722 ATOP O THE WORLD ^vhondcrs of the YELLOWSTONE DREAMLAND bif Joe Mitchell Chappie HEAVEN andEKmW m r splendor CORNELL UNIVERSITY LIBRARY Tke gorgeous prismatic splendor of Yellowstone Canyon from Artist's Point reveals the moods of the wonderful color picture of nature one ied pictures. In the noontide splendor Yellowstone Canyon is supreme. In looking upon this spiration that cannot be described 7 22 I cJ ol a OLiN LIBRARY-CIRCULATION \^JlafKJ[E DUE UPR M-% H i '^ w Nnv 1 ^ ?nnB OATLOIID PHIMTSD IN U.S.A. Photo by J. E. Haynes This is not, as you might suppose at first glance, the effect of a depth bomb at sea. It is merely the "Old Faithful" geyser in the Yellowstone National Park, relieving its overcharged feelings in its customary way \ ATOP O' THE WORLD Wonders of the Yellowstone Dreamland JOE MITCHELL CHAPPLE 1922 CHAPPLE PUBLISHING COMPANY, Ltd. BOSTON Copyright, 1922 BT Joe Mitchell Chapple First Edition, September, 1922 Second Edition, November, 1922 / PRINTED AND BOXTND IN U.S.A. RB.D, Lights and Shadows on a Day Eternal Chapter Page I A' Top o' the World II In the Light of the Morning Stars III Sunrise at the Terraces of the Gods . IV Forenoon Fantasies as the Day Gathers Color V In Fields of Snow and Flowers VI Splendor of Noontide at the Canyon . VII Vesper Lights and Shadows in God's Temple VIII Sunset on a Summit of the Rockies . IX Entrancing Twilight in the Valleys X Witchery of Moonlight on the Lake . XI Midnight Revels on the Devil's Golf Course XII Glee of Geysers in Wee Sma' Hours . XIII Dawn at Old Faithful, Eternity's Time Piece XIV Yellowstone Traditions and Discoveries . XV Glories of the Golden Anniversary Year . XVI Roosevelt's Tribute to the Park . XVII "Every Gate a Pearl" of Nature's Wonders XVIII Mother Earth's Day of Peace Eternal 9 12 16 25 31 35 41 46 49 58 64 68 78 81 88 97 103 106 The gorgeous prismatic splendor of Yellowstone Canyon from Artist's Point reveals the moods of the day in varied pictures .... Cover Lining The "Semi-Centennial" Geyser which first spouted on the ;oth anniver- sary of the opening of Yellowstone Park Frontispiece The Oblong Geyser, on the opposite side of the Firehole River from Chromatic Pool 17 A Croup of Pelicans on an island in Pelican Lake, miles above sea level 17 The Terraces of the Gods are Hot Springs 18 Like a mortar's gun, the Riverside Geyser shoots its stream of steam across the river 27 Mammoth Hot Spring Hotel, located on the site of the original hostelry of Yellowstone Park 28 There are many hundreds of prong-horned antelopes in the Park 28 Old Faithful Inn, the palace of logs, where thousands of tourists have been welcomed 37 You feel as if you were within the ruins of an ancient castle at Castle Well, a large crested spring near Castle Geyser 37 The buffaloes are a reminder of the great herds of bison that stampeded the western plains in days agone 38 Norris Basin, battleground of the Geysers 55 Jackson Lake, just outside the Park, is a glorious setting of Yellowstone wonderland 56 A tent section in one of the permanent summer camps 73 A horseback party ready to leave Camp Roosevelt 73 Every variety of nature's wonders seems to be included in Yellowstone . . 74 The music of the twain of Yellowstone Falls 91 Scenes in fairyland are awakened when the spectacular grotto and geyser are viewed in action 92 Atop o' Mt. Washburn, the one point where the visitor feels that he is truly above of the world 101 There is a magnetic majesty about Electric Peak, eleven thousand feet high 101 The nuptials of heaven and earth are vividly portrayed at Hymen Terrace near Mammoth Hot Springs 102 Christening the Sign at the Junction of the Gibbon and Firehole Rivers. . 102 Map of the Yelloivstone Park Region Cover Lining FOREWORD A Little Chat, with the Reader AT the suggestion of friends I have dared much in an effort to express the feeUngs that come, witnessing the dramatic majesty of Nature. Emotions overwhelm me as I endeavor to make a prosaic pen speak of things that words cannot ade- quately portray ; these are the thrills that the Creator intends we shall feel when we witness the splendor of His almighty works. And only those who have seen Yellowstone realize the presence of His revealing spirit there. Here the colors of the spectrum blend in every shade and hue — Nature's own pigments which only the hand of God himself can palette into such pictures eternal. Enduring visions are enkindled in the magic of memories associated with the dream days amid the wonders of the Yellowstone. The sponsor of this book opened to me the golden gates of memory to childhood days and dreams of my sainted mother. An old friend, I think it was John Muir, once urged me, during vacation days in the painted desert of Arizona, to "go lay your head in Nature's lap and let her tell you stories." Here are the stories and visions of dream days — all alone with Mother Nature. ^^^P^ul i^vUlC% right by Gifford This is not in Florida, the Pelican State, but miles above the sea level in Yellowstone. The pelicans chatter and hold high carnival as they converse on climate. They know how to get close together when there is something to eat and talk about ty ^ Q -S; "ij S. ^ § ° t 3 a ^ 3 O -^ .c 11 J -c "= ^ = ._ - t3 C •- _ ^ 'r. t"^ 'a 'ii ^ -^ Islill s = g A'top o' the World 19 Terraces, exuding the healthful and antiseptic odor of sulphur. Under our very feet as we climb up- ward the waters bubble gently down, building for- mations as they fall, and leaving their rocky beds to glisten with a brilliant, solid yellow. Perhaps this is what gave rise to the Indian title of "Yellow- stone," which they called this section of the country. The little algae plants are already at work in their alchemic miracles of form and color. Somewhere in the distance there is a roar. Hear! It is the voice of a deep-throated geyser pouncing upon the victim of his conquest. Now we are standing at the very spot where the heated breath is blown through the mighty portals of a cavern in the rocks. This is the Devil's Kitchen — and yet no breakfast is in sight. But ah, what a feast for the eye is set before us! There in the glory of the sunrise stand Jupiter and Minerva arrayed in the full-orbed splendor of rain- bow hues, petrified miniatures of Niagara. The dripping of the water is the sweat that is oozing from the brow of the Terraces, tugging away in this magic laboratory of the gods. All aglow in the purity of whiteness glistens the beautiful Angel Terrace nearby, forming yet another contrast to the picture. Its robes are studded with dead trees, and by half-closing the eyes, we may fancy that we are gazing through a frosted window upon a winter scene of New England, where bare 20 A'top o' the World trunks, twigs, and branches, decorated with icicles, are battUng with Boreas. The gorgeous coloring and form of thermal springs in all of their unrivalled magic are here aglow with the splendor of the sunrise. The tracery of exquisite beauty in unity and color and hue include every pattern in Nature's weaving. Amid the wonder of this golden stairway stands Minerva, a goddess supreme, clad in the purity of vapor, sparkling in the amber of the gathering sun- rise, and partaking of the blue of the summer skies and the jade of the foliage in her royal mantle. The sun lends his assistance in spreading Min- erva's robes over the mountainside, so that the marvel children of the terrace may continue their play by day, oblivious of the turbulence that comes with new-born spring, eager to join in their song of creation. Even the suffused rays of the sunrise fail to reach as far as the Canyon side, although there is no conflict of light and shadow. These are harmoniously blended into the tapestries of the cur- tain of approaching day. The flute-voiced plover sends forth his call of the morning. His mate replies. Another joins in the birds' Gloria Patria, then another, and soon the whole adjacent primeval forest is echoing and re- echoing with the morning anthem. The natural impulse of the "untourified" is to experiment, just for the sake of finding out if the A'top o' the World 21 water is really as hot as it seems. A finger or hand is immersed for a test — and it is quickly withdrawn. With its combination of mysterious chemicals, the water has come to a white heat and burns as no other hot water burns. The breath of Satan scalds and blights to kill. Adown the road with cheery halloo, in our royal coach, a yellow bus, and we are oflf to Silver Gate, which stands a sentinel before the first real gleam of sunrise. Amid the rocky battlements we fancy that we can hear the retreating of the soft-footed, swift- winged fairies on the soft, cool vapors of the morning zephyrs. The heart pulses faster as the morning unfolds and the sun begins his play on the rocky crags above. "Yo, ho! Yo, ho!" Here beside the trail is an Indian — a traditional Sun-worshipper — ^holding aloft for our inspection one of the silvery fish, a mountain trout, which he has caught in the stream nearby. The smoke of the campfire comes to our nostrils, like the incense to the spirit of the woodlands. A hearty grunt pro- claims the advent of a mother bear and her cubs in search of their share of the Indian's breakfast. What romance is astir in these hills! Animal and man are met in peace conference without pact or seal. Riding along the rocky ledge, we behold the far- famed Hoodoo Rocks, lying together in massed 22 A'top o' the World confusion, rectangular in form — a wrecked moun- tain where giants gamboled. Perhaps these were Lucifer's blocks which he dashed for a fall into the depths of Hoodoo Land when he grew tired of playing with them one day. There they lie, all topsy-turvy, just as he hurled them aside. Like the black rocks of Camaralzaman in "Arabian Nights," they seem to spring to life at the flush of sunrise. Let us pause in silence as the sky changes its draperies from lavender to pink, and from pink to red. And now a radiance reflects in the streams below as the ribbons of the rainbow colors stretch far beyond. The red line of the horizon grows heavier; now deeper; and even as we watch him. Old Sol shakes off his nightcap and arises in all his pomp. Here is glory indescribable as, a little way behind Hoodoo Land we approach the other sentinel known as the Golden Gate. The elk at the crag outposts haughtily challenges us for a countersign. This is the gate of gold named for its graceful form and for its power of reflecting the glories of the sun. In the roadside camp of the sage-brusher is heard the laughter of happy children, together with the merry twitter of the song birds. Here is the forest; here are the fragrance of wildflowers, the sweetness of waters of everlasting fountains, the warmth of the summer sunshine and the coolness of winter snows, the silvery glistening of raindrops, the virgin purity A'top o' the World 23 of snowflakes even in summer days, the song of a soul praising its maker. We are overwhelmed with the voice of all of these things as they join in an unending hymn. Drifts of snow bordering the summerland furnish no end of delight. The pilgrims stop to click their cameras at every drift. Nor can their elders resist the childhood pleasures of a jolly good snowballing. Yes, we grow younger. Time slips away, and we join the hearty laughter when a misdirected snowball finds its way to the nose of one good lady, dislodging her spectacles and falling in a fluffy mass on her taffeta gown. She is in good humor, and making hurried grasps at the snow that has fallen in her lap, she presses it into another sphere and proceeds to aim with a saluting arm. What matter if this mis- sile goes toward the pine tree, two yards to my left? The children rush in that direction to make sure that mother's snowball found a sure target. How everybody laughs as the driver starts the car with one hand on the gear-shift lever, and with the other endeavors to dislodge a snowball from the back of his collar! One tourist, asleep on the back seat, who refused to get out when the others tried to per- suade him, is awakened with a start as a snowball splices his ear. "This is a hell of a place!" he gruflBy exclaims. His listeners are charitable, for he missed his coffee this morning. 24 A'tov o' the World "There are no snowballs in that region," declares the little school teacher, snuggling beside him. He catches the reflection of the sunrise in her smile. It is all over. The full-orbed, steady beam of the risen sun has mellowed the landscape. This"" fellowship of the sun-worshippers from all over the world will never forget the overture of a perfect day — Sunrise at the Terraces of the Gods. IV Forenoon fantasies as Day Gathers Color '^ITH the longing that each hour of the day may be lengthened, forenoon fantasies foregather as the moments fly. Daylight visions dispel the emo- tions that are prone to attend the dreams of the twilight hour. Fan- tasy here is not altogether a mental delusion; it steals upon us with a whimsical, gro- tesque impulse of imagery. This new and strange mood of mental ebb and flow creates pictures be- yond those falling within the horizon of physical view. The precious moments of time glide by, un- measured by ticking clock or swinging pendulum. Slow eternity is here annealing the manacles of form. The day grows on apace, but we recognize the change of time only through the dial of lights and shadows, where "dim alchemic powers rebuild to law's immuta- ble demands." As the day gathers color and strength, the fore- noon fantasies flit from the camps. All astir with the call of the wild, the caravan of motors moves on like Gypsy vans. On the bank of a nearby stream sits a "Compleat Angler," absorbed in the spirit of 25 26 A'top o' the World Izaak Walton. That children are playing in the re- cent haunts of wild animals reveals the kinship that exists between the nature of the wild creatures and that of humans. The hours that herald the approach of noontide find us on the drive to the geyser basins, past lovely Swan Lake, to Apollinaris Springs, where we stop — doubting — to taste the clear waters and go on — convinced — now ready to believe almost anything about Yellowstone Park Here is Obsidian Cliff, where the Indians gathered their arrow heads — Roaring Mountain nearby and the unspeakable charm of Twin Lakes, one blue, the other green. Norris Geyser Basin, 7,470 feet above the sea, presents an amazing continuance of wonders left behind at Mammoth. Here the Black Growler hisses deep in the earth; Constant Geyser, Whirligig Geyser and Valentine Geyser show us a promise of larger ones ahead. The Bathtub, on our left, boils violently, in rage perhaps, for none of our party accepts its invitation. A path leads on to Emerald Pool, more beautiful even than its name, and to the new "paint pots" of pink and blue mud, which heave about like boiling porridge. The Spirit of the Revolution keeps aflame nearby in the Minute Man Geyser, whose energy never tires, whose waters burst from the ground each time your watch-hand moves. Arrayed in one of the varied uniforms to be seen Copyright by J. E. Haynes Like a mortar's gun, the Riverside Geyser shoots its stream of steam across the river. It is located on the east bank of the Firehole River, a few feet above the new steel bridge, where it is observed erupting every iix or seven hours. It keeps up a continuous fire for a period of several minutes. Its volley of steam extends over one hundred feet Mammoth Hot Springs Hotel, located on the ^'^''^'^ Z"*^'"! '^Ho \5r n. and X Park, near Fori Yelloiustone. Here are located the Marnmoth ""tSprtngsand ih Terraces of the Gods at the Gardiner entrance of Yellowstone Park. Across Us threshold have passed many famous men Photo by J. E. Haynes , , ,/ .,, Prone horned antelopes are the most shy and beautiful creatures among the half-wild half-tame denizens of Yellowstone Park. The Park is a natural game preserve and in recent years the annual winter slaughter of its inhabitants by lawless hunters has been put an end to by the ceaseless vigilance of the rangers A'top the World 29 in the gayety of the park, there stands on a rock a young girl, whose hair seems to catch the glint of the sun. She stumbles, and, as always happens in nov- els, there is a young man to catch her. However, auburn, or red, hair, is so rare in these times, that everybody notices her. Consequently, each has his little joke about the titian-haired lass. When she falls into the strong arms of this sturdy young ranger, who chances to be one of the party, it does not take keen observation to learn that a tiny spark of love-light has been set aglow. In some way they manage to keep close together for all the rest of the trip, oblivious of onlookers. What they manage to talk about, no one knows. They gaze at each other, look away into the dis- tance, gaze again at each other and smile — and everybody else smiles, too. The women-folk of the party, match-makers, look at each other signifi- cantly and nod their heads. The setting in which this budding love scene seems to kindle is perfect. The back seat of our car suits well their purpose. Everybody watches and awaits the progress, for the process of love-making on the mountain mingles well with the other scenes of wonderment. There was a Byronic climax: "Soft eyes looked love to eyes which spake again." Forenoon fantasies fade in the presence of a lunch basket. The mounting jocund sun plays about the scintillating luncheon garb suddenly donned by 30 A'top o' the World Dame Earth, in a marvellously "quick change" from the flowered morning gown. The serene scenes un- fold gently while the very air attends, and holds its breath from the leaves as we descend into the hut built of huge timbers while dreams fade into realities. In Fields of Snow and Flowers 'OLLOWING the bugle call of the Klaxton, we drive from Canyon over Mt. Washburn on Chittenden Road and through the famous Dunraven Pass. Through the gorge and wind- ing up the summit we go, over roads where it would seem almost impos- sible for cars to pass; but even here the transporta- tion is so routed that one is. safer in the hands of the efficient guides than he is among the wild "Jehus" and joy riders of our city streets. High aloft is the land of flowers. The jagged brows of the cliffs are garlanded in wreaths of blos- soms. A riot of color and variety are found in these beds of wild flowers of the mountain. Skirting the crest, we gaze in wonder over the mountainside, carpeted with myriads of flowers. Mother Nature is the weaver of these floral tapestries; she catches all the rich, deep colors of the Orient, harmonizing all of the blue of the heavens, all of the gold of the stars, all of the silver of the moon, all of the snows of the moun- tain tops, and all of the green of the valleys. These she mingles into warp and woof, a symphony of 31 32 A'top o' the World petals nodding to the music of the breezes. It repictures that exquisite vision of Shelley: "The light of laughing flowers along the grass is spread." Here we behold Fairyland — field upon field of the lovely white and yellow bitter-root; borders of the Indian's paint brush, delicate mounds of monk's hood and wild geranium, and adorning the vari- colored rocks of the gulches are the fragrant clusters of the wild rose. The modest violet of the spring- time garden touches this huge palette with its purple- blue, while here the rare yellow violet reflects the gold of the coming noontide. Nestling beside the great drifts of snow, peep myriads of bright-eyed dandelions. Bordering the white snow-line of the high mountains, like a brave golden braid, are the tiny sunflowers, proud of their distinction in being closer to the warm rays of the Source of Light than are their strident brothers on the plains of Kansas. Even the wayside weed has a charm of its own in this brigade of leaf and bloom. Four-fifths of the area of the Park is timbered. The dominant tree throughout is the lodgepole pine. This species is most abundant on the park plateau, but extends up the slopes of the mountains for some distance, and adorns the passes toward the entrances, having a lower altitude limit of about 7,000 feet. It constitutes about two-thirds of the total tree popu- lation. It is the tree that forms the characteristic close-set, slender-stemmed forests. Below the limit A'topfo' the World 33 of the lodgepole the limber pine holds sway, and above it, toward timberline on the mountains, the white-bark pine is abundant. Douglas spruce and Engleman spruce are abundant in more favored loca- tions than those held by the pines, and there is also a little fir or balsam timber. There are few trees that are not evergreens. The principal &ne is the aspen, which abounds in denuded and burnt-over areas, and around the edges of some of the other timber. Other species, like maple, birch and alder, are large bushes rather than trees. Besides the trees there is a great abundance of smaller plant life: shrubs and wild flowers, over 650 distinct varieties. Dry, open places are dominated by the sagebrush. With the sagebrush at the lower altitudes is associ- ated the yellow-flowered rabbit-brush, and in one or two isolated spots, the greasewood. Wild flowers are everywhere, from yellow water-lilies in the ponds to cactus and stonecrops in the desert wastes. God's finger has touched the canyon and the mountainside, blending summer and winter in peace- ful fellowship, while the shadows trail toward the zenith hour. Around the curve swings a big, bulky wagon, re- minding us of the transport of the early days — the prairie schooner. The sure-footed pack horses and the fuzzy little mountain burros carry the equip- ment necessary to keep these fine roads in repair. The snowdrifts were being blasted, and even now a 34 A'top o' the World blizzard threatens on the top of Mt. Washburn, fol- lowing swiftly the coquettish zephyrs of the morning hours. Men are digging into the hard ground, shovelling the granite-like snow from the trails. Everybody waves a salute to the good natured workmen, for we are all kin. It was their courage that made possible these aerial pathways which enable us to glimpse the frontier, where Heaven greets Earth, who in stately garb responds with the sublime salute of nature. Bang! Bang! As we round the corner under the shadows of the overhanging rockg, we find ourselves face to face with a quartette of bandits. Hist! This is real, thrilling adventure, bringing to mind the weather-beaten, bullet-ridden stage coach relic at Mammoth. "Hands up!" comes the command. Hastily we throw up our hands, wondering if we left all of our cash back in the safe at the hotel. A merry peal of laughter breaks the spell in that lone spot. The pistols thrust into our faces are from the ten-cent store, guaranteed to fire one hundred paper caps without re-loading. The funmakers join in the pro- cession of the caravan down the steep unwinding mountainside singing melodies from Robin Hood. Appetites grow apace as the stately elk is seen grazing in content and the little baby bear comes out to the cars, staging another hold-up for more sugar. VI Splendors of Noontide at the Canyon [ERE is Yellowstone transcendent! Out from the shadows of the clustered pines I find myself at Ar- tist's Point. Even this superlative designation passes into the mists of memory after that first view. The stupendous panorama prompts no vocal effort, because the first glimpse lulls one's very soul to silent reverence as the voice of the Almighty speaks amid the soft tones of the distant rushing waters. The choral anthem of Nature sounds through a vision of splendor, touching the horizon of infinity. Alone, I find myself speaking audibly — and no one hears. A picture is imagined, not outlined, in the physical contour. Half closing my eyes, I hear the diapason of the lower falls, and I see the cataract convoluted in an octave of currents, as it sweeps over the precipice. It is Nature's unending symphony, like a mighty organ sounding now and then a magna chord of joy. My heart leaps within me and the words come to my lips: "That light whose smile kindles the universe, That beauty in which all things live and move." 35 36 A'top o' the World This inspires the fancy picture with the feeling that it is the music of a wedding day celebrating the unity of the glories of heaven and the wonders of earth. It is indeed God's own temple, fashioned by the hand of the Supreme Architect. Castle and turret, nave and aisle, minaret and spire, all the triumphs of form and color are here. The prismatic sands and strata of every conceivable hue, revealing the con- vulsive travail of volcanic shock, give color to this colossal cathedral of the Lord of Creation. Along the frieze of the heaven-blue skyline are myriads of steepled pines. Nature, animate and still, all crowned in glorious emerald, on the very parapets of time, like "fabrics of enchantment piled to Heaven." Through this aisle of the ages the magnificent nuptial pageant passes and the white foam of the laughing waters are the blossoms strewn before the footfall of the bride. The chorus from "rocks and rills and templed hills" joins with the carillon in the canyon. From her eyried heights soars the mother eagle, living spirit of our nation, bringing sustenance from afar to her eaglets nestling in their rugged home on the uppermost crag, a pillar of the vaulted roof of this mighty, majestic temple of God. It is a jubilation of peace eternal. The titanic struggles of Mother Earth of aeons past is ended; paeans of praise are sounded from i^-Ks4^:-.-'jiiss':SBe^4^!ai>n(esiiffiB..'.-ira Photo by J. E. Haynes Old Faithful Inn, the [palace of logs, where thousands of tourists have been welcomed. The giant clock over the fireplace ticks the hour when Old Faithful goes into action. On the swing of the pendulum, every sixty seconds of the day and night. Old Faithful gives hourly greeting to the guests at the Inn Photo by J. E. Haynes You feel as if you were within the ruins of an ancient castle at Castle Well, a large crested spring near Castle Geyser, twenty feet in diameter, that overflows on two sides. The geyser somehow suggests an old feudal pile which would seem to indicate that it is the father of all the geysers, as it is considered the oldest geyser in the Park. The orifice is lined with a bright orange color, the eruptions are irregular, sometimes violently boiling and shooting twice its usual height. The boiling spring near here was a favorite spot for campers in earlier days 37 38 A'top o' the World 39 the very depths of the soul of Nature; man and his strife fade as before the splendor of the Apocalypse! The conflicts of the ages from the epoch when earth first lifted above the waters, have ceased; all nature is in harmony with the spirit of this hour, the nup- tials of heaven and earth, joined in infinity. The shadows of high noonday are playing on the walls of the great canyon temple, marking the cloistered nave, where the trees, hoary-aged and young, are bowing their heads in adoration before the altar of the Eternal. In the crypts nearby the old giants of the forest, moss-covered, mingle with mottled rocks, reminders of a past far beyond human ken, and under all lie the mighty sealed catacombs holding Time's secrets. "Oh, how glorious it all is," declares a woman librarian from California, as she gazes into the depths of the canyon. "See the greatness of the depths and the wonder of the heights. Feel the strangeness of it all! And yet, the greatest thrill that comes to me as I look into the almightiness of it all is this: As small as I may seem, beside these almost indescribable mountains and vales. Thou oh Lord, hath made me greater than all of these." Comes now the great plea for reverence, for in- deed God has given man power over all. "I will lift up mine eyes unto the hills from whence cometh my help; my help cometh from the Lord which made heaven and earth." 40 A'top o' iJie World A kindly light leads on and on down tlie canyon, falling "over moor and fen, o'er crag and torrent," attuning the harp of memories "loved long since and lost awhile." "Where e'er that power is felt Which wields the world with never-wearied love. Sustains from earth and kindles above." Near me sits a little girl, gazing in awe upon the grandeur as it unfolds in surges of glory. The silence of her reverie is broken: "Oh, how I wish Mother was here to enjoy this with me!" she exclaims, as if to herself. "Is she far away-f*" I ask, looking into her tear- glistening eyes. "Yes, she is somewhere yonder," she softly replies, "out beyond those clouds." Far adown the winding valley the light leads on and on. In the veiled fleecy "clouds out yonder," the celestial and the terrestrial touch in the vale of the Yellowstone and soothe a lonely child's longing for a sainted mother. VII Vesper Lights and Shadows in God's Temple '^ESPER time glides in on tip-toe to- day. After the rest of noontide, and as the fidgety hour of four approaches, when the tea is served to quiet the nerves, and when every- one is looking for somewhere to go and something to do, we wander out to Inspiration Point. Away from the rush and lash of everyday duties, we catch the lights and shadows in God's Temple at Vesper hour. The spell of the noonday scene from Artist's Point is revived. A reverential mood is uppermost as we climb out to the projecting bridge and look up and down the Canyon. Radiating from the Canyon are walks and drives to fit every mood and whim. All these lead to In- spiration Point, which projects over the rocks of the Canyon like an unfinished bridge. Here the en- tranced eye may sweep up and down the Canyon, viewing an unparalleled panorama of the Yellow- stone River, throbbing like a great artery in the heart of the chasm. Here also is Grand View, which like the Hoodoos, might have been the dwelling place 41 42 A'top o' the World of giants of long ago. Other roads lead to Uncle Tom's Trail, a steep descent to the base of Lower Falls. Here at all hours of the day bravely march long lines of tourists, going up and down the ledge, each holding the hand of the other for security. A long iron pipe to which you may cling, follows the trail to its foot. Standing almost under the falls, we see the rainbows in the mist. From a rock nearby there bubbles a little hot spring, the only geyser to be seen in this shadowed section, and curiously enough, this is scarcely the size of a little saucepan in which one might wish to boil an egg. The way up the trail is steep and hard to climb, but it is worth the after-aches. The cool, refresh- ing air of the Canyon enables us to ascend without much difficulty. Terraced above are the Upper Falls, where the rainbows cross each other, remind- ing us, even here, of God's wonderful promise to mankind. The weird melodies of the rushing stream and the whispering of the breezes through the gulches blend with those of the rushing waters of the Twin Sister below. Here are the age-old Castle Ruins. We fancy how the giants must have dwelt here in the days of the Mastodons; giants who fought their battles by hurling huge boulders at one another, and who made the mountain tremble with their combats. As the shadows ripple along the Canyon they seem to gather in the folds of sunshine. The beauty of it A'top o' the World 43 rests our souls as we gaze with contemplative awe upon it. The light is slowly curtained with a falling drapery of ethereal softness, and the most that ope can do in the presence of this new splendor is to rest upon these rocks of time and ponder on the marvel, and to wonder if ever the picture will be finished. The green trees smile upon the reverie. Across the slanting walls of the Canyon are what appear to be tiny shoots of winter moss; yet through the glasses you find the moss in reality resolves into vast groves of tall pine trees that have struggled for a foot- hold on the eroded parapet. Such is the solemnity of the Canyon at vesper time. Half-closing the eyes and peering into the waters below, the turbulent ripples appear to be still. There in the depths of the torrent you may see the foam rushing by like clouds of the sky in the mir- rored depths. The lights are constantly changing, and with each view comes the thrill of discovery. In the lazy hours of the afternoon a thrilling spec- tacle, not surpassed in the movies, is presented to the spectators. A venturesome young tourist has not been able to suppress his longing to scale the precipitous slopes of the Canyon. For four hours the spectators breathlessly watch the rescue by a ranger. The tourist, breathless from exhaustion, is able to climb no farther from a point within a hun- dred feet from the top. His cry has brought the 44 A' top o' the World ranger to his rescue. A rope is thrown down, the explorer seizes it. Then, because of his exhausted condition he is lowered in order that he may drink of the refreshing water in the river below. He is so revived that he is able to be hauled to the top by means of an easier trail. The onlookers watch the rescue with bated breath. A hearty cheer goes up as they appear above the surface of the rocks, and a prayer of thankfulness for his safety is on every lip. The brave ranger and the hotel boy have saved a human life. We are farther, farther away from the falls, but even the music of the waters seems to be softened to harmonize with the sweet, soft lights of the vesper shadows, as the evensong blends with the fading lights through memorial windows in the "little church" back home. All along in this balcony are the many points of observation, thronged with those looking on in silence. The one picture that never will fade from memory is that of the old man and his wife sitting on the rocks, snuggling close together like lovers. With his arm about her waist, he is pointing here and there, as if indicating the pathway that comes in the Last Sunset. There is the sweet, soft, lingering smile on her face, the glorified reflection of the smile of the lass she was when she looked into the face of her young lover in "Auld Lang Syne." We do not need to be A'top o' the World 45 told her life's history nor that of the old man at her side; the picture is before us, the picture to which still clings the hallowed sweetness of the bridal hour. Their hands are withered and wrinkled, their brows are furrowed, and in the lengthening rays of the ap- proaching twilight, their hair glistens with the silver of a brooklet in the meadowland at Springtime. On this peak, all alone, sit "Darby and Joan." "Always the same, Darby my own. Always the same to your old wife, Joan. Hand in hand when our Ufe was May, Hand in hand when our hair is gray, Shadow and sun for everyone. As the years roll on; Hand in hand when the long night-tide, Gently covers us side by side — Oh! lad, though we know not when, Love will be with us forever then; Always the same. Darby, my own, Always the same to your old wife, Joan." Hand in hand during Nature's vesper hour the prophecy of the past is revealed. And in these vesper shadows the pledge is re- newed, for it was at vesper time half a century and more ago when Darby and Joan pledged "love forever." "Shall we sit together some day in life's broken shadows.?" Passing youth paused: it was love's sacrament. VIII Sunset on the Summit of the Rockies UPON the summit of the Rockies sheathed in snow and primal pines we feel like "watchers of the skies" at the high altar where the moun- tain peaks are robed in azure hue — an earthly token of its eternal majesty! The precipitous heights loom be- fore us as the woods end, but winding up, foot by foot under the cracking pressure of gasoline in the motor cars, we are soon a mile and a half in the air above our friends at home, who may now be reading our souvenir postal cards. Up and up we climb, amid the "shooting star" blossoms, looking back- ward now and then as the great scroll of an epic written by the finger of God unfolds to wondering eyes at our feet. Here the wrinkled, rugged outlines of the peaks soften in the approaching sunset. Old Sol reign- ing in the west, still defiant and resplendent — ^the symbol of creative glories and visual proof of the unseen, struggles bravely against the "haunting hour" when spirit mysteries are to reign in shadows. It seems a veritable ascension as we look upon this 46 A'top o' the World 47 great, silent mountain, the incarnation of Faith, leading to that peace in the glory of the sun. This is indeed the end of a wonderful day, this day in the Yellowstone — a day in God's workshop, begun in the light of morning stars — now transfigured with splendor in the grandeur of His setting sun. How kaleidoscopic it appears! Rainbow is piled upon rainbow; prisms are crowded in bewildering succession of hues in a pageant of color — all called to worship at the glorious altar of the God of Crea- tion — ^the trysting place, where Heaven and Earth meet in nuptial panoply! It is a picture beyond the power of an artist to depict on canvas, and words can only suggest the feeling that overwhelms in this view of a promised land — this mountain standing out like "an amethyst of light — a sculptured isle in a blazing sea of gold." We are ascending the famous Park promontory, the highest peak in the park accessible to the yellow "chariots." Thrill and chill come in that ten-mile climb. As the summit is gained, we can only stand enthralled. Long spears of sunlight shoot out from the blazing disc, like sentinels guarding the dying day. Look now upon the outline of the Lake, lying there like a glistening jewel in the bosom of the Rockies; the stately snow-capped peaks; the Can- yon in its chasmed gloom; the plains and the prai- ries, the rolling hills, the winding rivers, and the wooded landscape — one grand ensemble of Nature 48 A'top o' the World sublime, pictured within the sweep of the human eyes piercing the veil of the real into the land o' dreams. It is on these heights that we feel the pinnacled glory of the mountain. Here it is possible for mor- tal vision to glimpse the earth's grandeur and feel the substances of dreams. As in the sunrise at the Terraces of the Gods, we now can understand the awe and devotion of the Sun-worshippers of long ago to the Eternal light of the east and the west. Flecking the mountainside, like sheep in a green pasture, are the filmy clouds. As the sun's rim dips behind the jagged peaks shadows cling to the pur- ple hills dissolving into the softening lights that play down in the valley, giving each peak its even- ing bath of golden sunshine. Slowly and majestically, like a King descending from his throne, the Royal Sun gathers about him the mantled light of the fading day. As the sun is sinking, a cloud sweeps across its face, bringing a flush of fiery glow, as if the old orb was annoyed at the obstruction. A dazzling disc glistens with the intensity of a deeper red, and then comes the purple tinge, blending into the orange that blazes like heated sparks from the forge of Vulcan. Tiny clouds that dare to cross the path- way are scattered as the Majestic King of Day in his flaming chariot swings on in the endless orbit, leaving in his farewell a promise of sweet dreams. And then, the afterglow — Tomorrow is pledged. IX Entrancing Twilight in the valleys ^WILIGHT in the valleys evokes soothing and entrancing sentiment. The valleys are interlaced with can- yons, extending through the vast stretches of country. On either side are the pasturages which form graz- ing grounds, where deer, buffklo, antelope, and elk roam at will. As we approach Gibbon Canyon and glide over the great, grassy tract of Gibbon Meadows, we the tourist band just lean back in our seats while the shadows of dreams begins. The sable sheets of night are touched with mystic light. Our heads are filled with vivid imaginings, and our hearts are replete with love for every plant and flower and wild creature that inhabits the place. Yea, and our very souls are feasting. We cross the Gibbon River, then the Firehole. The mountain to the right is National Park Moun- tain, at whose base the Washburn-Doane exploring party, before their campfire in 1870, laid plans for the establishment of Yellowstone National Park. J^eading out of the Gibbon and Firehole, joined here 49 50 A'top 'o the World to form the Madison River, are the gorges, splashed with cascades and rapids. We are told by our "gear- jammer" that the Madison, flows on into Mon- tana, where, close to the Northern Pacific Railway in the Gallatin Valley, it flows down with the Jefferson and Gallatin rivers to make the great Missouri. Among the old roads and trails of historic interest is the route of Chief Joseph of the Nez Perce Indi- ans, who made his last stand for the Redmen north of here in 1877. The waters of Nez Perce Creek chant a requiem, remindful of the days of the last council of war and the attack of the savages which was a closing tragic chapter of Indian warfare in the nation's great playground. Soon we are gazing with wonder at Mammoth Paint Pots, sputtering ca,ldrons of fascinating mud. "A perfect heaven for mud-pie makers," sighed the little school teacher, who was growing younger every mile. A side path lures us through pines to the Fountain Geyser, which happened to be taking a nap at the moment of our visit. Close at hand Clepsydra, Bellefontaine, Jelly and Jet Geysers — small to be sure, but busy — were doing their level best to enter- tain. On a branch road, the Black Warrior or Steady Geyser points the way to Firehole Lake, which at times has a muddy tinge, and flickers back and forth A'top 'o the World 51 like a torch. In the twihght the illusion is perfect, and the hidden fires produce a sensation of weirdness firing our imaginations with the things that may be going on under the earth beneath our feet. Firehole Pool, hot as steam, gives the same illu- sion. We see in its waters a flame of fire. But other wonders claim notice — the Great Fountain Geyser, hurling a mountain of water aloft, the Five Sisters, Bath Lake, Buffalo Springs, Twin Buttes, Broken Egg Spring. We must hurry on to Midway Geyser Basin with its beautiful Excelsior Geyser, once the largest in the park. Adjectives fail here. The rainbow tints and colors of Prismatic Lake and Turquoise Spring, huge ponds of clear boiling water, must be seen. Their beauties cannot be described. In Biscuit Basin, Sapphire Pool, Jewel, Silver Globe and Artemisia geysers are found. Msytic Falls sing on the river to the west. Shadowing the basins are the mountains and forests, with cool streams and gulches, inviting grass plots amid trees beckoning to wearied minds and fagged souls. Those who have lived for many years amid the beauty of Yellowstone never tire of it; they find more of interest in these restful nooks than in the valleys; each day's journeys grow more and more fascinating, for there is always something new. The valley seems to be a part of the vast arm of the 52 A'top o' the World lake which, in bygone days, must have covered the faces of these mountains. The curtain of night is closing in on the Twilight, and the arc of the great stage is lighted up with an afterglow in silence serene. Suddenly a strong voice breaks out into song that echoes up and down the valleys. Others join in, and a chorus of young folks sets our hearts ringing, particularly when the old songs of yesterday come to our ears. There is a tender expression in the eyes of the golden-haired lass and the sombrero boy, when the leader begins "Love's Old Sweet Song." These are good singers in the yellow bus. Never was this old melody rendered in such a setting and with such effect. We cannot help but observe the two in the back seat of the car — one the golden-haired girl, the other the sombrero boy. His strong right arm is not lying in his lap, and we can feel that there is something said in those bright blue eyes, beneath the wavy golden locks — love is working fast. And although it is not exactly chilly, it is but natural that the twain snuggle closer together under the robe. As the old poet said, "Twilight is the wooing hour." In the dim and imperfect lights, the high- lights of the face and the expression are softened. Raganok, the Indian poet, revelled in the twilight of the gods. Here in the diffused lights, our thoughts seem to A'top o' the World 53 concentrate in keeping with the loveliness around us. Every twilight has a way of reflecting the spirit of the day, and the evening dews sparkle in the semi-light, defying the derivation of the word given to this hour of the day, "twice-Kght" or the velvet vision soft focus in Nature's camera. It is at this time that there comes to us the theme of Milton — his visions of Paradise Lost and Para- dise Regained. It is now, in the growing gray, giv- ing to all things a sombre livery, bird and beast to their haunts retire. They instinctively realize the voice of prophecies from Holy writ: "None shall kill or destroy in all my mountains." The silvered waters of the Firehole still stand out, in the deepened shadow of the trees, and along the winding course of the river, reveal the "half- lights" riding continuously with the rugged peaks of the mountains on every hand. Tourists will insist before they have finished the tour, that his Satanic Majesty has pre-empted a large area of the playground Empire — ^for here is the Devil's Elbow. A sharp turn of almost a hun- dred and eighty degrees is made around a jutting point of rock. The whispering leaves sing as we ride on to the Wedded Trees, where two tall pines are permanently united with a growing limb be- tween them. These freaks of nature are often noted as we pass through the park forests, but this phenomenon is too much for the twain in the back 54 A'top o' the World seat. They look at it, sigh, and then everybody looks at them. It is but a reminder of a romance going on in the good old way, bringing to mind Wordsworth's lines "Her eyes as stars of twilight fair. Like twilight, too, her auburn hair." It is quite like the reading of a novel, where the author spends many hours describing the process of love-making. Here we are, observing love's light fancy full abloom in twilight under natural environ- ments, without the artificial processes that one often must endure in fiction. When we behold the two holding hands and looking more intently into each other's eyes, the "old grouch" who occupies the front seat with the "gear jammer" cracks his face into half a smile and ventures, "It's going fine!" The twilight ride in the valleys brings varied emo- tions. The bus stops at the site of the "hold-up" in 1897, where bandits stopped some of the tourists of that day, including a government conveyance in which rode an army officer. The pockets of the entire party were emptied of valuables. This was before the days of the ranger, and it was these in- cidents exploited in dime novels that led to the vig- orous policing of the Park. Now the doors of the cabins, tents and shacks are left wide open, for now the ranger soon knows "Who's Who" within the borderland of the Park. We thrill to know that this is the very place o- ^. 3- 2; ? ■^ o" 2 "* ° 5 (^ D3 ^xi j^ Co rn 3- re ff^ ^ -o ,- '^ !^, s . -o- ■ c ~. 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