U8I^ T7 CORNELL UNIVERSITY LIBRARY Cornell University Library PR6025.U812T7 Tradition and progress, 3 1924 013 646 413 The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924013646413 TRADITION AND PROGRESS BY GILBERT MURRAY LL.D., D.Litt., "frB.A. REGIUS PROFESSOR OF GREEK IN THE UNIVERSITY OF OXFORB DELEGATE FOR SOUTH AFRICA TO THE SECOND ASSEMBLY OF THE LEAGUE OF NATIONS, 1921 BOSTON & NEW YORK HOUGHTON MIFFLIN COMPANY 1922 OVAE lUVENIS lUVENI VITAM MECUM CONSOCIAVIT M. H. M. CONSILIORUM PARTICIPI CONSOLATRICI LABORUM TEMPORIS UNA EXACTI DISPERSOS FRUCTUS DEDICO PREFACE Several of these papers have appeared in periodicals or been published in the proceedings of societies, and I have to thank the editors or the committees for the per- mission to reprint. To make a collection even on a small scale of one's occasional writings on popular subjects throughout a long period of years is, I find, a matter of some anxiety. A man has generally little confidence in his past self. There is no knowing what it may have done, or what foolish things it may have thought or written, ten or twenty years ago. I confess that when I began to look through my papers with a view to the present selection I rather expected to find embarrassing self-contradictions or indiscretions of which I should now be ashamed. In this I was agreeably disappointed, but I did find what from the reader's point of view is perhaps worse, a good deal of repetition, or rather a constant attempt, by different means and in different contexts, to say very much the same thing. This discovery has suggested the order in which the essays are now arranged. Popular essays — ^if I may venture to hope that these are in any sense popular — are normally written upon large and profound subjects about which neither the writer nor the reader can claim exact knowledge. That is inevitable and by no means blame- worthy. Yet it does seem fair to ask that one who takes it upon him to advise his neighbours about uncertain and speculative things ought first to possess exact know- ledge about something or other. It is not merely that he ought to know some httle corner of the world before passing judgements on the world as a whole. He ought also to know the difference between knowing and not 8 PREFACE knowing ; he ought to have mastered, in some one subject, the method by which knowledge is acquired. And whatever his subject is, his experience of it will be an invaluable help to him in understanding matters outside it, and will probably here and there enable him to see some things which people with a different experience have failed to see. Of course it will also to some extent mislead him ; that is inevitable. It will, in spite of all vigilance, give a bias or a colour to his conceptions. For good and evil, the present writer is a " grammaticus " and in particular a Greek student. His special form of experience and the point of view to which it leads are given in the first paper, Religio Grammatici. Starting from some study of "letters" as the record made by the human soul of those moments of life which it has valued most and most longs to preserve, he makes his attempt to understand its present adventures and prospects. The next three essays deal more or less directly with" ' Greek subjects, or rather with the light thrown by particular phases of Greek experience upon modern problems of society and conduct and literature. Then the connexion with Greece becomes slighter, and by the end of the book we are dealing directly with modern questions. Most of the papers are recent. One only is twenty years old. The address on National Ideals has been included here after some hesitation because, in spite of a certain crudity and perhaps ferocity of tone, it seemed to me that its expression of the feelings of the Liberal minority in England during the Boer War afforded an interesting parallel to the feelings of the same minority twenty years later, at the close of the Great War. I will not lay stress on the similarities nor yet on the differences, except one : that now there is a League of Nations and then there was not. To a present-day reader the last half-desperate pages of that paper seem almost like a conscious argument for the foundation of a League of Nations ; but of course at that time the name of the League had never been spoken nor the idea conceived except as a fantasy. G. M. CONTENTS PAGE PREFACE 7 I. RELIGIO GRAMMATICI : THE RELIGION OF A " MAN OF LETTERS" . . . . . . n (Being a Presidential Address delivered to the Classical Associa- tion on January 8, 1918) II. ARISTOPHANES AND THE WAR PARTY . . .31 (Being the Creighton Lecture delivered at the London School Oj Economics, 1918) III. THE BACCHAE OF EURIPIDES . . . .56 (Originally an introduction to a volume of translations oj the " Hippolytus," "Bacchae" and "Frogs" {Vol. Ill 0/ "The Athenian Drama"]. George Allen &• Unwin, Ltd. 1902) IV. THE STOIC PHILOSOPHY 88 ( The Moncure Conway Memorial Lecture delivered at South Place Institute on March 16, 1915) V. POESIS AND MIMESIS 107 (The Henry Sidgwick Lecture delivered at Cambridge, 1920) VI. LITERATURE AS REVELATION . . . .125 (The Robert Spence Watson Lecture delivered to the Literary and Philosophical Society of Newcastle-upon-Tyne, Octoberi, 1917) VII. THE SOUL AS IT IS AND HOW TO DEAL WITH IT . 142 (From "The Hibbert Journal," January, 1918, being a Lecture delivered at the Hackney Theological College, 1917) VIII. NATIONAL IDEALS : CONSCIOUS AND UNCONSCIOUS . 160 (" The International Journal of Ethics," October, 1900) IX. ORBIS TERRESTRIS 183 (A Presidenticd Address delivered to the Geographical Association, 1920) X. SATANISM AND THE WORLD ORDER . . .202 ( The Adamson Lecture delivered at Manchester University, October, 1919) Tradition and Progress I RELIGIO GRAMMATICI' THE RELIGION OF A " MAN OF LETTERS " IT is the general custom of this Association to choose as its President alternately a Classical Scholar and a man of wide eminence outside the classics. Next year you are to have a man of science, a great physician who is also famous in the world of learning and literature. Last year you had a statesman, though a statesman who is also a great scholar and man of letters, a sage and counsellor in the antique mould, of world-wide fame and unique influence.' And since, between these two, you have chosen, in your kindness to me, a professional scholar and teacher, you might well expect from him an address containing practical educational advice in a practical educational crisis. But that, I fear, is just what I cannot give. My experience is too one-sided. I know little of schools and not much even of pass-men. I know little of such material facts as curricula and time- tables and parents and examination papers. I sometimes feel — as all men of fifty should — my ignorance even of boys and girls. Besides that, I have the honour at present to be an official of the Board of Education; and in public discussions of current educational subjects an officer of the Board must in duty be like the poetical heroine — " He cannot argue, he can only feel." « Being a Presidential Address to the Classical Association on January 8, 1918. » Sir William Osier and Lord Bryce. 12 RELIGIO GRAMMATICI I believe, therefore, that the best I can do, when the horizon looks somewhat daik not only for the particular studies which we in this Society love most, but for the habits of mind which we connect with those studies, the philosophic temper, the gentle judgement, the interest in knowledge and beauty for their own sake, wiU be simply, with your assistance, to look inward and try to realize my own Confession of Faith. I do, as a matter of fact, feel clear that, even if knowledge of Greek, instead of leading to Bishoprics as it once did, is in future to be regarded with popular suspicion as a mark of either a reactionary or an unusually feckless temper, I am nevertheless not in the least sorry that I have spent a large part of my Ufe in Greek studies, not in the least penitent that I have been the cause of others doing the same. That is my f eehng, and there must be some base for it. There must be such a thing as Religio Gramtnatici, the special religion of a " Man of Letters." The greater part of life, both for man and beast, is rigidly confined in the round of things that happen from hour to hour. It is em avixopais, exposed for circumstances to beat upon ; its stream of consciousness channelled and directed by the events and environments of the moment. Man is imprisoned in the external present ; and what we call a man's religion is, to a great extent, the thing that offers him a secret and permanent means of escape from that prison, a breaking of the prison walls which leaves him standing, of course, still in the present, but in a present so enlarged and enfranchised that it is become not a prison but a free world. Religion, even in the narrow sense, is always seeking for Soteria, for escape, for some salvation from the terror to come or some deliverance from the body of this death. And men find it, of course, in a thousand ways, with different degrees of ease and of certainty. I am not wish- ing to praise my talisman at the expense of other taUsmans. Some find it in theology, some in art, in human affection ; in the anodyne of constant work ; in that permanent exer- cise of the inquiring intellect which is commonly called the search for Truth ; some find it in carefully cultivated illu- RELIGIO GRAMMATICI 13 sions of one sort or another, in passionate faiths and un- dying pugnacities ; some, I believe, find a substitute by simply rejoicing in their prison, and living furiously, for good or ill, in the actual moment. And a Scholar, I think, secures his freedom by keeping hold always of the past and treasuring up the best out of the past, so that in a present that may be angry or sordid he can call back memories of calm or of high passion, in a present that requires resignation or courage he can call back the spirit with which brave men long ago faced the same evils. He draws out of the past high thoughts and great emotions ; he also draws the strength that comes from communion or brotherhood. Blind Thamyris and blind Maeonides, And Tiresias and Phineus, prophets old, come back to comfort another blind poet in his affliction. The Psalms, turned into strange languages, their original meaning often lost, live on as a real influence in human life, a strong and almost always an ennobling influence. I know the figures in the tradition may be unreal, their words may be misinterpreted. But the communion is quite a real fact. And the student, as he realizes it, feels himself one of a long line of torchbearers. He attains that which is the most compelling desire of every human being, a work in life which it is worth living for, and which is not cut short by the accident of his own death. It is in that sense that I understand Religio. And now I would ask you to consider with me the proper meaning of Grammatike, and the true business of the " Man of Letters " or " Grammaticus." II A very, very long time ago — the palaeontologists refuse to give us dates — mankind, trying to escape from his mortality, invented Grammata or letters. Instead of being content with his spoken words, cTrea ■nrepoevra which fly as a bird flies and are past, he struck out the plan of making 14 RELIGIO GRAMMATICI marks on wood or stone, or bone or leather or some other material, significant marks which should somehow last on, charged with meaning, in place of the word that had perished. Of course the subjects for such perpetuation were severely selected. Infinitely the greater part of man's life, even now, is in the moment, the sort of thing that is lived and passes without causing any particular regret, or rousing any de- finite action for the purpose of retaining it. And when the whole process of writing or graving was as difficult as it must have been in remote antiquity, the words that were recorded, the moments that were so to speak made imperish- able, must have been very rare indeed. One is tempted to think of the end of Faust ; was not the graving of a thing on brass or stone, was not even the painting of a reindeer in the depths of a palaeolithic cave, a practical though im- perfect method of saying to the moment " Verweile dock, Du hist so schdn " (" Stay longer, thou art so beautiful ") ? Of course the choice was, as you would expect, mostly based on material considerations and on miserably wrong con- siderations at that. I suppose the greater number of very ancient inscriptions or Grammata known to the world con- sist either in magical or religious formulae, supposed to be effective in producing material welfare ; or else in titles of kings and honorific records of their achievements ; or else in contracts and laws in which the spoken word eminently needed preserving. Either charms or else boasts or else con- tracts ; and it is worth remembering that so far as they have any interest for us now it is an interest quite different from that for which they were engraved. They were all selected for immortality by reason of some present personal urgency. The charm was expected to work ; the boast delighted the heart of the boaster ; the contract would compel certain slippery or forgetful persons to keep their word. And now we know that the charm did not work. We do not know who the boaster was, and, if we did, would probably not admire him for the thing he boasts about. And the slippery or forgetful persons have long since been incapable of either breaking or fulfilling the contract. We are in each case only interested in some quality in the record which is different from that for which RELIGIO GRAMMATICI 15 people recorded it. Of course there may be also the mere historical interest in these things as facts ; but that again is quite different from the motive for their recording. In fact one might say to all these records of human life, aU these Grammata that have come down to us, what Marcus Aurelius teaches us to say to ourselves : ijivxdpiov et pdara^ov veKpov ; each one is "a little soul carrying a corpse." Each one, besides the material and temporary message it bears, is a record, however imperfect, of human life and character and feeling. In so far as the record can get across the boundary that separates mere record of fact from philosophy or poetry, so far it has a soul and still lives. This is clearest, of course, in the records to which we can definitely attribute beauty. Take a tragedy of Aeschylus, a dialogue of Plato, take one of the very ancient Babylonian hymns or an oracle of Isaiah. The prophecy of Isaiah re- ferred primarily to a definite set of facts and contained some definite — and generally violent — ^political advice ; but we often do not know what those facts were, nor care one way or another about the advice. We love the prophecy and value it because of some quality of beauty, which sub- sists when the value of the advice is long dead ; because of some soul that is there which does not perish. It is the same with those magnificent Babylonian hymns. Their re- corders were doubtless conscious of their beauty, but they thought much more of their rehgious effectiveness. With the tragedy of Aeschylus or the dialogue of Plato the case is different, but only different in degree. If we ask why they were valued and recorded, the answer must be that it was mainly for their poetic beauty and philosophic truth, the very reasons for which they are read and valued now. But even here it is easy to see that there must have been some causes at work which derived their force simply from the urgency of the present, and therefore died when that present faded away. And similarly an ancient work may, or indeed must, gather about itself new special environments and points of relevance. Thucydides and Aristophanes' Knights and even Jane Austen are different things now from what they were 16 RELIGIO GRAMMATICI in 1913. I can imagine a translation of the Knights which would read Uke a brand-new topical satire. No need to labour the point. I think it is clear that in any great work of literature there is a soul which lives and a body which perishes ; and further, since the soul cannot ever be found naked without any body at all, it is making for itself all the time new bodies, changing with the times. Ill Both soul and body are preserved, imperfectly of course, in Grammata or Letters ; in a long series of marks scratched, daubed, engraved, written or printed, stretching from the inscribed bone implements and painted rocks of prehistoric man, through the great literatures of the world, down to this morning's newspaper and the MS. from which I am speaking ; marks which have their own history also and their own vast varieties. And " the office of the art GrammaiiM is so to deal with the Grammata as to recover from them all that can be recovered of that which they have saved from oblivion, to reinstate as far as possible the spoken word in its first impressiveness and musicalness." ' That is not a piece of modern sentiment. It is the strict doctrine of the scribes. Dionysius Thrax gives us the definition ; 17 /pajLi/iaTt/c^ is ifiTTeipia ris ois im to noXv twv irapa Tton^rais re icai avyypa^>evai Xeyoniviov ; an inneipia, a skill produced by practice, in the things said in poets and prose-writers ; and he goes on to divide it into its six parts, of which the first and most essential is Reading Aloud Kara irpoatpilav — with just the accent, the cadences, the expression, with which the words were originally spoken before they were turned from Xiyoi to y/Do/x/iara, from " winged " words to per- manent Letters. The other five parts are concerned with analysis ; interpretation of figures of speech ; explanation of obsolete words and customs ; etymology ; grammar in the narrow modem sense ; and lastly Kplais TToiTjudrtov, or, roughly, Uterary criticism. The first part is S5mthetic and in a sense creative ; and most of the others are subservient '_ Rutherford, History of Annotation, p. 12. RELIGIO GRAMMATICI 17 to it. For I suppose if you had attained by study the power of reading aloud a play of Shakespeare exactly as Shakespeare intended the words to be spoken, you would be pretty sure to have mastered the figures of speech and obsolete words and niceties of grammar. At any rate, whether or no you could manage the etymologies and the Uterary criticism, you would have done the main thing. You would, subject to the hmitations we considered above, have recreated the play. We intellectuals of the twentieth century, poor things, are so intimately accustomed to the use of Grammata that probably many of us write more than we talk and read far more than we hsten. Language has become to us primarily a matter of Grammata. We have largely ceased to demand from the readers of a book any imaginative transMteration into the hving voice. But mankind was slow in acquiescing in this renunciation. Isocrates, in a weU-known passage (5, lo) of his Letter to PhHip, laments that the scroll he sends will not be able to say what he wants it to say. Philip will hand it to a secretary and the secretary, neither know- ing nor caring what it is all about, will read it out " with no persuasiveness, no indication of changes of feeUng, as if he were giving a Hst of items." The early Arab writers in the same situation used to meet it squarely. The sage wrote his own book and trained his disciples to read it aloud, each sentence exactly right ; and generally, to avoid the mistakes of the ordinary untrained reader, he took care that the script should not be intelligible to such persons. These instances show us in what spirit the first Gram- matici, our fathers in the art, conceived their task, and what a duty they have laid upon us. I am not of course over- looking the other and perhaps more extensive side of a scholar's work ; the side which regards a piece of ancient or foreign writing as a phenomenon of language to be analysed and placed, not as a thing of beauty to be re- created or kept alive. On that side of his work the Gram- maticus is a man of science or Wissenschafi, like another. The science of Language demands for its successful study the same rigorous exactitude as the other natural sciences, 2 18 RELIGIO GRAMMATICI while it has for educational purposes some advantages over most of them. Notably, its subject matter is intimately familiar to the average student, and his ear very sensitive to its varieties. The study of it needs almost no apparatus, and gives great scope for variety and originality of attack. Lastly, its extent is vast and its subtlety almost infinite ; for it is a record, and a very fine one, of all the immeasurable varieties and gradations of human consciousness. Indeed, as the Grammata are related to the spoken word, so is the spoken word itself related to the thought or feeling. It is the simplest record, the first precipitation. But I am not dealing now with the Grammaticus as a man of science, or an educator of the young ; I am considering that part of his function which belongs specially to Religio or Pietas. IV Proceeding on these lines we see that the Scholar's special duty is to turn the written signs in which old poetry or philosophy is now enshrined back into living thought or feeling. He must so understand as to re-live. And here he is met at the present day by a direct frontal criticism. " Suppose, after great toil and the expenditure of much subtlety of intellect, you succeed in re-living the best works of the past, is that a desirable end ? Surely our business is with the future and present, not with the past. If there is any progress in the world or any hope for struggling humanity, does it not lie precisely in shaking off the chains of the past and looking steadily forward ? " How shall we meet this question ? First, we may say, the chains of the mind are not broken by any form of ignorance. The chains of the mind are broken by understanding. And so far as men are unduly enslaved by the past it is by understanding the past that they may hope to be freed. But, secondly, it is never really the past — the true past — that enslaves us ; it is always the present. It is not the conventions of the seventeenth or eighteenth century that now make men conventional. It is the conventions of our own age ; though of course I would not deny that in any age there are always fragments RELIGIO GRAMMATICI 19 of the uncomprehended past still floating, like dead things pretending to be alive. What one always needs for freedom is some sort of escape from the thing that now holds him. A man who is the slave of theories must get outside them and see facts ; a man who is the slave of his own desires and prejudices must widen the range of his experience and imagination. But the thing that enslaves us most, narrows the range of our thought, cramps our capacities and lowers our standards, is the mere Present — the present that is aU round us, accepted and taken for granted, as we in London accept the grit in the air and the dirt on our hands and faces. The material present, the thing that is omnipotent over us, not because it is either good or evil, but just because it happens to be here, is the great Jailer and Imprisoner of man's mind ; and the only true method of escape from him is the contemplation of things that are not present. Of the future ? Yes ; but you cannot study the future. You can only make conjectures about it, and the conjec- tures will not be much good unless you have in some way studied other places and other ages. There has been hardly any great forward movement of humanity which did not draw inspiration from the knowledge, or the idealization, of the past. No : to search the past is not to go into prison. It is to escape out of prison, because it compels us to compare the ways of our own age with other ways. And as to Progress, it is no doubt a real fact. To many of us it is a truth that lies somewhere near the roots of our religion. But it is never a straight march forward ; it is never a result that happens of its own accord. It is only a name for the mass of accumulated human effort, successful here, baffled there, misdirected and driven astray in a third region, but on the whole and in the main producing some cumulative result. I believe this difficulty about Progress, this fear that in studying the great teachers of the past we are in some sense wantonly sitting at the feet of savages, causes real trouble of mind to many keen students. The full answer to it would take us beyond the limits of this paper and beyond my own range of knowledge. But the main lines of the answer seem to me clear. There are in life two 20 RELIGIO GRAMMATICI elements, one transitory and progressive, the other com- paratively if not absolutely non-progressive and eternal, and the Soul of man is chiefly concerned with the second. Try to compare our inventions, our material civilization, our stores of accumulated knowledge, with those of the age of Aeschylus or Aristotle or St. Francis, and the comparison is absurd. Our superiority is beyond question and beyond measure. But compare any chosen poet of our age with Aeschylus, any philosopher with Aristotle, any saintly preacher with St. Francis, and the result is totally different. I do not wish to argue that we have fallen below the stan- dard of those past ages ; but it is clear that we are not de- finitely above them. The things of the spirit depend on will, on effort, on aspiration, on the quality of the individual soul ; and not on discoveries and material advances which can be accumulated and added up. As I tried to put the point some ten years ago, in my Inaugural Address at Oxford, " one might say roughly that material things are superseded but spiritual things not ; or that everything considered as an achievement can be super- seded, but considered as so much life, not. Neither classi- fication is exact, but let it pass. Our own generation is perhaps unusually conscious of the element of change. We live, since the opening of the great epoch of scientific in- vention in the nineteenth century, in a world utterly trans- formed from any that existed before. Yet we know that behind all changes the main web of life is permanent. The joy of an Egyptian child of the First Dynasty in a clay doll was every bit as keen as the joy of a child now in a number of vastly better dolls. Her grief was as great when it was taken away. Those are very simple emotions, but I believe the same holds good of emotions much more complex. The joy and grief of the artist in his art, of the strong man in his fighting, of the seeker after knowledge or righteousness in his many wanderings ; these and things like them, all the great terrors and desires and beauties, belong somewhere to the permanent stuff of which daily life consists ; they go with hunger and thirst and love and the facing of death. And these it is that make the permanence of literature. There are many elements in the work of Homer or Aeschylus RELIGIO GRAMMATICI 21 which are obsolete and even worthless, but there is no surpassing their essential poetry. It is there, a permanent power which we can feel or fail to feel, and if we fail the world is poorer. And the same is true, though a little less easy to see, of the essential work of the historian or the philosopher." You will say perhaps that I am stUl denying the essence of human Progress ; denying the progress of the human soiil, and admitting only the sort of progress that consists in the improvement of tools, the discovery of new facts, the recombining of elements. As to that I can only admit frankly that I am not clear. I believe we do not know enough to answer. I observe that some recent authorities are arguing that we have all done injustice to our palaeoUthic forefathers, when we drew pictures of them with small brain-pans and no chins. They had brains as large and perhaps as exquisitely convoluted as our own ; while their achievements against the gigantic beasts of prey that surrounded them show a courage and ingenuity and power of unselfish co-operation which have perhaps never since been surpassed. As to that I can form no opinion ; I can quite imagine that, by the standards of the last Judgement, some of our modem philanthropists and military experts may cut rather a poor figure beside some nameless Magdalenian or Mousterian who died to save another, or, naked and almost weaponless, defeated a sabre- toothed tiger or a cave-bear. But I should be more inclined to lay stress on two points. First, on the extreme recent- ness, by anthropological standards, of the whole of our historic period. Man has been on the earth at least some twenty or thirty thousand years, and it is only the last three thousand that we are much concerned with. To suppose that a modern EngUshman must necessarily be at a higher stage of mental development than an ancient Greek is almost the same mistake as to argue that Browning must be a better poet than Wordsworth because he came later. If the soul, or the brain, of man is developing, it is not developing so fast or so steadily as all that. And next I would observe that the moving force in human progress is not widespread over the world, fhe upUfting 22 RELIGIO GRAMMATICI of man has been the work of a chosen few ; a few cities, a few races, a few great ages, have scaled the heights for us and made the upward way easy. And the record in the Grammata is precisely the record of these chosen few. Of course the record is redundant. It contains masses of matter that is now dead. Of course, also it is incomplete. There lived brave men before Agamemnon. There have been saints, sages, heroes, lovers, inspired poets in multi- tudes and multitudes, whose thoughts for one reason or another were never enshrined in the record, or if recorded were soon obliterated. The treasures man has wasted must be infinitely greater than those he has saved. But, such as it is, with all its imperfections the record he has kept is the record of the triumph of the human soul — the Triumph or, in Aristotle's sense of the word, the Tragedy. It is there. That is my present argument. The soul of man, comprising the forces that have made progress and those that have achieved in themselves the end of progress, the moments of living to which he has said that they are too beautiful to be allowed to pass ; the soul of man stands at the door and knocks. It is for each one of us to open or not to open. For we must not forget the extraordinary frailty of the tenure on which these past moments of glory hold their potential immortality. They only live in so far as we can reach them ; and we can only reach them by some labour, some skill, some imaginative effort and some sacrifice. They cannot compel us, and if we do not open to them they die. V And here perhaps we should meet another of the objections raised by modernists against our preoccupation with the past. " Granted, they will say, that the ancient poets and philosophers were all that you say, surely the valuable parts of their thought have been absorbed long since in the common fund of humanity. Archimedes, we are told, invented the screw ; Eratosthenes invented the conception of longitude. Well, now we habitually operate with screws and longitude, both in a RELIGIO GRAMMATICI 23 greatly improved form. And, when we have recorded the names of those two worthies and put up imaginary statues of them on a few scientific laboratories, we have surely repaid any debt we owe them. We do not go back laboriously with the help of a trained Grammaticus, and read their works in the original. Now admitting — what is far from clear — that Aeschylus and Plato did make contributions to the spiritual wealth of the human race comparable to the inventions of the screw and of longitude, surely those contributions have been absorbed and digested, and have become parts of our ordinary daily life ? Why go back and labour over their actual words ? We do not most of us want to re-read even Newton's Principia." This argument raises exactly the point of difference between the humane and the physical. The invention of the screw or the telephone is a fine achievement of man ; the effort and experience of the inventor make what we have called above a moment of glory. But you and I when using the telephone have no share whatever in that moment or thiat achievement. The only way in which we could begin in any way to share in them would be by a process which is really artistic or literary ; the process of studying the inventor's life, realizing exactly his difficulties and his data and imaginatively tr5dng to live again his triumphant experience. That would mean imaginative effort and literary study. In the meantime we use the telephone without any effort and at the same time without any spiritual gain at all, merely a gain — supposing it is a gain — in practical convenience. If we take on the other hand the invention, or creation, of Romeo and Juliet, it is quite clear that you can in a sense by using it — that is, by reading the play — recapture the moment of glory : but not without effort. It is different in kind from a telephone or a hot-water tap. The only way of utilizing it at all is by the method of Grammatik^ ; by reading it or hearing it read and at the same time making a definite effort of imaginative understanding so as to re-live, as best one can, the experience of the creator of it. (I do not of course mean his whole actual experience in writing the play, but the relevant and essential part of that experi- 24 RELIGIO GRAMMATICI ence.) This method, the method of intelligent and loving study, is the only way there is of getting any sort of use out of Romeo and Juliet. It is not quite true, but nearly true, to say that the value of Romeo and Juliet to any given man is exactly proportionate to the amount of loving effort he has spent in trying to re-live it. Certainly, in the absence of such effort Romeo and Juliet is without value and must die. It may stand at the door and knock, but its voice is not heard amid the rumble of the drums of Santerre. And the same is true of all great works of art or imagination, especially those which are in any way removed from us by differences of age or of language. We need not repine at this. The fact that so many works whose value and beauty is uni- versally recognized require effort for their understanding is really a great benefit to contemporary and future work, because it accustoms the reader or spectator to the expecta- tion of effort. And the unwillingness to make imagina- tive effort is the prime cause of almost all decay of art. It is the caterer, the man whose business it is to provide enjoyment with the very minimum of effort, who is in matters of art the real assassin. VI I have spoken so far of Grammatikg in the widest sense, as the art of interpreting the Grammata and so re-living the chosen moments of human life wherever they are re- corded. But of course that undertaking is too vast for any human brain, and furthermore, as we have noticed above, a great mass of the matter recorded is either badly recorded or badly chosen. There has to be selection, and selection of a very drastic and ruthless kind. It is impossible to say exactly how much of life ought to be put down in Gram- mata, but it is fairly clear that in very ancient times there was too little and in modern times there is too much. Most of the books in any great library, even a library much fre- quented by students, lie undisturbed for generations. And yet if you begin what seems like the audacious and impossible task of measuring up the accumulated treasures of the race in the field of letters, it is curious how quickly in its main RELIGIO GRAMMATICI 25 lines the enterprise becomes possible and even practicable. The period of recorded history is not very long. Eighty generations might well take us back before the beginnings of history-writing in Europe ; and though the beginnings of Accad and of Egypt, to say nothing of the cave-drawings of Altamira, might take one almost incalculably further in time, the actual amount of Grammata which they provide is not large. Thus, firstly, the period is not very long ; and, again, the extension of literature over the world is not very wide, especially if we confine ourselves to that con- tinuous tradition of literature on which the life of riiodern Europe and America is built. China and India form, in the main, another tradition, which may stimulate and in- struct us, but cannot be said to have formed our thought. If you take any particular form of literature, the limits of its achievement become quickly visible. Take drama ; there are not very many very good plays in the world : Greece, France, England, Spain, and for brief periods Russia, Scandinavia, and Germany, have made their contributions ; but, apart from the trouble of learning the languages, a man could read all the very good plays in the world in a few months. Take lyric or narrative poetry ; philosophy ; history : there is not so much first-rate lyric poetry in the world, nor yet narrative ; nor much first-rate philosophy ; nor even history. No doubt when you consider the books that have to be read in order to study the history of a par- ticular modern period — say, the time of Napoleon or the French Revolution — ^the number seems absolutely vast and overwhelming, but when you look for those histories which have the special gift that we are considering, that is the gift of retaining and expressing a very high quality of thought or emotion — the number dwindles at an amaz- ing rate. And in every one of these forms of literature that I have mentioned, as well as many others, we shall find our list of the few selected works of outstanding genius begin with a Greek nam^. " That depends," our modernist may say, " on the princi- ples on which you make your selection. Of course the average Grammaticus of the present day will begin his selected his- torians with Herodotus and Thucydides, just as he will begin 26 RELIGIO GRAMMATICI his poets with Homer, because he has been brought up to think that sort of thing. He is blinded, as usual, with the past. Give us a Greekless generation or two and the superstition will disappear." How are we to answer this ? With due humility, I think, and yet with a certain degree of confidence. According to Dionysius Thrax the last and highest of the six divisions of Grammatikfi was Kpiais ■novqiidTOiv, the judgement or criticism of works of imagina- tion. And the voice of the great mass of trained Gram- matici counts for something. Of course they have their faults and prejudices. The tradition constantly needs correcting. But we must use the best criteria that we can get. As a rule any man who reads Herodotus and Thucy- dides with due care and understanding recognizes their greatness. If a particular person refuses to do so, I think we can fairly ask him to consider the opinions of recog- nized judges. And the judgement of those who know the Grammata most widely and deeply will certainly put these Greek names very high in their respective lists. On the ground of pure intellectual merit, therefore, apart from any other considerations, I think any person ambitious of obtaining some central grasp on the Grammata of the human race would always do well to put a good deal of his study into Greek literature. Even if he were father- less, like Melchizedek, or homeless, like a visitor from Mars, I think this would hold. But if he is a member of our Western civilization, a citizen of Europe or America, the reasons for studying Greek and Latin increase and multiply. Western civilization, especially the soul of it as distinguished from its accidental manifestations, is after all a unity and not a chaos ; and it is a unity chiefly because of its ancestry, a unity of descent and of brotherhood. (If any one thinks my word " brotherhood " too strong in the present state of Europe, I woiild remind him of the relationship between Cain and Abel.) VII The civilization of the Western world is a unity of descent and brotherhood ; and when we study the Grammata of RELIGIO GRAMMATICI 27 bygone men we naturally look to the writings from which our own are descended. Now, I am sometimes astonished at the irrevelant and materialistic way in which this idea is interpreted. People talk as if our thoughts were descended from the fathers of our flesh, and the fountain-head of our present literature and art and feeling was to be sought among the Jutes and Angles. Paradise Lost and Prometheus Unbound are not the chil- dren of Piers Ploughman and Beowulf; they are the children of Vergil and Homer, of Aeschylus and Plato. And Hamlet and Midsummer Night's Dream come mainly from the same ancestors, though by a less direct descent. I do not wish to exaggerate. The mere language in which a book is written counts of course for much. It fixes to some extent the forms of the writer's art and thought. Paradise Lost is clearly much more English in character than Lucan's Pharsalia is Spanish or Augustine's City of God African. Let us admit freely that there must of necessity be in all English literature a strain of what one may call vernacu- lar English thought, and that some currents of it, currents of great beauty and freshness, would hardly have been different if all Romance literature had been a sealed book to our tradition. It remains true that from the Renaissance onward, nay, from Chaucer and even from Alfred, the higher and more massive workings of our literature owe more to the Greeks and Romans than to our own un-Romanized ancestors. And the same is true of every country in Europe. Even in Scandinavia, which possesses a really great honie literature, in some ways as noble as the Greek or the Hebrew, the main currents of literary thought and feeling, the philosophy and religion and the higher poetry, owe more to the Graeco-Roman world than to that of the Vikings. The movements that from time to time spring up in various countries for reviving the old home tradition and expelling the foreigner have always had an exotic character. The German attempts to worship Odin, to regard the Empire as a gathering of the German tribes, to expel all non-Ger- manic words from the language by the help of an instru- ment called — not very fortunately — a " Zentralbureau," have surely been symptoms of an error only not ridiculous 28 RELIGIO GRAMMATICI because it is so deeply tragic. The twisting of the Enghsh language by some fine writers, so that a simple Latin word like " cave " gives place to a recondite old English " stoney- dark " ; the attempts in France to reject the " Gaulois " and become truly " Celtique," are more attractive but hardly in essence more defensible. There is room for them as protests, as experiments, as personal adventures, or as reactions against a dominant main stream. They are not a main stream themselves. The main stream is that which runs from Rome and Greece and Palestine, the Christian and classical tradition. We nations of Europe would do well to recognize it and rejoice in it. It is in that stream that we find our unity, unity of origin in the past, unity of movement and imagination in the present ; to that stream that we owe our common memories and our power of under- standing one another, despite the confusion of tongues that has now fallen upon us and the inflamed sensibilities of modern nationalism. The German Emperor's dictum, that the boys and girls in his Empire must " grow up little Germans and not little Greeks and Romans," is both intellectually a Philistine policy and politically a gospel of strife. I trust no one will suppose that I am pleading for a dead orthodoxy, or an enforced uniformity of taste or thought. There is always a place for protests against the main con- vention, for rebellion, paradox, partisanship, and individu- ality, and for every personal taste that is sincere. Pro- gress comes by contradiction. Eddies and tossing spray add to the beauty of every stream and keep the water from stagnancy. But the true Grammaticus, while express- ing faithfully his personal predilections or special sensitive- nesses, will stand in the midst of the Grammata, not as a captious critic, nor yet as a jealous seller of rival wares, but as a returned traveller amid the country and landscape that he loves. He will realize the amount of love and care which has gone to the making of the Traditio, the handing down of the intellectual acquisitions of the human race from one generation to another, the constant selection of thoughts and discoveries and feelings and events so precious that they must be made into books, and then of books so RELIGIO GRAMMATICI 29 precious that they must be copied and recopied and not allowed to die. The Traditio itself is a wonderful and august process, full no doubt of abysmal gaps and faults, like all things human, but full also of that strange half baffled and yet not wholly baffled splendour which marks the characteristic works of man. I think the Grammaticus, while not sacrificing his judgement, should accept the Traditio and rejoice in it, rejoice to be the intellectual child of his great forefathers, to catch at their spirit, to carry on their work, to live and die for the great unknown purpose which the eternal spirit of man seems to be working out upon the earth. He will work under the guidance of love and faith ; not, as so many do, under that of ennui and irritation. VIII My subject to-day has been the faith of a scholar, Religio Grammaiici. This does not mean any denial or disrespect toward the religions of others. A Grammaticus who cannot understand other people's minds is failing in an essential part of his work. The religion of those who follow physical science is a magnificent and life-giving thing. The Traditio would be utterly wrecked without it. It also gives man an escape from the world about him, an escape from the noisy present into a region of facts which are as they are and not as foolish human beings want them to be ; an escape from the commonness of daily happenings into the remote world of high and severely trained imagination ; an escape from mortality in the service of a growing and durable purpose, the progressive discovery of truth. I can understand also the religion of the artist, the religion of the philanthropist. I can understand the religion of those many people, mostly young, who reject alike books and microscopes and easels and committees, and live rejoicing in an actual concrete present which they can ennoble by merely loving it. And the religion of Democracy ? That is just what I am preaching throughout this discourse. For the cardinal doctrine of that religion is the right of every human soul to enter, unhindered except by the limitation of its 30 RELIGIO GRAMMATICI own powers and desires, into the full spiritual heritage of the race. All these things are good, and those who pursue them may well be soldiers in one army or pilgrims on the same eternal quest. If we fret and argue and fight one another now, it is mainly because we are so much under the power of the enemy. I sometimes wish that we men of science and letters cotild all be bound by some vow of renunciation or poverty, like monks of the Middle Age ; but of course no renunciation could be so all-embracing as really to save us from that power. The enemy has no definite name, though in a certain degree we aU know him. He who puts always the body before the spirit, the dead before the living, the dray/catov before the koXov ; who makes things only in order to sell them ; who has forgotten that there is such a thing as truth, and measures the world by advertisement or by money ; who daily defiles the beauty that surrounds him and makes vulgar the tragedy ; whose innermost religion is the worship of the Lie in his Soul. The Philistine, the vulgarian, the Great Sophist, the passer of base coin for true, he is all about us and, worse, he has his outposts inside us, persecuting our peace, spoiling our sight, confusing our values, making a man's self seem greater than the race and the present thing more important than the eternal. From him and his influence we find our escape by means of the Grammata into that calm world of theirs, where stridency and clamour are forgotten in the ancient stillness, and that which was in its essence material and transitory has for the most part perished, while the things of the spirit still shine like stars. Not only the great things are there, seeming to stand out the greater because of their loneHness ; there is room also for many that were once in themselves quite little, but now through the Grammata have acquired a magic poignancy, echoes of old tenderness or striving or laughter beckoning across gulfs of death and change ; the watchwords that our dead leaders and forefathers loved, viva adhuc et desiderio pulcriora.^ ' " Living still and more beautiful because of our longing." II ARISTOPHANES AND THE WAR PARTY ' THERE is no commoner cause of historical misjudge- ment than the tendency to read the events of the past too exclusively in the light of the present, and so twist the cold and imconscious record into the burning service of controversial politics. And yet history is inevit- ably to a great extent a work of the imagination. No good historian is content merely to repeat the record of the past. He has to understand it, to see behind it, to find more in it than it actually says. He cannot understand without the use of his constructive imagination, and he cannot imagine effectively without the use of his experience. I believe it is one of the marks of a great historian, such as he in whose honour this annual lecture was established, such as he who now does us the honour of occupying the chair,^ to see both present and past, as it were, with the same unclouded eye ; to realize the past story as if it were now proceeding before him, and to envisage the present much in the same perspective as it will bear when it is one chapter, or so many pages, in the great volume of the past. We know in Gibbon's case how much the historian of the Roman Empire learnt from the Captain of the Hamp- shire Grenadiers. And it would surely be folly to tell a man who had lived through the French or the Russian Revolution to forget his own experience when he came to treat of similar events in history. To do so is to fall into that great delusion that haunts the hopes of so many savants, the delusion of supposing that in these matters man can ' Being the Creighton Lecture, 1918. ' Dr. Mandell Creighton and Lord Bryce, 81 32 ARISTOPHANES AND THE WAR PARTY attain truth by some sure mechanical process without ever committing himself to the fallible engine of his own personality. Greek History has been, for reasons not difficult to unravel, constantly reinterpreted according to the political experi- ences and preferences of its writers. Cleon in particular, the most vivid figure of the Peloponnesian War, plays in the history books many varied parts. Heeren and Passow, writing under the influence of the French Revolution, treat him as a " bloodthirsty sans-culotte " who established a reign of terror. (Busolt, iii. 988 ff.) Mitford, a good English Tory reeling under the horror of the first Reform Bill, took him as a shocking example of what democracy really is and must be. Grote, on the contrary, saw him as a vigorous and much-abused Radical, and justified his war-policy for the sake of his democratic ardour at home. In our own day Mr. Grundy and Mr. Walker somewhat reinforce the position of Mitford, while Mr. Zimmem, following Beloch and Ferrero, sees in Cleon little more than the figurehead of a great social and economic movement. For my own part I would fain go back to the actual language of Thucy- dides and regard Cleon simply as " the most violent of the citizens, and at that time most persuasive to the multitude." We need bring in no nicknames of modern parties ; that phrase tells us essentially what we need to know. I propose to-day to consider the impression made on Athenian society by that long and tremendous conflict between Athens and Sparta which is called the Peloponnesian War, using the light thrown by our own recent experience. That war was in many respects curiously similar to the present war. It was, as far as the Hellenic peoples were concerned, a world-war. No part of the Greek race was unaffected. It was the greatest war there had ever been. Arising suddenly among civilized nations, accustomed to comparatively decent and half-hearted wars, it startled the world by its uncompromising ferocity. Again, it was a struggle between Sea-power and Land-power ; though Athens, like ourselves, was far from despicable on land, and Sparta, like Germany, had a formidable fleet, and adopted the same terrorist policy of sinking all craft ARISTOPHANES AND THE WAR PARTY 33 whatsoever, enemy or neutral, which they found at sea. {Thucydides ii. 67.) It was a struggle between the principles of democracy and military monarchy ; and in consequence throughout the Hellenic world there was a violent dissidence of sympathy, the military and aristocratic parties every- where being pro-Spartan, and the democratic parties pro- Athenian. From the point of view of military geography, again, the democratic sea-empire of Athens suffered much from its lack of cohesion and its dependence on sea-borne re- sources, while the military land empire of the Peloponnesians gained from its compact and central position. It would perhaps be fanciful to go further and suggest that the Thracian hordes played something the same part in the mind of the Athenians as the Russians with some of us. And, when they failed, alas, there was no America to make sure that the right side won ! Again, in the commonplaces of political argument, we find in that part of the Peloponnesian War about which we have adequate information, a division of parties curiously similar to our own. There were no pro-Spartans in Athens, just as there are no pro-Germans in the proper sense of the word with us. There was roughly a Peace by Negotiation party, led by Nicias, and a Knock-out-Blow party, led by Cleon. The latter emphasized the delusiveness of an " inconclusive Peace " and the impossibility of ever trusting the word of a Spartan ; the former maintained that a war to the bitter end would only result in the exhaustion of both sets of combatants and the ruin of Greece as a whole. And Providence, unusually indulgent, vouchsafed to both parties the opportunity of proving that they were right. After ten years of war Nicias succeeded in making a Peace treaty, which, however, the firebrands on both sides pro- ceeded at once to violate ; war broke out again, as the War party had always said it would, and after continuing alto- gether twenty-seven years left Athens wrecked and Sparta bleeding to death, just as the Peace party had always prophesied ! Of course such parallels must only be allowed to amuse our reflections, not to distort our judgements. It would be easy to note a thousand points of difference between S 84 ARISTOPHANES AND THE WAR PARTY the two great contests. But I must notice in closing one last similarity between the atmospheres of the two wars which is profoundly pathetic, if not actually disquieting. The more the cities of Greece were ruined by the havoc of war, the more the lives of men and women were poisoned by the fear and hate and suspicion which it engendered, the more was Athens haunted by shining dreams of the future reconstruction of human life. Not only in the speculations of philosophers like Protagoras and Plato, or town-planners like Hippodamus, but in comedy after comedy of Aristophanes and his compeers — the names are too many to mention — we find plans for a new life ; a great dream-city in which the desolate and oppressed come by their own again, where rich and poor, man and woman, Athenian and Spartan are all equal and all at peace, where there are no false accusers and — ^sometimes — where men have wings. This Utopia begins as a world- city full of glory and generous hope ; it ends, in Plato's Laws, as one little hard-living asylum of the righteous on a remote Cretan hiU-top, from which all infection of the outer world is rigorously excluded, where no religious heretics may live, where every man is a spiritual soldier, and even every woman must be ready to " fight for her young, as birds do." The great hope had dwindled to be very Hke despair ; and even in that form it was not fulfilled. The war broke out in 432 b.c. between the Athenian Empire, comprising nearly all the maritime states of Greece, on the one hand, and on the other the Peloponnesian Alliance led by Sparta. The first war lasted tiU 421 ; then followed the Peace of Nicias, interrupted by desultory encroachments and conflicts not amoimting to open war till 418 when the full flood recommenced and lasted tiU the destruction of Athens in 404. I wish to note first a few of the obvious results arising from so long and serious a war. The most obvious was the over-crowding of Athens due to the influx of refugees from the districts exposed to invasion. They lived, says Thucydides, in stuffy huts or slept in temples and public buildings and the gates of the city wall, as best they could ARISTOPHANES AND THE WAR PARTY 85 {Thucydides ii. 52.) " You love the people ? " says the Sausage-monger in Aristophanes' Knights to Cleon, " but here they are for seven years living in casks and holes and gateways. And much you care ! You just shut them up and milk them." As every one knows, this over-crowding resulted in the great outbreak of a plague, similar to the Black Death, in 430, a point emphasized by Thucydides but not, if I remember rightly, ever mentioned by Aristo- phanes. I suppose there are some things which, even to a comic genius, are not funny. There was great scarcity of food, of oil for lighting, and of charcoal for burning. "No oil left," says a slave in the Clouds : " Confound it," answers his master ; " why did you Ught that drunkard of a lamp ? " {Clouds 56.) " What are you poking the wick for," says an Old Man to his son in the Wasps, " when oil is so scarce, siUy ? Any one can see yoti don't have to pay for it ! " {Wasps 252 ff.) But food was dearer stiU. " Good boy," says the same Old Man a httle later, " I'll buy you something nice. You would like some knuckle-bones, I suppose ? " Boy. I'd sooner have figs, papa. Old Man. Figs ? I'd see you all hanged first. Out of this beggarly pay I have to buy meal and wood and some bit of meat or fish for three. And you ask for figs 1 " And the Boy bursts into tears. I think the passage in the Acharnians where the hero, parodying a scene in a tragedy, threatens to murder a sack of charcoal, and the Chorus of charcoal-burners are broken-hearted at the thought, is perhaps more intelligible to us this winter than it was before the war. The scarcity of food is dwelt upon again and again. It is treated almost always as a joke, but it is a joke with a grim background. Many places suffered far more than Athens. Melos had been reduced by famine. {Birds 186.) The much-ravaged Megara, an enemy so contemptibly weak and yet, for geographical reasons, so maddeningly inconvenient to the Athenians, was absolutely starving. Farce comes near to the border of tears in the scene of the Acharnians where the Megarian comes to sell his children in a sack, as pigs, and we hear how the fashionable amuse- 36 ARISTOPHANES AND THE WAR PARTY ment in Megara is to have starving-matches round a fire. {Acharnians 750-752.) In Athens itself prices were high, as we saw in the scene from the Wasps. Everybody was in debt, hke Strepsiades in the Clouds, like Peithetairos and Euelpides in the Birds. The King of the Birds, we hear, " had once been a human being, like you and me ; and owed money, like you and me ; - and was thankful not to pay it, like you and me." (Birds 114 ff.) That was one of the reasons why, though Athens was certainly " a great and prosperous city and open to every one to spend money in," the heroes of that play determined to seek another home. But the liveliest description of the general lack of food is in the Knights, in a scene of which the point has often been missed. Cleon is addressing the Council, thundering accusations of conspiracy and " the hidden hand," when the Sausage-monger resolves to interrupt him and bursts — quite illegally — in with the news that a shoal of sprats has come into the Piraeus and can be had cheap, extraordinarily cheap. The hungry and anxious faces suddenly clear. They vote a crown to the bringer of good tidings, and prepare to rush off. Cleon, to regain his ascendancy, proposes a vast sacrifice of kids, as a thank-offering. The Sausage- monger at once doubles the number, and proposes a still further extravagance of public feasting next day if sprats fall to a hundred the obol. The councillors accept the proposal without discussion and stream out. Cleon shrieks for them to wait : a herald has come from the Spartans to propose terms of Peace ! At another time that would have held them. But now there are cries of derision. " Peace ? Yes, of course. When they know that we have cheap fish. We don't want Peace ! Let the war rip ! " Cleon had taught them their lesson only too well. (Knights 625-680.) Another effect of the war was the absence of men of military age from Athens. The place was full of women and Gerontes — technically, men over sixty. And the young men were being killed out. That explains such phrases, for example, as the remark that Argos was now powerful because she had plenty of young men. (Contrast fidt, vi. 83.) ARISTOPHANES AND THE WAR PARTY 87 It explains too why the plots of three of our eleven extant Comedies, and quite a number of those only known from fragments, are based on suppositions of what the women might do if they held together. In the Lysistrata — the name means Dismisser of Armies — the heroine, determined on compelling both sides to make Peace, organizes a general strike of all wives and mistresses, both in Athens and Sparta. They seize the Acropolis, and dress themselves in their most bewitching clothes, but will not say a word to any husband or lover till Peace is made. And when the authori- ties are summoned to put the revolt down, alas, they amount to nothing but a crowd of scolding old gentlemen. It is much the same in the Ecclesiazusae, or Women in ParUament, only there they pack the Assembly disguised as men, carry a measure transferring the voting power from men to women and then introduce a socialist Utopia. The third woman-play, the Thesmophoriazusae, turns on literature, not on politics. The evidence is not sufficient to show whether there really was any general movement for Peace among the women, or yet for Socialism. At the present time women probably feel the pinch of scarcity and the difficulties of housekeeping more than men do ; and possibly they feel the deaths of the young men more than the old men do. But these are only two factors among an enormous number that are operating. The third material result which seems worth specially mentioning was the dearth of servants, though this was due to a different cause from those which produce the same effect among us. It was that the slaves, who of course had no patriotism towards the city of their owners, deserted in vast numbers. At a certain moment we are told that more than 20,000 had escaped from Athens. Life no doubt was extra hard, and escape was easy. The master, if he was under sixty, was apt to be away on duty ; and if you once got outside the town into the open country, where the enemy was in force, there was a good chance of not being pursued. The slaves thus correspond to what is called the " inter- national proletariate," or would correspond if such a class 38 ARISTOPHANES AND THE WAR PARTY really existed. They were a class without rights, with- out interests, without preference for one country or one set of masters over another. In modern Europe it seems as a rule to take an extraordinary amount of prolonged misery before an oppressed class loses its national feeling. Now let us turn from the material effects of the war to a more interesting side of the subject, the effects upon political opinion. I think that on this point, owing to the exceptional vividness and richness of our sources, quite a good deal can be made out. We have not only the direct narrative of Thucydides, who writes at first hand of what he has himself observed and felt, and several speeches of contemporary orators, concerned with public or private suits. We have also the eleven Comedies of Aristophanes, representing the political opposition, and treating of public affairs with unusual freedom of speech and also, amid the wildest exaggerations, with a singularly acute perception of his opponent's point of view. The Greeks were not politicians and dramatists for nothing. The first simple fact to realize is that the war was a long, hard, and evenly balanced war. Consequently each side, as usual, thought its own successes much greater than they reaUy were, though of course much less than they ought to be. They could not understand why, considering their own moral and intellectual superiority to the enemy, they did not succeed sooner in completely crushing him. There arose a demand for energy, energy at any price, and then more energy. But why, even with energy, did things continue to go wrong ? The mob became hysterical. Evidently there was a hidden hand ; there were traitors in our midst ! This was dreadful enough ; but the fact that with the utmost vigilance it was impossible to discover any traitors, made it infinitely exasperating. Athens swarmed with informers and false accusers. The Old Comedy is full of hits at these pubUc nuisances, and they have left their mark on the historians and even the non-political writers. In tragedy, for example, references to contemporary affairs are extremely rare, but Euripides ARISTOPHANES AND THE WAR PARTY 89 in the Ion, written in 415, alludes passingly to Athens as " a city full of terror." {Ion 601.) In this state of things it became of course extremely difficult, if not dangerous, to work for Peace. Nicias no doubt wished for a peace on reasonable terms, to be followed by an alliance with Sparta and a loyal co-operation between the two chief states of Greece. And there was, as far as we can see, no particular reason to regard Sparta as in any special sense an outcast from Greek civilization, or congenitEilly incapable of loyal action. But though all our authorities agree in praising both the character and abilities of Nicias, there is a constant complaint of his slowness, his lack of dash, and his reluctance to face, or to encourage, the howls of the patriotic mob. When he was commander-in-chief, Plutarch tells us, he lost popularity by spending all his day working at the Stratfigion, or War Office, and then going straight home, instead of making himself agreeable to the orators and disseminators of news, or making speeches to " ginger " the Assembly. As an offset to tliis rather gloomy picture, it is worth noting that Athenian civilization was hard to destroy. There were very few executions of citizens and no judicial murders even when passions ran most fiercely. And pari passu there were no assassinations. And though Aristophanes and the other Comedians speak a good deal of the danger they run in attacking Cleon, they seem to have exercised during the first ten years or so of the war a degree of freedom of speech which is almost without a parallel in history. If you can with impunity, in public, refer to the leading statesman of the day as " a whale that keeps a public-house and has a voice like a pig with its bristles on fire," you are somewhat debarred from denouncing the rigours of the censorship. {Wasps 35 if.) In other Greek states, of which Corcyra Is the standing example, there were civil wars, poHtical proscriptions, and massacres. But it took a long time even for a war so deep-rooted and corrupting as the Peloponnesian to destroy the high civiliza- tion that had been built up in the Athens of Pericles. The only really atrocious acts which can be laid to the account of the war party at Athens are acts of ferocity to enemies 40 ARISTOPHANES AND THE WAR PARTY or quasi-enemies, like the treatment of Megara and M61os ; monstrous severity to those parts of the Empire which showed disloyalty during the war, like the massacres of Mityl6nfi and Skionfi ; and thirdly, unless I am mistaken, a pretty constant practice of harsh and unscrupulous exploitation of subject-alHes, which at times amounted to absolute tyranny and extortion. After these general considerations, let us proceed to re- construct the definite political criticism passed by the moderates or " pacifists " on the government of Cleon. Of course such reconstruction is not quite easy. The criticism is hardly ever both directly and seriously expressed. In Thucydides it is serious but seldom direct ; it has mostly to be gathered from implications. In the orators it is allusive and powerfully affected by the necessities of the particular cause which the speaker is pleading. In Aristo- phanes it is abundant and in one sense direct enough to satisfy the most exacting critic ; but it is confused first by the wild and farcical atmosphere of the Old Comedy, which attains its end sometimes by exaggeration and sometimes, on the contrary, by paradox — I mean, by re- presenting a public man in a character exactly the opposite to that for which he is notorious ; and secondly, a point which is apt to be forgotten, by the subtle tact with which the poet has always to be handling his audience. To allow for these distorting media is not a question of scientific method ; it is a question of familiarity with the subject and the language, of humour and of common sense. And it follows that one's interpretation can never be absolutely certain. However, to take first the attitude of the Opposition towards the enemy. It is plain enough how the average Athenian citizen under the influence of war-fever regarded him. It was folly to speak of ever making any treaty with a Spartan, " who was no more to be trusted than a hungry wolf with its mouth open." {Lysistrata 629.) The Spartans are to blame for everything, everything that has gone wrong ; they are creatures " for whom there exists no altar and no honour and no oath ! " {Acharnians 308, 311.) The clergy, that is to say, the prophets and ARISTOPHANES AND THE WAR PARTY 41 oracle-dealers, are represented in Greek Comedy, just as they are later by Erasmus and Voltaire, as more ferocious in their war-passions than the average layman. For example, in the Peace, when that buried goddess has been recovered from the bowels of the earth and all the nations are rejoicing, the soothsayer Hierocles comes to interrupt the peace-libations with his oracles : " O miserable creatures and blind, not knowing the mind of the gods ! Behold, men have made covenants with angry-eyed apes. Tremb- ling gulls have put their trust in the children of foxes." And again, " Behold, it is not the pleasure of the blessed gods that ye cease from war until the wolf weds the lamb." Again, " Never shaU ye make the crab walk straight ; never shall ye make the sea-urchin smooth." {Peace 1049- 1120.) These prophets are never sympathetically treated by Aristophanes. Sometimes they are simply kicked or beaten at sight. Sometimes they are argued with, as in this scene. " Are we never to stop fighting ? " asks the hero of the play. " Are we to draw lots for which goes to the Devil deepest, when we might simply make peace and together be the leaders of Hellas ? " And a little later he retorts on the oracles which Hierocles quotes from the prophet Bakis with a better oracle from Homer : " With- out kindred or law or hearthstone is the man who loves war among his people." {Peace 1096 ff.) In the Acharnians the hero deliberately undertakes to argue that the Spartans — whom he duly hates, and hopes that an earthquake may destroy them, for he too has had his vineyard ravaged — were, after all, not to blame in everything ; on the contrary, they have in some points been treated unjustly. It is a bold undertaking. In very few great wars can it have been possible for a man on the public stage to argue such a thesis on behalf of the enemy ; and Dicaeopolis has to do it with a block ready for cutting his head off if he does not prove his point. His argument is that the cause of the war was the Athenians' tariff-war against Megara — a small Dorian state under the protection of Sparta. There was a deliberately in- jurious tariff against Megarian goods ; and then, instead 42 ARISTOPHANES AND THE WAR PARTY of letting the tariff work in the casual happy-go-lucky way that was usual in antiquity, "a lot of wicked little pinch-beck creatures, degraded, falsely stamped and falsely born," made a trade of informing against Megarian wooUen goods. And if ever they saw a pumpkin or a hare or a young pig or a head of garlic or some stray lumps of salt, " that's from Megara 1 " they shouted, and it was confiscated before nightfall. This led naturally enough to troubles on the frontier. Drunken young Athenians began making outrages across the Megarian border — the current form of outrage was to carry off a female slave ; angry young Megarians made reprisals, till At last in wrath the Oljrmpian Pericles Broke into thunder, lightning and damnation On Greece ; passed laws written Uke drinking-songs. That no Megarian by land or sea Or sky or market should be left alive I (The allusion is to a drinking-song beginning " Would that not by land or sea," etc.) The Megarians were re- duced to starvation ; Sparta, intervening, made a petition on behalf of Megara to have the decree rescinded. They pleaded many times and Athens refused ; and then came the rattling of shields. " They ought not to have rattled their shields, you say ? Well, what ought they to have done ? Suppose a Spartan had sailed out in a skiff and confiscated a puppy-dog belonging to the smallest islander in your League, would you have sat still ? God bless us, no. In a moment you would have had three hundred ships of war on the water," and so on, and so on. The Chorus who listen to this bold pleading are shaken by it. Half go with the speaker, and half not. {Acharnians 496-561.) Much the same account is given a few years later in the Peace (Peace 603-656). The hostile tariff against Megara was the first cause of the war ; but the speaker here is more interested in what happened after. " Your depen- dencies, or subject-allies," he says, " saw that you and the Spartans were snarUng at each other ; so, in fear of the tribute you made them pay, they moved heaven and ARISTOPHANES AND THE WAR PARTY 43 earth to induce the chief men in Sparta to fight for their independence. And they, hke the covetous curs and deceiv- ers of strangers that they are, drove Peace with shame out of the world and grabbed at war." He goes on to show how most of the suffering fell on the tiUers of the soU. I will not discuss the truth of this account further than to observe that to my mind the only question is a question of proportion. The cruel tariff-war against Megara is a vera causa. It did exist, and it did act, as such tyrannies always act, as a cause of war. But how much weight it should be given among all the other causes is a question it would be futile at present to discuss. The object of Pericles' poHcy was, as far as we can judge, to compel Megara by sheer coercion to join the Athenian alliance, to which it seemed naturally to belong by geography and commercial interest, and give up the Spartan alliance, to which it belonged by race and sympathy. The next point at issue between Aristophanes and Cleon is an interesting one. It is the treatment of the depen- dencies. Athens was the head of a great league, originally formed for defence against the Persians, and consisting chiefly of the Ionian islands and maritime states which had been under the Persian yoke. This league of equals had gradually transformed itself into an Empire, in which Athens provided most of the military and naval force and dictated the foreign poHcy, while the dependencies paid tribute for their protection. These Ionian cities had been outstripped in power and wealth by Athens and the larger commercial units. But they had a tradition of ancient culture and refinement. Their language was stiU the authorized dialect of poetry and the higher prose. And, though most of them were now democratically governed, their old families had stUl much influence and wealth. Aristophanes, Mke Sophocles and other Athenian writers, had strong finks of sympathy with Ionia. His poHcy woxild doubtless have been that of Aristides, whose arrangement of the tribute payable by the dependencies was accepted as a model of justice. The democratic war party took just the opposite view. There were remnants of the old aristocratic fanufies stfil 44 AniStOPttANES AND THE WAR PARTY in the islands ; they must be taught a lesson. There was money : it must be extorted to provide pay for the Athenian populace. There was secret disaffection : it must be rooted out. There was occasionally an open rebellion : it must be met by wholesale executions. The islanders were all traitors at heart, and the worst they got was better than their deserts ! In the year 426, just before the earliest of his comedies that has come down to us entire, Aristophanes produced a play of extraordinary daring, called the Babylonians, in which he represented all the dependencies as slaves on a treadmill, watched by a flogging gaoler called Demos. One fragment describes soldiers demanding billets. Another shows some extortioner saying, " We need 200 drachmae." " How am I to get them ? " asks the unhappy islander. " In this quart pot ! " is the answer. There is mention of some soldier ordering a yoke of plough-oxen to be killed because he wanted beef. To make the insult to the Athenian Govern- ment greater, the play was produced at the Great Dionysia, in the summer, when visitors from the Ionian cities were present in large numbers in Athens. One can imagine their passionate delight at finding such a champion. It was a little too much. Cleon brought a series of prosecutions against the poet, who remarks in a subsequent comedy {Acharnians ^yy ff.) : And how Cleon made me pay — I've not forgotten — for my last year's play ! Dragged me before the Council, brought his spies To slander me, gargled his throat with lies, Niagaraed me and slooshed me, till — almost — With so much sewage I gave up the ghost ! His spirit was not quenched, however. His next play, the Acharnians, was a definite plea for Peace, and his next, the Knights, a perfectly exuberant and uncompromising attack on Cleon, now at the very height of his power. It is noteworthy that in the Knights there is clear evi- dence of the terror that Cleon inspired. The character who represents him was not made up to look like him, and was not called by his name — at least not till the play was ARISTOPHANES AND THE WAR PARTY 45 more than half finished, and it was clear how the audience would take it. Furthermore, though I think the most burning cause of quarrel that Aristophanes had against Cleon was his treatment of the dependencies, or allies, these are not once mentioned by name till the last word of the last line of the play, when Cleon is removed from of&ce and borne off to pursue his true vocation of selling cat's meat at the city gates, and exchanging " billingsgate " with the fish-sellers and prostitutes. Carry him high And show him to the Allies whom he wronged. There are plenty of general references to extortion, how- ever. Cleon stands on the Council rock watching the sea, like the look-out man watching for herrings or tunnies, ready to harpoon the tribute as it comes. (313.) He knows all the rich and harmless men who have held any office and are consequently open to prosecution and blackmail. (260 ff.) He saves money by not paying the sailors, but 'letting them live on the islanders instead. (Knights 1366 f. ; Acharnians 161-163.) In any strait he demands war-ships for collecting arrears — there were probably always arrears of tribute due from some place or other — and sends them out to collect — with no questions asked. (1070-1078.) An informer in another play, the Birds, mentions with glee his own method, which is to go to an island and summon a rich islander to trial in Athens. Then, in the scarcity of ships, the islander cannot get a passage to Athens, while the informer is allowed to go in a man-of-war. The trial is brought on at once and the islander condemned in his absence. [Birds 1410-1468.) Cleon's defence of his own policy is illuminating. The war meant vast expenditure and crippled production. The country population were driven for safety into the towns and ceased to produce wealth, while of course they had to be fed. Wealth and food must be got from some- where, and Cleon undertook to get it. " When I was on the CouncU, Demos," he says, " I produced a huge balance in the treasury. I racked these men and squeezed those and blackmailed the others. I cared not a jot for 46 ARISTOPHANES AND THE WAR PARTY any private person as long as I could make you happy." As Lysias, the respectable democratic orator, puts it, " When the Council has sufficient revenue it commits no offences ; but when it is in difficulties it is compelled to accept impeachments and coniiscations of property, and to follow the proposals of the most unprincipled speakers." {Lysias 30, 22.) Of course the art of popular extortion lies in choosing your victims. Rich lonians could be robbed without the Athenian mob turning a hair ; and when that supply failed it was fairly safe to attack rich Athenians suspected of " moderatism." " What will you do," asks the Sausage-monger of the reformed and converted Demos at the end of the Knights, " if some low lawyer argues to the jury that there will be no food for them unless they find the defendant guilty ? " " Lift him up and ffing him into the Pit," cries the indignant Demos, " with the fattest of the informers as a millstone round his neck." {Knights 1358-1363.) Such arguments were heard in the French Revolution, and are mentioned also by Lysias. (27, i.) Cleon's policy was to win, to win completely, at any cost and by any means. And, as in the French Revolution, such a policy became more and more repulsive to decent men. Nicias, the leader of Cleon's opponents, wanted a Peace of Reconciliation, but he seldom faced the Assembly. He was a good soldier, a good organizer, a skilful engineer ; he devoted himself to his military work and increasingly stood out from politics. Our witnesses are unanimous in saying that from the time of Pericles onward there was a rapid and progressive deterioration in the class of man who acquired ascendancy in Athens. In part no doubt this alleged deterioration merely represented a change in social class ; the traders or business men, the " mongers " as Aristophanes derisively calls them, came to the front in place of the landed classes and the families of ancient culture. But I hardly see how we can doubt that there really was a moral and spiritual degradation as well, from Pericles and Cimon to Hyperbolus and his successors. The locus classicus is, of course, the scene in the Knights where the Sausage-man or Offal-monger is introduced as the only possible rival for Cleon, the tanner or Leather- ARISTOPHANES AND THE WAR PARTY 47 monger. In this scene the Paphlagonian slave, i.e. Cleon, has fallen asleep, and two of his fellow-slaves, representing Cleon's honest and disgraced rivals, Nicias and Demosthenes, succeed in stealing a book of oracles which he keeps under his pillow. The two-thousand-year-old jests may strike us as some- times coarse and sometimes frigid ; and my translation is a rough one. But there is a passion in the scene that keeps it alive and significant. Demosthenes, I should explain, is a little drunk from the start. (Knights 125-225.) He holds the book of oracles. Demosthenes. You gory Paphlagonian, you did well To keep this close I You feared the oracle About yourself. Nicias. About himself ? Eh, what ? Demosthenes. It's written here, man, how he goes to pot. Nicias. How ? Demosthenes. How ? This book quite plainly prophesies How first a Rope-monger must needs arise The fortunes of all Athens to control. . . . Nicias. Monger the first ! What follows in the roll ? Demosthenes. A Mutton-monger next our lord shall be. . . . Nicias. Monger the second I What's his destiny ? Demosthenes. To reign in pride until some dirtier soul Rise than himself. That hour his knell shall toll. For close behind a Leather-monger reels, — Our Paphlagonian — ^lunging at his heels, Niagara- voiced, a roaring beast of prey. Nicias. The Mutton-monger runs, and fades away Before him ? Demosthenes. Yes. Nicias. And that's the end ? The store Is finished ? Oh, for just one monger more 1 Demosthenes. There is one more, and one you'd never guess. Nicias. There is ! What is he ? Demosthenes. Shall I tell you ? Nicias. Yes ! Demosthenes. His fall is by an Offal-monger made. Nicias. An offal-monger ? Glory, what a trade I . . . Up, and to work 1 That mongef must be found ! Demosthenes. We'll seek him out. [They proceed to go seeking, when they see a man with a pieman's tray hanging round his neck, selling offal.] Nicias. See I On this very ground, By Providence ! 48 ARISTOPHANES AND THE WAR PARTY Demosthenes. O blessing without end ! O Ofial-monger, friend and more than friend I To us, to Athens, saviour evermore ! . . . This way ! Offal-monger. What's up ? What are you shouting for ? Demosthenes. Come here : come forward, and be taught by me Your splendid fate, your rich feUcity 1 NiciAS. Here ! Take his tray off 1 Pour into his head The blessed oracles and all they've said. I'll go and keep my eye on Paphlagon. [Exit Nicias.] Demosthenes. Come, my good man, put all these gadgets down. Kiss Earth thy Mother and the gods adore. Offal-monger. There. What's it all about ? Demosthenes. O blest and more 1 Now nothing but to-morrow. Lord of All I Prince of Athens the majestical . . . Offal-monger. Look here, gents, can't you let me wash my stuff And sell the puddings ? I've had mor'n enough. Demosthenes. Puddings, deluded being ? Just look up. You see those rows and rows of people ? Offal-monger. Yup. Demosthenes. You are their Lord and Master I You, heaven-sent. To people, market, harbour, parUament, To kick the Council, break the High Command, Send men to gaol, get drunk in the Grand Stand. . . . Offal-monger. Not me ? Demosthenes. Yes — and you don't yet see it — you ! Get up on . . . here, your own old tray will do. See all the islands dotted round the scene ? Offal-monger. Yes. Demosthenes. The great ports, the mercantile marine ? Offal-monger. Yes. Demosthenes. Yes I And then the man denies he'i blest ! Now cast one eye towards Carthage in the west. One round to Caria — take the whole imprint. Offal-monger. Shall I be any happier with a squint ? Demosthenes. Tut, tut, man I All you see is yours to sell. You shall become, so all the stars foretell, A great, great man. Offal-monger. But do explain : how can A poor little Offal-monger be a man ? Demosthenes. That's just the reason why you are bound to grow, B«caus« you ar« »treet-bred, brazen-faced and low. ARISTOPHANES AND THE WAR PARTY 49 Offal-monger. You know, I don't know quite as I deserve . . . Demosthenes. You don't know quite ? What means this shaken nerve ? Some secret virtue ? No ? — Don't say you came Of honest parents ! Offal-monger. Honest ? Lord, not them ! Both pretty queer ! Demosthenes. Oh, happy man and wife ! To start your son so well for public Ufe. Offal-monger. Just think of the eddication I ain't had, Bar letters : and I mostly learnt them bad ! Demosthenes. The pity is you learnt such things at all. 'Tis not for learning now the people call, Nor thoughtfulness, nor men of generous make. "Tis brute beasts without conscience. Come and take The prize that gods and prophets offer you. Offal-monger. Of course I like them. But I can't see yet How ever I shall learn to rule a state. Demosthenes. Easy as lying ! Do as now you do, Turn every question to a public stew ; Hash things, and cook things. Win the common herd By sweet strong sauces in your every word. For other gifts, you have half the catalogue Already, for the perfect demagogue, A blood-shot voice, low breeding, huckster's tricks — What more can man require for poUtics ? The prophets and Apollo's word concur. Up ! To aU Sleeping Snakes libation pour. And crown your brow, and fight him 1 Offal-monger. Who will fight Beside me ? All the rich are in a fright Before him, and the poor folk of the town Turn green and vomit if they see him frown. You feel the tone. The bitter contempt, in part the contempt of the beaten aristocrat for the conquering plebeian, of the partisan for his opponent, of the educated man for the uneducated, but in part, I think, genuinely the contempt of the man of honest traditions in manners and morals for the self-seeker with no traditions at aU. It recurs again and again, in all mentions of Cleon and his successor Hyperbolus, or their flatterers and hangers-on ; priests and prophets, shirkers of military service, rich 4 50 ARISTOPHANES AND THE WAR PARTY profiteers with a pull on the government, and above all of course the informers, or false-accusers. The informers rose into prominence for several causes. First, the war-fever and the spy-mania of the time ; next, the general exasperation of nerves, leading to quarrels and litigation ; next, the general poverty and the difficulty of earning a living. An informer if he won his case received a large percentage of the penalty imposed. By the time of the Birds (414 B.C.) and the Ecclesiazusae (389 B.C.) Aristophanes implies jestingly that it was the only way left of making a living, and every one was in it. (Ecclesiazusae 562.) In the Plutus an informer bursts into tears because, in the New World introduced by the denouement of that play, a good man and a patriot, like himself, is reduced to suffering. " You a good man and a patriot ? " " If ever there was one." ..." Are you a tiUer of the soil ? " " Do you think I am mad ? " "A merchant ? " " H'm, that is how I describe myself when I have to sign a paper. " " Have you learnt any profession ? ' ' " Rather not." " Then how do you live ? " "I am a general supervisor of the affairs of the City and of all private persons." " What is your qualification ? " "I like it." The informer scores a point later on. " Can't you leave these trials and accusations to the proper officials ? " they say to him. " The City appoints paid judges to settle these things." " And who brings the accusation ? " says the informer. " Any one who likes." " Just so. I am a person who likes." (Plutus 901-919.) In the Acharnians (860-950), when the Boeotian farmer comes to market with his abundance of good things, there arises a difficulty about any export adequate to repay such imports. He wants something that is abundant in Athens but scarce in Boeotia. Fish and pottery are suggested, but do not satisfy him : when the brilliant idea occurs. Give him a live informer ! At this moment an informer enters ; his name by the way is Nikarchos, " Beat-the- Government " — a name formed like Nikoboulos, " Beat-the- Council " — and suggests that if Cleon on the whole encouraged and utUized the false accusers for the purpose of keeping bis rivals out of power, they were sometimes too strong ARISTOPHANES AND THE WAR PARTY 51 for him himself. " He is rather small," says the Boeotian doubtfully. " But all of him bad," is the comforting retort. Nicarchus immediately denounces the Boeotian wares as contraband, and finding lamp-wicks among them, detects a pro-Spartan plot for setting the docks on fire. He is still speaking when he is seized from behind, tied with ropes, wrapped carefully in matting wrong side up, so as not to break — and carried off. Besides the avKo^dvrai and blackmailers, we hear a good deal about KoAa/cej, or flatterers of those in power, and a good deal about profiteers. There are the Ambassadors and people on government missions with their handsome maintenance allowances, young officers with " cushy jobs " {Acharnians 61-90, 135-137, 595-619), the people who profit by confiscations {Wasps 663-718), the various trades that gain by war {Peace 1210-1255) : the armourers, crest- makers, helmet-makers, trumpet-makers ; the prophets and priests, who gain by the boom in superstition ; the geometers or surveyors, who survey annexed territory {Birds 960-1020), together with other colonially-minded profiteers. In the Peace, when that goddess is discovered buried out of human sight in a deep pit, all the Greeks start to drag her out, but some hinder more than help. There are soldiers who want promotion, pohticians who want to be generals, slaves who want to desert, and of course there are munition-workers. As the work goes on it appears that the Boeotians, who have plenty to eat, are not pulling ; the jingo General, Lamachus, is not pulling; the Argives, being neutral, have never pulled at aU ; they only grinned and got profit from both sides ; and the unhappy Megarians, though they are doing their best, are too weak with famine to have any effect. Eventually all these people are warned off ; so are the chief combatants, the Spartans and Athenians, because they do nothing but quarrel and make accusations against each other. Only the tillers of the soil are left to pull, the peasants and farmers of all nations alike. They are not politicians, and they know what it is to suffer. {Peace 441-510.) So the goddess is hoisted up, and the various cities, in spite of their wounds §nd bandages and 62 ARISTOPHANES AND THE WAR PARTY black-eyes and crutches, fall to dancing and laughing together for very joy. It is a permanent count against Cleon that he has repeatedly refused Peace. " Archeptolemus brought us Peace, and you spilt it on the ground. You insulted every embassy from every city that invited us to treat, and kicked them out of town." {Knights 795 ff.) " And why ? " answers Cleon. " Because I mean to give the Athenian Demos universal Empire over Hellas." " Bosh," answers the Sausage-man : " it is because the whole atmosphere of war suits you ! The general darkness and ignorance, the absence of financial control, the nervous terror of the populace, and even their very poverty and hunger, which make them more and more dependent on you." In the Peace, the god Hermes makes a speech to the Athenians. " Whenever the Spartans had a slight advan- tage," he says (211 ff.), " it was ' Now, by God, we've got the little Attic beasts on the run ! ' And when you Athen- ians had the best of it and the Spartans came with Peace proposals, ' It is a cheat,' you cried. ' Don't trust a word they say. They'll come again later, if we stick to ouf gains.' " "I recognize the style," says the Athenian who listens. No one in Athens dared to propose Peace. In a whimsical scene at the opening of the Acharnians an Archangel or Demi-god walks into the Assembly explaining that he is an Immortal Being, but the authorities wiU not give him a passport. " Why does he want one ? " " The gods have commissioned him to go to Sparta and make Peace." Immediately there is a cry for the Police, and the Archangel is taught that there are certain subjects that even an immortal must not meddle with. {Archarnians 45-54.) And yet if Peace is not made — one would imagine that one heard the voice of a present-day Moderate speaking — it means the destruction not of Athens or Sparta" alone but of all Hellas. God is sweeping HeUas with the broom of destruction. {Peace 59.) The devil of War has the cities in a mortar and is only looking for a pestle to pound them into dust. {Peace 228-287.) By good luck it happens that the Athenian pestle is just broken — Cleon killed in Thrace — and when War looks for the Spartan pestle it i§ ARISTOPHANES AND THE WAR PARTY 58 iost too — Brasidas, the Spartan general, also killed. So comes the chance for Peace, and for the policy of Nicias, which comprised an alliance between Athens and Sparta and a pan-hellenic patriotism. It is noticeable in the Knights that the pacifist Offal-monger retorts on Cleon the accusation of not possessing an "imperial mind." Cleon, in his war-hysteria, is for making Athens a mean city ; making it hated by the allies, hated by the rest of HeUas, thriving on the misfortunes of others, and full of hatred against a great part — ^not to say the best part — of its own citizens. {Knights 817 f.) And when Cleon finally falls the cry is raised " Hellanie Zeu ! — Zeus of all Hellas — thine is the prize of victory ! " The Offal-monger, like Aristophanes himself, was " a good European." The Peace of Nicias failed. The impetus of the war was too great. The natural drift of affairs was in Cleon's direction, and the farther Athens was carried the harder it became for any human wisdom or authority to check the rush of the infuriated herd. And since Nicias was too moderate and high-minded and law-abiding to fight Cleon with his own weapons, he lost hold on the more extreme spirits of his own party ; so that at the end of the war the informers had created the very thing they had dreamed about and had turned their own lies into truth. There was at last an actual pro-Spartan group ; there were real secret societies, real conspiracies ; and a party that was ready to join hands with the enemy in order to be delivered from the corrupted and war-maddened mob that governed them. One is tempted in a case hke this to pass no judgement on men or policies, but merely record the actual course of history and try to understand the conflicting policies and ideals ; instead of judgement, taking refuge in the lacrimae rerum — the eternal pity that springs from the eternal tragedy of human endeavour. When the soldiers of Nicias in Sicily, mad with thirst, pressed on to drink the water, thick with blood and mire, of the httle stream where the enemy archers shot them down at leisure, it was not only an army that perished but a nation, and a nation that held 54 ARISTOPHANES AND THE WAR PARTY the hopes of the world. When we read that immortal praise of Athens which our historian puts into the mouth of Pericles, the city of law and freedom, of simplicity and beauty, the beloved city in whose service men live and die rejoicing as a lover in his mistress, we should notice that the words are spoken in a Funeral Speech. The thing so praised, so beloved, is dead ; and the haunting beauty of the words is in part merely the well-known magic of memory and of longing. For Thucydides the dream of a regenerated life for mankind has vanished out of the future, and he rebuilds it in his memory of the past. The Pelopon- nesian war had ended wrong ; and whatever the end might have been, it had already wrecked Hellas. Our war has at least ended right : and, one may hope, not too late for the recovery of civilization. In spite of the vast material destruction, in spite of the blotting out from the book of life of practically one whole generation of men, in spite of the unmeasured misery which has reigned and reigns still over the greater part of Europe, in spite of the gigantic difficulties of the task before us ; in spite of the great war-harvest of evil and the exhaustion of brain and spirit in most of the victorious nations as well as in the vanquished, our war has ended right ; and we have such an opportunity as no generation of mankind has ever had of building out of these ruins a better international life and concomitantly a better life within each nation. I know not which thought is the more solemn, the more awful in its responsibility : the thought of the sacrifice we survivors have asked or exacted from our fellow-men ; or the thought of the task that now lies upon us if we are not to make that sacrifice a crime and a mockery. Blood and tears to which we had some right, for we loved those who suffered and they loved us ; blood and tears to which we had no right, for those who suffered knew nothing of us, nor we of them ; misery of the innocent beyond measure or understanding and hitherto without recompense ; that is the price that has been paid, and it lies on us, who live, to see to it that the price is not paid in vain. By some spirit of co-operation instead of strife, by sobriety instead ARISTOPHANES AND THE WAR PARTY 55 of madness, by resolute sincerity in public and private things, and surely by some self-consecration to the great hope for which those who loved us gave their Hves. " A City where rich and poor, man and woman, Athenian and Spartan, are all equal and all free ; where there are no false accusers and where men " — or at least the souls of men — " have wings." That was the old dream that failed. Is it to fail always and for ever ? November 7, 1918. Ill THE BACCHAE IN RELATION TO CER- TAIN CURRENTS OF THOUGHT IN THE FIFTH CENTURY ^ OF the two dramas that make up the main part of this volume, the Hippolytus can be left to speak for itself. Its two thousand five hundred years have left little mark upon it. It has something of the stateliness of age, no doubt, but none of the staleness or lack of sympathy. With all the severe lines of its beauty, it is tender, subtle, quick with human feeling. Even its religious conceptions, if we will but take them simply, forgetting the false mythology we have learned from hand- books, are easily understood and full of truth. One of the earliest, if not the very earliest, of love tragedies, it deals with a theme that might easily be made ugly. It is made ugly by later writers, especially by the commentators whom we can see always at work from the times of the ancient scholia down to our own days. Even Racine, who wished to be kind to his Ph^dre, has let her suffer by contact with certain deadly and misleading suggestions. But the Phaedra of Euripides was quite another woman, and the quality of her love, apart from its circumstances, is entirely fragrant and clear. The Hippolytus, like most works that come from a strong personality, has its manner- isms and, no doubt, its flaws. But in the main it is a singularly satisfying and complete work of art, a thing of beauty, to contemplate and give thanks for, surrounded by an atmosphere of haunting purity. ' Originally an introduction to a volume of translations of the Hippolytus, Bacchae and Frogs (vol. iii of Ths Athtnian Dramas- Geo. Allen and Unwin, Ltd.). 5B THE BACCHAE OF EURIPIDES 57 If we turn to The Bacchae, we find a curious difference. As an effort of genius it is perhaps greater than the Hippolytus, at any rate more unusual and rare in quality. But it is unsatisfying, inhuman. There is an impression of coldness and even of prolixity amid its amazing thrill, a strange unearthliness, something that bewilders. Most readers, I believe, tend to ask what it means, and to feel, by implica- tion, that it means something. Now this problem, what The Bacchae means and how Euripides came to write it, is not only of real interest in itself ; it is also, I think, of importance with regard to certain movements in fifth-century Athens, and certain currents of thought in later Greek philosophy. The remark has been made, that, if Aristotle could have seen through some magic glass the course of human development and decay for the thousand years following his death, the disappointment would have broken his heart. A disappointment of the same sort, but more sharp and stinging, inasmuch as men's hopes were both higher and cruder, did, as a matter of fact, break the hearts of many men two or three generations earher. It is the reflection of that disappointment on the work of Euripides, the first hopefulness, the embitterment, the despair, followed at last by a final half-prophetic vision of the truths or possibilities beyond that despair, that will, I think, supply us with an explanation of a large part oi'The Bacchae, and with a clue to a great deal of the poet's other work. There has been, perhaps, no period in the world's history, not even the openings of the French Revolution, when the prospects of the human race can have appeared so brilliant as they did to the highest minds of Eastern Greece about the years 470-445 B.C. To us, looking critically back upon that time, it is as though the tree of human life had burst suddenly into flower, into that exquisite and short-lived bloom which seems so disturbing among the ordinary processes of historical growth. One wonders how it must have felt to the men who Uved in it. We have but little direct testimony. There is the tone of solemn exaltation that pervades most of Aeschylus, the high confidence of the Per$ae, the Prometheus, the EwnenU^s. 58 THE BACCHAE OF EURIPIDES There is the harassed and half-reluctant splendour, of certain parts of Pindar, like the Dithyramb to Athens and the fourth Nemean Ode. But in the main the men of that day were too busy, one would fain think too happy, to write books. There is an interesting witness, however, of a rather younger generation. Herodotus finished his Histories when the glory was already gone, and the future seemed about equally balanced between good and evil. But he had lived as a boy in the great time. And the peculiar charm of his work often seems to lie mainly in a certain strong and kindly joyousness, persistent even amid his most grisly stories, which must be the spirit of the first Athenian Confederation not yet strangled by the spirit of the Peloponnesian war. What was the object of this enthusiasm, the ground of this high hopefulness ? It would, of course,, take us far beyond our limits to attempt any full answer to such a question.' But for one thing, there was the extraordinary swiftness of the advances made ; and, for another, there was a circumstance that has rarely been repeated in history — the fact that all the different advances appeared to help one another. The ideals of freedom, law, and progress ; of truth and beauty, of knowledge and virtue, of humanity and religion j high things, the conflicts between which have caused most of the disruptions and despondencies of human societies, seemed for a generation or two at this time to lie all in the same direction. And in that direction, on the whole, a great part of Greece was with extraordinary swiftness moving. Of course, there were backwaters and reactionary forces. There was Sparta and even Aetolia ; Pythagoras and the Oracle at Delphi. But in the main, aU good things went hand in hand. The poets and the men of science, the moral teachers and the hardy specu- lators, the great traders and the pohtical reformers — all found their centre of life and aspiration in the same " School of Hellas," Athens. The final seal of success was set upon the movement by the defeat of the Persian invasion ' A magnificent text for such a discussion would be found in the great lyric on the Rise of Man in Sophocles' Antigone (v. 332 fi ). THE BACCHAE OF EURIPIDES 59 and the formation of the Athenian League. The higher hopes and ideals had clashed against the lower under con- ditions in which the victory of the lower seemed before- hand certain ; and somehow, miraculously, ununderstand- ably, that which was high had shown that it was also strong. Athens stood out as the chief power of the Mediter- ranean. Let us recall briefly a few well-known passages of Herodotus to illustrate the tone of the time. Athens represented Hellenism (Hdt. i. 60). " The Greek race was distinguished of old from the barbarian as nimbler of intellect and further removed from primitive savagery (or stupidity). . . . And of all Greeks the Athenians were counted the first for wisdom." She represented the triumph of Democracy (Hdt. v. 78). " So Athens grew. It is clear not in one thing alone, but wherever you test it, what a good thing is equality among men. Even in war, Athens, when under the tyrants, was no better than her neighbours ; when freed from the tyrants, she was far the first of all." And Democracy was at this time a thing which stirred enthusiasm. A speaker says in Herodotus (iii. 80) : " A tyrant disturbs ancient laws, violates women, kills men without trial. But a people ruling — ^first, the very name of it is beautiful, IsonomiS (Equality in law) ; and, secondly, a people does none of these things." " The very name of it is beautiful ! " It was some twenty-five years later that an Athenian statesman, of moderate or rather popular antecedents, said in a speech at Sparta (Thuc. vi. 89) : " Of course, all sensible men know what Democracy is, and I better than most, having suffered ; but there is nothing new to be said about ac- knowledged insanity ! " That, however, is looking ahead. We must note that this Democracy, this Freedom, represented by Greece, and especially by Athens, was always the Rule of Law. There is a story told by Aeschylus of the Athenians, by Herodotus of the Spartans, contrasting either with the barbarians and their lawless absolute monarchies. Xerxes, learning the small numbers of his Greek adversaries, asks, 60 THE BACCHAE OF EURIPIDES " How can they possibly stand against us, especially when, as you tell me, they are all free, and there is no one to compel them ? " And the Spartan Demaratus answers (Hdt. vii. 104) : " Free are they, King, yet not free to do everything ; for there is a master over them, even Law, whom they fear more than thy servants fear thee. At least they obey whatever he commands, and his voice is always the same." In Aeschylus {Persae 241 seqq.) the speakers present are both Persians, so the point about Law cannot be explained. It is left a mystery, how and why the free Greeks face their death. It would be easy to assemble many passages to show that Athens represented freedom {e.g. Hdt. viii. 142) and the enfranchisement of the oppressed ; but what is even more characteristic than the insistence on Freedom is the insistence on A r e 1 6, Virtue — the demand made upon each Greek, and especially each Athenian, to be a better man than the ordinary. It comes out markedly from a quarter where we should scarcely expect it. Herodotus gives an abstract of the words spoken by the much-maligned Themistocles before the battle of Salamis— a brief, grudging resume of a speech so celebrated that it could not in decency be entirely passed over (Hdt. viii. 83) : " The argument of it was that in all things that are possible to man's nature and situation, there is always a higher and a lower " ; and that they must stand for the higher. We should have liked to hear more of that speech. It certainly achieved its end. There was insistence on Aretfi in another sense, the sense of generosity and kindliness. A true Athenian must know how to give way. When the various states were contending for the leadership before the battle of Artemisium, the Athenians, contributing much the largest and finest fighting force, " thought," we are told (Hdt. viii. 3), "that the great thing was that Greece should be saved, and gave up their claims." In the similar dispute for the post of honour and danger before the battle of Plataea, the Athenians did plead their cause, and easily won it (Hdt. ix. 27). But we may notice not only the moderate and disciplined spirit in which they promise to abide by Sparta's decision, THE BACCHAE OF EURIPIDES 61 and to show no resentment if their claim is rejected, but also the grounds upon which they claim honour — apart from certain obvious points, such as the size of their con- tingent. Their claims are that in recent years they alone have met the Persians single-handed on behalf of aU Greece ; that in old times it was they who gave refuge to the Children of Heracles when hunted through Greece by the overmaster- ing tyrant, Eurystheus ; it was they who championed the wives and mothers of the Argives slain at Thebes, and made war upon that conquering power to prevent wrong-doing against the helpless dead. These passages, which could easily be reinforced by a score of others, illustrate, not of course what Athens as a matter of hard fact was — no state has ever been one compact mass of noble qualities — but the kind of ideal that Athens in her own mind had formed of herself. They help us to see what she appeared to the imaginations of Aeschylus and young Euripides, and that " Band of Lovers " which Pericles gathered to adore his Princess of Cities.' She represented Freedom and Law, Hellenism and Intellect, Humanity, Chivalry, the championship of the helpless and oppressed. Did Euripides feel all this ? one may ask. The answer to that doubt is best to be found, perhaps, in the two plays which he wrote upon the two traditional feats of generosity mentioned above — the reception of the Children of Heracles, and the championing of the Argive Suppliants. The former, beautiful as it is, is seriously mutilated, so the Suppliants will suit our purpose best. It is, I think, an early play rewritten at the time of the Peace of Nicias (b.c. 421), about the beginning of the poet's middle period,* a poor play in many respects, youthful, obvious, and crude, but all aflame with this chivalrous and confident spirit. ' Thuc. 2, 43. " Fix your eyes on what she might be, and make yourselves her Ix)vers." » Some critics consider that it was first written at this time. If so, we must attribute the apparent marks of earliness to deliberate archaism. There is no doubt that the reception of Suppliants was a very old stage subject, and had acquired a certain traditional stiffness of form, seeu at its acme in the Suppliants of Aeschylus. 62 THE BACCHAE OF EURIPIDES The situation is as follows : Adrastus, King of Argos, has led the ill-fated expedition of the Seven Chieftains against Thebes, and been utterly defeated. The Thebans have brutally refused to allow the Argives to bury their dead. The bodies are lying upon the field. Adrastus, accompanied by the mothers and wives of the slain chieftains, has come to Attica, and appealed to Theseus for intercession. That hero, like his son Demophon in The Children of Heracles, like his ancestor Cecrops in certain older poetry, is a sort of personification of Athens. He explains that he always disapproved of Adrastus's expedition ; that he can take no responsibility, and certainly not risk a war on the Argives' account. He is turning away when one of the bereaved women, lifting her suppliant wreaths and branches, cries out to him : — What is this thing thou doest ? Wilt despise All these, and cast us from thee beggar-wise. Grey women, with not one thing of all we crave ? Nay, the wild beast for refuge hath his cave. The slave God's altar ; surely in the deep Of fortune City may call to City, and creep, A wounded thing, to shelter. Observe the conception of the duty of one state to protect and help another. — Theseus is stiU obdurate. He has responsibilities. The recklessness of Athens in foreign policy has become a reproach. At last Aethra, his mother, can keep silence no more. Can he really allow such things to be done ? Can Athens • really put considerations of prudence before generosity and rehgion ? Thou shalt not suffer it, thou being my child ! Thou hast heard men scorn thy city, call her wild Of counsel, mad ; thou hast seen the fire of morn Flash from her eyes in answer to their scorn ! Come toil on toil, 'tis this that makes her grand. Peril on peril ! And common states that stand In caution, twilight cities, dimly wise — Ye know them ; for no light is in their eyes 1 Go forth, my son, and help. — My fear is fled. Women in sorrow call thee and men dead ! THE BACCHAE OF EURIPIDES 63 To help the helpless was a necessary part of what we call chivalry, what the Greeks called religion. Theseus agrees to consult the people on the matter. Meantime there arrives a Theban herald, asking arrogantly, " Who is Master of the land ? " Theseus, although a king, is too thorough a personification of democratic Athens to let such an expression pass — Nay, peace, Sir Stranger 1 111 hast thou begun, Seeking a Master here. No will of one Holdeth this land ; it is a city and free. The whole folk year by year, in parity Of service, is our King. Nor yet to gold Give we high seats, but in one honour hold The poor man and the rich. The herald replies that he is dehghted to hear that Athens has such a silly constitution, and warns Theseiis not to interfere with Thebes for the sake of a beaten cause. Eventu- ally Theseus gives his ultimatum : — Let the slain be given To us, who seek to obey the will of Heaven. Else, know for sure, I come to seek these dead Myself, for burial. — It shall not be said An ancient ordinance of God, that cried To Athens and her King, was cast aside I A clear issue comes in the conversation that follows : — Herald. Art thou so strong ? WUt stand against all Greece ? Theseus. Against all tyrants ! With the rest be peace. Herald. She takes too much upon her, this thy state ! Theseus. Takes, aye, and bears it ; therefore is she great I We know that spirit elsewhere in the history of the world. How delightful it is, and green and fresh and thrill- 64 THE BACCHAE OP EURIPIDES ing ; and how often it has paid in blood and ashes the penalty of dreaming and of to fxri 9v7jTa (f>poveLvl There is one other small point that calls for notice before we leave this curious play. Theseus represents not only chivalry and freedom and law, but also a certain delicacy of feeling. He is the civilized man as contrasted with the less civilized. It was a custom in many parts of Greece to make the very most of mourning and burial rites, to feel the wounds of the slain, and vow vengeance with wild outbursts of grief. Athenian feehng disapproved of this. Theseus. This task Is mine. Advance the burden of the dead ! [The attendants bring forward the bodies.] Adrastus. Up, ye sad mothers, where your sons are laid ! Theseus. Nay, call them not, Adrastus. Adrastus. That were strange ! Shall they not touch their children's wounds ? Theseus. In that dead flesh would torture them. Adrastus. The change 'Tis pain Alway, to count the gashes of the slain. Theseus. And wouldst thou add pain to the pain of these ? Adrastus (after a pause). So be it ] — Ye women, wait in your degrees : Theseus says well. This particular trait, this civilization or delicacy of feeling, is weU illustrated in a much finer drama, the Heracles. The hero of that tragedy, the rudely noble Dorian chief, has in a fit of madness killed his own children. In the THE BACCHAE OF EURIPIDES 65 scene to be cited he has recovered his senses and is sitting dumb and motionless, veiled by his mantle. He is, by all ordinary notions, accursed. The sight of his face will pollute the sun. A touch from him or even a spoken word will spread to another the contagion of his horrible blood-stainedness. To him comes his old comrade Theseus {Heracles 1214 ff.) : — Theseus. O thou that sittest in the shade of Death, Unveil thy brow ! 'Tis a friend summoneth. And never darkness bore so black a cloud In all this world, as from mine eyes could shroud The wreck of thee. . . . What wouldst thou with that arm That shakes, and shows me blood ? Dost fear to harm Me with thy words' contagion ? Have no fear ; What is it if I suffer with thee here ? We have had great joys together. — Call back now That time the Dead had hold of me, and how Thou earnest conquering ! Can that joy grow old, Or friends once linked in sunshine, when the cold Storm falleth, not together meet the sea ? — Oh, rise, and bare thy brow, and turn to me Thine eyes ! A brave man faces his own fall And takes it to him, as God sends withal. Heracles. Theseus, thou seest my children ? Theseus. Surely I see All, and I knew it ere I came to thee. Heracles. Oh, why hast bared to the Sun this head of mine ? Theseus. How can thy human sin stain things divine ? Heracles. Leave me ! I am all blood. The curse thereof Crawls. . . . Theseus. No curse cometh between love and love i Heracles. 1 thank thee. . . . Yes ; I served thee long ago. 5 66 THE BACCHAE OF EURIPIDES Heracles is calmed and his self-respect partially restored. But he still cannot bear to live. Notice the attitude of Theseus towards his suicide — an attitude more strildng in ancient literature than it would be in modern. Heracles. Therefore is all made ready for my death. Theseus. Thinkest thou God feareth what thy fury saith ? Heracles {rising). Oh, God is hard ; and I hard agaitTst God ! Theseus. What wilt thou ? And whither on thine angry road ? Heracles. Back to the darkness whence my race began I Theseus. These be the words of any common man ! Heracles {taken aback). Aye, thou art scathless. Chide me at thine ease ! Theseus. Is this He of the Labours, Heracles ? Heracles. Of none hke this, if one dare measure pain ! Theseus. The Helper of the World, the Friend of Man ? Heracles {with a movement). Crushed by Her hate ! How can the past assuage This horror. . . . Theseus. Thou shalt not perish in thy rage ! Greece will not suffer it. The passage illustrates not only nobility of feeling in Theseus, but, in a way very characteristic of Euripides, the fact that this nobility is based on religious reflection, on genuinely " free " thought. Theseus dares the con- THE BACCHAE OF EURIPIDES 67 tagion for the sake of his friendship. He also does not believe in the contagion. He does not really think for a moment that he will become guilty of a crime because he has touched some one who committed it. He is in every sense, as Herodotus puts it, " further removed from primitive savagery." But this play also shows, and it is probably the very last of Euripides' plays which does show it, a strong serenity of mind. The loss of this serenity is one of the most signi- ficant marks of the later plays of Euripides as contrasted with the earlier. We must not overstate the antithesis. There was always in Euripides a vein of tonic bitterness, a hint of satire or criticism, a questioning of established things. It is markedly present even in the Alcestis, in the scene where Adm^tus is denounced by his old father ; it is present in a graver form in the Hippolytus. Yet the general impression produced by those two plays when compared, for instance, with the Electra and the Troades, is undoubtedly one of serenity as against fever, beauty as against horror. And the same will nearly always hold for the comparison of any of his early plays with any later one. Of course not quite always. If we take the Troades, in the year 415, as marking the turning-point, we shall find the Hecuba very bitter among the early plays, the Helena bright and light-hearted, though a little harsh, among the later. This is only natural. There is always something fitful and irregular in the gathering of clouds, however persistent. There is one cloud even in the Suppliants, possibly a mark of the later retouching of that play. The Theban herald is an unsympathetic character, whose business is to say hard, sinister things, and be confuted by Theseus. These unsympathetic heralds are common stage characters. They stalk in with insulting messages and " tyrannical " sentiments, are surrounded by howling indignation from the virtuous populace, stand their ground motionless, defying any one to touch their sacred persons, and go off with a scornful menace. But this particular herald has some lines put in his mouth which nobody confutes, and which are rather too strongly expressed for the situation. 68 THE BACCHAE OF EURIPIDES Theseus is prepared for his chivalrous war, and the people clamour for it. The herald says (v. 484) : — Oh, it were well The death men shout for could stand visible Above the urns ! Then never Greece had reeled Blood-mad to ruin o'er many a stricken field. Great Heaven, set both out plain and all can tell The False word from the True, and 111 from Well, And how much Peace is better ! Dear is Peace To every Muse ; she walks her ways and sees No haunting Spirit of Judgment. Glad is she With noise of happy children, running free With corn and oil. And we, so vile we are. Forget, and cast her off, and call for War, City on city, man on man, to break Weak things to obey us for our greatness' sake 1 If it is true that the Suppliants was rewritten, that must be one of the later passages. Athens had had ten years of bitter war by the time the lines were actually spoken. Let us again take a few typical passages from the historians to see the form in which the clouds gathered over Athens. The first and most obvious will be from that curious chapter in which Herodotus, towards the end of his life, is summing up his conclusions about the Persian war, of which Athens was so indisputably the heroine. He observes (vii. 139) : " Here I am compelled by necessity to express an opinion which wiU be offensive to most of mankind. But I cannot refrain from putting it in the way that I believe to be true. . . . The Athenians in the Persian wars were the saviours of HeUas." By the time that passage was written, apologies were necessary if you wished to say a good word for Athens ! The Athenian League, that great instrument of freedom, had grown into an Empire or Archfi. Various allies had tried to secede and failed ; had been conquered and made into subjects. The greater part of Greece was seething with timorous ill-feeling against what they called " The Tyrant City." And by the opening of the Peloponnesian war, Athens herself had practically ceased to protest against the name. It is strange to recall such words as. THE BACCHAE OF EURIPIDES 69 for instance, the Spartans had used in 479, when it was rumoured, falsely, that Athens thought of making terms with Persia (Hdt. viii. 142) : " It is intolerable to imagine that Athens should ever be a party to the subjection of any Greek state ; always from the earliest times you have been known as the Liberators of Many Men." It is strange to compare those words with the language attributed to Pericles in 430 in attacking the " philosophic radicals " of that day (Thuc. ii. 63 )■ : — " Do not imagine that you are fighting about a simple issue, the subjection or independence of certain cities. You have an empire to lose, and a danger to face from those whom your imperial rule has made to hate you. And it is impossible for you to resign your power — if at this crisis some timorous and inactive spirits are hankering after righteousness even at that price ! For by this time your empire has become a Despotism (' Tyrannis '), a thing which in the opinion of mankind is unjust to acquire, but which at any rate cannot be safely surrendered. The men of whom I was speaking, if they could find followers, would soon ruin the city. If they were to go and found a state of their own, they would soon ruin that ! " It would not be relevant here to appraise this policy of Pericles, to discuss how far events had really made it inevitable, or when the first false step was taken. Our business, at the moment, is merely to notice the extraordin- ary change of tone. It comes out even more strongly in a speech made by Cleon, the successor of Pericles, in the debate about the punishment of rebel Mityl^nfi — a debate remarkable as being the very last in which the side of clemency gained the day (Thuc. iii. 37) : — " I have remarked again and again that a Democracy cannot govern an empire ; and never more clearly than now, when I see you regretting your sentence upon the Mitylenaeans. Living without fear and suspicion among yourselves, you deal with your allies upon the same principle ; ' These speeches were revised as late as 403, and may well be coloured by subsequent experience. But this particular point is one on which Thucydides may be absolutely trusted. He would not attribute the odious sentiments of Cleon to his hero Pericles without cause. 70 THE BACCHAE OF EURIPIDES and you do not realize that whenever you make a concession to them out of pity, or are misled by their specious reports, you are guilty of a weakness dangerous to yourselves, and you receive no gratitude from them. You must remember that your empire is a Despotism exercised over unwilling subjects who are always conspiring against you. They do not obey in return for any kindness you do them ; they obey just so far as you show yourselves their masters." " Do not be misled," he adds a little later (iii. 40), " by the three most deadly enemies of empire. Pity and the Charm of Words and the Generosity of Strength ! " It is a change indeed ! A change which the common run of low men, no doubt, accepted as inevitable, or even as a matter of course ; which the merely clever and practical men insisted upon, and the more brutal " patriots " delighted in They had never loved or understood the old ideals ! Some great political changes can take place without much effect upon men's private lives. But this change was a blight that worked upon daily conduct, upon the roots of character. Thucydides, writing after the end of the war, has two celebrated and terrible chapters (iii. 82, 83) on that side of the question. Every word is apposite to our point ; but we may content ourselves with a few sentences here and there. " In peace and prosperity both states and men," he says, " are free to act upon higher motives. They are not caught up by coils of circumstance which drive them without their own volition. But War, taking away the margin in daily life, is a teacher who educates by violence ; and he makes men's characters fit their conditions. ..." The later actors in the war " determined to outdo the report of those who had gone before them by the ingenuity of their enterprises and the enormity of their reprisals. ..." The meaning of words, he notices, changed in relation to things. Thoughtfulness, prudence, moderation, generosity were scouted and called by the names of various vices : recklessness and treachery were prized. " Frantic energy was the true quality of a man. ..." " Neither side cared for religion, but both used it with enthusiasm as a pretext for various odious purposes. . . ." THE BACCHAE OF EURIPIDES 71 " The cause of all these evils was the lust of empire, originating in avarice and ambition, and the party spirit which is engendered from such circumstances when men settle themselves down to a contest." " Thus Revolution gave birth to every kind of wicked- ness in Hellas. The simpUcity which is so large an element in a noble nature disappeared in a burst of derision. An attitude of mistrustful antagonism prevailed everywhere. No power existed to soften it, no cogency of reason, no bond of religion." ..." Inferior characters succeeded best. The higher kinds of men were too thoughtful, and were swept aside." Men caught up in coils of circumstance that drive them without their own volition ; ingenious enterprises ; enor- mous revenges ; mad ambition ; mistrust ; frantic energy ; the abuse of religion ; simplicity laughed out of the world : it is a terrible picture, and it is exactly the picture that meets us in the later tragedies of Euripides. Those plays all, as Dr. Verrall has acutely remarked, have an extra- ordinary air of referring to the present and not the past, of dealing with things that " matter," not things made up or dreamed about. And it is in this spirit that they deal with them. DifiEerent plays may be despairing like the Troades, cynical like the Ion, deliberately hateful like the Electra, frantic and fierce like the Orestes ; they are nearly all violent, nearly all misanthropic. Amid all their poetical beauty there sounds from time to time a cry of nerves frayed to the snapping point, a jarring note of fury against something personal to the poet and not always relevant to the play. Their very splendours, the lines that come back most vividly to a reader's mind, consist often in the expression of some vice. There are analyses or self-revelations, like the famous outburst of the usurping Prince EteoclSs in the Phoenissae : — These words that thou wilt praise The Equal and the Just, — ^in all men's ways I have not found them ! These be names, not things. Mother, I wiU unveil to thee the springs That well within me. I would break the bars Of Heaven, and past the risings of the stars 72 THE BACCHAE OF EURIPIDES Climb, aye, or sink beneath dark Earth and Sea, To clasp my goddess-bride, my Sovranty ! This is my good, which never by mine own Will shall man touch, save Eteocles alone ! There are flashes of cruel hate Kke the first words of old Tyndareiis to the doomed and agonized Orestes, whose appearance has been greeted by Menelaus with the words : — Who Cometh ghastly as the grave ? . . . Tyndareus. Ah God, The snake 1 The snake, that drank his mother's blood, Doth hiss and ilash before the gates, and bow The pestilence-ridden glimmer of his brow. I sicken at him ! — Wilt thou stain thy soul With speech, Menelaus, of a thing so foul ? Above all, there is what I will not venture to illustrate, the celebrated Euripidean " pathos," that power of insight into the cruelty of suffering : the weakness and sensitive- ness of the creatures that rend one another ; that piteous- ness in the badness of things which makes them half lovable. This is the one characteristic of Euripides' world which is not present in that of Thucydides. The grimly reticent historian seldom speaks of human suffering ; the tragedian keeps it always before our eyes. This gradual embitterment and exacerbation of thought in Euripides, as shown by the later plays compared with the earUer, is, I beUeve, generally recognized. I will choose in illustration of it a scene from the Hecuba, a tragedy early in date, but in tone and spirit really the first of the late series.' The Hecuba deals with the taking of Troy, the great achievement in war of the heroic age of Greece. And the point in it that interests Euripides is, as often, the reverse of the picture — the baseness and, what is worse, the un- interestingness of the conquerors ; the monstrous wrongs ' I am the more moved to select this particular scene because I find that the text and punctuation of my edition, which I owe to a remark of Dr. Verrall's, confirmed by a re-examination of the Paris MSS,, bag caused difficulties to some scholars THE BACCHAE OF EURIPIDES 78 of tV conquered ; the moral degradation of both parties, culminating in the transformation of Hecuba from a grave oriental queen into a kind of she-devil. Among the heroes who took Troy were, as every Athenian knew, the two sons of Theseus. The Athenian public would, of course, insist on their being mentioned. And they are mentioned — once ! A young princess is to be cruelly murdered by a vote of the Greek host. One wishes to know what these high Athenians had to say when the villain Odysseus consented to her death. And we are told. " The sons of Theseus, the branches of Athens, made orations contra- dicting each other " — so Hke them at their worst ! — " but both were in favour of the murder ! " SmaU wonder that Euripides' plays were awarded only four first prizes in fifty years ! In the scene which I select (vv. 795 &.), the body of Hecuba's one remaining son, Polydorus, has just been washed up by the sea. He, being very young, had been sent away to the keeping of a Thracian chieftain, an old friend, till the war should be over. And now it proves that the Thracian, as soon as he saw that the Trojan cause was definitely lost, has murdered his charge ! Hecuba appeals to her enemy Agamemnon for help to avenge the murder. The " King of Men " is, as usual in Euripides, a poor creature, a brave soldier and kindly enough amid the havoc he makes, but morally a coward and a sensualist. The scene is outside Agamemnon's tent. Inside the tent is Hecuba's one remaining daughter Cassandra, a prophetess vowed to virginity or to union only with the God ; she is now Agamemnon's concubine ! Observe how the nobler part of the appeal fails, the baser succeeds. Hecuba shows Agamemnon her son's body, and teUs how the Thracian slew him : — And by a plot Slew him ; and when he slew him, could he not Throw earth upon his bones, if he must be A murderer ? Cast him naked to the sea ? O King, I am but one amid thy throng Of servants ; I am weak, but God is strong, God, and ;that King that standeth over God, Law ; who makes gods and unmakes, by whose rod 74> THE BACCHAE OF EURIPIDES We live dividing the Unjust from the Just ; Whom now before thee standing if thou thrust Away — if men that murder guests, and tear God's house down, meet from thee no vengeance, where Is Justice left in the world ? Forbid it, thou I Have mercy ! Dost not fear to wrong me now ? . . . Hate me no more. Stand Uke an arbiter Apart, and count the weight of woes I bear. I was a Queen once, now I am thy slave ; I had children once ; but not now. And my grave Near ; very old, broken and homeless. . . . Stay ; [Agamemnon, painfully embarrassed, has moved towards the tent. God help me, whither dost thou shrink away ? . . . It seems he does not listen ! . . . . . . So, 'tis plain Now. I must never think of hope again. . . . Those that are left me are dead ; dead all save one ; One lives, a slave, in shame. . . . Ah, I am gone ! . . . The smoke I Troy is on fire ! The smoke all round ! \She swoons. Agamemnon comes back. Her fellow-slaves tend her. . . . She rises again with a sudden thought. What ? . . . Yes, I might ! . . . Oh, what a hollow sound, Love, here I But I can say it I . . . Let me be ! . . . King, King, there sleepeth side by side with thee My child, my priestess, whom they call in Troy Cassandra. Wilt thou pay not for thy joy ? Nothing to her for all the mystery, And soft words of the dark ? Nothing to me For her ? Nay, mark me ; look on these dead eyes I This is her brother ; surely thine hkewise ! Thou wilt avenge him ? This desperate and horrible appeal stirs him. He is much occupied with Cassandra for the moment. But he is afraid. " The King of Thrace is an ally of the Greeks, the slain boy was after all an enemy. People will say he is influenced by Cassandra. If it were not for that. ..." She answers him in words which might stand as a motto over most of the plays of this period — as they might over much of Tolstoy : — Faugh ! There is no man free in aU this world ! Slaves of possessions, slaves of fortune, hurled This way and that. Or else the multitude THE BACCHAE OP EURIPIDES 75 Hath hold on him ; or laws of stone and wood Constrain, and will not let him use the soul Within him 1 ... So thou durst not ? And thine whole Thought hangs on what thy herd will say ? Nay, then, My master, I will set thee free again. • She arranges a plan which shall not implicate him. The Thracian chieftain is allowed to visit her. On the pretence of explaining to him where a treasure is hidden, she entices him and his two children — " it is more prudent to have them present, in case he should die ! " — inside the tent of the captive Trojan women. The barbarian women make much of the children, and gradually separate them from their father. They show interest in his Thracian javehns and the texture of his cloak, and so form a group round him. At a given signal they cling to him and hold him fast, murder his children before his face, and then tear his eyes out. Agamemnon, who knew that something would happen, but had never expected this, is horrified and impotent. The blinded Thracian comes back on to the stage, crawling, unable to stand. He gropes for the bodies of his children ; for some one to help him ; for some one to tear and kUl. He shrieks like a wild beast, and the horrible scene ends. We will not go farther into this type of play. More illustrations would, of course, prove nothing. It is the business of a tragedian to be harrowing. It is a dangerous and a somewhat vulgar course to deduce from a poet's works direct conclusions about his real life ; but there is on the one hand the fact of progressive bitterness in Euripides' plays, and, on the other, as we have noticed above, there is the peculiar impression which they make of dealing with living and concrete things. But it is not really any- thing positive that chiefly illustrates the later tone of Euripides. It is not his denunciations of nearly all the institutions of human society — of the rich, the poor, men, women, slaves, masters, above all, of democracies and demagogues ; it is not even the mass of sordid and unbal- anced characters that he brings upon the scene — trembhng slaves of ambition like Agamemnon ; unscrupulous and heartless schemers like Odysseus ; unstable compounds of 76 THE BACCHAE OF EURIPIDES chivalry and vanity like Achilles in the second Iphigenia; shallow women like Helen and terrible women like Electra in the Orestes — a play of which the Scholiast naively remarks that " the characters are all bad except Pylades," the one exception being a reckless murderer who was at least faithful to his friends. It is not points like these that are most significant. It is the gradual dying off of serenity and hope. I think most students of Euripides will agree that almost the only remnant of the spirit of the Alcestis or the Hippolytus, the only region of dear beauty, that can stUl be found in the later tragedies, Ues in the lyrical element. There are one or two plays, like the Andromeda, which seem to have escaped from reality to the country of Aristo- phanes' Birds, and read like mere romance; and even in the Electra there are the songs. Euripides had prayed some twenty years before his death: "May I not live if the Muses leave me ! " And that prayer was heard. The world had turned dark, sordid, angry, under his eyes, but Poetry remained to the end radiant and stainless. It is this state of mind and a natural development from it which afford in my judgement the best key to the under- standing of The Bacchae, his last play, not quite finished at his death. It was written under peculiar circumstances. We have seen from Thucydides what Athenian society had become in these last years of the death-struggle. If to Thucydides, as is possible, things seemed worse than they were, we must remember that to the more impulsive nature and equally disappointed hopes of Euripides they are not likely to have seemed better. We know that he had become in these last years increasingly unpopular in Athens ; and it is not hard, if we examine the groups and parties in Athens at the time, to understand his isolation. Most of the high-minded and thoughtful men of the time were to some extent isolated, and many retired quietly from public notice. But Euripides was not the man to be quiet in his rejected state. He was not conciliatory, not silent, not callous. At last something occurred to make his life in Athens finally intolerable. We do not know exactly what it was. It cannot have been the destruction of his estate; that had been destroyed long before. It THE BACCHAE OF EURIPIDES 77 cannot have been his alleged desertion by his wife ; she was either dead or over seventy. It may have been some- thing connected with his prosecution for impiety, the charge on which Socrates was put to death a few years after. All that we know is one fragmentary sentence in the ancient Life of Euripides : " He had to leave Athens because of the malicious exultation over him of nearly all the city." Archelaiis, King of Macedon, had long been inviting him. The poet had among his papers a play called Archelaiis, written to celebrate this king's legendary ancestor, so he may before this have been thinking of Macedonia as a possible refuge. He went now, and seems to have lived in some wild retreat on the northern slopes of Mount Olympus, in the Muses' country, as he phrases it : — In the elm-woods and the oaken. There where Orpheus harped of old, And the trees awoke and knew him. And the wild things gathered to him. As he sang amid the broken Glens his music manifold. The spirit of the place passed into his writings. He had produced the Orestes in 408. He produced nothing, so far as has been made out, in 407. He died in 406. And after his death there appeared in Athens, under the manage- ment of his son, a play that held the Greek stage for five centuries, a strange and thrilling tragedy, enigmatical, inhuman, at times actually repellent, yet as strong and as full of beauty as the finest work of his prime. Two other plays were produced with it. Of one, Alcmaeon in Corinth, we know nothing characteristic ; the second, Iphigenia in A ulis, is in many ways remarkable. The ground- work of it is powerful and bitter ; in style it approaches the New Comedy ; but it is interspersed with passages and scenes of most romantic beauty ; and, finally, it was left at the poet's death half finished. One could imagine that he had begun it in Athens, or at least before the bitter taste of Athens had worn off ; that he tried afterwards to change the tone of it to something kindlier and more beautiful ; that finally he threw it aside and began a quite new play 78 THE BACCHAE OF EURIPIDES in a different style to express the new spirit that he had found. For The Bacchae is somehow different in spirit from any of his other works, late or early. The old poet chose a severely traditional subject, the primitive ritual-play of Dionysus from which Greek tragedy is said to have sprung. The young god born of Zeus and the Theban princess, Semel^, travelling through the world to announce his god- head, comes to his own people of Thebes, and — his own receive him not. They will not worship him simply and willingly ; he constrains them to worship him with the enthusiasm of madness. The King, Pentheus, insults and imprisons the god, spies on his mystic worship, is dis- covered by the frenzied saints and torn limb from limb, his own mother. Agave, being the first to rend him. Now it is no use pretending that this is a moral and sympathetic tale, or that Euripides palliates the atrocity of it, and tries to justify Dionysus. Euripides never palliates things. He leaves this savage story as savage as he found it. The sympathy of the audience is with Dionysus while he is persecuted ; doubtful while he is just taking his venge- ance ; utterly against him at the end of the play. Note how Agav6, when restored to her right mind, refuses even to think of him and his miserable injured pride : — 'Tis Dionyse hath done it. Now I see. Cadmus. Ye wronged him ! Ye denied his deity. AcAvi. Show me the body of the son I love ! Note how Dionysus is left answerless when AgavS rebukes him : — Dionysus. Ye mocked me being God. This is your wage. AGAvi. Should God be Uke a proud man in his rage ? Dionysus. 'Tis as my sire, Zeus, willed it long ago. THE BACCHAE OF EURIPIDES 79 A helpless, fatalistic answer, abandoning the moral stand- point. But the most significant point against Dionysus is the change of tone — the conversion, one might almost call it — of his own inspired Wild Beasts, the Chorus of Asiatic Bacchanals, after the return of AgavS with her son's severed head. The change is clearly visible in that marvellous scene itself. It is emphasized in the sequel. Those wild singers, who raged so loudly in praises of the god's venge- ance before they saw what it was, fall, when once they have seen it, into dead silence. True, there is a lacuna in the MS. at one point, so it is possible that they may have spoken ; but as the play stands, their Leader speaks only one couplet addressed to Cadmus, whom the god has wronged : — Lo, I weep with thee. 'Twas but due reward God sent on Pentheus ; but for thee ... 'tis hard I And they go off at the end with no remark, good or evil, about their triumphant and hateful Dionysus, uttering only those lines of brooding resignation with which Euripides closed so many of his tragedies. Such silence in such a situation is significant. Euripides is, as usual, critical or even hostile towards the moral tone of the myth that he celebrates. There is nothing in that to surprise us. Some critics have even tried to imagine that Pentheus is a " sympathetic " hero ; that he is right in his crusade against this bad god, as much as Hippolytus was right. But the case will not bear examination. Euripides might easily have made Pentheus " sympathetic "if he had chosen. And he certainly has not chosen. No. As regards the conflict between Dionysus and Pentheus, Euripides has merely followed a method very usual with him, the method, for instance, of the Electra. He has given a careful objective representation of the facts as alleged in the myth : "If the story is true," he says, " then it must have been hke this." We have the ordinary hot- tempered and narrow-minded tyrant — not very carefully 80 THE BACCHAE OF EURIPIDES studied, by the way, and apparently not very interesting to the poet ; we have a well-attested god and suitable miracles ; we have a most poignant and unshrinking picture of the possibilities of religious madness. That may be taken as the groundwork of the play. It is quite pro- bable that Euripides had seen some glimpses of Dionysus- worship on the Macedonian mountains which gave a fresh reality in his mind to the legends of ravening and wonder- working Maenads. But when all this is admitted, there remains a fact of cardinal importance, which was seen by the older critics, and misled them so greatly that modern writers are often tempted to deny its existence. There is in The Bacchae real and heartfelt glorification of Dionysus. The " objectivity " is not kept up. Again and again in the lyrics you feel that the Maenads are no longer merely observed and anedysed. The poet has entered into them, and they into him. Again and again the words that fall from the lips of the Chorus or its Leader are not the words of a raving Bacchante, but of a gentle and deeply musing philosopher. Probably all dramatists who possess strong personal beliefs yield at times to the temptation of using one of their characters as a mouthpiece for their own feelings. And the Greek Chorus, a half-dramatic, half-lyrical creation, both was and was felt to be particularly suitable for such use. Of course a writer does not — or at least should not — use the drama to express his mere " views " on ordinary and commonplace questions, to announce his side in politics or his sect in religion. But it is a method wonderfully contrived for expressing those vagiier faiths and aspirations which a man feels haunting him and calling to him, but which he cannot state in plain language or uphold with a full acceptance of responsibility. You can say the thing that wishes to be said ; you " give it its chance " ; you relieve your mind of it. And if it proves to be all nonsense, well, it is not you that said it. It is only a character in one of your plays. The religion of Dionysus as Euripides found it, already mysticized and made spiritual, half-reformed and half- THE BACCHAE OF EURIPIDES 81 petrified in sacerdotalism, by the Orphic movement, was exactly that kind of mingled mass which lends itself to dramatic and indirect expression. It was gross as it stood ; yet it could be so easily and so wonderfully idealized ! Euripides seems to have felt a peculiar and almost enthusiastic interest in a further sublimation of its doctrines, a philosophic or prophet-like interpretation of the spirit that a man might see in it if he would. And meantime he did not bind him- self. He let his Bacchanals rave from time to time, as they were bound to rave. He had said his say, and he was not responsible for the whole of Dionysus-worship nor yet of Orphism. Dionysus, as Euripides takes him from the current con- ceptions of his day, is the God of spring and youth : and thus of all high emotion, inspiration, intoxication. He is the patron of poetry, especially of dramatic poetry. He has given man Wine, which is his Blood and a religious symbol. He is the clean New Year, uncontaminated by the decay of the past, and as such he purifies from Sin. It is unmeaning, surely, to talk of a " merely ritual " purification as opposed to something real. Ritual, as long as it fully lives, is charged with spiritual meanings and can often express just those transcendent things which words fail to utter — ^much as a look or the clasp of a hand can at times express more than a verbal greeting. Dionysus purified as spiritually as the worshipper's mind required. And he gave to the Purified a mystic Joy, surpassing in intensity that of man, the Joy of a god or a free wild animal. The Bacchanals in this play worshipped him by his many names (vv, 725 ff.) : — " lacchos, Bromios, Lord, God of God born " ; and all the mountain felt And worshipped with them, and the wild things knelt, And ramped and gloried, and the wilderness Was filled with moving voices and dim stress. That is the kind of god he celebrates. Euripides had lived most of his life in a great town, among highly educated people ; amid restless ambitions and fierce rivalries ; amid general scepticism, originally caused, no doubt, in most cases, by higher religious aspira- 82 THE BACCHAE OF EURIPIDES tions than those of the common man, but ending largely in arid irreligion ; in an ultra political community, led of late years by the kind of men of whom Plato said that if you looked into the soul of one of them you could see " its bad little eye glittering with sharpness " ; in a commu- nity now hardened to the condition described in the long passage quoted above from Thucydides. Euripides had lived aU his life in this society ; for many years he had led it, at least in matters of art and intellect ; for many years he had fought with it. And now he was free from it ! He felt like a hunted animal escaped from its pursuers ; like a fawn fled to the forest, says one lyric, in which the personal note is surely audible as a ringing undertone (vv. 862 ff.) :— Oh, feet of a fawn to the greenwood fled Alone in the grass and the loveliness, Leap of the Hunted, no more in dread . . . But there is still a terror in the distance behind him ; he must go onward yet, to lonely regions where no voice of either man or hound may reach. " What else is wisdom ? " he asks, in a marvellous passage : — What else is wisdom ? What of man's endeavour Or God's high grace so lovely and so great ? To stand from fear set free, to breathe and wait ; To hold a hand upUfted over Hate ; And shall not lovehness be loved for ever ? He was escaped and happy ; he was beyond the reach of Hate. Nay, he was safe, and those who hated him were suffering. A judgment seemed to be upon them, these men who had resolved to have no dealings with " the three deadly enemies of empire. Pity and the Charm of Words and the Generosity of Strength " ; who lived, as Thucydides says in another passage (vi. 90), in dreams of wider and wider conquest, the conquest of Sicily, of South Italy, of Carthage and all her empire, of every country that touched the sea. They had forgotten the essence of reUgion, for- THE BACCHAE OF EURIPIDES 88 gotten the eternal laws, and the judgment in wait for those who " worship the Ruthless Will " ; who dream — Dreams of the proud man, making great And greater ever Things that are not of God. — (vv. 885 fE.) It is against the essential irreligion implied in these dreams that he appeals in the same song : — And is thy faith so much to give ? Is it so hard a thing to see, That the Spirit of God, whate'er it be. The Law that abides and falters not, ages long. The Eternal and Nature-born — these things be strong ? In the epode of the same chorus, taking the ritual words of certain old Bacchic hymns and slightly changing them, he expresses his own positive doctrine more clearly : — Happy he. On the weary sea. Who hath fled the tempest and won the haven ; Happy, whoso hath risen, free, Above his strivings ! Men strive with many ambitions, seethe with divers hopes, mostly conflicting, mostly of inherent worthlessness ; even if they are achieved, no one is a whit the better. But whoe'er can know. As the long days go. That to live is happy, hath found his Heaven ! Could not the wise men of Athens understand what a child feels, what a wild beast feels, what a poet feels, that to live — ^to live in the presence of Nature, of Dawn and Sunset, of eternal mysteries and discoveries and wonders — is in itself a joyous thing ? " Love thou the day and the night," he says in another place. It is only so that Life can be made what it really is, a Joy : by loving not only your neighbour — he is so vivid an element in life that, unless you do love him, he 84 THE BACCHAE OF EURIPIDES will spoil all the rest — but the actual details and processes of living. Life becomes like the voyage of Dionysus him- self over magic seas, or rather, perhaps, like the more chequered voyage of Shelley's lovers : — WHle Night, And Day, and Storm and Calm pursue their flight. Our ministers across the boundless sea. Treading each other's heels unheededly — the alternations and pains being only " ministers " to the great composite joy. It seemed to Euripides, in that favourite metaphor of his, which was always a little more than a metaphor, that a God had been rejected by the world that he came from. Those haggard, striving, suspicious men, full of ambition and the pride of intellect, almost destitute of emotion, unless political hatreds can be called emotion, were hurrying through Life in the presence of august things which they never recognized, of joy and beauty which they never dreamed of. Thus it is that " the world's wise are not wise " (v. 395). The poet may have his special paradise, away from the chosen places of ordinary men, better than the sweetness of Cyprus or Paphos : — The high stiU dell Where the Muses dwell. Fairest of all things fair — it is there that he will find the things truly desired of his heart, and the power to worship in peace his guiding Fire of inspiration. But Dionysus gives his Wine to all men, not to poets alone. Only by " spurning joy " can men harden his heart against them. For the rest — The simple nameless herd of Humanity Hath deeds and faith that are truth enough for me ! It is a mysticism which includes democracy as it includes the love of your neighbour. They are both necessary details in the inclusive end. It implies that trust in the " simple THE BACCHAE OF EURIPIDES 85 man " which is so characteristic of most idealists and most reformers. It implies the doctrine of Equality — a doctrine essentially religious and mystical, continually disproved in every fresh sense in which it can be formulated, and yet remaining one of the living faiths of men. It is at first sight strange, this belittUng of " the Wise ' and all their learning. Euripides had been all his life the poet militant of knowledge, the apostle of progress and enlightenment. Yet there is no real contradiction. It is only that the Wise are not wise enough, that the Knowledge which a man has attained is such a poor and narrow thing compared with the Knowledge that he dreamed of. In one difficult and beautifiil passage Euripides seems ' to give us his own apology (vv. 1005 ff.) : — Knowledge, we are not foes ! I seek thee diligently ; But the world with a great wind blows. Shining, and not from thee ; Blowing to beautiful things. On amid dark and light. Till Life through the trammellings Of Laws that are not the Right, Breaks, clean and pure, and sings Glorying to God in the height ! One feels grateful for that voice from the old Euripides amid the strange new tones of The Bacchae. It is not for us to consider at present how far this doctrine is true, nor even how far it is good or bad. We need only see what the essence of it is. That the end of hfe is not in the future, not in external objects, not a thing to be won by success or good fortune, nor to be deprived of by the actions of others. Live according to Nature, and Life itself is happiness. The Kingdom of Heaven is within you — ^here and now. You have but to accept it and live with it — not obscure it by striving and hating and looking in the wrong place. ' I say " seems," because the reading is conjectural. I suggest akvTiiv (="let them blow") in place of the MS. ad twv. The passage is generally abandoned as hopelessly corrupt. 86 THE BACCHAE OF EURIPIDES On one side this is a very practical and lowly doctrine — the doctrine of contentment, the doctrine of making things better by liking and helping them. On the other side, it is an appeal to the almost mystical faith of the poet or artist who dwells in all of us. Probably most people have had the momentary experience — ^it may come to one on Swiss mountains, on Surrey commons, in crowded streets, on the tops of omnibuses, inside London houses — of being, as it seems, surrounded by an incomprehensible and almost intolerable vastness of beauty and delight and interest — if only one could grasp it or enter into it ! That is just the rub, a critic may say. It is no use telling aU the world to find happiness by living permanently at the level of these fugitive moments — moments which in high poets and prophets may extend to days. It is simpler and quite as practical to advise them all to have ten thou- sand a year. It is not necessary to struggle with that objection. But it is worth while to remark in closing that historically the line here suggested by Euripides was followed by almost all the higher minds of antiquity and early Christianity. Excepting Aristotle, who clung characteristically to the concrete city and the dutiful tax-paying citizen, all the great leaders of Greek thought turned away from the world and took refuge in the Soul. The words used accidentally above — Live according to Nature — formed the very founda- tion of moral doctrine not only for the Stoics, but for all the schools of philosophy. The Platonists sought for the Good, the Stoics for Virtue, the Epicureans for Pleasure ; but the various names are names for the same End ; and it is always an End, not future, but existing — not without or afar, but inside each man's self. The old devotion to Fifth Century Athens, to that Princess of Cities, who had so fearfully faUen and dragged her lovers through such bloodstained dust, lived on with a kind of fascination as a symbol in the minds of these deeply in- dividual philosophers of later Hellenism and early Christ- ianity. But it was no longer a city on earth that they sought, not one to be served by military conquests, nor efficient police, nor taxes and public education. It was THE BACCHAE OF EURIPIDES 87 " the one great city in which all are free," or it was the city of Man's Soul. " The poet has said," writes a late Stoic, who had an exceptionally large and difficult city of his own to look after, "The poet has said: Beloved City of Cecrops: canst thou not say: Beloved City of God?" IV THE STOIC PHILOSOPHY- I FEEL a peculiar pleasure in being asked to give this address in commemoration of Moncure D. Conway. I knew Mr. Conway but slightly. But when I was a boy and struggling with religious difficulties his books were among those which brought me both comfort and liberation. And all those who in our generation are stirred either by their doubts or their convictions to a consciousness of duties not yet stamped by the approval of their community, may well recognize him as one of their guiding beacons. His character is written large in the history of his life. Few men of oxir time have been put so clearly to the test and so unhesitatingly sacrificed their worldly interests to their consciences. This strain of heroic quality, which lay beneath Mr. Conway's unpre- tentious kindliness and easy humour, makes, I think, the subject of my address this evening not inappropriate to his memory. I wish in this lecture to give in rough outline some account of the greatest system of organized thought which the mind of man had built up for itself in the Graeco-Roman world before the coming of Christianity with its inspired book and its authoritative revelation. Stoicism may be called either a philosophy or a religion. It was a religion in its exalted passion ; it was a philosophy inasmuch as it made no pretence to magical powers or supernatural knowledge. I do not suggest that it is a perfect system, with no errors of fact and no inconsistencies of theory. It is certainly ' The Moncure Conway Memorial Lecture, delivered at South Place Institute, March i6, 1915, William Archer in the chair. Published separately by Watts & Co., 2S. 3d. and zs. 6d, THE STOIC PHILOSOPHY 89 not tTaat ; and I do not know of any system that is. But I believe that it represents a way of looking at the world and the practical problems of life which possesses still a permanent interest for the human race, and a permanent power of inspiration. I shall approach it, therefore, rather as a psychologist than as a philosopher or historian. I shall not attempt to trace the growth or variation of Stoic doctrine under its various professors, nor yet to scrutinize the logical validity of its arguments. I shall merely try as best I can to make intelligible its great central principles and the almost irresistible appeal which they made to so many of the best minds of antiquity. From this point of view I will begin by a very rough general suggestion — viz., that the religions known to history fall into two broad classes, religions which are suited for times of good government and rehgions which are suited for times of bad government ; religions for prosperity or for adversity, religions which accept the world or which fly from the world, which place their hopes in the better- ment of human life on this earth or which look away from it as from a vale of tears. By " the world " in this con- nection, I mean the ordinary concrete world, the well- known companion of the flesh and the Devil ; not the universe. For some of the religions which think most meanly of the world they know have a profound admiration for all, or nearly all, those parts of the universe where they have not been. Now, to be really successful in the struggle for existence, a religion must suit both sets of circumstances. A religion which faUs in adversity, which deserts you just when the world deserts you, would be a very poor affair ; on the other hand, it is almost equally fatal for a rehgion to collapse as soon as it is successful. Stoicism, like Christianity, was primarily a religion for the oppressed, a religion of defence and defiance ; but, like Christianity it had the requisite power of adaptation. Consistently or inconsistently, it opened its wings to embrace the needs both of success and of failure. To illustrate what I mean — contrast for a moment the life of an active, practical, philanthropic, modern Bishop with that of an anchorite like St. Simeon 90 THE STOIC PHILOSOPHY Stylites, living in idleness and filth on the top of 3 large column ; or, again, contrast the Bishop's ideals with those of the author of the Apocalypse, abandoning himself to visions of a gorgeous reversal of the order of this evil world and the bloody revenges of the blessed. All three are devout Christians ; but the Bishop is working with the world of men, seeking its welfare and helping its practical needs ; the other two are rejecting or cursing it. In some- what the same way we shall find that our chief extant preachers of Stoicism are, the one a lame and penniless slave to whom worldly success is as nothing, the other an Emperor of Rome, keenly interested in good administration. The founder of the Stoic school, Zeno, came from Cilicia to Athens about the year 320 B.C., and opened his School about 306. His place of birth is, perhaps, significant. He was a Semite, and came from the East. The Semite was apt in his religion to be fierier and more uncompromising than the Greek. The time of his coming is certainly sig- nificant. It was a time when landmarks had collapsed, and human fife was left, as it seemed, without a guide. The average man in Greece of the fifth century B.C. had two main guides and sanctions for his conduct of life : the welfare of his City and the laws and traditions of his ancestors. First the City, and next the traditional religion ; and in the fourth century both of these had fallen. Let us see how. Devotion to the City or Community produced a religion of public service. The City represented a high ideal, and it represented supreme power. By 320 B.C. the supreme power had been overthrown. Athens, and all independent Greek cities, had fallen before the overwhelming force of the great military monarchies of Alexander and his generals. The high ideal at the same time was seen to be narrow. The community to which a man should devote himself, if he should devote himself at all, must surely be something larger than one of these walled cities set upon their separate hills. Thus the City, as a guide of life, had proved wanting. Now when the Jews lost their Holy City they had still, or believed that they had still, a guide left. " Zion is taken from us," says the Book of Esdras ; " nothing is THE STOIC PHILOSOPHY 91 left save the Holy One and His Law." But Greece had no such Law. The Greek religious tradition had long since been riddled with criticism. It would not bear thinking out, and the Greeks liked to think things out. The traditional religion fell, not because the people were degenerate.. Quite the contrary ; it fell, as it has some- times fallen elsewhere, because the people were progressive. The people had advanced, and the traditional religion had not kept pace with them. And we may add another consideration. If the Gods of tradition had proved them- selves capable of protecting their worshippers, doubtless their many moral and intellectual deficiencies might have been overlooked. But they had not. They had proved no match for Alexander and the Macedonian phalanx. Thus the work that lay before the generation of 320 B.C. was twofold. They had to rebuild a new piiblic spirit, devoted not to the City, but to something greater ; and they had to rebuild a religion or philosophy which should be a safe guide in the threatening chaos. We wiU see how Zeno girded himself to this task. Two questions lay before him — how to live and what to believe. His real interest was in the first, but it could not be answered without first facing the second. For if we do not in the least know what is true or untrue, real or unreal, we cannot form any reliable rules about conduct or .anything else. And, as it happened, the Sceptical school of philosophy, largely helped by Plato, had lately been active in denying the possibility of human knowledge and throwing doubt on the very existence of reality. Their arguments were extraordinarily good, and many of them have not been answered yet ; they affect both the credibility of the senses and the supposed laws of reasoning. The Sceptics showed how the senses are notoriously fallible and contradictory, and how the laws of reasoning lead by equally correct processes to opposite conclusions. Many modern philosophers, from Kant to Dr. Schiller and Mr. Bertrand Russell, have followed respectfully in their foot- steps. But Zeno had no patience with this sort of thing. He wanted to get to business. Also he was a born fighter. His dealings with opponents 92 THE STOIC PHILOSOPHY who argued against him always remind me of a story told of the Duke of Wellington when his word was doubted by a subaltern. The Duke, when he was very old and incredibly distinguished, was telling how once, at mess in the Peninsula, his servant had opened a bottle of port, and inside found a rat. " It must have been a very large bottle," remarked the subaltern. The Duke fixed him with his eye. " It was a damned small bottle." " Oh," said the subaltern, abashed ; " then no doubt it was a very small rat." " It was a damned large rat," said the Duke. And there the matter has rested ever since. Zeno began by asserting the existence of the real world. " What do you mean by real ? " asked the Sceptic. " I mean solid and material. I mean that this table is solid matter." " And God," said the Sceptic, " and the soul ? Are they solid matter ? " " Perfectly solid," says Zeno ; " more sohd, if anything, than the table." " And virtue or justice or the Rule of Three ; also solid matter ? " "Of course," said Zeno ; " quite solid." This is what may be called " high doctrine," and Zeno's successors eventually explained that their master did not really mean that justice was solid matter, but that it was a sort of " tension," or mutual relation, among material objects. This amend- ment saves the whole situation. But it is well to remember the uncompromising materialism from which the Stoic system started. Now we can get a step further. If the world is real, how do we know about it ? By the evidence of our senses ; for the sense-impression (here Stoics and Epicureans both followed the fifth-century physicists) is simply the imprint of the real thing upon our mind-stuff. As such it must be true. In the few exceptional cases where we say that " our senses deceive us " we speak incorrectly. The sense- impression was all right ; it is we who have interpreted it wrongly, or received it in some incomplete way. What we need in each case is a " comprehensive sense-impression " {KaraXrjTrTiKrj ^vTaaia). The meaning of this phrase is not quite clear. I think it means a sense-impression which " grasps " its object ; but it may be one which " grasps " us, or which we " grasp," so that we cannot doubt it. In THE STOIC PHILOSOPHY 93 any case, when we get the real imprint of the object upon our senses, then this imprint is of necessity true. When the Sceptics talk about a conjuror making " our senses deceive us," or when they object that a straight stick put half under water looks as if it were bent in the middle, they are talking inexactly. In such cases the impression is perfectly true ; it is the interpretation that may go wrong. Similarly, when they argue that reasoning is fallacious because men habitually make mistakes in it, they are confusing the laws of reasoning with the inexact use which people make of them. You might just as well say that twice two is not four, or that 7 X 7 is not 49, because people often make mistakes in doing arithmetic. Thus we obtain a world which is in the first place real and in the second knowable. Now we can get to work on our real philosophy, our doctrine of ethics and conduct. And we build it upon a very simple principle, laid down first by Zeno's master. Crates, the founder of the Cynic School : the principle that Nothing but Goodness is Good. That seems plain enough, and harmless enough ; and so does its corollary : " Nothing but badness is bad." In the case of any concrete object which you call " good," it seems quite clear that it is only good because of some goodness in it. We, perhaps, should not express the matter in quite this way, but we should scarcely think it worth while to object if Zeno chooses to phrase it so, especially as the statement itself seems little better than a truism. Now, to an ancient Greek the form of the phrase was quite familiar. He was accustomed to asking " What is the good ? " It was to him the central problem of conduct. It meant : " What is the object of life, or the element in things which makes them worth having ? " Thus the principle will mean : " Notldng is worth living for except goodness." The only good for man is to be good. And, as we might expect, when Zeno says " good " he means good in an ultimate Day-of- Judgement sense, and will take no half-measures. The principle turns out to be not nearly so harmless as it looked. It begins by making a clean sweep of the ordinary conventions. You remember the eighteenth-century lady's epitaph which ends : " Bland, 94 THE STOIC PHILOSOPHY passionate, and deeply religious, she was second cousin to the Earl of Leitrim, and of such are the kingdom of heaven." One doubts whether, when the critical moment came, her relationships would really prove as important as her ex- ecutors hoped ; and it is the same with all the conventional goods of the world when brought before the bar of Zeno. Rank, riches, social distinction, health, pleasure, barriers of race or nation — what wiU those things matter before the tribunal of ultimate truth ? Not a jot. Nothing but goodness is good. It is what you are that matters — what you yourself are ; and all these things are not you. They are external ; they depend not on you alone, but on other people. The thing that really matters depends on you, and on none but you. From this there flows a very important and surprising conclusion. You possess already, if you only knew it, all that is worth desiring. The good is yours if you but will it. You need fear nothing. You are safe, inviolable, utterly free. A wicked man or an accident can cause you pain, break your leg, make you ill ; but no earthly power can make you good or bad except yourself, and to be good or bad is the only thing that matters. At this point common-sense rebels. The plain man says to Zeno: "This is all very well; but we know as a matter of fact that such things as health, pleasure, long life, fame, etc., are good: we all like them. The reverse are bad; we hate and avoid them. All sane, healthy people agree in judging so." Zeno's answer is interesting. In the first place, he says : " Yes ; that is what most people say. But the judges who give that judgement are bribed. Pleasure, though not really good, has just that particular power of bribing the judges, and making them on each occasion say or believe that she is good. The Assyrian king Sardanapalus thinks it good to stay in his harem, feasting and merry-making, rather than suffer hardship in governing his kingdom. He swears his pleasure is good ; but what wiU any unbribed third person say ? Consider the judgements of history. Do you ever find that history praises a man because he was healthy, or long-lived, or because he enjoyed himself THE STOIC PHILOSOPHY 95 a great deal ? History never thinks of such things ; they are valueless and disappear from the world's memory. The thing that lives is a man's goodness, his great deeds, his virtue, or his heroism." If the questioner was not quite satisfied, Zeno used another argument. He would bid him answer honestly for himself : " Would you yourself really like to be rich and corrupted ? To have abundance of pleasure and be a worse man ? " And, apparently, when Zeno's eyes were upon you, it was difficult to say you would. Some Stoics took a particular instance. When Harmodius and Aris- togeiton, the liberators of Athens, slew the tyrant Hipparchus (which is always taken as a praiseworthy act), the tyrant's friends seized a certain young girl, named Leaina, who was the mistress of Aristogeiton, and tortured her to make her divulge the names of the conspirators. And under the torture the girl bit out her tongue and died without speaking a word. Now, in her previous hfe we may assume that Leaina had had a good deal of gaiety. Which would you sooner have as your own — the early Hfe of Leaina, which was full of pleasures, or the last hours of Leaina, which were full of agony ? And with a Stoic's eyes upon them, as before, people found it hard to say the first. They yielded their arms and confessed that goodness, and not any kind of pleasure, is the good. But now comes an important question, and the answer to it, I will venture to suggest, just redeems Stoicism from the danger of becoming one of those inhimian cast-iron systems by which mankind may be brow-beaten, but against which it secretly rebels. What is Goodness ? What is this thing which is the only object worth living for ? Zeno seems to have been a little impatient of the question. We know quite well. There are the four cardinal virtues. Courage, Temperance, Wisdom and Righteousness, and their derivatives. Everybody knows what Goodness is, who is not blinded by passion or desire. StiU, the school consented to analyse it. And the profound common sense and reasonableness of average Greek thought expressed the answer in its own characteristic ; way. Let us see in 96 THE STOIC PHILOSOPHY practice what we mean by " good." Take a good boot- maker, a good father, a good musician, a good horse, a good chisel ; you will find that each one of them has some function to perform, some special work to do ; and a good one does the work well. Goodness is performing your function well. But when we say " well " we are still using the idea of goodness. What do we mean by doing it " well " ? Here the Greek falls back on a scientific conception which had great influence in the fifth century B.C., and, somewhat transformed and differently named, has regained it in our own days. We call it " Evolution." The Greeks called it Phusis, a word which we translate by " Nature," but which seems to mean more exactly " growth," or " the process of growth." ' It is Phusis which graduEilly shapes or tries to shape every living thing into a more perfect form. It shapes the seed, by infinite and exact gradations, into the oak ; the bhnd puppy into the good hunting-dog ; the savage tribe into the civilized city. If you analyse this process, you find that Phusis is shaping each thing towards the fulfilment of its own function — that is, towards the good. Of course Phusis sometimes fails ; some of the blind puppies die ; some of the seeds never take root. Again, when the proper development has been reached, it is generally followed by decay ; that, too, seems like a failure in the work of Phusis. I wiU not consider these objections now ; they would take us too far afield, and we shall need a word about them later. Let us in the meantime accept this conception of a force very hke that which most of us assume when we speak of evolution ; especially, perhaps, it is like what Bergson calls La Vie or L Elan Vital at the back of L' Evolution Creatrice, though to the Greeks it seemed still more personal and vivid ; a force which is present in aU the live world, and is always making things grow towards the fulfilment of their utmost capacity. We see now what goodness is ; it is hving or acting according to Phusis, working with Phusis in her eternal effort to- wards perfection. You will notice, of course, that the " See a paper by Professor J. L. Myres, " The Background of Greek Science," University of California Chronicle, xvi. 4. THE STOIC PHILOSOPHY 97 phrase means a good deal more than we usually mean by living "according to nature." It does not mean "living simply," or " living like the natural man." It means living according to the spirit which makes the world grow and progress. This Phusis becomes in Stoicism the centre of much speculation and much effort at imaginative understanding. It is at work everywhere. It is like a soul, or a life-force, running through all matter as the " soul " or life of a man runs through all his limbs. It is the soul of the world. Now, it so happened that in Zeno's time the natural sciences had made a great advance, especially Astronomy, Botany, and Natural History. This fact had made people familiar with the notion of natural law. Law was a principle which ran through all the movements of what they called the Kosmos, or " ordered world." Thus Phusis, the life of the world, is, from another point of view, the Law of Nature ; it is the great chain of causation by which all events occur ; for the Phusis which shapes things towards their end acts always by the laws of causation. Phusis is not a sort of arbitrary personal goddess, upsetting the natural order ; Phusis is the natural order, and nothing happens without a cause. A natural law, yet a natural law which is alive, which is itself life. It becomes indistinguishable from a purpose, the purpose of the great world-process. It is like a fore- seeing, forethinking power — Pronoia ; our common word " Providence " is the Latin translation of this Pronoia, though of course its meaning has been rubbed down and cheapened in the process of the ages. As a principle of providence or forethought it comes to be regarded as God, the nearest approach to a definite personal God which is admitted by the austere logic of Stoicism. And, since it must be in some sense material, it is made of the finest material there is ; it is made of fire, not ordinary fire, but what they called intellectual fire. A fire which is present in a warm, live man, and not in a cold, dead man ; a fire which has consciousness and life, and is not subject to decay. This fire, Phusis, God, is in all creation. 7 98 THE STOIC PHILOSOPHY We are led to a very definite and complete Pantheism. The Sceptic begins to make his usual objections. " God in worms ? " he asks. " God in fleas and dung-beetles ? " And, as usual, the objector is made to feel sorry that he spoke. " Why not ? " the Stoic answers ; " cannot an earthworm serve God ? Do you suppose that it is only a general who is a good soldier ? Cannot the lowest private or camp attendant fight his best and give his life for his cause ? Happy are you if you are serving God, and carrying out the great purpose as truly as such-and-such an earth- worm." That is the conception. All the world is working together. It is all one living whole, with one soul through it. And, as a matter of fact, no single part of it can either rejoice or suffer without all the rest being affected. The man who does not see that the good of every living creature is his good, the hurt of every living creature his hurt, is one who wilfully makes himself a kind of outlaw or exile : he is blind, or a fool. So we are led up to the great doctrine of the later Stoics, the Zviinadeta rwv oXcdv, or Sympathy of the Whole ; a grand conception, the truth of which is illustrated in the ethical world by the feelings of good men, and in the world of natural science. . . . We moderns may be excused for feeling a little surprise ... by the fact that the stars twinkle. It is because they are so sorry for us : as well they may be ! Thus Goodness is acting according to Phusis, in harmony with the wiU of God. But here comes an obvious objection. If God is all, how can any one do otherwise ? God is the omnipresent Law ; God is aU Nature ; no one can help being in harmony with him. The answer is that God is in all except in the doings of bad men. For man is free. . . . How do we know that ? Why, by a kataleptike phantasia, a comprehensive sense-impression which it is impossible to resist. Why it should be so we cannot tell. " God might have preferred chained slaves for his fellow- workers ; but, as a matter of fact, he preferred free men." Man's soul, being actually a portion of the divine fire, has the same freedom that God himself has. He can act either with God or against him, though, of course, when he acts against him he will ultimately be overwhelmed. THE STOIC PHILOSOPHY 99 Thus Stoicism grapples with a difficulty which no religion has satisfactorily solved. You will have observed that by now we have worked out two quite different types of Stoic — one who defies the world and one who works with the world ; and, as in Christ- ianity, both types are equally orthodox. We have first the scorner of all earthly things. Nothing but goodness is good ; nothing 'but badness bad. Pain, pleasure, health, sickness, human friendship and affection, are all indifferent. The truly wise man possesses his soul in peace ; he has no desires or fears ; he communes with God. He always, with all his force, wills the will of God ; thus everything that befalls him is a fulfilment of his own will and good. A type closely akin to the early Christian ascetic or the Indian saint. And in the second place we have the man who, while accepting the doctrine that only goodness is good, lays stress upon the definition of goodness. It is acting according to Phusis, in the spirit of that purpose or forethought which, though sometimes failing, is working always unrestingly for the good of the world, and which needs its fellow-workers. God is helping the whole world ; you can only help a limited fraction of the world. But you can try to work in the same spirit. There were certain old Greek myths which told how Heracles and other heroes had passed laborious lives serving and helping humanity, and in the end became gods. The Stoics used such myths as allegories. That was the way to heaven ; that was how a man may at the end of his life become " not a dead body, but a star." In the magnificent phrase which Pliny translates from a Greek Stoic, God is that, and nothing but that ; man's true God is the helping of man ; Deus est mortali iuvare mortalem. No wonder such a religion appealed to kings and states- men and Roman governors. Most of the successors of Alexander — we may say most of the principal kings in existence in the generations following Zeno — ^professed themselves Stoics. The most famous of aU Stoics, Marcus Aurelius, found his religion not only in meditation and reli- 100 THE STOIC PHILOSOPHY gious exercises, but in working some sixteen hours a day for the good practical government of the Roman Empire. Is there any real contradiction or inconsistency between the two types of Stoic virtue ? On the surface certainly there seems to be ; and the school felt it, and tried in a very interesting way to meet it. The difficulty is this : what is the good of working for the welfare of humanity if such welfare is really worthless ? Suppose, by great labour and skill, you succeed in reducing the death-rate of a plague-stricken area ; suppose you make a starving country-side prosperous ; what is the good of it all if health and riches are in themselves worthless, and not a whit better than disease and poverty ? The answer is clear and uncompromising. A good bootmaker is one who makes good boots ; a good shepherd is one who keeps his sheep well ; and even though good boots are, in the Day-of- Judgment sense, entirely worth- less, and fat sheep no whit better than starved sheep, yet the good bootmaker or good shepherd must do his work well or he will cease to be good. To be good he must perform his function ; and in performing that function there are certain things that he must " prefer " to others, even though they are not really " good." He must prefer a healthy sheep or a well-made boot to their opposites. It is thus that Nature, or Phusis, herself works when she shapes the seed into the tree, or the blind puppy into the good hound. The perfection of the tree or hound is in itself indifferent, a thing of no ultimate value. Yet the goodness of Nature lies in working for that perfection. Life becomes, as the Stoics more than once tell us, like a play which is acted or a game played with counters. Viewed from outside, the counters are valueless ; but to those engaged in the game their importance is paramount. What really and ultimately matters is that the game shall be played as it should be played. God, the eternal dramatist, has cast you for some part in his drama, and hands you the role. It may turn out that you are cast for a trium- phant king ; it may be for a slave who dies of torture. What does that matter to the good actor ? He can play either part ; his only business is to accept the role given THE STOIC PHILOSOPHY 101 him, and to perform it well. Similarly, life is a game of counters. Your business is to play it in the right way. He who set the board may have given you many counters ; he may have given you few. He may have arranged that, at a particular point in the game, most of your men shall be swept accidentally off the board. You will lose the game ; but why should you mind that ? It is your play that matters, not the score that you happen to make. He is not a fool to judge you by your mere success or failure. Success or failure is a thing he can determine without stirring a hand. It hardly interests him. What interests him is the one thing which he cannot determine — the action of your free and conscious will. This view is so sublime and so stirring that at times it almost deadens one's power of criticism. Let us see how it / J works in a particular case. Suppose your friend is in sorrow or pain, what are you to do ? In the first place, you may sympathize — since sympathy runs all through the universe, and if the stars sympathize surely you yourself may. And of course you must help. That is part of your function. Yet, all the time, while you are helping and sympathizing, are you not bound to remember that your friend's pain or sorrow does not really matter at all ? He is quite mistaken in imagining that it does. Similarly, if a village in your district is threatened by a band of robbers, you will rush off with soldiers to save it ; you will make every effort, you will give your life if necessary. But suppose, after all, you arrive too late, and find the inhabi- tants with their throats cut and the village in ruins — why should you mind ? You know it does not matter a straw whether the villagers' throats are cut or not cut ; aU that matters is how they behaved in the hour of death. Mr. Bevan, whose studies of the Stoics and, Sceptics form a rare compound of delicate learning and historical imagina- tion, says that the attitude of the Stoic in a case like this is like that of a messenger boy sent to deliver a parcel to someone, with instructions to try various addresses in order to find him. The good messenger boy will go duly to all the addresses, but if the addressee is not to be found 102 THE STOIC PHILOSOPHY at any of them, what does that matter to the messenger boy ? He has done his duty, and the parcel itself has no interest for him. He may return and say he is sorry that the man cannot be found ; but his sorrow is not heartfelt. It is only a polite pretence. The comparison is a little hard on the Stoics. No doubt they are embarrassed at this point between the claims of high logic and of human feeling. But they meet the embarrassment bravely. " You will suffer in your friend's suffering," says Epictetus. " Of course you will suffer. I do not say that you must not even groan aloud. Yet in the centre of your being do not groan ! 'Eawdev [levToi. JU17 oTevdirjs." It is very like the Christian doctrine of resig- nation. Man cannot but suffer for his fellow-man ; yet a Christian is told to accept the will of God and believe that ultimately, in some way which he does not see, the Judge of the World has done right. Finally, wha^f is to be the end after this life of Stoic virtue ? Many religions, after basing their whole theory of conduct on stern duty and self-sacrifice and contempt for pleasure, lapse into confessing the unreality of their professions by promising the faithful as a reward that they shall be uncommonly happy in the next world. It was not that they really disdained pleasure ; it was only that they speculated for a higher rate of interest at a later date. Notably, Islam is open to that criticism, and so is a great deal of popular Christianity. Stoicism is not. It maintains its ideal unchanged. You remember that we touched, in passing, the problem of decay. Nature shapes things towards their perfection, but she also lets them fall away after reaching a certain altitude. She fails constantly, though she reaches higher and higher success. In the end, said the Stoic — and he said it not very confidently, as a suggestion rather than a dogma — in the very end, perfection should be reached, and then there will be no falling back. All the world will have been wrought up to the level of the divine soul. That soul is Fire ; and into that Fire we shall all be drawn, our separate existence and the dross of our earthly nature THE STOIC PHILOSOPHY 103 burnt utterly away. Then there will be no more decay or growth ; no pleasure, no disturbance. It may be a moment of agony, but what does agony matter ? It will be ecstasy and triumph, the soul reaching its fiery union with God. The doctrine, fine as it is, seems always to have been regarded as partly fanciful, and not accepted as an integral part of the Stoic creed. Indeed, many Stoics considered that if this Absorption in Fire should occur, it could not be final. For the essence of Goodness is to do something, to labour, to achieve some end ; and if Goodness is to exist the world process must begin again. God, so to speak, cannot be good unless he is striving and helping. Phusis must be moving upward, or else it is not Phusis. Thus Stoicism, whatever its weaknesses, fulfilled the two main demands that man makes upon his religion : it gave him armour when the world was predominantly evil, and it encouraged him forward when the world was predominantly good. It afforded guidance both for the saint and the public servant. And in developing this two- fold character I think it was not influenced by mere incon- stancy. It was trying to meet the actual truth of the situa- tion. For in most systems it seems to be recognized that in the Good Life there is both an element of outward striving and an element of inward peace. There are things which we must try to attain, yet it is not really the attainment that matters ; it is the seeking. And, consequently, in some sense, the real victory is with him who fought best, not with the man who happened to win. For beyond all the accidents of war, beyond the noise of armies and groans of the dying, there is the presence of some eternal Friend. It is our relation to Him that matters. " A Friend behind phenomena," I owe the phrase to Mr. Bevan. It is the assumption which all religions make, and sooner or later all philosophies. The main criticism which I should be inchned to pass on Stoicism would lie here. Starting out with every intention of facing the problem of the world by hard thought and observation, resolutely excluding all appeal to tradition and mere 104 THE STOIC PHILOSOPHY mythology, it ends by making this tremendous assumption, that there is a beneficent purpose in the world and that the force which moves nature is akin to ourselves. If we once grant that postulate, the details of the system fall easily into place. There may be some overstatement about the worthlessness of pleasure and worldly goods ; though, after all, if there is a single great purpose in the universe, and that purpose good, I think we must admit that, in comparison with it, the happiness of any individual at this moment dwindles into utter insignificance. The good, and not any pleasure or happiness, is what matters. If there is no such purpose, well, then the problem must all be stated afresh from the beginning. A second criticism, which is passed by modern psycholo- gists on the Stoic system, is more searching but not so dangerous. The language of Stoicism, as of all ancient philosophy, was based on a rather crude psychology. It was over-intellectualized. It paid too much attention to fully conscious and rational processes, and too little attention to the enormously larger part of human conduct which is below the level of consciousness. It saw life too much as a series of separate mental acts, and not sufficiently as a continuous, ever-changing stream. Yet a very little correction of statement is all that it needs. Stoicism does not really make reason into a motive force. It explains that an " impulse," or opfirj, of physical or biological origin rises in the mind prompting to some action, and then Reason gives or withholds its assent {avyKaTadems) . There is nothing seriously wrong here. Other criticisms, based on the unreality of the ideal Wise Man, who acts without desire and makes no errors, seem to me of smaller importance. They depend chiefly on certain idioms or habits of language, which, though not really exact, convey a fairly correct meaning to those accustomed to them. But the assumption of the Eternal Purpose stands in- a different category. However much refined away, it remains a vast assumption. We may discard what Pro- fessor William James used to call " Monarchical Deism " or our own claim to personal immortality. We may base THE STOIC PHILOSOPHY 105 ourselves on Evolution, whether of the Darwinian or the Bergsonian sort. But we do seem to find, not only in all religions, but in practically all philosophies, some behef that man is not quite alone in the universe, but is met in his endeavours towards the good by sojne external help or sympathy. We find it everywhere in the unso- phisticated man. We find it in the unguarded self-revela- tions of the most severe and conscientious Atheists. Now, the Stoics, like many other schools of thought, drew an argument from this consensus of all mankind. It was not an absolute proof of the existence of the Gods or Provi- dence, but it was a strong indication. The existence of a common instinctive belief in the mind of man gives at least a presumption that there must be a good cause for that belief. This is a reasonable position. There inust be some such cause. But it does not follow that the only valid cause is the truth of the content of the behef. I cannot help sus- pecting that this is precisely one of those points on which Stoicism, in company with almost all philosophy up to the present time, has gone astray through not sufficiently realizing its dependence on the human mind as a natural biological product. For it is very important in this matter to realize that the so-called belief is not really an intellec- tual judgment so much as a craving of the whole nature. It is only of very late years that psychologists have begun to realize the enormous dominion of those forces in man of which he is normally unconscious. We cannot escape as easily as these brave men dreamed from the grip of the blind powers beneath the threshold. Indeed, as I see philosophy after philosophy falling into this unproven belief in the Friend behind phenomena, as I find that I myself cannot, except for a moment and by an effort, refrain from making the same assumption, it seems to me that perhaps here too we are under the spell of a very old ineradicable instinct. We are gregarious animals ; our ancestors have been such for countless ages. We cannot help looking out on the world as gregarious animals do ; we see it in terms of humanity and of fellowship. Students of animals under domestication have shown us how the 106 THE STOIC PHILOSOPHY habits of a gregarious creature, taken away from his kind, are shaped in a thousand details by reference to the lost pack which is no longer there — the pack which a dog tries to smell his way back to all the time he is out walking, the pack he calls to for help when danger threatens. It is a strange and touching thing, this eternal hunger of the gregarious animal for the herd of friends who are not there. And it may be, it may very possibly be, that, in the matter of this Friend behind phenomena, our own yearning and our own almost ineradicable instinctive conviction, since they are certainly not founded on either reason or observa- tion, are in origin the groping of a lonely-souled gregarious animal to find its herd or its herd-leader in the great spaces between the stars. Still, it is a belief very difficult to get rid of. NOTE. Without attempting a bibliography of Stoicism, I may mention the following books as likely to be useful to a student : (i) Original Stoic Literature. Epictetus, Discourses, etc. ; translated by P. E. Matheson, Oxford, 1915. Marcus Aurelius, To Himself; translated by J. Jackson, Oxford, 1906. Stoicorum Veterum Frag- menta, collected by Von Arnim, 1903-1905. (2) Modern Literature. Roman Stoicism (Cambridge, 1911), by E. V. Arnold ; a very thorough and useful piece of work. Stoics and Sceptics, by Edwyn Bevan (Oxford, 1913) ; sUghter, but illuminating. The doctrine of the things which are " preferred " (n-poijy/ulva), though not " good," was, I think, first correctly explained by H. Gomperz, Lebensauffassung dev Griechischen Philosophic, 1904. Professor Arnold's book contains a large bibliography. V POESIS AND MIMESIS' A DISTINGUISHED woman of letters, long resident abroad, came lately to a friend of mine in London and explained her wish to learn how "the young" in England were now thinking. She herself had always been advanced in thought, if not revolutionary, and was steeled against possible shocks. My friend dauntlessly collected a bevy of young and representative lions, and the parties met. Unfortunately I know only the barest outline of what took place. The elderly revolutionary fixed on the most attractive and audacious-looking of the group and asked him what author had now most influence with the rising generation of intellectuals. He said without hesitation, " Aristotle " ; and the chief reason he gave for Aristotle's supreme value was that, in his greatest philo- sophical and aesthetic effects, he never relied on the element of wonder. I believe the evening was not on the whole a success. However, the story sent me back to the first chapter of the Poetics as a subject for this lecture, which your kindness has called upon me to deliver in memory of the honoured and beloved name of Henry Sidgwick. I always felt, if I may say so, the presence of something akin to Aristotle in Professor Sidgwick's mind, the same variety of interest yet the same undistracted and unwavering pursuit of what was true, and I think also the same high disdain, where truth was the object sought, of arousing the stimulant of wonder. Aristotle, as we all know, lays it down at the very opening of his work that : " Epic poetry and tragedy, comedy ? The Henry Sidgwick Lecture for 1920, delivered at Cambridge, 1920. 107 108 POESIS AND MIMESIS also and dithyrambic poetry, and the music of the flute and the lyre in most of their forms, are all in their general conception modes of imitation." The statement, I venture to think, appears to most EngUsh readers almost meaning- less ; and so far as it has any meaning, I believe most of them will think it untrue. And both impressions will be deepened when a page or two later the philosopher explains that " tragedy is an imitation of good men " and comedy " of bad men." Let us try the experiment which is so frequently helpful in dealing with the classics when they puzzle us : let us be literal and exact, and entirely disregard elegance. And let us remember to begin with that poein means "to make " and foesis " making." The passage then becomes : " Epos-making and the making of tragedy, also comedy and dithyramb-making and most fluting and harping, in their general conception, are as a matter of fact (not makings but) imitations." The thought seems to me to become much clearer. A poet, or maker, who makes a Sack of Troy or a Marriage of Peleus does not make a real Sack or a real Marriage, he makes an imitation Sack or Marriage, just as a painter when he " paints Pericles " does not make a real Pericles but an imitation or picture of Pericles. It perhaps troubles us for a moment when Aristotle says the painter " imitates Pericles " or the poet " imitates the Sack of Troy " in- stead of saying that he " makes imitations." But that is a mere matter of idiom : a maker of toy soldiers would be said in Greek " to imitate soldiers with tin." The point is that the artist being a " maker " does make some- thing, but that something is always an imitation. Let me illustrate this point of view by two or three ex- amples. You may say that the poet, or maker, does make one perfectly definite and real thing ; he makes his po^, or, to put it more concretely, his verses. Quite true. In Greek you can say equally that Homer " makes hexameters " or " makes the wrath of Achilles." But it is significant that Aristotle objects to what he calls the current habit POESIS AND MIMESIS 109 of classing poets according to the verses they make. To call them " hexameter-makers " or " iambic-makers " is a shallow and unimportant statement ; they must, accord- ing to him, be classed as " makers " by the kind of thing they imitate, or the kind of imitation they make. Again, why does Aristotle repeatedly and emphatically say that the most imitative of all Arts is Music, and {Pol. 1340a 18) that the homoiomata or likenesses produced by music are most exactly like the originals, for example the imitations of anger or mercy or courage ? It seems very odd to us to say that a tune is more like anger than a good portrait of Pericles is like Pericles. But if we think of the musician as a " maker " making imitation " anger " or imitation " love," surely that imitation anger or love which he makes in a sensitive listener is most extraordinarily like the real emotion — ^more closely like than any imitation produced by another art ? Again, following this clue we can see why Aristotle, though living in a great architectural age, never classes architecture among the imitative arts which with him are equivalent to the " fine arts." The architect makes real houses or real temples ; he does not make imitations. I hope we see also a more important point : that it is a mere error, an error born from operating with imperfectly understood texts, when critics blame Aristotle for not appreciating the " creative power " of art. So far from ignoring it, he starts with it. He begins by calling it poesis, " making " or " creation," and then goes on to observe that it is not quite like ordinary creation. Nor is it. It is a making of imitations. Let us follow him a little further. What objects does his poet imitate or make imitations of ? " Characters, emotions, and praxeis " — how shall we translate the last word ? Most scholars translate " actions," as if from Trparru), " to act." But I cannot help thinking that Professor Margoliouth is right in taking it from the intransitive TTpdrrw, " to fare," though in that case we have no exact noun to translate it by. Poetry shows the " farings " of people, how they fare well or ill. It is not confined to showing " actions." 110 POESIS AND MIMESIS Poetry differs from history in that history makes imitations of what did happen, and poetry of what might happen. Which difference makes poetry deeper and more philosophic than history. And lastly there is a great difference between tragedy, epic and high poetry on the one hand, and comedy, satire and low poetry on the other, that " makers " in the high style make better people than ourselves, and makers in the low style make worse people. This causes a difficulty to some readers. They do not admit that Milton's Satan, Shakespeare's Macbeth, Aeschylus's Clytemnestra are " better " than the average man. For my own part I feel no difficulty in regarding them all as my betters. If I met them I should certainly feel small and respectful. But it seems as if in our language the word for " good " had become more sharply moralized than its Greek equiva- lents, and perhaps one ought to say instead of " better," "higher" or "greater." Poetry, then, creates a sort of imitation world, a world of characters, passions and " ways of faring," which may be indefinitely " better " than those we know, as well as worse ; its details need not be imitations of any particular things that ever existed, but are so far limited by the existing world that they ought to present " things that might exist " or, as Aristotle explains it in another passage, " things that look as if they might exist." (We might add, if it were necessary, that for psychological reasons the subjects of poetry must be in some sense taken from the real world, because there is no other place from which to take them.) And the value to us of this imitation world according to Aristotle is simply that we contemplate it with delight ; though almost every other Greek writer lays more stress on a further claim, that this contemplation makes us better men. If I have made clear this Aristotelian conception of poetry I should like to compare it with the famous claim made by Matthew Arnold in his Essay on the Study of Poetry, pubhshed in 1880 as a general introduction to Ward's English Poets. He there argues that the chief function of poetry is the criticism of life. POESIS AND MIMESIS 111 " Our religion," he says, " parading evidences such as those on which the popular mind relies now ; our philosophy, pluming itself on its reasonings about causation and finite and infinite being : what are they but the shadows and dreams and false show of knowledge ? The day will come when we shall wonder at ourselves for having trusted to them, for having taken them seriously ; and the more we perceive their hollowness, the more we shall prize the ' breath and finer spirit of knowledge offered to us by poetry.' . . . ' More and more mankind will discover that we have to turn to poetry to interpret life for us, to console us, to sus- tain us.' " And a little further on, " The consolation and the stay will be of power in proportion to the power of the criticism of life." 1*5 Poetry as the creation of an imitation world and poetry as the criticism of life : how are the two conceptions related to one another ? Are they contradictory or compatible ? They are quite compatible, I think. They differ only in their points of emphasis or their angle of vision. For to make an imitation of " characters, passions and ways of faring " necessarily implies a criticism upon life, inas- much as the imitator must select the things that strike him as most interesting and characteristic and must say something about them. The chief difference between Aristotle and Matthew Arnold is a difference about the true purpose of poetry, and curiously enough in this con- troversy almost all our Greek authorities are on the side of Matthew Arnold and almost all our modern critics loudly agree with Aristotle. Aristotle says the aim of poetry is to give delight ; Arnold says it is to help us to live better. I will not dwell on this difference. It too is only a difference of emphasis, for Arnold expressly admits the element of mere delight as one of the aims of poetry, and Aristotle's own Hymn to Virtue might have been written to illustrate Arnold's doctrine. It is a lyric of considerable beauty and charm, but the whole weight of its effort is in the direction that Arnold requires. It seeks to draw from the world of poetry help for mankind in the heavy task of living. If I had to suggest in a few words the reason why Arnold demands so much from poetry and 112 POESIS AND MIMESIS Aristotle so little, I would point out that t he modern writ er expresslyJa egins by saying that our religion and philosop hy have failed us, and therefore we must go to Poetry for the things which they have promised but not provided, while A ristotle was r emarkably well furni shed, botluwith Ethics and j^ith Mptaphysics. If Aristotle ever felt " weary of himself and sick of asking," he never thought of going to Homer and Hesiod for his answer. He went to them for poetry and for story-telling. Arnold's generation, being poorly off for religious belief and almost beggared in philosophy, tended to put on to poetry all the work that ought to be done by those defaulting Muses ; while on the other hand Aristotle, being almost destitute of prose fiction, where we roll and roll in inexhaustible and stifling abundance, makes poetry take the place of the novel. The result is that Arist otle treats poet r y as the na tural vehicle for st ory-telling.' _vsdiLle we are always^ demanding of-iirao'ctfrnes abo ut psycholo gy and the art of life." And cTinseqtrently""we are establishing a new conventional canon of what is poetical and what not. It is very significant, for instance, that when Aristotle wants to give an instance of a work in metre which is so essentially prosaic in character that it cannot be called poetry, he chooses the philosophic poem of Empedocles ; whereas almost every English reader who comes across Empedocles feels his breath catch at the sheer beauty of the poetry. On the other hand there were probably many narrative poems which entirely pleased Aristotle but would instantly strike a modern critic as the sort of thing that would be better in prose. Every generation has its blind spots. Let us notice how the elements of criticism and mimesis vary in degree in different poems. And first of aU ,let__us rrvngirlpr wfi ptTi pi;__a._E grf ectly direct practical criticism or '■M5_Jrl5-..^^P°^*^^y- Some people ~3eny~TF,' but I think they are clearly wrong. It has certainly been felt as poetry in past ages. The Psalms are full of it. So are the Greek anthologies ; and the passages quoted from poets in anti- quity are gnomce, or direct criticisms of life, more often than anything else. If you take the Essay to which I have referred you will find that Matthew Arnold takes a POESIS AND MIMESIS 113 number of lines from Homer, Milton, Dante and Shakespeare as typical of the very highest poetry and capable of acting as touchstones of criticism. Nearly all of them are direct criticisms of life, and suggestions for living. But let us clinch the matter. Take one of the greatest and best known of modern sonnets : The World is too much with us ; late and soon, Getting and spending, we lay waste our powers : Little we see in nature that is ours ; We have given our hearts away, a sordid boon. This sea that bares her bosom to the moon. The winds that will be howling at all hours And are upgathered now, like sleeping flowers. For this, for everything, we are out of tune. It moves us not. Great God, I'd rather be A Pagan, suckled in a creed outworn. So might I, standing on this pleasant lea. Have gUmpses that would make me less forlorn, Catch sight of Proteus rising from the sea. Or hear old Triton blow his wreathed horn ! Perfectly direct criticism and advice, yet undoubtedly poetry. — I wonder if doubt wiU be felt about another passage of criticism, in a style now out of fashion : Know then thyself, presume not God to scan : The proper study of mankind is man ; Placed on this isthmus of the middle state, A being darkly wise and rudely great. With too much knowledge for the sceptic side, With too much weakness for the Stoic's pride. He hangs between, in doubt to move or rest. In doubt to deem himself a God or beast. In doubt his mind or body to prefer. Born but to die, and reasoning but to err ; Alike in ignorance, his nature such. Whether he thinks too little or too much ; Chaos of thought and feeUng all confused. Still by himself abused — and disabused. Created half to rise and half to fall. Great Lord of aU things, yet a prey to all : Sole judge of truth, through endless error hurled. The glory, jest, and riddle, of the world ! 8 114 POESIS AND MIMESIS Unless we are to interpret the word " poetry " in some esoteric sense of our own, I do not see how we can doubt that this too is poetry. If people now are bored by it, or see nothing in it, I do not think I should draw the moral that this is not poetry ; I should prefer to conclude, with all deference, that the Lord had made the heart of this people fat and made their ears heavy, and shut their eyes lest they turn again and be healed. However, if people do reject it from the range of poetry, it will not be because it is criticism. It is criticism just as much as the Words- worth sonnet and no more. But the burden of its criticism is different. Wordsworth criticizes life for not_bang-more permeated by the ^iritual imagihatipn ; Pope criticizes man as being such a frai l thing, contradictory and uncertajji. Wordsworth's remedy is to live with more ijmagi^tion and reverie ; Pope's reniedy I^s jpn^djenoFand, moderation, Sophrosyne and MrjWkv dyav, that rule which seemed to the ancients to lie near the heart of poetry and to most people now appears only suitable to prose. Next, in this poetry of direct criticism, is there any imaginative creation ? Do these two poems, in Aristotle's phrase, " imitate " anything at all ? I think they do. Pope's man is a real picture. We can ask, " Is that like the men we know ? " And Wordsworth's world, and his life that would be so different if the world did not interrupt it, are imitations in the Greek sense. Still these two poems seem to gjve a maximimi _Qf criticisi T? ^jy], 9, miniTmim of mimesis. Tjirp ct rritirism lis nn p pn1f> and vrf^rp, i nimesis the opposi te p ole: po ptr y ranpfp g; frrnn nnp. tn th pother, while sonie of the greatest p oft^-y mmhinpg y^nth Some of the greatest creators are also the most vehement critics. Among the moderns Shelley in his larger efforts lives habitually in a world of vision and can scarcely breathe at peace except in its atmosphere ; yet he is always bringing it into com- petition with the real world ; insisting that it is in fact what this actual world ought to be and is trying to be, and is, perhaps, even now on the verge of becoming. Among the ancients Aeschylus and Euripides are both magical creators and earnest critics. I can hardly imagine a more POESIS AND MIMESIS 115 profound criticism of life than the Oresteia or one more poignant than the Trojan Women. Yet both move in the realms of inspired lyrical mimesis. The Homeric poets make a world extraordinarily consistent and dive ; people may differ about the amount of deliberate criticism of this world which it contains, but for my own part I agree with the common Greek opinion that it is a great deal. About Milton I am less clear. The power of creative mimesis is tremendous ; and we know from the rest of Milton's work that he was a copious and somewhat opinionated critic. But my own feeling is that, in the main, his imagined world is almost nothing to him but a place of beauty, a sanctuary and an escape. Virgil is a great and profound critic. His consummate poetical power is curiously little dependent on any gift of mere mimesis. If we seek examples of almost unmixed mimesis we shaU look to those poets who have created great imitation worlds with a coherence and a character of their own. I think we must also say, with a wide range of territory and a large population. William Morris and Spenser and Chaucer among modern English writers are the names that occur at once ; creators of large worlds of phantasy with very l ittle element n f cr iticism, ex cept that whi ch Js_implicit in every act of selectiaoL- ^'Butthe type and prophet of this uncritical mimesis, I would almost caU him the martyr of this faith ; a man who seems hardly to have lived at all except in the world of his imagination ; who tells us that even as a boy he could scarcely speak without falling into verse ; who sprang straight to a perfection of form which remained the un- challenged model of all similar poetry for centuries after ; who poured forth his imaginative creations, his " copies of life," with such copiousness that the poets of the middle age and the renaissance went to him as to an inexhaustible quarry from which to build their houses and streets and cities ; a man of unexampled popularity in his own day and of almost unexampled influence afterwards ; Ovid is one towards whom the present generation has resolutely turned its blind spot. If he were archaic, or uncouth, or earnest, or nobly striving after ideals he cannot reach ; 116 POESIS AND MIMESIS if he were even difficult or eccentric, so as to make some claim upon us ; we should doubtless be attracted to him and read him with our imaginations alert. But he does his work too well, he asks no indulgence ; he is neat and swift and witty and does not need our help ; consequently we have no use for him. I suspect we are wrong. " My work is done," he writes at the end of the Metamorphoses : My work is done : which not the All Father's ire Shall sweep to nothingness, not steel, nor fire. Nor eating Time. — Come when thou wilt, O Hour, Which save upon my body hast no power. And bring to its end this frail uncertainty That men call life. A better part of me Above the stars eternal shall, like flame. Live, and no death prevail against my name. He was a poet utterly in love with poetry : not perhaps with the soul of poetry — to be in love with souls is a feeble and somewhat morbid condition — but with the real face and voice and body and clothes and accessories of poetry. He loved the actual technique of the verse, but of that later. He loved most the whole world of mimesis which he made. We hear that he was apprenticed to the law, but wrote verses instead of speeches. He married wives and they ran away or died and he married others. He had a daughter and adored her, and taught her verses. He was always in love and never with anyone in particular. He strikes one as having been rather innocent and almost entirely useless in this dull world which he had not made and for which he was not responsible, while he moved triumphant and effective through his own inexhaustible realm of legend. He came somehow under the displeasure of the government, and by a peculiar piece of cruelty was sent with all his helpless sweetness and sensuousness and none of the gifts of a colonist, to live in exile in that dreadful region Where slow Maeotis crawls, and scarcely flows The frozen Tanais through a waste of snows. Where, like an anodyne for a gnawing pain, he tried to forget himself in verses and yet more verses, until he died. POESIS AND MIMESIS 117 What a world it is that he has created in the Metamor- phoses 1 It draws its denizens from all the boundless resources of Greek mythology, a world of live forests and mountains and rivers, in which every plant and flower has a story, and nearly always a love story ; where the moon is indeed not a moon but an orbM maiden, and the Sunrise weeps because she is still young and her beloved is old ; and the stars are human souls ; and the Sun sees human virgins in the depths of forests and almost swoons at their beauty and pursues them ; and other virgins, who feel in the same way about him, commit great sins from jealousy and then fling themselves on the ground in grief and fix their eyes on him, weeping and weeping till they waste away and turn into flowers ; and all the youths and maidens are indescribably beautiful and adventurous and passionate, though not well brought up, and, I fear, somewhat lacking in the first elements of self-control ; and they all fall in love with each other, or, failing that, with fountains or stars or trees ; and are always met by enormous obstacles, and are liable to commit crimes and cause tragedies, but always forgive each other, or else die. A world of wonder- ful children where nobody is really cross or wicked except the grown-ups ; Juno, for instance, and people's parents, and of course a certain number of Furies and Witches. I think among all the poets who take rank merely as story- tellers and creators of mimic worlds, Ovid still stands supreme. His criticism of life is very slight ; it is the criticism passed by a child, playing alone and peopling the summer evening with delightful shapes, upon the stupid nurse who drags it off to bed. And that too is a criticism that deserves attention. We have spoken of one side of Poetry ; the side particu- larly meant by Aristotle when he says that poets are only makers " by imitation " ; makers, that is, of imitation persons and imitation worlds, which may or may not involve criticism upon our existing life. He dissented, we remember, from the view of those who thought that a poet was princi- pally a maker because he made verses. But after all there is obviously something in their view, and in a later part of the Poetics Aristotle pays a good deal of attention to 118 POESIS AND MIMESIS them. There is something which a poet really makes as much as a weaver makes his cloth. He makes the actual texture of his verses. He makes his own poems. Here again we find our vision full of blind spots. Some people would say our ears deaf to particular qualities of sound. Of course we can all see that poetical style develops and decays in various countries. In England the eighteenth-century poets learnt to write much smoother heroic couplets than Shakespeare or Ben Jonson could write, while they lost much of the art of writing blank verse ; Dryden in the Ode on St. Cecilia's Day achieved effects which were thought remarkable at the time but would have argued mere incompetence in any writer later than 1820. We have seen many changes of technique in our own day. That is all obvious. But the point that I wish now to illustrate is the extraordinary diversity of style and of aim which results naturally from the use of different languages. Words are the bricks or stones with which you build. And Latin words, Greek words, French words, English words, have to be used in very different ways, and each language has its own special effects. The English can do trisyllabic and even quadrisyllable metres, it seems to me, incomparably better than other modern nations. A poem like Swinburne's Dolores is probably impossible in any European language but its own ; still more so the extraordinary beauty and exactitude of "By the waters of Babylon we sat down and wept." I think the cause of this great advantage is twofold ; first, we have a very marked and clear system of stress accents, and secondly, our culture has been largely in the hands of people who knew and even wrote Latin and Greek verse. French has no system of stress accents except the slightly iambic rhythm which pervades every sentence, whatever the words may be. Consequently French is almost incap- able of any purely metrical beauty. German has a stress accent like ours, but, if my ear is to be trusted, it has scarcely attempted the finest lyrical effects of English verse. On the other hand we cannot approach the effects produced in French verse by their wonderful diphthongs and nasals POESIS AND MIMESIS 119 and long syllables. Our wretched indeterminate vowel, our tendency to pronounce clearly only one syllable in every polysyllabic word or word-group, cuts us off from such effects as Comme c'est triste voir s'enfuir les hirondelles : or Puisque j'ai vu tomber dans I'onde de ma vie Une feuille de rose arrach^e h tes jours. A language which talks of " Jezebel " as " Jezzuble " cannot produce the same effects as one which says " Je-za- bel " with each syllable distinct : Et venger Athahe Achab et Jezabel. But the point which I wish specially to illustrate is, I think, another of our blind spots : the special style pro- duced in Latin poetry — ^it is less marked in Greek — ^by the necessities of the language and the metre. I assume that to-day nearly all intelligent young men and women despise Latin poetry and think of its characteristics as somewhat odious and markedly unpoetical. And I would begin by recalling that all through the middle ages and the re- naissance, down to the later part of the eighteenth century, Latin poetry was the central type and model of all poetry. When you spoke of poetry you meant first and foremost the Latin poets. It gives us a shock when Marlow (whom we respect) in the most tragic moment of Dr. Faustus makes his hero quote Ovid (whom we despise), and we hardly notice the passionate beauty of the line — slightly altered — which he quotes : — O lente lente currite, noctis equi ! But Marlow was doing the natural thing. Ovid was to him what he was to his predecessors and contemporaries and followers. It is we who are odd. Let me, if I can, try to describe the beauty which our ancestors found in the conventional Latin style. It is a beauty entirely dependent on the inflectional character of the language ; we speakers of an uninflected language 120 POESIS AND MIMESIS are shut off from it. We express the relations of our words to one another not by inflections but by their order in the sentence. Consequently we are tied up to one everlasting cast-iron order of words, and all those innumerable delicate beauties which Latin and Greek find in the order of their words in the sentence are debarred to us. The difference is heightened by the respective treatment of metre in ancient and modern tongues. Their metres were very marked. They were a delight in themselves and had rules which a poet never broke. Our metres are mostly inconspicuous : as a rule they are only types to which we approximate with as much or as little exactitude as we find convenient. Our poetry is apt to slip out like a stream of wet mud or concrete ; theirs was built and fitted, chip by chip, block by block, of hard marble. Take an average Ovidian couplet : the first two lines of one of the Heroides, imaginary letters written by legendary damsels to absent lovers. This is Phyllis, a princess of the wild Thracian mountains, writing to Demophoon of Athens. Hospita, Demophoftn, tua te Rhodopeia Phyllis, Ultra promissum tempus abesse queror. " I, Phyllis of Rhodopfi, Demophoon, your late hostess, complain that you are absent beyond the time promised." That I flatter myself is a blameless trans- lation. Not a single iota of poetry or of character either is left in it. Now let us try to see what we have left out, and to conceive the effect of the order of the words in Latin. " Hospita " first : it is the feminine of " stranger," " strange woman." Demophoon opens the letter and the first word is " The strange woman." What strange woman will it be ? The next word is merely the vocative " O Demophoon " ; then " tua te," " thine to thee " or strictly " thine thee," the " thee " being object to the verb. Why cannot we say, " thine to thee ? " Are not the words sudden and poignant ? Then follows the name, Rhodopeia Phyllis ; PhyUis, " She of the Phylla or waving leaves," Rhodopeia, from the mountains of Rhodope ; all the magic of old Greek romance POESIS AND MIMESIS 121 and much of the music comes with those two words. The mountains and the forest leaves and she who is his own : How does the sentence go on ? Ultra promissum — long syllable after long syllable, quite naturally and not with any strain, adding to the words " beyond the promised time " a slow ache and a sense of long waiting. Then simply " abesse queror," " you are absent, and I complain." Hospita, Demophofin, tua te RhodopSia Phyllis, Ultra promissum tempus abesse queror. That is Poesis. That is the way to build your line if you work in an Inflected language. It seems then as if this theory, not explicitly Aristotle's but implicit in his language and based upon it, wiU practi- cally work as a description of the function of Poetry, and of the other arts which Aristotle groups with poetry. It is Pofisis, a Making, but in one large respect the Po&is is Mimfisis, so that poetry is Poesis plus Mimesis, a making or manufacture based upon an imitation. And it can be judged in two ways : either by the skill shown in the making, the beauty of texture, the quality and shape of the stones chosen and the way in which they are laid together in the architecture ; or else by the sort of things which the poet has selected out of the infinite and all-coloured world in order to inake his imitation. Of course the two proceed quickly to run together in practice. The subject of any poem is very hard to separate from its style ; for every change of a word or phrase, which is a change in style, alters in some degree the whole mimesis, which is the subject ; and ' suggestions that you can express a noble thought in ignoble language or vice versa are open to the same dif&culties as the idea that you can express a clear thought in muddled language or a confused thought in lucid language. I do not wish to raise these speculative questions. But I do venture to suggest that the concep- tion of Art as mimesis, though rejected by almost all recent critics, has a justification and may even show a real profun- dity of insight. Mimesis is, I suspect, not only an essential element in all art, but also our greatest weapon both for explaining and for understanding the world. 122 POESIS AND MIMESIS For these purposes the choice lies between mimesis and definition ; on the one hand the instinctive comprehensive method of art, the attempt to understand a thing by making it, to learn a thing by doing it, and on the other the more exact but much narrower method of intellectucil analysis, definition and proposition. Each has its proper sphere. Mimesis is not much use in mathematics or scientific dis- covery, except in the form of diagrams. But if a mere " grammaticus " may learn by looking on at the august battles of philosophers, I observe that some of these are now sa5ang that the greatest advance made during the last cen- tury has been the discovery that tliere are degrees in truth. Others of course maintain that any given proposition is either true or false and that there are no degrees possible. It is not a bit " more true " to say that 7 X 7 = 48 than to say that it equals a million. Now I speak under correction, but it Seems probable that the belief in degrees of truth implies a belief in mimesis rather than definition or assertion as the best method for expressing, and doubt- less also for reaching, truth. The mimesis is never exact ; it is always more or less adequate, more or less complete. It is essentially a thing of degrees. And its advantage over the intellectual method of definition or proposition is merely that it is much more fruitfiol and solid and adequate and easily transmitted ; its disadvantage that it is more elusive, deceptive and incapable of verification. But I think it is true of all art and of all human conduct, though not true of purely scientific facts, that the best way to understand them is in some sense or other to go and do likewise. My friend and colleague Dr. Geoffrey Smith, killed on the Somme, held a view about human progress which I wish he had lived to express with the exactitude and great knowledge which belonged to him. It was, as I understood him, that in the biological or physiological sense Man had not made any advance worth speaking of since the earliest times known to us ; but that our ancestors, from their arboreal days onward, stood out from all other animals by their extraordinary power of mimesis. When they met with a sort of conduct which they Uked, they had the POESIS AND MIMESIS 123 power of imitating it, and of course also the power of selecting for imitation the particular elements in it that appealed to them most. Sometimes they imitated badly and chose the wrong things ; sometimes they seem, like our poor relations in the Zoological Gardens to-day, to have imitated without any coherent plan or choice at all. But on the whole there has been a coherence in the main stream of human mimesis ; we have imitated the things we admired, and our admirations have developed further on more or less similar lines. We have formed ideals, and our ideals have guided us. It is this power of ideaUsm, this curious power of seeing what we like or admire and then trying to imitate it ; seeing things that were beautiful and tr5dng to make others like them ; seeing things that roused interest or curiosity and trying by the mimetic imagination to get inside them and understand them ; that has been the great guiding force in the upward move- ment of humanity. The direction we take depends on the things we choose to imitate ; and the choice depends on the sort of persons we really are : and what we are, again, depends on what we choose to imitate. By mimesis we make both ourselves and the world. The whole art of behaviour, or conduct itself, is a poesis which is also a mimesis. For every act we perform is a new thing made, a new creation, which has never been seen on earth before ; and yet each one is an imitation of some model and an effort after some aim. And thus we proceed, so far as our life is voluntary and not mechanical, towards an end which can never be attained and is always changing as we change, but which is in its essence the thing which at each successive moment we most want to be. We cannot define it more. " Infinite beauty in art, infinite understanding in know- ledge, infinite righteousness in conduct "... such words all ring false because they are premature or obsolete attempts to define, and even to direct, wants that are often still subconscious, still unformed, still secret, and which are bearing us in directions and towards ends of aspiration which will doubtless be susceptible of analysis and classi- fication when we and they are things of the past, but which for the present are all to a large extent experiment, explora- 124 POESIS AND MIMESIS tion, and even mystery. But we can be sure with Plato that the two things that determine the way of life for each one of us are, as he puts it, " The road of our longing and the quality of our soul " {Laws X., p. 904c). That is our Mimesis and our Poesis, our choice of subject and our execution. VI LITERATURE AS REVELATION' THE first time I met Dr. Spence Watson and heard him speak was at a great meeting in the St. James's Hall, London, held to congratulate the Irish leader, Parnell, on the collapse of the criminal charges made against him by The Times newspaper. Some of you will remember the occasion. The charges were based on certain letters which The Times published in facsimile and scattered broadcast over England. These were shown to be forgeries which The Times had bought at a very high price ; the forger himself, a man called Pigott, was dis- covered and convicted ; he confessed and fled and blew his brains out. The whole situation was intensely dramatic — as well as extremely instructive. The meeting, addressed by Parnell himself and by two famous Newcastle men. Dr. Spence Watson and Mr. John Morley, was one of the most thrilling I have ever attended. And I remember still how Dr., Spence Watson's short speech ended in a ringing call of " God save Ireland." There are some people to whom politics seem a kind of magnificent game, a game of much skill and of not much scruple. There are some again who regard political life as a kind of arena in which different parties and different classes and different trading corporations struggle and intrigue for their respective interests. But to those two men I have mentioned politics formed neither a pleasant game nor an exciting intrigue, far less an indirect way of pursuing your own interest. To them politics came as ■ The Robert Spence Watson Lecture, delivered to the Literary and Philosophical Society of Newcastle-upon-Tyne, October i, 1917. 125 126 LITERATURE AS REVELATION a revelation and a duty. They saw, or believed they saw, one or two fundamental truths on which the whole life and moral of the nation depended ; and, those truths once seen, it became an unquestioned duty, through fair weather or foul, through good report or evil report, to pursue them and to live for them. I always felt with Dr. Spence Watson that his political principles had much of the quality of a religion. They threw light all round them upon the non-political parts of life ; and, though he was a vigorous fighter, I believe that, like most good religions, his strong principles rather increased than lessened his general human charity. It was the thought of Dr. Spence Watson's attitude towards politics that suggested to me the subject of this lecture. For, though the parallel is not exact in detail, there are among lovers of literature, as among lovers of politics, some who like it for all sorts of other reasons, and some who demand of it nothing less than a kind of revelation. Most people of culture, I believe, belong to the first class. They like literature because they like to be amused, or because the technique of expression interests them and rouses their strongest faculties, or because a book stands to them for society and conversation, or because they just happen to like the smell and feel of a book and the gentle exercise of cutting pages with a paper- knife. Or they like to study the varieties of human nature as shown in books, and to amass the curious information that is to be found there. Those are the really cultured people. You will find that they like Lamb's Essays and Lavengro, and Burton's Anatomy, and Evelyn's Diary, and the Religio Medici, and the Literary Supplement. And the other class — to which I certainly belonged all through my youth and perhaps on the whole still belong — does not really much like the process of reading, but reads because it wants to get somewhere, to discover something, to find a light which will somehow illumine for them either some question of the moment or the great riddles of existence. I believe this is the spirit in which most people in their youth read books ; and, considering their disappointments, it is remarkable, and perhaps not altogether discreditable, LITERATURE AS REVELATION 127 how often they cling to this hope far on into the region of grey hairs or worse than grey hairs. Now, in putting before you the case for these over- sanguine or over-youthful people, I believe, as I have said, that I shall have the persons of culture and the con- noisseurs against me ; but the artists and writers themselves will be really on my side. Almost all the writers — and they are pretty numerous — ^whom I have known intimately are, I believe, subject to a secret sadness when they are praised for being amusing or entertaining or readable or the like. What really delights them, especially the novelists and writers of light comedy, is to be treated as teachers and profound thinkers. Nobody is quite content to think that the serious business of his own life makes merely the fringe and pastime of other people's. There is a well- known story of an essay written on the poet Keats by a stern young Nonconformist at a certain university, in which he said that after all the important question to ask was whether Keats had ever saved a soul. He answered it, I regret to say, in the negative, and condemned Keats accordingly. Now this essayist is generally ridiculed by persons of culture for having set up for the poor poet a perfectly absurd and irrelevant test. " Keats," says the man of culture, " was no more trying to save souls than to improve railway locomotives. He was simply trying to write beautiful poetry, which is an entirely different thing." Now I do not believe that the man of culture is right. I suspect that the young Nonconformist was perfectly cor- rect in the test he applied ; that a really great poet ought to save souls and does save souls ; and, furthermore, that he will not be at all grateful to you if you tell him that souls are not his business, and he can leave them to the parson. I think, if the essayist went wrong — and if he concluded that Keats was a bad poet I take it as certain that he did go wrong — it was partly that he took the saving of a soul in too narrow and theological a sense, and partly that he had not really sunk himself deep enough into Keats's thought to know whether he could save a soul or not. That is, in the first place I would have asked him 128 LITERATURE AS REVELATION to consider whether it is not in some sense " saving a soul " to enable a living man to rise up above himself and his personal desires, and to see beauty and wonder in places where hitherto he had seen nothing ; in the second place, I would have asked him whether, before condemning Keats, he had really considered and really understood what Keats meant when, for example, in the climax of one of his greatest poems, he sums up the message to mankind of the Grecian Urn : " Beauty is truth, truth beauty," — that is all Ye know on earth, and all ye need to know. I do not say that that message is true. I do not myself fully understand what Keats meant by it. But I am sure that to him, and to many people who learnt it from him, that thought has come as a revelation. Let me speak of another case in my own experience. I remember when I was a boy of fifteen in Paris, sitting down on a bench in the garden of the Tuileries with a copy of Rousseau's book on the Contrat Social, which I had just bought for twopence-halfpenny. I knew it was a celebrated book, and sat down in a sober mood to read it, partly from a sense of duty. And the first sentence of the first chapter ran : " Man was born free, and he is everywhere in chains." " Man was born free, and he is everywhere in chains." I remember the thrill with which I read and re-read those words. As a matter of fact, I quite misunderstood their place in Rousseau's argument. But so did other people, and I can realize now the thrill with which, when they were first published, they ran through Europe, awakening, unforgettable, stirring the seeds of fire that blazed out in the Great Revolution. Take a third instance, the passage in Milton's great pamphlet pleading for the freedom of the Press, where Milton seems gradually, with increasing intensity, to realize what a book really at its best is, something greater than a living man : how to kill a man is, of course, a sin. It is to slay God's image ; but to kill a good book is to kill the very essence of a man's thought, " to slay God's image. LITERATURE AS REVELATION 129 as it were, in the eye." For the particular man is but human and will in any case die before long ; " but a good book is the precious life-blood of a master-spirit, treasured up for a life beyond life." When you take in your hand some of the great immortal books of the past, how that sentence comes back to your mind and illumines them ! My thoughts turn naturally to some of those Greek tragedies on which I especially work ; the Agamemnon of Aeschylus, say, or the Trojan Women of Euripides. What is it, that one should read it and re-read it now, two thousand odd years after it was written ? What is it, that it should still have the power to stir one's whole being ? That is the answer : it is simply what Milton has said, nothing more and nothing less, " the precious life-blood of a master- spirit, treasured up for a life beyond life." I have taken three instances of the kind of writing that has an element of what I venture to call " revelation," but before going further I will stop to answer some criti- cisms about them. In the first place, the person of culture, to whom we were a little disagreeable at the beginning of this lecture, will interpose. " You appear," he will say, "to be basing your admiration of Keats on the truth of one exceedingly obscure and questionable proposition about Beauty being the same as Truth. Personally, I do not care a straw whether it is true or not ; I only care whether it is suitable in its place in the poem ; but even supposing it is true, it is only one tiny fragment of Keats's work. What about all the rest of his work, which, to his credit be it said, contains hardly any of these dogmatic sentences which you choose to describe as revelation ? Is Keats's greatness to rest on the very few apophthegms about life which his work contains — they are far more numerous and probably more true in Martin Tupper or Ella Wheeler Wilcox — or is it to rest frankly on the sheer beauty of the mass of his work ? You know quite well it must rest on the latter." How are we to answer this ? Well, in the first place we must explain that I only chose those isolated sentences for convenience' sake. It was easier to explain what I meant by revelation if I could find it expressed in a single 9 130 LITERATURE AS REVELATION sentence. But as a rule the writers who have most of the element of revelation about them do not crystallize their revelation into formulae. It is something that radiates from all their work, as in practical life there is generally far more inspiration radiating from the example of a man's whole activity than from the moral precepts that he happens to utter. Shelley is simply bursting with this power of revelation. To a man who has once read himself into Shelley, the world never looks the same again. The same is true of Goethe, the same is emphatically true of certain Greek poets, like Aeschylus and Euripides. But it would be hard to select any particular sentences from their works as summing up the essence of their doctrine. Even Tolstoy, who has this power of revelation to an extraordinary degree, and who was always trying, trying consciously and in- tensely, to put into clear words the message that was burning inside him, even Tolstoy never really gets it ex- pressed. He lays down, in his rehgious books, lots and lots of rules, some of them sensible, some of them less so, some of them hopelessly dogmatic and inhuman, many of them thrilling and magnificent, but never, never getting near to the full expression of the main truth he had dis- covered about the world and was trying to teach. The message of Keats, whatever it is, lies in all Keats, though by accident a great part of it may be summed up in a particular sentence. The message of Plato is in all Plato, the message of Tolstoy in all Tolstoy, There is a beautiful passage in Kenan's Life of Jesus where he points out that when Jesus Himself was asked what His doctrine was, what exact dogmatic truth He had to declare, He could give no direct answer. He certainly could not pro- duce a series of doctrinal texts ; He could only say " Follow me." The message a man has to give radiates from him ; it is never summed up in a sentence or two. So, if we go back to Keats and the person of culture, we will say to him not in the least that the greatness of Keats depends on the truth or importance of one or two statements he made ; but that it does depend very greatly on a certain intense power of vision and feeling which runs through the whole of his work and which happens to express LITERATURE AS REVEIATION 131 itself almost in the form of a religious dogma in one or two places — say in the opening passage of Endymion and the last stanza of the Ode to a Grecian Urn. Now let me notice another curious thing about these revelations in literature. They are never statements of fact. They are never accurately measured. I am not sure that you might not safely go further and say they are never really discoveries ; they are nearly all of them as old as the hills, or at least as old as the Greek philosophers and the Book of Job. Their value is not in conveying a new piece of information ; their value lies in their power of suddenly directing your attention, and the whole focus of your will and imagination, towards a particular part of life. " Man was born free, and he is everywhere in chains." That is only true to a limited extent ; and so far as it is true it is not in the least new. Everybody knew it, as a bare fact. But Rousseau expressed it more vividly, per- haps felt it more keenly, believed it to be more important, than other people had. What is more, he meant to draw conclusions from it ; and I think what thrills one especially in reading or thinking of the words is the thought of those conclusions that are to be drawn. They are not defined ; they are left vague ; that makes them aU the more tremendous. Think of life as a vast picture gallery, or museum ; or better, perhaps, as a vast engineering workshop. It is all those things, among others. Then think of oneself walking through it. You know how the average man walks through a museum or a workshop when he knows nothing particular about it. You try hard to be intelligent ; failing in that, you try to conceal your lack of intelligence. You would like to be interested, but you do not know what is interesting and what is not. Some of the specimens strike you as pretty ; some of the engines seem to you very powerful ; you are dazzled and amused by the blaze of the fires, you are secretly interested in the men and wish you could talk to them. But in the main you come out at the other end tired and i ather dispirited and having got remarkably little out of it. That is the way a stupid and uneducated man, with no one to help him, goes through life. 132 LITERATURE AS REVELATION Next, suppose you go through the same museum, or the same workshop, with a thoroughly competent guide. In the museum he knows what all the specimens are, which are rare and which ordinary, and why they are interesting ; he makes you look at things ; makes you understand things ; makes you see a hundred details, every one of them significant, that you would never have noticed by yourself. In the workshop, he shows how the various machines work, tells how they were invented and what difference their invention made ; he takes you to see a particularly skilled workman and makes you realize where his skill comes in ; he makes you feel the cleverness and the beauty of the machinery. That is like going through life with the help and guidance of a proper average educator, what one calls a person of culture. Now thirdly, suppose on the day of your visit the ordinary guide is not available. Instead you are taken by a man who is not a regular guide to the institution but is working, so they tell you, at certain parts of it. And you find very likely as you go with him that there are large parts that he does not know or at least has nothing to say about, but when you get to his particular subject he tells you not only what the other guide told, but also various things which the other guide thought not worth mentioning, but which, as now explained to you, seem searching and deep and new ; and you gradually realize that you are talking to a man who has made, or is on the point of making, a great discovery. In the museum he takes specimens that seemed to have nothing to do with each other and shows that when you put them together there comes a sudden flood of suggestion, a stream of questions never yet asked, but when once asked sure to find an answer. And you go away not so much filled with knowledge, but all ahve with interest and the sense of movement ; feeling that your feet have been set on a road into the future. You have seen some one thing or set of things with an intensity that has revealed what was before unsuspected and made, as it were, an illumination in one part of life. That, I think, is like going through under the guidance of the sort of literature that gives inspiration. LITERATURE AS REVELATION 133 The great difference, intellectually speaking, between one man and another is simply the number of things they can see in a given cubic yard of world. Do you remember Huxley's famous lecture on A Piece of Chalk, delivered to the working men of Norwich in 1868, and how the piece of chalk told him secrets of the infinite past, secrets of the unfathomed depths of the sea ? The same tiling happens with a book. I remember once picking up a copy of Macbeth belonging to the great Shakespearian scholar, Andrew Bradley, and reading casually his pencilled notes in the margin. The scene was one which I knew by heart and thought I understood ; but his notes showed me that I had missed about half a dozen points on every page. It seems to me that the writers who have the power of revelation are just those who, in some particular part of life, have seen or felt considerably more than the average run of intelligent human beings. It is this specific power of seeing or feeling more things to the cubic yard in some part of the world that makes a writer's work really inspiring. To have felt and seen more than other people in some particular region of life : does that give us any sort of guarantee that the judgments which a man passes are likely to be true ? ' Not in the least. Suppose a man has seen and experienced some particular corner of, say, the Battle of the Sonime and can give you a thrilling and terrific account of it, that is no particular reason for expecting that his views about the war as a whole will be true. It is on the whole likely that he will see things in a wrong proportion. The point in his favour is only that he does really know something, and, whatever his general views are, he can help you to know something. I will confess my own private belief, which I do not wish anyone to share, that of all the books and all the famous sayings that have come as a revelation to human beings, not one is strictly true or has any chance of being true. Nor, if you press me, do I really think it is their business to be strictly true. They are not meant to be statements of fact. They are cries of distress, calls of encouragement, signals flashing in the darkness ; they seem to be statements in the indicative mood, but they are really in the imperative 134 LITERATURE AS REVELATION or the optative — the moods of command or prayer or longing ; they often make their effect not by what they say but by the tone in which they say it, or even by the things they leave unsaid. Do you remember Garibaldi's speech to his men when his defence of Rome had proved fruitless, and the question was whether to make terms with the Austrians or to follow him ? " Let those who wish to continue the War against the stranger come with me. I offer neither pay nor quarters nor provisions. I offer hunger, thirst, forced marches, battles and death." ' The force of that appeal was in what he did not say. He obviously offered them something else too ; something so glorious that as a matter of fact most of them followed him ; but he did not mention it. Sometimes the word of revelation is a metaphor ; the speaker knows he cannot attain exact truth, he can only, as it were, signal in the direction of it. There is a wonderful story in a little-read Saxon historian, who wrote in Latin, the Venerable Bede, about the conversion of the Saxons to Christianity. The King was debating whether or no to accept the new religion, and consulted his counsellors. And one old Pagan warrior said : "Do you remember how last midwinter King Edwin held festival in the great hall, with brands burning and two huge fires on the hearths, while outside there was storm and utter darkness ? And the windows by the roof being open, a bird flew suddenly from the darkness outside into the warm and lighted place and out on the other side into the outer darkness. Like that bird is the life of man." * Or what again shall we say of the following ? A message sent many years ago by the famous Russian revolutionary, Katherine Breshkovsky — the grandmother of the Revolu- tion as she is called ; a message smuggled out of prison and sent to her friends and followers bidding them not to despair or to think that nothing was being accompUshed. " Day and night we labour ; instead of meat, drink and sleep we have dreams of Freedom. It is youth calling to youth through prison walls and across the world " It ' Garibaldi's Defence of Rome, G. M. Trevelyan, p. 231. ' Bede's Chronicle, Bk, 2, cap. 14. LITERATURE AS REVELATION 135 seems like a series of statements, statements which it is hard to describe as either true or not true. Yet I doubt if it is really a statement ; it is more like a caU in the night. Or take the saying of one of the ancient rabbis after the fall of Jerusalem, when the heathen had conquered the holy places and to a pious Jew the very roots of life seemed to be cut : " Zion is taken from us ; nothing is left save the Holy One and His Law." Nothing is left save the Holy One and His Law. Does it not seem at the same time to say two things : that nothing is left, and that everything is left that really matters ? All is lost, and nothing that matters is lost. The message has just that quality of self-contradiction which shows that it is not saying all it means, that it is pointing to something beyond itself, calling the hearer's attention not to a fact but to a mystery. Or take one of the greatest and simplest of all these burning words, the word of a Greek philosopher of a late and decadent period, who has nevertheless made a great stir in the world : " Though I speak with the tongues of men and of angels, and have not charity, I am but a sounding brass or a tinkling cymbal. Though I give my body to be burned, and have not charity, it profiteth me nothing." Who can analyse that into a statement of fact ? By now, I think, we have reached a point where we can formulate a further conclusion about these words of in- spiration or revelation. They never are concerned with direct scientific fact or even with that part of experience which is capable of being expressed in exact statement. They are concerned not with that part of our voyage which is already down in the Admiralty charts. They are con- cerned with the part that is uncharted ; the part that is beyond the mist, whither no one has travelled, or at least whence no one has brought back a clear account. They are all in the nature of the guess that goes before scientific knowledge ; the impassioned counsel of one who feels strongly but cannot, in the nature of things, prove his case. This fact explains three things about them : their emotional value, their importance, and their wealoiess. Their weakness is that they are never exactly true, because 136 LITERATURE AS REVELATION they are never based on exact knowledge. Their impor- tance is that they are dealing with the part of the journey that is just ahead of us, the hidden ground beyond the next ridge which matters to us now more than all the rest of the road. Their emotional value is intense just because they are speaking of the thing we most long to know, and in which the edge of the emotion is not dulled by exact calculations. A good Moslem believes in Moham- med far more passionately than any one believes in the multiplication table. That is just because in the case of the multiplication table he knoxas and is done with it ; in the case of Mohammed he does not know, and makes up for his lack of knowledge by passionate feeUng. The same consideration explains why young people in each generation are so specially fond of the writers who have this quality of revelation about them. Young people, if they are normally ambitious and full of vitality, as one expects them to be, are always on the look out for a revela- tion. For purely physical or biological reasons, they are hopeful ; they expect that the time coming, which will be their own time, is sure to be much better than the present, in which they hardly count, or the past, in which they did not count at all. (It is amusing to note in passing that, when there is a difference of opinion between young and old, each tends to reject the other for the same reason — because he seems to represent the superseded past. The young man listens impatiently to the old, thinking : Yes, of course ; that is what they thought when people wore whiskers, in the time of Queen Victoria. And the old man listens impatiently to the young, thinking : Yes, of course ; that is just the sort of nonsense I used to talk when my whiskers were just sprouting, in the reign of Queen Victoria.) I am inclined to think in general that the typical attitude of a young man — a fairly modest and reasonable young man — towards his elders is to feel that they evidently know a great deal and have read a sur- prising quantity of books, but how strangely they have contrived to miss the one thing that matters ! And the one thing that matters, where will he find it ? Clearly in some teacher whom his elders have not heard, or have LITERATURE AS REVELATION 137 not listened to. It may be a personal acquaintance whose conversation inspires him. It may be a new writer with a message, or an older writer whom his elders might have read but did not. It may even be some quite ancient writer, in whom a new message has been discovered. There are two requirements only for the prophet — or rather for entrance to the competition for rank as a prophet. You must have been neglected by the last generation, and you must have the prophetic style. You must have some strong conviction, however vague and however dispro- portionate, about those parts of life which are imperfectly charted and immediately interesting, and you must re- present something unknown or at least untaught b}' our uncles and our schoolmasters. I do not think that there has been any general failure in Europe, or indeed in America, to appreciate what I have called the literature of revelation. Quite the contrary. The last century has been particularly fruitful in that sort of writing, both the genuine sort and the various popular imitations. The demand has been enormous and has naturally created a supply. The demand has been un- critical and the supply consequently indiscriminate. If you ask the cause why this demand and supply have been so great of late years, as compared for example with the eighteenth century, when there was probably more actual originality of thought, I would suggest two main causes. First, the spread of education and the rise of democracy. The reading public, formerly very restricted, has been constantly reinforced by new social classes with new demands and new expectations. Secondly, the change in our treatment of the young, the much greater stress laid on encouragement and the general avoidance of re- pression in education. We have trained — or at least permitted — the young to be far more self-confident and adventurous, and naturally they have gone forth in quest of new ideas and new prophets. One should also notice that, apart from any change in quality, the m.ere size of the present reading public has had an effect on literature. In old days a book in order to succeed had to please a majority of its readers. Now it need not. It is calculated 138 LITERATURE AS REVELATION that if an English writer of the present day was hated and despised or utterly ignored by 90 per cent, of his possible readers in the English-speaking world, tolerated but not read or bought by another 5 per cent., rather liked but still not bought by 2| per cent., and bought by only the remaining 2|, his circulation would be something hitherto unparalleled and he would be one of the richest and most brutally successful men in the country. It is exactly like a picture in a too large gallery competing with several thousand other pictures ; it must shriek or it will not be seen. Such a situation obviously encourages such qualities as over-statement, paradox, violence, and the search for novelty at any price. Novelty is not revelation ; not in the least. But sometimes people confound them. I remember my predecessor at Oxford, Professor Bywater, telling me how, when he and his friends were students, they had two great prophets, " John " and " Thomas." On every important question the thing was first to find out what John said and what Thomas said. (John's surname, as you may have guessed, was Ruskin, and Thomas's, Carlyle.) My own generation at College thought little of John and detested Thomas. But the demand for prophets has continued and increased. The general movement of thought and society in Europe has been, of course, towards democracy and emancipation. And the most successful prophets have naturally been on the revolutionary side. First came the great revolutionaries of 1848, Victor Hugo and Mazzini, and their disciples, such as Swinburne and Browning. Then came the less political revolution- aries, aiming at the dethronement not of kings, but of more internal and spiritual potentates. Ibsen and the dethronement of all convention ; Dostoievsky and the dethronement of human reason ; Strindberg and the de- thronement of love ; Tolstoy and the dethronement of all the glories of the world, all pleasure, all desire, save the search for truth and the love of Christ ; Nietzsche and the dethronement of good and evil, and of aU that was not mere vitality and force. I vdU not speak of my own English contemporaries ; and among the European writers LITERATURE AS REVELATION 139 I mention only the best, or at least the most conspicuous ; but behind these, in every country of the world, are scores of less influential prophets, journalists, accidental celebrities, deliberate boomsters and stray impostors ; cliques with new theories of poetry, new theories of painting, new theories of morals, education, diet, cookery, clothing ; theories how to live without hats, or without boots, or without washing, or without self-denial or without work. I suppose we have at the present day an extraordinary harvest of false prophets. I doubt if the Court of Ahab in its flower could compete with us. There was a certain degree of truth in a queer reactionary book written by one Max Nordau in the early nineties, and dedicated to the German Emperor. It was called Degeneration ; and it argued that, if ever a new book or new theory had a startling success, it meant that the author probably suffered from some very slight but widespread form of mental disease. He was slightly mad in a particular way ; and all the people throughout the world who were mad in the same way were perfectly delighted with him. If he had real luck his fellow-sufferers might amount to millions. There is a fragment of truth in that theory, no doubt. And no doubt at any moment most of our hot gospellers and speakers of revelation will, if severely tested, prove to be false. It is certainly true that, as the generations pass, the fashionable teachers are all or almost all rejected, one after another. They are thrust Like foohsh prophets forth ; their words to scorn Are scattered and their mouths are stopped with dust. And others take their place to form new sects of followers and to share sooner or later in the same fall. Ought that to discourage us ? Why no ; because we have all the time left out of account most of the silent factors in the situation. We have forgotten especially the enormous and almost incredible number of decent honest men and women who are on the whole working well and making for progress ; we have forgotten the considerable number of fine workers or writers, men with 140 LITERATURE AS REVELATION intellectual or moral greatness in them, who do not advertise. When I am disposed, as I suppose all of us sometimes are, to despair of modern civilization and to think that the world has gone mad, I always counteract the impression in one way. I turn from contemplating vast masses of life, which one cannot fully survey and cannot possibly divide into elements and add up into totals, and take some one particular branch of human activity. Ask the various specialists and they will generally tell you that, though the world as a whole is very likely going to the dogs, the particular part they know about has improved. Ask the engineer ; he will tell you of the enormous advance made in engineering ; the schoolmaster, he may complain that education does not advance faster, but he has no doubt that it is advancing ; the doctor, he thinks the world is in a very poor state because it does not attend sufficiently to medical men, but medicine itself is improving hand over hand ; the sociologist or social reformer, he will denounce the present state of things as heartily as any one could wish, but he will generally admit that in detail everything that has been worked at has been made rather better. And after all, if most of our pilots in these strange waters sooner or later tiurn out mistaken and have to be left behind or even thrown overboard, why should any reasonable person be surprised at that ? It is all in the bargain. It is all in the ordinary bargain that man perforce makes with life. There is no finality. There is no full and exact statement, even about those parts of experience which are already reduced to order and marked down on the charts. And meantime Man is moving always, every hour, forth into the uncharted ; into the region, not of knowledge and certainty, but of experiment, and guesswork, and daring and wisdom. I believe with all my heart in human progress. But progress is not an advance along a straight path ; it is the groping of people with darkness ahead of them and light behind ; the questing this way and that of men climbing an unknown precipice ; the search for good paths through an unexplored bog, where the best way of advance is no doubt generally discovered by guides who have studied the ways and LITERATURE AS REVELATION 141 habits of bogs but may sometimes be hit upon by a child. And the popular prophets, the speakers of burning words, are generally those who at least believe that they have seen some path, and cry to us some advice that seems to them the one thing most needed at the moment. At the moment their words seem to be of extreme im- portance ; and when the moment has passed, as a rule, their advice has passed too. Only there still remain — and this is perhaps the greatest difference, next to differences in sincerity, between the various breeds of prophet — there still remain some whose words seem to apply not only to the moment for which they spoke them but to the permanent or constantly recurrent needs of humanity. These are the men for whom we scholars seek in the literature of diverse and widely removed ages. They are the people who have felt most profoundly and expressed most poignantly those facts about life which are always important and always easily overlooked, those visions and aspirations in which the human race is always afresh finding its calm in the midst of storm, its " deliverance from the body of this death " ; and their words stay with us as some- thing more than literature, more than mere art of writing or pleasant help for the passing of leisure hours : " the precious life-blood of a master-spirit, treasured up for a life beyond life." VII THE SOUL AS IT IS, AND HOW TO DEAL WITH IT' IN Tolstoy's novel. The Cossacks, there is a scene where a man swimming is shot dead and drifts to the shore, while his slayer swims over the flooded river to get him and crouches down exhausted at his side. There the two lie, looking almost the same. But one is full of a turmoil of desires and aspirations, mingled feelings of pride and misery ; and the other is dead. And the only sign of difference is a light steam rising from the body of the living man. So small a sign, and yet all the difference that can be ! A distinguished anthropologist, Dr. Elliot Smith, has suggested to us the kind of speculation that would go on in the mind of a primitive man if he found a dead body preserved, as it might be, for instance, in the dry Egyptian sand — the phenomenon that led up to the practice of embalmment. What is wrong with that body in the sand ? What is it that it lacks ? First of all, it does not breathe. There is no breath in it ; that strikes our Egyptian ; so he gives it breath as best he can, burning incense under its nostrils, so that the breath may enter in, warm like the breath of the living, and fragrant to correct the smell of the corpse. Again, it is aU dry, there is no blood in it : and our Egyptian knows that the blood is the life, because he has seen wounded men die as their blood ebbed away. So he pours libations of blood into the grave, that the dead may get their life again. Some of us will remember the weird ' Reprinted from the Hibbert Journal, January 1918. 142 THE SOUL AS IT IS 143 passage in the Eleventh Book of the Odyssey, where Odysseus sees the ghosts of the departed, Uke puifs of wind made visible, as it were ; ifivxv ''«' etSwAov, " a breath and an image," and no more ; with no life nor power of thought till they have drunk the blood that he has poured out for them. If you start thus from the dead body, it seems as if the life or soul lay in some breath or spirit that has departed. Most of our words for the soul show that origin. The word " soul " itself is of doubtful derivation ; but " ghost " means " breath," " spirit " means breath. In Latin spiritus and animus and anima are simply breath or wind ; in Greek v^^x^ i^ wind, and ■nvevfxa breath, and dvyias smoke or vapour. AH the words are metaphors ; naturally and inevitably so. For whenever mankind notices a new fact and wants to find a name for it, he must needs search about for something like it among the facts he already knows and has names for. The new fact does not come with a name ready written upon it. The word "life," oddly enough, means "body." I think that comes from another line of thought, in which mankind, when trying to express the thing we call soul or life, started not from the dead body but from a dream- image or phantom. A dream-image, a shape seen in hallucination, a reflection in water or a looking-glass : what is wrong with them, and how are they lacking in the life of the living? Why, they are like those ghosts in Homer. There is " a breath and an image," but no heart or blood or solidity. They are not real. If they could drink of blood and grow solid, if they could get themselves a body, that would be life. Another mode of thought which started from the dream- image conceived that that image itself was the soul or life ; that it moved out of the body in sleep, and sometimes in waking time ; moved out and drifted far away at its will and pleasure, with always the possible danger of losing its way and not being able to return to the body. That mode of thought explains the curious pictures in ancient times of the soul as a little human being, sometimes with wings and sometimes without, who lives inside the ordinary body and 144 THE SOUL AS IT IS keeps it alive. Tliere is a common phrase in Homer describ- ing death : "the hfe left the bones." The word for life there is thtimos, the word that means smoke or vapour ; but the old vase-paintings which depict that kind of death show not a smoke but a beautiful little winged human figure springing out from the body as it falls, and rising heavenward. II What does all this amount to ? What conclusion can we draw from these stumbling efforts of instinctive man to describe or name or depict this thing within us, which no man has ever seen or heard or touched, and yet which makes the greatest of all differences, the difference between the living and the dead ? I think we can conclude just thus much, that there is something really there, and that man's powers of thought and language, trained as they are on the experience of the material world, have been unable to define or comprehend it. Our modern phraseology is practically all derived from the Greeks, and the Greeks went on using metaphors to the end. If the indescribable thing was not a breath or a wind, then it was a spark of fire ; but not ordinary fire, which destroys and perishes ; rather the celestial fire of which the stars are made, the stars which neither consume nor are consumed. Or is it a fragment, as it were, of God Himself prisoned in our earthly material, imperfect because fragmentary, yet in some way akin to the Most High ? No need to trouble ^vith further attempts at such description ; the main result that remains from these broken speculations, on which the world has been living ever since, is the profound conviction of Greek philosophy that man, in some unexplained way, consists of two parts, of which one is living and one dead. " What art thou ? " said the Emperor Marcus Aurelius to himself. " A Utile soul carrying a corpse." Plato, the earliest author who discusses and supports with argument the great doctrine that the soul is immortal — that the soul is life, and therefore cannot die — is fond of metaphors about the soul. He is unconsciously founding THE SOUL AS IT IS 145 a new science, that " science of the soul " which we call psychology. His first division of the soul is a very fruitful and interesting one. How is it that the soul shows itself in action ? In other words, how is it that a man shows he is really alive ? There are three ways, says Plato, desire and anger and reason ; or — since it is hard to get words simple and large enough to express the Greek, by Lusting, Fighting and Thinking. There are things it craves for, and things it hates and rejects ; but above the craving and re- jecting there is a power of judging, of distinguishing between good and evil and shaping its own course. This power, which he calls reason and we moderns mostly call " will," is the very soul itself. The lusting and fighting, though they may serve the soul, and are forms of life, are mere functions of the live body. A man's soul, he says in another fine passage, is like a charioteer upon a chariot with two horses. One of the horses is sluggish, lazy, tending always downward ; the other fierce, but of generous nature and full of courage ; and the man who drives them has to master the two of them, keep them abreast, and above all choose for himself the path he means them to take. The charioteer is the real soul. " A little soul carrying a corpse": what is there wrong about that description, or rather, what would be wrong with it if it were ever meant to be literally and exactly true ? It is that it separates the body and soul too sharply. That is the mistake in all these primitive conceptions with which we have been deahng, and consequently in a great deal of our own current language, which of course is de- scended, as all language is, from the philosophy of earlier times. If you have a lump of hot iron, the thought of primitive man will probably regard it as made up of two separate things, heat and a lump of iron. Just as we have certain pictures by savages — and I believe also by children — in which an angry man is shown by drawing first a man, and second his anger, seated inside him or sticking out of his head. Just as in primitive poetry a man constantly holds conversations with his own heart or his own thought, as if it were a separate thing. It was another Greek philosopher, Aristotle, who cleared that matter up. 10 146 THE SOUL AS IT IS You meet angry men, not first anger and then men ; you meet live persons, not first a life or soul and then a body which it is carrying about. But with that passing caution against possible misunderstanding we shall find it simpler to use the ordinary language, and speak as if the body and the breath or soul inside it were entirely different things. " A little soul carrying a corpse " : the modern writer who has made that old Stoic phrase most clear to the average reader is, I think, M. Bergson. To him man consists of a body which is so much matter, governed by the law of gravitation and all the other laws of dead matter, governed also by the laws of biology or animate matter ; and a soul or will — Plato's charioteer — which is free and moves of itself. How the will can be free, of course, is one of those problems which no one can satisfactorily explain. It seems impossible to understand how it can be free ; yet almost more impossible to imagine that it is not free. It is an old problem, perhaps an eternal one. But M. Bergson's special contribution to it, if I understand him aright, is this. The body is of course subject to mechanical and bio- logical law. Throw it up in the air, it will fall down again. Hit it hard enough, it will break. Starve it, and it will suffer and die. And the exact strain necessary in each case can, within limits, be calculated. Furthermore, for much the greater part of life the wiU — that is, the man himself — acts automatically, like a machine. He is given bad coffee for breakfast, and he gets cross. He sees his omnibus just going, and he runs. He sees in one advertisement that X's boot polish is the best, and on another that Y's boot polish is the best, and he accepts both statements. He does not criticize or assert himself. He follows steadily the line of least resistance. The charioteer is asleep, and the two horses jog along without waking him. But, says M. Bergson, you will sometimes find that when you expect him to follow the line of least resistance he just does not. The charioteer awakes. He can resist, he can choose ; he is after all a live and free thing in the midst of a dead world, capable of acting against the pressure of matter, against pain, and against his own desires. Whether this doctrine is exactly true or not, I do not THE SOUL AS IT IS 147 pretend to judge ; but it certainly is fruitful. It is just what one feels in one's ordinary experience : a constant tendency to behave like dead matter, to fall into habits, to become by slow degrees — as the ancients put it — " a chained slave." You are chained by your own standard of comfort ; by your conception of what is necessary for you ; by your meal-times and the conventions you live among ; by the things that you always say or always do or always have. Bergson has for middle-aged men added a new terror to life. He makes you watch yourself becoming mechanical ; moving in con- formity to outside stimulus ; growing more and more depen- dent on your surroundings — ^as if the little soul carrying the corpse had found it too heavy and was letting it lie, or perhaps roll, while the soul itself fell half asleep. Fortunatelj? from time to time it wakes, and when it does wake its strength is amazing. A friend of mine wrote to me from amid the heaviest fighting on the Somme, describing the strange impression he received from that awful experience of the utter difference between man's soul and body ; the body is so weak and frail a stuff, so easily broken, scattered, torn to rags, or trodden indistinguishably into mire ; and the soul so resolute, so untouched and unconquerable. Ill Untouched and unconquerable : those, I think, were my friend's words, and that was the impression which he received. The German shells and bombs and bullets tore men's bodies to pieces without any trouble, but they could not touch the men's souls or change their wUl. I do not wonder . that he received that impression. Yet, is the impression absolutely true ? Can we really, without qualifica- tion, believe the common, comfortable doctrine that perse- cution always fails, that the blood of martyrs is always the seed of the Church, that the soul is really unconquerable ? The average man does not believe it, much less the ordinary tyrant. In every country he treats such doctrines as mere sentiment, and is perfectly confident that if you give him a free hand with rifle, bayonet and cat-o'-ninp-tails he can 148 THE SOUL AS IT IS stamp out any inconvenient doctrine which puts its trust in nothing more substantial than the soul of man. And I fear the tyrant is not always wrong. Why are there no Protestants in Spain ? Not because of the persuasiveness of Spanish theology, but because the Spanish Inquisition did its work. Why are there no descendants of the Albi- genses in France ? Because they were massacred. No. We must not delude ourselves into believing that the path of the human soul or conscience when protesting against the world is a safe path, or a path that must in the end lead to victory. It is neither. It leads for certain through suffering and humihation ; and it may also, it may ultimately, end in defeat. There is no certainty for the protesting soul anywhere ; except the certainty of a great uncertainty, of a great battle of unknown issue, in which the odds are by no means as they appear. The big battalions of the world on one side, and the one little soul or group of souls on the other — they are not so unevenly matched after all. The little soul starts indeed with one great handicap against it — it has first to carry its own corpse, and then fight. But if it can do that, if it can get comparatively free from that burden and those entangling chains, get rid of desire and ambition, and hatred and even anger, and think of nothing but what it wills as right, then it is, I wiU not say unconquerable, but one of the most formidable fighting forces that exist upon this earth. The doctrine that the persecutor is always defeated and the martyr always triumphant is, I think, little more than mere comfort-seeking, a by-form of the common vulgar worship of success. We can give great strings of names belonging to the martyrs who were successful, who, whether living or dead, eventually won their causes, and are honoured with books and statues by a grateful posterity. But what of the martyrs who have failed — ^who beat against iron bars, and suffered and were conquered, who appealed from unjust judges and found no listeners, who died deserted and disapproved by their own people, and have left behind them no name or memorial ? How many Belgians, and Serbs, and Poles, how many brave followers of Liebknecht in Germany itself, have been murdered in silence for obe5dng THE SOUL AS IT IS 149 their consciences, and their memory perhaps blasted by a false official statement, so that even their example does not live ? In ancient Athens there was, beside the ordinary altars of worship, an altar to the Unknown God. There ought to be in our hearts, whenever we think with worship and gratitude of the great men who have been deliverers or helpers of the human race, an altar to the unknown martyrs who have suffered for the right and failed. IV But let us stop a moment. When the soul of man thus stands up against the world, is it necessarily always in the right ? Because a man holds a belief so firmly that he will submit to prison and death rather than forswear it, does it follow that the belief is true ? Obviously not in the least. In every great moral conflict of history you have had martyrs on both sides. Christians and Pagans, Arians and Trinitarians, Catholics and Protestants, have killed each other and died themselves for their respective beliefs, and more particularly for those particular parts of them which most directly contradicted the beliefs of the other side. Martyrs are not always right. Indeed, I am not sure that if you took the whole faith for which a particular martyr suffers — the whole mass of passionate beliefs by which he is really at the time actuated — I am not sure you would not find that martyrs were almost Eilways considerably wrong. A man does not usually reach the point where he is willing to die for a cause without getting his passions strongly interwoven with his beliefs ; and when a belief is mixed with passion, as we all know, it is almost certain to deviate from truth. If you ever wish, as we all sometimes do, to punish someone who differs from you, and to go on punishing him till he agrees with you, it is no good arguing that your victim is not a martyr because he is wrong or even wicked in his beliefs ; a great many martyrs have been wrong, and their persecutors have always thought them both wrong and wicked. It is still more irrelevant to condemn the martyr for being 150 THE SOUL AS IT IS inconsistent : for two reasons. First, there is no person known to history, neither priest nor philosopher, nor states- man, nor even mathematician, who has yet succeeded in building a complete theory of life which has no inconsistencies in it. The best we can do is to be consistent in some little corner of life, or in dealing with some immediate practical problem. And further, it would be absurd to say that a man must not take any step until he had made sure that the whole of his life was consistent with it. If a man wants to behave in some respect better than he has behaved before, it is practically certain that the new and better part of his life will not be consistent with all the other parts of it which he is not attending to. To reproach such a man for inconsistency is equivalent to asking him to remain always at the lowest level of which he is capable — though as a matter of fact he would not attain consistency even then. You must not be surprised then at a martyr being wrong, and you must not dream of expecting him to be in all of his beliefs consistent. What can you expect of him, then ? I think all you can expect is sincerity of belief and purity of motive. If he is a fool, if he is prejudiced, if he is muddle-headed, if he is misled, if he is exasperating, even if he has certain grave faults of character in other respects, he can still be a martyr, and be entitled ta a martyr's reward. But if he is insincere, if he is lying ; if, when professing to suffer for the right and the truth, he is really seeking his own advantage, and saying things which he does not believe, then he is done for ; there is nothing more to be said about him ; he is not a martyr, but a mere ordinary humbug. And no doubt one of the troubles of a Government which has to deal with people who of set purpose and principle defy a particular law, is to make out which are martyrs and which humbugs. And this is a matter of more consequence than may at first appear. For it is a very dangerous thing to allow people by mere cunning and obstinacy and self-advertisement in breaking the law to rise into public fame and to undermine that fabric of mutual agreement which holds society together ; a nation in which any well-organized rebels could safely THE SOUL AS IT IS 151 defy the law would soon almost cease to be a free nation. And, on the other hand, a nation in which the Government seems to be forcing men into sin against their conscience, so that good people instinctively respect the prisoner and condemn the judge, has already ceased to be a free nation You remember the old words of Gamaliel : " Lest haply ye be found to be fighting against God." It is a serious thing for any organ of material power to be found fighting against the human soul. Let me take a present-day instance of this battle between a soul and a Government, a very curious instance, because it is almost impossible without more knowledge than most people in England possess to say who was wrong and who right. About the year 1889 a young Indian student, called Mohandar Karamchand Gandhi, came to England to study law. He was rich and clever, of a cultivated family, gentle and modest in his manner. He dressed and behaved like other people. There was nothing particular about him to show that he had already taken a Jain vow to abstain from wine, from flesh, and from sexual intercourse. He took his degrees and became a successful lawyer in Bombay, but he cared more for religion than law. Gradually his asceticism increased. He gave away all his money to good causes except the meagrest allowance. He took vows of poverty. He ceased to practise at the law because his religion — a mysticism which seems to be as closely related to Christianity as it is to any traditional Indian religion — forbade him to take part in a system which tried to do right by violence. When I met him in England, in 1914, he ate, I believe, only rice, and drank only water, and slept on the floor ; and his wife, who seemed to be his companion in everything, lived in the same way. His conversation was that of a cultivated and well-read man with a certain indefinable suggestion of saintliness. His patriotism, which was combined with an enthusiastic support of England against Germany, is interwoven with his religion, and aims 152 THE SOUL AS IT IS at the moral regeneration of India on the lines of Indian thought, with no barriers between one Indian and another, and to the exclusion as far as possible of the influence of the West, with its industrial slavery, its material civilization, its money-worship and its wars. (I am merely stating this view, of course, not either criticizing it or suggesting that it is right.) Oriental peoples, perhaps owing to causes connected with their form of civilization, are apt to be enormously influenced by great saintliness of character when they see it. Like all great masses of ignorant people, however, they need some very plain and simple test to assure them that their hero is really a saint and not a humbug, and the test they habitually apply is that of self-denial. Take vows of poverty, live on rice and water, and they will listen to your preaching, as several of our missionaries have found ; come to them eating and drinking and dressed in expensive European clothes — and they feel differently. It is far from a perfect test, but there is something in it. At any rate I am told that Gandhi's influence in India is now enormous, almost equal to that of his friend the late Mr. Gokhale. And now for the battle. In South Africa there are some 150,000 Indians, chiefly in Natal ; and the South African Government, feeling that the colour question in its territories was quite sufficiently difficult already, determined to prevent the immigration of any more Indians, and if possible to expel those who were already there. This last could not be done. It would have violated a treaty ; it was opposed by Natal, where much of the industry depended on Indian labour; and it was objected to by the Indian Government and the Home Government. Then began a long struggle. The whites of South Africa determined to make life in South Africa undesirable, if not for all Indians, at least for all Indians above the coolie class. Indians were specially taxed, were made to register in a degrading way ; they were classed with negroes ; their thumb-prints were taken by the police as if they were criminals. If, owing to the scruples of the Government, the law was in any case too lenient, patriotic mobs undertook to remedy the defect. Quite early in the struggle the Indians in South Afiica asked THE SOUL AS IT IS 153 Mr. Gandhi to come and help them. He came as a barrister in 1893 ; he was forbidden to plead. He proved his right to plead ; he won his case against the Asiatic Exclusion Act on grounds of constitutional law, and returned to India. The relief which the Indians had expected was not realized. Gandhi came again in 1895. He was mobbed and nearly killed at Durban. I will not tell in detail how he settled down eventually in South Africa as a leader and counsellor to his people ; how he founded a settlement in the country outside Durban, where the workers should live directly on the land, and all be bound by a vow of poverty. For many years he was engaged in constant passive resistance to the Government and constant efforts to raise and ennoble the inward life of the Indian Community. But he was unlike other strikers or resisters in this : that mostly the resister takes advantage of any difficulty of the Government in order to press his claim the harder, whereas Gandhi, when the Government was in any dangerous difficulty, always relaxed his resistance and offered his help. In 1899 came the Boer War ; Gandhi immediately organized an Indian Red Cross unit. There was a popular movement for refusing it and treating it as seditious. But it was needed. The soldiers wanted it. And it served through the war, and was mentioned in despatches, and thanked publicly for its skilful work and courage under fire. In 1904 there was an outbreak of plague in Johannesburg, and Gandhi had a private hospital opened before the public authorities had begun to act. In 1906 there was a Native rebellion in Natal : Gandhi raised and personally led a corps of stretcher-bearers, whose work seems to have proved particularly dangerous and painful. Gandhi was thanked by the Governor in Natal — and shortly after- wards thrown into jail in Johannesburg. Lastly, in 1913, when he was being repeatedly imprisoned, among criminals of the lowest class, and his followers were in jail to the number of 2,500, in the very midst of the generfil strike of Indians in the Transvaal and Natal there occurred the sudden and revolutionary railway strike which endangered for the time the very existence of organized society in South Africa. From the ordinary agitator's point of view the game was in 154 THE SOUL AS IT IS Gandhi's hands. He had only to strike his hardest. In- stead, he gave orders for his people to resume work till the Government should be safe again. I cannot say how often he was imprisoned, how often mobbed and assaulted, or what pains were taken to mortify and humiliate him in public. But by 1913 the Indian case had been taken up by Lord Hardinge and the Government of India. -An Imperial Commission reported in his favour on most of the points at issue, and an Act was passed according to the Commission's recommendations, entitled the Indian Relief Act. My sketch is very imperfect ; but the story forms an extraordinary illustration of a contest which was won, or practically won, by a policy of doing no wrong, committing no violence, but simply enduring all the punishment the other side could inflict until they became weary and ashamed of punishing. A battle of the unaided human soul against overwhelming material force, and it ends by the units of material force gradually deserting their own banners and coming round to the side of the soul ! Persons in power should be very careful how they deal with a man who cares nothing for sensual pleasure, nothing for riches, nothing for comfort or praise or promotion, but is simply determined to do what he believes to be right. He is a dangerous and uncomfortable enemy — because his body, which you can always conquer, gives you so little purchase upon his soul. VI In Gandhi's case the solution of the strife between him and the Government was particularly difficult, because he was not content to be let alone. He thought it his duty, God helping him, to compel a Government backed by the vast majority of the nation to change their policy. And no Government could yield, or ought to yield, to such coercion. The best it could do was probably somewhere near that which, by the advice of General Smuts, it even- tually did propose to do : to purge its policy as far as possible of all elements which were not essential to its own THE SOUL AS IT IS 155 conviction and which did particular violence to the convic- tions of others. In the next case I wish to lay before you the issue is much simpler. It is the case of the persecution of an Englishman of saintly life, Mr. Stephen Hobhouse. I say deliberately of saintly life, and I say no more ; not for a moment that his views are right, or his theory of life socially convenient, or his example one that should be foUowed. As we have noticed before, it often happens that the saints are wrong and the children of this world right ; but they are not often right when they begin treating the saints as criminals. Stephen Hobhouse was the son of rich parents ; he was a scholar of Eton, afterwards an undergraduate at Balliol ; he won First Class Honours in Moderations, and Second Class Honours in Greats, after which he obtained a post in the Board of Education. He was rich and well connected ; he was clever and successful, and had every prospect of a bril- liant career. But from early life he had a conscience more exacting than the consciences of most of us. He was religious with a touch of mysticism. He wanted to follow Christ. He eventually formulated the goal at which he aimed as " self-identification with the oppressed." To help the poor and suffering was not enough ; he must be one with the poor and suffering. He could not do this as a rich man. So he began by renouncing his position as heir to his father's estate and stripping himself of the prospect of inherited wealth. He had already joined the Quakers, and was an occasional speaker in their meeting-house. (They have no ordained ministers.) He went with his wife, who shares his religion, to a workman's flat in East London, where the two continued to live as friends and neighbours to all about them, ministering to those in need and seeking " self- identification with the oppressed." Their life, I need hardly say, was reduced to the most drastic simplicity. Let me give one small illustration. A friend of mine calling on Mrs. Hobhouse the other day noticed a clothes-line hanging across the room and asked some question about it. It appeared that when they first moved into the flat, living of course without a servant, Mrs. Hobhouse sent her washing out to a laundry. The 156 THE SOUL AS IT IS work of suddenly living without a servant was, for two delicately nurtured people, hard enough. But they noticed that the families living round them did not send their washing out ; they did it at home in the living-room. " Self -identification with the oppressed " pointed the road clearly, and they tied the clothes-line across the living- room and did the washing at home. Stephen had adopted the Tolstoyan view of war when he was an undergraduate at Oxford and resigned from the volunteers. He had been a Quaker, and a Quaker of the strictest sort, for five years before 1914. He knew by ex- perience what war was ; for during the war in the Balkans, having previously resigned his post in the Board of Educa- tion, he had gone to Constantinople to nurse the refugees of various nations who were lying, largely untended, in the mosques and outlsdng cemeteries of the city. Of his work there I know only by hearsay, but the stories of it have a certain unmistakable note. Creeds and religious organiza- tions clash against one another ; but true sainthness, the quality of the soul that has really mastered the corpse it carries, is much the same in all religions, and breaks the barriers of creeds. Stephen's interpreter, a pious Moslem, who was accustomed probably to think of all Christians as dogs, felt the spirit that radiated from this Christian. He joined him in prayer, and consented at a time of danger to give up the revolver he was carrying. The present war came and was followed by conscription, embodied in an Act which allowed complete exemption to those who on conscientious grounds, however mistaken, refused to take part in slaying their fellow-men. If con- scription was necessary, as I am inclined to think it was, that was a generous Act, and one worthy of the traditions of English tolerance. It was well known that Stephen, as a strict Quaker, considered it a sin to partake in war, and there was not the smallest glimmer of a doubt to be cast on the sincerity of his objection. By an act of angry and uncomprehending injustice his tribunal disallowed his conscientious objection and sent him to serve with the Friends' Amb\ilance Unit. This order he could not accept on two grounds : the Unit was THE SOUL AS IT IS 157 now auxiliary to the Army, so that even as a free agent he would not have joined it ; and in any case he would not accept an order that made him a conscript. He did not appeal against the sentence, because many of his friends and fellow-Quakers were already being sent to prison, and " self -identification with the oppressed " forbade his desert- ing them. He refused to obey military orders. He was court-martialled and sentenced to various military punish- ments, culminating in 112 days' hard labour. When that was over he was taken out and the order repeated"; of course he still disobeyed, and is now ' undergoing two years' hard labour. The renewed sentences bring with them conditions more severe than those of continuous penal servitude. And one point more. Every one interested in prison reform knows that one of the most severe strains upon human nature involved in prison life is the eternal silence — one of the most severe and, many people hold, the most cor- rupting and injurious to rnind and character next to solitary confinement itself. In every prison the rule of silence is apt to be somehow evaded. It is a thing which human nature in the long run will not bear, and by hook or by crook, by sundry unedifying artifices, the prisoners do manage to snatch a few words of conversation with one another from day to day. Stephen at first did talk by these secret methods, then he decided that it was wrong. He writes to his wife : " The very night of your last visit I was smitten with a sense of shame for the habits of con- cealment verging on deception which this life seems to force on all of us. For a fortnight I wrestled day and night with this feeling. ... It seemed so hard to give up the only outward ways of expressing love." He confessed to the governor that he had been breaking the rule of silence, and refused to promise to obey it in the future. And the result is that, in order to make sure he does not break that rule, and at the same time to avoid the constant repetition of special punishments, this man is in solitary confinement for the indefinite future. I believe in this case that the Government has broken I August 1918. 158 THE SOUL AS IT IS the law. I am clear that the original sentence of the tribunal was wrong. But for the moment I am dealing with another aspect of this case. Apart from the rightness or wrongness of the prisoner's views about war, apart from the technical legality or illegality of the Government's action, you have here a deliberate conflict between the massed power of Government and the soul of one righteous man. There are about a thousand men in the same position. I do not know who will win. I make no prophecy. It is quite easy for a huge engine like the War Office to crush any one man's body, to destroy his reason by perpetual solitude, or put an end to his life. But I do not think that a Government which sets out to prosecute its saints is a wise or a generous Government ; I do not think a nation which cannot live in peace with its saints is a very healthy or high-minded nation.' VII I have not attempted to answer the question with which we started, to define what the soul is or what life is, or where the difference comes between the mere physical life that makes a man move his limbs and desire his food, and the soul itself or central guiding principle, which the ancients called reason and the moderns think of as will. The question is perhaps still beyond human powers of analysis. I have only tried to consider with the help of examples the actual working of the soul in shaping a man's life, and sometimes bringing him into conflict not only with his own apparent interest, but with the general stream of will in the society around him. And I have tried, first, to suggest that a wise ruler will be very circumspect, a con- scientious ruler will be very tender, before challenging the lowliest of human souls to battle on the soul's own ground, or setting about the task of compelling the humblest of his subjects by torment and violence to do that which he definitely believes to be wrong. So much for action between man and man. And secondly, within our own hearts, I ' Stephen Hobhouse was unconditionally released soon after this. THE SOUL AS IT IS 159 would say that the main lesson to each man of us is to see that his own soul does not die. It will sometimes stagger under the weight of the corpse it carries ; that is inevitable. Only let it not fall into the power of the corpse. The weight of dead matter seems, at times like the present, to increase upon us. Our whole being is dulled. We do more and more things because we are driven, fewer and fewer because we choose them and love them ; we cease even to suffer as we should suffer, or to pity as we should pity. In our own great war we tend to forget what we ourselves owe to the higher causes for which our friends have died as martyrs, to forget because the deaths are by now so common and the martyrdom has lasted so long. We tend to shrink from the higher emotions because they are difficult, to sink into the round of lower and more commonplace emotions because they make less disturbance in our daily business. The power of death is abroad over the world. It has taken lives innumerable, and better lives thaii ours. Let» those of us whose bodily life is still spared make sure that the soul within us shall not die. VIII NATIONAL IDEALS; CONSCIOUS AND UNCONSCIOUS ' IF I had one remark and one only to make about National Ideals, it would be this : that the conscious and professed ideals are as straws in the wind ; the unconscious or concealed ideals are the real forces that govern mankind. Some philosopher, I think it was Herbart, has compared the unconscious part of human character to the submerged part of an iceberg at sea. The great bulk of the iceberg is under water, invisible and unnotice- able : what we call the iceberg is only the cluster of towers and pinnacles that reach up into the light. The great bulk of human character lies below the water-line of con- sciousness. We breathe, digest, preserve our balance, without thinking of it : we seek what we like and shun what we dislike without thinking of it : we devise the ways of getting or of shunning, we plot, scheme, flatter, slander, bribe and threaten — without thinking of it, without know- ing it, without reason or conscience having a hearing on the subject. The awakened, reasonable, conscious Man is the top- most tower of the whole great structure. But it is the instinctive and unconscious Man that supplies both the mass and the momentum. It is this submerged self, this self which, to use the mediaeval phrase " slumbers beneath the threshold," that counts for most in the movements of masses and of nations. The instinctive man is not, of course, necessarily wicked ; he is the source of good as well as of evil, of love as weU as of hate. But it is well to observe him : for if ever you cease to observe him, he will deceive you. ' The International Journal oj Ethics, October 1900. 160 NATIONAL IDEALS 161 It must have struck every student of History who at the same time cares about contemporary politics, that there is one strange discrepancy between the record of politics in the past and his own consciousness of politics in the present. When he thinks over his political views, makes a speech or argues, he is constantly appealing to ideals, such as Justice, Liberty, Christian principles, patriotism, and he believes that these ideals guide both him and his party. When he reads a good history, he wiU find the differences of parties and of nations expressed almost exclusively by divergences of interest. The in- terests of France clashing with the interests of Austria ; the interests of the landed classes, the interests of the manufacturers, the interests of the Church — ^these come in history not as occasional factors in the life of nations habitually guided by Justice, Liberty and the rest of it : they come as permanent factors, as the main roots of action. It gives one a shock, this apparent cynicism of History. Biit the facts bear it out ; and more, our own instinctive comments show that we expected it. From the beginning of the world till now it has been the same : farmers have always wanted com to be dear ; manufacturers have wanted labour to be cheap ; slave-owners have always thought well of slavery ; liquor sellers have always admired an in- creased consumption of liquor ; aristocracies have always approved of their own privileges ; leather-sellers have always held that more articles should be made of leather. The slave-owner produces a number of arguments explain- ing that slavery is a blessing to aU concerned in it. The farmer writes pamphlets and books to show that Free Trade in corn will wreck the bases of society. " These," says the one, " are the reasons why I object to emancipa- tion." " Those," says the other, " are the considerations that make me a protectionist." History turns an amused glance at their reasons and observes, " The slave-owners naturally resisted emancipa- tion. The farmers were, of course, protectionists." And we are not in the least surprised at her tone. If we find a slave-owning emancipationist or a farmer who believes that even if he loses by it, poor men ought to have cheap 11 162 NATIONAL IDEALS bread, we either suspect his motives or we frankly admire him as a noble and exceptional man. Fortu- nately, amid the clash of interests, such men have often very great power. They act with the disinterested classes, and the disinterested classes can often save a country. Still the unconscious ideals are what mainly guide man- kind. And among the unconscious ideals there is one especially that is vast and permanent : the very centre of the Ego is stirred by it : the ideal of the man's own prosperity, success, expansion. " I love the thing that makes me great and rich and admired. I hate the thing that pulls me down and makes me small and of no account." And if you argue to me that the first thing is bad and the second good, do you suppose that the quivering centre of ambitious life within me wUl not cry in passionate denial : " No, the thing that hurts me is bad, cruel, treacherous : the thing that soothes and helps me is good." Do you suppose it will not reach out its feelers north, south, east and west for weapons to help it and arguments to slay your arguments ? Self-interest — ^in no high philosophical sense, but in its ordinary acceptation — ^is a vast factor in private, in every- day life. But in private life it is strongly and vividly counteracted by social and moral forces which are almost powerless in poHtics. A farmer who could let his own labourer starve to death before his eyes rather than part with a slice of bread would be a monster. Men are pre- vented from doing such things by zdl kinds of natural instincts. But the landed classes who caused thousands to die of famine in 1842 and 1846, in order to keep up their incomes, were very good people indeed. Is that not a fair way of putting it ? I think it is. True, they did not say they supported the Corn Laws in order to keep up their income : they said it was because they believed in certain arguments. But why did they believe these arguments ? Why did all farmers enthusiastically believe all arguments — whether they understood them or not — that tended one way, while aU starving artisans believed the contrary argu- ments ? The farmers believed their arguments because NATIONAL IDEALS 168 they wanted good incomes : the artisans believed theirs because they valued cheap bread. Mere straightforward self-interest, then, takes us a very long way in the explanation of politics. But obviously not the whole way. There are other instinctive elements. There is especially one other ; this same growing and aspiring centre of hfe within us, the thing that in a baby or in Alexander the Great claims the whole world as its own, has other claims than the merely physical. When it has grasped all it can hold or hope for, when it is for the moment wearied with self-assertion, it likes to be stroked and praised, it likes to reflect upon its nobleness, justice and generosity. Consider the fowls of the air. A very pretty small bird, the Great Tit, when hungry, will lift up its beak, split open its brother's head and proceed to eat his brains. It might then be satisfied, think you ? Not at all ! It has a moral nature, you must please to remember, which demands to be satisfied as well as the physical. When it has finished its brother's brains, it first gets very angry and pecks the dead body ; then it flies off to a tree and exults. What is it angry with and why does it exult ? It is angry with the profound wickedness of that brother, in consequence of which it was obliged to kill him : it exults in the thought of its own courage, firmness, justice, moderation, generosity and domestic sweetness. That song is its equivalent — poor innocent thing — of a patriotic leading article in the Kreuz Zeitung or the Daily Telegraph or the Petit Journal. Human nature cries aloud for self-approval : it winces and shudders at the first touch of self-reproach or self- contempt. There are obviously two ways of avoiding self- reproach. The tiresome and precarious way of not doing what you suspect to be wrong or contemptible : and the bold and comparatively safe way of always admiring whatever you yourself happen to do. With the bird above mentioned, this course seems to be easy : he can admire himself all alone. Man, weakened by his increased self- consciousness, has not only to praise himself, but must get others to praise him : must persuade them, argue with them, cajole them, bribe them, frighten them, till at last, 164 NATIONAL IDEALS amid the applause of all his immediate friends and associates, his sensitive and anxious soul can rest in peace. Hence comes hypocrisy, the deep unconscious hypocrisy that governs nations and satisfies man's craving for praise. " This noble spectacle," to quote the phrase of a famous general about war, " has, after aU, an unpleasant side to it." " Never forget," said a Greek sophist to a Greek tyrant, " never forget to slander those you have wronged." He need not have said it. There was a silent and eternal sophist, one may be sure, below the threshold of conscious- ness, who could be trusted to teach that tyrant, and every tyrant, to slander those whom he had wronged or meant to wrong. " If they are good men," his heart cried within him, " I must be bad ! And that I will never be ! They are not good men : they are vile and wicked, and they hurt me ; and I wish I could kill them over again ! " The whole vast force of the unconscious self will, we may be sure, be exerted before all else in these three directions : he will insist on his own satisfaction : he will insist on his own goodness, and he will slander restlessly and ruth- lessly those who make him feel sore. Progress, moral advance, the upward movement of humanity consists mainly in the constant subjugation and direction of the unconscious self by the conscious. On the one hand we gain more power of knowing ourselves : on the other hand the unconscious beast below the threshold itself becomes changed ; our actual instincts become a little civilized. This is obvious : it is generally taken for granted. What is not taken for granted is the extreme precariousness and superficiality of the process. If you scratch a Russian, it is said, you find a Tartar. And I dare say if you scratch any civilized European pretty deep, you will find something much the same. Nay, sometimes when the deeps of primitive passion are stirred, you may look deeper still, and get glimpses of that wonderful creature on whom our being is based, the great Ape that differed from other apes by its upright posture, its intelligence, its ambition, its exquisite sensitiveness to suffering, and by the fact that alone of the ape tribe it was a ravening beast of prey. NATIONAL IDEALS 165 It pains us, of course, to be reminded of the beast's exist- ence. A certain shock was felt the other day in the House of Commons when a Cabinet Minister ' drew a distinction between Honourable Members and Honourable Men. Yet no one can possibly deny that it is a real distinction. O'Connell in 1838 said it was " horrible to think that a body of gentlemen— men who ranked high in society, who were themselves the administrators of the law, and who ought, therefore, to be above all suspicion — should be perjuring themselves in the (Election) committees of the House of Commons." Now as a matter of fact they were perjuring themselves. It was well known. The leader of the Opposition knew it. The Government admitted it. The Law Officers of the Crown had remarked upon it. But the political instincts of the Great British nation ob- jected utterly to having such a thing mentioned in pubUc — especially by an Irishman. O'ConneU was condemned, reprimanded and very nearly sent to Newgate. It is the first maxim of Parliamentary debate, as it is the first maxim of decent society, that the existence of the beast within us should be concealed. It is the first necessity of all honest striving for self-improvement, as it is of all true philosophic study, to remember that the beast is there. We are remaining below ground a very long time ; yet once more, before we emerge above the threshold into full consciousness, let us consider one great semi-conscious clash of different ideals and differently constituted minds. On the one side we find the moderate and sensible states- men. Liberal or Conservative, the Peels, Liverpools, Cannings, Palmerstons — I wish to avoid for obvious reasons the politicians of the present day — on the other side you have a class that is difficult to name ; The Times, when wishing to be lenient, would call them extremists and faddists or " mere intellectuals." But these qualities are not suffi- ciently distinctive. They are, in the main, the people who think for themselves and lack the spirit of the herd. The former are the stuff of which Cabinet Ministers are made ; they are sagacious, moderate, statesmanlike : they com- ' Mr. Joseph Chamberlain, 166 NATIONAL IDEALS mand the attention of the House of Commons. They know what is possible and what not. They understand the conditions of free government in a nation consisting of many millions : they know that he who wishes to govern must persuade a majority of the many millions to agree with him, and consequently must never depart too far from their beUefs. They run their heads against no stone walls. They never touch a new cause until it is becoming popular. They never fight for an old one when the battle is certain to be lost. They tend on the whole to avoid ruining their country ; they flourish under constitutional governments and they are especially prolific and prominent in England. Members of the other class may be brilliant, they may be conscientious, well-informed, honourable ; but they are not statesmen, and they are distrusted by the House of Commons. They do not study what is possible. They are lacking in the gregarious instincts and get " out of touch " with their fellow-men. They press for what they personally believe ; and they do not carry their BUls. You find them urging new causes that nobody will hsten to ; defend- ing desperately old causes that are known to be hopeless. It is only in such moments that you notice these people at all ; for as long as the old cause was defensible, our statesmen of the first class were defending it ; as soon as the new cause is likely to prevail, our statesmen will take it up and carry it to a glorious issue, while its faddist author will be reduced to his normal obscurity. Let me illustrate what I mean. The most characteristic English statesman, perhaps the greatest statesman, of the last hundred years, was Sir Robert Peel. The good work he did was prodigious. He carried Catholic Emancipation and Free Trade ; he reformed the Currency, the Banking System and the Criminal Code. It is a most magnificent record doubtless ; but let us examine where the magni- ficence lies. Everybody knows that when he carried Catholic Emanci- pation he had been put in office as an anti-Catholic ; just before he carried Free Trade he was the leader of the Protectionists. I do not wish to accuse him of inconsistency NATIONAL IDEALS icr or dishonesty. All sensible men are inconsistent ; and as for honesty — it is too difficult a quality to define. What I am aiming at is the actual political process by which these reforms were carried. In the year 1800 a Mr. Boyd proposed the reform of the currency by a gradual return to cash payments. Various economists supported him. Eleven years afterwards Horner proposed the measure in the House of Commons and was defeated. Nineteen years afterwards, the conditions being in all essentials unchanged, a large number of people had begun to understand what the economists had been telling them all that time. The Liverpool Government appointed a committee with Peel as chairman to consider the question, and Peel covered his name with glory by reporting in favour of Horner's proposal. Up to that time he had opposed it. The case of the Criminal Code is the most instructive of all. The old English code, as we all know, was exceptionally savage and exceptionally imbecile. A man could be hanged for picking a pocket ; hanged for stealing five shillings from a shop ; hanged for stealing a fish, for robbing a rabbit- warren, for injuring Westminster Bridge, for cutting a hop-vine, for wounding a cow, for maliciously cutting a piece of serge, or for charitably harbouring a smuggler ; and for some two hundred other offences. (Of course in practice the extreme sentences were seldom or never passed.) Bentham began his attack on this system about 1776. In 1808 the first biU to deal with the subject was brought into the House of Commons by Romilly. He was opposed by the Government and defeated. He renewed his attempt in 1810, in 1811, in 1812, in 1813. Then, discouraged, he waited three years. He tried again in 1816 ; again in 1818. Then he died. (It is very important that inno- vators should not have too much encouragement !) Sir James Mackintosh took up the cause. He succeeded in getting a committee of inquiry appointed in 1819 ; then he worked on year after year till 1823. Several of the smaller bills had passed the House of Commons during this time, but were thrown out by the Lords. In 1822 Mackintosh obtained a decisive majority in favour of a 168 NATIONAL IDEALS complete revision of the law. Now comes the statesman's moment ; observe what he does. The Government realized that opposition to the reform was no longer safe. They had to give way. And they realized at the same moment that really, now one came to think of it, they had never had any particular objection to the measure at all. At the same time it was not desirable that an opponent like Mackintosh should have the credit of passing it. Peel rallied his supporters ; promised a bill of his own ; trium- phantly defeated Mackintosh's resolutions. Then he pro- ceeded to earn the gratitude of posterity and the name of a wise and liberal statesman by accepting at one swoop practically all the Criminal Law Reforms that he had been opposing for the last fifteen years, though the change was not really effective till after the Reform Bill of 1832. Do not suppose that I am hinting at dishonesty on the part of Peel. He was remarkably honest. When he said he had changed his mind, he had really changed it. And when he changed his mind, he generally confessed that he had. What I want to know is : what was it that made Peel great, and led the House of Commons to honour and to trust him — to trust him as they never trusted Mackin- tosh, as they would never have dreamed of trusting Romilly, much less poor Bentham ? Was it, perhaps, that the statesman was a practical man, and the Reformers un- practical idealists? Not in the least. There is nothing unpractical in showing what ought to be done to improve the Currency and the Criminal Law : and nothing practical in refusing to do it when you are told how. Horner and Romilly and Mackintosh were the practical men : Peel the unpractical. Was it any question of prudence and compromise ? Was it that Peel himself desired the Reforms, but understood those difficulties and dangers which the Reformers failed to see? Not in the least. He frankly disliked and feared the Reforms, and never pretended anything else. You might suppose again that the reason lay merely in the fact that the philosophers and faddists were " before their time." That implies some such account of the matter as this. Bentham saw a certain truth before any one else NATIONAL IDEALS 169 \]iat we know of. It took over twenty years for that truth til penetrate the quickest minds in the nation and eventually reVch the doors of the House of Commons. By that time Romilly understood it, and probably Mackintosh. They then proceeded patiently to explain it to Peel and others. They explained persistently for thirteen years, and then Peel began to understand, and so did the majority of the House of Commons. Some had understood it more rapidly, in five or ten years. They were flighty and tinged with faddism. Others never saw it at all ; they were a little stupid and fossilized. But Peel's was a mind of exactly the right degree of density ; he was just sufficiently slow without being absolutely impervious to reason. If he had understood it in ten years, he would have been abandoned by his powerful friends. If he had not understood it for sixteen years he would have been defeated by the Whigs. As it was, he took just thirteen years, and that was exactly the right time. " How splendid," said the House of Commons to itself, " to have a leader whose mind moves so precisely at the right rate of speed. What wisdom ! What solidity ! " This, no doubt, is all true. But there is something more subtle in the matter than mere difference of time. It is a question of instinct. Doubtless all the rational arguments in favour of Catholic Emancipation, of Free Trade and of Reform which Peel had heard repeated for so many years, did in coixrse of time begin to affect him. But the decisive moment in each case came, not from his reason, but from his gregarious instincts. The majority of the House or the nation was at last definitely veering round in the new direction. The great bell-wether felt the inarticulate stir- rings of the flock and strode suddenly forward. And the self beneath the threshold in the House of Commons had confidence in the self below the threshold in Peel. Instinct cried out to instinct and was at once understood. " I want the same things as you : I hate the same things as you. I am the stronger and subtler; foUow me! " Peel stated his reasons, of course, in an elaborate speech, and said that the reasons had convinced him. People voted with him and said that the reasons had convinced them. 170 NATIONAL IDEALS But the reasons had very little to do with it. Men lil