?-7? A \ CORNELL UNIVERSITY LIBRARY Bc/tsfeHT WITH THeInC&ME OF THE SAGE ENDOWMENT FUND GIVEN IN 1 89 1 BY HENRY WILLIAMS SAGE DATE DUE 1 JL CAYLORO INU S.A. Cornell University Library PR 2460.A1 1885 V.1-2,4-5 The complete works in verse and prose of 3 1924 012 959 916 B Cornell University M Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924012959916 Qinnctt ^«->p;^C .rij-ravctl ly WJ.Jloj.sfi-o-m, th^^ oriym.d- ly Cookson . trijraypi THE COMPLETE WORKS IN VERSE AND PROSE OF SAMUEL DANIEL. Edited, with Memorial-Introduction and a Glossarial Index embracing Notes and Illustrations. BY THE REV. ALEXANDER B. GROSART, D.D.. LL D. (Edin.). F.S.A. (Scot.), St. George^ s-t Blackburn^ Lancashire; IN FOUR VOLUMES. VOL. I. MEMORIAL-INTRODUCTION I.— Biographical. I. INEDITED INTRODUCTORY POEMS. 1595—1623. II. SONNETS TO DELIA. 1592. m. THE COMPLAINT OF ROSAMOND. 1592. IV. A LETTER from OCTAUIA to MARCUS ANTONIUS. 1599. V. A PANEGYRIKE CONGRATVLATORIE to JAMES I. 1603. VI. A FVNERALL POEME VPON THE DEATH OF THE EARLE OF DEUONSHIRE. 1606. VII. CERTAINE EPISTLES. 1601-3. ■ VIII. MUSOPHILUS, OR Defence of all Learning. 1603. IX. OCCASIONAL POEMS, from Various Sources, 1593— 1607 PRINTED FOR PRIVATE CIRCULATION ONLY. 1885. 150 eofies only.} Pfinied by Hazelly Watson, and Viney^ Limited^ London and Aylesbury, TO LEWIS MORRIS, Esq., The Poet of "Songs of Two Worlds," "Epic of Hades," "Songs Unsung," etc., etc., etc. i ifilctte this ftvst taWzt&'at aitb mtical Titian at thf Sitorks at .^„».,>^;.,.:^....^ THE WHOLE VVORKES OF Samvel Daniel Efquire in Poetrie. LONDON, Printed by Nicholas Okes, for Simon Waterson, and are to be fold at his f hoppe in Paules Church- yard, at the Signe of the Crowne. 1623. VOL. I, ' The title-page of the Quarto of 1623 is given on other side, as it is our foundation-text. See Prefatoiy Note and Memorial-Introduction. — G. 11. SONNETS TO DELIA. 1592. NOTE. The ' Sonnets to Delia ' and ' Complaint of Rosamond,' as having been the Poet's first verse-publication, as well as perhaps his most abiding proofs of his faculty, talce inevitably the foremost places in any critical reproduction of his Poems. The publication of the Sonnets was in a manner forced, if we are to credit the Author's statement in his preface to the first edition (1592). The reference is to the quasi-surreptitious edition of Sir Philip Sidney's ' Astrophel and Stella ' ofi59i, the " rascally bookseller " being Thomas Newman, and the editor no less than Thomas Nashe. To this now very rare volume were " added sundry other rare Sonnets of diuers Noblemen and Gentlemen." The larger proportion consists of twenty-seven of Daniel's Sonnets to Delia. Full details of these in the sequel of this Note. The following is the original title-page, which is within a pretty wood-cut border : — Delia. Contayning certayne Sonnets : with the complaint of Rofamond. (•••) Sfr Adas prima canal veneres p'ojlrema imnultus. i AT LONDON. Printed by I. C. for Si- mon Waterfon, dwelling in Paules Church-yard at thefigne of the Crowne. 1592. PREFA TOR Y NOTE. 2 1 On verso is this Note : — To the Reader. Gentle Reader, I pray thee correcft thefe faultes efcaped in the printing, finding them as they are noted heere following. Sonnet 5- moll unkindell, read fweete unkindeft. Sonnet 14. Yer leaft, read Yet leaft. Sonnet 20. def ires, read def iers. Sonnet 36. yee, read yce Sonnet 41. her brow, read her troubled brow. Sonnet 44. tunres, read tumes. The second edition was issued in the same year, though not so marked. As the above errata are found corrected in it, we are guided to distinguish it from the other, as second, not first. The following is its title-page, which is within a somewhat poor architectural design, with two tiny miniatures in top corners (a man and a woman), and flowers in the bottom corners. The dove, = Holy Spirit, is above in arch, and the legend Atos, etc. : — AIOS AiriOXION DELIA. Containing certaine Son- nets : with the complaynt of Ro- Jamond, ^tas pnma ca- nat veneres poftre- ma tumul- tus. 1592 At London Printed by J. C. for S. Waterfonne. Mr. W. Carew Hazlitt, in his " Bibliography of Old English Literature ' (j.«.), describes a third edition, also of 1592. There was none such. He has confounded the actual first edition with the second, and mis-entered the first, and made a third out of the second. He and others also prove to be mistaken in asserting that an exemplar of the first edition (entered by Hazlitt as second) is at Chatsworth, His Grace the Duke of Devonshire 2 2 PREFA TOR V NOTE. informs me that no such book appears ever to have been in his library. Fortunately a perfect copy of the first and an only slightly imperfect copy of the second edition, exist in the Bodleian (Malone and Tanner books). A third edition, in a very charming little volume (i8mo), was published in 1594. Its title-page, within a miniature copy of the title-page of 1592, second edition, is as follows : Delia and Rosamond augmented. Cleopatra. By Samuel Daniel. yEtas prima ca- nal veneres pojlre- ma tumul- tus. '594- Printed at London for Simon Waterfon, and are to be fold in Paules Church-yarde at the figne of the Crowne. On verso of Sonnet to Countess of Pembroke : — Gentle Reader correft thefe faultes efcaped in the printing. Sonnet 18. lyne 3. for error, readeterror. G I. page 2. for Condemning, read Condufling, In L. page 16. Marke the Speaker, and read thus The iuflice of the heauens reuenging thus. Doth onely fatiffie it felfe, not vs. In the laft chorus, for care, reade cure. A careful collation shows that these three editions were all Daniel himself supervised throughout. Later texts give a few isolated and verbal changes, but the little volume of 1594 was evidently meant to be the ultimate text. Accordingly, at the bottom of each, page of our edition of the 'Sonnets to Delia,' there are furnished the various readings and other alterations of these three editions, respectively designated ', ^ ' ; PREF^ TOR Y NOTE. 23 and also such as occur in the folios of the ' Works ' of 1601 and 1602 (quite distinct), these again being designated respectively *, '. It is to be understood that wherever ', ' are not adduced they agree with our own foundation-text of 1633. I' l^^s beeij my anxious endeavour to record everything in any way noticeable, not however noting all mere orthographic changes or minor punctuations. The following table gives the contents and varying arrangement of the five editions named : — 1592 — First Edition. I. Title and errata (verso). II. Prose-epistle to Countess of Pembroke. Sonnet 1. Vnto... so 1594, 1601, and 1602. 2. Goe... 3. If... 4. Thefe... S. Whilft... 6. Faire... 7. had flie... 8. Thou poore... 9. If thus... ip. then... li. Teares... 12. Myfpottes... 13. Behold... 14. Thofe amber... 15. If that... 16. Happie... , „ [and 17 is 18. 17. Since... in 1594 and 1601-2, 17 Why Ihould I fing. 18. Reftore,.. in IS94 is 19 19 and 20 in V What, etc. 19. IfBeautie... „ 20 21 in ^ =. 20. Come death..., „ 21 22 „ 21. Thofe forrowing.. 22 24 „ 22, Falfe hope... 33 25 .. 23. Look?... „ 24 26 „ 24. If I ill vaiae... 28— not in \ =. 25. Raigne... 3S 27 in','. 26. Whilft... „ 26 27 is 27 of ^ and 28 in ", K 27. Theftarre... 29 Slin', "■• 28. Rayfing... „ 3oAnd yet... 281531, and in*, 5 29. why... 32 34^','- [is 33. 30. I once... „ 33 35 „ 24 PREFA TOR V NOTE. Sonnet 31. Looke... inlS94 is 34 36in^^ 32. But loue... >> 35 37 >. [xxxiii.) 33- When... )> 36 38 „ (but misprinted 34. When Winter... »» 37 38 \sic\ 35. Thoucanft... J» 38 39 is 40 in K 36. be not.. »J 39 41 in ', '- 37. Delia... f> 40 42 .. 38. Faire... If 41 43 » 39. Reade... )l 42 44 >. 40. My Cynthia... }> 43 45 .> 41. How long... » 44 46 „ 42. Beautie... >> 45 47 ,. 43. I muft... JJ 46 48 „ 44. Drawne... >J 47 whether, etc., and 44 is 48 in '94, and so ■*, ^ in \ K 49 51 in S '• and 50 is 51 45. Care-charmer... » 46. Set... 1) SO As to the Roman in 51, and 47. Like as... f ) 52 S4in^^ [S3 in *, =. 48. None... >) S3 55 .. 49. Vnhappy... J> 54 S6 „ 50. Loe here... If SS 57 » An Ode... ibid. iHd. The Complaint of Rofamond... >» tf A Paftorall... JJ n 1592— Second Edition. Title, etc., and Sonnets i to 26 same as ist edition. 27 Still in the trace... 28 Oft doe I mufe... 29 — 30 as in 1st ed. 31 To M. P., and 27 of ', again marked 31. 32 (numbered xxx.), My cares... 33 misprinted xxii. is 28 of ', 34 is 30 of '. 33 (2nd) is 29 of '. 35 is 31 of. 36 is 32 of '. 37 is 33 of '. 38 is 34 of '. PREFA TOR Y NOTE. 25 Sonnet 39 is 35 of '. 40 is 36 of '. 41 is 37 of '. 42 is 38 of '. 43 — 46 lacking in Bodleian copy. 47 is 43 of. 48 is 44 of ', 49 is 45 of '• 50 is 46 of '. 51 is 47 of '- 52 is 48 of '. An Ode... The Complaint... Summarily, the first edition contained jo Sonnets, the second 52, the third 55, the fourth and fifth S7. and following the third (substantially) — ours 60, exclusive of additions in the sequel of this Note from volume of 1591. In the Memorial-Introduction I make remarks on certain of the various readings and alterations and additions and withdrawals. I would now submit the result of a collation of Thomas Newman's or Thomas Nashe's pre-publication of a considerable proportion of these Sonnets. The selection is headed as though it made a single continuous Poem thus — "The Author of this Poeme, S. D.," and commences with " Goe wayling," etc., for introduction (our Sonnet 2) ; and here in the outset a better reading than the Author's presents itself, viz. — ' Goe wayling verfe the infant of my loue ' for ' infants ' ; and in 1. 12, ' crueltie ' for 'pitty ' [badly], and 11. 13, 14 run — ' Knock at her hard heart : fay, I perifli for her, And feare this deed will make the world abhor her.' Then comes as Sonnet I our 1st j Sonnet 2 our 24th. Sonnet 3 was not reprinted by Daniel, but asserts its authorship. It is as follows : — ' The onely birde alone that Nature frames, When weary of the tedious life ihee liues. By fier dies, yet finds new life in flames : Her alhes to her ihape new elTence giues. For haplefie loe euen with mine owne def ires I figured on the table of my hart. The goodlieft Ihape that the worlds eye admires, And fo did perifh by my proper arte. 26 PREFA TOR Y NOTE. And ftill I toyle to change the Marble breft Of her whofe fweete Idea I adore, Yet cannot finde her breath vnto my reft ; Hard is her heart, and woe is me therefore. O blefled he that ioyes his ftone and arte, Vnhappie I to loue a ftonie harte.' Sonnet 4 is our 3rd, and offers these variations : — I. 2, ' . . . and afflicted fongs ' for ' lamentable fongs.' II. 4, 5, ' . . . who like to me doe fare May moue them, sigh thereat and mone my wrongs.' I. 6, ' . . . my foules diftreffe.' II. 7, 8, ' . . . you will note what is awry, Whilft blind ones fee no error in my verfe.' 1. 9, ' . . . hap and errour leades.' 1. 10, 'the' for 'your.' 1. II, ' . . . forrow reads.' Sonnet 5 is our nth. In 1. i, for ' winne ' it reads 'gaines,' and U. 9-10 read — ' Though frozen will may not be thawed with teares, Though my foules IdoU fkorneth all my vowes.' 1. n, 'to deafned eares.' Sonnet 6 is our 37th, and opens, ' Why doth my Miftres,' and 1. 10 reads ' the power of your face' 5 1, II, 'To admire ' ; 1. 12 (badly) ' caufe ' for ' cafe,' and closes — ' I feare your change not flower nor Hyacinth, Medufa's eye may tume . . .' Sonnet 7 is our 14th ; 1. 4 reads ' thefe ' for ' thofe ' ; 1. 6, ' ftroke ' for ' wound ' ; 1. 8, ' that ' for ' this fort ' ; 1. 9, ' I lift' for • And lift ' ; 1. 10, ' this ' for ' the ' repeated ; and 1. 14, ' Ladie ' for ' Delia ' — showing delicacy on Nashe's part. Sonnet 8 is our 13th, and reads 1. 7, 'goodlieft' for ' faireft ' ; 1. lo, ' fweete Idea ' for ' fweeteft grace ' ; and 1. 13, ' O blefled he that ioyes ' for ' But happy,' etc. Sonnet 9 is our 27th, and yields these variations — 1. 3, ' And clofe the way ' ; 1. 4, ' bitter ' for ' better ' [very doubtful] ; 11. 5-6— ' Whileft garding thus the windowes of my thought My freedomes tyrant glorying in hir art ' ; 1. 1 1, ' But (ah) fweete ' for ' Small is the victorie.' Sonnet 10 is our 28th, and blunders in reading ' yeelds . . . who gaines, and ' and figh ' (1. 14). Sonnet 11, again, was not accepted by Daniel, but equally again reveals its authorship. It is as follows : — PREFA TOR Y NOTE. 27 ' The flie Inchanter when to worke his will And fecret wrong on fome forfpoken wight, Frames waxe, in forme to reprefent aright The poore vnwitting wretch he meanes to kill, And prickes the im^e fram'd by Magicks fldll, Whereby to vexe the partie day and night : Like hath ihe done, whofe ftiew bewitcht my fight. To beauties charmes, her Louers bloud to fpil. For firft, like waxe ihe fram'd me by her eyes, Whofe rayes iharp poynted fet vpon my breft, Martyres my life, and plagues me on this wife,. With lingring paine to perjfli. in vnreft. Nought could (faue this) my fweeteft faire fuflSce,, To trie her arte on him that loues her bed.' S(Hmet 12 is our 19th, and has only slight variations, e.g., 1. i, 'treafure ' for 'treffes,' and 1. 10, 'voyce yeeldto Hermonitts fpheares.' Sonnet 13 is another that only appears in 1591 volume, but once more is self -authen- ticating. It is as follows : — ' The tablet of my heauie fortunes heere, Vpon thine Altare {Paphian power) I place ; The greeuous (hipwracke of my trauels deere, In bulged barke, all peritht in difgrace. That traitor Loue, was Pilot to my woe. My Sailes were loofe, fpread with my fighs of griefe, The twine lights which my haples courfe did Ihovir, Hard by th' inconftant fands of falfe reliefe, Where two bright flarres which led my view apart, A Syrens voice alhir'd me come fo neare. To perifli on the marble of her hart, A danger which my foule did neuer feare : Lo thus he fares that trufts a calme too much ; And thus fare I whofe credit hath beene fuch.' Sonnet 14 is our 48th, and presents these various readings : — 1. 3, ' . . . . dies' for 'dries.' 1. 6, ' . . . . the night wandring.' 1. 7, ' Nor euer hath his impoft paid more . . . .' I. 8, ' . . . . my foules Queene hath euer beene.' II. 9-1 1, 'Yet her hard rocke firme fixt for ay removing No comfort to my cares flie euer giueth Yet had I . louing.' 28 PREFA TOR Y NOTE. 1. 12, ' Than to imbrace . . . .' 1. 13, 'I feare .... raigning.' Sonnet 15 is our iSth, and has these readings : — 1. I, 'If a true . . . .' I. 3, ' Steruen.' U. 9-12, ' If I haue wept the day and fighd the night, Whilft thrice the Sun approcht his northern bound : If fuch a faith hath euer wrought aright, And well deferud, and yet no fauor found.' II. 13-14, ' the whole world it may fee the moft hurt be.' Sonnet 16 is our 1 8th, and only these variations occur : 1. 6, 'exacts ' for ' exacft,' and 1. 7, ' So long and pure a faith no fauour, ' Sonnet 17 is the fourth and last of the Sonnets given by Newman and Nashe, but not reprinted by Daniel, albeit as certainly his. It is as follows : — ' Way but the caufe, and giue me leaue to plaine me, For all my hurt, that my harts Queene hath wrought it ; Shee whom I loue fo deare, the more to paine me. Withholds my right, where I haue dearely bought it. Dearly I bought that was fo highly rated, Euen with the price of bloud and bodies wafling, Shee would not yeeld that ought might be abated, For all ihee faw my Loue was pure and lafting, And yet now fcomes performance of the paffion. And with her prefence luftice ouer ruleth, Shee tels me flat her beauty beares no adlion. And fo my plea and proces flie excludeth : What wrong ftiee doth, the world may well perceiue it, To accept of faith at firft, and then to leaue it.' Sonnet 18 is our 29th, and gives these various readings : — 11. 4-S, ' When it had hop'd My faith of priuiledge could no whit ... .' I. 7, 'Whereby flie had no caufe once to . . . .' 1. 10, ' No comforts line, w[h]ich falling fpirits eredteth ' ; 1. 14, ' And by her hand that . . . where I had hope to . . , .' Sonnet 19 is our 26th, and presents these : — 1. 2, ' . . . . thought to thought .... leade . . . .' 1. 3, ' Fortunes Orphan, hers and the worlds ' PREFA TOR Y NOTE. 29 1. 4. ' bad ' for ' fad ' [very poor] 1- 6. ' neuer funne yet.' I. 7, 'A pleafing griefe impreffed hath . . . .' II. 9-10, ' Yet . ... muft not.' Sonnet 20 is our i6th, but after the version in Nashes beneath in loco. It badly reads in 1. 2 'hart' for 'hurt' and 'mooued' for 'inur'd'; in 1. 6 of our i6th reads '. . . . mercy (mercie yet my merit) ' which is better ; 1. 9, ' Yet fince' ; 1. 10, ' Still forrowes' ; and 11. 12-14 i^" = — ' And nothing but her loue and my harts payning ; Weep howrs, grieue dales, figh months, and ftill mourn yeerly, Thus muft I doe becaufe I loue her dearlie.' Sonnet 21 is also our 2ist, and has these variations : — I. I, ' . . . . bright be doubled . . . .' [bad] II. 2, 5, ' ... . cannot fliine through .... And Difdaines vapors are thus .... to me quite darkened is, Why trouble I the vforld then with my .... 1. 7, ... . 'ruthfull' for 'ruthleffe' .... [bad]. 1. 8, ' . . . . my vntuned . . . .' 1. II, ' ... . ftill hold her moft deare vntill my . . . . Our Sonnet 22 in Nashe's text opens — ' Come Death the Anchor hold of al my thoughts, My laft refort whereto my foule appealeth : For all too long on earth my fancie dotes, Whiles deareft blood my fierie paffions fealeth.' Sonnet 22 is our 24tli, and gives these various readings : — 1. I, ' fire ' for ' fmoake . . . .' 1. 2, ' Thefe are the ... .' I. 3, • And thefe my tyrants cruell minde fulfils.' II. 6-8, ' . . . . that yet refpefts no whit My youth, vntimely withered with my teares By winter woes . . , .' I. II, '. . . . thebliffe . . . .' Sonnet 23 is our 9th, and offers in 1. la much better reading, which we accept in text — ' To paint on fluds,' on which see various readings in loco. Most of these also excellent : — II. 3-4, ' With prone afpeft ftill tending .... Sad horror, pale greefe, proftrate defpaire.' 30 PREFATORY NOTE. 11. 6-8, ' Rife vp to waile, lie down to f igh, to . . . With ceafeles toyle Cares reftlefle ftones .... .... and mone .... whilft . . . .' I. 9, ' .... to languiih in fuch care . . . .' II. 10-12, ' Loathing the light, the world, my felfe, and all. With interrupted fleepes, freftie grefes repaire And breathe out horror in perplexed thrall.' I. 14, ' Loe then . . . .' Sonnet 24 is our 30th (from 1592 '), and gives these variations : — II. 2-5, ' My cares drawes on my euerlafting night And horrors fable clowds dims my liues funne ; That my liues funne, and thou my worldly light, Shall rile no more to me : my dales are donne.' And these — 11. 7-8, ' I'll goe. And dreffe a bed of flowers.' 1.9, 'why that.' 1. 10, '. . . . fault and . . . .' 1. 13, 'Although the world this deed of hirs may . . . .' Sonnet 25 is our 32nd, and thus variantly reads — I. I, ' my ' for ' this.' II. 2-3, ' crying . . . bloud and bloudie trying.' 11. 12-13, 'My Ocean teares drowne me and quench my . . . Whiles faith doth bid my cruell Faire adieu.' — [bad]. Sonnet 26 is our Sgth, and thus opens, 'To' being a self-correcting misprint for ' Lo,' and ' impreft ' for ' impreffe ' : — ' To heare the impreft of a faith not faining. That dutie paies and her difdaine extorteth : Thefe beare the meffage of my wofull paining, Thefe oliue braunches mercie ftill exorteth.' And there are further these : — 1. 5, ' . . . . plaints with chafte defires . . . .' 1. 9, '. . . . poore foule) I liue exild from . . . .' I. II, '. ... liberties . . . .' II. 13-14, ' What (hall I doo but figh and waile the while, My martyrdome exceedes the higheft flile.' PREFATORY NOTE. 31 Sonnet 27 is our 38th, and gives these slight verbal various readings — 1. I, 'may'for'fliall.' 1. 2, ' And .... may . . . .' 1. 4, ' . . . . power not . . . .' 1. 6, ' .... the worlds eie doth . . . .' 1. 7, ' . . . . her praife to . . . .' 1. 8, ' . . . . fades the flowers .... fed . . . .' Sonnet 28 (including the Introductory one as i) is our 36th, and finally presents these variations •.^- 1. I, ' hope for ' hopes.' L 3, ' meane ' for ' meanes,' and ' prefumes ' for ' prefum'd.' 1. 4, ' For difdaines thunderbolt made me retire.' At the close is added, instead of the simple ' S. D.' of the commencement, these words — ' Finis, Daniell.' It may be helpful to add here, collectively, the succession of the 1591 Sonnets, together with the first lines : — Goe wayling verfe the infant of my loue, Sonnet i. If fo it hap the OflF fpring of my care, 2. Thefe forrowing f ighs, the fmokes of mine annoy ; 3. The onely birde alone that Nature frames, 4. Teares, vowes and prayers gaiues the hardeft hearts, 5. Why doth my Miftres credit fo her glaffe, 6. Thefe amber locks are thofe fame nets (my Deare) 7. Behold what hap Pigmalion had to frame, 8. Oft and in vaine my rebels thoughts haue ventred, 9. Raigne in my thoughts, faire hand, fweete eye, rare voice, 10. The-flie-Inchanter, when to worke his will, 11. Reftore thy treafure to the golden ore, 12. The tablet of my heauie fortunes heere 13. My Cinikia hath the waters of mine eies, 14. If a true heart and faith vnfauied, 15. Since the firft looke that led me to this error, 16. Way but the caufe, and giue me leaue to plaine me, 17. Whilft by her eies purfude, my poore heart flue it 18. Looke in my griefes, and blame me not to moume, 19. Happie in fleepe, waking content to languilh, 20. If Beautie bright be doubled with a frowne, 21. Come Death the anchor hold of al my thoughts, 22. If this be Loue to drawe a wearie breath, 23. My cares drawes on my euerlafting night, 24. The Starre of my miOiape impofde my paining 32 PREFA TORY NOTE. Sonnet 25. To heare the impoft of a faith not faining, 26. I once may fee when yeares may wrecke my wrong, 27. Raifing my hope on hills of high def ire, The critical student will perceive that saving four or five bad readings, probably from misreading the MS., the text of these twenty-seven Daniel Sonnets as printed by Newman and Nashe can hold their own against the Author's, and gives no sanction to his condemnation of the 1 591 text, albeit his wrath may have been justified by the surreptitious way in which the transcript had been secured. It is well for us that these twenty-seven Sonnets were thus prematurely published. We are (so to say) admitted by them to the Poet's study, and get a vision of him at work and of the processes of his thought and emotion. The four rejected Sonnets are of special biographic interest. But the reader will find more in our ' Memorial- Introduction II. — Critical,' on the various readings, etc., of the"Delian sonnetry." It only remains to add here the line-arrangements of the three editions: — 1592 — First and Second. iS94. In 1S94 edition, the prose-epistle to the Countess of Pembroke is can- celled, and a fresh Sonnet-dedication substituted. I place it after the Prose Epistle and separate from the 'Sonnets to Delia.' On the 'M. P.' and neighbour sonnet of 1592 (2nd ed.)— assigned by various to the Countess of Pembroke in flagrant error— see our ' Memorial-Introduction I. Bio- graphical.' In the various readings and notes beneath each Sonnet a stands for the Quarto of 1623, and, as before noted, ', =, », <, = for 1592 1st and 2nd, 1594 3rd, 1601 4th, and 1602 Sth edition. A. B. G. TO THE RIGHT HONOURABLE THE Ladie Mary CountefTe of Pembroke. IGHT Honorable, although I rather dejired to keep in the private paffi-ons of my youth, from tJie multitude, as things utterd to my felfe, and confe- crated to filejice : yet feeing I was betraide by the indifcretion of a greedie Printer, and had fame of my fecrets bewraide to the world, vncorre6led : doubting the like of lO the refi, I am forced to publifh that wJiich I neuer ment. But this wrong was not onely doone to mee, but to him whofe vnmatchable lines haue indured the like misfortune; Ignorance fparing not to commit facriledge vpon fo holy reliques. Yet Aftrophel flying with the wings of his own fam£, a higher pitch then tlie grofs-fighted can difccrne, hath regiflred his owne name in the Annals j of eternitie, and cannot be dif graced, howfoeuer difguifed. And for my felfe, feeing I am thrufl out into the worlde, and that ^ my vnboldned Mufe, is forced to appeare fo rawly in ' publique ; I defire onely to bee graced by the countenance of your protection : wlwme tlie fortune of our time hath made the happie and iudiciall Patroneffe of the Mufes (a glory hereditary to your houfe) to preferue them from thofe hidious Beefles, Oblivion and Barbarifme. Wherby 3 20 •34 TO THE COUNTESSE OF PEMBROKE. you doe not onely pojfeffe the Jionour of the prefent, but alfo do bind pojlerity to an euer gratefull meinorie of your vertues, wherein you mufl furvive yotcr felfe. And if my times heereafter better laboured, fhall purchafe grace in tJie world, they mufl remaine the monuinents of your ^o honourable favour, and recorde the zealous duetie of mee, iv/w am vowed to your honour in all obferuancy for euer, Samuel Danyell. TO THE RIGHT HONORABLE, THE Lady Mary, CounteiTe of Fembrooke} ONDER of thefe, glory of other times, O thou whom Enuy eu'n is forft t' ad my re : Great Patronefs of thefe my humble Rymes, Which thou from out thy greatnes dooft infpire : Sith onely thou hafl deign'd to rayfe them higher, Vouchfafe now to accept them as thine owne. Begotten by thy hand, and my defire. Wherein my Zeale, and thy .great might is fhowne. i o And feeing this vnto the world is knowne, O leaue not, ftiU to grace thy worke in mee : Let not the quickning feede be ouer-throwne. Of that which may be borne to honour thee. Whereof, the trauaile I may challenge mine. But yet the glory, (Madam) muft be thine. 1 6 ' 1594 A I, instead of the Prose Epistle-dedicatory of 1592 ', ^ — as on PP- 33—34- V^ TO DELIA. SONNET. I. VNto the boundleffe Ocean of thy beautie, Runnes this poore Riuer, charg'd with ftreames of zeale : Returning thee the tribute of my dutie, Which here my loue, my youth, my plaints reueale. Here I vnclafpe the Booke of my charg'd foule, Where I haue call th'accounts of all my care : Here haue I fumm'd my fighs, here I inrole How they were fpent for thee ; looke what they are : Looke on the deere expences of my youth, And fee how iuft I reckon with thine eies : Examine well thy beautie with my truth. And croffe my cares ere greater fummes arife, Reade it (fweet maide) though it be done but fleightly; Who can fhew all his loue, doth loue but lightly. V^ accepted from heading ' To Delia.' Sonnet I. 1. i, ' boundles ' ', ', ^ S = : , not in ' j I. 2, ' Runs '',',',=■: ibid. , ' riuer '>,',*,'; ' Ryue^ ' " = »*»^-> ' ^eale :'',«;,»; nothing ^ *— the colon accepted : 1. 3. ' duetie ' »; ' duty " : 1. 4, ' heere ' ', ^ and so throughout : ibid., ' playnts ' ' ; ' reueale.'— period for nil accepted from ' =, '. S " : !■ S- ' booke ' ', », % ', ° : 1. 7. ' "glies ' '. '. '.'.' = »*»''^-. ' enroule >, = ; 'enrole' '; 'inrole' *, ^: 1. 8, 'Howe", ": 1. 8, 'thee; Looke'>; same in \\ '.but small 'I'— ; for , accepted: Hid., 'are.' \\^; : ■", » : 1. 10, ' thyne eyes ' ' ; ' thine eyes ' ', ' ; ' thine eies ' ', ^ : I. 11, ' trueth ' ' : I. 13, no ( ) in ','' : il>zd., 'maid ", '', ° : Hid., 'doone . . . flightly ", ^ ' ; 'fleightly ",»:!. 14, '