pi lliliiill, COLLEGE OF ARCHITECTURE LIBRARY Cornell University Library N 610.A65 1920 Catalogue of paintings / 3 1924 020 595 173 DATE . DUE nnn AS6U-^ gSHUi^ GAYLORD PRINTED IN U.S.A. Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020595173 THE METROPOLITAN MUSEUM OF ART CATALOGUE OF PAINTINGS MCMXX CATALOGUE OF PAINTINGS VIRGIN ENTHRONED WITH SAINTS BY RAPHAEL THE METROPOLITAM MUSEUM OF ART CATALOGUE OF PAINTINGS BY BRYSON BURROUGHS CURATOR , DEPARTMENT OF PAINTINGS FIFTH EDITION NEW YORK M C M X X hr 33^t| FIRST EDITION, COPYRIGHT, FEBRUARY, I9I4 SECOND EDITION, COPYRIGHT, FEBRUARY, I916 THIRD EDITION, COPYRIGHT, JUNE, I917 FOURTH EDITION, COPYRIGHT, MARCH, I919 FIFTH EDITION, COPYRIGHT, JUNE, I92O BY THE METROPOLITAN MUSEUM OF ART PREFACE AN alphabetical arrangement by the names of artists, or by schools where the artists are unknown, is followed in this . book. In the attempt to solve the problem of number- ^ ing a rapidly growing collection of paintings, the experi- ment has been made here of adapting the C. A. Cutter system, long in use in libraries. To use the catalogue it is not necessary to be familiar with the system of numbering, but for those who may be interested an explanation follows. It consists of a combination of letters and numbers, composed of the initial letter of the author's name followed by numbers that represent the succeeding letters of the same, so that additional entries can be inserted without disturbing the sequence of the letters or the numerals. By this system the number, instead of being an arbitrary tag affixed to the picture, has a logical connection with it and its place in the catalogue, and the usual finding list is done away with. The plan has the advantage of being thoroughly logical and flexible, and the com- pilers of this catalogue believe that it will be considered an improve- ment over the prevailing methods, at least for the purpose of this collection. The C. A. Cutter Two-Figure Author Table, which has been used in numbering this collection, calls for one letter for names be- ginning with a consonant (except S) and two for names beginning with vowels or S. Thus Abi is Abbey and R28 is Rembrandt. When it is necessary to make a close classification an additional number is used. Thus M61 is Millais, J. E.; M61 1 JVIiller, C. H.; M612 Miller, R. E.; JVI613 Millet, F. D.; M614 Millet, J. F. The number after the dash indicates the order of acquisition of works by an artist. Thus R28-1 is the first painting by Rembrandt acquired by the Museum; R28-2 is the second; and so on. Works lent begin with 5 1 after the dash. Thus, following the nine paintings by Stuart owned by the Museum come the Stuarts lent, which begin with St9-5i. To indicate that a picture is the work of an unknown artist of a certain school, a capital S is added. Thus R28S is School PREFACE of Rembrandt; Am3S is American School; the Italian School has been further subdivided to indicate particular sections of Italy; thus ItsS is Italian School and ItsS-Fa is Florentine, second picture acquired. The gallery number, given immediately below the number of the picture, shows its location at the time of the publication of the catalogue. When no gallery number is given, it indicates that the painting is not on exhibition. The information about each picture is arranged in three para- graphs: 1 . Biographical note of the artist. 2. Title; biographical note if a portrait, or historical note if an event is depicted; description. The words right and left, when not otherwise stated, r«fer to the right and left of the spectator. Doubtful attributions and changes in attributions are noted; in the case «f works lent to the Museum, the owner's attribution has generally been retained. 3. Height and width of the picture, without frame, given in inches; material on which it is painted; when not painted in oil, then the medium, such as water color or pastel; the signature in capitals or capitals and small capitals if the artist has written it thus, otherwise in capitals and small letters; reference to the monthly Bvi-LETiN of the Metrc^itan JVIuseum of Art if the picture has been described or illustrated therein; the fund through which it was purchased or the name of the donor if it is a gift or a bequest; year of acquisition. TABLE OF CONTENTS Preface . Table of Contents . List of Illustrations Introduction . Catalogue Appendix A. Artists Represented, Arranged by Schools B. A List of Portraits Arranged by Subjects C. Classification by Galleries PAGE V vii ix xi I 345 343 356 361 vti LIST OF ILLUSTRATIONS FACING PACE Virgin and Child Enthroned with Saints, by Raphael Title Joan OF Arc, by Jules Bastien-Lepage 12 Three Miracles of Saint Zenobius, by Botticelli ... 13 Meditation on the Passion, by Vittore Carpaccio ... 20 The Aegean Sea, by Frederic E, Church 21 The Sleep of Diana, by Jean Baptiste Camilla Corot . . 52 PietA, by Carlo Crivelli 53 The Abduction of Rebecca, by Eugfene Delacroix ... 76 Paradise, by Giovanni di Paolo 77 Portrait of a Woman, by Frans Hals 1 14 The Merry Company, by Frans Hals 115 Margaret Wyatt, Lady Lee, by Hans Holbein .... 126 Northeaster, by Winslow Homer 127 Peace and Plenty, by George Inness 136 Boy with a Sword, by Edouard Manet 137 Harp of the Winds; a View on the Seine, by Homer D. Martin 152 Adoration of the Kings, by Quentin Massys . . . . 153 Betrothal of Saint Catherine, by Hans Memling . . 196 Madonna and Child Enthroned with Angels, by Pietro di Domenico da Montepulciano 197 Portrait of a Man, by Rembrandt 220 OldWomanCuttingHerNails, by Rembrandt . . . .221 ix LIST OF ILLUSTRATIONS FACING PAGE Portrait of t.he Artist, by Rembrandt 236 Madame Charpentier and Her Children, by Pierre Augusta Renoir . . . . 237 Hon. Henry Fane with His Guardians, Inigo Jones and Charles Blair, by Sir Joshua Reynolds 244 Wolf and Fox Hunt, by Peter Paul Rubens ... . 245 Henry G. Marquand, by John S. Sargent 360 George Washington (Gibbs-Channing-Avery Portrait), by Gilbert Stuart ... 261 Saltash, by Joseph Mallord William Turner 384 James Stuart, Duke of Lennox, by Anthony Van Dyck . 285 Philip IV of Spain, by Velazquez 302 Young Woman with a Water Jug, by Johannes Vermeer . 303 Mars and Venus United by Love, by Paolo Veronese . . 306 Arrangement in Flesh Color and Black; Theodore Duret, by James A. McNeill Whistler 307 Floor Plan 362 INTRODUCTION THE beginning of the Museum's coHection of pictures dates from 1871 when 174 paintings of the seventeenth and eighteenth centuries became its property. These were bought the year previous in Europe by William T. Blodgett, a Trustee of the Museum, who held them until the Museum was able to make the purchase. One hundred of the number belonged to the Comte Cornit de Ways Ruart de VanSch and were acquired in Brussels through £tienne Le Roy, the official expert of the Royal Museum of Belgium; fifteen others were ac- quired through M. Le Roy; and the remaining fifty-nine were pur- chased in Paris, Many excellent pictures were included in these collections: The Old Fiddler by van Ostade, Dutch Kermesse by Jan Steen, Drawing the Eel by S. Ruysdael, Hille Babbe by Frans Hals, three works by Tiepolo, and two by Guardi, to name only a few. A building at 681 Fifth Avenue was prepared for the exhibi- tion of this collection, and, as stated in the first catalogue, published in 1872, the results led the Trustees to believe that their institution was permanently established upon a sure basis and would "become a most important agent in developing a taste and knowledge of art in this community." The second great accretion of pictures, and the most important event in the history of the Department of Paintings, occurred in 1888 when Henry G. Marquand gave 53 pictures which placed the collection immediately in a position of considerable prominence. The Van Dycks, the three Hals, the Rembrandts, the Vermeer, the- strange and beautiful work ascribed to Lucas van Leyden, the double portrait of the early Florentine school, the variant of Van Eyck's Madonna of the Fountain, Saltash by Turner, these and the others of the donation fix the Marquand gift among the most notable benefactions ever made to pubtic collections. The effect of the gift on the growth of the Museum and on the development of culture in America has been incalculable. In com- memoration of Mr. Marquand's services and munificence, Gal- xi INTRODUCTION lery ii at the head of the great staircase was set apart in 191 1 for the exhibition of distinguished paintings of any school, and was called by his name. Several of the pictures included in his gift are shown in the Marquand Gallery, but the quality of the works he gave, whether exhibited here or distributed in the other rooms, is the real reminder of his connoisseurship and generosity. Other gifts were received. Cornelius Vanderbilt gave the fresco of Saint Christopher by PoUaiuolo in 1880; Junius S. Morgan, the large portraits of the Hon. Henry Fane and His Guardians by Reynolds in 1887; and in the same year the Catharine Lorillard Wolfe Bequest, consisting of a collection of 148 modern paintings and a fund for its maintenance and increase, became the property of the Museum. Her collection included pictures of worth and out of the Wolfe Fund have been bought many of the best modern pictures now shown — Turner's Whale Ship, Delacroix's L' Enlevement de Rebecca, Corot's Sleep of Diana, and Renoir's Charpentier Family among the number. Some pictures given in these early days were works in general favor at the moment, the popularity of which has not survived. Many of these are no longer on exhibition. They have performed their task in our genesis, however, giving pleasure to many for a number of years. Certain others, on the contrary, now numbered among the most precious, were not considered so highly at the time they were given. In this category are the two Hunting Scenes by Piero di Cosimo from Robert Gordon in 1875 and the Boy with a Sword and the Girl with a Parrot, both by Manet, which Erwin Davis (also the donor of the Jeanne d'Arc by Bastien Lepage) had the boldness and foresight to give as early as 1889. The year 1893 marks the first participation of George A. Heam in the growth of the collection. Thirteen years later he carried out the plan of a fund for the purchase of contemporary American paintings, increased since by the Arthur Hoppock Hearn Fund given by Mr, Hearn in memory of his son for the same purpose. With the advice and help of the donor, until his death in 1913, the income from these funds has already yielded 55 works, to which many more have been added by gift from Mr. Hearn. The collec- tion of American art of to-day from this and other sources is the most complete branch of the collection and gives a wide representa- tion of what is being done in our own country. In 19 1 3 the important bequest from Benjamin Altman was re- ceived. The collection, remarkable for the wide range of interest it embraces and the prominence of its contents, includes fifty-one pictures. Among these are Dutch paintings of the seventeenth century, thirteen by Rembrandt among them, as well as examples by Vermeer, Hals, ai)d others; a very remarkable group of primi- xii INTRODUCTION tives, Memling, Botticelli, Mantegna, Antonello da Messina, Hol- bein being among the artists represented; and works by Velazquez, Giorgione, Titian, and Van Dyck. The collection according to the terms of the bequest must be exhibited as a whole; it has been tem- porarily installed in the five rooms to the right of the Marquand Gallery.' At all stages in the history of the collection valuable aid has been given by those who have lent pictures, notably J. Pierpont Morgan and George W. Vanderbilt. In 1902 the William H. Vanderbilt Collection, notable for the important examples of the Bar- bizon School that it contains, was lent by George W. Vanderbilt, and was exhibited from that time until 1920, when it was removed. Mr. Morgan, besides his gifts of Columbus by Sebastiano del Piombo, The Assumption of the Virgin by Benvenuto di Giovanni, The Argonauts by Pesellino, and many more, helped continually by lending works from his collection. With but few exceptions the pictures that he acquired after 1906 were shown in the Museum and many of them have never left its walls since their purchase by him. In 1916, his son, J. Pierpont Morgan, presented to the Museum the Virgin and Child Enthroned with Saints by Raphael, the so-called Colonna Madonna, which had been on exhibition in the Museum since his father lent it in 1913. In the following year the Museum received as gifts from Mr. Morgan all the pictures lent from his father's collection which were at that time in the Museum. This munificent gift consisted of works of various schools and in- cluded such masterpieces as the Visit to the Nursery by Metsu and the great Roger van der Weyden. By the will of Hugo Reisinger the Museum received in 1914 a fund for the purchase of modem German art. In 191 5 Maria de Witt Jesup bequeathed seventy-one pictures from the collection of her husband, Morris K. Jesup, and a fund for the maintenance and increase of the collection. The regular buying of paintings began in 1905, after the receipt of the Rogers Fund, the first of the great bequests and gifts of money by which the Museum has been enriched. The Nativity by El Greco was the first painting bought out of this fund, which for four or five years was the single great source available for pur- chases without restrictions as regards schools. With the Hewitt Fund, 1908, and the Kennedy Fund, 19 10, the possibilities were largely increased, the latter in particular being utilized conspicu- ously for the benefit of the painting collection. Many of the important purchases of the last seven years — ^Wolf and Fox Hunt by Rubens, Mars and Venus by Veronese, Three Miracles of Saint Zenobius by Botticelli, Meditation on the Passion by Carpaccio, Four Saints by Correggio, and others — are due to the Kennedy xiii INTRODUCTION Fund. The purchases out of the Leland gift, 1912, are the Mouth of the Scheldt by Van de Cappelle and the Miracle of the Loaves and Fishes by Tintoretto. While these funds are most frequently drawn upon for the pmr- chase of paintings, the following are all available: Marquand Fund, 1894; Dodge Fund, 1899; Curtis Fund, 1901; Amelia B.. Lazarus Fund, 1906; Avery Memorial Fund, 1907; Smith Fund, 1911; amd Egleston Fund, 1912. Of these the Smith Fund is absolutely un- restricted, the others must be used to purchase works of art, and the Curtis Fund, by the terms of the gift, must be used to purchase paintings by old masters and those of the early English school. The Marquand gift is employed to increase the Marquand collection of old masters. BitYsoN Burroughs Curator of Paintings HV CATALOGUE OF PAINTINGS CATALOGUE OF PAINTINGS ABBEY, Edwin A. American; born 1852 at Philadelphia; died 19 r I at London, England, where he had lived during the latter part of his life. Studied at the Pennsylvania Academy of the Fine Arts in Philadelphia, then entered the art department of Harper and Brothers in New York City. Illustrator and mural decorator. Abi-i KING LEAR. (From Shakespeare's play of King Lear, Gallery act i, scene i.) In the center stands Cordelia, dressed in 13 pale yellow, who extends her hand to the King of France who bends down to kiss it; the Princess turns to address her two older sisters, Goneril and Regan, who stand at the left, the one wearing a black cloak lined with red and the other a rich red robe. At the right, the aged King, in a white robe, is being led away by his attendants and is followed by his hound. The costumes are adapted from twelfth century styles. H. 54I in. W. i27j in. Canvas. Signed: E. A. Abbey, 1898. Bulletin, 1913, p. 146, ill. Gift of George A. Hearn, 1913, Abi-3 THE DIRGE OF THE THREE QUEENS. (From The Two Noble Kinsmen, perhaps by John Fletcher, act I, scene 5.) A funeral procession with three coffins and mourners seen passing over a hilltop against the sunset sky, H. 29in. W.45iin, Pastel. Signed:E. A. Abbey 1895. Gift of Mrs. Edwin A. Abbey, 1918. ACHENBACH, Andreas. German (Diisseldorf); born 1815 at Kassel; died 19 10 at Diisseldorf. Pupil of Diisseldorf Academy under Schirmer and Schadow. Landscapes. ACHENBACH -ALEXANDER Ac4-B SUNSET AFTER A STORM; COAST OF SICILY. Gallery At the left is the sea; in the foreground are wreckage 18 and men in a life-boat; at the right, behind a cliff, the sun is. setting. H. 32I in. W. 42 J in. Canvas. Signed: A. Achen- bach 1853. Bequest of Catharine Lorillard Wolfe, 1887. ACHENBACH, Oswald. German (Dusseldorf); born 1827 at Dusseldorf; died there 1905. Pupil of his brother, Andreas Achenbach. Landscapes. AC41-1 NEAR NAPLES; MOONRISE. A roadway with Gallery peasants grouped about a stone fountain. 18 H.39Jin. W.56iin. Canvas. Signed: Osw. Achenbach. Bequest of Catharine Lorillard Wolfe, 1887. AEKEN, HiERONYMUs VAN. See Bosch, Hieronymus. ALEXANDER, John W. American; born 1856 at Allegheny, Pa.; died, 191 5, in New York City. Studied in IVIunich, Paris, and Florence. President National Academy of. Design from 1909. Portraits and mural decorations. AI2-1 WALT WHITMAN. (1819-1892; American poet.) Gallery Life-size, seated figure, seen to below the knees; he has 16 long silvery white hair and beard; brownish background. H. 5oin. W.4oin. Canvas. Signed:]. W.Alexander-89. Gift of Mrs. Jeremiah Milbank, 1891. Al2-^ STUDY IN BLACK AND GREEN. Life-size, seated Gallery figure of a young woman, seen to below the knees; 15 she is fastening a red flower on her low-necked, black and green striped gown ; a curtained window forms the background. H. 50 in. W. 40 in. Canvas. Signed: J. W. Alexander. Purchase, Hearn Fund, 1908. AI2-3 THE RING. Life-size figure of a young woman. Gallery seen to below the knees; she is seated on a couch with 13 her back to a window and looks at a ring held in her right hand; she wears a greenish dress; a straw hat with pink roses lies on her lap. H. 48I in. W. 36! in. Canvas. Signed: John W. Alexander 191 1. Bulletin, 1912, p. 135, ill. Gift of Mrs. Herbert S. Greims, in memory of Arthur Hoppock Hearn, 191 2. ALLEGRI— AMERICAN SCHOOL ALLEGRI, Antonio. See Correggio. ALLSTON, Washington. American; born 1779 at Waccamaw, S. C; died 1843 ^t Cambridgeport, Mass. Pupil of Benjamin West in London; studied also in Paris and Rome. Legendary and historical subjects. AI51-1 A SPANISH GIRL. Full-length figure of a young woman Gallery in a brownish-red bodice, seated on a grassy knoll 16 in the foreground; ruins and mountains form the back- ground. H. 30 in. W. 25 in. Canvas. Gift of Lyman G. Bloomingdale, 1901. AI51-2 THE DELUGE. Wreckage and dead bodies are on Gallery the beach in the foreground; stormy surf beyond; heavy 16 rain clouds. H. 48 in. W. 65! in. Canvas. Bulletin, 1909, p. 89. Gift of William M. Chase, 1909. AMERICAN SCHOOL. Am3S-i MISS FOOTE. (i797?-i867; an actress who in 1831 married Charles Stanhope, fourth Earl of Harrington.) Life-size, seated figure, seen almost to the knees; she wears a low-necked white dress of the style of the early nineteenth century. Has been attributed to Lawrence. H. 30 in. W. 25 in. Canvas. Bequest of Margaretta Jones, 1907. Am3S-2 COLONEL MARINUS WILLETT. (1740-1830; of- Gallery ficer of New York Militia, 1775-78; Sheriff of New York, 12 1784-92; Mayor of New York, 1807-8; President of the Electoral College, 1824.) Full-length, life-size portrait; painted 1 790-1 800. He stands with the right arm ex- tended; landscape background. He wears the Continen- tal uniform — a dark blue coat, white waistcoat and breeches, black cocked hat. The sword presented by Congress is at his side, and on the left lapel of his coat is the Order of the Cincinnati consisting of a bald eagle suspended from a blue ribbon with white border, symbol- izing the union of France and America. H. 9i| in. W. 56 in. Canvas. Bequest of Geprge Willett van Nest, 191 7. Am3S-3 CHRISTOPHER COLLES. (i 738-1 821; American en- gineer; projector of the first waterworks system for New AMERICAN SCHOOL— ANGELICO York.) Early nineteenth-century work. H. 3o|in. W. 25|in. Canvas. Gift of Dr. Christopher J. Colles, 1917. AMES, Ezra. American; born 1768, died 1836. Portrait painter in Albany, New York. Am3i-5i CATHERINE VAN SCHAICK. (i75i-i83o; wife of Wing H General Peter Gansevoort.) Seated figure seen to the Base- waist; she wears a white ruffled cap, and a black net ment scarf; her hands are folded in her lap. H. 29! in. W. 333 in. Canvas. Lent by Roland N. Moore in memory of Mrs. Abraham Lansing of Albany, 19 19. AMES, Joseph. American; born 1816 at Roxbury, N. H.; died 1872 at New York City. Am32-i JAMES TOPHAM BRADY. (i8i5-i8$9; a member of the New York bar.) Life-size bust in an oval; he has brown, curly hair, moustache, and goatee. H. 30 in. W. 25 in. Canvas. Signed: J. Ames. 1869. Bulletin, 1910, p. 175, ill. Gift of Francis Lynde Stetson, 1910. ANGELICO, Fra Giovanni; real name Guido (or Guidolino) di Pietro da Mugello; called also Giovanni da Fiesole, Beato Angelico, and II Beato. Italian (Florentine); born 1387 at Vecchio in the province of Mugello; died 1455 near Rome. Entered the convent of San Domenico at Fiesole near Florence, and about 1436 went to the monastery of San Marco in Florence. Painted frescoes, altarpieces, and devotional pictures. An4-i THE CRUCIFIXION. In the center Christ is on the Gallery cross, at the base of which kneels Mary Magdalen between 37 St. Dominic at the left and St. Thomas Aquinas at the right; beyond at the left stand the Virgin, a bishop (St. Augustine ?), and a female saint (St. Monica ?); at the right are St. John the Evangelist, St. Francis, and St. Elizabeth of Hungary. A palm tree is at each side of the cross. H. i5|in. W. 2if in. Tempera. Transferred from wood to canvas. Bequest of Benjamin Altman, 1913. ANTONELLO DA MESSINA — ASCH ANTONELLO DA MESSINA, real name Antonello degli Antonii. Italian (Venetian); born about 1430 presumably at Mes- sina; died 1479. In the early seventies he went to Venice and from that time his influence on the artists of that city is noticeable, as is also the effect of the Venetian painting on his work. He was the first Italian to use consistently the method of painting with colors ground in oil. An8i-i PORTRAIT OF A YOUNG MAN. Life-size head and Gallery part of shoulders of a smiling youth of about seventeen, 37 seen . three-quarters toward the left. He has reddish hair and wears a dark cap with a band hanging down upon the right shoulder. H. I of in. W. 8i in. Wood. Bequest of Benjamin Altman, 1913. APT, Ulrich, the Elder. German; born at Augsburg, where he appears to have been admitted to the painters' guild in i486; mentioned for the last time in 1532. Ap8-i PORTRAIT OF A MAN AND HIS WIFE. A double Gallery portrait with the figures seen to the waist; the man is 34 at the left and wears a black coat lined with brown fur, and a fur cap; the woman has a dark green, low-necked gown and a close-fitting white headdress; through a window back of the man is a view of a town with a winding river and distant mountains. Inscribed with their ages: 52 and 35. H. 13A in. W. 24J in. Wood. Dated: 15 12. Bul- letin, 191 2, p. 150, ill. Purchase, Rogers Fund, 1912. ARETINO. See Spinello Aretino. ASCH, PiETER Jansz. van. Dutch; born 1603 at Delft; died there 1678. Landscapes. As2-i LANDSCAPE WITH WATERFALL. Brown fore- ground with a waterfall and a rocky hillside at the left; near the center are two tall trees and in the roadway be- yond is a group of peasants. H. 154 in. W. 13! in. Wood. Purchase, 1871. B BACA-FLOR, Carlos. French-Peruvian; born 1869. Studied in Paris; lives in Paris and New York City. B12-1 J. PIERPONT MORGAN. (1837-1913; New York Wing F financier; elected a Trustee of The Metropolitan Museum Galleiy of Art in 1888 and its President from 1904 until his death.) 12 Life-size, standing figure, seen to below the knees; his clenched right hand rests on a table beside him and his left hand is in his trousers pocket; a red chair shows at the right. H. 62 in. W. 59 in. Canvas. Bulletin, 1913, p. 64, ill. Gift of J. Pierpont Morgan, 1910. BAIXERAS-VERDAGUER, Dionisio. Spanish; born 1862 at Barcelona; lives there. Pupil of Ecole des Beaux- Arts of Barcelona. B 161-1 BOATMEN AT BARCELONA. Three men seated in a rowboat. H. 59 in. W. 82f in. Canvas. Signed: D. BAIXE- RAS 1886. Gift of George 1. Seney, 1886. BAKER, George A. American; born 1821 at New York; died there 1880. Pupil of his father, a miniature painter; studied in Europe. B17-1 JOHN F. KENSETT. (18 18-1872; American landscape painter.) Life-size, seen almost to the waist; he has brown hair, moustache, and side whiskers. H. 27 in. W. 22in. Canvas. Signed: G. A. Baker 1875. Gift of several gentlemen, 1881. BAKKER-KORFF, Alexander Hugo. Dutch; born 1824 at The Hague; died 1882 at Leyden, where he had lived 8 BAKKER-KORFF— BAROCCIO since 1856. Pupil of The Hague Academy under Cor- nelius Kruseman. Genre subjects, often satirical; known as the Dutch Meissonier. B171-1 BRIC-A-BRAC. An old woman seated near a table Gallery in a room filled with objects of art. 18 H. 7^in. W. sJin. Wood. Signed: Bakker-Korff— 68 Bequest of Catharine Lorillard Wolfe, 1887. BARBARELLl, Giorgio. See Giorgione. BARGUE, Charles. French; born at Paris; died there 1883. Pupil of G6r6me. Also lithographer. B23-1 A FOOTMAN SLEEPING. A man in a dark blue livery is seated on a carved settee in a hallway. H. i3iin. W. lojin. Wood. Signed: C. Bargve-7i. Bequest of Stephen Whitney Phoenix, 1881. B23-2 A BASH I BAZOUK. (A volunteer in the Turkish Gallery army.) A dark-skinned man is seated in a cave-like 18 interior, smoking a hooka. H. iSy^in. W. i3in. Canvas. Signed: BARGVE-75. Bequest of Catharine Lorillard Wolfe, 1887. BARKER, Thomas; known as Barker of Bath. British (English); born 1769 near the village of Pontypool in Monmouth- shire; died 1847 at Bath. Began as a coach painter; then copied works of old Dutch and Flemish masters; later visited Rome. Landscapes and rurial life. B24-1 LANDSCAPE. At the left, a herd of asses is being driven by a girl; at the right are thick woods and a road on which are a wagon and several figures. For- merly attributed to Gainsborough. H. 56 in. W. 75J in. Canvas. Gift of Henry G. Marquand, 1890. BAROCCIO, Federigo. Italian (Umbrian); born 1528 (?) at Urbino; died there 1612. Pupil of Battista Franco; copied works of Titian at Pesaro and of Raphael in Rome; decorated parts of the Vatican. B261-1 HOLY FAMILY. At the right, on the steps in the foreground, stand the young St. John, St. Elizabeth, and St. Zacharias; and at the left St. Joseph raises a dark blue curtain; in the room beyond, the Madonna 9 BAROCCIO — BASTI EN-LEPAGE is rocking the cradle in which the Child lies asleep; a cat and kittens are on her red dress. H. 28I in. W. 34 in. Canvas. Bulletin, 1906, p. 72. Purchase, Rogers Fund, 1906. BARRET, George, the Younger. British (Irish); born about 1774; died 1842. Pupil of his father, George Barret, of Dublin. Painted chiefly landscapes in water colors. B27-51 LANDSCAPE; SUNSET. A lake in the center with Gallery trees to right and left; a lady and a gentleman stand 24 in the foreground. H. 7i\ in. W. lof in. Water color. Signed: G. Barret. Lent by George W. Vanderbilt, 1902. BARTOLO Dl FREDl; also known as Bartolommeo JVIanfredi. Italian (Sienese); born 1330 at Siena; died there 1410. Follower of the brothers Lorenzetti. B28-I CRUCIFIXION. Christ is on the cross and winged Gallery angels are catching the blood from the wounds in His 33 hands; the crucified thieves are also shown; soldiers and populace are grouped around the base of the cross; the fainting Virgin and the Marys are at the left. Attri- buted to Bartolo di Fredi by Bernhard Berenson; pre- viously attributed to Spinello Aretino. H.2o|in. W. 38|in. Tempera on wood. Bulletin, 1912, p. 54. ill- Purchase, Rogers Fund, 1911. BASSANO; real name, Jacopo da Ponte. Italian (Venetian); born 1 5 10 at Bassano, in the Venetian State; died there 1592. Pupil of his father, Francesco da Ponte, a fol- lower of Bellini; also worked with Bonifazio at Venice. His four sons assisted him. B29-51 LAZARUS AND THE RICH MAN. A garden with the Gallery nude figure of Lazarus reclining on the ground at the left; 29 a lady and two men are seated at a table and a boy stands in the center of the picture with two dogs near him. H. 57I in. W. 87! in. Canvas. Lent by Dan Fellows I*latt, 1910. Copies of paintings by Bassano; see Teniers. T251-5 and T25I-6. BASTI EN-LEPAGE, Jules. French; born 1848 at Damvillers; died 1884 at Paris. Pupil of Cabanel; influenced by Courbet. Peasant subjects and portraits. 10 BASTI EN-LEPAGE — BEAUX B292-1 JOAN OF ARC. (1412-1431; the Maid of Orleans, Gallery who was inspired to deliver France from the English; 21 she led the French troops and assisted at the crown- ing of Charles VII at Rheims.) A young peasant girl stands in front of a tree in the garden of her home; behind her, at the left, her vision is indicated by vague figures of St. Michael in armor who holds a sword toward her, St. Catherine with hands clasped, and St. Margaret who is weeping. H. 100 in. W. iiojin. Canvas. Signed: J. Bastien- Lepage, Damvillers Meuse 1879. Gift of Erwin Davis, 1889. B292-2 AN ANXIOUS MOMENT. An old peasant lighting his pipe in the wind. H. i7Jin. W. 8f in. Canvas. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. BAZZI, Giovanni Antonio de. See Sodoma. BEAL, GiFFORD. American; born 1879 in New York City; lives there. Pupil of Chase and F. V. Du Mond. Painter of marines, landscapes,' and figures. B36-1 MAYFAIR. Numerous people moving about in a park Gallery where there are fountains and trees. 15 H. 28in. W. 25! in. Canvas. Signed: GiffordBeal 13. Bulletin, 1914, p. 150; ill. p. 155. Purchase, Hearn Fund, 1914. B36-2 THE ALBANY BOAT. There are people, mostly wo- Gallery men and children in light summer costumes, gathered on 15 the roadway which leads down to the steamboat landing; a building and a clump of trees are at the left and tall trees at the right; between, one sees the great white Al- bany boat, the blue Hudson, and the green hills on the opposite shore; strong sunlight. H.36fin. W.6oiin. Canvas. Signed: GiffordBeal. 15. Purchase, Hearn Fund, 1917. BEATO ANGELICO. SeeAngelico. BEAUX, Cecilia. American; contemporary; born in Philadelphia; lives in New York City. Pupil of William Sartain in Philadelphia; Julian and Lazar schools in Paris. Portrait painter. II BEAUX — BEERSTRAATEN B38-1 A GIRL IN WHITE; ERNESTA. Full-length figure Gallery of a young woman, who is dressed in white and seated 15 on a white sofa; before her is a table on which are a candlestick and a Chinese white porcelain jar on a teak- wood stand; back of her is a mirror. H. 71 J in. W. 43fin. Canvas. Signed: Cecilia Beaux. Bulletin, 1915, p. 152, ill. Purchase, Arthur Hoppock Hearn Fund, 191 5. BECKER, Carl Ludwig Friedrich. German; born 1820 in Berlin; died there 1900. Pupil of Munich Academy. Genre and historical subjects. B382-1 ADELHEID AND THE BISHOP OF BAMBERg'. (A scene in Goethe's play, Gotz von Berlichingen.) An interior with Adelheid and the Bishop of Bamberg play- ing chess; beyond are ladies and gentlemen, one of whom is playing a lute. H. 505 in. W. 67 in. Canvas. Signed: C. Becker. Gift of Mrs. Anna Woerishoffer, 1899. BEECHEY, Sir William. British (English); born 1753 at Bur- ford, Oxfordshire; died 1839 at Hampstead, London. Pupil of the Royal Academy Schools in London. Portraits. B39-1 H. R. H. THE DUKE OF YORK. (1763 - 1837; Gallery Frederick Augustus, second son of King George III.) 24 Life-size, standing- portrait, seen to the knees; his scarlet coat is elaborately trimmed with gold braid, and a black cloak, on which the star of the Order of the Garter is embroidered, hangs from his left shoulder; various orders are on his breast. H.63in. W. 5i}in. Canvas. Gift of T. J. Blakeslee, 1895. B39-2 PORTRAIT OF A LADY. Life-size figure, seen to be- Gallery low the knees; she is seated in a landscape and wears a 14 white, short-waisted, low-necked gown and an orange scarf. H. 50 in. W. 40^ in. Canvas. Gift of George A. Hearn, 1905. BEERSTRAATEN, Jan Abrahamsz. Dutch; born 1622 at Ams- terdam; died there 1666. Landscapes. B392-1 SNOW SCENE. A frozen river with skaters in the foreground; in the middle distance is a church. H. 36^ in. W. 5 if in. Canvas. Signed: F. Beerstraa- ten Pingit. Bulletin, 191 1, p. 171. Purchase, Rogers Fund, 1911. 12 JOAN OF ARC BY JULES BASTIEN-LEPAGE BEHAM— BENOZZO GOZZOLI BEHAM, Barthel. German; born 1502 at Nuremberg; died 1 540, probably in Italy. Follower of Durer. Portraits. B393-1 PORTRAIT OF A MAN. (Leonardt von Eck or Johann Gallery Mayr von Eck.) Seen to the waist with arms folded; he 34 wears a brilliant red cap, and a full white tunic shows above a loose grayish robe; dark background immediately back of the head. H. 22| in. W. 14I in. Wood. Purchase, Kennedy Fund, 19 12. BELLINI, Giovanni. Italian (Venetian); born at Venice about 1428; died there 15 16. Pupil of his father, Jacopo Bellini; influenced by the school of Squarcione at Padua. Worked chiefly at Venice where, in 1479, he was appoint- ed to redecorate the Ducal Palace. B41-1 MADONNA AND CHILD. Seated figure of the Gallery Madonna, seen to the knees; she wears a deep blue 1 1 mantle and the nude Child is held on her left knee; an orange-red curtain is back of the Madonna at the right and at the left a town and a range of distant mountains. H. 35iin. W.28^ in. Wood. Signed: lOANNES BELLINVS. Bulletin, 1908, p. 180, ill. Purchase, Rogers Fund, 1908. BELLOWS, George W. American; born 1882 at Columbus, Ohio; lives in New York City. Pupil of Robert Henri. B411-1 UP THE HUDSON. Riverside Park, New York, is Gallery in the foreground; railroad tracks and docks are at the 12 river's edge and'the Jersey shore is in the distance. H. 355 in. W. 485 in. Canvas. Signed: Geo. Bellows. Bulletin, 191 1, p. 67, ill. Gift of Hugo Reisinger, 191 1. BENJAMIN-CONSTANT, Jean Joseph. French; born 1845 at Paris; died there 1902. Pupil of Cabanel; influenced by Delacroix and Regnault. B431-1 JUSTINIAN IN COUNCIL. (482?-565; Byzantine Emperor.) The emperor is seated on the throne; three councillors are seated at each side and in the foreground is a figure with his back to the spectator. H. 148 in. W. 260 in. Canvas. Signed: 1886 Benj-Con- stant. Gift of Godfrey Mannheimer, 1890. BENOZZO GOZZOLI. See Gozzoli. >3 BENSON — BERNE-BELLECOUR /"BENSON, Frank W. American; born 1862 at Salem, Mass.; lives in Boston. Pupil of the Boston JVluseum of Fine Arts School and of Julian Academy in Paris under Bouguereau and Lefebvre. B44-1 PORTRAIT OF A LADY. Life-size, seated figure. Gallery seen to below the waist; she wears a low-necked black 15 and green dress and a black hat with feathers; yellow autumn leaves form the background. H. 4&1V in- W. 325 in. Canvas. Signed: F. W. Benson 1901. Purchase, Hearn Fund, 1906. BENVENUTO DI GIOVANNI; also known as Benvenuto da Siena. Italian (Sienese); born 1436 at Siena; died after 1 5 17. Pupil of Vecchietta. B442-1 ASSUMPTION OF THE VIRGIN. The Virgin, in Gallery a white robe, is surrounded by red-winged cherubim 31 and angels with musical instruments; at the right and left are prophets and apostles; in the foreground is the empty sarcophagus before which kneels St. Thomas, receiving the girdle; St. Francis kneels at the left, and St. Anthony at the right. H. ii6| in. W. 86| in. Tempera on wood. Signed: OPVS • BENVENVTl • lOHANIS • DE • SENIS " MCCCCLXXXXVIII. Bulletin, 1910, p. 249, ill. Gift of J. Pierpont Morgan, 1910. BERCHEM, Claes Pietersz.; occasionally signed Berghem. Dutch ; born 1620 at Haarlem; died 1683 at Amster- dam. Pupil of his father, Pieter Claes. B45-1 REST. A woman with a child in her arms is seated on the ground; a man stands at her side near a clump of tree trunks; sheep are beyond and a cow stands nearby. H. i6i| in. W. 13J in. Wood. Signed: Berchem. Purchase, 1871. BERNE-BELLECOUR, Etienne Prosper. French; born 1838 at Boulogne-sur-Mer; died 1910 at Paris. Pupil of ficole des Beaux-Arts under Picot and Barrias. Mili- tary subjects and portraits. B451-1 SOLDIER IN THE TRENCHES. He is sitting behind Gallery the earthworks with a rifle in hand. 17 H. 6J in. W. 4tV in. Water color. Signed: E. Berne Bellecour-73. Bequest of Catharine Lorillard Wolfe, 1887. 14 BERNE-BELLECOUR — BICCI DI LORENZO B451-2 THE INTENDED. A garden terrace with a young S. W. woman seated on a bench winding yarn which is held Stairway by an officer; an elderly lady and gentleman are seated at the right; the costumes are of the Empire period. H. 205 in. W. 32g in. Canvas. Signed: E. Berne- Bellecour. 1874. Bequest of Catharine Lorillard Wolfe, 1887. BETTO, Bernardino di. See Pinturicchio. BEYEREN, Abraham Hendricksz. van. Dutch; born 1620 or 1621 at The Hague; died after 1674 at Alkmaar. Perhaps a pupil of his brother-in-law, Pieter de Putter. Still life, marines, etc. B46-1 STUDY OF FISH. H. 255 in. W. 31J in. Canvas. Purchase, 1871. BICCI DI LORENZO. Italian (Florentine); born 137331 Florence; died there 1452. Pupil of his father, Lorenzo di Bicci. B47-1 iVIIRACLE OF ST. NICHOLAS OF BARI. (St. Gallery Nicholas, Bishop of Myra in the fourth century, among 31 other miracles is supposed to have supplied gold for three maidens who were too poor to marry.) Three young women and a man in a bedroom ; outside the house, at the left, the Saint throws the gold through the window grating and it falls upon the bed. H. 12 in. W. 22| in. Tempera on wood. Gift of Frederic Coudert from the collection of Madame D'Oliveira of Florence, 1888. B47-2 ST. NICHOLAS RESUSCITATING THREE YOUTHS. Gallery (It is related that during a famine St. Nicholas discovered 31 that a certain man had stolen children and butchered them for food; going to the barrels where the human re- mains had been salted down, he made the sign of the cross and the three boys became whole and were restored to their parents.) A courtyard with an open porch at the left where the three boys are rising from the barrels while St. Nicholas stands before them; the parents kneel in the foreground. This is a companion piece to the previous panel, both being parts of the predella of an altarpiece painted in 1433 for the Church of San Niccol6 at Parma. H. 12^^ in. W. 22J in. Tempera on wood. Bulletin, 1916, p. 237, ill. Gift of Francis Kleinberger, 1916. 15 BIDA — BISSCHOP BIDA, Alexander. French; born 1813 at Toulouse; died 1895. Pupil of Delacroix; influenced by Decamps. Painted chiefly oriental life and scenery. B472-1 MASSACRE OF THE MAMELUKES. The Mame- S. W. lukes in elaborate robes, convened on a false pretext Stairway at the gate of the Old Palace at Cairo on May i, i8n, are being shot by the Albanians from the roofs and windows of surrounding buildings. H. 37J in. W. 24! in. Water color. Signed: Bida. Bequest of Catharine Lorillard Wolfe, 1887. BIERSTADT, Albert. American; born 1830 at Solingen, near Diisseldorf, Germany; died 1902 at New York City. Spent his youth at New Bedford, Mass.; pupiFof Les- sing and Achenbach at Dusseldorf. Painted chiefly Western scenery. B473-1 THE ROCKY MOUNTAINS. The picture, according N. E. to H. T. Tuckerman, shows the Windy River range of Stairway snow-capped mountains in Nebraska Territory (now the state of Wyoming). The principal peak is Mt. Lander (now called Fremont Pass) ; the lake in the middle dis- tance is the source of the Rio Colorado; the Indian en- campment in the foreground belonged to the Shoshone tribe. Another authority asserts that the foreground rep- resents Chicago Lakes, Colorado, twelve miles from Idaho Springs. H. 73i in. W. i2of in. Canvas. Signed: A Bierstadt 1863. Bulletin, 1907, p. 109. Purchase, Rogers Fund, 1907. B473-2 MERCED RIVER; YOSEMITE VALLEY. At the left, on the far side of the river, fantastic peaks rise sheer from the water into the clouds; on the bank in the foreground are groups of trees and on a rock over- hanging the river is a group of Indians; a canoe with figures is in midstream. H. 36 in. W. 50 in. Canvas. Signed : A. Bierstadt 1866. Bulletin, 1910, p. 46, ill. Gift of the sons of William Paton, 191 1. BISSCHOP, Christoffel. Dutch; born 1828 at Leeuwarden; died 1904 at his villa near The Hague. Pupil of Schmidt at Delft; Comte and Gleyre at Paris. Genre and por- traits. 16 BISSCHOP — BLACKBURN B541-1 THE SUNBEAM. Interior with enclosed Dutch bed Gallery on which lies a mother who is watching a baby in a- 18 cradle. H.33|in. W. 40I in. Water color. Signed: Bisschop. Purchase, Wolfe Fund, 1895. BLACKBURN, Joseph. American; born about 1700 in Con- necticut; died after 1765. Worked in Boston from 1750 to 1765. Portrait painter. B56-1 THOMAS DERING. (i720-i785;born in Boston, Mass., and was a merchant in Boston.) Head and shoulders; he wears a white wig, gray coat, and blue waistcoat. H. 22I in. W. 171 in. Pastel on canvas. Gift of Sylvester Dering, 19 16. B56-2 MARY SYLVESTER DERING. (1725-1794; born on Gallery Shelter Island, N.Y.; married Thomas Dering in 1756.) 16 Standing figure, seen to the knees; her left hand holds a straw hat and in the right is a shepherd's crook; a lamb is beside her; she wears a dark green dress, pearls are about her neck and in her hair, and a brown scarf floats back of her and hangs over her left arm. H. 495 in. W. 40j\- in. Canvas. Signed: J. Blackburn Pinx. Bulletin, 1916, p. 132; ill. p. 133. Gift of Sylvester Dering, 1916. B56-3 MARGARET SYLVESTER CHEESBOROUGH. Gallery (Born 1719 at Southold, L. I., N. Y.; sister of Mrs. 16 Thomas Dering and wife of David Cheesborough of Newport, R. I.) Standing figure seen to the knees, with her left elbow resting on a parapet; she wears a blue-green dress with violet bows and there is white lace at the throat and elbows. H. 49j in. W. 405 in. Canvas. Signed: J. Blackburn Pinxit 1754. Gift of Sylvester Dering, 1916. B56-51 MARY BROWN GREENLEAF. (1728-1807; daughter of Judge Robert Brown; married William Greenleaf in 1747.) Life-size, standing figure, seen to the knees; her left elbow rests on a balustrade and a landscape forms the background; she wears a low-necked pink dress trim- med with white lace and black ribbons. This and the following canvas have bullet holes which, according to tradition, were made during the Revolutionary War. 17 BLACKBURN — BLAKELOCK H. 50x^ in. W. 40^^ '"• Canvas. Signed: J. Black- burn Pinxit, 1757. Lent by Richard C. Greenleaf, 1913. B56-52 WILLIAM GREENLEAF. (1725-1803; youngest son Gallery of Rev. Daniel Greenleaf [see portrait by Copley]; Sheriff 16 of Suffolk County, 1 775 to 1 780.) Life-size,standing figure, seen to the knees; his right elbow rests on a table and the extended hand holds a letter addressed to Mr. William Greenleaf Mercht. Boston. He wears a white wig, ruffled white shirt, robin's egg blue waistcoat and fawn colored coat and knee breeches; a draped dark green cur- tain forms the background. H. 50J in. W. 40 in. Canvas. Signed: J. Blackburn, Pinxit 1757. Lent by Richard C. Greenleaf, 1913. B56-53 PRISCILLA BROWN GREENLEAF. (Daughter of Judge Robert Brown and wife of W. John Greenleaf.) Life-size, seated figure, seen to the knees; she wears a low- necked white satin dress trimmed with white lace, and a lavender scarf; her left arm rests on a balustrade; a tree trunk is at the left with sunset sky beyond. H. 35} in. W. 28J in. Canvas. Signed: J. Blackburn Pinx. 1756. Lent by Richard C. Greenleaf, 1913. BLAKELOCK, Ralph Albert. American; born 1847 at New York City; died 19 19 near New York City. Landscapes. B58-1 INDIAN ENCAMPMENT. A plain with trees; in the Gallery foreground there are small figures of Indians and horses 13 near a group of tents; a river is in the middle distance. H. 37tV in- W. 40J in. Canvas. Signed: Ralph Albert Blakelock. Gift of George A. Hearn, 1906. B58-2 THE PIPE DANCE. Indians are dancing hand in Gallery hand on a river bank; in the background low hills and 13 trees stand out against a golden sunset sky. H. 48T^in. W. 72T^in. Canvas. Signed: Ralph Al- bert Blakelock. Bulletin, 1909, p. 53, ill. Gift of George A. Hearn, 1909. B58-5 1 SUNSET. A plain with a few trees; the sun is hidden by brilliant golden clouds near the horizon. H.I 5} in. W.24T;Vin. Wood. Signed: R. A. Blakelock. Lent by George A. Hearn, 1913. 18 BLANCHARD — BLOEMEN BLANCHARD, Jacques. French; born 1600 at Paris; died there 1638. Pupil of his uncle, Jerome Nicholas Bollery; went to Lyons in 1620 and spent four years studying with and assisting Horace Le Blanc. B59-1 VENUS AND ADONIS. A nude woman reclines on a Gallery rose and white drapery; beside her is a youth with a red 14 drapery; both are cutting an inscription on a tree trunk. H. 47I in. W. 691 in. Canvas. Gift of George A. Hearn, 1906. BLARENBERGHE, Henri Joseph van. French; born 1741 at Lille; died there 1826. Lived long in Paris and was attached to the court of Louis XVI; after the king's death returned to Lille, opened an art school, and later became curator of the Art Gallery at Lille. B61-1 FETE OF THE TUNNY FISHERS AT MARSEILLES. The boats in the harbor are filled with people; a fortress is on the shore at the left; windmills crown the distant hills. H. 33 in. W. 48 in. Canvas. Purchase, 1871. BLASHFIELD, Edwin Howland. American; born 1848 at New York City; lives in New York City. Pupil of Bonnit in Paris. Mural decorations. B611-1 CARRY ON. The figure of Liberty, holding high the S. E. American flag in her left hand and a drawn sword in her Stairway right, urges on two lines of soldiers to the attack. A screeching eagle flies behind her; strong light from fire in the background. H. 131! in. W. 1095 in. Canvas. Signed: Edwin Howland Blashfield, 19 18. Purchase, Hearn Fund, 19 18. BLOEMEN, Peeter van. Flemish; born 1657 at Antwerp; died there 1720. Traveled in Italy; was made director of Antwerp Academy in 1699 . B62-1 HORSES TAKEN TO WATER. Several men are wading in a stream at the right; a white horse is being ridden into the water and other horses are at the left; in the background is a round building from which smoke arises. H. 16J in. W. 23J in. Canvas. Purchase, 1871. '9 BLUM— BOGGS BLUM, Robert F. American; born 1857 at Cincinnati, O.; died 1903 at New York City. Studied lithography; traveled in Europe and in Japan. Illustrator and mural decorator. B62I-I THE AMEYA. A street in Japan with an itinerant Gallery candy vendor (Ameya), dressed in blue; he is sur- 12 rounded by Japanese women and children, who wear brightly colored kimonos; beyond is a jinrikisha with its bearer seated on the shaft; shops line the far side of the street. H. 27I in. W. 31 in. Canvas. Signed: Blum. Gift of Estate of Alfred Corning Clark, 1904. B621-2 STREET SCENE IN IKAO, JAPAN. A row of open shops; in the foreground is a woman with a baby on her back. H. lof in. W. i2f in. Water Color. Stamped: R. F. Blum. Gift of William J. Baer, 1904. BOGERT, George H. American; bom 1864 at New York City; lives there. Pupil of National Academy of Design, New York; Puvis de Chavannes, Aim6 Morot, and Eugene Boudin in Paris. Landscapes. B632-1 CHALE CHURCH, ISLE OF WIGHT, ENGLAND. Gallery Fields of harvested grain are in the foreground; the 15 church is in the middle distance and beyond is the sea with a line of chalk cliffs at the horizon. H. 28 in. W. 36 in. Canvas. Signed: George Bogert- Chale. Bulletin, 1906, p. 56. Gift of George A. Hearn, 1906. B632-2 OCTOBER MOONLIGHT. Trees and moon reflected Gallery in a river. 13 H. i9j in. W. 30J in. Canvas. Signed: George Bo- gert, 1898. Bulletin, ,1906, p. 56. Gift of George A. Hearn, 1906. BOGGS, Frank M. American; born 1855 at Springfield, O.; lives in Paris. Pupil of £cole des Beaux-Arts and G6r6me. B633-1 ON THE THAMES. Several boats with sails up; in Gallery the background is the city; gray sky and water. 13 H. 385 in. W. 51J in. Canvas. Signed: Boggs London 83. Bulletin, 1909, p. 54, ill. Purchase, Hearn Fund, 1909. 20 BOLDINI — BONHEUR BOLDINI, Giovanni. Italian; born 1844 at Ferrara; lives in Paris. Pupil of Florence Academy. Went to London to paint portraits; settled in Paris in 1872. Portraits and genre. B636-1 GOSSIP- In a room decorated in the Empire style Gallery sit threfe"WDmen in costumes of the period. 18 H. "j^ in. W. 9f in. Wood. Signed: Boldini-/73- Bequest of Catharine Lorillard Wolfe, 1887. B636-2 THE DISPATCH BEARER. A French cavalryman, having pulled up his horse on the sidewalk in front of a porte-cochfere, gives a letter to the porter who has stopped sweeping to receive it. H. 16I in. W. 13J in. Wood. Signed: Boldini. Bequest of Mrs. Martha T. Fiske Collord, in memory of Josiah M. Fiske, 1908. BON DONE. See Giotto di Bondone. BONHEUR, Francois AuGusTE. French; born 1824 at Bordeaux; died 1884 at Bellevue. Son and pupil of Raymond Bonheur and brother of Rosa Bonheur. B64-1 WOODLAND AND CATTLE. A herd of cattle in the shade of a grove of old oak trees; a pool of water is in the middle distance where a white cow is prominent; the cowherd leans against the trunk of a tree at the right. H. 104I in. W. 157-3^ in. Canvas. Signed: Auguste Bonheur. Gift of James Clinch Smith and sister, 1890. BONHEUR, Marie Rosa. French; born 1822 at Bordeaux; died 1899 at her home, the Chiteau-de-By. Pupil of her father, Raymond Bonheur. Founded the Paris Free School for Young Girls in 1858 and was long its di- rector. Painted chiefly animals. B641-1 A LIMIER-BRIQUET HOUND. A brown and white S. W. dog with head and tail erect; landscape background. Stairway H. 14? in. W. 18 in. Canvas. Initialed: R. B. Bequest of Catharine Lorillard Wolfe, 1887. B641-2 WEANING THE CALVES. A mountain pasture with Gallery five calves on one side of a fence and the cow on the 18 other; other cows are coming down the hill on the right. H. 25|in. W. 32 in. Canvas. Signed: Rosa Bon- heur- 1879. Bequest of Catharine Lorillard Wolfe, 1887. 21 B64I-3 Gallery 19 BONHEUR — BONNAT THE HORSE FAIR. Heavy white and sorrel Perche- ron horses are being led or ridden bareback by men who wear blue blouses. H.geiin. W. 199-1^ in. Canvas. Signed: Rosa Bonheur 1853-5. Gift of Cornelius Vanderbilt, 1887. BONI, JVlicHELE Giovanni. See Giambono. ^ BONINGTON, Richard Parkes. British (English); born 1801 at Arnold, near Nottingham; died 1828 at London. Pupil of ficole des Beaux-Arts under Baron Gros. Made frequent journeys to London to study the works of Constable. Landscapes and genre. B643-1 SEA COAST. The beach at Ibw tide with shallow Gallery water inside a sand bar; groups of fishermen and women 24 are at right and left. H. 16J in. W. 23I in. Cartvas. Gift of Henry G. Marquand, 1888. B643-2 COAST SCENE, NORMANDY. A beach on which Gallery men and women are selling and buying fish; to the 14 right, in the shallow water, are two horses attached to a heavy wagon with a canvas cover; sail-boats are drawn up on the beach in the distance at the left. H. 32 in. W. 481^ in. Canvas. Gift of George A. Hearn, 1896. B643-3 MANTES ON THE SEINE. The river with the Gallery towers of Mantes cathedral in the distance; two peasants 24 are seated in the foreground on a point of land. H. 15 in. W. 20J in. Canvas. Bulletin, 191 5, p. 88. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 19 15. BONNAT, Leon. French; born 1833 at Bayonne; lives in Paris and Rome. Pupil of Federico de Madrazo in Madrid; Uon Cogniet in Paris. Lived several years in Italy; traveled in the Orient. Director French Academy in Rome. Chiefly portraits. B644-1 JOHN TAYLOR JOHNSTON. (182&-1893; first pres- ident of the Museum, 1870 to 1889.) Life-size, seated figure, seen to below the knees. H. 54J in. W. 43 in. Canvas. Signed: L" Bonnat — 1880. Gift of the Trustees, 1880. 22 BONNAT — BORRASSA B644-2 EGYPTIAN FELLAH WOMAN AND CHILD. Life- Gallery size, almost full-length figure of a woman, carrying a 17 nude sleeping child on her shoulder; the Suez Canal is indicated in the background. H. 73i in. W. 41J in. Canvas. Signed: LI Bonnat. Bequest of Catharine Lorillard Wolfe, 1887. B644-3 ROMAN GIRL AT A FOUNTAIN. Gallery H. 67in. W. 39^ in. Canvas. Signed: L"} Bonnat-75. 17 Bequest of Catharine Lorillard Wolfe, 1887. B644-4 HEBER R. BISHOP. (1840-1902; New York mer- Gallery chant, financier, and collector. He gave to the Museum 4 his collection of jades.) Life-size, seated figure, seen to the knees. H. 45 J in. W. 285 in. Canvas. Signed: L"} Bonnat 1904. Gift of the Executors of the Estate of Mary C. Bishop, 1905. B644-51 AN ARAB PLUCKING A THORN FROM HIS FOOT. He wears a red robe and yellow turban. H. 54i in. W. 405 in. Canvas. Signed: L"} Bonnat. Lent by George W. Vanderbilt, 1902. BONVICINO, Alessandro. See Moretto da Brescia. BONVIN, Franqois. French; born 1817; died 1888. B645-1 A WOMAN READING. (Copy after the picture by Pieter de Hooch in the Munich Gallery.) H. 5^^ in. W. 4-3*^ in. Water color. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. BORRASSA, Luis (?). Spanish (Catalonian) ; worked 1390 to 1434. B647-1 Gallery 33 ALTARPIECE DEDICATED TO SAINT ANDREW. Numerous panels with gold ground in "an architectural setting. St. Andrew is seated in the center. In the panel above, the Madonna is enthroned with the Child on her lap; St. Catherine and Mary Magdalen are seated at her feet; two singing angels are at the right and at the left an angel is playing the harp. The upper left panel depicts the calling of St. Andrew; below, he is a witness to the wicked mother being killed by fire from heaven. In the lower right panel, the Saint witnesses a bishop being tempted by the devil in the form of a beautiful woman; above, St. Andrew 23 BORRASSA — BOTH is being bound to the cross. In the uprights separating the principal panels are eight small, single, full-length figures of holy men. The predella is divided into seven panels but the right-hand one is missing. The sub- jects beginning at the left are St. Andrew and the woman who prayed to Diana on behalf of her sister; the woman brings St. Andrew to her sister; St. Andrew drives away the demons in the form of dogs; the dead Christ, upheld by angels, stands in the tomb; St. Andrew raises the dead youth who has been strangled; and St. Andrew brings to life the four drowned men. H. 123J in. W. 1233^ in. (overall). Tempera on wood. Bulletin, 1907, p. 77, ill. Purchase, Rogers Fund, 1906. BOSCH, HiERONYMUs; also known as Hieronymus van Aeken, and also Heronimus Bos. Flemish; born about 1462 at Bois-le-Duc; died there in 1516. B65-1 ADORATION OF THE KINGS. The Virgin, wearing a Gallery dark blue robe, is seated in a ruined courtyard and holds 34 the nude Child on her lap ; in the foreground, at the right are the three kings bearing gifts while Joseph, wearing a green robe, kneels at the left; beyond, the ox and the ass are seen within a tower at the left, and at the right, two shepherds look through a window while one of them warms his hands at a fire within the court.; four child angels hold a green canopy above the Virgin; landscape background with Jerusalem at the left, a lake and castle at the right, and numerous figures in the middle distance. H. 28 in. W. 22J in. Wood. Bulletin, 1913, p. 130, ill. Purchase, Kennedy Fund, 1912. BOTH, Jan and Andries. Dutch; Jan born about 1610 at Utrecht; died there 1652. Andries born about . 1609; died at Venice, probably in 1650. Pupils of Abraham Bloemart at Utrecht; influenced by Claude Lorraine. Jan was a landscape painter; the brother, Andries, often added the figures. B651-1 ITALIAN LANDSCAPE. A rocky road with a group Gallery of trees in the center of the picture and one large oak 26 at the right; two horsemen and several figures on foot are on a roadway at the left; hilly country beyond. H. 50^1 in. W. 631 in. Canvas. Signed: Both fc 1640. Purchase, 1871. 24 BOTTICELLI BOTTICELLI; real name Sandro Filipepi. Italian (Florentine); born 1447 or a few years earlier, at Florence; died there 1 5 10. Apprenticed to a goldsmith, then studied painting with Fra Filippo Lippi and worked as assistant to Antonio and Piero PoUaiuolo. Called to Rome in 1481 by Pope Sixtus IV and executed frescoes in the Sistine Chapel. B652-1 THREE MIRACLES OF SAINT ZENOBIUS. (334- Gallery 424; Zenobius was a wealthy Florentine who devoted 30 his life to the Church and became bishop of Florence.) An open square in the city; at the left the Saint is stop- ped by a funeral procession and brings the body back to life. In the center the Saint, while on a journey, meets a party bringing relics of a martyr; the leader having fallen and been crushed to death is restored by the Saint. The story told at the right is in three scenes: St. Eugenius, while gravely ill, hears that a relative has died without receiving the last sacrament; St. Zenobius therefore takes blessed water and salt to the bedroom of St. Eugenius, who rises from his sick bed, crosses the square, and in the foreground is seen sprinkling the holy water over his relative who revives. There are three other panels of this series; two are in the IVlond Collection in London and one in the Dresden Gal- lery. These panels were probably intended to decorate a chest containing clerical vestments in some church dedicated to St. Zenobius. H. 26j in. W. 59I in. Tempera on wood. Bulletin, 191 1, p. 185, ill. Purchase, Kennedy Fund, 191 1. B652-2 THE LAST COMMUNION OF SAINT JEROME. A Gallery cell built of reeds with the Saint's bed, above which 37 hang a crucifix, palms, and a cardinal's hat; in the fore- ground St. Jerome, supported by two monks, kneels at the right and receives the last communion from a priest who wears a rose-colored chasuble and blue stole; two acolJtes stand at the left holding candles. Painted for Francesco di Filippo Del Pugliese of Florence, who . mentioned this picture in his will dated 28th February, 1502-3. H. 13I in. W. lOy^ in. Tempera on wood. Bulletin, 1915, pp. 52, 72, loi; ill. Bequest of Benjamin Altman, 1913. 25 BOTTICINI — BOUCHER BOTTICINI, Francesco. Italian (Florentine); born 1446 at Florence; died there 1497. Pupil of Neri di Bicci; influenced by Cosimo RosselH, Verrocchio, and Botticelli. B653-1 a. TOBIAS AND THE ANGEL. Three predella panels. Gallery Tobias, wearing a blue doublet and red stockings, kneels 30 at the right near the seashore, and takes out the fish's heart, liver, and gall; at the left stands the angel, who wears a yellow robe and red cloak lined with green; nearby is a white poodle; in the distance is the city of Florence; blue mountains follow the line of the seashore. H. 6f in. W. i6i\ in. Tempera on wood. B653-I b. THE MARRIAGE OF THE VIRGIN. Mary, in a Gallery red robe and blue cloak lined with green, stands at the 30 right; opposite her is Joseph, who wears a blue robe and a yellow cloak lined with green; back of them is the high priest who stands in front of an altar; three women are at the right and at the left are the four disappointed suitors, one of whom raises his hand to strike Joseph and another breaks his staff; the background at each side consists of a colonnade with a view of distant hills. H. 6t:t in. W. i6f in. Tempera on wood. B653-1 c. THE BURIAL OF ST. ZENOBIUS. The body lies Gallery on a red-covered stretcher .and is being carried through a 30 city street on the shoulders of four prelates who wear white robes, green cloaks, and white and gold mitres; two aco- lytes precede them and four citizens follow the bier; the Baptistery and Campanile of Florence are in the back- ground; in the immediate foreground is the dead tree which burst into leaf at the touch of the Saint's body. H. 6-j^ in. W. i6/^in. Tempera on wood. Bulletin, 1913, p.214, ill. Purchase, Leland Fund, 191 3. BOUCHER, pRANfois. French; born 1703 at Paris; died there 1770. Pupil of his father, a designer of embroideries, and of Le Moine; traveled in Italy. Decorative subjects; de- signed Beauvais tapestries. B66-1 PORTRAIT OF A LADY. Bust of a large-eyed, red- Gallery lipped young lady with powdered hair and blue ribbons, 20 a low-cut white satin dress, and a blue shawl; gray back- ground. H. 19 in. W. I4i in. Canvas. 26 BOUCHER — BOUGHTON Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 191 7. School of Boucher. B66S-1 THE RESCUE OF ARION FROM THE WAVES. Gallery (The picture illustrates a legend according to which the 20 Greek poet, Arion, while returning home from a musical contest in Sicily where he had been a victor, was ship- wrecked; he was saved by dolphins who were attracted by his music.) Arion, with a red drapery about him, playing his lyre, is seated on the back of a dolphin; mermaids and mermen surround him; beyond at the left is the prow of a burning ship. H. 455 in. W. 525 in. Canvas. Signed: F. Boucher, but not supposed to be by this master; Gift of L6on Gauchez, 1875. BOUDIN, Eugene. French; born 1824 at Honfleur; died 1898 at Deauville. Pupil of Troyon. B661-1 ON THE BEACH AT TROUVILLE. A sandy beach with people in costumes of the middle of the nineteenth century; to the right is the sea with bathers and a bath- house on wheels drawn by a horse. H. 10 in. W. 18 in. Canvas. Signed: E Boudin-63. Bequest of Mrs. Amelia B. Lazarus, 1907. BOUGHTON, George H. British-American; born 1833 in England; died 1905 at London. Educated in Albany, N. Y.; lived in New York City till 1861, when he set- tled in London. B662-1 A PURITAN GIRL. Three-quarter-length figure, Gallery standing in a field and holding wild flowers; her costume 18 is that of New England in the early seventeenth cen- tury. H. I5x\ in. ^. ii| in. Wood. Signed: G. H. Boughton. Bequest of Catharine Lorillard Wolfe, 1887. B662-2 EDICT OF WILLIAM THE TESTY. (A situation from the Knickerbocker History of New Amsterdam by Washington Irving.) The burghers, grouped in an open square, are protesting by clouds of tobacco smoke against their Governor's decree forbidding tobacco smoking. The Governor and his wife stand in the doorway of their house at the right. H. 22J in. W. 32I in. Canvas mounted on wood. 27 BOUGHTON — BOYERMANS Signed: G. H. Boughton. Bulletin, 1908, p. 199 ill. Bequest of Mrs. Martha T. Fiske Collord in memory of Josiah M. Fiske, 1908. B662-3 THE TWO FAREWELLS; also called Autumn— De- parture of the Swallows. A stubbly field near the sea with two women; one, in mourning, is seated on a rock; the other, in a white dress, stands back of her and holds her hand. This picture is one of a series of three; the smaller side panels depict respectively Spring and Winter. Inscribed on the back: The Flight of the Birds, Summer is gone on Swallows Wings. Painted by Geo. H. Boughton, Grove Lodge, Palace Gardens Terrace, Ken- sington, W. H.48-f^in.. W;6oJin. Canvas. Signed: G. H. Bough- ton 1872. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. BOUGUEREAU, William Adolphe. French; born 1825 at La Rochelle; died there 1905. Pupil of Picot and Ecole des Beaux-Arts in Paris, where he lived the greater part of his life. B663-1 THE TWO SISTERS. A Brittany peasant girl is Gallery seated in an orchard and holds upon her lap a child 18 who has a red apple in each hand. H. 51 in. W. 35t^ in. Canvas. Signed: W. Bovgve- REAV 1871, Bequest of Catharine Lorillard Wolfe, 1887. BOUTS, Dirk; known also as Dirk or Tierry van Haarlem and as Dierick de Louvain. Flemish; born about 1410 at Haarlem (?); died 1475 at Louvain. Influenced by Jan Van Eyck and by Roger van der Weyden. Appointed official portrait painter of the city of Louvain in 1464. Also painted religious subjects. B666-2 PORTRAIT OF A MAN. Head and shoulders of a Gallery middle-aged man with his fingers joined as if in prayer; 37 he wears a high purple cap and a gray doublet fastened close at the neck, with an edge of the fur lining showing against a brown collar. H. 12 in. W. 8| in. Wood. Bequest of Benjamin Altman, 1913. BOYERMANS, Theodor. Flemish; born 1620 at Antwerp; died there 1677. Pupil of Van Dyck. 28 BOYERMANS — BRETON B70-1 CHRIST EXPIRING ON THE CROSS. The single figure is outlined against a dark, stormy sky. H. 43I in. W. 33i in. Wood. Purchase, 1871. B RAM ANTING; real name Bartolommeo Suardi. Italian (Milanese); born about 1450 to 1455 in the Milanese district; died about 1530. He is supposed to have been a pupil of Vincenzo Foppa and assistant to Bramante in Milan. B73-1-12 Twelve panels, each a single head, bust length; the majority are in profile; the background of each consists of an archway from which hangs a swag of green foliage. These panels were originally part of a frieze in the palace of San Martino di Guznago near Mantua and have generally been considered as the work of Bramantino. Each: H. 18 in. W. 18 in. Tempera on Wood. Bul- letin, 1905, p. 14, ill. Purchase, Rogers Fund, 1905. B73-13 VIRGIN AND CHILD. An open courtyard with Gallery the Madonna seen to the knees back of a ledge on which 30 the nude Child stands; the Madonna wears a red robe and a blue cloak lined with green; an apple is in her right hand, and a pot of red carnations is on the ledge in the immediate foreground at the right; in the back- ground buildings close one side of the hollow square court while at the left is a hedge. H. 13J in. W. 1 1 -^ in. Tempera on wood. Purchase, Kennedy Fund, 1912. BRAMER, Leonard. Dutch; born 1595 at Delft; died there 1674. Traveled in his youth in France and Italy. B731-1 JUDGMENT OF SOLOMON. An open court with the king seated on a high throne at the right; before him a man prepares to divide the child between the two kneeling mothers; beyond are groups of people and two men stand in the immediate foreground at the right. H. 31I in. W. 40I in. Canvas. Signed: L. Bramer. Gift of National Surety Company, 191 1. BRETON, Jules. French; born 1827 at Courriferes; died 1906 at Paris. Pupil of Felix de Vigneat Ghent; Wappers at Antwerp; Ecole des Beaux-Arts at Paris under Drolling. 29 BRETON — BRITISH SCHOOL B751-1 PEASANT GIRL KNITTING. She is seated on the Gallery bent trunk of an apple tree. 18 H. 225 in. W. 185 in. Canvas. Signed: Jules Breton. Bequest of Catharine Lorillard Wolfe, 1887. B751-3 RELIGIOUS PROCESSION IN BRITTANY. (A Gallery festival such as here depicted is held once a year at 17 Kergoat near Douarnenez and Quimper.) The public square of the village is crowded with women and children who carry lighted tapers; a procession of men, bareheaded and carrying lighted torches, emerges from the porch of the church at the right. H. 53} in. W. 73 in. Canvas. Signed: Jules Breton- 1869. Bequest of Catharine Lorillard Wolfe, 1887. BRION, GusTAVE. French; born 1834. at Rothau; died 1877 at Paris. Pupil of Gabriel Gu^rin at Strasburg. B77-1 RETURN FROM THE CHRISTENING. A church Gallery porch with the christening party coming out and dis- 18 tributing alms. H. 44i in. W. 635 in. Canvas. Signed: G. Brion 74 Bequest 01 Catharine Lorillard Wolfe, 1887. BRITISH SCHOOL. Br77S-i THE MILLS. In the foreground is a stream which winds under several bridges; beyond are an old red building and a level plain with windmills against the horizon; the general tone is a golden brown. Formerly attributed to Rembrandt and called at one time Canal in Holland. Probably British, end of eighteenth century. H. 27 in. W. 23 in. Canvas. Gift of Henry G. Marquand, 1890. Br77S-4 PORTRAIT OF A MAN. Life-size figure, seen to the Wing F waist, standing at the right of a table and holding a Gallery portfolio; he wears a long curled white wig; a bookcase 20 forms the background; there is a coat of arms in the upper left corner. H. 38J in. W. 32J in. Canvas. Bulletin, 1909, p. 10. Gift of Mrs. Wheeler Smith, 1908. Br77S-5 MARY, QUEEN OF SCOTS. WITH HER SON, JAMES VI (Afterwards James I of England). Known as the DuflF-Ogilvie portrait. The Queen wears a dark dress with a white neck ruff and a gold chain; she is 30 BRITISH SCHOOL— BROWN seen back of a red covered table on which stands the child; he is dressed in a long dark robe embroidered in stripes, and his cap is similarly embroidered. H. 85 in. W. 7f in. Slate or black marble. Gift of J. Pierpont Morgan, 1917. Br77S-6 LADY JANE GREY (?). Half life-size, seen to the waist, full-front; she wears a black dress high at the neck with a white ruff at neck and wrists, a black cap which shows her light brown hair, and a double string of pearls knotted about the neck and falling straight from the knot. In her hands she holds an undetermined leather article and there is a sapphire ring on her right forefinger; gray background. Probably sixteenth century. H. 12I in. W. 9 in. Wood. Gift of J. Pierpont Morgan, 1917. BRONZING; real name Agnolo di Cosimo di Mariano. Italian (Florentine); born 1502 (?) at Monticelli, near Florence; died 1572 at Florence. Studied with Raffaellino del Garbo and later with Pontormo whom he assisted; in- fluenced by Michaelangelo. Portraits and mural deco- rations. B78-1 COSIMO DE' MEDICI. (1519-1574; first grand duke Gallery of Tuscany.) Life-size, standing figure, seen to below 29 the waist; he is dressed in armor; his right hand rests on his casque that lies on a table at the right. Inscribed on armor of his right elbow: C M H. 38! in. W. 37I in. Wood. Bulletin, 1909, p. 69, ill. Purchase, Rogers Fund, 1909. BROWN, George Loring. American; born 1814 at Boston; died there 1889. Pupil of Washington Allston; of Isabey in Paris. Painted in Antwerp, Florence, Rome, and London. B8i-i VIEW AT AMALFI. The Bay of Salerno with fishing Gallery boats in the sunlight; a stony beach is in the foreground; 16 white buildings are at the base of the cliffs that follow the curve of the shore at the right. H. 33j in. W. 53! in. Canvas. Signed: G. L. Brown, Rome 1857. Gift of William Church Osborn, 1903. BROWN, J. G. American; born 1831 at Durham, England; died 1913 in New York City. Pupil of William B. Scott at Newcastle-on-Tyne in England; School of the Royal 31 BROWN — BRUEGEL Academy at Edinburgh; National Academy of Design under Thomas S. Cummings at New York. Genre. B8ri-i MEDITATION. A Catskill farmer's daughter is Gallery seated in a rocking-chair in a country kitchen. 13 H. 30 in. W. 25 in. Canvas. Signed: J. G. Brown, N. A. Purchase, Hearn Fund, 1909. BROWN, John Lewis. French; born 1839 at Bordeaux; died 1890 at Paris. Pupil of Roqueplan and of Belloc. Painted military and hunting scenes; also engraver. B812-1 FOX HUNTERS. Open country with horsemen in Gallery scarlet and yellow jackets preceded by a pack of hounds. 17 H. 5} in. W. 4I in. Wood. Signed: J. L. Brown. 1866. Bequest of Catharine Lorillard Wolfe, 1887. BROZIK, Vacslav VON. Bohemian; born 185 1 at Tremoschna, near Pilsen; died 1901 at Paris. Studied at the Acad- emies of Prague, Dresden, and Munich under Piloty and Munkdcsy; went to Paris in 1876. B821-1 CHRISTOPHER COLUMBUS AT THE COURT OF FERDINAND THE CATHOLIC AND ISABELLA OF CASTILE. A room in the palace is crowded with courtiers; the King and Queen of Spain are about to sign the contiact with Columbus, April 17, 1492, which made possible his journey and the discovery of the New World. H. i58jin. W. 225jin. Canvas. Signed: Brozik 1884. Gift of Morris K. Jesup, 1886. BRUEGEL, Jan the Elder; called Fluweelen or Velvet Bruegel. Flemish; born 1568 at Brussels; died 1625 at Antwerp. Son of Pieter Bruegel the Elder; the family name was sometimes signed Breughel. Pupil of Peter Goetkint at Antwerp, where he settled in 1596 after a visit to Italy. Landscapes. B83-1 THE HILL. On a roadway which leads over a hill Gallery are a cart, horsemen, peasants, and cows; at the right 27 is a valley with a stream and villages. H. 7 J in. W. io| in. Copper. Purchase, 1871. B83-2 THE WINDMILL. A mill is on a slight elevation at Gallery the left; small figures are in the foreground; in the 26 distance are formal woods and villages. 32 BRUEGEL— BRUSH H. 75 in. W. lof in. Copper. Purchase, 1877. BRUEGEL, Jan, the Younger. Flemish; born i6oi at Antwerp; died after 1677. Pupil of his father, Jan the Elder. B831-1 A FLEMISH VILLAGE. A town on the bank of a river; Gallery in the foreground at the right is a road with people; 27 at the left the river, with trees on the far bank, extends to the horizon. H.9|in. W. laf in. Wood. Purchase, 1871. BRUEGEL, PiETER, THE Younger; called Hell Bruegel. Flem- ish; born 1564 at Antwerp; died there i€38. Pupil of 'his father, Pieter Bruegel the Elder, and of Gilles van Goninxloo.^ B832-1 GAMBLERS QUARRELING. (Rixe de Jeu entre Gallery Paysans.) Peasants fighting out of doors after a game 27 of cards; a flail and a pitchfork are being used by the two combatants while two other men and two women try to separate them; at the lef^t a man approaches over a bridge; in the background at the tight peasants are dancing in a village street. This is one of several copies, with dif- ferences, made by Pieter Sruegel the Younger from a lost painting by Pieter Bruegel the Elder. H.aSJin. W.4oiin. Wood. Signed: P. BREVGHEL. 1619. Purchase, 1871. BRUGES MASTER OF THE LEGEND OF SAINT URSULA. Flemish; late fifteenth century. A disciple of Memling who lived at Bruges between 1470 and 1490. So called from his series of pictures in the cloister of the Black Sisters at Bruges. B833-1 MADONNA AND CHILD. The Madonna, seated. Gallery is seen to the knees against a gold niche; she prepares 34 to suckle the nude Child. H. 22I in. W. i3|in. Wood. Bulletin, 1909, p. 154. Gift of J. Pierpont Morgan, 1917. BRUSH, George De Forest. American; born 1855 at Shelbyville, Tenn.; lives in New York City. Pupil of G^r6me in Paris. 33 BRUSH — BUNCE B834-1 IN THE GARDEN. Full-length figures of a mother Gallery and two children standing in a garden; the mother's 13 dress is reddish brown, and dark green drapery falls about the younger child, who is held in her left arm; the boy, who clings to her right arm, is dressed in olive-green. H. 37 in. W. 16J in. Canvas. Signed: George De Forest Brush 1906. Bulletin, 1907, p. 24, ill. Gift of George A. Hearn, 1906. B834-2 HENRY GEORGE. (1839-1897; founder of the single N. E. tax party; author of Progress and Poverty.) Life-size, Stairway full-length figure seated in an arm-chair; his legs are crossed, his left hand rests in his lap, and the right is on the arm of the chair; green carpet; brown wall with one picture. H. 64 in. W. 45^f in. Canvas. Signed: Geo. de For- est Brush 1893. Repainted 1903. Bulletin, 1914, p. 75, ill. Bequest of August Lewis, 1914. BUGIARDINI, GiuLiANO. Italian (Florentine); born 1475 at Florence; died there 1554. Pupil of Piero di Cosimo; influenced by Perugino, Francia, and Franciabigio; was- assistant to Albertinelli and in 1 508 was employed by Michaelangelo in the Sistine Chapel at Rome. B86-1 VIRGIN AND CHILD WITH INFANT ST. JOHN. The Virgin is seated on a marble bench and holds on her knee the nude Child; the head and. shoulders of the adoring infant St. John are in the foreground at the right. H. 23 in. W. i&^ in. Wood. Purchase, Rogers Fund, 1906. BUNCE, W. Gedney. American; born 1840 at Hartford, Conn.; died there, 1916. Pupil of Cooper Union Schools and William Hart in New York, Achenbach in Munich, and Clays in Antwerp. Painted chiefly Venetian scenes. B88-1 MORNING VIEW IN VENICE. To the right, boats Gallery with sails; to the left, a buoy with signal shaft; low hori- 13 zon and the sky reflected in the water. H.35|in. W-55iin. Canvas. Signed: Gedney Bunce. Purchase, Hearn Fuhd, 1907. B88-2 EARLY MORNING; VENICE. Boats with orange Gallery sails are at the left near a point of land with trees; 13 other boats are in the distance. 34 BUNCE — BUONAVENTURA H. i2| in. W. i6J in. Wood. Bulletin, 1909^ p. 1 16, ill. Gift of George A. Hearn, 1909. B88-3 STUDIO OF F. D. MILLET AT EAST BRIDGE- WATER, MASS. (See Millet.) A low building in the middle distance at .the right, is partly hidden by a maple with yellow foliage and by other trees. H. 13J in. W. lo^ in. Wood. Signed: W. G. Bunce. Gift of the artist, 1912. BUNKER, Dennis M. American; born 1861 at NeW York City; died 1890 at Boston. Pupil of National Academy of Design in New York; Hubert and GdrSme in Paris. B881-1 THE ARTIST'S WIFE. Life-size portrait, seen almost Gallery to the waist ; she has light brown hair with a crown of 12 leaves; blue-black gown. H. 23 J in. W. 21 in. Canvas. Gift of several gentlemen, 1893. BUONAVENTURA, Segna Di. Italian (Sienese). A follower of Duccio di Buoninsegna; active in the early years of the fourteenth century. In 1305-06 he made a painting for the Biccherna, or Treasury Office. B882-1 VIRGIN AND CHILD ENTHRONED, WITH Gallery SCENES FROM THE PASSION. Triptych with the 33 Virgin and Child in the center. She wears a red robe and a black mantle. The Child is in brown. Angels and saints are on either side of her throne; the saints being — at left, Paul (brown mantle over blue robe), John the Baptist (red cloak); at right, Peter (green and black), John the Evangelist (blue cloak over red robe). Below are half-length figures of Saints Nicholas, Francis, Dominic, and Catherine. On the left-hand shutter are three scenes, The Betrayal, The Scourging of Christ, The Carrying of the Cross. On the right-hand shutter, two scenes. The Crucifixion and the Pietk. The background is gold and the predominant colors are red and black. The compositions are borrowed from the altarpiece of the Cathedral of Siena finished by Duccio in 1308. Center, H. 305 in. W. i6| in.; right, H. 305 in. W. Sj in.; left, H. 30! in. W. 8J in. Tempera on wood. Bulletin, 1919, p. 6, ill. Purchase, Rogers Fund, 1918. 35 BURROUGHS— BUTLER BURROUGHS, Bryson. American; bom 1869. Pupil of Art Students' League and Luc Olivier Merson. B94-1 CONSOLATION OF ARIADNE. Ariadne, in a black Galtery gown, and Bacchus are seated on rocks above a beach. 15 In the background the followers of Bacchus disport themselves: the boat of Theseus sails away at the right. H. 3oin. W.36in. Canvas. S^ned: BiRYSON BUR- ROUGHS, 1915- Purchase Heam Fund 1918. BUTINONE, Bernardino; real name Bernardino Jacopi. Italian (Lombard); born before 1436 at Treviglio; died after 1 507. Influenced by Mant«gna and by Vincenzo Foppa, whose pupil he is supposed to have been; many of his works were done with Bernardino Zenale. B97-1 SAINT JOHN THE EVANGELIST AND SAINT LAWRENCE. FuU-lengtJa, standing figures. St. John, in a dark green tunic and red cloak, holds in his right hand a chalice and in his left an open book inscribed: IN PRICIPIO ERAT VERBVM ET VERBVM ERAT. At his feet an eagle stands on two books. St. Lawrence, in a deacon's vestment, consisting of a white alb and a dal- matic of cloth-of-gold, carries the palm branch of martyr- dom and the gridiron. The panel is apparently the right-hand shutter of a triptych. It has been ascribed to Macrino d'Alba, Defendente Deferrari, and others. H. 48^ in. W. 19I in. Tempera on wood. B;illetin, 191 5, p. 152, ill. Purchase, Rogers Fund, 191 5. BUTLER, George Bernard. American; born 1838 at New York City; died 1907 at Croton Falls, N. Y. B971-1 THE GRAY SHAWL. Life-size figure of a young Gallery woman, standing in front of a gray wall with her hands 16 folded over a gray and red plaid shawl. H. 58 in. W. 32 in. Canvas. Gift of Henry P. Butler, 1913. 36 GABANEL, Alexandre. French; born 1823^ at Montpellier; died, 1889, at Paris. Pupil of Picot at fecole des Beaux- Arts in Paris. Figure subjects. Cii-i CATHARINE LORILLARD WOLFE. (Born 1828 Gallery at New York City; died there 1887. She bequeathed to 1 7 the Museum her collection of paintings with- a fund for its maintenance and increase.) Life-size, nearly full-length, standing; she is dressed in white satin trimmed with fur. H. 67J in. W. 43J in. Canvas. Signed: Alex. Cabanel- 1876. Bequest of Catharine Lorillard Wolfe, 1887. Cii-2 THE SHULAMITE. Life-size figure of a woman, seated S. W. on a blue rug; she wears a diaphanous white drapery and Stairway an orange scarf; an inner court, with columns having Egyptian decorations, forms the background, H. 561 in. W. 42I in. Canvas. Signed: Alex CABANEL-1875. Bequest of Catharine Lorillard Wolfe, 1887. Ci 1-3 BIRTH OF VENUS. Life-size, full-length, nude female figure, lying on the sea; five Loves hover above her. Cabanel painted this subject several times; the first version is in the Luxembourg Gallery in Paris; the Museum picture is a little smaller and was painted to Mr. Wolfe's order; a still smaller replica is in the Gibson Collection of the Pennsylvania Academy of the Fine Arts, Philadelphia. H. 4ii in. W. 71I in. Canvas. Signed: Alex. CABANEL-1875. Gift of John Wolfe, 1893. CALIARI, Carlo. Italian (Venetian); born 1570 at Venice; died there 1596. Pupil of his father, Paolo Caliari (Veronese), and of Jacopo Bassano. 37 CALIARI — CANALETTO Ci2-i ALLEGORICAL FIGURES. Two women, one seated Gallery on a stone bench with her back toward the spectator, 29 the other holding a gold vase in her raised right hand and a silver one in her skirt. H. 4of in. W. 30 in. Canvas. Bulletin, 1906, p. 74. Gift of Louis R. Ehrich, 1906. CALIARI, Paolo. See Veronese. CALLCOTT, Sir Augustus Wall. British (English); bom 1779 at Kensington, London; died there 1844. Pupil of Hoppner; visited Italy and was influenced by the work of Claude Lorraine. At first painted portraits; later only landscapes. C13-1 LANDSCAPE. A country road leading past a group Gallery of low, thatched cottages; in the foreground two men lie 14 across the footpath. H. 28 in. W. 36 in. Canvas. Gift of George A. Hearn, 1896. CAMERON, D. Y. British (English); born 1865. Pupil of Glas- gow Art School and Edinburgh School of Art. Etcher and painter of landscapes. C14-1 SUNRISE ON BADENOCK HILLS. A river or lake Gallery in the foreground, with a mountain beyond, behind which 19 th^ sun has set. H.27|in. W. 40T^in. Canvas. Signed: D.Y.Cameron. Purchase, The Harris Brisbane Dick Fund, 1917. CAMPIN, Robert. See iVlattre de Fl£maIIe. CANALETTO; real name Antonio Canale. Italian (Venetian); born 1697 at Venice; died there 1768. Pupil of his father, Bernardo Canale, a scene painter, and of Luca Carlevaris of Udine. Painted chiefly views of Venice. C16-1 SCENE IN VENICE; THE PIAZZETTA. Entrance Gallery to the Grand Canal; in the foreground is the Piazzetta 29 with groups of people, the column of St. Theodore, and a corner of the library of St. Mark; the Molo, Dogana, and Santa Maria della Salute are seen across the Grand Canal. H. 5 if in. W. sil in. Canvas. Bulletin, 191 1, p. 13, ill. Purchase, Kennedy Fund, 19 10. 38 CANALETTO — CARPACCIO C16-51 GRAND CANAL, VENICE. The Church of Santa Gallery Maria della Salute is in the foreground at- the right. 29 H. 28I in. ' W. 44J in. Canvas. Lent by Mrs. Herbert L. Satterlee, 1916. CAPPELLE, Jan van de. Dutch, born 1624 or 1625 at Amster- dam; buried there 1679. Probably pupil of Simon de Vlieger. Marines. C17-1 MOUTH OF THE SCHELDT. Calm water with Gallery numerous vessels; a galleon is in the middle distance 26 and near it a rowboat filled with men. H. 27i\ in. W. 36! in. Wood. Signed: J V Cappel- (le?) Bulletin, 1912, p. 76, ill. Purchase, Leland Fund, 191 2. CARIANI; real name Giovanni de' Busi. Italian (Venetian); born about 1485; died after 1547. Is supposed to have been a pupil of Palma Vecchio. C181-1 RAPE OF HELEN. Paris holds Helen in his arms carrying her toward the ship which is anchored at the right; his companions in armor are attacking the by- standers, some of whom are moving away at the left; landscape background. H. 44tV in. W. 1 1 i^f in. Canvas. Purchase, Rogers Fund, 19 12. CARLSEN, Emil. American; born 1853 at Copenhagen, Den- mark; came to the United States in 1872; lives in New York City. Studied architecture at Danish Royal Academy; chiefly self-taught. Marines and still life. C19-1 STILL LIFE. A grayish basket with a white cloth Gallery hanging over the edge; a fish, lies in front of the basket 12 and clams are at the right. H. 34^ in. W. 38^^ in. Canvas. Signed: Emil Carlsen. Gift of William A. Read, 1905. C19-2 THE OPEN SEA. Blue, white-capped waves; wide ex- Gallery panse of cloudy sky. 15 H. 47I in. W. 57J in. Canvas. Signed: Emil Carlsen. 1909. Gift of George A. Hearn, 1510. CARPACCIO, ViTTORE. Italian (Venetian); born probably in 1455 at Venice or Istria; died shortly before 1527. Pupil of Lazzaro Bastiani; follower of Gentile Bellini. 39 CARPACCIO — CASSATT C22-1 MEDITATION ON THE PASSION. The dead body Gallery of Christ reclines on a ruined marble throne of Renais- 30 sance workmanship; at each side sits an emaciated, scantily clothed old man, perhaps St. Onuphrius, the one to the left being St. Jerome. Landscape background with animals; in the distance there is a town on the bank of a river at the foot of a cultivated hill. H. 27J in. W. 34J in. Wood. Inscribed 'with a false signature: ANDREAS MANTINEA F. Bulletin, 191 1, p. 191, ill. Purchase, Kennedy Fund, 191 1. CASILEAR, John W. American; born 181 1 at New York City; died 1893 at Saratoga, N. Y. Began life as a bank- note engraver; studied in Europe in 1840 and in 1857. . Landscapes. C26-1 DISTANT VIEW OF THE CATSKILLS. Two large Gallery trees are at the left; cows wade in a stream in the fore- 16 ground; meadows beyond and distant blue mountains. H. 30J in. W. 54^8" in. Canvas. Initialed: J W C-91. Gift of Mrs. Rebecca A. Goldsmith, 1897. C26-2 LAKE GEORGE. Rocky shore and a clump of trees Gallery at the left; mountains in the distance. 16 H. 20/^ in. W. 29I in. Canvas. Monogrammed: JWC '57. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. CASSATT, M-ARY. American; born at Pittsburg, Pa,; lives in Paris. Pupil of" Manet. C27-1 MOTHER AND CHILD. Le Lever de Bfeafe. A Gallery nude child is seated on the edge of a bed with the 15 mother seated on a chair at the bedside drying the baby's feet; green painted furniture. H. 365 in. W. 29in. Canvas. Signed: Mary Cas- satt. Bulletin, 1909, p. 54, ill. Purchase, Hearn Fund, 1909. C27-51 LADY AT THE TEA-TABLE. An elderly lady, seen Gallery to the waist wearing a dark blue dress and a lace scarf 12 over her head, sits behind a tea-table on which is a set of blue and gold china. H. 29 in. W. 24 in. Canvas. Signed: Mary Cassatt, 1885. Lent anonymously, 1918. 40 CATENA — CAZ IN CATENA, ViNCENZO. Venetian; active 1495-1531; born at Tre- viso; died at Venice. A disciple of Giovanni Bellini; influenced by Carpaccio and Gio^ione. C28-1 THE CIRCUMCISION. Half-length figures; the Vir- Gallery gin in red robe, blue mantle, and white scarf holds the 30 nude Child to the high priest, a long-bearded old man wearing an orange cloth about the head and a white em- broidered vestment that a clean-shaven man at the left holds back, disclosing its red lining. St. Joseph is back of the Christ Child, and at the right is a woman in green who has a scarf of silk, pink in the U|^ts and lavender in the shadows, about the head and neck. The table cover in the center is gray. Landscape background. This is a copy of a painting perhaps by Giovanni Bellini, several versions of which exist — one in the National Gallei^ (No. 1455) attributed to Giovanni Bellini but given to Catena by Berenson. Another version was in the Orleans Gal- lery, and still another in the Leuchtenberg Collection; the whereabouts of the last two are not known. H. 26I in. W. 4of in. Wood. Inscribed: JOANNES BELLINVS, PMDXI. Gift of J. Pierpont Morgan, 1917. CAZIN, Jean Charles. French; born 1841 at Samer, Pas-de- Calais; died 1 90 1 at Lavandou near Toulon. Pupil of £cole des Arts D6coratifs under l,ecoq.de Boisbaudran. In 1868 was appointed Director of the Ecole des Beaux- Arts at Tours and later Curator of the Museum in that city. Landscapes, usually with figures. C31-1 LANDSCAPE. A stream is in the foreground and at the right a country road bordered by trees; there are masses of violet clouds and above the bushes at the left is a rainbow. H. 32i in. W. 39^ in. Canvas. Signed: J. C. CAZIN. Bulletin, 1911, p. loi, ill. Bequestof Robert G. Dun, 1911. C31-2 A FORMER ROYAL HIGHWAY. At the right is a row of farm buildings with thatched roofs; a woman stands in the road, and a wagon in the distance is disap- pearing between the two rows of thin trees. H. 4i|in. W. 48Jin. Canvas. Signed: J. C. CAZIN. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. 41 CAZIN — CHAPLIN C31-3 FAUBOURG DE CHARENTON. Buildings by the Gallery river at dusk, with street lights beginning to show. 19 H. Ill in. W. i6iin. Wood. Signed: J. C. CAZIN. Purchase, The Harris Brisbane Dick Fund, 1917. CEREZO, Mateo. Spanish; born 1635 at Burgos; died 1675 (or 1685) at Madrid. Pupil of his father and of Juan Carreno de Miranda. C33-1 PORTRAIT OF A CARDINAL. Life-size, seated, seen to the waist; he wears a red robe beneath a white surplice and on his head is a red biretta. H. 282 in. W. 22f in. Canvas. Gift of Stanford White, 1906. CERMAK, Jaroslav. Hungarian; bom 1831 at Prague; died 1878 at' Paris. Pupil of Prague Academy;. of Wappers and of Gallait in Belgium. C331-1 THESLAVE. Life-sizefigureof an oriental woman, seen to the knees; she is standing against a red curtain and looks out of a window at the right; her left hand rests upon a cross which hangs about her neck; she wears a black shawl over her head, a brown cloak, and a wide jeweled girdle. H. 57J in. W. 38! in. Canvas. Signed: Jaroslav Cer- mak Paris 1878. Bequest of Henry H. Cook, 1905. CEULEN. See Janssens van Ceulen. CEZANNE, Paul. French; born 1839 at Aix-en-Provence; died there 1906. Studied at the Acad^mie Suisse in Paris. Early work influenced by Manet and the impressionists. C332-1 THE POORHOUSE ON THE HILL. La Colline Gallery des Pauvres. A scene in southern France with wooded 21 hills; on the nearest hillside at the left of the center is a group of buildings; brilliant sunlight. H. 25 in. W. 32 in. Canvas. Signed: P. C&anne. Bulletin, 1913, p. 108, ill. Purchase, Wolfe Fund, 191 3. CHAPLIN, Charles. French; born 1825 at Les Andelys; died 1891 at Paris. Pupil of Drolling at the Ecole des Beaux-Arts in Paris. 42 CHAPLIN — CHASE C3&TI ,HAID£E. (The heroine of Byron's Don Juan.) Life- Gallery size figure of a. young woman, seen to the waist; a tam- 18 bourine is held in her right hand. H.4oJin. W. 255 in. .Canvas. Signed: Ch. Chaplin 1873. Bequest of Catharine Lorillard Wolfe, 1887. CHAPMAN, Charles S. American; born 1879. Pupil of Wil- liam M. Chase and W. Appleton Clark.; C362-t IN THE DEEP WOODS. A forest with rocks and huge Gallery trees, in winter; woodmen with a horse sledge are in the 15 foreground. H. 6di in, W. 36 in. Canvas Signed: Charles S. Chapman, 191 7. , Purchase, Hearn Fund, 19 17. CHARDIN, Jean Baptiste Simeon. French; born 1699 at Paris; died there 1779. Pupil of Pierre Jacques Cazes and later of Noel Coypel. Painted still life, interiors, and portraits. C37-1 PREPARATIONS FOR A BREAKFAST. Les Ap- Gallery prets d'un Dejeuner. On a stone shelf are a slice of 20 meat on a pewter plate, a wine bottle, a silver mug, and part of a loaf of bread with a knife sticking in it. H. 265 in. W. 22f in. Canvas. Bulletin, 1912, p. 229, ill. Purchase, Wolfe Fund, 1912. C37-2 YOUNG WOMAN KNITTING. A young woman in a striped blue dress, a white apron 'checked with blue lines, a pink and white neckerchief, and white cap sits by a table on which are a work-basket and a slice of bread. The authorities who attribute this picture to Chardin consider it a very early work, H, 365 in. W, 28j in. Canvas, Mr.'and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. CHASE, William M. American; born 1849 at Franklin, Ind.; lived chiefly in New York City, where he died 1916. Pupil of B. F. Hayes in Indianapolis; J. O. Eaton in New York; Wagner and Piloty in Munich. Portraits, still life, and landscapes. C38-1 PORTRAIT OF A LADY IN BLACK. An interior Gallery with a life-size, full-length, standing figure; her left 12 hand is on her hip and the right rests on a mahogany table near a pink rose. 43 CHASE — CHRISTOPHSEN H. 74 in. W. 56 in. Canvas. Signed: Wm. M. Chase. Gift of Mrs. WiHkm M. Chase, 1891. /g;38-2 CARMENCITA. FuH-Iength figure, dancing with cas- tanets; black gown trimmed with yellow bands. H. 70 in. W. 40I in. Canvas. Signed: W. M. Chase. Gift of Sir William Van Home, 1906. C38-3 SEVENTEENTH CENTURY LADY. About half Gallery life-size, full-length figure, standing in front of a closed 15 curtain with her back toward the spectator; she wears a iow-necked white satin gown. H. 361 in. W. 24in. Canvas. Signed: Wm. M. Chase. Purchase, Hearn Fund, 1907. C38-4 STILL LIFE. Three fish partly lying on a platter* Gallery on which is a red apple; two green peppers, a bright red 1$ bowl, and a tall copper vessel are on the dark green table. H. 46f in. W. 45 in. Canvas. Signed: Wm. M. Chase. Purchase, Hearn Fund, 1908. C38-5 THE HALL AT SHINNECOCK. An interior with a Gallery lady' (Mrs. Chase) seated on a sofa near a window at the 12 right; she is sewing and wears a pink bodice and white skirt. H.4oiin. W. 35in. Canvas. Signed: Wm. M. Chase. Purchase, Lazarus Fund, 191 7. C38-6 JAMES A. McNeill WHISTLER. (American painter! Gallery see Whistler.) Undei^ life-size, standing with left hand 12 daintily resting on a delicate stick. His hair is black but for his noted white lock and he wears a black frock coat; brown background and floor. H. 74I in. W. 3^ in. Canvas. Signed: To my friend Whistler Wm. M. CHASE London 1885. Bequest of William H. Walker, 1918. CHAVET, Victor. French; born 1822 at Aix; died 1906. Pupil of Revoil and Roqueplan. C39-1 IN FULL DRESS. Small figure of a lady in a white Gallery dress seated on a red sofa. 18 H. 9 f in. W. 7i in. Canvas. Sign^: V. Chavet-73. Bequest of Catharine Lorillard Wolfe, 1887. CHRISTOPHSEN, Pieter. See Cristus, Petrus. 44 CHURCH CHURCH, Frederic E. American; born 1^26 at Hartford, Conn.; died 1900 at New York City. Pupil ofThomas Cole at Catskill, N. Y. Imaginary landscapes. C47-1 THE AEGEAN SEA. A high cliff is at the left with Gallery a temple built in the rock; a ruined temple is on the 16 shore near the Sea; in the middle distance is an island with ruined classic buildings and above it a double rainbow; in. the distance at the right is an oriental city. The Parthenon, Golden Horn, and Rock Temple are suggested. H. 54J in. W. 84I in. Canvas. Signed: F. E. CHURCH. Bequest of Mrs. William H. Osborn through William Church Osborn and Henry F. Osborn, 1903. C47-2 HEART OF THE ANDES. A stream flows from the Gallery mountains toward the foreground; at the right is a mass 16 of trees and at the left, in a level spot surrounded by trees, is a grave with a cross; a mountain fills the middle distance and beyond at the left, range after range of snow-capped mountains rise against the sky. H. 66i in. W. iigjin. Canvas. Signed: 1859 F. E. CHURCH. Bulletin, 1909, p. 70. Becfuest of Mrs. Margaret Bows, 1909. C47-3 THE PARTHENON. This temple to the goddess Gallery Athena was erected at Athens about 450 B.C.; was used 16 as a Christian church from the sixth to the fifteenth century, when it was captured by the Turks and by them turned into a mosque; and was partly destroyed in 1687, when the Venetians bombarded the Akropolis and exploded a powder magazine which the Turks had stored there. The remains of the sculptures were removed early in the nineteenth century and are now in the British Museum, London. H. 44xV in- W. 725 in. Canvas. Signed: F E CHURCH 1871. Bulletin, 191 5, p. 66, ifl. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. CHURCH, Frederick S. American; born 1842 at Grand Rapids, Mich.; lives in New York City. Studied at the Academy of Design in Chicago under Walter Shirlaw, and at the National Academy in New York City under L. E. Wil- marth. 45 CHURCH— CLAYS C471-1 MOONRISE. A nude woman with auburn hair is Gallery partly seen through rolling green waves; back of her, in 13 the water, is a crescent. H. 26 in. W. 22 in. Canvas, oval. Signed: F. S. CHURCH, N Y 1902. Purchase, George A. Hearn Fund, 1913. CI MA, Giovanni Battista; also known as 11 Conegliano. Italian (Venetian); born at Conegliano about 1460; died after 1 5 17. Settled in Venice; a pupil of Alvise Vivarini; strongly influenced by Giovanni Bellini. C49-1 SAINT ROCH, SAINT ANTHONY, AND SAINT Gallery LUCY. Three full-length, standing figures; St. An- 30 thony in brown with a blue cope, St. Roch in yellow tunic and blue hose with a brown cloak, St. Lucy in a green robe with a red cloak. Painted by an imitator of Cima. H. 5oJin. W. 481V in. Canvas. Bulletin, 1907, p. 172, ill. Purchase, Rogers Fund, 1907. CLAIRIN, Georges Jules Victor. French; born 1843 at Paris; lives there. Pupil of Ecole des Beaux-Arts under Picot and Pils. C52-1 MOORISH SENTINEL. A Moor, wearing an orange- brown robe, a dark brown cloak, and a white turban, holds a long gun across his shoulders; he stands in front of a carved doorway, before which hangs a red rug; there is a glimpse beyond of people in an inner court. H. 27I in. W. 19I in. Canvas. Signed: G. Clairin. Bequest of Stephen Whitney Phoenix, 1881. CLAUDE LORRAINE; real name Claude Gellde, also known as Le Lorrain . French ; born 1 600 at the Chiteau de Chamagne near Charmes; died 1682 at Rome. Pupil of Agostino Tassi in Rome; of Deruet at Nancy. Landscapes. C57-1 A SEAPORT. To the right is the corner of a building Gallery with two large columns; in the foreground men are 14 fishing on the beach; at the left are the towers of a city and vessels at anchor near shore. Attributed to Claude. H. 38I in. W. 48^^ in. Canvas. Gift of George A. Hearn, 1905. CLAYS, Paul Jean. Belgian; born 1819 at Bruges; died 1900 at 46 CLAYS— COHEN Brussels. Pupil of Suisse and of Gudin in Paris; settled in Brussels in 1852. Marines. C571-1 CELEBRATION OF THE FREEDOIVI OF THE PORT OF ANTWERP, 1863. At right and left are numerous large and small craft with flags flying; in the middle of the river is a white float carrying a statue of Liberty holding a scroll inscribed Scheldt Vry; in the distance is the city of Antwerp with its cathedral tower silhouetted against sunlit clouds. H. 48I in. W. 79 in. Canvas. Signed: P. J. Clays. Gift of the artist and of several gentlemen, 1881. COCK, Cesar De. Belgian; born 1823 at Ghent; died there 1904. Pupil of the Academy of Ghent and of De N&tre. Land- scapes. C64-1 LANDSCAPE; SPRING. Through the center of the pic- Gallery ture flows a stream which reflects grassy banks and green 18 trees; on 'the near shore a little boy is seated fishing. H. 34I in. W. 52I iji. Canvas. Signed: Cesar De Cock. 1878. Bequest of Catharine Lorillard Wolfe, 1887. COCK, Xavier de. Belgian; born 1818; died 1896 at Deurne, Belgium. C641-1 CHILDREN CALLING TO THE COWS. H. 22j in. W. 322 in. Canvas. Bequest of Eliza W. Howland, 1917. COFFIN, William A. American; born 1855 at Allegheny, Pa.; lives at Jennerstown, Pa. Pupil of Bonnat in Paris. Landscapes. C65-1 THE RAIN. A green hillside with scattered trees; Gallery storm clouds are at the left. 12 H. 30 in. W. 405 in. Canvas. Signed: Wiri. A. CoflTin. Gift of several gentlemen, 1892. C65-2 A DECEMBER NIGHT. Gallery H. 25! in. W. 30 in. Signed: Wm. A. Coffin. 12 Purchase, Hearn Fund, 19 19. COHEN, Lewis. American; born 1858, at London; died August 4, 191 5, at New York City. Pupil of Alphonse Legros, J. Watson Nicholl, and A. S. Cope. 47 COHEN — COLE C66-I PUENTE SAN MARTIN, TOLEDO. The bridge ex- Gallery tends diagonally across the picture; the city in sunlight 12 is shown on the farther bank and the foreground is in shadow. H. 28 in. W. 36J in. Canvas. Signed: Lewis Cohen. Gift of Stanley A. Cohen, 1918. COLE, Thomas. American; born 1801 at Bolton le Moor, Eng- land; died 1848 near Catskill, N. Y. Settled in Ohio; studied in England, France, and Italy, but lived the ■greater part of his life in New York City. C671-1 IN THE CATSKILLS. Woods in the foreground, farm lands beyond, and a range of the Catskill Mountains in the distance. H. 39 in. W. 63 in. Canvas. Signed: Cole 1837. Gift, in memory of Jonathan Sturges, by his children, 1895. C671-2 VALLEY OF THE VAUCLUSE. In the middle dis- tance at the right are cliffs with an old castle; sunny foreground with broken rocks and a bent pine which overhangs the rushing water. H. 69 in. W. 49I in. Canvas. Signed: T. Cole Roma 1841. Gift of William E. Dodge, 1903. C671-3 ROMAN AQUEDUCT. In the foreground is a mass of masonry with ruins •of giant piers and vaulted roofs at the right; diagonally across the middle distance is a series of broken aqueduct arches; beyond, the Campagna stretches to the foothills of the Alban mountains, which are partly enveloped in mist. H. 14! in. W. 23J in. Canvas. Sigiied on the back: T. Cole, Florence, 1832; inscribed: Presented to W. A. Adams by T. Cole 1834. Purchase, Rogers Fund, 1903. 0671-4 THE TITAN'S GOBLET. A landscape of mountains Gallery and sunset sky forms the background for an enormous 16 goblet symbolic of the Norse legend of the Tree of Life. The stem of the goblet is a massive tree trunk, the out- spread branches of which hold an ocean dotted with sails and surrounded by forests and plains in which appear Greek ruins and modern Italian buildings, typical of ancient and modem civilization. H. igf in. W. i6i in. Canvas. Signed: T. Cole 1833. Gift of Mrs. Samuel P. Avery. 1904. 48 COLE — COLMAN C671-5 OXBOW. (The picture shows the Connecticut River near Northampton.) In the foreground is a rocky hilltop * with bare trees at the left and near the center an artist is sketching; in the middle distance at the right a plain with a winding river stretches to the distant hills; storm clouds are at the left. H. 515 in. W. 76 in. Canvas. Bulletin, 1908, p. 229. Gift of Mrs. Russell Sage, 1908. C671-6 THE MOUNTAIN FORD. Anjmaginary landscape with a gnarled tree at the right, a rocky ledge in the foreground where a rider on .a white horse is fording a rushing river, and in the distance a steep crag. H. 281 in. W. 40t^ in. Canvas. Signed: T COLE 1846. Bulletin, 1915, p. 64; ill. p. 69. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. COLLINS, Alfred Q. American; born 1855 at Portland, Me.; died 1903 at Cambridge, Mass. Pupil of Bonnat in Paris. C69-1 THE ARTIST'S WIFE. Life-size portrait, seen to Gallery the waist; she wears a sage green low-necked dress; 12 gray-green background. H. 27in. W. 22T^in. Canvas. Bulletin, 1905, p. 10, ill. Gift of friends of the artist, 1905. COLMAN, Samuel. American; born 1832 at Portland, Me.; died 1 920 at New York City. Studied in Paris and Madrid. C7I-I VENICE; MOONRISE. In the foreground are the waters of the Giudecca with shipping; above the line of buildings at the left rise the Campanile and the domes of Santa Maria della Salute; in the distance at the right are San Giorgio Maggiore and the entrance to the Grand Canal. The sunset glow blends with the full moon. H. 23J in. W. 30 in. Canvas. Signed: Samuel Colman 1886. Gift of George I. Seney, 1888. C7I--2 SPANISH PEAKS; SOUTHERN CALIFORNIA. Arid plains with a stream of water running through the center of the picture toward the right; in the middle distance are limestone rocks which appear like castle towers; in the distance the Spanish Peaks are seen against a late afternoon sky. 49 COLMAN — CONDER H. 31 J in. W. 72iin. Canvas. Signed: Samuel Col- man 1887. Gift of H. O. avemeyer, 1893. COMAN, Charlotte B. American; born 1833 at Waterville, N. Y.; lives in New York City. Pupil of James R. Brevoort in New York; Harry Thompson and Emile Vernier in Paris. Landscapes. C73-1 CLEARING OFF. A broad expanse of rolling country with a narrow road winding toward the foreground at the left; the distant blue hills are partly hidden by rain clouds. H. 27J in. W. 365 in. Canvas. Signed: C. B. Coman. Gift of friends of the artist through Mrs. H. Butterworth, 1912. COMTE, Pierre Charles. French; born 1823 at Lyons; died 1895 at Paris. Pupil of Delaroche, Horace Vemet, and Robert-Fleury. Genre. C731-1 LADY AT HER TOILET. She wears a red dress in S. W. the sixteenth century style, and is seated arranging Staircase jewels in her hair. H. i7tV in- W. 13 in. Wood. Signed: P. C. Comte. Bequest of Catharine Lorillard Wolfe, 1887. CONANT, Alban Jasper. American; born 1821 at Chelsea, Vt.; died 191 5 in New York City. Portraits. C74-1 DR. JAMES Mc COSH. (181 1-1894; President of Prince- ton College, 1868-1888.) Life-size figure, seen to below the knees; he is seated in a red upholstered chair and holds a book on his lap; he has white hair and side whiskers. H.48t'j-in. W. 365 in. Canvas. Signed: A.J. Conant 1891. Gift of Mrs. William H. Bliss, 1910. CONDER, Charles. British (English); bom 1868 in London; died there 1909. Pupil of Julian Academy in Paris. C75-1 THE SPANISH PIAZZA. Painting for a fan. At. the left, a woman is dancing and a man stands back of her; three women are at the right; in the center, above a classical building, is a cartouche with landscape. ,H. 5|in. W. 1 9I in. (size of mount). Silk. Signed: CONDER. Bulletin, 1912, p. 57, ill. Purchase, Rogers Fund, 1911. 50 CONEGLIANO — CONSTABLE CONEGLIANO. See Cima. CONINCK, Pierre Louis Joseph de. French; born 1828 at Meteren; died there 1910. Pupil of Cogniet at £cole des Beaux-Arts in Paris. C76-1 ITALIAN CHILDREN AT A WELL. Life-size figures S. W. of two little girls; one holds a distaff, the other leans over Stairway the well-curb, and plays with a lizard. H. 59f W. 421 in. Canvas. Signed : P. de Coninck. Bequest of Catharine Lorillard Wolfe, 1887. CONRAD VON CREUZNACH; see Faber, Conrad. CONSTABLE, John. British (English); born 1776 at East Berg- holt; died 1837 at London. Copied drawings of Girtin; studied at the Royal Academy Schools. Landscapes and portraits. C762-1 Gallery 14 C762-2 Gallery '4 C762-3 Gallery 24 C762-4 Gallery 24 " BRIDGE ON THE STOUR. An arched brick bridge, resting in part on an island, stretches across the middle distance and is reflected in the river; a rustic fence and shrubbery are in the foreground at the right and cattle are grazing beyond. H. 25! in. W. 32! in. Canvas. Gift of George A. Hearn, 1897. MRS. PULHAM. Life-size portrait of an elderly lady, seen to below the waist; she wears a black dress with the collar faced in blue and a black bonnet trimmed with blue. H. 295 in. W. 24-j'ir in. Canvas. Gift of George A. Hearn, 1906. TOTTENHAM CHURCH. A wide expanse of green lawn with the church and its tower in the middle dis- tance. Constable lived in the Tottenham section of London from 1823 until his death. H. 205 in. W. i8| in. Canvas. Bulletin, 1915, p. 88; ill. p. 93. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. GLEBE FARM WITH A VIEW OF LANGHAM CHURCH. The farm is on the high bank of a brook at the right; beyond it a church tower and trees. Trees are on the opposite bank in the left foreground; heavy cumulous clouds and strong blue sky, A cow is drinking 51 CONSTABLE — COPLEY from the brook at the right. A picture of similar subject and composition is in the National Gallery at London (No. 1274). H. 24i in. W. 315 in. Canvas. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. CONSTANT. See Benjamin-Constant. COPLEY, John Singleton. American; born 1737 at Boston; died 181 5 at London where he went in 1774. Chiefly self-taught. Portraits and historical subjects. C79-1 MARY STORER GREEN. (Mary Storer was born Gallery 1736 or 1737 in Boston; married in 1757 Edward Green, 16 1733-1790; married a second time in 1791 to Benjamin Hall.) Life-size, seen almost to the waist; she wears a low-necked blue dress with white lace and a pink rose is at her breast; three strings of pearls are about her neck. H. 23 in. W. 175 in. Pastel. Signed: John S. Copley fee. 1765. Bulletin. 1908, p. 37, ill. , Purchase, Curtis Fund, 1908. C79-2 MARY SHERBURNE BOWERS. (Mary Sherburne. Gallery born about 1739, was the daughter of Joseph Sherburne 16 of Boston and married Jerathmel Bowers, whose home was in Rhode Island. The portrait came direct from the family.) Life-size figure seated on a bench in front of a tree; she wears a low-necked, white satin dress with an over-dress of royal purple silk edged with gilt braid; a pink rose is at her breast, a string of pearls is about her neck, and pearls are twined in her hair; the left hand rests on the arm of the seat and the right holds a Blenheim spaniel that lies in her lap. H. 49I in. W.39} in. Canvas. Bulletin, 1916, p. 21 ; ill. p. i. Purchase, Rogers Fund, 191 5. C79-5I REVEREND DANIEL GREENLEAF. (Born i68of at Newbury, Mass.; died 1763 at Boston, Mass.; was graduated from Harvard in 1699; practised medicine for about six years; was pastor of the Congregational Church at Yarmouth, Mass., 1708 to 1727, and later became a merchant in Boston.) Life-size, seen to below the waist; he wears a white wig and black surplice; in his right hand is an open book which rests upon his left forearm. H. 34 in. W. 28I in. Canvas. Lent by Richard C. Greenleaf, 1913. 52 THE SLEEP OF DIANA BY JEAN BAPTISTE CAMILLE COROT PI ETA BY CARLO CRIVELLI COPLEY — COROT C79-52 REVEREND WILLIAM SMITH. (Of Weymouth, Mass.) Life-size portrait of an old man, seen almost to the waist; he wears a white wig and black surplice. H. 23^9^ in. W. i8f in. Pastel. Lent by Richard C. Greenleaf, 19 13. CORNEILLE DE LYON (Claude). French; died after 1576; influenced by the Franco-Flemish portraitists of the court of Francis I. C8-1 PORTRAIT OF A MAN IN WHITE FUR COAT AND CAP WITH FEATHER. An unfinished por- trait (only the under painting in brown and black being done) of a young man with slight moustache and beard; he wears a black hat with a feather and a fur coat over a tight-fitting doublet. H. 7 in. W. 55 in. Wood. Gift of J. Pierpont Morgan, 1917. COROT, Jean Baptiste Camille. French (Barbizon); born 1796 at Paris; died 1875 at Ville d'Avray. Pupil of Michallon and of Bertin in Paris. . Landscapes and figure subjects. C81-1 VILLE D'AVRAY. (Near Paris.) A pond seen through Gallery light foliage; in the foreground is a peasant woman, 17 half kneeling; in the distance are several villas. H. aifin. W. 31^ in. Canvas. Signed: COROT. Recorded in Robaut, No. 2003, under the title, L'fitang vu k travers la feuillfe. Bequest of Catharine Lorillard Wolfe, 1887. C81-2 THE SLEEP OF DIANA. A wooded hill at the left, Gallery ■ a few tall trees at right, and water in the distance; in 17 the foreground a partly nude female figure lies on the ground with a red drapery beneath her and two cupids holding a filmy drapery above her; the moon lights the distant river and hills. Painted in 1865 but retouched in 1868 and the date altered. H. 78 in. W. 53f in. Canvas. Signed: COROT 1868. Bulletin, 1909, p. 27, ill. Recorded in Robaut, No. 1633B. Purchase, Wolfe Fund, 1908. C81-3 A RIVER SCENE. La Riviere a la Tour Lointaine. Gallery The river flows at the right; near the shore is a man in 21 a small boat; in the foreground at the left two women and a child stand beside a tree; in the distance a square tower is silhouetted against the evening sky. 53 COROT H. 2ii in. W. 30J in. Canvas. Signed: C. COROT. Bulletin, 191 1, p. 98, ill. Recorded in Robaut, No. 1700. Bequest of Robert G. Dun, 191 1. C81-4 SOUVENIR OF NORMANDY. IVlarshy ^ foreground Gallery where a woman, wearing a white hood, is gathering 21 flowers; in the middle distance are two pollard willows and others are on the shore at the right; beyond is a group of red-roofed huts near which is a small boat with furled sail; the river is at the left. H. i6fin. W. 25i:Vin. Canvas. Signed: CQROT. Recorded in Robaut, No. 1687, under the title L'Etang Picard. Bequest of Benjamin Altman, 1913. C81-5 THE FERRYMAN. In the foreground at the right, a Gallery bark with the ferryman and two peasant women is being 2 1 pushed off from the shore, where there is a large tree with sparse foliage; at the left is the river and in the dis- tance a village is seen on high ground. H. 263^ in. W. igxV 'n. Canvas. Signed: COROT. Bulletin, 1914, p. 252, ill. Recorded in Robaut, No. 1728, under the title, Passeur atterrissant avec deux paysannes dans sa barque. Bequest of Benjamin Altman, 1913. C81-6 A LANE THROUGH THE TREES. A woman and a Gallery child are in the foreground at the left and in the distance 21 a woman is walking toward the opening between the two lines of trees; sunlight strikes through the branches; a river is at the right. H. 24 in. W. 18 in. Canvas. Signed: COROT. Bul- letin, 1914, p. 253, ill. Recorded in Robaut, No. 2103, under the title, All^e sous bois. Bequest of Benjamin Altman, 1913. C81-7 EVENING ON THE RIVER. Trees are on the shore at the right and a single tree stands on a point of land at the left; near the center of the stream is a boat with a figure wearing a red cap. H. 14I in. W. 201^1^ in. Canvas. Signed: COROT. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. C81-8 VILLE D'AVRAY; WOODED BANKS OF THE POOL Gallery WITH A WOMAN GATHERING FAGOTS. The 21 pool is seen between the leafy branches of the trees that border its near bank; the woman wears a blue blouse and 54 COROT— COSIMO DI MARIANO a brown skirt. Buildings show on the wooded hills of the opposite bank. The same place is represented in C81-1 of the Wolfe Collection. This picture dates from the period 1871-74. Robaut's catalogue, number 2097. H. 28I in. W. 22^ in. Canvas. Signed: COROT. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. C81-9 TWO MEN IN A SKIFF. A narrow stream bordered Gallery with willows; the skiff is in the foreground; a church 21 tower in the distance; a silvery gray color over all. Robaut's catalogue, number 2241. About 1872. H. 16 in. W. 125 in. Canvas. Signed: COROT. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 19 17. C81-10 THE BOHEMIANS. A clump of trees occupies the. Gallery center and left of the canvas; a single tree trunk at the 21 right; between are two groups of figures — a bearded man pointing out a neighboring house to a young girl and a boy, and two women sitting in the shrubbery near their camp-fire, the glow of which begins to be evident in the evening light. The sun has set, but some clouds still hold its last brilliance. Robaut's catalogue, number 2216. H. 21J in. W. 315 in. Canvas. Signed: COROT 1872. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 19 17. CORREGGIO; real name Antonio Allegri. Italian; born 1^94 at Correggio, a small town near Modena; died there 1 534. C811-2 FOUR SAINTS. Full-length, life-size figures, standing Gallery near a group of trees. At the left, St. Peter, with key and 29 book, wears a blue robe and yellow mantle; St. Martha, dressed in green, has her foot on the head of a dragon; Mary Magdalen wears a yellow robe and red cloak and holds her jar of ointment; at the extreme right St. Leonard, in a monk's brown habit, holds his prison fetters. An early work painted about 1515. Known as the Ashburton altarpiece. H. 87^ in. W. 63} in. Canvas. Bulletin, 1913, p. 26, ill. Purchase, Kennedy Fund, 19 12. COSIMO. See Piero di Cosimo. COSIMO DI MARIANO, Angelo. See Bronzino. 55 COSTA — COURBET COSTA, Lorenzo. Italian (Ferrarese-Bolognese); born about 1460 at Ferrara; died 1535 at Mantua. Supposed to have been a pupil of Cosimo Tura and of Francesco Cossa. C82-1 THREE SAINTS. Life-size, full-length figures; St. Francis in the center, at the right St. Ursula, and at the left St. Catherine. H. 85 J in. W. 68§ in. Tempera on wood. Signed: -L-COSTA-F. Gift of Rodman Wanamaker, 1907. COT, P. A. French;.born 1837 at B6darieux; died 1883 at Paris. Pupil of Cabanel, Cogniet, and Bouguereau in Paris. C821-1 THE STORIVI. A youth, with an animal's skin about Gallery his loins, and a girl, in diaphanous white drapery, are 18 running down a hill before a coming storm. H. 92iin. W. 6if in. Canvas. Signed: P+A+COT, i88o. Bequest of Catharine Lorillard Wolfe, 1887. COTMAN, John Sell. British (Norwich); born 1782 at Nor- wich; died 1842 at London. Studied architecture in London; also etching. Landscapes. C822-1 ENGLISH VILLAGE. A country road with a row Gallery of thatched cottages at the right; low bushes at the left. 14 H. 15! in. W. igf in. Canvas. Gift of George A. Hearn, 1906. C822-2 WORCESTER CATHEDRAL. The River Severn Gallery is at the right; on the shore in the foreground at the 14 left are a number of people; the cathedral and town are on the far bank; cloudy sky. H. 27! in. W. 35J in. Canvas Gift of George A. Hearn, 1912. COURBET, GusTAVE. French; born 1819 at Ornans; died 1877 at La-Tour-de-Peiltz, near Vevey, Switzerland, Pupil of Steuben and of Hesse in Paris, where the greater part of his life was spent. CB3-1 COAST SCENE, A desolate beach with a fishing-boat Gallery with bedraggled sails lying among scattered boulders; 21 choppy green sea at the left. H. 25^ in. W. 32 in. Canvas. Signed: Gustave Courbet. Gift of Mrs. Mary Goldenberg, 1899. 56 COURBET— COUTURE C83-2 SNOW SCENE. Effet de Neigh. A mass of rocks is at Gallery the left and in the shadow a doe and a fawn; groups of 2 1 trees with reddish leaves are lightly covered with snow; in the foreground at the right is a frozen pool. H. 20j in. W. 241 in. Canvas. Signed: G. Courbet. Purchase, Rogers Fund, 1906. C83-3 GUEYMARD IN THE R6LE OF ROBERT LE Gallery DIABLE. Gueymard, a famous tenor of the Paris 21. Opera, in a red, gold-trimmed tunic over a suit of chain mail, sits on the corner of the table holding aloft a dice box. It is at the moment in the first act when he sings, "Oui, I'or est una chimfere." Two knights lean over the table to watch the throw; in the background at the right is the sinister figure of Bertram, his evil genius. H. 58I in. W. 42 in. Canvas. Signed: G. Courbet. Bulletin, 1919, p. 112, ill. Gift of Mrs. Elizabeth Milbank Anderson, 19 19. C83-51 WOMAN WITH A PARROT. Life-size, full-length. Gallery nude figure of a woman, lying on a couch with a green 2 1 parrot resting on her raised left hand. H. 5i^in. W. 77jin. Canvas. Signed: 66-Gustave Courbet. Lent anonymously, 1909. COUSE, E. Irving. American; born 1866. Pupil of National Academy of Design in New York; Bouguereau and Rob- ert Fleury in Paris. C831-1 THE PEACE PIPE. Three Indians, two almost nude, Gallery the other with a full feather head-dress and blanket, are 16 crouched about a little fire. The pipe is held by the nude man with his back to the spectator: brown woods in the background. H. 26 in. W. 32 in. Canvas. Signed: E. I. Couse. Gift of Mrs. Clara B. Obrig, in memory of her husband, Adolph Obrig, 19 17. COUTURE, Thomas. French; born .1815 at Senlis; died 1879 at Villiers-le-Bel. Pupil of Gros and Delaroche in Paris. History and genre. C832-1 DAY DREAMS. A boy,- about ten years of age, Gallery dressed in black velvet, lolls in an upholstered chair 17 watching soap bubbles that he has just blown; at his right is a table with a glass of soapy water, books, a 57 COUTURE — CRANACH top, etc. A laurel wreath hangs on the wall above the boy's head. H. 51J in. W. 38! in. Canvas. Initialed: T. C. Bequest of Catharine Lorillard Wolfe, 1887. COX, Kenyon. American; born 1856 at Warren, O.; died 1919 at New York City. Pupil of McMicken School in Cin- cinnati; Pennsylvania Academy of the Fine Arts in Phil- adelphia; £cole des Beaux-Arts in Paris under GdrSme. C833-1 AUGUSTUS SAINT-GAUDENS. (1848-1907; Amer- Gallery ican sculptor.) Life-size, seen to the waist; he is standing 12 in his studio at work. The original portrait, painted in 1887, was burned in the sculptor's studio at Windsor, Vt., in 1904; this replica was painted in 1908 from studies in the possession of the painter. H. 33^ in. W. 46f in. Canvas. Signed: KENYON COX - 1908. Gift of friends of the sculptor through A. F. Jaccaci, 1908. C833-3 THE HARP PLAYER. An interior with a young Gallery woman in a red dress seated at a harp. 12 H. 30 in. W. 18 in. Canvas. Signed: KENYON COX-1888. Bulletin, 1912, p. 102, ill. Purchase, Rogers Fund, 1912. COYPEL, Noel Nicolas. French; born 1692 at Paris; died there 1734. Pupil of his father, Noel Coypel, and of his mother, Franfoise Perrin. C834-1 VENUS WITH SEA NYMPHS AND AMOURS. Gallery Venus, seated upon a huge sea-shell, is upheld by sea 20 gods, nymphs, and dolphins; above are cupids bearing flowers and zephyrs receiving two white doves that have been brought by Love in a golden chariot. .H. 32! in. W. 26I in. Canvas. Gift of Mrs. Elizabeth W. Chapman, 1903. CRANACH, Lucas, the Elder; real name, Lucas Sunder. Ger- man (Saxon); born 1472 at Kronach, Bavaria; died '553 at Weimar. Pupil of his father; influenced by Albrecht Diirer and probably by Griinewald. After 1 508 he used a small winged serpent as signature. Portraits, biblical and mythological subjects; was also an en- graver. C85-2 PORTRAIT OF A MAN. (Probably an Electoral Duke 58 CRANACH — CREDI Gallery of Saxony.) He is seen to below the waist; the left 34 hand grasps the hilt of a sword or dagger and the right rests upon the pommel; he wears a black velvet biretta with jeweled plume and a black velvet doublet over a gathered white shirt with lace collar; scarlet background close to the head. H. 25! in. W. lyfin. Wood. Bulletin, 1908, p. 88, ill. Purchase, Rogers Fund, 1908. G85-3 JUDITH WITH THE HEAD OF HOLOFERNES. Gallery (The Book of Judith, one of the apocryphal books of the 34 Old Testament dating from the Maccabean period, about 129 B. C, tells how Judith, in order to deliver her native city which was being besieged by the Assyrians, gained admission to the tent of the Assyrian general, Holofernes, and slew him in his drunken sleep.) Life-size figure of Judith, standing back of a table on which lies the head of Holofernes; she is elaborately dressed and holds a sword in her raised right hand. H. 35^ in. W. 24! in. Wood. Signed with the winged serpent. Bulletin, 191 1, p. 124, ill. Purchase, Rogers Fund, 191 1. CRANACH, Lucas, the Younger. German; born 15 15 at Wittenberg; died 1586 at Weimar. Pupil of his father, Lucas Cranach the Elder; influenced by Albrecht Diirer. C851-1 MADONNA AND CHILD. Half-length figure of the Madonna, seated and suckling the nude Child; she wears a black bodice and a red mantle; two cherubs hold a black drapery which forms the background. Attributed to Cranach the Younger. H. 19! in. W. 13I in. Wood. ""Gift of Louis Ehrich, 1895. CRANE, Bruce. American; born 1857 at New York City; lives there. Pupil of A. H. Wyant; also studied in Europe. Landscapes. C853-1 AUTUMN UPLANDS. A group of trees on a hill- Gallery side at the right; in the foreground a pile of cut logs. 13 H. 37 in. W. 41 in. Canvas. Signed: Bruce Crane. Bulletin, 1909, p. 115, ill. Gift of George A. Hearn, 1909. CREDI, Lorenzo di. Italian (Florentine); born 1459 at Florence; died there 1537. Pupil of his father, Andrea di Credi, a goldsmith; assistant to Verrocchio. 59 CREDI— CRIVELLI C86-I MADONNA ADORING THE CHILD. Full-length, Gallery kneeling figure of the Madonna, wearing a violet robe 30 and a blue mantle lined with yellow; her hands are clasped and she looks down at the nude Child who lies on the ground with a roll pillow and a light blue cloth beneath Him; at the left an angel supports the nude infant St. John, who kneels in adoration. The corner of a wall is injmediately back of the Madonna; beyond is a landscape with a winding river and distant blue hills. Circular; diameter 36 in. Tempera on wood. Bulletin, 1909, p. 186, ill. Purchase, Rogers Fund, 1909. CRISTUS, Petrus; also known as Pieter Christophsen. Flemish; born about 1400 at Baerle near Deynze; became a citizen of Bruges in 1444; died after 1473. Probably pupil of Jan Van Eyck. C861-1 THE DEPOSITION FROM THE CROSS. The body Gallery of Christ lies upon a shroud on the ground; back of it 34 the fainting Virgin is upheld by St. John; at the right Nicodemus holds the shroud with both hands; at the left Joseph of Arimathea supports the head of Christ and beyond is Mary Magdalen. In the immediate foreground are the emblems of the passion; landscape background with castles, villages, and distant blue hills. Formerly attributed to Jan Van Eyck. H. iot^ in. W. i4tV in. Wood. Gift of Henry G. Marquand, 1890. CRIVELLI, Carlo. Italian (Venetian); born i43o(?) at Venice(?); died after 1493. Influenced by the school of Pa'dua. C862-r SAINT GEORGE. Full-length, standing figure of a Gallery youth in fantastic blue and yellow armor; his right hand 30 rests on his hip and the left holds the red and white striped staff of his broken lance, a part of which is sticking in the head of a green dragon that is coiled on the ground at his feet; gold background. This and the following were part of the same altarpiece. H. 38J in. W. 13^^ in. Tempera on wood. Bulletin, 1906, p. 28, ill. Purchase, Rogers Fund, 1905. C862-2 SAINT DOMINIC. Full-length, standing figure in a black cloak over a white gown; a lily branch is held in 60 CRIVELLI — CROME Gallery the right hand and a book with a red clasp in the other; 30 gold background. H. 38J in. W. I2| in. Tempera on wood. Bulletin, 1906, p. 28, ill. Purchase, Rogers Fund, 1905. C862-3 PI ETA. Probably the center of the upper tier of an an- Gallery cona. Half-length figures; the dead Christ is supported 31 in the tomb by the Virgin who is at the left with her arms about His neck; her cloak and hood are blue and her dress is lavender; at the right Mary Magdalen, in blue dress, crimson sleeves, and red cloak lined with green, holds His left arm; the head of Saint John appears back of the Magdalen; gold patterned background with halos in relief. H. 28 in. W. 25! in. Tempera on wood, round top. Bulletin, 1913, p. 262, ill. Purchase, Kennedy Fund, 191 3. CRIVELLI, ViTTORio.|^ Italian (Venetian); latter part of the fifteenth centDry. Perhaps a brother of Carlo Crivelli, whom he is supposed to have assisted. C863-1 MONK READING. Small-size half-length of a Fran- ciscan monk; an open book with red binding is in his left hand. Formerly ascribed to Niccolo da Foligno; the present attribution is that of Berenson. H. 85 in. W. 55 in. Tempera on wood. Gift of Frederic Coudert, 1888. CROME, John; known as Old Crome. British (Norwich); born 1768 at Norwich; died there 1821. Influenced by Hob- bema. Landscapes. C88-1 HAUTBOIS COMMON. In the foreground is a grove Gallery of trees with a^ road along which advances a cart drawn 24 by two horses; two asses are at the right; level country with trees in the middle distance; cottages to the right and cattle grazing to the left. The foreground is in deep shadow and the distance in sunlight. H. 22 in. W. 35 in. Canvas (transferred from wood, 1914). Gift of Henry G. Marquand, 1888. C88-2 OLD HOUSES AT THORPE. A river's edge with Gallery houses at the right; a barge and several small boats 14 are moored at a landing close to the houses. At one 61 CROME — CUYP time this picture was erroneously called The Landing. H. 24I in. W. igf in. Canvas. Gift of George A. Hearn, 1906. C88-3 LANDSCAPE. Woodlands with a large oak occupying Gallery the center of the picture; to the left a wagon laden with 14 logs is being drawn by six horses, the driver walking at their side; cows are beneath the trees in the distance at the right. H. 48I in. W. 67} in. Canvas. Gift of George A. Hearn, 1909. C88-4 A ROADWAY. A road with rising ground at the right, Gallery a stone fence at the left, and trees in the distance; in the 24 foreground at the right stand a man and a woman. H. 165 in. W. 2o| in. Canvas. Bulletin, 191 5, p. 88. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 19 15. CROPSEY, Jasper F. American; born 1823 at Rossville, L. I., N. Y.; died 1900 at Hastings-Mi-Hudson, N. Y. Pupil of National Academy of Design in New York City; tra- veled in Europe. At first an architect; later painted landscapes, chiefly Hudson River scenery. C881-1 LANDSCAPE. Open country with rocks and cattle Gallery in the immediate foreground and trees at the left; farm 16 lands and wooded hills beyond and a glimpse of a river in the distance; misty atmosphere. H. 33I in. W. 48I in. Canvas. Signed: J. F. Cropsey 1853. Bequest of Mrs. Sarah Ann Ludlum, 1877. GUSHING, Howard Gardiner. American; born 1869 at New York; died 1916. Pupil of J. P. Laurens, Benjamin- Constant, and Doucet. C95-1 MRS. ETHEL GUSHING. H. 84^ in. W. 42^ in. Canvas. Signed: Howard G. Gushing. Purchase, Lazarus Fund, 1917. C95-51 INTERIOR. Gallery H. 3oin. W. 25 in. Canvas. Signed: Howard G. Cush- 12 ing, 1909. Lent by Mrs. Howard Gardiner Gushing, 1917. CUYP, Aelbert. Dutch; born 1620 at Dortrecht; died there 1691. Pupil of his father, Jacob Gerritz Cuyp. Chiefly cattle and landscapes. 62 CUYP C99-1 LANDSCAPE WITH CATTLE. A meadow with Gallery four cows lying down and four standing; a cowherd and 1 1 a dog lie in the foreground; beyond is a river with houses on the far bank at the right; a town is dimly seen in the distance. H. 315 in. W. 42j in. Wood. Signed: A: Cuyp. Gift of Henry G. Marquand, 1890. ' C99-2 A WOMAN iVIlLKING. In the center, near a group Gallery of trees, a woman who wears a red bodice is milking a 14 cow; at her left a dog is seated near a brass can; two cows are lying down in the foreground at the right; at the left is a stream with cows wading in the middle distance. H. 435 in. W. 71I in. Canvas. Signed: A: Cuyp. Gift of George A. Hearn, 1906. C99-3 YOUNG HERDSMEN WITH COWS. In the fore- Gallery ground is a field with several cows lying down and one 39 standing; two herdsmen are talking with a woman whose back is toward the spectator; a broad river is in the valley at the left, and beyond is a wide expanse of rolling country with distant hills lost in the golden afternoon haze. H. 44I in. W. 52! in. Canvas. Signed: A: Ciiyp. Bequest of Benjamin Altman, 1913. 63 D DABO, Leon. American; born 1868 at Detroit, Mich.; lives in New York Qity. Studied in France and Italy. Dii-i THE CLOUD. Big, moonlit clouds and gray water Gallery with sail-boats. 12 H. 30 in. W. 33f in. Canvas. Signed:LEON DABO; also monogrammed. Purchase, Rogers Fund, 19 14. DAGNAN-BOUVERET, Pascal Adolph Jean. French; born 1853 at Paris; lives there. Pupil of G^r6me. D13-1 THE MADONNA OF THE ROSE. Life-size, three- Gallery quarter-length, seated figure of the Madonna, holding 17 the Child in her right arm; a supernatural light emanates from the Child's head whjch is covered by a black shawl; on a table at the right is a vase with roses. H. 33 J in. W. 27 in. Canvas. Signed: P-A'J" Dac- NAN-B. Paris 1885. Purchase, Wolfe Fund, 1906. DAINGERFIELD, Elliott. American; born 1859 at Harper's Ferry, Va.; lives in New York City. D14-1 SLUMBERING FOG. (Paintedfromthetopof the Blue Gallery Ridge Mountains in North Carolina.) Mountain peaks 1 5 rise above the mist that fills the valleys; in the foreground is a bear. H. 29I in. W. 35I in. Canvas. Signed: Elliott Dain- gerfield. Bulletin, 1906, p. 58. Gift of George A. Hearn, 1906. D14-2 CHRIST STILLING THE TEMPEST. Greenish Gallery waves with a rowboat at the left in which stands the 13 figure of Christ wearing a white robe and a red mantle. 64 DAINGERFIELD — DAUBIGNY A dove flies near the water and at the horizon is the red rim of the setting sun. H. 20 in. W. 24 in. Canvas. Signed: Elliott Dainger- field. Bulletin, 1912, p. 135, ill. Purchase, Hearn Fund, 1912. DANA, William P. W. American; born 1833 at Boston; lives in London. Pupil of Ecole des Beaux-Arts in Paris under Picot and Le Poitevin. D19-1 HEARTSEASE. A little girl propped up in bed with loose pansies (heartsease) on the sheet. H.37|in. W.47fin. Canvas. Signed: W. P. W. DANA. Gift of S. Howland Russell, 1891. DANNAT, William T, American; born 1853 at New York City; lives in Paris. Pupil of Munich Academy and of Mun- kicsy. D23-1 A QUARTETTE. Four Spanish musicians in a room. Gallery At the left a large man, seated full front on a wooden 12 bench, is singing; a young woman, dressed in black with red bows, is seated on the same bench, playing the castanets; sitting beside her, with his back toward the spectator, is a man who plays the guitar; near a window in the background at the right stands a man singing and playing the mandolin. H. 94|in. W. 9i|in. Canvas. Signed: W. T. Dan- NAT-/84. Gift of Mrs. \\'illiam H. Dannat, 1886. D23-2 THEODORE CHILD. (1855-1892; English writer who lived much in Paris, traveled in Russia and the East, and wrote on travel and art.) Life-size, bust portrait in' profile. H. 19J in. W. 15I in. Canvas. Signed: W.T. Dan- nat. 1889. Gift of Mrs. Theodore Haviland, 1893. DAUBIGNY, Charles pRANfOis. French (Barbizon); born 1817 at Paris; died there 1878. Pupil of his father, the miniature painter Edmd Franfois Daubigny, and &f Delaroche. Landscapes. D26-1 ON THE RIVER OlSE; EVENING. Cattle are Gallery wading in the shallow water near the shore at the right; 17 beyond is a boat with two figures and on the bank a wo- 65 DAUBIGNY man is washing; there are figures beneath the trees at the left; sunset sky with pinkish clouds. H. isJin. W. 37^in. Wood. Signed: Daubigny 1874. Bequest of Catharine Lorillard Wolfe, 1887. D26-2 ON THE SEINE; MORNING. At the left is a group of Gallery young trees and a woman is watching cows that wade in 17 the shallow water; ducks are in the marshy foreground; on a hill in the middle distance is a village with a square church tower. H. ij-j^in. W. 27j in. Wood. Signed: Daubigny 187 1. Bequest of Catharine Lorillard Wolfe, 1887. D26-3 BOATS ON SHORE. At the left is a sandy beach Gallery with fishing boats anchored in the shallow water. 17 H. 135 in. W. 22}in. Wood. Signed: Daubigny. 187 1. Purchase, Wolfe Fund, 1903. D26-4 LANDSCAPE. A narrow stream which reflects the trees on its banks, the cottages beyond, and a woman in a blue dress who follows the footpath at the left; fresh green foliage. H. 25t% in. W. 18J in. Canvas. Signed: Daubigny. Bulletin, 1908, p. 200, ill. Bequest of Mrs. Martha T. Fiske Collord in memory of Josiah M. Fiske, 1908. D26-5 EVENING. Farmhouses stand at the edge of a quiet Gallery stream and cattle are coming down a road to drink; 21 the sunset sky, trees, and a low hill are reflected in the water in the foreground. H. 22|in. W. 36Hn. Canvas. Signed: C. Daubigny. Bulletin, 191 1, p. 98, ill. Bequest of Robert G. Dun, 191 1. D36^ BANKS OF THE OISE. The river is in the foreground Gallery and flows off toward the right; on the far shore at the 21 left a woman kneels washing clothes, and another woman, in blue skirt and white blouse, stands a little higher up on the bank; under the trees nearby is a rowboat; beyond is a village with gray-roofed cottages; light blue sky with pinkish clouds. H. 14^1 in. W.26fin. Wood. Signed: Daubigny, 1863. Bequest of Benjamin Altman, 1913. D26-7 LANDSCAPE WITH STORKS. Marshy foreground Gallery with two storks standing on a point of land; an empty 21 boat is at the right; trees and shrubbery in full summer foliage form the background. 66 DAUBIGNY — DAVID H. 9I in. W. 174^^ in. Wood. Signed: Daubigny 1864. Bulletin, 1914, p. 253; ill. p. 255. Bequest of Benjamin Altman, 1913. D26-8 RIVERSIDE. The river is in the foreground; on the far shore cows are wading at the left and a woman is washing in the center; beyond are thick clumps of trees with a group of taller ones at the left. H. i3fin. W. 22|in. Wood. Signed: Daubigny 1872. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. D26-9 BANKS OF THE OISE; EARLY MORNING. The river, edged by shrubbery and a clump of trees, fills the foreground; ducks are on the water and a boat to the left; distant hills and luminous sky. H. 14 in. W. 23 in. Wood. Signed: Daubigny 1875. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. DAUMIER, HoNORE. French; born 1808 at Marseilles; died 1879 at Valmondois. Studied lithography with Ramelet in Paris, in which city most of his life was spent. Painted chiefly satirical subjects. D261-1 DON QUIXOTE. In the middle distance on the ridge Gallery of a hill are Don Quixote mounted on a white horse 2 1 and Sancho Panza on his mule; they ride toward a dead horse which lies on the road in the foreground. H.gjin. W. iBJin. Wood. Initialed: H. D. Bulletin, 1910, p. 23, ill. Purchase, Wolfe Fund, 1909. D261-51 THE LAWYERS. Les Avocats. Three men, wearing lawyers' black, caps and gowns, stand, with papers under their arms, talking in a hallway. H.i6^m. W. i2| in. Canvas. Signed: h. Daumier. Lent by George Blumenthal, 191 3. DAVID, Gerard. Flemish; born about 1460 at Oudewater, Holland; died 1523 at Bruges. Was prominent as an illuminator and miniaturist as well as a painter of larger pictures. D27-1 THE CRUCIFIXION. Christ on the cross is in the Gallery center; at the left the swooning Virgin is held by St. 34 John; at the right Mary Magdalen kneels with clasped hands and behind her stands St. Jerome. Landscape 67 DAVID background with a Hon walking across the plains and beyond buildings which form a hollow square. H. 21 in. W. i5tV in- Wood. Purchase, Rogers Fund, 1909. D27-2 CHRIST TAKING LEAVE OF HIS MOTHER. Gallery Christ stands at the right, the Virgin and two other 37 Marys at the left. The figures are shown about half- length against a gold background. H. 6| in. W. 4f in. Wood; circular top. Bequest of Benjamin Altman, 1913. School of David. D27S-51 MADONNA FEEDING THE CHILD. An interior with Gallery the Madonna at the left of a table; she holds the nude 34 Child on her lap and prepares to feed Him with a spoon held above a bowl; in the background at the right is a window with a view of a farm-yard. This is one of several replicas; the one in the Traumann Collection in Madrid is probably the original by David. H. i5i in. W. i2| in. Wood. Lent by Robert W. de Forest, 1907. DAVID, Jacques Louis. French; born 1748 at Paris, died 1825. Pupil of Boucher and of Vien. Grand Prix de Rome, 1774; court painter to Napoleon I. Exiled to Brussels, 1816. D27-H MLLE. CHARLOTTE DU VAL D'OGNES. She is Gallery seated, the figure in profile to left, the head full-face look- 20 ing out as though making a sketch of David while he was painting her; her drawing portfolio, held with her left hand, rests on her knees; in the right she holds a crayon. She is a blonde about twenty, wearing a short-sleeved, high-waisted white gown of the fashion of the Directoire (1795-1799) with a pink ribbon about her slim waist and a white kerchief about her neck. Her chair, uphol- stered in blue, is covered with a salmon-red shawl. The background is an austere gray wall with a window at the left. Through its panes, one of them cracked, one sees a high masonry embankment where a gentleman and lady lean on an iron railing; a plain high building beyond. The light on the lady all comes from the window, making a brilliant rim to her figure and a sort of halo about her fluffy yellow hair. H, 63J in. W. 5of in. Canvas. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. 68 DAVIES — DAWANT DAVIES, Arthur B. American; born 1862 at Utica, N. Y.; lives in New York City. Pupil of Dwight Williams at Utica; studied in New York and in Chicago. D281-1 DREAM. (The motive of the picture is a quotation Gallery from Meredith: "Huntress of things worth pursuit of 15 souls; in our naming, dreams.") The nude figure of a youngwoman walking toward the left up a hill that rises from the sea, which appears at the right. H. 18 in. W. 30 in. Canvas. Signed: A. B. Davies. Bulletin, 1909, p. 1 13, ill. Gift of George A. Hearn, 1909. D281-2 THE GIRDLE OF ARES. (Ares was the Greek god of Gallery war.) Against a background of mountains and evening 15 sky appears a level line of struggling figures that fill the lower part of the picture from one side of the frame to the other. H. 261^ in. W. 4oin. Canvas. Signed: A. B. Davies. Bulletin, 1914, p. 76; ill. p. 79. Purchase, Hearn Fund, 19 14. D281-51 THE REFLUENT SEASON. A slim nude figure of Gallery a woman holding a yellow scarf, is walking to the right 12 on a terrace; at the right are white columns; a low roll- ing landscape in the background. H. 18 in. W. 30 m. Canvas. Lent by Edward W. Root, 19 19. DAVIS, Charles H. American; born 1856 at Amesbury, Mass.; lives at Mystic, Conn. Pupil of Otto Grundmann and Museum of Fine Arts School in Boston; Boulanger and Lefebvre in Paris. Landscapes. D29-1 EVENING. A plain with a tall leafless oak at right of center and a winding brook in the foreground. The evening star shines in a cloudless greenish sky. H. 38tV in- W. j-?!- in. Canvas. Signed: Charles H, Davis 1886. Gift of George I. Seney, 1887. D29-2 AUGUST. A broad expanse of hilly green country Gallery with deep shadows from white and gray clouds. 13 H. 29 in. W. 36 in. Canvas. Signed: C.H. Davis. Bulletin, 1909, p. 1 14, ill. Gift of Geprge A. Hearn, 1909. DAWANT, Albert Pierre. French; born about i860 at Paris; lives there. Pupil of Jean Paul Laurens. 69 DAWANT — DEFRANCE D32-1 DEPARTURE OF EMIGRANTS FROM HAVRE. A steamship lies at tiie wharf and on the dock men, women, and children are huddled with their packages and bundles. H. n8 in. W. 161 in. (sight) Canvas. Signed: 1887 -A-P Daw ANT. Gift of Thomas Achelis, 1897. DEARTH, Henry Golden. American; born 1864 at Bristol, R. I.; died at his home in New York City 19 18. Pupil of Ecole des Beaux-Arts, Hubert and Aim^ Morot in Paris. D34-1 CORNELIA. A young girl, wearing a red coat and a Gallery straw hat trimmed with flowers, is seated with her hands 15 crossed in her lap; against the white wall back of her hangs a Japanese print and on a table in front of it stands an Italian drug-pot; leather-bound books are on a stand at the right. H. 25! in. W. 3ijin. Canvas. Signed: H. Dearth. Bulletin, 1915, p. 151, ill. Purchase, Hearn Fund, 191 5. DECAMPS, Alexandre Gabriel. French; born 1803 at Paris; died i860 at Fontainebleau. Pupil of Abel de Pujol. David, and Ingres. D35-1 THE NIGHT PATROL AT SMYRNA. A company of Gallery Turkish guards, with their officer mounted on a white 17 horse, are dashing toward the left through a city street; the background consists of a plaster wall in brilliant sunlight with a Moorish balcony over which hangs a rug; down a narrow street at the left the blue sky is visible. H.29T^in. W. 365^ in. Canvas. Signed: DECAMPS. Bequest of Catharine Lorillard Wolfe, 1887. DEFRANCE, Leonard, Belgian; born 1735 at Lifege; died there 1805. Pupil of Von Coders; traveled in Italy; was the first professor of design in the Academy at Lifege. D36-1 THE ROPE DANCER. A young woman is balancing herself on a rope which is stretched from the rudely con- structed stage at the left to the fpreground at the right; the audience is seated farther back at the right and in the background is a board fence. H. 20 in. W. 28J in. Wood. Signed: L. Defrance de Liege. Purchase, 1871. 70 DEFREGGER — DESGOFFE DEFREGGER, Franz von. German (Bavarian); born 1835 at Dolsach, Tyrol; lives in Munich. Pupil of Munich Academy under Piloty. D36i-i GERMAN PEASANT GIRL. Life-size, almost to the Gallery waist; she wears a Bavarian Tyrol costume consisting of 18 a striped brown blouse with red bodice and black kerchief. H. 21J in. W. i6tV in. Wood. Signed: Defregger. 80. Bequest of Catharine Lorillard Wolfe, 1887. DELACROIX, Eugene. French; born 1798 at Charenton- Saint-Maurice; died 1863 at Paris. Pupil of Pierre Guerin in Paris; traveled in Spain and North Africa. Romantic and oriental subjects. D37-1 THE ABDUCTION OF REBECCA. L'ENtfevEMENT Gallery de R6becca. (For the incident see Sir Walter Scott's 17 novel, Ivanhoe, Chapter 31.) Rebecca has been carried from the burning castle of Front de Boeuf where she has been kept prisoner by Bois Guilbert. A retainer lifts her upon the horse ridden by one of his Saracen slaves; at the right the knight is arriving at a gallop from the burning castle, which is seen in the distance. H. 39f in. W. 32 J in. Canvas. Signed: Eug. Dela- croix 1846. Purchase, Wolfe Fund, 1903. DELORT, Charles Edouard. French; born 1841 at Nimes^ died 1895. Pupil of Gleyre and Gdr6me in Paris. D382-1 THE CASQUE. An interior with a man in fifteenth S. W. century costume examining a steel casque; on the floor Stairway and on the table against which he leans are other pieces of armor. H. 2ii in. W. I4i in. Canvas. Signed: C. DELORT. 1872. Bequest of Catharine Lorillard Wolfe, 1887. DE NEUVILLE. See Neuville. DESGOFFE, Blaise. French; born 1830 at Paris; died there 1901. Pupil of Flandrin and Bouguereau. Still life. D45-1 OBJECTS OF ART. (The objects to be painted were S. W. selected by Miss Wolfe from the Louvre Collections.) Stairway A" engraved rock crystal beaker, mounted in gold with brilliant enameling, and other objects are grouped on a table which is partly covered with red drapery. 71 DESGOFFE — DETAILLE H. 28f in. W. j6i in. Canvas. Signed: Blaise Des- goflFe - 74. Bequest of Catharine Lorillard Wolfe. 1887. D45-2 OBJECTS OF ART. A jeweled double cross, a crystal beaker, and other objects are on a table. H. 341 in. W. 26^ in. Canvas. Signed: Blaise Des- goffe, 1880. Gift of Frau Rittmeister Koehler (Margaret Conover Schaus), 1887. DESSAR, Louis Paul. American; born 1867 at Indianapolis, Ind.; lives in New York City. Pupil of National Acad- emy of Design in New York; Bouguereau, Robert- Fleury, and ficole des Beaux-Arts in Paris. Landscapes. D47-1 WOOD-CART. A cart filled with stripped tree trunks Gallery is being drawn across a stony field by a yoke of oxen; 12 autumn trees beyond. H. 28 in. W. 36 in. Canvas. Signed: Dessar. 1908. Bulletin, 1909, p. 115, ill. Gift of George A. Hearn, 1909. DETAILLE, Edouard. French; born 1848 at Paris; died there 1912. Pupil of Meissonier. Military subjects. D4&-1 SKIRMISH BETWEEN COSSACKS AND THE Gallery IMPERIAL BODYGUARD, 1814. A squad of Na- 18 poleon's Imperial Guard is pursuing Cossacks along a wet road through a forest of bare trees. H. 39f in. W. 32I in. Canvas. Signed: EDOUARD- DETAILLE-1870. Bequest of Catharine Lorillard Wolfe, 1887. D48-2 FRENCH CUIRASSIERS. Mounted on a heavy, S. W. dark bay mare, a cuirassier, fully equipped, stands at Stairway rest; a troop of cuirassiers is in the background. H. 13J in. W. 9I in. Water color. Signed: EDOU- ARD-DETAILLE-1872. Bequest of Catharine Lorillard Wolfe, 1887. D48-3 THE DEFENCE OF CHAMPIGNY. (The incident Gallery depicts French foot soldiers and sappers commanded 21 by General Faron, who stands in the center of the pic- ture; this division having taken Champigny, December 2, 1870, is defending a chiteau at the fork of Iwo roads, against a return attack of the Saxony and Wiirtemberg divisions of the German army.) A wall, through which 72 DETAILLE — DEWING cannon are being fired, extends from the foreground at the left to the middle distance at the right where there is a house which is being shelled by the enemy; in the immediate foreground soldiers are crouching near broken hotbeds and two officers stand before them; beyond, four officers question a peasant. H. 48 in. W. 84J in. Canvas. Signed: Edouard DETAILLE- 1879. Gift of Henry Hilton, 1887. DEVEDEUX, Louis. French; born 1820 at Clermont-Ferrand; died 1875 at Paris. Pupil of Delaroche and Decamps. D49-1 THE PRIDE OF THE HAREM. A man reclines on a S. W. divan on the edge of which a blonde young woman in a Stairway white dress is playing the mandolin; four young girls are strewing flowers; in the background a slave carries a tray. H. 33fin. W. 263^ in. Canvas. Signed: L. Devedeux. Bequest of Catharine Lorillard Wolfe, 1887. DEWEY, Charles Melville. American; born 1849 at Low- ville. New York; lives in New York City. Pupil of Carolus-Duran in Paris. Landscapes. D51-1 THE SUN SHOWER. A green landscape with a pool Gallery in the foreground; the sun is shining through the thin 12 rain clouds. H. 365 in. W.. 525 in. Canvas. Signed: Charles Mel- ville Dewey. Purchase. Hearn Fund, 1920. DEWING, Thomas W. American; born 185 1 at Boston; lives in New York City. Pupil of Julian Academy in Paris under Boulanger and Lefebvre. D511-1 THE LETTER. Interior with a lady in a low-necked Gallery pinkish gown, seated before an open desk, which is at 13 the left. • H. 20 in. W. 16 in. Canvas. Signed: T. W. Dewing. Purchase, Rogers Fund, 1910. D;ii-2 TOBIT AND THE ANGEL. The angel, in a golden Gallery garment, holding a gold harp, walks through a meadow 12 dotted with white flowers; his great white wings spread wide and his eyes fixed in an ecstatic gaze on the sky. At the right the youth follows him dragging a large fish and carrying his net over his shoulder. 73 DEWING — DE WIT H. 34in. W.4oin. Canvas. Signed:T.W. Dewing, 1887. Gift of Edward D. Adams, 1919. DE WIT, Jacob. Dutch; born 1695 at Amsterdam; died there 1754. Influenced by study of the works of Rubens and Van Dyck. Chiefly noted as a decorator who frequently used groups of children at play painted in monochrome simulating marble bas reliefs. School of De Wit. CHILDREN AT PLAY. Six nude children playing with birds and soap bubbles; one is winged and flying with a paper windmill. H. 93! in. W. 705 in. Monochrome on canvas. DjizS-i WingH Gallery 18 E512S-2 Wing H Gallery 18 D512S-3 Gallery 9 Gift of Bradley Martin, 1895. HUSBANDRY. Six nude children gathering the har- vest; one plays she is Ceres; another has climbed a tree and throws the fruit down at one below who catches it in a basket. H. 91I in. W. 67! in. Monochrome on canvas. Gift of Bradley Martin, 1895. LOVES FORGING A THUNDERBOLT. Five nude children working about a forge near a rocky cliff; one of them crouches m front holding thunderbolts in his hand. H. 93! in. W. 70I in. Monochrome on canvas. Gift of Bradley Martin, 1895. D512S-4 YOUNG FISHERS AT THE FOUNTAIN. Five Gallery nude children at a fountain; one has caught a fish, the 8 others are getting water. H. 915 in. W. 67! in. Monochrome on canvas. Gift of Bradley Martin, 1895. D512S-5 FORGING LOVE'S DART. Eight nude children, sonie Gallery of them winged, are busy around a forge near a rocky 8 cliff. H. 47I in. W. 6of in. Monochrome on canvas. Gift of Bradley Martin, 1895. D512S-6 THE BIRD'S NEST. Six nude children playing with a Wing H bird's nest; in the foreground one of the boys holds back Gallery a dog to prevent it from reaching the nest that lies on 18 the ground. H. 835 in. W. 835 in. Monochrome on canvas. Gift of Bradley Martin, 1895. 74 DE WIT— DIAZ DE LA PENA D513S-7 THE DANCE. Six nude children, three of them danc- Wing H ing and the others playing the fife, drum, and triangle. Gallery H. 835 in. W. 835 in. Monochrome on canvas. 16 Gift of Bradley Martin, 1895. D512S-8 ADAM AND EVE IN THE GARDEN. Eve stands Gallery at the left and hands the apple to Adam, who is seated 9 at the foot of the tree; the serpent is coiled in the branches above and a lion crouches at the left. H. 94 in. W. 69J in. Monochrome on canvas. Gift of Bradley Martin, 1895. DIAZ DE LA PENA, Narciso Virgilio. French (Barbizon); born 1807 at Bordeaux of Spanish parents; died 1876 at Mentone. Apprenticed at fifteen to a china painter at Paris. Landscapes and figure subjects. D54-. Gallery 17 D54-3 Gallery 17 D54-3 Gallery 17 D54-4 Gallery •7 D54-5 Gallery 20 THE HOLY FAMILY. The Virgin is seated under a tree; the Christ Child leans against her knee at the right and St. John on the other side. H. 12J in. W. 95 in. Wood., Signed: N. Diaz -53. Bequest of Catharine Lorillard Wolfe, 1887. LANDSCAPE. An open field with a roadway and a figure; trees and hills in the distance. H. gi in. W. 13! in. Wood. Signed: N. Diaz. Bequest of Catharine Lorillard Wolfe, 1887. STUDY OF TREES. Several large tree trunks spotted with sunlight; at the right a stooping figure wearing a red kerchief. H. 14 in. W. lof in. Wood. Signed: N. Diaz. Bequest of Catharine Lorillard Wolfe, 1887. EDGE OF A FOREST. In the distance is a clearing where the sun is shining; from this a road leads into the heavy foliage in the foreground, and a bent figure is just entering the shady path. H. 95 in. W. 12 in. Wood. Signed: N. Diaz. Bequest of Catharine Lorillard Wolfe, 1887. A CLEARING IN THE FOREST OF FONTAINE- BLEAU. A rocky hilltop with a footpath across the center; at the left is the trunk of an oak with one branch in leaf and the others broken off; beyond at right and left are trees in full summer foliage; blue sky with dark clouds at the zenith. 75 DIAZ DE LA PENA — DIETRICH H. i4lin. W. i8^in. Wood. Signed: N. Diaz-72- Bulletin, 1914, p. 253, ill. Bequest of Benjamin Altman, 1913. D54-6 CHILDREN AND LIZARD. A group of five children, wearing bright-colored garments, are watching a lizard; in the background at the right is a vine-covered pergola. H. 23! in. W. 29.-i\in. Canvas. Signed: N. Diaz — 1865. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. D54-7 THE POOL. Between the small, marshy pool in the foreground and the woods in the distance is the figure of a woman crossing a field. H. i2^Tin. W. i6iVin. Wood. Signed: N. Diaz-73- Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. D54-8 A CLEARING IN THE FOREST; MARSHY FORE- GROUND. Brown foliage which opens out in the center of the canvas, showing clumps of trees in sunlight and blue and white sky. H. i2jin. W. lyiin. Wood. Signed: N. Diaz '73. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. D54-9 WOODLAND POOL AND FIGURE. It is clearing off after a rain storm; the sunlight catches the tops of the brown trees and a sandy spot between rocks where a woman walks carrying a load on her back. The pool is back of her and a wide stretch of dark blue sky and sunlit clouds is shown above. H. 19J in. W. 26 in. Canvas. Signed: N. Diaz 67. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917 DIETRICH, Christian WiLHELM Ernst. German; born 1712 at Weimar; died 1774 at Dresden. Pupil of his father and of Alexander Thiele. In 1746 became keeper of the Dresden Gallery. Imitated Dutch and French masters. D561-1 SURPRISED; or Infidelity Found Out. At the left a man and a woman are seated on the ground in the shade of a group of trees and a Love is near them; at the right, stand several ladies and gentlemen who are preceded by Cupid, who bears a flaming torch. 76 THE ABDUCTION OF REB,ECCA BY EUGENE DELACROIX PARADISE BY GIOVANNI DI PAOLO H. 28f in. W. 2S^ in par C. E. Dietrich. Purchase, 1871. DIETRICH — DOU Canvas. Inscribed: Feint D561-2 CHRIST HEALING THE SICK. Standing in the porch of the Temple, the Christ extends his arm toward a man who lies in the foreground; at the right are apostles and elders and at the left are the sick and maimed. H. 35I in. W. 41-j^ in. Canvas. Signed: Dietricy pinxt 1742. Gift of William H. Webb, 1885. DOMINGO, Francisco. Spanish; born 1843 at Valencia; has lived at Paris since 1878. Pupil of Royal Academies of San Carlos at Valencia and San Fernando at IVIadrid; studied in Rome. D711-1 INTERIOR WITH FIGURES. A number of soldiers Gallery are playing cards and drinking. 18 H. 6J in. W. 8^ in. Wood. Signed: 1881-Domingo. Bequest of Catharine Lorillard Wolfe, 1887. DONOHO, RuGER. American; born 1857 at Churchill, Miss.; died 1916 in New York City. Pupil of Art Students' League and R. Swain Gilford in New York; Julian Academy in Paris. Chiefly landscape painter. D715-1 WINDFLOWERS. Masses of pink blossoms in the Gallery foreground; fields beyond with tree trunks and a stone 12 wall in the middle distance. H. 30 in. W. 36 in. Canvas. Signed: Ruger Donoho 1912. Purchase, Rogers Fund, 191 7. D0R£, Gustave. at Paris. French; born' 1833 at Strasburg; died 1883 Chiefly illustrator. D73-1 THE RETREAT FROM MOSCOW. A wagon load S. W. of Napoleon's soldiers is followed by a squad of Russian Stairway cavalry; at the left are dead horses and an overturned army wagon; in the middle distance are Russian soldiers. H. 281 in. W. 37f in. Gouache in black and white on gray paper. Signed: C° Dore 1865. Bequest of Catharine Lorillard Wolfe, 1887. DOU (or Dow), Gerard. Dutch; born 1613 at Leyden; died there 1675. At first apprenticed to an engraver, in 1628 77 DOU — DOUGHTY he entered the studio of Rembrandt, where he remained two years and was influenced by the master's early manner. D741-1 PORTRAIT OF THE ARTIST. The painter when Gallery about forty years of age; he is shown standing back of a 39 window, holding his palette and brushes in his left hand, and with his right turning the leaves of a book which rests on the silf; a striped scarf hangs over the window ledge, partly covering a panel in low relief; a vase with a plant is at the left and at the right a vine and a bird-cage. H. ig^in. W. ijfin. Wood. Signed: G. Dou. Bequest of Benjamin Altman, 1913. DOUGHERTY, Paul. American; born 1877 at Brooklyn, N. Y.; lives in New York City. Studied in Paris, London, Florence, Venice, and Munich. Marines. D742-1 OCTOBER SEAS. Rocks are in the foreground and at Gallery the left; breakers beyond. 15 H. 36J in. W. 48I in. Canvas.* Signed: Paul Dough- erty-1910. Purchase, Hearn Fund, 191 1. D742-2 SUN AND SHADOW, LAKE LOUISE. (A Canadian lake near the foot of the glacier-covered Mount Vic- toria.) Distant snow-capped mountains seen between two green mountain sides that slope down to the lake in the foreground. H. 13I in. W. 19^ in. Water color. Signed: Paul Dougherty. Purchase, Lazarus Fund, 1917. D742-3 THE ROAD TO CAYEZ, PORTO RICO. Hilly, trop- ical country with the road partly hidden in a valley. H. 135 in. W. ig^ in. Water color. Signed: Paul Dougherty. Purchase, Lazarus Fund, 191 7. DOUGHTY, Thomas. American; born 1793 at Philadelphia; died 1856 in New York City. Landscapes. D743-1 ON THE HUDSON. Rocks are in the foreground, trees Gallery and shrubbery at the right, the Hudson River is in the 16 middle distance, and beyond are the hills near West Point. H. 14! in. W. 2i|in. Canvas. Signed: T. DoucHTy. Gift of Samuel P. Avery, 1891. 78 DOUGHTY — DRUMMOND D743-2 A RIVER GLIMPSE. A wooded landscape with a path Gallery in the foreground and the Hudson River in the middle 16 distance. H. 30I in. W. 25 in. Canvas. Signed: T. Doughty. Gift of Samuel P. Avery, 1895. D743-3 LANDSCAPE. A' valley with a river at the right, and trees at the left ; distant hills. H. 43|in. W. 63^^in. Canvas. Signed: T. Doughty. Gift of George F. Shelton and Mrs. F. H. Markoe, in memory of their father, Theodore B. Shelton, 1917. DROUAIS, Fransois Hubert. French; born 1737 at Paris, died there, 1775. Pupil of his father, Hubert Drouais; • and of Carle van Loo, Natoire, and Boucher. Portraits. D831-1 EMPEROR JOSEPH II OF AUSTRIA. (1741-1790; Gallery son of Francis 1 and Maria Theresa; succeeded his father 20 in 1765.) Life-size, full-length figure, standing near a gilt table with a marble top; he wears a scarlet velvet coat and knee breeches and a white silk waistcoat em- broidered with gold; a brown and white terrier is in the foreground. H. 97J in. W. 691 in. Canvas. Signature indistinct. Purchase, Rogers Fund, 1903. D831-3 MADAME FAVART. (1727- 1772; a popular opera Gallery singer, later the wife of Charles-Simon Favart, dramatist.) 20 She is shown three-quarters length, seated profile to right, looking at the spectator, and playing on a double-banked harpsichord. She has powdered hair and wears a low- cut blue dress trimmed with lace; blue ribbons around her neck and in her hair. Gray background. H. 3ijin. W. 25^^ in. Canvas. Signed: DROUAIS Le Fils 1757. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 191 7. DRUMMOND, Samuel. British; born 1763 in London; died there 1844. Portrait and historical painter; curator of the Royal Academy schools in London. D84-1 ALEXANDER REA. (1782-1820; an actor.) The figure is seen to the waist with the head three-quarters to the right; he wears a black velvet coat the collar of which is edged with fur, and a full white neck-cloth. H. 30 in. W. 245 in. Canvas. Bequest of Emil C. Bondy, 191 5. 79 DUEZ— DUNLAP DUEZ, Ernest Ange. French; bom 1843 at Paris; died 1896 in the forest of St. Germain. Pupil of Pils. D861-1 THE BOUQUET. Standing figure of a young lady in Gallery a dark blue walking dress, holding a bouquet and a 18 shawl in her left hand. H. 12} in. W. 8| in. Water color. Signed: E. Duez. Bequest of Catharine Lorillard Wolfe, 1887. DUGHET, Gaspard; known as Gaspard Poussin. French; bom 1613 at Rome, Italy, of French parents; died 1675 at Rome. Pupil of Nicolas Poussin, whose name he adopted. Landscapes. D87-3 LANDSCAPE WITH FIGURES. High trees are at Gallery the left and in front of them is a fountain with nude 14 figures bathing in the marble pool; in the center of the foreground is a road where two partly nude men are throwing a stone at a hissing snake; clumps of trees and several buildings are in the middle distance with mountains beyond. H. 36I in. W. 58I in. Canvas. Gift of George A. Heam, 1906. D87-4 LANDSCAPE. Wild country with groups of trees on Gallery each side; mountains are in the distance and a stream 20 falls in two cascades toward the foreground where there is a road with several mythological figures. H. 37I in. W. 60J in. Canvas. Bulletin, 1908, p. 209. Purchase, Rogers Fund, 1908. DUNLAP, William. American; born 1766 at Perth Amboy, N. J.; died 1839 at New York City. Studied painting with Benjamin West in London; upon his return to New York went into business with his father and throughout his life alternated between painting, managing a theatre, and writing books. He is best known as the author of The History of the Arts of Design in the United States, published 1834. D92-1 JOHN A. CONANT. (John Adams Conant of Brandon. Vt.; 1800-1886.) Life-size figure seen almost to the waist; he wears a high collar and white stock. H. 3o|in. W. 25in. Wood. Signed: W. Dunlap 1829. Gift of John A. Church, 1913. 80 DUNLAP — DUPRE D92-2 MRS. JOHN A. CON ANT. (Caroline D. Holton, wife of John A. Conant of Brandon, Vt.) Life-size figure seen to'the waist; her hair is parted in the middle and waved; she wears a low-necked dress edged with lace and a gold chain is about her neck and falls across her bodice. H.30^in. W. 25in. Wood. Signed indistinctly: Dunlap. Gift of John A. Church, 19 13. DUPLESSlS.JosEPH SiLFREDE. French; born 1725 at Carpentras; died 1802 at Versailles where he was Curator of the Museum. Pupil of Imbert and Subleyras. Chiefly portraits. , D92I-I BENJAMIN FRANKLIN. (1706-1790; American Gallery philosopher, statesman, diplomat, and author.) Life- 20 size, to the waist; he wears a red coat with brown fur collar. One of several replicas. H. 27! in. W. 22 J in. Canvas, oval. Inscribed on back of canvas, possibly by the artist: Feint par Duplessis; pour obliger le Vicomte De Buissy. Gift of George A. Lucas, 1895. DUPR6, Jules. French (Barbizon); born 181 1 at Nantes; died 1889 at r Isle-Adam, near Paris. As a youth he was a decorator in a porcelain factory. Studied painting under Laug^e and Pils in Paris. Landscapes. D922-1 THE OLD O.AK. The tree is at the right near a dark Gallery pool of water; beyond are meadow lands where two cows 18 are grazing. H. 32 in. W. 25I in. Canvas. Signed: Jules Duprd. Bequest of Catharine Lorillard Wolfe, 1887. D922-2 THE HAY WAGON. The wagon, with a woman and Gallery child seated on the hay, is being drawn over a sandy hill 17 by a team of horses and a man is pushing the wagon; another man walks at the side of the team; stormy sky. H. 14^ in. W. i8i in. Canvas. Signed: Jules Dupr6. Bequest of Catharine Lorillard Wolfe, 1887. DUPR£, Julien. French; born 1851 at Paris; died there 1910. Pupil of Pils, Laugde, and Lehmann. D923-1 THE BALLOON. French peasants have stopped haying to look at a balloon floating in the sky; in the center stands a woman with a rake in her hands, and at the right is an old woman with a red kerchief on her head. DUPRE— DURAND H. 96i in. W. 78J in. Canvas. Signed: JULIEN DUPRE 1886. Gift of George I. Seney, 1887. DURAND, AsHER B. American; born 1796 at Jefferson Village, N. J.; died there 1886. Self-taught. At first an en- graver but after 1835 devoted himself entirely to landscape painting. D93-1 LANDSCAPE. A stream runs in the foreground with figures on the shore at the right and cattle grazing at the left; groups of trees beyond and mountains in the distance. H. 32I in. W. 47J in. Canvas. Signed: A. B. Durand 1853. Bequest of Mrs. Sarah Ann Ludlum, 1877. D93-2 JUDGMENT OF GOG. (Fulfilment of the prediction according to Ezekiel, xxxix, 4.) The valley of Hamon- Gog, where the troops of Gog, the prince of Rosh, Mes- hech and Thubal, are being overthrown. H. 605 in. W. 5of in. Canvas. Gift in memory of Jonathan Sturges by his children, 1895. D93-3 IN THE WOODS. A brook winds between birches. H. 60J in. W. 48! in. Canvas. Signed: A. B. Durand, 1855. Gift in memory of Jonathan Sturges by his children, 1895. D93-4 ARIADNE. (A copy after the large painting by Van- Gallery derlyn which is in the Pennsylvania Academy of the 16 Fine Arts in Philadelphia. This copy was made by Durand before executing the etching.) Full-length, nude, lying on the ground with a white and red drapery beneath her; landscape and sea in the background. H. 17J in. W. 19! in. Canvas. Gift of Samuel P. Avery, 1897. D93-5 IMAGINARY LANDSCAPE. At the right are trees with high mountain peaks beyond; at the left is a valley with a winding river in the distance and a flock of sheep coming toward the foreground. H. 39J in. W. 61 in. Canvas. Gift of J. Pierpont Morgan, 191 1. D93-6 THE BEECHES. In the foreground at the left is a group of beeches; a road winds through the picture and 83 DURAND — DORER in the middle distance are a flock of sheep and the shep- herd; a lake is beyond. H. 6ot in. W. 48jin. Canvas. Signed: A B DU- RAND 1845. Bulletin, 1915, p. 64; ill., p. 65., Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. D93-7 SUMMER AFTERNOON. In the foreground at the Gallery left is a lake; on the far bank at the right are large trees 16 beneath which cattle are grazing; two cows wade in the water. H. 22| in. W. 35 in. Canvas. Signed: A B Durand 1865. Bulletin, 191 5, p. 64; ill. p. 66. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. DORER, Albrecht. German; born 1471 at Nuremberg; died there 1528. He was apprenticed in i486 to Michel Wolgemuth. Painted portraits and devotional pictures and is also noted as an engraver and etcher. D931-1 MADONNA AND CHILD WITH SAINT ANNE. St. Gallery Anne, with fixed look, her head and chin covered with a 37 white drapery, holds the sleeping Christ Child on her lap and rests her left hand on the Virgin's shoulder; Mary, her head lower than St. Anne's, with half-closed eyes and joined hands, adores the Child. Several similar com- positions by Durer exist; Waagen mentions ten. An exact study for this St. Anne is in the Albertina at Vienna. In the middle of the nineteenth century this picture was the subject of discussions as to its authenticity; it is listed as by Durer in the monograph on this artist by Moritz Thausing, who reports the arguments. H. 23! in. W. iQii in. Wood. Monogrammed: AD 1519. Bequest of Benjamin Altman, 1913. D931-2 VIRGIN AND CHILD. The Virgin is blonde and 4 rather fat; the nude Child crouches on her lap, holding her left thumb in His right hand. She leans over Him and lifts with her right hand the white cloth on which He sits. Her dress and shawl are both salmon colored; a white chemisette shows at her throat; brown back- ground with delicate yellow rays from the Virgin's head. H. iiin. W. 8Hin. Wood. Signed: 15 16 AD. Cift of J. Pierpont Morgan, 1917. 83 DUTCH SCHOOL— DYCK DUTCH SCHOOL; Seventeenth Century. DU95S-1 A BURGOMASTER. Life-sire figure, seen to the knees, Gallery seated at a table, writing; he has gray hair, beard, and 26 moustache, and wears a narrow white ruff and a dark coat with leopard skin collar; his gloves are in his left hand. H. 42J in.' W. 30t^ in. Wood. Gift of Henry G. Marquand, 1888. DUVERGER, Theophile Emmanuel. French; born 1821 at Bordeaux; died 1901 (?). D951-1 FEEDING THE BIRD. A kitchen with a little girl S. W. kneeling on the red tiled floor beside a large bird cage; Stairway a woman is seated at the right, sewing. H. i2| in: W.gf in. Wood. Signed: Duverger Bequest of Catharine Lorillard Wolfe, 1887. DYCK, Anthony Van. See Van Dyck. EAKJNS, Thomas. American; born 1844 at Philadelphia; died there 1916. ^ Pupil of the Pennsylvania Academy of the Fine Arts; Ecole des Beaux-Arts in Paris under G6r&me and Bonnat. Ea5-i THE CHESS PLAYERS. An interior with two men Gallery seated at a table; a third stands watching the game. 12 H. I if in. W. i6f in. Wood. Inscribed: benjamini EAKINS, FILIUS, PINXIT, 1876. Gift of the artist, iBBi. Ea5-2 PUSHING FOR RAIL. (The name given by sports- Gallery men to a method of hunting rail, a kind of water-bird, 13 whereby the hunter is punted along the shallow waters of marshy streams and shoots the birds as they fly on being disturbed.) Three hunters, each with his boat- man, are in three boats which are hidden by weeds. H. 13 in. W. so^Vin. Canvas. Signed: EAKINS 74. Purchase, Arthur Hoppock Hearn Fund, 19 16. Ea5-3 THE WRITING MASTER. Portrait of the artist's Gallery father, engrossing a parchment diploma on a table, the 12 top of which shows at the lower edge of the canvas. He is a man of about seventy with bald forehead, thin white hair, and white chin beard; he has strong wrinkled hands, capable of sensitive and most delicate work. His coat is black and the background is dark. H. 30 in. W. 34i in. Canvas. Signed: EAKINS 82. Billletin, 1917, p. 218, ill.; 1918, p. 25. Purchase, Kennedy Fund, 191 7. Ea 5-4 THE THINKER. Life-size, full-length, standing figure Gallery of a nervous man of .about forty. He is clean shaven, has 12 black hair, and wears glasses. He stands three-quarters to right, with feet apart, head tipped somewhat for- 85 EAKINS — ELLIOTT ward, and his hands in his trousers pockets — the attitude of one lost in thought. His black clothes fit him loosely; the background is light. H. 82 in. W. 42 in. Canvas. Signed: Eakins 1900. Bulletin, 1917, p. 218, ill.; 1918, p. 25. Purchase, Kennedy Fund, 19 17. EARLE, Ralph. American; born 175 1 in Worcester County. Mass.; died 1801 at Bolton, Conn. At first an itiner- ant portrait painter; after the War of the Revolution went to London returning to the United States probably in 1786. Signed sometimes Earl but more frequently Earle. Ea7-i LADY WILLIAMS. Life-size, seated portrait, • seen Gallery to below the knees; she is dressed in white and holds a 16 baby girl on her lap; the child has a blue sash and blue ribbons on her cap; at the left is a mahogany table with an inkstand. H. 501 in. W. 39J in. Canvas. Signed: R Earl Pinxit 1783. (?) Bulletin, 1906, p. 83, ill. Purchase, Rogers Fund, 1906. EECKHOUT, Gerbrandtvan den. Dutch; born 1621 at Amster- dam; died there 1674. Pupil and imitator of Rembrandt. Eei-i DESTRUCTION OF SODOM AND GOMORRAH. Gallery Clouds of smoke rise to right and left; between are seen 14 the burning cities and panic-stVicken people; in the fore- ground Lot is escaping accompanied by two angels and behind him are his wife and her attendants. H. 14 in. W. 20tV in. Wood. Gift of George A. Hearn, 1906. EKSERGIAN, Carnig. Armenian; bom 1859 at Constantinople; studied there and in Paris; lives in New York. Ek7-i ISAAC D. FLETCHER. (1844-1917.) Standing, three- quarters length, full-face. Mr. Fletcher is shown at the age of seventy; he wears a black coat and tie. H.4oin. W. 3oin. Canvas. Signed: C. Eksergian 1914. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 191 7. ELLIOTT, Charles L. American; born 1812 at Scipio, N. Y.; died 1868 at Albany, N. Y. Pupil of Trumbull and Quidor; spent the greater part of his life in New York City. Portraits. 86 ELLIOTT — EMMET EI5-1 PORTRAIT OF THE ARTIST. Life-size, bust; he has dark hair, falling nearly to the shoulders, and a full beard. H. 30J in. W. 245 in. Canvas. Gift of Robert Hoe, 1888. EI5-2 M. B. BRADY. ( ? -1896; historical photographer.) Life-size, to the waist; he has dark hair and beard. Painted in 1857. > H. 24 in. W. 20 in. Canvas. Gift of friends of Mr. Brady, 1896. EI5-3 CALEB GASPER. (1790-1877; of Marcellus, N. Y.) Gallery Life-size figure, seated in a red chair and seen to the 16 waist; his hair is slightly gray. H. 33 J in. W. 25 in. Canvas, oval. Signed: C. ,L. Elliott 1852. Gift of Mrs. Henry Marquand, 1897. EI5-4 MRS. JAMES CLINTON GRISWOLD. (1830-1897; she was Laura Gasper, daughter of Caleb Gasper.) Life-size figure, seen to the knees; she is seated on a red drapery and dark trees form the background; she wears a thin white dress and her hair is parted and drawn back. H, 36! in. W. 29I in. Canvas. Signed: Elliott 1854. Gift of Mrs. Henry Marquand, 1897. ELTEN, Kruseman van. See Kruseman. EMMET, Ellen G. (Mrs. William Blanchard Rand.) Ameri- can; born 1876 in San Francisco; lives in New York City. Studied in New York and Paris. Portraits. Em6-i AUGUSTUS SAINT-GAUDENS. (1848- 1907; American Gallery sculptor.) Life-size, seated, seen to below the knees; 12 the face is in profile, the left elbow rests on the arm of the chair, and the raised left hand holds the eyeglasses. H. 38I in. W. 30 in. Canvas. Purchase, Rogers Fund, 1904. Em6-2 . BENJAMIN ALTMAN. (1840-1913; New York mer- Gallery chant, art collector, and philanthropist. He bequeathed 38 his art collection to the Museum.) Life-size, full-length, seated figure. H. 44i in. W. 335 in. Canvas. Signed: Ellen Emmet Rand, 19 14. Gift of the Executors of the Estate of Benjamin Altman, 1914. 87 ENGELBRECHTSEN — ESCALLIER ENGELBRECHTSEN, Cornelis. Dutch; born I468(?) at Ley- den; died there 1533. En3-i CRUCIFIXION. Christ is on the cross in the center Gallery of the picture with three angels, represented in blue 34 monochrome, holding chalices to catch the blood from ' His wounds; at the right and left are the crucified thieves. In the foreground at the left stand the Virgin in a black robe and St. Peter in a gray robe and green mantle; at the right stand St. John in red and St. Margaret in yellow with the dragon at her feet. In the immediate foreground the donors are kneeling at prie-dieux; the man, wearing a black fur-lined, robe with red undersleeves, is at the left; the woman, attired in the garb of a nun, is on the opposite side. Landscape background with a river and blue hills in the distance. H. 24i in. W. 35t^ in. Wood. Gift of Frederic Coudert, 1888. School of Engelbrechtsen. En3S-i ECCE HOMO. A city square with a raised platform at the left where Christ stands with hands bound and wearing the crown of thorns; in the foreground at the right are soldiers and other men. This and the following panel were originally part of the same altarpiece; on the back of each a single figure is painted in grisaille. H. i6i in. W. Si in. Wood. Gift of Ferdinand Hermann, 191 1. En3S-2 DESPOILMENT OF CHRIST. In the foreground a man is removing Christ's cloak; at the left the Virgin is supported by St. John; landscape background with towers of a castle on a hill in the distance. H. i6i in. W. 8J in. Wood. Gift of Ferdinand Hermann, 191 1. ESCALLIER, Eleonore. French; born at Poligny; died 1888 in Paris. Pupil of Ziegler; she was a flower painter at the government porcelain factory at Sevres. Esi-i A BASKET OF FLOWERS. In a basket and on the S. W. ground are pink roses and other cut flowers. Stairway H. 29I in. W. 23^ in. Canvas. Signed: E. Escallier. Bequest of Catharine Lorillard Wolfe, 1887. Esi-2 CHRYSANTHEMUMS. Long stalks of white and pink chrysanthemums in a dark blue vase are placed in 88 ESCALLIER— EYCK - S. W. front of a black and gold lacquered box; a red drapery Stairway is at the left; two birds peck the flower stems. H. 28i in. W.,235 in. Canvas. Signed: E. Escallier. Bequest of Catharine Lorillard Wolfe, 1887. ESCOSURA,. Leon Y. Spanish; born 1834 at Oviedo; died 1901 at Toledo. Pupil of the Royal Museum at Madrid; G€r&me in Paris. Esii-i AUCTION SALE IN CLINTON HALL, NEW YORK CITY, 1876. A sale of bric-k-brac is being held. H. 23-j^ in. W. 3 if in. Canvas. Signed: Leon Y Es- cosura 1876. Gift of the artist, 1883. ETTY, William. British (English); born 1787 at York; died there 1849. Pupil of the Schools of the Royal Academy in London and of Sir Thomas Lawrence. Et7-i THE THREE GRACES. A study of three, partly Gallery nude, standing female figures. 24 H. 22^ in. W. i8| in. Cardboard. Bulletin, 1906, p. 65. Purchase, Rogers Fund, 1906. EYCK, Jan Van. See Van Eyck. 89 FABER, CONRAD; known as Conrad von Creuznach, also as Master of the Holzhausen Portraits. German; born prob- ably at Creuznach. Worked at Frankfort from 1525 to 1 55 1, where he was the portrait painter of the patricians of the town. Usually signed C v C. Fi-i PORTRAIT OF A MAN. (According to Friedlander Gallery this is a portrait of George von Rhein zum Mohren. 34 The St. George on the dagger and the Moor on the ring gave the clue.) Standing figure, seen to the waist; the left hand, on which are two rings, holds the handle of a dagger which has a gold inlay showing St. George and the Dragon; he has a square-cut, brown beard; he wears a black cap over a yellow skull cap, a gathered white shirt with gilt collar, and a gold link chain which falls inside his coat. Landscape background with towns and vineyards carefully drawn and the Rhine beyond with distant hills crowned with castles. H. 2o|in. W. i4t\ in. Wood. Bulletin, 1912, p. 136,111. Purchase, Kennedy Fund, 19 12. FAES, Peter van der. See Lely. FALERO, Luis. Spanish; born 1851 at Granada; died 1896 at London. Studied in Paris. F18-1 TWIN STARS. Two female figures in diaphanous S. W. black drapery cling to each other in mid air and point Stairway to two stars above them; dark blue night sky. H. i6§ in. W. 8§ in. Water color. Signed: Fa lero. -Paris 188 1. Bequest of Catharine Lorillard Wolfe, 1887. FANTIN-LATOUR, Ignace Henri Jean Theodore. French; born 1836 at Grenoble; died 1904 at Buv6. Pupil of his 90 FANTIN-LATOUR — FIORENZO DI LOUENZO father, Thfodore Fantin la Tour, and of Lecoq de Bois- baudran. F21-1 PORTRAIT OF A LADY. Life-size, seated, seen to. Gallery below the knees; she is dressed in black and wears 17 turquoise jewels. H. 39i in. W. 32 in. Canvas. Signed: Fantin. 85. Bulletin, 1910, p. 123, ill. Purchase, Wolfe Fund, 1910. F21-2 AN Af ELIER AT BATIGNOLLES. (Sketch for the picture in the Luxembourg Museum.) Manet at the easel is painting the portrait of the poet Astruc, sur- rounded by his friends, Monet, Renoir, Bazille, and others. H. 1 15 in. W. 1 55 in. Charcoal and oil paint on paper. Signed: Fantin. Bulletin, 1919, p. 138. Gift of Mrs. Helena M. Loewel in memory of Charles W, Kraushaar, 19 19. FICHEL, Benjamin EucfeNE. French; born 1826 at Paris; died there 1895. Pupil of Paul Delaroche. F44-1 A VIOLIN PLAYER. Standing figure of a man in a red coat. H.Siiin. W.4fin. Wood. Signed: E. FICHEL. 1871. Bequest of Stephen Whitney Phoenix, 1881. F44-2 AWAITING AN AUDIENCE. The reception room S. W. of a palace with a cardinal and many courtiers in the Stairway costume of the end of the eighteenth century. H. 19^ in. W. 3ii in. Wood. Signed: E. FICHEL. 1873. Bequest of Catharine Lorillard Wolfe, 1887. FIESOLE, Giovanni da. See Angelico. FILIPEPI, Sandro. See Botticelli. FIORENZO DI LORENZO. Italian (Umbrian); born about the middle of the fifteenth century at Perugia; died after 1 52 1. Pupil of Mezzastris and Bonfigli; influenced by Benozzo Gozzoli, Antonio Pollaiuolo, and Verrocchio. F51-1 THE NATIVITY. The Child lies on the ground while Gallery the Virgin kneels at the right and St. Joseph at the left; 30 immediately behind the group is a grotto within which 9' FIORENZO DI LORENZO — FLAGG are the ox and the ass and above it are two small angels kneeling on a cloud and holding a scroll; landscape back- ground. H. iif in. W. 265 in. Tempera on wood. Bulletin, 1907, p. 24, ill. Purchase, Rogers Fund, 1906. FIRMIN-GIRARD, Marie Francois. French; born 1838 at Poncin, Ain; lives in Paris. Pupil of Gleyre. F511-1 A RAINY DAY IN PARIS. Two ladies are walking under an open umbrella near the book-stalls which line the quays beside the Seine. H. 9I in. W. 7i in. Wood. Signed: FIRMIN-GIRARD. 1879. "Bequest of Thomas P. Salter, 1907. FITZ, Rutherford Benjamin. American; born 1855 at New York City; died there 1891. Studied at the National Academy of Design in New York; also in Munich. F57-1 MARIE. Life-size, almost to the waist; a yellow scarf is draped about her shoulders. H. 23 in. W. 161^ in. Canvas. Signed: Fitz. Gift of several gentlemen, 1892. FLAGG, Charles Noel. American; born 1848 atBrooklyn, New York; died 19 16 at Hartford, Conn. Pupil of L. Jaques- son de la Chevreuse in Paris. F59-1 MARK TWAIN. (Samuel L. Clemens, 1835-1910; American author.) H. 4oi in. W. 32! in. Canvas. Signed: Charles Noel Flagg 1890. Gift of Miss Ellen Earle Flagg, 19 17. FLAGG, Montague. American; born 1842 at Hartford, Conn.; died 191 5 in New York City. Pupil of Jacquesson de la Chevreuse in Paris; most of his professional life was spent in New York. F591-1 PORTRAIT OF MY WIFE. The figure is seen to the Gallery waist; her hair is parted and drawn over the ears; she 12 wears a simple black dress, slightly Open at the throat. H. 26I in. W. 22 in. Canvas. Signed: MONTAGUE FLAGG. ' Gift of Charles Noel Flagg, A. N. A., through his daughter, Ellen Earle Flagg, 191 7. 92 FLAGG — FLEMISH SCHOOL F591-2 CHARLES FOSTER. The figure is seated to the right and seen to the waist. He has reddish brown hair parted in the middle and moustache and imperial; his hands are clasped on his lap. H. 32 in. W. 25i in. Canvas. Signed: Montague Flagg, 1882. Gift of Charles Foster, 1919. FLEMISH SCHOOL. FI62S-1 TEMPTATION OF SAINT ANTHONY. Fantastic landscape with small figures. St. Anthony is reading at a. desk; about him are witches, devils, and grotesque animals. Previously attributed to Pieter Bruegel the Younger. Seventeenth-century work. H- 22yV in. W. i6| in. Wood. Gift of Edward Robinson, 1874. FI62S-5 SCENES FROM THE LIFE OF A SAINT. At the Gallery left a youth stands in the choir of a partially finished 34 church where there are three priests and several choir boys. . In the background at the right, the same young man is in the street, distributing alms. Previously attributed to Henricus Blesius. Early sixteenth-century work; Antwerp school (?). H. 33A in. W. 23in. Wood. Bulletin, 1909, p. 25, ill. Purchase, Rogers Fund, 1908. F162S^ PORtRAlT OF A MAN. (According to tradition this Gallery is a portrait of John Lilburne, the English political 26 agitator; i6i4(?)-i657.) Life-size, seen to the waist; his dark brown hair falls over a broad, flat white linen collar. Seventeenth-century work. H. 27J in. W. 21J in. Canvas. Bulletin, 1909, p. 10. Gift of Mrs. Wheeler Smith, 1908. FI62S--7 LIFE OF SAINT GODELIIEVE. A polyptycb. (Ac- cording to the legend, Godelifeve, a pious young maiden, became the wife of Bertolf,' who lived at Ghisteles, Flanders, from 1067 to 1070; he soon tired of her and although she bore his maltreatment and that of her mother-in-law with Christian fortitude, he had.her put to death. She was canonized in 1084. The name Godelifeve in Flemish means Love of God.) When open, the five panels illustrate her life. At the left she is playing with two young girls and her parents are in the background; next she is giving alms; the central panel 93 FLEMISH SCHOOL — FORTUNY shows a feast being prepared by angels, the marriage ceremony, and her preparation for a religious life; in the right-hand panels she is being strangled by her husband's hirelings and thrown into a well. When closed, the doors show the donor and several saints. Painted to- ward end of fifteenth century. H. 44 in. W. central panels 57 in.; wings each lof in. Wood. Bulletin, 1912, p. 126, ill. Purchase, Kennedy Fund, 19 12. FI62S-8 THE LAST SUPPER; THE FALLING OF MANNA; Gallery MELCHIZEDEK AND ABRAHAM. A triptych. 34 The central panel depicts the Last Supper as taking place in a Flemish church. On the right is a landscape with Moses directing the gathering of the manna. At the left, Melchizedek is giving bread and wine to Abraham. On the outside of the wings are single figures of Adam and Eve. Previously attributed to Herri met de Bles. Early sixteenth-century work. Center panel: H. 415 in. W. 28 in. Side panels each. H. 4ijin. W. 12 in. (sight) Wood. Bulletin, 1909, p. 154. Gift of J. Pierpont Morgan,- 1917. FLORIAN, Walter. American; born 1878 at New York City; died there 1909. Pupil of Metropolitan Museum Art School under Twachtman and Herbert Morgan; Art Students' League of New York; Julian and Colarossi Academies in Paris; studied in Spain and Holland. F66-1 JOZEF ISRAELS. (Dutch painter;,see Israels.) Life-size, N. E. seated figure, with palette and brushes held in his left Stairway hand; a characteristic pose, painted in Israel's studio. H. 40 in. W. 30I in. Canvas. Signed: Walter Florian Holland-1903. Gift of Julian Florian, 191 1. FORTUNY, Mariano. Spanish; born 1838 at Reus in Catalonia; died 1874 at Rome, Italy. Studied at the Academy of Barcelona; traveled in Morocco and the East. F77-1 ^ CAMELS REPOSING; TANGIERS. Four. camels and Gallery their keeper; a wall forms the background. 18 H. 7|in. W. i4tV in. Water color. Signed: Fortuny Tanger 1865. Bequest of Catharine Lorillard Wolfe, 1887. F77-2 A SPANISH LADY. Life-size, standing figure, seen 94 FORTUNY — FRANCIA Gallery to the knees; the right hand holds the folds of her black 19 silk dress; dark greenish background. H. 54 in. W. 39I in. Canvas. Signed; M. Fortuny Roma 1865. Gift of Alfred Corning Clark, 1889. F77-3 MOORS ON HORSEBACK. Three figures. H. 2 in. W. 6in. Water color. Stamped: Fortuny with- in a circle. Bequest of Mrs. Martha T. Fiske Collord, in memory of Josiah M. Fiske, 1908. FOSTER, Ben. American; born 1852 at North Anson, Me.; lives in New York City. Pupil of Abbott H. Thayer in New York; Morot and Merson in Paris. Landscapes. F81-1 IN THE CONNECTICUT HILLS. In the foreground a Gallery hillside with bare tree trunks; in the middle distance a 15 cottage (the painter's home) nearly hidden by trees; a hill forms the background. H. 4if in. W. 47I in. Canvas. Signed: Ben Foster. Bulletin, 19 14, p. 151, ill. Purchase, Hearn Fund, 1914. F81-2 LATE SUMMER MOONRISE. There are pastures Gallery divided by stone walls in a rolling country with a wood at 1 5 the left and an orchard below. Hills beyond, over which the moon is painted emerging from a blue cloud-bank. Weeds in the foreground. H. 42 J in. W. 48|in. Canvas. Signed: Ben Foster. Purchase, Arthur Hoppock Hearn Fund, 191 7. FRANCAIS, Francois Louis. French; born 1814 at Plombiferes; died 1897 St Paris. Pupil of Gigoux and Corot. Land- scapes. F841-1 GATHERING OLIVES. In the foreground is a tall tree from which a boy with a long pole is threshing olives; three girls are below at the left, gathering the fruit; in the distance are the heights and waterfalls of Tivoli. H. 83! in. W. 52I in. Canvas. Signed: Franfais. 68 Gift of J. Montaignac, 1897. FRANCESCHINI, Baldassare. See Volterrano. FRANCIA; real name Francesco di Marco- di Giacomo Raibolini; generally known as II Francia. Italian (Bolognese) ; born about 1448 at Bologna; died there 15 17. Apprenticed 95 FRANCIA — FRERE at first to a goldsmith, he was a successful die cutter, worker in niello, and engraver; in 1508 was Director of the Mint. His painting was influenced by Lorenzo Costa, who worked in partnership with him. F844-I FEDERIGO GONZAGA. (1500-1540; son of Gian Gallery Francesco Gonzaga, Marquis of Mantua, and Isabella 37 d'Este; became Duke of Mantua 1530 and ruler of Montferrat 1536.) Head and shoulders of a young boy who stands back of a window ledge and holds a dagger in his right hand; he has long brown hair and wears a black cap, a black doublet, and a jeweled chain with pearl pendant; landscape badiground. The portrait was painted for the boy's mother and, according to the correspondence of Isabella d'Este with Francia, it was begun July 29, 15 10, and finished before August loth; it was painted at Bologna when the young prince visited his father in that city before going to Rome as a hostage to the Pope. H. i8i\ in. W. 14 in. Tempera on canvas, transferred from wood. Bequest of Benjamin Altman, 1913. FRENCH SCHOOL; Seventeenth Century. Fr88S-i DUCHESSE DE MAZARIN. (1640- 1699; Hbrtense Mancini, niece of Cardinal Mazarin, who inherited his wealth and titles.) A standing figure, seen to the knees; she wears an elaborate, low-necked dress of white satin em- broidered with yellow and a red cloak which she holds with both hands; in her hair are red and white feathers caught with pearls. At one time, attributed to Nicolaes Maes. H. 48t|V Jn- W. 34I in. Canvas. Purchase, 1871. FRERE, Charles Theodore. French, born 1815 at Paris; died there 1888. Pupil of Cogniet and Roqueplan. F89-1 DEPARTURE FROM JERUSALEM FOR JAFFA At the right a group of camels; a city is in the distance. H. ii^in. W. i7iin. Wood. Signed: TH. FRERE. Bequest of Stephen Whitney Phoenix, 1881. F89-2 CAIRO; EVENING. The bank of a narrow river with Gallery Egyptian women filling their water jars; at the left a 18 drove of camels comes in single file across a bridge in the middle distance; tall palm trees, a mosque, and the city in the distance are pink in the sunset light. 96 FRERE — FULLER H.29}in. W.43iin. Canvas. Signed: TH. FRERE- AU CAIRE, EGYPTE. Bequest of Catharine Lorillard Wolfe; 1887. F89-3 JERUSALEM FROM THE ENVIRONS. In the Gallery foreground is an Arab encampment with tents, camels, 18 and numerous figures; rolling hills are beyond with the city of Jerusalem in the distance. H. 29i in. W. 43^ in. Canvas. Signed: TH. FRERE- jfiRUSALEM TERRE SAINTE. Bequest of Catharine Lorillard Wolfe, 1887. FRERE, Pierre Edouard. French; born 1819 at Pans; died 1886 at Ecouen, where he had lived for forty years. Pupil of Delaroche and of the Ecole des Beaux-Arts. F891-1 VISIT OF A SISTER OF CHARITY. A room in a Gallery cottage with a nun holding a child on her lap; the mother 18 is kneeling and a little girl stands at the left., H.2oin. W. 161 in. Wood. Signed:?. Edouard Frfere 1877. Bequest of Catharine Lorillard Wolfe, 1887I FRIESEKE, Frederick Carl. American; born 1874 at Owosso, Mich.; lives in Paris. Pupil of the Art Institute of Chi- cago; Benjamin-Constant, Laurens, and Whistler in Paris. F91-1 THETOILET. Life-size figure of a young woman, partly Gallery dressed, seen to below the waist ; she stands bfefore a mirror 12 with a handglass in her right hand; a blue bowl with red and purple flowers is on the dressing table at the right. H. 31 J in. W. 31} in. Canvas. Signed: F. C. Frieseke. Gift of Rodman Wanamaker, 1912. FROMENTIN, Eugene. French; born 1820 at La Rochelle; died 1876 at St. Maurice near La Rochelle. Pupil of Cabat; influenced by Marilhat; traveled in Algiers. F92-1 ARABS CROSSING A FORD. A white hOrse with its Gallery . rider is stepping out of a stream to the left bank where 17 there are other mounted Arabs; rocky shores with a few trees. H. 2oin. W. 24iin. Wood. Signed: Eug. Fromentin-73. Bequest of Catharine Lorillard Wolfe, 1887. FULLER, George. American; born 1822 at Deerfield, Mass.; died 1884 at Brdokline, Mass. Pupil of H. K. Brown in Albany, N. Y.; studied in Boston; traveled, painting portraits; ideal work done during the later part of his life. 97 F95-I Gallery i6 F95-2 Gallery 12 F95-3 Gallery 16 F95-4 Gallery •3 FULLER — FYT NYDIA. (The blind girl in Bulwer-Lytton's Last Days of Pompeii.) Life-size, standing figure, seen to the knees; she is enveloped in a thin white drapery which is held with both hands. H. 50 in. W. 32 J in. Canvas. Signed: G. Fuller. Gift of George I. Seney, 1887. HEAD OF A BOY. (Portrait of his eldest son.) Life- size head; the figure is lost in the brown Jjackground. H. 27J in. W. 22 in. Canvas. Gift of George I. Seney, 1887. AND SHE WAS A WITCH. (Suggestion of the title taken from Shakespeare.) At the left a young woman, with one hand on the knob of the door of a cottage, turns with a startled look; three figures are at the extreme right; beyond the house are trees and beneath them stands an old woman who watches the figure in the doorway. Hazy atmosphere and sunset sky. H. 30 in. W. 40 in. Canvas. Signed: G. Fuller. Gift of George I. Seney, 1887 THE QUADROON. Life-size figure of a young girl, seated in a cotton field with an overturned basket at her side; fields beyond with several women bending over as they pick. H. 50I in. W. 40j in. Canvas. Signed: G. Fuller. Bulletin, 1910, p. 108, ill. Gift of George A. Hearn, 1910. FYT, J F99-1 Gallery 27 F99-2 Gallery 27 F99-3 Gallery 37 AN. Flemish; born 161 1 at Antwerp; died there 1661. Pupil of Frans Snyders. Animal and still life. DEAD GAME. Partridges and woodcock are lying on the ground; a wicker basket is seen in the back- ground. H. 23J in. W. 30J in. Canvas. Purchase, 1871. DEAD HARE AND BIRDS. Dead game on a flat basket; two woodcocks hang against the wall. H. 23! in. W. 31 in. Canvas. Purchase, 1871. DEAD PARTRI DOES. Dead game lying on the ground at the foot of an old tree. H. i8t^ in. W. 14^ in. Canvas. Signed: Joannes Fyt. Purchase, 1871. 98 GADDI, Taddeo. Italian (Florentine); born about 1300 at Flor- , ence, died there after 1366. Pupil of his father. Gad- do Gaddi, and of Giotto, whom he assisted for twenty- four years. Gii-i MADONNA AND CHILD WITH SAINTS. An Gallery altarpiece in five panels. In the center the Madonna, 33 wearing a blue mantle, is seated on a white marble throne and the cloth of honor is upheld by two angels; the Child is seated on her knee and wears a red dress and yellow cloak. Full-length, standing figures of St. John the Baptist and of St. Lawrence are at the left; at the right, are those of St. James Major and of St. Stephen; each of the four panels has gold ground and ends in a pointed Gothic arch; the panels are separated by painted pilasters; in the spandrels are figures of the Evangelists; these were added toward the end of the fifteenth century. The name of each saint is inscribed on the base which extends across all the panels. H. 64I in. W. 113 in. over all. Tempera on wood. Bulletin, 1910, p. 252, ill. , Purchase, Rogers Fund, 19 10. GAINSBOROUGH, Thomas. British (English); born 1727 at Sudbury in Sufi'olk; died 1788 at London, where he had lived since 1774. Studied drawing with the engraver Hubert Gravelot and painting with Francis Hayman. Portrait painter; also landscapes. G12-1 A CHILD WITH A CAT. (The child is supposed to Gallery be Jack Hill, the son of a woodman whom Gainsborough, 24 toward the latter part of his life, took into his home, and frequently used as a model.) Full-length figure, standing at the edge of a pool; back of the child is a 99 Gl3-3 Gallery 14 G12-3 Gallery 14 Gt2-4 Gallery 24 G12-5 Gallery 24 GAINSBOROUGH wooden fence; the cat is in the foreground at the left and a red cloak lies on the ground. Attributed by Roger Fry to Gainsborough Dupont; Armstrong lists it as by Thomas Gainsborough. H. 59j in. W. 47I in. Canvas. Gift of Henry G. Marquand, 1888. THE REVEREND HUMPHREY BURROUGHS. (Gainsborough's mother was a Miss Burroughs and this is a portrait of her brother, who was master of the school at Sudbury which Gainsborough attended from his tenth to his fourteenth year.) Life-size figure, seen to the waist; his hair is powdered and he wears a blue coat trimmed with gold braid. Painted within an oval. H. 293 in. W. 25 in. Canvas. Gift of George A. Heam, 1896. ENGLISH LANDSCAPE. Hilly country with a road in the center along which a wagon and men are approach- ing; at the left a hill with sheep grazing on the slope and three cows standing on the crsst; in the foreground at the right is a stream on the far bank of which are several asses; a cottage and a square tower are in the middle distance; bare mountains beyond. H. 47! in. W. 58I in. Canvas. Bulletin, 1914, p. 5, ill. Gift of George A. Hearn, 1906. PORTRAIT OF A MAN. Life-size, seen almost to the waist; the arms are folded and the face is nearly in profile to the left. Formerly incorrectly called a por- trait of Gainsborough. H. 28Jin. W.24fin. Canvas. Bulletin, 1906, p. 48, ill. Gift, 1906, of William T. Blodgett and his sister, Eleanor Blodgett, in memory of their father, William T. Blodgett, one of the founders of the Museum. THE PAINTER'S DAUGHTER, MARGARET. Head and shoulders of a young girl with the head three-quarters to the right; her hair is drawn back and held with a black velvet ribbon tied on top with flowers; square-cut, low- necked dress. This head of Gainsborough's elder daugh- ter, Margaret (Peggy), is either a study for, or a replica of, one of the figures in the double portrait of his daughters in the Albert and Victoria Museum (South Kensington), London; painted about 1757-58. H. 18^ in. W. I4i|in. Canvas. Bulletin, 1915, p. 94. ill. 100 GAINSBOROUGH — GAROFALO Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. G12-6 MISS SPARROW. Life-size bust in an oval, three- Gallery quarters to the left. Her hair is powdered and piled 24 high on the top of her head, but two curls hang down, one on each shoulder. She wears a low-cut white corsage with a brooch and pendent jewel and blue sleeves with an ermine trimming over the shoulders. H. 30 in. W. 25 in. Canvas. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. G12-7 WOODLAND SCENE. A woodman has unhitched his horse, shown standing behind the cart; brown foliage about them and a pool in the right foreground. H. gj in. W. 12-^ in. Water color. Signed: T. G. in monogram. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. GALLAIT, Louis. Belgian; born 1810 at Tournai; died 1887 at Brussels. Pupil of the Tournai Academy under Hennequin. G 13-! THE MINSTREL BOY. An old man in a ragged green Gallery coat, seated, and seen to below the knees, holds on 18 his lap a half-clad boy whose head is bandaged; a violin rests against the boy's knee and a dog licks his hand. H. iS-]^ in. W. 14I in. Wood. Signed: Louis Gallait 1867. Bequest of Catharine Lorillard Wolfe, 1887. GAROFALO; real name Benvenuto Tisio. Italian (Ferrarese); born 1481 at Ferrara; died there 1559. Studied with Domenico Panetti at Ferrara, with Boccaccino at Cremona, and with Giovanni Baldini in Rome; strongly influenced by Lorenzo Costa with whom he worked in Bologna, by the brothers Dossi in Ferrara, and by Raphael whom he met in Rome. Gi9-i SAINT NICHOLAS ASKED TO REVIVE A DEAD Gallery CHILD. St. Nicholas of Tolentino (i246?-i3o6) stands 30 at the right in the doorway of a monastery; before him kneels a woman with a dead child in her arms; behind her stand a number of men and women. H. 13 in. W. 26 in. Canvas. Gift of J. Pierpont Morgan, 1917. 101 GAROFALO— GAY G19-2 SAfNT NICHOLAS REVIVING THE BIRDS. A Gallery room with the Saint lying in a bed which has a red cover- 30 let; at the right two monks are carrying dishes and one of them holds out a bowl with two birds which are being restored to life by the Saint's benediction; at the left are four other monks of the order. H. 13 in. W. 26 in. Canvas. Gift of J. Pierpont Morgan, 19 17. GAUGENGIGL, Ignaz Marcel. American; born 1855 in Bavaria; lives in Boston. Pupil of Munich Academy. G23-1 A DIFFICULT QUESTION. An interior with two men in seventeenth century costumes examining an object of art and consulting books. Inscribed: une QUESTION DIFFICILE. H. 12 in. W. 16 in. Wood. Signed: I. M.GAUGENGIGL 1883. Bequest of Mrs. Martha T. Fiske Collord, in memory of Josiah M. Fiske, 1908. GAY, Edward. American; born 1837 at Dublin, Ireland; came to the United States in 1848 and settled at Albany, N. Y.; lives at Mount Vernon, N. Y. Pupil of James M. Hart at Albany, N. Y. ; Schirmer and Lessing at Karlsruhe, Germany. Landscapes. G25-1 BROAD ACRES. A field of ripe grain with a narrow stream flowing at the right toward the foreground; in the distance at the left is a road and on a hill beyond is a white house. H.48iin. W.72in. Canvas. Signed: EDWARD GAY-87 Gift of a group of gentlemen, 1887. GAY, Walter. American; born 1856 at Hingham, Mass.; lives in Paris. Pupil of Bonnat in Paris. G251-1 THE SPINNERS. Les Fileuses. A kitchen with two old women in dull blue dresses, sitting near a fireplace; one is spinning. H. 42J in. W. 4if in. Canvas. Signed: Walter Gay 85. Gift of a friend, 1889. G251-2 WILLIAM HENRY HUNTINGTON. (i820-i885;phil- Gallery anthropist, born at Norwich, Conn., but spent the latter 22 part of his life in Paris. He bequeathed to the Museum a collection of miniatures, bronzes, and engravings of Washington, Franklin, and Lafayette,) Bust portrait with heavy brown hair and a full brown beard. 102 GAY— GfiRICAULT H. 8| in. W. 5f in. Wood; carved frame with stand. Signed: Walter Gay. Gift of George A. Lucas, 191 1. G251-3 GREEN SALON. Boiseries Vertes. An alcove in Gallery the Louis XV style with green walls paneled with 12 ■ gilt mouldings; there is a commode of the period on which stands a terracotta group of two cupids playing and on each side is a figurine in faience. It is a room in the artist's home, the Chateau de Brian, near Melun. H. 25^ in. W. 2ii in. Canvas. Signed: Walter Gay. Bulletin, 1912, p. 229. Purchase, Rogers Fund, 191 2. GELDER, Aert de. Dutch; born 1645 at Dordrecht; died there 1727. Pupil of Samuel van Hoogstraten and, about 1660, of Rembrandt in Amsterdam. G28-1 PORTRAIT OF A MAN. Life-size, seated figure, seen Gallery ' almost to the knees; he wears a scarlet coat and steel 26 breastplate and helmet; his right hand grasps the arm of the chair; a wooden arm and hook are attached to the stump of his left arm. Attributed to Ferdinand Bol by Bredius. H. 40^^ in. W. 35I in. Canvas. Purchase, 1871. GELL£E, Claude. See Claude Lorraine. GENTH, Lillian. American; born at Philadelphia; lives in New York City. Pupil of Elliott Daingerfield at Philadel- phia School of Design for Women; Whistler in Paris. G281-1 SPRINGTIME. Landscape with a young woman who Gallery drops her white drapery as she steps from a ledge of 15 rock into a pool at the right of the picture; her extended arm rests on the branch of a tree. H. 39 in. W. 30 in. Canvas. Signed: L. M. Genth. Gift of George A. Hearn, 1910. GfiRlCAULT, Jean Louis Andr6 Theodore. French; born 1791 at Rouen; died 1824 at Paris. Studied with Carle Vernet and with Pierre Gu6rin; influenced by Gros. At first painted animals; later romantic subjects. G3-1 THE RAFT OF THE MEDUSA. (The frigate Medusa Gallery sailed from France on June 17, 18 16, for St. Louis, 17 Senegal; on July 2, the vessel was wrecked and fifty-nine 103 gEricault— g£r6me persons sought refuge on a raft; on the twelfth day the fifteen who were still living were picked up ty the bark Argus.) This picture is a study for G^ricault's master- piece, thelarge painting Le Radeau de la Mdduse, exhibited at the Salon in 1819, and now in the Louvre at Paris. H. 19 in. W. 23! in. Canvas. Purchase, Wolfe Fund, 1909. GERMAN SCHOOL; Sixteenth Century. ' Ge3 iS-i I PORTRAIT OF AN ELECTOR OF SAXONY, Stand- ing figure, seen to below the knees; he wears a long red . cloak lined with brown fur, over golden armor, and an embroidered yellow cap; below his long white beard a miniature of the Madonna and Child and the Order of the Eagle hang from a broad linked chain. H. 301 in. W. 225 in. Canvas. Gift of Mrs. Laura Wolcott Lowndes in memory of her father, Lucius Tuckerman, 1907. Ge3iS-i 2 PORTRAIT OF AN ELECTRESS OF SAXONY. Standing figure, seen to below the knees and holding a rosary; she wears a yellow brocaded cloak trimmed with brown fur; the sleeves of the under dress are red and a dark blue apron shows in front; her headdress is white and gold; about her shoulders is a broad linked chain from which hang a miniature of the Madonna and Child and the Order of the Eagle. H. 30^ in. W. 22i in. Canvas. Gift of Mrs. Laura Wolcott Lowndes in memory of her father, Lucius Tuckerman, 1907. G£r6ME, Jean Leon. French; born 1824 at Vesoul; died 1904 at Paris. Pupil of Paul Delaroche whom he accompanied to Rome in 1844, and of Gleyre in Paris. Sculptor as well as painter. G311-1 BOY OF THE BISCHARI TRIBE. A side view of a Gallery nude dark-skinned figure, seen to the waist; his right 17 arm is thrown over a polished steel shield and the left hand grasps the cross-hilt of a sword. H. I if in. W. 8f in. Canvas. Signed: J. L. GEROME. Bequest of Catharine Lorillard Wolfe, 1887. G311-2 PRAYER IN THE MOSQUE OF AMROU; OLD Gallery CAIRO. (This mosque is the oldest religious edifice 18 in Cairo, having been built by the Mohammedans in 104 G£r6ME — GIFFORD the first century of the Hegira, about 622 A. D.) Nu- merous Mohammedans in brightly colored robes and turbans stand in two long rows and all face to the left with hands raised in prayer; in the foreground at the right a Mussulman, dressed in red velvet and yellow silk, stands on a rug and behind him are two attendants. H. 35 in. W. 295 in. Canvas. Signed: J. L. GEROME. Bequest of Catharine Lorillard Wolfe, 1887. G311-3 COFFEE-HOUSE AT CAIRO. An interior with two men near a stone stove at the left; a man seated on a wicker basket is preparing to smoke a hooka; a dervish is dancing and several men are seated against the wall in the background. H. 2i§ in. W. 24f in. Canvas. Signed: J L GEROME. Bequest of Henry H. Cook, 1905. G311-4 FIGURES IN A MOSQUE. Two female figures are kneeling on the tiled floor; a manservant dressed in red and blue stands behind them- all ar in oriental costume. H. !5 in. W. lof in. Wood. Signed: J L GEROME. Bequest of Martha T. Fiske Collord in memory of Josiah M. Fiske, 1908. GIAMBONO; real name Michele Giovanni Boni. Italian, (Venetian); born at Venice, the first mention of him being in 1420 and the last in 1463. A follower of Gentile da Fabriano, and influenced by Jacopo Bellini and Antonio Vivarini. G34-1 CHRIST RISING FROM THE TOMB. Nude figure, Gallery seen to the waist standing in the tomb over the front of 33 which hangs an embroidered white shroud; behind Him, at the left, kneels St. Francis receiving the stigmata. A similar picture is in the Padua Museum. H. 2 if in. W. 155 in. Tempera on wood. Purchase, Rogers Fund, 1906. GIFFORD, R. Swain. American; born 1840 at Buzzards Bay, Mass.; died 1905 at New York City, where he had lived since 1866. Pupil of Albert van Beest in Holland. G36-1 NEAR THE COAST. At the right is a half-dead wil- low; brownish brakes and ferns in the foreground; the sea beyond with a ray of sunlight. H. 32^ in. W. 5 ii in. Canvas. Signed: R. Swain Gifford. Gift of a group of gentlemen, 1885. 105 GIFFORD — GIORDANO GIFFORD, Sandford R. American; born 1823 at Greenfield, N. Y.; died 1880 at New York City, which had been his home since 1844. Pupil of J. R. Smith and the National Academy of Design in New York; studied in Paris and Rome; traveled in Italy, Greece, Egypt, and the Rocky Mountains. Landscapes. G361-1 NEAR PALERMO. At the right is the bay; at the left a broad white road follows the curve of the shore to the city of Palermo which is in the distance at the foot of the mountains. H. 8J in. W. 155 in. Canvas. Signed: S. R. GiflFord •73- Bequest of Thomas P. Salter, 1907. G361-2 TIVOLI. A broad expanse of country with a stream Gallery running through the valley toward the foreground; 16 woods are at the right with a road in the foreground where there are several peasants; buildings are on the heights at the left and water falls over numerous ledges; hazy autumn light throughout. H. 26I in. W. 50I in. Canvas. Signed: S. R. Gilford 1879. Gift of Robert Gordon, 19 12. G361-3 KAATERSKILL CLOVE. A view in the Catskill Mountains with a steep crag at the left, water in the valley, and mountains in the distance. H. 48 in. W. 39i in. Canvas. Signed: S R Gifford 1862. Bulletin, 191 5, p. 67; ill. p. 68. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. GIORDANO, LucA. Italian (Neapolitan); born 1632 at Naples; died there in 1705. Pupil of Ribera; in Rome copied the works of Raphael, Michaelangelo, and Caravaggio, and assisted Pietro da Cortona. From the rapidity with which he worked he was known as Fa Presto (Does Quickly). G431-1 THE NATIVITY. In the foreground several women Gallery attend the Child, who is held by one seated wo- 29 man while an elderly priest in rich vestments leans over and caresses the Child's right hand; beyond is a balustrade behind which at the left the Mother is re- clining on a bed surrounded by attending women; a building and sky form the background at the right. 106 GIORDANO - GIOTTO Bulletin, 1906, p. 72. H. 8of in. W. 67! in. Canvas. Purchase, Rogers Fund, 1906. GIORGIONp; Giorgio Barbarelli, usually known as Giorgione. Italian (Venetian); born about 1478, probably at Castel- francb; died i5io(?) at Venice. Pupil of Giovanni Bellini. G432-1 PORTRAIT OF A MAN. Head and shoulders of a Gallery man with long hair and full beard; the face is three- 37 quarters to the right; the hands are raised in the act of pulling off the right glove. H. 19J in. W. I7t\ in. Canvas. Bequest of Benjamin Altman, 1913. GIOTTO DI BONDONE. Italian (Florentine); born probably in 1266 at Colle, near Florence; died 1336 at Florence. Tradition states that he was a pupil of Cimabue. School of Giotto. G433S-1 SCENES FROM HOLY SUBJECTS. Eight equal- Gallery sized panels in a vertical arrangement of two panel 33 width. Beginning at the upper left the subjects are as follows: I. Coronation of the Virgin by Christ; 2. Four female figures of Saints and Martyrs; 3. Descent from the Cross; 4. Pietk; 5. Christ in Limbo; 6. Transfigura- tion; 7. The Last Supper; 8. The Last Judgment. H. 26 in. W. 14I in. Tempera on wood transferred to canvas. Purchase, Rogers Fund, 1909. G433S-2 THE EPIPHANY. Mary, wearing a dark blue mantle. Gallery reclines beneath a thatched shed in the center of the 33 picture; in the immediate foreground are the kings, two of whom stand at the right while the old King kneels in the center and lifts the Child from the manger; St. Joseph stands at the left with a sheep and two goats at his feet. Beyond the shed, at the left, are two shepherds who look toward four angels and the star of the annunciation. Gold background. Attributed by J. P. Richter, Osvald Sirfen, and others to Giotto. Companion pieces are in Munich and in the Gardner and Berenson collections. H. I Si in. W. i-i in. Tempera on wood. Bulletin, 191 1, p. 216, ill. Purchase, Rogers Fund, 191 1. 107 GIOVANNI DA MILANO — GLAIZE GIOVANNI DA MILANO; real name Giovanni Jacobi. Italian (Florentine); bom about 1300; died at an advanced age, but date uncertain; was in Rome after 1369. Worked in the studio of Taddeo Gaddi in Florence. G433-1 VIRGIN AND CHjLD WITH DONORS. The Child, dressed in light red7 stands on a ledge behind which is the Virgin, who wears a draped blue mantle and holds a lily in her right hand; small figures of the donor and his wife kneel at the right and left respectively. Formerly attributed to Stamina. H. 37I in. W. 56I in. Tempera on wood; semicir- cular. Bulletin, 1908, p. 11. Purchase, Rogers Fund, 1907. GIOVANNI DI PAOLO. Italian (Sienese); bom about 1403 at Siena; died after 1482. Probably a pupil of Paolo di Giovanni Fei and a close follower of Sassetta; in- fluenced by Fra Angelico. G434-1 SAINT MATTHEW AND SAINT FRANCIS. Part Gallery of an altarpiece. Two full-length figures, standing on a 31 red carpet; St. Francis, at the right, wears a white habit and St. Matthew, at the left, has a yellow cloak over a blue robe. H. 53f in. W. 33! in. Tempera on wood. Gift of Frederic Coudert, 1888. G434-2 PARADISE. The picture represents newly arrived Gallery souls greeted by those in Paradise. On a hillside, men 31 and women in fashionable Italian costumes of the fif- teenth century and ecclesiastics in their robes, are being guided by angels toward the golden rays at the right, which evidently come from the Gate Beautiful. This picture closely resembles one panel of a predella, painted by Giovanni di Paolo in 1445, which is now in the Academy at Siena. The picture in the Museum ap- pears to be a fragment; the other half probably repre- sented condemned souls. H. i8i in. W. i5fin. Tempera on wood transferred to canvas. Bulletin, 1906, p. 165. Purchase, Rogers Fund, 1906. GIOVANNI DI PIETRO. See Spagna. GLAIZE, Leon. French; born 1842 at Paris; lives there. Pupil of his father, Auguste Bartelemy Glaize, and of G^rSme. 108 GLAIZE — GOYEN G45-1 BEFORE THE MIRROR. Full-length figure of a S. W. lady, standing before a cheval glass; she holds a fur- Stairway trimmed, gray silk wrap about her. H. 39! in. W. 29^1 in. Canvas. Signed: 1873 P. P. L60N Glaize. Bequest of Catharine Lorillard Wolfe, 1887. GOSSAERT, Jan. See Mabuse. GOYA, G74-1 Gallery 28 G74-2 Gallery 28 G74-3 Gallery 28 Francisco Josfe. Spanish; born 1746 at Fuentetodos near Saragoza; died 1828 at Bordeaux, France. Pupil of Josd Martinez; studied at Rome; settled at Madrid, where he spent the greater part of his life. Painter chiefly of portraits and fantastic subjects; also etcher. A JEWESS OF TANGIERS. A small, full-length, stand- ing figure, wearing an elaborate green and gold brocaded robe with chains and jeweled headdress; she holds a fan in her left hand. H. 2of in. W. 13! in. Canvas. Purchase, 1871. THE TRIAL; A SCENE OF SORCERY. (This is a sketch for the etching, Ensayos [The Trial], which is No. 60 in the collected etchings by Goya published in 1799 under the title of Caprichos.) At the right a nude witch has her hands on the head of a nude man whom she is teaching to fly; in his right hand he holds a flying bat; an enormous goat is nearby and in the fore- ground are two cats, a jug, and a skull. H. i2-j\ in. W. lOj in. Copper. Numbered: 60. Gift of Samuel P. Avery, 1894. DON SEBASTIAN MARTINEZ. (A lawyer and art- patron of Cadiz.) Life-size, seated, seen to below the knees with hands crossed; he wears a blue-gray silk coat. H. 365 in. W. 265 in. Canvas. Inscribed: D". Se- bastian Martinez Per su Amigo Goya - 1792. Bulletin, 1906, p. 73, ill. Purchase, Rogers Fund, 1906. GOYEN, Jan van. Dutch; born 1596 at Leyden; died 1656 at The Hague, where he had lived since 1634. Studied under Esaias van de Velde; traveled in France. G741-1 THE MOERDYCK. Quiet water reflecting the blue 109 GOYEN — GOZZOLI Gallery sky and white clouds; in the foreground a line of shore 26 with fishermen and two boats; a town is seen at the horizon. H. 15 in. W. 24J in. Canvas. Monogram: VG 1654. Purchase, 1871. G741-2 PANORAMIC VIEW OF THE ENVIRONS OF Gallery HAARLEM. Stretches of water and flat lands, with 26 windmills, houses, and haystacks; in the foreground at the left are two small seated figures. H. 13! in. W. 19I in. Wood. Monogram: VG 1646. Purchase, 1871. G741-3 A VIEW OF RHENEN, In the foreground is a wind- Gallery ing road in sunlight with peasants and a cart; at the right 26 cattle are near a pool; on a hill in the middle distance is the walled town with a tall tower rising in the center and a windmill in the distance at the right; at the left is the river with flat country beyond. H. 39! in. W. 53J in. Canvas. Signed: . V Goyen. 1636. Bulletin, 1906, p. 73. Purchase, Rogers Fund, 1906. GOZZOLI, Benozzo; real name Benozzo di Lese. Italian (Floren- tine); born 1420 at Florence; died 1498 at Pisa. Pupil possibly of Giuliano Pesello and of the Bicci; assistant and follower of Fra Angelico. G742-1 SAINT PETER, SAINT PAUL, SAINT ZENOBIUS, Gallery AND SAINT BENEDICT. Four panels, originally 33 forming a small altarpiece or retable, which was painted for the chapel of the Alessandri family in the church of San Pier Maggiore in Florence. Ascribed by Vasari to Pesello, but Crowe and Cavalcaselle and subsequent authorities attribute them to Gozzpli; painted between 1461 and 1463. Bulletin, 1915, p. 224; ill. pp. 227,229. G742-ia Saint Peter. The fall of Simon Magus as told in the Golden Legend. At the left St. Paul kneels in prayer and St. Peter stands with his hand raised and looking at Simon Magus, who is borne up by devils above the tower from which he made his flight; the appeal of St. Peter is answered by the fall of Simon Magus, who lies dead in the foreground; Nero is seated on a throne at the right with a councilor and soldiers beside him; back of the Saints is the Roman populace. H. 15J in. W. I7|f in. Tempera on wood. no GOZZOLI-GRAY G742-ib Saint Paul. The Saint's conversion as told in the ninth chapter of the Acts of the Apostles.^ St. Paul is in the center of a landscape and the Holy Spirit descends from a group of angels; soldiers, mounted and on foot, flee in terror from the scene. H. I5J in. W. i8 in. Tempera on wood. G742-IC Saint Zenobius. The Saint resuscitates a child who has been crushed by a wagon. St. Zenobius kneels at the left and the mother at the right; between them lies the dead body of the child, who is also shown resuscitated. The scene takes place in a Florentine street with nu- merous spectators. H. i5^i in. W. 18 in. Tempera on wood. G742-id Saint Benedict. Totila, a king of the Goths who dev- astated Italy in the sixth century, visits St. Benedict, who reprimands him for his misdeeds. The Saint is seated at the right surrounded by monks of his order; Totila kneels in the foreground and at the left are his followers. H. 151 in. W. lyf in. Tempera on wood. Purchase, Rogers Fund, 191 5. GRAEB, Carl. German; born 1816 at Berlin, died there 1884. Pupil of Gerst and Berlin Academy. Architectural sub- jects and landscapes. G75-1 INTERIOR OF THE CATHEDRAL OF FREIBURG, S. W. GERMANY. Stairway H. 31! in. W. 41 in. Canvas. Signed: Carl Graeb- Berlin- 1874. Bequest of Catharine Lorillard Wolfe, 1887. GRAY, Henry Pe-ters. American; born 1819 at New York City; died there 1877. Pupil of Huntington in New York; traveled in Italy. G79-1 WAGES OF WARi In the center lies a wounded Roman soldier with a broken sword; at the right is a soldier with a woman clinging to him; at the left a woman is leaning over a sarcophagus and a nude child stands at her ^ide. H. 48J in. W. 764 in. Canvas. Signed: Henry Peters Gray. N. Y. i84-(5?) Gift of several gentlemen, 1874. G79-3 CLEOPATRA DISSOLVING THE PEARL. Stand- ing figure, seen to below the waist; with bare arms raised she is dropping the pearl into a metal dish; she wears a turban, red robe, and heavy pearl ornaments. Ill GRAY — G ROLL H. 403^ in. W. 28f in. Canvas. Signed: hP. Gray '68 N.Y. Gift o"f Cortland de Peyster Field, in memory of his father, Benjamin Hazard Field, 1894. G79-3 GREEK LOVERS. At the right a young woman is Gallery seated on a stone step against which she rests a lute; 16 a young man stands in front of her; both wear classic drapery; shrubbery is at the left and hills beyond. H. 40A in- W. 515 in. Canvas. Signed: GRAY 1846. Gift of William Church Osborn, 1902. GRECO, EL; real name Domenico Theotocopuli. Spanish; born about 1548 at Candia, Crete; died 1614 at Toledo. Influenced by Titian and Tintoretto and the Bassani; went to Rome in 1570 and settled in Toledo shortly before 1577. G8-1 THE NATIVITY. Within a vaulted porch the nude Gallery Child lies on a white cloth one corner of which is held 28 by the Madonna; St. Joseph is at the right and adoring shepherds are grouped at the left; above, three flying cherubs hold a scroll inscribed: • lavdamvs • te- bene- DiciMus • GLORIA • IN ■ EXCELSis • DEO. The light ema- nates from the Child; beyond the arch is a dark landscape. H. 641 in. W. 42i in. Canvas. Purchase, Rogers Fund, 1905. GREUZE, Jean Baptiste. French; born 1725 at Tournus, near Micon; died 1805 at Paris. Pupil at Lyons of Grandon; studied also in Paris and Rome. Genre and portraits. G861-3 STUDY OF A GIRL'S HEAD. Life-size, nearly to the Gallery waist; the face is upturned; she wears a brown blouse, a 20 white kerchief, a dark blue apron bib, and a white cap. H. 185 in. W. 15I in. Canvas. Gift of Ernest Gimpel, 1903. G861-4 VOLUPTE. Head and shoulders of a young woman. Attributed to Greuze. H. 8^ in. W. 6^\ in. Canvas. Purchase, Rogers Fund, 1904. GROLL, Albert L. American; born 1866 in New Yotk City; lives there. Pupil of Gysis and Loefftz in JViunich. Landscapes, especially western scenes. G89-1 SILVER CLOUDS, ARIZONA. Broad stretch of open country, low horizon with rising ground at each side. 112 G ROLL— GUY Gallery H. 39! in. W. 50! in. Canvas. Signed: A. L. Groll. 15 Bulletin, 1914, p. 150, ill. Purchase, Hearn Fund, 19 14. GROLLERpN, Paul. French; born 1848 at Seignelay; died 1901 at Paris. Pupil of Bonnat. Military subjects. G891-1 SOLDIER AT REST. He stands in an open road with his knapsack on his back and both hands on the muzzle of his gun. H. 8J in. W. 6 in. Wood. Signed: P. Grolleron. Bequest of Thomas P. Salter, 1907. GUARDI, Francesco. Italian (Venetian); born 1713 at Venice; died there 1793. Pupil of Canaletto. Painted chiefly views of Venice. G93-1 THE RIALTO. A view of the Grand Canal, Venice, Gallery taken from behind the Fondaco de' Tedeschi; the bridge 1 1 of the Rialto is in the middle distance. H. 21 in. W. 33f in. Canvas. Purchase, 1871. G93-2 SANTA MARIA DELLA SALUTE, VENICE. A Gallery view across the Grand Canal with the church of La 1 1 Salute on the far shore; a portion of the Dogana appears at the left. H. 21 in. W. 33^ in. Canvas. Purchase, 1871. G93-3 FETE ON THE GRAND CANAL, VENICE. A view Gallery of the Grand Canal with many decorated gondolas; 29 people are crowded on the banks and on the bridge of the Rialto, which is in the middle distance. H. 30I in. W. 49 in. Canvas. Bulletin, 1906, p. 72. Purchase, Rogers Fund, 1906. GUY, SEYMbuR J. American; born 1824 at Greenwich, England; died 1910 in New York City, where he had lived since J854. Pupil of Ambrosino Jerome in London. G99-1 CHARLES LORING ELLIOTT. (Portrait painter; see Elliott.) Bust; his heavy hair and full beard are black, slightly mixed with gray; a painting on an easel is in the background at the left. H. I2j in. W. 10 in. Canvas. Signed: SJGuy-1868. Gift of Mrs. Robert W. de Forest, 1903. "3 GYSIS GYSIS, Nicolas. Greek;. born 1842 on the Island of Tinos, Greece; died 1901 at Munich. Pupil of the School of Arts at Athens; Munich Academy under Piloty. G991-1 CHARITY. An interior with a young woman nursing a child while a little girl stands on a chair at her side and a poor woman is seated opposite. H. 4It% in. W. 28|f in. Canvas. Signed: N. Gysis Munchen. Gift of E. A. Fleischmann, 1884. 114 PORTRAIT OF A WOMAN BY FRANS HALS ^■' Jfe iP^ p. ■TjL _^CTMBBHIilHBM5 '^- fll^^^^^^H Ifi a^MBSi 1 i,^- . ■ IB"' . ■^^ THE MERRY COMPANY BY FRANS HALS H HABERMANN, Hugo von. German; born 1849 in Dillingen; lives in Munich. Pupil of Munich Academy under Piloty. Hii-i PORTRAIT OF A LADY. An interior with the lady Gallery seated and seen to below the waist; she wears a white 19 dress, a green hat is perched on the top of her head, and a brown fur neckpiece hangs over her outstretched left arm. H. 32t^ in. W. 24! in. Canvas. Signed: Habermann 1904. Gift of Hugo Reisinger, 1912. Hi 1-2 IN THE STUDIO. A young woman in a low-cut pink Gallery bodice and blue skirt stands in front of a table by a 19 window; the painter, seated at the left, is partly hidden by his easel. H. 39! in. W. 37f m. Canvas. Signed: Habermann/ 1885; inscribed on the back: H Habermann/ Fecit. Purchase, Reisinger Fund, 1916. HAGHE, Louis. Belgian; born 1806 at Tournai; died 1885 at Stockwell, England. Pupil of De La Barriere; settled in England about 1832. Also lithographer. H12-1 GUARD- ROOM; THE TOAST. A group of men S. W. seated around a table; one stands in front of the fire- Stairway place with a glass in his raised right hand; a guard is in the doorway at the left; seventeenth century costumes. H. 16} in. W. 22 in. Wood. Bequest of Catharine Lorillard Wolfe, 1887. HALL, George Henry. American; born 1825 at Boston; died 1913 at New York City where he had lived since 1852. Studied in Dusseldorf, Paris, and Rome. ■ 15 HALS, H16-1 Gallery 26 HALL— HALS H14-1 BAZAAR SCENE IN CAIRO. At the right is a shop near which a native descends steps; at the left an archway with a court beyond. H. 35tV in. W. 47! in. Canvas. Signed: George Henry Hall 1877. Bequest of Henry H. Cook, 1905. Frans. Dutch; born i584(?) at Antwerp; died 1666 at Haarlem, where he had settled in 1604. Pupil of Karel van IVIander. Painted chiefly portraits. THE SMOKER. Life-size head and shoulders of a young man who is laughing and smoking; at the left, a young woman, laughing, has both her hands on his shoulders; in the background at the right is the head of another woman who holds a stein. Moes, in his list of works by Frans Hals, calls this (No. 212) a replica of the painting in the Museum at Konigsberg. H. i8f in. W. 19I in. Wood; octagonal. Gift of Henry G. Marquand, 1888. H 16-2 PORTRAIT OF A MAN. Life-size, standing figure, seen Gallery to the knees; he is dressed in black, a black cloak hangs II over his left arm, and he holds a broad-brimmed, high- crowned black felt hat in his left hand; his right hand rests on his hip. H. 43J in. W. 34 in. Canvas. Monogrammed: FH. Gift of Henry G. Marquand, 1890. H16-3 PORTRAIT OF A WOMAN. Life-size, seated figure. Gallery seen to the knees; her hands are clasped on her lap and II hold a closed fan; she wears a black silk dress with a pink underskirt showing in front; her broad white collar and cuffs are edged with lace; two columns are back of the figure at the left, and at the right, in the distance, tall spires show against a sunset sky. Erroneously called Wife of the Artist. H. 38! in. W. 31$ in. Canvas. Gift of Henry G. Marquand, 1890. H16-4 THE MERRY COMPANY. A man with a flushed Gallery face, wearing about his neck a string of sausages, pig's 39 feet, etc., sits close to a gaily dressed young woman before a table on which are bagpipes, a stein, and various edibles; back of them stand two men; the one at the right, in a gray cloak and red cap, leers down at the woman; the other is yawning and has his left hand to his face. 116 HALS — HALS H. 5i|^ in. W.39iin. Canvas. Monogrammed: F H (Gothic letters). Bequest of Benjamin Altman, 1913. H16-5 YONKER RAMP AND HIS SWEETHEART. Life- Gallery size, half-length, standing figures; at the left is Yonker 39 (Lord) Ramp, wearing a gray doublet with blue sleeves and a large gray felt hat; he holds a wine-glass in his right hand, fondles a dog with his left, and is shouting or singing; the young woman, in a black dress with a broad white linen collar, is at his left and has her arms about him; back of them is a dark curtain and in a room beyond stands a man carrying a dish. H. 4ijin. W. 311% in. Wood. Signed: F Hals 1623. Bequest of Benjamin Altman, 1913. H16-6 A YOUTH WITH A LUTE. Life-size figure of a boy. Gallery seen to the waist, back of a table; he wears a black cap 39 on his rumpled brown hair and a black velvet cloak with red sleeves showing; in his right hand he holds a green glass, inverted, which he flicks with his left thumb; a lute, held in his arm, rests on the table, on which there is an orange; a gray-green drapery forms the background. Also known as Le rubis sur I'ongle — The Ruby (last drop of wine) on the Finger Nail. H. 285 in. W. 231 in. Canvas. Bequest of Benjamin Altman, 1913. H16-7 PORTRAIT OF A MAN. Life-size figure of a man seen to the waist with the head turned slightly to the right; he has a gray beard and wears a broad-brimmed black hat and a black coat with white ruff; his right hand rests on the left, which holds a stick. Attributed to Frans Hals. H. 3of in. W. 24-^^in. Canvas. Inscribed: z^TASV/^ 66AN°. 1633 F H (monogram). Bulletin, 191 5, p. 88. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. HALS, Frans, The Younger. Dutch; born between 1617 and 1623; died after 1669. Pupil of his father, Frans Hals the Elder, whose works he frequently copied. Portraits and figure subjects. H161-1 HILLE BABBE. (Hille Babbe, sometimes spelt Bobbe, Gallery was a fishmonger of Haarlem who was used several 26 times as a model by various members of the Hals family.) 117 HALS — HANS MALER ZU SCHWAZ Life-size figure of an old woman, seen to the waist; she is seated and leans forward with her folded hands resting on the corner of a table; she wears a brown blouse, a soiled white collar, and a close-fitting white cap; a screech-owl stands upon her right shoulder. There are three examples of this subject : the one in the Kaiser Friedrich Museum, Berlin, very similar to the Museum's picture but with a mug on the table, is undoubtedly by Frans Hals the Elder; the other is in the Museum at Lille. Most authorities, including Bode and de Groot, consider the Museum's picture the work of some one close to Hals, probably Frans Hals the Younger; Moes lists all three under the elder Frans Hals. H. 29I in. W. 24tV in. Canvas. Monogrammed: FH. Purchase, 1871. HALS, Frans, the younger (?) and Dirck Hals (?). H162 MEETING OF THE TRAINED BANDS TO CELE- BRATE THE CONCLUSION OF THE PEACE OF MONSTER. (The Peace of Munster, which ended the Thirty Years' War, was signed Oct. 24, 1648.) H. 26J in. W. 40 in. Canvas. Purchase, 1871. HAMILTON, James. American; born 1819 in Ireland; died 1878. Studied in Philadelphia, where he spent his professional life. H17-1 ON HAMPSTEAD HEATH. A barren foreground with figures disappearing at the left; in the distance at the right are the domes of London, including St. Paul's. H. I4in. W. 2oin. Canvas. Signed: J as. Hamilton 1856. Gift of William Sartain, 1912. HAMON, Jean Louis. French; born 1821 at St. Loup near Plouha; died 1874 at St. Raphael. Pupil of Delaroche and Gleyre in Paris. H18-2 AN ETRUSCAN VASE SELLER. The wares are Gallery displayed on a counter behind which stands the mer- 17 chant; in front of the counter are two women. H. 2oiin. W. 17 in. Canvas. Signed: J. L. HAMON. Bequest of Catharine Lorillard Wolfe, 1887. HANS MALER ZU SCHWAZ. Austrian (Tyrolese); work dated 1 5 19 to 1 529. Little is known about this artist, who was influenced by Strigel, Schaiifelin, and Amberger. See 118 HANS MALER ZU SCHWAZ — HARRISON article by Max J. Friedlander in Repertorium fur Kunst- wissenschaft, 1895. H19-1 ULRICH FUGGER. (1490-1525; banker of Augsburg.) Gallery Head and shoulders of a man with a high forehead and 37 square-cut beard; he wear's a small, black cap, em- broidered with gold, and a black cloak with white shirt open at the neck. H. i2j in. W. 155 in. Wood. Inscribed on the back: DOMINI MDXXV ANNO CVRENTE XXXV ETATIS, Bequest of Benjamin Altman, 1913. HARLOW, George H. British (English); born 1787 at London; died there 18 19. Pupil of Drummond and of Sir Thomas Lawrence, whom he served as assistant. Portraits. H22-1 PORTRAIT OF THE ARTIST. Life-size, seated Gallery figure, seen to the waist; a letter is held in his left hand; 14 he wears a black cape over a red coat; a red curtain is draped at the left near an open window through which a landscape is seen. H. 30 in. W. 25 in. Canvas. Gift of George A. Hearn, 1905. HARPIGNIES, Henri. French; born 1819 at Valenciennes; died 1916 at St. Prive, near Paris. Pupil of Achard and of Corot in Paris; studied also in Rome. Landscapes. H23-1 MOONRISE. Landscape with a quiet stream in which the moon is reflected. H.34|in. W.64T^in. Canvas. Signed: H Harpigniesi885. Gift of Arnold and Tripp, 1886. HARRISON, Thomas Alexander. American; born 1853 at Philadelphia; lives in Paris. Pupil of the Pennsylvania Academy of the Fine Arts in Philadelphia; Ecole des Beaux-Arts, Bastien-Lepage, and Gdr&me in Paris. H24-1 CASTLES IN SPAIN. A little boy lies full length on a sandy beach with one hand under his head and the other holding the end of a long blade of grass which he is chewing; at the left lies his blue cap and in the immediate foreground is a castle built of shells and sand; beyond, a steep bank rises at the right and a greenish sea is at the left. H. 37iin. W. 73fin. Canvas. Signed: Alex Harrison. Gift, anonymous, 19 12. 119 HART — HASSAM HART, William. American; born 1823 at Paisley, Scotland; died 1894 at Mt. Vernon, N. Y. Worked chiefly in New York City. Landscapes with cattle. H251-1 SCENE AT NAPANOCH. At the right, cattle stand near some tall treels on the bank of a stream. H. 235 in. W. 33I in. Canvas. Signed: Wm. Hart- 1883. Gift of the children and grandchildren of the artist, 1897 H251-2 SEASHORE— MORNING. Tall clifl^s are at the left; near the rocky shore is a deserted yacht. H. 23 in. W. 41 in. Canvas. Signed: Wm. Hart. Bulletin, 1910, p. 46, ill. Gift of the sons of William Paton, 1909. HASSAIVI, Childe. American; born 1859 at Boston; lives in New York City; pupil of Boulanger and Lefebvre in Paris. ISLES OF SHOALS. Rocks in the foreground with water rushing through a crevasse; the blue sea is beyond witha rocky point of land jutting out across the middle distance. H. 25 in. W. 30 in. Canvas. Signed: Childe Hassam 1901. Gift of George A. Hearn, 1909. GOLDEN AFTERNOON, OREGON. Level fields in the foreground with tall poplars to right and left; a hill beyond; clear blue sky. H. 30 in. W. 40 in. Canvas. Signed: Childe Hassam 1908. Purchase, Rogers Fund, 1911. THE BRUSH HOUSE. This house is a landmark at Cos Cob, Conn., having been built by the Dutch set- tlers about 1690. H. i5fin. W. 22f in. Water color. Purchase, Rogers Fund, 1917. STREET IN PORTSMOUTH. In the foreground at the left is a tree which throws its shadow on one of the two houses that border the street; between the houses is a view of the higher part of the town with a church spire. H. I5iin. W. 22 in. Water color. Signed: Childe Hassam Portsmouth 19 16. Purchase, Rogers Fund, 191 7. H27-1 Gallery „■ m HOGARTH — HOLBEIN by a string of pearls, and a white cap edged with lace. Painted within an oval._ H. 30 in. W. 24^ in. Canvas. Gift of George A. Hearn, 1906. HOLBEIN, Hans, the Younger. German; born 1497 at Augs- . burg, Bavaria; died 1 543 at London. Pupil of his father, Hans Holbein the Elder, and of Hans Burgkmair. About 1 5 16 settled at Basle; went to England and about 1536 became court painter to Henry VIII. H69-1 PORTRAIT OF A MAN. (Probably Benedikt von Gallery Hertenstein, oldest son of Jakob von Hertenstein, bailiff 34 of Lucerne.) The figure is seen to the waist; he wears a black and scarlet biretta, a full-sleeved red doublet trimmed with black braid, and a black cape lined with green and edged with crimson; about his neck is a heavy gold chain which falls over the low-cut white linen shirt and drops inside his black waistcoat. The background shows the angle of a room with a frieze in low relief and below this at the left is the inscription. H. 2of in. W. 15J in. Paper mounted on wood. In- scribed: DA • ICH • HET • DIE • GESTALT " WAS • ICH" 22 ■ JAR ■ ALT • 1 5 17 • H • H : PINGEBAT- (When I had this figure I was 22 years old. 15 17. H. H. painted it.) Bulletin, 1906, p. 150, ill. Purchase, Rogers Fund, aided by subscribers, 1906. H69-2 LADY RICH. (Elizabeth, daughter of William Jeiiks, Gallery married in 1 535 Richard Rich, a lawyer who later became 37 Lord Chancellor of England; she died in 1558.) She is shown to the waist with the left hand cut by the frame; the head is three-quarters to the left; she wears the English hood of the time and a black dress with flaring collar, faced with white; this is held by a gold medallion decorated with figures of a man and a woman standing by a dead body. H. i7y\ in. W. 135 in. Wood. Bequest of Benjamin Altman, 19 13. H69-3 MARGARET WYATT, LADY LEE. (Probably a Gallery sister of Sir Thomas Wyatt, courtier and writer of the 37 time of Henry VIII.) She is shown to below the waist with hands clasped; the head is turned to the left, nearly in profile; she wears a dress of brown damask tufted with gold tags; a black velvet bonnet decorated with gold filigree and pearls almost hides her reddish hair; at her 127 HOLBEIN — HOMER breast is a Tudor rose in red enamel; a gold medallion with the figure of Lucrece hangs from a ribbon at her waist. Inscribed: -etatis -svm ■34- H. i6iin. W. i2jin. Wood. Bequest of Benjamin Altman, 1913. School of Hans Holbein; possibly English. H69S-1 ARCHBISHOP CRANMER (?) (1489-1556; English Gallery prelate and Archbishop of Canterbury.) Life-size 34 figure, standing back of a table; his hair and long forked beard are brownish gray; he wears a black gown trimmed with brown fur, and a three-cornered black hat. The table is covered with a green cloth and on it are an hour glass, a quill pen, a book, a sheet of inscribed paper, and a seal; a green brocaded curtain forms the background. It has been considered that the armorial bearings on the seal are those of Cranmer impaling the Episcopal arms of the See of Canterbury, but this can not be proved. H. 47J in. W. 34f in. Wood. Dated: A. D. 1539. Gift of Henry G. JVIarquand, 1890. HOMER, WiNSLOW. American; born 1836 at Boston; died 1910 at Scarboro, Maine. Apprenticed to a lithographer in Boston; studied at the National Academy of Design,' New York City, and with Frederic Rondel; was war correspondent for Harper's Weekly; began painting in 1862 in New York City, where he lived many years. :>H75-i THE GULF STREAM. A sail-boat with broken mast Gallery is in the trough of the waves, while on its deck lies a 12 half-nude negro; sharks are in the immediate foreground; in the distance at the right is a waterspout; a sailing vessel is on the horizon at the left; the sea is blue-green and the sky pale copper-color. H. 28|in. W. 49iin. Canvas. Signed: HOMER 1899. Bulletin, 1907, p. 14. Purchase, Wolfe Fund, 1906. H75-2 SEARCHLIGHT, HARBOR ENTRANCE, SANTIAGO Gallery DE CUBA. In the foreground is the terrace of an old 15 fort, with two mounted cannon and a turret; a search- light shines with great brilliancy on the rampart, and an- other illuminates sea,,sky, and a point of land at the right; the half-moon is shown at the left, near a mass of clouds. H. 30I in. W. 50J in. Canvas. Signed; W, HOMER. Bulletin, 1906, p. 54, ill. Gift of George A. Hearn, 1906. 128 HOMER H75-3 CANNON ROCK. Dark brown rocks are in the Gallery foreground on both sides of the picture and from the 15 mass at the right juts the cannon-shaped point from which the locality (in Maine) takes its name. At the left foam trickles over the rocks, and beyond is the grayish sea with a wave breaking in the middle distance. H. 391^8- in. W. 39iin. Canvas. Signed: HOMER. 1895. Bulletin, 1906, p. 54, ill. Gift of George A. Hearn, 1906. H75-4 HARVEST SCENE. An orchard with a hay wagon Gallery at the right; a farmhouse is in the distance at the left. 15 H. 16 in. W. 24in. Canvas. Signed: Winslow Homer. Purchase, Hearn Fund, 1909. H75-5 NORTHEASTER. At the right a great wave is just Gallery beginning to break; at the left a mass of spray dashes 1 5 up against a ledge of brown-black rocks in the foreground; farther out the crests of two waves show against the fbg. H. 34I in. W. 50I in. Canvas. Signed: HOMER 1895. Bulletin, 1908, p. 100; 1910, p. 355, ill.; 1914, p. 8, ill. Gift of George A. Hearn, 1910. H75-6 NATURAL BRIDGE, NASSAU. H. 145 in. W. 21 in. Water color on paper. H75-7 PALM TREE, NASSAU. H. 235 in. W. 15 in. Water color on paper. Signed: HOMER. Bulletin, 191 1, p. 17, ill. H75-8 TORNADO, BAHAMAS. H. 14^ in. W. 21 in. Water color on paper. H75-9 A WALL, NASSAU. H. 14J in. W. 215 in. Water color on paper Signed: HOMER Dec. 31st. 1898. H75-10 BERMUDA. H. 15 in. W. 2if in. Water color on paper. Signed: HOMER Jan. ist. 1899. H75-1 1 FLOWER GARDEN AND BUNGALOW, BERMUDA. H. 14 in. W. 21 in. Water color on paper. Signed: Winslow Homer Bermuda 1899. H75-12 SHORE AND SURF, NASSAU. H. 15 in. W. 21 in. Water color on paper. Signed: HOMER— Nassau 99. 129 HOMER H75-13 H75-14 H75-15 H75-16 H75-17 H75-18 Gallery 12 H75-19 Gallery 15 H75-20 Gallery 15 Water color on paper. Signed: Water color on paper. Water color on paper. Signed. Initialed: THE BATHER. H. 141 in. W. 21 in. HOMER 99 Nassau. SLOOP, BERMUDA H. 15 in. W. 21J in. THE PIONEER. H. 135 in. W. 21 in. HOMER 1900. TAKING ON WET PROVISIONS. H. I4in. W. 2i|in. Water color on paper W. H.; inscribed: Key West 1903. FISHING BOATS, KEY WEST. H. 14 in. W. 2i| in. Water color on paper. Signed: HOMER 1903 andinitialed: W.H. Bulletin, 191 i,p. 18, ill. The water colors, Nos. 6 to 17, were shown in the Winslow Homer Memorial Exhibition in 1910; and pur- chased from the estate of the artist. Bulletin, 1910, p. 43. Purchase, Lazarus Fund, rgio. SHOOTING THE RAPIDS, SAGUENAY RIVER. Three men in a birch-bark canoe are in the foreground; immediately, back of them rises yellow spray; a steep hill, on the farther side of the river, slopes down at the right, showing a second hill beyond. This unfinished picture was in the artist's studio at Prout's Neck at the time of his death. H. 3oin. W. 481 in. Canvas. Bulletin, 191 1, p. 66, ill. Gift of Charles S. Homer, 191 1. MAINE COAST. Foaming water from a receding wave rushes between the dark rocks in the foreground; an approaching green wave breaks at the left, throwing spray; beyond, other waves emerge from the mist. H. 30J in. W. 441 in. Canvas. Signed: Homer 1895. Bulletin, 191 1, p. 147, ill. Gift of George A. Hearn, in memory of Arthur Hoppock Heam, 191 1. MOONLIGHT, WOOD'S ISLAND LIGHT. In the foreground a blue wave breaks against the rocks at the left; on the horizon at the right there are lights on a line of shore and the red glow of the lighthouse lamp shines on the point of land near the center of the pic- ture; the light of the unseen moon is on the water at the left. 130 HOMER — HOOCH H. 3o| in. W. 4oi in. Canvas. Initialed: W H 1894. Bulletin, 1908, p. 100; 191 1, p. 145, ill. Gift of George A. Hearn, in memory of Arthur Hoppock Hearn, 191 1. H75-21 TWO LADIES. They are dressed in white and seated on a sofa. H. 6|f in. W. 7^1 in. Water color. Signed: HOMER 1 880. Gift of the Estate of Florence Baird Meyer in memory of Florence Baird Meyer, 1918. HONDECOETER, Gijsbert Gillesz. d'. Flemish; born in 1604, probably at Utrecht; died in that city in 1653. Pupil of his father, Gilles d'Hondecoeter. Painted chiefly birds. H751-1 HAWK ATTACKING PIGEONS. A farmyard with a hawk holding in his claws a flying pigeon; another pigeon is flying toward the left; a brown rooster and a white hen are running away. H. 49I in. W. 42! in. Canvas. Purchase, 1871. HONDECOETER, Melchior d'. Dutch; born 1636 at Utrecht; died 1695 at Amsterdam, where he had settled in 1663. Pupil of his father, Gijsbert d'Hondecoeter, and of his uncle, Jan Baptiste Weenix. Painted chiefly birds. H752-I THE BARNYARD. In the foreground are a peacock, a turkey, a pheasant, and several chickens; there is water at the left and on the far shore is a house with a formal garden. Attributed to Melchior d'Hondecoeter. H. 395 in. W. 465 in. Canvas. Gift of Henry Bedlow, 1897. HOOCH, PiETER DE. Dutch; born 1629 at Rotterdam; died after 1677 at Amsterdam. Perhaps a pupil of Nicolaes Berchem; influenced by Karel Fabritius. Figure subjects. H76-1 DUTCH INTERIOR. A woman peeling vegetables is Gallery seated at the right near an open window; at the left a 14 little girl and a dog stand near an open door, through which is a view of a garden and houses in bright sunlight. H.2ItV in- W. 26yV in- Canvas. Gift of George A. Hearn, 1893. 131 HOOCH — HOPPNER H76-2 INTERIOR WITH A YOUNG COUPLE. A young Gallery woman stands near an open window; back of her and in 39 front of a bed sits a man who snaps his fingers to call a little dog; through an open door is seen a room with leather hangings. H. 2 if in. W. 24J in. Canvas. Bequest of Benjamin Altman, 1913. HOOGSTRATEN, Samuel van. Dutch; born 1627 at Dordrecht; died there 1678. Pupil of his father, Dirk van Hoogstra- ten, and of Rembrandt. H761-1 PORTRAIT OF A LADY AND A GENTLEMAN. Gallery Life-size figures, seated at a table, which is covered with a 26 red rug; the man is at the right and his right hand rests on the table and holds a string of beads. The lady is seated behind the table and holds with both hands a book which rests on the table. Attributed to Hoogstraten. H. 47s in. W. 36I in. Canvas. Gift of Henry G. IMarquand, 1888. HOPPNER, John. British (English); born 1758 at London; died there 18 10. Pupil of the Royal Academy. Por- traits. H77-1 LADY WITH A CORAL NECKLACE. Life-size, Gallery seated figure, seen to below the waist; she wears a short- 14 waisted, low-necked white gown and a dark red coral necklace; a white drapery is about her head and shoulders and a black lace scarf is thrown over her left arm. H. 295 in. W. 24! in. Canvas. Gift of George A. Hearn, 1896. H77-2 MRS. BACHE. (Sarah Franklin Bache, only daughter Gallery of Benjamin Franklin, was born in 1744, married Richard 24 Bache in 1767, and died in 1808; her husband was the first Postmaster-General of the United States, having succeeded Benjamin Franklin, who occupied the post during colonial days.) Life-size, seated figure, seen to the waist; she has blond hair mixed with gray and wears a white headdress and a broad white fichu; a dark wrap lined with white falls about her arms. H. 30I in. W. 24! in. Canvas. Purchase, Wolfe Fund, igoi. H77-3 MRS. GARDINER AND HER CHILDREN. Life- Gallery size, seated figure of a lady, dressed in white, who holds 24 a little girl on her lap; another child stands at her side; 132 HOPPNER — HOREMANS the background consists of a draped red curtain at the leift and sky at the right. H. so-j^j- in. W. 39yf in. Canvas. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. H77-4 PORTRAIT OF A LADY. Life-size, almost full-face portrait of a young lady with dark brown hair seen to below the waist; she wears a white turban and a white high-waisted dress; dark background. H. 30 in. W. 24I in. Canvas. Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917. H77-51 THE SETTING SUN. The Godsal Children. (Three Gallery children of Mr. and Mrs. Godsal of Iscoyd Park, near 24 Whitechurch, Flintshire, England.) A landscape with a little boy dressed in brown standing at the right; at the left a little girl in a white dress with a pink sash leans against an older girl, also in white, who kneels at the foot of a tree; across the hilltop on which they stand the sky is seen with the sun setting behind distant hills. H. 54 in. W. 59 in. Canvas. Bulletin, 1913, p. 12; ill. p. 10. Lent by Mrs. Herbert L. Satterlee, 1916. HOREMANS, Jan Jozef, the Younger. Flemish; born 1714 at Antwerp; died there after 1790. Pupil of his father. H78-1 AUTUMN. H. ii3jin. W. 67Jin. Canvas. Signed: J. Horemans. 1762. H78-2 WINTER. H. ii3|in. W. 67|in. Canvas. Signed: J. Horemans 1761. SPRING. H. 113! in. SUMMER. H. 1 131 in. H78-3 H78-4 H78-5 H78-6 W. 73i in. W. 7ii in. THE HORSE POND. H. 6of in. W. 46! in. Canvas. Canvas. Canvas. A LANDLORD AND HIS TENANT. H. 62I in. W. 39 in. Canvas. Signed: J. Horemans 1764 and initialed: A D H. • 3^ HOREMANS — HUGHTENBURGH H78-7 RETURNING FROM THE HUNT. H. 1131 in. W. 100 in. Canvas. Signed: J. Horemans 1761. H78-8 THE FISH MARKET. H. ii3iin. W. 109I in. Canvas. Signed: J Hore- mans 1762. H78-9 RESTING AFTER HUNTING. H. 33I in. W. 64! in. Canvas. Signed: J Horemans. A series of nine decorative panels. Purchase, 1871. HOVENDEN, Thomas. American; born 1840 at Dunmanway, County Cork, Ireland; died. 1895 at Plymouth Meeting, Pennsylvania. Studied at the Cork School of Design; came to New York in 1863 and entered the school of the National Academy of Design; studied in Paris' under Cabanel. H82-1 JERUSALEM THE GOLDEN. Lamplight falls on a convalescent young woman who reclines in a large chair at the left; a young man is seated at her side, while in the deep shadow at the right a young girl is playing the hymn which gives the title to the picture. H. 30 in. W. 40 in. Canvas. Gift of Mrs. Helen C. Hovenden, 1895. H82-2 LAST MOMENTS OF JOHN BROWN. (1800-1859; American abolitionist hanged by the Commonwealth of Virginia. His armed party had seized by force the arsenal at Harper's Ferry.) The artist has depicted the traditional incident of a colored child's being held up for John Brown to kiss, as he descends the courthouse steps on his way to the gallows. H. 77f in. W. 63^ in. Canvas. Inscribed: Copyright Hovenden 1881. Gift of Carl Stoeckel and his wife, 1897. HUGHTENBURGH, Jan Van. Dutch; born 1646 at Haarlem; died 1733 at Amsterdam. Painted landscapes, hunts, and battle scenes. H87-2 REPOSE AFTER THE HUNT. In the foreground at the right three horses are held by a groom; beyond, people are dancing and eating; in the distance are fields of ripe grain and distant hills. H. 2iin. W..26fin. Canvas. Signed: Hughtenburgh. Purchase, 1871. 134 HUNT HUNT, William Morris. American; born 1834 at Brattleboro, Vt.; buried there 1879. Studied at Diisseldorf; pupil of Couture in Paris; influenced by Millet and the Barbizon School. In 1862 settled in. Boston, where he spent most of his life. Portraits, genre, and mural decorations. H91-1 LANDSCAPE. A field with boulders and trees; in Gallery the center of the picture stands a boy wearing a blue 16 blouse; a white dog sits beside him. H. I2i in. W. 195 in. Canvas. Bulletin, 1906, p. 131, ill. Purchase, Rogers Fund, 1906. H91-2 Gallery 16 H91-3 Gallery H91-4 Gallery 16 H91-5 Gallery 16 H91-6 Gallery 16 GIRL AT A FOUNTAIN. Life-size figure of a young girl, seen from the back to below the knees; her left hand rests against a stone wall and the right holds a brown jug to catch the water flowing from a lion's head in the wall; she wears a brown dress trimmed with dark red braid and a close-fitting white cap; at the left there is a low stone wall with trees and a hill beyond. H. 46 in. W. 35I in. Canvas. Signed: W. M. HVNT. Bulletin, 1908, p. 1 19, ill. Bequest of Jane Hunt, 1908. A BOY. Standing figure, seen to below the knees with his back against a stone wall; his arms are folded and a whip is in his left hand; he wears an Italian costume. H. 16J in. W. 8f in. Canvas. Monogrammed: WMH Bequest of Mrs. Martha T. Fiske Collord, in memory of Josiah M. Fiske, 1908. A GIRL. Full-length, seated figure of a girl in Italian dress; a bright red cloak hangs over the back of her chair. H. i6i in. W. 81 in. Canvas. Signed: WM (en- twined) Hunt 1867. Bequest of Mrs. Martha T. Fiske Collord, in memory of Josiah M. Fiske, 1908. NIGHT. (Sketch for the principal figure of one of the mural decorations executed in 1878 in the State Capitol at Albany, N. Y., but since ruined.) A female figure seated on the crescent moon; drapery falls over her knees. H. 37 in. W. 255 in. Cardboard. Bulletin, 191 1, p. ■ 100. Purchase, Rogers Fund, 191 1. FORTUNE. (Sketch for one of the figures in The Dis- coverer, one of the ruined mural decorations in the State Capitol at Albany.) A winged female figure, stand- 135 HUNT — HUNTINGTON ing with drapery about hei raised right arm; the left hand holds the tiller of the boat in which Columbus stands. H. 37 in. W. 25J in. Cardboard. Bulletin, 191 1, p. 100. Purchase, Rogers Fund, 191 1. H91-51 CHARLES SUMNER. (1811-1874; American states- Gallery man, 1861-1871.) Life-size bust, almost profile to left. 16 He has bushy iron-gray hair and side whiskers, and wears a black coat and black tie; red background. H.27in. W. 22 10. Canvas. Signed: Monogram WMH. Lent by Mrs. E. Hunt Slater, 1918. H91-52 ABRAHAM LINCOLN. (1809-1865; sixteenth Presi- Gallery dent of the United States, 1861-1865.) Life-size bust 16 three-quarters to right; the hair and short chin beard are black, and he wears a black coat and necktie; light gray background. This is a replica made after the de- struction of the original (painted in 1872) in the Boston fire in 1889. ; H. 27j in. W. 22i in. Canvas. Signed: Monogram WMH 1866 Lent by Mrs. E. Hunt Slater, 1918. HUNTINGTON, Daniel. American; born i8i6at New York City; died there 1906. Pupil of S. F. B. Morse and of Inman in New York; of G. P. Ferrero in Rome. President of National Academy of Design 1862 to 1869 and 1877 to 1 89 1. Portraits. H92-1 JOHN DAVID WOLFE. (1792-1872; a New York Gallery merchant; father of Catharine Lorillard Wolfe.) Life- 17 size, seated figure, seen to the knees; an open book is held in his right hand; he wears the conventional black clothes and a cape lined with black satin. H. 43J in. W. 37f in. Canvas. Signed: D. Hunting- ton 1871. Bequest of Catharine Lorillard Wolfe, 1887. H92-2 CYRUS W. FIELD. (1819-1892; American merchant; founder of the American Cable Company.) The head is turned to the right; he wears a heavy fur-trimnied coat. H. 3oi in. W. 25 in. Canvas. Signed: D. Hunting- ton 1879. Gift of Cyrus W. Field, 1892. 136 BOY WITH A SWORD BY EDOUARD MANET HUNTINGTON— HUYSMANS H92-3 WILLIAM C. PRIME. (1825-1905; a New York Gallery merchant; vice-president of the Museum from 1874 16 to 1892.) Life-size, seated figure, seen to below the knees; his right hand turns the leaves of an open book that rests on top of another volume on a table at the left; his thin hair and long beard are gray; he wears a brown velveteen jacket and dark gray trousers. H. 54y in. W. 44} in. Canvas. Signed: D. Hunting- ton 1892. Gift of the Trustees, 1892. H92-4 MERCY'S DREAM. The subject is taken from Bunyan's Pilgrim's Progress. " Methought I looked up and saw one coming with wings toward me. . . . and he put a beautiful crown upon my head. Then he took me by the hand and said 'Mercy, come after me'." H. 84 in. W. 66i in. Canvas. Signed: D. Hunting- ton 1858. Gift of the artist, 1897. H92-5 ELLA VIRGINIA DERING. (Daughterof Willis Bris- tol of New Haven, Conn., and wife of Sylvester Dering of Utica, N. Y.) The figure is seen to below the waist; she wears a white silk gown trimmed with lace, a string of pearls is about her neck, and her left hand rests on a bunch of yellow roses at her breast. H. 301 in. W. 25 in. Canvas. Signed: D. Huntington. Gift of Sylvester Dering, 1916. H92-6 NICOLL HAVENS DERING. (1865-1869; son of Gallery Sylvester and Ella V. Dering.) A little boy dressed in 16 blue and holding a toy dog under his left arm, is seen to the knees standing in a landscape. H. 30 in. W. 25 in. Canvas. Signed: D. Huntington. Gift of Sylvester Dering, 19 16. HUYSMANS, CoRNELis; called Huysmansof Mechlin. Flemish; born 1648 at Antwerp; died 1737 at Mechlin. Pupil of Caspar de Witte at Antwerp and of Jacques van Artois at Brussels, whence he went to Mechlin. Land- scapes. H98-1 ITALIAN LANDSCAPE. A valley with peasants and Gallery cattle in the foreground; trees to the left and mountains 26 in the distance; sunset sky. H. 25J in. W. 3ii in. Canvas. Purchase, 1871. '37 HUYSMANS H98-4 LANDSCAPE WITH FIGURES. A view of a valley Gallpry in a mountainous country, with dark trees at the right 14 and left; in the foreground are figures and cattle and in the distance a river and snow-capped mountains in sunlight. H. 23| in. W. 315 in. Canvas. Gift of George A. Hearn, 1906. 138 I INGHAM, Charles C. American; born 1796 at Dublin, Ireland; died 1863 at New York City. Pupil of Dublin Academy. In4-i THE FLOWER GIRL. Standing figure, seen to below the knees; she wears a yellowish dress and a black hood; she carries a pot of fuchsias and a basket of flowers. H. 36 in. W. 28J in. Wood. Signed: C C Ingham 1846. Gift of William Church Osbom, 1902. INGRES, Jean Auguste Dominique. French; born 1780 at Montauban; died 1867 at Paris. Pupil of David; in- fluenced somewhat by the early Italians and to a greater degree by Raphael. Portraits, historical and classical subjects, and decorations. In 41-1 PORTRAIT OF M. LEBLANC. Seated figure to the Gallery left seen to below the knees; he holds a book in his right 120 hand and his left elbow rests on a table over which is a red figured cover. His black coat is open in front showing a white shirt and striped waistcoat. H. 47! in. W. 37 in. Canvas. Signed: Ingres Pinx. Bulletin, 1919, p. 133, ill. Purchase, Wolfe Fund, 1918. In 41-2 PORTRAIT OF MME. LEBLANC. Seated figure to Gallery the right seen to the knees, wearing a low-necked black 20 silk dress. Her right hand rests on the back of the chair and her left lies in her lap. A heavy gold chain is about her neck and is fastened at her belt. An Indian shawl is thrown over the arm of her chair; flowers in a vase are on the table at the right. H. 47 in. W. 36I in. Canvas. Signed: Ingres P. flor. 1823. Bulletin, 1919, pp. 133-134, ill Purchase, Wolfe Fund, 1918. 139 INMAN - INNESS INMAN, Henry. American; born i8oi(?) at Utica, New York; died 1846 at New York City. Pupil of John W. Jarvis. Portraits. In5-i MARTIN VAN BUREN. (1782-1862; the eighth pres- Gallery ident of the United States.) Nearly life-size figure, seen 16 to the waist; he has light brown hair and side whiskers and wears a black coat and high black stock. H. 3of in. W. 25I in. Canvas. Gift of Mrs. Jacoh H. Lazarus, 1893. In5-2 THE YOUNG FISHERMAN. The full-length figure Gallery of a barefooted boy, standing under a tree with his 16 left hand raised hofding a branch; a fishing pole is over his left shoulder* H. i3i in. W. 91 in. Wood. Gift of Samuel P. Avery, 1895. ln5-3 WILLIAM C. MACREADY. (1793-1873; a prominent Gallery English tragedian.) Life-size portrait, seen almost to 16 the waist; the neck is bare and a white tunic shows above a dark garment; a brown fur cloak is over his left shoulder. "He is posed in the character of William Tell. H. 3oi in. W. 25 in. Canvas. Bulletin, 1906, p. 105. Purchase, Rogers Fund, 1906. INNESS, George. American; born 1825 at Newburgh, N. Y.; died 1894 while traveling in Scotland. Apprenticed to a map engraver; studied painting with Regis Gignoux; visited Europe. The greater part of his working life was spent in the neighborhood of New. York City. Land- scapes. In6-i AUTUMN OAKS. A group of oaks in red, brown, and Gallery yellow foliage fills the middle distance to the right of the 16 center; in the dark shadow that crosses the foreground, a cow is following the path toward a group of cattle that are in the sunlight at the left; beyond are open fields and wooded groves with a glimpse of water in the distance; heavy clouds with blue shadows. H. 215 in. W. 30I in. Canvas. Signed: G. Inness. Gift of George I. Seney, 1887. In6-2 EVENING. Large oak trees are at the left and open fields at the right with a farmhouse and blue hills beyond; in the foreground sheep and a cow are being driven home and a man is piling logs. 140 INNESS H. 485 in. W. 78iin. Canvas. Signed: Geo. Inness 1868. Gift of George 1. Seney, 1887. In6-3 PEACE AND PLENTY. A broad expanse of country Gallery with hills in the distance and a narrow stream winding 13 through the valley; in the foreground a field of grain is being harvested; at the left in the middle distance a group of elms is silhouetted against a golden sunset sky. Painted from studies made at Medfield, Mass. H. 77I in. W. ii2f in. Canvas. Signed: Geo Inness 1865. Bulletin, 1914, p. 4, ill. Gift of George A. Hearn, 1894. In6-4 PINE GROVE OF THE BARBERINI VILLA, Gallery ALBANO, ITALY. 12 H. 76^ in. W. ii8f in. Canvas. Signed: G Inness — 1876. Gift of Lyman G. Bloomingdale, 1898. ln6-5 DELAWARE VALLEY. The winding Delaware River Gallery flows through a valley dotted with trees, cultivated 16 fields, and farm buildings; at the left a wagon load of hay is being drawn by horses along a road toward the foreground; in the distance the hilltops are partly hidden by rain clouds. H . 22 in. W. 30 in. Canvas. Signed: G Inness 1865. Gift of several gentlemen, 1899. In6-6 EVENING AT MEDFIELD, MASS. A clump of Gallery trees at the left and a stone wall at the right stand out 13 against a deep yellow sunset sky; near the center a man leans over the pasture bars; in the foreground at the left are two tree trunks beyond which two cows come down a path that winds around a pollard willow at the right. H. 38 in. W. 635 in. Canvas. Signed: G. Inness — 1875. Bulletin, 19 10, p. 107, ill. Gift of George A. Hearn, 1910. In6-7 SPRING BLOSSOMS. An orchard in blossom is in Gallery the middle distance; beyond at the left is a farmhouse. 13 H. 301 in. W. 45t in. Canvas. Signed: Geo. Inness 1889. Bulletin, 1911, p. 149, ill. Gift of George A. Hearn, in memory of Arthur Hoppock Hearn, 191 1. INNESS, George, Jr. American; born 1853 ^t Paris, France; lives in New York City. Pupil of his father, George Inness. 141 INN ESS — I SEN BRANT In6i-i SHEPHERD AND SHEEP. They are moving away from the spectator; bushes and low trees are at the left. H. loin. W. I5iin. Wood. Signed: Geo. Inness Jr. 1876. Bequest of Henry H. Cook, 1905. IRWIN, Benoni. American; born 1840 at Newmarket, Canada; died 1896 at South Coventry, Conn. Pupil of National Academy of Design in New York; Carolus Duran in Paris. Irg-i CHARLES H. FARNHAM. (Born 1841; lives at New- burgh, N. Y. Author.) Life-size, bust portrait in pro- file toward the left. H. 24I in. W. 18 in. Canvas. Signed: Benoni irwin — 1882. Gift of Mrs. Benoni Irwin, 1897. ISABEY, Eugene. French; born 1803 at Paris; died there 1886. Pupil of his father, Jean Baptiste Isabey. Landscapes and marines. Isi-i A BANQUET HALL. A sumptuous dining hall Gallery with many people dressed in richly colored seventeenth 17 century costumes; some are seated at the long table, drinking, while others stand in groups about the room; a number are gathered on the steps at the right beyond which the sunlight streams through a window. H. 27j in. W. 361^ in. Canvas. Signed: E. Isabey-73. Bequest of Catharine Lorillard Wolfe, 1887. ISENBRANT, Adrian. Flemish; born in the fifteenth century; died 1557. Settled at Bruges in 15 10 and worked under Gerard David. Is2-i ECCE HOIVIO — MATER DOLOROSA. Life-size fig- Gallery ures, seen almost to the knees, of Christ and the Virgin 34 standing side by side in the opening of a bay consisting of a double arch. Christ is at the left with a dark green robe hanging upon His shoulders, the chest bare, and the hands bound in a crossed position so that the right hand holds the reed on the left side. Mary is at the right with bowed head and hands crossed on her breast; she wears a white wimple and a dark mantle. Formerly attrib- uted to Mostaert. H. 415 in. W. 36i'b- in. Canvas, transferred from wood. Purchase, Rogers Fund, 1904. 142 I SEN BRANT— I SHAM Is2-2 a. THE NATIVITY. Triptych. (Central panel.) Mary, Gallery in a dark blue robe and brown cloak, and Joseph in a 34 red robe, kneel respectively at left and right of a straw filled basket on which the Infant is lying; just beyond is an arched stone porch beneath which are the ox and ass, and at the left are two adoring shepherds; landscape background with trees, cottages, shepherds, and blue hills. Is2-2 b. ADORATION OF THE KINGS. (Left wing.) Un- der a porch similar to that shown in the central panel, Mary is seated at the right holding the Child on her lap; two of the kings, one wearing a red robe and the other in yellow brocade, kneel before the Infant; the Moor, in a dull green robe and jeweled turban, stands at the left holding a gold vessel; landscape background. Is2-2 c. FLIGHT INTO EGYPT. (Right wing.) The Ma- donna, with the Child held in her left arm, rides on the ass which is moving toward the left; Joseph, in a red cloak, black hood, and straw hat, stands on the far side of the animal and holds its bridle. Across the three panels is a landscape background consisting of a broad valley in the center and at right and left wooded hills and steep rocks with castles on their summits. Is2-2 d. THE ANNUNCIATION. (Fainted in grisaille on the back of the Adoration of the Kings.) A late Gothic doorway forms the background for the Virgin and the angel. Is2-2 e. THE VISITATION. (Painted in grisaille on the back of the Flight into Egypt.) A Gothic doorway, similar to that of the opposite wing, forms the background for the Virgin and Saint Elizabeth. Center, H. gl in. W. 6J in.; each side, H. lof in. W. 3x'V in- Wood. Bulletin, 1913, p. 67, ill. Purchase, Hewitt Fund, 19 13. ISHAM, Samuel. American; born 1855 at New York City; died 1914 at Easthampton, N. Y. Pupil of Jacquesson de la Chevreuse, Boulanger, and Lefebvre. Author of A History of American Painting. Is3-i LA MARQUISE DE CARABAS. Life-size, seated Gallery figure of a young girl seen to the knees; she wears a fancy 12 costume of brocaded silk and a string of pearls about her neck; her raised left hand rests on a standard; there 143 ISHAM — ITALIAN SCHOOL is a fanciful coat of arms on a column in the background at the left. H. 39f in. W. 33 in. Canvas. Signed: S. Isham, 96. Bulletin, 1915, p. 11; ill. p. 13. Gift from the estate of the artist, in accordance with his wishes, 1914. ISRAELS, JozEF. Dutch; born 1824 at Groningen; died 191 1 at The Hague. Pupil of J. A. Kruseman at Amsterdam; Picot and Delaroche at Paris. Peasant subjects. IS7-1 THE BASHFUL SUITOR. A youth and a young girl Gallery are walking toward the left across flat meadows; in the 19 fields beyond is a herd of black and white cattle. H. 46 in. W. 675 in. Canvas. Signed: Jozef Israels. Gift of George I. Seney, 1887. Is7-2 EXPECTATION. An interior with the full-length. Gallery seated figure of a young Dutch peasant woman who is 19 sewing; she is making a baby's cap and her sewing materials are on a willow cradle at the left; on a table at the right is a pot of flowers in blossom. H. 715 in. W. 54 in. Canvas. Signed: Jozef Israels. Gift of George I. Seney, 1887. IS7-3 WAITING FOR PAPA. A humble Dutch home with a girl and a boy standing at an open window and looking out across sand dunes. H. 2i| in. W. 14! in. Wood. Signed: Jozef Israels. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. IS7-4 THE DUNES. A girl sits at the right looking out to sea, where a fishing boat is shown. H. i2i in. W. 17J in. Water color. Signed: Jozef Israels. Mr. and Mrs. Isaac D.' Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. ,Is7-5 GRANDMOTHER'S TREASURE. A dutiful little child reads to her sick grandmother. H. 37 in. W. 35I in. Canvas. Signed: Jozef Israels. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. ITALIAN SCHOOL. It5S-4 CROWNING OF THE VIRGIN. The Virgin, in a white robe, is seated at the left, and Christ, wearing a 144 ITALIAN SCHOOL red robe and a dark blue mantle, is placing the crown upon her head; back of the figures is a red and gold canopy which is supported at each side by an angel. Formerly attributed to Stamina. • Fifteenth-century work. H. i3xV in- W. io|f in. Wood. Gift of Frederic Coudert, 1888. ItjS-s VIRGIN AND CHILD. The Virgin, in a white mantle lined with green, is standing and seen to the knees; the Child, swathed in a white and yellow striped cloth, is held upright with His feet resting in the Virgin's right hand; gold background with halos in relief. Inscribed below on a red ground: benedictvs • sit ■ nomen . DOMINI JHVXRI ET • NOMEN • MATRIS • EIVS ■ GLORIOSE- viRGiN. Fourteenth-century work. H. 32! in. W. 18J in. Tempera on wood; pointed arched top. Gift of Frederic Coudert, 1888. It5S-6 ENTOMBIVIENT. The nude figure of the dead Christ is supported on the edge of the tomb by the Virgin at the left and St. John at the right; gold background. The picture came under the name of Gio. Batta; it is fifteenth- century work. H. 7|in. W. 9^in. Wood. Gift of Frederic Coudert, 1888. It5S-i6 MADONNA AND CHILD. A half-length of the Gallery Madonna with the Child standing on her lap; she wears a 33 purple robe, white scarf, and black mantle; the Child is dressed in red and His right hand caresses the face of the Madonna; dark background with fruit and leaves; imitation Cufic inscription on halos. At one time' attributed to Pisanello. North (?) Italian work of the first half of the fifteenth century. H. 251 in. W. 145 in. Tempera on wood. Gift of Baron Lazzaroni, 1906. 1158-17 SAINT MICHAEL AND THE DRAGON. The Saint Gallery stands with his sword raised in the act of slaying a mon- 33 ster which has one large and numerous small heads, several of which have been cut off. The Saint has parti- colored wings and wears Renaissance armor and a red doublet embroidered with gold; gold tooled background. Fifteenth-century work. H. 42^ in. W. 4ii in. Tempera on wood. Purchase, Rogers Fund, 1912. >45 It5S-Fi It5S-F2 Gallery 33 It5S-F3 Gallery 31 It5S-F4 Gallery 31 ITALIAN SCHOOL Florentine. ST. ANTHONY. The head of an old man in a brown monk's habit. Formerly attributed to Ghirlandaio; fifteenth-century worlc. H. 20i\ in. W. 145 in. Fresco on plaster. Gift of Cornelius Vanderbilt, 1880. A MAN AND A WOMAN AT A CASEMENT. A woman, seen to below the waist, stands in the corner of a room facing a window at the left where i man, who is outside the house, leans on the sill with both hands crossed on the ledge over which hangs a cloth bearing the Scolari arms; beyond the woman's head is another window through which there is a view of a town street and a land- scape. Formerly attributed to Masaccio; Berenson con- siders it an early work of Paolo Uccello, Painted in the second quarter of the fifteenth century. H. 25^ in. W. i6f in. Tempera on wood. Gift of Henry G. Marquand, 1888. THE WAR OF CHARLES OF DURAZZO AGAINST OTTO OF BRUNSWICK. (A cassone [chest] front in three octagonal panels with ornamental borders and spandrels decorated with the coat of arms of the Kingdom of Sicily and Jerusalem.) In the right-hand panel, the army of Charles of Durazzo, under the banners of Sicily and Jerusalem, of the Pope and of Hungary, attacks the army of Otto of Brunswick who carry the Brunswick arms. In the central panel Charles receives the submis- sion of Otto. In the panel at the left Charles and his army enter the city of Naples. The colors are sombre — Charles in each panel is dressed in black and gold and is mounted on a white horse. The sky is gold-leaf. Florentine, about 1400. H. 195 in. W. 5o{-^ in. Tempera on wood. Purchase, Rogers Fund, 1906. CASSONE; UNKNOWN SUBJECT. A prince with his party arrives at the left: back of them are Florentine buildings — the Riccardi palace, then the Medici palace, and the Cathedral and Campanile. At the right is a log- gia with nine ladies at dinner. A page steps from the loggia to welcome the party. The prince is shown again at the right, choosing one of the ladies, and once more as he and the lady are being married; an elderly gentleman is blessing their union and a gentleman behind the corner column, eavesdropping. Many of the costumes are in 146 ITALIAN SCHOOL gold-leaf. The name of the artist is unknown; two works by him are in American collections, both showing Solo- mon and the Queen of Sheba; one in the Boston Museum, and one in the Jarves collection at Yale University. About 1450. H. 17J in. W. 55t in. Tempera on wood. Bulletin, 1919, p. 6, ill. Purchase, Rogers Fund, 19 18. SlENESE. ItjS-Si THE HOLY VIRGIN AND SAVIOUR. A triptych. Gallery The central panel shows the Virgin enthroned with the 33 Child on her lap and seven angels grouped around the throne; in the right-hand panel St. Peter is in the fore- ground and there are four other standing figures; in the left-hand panel there are also five figures, St. Paul being in the foreground. In the points at the top of the panels the Crucifixion is in the center, the Virgin in prayer at the right, and the Angel of the Annunciation at the left. Gold background throughout. Fifteenth- century; influenced by Taddeo di Bartolo. H. 181 in. W. 17-j^^in. Tempera on wood. Gift of Frederic Coudert, 1888. It5S-S2 THE LIFE OF CHRIST. A triptych, divided into Gallery sixteen scenes by means of bands of pattern stamped in 33 the gold ground. The subjects are as follows: Right panel: i. Annunciation; 2. Nativity; 3. Adoration of the Magi; 4. Presentation in the Temple. Left panel; 5. Flight into Egypt; 6. Christ Among the Doctors; 7. The Last Supper; 8. The Agony in the Garden. Cen- tral panel beginning at the upper left: 9. St. John the Baptist; 10. The Trinity; 1 1. St. Michael; 12. The Scourg- ing of Christ; 13. The Crucifixion; 14. Christ Carrying the Cross; 15, The Piet^; 16. Christ in the Tomb, Painted in the first half of the fifteenth century. Central panel, H. 20J in. W. 14! in. Sides, each, H. 21^ in. W. 6i in. Wood. Bulletin, 1909, p. 88. Purchase, Rogers Fund, 1909. Tuscan. ItsS-Ti ST. GILES; MISSION OF THE APOSTLES; CHRIST Gallery TRIUMPHANT OVER SATAN. A polyptych. The 33 right-hand panel shows a full-length standing figure of St. Giles, in the black habit of a Benedictine monk. The 147 ITALIAN SCHOOL left half is divided into two sections; in the lower part, Christ is addressing the twelve apostles, and above Christ stands on clouds with angels, four of whom drive away devils. On scrolls are printed ISTI EST DOMINUS REX GLORIAE (This is the Lord, the King of Glory) and ET DOMINUS FIRTIS IN PROELIO (even the Lord mighty in battle). Berenson attributes this work to Tuscan origin; Fry considers that the types are non- Italian, though the painting shows Sienese influence; it was previously catalogued as early French, School of Avignon. Probably painted in the early part of the fifteenth century. H. 595 in. W. 395 in. Tempera on wood. Gift of J. Bruyn Andrews, 1876. Umbrian. ItjS-Ui SCENES FROM THE LIFE OF KING NEBU- CHADNEZZAR. (The dream of King Nebuchadnezzar and its interpretation are given in the Bible in the Book of Daniel, chapter IV.) A cassone (chest) front with three sunken panels; the borders of the panels are carved and the ground is gilded. In the panel at the left, Daniel is interpreting the dream of Nebuchadnezzar. In the central panel, Nebuchadnezzar is being driven from the palace as predicted by Daniel. In the panel at the right the King is eating grass "as oxen" in accordance with the interpretation of the dream. Fainted toward the end of the fifteenth century. H. 2i|f in. W. 65 in. Tempera on wood. Bulletin, 1908, p. 189, ill. Gift of James Loeb, 1908. JACOBI, Giovanni. See Giovanni da Milano. JACOPI, Bernardino. See Butinone. JACQUE, Charles Emile. French (Barbizon); born 1813 at Paris; died there 1894. Studied geographical engraving; worked in England; later settled at Barbizon, where he painted landscapes and 'animals. J16-1 THE SHEEPFOLD. The interior of a barn with sheep; Gallery a boy in a blue blouse is putting a bundle of hay into a 17 rack; bright sunlight enters through a crudely latticed door at the left and falls on the straw with which the floor is covered; four chickens are near a tub in the foreground. H. 18J in. W. 36I in. Wood. Signed: Ch. Jacque- 1857. Purchase, Wolfe Fund, 1897. J 16-2 LANDSCAPE WITH SHEEP. A flock of sheep nibbling grass followed by a black collie and a shep- herd who wears a blue blouse; a hill and a grove of oaks are beyond. H. 13! in. W. lof in. Wood. Signed: Ch, Jaeque.' Gift of Mrs. Mary Goldenberg, 1899. J 16-3 SHEEP. Two sheep in a pasture. H.»5|in. W. 8f in. Wood. Signed: Jaeque. Bequest of Thomas P. Salter, 1907. JACQUET, GusTAVE. French; born 1846 at Paris; died there 1909. Pupil of Bouguereau. Figure subjects. J162-1 FEMALE HEAD. Life-size, bust; a white lace scarf S. W. is draped over the bare shoulders and knotted in front. Stairway H. 215 in. W. i8i in. Canvas. Signed: G. Jacquet. Bequest of Catharine Lorillard Wolfe, 1887. 149 JACQUET — JARVIS J162-2 REVERIE. Figure of a young girl, seen almost to the waist; she wears a low-necked gray bodice, laced in front, with rosettes on the shoulders and a yellow ribbon about her neck. H. 13-J^f in. W. 95 in. Wood. Signed: G. Jacquet. Bequest of Thomas P. Salter, 1907. JANSSENS VAN CEULEN, Cornelis; or Janson or Jonson van Ceulen. Flemish; born 1593 at London, England, of Flemish parents; died i664(?) at Utrecht. Influenced by Van Dyck with whom he worked for eight years at the Court of Charles I. In 1648 settled at Utrecht. Portraits. J362-1 PORTRAIT OF A LADY. Life-size, to the waist; Gallery her brown hair is drawn back and hangs in ringlets caught 26 with pearls; a double row of pearls is about her bare neck; she wears a black satin dress with close-fitting white lace yoke that comes down over the shoulders and is held in front by a large black enameled brooch. H. 3ij in. W. 25tV in. Canvas. Gift of Henry G. Marquand, 1888. J262-2 LADY TOWNSHEND. (Mary, daughter of Edward Kewknor of Denham, England, married in 1658 Sir Horace Townshend, who in 1660 went to The Hague as one of the deputation to invite Charles II to return to England; this portrait was probably painted during that visit. Lady iVlary Townshend died 1673.) Life-size figure, seen to the waist with the head three-quarters to the left; she wears a large black hat, and a black dress with deep, square white yoke edged with wide, pointed lace. H. 30J in. W. 24I in. Canvas. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. JARVIS, John W. American; born 1780 at South Shields-on- the-Tyne, England; died 1834 at New York City. Chiefly self-taught; worked in Philadelphia and New York. Portraits. J291-1 PORTRAIT OF A MAN. Life-size, seen almost to the waist; he wears a black coat and a white frilled stock. H. 29I in. W. 25 in. Canvas. Gift of A. W. Classon, 1875. 150 JARVIS — JOHN J291-2 ALEXANDER ANDERSON. (1775-1870; the pioneer Gallery American wood-engraver; at first a physician, but after 16 about 1798 he devoted his attention exclusively to wood-engraving; lived in New York City.) Life-size figure, standing behind a brown chair with both hands resting on the chair-back. H. 34 in. W. 27 in. Canvas. Gift of Robert Hoe, Jr., 1881. JEFFERSON, Joseph. American; born 1829 at Philadelphia; died 1905 at Palm Beach, Fla. He was best known as an actor. J35-2 MASSACHUSETTS BAY. A marine with the sea dashing against the barren shore at the right; stormy sky. H. 291 in. W. 425 in. Canvas. Signed: J Jefferson. Gift of JVIrs. Joseph Jefferson, 1906. JETTEL, Eugene. Austrian; born 1845 at Johnsdorf; died 1901 at Trieste. Pupil of Albert Zimmerman and of Petten- kofen at Vienna. J51-1 A IMARSH IN NORTH HOLLAND. Pools of water in the foreground; trees and a white cottage beyond with flat lands in the distance and windmills against the horizon. H. 32! in. W. 48xV in- Canvas. Signed: Eugene Jettel Paris 1877. Gift of Charles Sedelijieyer, 1883. JEWETT, William. American; born 1795 at East Haddam, Conn.; died 1873 at Bayonne, N. J. Assistant of Samuel L. Waldo, in New York City, with whom he collaborated in painting portraits during eighteen years. The following portraitswere painted by Waldo and Jewett. See descriptions under Waldo. Edward Kellogg. Mrs. Edward Kellogg. Rev. Gardiner Spring. JOHN, Augustus Edwin. British; born 1879. J62-51 THE WAY DOWN TO THE SEA. A nude baby and Gallery four young women, in simple dresses of blue, violet, and 19 yellow, stand on a cliff against the blue sky and the blue sea; the foremost woman holds a vermilion ball above the child's head. •51 JOHN — JOHNSON H. 79 in. W. 66^ in. Canvas. Bulletin, 191 5, p. 75. Lent by John Quinn, 191 5. JOHNSON, David. American; born 1827 at New York City; died 1908 at Walden, N. Y. Studied with J. F. Cropsey but chiefly self-taught. Landscapes. J63-1 THE GIANT OF THE MEADOW. A grove of large trees beneath which cattle are grazing; at the left a narrow stream winds through the landscape to the foreground. H. 18 in. W. 265 in. Canvas. Signed on back: David Johnson-1888-9. Bequest of Thomas P. Salter, 1907. J63-2 BAYSIDE, NEW ROCHELLE. A large oak in full leaf is on a point of land which juts out into the inlet; in , the immediate foreground at the left an old man is seated on the ground with his dog at his side. H. 19I in. W. 24 in. Canvas. Monogrammed: DJ. Bequest of JVlaria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. J63-3 NEAR SQUAM LAKE, NEW HAMPSHIRE. A view of a valley with clumps of trees and hills, and mountains beyond in yellowish late afternoon light; the end of the lake shows at the left. On the road in the center fore- ground is a man in a red vest who drives a white cow. H. i8^f in. W. 28 in. Canvas. Signed: D. Johnson, 1856. Inscribed on back: Scene near Squam Lake N.H. D. Johnson 1856. Purchase, Rogers Fund, 191 7. JOHNSON, Eastman. American; born 1824 at Lovell, Me.; died 1906 at New York City. Studied at Dusseldorf and at The Hague; settled in New York in i860. J631-1 SANDFORD R. GIFFORD. (Landscape painter; see Gifford.) Life-size, bust; he has brown hair, moustache, and beard. H. 26f in. W. 22| in. Millboard. Signed: E. John- son 1880. Gift of Richard Butler, 1888. J631-2 TWO MEN. (The one at the right is Samuel W. Rowse, Gallery 1 822-1 901, noted for his crayon portraits of children; 16 the other is Robert W. Rutherfurd.) A room with the 152 ^^^M [^M^ ^1/1 ^^Kfia' d ^fe,^ii«&' ■^■I'I^Hk mlMd mSr^^ 3r ) ""^vijl j^. mm?-mll^ ^^;, ^1 .Ww" ■a? ^ '1 ■ v.- ADORATION OF THE KINGS BY QUENTIN MASSYS JOHNSON— JONGERS two life-size, seated figures facing each other and talking. H. 6ol in. W. 78^ in. Canvas. Signed: E Johnson 1881. Gift of Robert Gordon, 1898. J631-3 CORN HUSKING AT NANTUCKET. A field with Gallery two long lines of men and women handling the corn; 16 the ground between them is strewn with yellow husks some of which have already been stacked; in the fore- ground at the right two men are carrying a basketful to a nearby farmhouse. H. 27I in. W. 54^ in. Canvas. Signed: E. Johnson. Purchase, Rogers Fund, 1907. JONES, H. Bolton. American; born 1848 at Baltimore, Md.; lives in New York City. Studied in Paris. Landscapes. J71-1 SPRING. In the immediate foreground is a stream Gallery which reflects the budding trees that border its banks; 16 meadows beyond. H. 245 in. W. 40tV in. Canvas. Signed: H. Bolton Jones. Gift of George 1. Seney, 1887. J71-2 AUTUMN. Meadows with a brook in the foreground and leafless trees beyond. H. loin. W. i4in. Canvas. Signed: H. Bolton Jones. Bequest of Thomas P. Salter, 1907. JONGERS, Alphonse. American; born 1872 in France, lives in New York City. Pupil of the Ecole des Beaux-Arts in Paris under Delaunay and Gustave Moreau; studied in Spain. Portraits. J73-1 LOUISE. Life-size, full-length, standing figure of a Gallery little girl in a white dress, wearing a large blue bow 13 on her brown hair; in her left hand she holds a broad- brimmed straw hat trimmed with blue and yellow artifi- cial flowers. A green and orange parrot is on a perch at the left and in the foreground is a black French poodle. H. 80 in. W. 38 in. Canvas. Signed: A. Jongers. Gift of George A. Hearn, 1910. J73-2 ARTHUR HOPPOCK HEARN. (1861-1910; New York Gallery merchant; son of George A. Hearn.) Life-size, standing 15 portrait, seen almost to the knees; his right hand holds a book which rests on a table. 153 JONGERS — JONG KIND H. 42in. W. 34 in. Canvas. Bulletin, 191 1, p. 146,111. Gift of George A. Hearn in memory of Arthur Hoppock Hearn, 191 1. JONGH, LuDOLF DE. Dutch; born 1616 at Overschie; died 1679 at Hillegersberg. Pupil of Cornelius Saftleven at Rotter- dam, Palamedes at Delft, and Jan van Bylert at Utrecht. J731-1 WILD BOAR HUNTING. Dogs are attacking a boar which has killed several of them; a cavalier wearing a red coat approaches on horseback at the right near dense woods; an open plain beyond with cliffs at the left. Formerly ascribed to Abraham Hondius. H. i2| in. W. I7x't in- Canvas. Purchase, 1871. JONGKIND, Barthold. Dutch; born 1819 at Latdorp near Ootmarsum; died 1891 at C6te-Saint-Andr^, hhre, France. Pupil of Andreas Schelfhout at The Hague; of Isabey at Paris, where he settled in 1845. Marines and landscapes. J73'3-I Gallery 14 J732-2 Gallery 17 J732-3 J732-4 SUNSET ON THE SCHELDT. At the left is a point of low shore with a house and two ragged trees; to the right, near the farther bank of the river, there are two ships with sails up; the sky is luminous and the pinkish clouds are reflected in the wide river. H. 2ij in. W. 283 in. Canvas. Signed: Jongkind 1865. Gift of George A. Hearn, 1906. HONFLEUR. In the foreground at the left is a three- masted schooner with sails furled; across the horizon stretches the line of the city and sail-boats are near the shore at the right. H.205in. W. 325 in. Canvas. Signed: Jongkind 1865. Purchase, Wolfe Fund, 191 6. DUTCH FISHING BOATS. Three sail-boats off a low shore on a windy day. H.6fin. W. lojin. Water color. Signed: Jongkind 1870. Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 1917. LANDSCAPE. An effect of autumn; road with a wagon approaching at the right, a row of trees, and sloping cul- tivated ground at the left. H. 7-]J^ in. W. 12 U in. Water color. Signed: 1885 Jongkind. "54 JONG KIND — JOUETT Mr. and Mrs. Isaac D. Fletcher Collection. Bequest of Isaac D. Fletcher, 191 7. JORDAENS, Jacob. Flemish; born 1593 at Antwerp; died there 1678. Pupil of Adam Van Noort; influenced by Ru- bens, whom he assisted. J76-3 SKETCH FROM SACRED HISTORY. To the right Gallery sits a judge (or king) in red robes; leaning over a rail 27 stand two women and a man pleading; two children stand at the feet of the judge; other women and children kneel at the left. H. 10 in. W. iij in. Canyas. Purchase, 1871. J76-4 THE PHILOSOPHERS— DEMOCRITUS AND HERA- Gallery CLITUS. Life-size figures of two men, standing behind 27 a large globe of the world; the one at the left is richly dressed and extends his right hand as if in argument; his companion wears a coarse gray drapery, which only partly covers his body, leans on the globe and turns away from the other figure. H. 50I in. W. 38! in. Canvas. Gift of Mrs. Jane L. Melville, 1884. JORIS, Pig. Italian; born 1843 at Rome; lives there. Pupil of Academy of San Luca in Rome and of Fortuny. J761-1 ITALIAN COURTYARD AND FIGURES. Three S. W. men are sifting grain near the arched entrance to a Stairway narrow court; in the foreground a boy is seated in the sunshine against the wall of a house; in the distance, at the head of the steep street, is a figure. H. 20j in. W. 14-]^ in. Water color. Signed: Joris Roma. Bequest of Catharine Lorillard Wolfe, 1887. JOUETT, Matthew Harris. American; born 1783 in Mercer Co., Ky.; died 1827 at Louisville, Ky. Studied paint- ing for a few months under Gilbert Stuart in Boston; settled at Lexington, Ky., in 1816. Portraits. J82-1 JOHN GRIMES. (A painter who died at Lexington, Gallery Ky., in 1837.) Life-size figure, seen to the waist; he has 16 light brown hair and wears a brown velvet coat and white stock. • H. 28J in. W. 2i| in. Wood. Gift of Mrs. Sarah Bell Menefee, 1895. •55 K KAEMMERER, Frederik Hendrik. Dutch; bom 1839 at The Hague; died 1902 at Paris, where he had lived since 1865. Pupil of the £cole des Beaux-Arts under Ger6me. Kii-i STUDY OF A GIRL'S HEAD. The figure is seen S. W. to the waist with the face in profile; a fan is in her Stairway right hand; she wears a red velvet cape and a broad- brimmed hat caught with a blue rosette. H. 9i in. W. 61 in. Canvas. Signed: F. H. Kaem- merer. Bequest of Catharine Lorillard Wolfe, 1887. KALF, WiLLEM. Dutch; born 1621 or 1622 at Amsterdam; died there 1693. Pupil of Hendrick Pot. Still life and interiors. K12-1 INTERIOR OF A DUTCH KITCHEN. An old Gallery woman, holding half a pumpkin on her lap, is seated 26 with her back toward a fireplace; in the background, at the left, a cow is lying down and a man is beside it. H. loj in. W. i2| in. Wood. Signed: KALF. Purchase, 1871. KAULBACH, Friedrich August von. German; born 1850 at Hanover; has lived in Munich since 1872. Pupil of his father, Friedrich Kaulbach; studied with Kreling at Nuremberg. K16-1 GIRL'S HEAD. Bust; she wears a square-cut black S. W. and white bodice; about her neck is a double string of Stairway pearls. H. 13 in. W. 9^ in. Wood. Signed: Fritz Aug Kaul- bach. Bequest of Catharine Lorillard Wolfe, 1887. 156 KAULBACH — KENDALL K16-2 ITALIAN GARDEN. At the right a gray-walled house Gallery against which are rose bushes; beyond is a group of tall, 19 dark cypress trees with an opening through which the distant sunlit lawn is seen; a summer-house and shrub- bery at the left. H. 19! in. W. 25I in. Canvas. Signed: F.K April 1894. Bulletin, 1917, p. 8; ill. p. 9. Purchase, Reisinger Fund, 191 6. KAULBACH, Wilhelm von. German; born 1805 at Arolsen, Westphalia; died. 1874 at Munich, where he had settled in 1825. Pupil of the Diisseldorf Academy under Cor- nelius and the Munich Academy; worked in Rome and in Berlin. K161-1 CRUSADERS BEFORE JERUSALEM. (The first S. W. crusade reached Jerusalem June 7, 1099. The picture Stairway follows Tasso's description in Jerusalem Delivered.) In the center is a shrine carried by white-robed acolytes preceded by priests. The commander, Godefroy de Bouillon, mounted on a white horse, offers the crown of the Holy Land to Christ who appears above; among the crusaders at the right are Boemund and Tancredi, Peter the Hermit kneels in the foreground, and at the left are Armida and her knight Rinaldo. This picture is a study (or replica) of one of the six wall paintings executed by Kaulbach and his assistants for the stair- case of the New Museum at Berlin. H. 62|in. W. 745 in. Canvas. Signed: W. Kaulbach. Bequest of Catharine Lorillard Wolfe, 1887. KENDALL, W. Sergeant. American; born 1869 at Spuyten Duyvil, N. Y.; lives at New Haven, Conn. Pupil of Penn- sylvania Academy of the Fine Arts ufider Eakins; Art Students' League of New York; ficole des Beaux-Arts, Julian Academy, and Luc Olivier Merson in Paris. Director, Yale School of the Fine Arts. K33-1 THE SEER. A lady dressed in black is seated in a Gallery round-backed wicker chair on which stands a little girl 13 who wears a white dress. The woman's back is toward the spectator and her face in profile toward the left; the child has her left arm about her mother's neck and faces toward the left with a far-away look. H. 37 in. W. 30 in. Canvas. Signed: Sergeant Ken- dall. Bulletin, 1907, p. 24, ill. Purchase, Heam Fund, 1907. "57 KENDALL— KENT K33-2 PSYCHE. A little girl, partly nude, is seated on a bed; Gallery a large butterfly rests on her back and a smaller one is 13 on her brown hair; a yellow drapery falls about her hips and with her right hand she holds a violet scarf. H. 37t^ in. W. 29 in. Canvas; oval. Signed: copyright 1909 Sergeant Kendall. Purchase, Hearn Fund, 1909. KENSETT, John F. American; born 1818 at Cheshire, Conn.; died 1873 at New York City. Studied engraving; painted in Europe for seven years. Settled in New York in 1848. Landscapes. K41 LANDSCAPES; thirty-eight, some unfinished, the last summer's work of the artist. Gift of Thomas Kensett, 1874. K41-39 LANDSCAPE. A wooded rocky glen occupies the Gallery foreground and the Hudson River winds through the 16 middle distance; beyond rise Dunderberg and Storm King with the town of Cornwall at its base. H. 33 in. W. 48 in. Canvas. Gift of H. D. Babcock in memory of S. D. Babcock, 1907. K41-40 LAKE GEORGE. The water is in the foreground with Gallery a rocky shore at the right; small islands are in the middle 16 distance and the mountainous shore beyond. H. 44 in. W. 66j in. Canvas. Monogrammed: JF.K. 1869. Bulletin, 191 5, p. 66; ill. p. 69. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. KENT, Rockwell. American; born 1882. Pupil of William M. Chase, Robert Henri, Hayes Miller, and Abbott Thayer. K411-1 MARINE. A view at Monhegan, Maine; snow-covered Gallery ground in front sloping down to a wharf with two fish 1 5 houses; beyond are a harbor with two men in a green dory, a breakwater, a more distant hill, and the open sea. It is late afternoon, and the low sun divides the scene into bands of cold yellowish lights and deep blue shadows. The sky is green fading into orange at the horizon. The water is cold green and blue; the effect is icy. H. 33f in. W. 44 in. Canvas. Signed: Rockwell Kent 1907. Purchase, Hearn Fund, 1917. 158 KESSEL— KNELLER KESSEL, JoHAN VAN. Dutch; born 1641 (?) at Amsterdam; died there 1680. Pupil of Simon de Vos; influenced by Jacob Ruisdael. Landscapes. K4&-1 CANAL IN HAARLEM. A three-arched bridge crosses a canal; a row of brick buildings is at the left; a church spire rises into a sky filled with dark floating clouds. H. 41J in. W. 55I in. Canvas. Signed: J v Kessel. Purchase, 1871. KNAUS, LuDWiG. German; born 1829 at Wiesbaden; died 1910 at Berlin, where he had resided many years. Pupil of the Dusseldorf Academy under Sohn and Schadow; studied in Paris. Figure subjects. K72-1 THE HOLY FAMILY. The Madonna is seated with Gallery the Child on her lap; a cherub stands at her side and 18 others hover about her; at the right is St. Joseph holding an ass by the bridle; there is a dark landscape background with the' crescent moon at the right. H. 44i in. W. 31I in. Wood. Signed: L. Knaus-1876. Bequest of Catharine Lorillard Wolfe, 1887. K72-2 OLD WOMAN AND CATS. A dimly lighted kit- Gallery chen with an old woman seated on the hearth in front 18 of the fire; there is a cat on her lap, another on her shoulder, and a cat and kittens are playing on the floor. H. 265 in. W. 305 in. Canvas. Signed: L. Knaus 1868. Bequest of Catharine Lorillard Wolfe, i88j,. K72-3 PEACE. A winged female figure, wearing white dra- pery, kneels on a cloud and scatters flowers; below are two cupids who play with the falling blossoms. Com- panion piece to Victory by Richter (R41-1). H. 135 in. W. 68 in. Canvas. Signed: L. Knaus. '* Gift of Jacob H. Schifl^, 1888. KNELLER, Sir Godfrey. British (Dutch-English); born 1646 at Liibeck; died 1723 at London. Pupil of Ferdinand Bol at Amsterdam; Carlo Maratta and Bernini at Rome; went to England in 1674 and painted portraits at the court. K73-1 LADY MARY BERKELEY. Life-size, to the waist; Gallery her low-necked dress is olive gray and trimmed with J4 white lace; a light violet drapery is over her left shoulder. Painted within an oval. Inscribed: Lady Mary Berkeley Wife to Tho. Chambers Esq. •59 KNELLER — ROLLER H. 29 in. W. 25 in. Canvas. Signed: G Kneller ... 1700. Gift of George A. Hearn, 1896. KOEKKOEK, Barend Cornelis. Dutch; born 1803 at Middel- bourg; died 1862 at Cleves. Pupil of his father, Jan Her- manus Koekkoek, and of Amsterdam Academy under Schelfhout and Van Os. K81-1 WINTER LANDSCAPE; HOLLAND. A frozen canal S. W. with skaters at the right; at the left a man and a womah Stairway are approaching on a snow-covered road. H. 14 in. W. lyiV in- Wood. Signed: B. C. Koekkoek 1833. Bequest of Catharine Lorillard Wolfe, 1887. K81-2 SUNSET ON THE RHINE. The river is at the extreme S. W. right, of the picture; in the center is a castle on a hill; Stairway in the foreground at the left are trees. H. 32-3^ in. W.42I in. Canvas. Signed: B. C. Koek- koek 1852. Bequest of Catharine Lorillard Wolfe, 1887. KOFFERMANS (or CoflFermans, or Coffermaker), ]VIarcellius (or Marcellis). Flemish; died 1775. Imitated the fif- teenth-century Flemish masters. K82-1 ADORATION OF THE SHEPHERDS. The Child on the crib, adored by Mary, Joseph, and four shepherds; angels above, singing, and the annunciation to the shepherds in the distance. H. 8i in. W. 5^ in. Wood. Signature indecipherable. Gift of J. Pierpont Morgan, 1917. KOLLER, GuiLLAUME. Belgian; born 1829 at Vienna; died 1884 at Nancy, France. Pupil of Vienna and Diisseldorf Acad- emies; worked chiefly at Antwerp and Brussels. K83-1 HUGO VAN DER GOES PAINTING THE POR- Gallery TRAIT OF MARY OF BURGUNDY. (Hugo van 19 der Goes, the Flemish painter, died about 1482. Mary of Burgundy was the daughter of Charles the Bold [1433-1477], Duke of Burgundy, and his first wife, Isabella of Bourbon.) A paneled room with tapestries; at the right the painter sits at a high red desk; on a wooden bench in the center of the picture a lady, wear- ing a lavender velvet gown trimmed with ermine, holds on her lap the little girl, who wears an embroi- 160 ROLLER — KYLE dered white satin dress over a red slip; a greyhound is at the left and a man leans over the back of the bench. H. 23f in. W. 34 in. Wood. Signed: G. Roller. Bequest of Stephen Whitney Phoenix, 1881. KONINCR, Philips. Dutch; born 1619 at Amsterdam; died there 1688. Pupil of his brother, Jacob Roninck, at Rotter- dam and of Rembrandt at Amsterdam. Also etcher. R831-2 LANDSCAPE. A bird's-eye-view of a wide expanse of Gallery level country with a roadway coming toward the fore- 26 ground; there is water in the middle distance; heavy moving clouds with a break through which the sun shines across the road. H. 565 in. W. 681 in. Canvas. Signed: P: Roninck 1649. Bulletin, 1912, p. 11, ill. Purchase, Rennedy Fund, 191 1. KRONBERG, Louis. American; born 1872 at Boston, Mass.; lives in Boston. Pupil of Boston Museum School; Laurens and Constant in Paris. K92-1 THE PINR SASH; A bare room with a girl in a white Gallery ballet dress standing in front of a small looking glass; a 13 pink sash is being tied about her waist by an old lady who wears a gray dress and a yellow bonnet. H. 305 in. W. 22 J in. Canvas. Signed: L. Rron- BERG 19*13. Purchase, Hearn Fund, 19 13. KRUSEMAN VAN ELTEN, Hendrik Dirk. American; born 1829 at Alkamaar, Holland; died 1904 in Paris. Pupil of Liest at Haarlem. Settled at New York City in 1865. Landscapes. Kg4-i AUTUMN. In the foreground a quiet stream in which tall tree-tops with scant foliage are reflected; meadow- lands beyond with figures in the distance. H. 38 in. W. 3of in. Canvas. Signed: Rruseman van Elten, H Gift of Mrs. H. D. Rruseman van Elten, 1905. KYLE, Joseph. American; born 181 5 in Ohio; died 1863 at New York City. Studied in Philadelphia with Thomas Sully and later with Bass Otis. Worked in Philadelphia and in New York, where he settled about 1848. Portraits. 161 KYLE K98-1 PORTRAIT OF A LADY. Bust portrait; elderly lady with dark hair parted and drawn over her ears; her dark bodice is held at the neck with a simple brooch. H. 125 in. W. II in. Canvas. Gift of William Magrath, 1895. K98-2 PORTRAIT OF THE ARTIST. Life-size, bust; he has Gallery brown hair and a long brown beard. 16 H. 17 in. W. 14 in. Canvas; oval. Gift of Louise Sherman Kyle, 1906. 162 LA FAROE, John. American; born 1835 at New York City; died 1910 at Providence, R: I. Pupil of Couture in Paris; William M. Hunt in Boston. Chiefly mural paintings and stained glass. L13-1 THE MUSE OF PAINTING. Half-life-size, full- Gallery length figure of a woman, in a yellow robe, seated on a 16 knoll and holding a tablet; at the right is a tree with ivy hanging from its branches; a river flows across the back- ground, with cliffs on the far bank. H. 49j in. W. 381 in. Canvas. Signed: LaFarge. 1870. Bulletin, 1909, p. 220, ill. Gift of J. Pierpont Morgan and Henry Walters, 1909. L13-2 THE STRANGE THING LITTLE KIOSAI SAW IN THE RIVER. "Kiosai, the famous Japanese painter, when a child saw floating in the river swollen by spring tides, something he took for the fairy tortoise with long hair of his nursery stories. He caught it and found It to be a head freshly cut off — some political murder. He brought it home to draw from, then wrapping it in the written prayers for the dead, gave it honourable water- burial." H.i2fin. W. iSjin. Watercolor. Signed: J LF97. Purchase, Rogers Fund, 19 17. L13-51 IN FRONT OF OUR HOUSE, VAIALA, SAMOA; Gallery YOUNG GIRL WEEDING. In the foreground a 16 partly nude Samoan girl lies full length on the grass in the sunlight; a grove of trees is in the middle distance with a thatched cottage beyond; blue sea in the distance at the left. H. 9 in. W. 18 in. Wood. Signed: J LaFarge-Samoa -1890-Vaiala. Lent by August F. Jaccaci, 1907. 163 LA FAROE — LARGILLIERE L13-52 FOUNTAIN IN THE GARDEN— NIKKO. Level Gallery foreground with a rock fountain in a pool- beyond is a hill 16 , with shrubbery. H. Ill in. W. 9I in. Wood. Signed: LaFarge nikko June 1886. Lent by Mrs. Michael Gavin, 1914. LAMBERT, Louis Eugene. French; born 1825 at Paris; died there 1900. Pupil of Delacroix. Still life and, after 1870, chiefly cats. L17-1 CAT AND KITTENS. An old cat lies at full length S. W. upon a red oriental rug; a gray kitten and a white one Stairway are in front of her and another peeps over the edge of a lady's sewing-basket. H. 355 in. W. 29i in. Canvas. Signed: L.'Eug. Lam- bert. Bequest of Catharine Lorillard Wolfe, 1887. LAMBINET, Emile. French; born 1815 at Versailles; died 1878 at Bougival. Pupil of Boisselier, Drolling, and Horace Vernet. Landscapes. L171-1 LANDSCAPE. Quiet water in the foreground, which reflects groups of trees on the far shore; near the water's edge are two men and a small boat; farm buildings beyond with rolling country in the distance. H. 14 in. W. 22 J in. Wood. Signed: Emile Lambinet 71. Bequest of Maria De Witt Jesup, from the collection of her husband, Morris K. Jesup, 191 5. LAMI, Louis Eugene. French; born 1800 at Paris; died there 1890. Pupil of Gros and of Horace Vernet. L18-1 INTERIOR OF A MUSEUM. An alcove with visitors S. W. looking at the objects. Stairway H. i2| in. W. igf in. Water color. Bequest of Catharine Lorillard Wolfe, 1887. LARGILLIERE (or Largiluerre), Nicholas de. French; born 1656 at Paris; died there 1746. Pupil of Antoine Goubeau at Antwerp; Lely in London. Portraits. L32-1 MARIE MARGUERITE LAMBERT DE THORIGNY. Gallery (i 668-1 701 ; a daughter of Alexandre Bontemps, governor 20 of thi palace of Versailles; she married in 1682 Claude Jean Baptiste Lambert de Thorigny, Pr&ident de la Chambre'de Comptes.) Life-size, standing figure, seen to 164 LARG I LLl ERE — LAWRENCE , the knees; her right hand is extended and water from a , fountain splashes over her open palm and falls into a basin; on the edge of this a parrot, with dark green and brilliant orange plumage, is cracking a nut; she wears an elaborate red dress faced with white and the left side is of brown velvet; her hair is dressed high with brown rib- bon; behind her at the left, a negro boy holds a spaniel; the background shows part of a building with a statue. H. 55 in. W. 43 in. Canvas. Inscribed: peint par N. de Largillierre — 1696. Purchase, Rogers Fund, 1903. LATHROP, William L. American; born 1859 at Warren, III.; lives at New Hope, Pa. Landscapes. L34-1 THE MEADOWS. Marshy foreground with cattle Gallery in the middle distance; at the right near the horizon two 13 bare trees are silhouetted against a luminous sky. H. i8i in. W. 26I in. Canvas. Signed: W. LATHROP. 97- Gift of George A. Hearn, igi i. LAWRENCE, Sir Thomas. British (English); born 1769 at Bristol; died 1830 at London. Pupil of the Royal Academy Schools in London. Succeeded Sir Joshua Reynolds as Painter in Ordinary to the King; in 1820, was elected President of the Royal Academy. Portraits. L43-I LADY ELLENBOROUGH. (Anne Towry married Gallery Edward Law, who became the first Baron of Ellenborough ; 14 she died in 1843.) Life-size, seated figure, seen to below the waist; her brown hair is parted and falls in short curls; she wears a low-necked, high-waisted, short-sleeved white silk dress with a red flower in her belt; she has a ' -' necklace of twisted seed'pearls; a red chair-back shows and a red curtain is draped at the right. H. 305 in. W. 25j in. Canvas. Gift of George A. Hearn, 1906. L43-2 REV. WILLIAM PENNICOTT. Life-size, seen to the Gallery waist; he has a white wig and wears a black coat and a 24 narrow white neck-band. H. 30 in. W. 25 in. Canvas. Bulletin, 1907, p. 14, ill. Purchase, Rogers Fund, 1906. L43-3 MISS BARING. (Probably a daughter of Sir Francis Gallery Baring.) Life-size, standing figure of a young lady, seen 14 almost to the knees; her brown hair is parted and falls 165 LAWRENCE — LAWSON in short curls; she wears a short-waisted, low-necked white satin dress and a pink shawl hangs over her left arm; there are tall pink hollyhocks in the foreground at the left and a landscape beyond. H. 50j in. W. 40 in. Canvas. Gift of George A. Hearn, 19 10. L43-4 JOHN JULIUS ANGERSTEIN.^ (1735-1823; an Eng- Gallery lish merchant, philanthropist, and 'art collector. In 1824 24 the English Government purchased for £60,000 his art collection, which formed the nucleus of the National Gallery.) Life-size, seated figure, seen to below the knees; his left arm rests on a table near an ink-well and paper; his right hand is on the arm of the chair which is upholstered in red; he wears a black coat, partly but- toned, a yellow waistcoat, and gray breeches; a draped red curtain is at the right. H. 5ofin. W. 4o|in. Canvas. Bulletin, 1912, p. 76, ill. Gift of Victor G. Fischer, 191 2. L43-5 LADY ELIZABETH WYNDHAM. (1752-1826; Gallery Elizabeth Alicia Maria, daughter of Charles, second Earl 24 of Egremont, married in 1771 Henry Herbert, later Lord Porchester and Earl of Carnarvon.) Life-size, seated figure seen to below the knees; she is seated against a tree trunk and caresses with both hands a large dog who rests his paw on her lap; her low-necked, short-sleeved, short- waisted white dress is held by a blue ribbon. H. 50 in. W. 385 in. Canvas. Bequest of Maria- De Witt Jesup, from the collection of her husband, Morris K. Jesup, 1915. LAWSON, Cecil Gordon. British (English); born 185 1 at Wel- lington, Shropshire; died 1882 at London. Pupil of his father, William Lawson, and of his brother, Wilfred Lawson. Landscapes. L44-1 LANDSCAPE. In the foreground is a road with a young Gallery - woman following a flock of sheep that are passing through 14 a rustic gate toward the right; at the left is a single tree with russet foliage; beyond, a wide expanse of rolling country extends to blue hills near the horizon. H. 40I in. W. 6ot^ in. Canvas. Signed: Cecil G. Law- son 1876. Gift of George A. Hearn, 1910. 166 LAWSON — L£ CLERC LAWSON, Ernest. American; born 1873 in California; lives in New York City. Studied in France. L441-1 WINTER. In the foreground is a stream partly choked Gallery with ice; in the middle distance at the left is the single 1 5 span of a bridge which leads toward two red houses which are seen through a screen of bare poplars; the far shore of the stream and the sloping hillside beyond are covered with snow. The picture was painted outdoors in the winter of 1914 at Kingsbridge, N. Y., and the water is the old Tibbetts Creek which originally fed the Spuyten Duyvil Creek, now the Harlem Ship Canal. H. 25 in. W. 3ofin. Canvas. Signed: E Lawson. Bulletin, 191 5, p. 81, ill. Purchase, Hearn Fund, 1915. LAZARUS, Jacob H. American; born 1822 at New York City, died there 1891. Pupil of Henry Inman, Portraits. L45-1 HENRY INMAN. (American painter; see Inman.) Standing figure, seen to the waist with the left elbow resting on a red covered table; he wears a brown suit with a plaid waistcoat and a dark blue tie. H. iot\ in. W. 8f in. Canvas. Signed: J. H. Lazarus. Pinx. Gift of Mrs. Jacob H. Lazarus. 1893. L45-3 JOSEPH W. DREXEL.