BE. C FRAN* STEELE BOUGHT WITH THE INCOME FROM THE SAGE ENDOWMENT FUND THE GIFT OF Stetirg W. Sage 1891 U.xc.5.g.S5.- sWUv-a-- r 5931 n mi MAJU -2-1963 M P- mav 1 7 ayjMi The date shows when this volume was taken. To renew this book copy the call No. and give' to the librarian. HOME USE RULES. All Books subject to Recall. Books not in use for instruction or research are returnable within 4 weeks. Volumes of periodi- cals and of pamphlets are held in the library as much as possible. For special purposes they are given out for a limited/time. Borrowers should not use their library privileges for the bene- fit of other persons. Students must re- turn all books before leaving town. Officers should arrange for the return of books wanted during their absence from town. Books needed by more than one person are held on the reserve list. Books of special value and gift books, when the giver wishes it, are not allowed to circulate. Readers are asked to report all cases of books marked or muti- lated. Do not deface books by marks and writing. 3 1924 087 981 720 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924087981720 THE BEAUTIFUL QUEEN JOANNA I. OF NAPLES THE BEAUTIFUL QUEEN JOANNA I. OF NAPLES By FRANGESGA M. STEELE AUTHOR OF " The Village Blacksmith; 1 " The Story of the English Pope? " St. Bridget of Sweden? etc. WITH SEVENTEEN ILLUSTRATIONS, INCLUDING TWO PHOTOGRAVURE PLATES New York DODD, MEAD AND COMPANY 1910 PRINTED IN GREAT BRITAIN CONTENTS CHAP. PAGE I. INTRODUCTORY .... I ii. joanna's childhood ... 17 in. petrarch's first visit to Naples 33 IV. THE LAMB AMONG WOLVES . . 48 V. PLOTS AND COUNTER-PLOTS . . 66 VI. THE MURDER OF ANDREW . . 80 VII. WHAT FOLLOWED THE MURDER . 96 VIII. JOANNA MARRIES A SECOND TIME . 112 IX. THE KING OF HUNGARY'S VENGEANCE 128 X. JOANNA PLEADS BEFORE THE POPE AND CARDINALS . . . I42 xi. joanna's acquittal and its RESULTS ..... I58 v VI Contents CHAP. PAGE XII. PEACE IS PROCLAIMED 172 XIII. THE CORONATION OF JOANNA . 187 XIV. Joanna's second widowhood 204 XV. THE DEATH OF ACCIAJUOLI 222 XVI. URBAN V. RETURNS TO ROME . 236 XVII. JOANNA AND CHARLES OF SWEDEN . 247 XVIII. joanna's fourth marriage . 263 XIX. THE BEGINNING OF THE GREAT SCHISM 276 XX. JOANNA IS EXCOMMUNICATED . 292 XXI. JOANNA IS BESIEGED 3°3 XXII. THE CAPTIVE QUEEN 3*5 XXIII. THE FINAL TRAGEDY 3 2 7 GENEALOGICAL TABLE .... facing 33 6 SOURCES OF INFORMATION AND BOOKS CON- SULTED IN WRITING THIS BIOGRAPHY . 337 INDEX • . . . 339 ILLUSTRATIONS queen joanna Photogravure Frontispiece FACING PAGE PETRARCH 34 PORTRAIT OF A LADY (FORMERLY ATTRIBUTED TO Leonardo da vinci) . . . Photogravure 44 BOCCACCIO 106 PONT BENEZET . .148 CLEMENT VI. 154 AVIGNON 164 QUEEN JOANNA (WOODCUT) 200 QUEEN JOANNA 226 URBAN V 244 ST. BRIDGET ON HORSEBACK . .... 260 GREGORY XI. 272 ST. BRIDGET DELIVERING HER RULE . . . .286 URBAN VI 298 CHARLES III. OF NAPLES 312 CASTEL D'OVO 3 2 4 TOMB OF QUEEN JOANNA 330 vii THE BEAUTIFUL QUEEN JOANNA OF NAPLES CHAPTER I Introductory " For she was beautiful ; her beauty made The bright world dim, and everything beside Seemed like the fleeting image of a shade." Shelley. THE subject of this biography was, according to all accounts, one of the loveliest women of all time, but there is much difference of opinion among historians about her character. Some of her biographers regard her as a saint and a martyr, a victim to calumny ; others have cast the vilest reproaches against her, even suggesting that she was, as her detractors maintained, one of the conspirators in the assassination of her first husband ; but all are agreed that she was supremely beautiful and exceedingly talented. Joanna I. of Naples, whose romantic story re- sembles in many respects that of Mary Queen of Scots, with whom she is often compared, is said 2 The Beautiful Queen to have been the most beautiful Queen that ever lived. The theme of poets, whose friend and liberal patroness she was, all Europe rang with her praise in the middle of the fourteenth century, when she was known in all the foreign courts of Europe as "la douce Reine." Her own court was magnificent and highly civilised and refined ; it attracted the principal men of genius of the age, poets, of whom Petrarch was the first, and writers, with Boccaccio as chief, frequented it. If it be true that the women and the countries that have no history only are happy, we may rightly infer that intensely unhappy must have been the " sweet Queen " whose story is related in the following pages, and the kingdom over which she ruled, for their history during the whole of her reign, from 1343 to 1382, was most exciting and often dramatic in its interest. The scene is constantly changing from the luxury of the most brilliant court in Europe to the hard- ships of the battle-field, from the gay songs of the troubadour to the war-cry of the barbarian invader, from palace to prison, from the ballroom to the torture-chamber, from the love-stories of brave men and lovely women to the devastating ravages of the Plague, from that " fragment of Heaven vouch- safed to earth, Naples," to the fiends that in- habited it. The mysteries of history are more enthralling Introductory 3 than the mysteries of fiction, which only remain mysteries to the end of the volume, while most of the former remain unsolved to the end of time. The central event of the reign of Joanna, the murder of Andrew of Hungary, is one of the unguessed mysteries of history : we look " down the long arches of the years," and we see historians attempting to solve it, some accusing Joanna — who was certainly innocent of consenting to it ; others fixing the guilt upon Louis of Taranto, Joanna's second husband ; others on Charles of Durazzo ; others again on Philippa the Catanese, and her grand- daughter Sancha ; and yet others on the Countess of Durazzo, — all of whom are dramatis fersona in the drama we are about to describe ; but the actual murderers will never be known — probably they were some hired assassins. One thing is certain : there was a plot to assassinate Andrew the Hungarian, and it succeeded ; but who all the chief conspirators were can never be certainly affirmed, though we may be able to fix upon them with a high degree of probability. Just as difficult is it to get a true picture of a Queen whose biographers vary so much in their estimation of her character, and this from reasons national, political, and religious. The fact that in her later years Joanna was unfortunately the partisan of the anti-pope Clement VII. prejudiced some writers so deeply against her that their judgment 4 The Beautiful Queen of her character was completely warped. The gentle, learned, and refined Pope Clement VI. was her best friend and a firm believer in her innocence, while the haughty, passionate Urban VI., although a Neapolitan himself, was one of her bitterest enemies. It is gready to be regretted that neither of her celebrated contemporaries, Petrarch and Boccaccio, ever wrote her biography, for both knew her in- timately, and were in a position to throw light on her character, and on the mystery which darkened her youth and cast a shadow on the whole of her life. Both of these men of genius had a great admiration for her, especially Petrarch, who was one of her domestic chaplains. One of the later biographers of this " famous princess — as famous as ever lived" — Giannone, calls her "the wisest of princesses, the Light of Italy, and the Jewel of the World." Before we begin to tell the story of her life, it will be as well to clear the ground by giving a brief sketch of her immediate predecessors on the throne, and, to help to the better understanding of sub- sequent events, to show the relation in which she stood to Andrew of Hungary and the princes of Taranto. As many readers dislike retrospective writing, this shall be done as shortly as possible. The crown of Naples passed from the house of Swabia to the house of Anjou in 1269, when Introductory 5 Charles of Anjou was invested with the Two Sicilies — that is, the island of Sicily and the kingdom of Naples — by Pope Clement IV. Manfred, the illegitimate son of Frederick II. of Swabia, was then acting as Regent for his nephew Conradine, at that time a minor, and he sent am- bassadors to Charles I. to try to avert the loss of the Neapolitan throne. Charles's reply was more forcible than polite. " Go," he said, " and tell the Sultan of Lucera from me, that I will either send him to hell, or he will send me to Paradise." Manfred was subsequently slain at the battle of Benevento, and Charles I., after being crowned in Rome, proceeded without further opposition to Naples ; but young Conradine now attempted to retain possession of his throne, aided by the Duke of Austria, and falling into Charles's hands was executed with seven or eight of his followers on a scaffold covered with crimson velvet and erected in the market-place of Naples. Charles of Anjou, a bold and ambitious king, was succeeded by his son, Charles II., Prince of Salerno, who at the time was a prisoner in Spain and only obtained his liberty two years after his father's death, on condition of leaving his three elder sons as hostages in Spain, where they were compelled to remain twelve years. Charles II. was a true father to his people, and administered the government of his kingdom with 6 The Beautiful Queen a strict sense of justice, not suffering the Neapolitans to be oppressed by Provencal adventurers, as they had been in his father's reign. In the fourteenth century kings transferred their rights to kingdoms, just as fathers divided their property among their children — by will ; and Charles II., whose wife, Maria of Hungary, had brought him the Hungarian crown, left Hungary to the heirs of his eldest son, Charles Martel. His second son, St. Louis, the Bishop of Toulouse, died in his father's lifetime, at the age of twenty- three, and was afterwards canonised. To his third son, Robert, he left the Two Sicilies — that is, the island of Sicily and the kingdom of Naples — and also the duchies of Provence and Piedmont. To his fourth son he left the principality of Taranto, which embraced nearly half the kingdom of Naples, and to his fifth son, afterwards the Duke of Durazzo, a considerable part of the remaining half, so that the King of Naples was really only the chief of princes who, if they combined against him, were as powerful as himself. Charles Martel's descendants never liked the dis- position of Charles II. 's dominions, and the great tragedy of Joanna's life was due in a large measure to the fact that the Hungarians were ever en- deavouring to gain possession of Naples. Thus we find Canrobert of Hungary, son of Charles Martel, claimed the throne of the Two Sicilies as his right Introductory 7 on Charles II. 's death, and the case was pleaded before Pope John XXIL, who decided in favour of Robert, granting him also Provence and Piedmont. The Neapolitans had cause to be very grateful to the Pope for this decision, for Robert proved an excellent king, and earned the titles of the Wise and the Good from his subjects, by whom he was greatly beloved. In 1309, the year of Charles II. 's death, Pope Clement V. transferred the Papal See and the Curia or Papal court from Rome to Avignon, which being in Provence was within the dominion of the King of Naples : this move very much weakened the temporal power of the Popes in Italy, and left Rome forlorn and deserted, a prey to her turbulent inhabitants. Robert, with his two brothers, Charles and St. Louis, had only been liberated from their captivity in Spain a few years before he came to the throne. During his imprisonment he had acquired studious habits, and a great love of literature which never afterwards forsook him, and which made him a great patron of learning and learned men, so that his court became the most intellectual in Europe, and the resort of men of genius, who found in Robert the Wise a liberal and powerful protector. He gathered together at enormous expense the richest library in Europe, and placed it under the care of Paul of Perugia, one of the greatest scholars of his age. He was indeed almost too passionately 8 The Beautiful Queen fond of books for a sovereign in those warlike times, and used to read even in his walks. He was a philosopher, a theologian, and a physician, but he had his limitations, for he despised poetry and was unacquainted with the works of his great contemporary, Dante. He was also a brilliant soldier, and is said to have been an excellent orator. He married, at the age of eighteen, Violante, Princess of Aragon, by whom he had an only son, Charles Duke of Calabria, the father of Joanna, to whom he was most tenderly attached, and whom he treated more as a brother than a son, making him his companion and confidant, and entrusting him from his earliest youth with the government of Naples, from which he was himself often called away on military business. The Duke of Calabria was neither so learned a student nor so celebrated a soldier as his father, but, like his grandfather Charles II., he was distinguished for his justice — a quality which he transmitted to his daughter Joanna in an eminent degree. Two anecdotes are told of him in connection with this virtue. He was in the habit of visiting all his dominions once a year, to see that his humbler subjects were not oppressed by the great barons, and on one occasion he discovered that a certain Count had taken an estate by force from a vassal, because it afforded a pleasant site for his own residence. Introductory 9 Charles sent for the Count, and praising the lovely view and beautiful situation of his house, begged him as a friend to give it up to him, that he might build a royal palace there, promising to pay the full price for the property. The Count angrily refused to do anything of the kind ; but said if the Duke chose to take it by force he must do so, but, as he was famed for his justice, he did not fear this alternative. The Duke replied, " Now you know what your vassal must feel ; and unless you restore his lands immediately, I will take your head as well as your estates." Needless to say, the Count at once made restitution to his vassal. Another of the Duke's customs was to sit every day in the palace of justice, in front of the Castel Nuovo, which his father built, and hear the pleas of all his subjects who had any grievances ; and lest the servants should prevent the poor from having access to him, he had a large bell placed at the outer gate for the applicants to ring, that he might hear it. One day an old horse, that belonged to a knight named Marco Capece, which was straying about the city, rubbed itself against the wall, and inadvertently rang the bell. The Duke ordered the porter to bring in the complainant, and amid the laughter of the court the man returned to announce that it was only Marco Capece's old horse. Charles, however, said that a horse deserved io The Beautiful Queen justice as well as his other subjects, and sent for the owner and rebuked him severely for his neglect of an old and faithful servant, and ordered him to take better care of it, under pain of losing the pension he in a measure owed to it. It is a pity the Neapolitans do not take this old story to heart, for there is perhaps no city in Europe in which horses are worse treated than in Naples. In 1326 Charles left Naples for Florence, which he had agreed to govern for ten years at the request of the inhabitants, taking with him his wife, Maria of Valois, his uncles, the princes of Taranto and Durazzo, sixteen of the great Neapolitan barons, and two hundred other knights with golden spurs, their wives and children. The princes and knights travelled on richly caparisoned horses, wearing cloaks of cloth-of-gold of various colours over their brilliant armour : the ladies wore dresses and mantles of cloth-of-gold or silver, or velvet or silk, either violet, crimson, purple, or green, both material and colour being determined by their rank. They travelled either on horseback or in litters, or in springless chariots covered with the gayest coloured velvet or some other costly material. Both knights and ladies wore for travelling long silk hoods embroidered with grotesque devices, these were fastened under the chin with jewelled clasps, and hung down Introductory 1 1 behind in two long points almost reaching to the ground. Each knight had at- least three squires, one of whom carried his master's arms on high. Hence the expression " With a high hand." Another carried his helmet on his saddle, and the third led his charger. This cavalcade is said to have been the most magnificent which had travelled through Italy since the fall of the Roman Empire. In its train were 1,500 sumpter-mules of the barons, followed by large numbers of other animals carrying the baggage of the knights, and a large body of infantry. They started on May 31st from Naples, but stayed some weeks at Sienna, so they did not reach Florence until July 31st. Here they received a splendid reception, the streets being brilliantly decorated and their path strewn with flowers. The court of Joanna's mother, Maria, Duchess of Calabria, at Florence was famed for its magnificence and for the sumptuous entertainments, both banquets and balls, given by the Duke and his wife. Maria appears to have won the hearts of the Florentine ladies, by a policy calculated to appeal to the femin- ine mind in all ages. It seems that the Florentine men had forbidden their wives and daughters to wear what they considered a disreputable ornament of thick tresses of white and yellow silk, which they arranged round their faces instead of their hair. In December, 1326, the Florentine dames petitioned 12 The Beautiful Queen the Duchess to get her husband to repeal the sump- tuary law which forbade them to wear this hideous head-dress, and the Duchess prevailed upon her husband to do so. The Duke probably thought in this fourteenth century that " wilful woman must have her way," just as it is allowed her as generally in the twentieth. In the spring of 1327 Maria of Valois, Duchess of Calabria, gave birth to a prince, who died a few days after his public baptism, to the great grief of all the royal family, for he was the heir to the throne of the Two Sicilies. The following December the Duke was recalled by his father, Robert, to Naples to assist in repelling an invasion of Louis the Bavarian, Emperor of Germany. The next March Joanna was born. It must be remembered that in the fourteenth century the year began on March 25th, instead of on January 1st, so that the date of the future Queen's birth was 1327 according to the old style of reckoning, 1328 according to the Gregorian or new style — which, by the way, England was the last country in Europe to adopt. It will not be uninteresting perhaps to pause for a moment to describe briefly the apartments of the Duchess of Calabria upon this interesting occasion. There was a suite of three apartments. The first was called " the chamber of parade," and was hung Introductory 1 3 with crimson satin, embroidered with gold ; the floor was covered entirely with crimson velvet. This room contained one bed, curtained with crimson satin, and with a counterpane of the same material. The bed was only used to accommodate Joanna upon the day of her baptism. A low chair and a buffet, under a canopy of crimson cloth-of-gold, completed the furniture of this apartment. The shelves of the buffet were covered with the finest white linen, and on them stood flagons, cups, and vases of gold and silver. This ante-chamber opened into the bedroom of the Duchess, the walls of which were completely draped with white silk damask hangings; curtains of the same material were festooned over the windows and doors and between and round the two beds, which stood five feet apart under one tester or canopy, similarly draped. The counter- panes of these beds were of ermine. This apartment also contained a huge buffet, which stood under a canopy of crimson cloth-of- gold ; the shelves were covered with the finest damask cloths, and on them were placed crystal vessels, ornamented with gold and jewels, and never used except upon these august occasions. Massive gold candlesticks stood at each end of the buffet, and the huge wax-candles in them were only lighted upon the entrance of visitors, but two smaller tapers were kept burning day and night for fifteen days H The Beautiful Queen after the birth, during which period it was not Etiquette to admit daylight. The innermost room, which was assigned to the new-born infant, was also draped in white silk, but of an inferior quality. Immediately Joanna was born she was placed in the hands of Philippa the Catanese, who was destined to play a tragic part in the drama of which Joanna was the heroine. In the same year that Joanna was born her father founded the celebrated monastery of San Martino, between Naples and the Castle of St. Elmo. It was one of the last acts of his life, for before the year was ended Robert the Wise and the Neapolitans were overwhelmed with grief by the death of the Duke, caused by a fever while engaged in his favourite sport of hawking. During Charles's last illness Robert sat day and night by his son's bedside, endeavouring to prolong his life by his own skill as a physician. When all remedies failed, and the unfortunate Duke, still in the prime of life, passed away, the King exclaimed : " The crown has fallen from my head. Woe to me, woe to you ! " Charles had always been the darling of the people and the support of the throne, and his death was a great blow to the nation, as well as to the King, who idolised his only son and the heir to his kingdom. The late Duke was a handsome man, of fine figure, courageous, though not fond of Introductory 1 5 war ; his abilities were inferior to those of his father and daughter, but he was of an amiable disposition which endeared him to every one. He was buried in the church of St. Clare, founded by his father in 13 10. A story is told of the Duke and his father with regard to this church, on which Robert had expended immense sums of money, both in building and ornamenting it. When finished he took. Charles to see it, and pointed out its beauties, to him ; then, suspecting from the Duke's manner that he did not particularly admire it, he asked him what he thought of it. The Duke with more candour than tact said he thought it was more like a stable than a church. " May it please God, my son, that you are not the first to eat in this stable," said Robert, irritated at Charles's criticism. As it happened, the poor Duke was the first member of his family to be buried in this church, which the Neapolitans took to be the meaning of the rebuke. There was still a hope that Charles might be succeeded by a son, for Maria of Valois was expecting an addition to her family when her husband died ; but a few months after his death she gave birth to another daughter, who was named Maria, and from that time Joanna was recognised as her grandfather's heiress and successor. The Duchess only survived her husband three years. She died in 1321, leaving the two little 1 6 The Beautiful Queen princesses, Joanna and Maria, to the care of their grandfather and his second wife, the devout Queen Sancha. Maria, whose brother Philip of Valois, the first King of France of the house of Valois, came to the throne in 1328, left half her fortune of sixty thousand francs, which she received from her father, and half her lands in Naples, to each of her daughters, but to Joanna she left the largest share of her jewels, clothes, and personal effects. Little is known as to her character, beyond the fact of her popularity in Florence ; but she is believed to have been a good and virtuous princess, whose early death is to be lamented as it deprived her children of a mother's care. CHAPTER II Joanna's Childhood A MINOR mystery in the life of Joanna I. is -**■ why so wise a man as Robert the Good should have chosen Philippa the Catanese, whom historians speak of as " a woman sprung from the dregs of the people, originally a laundress," as the most fitting person to have charge of the heiress to the Neapolitan throne. Whether Philippa was worthy of the confidence reposed in her by the King and Queen or not, it was an unwise choice Philippa's low origin afterwards reflected injuriously upon her royal charge, and roused at the time the envy of her contemporaries, who, prejudiced by the favour shown her, were ready to attribute every vice to Joanna's governess. Philippa was a native of Catania in Sicily, the wife of a Sicilian fisherman and herself a laundress, who was called in by Violante of Aragon to act as wet-nurse to her son Charles, the Duke of Calabria, '7 2 1 8 The Beautiful Queen when she was in Sicily with her husband, who was engaged in an expedition against the Sicilians. Philippa was not only beautiful and graceful, but intelligent also, and she soon acquired courtly man- ners, and took such tender care of her foster-son that Violante henceforth heaped honours upon her. Robert's seneschal, Raymond de Chabannes, had at this time a favourite Moor who acted as his cook and steward, and pleased his master so well that he gave him his own names in baptism, and set him free, and when he resigned the seneschalship recom- mended Robert to take the Moor in his place. Raymond the Moor soon became as great a favour- ite with the King as Philippa was with Violante, and when the Catanese's first husband died they arranged a second marriage for Philippa with the new senes- chal, now raised to the rank of a knight. Before Violante died she begged Robert to be good to Philippa, and when he married Sancha, another Aragon princess, he gave Philippa to her as one of her ladies of the bed-chamber, and Sancha grew equally fond of her. When the Duke of Calabria, her foster-son, married Catherine of Austria, Philippa was made first lady of the bed- chamber to her ; and when his second wife, Maria of Valois, went with him to Florence, the Catanese accompanied her in the same office. The Angevine princes were celebrated for their fidelity in rewarding the attachment of their subjects, Joanna's Childhood 19 in no matter how low a station, by bestowing upon them high posts in their household, which may account for the affection and gratitude of so many of the Neapolitan royal family to Philippa. Her contemporaries, with the credulity of their age, how- ever, attributed it to magic potions, in which the Sicilian women were said to be very clever. Boccaccio made a much shrewder guess at the source of her influence, attributing it to her skill in making cosmetics and confectionery. She succeeded in winning Joanna's affection also, and is believed to have lavished a mother's care upon her ; and when the young Queen came to the throne she was the first lady in her court, and was treated with the greatest respect. It is impossible that Philippa could have risen to so high a position, from so lowly an origin, unless she had had great talent as well as personal gifts to recommend her, for she was a trusted servant of Robert for forty-five years, and the devout Queen Sancha had such regard for her that it was due to her influence that Joanna was placed under her charge. Both Robert and Sancha must have had solid reasons for this choice, for we read in Carracciola's Life of Joanna how particular they were in choosing the little Princess's attendants. The King took special care that nothing should be said or done in the child's presence from which she could learn evil, 20 The Beautiful Queen and to that end he confided her to chaste matrons ; moreover, he took some nuns out of their convents, with the permission of the Pope, to instruct her in all Christian duties and in the religious ceremonies at which she would have to assist, and to train her in industrious habits. Indeed, so strictly did Robert and Sancha bring their little grandchild up that they would not allow any one to be seen in her company who wore rouge or paint or the hair of any dead person. It was a custom in the fourteenth century, when gross ignorance was the rule in all ranks of life, to entrust the education of royal princes and princesses to the religious orders, whose members were gene- rally more cultivated, and for this purpose, as in the case of Joanna, nuns were permitted by dispensa- tion from the Pope to leave their enclosure and live in the palace where their services were required. Thus it was quite in accordance with the spirit of the age for Robert to send for two nuns to come to court, and try to form the character of the future Queen on religious principles, and it was particularly acceptable to Sancha. This unworldly Queen desired to leave the world and join the Poor Clares, the strictest order of the Church, for whom she had built a convent in Naples ; and she was only deterred from taking this step by Pope John XXII., who very wisely told her she would be neglecting her duty as a wife if she did Joanna's Childhood 21 so, and thereby rendering herself displeasing to Almighty" God, instead of her proposed sacrifice being acceptable to Him. The pious Queen there- fore remained in the world until the death of her husband. As Joanna grew older, still more elaborate rules were laid down by her grandfather with regard to her bringing up. None of those who dressed her were to be of low birth, or unpolished manners ; her court was to be presided over by a man of the highest prudence and authority, whom the nobles and their sons who frequented it would obey. He who gave the future Queen water for her hands at table, as was then the custom, must be a knight or greater than a knight, and so must those who bore the dishes to her, and who tasted them to see that they were not poisoned before they were handed to her. The cupbearer must do his duty with the greatest fidelity, lest any harm, designed or inad- vertent, should come to the young Princess. The major-domo was to observe at supper that she did not eat anything greedily or ask for it arrogantly, and if he detected her in this he was to advise her secretly, not publicly, as that would be indecorous and exceedingly disagreeable to the King, and he was not to do it a second time if she amended at the first reproof. The King also ordered that the most illustrious doctors should assist at supper and dinner always, 22 The Beautiful Queen lest any unwholesome food should be offered the child, and to see that she only took as much as was necessary for health. It seems quite clear from all these minute directions that there could have been nothing objectionable in Philippa the Catanese, except her lowly origin, or Robert, who took such elaborate pains to shield his grandchild from moral and physical evil, would never have selected her as the governess and confidante, and we may say foster-mother, of the Princess. We have dwelt at some length upon these details, because some historians laid all Joanna's faults, real and imaginary, at Philippa's door. Her education included Latin and French, both of which languages she read and wrote as well as her own ; and besides the study of theology and philosophy, she was taught to sew and to cook, and used to exult girlishly over her cousins, the young princesses of Taranto and Durazzo, who were brought up with her and her sister Maria, when she excelled in any of these things. In the year 1331 Robert caused the oaths of allegiance to be taken to Joanna, with the re- version to Maria in the event of the death of the elder child. This was necessary to secure, in those turbulent times, the peaceable succession to the throne on his death. The following year the Prince of Taranto died without male issue, and he left the principality of Taranto to Joanna ; by preferring Joanna's Childhood 23 her to the prince of the house of Durazzo, he made her claim to the throne of Naples and Sicily much more secure. As the heiress of all the rights and estates of her father, she was now styled the Duchess of Calabria and the Countess of Provence. As soon as Robert had decided to make Joanna his heiress, he took care to let her, child as she was, receive the principal men of the State, that she might hear them speak and learn how to answer them ; and she so pleased the King by her manners that he frequently presented the Ambassadors of foreign courts, who came to Naples to see him, to her, and let them know she was his heiress. As she grew older her cultivated mind and her remark- able talents and great charm of manner, as well as her extraordinary beauty, which increased daily, made the death of her father less grievous to the King, who saw his granddaughter promised to make a good queen, and be a worthy successor to his throne. Unfortunately Robert's anxiety on Joanna's ac- count did not stop here. To make her succession still more secure, as he thought, he arranged a marriage for her when she was only five years old, with Andrew, Prince of Hungary, the third son of Canrobert, King of Hungary. In this matter Robert is said to have acted on the advice of Pope John XXII., who desired thus to unite the opposing claims of the two elder branches of the Angevine family to the crown of Naples. 24 The Beautiful Queen As we saw in the last chapter, the eldest and Hungarian branch of the Anjou line had never liked the disposition of Charles the Lame, in leaving the throne of the Two Sicilies to his second son, Robert ; and the Pope hoped a marriage with Canrobert's third son, Andrew, with the heiress to the Neapolitan throne would prevent Canrobert and his heirs from attempting to wrest the crown from the reigning branch. Accordingly Robert arranged this unfortunate marriage between Andrew, then a little boy of seven, and Joanna, a child of five. These child-marriages among royal families were not uncommon. A dis- pensation had to be obtained from the Pope, and sometimes, as in the case of Joanna's contemporaries, Magnus II. of Sweden and Blanche of Dampierre, the marriage was celebrated by proxy. It is true Magnus was eighteen at the time of his marriage, but the little Belgian Princess Blanche was only ten. The great Queen Margaret of Sweden, the Semiramis of the North, as she was called, was only ten when in 1363 she married Haquin and was brought to the Swedish court to be educated. Another of these child-marriages was that of Prince John of Bohemia — he was like Andrew of Hungary, of feeble intellect — who when only nine years old was married in 1330, just three years before Joanna, to Margaret, daughter of Prince Henry, Count and ruler of Tyrol. Margaret, who is known Joanna's Childhood 25 to history as " Mucklemouthed Meg," was a few years older than her husband, and her marriage turned out more disastrous, if less tragic, than that of Andrew and Joanna. Robert, however, determined that Andrew should come to Naples, and, after the wedding of these two children had been celebrated there with all possible pomp, decided that the young prince should remain at the Neapolitan court, and be educated there and subjected to the influence of its culture, for the Hungarians were at this time a semi-barbarian nation, rude and uneducated. By his attempt to conciliate the Hungarian branch of the Angevins with this alliance, Robert disappointed the elder princes of Taranto and Durazzo, both brave, talented youths, who hoped their uncle would bestow the hand of the heiress of the Two Sicilies upon one of them, or on one of their younger brothers, all of whom were well known to Joanna, and constant frequenters of the Neapolitan court. It was unfortunate for every one concerned that Robert's choice fell upon Andrew, whom he had not seen, instead of on one of the other attractive cousins of Joanna. The boy was so young, when he arrived in Naples to celebrate his marriage, that the King could not possibly tell what time and education might do for him, or how his character would develop ; but he seems to have been almost, if not quite, imbecile. It was, however, too late to retract now, and Robert 26 The Beautiful Queen received the child-bridegroom and his father, Can- robert, the King of Hungary, with every sign of joy. Canrobert was attended by a number of Hungarian barons, who were as astonished at the magnificence, culture, and refinement of the Neapolitan court as the Neapolitan princes and nobles were at the bar- barian appearance and rude, uncultivated manners of the Hungarians. This marriage, which was destined to turn out so disastrously, was celebrated with the utmost pomp and splendour. The subsidiary courts of Taranto and Durazzo, with their princes, were all present as well as the Hungarians. Ambassadors from all the other states and principalities of Italy were there, and among these the most numerous and the most gorgeously attired were the Florentines, whose staff bore the arms and wore the liveries of the Duke of Calabria, as though he were still their ruler. This was considered the most delicate compliment they could possibly have paid to his memory. The Neapolitan nobility vied with the princes and members of the royal family in the splendour of their costumes in an age when extravagance in dress was carried to an extent never since surpassed either in costliness of material, brilliancy of colour, or absurdity in fashion. In all these particulars the men equalled, if they did not surpass, the women. Among other ridiculous fashions affected Joanna's Childhood 27 by the younger men were their parti-coloured clothing, one leg being clad in blue velvet and the other in pink knee-breeches and silk stockings, or else one in green and the other in red brocaded damask, or cloth-of-gold, while their shoes had long points turned up at the toe and fastened to the knee with a gold or silver chain. Men of fashion all wore long hair hanging in ringlets over their shoulders. The old men had long beards and long, flowing robes like Orientals. For a long time after this great function Floren- tine, Roman, Venetian, Sienese, and other Italian ladies endeavoured to follow at their weddings, on a mitigated scale, the fashions set at Joanna's, which seems to have been the subject of court- gossip all over Europe. The infant-bride was resplendent in gold and pearls and other jewels ; and little did Robert think, as the two children — who, we are told, were delighted with all this fuss and splendour — knelt before him for his blessing, that they were both doomed to be the subjects of violent and tragical deaths. At the end of October in this same year Can- robert went back to Hungary, leaving behind him a suite of Hungarians, with one Nicholas at their head as the governor of Andrew — who, by the way, was a mere nonentity — and one Friar Robert, in whom was vested all authority over the young prince, as his tutor. 28 The Beautiful Queen This is another instance of a member of a religious order being chosen as tutor to a prince. Unfor- tunately Friar Robert, upon whom Italian historians heap every kind of abuse — and even Petrarch can hardly speak of him without animosity — was not only unsuitable for the office, but by his ambition was, to a large extent, responsible for the tragedy that followed. He was a Franciscan friar, and was evidently highly obnoxious to the Neapolitans, but whether he was really such a sink of iniquity as he is described by his contemporaries to have been may be doubted. He lived in an age when neglect of bodily cleanli- ness was considered a great mark of holiness, as it certainly is the greatest of all the bodily morti- fications practised by the saints, and there is no doubt Friar Robert, from all accounts, gave con- vincing proofs of one meaning, and that not the highest, attached to the " odour of sanctity." This is" attributed to him as hypocrisy, and Petrarch calls him "worse than a serpent," who is said to have concealed under his dirty habit vice and cruelty ; he is also accused of having wilfully brought up Andrew in ignorance, in order to gain a pernicious influence over his mind. This may or may not be true. Andrew was apparendy so stupid, if not actually imbecile, that Friar Robert may have found it impossible to impart any knowledge to him. Joanna's Childhood 29 He certainly hated the Neapolitans as much as they hated him, and he tried all he could to exalt his pupil at the expense of Joanna, and the Hungarians at the cost of the Neapolitans, but he did not appear in his true character until after the death of King Robert. About a month after Joanna's marriage the city of Florence was nearly destroyed by a most dis- astrous flood, which Villani, the historian, and some of the Florentines themselves, looked upon as a judgment from Heaven for their sins. King Robert shared this opinion, and in a long Latin letter, which he as chief of the Guelphs wrote to the citizens on this occasion, he exhorts them to repentance. The view that it was a chastisement was strengthened by a vision seen on the night of the deluge by a hermit who lived above the monastery of Vallombrosa. He heard a terrific noise as he was praying, and, going to the door of his hermitage, saw a troop of armed horsemen, all black and terrible in aspect, ride furiously past, who, in answer to his question as to where they were going, said they were going, please God, to drown the city of Florence for its wickedness. Florence was at this time a very licentious city, and the scene of frequent bloodshed caused by encounters between the Guelphs and Ghibellines, the former of whom espoused the part of the Pope, 30 The Beautiful Queen the latter the part of the Emperor ; they were also called the Neri and Bianchi, as the followers of the Pope's party and the King of Italy's are to this day in Rome. During this century all the Italian republics and cities were divided between rival factions. In Rome the constant battles between the adherents of the Colonnas and the Orsini, and the absence of the controlling power of a residential Pope, made the Eternal City a prey to murder, assassination, and rapine, and unsafe to live in, for even the churches were in ruins. No incident of importance happened in Joanna's life for five or six years after her early marriage. The child made such progress in her studies, and had such excellent abilities, that by the time she was twelve years old Costanzo and other writers say of her " that she already surpassed in under- standing not only every child of her age, but many women of mature years." Moreover, by her generous and affectionate disposition and charming manners, she endeared herself to all around her. She was most obedient to Robert, whose heart was torn with remorse when he saw his beautiful grand- child growing daily more accomplished and more fit to fill the high dignity in store for her, while, on the other hand, her semi-idiotic consort learned nothing from his Hungarian teachers except their unpolished manners and the hatred they felt for the Joanna's Childhood 31 Neapolitans, with which Friar Robert endeavoured to inspire him. As the children grew up, the contrast became more striking between the beautiful Joanna and the unfortunate and boorish Andrew, who, Petrarch says, was " from all eternity ugly and contemptible." Joanna, as she entered her girlhood, is said to have been saddened at the terrible prospect of spending her life yoked to so uncongenial a companion, especially when she saw herself surrounded by many handsome, brave, and attractive princes, her constant com- panions, who paid her homage, worshipped at her shrine, and would gladly have died for her, who was one of the richest heiresses of her time, and endowed with extraordinary beauty as well as with such exceptional talents. Robert dimly foresaw some of the temptations to which his own want of discretion would expose his grandchild, and when Pope John XXII. died, and was succeeded in 1334 by Benedict XII., he might have obtained a dispensation from the new Pope to annul this infantine marriage, on the ground of Andrew's unfitness ; but, instead of doing this, he contented himself with calling a general assembly of the nation, at which he caused the oaths of allegiance to be taken to Joanna alone. This step excluded Andrew, or rather his ambitious and barbarian followers, from any share in the govern- 3 2 The Beautiful Queen ment of the kingdom, and all Robert's Italian subjects joyfully took the oath of exclusive allegiance to the popular Joanna. Apart from all national jealousy, the Neapolitans hated the Hungarians on account of their drunken- ness and other low, coarse vices, and insolent, barbarian manners. The Neapolitans were them- selves by no means immaculate- — and indeed in the matter of licentiousness there was not much to choose between them and the Hungarians. But the Neapolitans were sober and polished and refined in manner, and of the careless, happy, joyous disposi- tion which still characterises them ; while the Hun- garians, in spite of their boorish inferiority, were haughty and ambitious, and impudently aimed at gain- ing the ascendency in the kingdom for themselves. By this oath the political union between Andrew and Joanna was dissolved, but their marriage con- tract was still unfortunately religiously and civilly binding, in spite of their youth when it was made. King Robert, however, was to a great extent absorbed in his books, for he remained a scholar to the end of his days, and during the last year or two of his life was much taken up with Petrarch, whom he succeeded in getting crowned with laurels at Rome, and induced to pay his first visit to the court of Naples, the year before Robert died — to see, as the poet said, " the only King who could judge of anything more important than a ragout or a flight of birds." CHAPTER HI Petrarch's First Visit to Naples ONE of Joanna's many claims to fame is, she was the friend of Petrarch and Boccaccio, the two greatest geniuses of her time, both of whom have eulogised her in enthusiastic terms in their immortal writings. She was only thirteen when Petrarch paid his first visit to the court of Naples, in 1 341, to submit his writings to the learned King Robert for examination before he accepted the crown of laurel, although he was already so famous that this examination was unnecessary. Francis Petrarch was now thirty-seven, and so strikingly handsome and of so fine a presence that wherever he went he attracted attention, and he was an ornament to any court. He was tall and very manly in appearance, with fine features and eyes full of fire ; he had a clear, ruddy complexion and a countenance that betrayed the genius and imaginative power which distinguished his writings. A highly accomplished scholar, he was a philosopher 33 3 34 The Beautiful Queen and a theologian as well as a poet of the first water ; but he was more and higher than all this, as the following words of his will show. " I love truth," he says, " and not sects. I am something of a Peripatetic, a Stoic, or an Academician, and often none of them, but always a Christian. To philosophise is to love wisdom : and the true wisdom is Jesus Christ. Let us read the historians, the poets, and the philosophers, but let us have in our hearts the gospel of Jesus Christ, in which alone is perfect wisdom and perfect happiness." He was the intimate friend of Cardinal James Colonna, who was one of his greatest patrons, and introduced him to his family, the noblest and most prominent in Rome. After leaving the university of Bologna, Petrarch had spent a year in Avignon, and amid all the beauties of the magnificent and brilliant court there had remained heart-whole : in his own words, he was " free and wild as an untamed stag," though of a most passionate nature. But before he left Avignon he was destined to meet his fate. On Palm Sunday, 1327, he went to Mass in the monastery of St. Clare, and for the first time saw Laura, dressed in a green robe embroidered with violets. Her wondrous beauty, as we learn from the Sonnets of Petrarch, at once captured the poet's heart, and she became the idol of his adoration and the inspiration of his verse. But alas ! she From a print by Raffadle Morghen, after a picture by Tofanellu PETRARCH. P- 34] Petrarch's First Visit to Naples 35 was already the wife of another. Possessed of a handsome dowry, her mother had married her when very young to one Hugh de Sades, who held a high position in Avignon, Laura's native city. She was an honourable woman, a faithful wife, and neither an allegorical myth nor the mistress of Petrarch, as some romancers have said in an age when calumny was rife. Equally false was another report, that Urban V. had granted Petrarch, who was in holy orders, a dispensation to marry Laura and that Petrarch had refused it, saying " the conjugal tie would sully his affection." Urban V. did not come to the throne till after the death of Laura. Laura, on discovering the poet's passion for her, treated him with chaste severity, avoiding him if they met by accident, and when forced to meet him in any public place or social gathering she wore a veil, against the use of which he laments in one of his sonnets. She also terrified him by the austerity of her expression. When he went to Naples Petrarch was still under the spell of Laura's fascinations, and indeed he desired the honour of the laurel crown more for her sake than his own. The custom of crowning a genius with a laurel crown in Rome had been abandoned for a thousand years, and there was now a question as to whether Petrarch should receive this honour in Rome or in Paris ; but he 3 6 The Beautiful Queen ultimately decided to go to Rome, if Robert, King of Naples, pronounced him worthy of such an honour. The King entertained the poet by showing him the wonders of his beautiful capital, and especially by taking him to visit the supposed tomb of Virgil at the entrance to the Grotto of Posilipo, which was then darker and narrower even than it is now ; but it was held so sacred, Virgil having been supposed to have made it so by incantations, that no robbers dared to infest it. Then Robert held a public examination of the poet, which lasted for five days, during which the king questioned Petrarch on all kinds of subjects, scientific and philosophic ; Petrarch lectured on poetry and history, astonished the King by his wisdom and learning, and almost converted him to become in his old age a lover of poetry, which he had hitherto scorned. At the close of this exami- nation the King in the presence of the Queen, Joanna, and all the princes and princesses of the court, pronounced a sort of panegyric on the genius of the poet, and declared him worthy of the laurel crown. Robert desired that the ceremony of coronation should take place at Naples, but Petrarch preferred to be crowned in Rome, where, as he explained to the King, Virgil, Horace, and so many other poets had received this honour. Accordingly Petrarch Petrarch's First Visit to Naples 37 left Naples in the beginning of April for Rome ; but before he left, Robert took off the robe he was wearing, and, giving it to him, begged him to wear it at his coronation. During his stay in Naples Petrarch read his "Africa," an epic poem which he was then writing, to King Robert, who was so pleased with it that he begged it might be dedicated to him. Petrarch promised that it should be, and fulfilled this promise after the King's death. He was crowned in Rome on April 8th, 1341, wearing the King's robe of state, and accompanied by twelve young Roman men clad in scarlet robes and wearing crowns of flowers on their heads. The ceremony was per- formed in the Capitol by the Senator of Rome. Among the learned men Petrarch met at the court of Naples were John Barrili and Barbatus Sulmone, whom he compared to Homer and Virgil ; another celebrated man was the King's librarian, Paul of Perugia, a friend of our Richard de Bury, Bishop of Durham, said to have been the wisest man in England, and the author of a charming little essay on the " Love of Books." Petrarch had met de Bury at the court of Avignon, and was on friendly terms with him. He is said to have possessed the largest library in Europe. Boccaccio, with whom Petrarch was destined to become very intimate on a later visit to Naples, had not yet written the Decameron, nor won the fame he after- 38 The Beautiful Queen wards enjoyed, and was at this time living in obscurity in that city, and through the favour of Paul of Perugia coming to the palace to visit the King's library. Here he met the beautiful Maria of Sicily, Robert's natural daughter, who became to Boccaccio what Beatrice and Laura were to Dante and Petrarch. Maria, who was witty and accomplished as well as beautiful, had married a Neapolitan nobleman named d' Aquino, but she was the constant companion of her father, whether he was at Castel Nuovo or at one or other of his summer residences, either in the Bay of Baiae, or Sorrento, or Amain, or some other lovely spot in that land of beauty. Three days after Petrarch left Naples Boccaccio met Maria for the first time, and under precisely similar circumstances to those under which Petrarch, who probably told him the story, first met Laura, namely, in church — and, oddly enough, in the church of St. Clare in Naples instead of St. Clare's at Avignon — and meeting, he straightway fell in love with her. Through Maria he became acquainted with Joanna, then nearly fourteen, " whose culti- vated mind," says Guinezelli, " appreciated all his merit." It was the fashion at that time for every married woman of rank to have some celebrated military or literary man in her train as her lover, and he was considered as indispensable an appendage as her Petrarch's First Visit to Naples 39 coronet : if a soldier, he fought for her and wore her favour on his shield ; if a poet, he dedicated his poems to her exclusively. How far this devotion went depended upon the character of the woman ; in Maria of Sicily's case it is believed to have gone very far, for in those days Boccaccio had the reputa- tion of being somewhat lax in his morals. But we must never forget that calumny was one of the besetting sins of the age, and all stories of intrigues require to be taken with the proverbial pinch of salt. Giovanni Boccaccio, who was the natural son of a Florentine merchant, was born in 1313, and is believed to have written his first works, " The Rime," " The Filocolo," a very prolix effusion, " The Fiammette," etc., under the direct inspira- tion of Maria, who also suggested the " Decameron," on which his claim to immortality rests, for in this he appears as the maker of Italian prose. One more most celebrated figure among King Robert's courtiers we must not omit to mention, for he is accused by some writers of playing the assassin's part in the murder of Andrew of Hungary, that ghastly tragedy which left a stain never yet effaced on the most brilliant court of the fourteenth century. This was Nicholas Acciajuoli, whom Petrarch called his second Maecenas. He was the son of one of the very richest merchants of Florence, and originally came to Naples to negotiate a loan between 4o The Beautiful Queen his father and the King. He was very good- looking, highly accomplished, and endowed with such charming manners that the Princess of Taranto made him the tutor and governor of her son, Louis of Taranto, Joanna's second husband, and his younger brother Philip. Acciajuoli was not only a conspicuous figure in Robert's court, but also one of the most important personages in Joanna's reign, for his influence over Louis was supreme, and the friendship which grew up between them most intimate. In the beginning of January, 1343, Robert felt his strength was fast failing, and, judging death to be near, he made his will, dictating it in the presence of his counsellors. He made Joanna his universal heiress, not only of the kingdom of Naples, but also of the counties of Provence and Piedmont. If Joanna died without issue, her sister Maria was to succeed, and she was bequeathed a marriage dowry of 30,000 ounces of gold, with some lands for which she had to do homage to Joanna. To Andrew, in case he survived Joanna, he left the principality of Salerno, for which he was to do homage to the then reigning King and Queen. According to an agreement he had made with his nephew Canrobert, King of Hungary, he left Maria's hand in marriage to the eldest brother of Andrew, Canrobert's eldest son Louis, who had just ascended the throne of Hungary. Petrarch's First Visit to Naples 41 This marriage, if it ever came off, could only increase the difficulty of Joanna's succession, because the elder member of the Neapolitan family was already married to the younger son of the King of Hungary, and his elder son was by this will to be united to the younger sister of Joanna. Robert the Wise did not display his wisdom in the dis- position of his two grandchildren. Not content with marrying Joanna to an idiot, he now proposed to marry Maria to a semi-barbarian king, who was destined to become her sister Joanna's deadliest enemy. Robert would fain have made his Queen, Sancha, Regent of the kingdom during the minority of the young King and Queen, but she refused to accept the charge, being bent on entering a convent at her husband's death. He therefore appointed a council of regency with Sancha at the head of it ; the other members were Philip of Cabassole, Bishop of Cavaillon and Chancellor of the Kingdom of Naples, Philip of Sanguineto, Seneschal of Provence, Geoffrey, Count of Squilazzo, High Admiral, and Charles Artus, Grand Chamberlain of the kingdom. Joanna and Andrew, and also Maria, were not to attain their majority till they reached the age of twenty- five, and until that time all their edicts, gifts, and sales were to be considered null and void without the consent of the Council. Finally Robert recommended the Queen, his 4 2 The Beautiful Queen grandchildren, and his dominions to the protection of the Pope and the College of Cardinals. The Pope at this time was Clement VI., who was a good friend to Joanna after Robert's death. He was a great Pope, clement by nature as well as by name, and one of the most profound scholars of his age, to whom Italian historians have not done justice, because of his preference for Avignon, where his court was celebrated for its luxury and magnificence. As soon as his will was duly sealed and attested, Robert called Joanna and Andrew to his bedside and endeavoured to impress upon them the solemn responsibilities of their position, warning them of the dangers with which they were surrounded on all sides, and apparently frightening them, for we are told they wept so bitterly that he gently re- proved them for their grief. Three days before his death, though very weak, he had himself carried to the church of St. Clare, which he had founded, and there was invested with the habit of the Third Order of St. Francis, in which humble garb he died. He was only sixty-four at the time of his death. Petrarch says of him : " He died as he had lived, speaking and acting in the same manner. If Heaven had positively decreed that he should not prevent the misfortunes which were to follow his death, it was the greatest happiness that could have happened to him, and I believe no man ever died at a more fortunate moment for himself." Petrarch's First Visit to Naples 43 With a poet's prescience of coming evil, and with a keen sense of his own prophetic powers, which the sequel justified, he wrote to his friend Barbatus Sulmone, on hearing of the death of Robert, as follows : "What I have so much dreaded has happened, our great King has left us ! What an affliction for me, my dear Barbatus ! I fear to see his death followed by the calamities I have predicted. My mind is but too good a prophet when it announces sinister events. The youth of the Queen and her husband, the age of the Queen Dowager, her pro- jects, the dispositions and manners of the courtiers, make me fear everything. God grant that I may be deceived in my sad forebodings ! But I see two lambs in the midst of wolves, a monarchy without a monarch — for can we thus term a child in tute- lage ? " The lambs alluded to were Joanna and Maria, the wolves Friar Robert and the Hungarians. Joanna, who was now in her sixteenth year, was " fair and goodly to look upon," says Boccaccio, who enlarges at great length on her intellectual gifts and her generous and fine disposition. Brantome, the celebrated French chronicler who accompanied Mary Queen of Scots to Holyrood, says that Joanna's beauty far exceeded that of Petrarch's Laura. " Her portrait, which is still to be seen," he writes, " shows that she was more angelic than human. I saw it at Naples in a number of places where it is 44 The Beautiful Queen treasured with the greatest care. I have seen it also in France, in the cabinet of our kings and queens and of many of our noble ladies. Certainly this was a beautiful princess, whose countenance displayed great sweetness with a beautiful majesty. She is painted in a magnificent robe of crimson velvet, loaded with gold and silver lace and em- broidery. On her head she wears a bonnet on a cushion. In brief, this fine portrait of this lady represents her as all beauty, sweetness, and true majesty so well that one becomes enamoured of her mere image." This portrait was taken when the terrible tragedy of her life had added majesty to the beauty of youth, the beaute du diable with which at the time of Robert's death Joanna was sparkling ; but we find all her admirers speaking of the sweetness and majesty of her beauty, which was evidently of a very high type, though unfortunately none of the portraits of her which have come down to our time do justice to her. One of the most beautiful pictures in the world is said to be a painting of Joanna by Leonardo da Vinci copied from an old portrait, now in the Doria Gallery at Rome. From it she would appear to have been of the fair Italian type, for her eyes and hair are brown, her hair pale enough to be called golden : her face is a perfect oval, her fore- head high, her chin beautifully rounded, her lips 9 ? / t I. Petrarch's First Visit to Naples 45 full with a sweet smile playing round them, her nose slightly aquiline with delicately formed nostrils, and her eyes large, soft, and full. Joanna's beauty and intellectual gifts only made her boy husband's deficiencies the more striking, and it is no wonder that one of Robert's dying regrets was having made such a sacrifice of the future Queen's happi- ness to political expediency. He saw the two children grow up under his eyes, Joanna taking part in all the amusements of the court, and delighting him with her intelligence, entering into his love of learning, and developing her natural gifts of wit and eloquence, for which she was afterwards so famed ; while Andrew re- mained ignorant and loutish, interesting himself in nothing except eating and drinking, in which he took too much pleasure. The principal amusements of the Neapolitan Court in the fourteenth century were music and singing, and telling thrilling tales of love and adventure, in which art both men and women excelled. Cards were not introduced until the end of the century, when they were invented in Paris. Chess and backgammon were much played. The dancing was slow and stately, and the so- called ballade was the favourite Italian dance ; this was a dance accompanied by a chant, the dance illustrating the subject of the words sung. At great festivals, not only the King and Queen engaged 46 The Beautiful Queen in these solemn dances, but likewise legates, prelates, and even cardinals. The fashionable drive round the Mole of Naples, in which Joanna and the other young princes and princesses daily took part, to the delight of the people, was also very slow and impressive, though the cavalcade of horses and chariots, princes and princesses, knights, courtiers, and ladies-in-waiting was magnificent. The troubadours were a conspicuous feature at Robert's court, for the Counts of Provence and Toulouse had always been the chief patrons of these Provencal court-poets, and singers of war and love and adventure ; they were one of the typical romantic figures of French and Spanish and Italian courts, from the beginning of the twelfth to the end of the fourteenth century. Entertainment was also provided by the court- jugglers and tumblers, who came into the banquet- ing-hall between the courses, at the entremets, to per- form various feats of jugglery. At public banquets, pageants, mock-battles, and various other scenes were represented during these interludes, for the amuse- ment of the guests, and perhaps also to give them time to get up an appetite for the next course. These banquets lasted an interminable time, and the tables groaned under the weight of the dishes, which consisted among other things of peacocks, cranes, venison, sturgeon, herons, seal, porpoises, Petrarch's First Visit to Naples 47 and roast swan, besides various kinds of meat, cut up into small pieces before brought to table, which in England were called gobbets, and were conveyed to the mouth by the fingers as a rule, although spoons were then in use, but forks did not become general until the middle of the sixteenth century. An amusing incident is recorded of the introduc- tion of forks into Europe. The first of these now indispensable table-appointments is said to have been a golden prong brought by a Byzantine princess to Venice, when she came there as a bride in the eleventh century. St. Peter Damien, then Bishop of Ostia, hearing of what he deemed such extravagant luxury, preached a sermon in which he denounced her for her wicked extravagance in conveying her food to her mouth with a golden prong, instead of using her fingers, which Almighty God had given her for that very purpose ! " Autres temps, autres mceurs." The preacher who inveighs to-day against the wicked speed of motor-cars and the presumption of airships will probably strike our descendants as quite as fanatical and uncivilised as St. Peter Damien appears to us of the twentieth century. In the outdoor sports of hawking, fishing, and hunting, in which men then delighted, Italian ladies took no part, and in tournaments they were only spectators of the achievements of the knights. CHAPTER IV The Lamb among Wolves JOANNA and Andrew were proclaimed Queen and King as soon as King Robert's funeral was over. The Neapolitans received Joanna with the greatest joy, and ambassadors from all the Italian courts visited her, to condole with her on her grandfather's death and to congratulate her on her accession, and she received them all with grace and befitting dignity. For a brief period only the Council of Regency was permitted to govern, and during this time Joanna possessed influence over them, and astonished them by her wisdom and prudence. She and the Dowager Queen Sancha took the first opportunity of promoting their favourite, Philippa the Catanese, and her family to higher dignities than they enjoyed in the reign of the late King. Philippa was still Joanna's governess ; she was now made Countess of Montoni. Her granddaughter 4 8 The Lamb among Wolves 49 Sancha, the Dowager Queen's godchild, was married to the Count of Murzano ; Philippa's son, the Count of Evoli, was made seneschal of the kingdom, a rank, inferior only to that of the Sovereign : by virtue of this appointment he became one of the seven great officers of the Crown. Philippa was now at the zenith of her prosperity, little irking of the terrible fate in store for her. But let us not antici- pate evils, where an armed band of troubles was close at hand. That " serpent," as Petrarch calls him, Friar Robert, began immediately to appear in his true character. He prompted his pupil Andrew to declare the crown of Naples was not Joanna's dowry, but his by right, and no sooner was the proclamation of the new King and Queen pronounced than he demanded admission to the Council of Regency for himself and for Nicholas the Hungarian, the governor of Andrew. Unfortunately the Council, after some hesitation, made the fatal mistake of admitting them, thereby compassing the very evil the late King had endeavoured to ward off" from the kingdom, to which end all his measures for many years had been directed. Not content with this first successful move, Friar Robert went on to obtain places of trust and influence for the Hungarians, intending ultimately to seize the reins of government for himself. Pope Clement VI. then interfered, partially can- 4 5° The Beautiful Queen celling the Regency appointed by King Robert, and nominating a legate to govern in its place ; whereupon the most ambitious among the Neapolitan nobles seized the opportunity to promote their own ends, and refused to obey either the legate or the Regency, playing off one against the other. Meanwhile Friar Robert's hypocrisy imposed upon the people, who, judging his external poverty, as shown in his dirty habit and slovenly appearance, to be a sign of supernatural sanctity, were ready to obey and support him. He won the more mercenary nobles over by promises of promotion, and soon found himself at the head of a party powerful enough to defy the Pope himself. He treated both Joanna and the Queen Dowager with the greatest insolence, and claimed everything in the right of Andrew alone, making Joanna practically a State prisoner, while the Hungarians pressed themselves everywhere, to the exclusion of the Neapolitan princes and nobles. The princes of the blood, banished from court by the haughtiness of the Hungarians, retired to their own castles, leaving Joanna to the mercy of these barbarians — the lamb among wolves, as Petrarch so aptly called her. The lamb, however, was not altogether unprotected. Philippa was with her, and, for the first year after King Robert's death, the Dowager Queen remained at Castel Nuovo, where Joanna and Maria resided with her. The Lamb among Wolves 51 The Princess of Taranto also continued to live in Naples with her daughters, whilst her eldest son Robert was absent fighting for her real or supposed rights as the titular Empress of Constantinople. This princess, seeing that Andrew was a mere tool in Friar Robert's hands, and utterly incapable of appreciating either Joanna's beauty or her talents, or of doing anything except eat and drink, began, it is said, to plan a marriage with Joanna and her second son, Louis, trusting, if she succeeded in winning Joanna's affection for Louis, to persuade the Pope to annul her marriage with Andrew. There seems no doubt that the Princess of Taranto did try to divert the young Queen's affections from her boorish, idiotic husband to her own handsome, learned, brave, and attractive son, and in all probability it is equally true that Philippa the Catanese aided and abetted her in this to the best of her power ; but that Nicholas Acciajuoli joined in this vile conspiracy to tempt Joanna to be unfaithful to her first husband, as some historians assert, is believed by Costanzo, whom we are following, to be a libel on so upright and honourable a man. Acciajuoli owed everything to Robert, and common gratitude to the late King would prevent him from joining in a plot to compromise Joanna's honour, in days when the marriage-tie was not so easily broken as now. Louis, as the sequel will show, was by no means 5 2 The Beautiful Queen so blind to his cousin's charms as was her husband Andrew, but there is not a scrap of evidence to show that the young Queen at this time had any but a cousinly affection for Louis ; on the contrary, she was so watched and guarded by the Hungarians, that had she shown any preference for Louis, Friar Robert and his creatures would have been only too glad to seize upon any pretext to get rid of her and secure the throne for Andrew alone. Joanna was too fond of her grandfather, to whose commands and wishes, both before and after his death, she showed implicit obedience, and too innocent, to think of such a thing as abandoning her lawful husband for another more attractive one. In the October following Robert's death Petrarch again visited Naples for two purposes. He was deputed by the Pope to assert his right to ad- minister the government of the kingdom during the minority of the King and Queen, and further charged by his friend and protector, Cardinal Colonna, to obtain the release from perpetual im- prisonment of the Pipini brothers, the Counts of Minervino, Lucera, and Potenza. They had been sentenced to life-long imprisonment in the castle of Capua by King Robert, for besieging Count Marra in his casde of that name. The Pipini were friends of the Colonna family, whom they assisted in their quarrels with the Orsini, their hereditary enemies, The Lamb among Wolves 53 and the municipal authorities of Rome. Soon after his arrival in Naples, Petrarch wrote to Cardinal Colonna, and in his letter gives such a graphic description of Naples that we cannot do better than quote parts of it, for Petrarch was a very effusive correspondent, and his epistle is too long to be quoted in full. He says : " Immediately on my arrival in Naples I visited the two Queens, and went to treat with the council on the subject of my coming. But oh infamy of the world, what a monster ! May Heaven rid the soil of Italy of such a pest. ... I mourn for thee, Naples, my beloved ! that thou art rendered like to one of these Saracens — no pity, no truth, no faith, a horrible animal, with bald head and bare feet, short in stature, swoln in person, with worn-out rags torn studiously to show his naked skin, who not only despises the supplications of thy citizens, but from the vantage ground of his feigned sanctity treats with scorn the embassy of the Pope. Yet this is not marvellous, because his pride is founded upon the treasures he accumulates, for from what is reported it appears that his caskets full of gold do not accord with the rags he wears. Perhaps you would know his name : he is called Robert, succeeding, in this place, to that Robert lately dead who was as much the honour of our age as this is its eternal infamy." Having enlarged on this theme, he continues 54 The Beautiful Queen further on : " He wears nor crown nor brocade nor silk, but with a squalid mantle, filthy and torn, which covers but half his swollen body, and with a crouch- ing gait, bent not by age, but by hypocrisy, he rules with unutterable arrogance and tyranny the courts of both Queens, oppresses the weak, treads justice under foot, confounds all things human and divine, and like a new Palinurus or Tiphys * sits at the head of this great vessel, which from what I can discern will quickly go to the bottom, as all the mariners are like himself, except the Bishop of Cavaillon, who as much as he can takes the side of justice, abandoned by all the others." He goes on to tell the Cardinal to relate these things to the Pope, and to add that the Apostolic embassy would have been received with more reverence by the Saracens than it was in Naples. He also says he has been three or four times to visit the Capuan prisoners, who place all their hope of release in the Cardinal. The old Queen has great pity on them, but can do nothing to help them, as Friar Robert was determined to keep them in prison ; Joanna and Andrew might have mercy on them, if Friar Robert and Nicholas, the governor of the King, would permit them. If Friar Robert had never done anything worse than refuse to release these turbulent Pipini, we should not have much to say against him, for they 1 Palinurus and Tiphys were pilots The Lamb among Wolves 55 were not worthy of the interest Cardinal Colonna took in them ; and their subsequent release, which Petrarch persuaded Andrew to grant, only hastened the catastrophe which was impending on this un- happy King. Petrarch had many opportunities of conversing with Joanna during this visit, and was struck with her talents and learning. She would fain have attached him to her court ; but as at that time she was a Queen in name only, without power to do good to any one, as she pathetically said of herself, this was impossible ; but she was able to appoint him her domestic chaplain and almoner, an office only bestowed upon people of distinction. Shortly before coming to Naples for the second time, Petrarch had received further preferment from Pope Clement VI., who made him Archdeacon of Parma, and at the end of 1342 conferred upon him the Priory of St. Nicholas, Pisa. The deed by which Joanna appointed the poet her domestic chaplain was signed on the day of a most terrific tempest, which occurred while Petrarch was in Naples, and is described by him with his usual eloquence. This storm was caused by a violent sirocco, and was felt on all the shores of the Mediterranean, but spent its worst fury on Naples. It was predicted a few days before by the bishop of one of the neighbouring islands, 5 6 The Beautiful Queen as a scourge from God ; he also prophesied that the city would be destroyed by an earthquake on November 25th, when the storm actually happened. Happily this second part of the prophesy was not fulfilled, but it spread such terror through the city that the inhabitants prepared for death, leaving their business unattended to, and when the first signs of the storm broke women rushed half-clothed, with their babies in their arms, to the churches, where they prostrated themselves on the floor praying for mercy. Petrarch, who confesses he was frightened by the general consternation, went to spend the night in the monastery of St. Laurence, where he went to bed shortly before midnight, the monks having retired at their usual hour. " Scarce had I closed my eyes," he says in a letter he wrote the day after the earthquake, " when I was awakened by the loud rattling of my chamber- windows. I felt the walls of the convent violently shaken from their foundations. The lamp which I always keep lighted through the night was ex- tinguished. The fear of death had fast hold of me. "The whole city was in commotion, and you heard nothing but lamentations and confused ex- hortations to make ready for the dreadful event. The monks, who had risen for Matins, terrified by the movements of the earth, ran into my chamber armed with crosses and relics, imploring the mercy The Lamb among Wolves 57 of Heaven. A prior whose name was David, and who was considered a saint, was at their head. We proceeded to the church, which was already crowded, and here we remained during the rest of the night, expecting every moment the completion of the prophesy. "We all threw ourselves on the ground, and implored aloud the mercy of Heaven, expecting from time to time that the church would fall upon us. " It is impossible to describe the horrors of that infernal night. The elements were let loose. The noise of the thunder, the winds, and the rain, the roarings of the enraged sea, the con- vulsions of the heaving earth, and the distracted cries of those who felt themselves staggering on the brink of death, were dreadful beyond imagina- tion. Never was there such a night. As soon as we apprehended that day was at hand, the altars were prepared, and the priests vested themselves for Mass. Trembling we lifted up our eyes to Heaven, and then fell prostrate upon the earth. " The day at length appeared. But what a day ! Its horrors were worse than those of the night. No sooner were the higher parts of the city a little more calm, than we were struck with the outcries which we heard from the sea. Anxious to discover what was passing there, and still ex- pecting nothing but death, we became desperate, 5 8 The Beautiful Queen and instantly mounting our horses we rode down to the shore. " Heaven ! What a sight ! Vessels wrecked in the harbour ; the strand covered with bodies, which had been dashed against the rocks, and appeared like so many eggs which had been broken in pieces. Nor were the shrieks of the men and women who inhabited the falling houses close to the sea less terrible than the roaring of the sea itself. Where the day before we had gone to and fro on the dusty path was now a sea more dangerous than the Straits of Messina. You could not pass in the streets without the risk of being drowned. tf More than a thousand Neapolitan knights came from all sides to the spot where we were, as if to assist in the funeral obsequies of their country. This splendid troop gave me a little courage. 'If I die,' I said to myself, c I shall still be in good company.' " Scarce had I made this reflection whan I heard a dreadful clamour everywhere around me. The sea had sapped the foundations of the place where we were standing, and it was at this instant giving way. We fled therefore immediately to more elevated ground. Here we beheld a most tre- mendous sight. The sea between Naples and Capri was covered with moving mountains ; they were neither green as in the ordinary state of The Lamb among Wolves 59 the ocean, nor black as in common storms, but white. " The young Queen rushed out of the palace barefooted, her hair dishevelled, and her dress in the greatest disorder. She was followed by a train of females, whose dress was as loose and disorderly as her own. They went to throw themselves at the feet of the Blessed Virgin, crying aloud, ' Mercy ! Mercy ! ' and visited in turn all the churches of the Mother of God in the city. " Towards the close of the day the storm abated, the sea was calm and the sky serene. Those who were upon land suffered now only the pains of fear, but it was otherwise with those upon the water. Some galleys from Marseilles and Cyprus were sunk before our eyes, nor could we give them the least assistance. Larger vessels from other nations met with the same fate, in the midst of the harbour. Not a soul was saved except one galley of four hundred criminals, under sentence of death, who had been reserved as a forlorn hope, to be exposed in the first expedition against Sicily. They were a hardy set of men, and struggled with the storm, and when the ship began to sink ran aloft and clung to the rigging. At this moment the tempest was appeased, and these poor convicts were the only ones whose lives were saved in the port of Naples. Lucan says, 'Fortune preserves the guilty.'" x 1 "Life of Petrarch," by Mrs. Dodson (London, 1805). 60 The Beautiful Queen This graphic description of the terrible scene, we may take it, does not in any way underestimate the horrors of this historical storm and earthquake, for Petrarch's style was picturesque ; and at any rate both he and Joanna recovered sufficiently from their terror to sign the document making him her chaplain the same day, for it bears the date of November 25 th, 1343. Petrarch concludes his letter by vowing that nothing shall ever make him risk his life on the sea after witnessing the destruction of that storm. " I will leave the air to the birds, and the sea to the fish, for I am a land animal, and to the land will I confine myself. I know very well the divines insist there is as much danger by land as by sea. It may be so. But I beseech you to permit me there to give up my life where I first received it. I like that saying of one of the ancients, ' He who is ship- wrecked a second time cannot lay the fault upon Neptune.' " x The state of Rome at this time was in the utmost disorder, for the quarrels of the! barons and the insurrections of the populace made the Eternal City a constant scene of bloodshed. Naples, according to Petrarch, was not much better ; for in another letter which he wrote on this visit he says the streets at night "are filled by young men of rank who are armed and attack all who pass, without distinction — they must fight or die. This evil is " Life of Petrarch," by Mrs. Dodson (London, 1805). The Lamb among Wolves 61 without remedy ; neither the authority of parents, the severity of the magistrates, nor the power of kings has been able to suppress it. But it is not surprising that such actions are committed by night, when they kill each other for diversion in open day." Here Petrarch is alluding to combats resembling those of gladiators, which were at this time the favourite amusement of both sexes and all ranks in Naples. They took place in a part called the Carbonaria, amid the most brilliant and magnificent assemblage of nobility in Europe. Petrarch was induced to go to one of these entertainments, at which the young King and Queen were present ; but he left in disgust after seeing a young nobleman expire at his feet, whereupon he put spurs to his horse and fled. He used all his eloquence to try to disgust the Neapolitan nobles with these barbarous tournaments, but in vain ; they would not be persuaded to give them up. It was during this visit of Petrarch to Naples that Joanna, for her own amusement and that of her courtiers, established her " Court of Love," or " Parliament of Love," as these courts were called. They settled difficult questions on subjects connected with love and marriage, composed by their arbitration the quarrels of lovers, and awarded prizes to poets and other writers. Joanna was chosen as President of the Court of 62 The Beautiful Queen Love, which was organised this year for her birthday- feast, and a story is told in connection with it which throws a light on the relations of Andrew and Joanna. It seems that when Joanna took her seat under the canopy erected for her, there was another empty seat a little below hers, and Andrew tried to take it, but the young Queen waved him away from it, saying : " Fair sir ! I reign here alone ; you cannot share my authority." Andrew retired in a fury, and Petrarch unrebuked took the seat. During the banquet it was the custom for presents to be brought in, and Joanna gave them to whom she pleased. These gifts were of various kinds — armour, hounds, falcons, jewellery, etc. On this occasion Joanna gave Louis of Taranto a steel mask for his face, and sent a falcon to Andrew, who angrily refused it. " Take the bird to your mistress, and let her give it to whom she likes. I accept no constrained courtesy," he said. Joanna, who saw Andrew's action if she did not actually hear his rude words — which in justice to him must be allowed to have had some provocation — was as angry as Andrew had been when she waved him away from the seat by her side, but said nothing. Presently seeing her displeasure, Nicholas the Hungarian, Andrew's tutor, made some excuse for The Lamb among Wolves 63 the young King, but Joanna angrily and haughtily told him that it was his evil counsels which had prompted Andrew's insult. This glimpse at this Court of Love gives a better idea of the relations which existed between Joanna and her boorish husband than could be conveyed by pages which might be written upon the subject. The little scene is so natural : first Joanna smilingly waving the young King, who was seldom sober, away from the seat of honour to which he aspired ; his subsequent sulky refusal of her gift given according to custom, and her girlish anger and pique at his rudeness ; finally her royal rebuke of the Hungarian tutor, who was the cause of much of the friction between the young King and Queen. Petrarch remained in Naples until the end of December, and before he left, Andrew went himself to the Castle of Capua, and by his own authority set free the Pipini brothers. This is the only act of vigour he ever performed, but he was probably prompted to it by Friar Robert, who wanted to attach these dangerous men to his party. Andrew acted apparently in this instance from compassion, and then took a great fancy to the three liberated prisoners, whom he could not bear out of his sight, and made great friends of them. The Pipini soon began to presume on his favour, and grew more violent and overbearing than before their imprison- ment, and only increased the hatred which the 64 The Beautiful Queen Neapolitans were beginning to feel for Andrew per- sonally, dreading as they did the encroachments of the Hungarians ; moreover, they now feared that the weakness of his mind would make him the tool of any one to whom he took a fancy. While on the one hand the Neapolitans were dreading the ascendency of the Hungarians and their party, Friar Robert, who knew that his rule could only last during the extreme youth of Joanna, now eighteen, began to fear her great popularity with the people and the best of the nobility, the favour which she enjoyed of the Pope, and her superior abilities. To counteract all this, the wily friar wrote to Louis of Hungary, Andrew's eldest brother, begging him to come to Naples and marry the Queen's sister Maria, according to the testament of Robert, and to seize on the kingdom itself in his own right, as the heir of his grandfather, Charles Martel. Louis of Hungary was only too ready to fall in with these plans, but they were met by a counter-plot of the house of Durazzo, as we shall see directly. The Dowager Queen Sancha remained only a year in the world after her husband's death, and about the first anniversary of it entered the convent of Poor Clares in Naples, which she had herself founded some years before. Sancha had always, as we have said before, hankered after the religious life, and now seized the first opportunity of retiring from a The Lamb among Wolves 65 world she despised, to join the strictest Order in the Catholic Church and exchange the luxury of the most refined court in Europe for the coarse habit, and inclined board as a bed, of the Poor Clares. It turned out fortunate for her that she did so, before the impending tragedy which involved the ruin of so many. Petrarch's epitaph on King Robert may fitly close this chapter. " Here lies the body of King Robert. His soul is in heaven. He was the glory of kings, the honour of his age, the chief of warriors, and the best of men. Skilful in the art of war, he loved peace. . . . His genius equalled his valour, he unravelled the holy mysteries, he read the events of Heaven. The Muses and the Arts mourn their protector. All the virtues lie buried in his tomb. No one can praise him as he deserves, but Fame shall make him immortal." CHAPTER V Plots and Counterplots ' I "HE Durazzos, it will be remembered, were the -*■ youngest branch of the Angevine family. King Robert's youngest brother, the Duke of Durazzo, had married Maria of Perigord, the sister of Cardinal Talleyrand — a name that became celebrated through the distinguished diplomatist who lived four hundred years later. The Duchess of Durazzo was a widow at the time of King Robert's death. She was living in Naples with her three sons, Charles, Louis, and Robert, and her daughters, all of whom were well- known members of the Neapolitan Court. Charles was a handsome man and a brave soldier, but un- scrupulous and ambitious, and report said was very fond of his cousin Joanna, and certainly quite alive to the advantages of a marriage with her sister, Maria of Sicily, whom King Robert had assigned by his will to Louis of Hungary. As soon as Maria was of marriageable age, the 66 Plots and Counter-plots 67 Duchess of Durazzo set to work to win her affections for her son Charles, just as the widowed Princess of Taranto was endeavouring to estrange Joanna's affections from her husband Andrew in favour of her son Louis, but with this difference — that Maria was only betrothed to Louis of Hungary, while Joanna was actually the wife of Andrew. The Duchess persuaded her brother, Cardinal Talleyrand, to induce Pope Clement VI. to grant Maria a dispensation to enable her to marry the Duke of Durazzo, who was her first cousin, once removed. Clement, who was always only too ready to oblige his friends, consented without in this case considering what the consequences would be of this marriage of the heir-apparent to the Neapolitan throne. Had he given it more thought, he would have seen that it not only threatened Joanna's in- terests, but might also prove dangerous to her crown. Maria was living at Castel Nuovo with the Queen Regnant, and the Dowager Queen Sancha, who had not yet entered the monastery of Poor Clares ; and the Duchess visited her constantly, and, having succeeded in setting Maria against the Hungarians, was soon able to persuade her to give up Louis of Hungary, whom she had not seen, for the Duke of Durazzo, whom she knew well. She then made all the necessary arrangements for the marriage : she seems to have had a genius for intrigue, and to have planned everything very cleverly, for she 68 The Beautiful Queen managed to get Maria out of the palace and married to Charles before the child (for she was only fifteen) was missed. When it was discovered one fine day that the heir-apparent to the throne had been abducted and married to the Duke of Durazzo, thereby setting her grandfather's will at defiance, there was great consternation in the palace. The two Queens, Joanna and Sancha, were furiously angry, for Joanna, though so young, was old enough and wise enough to see what dangerous consequences might result to herself from it ; for Louis of Hungary was not likely to submit quietly to being thus cheated of his bride, and would probably revenge himself by invading Joanna's kingdom. Moreover, the fact that the Duke of Durazzo's grandmother was a princess of Hungary increased the danger to Joanna's throne, as the Hungarians were only too ready to dispute her right to it; and from their point of view, this gave the Duke some claim to it himself, and was what he was aiming at secretly. It was immediately after this elopement that the Queen Sancha retired to her convent, leaving Joanna under the care of Philippa the Catanese. She took the habit, and died before she had been more than a year in the monastery, being probably too old to stand the austerity of the rule : she was thus happily spared the knowledge of the terrible tragedy which was impending and its consequences. Plots and Counterplots 69 Angry as Joanna was with Maria and Durazzo, she soon forgave them both, and was reconciled to them, perhaps feeling the need of her sister's society and sympathy in the midst of her own difficulties and troubles, surrounded as she was by Friar Robert's boorish and ambitious Hungarians. Meanwhile the Princess of Taranto and Philippa seem to have been pursuing their infamous design of trying to undermine Joanna's loyalty to her young husband, trusting that as the Pope had been so accommodating in Maria's case as to give her the necessary dispensation to marry Durazzo, he would be equally obliging in Joanna's, and pronounce her marriage null and void. Whether Joanna was aware of these designs we cannot tell at this distance of time and among so many conflicting reports. She must have known of the daily increasing unpopu- larity of the Hungarians, and probably shared in the desire to get rid of the odious Friar Robert, but there is no evidence to show that she wished to be separated from Andrew. In the course of 1344 Clement VI. appointed Cardinal Americus as his legate, to govern the kingdom during Joanna's minority ; and on August 28th the beautiful young Queen received the in- vestiture of the crown from his hands, and took the oaths according to the customary ceremonies, and on the same conditions as her predecessors, Andrew being only a spectator. It was the Cardinal's in- 7° The Beautiful Queen fluence which achieved this stroke of policy, and he afterwards did his best to control the authority of Friar Robert, but he did not succeed very well, for he was a stranger in Naples, and therefore ignorant of the most important affairs of State, and all those who were opposed to his appointment withheld the necessary information from him. Friar Robert was, as we have seen, popular among the lower orders, who believed in his reputed sanctity. Joanna, seeing everything going to ruin, now wrote to the Pope and begged him to allow her to govern for herself, without the interference of either legates or guardians. Clement, on account of her youth — for she was not yet seventeen — refused this request ; and she then wrote another letter to him, begging him to recall Cardinal Americus, and appoint in his place Philip de Cabassole, the Bishop of Cavaillon, whom King Robert had in his will placed at the head of the Council of Regency with Queen Sancha, and with his last breath had committed the care of his kingdom and the charge of his grandchildren to him. This good bishop, who was afterwards made a Cardinal and Patriarch of Jerusalem, was also a friend of Petrarch, who says of him "that he was a great man with a little bishopric," Cavaillon being only a small town near Avignon and also near Vaucluse, where Petrarch frequently retired when he wished to live in seclusion. Philip was of noble birth, and had been made a canon at the age of Plots and Counterplots 71 twelve, according to a mediaeval custom of conferring these nominal preferments upon boys and youths, long before they were old enough to be ordained. The Cabassoles had always been attached to the Angevine family, who, with their usual generosity to their dependents and friends, had loaded them with benefits. The Bishop had remained at Naples after Robert's death, and had showed his anxiety to do all he could for the late King's family. Clement VI. knew this, and, recognising the reasonableness and wisdom of Joanna's request, gave his consent immediately, and the result was some mitigation of the miseries of the people and of the indignities to which the royal family had been subjected by the Hungarians. The tyranny and rapaciousness of these barbarians, whose object was to wrest the kingdom from Joanna in favour of the Hungarian family, had so roused the great barons and the princes of Taranto and Durazzo that they now determined not to consent to the coronation of Andrew on any terms. Louis of Hungary had already tried to obtain a Bull from Avignon for his coronation in right of his grand- father, Charles Martel, but the Neapolitans had refused to take the oaths of allegiance to him, except as the consort of Joanna, and now they refused to acknowledge him as king, dreading, as they had good cause to dread, the increase of any Hungarian influence. 7 2 The Beautiful Queen The Duke of Durazzo, as the husband of Maria of Sicily, was peculiarly interested in this question, and no sooner was he married to Maria than he began to intrigue not only against Andrew, but against Joanna also. Through his uncle, Cardinal Talleyrand, he secretly represented to the Pope at Avignon the danger which would ensue for Naples if Andrew were crowned, in which case the Nea- politans feared their kingdom would become merely a province of Hungary. Clement considered their representations, and delayed to grant the Bull for the coronation for two years after Robert's death ; then the court of Hungary is said to have sent the Pope's council a bribe of 100,000 florins, after Which Clement issued a Bull for the coronation of Andrew and Joanna, but of Andrew only as the Queen's consort, without giving him any personal claim to the crown. The date for the coronation was fixed for September 20th, 1345. Before coming to the events that occurred on the eve of this long-delayed coronation, it will be as well to take a glimpse at the condition of Europe at this time, and then briefly to recapitulate the conflicting interests in the Neapolitan court, so as to bring before our readers the principal dramatis persona in what came perilously like an Adelphi drama. Pierre Roger, who took the title of Clement VI. when he ascended the Papal throne in the year King Robert died, 1342, was, as his name implies, Plots and Counterplots 73 a Frenchman, and the fourth of the Avignon Popes. He loved magnificence and pomp, and the notori- ously luxurious court of Avignon was never more luxurious than under his rule. He was fond of the society of ladies, and allowed them to frequent his court ; he became a great friend of Joanna's, as will appear. He had many great qualities. He was frank, noble, and generous to a fault, and dispensed his favours with both liberality and grace. His failing, of which his detractors have made the most, was a love of luxury. On the other hand, his benevolence was equally great, and at the time of the plague, when in 1348 it visited Avignon, he not only gave most lavishly to the hospitals and sufferers, but enacted very wise laws for its suppression. Naturally highly gifted, he spent much of his time in study, and had such an excellent memory that Petrarch says he never forgot anything that he read : indeed if he had wished to do so he could not. He admired Petrarch, and offered him the post of apostolic secretary ; but nothing could induce the poet to accept it — probably because he dis- approved of the luxury of the Avignon court and the licentiousness of the city, for it was never in a worse state than during the reign of this gentle and refined pontiff. The struggle between the Empire and the Papacy was still going on when he came to the throne, 74 The Beautiful Queen though Louis the Bavarian, who for the last thirty years had troubled the peace of the Popes, had now pretended to submit. In 1344, however, he had the impudence to convoke a diet at Frankfort, which he induced to protest against, what they described as, the ambition and violence of the Pope. Clement VI. thus provoked determined on the deposition of Louis in favour of Charles of Luxembourg, who was elected in 1346, and ascended the throne the following year under the title of Charles IV., when Louis died. Thus ended the long contests between the Papacy and the Empire. Clement published two Bulls for the protection of the Jews from the persecutions to which they had been subjected under his predecessors, and he extended the Jubilee, which then only occurred every hundred years, to every fifty years. This was a very popular action with the Romans, for the year of the Jubilee brings an enormous number of pilgrims and other visitors to Rome, and the citizens made a good harvest out of it and also in the sale of pious articles, rosaries, medals, and other objects of devotion. The year after Clement came to the throne, Cola de Rienzi, the great Roman patriot, came to Avignon at the head of a deputation of the Romans to urge the Pope to return to Rome ; but they were un- successful, as Clement refused to leave Avignon for Rome, the scene of constant struggles between Plots and Counter *plots 75 the rival barons and the people. On Rienzi's return to Rome he incited the citizens to rise against the nobles, his hatred of them having been excited by the assassination of his younger brother some years previously. Rienzi's romantic career is so well known that we need only refer to it here, remembering that he was afterwards sent back to Avignon as prisoner and confined by Clement VI., and released by his successor Innocent VI., who sent him back to Rome to crush the nobles again. His tragic fate was due to his haughtiness, which disgusted the people who had formerly idolised him. War between England and France was still going on when Clement came to the throne. Benedict XII., who for the time being had settled the quarrel between the Papacy and Louis of Bavaria, had also succeeded in getting a truce proclaimed between Edward III. of England and Philip VI. of Valois, but it only lasted for a year. Edward was disputing the throne of France with Philip on the ground that being a nephew of the deceased King Charles IV., through his mother Isabella, Charles's sister, he was therefore a degree nearer to the throne than Philip, who was only cousin-german to Charles. The Salic law, however, which excluded women from the succession, prevailed in France, so there was no real ground for Edward's pretensions. Friction between the two monarchs had further arisen, first by Edward 76 The Beautiful Queen having received Robert of Artois, who had been banished from France, and then Philip had returned the compliment by receiving David Bruce, who had been dethroned from Scodand by Edward Balliol, whom Edward III. supported. Louis of Bavaria sided with the English, and had also declared war against Philip, while Edward was now expected to invade France. His first attempt at invasion through Flanders had failed ; but all Europe was disturbed and suffering from this war between its two mightiest monarchs, and Clement did his best to make peace, but only succeeded so far as to get another truce proclaimed, but it was not long observed. The robber bands of mercenaries which followed in the wake of both armies were a terror to all Italy, as well as to France, where they penetrated as far as Avignon, so that even a French Pope was annoyed by the depredations of the French King's forces. If the state of France and Italy was such as to give great anxiety to the Holy Father, when he turned his eyes to Spain things were not much better there. A struggle was going on there which all Europe was watching with interest, between the Moors who had overrun the country and the Christians. Besides this religious strife, civil war was disturbing the Peninsula, between the nobles and priests on the one hand, and on the other the Plots and Counterplots 77 members and representatives of a confederacy of towns which had joined together for mutual defence and had developed into a sort of Cortes. It was really a struggle between the aristocracy and the democracy, and in 1350, when Pedro the Cruel came to the throne, the struggle was further complicated by England taking the side of Pedro and the people, and France that of the nobles under Henry of Trastevera, an illegitimate son of the late King Alphonso XL, and half-brdther of Pedro. In Italy, Florence was at the head of all the other cities in art and civilisation, but it was the scene of constant combats between the Guelphs and the Ghibellines. Naples, as we have said before, possessed the most refined and cultivated court in Europe. Rome was a prey to broils and insurrections, to robbers and assassins, which while they rendered expedient in some ways the exile of the Pope, were, at the same time increased by his absence. Venice was governed by a council of ten, with the Doge at their head, possessing terrible powers over the rest of the State ; and here and in Siena and all the Italian cities, which were all independent States, a constant struggle was going on, not only between rival nobles, but also between nobles and people, while the entire peninsula was to a large extent at the mercy of all those marauding bands of mercenaries which infested it, such as the White Company. A celebrated contemporary of Joanna at Naples 78 The Beautiful Queen was Marina Faliero, a distinguished military hero, who, after being at war for years with the Hungarians, finally defeated them in 1346, and some years later was made Doge of Venice. He had a beautiful young wife, whose romantic story and the subsequent tragic ending of the Doge's life have been the subject of Byron's drama " Marino Faliero," and of Swin- burne's tragedy. In Scandinavia, where the people were slowly emerging from the dark night of paganism into the glorious light of Christianity, there had arisen a celebrated prophetess and politician, a Swedish prin- cess, afterwards a canonised saint of the Church — St. Bridget of Sweden, wife of Ulf, Prince of Nericia, who left her a widow in 1345. She afterwards became a friend of Joanna, whose court she visited several times, once under very romantic circum- stances, as we shall presently see. St. Bridget played a great part in trying to induce Clement VI. to leave Avignon and return to Rome, but she did not succeed : it was left to the daughter of the dyer at Siena, St. Catherine, to accomplish finally the work of bringing back the Popes to the Eternal City. But to return to Naples, where the beautiful young Queen and her boorish husband were surrounded by conflicting influences. On the one hand were Friar Robert in his dirty, ragged habit, and his insolent and semi-barbarian Hungarians, Plots and Counter 'plots 79 hated by all the Neapolitans, with an old nurse of Andrew's in the background ; on the other side were Philippa the Catanese, still a very handsome woman, and her granddaughter Sancha, Charles, Duke of Durazzo, and his child-wife Maria, the Queen's sister, his mother, the Dowager Duchess of Taranto, the widowed Empress of Constantinople, Catherine of Valois, widow of Philip, Prince of Taranto, and her three sons, the Bishop of Cavaillon, the Queen's aunt, the Princess Maria of Sicily and her satellite and lover, Boccaccio, a frequent visitor at this brilliant court, and Nicholas Acciajuoli, the handsome Florentine, afterwards promoted by the Queen to be Grand Seneschal of the kingdom, for whom the Empress of Constantinople is said to have had more than a Platonic friendship. Indeed, it was her indifferent reputation and her intimacy with Nicholas which led to his being accused of being the actual murderer of Andrew. Two other conspicuous personages at the Nea- politan court at this time were Charles Artus, Grand Chancellor of Naples, and a member of the Council of Regency, appointed by the late King Robert and his son, both of whom were also great friends of the Empress of Constantinople. CHAPTER VI The Murder of Andrew TT was the custom of the Angevine Kings and *■ Queens of Naples to leave the city during the summer, when the heat became intolerable, and take up their abode in one of their delightful summer residences, or more often in one of the monasteries which they had founded, in the neighbourhood of Naples, where the beautiful gardens and spacious apartments formed a pleasant retreat from the cares of State and the noise and sultriness of the city. In 1345 Joanna had special reasons for desiring to get away from Naples, for she was expecting to become a mother at the end of the year; and in the month of August she and Andrew removed to the castle of Aversa, to enjoy the cool retreat of the gardens in the Celestine monastery close by, and to escape the preparations for their coronation in Naples next month. Aversa is situated about 80 The Murder of Andrew 81 twelve miles north of Naples, in the enchanting scenery of the district known as " the happy Cam- pania." In this fatal year, 1345, Aversa consisted of little more than its grand old castle, which be- longed to the Crown, and a fine old Celestine monastery with lovely grounds, the town not having recovered from its demolition by Charles of Anjou, who destroyed it to punish the inhabitants for having sided with some barons who were averse to his policy. Hence its name, Aversa. The castle was surrounded then by olive-woods, and orange-gardens, and dark forests of cedars and other trees; and in this delightful retreat, relieved from the presence of the odious Friar Robert, who remained behind to govern the kingdom, the young Queen enjoyed her villeggiatura, looking forward openly to her approaching coronation, and secretly dreaming of the fulfilment of her hopes of maternity at the close of the year. But while Joanna, in her youthful innocence, dreamt of the splendour and pomp of her coronation, in which she took a girlish and natural pride and delight, and meditated upon the still more sacred and purer joys of motherhood, which the poorest of her subjects were also privileged to enjoy, these coming events were casting a shadow over the pages of history which time will never efface. These two circumstances, the coronation and the birth of an heir to the throne, were the immediate 6 82 The Beautiful Queen causes of the murder of the young king ; for the Neapolitans feared that when once Andrew was crowned, Friar Robert, who ruled him, would rule them, and tyrannise more than ever over the king- dom ; and in the next place, they anticipated that the birth of an heir to the throne would endear Andrew to the Queen, and give him fresh claims upon the affection and loyalty of the people. So while the young sovereigns were enjoying the combined pleasures of court and country life, of music and dancing, of the tales of the poet and the songs of the troubadour, of the outdoor sports of falconry and tournaments, a vile plot was being hatched among the courtiers for the assassination of Andrew. Although Friar Robert was left in Naples, some of the Hungarian suite had accompanied Andrew to Aversa, and it is particularly noted that his old nurse, Isolda, who was passionately attached to him, was staying in the castle. At this distance of time it is impossible to fix the guilt of this odious murder of the young King upon anyone ; but it is possible, judging from the known character of some who were accused of it, and in the knowledge of subsequent events, to acquit at least two of them of complicity in it. We may dismiss at once as altogether improbable, if not impossible, the theory that Joanna had any part in it, and equally unlikely is it that a man of so The Murder of Andrew 83 fine a nature as Nicholas Acciajuoli was the actual murderer, as is stated by de Sade in his Life of Petrarch ; and many other writers have copied him, without questioning what a little more knowledge of the man would have shown was at least highly improbable. Acciajuoli's intimacy with the Empress of Con- stantinople seems to have been the cause of his being accused, for the probability seems to be in favour of the opinion that this princess, whose moral character would not bear investigation, was one of the principal conspirators against Andrew, her well- known desire being to see her son Louis in his place. Philippa the Catanese is believed by some writers to have known of and sympathised with the plot, her motive being to deliver Joanna, whom she idolised, from her boorish husband, who appears to have been totally blind to her charms. But first and foremost of all the conspirators was undoubtedly the ambitious and unscrupulous Charles, Duke of Durazzo, who is frequently accused of being one of the actual assassins. For six weeks the young Queen and her husband led a happy and gay life at Aversa, whose pro- pinquity to Naples permitted the daily coming and going of all those courtiers who were not living at the Castle. September 20th had been fixed as the date of the 84 The Beautiful Queen coronation of Joanna as Queen and of Andrew as King-consort, and on the eve of that day a great banquet was given at the Castle to celebrate the great occasion fitly. The sovereigns appear to have retired early to rest in view of the fatigue of the coronation on the following day ; the Hungarian courtiers and atten- dants had as usual taken more than was good for them, and were sunk in too deep a sleep to hear the subsequent disturbance, but the conspirators Were wide awake, bent on executing their fell purpose. In the adjoining monastery the black-robed monks who had risen at midnight for matins, had gone to bed again, and all there was quiet when in the dead of the night, between one and two o'clock, one of the Queen's ladies of the bedchamber, Mabrice, sister of Andrew's chamberlain, Jacobo de Pace, entered the royal bed-chamber in haste, and told the King that a courier from Friar Robert had just arrived with dispatches of great importance, and desired to see him upon State business. The poor, unsuspecting young King rose at once, and dressing hurriedly left the sleeping Queen, to proceed to another apartment at the end of a long gallery where,- instead of the supposed courier being in attendance, the conspirators were assembled. These are believed to have been Charles Artus and his son, Jacobo de Pace, Michael de Mirazzano, Andrew's chamberlain, Philippa's son the Count of The Murder of Andrew 85 Evoli, and her son-in-law the Count de Trelice, and Raymond of Catania, the Grand Seneschal. Directly the King left the bed-chamber, some of the conspirators locked the door, either to prevent the Queen from coming out and raising an alarm, or to hinder Andrew from returning. When the unfortunate young man, who was not yet twenty, had reached the middle of the corridor, he was surrounded and seized by some of the conspirators. To muffle his cries one thrust an iron gauntlet into his mouth, another threw a rope round his neck to strangle him, others knelt upon his chest; and. then they dragged him to the balcony and hanged him over it, while their accomplices in the garden below seized his feet and strangled him by pulling them. Not content with thus brutally murdering him, according to some accounts, they actually dis- embowelled him, and were about to bury his remains in a ditch in the garden, intending to say that he had left Italy for Hungary, when they were interrupted. It appears that his faithful nurse, Isolda, slept in a room under the balcony, and was awakened by the sound of his falling body when they cut the cords which held it suspended. Whether she guessed who the victim was, or whether she saw it was the King, we do not know, but she managed to run to the monastery close by and awaken the monks, who hastened to the garden, where their arrival dispersed 86 The Beautiful Queen the murderers, who were now about to bury the body. The tears and lamentations of Isolda were probably the most sincere that honoured the mangled corpse of the unfortunate victim of this foul murder, for, in spite of his unattractiveness, as to which all writers are agreed, his old nurse loved him passionately — perhaps because of those very weaknesses — and her faithful heart was torn with grief and horror at the marks of violence on his corpse as she prepared it for burial. The monks carried the remains into the church of the convent, and watched it and prayed for the repose of his soul, until three days later he was taken to Naples to be buried. There are many versions of the account of this murder, no two of which agree in detail with each other ; but the above is taken from Costanzo, the most reliable of the biographers of Joanna. Some later Italian writers have given their imaginations play and concocted scenes which probably never occurred. For instance one, Rastrelli, says that the Hungarian Isolda, on entering the Queen's apart- ments in the morning according to her usual custom, found Joanna sitting up by the bedside, and when she asked where the King was the Queen, laughing, replied that she did not know. The nurse then went out, and, following a miraculous light, found Andrew's body lying on the ground below the The IVIurcler of Andrew 87 balcony. Thinking that he was asleep, she returned to Joanna and said, " Your Majesty, the King sleeps in the garden"; to which the Queen answered, "Let him sleep there." Isolda, still unsatisfied, went down again to the garden, where her appearance put the murderers to flight and she discovered the truth. Those who, like Muratori, suspected Joanna of complicity in this atrocious crime represent the Hungarian nurse as rushing into the Queen's room, after she had discovered the murder, and informing Joanna of it, and state that when others, drawn by her cries to the room, confirmed the report, " the Queen was so conscience-stricken, and so great was her confusion, that she could not even rise from the spot, but lay there until the morning was far advanced, and knew not how to raise her tearless eyes, or to look up at any one." Thus does the malignant spirit of calumny interpret the poor young Queen's most natural behaviour upon hearing of such a terrible catastrophe as that which had just happened. Her tearlessness was no proof of guilt ; on the contrary, it is often a sign of the deepest feeling — of grief too deep for words, too bitter for tears. She was evidently paralysed with horror ; tears would have been a blessed boon, but they were denied her, and the child was yet unborn who might have brought them "like a summer tempest." Nor could they praise the unfortunate victim, either " soft and low " or 88 The Beautiful Queen hard and high, for there seems to have been little to praise and much to blame in the late King. If Joanna's calumniators had nothing more incriminating to go upon than her behaviour on the morning following the murder, there would not be the slightest foundation for their accusations ; on the contrary, her conduct was exactly what might have been expected from any young wife on such an occasion. She says of herself, in a most touching letter which she wrote to Andrew's brother the King of Hungary : " Stunned by grief I had well-nigh died of the same wounds " ; and there is not the slightest reason for doubting that this was the very truth. Another historian says of her : " The Queen, who was only eighteen years old, trembled so that she did not know what to do with herself." Later in the morning Joanna rose, and in a terrible state of agitation and fear left Aversa, and returned to Naples ; and calling all her best friends around her, asked their advice in the horrible calamity which had befallen the royal house. The first thing to be done was to send letters to inform the Pope and the King of Hungary, and messengers were at once dispatched with the ghastly news to Rome and Hungary, In the above- mentioned letter from the young widowed Queen to Louis of Hungary, Joanna implored the King's protection for herself and her unborn child. How Louis responded to this appeal will presently appear. The Murder of Andrew 89 Another ridiculous charge brought against Joanna is that she left the body of Andrew unburied for three days, and that then it was brought to Naples and buried by the canons of the cathedral at their own expense. The facts were that the body was left in the charge of the Celestine monks in their church at Aversa until the necessary arrangements could be made in Naples for the funeral ; and these for a king could not be completed sooner, for the funeral rites and ceremonies due to Andrew's rank were elaborate, and if he had been hurriedly buried the scandalmongers would have seen in this precipitation fresh proof of guilt and a desire of concealment. At the end of the three days the body was brought to Naples, and laid in the chapel of St. Louis in the cathedral with many tears and lamentations. It is said that the Neapolitans showed the greatest horror of the crime, and Andrew's undeserved sufferings moved the hardest hearts to sympathy ; this circum- stance is recorded unanimously by all historians. Indeed, the murder of Andrew sent a thrill of horror all over Europe ; there was not a court that was not horrified and scandalised by it. The reproach brought against Joanna that she allowed the canons of the cathedral to pay for the funeral is absurd : it was their duty to perform the ceremony, for the Neapolitan sovereigns were always buried in the cathedral, and it was probably 90 The Beautiful Queen the custom for these canons tp bear some of the expenses, just as the canons of St. Peter's at Rome had to pay for the greater part of the Popes' funeral expenses. The faults of Andrew have probably been exaggerated by his contemporaries, for it was the policy of Joanna's friends and enemies alike to paint him as black as possible : her friends did so to excuse her if she were guilty of connivance in his assassination, her enemies to find a motive for the personal repulsion they supposed her to feel to such an extent as to make her an accomplice in his murder. He is described as a ferocious boor, a glutton, a drunkard, and a semi-idiot, with low propensities and gross habits. On the other hand, Petrarch, who knew him personally, writing when the shock of his murder was fresh in his mind, to his friend Barbatus of Sulmone, calls him " the most gentle and inoffensive of men, a youth of a rare disposition, a prince of great hopes." The poet also says that he foresaw that some dreadful calamities threatened this unhappy kingdom, but that he did not imagine that a young and innocent prince would be the first victim sacrificed to barbarity. Petrarch's praise must be discounted by, the fact that Andrew's release of the Pipini had won his regard and gratitude, and also by the consideration that the poet's eloquence often led him to exaggerate. The Murder of Andrew 91 The just measure of Andrew's character is perhaps somewhere between Petrarch's praise and the blame of Italian historians. Possibly Andrew, had he lived, might have de- veloped later in such a way as to justify the hopes of which Petrarch speaks ; but his culpable indolence and consequent gross ignorance made him a mere tool in the hands of Friar Robert and his tutor, Nicholas of Hungary, whose ambition and tyranny, by rousing the hatred of the Neapolitans against the Hungarians, had contributed to the deplorable calamity. Another cause of the assassination was undoubtedly connected with the Pipini. When King Robert had imprisoned these counts, he enriched certain of the Neapolitan nobles with their spoils : when Andrew released them from their captivity, and took them into such great favour, these nobles feared they would fall into the hands of the Pipini, and be deprived by them of their fortunes and probably of their lives also. Among them were the son and sons-in-law of Philippa the Catanese, and they were peculiarly obnoxious to Robert, and the probability is that they, being greatly interested in getting rid of Andrew, were among the conspirators. Philippa has been universally condemned as being implicated in the guilt of the Count of Evoli, her son, and her sons-in-law, but in her favour it must be said 92 The Beautiful Queen that neither she nor her grand-daughter Sancha was in the gallery or near the royal bed-chamber at the time of the murder. The Duke of Durazzo may or may not have devised the plot against Andrew ; but if we give him the benefit of the doubt in this case, it is certain that he cannot be acquitted of almost as cruel a crime in trying to destroy Joanna by openly accusing her of the murder of her husband, in order to rise himself on her ruin. He held her up to universal execration ; and if he did not murder the King, he murdered the fair name and reputation of the young Queen. Charles Artus and his son, whether innocent or not, behaved as if they were guilty, for they fled precipitately immediately after the murder had taken place, and took refuge with the Empress of Constantinople, who has in consequence been accused, with great presumption of truth, of being one of the conspirators. But if the letters which the King of Hungary afterwards alleged that the Duke of Durazzo wrote to Charles Artus were genuine, Durazzo was certainly one of the con- spirators, for in this letter the murder was planned and arranged. In spite of his vile assertions against Joanna, not a particle of circumstantial evidence was ever forthcoming against her, or against Louis of Taranto, in all the inquiries which followed, and the only evidence against Nicholas The Murder of Andrew 93 Acciajuoli was his intimacy with the Empress of Constantinople. Much has been made by Joanna's enemies of the fact of the court going to Aversa. They allege that she inveigled Andrew there in order to get rid of him more easily, but we have already explained the reasons for this customary villeggiatura. We must now note that the only historians of any repute, contemporary with Joanna, who have accused her of complicity in the murder were the two Villanis, both very credulous men, and Matthew Villani was an intimate friend of Nicholas the Hungarian, the tutor of Andrew. It was, of course, to this man's interest to calumniate Joanna, for the only hope the Hungarians had of regaining their ascendency in the kingdom was by destroying Joanna's influence and reputation. After the King of Hungary received the Queen's touching letter, containing the terrible news of Andrew's assassination, he issued a manifesto to all the sovereigns of Europe announcing the death of his brother ; and it is very remarkable, in view of his subsequent conduct, that he makes no accusation against the Queen in this first document ; later on, when he found that it might be practicable to seize her kingdom, he inculpated her. Then it was that Pope Clement VI., who was in a better position to know the truth than any one else in Europe, wrote a letter to Louis, in which 94 The Beautiful Queen lie said, "As to the murder of Prince Andrew, Joanna can neither be convicted nor suspected of it, and still less has she confessed it." Petrarch was convinced of her innocence, and, although he was not at Naples at the time of the murder, he obtained all his information from his intimate friend, the Bishop of Cavaillon, who was on the spot. Boccaccio was also at the court when the tragedy occurred ; and he and two of the most celebrated lawyers of the day, Angelo and Baldus of Perugia, not only believed in Joanna's innocence, but also in her incapability of such a crime, Angelo calling her " a most holy Queen, the honour of the world and the light of Italy." And here we may mention that Joanna is known to this day among Neapolitans as " the good Queen Jane " ; and as the boatmen row past the grim castle of Muro, in which she was eventually imprisoned and murdered, they raise their caps in honour of " the good Queen." But the most conclusive piece of negative evidence in favour of Joanna is the fact that her great and cruel enemy, Pope Urban VI., himself a Neapolitan, once Archbishop of Bari, when he fulminated his Bull of excommunication and deposition against Joanna, never breathed a word of reproach or accu- sation of her having consented to the murder of her first husband. Lastly, all the best Neapolitan and Provencal historians, and all the most enlightened The Murder of Andrew 95 of her contemporaries, have entirely exonerated her in this matter. One of Villani's assertions against Joanna, prompted no doubt by Nicholas the Hungarian, is that she showed little or no concern at the death of her husband ; but this is flatly contradicted by the repeated declarations of Pope Clement VI., that she always expressed the greatest horror at the murder of Andrew, and deplored his tragical fate with the deepest grief. CHAPTER VII What followed the Murder "NTOWHERE did the assassination of Andrew *■ ^ rouse more interest and cause more sensa- tion than at Avignon, whose magnificent Papal palace stood in Joanna's dominions, for as heiress and Countess of Provence she owned the whole of that province, through the Angevine line. The people of Provence never wavered in their allegiance to Joanna, whom they called " la bonne Reine Jeanne," and so long as Provence remained distinct from the French monarchy her memory was idolised there. Immediately Clement VI. received the Queen's letter announcing the tragedy which had befallen her, he ordered Philip de Cabassole, who had been created a Cardinal with the title of St. Mark, to hold an inquiry into the crime and to punish the mur- derers : the Pope did this because he had assumed the government of Naples during Joanna's minority. 96 What followed the Murder 97 The Cardinal was ordered to keep the evidence secret if it implicated the Queen or any of the royal family, but he was unable to arrive at any definite conclusion. Some of those who were suspected of being conspirators fled to their own castles and fortified themselves there ; some, it is said, were put to death secretly ; others, who were arrested on suspicion, were taken out of prison at night by those who dreaded that they might confess and incriminate them, and to prevent this they cut out their tongues. The rumour that Joanna was a participator in the crime was at first only whispered, but it was fostered no doubt by Friar Robert and the Hun- garians, till it grew louder and louder, and the poor young Queen found herself surrounded by treason. Naples was in such a state of anarchy that the streets were unsafe. The young noblemen and officers went about armed, challenging the passers-by to open combat, which frequently ended in loss of life ; while the great barons in their castles openly defied what government there was, and highwaymen infested the roads, robbing and murdering any travellers they happened to meet. Two or three months thus elapsed without any of the conspirators being brought to justice. Joanna is blamed most unjustly by her detractors for this delay, but it was clearly 7 9 8 The Beautiful Queen no fault of hers. The Pope having placed the reins of government in his legate's hands, she was power- less to exercise any legal authority. If she had interfered with the Cardinal's efforts, her enemies would have said that she wanted to turn aside the course of justice, and that her guilty conscience prompted her- to intervene. Moreover, if she had possessed the legal power to act, her delicate state of health would have incapacitated her from exercising it, as the birth of her child was daily drawing nearer. Shortly before Christmas the Bishop of Cavaillon, who was far too meek and gentle to cope with a situation so distasteful to him, obtained the Pope's consent to his resignation of his appointment as head of the Council of Regency, and to his return to his bishopric in Provence ; and on December 23rd he embarked from Naples for Marseilles, but a violent storm drove him ashore on the coast of Herculaneum, where he landed with difficulty. In the meanwhile a great commotion was going on at Castle Nuovo : the Queen was taken ill, doctors and ministers of State were summoned to the palace to await the interesting event, and while the storm was still raging Joanna gave birth to a son and heir. The Pope had already promised to stand god- father to her child, and the Cardinal Bishop was required to represent His Holiness. Baptisms in Italy are celebrated within twenty-four hours of What followed the Murder 99 birth, so messengers were at once dispatched to Herculaneum to bring back the shipwrecked Cardinal to stand proxy for the Pope. It was the custom to name the Neapolitan princes after the paternal grandfather, and Joanna scrupu- lously observed this etiquette, and named her son after Andrew's father, Canrobert, the late King of Hungary. There were great rejoicings in Naples at the birth of an heir to the throne, and these were a great consolation to Joanna, who looked upon them as proofs of the affection and loyalty of the greater part of the nation. The day after the baptism the Bishop of Cavaillon re-embarked for Marseilles, but he was caught in a more terrific storm than before ; and as he himself relates in his autobiography, which he wrote shortly afterwards, he was saved this time miraculously by St. Mary Magdalene, the patron saint of Marseilles, whom he invoked. Petrarch was in Provence at this time ; and when the Cardinal arrived at Avignon in January, the two friends met, and having heard de Cabassole's account of the assassination of Andrew and all he had done to discover the con- spirators, Petrarch wrote the letter from which we have quoted, to his friend Barbatus of Sulmone. Surely if there had been the slightest truth in the scandalous rumours about Joanna, the Cardinal would have told his intimate friend, who always believed in the Queen's innocence. loo The Beautiful Queen Immediately after the Cardinal left Naples the Pope sent two bishops to the Neapolitan court to take charge of the young prince, for Joanna being a minor was not allowed to bring up her own child. Perhaps Clement may have feared that there might be some foul play, as he knew the Queen was surrounded by traitors, and the murder of the King had made the Neapolitans a byword all over Europe ; at any rate the Bishops of Padua and Monte Casino arrived at Castel Nuovo before the baby was a month old. Joanna was now eighteen, and as soon as she had recovered from the birth of the child she sent for the most trusted friends of the late King Robert, and took counsel with them as to the best means to be pursued to bring the murderers of her husband to justice. She did not wait to ask the Pope's sanction, knowing he would refuse it on account of her youth; but she acted on her own initiative, and displayed that good sense and wise policy for which she was afterwards so famed. A deputation from the nobility of Naples waited upon the Queen, and begged her to take the ad- ministration of affairs into her own hands now that the Cardinal legate, who had signally failed in his mission to discover the conspirators, had retired. The members of this deputation with remarkable frankness told the Queen of the rumours which were afloat about her complicity in the murder, What followed the Murder 101 saying that some boldly accused her of it, and adding that the disaffection was growing daily. Her next move was to cause to be affixed to her palace-walls and to other public buildings a severe edict against the conspirators. She then signed; a commission empowering one of the Neapolitan barons, named Hugh de Baux, to execute justice on all who were found guilty, without respect of persons. This edict was signed in February, 1846 (old style) — that is, five months after the assassina- tion, but the reasons for the delay have, we hope, been made sufficiently clear to exonerate the Queen. Joanna now wrote a second letter to Louis of Hungary, from which we shall quote the most salient passages. She says : " I hear that many wonder that I have suffered the parricides [sic] who have slain my husband and your brother to go so long unpunished. What is this, then ? Why do the people accuse me of this great iniquity, when I have always dearly loved King Andrew, my excellent husband, and he as long as his life lasted always lived in peace with me ? But whatever the rest of men may suspect, I earnestly desire that you should believe that it has not been possible for me to avenge this great injury done to me, from my ignorance of the assassins, and from the difficulties of the times, and that I have suffered so much anguish of mind from the murder of my beloved husband that, stunned by grief, I had well- 102 The Beautiful Queen nigh died of the same wounds." The last sentence has been quoted before in this book, but it is as well to repeat it with the context in which it so naturally occurs and seems to give such unconscious evidence of her innocence. For if she had found Andrew a peaceable, excellent husband whom she loved tenderly, why should she have consented to his murder ? Hugh de Baux's methods of getting at the truth, or attempting to do so, were barbarous in the ex- treme, but they were the constant practice of the age in which he lived. He seized some of Andrew's chamberlains and proceeded to torture them, to extract so-called confessions, in which no sort of confidence could be placed, for the victims would say anything when on the rack. The Duke of Durazzo opposed the original plan of holding these ghastly inquisitions in the halls of the public courts of justice, where all the people would have heard them, and instead examined the prisoners in his own palace. This on the face of it looks very suspicious, and as if the Duke had only too good reason to fear that he might be accused himself ; whereas if the examination was held under his roof, the victims would say anything and accuse any one but the Duke, in the hope of cutting short their sufferings. The chamberlains, Nicholas di Mirazzano and Jacobo de Pace, made many accusations. Among others they accused Charles Artus and his son — no What followed the Murder 103 doubt justly ; and then it was that these two fled to the Empress of Constantinople. Others who were accused of being in the plot fortified them- selves in their castles, while Philippa and her son the Count d'Evoli, her son-in-law, her grand- daughter Sancha and her husband, who were also denounced, were all living either in the Castel Nuovo or in Naples, and daily frequenting the court. Now it is very remarkable that none of those who were tortured, either now or later, ever accused Joanna of being in any way connected with the crime, and apparently she had never for one moment suspected Philippa — her father's foster-mother, the old tried friend of her grandfather and Queen Sancha, and her own faithful nurse and governess and friend, who had been all but a mother to her — of having had any part in the conspiracy. Philippa and her granddaughter Sancha had con- tinued to live at Castel Nuovo with Joanna, and we can fancy Philippa, who had nursed Joanna and her father, now idolising the infant prince. She had evidently been with the young Queen all through the terrible trials which had befallen her, and there is no doubt that Joanna was greatly attached to her ; and therefore it can be imagined how great was her horror when the messengers of Hugh de Baux, to whom she had given such absolute power over the murderers when he had discovered them, arrived 104 The Beautiful Queen at the palace to arrest Philippa and Sancha. They are said to have been sitting with the Queen, either at their spinning-wheels or embroidery-frames, when the guards entered the room and dragged them forcibly from Joanna's presence, in spite of her pro- testations, which were in vain. Philippa, who must have been nearer seventy than sixty at this time, is described by some writers as a decrepit old woman, while others say she was still handsome, though it is true that Sicilian and Neapolitan women age much sooner than their Northern sisters, so it is possible the Catanese may have been old in appearance as well as in years. Sancha was only about twenty, a young wife in the prime of her beauty ; but neither her youth nor Philippa's age availed them anything. They were dragged down to the sea-shore, and there, in the presence of crowds of people, were tortured in a manner too horrible to describe. The mob was not allowed to come near enough to hear what the sufferers said under torture, but they were able to witness the horrible proceedings. A place was prepared for the execution of these two unfortunate women, who, whether guilty or not, evoke our sympathy for the brutal manner in which this so-called justice was administered. To the scaffold they were dragged on a sledge, but, happily for her, Philippa died on the way thither, exhausted by the torments to which she had been What followed the Murder 105 submitted ; while Sancha, whose tortures were even more horrible than her grandmother's, was burnt alive. Philippa was disembowelled, and her head affixed to one of the gates of the city. Her son, the Count d'Evoli, and her son-in-law, the Count of Trelice, were not executed until August 2nd, and a few days later some of the other barons who were arrested were put to death. The mob was so demoralised that after these executions they mangled the bodies of the executed conspirators with their teeth and nails out of sheer vicious ferocity. It is said that the Count d'Evoli was much favoured by Joanna in the beginning of her reign, but she was as powerless to save him from execution as she had been in the case of Philippa and Sancha. Joanna's whole life was, to some extent, saddened by these events, for she was tenderly and deeply attached to Philippa, and Sancha had been the companion of her childhood and youth, for they had been brought up together ; while Philippa had never been separated from her for a single day ever since her birth until the day she was dragged from her to torture and death. From that day the young Queen, taught by this most bitter experience, never wholly trusted any one again ; from henceforth she bore alone the cares of royalty, and the solitude of those whose high rank places them above their fellow men. Before these trials befell the young Queen she io6 The Beautiful Queen is said to have been of a most joyous disposition, full of mirth and high spirits, loving gaiety and all the pleasures of the court ; but from henceforth dignity and majesty are the first characteristics mentioned in every description of her. In private life she was from this time kind and affable rather than gay and lively, while in public life she was noted for her masculine energy and firmness. Boccaccio says of her that " from the time that she began to govern not in name only, but in fact, she conducted herself with so much prudence that she daily transacted the affairs of State with barons, warriors, counsellors, and other ministers, with such unblemished fame that neither the eyes nor ears of envy ever perceived anything with which to calumniate her. She was modest in her manner of living, and the very character of her beauty was rather that of majesty than ot softness or voluptuousness." Yet she ever retained a charm of manner, which together with her beauty made her the centre of admiration of her brilliant court and the idol of the fcourtiers who surrounded her, while the fame of her majestic, or, as some writers say, angelic loveliness was a theme of conver- sation in all the courts of Europe. It is not certain what became of Charles Artus and his son. It is said by some authors that they were imprisoned at Benevento, and put to death privately there, out of respect to King Robert, of From an engraving after the painting by Titian. GIOVANNI BOCCACCIO. p. ro6] What followed the Murder 107 whom Charles Artus the elder is believed to have been the natural son. Other writers deny this, and say that he was the husband of Robert's natural daughter, the Princess Maria of Sicily. The Empress of Constantinople, who had sheltered them, died in the October following the execution of Philippa and Sancha. Her death took place at Naples. She was the last of the Queen's relatives of the elder generation, except Maria of Sicily ; and as now the Duke of Durazzo had rebelled against her, she was deprived of the society of her sister, and, the friends of her youth having fallen on the scaffold, she was more than ever alone. The Princess of Taranto died without living to see the marriage of Joanna and her second son Louis accomplished, for which she had certainly planned and plotted — if she had not actually, as many believe, arranged the assassination of Andrew to make way for Louis. The next trial that befell Joanna was civil war, brought about by the rebellion of the Duke of Durazzo, who now openly accused the Queen of the murder of her husband, and hoisted his standard against her. He was joined by his own brothers and by his cousin Philip, the youngest of the sons of the Empress of Constantinople, whose youth made him a prey to the flattery of Durazzo. Robert, the eldest of the Princes of Taranto, had just returned from Greece, and he and his second 108 The Beautiful Queen brother Louis took Joanna's part, and commanded her troops and went out to meet the Duke of Durazzo's forces. But while these princes were fighting against each other, both were dreading that the King of Hungary would invade the kingdom to avenge his brother's death. Joanna, foreseeing this event, had sent an embassy, with the Bishop of Tropea at its head, to Louis of Hungary, after the birth of her son, to deliver the letter we quoted above, and the Bishop did not return until early in the following year, 1347 (old style). Friar Robert and Nicholas the Hungarian had already gone back to Hungary, fearing the power of their adversaries after the death of Andrew ; and they had of course given their version of what had happened to their master, and had succeeded in so misrepresenting Joanna that they had convinced him of her guilt, and Louis, burning with rage and the desire of revenge, was now making alliances with other powers, and preparing a large army to invade Joanna's dominions. The Bishop of Tropea reported all these things to Joanna on his return, and the threatening letter he brought with him from the King of Hungary to Joanna fully confirmed his observations. Louis, King of Hungary, surnamed the Great, who had succeeded his father Canrobert, or Charobert, in 1342, was one of the most powerful European What followed the Murder 109 monarchs of his time. His father had left the kingdom to him after it had acquired under his government a high degree of splendour, for it embraced Bosnia, Servia, Croatia, Wallachia, Mol- davia, Dalmatia, and Transylvania, besides Hungary- proper. Louis was most warlike and ambitious : he fought successfully the Transylvanians, the Croatians, Wallachians, and Venetians, and, as we shall see, twice during Joanna's reign he invaded Naples and made himself a terror to the in- habitants. His father, we know, had considered he had a claim on the kingdom ; and when Joanna's sister, Maria of Sicily, whom Friar Robert had advised Louis to marry, eloped with Charles of Durazzo, Louis was intensely annoyed, for this, as the wily friar foresaw, would have been a stepping-stone to the coveted crown of Naples, which probably Louis would in any case have endeavoured to wrest from Joanna. The murder of Andrew gave him some pretext for attempting this, and when it was announced to him his wrath and desire of revenge as well as of conquest knew no bounds, and are apparent in the following letter to Joanna. " Joanna ! your former irregular life, your con- tinuing to retain the power of the kingdom, your neglected vengeance, and your subsequent excuses prove you to have been a participator in the death of your husband. Remember, that none may escape no The Beautiful Queen the Divine and human vengeance due to such enormous iniquity." This threatening and historic letter is supposed to contain the strongest arguments against Joanna that can be urged ; but happily the four so-called proofs of her guilt can be refuted. The first accusation of leading an irregular life is an absolute calumny for which there is no evidence, and is dismissed by de Sade as insupportable. As Hallam points out, " The name of Joanna of Naples has suffered by the lax repetition of calumnies." He adds that " the charge of dissolute manners so frequently made is not warranted by any specific proof or contemporary testimony." The second accusation that she continued to retain the power of her kingdom only shows what Louis was aiming at. What else should the Queen have done ? It was her kingdom, and Andrew's death in no way detracted from her claims. While her husband was alive the poor young Queen had no power in her own kingdom, as we have seen, for Friar Robert and his Hungarian followers had supplanted her and her interests. The third accusation, of " neglecting vengeance," we have been endeavouring to show was unavoidable under the circumstances in which Joanna was placed. The fourth, of her " subsequent excuses," is more difficult to refute, if we endorse the French proverb " qui s'excuse s'accuse " ; but if Joanna had taken What followed the Murder m the more dignified course of behaving as if she were like Caesar's wife, " above suspicion," and had scorned to defend herself, they would have said that her silence gave consent to the assertions of her guilt. The poor young Queen found herself in most difficult circumstances. It was most perplexing to know how to act, surrounded as she was on all sides by treason and treachery, her every action cruelly criticised, and the worst interpretation put upon all her deeds : she did the best she could, and if venomous tongues aspersed her fair fame it was no fault of hers. Directly she received Louis's cruel letter she called together her councillors and laid it before them, who recommended immediate prepara- tions for defending the kingdom from the impending invasion which it was clear Louis was bent upon attempting, and, as a most necessary preliminary step, they counselled their sovereign to marry again. CHAPTER VIII Joanna Marries a Second Time THE consort chosen by the councillors for the Queen was Louis of Taranto, the prince who is accused by Joanna's enemies of having been her paramour. The very fact that her ministers suggested him as the most suitable husband for her should be the answer to this calumnious report ; for unless they desired that all future historians should write them down asses, would they have been so sublimely foolish as to choose for her pro- tector and the partner of her throne her supposed lover ? They must have known that there was not a particle of truth in this scandal or they would never have dared to set all Europe talking by marrying Joanna to the man her enemies and detractors said was criminally intimate with her. Louis was at this time twenty-five ; he is described as both handsome and charming, renowned for his valour and also for his talents. He was proposed Joanna Marries a Second Time 113 to the Council as a suitable husband for the Queen by his eldest brother, Robert of Taranto, who had lately married a daughter of the Duke of Bourbon. The other councillors, feeling the necessity of con- ciliating the princes of Taranto, lest if this offer were rejected they should join their younger brother Philip and the Duke of Durazzo, immedi- ately agreed to the proposal. They were hampered in their choice, which was confined to the Neapolitan princes, for it would not have done at this juncture to propose a foreign prince ; neither the royal family nor the great barons would have agreed to that. There was no difficulty with either of the parties most interested in the marriage. Louis was known to be madly in love with his beautiful cousin and Queen, and Joanna is believed to have favoured his suit : she had known him from childhood, and he was from all accounts a very attractive man. Never- theless it was some months before the marriage was arranged. Louis, although a brave man in war, was very diffident in love, and finally it was his friend and tutor, Nicholas Acciajuoli, who did his wooing for him and made all the preliminary arrangements. The Duke of Durazzo opposed the marriage vehemently, for it was a death-blow to his hopes of securing the throne for his wife, Maria, which he and the Durazzos were labouring to do by calumniating Joanna, so as if possible to deprive her of the allegiance of her people. 8 ii4 The Beautiful Queen The marriage took place on August 20th, 1347 (old style), two years after the murder of Andrew ; but in spite of this fact Joanna's detractors have accused her of marrying before the year of her widowhood had expired, whereas two years all but a month had elapsed since Andrew's death. According to many writers, this second marriage was disapproved of by the other European courts, who had apparently heard the scandalous reports of the intimacy between Joanna and Louis and were only too ready to put the worst interpretation upon them. Of course it is quite possible that if Joanna had been consulted about her first marriage, she might have preferred the handsome, talented Louis of Taranto to the half-imbecile, boorish Hungarian prince to whom from motives of policy the late King Robert had wedded her. But even if this were so, it does not follow that there was anything wrong in her relations with Louis, although vicious tongues asserted that there was. As Louis was her cousin, a Papal dispensation was necessary to enable them to marry, and there is a difference of opinion among historians as to whether Joanna waited till this arrived, many asserting that she did not do so ; but Villani says that the Pope granted the dispensation, and at the same time made Louis Regent of the kingdom, but that the marriage caused " scandal to all zealous Christians " — whose zeal, we venture ^o think, would Joanna Marries a Second Time 115 have been much better employed in saving their own souls than in criticising Joanna's conduct, which in no way concerned them. While the preparations were going on for the marriage Louis of Hungary sent ambassadors to the Papal court at Avignon, to demand the investi- ture of the kingdom of Naples for himself, thus excluding not only the reigning Queen, but also her little son Canrobert, or Charobert, for the name is spelt in both ways. Clement VI., however, refused to receive his ambassadors because he was an ally of the excommunicated Emperor Louis of Bavaria, who had brought this punishment upon himself, in the time of Pope Benedict XII., for denying the Papal authority in Germany. The Pope sent a message to the King of Hungary to say that nothing criminal had been proved against Joanna, and that even had she forfeited her throne the claims of Andrew's son could not be set aside. This was a great blow to Louis of Hungary, who had believed that the Pope would favour his cause at the expense of Joanna. His next move made about the same time was to lodge an accusation against Joanna and all the Neapolitan princes of the murder of his brother Andrew, at the court of Rienzi, now Tribune of Rome. He had a twofold object in appealing to Rienzi — first to enlist his sympathy and secure if possible his help, and secondly to justify himself for 1 16 The Beautiful Queen the attack upon the Queen of Naples and her allies by casting a public slur upon their characters. The royal family of Naples did not disdain to send advocates to Rome to plead their cause and clear themselves from the odious stigma this accusation had cast upon them, and Rienzi listened to them, seated upon his throne in great pomp ; but he put off from day to day passing any judgment in the matter, and left it undecided. His own downfall, precipitated by the Count of Minervino, who ac- companied the Hungarian ambassadors to Rome, followed soon after, and the great Tribune was sent a prisoner to the Pope at Avignon, where he was cast into a dungeon. In the month of May preceding the marriage of Joanna and Louis, Nicholas the Hungarian, the for- mer tutor of Andrew, had returned to Aquila, near Naples, with large sums of money in his possession, with which he proceeded to bribe the Neapolitans whom he had won to his side on his previous residence in the kingdom, to forsake the cause of their lawful Queen and join that of the usurping King of Hungary, and unfortunately he succeeded in corrupting many of Joanna's subjects. He was joined by a rebel baron who had previously estab- lished himself at Aquila. It was these traitors within the camp which made the cause of Joanna and Louis of Taranto so des- perate : if all their subjects had been faithful, it Joanna Marries a Second Time 117 is believed that, notwithstanding the large army the Hungarian King was bringing against the Neapolitans, they would have been able to repel the invasion. The Duke of Durazzo joined the Queen's party for a short time, because he had discovered that he himself was a greater object of vengeance to Louis of Hungary — who imputed Andrew's murder to his hand — than even Joanna herself. He never- theless contrived to injure her cause by his malice, even when nominally fighting for her, and soon after her marriage he raised the siege of Aquila and retired to his own dominions. The first division of the Hungarian army which entered Naples in October was commanded by the Bishop of the Five Churches, a natural brother of the Hungarian King : he is described by Villani as a wise and good soldier. It was the custom in the Middle Ages for bishops to go to battle, and even for popes to do so : our English Pope Adrian IV. led his troops against his arch-enemy, Frederick Barbarossa, so there was nothing unusual in this proceeding. Such was the disaffection in the country, and so great was the terror Louis's threats of vengeance had kindled among the people, that many castles and towns surrendered to the Hungarian troops without resistance, and some of the nobles went over to the side of the enemy. One of the causes 1 18 The Beautiful Queen of this treachery against Joanna was the unpopu- larity of the princes. The people themselves were indifferent to the royal cause partly because of the rumours that the Queen was concerned in the assassination of the late King, partly because of the ambition and haughty demeanour of the royal princes. Louis of Taranto, in spite of all these discouragements, collected an army at Capua large enough to stop the force of Louis of Hungary when he entered the kingdom in December. On reaching the frontier the King of Hungary was met by the Papal legate, who commanded him to retire in the name of the Pope, to whom the suzerainty of Naples belonged. Furthermore, the legate bade him cease from attempting any further vengeance against the innocent Queen, saying that two persons alone had been guilty of the murder, and those two had already been executed. It is most tantalising that the legate should not have mentioned the names of these two guilty people, and thus have solved the mystery of the murder of Andrew, which must remain now undisclosed until the day of judgment. Louis had the insolence to reply to this remon- strance by saying that he had come to take possession of a kingdom which by right belonged to him through his father Charles Martel (who, by the way, must not be confused with his illustrious namesake, the King of France who lived in the seventh century). Joanna Marries a Second Time 119 The haughty Louis went on to say that he should not trouble himself about his excommunication, which he considered undeserved ; and as for the murderers of his brother, a dozen rather than two had been guilty of that crime. Having thus disrespectfully delivered his soul, his army continued to march to Naples via. Benevento, an ancient city standing upon a hill and surrounded by mediaeval walls, with a celebrated gate upon the north side erected in the year a.d. 114, in memory of the Roman Emperor Trajan, and called the Golden Gate. There were no standing armies in those days : the cavalry were the mounted nobles and knights, whose men-at-arms, bound under the feudal system to fight for their feudal lord, were the infantry. The mounted soldiers wore plate-armour and chain-mail, but gunpowder was now coming into use, and with it the wearing of armour decreased. We doubt very much whether the Hungarians and Neapolitans used gunpowder in this war, though the English did at Crecy in the previous year for the first time. More likely the half-civilised Hungarians were armed with cross-bows, swords, pikes, javelins, battle-axes, and sabres, while the foot soldiers were furnished with any weapon which came handy — very often with their flails ; but in spite of the indifferent equipment they fought with the greatest ferocity, and the Hungarians were more noted than the more civilised 120 The Beautiful Queen Neapolitans for their fierce, barbarous methods of war. The Duke of Durazzo now basely betrayed Joanna to the Hungarians. Though he was still fighting nominally upon the Queen's side, he kept up a secret correspondence with the Hungarian camp, hoping ultimately to establish his wife, Maria, upon her sister's throne. Durazzo knew that even if the Hungarians should be victorious, which was still doubtful, the Neapolitans would never submit for long to their yoke. So he was playing a double game ; and sad to say many of the Neapolitan nobles followed his bad example, and courted the favour of the Hungarian King. Louis, desiring to strike terror into the Neapolitan people, had had a banner made of black silk or velvet, upon which was painted in most realistic style and colours a sensational picture of the assassina- tion of Andrew. This ghastly standard was borne by a band of mourners robed in black to heighten its effect. Finding herself deserted by so many of her sub- jects, and believing her cause to be hopeless, Joanna, disheartened by the vile reports current about her, determined to leave Naples and retire to Provence, where she as Countess of that country was idolised and certain of a welcome. Accordingly she called a general council of all the principal and wisest men of her kingdom, and with that eloquence for which Joanna Marries a Second Time 121 she was so famed made a speech in which she declared to them the resolution at which she had arrived. She began by telling her audience of the danger which threatened the capital from the approach of the King of Hungary, who was now close at its gates, and of her powerlessness to resist him because of the calumnies which had been spread abroad by her enemies, who without any crime of hers had accused her of the most atrocious iniquity, insensible of the pity which they should have felt for their Queen, who in the earliest bloom of youth had been the victim of misfortune. She then went on to say that in order to make known her innocence to the Vicar of Christ on earth, as it was known to God in heaven, and to force the whole world to acknowledge it also, she intended to go to Avignon and plead her cause before the Holy Father, whose absolution she would beg. She continued : " Only against me is the anger of the King of Hungary directed, me whom he holds as the murderess of his brother Andrew. You I know will take my part ; you will not refuse to defend me and my rights — if not for my own merits, at least for the love you bore my grandfather, the late King Robert. I know this ; but innocent blood shall not flow in a fruitless struggle. I yield my rights for the public good. I absolve you all, both nobles and people, from your oath of allegiance to me. I i22 The Beautiful Queen command you to make no resistance to the King of Hungary. Submit yourselves to him and disarm his anger by obedience. Deliver to him the keys of all the towns and castles in my kingdom, without waiting for the summons of herald or trumpet. "I leave you behind me my most precious pledge, my little son Charobert. May his innocent smile be your advocate, and soften the angry monarch. To me, the persecuted Queen, shall distant France give a place of refuge until the solemn judgment of God's viceregent on earth shall absolve me from this shameful reproach, and then full of honour I will return to my country as Queen, which I now leave with a broken heart, but a pure conscience." This touching speech, delivered with all the grace not only of the most ilovely woman of her day, but also of one of the most accomplished orators, moved the assembly to tears. But the majestic young Queen had sufficient self-control to command her own emotion, and sat there sad but dignified while both burghers and warriors were weeping at her feet ; and the solemn silence with which they had at first listened was now broken by cheers and exclamations, imploring her to remain and dare every risk, the nobles vowing to lay down their lives for her and her children. The age in which Joanna lived was the age of chivalry, so it is not surprising that this speech of one of the most fascinating woman that the world Joanna Marries a Second Time 123 has seen should have won the hearts of her hearers, for devotion to beauty at this time of day wasjcarried to a degree of enthusiasm bordering on madness. It was not only the younger barons and knights and citizens who were moved by Joanna's beauty and eloquence ; the old sage councillors were also touched. They not only applauded her resolution and approved of her plans, but they too vowed not to rest until she was able to return, and they placed their lives and fortunes at her service. The journey from Naples to Avignon, in days before the use of steam had been discovered, was slow and by no means sure, for as the greater part of the way was a sea-voyage the travellers were at the mercy of wind and waves. On January 15th, 1347 (old style), the Queen em- barked for Provence, taking with her her household, a few most faithful friends, among them Nicholas Acciajuoli, and the Princess of Taranto, her sister- in-law, wife of Robert, Prince of Taranto, Louis's elder brother, and her celebrated diamonds and other jewels. Three galleys were the means of transport. A galley was usually a three-masted vessel with one deck, supplied with oars, the number of which varied ; a Venetian galley had sixty-four, and probably Joanna's had not less. They were rowed generally by criminals : hence the expression, " sent to the galleys." When Joanna reached the sea it is said 124 The Beautiful Queen that every man and woman in the city was at the harbour, to catch a glimpse of the young Queen. As many as could get near enough to do so kissed her hand before she embarked, and both men and women wept bitterly as she left the shore, and stood on the beach watching as long as there was a sign of the disappearing galleys. The voyage, owing to the ignorance of nautical science of the times, was a dangerous one, and as it was performed in mid-winter the Mediterranean was quite capable of giving them a very rough time ; and as soon as the vessels were out of sight the crowd besieged the churches, and, kneeling round the altars, invoked every saint — especially Our Lady and St. Januarius, the patron saint of Naples — to protect their beloved sovereign and grant her a safe voyage and a speedy return to her country. As Joanna sailed past the isolated rock in the bay, crowned with the gloomy Castel del Ovo, her mother's heart must have been pierced with grief and fear, for there she had left her little son Charobert — now at the interesting age of two, just beginning to prattle — with his guardians chosen by the Pope, who had selected this casdc as the safest place for the heir to the crown. The poor young mother was destined never to see her child again ; but she could not know this when she left him, although she must under the circumstances have felt very anxious. Joanna Marries a Second Time 125 Her husband, Louis of Taranto, was with her for three days, and on the 18th he landed on the Italian shore, which was neutral ground. The Princess of Taranto, whom her husband had sent to her father, the Duke of Bourbon, as Naples was in such a disturbed state, also landed here with Nicholas Acciajuoli, who, bent himself on an important mission to Florence, was to escort the Princess thither ; and now Joanna was left almost alone to proceed to Nice, where she landed two days later, intending to travel the rest of the way to Avignon by land. But on reaching Achisi she met Raymond de Baux, Prince of Orange, who was her second cousin, the Count de Soult, and some other Provencal barons, who were evidently on the look- out for her, having heard from the Hungarians that she was coming to Avignon. To her amazement, they seized her suite and sent them all back as prisoners to Nice, and led Joanna herself, with great respect and courtesy, but as a State prisoner, to Aix, the capital of Provence, where they lodged her in the now deserted palace of her ancestors, the ancient counts of Aix. Orange, we must explain, was a tiny principality, the chief town of which was about thirteen miles north of Avignon, and called Orange ; it was at this time an independent State, and remained so until the sixteenth century. The Barons de Baux had been the reigning princes of Orange since the I2 6 The Beautiful Queen eleventh century ; they were constantly lighting for the titles of Count of Provence and King of Aries. The reason for this extraordinary reception of Joanna from these Provencal barons, who were so loyal to the Angevine family, and supposed to idolise their beautiful Countess, the Queen of the Two Sicilies, was the reports spread by her enemy, the King of Hungary, to the effect that she intended to dispose of her Provencal dominions in order to obtain the means to carry on the war against Louis of Hungary. For this purpose, the emissaries of Louis had declared, she was travelling to Avignon in order to meet there her cousin John, Duke of Normandy, who in 1358 succeeded his father, Philip de Valois, as John I. of France, and sell her Provencal posses- sions to him. The Provencals, who were a proud race and, as we have said, devoted to the Angevine line, were determined to stop this sale at all costs, and so seized Joanna and confined her as a state prisoner at Aix, whither they conducted her with all courtesy and respect. She was treated as a Queen in this gloomy, fortress-like castle, but she was not allowed to see any one unless her attendants were present. This was in order to prevent her from making any attempt to negotiate the sale of Provence. In this desolate building, formerly the scene of revelry and magnificence, whose now silent walls once rang with Joanna Marries a Second Time 127 the songs of the Troubadours, we must now leave the unfortunate Queen while we relate what happened in her absence from Naples. Little did Joanna think when she set out for Provence, where she as Countess was so revered and loved, that this would be the reception she would meet with on stepping on to Provencal soil. CHAPTER IX The King of Hungary's Vengeance TDEFORE leaving her kingdom Joanna had cora- *-* manded that the same governors should continue to hold their offices in all the towns and fortresses during her absence, so that on her return she might find her country in no worse state than when she left it. She had confidence in those to whom she had entrusted the government to safe- guard her interests, and she trusted that by ordering the gates of every town to be thrown open to the King of Hungary, and no resistance offered to his army, his anger would be pacified, and that he would not carry his threats of vengeance any further into execution. Aversa was the place to which the special vengeance of Louis was directed, and thither his troops were advancing with threatening steps. Fear went before ; all trembled at the report of his approach. One town, Sulmone, in the north of the kingdom, refused 128 The King of Hungary's Vengeance 129 to obey Joanna's command to surrender, and opposed him, but he took it and sacked it, and continued his march. The Neapolitan princes of the blood, hearing of the resistance of Sulmone, sent an embassy to Louis begging him to grant them a safe-conduct, and a written declaration that he considered them innocent of the murder of Andrew. The Hungarian King granted both these requests, and the princes, trusting in his honour and chivalry, advanced in a body to meet him at Aversa, that scene of one tragedy destined to be the scene of another scarcely less terrible drama. Louis had assumed the title of King of Jerusalem and Sicily already, though both belonged to Joanna ; but the princes, to appease his wrath, recognised these titles by performing their homage according to the etiquette of the times, by kissing him on the mouth, and then they all sat down to a meal. By virtue of these two acts, either of which was con- sidered sufficient to ensure their safety, they had declared themselves his vassals, and he had virtually pledged himself to protect them ; and by all the laws of chivalry, then held in the most sacred esteem, their lives and persons were inviolable. The King of Hungary received them apparently as friends, but after the banquet he and the other Hungarians all armed themselves, while the Nea- politans were defenceless. In the courtyard of the 9 i3° The Beautiful Queen castle where they were all assembled, both Neapolitans and Hungarians mounted their horses, and Louis announced his intention of proceeding with them to Naples ; but as they started, with the Duke of Durazzo riding by the side of the Hungarian monarch, the latter turned to Charles and said in an ominous tone, which struck terror into Durazzo's heart : " Lead us to where my brother Andrew was killed." Durazzo, noting the ferocity which shone in the King's eyes, answered : " Don't trouble yourself about that. I was not there." The accounts of what followed vary. One says that Louis, on reaching Aversa, at once took prisoners the Duke of Durazzo and all the princes who had remained in Naples, including the little Charobert, whom this writer says the Neapolitans had brought with them in his cradle — which, seeing he was two years old, seems improbable. Carraccioli, the author in question, says that Louis then ordered the Duke of Durazzo to be beheaded on the same spot on which Andrew was murdered, and then kept the others whom he had arrested chained in irons most strictly until he could send them to Hungary. We prefer to follow Villani's version, which tells us that Louis, persisting in his demand to be shown the spot where Andrew was murdered, was led to The King of Hungary's Vengeance 131 the Celestine monastery, where they all dismounted and proceeded to the castle, going up to the gallery in which Andrew was first seized, and then on to the balcony from which he was hanged and thrown over into the garden. When they reached this spot the fury of the King knew no bounds. He turned to Durazzo in a transport of rage, and said : " You have been a false traitor, and compassed the death of your lord my brother, and intrigued in the Papal court together with your uncle, the Cardinal of Perigord, who, at your request, delayed and endeavoured to prevent his coronation, which should, as was becoming, have been performed by the sanction of the Pope, and this delay was the cause of his death. " With fraud and deceit you obtained a dis- pensation from the Pope to take your cousin, his sister-in law, to wife, in order that, by the death of him and the Queen Joanna, his wife, you might become King in their stead. " Moreover, you have been in arms with that traitor Louis, Prince of Taranto, our rebel, who has done as you have done, and with fraud and sacrilege has married that iniquitous and adulterous woman, traitorous to her King and husband, who was Andrew, our brother, and therefore it is fitting that you should die where you caused him to die." Durazzo vehemently protested his innocence, and *3 2 The Beautiful Queen implored the King's mercy, but in vain. Louis now produced the letters to Charles Artus, written in Durazzo's name and sealed with his seal, concocting the assassination of Andrew, and then demanded how he could excuse himself. Without giving the unhappy Durazzo time to examine the documents in question, which are con- sidered to be of very doubtful authenticity — for Charles Artus was not yet taken, so it is not easy to see how they could have come into Louis's possession, and Durazzo's seal was easily imitated, as it was well known all over Europe — the angry King called forward one of his suite, who stabbed the unarmed Duke in the breast, while another Hungarian seized him by the hair. A second stab in the throat, which partially severed his head from his body, killed him. Nothing can justify the conduct and treachery of Louis in this murder. It was a gross breach of faith and trust, it was a dastardly action, cowardly in the extreme ; and whether Durazzo was guilty of Andrew's death or not it was unjust, because he was murdered without any trial or examination, or witness against him except these very doubtful letters. Under pretence of zeal to punish his brother's murderers, Louis was bent on obtaining the crown of the Two Sicilies for himself ; and as Durazzo was certainly aiming at the same object, he was a special The King of Hungary's Vengeance 133 object of hatred to Louis, who had not forgiven him for stealing his bride, Maria of Sicily, from him. But, fortunately for Joanna, his zeal outran his discretion, for this foul murder, coupled with his treachery, revolted the feelings of all classes, rich and poor, against him, and a reaction set in in favour of the Queen. Not content with murdering Durazzo, he threw the body over the fatal balcony and forbade any one to bury it till he gave permission, thus denying his victim, whom he had already deprived of the last Sacraments, Christian burial. He seized all the other princes who had been his guests an hour before, and threw them into the Castle of Aversa as prisoners for the present, until he could make other arrangements for taking them to Hungary. He then set out for Naples, but he was met at Melita, which is half-way between the city and Aversa, by a deputation of the citizens, who saluted him with the greatest reverence — of which he scorned to take the least notice, but rode into Naples as a conqueror, his terrible banner carried before him, his helmet on his head, refusing to pass under the canopy which the chief nobility brought out to hold over him. He also declined to meet the governors of the city and the representatives of the nobility, but demanded the keys of the city to be given up to him, and sent them to Hungary in token of con- i34 The Beautiful Queen quest. He then let loose his soldiers with orders to destroy all the palaces of the royal family, and the terrified Neapolitans feared he was going to pillage the whole city ; but this he forbade his soldiers to do, his chief wrath being directed against all the royal princes. Louis then held another inquiry — or rather in- quisition, for torture was the means employed to get evidence — into Andrew's death, and many nobles were executed as the result of these mock trials ; the real object of which was to obtain incriminating evidence against Joanna, and to remove all the barons who were opposed to the Hungarian cause. The first object was completely defeated, for neither death nor torture could extort a word of evidence against the Queen ; another proof of her innocence. Louis now took possession of little Canrobert, Joanna's child, whom he loaded with caresses and then sent him to Hungary with the other princes. The child did not live very long after reaching Hungary, and it was far better for Joanna that he died there ; for had his death taken place in Naples, her slanderers would have said that he had been murdered to make room for the children of her second marriage. The other royal princes were sent, chained, to the Castle of Wisgrade, which is described as a roomy prison, but " where there was little to have and less to spend." In the meanwhile Maria of Sicily, the young The King of Hungary's Vengeance 135 Duchess of Durazzo, was waiting in the Castel Nuovo to meet the Hungarian King, whom she expected to return with her husband, who had gone to meet him. Her two children were with her when a messenger arrived to inform her of the King of Hungary's treachery, and the horrible murder of the husband of her youth, whom she loved passionately, and who had saved her from marrying Louis of Hungary, whom she hated. On hearing the ghastly news, and knowing Louis was now on his way from Aversa — that place so fatal to her and her sister Joanna — to her place of retreat, where she dreaded he would tear her children from her arms and send them prisoners to Hungary, while what form his vengeance might take against her who had jilted him she did not know, she immediately left the Castel Nuovo and took refuge for the rest of the day in some neighbouring buildings. Here she assumed the disguise of a beggar, laying aside all signs of her riches and high rank, and as soon as it was dark she issued forth with her two babies, and fled for protection to the neighbouring monastery of Santa Croce. We can well imagine the sensation her arrival must have caused among the monks, when the young Duchess of Durazzo, who was second in rank only to the Queen, knocked at their postern-gate disguised as a poor beggar, carrying two babies in her arms, the 136 The Beautiful Queen elder of whom could not speak, while it was plainly visible that a third child would soon be added to her family. The monks could not have denied shelter even to the beggar she was counterfeiting nor did they hesitate to take in the Duchess ; though her presence was a source of the greatest danger to them, for if Louis had discovered it he would undoubtedly have sacked the monastery. The monks kept her for a few days while Louis was making a strict search for her, and had she fallen into his hands would no doubt have im- prisoned her, though for the sake of the unborn child he might have spared her life, at any rate until that was born. During these few days a plan was made for her escape by a few friends and the monks, who decided that an attempt must be made to send her to her sister in Provence. Apparently the news of the Queen's imprisonment had not reached the monastery or Naples. Maria was to learn on her arrival in Avignon, if she ever got there, of Joanna's captivity. The disguise of a beggar was not considered sufficient for one so well known as the Duchess of Durazzo, so she put on the habit of one of the monks, and with a few faithful friends managed, after undergoing many hardships and dangers by sea and by land, to reach Aix, where we left Joanna confined. The reason of Joanna's captivity at Aix was The King of Hungary's Vengeance 137 partly due to the affection of her Provencal subjects, partly to the false reports which the Hungarians had circulated about her among the nobility of Provence, to the effect that she was going to Avignon to endeavour to sell her Provencal dominions in order to get money to continue the war against the King of Hungary. To prevent this sale, which neither their pride nor their affection for the ancient Angevine rulers could brook, they subjected Joanna to a captivity which they had the grace to make as pleasant as possible under the circumstances, and in which she was treated with all the respect due to her as Queen and Countess of Provence, and we are told also with the utmost courtesy. Maria, the widowed Duchess of Durazzo, was only eighteen when with her two little baby girls, Joanna and Agnes, she reached her sister, the captive Queen, who was separated from her own little son. The meeting between the two sisters was no doubt very touching, when after so many perils Maria at last found herself in a place of safety, although that place was a prison. Both these young widows had lost their husbands by a violent death, and, strange to say, Andrew and Charles of Durazzo had been murdered on the same spot, and the same cruel enemy was pursuing them. Joanna, generously forgetting that Charles of Durazzo had been a traitor to her, took 138 The Beautiful Queen upon herself the care and education of his children, and when the third child was born adopted her as her daughter. No doubt the two little babies of Maria were a source of amusement and consolation to both sisters in their captivity, and to some extent atoned to Joanna for the loss of her boy, of whose fate she was so uncertain. We must now see what had become of Joanna's husband and Nicholas Acciajuoli, who, when they left Joanna, had intended to proceed by different ways to Florence, where Angelo Acciajuoli, the brother of Nicholas, was bishop, in order to enlist his services on Joanna's behalf, for he was a man of great influence in the Papal Court. The fate of Louis and Joanna was, it may be said, in the Pope's hands. If he judged them guilty of the murder of Andrew, he had the power to send them not only to prison, but to the scaffold ; while, on the other hand, if he pronounced them innocent, and took them under his fatherly protection, Joanna might recover her fair fame and her kingdom. It was therefore of vital importance to both Joanna and Louis to leave no stone unturned to procure a favourable verdict at the Court of Avignon, and they were most fortunate in being able to approach such a powerful advocate as the Bishop of Florence with such an influential friend as his brother Nicholas to plead for them. Angelo Acciajuoli once proposed to pay Petrarch The King of Hungary's Vengeance 139 a visit in his hermitage at Vaucluse, to see him and the celebrated fountain, said never to have been fathomed, which is the source of the River Sorgia, and rises in the midst of a gloomy cavern at the foot of a huge rock. Petrarch, highly delighted at the prospect of receiving so honourable a guest, scoured the neighbourhood to obtain delicacies to set before him when he should arrive. The Bishop, who was on his way from Avignon to Florence, was expected to the midday dejeuner at twelve o'clock. Everything was ready at the appointed time ; twelve o'clock struck, but no Bishop appeared, and the poet, who wanted his luncheon, grew impatient, and while waiting wrote some lines to the Prior of the neighbouring monastery to the following effect : " There is no more faith in the world. We can depend on no one ; the more I see the more I feel this. Even your Bishop, upon whom I thought I could rely, he deceives me. He promised to dine with me to-day. I have done for him what I never did for any one. I have upset my house to treat him well. He fears, no doubt, that he will meet with the repast of a poet, and deigns not to visit the place where the great King Robert, where cardinals and princes have been : some to see the fountain, others to visit me. But if I am unworthy to receive such a guest, it seems to me that he is still more unworthy for breaking his word." i4° The Beautiful Queen By the time these lines were written a great commotion was heard outside the hermitage, and the good Bishop arrived, having been delayed on the way. But to return to Louis of Taranto and his tutor. When they reached the Florentine frontier they were met by an embassy from the chief magistrates, forbidding them to enter Florence, lest by so doing the inhabitants should suffer from the vengeance of Louis of Hungary. The Guelph party in Florence took no part in this protest, and were highly indignant at it, for they owed much both to the relations of Joanna and to the uncle and brother of Louis, who had laid down their lives for them in battle. But though the Florentines had received so many favours from Joanna's father and King Robert, as well as from Louis's relations, the chief citizens decided it would not do to run the risk of incurring the anger of the Hungarian King, so Louis was obliged to take refuge for ten days in the Castle of Valdepeso, which belonged to a chief of the Acciajuoli family. This was all the more galling to the Guelphs because a month before, when Philip Gonzago of Mantua, who had been fighting on the side of the Hungarians, passed through Florence on his way from Naples he was received with the honours they wished to show to Prince Louis of Taranto. The King of Hungary's Vengeance 141 Nicholas Acciajuoli was, however, too faithful and too clever a friend to his pupil, Louis, and to his sovereign, Joanna, not to find a way to help her ; so he chartered two armed galleys from Genoa, and on board them he and Louis sailed for Provence. But on nearing the shore they found they could not land with safety either at Marseilles or Nice, and they heard the bad news that Joanna was in captivity, the Barons in open rebellion, and Louis's Hungarian agents very busy doing all the mis- chief they could. Neither Louis of Taranto nor Acciajuoli were men to be easily baffled ; they were determined to reach Avignon by hook or by crook, so they sailed past the Provencal shore to Aigues Morte, which is on French soil, and landed there, and, following the course of the Rh6ne, arrived at Villeneuve, on the opposite bank of the river to Avignon. Arrived here, all they had to do was to cross the celebrated Bridge of St. Benezet at Avignon. Louis, however, thought it more prudent to remain at Villeneuve until he knew what kind of a reception he would meet with at the Papal court, while Acciajuoli and his brother, the Bishop of Florence, ^who had joined them at Valdepeso, went to see Clement VI. and consult with him as to what was to be done to reinstate Joanna on her throne. CHAPTER X Joanna Pleads before the Pope and Cardinals THE city of Avignon has many claims to celebrity. The fact that it was the chosen place of residence of the seven French Popes, from 1309 to 1378, would in itself be sufficient to invest it with an interest second only to Rome itself, but it has other claims to fame. It was, as we have already said, the home of Petrarch's Laura, and in one of its churches he first met her. Its streets and gardens were traversed by the poet and his beloved lady, and in another of its churches is her tomb. During the residence of the Popes it was visited by most of the various European sovereigns, by their ambassadors, and, especially during the reign of Clement VI., it was resorted to by the most learned men in Europe. In the seventeenth century the celebrated Crillon died there and was buried there. He was one of the most renowned soldiers of the sixteenth cen- 142 Joanna Pleads before the Pope 143 tury, and distinguished himself during the reigns of five French kings, and was the first officer to receive the title of Colonel-General of the French infantry. Henry IV. of France always spoke of him as " le brave Crillon," and after the battle of Arques wrote on the battlefield this pregnant dis- patch to him : " Hang thyself, brave Crillon. We have fought at Arques and thou wast not there." Another very celebrated man was a native of Avignon, the Chevalier Folard, who was born there in 1669, and died there in 1752. He was one of the greatest tacticians the world has seen. He took part in all the wars at the end of the reign of Louis XIV., and supplied the generals under whom he served with plans of defence ; he wrote several works on war-tactics and defence, all of course now hopelessly obsolete, but most valuable at the time they were published. At the close of his life he joined a Jansenist sect of fanatics known in France as the " Convul- sionnaires," whose vagaries gave rise to a celebrated witty couplet. They used to visit the tomb of the deacon Francois de Paris, one of their members, who had died in the odour of sanctity, and there they fell into all sorts of convulsions, and pretended that miracles took place in this churchyard of St. Medard. At last they became such a nuisance that the authorities were obliged to order the cemetery 1 44 The Beautiful Queen to be closed. Whereupon some wag wrote upon the gate : "De par le Roi defense a Dieu, De faire miracle en ce lieu." Another of these sects which sprang up some years later, about 1373, was the Dancers ; they were the offspring of the Flagellants, and originated in Aix-la-Chapelle. They spread throughout Liege, Hainault, and Flanders. These fanatics fell sud- denly into fits of dancing. Men and women joined hands, and danced violently till they were almost suffocated, when they fell to the ground and then said they were favoured with visions. The priests declared they were possessed, and exorcised them. 1 In the year 1226 the town of Avignon was nearly destroyed by order of the Papal legate, sent there to oppose the Count of Toulouse, who had favoured the cause of the Albigeois, and at the time of Joanna's visit it had not recovered from the punishment inflicted upon it, so that like Rome it presented a striking mixture of great luxury side by side with the direst poverty. Among the low, ill-built houses of the natives stood the magnificent palaces of the Cardinals, and perched upon a grand rock above the glorious river Rh6ne was the fortress-like but most splendid of all these mansions, the majestic palace of the Popes, which still survives, though now used as a prison. 1 Mosheim, vol. i. Joanna Pleads before the Pope 145 Petrarch, who was most indignant at the luxury of the Papal Court, thus comments upon these buildings. " What a shame to see these people raising magnificent palaces, resplendent with gold and superb towers which threaten the skies in this new Babylon, whilst the capital of the world lies in ruins ! " The poet as an Italian could not tolerate with patience the removal of the Holy See from Rome to Avignon, and with his usual exaggerated but picturesque language he inveighs against it. In one of his letters called the " Mysteries " he thus describes the licentiousness of Avignon : " All that they say of Assyrian and Egyptian Babylon, of the four Labyrinths, of the Avernean and Tar- tarean Lakes is nothing in comparison with this hell. We have here a Nimrod powerful on the earth, and a mighty hunter before the Lord, who attempts to scale heaven with raising his superb towers. A Semiramis with her quiver, a Cambyses more extravagant than the Cambyses of old. All that is vile and execrable is assembled in this place. There is no clue to lead you out of this labyrinth, neither that of Dedalus nor Ariadne ; the only means of escaping is by the influence of gold. " In this place reign the successors of poor fisher- men, who have forgotten their origin. They march covered with gold and purple, proud of the spoils 10 J46 The Beautiful Queen of princes and of the people. Instead of those little boats in which they gained their living on the Lake of Gennesareth, they inhabit superb palaces. To the most simple repasts have succeeded the most sumptuous feasts ; and where the apostles went on foot covered only with sandals are now seen insolent satraps mounted on horses ornamented with gold, and champing golden bits. Poor old fishermen ! For whom have you laboured ? O times ! O manners ! " It was under the pontificate of Clement VI., to whom he alluded as " Nimrod," that Petrarch wrote this, and that the luxury and licentiousness of Avignon reached their highest point ; for Clement VI. was a man of most gentle temper, very easily led, most generous, and very fond, it must be confessed, of luxury. He liked the society of ladies, and they were admitted to his palace and formed a court there, at the head of which was Cicely, Duchess of Turenne — Petrarch's " Semiramis with her quiver." She married the son of Alphonsus IV., King of Aragon, and became Duchess of Turenne in her own right by the death of her brother, the Viscount, in 1340. This woman was excessively proud and imperious, and very cunning also, and managed to obtain a very strong influence over the Pope, and amassed great riches from all hands. She was the special object of Petrarch's hatred. She lived in the Joanna Pleads before the Pope 147 greatest splendour, and completely dominated the Court of Avignon, and disposed of a great deal of the patronage attached to the Papal Court by virtue of her friendship with Clement, who allowed himself to be influenced by her; but there is not the slightest ground for the suggestions of some unscrupulous writers, who have calumniated the Holy Father by suggesting there was more than friendship existing between them. The scenery round Avignon is most varied ; the deep blue waters of the Rh6ne rush past the lordly palaces, and receive the Durance, which winds about on the other side of the city. Just below it wide avenues of elms surround the town. The land is very rich : vines crown the hills, olive-trees cover the meadows, while islands in the great river, magnificent trees, and rich fields all combine to make a fairylike prospect. The walls round the city were built in 1358, but they are more ornamental than suitable for pur- poses of defence, and are flanked with square towers. The mystic number seven regulated everything in Avignon : there were seven gates in these walls, seven churches, seven monasteries, seven nunneries, seven colleges, seven parishes, seven hospitals, and seven Popes lived there in succession — though this last was by accident or coincidence, not by design. We must not forget to mention the cele- H8 The Beautiful Queen brated Bridge of St Ben6zet * which spans the Rhone at Avignon, on the opposite side of which stands the town of Villeneuve, where on their arrival Louis of Taranto remained, while Nicholas Acciajuoli and his brother, the Bishop of Florence, went to Avignon to obtain an audience of the Pope. Clement is said to have received them with his usual courtesy and affability, and no doubt entertained them at one of his regal banquets, for he was famed for the delicacy of his table as well as for the sumptuousness of his furniture and table appointments. His first step upon hearing their errand, and learning of the imprisonment of Joanna, was to send for the Duke of Normandy and prevail upon him to leave Provence, and return immediately to his own dominions, to show the Provencals that Joanna was not about to sell Provence to him ; this quieted their fears, and paved the way for Joanna's release. There was living at Avignon at this time a relation of Joanna's, namely, the Due de Berri, who on hearing of her captivity also exerted him- self to obtain her release, working most zealously on her behalf. He went round to all the principal 1 St. Benezet was originally a shepherd living in the second half of the twelfth century. He built this bridge, and was the founder of an order called " les Freres Pontifes," or the Makers of Bridges ; he was also the patron saint of engineers, and of the city of Avignon. He died in 1184. Joanna Pleads before the Pope 149 nobles in turn, and assured them on his word as a prince that there was no truth in the report spread by the Hungarians, that Joanna was about to sell her Provencal dominions. These measures prevailed. The Barons, at last convinced that they had been deceived by the malice of the Hungarian emissaries of Louis of Hungary, went to Aix and assured the captive Queen of their fidelity, removed all the restrictions under which she had been placed, and renewed their oaths of allegiance to her. Joanna then selected a new court from the nobles of Provence, and prepared to leave Aix for Avignon to plead there her cause before the Pope. She knew no rest until this object had been fulfilled and her character cleared in the eyes of all Christendom from the odious charges brought against her. Her captivity had lasted nearly two months : she was taken prisoner on January 20th, and on the 1 5th of the following March she made her triumphant and most magnificent entry into Avignon, the streets of which were hung with silk and cloth-of-gold and of silver, and decorated with garlands of flowers for the occasion. The balconies of the splendid palaces and houses of the rich were filled with ladies dressed in ceremonial robes of such costli- ness that they were handed down from generation to generation. Here we may mention a sumptuary law in exist- 150 The Beautiful Queen ence in Provence and France at this time, by which it was prohibited to all women below a certain fixed rank to wear silk, gold, furs, pearls, or other precious jewels, and in the thirteenth and fourteenth centuries not even the relations of Popes, or the wives and daughters of marshals and barons were exempt from it. These laws were made to repress the luxury and extravagance of the age, especially among the lower classes primarily : but they afterwards, in England and Scotland, became protective in character. Edward III. in 1336 passed a most arbitrary sumptuary law in England, limiting the number of courses his subjects might take at one meal ; but this law was never enforced from the very be- ginning, and yet it remained on the Statute Book until 1856. Laura's nobility is said to be proved, if proof were needed, by the fact that she possessed some silk gloves embroidered in gold — one of which she once dropped and Petrarch picked it up, but was not permitted to retain it even for a minute. Unless Laura had been of the requisite high rank, she would not have been allowed to possess these gloves, nor to have worn the other magnificent clothing for which she was famed. Of course the Queen of the Two Sicilies and Countess of Provence was exempt from all sumptuary laws, and entered Avignon with all the pomp and insignia of royalty. It must be confessed that Joanna Pleads before the Pope 151 Joanna was very fond of purple and fine clothing ; and if it be considered a fault in a woman of her exalted rank to be clad in magnificent robes on grand State occasions, then Joanna was guilty of that fault, of which much has been made by her adverse critics. She entered Avignon, seated on a milk-white palfrey caparisoned with purple and gold, wearing a robe of crimson velvet, and over it a mantle of purple velvet, embroidered all over with the fleur-de-lis in gold thread, and bordered with the regal ermine ; on her shoulders glittered the crosses of the kingdom of Jerusalem — one of her titles being, it will be remembered, Empress of Jerusalem — and in her hands she bore her orb and sceptre. Over her head was carried the canopy of State, orna- mented with gold fringes, and its four gilt poles borne in turns by the highest noblemen in her kingdom. These canopy-bearers wore coronets upon their heads and splendid attire. The Queen, who was the admiration of all beholders, her beauty calling forth shouts of delight, was accompanied by her husband, Louis of Taranto, who must have felt intensely proud of his young wife and sovereign, and also by Nicholas Acciajuoli and his brother the Bishop of Florence, and by a large escort of her Ultramontane knights, with their ladies all dressed in great splendour. Some of these ladies 15 2 The Beautiful Queen were carried in litters ; others sat on side-saddles made in the shape of a chair, which could not have had a very equestrian appearance. Joanna was an excellent horsewoman, and may have dis- pensed with this arrangement ; her palfrey was led by two knights of princely birth. As the procession passed along the narrow crooked streets it was delayed by the most cosmopolitan of crowds which thronged the city, attracted thither from all parts of Christendom by the presence of the Pope, and it is not likely that in those days crowds were regulated as they are in twentieth- century London. The convent of the Ursulines had long been the usual place of residence of the sovereigns of Naples when they visited Avignon, and here they stopped for the Queen to alight to take the customary re- freshment of wine and confectionery, and also to give the Cardinals time to meet in the Consistory Court at the Papal palace, before which she was now about to appear and plead her cause. This court was held in one of the magnificently proportioned halls in the Pope's palace. It was arranged with a throne of crimson and gold for the Pope, raised above all the other seats, at one end, and round this, arranged in a semicircle, were seated the Cardinals, on a lower level ; they were all vested in their robes of scarlet silk, with their gold crosses upon their breasts and their jewelled Joanna Pleads before the Pope 153 episcopal rings on their right| hands. The Pope is said by one author, from whom we are now quoting, to have worn the triple tiara. This is a mistake. The Papal tiara at this time was only a double crown ; the third crown was not added until the pontificate of Urban V. The same writer says Clement was attired in dazzling white robes of silver tissue. This may have been the case ; but white was not adopted by the Popes as the colour of their robes until the time of the Dominican Pope St. Pius V., who introduced it because it was then the custom for a Pope to wear robes of the same colour as his habit if he had been a member of a religious order before his election, and Pius V. was a Dominican, whose habit is white. Clement VI. was not a member of any religious order, so he was at liberty to wear what coloured robes he chose. He was of high rank, belonging to the ancient family of Roger, and loved refinement and splendour, and is described as having more of the chivalry of the knight than the austerity of the priest about him. He was very fond of hunting, and his stud was celebrated all over Europe, while his stables were most luxurious. Popes at that time wore white linen slippers, with a cross embroidered in gold upon them, which it has ever, until the present pontificate, been the custom of the faithful to kiss on being presented 154 The Beautiful Queen to the Pope. In mediaeval days the cross was often used in dress to procure marks of homage, which would have been denied without it. A story is told of one of the Doges of Venice in this connection. In 1363 the father of the reigning Doge chose to go bareheaded rather than uncover his head to his son, whereupon the Doge had a cross placed in front of his hat, and his father then took to his headgear again, and when he met his son took it off saying, " It is not him I salute, but the cross." The same idea, only more forcibly expressed, is present in an anecdote relating to the late Tsar of Russia. It is the custom on Easter Day in Russia for all the congregation to kiss the hand of the priest on leaving the church after Mass. On one occasion the Tsar was staying at one of his country palaces at Easter, and went to Mass in a small village church. The priest, who was a peasant, was terrified when the Tsar was about to kiss his hand as he left the church, and drew back, saying he was unworthy of such an honour. The Tsar gave him a most scathing rebuke, saying, as he insisted upon obeying the ritual of his Church, " It is not you I kiss, but Jesus Christ." Joanna was led into this consistory between two cardinals, and followed by a crowd of friends and vassals, all anxious to hear the verdict of the Papal Court upon their Queen. CLEMENT THE SIXTH. P- 1541 Joanna Pleads before the Pope 155 As the Queen in her splendid robes entered the doors of the Consistory Hall she knelt for the first time, then in the middle of it she genuflected a second time on both knees, and finally, when she reached the foot of the throne covered with crimson and gold, upon which the Pope sat, she knelt the third time, and stooping her head kissed his foot and then his hand — a privilege granted to her on account of her high rank. The Pope raised her and kissed her on the lips, and after a few words had passed between them he placed her on a seat prepared for her on his right, rather lower than his own, with a crimson and gold cushion for her feet. The hall in which the Consistory was held was filled from end to end with prelates of high rank, princes, nobles, and ambassadors from every court in Europe. Conspicuous among them were two ambassadors from Louis of Hungary, who had only just arrived at Avignon from Naples to represent their King, to accuse Joanna of the murder of Andrew, to justify and defend the invasion by Louis of her kingdom, and to demand not only the throne but the life of Queen Joanna, the cynosure of all eyes as she sat there in all the pride of her youth and beauty. The Hungarians felt confident of winning their cause, for their King was on very good terms with Clement VI., and it was believed that the Pope would 156 The Beautiful Queen favour Hungary, for there were reports that he had a personal dislike of the Queen concerning whom such sinister reports had reached him. The fact that Joanna was an exile, driven out of her country by the avenger of her murdered first husband, might also militate against her, though on the other hand it might evoke pity for her tragic fate. Immediately following upon Joanna was her second husband, Louis of Taranto, who likewise made his obeisance to the Pope, and was allowed the privilege of kissing Clement's hand and lips because of his rank as the consort of the Queen ; then Nicholas Acciajuoli and a few of the most distinguished barons in her suite were duly presented to the Holy Father, while she sat by his side medi- tating upon what she would say to defend herself. Not only her throne, but her life also depended upon the verdict of the Consistory. She well knew the power the Pope had over her crown and her person ; she knew it was popularly believed that he had been prejudiced against her, and was on very friendly terms with her arch-enemy, that he had been shocked and horrified at the murder of Andrew, and probably believed some of the tales that were afloat about her. She must have trembled as she waited till these presentations were over, when she rose and, leaving her seat, began to address the Pope and Cardinals sitting in judgment upon her. Fortunately for Joanna Pleads before the Pope 157 Joanna, eloquence was one of her gifts ; still more fortunate perhaps, that greatest of all feminine gifts was hers in abundance — beauty ; most fortunate of all, her judges were men, to whom her youth, beauty, and terrible misfortunes would appeal strongly. We can well imagine that every eye was turned upon her, from the Pope's to the youngest knight's in the hall. We read that " her figure was tall and nobly formed, her air composed and majestic, her carriage altogether royal, her features of exquisite beauty, and, with a character of grandeur, had a certain air of natural goodness that softened their expression and won the love whilst she commanded the respect of those who beheld her." What would the verdict be ? CHAPTER XI Joanna's Acquittal and its Results LATIN is the language of the Consistory Court of Rome, and, as no mention is made of any interpreter, we may safely conclude that Joanna pleaded her cause in that tongue, which she wrote with ease ; for as her audience was so cosmopolitan and the effect of her eloquence was so immediate, she must have spoken a language understood by all or most of her hearers. Had she addressed them in either the Provencal or Italian language, both of which she spoke with great fluency, only part of her hearers would have understood. On one occasion when Sancho, Prince of Castile, who had to have an interpreter, was present at a Roman Consistory he heard loud applause, and asked his interpreter what was the meaning of it. " They have just proclaimed your Highness King of Egypt," said the interpreter. " Indeed ! Well, it does not become us to be i S 8 Joanna's jAcquittal and its Results 159 wanting in gratitude ; rise up and proclaim his Holiness Caliph of Bagdad," said the Prince. Joanna's defence of herself is said to have been the most masterly piece of feminine oratory ever heard. She first of all stated the points in her defence so logically, clearly, forcibly, and briefly, that long before she had finished speaking her judges were convinced of her innocence. She then went on to express the greatest horror of the foul murder of Andrew, and deplored his sad fate, cut off in the very flower of his youth, with deep pathos, and then spoke of her own great grief and horror at his untimely end, weeping so touchingly that her fierce accusers, the Hungarian ambassadors, were confounded, and attempted no reply when the Queen had finished speaking. But before she concluded she defended herself for the delay in bringing the guilty to judgment, of which she had been accused, and impressed upon her audience that no tortures had been able to force one of the conspirators to accuse her of having had any part in the plot against Andrew. The result of her eloquence was that the court declared her not only innocent, but above the sus- picion of guilt. The most ample acquittal which she and her subjects could demand to reinstate her in the good opinion of all men was unanimously pronounced, and a decree passed confirming this verdict. The Pope then publicly absolved her, 160 The Beautiful Queen for hers was a case reserved to the Holy See ; and as Joanna was a devout Catholic, she had earnestly desired this grace to wash away all traces of any sin her soul might have incurred during the terrible trials she had been passing through, and she now left the Consistory Hall at peace with God and with man. When, with the tears of joy upon her face, she rose from her knees at the Pope's feet after receiving absolution, he conducted her through the Hall of Consistory and the ante-chamber, which was as far as etiquette permitted him to go, and then parted with her, and Louis of Taranto led his innocent wife and Queen to the apartments prepared for her in the Ursuline Convent. Clement VI. was prevented by another rule of etiquette from visiting her there more than once, but he duly paid this visit ; and so long as she remained in Avignon his palace was open to her and her husband, upon both of whom he bestowed every mark of honour. Among the favours Joanna received from the hands of the Sovereign Pontiff during her residence in Avignon was the Golden Rose, which Clement had intended giving to the King of Majorca, then in Avignon. This Rose is an ornament made of gold in the shape of a rose, which is blessed by the Pope on the fourth Sunday in Lent, and then bestowed by him upon some sovereign or monastery. Joanna's Acquittal and its Results 161 It was not an annual custom until the reign of St. Urban V., who came to the throne in 1363, and it is now generally given to a sovereign. It was a rarer favour in Joanna's day, and very highly valued. It was bestowed upon her on March 27th, and that same day the Queen and Louis of Taranto were led in procession all round the walls of the city of Avignon, as Count and Countess of Provence, and afterwards received the homage of the Provencal barons assembled for that purpose. The allegiance of this proud race was not lightly given nor lightly valued ; but as they had always been faithful to the Angevine line, so were they always tenderly attached and absolutely loyal to Joanna, whom they loved to call "la bonne Reine Jeanne." Joanna would have had a far happier life if she could have remained in Provence where she was loved and revered by her subjects, instead of having to return to Naples where so many misfortunes awaited her, but during her visit to Avignon the city was visited by one of the most terrible calamities that ever befell suffering humanity. The festivities at the Papal Court were all suspended by the Great Plague, which, having already swept away millions in other parts of Europe, now broke out in Provence. It was during this visitation that Clement VI. showed his charity and wisdom in so marked a manner, thus rendering the fell disease less disastrous 1 1 1 62 The Beautiful Queen in its consequences at Avignon than it was in other places. To prevent the spread of the infection, he established a special body of police ; he bought a field outside the city as a burial-ground for the dead, and spent large sums of money on the transport thither of the infected corpses, besides paying doctors to attend the poor and providing winding-sheets for them. Avignon was at the time the plague broke out full of visitors, many having come from the country to pay homage to Joanna, which may perhaps account for the enormous numbers — which were estimated in Avignon at one hundred and twenty thousand — who are said to have perished of this terrible scourge. The disease was at its height during Lent, and during the three last days of Holy Week fourteen hundred people are said to have died of it in the city. The fact that it was worst during those days when the Lenten fast was most strict shows that to live well was one of the best means of warding off an attack ; but at that time the Lenten fast was very much stricter than it is now, and dispensations not so easily granted. The greatest number of victims were among the women and children of the poorest classes. The rich, however, were by no means exempt, and one of the Avignon victims was Laura, the beloved of Petrarch, who died on April 6th after three days' illness. She had a presentiment that she Joanna's Acquittal and its Results 163 would not live beyond three days after the fever set in, so she made her will and sent for a priest and received the Last Sacraments, and died with great resignation, surrounded by friends and relations, whom not even the fear of the plague could keep away from one they so loved and admired. She died about six o'clock in the morning of April 6th, and was buried that same day after vespers, in the chapel attached to the monastery of the Franciscan Friars Minor. Petrarch, who was still madly in love with her, was at Verona at the time of her death, anxiously expecting news of her ; but the plague had stopped all communication with Avignon, as the couriers who carried the letters could not pass. He did not get the news of her death until May 9th, when he was at Parma, and his grief, as may be imagined, was intense. He passed several days without eating or drinking, rendering himself, we should think, ex- ceedingly liable to an attack of the dread disease. He said of himself that " he dared not think of his condition, much less could he speak of it, and that the loss convinced him that there was no longer anything worth living for; and since the strongest cord of his life was now broken, he should renounce the world, where his cares had been deceitful and his hopes vain and perishing." Before Petrarch had ceased to weep for Laura his friend Cardinal Colonna also died of the plague at 164 The Beautiful Queen Avignon, where his loss was greatly felt ; for his court was a brilliant one, attended by literary men and men of genius from all parts of Europe. But the Italians who visited him could not bear Provence after their Maecenas, as they called him, was dead, and most of them left the city of Avignon and returned to Italy. Villani, the historian, was another victim to this terrible pestilence, which had been predicted by astrologers. But he left an account of the beginning of it, and among other things he tells us that the mortality was greater in Pistoja and Prato than in Florence, and greater in Bologna and Avignon and Provence and the whole kingdom of France, but greatest in those countries beyond the sea among the Tartars. The Mendicant Friars came out splendidly during this calamity. They attended the plague-stricken, and administered to their spiritual needs, when other priests neglected, and feared to go near them ; they preached, heard the confessions of the dying, and buried the dead. But the fact that many of the dead had left their estates to them out of gratitude roused the jealousy of the secular clergy, who petitioned Clement VI. to suppress them. This petition was presented to the Pope in the same Consistory Court before which Joanna had pleaded, and was supported by some cardinals and bishops. The Pope refused to grant their request, and rebuked Joanna's Acquittal and its Results 165 them in the following strong terms for their envious conduct : " The Mendicants have exposed their lives by attending dying persons, and administering the sacraments to them, whilst you, consulting your own safety, fled from the danger and abandoned your flocks. You have therefore no reason to complain of what they have got, as they have got it by performing the duty which you have neglected, though incumbent upon you. They employ the little they have gained in building or repairing their churches, but you would perhaps have applied it to very different uses. They preach nothing but what they show by their example to be practicable, whereas many among you preach one thing and practise the contrary." The credulity of the age led to a persecution of the Jews, who were accused of having caused the plague by poisoning the fountains. But Clement VI. with his usual clemency defended them in two Bulls which he published, forbidding them to be forcibly baptised, under the severest penalties, as such was the alternative given to the Hebrews if they wished to escape death. Another outcome of the fear and panic which the plague roused was the revival of the fanatics known as the Flagellants, who first appeared in the eleventh century, and during the feuds of the Guelphs and Ghibellines they spread throughout 1 66 The Beautiful Queen France, Bohemia, Austria, Italy, Russia, Poland, and Hungary, but they did not appear in England until this second outburst of their fanaticism in 1348. They were penitents who went in procession through the various towns and cities to which they penetrated, naked to the waist, and armed with scourges, with which they lashed themselves until the blood flowed, and marked their progress on the ground. Clement suppressed them in the following year, but they have frequently made their appearance since. It is computed that 100,000 victims perished of the plague in Venice, 60,000 in Florence, 1,200,000 in Germany, and it is said that more than 200,000 villages and small towns were left without any inhabitants. While of the good Friars who worked so nobly to help the sick and dying, no less than 124,434 died of this terrible disease. The cardinals and rich barons at Avignon shut themselves up in their palaces, and burnt huge fires to keep away the infection ; and Clement VI., who refused to go away from Avignon while it was raging, also took this precaution of burning large fires and remaining indoors. The Great Pestilence, or the Black Death as it was also called, did not appear in England until August of this fatal year, 1348, and before it was extermin- ated it carried off" 5,000,000 victims during the year it lasted. Joanna's Acquittal and its Results 167 Boccaccio, who had left Naples when the King of Hungary invaded it, went to Florence and there wrote his description of the ravages of this ghastly scourge, which first of all began in the Far East. He tells us that in his native city " no human wisdom, no precautions, availed to avert the calamity. In vain by the orders of the magistrates were the streets cleared of every impurity ; in vain were the gates of the city closed against all infected persons, and the counsels of the most prudent put in practice for the preservation of health. And equally unavailing were the humble supplications, not once but often made to God by devout persons, in solemn processions and other forms." His account is much too long to quote in full, but he describes some of the attendant horrors with great pathos, as when he says that in the panic " brother abandoned brother, the uncle his nephew, the sister her brother, the wife her husband, and, what is more surprising still and scarcely credible, fathers and mothers deserted their children as if they were children (sic) and feared to visit or serve them." Another horror he mentions was the sick being thus deserted by neighbours, by friends, by relatives, so that no woman, however delicate or beautiful or noble, made any scruple to be served by a man, let him be who he might, old or young, from which cause many who survived lost much of the modesty of their manners. *68 The Beautiful Queen The plague had one good effect as far as Joanna was concerned : it frightened Louis of Hungary out of Naples, although it was not so bad there as in other parts of Italy, or as at Avignon and Provence. He, however, thought it better to remove the great body of his men to Apulia, to avoid the infection in Naples, where its ravages were sufficiently serious. His retreat paved the way for Joanna's return, and about this time the news of her acquittal by the Roman Consistory reached Naples, and a revul- sion of feeling towards their exiled Queen set in amongst the Neapolitans. With the exception of a few important men, who had gone too far in encouraging the Hungarians to hope for forgiveness from Joanna, all classes now united in earnestly desiring her return and restoration to the throne of her grandfather. The nobility, who hated the haughty Hungarians and their insupportable yoke, resolved to throw it off; but knowing this would be impossible without the help and support of their Queen, they sent secret messengers to Avignon, begging her to return and take up the reins of government again, and promising if she would supply them with a few men and some money they would fight for her and do all in their power to reinstate her in her kingdom. At first Joanna was not inclined to agree to this proposal, knowing that it would be no easy task to Joanna's Acquittal ' and its Results 169 get rid of the Hungarians ; but she laid the letters brought by the Neapolitan ambassadors before the Pope and the Cardinals, who were only more certain of her innocence when they read them than they had been before. They counselled her to grant the petition of her subjects as quickly as possible, and Clement, anxious if possible to prevent more blood- shed, tried to restore her to her throne by diplomatic measures. To which end he sent an apostolic legate to Louis, Cardinal Guy of Boulogne, who was a relation of the Queen of Hungary, and was remarkable for his gentle manners and persuasive powers of speech, by which the Pope hoped the King of Hungary might be persuaded to retire and leave the throne to Joanna. While the Cardinal was treating with Louis of Hungary in Naples, Joanna's staunch friend Nicholas Acciajuoli was engaged in trying to raise men and money in order to wrest the kingdom from the invader by force, if diplomacy failed to accomplish the reinstatement of Joanna. The States of Provence and Piedmont vied with each other in contributing to the expedition, but their combined efforts fell far short of the required sum, and the Queen was re- duced not only to selling her famous diamonds, but all her other jewels, and finally to offering the city of Avignon with the surrounding country to the Pope. Louis of Hungary, feeling sure that possession was nine points of law, refused to listen to any of the proposals of the Cardinal of Boulogne for a peaceful i7° The Beautiful Queen settlement, so there was nothing for it, if Joanna was to recover her kingdom, but to resort to arms. The sum the Queen asked for Avignon was 80,000 golden florins. A gold florin was at that time worth about a fifth of an ounce of gold, so that the price for which she sold it was equal to about 60,000 pounds sterling of our money. The Pope immediately paid this sum, which was used to defray the cost of ten galleys fully equipped, and armed with the men Acciajuoli had enlisted to relieve Naples from the Hungarian yoke. It is said that the Queen had succeeded in winning the friendship of Clement so completely that he would now do anything for her, and willingly agreed to pay the sum she demanded for Avignon. He knew that Joanna earnestly desired the coronation of her husband, Louis of Taranto, as King of Naples, and that she wished for this almost as much as she wished for the restoration of her kingdom ; and when he gave her and Louis his parting blessing he bestowed the coveted title upon him. In consequence of this sale the Emperor Charles IV. yielded to the Pope all the rights which he possessed over the town of Avignon, in the month of November, 1348, at Gorpiet. The Latin contract, still in existence, states among other things that Joanna sold Avignon with the consent of her husband, Louis of Taranto. By this sale she sacrificed the lesser possessions of Avignon to regain Joanna's Acquittal and its Results 171 the throne of the Two Sicilies. The contract of sale was signed on June 19th, 1348, in the house at which Joanna was residing in Avignon at the time. Joanna remained about three weeks longer in the plague-stricken city of Avignon after the sign- ing of the contract for its sale, and then, all their preparations being complete, she and Louis went to Marseilles and embarked there for Naples, full of hope and elated with the knowledge that at any rate the campaign would not be crippled for want of means. They were returning under very different circum- stances from those under which they had left Naples. Then Joanna was suspected and openly accused of the murder of her first husband ; now she was returning with her character not only cleared, but with the assurance of the Pope and Cardinals that she was above suspicion, and was now under the special favour and protection of the Holy See — a valued friend of Clement VI., the idol of the gallant Provencal barons. Moreover, she was going back at the earnest invitation of her Neapolitan subjects, who were now only too ready to lay down their lives, if need be, to restore her to her throne. CHAPTER XII Peace is Proclaimed ALL the Neapolitan castles were occupied by the Hungarians, so it was not possible for Joanna to land in the harbour. Accordingly, when her gal- leys reached Naples, they stopped short at the little river of Sebeto, on the Vesuvian side of the city, by the Ponte della Maddalena, to which the in- habitants flocked in crowds to welcome them with every demonstration of joy, so that the whole of that part of the city rang with the shouts with which the people acclaimed their returning Queen. Foremost among the barons who hastened to ofFer their congratulations and allegiance were the Count of Minervino and his brothers, who had originally been on the Hungarian side, and now hurried to proffer all the help they could to expel the enemy. One of the former enemies of Joanna did not return to his allegiance. This was Francis de Baux, 172 Peace is Proclaimed 173 Count of Montecagiuso, a nephew of the late King Robert, whose mother Beatrice was a nun, but was taken out of her convent to marry Francis's father, Bertrand de Baux. This was sometimes allowed in the Middle Ages, from reasons of State or policy, when a dispensation was obtained from the religious vows to enable the person to marry. During the absence of Louis of Taranto this Francis de Baux had married one of Louis's sisters, without first getting his or Joanna's consent. The poor young Princess of Taranto had found herself alone and unprotected in Naples on the day when the Hungarians had pillaged and destroyed the palaces of the Neapolitan royal family, on that occasion when Joanna's sister Maria had fled in disguise. Francis de Baux had taken pity on the Princess, who was his cousin ; and she, knowing her brothers were, with the exception of Louis, all in captivity, consented to marry Francis without waiting to obtain the sanction of her family. The young couple, not knowing what kind of reception they might meet with from Joanna and Louis, were afraid to appear before them ; but the Queen, well aware that the de Baux were some of the richest and most powerful of her subjects, with her usual prudence and tact resolved to conciliate them and overlook the breach of royal etiquette of which they had been guilty. Accordingly she sent the Count letters-patent 174 The Beautiful Queen conferring upon him the Dukedom of Andria, an honour which none but a prince of the royal line had hitherto enjoyed. Upon receiving this signal mark of royal favour, de Baux and his bride went to court and throwing themselves at Joanna's feet, he vowed allegiance and devotion to her cause, and from that time became one of her most zealous supporters. Nicholas Acciajuoli was now made Grand Seneschal of the kingdom, in reward for all his services in Provence, for to some extent Joanna owed the successful issue of her cause in the Papal Court to his exertions and those of his brother the Bishop of Florence. Joanna also rewarded with presents of land and money, and with various honours and privileges, all those who had been faithful to her, and all the young knights who had fought for her. Joanna's cause had been recommended to all the knights of Europe, by the Papal Court, as one which in those days of chivalry they were peculiarly bound to defend, and they were not slow to become the champions of the beautiful young Queen. As soon as Joanna returned to Naples she gave a series of entertainments to signalise her return, and these festivities and rejoicings greatly increased her popu- larity, and made her court a striking contrast to that of the barbarian Hungarian invader, whose courtiers treated the Neapolitans with haughty disdain, which they naturally resented deeply. Peace is Proclaimed 175 Louis of Taranto was of great help to Joanna in winning popularity, for he was said to be " as beautiful as the day," being gifted, like his royal spouse, with extraordinary personal beauty ; he also possessed the charming manners for which all the Angevine family were famed. He was a fine soldier, and highly distinguished in all the accomplishments of a mediaeval knight, such as jousts, tournaments, and field-sports. In fact, he had all the qualities calculated to win the hearts of the pleasure-loving Neapolitans, but he did not possess the more solid virtues of a faithful husband, at any rate in his later years. Joanna is greatly blamed by her enemies for the gaiety of her court, the lavish entertainments in which she indulged, the luxury of her table, the brilliancy of her attire, and the constant round of balls, banquets, pageants, tournaments, and other festivities on which she spent so much money ; but she was eminendy a wise woman, and probably she knew that this was the best way to retain her husband's affections, which she succeeded in doing during the first years of her married life. Later, as we shall see, Louis led so wild and profligate a life that he shortened his days by his excesses. So long as he was engaged in fighting Joanna's battles for her Louis was a good husband. The excitement of war kept him out of mischief, and satisfied his energetic temperament and craving for 176 The Beautiful Queen excitement, without which he could not live even in the fourteenth century. What he would have done in the twentieth century, when the craze for something new possesses old and young, rich and poor, all classes of men and women, we do not know. On first returning to Naples, with the Hungarians still in occupation, Louis had plenty of scope for his martial energy : he at once under- took an expedition against the Count of Apici — a powerful baron who obstinately adhered to the Hungarian cause, but was soon reduced to obedience and heavily fined for his rebellion. One of the most audacious of the captains of mercenaries, after our own Hawkwood, in these days was a German who went by the name of Duke Warner. This ruffian went about with the following legend embroidered in silver letters on his surcoat : "I am Duke Warner, the Chief of the Great Company, the Enemy of God, of Pity, and of Mercy." This blasphemous creature, who spread terror wherever he went with his band of pillaging, murdering, merciless adherents, was serving under the Hungarian King's lieutenant, Conrad Wolf, when Louis defeated the Count of Apici. As he had three thousand horsemen under him, it was very important to enlist his services in Joanna's interest if possible, and Louis took the money exacted from the Apici as a fine to buy Warner Peace is Proclaimed 177 over to the Queen's side. Louis now gained a succession of small victories. With Warner's help he captured some of the castles and garrisoned towns which were in the Hungarians' hands, but he was not strong enough to risk a great battle, into which Wolf tried to draw him. " Duke Warner " counselled him to avoid this, though the Hungarians passed close to the Neapolitan trenches, taunting and insulting the nobles and endeavouring to induce them to accept their challenges. Foiled in these tactics, Wolf now encamped himself in Foggia, whose inhabitants he induced, under con- ditions which he violated immediately, to yield their city to him, hoping that Louis would try to relieve Foggia. Again foiled — for Louis resisted this temptation, and has been severely blamed for so doing — Wolf now advanced upon Naples, and en- deavoured to persuade Warner to rejoin him. Warner played into his hand by encamping without sentinels and suffering himself to be taken, and then asked Louis to ransom him and pay thirty thousand florins to the Hungarians. Louis very wisely refused to do anything of the kind, and Warner attached himself to Wolf, who was further reinforced by troops from Hungary and another band of mercenaries com- manded by the Count of Lando. The Neapolitans of all classes now put forth their whole strength to repel their cruel foes. The 12 178 The Beautiful Queen peasants thronged into Naples armed with reaping hooks, scythes, spades — anything they could lay hands on for want of proper arms — to try to deliver their country from the hated Hungarians. The nobles, including the Count of Minervino, who had originally been on the Hungarian side, now collected all the armed men they could muster, and poured them into the city ; but unfortunately Wolf cut off the supplies of provisions from the Terra di Lavoro, so that the city was reduced to what it could obtain by sea from Calabria and other places. The Neapolitans, impatient at having their rations reduced, and quite against the advice of Louis, who knew they were not strong enough to give battle to the Hungarians, allowed themselves to be tricked into an engagement, in which many perished, for they were surrounded on all sides by the enemy. The mercenaries whom the Hungarians had engaged now became dissatisfied with their wretched payment, and threatened to leave their employers in the lurch, so the Transylvanian General, Prince Stephen, de- livered into their hands in the place of money all the prisoners of war whom they had taken. The unfortunate prisoners were subjected to the most horrible tortures by these cruel bands, who were guilty of rapine, murder, and every vice. The prisoners paid large sums of money to ransom themselves ; but the mercenaries, when they found Peace is Proclaimed 179 they could not extort sufficient to satisfy their greed, resolved to take Stephen himself prisoner and torture him in the hope of getting a larger sum of money. Fortunately the Transylvanian prince was warned of these intentions, and one night managed to effect his escape with some of his officers. Duke Warner had formerly been employed in the service of the Church, so he was known to the Cardinal Legate Ceccano, as were also other of the German officers ; and on his offering them 1 20,000 florins, they agreed to deliver up the two towns of Aversa and Capua, and to go back to Germany. Louis of Taranto then fortified these two towns very strongly, so that the following year Aversa was able to resist when besieged by the Hungarian King. Another celebrated character fighting on the side of the Hungarians was Fra Moriale, a knight of Jerusalem, whose real name was Montreal D'Albano. He was a Provencal by birth, and had formerly been in the service of Joanna's brother-in-law, the Duke of Durazzo. He now retired to Apulia with Conrad Wolf, and sent word to Louis of Hungary that the Germans had forsaken him and gone back to their own country. Fra Moriale's end was a tragic one, though it is rather anticipating events to mention it. After the Hungarians had left Naples, Fra Moriale re- mained behind ; and collecting together a large band 180 The Beautiful Queen of adventurers, he ravaged Italy, finally making war against the Viscontis. He was taken prisoner in Rome, and, being brought before the tribunal of Rienzi, then in power, he was sentenced to death, and beheaded in 1354. On hearing that the Germans had left Naples, Louis of Hungary soon after entered Apulia with a large force of 10,000 horsemen, besides a number of foot-soldiers. No sooner was Louis of Taranto aware that his enemy was so near, than he sent him a challenge to decide the matter by single combat with him, and gave him the choice of Naples, Avignon, Paris, or Perugia, as the scene of the encounter. Louis of Hungary agreed to accept the challenge, but objected to all the places named, as being too favourably inclined to his adversary, and suggested that the duel should be fought in the presence of the Bishop of Aquila, or of the Emperor of Germany, or else in that of their common friend, the King of England, or in that of their respective armies, in which latter case there is every reason to suppose the Hungarians would have been guilty of some treachery. For some reason or other this duel never came off, and soon after the King of Hungary, while besieging the city of Canoza in Apulia, was danger- ously wounded and picked up apparently dead before the walls, and carried back to his own camp, Peace is Proclaimed 181 where he recovered and soon after captured Salerno. The citadel of Lucera was given up treacherously to him by the governor, and he then advanced to Aversa, thinking to take that easily. He was, however, mistaken, and the siege of Aversa lasted three months before Pignatello, the governor, was forced by starvation to capitulate on honourable terms. It was while the Hungarians were still invading her kingdom that Joanna heard of the death of her little son by Andrew, Canrobert, the heir to her throne, who it will be remembered had been sent to Hungary by Louis of Hungary soon after he first came to Naples. Some few months after Joanna returned to Naples from Avignon she gave birth to a daughter, who was baptized Francesca. The child was idolised by both her parents, and before she was three years old a marriage had been arranged for her with the heir of the kingdom of Aragon. A year after the birth of the Princess Francesca Joanna gave birth to another daughter, who was named Catherine. She, however, died in infancy, and thenceforth all Joanna's hopes were concentrated upon Francesca, her only son having perished in a foreign land. After the capitulation of Aversa the Queen and her husband and child, with some faithful friends, went to Gaeta by sea, fearing that Louis of Hungary, now on his way to Naples, might take them prisoners, 1 82 The Beautiful Queen and hoping in case of necessity to be able to retreat to Provence, in ten galleys which were in waiting for them at Gaeta. These ten galleys were not considered sufficient, so the High Admiral of the kingdom, Rinaldo de Baux, was ordered to bring eight more from Naples. Once more was Joanna threatened with treason ; for while she was waiting at Gaeta for the reinforce- ments her Admiral was commanded to bring, there arrived one day a messenger who desired a secret audience of the Queen, in the course of which he informed her that de Baux, who was supposed to be laying in provisions before he left Naples, had concluded a bargain with Louis of Hungary by which he pledged himself to deliver Joanna and her husband and the little Princess Francesca, to- gether with Joanna's sister, Maria of Sicily, the Duchess of Durazzo, and her children, into the hands of the King of Hungary. The reward he asked for this act of treachery was the hand of Maria's eldest daughter, the heiress of the principality ot Durazzo, for his son. As soon as the Admiral and his fleet reached Gaeta, Joanna sent a message to him to come at once to the palace to see her, De Baux refused on various pretexts, and even declined to enter the harbour ; and as, so long as he remained outside with his fleet, the flight of the Queen to Provence, if it should become necessary was prevented, Louis Peace is Proclaimed 183 of Taranto decided upon very summary measures. He took three or four faithful friends with him, and embarking on board a small boat managed to get on board the Admiral's ship before he was aware of his approach ; and making his way into the traitor's presence, Louis attacked him and slew him there and then with his sword. It was a bold move, quite in keeping with the rough times and with the character of Louis, and perhaps justified by the circumstances. Indeed, it seemed the quickest way out of the dilemma in which de Baux's treachery had placed the Queen, who was fated so often in the course of her adventurous life to suffer from treason. While these things were happening at Gaeta Louis of Hungary had entered Naples with his ragged, half-starved army, and had encamped on the spot where now stands the Church of the Incoronata, afterwards built by Joanna. Naples was then divided into twelve sections called Piazze, and from each of these twelve divisions a proclamation was issued in which Louis of Hungary offered to save the city from destruction on condition of the people contributing a heavy fine, to compensate his soldiers for the plunder they would gain if he allowed them to pillage it. He called a meeting of the nobility and principal citizens at Castel Nuovo, and made the same proposal to them, and rebuked them for the 184 The Beautiful Queen affection they had shown their Queen and all they had done for her. The sight of the miserable horses and soldiers of the Hungarian army, however, excited the ridicule of the Neapolitans, who collected together from every quarter of the city, and threatened to give battle to their enemies if they attempted the least violence, and absolutely refused to give a penny to buy them off. Louis, thinking that his enfeebled troops would not have much chance against the Neapolitans, who were determined to strain every nerve to save their beautiful city, thought it prudent to retire to Apulia, and if possible join his forces to those of Conrad Wolf there. The Pope, hearing of this move, thought a favour- able time had arrived for him to try to conclude peace, as both sides were getting exhausted ; and, according to one account, he commanded Louis, under pain of excommunication, to leave Naples — or rather Joanna's dominions — at once, and allow Joanna and her husband to take possession of her kingdom. Louis proposed a truce for a year, and demanded another trial before the Pope and Cardinals of Joanna, promising, if she were declared innocent again, to give up her kingdom to her, and Joanna promised to resign it if she were pronounced guilty. Of course Joanna was pronounced innocent a second time — no one ever had any misgivings on Peace is Proclaimed 185 that score ; and the Pope then drew up a treaty with the Hungarian ambassadors, in which it was stipulated that Louis of Taranto should not bear the title of King, and that if Joanna had no children to survive her, her rights were to pass to Louis of Hungary or his successors, to the exclusion of her sister, the widowed Duchess of Durazzo. The Hungarians signed this treaty, but when it was put before Joanna she refused absolutely to exclude her husband from the throne, or to sign away her sister's right of succession, or to submit her people to the danger of the hated Hungarian yoke. As Joanna was firm, and it was evident that she would never yield, and would refuse to sign any treaty except one of whose terms she approved, the Pope gave way to her eloquence, and drew up another treaty, in which the title of King was granted to Louis of Taranto, and all the con- ditions as to the succession contained in the will of the late King Robert were agreed to ; the Pope stipulating that Joanna should pay Louis a sum of 300,000 florins for delivering up all the castles and fortresses he had captured in Naples. At this juncture Louis's haughtiness stood Joanna in good stead, for with the pride of his race he refused to accept the money. " No ! " he cried : " not for the sake of lands and gold, but only out of revenge of the murder of my brother have I fought. My work is finished. 1 86 The Beautiful Queen The angry shadows are reconciled. I desire nothing more." Would not this conduct be sufficient to prove the innocence of Joanna if more proof were wanting ? for if she had been guilty of the murder of Andrew, Louis of Hungary had received no satisfaction for it. The Pope and the Cardinals were much pleased at this magnanimity on the part of the Hungarian King, and thanked him cordially for it ; and Joanna, as soon as the treaty was signed, sent an embassy to Clement to thank him on her part for all the trouble he had taken on her behalf, and at the same time to beg him to issue a Bull for her own coronation and for that of her husband. The Pope granted her request, issued the desired Bull, and sent the Bishop of Braganca to perform the ceremony of coronation on Whit-Sunday, which that year fell on May 25 th. CHAPTER XIII The Coronation of Joanna ONE of the conditions of the treaty of peace between Joanna and Louis of Hungary was the liberation of all the princes of the blood royal, who had been sent to Hungary after the murder of the Duke of Durazzo, and had been imprisoned now for four years in the castle of Visgrade. Their imprisonment had been for Joanna the soul of good in the evil of the invasion of her kingdom, for if they had been at liberty, their quarrels with each other and their ambition would have weakened her cause by creating divisions in her realm, and it would have been better for Joanna if they had never been liberated, as it turned out, for they were a turbulent set. Preparations were now made for the coronation, and people began to flock into Naples from all parts of the kingdom to witness what promised to be a magnificent spectacle, for it was well known 187 1 88 The Beautiful Queen that Joanna loved pomp and grand functions. But not even Joanna's coronation was allowed to take place peacefully ; a serious disturbance took place just before it came off, and a great sorrow befell her immediately after it was over. One of those mercenary bands which were one of the terrors of the Middle Ages, commanded by a German named Beltram della Molta, waylaid a number of the barons and their wives, who were proceeding to the coronation, near Aversa, and robbed them of the splendid dresses they were about to wear at it, and of all the jewels and other valuables which they had brought with them. This band of robbers was a thousand strong, all mounted men, and the barons were powerless against them ; but Louis of Taranto, hearing of the outrage, went in pursuit with five hundred knights, and succeeded in dispersing all the band, except Beltram and twenty of his followers, who alone escaped, for those who were not slain by the swords of Louis and his knights were killed by the peasants. The coronation took place on the Feast of Pente- cost in the chapel of the old Palais de Justice, which was afterwards included in the Church of the In- coronata, which Joanna built in 1352 to commemorate her coronation and her marriage with Louis of Taranto. Pentecost was ever a favourite feast with the Angevine family. After the High Mass, which was celebrated with The Coronation of Joanna 189 all the grand ritual of the Catholic Church, the beautiful and majestic young Queen and her hand- some husband, clad in violet velvet robes (violet being the colour of the Neapolitan royal family), knelt before the Bishop of Braganca to receive the crown from his hands, Louis being crowned as King-consort. The splendid robes of the King and Queen and their courtiers and the handsome vestments of the Bishop and clergy made a magnificent blaze of colour in the chapel on this day, which is said to have been the happiest of Joanna's life, although it was destined to end in sorrow. After the ceremony was over Joanna and Louis went in procession round the city, to give the populace an opportunity of seeing them : they rode on horseback, with their crowns on their heads, their horses led by two noblemen. Just as they passed the church of San Giorgio Maggiore, after coming through the Porta Nolana, where the hospital of San Giovanni now stands, some ladies threw some flowers from a balcony to greet them. Unfortunately this so startled the King's horse that it reared and broke the bridle-reins held by two barons, and Louis threw himself off its back ; he escaped unhurt, but his crown fell from his head and broke in three pieces. The attendants and bystanders all cried out with the vehemence of their nationality that this was a 190 The Beautiful Queen dreadful sign portending all sorts of evil ; but the King only laughed and called for another horse, and, fastening the broken crown together as well as he could, set it on his head again and continued his progress round the city. It was late in the evening when Joanna and her royal consort returned to the Castel Nuovo, to find these unhappy prognostica- tions realised sufficiently to justify the superstition of their subjects, at least in their opinion. The little Princess had been left in charge of her attendants in the Castel Nuovo, which was that day deserted by every one else, as all had gone to see the coronation and the procession, and during her mother's absence she had been taken ill, probably with convulsions, as she died before Joanna returned, and this was the sad news which greeted her parents when they got home from the grand ceremonies in which they had been engaged. Joanna was now dashed from the happiness she had that day enjoyed in such fulness, and was plunged into the grief which only a mother's heart can know. This was the third child she had lost within a year or two, and it was the idol of her and Louis, on whom all their hopes were fixed. Her little son had recently died in a foreign land, after being taken from her when only a baby, then the infant daughter of Louis had died, and now the little Princess Francesca was cut off. So far as the child was concerned, it was a The Coronation of Joanna 19 1 merciful dispensation of Providence, for had she lived she would probably have fallen a victim to some of her mother's enemies in that age of violence, but it is not to be imagined that her mother saw it in that light. Joanna never had another child of her own ; she adopted one of her sister Maria's little girls, and later on she adopted Charles of Durazzo as her heir, and nourished a viper in her bosom when she did so. That same year, not long after peace had been proclaimed, another sorrow met Joanna in the death of her friend Pope Clement VI., who had been a second father to her, in not only pronouncing her innocent of the crime of which her enemies had. accused her, but in also restoring her to her throne. The memory of this Pope, who was one of the most profound scholars of the age, and a most mild and benevolent sovereign, has suffered much at the hands of Italian historians, because of his persistence in residing at Avignon instead of at Rome. On the other hand, the French historian de Sade says he was one of the greatest men who ever filled the Chair of Peter, and that if he had some faults, they were atoned for by great virtues and amiable qualities, and that he accomplished a great undertaking in which his predecessors had failed — namely, he deposed the troublesome Louis of Bavaria and elected Charles of Luxembourg in his place. This Louis of Bavaria was the great enemy of the i Ladislas, King of Naples, d. 1414. Louis, d. in irfancy. Joanna, Duchess of Durazzo, Agnes, in. 1. Can della Scala, Duke of Austria. Margaret, Joanna's adopted daughter, m. Robert of Artois ; d. in prison. 2. John I. of Andria ; d. in prison. m. Charles III. P- 336] CM 05 Si o m 3"" o*5 .£■6 ■" • *rs-o 0) _(/} IL) 5 o K i-i W m o « 22 J fl Sbo ■— U M C 5- o u 3 2.2 -«ae a .< *og °st »Q — 5 ** c. en a <0i -2 ° - JOANNA in 1347 Queen of Naples. :a, Catherine, 1 i/. in infancy. I 1 © ^^ ** o o ; o s O A i 2H So o a. o 3 D O U w o s H < w a o z < fa o . Mo-, — < o * CO"* w Pi < -4- 3 03 ^ en "■ £% 5 as a i O w 3 »g K COWH 3 R CJ £ i- u « (3 m i.l, 3 P2 s*** O >1 CO O a) ^Jl M M "^ rt g a 613 d C-' 3 & J£ CI , rt oj . c < ,4C ^3 " ■* 11 O c p-i received by the Queen, 254-5 ; and Prince Charles's infatuation for Jo- anna, 255 et sqq. ; and her son's death, 258 ; goes to the Holy Land, 258 ; and the Plague at Naples, 258-9 ; her letter to the Queen, 259, 260 ; receives a present of money from Joanna, 261 ; her death at Rome, 261-2 ; her canonis- ation, 274-86 Brunelleschi, 207 Buondelmonte, Countess, 223 Bury, Richard de (Bp. of Dur- ham), 37 Byron, Lord, 78 Cabassole, Bp. of Cavaillon, Philip de, 41, 71-1, 79, 96 et sqq. Cajetano Onerato, 281-2, 295 Canrobert, King of Hungary, 6, 23 et sqq., 40-1, 108 Canrobert, Prince (son of Jo- anna), 98 et sqq., 122, 124, 130, 134, 181 Caraccioli, his Life of Joanna, 19. 130 Casimir, King of Poland, 193 Catania, Raymond of, 85 Catherine of Austria (first wife of Charles, Duke of Calabria), 18 Catherine of Siena, St., 78, 221- 2, 224-5, 252, 270 et sqq., 285 et sqq., 293-4 Chabannes, Raimond de, 18 Charles I. of Anjou, 5 Charles, Duke of Calabria (father of Joanna), 17, 331 ; his justice, 8, 9, 206 ; his journey to Florence, 10, n ; his death, 14 Charles, Duke of Durazzo (nephew of King Robert of Naples), 74, 179 ; his marriage to Maria of Sicily, 66 et sqq., 7 and Andrew's murder, 83, 92, 102, 117; rebels against Joanna, 107, 120 ; and Joanna's second mar- riage, 113 ; murdered by Louis of Hungary, 129 et sqq., 137. 187 Charles, Duke of Durazzo (son of Prince Louis), 267 ; adopted by Joanna, 202-3, 2 39 '• his marriage to Margaret of Du- razzo, 203, 242 et sqq. ; joins Louis of Hungary, 239, 266, 279, 292 ; and Joanna's second marriage, 269 ; his attempts to depose Joanna, 287, 293, 295-6, 298 et sqq. ; his entry into Naples, 301, Index 34i 304 et sqq. ; and Prince Otho's strategy, 306-7 ; his assur- ances to Joanna, 308, 312 et sqq. ; enters Castel Nuovo, 311 ; and Joanna's appointed successor, 317-18 ; crowned King of Naples, 319 ; his difficulties, 320 ; his treat- ment of Joanna, 324 et sqq, ; and the murder of Joanna, 328 et sqq. ; liberates Otho, 333 ; his murder, 334 ; his excommunication, 334 ; his appearance, 334 Charles V. of France, 292, 296-7, 318, 320 Charles IV. of Germany, 74-5, 195 Charles Martel (son of Charles II.), 6-7, 64, 71, 119 Charles II. of Naples, 213, 239 Charles of Sweden, Prince, 252 et sqq. Ciani, Father Joachim, 249 Cicely, Duchess of Turenne, 146-7 Clare, St., Church of (Avignon), 34 Clare, St., Church and Monas- tery of (Naples), 15, 20, 38, 42, 64, 65, 67, 206 et sqq., 282, 323. 330-1 Clement IV., 5 Clement VI., Pope, 131, 211, 235, 241, 246 ; his belief in Joanna's innocence, 4, 42, 9$etsqq., 115, 169, 171; and Maria's marriage, 67 ; and Joanna's coronation, 69, 72 ; and Joanna's wish to govern, 70, 71 ; his love of pomp, 73 ; and the Jews, 74 ; his court at Avignon, 142, 145 et sqq. ; his attire, 153 ; Joanna pleads her cause to, 155 et sqq., 315 ; and the Mendicant Friars, 164-5 ; and the Flagellants, 166 ; and Louis of Taranto's coronation, 170 ; and Louis of Hungary, 184-5 ; and the Neapolitan succession, 185 ; his death, 191 ; his character, 192-3 Clement VII., the anti-Pope, I 315, 322 ; Joanna's partisan- ship for, 3, 281, 285, 290, 307 ; at war with Pope Urban VI., 286, 288 ; goes to Castel del Ovo, 288 et sqq. ; his recep- tion by Joanna, 289 ; flees to Gaeta, 291 ; and Louis of Anjou, 298 ; Durazzo con- sults with, 321 Collennucci, Clemence di, 325 Colonna, Cardinal, 34, 52-3, 163-4 Conradine, 5 Constantinople, Empress of. See Princess of Taranto Convulsionnaires, the; 143 Costanzo, 30, 51, 86, 269 Crillon, 142-3 Crispano, Landolpho, 255 Dancers, the, 144 Dante, 8, 38, 196, 248 Damley, Lord, 335 David II. of Scotland, 76 Durazzo, Duke of (son of Charles II. of Naples), 6, 10, 66. Edward III. of England, 75-6, 150 Edward, Prince of Wales, 216 et sqq. Evoli, Count d', 49, 84-5, 91, i°3 Faliero Marino, 78 Flagellants, the, 165 Flavio, Gioja, 235 Folard, Chevalier, 143 Fondi, Count of, 320 Francesca, Princess, 181-2, 190 Frederick Barbarossa, 117 Frederick of Sicily, 196 et sqq., 211, 246 Frederick II. of Swabia, 5 Froissart, 215 et sqq., 230 342 Index Galeazzo of Mantua, 219 Ghibellines, the, 29, 77, 165 Giannone, 4, 324 Gifione, Cardinal de, 323 Giovanni of Pisa, 207 Gravina, Bp. of, 246 Gregory XI., Pope, 246, 252, 254, 265-6, 270-1, 273 et sqq. Guelphs, The, 29, 77, 140, 165 Guinguene, 248 H Hawkwood, Sir John, 295 Henry IV. of France, 143 Henry of Transtamare, 217 Innocent VI., Pope, 194-5, 210 Innocent VII., Pope, 75 Isolda (Andrew's nurse), 82, 85 et sqq. Itro, Cardinal d', 323 James I. of Aragon, 213 James II. of Aragon, 213 James I. of Majorca, 213 James II. of Majorca, 213-14 James III. of Majorca, 226 ; his descent, 213 ; his marriage to Joanna, 215, 223 ; his military exploits, 215 et sqq.; his death, 230 Jerome, St., 250 Joanna, Duchess of Durazzo, 135 et sqq., 287, 289, 303, 305-6, 318-19 Joanna, Queen of Naples : her biographers, 1, 3, 4 her beauty, 1, 2, 30-1, 43 et sqq., 106, 122 et sqq., 233, 332 her birth, 12 et sqq. her attendants, 17 et sqq. her early years, 19 et sqq. her education, 22, 30 oaths of allegiance to, 22, 31-2 her marriage with Andrew of Hungary, 23 et sqq. Joanna, Queen of Naples (cont.) : and King Robert's will, 40 et sqq. and King Robert's death, 42 her supposed portrait, 44-5 proclaimed Queen, 48 and Friar Robert's plotting, 49, 5° and Louis of Taranto, 51-2 her talent and learning, 55 and the great tempest, 59 her " Court of Love," 61 et sqq. and Andrew's boorishness, 62-3, 78 and Maria's marriage, 69 her wish to govern, 70-1 her coronation, 72, 84 stays at Aversa, 80 et sqq. and Andrew's murder, 86 et sqq., 100-1, 103, 109 et sqq., 184, 186, 209 her letters to King Louis, 88, 93. IQI gives birth to a son, and the execution of Philippa, 104 et sqq. her queenly bearing, 106, 211, 333 and the civil war, 107 her second marriage, to Louis of Taranto, 114- 15 calls a council, 120-1 her speech, 121-2 taken prisoner to Aix, 125 et sqq., 148-9 and her governors, 128 receives Maria and her chil- dren, 137-8 and the Papal Court, 138, 141 her release, 148 her triumphant entry into Avignon, 149 et sqq. her reception by the Pope, 155 et sqq. her gift of oratory, 159, 315 her defence, 159 her acquittal, 159, 160 receives the Golden Rose, 160-1, 241 her subjects invite her to return to Naples, 168 et sqq. her reception at Naples, 172 and her sister-in-law's mar* riage. 173-4 mueA 343 Joanna, Queen of Naples {cont.) : rewards Nicholas Acciajuoli, 174 her gay court, 175, 203 birth of her daughters, 181 and de Baux, 182-3 her second trial, 184 and the succession, 185, 238-9, 243-4, 292 her coronation, 186 et sqq., 196 death of her little daughter, 190 and death of Clement VI., 197 crowned Queen of Sicily at Messina, 197 and the King of Sicily's sisters, 199, 200 and the civil war, 200-1 pardons Louis of Durazzo, 202 adopts Charles of Durazzo as her heir, 202 adopts Maria's daughter. Prin- cess Margaret, 203 and Louis' death, 203 her widowhood, 204 et sqq. builds churches and institu- tions, 206-7 her piety, 206, 309, 327 et sqq. as a ruler, 208, 232 and Philip of Taranto, 211-12 her suitors, 212 her third marriage to James of Majorca, 214 her husband's absence, 215 et sqq. and Galeazzo's admiration for, 219 and Galeazzo's knights, 220 receives St. Bridget of Sweden, 224 her piety, 224 sends out an army against Ambrose Visconti, 229 et sqq. and the death of her husband, 230 suppresses brigandage, 231 her advisers, 233 celebrities of her reign, 235 visits Pope Urban V. at Rome, 238 et sqq. and Charles of Durazzo's in- gratitude, 239, 266, 287 favoured by the Pope, 240 et sqq. Joanna, Queen of Naples (cont.) : and Peter of Lusignan, 242 her affection for Charles of Durazzo, 243 and the independence of Sicily, 246 and Prince Charles of Swe- den's admiration for, 252 et sqq. and Prince Charles's funeral, 258 St. Bridget's letter to, 259, 260 her present of money to St. Bridget, 261 and St. Bridget's death, 262 and Duke of Andria's rebel- lion, 263 et sqq. her fourth marriage to Prince Otho of Brunswick, 267 et sqq. and St. Catherine, 272, 286-7 her regard for Urban VI., 278-9 and Cardinal Orsini, 280 supports the anti-pope, Clem- ent VII., 281, 288, 294 Urban VI. 's enmity to, 280, 282 her mission to Rome, 282 her anger at Urban's insults, 284 receives Clement VII. at Castel del Ovo, 28S et sqq. excommunicated by Urban VI., 294 elects Louis of Anjou as her successor, in place of Charles of Durazzo, 296, 298 and Charles Durazzo's ad- vance on Naples, 295 et sqq. retires to Castel del Nuovo, 303 et sqq. her privations, 304 et sqq. and Joanna of Durazzo's offering, 306 her surrender to Charles, 311 et sqq., 319 her speech to Charles, 312 her speech to the Provencal barons, 315 et sqq. removed to Castel del Ovo, taken to Castel del Muro, 324 and her maid of honour, 325 344 Index Joanna, Queen of Naples (cont.) : her affection for her husband, 326-7 her murder, 329 et sqq. her lying-in-state, 330-1 her epitaph, 331 compared with Mary, Queen of Scots, 335 John of Bohemia, Prince, 24 John I. of France, 126, 194, 212, 228 John XXII., Pope, 7, 20, 23, 31, 192 Landuccio, Neri di, 287 Laura. See Laura de Sades Louis of Anjou, adopted by Joanna as her heir, 287, 292, 296, 305, 314, 316 ; declared Regent of France, 297, 320-1 ; Joanna seeks his aid, 299 ; his valour and costly collec- tions, 318 ; his fleet in the Bay of Naples, 328, 331 ; his struggles with Charles of Durazzo, 332 et sqq. Louis, Prince of Durazzo, 200 et sqq. Louis XIV. of France, 143 Louis IV. of Germany, 74 et sqq., 115. I9i Louis, King of Hungary, 149, 228, 239, 242, 244, 266, 279 ; his proposed marriage to Princess Maria, 40, 64, 66 et sqq., 109 ; and his brother Andrew's murder, 88, 92 et sqq., 130 et sqq., 185-6, 329, 332 ; Joanna's letters to, 88, 101-2 ; invades Joanna's do- minions, 108, 116 et sqq., 128 ; his letters to Joanna, 109, in ; demands Naples, 115 ; accuses Joanna, 115 ; his treachery, 129 ; murders the Duke of Durazzo, 132-3, 135 ; abducts Prince Canrobert, 134 ; his ambassadors at Avignon, 155 ; retreats from Naples, 168 ; enters Apulia, 180 ; challenged by Louis of Taranto, 180; and the siege of Aversa, 181 ; enters Naples, 183 ; and the Pope's com- mands, 184 ; and the Treaty of Peace, 185 et sqq. ; and Joanna's death, 328-9, 331 ; his death, 333 Louis, Prince of Taranto (Jo- anna's second husband), 3, 40, 52, 62, 83, 107, 125, 131, 148, 160, 195, 229 ; his personal appearance, 51, 112, 175 ; and Andrew's murder, 92 ; his love for Joanna, 113 ; his marriage, 114 et sqq., 223; fights against Louis of Hun- gary, 118 et sqq. ; forbidden to enter Florence, 140 ; sails for Provence, 141 ; enters Avignon in state, 151, 161 ; received by the Pope, 156 ; his coronation, 171, 186 et sqq. returns to Naples with Jo- anna, 171 ; his popularity, 175 ; his profligacy, 175 ; and Warner and Wolf, 176 et sqq. ; kills Rinaldo de Baux, 183 ; and the succession, 185 ; thrown from his horse, 189, 190 ; crowned King of Sicily, 197 ; returns to Naples, 201 ; his vices, 203-4 ; his death, 203, 209 et sqq. Louis, St. (Bp. of Toulouse), 6, 7 Ludovico, Antonio, Count of Caserta, 313 et sqq., 317, 321 Luke of Isemia, 233 M Magnus II. of Sweden, 24, 223, 245 Malateca, Giovanni, 229 Manfred, 5 Margaret of Durazzo, Princess, 203, 243, 269, 289, 293 Margaret, Queen of Sweden, 24 Margaret of Taranto, Princess, 246, 263, 279 Maria, Duchess of Calabria (mother of Joanna), 10 et sqq. ; her apartments, 12 et sqq. ; birth of a second daughter, 15; her death, 16 Maria, Duchess of Durazzo (Joanna's sister), 43, 173, 182, index 345 242, 287 ; her birth, 15 ; and the succession, 22, 40 ; her proposed marriage to the King of Hungary, 40-1, 64, 133 ; her marriage to the Duke of Durazzo, 67 et sqq., 72, 79, 109 ; and the throne of Naples, 113, 120 ; informed of her husband's murder, 135 ; flees to Santa Croce, 135-6 ; goes to Joanna, 136 et sqq. ; marries Prince Philip of Tar- anto, 203 ; her death, 238 Maria of Hungary (wife of Charles II. of Naples), 6 Maria of Sicily (daughter of King Frederick), 282 Maria of Sicily (King Robert's natural daughter), 38 Martini, Simon, 208 Mary, Queen of Scots, 1, 43, 335 Masuccios, the Two, 207-8 Milan, Duke of, 215 Minervino Count de, 116, 172, 178, 201-2 Mirazzano, Michael de, 84, 102 Molta, Bertram della, 188 Montferrat, Marquis of, 282 Montoni, Countess of. See Phil- lipa the Catanese Moriale, Fra (Montreal d'Al- bano), 179, 180 Muratori, 87 Muro, Castle of, 94, 324 et sqq. Murray, Earl of, 335 N Neri, the, 30 Nericia, Princess of. See St. Bridget of Sweden Nicholas of Hungary (governor of Andrew), 27, 49, 62, 91, 108, 116 Nicholas of Naples, 233 Nicholas of Pisa, 207 Niem, Theodoric de, 329 Nuovo Castel, 288 ; the siege at, 303 et sqq. O Orlando, Prince of Aragon, 198-9 Orsini, Cardinal, 277, 279, 285 Orsini, Giovanni, 295, 297 Orsini, Rinaldo, 295, 297 Orsini, Robert, 273 Orsini, the, 30, 52 Otho of Brunswick, Prince (Jo- anna's fourth husband), 271, 297, 312 ; meets Joanna, 267 ; his marriage, 268 ; and Pope Urban VI., 280, 283-4 ; his bravery, 298 ; fights against Charles of Durazzo, 298 et sqq. ; and the besieged Queen 306 et sqq. ; taken prisoner by Charles of Durazzo, 326 ; liberated by Charles, 333 ; his death, 333 Ovo, Castel del, 124, 254, 268j 288 et sqq., 296, 318 Pace, Jacobo de, 84, 92, 102 Paris of Pozzuoli, 235 Paul of Perugia, 7, 37-8 Pedro III. of Aragon, 213 Pedro IV. of Aragon, 213 Pedro I. of Spain (the Cruel), 77, 195, 216 et sqq. Peter Damien, St., 47 Peter of Lusignan, King of Cyprus, 240-42 Petrarch, 2, 4, 28, 31, 50, 83, 150, 196, 235, 332 ; his writings, 33 et sqq. ; his ap- pearance and accomplish- ments, 33-4 ; his love for Laura, ^etsqq., 162-3; hi s great learning, 36 ; wins the laurel crown, 36 ; his " Africa," 37 ; and King Robert's death, 42-3 ; his description of Naples, 53-4 ; his preferment, 55 ; and the great tempest, 55 et sqq. ; and the gladiatorial combats, 60- 1 ; and the Court of Love, 62 ; his epitaph on King Robert, 65 ; and Clement VI., 73 ; and Andrew, 90 ; and Jo- anna's innocence, 94, 99 ; visited by the Bp. of Flor- ence, 138 et sqq. ; and the Papal Court, 145, 193 ; and 346 Index Pope Innocent VI., 194 ; and Zanobi's laurel crown, 195 ; and the quarrel between Ac- ciajuoli and Barrili, 227 ; his admiration for Joanna, 247 ; and Boccaccio's library, 250 ; his death, 252 Petroni, Father, 249, 250 Philip de Valois (King of France), 16, 75, 126 Philippa the Catanese, 3, 50, 68 ; her origin, 17, 19, 22 ; takes charge of Joanna, 17 et sqq. ; her second marriage, 18 ; pro- moted by Joanna, 48 ; and the Princess of Taranto, 51, 69 ; and the murder of An- drew, 83, 91, 103 ; her execu- tion, 104-5 Philip of Taranto (Louis of Taranto's younger brother), 203, 263 Philip, Duke of Tours, 212, 228 Piero, Cardinal, 277, 285 Pierre de Luna, Cardinal, 277 Pipini, the, 52, 63, 90, 201-2 Pius V., Pope, 153 Prignano, Francisco, 280, 282, 296, 299 R Raimond of Capua, 286 Raimond the Moor (second husband of Philippa the Ca- tanese), 18 Rastrelli, 86 Ravignano, 291 Richard II. of England, 216 Rienzi, Cola de, 74-5, 115-16 Robert of Artois (afterwards Duke of Durazzo), 76, 287, 310-11 Robert, Friar, 31, 69, 70, 78, 81, 84, 91 ; his characteristics, 27-8, 43, 50 ; plots against Joanna, 49 ; and the Pipini brothers, 63 ; his power, 82, no ; returns to Hungary, 108 Robert, Prince of Taranto, 107, 113, 123 Robert the Wise (King of Naples), 6, 12, 14 et sqq., 79, 91, 100, 107, 121, 139, 185, 208, 232 ; his ascent to the throne, 7 ; his' learning, 7, 32 ; and the Duke of Cala- bria's death, 14 ; and the church of St. Clare, 15, 206-7 ; and Philippa the Catanese, 1 7 et sqq. ; and Joanna's early- training, 19 et sqq. ; arranges a marriage for Joanna, 23 et sqq. ; and the oath of alle- giance, 22, 31-2 ; and Pe- trarch, 36-7 ; his will, 40 et sqq., 70 ; his death, 42 ; Petrarch's epitaph on, 65 Rosarno, Angeluccio di, 313 Sades, Laura de, 34-5, 38, 43, 142, 162 Sancha (King Robert of Naples's second w&e), 16 et sqq., 41, 48, 50, 64, 67-8, 70, 103, 206 Sancha (Philippa's grand- daughter), 3, 79, 92, 103 et sqq. Sangro, GentUis de, 299, 322 Sanguineto, Philip of, 41 Sanseverino, Ugo de, 308 Savoy, Duke of, 215, 266, 322 Simon, Count of Chiaramonte, 196, 199 Soult, Count de, 125 Spinelli, Nicholas, 280, 282-3 Squilazzo, Geoffrey, Count of, 41 Stephen, Prince, 178-9 Strada, Zanobi de, 195 Swinburne, Algernon C., 78 Talleyrand, Cardinal, 66-7, 193- 4 Taranto, Prince of (Louis' elder brother), 201, 211-12 Taranto, Prince of, 10, 22 Taranto, Princess of (mother of Louis), 40, 51, 67, 79, 83, 93. i°7 Taranto, Princess of (wife of Robert), 123, 125, 246 Trastevera, Henry of, 77 Trelice, Count de, 85, 105 Tropea, Bp. of, 108 Turinga, Camiola, 197 et sqq. maex 347 u Urban V., Pope, 153, 161, 235, 273 ; and Petrarch's mar- riage, 35 ; his friendliness towards Joanna, 211 ; and Joanna's third marriage, 212 ; and St. Bridget, 224 ; and the Viscontis, 228-9 ; decides to return to Avignon, 244 ; his death, 245-6 Urban VI., Pope, 322, 329 ; his enmity towards Joanna, 4, 94, 279, 250, 295 ; his char- acter, 278 ; his haughtiness, 281 ; his treatment of the Cardinals, 281 ; and Joanna's embassy, 282-3 ; insults Prince Otho, 283-4 ; creates twenty-nine new cardinals, 284-5 ; and Clement VII., the anti-pope, 286 et sqq. ; his unpopularity, 293 ; excom- municates Joanna, 294, 298 ; supports Charles of Durazzo, 295-6, 307, 319 ; tortures the rebellious Cardinals, 323-4 ; now opposes Charles of Du- razzo, 328, 334 Verona, Princess of. See Agnes of Durazzo Vico, Francesca de, 285 Villani, Matthew, 29, 93, 95, 114, 117, 164 Vinci, Leonardo da, 44 Violante (wife of King Robert of Naples), 8, 17-18 Violante of Sicily, Princess, 199, 200 Virgil, 36 Visconti, Ambrose, 228 et sqq., 257, 268 Visconti, Barnabas, 228 el sqq. W Warner, Duke, 17S et sqq. Wolf, Conrad, 176 et sqq., 184 Zurlo, Jacimo, 310-n PRINTED BY HAZELL, WATSON AND VINEY, LD., LONDON AND AYLESBURY. J