(QonuU HtnivecBUg Kibrani THE GIFT OF 'SlV. (X/. C."S UA-ft/V^-^L^ ™Si.m3I?.S:.^.'?.°.'J...P.f.»akiQrafi >nJ 1924 031 437 340 olin,anx The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924031437340 THE HAND-BOOK ETAKIGRAFY. GIVING BRIEFIiY THE PRINCIPLES OF THE CONTRACTED STYLE, AND DESIGNED EOB THE USE OF AMANUENSES AND VERBATIM REPORTERS. WITH AN INTEODUCTORY CHAPTBH ON THE SIMPLE STYLE. BY DAVID PHILIP LINDSLEY, jLuUior of " The Elements " " Tlie Manual," " The Notetalier," etc. POURTH EDITION. CHICAGO : D. KIMBALL, PUBLISHER. 1E9L y/iterea according to Act of Congress, in the year 1883, by i). P. LINDSLEY, in the Office of the Librarian of Congress, .Washington, 1). C. PREFACE. The following work is the first complete treatise on the new short-hand, Takigraf y. In its simpler form Takigrafy has been widely known, and is widely used ; and the Contracted Style, though previously but partially published, is used in all parts of the country. The Note-Taker was published in 1873 and Part I of the Reporter in 1880. The plates of both these works were destroyed in the Park Row fire of January 1883, so that the Hand-Book is now the only work on the Contracted Style of Takigrafy. The principles of the entire system have been condensed into this work ; but as the Simple Style is treated very briefly, the student is advised to master that style prac- tically by a study of either the Elements or Manual, as a prep- aration for the study of this work. Commencing with the Contracted Style, the system is given in detail, and will be found a complete and sufficient guide to reporting practice. Ample illustrations of the principles are given, (engraved in the Takgraflc character,) and the writing exercises, to which the student is especially referred, furnish more complete instruction for forming the outlines. No one can feel more keenly than the author, the inadequacy of even the best of text-books in an art of such wide and widen- ing influence. The uses of shorj-hand writing are becoming so varied that it is no longer possible to treat of them fully in a single volume. The different branches of strictly profes- sional work require a special treatise. Very much time has been squandered by young writers in learning outlines for words and phrases that they were quite sure never to meet again after their course of study was completed. Perhaps Preface. this cannot be avoided altogether, but the author has thought it advisable in this work to avoid technical and scientific terms, leaving them to be taken up as an after course, when the pupil has settled down upon some special line of reporting practice. ACKNOWLEDGMENTS. Many of the contractions used in the Reporting Style of Takigraf y are taken from the Phonography of Isaac Pitman, Esq., of Bath, England, as enlarged and improved by the experience of many writers. Takigrafy having added many forms of contraction peculiarly its own, has also been greatly enriched by those who have used it professionally during the last fifteen years, and has aimed to incorporatn everjthing of excellence that the combined experience of botli Takigrafers and Phonographers have furnished during a period of more than forty years. Among those who have contributed to the perfection of the Reporting Style of Takigrafy, arc Mr. D. Kimball, Chicago, 111., who gave his personal services to the art for many years, and who introduced it extensively in the Western States ; Adley H. Cummings, Law Reporter, San Francisco, Cal. ; C. H. Horrick, Galveston, Texas ; Arthur M. May, Waukon, Iowa, and E. B. Goodrich, Ypsilanti, Midi., (Official Court Reporter) ; Rev. W.^ A. Yingling, Findlay, Ohio ; Rev. J. H. Childs, Wenham, Mass. ; and many others. The author cannot, however, agree with those who suppose that the art has reached its fullest measure of perfection. It is doubtless capable of still further advances ; but these advances must be made by conserving the excellences already made practical. The authors of systems on other bases, dififer- ing from the Phonographic and Takigrafic, have contributed nothing, and, from the nature of the case, can hardly con- tribute anything to the general result. CONTENTS Introduction. Page Sect. The Value and Use of Shorthand 5 The Peculiar Advantages of Takigrafy .' Previous Works on Takigrafy 7 Preparation for the Study of this Work 9 Length of Time Required to Master tlie Art 11 The Scope of the Present Work .^ 11 The Magnitude of the Reporter's Profession 13 Simple Style, Chapter I.— Alphabet. 15 The Consonant Letters,— how written 1 The Joining of the Consonants,— General Principles 2 The Vocal Signs,— their Uses 3 General Principles of Joining Vocal Signs 4 Disjoined Vocals ■ 5 The use of the Variable Letters Position of Outlines 7 DIPHTHONGAL SIGNS.— The Wa-Series 8 Compounds of the El-and jl»'-Series 9, 10 The I Chapter I. — Simple Style. Alphabet of Takigeafy. Sec. 1. CONSONAUT Letters. Written Downward. II \\)) (C^^V.^ Be Pe Ga Ka Ve Ef Zhe Ish The Ith Tha tha Written from Left to Right. De Te Ze Es En Ing Ja Cha Written Upward. Variable. ^ cy^ c^ c^ ^ r y / Ea Wa Wha Ha Ya Em El Ar These letters are perpendicular, horizontal, or inclined to the left at an angle of 45 degrees. The up-strokes are inclined to the right at an angle of about CO degrees from the perpendicular. The downward ar is written at an angle of about 27 degrees. The letters The and Ith, are reversed into Tfm tha. The curves are quarter circles, and unite witlj each other and the straight signs into definite geometrical forms, making angles right, acute, and obtuse, or joining without angles. This will be seen in the following illustrations and exercises. 15 16 The Hand-Book Sec. 3. The Joining of the Consonants. After mastering these letters thoroughly, by drilling on them as taught in the Manual and Elements, they may be joined as shown in the following illustrations. General Principles op Joining. 1. — Acute angles are better than obtuse; but joinings with- out angles, are better still. 2. — Facing curves are better tlian opposing curves. Remark 1.— Where there is a choice of outline, the rapidity and beauty of the writing will depend very much upon the observance of these principles. Rem. 2. — These illustrations form an excellent seiies of drills, and the student should drill on them, taking one at a time, until they can be written with facility and accurateness. Right Angles. Acute Angles. A V^ K _>1 1_ _^. ^ )^ (^ Opposing Curves forming Angles. -^ ^ L, <^ ^ straight Lines Joined without Angle. \ \ OF Takigrafy. 17 straight and Curved Lines Joined without Angle. .N > ^ , ^ n -^ r^ n^ r\ r\ r — ( — Hem. 3.— The letters Be-El, Ma-Be, and some others given above, would form augles if made with perfect accuracy, but it is better in writing that this stillness should be avoided and the letters .ioined without angle. Facing Curves Joined without Angle. c c^ • n o o ^^ r~^ r-> r:). cy c ") opposing Curves Joined without Angle. I \ s Rem. 4.— The student should drill on the above .ioininff until each outline can be, struck with one sweep of the pen, in a rapid and graceful manner. Sec. 3. Vocal Signs. ^ Heavy and Long. Semi-circles. Dots. Dashes. Diamond Points, n c u _ M / ^ -^ E A Ah Ai Oo Au Light and Short. Oi ow A U - Cl y V A i a e 00 u I Eu The Use of the Vocal Signs. All of the vocal signs may be joined in writing except the dots. They may, however, where it is more convenient, be used disjoined. Their use will be understood from the follow- ing : 18 The Hand-Book Sec. 4. General Pkinciples of Joining. 1. — All vocals if joined, must make a distinct angle with the following consonant. On the end of a consonant the semi-cir- cles except A-long, form hooks, as in the examples above. 2. — The full form of the long vowel is preferred to the hook where both are equally convenient ; but for the short vowel the hook is preferred to the full form. 3. — Dash vocals must make an angle with both a x^eceding and a following letter. 4. — Either side of the diamond points may be curved where more convenient in joining. Vocals Joined. Beat bit caught cot coat cut coin gout \f^ vo ~^ ~^ r^ r— \_ V— Bar barrel deep dip meet mid gate gat His has Qght fit suit rude rudder Sec. 5. Disjoined Vocals. The dots are always disjoined, and other vocals may be disjoined for convenience at any time. 1. — If the disjoined vocal is to be read before a perpendicular or inclined stroke, it is writen on the left of it. If read after, on the right. If read before a horizontal stroke, it is written above it. If read after, it is written below. 3. — The heavy dot belongs with the preceding consonant and the Hght dot with the following. They are placed near the middle of the letter, and are written near the end of the consonant which follows them, except in words ending in a disjoined vocal, where it must be placed near the end of the preceding consonant. OF Takigkafy. 19 Vocals Disjoined. )>^ }^ i> \r -^ Fair ferry far come do tone ^ ^ V Fade favor father feather southern lover Eem. 1. — The variations of the 0-loiig*and w-short, are for convenience in joining, and the fonn is chosen that makes the sharpest angle. Eem. 3.— The semi-circles are joined by a connecting strolie in a tew cases but this can be avoided by disjoining the vocals. Rem. 3.— Obscure vowels are not written, and unaccented vowels may be frequently omitted, but long and accented vowels should be written in the simple style in most cases. Eem. 4.— The omission of silent letters, and the use of letters adapted to the sounds employed, in place of the old spelling, is understood to lay at the foundation of the System. This feature is amply explained and illustrated in the works devoted to the Simple Style, to which the student is refen'ed. These principles will be better understood by consulting the following Examples. L. ^ V u c'A^ — «-, 1. — Deed, did', v/eak, wiclied, ticket. 2. — Detect, auditory, essential, emotion, token. 3. — People,' pauper, copper, form- ation, location decision. 4. — Side, niece, tune, cube, pipe, navigate. 5. — Public, aiTogate, animal, balcony, tendency. 6. — Heresy hair, wear, emergency, firmament. 20 The Hand-Book Note. — In common practice the disjoined' vocals in the words wicked, ticket, essential, decision, public, tendency, and heresy, given above, are omitted. Sec. 6. The Use of the Variable Letters. The general principles of joinings given in sections 3 and 4, determine the use of the letters which admit of variation. They must be so used as to make acute rather than obtuse angles in case of straight signs, and curves that are homoge- neous. These principles apply both to the joining of the large letters with each other, and the joining of the small letters with the large. The application of these principles will be understood from the following Examples. ■^^ ^ V Sec. 7. Position of Outlines. 1. — The outline of a word is its form as it stands in the writ- ten page. This outline has a relation to the line of writing. The first perpendicular or inclined letter in it, if it has such a letter rests on the line of writing. All letters which pre- ceed or follow this, follow their own natural direction with- out reference to the line. 3. — If the outline contains only horizontal strokes, it rests upon the line. Rem. 1.— Note that the consonant stroke rests on the Une, the vocal signia not regarded, but follows its own proper direction below, on the line, or above, as the case may be. Rem. 2.— It the word contains two or more consonant strokes, the outline rests upon the first perpendicular or inclined stroke, even If that chances to OF Takigkafy- 21 be the last stroke in the word, as in the word centennial, in the examples below. Eem. 3.— Upstrokes are inclined letters and determin the position of the outline the same as the descenders. Rem. 4.— It is not necessary that the paper be ruled. The proper place for the line will be known though no line appear on the paper. See Manual, page 38. Illustrations. DIPHTHONGAL SIGNS. All the words in the language can be written with the use of the signs already explained ; but greater convenience and beauty of outline is secured by the use of the diphthongal signs which represent the union of such letters as pr in pray, pi in play, sp in spy, ps in hops, &c. Eem.— It would be theoretically possible to indicate eyery union of conso- nants without an intervening yowel by a compound sign ; but this is not always convenient. The compound signs used in the simple style are diph- thongal in character, and of frequent occurrence. Sec. 8. The Wa Series. Qu, Dw, Tw, Gu and Thw. Of these Qu, Div and Tw, are the most important and are provided with brief signs ; but they may be written with the alphabetic signs, which are also given below : The full forms are generally employed in the simple style, the briefer forms given under them in the contracted style. Eem.— The full forms are named Ka-Wa, De-Wa, &o., from the Alpha- betic signs of which they are composed. The briefer signs are named (^ua, Dwa and Twa. Qua Dwa Twa V/ G a-Wa Tha-Wa 22 The Hand-Book Examples of the Full Forms. Quick language dwell twit thwart Sec. 9. Compounds op the El and Ar Series. These signs form two series — an initial and a final series. Some of these signs are used both initially and finally, and are named Pta,pra, &o., when initial, Pel, per, &c., when final. Those that belong to both the initial and final series are the following : 1 r 1 r ^ ^ ^ "s Bra bla pra pla gra gla kra kla Ber bel per pel ger gel ker kel c I. 5 J> 7 '^ Dra tra fra fla shra thra Der ter fer fel Used Initially. sher ther v IT ir [r ^Nv^ \r room bloom prim plum grim glum 'X/' Kr Crime clime dram tramp from friend / Z- L_ ^\_ ^V^ :> / Flame flute shred thread Used Finally. throng thriU •f' \ k i ^ > 3bble pepper beggar buckle fitful pressure Sec. 10. Additional Signs. The following signs also belong to the final series. c_ c_ J? "> ^ ^ ^ Del tel vel ver ther nel ner Ingr OF Takigrafy. 23 Examples. L. i^ y ^ ^ ^ \^ Peddle bottle oval over other owner kennel Genekal Principle. The signs used initially are employed 'in all cases, those used finally only where they are more convenient. Eem.— The appropriate use of these signs is important to the formation of a good style. The signs may be said to be convenient when they form good angles, and admit the use of the vocal signs where they are needed. Examples. Able table noble double rabble rebel ^ < ^ -^ ^ ^ ' Eagle ogle bugle tackle fickle rascal The compound signs are used in the following words : Note. — Words having only initial compounds are not given here, since they all use the compound signs. Opal, upper, cooper, copal, suffer, sober, bubble, pebble, sample, simple, temple, tfample, tremble, member, mumble, number, limber, a,mber, timber, eager, ogre, meagre, meeker, local, vocal, focal, ducal, buckle, bugle, bigger, beaker. Model, medal, muddle, metal, peddle, puddle, bottle, evil, awful, oval, over, sever, mover, rover, rougher, tougher, measure, treasure, leisure, pressure. The alphabetic signs are used in these words : Neighbor, saber, able, enable, unable, disable, rabble, sable, table, dabble, babble, bible, bauble, papal, paper, chapel, pauper, maker, raker, wriggle, boggle, draggle, toggle, tackle, wiggle, tattle, tatter, tutor, prattle, brittle, brutal, favor, savor, fever, never, lover, deliver, silver, leather, lather, rather, gather, bother, harbor. Sec. 11. The S-Circle Series. The sound of s unites with that of some other letters both initially and finally. In such cases it is jrepresented by a 24 The Hand-Book circle written on the right and upper side of the straight lines, and on the inside of the curves : P ^ c^') rev y or ^ o^ Sp sk st sf sm sn si si sw spy sky stay sphere small snow sleet slap sway ps ks (x) ts fs ths ns Is rs On the end of the heavy signs the circle is written for 2, as also on the liquids, Em, En, El and Ar. t\o_D ;i ^ r ^ ^ 3 ^- Bz gz dz vz thz mz ngz nz Iz rz Sec. 12. The Cieclb Used Medially. When the circle occurs between two straight signs it is written on the outside of the angle. Between a straight and a curved sign it is on the inside- of the curves ; and be- tween two curves it is written on the inside of both; other- wise it is written as most convenient, as wiU be seen Ln the following illustration and examples. Illustration. The circle is used primarily in cases where it unites with the consonant without an intervening vowel. But its use is also extended to cases where an obscure vowel, small dot or short u occurs between the s and the letter to which it is attached. OF Takigrafy. 25 N> Guess Examples. ashes luscious wages Examples. <3^ scepter section ^ ^^ ^ .^ L-^ KEY. 1. — Breast, guest, desk, rest, crest, west, blest. 2. — Zest, nest, test, drest, trustji, chest. 3. — Success, succession, secession, procession, retrocession, posseses. Sec. 13. The Circle before the Compounds of the El AND Ar Series. Between two straight letters the circle on the left or upper side implies the r ; in other cases when the cii'cle occurs be- tween any sign, and the compound of the El or Ar Series, the hook appears. Examples. V_\ -11 Excrete exclude express bespread restrain describe 5. — Es BEFORE Compounds of the El and Ar Series. In the Simple Style of Takigrafy the Alphabet form of the Es is used before compounds of the El and Ar Series, wherever the circle is not convenient. Examples. Extreme explore disclaim abstract fiscal 26 The Hand-Book Eem. 1.— If a vowel precedes s in the beginning of a word, or follows it in the end, the long sign is used, except in a few cases where the vowel may be joined to the circle. astronomy ostensible auspicious austere austral Eem. 2. — When two vowels cr a diphthong precede i the long sign is used Science congi-uous theism theistic Sec. 14. The Tekminations ion, ier, ure, &c. The terminations ion, ier, and ure, are generally vs^ritten yon, yer and yure ; so also yu is used for w-long in many cases. The words brazier, glazier and measure, pleasure, &c., are written niezhr, plezhr, &c. For convenience sake, oo is written for w-long after Ya, and in some other cases where it is more convenient, as in the words communion, community, &c. Examples. r? ^-7 KEY. 1. — Christian, clothier, natural, measure, treasure. 3. — Communion, community, opinion, unite. Rem. 1.— A few word-signs and phrase-signs are used in the Simple Style, and obscure and unaccented vowels are omitted wherever they are not necessary to legibility. For these features and an elaboration of the princi- ples briefly sketched in tfie preceding pages, the student is referred to the Elements of Takigrafy and the Manval, whicli shud be studied by all persons who wish to use Takigrafy for correspondence or for business purposes of any kind. Rem. 2.— Those desiring to pass through the Simple Style merely as an introduction to the Contracted Style will find it to their advantage to OF Takigrafy. 27 reduce it pretty thoroushly to practice before taking up the contractions. Tlie supposition tliat it is a loss of time to do so, is not supported by experience. A tliorough mastery of tlxe Simple Style, is the very best preparation to success in the Contracted Style. Rem. 3.— The Simple Style may be written at the rate of 80 to 100 words a minute, and even more rapidly than this, and the student should not re- gard himself as having successfully reduced this style to practice until he can write at least 70 to 80 words a minute. ' Eera. 4.— For reading lessons in the Simple Style, which are necessary to a full view of this style, see the Takigrafer, issued serially, at one dollar a year. Sec. 15. Shortened forms used in the Simple Style. In the practical use of the Simple Style obscure and unac- cented vowels are generally omitted ; also the dot vowels and the disjoined dashes, wherever they are not necessary to legi- bility. More than half of the vowels may be safely omitted by the proficient writer of this Style, and in some worde of frequent occurrence all the vowels may be dropped. Words in which the vowels are omitted : I I \ _ _ ) ^ ^ "^ Be,been up go do to,it of us, so the thag' r — ^ <^ c^ c.^ ^ d^ c^ Am, may an, on- are we were where you he he^s The following may be used as word-signs in the Simple Style : = _V O _ ' ^ ^ ^-^ u 3 A Which will as, is who all how of the have in ye And could should that would what had his.has Phrases formed by connecting the above : -/Q. — ^ ^ "^ .^ c^ ^ t Of the, in the, to the, of all, of this, of which, we had, he has, who has. 1 a k. ^5rs \^^ -TV-^ -^ Ihave been, to do, that is, they have, this is, that was, itmaybeso, youandT. ^ Tou should be. what is that, what would you do, where is she, here she is. Other shortened forms admissible in the Simple Style. It is now, I was, use, use of some, the same, at any time. 28 The Hand-Book l^ ..-^ ^v^ A/ ..-a. CONTEACTED STYLE. Chapter I. — Word-signs. The abbreviations employed in the contracted style of Ta^■ kigrafy may be classed under the following divisions : 1st, Word-signs : 3d, General contractions ; 3d, Prefixes and Af- fixes ; 4th, Phrase-signs. Sec. 16. Classes of wokd-signs. Definition. — A word-sign is a Takigrafic word-form short- ened by omitting some of the letters used in writing it fully. Word-signs are formed by special and sometimes irregular modes of contraction, which apply only to the words spe- cified, or to their dofivatives. The characters used for word-signs are, — a. Letters of the Takigrafic alphabet, b, Compound signs, c. Combined signs, d, Signs irregularly contracted, e, Contracts. /, Common abbreviations. Class b consists of the secondary letters of the El, Ar, and Es-series of compounds. Class c contains a consonant and a vowel. Class d comprises word-signs which employ one or more of the final letters of the word. Glass e contains two or more consonants. Class/ contains common abbreviations such as A. B., P. M. Note. Classes a, b and e are combined with Tables 2 and 3. Classes d, e and/ correspond with Tables 4, and 1. Word-signs may be further classed as Primitives and Derivatives. A Primitive word-sign is the simplest form in which it occurs ; a Derivative word-sign is any modification of such Primitive form. A table of Primitive word-signs is given below, with a few specimens of derivative signs. 29 30 The Hand-Bock Note. — General principles of contraction enter, in some cases, into the formition of word-signs. These prhiciples are explained in succeeding chapters. Letters writhcii half-length imply at or d after them. Lengthened cui"ves mply dr or tr—a, double circle, s-s or s-e—a, small final hook n. There are als ), other foims of contraction which are explained in their proper place. Rem. Words derived from those given in the table are written by adding prefixes or affixes which are explained in future chapters. A few examples are given. TABLE OF WORD-SIGNS. 1. — Common Abbreviations. ^ Mr. c 1 A. B. C 1 Jan. r^ Mrs. A. D. \ Feb. r Miss. c r A. M. r-- March e Master r M. D. n April /) Rev. ) Ph. D. r May ^ Hon. 1 r P. M. «-= June Prof. 1 .^ P. S. ^ July % Rec'y D. D. hath /^ may, more J least are, or J value • ^ immediate / our, hour " ) 3 for, fact from yesterday them thy — ^ new U.K. _y Lord, will 1^ ClJ. heart general either southern ^ S alone J) whole c generation ( child which 4. — Irregular Signs. ( advantage r-N was ^^ such A> almost ( wish r- much • ^ inherit ^ -i injustice;^ J 1 '^ P external / ^ inward ? pleasure ? sure 7 short D official Uj accomodate n each ^ when p always • -s ^ outward conversation and, hand &c. OF Takigrafy. 33 Contracts. E.P behave / l^ companion I benevolent ' x. accompany ^ benignant "^ haphazard K bethink '} applicable \ bespeak f probable 1 inhabitant t perhaps \ breakfast \ practice 1 brilliant \ prognosticate public publish '1. apprehend h passage \ impregnable ■^ passenger " n, implication k. postage f plenipotentiary popular 'h conspicuous K peculiar ) superincumbent \ pecuniary L superintendent 34 The Hand-Book > govern example aggregate congregate gratitude congratulate gubernatorial signify-icant signature , suggest capable culpable because become became character D. T ~T / O-T^ collect correct expenditure consequence difficult doctor deficient denominate downward designate discrepancy discontinue indignant indiscriminate derange delinquent OF Takigrafy. 35 ^- 'contradict > form ^ contiguous - ? efficient ^ contemporaneous °\ sufficient " constitute \ ^ fourth ^ integrity \ forward ^ intangible \ afterward IB instruct 1 infidel =^-=^ intelligent ^ infatuate °-^ strength ^5 inoffensive V. F vegetable I frequent ZhWo. vocabulary - C- engineer vengeance / J? usual V volume \ thanksgiving 1 involve a ambiguous ^ overwhelm r^ magazine I • figure '^ malignant 36 The Hand-Book y /^~^ manipulate / ^ Baonopoly r^ manufacture r memorandum ^ number " \ neglect ^A^ nevertheless ^_^.^_, New England — -^ knowledge 1 newspaper nondescript notwithstanding ^ endeavor *0 individual ■^ ^ intermediate _^\^ length /I language represent re-public-ation-ish repugnant regular respect- remark railroad exterior extraordinary world universe uniform unanimous union household OF Takigeafy. 3 7 1. X^ o c V_ii^ :a- V ^ 2_ 1 \- V. L/- /_ . ^_ '— ^.i^ C.I. ^. . 1B85L. u — (^15^ c . 1^, /— ^ \^ f7 , T 3 • 1 Y) U^''""*^ .- ^ ^ •T ^ c / ^ . "c-y c^ -U^ _ ^ ,^ ^_ .^^ .-^ Ol ~\^ ^ ^_ c_ ^ '^ ^^ c 38 The Haxd-Book Key to Reading Lesson 1. Exercise on the Word-Signs. 1. — The way of the righteous 's as a shining light. 3. —The day, the time, the path, the goal, the glor}-, the place, the piaise. 3. — In the, on the, for the, to the, though the, through the, have the, all the. 4.— John Jones, A. B. A. D. 1883. Adam Smith, A. M. (5) in account with Samuel Sampson, D. D. The Deputy Post Master General, at (0) Washington, D. C. Perhaps the prin- cipal object in our meeting together, (7) is to consider the sub- ject in all its bearings. A knowledge of the (8) principles of language is of general utility. Notwithstanding the advantages of the (9) measure a large number of gentlemen were disposed to call it (10) in question. To him that hath shall be given, and from him (11) that hath not shall be taken even that which he(13) seemeth to have. They have taken advantage of your remarks. 13. — A large nuTnber of persons were present. Would you be wise, (14) five things observe with care, of whom you speak, to whom (15) you speak, and how, and when, and where. Writing Exercise 1. Write the following with the signs given in the table. About above accommodate accompany according account advantage afterward aggregate all almost alone already also although altogether always and any anything appli- cable apprehend ambiguous are as average. Became become because began begin begun be been before benevolent benignant bespeak bethink between breakfast brief brilliant brother business by. Capable character child collect companion congratulate congregate consequent conspicuous co/istitute contiguous contemporaneous con- tradict conversation correct culpable. Dear deficient deliver denominate derange delinquent difficult discontinue dis- crepancy doctor designate dollar downward dull dwell. Each efficient either employ endeavor England English engineer establish evening example expenditure explain ex- terior external extraordinary. Fact figure first for form forth forward frequent future from. General generation give OF Takigrafy. 39 given glory govern gratitude gubernatorial. Habit hand Iiap-hazard happen happy has hath have he head lieart high him his home household liope how. Idea idle if in immediate injustice important implication impregnable indignant indiscriminate individual infatuate infidel inha- bitant inherit intermediate inoffensive instruct intangible Integrity intelligent involve inward. Just. Kingdom knowledge. Language last least length Lord. Magazine malignant manipulate manufacture ma}' memorandum monopoly inuch more. Neglect never never- theless nev/ newspaper notwithstanding number nondes- cript now. Object official opinion opportunity or our out outward overwhelm. Passage passenger postage popular peculiar pecuniary perhaps practice probable prognosticate pleasure principal principle public publish. Regular re- mark reply represent republic republication republish repugnant respect rule. Satisfy' secretary school several short signify significant signature speak 'special stipulate still strength subject such sufficient suggest southern superincumbent superintendent sure suspect. Take taken tell till thank thanksgiving thing think them the there thy together truth. Unanimous uniform union univei-se usual. Value vegetable vengeance vov}' vocabu- lary volume. "When which while who whole why will wish with without world. Ye yesterday you your. A. B. A. D. A. M. B. C. Capt. D. C. D. D. Exec'r Gov. Hon. M. C. M. D. Ph. D. Master Miss Mr. Mrs. P. M. P. O. P. S. Pres. Prof. Sec. Jan. Feb. March April May June July August Sept. Oct. Nov. Dec. Write these derivatives with word-signs with added letters. Advantages objects principles manufactures republics engineers. Accountable remarkable having employing re- plying dwelling engineering. Objected represented respected. Hopeful wilful truthful. Forever whoever however when^ ever. Irameaiabely generally hourly surely shortly officially. Former collector satisfactory manufactory manufacturer childish glorify. Idleness newness individuality. Chapter II. — Extended Use of the El and- Ar Hook-Signs and other Compounds. Sec. 17. Additional Signs. 1. — In addition to the signs of the SZ- and .4?"- Series, used in the Simple Style, and explained in Chapter I, we have the fol- lowing large hook signs. DOG '^^ c^ o^ U ^ CL Zhel shel mel ingl wel whel yel hel quel 2. — The signs ^ta, Dwa and Twa have small hooks, as pre- viously given. See page 21. The sign Qaa is shaded to imply r ; and, with the enlarged hook, it is shaded to emply rl, as in the examples below. fl. — The series of the r-hook signs may be completed by using the hook on Em for mr, the tick being used for hm. Examples. Quail dwindle twaddle murmur farmer ? r\^ " c\ "^^^ o^^ o< Shelf ambrosial multiply knowingly wealth whelm C^ C^ . ^^ - ^^_ /V <:l Yellow help quality equality acquire querl Eem. 1. —Observe, that Quel is reversed when it is preceded by • ^-long. Eem. 2.— These signs Qua Dwa and Twa excepted, are not strictly fonetic in their use. They admit a vowel between the letters represented by the com- pound sign. They do not, however, allow the introduction of long or accented vowels. It would not do to use these signs in such words as shaaU shawl, wheel, weal, Yale, &o. though acquire forms an exception to the general rule. 40 The Hand-Book 41 4. — Hooked Signs for zl and si. Zl and si are generally written with the circle on I, but there are a few cases in which hooked signs may be used with advantage. Examples. C-S O _C^ ^irS ^^ r- ~s Zl si dazzle nozzle Russell tassel Eem.— These are new signs in Takigrafy, being introduced into the Hand Book for the first time. As they are not indispensable, the circle can be used in their place, by such writers as prefer to do so. Sec. 18. Large Initial Hooks on the Straight Signs. Some writers enlarge the hook of the r- series of compounds on the straight stems to imply I, and the I- hook to imply r, forming the following additional signs. Bier pier gler cler brel prel grel crel drel ti-el ^ Examples. prelacy collateral inaugural clergy bugler templar Rem.— These sighs are not considered as either necessary or important, still they furnish convenient outlines for some words, and do not conflict with any other signs. Sec. 19. Large Initial Hook on Ve and Ef. A large initial hook is used on Ve and Ef, to indicate the syllables pre and pro, as in prefix, provoke. Examples. O^ O^ ^Q Q_ ^1_ ru. Previous prefer profess profit provide , previse For other words in which this hook is used see writing ex- ercise 3. Sec. 20. Zhe and Zher used for Ja and Jer. Zhe and Ish are used for Ja and Oha in some cases, and more especially for nj. ZJier, and Sher, are in like manner used for jV, and chr, and Zhel torjl. 42 ■I'Hs Eaito-Booz. Examples. •Ly V -7 -7 X ^ 3 I V Agile angel danger teacher fragile French bachelor Rem.— These signs are employed only for convenience and brevity, and in cases where they are not convenient, the full forms shud be used in their place. Sec. 21. Miscellaneous Compounds, Emp, El-r, Eel, Arch, Arj. 1. — Both Em and 3fa, are shaded to imply p, as in limp pump trump stump tramp stamp 2. — Both El and La are shaded to imply r, iar and ier, Ra is shaded to imply I, and Ar to imply c/i and j. Examples. Miller familiar relative barrel torch charge 'Sism.—Ar is shaded near the end only to imply cA, as will be seen in the examples : but is shaded throughout for rj. Sec. 23. Use op the Compound Signs. The sifrns of the El, Ar and Es series of compounds are purely diph- thongal,— that is they are uttered with one impulse of the voice, in such words as play, pray and spy. In these cases the compound sign is always used for pi, pr and sp. Bl in the word noble, and Tid in the word kennel, are less closely united than hi, in the word hlow, and are examples of a secondary use of the com- pound sign, as is also the shs in lusciffus, ys in righteous, &c. The letters rj in charge, rch in church, mp in pump, Ir in miller, and rl in barrel, &c., are also united in sound, and are written by the use of the compound" signs previously explained. Where a vowel occurs between the two letters indicated by the compound sign, we have a second step of departure from the purely diphthongal use of the signs, and this divergence is increased by every inm-ease of the openness or length of the vowel inserted. It is a greater departure from the correct principles of writing to use a compound sign where a long vowel in- tervenes, like a or o, than with a short vowel, like «-short or i-short. Only short and obscure vowels are generally allowed to be introduced between the compounds of the I and r series. OF Takigrafy. . 43 We have then these prmoiples of joining : General Principles. 1. — The signs of the L and R series of compounds are used ; a — Where purely fonetic or diphthongal. 6 — With the first and slightest departure from their fonetic use. c — In exceptional cases only, where the letters of the compound are separated by a clearly pronounced vowel, d — Still more ex- ceptional, where the intervening vowel is either long or accented. Eem.— A fifth case may be noted in tlie old Fonograty, where two vowels or a diphthong are inserted between the parts of a compound sign. This is never allowed in Takigrafy. These principles will be better understood from the follow- ing applications : 2. According to these principles the Ma may be used in culture, collect, college, but not in keel, cole, chyle. The fcra may be used in comer, kernel ; but not in core, cure ; and Tel may be used in tell, till, more appropriately than in tale, tile. 3. — The use of the compound in call, dear and sure, tho tol- erated, is contrary to these rules, as is the use of the circle in the words case, seen, south, use, house, theze, uze, haz. Such exceptions are admitted, only in case of words of frequent occurrence. 4. — It must not be infeiTed that the compound is to be always used wherever it is theoretically allowable. It is allowable in the words current, eurage, &c., but the full form is niore convenient. Sec. 23. The Tick Used for Ha, Wlia and final y. 1. — The stem of the Ha and Wha is omitted before De, Ve, Ef, Ith, Tlie, Ma, Em and El, and the tick used for these letters. 2. — When h precedes the Mer, it may be written by thick- ening the hook. Examples. J J ^ ] ) \ Whole while head heavy half hath 44 The Hand-Book /" /D )^ L^ KEY. 1. — Alas, ails, allies, alleys, allays, allows, alloys, alias, 2. — Eels, isles, eyeless, oils, owls, awls, lazy, lace, lees. 3. — Lease, laws, loss, lows, loose, lose, lies, lice, louse, 4.— Else, lass, less, lays, Alice, Elias, Ellis, Elsie, 5. — Lacey, Lizzie, Lois, Lewis, Luce, Lucy. Rem. 1— While the forms given above may be regarded as absolute, to be used when they stand alone, some of them may be abbreviated in cases where a given word occurs with great frequency. These phrases may be made more or less definite as required. ->v j^ y .^-^ > j^ Laws of honor laws of the land laws of God. Loss of honor loss of the land loss of good. Illustration. No 'No "\5 No \_^ Vv— \^v \< \d \o\-t y r^ r^ r^ ^ ^ ^ A,^^ i= rT -tT c^ <^ ^-^Vn No-<__ ^ OF Takigrafy. 55 The preceding cut gives the best outlines for the words of several groups. Where an outline is used for more than one word, the additional word or svords, as given in the following key, are enclosed in parentheses. KEY. (1.)— Apes opes pass (ups puss) pace (pussy poesy) pause (paws pose posy) oppose (compose) peace (piece peas) pays pies pious poise. (3.)— Sap (sup) sip sop soup soap spy spew Esop Ossipee asp ekes aolies, (3.)— Oalcs ox ax case chaos Itiss cause accuse keys cooes cows. (4.)— Sake (sick suck) seek .soak sock ask some (sum psalm) seem (seam) same assume meys (miss muss ems)4aa>as moose. (.5.) — Moss mace (mussymossy) maze (mazy maize) mice mouse ^jflig amass (amaze) alms amuse emus. (6.) — For tbe sa,kR of. you seem, the same, we seem, (with some) , we assume, we oppose, keys of knowledge, kiss of peace. Eem. 1— Many words containing st, are written with the halved s as taught in chapter VI, instead of the circle on the Te. Rem. 2— The words seem, fiainc, sake, and some others, lose the vocal sign in phrases. The word same is almost always preceded by ^ J ^ J ^-A^ ^ < ^ r ^\r . KEY. 1. — St-b, st-p, st-g, st-k, st-gr, st-kr, st-dr, st-tr, st-3-, st-r, st-rl. 2. — Strj, strch, stv, stf, stzh, stsh, stz, sts, st-the, st-ith, st-tha, st-tha. 3. — St-ma, st-mp, st-em, st-emp, st-n, st-ng, st-la, st-el, stl-r, Examples. ■^ ^f \ "^ ^ / ^c y y ^ KEY. I — Step, stub, stag, stagger, stutter, stir, sturgeon, starch, stairs, sterile. 3 — Stem, stump, stamp, sting, stolid, stillness Rem.— The initial loop is not convenient on the r-hook side of Be and Pe- nor on the upper side of the Se and TV, but there is no theorefeal objection to using them in these cases, if any one wishes to do so. 60 The Hand-Book. 61 2. The Final Loop. } 5 J ^ ^ r ^ j> ^c^cj ^ KEY. 1. — Bst, pst, blst, plst, brst, prst, sprst, spst, gst, erst, cist, scrst. 2. — Vst, frst, flst, thrst, qust, mst, nst, 1st, rst, wst, yst, hst. Examples. e % ^ ^ ^^ V ^ ^- '^ KEY. 1. — Blest, prest, suppressed, drest, trust, classed, crust, thrust, quest. 2.— Just, chest, tempest, fullest, behest, molest, wingest. Sec. 33. The Use op the Loop. 1. — It will be observed that the loop represents the sound st, written Ste : hence its use is not fonetically necessary, being a mere abbreviation, used for convenience and for greater brevity. It should be used only where convenience and brev- ity require it. Theoretically, it may be used on all simple letters ; but the loop is inconvenient on De and Te, Bra and Pra, and not very easily made on En, Ing, and some others. Where the use of the loop is inconvenient Ste should be used instead. Eem —The initial loop is never used on the straight signs of the M series of compounds, nor on the signs Wa, Ta, Ha. Ja and Cha. It cannot be used initially on any curve commencing with a hooli. Sec. 34. The Sir Loop. l._The st loop is enlarged to imply the addition of r, as \, b c^ c^ ^ -^ ^ ^ Pest pester jest jester last luster classed cluster 62 The Hand-Book Eem. 1.— The small loop is one-third the length ot the letter ; and the large loop two-thirds its length. Eem. 2.— The str loop is not used initially as a general contraction. < Bern. 3.— Observe that the str loop is used to Indicate the addition of r after an st loop, not to indicate the use of str in all cases -, and the f oUowi-ig principles should be carefully studied. 3. Where s follows the loops it may be written on the opposite side of the stem, as in the examples below ; but where three s^s occur, the long sign is used for one of them. Examples. V ^ X^ /^^ a^ V, Casts casters forests recesses processes successes 3. The str loop may be used on the Be, and be followed by Ka in obstruct and some other words. Sec. 3-5. Circles and Loops. 1. — The use of the circles and loops are governed by similar principles ; we write : t b I) k r' r ,^ 9 ^ Pass passes past pastor muss must muster frost fullest a — The circle is not used in pace, nor the loop in post, poster, cloister, &e. , where a long vowel or. diphthong precedes the s. b — Where a vowel follows st or str, as in the words testy, pastry, the loops cannot be used. Hem. 1.— The shortened and lengthened Es is used for st and str in some cases where the loops cannot be used, OF Takigrafy. 63 2 A. I \ \ U^^ ^ -^ > ^v^ -v^^ ,-^ /^ 64 The Hand-Book Writing Exercise 6. Use the S^e-loop in the following words : Stub stubbed stab stabbing stabber step stepping stepping- stone step-child stipulate stipendiary stag stagnate stagger staggering stigma stuck stucco stock stock-jobber stockade stocking stutter. Stem steam steaming steamer steam-pipe steam-car steamshin steam-vessel stea&i-packet steam-power steamers stamp enstamp stamp-act stamping stamn-collector stomacli stomach-pump stimulat e stimulus, ^-c^' " ,/ Star stariy starboard starch starched stark starlight star- ling starter startle stereoscope stereopticon stereoscopic stereoscopist stereotype stereotyper sterile sterility sterling stir stirring steer steering steersman steerage store store- house stores storage. Use the J7si-loop in the following- words : Taxed (taxt) text waxed (waxt) vexed next mixed fixed hop'st weep'st wing'st winced bounced renounced lanced fenced (fenst). Worst forced enforced endorsed reversed discoursed burst. Best bust blest guest guessed gust dust test jest just. Pressed breast crest dressed trust thrust wishest wisest. Vest west rest zest hast ripest fullest cool- est molest suppressed encrust distrust. Recast repast ssir ^arrassert embossed addressed entrust redressed. Interest manifest alterest expressed compressed depressed repressed ante-past. Most last lost least uppermost utmost rest erst cursed forest. The Ster Loop. Pester fester faster vaster lustre duster pastor castor jes- ter muster bluster cluster shyster songster fluster rhymster teamster sinister Chester Rochester Dorchester Manchester Minster monster impostor Lancaster plaster forester chorister. The circle after a loop, &c. : Pests pesters casts castors dusters festers clusters songsters monsters punsters teamsters choristers. Infests molests recasts repasts jests jesters suggests. OF Takigrafy. 65 Groups of Words on Single Stems. Use the loop in these words : | Best bust boast. Pest past hopest apest suppesi. Guest gust cast Dust test Vest vast fast breast. prest blest placed. crest crust crossed. trust dressed. Frost thrust just jest chest. Fester cluster bluster. But not in these : Beast boost based abased biased abused bestow beset. Pieced paced opposite appo- site opposed spaced supposed. Ghost goest kissed coast. Dosed dowsed testy tasty teased toast. Fist feast foist faced voiced. Bruised prized blessed placid pellucid. Greased creased cruised. Driest truest drawest. Freest throwest spiced cloister blister. Amidst the storm they sang, And the stars heard, and the sea, And the sounding aisles of the dim woods rang To the anthem of the free. Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke, How jocund did they drive their team afield. How bowed the woods beneath their sturdy stroke. Can storied urn or animated bust Back to its mansion call the fleeting breath? Can Honor's voice provoke the silent dust? Or Flatterv soothe the dull, cold ear of Death? O stay ! the maiden said, and rest Thy weary head upon this breast ; A tear stood in his bright blue eye. But still he answered with a sigh, Excelsior ! Chapter V. — The Use of the Final Hooks. Sec. 36. The iV-Hook. 1. — A small final. hook is used on the end of the large letters for n. This Hook is made on the left and under side of the straight signs, and on the inside of the curves. Examples. J ^<] ^^ ^^"-^ b t -^ r' Ebon weapon hidden rotten heaven ^ O \^ ^ ^^ yTon melon burn turn one luncheon agency 2. — The a-hook of the Simple Style may be vrritten for an, and the i-hook for in : Eem.~The n and m-hooks are the same. The an-hook is written on the right and upper side of the straiglit stems. On the curves, no distinction in the hook is practicable except with the Ve, Ef, The and Tha. 5 ^ often then _y~-^ -^ Examples. L J V ^ ;) I L ^ -^ ^ / ^^ o ^ -^ - Pan, pin, gan, kin, tan, tin, fin, fan, shan, sin. Thin, than. minute, muslin, ran, win, chin, Jan. Sec. 37. The Use of the iV-HooK. 1. — The n-hook is used with a short vowel in most cases. Where n is preceded by a long vowel or a diphthong, the long sign is generally used. 3. — The long sign is also used in all cases where the vowel follows the n in the end of a word. 3. — The An-hook is used for an where it has the sound of ang in such words as hank, drank ; and the n-hook may ba used for in in such words as brink, drink. &c, 66 The Hand-Book 67 4. — When the circle is turned on the n-hook side of the straight signs it implies the n, but the circle must be written in the an-hook, and in the hooks on the curves. Examples. Prince prance fence France wince lance bank bone Eem. — The small hooks are not generally used in the Contracted style for the vocal sign alone ; but they may be used in some cases, without danger of confusion, as in the words pracUce, back, Jtc, which could never be confounded with prank, bank. So also tick and Dick may be written with the i-hook as the outlines formed could stand for no other words. Sec. 38. The Shon Hook. A large final hook may be used for the termination shn (spelled Hon,, sion, tian, dan, &c.) on most of the consonants. I This hook is written on the right and upper side of th* staight signs, and on the inside of the curves. 1 The shon hook is used : 1. — Where no vowel precedes the terminations, as in the words tension, deception. 2. — Where the shn is preceded by the short-vowels a, e or i, (u, . or n), as in the words passion, discretion, rendition, mission. Examples. ^mjjjljaj^ passion erection revisinn missio n ammunition repulsion . Rem. — Where the shn is preceded by the long vowels, A, or U, the vowel is written as an affix, and the shn is ommitted. h. ■ Special Use of the Shon Hook. 1. — Where the letters mp precede the termination shn, as in the words redemption, thep is dropped, and the hook is writ- ten on the Em or Ma. 2, — Ka is also omitted, when preceded by Te or Ing, as in the words destruction , sanction . 68 The Hand-Book Examples, Redemption assumption destruction instruction distinction addiction. 3. — The ira-hook is used for ition, after De, Te, Dra, Tra, Ja and Cha, as in magician, nutrition, &c. 4. — An iVhook is also used after the circle, as in position, physician, and after an n-hook, as in mention. n^ — 61 ■ o^n ^ — 3 /^ Addition nutrition imposition decision transition attention mention. Eem. 1.— The large hook on the Hn may be used for —tillon, where it is preferred. Rem. 2. — It "will be noticed that in decision, given above, and in many other cases, the hook is used for izhn, instead of iehn. 5. — The circle is written in the shn-hook, and termina- tions ly, ary, &c., may be added to it. In some cases, how- ever, the termination tional may be contracted to shl, or omitted. Examples. ~ Traditions traditional passions passional traditionary dictionary . Provisional exceptiona l intention al g^gjjj^tiQBal electioneer affectionate. 6. — In the words Ocean, Prussian, Grecian, and some others, where the shn is a radical part of the word, the hook is not used ; as also in the word cession and its derivatives. These words are written as in the Simple Style. Sec. 39. The T-Hook. 1. — On the left and under side of the straight stems, the large hook is used for v and /. Tliis hook is used where the V is preceded by e-long, and i- and e-short, and in some cases with other vowels. / OF Takigrafy. 69 Examples. 3 ^ Brief reprieve grieve retrieve achieve differ serve 2.^-The V and /-hook may be used/on the The and Qu.a. 3. — The V is written in full after the circle. Ively after the circle, may be written by vel. 4. — The circle maybe written in the u-hook, and the termi- nations ly, ty, &c., may be added. Examples. "^ ^ P^ P^ 5-^^ J—, Thief equivocal fliii-v^-v S -a ^ c^ -V lT Bend band tent taunt Kent caul pent pant spent scant slant Bent tend canned pend spend scanned Opened likened attend skinned softened thinned sinned went grar strand it blent 3. — Stems ending in the large hooks are not shortened with the same freedom, as those ending in the small ones, as it is not so easy to distinguish differences in the size of the hooks ou the shortened stems ; such forms however, are sometimes used. 3. — lu some cases the t;-hook after the shortened Ka, may be read last, as iix .active . "^ '\j 4. — The termination ance is added in a similar manner, to the halved p, as in the words acceptance, reluctance. 5. — The termination ity is added to the ii-hook by a tick in words where the t cannot be so easily added. 6. — In like manner a tick may be added to an ?i-hook to im- ply a following vocal, as in the word plenty, in the examples below ■- Impassioned grieved active reluctance plenty . apportioned served acceptance receptivity. 76 Th3 Hand-Book ^ IB "V^ 'P , --_- n t , 16 No ^ OF Takigrafy. 77 Writing Exercise 9. Use shortened letters with connective vocals where neces- sary : — Abode about abide bead bide bowed bait bite bid bed bad bud bat beat peat pate pout pit pet put pot God guide gad good get got coat caught kite cute kit cat cut cot could. Deed died date taught tight apt act aft eased east. Viewed vied vowed vote feet feat fought fight fit fat foot. Sheet shoat shout shut shot should seat sate sought sight suit essayed esteem . That thought. Aimed meat mate mote might mute mit met mat made mead. Neat naught note night knit gnat nut not end and (hand) owned aunt ant. Lead old late light lute lout lit let lot read rate wrote wrought right write rout writ rat. Wait gisajt wight wit wet wot would. Heat hate hoot height hide. Chat chit-chat jade jawed chide chid. Shortened forms with initial hooks and circle : Bleed blade blued bled blood breed braid broad bride brewed bred blight brought bright brute. Played plate plead pleat plied plight plowed prayed prate pried prude proud. Glade glowed glide glued glad gre^ greet grade great gold. Cloyed cloud called clot clout. Trait trite. Fleet float flight flute flout flit flat freight fraught fruit fret freed fried. Short shirt threat throat. Spite spout spit spat spot speed spade spied supped sapped soaked sacked scat Scot state stout stewed sprite sprout sprat pp.cret screwed street strait straight strewed smote smite smit smut summit seemed assumed slate sleet slat slight slit slot slide slid. Assert assort insert sweet sweat swayed send sand sunned sinned signed sniind saint sent sennight. " Wheat white whit whet what wide guote quite quoit quit twit. Use shortened stems with connected vocals : Bfldv beauty pity pretty party purity duty verity forty severity mighty. Use the full-sized letters in these words : — Bowed (bode) bawdy beat boot body boat bout abate abet abbot bit bet bat payed pawed pied pad pod petty putty piety. Goad 78 The Hand-Book goat gout gut agate keyed cawed cowed kid cud cod. Did dead dote doubt douglity duet diet ditty debt dot toad tied toyed teat toot. Evade void feed fade food feud fed. Shade shady showed shied slied shad shod shoot. Assayed sowed sawed sighed. (Use the circle in seed side aside said sod soot sit set sat sot.) Amid mood mode need gnawed node nude annoyed naughty knotty. Lade lady lied lewd loud load led. Raid rowed ride rude rot rut root weed weighed wooed wade wed wad wood. Use the the tick for h, in heed head ahead. Hoed hied hewed chewed cheat jute jet jot. Blowed bloody brood brad bleat bloat blot gloat glut grate groat grit grot clad clod. Druid dread treed trade tried trod treat treaty trout trot. Flayed fled flood frayed afraid fraud. Shrewd shred throughout thread. Sped skid scud stout steed staid stayed stead stood strayed stride astrayed astute sled sold senate. Quiet quota. Tweed. Writing Exercise 10. Use shortened stems ending in the £n-hook : Bend bound abound pent pant pained opened (h) appened . Gained Kent cannot county kind. Dent dint daunt taunt tint tent tend attend pretend vaunt prevent fount shan't shunt sinned thinned mount meant mint amend amoun t lent rent earned went want wont haunt hint pent agent chaunt acquaint . Blend bland blind plant . Imprint brand brunt grg^ia ground grind drained trained. Trent front friend spen t scant second sickened skinned stent stint stand sprained screened strand squint. Distant constan t confront com - ■ plained complaint constraint confound unbend. Words containing one or more shortened stems, ending in an En-iiook with other letters : Abundant abandoned pendency blund(er)bus accountant countenance stipend attendant attending attendance ped- antry dentiform dentistry. Bending blending branding granting granted branded stranded wanted contented intended accidental. OF Takigrafy. 79 Superabound superabundant superin(cum)bent reluctant splendor splinter. Dependent repentance redundant pre- venting repugnant malignant urgently authentic acquaint - ance retentive merchandize resplendent quantity occupant provident despondent .respondent substantive verdant servant mendicant. Boundless foundling recount redound elephant eloquent resident resonant attentive coincident. Ajipendix pendant appendage (Zhe) hinder hindrance. A full length letter, followed by a shortened En : Bind paint plaint pawned i^ond conned. Deigned dined donate taint toned tuned astound. Feint faint font signed mind. Leaned loaned lined lend lint lenient. Rained round wound ruined rend weaned waned wind wound. Hind hound joined joint jaunt quaint. Blonde planed planned planet. Brained grained granite grind trend frowned shrined spanned stained sti-ained predominant. Miscellaneous words containing shortened stems or letters ; Portentous sentiment sentient lamenting emigrant orna- ment adornment assortment arraignment alignment cormo- rant resentment merchantman recreant evidRn| gormandize tenement rubicund prevalent pertinent permanent termigant emergent admittance vindictive sycophant expo- nent dissolvent supplicant adjutant coadjutant coherent penitent omnipotent refrigerant precipitant. Correspond corresrim id£n.t correspondence responding despondency Pentateuch pursuant. .Written with full length signs : Boned Bennett bonnet bounty pound peanut fantastic benignity Gannet count vanity sonnet linnet monotonous renewed junta. Browned crowned gradation denominate ordinance pendulum penitence penetrate plenitude dignitary. The iji-hook, tick, termination, ance, &c.. Divinity tendency receptivity activity plenty plenteous affinity profanity acceptance reluctance curved served observed subserved preserved reserved deserved. Passion- ate proportionate impassioned proportioned . Chapter VII. — Lengthened Curves. Sec. 44. Double Length Curves. 1. — The consonant curves are made twice their usual length to imply the addition of tr or dr to their own proper sounds. This contraction applies : 1st, to cases in which the tr or dr follows the lengthened letter without an intervening vowel, as in the words after, enter. 2d. where a vowel intervenes, as in fetter, latter. Hem.— It should be observed, that when dr and Ir are implied by the lengthened curves, there can be no vowel sound between the d or t and r. It would not do, for instance, to use the double length in entire, much less in Ontario. The double length letter is not used where a vowel follows the r in the end of a word, as in lottery, but when another consonant is added, it may be used, as in lateral. 2. — Where the dr and tr form a diphthong, as in the words entry, sundry, &c., the compounds of the r series are emploj^ed, though some long w^ords form exceptions, as eccentric, intrinsic. 3. — The liquid curves En and El, when doubled to imply dr, are made heavy, as under, elder ; but Ma is not shaded except to imply emper, ember, emple, emble. 4. — A heavy letter may imply a tr and a light letter a dr in some cases ; as in the words voter, shudder ; but the lengthened Ish may be shaded near the end in shudder and the lengthened / in fodder for the sake of greater distinctness. 5. — The signs Qua and Twa, are lengthened in analogy with the other curves, as in equator, twitter. 6. — The lengthened curves are vocalized, in the same man- ner as the simple letters, but the vowels which follow, are read before the added letters, as yvith the half lengths. When the circle is added to a lengthened curve, it is read last of all, but the n of the m-hook may be read before the implied dr and tr, as in mentor, reminder. 80 OF Takigrafy. 81 Examples. ) ( J J "7, J 1 Enter entry sunder sundry sister suitor. 2. After shutter litter leader bindery shoulder lit,^^^ ] equator thunder. 3. Matters mentor reminder latterly flutter slighter matter murder. 4. Twitters poster s letters binder disastrous disasters . I 7. — Emp may be lengthened when written upwards to imply I &r and pr, as in damper, timber, and when written downwards to imply bl and pi, as in temple, tumble. Examples. r r r r Damper timber temple trample December resemble ^p^emfe le. Sec. 45. Lengthened Upstrokes. iJa and Wa may be made twice their usual length to ^mply tr, as in writer, water. Rem. 1. The iV-hook is not used with the lengthened upstrokes as it is with lengthened curves, but when written is read last, as in warn, nvorn. Rem. 2. Tn. ^iii'i'f,f, hunter, wonder, the half length followed by the ra-hook and Ba is used. Rem. 3. It should be obserred that the lengthened upstrokes include the r, so that they imply tr with some propriety. The other straight signs Be Pe Ga Ka De Te, do not include r when lengthened, and so cannot properly imply It. Examples. Writer water warn horn sworn wonderful hinder , hindrance. Sec. 46. The Double Lengths , and other Forms of Contractions. In many cases some other form place of the lengthened curve. of contraction takes the 82 The Hand-Book 1. — The large loop is used in pester, lustre, bluster, &o., instead of the lengthened Es. In general the lengthened s is used in cases analagous to those in wliioh the halved s would be used. Thus we have Est in coas t, post ; and Ester in coaster and poster. 2. — In muster, duster, jester &c., we have the large loop ; though Ester is used in such words as cloister, Zoroaster,, where the loop could not be employed ; and, for the sake of distinction of outlines, in the words /osier, blister die. ; distin- guishing them from fester and bluster. Esm. 1. The lengthened curves endins in the n-hook form exceptions to the general rule, as a lengthened En could be written for ndr instead of lengthening the preceding letter. So also a halved letter, followed by Ma or Ar can be substituted for the doable length. Rem. 2. More complete directions for writing words in which a differ- ence of outline is possible, are given in the writing exercises. Sec. 47. Treble Length Curves. 1. — All the curves except Ing may be made three times their usual length to imply thr, as in the words another, iieither. 2.— The letters Era and Ma may be shaded slightly near the end, to distinguish them more fully from the double lengths, but En and Es can be sufliciently distinguished by an increased length. • Kem. Some lengthened curves are used only in phrases. 3. — Ing is lengthened to imply gr in such words as anger, linger <&c. ; when a vowel follows the gr as in angry, the Gra must be used. 4. — Ner is lengthened to imply kr, and Nel and Ingl to imply kl and gl, as in tinker, uncle, tingle. / Examples. (1.) Another neither anger tinker (3.) Tinkle tingle twinkle strangle OF Takigrafy. 83 Sec. 48. Treble Length Ra, Wa, Ha and Wha. I The Ba and the stem of the Wa, Wha and Ha may be made three times the usual length, and shaded near the end, td im- ply thr, as in the words rather, weather, heather, whither &c. Examples. Rather weather ( wither') heather whither farther. 2. — As the treble length curves oooupj' considerable space the upstrokes may be commenced one length below the line, and the down strokes a little jiigher than usual so as to bring the outline as near as possible to a central position. Examples. Mother, angle, thither, will there he , farther than, on the othr:r ham ^_aa^H«t ^hM* I ' ll » I I I I 11' I I II-. all 1 1 I 84 The Hand-Book Q_V. )^ ^ V • ^ ^ '^ u ) ^ ^ v^ — 5 J ^ ^ X — . V '^ ^ ^ ^ ^ OF Takigrafy. 85 Writing Exercise 11. Use the double length curves : Provider voter sister Easter defaulter defrauder comforter fetter fritter shatter shutter shudder suitor cedar cider in- sulter benefactor malefactor manufacture compositor visitor, depositor center eccentric concentric heliocentric intr(in)sic. Shoulder shelter equator quarter squatter quadra(t)ure tvrit- ter interest disaster. Fitter litter letter latter fatter fodder laughter after rafter matter meter mutter alter filter elder wilder vi'Uderness under tender ponder entertain intersperse slaughter slater sunder meander render defender quadrangle. Flitter sifter falter flatter flutter fritters oysters lighter loiter murder northern dissenter invader innovator elevator . Ember and Emper. — Lumber timber September November December member remember amber slumber chamber limber temper temperanc e temperament distemper damper hamper crimper pamper scamper whimper bumper jumper thumper. Ejibl and Empl. — ET^ jhlepi tremble mumble tumble nimble thimble gambol jumble amble a^nnle trample bramble humble temple dimple rumple crumple grumble rumble fumble sample dissemble p,ssemble ssssailjlp reassem^g ^eanjblg. Use trebled curves : — Another neither mother father thither further blinker canker clinker drinker hanker hun-/ ker hunger rancor spanker thinker tinker winker. Tinkle) twinkle crinkle sprinkle jingle mingle tingle dangle strangle bangle wrangle step-mother step-father. Anger languor anchor linger drinker periwinkle finger longer anthropology misanthropy. Not used in angle, mangle, tangle, jangle. Use trebled strokes in rather farther weather whither heather hitherward. Lengthened curves ending in the ^n-hook : Vender ijmgjjjgj fainter thunder mejitor minter fomenter tormenter covenanter lender finder cylinder slender slander Polander Hollander lavender flinder reir ^ joinder islander germander gerrymander (ga) salamander yonder mender. The ^n-hook is not used in center asunder founder flounder precentor meander monitor &c. 86 The Hand-Book Rear on high the scaffold altar ; All the world will turn to see How a man has dared to suffer That his brothers may be free. Reai- it on some hillside, looking North and South and East and AVest Where the wind from every quarter Fresh may blow upon his breast, And the sun look down unshaded From the chill December sky, Glad to shine upon the hero Who for Freedom dares to die. Twinkle, twinkle, little star, How I wonder what you are, Up above the world so high. Like a diamond in the sky. Whither 1 ah ! whither ? — Into the silenr land ; Clouds in the evening sky more swiftly gather, And shatter'd wrecks lie thicker on the strand. Remember now thy Creator in the days of thy youth, while the evil days come not, nor the years draw nigh when thou shalt say, I have no pleasure in them. A soft answer turneth away wrath, but grievous words stir up anger. For whosoever shall do the will of my father which is in heaven, the same is my brother, and sister, and mother. What thou knowest not now, thou shalt know hereafter. If thine enemy hunger feed him, and if he thirst give him drink, for in so doing, thou shalt heap coals of fire upon his head. For one people shall be stronger than the other people, and the elder shall serve the younger. Chapter VIII. Prefixes Sec. 49. Simple Prefix Signs. The prefix signs most commonly employed are the following : )] com, con '^ extra-i-u ^ magna-i □y self \> contra '^5 im, in , 3; cr-° trans N^] counter ^_ intra-i-o-u ^ with 1. — Con and Com are represented by the same signs : — written downward in the direction of Ka, and upward in the direction of Ra. These signs are about one-third the length of the full sized letters, and are joined in the outline. Examples. Console consider compress comply compose conced e condem n cppj^oy. 2. — The first sign for eon and com is used in all words in which these prefixes are followed by ( ( ^ ^ r- ^ ^o_7 7 IT r r ^ N \X ^ c^ 3. — The second form struck upward, is used when fol- lowed by I I \ \ ) ) ^ ^ ^ ^ <^ 4. — The following words deserve special mention : ^-^ ' C_/ ^\-, — '\/^ ^-^' — t gjjjnmgnd cotamit jommi^ion concomitant uncommon intercomraunioate. Rem. 1. In some words con and com are not prefixes but form the root of the word, as in conical from con«, and comical from the Latin comicus : such words should be written in full. The principal words of this class are coma, comb, arnie, comet, comic, comity, con, and conic. ■ 87 - ■ 88 The Hand-Book Rem. 2. Words in which com is followed by a root commencing in m, drop the m o( the root in most cases ; thus we have com-ence, com^^nion, corrir-une for cimvmenGe^ communion^ commune. Rem. 3. The word connect and its derivatives also lose the n of the root, but connive, connatural, and other words in which con is followed by n in the root, retain the second n. Rem. i.—Con may be frequently omitted before 2>e, Te, Ve and JE/, and, wherever it cannot be easily joined Sec. 50. Contra, Counter, Magna-i, Self, Trans, With. These prefixes need no special comment ; their use can be learned from the following Contradistinguished counterfeit countersign magnanimous magnificent miintfiTftlit^ Selfish self-educated transgress transa ct withdraw withstand. Rem. 1. The first sign for counter is prefen'ed when it can be joined in the outline. Rem. 2. In trans the circle is written on either side of the Te, as in the examples transgress, transact, given above. Skc. 51. Extra-^ina, Ex and Exter &c. 1. — Extra is used in such words as extra-professional, extrude &e. 2. — The large loop is used initially on Ma and Ra in the words exterminate, extreme and their derivatives. 3. — Extern and Exter are written with the Si-loop on the Ma, Ba, and Ar. 4. — The k may be omitted in some cases, and the circle in Emspl as will be seen in the following Examples. °~3 ''"^ °~^ ° ' ^ '^'^~ ^ /^ -3 ^ \s> ^ \^ Extra-professional extravagant extricate extrude extreme exterminate. Externality extemporaneus extension extensively expulsion explicit explore OF Takigrafy. 89 Sec. 52. Jro, In, Intra-e-A-o^i and Intrmis. 1. — The prefix Im is used only when followed by m in the root, as in immense. 2. — When Im precedes a root commencing with any other letter than m the vowel is omitted, and Ma is written for the prefix. Examples. r<^ rr^ r\ r\ r\ n^ r^ Immens e i mmaterial impress implied impact impj^rtial inimit ^ ^ le . Rem. In impariiali impens/iable, and some other words the Imp may be used as given above. 3. — The prefix in is used whenever convenient, and is joined in the outline. Examples. 7 Z ^ ^ ^ I Income index integral inaugural injure insure inbred incurred . Infringe influx inauthentic imtial inelegant investigate infest incite. 4. — This prefix cannot be used before the letters V { ^. ^ ^ . ,_ ,r-v ^-s and the compounds of the Z-hook series, except Gla, Cla, Fla, Zhel and Shel. Where the prefix is inconvenient the letter En is written instead. In some cases, however, Ha is omitted, and the prefix retained. Examples. v^-cx^ --0 -^ 1 ^ ^ ^ Inweave indwell injudicious initiate insatiate inhabit 5. — Thb circle is written in the prefix, but when m is fol- lowed by sb sp sg sk sd and st, the circle comes on theij-hook side, which form is also used with the trigraphs Sera, Stra &e. Examples. ^ ^ ^ '^ 5. a ^ Insufferable insoluble insurmountable i ppist insensible inscribe instrument. ibisubordinate inspire inspirit insect incidenta l institute, i.n sj ^,^fi„ftajit. 90 The Hand-Book 0. — The prefix Intra is formed by simply omitting the r-hook. In analogy with this the hook of the p-ans is omitted in intrans. Examples. lutricate intrepid intransitive introduce intrude. 7 — 3Icl is used for the prefix multi, as given in Chap. 3, Sec. 17. Sec. 53. Other Prefixes and Prefix-Syllables. Epi pre par post pjeter super subter bene dis dent per para, pen Fare an, en ant, ent enter iire.fore un,on ante, anti inter under dys sine syn Ultra retro r \ c_ Pal cal tel pol, pul col, cul water wood val fal ver vol, \'ul fol, ful hydro liypo hyper 5 5^^ fer ther mer Examples. 1^ V=- V^ U^ -v^ u< centi cent. out. L CLS\ Q-y^—-/ { ^ \ ^"^ ^^ I ^ 1. Epigram pre-eminent permar: t paragraph partial perish postpone . 2. Subterfuge benelit dentiform farewell fire-wood forenoon. 3. Enlarge antepast antagonist enterprise interference understand . 4. Nondescript nonsense sinecure synonym centigrade centennial. 5. Ultramarine retrograde water-wheel wood-bine out-do outrage. 6. Palpable political calculate college telegraph valor vulgar fulcrum, OF Takigrafy. 91 The Prefix Ad before V and J. 2. — Where the prefix ad is followed by v and j as in the words advise, adjoin, it may be written by the vocal sign. TJds prefix is used in the words adverb, advocate, advance, adven- ture, adjudge, adjoin,- adjunct, adjust, &c.' Rem.— For the prefix syllables ab ac ad ag &c,, see page 101. Sec. 54. Compound Prefixes. The prefixes Com, and Con are frequently preceded by de, dis, in, mis, re, and un, as in decom, discom, inoom, &c. In these cases the prefixes are joined in the outline if convenient: In some cases however, the prefix which precedes the' con or com may be joined to the root of the word, and in a few cases may be written over it disjoined, and the con or com omitted. Rem. 1. The prefixes circum, eticum, incum, recum jnay be written with a prefix as though they were circom, encom &c. Rem. 2. Becog may be written by the Ba in recognize, recognition &o. Examples. T > "^ ^"^^ V -^ ^ ry t_ V 1^ -^ (1) DiBCompose decompose discomfort discommode encumber incumbent. circumstance (2.) Incompatible incompressible incongruous inconstant incontrovertible. incompli^ i nconsiderable (3.) Inconvertible reconcile uncontrovertea uncontraaicted unaccomplished. recommend (4,) Rggflfiflige. misinform accompany accomodate inconsistei t unmagnified. > 92 The Hand-Book o^i OF Takigrafy. 93 • Writing Exercise 12. In the following words use the shortened Ka for con and com : Comprise compress comprehend complain conclude con- glomerate construct conceive contract consecx-ate consider conspicuous consecutive consequential consult considerable consummate consist conscious conjure (zhr) conoorvo con- trol console concise concision concession committal conquest conclave concrete congress confront converse conquer <;<}^fri];{ comprehensive compliance compressible compromise consulting concentrative concessive conclusive conceal consociate consistent concert conciliate conservative. Use the up-stroke in : Connecting concurring concord concave concavity converge converse conversing convince convene confine confide confound confessing confidant convex convict convention convenience conoupisence confessor concurrent confirm. Combine compose compute concede conceding constitute constabulary comparative compatible compatriot compound compensate competent component comport. This prefix may be disjoined before De and Te : Condensing cond,ign conducting condemn continue contaminate contain. Omit the m and n in the root after the prefix : Qommand commend commemorate cnmmeTis^ i ^ atR comment coj^n fferrp. , connecting commingle ioauniasJan commissioner commode ^QTPniOd't'y commodore commune coninifla communicate Saaj giunity . ---^ Write the m and n in the root after the prefix : Com- miserate commissary commissariat comrnigrate commix commove connate connex connatural connive connote connumeration connubial. Immaculate immortal immaterial immeasurable immov- able immutable innoxious innovate innate innutritions. With full length Ka : Commute. ^ >^ Use the prefix contra contri : Contradict contradiction contradistinguish contravene contravention contraband -jWFJriwfy contraposition contraversion contrary contrariety contribute contributive contributor contrive contrivance contriver. 94 The Hand-Book Writing Exercise 13 Use Ma for im in : Imbecile imbitter imbosom imbue impair impartial impart impassable impeach impel imper- ceptible imperfect impertinent imperative impious impla- cable implant implead implicit implore imply import impost impressible imprudent impugn impunity. Use the prefix for in in : Inaccessible inaccurate inactive inadequate inadmissible inalienable inalterable inapplicable inappropriate inarticulate inaudible inaugural inauspicious inborn inbreathe inbred incapable incapacitate incisive incline inclose income incorporeal incorrect incrust incredible increase incredulous incredulity inculpate incurable indecent indebted indefatigable indelible indefensible indelicate indestructible indicate indictable indiscriminate indisposed indissoluble indolent induce indwell inebriate ineffable inequality inert inertness inestimable inevitable inexcusable inexpedient inexpressible inextinguishable inextricable in- fallible infamous infatuate infect infer inferior inflame infest inflict influence inform infract ingrate inimitable iniquity initial innocence innovate innumerable inoperative inordinate inquire inroad insci-ibe inscrutable inseparable insolvency insult insure insurmountable intellect intend intemperate intimate intimidate intuitive invalid inventive invariable investigate invent invincible involuntary invul- nerable incendiary incense instruct inspect insect inspire inspirit institute insubordinate instantaneous incentive. The En is used in the words incessant insatiable incest. Maqna-I. — Magnify magnificent magnificence magnitude magnanimous magnanimity. Self. — Self-denial self-denying self -admiring self-conceit self-conscious self-esteem self-evident self-interest selfish selfishness self-same self-will. With. — Withdraw withstand withhold within without. Herewith therewith wherewithal. iNTEA-l-o-u. — Introduce intromit introoession intrinsic intrinsically intrench intrepid intricacy intrigue introvert intrude intrusive intransitive intransmissible intransmutable. Teaks. — Transact transatlantic transcend transcribe OF Takigrafy transcript transept transfer transform transfuse transgress transitive translate translucent transmigrate transmissible transmit transmute transparent transplant transpoi't trans- pose transverse. Writing Exercise 14. 1. — Write ka for ex in : Explain expletive explicate explicit explofie exploit explore explosion-. 3 — Write stra for extra and extri in : Extradition extragt extrajudicial extraneous extricate inextricable extravagant extrude. 3. — Use the loop for ex in : Extemporize extern poraneouR external, and the large loop for exfer in exterminate extraoi'- dinary extreme . (J~ The Prefix Syllables epi, non, para, post, prefer, &c. Epidemic epicure epigram pretermit preternatural preem- inent perish partial particle _£ara^iierjaalia paradox parallel paraphrase paragraph periwinkle periwig permanent postal postoffice pospaid postpone postage superfluous superstitious sviperstition supererogation superficial superfluity supervision superfine superintend superincumbent supercede supervene superabundant supernatural subterraneous subterfuge. Benefactor benevolent benefaction benefit benefice distort disjoin dysentery dyspepsia dentiform dentistry farewell fire-wood .fire-place fire-fly fire-proof forenoon fore-castle fore-knowledge fore-arm forethought animal enlarge endow unseen anteater antei^ast antagonist antidote entrance entwine enterprise entertain interference interview inter- pose interweave understand underrate undergo. Nonexistence nonresistance nonpayment nonperformance nondescript nonsense Sinecure synonym synthesis syncope syndicate synod synopsis centigrade centennial ultramarine retrogression retrocession retroversion retrograde retrospect waterwheel waterfall 'watermelon water-course water-lily water-power water-spout water-cure woodbine woodman woodland hydrogen hydrostatics hypochondriac hypocrite hypothecate hyperbola outfit outgo outlaw outlet outline outnumber outshine outside outdo outrage outward. 96 The Hand-Book Palpable political calculate calisthenics kaleidoscope collect culture cultivate telegraph telephone telegram valor volley voluble vulgar vulture vortex fallacy foUy mermaid energy nervous fervid thermal thermometer fulcrum verdant multiply multitude. Compound Peefixes. Write the prefix com and con : Accomplice accomplish incombustible encumber incumber discomfort discommode discompose disconcert disconsolate incommensurate incom- mode incommodious incommunicable incommutable incom- pact incomparable incompatible incompetent incomplete incompliance incomprehensible incompressible inconcealable inconclusive incongenial incongruous inconsequent incon- sidei'able inconsistent inconsolable inconspicuous inconstant inconsumable incontrovertible inconvertible inconvincible incumbent recommence (re-downward) recommend recon- cile recondite reconquer reconsecrate reconsider reconstruct recontintie reconvene reconvert reconvey. Uncomfortable uncompromising unconcerned uncondi- tional unconformable unconscionable unconscious uncon- trollable unconverted uncontroverted uncontradicted unac- complished. Circumcision circumference circumflex cir- cumfuse circumspect circumvent. , 'discomfort miscomprehend misconception misconceive misconduct misconstruct misconstrue misinform. Noncon- ductor nonconformity noncontagious. Precompose preconcert preconstitute noncombatant non- commissioned noncommital noncompliance nonconcurrence nonconformist intercommunion intercomparison. Omit com, con and cog : Accommodate accompany decom- pose (disjoin) decompound encompass disconnect discontent discontinue inconceivable incontestable incontinent incon- venient recognize recompense reconnoitre ?niCommon (disjoin) uncommunicable unconstitutional circumlocution circum- navigate circumcise circumscribe circumstance preconceived preconformed. Miscellaneous : — Unmagnifled unimagined unintelligent uninterested reinaugvu'ate reinsert reinsure 'oinsnect. Chapter IX. — Affix-Signs. Abbreviated signs are provided for the most frequently re- curring affixes. Their use vs'ill be easily understood from the following table and examples. Sec. 55. TABLE OF AFFIX-SIGNS. ( ship c ation - otion A ution k_ bility J bleness I barity L pality % ography ^ ocracY ^ ¥^1^ X p-aphic hood tude °> soever d fioation faction J fullness u z ' tional 0-- ■ tionality ^ ometer oy self S lessness. c^ with ^ ward >^ Examples. \ <' Accountableness optional rewarder righteousness graciousneas amiability, familiariza 100 The Hand-Book Sec. 57. Othee Affix Syllables. Affixes not given in the table are written in accordance with the general principles of contractions, or in full. Such are the terminations ate, hie, ed, ing, ly, ment, ous, pie, &c. 1. — The t ermiuation ed is fi'equnntly omitteJ, but a light dot placed at the end of the outline may be written to indi- date it when necessary, in cases where De cannot be joined in the outline. 2. a The termination iiig is easily joined in most cases, and should be generally used ; but in words ending in Ming, like acting, connecting, (fee., the ing may be indicated by a tick b. This tick, struck upward or downward, as may be con- venient, may also be used after the ste and ster loops, in euch -words as jesting, casting, trusting, investing, blustering, festering, &c. c. The tick for -ing may be. used wherever it is more con- venient than the Ing ; as in subsisting, submitting, after the shortened .Bs and ilfa; believing, reprieving, after the Fe-hook. Examples. k -V ^ n° Practicing ticketing infesting ministering 3. — The termination ful may, in some cases, be written by Ef asin useful eventful. 4. — The El is written for ly when convenient, though it may be indicated by the tick, as taught in the preceding section : when it follows a word ending in I it may be omitted. Examples. a-i- '^ — u i^ -c/ -^ y Printed splendid scented being amusingly naturally locally incidentallj 5. — When the termination ure follows s it is frequently writ- ten by shra or zhex- as ia. fissure, pleasure. When the termi- nations iar, ier and ure follow I they are sufficiently indicated by the shaded El, as in failure, familiar, collier. 6. — The terminations ble, smdple omit the le when it cannot be written by the hook. OF Takigeafy. 101 7. — The terminations ate, er, our, ment, mental, mentality, follow general principles. Examples. r~f /^ ^-^ \ c^ ^ Vicious vitiate fissure measure familiar collier sensible municipal.^ Detriment sentim ent ornamental instrumentality vigor weaker confessor. Rem.— The termination Mentality may also be written by the disjoined ment. Sec. 58. Eepeated Letters in Initial Syllables. 1. — Insiioh words as abbreviate and approximate the ab and op may be omitted, -wxitrng, -breviate, -proximate. So agf and ac, ad and at, where followed by gr, cr, dr, and tr may be omitted, as in : -Address, attribute, aggress, accredit, written -dress, -tribute, -gress, -credit. 2. — The prefixes ac, af, and ag may, in like manner, be omitted, in some cases, before cl, fl, and gl, as in acclimate, afflict, ag-glutinate, written -climate,' -flict, -glutinate. Rem. 1.— The number of words containing these initial syllables is small. Those omitting the prefix are abbreviate, appreciate, appropriate, approx- imate, aggrandize, aggress, agglomerate, agglutinate, acclimate, accredit, accrue, acclivity, address, attract, attribute, afflatus, ajlict, affluence, and their derivatives. Rem. 2. — In a few cases the- vocal sign is written, and the second con- sonant omitted, as in apprehensive. Rem. 3.— In some cases both the vocal sign and the following consonant may be written. * This will be necessary only when the contracted form would be liable to be confounded with the word stripped of the prefix, and in the case, for the most part, of words of infrequent occurence, such as afflux, appraise, which might be confounded viithfiux and praise. Rem. 4.— The ac is omitted oily when the following c is hard. In such words as accelerate, accept, aocjnt, accident, the Ka must be written, though the vowel may be omitted in many cases. Rem. 5.— The use of double letters in general, is taught in the Manual, pp. 77 to 99. The treatment of the doubled m and n with the prefixes com and con, im and in, is given in C!hap. VIII. In all cases not specified, it will be sate to omit one of the doubled letters, as in succor, affeot, effect, allot, illicit, annex, ennoble, arrest, error, irritate, assort, essay. 102 The Hand-Book >" 1. v^ ^\ -x^ u ^^^ . ^ y ^ u r ^ r' /n L OF TAKIGRArY. 103 Writing Exercise 15. Use the terminations ation, otion, ution, in : Nation nations station stations ration inflation probation perturbation dissipation palpitation degradation gradation condensation pulsation incrustation expectation motion emotion potion devotion. Use zhe for the termination asion, esion, osion, usion in : Abrasion persuasion evasion invasion adliesion cohesion erosion explosion corrosion allusion effusion confusion diffusion infusion. Use the terminal signs for bility, polity, parity, perity, <&c. Ability indivisibility incomprehensibility fallibility prob- ability capability sensibility principality municipality bar- barity disparity prosperity frugality legality prodigality rascality neutrality vulgarity fidelity infidelity dexterity posterity brutality fatality futility utility versatility servUity polarity severity temerity humility criminality finality minority plui-ality sterility cordiality charity agility majority regularity jocularity secxilarity particularity. Written in full in : Facility docility universality sincerity parity verity civility i-arity. Use the terminations given in the table in : Acceptableness reasonableness formidableness geography stenography biog- raphy chirography neography photography. Takigraphy phonography theocracy democracy aristocracy stenographic takigraphic phonographic lexicographic orthographic auto- graph lithograph calligraph paragraph photograph. Manhood childhood likelihood womanhood falsehood. Magnitude sim- ilitude fortitude rectitude gratitude latitude. Whosoever howsoever whensoever whomsoever wheresoever whatsoever gratification ratification edification rectification mortification faction satisfaction fiction defection perfection. Fullness helpfulness carefulness artfulness carelessness helplessness artlessness sinlessness recklessness graciousness conscious- ness righteousness. Friendship' authorship courtship worship hardship ownership partnership. Thermometer barometer chronometer. Himself herself itself ourselves yourselves herewith therewith forthwith wherewith. 104 The Hand-Book Upward onward backward reward rewarder rewarding, structure fixture lecture culture cultured sculptured stature posture discomflture. Actual annual manual habitual annu- ally gradually spiritual structural agricultural natural unnatural naturally ocular secular jocular oracular vernac- ular particular regular. Idealize localize individualize familiarize. Infatuation graduation insinuation situation population stipulation stimulation modulation congratu- lation regulation granulation geology biology philology apology chronology technology physiology. Use the first sign tor tional in : National rational notional irrational sensational nationality occasional. Use the second sign for tional in : Emotional exceptional provisional professional optional. Use the I after the sTwi-hook in : Intentional passional tra- ditional additional confessional conventional. Other terminations written in accordance with general prin- ciples : Fragment element instrument instrumental instru- mentality detrimental ancient anciently patient patiently transient accident accidental urgent urgently gentle gently. Falsehood, vulgarity, recklessness and rascality are relics of barbarism. He received our congratulations with immense satisfaction. The distinguished lecturer spoke of geology, geography and sistronomy, and said that in subsequent lectures he would treat of biology and mesmerism. "' Education. — Education means the development, perfection and proper use of the body and mind. It relates to the train- ing and guardianship of youth from infancy to mature age ; to the influencing of the character, not only of individuals but of nations. The highest powers and noblest sentiments of our nature might remain forever dormant were they not developed and matured by the instruction and example of the wise and good. In a still wider sense, education may mean the vchole training of the thoughts and affections by inward reflection and outward events and actions, by intercourse with men, 'by the spirits of the just made perfect,' by instruction from the word of God, and the training of the whole man for life and immortality- Chapter X. — Phrase signs. Sec. so. Genekal Directions for Phrase Writing. The general principles of phrase writing are the same in the Contracted as in the Simple Style, for which see Elements of Takigrafy pages 85 to 90. The following points should, how- ever, be noted. • 1. — The phrases should be short ; two or three words are sufficient in most cases. 2. — Join words only when they are united in sense. 3. — Avoid all difficult or awkward joinings. Hem. 1.— In the application of these principles, the student must rely upon the tables until he can use them properly. He should be especially careful not to use a long phrase unless it is authorized in the text books. Rem. 2, — ^Words may be regarded as united in sense sufficiently to form a phrase if they follow one another in a natural manner ; but when sepa- rated by a pause of any kind, even a rhetorical pause, they cannot be Joined. B. — The Classification of Phrase-Signs. Phrase-signs are either simple or contracted. Simple Phrase- signs are formed by joining the proper outlines of the words that compose them without change. Contracted phrase-signs are formed : a — By further con- tracting some of the words of which they are composed. b. — By omitting some of the words. Rem. By far the greater number of phrase-signs are simple. Contracted phrase-signs should not be constructed at random, but should be well ma- tured and used with uniformity. Sec. 60.— Simple Phrases. Simple phrases may be formed where convenient, by joining articles and adjectives to nouns ; adverbs to the words which they qualify ; pronouns, prepositions, conjunctions, and auxil- iary verbs to one another, and to words which follow them generally. Rem. — The following tables will sufficiently illustrate the use of phrases. But their number may be indefinitely increased, subject, however, to the limitations as to length and convenience previously mentioned. 105 106 The Hand-Book Key to Table of Simple Phrase-Signs. A man A boy A child The man The men The children Good men Good principles Good wishes . Great trials « Great measure Great advantages I shall be . I have been I cannot do My wish My name My own Thy yeai'S Thy life Thme own He has He has been He had, He had come He did He shall He can His own His time His name She will She may be She has not Her own Her parents Herself It may It has It should Its value Its nature Its own We shall be we have been We are Our time Our means Our own You can You could You have been You are You may You must Your own Your number Your name They wiU be They have They would be Who can be Who will go Who are they Which are Which will Which would Which has Which had Which may What could What <;m What would That time That place That purpose Are you Are they Are we As he la he Was he Were we Were you Were they Have I, Have you Have been Have not been Will be Will not be Will have been I shall be I shall not be He shaU not be I may be 1 may have been I might have been Where are you Where were you Where will you Much more Much easier Much sooner Too much Too soon Too many Very good Very much very many All times All places All the Quite easy Quite sure Quite likely So easy So sui'e So soon As may be As you As they As fcood as As great as As well as As soon as As far as As fast as Only one Only this Only that How soon How far How many For them For whom From me From us Through such Through some Of the Of all Of which In the In us In some OF TAKIGBAyT. 10^ V-v^ .yV^ cA c^ rv^ rT ^ cJ-- cJ-A c--^ ^ V. s ■^^ < Zn '-7 ^ ' c/ '^ ^^ <^ ? ^ 3 ^^ ^.M, .^ /" ^ ^^ 0/ Qy ^ w c^ i ^ _y| ^1 ^ ^ K^n -t^ ^ ^ ^ -1 ^~ — 108 The Hand Book. Sec. 61. Ekgulakly Contracted Pheases. All the contractions employed in word-forms may be applied to phrases where they are convenient and necessary. The con- tractions employed in phrases are, a — The hook signs, J — The circle and double circle, c^Loops, cl — Final hooks, e — Shorthand letters, / — Lengthened letters. Eem. 1.— The examples in the following table will sufHcien'ly illustrate the use of this class of phrases. The student should not seek to invent contracted phrases. Simple phrases are preferred where they can bo used. Key to Phkase-Signs XJsin-g the General Peinciples OF Contraction. 1. — It will, we will, you will, he will, who will, you will, when is, what is, where is, it is. 2. — That is, which is, there is, he is, who is, this is easy, this is not, it is as, which is as. 3.-*- As true as, as strong as, as straight as, as some say, as they say, let us, bring us. 4. — Thou wast, thou hast, thou must, thou mightest, thou must be, thou canst, thou conldst, thou wishes!, thou sliouldst. 5. — ^Thou art, thou wert, thou wilt, thou shalt, art thou, wilt thou, wert thou, wast thou, wouldstthon. 6. — Canst thou, couldst thou, dost thou, didst thou, hast thou, hadst thou, shalt thou, shouldst thou. 7. — Can not, could not, do not, did not, ought not, should not, better than, sooner than, faster than, swifter than. 8. — As it (is it), as it is, as it was, as it were, as it will be, of it, of its, if it, if its, if it was, if it was not, while it is, while it was. 9. — For there is, for there was, if tliere is, ofthfir, from their, though there, I think there is, through their, may there be, will there not, while there is. 10. — Is there (as there), as there is, so there may be, on their, doing their. 11. What if it-should appear-that we wore-mistaken-in regard to this-entire-business? 12. — If there was-any chance of error- we should have been-better-pleased-if it had been previously- mentioned. 13. — In as much as, as soon as, as long as, just as well as, just as soon as, as soon as possible. 14. — Because it is, because it was, of which it is, in which it is, of which it may be said, of which it might be said, by which it is seen, by which it is known. 15. — In him, in whom, to whom, with whom, by whom, by him, by them, by their own, I may be, we may be. 16. — To write, to read, to retain, to return, we are ready, we are rather, we are prepared. OF Takigrafy. 109 J-^'-^ ± s, ^ ^ 12. If Vi, \-^-^ -^ -t^ -"-^^l— -"^-^ J_Q^ > ^^ ^ c^ c^ <^ ^ r y / Rem.— In making the standard of size, one-eighth of an inch, it is not de- signed to urge this size upon all. Many persons will prefer to write larger characters for the sake of greater distinctness. Characters may be made of any size without interfering with the principles of eugraphy, provided the proper proportions are maintained. Yet, greater rapidity of writing can be secured in the use of small letters than larger ones. 4. — As applied to words and phrases, the principles of eu- graphy determine the comparative convenience of different outlines. Good outlines are those best adapted to speed and legibility : hence, the laws of eugraphy have reference, first, to THE EEQUIKEMENTS OF SPEED, and SeCOnd, tO THE REQUIRE- MENTS OF LEGIBILITY. These requirements coincide in some particulars, but not in all. Sec. 86. The Requirements of. Speed. 1. — The requirements of speed are based on the laws of mo- tion, and relate to the brevity, facileness, and lineality of the outlines. Rem.— Some outlines may be written much more easily than others which contain the same number of strokes. Hence it is the province of the laws of eugraphy to point out the conditions under which the most facile outUnea may be produced. OF Takigraf\. 123 3. — The brevity of the outline will be determined generally by the principles of contraction. Yet some discretion may be used as to whether to employ a longer or shorter form for a word or phrase. Where brevity can be secured without sac- rificing too much to obtain it, it is desirable ; but the student should be cautioned against an undue regard for brief forms which are gained by a loss of flexibility or legibility. Rem. — All contractions demanded by the laws of analogy should be employed ; those not demanded, but only permitted, should be submitted to the limitation of the other principles which enter into the formation of good word-forms. 3. — The facileness of an outline depends upon. a. The ■NATUEB OF THE ANGLES MADE IN JOINING ITS LETTERS. b. THE HOMOGENEOUSNESS OF THE CURVES THAT UNITE. C. THE READ- INESS WITH WHICH THE WORD-FORMS MAY BE JOINED INTO PHRASES. Sec. 07. THE Nature op the Angles. 1. — When the hand is in rapid moticni, any change of direc- tion hinders the speed of the writer. If the first stroke glides into the second without an angle, the highest rate of speed can be secured. 2. — When an angle must be formed, the more acute it is the more easily it can be made. Rem.— For illustration of the angles, right, acute and obtuse, and facing and opposing curves, see pp. 10 and 17. 3.-0btuse angles are relieved : a. By use of half-length signs. b. By skillful use of the variable signs, c. By the insertion of vocal signs where it is convenient, as in bog, bag, dog, dock. Sec. 68. The IIomogeneousness of the Curves. 1.— Curves are homogeneous when they face the same way, or form any portion of a circle that may be made by tracing the circle in the same direction. Opposing curves are made by tracing the circle in opposite directions Rem.— The curves Mil, Es, Ith, Ef and El, are homogeneous ; so are the curves Tha, La, Ish and En ; but the curves in the first exampleare, each and all, opposed to the curves in the second example 124 The Hand-Book 3. — When an angle occurs between them, facing curves are made much more easily than opposing curves ; for the pen traces a second curve in the same direction without an entu-e loss of motion ; and when an opposing curve is made, the direction of the stroke must be reversed. 3.— When opposing curves lie in the same direction, they unite without an angle, and are made with perfect freedom. Rem. 1.— As a general rule, when a variable curve follows a curve of tlie same length, it may be turned so as either to unite without an angle or to face the same way as the curve to which it is joined. The union without an angle takes the precedence where it is equally convenient. Kem. 2.— When curves of different lengths unite, those facing are always to be preferred, as an angle must in these cases always be formed. 4. — These principles apply equally to vocal curves, and to the union of vocal and consonantal curves. Rem.— We have Ma after H, and Hm after A. El follows E, and La fol- lows a-short ; and we have the forms La-md, land, and El-i-enl, lint, and many others that will be noticed, where the direction of the letters T/ie, Ith, Em and El are varied on account of a preceding or following cuive. 5. — These principles apply also to the union of curves with straight lines or dashes. If a curved letter lies in the same general direction as the straight line, though an angle is needed, there is a continuous movement in the same direction favor- able to speed ; and if, added to this, thej' unite without an angle, the gain is still greater. Rem. 1.— Some exceptions to the principles given in this and preceding sections are unavoidable, for in many cases a curve occurs between two letters, with one or both of which it will unite with a greater or less degree of diffloulty. If any of the letters are variable, as in most cases one or more of them will be, the difficulty can easily be reduced to a single bad angle ; but even in case of variable letters, a change that aids the joining with a preceding letter may increase the difBculty of joining with the following letter, and vice versa. Cases of this kind will afford scope for the ingenuity of the writer. Rem. 2.— So in other ways one principle may influence or over-ride the operation of another principle. Such details cannot be given here ; but the teacher of the art is advised to add to the illustrations given, so as to adapt them to different classes of his pupils. Such instruction will bear good fruit in the increased beauty and faeilenss of the outlines. Sec. 69. LiNEALITY AND PHRASING. Word-forms should have, so far as possible, a forwax'd instead of a backward tendency. If the outline runs downward or OF' Takigrafy. 125 backward, away from the line of writing, it frequently hinders phrasing, and time is lost in bringing the pen back to the proper place for commencing the next word-form. Rem. 1.— The variable letters and the contractions may be so used as to favor linear word-forms. Such words, for instance, as public, publication, aggregate, aggregation, and others, may be relieved from running too far below the line by using La and Sa instead of the compounds Bla and Gra. Rem. 1.— So much regard has been paid to this principle in the arrangement of the alfabet that it will be easy to secure good outlines by a little atten- tion and care on the part of the writer. In any extreme case of difficulty, the word-form may be divided, as in the compound word book-keeper. Sec. 70. The Requirements op Legibility. The requirements of legibility presuppose, as a basis, a fair degree of accuracy of penmanship, and regard to the proper distinctions in the length and shading of the letters. Rem. — The student shoud be drilled on all the elements introduced into this style, contrasting half-length and full-length characters, fiiU-length and double and treble-lengths, &c., till he can make the new distinctions as readily as those introduced into the first style. 1. — The first special requirement of legibility as applied to word-forms is CONSISTENCY OF OUTLINE. When the reader has become accustomed to see a given word written in a given way, he reads it from memory, without looking through the characters to see what they spell. If the form be changed at random, he will read with slowness and uncertainty. 3.— Another requsite of legibility is an observance of the LAWS OF analogy. This will greatly aid the memorj' of forms, and the reader, becoming accustomed to see a given combina- tion of sounds expressed in a given way, will read with cer- tainty and ease. Rem.— It will be observed that full, long vowels and diphthongs separate consonants, and that they generally accompany full and open outlines, while small and short vowels more frequently accompany contracted forms. This is especially true in regard to the use of the circle and the compounds of the L and i? series, and to some extent of the half-length signs. 3. — A third thing essential to a legible style of writing is A PROPER DISTINCTION OP WORDS containing the same conso- nants. If the words in question are of such meaning that they cannot be confounded, there is no danger ; but if they are of like or opposite significations, there is need of a dis- tinct difiference in the word-forms. 126 The Hand-Book 4. — A PROPER T7SE OP VOCAUZATION may be named as a fourth requisite of a legible style. A proper regard for brevity will lead the writer to omit all vowels that are not necessary ; but it is unwise economy to add to the labor of reading to save a far less labor in writing. o. Vowels ai-e necessary in some words containing only one consonant, as boy, bow, boiigh, ape, ope, pie, pew, &c. b. Besides these there are a larger number of words of two consonants, comprising nearly all uncommon words that may be written in full, as in the common style. The following will serve as specimens of the words alluded to : bag, sag, cap, gap, map, rap, tap, mob, sob, jog, job, dame, cape, cake, wake, tall, gall, &c. c. In addition to these, many words of three or four con- sonants, with or without a contraction of consonant outline, may be vocalized, as in blab, slab, clod, plod, trod, shad, clog, \log, grog, brine, swine, twine, stripe, strap, blame, jlame, bloom, flume, broom, brim, trim,, &c. Eem.— To these words In which the vocal sign is used for the sake of greater ease in reading should be added those mentioned under the rules for the requirements of speed. Sec. 67 c. d. The sign for I is frequently contracted by omitting one of the strokes, and words ending in wj/ may be written in analogy with any, by adding the tick. The last remark applies to such words as bony, stony, cony, funny, honey, briny, &c. e. When two vocal sounds occur together, as in the words aerial, pean, pious, science, &c., one or both of the vowels Bhould be written. The former, which is in most cases the accented vowel, is to be preferred when equally convenient. /. Vocalization will be frequently necessary in the follow- ing cases : — 1. — In writing proper names of persons and places. 2. — In quotations from the Latin, Greek, German, French, and other foreign languages. 3.— In technical terms used in the arts and sciences. 4. — In all unusual words, or words used in an unusual con- nection, or in a peculiar sense. Eem. 1.— Words generally considered technical or uncommon may be sufficiently familiar to some persons to be treated like ordinary words : OF Takigrafy. 127 and some quotations from foreign languages are so familiar that they may be contracted like ordinary phrases, as, for instance, vice versa^ viva voce. The purpose of the writing, and the knowledge of the subject, will deter- mine the amount of vocalization necessary to perspicuity. It is only neces- sary that the manuscript be easily read by the persons, and for the pur- poses, for which it was written. Rem. 2. —The careless writing of bare skeletons of consonant letters, with- out any reference to their legibility, so common among amateurs in Phonog- raphy, should be discouraged by the teacher. 5. — A fifth requirement of legibility is A peoper regard to THE RELATIONS of WORDS IN THE SENTENCE. Words that are used in familiar phrases, or in constructions that are familiar, become more easily legible from the connec- tion in which they stand. But words that are isolated, or used in unusual connections, or in peculiar senses, demand moi-e care in the writing to render them easily legible. Eem. 1.— The power of position in a sentence to add to the legibility of word-forms is illustrated in nearly all the phrases given in Tables and Reading Lessons. Properly made phrase-signs will aid the reader bymaking the connection of the words more noticeable. The word same, for instance, becomes definite in the phrase t/iesaine, since the word some is never pre- ceded by the article " 11. D - v^. ^^ "^^^ r^ L^ ■) ^ ^ .^n^ _ V^^'/ ^^ ^, >^ i/^ .-4^ 1 v^ n^ c^ /^ v^ OF Takigrafy. 129 Writing Exercise 19. Note.— The list of words given in tliis and tlie following Exercise, may be indefinitely increased. Words in which each syllable is written by a single stroke. App-li-ca-ble tre-men-dous-ly pros-per-ous des-pi-oa-ble ob- sti-nate occ-u-py ra-mi-fy re-me-dy di-gress-ive vul-can-ize oo-rro-bo-rate de-lu-sive coU-apse pro-pri-e-ty dis-ori-min- ate de-press-ing dis-grace-ful ar-o-ma na-vi-ga-tor. Contract or omit the italicised syllables: In-ves-h'-gate en-a- mor sen-st-tive a-nal-a-gous man-ip-ittore reg-n-larity dex- terity pre-rog-a-tive in-con-sol-a-ble nh-ne-gation resusci- tate ne-cessi-ty in-def-i-nite un-con-sti-tu-itonaZ. The vocal sign may be used in these words : Bee bay obey bah 1 boo ! boy bough pea pay pa pooh ! poe paw pie pew ape ope. Gay guy ague. Key coo Co. caw cue coy cow. Eke ache oak auk. Day dough daw die dew owed awed adieu idea. Tea tow toe tie toy eat oat iota eight. Ere vie view vow. Fee fie few shay shy Asia ease ooze owes awes. Thaw thigh thew ma moo maw mow (o) mow (ou) aim ohm knee nay no know gnaw nigh e'en awn lee lay loo la ! law lie lieu eel ale awl isle ail owl ear ore ire woo woe. Babe baby bake bib bob booby peep pipe pip pap pop poppy big bag bog back pig pick pack pike peak beam boom bean bane boon pawn pean piano pviny poach. Gab gap cab cob cape cap gig kick gag cog cake keen cane gain couch. Deep dupe tap top dig tick dock tack tag. Fib fob fop fugue file fuel fowl feel fool foal vile vowel veal vine fine fawn. Sheep shape shake shale. Deal dale doll teal tale tile toil towel tear tier tore tower door dyer dower. Shear shore shower. Meek maim main mayor mire meal mail mall mile nail Nile lean lane loon line lion. Blab clad clod crib crab creep crape croup crop drab drip droop drop trip trap troop tripe trick track freak shriek streak strike sleep sloop slip slab slap slag slack slake sleek. Bream broom brawn bruin brine bloom blain cream groom. 130 The Hand-Book Writing Exercise 20. Abner Albert Aurelius Aaron Anderson Antony Arnold Arthur Auerbach Augustine. Biddle Baldwin Bierstadt Byron Brainard Bryan. Cathcart Cheever Clark Cleopatra Caleb Cyprian Conway Confucius. Daguerre Dayton Darius Dahlgren Delancey Dickerson DeWitt Dryden Dumas Dwight. Eleazar Eliliu Elijah Enoch Ephriam. Fabius Fahrenheit Faraday Fernando Fowler, liallileo Galvani Garrison Gavazzi Guyot Gabriel Garret Geoffrey Gideon Griffith. Habakkuk Haldeman Hancock Hahnemann Hardee Have- meyer Harvey Hawthorne Hezekiah Hiram Heintzelman Horace Hayne Heliodorus Horatio Hosca Hilary Hoadley Holmes Homer Howells Howard Hopkins. Ingraham Ivison Ichabod Ingelovv Isaac Isaiah Iscariot Israel Ishmael. Jackson Jacob Jairus Jabez Jedekiah Jeremiah Jeroboam Josiah Judah Joab Joel. Knowlton Karl Kavanagh Kilpatrick Kossuth. Lafayette Lamartine Lapham Larrabee I/azarus Lewis Lawrence Lambert Leander Levi Lewellyn Longfellow Lucius Latham Lathrop Liebig Lincoln Livermore Luther Linnaeus Lippincott Lowenstein Loyola Lyell Lyon Luke Lyman Lubin Lucian Lycurgus. Mahomet Marryat Macaulay Marmaduke Malachi Maury Maohiavelli Maccabees Martineau Matthias Mayor Meyer- beer Moses. Nathan Neal Naaman Naomi Neander Newton Nehemiah Nero Norman. Obadiah Oliver Orlando Owen O'Leary O'Reilly O'Rourke O'Dowd. Packard Patrick Paley Parker Parnell Patti Peabody Pharaoh Philander Philip Pierpont Pizarro Pitman Plato Porter Proctor Ptolemy. Ralph Rudolph Roland Ransom Raphael Randolph Randall Raymond Reviere Rollm Rousseau Rupert Rufus. Saul Silas Simon Simeon Sullivan Spinosa Shakspeare Schuyler Talleyrand Taylor Tallmage Thaddeus Theodore Thackeray Tilford Tpbiah Tybalt Tyndall Tiberius Thiers Uriah Volney Victor. Waldo Warren Walter Warner Willard Wagner Wyatt Way laud Whiteflold Wilkinson Whittier Winslow Wayne OF Takigrafy. 131 Williams WyclifEe. Yanoy Youatt Zaohariah Zedekiah. Abigail Adaline Adelaide Agatlia Agnes Almira Amabel Angelica Angelina Arabella Aurelia. Barbara Beatrice Belinda Blanche. Catharina Charlotte Celia Chloe Clara Claudia Clementina Clarice Cora. Delia Diana Dora Edith Elizabeth Elvina Eudora Eugenia Euphemia Evangeline Evelina. Fanny Fidelia Flora Frances Fredrica. Georgiana Grace Gratia Griselda Henrietta Hortensia Helena Hannah Honora. Ida Inez Irene Joyce Justina Jaqueline Leonora Letitia Lilian Lois Louisa Lydia Laura Lavina. Mabel Magdalena Marcia Maria Matilda Mildred Mary Maud Miriam Miranda. Nina Nora Octavia Olive Ophelia Olympia Patience Paula Phebe Phillipa Polly. Rhoda Rosa Rosalind Sabina Salome Selina Serena Sophia Theodora Tryphosa Victoria Vida Viola Vivian Una. Alabama Alaska Iowa Adelphi Adrian Agawam Ains- worth Albany Albion Alexandria Algeria Algiers Alton Algona Alleghany Allendale Alliance Almira Amesbury Andalusia Angola Annapolis Ann Arbor Anoka Ansonia Antietam Antrim Applegate Appleton Arabia Arapahoe Ararat Arcadia Areola Argyle Ashborough Ashford Ashta- bula Aspinwall Ashton Astoria Auburn Augusta Aurora Austria Avondale. Babylon Bagdad Bangor Batavia Bavaria Belleview Bayfield Beloit Belvidere Blackburn Bracketville Brainard Buffalo Cairo Calais Canaan Canada Cape May Cayuga China Cincinnati Cleveland Clinton Coffeeville Cresco Cuyahoga. Darien Delhi Des Moines Dixie. Writing Exercise 21. Quotations from the Latin, Greek, and French languages. Latin. -Ab origine. Ab uno disce omnes. ADeoetrege. Ad captandum vulgus. A fortiori. jEre perrenius. Aliatentanda via est. Alieni appetens, sui profusus. A mensa et thoro. Bis dat qui cite dat. Certioi'ari. Dum spiro, spero. Ex nihilo nihil fit. Faber suae fortunae. Vi et armis. Una voce. Toto coelo. Suum cuique. Sine odio. Sic volo, sic jubeo. French. — A la belle etoile. Amidecour. Amour fait beau coup, mais argent fait tout. Honi soit qui mal y pense, 132 The Hand-Book Greek. — To prepsn. Hoi poUoi. To kalon. Ariston metron. Technical Terms. — Adulai-ia amphilogy anthoid autotypy biparietal Calceolaria exuviae heliotype. A Universal Alfabet. — We cannot but render homage to the efforts made by the .powerful minds of those who have striven to reduce to a satisfactory unity the lamentable diver- sity of signs (alphabets) which have thrown such obstacles in the way of truth, and either by fortuitous or designed resem- blance, have so long retarded the progress of the comparative study of languages, and their etymological affinity, so impor- tant to their philosophical development, and, consequently, the knowledge of their real origin, as well as of the characters employed in Writing, — fundamental pi-inciples which, in re- ferring each language to its true source, would enable us to study each group of languages at the same time, and thus to obtain (if it were possible to devote sufficient time to each) a universal knowledge of languages. To illustrate this proposition by an example, the study of the languagesnamed Arabic, Hebrew, Samaritan, Ethiopic, Syriac and Chaldean might, to a certain extent, be reduced to the study of only one, and a knowledge of the alphabets of each of^ the others, — alphabets founded, for the most part, upon circumstances which have wholly past away, but which, never- theless, have given, and still continue to give, to each of the above-named languages an appearance of individuality which they do not in reality possess, but which will subsist until this appearance shall vanish, and all these languages be writteii with the same alphabet, whereby it would at once be apparent that' they are really dialects of one and the same mothei'-lan- guage, — the Arabic. An able professor, who should occupy his scholars in this wide field of inquiry, explaining the rules of the mother-tongue, and the exceptions and peculiar char- acter of its dialects, might teach six languages, or rather an entire "family of languages at the same time. An analagous idea, but of less easy execution, has been sug- gested, namely, the composition of a universal alphabet, or one embracing at least all the languages of Europe. Sylvestre's Palaeography. Chapter XII. — Miscellaneous Contractions. Sec. 71. Consonant Letters Omitted. 1. — Pe is frequently omitted when it follows Ka ; and Ka when it follows Te and Jn.gr, as in description distinction. 2. — Te is omitted after the circle in some cases, as in mostly. 3. — -En, El, Ar, "Ya, and Ha, are omitted in some words, though Ha is more frequently contracted to a tick. 4. — Other letters may be omitted where brevity or conven- ience requires it, though such omission should be restricted to cases where the regular form is especially inconvenient. Examples. ^ \ }> 1. Description subscription destruction instruction sanction distinction. S. Post-boy plastic domestic rustic vastly listless mostly restlessness. G. Continue attenuate unionist identical companion behave. 4. Behavior behoof hopeful happy unhappy reprehend compr'nd appr'nsion. Additional Wobds in which Lbttbes are Omitted. Omit P: Prescription proscription reScription. Omit K: Production productive induction inductive seduction seductive reduction function conjunction. Omit T : Sophistic elastic mystic majestic paraphrastic bombastic postpone postage fastness justly lastly jesticulate investigate testament testimony testimonial. Omit N, L, R, H or Y: Tenement attainment atonement. Million billion millionaire. Tolerable toleration venerable. Behave behoove behoof reprehend convenient conveniently convenience, and their derivatives. 133 134 The Hand-Book Additional Word-Signs. We give below a few additional word-signs. They do not comprise all that may be employed. Eaoh special department of Reporting will have its own special class of word-and phrase-signs, in addition to those gi.en in the Hand-Book. 1_ \ > > _ therefore call r amount catastrophe „ distinguish ^-D ^ never neglect ^ acoordinglj. -> differ dominion. '—, Almighty -^ anything ""\ Takigrafy ^ astonish --V. nothing -3 Fonografy ■^ toward ■) virtue ^ sublime c were where ^-0 J life year a image- ine c member D would ^ beyond r elsewhere 3 what ^ change s behol^ ? whatsoever - judge A resemble - 1%. ^c^ ) O ^^ ^ j^ ^^ c_e7 -vw c'^ -»- , -^-T>^ -V __ a ^ >^, a kV - X//^ .v_ '='-' <^^ (^, __DX.^ ^ ^ ^V "2^ '^ ^ ^ -" ' - ^ / t /* ^ ^ , 4 /> i> ^^^' ^ ^ 1 , OF Takigrafy. 147 ■^ •7 ^ .--^ ^ r^ Cw> 148 The Hand-Book u/ -^^ ^4 '3 >^— i- ^^ -^^-^, ^-^ ^ ^^ ,- /^ r , 'b 2 D dc) ^"^^ ^ 0--= 4^ , ^^ 1 -^ OF Takigkafy. 149 Writing Exercise 22. Writing. — Whatever be the fate of this or that system, though every author perish: without a name, yet the art of writing is not only commanding in its origin and history, but is beautiful in its graceful perfections, and imposing in its proper imagery. The true imagery of writing is culled, then, from the sublime and beatiful in nature ; and here the mind cannot but contemplate its advent among the Hebrews with mingled emotions of veneration, awe, devotion, admiration, and pleasui-e. The summit of Sinai is clad with vivid light- nings, and rocked by the awful thunders of the Eternal, while amid the conflicting elements and blazonry of heaven's artil- lery the pen of the Law-giver is put forth to give his divine law, and the first tracings of this proud art to man. There he grouped in lessened lines the sun in his glory, and the moon in her unshorn majesty, the varied shore, the straits, the indentations, the sparkling islands, and culminating waves of the ocean. He blent the windings of the Euphrates and Jordan with the oaks of Bashan and the cedars of Lebanon ; with the rainbow of the cloud he capped the tall pines of Idumea, and mingled the rich shrubbery of Paradise with the spiral furs of Sidonia. Every dot was a star, and every cross [dash] a line of light from the eternal hills ; and when the whole was finished, this wondrous art flamed out from the bosom of the rock, bearing the solemn and divine injunction of the moral law, as rules of action for all mankind. Key to Spencer's Penmanship. I WRiTiNa Well.— When a man would speak well, he must conceive clearly the ideas which he desires to express ■ and if he would write well, he must have distinctly impressed on his mind the characters which he means to exhibit. To illustrate the second essential of good writmg, viz., power of execution, by the same analogy, however just and clear a man's conceptions may be, if his utterance be labored, slow, and timid, his dis- course will be imperfect and unsatisfactory. In like manner if the letters be well formed, but combined and arranged with- out ease or gracefulness, the writing will never be thought beautiful or pleasing. By long experience and observation in 150 The Hand-Book teaching, we are induced to believe that but a small proportion of minds are deficient in the faculty of apprehending propor- tionate forms and happy blending of imagery, reflected through the medium of the eye. Such apprehension is generally devel- oped with the greatest quickness, particularly when the judg- ment is assisted in its decisions by the active power and happy opportunity of comparison presented. Imagery, commended to our favorable notice and selection when young, by those we love, andon whose judgment we depend, or left unforbidden to voluntary selection amid our school-boy scenes, when the young heart first begins to revel amid Nature's varied charms, and drink the smiles from friendship's sun-lit brow, makes a deep and lasting impression, which time and toil and age can scarce- ly mar, and never obliterate. Such is our nature. It is the poetry as well as the reality of our existence, embalming the scenery we loved in the innocent days of untried being. Better is it for the novitiate in the art of writing to sit down alone with his materials and copy the moon in all her phases, borrow from the serpentinings of the brook that meanders at his feet, bring the Lombardy poplar to his aid, follow the curve of the pendent willow from tendril tp stamen, and bind the whole with the undulating folds of the woodbine, and then call it chirography, than depend for a model of his hand on those miserable productions that, without form or comeUness, pain and perplex, and against the worship of which there is no command, either specified or implied. He would thus have more of nature, and therefore more of the true art of writing. Thus, the proper images of writing being implanted in the mind, by having them early before the eye, are adopted by the judgment after comparison has done its labor, and doubt has C^HSGd The power to bring forth such imagery on paper is latent in the arm, forearm, hand, and fingers, and can only be devel- oped by exercises that affect these auxiliary locahties, and bring a four-fold power to act conjointly with ease and skill. Without a free and unobstructed constant horizontal move- ment from right to left, through the whole line, the wntmg will be wanting in harmony of slope, ease, and truthfulness of combination. But when all these movements are practiced OF Takigrafy. 151 fully and systematically, all the muscles from the shoulder downwards develop themselves rapidly, and power is gained over the pen to bring forth the adopted imagery of the mind in all the grace and elegance that spring from just proportions and easy execution. Practice, to be sure, is indispensable in bringing to perfection any art, science, or profession. The pupil must not expect to be able at once to execute what he fully comprehends. Patience and energy are required to attain a thorough and perfect command of hand. There is no royal road by which idleness and indifference may find their way to a goal which is only to be reached by diligent and well-directed application. The only process really short is such as is made so by commencing in a right manner from the outset, securing the advantage of the instructions of an ex- perienced teacher till the object is accomplished. And when the object is accomplished, how beautiful and imposing are the specimens of art which the proficient is able to produce ! The eye glances along the well-written page with as much pleasure as it rests on a beautiful grove when nature and art have unitedly tasked themselves to blend the greatest variety with the utmost symmetry.— Spencer's Penmanship. Writing Exercise 23. The Akmor or Ebic. There was deep and wondrous meaning In that northern legend, old. That when Eric forged his armor From his lips an anthem rolled, Eolled above the sounding anvil Diapasons high and brave, Telling of the victors laurel. Telling of the heroes grave. There he stood, the swart and earnest, Turning in his brawny hands. Many an helmet on his anvil. For the knights of many lands. And the high heroic music, Mingling with the hammer's peal. Gave to Eric's armor virtue Never known before to steel. 152 The Hand-Book Over all shone Eric's helmets In the van like vsrarrior stars, Dazzling flashed the sacred armor On the battles sounding cax's. Helm and Hauberk were enchanted In that old and wondrous time, For he made his siniple smithy Glorious with the martial rhyme. There's a nobler, grander armor. Than the north-men ever made, That the human soul must fashion When her battle is arrayed, When the lists of life are open, When the demon shadow falls. When the trump of truth is sounding Many a charge on errors walls. Let us. when we forge that armor Think and whisper holy thought. Hymns to which the Pauls and Stephens Many a mighty armor wrought. Helm and Hauberk then enchanted By the high and holy rhyme. Shall forever bear us scathless On the battle field of time. BEEVITIES. We make laws, but we follow customs. A good man will never teach what he does not believe. They never find God who seek Him solely by reasoning. A clear conscience is the best law, and temperance the best physio. The human heart is like heaven, — the more angels the more room for them. Though we travel the world over to find the beautiful, we must carry it with us, or we find it not. Let us at least commence the day with words of kindness, for even the birds sing praise to their Creator every morning. Anecdote. — " How do you know," said a traveler to a poor, wandering Arab of the desert, "that there is a God?" "In the same manner," he replied, "that I trace the footsteps of of an animal, — by the prints it leaves upon the sand." OF Takigbafy. 153 Writing Exercise 24. Freedom and Patriotism. God has stamped upon our very humanity, the impress of freedom. It is the unchartered pre- rogative of human nature. A soul ceases to be a soul, in proportion as it ceases to be free. Strip it of this, and you Strip it of one of its essential and characteristic attributes. Every people is attached to its country just in proportion as it is free. No matter if that country be in the rocky fastnesses of Switzerland, amidst the snows of Tartary, or on the most barren and lonely island-shore ^ yet, when the songs of those free homes chance to fall upon the exile's ear, no soft and ravishing airs that wait upon the timid f eastings of Asiatic opulence ever thrilled the heart with such mingled rapture and agony as those simple tones. Sad mementos might they be of poverty and want and toil ; yet it was enough that they were mementos of happy freedom. I have seen my countrymen, when a fellow wanderer in other lands ; and little did I see or feel to warrant the appre- hension, sometimes expressed, that foreign travel would weaken our patriotic attachments. One sigh for home — home, arose from all hearts. And why, from palaces and courts^ why, from gallei'ies of the arts, where the marble softens into life, and painting sheds an almost living presence of beauty around it — why, from the mountain's awful brow, and the lonely valleys and lakes, touched with the sunset hues of old romance — why, from those venerable and touching ruins to which our very heart grows — why, from all these scenes, were they looking beyond the swellings of the Atlantic wave, to a dearer and holier spot of earth — their own, own country? Doubtless, it was in part because it is their country ! But it was also, because they knew that there was no oppression, no pitiful exaction of petty tyranny, no accredited and in-esist- ible religious domination, no odious soldier at every corner, or swarms of imploring beggars, the victims of misrule ; be- cause there was liberty — upon all the green hills, and amidst all the peaceful villages — liberty, the wall of fire around the humblest home ; the crown of glory, studded with her ever- blazing stars, upon the proudest mansion ! Oeville Dewey. 154 The Hand-Book OF Taicigrafy. 155 "2, ^ \j, ^ ^ "S^-n^ u^-^ V V V V ^^ V ii_p : 3 i /- O^,.-^ 158 The Hand-Book Key to the Opposite Page. Te8timo¥y Reported by Samuel Purkell, op San Francisco, Cal. (Contributed in Takigrafy to Browne's Phonographic Monthly.) Mr. C. Ston^^ examined by Commissioner Goyle. Question.— Can you, sir, state any principle establishing commutation rates, monthly ticket, or other tickets entitling parties to ride without payment in advance for each ride, except what you have already given as to the established rules about rates of fare ? Mr. Stone. — ^We have no universal rule governing commutation rates, round tiip tickets, &c., but they are made usually where people dwelling in the country can go into large cities and out the same .day, where hotel bills do not have to be incurred. Low rates are based a good deal on that idea, also on the number of persons or commuters to be accommodated. Question.— Then no ruleoan be given concerning them, you think. They are fixed with reference to the general character of the business, and its magnitude, with some consideration tor the speedy and healthy develop- ment of the country, also keeping a sharp look-out for the treasury of the road f Answer.— Yes, that Is it exactly. I know of no rule by which such things can be calculated. It is a matter of good judgment for each individual case as it arises. Question.— Is there economy in taking a through-ticket, to your ultimate destination? If so, how much, what percentage is that economy, may I inquire f " * Answer.— The saving is perhaps equal to some 85 per cent, or more, all round. But one road does not stand all the reduction ; it is shared by all the roads proportionally, generally according-to their mileage, but some- times other elements creep in which vary that somewhat. As I have said before, I do not know how to tell you .these things in rules, because it is a matter of judgment, of friendly compromise and the like. Question. — When charges of rates are varied how do they change, are they mostly in favor of a reduction ? Answer.— Almost always. I cannot at this moment remember that we ever voluntarily raised rates. Such an act would generally not be a position based on good policy. It might also be ineffective as a finality, and the public would be pretty sure to look upon it as declaratory of an overmas- tering desire to get rich too suddenly, and hostUe legislation would be invited. OF Takigrafy. 159 -c^-^b-^ 5. k-^J;.-^^ I ] e k^,^ 1 p ^ /\1 160 The Hand-Book specimen op law reporting. Address of Hon. Chas. S. May; furnished by E. P. Goodrich. If your Honor please, — Oentlemen of the Jury i-r- In my whole experience-as an advocate and public speaker I have seldom if ever, felt impressed with such embarrassment as I now feel in rising to close the argument for the people in this most important cause. Called here vrithout previous knowledge of the facts farther than as a citizen I had read in the public points, I do not enjoy the advantage of that intimate acquaintance with all the ramifications of this evidence, that knowledge of witnesses, their history, their character, which my brothers on either side have enjoyed throughout this trial. Coming here in the line of my pro- fessional duty, I find a most extraordinary case. I find that a great crime has been committed by somebody : a crime that imperils your habitations, your public structures, the. veiy lives of your citizens. I say I find that a great crime has been committed, because it is not claimed here by my brothers on the other side that the burning of Armory Hall was acciden- . tal. The fire was set by somebody. Whosetit? That is the question which •you are to decide. Gentlemen of the jury, I am here to assist you in the discharge of this duty, and I beg you to believe that what I shall say to you to-night is prompted by no spirit of m :lice or persecution against anybody. I am here to assist the prosecution, which I believe has been conducted as carefully, as candidly, as any prosecution that was ever commenced in the State of Michigan. I have seen prosecutions, as you may have seen, as all lawyers and men of experience have seen, prosecutions marked by bitterness prosecutions that have degenerated into mere persecutions ; but such is not the case here, and I am glad to be able to say this much upon my respon- sibility as a man and a lawyer in your presence to relieve, if it should be thought necessary, this prosecuting officer from all imputations that have been cast upon him. Under such facts as have been divulged before you, what was the duty of the prosecuting officer of this county? Can any man say that he would have been justified under his oath of office, on his public duty and conscience in passing this case by, in entering a nolle prosequi in the court upon it? As he told you to-day, and I cannot doubt his word when I see this mass of work he has accomplished ; he has spent nearly a year of work in bringing this case to your attention, and yet, gentlemen, in the discharge of this duty, in the performance of this Herculean labor, lie could have been actuated by no motive except the motive of the pub- lic good and the public safety. OF Takigbafy. 161 -K- 162 The Hand-Book <^ ^A^. ^^^ \^ ^L "Xj>-^ \3^.x— v-..^ .>»/ A /^<^^ /^ "^=--^r^— . ^"jh^^ >X^, ^^(>L. 168 The Hand-Book