, I, % '% THE GIFT OF afa...f.a^U3U?ib 43.(b-8.*f^Q : zt,jm:l)i F 20 48 JAN i 7 mi 44 32. Tubular Drill Hole 45 33. A Scarab Amulet 45 xii LIST OF ILLUSTRATIONS 34. Ancient Babylonian Canal 49 35. Impression of a Seal of Sargon I . . . 5' 36. Door Socket of Sargon I -. 5^ 37. Excavation showing Pavements in a Court of the Temple of Bel at Nippur . . . . . • S4 38. Cuneiform Writing ..... . . 55 39. Table showing the Development of the Cuneiform Writing . . 55 40. Babylonian Tablet 5^ 41. Contract Tablet .... . . 56 42. Diorite Seated Statue of Gudea, Ruler of Lagash (Shirpurla) . . 59 43. Writing-exercise Tablets of a Child . . . 60 44. Hammurabi Receiving the Code from the Sun-god 61 45. Restoration of Sargon's Palace at Khorsabad 66 46. Transport of a Winged Bull 67 47. An Assyrian Kelek ... . 68 48. An Assyrian King and his Captives .... .... 69 49. Excavating an Assyrian Palace . 70 50. Emblem of Ashur, the Supreme Deity of Assyria . . . . 71 51. Restoration of a Court in Sargon's Palace at Khorsabad • 72 52. Assyrians Flaying Prisoners Alive 53. Lion Hunt .... 54. Restoration of the Southern Citadel of Babylon 55. Babylonian Lion . . . 56. The Place of Wailing 57. The Later Temple at Jerusalem as Enlarged and Beautified by Herod 58. Species of the Murex 59. Phoenician Galley . 60. Table showing the Development of English Letters from the Phoenician 61. The Hittite God of the Sky . . 62. Caravan Crossing the Taurus 63. Hittite Hieroglyphic Writing 64. Croesus on the Pyre . . . ... 65. The Tomb of Cyrus, at Pasargadse . . . 66. Insurgent Captives brought before Darius 67. Traces of the Royal Road of Darius . . 68. The Behistun Rock . . 69. Rock-cut Tomb of Darius I, near Persepolis . . . 70. Ancient Persian Fire-altars . . . . . i . . 71. The King in Combat with a Monster Symbolizing Ahriman 72. The Ruins of Persepolis 73. Showing the Derivation of Modern Chinese Characters from Earlier Pictorial Writing .... .111 74. Gallery in the South Wall at Tiryns ... 1. ... -115 75. The Plain of Olympia . , 116 73 73 76 77 83 85 87 90 91 92 92 96 97 98 99 99 roc 102 103 104 LIST OF ILLUSTRATIONS Xlll 76. 77- 78. 79- 80. 81. 82. 83- 84. 85. 86. 87. 90. 91- 92. 93- 94. 95- 96. 97- 98. 99. 100. loi. 102. 103. 104. 105. 106. 107. 108, 109. no. III. 112. 113- 114. 115. 116. by The Labyrinth Theseus and the Minotaur The Lions' Gate at Mycenae Battle at the Ships between the Greelis and Trojans . Hissarlik, the Probable Site of Ancient Troy Grave Circle at Mycenas Inlaid Sword Blades Found at Mycense Great Magazines, or Storerooms, of the Palace at Cnossus . . Fresco of a Young Cup-bearer ... . .... A Cnossian Seal Impression . Theater and " Dancing-place " (?) Excavated at Cnossus Dr. Evans . , . .... Cretan Linear Tablet with Chariot and Horse ... The So-called " Throne of Minos " Group of Gods and Goddesses . The Carrying off of Persephone by Hades to the Underworld ; her Leave-taking of her Mother Demeter . Apollo . . . . . Greek Runners . . .... . ... Racing with Four-horse Chariots . ... Battle between Greeks and Amazons . . ... Sparta, with the Ranges of the Taygetus in the Background Ruined Temples at Passtum .... . . . Coin of Cyrene . . . . . Coin of Corinth .... .... The Bema, or Orator's Stand, on the Pnyx Hill, Athens The Athenian Tyrannicides, Harmodius and Aristogiton Ostrakon with Name of Themistocles . Hoplite, or Heavy-armed Greek Warrior A Memorial of the Battle of Platasa- . . Pericles . . . . The So-called Theseum at Athens . . The Caryatid Porch of the Erechtheum Alcibiades ... . Coin of Syracuse .... Demosthenes . . . . . Alexander the Great The So-called Sarcophagus of Alexander The Dying Gaul A Restoration of the Great Altar of Zeus Soter at Pergamum Showing the Influence of the Master-form of the Pharos on the Evolution of the Moslem Minaret and the Christian Church Tower . . . Orders of Greek Architecture , . . . The Parthenon PAGE 122 123 126 128 129 130 131 132 133 134 135 144 145 146 147 148 152 '55 16S 170 170 178 183 197 205 206 213 218 220 233 249 253 257 264 274 27s 280 284 287 xiv LIST OF ILLUSTRATIONS FIGURE PAGE 117. -The Theater of Dionysus at Athens 289 118. Stadium at Athens 290 119. The Wrestlers . '. 291 120. Stele of Aristion ... ... . . . . ... 29' 121. The Charioteer . . . • 292 122. Throwing the Discus, or Quoit ... . . .... 293 123. Athenian Youth in Procession ... . 294 124. Athena Parthenos . . .... 295 125. Head of the Olympian Zeus by Phidias .... . . . 295 126. Nike, or Victory, of Pasonius ... .... 296 127. Hermes with the Infant Dionysus ... . . • . 297 128. The Nike, or Victory, of Samothrace . . . .298 129. Aphrodite of Milos . . ... 298 130. The Laocoon Group . . . . 299 131. Portrait in Wax Paint . . . 300 132. Homer 303 133. Hoeing and Ploughing . 304 134. Bacchic Procession • 306 135. Sophocles . . . ... 308 136. Euripides .... . ....... 309 137. Herodotus ... ... 311 138. Thucydides . . . . .... 312 139. Socrates . . . . . . 321 140. Plato . 322 141. Aristotle . 323 142. Pedagogue and Children . . . . . „ . ... 330 143. A Greek School . . . . ..... . 331 144. A Banquet Scene , 333 145. An Etruscan Chariot . . .... 339 146. Wall Painting of an Etruscan Banquet . 340 147. Head of Janus ... 350 148. Divining by Means of the Appearance of the Entrails of a Sacri- ficial Victim . . ..... ... 3^1 149. The Cloaca Maxima . . . ... 354 150. Roman Soldier . ... ... 355 151. Lictors with Fasces . ,. . . . 361 152. The Appian Way .... . . . . 377 153. Grotto of Posilipo ,. ... ... 380 1 54. Prow of a Roman Warship . . . . . . . ■jg^ 155. The Triumphal Column of Duilius . ,. 385 1 56. Augur's Birds -587 157. Hannibal . -igi 158. Publius Cornelius Scipio (Africanus) . . , . . -ing 159. Coin of the Italian Confederacy . . ^15 160. Mithradates the Great 420 LIST OF ILLUSTRATIONS xv FIGURE PAGE 1 61. Marius (?) . . 421 162. Roman Trading Vessel . . . . 425 163. Pompey the Great 427 164. Julius Cassar . . 434 165. Octavian (Octavius) as a Youth .... . . . . . 437 166. Cicero 438 167. Augustus ....'. . 443 168. Maacenas . . 447 169. Vespasian ... ... . . . . 456 170. " Judaea Capta " 457 171. Triumphal Procession from the Arch of Titus 457 172. A Street in Pompeii . . . ... . .... . . 458 173. House of the Vetti at Pompeii .... 459 174. Trajan . . . 460 175. Bridge over the Danube, Built by Trajan . 461 176. Trajan's Column 462 177. The Hadrian Wall 464 178. Hadrian . .... 465 179. Siege of a City . . 466 180. Roman Aqueduct and Bridge near Nimes, France ... ... 469 181. Commodus Represented as the Roman Hercules 470 182. Caracalla 471 183. Triumph of Sapor over Valerian . . . . . 473 184. Christ as the Good Shepherd . . 479 185. The Labarum • ■ ■ • 480 186. Arch of Constantine at Rome, as it Appears To-day 481 187. Germans Crossing the Rhine ... 494 188. The Pantheon, at Rome 503 189. The Roman Forum in 1885 ,, 504 190. The Circus Maximus .... . . .... . 505 191. The Colosseum 506 192. A Roman Milestone ... . . .... . . 507 193. The Claudian Aqueduct . . . . . ^oS 194. The Medicinal Spring of Umeri 509 195. Mausoleum of Hadrian, at Rome . . 510 196. Seneca . . . . . ■ S'S 197. Gladiators ... . . 521 198. Semicircular Dining-couch .... . 522 199. Tomb of Theodoric at Ravenna . . .... . 528 200. Ruins of the Celebrated Monastry of lona .... 535 201. A Monk Copyist 537 202. Trial by Combat . 546 203. The Kaaba at Mecca 552 LIST OF PLATES PLATE PAGE I. The Parthenon. (A restoration ; in colors) . . Frontispiece II. Paintings on the Walls of Caverns, by the Hunter-Artists of the Old Stone Age. (Aitex Brenil; in colors) 6 III. The Great Sphinx and the Pyramids of Gizeh. (From a photo- graph) 26 IV. Ruins of the Great Hall of Columns at Karnak. (From a photo- graph) 30 V. Fapade of Rock Temple at Ipsambul. _ (From a photograph) . . 34 VI. A Restoration of the Hall of Columns at Karnak. (From Liibke, History of Art ; in colors) 42 VII. " The Frieze of the Archers," from the Palace of Darius at Susa. (After M. Dieulafoy, L'Acropole de Suse ; in colors) 102 VIII. The Vaphio Cups and their Scrolls. (From photographs and drawings) , ... 13S IX. The Acropolis of Athens. (From a photograph) . . 178 X. The Piraeus and the Long Walls of Athens. (A restoration) . 210 XI. A Restoration of the Acropolis of Athens . . . ... 218 XII. The Mourning Athena. (From a photograph) 228 XIII. General View of Olympia. (A restoration) ... ... 286 XIV. A Rock-hewn Facade at Petra, Arabia Petraea. (From a photo- graph) . 466 XV. The Roman Forum. (A restoration) . . . . 502 XVI. House of Livia, on the Palatine Hill (interior view). (From Stobart, The Grandeur that was Rome; in colors) . . . , ^lo LIST OF MAPS Colored Maps (After Kiepert, Schrader, Droysen, Spruner-Sieglin, and Freeman. The Freeman charts have been so modified by omissions and additions that most of them as they here appear are virtually new maps.) PAGE The Ancient World, showing Areas occupied by Hamites, Semites, and Indo-Europeans ... . i8 Ancient Egypt 22 Assyrian Empire, about 660 B.C. . . . .66 Median and Babylonian Empires, about 600 B.C. . ...... 78 The Division of Solomon's Kingdom, about 953 B.C. . 82 The Persian Empire at its Greatest Extent, about 500 B.c 98 General Reference Map of Ancient Greece 114 Greece and the Greek Colonies ... • ■ . 162 The Greek World at the Beginning of the Peloponnesian War, 431 B.C. 226 Empire of Alexander the Great, about 323 B.c 258 Italy before the Growth of the Roman Power 338 The Mediterranean Lands at the beginning of the Second Punic War, Z18 B.c 390 The Roman Dominions at the End of the Mithradatic War, 64 B.C. . 426 The Roman Empire at the Death of Augustus, 14 A. D 446 The Roman Empire at its Greatest Extent (under Trajan, 98-1 1 7 a.d.) . 462 The Roman Empire Divided into Prefectures 478 Map showing Barbarian Inroads on the Fall of the Roman Empire (movements shown down to 477 A.D.) . . . 486 Europe in the Reign of Theodoric, about 500 a.d. 526 Greatest Extent of the Saracen Dominions, about 750 a.d 554 Europe in the time of Charles the Great, 814 A.D ... 558 Sketch Maps The Tigris-Euphrates Valley 50 The World according to Homer 143 Magna Graecia and Sicily 167 Plan of the Battle of Marathon 194 xvii xviii LIST OF MAP§ PAGE Map Illustrating the Invasion of Greece by Xerxes ^'-'° Athens and Salamis ^°4 Athens and her Long Walls ; ^'° Pylos . 231 March of the Ten Thousand Greeks ...,;. • ^4i Plan of the Battle of Leuctra, 371 B.C. . . . . 244 The Mountain System of Italy . . > ■ ■ 33^ The Seven Hills of Rome . .... 343 The Roman Domain and the Latin Confederasy in the Time of the Early Republic, about 450 B.C. . . . 3^4 The Route of Hannibal . ■ ... 392 The Roman Empire under Justinian . . • . 549 ANCIENT HISTORY CHAPTER I GENERAL INTRODUCTION: PREHISTORIC TIMES 1. The Prehistoric and the Historic Age. The immensely long periods of human life which lie back of the time when man began to keep written or graven records of events form what is called the Prehistoric Age. The comparatively few centuries of human experi- ence made known to us through such records comprise the Historic Age. In Egypt we find records which date from the fifth or fourth millennium b. c. ; so for that land the historic period begins six or seven thousand years ago. For Babylonia it begins several centuries later than for Egypt. For the Mediterranean regions of Europe it opens about loop B.C.; for the countries of central and northern Europe, speaking broadly, not until about the beginning of our era ; and for the New World only a little over four hundred years ago. 2. How we Learn about Prehistoric Man. A knowledge of what manner of man prehistoric man was and what he did is indispensable to the historical student; for the dim prehistoric ages of human life form the childhood of the race — and the man cannot be understood without at least some knowledge of the child. But how, in the absence of written records, are we to find out anything about prehistoric man ? In many ways we are able to learn much about him. First, by studying the life of present-day backward races ; for what they now are, the great races of history, we have reason to believe, were in their prehistoric age. Again, the men who lived before the dawn of history left behind them many things which witness as to what manner of men they were. In ancient gravel beds along the streams where they fished or hunted, in the caves which afforded them shelter, in the refuse heaps I PREHISTORIC TIMES [§3 (kitchen middens) on the sites of their villages or camping, places, or in the graves where they laid away their dead, we find great quan- tities of tools and weapons and other articles shaped by their hands. From these various things we learn what skill these early men had acquired as tool makers, what degree of culture they had attamed, and something of their conception of the Jife in the hereafter. Fig. I. Implements of the Old Stone Age No. I, the core of a flint nodule, was the earliest and the characteristic tool and weapon of Paleolithic man. It served a variety of purposes, and was used without a handle, being clutched with the hand (No. 9), and hence is called the hand-ax or fist-ax. No. 2 is a flint flake struck from a nodule. No. 8 (a harpoon-poilit) tells us that the man of this age was a fisher as well as a hunter. From No. 6 (a bone needle) we may infer that he made clothing of skins, for since he had not yet learned the art of weaving (the spindle- whorl does not appear till the next epoch ; see Fig. 5 and eiiplanatory note), the material of which he made clothing could hardly have been anything else than the skins of animals killed in the chase. That skins were carefully prepared is evidenced by the scraper (Nos. 4, 11), an implement used in dressing hides. No. f (an engraving-tool) tells us that art had its beginnings in Paleolithic times 3. Divisions of Prehistoric Times. The long period of prehistoric times is divided into different ages, or stages of culture, which are named from the material which man used in the manufacture of his weapons and tools. The earliest epoch is known as the Paleolithic or Old Stone Age; the following one as the Neolithic or New Stone 1 Besides these material things that can be seen and handled, there are manv immaterial things — as, for instance, language, which is as full of human memories as the rocks are of fossils — that light up for us the dim ages before history (see sect, 10), §4] THE PALEOLITHIC OR OLD STONE AGE Fig. z. Engraving of a Mammoth on THE Fragment of a Tuski (Old Stone Age) Age ; and the later period as the Age of Metals. The division lines between these ages are not sharply drawn. In most countries the epochs run into and overlap one another, just as in modern times the Age of Steam runs into and overlaps the Age of Electricity. 4. The Paleolithic or Old Stone Age. :in the Old Stone Age man's chief implements were usually made of stone, and especially of chipped flints, though bones, horns, tusks, and other material were also used in their manufacture. These rude implements and weapons of Paleolithic man, found mostly in river gravel beds and in caves, are the very oldest things in ex- istence which we know positively to have been shaped by human . hands. The rhan of the Old Stone Age in Europe saw the retreating glaciers of the great Ice Age, of which geology tells us. Among the animals which lived with him on that continent (we know most of early man there) were the woolly-haired mammoth, the bison, the wild ox, the cave bear, the rhinoceros, the wild horse, and the reindeer — species which are no longer found in the regions where primitive man hunted them. As the climate and the vege- tation changed, some of these animals became extinct, while others of the cold-loving species retreated up the mountains or migrated towards the north. What we know of Paleolithic man may be summed up as follows : he was a hunter and fisher ; his habitation was often merely a cave or a rock shelter ; his implements were in the main roughly shaped flints ; 1 These interesting art objects are from France. Tliey represent tiie earliest artistic efforts of man of which we have knowledge. In comparison with them the pictures on the oldest Egyptian monuments are modem. Fig. 3. Engraving on a Reindeer Antler.1 (Old Stone Age) PREHISTORIC TIMES [§'^ he had no domestic animals save possibly the dog ; he was ignorant of the arts of spinning and weaving, and practically also of the art of making pottery.^ The length of the Old Stone Age no one knows'; we do not attempt to reckon its duration by centuries or by millenniums even, but only by geologic epochs. But we do know that the long slow epochs did not pass away without some progress haying been made by prime- val man, which assures us that though so lowly a creature, he was endowed with the capacity for growth and improvement. Before the end of the age he had acquired wonderful skill in the chipping of flint points and blades ; he had learned the use of fire, as we know from the traces of fire found in the places where he made his abode : and he had prob- liiG. 4. Wall Painting from the ^ Cavern OF Font-de-Gaume, France ably invented the bow and (After Breuil) arrow, as we find this weapon in yery general use at the opening of the following epoch. This important invention gave man what was to be one of his chief weapons in the chase and in war for thousands of years — down to and even after the invention of firearms late in the historic period. But most prophetic of the great future of ithis savage or semisavage cave man of the Old Stone Age was the fine artistic talent that some tribes or races of the period possessed ; for, strange as it may seem, among the men of this epoch there were some amazingly good art- ists. Besides numerous specimens of his drawings and carvings of animals, chiefly on bone and ivory, which have been found from time to time during the last half century and more, there have recently been discovered many large drawings and paintings on the walls of various grottoes in southern France and northern Spain.^ These wonderful 1 The Australians and New Zealanders when first discovered were in the Paleolithic stage of culture ; the Tasmanians had not yet reached it. 2 The first of these wall paintings were discovered in 1879, but that they reallv were of the immense age claimed for them was not established beyond all doubt until §4] THE PALEOLITHIC OR OLD STONE AGE pictures are in the main representations of animals. The species most often represented are the bison, the horse, — one species being lilce the Celtic pony of to-day, — the wild ox, the reindeer, and the mammoth. This astonishing art of the European cave men shows that primitive man, probably because he is a hunter and lives so close to the wild life around him, often has a keener eye for animal forms and movements than the artists of more advanced races ; for as a Fig. 5. Implements of the New Stone Age These tools and weapons mark a great advance over the chipped flints of the Old Stone Age (Fig. i). They embody the results of thousands (perhaps tens of thousands) of years of human experience and invention, and mark the first steps in human progress. Nos. 7— J and 'j^jo show how after unmeasured ages man had learned to increase the effectiveness of his tools and weapons by grinding them smooth and sharp, and by fitting handles to them. No. 5 records the incoming of the art of making pottery — one of the most important industrial arts prior to the Age of Iron. No. 6 (a spindle-whorl of stone or of hardened clay used as a weight in twisting thread) informs us that man had learned the civilizing arts of spinning and weaving high authority asserts, " in some respects the art of these hunter painters has never been surpassed or even equaled." The history of art (sculpture, engraving, and painting) must hereafter begin with the works of these artist hunters of the Paleolithifc time.^ 1902 (see Cartailhac et Breuil, La Caveme d^Aliamira^ 1906 ; and Perony, La Caverne de Foni~de-Gaume^ 191c). The pictures are generally found in the depths of caverns where not a ray of the light of day ever enters. They were made by the light of lamps fed with the fat of animals. It is almost certain that they had a magical purpose, that is, were made in the belief that by a species of magic they would cause an increase of the game animals represented, or would render them a sure prey in the chase, 1 See Reinach, AfoUo (1900), chap, i; also Art. "Painting," Encyc.Brit., nth ed. PREHISTORIC TiAlES [§5 5. The Neolithic or New Stone Age. the Old Stone Age was followed by the New.'. Chipped or hammered stone implements still continued to be used, but what characterizes this period was the use of ground or polished implements. Man had learned the art of grinding his tools and weapons to a sharp edge with sand on a grinding stpne.^ To his ax he had also learned to attach a handle, which made it a vastly more effective implement (Fig- S)- Besides these improvements in his tools and weapons, the man of the New Stone Age had made other great advances be- yond the man of the Old Stone Age. He had learned to till the soil ; he had learned to make fine pottery, to spin, and to weave ; he had domesticated various wild animals ; though like Paleolithic man he sometimes lived in caves, he built houses, often on piles on the margins of lakes and morasses (Fig. 8) ; and he" buried his dead in such a manner — ■ with accompanying gifts (Fig. 6) — as to show that he had a firm belief in a future life.* The later period of this New Stone Age was marked by the beginnings of architec- ture. . In many regions, particularly in west- ern Europe, the men of this age began to construct rude tombs and other monuments of huge undressed stones — often of blocks so immense .that it must have required the 1 Some archaeologists put a period, which they name the Middle Stone Age between the Paleolithic and the Neolithic Age. Most, however, consider this period merely a subdivision of the Old Stone Age. 2 The North American Indians were in this stage of culture at the time of the dis- covery of the New World. The Egyptians and Babylonians were just emerging from it when they first appeared in history. 8 Recent discoveries have revealed traces of this belief even before the close of the Paleolithic period. Several cases of burial have been