FINE m 237 .P48 A4 1917 CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924100356553 THE MEMORIAL ART GALLERY IS OPEN EVERY DAY FROM 10:00 A. M. TO *:ilO P. M., EXCEPTING ON SUNDAYS AND MONDAYS, WHEN IT IS OPEN FROM 1:30 TO 4:30 P. M. FREE DAYS: WEDNESDAYS. SATUR- DAYS. AND SUNDAYS. OTHER DAYS ADMISSION IS TWENTY-FIVE CENTS. MANY OF THESE PAINTINGS ARE FOR SALE : FOR PRICF5 APPLY AT TH E DESK OR AT THE OFFICE OF THE GALLERY. CORNELL UNIVERSITY LIBRARY 3 1924 100 356 553 THE MEMORIAL ART GALLERY ROCHESTER, NEW YORK AN EXHIBITION OF PAINTINGS BY JANE PETERSON FRANK TOWNSEND HUTCHENS AND OTHER CONTEMPORARY AMERICAN ARTISTS FEBRUARY NINETEEN HUNDRED AND SEVENTEEN PAINTINGS BY JANE PETERSON OILS. 1. Guinea Boats, Gloucester. 9. High Tide. 3. Sunset Glow. 4. Low Tide. 5. Red House. 6. Morning in an Italian Garden. 7. The Round Pool. 8. Fishermen's Huts. 9. A Pier at Gloucester. 10. The Water Front, Gloucester. 11. The Black Sloop. 12. The Wagon Yard. 13. A Boat Landing, Gloucester. 14. Late Afternoon. 15. Comer Grocery Store. WATER COLORS. 16. The End of the Day, 17. A Bit of Old Gloucester. 18. White Boats. 19. The Boat Landing. PAINTINGS BY A GROUP OF CONTEMPORARY AMERICAN ARTISTS RUDOLPH DIRKS 30. Sun Shower. 31. Coast. 33. Surf. 33. Holsteins. OSCAR FEHRER 34. Colonial Dame. 35. Cyclamen. 36. Yellow and Rose. 37. Under the Parasol. 38. Leaning on the Chair. 39. Flowered Shawl. 30. Old T,ady. 31. Sand Dunes. 33. At the Mill Pond. GUS MAGEB \< 33. Self Portrait. 34. Lilacs. H. F. NAGEL 35. Winter Day. HOBART NICHOLS 36. Hills of Westchester. 37. The Water Fall. 38. The Brook. 39. Autumn. CARL RUNGIUS 40. Climbing Shadows. 41. Down the Brazeau. 42. On Wilcox Pass. 43. September Snow. 44. At the Forks. 45. A Knight Errant 46. In the Cedar Swamp. 47. Canadian Wilderness. 48. The Upper Bow. PAINTINGS BY FRANK TOWNSEND HUTCHENS 49. Morning in France. 50. The Cedars. 61. The Flow. 53. An Adirondack Lake. 53. An Old House in Connecticut. 54. The Gingham Dress. 55. The Silvermine River. 56. Autumn in Picardie. 57. An August Morning. 5S. Autumn Haze. 59. A New England Home. 60. Autumn Color. 61. June Morning. 62. Market in Normandie. 63. Through the Trees. 64. The Ehns. 65. Village in France. 66. Twilight in Picardie. 67. Queen Anne's Lace. 68. The Frozen Stream. 69. Summer Morning. 70. Market Day in France. 71. Red Oaks. 73. A Winter Afternoon. 73. In June. 74. The Top of the Hill. IN THE PRINT ROOM ETCHINGS BY FRANK BRANGWYN iiiiiiiiiiiiiiitiiiiiiiiiiiiiiiiiiiiitiiiiiiiiii 1. Building the Ship. 3. Hop Pickers, Cannon Street Station. 3. Cannon Street Station. 4. St. Paul's, London. 5. St. Nicholas, Paris. 6. St. Austreberthe, Montreuil. 7. Old Houses, Ghent. 8. The Mill, Bruges. 9. Breaking Up of the Duncan. 10. Notre Dame, Paris. 11. Bridge at Barnard Castle. 13. Old Hammersmith. 13. Breaking Up of the Caledonia. 14. London Bridge, No. 3. 15. The Mosque, Constantinople. 16. The Monument. 17. Notre Dame, Eu. 18. Gate of Naples. 19. Coal Mining. 30. Santa Maria, from the Street. 21. The Village Green. 33. Tour de Pauve. 33. The Fanner of Porterogue. 34. Kew Bridge. 36. Market, Fumes. 26. Notre Dame, La Riche. 37. Scaffolding, South Kensington. 28. The Brewery, No. 3. 29. Little Mill, No. 3. 30. Traghetto. ETCHINGS BY M. A. J. BAUER 31. Aladdin 32. A Persian Festival. 33. A Street in Constantinople. 34. A Bazaar in Damascus. 35. Oriental Palaces. 36. Entrance to a Temple. 37. Festival Day on the Ganges. 38. Mosque el Hassan. 39. Street in Cairo. 40. A Vizir. 41. A Fantasy. 43. Victory. 43. The Kremhn. 44. Queen of Sheba at Jerusalem. 45. Pilgrimage. 46. Cavalry. 4T. The Visit. 48. Mosque, St. Irene. 49. A Sultan. 50. Prayer Meeting. THK ubjeut of The Memorial Art C%ilerT is tu further the interests of fine art in the city of Rochester by maintaining- exhibitions of pictures and statuary, an art library, and a collection of photographs and pritits, which shall be a means both of pleasure and lof education for all the citizens of Rochester. In order that a large number of lorers of art in Roch- ester may share in making the Grallery usefuland enjoyable for all the citisens, provision has been made in the By-Laws for membership in various classes. All members are entitled to free admission to the Gallery at all times that it is t^pen to the public, and to all lectures, receptions and private views that may be con- ducted by the Directors. They are entitled afao to the privilege of drawing books from the library of the Gralleiy. Supporters and sustaining members, shall have the privilege of free admission for members df^ their families and for visiting flriends. A contributing member shall have the privilege of free admissions for himself and one other member of his family. CLASSES OF MEMBERSHIP. 1. SuFPORifBS. Persons who shall contribute two hundred and fifty dollars a year towards the maintenance of the Art Gallery. 3. SiTSTAiNiNG Members. Persons who shall con- tribute one himdred dollars a year, or more, but less than two hundred and fifty dollars. 3. CoHTaiBUTiifa Membehs. Personal who shall con- tribute twenty-five dollars a year, air morei but less than one hundred dollars. 4. Annual Membeks. Persons who shall contribute ten dollars a year, or more, but less than twenty-five dollars. o. Associate Members. Any artist, school teacher, or art craftsman actively practicing his profession, may become an associate member of the Art Gallery upon payment of five dollars a year. K'