HE' WHEELS OF CHANCE CORNELL UNIVERSITY LIBRARY i BOUGHT WITH THE INCOME OF THE SAGE ENDOWTSiIENT FUND GIVEN IN 189I BY HENRT WILLIAMS- ■ SAGE Date Due OCl 19 1950 FEE >&^e57] ix <'" MAR 2 P 1957 Hf ml ^liTVSDn ;7P ^- iW*Tl^ j_^^^^ -WU-I -JP" «AiT^r% '"'"" " q^G^^ "I'srff- 6)M«^MIM«( (Wk JAM-< iF^yyo ^iTir*' ..■7 AAMI ■^naofli ' Cornell university Library PR 5774.W56 adventure _ The Wheels o;c^^^^^^^^ Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013568906 The Wheels of Chance By the Author ot "The Wheels of Chance." Crown 8vo, cloth, gilt top. Third Edition, s^- net- THE WONDERFUL VISIT. By H. G. wells. AUTHOR OF "the TIME MACHINE,'' ETC. W. L. COURTNEY, in the Daily Telegraph. " It would be indeed difficult to overpraise the grace, the deli- cacy, and the humour with which the author has accomplished his task. It is all so piquantty fresh, so charmingly unconventional, that it carries one away with it from start to finish in a glow of pleasurable sentiment. Rarely, amidst all the floods of conventional fiction-spinning and latter-day psychological analysis, does one come across such a pure jet of romantic fancy as that with which Mr. Wells refieshes our spirits." , , ,.v, .'■■.,{■ Sffi!,, \u The i^'^'^^ ^%i>-^ '^; ^^"" ^ Wheels of Chanqe^ A Holiday Adventure"' By H. G. Wells Author of 'The Wonderful Visit," "The Time Machine," etc With 40 Illustrations by J. Ayton Symington 5j(.R3i.'V ■.>-\'..^'-'-*- London J. M. Dent and Co. New York : The Macmillan Co, 1896 l" \ fc 1 l,.l(AI;y [All rights reserved] Printed by Ballantyne, Hanson &' Co. At the Ballantyne Press Contents PAGE THE PRINCIPAL CHARACTER IN THE STORY . 3 THE RIDING FORTH OF MR. HOOPDRIVER . . 20 THE SHAMEFUL EPISODE OF THE YOUNG LADY IN GREY . ... 32 ON THE ROAD TO RIPLEY .... 43 HOW MR. HOOPDRIVER WAS HAUNTED. . 6 1 THE IMAGININGS OF MR. HOOPDRIVER'S HEART . 7 1 OMISSIONS . . . - 78 THE DREAMS OF MR. HOOPDRIVER . 81 HOW MR. HOOPDRIVER WENT TO HASLEMERE 85 HOW MR. HOOPDRIVER REACHED MIDHURST 94 AN INTERLUDE . . lOI OF THE ARTIFICIAL IN MAN, AND OF THE ZEITGEIST I07 THE ENCOUNTER AT MIDHURST III X CONTENTS THE PURSUIT AT BOGNOR THE MOONLIGHT RIDE . . . . THE SURBITON INTERLUDE . . . . THE AWAKENING OF MR. HOOPDRIVER THE DEPARTURE FROM CHICHESTER . THE UNEXPECTED ANECDOTE OF THE LION THE RESCUE EXPEDITION . . . . MR. HOOPDRIVER, KNIGHT-ERRANT THE ABASEMENT OF MR. HOOPDRIVER IN THE NEW FOREST .... AT THE RUFUS STONE THE ENVOY ... PAGE 160 180 187 197 207 230 252 275 292 310 List of Illustrations " Here we can talk'' Frontispiece PAGE He would have come forward, bowing and swaying 5 He was sitting on the edge of his bed, rubbing arnica into his knee 17 " I wish you'd leave off staring at me " . . -25 He was hopping vigorously along the road . . 28 A sitting position on the gravel .... 36 Sat down . . . and mopped his face ... 43 Mr. Hoopdriver came across the other cyclist in brown 50 A little grey figure by the wayside waving some- thing white 54 "No trouble. 'Ssureyou" 59 The Golden Dragon 63 Guildford is an altogether charming old town . 66 Promenading the brilliant gardens at Earl's Court . 73 In the diary there is this entry .... 79 xii LIST OF ILLUSTRATIONS PAGE The other man in brown's attitude . . . was a deliberate pose 88 Paddle his lean legs in the chuckling cheerful water 97 He came into Midhurst by the bridge at the water- mill 99 " Stow it ! " said Mr. Hoopdriver . . . • ii5 " I can't think what girls is comin' to" . . .124 A number of chubby innocents . . . watched him quietly but firmly 132 " I've lost the spoor " 137 " I have you," he said. " You are mine " . . 146 The ostler . . . rushed violently down the road . 153 She looked at his face in its light . .166 " At least let me help you '' . ... 177 " What the juice do they want with cream-pans in a bedroom?" 183 He settled the fate of that lion in his mind . . 204 With a pocket-handkerchief held to his right eye . 214 There whirled a great black mass . . . and Dangle in transit from front to back .... 220 Dangle swaying and gesticulating behind a cory- bantic black horse 231 " Some dirty cad . . . made a remark as we went by this door" 241 Mr. Hoopdriver, still solemnly squaring . . . 250 "Miss Milton — I'm a liar" 261 LIST OF ILLUSTRATIONS xm PAGE Now they hung limply over his knees . . . 269 " A bicycle is considered too . . .flippant" . . 277 " Hold it ! " cried Phipps over his shoulder . . 288 Mr. Hoopdriver was seated on a rustic seat . . 297 With a sudden impulse lifted it to his lips . , 308 A lonely-looking little figure, in a dusty brown suit. 311 The apprentice with the high collar holds them open 313 The Wheels of Chance THE PRINCIPAL CHARACTER IN THE STORY I If you (presuming you are of the sex that does such things) — if you had gone into the Drapery Emporium — which is really only magnificent for shop — of Messrs. Antrobus & Co. — a perfectly fictitious " Co.," by-the-bye — of Putney, on the 14th of August 1895, had turned to the right- hand side, where the blocks of white linen and piles of blankets rise up to the rail from which the pink and blue prints depend, you might have been served by the central figure of this story that is now beginning. He would have come forward, bowing and swaying ; he would have extended two hands with largish knuckles and enormous cuffs over the counter ; and he would have asked you, protruding a pointed chin and without the slightest anticipation of pleasure in his manner, what he might have the pleasure of 4 THE WHEELS OF CHANCE showing you. Under certain circumstances — as, for instance, hats, baby-hnen, gloves, silks, lace, or curtains — he would simply have bowed politely, and with a drooping expression, and making a kind of circular sweep, invited you to "step this way," and so led you beyond his ken ; but under other and happier conditions —huckaback, blankets, dimity, cretonne, linen, calico, are cases in point — he would have re- quested you to take a seat, emphasising the hospitality by leaning over the counter and gripping a chair back in a spasmodic manner, and so proceeded to obtain, unfold, and exhibit his goods for your consideration. Under which happier circumstances you might — if of an observing turn of mind, and not too much of a housewife to be inhuman — have given the cen- tral^figure of this story less cursory attention, y^^ow if you had noticed anything about him, it /would have been chiefly to notice how little he Viji&s noticeable. He wore the black morning coat, the black tie, and the speckled grey nether parts (descending into shadow and mystery below the counter) of his craft. He was of a pallid com- Cplexion, hair of a kind of dirty fairness, greyish eyes, and a skimpy, immature moustache under his peaked, indeterminate nose. His features were all small, but none ill-shaped. A rosette of pins decorated the lappel of his coat. His remarks, you would observe, were entirely what people used to call dichJ, formulae not organic to the occasion, but stereotyped ages ago, and learnt ^-1^ THE WHEELS OF CHANCE 7 years since by heart. " This, madam," he would say, " is selling very well." " We are doing a very good article at four three a yard." "We could show you something better, of course." "No trouble, madam, I assure you." Such were the simple counters of his intercourse. So, I say, he would have presented himself to your superficial observation. He would have danced about be- hind the counter, have neatly refolded the goods he had shown you, have put on one side those you selected, extracted a little book with a carbon leaf and a tinfoil sheet from a fixture, made you out a little bill in that weak flourishing hand peculiar to drapers, and have bawled " Sayn ! " Then a puffy little shop-walker would have come into view, looked at the bill for a second, very hard (showing you a parting down the middle of his head meanwhile), have scribbled a still more flourishing J. M. all over the document, have asked you if there was nothing more, have stood by you — supposing that you were paying cash — until the central figure of this story reappeared with the change. One glance more at him, and the puffy little shop-walker would have been bow- ing you out, with fountains of civilities at work all about you. And so the interview would have terminated. But real literature, as distinguished from anec- dote, does not concern itself with superficial appearances alone. Literature is revelation. Modern literature is indecorous revelation. It is the duty of the earnest author to tell you what 8 THE WHEELS OF CHANCE you would not have seen — even at the cost of some blushes. And the thing that you vi^ould not have seen about this young man, and the thing of the greatest moment to this story, the thing that must be told if the book is to be written, was— let us face it bravely — the Remark- able Condition of this Young Man's Legs. Let us approach the business with dispassionate explicitness. Let us assume something of the scientific spirit, the hard, almost professorial tone of the conscientious realist. Let us treat this young man's legs as a mere diagram, and indicate the points of interest with the unemotional preci- sion of a lecturer's pointer. And so to our revela- tion. On the internal aspect of the right ankle of this young man, you would have observed, ladies and gentlemen, a contusion and an abrasion ; on the internal aspect of the left ankle a contusion also; on its external aspect a large yellowish bruise. On his left shin there were two bruises, one a leaden yellow graduating here and there into purple, and another, obviously of more recent date, of a blotchy red — tumid and threatening. Proceeding up the left leg in a spiral manner, an unnatural hardness and redness would have been discovered on the upper aspect of the calf ; and above the knee and on the inner side, an extraordinary expanse of bruised surface, a kind of closely stippled shading of contused points. The right leg would be found to be bruised in a marvellous manner all about and under the knee, and particularly on the interior aspect of THE WHEELS OF CHANCE 9 the knee. So far we may proceed with our details. Fired by these discoveries, an investi- gator might perhaps have pursued his inquiries further — to bruises on the shoulders, elbows, and even the finger-joints, of the central figure of our story. He had indeed been bumped and battered at an extraordinary number of points. But enough of realistic description is as good as a feast, and we have exhibited sufficient for our purpose. Even in literature one must know where to draw the line. Now the reader may be inclined to wonder how a respectable young shopman could have got his legs, and indeed himself generally, into such a dreadful condition. One might fancy that he had been sitting with his nether ex- tremities in some complicated machinery, a threshing-machine, say, or one of those hay- making furies. But Sherlock Holmes (now, after a glorious career, happily and decently dead) would have fancied nothing of the kind. He would have recognised at once that the bruises on the internal aspect of the left leg, considered in the light of the distribution of the other abrasions and contusions, pointed unmis- takably to the violent impact of the Mounting Beginner upon the bicycling saddle, and that the ruinous state of the right knee was equally eloquent of the concussions attendant on that person's hasty, frequently causeless, and invari- ably ill-conceived descents. One large bruise on the shin is even more characteristic of the ro THE WHEELS OF CHANCE 'prentice cyclist, for upon every one of them waits the jest of the unexpected treadle. You try at least to walk your machine in an easy manner, and whack ! — you are rubbing your shin. So out of innocence we ripen. Two bruises on that place mark a certain want of aptitude in learning, such as one might expect in a person unused to muscular exercise. Blisters on the hands are eloquent of the nervous clutch of the wavering rider. And so forth, until Sherlock is presently explaining, by the help of the minor injuries, that the machine ridden is an old-fashioned affair with a fork instead of the diamond frame, a cushioned tire, well worn on the hind wheel, and a gross weight all on of perhaps three-and-forty pounds. The revelation is made. Behind the decorous figure of the attentive shopman that I had the honour of showing you at first, rises a vision of a nightly struggle, of two dark figures and a machine in a dark road — the road, to be explicit, from Roehampton to Putney Hill — and with this vision is the sound of a heel spurning the gravel, a gasping and grunting, a shouting of "Steer, man, steer ! " a wavering unsteady flight, a spas- modic turning of the missile edifice of man and machine, and a collapse. Then you descry dimly through the dusk the central figure of this story sitting by the roadside and rubbing his leg at some new place, and his friend, sympathetic (but by no means depressed), repairing the displace- ment of the handle-bar. THE WHEELS OF CHANCE II '' Thus even in a shop assistant does the warmth of manhood assert itself, and drive him against all the conditions of his calling, against the counsels of prudence and the restrictions of his means, to seek the wholesome delights of exertion and danger and pain. And our first, examination