I FINE ND 1205 !.C374 11917 CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY Cornell University Library The original of tliis book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31 9241 0035661 1 THE MEMORIAL ART; GALLERY IS OPEN EVERY DAY FROM 10:00 A. M. TO 5:00 P. M., EXCEPTING ON SUNDAYS AND MONDAYS, WHEN IT IS OPEN FROM 1:S0 TO 5:00 P. M. FREE DATS: WEDNESDAYS, SATUR- DAYS, AND SUNDAYS. OTHER DAYS ADMISSION IS TWENTY-FIVE CENTS. MANY OF THESE PAINTINGS ARE FOR SALE : FOR PRICES APPLY AT TH E DESK OR AT' THE OFFICE OF THE GALLERY. THE MEMORIAL ART GALLERY ROCHESTER, NEW YORK CATALOGUE OF PAINTINGS BY THE PAINTER FRIENDS ENGLISH AND AMERICAN GARDENS BY A. C. WYATT PAINTINGS BY ROBERT SPENCER THUMB-BOX SKETCHES AND DRAWINGS BY OSCAR FEHRER AND LITHOGRAPHS BY GEORGE BELLOWS APRIL NINETEEN HUNDRED AND SEVENTEEN PAINTINGS BY THE PAINTER FRIENDS CATALOGUE GEORGE M. BRUESTLE, New York 1. New England Landscape 3. New England Pasture Lots 3. The Fields in Summer 4. Landscape 5. Connecticut Hills 6. New England Hills WILSON H. IRVINE, Chicago 7. A Midsummer Mood 8. The Northwest Wind 9. Essex Village GEORGE H. MACRUM, New York 10. Polperro Roofs 11. A Cornish Port 12. Lower Broadway 13. Old and New New York CARL J. NORDELL, Boston ■ 14. In the Arbor 16. Girl in Blue Dress 16. Long, Long Thoughts 17. The Garden Hat EDWARD C. VOLKERT, New York 18. Down the Lane 19. Ohio Valley Pasture SO. Morning in the Pasture 21. Resting ROBERT H. NISBET, South Kent, Conn. 22. The Mystic Hour 23. February Snow 24. Old Chestnut Tree 25. Emerald Robe GUY C. WIGGINS, New York 36. Summer Haze 27. Rockport 28. Clearing WATER COLORS OF ENGLISH AND AMERICAN GARDENS BY A. C. WYATT llllllllirilliilllllllllltlllllllllllllllliliiii 29. Ann Hathaway 's Cottage "Would ye be taught, ye feathered throng, With love's sweet notes to frame your song? To pierce my heart with thrilling lay. Listen to my Ann Hathaway ! She hath a way to sing so dear. Phcehe might, wandering, stoop to bear ! To melt the sad, make blithe the gay. To charm all hearts, Ann hath a way. She hath a way, Ann Hathaway. To breathe delight, Ann hath a way.*' 30. An English Cottage Home 31. Tulip Garden at Oyster Bay 33. Grand Border at Welbeck 33. Rose Garden, Santa Barbara 34. Gladioli Garden, Penshurst Place 35. Mixed Border at Hampton Court 36. Cleeve Priors, Worcestershire 37. The Glad Joy of Spring 38. Small Hathaway 39. The Garden of my Heart's Delight 40. Bog Garden and Daffodil Bank, Round Tower, Windsor Castle 41. The Garden, Great Tangley Manor, Surrey 42. Where Shakespeare Courted 43. A Warwickshire Cottage Idyl 44. Terrace at Eastnor Castle, Hereford 45. Topiary Garden, Levens Hall, Cumberland 46. Shakespeare's Garden and Birthplace 47. Daflfodil Glade, Windsor Forest 48. Clematis, Merton College, Oxford 49. Old Houses at Shottery, Stratford-on-Avon 50. Haddon Hall 51. Speke Hall 52. Old Elizabethan Cottage in Kent 53. Spring Border, Speke Hall, Lancashire 54. Caesar's Tower 55. Garden Lent by Mr. Carl F. Lomb 56. The Lily Pond iemt by Mr. Edward Baitsch 57. A Garden Lent by Mr. Edward Bausch 58. Lilacs, Highland Park 59. Delphiniums, Highland Park 60. Garden of the late Mrs. Howard Barrows Lent by Mr. William P. Barrows 61. Rose Garden Lent by Mrs. James S. Watson 62. Peonies Lent by Mrs. James S. Watson 63. Azaleas and Rhododendrons, Highland Park PAINTINGS BY ROBERT SPENCER TO BE EXHIBITED AFTER APRIL 12TH 64. The Closing Hour Gold Medal, Panama Pacific Exposition, 1915 65. Five O'clock, June Jennie Sesnan Gold Medal, Pennsylvania Academy of the Fine Arts, 1914 66. September 67. The Blackamith Shop 68. Court Yard at Dusk 69. The Peddler's Cart 70. Misty Evening 71. Village Lane 72. Three Houses 73. The Blue Gown 74. The Gray Mills 75. The Silk Mill Second Hallgarten Prize, National Academy of Design, 181S 76. Village by the River 77. The Court Yard 78. The Brook 79. Court Yard at Noon 80. One O'clock Honorable Mention, Art Club of Pbiladel- pbia, 1918 81. Spring 82. The Concrete Bridge 83. Shadows 84. Across the River THUMB-BOX SKETCHES AND DRAWINGS BY OSCAR FEHRER iiiiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiimiiiiiiiiiii THUMB-BOX SKETCHES 86. Provincetown. 87. A Town in the Tyrol. 88. The Chapel. 89. Old Court. 90. Among the Hills. 91. Up in the Mountains. 92. Red-roofed Barn. 93. Landscape. 94. In the Court. 95. Gathering Faggots. DRAWINGS IN CHARCOAL 96. A Young Mother. 97. Old Lady. 98. Oberammergau Type. 99. Italian. 100. Hebrew Type. 101. From the Bavarian Alps, 102. Old Frenchman. 103. French Inn-keeper. 104. The Applewoman. 105. Bavarian Type. 106. The Skeptic. 107. Jeanne. 108. French Journalist. 109. My Frame-maker. 110. Marie. ill. From Ireland. 112. German Type. 113. The Cook. 114. Fencing Master. 115. From the Rhine. 116. Four Score Years Old. 117. A Russian. 118. Music Master. 119. Adele. 120. An Old Roman. 131. In Thoughtful Mood. IN THE PRINT ROOM LITHOGRAPHS BY GEORGE BELLOWS 1. A Stag at Sharkey's. 2. Electrocution. 3. Mattinicus. 4. Two Girls. S. Solitude. 6. Reclining Nude. 7. Nude Study. 8. Nude Study. 9. In the Park, (second state) 10. In the Park, (first state) 11. The Sawdust Trail. 12. Introducing John L. Sullivan. 13. The Duties of Jurors. 14. Artists Judging Works of Art. 15. Benediction in Georgia. 16. A Street. 17. Statuette. 18. Workman's Kitchen. 19. Preliminaries to the Big Bout. 20. Reducing. 21. Hungry Dogs. 22. Mother and Children. 23. Family. 24. The Old^Rascal. 25. Studio. 26. Splinter Beach. 27. Artists' Evening. 28. In an Elevator. 29. The Novitiate. 30. Prayer Meeting. 31. Business Men's Class at the Y. M. C. A. 32. Between Rounds. THE object of The Memorial Art Gallery is to further the interests of fine art in the city of Rochester by maintaining exhibitions of pictures and statuary, an art library, and a collection of photographs and prints, which shall be a means both of pleasure and pf education for all the citizens of Rochester. In order that a large number of lovers of art in Roch- ester may share in making the Gallery useful and enjoyable for all the citizens, provision has been made in the By-Laws for membership in various classes. All members are entitled to free admission to the Gallery at all times that it is open to the public, and to all lectures, receptions and private views that may be con- ducted by the Directors. They are entitled also to the privilege of drawing books froni the library of the Gallery. Supporters and sustaining members shall have the privilege of free admission for members of their families and for visiting friends. A contributing member shall have the privilege of free admissions for himself and one other member of his family, v CLASSES OF MEMBERSHIP. 1. SuppoETEES. Persons who shall contribute two hundred and fifty dollars a year towards the maintenance of the Art Gallery. 5. Sustaining Members. Persons who shall con- tribute one hundred dollars a year, or more, but less than two hundred and fifty dollars. 3. CoNTBrBunNo Members. Persons who shall cour tribute twenty-five dollars a year, or more, but less than' one hundred dollars. i. Annual Members. Persons who shall contribute ten dollars a year, or more, but less than twenty-five dollars. 6. Associate Members. Any artist, school teacher, or art craftsman actively practicing his profession, may become an associate member of the Art Gallery upon payment of five dollars a year.