"It is certainly his figure, his proportions," said
the agent — "Ah, it is you, Jacques Collin!" re-
plied he, examining the eyes, the shape of the fore-
head and the ears. "There are some things which
cannot be disguised. — It is he beyond question.
Monsieur Camusot — Jacques has the scar left by a
knife blade upon his left arm, make him take off
his coat; you shall see it."
Once again Jacques Collin was obliged to remove
his coat. Bibi Lupin drew back the sleeve of his
shirt and pointed to the scar he had named.
"It is a ball," replied Don Carlos Herrera;
"here are many other scars."
"Ah, that is his voice!" exclaimed Bibi Lupin.
"Your certainty," said the judge, "is simply an
assertion; it is not proof."
"I know it," answered Bibi Lupin humbly; "but
I shall find witnesses. Already one of the boarders
of the Maison Vauquer is here — " said he, looking
at Collin.
7 (97)
98 SPLENDORS AND MISERIES
Collin's placid countenance was undisturbed.
"Admit the woman," said M. Camusot, with a
peremptoriness which showed his discontent in
spite of his apparent indifference.
This alteration was marked by Jacques Col-
lin, who, counting but little upon the sympathy
of the examining judge, sank into an appar-
ent unconsciousness, produced by the violent medi-
tation through which he sought to discover its
cause. The usher introduced Madame Poiret,
whose unexpected appearance sent a shudder
through the convict's frame, which was not re-
marked by the judge. Camusot seemed to have
decided on his course.
"What is your name?" demanded the judge, pro-
ceeding with the formalities which begin all depo-
sitions as well as examinations.
Madame Poiret, a little old woman, pale, wrinkled
as a sweetbread, and dressed in a gown of coarse
blue silk, declared that her name was Christine-
Michelle Michonneau, that she was the wife of M.
Poiret, that she was fifty-one years old, had been
born in Paris, dwelt in the rue des Poules, at the
corner of the rue des Postes, and that for a living
she let furnished apartments.
"In 1818 and 1819, Madame," said the judge,
"you lived in a cheap boarding house kept by a
certain Madame Vauquer?"
"Yes, sir; it was there that I made the acquaint-
ance of M. Poiret, a retired clerk who has since be-
come my husband, and at whose bedside I have
THE END OF BAD ROADS 99
been watching for the past year. — Poor man — he is
very sick, and so I must not be long away from
home. ' '
"At that time there was in this boarding house a
certain Vautrin .'' ' inquired the judge.
"Oh! sir, that's a long story! He was a dread-
ful convict."
"You aided in his arrest."
"It is false, sir."
"You are in the presence of the law, be careful !"
said M. Camusot severely.
Madame Pbiret was silent.
"Collect your thoughts," continued Camusot.
"Do you remember this man distinctly.' Would
you recognize him."
"I believe so."
"Is this the man?" said the judge.
Madame Poiret put on her spectacles and looked
at the Abb6 Carlos Herrera.
"It is his breadth of shoulders, his figure; but —
no — if, your honor," continued she, "I might be
allowed to see his chest bare, I could identify him
at once." (See Pore Gorist.)
In spite of the gravity of their functions neither
the judge nor the clerk could hold back their laugh-
ter; Jacques Collin shared their hilarity, but in
moderation. The prisoner had not put on his coat
which Bibi Lupin had just removed, and at. a sign
from the judge he opened his shirt complacently.
"That is his hair — but it has grown gray. Mon-
sieur Vautrin!" exclaimed Madame Poiret.
100 SPLENDORS AND MISERIES
"What have you to say to this?" demanded the
judge of the prisoner.
"That she is mad!" replied Jacques Collin,
"Ah! Heaven! If I had a doubt, for he has no
longer the same face, that voice would suffice — he is
certainly the man who threatened me. Ah ! that
is his look!"
"The agent of the detective police and this
woman cannot have made any preconcerted agree-
ment to say the same thing about you," continued
the judge, addressing Jacques Collin, "for neither
of them had seen you. How do you explain
this.?"
"Justice has committed errors still greater than
that which might follow from the testimony of a
woman who recognizes a man by the hair of his
chest, and the suspicions of a detective," replied
Jacques Collin. "They find in me resemblances in
voice, look and figure, to a great criminal; that is
vague enough. As to a reminiscence which seems
to prove between this woman and my Sosie rela-
tions at which she does not blush — you laughed at
it yourself. Will you, sir, in the interests of truth
which I desire to establish for my own sake more
strongly than you can wish to do in behalf of jus-
tice, ask this woman ! — Foi — ' '
"Poiret."
— "Poiret — pardon me — I am a Spaniard —
whether she recalls the persons who lived in this
— what do you call the house?"
"A pension bourgeoise," said Madame Poiret
THE END OF BAD ROADS lOI
"I don't know what that is," replied Jacques
Collin.
"It's a house where you can lunch and dine by
season tickets."
"Right you are!" exclaimed Camusot, who made
a motion of the head favorable to Jacques Collin,
so forcibly was he struck by the apparent good faith
with which the prisoner furnished him with the
means of arriving at a result. "Try," he added ,
"to recall the persons boarding at this house at the
time of Jacques Collin's arrest"
"There was M. de Rastignac, Doctor Bianchon,
M. Goriot, Mademoiselle Taillefer — "
"Well," said the judge, who had not ceased to
gaze at Jacques Collin, whose face remained impas-
sible, "Well, this M. Goriot?"—
"He is dead," said Madame Poiret.
"Sir," said Jacques Collin, "I have often met at
Lucien's rooms a M. de Rastignac, an intimate
friend, I believe, of Madame de Nucingen, and if he
is the person in question, he has never taken me
for the convict with whom they are trying to con-
found me — "
"M. de Rastignac and Dr. Bianchon," said the
judge, "both enjoy social positions such that their
testimony, if favorable for you, would suffice to set
you at liberty — Coquart, prepare their. summons. "
In a few minutes the formalities of Madame Poi-
ret's deposition were concluded; Coquart read
aloud to her the written report of ^the scene which
had taken place, and she affixed her signature ; but
102 SPLENDORS AND MISERIES
the prisoner refused to sign his name, alleging his
ignorance of the forms of French law.
"This is quite enough for to-day," said M.
Camusot; "you must have need of food. I will
have you escorted to the Conciergerie, ' '
"Alas! I suffer too much to eat," said Jacques
Collin.
Camusot intended to make Jacques Collin's
return coincide with the hour in which prisoners
were allowed to walk in the yard ; but he wished
to obtain from the director of the Conciergerie an
answer to the order which he had given him that
morning, and he rang in order to dispatch his usher
to the prison. The usher appeared and said that
the janitress of the house on the quai Malaquais
had given him an important letter relative to M.
Lucien de Rubempre. The incident was so import-
tant that Camusot forgot his design.
"Admit her!" said he.
"Pardon; excuse me, sir," said the janitress,
bowing first to the judge and then to the Abbe Carlos.
"My husband and I have been so frightened by
the two visits which the law has made us that we
forgot a letter in our bureau addressed to M. Lucien,
for which we paid ten sous, although, it comes from
Paris, for it is very heavy. Will you make good
the postage ? Heaven knows when we shall see our
lodgers again!"
"This letter was given you by the postman?"
demanded Camusot, after having examined the
envelope with minute care.
THE END OF BAD ROADS 103
"Yes, sir."
"Coquart, make out the report of this declara-
tion. You, my good woman, give your name and
occupation. ' '
After having administered the oath to the jani-
tress, Camusot dictated the report.
During the accomplishment of these formalities,
he verified the postmark, which bore the dates of
the hours of collection and of delivery as well as
of the day of the month. This letter, delivered at
Lucien's lodgings on the day following Esther's
death, had no doubt been written and posted on the
day of the catastrophe.
Now the reader can judge of the stupefaction
which came over M. Camusot as he read this letter,
written and signed by the very woman whom jus-
tice believed to be the victim of a crime :
"ESTHER TO LUCIEN.
"MONDAY, May 13, 1830.
"(My last day at ten o'clock in the morning.)
"My Lucien: — I have not an hour to live. At
eleven o'clock I shall be dead, and I shall die with-
out sorrow. I have paid fifty thousand francs for a
pretty little black gooseberry, which kills with the
swiftness of lightning. Thus, dear heart, you may
say, 'My little Esther did not suffer.' Yes, I shall
have suffered only in writing you these pages.
104 SPLENDORS AND MISERIES
"The brute that has bought me so dearly, know-
ing that the day on which I should belong to him
should have no morrow for me, Nucingen, has just
gone away drunk as a drunken bear. For the first
and last time in my life I have been able to con-
trast my former trade, as a courtesan, with a life of
honest love, to rate the tenderness which expands
into the infinite higher than the horror of duty which
had rather die than submit to one kiss. I need this
disgust in order to find death sweet I have taken
a bath ; I wished to summon the confessor from the
convent where I was baptized, in order to confess and
thus to cleanse my soul. But this would have been to
profane a sacrament, and besides I feel that I am
washed in the waters of sincere repentance. God
will work His will upon me.
"Enough of these complaints ; 1 wish to be yours,
your Esther, until the last moment, and not to dis-
tress your mind with thoughts of my death, of the
future, and of the good God who would not be good
were He to torture me in another life when I have
tasted such sorrow in this.
"1 have before me your lovely miniature painted
by Madame de Mirbel. This ivory leaf is my con-
solation for your absence ; I look at it with mad
delight as I write you my last thoughts and describe
to you the last beats of my heart. I will send you
the miniature in this letter, for I do not wish it to
be stolen or sold. The mere thought that my sole
delight may be placed in some shop-window among
ladies and officers of the Empire, or Chinese
THE END OF BAD ROADS lOJ
oddities, makes me feel death already upon me. De-
stroy this picture, my darling; do not give it away
— unless this present can buy you the heart of that
petticoated walking lath, Clotilde de Grandlieu,
whose angular bones are enough to give you a
nightmare. Yes, I consent to that; I should still be
of some use to you as I was while I was alive. Ah !
if it were to give you pleasure, or if it were but
to make you laugh, 1 would stand before a brazier
with an apple in my mouth to cook it for you ! My
death will be useful to you ; I should have disturbed
the peace of your household. Oh! that Clotilde; I
do not understand her ! To have it in her power
to be your wife, to bear your name, to leave you
neither night nor day, to be yours, and yet to stand
on ceremony; a woman must belong to the Fau-
bourg Saint Germain to do that — and not have ten
pounds of flesh upon her bones 1 —
"Poor Lucien, vainly ambitious boy, 1 dream of
your future 1 Go your way. You will more than
once regret your poor faithful dog, the devoted
woman who stole for you, who would gladly have
been dragged before a Court of Assizes were it to
insure your happiness whose sole occupation was to
dream of your present pleasures, and to invent fresh
delights, who loved you with her hair, her feet, her
ears, in a word your plaything; whose every
glance was a benediction on you ; who for six years
thought only of you, who was so completely your
creature that 1 have never been but an emanation of
your soul as light is of the sun. But, without
Io6 SPLENDORS AND MISERIES
money and honor, alas ! I cannot become your wife
— I have always provided for your future by giving
you all that I possess. Come the instant you re-
ceive this letter and take that which is under my
pillow, for I distrust the servants of the house.
"I wish to be beautiful in death. I shall undress,
I shall lie down in my bed, I shall pose. Then I
shall press the gooseberry against my palate and I
shall not be disfigured by convulsions nor any ridicu-
lous posture.
"I know that Madame de Serizy has quarreled
with you because of me ; but you can plainly see,
my darling, that when she learns that I am dead,
she will pardon ; you must be attentive to her and
she will arrange a noble marriage for you, if the
Grandlieu persist in their refusal.
"My sweetheart, I do not wish you to lament
long over my death. First, I must tell you that the
hour of eleven on Monday the thirteenth of May is
but the termination of a long illness which began
on the day when, upon the terrace of Saint Ger-
main, you cast me back into my old life. The
soul has its illness as well as the body, but unlike
the body, it cannot endure suffering blindly. The
body does not support the soul as the soul supports
the body, and the soul has strong medicine in the
thought of recourse to the sempstress' bushel of
charcoal. You gave me life, the day before yester-
day, by saying that if Clotilde were to refuse you,
you would marry me. This would have been a
great misfortune for both of us, I should have died still
THE END OF BAD ROADS 107
more, so to speak, for some deaths are more bitter
than others. The world would never have accepted
us.
"For two months I have been meditating upon
many things. A poor girl is in the mire as I was
before my entry into the convent; men find her
fair, they use her for their pleasures, without con-
sideration; they come for her in a carriage and send
her away afoot; if they do not spit in her face it is
because her beauty protects her from this outrage :
morally, they commit a greater sin. Well, if this
girl inherits five or six millions, she will be sought
by princes, men will bow to her with respect when
she passes in her carriage — she can make her choice
among the most ancient escutcheons of France and
of Navarre. This world, which would have ex-
claimed "raca," had it seen two beautiful creatures
united and happy, has often uncapped itself before
Madame de Stael, in spite of the romances of her
life, simply because she had an income of two
hundred thousand francs. The world, which bows
before money or glory, will not bow before happiness
or virtue, for I should have done good — Ah ! how
many tears I should have dried ! — as many, I sup-
pose, as I have shed already. Yes, it would have
been my wish to live only for you and charity.
"These are the thoughts which make death sweet
for me. So do not weep for me, my love ! Say
often to yourself: 'There have been two loving
women, two beautiful creatures, who have both
died for me without regret, for they worshipped
I08 SPLENDORS AND MISERIES
me!' Call up within your heart a picture of
Coralie, and one of Esther, and go your way. Do
you remember the day that you pointed out to me a
shriveled, old woman, in a dull green cape that hung
down over a gray gown, padded and stained with
black grease spots, the mistress of a poet before
the Revolution? The sun scarcely warmed her,
although she was sitting in the gardens of the Tuil-
eries, anxiously watching a wretched spaniel, the
most bedraggled of spaniels. You know she had
owned lackeys and carriages and a hotel ! I said
to you, 'Better die at thirty;' well, that day you
found me thoughtful, and caressed me to distract
my mind ; and between two kisses I spoke to you
again, and said, 'Every day pretty women go out
from the play before the curtain falls!' — I have not
wished to see the last act, that is all. —
"You must find me garrulous, but it is my last
chance. I write as I used to .talk, and I like to talk
gaily to you. Weeping sempstresses have always
disgusted me. You know that once already I have
known how to die properly, upon my return from
that fatal ball of the Opera, where they told you
what my past had been.
"Oh no, my dearest; never give away this por-
trait ! If you knew the floods of love which I have
buried in your eyes as I have been gazing at them
during a pause of drunken pleasure, you would
think, as you received the love which I have tried
to incrust upon this ivory, that the soul of your
beloved darling was there.
THE END OF BAD ROADS 109
"Dead and asking alms; there is something comic
in the notion ! I must learn to lie quietly in my
grave.
"You can imagine how heroic my death would
seem to simpletons if they knew that last night
Nucingen offered me two millions if I would consent
to love him as I have loved you. He will be neatly
tricked when he finds out that I kept my word and
died of him.
"I have tried everything to continue to breathe
the air which you breathe. I said to the fat rob-
ber: 'Do you wish to be loved as you desire.' I
will even promise never to see Lucien again.'
'What must I do?' he demanded. — 'Give me two
millions for him?' No! If you had seen his
grimace. I should have laughed if it all had not
been so tragic. 'Spare yourself a refusal !' 1 said.
'I see, you care more for two millions than for me:
— A woman is always pleased to know what she is
worth,' I added, turning my back upon him.
"In a few hours the old rascal will know that I
was not joking.
"Who will be able to part your hair like me?
Bah ! I do not wish to think of life; I have but five
minutes more, I give them to God ; do not be jeal-
ous, my beloved angel, I wish to speak to Him of
you, to ask of Him your happiness as the price of
my death, and of my punishment in another
world. I hate to go to hell ; I should have liked
well to see the angels and learn whether they were
like you.
no SPLENDORS AND MISERIES
"Adieu, my darling, adieu. I bless you for all
my sorrow. Even in the grave I shall be,
"YOUR ESTHER.
"Eleven o'clock is striking. I have made my
last prayer. I am about to lie down and die. Once
more, good-bye ! I wish that the warmth of my
hand might leave my soul upon your picture as I
imprint upon it one last kiss ; and I wish once more
to call you my sweet darling, although you are the
cause of the death of
"Your Esther."
A touch of jealousy pricked the judge's heart as
he finished reading the only letter of a suicide
which he had ever seen written in a spirit of
gaiety ; though it was but a feverish gaiety, the
last effort of blind adoration.
"What is it that makes a man loved thus.-"'
thought he, repeating the question of every man
who has not the gift of pleasing women. — "If it is
possible for you not only to prove that you are not
Jacques Collin, the ex-convict, but also that you
are actually Don Carlos Herrera, canon of Toledo,
and secret envoy of his Majesty, Ferdinand VII.,"
continued the judge, addressing Jacques Collin,
"you shall be set at liberty, for the impartiality
which my office demands compels me to tell you
that I have this moment received a letter written
by Mademoiselle Esther Gobseck, in which she
THE END OF BAD ROADS III
avows the intention of suicide, and intimates sus-
picions concerning lier servants, which appear to
designate them as the authors of the robbery of
the seven hundred and fifty thousand francs. ' '
As he spoke M. Camusot compared the handwri-
ting of the letter with that of the will, and it was
clear to him that letter and testament had been
written by the same hand.
"Your honor was too ready to believe in a mur-
der; do not believe too hastily in a theft."
"Ah!" said Camusot, casting a magisterial look
upon the prisoner.
"Do not think that I compromise myself in say-
ing that this sum can be recovered," continued
Jacques Collin, showing the judge that he under-
stood his suspicion. "This poor woman was much
beloved by her servants ; and if I were free I would
undertake a search for the money which now be-
longs to the being I love most in the world, to
Lucien. Will you be so kind as to allow me to read
this letter? It will not take long. It is the proof
of the innocence of my dear child — you cannot fear
that I would destroy it, nor speak of it, for I am in
solitary confinement."
"In solitary confinement!" cried the magistrate,
"you shall be so no longer. It is I who beg you to
establish your identity as soon as possible; send
word to your ambassador if you wish — "
Camusot handed the letter to Jacques Collin, glad
to be rescued from his quandary and to be able to
satisfy at once the attorney-general, the Duchess
112 SPLENDORS AND MISERIES
de Maufrigneuse and Madame de Serizy. None the
less coldly and curiously, however, did he examine
the face of his prisoner as the latter read the cour-
tesan's letter ; and in spite of the sincerity of the
emotions painted upon it, he said to himself:
"And yet it is the face of a criminal !"
"See how he is loved," said Jacques Collin, re-
turning the letter, as he turned toward the judge,
his face bathed in tears.
"If you knew him!" continued he, "he is so
young, so fresh, so gloriously handsome; a child, a
poet. — You cannot see him without an irresistible
desire of sacrificing yourself to him and of satisfying
his least desires. Dear Lucien is so fascinating
when he cares to charm !"
"Now," said the magistrate, making one more
effort to discover the truth, "you cannot be
Jacques Collin."
"No, sir," replied the convict
Jacques Collin became more than ever Don
Carlos Herrera. In his desire to complete his work
he advanced toward the judge, led him into the
embrasure of the window, and assuming the man-
ners of a prince of the Church, he said in a con-
fidential tone.
"I love this child so well, sir, that if it were
necessary for me to become the criminal for whom
you take me in order to spare myself a quarrel with
this idol of my heart, I would be my own accuser,"
said he in a low voice. "I would imitate the poor
girl who has killed herself for his advantage. Thus,
THE END OF BAD ROADS 113
sir, I beg of you to grant me a favor ; it is to set
Lucien at liberty at once."
"My duty does not allow it," said Camusot
kindly: "but if heaven can be accomodating, justice
can also be oolite, and if you can give me good
reasons — Speak freely, this shall not be written."
"Then, " continued Jacques Collin, deceived by
Camusot's kindliness" 1 know all that this poor child
suffers at this moment; he is capable of attempt-
ing his life when he finds himself in prison — "
"Oh! as to that — " said Camusot, shrugging his
shoulders.
"You do not know whom you oblige in obliging
me," added Jacques Collin, who wished to pull
other strings. "You are doing a service to an order
more powerful than Countess de Serizy or Duchess
de Maufrigneuse, who will scarcely pardon you for
having read their letters in your office," said he,
pointing toward two perfumed packets. "My order
is not forgetful. " —
"Sir," said Camusot, "enough! Find other rea-
sons to offer me. 1 owe my duty more to the pris-
oner than to the vindictiveness of the public."
"Ah! believe me, I know Lucien; his is a
woman's soul, a poet's, a southerner's, without con-
sistency or will," continued Jacques Collin, who
thought the day surely gained. "You are certain
of the innocence of this young man ; do not torture
him; do not examine' him; give him this letter, tell
him that he is Esther's heir, and set him free. If
you act otherwise, you will drive him to despair ;
8
114 SPLENDORS AND MISERIES
while if you release him purely and simply, I will
explain to you — keep me in solitary confinement — ^to-
morrow — to-night, everything that may appear to
you mysterious about this trial, and the reasons for
the malignant pursuit which follows me ; but I will
stake my life upon it, my head has been in danger
for five years past — Lucien free, rich, and married
to Clotilde de Grandlieu, my task here on earth is
accomplished, I shall no longer defend my life. — My
persecutor is a spy of your late king's."
"Ah! Corentin!"
"Ah! His name is Corentin? I thank you.
Well, sir, will you promise to grant my request?"
"A judge cannot and ought not to promise any-
thing. Coquart, tell the usher and gendarmes to
lead the prisoner back to the Conciergerie. I shall
give orders so that you may spend to-night in a
pistole," added he kindly, making a slight inclina-
tion of his head toward the prisoner.
Struck with the demand that Jacques Collin had
just addressed to him, and recalling the prisoner's
urgent appeal to be examined first, pleading the crit-
ical state of his health, Camusot resumed all his
distrust. As he listened to these indeterminate
suspicions, he saw the man who had pretended to
be at the point of death walking, striding like a
Hercules, without a trace of those contortions which
he had feigned so admirably on his arrival.
"Sir.?—"
Jacques Collin turned.
"My clerk, in spite of your refusal to sign, is
THE END OF BAD ROADS 115
going to read you the report of your examina-
tion."
The prisoner was in perfect health ; the move-
ment with which he took his seat near the cleric
was another gleam of light for the judge,
"You have been promptly cured?" said Camusot.
"lam caught," thought Jacques Collin. Then
he answered aloud.
"Joy, sir, is the only panacea that exists— this
letter, the proof of innocence which I never doubted,
that is the great remedy."
The judge followed his prisoner with a thoughtful
look as the usher and gendarmes surrounded him ;
then he started as though from deep sleep, and
tossed Esther's letter upon the clerk's desk.
"Coquart, copy that letter !"
If it is in man's nature to mistrust a request,
when the favor demanded of him is against his
interests or his duty, or often, even, when it is a
matter of indifference, this feeling is the law of an
examining judge. The more plainly the prisoner,
whose fate still hung in the balance, could discern
the clouds that would rise over the horizon in case
Lucien were examined, the more necessary this ex-
amination appeared to Camusot.
This formality was demanded by neither Code
nor precedent, unless it were required by the ques-
tion of Don Carlos' identity. Every career has its
own peculiar conscience. Had he lacked curiosity
Camusot would have questioned Lucien as he had
questioned Jacques Collin, from his sense of
Il6 SPLENDORS AND MISERIES
magisterial honor, making use of the artifices which
the most upright magistrates employ. The favor,
which it lay in his power to confer, his own
advancement, everything in Camusot's mind was
subordinate to the overpowering desire of learning
the truth and of unearthing it himself, even though
he were never to divulge the secret He drummed
upon the window-panes and gave himself up to the
flood tide of his conjectures, for at times such as
this, thought is like a river flowing through a thou-
sand different regions. Lovers of the truth, magis-
trates are like jealous women : they give way to a
thousand suppositions and, armed with the dagger
of suspicion, they search their victims' hearts like
the sacrificial priest of ancient times ; then they halt
not at the true, but at the probable, and at last they
obtain a distant vision of the truth. A woman
questions the man she loves as a judge interrogates
a criminal. When their minds are in this state a
flash of light, a word, an inflection of the voice,
the hesitation of an instant suflBceto discover buried
truth, treason and crime.
"The manner in which he has painted his devo-
tion to his son — if he be his son — inclines me to be-
lieve that he was in Esther's house to watch over
the harvest; and not suspecting that the dead
woman's pillow hid a will, he has taken for his
son's sake the seven hundred and fifty thousand
francs, provisionally! This is the reason of his
promise to recover the money. M. de Rubempre
owes it to himself and to justice that he should
THE END OF BAD ROADS 1 17
throw light upon the civil status of his father. And
to think of his promising me the protection of his
order — his order! — if I do not examine Lucien — "
His meditation broke off at this point.
As we have seen, an examining magistrate directs
an examination according to his pleasure. He is
free to use craft or to lack it. An examination
is nothing, or it is everything. There lies the
importance of influence. Camusot rang; the
usher returned. The judge ordered him to
bring M. Lucien de Rubempre, and bade him see
to it that the prisoner communicated with nobody
on the way. It was then two o'clock in the
afternoon.
"There is a secret," said the judge to himself,
"and this secret must be of the last importance.
The reasoning of my amphibian, who is neither
priest nor layman, convict nor Spaniard, but who
"fears lest some terrible word escape his pupil's lips
is this: 'The poet is weak, he is womanish, he is
not like me, who am a Hercules of diplomacy,
and you can easily tear our secret from him.' So
our young innocent shall tell us all."
He began to rap the table with his ivory-handled
knife while his clerk was busy copying Esther's let-
ter. How many idiosyncracies there are in the use
of our faculties ! Camusot, thinking every crime
possible, passed over the only one which the pris-
oner had committed — the forged will in Lucien's
favor. Let those who envy the position of a magis-
trate ponder well over his life passed in perpetual
Il8 SPLENDORS AND MISERIES
suspicions, the tortures which weigh upon his
mind, for civil suits are not less tortuous than
criminal trials, and perhaps they will think that
the magistrate's harness is heavy as the priest's
and as thickly studded with inward-pointing
nails. Every profession has its hair-shirt and its
tomahawk.
It was almost two o'clock when Lucien entered
M. Camusot's office. The prisoner was pale and
wasted, his eyes red and swollen, and his whole
frame so nerveless that the judge was enabled to
compare nature with art, and contrast the dying
man in real life with the dying actor upon the stage.
The passage from the Conciergerie to the judge's
office, made between two gendarmes, with an usher
going before, had brought Lucien to the pinnacle of
despair. It is in a poet's soul to prefer punishment
to judgment When the examiner saw this nature
so entirely bereft of the moral courage essential to
decision, the quality which had been displayed by
the other prisoner in such an extraordinary degree,
M. Camusot's compassion was aroused at the pros-
pect of this easy victory, yet rising scorn allowed
him to strike home and gave him in this encounter
that awful freedom of the will which characterizes
the marksman as he decides which puppet to strike
down.
"Compose your thoughts, Monsieur de Rubempre,
you are in the presence of a magistrate most eager
to repair the wrong which justice does involuntarily
in making an arrest, for the sake of prevention,
when the charge proved to be unfounded. I believe
that you are innocent; you shall be set at liberty
immediately. Here is the proof of your innocence;
("9)
I20 SPLENDORS AND MISERIES
it is a letter kept by your janitress in your absence,
which she brought to me a minute ago. In the dis-
turbance caused by the descent of the police and
by the news of your arrest at Fontainebleau, the
woman had forgotten this letter, which comes from
Mademoiselle Esther Gobseck — read it!"
Lucien took the letter, read it, and burst into
tears. He sobbed so violently that he could not
utter a syllable. After a quarter of an hour, an
interval which scarcely allowed Lucien time to re-
cover, the clerk handed him a copy of the letter and
asked him to sign a certificate that this copy conforms
to the original, so that it may be produced when ne-
cessary at any time during this trial, and at the same
time offered to compare the two documents word for
word; Lucien, however, naturally relied upon
Coquart's word as to the accuracy of the copy.
"Sir," said the judge, in a most friendly tone,
"it is, nevertheless, difficult to give you your lib-
erty until we fulfill our formalities and ask you a
few questions. It is almost as a witness that I re-
quire of you to answer. I deem it well nigh useless
to remind a man like you that the oath to tell the
whole truth is not only an appeal to your conscience,
but also a necessity of your position, which for a
few hours is placed in a doubtful light. Whatever
it may be the truth cannot alter your position, but
a lie would send you to the Court of Assizes, and
oblige me to have you led back to the Concier-
gerie ; while by answering my questions frankly,
you will sleep to-night in your own bed "and your
THE END OF BAD ROADS 121
reputation will be restored by this statement which
the newspapers will publish: 'M. de Rubempre
arrested yesterday at Fontainebleau, was released
immediately after a very brief examination.' "
This speech produced a lively impression upon
Lucien's mind, and, noticing the disposition of his
prisoner, the judge added :
"I repeat to you, you were suspected of complic-
ity in a murder by means of poison committed upon
the person of Mademoiselle Esther : there is proof
of her suicide, so much is satisfactorily answered;"
but a sum of seven hundred and fifty thousand
francs, which depends upon the will, has been
abstracted, and you are the heir. In this, unhap-
pily, there is a crime. This crime has preceded
the discovery of the will. Justice, however, has
reasons for believing that a person who loves you
as well as this Mademoiselle Esther loved you, has
suffered this crime to be committed for the sake of
your interests — Do not interrupt me, ' ' said Camu-
sot, with a gesture imposing silence, as Lucien
attempted to speak; "I am not examining you yet.
I wish to make you understand how deeply your
honor is concerned in this question. Cast aside
the false, the wretched ideas of honor which bind
accomplices together, and tell the whole truth. ' '
The reader must have already noticed the exces-
sive disproportion of weapons in this struggle be-
tween prisoner and examining judge. A denial
cleverly managed, it is true, is sufficient in itself,
and completes the criminal's defense; but it is, as
122 SPLENDORS AND MISERIES
it were, a panoply which crushes its wearer when
once the searching knife of examination discovers
an unprotected joint, since denial is powerless in
the face of certain evident facts, and the prisoner is
placed absolutely at the discretion of the judge.
Take, for example, the case of a partial criminal
like Lucien, saved from his first fall from virtue,
he might yet become a useful servant to his country ;
but yet he will perish in the toils of the exam-
ination. The judge writes out a very concise re-
port, a faithful analysis of questions and answers ;
but of his insidiously paternal speeches, and of his
captious remonstrances, such as Camusot employed
in this scene, there remains no trace. The judges
of the Superior Court and the juries see the results,
but do not know the means. Thus, according to
the judgments of several excellent minds, the trial
by jury, as it is in England, might with advantage
supersede the present method of examination.
France enjoyed this system for a brief time.
Under the Code of Brumaire, in the year IV., this
institution was known as the jury of accusation, to
distinguish it from the jury of judgment. If juries
of accusation should again be instituted, the final
decision would, of necessity, be referred to the royal
courts unassisted by juries of any kind.
"Now," said Camusot, after a pause "what is
your name ? — Monsieur Coquart, attention !' ' added
he to the clerk.
"Lucien Chardon de Rubempre."
"You were born — ?"
THE END OF BAD ROADS 123
"In AugoulSme — "
Lucien gave the day, the month and the year.
"You have never had any patrimony?"
"None."
"Nevertheless, during your first sojourn in Paris
you have made expenditures that were very large
in proportion to your small fortune .'' '
"Yes, sir; but at that time I had in Mademoiselle
Coralie a friend absolutely devoted to my welfare.
It has since been my misfortune to lose her. It was
the sorrow which her death caused me that brought
me back to my native place. ' '
"Sir," said Camusot, "I commend your frank-
ness ; it shall not pass unnoticed. ' '
As the reader perceives, Lucien was on the high
road to a general confession.
"You spent sums far larger still upon your return
from AugoulSme to Paris," continued Camusot;
"you lived as if you enjoyed an income of some
sixty thousand francs. ' '
"Yes, sir."
"Who furnished you with this money?"
"My protector, the Abbe Carlos Herrera."
"Where did you meet him?"
"I met him upon the highway, just as I was
about to rid myself of life by suicide — "
"You have never heard him spoken of in your
family — by your mother ?' '
"Never."
"Your mother never told you that she had met
the Spaniard ?' '
124 SPLENDORS AND MISERIES
"Never."
"Can you recall the month and the year when
you met Mademoiselle Esther?"
"Toward the end of the year 1823, at a small
theatre on the boulevard. ' '
"Did she, at first, cost you money?"
"Yes, sir."
"Lately, with the intention of marrying Made-
moiselle de Grandlieu, you purchased what is left
of the Chateau de Rubempre, and you have an-
nexed to its estate lands to the amount of a million
francs; you told the Grandlieu family that your
sister and brother-in-law had recently come into
possession of a large inheritance, and that you
owed these sums to their liberality ? You did say
this, sir?"
"Yes, sir."
"You are ignorant of the reasons which led to the
rupture of your marriage?"
"Entirely, sir."
"They are these: the Duke de Grandlieu sent one
of the most reliable attorneys in Paris to your
brother-in-law in order to obtain authentic informa-
tion. In Angoul^me, the lawyer learned from the
personal avowals of your sister and brother-in-law
not only that they had lent you little, yet further-
more that their inheritance was composed of real
estate, valuable, it is true, but that their capital
scarcely amounted to two hundred thousand francs.
— You must not think it strange that a family like
the Grandlieu recoils before a fortune of dishonest
THE END OF BAD ROADS 125
origin. This, sir — is the pass to which a lie has
brought you."
Lucien was horror-stricken at this revelation, and
the little strength of mind which he had preserved
now deserted him.
"The police and justice Icnow everything they
care to Icnow," said Camusot; "remember that.
Now," continued he, thinking of the declaration of
fatherhood which Jacques Collin had made, "do you
know who this so-called Carlos Herrera is ?' '
"Yes, sir; but I learned the secret too late."
"What do you mean .' too late } explain yourself. "
"He is not a priest, he is not a Spaniard,
he is — "
"An escaped convict?" said the judge quickly.
"Yes," replied Lucien. "When the fatal secret
was revealed to me I was his debtor ; I had supposed
myself bound to a respectable priest — ' '
"Jacques Collin — •" said the judge, beginning a
sentence.
"Yes, Jacques Collin," repeated Lucien; "that
is his name."
"So far so good. Jacques Collin," continued
Camusot, "has just been recognized by a woman,
and if he still denies his identity it is, I believe,
for your interests. But I asked you whether you
knew who this man is in order to bring to light
another imposture of Jacques Collin."
Lucien felt a red-hot iron sear his very entrails
as he heard this ominous speech.
"Do you not know," continued the judge, "that
126 SPLENDORS AND MISERIES
he pretends to be your father in order to justify the
extraordinary affection which he feels for you?"
"He, my father! Oh! sir!— He said that!"
"Can you suspect from what source the sums
came which he gave to you ; for if I must believe
the letter which you hold in your hand, this poor
unfortunate Mademoiselle Esther would later have
done you the same service which Mademoiselle
Coralie has rendered you already; but you have
contrived, as you have just said, to live for several
years, and in luxury too, without receiving a
penny from her."
"It is of you I ask, sir" cried Lucien, "the
sources of a convict's money! — A Jacques Collin,
my father ! O, my poor mother !' '
The young man burst into tears.
"Clerk, read aloud to the prisoner that portion of
the examination of the pretended Carlos Herrera in
which he states that he is the father of Lucien de
Rubempre."
The poet listened to this reading in silence, with
an expression painful to see.
"I am lost!" he cried.
"No man is lost upon the path of honor and of
truth," replied the judge.
"But you will send Jacques Collin before the
Court of Assizes?" asked Lucien.
"Certainly," replied Camusot, who wished to
make Lucien continue his confession. "Finish
what you were about to say. ' '
But in spite of the efforts and the remonstrances
THE END OF BAD ROADS 127
of the judge, Lucien returned no answer. Reflection
had come too late, as it ever must to men who are
the slaves of sensation. There lies the difference
between the poet and the man of action : one sur-
renders himself to the sentiment he wishes repro-
duced in lifelike images, he never judges until
afterward ; while the other feels and judges simulta-
neously. Lucien stood there, sad and pale ; he felt
himself at the foot of a precipice, down which the
judge had hurled him. His poet's nature had been
deceived by the kindliness of his examiner. He
had betrayed not his benefactor, but the accomplice
who had defended their position with all the cour-
age of a lion, and with craft that left no spot unpro-
tected. At the moment when Jacques Collin had
saved all by his audacity, Lucien, the clever Lucien,
had lost all by his stupidity and by his want of re-
flection. This infamous lie which had aroused his
indignation served as a screen for a yet more infa-
mous truth. Confounded by the subtlety, and
unnerved by the cruel ingenuity of the judge who
had struck his blows in quick succession, making
use of all the naked sins of Lucien's life, like
drag-hooks to rake his conscience, the poet stood
motionless as an animal whom the axe of the
slaughter-house has missed. He had entered the
office free and innocent; in an instant he had
proved himself guilty by his own avowals. Then,
last and most solemn mockery of all, the cold, calm
judge told Lucien that his revelations were the
fruit of a mistake. Camusot was intent upon the
128 SPLENDORS AND MISERIES
character of father which Jacques Collin had
assumed, while Lucien, simply fearing lest his alli-
ance with an escaped convict become public, had
imitated the famous error of the murderers of
Ibycus.
It is one of the glories of Royer-CoUard that he
proclaimed the perpetual triumph of natural obli-
gations over the obligations enforced by social
decrees, and that he upheld the cause of the prior-
ity of oaths by declaring, for example, that the law
of hospitality must bind, even though it annulled, the
virtue of the judicial oath. He confessed this the-
ory before the world at the bar of a French court;
he boldly lauded the conspirators, and showed that
it was human to obey the dictates of friendship
rather than tyrannical laws discharged from the
social arsenal and directed against such and such a
circumstance. Natural justice is governed by laws
which, though they have never been promulgated,
are yet more efficacious and better known than the
bolts forged by society. To his own hindrance
Lucien had disregarded the law of joint and separ-
ate liability, which commanded him to be silent
and to allow Jacques Collin to defend himself; far,
more than this, he had been the accuser of his
accomplice; for his own interest this man should
always have been to him Don Carlos Herrera. '
M. Camusot enjoyed his triumph, he held two
culprits within his grasp ; with the right hand of
justice he had struck down one of fashion's favor-
ites and he had discovered the undiscoverable
THE END OF BAD ROADS 1 29
Jacques Collin. He was destined to be proclaimed
one of the cleverest of examining judges. He did
not question his victim, but he studied this silence
born of consternation, he watched the drops of
sweat gather upon the poet's disturbed countenance,
grow big, and fall at length mingled with two
streams of tears.
"Why do you weep. Monsieur de Rubempre?"
You are, as I have told you, the heir of Made-
moiselle Esther, who has no other heirs either
collateral or direct. This property amounts to well-
nigh eight millions if the seven hundred and fifty
thousand stolen francs are recovered."
This was the last stroke for the culprit. Courage
but for ten minutes, as Jacques Collin had written
him in his note and Lucien would have attained
the goal of his desires! He might have settled
accounts with Jacques Collin, parted from him,
become rich, married Mademoiselle de Grandlieu.
Nothing can show more eloquently than this scene,
the power which the isolation and separation of
prisoners bestow upon the judge, or the priceless
value of a communication like that which Asia had
made to Jacques Collin.
"Ah! sir," answered Lucien, with all the bitter-
ness and irony of a man who stands upon the ped-
estal of misfortune which his own hands have built,
"how right men are to talk in your language about
'suffering an examination.' Between the physical
torture of the past and the moral torture of to-day
I should not hesitate to make my choice, I should
9
130 SPLENDORS AND MISERIES
choose the sufferings which the executioner, in
times of old, used to inflict — What more do you
wish of me?" he added proudly.
"In this place, sir," said the magistrate, answer-
ing the poet's pride with mingled scorn and haugh-
tiness, "I alone have the right to question."
"I had the right to give no reply," murmured
poor Lucien, whose intelligence had returned in all
its clearness.
"Clerk, read the prisoner his examination."
"1 have become a prisoner once more!" said
Lucien to himself.
While the secretary was reading this report
Lucien took a resolution which determined him to
use all courtesy toward the magistrate. When
the murmur of Coquart's voice ceased, the poet
shook like a man who has slept among sounds
to which his organs have grown accustomed, and
who at length is startled from his slumber by
silence.
"You must sign the report of your examination,"
said the judge.
"And you set me at liberty.'" inquired Lucien,
ironical in his turn.
"Not yet," replied Camusot, "but to-morrow,
after you are brought face to face with Jacques
Collin, you will doubtless be given your liberty.
Now, justice must learn whether you are or are not
an accomplice of crimes which may have been com-
mitted by that person since his escape, which dates
from 1820. Nevertheless, your confinement is no
THE END OF BAD ROADS 131
longer solitary. I shall write to the warden to
place you in the best chamber of the pistole."
"Shall I find writing materials there?"
"You will be provided with everything you re-
quire. I shall send orders to that effect by the
usher who is to conduct you thither."
Lucien signed the report mechanically, and wrote
his initials on several papers as Coquart directed
him, with the docility of a victim reconciled to his
fate. A single detail will tell more about his condi-
tion than the most minute description. At the
announcement of his confrontation with Jacques
Collin, the beads of sweat had dried upon his
face and his dry eyes glittered with marvelous
brightness. In a moment, swift as lightning,
he had become like Jacques Collin, a man of
bronze.
In persons whose character is like Lucien's, which
Jacques Collin had analyzed so accurately, these
sudden transitions from a condition of absolute de-
moralization to a condition as metallic as human
power can attain, are the most striking phenomena
in the life of ideas. The will returns like water in
a dry spring ; it permeates the machine set in motion
by the unknown essence of which it is made, and
then the lifeless body is made man and the man, '
filled with strength, springs forward to the supreme
struggle of existence.
Lucien placed Esther's letter and the portrait
which she had sent him, next to his heart. Then
bowing disdainfully to M. Camusot, he walked
132 SPLENDORS AND MISERIES
down the corridor, between two gendarmes, with a
firm step,
"There goes an arrant scoundrel !" said the judge
to his cleri< out of revenge for the crushing scorn
which the poet had displayed toward him. "He
thought to save himself at the expense of his accom-
plice."
"Of the two," said Coquart timidly, "the con-
vict is the stronger — ' '
"You are excused for the day, Coquart," said the
judge; "we have- done quite enough. Send away
the persons who are waiting, and warn them that
they must appear to-morrow. Ah ! You will go at
once to the attorney-general and find out whether
he is still in his office ; if he is, ask for a moment's
audience for me. Oh! — he'll be there," continued
the judge, as he glanced toward a wretched wooden
clock painted green and decorated with gilded fil-
lets, "it's a quarter after three."
These examinations, which can be read so rap-
idly, are written out in full, questions as well as
answers, and thus consume a great deal of time.
This is one of the causes of the delays of criminal
processes and the duration of preventive arrests.
For the poor, it means ruin ; for the rich, it is dis-
grace; since for them an immediate discharge
repairs, so far as anything can repair, the misfor-
tune of an arrest. This is why the two scenes we
have so faithfully reproduced filled all the time con-
sumed by Asia in deciphering her master's com-
mands, in carrying away a duchess from her boudoir,
THE END OF BAD ROADS 133
and in inspiring Madame de Serizy with the energy-
she lacked.
At this moment Camusot, who was deliberating
. how he could best reap the rewards of his clever-
ness, took the two reports and read them again, and
decided to show them to the attorney-general and ask
his advice. While he was still lost in meditation,
his usher appeared to announce that the valet of
Madame la Countess de Serizy insisted upon speak-
ing with his worship. Upon a sign from Camusot
an elaborately dressed valet entered, gazed alter-
nately at the usher and the magistrate, and said :
"It is certainly M. Camusot whom I have the
honor — ?' '
"Yes," replied judge and usher.
Camusot took a letter offered him by the servant
and read as follows :
"As you know already, my dear Camusot, the
interests of many persons demand that you do not
examine M. Lucien de Rubempre ; we bring you the
proofs of his innocence in order that he may be
given his liberty immediately.
" L. DE Serizy, d. de maufrigneuse.
"P. S.— Burn this letter."
Camusot felt the magnitude of the error he had
committed in spreading nets for Lucien, and his
first act was in obedience to the commands of the
two noble ladies : he lighted a candle and destroyed
134 SPLENDORS AND MISERIES
the letter written by the duchess. The valet
bowed respectfully.
"Madame de Serizy is on her way hither then?"
inquired Camusot.
"Her horses were being harnessed," replied the
valet.
At this juncture Coquart arrived to tell M.
Camusot that the attorney-general was awaiting
him.
Weighed down beneath the weight of the error
which he had made to the detriment of his ambi-
tion and the advancement of justice, the judge, who
in seven years of practice had developed that fin-
ished art which belongs to every man that for
duty's sake has crossed swords with grisettes,
sought for weapons to defend himself against the
revenge of two powerful women. The candle in
whose flame he had burned the letter was still
lighted, he made use of it to seal the thirty notes
written by the Duchess de Maufrigneuse to Lucien
and the voluminous correspondence of Madame de
Serizy. Then he made his way to the office of the
attorney-general.
The Palais de Justice is a confused mass of build-
ings piled one upon anotiier ; some full of grandeur,
and others so mean that the effect is injured by lack
of harmony. The Salle de pas Perdus is the most im-
posing of halls, but its bareness is most unsightly.
This vast cathedral of chicane chokes the royal court.
The Galerie Marchande leads to two great sewers.
In this gallery there is a staircase flanked by balus-
ters, and beneath it there is a large doorway with
two swinging doors. The staircase leads to the
Court of Assizes, and the lower door to a second
Court of Assizes. In certain years the crimes com-
mitted in the Department of the Seine required two
sessions. Beyond this door are situated the office
of the attorney-general, the chamber of barristers
and their library, the cabinets of the leading law-
yers, and those of the substitutes of the attorney-
general. These places, for we must use the generic
term, are united by small circular stairways, and
by those dark corridors, the shame of architecture,
the corridor of la Ville de Paris and that of la
France. In its interior the first of our sovereign
courts of justice surpasses the prisons in everything
most hideous that they possess. The painter of
manners would recoil before the necessity of de-
scribing the mean lobby of a metre's breadth used
as an ante-room for the witnesses of the Superior
(135)
136 SPLENDORS AND MISERIES
Court of Assizes. As for the stove which serves to
warm the hall when the sittings are held, it would
disgrace a cafe of the boulevard Montparnasse.
The attorney-general's ofiflce is situated in an
octagonal pavilion, flanking the main body of the
Galerie Marchande, which at a date very recent in
comparison with the age of the palace, has en-
croached upon the prison yard annexed to the
women's quarters.
All this portion of the Palais de Justice is over-
shadowed by the high and splendid walls of the
Sainte Chapelle. Thus it is sombre and silent.
M. de Granville, worthy successor of the great
magistrates of the old parliament, did not wish to
leave the palace until Lucien's fate had been de-
cided. He was awaiting news from Camusot, and
the judge's message plunged him into the involun-
tary revery which suspense brings upon the strong-
est minds. He was seated in the embrasure of his
office window; he rose and began to pace up and
down the room, for that morning he had found
Camusot, in whose path he had stationed himself,
but little comprehensible ; he felt a vague anxiety
and was ill at ease. This is the explanation : the
dignity of his functions forbade the attorney-gen-
eral to tamper with the absolute independence of an
inferior magistrate ; and in this trial was at stake
the honor and reputation of his best friend and
warmest protector, the Comte de Serizy, Minister
of State, member of the Privy Council, vice-
president of the Council of State, the future
THE END OF BAD ROADS 137
chancellor of France, in case that the noble old man
who was holding this august office should chance to
die. It was M. de Serizy's misfortune to adore his
wife, in spite of her failings; he was always ready
to shelter her beneath his protection. Yet the
attorney-general could well foresee the wild excite-
ment both in society and at court, which would fol-
low the conviction of a man whose name had been
linked so frequently and so disgracefully with that
of the countess.
"Ah 1" he said to himself, as he crossed his arms,
"authority used to have the resource of transferring
cases to other courts. — Our mania of equality — he
dared not say legality, the word which latterly has
been so boldly pronounced by a poet in the pres-
ence of the Chamber — will be the destruction of
this era. — "
This worthy magistrate knew the allurements
and the misfortunes of unlawful love. As we have
seen, Esther and Lucien had succeeded to the
apartment which the Count de Granville had shared
in secret with Mademoiselle de Bellefeuille and
whence a scoundrel had one day succeeded in entic-
ing her. (See A Double Household in the Scenes of
Private Life.)
Just as the attorney-general was saying to him-
self: "Camusot will be sure to entangle us in some
foolish scrape!" the examining judge rapped twice
upon the office door.
"Well, my dear sir, how goes" the case about
which I was talking to you this morning?"
138 SPLENDORS AND MISERIES
"Badly, Monsieur le Count; read it and judge for
yourself. ' '
He handed the two reports of the examinations to
M. de Granville, who placed his eye-glasses upon
his nose and walked into the embrasure of the win-
dow to read the papers. His perusal was very
rapid.
"You have done your duty, " said the attorney-
general, with a voice which betrayed emotion.
"The case is closed; justice will take its course.
You have displayed too great ability to allow the
government ever to deprive itself of such an exam-
ining judge."
Had M. Granville said to Camusot, "You will re-
main an examining judge all the days of your life,"
he would not have spoken more explicitly than
in this complimentary sentence. Camusot felt a
shiver course down his backbone.
"Madame la Duchess de Maufrigneuse, to whom
I owe much, has asked me — "
"Ah! the Duchess de Maufrigneuse, — she is the
friend of Madame deSerizy," said Granville, inter-
rupting the judge. "It is true — you have bent be-
fore no influence, I see ; you have done your duty,
sir, you will become a great magistrate."
At this moment Count Octave de Bauvan opened
the door without knocking, and said to the Count
de Granville :
"I am bringing you a charming woman who
scarcely knew which way to turn. She was losing
herself in our labyrinth."
THE END OF BAD ROADS 139
The Count Octave led by the hand the Countess
de Serizy, who for a quarter of an hour had been
wandering blindly through the palace.
"What! you here, madame!" exclaimed the at-
torney-general, pushing forward his own arm-
chair, "at such a time as this, too! — This is M.
Camusot, madame," he added, pointing toward the
judge; — "Bauvan," continued he, addressing that
illustrious ministerial orator of the Restoration,
"wait for me in the office of the first president, he
is still there, I will rejoin you in an instant"
Count Octave de Bauvan understood not only that
his presence was superfluous, but likewise that the
attorney-general sought an excuse to leave his office.
Madame de Serizy had not been so foolish as to
drive to the palace in her magnificent coupe, with
its blue draperies and armorial bearings, its lace-
trimmed coachman and its two footmen in knee
breeches and white silk stockings. As the countess
was about to start, Asia had explained to the two
ladies the necessity of taking the cab in which she
and the duchess had arrived; lastly she had as-
signed to Lucien's mistress an attire such as among
women corresponds to the dun-colored cloak once in
vogue among men. The countess wore a brown
coat, an old black shawl, and a velvet hat, from
which the flowers had been torn to make room for
a veil of very thick black lace.
"You have received our letter?" she inquired of
Camusot, whose stupefaction appeared to her a
proof of respectful admiration.
140 SPLENDORS AND MISERIES
"Too late, alas! Countess," replied the judge,
whose tact and ready wit deserted him when he
was not seated in his ofiSce cross-questioning a
prisoner.
"What do you mean by 'Too late?' "
She glanced at M. de Granville and saw conster-
nation painted upon his face,
"It cannot, it must not be too late yet," she
added with the intonation of a despot.
Women, pretty women, in Madame de Serizy's
situation are the spoiled children of French civiliza-
tion. If the women of other countries knew every-
thing that a rich and titled woman of fashion is at
Paris, they would all dream of attaining this splen-
did royalty. Women governed solely by their own
ideas of propriety and by that collection of petty laws,
already called so often in The Human Comedy,
the Female Code, scoff at the laws which men have
made. They say everything; they recoil before no
fault, before no folly ; for they have all learned by
heart the fact that they are responsible for nothing
in life, except for their own and their children's
honor. They give utterance to the greatest enor-
mities and laugh. Be the event what it will, they
repeat the words spoken by the pretty Madame de
Bauvan in the early days of her married life, to her
husband, whom she had come to carry away from
the palace; "Have done with your judging and
come with me!"
"Madame," said the attorney-general, "M. Lucien
de Rubempre is guilty neither of robbery nor
THE END OF BAD ROADS 14 1
assassination ; but M. Camusot has made him con-
fess a crime greater than these."
"What?" she demanded.
"He has acknowledged himself," whispered M.
de Granville in her ear, "to be the friend and pupil
of an escaped convict, the Abbe Carlos Herrera ;
this Spaniard, who has lived with him for nearly
seven years seems to be none other than our famous
Jacques Collin. — "
Every word fell upon Madame de Sdrizy's ear
with all the weight of an iron club, and this notori-
ous name was the finishing blow.
"The meaning of this?" she asked in a voice
which was but a breath.
"Is," interrupted M. de Granville, continuing the
countess' phrase in a low tone, "that the convict
will come before the Court of Assizes, and that if
Lucien does not appear at his side for having wil-
fully profited by his crimes, he will be brought into
court as a witness and his reputation will be seri-
ously compromised."
"Ah! never!" — cried she aloud, with extraordi-
nary firmness. "Were I to choose, I should not
hesitate between death and the prospect of seeing a
man, whom the world looks upon as my dearest
friend, declared legally the comrade of a convict.
The king likes my husband well — "
"Madame," said the attorney-general aloud, as a
smile passed over his lips, "the king has not the
slightest control over the pettiest judge within his
realm, nor of the pleading in the Court of Assizes.
142 SPLENDORS AND MISERIES
There lies the grandeur of our new institutions. I,
myself, have just been congratulating M. Camusot
upon his adroitness — "
"Upon his stupidity," retorted the countess
quickly, who felt far less concern at Lucien's rela-
tions with an outlaw than at his love for Esther.
"If you will read the examinations of the two
prisoners, conducted by M. Camusot, you will see
that everything depends upon him — "
After this remark, the only one that the attorney-
general allowed himself to hazard, and after a look
of feminine, or rather, perhaps, of judicial subtlety,
he turned toward the door. As he stood on the sill
he turned and added :
"Pardon me, madame, 1 have a word or two to
say to Bauvan. ' '
This, in the language of society, signified to the
countess, "I cannot be a witness of what is about to
pass between you and Camusot. ' '
"What are these examinations.'" asked Leon-
tine gently of Camusot, who stood abashed in the
presence of the wife of one of the great officers of
state.
"Madame," replied Camusot, "a clerk takes
down in writing the questions of the judge and the
answers of the prisoners ; the report is signed by
the clerk, by the judge, and by the prisoner. Sub-
sequent proceedings are built upon the foundation
of these reports, which determine the indictment
and the committal of prisoners to the Court of
Assizes."
THE END OF BAD ROADS 143
"Well," answered she, "suppose that these re-
ports be suppressed?"
"Ah! madame, that would be a crime such as no
magistrate could commit, a crime against society!"
"To write them was a far greater crime against
me ; but at present there is no other proof against
Lucien. Read me his examination so that we may
know whether there is any expedient left which
can save us all, sir. My own peace is not alone at
stake, for I would go to my grave cheerfully ; the
happiness of M. de Serizy depends upon the result."
"Madame," said Camusot, "do not imagine that
I have forgotten the gratitude which I owe you.
Had M. Popinot, for instance, been intrusted with
this examination, you would have been still more
unfortunate than you are with me; for he would
never have come to consult the attorney-general,
and all that has passed would be a mystery.
Why, madame, all M. Lucien's effects were seized,
even your letters — "
"Oh! my letters!"
"Here they are, sealed," said the magistrate.
In her perturbation, the countess rang the bell as
though she had been at home, and the attorney-gen-
eral's ofiSce boy appeared.
"A light," said she.
The boy lighted a candle and placed it upon the
mantel-piece, while the countess collected her let-
ters, counted them, crumpled them in her hand and
threw them into the fireplace. Then twisting the
last letter with her fingers she used it as a torch to
144 SPLENDORS AND MISERIES
light the mass of papers. Camusot stood stupidly
watching the blaze, with the two reports in his
hand. The countess, who appeared solely occu-
pied with the annihilation of every proof of her ten-
derness, observed the judge from the corners of her
eyes. She chose her time, she calculated her move-
ments, and suddenly, with the agility of a cat, she
seized the two examinations and flung them into the
fire. Camusot snatched them from the blaze;
the countess, springing at the judge, seized the
burning papers.
A struggle followed, while Camusot was crying
out, "Madame! madame! you are attempting —
madame — " a man dashed into the office, and the
countess could not restrain a cry as she recognized
the Count de Serizy, followed by M. de Bauvan and
the attorney-general. Even then, Leontine, deter-
mined to save Lucien at any cost, did not relax her
grasp from the fatal stamped papers, which her
fingers clasped with the strength of pincers, although
the flame made her delicate skin look as though it
had been cauterized. Camusot, whose fingers were
also singed, appeared ashamed of his position and
loosened his hold. Of the papers nothing remained
except the portion that had been clinched by the
struggling hands, so tightly that the fire could not
reach Jt. This entire scene passed more quickly
than the moment required to read its recital.
"What can there be between you and Madame de
Serizy which admits of dispute?" demanded the
Minister of State of Camusot.
THE END OF BAD ROADS 145
Before the judge could answer, the countess held
the papers in the flame of the candle and tossed
them upon the fragments of her letters which the
fire had not entirely consumed.
"It will be my duty," said Camusot, "to enter
a complaint against Madame la Countess,"
"Eh! What has she done?" inquired the attor-
ney-general, looking alternately at the countess and
the judge.
"I have burned the examinations," answered the
woman of fashion with a laugh; for Leontine was
so happy at the success of her desperate venture that
she was still unconscious of her burns. "If it's a
crime, why in that case this gentleman can write
his horrible scrawls over again."
"It is true," replied Camusot, endeavoring to re-
cover his dignity.
"After all, everything is for the best," said the
attorney-general. "But, my dear countess, it would
be unsafe to take such liberties with the magistracy
often, for it might fail to recognize you."
"M. Camusot has courageously resisted a woman
whom nothing can resist: the honor of the gown is
saved!" said the Count de Bauvan, laughing.
"Ah! M. Camusot resisted .?" said the attorney-
general laughing in his turn ; "he is audacity itself,
I should never have dared to lift a finger against the
countess. ' '
Thus, in a moment, this gravely criminal offence
became the joke of a pretty womanj, and Camusot
laughed over it himself.
146 SPLENDORS AND MISERIES
The attorney-general noticed one man who did not
laugh. Justly alarmed by the attitude and the ex-
pression of the Count de Serizy, M. de Granville
took him aside.
"Myfriend," whispered he, "your sorrow hasde-
termined me to compound with my conscience for
the first and only time in my life."
The magistrate rang ; the office boy appeared.
"Tell M. de Chargeboeuf to come and speak with
me."
M. de Chargeboeuf, a young man recently ad-
mitted to the bar, was the attorney-general's secre-
tary.
' ' My dear sir, ' ' replied the attorney-general, draw-
ing Camusot toward the embrasure of the window,
"go to your office ; make out anew, with your clerk's
help, the examination of the Abbe Carlos Herrera,
which, as it was without a signature, can be begun
again without difficulty. ' ' To-morrow you will con-
front this Spanish diplomat with De Rastignac and
Bianchon, who will not recognize him as our Jacques
Collin. Upon his release he will sign his examina-
tion. As for Lucien de Rubempre, set him at liberty
to-night, for he will not be the man to disclose the
examination when the report has been suppressed,
especially after the warning which I shall give him.
The Ga^^tte des Tribunaux will announce in to-
morrow's issue the young man's immediate release.
Now let us see whether justice suffers by these
measures. If the Spaniard is the convict we have
a thousand and one means of rearresting him, and
THE END OF BAD ROADS 14/
of examining him a second time, for we shall re-
ceive diplomatic intelligence concerning his conduct
in Spain ; Corentin, the chief of the counter-police,
will shadow him, and thus he will never be beyond
our reach; thus it is better to treat him well rather
than to incarcerate him longer in solitary confine-
ment Have we a right to kill the count, the Coun-
tess de Serizy, and Lucien to boot, for a robbery of
seven hundred and fifty thousand francs, still un-
proved, and committed to Lucien's detriment?
Would it not be better to let him lose this amount,
than to let him lose his reputation? Above all,
when he drags downward in his fall a min-
ister of state, his wife, and the Duchess de Mau-
frigneuse ? This young man is a tainted orange,
don't let it rot The whole thing won't take half
an hour. Go, we wait for you. It is half after
three, the judges have not all gone ; find out for me
whether you can obtain a verdict of insufficient evi-
dence — or perhaps Lucien can wait until to-morrow
morning."
Caniusot left the room with a low bow, which
Madame de Serizy, stung with the pain of her
scorched hand, did not return. M. de Serizy who
had hastened from the office while the attorney-gen-
eral was talking with the judge, now returned with
a small pot of pure wax, with which he dressed his
wife's hands as he whispered :
"Leontine, why did you come without telling
me?"
"Dearest,"' she answered in his ear, "pardon
148 SPLENDORS AND MISERIES
me ; you think me mad ; but it was for your sake as
well as mine."
"Love this young man, if fate will have it so;
but don't flaunt your passion in the eyes of the
world," replied her poor husband.
"My dear countess," said M. de Granville, after
some conversation with the Count Octave, "I trust
that you will take M. de Rubempre home to dine
with you to-night."
This half promise aroysed so strong a reaction in
Madame de Serizy that she burst into tears.
"I thought that I had done with weeping," said
she, with a smile; "could you not summon M. de
Rubempre hither?"
"I'll try to find ushers to spare him the com-
pany of gendarmes," replied M. de Granville.
"You are kind as an angel !" said Leontine to the
attorney-general, with an effusion of tenderness
which transformed her voice into divine music.
"Such women as she are always fascinating, irre-
sistible! — " said the Count de Bauvan to himself,
as a melancholy picture of his own wife crossed his
mind. (See Honorine, in the Scenes of Private
Life.)
On his way out, M. de Granville was stopped by
the young de Chargebceuf, to whom he gave in-
structions concerning the account which should be
given to Massol, one of the editors of the Galeae des
Tribunaux.
While pretty women, ministers and magistrates
alike, were conspiring to save Lucien, the wretched
prisoner was spending his time as follows: As he
passed through the wicket, the poet stated at the
record office that M. Camusot had given him per-
mission to write, and asked for pens, ink and
paper. M. Camusot's usher whispered a word in
the warden's ear, and a turnkey was immediately
given orders to fulfill the request. During the few
minutes which the turnkey required to collect the
requisite articles and deliver them at Lucien's
door, that unhappy young man, to whom the
thought of confrontation with Jacques Collin
seemed insupportable, sank into one of those
fatal meditations wherein the idea of suicide, to
which he had already yielded without accomplish-
ing his purpose, reaches the proportions of madness.
According to several distinguished physicians who
have made a specialty of mental disease, suicide, in
certain organizations, is the termination of insanity ;
but since his arrest, this determination had re-
mained fixed in Lucien's brain. Esther's letter,
reread many times, increased his longing for death,
and recalled to his mind how Romeo had at length
been restored to his Juliet. This is what he wrote:
(149)
150 SPLENDORS AND MISERIES
"THIS IS MY TESTAMENT.
"The Conciergerie,
"This fifteenth day of May, 1830.
"I, the undersigned, do give and bequeath to the
children of my sister, Madame ^ve Chardon, wife
of David Sechard, formerly a printer in AngoulSme,
and of M. David Sechard, all my property, whether
personal or otherwise, which shall belong to me on
the day of my death, deduction being made for pay-
ments and for legacies which I request my testa-
mentary executor to arrange.
"I beg of M. de Serizy to accept the charge of be-
coming my testamentary executor.
Payment is to be made : i. To the Abbe Carlos
Herrera the sum of three hundred thousand francs.
2. To the Baron de Nucingen, that of fourteen
hundred thousand francs, which is to be dimin-
ished by the sum of seven hundred and fifty thou-
sand francs in case that the money stolen from the
domicile of Mademoiselle Esther be recovered.
" I give and bequeath, as heir of Mademoiselle
Esther Gobseck, the sum of seven hundred and
sixty thousand francs to' the alms houses of Paris,
to be devoted to the purpose of founding an asylum
to be set apart for the use of fallen women who wish
to abandon their career of vice and of perdition.
"Furthermore, I bequeath to the alms houses the
sum necessary for the purchase of five per cent
bonds yielding thirty thousand francs a year;
THE END OF BAD ROADS 1 51
whereof the annual interest is to be devoted twice
each year to the deliverance of persons imprisoned
for debt, whose obligations amount at the most to
two thousand francs. The administrators of the
alms houses shall make their choice from among the
most honorable of the imprisoned debtors.
"I request M. de Serizy to devote a sum of forty
thousand francs to raising a monument to the mem-
ory of Mademoiselle Esther in the Cemetery of the
East, and I earnestly request to be buried by her
side. This tomb is to be made after the fashion of
ancient monuments ; it shall be square, figures of us
both carved in white marble shall lie upon its sur-
face ; the heads reclining upon cushions, the hands
joined and pointed toward heaven. This monu-
ment shall have no inscription.
"I request M. the Count de Serizy to give to M.
Eugene de Rastignac, as a souvenir, the dressing-
table that will be found in my house.
"Lastly, in virtue of his position, I request my
testamentary executor to accept the gift which I
make him of my library.
"LUCIEN CHARDON de RUBEMPRE."
This testament was inclosed within a letter
addressed to the Count de Granville, attorney-gen-
eral of the Royal Court at Paris, which ran as
follows :
"Monsieur le Count:
"1 intrust my will to your keeping. When you
unfold this letter 1 shall have ceased to be. In my
152 SPLENDORS AND MISERIES
desire to recover my liberty I have answered so
pusillanimously the crafty questions of M.
Camusot, that in spite of my innocence, I can be
incriminated in a disgraceful trial. Even in case
1 were acquitted without spot, life would still be
impossible in the face of a captious world.
"Give, I beg you, the enclosed letter to the Abbe
Carlos Herrera, unopened, and forward to M. Camu-
sot's hands the formal retraction which is included
within this cover,
" I do not think that my gaolers will dare open a
packet which is addressed to you. Trusting in this,
I bid you good-bye, offering you my respects for the
last time and asking you to believe that in writing
to you I give you a token of my gratitude for all the
kindnesses whichjyou have heaped upon your dead
servant,
"LUCIEN deR."
"TO THE ABB^ CARLOS HERRERA.
"My Dear Abbe:
"From you I have received naught but benefits,
and yet I have betrayed you. This , involuntary
ingratitude kills me, and when you read these lines
I shall have ceased to live; you cannot be at my
side to save me.
"You have given me full permission to ruin you
and to cast you from me like the butt of a cigar, if
by so doing I might secure some advantage for my-
self; but I have sacrificed you stupidly. Simply to
THE END OF BAD ROADS 1 53
extricate himself from danger, deceived by an artful
question of the judge, I, your spiritual son, him
whom you have adopted, has ranged himself in the
ranks of those who wish to murder you at any
cost by establishing a false identity between you
and a French scoundrel. This is the whole story.
"Between a man of your power and me, of whom
you wished to make more great than I could ever
have been, there must be no exchange of idle re-
proaches at this moment of eternal separation. You
desired to make me powerful and glorious ; you have
hurled me into the abyss of suicide; this is all.
It is a long time since I have ceased to hear the
whirr of the mighty wings of giddiness swooping
down upon me.
"There is the posterity of Cain as well as that of
Abel, as you have sometimes said. In the great
drama of humanity, Cain is the enemy. You are
descended from Adam by that line whose flame the
devil has fanned unceasingly since its first spark
fell upon Eve. Among the demons of this race there
appear from time to time terrible beings whose vast
organizations contain the sum of all the powers of
man, and who are like those restless beasts of the
desert that need the immense solitudes they inhabit
Creatures like these are as dangerous to society as
lions turned loose in the heart of Normandy. They
need a pasturage, they devour common men and
browse upon the money of fools. Their very games
are so perilous that at length they kill the meek
dog which they have chosen for a companion, for
154 SPLENDORS AND MISERIES
an idol. When God so wills it, these mysterious
beings are Moses, Attila, Charlemagne, Mohammed,
or Napoleon; but when he lets these gigantic
instruments rust at the bottom of the ocean of a
generation, they are but Pugatcheff, Fouche,
Louvel, or the Abbe Carlos Herrera, Endued
with boundless influence over sensitive souls,
they attract them and grind them to powder. It
is great, in its way it is beautiful. It is the
venemous plant of gorgeous colors which fasci-
nates children in the woods. It is the poetry of
evil. Men such as you should dwell in caverns
and never come forth. You have made me live this
giant life and I have finished my full measure of
existence. Thus I may draw my neck from the gor-
dian knots of your projects to slip it into the run-
ning noose of my cravat.
"To repair my fault I transmit to the attorney-
general a full retraction of my examination. — You
will find this document of advantage to you.
' ' By the wish formally expressed in my testament,
you will receive the sums belonging to your order,
which you have very imprudently expended in my
behalf, on account of the fatherly affection which
you have displayed toward me.
"Adieu, then, adieu, mighty statue of Evil and of
Corruption. Adieu, you who, in the path of right,
might have been more than XimenSs, more than
Richelieu! You have kept your promises; once
more I find myself such as I was upon the bank
of the Charente after having owed to you the
THE END OF BAD ROADS 155
enchantments of a dream ; but, unhappily, it is no
longer the river of tny native place wherein 1 was
about to drown all my boyhood's sins; it is the
Seine, and my pit is a cell of the Conciergerie.
"Do not regret me; my contempt for you was
as great as my admiration.
"LUCIEN."
" DEPOSITION.
"I, the undersigned, declare that 1 retract every
word that is contained in the examination which M.
Camusot forced me to undergo this day.
"The Abbe Carlos Herrera was very apt to call
himself my spiritual father, and I allowed myself to
be deceived by this word, understood by the judge
in another sense, doubtless by mistake.
"1 know that for political ends, in order to bury
certain secrets which concern the cabinets both of
Spain and of the Tuileries, obscure agents of diplo-
macy are endeavoring to identify the Abbe Carlos
Herrera with a convict named Jacques Collin ; but
the Abbe Carlos Herrera has made me his confi-
dant in this respect only so far as relates his efforts
to procure authentic proof of the death or the exist-
ence of Jacques Collin."
"The Conciergerie, this fifteenth day of May, 1830.
"LUCIEN DE RUBEMPRE."
The fever of sucide lent Lucien great clearness of
ideas, and that dexterity of hand which authors
156 SPLENDORS AND MISERIES
know when they are a prey to the fever of compo-
sition. The change wrought in him was so great
that these four documents were written within the
space of half an hour. He made the papers into a
packet, closed it by means of wafers, and stamped
upon it the impress of his arms from the ring he
wore upon his finger with the feverish strength of
delirium. Surely it would have been difficult to
behave with more dignity in the false situation
into which a life of infamy had plunged Lucien; he
was saving his memory from opprobrium, and re-
pairing the evil which he had done his accomplice
so far as the wit's cleverness could efface the effects
of the poet's disclosure.
Had Lucien been confined in one of the solitary
cells he would have been encountered at the outset
by the impossibility of accomplishing his design,
for these boxes of freestone have no other furniture
than a kind of camp-bed and a bucket. There is not
a nail, not a chair, not even a stool. The bed is so
firmly fixed that it cannot be moved without an
operation which would probably alarm the turn-
key, for the iron-bound peep-hole is always open.
As a further safeguard, whenever the prisoner
arouses suspicion he is carefully watched by a gen-
darme or detective. In the apartments of the pis-
tole, as in that which Lucien occupied on account
of the consideration which the judge thought fit to
show toward a young man belonging to the best
society in Paris, the movable bed, the table and the
chair are of service in eifecting a suicide, although
THE END OF BAD ROADS 1 57
they do not render it an easy matter. Lucien wore
a long blue silk cravat, and as he walked back from
the examination his mind was already meditating
upon the manner in which Pichegru had met a
more or less voluntary death. To hang himself a
man must have a fixture from which the rope can
depend and sufficient space between his body and
the ground to prevent his feet from receiving any
support. The window of Lucien's cell, looking out
upon the prison yard, was without a sash, while the
iron bars clamped to the exterior of the wall, did not
lend themselves to his purpose.
Lucien's rapid investigation speedily suggested
this plan to consummate his suicide. If the screen
that covered the aperture cut off Lucien's view of
the prison yard, this screen likewise prevented the
guards from perceiving what was happening within
the cell ; although in the lower part of the window
the glass had been replaced by two stout planks,
the upper portion still preserved small lights held
in place by the crossbars which framed in the glass.
By standing upon his table Lucien could reach
the glazed division of his window, and remove or
break two lights in such a way as to make of the angle
of the lowest crossbar a support strong enough to
bear his weight. His design was to pass his cravat
over this, wind it once about his neck, knot it firmly
and kick the table from beneath his feet.
Lucien pushed the table noiselessly toward the
window ; he took off his coat and waistcoat, and
then without hesitation stepped upon the table to
158 SPLENDORS AND MISERIES
break the pane above and that below the lowest
crossbar. When he stood upon the table he could
look out upon the prison yard, a magical sight of
which he now caught sight for the first time. The
warden of the Conciergerie, having received in-
structions from Camusot to treat Lucien with the
utmost consideration, had ordered the gendarmes to
lead their prisoner through the interior passages
of the Conciergerie, the entrance of which is in the
dark vault opposite the Tour d' Argent, and thus to
avoid exhibiting the young and elegant Lucien to
the crowd of criminals who are always walking in
the prison yard. The reader will judge whether
this scene is of a nature to print a deep impression
on a poet's soul.
The yard of the Conciergerie is bounded upon the
quay by the Tour d'Argent and by the Tour
Bonbec ; and its extent is plainly marked from with-
out by the space which separates them. The gal-
lery, named after Saint Louis, which leads from
the Galerie Marchande to the Court of Appeals and
to the Tour Bonbec, where tradition still points
to the closet of Saint Louis, can describe to accur-
ate observers the extent of the prison yard, with
which it is of equal length. The solitary cells and
the pistoles are situated beneath the Galerie Mar-
chande. Thus the Queen Marie Antoinette, whose
dungeon lies beneath the present solitary cells, was
led to the revolutionary tribunal then sitting in the
solemn court of audience of the Court of Appeals by
means of a gloomy stairway now condemned, built
THE END OF BAD ROADS 159
against the massive walls that uphold the Galerie
Marchande. One side of the prison yard, that of
which the first story is occupied by the Galerie de
Saint Louis, displays a long line of Gothic columns,
and between these the architects of some epoch
have constructed a double tier of cells, designed to
accommodate the greatest possible number of prison-
ers, and have covered with plaster, bars and bolts
the capitals, arches and the shafts of this magnifi-
cent gallery. Beneath the so-called cabinet of Saint
Louis, in the Tour Bonbec, a spiral stair winds up
to these cells. This prostitution of one of the
grandest monuments of France is hideous to see.
From the height at which Lucien was placed,
looking obliquely from his window, he could view
this gallery and the details of the building which
connects the Tour d' Argent with the Tour Bonbec;
he saw the pointed roofs of the two towers. He
stood in silent wonder; his death was delayed by
his admiration. In our time the phenomena of hal-
lucination are so freely admitted by physicians that
this mirage of our senses, this curious faculty of our
minds, is no longer contestable. Beneath the im-
pulse of a feeling, raised by its intensity to the
height of a monomania, a man falls into the same
condition that is produced by opium, haschisch, , or
protoxyde of asote. At such times spectres and
phantoms arise, dreams become incarnate in bodil}/^
forms, things long destroyed revive in their ancient
shapes. That which within the brain lived but as
an idea, becomes an animated and living creature.
l6o SPLENDORS AND MISERIES
Modern science believes that beneath the strain of
this paroxysm of passion, the brain is suffused with
blood and that this congestion produces the alarming
creations of waking dreams, so strongly does it object
to considering thought as a live and generating
force. — See Louis Lambert, Philosophical Studies. —
Lucien beheld the palace in all its primitive beauty.
The colonnade was slender, young, fresh. The
dwelling of Saint Louis reappeared as it had been
of old, and he marveled at its Babylonian propor-
tions and its oriental fancifulness. He received the
glorious vision as a poetic adieu to civilized crea-
tion. As he prepared to die, he asked himself why
this marvel had so long existed unknown in Paris.
There were two Luciens, Lucien, the poet, walking
through the Middle Ages beneath the arcades and
turrets of Saint Louis; and Lucien, preparing for
suicide.
Just as M. de Granville had given his final in-
structions to his young secretary, the warden of the
Conciergerie appeared, and the expression of his
countenance foretold misfortune to the attorney-
general.
"Have you met M. Camusot?" he asked.
"No sir," replied the warden. "His clerk,
Coquart, told me to relax the severity of the Abbe
Carlos' confinement and to release M. de Rubempre
altogether; but it is too late."
' ' Good God ! What has happened .'' '
"Here, sir," said the warden, "is a packet of
SUICIDE OF LUCIEN
When the cell door was opened, and the countess
saw Lucien hanging as though his garments were
suspended from a peg, she bounded toward him to
seize and clasp him to her.
v'.-a\T'\i "Ao a.di'^iwjz
ii-i^s^wo-i 'l'^^ Viwft ,\i'i«'b\ft law -^ci^iV \\"i-> 'isVi sx'iiVlJ
.T)\\ (i^ \»\'u\ \lft\-i \>'Aft 'at'vjl
/?-rf^ 'to /,, t) "^
J I I
THE END OF BAD ROADS l6l
letters for you which will explain the catastrophe.
The sentinel in the prison yard heard the sound
of breaking glass coming from the pistole, and a
prisoner in the next cell to M. Lucien's shrieked
aloud for he could hear the death agony of the poor
young man. The sentinel returned pale with fright
at the sight which he had seen. The prisoner had
hung himself from the sash by means of his cravat "
Although the warden was speaking in a low
voice, the terrible cry that Madame de Serizy
uttered proved that in the crisis of life our organs
are endowed with incalculable power. The coun-
tess heard or divined the truth. Before M. de
Granville could turn round, before her husband or
M. Bauvan could block her rapid course, the coun-
tess darted like an arrow through the doorway,
reached the Galerie Marchande, and rushed through
it as far as the staircase which leads to the rue de
la Barillerie.
A barrister was taking off his gown before the
door of one of those shops which for so many years
encumbered the gallery with their busy trade in
shoes and caps and gowns. The countess asked the
way to the Conciergerie.
"Go down and turn to the left. The entrance
is on the quai de I'Horloge, in the first arcade."
"The woman's mad!" said the shop-girl, "you
must follow her."
Nobody could have followed L^ontine ; she flew.
A doctor must explain how these women of society,
whose strength has long been unexercised, can find
l62 SPLENDORS AND MISERIES
such a reserve of power at the great crisis of life.
The countess dashed through the arcade toward the
wicket so swiftly that the gendarme on duty did not
see her pass. She flung herself against the grating
like a feather whirled by some mighty wind ; she
shook the iron bars with such fury that one of them
snapped in her hands; she crushed her breast against
the jagged points until the blood spurted, andthen
she fell to the ground, crying, "Open! open!" in a
voice at which the guards shuddered.
The turnkey ran to the gate.
"Open! I am sent by the attorney-general to
save the dead." —
As the countess was making this detour by the
rue de la Barillerie and the quay de I'Horloge, M
de Granville and M. de Serizy, guessing her in-
tention, hurried to the Conciergerie through the
interior of the palace, but in spite of their haste,
they did not arrive until the moment when the gen-
darmes, whom the noise had summoned from their
guard room, were raising the fallen body of the coun-
tess who had fainted before the outer wicket On
the appearance of the warden of the Conciergerie the
wicket opened and the countess was carried into the
record office. Springing suddenly to her feet
Leontine clasped her hands and fell upon her knees.
"To see him, only to see him! Oh, gentlemen,
1 shall do no harm ; if you don't wish to see me die
before your eyes let me look at Lucien, living or
dead. Ah ! my dear husband, you are there too.
Choose between my death or — "
THE END OF BAD ROADS 163
She sank to the floor.
"You are good," she murmured; "I will love
you. ' '
"Carry her away,' said M. de Bauvan.
"No, let us go to Lucien's cell," said M. de Gran-
ville, reading M . de Serizy's intention in his disor-
dered look.
He caught hold of the countess, raised her to her
feet and supported her by one arm while M. de
Bauvan upheld her by the other.
"Sir," said M. de Serizy to the warden, "be
silent as death in regard to all this."
"Rely upon me," replied the warden. "You have
acted wisely. This lady — "
"Is my wife."
"Ah! Pardon me, sir. She is certain to faint
when she sees the young man, and while she is un-
conscious she can be taken to a carriage."
"I thought of that," said the count; "send one of
your men to.the Cour de Harlay to tell my grooms to
come to the wicket My carriage is there, alone."
"We can save him," said the countess, walking
with a courage and strength that amazed her friends.
"He can be brought back to life — "
She dragged the two magistrates along, crying
out to the keeper :
"On; on, faster! Every second is worth the
lives of three men!"
When the cell door was opened, and the countess
saw Lucien hanging as though his garments were
suspended from a peg, she bounded toward him to
l64 SPLENDORS AND MISERIES
seize and clasp him to her; but, suddenly she fell
face downward upon the floor of the cell, uttering
shrieks that were stifled by a rattle in her throat.
Five minutes later she was lying in the count's car-
riage on her way to her hotel, stretched at full
length on one of the cushions, while her husband
knelt at her side. The Count de Bauvan had
hurried for a physician to bring timely relief to the
countess.
The warden of the Conciergerie examined the
outer grating of the wicket, and said to his clerk :
"No expense has been spared! The iron bars
were forged ; they have been tested, and cost dear
enough, too; yet there was a flaw in that spike!"
When the attorney-general reached his office he
was obliged to give other instructions to his secre-
tary. Luckily Massol had not yet returned.
A few moments after the departure of M. de Gran-
ville, who had hastened off to see M. de Serizy,
Massol arrived to find his fellow barrister, De Char-
gebceuf, in the attorney-general's office.
"My friend," said the young secretary, "if you
wish to do me a favor, you will insert in to-mor-
row's number of your Gazette the lines that I am
going to dictate to you in the place which you assign
to judicial news. Print at the head of the column.
Write!"
He dictated as follows :
"It has been fully proved that Mademoiselle
Esther Gobseck killed herself voluntarily.
THE END OF BAD ROADS 165
"The satisfactory alibi of M. Luciende Rubempre
and his complete innocence make his arrest still
more a matter of regret, inasmuch as, at the moment
when the examining judge was on the point of giv-
ing orders for his release, the young man died very
suddenly."
"I have no need," said the young lawyer to
Massol, "to recommend to you the utmost discre-
tion in the small service which is asked of you. ' '
"Since you do me the honor of placing your con-
fidence in me," replied Massol, "I will take the
liberty of making a suggestion. This notice will
lead to disagreeable imputations upon justice."
"Justice will be strong enough to support them,"
replied the young novice of the bar with all the
pride of a future magistrate educated by M. de
Granville.
"My dear sir, if you will allow me, I can avoid
this mishap by two sentences.
The barrister wrote as follows :
"The forms of justice have nothing to do with
this melancholy event. The autopsy which took
place immediately proved that death was due to the
rupture of an aneurism in its last stage. Had M. de
Rubempre been affected by his arrest, his death
would have taken place much sooner than it actually
did. But we believe we can safely afifirm that far
from being afflicted by his arrest, this much-
lamented young man laughed at it, and told the
l66 SPLENDORS AND MISERIES
gendarmes who had escorted him from Fontaine-
bleau to Paris that his innocence was certain to be
recognized the instant that he should be taken
before a magistrate. ' '
"Does not that avert all danger ?' ' — demanded the
barrister-journalist.
"You are right."
"The attorney-general will be very much pleased
with you to-morrow," replied Massol, adroitly.
And now for most readers, and especially for the
more fastidious, this study, perhaps, seems quite
completed by the deaths of Esther and of Lucien ;
perhaps, however, Jacques Collin, Asia, Europe and
Paccard are of sufficient interest to induce the
reader to follow their fortunes to the end. This last
act of the drama may, moreover, complete the pic-
ture of manners and customs so far as the limits of
this story will allow, and finish the story of divers
fortunes, still untold, which Lucien's life has so
curiously interwoven, mingling some of the vilest
figures of the galleys with persons in the highest
walks of life we have seen.
Thus we have seen that the greatest events of
human life are exemplified by the pettiest details
of life in Paris, whether they are true or false ; and
the same truth holds good of many things far more
august than these.
THE LAST INCARNATION OF
VAUTRIN
'iSi^i^,t,^^£u^ /fSf^^ SS
THE ATTORNEY-GENERAL, M. GAULT
AND COLLIN
M. de Granville looked carefully at Jacques Collin
and saw that he was outwardly calm, but he soon
perceived the truth of what the director had told
him. The convict's deceptive attitude hid the cold
and terrible irritation of the nerves of a savage.
Volcanic fire was smouldering in his eyes and his
hands were clenched ; he was like a tiger.
THE LAST INCARNATION OF VAUTRIN
"What is the matter, Madeleine?" asked Madame
Camusot, as her waiting-maid entered her chamber,
with that troubled expression which servants assume
at critical seasons.
"Madame," replied Madeleine, "M. Camusot has
just returned from the palace ; but he looks so upset
and miserable that perhaps madame had better go
at once to see him."
"Did he say anything?" asked Madame Camusot.
"No, madame; but we have never seen him look
as he does ; he will probably be very ill indeed ; he
is yellow; he seems to be going to pieces and — "
"Without waiting for the end of this sentence
Madame Camusot rushed from the room and went
to her husband's study. She found the judge seated
in an arm chair, with his legs stretched rigidly in
front of him, his head thrown back, his hands hang-
ing lirnp at his sides, his face white, his eyes star-
ing exactly as if he were about to swoon.
"Dearest, what is the matter with you?" asked
the young wife in alarm.
"Ah ! my poor Amelie, the saddest thing has hap-
pened. — It makes me shudder still. Just imagine;
the attorney-general — no, Madame de Serizy — I
don't know where to begin. ' '
(169)
I70 SPLENDORS AND MISERIES
"Begin at the end!" — said Madame Camusot
"Well, then, I was in the Council Chamber of
the Superior Court. M. Popinot had just written
the last requisite signature at the conclusion of my
report of insufficient evidence which was to give
Lucien de Rubempre his liberty; in fact every-
thing was over, the clerk was carrying away the
minutes of the proceedings, I was just about to
wash my hands of the whole affair, when suddenly
in comes the president of the tribunal and examines
the verdict.
" 'You are releasing a corpse,' said he, with cold
irony ; 'this young man has gone, to use M. de Bon-
ald's expression, before his natural judge. He has
been struck dead by a violent attack of apoplexy. '
" — I breathed more freely, supposing that it was
an accident.
" — 'If I understand aright, sir,' said M. Popinot
to the president, 'it was an attack of apoplexy like
Pichegru's,' —
" — 'Gentlemen,' continued the president, in his
grave manner, 'you must know that, so far as the
world is concerned, young Lucien de Rubempre has
died through the rupture of an aneurism. '
"We all looked at one another.
" — 'High interests are entangled in this sad
affair,' said the president; 'God grant, for your
sake, M. Camusot, although you have but done
your duty, that Madame de Serizy does not go
mad from the blow which she received ; she was
carried away more dead than alive. I have just
THE LAST INCARNATION OF VAUTRIN 171
met our attorney-general in a state of despair pain-
ful to see. — My dear Camusot,' he added in my
ear, 'you took the wrong tack that time. '
"So, my dearest, when 1 was ready to come
away, I could scarcely walk. My legs were trem-
bling so that I dared not venture into the street, and
I went into my ofifice to lie down, and then Coquart,
who was arranging the documents of this unlucky
trial, told me how a beautiful lady had taken the
Conciergerie by storm ; how she had tried to save
Lucien, with whom she is madly in love, and how
she fainted dead away when she saw him hang-
ing by his cravat from the window sash in his cell.
The thought that the manner in which I examined
this unhappy young man — who, between you and
me, was clearly guilty — had been the cause of his
suicide, has pursued me from the moment I left the
palace, and I have been on the point of fainting ever
since. ' '
"So, you are going to think yourself a murderer
because a prisoner hangs himself in prison just as
you were about to release him?" — cried Madame
Camusot "A judge in your position is like a gen-
eral who has had a horse shot under him. — That's
all."
"My dear, these comparisons are at the best but
jokes, and this is no time for joking, in this case
death kills life. Our hopes are buried in Lucien's
coffin."
"Really?" — said Madame Camusot with an ac-
cent of profound irony.
172 SPLENDORS AND MISERIES
"Yes; my career is over. I shall remain all my
life long a mere judge of the Tribunal of the Seine.
Even before this fatal event, M. de Granville was
very dissatisfied with the turn which the examina-
tion was taking; but his speech to our president
makes me certain that so long as M. de Granville is
attorney-general, I shall never be promoted!"
Promotion! That is a terrible word; an idea
which in our era transforms the magistrate into the
functionary.
In former times the magistrate had already re-
ceived all the honors he had a right to expect
Three or four presidencies of Chambers satisfied
the ambitious spirits of each parliament. A coun-
sellorship contented a De Brosses as well as a Mole,
either at Dijon or at Paris. This position, a for-
tune in itself, required a great fortune to be
maintained with dignity. In Paris, outside of par-
liament, lawyers can aspire to but three great
prizes: the comptroller-generalcy, the seals, and the
chancellor's robe. Below the dignity of the parlia-
mentary sphere, the deputy of a Court of Judicature
considered himself a personage of suificient distinc-
tion to rest upon his laurels. Contrast the position
of a councillor of the Royal Court at Paris in 1829,
whose entire fortune was bounded by the limits of
his salary and that of a councillor of the Parliament
in 1729. Vast is the difference! To-day, when
money has become the universal guarantee of soci-
ety, the great wealth which magistrates formerly
possessed is no longer required of them ; thus we
THE LAST INCARNATION OF VAUTRIN 173
see parliamentary deputies, peers of France, heap-
ing magistracy on magistracy, becoming judges and
legislators at once, borrowing importance from posi-
tions other than those upon which alone their repu-
tation should rest.
In a word, magistrates never cease to think of
distinguishing themselves in order that they may
be promoted as a man is promoted in the army or in
the administration.
Even if this thought does not affect a magis-
trate's independence, it is too well-known, too nat-
ural, and its effects are too evident to allow the
dignity of his office to remain untarnished in the
public eye. The salaries paid by the state meta-
morphose priest and magistrate to clerks. The
possibility of advancement stimulates ambition, and
fosters a desire to please the powers that be, while
the modern dogma of equality places the judge
upon the same social footing with men who are
amenable to his jurisdiction. Thus the two pillars
of every social system. Religion and Law, have both
grown less in this XlXth century, the so-called age
of universal progress.
"Why should your chances of promotion fail.'"
said Amelie Camusot. She cast a mocking glance
at her husband ; for she felt the necessity of encour-
aging the tool of her ambitious hopes.
"Why do you despair.'" continued she with a
gesture which painted her indifference to the pris-
oner's death. "This suicide will rejoice Lucien's
two enemies, Madam d'Espard and her cousin, the
174 SPLENDORS AND MISERIES
Countess du Chatelet Madame d'Espard is most
intimate with tiie Keeper of the Seals; and through
her you can obtain an audience with his Excellency
and tell him the secret of this affair. If the Min-
ister of Justice is on your side what have you to fear
from your president or from the attorney -general ?' '
"But the Count and Countess de Serizy!" — cried
the poor judge. "I tell you that Madame de Serizy
is stark mad ; and mad, they tell me, by my fault ' '
"If she is mad, most injudicious judge, " ex-
claimed Madame Camusot, laughing, "she cannot
harm you. Tell me all the particulars of the day. ' '
"Great heaven!" replied Camusot, "just after I
had heard the unhappy young man's confession and
when he had declared that this so-called Spanish
priest is actually Jacques Collin, the Duchess de
Maufrigneuse and Madame de S6rizy sent me a valet
with a brief note requesting me not to examine
him. All was over — "
"You must have lost your senses," said Amelie,
"for, as you can rely upon your secretary, you
might have recalled Lucien and by a little encour-
agement it would have been easy to make him alter
his deposition."
"You are exactly like Madame de Serizy in your
contempt of law!" retorted Camusot, who could not
bring himself to make a mockery of his profession.
"Madame de Serizy seized my reports and tossed
them into the fire!"
"She's a woman to be proud of! bravo!" ex-
claimed Madame Camusot.
THE LAST INCARNATION OF VAUTRIN 175
"Madame de Serizy told me that she had rather
blow up the palace than suffer a young man who
had stood high in the good graces of the Duchess
de Maufrigneuse and in her own to appear at the
bar of the Court of Assizes side by side with a con-
vict!"—
"But, Camusot," said Am^lie, who could not re-
strain a smile of superiority, "your position is
glorious. ' ' —
"Oh! yes. Glorious!"
"You have done your duty." —
"Yes, but most unfortunately and contrary to the
Jesuitical advice of M. de Granville, who met me
on the quai Malaquais — "
"This morning?"
"This morning."
"At what time?"
"At nine o'clock."
"Oh! Camusot!" said Amelia, wringing her
hands and clasping them together. "To think how
many times I have warned you to take care of
everything. Good heavens! it's not a man that I
am dragging after me, but a load of stone. — But,
Camusot, your attorney-general was waiting for
you on your way, — ^then he must have recom-
mended some course. ' '
"Yes;— he did."
"And you did not understand him! If you are
deaf, you will remain an examining judge with no-
body to examine as long as you live. Kindly have
sense enough to listen to me," she added, silencing
176 SPLENDORS AND MISERIES
her husband, who wished to defend himself. "You
think that the game is up. ' '
Camusot looked at his wife with the expression
of a peasant staring at a juggler.
"If the Duchess de Maufrigneuse and the Coun-
tess de Serizy are compromised, they must both
become your protectresses," continued Amelie.
"Madame d'Espard will obtain an audience for
you with the Keeper of the Seals ; you can tell him
your secret, and he will make use of it to amuse
the King; for all sovereigns like to know the seamy
side of things, and to learn the real motives of
events which the public gapes at in amazement
From thenceforth all danger from M. de Serizy and
the attorney-general will be at an end — ' '
"What a blessing it is to have such a wife!" ex-
claimed the judge, more cheerfully. "After all, I
have unearthed Jacques Collin, and I shall send
him to settle his accounts with the Court of
Assizes. "It is a victory in the career of an exam-
ining judge, that — "
"Camusot," interrupted Amelie, delighted to see
her husband recovering from the moral and physi-
cal prostration into which the news of Lucien's sui-
cide had plunged him. "The president told you
just now, that you had taken the wrong tack and
now you have tacked too far in the opposite direc-
tion. — You are further from your course than ever,
my dear!"
The examining judge stood looking at his wife
with an air of stupefaction.
THE LAST INCARNATION OF VAUTRIN 177
"The King and the Keeper of the Seals may be
glad to learn the secret of this trial and at the same
time be displeased to see lawyers of the liberal
party dragging to the bar of public opinion and of the
Court of Assizes, in their pleas, such names as
Serizy, Maufrigneuse and Grandlieu, in short all
those who are involved directly or indirectly in
this case."
"Every one of them is incriminated — I have
them!" exclaimed Camusot
The judge, who had risen from his seat, paced up
and down his study floor as Sganarelle does upon
the stage when he is trying to extricate himself
from some scrape.
"Listen to me, Amelie!" said the judge, halting
before his wife," a circumstance comes back to my
mind which, trivial as it seems, is of capital import-
ance in my present position. Picture to yourself,
dearest, this Jacques Collin, a colossus of craft, dis-
simulation, and of deceit, — a man of such depth —
what can I call him? — The Cromwell of the
galleys! — I have never met so shrewd a ras-
cal; he came within an ace of hoodwinking me.
— But in criminal examinations a chance thread
leads to a skein which guides a man through
the labyrinth of the darkest conscience and the
most deeply-hidden facts. When Jacques Collin
noticed that I was skimming over the papers
seized in Lucien de Rubempre's lodgings, the crafty
rogue glanced at them as if he were looking to see
whether some particular packet were among them,
178 SPLENDORS AND MISERIES
and he allowed a gesture of evident satisfaction to
escape him. This look of a thief estimating a
treasure, this prisoner's gesture, which meant, 'I
have my weapons,' taught me a world of things.
It is only you women who, like judges and prison-
ers, can gather from a single glance whole histories
of fraud more complex than a system of prison
locks. Volumes of suspicion are read in a single
second ! It is frightful ; life or death in the twink-
ling of an eye. 'The villain has other letters in
his power, ' thought I ; and then the thousand and
one other details of the case absorbed my attention.
I passed by this incident because I expected to bring
my prisoners face to face, and to clear up this matter
at a later stage of the examination. But we may
consider it certain that Jacques Collin has stowed
away in some safe spot, after the fashion of these
wretches, the most compromising letters of this
young Apollo who was adored with so much— ' '
"And yet you tremble, Camusot! You will be
president of a Chamber in the Royal Court
much sooner than I expected!" cried Madame
Camusot, whose face beamed with delight.
"Mark my words, you must behave so as to sat-
isfy everybody; for this trial has become so import-
ant that it might be stolen from us I — Did they not
take the case out of M. Popinot's hands to entrust
it to yours, at the time when Madame d'Espard
applied for an injunction against her husband?"
continued Amelie, in answer to her husband's ges-
ture of astonishment. "Now, can't the attorney-
THE LAST INCARNATION OF VAUTRIN 179
general, who takes such a lively interest in the
honor of the Count de Serizy and his wife, transfer
the case to the Royal Court and intrust it to a coun-
cillor of his own choosing, so that the whole process
may begin afresh. — "
"My dearest wife, where did you learn your crim-
inal law?" cried Camusot. "You know ever3rthing,
you are my master — "
"What! can't you see that to-morrow morning M.
de Granville will be alarmed at the probable action
of some liberal lawyer. Jacques Collin will have
no trouble in finding one, for any of them would
gladly pay him for the right to be his counsel !
These ladies know their danger quite as well, if
not better, than you ; they will make a confidant of
the attorney-general, who sees already how close
these families are to the prisoner's dock on account
of the intimacy between this convict and Lucien de
Rubempre, the accepted suitor of Mademoiselle de
Grandlieu, Lucien the lover of Esther, the former
flame of the Duchess de Maufrigneuse, the idol of
Madame de Serizy. You must, therefore, manoeuvre
in such a way as to win the affection of your attor-
ney-general and the gratitude of M. de Serizy, of
the Marchioness d'Espard and of the Countess du
Chatelet alike, to reinforce the duchess' protection
by that of the house of Grandlieu, and to invite the
commendation of your president The countess,
the duchess, and Madame Grandlieu will be my
care ; it is yours to see the attorney-general to-mor-
row morning. M. de Granville does not live with
l8o SPLENDORS AND MISERIES
his wife ; for the past dozen years he has had a mis-
tress, Mademoiselle de Bellefeuille. She has borne
him children, has she not? This magistrate is no
saint; he is a man like the rest of you; he can be
seduced ; there is some way to gain a hold upon
him. You must discover his weak point, flatter
him, ask his advice, point out to him the danger of
the case. Try to implicate him as well as yourself,
and you shall — "
"No, I ought to kiss the dust beneath your feet!"
said Camusot interrupting his wife, as he slipped
his arm about her waist and pressed her to his
heart. "Amelie, you are my saviour!"
"It was I, who dragged you from Alengon to
Mantes and from Mantes to the Tribunal of the
Seine," replied Amelie. "So you may trust me
now! Five years hence, I wish to be spoken of as
'the president's wife;' but, my love, always think
a long time before you come to a decision. A
judge's calling is not like a fireman's, there's never
a conflagration in your papers, you have time to
reflect; thus in your place stupid mistakes are inex-
cusable. — "
"The strength of my position rests entirely upon
the identity of the sham Spanish priest with Jacques
Collin," said the judge, after a long pause. "When
once this identity is firmly established, even if the
court should take cognizance of the case, it will
always be a fact of which no magistrate, judge or
counsellor, can rid himself. I shall be like the child
who has fastened an iron chain to a cat's tail ; no
THE LAST INCARNATION OF VAUTRIN l8l
matter where the prosecution is conducted, it will
always jangle Jacques Collin's irons."
"Bravo!" said Amelie.
"The attorney-general will be more anxious to
come to terms with me while 1 hold this sword of
Damocles suspended over the heart of the Faubourg
Saint-Germain than with anybody else ! But you
don't realize the difficulty of arriving at this glori-
ous result! The attorney-general and I, a few min-
utes ago in his office, agreed to take Jacques Collin
at his word, and consider him to be Carlos Herrera,
canon of the Chapter of Toledo. We have agreed
to recognize his capacity of diplomatic envoy and to
allow him to be declaimed by the Spanish Ambas-
sador. It was in accordance with this plan that I
signed the order for Lucien de Rubempre's release,
and that I began a fresh examination of my prison-
ers, making them appear white as snow. To-mor-
row de Rastignac, Bianchon, and 1 don't know who
besides, must be confronted with the self-styled
canon of the Royal Chapter of Toledo ; they will
not recognize in him Jacques Collin, whose arrest
took place in their presence some ten years ago, in
a family boarding house, where they had known
him under the name of Vautrin."
There was a moment's pause, while Madame
Camusot reflected.
"Are you positive that your prisoner is Jacques
Collin?" she asked.
"Positive," replied the judge, "and so is the
attorney-general. "
l82 SPLENDORS AND MISERIES
"Then try to create some excitement in the Palais
de Justice, but take care to lfl/s. But the good pals,
worthy offspring of the swell mob, has been for
twenty years and more the Court of Appeals, the
Institute, the Chamber, and the peerage of this
people. The good pals all possessed their own pri-
vate means, while they owned certain funds in
common and separate dwelling places. Every man
knew his mates and owed them aid and comfort in
adversity. Wholly superior to the ruse and seduc-
tive offers of the police, they possessed their own
constitution, their own pass words and signs.
These dukes and peers of the galleys had formed,
between the years 1815 and 1819, the famous
society of the Ten Thousand, — see P&re Goriot —
thus named from the constitution, by virtue of
which no member might undertake a job which
promised to yield less than ten thousand francs.
Even at the present time, in 1829 and 1830, memo-
randa are published wherein the numbers of this
society and the very names of its members are
recorded by one of the celebrities of the detective
police. The reader learned with dismay of the
existence of a great army of men and women — an
army so formidable, so adroit, and often so lucky,
that Pastourel, Collonge and Chimaux, burglars of
from fifty to sixty years of age, are mentioned as
having been in revolt against society from their
cradles! — What greater proof of the impotence of
law is there than the mere existence of robbers
grown old in crime.
THE LAST INCARNATION OF VAUTRIN 223
Jacques Collin was treasurer not only of the
society of the Ten Thousand, but also of the good
pals, the heroes of the galleys. By the testimony
of competent authorities, the galleys are never
without their treasuries. It is not difficult to
understand the reason of this peculiarity, for unless
the case be exceptional, stolen money is never
recovered. Criminals condemned to the galleys
are unable to take their gains with them, and so are
compelled to have recourse to any secret and reli-
able agency at their command, and to deposit their
wealth, just as in society people deposit their
money in some bank.
Originally, Bibi Lupin, for ten years chief of the
secret service, had been a member of the aristocracy
of the good pals. His treason was the result of
wounded pride ; he had seen his reputation eclipsed
at every step by the keen intelligence and pro-
digious strength of Trompe-la-Mort. From this
origin came the vindictive hate which the well-
known chief of the secret service cherished against
Jacques Collin; hence, likewise arose certain
mutual agreements between Bibi Lupin and his
former comrade, which now began to engross the
attention of the magistrates.
Thus, in his keen desire for vengeance, to which
the examining judge had given full rein, owing to
the necessity of establishing Jacques Collin's iden-
tity, the chief of the secret service had chosen his
allies with great shrewdness when he loosed upon
the Spaniard's trail la Pouraille, Fil-de-Soie, and
224 SPLENDORS AND MISERIES
le Biffon; for la Pouraille belonged to the Ten
Thousand, while Fil-de-Soie and le Biffon were both
members of the good pals.
La Biffe, Biffon's redoubtable mistress, who,
thanks to her numerous and fashionable disguises,
still eludes the vigilance of the police, was at large
at this time. This woman, the admirable mimic of
marchioness, baroness and countess alike, owns a
carriage and servants. This feminine Jacques Col-
lin is the only woman who can be compared with
Jacques Collin's right arm, Asia, Every hero of
the galleys, in fact, has a double in the guise of a
devoted woman. The annals of crime, the secret
chronicles of the Palais de Justice will tell you this
truth. No passionate love of an honest woman, not
even the adoration of a nun for her confessor, can
surpass the attachment of the mistress, who shares
the perils of some great criminal.
In this sphere of society, passion is almost invari-
ably the primitive reason for boundless audacity
and recklessness of murder. The excessive love
which drags them, constitutionally, as doctors say,
toward women, consumes all the moral and physical
strength of these giants of energy. Hence comes
the idleness which consumes their days; for this
violent love will admit of no rival occupation. This
infatuation accounts for their dislike to every
species of labor ; a repugnance which compels these
wretches to resort to the most rapid methods of pro-
curing money. Nevertheless, the necessity of liv-
ing, and of living in comfort, strong as it is, is but
THE LAST INCARNATION OF VAUTRIN 22$
Irifling in comparison witli the prodigality inspired
by the woman upon whom these generous Medors
heap gowns and jewels, which are received with
an insatiate desire for more. The woman desires a
shawl, the lover steals it, and the woman sees
therein a new proof of love ! Thus it is that men
come to steal, and if the human heart be examined
beneath a microscope, this sentiment will appear
almost natural. Theft leads to murder, and step by
step murder leads the lover to the scaffold.
The uncurbed physical love of these men seems
to be, if we may believe the Medical Faculty, the
origin of seven-tenths of the crimes which they
commit A palpable and striking proof of this
appears at the autopsy of a man who has been exe-
cuted. Then is made plain the adoration that the
mistress feels for her unnatural lover, the bugbear
of society. It is the feminine devotion that lies
crouched at the prison door always watchful to foil
the crafty thrusts of the examining judge ; the incor-
ruptible guardians of the blackest secrets, who ren-
der hidden mysteries impenetrable. In this wild
union lie at once the prisoner's weakness and his
strength. In the language of prostitutes, to be honest
means simply and solely never to fail in any law of
this attachment ; it means to give the last penny to
the jugged — imprisoned — man ; to hold sacred every
promise given to him, and to stop at nothing if it be
for his sake. The most cruel reproach that one of
these women can cast in another's teeth is to accuse
her of infidelity toward a smugged — apprehended —
15
226 SPLENDORS AND MISERIES
lover. A woman who has fallen to this depth is
looked upon as wholly without heart.
La Pouraille was passionately fond of a woman,
as we shall have occasion to see. Fil-de-Soie, an
egotistical philosopher, who robbed for his pocket's
sake, bore a strong resemblance to Jacques Collin's
devoted slave, Paccard, who had fled with Prudence
Servien, and seven hundred and fifty thousand
francs in the bargain. He had no attachments, he
despised women, and cared for Fil-de-Soie alone;
on the other hand Biff on, as the reader knows, owed
his nickname to his attachment for la Biffe. All
these three examples of the swell mob were deter-
mined to call Jacques Collin to accounts that would
be difficult, indeed, to settle.
The treasurer alone knew the number of deposi-
tors who still survived, and the fortune of each
one. The mortality, peculiar to his associates, had
entered into his calculations at the time when
Trompe-la-Mort had resolved to make away with
this money for the sake of the advantages that
would accrue to Lucien. Since he had successfully
avoided the researches of his comrades and of the
police for nine years, Jacques Collin felt confident
of inheriting, in accordance with the terms of the
constitution of the good pals, the property of at least
two-thirds of his depositors. Could he not, besides,
allege payments made to mown — guillotined — pals?
In a word, this chief of good pals was bound by no
restraint. His fellow convicts had no choice other
than to rely upon his probity, for the hunted lives
THE LAST INCARNATION OF VAUTRIN 227
that these creatures lead entailed the utmost delicacy
among the aristocratic class of this savage society.
Jacques Collin had stolen three hundred thousand
francs, he might, perhaps, free himself from all obli-
gations by the payment of a hundred thousand.
At this time, as the reader knows, la Pouraille, one
of Jacques Collin's creditors, had but ninety days
to live. Furnished with funds, far more consider-
able, doubtless, than those which he had entrusted
to his chief, la Pouraille was not likely to create
much disturbance.
One of the infallible tests by which prison war-
dens and their turnkeys, the police and its agents,
and even the examining magistrates recognize old
horses — ^that is to say those who have already eaten
the fare of beans which the state deals out to its
prisoners — is their evident familiarity with their
surroundings. Returned convicts are naturally no
strangers' to the customs of prison life; they are at
home, and show astonishment at nothing.
By keeping a ceaseless watch over his own
actions, Jacques Collin had thus far played to per-
fection the part of an innocent man, entirely unac-
quainted with both the Force and the Conciergerie.
But, crushed beneath the weight of grief and of a
double death, for on this fatal night he had twice
passed through death's agony, he was transformed
once again into Jacques Collin. The turnkey was
amazed when he found that the Spanish priest
needed no guidance to find his way to the prison
yard. Consummate actor as he was, Collin forgot
his part; he descended the spiral staircase of the
Tour Bonbec with the careless precipitation of an
old inmate of the Conciergerie.
"Bibi Lupin is right," muttered the turnkey to
himself; "he's an old horse, he's Jacques Collin."
At the moment when Trompe la-Mort appeared in
the frame which the doorway of the Tower formed
about his figure, the prisoners, who had completed
their purchases at the stone table of Saint Louis,
were dispersing themselves about the yard, always
too narrow for their wants. Thus everybody per-
ceived the new comer at the same instant, and with
all the more rapidity as nothing can be more perfect
than the vision which these prisoners acquire
cooped up in a yard like spiders in their webs.
This comparison is mathematically exact, for since
(229)
230 SPLENDORS AND MISERIES
his view is hemmed in on every side by high and
black wails, the prisoner, even without turning
his eyes, can see the door by which the turnkeys
enter, the windows of the parlor, of the staircase
and of the Tour Bonbec, the sole means of exit from
the yard. In his profound isolation, everything
seems to him to involve some chance of accident,
every detail absorbs his attention. The very weari-
ness of his mind, like that of the caged tiger in the
Jardin des Plantes, multiplies his powers of atten-
tion. It is interesting to observe that Jacques Col-
lin, dressed like an ecclesiastic who does not confine
himself to a strict observance of his cloth, wore a
pair of black trousers, black socks, shoes orna-
mented by silver buckles, a black waistcoat, and a
coat of dark maroon color, the cut of which betrayed
the priest in spite of the situation of its master,
above all since its testimony was corroborated by
the characteristic method of wearing the hair.
Jacques Collin wore a wig superlatively ecclesiastic
and marvelously true to life.
"Look, look," said la Pouraille toBiffon; "That's
a bad sign. A boar — priest! — What brings him
here?"
"It's one of their dodges, a new kind of cook
— detective) — .It's some trapper — ^the old-fashioned
mounted gendarme — in disguise, who has come on
business. ' '
The gendarme has different names in slang:
when he is in pursuit of a thief he is a trapper;
when he is escorting him to prison he becomes a
THE LAST INCARNATION OF VAUTRIN 231
butcher bird, and, finally, as he conducts the sufferer
to the scaffold, he is called the knight of the guillo-
tine.
To make the picture of the prison yard complete,
it is necessary to describe in a few words the
appearance of the two other pals. SelSrier, alias
I'Auvergnat, Father Ralleau, le Rouleur, in short,
Fil-de-Soie — he had thirty names and as many pass-
ports — will henceforward be designated by this title;
the only one recognized among the good pals. This
profound philosopher, who discerned a gendarme
beneath the guise of the false priest, was a fellow of
some five feet four inches, with muscles that pro-
truded from his body in lumps. Set deep in his
head, his small eyes gleamed brightly, although
they were overhung by lids gray, heavy and leaden
as those of a bird of prey. At first sight, his thick-
set, prominent jaw gave him the appearance of a
wolf, but the cruelty and the ferocity which this
resemblance entailed was counterbalanced by the sly
and vivacious play of his features, furrowed, though
they were, with the ravages of small-pox. The
clear-cut lines of his face seemed to denote wit, and
it was easy to read mockery in his expression. The
life of criminals, chequered with hunger, thirst,
nights passed in bivouac on wharves and river-
banks, on bridges and in streets, by orgies where
the triumph of crime was celebrated with strong
drink, had washed this face, as it were, with a coat
of varnish. Had an agent of police or a gendarme
caught sight of Fil-de-Sole in his accustomed dress.
232 SPLENDORS AND MISERIES
at thirty paces he would have recognized his game ;
but in the art of painting his face and of disguising
his figure this master rivaled Jacques Collin him-
self. At this moment Fil-de-Soie, carelessly dressed,
like great actors who give no heed to their attire
when they are off the stage, wore a kind of hunt-
ing waistcoat, lacking several buttons, with torn
button holes that disclosed glimpses of white lining,
old green slippers, nankeen pantaloons, grown
threadbare with age, and upon his head a cap with-
out a visor, from beneath which fell the corners of
an old bandanna handkerchief riddled with holes
and very much faded.
Beside Fil-de-Soie, le Biffon made a complete
contrast. This famous burglar, short of stature,
square, stout, agile, with a livid complexion and
deep-set black eyes, dressed like a cook, and planted
firmly upon two very bowed legs, frightened the
observer by a physiognomy wherein predominated
all the symptoms of the organization peculiar to
carnivorous animals.
Fil-de-Soie and le Biffon were both paying their
court to la Pouraille, who had now lost all hope.
This man, in whom murder had become a habit,
knew that before four months came to an end he
would be tried, condemned and executed. Thus
Fil-de-Soie and le Biffon, friends of la Pouraille,
invariably spoke of him as the Chaplain, that is to
say, the Chaplain of the Monastery of the Sorrowful
Mount — the slang name for the guillotine. — It is not
difficult for the reader to guess the reason for the
THE LAST INCARNATION OF VAUTRIN 233
obsequious attention which Fil-de-Soie and le
Biffon paid to la Pouraille. La Pouraille had
buried two hundred and fifty thousand francs in gold,
his share of the plunder stolen — as the form of in-
dictment ran — ^from the dwelling of M. and Madame
Crottat. What a magnificent inheritance to be-
queath to a pair of pals, even though these two
hardened criminals were themselves doomed to re-
turn to the galleys within a few days. Le Biffon
and Fil-de-Soie were to be condemned for complex
theft — ^that is to say, thefts entailing certain aggra-
vating circumstances — ^to fifteen years imprison-
ment, to which must be added ten years of a previous
sentence which they had taken the liberty of inter-
rupting. Thus, although one of them had twenty-
two, and the other twenty-six years of hard labor
to undergo, yet neither was without hope of making
his escape and unearthing la Pouraille's treasure.
The Ten Thousand, however, kept his secret to
himself; for it appeared to him quite useless to sur-
render it when he was not so much as condemned.
A member of the proudest aristocracy of the gal-
leys, he had revealed nothing concerning his
accomplices. His character was well known; M.
Popinot, the examiner of this dreadful mystery,
could not draw a syllable from his lips.
This terrible triumvirate stood at the upper end
of the yard, or, to speak more plainly, immediately
below the pistoles, Fil-de-Soie was giving his last
words of advice to a young man on trial for his first
offence, who, sure of being sentenced to ten years
234 SPLENDORS AND MISERIES
at hard labor, was gathering information concerning
the different yfeWs — prisons — .
"Well, my boy," Fil-de-Soie was saying senten-
tiously at the moment Jacques Collin appeared;
"the difference between Brest, Toulon and Rochefort
lies in this — "
"We shall see, old fellow," said the young man,
with the curiosity of a novice.
This prisoner, a young man of respectable family,
arrested on the charge of forgery, had come from a
pistole adjoining that in which Lucien had been con-
fined.
"You see, my boy; at Brest you're sure of find-
ing beans in the bucket by the third time you dip
in your spoon ; at Toulon you'll not find 'em till
your fifth try, and at Rochefort, you won't get any
at all if you're not an old hand."
When he had delivered himself thus, the pro-
found philosopher rejoined la Pouraille and Le
Biffon, who, absorbed in the contemplation of the
boar, began to stroll down the yard, while Jacques
Collin, overpowered by the weight of his sorrow,
moved toward them from the opposite direction.
Trompe-la-Mort, at the mercy of his terrible
thoughts, the thoughts of a discrowned emperor, did
not notice that he was the centre of all looks, the
object of all interest; he walked slowly, with his
eyes fixed upon the fatal window from whose sash
Lucien de Rubempre had hung himself. Not one
of the prisoners knew of this event, for Lucien's
neighbor, the young forger, through motives which
THE LAST INCARNATION OF VAUTRIN 235
will soon be disclosed to the reader, had kept the
tragedy a close secret. The three pals disposed
themselves in such a way as to bar the priest's pro-
gress.
"He's not a boar," whispered la Pouraille to Fil-
de-Soie; "he's an old horse. See how he drags his
right!"
It is necessary to explain here, for the curiosity
of all readers has not led them to inspect the
prisons of France, that every convict is fastened to
another — an old criminal to a young one — by a
chain. The weight of this chain, riveted to a
ring immediately above the ankle, is so great
that at the end of a year it creates a permanent
defect in the convict's gait Obliged to use
more strength in one leg than in the other, in
order to drag his manacle, that is the name the
prisoners give this iron ring, the prisoner con-
tracts the inalienable habit of this effort Later,
when he has ceased to carry his chain, the same
phenomenon occurs which happens in the case of
amputated limbs: the convict feels the ring riveted
forever about his leg; he never can rid himself of
the lameness he has thus acquired. To use the
technical slang of the police, he drags his right.
This diagnostic, as widely known among convicts
as it is among the agents of police, completes the
identification of a comrade, if it does not aid in his
immediate recognition.
In Trompe-la-Mort, whose escape had occurred
eight years before, this halt had grown almost
236 SPLENDORS AND MISERIES.
imperceptible ; but through the absorbing effect of
his meditation, his pace was now so slow and solemn
that, slight as was the defect in his gait, it could not
escape the practiced eye of la Pouraille. It is easy to
imagine that convicts, who, at the galleys, are never
out of one another's presence, and who have only one
another to observe, have studied the physiognomies
of their fellow-prisoners with such exactness that
they have to come to observe certain habits which
escape the scrutiny of their systematic enemies:
detectives, gendarmes and the commissioners of
police. Thus it was owing to a certain twitching
of the maxillary muscles of the left cheek, discerned
by a convict who had been sent to a review of the
Legion of the Seine, that the lieutenant-colonel of
the corps, the celebrated Coignard, owed his arrest ;
for, in spite of Bibi Lupin's testimony, the police
dared not believe in the identity of the Count Pontis
deSainte Helfene with Coignard.
"He's our toss — master!" — said Fil-de-Soie, as he
felt Jacques Collin's eyes rest upon him in that
vacant stare which a man casts upon everj^hing
about him when he has sunk into the last stage of
despair.
"I'll swear to him. It's Trompe-la-Mort I" said
Biffon, rubbing his hands. "Yes! That's his figure
and the cut of his shoulders ; but what has he done ?
He doesn't look like himself."
"Oh! I have it!" said Fil-de-Soie. "He's got
some scheme; he's trying to see his fl««^— friend — ,
who is to be executed shortly. ' '
THE LAST INCARNATION OF VAUTRIN 237
To give the reader a vague idea of the person
which the turnkeys, the keepers and the wardens
call the aunt, it is sufficient to relate the splendid
answer which the director of one of the central
prisons gave the late Lord Durham, who visited all
the prisons while in Paris. This nobleman was so
anxious to know all the details of French justice,
that he induced the late Sanson, the high execu-
tioner, to erect a guillotine and execute a living
calf that he could see exactly how the machine
worked, which the French Revolution had made
celebrated.
After the director had shown him the whole
prison, the yards, the workshops, the cells, etc.,
he pointed with a gesture of disgust to a room and
said: "I shall not take your excellency to that
place, it is the aunts' quarter. ' '
— "Hay!" said Lord Durham, "and what is
that?"—
"It is the third sex, my lord."
"They're going to ^■^— guillotine — Theodore!"
said la Pouraille, "and a pretty boy he is! Clever
with his fingers, and with brass to boot; what a
loss for the society!"
"Yes, Theodore Calvi is bolting his last mouth-
ful," said Le Biffon. "Ah! his molls will be a
blinking their eyes, for they were fond of him, poor
little beggar!"
"So it's you, is it, old boy.'" said la Pouraille,
addressing Jacques Collin, as he blocked the new
comer's path, with one of his acolytes on either arm.
238 SPLENDORS AND MISERIES
"So, boss, you've turned boar?" added la Pou-
raille.
"They tell me that you've scooped our tin — picked
our pockets of gold, — " chimed in le Biffon with a
menacing air.
"You're going to cough up the wad — give us back
our money? — " demanded Fil-de-Soie.
These three questions were snapped like as many
pistol shots.
"Don't trifle with a poor priest who is here by
mistake," answered Jacques Collin, mechanically;
for he had recognized his three comrades on the
instant.
"That's the ring of his voice; but it's not his
ph^," said la Pouraille, laying his hand on Jacques
Collin's shoulder.
This gesture and the sudden appearance of his
three comrades startled the boss violently from his
mental prostration, and restored him to the recogni-
tion of the realities about him ; for during that fatal
night he had wandered through the spiritual and
infinite regions of the imagination, seeking after
some new path.
"Don't cook your boss's hash — do not awaken sus-
picions concerning your master," — said Jacques
Collin in a low tone, while his voice sounded hollow
and threatening as the deep growl of a lion. "The
peelers — the police — are there, let 'em gulp the bait
— fall into the trap. — I am playing the game for a
pal at the top notch — a comrade in the last extrem-
ity."—
THE LAST INCARNATION OF VAUTRIN 239
This was said with all the unction of a priest con-
verting sinners to repentance, and it was accom-
panied by a look with which Jacques Collin
embraced the entire yard, saw the turnkeys grouped
beneath the arcades, and pointed them out mock-
ingly to his three companions.
"Aren't there cooks here? Tip up your winkers
and use your wipes — look and see. — Don't queer me;
but out withyour sneakers, and handle me like a boar
— act like complete strangers ; take every precaution,
and treat me like a priest; — or I'll swamp you, and
your molls and your wad in the bargain — I will ruin
you with your women and your fortunes — .
"So you're sniffing about us that way — you dis-
trust us — ," said Fil-de-Soie. "You've come to
pull out your aunt — ^to save your friend — . ' '
"Madeleine is all tricked out to mount the stump
— ready to ascend the scaffold — , ' ' said la Pouraille.
"Theodore!" said Jacques Collin, restraining a
scream and a start
This was the final pang which torture held in
store for this fallen colossus.
"They are going to maw him," repeated la Pou-
raille.
"He was billed through to the devil two months
ago — condemned to death — ."
An overpowering weakness came over Jacques
Collin. His knees would have bent beneath him
had he not been supported by his three companions.
In this extremity he had the presence of mind to
fold his hands together with a remorseful air. La
240 SPLENDORS AND MISERIES
Pouraille and le Biffon respectfully supported the
sacrilegious Trompe-la-Mort, while Fil-de-Soie ran
toward the turnkey on duty before the door of the
wicket which leads to the parlor.
"This venerable priest wants to sit down, bring
him a chair."
Thus the stratagem contrived by Bibi Lupin
failed, Trompe-la-Mort had won the respectful obedi-
ence of three convicts, like Napoleon when he was
recognized by his soldiers. Two words had been
enough. These two words were your molls andyour
wad, — your women and your money ; — ^the epitome
of all man's genuine affection. To the three con-
victs this menace was the stamp of sovereign power ;
the boss still held their fortunes in his hand. Still
outwardly all-powerful, their boss had not betrayed
them as false brothers had insinuated. Their chief's
unbounded reputation for skill and cunning stimu-
lated the curiosity of the three convicts; for in
prison, curiosity becomes the sole spur of these lost
souls.
The hardihood of Jacques Collin's disguise pre-
served even within the bolted doors of the Con-
ciergerje, won still further admiration of his three
brother criminals.
"I've been in solitary confinement for four days,
and I didn't know that Theodore was so near the
monastery," — said Jacques Collin. "I had come to
save a poor boy who hung himself there yesterday,
at four o'clock; and now I am on the threshold of
a new misfortune. My last ace is played." —
THE LAST INCARNATION OF VAUTRIN 241
"Poor boss/" said Fil-de-Soie.
"Ah! the baker — the devil — gives me up!" cried
Jacques Collin, breaking away from the grasp of
his two companions, and drawing himself up fiercely.
"There is a time when the world is too strong for
us. The stork — ^the Palais de Justice — swallows us
in the end."
The warden of the Conciergerie, apprised of the
priest's sudden ailment, came himself to the yard
to see what was the matter. He made him sit down
upon a chair in the sun and scrutinized him with
the extraordinary acuteness which increases from
day to day in the exercise of duties such as his,
although it is hidden beneath an exterior of appar-
ent indifference.
"Ah, great heaven" exclaimed Jacques Collin.
"To be cast among these people, the refuse of soci-
ety, thieves and assassins all of them ! — But God
will not forsake his servant. My dear sir, I will
leave the stamp of my passage through this place
by acts of charity, the remembrance of which shall
last I will lead these unhappy creatures into the
fold; they shall learn that they have souls, that
life immortal awaits them, and that, if they have
lost all they have upon earth, yet paradise may still
be won, the paradise which can belong to them at
the price of true, sincere repentance."
Twenty or thirty prisoners had run forward and
grouped themselves a yard behind the three terrible
convicts, and, deterred from approaching nearer by
the sullen looks of the pals, the inquisitive throng
16
242 SPLENDORS AND MISERIES
Stood still and listened to this harangue pronounced
with priestly unction.
"That man, Monsieur Gault," said the formidable
la Pouraille. "We were listening to him." —
"They tell me," continued Jacques Collin, near
whom M. Gault was standing, "that there is in this
prison a man condemned to death."
"At this moment they are reading him the rejec-
tion of his petition," said M. Gault.
"I don't know what that means?" said Jacques
Collin ingenuously, looking about him.
"Lord! He's simple," said the small young man
who had recently been consulting Fil-de-Soie con-
cerning the best field beans.
"Well, to-day or to-morrow they mow him I" said
a prisoner.
"Mow?" inquired Jacques Collin, whose innocent
air of perplexity struck his three comrades with
admiration."
"In their language," replied the warden, "that
means the execution of the death penalty. If the
clerk is reading the rejection, doubtless the execu-
tioner is about to receive orders for the execution.
The unhappy man has persistently refused the con-
solation of religion." —
"Ah, sir! it is a soul to save!" — cried Jacques
Collin.
The sacrilegious impostor clasped his hands with
the gesture of a despairing lover, which the atten-
tive warden took for the effect of holy fervor.
"Ah, sir," continued Trompe-Ia-Mort, "suffer me
THE LAST INCARNATION OF VAUTRIN 243
to prove to you who I am and what I can do, by
allowing me to plant the seed of repentance in this
hardened heart God has given me the power of
saying words which sometimes work great changes.
I break hearts, I open them — what have you to
fear. Let me be accompanied by gendarmes,
guards, by whomsoever you will."
"I will see whether the prison chaplain is willing
that you should replace him," said M. Gault.
The warden turned away, struck with the per-
fectly indifferent, although curious air, with which
the prisoners surveyed the priest, whose evangeli-
cal voice spread a charm over his half-French, half-
Spanish jargon.
"How is it that you are here.father ?" asked Fil-
de-Soie's young interlocutor of Jacques Collin.
"Oh! by a mistake," replied Jacques Collin,
looking into the inquirer's face. "I was found in
the house of a courtesan, who had been robbed after
her death. It is proved that she committed suicide;
and the perpetrators of the robbery, who are prob-
ably the servants, have not as yet been arrested.
"And it is on account of this robbery that this
young man hanged himself.'" —
"Doubtless the poor child could not bear the
thought of being branded by an unjust imprison-
ment," replied Trompe-la-Mort, raising his eyes
toward heaven.
"Yes," said the young man; "they were just
about to set him at liberty when he killed himself.
How unlucky!"
244 SPLENDORS AND MISERIES
"None but innocent people are carried away
thus by their imagination," said Jacques Collin.
"Notice that the robbery was committed to his pre-
judice." '
"How much was there in it.?" demanded the deep
and subtle Fil-de-Soie.
"Seven hundred and fifty thousand francs," re-
plied Jacques Collin very quietly.
The three convicts looked at one another, and
withdrew from the group which all the prisoners
formed about the pretended ecclesiastic.
"It's he that scooped the girl's deep — robbed the
woman's cellar — 1" whispered Fil-de-Soie to le
Biffon, "and they wanted to scare us about our
balls — ^five franc pieces. — "
"He'll always be the good pal's boss," replied
la Pouraille. "Our bird hasn't flown."
La Pouraille, looking for a man upon whom he
could rely, was naturally eager to find Jacques
Collin an honest man; it is most commonly in
prison that a man believes in what he hopes.
"I'll bet he juggles the stork's boss — that he out-
wits the attorney-general and pulls out his aunt —
saves his friend — !" said Fil-de-Soie.
"If he succeeds," said le Biffon, "I shan't \h\nk
him the great boss — God — himself; but as every-
body says, he certainly has had a puff with the
baker — smoked a pipe with the devil — . "
"Didn't you hear him exclaim : 'Ihe baker hdi.s
given me up! '" remarked Fil-de-Soie.
"Ah," exclaimed la Pouraille, "if he caredto/)«W
THE LAST INCARNATION OF VAUTRIN 245
out my poll — save my head — ; what a chase I'd lead
with my hit of a wad — what a life I should lead with
my share of money — , and the yellow balls that I've
stowed away — the stolen gold that I have hidden — . ' '
"Follow his lead," — do as he bids you — ! said
Fil-de-Soie.
"You're joking?" said le Pouraille, looking at
his comrade.
"You're an ass. You'll be billed through to the
devil — condemned to death — . Besides, your only
chaince of sticking on your pins and bolting, gu^^ling
and prigging again is to give him a boost — of keep-
ing on your feet, of eating, drinking and steal-
ing more is to help him along, — " replied le Biffon.
"This much is sure," continued la Pouraille,
"not one of us will peach on the boss — will betray
the master — or I'll take him along with me to the
place where I'm going. — "
"He'll do as he says!" exclaimed Fil-de-Soie.
"Even those persons, who feel the least sympathy
for this strange society, can imagine the situation
of Jacques Collin's mind, as he thought of the
corpse of the idol he had worshipped for five hours
that night, and the approaching death of the former
companion of his chain, the future corpse of the
young Corsican, Theodore. To gain an interview
with the unhappy prisoner required cunning far
more than is given to most men ; but to rescue him
needed a miracle ; yet already Jacques Collin was
planning this miracle.
In order to understand what Jacques Collin was
246 SPLENDORS AND MISERIES
about to attempt it is important to say here that
assassins, thieves and all the inmates of the gal-
leys are not so redoubtable as men believe them.
With a few very rare exceptions, these wretches are
all cowards; doubtless on account of the fear which
presses unceasingly at their hearts. Their faculties
are continually strained to the uttermost by the ex-
citement of robbery, and the execution of crime de-
mands the employment of all their vital power,
alertness of mind equal to the readiness of body, and
an intensity that weaicens the intellect. When the
violent exercise of their will is past they become
stupid, for the same reason that a prima donna or a
dancer falls exhausted after a fatiguing step, or after
one of those formidable duets, which modern com-
posers inflict upon the public ear. In fact, malefac-
tors are so bereft of reason, or so overpowered by
fear, that they become mere children. Credulous to
the last degree, they are ensnared by the simplest
device. After the success of a.job,they fall into such a
state of prostration that, yielding to the peremptory
need of debauchery, they make themselves drunk
on wine and liquor, and rush passionately to the
embraces of their women, seeking in vain for calm
amid the wreck of their strength and for forgetful-
ness of crime in the forgetfulness of reason. In
this condition they are at the mercy of the police.
Once that they are arrested, they are blind; they
lose their head, and feel so great a need for hope
that they are ready to believe in everything; thus
there is no absurdity which they cannot be induced
THE LAST INCARNATION OF VAUTRIN 247
to admit An example will explain to what lengths
this stupidity of the nabbed criminal will go.
Bibi Lupin secured the confession of a murderer,
nineteen years old, by persuading him that minors
never were executed. When the boy was trans-
ferred to the Conciergerie to undergo his sentence,
when his petition had been rejected, this terrible
agent of the law came to see him. "Are you cer-
tain that you are not twenty ?' ' he asked of the boy.
"Yes, I am but nineteen years and six months,"
replied the murderer with perfect calm.
"Then," answered Bibi Lupin, "you have no
cause to fear; you will never be twenty." —
"Why not.?"
"Eh! but you'll be mown within three days,"
answered the chief of the secret service.
The murderer, who, even after his sentence, sup-
posed that minors were never executed, collapsed
like an omelette souffle
These men, rendered so cruel by the necessity of
suppressing testimony, for they commit murder
only to make away with proof — ^this is one of the
arguments set forth by those who demand the aboli-
tion of capital punishment — ; these giants of skill
and cunning, in whom eye and strength are devel-
oped as they are among savages, become the
heroes of wrong-doing only in the theatre of their
exploits. When a crime has been committed their
difficulties begin, for they are as stupefied before
the necessity of concealing their new wealth as they
had been formally prostrated by poverty; more than
248 SPLENDORS AND MISERIES
this, they are weak as the woman who has just
risen from child-bed. Alarmingly energetic in
their conceptions, when success comes, they behave
like children. In a word their nature, like some
savage beasts, is an easy prey when it has gorged
its fill. In prison, these singular men are men by
virtue of their dissimulation and discretion, which
weakens only at the last moment when the spirit is
broken and prostrated by long imprisonment
The reader can now understand how the three
convicts instead of betraying their chief, were eager
to serve him ; they admired him, for they suspected
him of being the possessor of the seven hundred
and fifty thousand stolen francs. They saw him
self-possessed even under.the locks of the Concier-
gerie, and they believed him able to take them
under his protection.
On leaving the counterfeit Spaniard, M. Gault
walked back through the parlour to his office, and
then went to find Bibi Lupin. He came upon the
spy crouched down beneath one of the windows that
opened on the yard, where he had been stationed
for twenty minutes, watching through a peep-hole
everything that had happened in the yard since
Jacques Collin's entry.
"Not one of them has recognized him," said M.
Gault, "and Napolitas, who is keeping an eye on
them, has heard nothing. Last night, in all his
dejection, the poor priest did not say a single word
which could imply that his cassock is hiding
Jacques Collin."
"That proves that he's been a prisoner before,"
replied the chief of the secret service.
Napolitas, Bibi Lupin's secretary, unsuspected
by all the prisoners, was confined at this time
within the Conciergerie, and was playing there, the
part of a well-to-do young man under the charge of
forgery.
"To be brief, he asks to be allowed to confess
the condemned man," continued the warden.
"There lies our last chance!" exclaimed Bibi
Lupin. I never thought of it before. Theodore
Calvi, this Corsican, was the companion of Jacques
Collin's chain; they tell me that in the Field
{249)
250 SPLENDORS AND MISERIES
Jacques Collin used to make plugs for him with the
greatest care. ' ' —
Convicts make a certain kind of wad which they
insert between their iron rings and the skin in
order to ease the weight of the ring upon their
ankle bones and instep. These wads are composed
of tow and linen, and in the galleys they are known
as plugs.
"Who is watching the condemned man?" de-
manded Bibi Lupin of M. Gault.
"Coeur-la-Virole."
"Good, I'll turn gendarme. I'll be there, and
listen to them. I'll answer for everything. "
"If it is Jacques Collin, aren't you afraid of being
strangled in case he recognizes you?" inquired the
warden of the Conciergerie.
"As a gendarme, 1 shall have my sword," replied
the detective; "besides, if it's Jacques Collin,
he'll not do anything to convict himself; and if he's
a priest, I'm quite safe."
"There's no time to lose," said M. Ganlt. "It's
half-past eight Father Sauteloup has finished
reading Calvi the rejection of his plea ; M. Sanson
is awaiting the judge's orders in the main hall."
"Oh! It's for to-day that the widow's knights
— another and a terrible name for the machine — are
ordered," replied Bibi Lupin. "I can understand
how the attorney-general hesitates ; the fellow has
always declared that he is innocent, and, in my
opinion, the proofs against him are not convincing."
"He's a true Corsican," answered M. Gault;
THE LAST INCARNATION OF VAUTRIN 251
"he has not said a word and has showed fight at
every step. ' '
The last words spoken by the warden of the Con-
ciergerie to the chief of the secret service were an
epitome of the gloomy history of condemned crimi-
nals. A man, whom justice has cut off from the
number of the living, belongs to the oificers of the
prosecution; the prosecution is sovereign; it is
dependent upon nobody ; it cannot be moved unless
it be by its own conscience. The prison belongs
to the prosecution; he is its absolute master.
Poetry has seized upon this social subject, so emi-
nently fitted to appeal to the imagination — the con-
demned criminal. Poetry has been sublime ; prose
has no other resource than the actual, but the
actual is so terrible that in itself it is able to wres-
tle with the sublimity of poetry. The life of a con-
demned man, who has not confessed his crimes nor
his accomplices, is a prey to frightful tortures.
There are no boots which crush the feet, nor waters
forced into the stomach, nor hideous machines that
tear the limbs asunder ; but, in their stead, is tor-
ture, silent, and, so to speak, negative. The prose-
cution gives the condemned man up wholly to
himself; it leaves him in silence and in darkness,
with one companion — a sheep — , whom the prisoner
cannot but mistrust.
The tender philanthropy of modern times believes
that the atrocious punishment of isolation is her
invention; she is deceived. When torture was
abolished in the very natural desire to reassure the
252 SPLENDORS AND MISERIES
over-delicate consciences of juries, the officers of
prosecution conceived the terrible weapon that soli-
tude gives to justice against remorse. Solitude is
vacuum, and moral nature hates it quite as much
as physical nature. Solitude can be dwelt in only
by the man of genius, who fills it with his ideas,
children of the spiritual world, or by some contem-
plator of divine works who sees it illuminated by
the light of heaven and animated by the voice of
God. With the exception of these two types, both
on the threshold of paradise, solitude bears the
same relation to torture that moral does to physical
nature. Between solitude and torture there is all
the difference which separates nervous disease from
the disease which can be cured by surgery. It is
suffering multiplied by the infinite. The body
touches the infinite through the nervous system as
the spirit penetrates thither by the thought Thus
in the annals of the Court at Paris, it is an easy
matter to count the criminals who have not con-
fessed.
This sinister situation, which, in certain cases
assumes vast proportions, as for example in politics
when a dynasty or a nation is at stake, will have its
story told in its own volume of the HUMAN COMEDY.
But, here, the description of the stone box, where,
under the Restoration, the criminal court of Paris
immured its condemned prisoners, may dimly show
the horror that attends a sufferer's last days.
Before the Revolution of July, there existed, and
there still exists to-day, at the Conciergerie a room
THE LAST INCARNATION OF VAUTRIN 253
known as the death chamber. It adjoins the office,
from which it is separated by a solid freestone
wall, and on the opposite side is flanked by the
immense wall seven or eight feet thick that
strengthens a portion of the vast Salle des pas
Perdus. You reach it by the first door in the long
dark corridor into which you can look from the mid-
dle of the great vaulted entrance hall. This gloomy
chamber is lighted by a ventilator, protected by a
formidable iron grating, and invisible from the ex-
terior ; for it pierces the wall within the narrow
limits between the office window, beside the en-
trance gate, and the lodging of the clerk of the Con-
ciergerie, which the architect has placed like a
wardrobe at the end of the entrance court. The
situation of this room, shut in by four massive
walls, explains why, at the time of the alterations
made in the Conciergerie, it was devoted to so sin-
ister and funereal a purpose. AH escape from it is
impossible. The corridor, which leads to the solitary
cells and the women's quarters, opens opposite the
stove, where there is always a group of gendarmes
and gaolers. The ventilator, the sole opening in
the external wall, is nine feet above the floor, and
looks out on the first court-yard guarded by the
sentries that stand at the front gate of the Con-
ciergerie. No human power could assail the mighty
walls, and besides, the condemned prisoner is
always clothed in a strait-jacket that prevents him
from moving his hands. He is, moreover, chained
by one foot to his camp bedstead, and a sheep — one
254 SPLENDORS AND MISERIES
of his fellow prisoners — is appointed to serve and
watch him. The chamber is paved with thick
slabs of stone, and the daylight is so faint that it is
almost impossible to distinguish anything.
You cannot enter there without feeling chilled to
the bone, even to-day, although the room has been
unused for sixteen years, owing to the changes in-
troduced into the execution of the law's decrees in
Paris. Imagine the criminal there, in the company
of his remorse, in the twin terrors of silence and dark-
ness, and you will wonder that these are not enough
to drive him mad. How powerful an organization
must the prisoner have who can endure such a
life, with the added immobility and inaction com-
pelled by the strait-jacket.
Theodore Calvi, a Corsican then twenty-seven
years of age, entrenched himself behind a barrier
of absolute silence, and for two months succeeded
in resisting the influence of the dungeon and the
insidious friendship of the spy! — The account of
the singular criminal case which led to the young
Corsican's conviction, is here given, but curious
as the story is the analysis must be very brief.
It is impossible to make a long digression at the
end of a scene that has been already so protracted,
and that offers no interest other than that which
surrounds Jacques Collin, whose horrrible person-
ality, like a kind of vertebral column, forms the
connecting link between Phe Goriot and Lost Illu-
sions and between Lost Illusions and this present
Study. Moreover, the reader's imagination is free
THE LAST INCARNATION OF VAUTRIN 255
to develop the obscure theme, which, at this mo-
ment, was causing great anxiety to the jury of the
court before which Theodore Calvi had been brought
for trial. For a weeic after the rejection of the
criminal's petition by the Court of Appeals, M. de
Granville's attention had been engrossed by this
affair, and from day to day he delayed giving orders
for the execution of the young man, so desirous was
he of satisfying the jury by making it public that
the prisoner had confessed his crime before he died,
A poor widow of Nanterre, whose house stood
without the town which lies, as everybody knows,
in the midst of the barren plain stretching between
Mont Valerien, Saint Germain and the hills of
Sartrouville and Argenteuil, had been robbed and
murdered, a few days after she had received her
share of an unexpected legacy. This share
amounted to three thousand francs, a dozen spoons
and forks, a gold watch and chain, and some linen.
Instead of investing the three thousand francs in
Paris as she was advised to do by the notary of the
deceased wine merchant who had bequeathed her
the inheritance, the old woman insisted upon keep-
ing it all in her possession. In the first place, she
had never seen so much money of her own before,
and besides, like most peasants and people of the
lower class, she suspected everybody in every kind
of business transaction. After exhaustive conver-
sations with a wine merchant of Nanterre, who was
a relative both of her's and of the wine merchant
who had died, the widow finally resolved to buy a
256 SPLENDORS AND MISERIES
life-annuity with the money, to sell her house at
Nanterre, and set up as a bourgeoise at Saint
Germain.
The house she lived in, which was surrounded by
a good-sized garden, shut in by a wretched fence,
was one of those miserable dwellings that the small
farmers in the neighborhood of Paris build for
themselves. The plaster and rough stone, so
abundant at Nanterre, where the land is covered
with open quarries, had been, as is generally seen
about Paris, hastily put together, without any
architectural plan. Such a building may be called
the hut of the civilized savage. The house was
composed of a ground floor and an upper floor, above
which were the attics.
The woman's husband, who was a quarryman,
had built the house himself, and had provided all
the windows with very solid iron bars. The front
door also was remarkably strong, for the man knew
that he lived in a lonely spot in the open country,
and what a country! His customers were among
the chief master masons of Paris, so he was able to
bring back from thence, on his empty carts, the
more important materials needed for the house that
he was building at five hundred feet from his own
quarry. He chose the stuff he wanted from houses
in Paris that had been torn down, and bought it at
a very low price. So it was that his windows,
gratings, doors, shutters and woodwork had all come
from depredations authorized by the law, or were
the well-chosen gifts of his customers. Whenever
THE LAST INCARNATION OF VAUTRIN 257
he was offered the choice of two window-sashes,
he selected the stronger one. In front of the house
there was a large court-yard that contained the sta-
bles and was inclosed by walls from the high-road.
The door was made of a strong iron grating; there
were two watch-dogs in the stable, and a little dog
slept in the house. Behind the house there was a
garden of somewhat more than two acres in extent.
After she was left a widow, and without children,
the quarryman's wife lived alone in the house with
one servant The price brought by the quarry
which she sold, paid the debts of her husband, who
had now been dead two years. The widow had no
other property than the lonely house, where she
kept cows and chickens, selling the milk and eggs
at Nanterre. As she no longer employed a stable-
man, carter, or the laborers at the quarry, whom
her husband had been used to set to all kinds of odd
jobs, she let the garden run to waste, and gathered
only the few herbs and vegetables that still grew
in the stony soil.
As the proceeds of the house and the money she
had inherited amounted to some seven or eight
thousand francs, the widow thought she could live
comfortably at Saint Germain on an annuity of
seven or eight hundred francs that she expected to
purchase with her eight thousand francs. She had
already had several interviews with the notary of
Saint Germain, for she refused to invest her
money with the wine-merchant who promised her
the annuity. The widow Pigeau's affairs were in
17
258 SPLENDORS AND MISERIES
this condition, when one day it was observed that
neither she nor her servant had appeared for some
time. The gate of the court-yard, the front door of
the house and the shutters were all fast closed.
After three da:ys' time, the officers of the law were
informed of this state of things, and made a visit
to the house. M. Popinot, an examining judge,
accompanied by the public prosecutor, came from
Paris, and the following facts were established:
Neither the iron gate of the court-yard nor the
front door of the house showed any signs of having
been tampered with. The key was still in the lock,
on the inside of the front door. Not a single iron
bar had been removed. The locks, shutters, and
all the fastenings of the house were intact
The walls offered no trace of having been scaled
by thieves, and as the tiled chimneys had no prac-
ticable openings, it was evident that no one could
have entered through them. The roofs were whole
and uninjured, and bore no marks of violence.
When the two magistrates, the gendarmes and Bib!
Lupin reached the rooms on the second floor, they
discovered the widow Pigeau and her servant-maid,
both strangleid in their beds by means of their own
night-handkerchiefs. The three thousand francs
had been taken, as well as the spoons and forks
and the watch and chain. The two bodies were in
a state of putrefaction, as were also those of the
little dog and of a big dog in the court-yard. The
garden fence was examined, and was found to ie
unbroken, and there were no trades on the garden
THE LAST INCARNATION OF VAUTRIN 259
paths. The examining judge thought it probable
that the murderer had walked upon the grass, in
order to avoid leaving any foot-prints, in case he
had effected his entrance through the garden ; but
how could he have penetrated into the house itself?
On the garden side the door was furnished with
three iron bars that had remained untouched, and
the key was in the lock, just as it had been found
in the front door opening upon the court-yard.
As soon as these inexplicable facts were estab-
lished by M. Popinot, by Bibi Lupin, who spent a
whole day examining everything, by the public
prosecutor himself, and by the commander of the
post at Nanterre, the murder became a fearful prob-
lem in which the state and the law seemed destined
to be worsted.
This drama that was published by the "Gazette
des Tribuneaux" took place in the winter of 1828
to 1829, Heaven knows what curiosity may have
been awakened in Paris by this extraordinary oc-
currence, but Paris has new dramas to digest every
day and forgets everything. The police forget
nothing. After three months of vain search, a
woman of the town, who had excited the suspicions
of Bibi Lupin's agents by her extravagance, ^nd
who had been under surveillance on account of Jier
acquaintance with certain thieves, tried to induce
a friend to pawn for her a dozen forks and spoons
and a gold watch and chain. The friend refused
the request, but the circumstance reached the ears
of Bibi Lupin, whp remembered the twelve forks
26o SPLENDORS AND MISERIES
and spoons and the gold watch and chain that had
been stolen at Nanterre. The commissioners of
the Mont-de-Piete,and all the receivers of stolen
goods in Paris were advised of the fact, and Bibi
Lupin set a strict watch upon the girl who was
known as Manon la Blonde.
It was soon discovered that Manon la Blonde was
madly in love with a young man about whom very
little was known, and who was supposed to be indif-
ferent to all the blandishments of the blonde Manon.
Mystery upon mystery. The young man who was
watched by spies was soon found, and recognized
as an escaped convict, the famous hero of the Corsi-
can vendettas, the handsome Theodore Calvi, alias
Madeleine.
One of those double-faced receivers of stolen goods
who are ready to serve both thieves and police,
was sent in pursuit of Theodore, and promised to
buy from him the silver and the watch and chain.
At the very moment that the pawnbroker from
the Cour Saint Guillaume, was counting out the
money to Theodore, disguised as a woman, the
police made a descent upon the shop Guillaume,
arrested Theodore and seized the articles.
The examination began at once, but with so little
evidence it was impossible, in the opinion of the
court, to secure sentence of death against the young
man. Calvi was never inconsistent, and never
contradicted himself. He afifirmed that a country-
woman had sold him the articles at Argenteuil, and
that after he had bought them, the report of the
THE LAST INCARNATION OF VAUTRIN 25l
murder committed at Nanterre had enlightened him
upon the danger of possessing the silver and the
watch and chain, which, as they had been men-
tioned in the inventory made after the death of the
Paris wine-merchant, uncle of the widow Pigeau,
had evidently been identified with the stolen arti-
cles. He said that as he was forced by his poverty
to sell these articles, he had tried to get rid of them
through a person who was in no wise connected
with the affair.
Nothing farther could be extracted from the
escaped convict, who, by his firmness and silence,
succeeded in making the officers of the law believe
that the wine-merchant of Nanterre had committed
the crime, and that the merchant's wife was the
woman from whom Theodore had bought the stolen
articles. The unfortunate cousin of the widow
Pigeau and his wife were arrested, but after a
week's imprisonment and careful investigation, it
was ascertained that neither husband nor wife had
been away from home at the time the crime was
committed. Moreover, Calvi did not recognize the
merchant's wife as the woman who, according to
his testimony, had sold him the silver and the
trinkets. ,
As Calvi's concubine, who was implicated in the
trial, was proved to have spent about a thousand
francs in the interval between the occurrence of
the murder and Calvi's attempt to pawn the
silver and the watch and chain, there appeared
sufficient evidence to send the convict and his
262 SPLENDORS AND MISERIES.
mistt'ess before the Assizes. This murder was the
eighteenth Theodore had committed; and he was
condemned to death as he appeared to be guilty of
this skilfully planned crime. Though he did not
recognize the wife of the wine-merchant of Nan-
terre, he himself was recognized by both the hus-
band and wife. The examination had proved by
means of various witnesses that Theodore had lived
for about a month at Nanterre ; hie had worked for
masons there, and had been seen ill-dressed' with
his face covered with powdei* from the plaster. At
Na:nterre, people thought him a boy of eighfeeh,
and yet he must have been plotting this crime for
at least a month before its execution.
The prosecution believed that he had accoriVpKces.
The chimney-flues were measured with reference
to the size of Manon la Blonde, to see whether it
were possible that She could have slipped through
one of them; but a child of six could not have
passed through the tiled pipeSwhich modern archi-
tecture has substituted for the large chimneys of
former days. If it had riot been for this singular
and exasperating mystery, Theodore wOuId have
been executed a Week earlier. The prison chap-
lain had totally failed, as we have seen, in elicit-
ing a confession from him.
The whole affair and the name of Calvi had
escaped the notice of Jacques Collin, who was then
absorbed by his contest with Contenson, Corentin
and Peyfade. Moreover, Trompe-la-Mort was en-
deavoring to banish from his mind all Recollections
THE LAST INCARNATION OF VAUTRIN 263
of his former friends and ever jrthing connected with
the Palais de Justice, He trembled at the idea of
meeting face to face a comrade who might demand
from his boss an account which he could never give.
The director of the Conciergerie went immedi-
ately to the office of the attorney-general, and found
the public prosecutor already there talking with M.
de Granville, and holding the order for execution
in his hand. M. de Granville had just come from
the hatel de Serizy, were he had been passing the
night, and was overwhelmed with fatigue and
grief, as the doctors dared not as yet promise that
the countess should recover her reason; yet, on
account of the important execution that was to take
place, he felt it his duty to spend some hours in his
office after talking for a moment with the director,
M. de Granville took back the order for execution
from the public prosecutor and gave it to Gault
"You are to proceed with the execution," said
he, "except in case of any extraordinary circum-
stances, of which you must be the judge; I rely
upon your discretion. You may dejay the erection
of the scaffold till half-past ten, so you have an
hour left In such a morning as this an hour is
worth a century, and many events may happen in
a century ! Do not allow any hope of a reprieve.
Let the prisoner be dressed for death, and if there
be no farther disclosure give the order to Sanson at
half -past nine. Meantime, let him wait!"
As the director of the prison left the office of the
attorney-genera;! be met in the vaulted corridor
264 SPLENDORS AND MISERIES
Opening into the gallery M. Camusot, who was on
his way to see M. de Granville. Gault had a rapid
conversation with the judge, and after informing
him of all that had happened at the Conciergerie,
with reference to Jacques Collin, he hastened
thither himself to arrange an interview between
Trompe-la-Mort and Theodore. He would not,
however, allow the self-styled ecclesiastic to hold
any communication with the condemned prisoner
until Bibi Lupin, perfectly disguised as a gendarme,
had replaced the sheep who had been watching the
young Corsican.
It is impossible to describe the profound astonish-
ment of the three convicts when they saw a gaoler
come to take Jacques Collin into the cell of the con-
demned man. They all bounded simultaneously
toward the chair in which Jacques Collin was sitting.
— "It is to-day, isn't it. Monsieur Julien?" asked
Fil-de-Soie of the gaoler.
— "Oh! yes. Chariot is waiting," answered the
gaoler with perfect indifference.
Chariot is the name that prisoners and the offi-
cers of prisons give to the executioner of Paris.
It dates from the Revolution of 1789, and the sensa-
tion it now produced upon the prisoners was im-
mense. They all looked at one another.
"It is all over !" the gaoler continued ; "the order
for the execution has been given to M. Gault, and
the sentence has been read. ' '
— "Then," said la Pouraille, "has the pretty
Madeleine received the sacraments.'"
THE LAST INCARNATION OF VAUTRIN 265
He drew in a long breath as if it were his case.
"Poor little Theodore!" cried le Biffon, "he is
such a nice boy; it is a great pity to come to the
guillotine so young," —
The gaoler moved toward the gate, expecting
Jacques Collin to follow him; but the Spaniard
walked slowly, and when he was within ten feet of
Julien, appeared to totter and beckoned to la
Pouraille to give him his arm.
"He is a murderer!" said Napolitas to the priest,
pointing to la Pouraille and offering his own arm.
"No, in my eyes he is but an unfortunate man,"
— answered Trompe-la-Mort with the presence of
mind and the unction of an archbishop of Cambrai.
He drew away from Napolitas, whom he suspected
at the first glance ; then he added in a low voice to
the pals.
"He is on the first step of the Monastery of Sor-
rowful Mount — ^the scaffold — ,but I am the prior of
it I am going to show you how I can get round the
stork, — ^fool the attorney-general — and pull the boys
poll from his claws."
"On account of his montante!" — breeches — said
Fil-de-Soie, smiling.
"I want to give this soul to heaven!" he added
fervently, seeing that he was surrounded by several
other prisoners.
He rejoined the gaoler at the gate,
— "He has come to save Theodore," said Fil-de-
Soie; "we guessed right. What a boss he is," —
"How can he.' The knights of the guillotine
266 SPLENDORS AND MISERIES
are there; he can't even see him," objected: le
Biffon.
— "He's got the iaher behind him>" cried la
Pouraille, ' 'What, he prig our wad ? He loves his
pals too much for that! Besides he depends too
much on us. They tried to make ns peach on him,
but we're no such fools. If he saves Theodore, he
shall have my secret I' '
These last words had the effect of increasing the
devotion of the three convicts to their god; for
now their famous boss was their only hopie.
In spite of Theodore's danger, Jacques Collin did
not forget to play his part to perfection. He, who
knew the Conciergerie as well as he knew the
three galleys, mistook his way so naturally that
the gaoler was continually obliged to direct him,
until they reached the registration office. There
Jacques Collin's first glance met a tall stout man —
leaning against the stove, — whose long red face
was not lacking in a certain kind of distinction
and whom he recognized as Sanson.
— "Are you the chaplain, sir?" said he, going up
to him politely.
The mistake was so ghastly that the spectators
were appalled.
"No, sir," replied Sanson, "I have other duties."
Sanson, father of the last executioner of that
name, who has been recently deprived of office,
was a son of the man who executed Louis XVI.
After the exercise of this calling had been four
hundred years in the family, the heir of so many
THE LAST INCARNATION OF VAUTRIN 267
torturers had attempted to rid himself of the hered-
itary burden. The Sansons had been executioners
at Rouen for two centuries before they were pro-
moted to the first position of the kind in the king-
dom, and from father to son they had executed
the sentences of the law since the XIII. century.
There are few families which can offer the example
of an office or a title that has descended from father
to son for sijf centuries. Just at the time that the
young man had been made captain of a cavalry
fegiment, and saw a fine military career marked
out for him, his father compelled him to lend him^
his aid in the execution of the king, and after-
ward, he named him his assistant, when in
1793 there were two scaffolds permanently erected,
one at the Barriere du Tr6ne, and the other in
the Place de Gr^ve. This terrible functionary,^
now about sixty years of age, was remarkable
for his jgentleman-like address, for his calm and
quieli manner, and for the great scorn he showed
toward Bibi Lupin and his acolytes, the purveyors
of the guillotine. The only indication of his inher-
iting the blood of his ancestors, the torturers of the
Middle Ages, lay in the formidable size and thick-
ness of his hands. He was well educated, very
tenacious of his privileges as a citizen and an elec-
tor, and was said to be passionately fond of garden-
ing. Tall and broad-shouldered, with a quiet digni-
fied demeanor^ and a high bald forehead, he looked
far more like a member of the English aristocracy
thsSn an executioner. Thus a Spanish ecclesiastic
268 SPLENDORS AND MISERIES
would have been likely to make the same error that
Jacques Collin made voluntarily.
— "He's no convict," said the head gaoler to the
warden.
"I begin to think so myself," thought M. Gault,
as he nodded to his subordinate.
Jacques Collin was introduced into a kind of a
small cellar, where he found young Theodore
bound in a strait-jacket and seated on the edge of
his miserable camp bedstead. A momentary gleam
of light shone from the corridor and Trompe-la-Mort
instantly recognized Bibi Lupin in the gendarme
who was standing there leaning on his sword.
— "lo sono Gaba-Morto! Parla nostra italiano,"
said Jacques Collin hastily, "yengo ti salvar."
— I am Trompe-la-Mort Speak Italian, I have come
to save your life. —
The whole conversation of the friends was going
to be unintelligible to Bibi Lupin, but as he was
placed there to guard the prisoner, he could not
leave his post. The rage of the head of the detec-
tive police was indescribable.
Theodore Calvi was a young man of pale olive
complexion, light hair, and deep-set eyes of a dull
blue colour; he was well proportioned and pos-
sessed prodigious muscular strength hidden under
the lymphatic exterior natural to so many south-
erners. His face would have been charming, were
it not for the arched eyebrows, and the retreating
forehead that lent it a sinister expression; and
without the cruel red lips and the twitching of the
THE LAST INCARNATION OF VAUTRIN 269
muscles indicative of the Corsican, that is so quick
to murder in a sudden quarrel.
Surprised to hear the tones of Jacques Collin's
voice, Theodore raised his head abruptly, believing
himself to be under some hallucination ; but as in
two months' time he had become accustomed to the
extreme darkness of his stone cell, he looked at the
pretended priest and sighed deeply. He did not
recognize Jacques Collin, whose face, seamed by
the action of sulphuric acid, no longer appeared
to him to be that of his boss.
— "It is I, your own Jacques; I am dressed as a
priest, and am come to save you. Don't be fool
enough to show that you recognize me, but pretend
to confess."
Jacques Collin said this very rapidly, and then
addressing the gendarme, he added :
"The young man is much overcome; the idea of
death terrifies him, and he is going to confess
everything. ' '
"Tell me something that will prove to me that
you are he, for you have only te voice," said Theo-
dore.
— "Do you see ? the poor lad is telling me that he
is innocent," said Jacques Collin to the gendarme.
Bibi Lupin dared not speak, for fear of being
recognized.
— "Sempre-mi!" said Jacques Collin, returning to
Theodore, and whispering the password in his ear.
— "Sempre-ti!" answered the young man replying
to the password. "You are my boss indeed!" —
270 SPLENDORS AND MISERIES
— "Did you do that business?"
—"Yes."
— "Tell me everything, so I may know what I
must do to save you; it is time, for Chariot is
waiting."
The Corsican threw himself on his knees as if he
meant to confess. Bibi Lupin did not know what
to do, for this conversation was so rapid that it oc-
cupied less time than is needed to read it Theo-
dore related promptly the circumstances that were
known concerning his crime, as Jacques Collin was
still in ignorance of them.
— "The jury have condemned me without proof,"
said he as he ended.
— "Do you want to argue now, child, when they
are going to cut your hair .■" '^
— "I ought to be convicted only of pawning the
silver and the watch and chain. Yet this is how-
the law works, and in Paris, too!" —
— "But how did you do the job.'" demanded
Trompe-la-Mort
— "I'll tell you. Since I last saw you I made the
acquaintance of a little Corsican girl, whom I met
when I arrived at Pantin — Paris — "
— "When a man is idiot enough to fall in love
with a woman," exclaimed Jacques Collin, "she
always brings him to grief! — ^Women are tigers at
large, tigers that chatter and are always admiring
themselves in looking-glasses. — You've been a
fool!"
"But—"
THE LAST INCARNATION OF VAUTRIN 27-T
— "Come, what did the damned «Jo// have to do
with this business?"
— "The little love of a girl, slim as an eel and
nimble as a monkey, got into the house through the
top of the oven, and let me in by the door. We
had poisoned the dogs and they were all dead.
I laid the two women cold. As soon as we had got
the money, Ginetta locked the door and went out
by the same way she came in."
"You deserve to live for such a clever plan as
that," said Jacques Collin, who admired the skill
with which the crime had been accomplished, as a
sculptor admires a beautiful statue.
"I was fool enough to waste all that cleverness
for a beggarly three thousand francs." —
— "No, for a woman !" returned JacquesCollin. "I
have already told you that they rob us of our wits !' ' —
He cast a look of flaming scorn upon Theodore.
"You were not with me anymore," replied the
Corsican "and I had no one to advise me."
— "Do you love the girl.'" demanded Jacques
Collin, sensible to the reproach contained in Theo-
dore's answer.
— "Ah! If I desire life, it's now more for your
sake than for her's."
— "Put your mind at ease; my name is not
Trompe-la-Mort for nothing! I will be responsible
for your life."
— "What! is it life?" cried the young Corsican,
raising his manacled arms toward the damp vaulted
roof.
272 SPLENDORS AND MISERIES
— "My little Madeleine, you must make up your
mind to return to the Fields," answered Jacques
Collin.
"You must not expect to be garlanded with roses
like the prize ox at Shrovetide. — If they want to
send us to Rochefort, it will mean that they are
trying to get rid of us, but I shall arrange to get
you dispatched to Toulon. From there you can
escape and return to Pantin — Paris, — where I shall
manage to set you up in some comfortable little
business." —
Theodore heaved a sigh, such as had seldom re-
sounded under that inflexible roof, a sigh of joy at
the prospect of deliverance. The stone walls sent
back the echo, which has no equal in the musical
scale, into the astonished ears of Bibi Lupin.
— "It is the effect of the absolution I have prom-
ised him, on account of his confession," said
Jacques Collin to the chief of the secret service.
"You see, sir, the Corsicans are very devout
But he is spotless as a lamb, and 1 am going to try
to save him." —
"God be with you, sir," — said Theodore in
French to the Abbe.
THEODORE CALVPS CONFESSION
" The jury have condemned me without proof"
said he as he ended.
" Do you want to argue now, child, when they are
going to. cut your hair ?"
" I ought to be convicted only of pawning the
silver and the watch and chain. Yet this is how
the law works, and. in Paris, too!"
''But how did you do the job?" demanded
Trompe-la-I^ort.
" I'll tell you."
Kf)e L(iin^/oj ,j<'
Trompe-la-Mort, more Carlos Herrera, more priest
than ever, left the condemned cell, and rushing out
into the corridor, presented himself to M. Gault,
with an expression of feigned horror upon his coun-
tenance.
— "Sir, the young man is innocent and has dis-
closed to me the name of the guilty person. — Like
a true Corsican he was going to die for a mistaken
point of honor. — Go and ask the attorney-general
to spare me five minutes' audience, M. de Gran-
ville cannot refuse an instant hearing to a Spanish
priest, who has suffered so much at the hands of
French law."
— "I will go immediately," answered M. Gault,
to the great astonishment of all who witnessed this
extraordinary scene.
— "Please have me taken back to the court-yard,
while I am waiting," continued Jacques Collin,
"so that I may complete the conversion of a crim-
inal, whose heart I have already touched. — Ah!
these people have so much heart!"
His speech produced a stir among the persons
present. The gendarmes, the keeper of the books,
the gaolers, Sanson and his assistant who were all
awaiting the order to "set up the machine," as
they call it in the prison; all these persons,
18 (273)
274 SPLENDORS AND MISERIES
ordinarily unsusceptible to emotion, were moved
by a curiosity that may be easily imagined.
At this moment was heard the sound of a carriage
drawn by spirited horses, stopping in a significant
manner on the quay outside the gate of the Con-
ciergerie. The carriage door was opened and the
steps let down so rapidly that the prison officials
expected the arrival of a great personage. Pres-
ently a lady waving a bit of blue paper in her hand
presented herself at the iron gate, followed by a
footman and a groom. She was dressed magnifi-
cently in black, her bonnet was covered with a
veil, and she was drying her eyes with a large em-
broidered handkerchief.
Jacques Collin instantly recognized Asia, or
to give his aunt her rightful name, Jacqueline
Collin.
This horrible old woman was worthy of her
nephew, all whose thoughts were concentrated
upon the prisoner that he was defending with an
intelligence and perspicacity, at least, equal to
those of the law. She had obtained a permit,
given the night before, in the name of the maid of
the Duchess de Maufrigneuse, upon the recommen-
dation of M. de Serizy, to hold communication with
Lucien and the Abbe Carlos Herrera as soon as he
should be released from solitary confinement The
chief of the department of prisons had written
a few lines upon the permit, which, moreover,
by its color alone, indicated powerful recommenda-
tion, as these permits, like complimentary theatre
THE LAST INCARNATION OF VAUTRIN 275
tickets, differ in form and color from those which
are usually given.
So the turnkey hastened to unlock the gate, influ-
enced especially by the sight of the plumed groom,
whose green and gold livery was as brilliant as
that of a Russian general, and vouched for the
presence of an aristocratic visitor of almost royal
pretensions.
"Oh! my dear Abbe!" cried the pretended mar-
chioness, bursting into a torrent of tears at the
sight of the ecclesiastic, "how could they shut you
up here, even for a moment ; you, who are such a
holy man!"
The warden took the permit and read: "On the
recommendation of his excellency, the Count de
S'eri^^. ' '
"Ah! Madame de San Esteban, Madame la Mar-
quise," exclaimed Carlos Herrera, "what true
devotion!"
— "Madame, there is no communication allowed
with the prisoners here," said good old Gault He
tried at the same time to bar the way to the
advancing mass of black silk and lace,
"Still, at this distance!" begged Jacques Collin,
"and before all of you!" — he added, looking round
at the assembled company.
Jacques Collin's aunt, whose costume had an
amazing effect upon them all, clerk, warden, gaolers
and gendarmes, was redolent of musk. Besides
three thousand francs worth of lace, she wore a
black cashmere shawl that must have cost six
276 SPLENDORS AND MISERIES
thousand. Her groom was parading the court-yard
of the Conciergerie with all the insolence of a
lackey who thinks himself indispensable to an
exacting mistress of high station. He did not speak
to the footman, who had taken up his post at the
door opening on the quay, which was left open all
day.
— "What do you want, and what am I to do.'"
said Madame de San Esteban, in the slang dialect
that aunt and nephew had agreed to use.
This slang consisted in giving words terminations
in ar or or, al or /, and in lengthening them, whether
they were French or slang, so as to render them
unintelligible. It was a diplomatic cipher applied
to language.
— "Put all the letters in a safe place, choose
those among them that are most compromising for
the ladies, dress yourself in rags, and come back to
the Salle des pas Perdus to wait for my orders."
Asia, or Jacqueline, as she really was, knelt
down to receive a benediction, which the sham
priest pronounced with evangelical unction.
— "Addio, marckesa!" said he aloud, and then
added in their own slang, "find Europe and Paccard
with the seven hundred and fifty thousand francs
they stole, for I must have them. ' '
— "Paccard is here," answered the pious mar-
quise, looking tearfully toward the groom.
His aunt's ready wit not only forced a smile
from Jacques Collin, but even surprised him, whom
nobody else in the world could have surprised.
THE LAST INCARNATION OF VAUTRIN 277
The pretended marquise turned toward the spec-
tators like a woman in the habit of striking an
attitude, and said in bad French :
— "The good man is in despair that he cannot go
to his child's funeral ; this unfortunate mistake of
the police has disclosed his secret. — I am on my
way to the requiem mass. There, sir," said she
to M. Gault, as she handed him a purse of gold,
"here is something for the relief of the poor pris-
oners. ' '
— "That's a good move," whispered her nephew,
much pleased.
Jacques Collin followed the gaoler into the prison
yard.
Bibi Lupin, now in despair, succeeded at last in
attracting the attention of a gendarme, to whom he
had been hemming significantly ever since the de-
parture of Jacques Collin, and the man came to take
his place in the cell of the condemned. Trompe-la-
Mort's enemy was too late to see the lady, who
had driven away in her brilliant equipage, but her
voice, which he heard, was suggestive of drink,
in spite of its disguise.
— "Three hundred balls — ^francs — ^for the pris-
oners!" said the head gaoler, showing Bibi Lupin
the purse that M. Gault had given to his clerk.
— "Let me see. Monsieur Jacomety," said Bibi
Lupin.
The chief of the secret service took the purse,
poured the gold into his hand and examined it care-
fully.
278 SPLENDORS AND MISERIES
— "It is really gold," — he said, "and the purse
has a coat of arms. Ah ! how consummately clever
the scoundrel is ! He can take us all in, and when-
ever he chooses ! — He ought to be shot down like a
dog!"
— "Why do you say that?" asked the clerk
taking back the purse. ,
— "The woman must be a thief!" — cried Bibi
Lupin, stamping with rage on the pavement out-
side the prison door.
His words produced a great sensation among the
spectators grouped at a little distance from M.
Sanson, who still stood leaning against the large
stove in the middle of the vast vaulted hall, wait-
ing for an order to make the criminal's toilet, and
set up the guillotine in the Place de Gr^ve.
After re-entering the prison-yard Jacques Collin
walked up to his friends with the step that is pecu-
liar to prisoners.
— "What have you on hand?" he asked of la
Pouraille.
— "I'm in a bad way," answered the murderer,
whom Jacques Collin had drawn aside. "What I
need now is a friend I can count on."
—"Why?"
La Pouraille told the story of his crimes to his
chief, speaking in his dialect, ending with the de-
tails of the murder and robbery he had committed
in the Crottat household.
— "I congratulate you," said Jacques Collin.
"You did well, but I think you made a mistake."
THE LAST INCARNATION OF VAUTRIN 279
"What was it?"
"As soon as you had finished your business you
should have got a Russian passport, disguised your-
self as a Russian prince, and bought a carriage with
armorial bearings; then you could have gone boldly
to a banker to deposit your money, and asked for
a letter of credit on Hamburg. Afterward, it would
have been an easy matter for you to take the post,
accompanied by a valet, a maid-servant and your
mistress dressed like a princess, and at Hamburg
you could have embarked for Mexico. With two
hundred and eighty thousand francs in gold, a fel-
low of spirit can do what he wants and go where
he pleases, you fool!"
"Oh! you can think of these things, because
you are the boss I — You'll never lose your poll,
but I"—
— "I may as well tell you that giving good advice
to a man in your position is like wasting good broth
on a dead man," rejoined Jacques Collin, fixing his
fascinating glance upon his comrade.
"That may be true," said la Pouraille doubtfully,
"but please give me the broth all the same; if it
doesn't prove nourishing, I'll make a footbath
of it—"
— "Here you are seized by the stork with five
considerable robberies and three murders on your
head, the last one concerning two rich bourgeois, —
No jury likes to have bourgeois killed either. —
You'll certainly be billed through to the devil;
there isn't the least hope for you."
28o SPLENDORS AND MISERIES
—"They've all told me the same thing," replied
la Pouraille, ruefully.
"My aunt Jacqueline, whom I have just been
talking with, before all the prison oificials, and who
is, as you know, a mother to all our good comrades,
told me that the stork wanted to get rid of you,
because you are considered dangerous."
— "But," said la Pouraille, with an ingenuousness
that showed how completely thieves are convinced
of their «fl/«ra/ right to rob; "I have money enough
now; what can they be afraid of?"
— "We have no time for philosophising," said
Jacques Collin. "We must return to your situa-
tion."—
— "What is it you want of me?" demanded la
Pouraille, interrupting his master.
— "You shall see! A dead dog has his worth."
— "For others!" said la Pouraille.
— "I will let you help in my game!" replied
Jacques Collin.
— "Even that is something!" — said the murderer.
"What else.'"
— "I don't ask where your money is, but I want
to know what you mean to do with it ' '
— La Pouraille watched closely the inscrutable
expression of his boss, as the latter continued
coolly:
— "Have you any moll that you love, or a child or
any pal you care to help along? I shall be out-
side the walls in an hour, and I can do anj^ing
for any friends of yours. ' '
THE LAST INCARNATION OF VAUTRIN 28 1
La Pouraille still hesitated, and could not make
up his mind. Jacques Collin brought forward a
final argument.
— "Your share in our common funds is thirty
thousand francs ; are you going to leave them to the
pals? or do you mean to give them to somebody in
particular .' The money is safe, and I can hand it
over this evening to anybody you may wish to be-
queath it to. ' '
La Pouraille could not conceal his pleasure.
— "Now I have him !" thought Jacques Collin. —
"But there is no time to waste; think quickly!" —
he went on, in a whisper. "We haven't ten
minutes to ourselves, old fellow. " — " The attorney-
general will send for me, and I'm to have a con-
ference with him. I have tight hold of the man,
and I can twist the stork's neck. I am certain to
save Madeleine. ' '
— "If you save Madeleine, dear boss, you might
save me — "
— "Don't waste your breath," said Jacques Col-
lin abruptly. "Make your will."
— "Well, 1 should like to give the money to la
Gonore, " answered la Pouraille, sadly.
"Indeed! — Is she your mistress then, the widow
of Moses, the Jew, who was at the head of the
southern swindlers.'" inquired Jacques Collin.
Like all great generals, Trompe-la-Mort had a per-
sonal knowledge of all his troops.
"Yes, that is she," said la Pouraille, extremely
flattered.
282 SPLENDORS AND MISERIES
"She is a pretty woman," said Jacques Collin,
who understood perfectly how to work his terrible
machines, "and shrewd too. She's a clever girl,
and honest into the bargain. She's really an ac-
complished thief. So you had la Gonore for an
ally, did you ? It was stupid of you to get into
trouble when you had a mistress like her. You
fool! You ought to have set up in some respect-
able trade, and have scraped along together! —
What sort of prigging is she engaged in ?' '
— "She lives in the rue Sainte Barbe and keeps
a house — ' '
— "So you make her your heiress? You see the
result, old fellow, when a man is fool enough to
love one of those hussies,"
— "Yes, but don't give her a penny till I have
kicked the bucket!"
— "I promise," said Jacques Collin, seriously.
"Then you leave nothing to the pals}"
— "Nothing; they betrayed me!" replied la
Pouraille, vindictively.
— "Who sold you .' Do you want me to revenge
you?" asked Jacques Collin, trying to stir the last
chord that could vibrate in la Pouraille's heart at a
critical moment like this.
— "Who knows, oXdpal, that I couldn't manage to
revenge you and make your peace with the siork at
the same time?"
The murderer stared at his boss, dazed with joy.
— "But," began the boss, replying to the speak-
ing expression of his countenance, "I am now
THE LAST INCARNATION OF VAUTRIN 283
acting this little comedy for Theodore alone. If it
succeeds, old boy, I might do a great deal for a
friend of mine, and you are one."
— "If I can only see you able to put off the cere-
mony for poor little Theodore, I will do anything
you want. ' '
— "I have done it already, for I'm sure oi pulling
his poll out all right. You see, la Pouraille, if we
mean to get out of this mess we must all stick to
one another. — Nobody can do anything by him-
self."—
— "That's true!" cried la Pouraille.
La Pouraille's confidence and fanatical faith in
his boss was now so complete that he hesitated no
longer.
He then disclosed the names of his accomplices, a
secret which he had kept inviolate until then. This
was all that Jacques Collin wanted to know.
— "Here's my secret! Ruffard, Bibi Lupin's
agent, went thirds with Godet and me in the job,
which we had long been planning — "
— "Arrache Laine?" — exclaimed Jacques Collin,
giving Ruffard his thieves' name.
— "Yes, that's he, and the rogues sold me because
I knew the place where they kept their money,
and they didn't know mine."
— "You grease my hoots — are making it easy for
me — my love!" said Jacques Collin.
"Why?"
"See," Jacques answered, "what you gain by
trusting me! — Now, I shall make your revenge a
284 SPLENDORS AND MISERIES
point of my game — ! I don't ask you to tell me
where you keep your money, you will tell me that
at the last moment, but tell me all about Ruffard
and Godet."
— "You are our boss and always will be, so I
have no secrets from you," replied la Pouraille.
"My money is in la Gonore's deep — cellar — . "
— "Can you trust your mistress then ?"
— "Oh! she knows nothing of the performance!"
la Pouraille went on. "I made la Gonore tipsy,
although she wouldn't tell to save her neck. Still
such a lot of gold !' '
— "Yes, it would be enough to turn the milk of
the purest conscience," said Jacques Collin.
— ' ' In that way I could work with no eye upon
me. All the hens had gone to roost. The gold lies
three feet below ground, behind the wine-bottles,
and I covered it with a layer of pebbles and
mortar."
— "Good," said Jacques Collin. "And where
do the others keep their wads?"
— "Ruifard keeps his share in la Gonore's house,
in the very room of the poor creature, whom he
holds in his power, in this way; for she might be
discovered to be an accomplice in receiving stolen
goods, and end her days at Saint Lazare."
— "The rogue! It takes the peelers to train a
thief properly!" said Jacques.
— "Godet's wad is at his sister's, who is a clear-
starcher and an honest girl. She might easily get
five years in jail, without suspecting why. He
THE LAST INCARNATION OF VAUTRIN 285
took up the tiles of the floor, fitted them back
again, and decamped."
— "Can you guess what I want of you?" said
Jacques Collin, fixing his magnetic gaze upon la
Pouraille.
—"What is it?"
"I want you to take Theodore's concern upon
your shoulders — ' '
La Pouraille gave an expressive shrug, and then
promptly resumed his obedient attitude, under his
master's eye.
— "What! Are you objecting already? Do you
want to manage my game ? What do you suppose
is the difference between three or four murders?"
— "There may not be much difference!"
— "By the god of pals, you have no blood in your
veins ! And 1 was thinking of saving you !"
— "How could you?"
— "You're a fool! If you offer to return the
money to the family you will get off with the field
for life. I wouldn't give a straw for your poll if
they had the money, but at this very moment you
are worth seven hundred thousand francs, you
idiot, you!"
"O! boss!" cried la Pouraille, in ecstasy.
— "And," Jacques Collin continued, "we can
accuse Ruffard of the murders. — That will put an
end to Bibi Lupin at once! — I have him!"
La Pouraille was completely dazed by this new
idea; his eyes opened wider and wider, and he
stood motionless as a statue. It was three months
286 SPLENDORS AND MISERIES
since he had been arrested, and he was on the eve
of appearing before the Court of Assizes ; he had
asked the advice of his friends in prison, but he
had not told them of his accomplices, and an inves-
tigation of his crimes had left him so utterly de-
spondent that nobody had been clever enough to
think of this plan. So this slender hope made him
almost beside himself.
— "Have Ruffard and Godet had a spree yet?
Have they been airing any of their shiners — gold
pieces? — " asked Jacques Collin.
— "They dare not," replied la Pouraille.
"The scoundrels are waiting for my head to be
mowed. That's the news that my mistress sent
me by la Biffe, when she came to see le Biffon. "
— "We shall have all the money in twenty-four
hours, then!" exclaimed Jacques Collin. "The
wretches won't be able to make restitution as you
can ; you will be white as snow, and they will be
stained with all the blood! I shall take care to
have it believed that you were an honest fellow
misled by them. There will be money enough to
get alibis on your other charges, and once in the
field — for you'll have to go back there — you can
make your escape somehow. — It is a nasty kind of
life, but still it's life!"
La Pouraille's eyes expressed a state of delirious
excitement.
— "With seven hundred thousand francs you
have many chances, old fellow!" said Jacques Col-
lin, filling his comrade with intoxicating hopes.
THE LAST INCARNATION OF VAUTRIN 287
Boss ! Boss !
"I'll bewilder the attorney-general! — ^Ah! Ruff-
ard shall dance for this; he's a police agent and fair
prey. Bibi Lupin is cooked!"
"It's a go!" cried la Pouraille with savage joy.
"Give me your orders, and I'll obey."
He hugged Jacques Collin, with tears in his
eyes, for his head felt firm upon his shoulders.
—"That's not all," said Jacques Collin. "The
stork has a difficult digestion, especially when
there is a revelation of new facts. What we must
do now is to bring a false charge against some
moll."
— "How can we .' and what would be the good of
it ?' ' asked the murderer.
— "Help me, and you'll see!" — replied Trompe-
la-Mort.
He then related briefly the story of the crime
committed at Nanterre, showing la Pouraille the
need of finding a woman who would consent to play
Ginetta's part Then he and la Pouraille, who was
now in good spirits, walked toward le Biffon.
"I know how much you love la Biffe, — "said
Jacques Collin to le Biffon.
There was a dreadful poem to be read in le
Biffon's look.
— "What is she to do while you are mths field?"
A tear softened le Biffon's savage eyes.
— "Suppose I got her locked up in a house of
correction for women, (at the Force, the Madelon-
ettes, or Saint-Lazare), for a year.? That would
288 SPLENDORS AND MISERIES
cover the time of your trial, your departure, your
arrival at the field, and your escape."
— "You can't work miracles, and she's clean of
this Job," replied la Biffe's lover.
—"Oh! le Biffon!" said la Pouraille, "our boss
is more powerful than God."
— "What is your password with her?" Jacques
Collin inquired of le Biffon, with all the assurance
of a master who never takes a refusal.
—r" 'A night in Paris. ' When she hears that, she
will know you come from me, and if you want her
to obey you, show her a five-franc piece, and say
the word 'TondifP "
— "She will be convicted at la Pouraille's trial,
and released for confessing the matter after a year
in prison," said Jacques Collin, slowly, with his
eye upon la Pouraille.
La Pouraille understood the plot and promised
his master with a look that he would do his best
to make le Biffon co-operate in persuading la Biffe
to assume a pretended complicity in the crime he
was about to take upon his own shoulders,
— "Good-bye, my children. You will soon learn
that I have saved the boy from Chariot's clutches,"
said Trompe-la-Mort "Yes, Chariot was in his
office, with his attendants, waiting to make Made-
leine's toilet. There," he added, "the attorney-
general has sent some one for me, now. ' '
It was as he said ; a gaoler came through the gate
and beckoned to this extraordinary man, now
roused by the danger of his favorite, the young
THE LAST INCARNATION OF VAUTRIN 289
Corsican, to regain possession of his savage power
for struggling against society.
It may be worth while to observe that at the
moment when Jacques Collin was robbed of
Lucien's body, he made a mighty resolution to
attempt a final incarnation, not in the person of
a human being, but in the likeness of a thing. He
decided upon the fatal course that Napoleon adopted
when he stepped upon the boat that was to carry
him to the "Bellerophon. " Owing to a strange
concurrence of circumstances, everything aided to
keep his evil and corrupt genius in the enterprise
he had marked out for it
19
Although the unexpected ending of Jacques Col-
lin's criminal life may lose something in its char-
acter of the marvelous, — a quality to be obtained
now-a-days only by the wildest improbabilities —
before entering the office of the attorney-general,
we must follow Madame Camusot in the various
visits she made, while the events related above
were taking place at the Conciergerie. One of
the most serious obligations of the historian of
manners, is to try never to introduce dramatic inci-
dents at the expense of the truth, especially when
truth itself happens to be romantic. Human society,
above all, in Paris, admits of such startling possi-
bilities, and such intricate and capricious associa-
tions of circumstances, that the most inventive
imagination is outstripped at every turn. Truth
soars boldly to situations outside of the domain of
art, so improbable and indecorous are they, unless
the writer soften, purify and chasten them.
Madame Camusot undertook to invent a costume
for the morning that should be as near good taste
as possible, and this was a difficult task for the
wife of a judge who had been living in the prov-
inces for nearly six years. It was very important
for her, however, to avoid encountering any criti-
cism from the Marquise d' Espard, or the Duchess
de Maufrigneuse, whom she meant to call upon
(291)
292 SPLENDORS AND MISERIES
between eight and nine o'clock in the morning.
Amelie-Cecile Camusot, although born a Thirion,
only half succeeded, we must confess, and in a
matter of dress, a miss is as good as a mile.
People little know the usefulness of Parisian
women to men who are ambitious; they are as
necessary in the great world as they are in the
world of thieves, where, as we have just seen,
they play an essential part. For instance, suppose
that, under penalty of being left behind in the
arena, a man is forced to address himself to the
Keeper of the Seals, who was a great personage at
the time of the Restoration. Choose a man who
is placed in favorable circumstances, say a judge,
that is, a person who is familiar with the house.
He is obliged to secure an interview with the head
of a department or a private secretary, or a general
secretary, and to show some adequate reason for
obtaining an immediate audience. A Keeper of the
Seals can never be seen at once. In the middle of
the day, if he is not at the Chamber, he is at the
council of ministers, or else he is signing papers, or
giving audiences. In the morning he is sleeping,
though no one knows where. In the evening he has
public and social duties to fulfil. If every judge
could insist upon an audience on any pretext what-
ever, the chief officer of justice would be besieged.
The object for which a private and immediate inter-
view is requested is, therefore, subjected to the
consideration of an intermediary power, who may
bar the passage like a closed door, even though the
THE LAST INCARNATION OF VAUTRIN 293
way is forstalled by no other competitor. But when
one woman goes to see another she can walk into
her bedroom without delay, and succeed in rousing
the curiosity of either the mistress or the maid,
especially when the mistress is absorbed in some
important interest or pressing necessity.
Madame d' Espard, who represented all the au-
thority of a minister, may be taken as an illustra-
tion of feminine power. When she chose to write
a little perfumed note it was instantly carried by
her lackey to the minister's valet. When the
minister awakes the note is immediately handed
to him, and he reads it without delay. No matter
how urgent the duties of his ofifice, he finds personal
pleasure in calling upon one of the queens of Paris,
who was a power of the Faubourg Saint Germain,
and a favorite of Madame, of the Dauphiness, or of
the King. Casimir-Perier, the only real prime
minister produced by the Revolution of July, left
everything to pay a visit to an ex-first gentleman
of the bed-chamber of Charles X.
Upon this theory, we can understand the power of
the announcement: "Madame, Madame Camusot is
here to see you on very pressing business, which you
know of," made to Madame d' Espard by her wait-
ing-maid, who believed her mistress to be awake.
The Marquise ordered Amelie to be introduced
forthwith, and the judge's wife .obtained an atten-
tive hearing when she began, as follows :
— "Madame la Marquise, we have ruined our-
selves by revenging you — "
294 SPLENDORS AND MISERIES
— "What do you mean, my dear?" said the Mar-
quise, looking at Madame Camusot, who was stand-
ing in the half-light of the open door. "You look
fascinating this morning, in that charming little
hat. Where did you find a shape like it? — "
— "You are very kind Madame, — but you must
know that the manner in which Camusot conducted
Lucien de Rubempre's examination, reduced the
young man to such despair, that he hung himself
in prison — "
— "What will become of Madame de Serizy?"
cried the Marquise," pretending not to know any-
thing about the tragedy, so that she might listen to
the particulars over again.
— "Alas! She is supposed to be crazy," — an-
swered Amelie. "Oh! If you can only induce
His Grace to send a courier to the Palais de Jus-
tice for my husband, the minister will hear strange
secrets from him, which he will certainly feel it
his duty to tell the king. — In that way, Camusot's
enemies will be forced to keep silence."
— "Who are Camusot's enemies?" inquired the
Marquise.
— "The attorney-general and now M. de Serizy,
besides." —
— "Don't be afraid, my dear," replied Madame
d' Espard, who owed to M. de Granville and M. de
Serizy her defeat in the shameful suit she had
brought for the purpose of obtaining an injunction
against her husband. "1 will defend you. I never
forget my friends nor my enemies. ' '
THE LAST INCARNATION OF VAUTRIN 295
She rang, and ordered the curtains drawn aside ;
the daylight poured into the room. Then asking
for her desk, which her maid brought to her, the
marchioness rapidly scribbled a little note.
— "Tell Godard to take a horse and carry this
note to the Chancellerie; there is no answer," she
said to her maid.
The woman left the room hastily, but in spite of
her orders, lingered outside the door for some min-
utes.
— "There is some great mystery, then?" de-
manded Madame d'Espard. "Tell me all about it,
my dear. Did Clotilde de Grandlieu have any part
in all this?"
"You will hear everjrthing from his Grace,
madame, but my husband told me nothing; he
merely warned me of his danger. It would be
better for us to have Madame de Serizy die than to
have her live insane."
— "Poor woman!" said the marquise; "but
wasn't she half mad already ?' '
Women of fashion have a hundred ways of pro-
nouncing the same phrase, that show an acute ob-
server the infinite variety of sounds in the musical
scale. The whole soul may be expressed in the
voice as well as in the eye ; it may be as readily
impressed on air as it is on light, those two medi-
ums, through which the eyes and the throat are
able to act. By the accent with which the mar-
quise pronounced the two words, "poor woman,"
she betrayed the joys of triumph and satisfied
296 SPLENDORS AND MISERIES
hatred. There was no misfortune she did not
wish for Lucien's patroness ! The insatiable hatred
that survives the death of its object has something
appalling in its intensity, and even Madame Cam-
usot, who had a harsh, vindictive and mischief-
making nature, was shocked. She found nothing
to say in return, and was silent.
— "Diane told me that Leontine had gone to the
prison," Madame d'Espard went on. "The poor
duchess is in despair over the scandal, for she is
weak enough to love Madame de Serizy. That is
easy to understand, however, for they both adored
that little fool of a Lucien, and almost at the same
time; nothing unites or separates two women like
paying their devotions at the same altar. So the
dear creature spent two hours yesterday in Leon-
tine's room. It seems the poor countess said dread-
ful things, quite disgusting in fact. — A well-bred
woman should never allow herself to be subject to
such outbursts! — Fie! It was a disgraceful pas-
sion. — The duchess was pale as death when she
came to see me, though she was full of courage !
There is something monstrous about this whole
thing."—
"My husband will tell everything to the Keeper
of the Seals, so that he may justify himself ; for they
wanted to save Lucien, and he only did his duty,
Madame la Marquise. An examining judge is
obliged to question prisoners privately, and within
the time the law prescribes. — It was necessary to
ask the poor little wretch some questions, and he
THE LAST INCARNATION OF VAUTRIN 297
didn't understand that it was merely a form, so he
confessed at once — ' '
— "He was always a silly, saucy fellow," said
Madame d'Espard, dryly.
The judge's wife said nothing, as she listened to
this judgment.
— "Though we failed in getting an injunction
against M. d' Espard, it was not Camusot's fault,
and I shall always remember that," the marquise
continued, after a pause. "It was Lucien, M. de
Serizy, M. de Bauvan and M. de Granville that
made us lose the case. God will help me, in time,
and every man of them will come to grief. Don't
worry any more. I will dispatch the Chevalier
d' Espard to the Keeper of the Seals, and make him
send for your husband, if you really think it is of
use — "
—"Ah! Madame!"—
— "Listen to me," said the marquise, "I promise
you the decoration of the Legion of Honor, at once,
to-morrow! It will be a public recognition to your
husband's conduct in this affair. Yes, it will be
incriminating to Lucien, too, and everybody will
believe him guilty. A man rarely hangs himself
for amusement. — ^Good-bye, my dear!"
Ten minutes later, Madame Camusot entered the
bedroom of the beautiful Diane de Maufrigneuse
who had never slept, though it had struck nine,
and she had gone to bed at one o'clock the night
before.
A duchess may be unfeeling by nature, yet hard
298 SPLENDORS AND MISERIES
as her heart may be, she cannot see a friend in the
paroxysms of madness without some trace of deep
feeling.
Moreover, though Diane's connection with Lu-
cien had been broken eighteen months before, it
was still fresh enough in her memory to allow his
tragic death to give her a violent shock. All night
long Diane had seen before her the handsome
youth, the charming poetic lover, hanging as Leon-
tine had so graphically described him, in the ravings
of her delirium. She had kept Lucien's eloquent,
rapturous letters, that might be compared to those
written by Mirabeau to Sophie, save that these
were more literary and careful in form, as they had
been dictated by vanity, the strongest of human
passions ! Lucien's head had been turned by the
happiness of possessing the heart of the loveliest of
duchesses, and the knowledge that for his sake she
was guilty of secret folly. The pride of the lover
had inspired the poet. So the duchess had kept
these stirring letters, as old men sometimes keep
indecent pictures, because of the extravagant praise
they contained of such qualities of hers as were
least worthy of a duchess.
— "And he died in a shameful prison!" said she,
clutching her letters in alarm, as she heard her
maid tap softly at the door.
— "Madame Camusot has come to see you on a
most important matter that interests you," the
maid announced.
Diane sprang up in terror.
THE LAST INCARNATION OF VAUTRIN 299
— "Oh!" said she as she saw Amelie, who as-
sumed an expression of suitable gravity. "I know
what you have come for ! You want my letters —
Ah! my letters — my letters!" —
She sank back upon a sofa, remembering that,
in the madness of her passion, she had answered
Lucien in his own tone, that she had written him
as enthusiastically of his charms as he had of hers,
and in what romantic strains !
— "It is too true, madam," answered Madame
Camusot; "I have come to save more than your
life, for your honor is at stake. — Collect yourself
and dress ; we must go to the Duchess de Grand-
lieu, for, happily for you, you are not the only
woman compromised."
— "Butl am told that Leontine burned all the
letters poor Lucien left at the Palais yesterday. ' '
"But Lucien had a double in Jacques Collin,
madame, " cried the judge's wife. "You forget
that pernicious intimacy which was certainly the
sole cause of the death of the charming young man
whom we regret so deeply. That Machiavelli of the
galleys never lost his head in his life, and M. Cam-
usot is sure that the monster has put in a place of
safety the most compromising among the love-
letters received by his — "
— "His friend," said the duchess, quickly.
"You are right, my dear; we must go and hold
council with the Grandlieus. We are all involved
in this matter, and fortunately Serizy will lend us a
helping hand."
300 SPLENDORS AND MISERIES
— The extremity of danger has, as we have just
seen in the scenes at the Conciergerie, as terrific a
power over the soul as that of the strongest re-
agents over the body. It is a moral Voltaic bat-
tery, and perhaps the day is not far distant when
it will be discovered by what method feeling is
chemically condensed into a fluid, somewhat simi-
lar to electricity.
The same phenomenon took place with the
duchess as with the convict. This weak, exhausted
woman, who had not slept all night; this duchess
who usually spent so much time at her toilet, was
suddenly possessed of the strength of a lioness at
bay, and the presence of mind of a general under
fire. Diane selected her garments herself, and
dressed as rapidly as a grisette, who is her own
tiringwoman. The change was so remarkable that
her maid stood motionless with astonishment star-
ing at her mistress, who was clad in her chemise,
pleased, perhaps, to have the judge's wife see,
through its transparent veil of linen, her body, that,
white and perfect as Canova's Venus, was like a
jewel glittering through the delicate paper that
envelops it. It suddenly occurred to Diane to put
on a comfortable pair of stays that hooked together
in front, and spared her the time and trouble nec-
essary for lacing them. After she had arranged
the lace ruffles of her chemise and laid them sys-
tematically in place, her maid brought her petti-
coat to her and finally her dress. Then the woman
signed to Amelie to fasten the duchess' dress in
THE LAST INCARNATION OF VAUTRIN 301
the back, while she ran to fetch a pair of Scotch
thread stoci