FINE NO 237 .R573 M 1919 CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY The MEMORIAL ART GALLERY ROCHESTER, NEWYORK CATALOGUE OF AN EXHIBITION OF WORKS BY WILLIAM RITSCHEL, N. A. SHIPYARD PAINTINGS BY JOHN C. JOHANSEN, N. A. AND "THE HAUNTS AND HOMES OF THE BARBIZON MASTERS" BY ALEXIS JEAN FOURNIER OCTOBER Nm«te«n Hundred Ntnete«n THE MEMORIAL ART GALLERY IS OPEN EVERY DAY FROM 10:00 A. M. TO 6:00 P. M., EXCEPTING ON SUNDAYS AND MONDAYS, WHEN IT IS OPEN PROM 1:S0 TO 5:00 P. M. FREE DATS: WEDNESDAYS, SATUR- DAYS, AND SUNDAYS. OTHER DAYS ADMISSION IS TWENTY FIVE CENTS. MANY OF THESE PAINTINGS ARE FOR SALE: FOR PRICES APPLY AT THE DESK OR AT THE OFFICE OF THE GALLERY. CORNELL UNIVERSITY LIBRARY 3 1924 100 356 280 The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924100356280 PAINTINGS BY WILLIAM RITSCHEL, N. A. 1. Rush of the Morning Tide 2. Moonlit iCove — California 3. The Golden Path — California 4. Waiting for the Boats — Holland 5. Golden Mist — 'California 6. Foggy Morning — California Coast 7. Moonpath — California Coast 8. Spring — California Coast 9. Evening Tide — California Coast 10. Walpi Mesa — Arizona 11. Winter Morning — East River Honorable Mention, Pittsburgh, 1912 12. Shellfisher— Holland 13. Windswept Cypress 14. Morning Hour — California 15. Glory of the Morning — California 16. A Bit of California Coast 17. Moonlit Coast — California 18. Blue Depths — ^Carmel, California Awarded Gold Medal, Panama-Pacific Exposi- tion, 1915 19. Sunlit Sea — California 20. Hauling the Fish — Norway 21. Misty Morning — Point Lobos, California 22. Place of Silence — Norway 3 23. Thaw 24. Point Loma — ^California 25. Out from the Fog — California 26. Under Sea Pirates 27. Gray Morning — 'California Coast 28. Kelp Gatherer — Maine 29. Cradle of the Sea — California 30. Sunday Morning — East River SHIPYARD PAINTINGS BY JOHN C. JOHANSEN, N. A. 31. First Ship of New War Sliipyard No. 1 32. The Flying Cranes of Bristol (Lent by Mrs. E. H. Harriman) 33. Launching the First Ship from Bristol Yards — the "Watonwan" 34. Between the Scaffolding Walls of a Ship in Con- struction, No. 1 35. Between the Scaffolding Walls of a Ship in Con- struction, No. 2 36. The Wooden Ship 37. A War Shipyard as Seen from the Cranes 38. A Gala Day at a Shipyard — Two Ships for the Water 39. A Wooden Ship in Construction 40. Swinging a Bulkhead into Place 41. In a Yard for Wooden Ships 42. Bolt and Rivet Crew 43. The Fifty Shipways of Hog Island No. 1 44. The Fifty Shipways of Hog Island No. 2 45. Riveters on the Tank of a Ship 46. Hog Island at Night 47. Working Crews on the Floor of a Ship 6 48. Rudder Post and Shaft Tunnel (Cargo Carrier) 49. Interior of a Cargo Carrier 50. Scaffolding of a Ship 51. Amiidships in a Modern Shipyard 52. A Ship at Hog Island 53. Swinging a Steel Frame into Place 54. From Stern to Stem on the Floor of a Cargo Carrier 55. Bristol War Shipyard 56. Putting in a Bulkhead 57. First Ship of a New War Shipyard No. 2 THE HAUNTS AND HOMES OF THE BARBIZON MASTERS BY ALEXIS JEAN FOURNIER 58. The Home of Louis Barye 59. The Charcoal Burner's Hut First Cottage of Dau'bigny at Auvers-sur-Oise, France 60. The Two Studios of Charles Francois Daubigny At Auvers-sur-Oise, France 61. Daubigny's Neighbors 62. The Home of Honore Daumier at Valmondois, France 63. The Home of Narcisse Virgile Diaz at Barbizon, France 6 64. View from Dupre's Window 65. The Home of Jules Dupre at L'IsIe Adam, France Along the Oise 66. The Pere Cannes Inn at Barbizon, France 67. In Millet's Country at Bar'hizon, France 68. The Studio of Francois Millet at Barbizon, France 69. The Birthplace of Francois Millet at Gruchy, Nor- mandie 70. Entrance to Francois Millet's Studio at Barbizon, France — Door from the Garden 71. The Home of Theodore Rousseau at Barbizon, France GENERAL ANNOUNCEMENTS THE object of, the Memorial Art Gallery is to further the intefests of fine art in the city of Rochester by maintaining exhibitions of pictures and statuary, an art library, and a collection of photographs and prints, which shall be a means both of pleasure and of education for all the citizens of Rochester. In order that a large number of lovers of art may share in making the Gallery useful and enjoyable for all the citizens, provision has been made in the By-Laws for membership in vari- ous classes. CLASSES OF MEMBERSHIP 1. Supporters. Persons who shall contribute two hundred and fifty dollars a year toward the maintenance of the Art Gallery. 2. Sustaining Members. Persons who shall contribute one hundred dollars a year, or more, but less than two hundred and fifty dollars. 3. Contributing Members. Persons who shall contribute twenty-five dollars a year, or- more, but less than one hundred dollars. 4. Annual Members. Persons who shall contribute ten dol- lars a year, or more, but less than twenty-five dollars. 5. Associate Members. Any artist, school teacher, or art craftsman actively practicing his profession, may become an As- sociate Member of the Art Gallery upon payment of five dollars a year. PRIVILEGES OF MEMBERS All members are entitled to free admission to the Gallery at all times^ that it is open to the public, and to all lectures, recep- tions and private views that may be coilducted by the Directors. They are entitled also to the privilege of drawing books from the library of the Art Gallery. Supporters and Sustaining Members have the privilege of free admission for members of their families and for visiting friends. Each Contributing Member shall have the privilege of free admissions for himself and one other member of his family. CLUBS AND SOCIETIES Societies, study clubs, and similar organizations are cordially invited to make full use of the Gallery .at all times. Njo charge will be made for admission to organizations visiting the Gallery in a body. Appointments for such visits should be made in advance. ^>?