■ I ^■■■■liBBHHBppBBBHIBHHBBidHdbiliq 1 CORNELL UNIVERSITY LIBRARY ^■^■■■■■■lai^^i^^^B^HHHHaa^^^ ■ 1 THOUGHTS OF THE TIMES; MEN AND THINGS. BY T. B. BROWNE, ESQ. Per lo gran Mar del essere. — Dante. Je ne veois le tout de rien. — Montaigne LONDON: PRINTED FOB. LONGMAN, ORME, BROWN, GREEN, & LONGMANS, PATEllNOSTER-ROVV. 1838. g RMC r^ 47 N- London' : Printed bv A. Spottiswoode, NewlStrcct-Square. CONTENTS. Page Of History 1 Of Religion 43 Of Poetry 76 Of Utilitarianism 139 Of Imagination and Fancy, Humour and Wit 200 Of the Advantages of living in stirring Times 212 Of Absenteeism 220 Of the Men to be loved, and the Men to be ad- mired , 236 V«' THOUGHTS OF THE TIMES: MEN AND THINGS. OF HISTORY. The school of example is the world : and the masters of this school are history and experience. — Bolingbroke. History has been cultivated in our time -with more than ordinary diligence and success. Historians have become more accurate in their facts, sounder in their principles, and certainly not less picturesque in their narrative. Here, however, as elsewhere, the mechanical spirit of the age has obtruded itself; forgetting that many parts, without union, will not ma,ke one whole, we must have our division of labour, and forthwith issue from divers intellectual mills histories picturesque which do not amuse, and histories philosophical which do not instruct. A bundle of laborious essays and exaggerated romances tied up together, is a poor substitute for a living, comprehensive history. Yet this mischievous and disagreeable separation of the picturesque and the philosophical, in the 2 OF HISTORY. present instance, is not altogether without excuse. The difficulties with which the historian has ,to contend are many and various. One, not the least important, is inherent in the very nature of language, for the same words do not convey the same ideas to the men of different periods ; and there are, perhaps, few words in different languages, beyond the names of physical objects, which exactly correspond. The historian should combine the ardour of the active, with the somewhat chilling reflection of the contem- plative mind : he should describe events like the epic, sympathise with his actors, and lay bare their feelings like the dramatic poet : he should, as it were, live among men with whom he can only become acquainted through the lifeless medium of books, and know their capacities for acting, and the nature of the materials with which and on which they had to act, before he can perfectly appreciate what they did or left undone, or convey a profitable lesson to his own and future ages. He should be cautious in generalising, acute in sifting evidence, neither obtrusive nor meagre in his reflections, quick to comprehend, and discriminating to pour- tray character. Lastly, without being rhetorical, he should cultivate force and beauty of expression and harmony of periods, almost as diligently as those writers whose chief object is style. . After all, the natural difficulties of the historian OF HISTORY. 3 are, insuperable. He sees always " through a glass darkly," and therefore it is that Aristotle has called poetry, that is dramatic poetry, " something more philosophical and real than history*," for the poet can give a complete picture of his own crea- tions, the historian can trace but the meagre outline of imperfect knowledge. This last view of the subject, however, shews history too much like one of the fine arts, with which it has little relation : it has far higher practical uses. History, without a change in the faculties of man, which we can neither foresee nor understand, can obviously never become a science. With facts we are but imperfectly acquainted, with men still less, yet to determine with any degree of certainty what men will do from what men have done, we must know not only the facts and the men, but the dif- ferent influence which the same facts would have on differently constituted minds. If it could ever be demonstrated that all men would act in the same manner under the same circumstances, our faith would be fearfully shaken in that personal and in- ward circle, which is " above three hundred and sixty," and in respect of which "theearthisapointf." If we cannot have both, the picturesque history * ^iKoffocpdiTspoV Kol ff-irovSaiorepoy Troirjcris Icrropias iariv. — • Poetica. t Sir Thomas Browne. B 2 OF HISTORY. is, perhaps, preferable to the philosophical, or as the Germans would say, the objective is better than the subjective. It is observable that the men, who at various periods have made the greatest impression on society, have been distinguished for strong feel- ings, a sanguine temperament, and a vivid imagi- nation. Liither and Calvin moved men's minds, not so much because they argued well, as because they felt and spoke strongly. To measure such men accurately, it is necessary to sympathise with them, and as few combine in so high a degree powerful intellects with strong passions, the more simple and less ambitious mode of describing them is commonly the more satisfactory. Again, to give a living picture of a departed age, the historian must understand its language. Now, the natural language of mankind even in a refined age, and yet more decidedly in a barbarous one, is figurative. Figurative language soonest excites our passions, gratifies our tastes, and impresses itself upon our memories ; yet it is a dangerous tool to meddle with. Many pseudo-philosophers, not feeling themselves equal to its management, have inveighed loudly against it, as if the fault were in the machine, and not in the workman. Logical inaccuracies, however, are quite as common as metaphorical, and more mischievous. The logical mind is, indeed, the most imperfect, for it is easier OF HISTORY. 5 for the merely imaginative man to understand logic than for the mere logician to understand the pic- turesque. Professedly philosophical histories are often im- pertinent. A skilful narrative will suggest reflections. Who would not learn more from Herodotus or Froissart, than from the speculations of the philoso- phers of the last century on what kind of death a nation must die ? As if the political death of a nation were a necessary event I The confounding of nations with individuals has led to strange mis- takes. There are many nations in whose histories the facts, and the conclusions to be drawn from them, are so exceedingly uniform, that to know one is to know the whole class. Such is the case with oriental histories ; where we have a great despot in the capital ; a number of petty despots in the provinces, individually rebelling, whenever any one of them is strong enough; no respect for life or property; no privileged classes ; free trade ; a revenue collected almost exclusively from land ; and unvarying man- ners and customs. European despotisms, modified and counteracted by a great variety of circum- stances, deserve to be studied separately, though not with equal attention. But the histories, beyond comparison the most fertile in moral phenomena, and therefore the most interesting and the most B 3 6 OF HISTORY. valuable, are those of nations under constitutional governments. Each of these has its peculiarities, not only because no two constitutions were ever framed precisely similar in all respects, but because circumstances of time and place would alone be sufficient to produce differences in the results, though there were none in the systems. The history of ancient Greece is eminently bio- graphical : never were great men so numerous and so powerful, never did genius shine with so much brilliance. Yet there was little tranquillity, much injustice, much national and private calamity. Neither did liberty, imperfect as it was, or, to speak more correctly, independence, last long. Many offices were filled by large classes of citizens in rotation, and thus, as Sismondi observes, in speaking of the republics of Italy, so similar to those of Greece, each man was induced to submit to considerable restraint as a subject, that he might be less restrained in the exercise of his " brief authority " as a magis- trate, when his turn arrived. Such a state of things, however favourable, from incessant competi- tion, to the development of talent, was unstable in the extreme, and naturally tended to despotism, none being really free, and the classes ineligible to the higher offices of the state ready to acquiesce in any change, inasmuch as no condition can be worse than that of the servant of a thousand masters;. OF HISTORY. 7 The history of Rome is the progress to empire of an ambitious people, and yet perhaps their ambition was rather accidental than systematic. The patri- cians, threatened with a diminution of their power at home, sought, by acquiring consideration abroad, to divert the plebeians from turning their attention to the privileges of an exclusive class. Hence per- petual wars. For the people in every country, from restlessness, love of excitement, national vanity, or whatever cause, like nothing better than fighting, if the nobles are but ready to lead them : and the noble Roman was no laggard. The plebeian soldier, when he returned to tell of his battles, in speaking of some more resolute charge of the enemy, which made victory for a time doubtful, could say " Caedunt Lepidos, cseduntque Camillos, Corvinosque simul, Torquataque nomina legum *." The policy of the Romans, in acquiring their empire bit by bit, and by incorporating the con- quered nations with themselves, has been often remarked, and is not without its imitators in our own day. The sound and truly philanthropical system of the balance of power, seasonably and vigorously acted upon by the more civilised states, will prevent the less civilised from profiting by the Roman example, however well-inclined. * Lucan. B 4 O OF HISTORY. No age, perhaps, that had gone before or that has followed has so great an affinity with our own as the last century of the Roman republic. The great men of those times, and they were many, were em- phatically gentlemen, men of the world, distin- guished for their acquaintance with all classes of society, shrewd, sensual and refined, little susceptible of strong emotions, and indifferent to human suffer- ing, provided it was a means of accomplishing their ends. We have here too the first recorded age of terror, as Sylla and Marius successively gained the ascendancy, which each employed to proscribe the other's adherents. Sylla's was a character not common in history. Never was man more un- scrupulous in his mode of attaining power, or sooner tired of it, when attained. Sylla was no favourite with the fawning Romans of the empire, because Caesar, his more renowned imitator, belonged to the opposite faction ; but there must have been some- thing about him more than commonly grand, or the unlimited power, which he dared to resign, would have debased, instead of ameliorating his nature. In this respect he resembles Cromwell, rather than Alexander, Caesar or Napoleon, all three of whom proved themselves unequal to the weight of their fortunes ; and Caesar was the least excusable of all. Alexander, the sovereign of an obscure pro- vince of northern and barbarous Greece, had OF HISTORY. 9 conquered the whole country from the Egean Sea to the Indus before he was thirty years of age. Na- poleon, in the course of a very few years, from the humble rank of a subaltern officer, raised himself to that of emperor of the French, and virtual ruler of half Europe. But Caesar was born a noble Roman : the highest dignities of his country, the mistress of the civilised world, were by birth within his grasp : he arrived at supreme power by steps, and at an age when the passions have generally cooled, yet in its exercise he w^as sometimes as extravagant, as vain, and even as impolitic as a boy. The fall of the Roman empire, that greatest of all revolutions, gave rise to the notion, that nations, like individuals, must decay ; a proposition equally needless and extravagant, if the ruin of the Romans can be accounted for on more simple and obvious grounds, namely, their own corruption and moral degradation, the result of a combination of un- favourable circumstances. It would be strange indeed, if there were a law in the economy of man- kind, limiting the prosperity of nations to determinate periods. France counts more than thirteen centuries from the age of Clovis ; England more than ten from that of Egbert ; the shortest period, exceeding in all probability, notwithstanding the twelve vul- tures and their typified centuries, the entire duration 10 OF HISTORY. of Rome as an independent state. Yet the in- dependence of England and France cannot be said to be in any very imminent danger, however am- bitious Cossacks and Calmucks may be of rivalling Goths and Huns. The power of both nations never was greater than at the present moment. There is little danger of national decay where governments let the people alone, and a free constitution gives them something to do. The Romans had no stimulus to exertion, it was in fact dangerous ; consequently, pleasure was the chief object of their lives. They had a sensual and brutal religion, and no press : literature, therefore, v/as inaccessible save to the few, and was, moreover, exceedingly cir- cumscribed. Women were despised and degraded - — no element of civilisation remained. Even their refinement, continually on the decline, served only to reveal to them the insipidity of innocence. In no period perhaps with which we are historically acquainted was the amount of wickedness and base- ness so great among a given number of human beings. Such a state of things required a tempest to purify the moral atmosphere, and when it came it was tremendous. But, it may be asked, why did not Christianity regenerate mankind ? Real Christians, alas ! have been in all ages few : and Christianity, incumbered with an imperial convert, lost its early simplicity in OF HISTORY. 11 the folds of the purple. The corruptions of the church seem to take their date from the conversion of Constantine, Of modern histories, those of England, France, Venice, and the United States of America, seem to have the higliest claims on our attention. Among the great nations of antiquity, civil liberty, always imperfect and ill -understood, commonly degenerated before civilisation had reached its highest pitch. In England, on the contrary, liberty and civilisation ad- vanced with equal steps through many centuries, and even, when liberty was apparently retrograde under the Tudors, the firmest foundations wpre laid for future progress by the emancipation of men's minds from the priestly yoke. It seems peculiar to England that great benefits have flowed from great national calamities. Thus, the wars of the roses, deluging the country with blood on a question of title utterly insignificant to the mass of the people, caused the destruction of the greater part of the ancient nobles. Those, who remained, were too few to form a privileged class, and too weak to resist the subsequent attempts of prince and people to curb their pride and power. The European rank of England, from the time when the Plantagenets lost their continental pos- sessions, to that of Henry VIII., was low. The 12 OF HISTORY. energy of Henry's character, fickle tyrant as he was, his fortunate position as umpire between Charles V, and Francis I., and the reformation in religion, greatly increased the national importance. The prudence of Elizabeth, and her successful rivalry with the most powerful of her contemporaries, raised it still higher. But to develope fully the resources of England was reserved for Cromwell. Historians have been scarcely just to this extraor- dinary man. Even Mr. Hallam seems to think him inferior to Napoleon. Cromwell, indeed, could not or would not talk like Caesar or Cicero, yet he sur- passed both them and all others in the art of concealing his thoughts under a cloud of words. He was ambitious, hypocritical and unscrupulous ; such have been all usurpers. But he certainly loved his country. He realised his proud boast, that he would make the name of an Englishman as much feared and revered as ever was that of a Roman. His mind was comprehensive and grand, and at the same time so definite, energetic and sagacious, that he never attempted what he did not accomplish. He possessed courage, both moral and physical ; he was acute and discriminating in his perception of character, and, in particular, of the character of his times ; and, Avhat can be said of very few under similar circumstances, he never seemed so great as OF HISTORY. 13 on a throne. It is strange to see, how much may- be done by one man, and how much more may be undone by his death. Common sense and indignation against oppression are the most favourable points in the national cha- racter of the English. The second of these valuable qualities triumphed at the expense of the first, when the nation, disgusted with puritan tyranny and hypocrisy, flung down its liberties with besotted loyalty at the feet of Charles II. The Stuarts, as if determined to show that kings are not improved by exile, abused the public feeling in their favour to the utmost ; and the result was the dethronement of James II., the least irregular precedent in history for the treatment of an unconstitutional king. A distinction is observable in the character of the two great revolutions of the seventeenth cen- tury ; the first was eminently popular, the second aristocratic. At the commencement of the civil war the great body of the nobility and gentry was unquestionably on the side of the king. On the other hand the popular cause derived its energy from religion and liberty, sources more inspiring than feudal supremacy and illustrious names. But the leaders of the Long Parliament went too far for stability ; a truth which the experience of an age of revolutions has now induced most thinking men to recognise. Much of what they did was consequently 14 OF HISTORY. ,, undone. The following reign, the most disgraceful in our annals, was of some service, as it opened the eyes of the nation ; and when James attempted to change the national religion by unconstitutional means, and what such an attempt by such a man necessarily implied, to restore its confiscated pro- perty to his own church, he frightened the wealthiest and least revolutionary class of society ; the lower classes were either passive, or joined with his ene- mies, and he was finally ejected without a struggle. The period from the revolution of 1688 to the American war is the most barren and uninteresting not only in English, but in European history. There were the usual quarrels of princes among themselves for the usual objects, but the people fought only for the choice of masters. The great statesman of this period was certainly Sir Robert Walpole. Like Pitt, and the younger and greater Cecil, that hunchback Salisbury, who had " no superior as a courtier, no equal as an orator for dignity and grace*," he possessed in an eminent degree the peculiar kind of sagacity and adminis- trative talent, which the anomalous constitution of England requires in a minister. Walpole has been attacked with much warmth for governino- by cor- ruption, or rather for his carelessness of appear- ances; for though less decent, he was not more * History of England, Lardner's Cab. Cycl. vol. iv. OF HISTORY. 15 corrupt than other men of his time. But in truth the charge against Walpole, whether of being or of only- seeming corrupt cannot be more than partially sus- tained. His ministry was long popular, never perhaps unpopular : in the great object of his life, the preservation of the throne to the Protestant house of Hanover, he was completely successful ; and he gave no inconsiderable degree of attention, the more meritorious as it was not compulsory, to the interests of the middle and lower classes of tho community. The venerable antiquity of English liberty, its successive and hard-won victories over the tyranny of kings, priests and nobles, have added something definite and practical to the English character not observable among the other nations of Europe. In politics Englishmen are less prone than others to mistake words for things, because, from the House of Lords to the parish vestry all classes are habi- tuated to self-government. And where shall we find so solid a security for civil freedom as habit ? In charters ? Men in power unaccustomed to such a restraint will observe them no longer than they are compelled to do so ; and the people soon tire of watching them. In education ? The mass of man- kind has never yet been more than half-educated at the utmost in any country, and half-education only blinds men to difficulties, and sets them aiming at 16 OF HISTORY. impracticabilities. Hence it is that reflecting Eng, lishmen value prescription so highly, and continental speculators not at all. The former have learned, what the latter have not, that the effects of changes are always different from, and generally less bene- ficial than what was j)reviously anticipated, and that the risk of innovation is worth incurring only to remove a substantial grievance, not to establish a barren principle. There will never in this country be a king of the English. How little could a reflecting German, under the brilliant dynasty of the Hohenstauffen, have fore- seen the existing condition of Germany and France I Superstition destroyed the most splendid race of monarchs that ever sate on a throne. The gran- deur of Frederic Barbarossa, had he been born a century later, would have done all, and more than all for Germany, that the craft of Philip Augustus did for France. But Frederic unhappily appeared when men's minds were at the darkest, and popery prevailed. France became concentrated, as Germany divided. How early might European society have been established on a secure basis, how many wars might have been spared, if the wretched dupes of the popes had not overthrown the Hohenstauffen ! The real founder of the French monarchy was Philip Augustus ; before his time, with the exception of one great event, not peculiar to France, there is OF HISTORY. 17 little to interest in French history. Philip Augustus had the merit of seeing the true policy of a French king, and of acting upon it systematically through a long reign, — the destruction of the great feuda- tories, finally completed by Louis XL France is distinguished by the establishment of the wide-spread feudal system in its most perfect form. If it be true, as some have thought, that the history of a nation is best learned from its laws, how wretched must have been the state of society, — how unprotected the life and property of the subject, at the period of the conversion of allodial into feudal tenures ! The precise date of this remarkable event does not appear ; the change was probably gradual. But the empire of feudalism endured long; its traces still subsist, after the lapse of nine or ten centuries. The feudal polity must have been wise in its gene- ration, or it would not have struck such deep roots; but it should serve to show us what little reason we have to envy our ancestors. Chivalry, as well as feudalism, flourished chiefly in France. With much mummery, characteristic of the times, it must have originated in the generous eff"orts of a few noble minds among the privileged classes to protect the weak against the strong and the violent. Ridiculed as it has been, for the most part, by vulgar-minded men who could not believe in disinterestedness, it did good service to humanity, c 18 OF HISTORY. In our own time, doubtless, the objects proposed are far more completely attained, but the means employed have a less ennobling effect on the mind of the instrument. France had its full share of the calamities which desolated Europe during the middle ages. To the English wars of Edward III. succeeded, after a very short interval, the still more disastrous civil wars of the wretched reign of Charles VL, followed, without breathing time, by another and more ruinous Eng- lish invasion under Henry V. Yet, although war, and more especially civil war, be the greatest of national calamities, we must not conclude that the misery was altogether without mitigation, even of those miserable times. If the constant sense of the insecurity of life and property brutalises but too many, to some inaction is the worst of all evils. Though the licence with which war was then carried on was extreme, yet that very licence afforded a wider scope for generous actions, and gave oppor- tunities which were not always neglected by the fantastic spirit of chivalry. Circumstances per- mitted some men to become heroes. The resem^ blance between the men of the world of the last century of the Roman republic and the men of the world of the present day, is not more striking than that between the heroes of chivalry and the heroes of the Homeric age. The general diffusion of knowledge, caused by the invention of printing OF HISTORY. 19' seems to make the return of such times altogether •impossible ; and they are therefore the more inte- resting, not only because the aspect they oiier of human nature is one we can ourselves never expect to see, but because it is difficult to comprehend how they could be so near to us and yet so different in character. Louis XL of France and Henry VII. of England, two of the three royal Magi of Lord Bacon, fol-^ lowed the same policy, of exalting monarchical at the expense of aristocratical power. But aristo- cracy is far more tenacious of life than either mon- archy or democracy. Within a century from the death of Louis XI , during the religious wars of the sixteenth century, aristocracy again threatened the crown. It was curbed by the dauntless energy of Richelieu, and finally subdued by Louis XIV.> in the only way in which aristocracy can be sub- dued, by compelling the great landed proprietors to continue in constant attendance upon his person, and thus making them strangers on their own- estates, and holding out to them every inducement to dissipate their fortunes in the folly and profusion of his court. The Spanish nobles were not suffered to reside on their estates from a similar raotivea- Louis XIV,, hovvever, went beyond his object. He destroyed aristocracy, but he did not care to fore- see that monarchy would not therefore necessarily br c 2 ^0 OF HISTORY. a gainer. There was another alternative ; the middle and lower classes, ignorant and oppressed, and totally estranged from the territorial aristocracy, became at the Revolution of 1789 the ready dupes of men of their own order, who abused their unex- pected elevation to the uttermost. There were so many circumstances which might have prevented the French Revolution, that it seems the most wonderful thing in the world it ever hap- pened at all. Had the king been a man of common sense or common firmness ; had he even been an obstinate fool, and persisted in any system, no mat- ter what ; had the ministers limited the number of electors by a reasonable qualification, and not plunged a nation, utterly unaccustomed to self- government, into universal suffrage ; had the con- stitutional assembly adopted a system of tactics which would have prevented the passing of mea- sures of the greatest importance on the impulse of the moment, without deliberation ; had the members of the first assembly not voted themselves ineligible to the second ; had the nobles, weak as they were, remained at their posts, and not deserted their country, there never would have been a reign of terror. Nothing can be more contrary to the truth than the doctrines of the wicked and absurd school of fatalist historians, who maintain that the enormous crimes of the Revolution were necessary. A neces- sary crime is an impossibility, But the crimes of OF HISTORt. 2i the Revolution prodviced nothing but evil to the French. They lamentably diminished the amount of the good which would otherwise have resulted from the wiser measures of the period. And after all they have seen and suffered there is not much to be envied in the present state of the French. He must be a profound admirer, indeed, of the "juste milieu " who could say, " Quod si non aliam venture fata Philippo Invenere viam, magnoque aeterna parantur Regna Deis ;...... Jam nihil, O Superi, querimur ; scelera ipsa nefasque Hac mercede placent*." As far as a man can be chargeable with events which happened eighty years after his death, and which might have been so easily prevented, Louis XIV. is chargeable with the crimes of the French Revolution. He incumbered the revenues with an enormous debt, and he left no class in the country capable of resisting, or even of controlling a popular outbreak. He was thoroughly selfish in his policy, as in all the actions of his life. He desired to increase his own power and the splendour of his court, and cared not for the consequences to his successors or to France. The experience of an age of revolutions tends to * Lucan. G 3 22 OF HISTORY. shew that the people cannot be roused in the first instance without just cause *, that they cease to be formidable, and that their interest in politics lan- guishes on the timely concession of reasonable demands, and that extravagant proposals may be resisted with perfect safety from first to last. In the French Revolution the contemptible cowardice of the Jacobins at the dissolution of their club shews with what ease those frantic miscreants might have been put down from the first, had a few rational men withstood them with resolution and calmness. No people, perhaps, understand liberty less than the French. A fine-sounding Avord is to them what a scarlet rag is to turkeys. They roar for a republic, and care not for a habeas corpus. Religion and morality are the real wants of France. An immoral and irreligious people cannot long be free, because they are essentially selfish ; they are incapable of comprehending any other motive of action than self-interest, and freedom requires self- sacrifice. The best guides to the opinions and feelings of any period are the popular works of the period. And this applies to our own as well as to past ages, for no man can become intimately acquainted with more than a very limited number of his contempo- raries. If this be true, and we are to judge of the * The rebellion in Canada seems to be an exception to this rule. OF HISTORY. 23 f French by the tone of their popular books, their public mind must be diseased to a degree almost unprecedented. Every thing seems unsettled and unstable, and there is a feverish craving after excitement, which will be gratified at any cost. The most remarkable by far of modern French laws is that enforcing the division of landed pro- perty among all the children at the parent's death, and in proportion to their number diminishing the amount which he has the power of devising. There is probably no law which could effect so great a change among all classes of society. The whole of its results no man can foresee, as they must be dif- ferent in every generation. Territorial influence under such a system is impossible, and therefore as there remains no class in society naturally con- servative, the stability of all existing institutions becomes exceedingly precarious. The smaller the social particles, with the greater facility are they agitated and made to change places, until tranquil- lity becomes the exception and not the rule. It is doubtful whether liberty, in a country long peopled, can be maintained without an aristocracy. The question is one to which history gives no satisfactory answer. Setting aside the more obvious contin- gency, the restoration of aristocracy, it may be worth while to speculate for a moment on the pro- bable course of events under such a system. Let c 4 2-$ OF HISTORY. society be a vast plain, with one abrupt eminence whereon shines a constitutional crown. We have supposed aristocracy excluded at all hazards ; either, then,the existing system of a constitutional monarchy must continue, or be subverted by the despotism of one, or by that of the majority. A monarchy with- out an aristocracy, as it affords peculiar temptations and opportunities to the king, requires more than common watchfulness from the controlling powers ; widely diffused as those powers must necessarily be, from the numbers who exercise them, and timid and irresolute as electors exercising such powers will be frequently found, on account of the great distance which separates them from the executive. The masses, besides, in all countries, unless their misery be extreme, soon tire of political agitation. They soon discover, not only that a man's private affairs are of infinitely greater importance to him than the affairs of the nation, but also that political agitation checks the buying and selling by which they live. They see too through a mist of unmeaning words and false pretences the real cupidity and baseness of demagogues. In such a state of public feeling let there be a selfish man of an enterprising cha." racter on the throne. Is it a difficult task for him, having on his side the " prestige " of authority and the forms of law, to avail himself of a moment of national indignation against the authors of those extraordinary excesses and outrages which occur i OF HISTORY. 25 occasionally in all countries, to increase his own power at the expense of the liberties of his people ? Such seems to be the course of events in France ; liberty contracts continually, and, if the king pleases, may go on contracting until there is as little left of it as of the " peau de chagrin." We shall have occasion more fitly to consider the case of the despotism of the majority in speaking of America. The effect of the French law of inheritance in diminishing the number of great capitalists comes within the province of political economy. If it is desirable that the wealth of a nation should increase rapidly, individual accumulation should be encou- raged as much as possible, because money attracts money. Speaking loosely, it may be said, that the attraction increases directly as the mass. But this rule seems commonly to be confined to the case of the first accumulator, for in practice we see that enormous wealth is seldom retained in the same family for many generations. The wealth of indi- viduals is not too great in a country where one man in the course of his life can accumulate as much in trade or a profession as the richest proprietor has inherited. A large capitalist, it may be said, frequently squanders immense sums in a comparatively unpro- ductive manner, and he has less inducement to employ his money productively than other men. Be it so. But the power of a large capitalist, when he 26 OF HISTORY. chooses to employ his wealth in a manner beneficial to society, is far greater than that of a nnmber of inferior capitalists, the aggregate of whose incomes equals his own. Notwithstanding the knowledge men have gained of the power of combination, the great improvements of the late Duke of Sutherland in the north of Scotland would certainly not have been made so soon, perhaps not made at all, if his estates had been divided among a number of small proprietors. Looking at the French law of inheritance in the most favourable point of view, and supposing, what its advocates contend for, to be the case, that it would not cause the division of properties below a certain amount, and fixing that amount very high, still it must materially increase the number of the less productive labourers, and consequently check the increase of capital. Let an estate of one hundred thousand a year be parcelled out among fifty pro- prietors. The fifty small proprietors would employ more servants, horses, and carriages than the single large proprietor ; but the aggregate of the sums which they could together afford to lay out in the improvement of their several estates would fall far short of what the single large proprietor could appropriate to the same purpose. Another consequence of an extensive division of property is, that many labourers are employed to do imperfectly what, through the agency of large OF HISTORY. 27 capitalists, a few labourers might do effectually ; and thus the labour of a country, which is the main- stay of its capital, is wasted. About two thirds of the population of France, and about one third of the population of England, is employed in agricul- ture ; yet English agriculture is beyond comparison superior to French. The state of a country without a large spending class is unfavourable to manners, to literature, and the arts, of all which the multitude are coarse and contemptuous judges. The advantages of these matters are not sufficiently obvious to the money- making, uneasy class of society. In works of art they require effect rather than truth and delicacy, and from poets and orators, vehemence rather than elegance and philosophy. The most successful popular orator is usually the man who talks strongest, loudest and longest. The most important, point of view under which a law can be contemplated is its moral effect, its object being not so much to make people happier, as to make them better. A law enforcing the division of property on the death of the parent must increase, at least for some generations, the number of idle men. If all the sons find enough to support them without exertion, in ordinary cases they will not exert themselves, particularly in a country where there is no higher caste to be attained. Few men can live without some occupation,; the occu- 28 OF HISTORY. pation easiest to be had, most obvious and most interesting to the idle, is gaming, which always therefore abounds where they abound. In France, though there are none who play for such large sums as a few do in England, because, indeed, there are none so rich, yet the proportion which the gamblers bear to the whole population is, unques- tionably, much greater. If it be said that the want of moral and religious principle in France is the cause of the extensive prevalence of this vice, and not the law of inheritance, it is answered that the law of inheritance increases the number of those who have the means of gaming. In England the same law would not produce the same results, for the habits of the people differ materially. A French- man looks for his amusement to the town, an Englishman to the country, and gaming is a town rather than a country vice. But that great evils in England would flow from a compulsory division of property, few require to be convinced. A sentimental advocate of this most arbitrary law would say, that a man's younger children are as dear to him as his eldest, and that, therefore, he is bound by natural affection to provide equally for the happiness of them all. But this is not stating the case correctly. Idleness and happiness, employ- ment and misery, are not synonymous terms. A younger son, in a profession which calls all the energies of his mind into action, is a happier and OF HISTORY. 29 a more useful member of society than a listless haunter of cafes and gaming-houses, or a dog-and- horse-loving squireen. This, it may be said, is proving too much. It follows from what has just been stated that the eldest son is worse off than the younger ; and so he certainly is, unless his estate is large enough to occupy his mind in the improvement of it, and of the condition of those who live upon it, and to give him a determinate position in society. As by the French law money paid by the parent in his life-time for the advancement in the world of any one of his children is considered part of that child's inheritance, (it is difficult, indeed, to con- ceive how a law compelling the division of property could be effectually carried into execution without such a provision,) a wide door is obviously opened for family disputes. It is hazardous to speculate on the great expe- riment working out in France through this remark- able law ; but it appears probable that it will in the end be found impracticable, and consequently, sooner or later, be repealed. That the division of landed estates does go on, is proved by the rapid diminution of the number of electors. Venice was established the first, and destroyed the last, — with the exception, indeed, of San Marino, — of the modern republics of Italy. The inhabitants ^0 OF HISTORY. of the lagunes seem to have enjoyed a sort of doubtful independence for more than two centuries before the accession of the first doge, and the ducal form of government lasted eleven. As men commonly make little allowance for the influence of circumstances, and attribute effects to their most obvious causes ; as the idea of superior wisdom is naturally annexed to institutions which have endured long ; and as the Venetian government, from the commencement of the fourteenth century, was the most aristocratic which ever existed ; it is not sur- prising that the constitution of Venice should have been thought wise, and that to aristocracy should liave been ascribed the general stability and absence of intestine discord which distinguished the Vene- tians amidst their greatest disasters. Yet this is far from being the whole state of the case. The Venetian nobles, in proportion to the rest of the population, were exceedingly numerous, they were without territorial influence, and they lived vmder a constant reign of terror, effectually controUed by the most mysterious and arbitrary of all tribunals, which struck no one knew how, when, or where. Free from all responsibility to the nation at large, their responsibility to a very limited number of their own body,— first ten, and afterwards three, — armed with an authority above all laws, was as complete as human ingenuity could devise. An aristocracy J OF HISTORY. 31 SO rigidly exclusive could not otherwise have con- tinued so long without becoming odious to the people. The crimes of the nobles were punished for the most part as severely, perhaps more severely than those of other men. Without an exclusive aristocracy the council of ten and the inquisition of state would not have been necessary ; with an exclusive aristocracy those tyrannical institutions saved the Venetian citizens from a worse tyranny. Admitting that the Venetian institutions did pro- duce stability and internal harmony, disturbed however, by several rude shocks, yet those advan- tages were dearly bought at the price of general insecurity of life and property. The system, too, crippled the national energy, drove men to dissi- pation as a solitary resource, and clipped and pared down every thing great to the same stunted level. The relentless decemvirs imprisoned thought and action, and thereby prepared the way for that most inglorious fall, which, as a spectacle of national degradation, has few parallels in the history of mankind. The illustrious families of Loredano, Veniero, Gradenigo, and Cornaro, the most ancient nobles of Europe, in the hour of danger could furnish nothing but sonorous names. Aristocracy is intolerant of individual excellence. The only great historical characters of Venice were " Blind old Dandolo, Th' octogenarian chief, Byzantium's conquering foe," 32 OF HISTORY. Zeno, and Pisani, the heroes of the war of Chioggia, and Morosini, the defender of Candia, and the conqueror of the Morea. This is a scanty scroll indeed, and three out of these four were treated by their countrymen with the grossest injustice. It is observable, that from the time the aris- tocratic system was fairly established in Venice every successive change in the constitution tended to diminish the number, and increase the authority of the depositaries of real power. In all struggles between aristocracy and democracy, aristocracy has immense advantages. Men of rank and wealth naturally look upon themselves as entitled to power, and the inferior classes, from various causes, are commonly but too ready to admit their claims. Popular effervescence, aroused occasionally by flagrant acts of oppression, commonly soon sub- sides. The people have neither the means nor the leisure constantly to watch over the political con- duct of their superiors ; but aristocracy never sleeps, and is at all times prepared to seize what- ever the remainder of the community does not understand, or does not value. Democracy predominates to as great an extent in the United States of America as aristocracy did in Venice. There are no two countries whose in- stitutions appear, at first sight, more dissimilar ; yet it may be doubted, whether both are not eqtially I OF HISTORy. 33 unfavourable to the moral and intellectual develope- ment of man. The aristocratic experiment may be said to have been fairly tested in the course of five centuries in Venice ; the democratic experiment in the United States is but begun. The Venetian 'erritory was limited by nature to a few acres of barren sand, for the provinces were all conquests ; the territory of the United States is of immense extent and fertility ; yet, notwithstanding these numerous and important moral and physical dis- crepancies, there is a resemblance between the con- dition of Venice in the last century, and that of America now. The government of Venice was despotic, both in form and substance ; that of America is not formally despotic, but the tyranny of the majority is more absolute and far more search- ing even than that of the Council of Ten. In some respects, the comparison is to the advantage of the Venetians, for their oligarchs did not deny justice to the citizens, whom they shut out from political power; the despotic middle classes of America, exercising the triple functions of legislator, judge and jury, do deny not only political power, but jus- tice to their slaves. Both countries seem equally ill-suited to a man who likes to think for himself, and to say what he thinks. A Venetian who chose to write or speak publicly against aristocracy, did so with the prospect of disappearing for ever from D 34 OF HISTORY. the eyes of his friends, in the course of twenty-four hours. The punishment of an American, who dared to condemn democracy, would be less cruel, for men are become more civilised, but it would be the severest which society could inflict without call- ing in the assistance of law. Occasionally, there may be popular tumults endangering the property and life of an obnoxious person, but the punishments of society usually consist in a series of petty morti- fications, inflicting the tortures of martyrdom without its dignity. In America too, as all political distinc- tions are conferred by the people, an ambitious man, honest and courageous enough to oppose a popular prejudice, effectually bars his own path to power. The gay Italians did easily without think, ing, and made pleasure the only pursuit of their lives. The graver Anglo-Americans, true to their northern origin, and influenced by the great physical advantages of their country, interest themselves in little save electioneering and making money, and listening to the incense daily offered up to their national vanity by their public orators and public press. Democracy and aristocracy are equally jealous of talent : aristocracy would look down upon it from some lofty eminence; democracy would not suffer it to rise above the plain. Under both systems thought is proscribed as dangerous. We have seen that Venice produced few great men • the OF HISTORY. 35 existing system in America cannot be said to have produced one, for Washington, Jefferson, and Frank- lin were formed in another era. It seems to be an evil inherent in the nature of pure democracies that, in cases which strongly in- terest the masses, there is no security for the due administration of justice. In England, the popular tendencies of the jury are counteracted by the aris- tocratic feelings of the judge, but in America judge and jury are equally in dread of the tyrant ma- jority. It is easy to bear the frown of a prince ; in such contests, a man of spirit and integrity is often supported by a powerful class, and is never without friends. But a contest with the majority is a con- test with society, with a tribunal from whose sen- tence there is no appeal, and whose punishments, without injuring the body, as Tocqueville expresses it, " go straight to the soul." To enable him to stand up against a superior power, a man must find sympathy somewhere, but in this case he meets with nothing but discouragement on all sides, even those who agree with him dare not betray their opinions, lest they should be denounced in the same manner. No men are fit to enjoy unlimited power, and to feel that they enjoy it. Various recent outrages in the United States, arising out of the excitement of the slave question, seem to render it doubtful D 2 36 OF HISTOKY. whether the majority will continue to obey the laws, as they become better acquainted with their own strength and the real weakness of the executive. " Je ne connais pas de pays", says Tocqueville, in one of his striking chapters on the tyranny of the majority in the United States, "ou il regne en general moins d'independance d'esprit et de veritable liberte de discussion qu'en Amerique." If this sentence had been published in America, by an American author, the fact of its publication would have augured the approach of better days ; as it is, the works of living Americans will, we suspect, be searched for such an opinion in vain. And yet matters were differently ordered in the ancient re- publics of Greece. The Athenians had their syco- phants, base men, who, in other circumstances, would have cringed as eagerly to kings and nobles as they did there to the populace, yet that populace could endure to be told disagreeable truths, and even to be laughed at. The Athenians applauded the satire which Aristophanes showered on themselves and their demagogues. Would the Americans do the same ? If not, why should the American democracy have less greatness of mind than the Athenian ? The reason is perhaps to be found in the undue predominance of the middle class in America. In all countries the men of the middle classes are the most satisfied with themselves, and the least 14 OF HISTORY. 37 disposed to admire intellectual excellence. The higher orders, more cultivated, are interested by an appeal to their taste ; the lower, more warm, by an appeal to their feelings. But the middle classes, though more regular in their moral conduct than either of the former, are, from the nature of their pursuits, more sordid and calculating, and at the same time more vulgar, because they are perpetually attempting to appear what they are not. To make money, the great object of their lives, mental culti- vation is not necessary, nor indeed mental power, " for riches are not always to men of understand- ing;" their self-love is not exposed to the same mortifications as that of the higher classes in a con- stitutional country, for they do not compete with each other in trials of intellect, nor is their convic- tion of inferiority, though felt, so constant and so galling as that of the lower classes. There is also another reason for the want of humility observable among the middle ranks. Every man naturally thinks that kind of knowledge most important which is most beneficial to himself. A tradesman is necessarily better acquainted with his own trade than his customers can be, among whom his life is spent; their ignorance is his triumph, and furnishes him with continual matter for self-applause. Thus his habits are singularly unfavourable to self know- ledge, to "setting his mind at a distance and making D 3 38 OF HISTORY. 'M it its own object * ;" and without self-knowledge nb man can bear reproof. In matters of taste it would be very unfair to compare the Americans with the Athenians, the most distinguished of all the nations of the earth for their vivid perception of " glorious beauty ", who forgave the satire for the sake of the point ; but deficiencies of taste will not account for moral in- feriority. Next to the tyranny of the majority, instability is the greatest evil of democracies. Constitutional changes are made continually in the United States, as was also the case in Athens and Florence. Such changes are pernicious, as they accustom men to consider all existing institutions unsettled, and de- stroy reverence. There is something interesting and poetical in the continuance of the same laws, dress, manners, and customs through thirty centuries in the east, as there is something irritating and prosaic in the arrogant assumption of superiority Avith which sciolists of the present day think them- selves entitled to look down upon the Avorthies of old. The United States of America have been inde- pendent for so short a period, the phenomena they present are so novel, and their circumstances so peculiar, that it is perhaps impossible to refer any * Locke. '^ OF HISTORY. 39 given result exclusively to its real cause, or combi- nation of real causes. The Americans, as an inde- pendent nation, are little more than half a century old, their form of government is the most democra- tic that ever existed, while a large portion of their population, irrevocably distinguished from the re- mainder by colour and feature, is held in the most abject slavery; their territory, in proportion to their population, is of such extent and fertility that no man need be poor who has health and strength, and they have no aristocracy, or hereditary spending class. A conspiracy of the slaves, the separation of the southern states from the northern, differing as they do in character and interests, and the forma- tion of an aristocracy, seem to be the chief convul- sions which the United States have to dread, unless indeed anarchy should result from excessive relaxa- tion of the powers of the executive. Slavery is the great blot of the American character, an anomaly which the tyrant majority has hitherto shewn no peculiar anxiety to remove. If it is not speedily either abolished or mitigated, there will probably sooner or later be a servile war in the slave states, attended, like the insurrection of the Moors in the Alpuj arras, by all the horrible outrages which men may be expected to commit who have endured enormous wrongs. The Union has been seriously threatened already, and can hardly continue after D 4< 40 OF HISTORY. the population becomes dense, even if it lasts so long. Aristocracy is natural to man ; proscription only increases the temptation to pluck the forbidden fruit. How can it be otherwise, when, putting the advantages of birth out of the question, men are equal in nothing; health, strength, opportunities, body or mind. Travellers give abundant proofs of the fondness of the Americans for such titular dis- tinctions as their system permits. A class has begun to appear which votes politics vulgar, and abandons them with a certain contempt, which in time will make itself felt, to its shoemakers and tailors. Advances may be made gradually, social distinc- tions may be set off against political, thus the many may cease to value what the few affect to despise, and in some moment of national apathy aristocracy may rise like " a giant refreshed with wine." Aris- tocracy we suspect is less hated in America than in France ; the Americans have not smarted under its lash like the French; their law of inheritance does not enforce the division of property ; it leaves the parent the power of devising the whole as he pleases, and only provides for its equal distribution among all the children in the absence of a will. No single individual since Luther has exercised so great and extensive a moral influence on mankind as Jefferson. His object, which he pursued through life with a relentless energy which gives him a dis- OF HISTORY. 41 tinguished place among the worthies of history, was the establishment of a pure democracy in the United States. Eminently favoured by circumstances, he was completely successful in his design. His saga- city may be questioned, his political honesty cannot. The American Revolution introduced a new era: as the first in the order of time, it may be termed the parent of the revolutions of our revolutionary age; and America still stands, a living, and to a certain extent a successful precedent, an inexhausti- ble theme for the declamations of all the advocates of change. It is most desirable thaF so grand an experiment should be fairly tried, and it is to Jefferson, more than to any other man, that we are indebted for the trial. They who expect much from mankind, who maintain that their vices are the result of unfavourable circumstances, misgovern- ment, delusion or ignorance, may look for the day when tlie bright sun of human regeneration shall rise in the west ; generous minds, whose candour has not been fettered by systems, will acknowledge that hitherto their dreams have not been realised, that increased civilisation and increased liberty have sometimes introduced new moral diseases, while they did not always destroy the old; and that though progressive improvement appear to be on the whole the law of our social existence, contemplating the 42 OF HISTORY. future, not only through the dark register of the past, but through our own more impressive expe- rience, we are not justified in auguring any thing peculiarly brilliant from the selfish and base nature of man. 43 OF RELIGION. Das Zeichen sieht er prachtig aufgerichtet, Das aller Welt zu Trost und Hoffnung steht, Zu dem viel tausend Geister sich verpflichtet, Zu dem viel tausend Herzen warm gefleht. Das die Gewalt des bittern Tods vernichtet. Das in so mancher Siegesfahne weht : Ein Labequell durchdringt die matten Glieder, Er sieht das Kreuz und schlagt die Augen nieder. Goethe's Geheimnisse, As the present is comparatively a religious age, and as science seems more popular than literature, it is not surprising that there should be a redund- ance of works on natural theology, the link between religion and science. It is an interesting question, which each man will probably answer according to the peculiar character of his mind, whether natural theology has been of service to Christianity. Works on this subject are particularly addressed to atheists, did they ever convert one ? Are they not based upon the vain fancy that the source of infidelity is the understanding, and not the heart? They do not pro- fess to make men Christians, but to prepare the way for Christianity, often, it is to be feared, inducing 44 OF RELIGION. them to linger so long on the threshold, that ihey never enter the temple. But the great objection to most books on Natural Theology is their want of candour ; they are emi- nently one-sided. They tell us that there are in every thing marks of design, and design must have had a designer ; and from these premises they seem tacitly to assume that the design is benevolent. Large classes of animals must from their physical organization subsist by devouring other animals ; can this be eflFected without inflicting pain, and is not pain an evil, and is not evil then designed ? Paley speaks of the happiness of flies sporting in the sunshine ; are the same flies less happy when settled on the raw of a galled horse ? What would a heathen think, M'ho, lulled for a time by the smooth periods of some of these declamations on supposititious benevolence into forgetfulness of his own experi- ence, turned at length for the first time to the Bible, and there found that the majority of mankind would be miserable for ever ? What harmony could he discover between the two systems, and would not so fearful a discovery most probably drive him into despair and total unbelief? The argument from analogy that " it is not so clear a case that there is nothing in it *," is a pre- sumption, a strong presumption it may be, but no * Butler. 1 OF RELIGION. 45 more. And here again, the natural theologians give us but one side. Lucretius has argued from analogy against the immortality of the soul in verse, with almost as much force as they have done in favour of it in prose. " Praeterea gigni pariter cum corpore, et una Crescere sentimus, pariterque senescere mentem ; Nam velut infirmo pueri teneroque vagantur Corpore, sic animi sequitur sententia tenuis : Inde ubi robustis adolevit viribus aetas, Consilium quoque majus, et auctior est animi vis : Post ubi jam validis quassatum est viribus aevi Corpus, et obtusis ceciderunt viribus artus, Claudicat ingenium, delirant linguaque, mensque, Omnia deficiunt, atque uno tempore desunt ; Ergo dissolvi quoque convenit omnem animai' Naturam, ceu fumus in altas aeris auras, Quandoquidem gigni pariter, pariterque videmus Crescere, et ut docui simul aevo fessa fatiscit." It is not easy on the same ground to meet these noble lines, equally remarkable for closeness of reasoning and poetical beauty. However, the argument against atheism from natural theology is certainly irresistible as far as it goes : it can hardly be put in a more pithy and convincing shape than the following : — " Dans la societe du Baron d'Holbach, Diderot proposa un jour de nommer un avocat de Dieu, et on choisit I'Abbe Galiani. II s'assit, et debuta ainsi : 46 OF RELIGION. " Un jour a Naples, un homme de la Basilicate prit clevant nous six des dans un cornet, et paria d'amener rafle de six. Je dis cette chance etoit possible. II I'amena sur-le-ehamp une seconde fois; je dis la meme chose. II remit les des d^ns le cornet trois, quatre, cinq fois, et toujours rafle de six. Sangue di Bacco, m'ecriai-je, les des sont pipes j et ils I'etoient. " Philosophes, quand je considere I'ordre toujours renaissant de la nature, ses lois immuables, ses revo- lutions toujours constantes dans une variete infinie; cette chance unique et conservatrice d'un univers tel que nous le voyons, qui revient sans cesse, mal- gre cent autres millions de chances de perturbation et de destruction possibles, je m'ecrie : Certes la nature est pipee /" — Stewart's Dissertation on Meta- physical Philosophy, Encyc. Britan. : Note T.T. The best argument for the immortality of the soul, independent of revelation, seems to be that derived, not from outward things, but from the nature of the mind itself, from the desire and the capacity for a better world than this ; felt by Cicero when he wrote that fine sentence, which its uncer- tainty renders so touching ; " but if I err * in this matter, in believing the souls of men iminortal, I err * " Quod si in hoc erro, quod animas hominum immortales esse credam, libenter erro, nee mihi hunc errorem qu6 delector, dum vivo extorqueri volo." rm OF RELIGION. 47 willingly, nor would I that this error, which delights me, should be extorted from me while I live." The same longing after immortality must be felt by every man of fine moral perceptions, particularly if he has acquired a knowledge of the world, and pre- served them unimpaired through that dangerous, yet necessary trial. Not the mechanism of plants and animals, but the wide-spread and deep-rooted diffusion of evil, and the incomprehensible dispensa- tion of rewards and punishments in this life, drove the wise ancients to look for a better. How earnestly would Plato and Cicero have condemned the apathy with which we listen to things near and clear to us, when they felt so deep an interest in them, though they saw them not, even from afar off ! With what delight would they have contemplated the sole un- mixed proof of the divine benevolence, the atone- ment of the Son of God for the sins of men ! If all else be dark and dubious, here at least there is light. Strange that this mighty fact, the most perspicuous and least entangled point in the whole moral and physical system, the vital principle of Christianity, constituting the essential difference between it and all other religions, without which it is no more than " sounding brass or a tinkling cymbal," should be a stumbling-block to any man before whom it has been fairly laid? It has been well shown by Abercrombie, in his 48 OF RELIGION. admirable and unpretending work on the Moral Feelings, that the Deity, speaking even philoso- phically, cannot forgive. Forgiveness implies either an acknovk'ledgment that the law is unjust, sympathy with the criminal, or doubt of his guilt. Neither of these can be predicated of infinite knowledge and infinite goodness without a contradiction in terms. It would be well for many did they reflect that, when they profess to trust in the mercy of God, it is not mercy they expect from him but weakness ; mercy, which is inconsistent with the purity of the divine nature. God indeed is merciful ; the death of the Son of God on the cross for the sins of men is an instance of mercy beyond what tongue can express or mind conceive ; but he is also pure, and, being pure, he cannot pardon sin without atone- ment. Christianity differs essentially from all other reli- gions, and from all human moral systems in this, that it teaches us how abominable all sin is in the sight of God, and as a consequence the necessity of humility, a doctrine not to be found in the works of heathen philosophers. Repentance can refer only to the future ; the sin committed has already become a portion of the irrevocable past. Sin cannot be forgiven without repentance, because sin is in the mind, and therefore lasts mentally from the moment of the commission of the act to the moment of OF RELIGION. 49 repentance ; an unrepentant state of mind is sin ; but repentance can in many cases make little or no atonement to injured man, and in no case can it make atonement to the offended holiness of God. It follows then, that if the purity of the Deity be admitted, an atonement for sin is indispensable ; and that atonement, we are taught by the Bible, was made by Him, who, being without sin himself, was alone capable of expiating ours. The doctrine, that a man has no control over his belief, and consequently is not responsible for it, is so agreeable to the supineness and carelessness of our nature, so suitable to the vulgar latitudi- narianism of our times, which its professors fancy philosophical, that it is not surprising it should be popular. No man who has read the Bible requires to be told that this doctrine is unscriptural ; it remains to be seen whether it is rational. Admitting that perfect sincerity in the investigation of truth, whatever result it may arrive at, deserves reward rather than punishment, where, we ask, is such sincerity to be found ? Our love of truth, like every thing human, is imperfect; it is not unmixed with alloy even in the noblest and purest minds ; and if any man who knows any thing of his own heart, of the world of men, or the world of books, can per- suade himself that it is his in its utmost integrity, he must possess an intrepidity of self-deception of E 50 OP RELIGION. which it is to be hoped there are few examples. None love truth thoroughly, most men only so far as it suits their purposes ; and the only reasons why there could be a moment's doubt on the subject are, that the love of truth differs in degree, and that the same temptations have not the same effect on dif- ferent minds. Pride has perverted some, vanity many more. Of five of the most remarkable of modern infidels, Voltaire, Rousseau, Bolingbroke, Hume, and Gibbon, the ruling passion was vanity. They liked to shew that they were above thinking with the crowd. The cause of the unbelief of many ancient heathen philosophers seems to have been pride. The religion of the cross was to them, as the apostle expresses it, " foolishness." Many, per- haps the majority of mankind, do not feel interest enough in the subject to examine it with the atten- tion it requires. They are " infidels as dogs are infidels *" they have never thought on the subject. But it is incumbent on those who maintain that^ man is not responsible for his belief, not only to find instances of perfect sincerity in the investiga- tion of truth, but also of indefatigable zeal. Not a single opportunity of discovering the truth must be neglected, and each individual opportunity must be not only not neglected, but improved to the utmost. • Johnson. OF RELIGION. 51 Who can say that he has done this? Where is the man who has sought religious truth with perfect sincerity and unwearied earnestness ? If there be none such, it is clear there can be none who are irresponsible for their belief. It will readily be conceded that diflferent minds require different degrees of evidence, but to justify infidelity a great deal more must be done. The man who assumes that - his mind is incapable of being convinced by the existing evidence for Chris- tianity must prove that his mind is what he asserts it to be, by never acting throughout his life in any important affairs on evidence inferior in credibility to the evidence for Christianity. Here, again, is a test which no infidel can stand. The credulity of many religious sceptics in all matters save religion has reached such a pitch as to become absolutely ludicrous. They are ready to believe that the brain secretes thought, or any other absurdity, to escape the immortality of the soul. Does it not then follow that there must have been some other motive than what they choose to call inadequate evidence for their rejection of Christianity ? The truth is, the man whose understanding only is convinced is no Christian. There can be no humility, no conviction of sin, no rejection of self-dependence, no trust in God, in the scriptural sense of the word no faith, without tie interference of the heart. In this E 2 52 OF RELIGION. matter all observation, all experience of our common nature tend to confirm the language of the Bible, " with the heart man believeth unto righteousness." The repugnance of many to take their notions of the Deity from the Bible, their predilection for supplying the place of his positive revealed character with a vague abstraction of their own fancy, though sufficiently common in the present, appears to have been far more frequent in the last age. The lati- tudinarian reaction, caused by the austerity of the Puritans, lasted indeed throughout the whole of the eighteenth century. Now, however, it seems nearly worn out ; existing latitudinarianism is of a different school, and does not require to be attributed to so remote a source. There are many symptoms tend- ing to show that religion has really advanced among us. Places of worship are better attended, the Sabbath is better observed, the number of religious and charitable societies has increased beyond all precedent, a considerable portion of the population takes a decided interest in the conversion of the heathen, which has now for many years been carried on with much zeal and some success ; and great numbers are to be found in all classes to whom religion is the most interesting of all subjects, and who feel no shame or hesitation in expressing strong religious sentiments whenever an opportunity oc- curs. Infidel publications are few, and little noticed. J OF RELIGION. 53 No formal attack on Christianity has been made for a long period by any author of name. Infidels there are many, but public opinion discountenances them, and compels them to observe some decency of ex- ternal deportment. No candidate for a seat in Parliament dares avow himself an infidel on the hustings. Men highly eligible in other respects have even been rejected on the solitary ground of real or supposed infidelity. So far all is vrell, yet the picture is not without its shades. There is danger in making religion popular, as we have already begun to experience. There is something too much of outward profession, and many religious persons are disagreeably distin- guished by certain peculiarities, the absence of any one of which reduces the delinquent to the state of an officer on parade without his epaulettes, and inca- pacitates him for the enjoyment of the title of " serious ;" as extravagant asceticism, a canting phraseology, and indiff'erence to all secular subjects. Their asceticism is shown in a sweeping condemnaj'- tion of all amusements ; among women, by a studied plainness and even coarseness of dress, requiring, perhaps, as much or more trouble to select than the customary frills and flounces of their stations ; but, like the cloak of Diogenes, possessing the advantage of making the Avearers more conspicuous. The canting phraseology, or E 3 54 OF RELIGION. 1 unnecessary use of religious language in the ordi- nary occurrences of life, sometimes approaches the nauseous ostentation of the Puritans. A natural result of indifference to secular subjects is ignorance of them ; and this, with many religious people, is gross, particularly with respect to history and mis- cellaneous literature. Physical science, as treating of the works of the creation, and therefore con- nected with religion, they do not entirely neglect. The taste of the religious world is such as might be expected, for taste there can hardly be without cul- tivation. The number of editions which the point- less ill-nature and tumid verbosity of Pollok, and the elaborate nonsense of Robert Montgomery have run through, is a sufficiently striking proof of " serious" notions of poetical excellence. Add to these an immense variety of religious prose publications, circulated in all directions, written in the most grov.elling style, and totally devoid of literary merit, which indeed the authors sometimes take the very unnecessary trouble formally to disclaim, as if they thought it sinful. It is strange that men with so noble a model as the Bible before them, and human hearts in their bosoms, should know " So little of the springs that move mankind."* But they seem anxiously to avoid contemplating the Bible in a literary point of view, and this is * Philip van. Art£velde« OF RELIGION. 35 probably one reason why so few clergymen read it well. Men who do not love knowledge seldom really love either thought or liberty ; they are the slaves of a system themselves which they want the courage or energy to examine, and it mortifies their self-love to see others emancipated from the same trammels. The spirit of the Church of England of the present day is widely different from that which animated the reformers of the sixteenth and seventeenth centuries. Circumstances threw the reformers into the arms of civil freedom, but their case is not ours. The popish hatred of dissent, incident not only to popery, but to all religious establishments, has again] raised its head, and extended its perni- cious shoots far and wide. Hence the superstitious jargon of apostolical succession, a distinction to which one Protestant sect cannot possibly be en- titled to the exclusion of all the rest, the doctrine of the inalienable nature of ecclesiastical property, and other similar absurdities. A still more un- fortunate result of this resurrection of exploded intolerance is the air of restraint and consequent mediocrity which is insensibly creeping over the writings of our divines. The works of clergymen are easily discernible from those of other men. Yet it would be unjust to say that the English clergy do not love knowledge. It is necessary to E 4 56 OF RELIGION. 1 distinguish between the Arminians and Calvinists, the two classes into which they are divided. The Arminians are many of them deeply learned, yet they dislike freedom of thought and action, and it is from them that the most nauseous displays of political and religious bigotry have recently pro- ceeded. Though the piety of many of them is unquestionable, they are a political rather than a religious body ; they preach without scruple against the articles to which they compel others to sub- scribe; they make religion political, not politics religious. The Calvinistic clergy, on the other hand, though they love not thought and dread liberty, which they confound with licence, though they look upon knowledge as a snare, tempting men to wander from the simplicity of scriptural truth, are not a political body. Their political principles are substantially the same with those of the Arminians, their sympathies are rather with the oppressors than the oppressed, but religion is with the majority of them the mainspring of their actions. They are the chiefs of what is emphati- cally styled the religious world, the idols of women, the promoters of missions, tracts, Sunday-schools, temperance societies, and a vast variety of insti- tutions, few or none of which do not produce more good than evil, at the moderate expense of certain periodical confusions of tongues, where the quantity 12 OF RELIGION. 57 of nonsense uttered is not upon the whole more inordinate than might be expected. The mis- fortune is that regular attendances at these con- venticles, together with the peculiarities before enumerated, are converted into sectarian badges, and made the means of thrusting those who want them out of the sacred pale. Hence spiritual pride, presumption and un charitableness, some of the worst features of our religious state. It is remarkable that, whenever we hear of a clergyman celebrated as a popular preacher, he is almost certain on inquiry to prove a Calvinist. The Calvinists have indeed done much to redeem the character of the English pulpit, degraded as it was by the miserable, lifeless, worn-out, Goody- two-shoes comparisons of virtue and vice of the last century, which make one long to praise vice at virtue's expense. They have at least laid the foundation for a better order of things ; they have knowledge of Scripture and piety ; they want, with some brilliant exceptions, literature and philosophy, and perhaps courage. Yet Robert Hall left little to be desired. Nothing in its kind can be more beautiful than his observations on humility : — " The devout man loves to lie low at the footstool of his Creator, because it is then he attains the most lively perceptions of the divine excellence, and the most tranquil confidence in the divine favour. In 58 OF RELIGION. SO august a presence he sees all distictions lost, and all beings reduced to the same level. He looks on his superiors without envy and on his inferiors without contempt, and when from this elevation he descends to mix in society, the conviction of superiority, which must in many instances be felt, is a calm inference of the understanding, and no longer a busy, importunate passion of the heart" In this exquisite passage we hardly know what most to admire, the pure devotion of the thoughts, the eloquent propriety of the language, or the rich and flowing melody of the periods ; and why will not the Calvinists believe that religion, clothed with eloquence and philosophy, will, to use the words of Sir Philip Sidney in his unanswerable " Defence of Poesy," " more constantly inhabit both the memory and the judgment?" If men are to be moved by empty wordiness, ignorance, and childish sophistry, such as we often hear from the pulpit, why is the Bible so full of poetry and pathos, pregnant aphorism and nervous argument? It would be absurd to blame the Calvinistic preachers for not possessing the powers of Robert Hall ; but they do deserve to be blamed for neglecting intel- lectual culture, and not making the best use of the powers they have. As religious people have commonly a much greater horror of shocking the true believers, OF RELIGION. 59 armed, as they often are to the teeth, with preju- dices of all kinds, than of disgusting worldly men, and thereby deterring them from becoming religious, so the Calvinistic preachers seem to think very little of the effect their discourses may have on those who are not of their own flock. They will not see that their random' assertions, truisms and fallacies are highly injurious to the cause of truth. What intolerable stuff" have we not heard uttered respecting the ancient philosophers by men who probably never read a line of them ; what impos- sible effects attributed to Christianity, what extra- vagant exaggerations of Paganism I Rubbish of this sort seems to form the staple of most speeches at Bible meetings. To sum up the whole matter in plain phrase, if men would be useful they must first learn to speak the truth. " Whatsoever," says Hooker with his habitual wisdom, " is spoken of God or things appertaining to God otherwise than as the truth is : though it seem an honour, it is an injury." Yet many of the offensive peculiarities of the modern Calvinists arise from well-founded fears. Let us not run into the contrary extreme, and try to compound between God and mammon. This is the rock on which millions have split, the insolent and audacious experiment we are almost all of us trying, as if our object was to see who could sail 60 OF RELIGION. nearest the wind. It is impossible to draw a broad line between the pale boundaries of right and wrong which will equally suit all circumstances ; the best test, perhaps, of conversion, of real religion, is an habitual reference to the Deity in all we think and in all we do. An habitual reference it must be to have any effectual influence on the character, for, in proportion as it becomes more feeble and less constant, do men fall off from Christianity. It is only by thus living mentally in the presence of the Almighty that a reflecting man can become resigned to his will, the last and most difficult conquest over itself of an inquiring mind. Among the deficiencies of our age, which are little likely to be supplied, may be numbered a good commentary on the Bible. It is not that there is any scarcity of pious and learned commentators ; on the contrary, there is no end of them ; but they all labour under the same defect, want of imagina- tion and want of knowledge of mankind. Lord Bacon in his beautiful " Wisdom of the Ancients," so admirably translated by Sir Arthur Gorges, has given a meaning to the most extravagant fables of the Greeks, in many instances probably never suspected by the inventors themselves. Though a scriptural commentary, conceived in a spirit equally fanciful, would be exceedingly dangerous, it must be remembered that we are OF RELIGION. 61 not likely to attribute too much meaning to the Bible. From its very nature, there can be in it nothing redundant and nothing deficient ; not only, therefore, must something profound lie hid under the many passages in which hitherto no peculiar import has been discovered, and in the many others distinguished by their obscurity ; but we have every reason to believe that we have not even approached to an exhaustion of the meaning of those passages which are known to contain " more than meets the ear." At the same time the obvious and peculiar necessity for judgment and caution must not be for a moment forgotten, a reflection which has, doubtless, in many instances, shortened the excur- sions of the more enterprising from the beaten track. The Bible is the history of the redemption of the world by the death of Christ ; and though every thing else seems subservient to the unity of this grand design, never lost sight of from the first book to the last, it is, we should remember, the work of an infinite being, and must therefore be susceptible of infinite interpretation. To give an instance, there appears at first sight nothing pecu- liarly striking or uncommon in the story of Hagar. The expulsion of a female slave from the Harem, at the instigation of her offended mistress, can be no rare occurrence in the East ; yet St. Paul expressly declares that these "things are an allegory;" the 62 OF RELIGION. c«H bond-maid and the free-woman are types of the two covenants, of works and of grace. Again, Lord Bacon thus explains our Saviour's words, " Ye do err, not knowing the Scriptures nor the power of God ;" " teaching that there are but two fountains of heresy; not knowing the will of God revealed in the Scriptures, and not knowing the power of God revealed, or at least made sensible i:i his creatures." In the same manner a spiritual and moral meaning may be extracted from every story or maxim in the Bible, and ample scope afforded for the display of ingenuity and fancy, hitherto almost shut out from religious discussions. Such a mode of scriptural exposition could not fail in able hands of arresting attention, not merely from its novelty, but from that unconquerable love of apologue, which has never yet deserted, and we are persuaded never will desert mankind. In the pulpit the introduction of a more fanciful and lively style of preaching would surely succeed. Why should not religion avail herself of every weapon ? Is it not something to get the ear of a congregation? It is natural that clergymen should impute the listlessness of many who hear them to any cause rather than their own dulness ; but whether it be exclusively owing to the depravity of human nature or not, certain it is men will not listen with profound attention week after week to i OF RELIGION. 63 discourses which tell them nothing they do not already know. The knowledge of human nature, exhibited by scriptural commentators, is generally too coarse to be accurate. An inexhaustible theme for fine and subtle remark is not to be dismissed with a string of truisms from which time has long since stripped all the gloss. Besides, too many write rather what they suppose they ought to think than what they do think. Works of this sort are easily dis cover-able, and never readable. Analysis of character when candid, and not exaggerated or one-sided, is always interesting. The Bible abounds with portraits slightly sketched, which, if accurately and fairly worked out, would solve many difficulties; and though this has been often attempted, it has been done for the most part without freedom, with little previous acquaintance with great historical charac- ters, and little knowledge of the world. The liturgy of the Church of England is among the sublimest, the most pathetic, and the most appropriate to its object of all human compositions. When we consider the slight alterations necessary to render it consistent with itself, more free from repetitions, and conformable to Scripture and the Articles, it seems for a moment surprising that they have never been made. To some the divisions of opinion among the clergy themselves, their natural 64 OF RELIGION. disinclination to all change, and more especially to liturgical or doctrinal change, may be sufficient reasons why this has not been done, though nothing remained behind. But when we look at the con- stitution of the Church of England, particularly as it has been left by the disuse of convocations, we do not perceive that it has within itself any mode of effecting internal reforms. Whatever changes are made in the church must come from without, and perhaps it is better that it should be so, yet the practical difficulties either way are great. If the liturgy is to be revised, is it to be done publicly by a large assembly, or privately by a few individuals? And whether the revisers be few or many, how are they to be appointed, from what class are they to be taken, clergy or laity, either or both, and bow far are their powers to extend ? The difficulty of answering these questions would appear to make the prospect of change exceedingly remote, were there not an extensive and deep-rooted schism in the church itself, dividing nearly the whole body of the clergy into two distinct classes, hitherto receding from, rather than approximating to, each other, but at present manifesting some inclination to combine their forces in the common cause of ecclesiastical privilege. Among the many subjects on which these two parties entertain conflicting opinions is that of OF RELIGION. 65 baptism. The Arminians, supported by the baptis- mal service, maintain that baptism and regeneration are synchronous ; which the Calvinists, leaning on the Article on baptism, altogether deny. Both parties appeal to Scripture, but the Arminians with less confidence than the Calvinists, and with a certain popish and learned hankering after the Fathers, whose works they seem to look upon as a sort of intermediate stage between the inspired writings and those of ordinary men. We can afford to smile, at the present day, at the would-be popish extravagances of the Oxford schismatics, and at the impotent fury with which the high-churchmen strive to run counter to the opinions and feelings of their times ; but it may be interesting to see, whether Tillotson's unanswerable argument against transub- stantiation does not equally apply to their doctrine of baptismal regeneration ; thus shewing, by the way, how hard it is for men to be reasonable, in whose heads their own imaginary orthodoxy is the most prominent idea. Tillotson argues against transubstantiation as an assumed miracle, contradicted by the evidence of our senses, which satisfy us that no change takes place in the wafer on consecration. Either then we must admit a miracle against the evidence of our senses, the only avenues of our knowledge, an ad- mission which must reduce a reflecting and con- F 66 OF RELIGION. sistent mind to utter scepticism, or transubstantia- tion becomes a mere word without an idea attached to it, a sound without a meaning. How will the Arminians extricate their doctrine of baptismal regeneration from the same dilemma ! If they assert that regeneration uniformly accompanies baptism, they are contradicted by facts, which abundantly prove, that many who have been baptised have afterwards lived profligate lives, and died avowed infidels. If a man may be regenerate without being a Christian even in name, then regeneration, the absence of which, Christ himself has declared, in the most express terms language admits of, excludes a man from the kingdom of heaven, is in Arminian mouths a mere pleonasm, signifying nothing. Should the Arminians say, that their doctrine of baptismal regeneration would be sufficiently proved by the fact of persons baptised having at any subsequent period lived the lives of Christians ; it is obviously incumbent upon them to shew, that all persons baptised, without one excep- tion, have at some period lived such a life, which, of course, they cannot do, nor would the explana- tion even then be satisfactory. The want of a good system of ecclesiastical dis- cipline has long been felt by the real friends of the Church of England. As the attention of the legis- lature has been already directed to the subject, it OF RELIGION. 67 is to be hoped, this crying evil, certainly one of the main causes of dissent, will speedily be re- medied. The various psalms and hymns used in our churches are unworthy to be placed for a moment by the side of the liturgy. A few only of the best are much above mediocrity, and the great majority far below it. There seems to be no reason, why it should be harder to write good devotional poetry than good devotional prose. In fact, it has been 4one in the case of the Latin leonine hymns of the Roman Catholics. The " Dies irse" and the " Stabat Mater "* are hardly inferior to the " Te Deum." Some years since an excellent article on the subject of psalmody was published in the Quarterly Review, in which the requisites of a hymn were laid down with great accuracy and discriminating taste, yet there has been no improvement. The finest and the safest hymns will undoubtedly be those couched almost exclusively in scriptural phraseology ; but the * The Stabat Mater has been recently very well translated in Fraser's Magazine. How touching and simple is the stanza : " Eia Mater ! fons amoris ! Me sentire vim del oris Fac, ut tecum lugeam ; Fac ut ardeat cor meum In amando Christum Deum, Ut illi complaceam !" F 2 68 OF RELIGION. peculiar intractability of the Hebrew poetry renders it impossible to select any single passage, and follow it closely in English verse. If Milton failed, who can hope to succeed ? But this difficulty might perhaps be obviated by making hymns, not metrical translations, or even paraphrases of in- sulated passages, but rather centos from the Bible generally, compilations of scriptural thoughts, scrip- tural images, and scriptural phrases, selected at pleasure. At all events, the experiment, as far as I know, has never hitherto been fairly tried. The question of the observance of the Sabbath has recently engaged much attention in the religious world, and many legislative attempts have been made to enforce it, some of them of the most pre- posterous description. All that the legislature can do in such a case is to compel men to preserve a decent exterior ; it cannot make them pious, and all legislative enactments on such a subject must ne- cessarily and unavoidably affect the poor much more sensibly than the rich. In England there really is a strong and deep-rooted religious feeling among a large proportion of the population, or at all events infidelity is generally looked upon with disgust and abhorrence ; consequently, the question of Sabbath legislation has been met with great cowardice by many public men, through fear of seeming or of being called infidels. We have reached this point : 14 OF RELIGION. 69 there is a most marked distinction, as all foreigners bear witness, between the Sabbath and the other days of the week ; severer laws on the subject would be positively mischievous, if they proceeded so far as to be daily evaded or infringed by thou- sands in the present state of the public mind. The government of this country is the strongest in the world, but it will not long remain so, if collisions with the masses are sought rather than shunned, and laws enacted which cannot be executed. In the present instance it has not been proved that severer laws would do good. How far divine laws require the observance of the Sabbath to be extended is a very different question from that of the propriety of further Sab- bath legislation ; and, perhaps, rather a matter of feeling than argument. To a devout man, what many would term puritanical austerity on this head is not a task; he has no taste for secular amusements at such a time ; he abandons them not only without an eifort, but it requires an effort on his part to descend to their insipid level, after being engaged in the most interesting and important of all con- templations. Hence, the manner in which a man prefers spending the Sabbath is an excellent test of his religious state. The mind, certainly, must be unbent, and may be unbent in a suitable manner ; but a desire to plunge so rapidly from one extreme to F 3 70 OF RELIGION. the Other, if indeed there be an extreme at all, and religion has actually for a short space occupied the thoughts, shews a diseased understanding, and it is to be feared a depraved heart. The observance of the Sabbath is a positive command : to make no distinction between that day and other days is clearly a breach of that command ; but what distinction do they make, who spend it in travelling, writing letters, looking over accounts, or similar employments ? The truth is, religion is irksome to them, and they are glad to escape from its irksomeness by wilful disobedience. Though the question whether dissent be an evil is as old as Protestantism, or rather as Christianity itself, it seems to be one on which mankind are as far as ever from agreeing. The high-church Ar- minian, after denouncing the doctrines of his own articles and homilies in one sentence, condemns all who dissent from them in the next, though among those very dissenters he is himself to be numbered on his own shewing. He charges dissent with pro- ducing all manner of evils, which, as a little reflection might have taught him, spring not so much from dissent as from the nature of man, from the melan- choly fact that men will not think charitably of those who differ from them in opinion. As Plato remarks in a singularly scriptural sentence, " Con- tentions, and wars, and battles spring from nothing OF RELIGION. 71 else than the body and the lusts thereof." * But the high-churchman's hatred of dissent is derived from a lower source than hatred of doctrines believed by the hater to be false and pernicious. He looks upon the church as his property, and dissenters as spiritual poachers and trespassers on the ecclesiastical manor. He cares not for the grounds of dissent ; indeed if he were to be asked what peculiar opinions held by the majority of protestant dissenters he thought mischievous, and why he so thought them, he could not readily give a satisfactory answer; it is the audacity of the act of dissent that excites his wrath. This is the old leaven of Popery, the spirit of the rack, the brazier, and the auto da fe. On the other hand, the charges against the dissenters are not without foundation ; many among them are not slow to repay harshness and injustice with malice and envy, to exaggerate real grievances, and invent others. If this picture be accurate, it will be said, can any man doubt that dissent is an evil ? There could be no doubt, if it could be shewn that assent is not an evil also. Neither dissent nor assent are neces- sary evils ; the sinfulness of either must depend upon their respective motives ; both have their tempta- tions ; and as hatred and strife are often incident to * " Kal yap TToKe/xovs Kal crraffeis Koi fidxas ohSev &\ho ■7rape;)(et '*/ rh cru/xa koI at rourov iTnOvjxiai." Phaedon. F 4 i 'i' OF RELlGION^. dissent, so is indifference often incident to assent. A variety of sects is in many points beneficial to religion. As the members of each are severe critics of the doctrine and practice of all the rest, a species of mutual responsibility is created, by which all, though it is a truth few are willing to own, are in some degree controlled. Many excesses are pre- vented by the dread of active malevolence and honest indignation, strengthened by the spirit of religious partisanship. Sectarianism has done for Protestantism what monasticism did for Popery, it has kept it alive. The church of Rome early discovered that reli- gious zeal soon wore out, the languishing flame constantly required fresh fuel ; if one age was ascetic and superstitious, the next was lukewarm and licen- tious; the policy of the popes, therefore, always encouraged the formation of monastic orders. St. Francis and St. Dominic were the Whitfield and Wesley of their times. Monasticism made Popery more comprehensive and elastic ; the fervour, the self-denial, and the energy of the founders of the various orders, gave it a hold upon the affections of the multitude, which the Church of England at least has never yet been able to obtain. Whether Protestants have done right in utterly condemning monasticism " may admit of doubt." The vow, indeed, is altogether bad. Such is human OF RELIGION. 7$ nature, that we feel an irrepressible desire to escape from any prison, whether moral or physical, whether our imprisonment be our own act, or that of others. To have taken a vow is enough to make us long to violate it. This the Reformers saw ; and the world was then rife with stories, true or false, — but as all felt who knew their own hearts, never improbable, — of enormities perpetrated beneath the irrevocable gloom of the cloister. But why can we not have monasticism without vows, monasticism, temporary or lasting, according to the inclination of the re- cluse? " This world is too much with us," cares and pleasures make us offend in our hearts, and society makes us offend in our tongues. Surely reli- gious houses, where men and women might retire separately for a time, live on simple fare, and devote themselves to contemplation, works of charity and prayer, would have a beneficial effect on mankind. The notion that austerities are meritorious, one of the worst evils of popish monasticism, would not exist in such institutions, as austerities would not exist themselves. The great obstacle to such a scheme would in this country be found in the arti- ficial distinctions of society. In northern climates generally, and especially in England, the line be- tween the rich and poor is too broad to admit of an harmonious social union under any circumstances. Their tastes, habits, sympathies, are all distinct : the 74 OF RELIGION. outward man differs much, the inward still more. On the other hand, to have separate establishments would be invidious, and look as if we expected to find gradations of rank, riches, talents, and acquire- ments, even in the next world ; yet this, it should Seem, would be in England the unavoidable alter- native. Monasticism has always prevailed most in the south, for there the rich and poor readily amal- gamate ; the peasantry have an aptness for imitation, a native taste, and a nobility of aspect which soon places them on a level, and frequently on more than a level, with their superiors in station, who are indeed far from equalling the corresponding class in this country. If the principe Doria marries a Roman contadina, she is as complete a prin- cipessa in mind and manner in a fortnight as if she had been born one, though she may not be able even to read. Thus the facilities for monasticism are natural ; poverty requires less self-denial and wears a less sordid air, and wealth does not stand on so lofty a pedestal. In England the social obstacles to monasticism are hardly to be overcome, but the common objec- tion, that it is a selfish desertion of our post, does not seem to apply to a state of religious seclusion without the vow. And what post after all have many to desert ! The family man, the man of large landed property, the statesman, the active profes- OF RELIGION. 75 sional man, all have their respective paths chalked out for them ; but how many are there not included under any of these heads ? If such were to retire from the world, would the world miss them ? Alas no ! In the selfish whirl of modern society the purest and the mightiest minds are when they sink down but as wounded soldiers in a disastrous retreat, the crowd rushes on and forgets them. It is, indeed, now in more senses than Sir Thomas Browne intended, " too late to be ambitious." Let us not, as some perchance have done, puffed up with vain- glory, led away by dreams of fancied usefulness, measuring ourselves not by the just dimensions of our meridian shadows, but by the deceitful lengthen- ings of the world's evening sun, neglect the great purpose of our habitation in our earthly tabernacle, the salvation of our own souls. Things here are to be accounted evil or good, so far only as they unfit or prepare us to meet that day, which shall make " pyramids pillars of snow, and all that's past a moment." * * Hydriotaphia. 16 OF POETRY. " Not empire to the rising sun, By valour, conduct, fortune won ; Not highest wisdom in debates, For framing laws to govern states ; Not skill in sciences profound. So large to grasp the circle round ; Such heavenly influence require. As how to strike the Muse's lyre." Swift, There seems little foundation for the complaint we sometimes hear made, that the present is not a poetical age. It would be a strange anomaly in the history of mankind, if it were the fact, that an age, so full of experiment, so fertile in every species of moral phenomena, throwing light over so many of the darker mysteries of our nature, had produced no one capable of presenting its character to pos- terity in the most permanent and magnificent form. The truth is there are poets ; but whether it be that the public taste naturally oscillates from admiration to neglect, or that the realities of life are become more interesting, strange and various, there never OF POETRY. 77 was a period when poets found more difficulty in obtaining a hearing. Another serious obstacle to the progress of the privileged few is the innumerable host of pretenders, who choke up all the avenues to the public ear. To notice these would be a trial of temper and a waste of time, but if we consider what poetry really is, and measure some of our poets by a fair standard, we shall find that there have been, and still are those among us who will endure the test. Poetry seems to be the art of clothing sublime and beautiful ideas in figurative and impassioned language metrically arranged. If in this definition the word rhythmically were substituted for metri- cally, there would be no sufficient distinction be- tween poetry and prose, since there is rhythm or melody in the periods of all fine prose writers. It will include the parallelism of the Hebrews, which may surely be considered a species of metre. It will also include pathos, because pathos is beautiful, though poetical only so far as it is beautiful, as it may trench upon what the Greeks called " the hateful," which excites disgust ; or the misery de- scribed may be so overwhelming as to excite an- guish ; in either case the bounds of poetry are passed, for in the depth of beauty there is ever a principle of repose. Thus iEschylus, not less philosophically than poetically, calls Helen " the 78 OF POETRY. spirit of a breathless calm." * Again, Shakspeare has been sometimes blamed for not terminating his tragedy of Romeo and Juliet according to the ver- sion of the story by Luigi da Porto and Bandellc who make Juliet awake after Romeo has poisoned himself, and before he dies. Now whether Shaks- peare had read this version or not, a man who has studied the character of his mind will hardly believe that so obvious a conclusion did not suggest itself to him, but, as I once heard a German remark, such a scene would have been " trop dechirant," the ideal would have been lost in the natural. The Germans, during the latter half of the last century, broke up new ground in literature ; the impulse they gave to the mind naturally communi- cated itself first to the English, as the people who in character and language most resembled them, and latterly, within the last few years, to the French and Italians. The old vein was indeed everywhere exhausted ; the Germans have the merit of priority in point of time, and also of invention, as they had a literature to create, but they did but what the English, in a great measure at least, would have done, had the former delayed much longer. English writers began in fact to revert to their ancient models long before German literature was exten- sively known in this country ; but though few were * " ^p6vr]fj.% yriveixov jaKavas." Agamemnon. OF POETRY. 79 aware of it, the influence of Germany was felt not- withstanding. To this influence, combined with the natural tendency of mankind to run from one ex- treme to another, from the depth of the definite to the heighth of the ideal, many of our faults, as well as of our excellences, must be attributed. From these two causes spring our besetting sins of senti- mentality, vagueness, transcendentalism, and aifec- tation ; our worst literary feature, writing without thought, and without taking pains, seems chargeable upon the bad habit we have got into of being always in a hurry. The most diflBcult task of a poet is to unite the ideal and the definite in just proportions, so that one shall not swallow up the other. Goethe may be said to have entirely succeeded in amalgamating these discordant elements in the first part of Faust ; but as the bent of his mind was to soar too high, in two others of his best works, Iphigenia and Tasso, he seems to have been compelled to tie himself down to the simple forms of the Greeks. Though the subject of this chapter is English poetry, it will not be inconsistent with the design, for reasons which will presently appear, to say a few words on the first part of Faust, the most remarkable work of the most remarkable man of our times. If we compare Goethe with Shakspeare, and there are few who can endure such a comparison better. 80, OF POETRY. there appears to be this, among other essential dis- tinctions between them, that Shakspeare is the poet of all countries and of all times, " broad and general as the casing air," he incloses universal humanity within his mantle ; Goethe, though comprehensive and various, is more peculiarly the poet of his age, and in this his master-piece he has drawn a portrait of his age, its philosophy, literature, hopes, fears, and desires, never equalled in breadth and truth. Faust is not, nor was intended to be, a man of the fifteenth century. Some critics have blamed the want of individuality in his character, not under- standing the author's design. It is just as reason- able to blame De Foe for the want of individuality in the character of Crusoe. Faust is an aggregate of the men of the author's age, but not of common men, and here lies the difficulty of comprehending him ; the profoundness of his thoughts, and tlie magnificent harmony of his language, belong alone to Goethe. He would " see, suff'er, and enjoy," much more than this world can afford, though he is sensi- ble that it will end in his being " tired of it all." * Of whatever the world can aff"ord he is tired already ; hence the sweeping emphasis of his curse, " So fluch' ich Alles was die Seele Mit Lock und Gaukelwerk umspannt," u. s. w. * History of Rome. Lardner's Cab. Cycl. OF POETRY. 81 and the almost insane wildness of his desires, " Dem Taumel weih' ich mich, der schmerlichsten Genuss, Verliebtem Hass, erquickendem Verdruss," u. s. w. still he is human ; how beautifully are we convinced of his participation in our common nature, when he puts down the poisoned cup on hearing the paschal song, and reverts to the associations of his childhood in these exquisite lines, " Diess Lied verkiindete der Jugend muntre Spiele, Der Friihlingsfeyer freyes Gllick, Erinnrung halt mich nun mit kindlichem Gef iihle Vom letzten, ernsten Schritt zuriiek : O tbnet fort, ihr siissen Himmelslieder, Die Thrane quillt, die Erde hat mich wieder." Faust, distracted by the want of harmony between his capacity and his desires, descends to the common level of mankind ; hence the episode of Margaret, for, notwithstanding the marvellous beauty and pathos of the execution, it is but an episode, and only so far furthers the author's design, as it tends to deve- lope the character of Faust more completely. Earlier in his history, to shew that his object is not so much to know as to feel, he is contrasted with the mere bookworm Wagner, " nur des einen Triebs be- wusst." For the sake of relief and variety, the scenes of "Auerbach's Keller" and the " Spaziergang"arein- G 82 OF POETRY. troduced, displaying the accuracy of Goethe's ob- servation, and his general knowledge of mankind. The magic of Faust, though very good, and forming a necessary part of the poem, is not alto- gether satisfactory ; but the character of Mephisto- philes is incomparable. He is the best, or rather the solitary portrait of the Devil. His lip curls with an eternal sneer ; one would think Goethe must have had certain fiendish philosophers in his eye. How finely and naturally does the innocent Mar- garet recoil from him, with what unconscious pro- foundness does she exclaim, " Es steht ihm an der Stirn geschrieben, Das er nicht mag eine Seele lieben." In one solitary instance Mephistophiles bursts into an eloquent rhapsody, which seems foreign to his character, " Wenn sich der Mensch, die kleine Narrenwelt Gewbhnlich fiir ein Ganzes halt, Ich bin ein Theil des Theils der Anfangs Alles war, Ein Theil der Finsterniss, die sich das Licht gebar." However, if he is to be eloquent at all, it cannot be denied that his eloquence is most appropriately em- ployed in vaunting himself. Faust is imperfect, necessarily imperfect, and that from the nature of the subject, and not from any defect in the author. To complete it, would require faculties men do not possess, and cannot compre- OF POETRY. 83 hend. But we sympathise witli Faust, because we feel that his presumption and his weakness are our own. The moral, for there is a moral, may be given by slightly varying the fine and well-known adage of Scaliger, Virtutis humanae magna pars est, quse- dam aequo animo sentire nolle.* Of the second part of Faust, I am not at present qualified to give an opinion. The germ of the abominable violations of sense and propriety by the modern French romantic school is to be found in Faust. But Goethe was a consummate artist, who understood and followed, in this instance at least, simple truth and tranquil beauty; the French romanticists have only woven to- gether a sickly fantastic tissue of horrors and crimes. John Paul Richter is reported to have said that " the empire of the Germans was the air ;" thus indirectly confessing the justice of the charge of mysticism, long ago brought against them by plain people, and mystically rebutted by Mr. Carlyle. They seem to take as much pains to wrap up their thoughts in an uncouth garb as the ancient Egyp- tians did their mummies ; and after all the unwrap- ping and unfolding is over, they are sometimes found to be nearly as old. Their perverseness in refusing to say a common thing in a common way, * " Sapientiae humanae magna pars est, queedam aequo animo nescire velle." G 2 84 OF POETRY. 1 is as provoking as the unsuccessful obslinacy of some of our English poets in attempting to illustrate the feelings ; an exotic style, also imported from Germany, though considerably modified and im- proved by the study of our own early writers. Of the poets of the feelings the chief is Words- worth. His friends, Coleridge and Southey, touch upon the same ground, but only incidentally, and their merits and defects are in many respects very unlike his. The term Lakists therefore applied to all three is incorrect, as they differ materially, and Wordsworth alone among them is the founder of a school. Neither can Wordsworth be called a meta- physical poet, for he treats of the feelings only, and not of the intellectual faculties. The intolerant idolatry of his disciples would tempt one to speak of him with more harshness than he deserves, for though not without obligations to others, he is un- questionably a man of original mind. But he thinks too much of himself to love truth with all his heart. Thus having published poems of a peculiar charac- ter, he could not leave them, as a high-minded man Avould have done, to their fate, satisfied that in time they would be appreciated as they deserved, but he must argue the public into admiration in prose ; he must endeavour to shew that his poems, whether admired or not, ought to be so ; and he must give a theory of poetry based on the defects of his own 14 OF POETRY. 85 mind, and condemning what possibly he found it easier to condemn than to imitate. Mr. Wordsworth tells us that his object is to write in "language really used by men;" it would seem on the antiquary's principle, when he recom- mended Lovel to write in blank verse, as being the easiest. He denounces poetic diction, by which he chooses to understand, not the language of imagi- nation and fancy, but the conventional tinsel of third or fourth rate versifiers. Now we maintain, let the Wordsworthians prove the contrary if they can, that there is not and cannot be good poetry in " language really used by men," excepting on very rare and extraordinary occasions. Naked nature is intolerable, and by a great artist is invariably ideal- ised. A more favourable authority for Mr. Words- worth's position cannot be quoted than the wonderful passage in Lear, beginning " I am a very foolish, fond old man, Fourscore and upward, and, to deal plainly, I fear I am not in my perfect mind." It would appear at first sight that this is the lan- guage of common life, but it is only apparently so. A man in the situation of Lear, though he might have been touching, would infallibly, like all mad- men, have mingled the disgusting and the absurd with the pathetic. It is absolutely impossible that G 3 86 OF POETRY. he could have spoken with such exquisite pro- priety of character, adjusted to an ideal rather than a real standard. The same remark applies to the poetical passages of Scripture, of Homer, Chaucer, or any other great poet. Their simplicity is not nature, but above it.* Mr. Wordsworth is not absolutely without pathos, but his pathos is only in part what he intended it should be ; it is exckisively of the contemplative kind, in the higher and passionate kind he has egregiously failed. He must be a man of many tears, " tioXvhdKpvToi; avrjf" who could weep at his description of the death of Francis Norton — " He from a soldier's hand had snatched A spear, — and with his eyes he watched Their motions, turning round and round : — His weaker hand the banner held ; And straight, by savage zeal impelled. Forth rushed a pikeman; as if he. Not without harsh indignity Would seize the same — instinctively To smite the offender — with his lance Did Francis from the brake advance ; But, from behind, a treacherous wound f Unfeeling, brought him to the ground, * Since writing this, I have seen the same thought in Cole- ridge's Literary Remains. t The expression " unfeeling wound " is obviously incorrect. OF POETRY. 87 A mortal stroke : oh, grief to tell ! Thus, thus the noble Francis fell : There did he lie of breath forsaken ; The banner from his grasp was taken. And borne exultingly away ; And the body was left on the ground where it lay." This is "the language really used by men" beyond all doubt. A witness at a coroner's inquest could not have told the story in a balder or tamer way, nor the parish bellman have versified it in more halting lines. Of Wordsworth's contemplative or philosophical pathos, perhaps no better instance can be given than these two stanzas : " My eyes are dim with childish tears, My heart is idly stirred. For the same sound is in my ears. Which in those days I heard. Thus fares it still in our decay. And yet the wiser mind Mourns less for what age takes away, Than what it leaves behind." The first stanza is very beautiful, but not charac- teristic ; in the second a fine thought is but imper- fectly expressed. It will be found that Wordsworth seldom or never writes well without violating his own theory, and that when he writes best, the same subject has G 4 ob OF POETRY. been generally better treated by others. There is depth in his thoughts, but his powers of expression are, like his passions, feeble, he has neither fire nor energy, little inventive imagination, neither wit nor humour, and he fails in one of the most essential requisites of a poet, harmony of numbers. He is not remarkable for his knowledge of mankind, he has no "wise saws or modern instances," and he never can go on long without affectation, but his purity is great, and he has a thorough and genuine love of nature. It is difficult to understand how a man who has written so much as Wordsworth should fail so frequently in expression and harmony of numbers, unless the reason be that he undervalues their importance. To elucidate this point fully would involve an inquiry into the nature of the pleasure produced by poetry, or, to go still deeper, by the contemplation of beauty in all its forms. This would be beside our present purpose, and neces- sarily occupy much time and thought. Suffice it to say that expression and harmony alone are beauty, and though perfect beauty be somethmg more than either or both united, still without them it cannot exist. Mere poetical pleasure is seldom produced by the thought alone, often where the thoup-ht is valuable, the pleasure resulting from it is not poetical, but expression and harmony always give OF POETRY. 89 poetical pleasure, though the thought be worthless. To take an instance from Horace, " Plerumque gratae divitibus vices, Mundaeque parvo sub lare pauperum Coenae, sine aulaeis et ostro, Solicitam explicu^re frontem." What is the value of the thought here ? What is the value of the thought in songs, even in those incomparable specimens which Shakspeare has scattered but too sparingly through his dramas, or in the inferior but still very beautiful lyrics of Beaumont and Fletcher and Shelley ? We cannot forbear giving one instance, taken at random from the best of modern song-writers, Goethe ; it seems perfect, but there is little thought in it. NACHTGESANG. " O gib vom weichen Pf iihle Traiimend ein halb Gehbr, Bei meinem Saitenspiele Schlafe ! was willst du mehr? Bei meinem Saitenspiele Segnet der Sterne Heer Die ewigen Gef iihle ; Schlafe ! was willst du mehr ? Die ewigen Gefiihle Heben mich hoch und hehr Aus irdischem Gewiihle : Schlafe ! was willst du mehr ? 90 OF POKTRY. Vom irdischen Gewiihle Trennst du mich nur zu sehr, Bannst mich in diese Kiihle ; Schlafe ! was willst du melir ? Bannst mich in diese Kiihle, Gibst nur im Traum Gehor, Ach auf dem weichen Pf iihle Schlafe ! was willst du mehr." The labour of a week would not be ill bestowed in translating this charming trifle, though the only thought in it is lent to, or borrowed from, two lines in Faust, " Die uns das Leben gaben herrliche Gef iihle Erstarren in dem irdischen Gewiihle." But is it therefore the less beautiful ? An exquisite collection of poems from different languages might be made on the subject of sleep alone, there would be great variety of imagery, great sweetness of versification in them, but very few ideas. The affectation of Wordsworth chiefly consists in his exalting common things, not occasionally like other poets, but studiously and systematically. The genuine artist speaking of a poet sayS; " Oft adelt er was uns gemein erschien, Und das Geschiitzte wird fiir ihm zu nichts." But this happens often only, not always. Words= worth puts the same thought thus, OF POETRY. 91 " To me the meanest flower that blows can give Thoughts that do often he too deep for tears." Unlike Goethe, however, he has fairly hunted it down ; his taste did not tell him where to stop, and thus he pesters us to death with his eternal daisies, scrubby thorns, idiots and pedlars. Such subjects may sometimes excite philosophical and poetical trains in the mind, but to suppose that they must do so necessarily and always, is fantastic and absurd. Wordsworth has succeeded in nothing so well as in his sonnets. They are among the best in the language, quite as good, if not better, than Milton's, and decidedly inferior only to Shakspeare's. In this species of poem, the most appropriate poetical vehicle for philosophical thought, the defects of his mind are less apparent. He cannot be so easily diffuse as in blank verse ; the sonnet does not require the ardour and energy of the lyric, and its harmony is peculiar, and flows naturally from the loftiness of the thought. How very beautiful are the first five lines of this sonnet ! The rest is scarcely so good, but no part of it is in the " language really used by men." " It is a beauteous evening, calm and free ; The holy time is quiet as a nun Breathless with adoration ; the broad sun Is sinking down in its tranquillity ; The gentleness of heaven is on the sea." 92 OF POETRY. There is nothing in inanimate nature so pathetic as the sea at sun-set in complete repose. No one, perhaps, has described it more finely than Shelley in his " Cloud." " And when sun-set may breathe from the lit sea beneath Its ardours of rest and of love. And the crimson pall of eve may fall From the depth of heaven above, With wings folded I rest on mine airy nest As still as a brooding dove." In the following sonnet Wordsworth is, what he very rarely is, imaginative. " Methought I saw the footsteps of a throne Which mists and vapours from mine eyes did shroud — Nor view of who might sit thereon allowed ; But all the steps and ground about were strown With sights the ruefullest that flesh and bone Ever put on ; a miserable crowd. Sick, hale, old, young, who cried before that cloud. Thou art our king, O Death ! to thee we groan ! I seemed to mount those steps, the vapours gave Smooth way ; and I beheld the face of one Sleeping alone within a mossy cave. With her face up to heaven ; that seemed to have Pleasing remembrance of a thought foregone ; A lovely Beauty in a summer grave." This is also picturesque, but a sonnet of Tenny- son's in the same stile is more nervous, and richer in diction — OF POETRY. 93 " The pallid thunderstricken * sigh for gain, Down an ideal stream they ever float, And sailing on Pactolus in a boat, Drown soul and sense, while wistfully they strain Weak eyes upon the glistening sands that robe The understream. The wise, could he behold Cathedralled caverns of thick-ribbed gold. And branching silvers of the central globe. Would marvel from so beautiful a sight How scorn and ruin, pain and hate could flow : But hatred in a gold cave sits below. Pleached with her hair in mail of argent light Shot into gold, a snake her forehead clips, And skins the colour from her trembling lips." I do not know any sonnets of Wordsworth supe- rior to the two following ; others may, perhaps, find several they like better, for it is hard to determine the comparative merit of sonnets. Composed upon Westminster Bridge, " Earth has not any thing to show more fair : Dull would he be of soul who could pass by A sight so touching in its majesty : The city now doth like a garment wear The beauty of the morning ; silent, bare, Ships, towers, domes, theatres and temples lie Open unto the fields and to the sky ; All bright and glittering in the smokeless air. Never did sun more beautifully steep In his first splendour valley, rock, or hill ; * Why thunderstricken ? 94* OF POETRY. Ne'er saw I, never felt a calm so deep ! The river glideth at his own sweet will : Dear God ! the very houses seem asleep ; And all that mighty heart is lying still." This is very true and noble ; nevertheless the twelfth line is affectedly worded, the expression " Dear God !" introduced to fill up the thirteenth line, is both affected and profane, but the last line is grand. " A Parsonage in Oxfordshire. Where holy ground begins, unhallowed ends. Is marked by no distinguishable line ; The turf unites, the pathways intertwine ; And, whereso'er the stealing footstep tends, Garden, and that domain where kindred, friends, And neighbours rest together, here confound Their several features, mingled like the sound Of many waters, or as evening blends With shady night. Soft airs, from shrub and flower. Waft fragrant greetings to each silent grave ; And while those lofty poplars gently wave Their tops, between them comes and goes a sky Bright as the glimpses of eternity. To saints accorded in their mortal hour." The legitimate sonnet admits but of four rhymes, Wordsworth does not always grapple with its difficulties. Lord Byron wears its shackles with ease, in the beautiful sonnet to the Countess Guiccioli, but in powers of expression he surpassed OF POETRY. 95 all our modern poets, excepting Shelley in his hap- pier moments. Wordsworth's conceited and affected sonnet to his own portrait is only worth alluding to for the sake of observing how gracefully Alfieri has avoided both faults in these two beautiful lines : — " Qualche cent' anni oltra il mio fral, poi fia Ch' anche tu rieda al nulla, o imagin mia." Enough of sonnets, an unsatisfactory sort of poem after all. The song is a better test of the genuine poet. The two odes on the " Recollections of Child- hood," and " On the Power of Sound," are, perhaps, Wordsworth's best and most characteristic efforts. It may be interesting to compare the first with Schiller's Ideale, particularly as the advantage is not wholly on either side. The best, or at any rate the most faultless stanza in Wordsworth's ode is the first : — " There was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparelled in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore ; Turn wheresoe'er I may, By night or day. The thinss which I have seen I now can see no more." 96 OF POETRY. Schiller begins thus, — " So willst du treulos von mir scheiden, Mit deinen holden Phantasien, Mit deinen Schmerzen, deinen Freuden, Mit alien unerbittlich fliehen 1 Kann nichts, dich, Fliehende, verweilen, O meines Lebens goldne Zeit ! Vergebens ! deine Wellen eilen Hinab ins Meer der Ewigkeit !" So far it is hard to say which has the advantage, for if the march of the German is more rapid and musical, that of the Englishman is more solemn and majestic. But as Wordsworth advances, his cus- tomary affectation, Avith its accompanying " par- turient throes," soon makes its apjiearance : — " Shout round me, let me Jiear thy shouts, thou happy shepherd boy !" If any man can tolerate this line he has not a poetical ear : but want of melody is not its only fault. There is not the slightest reason for suppos- ing shepherd boys to be happier than other boys, on the contrary, from living so much by themselves, they are probably duller and more stupid. In hardihood of language, Wordsworth will bear no comparison with Schiller : — " So schlang ich mich mit Liebesarmen Um die Natur, mit Jugendlust, Bis sie zu athmen, zu erwarmen Begann an meiner Dichterbrust." 1 OF POETRY. 97 Nor in sweetness, " Da lebte mir der Baum, die Rose, Mir sang der Quellen Silberfall, Es fiihlte selbst das Seelenlose, Von meines Lebens Wiederhall." The Platonic notion, "Our birth is but a sleep and a forgetting , The soul that rises with us, our life's star. Hath had elsewhere its setting. And Cometh from afar." is better put by Sir Thomas Browne, with a saving clause, omitted by the poet : — " Would truth dispense, we could be content with Plato that knowledge were but remembrance ; that intellectual acquisition were but reminiscential evocation, and new impressions but the colorishing of old stamps which stood pale in the soul before." Wordsworth, though inferior to Schiller in ex- pression, is superior to him in depth of thought. He derives his consolation from the conviction of im- mortality, Schiller from friendship and occupation, an inadequate climax, hence the concluding stanzas of " Die Ideale" are somewhat poor, and disappoint the expectation ; but Wordsworth is always heavy, Schiller rushes on like his own mountain-torrent, " Ein Regenstrom aus Felsenrissen." The ode " On the Power of Sound" is quite as H 98 OF POETRY. good as that " On the Recollections of Childhood," It has the same merits and the same defects, the same affectation, want of melody, powerless expres- sion, and depth of thought. Here the " happy milk maids " enact the part of the " happy shepherd boy." These lines are musical to a degree very uncommon with Wordsworth : — " For the tired slave, song lifts the languid oar. And bids it aptly fall, with chime That beautifies the fairest shore, And mitigates the harshest clime." In the following passage the three last lines, the least characteristic, are the best : — " For terror, joy, or pity. Vast is the compass and the swell of notes : From the babe's first cry to voice of regal city. Rolling a solemn sea-like bass, that floats Far as the woodlands ; with the trill to blend Of that shy songstress, whose love-tale Might tempt an angel to descend. While hovering o'er the moonlight vale." The two first lines are not remarkable ; the third would not have been written by a man with a poetical ear; the voice of the city floating far as the Avoodlands is an inaccurate expression, because it implies that woods are an invariable appendage to a city : the three last lines are beautiful, but Coleridge OF POETRY. 99 has some verses far more picturesque and imagina- tive on a subject nearly similar : — " But oh, that deep, romantic chasm which slanted Down the green hill, athwart a cedarn cover ! A savage place, as holy and enchanted As e'er beneath the waning moon was haunted By woman wailing for her demon lover !" The noblest stanza in Wordsworth's ode is the twelfth: — " By one pervading Spirit Of tones and numbers all things are controlled. As sages taught, where faith was found to merit Initiation in that mystery old. The heavens, whose aspect makes our minds as still As they themselves appear to be. Innumerable voices fill With everlasting harmony ; The towering headlands, crowned with mist, Their feet among the billows, know That ocean is a mighty harmonist ; Thy pinions, universal air, Ever waving to and fro, Are delegates of harmony, and bear Strains that support the Seasons in their round ; Stern Winter loves a dirge-like sound." " Si sic omnia !" Yet Goethe has given all this and more in seven glorious lines : — " Wie Alles sich zum Ganzen webt ! Eins in dem Andern wirkt und lebt. H 2 100 OF POETRY. Wie Himmelskriifte auf und nieder steigen, Und sich die goldnen Eimer reichen I Mit segenduftenden Schwingen Vom Himmel durch die Erde dringen, Harmonisch all' des All durchklingen !" V/ordsworth's "Laodamia" has been mucK ad- mired. It is elegant, pure, and somewhat feeble, as any one may satisfy himself who will take the trouble to compare the meeting of Protesilaus and Laodamia with that of Ulysses and his mother in the Odyssey, or the parallel passage in Virgil. Words- worth can draw no tears. " Poetry," said Milton, " is simple, sensuous, passionate ;" Wordsworth is certainly not the last, and his claim to the two first is very doubtful. The " Excursion " is a long poem in blank verse, of that class which gods call philosophical, and men didactic ; there are fine things in it, but as a whole it is exceedingly tiresome. As an instance of one of Wordsworth's most provoking faults take the opening of the third book : — " A humming bee, a little tinkling rill, A pair of falcons, wheeling on the wing. In clamorous agitation, round the crest Of a tail rock, their airy citadel ; By each and all of these the pensive ear Was greeted." This is no more poetry than an auctioneer's cata- OF POETRY. 101 logue is poetry. Numbers of physical objects strung together, just as they may be seen any day by any man, do not constitute poetry, nor scarcely painting. To become poetical and picturesque they must be made to depend upon each other, not left disjointed and unconnected as they really are, or at least appear to be to liuman eyes, incapable of taking in at a glance more than an infinitesimal portion of the universe, but so arranged as to form parts of one harmonious whole. This is one of the first rules of art, which is ideal as well as imitative, and Wordsworth sins against it perpetually. Among our early poets, Wordsworth most re- sembles Lord Brooke, Henry More, Chamberlayne, Sir John Davies, and Sir William Davenant, who all say fine things occasionally, and have consider- able depth of thought, but want liveliness, ease, perspicuity, vigour, terseness, and harmony of num- bers ; consequently they are now known, and deserve to be known, only to the curious. Compare any of them with Spenser, or with Drayton's Nymphidia or Eclogues, or even with Herrick, Carew, or Love- lace, and how inferior is the poetical pleasure they produce ! Among the moderns something of Words- worth's cast of mind may be discovered in Akenside and Cowper. The poem on " The Pleasures of Imagination " is neither much more, nor much less, H 3 102 OF POETRY. heavy than the " Excursion ; " the same thing may be said of Cowper's blank verse, but Cowper had exquisite humour, and spirit too sometimes, as in the fine lyric on the foundering of the Royal George. In Chorley's Life of Mrs. Hemans, in an account of an interview between Wordsworth and the Poetess, it is said that the conversation happened to turn on Moore's nonsense in his Life of Byron, that great poets must make bad husbands. Wordsworth observed that the fault of such men was, not that they had too much genius, but too little, and dwelt wyith edifying complacency on his own domestic happiness. If he had thrown what was passing in his mind into a syllogism would it not have run thus? The greatest poets are those who are happiest in their families : I am happier in my family than Byron was; Therefore, I am a greater poet. Wordsworth's own conceit and affectation, and the sectarian idolatry of his intolerant worshippers, have made him perhaps a worse poet than nature intended him to be. It may be said. Why not give him credit for what he has good, and keep the bad out of sight, since it is certain he will not mend ? The answer is, that art must suffer, if the admira- 1 OF POETRY. l03 tion due only to excellence be frittered away on mediocrity, or if the strength of an original mind so far dazzle men's eyes as to make them suppose its faults merits. We forget, in our morbid craving for novelty, that it is not hard for men to be original who are careless of overstepping the truth and propriety of art. When Mackintosh once found fault M'ith Words- worth's poetry, Coleridge said to him, " He travels on so far before you that he dwindles in the distance." This is only begging the question through the help of a splendid metaphor. Mackintosh had soul enough to admire Shakspeare, Homer, Dante, Milton, or any other imperial mind, why then should he not have admired Wordsworth, if he deserved it ? The poems of Coleridge have not been the subject of so much literary controversy as those of Wordsworth. They are too purely imaginative to be popular, but those who do admire them will not greatly differ as to their merits. There is a rich melody in the versification of Coleridge peculiar to himself, and his treatment of the supernatural is not less striking and original. The mysterious lady in Christabelle is altogether new. Some of the best supernatural ballads ever written were the produc- tions of Coleridge's contemporaries ; yet no one, H 4 104! OF POETRY. perhaps, has succeeded better than he has done in his Ancient Mariner and Christabelle, though the last is disfigured by affectation. Burger's Lenore, Goethe's Bride of Corinth, Mery and Barthelemy's Revue de Minuit, are very different, both from each other and from the Ancient Mariner and Christa- belle, yet all excellent in their kind. Burger is the more definite and vigorous ; the homely vividness of the scene, and the terse simplicity of the language, extort from us a deeper quasi-belief than any poetical ghost -story whatever. The Bride of Corinth is like a drama with a plot well-unfolded ; stanza after stanza the interest accumulates upon us till we arrive at the prodigious catastrophe. All is told with a severity of style Avorthy of the best ages of Greece, nevertheless such a tale is no more a legitimate subject of art than the prologue in Heaven in Faust. The Revue de Minuit is the most picturesque of ghost-stories ; the language seems too pure and terse for a translation, but the imaginative splendour and boldness of the fiction has rather a German than a French character. Coleridge has allowed himself a far wider range. He touches the very verge of the fantastic, which yet he does not pass. The fine antique air which he has flung over these ballads, and the racy copiousness of his imagination, keep him clear of OF POETRY. 105 the rock of " incredulus odi," the destruction of so many similar adventurers. Many of Coleridge's minor poems, in particular Genevieve, are distinguished for great beauty and sweetness, but he has left behind him no monument worthy of his powers. Notwithstanding his fine preface to the Encyclopaedia Metropolitana, and his beautiful and profound criticisms on Shakspeare, Cervantes and others, imagination, not reason, sate on his mental throne ; he required a rigid dialectic discipline, instead of which he chose to bewilder himself in the labyrinth of transcendentalism, the worst place in the world for finding common sense. Southey's contributions to literature are far more extensive than those of Wordsworth or Coleridge. His mind is not less peculiar than theirs. There is a strangely ferocious spirit occasionally apparent in his writings, the more anomalous from its juxta- position with a very amiable character. He is a bitter controversialist ; and in his charming History of the Brazils he dwells upon the subject of canni- balism with such evident gout, that one cannot help suspecting he would have been eminently distinguished for his feats in that line had he been born a savage. Nothing of the kind can be better done than his translations of the peninsular romances, the Chronicle of the Cid, Amadis of Gaul, and Palmerin of England. He has here given a 106 OF POETRY. scriptural solemnity to his style, in accordance with the fine taste of Milton, who loved " the deeds of knighthood " told " in solemn cantos." He has trodden with success almost every walk of literature, as translator, editor, critic, biographer, historian and poet. There are few of our modern poets who can be charged with having written too little, and Southey least of all. It is owing to this " cacoethes scri- bendi " that his poems, like those of most of his contemporaries, have a loose and disjointed air; they want point and terseness. His epics are ill- digested as a whole, and the execution of the details is often feeble and sloverjy, but they abound with passages of rare beauty. Southey deserves to be numbered among those poets who have identified their style and feelings so completely with those of the age and country where their scene is laid, that their works might actually have been written by a native author, contemporary with the events narrated. Kehama has this merit in a more pro- minent, though it may be not in a greater degree, than any of Southey's poems, and for this among other reasons it is, perhaps, the best. Kehama is purely Hindoo, both in its excellencies and defects ; it is throughout in keeping, excepting one strange and most unnecessary allusion to Niagara. The moral tone of this poem, as indeed of Southey OF POETRY. 107 generally, is very pure and noble. Nothing purer, perhaps nothing finer, is to be found throughout the whole range of contemporary English poets, than the well-known lines beginning, " They sin who tell us love can die ; With life all other passions fly. All others are but vanity." Roderick has been more praised than any of Southey's epics, nevertheless we suspect there are not many who have read it through. The costume is probably quite as accurate as that of Kehama, for there can hardly be a man living so familiar with all that relates to the Spanish peninsula, from first to last, as Southey, but the scene and the actors are less remote and peculiar. The odd monastic turn of Southey's mind had ample scope for dis- playing itself in Roderick, an opportunity which it was not to be supposed he would neglect, and accordingly the cold and austere genius of the cloister casts a shadow over the entire poem. Southey's most characteristic works are his Bal- lads. They are perfectly original, have much quaint humour, and are strongly impregnated with the mo- nastic spirit. His devils are excellent ; not men in strange situations, but the real creatures of vulgar superstition, and therefore profound. These Ballads are not unequally written ; two, however, may be 108 OF POETRY. mentioned as being quite as good, if not better, than any others. " The Old Woman of Berkeley," and " All for Love, or a Sinner well saved." The last is one of Southey's later productions, yet, though pub- lished some years, it has never, I believe, reached a second edition. " Proh pudor !" It is much to be regretted that South ey has not written a history of monasticism, or at any rate of some of the leading monastic orders. Such a work is one of the greatest desiderata in historical lite- rature ; and Avhen we consider Southey's prodigious learning, his delight in the subject, and the ease and elegance of his prose style, no man can soon be expected to arise equally qvialified for the task. * Shelley has some affinities with Wordsworth, Coleridge and Southey, but far more fancy than either of them, and a more striking resemblance to the writers of the age of Elizabeth and James. The shadowy and dreamy character of the greater part of his poems, his miserable philosophy, and his in- sane blasphemy, have greatly injured his poetical * Whether " The Doctor " be written by Southey or not, let revealers of mysteries determine ; it is certainly written by one who strongly resembles him, perhaps too strongly to be other than himself. Though unnecessarily marred by affectation, it is the book of a ripe scholar and a noble gentleman, full of beautiful thoughts and feelings, conveyed in a sweet and graceful style, the reflection of a pure and harmonious mind. OF POETRY. 109 reputation. But if we neglect some three fourths of his writings, replete, nevertheless, with rarely beautiful images, and confine ourselves only to the remainder, Shelley is perhaps the sweetest, the richest, the loftiest, the most genuine English poet of his time. He should never have written any thing but lyrics and dramas. He required to be chained down to the earth, either by the delineation of actual life, as in the drama, or by a species of poem too short to allow him to lose himself in the clouds, as the lyric. The tragedy of the Cenci is one of the finest in the language, excepting those of Shakspeare alone, and the noblest poem which has been published in England since Paradise Lost. Loathsome as the subject is, deeply as it is to be regretted that such powers should have been so wasted, Shelley has treated it with, perhaps, as much delicacy as it was susceptible of, and for the most part avoided "the hateful" with great skill. Compare Ford's tragedy on a similar subject with Shelley's, and though Ford is little, if at all, inferior to any of our old dramatists but Shakspeare, and the tragedy in question, though highly disgusting, is his best work, how poor does he seem beside Shelley ! Looking at the Cenci only as a work of art, and averting our eyes from the subject, we are compelled to admit, that the plot is well conceived, the charactei-s all individuals, consistent with them- selves, their country and their age, and the language 110 OF POETRY. throughout the sublime and glorious union of imagi- nation with passion, of clearness with conciseness, of force with beauty. How artist-like, touching and beautiful, is Camillo's first allusion to Beatrice ! " Where is your wife, where is your gentle daughter? Methinks her sweet looks, which make all things else Beauteous and glad, might kill the fiend within you." Again, what can exceed in sweetness and pathos her first appearance in conversation with her unworthy lover ! " Pervert not truth, Orsino. You remember where we held That conversation ; — nay we see the spot Even from this cypress ; — two long years are past. Since, on an April midnight, underneath The moonlight ruins of Mount Palatine, I did confess to you my secret mind. Alas, Orsino ! All the love that once I felt for you, is turned to bitter pain. Ours was a youthful contract, which you first Broke, by assuming vows no pope will loose. And thus I love you still, but holily. Even as a sister or a spirit might ; And so I swear a cold fidelity. And it is well, perhaps, we shall not marry. You have a sly, equivocating vein, That suits me not, — Ah ! wretched that I am ! OF POETRY. Ill Where shall I turn ? Even now you look on me, As you were not my friend, and as if you Discovered that I thought so, with false smiles. Making my true suspicion seem your wrong." It is peculiarly the business of a poet to observe the workings of his own mind. This internal ob- servation we trace in the words of Giacomo : — " Ask me not what I think ; th' unwilling brain Feigns often what it would not ; and we trust Imagination with such phantasies. As the tongue dares not fashion into words, — Which have no words, — their horror makes them dim To the mind's eye. — My heart denies itself To think what you demand." With what grandeur does Beatrice first intimate her fatal resolution ! " All must be suddenly resolved and done. What is this undistinguishable mist Of thoughts, which rise, like shadow after shadow. Darkening each other? Shelley, in his beautiful preface to the Cenci, states, that the description of the chasm in the third act was suggested by a passage in the Purgatorio de San Patricio of Calderon. As this imitation is, perhaps, the most sublime description in modern English poetry, and the great Spaniard far less known than he deserves to be, it may not be unin- teresting to subjoin a portion of the original. It is 112 OF POETRY. in the octave stanza, for the Spanish drama, free as air, admits every variety, both of matter and form. " No ves ese penasco, que parece Que se esta sustentando con trabajo, Y con el ansia misma que padece. Ha tantos siglos que se viene abaxo? Pues mordaza es, que sella, y enmudece El aliento a una boca, que debaxo Abierta esta, por donde con pereza El monte melancolico bosteza. " Esta, pues, de cypreses rodeada, Entre los labios de una, y btra pena, Descubre la cerviz desalinada, Suelto el cabello, a quien servio de grena Inutil yerva, aun no del sol tocada, Donde en sombras, y lexos nos ensena Un espacio, un vacio horror del dia, Funesto albergue de la noche fria." It will be observed that both in Calderon, and in Shelley's imitation, the mountain is not described literally, but personified. The murder scene in the Cenci is only surpassed by the corresponding scene in Macbeth. The pa- thetic song, " False friend, wilt thou smile or weep — " is in admirable keeping, and conceived in the very spirit of our old dramatists. In splendour of OF POETRY. 113 execution and concentrated depth of interest this most painful and sublime tragedy never falls off for an instant, from the opening dialogue of Camillo and Cenci to the passionate despair and more touching final tranquillity of Beatrice, as she is led away to the scaffold. The more we study it the more sen- sible do we become of the extraordinary power and variety of the author's genius. It belongs, however, rather to the classical than to the romantic drama. The Fragment of Charles I. is not only a fragment, but unfinished and imperfect even as far it goes ; the author would obviously have made considerable alterations in it had he lived. Shelley's politics are too transparent ; he wants the glorious impartiality of Shakspeare on this head ; yet there are touches in his Charles I. more decidedly Shaksperian than will readily be found elsewhere. Thus : — " Third Speaker. See how gloriously The mettled horses in the torchlight stir Their gallant riders, while they check their pride, Like shapes of some diviner element ! " Second Speaker. Aye, there they are — Nobles and sons of nobles, patentees. Monopolists, and stewards of this poor farm. On whose lean sheep sit the prophetic crows. Here is the pomp that strips the houseless orphan, I 114 OF POETRY. Here is the pride that breaks the desolate heart. These are the lilies glorious as Solomon, Who toil not, neither do they spin, — unless It be the webs they catch poor rogues withal. Here is the surfeit which to them who earn The niggard wages of the earth, scarce leaves The tithe that will support them, till they crawl Back to its cold, hard bosom. Here is health Followed by grim disease, glory by shame. Waste by lame famine, wealth by squalid want. And England's sin by England's punishment. And, as th' effect pursues the cause foregone, Lo, giving substance to my words, behold At once the sign and the thing signified — A troop of cripples, beggars, and lean outcasts. Horsed upon stumbling shapes, carted with dung. Dragged for a day from cellars and low cabins. And rotten hiding-holes, to point the moral Of this presentiment, and bring up the rear Of painted pomp with misery ! " Speaker, 'Tis but The antimasque, and serves as discords do In sweetest music. Who would love May flowers If they succeeded not to winter's flaw : Or day unchanged by night ; or joy itself Without the touch of sorrow '> " Again " King. My Lord, Pray overlook these papers. Archy's words Had wings, but these have talons. OF POETRY. 115 " Queen. And the lion That wears them must be tamed. My dearest Lord, I see the new-born courage in your eye, Armed to strike dead the spirit of the time. ' Have you not noted that the fool of late Has lost his careless mirth, and that his words Sound like the echoes of our saddest fears ? What can it mean I I should be loth to think Some factious slave had tutored him. " King. It partly is, That our minds piece the vacant intervals Of his wild words with their own fashioning ; As in the imagery of summer clouds, Or coals in the winter fire, idlers find The perfect shadows of their teeming thoughts : And partly that the terrors of the time Are sown by wandering rumour in all spirits ; And in the lightest and the least, may best Be seen the current of the coming wind." Of Shelley's longer poems, Adonais is perhaps the best. It is a poem of fanciful grief, conceived in the spirit of Milton's Lycidas. Of all Shelley's poems, however, there are none on which we can dwell with such unmixed delight as his lyrics. They display an inexhaustible fancy, extreme sweetness, and a fine air of poetical melancholy, Avhich, how- I 2 116 OF POETRY. ever, is of rather too sombre a cast. The best of them are ; the Skylark ; the Sensitive Plant ; the Cloud, which is somewhat fantastic ; the two poems on Mutability ; the lines written in Lechlade Church- yard ; and in dejection at Naples ; Arethusa ; a Dirge for the Year ; Autumn, a dirge ; Lines to Night ; from the Arabic ; the World's Wanderers ; with a Guitar ; to the Queen of my Fleart ; Hymn of Apollo ; and the poems beginning, " When the lamp is shat- tered ;" " Oh there are spirits of the air ;" " The cold earth slept below ;" " Rarely, rarely comest thou ;" and " A Lament," which may be quoted as a fa- vourable and characteristic specimen- There is nothing exceptionable in any of these poems. " Swifter far than summer's flight. Swifter far than youth's delight, Swifter far than happy night. Art thou come and gone : As the earth when leaves are dead, As the night when sleep is sped. As the heart when joy is fled, I am left alone. " The swallow summer comes again,' The owlet night resumes her reign. But the wild swan youth is fain To fly with thee, false as thou. My heart each day desires the morrov/. Sleep itself is turned to sorrow. Vainly would my winter borrow Sunny leaves from any bough. OF POETRY. ■ 117 " Lilies for a bridal bed, Roses for a matron's head, Violets for a maiden dead, Pansies let my flowers be : On the living grave I bear. Scatter them without a tear. Let no friend, however dear. Waste one hope, one fear for me." Let the reader compare this sad song with one equally sweet and more cheerful in Beaumont and Fletcher's " Queen of Corinth," and say whether both might not have been written by the same author. " ¥/eep no more, nor sigh nor groan. Sorrow calls no time that's gone : Violets plucked, the sweetest rain Makes not fresh, nor grow again : Trim thy locks, look cheerfully, Fate's hidden ends, eyes cannot see ; Joys like winged dreams fly fast ! Why should sadness longer last ! Grief is but a wound to woe. Gentlest fair, mourn, mourn no moe." There are lyrics of a very high order in Shelley's Prometheus, and Hellas. The Masque of Anarchy also, recently published by Mr. Leigh Hunt, bears the impress of a genuine poet. There is no man of genius whose life and death were more melancholy than Shelley's. There is every reason for supposing, I 3 118 OF POETRY. and it is charity to suppose it, that his mind was partially deranged. His imagination appears to have been so vivid that he could scarcely distinguish its workings from real facts. To use his own lan- guage, " He came like a dream in the dawn of life : He fled like a shadow before its noon." It would be unjust to Shelley to omit mentioning the extraordinary excellence of his poetical transla- tions. The highest merit of a translation is, that it should be characteristic of the original ; and in this point we have nothing in English superior to his versions of the Walpurgi's Nacht in Faust, and the scenes from the " Magico Prodigioso " of Cal- deron. Shelley's reputation is almost exclusively post- humous, and has, probably, not yet reached its culminating point ; Byron's, on the contrary, has declined since his death, the natural fate of writers who are original without being true. Byron's powers of expression were marvellous, his philo- sophy of the sneering and therefore shallow kind, and his characters and sentiments for the most part false, exaggerated and monotonous. Don Juan is his most characteristic work, and nowhere, perhaps, is there to be found so painful and complete a picture of a mind of the same power, so thoroughly debased and polluted. Yet there are intermingled OF POETRY. 119 gleams of higher aspirations, and when they appear, with what careless vigour and raciness are they expressed ! " And I will war, at least in words, and should My chance so happen, deeds, with all who war With thought, and of thought's foes by far most rude Tyrants and sycophants have been and are : I know not who may conquer, if I could Have such a prescience, it should be no bar To this my plain, sworn, downright detestation Of every despotism in every nation." Byron's lines to lanthe, and to his Sister, are among the purest of his poems. But the gem of all his lyrics, which glow with not less passion and energy than his longer poems, is, perhaps, the noble Ode on " The Isles of Greece." The wild and imaginative song of Ashtaroth, intended to have been inserted in Manfred, is unlike all his other writings. " The raven sits On the raven-stone *, And his black wing flits O'er the milk-white bone : To and fro, as the night-winds blow, The carcass of the murderer swings, And there alone, on the raven-stone. The raven flaps his dusky wings. * Raven-stone, Rabenstein, is in German a gibbet. I 4 120 OF POETRY. " The fetters creak, and his ebon beak Croaks to the close of the hollow sound, And this is the tune, by the light of the moon, To which the witches dance their round : IVIerrily, merrily, cheerily, cheerily. Merrily speeds the ball, The dead in their shrouds, and the demons in clouds Flock to the witches' carnival." , Byron's great excellence is the racy freshness and fervid eloquence with which he describes the thoughts and feelings excited by the sublimer scenes of nature, and the more beautiful creations of art. His success, after making due allowance for the influence of his rank and social position, was prin- cipally owing to his skill in presenting sentiments, only not insipid because mischievous, in an inex- liaustible variety of vigorous language. Goethe did not reign over German literature with more absolute and undisputed supremacy than Scott did over English, during the latter years of his life. On works so universally known, and so long the constant theme of criticism, it would be useless and impertinent to dwell. In prose fiction, Scott excelled all his contemporaries, as decidedly as Shakspeare did his contemporary dramatists; the only fictions superior to his, as Don Quixote, the Arabian Nights, the Romances of Chivalry, the Pilgrim's Progress, and perhaps Robinson Crusoe, are al- OF POETRY. 121 together of a different kind. He possessed the enviable art of making every subject he touched amusing, and of charming all his acquaintances by his exquisite " bonhommie." His mind was of the descriptive, rather than of the reflective cast. Pic- turesque rather than philosophical, he delighted to paint nature and men, in German phrase, objec- tively ; to give men's sayings and doings, not to analyse their thoughts, or to trace events to their remote causes. Had he been more profound he would probably have been less popular. Of his poems there are three which seem to have more of the real " oestrum " than all the rest : — the lyric on one of the feats of his favourite Claverhouse : — " To the Lords of Convention 'twas Claver'se who spoke," which is quite Homeric; the Pibroch of Donald Dhu, and Macgregor's Gathering. Burns has done nothing better, unless it be " the Jolly Beggars." * There is a class in society to whose tastes Moore * Mr. Lockhart has grievously diminished our respect for Scott's character, by publishing among his r orks an elaborate article from the Quarterly Review on his great masterpiece, " Old Mortality." The article is just and discriminating, and the praise not at all too lavish, if it had come from any other hand than the author's. Such an artifice was unworthy of an honest man. 122 OF POETRY. is better adapted than any poet of his time. He is the poet of the refined, selfish and jaded voluptuary. Not that he can be termed . strictly voluptuous. Strange as it may seem at first sight, there is a depth and a simplicity in that expressive and beau- tiful word, which Moore never reaches. There is -not reality enough about him even for that. He is altogether " false and hollow," — from his love, which is lewdness ; and his politics, which are sedi- tion ; to his imagery, which is tinsel ; and his versifi- cation, which is meretricious ; — in every thing, save in his dislike and dread of people who are honest and serious in their opinions. His poems are for the most pai"t but sweet, lively frippery. Therefore he is, beyond all others, the poet of the unpinncipled, of the bubbles of society ; men whose sort of half-love of literature is almost the only thing human about them ; and who like him as much as they are capable of liking poetry, because he reconciles them to themselves, by persuading them that the principle they are consciovis of wanting is but hypocrisy and pretence in others. There have been writers more immoral than Moore, for he is seldom if ever pro- found, bvit, perhaps, for that very reason not one more calculated to be generally mischievous. He combines immorality sentimentally disguised with the rare talent of accommodating himself closely to OF POETRY. 123 the general taste, insensibly corrupting the affections and deceiving the understanding, while he prepares " a primrose way to the everlasting bonfire." * Whether Moore has really done much mischief or not it is impossible to say. If he has not, it is no fault of his. He has devoted his powers to vicious objects with as much constancy as could well be expected of him ; if the results have not been commensurate, the reason is, that the influence of books has ceased to be considerable in this book- making age. The race of " homines unius libri " is extinct. Moore has not pursued his course without some compunction, and occasional glimpses of better things. His lines on his own birth-day, some of the best he has written, surely shew real feeling. Again, the following verses are not only exquisitely sweet, but also perfectly pure : — " Come, May, with all thy flowers, Thy sweetly-scented thorn ; Thy cooling evening showers. Thy fragrant breath at morn ; When May-flies haunt the willow. When May-buds tempt the bee. Then o'er the shining billow My love will come to me." But these are exceptions only to the ordinary tone * Shakspeare. 124 OF POETRY. of his poetry, which, not the extraordinary, is the true index to an author's mind. The ease of Moore's versification is not to be surpassed. Those who require splendour of diction, rich and various melody, he will not satisfy, but he writes with an entire absence of all appearance of effort. Ovid's celebrated " Sponte sua carmen numeros veniebat ad aptos, Et quod tentabam scribere versus erat," seems almost poor beside the lines, " Pale, broken flower, what art can now recover thee. Torn from the stem that fed thy rosy breath ! In vain the sunbeams seek To warm thy faded cheek, The dews of heaven, that once like balm fell over thee, Now are but tears to weep thy early death." Yet even this is but hiding an utter want of real feeling with a sentimental varnish. No one but a boarding-school miss caji avoid seeing that Moore cares not a rush for all the " pale, broken flowers," whether real or metaphorical, which ever were, or ever will be gathered, and left to wither and die. It is but just to Moore to add, after having enumerated his faults, with, it may be, too much harshness, that he is free from self-satisfac- tion, the most hopeless of all. Moore has struck out a new path in political OF POETRY. 125 satire. His sparkling arrowy showers of wit and sarcasm are as ethereal, and fall as naturally, as if they really came from the clouds. Almost all mo- dern political satires are imitations of Moore, a proof of his originality and excellence. Such pro- ductions are necessarily ephemeral, and lose much of their point as the individuals who are the subjects of them pass away, and their peculiarities are for- gotten. Time makes all personal satire more or less insipid, from Aristophanes, who has received more pedantic than genuine homage, to the Dunciad and the Anti-Jacobin. Crabbe is also to be added to the long list of contemporary original poets. He writes occasion- ally with great power and pathos, but the chief portion of his v/orks is but prose tagged with rhymes — Dutch painting, most vivid it is true, but shewing nature just as it is, or rather below than above the reality. Crabbe, like Wordsworth, seems to have mistaken naked nature for poetry. The great master, who, of all the men that ever lived, best understood and practised the poetical art, scarcely drew a single character from mere observa- tion, as Coleridge remarks in his Lecture on Romeo and Juliet. However, the talent of observing ac- curately, though not of itself poetical, is a necessary ingredient in the poetical character ; far from com- mon, and intrinsically valuable on many grounds. 126 OF POETRY. a No age since that of Elizabeth has been so pro- lific in poets as our own. The authors already- mentioned are voluminous enough to furnish any man, not more than moderately enamoured of the Muses, with poetical reading for his whole life. Yet how many contemporary poets are still to be named ? Campbell, the author of some half-dozen spirit- stirring lyrics, which are in every one's mouth ; Rogers, neat and terse, and the most popish of the moderns; Milman, gorgeous; Barry Cornwall, ele- gant and fanciful; Keats, who has much of the spirit of Shelley ; Miss Landon, who has of late improved greatly, and written some lyrics not un- worthy of Schiller himself; Mrs. Hemans, sweet, pure and feminine ; Sotheby, one of our most correct and skilful translators, a man whose benevolent and serene old age it was delightful to contemplate; Joanna Baillie ; Alford, a young poet of much pro- mise ; Wolfe, the author of the magnificent lyric on the funeral of Sir John Moore ; Hartley Coleridge, who has inherited no inconsiderable portion of the mantle of his father; Bulwer, who has it in him to do something better tlian he has ever yet done, when he can persuade himself to lay aside his jaunty foppery, and Avrite like a man ; Elliott, who seems to consider the corn laws the cause of all human ills, but who has a vein of real sweetness inter- mingled with his absurd ferocity; James Montgo- OE POETRY. ■ 127 mery, the author of one of our noblest hymns; Moultrie, who has of late added considerably to his early reputation as the author of " My Brother's Grave ;" and several others, who might have ob- tained more notice in an age when books were less plentiful, or the versifying talent less common. As the world grows older, and literary treasures accumulate, it necessarily becomes more difficult to achieve a literary reputation. Distinction of every kind is indeed less easily attained, from the altered state of society, and the general diffusion of know- ledge, which have increased the number of com- petitors to an enormous extent. But statesmen and professional men have to contend with the living only, and among the living but with their own countrymen ; a literary man both with the living and the dead of all ages and of all climes. To become well acquainted with the authors of the very highest rank only in the principal European languages is a task which must now occupy several years ; therefore each successive generation must in self-defence grow more fastidious, and push the vernier of fame some degrees higher up the intel- lectual barometer. There yet remain some poets whose claims to notice are of a high order, though very recent, Mr. Alfred Tennyson, Mr. Henry Taylor, and Mr. Serjeant Talfourd. 128 OF POETRY. The poems of Tennyson are too purely imagin- ative, too far removed from the sympathies of the masses, to be popular, even were the age more poetical than it is, but he will not be neglected by those who love to linger over the rich and flowing melodies of Spenser, Goethe, or Shelley. He possesses great fertility both of imagination and fancy, harmony and sweetness, — the five stanzas preceding the choral song in the Lotus-eaters are to thefuU as sweet as Spenser himself, — genuine pathos, and he can be sometimes, though but too rarely, terse and definite. The best of his poems are, I think, Mariana in the moated Grange, and in the South, Oriana, the Palace of Art, a most gorgeous vision, the Sisters, one of the sublimest ballads in the language, the Lotus-eaters, a Dream of Fair Women, and the Death of the Old Year. For the neglect with which he has been treated by the public, he has, it must be confessed, in part to thank his own affectation, in publishing the Darling Room, and other intolerable impertinencies. He is also too ambitious, the common fault of a young author. Great writers, as Goethe and others, often touch upon the very verge of no meaning, but, it will be observed, in the first instance they make themselves perfectly familiar with all the treasures of language, and then, and not till then, do they venture to play with their tools, which are words, OF POETRY. 129 in all the security of a master-mind, Tennyson is sometimes not merely obscure, but lie seems to use words on the political knave's principle, as if they were given him to conceal his meaning, or to make people believe that he has a meaning, when in point of fact he has none. The Avorld is too old and too busy to perplex itself with any such poetical puzzles^ Tennyson has as good a chance as any living poet of obtaining the public ear whenever he chooses to employ his rich and various powers on some subject of general interest. Mr. Henry Taylor has been the first to introduce the dramatic romance in an original English dress, a valuable service to literature, as the species of poem in question has, in the landscape gardener's phrase, great capabilities, and is exceedingly read- able. Philip van Artevelde is on the whole too elaborate, the art is too apparent, it is stuffed too full of sputtering Flemish names, and occasionally too coarse, but the character of Artevelde is a noble and philosophic conception, and the execution not unworthy of the design. It is the best portrait of a great popular leader that has ever been drawn, and will serve hereafter to throw considerable light on the character of the author's age. The book is of a kind we seldom meet with now-a-days, abound- ing in aphorisms, the repository of a rich store of long-hoarded thought. The two principal female K 130 OF POETRY. characters, Adriana and Elena, are drawn with a delicate and discriminating pencil. Clara is not so successful. The boy-king is excellent, standing out of the canvass with a few touches. Byron boasted of having written a poem of which 15,000 copies were sold in a day, meaning, I believe, the false and mouthy Corsair. Philip van Artevelde, a work of a far higher kind, has barely reached a second edition. How many extrinsic circumstances, wholly independent of merit, must be combined to please the " magnanimos Remi nepotes !" Mr. Serjeant Talfourd's Ion is a beautiful and classical drama, and, strangely enough, has been eminently successful on the stage. Without adhering so closely to the Greek forms as Milton has done in Sampson Agonistes, the stifFest and most pedantic of all his works, Mr. Talfourd has so far infused a Greek tone and spirit into his play, as to make it the best English example of the severe fatalism of " the lofty, grave tragedians." " Sola Sophocleo tua carmina digna cothurno." In some respects it is too Greek. Sophocles or Euripides, fatalists as they were, would scarcely have undertaken a plot so hard, and so remote from all the common sympathies of mankind. It sins grievously against the Horatian maxim, " Nee deus intersit nisi dignas vindice nodus." OF POETRY. 131 Argos is ravaged with a pestilence for the crimes of its sovereigns. For any thing that appears in the play to the contrary, Apollo might have selected any other town for the same infliction with equal justice. We hear of nothing calling for peculiar vengeance in the case of the Argive monarchs, and Adrastus, the reigning prince, is not even wicked enough to be interesting. The plague at Thebes, in the (Edipus Tyrannus, is certainly caused by the " king's offence," but that king, though ignorantly, had killed his father and married his mother, and therefore some cause is shewn for the divine wrath. When the discovery, gradually evolved with the most consummate art, is complete, CEdipus abdicates his throne and puts out his eyes, but Sophocles does not think it necessary that he should commit self-murder, like the innocent Ion, to appease the gods. The English poet has thus given to the deities of Olympus a much sterner and more repulsive character than the Athenian. The plot of Ion is therefore defective, and also contrary to the eternal principles of truth and beauty, which can never permit us to contemplate self-murder in other than an odious light. Ion is occasionally rather sickly and sentimental, but the language is highly poetical, abounding in beautiful imagery, though not always quite as chaste and tei'se as dramatic propriety requires. K 2 132 OF POETRY. Serjeant Talfourd, as all who have heard him speak well know, has always a rich store of eloquence and fancy at command, and he has lavished it upon this tragedy, but the consequence is that he is sometimes obscure and sometimes diffuse ; the language not being sufficiently simple and subdued, the attention is drawn too much to the details, and the play as a whole is deficient in keeping. How different is the language of the unreasonable and insolent sages, in the third scene of the second act, describing the pestilence to the ill-used Adrastus, from the calm dignity of the priest in Sophocles, addressing CEdipus on the same subject I " TioMs yap, Sxnrep Kavrhs eiffopas, ayav ^Stj 6lvov(Ta S'ay4\ais ^ovvo/xots, roKoicri re aydvois yvvaiKwV iv 5' o Trvp