ESS A fyxmW mmmxit W*^^^t 6603 Cornell University Library oiin 3 1924 029 632 597 The original of tliis book is in tlie Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029632597 ESSAYS. ESSAYS BY THE LATE CLEMENT MANSFIELD mOLEBY, M.A., LL.D., V.P.R.S.L. EDITED BY HIS SON. LONDON: TRiJBNER & CO., LUDGATE HILL. 1888. [All rights reserved. ] BALLANTYNE, HANSON AND CO. EDINBURGH AND LONDON PREFACE. Of the essays included in this volume, four are now printed for the first time, viz. : ' A Dialogue on the Perception of Objects,' ' Law and Religion,' ' Romantic History,' and ' A Voice for the Mute Creation.' The first of these, though complete in itself, was intended to be only one of a series on the same subject. Five were actually written, but, on the advice of a friend, the late George Henry Lewes, who objected to the dia- logue form, my father refrained from publishing them. What became of the complete MS. I do not know. In addition to what is here presented I have been able to find only a fragment of the second Dialogue. The essay entitled ' A Voice for the Mute Creation ' was delivered in the form of a lecture at the Reading- Room, Ilford : that 'On some Traces of the Authorship of the Works attributed to Shakespeare,' before the Royal Society of Literature : that on ' The Mutual Relations of Theory and Practice,' before the Birmingham Young Men's Mental Improvement and Mental Aid Association. vi CONTENTS. The essays on Bacon, Coleridge, and De Quincey appeared in the British Controversialist some years ago, having formed part of a series published in that magazine under the title of ' Many-Sided llinds.' The essay entitled ' The Ideality of the Rainbow ' appeared in the Fortnightly Review, ' An Estimate of Wordsworth' in Hiher7iia, a Dublin publication, and the essay on Henry Thomas Buckle in The Church of our Saviour Magazine, Birmingham. I have to thank the proprietors of the above maga- zines for their courtesy in permitting the re-publication of these Essays. HOLCOMEE INGLEBY. Valentines, Ilfokd, October 29, 1887. CONTENTS. ^I. On Some Tkaoes of the Authorship of the Works attributed to Shakespeare . i ^ II. On the Mutual Relations of Theory and Prac- tice . . . . . .35 ^III. A Dialogue on the Perception of Objects . 65 ^ IV. The Ideality of the Rainbow . . 87 V. Law and Religion . . ... 103 ^VI. Romantic History . 121 ^VII. Francis Bacon— Part I. 145 VIII. „ „ Part II. 170 IX. Samuel Taylor Coleridge— The Poet . . .190 X. „ „ „ The Divine . . 225 XI. An Estimate of Wordsworth . . 251 , XII. Thomas de Quincey ... . .270 XIII. Henry Thomas Suckle . . 292 XIV. A Voice for the Mute Creation . 303 ON SOME TRACES OF THE AUTHORSHIP OF THE WORKS ATTRIBUTED TO SHAKESPEARE. One does not look for popularity in the attempt to dis- turb a popular belief. One may, nevertheless, bespeak a favourable consideration for the most startling views if only they are supported by facts, and their advocacy is addressed to a competent tribunal. An American essayist, who speaks from an intellectual eminence which justifies the speculation, asserts : — " that what is best written or done by genius, in the world, was no man's work, but came by wide social labour, when a thousand wrought like one, sharing the same impulse." ^ He points to the English Bible, the Anglican Eitual, and the Dramas of Shakespeare, as examples in point. He remembers, and so must we, that Shakespeare did not write for fame ; that he claimed no property in his published works, and did not assert their originality. If their whole merit has been assigned to him, it was by no act of his. They were produced for representa- tion, not for literature, and their producer was rather a showman than an author. I ' Representative Men,' by R. W. Emerson. A like passage occurs in his masterly Fssay on Compensation, Essays, 1841, p. io8. A 2 THE AUTHORSHIP OF THE WORKS The time may come when every personal interest about the man will be forgotten, when the schoolboys of an American empire will confound the man with his works, as schoolboys nowadays are said sometimes to look upon Euclid as the name of a science. When that time comes, the reading public will be no more astonished by the assertion that Lord Bacon wrote Shakespeare than we are by the assertion that Babrius wrote ./Bsop. But at present we have not wholly identified Shake- speare with " his booke," and when ]\Irs. Kitty, in Garrick's farce, asks, " Who wrote Shakespeare ? " and my Lord Duke replies, " Ben Jonson," the humour is still as fresh as the day when it was written. Before entertaining Mrs. Kitty's question, we must determine in what sense it is to be understood. If the inquiry be after some one man who originated, designed, and executed the various dramas of the " booke," let us consider whether such a requirement would be reason- able in the case of any great work of art. Was Tennyson the sole author of those Arthurian Romances which have won for him a corner of Spenser's footstool ? Not at all. The legends and materials were made to his hand. Yet, in the truest sense, Tennyson may be called the author of the ' Idylls of the King,' for he re- imagined and re-created them, without infringing the rights of another. In this sense, then, was the actor, William Shakespeare, the author of ' The IMerry Wives of Windsor,' ' The Taming of the Shrew,' ' The Life and Death of King John,' ' The Life of King Henry V.,' the three parts of ' King Henry VI.,' ' The Life of King ATTRIBUTED TO SHAKESPEARE. 3 Henry VIII.,' ' Titus Andronicus,' ' Romeo and Juliet,' 'Timon of Athens,' 'Hamlet,' and 'Pericles'? It seems not. You may suppose I have not selected those thirteen plays at random. The fact is, that not one of them is free from the suspicion that another hand has contributed to that fame which has been appropriated to Shakespeare alone. We are here introduced into the thick of some of the most intricate problems of dramatic criticism, which I can only glance at now. Among the waifs which the wreck of the early Elizabethan drama has bequeathed to us are four plays bearing the following names : — ' The Troublesome Eeigne of John, Eling of England,' 4to, 1591, 1611, 1622; ' The First Part of the Conten- tion betwixt the Two Famous Houses of Yorke and Lancaster,' small 8to, 1594, and 4to, 1600 and 1619; ' The True Tragedie of Eichard, Duke of Yorke,' 4to, 1595, 1600, and 1619; and 'A Pleasant Conceited Historie called the Taming of a Shrew,' 4to, 1594, 1596, and 1607. These respectively correspond to four of the plays attributed to Shakespeare, viz., ' The Life and Death of King John,' the second and third parts of ' King Henry VI.,' and ' The Taming of the Shrew.' It is nearly certain that Shakespeare did not write a line of the old ' King John,' on which he constructed his play so named. It is equally certain that he had no hand whatever in the old ' Taming of a Shrew,' which we have every reason for believing to have been written by Christopher Marlow; but, on the other hand, he 4 THE AUTHORSHIP OF THE WORKS would be a " rash intruding fool " who should assert that Shakespeare had used this play in the composition of his own. Some day the knot will be untied ; and then we shall see Mr. Charles Knight's conjecture established by the discovery of evidence that Marlow and Shakespeare used one and the same original in the composition of their dramas. I wish it were possible for us to see our way as clearly in dealing with ' The rirst Part of the Contention ' and ' The True Tragedie.' They s«em to have been originally the joint compositions of Marlow and Robert Greene, not improbably touched by Shakespeare subsequently, and exhibiting those touches in the edition of 1619 ; anyhow, Mario w's hand is unmistakably apparent in both plays. The following examples are adduced in support of this view by Mr. Halliwell in his edition of the ' First Sketches of II. and III. Henry VI.,' printed for the Shakespeare Society, 1843 : — The wild O'Neile, my lord, is The wild O'Neile, -n-ith swarms up in arms, of Irish kernes, "With troupes of Irish kernes, Lives uncontrourd within the that uncontroul'd English pale. Do plant themselves within the Marloio's Edward II. English pale. First Part of the Contention. This villain, being hut cap- I rememher, Ismena, that tain of a pinnace, threatens Epicurus measured every man's more plagues than Abradas, dyet by his own principles, and the great Macedonian pirate. Abradas, the great Macedonian — Ibid. pirat, thought every one had a letter of mart that bare sayles in the ocean. — Gi-een's Pene- lope's Weh, 1 5 88. ATTRIBUTED TO SHAKESPEARE. 5 What, will the aspiring blood But when the imperial lion's of Lancaster flesh is gored, Sink into the ground ? I He rends and tears it with his thought it would have wrathful paw, mounted. And highly scorning, that the True Tragedie. lowly earth Should drink his blood, mounts up to the air. Marlow's Edward II. Stern Falconbridge commands The haughty Dane commands the narrow seas. — Ibid. the narrow seas. — Ibid. I am, however, far from sure tliafc the argument founded on these and other similarities between the ' Contention ' and the works of Marlow and of Greene would not go to prove that some of the very additions to the old plays, in II. and III. ' Henry VI.,' with which Shakespeare is credited, were the work of one or other of his contemporaries. I give one example to show what I mean. In II. ' Henry VI.,' i. 3, occurs the line : — " She bears a duke's revenues on her back." In the 4to, 16 19, of the 'First Part of the Conten- tion,' the line stands thus : — " She bears a duke's whole revenues on her back ; " but it is wholly wanting in the earlier editions ; and it is this edition of 16 19 which Mr. Halliwell regards as an intermediate version, presenting Shakespeare's first draft of II. ' Henry VI.' Now this very addition is 6 THE AUTHORSHIP OF THE WORKS almost wholly tlie property of Marlow, for in his ' Edward II.' we read — " He wears a lord's revenue on his back." Here then is an intricate problem. Was Marlow the amender of the old play of the ' First Part of the Con- tention ' ? and was Shakespeare a purloiner from Marlow ? Perhaps neither. In order to show in what manner Shakespeare availed himself of the old plays of ' The First Part of the Con- tention' and 'The True Tragedie,' I will adduce five passages from these plays, and place in juxtaposition with them the corresponding passages in the second and third parts of ' King Henry VI.' Further with a view to afford the reader the means of apprsciating the true character of the quarto edition of 1619, which contains both parts of the ' Contention,' I have added the corre- sponding passages in this edition, which Mr. Halliwell regards as " an intermediate composition." I need only add that, with the exception of a passage containing the genealogy of the Duke of York, there is none other which countenances, or at least supports, Mr. Halliwell's view. The other variations are (as it seems to me) of no greater significance than the general run of various readings in the early quarto editions of Shakespeare, and which assuredly have no source more respectable than the blunders of printers and copyists, and the tinkerings of players. (i.) " Humphrey. This night when I was laid in bed, I dreampt that This my staffe mine Office badge in Court, ATTRIBUTED TO SHAKESPEARE. 7 Was broke in two, and on the ends were plac'd, The heads of the Cardinall of Winchester, And William de la Poule first Duke of Suffolke." The First Part of the Contention, 4to, 1 594. " This night when I was laid in bed, I dreamt That this my stafie, mine ofiice badge in Court, Was broke in twaine, by whom I cannot gesse : But as I thinke by the Cardinall. What it bodes God knowes ; and on the ends were plao'd The heads of Edmund Duke of Somerset, And William de la Pole first Duke of Suffolke." Ibid., 4to, 16 19. " Methought this staff, mine office-badge in Court, Was broke in twain ; by whom I have forgot, But as I think, it was by the Cardinal ; And on the pieces of the broken wand Were placed the heads of Edmund Duke of Somerset, And William de la Pole, first Duke of Suffolk. This was my dream : what it doth bode, God knows." II. Henry VI., folio, 1623. (2.) " Elnor. He come after you, for I cannot go before. But ere it be long. He go before them all, Despight of all that seeke to crosse me thus." The First Part of the Contention, 4to, 1594. " He come after you, for I cannot go before. As long as Gloster beares this base and humble minde : Were I a man, and Protector as he is, Pde reach to th' crowne, or make some hop headlesse. And being but a woman, ile not be behinde For playing of my part, in spite of all that seek to crosse me thus.'' Ibid., 4to, i6ig. " Tes, my good lord, I'll follow presently. Follow I must ; I cannot go before, While Gloucester bears this base and humble mind. Were I a man, a duke, and next of blood, 8 THE AUTHORSHIP OF THE WORKS I would remove these tedious stumbling-blocks And smooth, my way upon their headless necks ; And being a woman, I will not be slack To play my part in Fortune's pageant." II. Henry VI., folio, 1623. (3.) " And his proud wife, high minded Elanor,^ That ruffles it with such a troupe of Ladies, As strangers in the Court takes her for the Queene." The First Fart of the Contention, 4to, 1594. " And his proud wife, high minded Elanor, That ruffles it with such a troupe of Ladies, As strangers in Court take her for the Queene ; She beares a Dukes whole revennewes on her backe.'' Ibid., 4to, 1 619. " Not all these lords do ves me half so much As that proud dame, the lord protector's wife. She sweeps it through the court with troops of ladies, More like an empress than Duke Humphrey's wife : Strangers in court do take her for the queen : She bears a duke's revennues on her back," etc. II. Henry VI., folio, 1623. (4.) " I have seduste a headstrong Kentishman, John Cade of Ashford, Under the title of John Mortemer, To raise commotion." Tlie First Part of the Contention, 4to, 1594. " I have seduste a headstrong Kentish man, John Cade of Ashford, Under the title of Sir John Mortimer, (For he is like him every kinde of way) To raise commotion." Hid., 4to, 1619. " I have seduced a headstrong Kentish man, John Cade of Ashford, ATTEIBUTED TO SHAKESPEARE. To make commotion, as full well lie can, Under tlie title of Jolin Mortimer." II. Henry VI., folio, 1623. (5.) " Clarence beware, thou teptst me from the light, But I will sort a pitchie daie for thee. For I will buz abroad such prophesies, As Edward shall be fearefull of his life. And then to purge his feare. He be thy death. Henry and his Sonne are gone, thou Clarence next. And one by one I will dispatch the rest, Counting my selfe but bad, till I be best. He drag thy bodie in another roome, And triumph Henry in thy daie of doome." The True Tragedie, 1595. " Clarence beware, thou keptst me from the light, But I will sort a pitchie daie for thee. For I will buz abroad such prophesies. Under pretence of outward seeming ill. As Edward shall be fearefull of his life. And then to purge his feare, He be thy death. King Henry, and the Prince his sonne are gone, And Clarence thou art next to follow them, So by one and one dispatching all the rest, Counting my selfe but bad, till I be best. He drag thy bodie in another roome. And triumph Henry in thy daie of doom." Ihid., 16 19. " Clarence, beware ; thou keep'st me from the light : But I will sort a pitchy day for thee ; For I will buz abroad such prophecies That Edward shall be fearfuU of his life, And then, to purge his feare, I'll be his death. King Henry and the prince his son are gone : Clarence thy turn is next, and then the rest, Counting myself but bad till I be best. I'll throw thy body in another room And triumph, Henry, in thy day of doom." III. Henry VI., foHo, 1623. lo THE AUTHOKSHIP OF THE WOEKS If Shakespeare had no hand in these two old plays, it is demonstrable that more than fonr-sevenths of those plays were borrowed, and appropriated verbatim by Shakespeare, in the composition of the second and third parts of ' King Henry VI.' Mr. Halliwell, how- ever, thinks it not unlikely that they are both rifaci- menti by Shakespeare of older plays (' The First Sketches of II. and III. Henry VI.,' edited by Halliwell for the Shakesp. Soc, 1843, introd. p. 19), a conjecture which is unhappily unsupported by evidence, or it would relieve Shakespeare from the charge of appropriation. But we need not, I think, be very nice on that score, when we consider the large levies he made on contem- porary prose literature. ■■■ I ought to add that we know of no old play corresponding to the first part of ' King Henry VI.' This default, considered in conjunction with the poverty of that performance, might incline one to think that it owes as little to the genius of Shakespeare as do ' The First Part of the Contention ' and ' The True Tragedie.' These four (or five) plays form a class by themselves. Into another class fall four other plays, which are almost universally received and always cited as first sketches by Shakespeare. These are as follows : — ' An ' Compare, for example, Shakespeare's Roman plays with North's ' Plutarch ; ' take ' Coriolanus ' as a sample : or better still, perhaps, consult Florio's ' Montaigne,' and see how Shakespeare could appro- priate a long and curious passage. In all such cases he made no attempt to stamp his own originality on what he borrowed ; he simply touched it up, so as to make it serviceable to his needs, and fall into fair blank verse. In this art he certainly did not surpass Byron or Coleridge. ATTRIBUTED TO SHAKESPEARE. n excellent conceited Ti-agedie of Eomeo and Juliet,' 4to, 1597; 'The Chronicle Historie of Henry the Fifth,' 4to, 1600, 1602, and 1608; 'A most pleasaunt and excellent conceited Oomedie of Syr John PalstafFe, and the Merry "Wives of Windsor,' 4to, 1602, and 1619 ; and ' The Tragicall Historie of Hamlet, Prince of Denmark,' 4to, 1603. These respectively correspond to ' Eomeo and Juliet,' ' The Life of King Henry V.,' ' The Merry Wives of Windsor,' and ' Hamlet,' of the folio collections. But though I have, for convenience, assigned these four sketches to one class, no two of them can be said to present common characteristics. In the first place, I find it hard to believe that Shakespeare had the lion's share in the composition of the old ' Romeo and Juliet,' and the old ' Hamlet ' bears abundant internal evidence of having been printed from a manuscript copy, which had been fabricated out of the odds and ends furnished by an unskilled reporter. This play was entered on the books of the Stationers' Company in 1602, and so may have been acted some years before. It seems, however, not improbable that it was a rifaci- mento of an older play ; that it was the older ' Hamlet ' which was played at Henslow's theatre on June 9th, 1594, and that this was the play alluded to by Nash in his ' Epistle to the Gentlemen Students of the two Universities,' prefixed to Robert Greene's 'Arcadia,' and also by Lodge in that eccentric brochure, entitled 'Wit's Miserie, or the World's Madnesse,' 1596.1 But 1 Oxberry, the player, in his acting edition of Marlow's Dramatic 12 THE AUTHOKSHIP OF THE WOEKS these are questions which it is impossible to discuss in the compass of this paper. Into another class I must place the remaining four plays of those above cited, on which I will bestow but a passing remark. It is almost certain that John Fletcher wrote the greater part of ' The Life of King Henry VIII.' The author of ' Titus Andronicus ' it is now impossible to determine. As far as I know, it has never been satisfactorily made out that Shakespeare VTTote any part of it. It must be admitted that all the external evidences give him the sole authorship, as indeed they do in the case of several plays universally allowed to be spurious ; but in this (as in those) the internal evidences wholly negative his claim. ' Timon of Athens ' is a joint composition of which it is quite easy to determine the parts which were written by Shakespeare and those which were written by the older dramatist. As an example of this, take the two following speeches of Apemantus : — "Hoyday, What a sweep of vanity comes this way ! They dance ! they are mad women. Like madness is the glory of this life, As this pomp shows to a little oil and root. Works, l8i8, asserts that in ' Richard II.' Shakespeare has borrowed largely, and to speak with candour, rather too largely, from Marlow's 'Edward II.' In snpport of this, be cites from 'Edward 11.' the scene in which Edward is required by Leicester and others to give up his crown ; and the "looking-glass scene " from Richard II., viz., that in which Richard is required by Bolingbroke and Northumberland to do the like. The passages are too long for quotation here, and, in my opinion, do not support Oxberry's charge. ATTRIBUTED TO SHAKESPEARE. 13 We make ourselves fools, to disport ourselves ; And spend our flatteries, to drink those men, Upon whose age we void it up again, With poisonous spite and envy. Who lives, that's not depraved, or depraves ? Who dies, that bears not one spurn to their graves Of their friend's gift ? I should fear, those that dance before me now. Would one day stamp upon me : it has been done : Men shut their doors against a setting sun." We may be quite sure that this is the older work. It has not the ring of Shakespeare in any of his moods ; and not only that, it has not a single feature, turn, or style which suggests him. It is of the old, rude, dusty school, dusty and rude enough; evidently written by one who bombasted it when Kyd and Marlow were in their swaddling clothes. When Shakespeare conde- scends to repair the old rubbish, see what sterling work he makes of it. Here is Shakespeare's Apemantus : — " What, think'st That the bleak air, thy boisterous chamberlain, Will put thy shirt on warm ? Will these moss'd trees,* That have outlived the eagle, page thy heels. And skip when thou point'st out ? Will the cold brook Candied with ice, caudle thy morning taste. To cure thy o'er-night's surfeit 1 Call the creatures. Whose naked natures live in all the spite Of wreakful heaven ; whose bare unhoused trunks, To the conflicting elements exposed, Answer mere nature ; bid them flatter thee ; O ! thou shalt find .... thou flatter'st misery." Do we not here catch the rare old tones of him who sang the outcast king in the storm, and the banished 1 Moss'd trees. So Hammer's edition. The folios have moist trees. 14 THE AUTHORSHIP OF THE WORKS duke in the forest of Ardenne ? ^ The study of ' Pericles ' leads us to a similar conclusion, but the dissection is not so easy. To these remarks I should add, that in ' The Life and Death of King Eichard II.,' Shakespeare may have utilised an older play. Anyhow, there was at least one old play on this subject. Such a play was acted in 1601, and again in 161 1. In using up old materials, and grafting one play upon another, Shakespeare was merely conforming to an established usage. We can hardly regret that he did so, even though the practice is to be reprehended, as likely to give currency to falsehood. Be that as it may, we cannot but marvel at that magic skill which at the first touch endows the grub with wings, and then transmutes it into a lovely butterfly. The material he used up seems generally to have been the livelier portions of the old theatric stock, which, like the bones in a dust-heap, become the property of the first person who takes the trouble to turn them to account. He must, indeed, have wrought ut magus who made those dry bones live.^ ' After making this selection, I observe that Mr. Charles Knight, in his 'Studies of Shakespeare,' 1S51, p. 72, has selected the same speeches for comparison ; to these he adds two speeches of Flavins, the just steward, viz., that beginning, " What will this come to ?" and that beginning, "If you suspect my husbandry." These exhibit the double authorship almost as well as the former pair ; but, of course the grander is the character, the more striking is the contrast. ° Vt mar/us: two words from Horace (Ep. 1., lib. ii. 1. 213) which surmount the noble portrait of Shakespeare, attributed to Cornelius Jansen, the property of the Duke of Somerset. It is instructive to ATTRIBUTED TO SHAKESPEARE. 15 Justifiable or not, tlie practice was eminently advan- tageous; it not only effected a great economy in the playwright's mental resources and " midnight oil," but ensured for the audience the maintenance of their old interest in the story that was represented. I have elsewhere pointed out and established the low social status of the dramatist at this time.^ Playwriting and acting were neither trades nor professions. When the Professor in ' The Water Babies ' caught Tom in his net, he called him an eft, but observing that he had no tail (so that he could not be an eft) and was to all appearance a land-baby (and therefore could not live under water), he let him go, and struck him out of the book of life. Like Tom, the Elizabethan players and dramatists fell "between two stools." Their patrons regarded them as persons sans aveu, and therefore statutable vagrants. Accordingly, it came to pass that where all was disreputable, no particular scandal arose from one dramatist annexing the lucubration or in- spiration of another, unless, indeed, the preserve of one theatre were poached on by the playwright of another. In that event fired out the smouldering jealousy which maintained the standing quarrels of rival theatres; literally rival they sometimes were, being on opposite banks of the Thames. " It is an ill wind that blows nobody any good." To this wretched jealousy we are compare this portrait with the mask in the possession of Professor Owen, and which is to be seen at the British Museum. 1 I refer to a tract entitled, 'Was Thomas Lodge a player? An exposition touching the social status of the Dramatist in the reign of Elizabeth,' imp. 8vo, 1S68. i6 THE AUTHORSHIP OF THE WORKS indebted for a most curious piece of evidence, that Shakespeare did more poaching at the Globe than ever he did at Fulbrooke. I refer to the famous passage in Greene's ' Groat'sworth of Wit bought with a Million of Kepentance,' 1592, to which I shall shortly revert. Apropos of that, Mr. Halliwell quotes from a quarto tract, dated 1594, called 'Greene's Funeralls,' by R. B., Gent., the following lines : — " Nay, more the men that so eclipst his fame, Purloynde his plumes ; can they deny the same ? " Shakespeare was certainly one of the men censured here. I have called the more ancient Elizabethan plays waifs from the general wreck of the older drama. In the coming days of Macaulay's New Zealander, the grander works of Shakespeare will remain to our posterity, not like waifs that have drifted down by reason of their lightness, but like the boulders which, by reason of their solidity and weight, have escaped the general denudation. Perhaps, too, in times to come, the Apollyon power of criticism may reveal Shakespeare's method of composition, by some subtle process of dis- integration of which we now know nothing. I have marked, on the sea beach at Filey, the work of destruc- tion which the tide is ceaselessly waging among the Oolitic rocks. The primeval sand had been amassed by the ancient sea in the usual rippled form, and thus became stratified. The sea is now silting out the less solid particles from the rock, and breaking it up into ATTRIBUTED TO SHAKESPEARE. 17 slabSj whose cleavage shows the old ripple-mark. " Nature," says Emerson, " can never keep a secret ; " she never wholly erases her footprints, and we may be sure that the genius of Shakespeare was not more subtle or cunning than nature. Putting aside the questions suggested by the plays, it is necessary, for the completion of our inquiry, to ascertain what contemporary testimony is extant, which by identifying William Shakespeare, the player, with the author of the plays, may prevent or rebut all rational doubt on the subject. Any difficulty which we may meet with here more or less infects all the poetical literature of that day. For instance, the beautiful epigram on " Sidney's sister, Pembroke's mother," which is No. 1 5 in Ben Jonson's ' Under- woods,' is also in a collection of poems by Jonson's friend, William Browne (Lansdowne Manuscripts, J'j'j^ first printed by Sir Egerton Brydges), with an additional verse. I suspect the second verse is all that belongs to Browne. The pastoral, " Come live with me and be my love," is assigned to Marlow in ' England's Helicon,' 1606 ; and the nymph's reply, " If love and all the world were yonng," is there given to Raleigh, under the pseudonym Ignoto : yet the first of these, and the first verse of the second, constitute No. 20 in the col- lection of short pieces attributed to Shakespeare, printed in 1 599, and senselessly called ' The Passionate Pilgrim.' No. II in the same collection, "Venus with yottng Adonis sitting by her," occurs in a volume called 'Eide^sa, a collection of Sonnets,' by B. GriflBn, 1596, i8 THE AUTHORSHIP OF THE WORKS and Nos. 8 and 21, "If Music and sweet Poetry agree," and " As it fell upon a day," are included in Richard Barnefield's 'Poems in divers Humors,' 1598. Who is sufEcient to solve these questions of authorship ? and those which relate to the drama are (for various reasons inapplicable to minor poetry) infinitely more intricate and perplexing. There is a growing school who affect to disbelieve in Shakespeare's authorship of the works attributed to him. There were probably sceptics of this sort before 1852, but the earliest attempt to impugn the prevalent belief, as far as I know, was made in the number of Chambers's Udinhurgh Journal for August 7th in that year. The spirit of the article is healthy enough. The scantiness of our evidence is fairly pointed out ; at the same time, the two dedications to Lord Southampton, and the testimony of Jonson, both in prose and verse, are admitted to weigh heavily against the doubters. On the other hand, the omission of Shakespeare's name from the works of Raleigh and Bacon is indicated, but with- out the suggestion of their possible authorship of the works attributed to Shakespeare. The game thus started was hunted, by Miss Delia Bacon, I believe, in Putnam's Monthly for January 1856 (vol. vii. p. l). It is here that the claims of Lord Bacon to the author- ship of those works were first advanced. In 1856, an original inquirer, Mr. William Henry Smith (then of Brompton, now of Highgate), published a letter to the first Lord Ellesmere, with the interrogative title, ' Was Lord Bacon the author of Shakespeare's plays ? ' This ATTRIBUTED TO SHAKESPEARE. 19 he followed np, in 1857, with a small volume on the same subject, entitled ' Bacon and Shakespeare.' In the same year was published the enormous volume (the composition of which cost Miss Delia Bacon her reason and her life), called ' The Philosophy of the Plays of Shakespeare unfolded.' In this book, the joint claims of Raleigh and Bacon are advocated with the faith and earnestness of a martyr. Lastly, in 1 866 was published, in America, a large volume, entitled ' The Authorship of the Plays attributed to Shakespeare,' by Nathaniel Holmes, one of the Judges of the Supreme Court of the State of Missouri. This work is entirely devoted to the advocacy of Lord Bacon's authorship. Mr. Holmes having presented Mr. James Spedding, the editor of Bacon's works, with a copy of this book, and solicited his opinion thereupon, was so fortunate as to elicit an admirable criticism on the general question. This, together with other private letters which have passed between Messrs. W. H. Smith, Spedding, and Holmes, I have been permitted to read, but I am not at liberty to make known their very curious contents. This remarkable controversy is not without its uses. It serves to call particular attention to the existence of a class of minds which, like Macadam's sieves, retain only those ingredients that are unsuited to the end in view. MiV up a quantity of matters relevant and irrelevant, and those minds will eliminate from the instrument of reasoning every point on which the reasoning ought to turn; and then proceed to exercise their constitutional perversity on the residue. This is the class of minds to 20 THE AUTHOKSHIP OF THE WOEKS whicli Bishop Warburton belonged ; so that what Thomas De Quincey (Works, A. & 0. Black, vol. vi. p. 259) writes of that prelate will serve for a generic description : — " The natural vegetation of his intellect tended to that kind of fungus -which is called ' crochet ; ' so much so that if he had a just and powerful thought (as sometimes in germ he had), or a wise and beautiful thought, yet by the mere perversity of his tortuous brain, it was soon digested into a crochet.'' The profession of the law (which at first was War- burton's) has (as De Quincey perceived) the inevitable effect of fostering the native tendency of such minds. For a fresh field of studying their idiosyncrasy we are indebted to this controversy. It has also another use. It incites us to look up our evidences for Shakespeare's authorship ; and we are reminded how few and meagre they are. The critic has the same interest in the works of Miss Delia Bacon, Mr. W. H. Smith, and Judge Holmes, as the physician has in morbid anatomy. He reads them, not so much for the light which they throw on the question of authorship, as for their interest as examples of wrong-headedness. It is not at all a matter of moment whether Bacon, Ealeigh, or some mythical Mr. W. H. be the favourite on whom the works are fathered ; but it is instructive to discover by what plausible process the positive evidences of Shakespeare's authorship (scanty as they are) are put out of court. As to Bacon as first favourite, I suppose any one conversant with the life and authentic works of that powerful but unamiable character must agree with Mr. Spedding that, unless ATTRIBUTED TO SHAKESPEARE. 21 he be the author of " Shakespeare," neither his life nor his works give us any assurance that he could excel as a dramatic poet. Of all men who have left their impress on the reign of the first maiden Queen, not one can be found who was so deficient in human sympathies as Lord Bacon. As for such a man portraying a woman in all her natural simplicity, purity, and grace, as to his imagining and bodying forth in natural speech and action such exquisite creations as Miranda, Perdita, Cordelia, Desdemona, Marina — the supposition is the height of absurdity. What, as it seems to me, has led astray the few writers who have set up a claim for Lord Bacon, is his admirable gift of language, scarcely inferior to that of Shakespeare himself. This almost unique endowment caused Bacon to manifest a kind of likeness to Shakespeare in matters into which the sympathies of the man and the training of the dramatic poet do not enter. Hence it is easy to cull from the works of these two great masters a considerable number of curious parallels. I have looked over the collections of Messrs. W. H. Smith and Holmes, and I must confess I am astonished ; but my astonishment has not been provoked by the quantity or closeness of the resemblances adduced, but by the spectacle of educated men attempting to found such an edifice on such a foundation. I could from my own reading add to their collection some remarkable parallelisms which they have overlooked.^ But what of that ? Is there 1 For instance, compare the following : — "And because the breath of flowers is far sweeter in the air (where 22 THE AUTHORSHIP OF THE WOEKS anytHing singular in the case ? Not at all. For if parallelisms can prove identity of authorship, what an array of anonymous plays ought to be put to Shake- speare's credit! For instance, the old play called ' Lust's Dominion ' has no owner : in the course of its perusal I observed some very remarkable parallels between its text and that of Shakespeare. I will mention two by way of illustration. In Act I. Scene i , the Moor, speaking of the multitude, asks the Queen- mother — " Who arms this many-headed beast, but yon 1 " Compare this with Coriolanus, Act IV. Scene i — " The beast With many heads butts me away.'' And with the chorus to Act II., ' Henry IV.' — " The blunt monster with uncounted heads." Again, the Queen-mother, at the end of the play (Act V. Scene 3), when all her troubles are consummated, says — " I'll now repose myself in peaceful rest, And fly into some solitary residence, (?) Where I'll spin out the remnant of my life, In true contrition for my past offences." it comes and goes, like the warbling of music) than in the hand," etc. Essay xlvi. " O, it came o'er my ear, like the sweet sound That breathes upon a bank of violets ; Stealing and giving^odour." — Twelfth Night, I i. ATTRIBUTED TO SHAKESPEARE. 23 Which reminds us of Paulina's last speech in ' A "Winter's Tale,' somewhat as a flowered tea-tray reminds us of a garden. How many of such resemblances between ' Lust's Dominion ' and Shakespeare would prove the right of that play to a place in the received collection ? My answer is that a large number of such cases would assuredly dispose of that claim, and a small number would go no way to prove it. It requires no minute acquaintance with Shakespeare's text to be struck with that inexhaustible pregnancy of language which rarely repeats an image once expressed without expressing it anew. In fact it is one argument against Shakespeare's authorship of ' The Two Noble Kinsmen,' which has his name, along with Fletcher's, on the title, that so many Shakespeareanisms occur in its text. " And I Doe here present this Machine, or this frame." Two Nob. K. iii. 6. " Thou mighty one, that with thy power has turn'd Green Neptune into purple." Ibid., V. I. PALA.M0N (addressing Mars). " Thou great decider Of dusty and old titles, that heal'st with hlood The earth when it is sick, and cur'st the world O' the pluresie of people." Ibid., V. I. And yet we are asked to believe that, because Bacon writes, " All was inned at last unto the King's barn," and " the cold becometh more eager," therefore he was the author of ' All's Well that Ends Well,' and ' Hamlet.' 24 THE AUTHORSHIP OF THE WORKS Summarily disallowing, then, the claims set up on behalf of Bacon, I proceed to consider, with the utmost brevity, those evidences on which we are justified in attributing to Shakespeare the chief authorship of the dramas which have the passport of his name. I own at once that those evidences are scanty : not so scanty as Mr. W. H. Smith asserts, for he cites but four witnesses whose testimony was given in Shakespeare's lifetime, viz., Francis Meres (1598); William Basse (1599 ?); tiis anonymous author of 'The Return from Parnassus' (1606, said to have been written in 1602), who, however, does not connect the poems named with Shakespeare ; and Ben Jonson. In fact, there are at least eleven besides ; two of whom are among our chief witnesses.-"- But so little weight do I attach to contemporary ' I do not count Spenser, for the oft-quoted line from his ' Teares of the Muses,' " Our pleasant Willy, ah ! is dead of late,'' unquestionably referred to Sir Philip Sidney, whose poetical solriqiiet was Willy. Thus, in an eclogue signed A. W., in the 'Poetical Rhapsody' quoted by Mr. Collier, in his Introduction to 'Seven English Poetical Miscellanies,' 1867, occurs the following, in reference to Sidney's recent death : — " We deem'd our Willy aye should live, So sweet a sound his pipe could give ; But cruell death Hath stopt his breath : Dumb lies his pipe that wont so sweet to sound ! " Besides, as Mr. Halliwell lias proved, Spenser's allusion could not be to Shakespeare ; for the ' Teares of the Muses ' was written about 15S0, and published ten years later. Shakespeare was but sixteen years old in 1580, and was not known in London as a poet till eight or nine years afterwards. ATTRIBUTED TO SHAKESPEARE. 2; rumour as an evidence of authorsliip tliat I shall trouble you with seven witnesses only. Of these, there are but four who directly identify the man, or the actor, with the writer of the plays and poems. The first witness I shall call is John Harrison, the publisher ; though it is but little that he can tell us. It was for him that ' Venus and Adonis ' was printed in 1 593) and ' The Rape of Lucrece ' in 1 594. No author's name is on the title-page of either. But fortunately he prefixed to each a dedication to Lord Southampton, subscribed " William Shakespeare." It is to me quite incredible that Harrison would have done this, unless Shakespeare had written the dedications, or at least had been a party to them. Now in dedicating the first poem, the undersigned speaks of it as " my un- polisht lines," and "the first heir of my invention," and he promises to honour his patron " with some graver labour : " in dedicating the second poem he speaks of it as " my untutored lines," and adds, "what I have done is yours, what I have to do is yours, being part in all I have, devoted yours." So far, then, we have a tittle of evidence to prove that one William Shakespeare was the author of both these poems. Three or four years later a well-known man of letters named Francis Meres speaks of Shake- speare as the author of ' Venus and Adonis,' ' Lucrece,' sundry sonnets, and ten specified plays. Of these plays nine are known to us and received as Shakespeare's. Meres' testimony is given in seven pages of his book, called 'Palladis Tamia — Wit's Commonwealth,' 1598; 26 THE AUTHORSHIP OF THE WOKKS but I have never seen quoted any of his remarks on Shakespeare's works, except the stock passages on folios 2S1 and 282, which one writer evidently borrows from another to save the trouble of consulting the original. It is especially noteworthy that on the first page of folio 280 Meres selects Sir Philip Sidney, Spenser, Daniel, Drayton, Warner, Shakespeare, Marlow, and Chapman, as the poets by whom the English tongue was "mightily enriched, and gorgeouslie invested in rare ornaments and resplendent abiliments ; " and it is evident from subsequent remarks that he awarded the palm to the authors of the ' Faerie Queen ' and the ' Arcadia.' Robert Greene (the abler and better known of the two Elizabethan poets of that surname) wrote a number of plays in conjunction with Marlow, Lodge, Nash, and others, which had great popularity before the advent of Shakespeare. In his last publication, called ' A Groatsworth of Wit Bought with a Million of Repent- ance,' 1 592, he addresses an admonition to three of his associates, exhorting them to abandon play-writing. These we may readily identify as Marlow, Lodge, and Peele. Then follow the words, so often quoted, which are for us the important testimony : — " Base-minded men, all of you, if by my misery }-e be not warned ; for unto none of you (like me) sought those burs to cleave : those puppets (I mean) that speak from our mouths, those antics garnished in our colours. . . . Yes, trust them not : for there is an upstart crow beautified with our feathers, that with his tyger's heart, wrapt in u, player's hide, supposes he is as well able to bombast out a blank verse as the beat of you." ATTRIBUTED TO SHAKESPEARE. 27 So far it might be conjectured that Shakespeare is the man alluded to : providentially Greene adds these words, which convert that conjecture into a certainty : — " and being an absolute Johannes Fac totum, is in his own conceit the only Shakes-scene in a country.'' Burs, puppets, antics, crows in peacock's feathers — such are the hard words he gives the players; and these he follows up with a second instalment of abusive epithets — apes, rude grooms, huckram gentlemen, peasants, and painted monsters. Why, this insolence out-Nashes Nash! Now in turning this extract to account we must be more cautious than dramatic critics usually are to avoid reasoning in a circle. If we are fully satisfied that Shake-scene is a pun upon Shakespeare, independently of the verse (which, like Shake-scene, is in italics), we may infer, perhaps, that Greene, or one of the dramatists admonished by him, wrote the whole or a part of ' The True Tragedy of Richard, Duke of York,' and that Shake- speare pillaged his predecessor's work '■' to beautify " or rather to fabricate his third part of ' Henry VI.' Any- how, the line quoted, or rather travestied, occurs in both the ' True Tragedy ' and III. ' Henry VI.' The conclusion being reached that Shakespeare is the player assailed by Greene, the testimony of Henry Chettle, the editor of Greene's ' Groatsworth of Wit,' is invested with a curious and special interest. Im- mediately after the appearance of that book, Chettle published a work of fiction called 'Kind Hart's Dream.' 28 THE AUTHORSHIP OF THE WORKS He here refers to the preceding work, and confesses to having expunged from the manuscripts some of Greene's hard words ; but he protests that he added nothing to it. After remarking on the admonition to the three dramatists, he adds this sputter of solecisms : — " The other, whom I did not spare so much, as since I wish I had, for that, I have moderated the hate of living writers, and might have used my own discretion (especially in such a case, the Author heing dead), that I did not, I am as sorry as if the original fault had heen my fault ; hecause myself have seen his demeanour no less civil, than he excellent in the quality he pro- fesses : hesides diverse of worship have reported his uprightness of dealing, which argues his honesty and his facetious grace in writing that approves his art." i This is indeed a singular apology. We may picture to our mind's eye the shadowless man, the tinker of old plays, the second-rate actor, who had already, like the hero of his masterpiece, " bought Golden opinions from all sorts of people," but who as yet had not become a man of worship, and an armiger in right of gentle blood, by the mere force of his unpretending frankness, his modesty, and his gentle- ness, disarming his contemptuous and jealous traducers ; insomuch that the respectable Henry Chettle, who had never been a motley and a vagrant, is induced to give the author of ' Hamlet ' an acceptable testimonial. ' Gabriel Harvey was even more complimentary to the upstart crow. " I speak generally to every springing wit, but more especially to a few : and, at this instant, singularly to one, whom I salute with a hundred blessings." Four letters especially touching Robert Green, and other parties by him abused, 1592 ; third letter dated Sept. 9, 1592. ATTRIBUTED TO SHAKESPEAEE. 29 Well, for my part, I tonour Chettle for this tardy- act of justice. I suppose I raust, in the nest place, cite the osten- sible editors of the first 'collection of Shakespeare's works ; for they were none other than Heminge and Condell, two of the company of players which, at the accession of James the First, was under the joint management of Lawrence Fletcher and William Shake- speare. But unfortunately for their credit and our satisfaction their prefatory statement contains, or at least suggests, what they must have known to be false. They would lead us to believe that their edition was printed from Shakespeare's manuscripts. " who, as lie was a happie imitator of Nature, was a most gentle expresser of it. His mind and hand went together : And what he thought, he uttered with that easinesse, that wee haue scarse receiued from him a blot in his papers." Now we have positive knowledge of a fact incon- sistent with this excerpt. We know that the text of seven of the plays in that edition was printed from the quarto editions, which they denounce as stolen and surreptitious, " maimed, and deformed by the frauds and stealthes of injurious impostors,'' and which plays they now offer " cur'd and perfect of their limbes." Nothwithstanding this, the testimony of Shakespeare's fellows must be allowed to have some weight in the question of authorship. It is to me incredible that they should in that matter have attempted a fraud which must have been transparent to the noble brothers who lent their patronage to the volume, and which 30 THE AUTHORSHIP OF THE WORKS must sooner or later liave been exposed in the face of all England. Our last and principal witness is Ben Jonson, though he is less communicative than might be expected con- sidering the closeness of his friendship with Shake- speare. In what he writes of the man, he seems to take it for granted that we know all about him already, and the things he tells us are not those which we most want to know. There are the verses prefixed to the first folio of Shakespeare, and the remarks entitled, Be Shakespeare nostrati, in his posthumous work called ' Timber or Discoveries.' These remarks must be read in connection with Heminge and Condell's preface to the first folio, and with the Induction to Ben Jonson's play, entitled ' The Staple of News.' In the latter, Expectation says to Prologue, " Sir, I can expect much." Prologue answers, " I fear too much, lady ; and teach others to do the like." Expectation rejoins, " I can do that, too, if I have cause." To which Pro- logue says, " Cry you mercy, you never did wrong, but with just cause." Truly one would never have found any evidence for Shakespeare in that, but for the explanation which Ben vouchsafes in his ' Timber.' He writes : — "I remember, the players have often mentioned it as an honour to Shakespeare that in his writing (whatsoever he penned) he never blotted out a line, lly answer hath been, Would he had blotted a thousand. Which they thought a malevolent speech. I had not told posterity this, but for their ignorance, who chose that circumstance to commend their friend by, wherein he most faulted ; and to justify mine own candour : for I loved ATTRIBUTED TO SHAKESPEARE. 31 tte man, and do honour liis memory, on this side idolatry, as mucli as any. He was (indeed) honest, and of an open and free nature ; had an excellent phantasy, brave notions, and gentle expressions ; wherein he flowed with that facility, that sometimes it was necessary he should he stopped : Sufflaminandus erat, as Augustus says of Haterius. His wit was in his own power, would the rule of it had been so too. Many times he fell into those things, could not escape laughter : as when he said in the person of Caesar, one speaking to him, ' Caesar, thou dost me wrong.' He replied, 'Caesar did never wrong but with just cause,' and such like ; which were ridiculous. But he redeemed his vices with his virtues. There was ever more in him to be praised than to be pardoned." This is direct testimony, not merely to the fact that Shakespeare wrote the play of ' Julius Osesar,' but that Ca3sar's reply to Metellus Cimber was — " Caesar did never wrong but with just cause, Nor without cause will he be satisfied." But of course the editors will not have it. It is pro- verbial that office is a potent perverter of the judgment. It would seem as if a critic became blear-eyed as soon as he turned editor. "We may, I think, unreservedly accept the whole of Ben's testimony in this matter. The five couplets which he wrote on Droeshout's engraved portrait of Shakespeare, prefixed to the early folios, are, I am afraid, merely complimentary: besides, they are little more than a translation. Mr. J. Hain Priswell has been so kind as to refer me to an old portrait (1588) of Sir Thomas More, in the " Tres Thomte " of Staple- ton, under which are the following lines :— " Corporis eflBgiem dedit aenea lamina. At 6 si Efli'dem mentis sic daret iste liber." 32 THE AUTHORSHIP OF THE WORKS Ben Jonson's lines — " could lie but have drawne his wit As well in brass as he hath hit His face, the print would then surpasse All that was ever wit in brass," are but an expansion of the Latin couplet, as Mr. Frisvrell says, " with a certain lack twist." It is not, however, these lines on which we rely as an evidence of authorship, but the forty couplets which follow the preface to the Folio 1623, addressed by Ben " To the memory of my beloved, the author, Mr. WiLliam Shakespeare, and what he hath left us." These verses are a precious testimony both to the authorship of the plays and to Ben's friendly estimate of the author's genius. But forasmuch as they do not deal in speci- alities, I have no occasion to quote them at length. It is curious that one of the phrases of eulogy here em- ployed is repeated by Ben almost totidem verbis in a note entitled " Scriptorum Catalogus," in his ' Timber ; ' but it is there applied to Lord Bacon. To Shakespeare he says — " 0, when thy socks were on, Leave thee alone, for the comparison Of all, that insolent Greece, or haughtie Rome Sent forth," etc. Of Bacon he writes, — " He who hath filled up all numbers, and performed that in our tongue which may be compared or preferred either to insolent Greece or haughty Rome." Of course the heretics have not been slow to avail them- ATTRIBUTED TO SHAKESPEARE. 33 selves of ttis resemblance. They are welcome to what it is worth. The conclusion which I think we may safely draw from the evidences adduced is, that no other known name is entitled to the credit awarded by common consent to " William Shakespeare," unless we go back to the playwrights who preceded him, and are able to identify the authors of those plays on which Shake- speare founded so many of his. In this case a residual problem is presented to us of so great diiEculty, that at present no approximation has been made to its solution ; and though it is one which has a special interest for me, and comes within the scope of my subject, its treatment would require the monopoly of a separate paper. Certain it is that in a considerable number (I think more than one-half) of the plays, Shakespeare's all- assimilating genius derives its pabulum from the clumsy productions of earlier writers. To get an adequate notion of Shakespeare's art in this sort of work, I would call attention to the play of 'King John,' in comparison with ' The Troublesome Reign,' and I shall be much surprised if the comparion does not create an entirely new notion of Shakespeare's dramatic talent. If I might venture to express my own opinion on this difficult inquiry, I should say, that in all proba- bility, several of the comedies (strictly so called), and of the tragedies, ' Macbeth,' ' Coriolanus,' and ' Julius Csesar,' are not indebted to any older plays on the same subject; and that 'Antony and Cleopatra,' ' Troilus 34 WORKS ATTRIBUTED TO SHAKESPEARE. and Cressida,' and the ' Tempest,' are, in the profoundest sense, original compositions ; the entire structure, as well as the architecture of each play, being wholly due to Shakespeare's incomparable art. Looking at those three plays only, unless, indeed, my judgment has been warped by force of habit, I there discern the figure of a poet who was of a more " select and generous chief" than any of the imaginative writers of Elizabeth's reign. Hazlitt, who proclaimed Shakespeare's intel- lectual and aesthetic superiority to the men of that day, qualified his verdict by saying that " it was a common and a noble brood." With Mr. Alexander Dyce, let me say that " falser remark was never made by critic."' That the times were curiously favourable to genius may be allowed ; and we may agree with Goethe's opinion, that much of what the giants of those days became and achieved was due to the " stimulating atmosphere " in which they lived. None can say to what forest trees the garden fiowers of our day, such as Tennyson and Browning, might have waxed, had they been planted in an Elizabethan soil. But if so much be due to a man's surroundings, we must also admit with sorrow that the direction into which the energies of Englishmen have been diverted is so un- favourable to artistic life, that an artist of Shake- speare's stamp will never more be possible among us ; that we "ne'er shall look upon his like again." ( 35 ) II. THE MUTUAL RELATIONS OF THEORY AND PRACTICE. An eminent American essayist, in an essay on Com- pensation, gives us a striking instance of pregnant symbolism bought at the cost of good taste, if not of reverence : " There is,'' says he, " a crack in every work God has made." Now, without going out of my way to censure this aphorism, I propose to inquire whether it does not condense, as it were, in cipher, an almost universal truth, of which every branch of human know- ledge furnishes a treasury of examples. It is not for us to inquire why it has pleased our Creator to make us as we are, or the world in which we live as it is. Let His sovereign pleasure suffice us. Stet pro ratione voluntas. Yet we may profitably and reverently scan the wonders of His hand, and take note of the various anomalies which meet us at every turn and impede us in every attempt to measure His works by our limited faculties. In Psychology have we not the anomaly of the Fall of man ? And is it not true that his every effort to practise the ideal even of his own religious instinct is fraught with failure as disheartening as it is shameful ? 36 THE MUTUAL RELATIONS OF Then, in Theology, have we not the anomalous element of miraculous agency which necessarily mars its scien- tific unity ? In Moral Philosophy, too, we have certain insoluble " cases of conscience," which casuistry has essayed in vain; while in Jurisprudence we are pre- sented with the so-called "cases of necessity and equity," in which the sceptre of the lawgiver is broken in his hand. Then, in the Painter's art, what have we but anomaly? Does not it ever vibrate between two scarcely discriminable points, so that, on the one hand, it is in danger of bondage to the real, as the diorama and the works of the Pre-Kaphaelite school ; and, on the other hand, in danger of losing in propriety and truth what it gains in exalted sentiment? In Music we have " temperament," which may be popularly explained to be an unscientific procedure, by which those intervals called the " third " and the " fifth " are reduced to a common measure with the " octave." Then, to turn our thoughts to the exact sciences, I might pause to explain how in every pure and applied science we have difficulties absolutely insuperable, "impossible problems," "failures," and "anomalous results," which, however, I will do no more than mention. It is a common saying, that such and such a thing may be true in theory, but does not hold good in practice. On this subject the great German philosopher, Immanuel Kant, wrote an essay, with the view of correcting this vulgar error. For myself, I conceive it is an error rather in the use of words than in the thing signified. In the vulgar use of the word "theory," there is THEORY AND PRACTICE. 37 generally some confusion between it and " hypothesis ; " just as if it were not possible to have a theory consisting of the relations of facts to one another, without involving any hypothetical element whatever. I am not sure, indeed I very much doubt, whether this confusion between "theory" and "hypothesis " is always involved in the ordinary use of the former word. However, it will be safer to discriminate between the proper mean- ing of these two words before proceeding further. We must understand, then, that a hypothesis is a supposed fact, assumed for the purpose of accounting for some known phenomenon. Thus, when Arago suggested that falling stars and thunderbolts are fragmentary planets, he simply propounded a hypothesis (on the strength of some probabilities), which might be sus- ceptible of disproof or confirmation by subsequent facts, as the case might be. Or to take another example. When M. Bomme (on the elements assigned by Mr. J. Eussell Hind) calculated the return of the great comet of 1556, he did so on the assumption that it was the same comet which had been observed in 1264. Now it is just at the present time that this assumption is about to be confirmed or disproved. The reappearance of this great comet within the next year will convert the hypothesis in question into a fact ; while, on the other hand, its non-appearance before the end of 1 860 will conversely disprove that hypothesis. Now let us observe, that the assumption of the identity of the comets of 1264 and 1556, is the only hypothetical element among the data upon which M. Bomme made those exceed- 38 THE MUTUAL RELATIONS OF ingly laborious calculations (of the comet's return) which would warrant us in regarding him as a champion, and almost a martyr, of science. With the exception of this assumption, all his data were facts, not hypotheses. His calculations in respect of them were theoretical, and as such need not have comprised a single hypothetical element. To recapitulate, then, what we have said, theory is the introduction of organisation among the facts or data of science. Hypothesis is the underlaying of the phe- nomena with such imaginary data as appear capable of accounting for them. Henceforth let these two things be kept distinct in the mind, and we shall have made our first step towards an investigation of the question whether there be, or can be, an irreconcilability, or, at least, want of harmony, between the laws of theory and the results of observation and experiment; that is, between the so-called " facts of science " and the " facts of experience." But it is not always practicable to avoid the risk of confounding theory and hypothesis : and even men of mark not uncommonly fail to discriminate exactly between them. However, we rarely meet with such an example of this mistake as the following, which is furnished by a work of the highest repute and desert. Mr. John Stuart Mill ('Logic,' vol. ii'. p. 28), after describing the Nebular Hypothesis of Laplace, writes thus : " The known law of gravitation would then cause them (i.e., the nebular zones) to agglomerate in masses which would assume the shape which our planets THEORY AND PRACTICE. 39 actually exhibit, would acquire, each round its own axis, a rotatory movement ; and would in that state revolve as the planets actually do about the sun in the same direction with the sun's direction, but with less velocity, and each of them in the same periodic time which the sun's rotation occupied when his atmosphere extended to that point; and this also M. Comte has, by the necessary calculations, ascertained to be true within certain small limits of error. There is thus, in Lap- lace's theory, nothing hypothetical : it is an example of legitimate reasoning, from a present effect to its past cause ; it assumes nothing more than that objects which really exist obey the laws which are known to be obeyed by all terrestrial objects resembling them." ^ In the first place let me correct Mr. Mill's estimate of the value of Comte's calculations. Professor Sedgwick, in the Introduction to his celebrated Discourse, has pointed out that Comte has committed a. petitio principii, which is of so glaring a character that it could hardly have deceived Mr. Mill if he had understood the ques- tion. Comte's calculations are based on the assumption of the truth of Kepler's laws, which involve the whole question at issue. The whole problem is one of the expansion and condensation of a rotating fluid mass, and this has been evaded by the great positivist. Mr. Mill accordingly is on the horns of a dilemma. He either understood Comte's argument, or he did not. If 1 Mr. Mill, in his ' Examination of Sir W. Hamilton's Philosophy,' 1855, p. 544, asks, if ignorance is with any man a necessary condition of wonder ; can he find nothing to wonder at "in the probable former extension of the solar substance beyond the orbit of Neptune " ? 40 THE MUTUAL KELATIONS OF lie understood it, lie either perceived the fallacy, or lie did not. Such a man could not have perceived the fallacy and have endorsed it. If he did not perceive it, he must have been either so obtuse or so careless as to be a very unsafe guide through the labyrinth of inductive philosophy. On the other hand, the supposition that he did not understand Comte's argument is equally damaging to the confidence of his readers. But Mr. Mill has committed offences graver than this. Let us inquire how many of the fallacies enumerated by himself he has himself committed. And, first, of " fallacies of observation." Mr. Mill has fallen into that which he describes (p. 387) as "non- observation," inasmuch as the evidence for the existence of pure nebulous matter is insufiicient, as also the evidence for supposing that it resembles known matter ; i.e., supposing for the sake of argument that there be such a thing as pure nebulous matter. Every nebula, wholly or partially resolved into a star-cluster, diminishes the probability of the present existence of an essential nebulous fluid (■princeps limus), and the non-resolution is but a negative evidence of the least conceivable weight.i ^ A writer in the Westminstei' and Foreign Quarterhf Review for July I, 1858 (N. S., vol. xiv. p. 190), thus unsuccessfully labours to prove the existence of nebulous matter. " If we are to believe that one of these nebulffi is so remote that its hundred thousand stars look only like a milky spot, invisible to the naked eye, we must, at the same time, believe that there are single stars so enormous that though removed to this same distance they remain visible. If we accept the other alternative, and say that many nebulae are no farther off than our own stars of the eighth magnitude, then it is requisite to believe that THEORY AND PRACTICE. 41 The result of induction in reference to the nature of comets is that, with the possible exception of their nuclei, they are subject to laws of which we know nothing, and of which the whole series of terrestrial phenomena furnishes no type. That a material body should be as transparent as air, and yet should not refract light, and that it should augment instead of tone down the centres of light over which it passes, is inexplicable by the known laws of nature ; and yet such are the properties of comets' tails which, with the Magellanic clouds, furnish the slight ground on which the hypothesis of pure nebulous matter has been reared. On these grounds Mr. Mill stands convicted of several " fallacies of generalisation," viz. : — I. That of "gi;oundless generalisation" (p. 406); " such, for instance, as all inferences from the order of nature existing on the earth or in the solar system to that which may exist in remote parts of the universe." at a distance not greater than that at which a single star is still faintly visible to the naked eye, there may exist a -group ot a hundred thousand stars which is invisible to the naked eye. Neither of these positions can be entertained. What then is the conclusion that remains ? This only ; that the nebulas are not farther off from us than parts of our own sidereal system, ot which they must be considered members ; and that when they are resolvable into discrete masses, these masses cannot be considered as stars in anything like the ordinary sense of that word." Giving the writer credit (as we are bound) for logical consistency, and supplying the premises implied in the enthymemes, it becomes apparent that we are asked to assume that unresolved nebulie are, on an average, no farther from us than resolved nebulae ; and with the con- cession of this assumption, the writer securely puts us on the horns of a dilemma, unless we accept his conclusion. But why are we to grant him this ? Is it not at least equally prohahle that the nebulae which are resolvable only by the higher powers of Lord Rosse's telescope are farther off than thosg which yield to a lower power ? 42 THE MUTUAL RELATIONS OF 2. An attempt to resolve wliat may be radically different phenomena into the same. 3. "False analogy;" not to mention other offences against the canons of induction. These remarks are not intended to disparage Laplace's theory, which has a high claim on our faith. But we must not lose sight of the fact that the theory in question contains several pure hypotheses, and, in fact, assumes that objects, not known to have ever existed, were yet subject to the laws which terrestrial objects (possibly wholly unlike them) obey. We have, then, the pheno- menon of a writer on logic, of the highest intellectual endowments, lulled by the opium of French positivism into a fancied security in an induction ag-ainst which his seven chapters on Fallacies are but one long, earnest protest. After this example, it is right to call attention to the necessity under which all men lie of being furnished with a theory, before applying themselves to practice, unless they are content that what they do shall be ill done. There is a proverb, which I first heard from the lips of a mathematical Yorkshireman : "He lets his hand outrun his head." Practical power has been happily called, by Coleridge, " the brain in the hand." And these expressions do not imply merely a looking before you leap, but a diligent marshalling of all avail- able facts in the case, and an investigation of their mutual relations ; the character of such investigation and the method employed therein being determined by the practical object you have in view. This preliminary THEORY AND PRACTICE. 43 brain-work is called a theory, from the Greek decopia, which signifies, primarily, a view or inspection, second- arily, science. By this procedure it is generally possible to attain the proposed end by the simplest and best means. Without some such procedure it is seldom, if ever, possible to attain the end at all. Nature rarely dictates the best manner of doing even that which she herself imposes. A man, in walking, naturally swings his arms : mechanical theory establishes the fact that, in fast walking, this motion of the arms is a hindrance. A man sitting in the stern of a wherry finds himself thrown back with each forward stroke of the waterman : theory shows that by a forcible resistance to this motion the rowing is made easier to the waterman than by yielding to it. Many such instances might be adduced. It will be obvious by this time to all my readers that any complaint against theorising, or any objection to a man on the ground of his being a theorist, can have its origin only in the ignorance or thoughtlessness of the objector ; and that if a theory have misled any one, the evil does not lie in his having trusted to the guidance of a theory, but in his having been really without a true theory ; and he therefore stands in need of one. When Lord Brougham, in his introduction to the publications of the Society for the Diffusion of Useful Knowledge, explained the law of terrestrial gravity to be that bodies were attracted by the earth in an inverse proportion to the square of their distances from it, so that a body four feet from the earth would weigh only 44 THE MUTUAL RELATIONS OF one-sixteentli what it would at the distance of one foot, a critic waggishly replied — " We now see why a ticket porter carries his burden on his back, instead of tying it to his waist; and why the weights used by shop- keepers are so generally found false in the scales : for if one of them weigh a pound at one foot from the ground, it is obvious, according to Lord Brougham, that it can weigh little more than an ounce in the scales." ■■■ The fact is, that Lord Brougham had, simply for want of thought, ignored a distance of about 3982 miles (the mean distance from the surface of the earth to its centre) ; for the force of gravity of the earth upon a body varies inversely as the square of the distance of that body from their common centre of gravity — a point really not far removed from the centre of the earth. In comparison of such a distance as that, the variation of a few hundred yards is a matter of small moment in the calculation of a body's weight to the earth. Hence it is always assumed (as it may be without sensible error) that the force of gravity near the earth's surface is not a varying, but an uniform force. Now, the practical man who had been innocently misled by Lord Brougham's statement would at once begin, in John Bull fashion, to rail at theory and theoretical men. But it is easily seen how unreasonable such a procedure would be ; for of all men the person who could be so taken in stands specially in need of a theory to direct him aright ; in point of fact, without some theory, even his weighing operations would lead to no result. ' ' The Errors of Big Wig.' (I quote from memory.) THEORY AND PRACTICE. 45 But say what one may, there will always be a dis- agreement between merely practical men and theoretical men, be the latter ever so practical. An amusing in- stance of this occurred in my own professional practice. A mining lease contained a provision for the indemni- fication of the lessee against faults in a coal bed. A fault in geological language is a discontinuity in the bed in consequence of its dislocation, the iissure being filled up with a foreign substance ; or otherwise, the parts being not only dissevered but displaced. Now in the instance in question the workings showed no fault in the coal bed ; but, what was almost as bad for the lessee's pocket, he did break into what miner's call a "horse's back," which is an upheaving of the strata which underlie the coal, so as to throw the latter out of its normal, straight direction into a curve ; in geological lanffuao-e a contortion. The lessee claimed the benefit of his clause ; but that clause contained not a word about horses' hacks or heaves, or any such thing. So to law the parties went. The scientific evidence for the lessor went to prove that a horse's back is not a fault, while the evidence of mine agents on the other side went to prove that miners did call a horse's back a fault. In this case common sense decided it against the geologists, and the lessee got an award in his favour. Here the geological theory was indisputably correct ; but the ter- minology in which the theory was accurately enounced had not obtained such currency as to induce the arbi- trator to suppose that it had been strictly employed in the mining lease. 46 THE MUTUAL RELATIONS OP Now let us inquire how far Kant and his commentator De Quincey are correct in their views on the subject before us. The latter, rightly expounding the views of the former, says — " Theory is no more than a system of laws abstracted from experience : consequently, if any apparent contradiction should exist between them, this could only argue that the theory had been falsely or imperfectly abstracted ; in which case the sensible in- ference would be, not a summons to forego theories, but a call for better and more enlarged theories." In this view I cordially agree ; but I do so with this qualification, that the last theory thus arrived at will generally prove to be false and imperfect, either in con- sequence of the conditions under which, of necessity, the theory is arrived at, or in consequence of the nature of the subject matter investigated. It may be of some use to set forth a systematic state- ment of the diiferent kinds of theory, viewed solely in regard to the relation of the human mind to the objects of experience ; and to furnish with illustrative examples of each kind. A theory may be perfect or imperfect : practicable or impracticable : true or false. All absolutely true theories are practicable and perfect. All approximately true theories are practicable (whether perfect or imperfect) : but it is not a fact that all perfect theories are even trice, much less practicable. These propositions I will proceed to explain. And, first, as to an absolutely true theory, the theory of gravitation is such a one. It is universally practi- THEORY AND PRACTICE. 47 cable; and inasmuch as it is complete in itself, and needs no correction or readjustment, we call it a perfect theory. It is indeed true that, in practice, there may be found some very slight discrepancy between the cal- culation and the event ; but this is always due either to the necessary imperfection of our instruments of measurement, or to the imperfection of some subsidiary theory employed in the application. And, secondly, as to an approximately true theory, which is, first, 'perfect ; and, secondly, imperfect. The following is a simple example of a perfect theory taken from the science of plane geometry. If the sides containing the right angle of any right-angled triangle be respectively 3 and 4 inches, theory informs us that the third side, or hypothenuse, is exactly 5 inches. A careful admeasurement will go far to confirm this result; though, owing to the necessary breadth of actual lines (which theoretical ones have not), the ex- periment will not coincide with the theory, though there will be a close approximation to coincidence. If, however, any other proportions be selected for the lines including the right angle, the hypothenuse cannot be measured by any equal parts of either of those lines ; in other words, it is incommensurable with either of them. Now in this case, the theory, though still approxi- mately true, is imperfect on account of the nature of the subject matter. The theory of rectifying or squaring the circle is another example. It is well known that the circum- ference and diameter of a circle are incommensurable ; 48 THE MUTUAL RELATIONS OF i.e., it is impossible to divide the one into sucli a number of equal parts that a certain number of those parts will make up the other exactly. In fact, the diameter is always to the circumference in the proportion of i to 3. 141 592653589793 the series of decimals being interminable and non-recurrent. The content of a circle is 3. 14 15 . . . . X the square of the radius. Accordingly a square which has the same content as a circle has its side = the radius X ^■^.i/i^i'^ . . . .= r X 1.77245385 . . . ?■ The side of such a square is therefore incommensurable in respect of the radius, and consequently the circle cannot be arithmetically squared. But we have already seen that a line which could not be numbered in units of two other given lines might nevertheless be accurately drawn by means of those two lines. In the particular case in which a right-angled triangle has each of its containing sides equal to i inch, the hypothenuse is as readily repre- sented as in the case in which those sides are in the ratio of 3 : 4. But in the case supposed that hypothe- nuse is V2 = 1-4142135 (where the decimals are interminable and non-recurrent). So that the fact of a line being incommensurable in respect of another is no reason why it should not be actually drawn by means of that other. For all, then, that we yet see to the contrary, a straight line of 1.77245 3S5 .... inches long may be as readily represented as one of 1.4142135 . . . . inches long. But, in reality, such is not the case. In order ^ r : side of square : : 100,000,000, : 177,245,385 nearly. THEORY AND PRACTICE. 49 to draw a square, wliich shall be geometrically equal to a given circle, is required the aid of some other curve than the circle. "With Euclid's allowance of means only — viz., the straight line and the circle — the geometrical quadrature of the circle is impossible. An approxima- tion, however, may be effected to any extent that may be desired. The impossibility of an exact geometrical quadrature of the circle, hy the aid of the straight line and circle only, is one of those points which self- educated and half-educated mathematicians find so difiBcult to believe. Accordingly not a year passes without the publication of some new demonstration of the quadrature of the circle, the writer of each tract having either altogether misunderstood the terms and conditions of the problem, or being himself altogether ignorant of geometrical processes. It is amazing that such an amount of brain power is constantly being sacrificed in so hopeless a pursuit. There was a time, indeed, when this problem had an interest for mathe- maticians, and many notable ones constructed curves, by the use of any one of which the circle might be accurately squared. But each of these curves required for its construction a process which is inadmissible in Euclid ; and in some — as the cycloid and trochoid — ^the rolling of a circle is employed for the construction. Now inasmuch as it is very easy to find a square equal to a given circle, if only one is permitted to roll it along a straight line, it is obvious that the employment of those curves for the purpose is something like taking Stafibrd on the road from Birmingham to Rugby. In 50 THE MUTUAL EELATIONS OF these days, however, when the problem can be solved to any required degree of accuracy by analytical methods, the question as to its solubility by the means of the straight line and circle only is of no manner of con- sequence. The impossibility of so doing is another problem, of which James Gregory, in 1668, published a solution ; and this, while few mathematicians consider it altogether satisfactory, no one has been able to gain- say. The impossibility in question, however, is proved by moral evidence of so conclusive a nature that it behoves all young mathematicians to make themselves familiar with the literature connected with this problem before endangering their mental soundness by devoting themselves to its solution. Some, however, enter on this hopeless pursuit at the instigation of avarice, under a belief that the Govern- ment or the Royal Society has offered a large reward for its solution. This is an entire mistake ; though one that may be found to have been occasionally committed in print. A French Jesuit, however, did, in 1726, offer a reward of three thousand livres to be paid to any one who should disprove his proof of the quadrature of the circle ; and this is the only reward that, as far as I can ascertain, was ever offered in connection with the problem.! Astronomy furnishes us with numberless instances of an imperfect theory, which is practicable, but yet only approximately true. Of such a character is the famous ^ See several curious articles on this subject by Professor De Morgan, in Notes and Queries. THEORY AND PRACTICE. 51 " problem of three bodies." Given two bodies wbicH gravitate towards one another, it is easy to prove that, under certain conditions, the one will describe a conic section about the other. But if a third body be intro- duced, the instruments of calculation which we already possess— viz., the Differential and Integral Calculus— in a certain sense fail us ; for by the aid of the former we obtain an expression for which the latter has no finite equivalent, or " definite integral " as it is called. We are accordingly necessitated to express the value of that integral in an infinite- series, which, however, in practice, enables us to attain any degree of exactitude that may be desired. That such an approximation may be attained as makes the imperfection of the theory unimportant in practice is abundantly evidenced by the calculation of the return of comets, which involves the mutual attraction of several planetary bodies on the comets and on each other. Before giving examples, let me premise that known comets are divisible into two classes — those of short periods and those of long periods. Of the former, the majority have a period of less than seven years; of the latter, some have periods of some thousands of years. From the comets of short periods I select four — viz., those of Halley, Encke, Biela, and Faye. Halley's comet performs its revolution about the sun in seventy-six years, or thereabouts, and has never been visible to us so long as ten months at a time. M. de Pontecoulant, of Paris, calculated the amount of per- turbation due to the earth, Jupiter, Saturn, and Uranus 52 THE MUTUAL RELATIONS OF on this comet's motion, and announced to the world that it would be nearest the sun at ten o'clock at night on November 1 2 . The comet actually attained that posi- tion at eleven o'clock on the morning of November 1 6 ; the error of prediction being three and a half days in upwards of seventy-six years. Encke's comet has a period of three years and four months, or thereabouts. Its return is regularly fore- told within a very small fraction of a day. Biela's comet has a period of six years and nine months, or thereabouts. It was observed in 1832, from which time no observations could be made on it till its return in 1846; yet Professor Santini calculated its return in that year to the position nearest the sun within little more than nine hours ! Faye's comet has a period of about seven and a half years. It was first discovered by that astronomer on the 22nd of November 1843. M. Le Verrier, the since renowned discoverer of the planet Neptune, calculated the return of Faye's comet from the observations of M. Faye, Professor Argelander, Dr. Goldschmidt, and Professor Henderson, and announced that it would attain its least distance from the sun on the 3rd of April 185 1, at midnight. The fact was — and it is one that excites no kind of astonishment in the theoretical astronomer — that the comet actually attained that position at the very hour predicted. These examples show that the deductions of an imperfect theory may be relied on, notwithstanding its imperfection. But imperfect as such theoretical results THEORY" AND PRACTICE. 53 are, they are often more exact than the result of observa- tion by means of the finest astronomical instruments. And thirdly, as to 'perfect theories, which are untrue and impracticable. The theory of " perpetual motion " is such a one. It is so because it ignores friction and the resistance of the air, both of which prevail in nature; and though both are fatal to the perpetuity of motion, neither can by any possibility be got rid of. It has always seemed to me that Cartwright's steam-engine affords theoretically the nearest approach to perpetual motion that has ever been arrived at ; for the condens- ing apparatus is so contrived that there is no loss of water at all, except by accidental escapes of steam — and this can by no possible contrivance be obviated — and by the loss of such steam as escapes from the hot well when the air within it gets too much condensed to brook resistance. Dr. Lardner suggested working this engine by ardent spirits, which boil at so low a temperature that very little fuel would be required. Of course, if the requisite heat could be constantly supplied without waste — which cannot be done — the engine would yet, in time, wear out. There can, as I have already said, be no true or practicable theory of a perpetual motion. The impos- sibility of such is demonstrable. Yet even in this absurd speculation men can be found to embark with a faith, a patience, and a devotion worthy of a true cause. No doubt, in some cases, avarice has its share among the motives which induce them to this self-sacrifice ; but in this, as in the case of the quadrature of the circle, the 54 THE MUTUAL RELATIONS OF expectation of reward is based on a popular tradition whicli has no foundation in fact. It is not improbable that these floating myths originated in a confusion in the popular mind of the two last-mentioned problems with that of the longitude, for the discovery of which a large sum of money was offered by Government ; but the offer was long ago withdrawn. I have now given examples from science in illustration of the three propositions with which I started. A due consideration of these established propositions must lead to the conclusion that only some — not all — practicable theories are perfect; and consequently that there are some practicable theories wherein there is, of necessity, not only " a want of harmony," but " an irreconcila- bility," between theory and experience. In point of fact, we may go farther than this, and affirm, without fear of contradiction from men of science, that this irre- concilability inheres in a vast majority of existing theories. And though the discrepancy between theory and experience is in many cases susceptible of diminu- tion, we must not expect that the discrepancy will ever be eliminated. What can add to the perfection of a geometrical deduction ? And yet one who denies the existence of discrepancy in this case is cast on one of the horns of a dilemma : Lines have Ireadth, or they have not. If they have hreadth, geometry is false. If they have no ireadth, experience is impossible. Again, in theorising on the properties of force, we often assume bodies to be perfectly elastic, flexible, or rigid; to move in contact with one another without THEORY AND PRACTICE. 55 friction and in a vacuum: whereas we meet with no such conditions among terrestrial phenomena. To allow for imperfect elasticity, flexibility, or rigidity, or to in- troduce the element of friction, or that of the resistance of a medium, we have to deal with empirical elements which cannot be exactly measured, and which, conse- quently, instead of perfecting our theory, mar it. Kant, therefore, committed an error, at least in the use of words, when he called the introduction of these empirical elements " adding more theory." Of all these empirical elements, friction is peculiarly difficult to theorise upon. Its amount varies with the kind of surface, the grain, and the hardness of the materials in contact. These being constant, it is pro- portional to the pressure. But when the pressure is excessive the amount of friction is practically incal- culable. To this cause must be attributed the failure of Mr. Brunei to effect a launch of the Great Eastern steamship after an expenditure of some fifty thousand pounds. In this case the friction was produced by the attrition of iron on iron, under a pressure of somewhat less than five thousand tons. Every vessel of that burden will, for the future, be built in a dry dock. The calculation of the resistance of the air is beset with difficulties as insuperable as that of friction. This retarding force varies with every change in the density of the atmosphere. This being constant, it is propor- tional to the moving force of the projectile. Lord Macaulay, in his celebrated essay on Lord Bacon, says : " William Tell would not have been one whit more 56 THE MUTUAL RELATIONS OF likely to cleave the apple, if he had known that his arrow would describe a parabola under the influence of the attraction of the earth." Clearly not; but for reasons which Macaulay did not contemplate : for no point in the arrow would describe that curve, or any- thing like it. Of course a perfect theory of motion and force would prove that one point in the arrow, called the centre of gravity, would accurately describe that curve, provided that body did not penetrate a resisting medium. If, on the other hand, it moved through the air, the path of the centre of gravity would not be symmetrical with respect to the apex ; but that point would dip more rapidly than it mounted, and reach the ground at a greater angle than that at which it left the bow.^ I might proceed to give illustrations from the elasticity, rigidity, and flexibility of bodies. Mechanical theory assumes, for instance, the existence of strings of perfect flexibility ; but none such are possible. Dr. Whewell informs us, in what he intends for dignified prose, but which is in reality unintentional verse — • " There is no force, however great, Can stretch a cord, however fine, Into a horizontal line Which is accurately straight." In fact, whatever be the force applied, the line in reality hangs in a curve ; but the nature of this curve is investi- gated by mathematicians on the assumption that the ' See De Morgan's 'rormal Logic,' chapter on Induction. THEORY AND PRACTICE. 57 string is perfectly flexible. But as this is never the case, the calculated curve and the real curve are dis- crepant. These indeterminate interlopers are repugnant to theory. Theory ignores them for the sake of its com- pleteness, and recognises them for the sake of its truth. It is, however, little more than recognition that they can receive at the hands of theory ; and when they are incorporated with theory, what is gained in truth is lost in scientific completeness. It not unfrequently happens that a perfect theory is less practicable than an imperfect one, while the im- perfection of the latter does not occasion any sensible discrepancy. The simplest examples of this are found, in the science of mechanism, which regards the relations of the parts of a machine apart from any force that may be impressed upon it. One instance will suffice. When steam was used only on one side of the piston of the steam-engine, its up-and-down motion was con- verted into the angular motion of the beam by the simple means of attaching an arch-head to the beam, and connecting the piston-rod with the top of the arch by a chain passing over the arch-head. By this con- trivance the piston-rod pulled down the beam, and the beam pulled up the piston-rod. But when Watt con- structed a steam-engine in which steam was employed to effect the upward as well as the downward stroke, it became necessary to make the piston-rod lift the beam. Accordingly Watt contrived that system of levers called the "parallel motion," which gives the piston-rod an 58 THE MUTUAL RELATIONS OF almost perfectly rigid pushing as well as pulling power. Now, in fact, if the lengths and normal positions of the rods be discreetly chosen, the line described by the motion of the point to which the piston-rod is riveted, during the motion of the beam through an angle of 20°, deviates so little from a straight line that it were scarcely possible to construct a piston-rod of such rigidity, or to joint it with such precision as to make the deviation of the slightest importance. Now there are many other devices by which the summit of the piston-rod may be made to move in a line that is theoretically straight ; but all these involve the use of cog-wheels, which, in the constant working of a steam- engine, are found to be subject to such an amount of wear and tear that they have been, to a great extent, eschewed by engineers. The saying that such and such a thing may be all very well in theory, but it does not hold good in practice, is, however, more commonly employed in respect of political, social, and moral matters. Now, in this field, I must confess that I think the saying worthy of respect : for nothing is commoner than for men to theorise on certain elements of the subject, while they, almost of necessity, ignore others. We have seen that, in physics, the marplots of theory are certain empirical elements, about which we cannot truly speculate, simply because they stand out of rela- tion to the a priori conceptions of the understanding. Doubtless extended knowledge about friction, elasticity, &c., is possible, and for aught I see to the contrary, THEORY AND PEACTICE. 59 extended knowledge may bring these aliens within the legitimate sphere of speculation. But the case is dif- ferent in politics and morals. Besides certain axiomatic principles which prevail in one or other of these realms of thought, there exist an immense number of elements, all of them empirical, and of the majority we do not possess that knowledge which can avail for their reduc- tion to a scientific shape. I know of no topic which can better illustrate my meaning than the currency. Here we have the rival theories of Tooke, Ricardo, Wilson, Lord Overstone, Attwood, &c. &c. Probably in every one of these some important elements are ignored; and the consequence is that a hypothetical element is introduced into the theory. Thus, some writers, in theorising on the causes of a glut or a drain of gold in this country, altogether ignore the fact of the Government having a fixed price of gold ; not per- ceiving that it is a fruitful cause of both a glut and a drain, according to the state of the gold market. The simple fact is this : if a man take i oz. 2.62 gr., or thereabouts, of 22 carat gold to the Mint, he receives back four sovereigns, which contain nearly that same amount of fine gold. The fact that the vendor of the bullion receives from the Mint nearly as much fine gold in the form of sovereigns as he takes to the Mint in the form of dust or nuggets, is regarded by certain writers as a proof of the equity of the transaction, not of there being any price of gold fixed by the Government. Now the real state of the case is this : the conversion of the given amount of bullion into four sovereigns destroys 6o THE MUTUAL RELATIONS OF or suspends the value which that bullion would have in market-overt, and invests it with a purely artificial value or price : this is represented by eighty shillings in silver; and the fact is that i oz. 2.62 gr. is frequently worth more than eighty shillings in market-overt ; not from any depreciation in the value of silver, but from the high market price of gold. The suppression of this fact introduces into the theory a hypothetical element, viz., that there is but one kind of value for gold ; which is, as I have shown, a great blunder : for it has two incompatible values — the one as a precious metal, the other as a medium of circulation — the one intrinsic, and the other representative. This is a fair sample of the kind of hypothesis which vitiates the majority of currency theories.^ It is the confidence with which such theories are put forth that has brought the word " theory " into discredit with men of business ; and these, not discerning the real difference between empirical and exact science, are apt to impute that discredit to physical theory, than which nothing can be more absurd or unjust. Of the problems which defy the powers of the social speculator, how many are constantly meeting with a practical solution at the hands of a simple-minded worker, who, in love to Christ, and to those whom He came into the world to save, lay out their lives heartily in the work of converting sinners and evangelising ^ I observe that something like this error is committed by my friend and fellow-townsman, Mr. W. L. Sargant, in his very able work, ' The Science of Social Opulence,' chap, xxiii. THEORY AND PRACTICE. 6i the world ! When duty speaks, we must not waste our days in speculating on the best mode of doing it. Ars longa, vita hrevis : there are men specially endowed for the elaboration of theories. The practical man enters into their labours, and works with their instruments. But the more complex problems of social economy have not yet received any scientific solution. There is a work which is to be done ; but how to do it we find not. So it is done, quocunque modo, as it may be ; and thence spring the penalties of mistakes : for " Evil is wrouglit by want of thouglit, As well as by want of heart." The fear of mistake, however, and of its consequences, is too often made the pretext of ignoble inaction. How many of us are given to murmur at the state of things among which we live, instead of manfully setting to work to do the little that in us lies for the well-being and advancement of our race ! All of us have at one time or another reflected on the cause of an evil state of things, and said to ourselves " if that one circumstance had been otherwise, all this mischief might have been spared us." Is not this to credit ourselves with the foresight requisite for theorising on the circumstances that would be still left us, when we are, in all proba- bility, entirely overlooking the fact that one circum- stance cannot be thus eliminated in practice, without some new circumstance, which we cannot anticipate, taking the place of the one got rid of ? I am speaking, not of what we can conceive, but of what is realised 62 THE MUTUAL RELATIONS OF in the experience of life. The fact is that all such theorising is vain, because we are speculating with a portion only of the elements of the problem ; and our result, though it may make us discontented, or possibly afford us consolation, as the case may be, is certain to be very wide of the truth. Such theories are simply false. Social economy, however, is not a mere chimsera. It presents problems which can be solved perfectly and practicably. Thus, it is capable of demonstration that all expenditure of capital in the acquisition of those things which gratify and foster pride, vanity, malice, cupidity, or any other vicious propensity of our fallen nature, is an injury to society, and tends to the im- poverishment of its wealth. For instance, the manu- facture of fabrics which have no innate beauty, and which are yet the result of a labour disproportionate to quantity, is itself an evil. The manufacturers of all such goods, however, are "more sinned against than sinning." The sin, at least the great bulk of it, lies at the doors of the buyers, who, by expending their capital on such matters, direct the labours of the manufacturers into that channel, instead of distributing it so as to conserve and economise the capital employed. In conclusion, I must call special attention to the relations which subsist between theory and art. Tlicorij bears the same relation to thought that art does to action. Both are instruments more or less adequate. A theory of ideas (metaphysics) bears the same relation to a physical theory as a fine art bears to a mechanical art. THEOEY AND PRACTICE. 63 In both metaphysics and the fine arts there are nearly as many opinions as writers or workers. The cause of this lies too deep for discussion on the present occasion. However, it is consolatory to reflect that we can all of us do something towards training mankind in those habits of reverence and truth which cannot but conduce to the attainment of the desired unity of thought and sentiment. Whether the talents committed to a man's trust are such as fit him for speculation or realisation, he has still a work to accomplish by which alone those talents can be put out at interest for the good of his race. " Judge not which serves his mighty Master best, Haply thou mightest be true worth's detractor ; For each obeys his nature's high behest — The close-pent thinker, and the busy actor." " Doubt not, but persist : say, ' It is in me, and shall out,' " is the advice of a transatlantic writer. Carlyle says the like : " Be no longer a chaos, but a world, or even a worldkin ! Produce ! Were it but the pitifullest infinitesimal fraction of a product, produce it in God's name. 'Tis the utmost thou hast in thee. Out with it then." This is sound advice, but it needs qualification. Before we invest our powers in production let us first of all be sure that what we are about to produce is worth production, and if so, that it has not been already produced by some one else. The only safeguard ao-ainst the waste of mental capital in repetition is a to preliminary investment of it in mastering the history 64 THEORY AND PRACTICE. and literature of the speciality in tlie department of whicli the producer is about to labour. Coincidence in discovery cannot always be avoided. Newton and Leibnitz independently invented (or ratter discovered) fluxions. James "Watt and Lavoisier ought to divide the honour of discovering the constitution of water. Fox Talbot and Daguerre have equal credit in the discovery of photography. Adams and Leverrier con- temporaneously discovered the planet Neptune by a purely theoretical process, though their methods were different. France, somehow, manages to divide the merit of discovery with England. Let us not grudge her that honour. But these are exceptional cases. Our first business, whether in theory or practice, is to become familiar with what has been done by the great who have lived before us or have wrought around us. When that labour is performed, we close the epoch of self-suflBciency and begin that of humility, which is the true pioneer of progress. ( 6s ) III. A DIALOGUE ON THE PERCEPTION OF OBJECTS. Introduction. It has been often observed that great events have sprung from trivial causes. "Si le nez de Cl^op§,tre eut ^t^ plus court, toute la face de la terre aurait chang^." Thus Pascal sums up the general in the particular. How many instances of the remark does history afford ! It is interesting to know that the career of a Cromwell or a Bonaparte was determined by an incident which at the time seemed fatal, or at least adverse to his advancement. If an- Order in Council had not detained the ships in which Cromwell, Hampden, Pym, and others of their party had embarked for America, the history of our most notable rebellion would have been a blank, or the same great result would have been achieved later by other hands. If Sir Gilbert Elliott, when Governor-General of Corsica, had accepted the services of the young artillery officer, it is, to say the least, improbable that the Napoleonic Dynasty 66 A DIALOGUE ON THE would ever have been founded. Such a providence is there in the proportions of Cleopatra's nose ! What is thus true of universal history is true of biography. It was a toss-up whether Challis or Galle should have the credit of discovering or rather detect- ing the ultra- uranial planet, of which both Adams and Leverrier had assigned approximate elements. The seeming accident of a cloud passing across the field of the Cambridge equatorial decided the question in favour of Galle, though in fact Challis, like Adams, had the priority. Once more : Mr. Whymper, amid the dangers of the Matterhorn, owed his life to the chance of his staying to take a sketch of the panorama from the summit ; by his own neglect it was that a weak rope was used for the descent ; and if the Alpine Club rope had been used, as he intended, he and the two guides who actually escaped would inevitably have shared the awful and sublime fate of their less fortunate fellows. The intellectual as well as the external history of many a man has been determined by an incident which seemed at the time of its occurrence insignificant, and which was but remotely associated with the revolution it inaugurated. The anecdote of Newton and the apple is proverbial, though probably a fable. For myself, I might have remained in life-long bondage to the school of Locke but for the train of thought originated by a rainbow. Thenceforth that commonest and most beauti- ful of meteors has stood to me as the historic clue of the whole visible universe. Nor did its uses end with my own advance in the philosophy of perception ; PERCEPTION OF OBJECTS. 67 but I availed myself of every favourable opportunity of expounding to others the analytical lesson of the rain- bow, and thus of guiding them in that " path of transit " which had been vouchsafed to me. One occasion on which I did so is distinguished from others by the number of conversations in which I took part, and by the mental characteristics of those with whom I main- tained the discussion. I was staying at the country seat of a friend, who, at a great disadvantage, had edu- cated himself with no little success, and whose know- ledge on a great variety of subjects was considerable. Partly from living too secluded a life since he had retired from active business, and partly from want of quickness in perception, he had become somewhat opinionated and hard to convince. At that time a well- educated young man, some distant relative of his, was residing with him, and the one was a foil to the other. This lad, who might be anything from nineteen to one- and-twenty, was intelligent, simple-minded, and in- genuous. If I really made a convert of him, I am not proud of the achievement, for he lacked both subtilty and depth, and, like the sun-dial, took note of those points only on which the light happened to fall. With these two companions I daily took walks in a luxuriant woodland country, which was now variegated by the melancholy hues of autumn. Our pursuits and our dis- course were mainly physical. The Hower, the bird, the woods and rocks, and the atmospheric effects of land and sky, furnished ample materials for our employment and pleasure. Philosophy in its highest sense was the last 6S A DIALOGUE ON THE thing either my host or his relative could have dreamed of: yet to that height were they conducted on the aerial pontifice of a rainbow. In the following dialogue, of which I took copious notes at the time, I have designated my friend by the term Byspeistus, his relative I have called Euethes, and myself Scopus. The Dialogue. Scopus. Let us get under shelter. We shall have a smart shower. Dyspcistus. A sunshine shower ! It will soon be over. Euetlics. What a magnificent rainbow ! Did you ever see such vivid colours ? Bysp. Yes, I have ; in the spectrum of a prism. But this is unusually bright for a rainbow. Scop. What a remarkable coincidence ! Dysp. and Eue. What is ? Scop. Why, each of you sees a rainbow, and both rainbows are unusually bright. Dysp. Both ? You do not see a double rainbow, do you ? For my part, I see but one. Let's see ; it is the interior bow that has the red outside and the violet in ; and the exterior reverses the order. Scop. Yes ; and I like you do not see the secondary bow. Bysp. Then why do you speak of " both rainbows " ? Scop. I mean by " both," the arch you see, and that PERCEPTION OF OBJECTS. 69 seen by Euethes. It struck me as a coincidence worth explaining, that both should be unusually bright. Eue. I think I have heard or read that no two people either do or can see the same rainbow. Scop. It is most certain : indeed if I am to speak according to knowledge, if I am to speak as well as think with the learned, I should say that the rainbow you see with one eye you cannot see with the other eye ; and as you and Dyspeistus are using both eyes, I might have distinguished four rainbows which are seen among you. Dijsp. Well, I never heard such nonsense uttered so seriously. Scop. I should say, then, that you have been very fortunate in your company, and ought to be thankful for the small mercy of " hearing some new thing.'' I have no doubt, however, that you will live to find that many of the serious judgments of common sense are both stale and false. Let me ask you what you take a rainbow for ; you don't take it for a real thing, do you? Dysp. Most certainly I do. Have I any need to tell you what it is made of? Scop. I might guess, perhaps, what you will say it is made of; but my guess may be, for aught I know, as wrong as your belief Which will you have — light or water ? Bysp. It is made of drops of water, of course. Scop. Then is it not remarkable that I do not see any drops of water in a raiubow ? 70 A DIALOGUE ON THE Dysp. On the contrary, I should think it miraculons, if at so great a distance, or indeed at any distance, you could distinguish such small objects moving so fast ; to say nothing of the confusion of reflected and trans- mitted light, and its chromatism by refraction. But though we cannot distinguish the drops, it is the drops and nothing else that we see. Scop. A very neat little paradox! The only thing we see in a rainbow is the very thing which for three sound reasons we cannot possibly see. Dysp. Come, come, Scopus, that's not fair. I don't mind being refuted ; but when you resort to the ex- pedient of making me say what I did not say, it is not refutation you are bent upon, but mockery. Scop. I beg your pardon ; but what did you say, then? Dysp. I purposely used the word " distinguish." I assert that we see the water in a rainbow, though we do not, cannot distinguish the drops. Let me illustrate this. I suppose you will allow that, in looking at a spoked wheel in rapid rotation, you see the wood, though you cannot distinguish the spokes. Scop. You will oblige me by assuming nothing of the kind. I can brook no such abuse of language. If the spokes revolve so fast that I cannot see them dis- tinctly, I cannot see them at all : still less can I be said to see the wood of which the spokes are made. You might as well assert that I see a sunken rock because I see a darker shade on the surface of the sea where the rock lies. If I am to use lanCTuaefe without PERCEPTION OF OBJECTS. 71 abusing it, I must say that, if I do not see the spokes of your wheel distinctly, I do not see them at all. Dysp. That is, there is no vision but distinct vision. A very neat little parados ! Scop. Well hit ! But I did not say anything equiva- lent to that. What I did say, at least implicitly, was this — that of a distinct object there can be no vision but distinct vision. When a definite body is moving so fast that I cannot distinguish it, I still see some- thing : in the case of your wheel I see, in fact, a phantom which is produced in my imagination by the revolving spokes reflecting light. Now, I see that phantom just as distinctly as it is distinctly realised in my imagi- nation, neither more nor less. Dysp. But is not that phantom made up of the spokes, and nothing else ? Scop. It is not. The phantom is wholly the product of sensations of colour and imagination. Of those sen- sations, I grant, the light reflected from the spokes is the occasion, but I emphatically deny that I see the spokes at all. Eue. Would it not be more correct to say that we see the light, and nothing else ? Scop. It would not be correct at all. The eye, indeed, afibrds us the sensation of light, but we feel the sensation, we do not see it. To see is to perceive by means of ocular sensations. I see the phantom which is presented to my mind in imagination. If nothing is so presented, I see nothing, and sensation does not rise to the rank of perception. But so far 72 A DIALOGUE ON THE are we from seeing external liglit, that we are not conscious, even in the lowest and least significant form of sensation, of anything called light which is said to radiate from objects and to impinge on the retina of the eye. The light of which we are conscious as sen- sation is that which is excited in the optic nerve and brain. Popular usage, indeed, sanctions that employ- ment of the verb to see against which I am protesting ; but popular usage sanctions hundreds of such idola fori for no other conceivable reason than to evade the exertion of thought. Shakespeare, Milton, and other poets might be cited as a sanction for such a phrase as the eye sees an ohj'ect, but only as a poetical figure. Even in poetry no correct writer would say that the eye, or even its owner, sees the sensation of light. He might say that the eye, or its owner, sees an object made visible by light, such as the phantom of the rotating wheel, the image in a mirror, or the fine solar meteor which is now fading out of the dark sky. The shower is over ; let us continue our walk. Dysp. With pleasure : though this fine terrestrial meteor — I mean the rain — has made the roads sloppy and the fields spongy. After all, then, it is a mere question of language whether we see material objects or the light which they reflect. I am not fond of splitting verbal hairs. What I meant to say was this : in looking at the rainbow I see a certain shining of the sun upon drops of water ; so that the drops of water are the material thing in the phenomenon. Scop. Doubtless the water and the light are the PERCEPTION OF OBJECTS. 73 joint physical causes of the phenomenon. I simply contend that in a strict sense of the verb to see, I see the rainbow, and not the drops of water or the light. Sue. Just as in looking at the reflection of an object in a mirror one sees the reflected image, and not the glass or the light ? Scop. Just so ; and as that image exists only to the mind perceiving it, So the rainbow exists not in the sunlight or the shower, but in the imagination, as it externalises the sensations presented to it. Dysp. Do you seriously mean to assert that the rain- bow we were just now looking at and admiring did not exist at a certain distance from us, nor occupy a definite locus in the rain-cloud ? Scop. I am perfectly serious in making that asser- tion ; nay, more, I seriously maintain that not any one of the rainbows seen by us had any external existence whatever. JEue. If, as I understand it, the rainbow is a reflected image, or rather a corona of reflected images, I think we must allow that it is as much related to the object imaged as the image in a mirror is to the thing re- flected. Scop. I grant you that ; but our friend here was not contending that in looking at a rainbow he was looking at a circle of reflected suns, but at illuminated drops of water. Do you understand, Buethes, exactly how this truly sublime colour-band is formed ? Eue. I should be glad to hear you explain it. 74 A DIALOGUE ON THE Scop. Dyspeistus can do tliafc as well as I can. Give us your version of tlie transaction. Dysp. You must grant me an unclouded sun behind me and a rain-cloud in front of me. For convenience of exposition, conceive the drops of rain to be suspended at rest, forming a bed of small pellucid spheres on which the sunlight falls; It falls on all parts of the drops towards the sun ; so one small pencil falls on the upper parts of each drop, and this passes through the drop and falls on the opposite inner side. Some of this pencil passes out into the air, and some is reflected from the inner surface there, which falling on the lower parts, and issuing thence, proceeds towards the sun again, and enters the eye of an observer. Of course I am assuming that he is rightly placed, and that the light is not again intercepted. This light, then, has suffered two refrac- tions and one reflexion at the surface of the drop, and like the light passing through a prism, is by refraction resolved into seven colours. The retina of an eye, situated in the straight line through which the issuing pencil travels, receives the image of a coloured spectrum, and — to speak by the card, the owner of that eye sees the seven primary colours — Scopus, I know, would have me say feels them. Scop. I should not say that he feels the coloured light, unless he referred it to the retina, as in touch he refers roughness to the surface which is in immediate contact with the skin, and reciprocally to the skin itself. Eue. But you spoke, Dyspeistus, of our seeing the PERCEPTION OF OBJECTS. 75 solar spectrum from one drop. Does the single drop, then, give us the segment of a rainbow ? Bysp. The single drop gives us a downward streak of light, the red at top, the violet at bottom. But inasmuch as the eye receives the spectra of drops of water in all available positions, the aggregation of such streaks becomes an arch. Eue. But your raindrops are suspended at rest, and real ones are in rapid motion. Dysip. True. If instead of the suspended layer of drops we conceive a constant succession of drops, the place of one being ever supplied by another, the con- ditions of the phenomenon are not materially altered, for the succession of drops now performs the same function as the stationary drops ; for the eye, by a cer- tain negative virtue it has, viz., a deficiency of sensi- bility, is so retentive of each impression, that its owner is unable to discriminate so rapid a substitution of one drop for another. Scop. So far, Dyspeistus, I have nothing to except to in your explanation, which is careful and accurate. But there is one lesson I would draw from it, viz., that of " the permanent in the transitory." The Lee-cloud, which is not uncommonly seen on Alpine heights, like the rainbow, is a stable phenomenon, though its physical constituents are in swift motion. Transparent vapour is driven in a rapid current against the cold side or summit of a mountain. At the touch of the mountain the vapour is condensed, and minute drops of water are formed. But before they can be swept over the moun- 76 A DIALOGUE ON THE tain they are revaporised ; and it is only about the point of condensation that the water can maintain its state as drops. So the gale sweeps it on again as invisible vapour. But the place of every drop of water thus re- vaporised is supplied by the condensation of the vapour rushing up behind it. The result is, that though the huge body of invisible vapour is in violent transition, and the condensed portion along with it, there is the stable and permanent phenomenon of a motionless cloud floating on the point of condensation. In fact the stream of vapour flows through it, and no part is more essential to its existence than any other. Now for the moral of the story. We talk of the resurrection of the body, and even of the flesh, in the once universal and still prevalent belief that its material is proper to it and necessary to its identity. But when once we have ascertained the relation of material substance to organic life, we find this doctrine wholly inconsistent with facts. We now know that matter forms no constant part of the bodily structure, but as it were uninterruptedly flows through it, and the arrest of that flow we call death. To reproduce the living organism, a resurrection of the matter composing it at any time is not only un- necessary, but impertinent. The very condition on which this doctrine rests is inconsistent with life. Matter, then, has the same relation to the organism as the drops or molecules of water have to the rainbow or Lee-cloud, life being in the one case what light is in the other. Dysp. It will be long before theologians will lay that lesson to heart. PERCEPTION OF OBJECTS. 77 Scop. Naturally: for to hold to tlie natural fact means to abandon the superstition as a means of live- lihood ; and to teach the fact to ignorant men would, at first, give a violent shock to their hopes and aspira- tions : from both of which the professed theologian is sure to shrink. And here is a lesson for you, Dyspeistus : that which is permanent in the rainbow is not the rain- drops. Those, indeed, are its physical constituents, but they are in a state of continual flux. Bysp. I never doubted it : how could I with such instructive toys before me as Dr. Roget's gyroscope, Mr. Rose's photodrone, and M. Plateau's anortho- scope. Eue. I thought Dr. Eoget's invention was called the phenakistiscope. Scop. So it was ; but the gyroscope is essentially the same invention. I believe the French give the credit of that invention also to M. Plateau ; but Eoget had the priority by many years. It is a pity, however, that he gave it such a hideous name. Doubtless what we see in the instrument we see